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The Robert Gore Rifkind Center for German Expressionist Studies
German Expressio
Prints and Draw
CATALOGUE OF THE COLLECTIO
German Expressionist Prints and Drawings
Volume 1
Essays by Stephanie Barron, Wolf-Dieter Dube, Alexander Diickers, Peter Guenther, Rose-Carol Washton Long, Paul Raabe, Robert Gore Rifkind, and Ida Katherine Rigby
Volume 2
Catalogue of the Collection by Bruce Davis
The Robert Gore Rifkind Center for German Expressionist Studies at the Los Angeles County Museum of Art contains the world's most comprehensive and distinguished collection of German Expressionist prints and drawings, illustrated books, and periodicals. This two-volume publication docu- ments for the first time the Study Center's immense holdings.
The richly illustrated essays in volume 1 place the collection in the context of the history and development of the German Expressionist movement, survey research in the field, and include Robert Gore Rifkind's interview with Oskar Kokoschka.
Volume 2, the largest and most inclusive ever published on German Expressionist graphic art, illustrates and precisely catalogues each of the more than five thousand works in the collection. The volume's six indexes permit access to this outstanding material by book, periodical, and portfolio titles; authors and publishers of illustrated works; and the subjects of portraits.
•&:
New Publications Fall 1989
erma tints
Ludwig jfceicLrier
Volume 1
Essays by Stephanie ]
'tickers, Peter Guenl
■
aabe, Robert Gore I
tlume 2
atalogue of the Coll
tie Robert Gore Rifl Jtudies at the Los An the world's most com] of German Expressioi books, and periodical, ments for the first tim
The richly illustrated in the context of the h Expressionist movem< include Robert Gore R
Volume 2, the largest German Expressionist catalogues each of the collection. The volume outstanding material 1 authors and publisher of portraits.
Tullio . Pericoli
Woody, Freud and Others
'he Apocalyptic Landscapes L
>f Ludwig Meidner
By Carol S. Eliel, with a contribution by Eberhard Roters.
This book examines for the first time a series of masterpieces by one of the most important but least known German Expressionists, Ludwig Meidner.
104 pages, 79 illus., 17 in full color. 10'Ax9'A in. ISBN 3-7913-1025-9. Cloth
iillio Pericoli
foody, Freud and Othe
/ nil cL nji cwui u uy jlcvcii i idler, an
introduction by Georg Ramseger, and a short story by Antonio Tabucchi. The connoisseur of satirical drawings and caricature will treasure Tullio Pericoli's portraits of our greatest cul- tural heroes: Ernest Hemingway, Orson Welles, Jean-Paul Sartre, Albert Ein- stein, Woody Allen, and many others.
156 pages, 61 full-page color plates and 23 blw illustrations. 9Vmx ll'Vit in. ISBN 3-7913-1028-3. Paperback
< Cover: Frans Hals, Isabella Coymans, um 1650/5.
/ Ulrich Luckhardt. A monograph on Lyonel Feininger has long been overdue. The last was pub- lished some twenty years ago, and since then the towering importance and the poetic beauty of his work have been in- ternationally recognized. Sixty dazzling color plates and commentaries give an exemplary overview of the life and work of the great master.
188 pages, 60 full-color plates and 90 blw illus. 9'Aex 1PA in. ISBN 3-7913-1022-4. Cloth
By Mark Rosenthal.
The beloved Blue Rider painter's work is revealed in this lavishly illustrated monograph. The text explores the sym- bolic and iconographic content of Marc's revolutionary paintings.
160 pages, 64 full-color plates and 19 b/w illus. 9'/2xll in. ISBN 3-7913-1024-0. Cloth
Edited by H. Klotz, with L. Sabau. The fascinating developments in New York architecture during the last twenty years, for architects and New York fans.
In the United States and Canada this book is distributed by Rizzoli Inter- national Publications, Inc., 300 Park Avenue South, New York, NY 10010.
336 pages, 708 illus., 271 in full color, and a map of Manhattan. 8'hx 12'h in. ISBN 3-7913-0989-7. Cloth
Retrospective 1989
With a foreword by Diane Waldman and contributions by R.H. Fuchs and Franz Dahlem, and texts by Arnulf Rainer. This monograph on the work of one of Europe's most prominent artists discus- ses his career, illuminating the methodology and thematic content of his work. Rainer's own fascinating writ- ings reflect the immediacy and spon- taneity of his paintings.
164 pages, 148 illus., 88 in color. 9'Axll in. ISBN 3-7913-1035-6. Cloth
*l
-. ::-.:•
Idmanand
» and Franz ! Riiner,
(B discus-
Architecture, Painting, Sculpture, Decorative Arts, and Fashion
By Georg Himmelheber.
This book presents, in unparalleled
breadth, the achievements of Bieder-
meier artists and craftsmen placed in
their political, social, and art-historical
context. The Biedermeier style in all its
mediums is defined here for the first
time.
272 pages, 385 illus., 194 in full color.
8Vsx 1PA in. ISBN 3-7913-1023-2.
Cloth
S\ K^dldLlU
By Carol Clark, Nancy Mowll Mathews, and Gwendolyn Owens. Milton W. Brown, senior editor. An essential reference work for admirers of the Prendergasts' art, as well as for collectors, libraries, and museums.
Approx. 720 pages, approx. 2,400 illus., 100 in full color. 9x 1PA in. ISBN 3-791 3-0965-x. Cloth
Edited by Seymour Slive. Set to be the definitive volume on the Dutch master for a long time to come, this book explores Hals work, life, and the historical period from which his art emerged. Major exhibition.
420 pages, 108 full-color plates and 245 hlw illus. 9Ysx HVs in. ISBN 3-7913-1032-1. Cloth
unese ana Japanese
- :'.'
I-
Edited by Anne d'Harnoncourt and Kynaston McShine. First published in 1973, to immediate acclaim, this monograph documenting Duchamp's entire career continues to be the definitive book on the artist.
360 pages, 429 illustrations, 12 in full color. 8>/ix 11 in. ISBN 3-7913-1018-6. Cloth
/ith an introduction by Steven . Brezzo and essays by Christopher Forbes, Johann Georg Prinz von Hohenzollern, and Irina Rodimtseva. Masterful photographs of some of Faberge's most magnificent eggs are accompanied by descriptions and by essays that explore the history of the Faberge workshops and their products.
120 pages, 127 illus., 63 in full color. 8Vsxl PA in. ISBN 3-7913-1027-5. Cloth
Masterpieces from Two Thousand Years. The Heinz Gotze Collection
Edited by Shigemi Komatsu and Kwang S. Wong, with Fumiko Cranston. A beautifully illustrated history of cal- ligraphy based on a collection the Museum for East Asian Art, Berlin, calls "the most comprehensive and important of its kind in Europe."
198 pages, 182 full-color plates and 27 hlw illus. 87/sx 1PA in. ISBN 3-7913-1026-7. Cloth
m
HI,
erman rints
Volume 1
Essays by Stephanie I Diickers, Peter Guent abe, Robert Gore F
Iume2
Catalogue of the Colli
The Robert Gore Rifk Studies at the Los An; the world's most comi of German Expressior books, and periodicals ments for the first tin*
The richly illustrated < in the context of the h Expressionist moveme include Robert Gore Ri
Volume 2, the largest ; German Expressionist catalogues each of the collection. The volume outstanding material t authors and publisher: of portraits.
in the Lenbachhaus, Munich. Masterpieces by Marc,
Kandinsky, Miinter, Jawlensky, Macke, and Klee.
By Armin Zweite. Commentaries and biographies by
Annegret Hoberg.
288 pp., 121 color plates and 77 b/w illus.
8'Ax IP/sin. ISBN 3-7913-0850-5. Cloth
Postcards to Prince Jus
By P.-K. Schuster. The complete set of Marc's beautiful postcards to the poet Else Lasker-Schuler. 104 pp., 29 color plates and 41 b/w illus. 63Ax93A in. ISBN 3-7913-0883-1. Cloth
'
His Contemporari
From the Leopold Collection, Vienna. Edited by Klaus Albrecht Schroder and Harald Szeemann. 296 pages, 139 color plates and 59 b/w illus. 9Ysx 1PA in. ISBN 3-7913-0921-8. Cloth
Paintings, Sculptures, Environments from Expres- sionism to the Present Day. By Siegfried Gohr. Vol. 1 : Selected masterpieces. 272 pp., 217 color plates, 8 b/w illustrations. 8Vsx IP/4 in. ISBN 3-7913-0792-4. Cloth
Vol. 2: Catalogue raisonne. Edited by S. Gohr. Text in German. 296pp., 501 illus. Avail, in 2-vol. set only. ISBN 3-7913-0791-6.
rt in the 20th Centur
Ed. by S. Compton. Series ed. N. Rosenthal. 457 pp., 472 illus., 277 color plates. 87/sxlPA in. ISBN 3-7913-0798-3. Cloth
the 20th Centur
Ed. by E. Braun. Series ed. N. Rosenthal.
472pp., 216 color plates, 231 b/w illus. 87Ax 1 PA in.
ISBN 3-7913-0907-2. Cloth
German Art in the 20th Centur1
Ed. by C.Joachimides, N. Rosenthal, and W. Schmied. Series ed. N. Rosenthal. 518 pp., 623 illus., 293 color plates. 87/sxlPA in. ISBN 3-7913-0743-6. Cloth
The Robert Gore Rifkind Center for German
Expressionist Studies
Vol. 1 : Essays, masterpieces from the collection.
230 pp., 266 illus., 63 color plates. 10'Axl2Vir,in.
ISBN 3-7913-0974-9. Cloth
Vol. 2 : Catalogue of the Collection. By B. Davis.
846pp., 5,134 b/w illus. ISBN 3-7913-0975-7. Cloth.
Avail, in 2-vol.-set only.
2-vol. set: ISBN 3-7913-0959-5.
The Sec
197 pp., 516 Mm., 89 color plates. 87/sx 1PA in.
ISBN 3-7913-0874-2. Cloth
ittmiJfoU
hllkl
ByDr.Mob
Masters of Jugendstil. Edited and with an introduc- tion by Kathryn B. Hiesinger. 180 pages with 197 illustrations, 50 in full color. 8Vsxllin. ISBN 3-7913-0881-5. Clothbound
Production Catalogues 1915-1960: Orrefors, Kosta, Elme, Eda, Strombergshyttan. Edited by Helmut Ricke and Lars Thor.
440 pp., parallel text in English, German, and Swed- ish. Reproductions of 926 pages with over 20,000 items. 87hxlVA in. ISBN 3-7913-0804-1. Clothbound
By L.H. Heydenreich. Edited by G. Passavant 192pages, 3 color plates, 131 b/w illustrations. 8'Axll in. ISBN 3-7913-0764-9. Clothbound
aissance A
300-1550
Edited by Gerhard Bott, Philippe de Montebello, Rainer Kahsnitz and William D. Wixom.
"This catalogue ... is monumental even by the stan- dards of today." John Russell, The New York Time.
500 pages, 562 illus., 148 in full color. 87/sxlPA in. ISBN 3-7913-0765-7. Clothbound
e : A Shelter Sketchb
Facsimile. With a commentary by Frances Carey. Distribution in USA and Canada only. 160 pp., 68 color facsimile reproductions. 77/sx6"/i<< in ISBN3-7913-0867-X. Clothbound
By Dr. Mohamed Saleh and Hourig Sourouzian. Distribution in continental Europe and Egypt by Verlag Philipp von Zabern, Mainz. 268 pages, 313 illustrations, 290 in full color. 8'Ax9'A in. ISBN 3-7913-0797-5. Hardcover.
By Lillian Schacherl and Josef H. Biller.
240 pages with 488 illus., 408 in color, and 37 maps
5 x 9'h in. ISBN 3-7913-0838-6. Paperback
A Guide to 26 Collections. Edited by Hugo Borger. 280 pages, 387 illus., mostly in color. 5 x 9'/i in. ISBN 3-7913-0787-8. Paperback
erman Prints
Volume 1
Essays by Stephanie I Diickers, Peter Guentj Raabe, Robert Gore R
Volume 2
Catalogue of the Colle
The Robert Gore Rifk; Studies at the Los Anj the world's most comp of German Expression books, and periodicals ments for the first time
The richly illustrated t in the context of the h Expressionist moveme include Robert Gore Ri
Volume 2, the largest i German Expressionist catalogues each of the collection. The volume outstanding material b authors and publishers of portraits.
BERLINART"
Joseph Beuys : Olfarben-Oil
Text in German and English by Franz Joseph van der Grinten and Hans van der Grinten. Foreword by Heiner Bastian.
66 pages of text, 110 full color plates. 10Vi6X 143/uin. ISBN 3-7913-0561-1. Clothboundm a case
By Mark Rosenthal. The first comprehensive survey of this fascinating German artist's career.
"... the wonderfully detailed catalogue ... is an indis- pensable guide ... a triumph of art historical scholar- ship." Hilton Kramer, The New Criterion
216 pp., 280illus., 105 in full color, 2 fold-outs. 10V,6xllVs in. ISBN 3-7913-0847-5. Pb
By Andreas Franzke. Idea and concept by Edward Quinn. This monograph is the first comprehensive survey of Baselitz's work. 264 pages with 240 illustrations, 189 in full color. HVsxl2in. ISBN 3-7913-0947-1. Cloth Signed Edition: ISBN 3-7913-1 533-1.
Druckgraphik - Prints - Estampes 1963-1983. Edited by Siegfried Gohr. Text in English, French, and German.
172 pages, 148 illustrations, 20 in full color. 8V4X 11 in. ISBN 3-7913-0632-4. Paperback
The German Image 1 960 - 88. Edited by Thomas Krens, Michael Govan, and Joseph Thompson. 180 paintings by 41 artists demonstrate the range, quality and vitality of the figurative impulse in German art. 292 pages with 180 color and 62 blw illustrations. 87/sxlP/4in. ISBN 3-7913-0866-1. Cloth
Edited by Kynaston McShine. Painting, sculpture, film, and performance art created in this center of the international art scene during the last quarter-century. 284 pages, 415 illus., 86 in full color. 8Vsx 1PA in. ISBN 3-7913-0815-7. Clothbound
Edited by Joan Simon and Sarah McFadden. The catalogue for the exhibition of contemporary art held for the 50th time in Pittsburgh in 1 988 - 89. 202 pages, with 1 22 full color and 8 blw illustrations. 9% x IP/sin. ISBN 3-7913-0875-0. Paperback
Paintings - Works on Paper - Sculpture. Edited by Harald Szeemann. A first comprehensive survey of Twombly's work.
240pages with 121 illus., 101 in full color. 8VsxlP/4 in. ISBN 3-7913-0840-8. Clothbound
Wang Yani
Pictures by a Young Chinese Girl. The astonishing ink drawings of a young Chinese artist. She is China's
painting child prodigy a seemingly inexhaustible
imagination.
116 pages, 61 color and 11 blw illustrations.
8'Axll3Ain. ISBN 3-7913-0816-5. Hardcover
Four Tales from 1001 Arabian Nights. With a fore- word by Norbert Nobis. The magical world of Sheherazade's tales is brought to life in Chagall's stunningly beautiful lithographs. 176 pages, 13 full-page, seven-color plates, 13 blw drawings. 9'Viex 12Vs in. ISBN 3-7913-0842-4. Clothbound in a decorative case
Edited by Jean Leymarie. An invaluable contribution to the literature on a central figure of 20th-century art. 280 pages with 123 full-color plates and 35 illus. 87hxll in. ISBN 3-7913-0882-3. Cloth
The Later Years. Edited by Nicholas Serota. This
richly illustrated monograph concentrates on the
important, fifteen-year phase of Leger's work from
1940 to 1955, including the monumental painting
cycles.
192 pages, 197 illus., 88 in full color. 8Vsx lOVs in.
ISBN 3-7913-0868-8. Clothbound
Naum Gab<
Sixty Years of Constructivism, Edited by Steven A. Nash and Jorn Merkert. A comprehensive monograph including a catalogue raisonne of the constructions and sculptures.
272 pages, 278 illustrations, 18 in full color. 83/4xll in. ISBN 3-7913-0742-8. Clothbound
David Smit
Sculpture and Drawings. Edited by Jorn Merkert. One of the great sculptors of the 20th century is presented in this volume.
192 pages, 193 illustrations, 17 in full color. 83Axll in. ISBN 3-7913-0793-2. Clothbound
The Complete Works. Edited by Dietrich Helms.
This book is a meticulously researched, definitive
monograph on the work of the German Modernist
artist.
Approx. 420 pages with approx. 530 illus., 180 in full
color. 97/sx97/sin. ISBN 3-7913-0978-1. Cloth
The Diisseldorf Collection.
By Werner Schmalenbach.
128 pages, 92 illustrations, 58 in full color, and
5 photographs of the artist. 7'Ax 10'A in.
ISBN 3-7913-0794-0. Clothbound
Vordemberge-Gildewart
erman Prints
lumel
says by Stephanie I ickers, Peter Guent Raabe, Robert Gore F
Volume 2
Catalogue of the Colli
The Robert Gore Rifk Studies at the Los An; the world s most comr of German Expressior books, and periodicals ments for the first thro
The richly illustrated < in the context of the h Expressionist moveme include Robert Gore Ri
Volume 2, the largest : German Expressionist catalogues each of the collection. The volume outstanding material b authors and publisher: of portraits.
African Art in Anthropology Collections. Edited and with an introduction by Susan Vogel. Provocative essays, richly illustrated, on the question of how to view art from other cultures.
212pages, 160 objects shownin full color. 87/sxl2'/sin. ISBN 3-7913-0865-3. Clothbound
The Barbier-Mueller Collection. Edited by Werner Schmalenbach. A wide-ranging survey of African tribal art, particularly wood sculpture and masks. 320 pages with 71 full color, 134 duotone, and 90 b/w illus. 87kxlPUin. ISBN 3-7913-0849-1. Cloth
Indigenous Styles of Southeast Asia. Edited by Jean Paul Barbier and Douglas Newton. With a foreword by Philippe de Montebello. A richly illustrated survey of the art of Southeast Asia. 364 pages with 354 illustrations, 35 in full color. 9Vsxll'Vi6in. ISBN 3-7913-0899-8. Cloth
By Ezio Bassani and William Fagg. The exquisite Afro-Portuguese ivory carvings created in the 15th and 16th centuries are the subject of this book. 256 pages with 102 full color and 404 b/w illustrations. 9Vi6xl23/i6in. ISBN 3-7913-0880-7. Cloth
Jewellery and Ornaments from Ghana, Cote d'lvoire, Mali and Senegal. From the Collection Barbier- Mueller, Geneva. By Timothy F. Garrard. The 250 most beautiful gold objects of the museum's collection are illustrated and accompanied by infor- mative essays.
248 pages with 196 full color and 29 b/w illus. 9V4X1P/4 in. ISBN 3-7913-0914-5. Cloth
Jewelry from Indonesia, Malaysia, and the Philippines from the collection of the Barbier-Mueller Museum, Geneva. Text by Susan Rodgers. Photographs by Pierre- Alain Ferrazzini. 369 pages, 499 illustrations, 361 in full color. 9xlOYsin. ISBN 3-7913-0859-9. Clothbound
Photographer: Klaus Demuth, Munich
Printed in the Federal Republic of Germany. 80 Pera 989
Distribution
USA and Canada by te Neues Publishing Company
15 East 76th Street, New York, NY 10021, USA, Tel. (212) 288-0265, Telefax (212) 570-2373
United Kingdom, Ireland and all other countries by Thames & Hudson Limited 30-34 Bloomsbury Street, London WC1B 3QP, England, Tel. (1) 6365488, Telefax (1) 6364799
Continental Europe and Japan by Prestel-Verlag, Verlegerdienst Miinchen GmbH & Co KG Gutenbergstrasse 1, D-8031 Gilching, Federal Republic of Germany, Tel. (81 05) 21 10, Telefax (81 05) 5520
Please ask for price list Prestel-Verlag, Mandlstrasse 26, D-8000 Munich 40, Federal Republic of Germany, Tel. (89) 3 81 7090, Telefax (89) 38 170935
j? Tataipte
C--J5J.C
ltd
German Expressionist
Prints and Drawings
German Expressionist
Prints and Drawings
The Robert Gore Rif kind Center for German Expressionist Studies
volume 2
Catalogue of the Collection
Bruce Davis
Los Angeles County Museum of Art Prestel
Copyright © 19S9 by Museum Associates, Los Angeles County Museum of Art. All rights reserved
Cover
Conrad Felixmiiller Selbstbildnis unit Frau Cat. no. 613
Published by the Los Angeles County Museum of Art, 5905 Wilshire Boulevard, Los Angeles, California 90036, and Prestel-Verlag, Mandlstrasse 26, D-8000 Munich 40, Federal Republic of Germany
Distributed in continental Europe and Japan by Prestel- Verlag, Verlegerdienst Miinchen GmbH & Co KG, Gutenbergstrasse 1, D-8031 Gilching, Federal Republic of Germany
Distributed in the United States and Canada by te Neues Publishing Company, 15 East 76 Street, New York, NY 10021
Distributed in the United King- dom, Ireland, and all other countries by Thames & Hudson Limited, 30-34 Bloomsbury Street, London WC1B3QP, England
Library of Congress Cataloging-in-Publication Data
Robert Gore Rifkind Center for German Expressionist Studies. German expressionist prints and drawings.
Bibliography: p. Includes indexes. Vol. 2: Catalogue of the collection / Bruce Davis. 1. German expressionism (Art)-Catalogs. 2, Art- California-Los Angeles- Catalogs. 3. Robert Gore Rifkind Center for German Expressionist Studies- Catalogs. I. Barron, Stephanie. II. Davis, Bruce, 1951- III. Title.
Printed in the Federal Republic of Germany
ISBN 3-7913-0975-7 (vol. 2) ISBN 3-7913-<>959-5 (vols. 1, 2)
Mitch Tuchman, managing editor
Karen Jacobson, editor
Deenie Yudell, designer
Peter Brenner, head photographer
Renee Carver, Jeff Conley, Barbara Lyter, Ken McKnight, and Steven Oliver, photographers
Eileen Delson, production coordinator and layout designer
Jenny Ford and Deborah Gassner, production assistants
Nancy Carcione and Tom Jacobson, manuscript typists
Roberta Goodwin
and Roberta Shepherd, indexers
Text set in Caledonia and Franklin Gothic Condensed typefaces by Continental Typographies, Chatsworth, California, and Aldus Type Studio, Ltd., Los Angeles, California
Printed on 120 g/m2 Scheufelen
BVS dull coated paper by
R. Oldenbourg GmbH, Munich
Binding by
R. Oldenbourg GmbH. Munich
The collection of the library of the Rifkind Study Center is catalogued in Susan Trauger, The Catalogue of the Library of the Robert Gore Rifkind Center for German Expressionist Studies (Boston: G.K.Hall, 1989).
This publication is supported in part by a grant from the National Endowment for the Arts.
S 1 7
Contents
vi Acknowledgments
vii Note to the Reader
viii List of References and Exhibition Catalogues
1 Catalogue
Left to right:
Jan Zrzavy
Jongleur Cat. no. 3176
Erich Heckel
Stehende Cat. no. 1032
Lasar Segall
lm Atelier Cat. no. 2747
Indexes
832 Authors and Editors
833 Publishers
835 Books
836 Periodicals
841 Portfolios
842 Portraits
Vincenc Benes
Untitled (Cubist still life) Cat. no. 225
Acknowledgments
The compilation of rudimentary descriptive information for the more than five thousand prints and drawings in the Robert Gore Rifkind Center for German Expressionist Stud- ies is an enormous task, one made considerably easier for the author by the presence in the center of files for many of the objects. The labors of the collection's previous curators and librarians must be acknowledged, and the present task could not have been completed without the assistance of the cen- ter's staff: Timothy Benson, associate curator; Christine Vigiletti, registrar; Susan Trauger, librarian; and Vicki Gambill, secretary. Ernestine Kahn checked the translation of German titles into English. Museum Service Council vol- unteer Crete Wolf researched biographical information for hundreds of artists. This project tested the talents of many museum staff members, but all responded superbly: Ebria Feinblatt and Victor Carlson, former and present senior curators of prints and drawings; Mitch Tuchman, managing editor; Deenie Yudell, head graphic designer, whose sen- sitive design enhanced both the appearance and the usability of the catalogue; manuscript typists Nancy Carcione and Tom Jacobson; and photographers Peter Brenner, Renee Carver, Jeff Conley, Barbara Lyter, Ken McKnight, and Steven Oliver. Eileen Delson coordinated the layout and mechanical production for this volume; Deborah Gassner and Jenny Ford were responsible for additional production work. Special thanks are owed to the catalogue's editor, Karen Jacobson, who detected countless inconsistencies and factual errors. Many visiting scholars, including those who contrib- uted essays to the companion volume to this catalogue, dis- cussed a variety of issues with the author, who is grateful for their patience and advice. Finally, Robert Gore Rifkind has been a source of enthusiasm, inspiration, and information.
Bruce Davis
Curator, Prints and Drawings
Note to the Reader
The purpose of this catalogue is to describe and illustrate all of the original prints and drawings in the Rifkind Study Center. There are, however, some exceptions, particularly in the area of illustrated books and periodicals. In general only full-page illustrations have been described in detail and illus- trated; vignettes, marginalia, initials, and other minor printed matter have not been individually catalogued. Fur- thermore books illustrated by the prolific Frans Masereel have been described only summarily because full descrip- tions would have distorted his importance within both the collection and twentieth-century graphic art.
In many ways this catalogue is only a provisional one. Additional scholarly research will bring forth information that will correct and expand upon what is provided here. Visitors to the center may uncover works not included in this volume or may find that some works catalogued are reproduc- tions rather than original prints. Because descriptions of illustrations in books and periodicals of the era are often inconsistent, the author decided to err on the side of inclu- siveness by cataloguing all works that appear to be original, whether or not they are described as such.
The catalogue is arranged alphabetically by artist. Names with umlauts are not treated differently from those without; for example, Rossner follows Rohlfs. Each artist's works are listed chronologically, with undated works listed at the end of the artist s group of entries. When the center owns more than one work from a given year, they are arranged alphabetically by title, with untitled works appearing at the end. The author has attempted to correct some errors in earlier books and catalogues and to note when the information given here dif- fers from that published previously. The following guidelines have been used.
Biographical information: Dates and places of birth and death are given for each artist when known. If no state or country is given, the city is in Germany.
Title and date: When no title is known, a brief descriptive title is used. For undated works the date of execution is assumed to be close to the date of publication.
Medium and paper: The author has tried to describe the media accurately in addition to listing the colors used; when none is listed, the color is black. Unless noted otherwise, the paper color is white or cream. The type of paper is described gen- erally as wove, laid, or japan, regardless of whether it is made by machine or hand. The manufacturer of the paper is given when known.
Size: Many works have been remeasured. Height precedes width. For drawings, sheet size is given; for etchings, plate size; for lithographs and woodcuts, image size.
Remarks: These are generally limited to the name of the pub- lisher, the published source of the work — such as portfolio, periodical, or book — and the size of the edition, if known.
Inscription: Signatures, dates, titles, and other written inscrip- tions have been noted.
Provenance: Source and date of the work's acquisition by Robert Gore Rifkind or the center have been given. When known, earlier history is also noted.
Reference: If a work appears in a catalogue raisonne, the cata- logue number is given. Only more recent catalogues are cited. All references cited are included in the List of Refer- ences and Exhibition Catalogues.
Exhibition: Only exhibitions in which the center's impression appeared are listed. All exhibition catalogues cited are included in the List of References and Exhibition Catalogues.
Museum number and credit line: If no credit line is given, the fol- lowing guidelines should be used. For works with museum numbers beginning with M. 82. 287 and M. 82. 288, the credit line is Los Angeles County Museum of Art, Robert Gore Rifkind Center for German Expressionist Studies; for works with museum numbers beginning with 83. 1, the credit line is Los Angeles County Museum of Art, Robert Gore Rifkind Center for German Expressionist Studies; purchased with funds provided by Anna Bing Arnold, Museum Acquisition Fund, and Deaccession Funds.
List of References and Exhibition Catalogues
Arntz, Wilhelm F. Bibliographie der Werkkatalog zur Kunst des zwanzigstenjahrhunderts. Band 1: Ackermann— Avery. Haag (Oberbayern): Verlag Gertrud Arntz- Winter, 1974.
Barron, Stephanie, ed. German Expressionist Sculpture. Exhibition cata- logue. Los Angeles: Los Angeles County Museum of Art, 1983.
Barton, Brigid S. German Expressionist Woodcuts from the Robert Gore Rifkind Foundation. Exhibition catalogue. Santa Clara, Calif.: De Saisset Art Gallery and Museum, University of Santa Clara, 1980,
Bolliger, Hans, and E. W. Kornfeld. Ausstellung Kiinstlergruppe Briicke: Jahresmappen, 1906-19)2. Exhibition catalogue. Bern: Klipstein & Kornfeld, 1958.
Cailler, Pierre. Catalogue raisonne de Voeuvre grave et lithographic de Maurice Denis. Geneva: Editions Pierre Cailler, 1968.
Calvocoressi, Richard. Oskar Kokoschka, 1886-19S0. Exhibition cata- logue. New York: Solomon R. Guggenheim Museum, 1986.
Chipp, Herschel B. The Human Image in German Expressionist Graphic Art from the Robert Gore Rifkind Foundation. Exhibition catalogue. Berkeley: University Art Museum, University of California, 1981.
Compin, Isabelle. Henri-Edmond Cross. Paris: Quatre Chemins, 1964.
Delteil, Loys. Le peintre-graveur illustri , tome quatrieme: Anders Zorn. Paris: Loys Delteil, 1909.
. he peintre-graveur illustre', tome sixieme: Rude, Barye. Carpeaux,
Rodin. Paris: Loys Delteil, 1910.
Driesbach, Janice Tolhurst, German and Austrian Expressionism,
igoo-1920. Exhibition catalogue. Bloomington: Indiana University Art Museum, 1977.
Dube, Annemarie, and Wolf-Dieter Dube. E. L. Kirchner: Das graphische Werk. 2 vols. Munich: Prestel-Verlag, 1967.
. Erich Heckel: Das graphische Werk. 2 vols. New York: Ernst
Rathenau, 1964.
DOCKERS, Alexander. George Grosz: Das druckgraphische Werk. Berlin: Propylaen Verlag, 1979.
Eckhardt, Ferdinand. Das graphische Werk von Walter Gramatte. Zurich: Amalthea Verlag, 1932.
Engels, MathiasT. Campendonk, Holzschnitte: Werkverzeichnis. Stutt- gart: Kohlhammer, 1959.
Exteens, Maurice. Voeuvre grav& et lithographic de Felicien Rops. 4 vols. Paris: Editions Pellet, 1928.
Fechter, Paul. Das graphische Werk Max Pechsteins. Berlin: Fritz Gurlitt Verlag, 1921.
Forster-Hahn, Francoise. Kathe Kollwitz: Prints, Drawings, Sculpture. Exhibition catalogue. Riverside: Ihiiversity Art Galleries, University of California, 1978.
Fryberger, Betsy. In Celebraton of Paul Klee, i8-/g-iQ40: Fifty Prints. Stanford Art Book, no. 18. Stanford, Calif: Stanford University Museum of Art, 1979.
Gallwitz, Klaus. Max Beckmann: Die Druckgraphik. Exhibition cata- logue. Karlsruhe: Badischer Kunstverein, 1962.
Goley, Mary Anne. The Prints of Erich Heckel from the Los Angeles County Museum of Art, the Robert Gore Rifkind Center for German Expressionist Studies. Exhibition catalogue. Washington, D.C.: Fed- eral Reserve Board, 1984.
GOpel, Erhard. Max Beckmann: Katalog der Gemdlde. 2 vols. Bern: Verlag Kornfeld & Cie., 1976.
Gordon, Donald. Modern Art Exhibitions, 1900-1916, 2 vols. Munich: Prestel-Verlag, 1974.
Grochowiak. Thomas. Ludwig Meidner. Recklinghausen: Verlag Aurel Bongers, 1966.
Guenther, Peter W. German Expressionism: Toward a New Humanism. Exhibition catalogue. Houston: Sarah Campbell Blaffer Gallery, Uni- versity of Houston, 1977.
Hagenlocher, Alfred. Wilhelm Laage: Das graphische Werk. Munich: Karl Thiemig, 1969.
Jahn, Beate, and Friedemann Berger. Die Schaffenden: Eine Auswahl der Jahrgange 1 bis III und Katalog des Mappenwerkes. Leipzig and Wei- mar: Gustav Kiepenheuer Verlag, 1984.
Jentsch, Ralph. Hans Meid: Das graphische Werk. Esslingen: Verlag Kunstgalerie Esslingen, 1978.
. Richard Seewald: Das graphische Werk. Esslingen: Verlag
Kunstgalerie Esslingen, 1973.
. Rudolf Grossmann, 1882-1941. Gemdlde, Aquarelle,
Zeichnungen, Graphik, illustrierte Biicher. Exhibition catalogue. Ess- lingen: Verlag Kunstgalerie Esslingen, 1974.
Jordan, Jim. The Graphic Legacy of Paul Klee. Exhibition catalogue. Annandale-on-Hudson, N.Y. : Edith C. Blum Art Institute, Bard Col- lege, 1983.
Kaiser, Hans. Max Beckmann. Berlin: Paul Cassirer, 1913.
Kallir, Otto. Egon Schiele: The Graphic Work. New York: Crown Pub- lishers, 1970.
Karl, Louis. Adolf Erbsloh: Das graphische Werk. Exhibition catalogue. Munich: Karl & Faber, 1982.
Karsch, Florian. Georg Tappert: Das nachgelassene graphische Werk. Berlin: Galerie Nierendorf, 1963.
. Otto Dix: Das graphische Werk. Hannover: Fackeltrager- Verlag
Schmidt-Kiister, 1970.
-. Orfo Mueller: Das graphische Gesamtwerk. Exhibition catalogue.
Berlin: Galerie Nierendorf, 1974. Karshan, Donald. Archipenko: The Sculpture and Graphic Art.
Tubingen: Ernst Wasmuth, 1974. Klipstein, August. Kathe Kollwitz: Verzeichnis des graphischen Werkes.
Bern: Klipstein &Co., 1955. Kolb, Leon. The Woodcuts of Jakob Steinhardt. San Francisco: Genuart
Co., 1959. Kornfeld, E. W. Verzeichnis des graphischen Werkes von Paul Klee.
Bern: Kornfeld & Klipstein, 1963. Kornfeld, E. W., and Peter Wick. Catalogue raisonne de Voeuvre grav&
et lithographic de Paul Signac. Bern: Kornfeld & Klipstein, 1974. Lankheit, Klaus. Franz Marc: Katalog der Werke. Cologne: Verlag M.
DuMont Schauberg, 1970. Larson, Philip. German Expressionist Drawings from the Collection ofD.
Thomas Bergen. Exhibition catalogue. South Bend, Ind.: University of
Notre Dame Art Gallery, 1977. Leppien, Helmut R. Max Ernst: Das graphische Werk. Houston: Menil
Foundation; Cologne: Verlag M. DuMont Schauberg, 1975. Mandach, Conrad de. Cuno Amiet: Vollstdndiges Verzeichnis der
Druckgraphik des Kunstlers. Bern: Sehweizerische graphische Gesell-
schaft, 1939. Miesel, Victor H. Ludwig Meidner: An Expressionist Master. Exhibition
catalogue. Ann Arbor: University of Michigan Museum of Art, 1978. Muller, Heinrich. Die spate Graphik von Lovis Corinth. Hamburg:
Lichtwarkstiftung, i960. Nagel, Otto, ed. Kathe Kollwitz: Die Handzeichnungen. 2 vols. Berlin:
Henschelverlag Kunst und Gesellschaft, 1972. Nathanson, Richard. A Collection ofWoodcuts by Arthur Segal. London:
Privately printed, 1972. Novotny, Fritz, and Hubert Adolph. Max Kurzweil: Ein Maler der Wie- ner Sezession. Vienna: Jugen & Volk, 1969. Osborn, Max. Das graphische Werk von Max Oppenheimer. Berlin: Verlag
Bruno Cassirer, 1931. Petermann, Erwin. Die Druckgraphik von Wilhelm Lehmbruck:
Verzeichnis. Stuttgart: Verlag Gerd Hatje, 1964. Peters, Heinz. Die Bauhaus-Mappen "Neue europaische Graphik,"
1921-23. Cologne: Verlag Christoph Czwiklitzer, 1957. . Ewald Matare: Das graphische Werk. 2 vols. Cologne: Verlag
Christoph Czwiklitzer, 1957-58. Prasse, Leona E. Lyonel Fcininger: A Definitive Catalogue of His
Graphic Work. Cleveland: Cleveland Museum of Art, 1972. Raabe, Paul. Alfred Kubin: Leben, Werk, Wirkung. Hamburg: Rowohlt,
1957'
Rathenau, Ernest. Karl Hofer: Das graphische Werk. New York: Ernest Rathenau, 1969.
. Karl Schmidt'Rottluff: Das graphische Werk seit 1923. New York:
Ernest Rathenau, 1964.
Reed, Orrel P., Jr. German Expressionist Art: The Robert Gore Rifkind Collection: Prints, Drawings, Illustrated Books, Periodicals, Posters. Exhibition catalogue. Los Angeles: Frederick S. Wight Gallery, Uni- versity of California, 1977.
Rigby, Ida Katherine. An alle Kiinstler! War— Revolution— Weimar: Ger- man Expressionist Prints, Drawings, Posters, and Periodicals from the Robert Gore Rifkind Foundation. Exhibition catalogue. San Diego: San Diego State University Press, 1983.
Roethel, Hans. Gabriele Munter: Das druckgraphische Werk. Munich: Stadtische Galerie im Lenbachhaus, 1967.
Kandinsky: Das graphische Werk. 2 vols. Cologne: Verlag M.
DuMont Schauberg, 1970.
Rosenthal, Mark. Franz Marc. Exhibition catalogue. Berkeley: Univer- sity Art Museum, University of California, 1979.
Rotzleb, Willy. Johannes Itten: Werke und Schriften. Zurich: Orell Fiissli Verlag, 1972.
Schapire, Rosa. Karl Schmidt-Rottluffs graphisches Werk bis 1923. Ber- lin: Euphorion Verlag, 1924.
Schardt, Alois J. Franz Marc. Berlin: Rembrandt-Verlag, 1936.
SCHIEFLER, Gustav. Max Liebermann: Sein graphische Werk. 3d ed. Ber- lin: Bruno Cassirer, 1923.
SCHIEFLER, Gustav, and Christel Mosel. Evml Nolde: Das graphische Werk. 2 vols. Cologne: Verlag M. DuMont Schauberg, 1966-67.
Schmalenbach, Werner. Kurt Schwitters. New York: Harry N. Abrams, 1967'
Schult, Friedrich. Ernst Barlach: Das graphische Werk. Hamburg: Dr. Ernst Hauswedell & Co., 1958.
Schwarz, Karl. Das graphische Werk von Lovis Corinth. 2d ed. Berlin: Fritz Gurlitt Verlag, 1922.
Schwarzenbebger. Fritz. Werkverzeichnis Hans Orlowski:
Holzschnittgraphik, Lithographien und Radierungen derjahre 1914 bis 1931. Berlin: Hans-Orlowski-Kreis, 1967.
Shapire, Lawrence. Fernand Leger: The Complete Graphic Work. New York: Blue Moon Press, 1978.
Sievers, J., and Emil Waldmann. Max Slevogt. Das druckgraphische Werk: Erster Teil, 1890-1914. Heidelberg and Berlin: Impuls Verlag Heinz Moos, 1962.
Singer, Hans W. Klinger. Radierungen, Stiche und Steindrucke: Wissenschaftliches Verzeichnis. Berlin: Amsler & Ruthardt, 1909.
Sohn, Gerhart. Conrad Felixmiiller: Das graphische Werk, 1912-1974. Diisseldorf: Graphik-Salon Gerhart Sohn, 1975.
Steadman, David W. Works on Paper, igoo-ig6o,from Southern Cali- fornia Collections. Exhibition catalogue. Claremont, Calif. : Montgom- ery Art Gallery, Pomona College, 1977.
Thiem, Gunther. Prints by Erich Heckel and Karl Schmidt-Rottluff: A Centenary Celebration. Exhibition catalogue. Los Angeles: Los An- geles County Museum of Art, 1985.
Tuchman, Maurice, and Stephanie Barron. The Avant-Garde in Russia, 1910- 1930: New Perspectives. Exhibition catalogue. Los Angeles: Los Angeles County Museum of Art, 1980.
Vallotton, Maxime, and Charles Goerg. Felix Vallotton: Catalogue raisonne de Voeuvre grave et lithographie. Geneva: Editions de Bonvent, 1972.
Varnedoe, Kirk. Vienna igoo: Art, Architecture, and Design. Exhibition catalogue. New York: Museum of Modern Art, 1986.
Vergo, Peter. Vienna 1900. Exhibition catalogue. Edinburgh: National Museum of Antiquities of Scotland, 1983.
Vitt, Walter. Walter Dexel: Werkverzeichnis der Druckgraphik von 1915-1971. Cologne: Buchhandlung Walther Konig, 1971.
Vogt, Paul. Christian Rohlfs: Das graphische Werk. Recklinghausen: Verlag Aurel Bongers, i960.
VoRMS, Pierre, and Hanns-Conon von der Gabelentz. "Bibliographie." In Frans Masereel, edited by Roger Avermaete. Antwerp: Fonds Mer- cator, 1975.
Whitford, Frank. The Graphic Work ofLudwig Meidner: Drawings and Prints from the D. Thomas Bergen Collection. Exhibition catalogue. South Bend, Ind.: University of Notre Dame Art Gallery, 1972.
Wiese, Stephanvon. Max Beckmanns zeichnerische Werk, 1903-1925. Diisseldorf: Droste Verlag, 1978.
Wietek, Gerhard. Graphik von Georg Tappert, 1SS0-1957. Exhibition catalogue. Hamburg: Altonaer Museum, 1971.
Wingler, Hans, and Friedrich Welz. O. Kokoschka: Das druckgraphische Werk. Salzburg: Galerie Welz, 1975.
WiTTROCK, Wolfgang. Toulouse-Lautrec: The Complete Prints. 2 vols, London: Sotheby's Publications, 1985.
Wuerth, Louis A. Catalogue of the Lithographs of Joseph Pennell. Bos- ton: Little, Brown & Co., 1931.
WUrtenbebger, Franzsepp. Das graphische Werk von August
Babberger. Schriften der Staatlichen Kunsthalle Karlsruhe, no. 5. Karlsruhe: Staatliche Kunsthalle Karlsruhe, 1954.
Max Beckmann
Bildnis Reinhard Piper Cat. no. 140
Catalogue
flfolUO
Jussuff Abbo
born 1888 Safad, Palestine
died 1953 London, England
Josef Achmann
born 1885 Regensburg
died 1958 Schleiersee
Mannliches Portrdt, 1920
(Portrait of a man)
Black chalk on brown wove paper
17VI6 x 13% in. (43.4 x 34.0 cm)
INSCRIPTION: signed and dated, 1.1.
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1980
M. 82. 287. 75
2
Einladung zum Besuch der Ausstellung— 1923, 1923 (Invitation to the exhibition— 1923) Lithograph on yellowish laid paper 515/i6X 43/s in. (15.1 X ll.l cm) INSCRIPTION: signed, l.r. provenance: estate of the artist (stamp, l.r.); Kunstgalerie Esslingen, Esslingen; purchased in 1976 M. 82.288.2
Die Briicken, c. 1919
(The bridges)
Woodcut on wove paper
35/i6 x 35/i6 in. (8.4 x 8.4 cm)
From Der schwarze Turm, no. 7 (1920):
pl 5
INSCRIPTION: numbered (153/200) on
justification page
provenance: Ex Libris, New York;
purchased in 1978
83.1. 1321 f
4
Der Burger, c. 1919
(The citizen)
Woodcut on wove paper
3V8 x 3'/s in. (8.0 x 7.9 cm)
From Der schwarze Turm, no. 7 (1920):
Pl- 3
INSCRIPTION: numbered (153/200) on
justification page
provenance: Ex Libris, New York;
purchased in 1978
83.1.1321 d
5
Hochwasser, c. 1919
(High water)
Woodcut on wove paper
97/i6 x 713/i6 in. (24.0 x 19.8 cm)
From Die rote Erde 1, no. 8/10 (1920):
327
provenance: Hans Bolliger, Zurich;
purchased in 1975
exhibition: Reed under 298
83. 1.972 p
^gssa55^w)iiBweaww!W
Achmann
10
11
Die kleine Stadt, c. 1919
(The small town)
Woodcut on cover stock
515/i6 x 4% in. (15.0 x 12.0 cm)
From Der schwarze Turm, no. 7 (1920):
cover
INSCRIPTION: numbered (153/200) on
justification page
provenance: Ex Libris, New York;
purchased in 1978
83.1.1321a
7
Liebespaare, c. 1919
(Lovers)
Woodcut on wove paper
3'/8 x 3V8 in. (7.9 x 8.0 cm)
From Der schwarze Turm, no. 7 (1920):
pi. 1
INSCRIPTION: numbered (153/200) on
justification page
PROVENANCE: Ex Libris, New York;
purchased in 1978
83.1.1321 b
8
Profetenfiir Rudolf Pannwitz, c. 1919 (Prophet for Rudolf Pannwitz) Woodcut on wove paper 57/s x 37/s in. (14.9 x 9.9 cm) From Die Sichel 2, no. 1 (1920): 7 PROVENANCE: Ars Libri, Boston; purchased in 1982 83.1.1636 b
9
SelbstbUdnis, c. 1919 (Self-portrait) Woodcut on laid paper 5% x 37/s in. (13.7 x 9.8 cm) From Der Weg 1, no. 10 (1919): 5 PROVENANCE: Ex Libris, New York; purchased in 1976 EXHIBITION: Reed under 305 83.1.1220 c
10
Der Shawl, c. 1919
(The shawl)
Woodcut on wove paper
37/e x 2n/i6 in. (9.9 x 6.8 cm)
From Der schwarze Turm, no. 7 (1920):
pi. 2
inscription: numbered (153/200) on
justification page
provenance: Ex Libris, New York;
purchased in 1978
83.1.1321 c
11
Die Sichel: Titelholzschnitt, c. 1919 (Die Sichel: Title woodcut) Woodcut on wove paper 47/i6 x 3V2 in. (11.2 x 8.9 cm) From Die Sichel 2, no. 1 (1920): cover; the center also has an impression from Die Sichel 2, no. 2/3 (1920): cover PROVENANCE: Ars Libri, Boston; purchased in 1982 83.1.1636 a
Achmann
12
Sie, c. 1919
(She)
Woodcut on wove paper
37/s x 3V6 in. (9.9 x 7.9 em)
From Der schwarze Turin, no. 7 (1920):
pi. 4
inscription: numbered (153/200) on
justification page
PROVENANCE: Ex Libris, New York;
purchased in 1978
83.1.1321c
13
Untitled (village), c. 1919 Woodcut on laid paper 37/i6 x 5 '/a in. (8.7 x 13.0 cm) From Der Weg 1, no. 8/9 (1919): 11 PROVENANCE: Ex Libris, New York; purchased in 1976 exhibition: Reed under 305 83.1. 1219 f
14
Konigshof, c. 1919 Woodcut on laid paper 6x5Viin. (15.2 x 13.3 cm) From Der Weg 1, no. 8/9 (1919): 13 provenance: Ex Libris, New York; purchased in 1976 exhibition: Reed under 305 83.1. 1219 g
15
Konigshof, c. 1919
Woodcut on wove paper
7 x 5% in. (17.7 x 13.7 cm)
From Die Sichel 2, no. 2/3 (1920): 25;
printed from the same block as cat. no.
14 but inked differently
provenance: Ars Libri, Boston;
purchased in 1982
83.1.1637 b
16
Untitled (landscape), c. 1919 Woodcut on wove paper 97/i6 x 7% in. (24.0 x 19.7 cm) From Die rote Erde 1, no. 8/10 (1920):
325
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1975
exhibition: Reed under 298
83.1.9720
17
Empfdngnis, c. 1920
(Conception)
Woodcut on wove paper
3'/4 x 23/i in. (8.2 x 7.0 cm)
From Die Sichel 2, no. 2/3 (1920): 29
PROVENANCE: Ars Libri, Boston;
purchased in 1982
83. 1. 1637 d
15
Achmann
19
18
Landschaft mit Hausern, Regensburg, 1920
(Landscape with houses, Regensburg) Woodcut on off-white tissuelike paper 77/s x 9% in. (20.0 x 23.9 cm) INSCRIPTION: signed and dated, l.r.; inscribed "an Frau Markte," l.r.; "Landschaft," 1.1.
provenance: Galerie Pabst, Munich; acquired by exchange in 1980 M. 82. 287.2
19
Maria, c. 1920
(Mary)
Woodcut on wove paper
49/i6 x 57/8 in. (11.6 x 14.9 cm)
From Die Sichel 2, no. 2/3 (1920): 27
provenance: Ars Libri, Boston;
purchased in 1982
83.1.1637 c
20
Maria in der Sichel, c. 1920
(Mary in the crescent)
Woodcut on wove paper
713/i6 x 515/i6 in. (19.8 x 15.0 cm)
From Die Sichel 2, no. 2/3 (1920): 31
PROVENANCE: Ars Libri, Boston;
purchased in 1982
83.1.16376
21
Familie, 1921
(Family)
Woodcut on wove paper
6% x 5V2 in. (16.2 x 14.0 cm)
From Georg Biermann, ed. , Jahrbuch
derjungen Kunst (Leipzig: Klinkhardt
& Biermann, 1921), following p. 288
provenance: Hans Bolliger, Zurich;
purchased in 1975
EXHIBITION: Reed 320/1921.5
83- 1-799 e
22
Der Judith-Darstellerin Frau Magda-
Lena, c. 1921
(To the actress Frau Magda-Lena, who
plays the role of Judith)
Woodcut on wove paper
7V8 x 5I3/i6 in. (18. 1 x 14.7 cm)
From Karl Lorenz, ed., Die rote Erde,
2d ser., no. 1 (Hamburg: Adolf Harms
Verlag, 1922), p. 93
INSCRIPTION: numbered (383/450) on
justification page
provenance: Hartung & Karl, Munich,
13- 16 November 1979, part of lot 5024
83-1-973 t
Achmann
23
Untitled (cover), c. 1921
Woodcut printed in black and orange on
wove paper
95/i6 x 69/i6 in. (23.7 x 16.6 cm)
From Georg Britting and Josef
Achmann, eds., Die Sichel 1921
(Munich: Verlag die Sichel, 1921)
provenance: Ganymede Graphics,
Berkeley; purchased in 1974
EXHIBITION: Reed under 302
83.1.1638 a
24
Untitled (landscape?), c. 1921 Woodcut on wove paper i5/i6 x 1% in. (3.3 x 4.5 cm) From Georg Britting and Josef Achmann, eds., Die Sichel 1921 (Munich: Verlag die Sichel, 1921), p. 4 PROVENANCE: Ganymede Graphics, Berkeley; purchased in 1974 exhibition: Reed under 302 83.1.1638 b
25
Untitled (head), c. 1921 Woodcut on wove paper 715/i6 x 513/i6 in. (20. 1 x 14.7 cm) From Georg Britting and Josef Achmann, eds., Die Sichel 1921 (Munich: Verlag die Sichel, 1921), p. 5 provenance: Ganymede Graphics, Berkeley; purchased in 1974 exhibition: Reed under 302 83.1.1638 c
26
Untitled (Judith and Holofernes),
c. 1921
Woodcut on wove paper
73/i6 x 513/i6 in. (18.2 x 14.8 cm)
From Karl Lorenz, ed., Die rote Erde,
2d ser. , no. 1 (Hamburg: Adolf Harms
Verlag, 1922), p. 95
inscription: numbered (383/450) on
justification page
provenance: Hartung & Karl, Munich,
13-16 November 1979, part of lot 5024
83- 1-973 u
27
Untitled (Judith and Holofernes),
c. ig2i
Woodcut on wove paper
73/i6 x 5% in. (18.2 x 14.6 cm)
From Karl Lorenz, ed., Die rote Erde,
2d sen, no. 1 (Hamburg: Adolf Harms
Verlag, 1922), p. 97
INSCRIPTION: numbered (383/450) on
justification page
PROVENANCE: Hartung & Karl, Munich,
13-16 November 1979, part of lot 5024
83- 1-973 v
Ahlers-Hestermann
32
iJsSwi
28
Untitled (Judith in the tent of
Holofernes), c. 1921
Woodcut on wove paper
73/ie x 5I3/i6 in. (18.2 x 14.8 cm)
From Karl Lorenz, ed., Die rote Erde,
2d ser. , no. 1 (Hamburg: Adolf Harms
Verlag, 1922), p. 99
INSCRIPTION: numbered (383/450) on
justification page
provenance: Hartung & Karl, Munich,
13-16 November 1979, part of lot 5024
83-i-973w
29
Untitled (Judith beheading
Holofernes), c. 1921
Woodcut on wove paper
73/i6 x 513/i6 in. (18.3 x 14.8 cm)
From Karl Lorenz, ed.. Die rote Erde,
2d sen, no. 1 (Hamburg: Adolf Harms
Verlag, 1922), p. 101
INSCRIPTION: numbered (383/450) on
justification page
provenance: Hartung & Karl, Munich,
13-16 November 1979, part of lot 5024
83- 1-973 x
30
Untitled (head), c. 1921
Woodcut on wove paper
7'/8 x 513/i6 in. (18. 1 x 14.7 cm)
From Karl Lorenz, ed., Die rote Erde,
2d ser., no. 1 (Hamburg: Adolf Harms
Verlag, 1922), p. 103
inscription: numbered (383/450) on
justification page
provenance: Hartung & Karl, Munich,
13- 16 November 1979, part of lot 5024
83- 1-973 y
31
Jungjiddisch, no. 2/3 (1919) Periodical with 20 woodcuts on brownish paper
Published in Lodz; with three woodcuts by Adler, six by Hanoch Barczynski, seven by Vincent (Icchok) Brauner, and four by Marek Szwarc inscription: numbered (228/400) provenance: Erasmus, Amsterdam; purchased in 1979
This very rare publication is too fragile to describe in full. Not illustrated 83.1.771 a-t
32
Imogen schlafend, c. 1917
(Imogen sleeping)
Lithograph on blue japan paper
11 x i6Vs in. (28.0 x 41.0 em)
From portfolio Shakespeare Visionen
(Munich: Marees-Gesellschaft, 1918);
from edition A (total edition of 200)
inscription: signed, l.r.; numbered
(xiv/l) on justification page; publisher's
blind stamp, l.r.
provenance: Hans Bolliger, Zurich;
purchased in 1972
EXHIBITION: Reed 336/5
M. 82.288.384.5
Jankel Adler
born 1895 Tuszyn, Poland
died 1949 Aldbourne, England
Friedrich Ahlers- Hestermann
born 1883 Hamburg
died 1973 Berlin
Ahlers-Hestermann
Ernst Oscar Albrecht
born 1903 Hanau
33
Das Schiff, 1920
(The ship)
Lithograph on laid paper
55/s x 6V2 in. (14.3 x 16.5 cm)
From Katalog der zweiteti Ausstellung
der Hamburgischen Secession, exh. cat.
(Hamburg: Alte Kunsthalle, 1921), no.
1, pi. 10
PROVENANCE: Ars Libri, Boston;
purchased in 1982
831-735 k
34
Untitled (abstract composition), c. 1923
Linoleum cut on wove paper
7u/i6 x 6'/j in. (19.5 x 15.8 cm)
From Der Sturm 14, no. 9 (1923): 133;
the image also appears on the cover
provenance: Ex Libris, New York;
purchased in 1982
83.1.1395.40
35
Untitled (abstract composition), c. 1925
Linoleum cut on wove paper
jVw x 53/i6 in. (17.9 x 13.2 cm)
From Der Sturm 16, no. 5 (1925): 71;
the image also appears. on the cover
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1396.39
|
Cuno Amiet |
36 |
|
Giovanni Giacometti beim Lesen, 1907 |
|
|
born 1868 |
(Giovanni Giacometti reading) |
|
Solothurn, |
Woodcut printed in yellow-ocher on |
|
Switzerland |
simili-japan paper |
|
10% x g'/s in. (26.9 x 23.2 cm) |
|
|
died 1961 |
From portfolio Die Briicke 11 (1907), pi. |
|
Oschwand, |
inscription: signed, l.r. |
|
Switzerland |
provenance: Kornfeld & Klipstein, |
|
Bern, 13- 15 June 1974, lot 84 |
|
|
REFERENCE: Mandach 25; Bolliger and |
|
|
Kornfeld 6 |
|
|
EXHIBITION: Reed 48 |
|
|
M. 82. 288. 363 |
37
Kopf, 1938
(Head)
Lithograph printed in red-brown on
brownish wove paper
515/i6 x 45/i6 in. (15.0 x 11.0 cm)
From Conrad von Mandach, Cuno
Amiet: Vollstandiges Verzeichnis der
Druckgraphik des Kiinstlers (Thun and
Bern: Schweizerische graphische
Gesellschaft, 1939), frontispiece
inscription: signed, l.r.; numbered
(61/125) on justification page
provenance: Victoria Dailey, Los
Angeles; purchased in 1976
83.1.210 a
37
Anger
40
38
Untitled (landscape with buildings),
c. 1902
Woodcut printed in black and orange on
laid paper
5% x 53/i6 in. (14-3 x 13. 1 cm)
From Wiener Secession: Katalog der
vierzehnten Ausstellung der
Vereinigung bildender Kiinstler
Osterreichs, exh. cat. (Vienna: Wiener
Secession, 1902), p. 40
provenance: Hartung & Karl, Munich,
28-29 May 1974, part of lot 2031
EXHIBITION: Reed under 241/1
83. 1.610 g
39
Demonstration, c. 1919
Woodcut on wove paper
45/s x 33/i6 in. (11.8 x 8. 1 cm)
From Die Aktion 9, no. 28 (1919): cover;
not identified as an original woodcut
provenance: gift of Titus Felixmiiller,
1984
L. 84. 5.85 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
40
Marter, c. 1919
(Torment)
Woodcut on wove paper
4n/i6X 3V4 in. (11.9 x 8.3 cm)
From Die Aktion 9, no. 28 (1919): 480;
not identified as an original woodcut
provenance: gift of Titus Felixmiiller,
1984
L. 84.5. 85 d; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
41
Die rote Fahne, c. 1919
(The red flag)
Woodcut on wove paper
413/i6 x 2% in. (12.2 x 6.9 cm)
From Die Aktion 9, no. 10/11 (1919):
154
PROVENANCE: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83- 1- 1549 a
42
Weimar, c. 1919
Woodcut on wove paper
37/i6 x tf/B in. (8.7 x 7.9 cm)
From Die Aktion 9, no. 10/11 (1919):
158
PROVENANCE: Kunstgalerie Esslingen, Esslingen; purchased in 1975 83.1.1549 b
Ferdinand Andri
born 1871 Waidhofen, Austria
died 1956 Vienna, Austria
Helmut Anger
41
10
Anger
Herbert Anger
43
Landschaft, c. 1918
(Landscape)
Woodcut on wove paper
1 x 43/i6 in. (2.6 x 10.7 cm)
From Die Aktion 8, no. 5/6 (1918): 67;
not identified as an original woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1530 c
44
Portrat, c. 1919
(Portrait)
Woodcut on wove paper
4V2 x 23A in. (11.5 x 7.0 cm)
From Die Aktion 9, no. 29 (1919): 487;
not identified as an original woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83- 1- 1555 b
45
Die Revolution, c. 1919
(The revolution)
Woodcut on wove paper
5V16 x 69/i6 in. (12.9 x 16.7 cm)
From Die Aktion 9, no. 45/46 (1919):
cover
provenance: Kunstgalerie Esslingen,
Esslingen, purchased in 1975
83.1.1561a
r HOLZSTICHE.
Anger
46
Zehn Holzstiche
(Ten wood engravings)
Portfolio of 1 1 wood engravings on thin
japan paper
Illustrations depicting scenes from the
life of Christ (Berlin: I. B. Neumann
Verlag, 1920)
inscription: title page signed, l.r., and
numbered (11/30), 1.1.; each sheet
signed, l.r.
provenance: Bernd Gobel Kunst-
handel, Baden-Baden; purchased in
1986
The descriptions and order given here
are hypothetical
L.86.1.12 a-k; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1. Untitled (title page with the way to Emmaus), c. 1920
43/sx 215/i6 in. (11.1 x 7.5 cm) L.86.1.12 a
2. Untitled (adoration of the shepherds), c. 1920
4'/2 x 27/8 in. (11.4 x 7.3 cm) L.86. 1.12 b
3. Untitled (Salome with the head of John the Baptist), c. 1920
4V2 x 3 in. (11.4 x 7.6 cm) L.86. 1.12 c
4. Untitled (Herod presented with the head of John the Baptist?), c. 1920 4% x 215/i6 in. (11. 1 x 7.5 cm) L.86.1.12 d
5. Untitled (Christ's entry to Jerusalem), c. 1920
4V2 x 2~/s in. (11.4 x 7.4 cm) L.86.1.12 e
6. Untitled (the Last Supper), c. 1920 43/s x 215/i6 in. (11.1 x 7.4 cm) INSCRIPTION: inscribed "gedr.
P. Voigt," 1.1. L.86. 1. 12 f
7. Untitled (agony in the garden?), c. 1920
43/b x 3 in. (11.1 x 7.6 cm) L.86.1.12 g
8. Untitled (the scourging of Christ), c. 1920
43/a x 215/i6 in. (11.1 x 7.4 cm) L.86.1.12 h
9. Untitled (the Crucifixion), c. 1920 47/i6 x 215/i6 in. (11.3 x 7.5 cm) L.86.1.12 i
10. Untitled (Christ on the cross), c. 1920
4% x 27/s in. (11. 1 x 7.3 cm) L.86. 1.12 j
11. Untitled (the Entombment?), c. 1920
4% x 215/i6 in. (11. 1 x 7.5 cm) L.86. 1.12 k
11
46-10
12
Archipenko
Alexander Archipenko
born 1887 Kiev, Russia
died 1964
New York, New York
Georg Arndt
died 1920
47
Figiirliche Kotnposition, 1921
(Figurative composition)
Lithograph on wove paper
12%6 x 87/s in. (31.0 x 22.5 cm)
From Genius 3, no. 1 (1921): following
130
provenance: M.J. Royer Bookshop,
Los Angeles; purchased about 1970-72
REFERENCE: Karshan 23
EXHIBITION: Reed 275/13
83.1.816 b
48
Doppelakt, 1923
(Two nudes)
Lithograph on wove paper
11 x 7'/2 in. (28.0 x 19.0 cm)
From Georg Biermann, ed.,Jahrbuch
derjungen Kunst (Leipzig: Klinkhardt
& Biermann, 1923), before p. 371
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1975
REFERENCE: Karshan 30
EXHIBITION: Reed 320/1923.5
83.1.801 e
49
Genosse im Kerker, c. 1919
(Comrade in prison)
Woodcut on wove paper
57/s x 37/s in. (14.9 x 9.8 cm)
From Die Aktion 10, no. 9/10 (1920):
cover; not identified as an original
woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1566 a
50
Portrat eines Arbeiters, c. 1919
(Portrait of a worker)
Woodcut on wove paper
65/i6 x 5% in. (16.0 x 14.6 cm)
From Die Aktion 10, no. 33/34 (1920):
cover; not identified as an original
woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1572 a
51
Trotzkys Portrat, c. 1919
(Portrait of Trotsky)
Woodcut on wove paper
85/i6 x 3% in. (21. 1 x 8.5 cm)
From Die Aktion 10, no. 25/26 (1920):
347; not identified as an original
woodcut
PROVENANCE: gift of Titus Felixmiiller,
1984
L.84.5.87 b; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
48
47
51
50
54
|
Aufseeser |
13 |
|
52 |
Gerd Arntz |
|
Der Spartakusbund formiert sich |
|
|
wieder, c. 1926 |
born 1900 |
|
(The Spartacus league masses together |
Remscheid |
|
again) |
|
|
Woodcut on wove paper |
|
|
7I/16 x 5V16 in. (17.9 x 12.9 cm) |
|
|
From Die Ahtion 16, no. 10 (1926): |
|
|
cover (name misspelled "Aretz"); not |
|
|
identified as an original woodcut |
|
|
provenance: gift of Titus Felixmiiller, |
|
|
1984 |
|
|
L.84.5. 163 a; lent by the Robert Gore |
|
|
Rifkind Foundation, Beverly Hills, |
|
|
California |
|
|
53 |
Jean (Hans) Arp |
|
Selbstbildnis des Kiinstters, 1912 |
|
|
(Self-portrait) |
born 1886 |
|
Woodcut on laid paper |
Strassburg |
|
47/i6 x 3n/i6 in. (11.1x9.4 cm) |
|
|
From Moderner Bund: Zweite Ausstel- |
died 1966 Basel, |
|
lung, exh. cat. (Zurich: Kunsthaus, 1912) |
Switzerland |
|
inscription: numbered (101/200) facing |
|
|
title page |
|
|
provenance: Kornfeld & Klipstein, |
|
|
Bern, 10 June 1977, part of lot 596 |
|
|
reference: Arntz 1 |
|
|
83.1.623 b |
|
|
54 |
|
|
Spaziergang, 1925 |
|
|
(The stroll) |
|
|
Woodcut on wove paper |
|
|
69/i6 x g9/i6 in. (16.6 x 24.3 cm) |
|
|
From Der Sturm 16, no. 10 (1925): 149 |
|
|
provenance: Ex Libris, New York: |
|
|
purchased in 1982 |
|
|
REFERENCE: Arntz 88 b |
|
|
83.1.1396.51 |
|
|
55 |
|
|
Untitled (abstract composition), 1925 |
|
|
Woodcut on wove paper |
|
|
6Vs x 4n/i6 in. (15.6 x 11.9 cm) |
|
|
From Der Sturm 16, no. 10 (1925): 147 |
|
|
provenance: Ex Libris, New York: |
|
|
purchased in 1982 |
|
|
reference: Arntz 87 |
|
|
83- 1- 1396- 50 |
|
|
56 |
Ernst Aufseeser |
|
Zwei Menschen, c. 1920 |
|
|
(Two people) |
born 1880 |
|
Woodcut on wove paper |
Nuremberg |
|
63/i6 x 4% in. (15.7 x 12.0 cm) |
|
|
From Das Kunstfenster 1, no. 1 (1920): 7 |
died 1940(?) |
|
PROVENANCE: Ars Libri, Boston; |
|
|
purchased in 1978 |
|
|
83.1.1062 a |
14
Babberger
Max Bachner
|
August Babberger |
57 |
|
Jauchzendes Madchen, 1918 |
|
|
born 1885 Hausen |
(Jubilant girl) |
|
im Wiesenthal |
Woodcut on thin japan paper |
|
I2n/i6 x gVi in. (32.2 x 23.5 cm) |
|
|
died 1936 |
INSCRIPTION: signed and dated, l.r. ; |
|
Karlsruhe |
titled, 1.1. |
|
provenance: Kunstgalerie Esslingen, |
|
|
Esslingen; purchased in 1980 |
|
|
reference: Wiirtenberger 1 |
|
|
M. 82. 287. 4 |
58
Criisse aus Sowjetrussland, c. 1926
(Greetings from the Soviet Union)
Woodcut on wove paper
6% x 6% in. (16.0 x 17.0 cm)
From Die Aktion 16. no. 11/12 (1926):
cover; not identified as an original
woodcut
PROVENANCE: gift of Titus Felixmiiller,
1984
L.84.5. 164 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
Kurt Badt 59
Selbstbildnis, c. 1919 born 1890 Berlin (Self-portrait)
Lithograph on heavy wove paper 87/8 x 6% in. (22.5 x 16.2 cm) From Joachim Kirchner, Junge Berliner Kunst, Wasmuths Kunsthefte, no. 6 (Berlin: E. Wasmuth, [1919?]), pi. 1 provenance: W. F. Arntz, Haag (Oberbayern); purchased in 1975 83.1.120 a
Albert Baertsoen 60
Le vieux pont, c. 1899 born 1866 Ghent, (The old bridge)
Belgium Etching on laid paper
8% x io'/i6 in. (21.9 x 25.6 cm) died 1922 Ghent, From Pan 4, no. 4 (1899): following 240
Belgium provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
REFERENCE: Dennerlein 2260
83- 1- 1357 g
58
59
60
Bangerier
15
66
65
61
Der Siegesbote aufder Normaluhr,
c. 1914
(Messenger of victory on the public
clock)
Lithograph on wove paper
13V2 x 9% in. (34.3 x 24.4 cm)
From Kriegszeit, no. 2 (1914): 2
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/1
83.1.1401 b
62
Untitled (reclining nude), c. 1917 Woodcut on wove paper 413/i6 x 69/i6 in. (12.3 x 16.6 cm) From Die Aktion 8, no. 3/4 (1918): cover provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 83.1.1529 a
63
Portrdt, c. 1918
(Portrait)
Woodcut on wove paper
4'/s x 3V4 in. (10.5 x 8.3 cm)
From Die Aktion 8, no. 27/28 (1918):
356; not identified as an original
woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1536 e
64
Hafen, 1920
(Harbor)
Lithograph on laid paper
6 x 4% in. (15.2 x 12.0 cm)
From Katalog der zweiten Ausstellung
der Hamburgischen Secession, exh. cat.
(Hamburg: Alte Kunsthalle, 1921), no. 7
or 8, pi. 12 (name misspelled "Banko")
provenance: Ars Libri, Boston;
purchased in 1982
83- 1-735 m
65
lrrenhaus, c. 1915
(Madhouse)
Lithograph on laid paper
713/i6 x 515/i6 in. (19.8 x 15. 1 cm)
From Zeit-Echo 2, no. 2 (1915-16): 25
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
EXHIBITION: Reed under 308
83.1.1208 a
66
Untitled (figures around a table),
c- 1915
Lithograph on laid paper
59/i6 x 8'/i6 in. (14. 1 x 20.5 cm)
From Zeit-Echo 2, no. 7 (1915-16): 108
provenance: gift of ElmarSeibel, 1983
L.86. 1.72 c; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
Hans Baluschek
born 1870 Breslau died 1935 Berlin
Richard Bampi
born 1896 Amparo. Brazil
died 1965
Alma Del Banco
born 1878 Hamburg
Walter Bangerter
16
Bangerter
Hanoch Barczynski
born 1897 Lodz, Poland
died 1939(?)
67
Untitled (figures around a table),
c 1915
Lithograph on laid paper
6% x 45/8 in. (16.2 x 11.7 cm)
From Zeit-Echo 2, no. 10 (1915-16): 146
provenance: gift of Elmar Seibel, 1983
L. 86. 1.75 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
68
Untitled (four musicians), c. 1916 Lithograph on laid paper 515/i6 x 4% in. (15.0 x 12.0 cm) From Zeit-Echo 2, no. 12 (1915-16): 180 provenance: gift of Elmar Seibel, 1983 L.86. 1.77 a; lent by the Robert Gore Rifkind Foundation, Beverly Hills, California
69
Untitled (orchestra), c. 1916 Lithograph on laid paper 715/i6 x 47/i6 in. (20.2 x 11.2 cm) From Zeit-Echo 2, no. 15 (1915-16): 229 provenance: gift of Elmar Seibel, 1983 L.86. 1.80 b; lent by the Robert Gore Rifkind Foundation, Beverly Hills, California
See cat. no. 31
Ernst Barlach 70
Eine Steppenfahrt
born 1870 Wedel (A journey to the steppes)
Thirteen lithographs on wove paper
died 1938 Rostock Illustrations to story by Barlach in Kunst
und Kiinstler 11, no. 1 (1912): 3-12 provenance: Erasmus, Amsterdam; purchased in 1975 REFERENCE: Schult 49-59, 61, 62 EXHIBITION: Reed 230 83.1.1242 a— m
1. Untitled (initial D), 1912 i7/i6 x zVs in. (4.7 x 5.4 cm) Page 3
REFERENCE: Schult 49 83.1.1242 a
2. Tauziehender russischer Bauer, 1912
(Russian peasant towing) 3% x 3V4 in. (8.5 x 8.2 cm) Page 4
REFERENCE: Schult 50 83.1.1242 b
3. Ruhende Steppe, 1912 (Steppes lying fallow)
4 x 6% in. (10.2 x 16.2 cm) Page 5
REFERENCE: Schult 51 83.1.1242 c
70-6
70-7
Barlach
17
68
70-.
69
70-9
70-13
4. Frauengruppe, 1912 (Group of women)
39/i6 x 3V8 in. (9.0 x 8.0 cm) Page 6
REFERENCE: Schult 52
83.1.1242 d
5. Aufder Strasse, 1912 (On the street)
37/i6 x 3'/8 in. (8.8 x 7.9 cm) Page 6
REFERENCE: Sehult 53 83.1.1242 e
6. Bauernwagelchen, 1912 (Peasant's cart)
39/i6 x 67/i6 in. (9.0 x 16.3 cm) Page 7
REFERENCE: Schult 54 83.1.1242 f
7. Drei Frauen im Gesprach, 1912 (Three women conversing)
3% x 4V2 in. (8.6 x lit} em) Page 8
REFERENCE: Schult 55 83. 1. 1242 g
8. Zwei russische Bauerinnen, 1912 (Two Russian peasant women) 3V4 x 27/8 in. (8.3 x 7.3 cm)
Page 9
REFERENCE: Schult 56
83.1.1242 h
9. Drei ruhende Frauen, 1912 (Three women resting)
3V4 x 35/i6 in. (8.3 x 8.4 cm) Page 9
REFERENCE: Schult 57 83.1.1242 i
10. DerPope, 1912 (The priest)
4% x 2V4 in. (11.7 x 5.7 cm) Page 10
REFERENCE: Schult 58
83.1. 1242 j
11. Mdnnergruppe, 1912 (Group of men)
3V16 x 3'/4 in. (7.8 x 8.3 cm) Page 11
REFERENCE: Schult 59 83.1.1242 k
12. Blinder BettUr, 1912 (Blind beggar)
3u/i6 x 3% in. (9.4 x 8.6 cm) Page 11
REFERENCE: Schult 61 83.1.1242 1
13. Ruhendes Bauernpaar, 1912 (Peasant couple resting) 35/i6 x 4n/i6 in. (8.4 x 11.9 cm) Page 12
REFERENCE: Schult 62
83.1.1242 m
18
Barlach
71
Der tote Tag
(The dead day)
Portfolio of 26 lithographs on Van
Gelder paper
Illustrations to play by Barlach (Berlin:
Paul Cassirer, 1912); from edition of 150
on Van Gelder paper (total edition of
210); unsigned. The set is incomplete,
lacking plate 5 (Schult 20)
provenance: Karl & Faber, Munich, 29
November 1974, lot 880
REFERENCE: Schult 16-19, 21-24,
26-29, 31. 33-37. 39-46
EXHIBITION: Reed 229
83.1.2.2 a-z
1. Stehende Frau auf halber Kellertreppe, 1912
(Woman standing halfway up the cellar steps)
8% x 10 in. (22.3 x 25.4 cm) REFERENCE: Schult 16 83.1.2.2 a
2. Traumender Jungling, 1912 (Dreaming youth)
11V16 x i4n/i6 in. (28. 1 x 37.3 cm)
REFERENCE: Schult 17
83.1.2.2 b
3. Das Paar im Gesprach, 1912 (Couple conversing)
10% x 13% in. (26.3 x 34.0 cm)
REFERENCE: Schult l8
83.1.2.2 c
4. Der Seufzerstein, 1912 (The sighing stone)
83/4 x io7/s in. (22.3 x 27.6 cm) REFERENCE: Schult 19 83.1.2.2 d
5. Die Puppe, 1912 (The doll)
95/8 x 12946 in. (24.5 x 32.0 cm) REFERENCE: Schult 21 83.1.2.2 e
6. Hohe Vnterweisung, 1912 (Higher instruction)
63/8 x 8% in. (16.2 x 22.3 cm) REFERENCE: Schult 22 83. 1.2.2 f
7. Der Verletzte, 1912 (The wounded one)
913/i6 x 12% in. (24.9 x 31.5 cm) REFERENCE: Schult 23 83. 1.2.2 g
8. Der Alb, 1912
(The nightmarish creature) 83/i6 x 10% in. (20.8 x 27.3 cm) REFERENCE: Schult 24 83.1.2.2 h
9. Verzweifelter Alb, 1912 (Desperate nightmarish creature) io9/i6 x 13V2 in. (26.8 x 34.3 cm) REFERENCE: Schult 26 83.1.2.2 i
71-2
71-3
71-4
71-6
71-5
71-7
71-9
71-11
71-12
71-15
71-16
71-17
71-18
Barlach
10. Knieende Mutter am Bette des schlafenden Sohns, 1912 (Mother kneeling at bedside of sleeping son)
ioI5/i6 x 15% in. (27.8 x 39.0 cm) REFERENCE: Schult 27 83. 1.2.2 j
11. AufMordbedacht, 1912 (Contemplating murder)
9J/s x n9/i6 in. (23. 1 x 29.3 cm) REFERENCE: Schult 28 83.1.2.2 k
12. Die Morderin, 1912 (The murderess)
n9/i6 x 14I4 in. (29.4 x 36.8 cm) REFERENCE: Schult 29 83.1.2.2 1
13. Besenbein aufdem toten Rosse Herzhorn, 1912
(Broomleg astride the dead steed
Hearthorn)
ioI3/i6 x i45/8 in. (27.5 x 37.2 cm)
REFERENCE: Schult 31
83.1.2.2 m
14. Der Blutflecken 1, 1912 (The bloodstain 1)
9% x i47/8 in. (25. 1 x 37.8 cm) REFERENCE: Schult 33 83.1.2.2 n
15. Der Blutflecken 2, 1912 (The bloodstain 2)
SVm x ioVs in. (20.4 x 25.8 cm) REFERENCE: Schult 34 83.1.2.2 o
16. Die Frau am Herde, 1912 (Woman at hearth)
io'/s x I2n/i6 in. (25.7 x 32.2 cm) REFERENCE: Schult 35 83.1.2.2 p
17. Mit fremder Schuld beladen, 1912 (Burdened with undeserved guilt) io5/i6 x i23/i6 in. (26.2 x 31.0 cm) REFERENCE: Schult 36 83.1.2.2 q
18. Die Schuldbewusste, 1912 (The guilty woman)
97/i6 x I213/i6 in. (23.9 x 32.6 cm) REFERENCE: Schult 37 83.1.2.2 r
19. Das Vnsichtbare 1, 1912 (The invisible 1)
io13/i6 x i33/i6 in. (27.4 x 33.5 cm) REFERENCE: Schult 39 83.1.2.2 s
20. Das Unsichtbare 2, 1912 (The invisible 2)
10% x 12V16 in. (26.4 x 30.6 cm)
REFERENCE: Schult 40
83.1.2.2 t
19
71-19
71-20
20
Barlach
71 (continued)
21. Der Rufende, 1912
(The crier)
8u/i6 x io3/s in. (22. 1 x 26.4 cm) REFERENCE: Schult 41 83.1.2.2 u
22. RufimNebel, 1912 (Cry in the fog)
ioVi x i25/i6 in. (26. 1 x 31.2 cm) REFERENCE: Schult 42 83.1.2.2 v
23. Erscheinung im Nebel, 1912 (Specter in the fog)
io13/i6 x 13V4 in. (27.4 x 33.7 cm) REFERENCE: Schult 43 83.1.2.2 w
24. Aufbruch und Abwehr, 1912 (Departure and defense) lo1^ x 13% in. (27.2 x 34.0 cm) REFERENCE: Schult 44
83. 1.2.2 X
25. Verfluchung, 1912 (The curse)
io7/i6 x I2u/i6 in. (26.5 x 32.2 cm) REFERENCE: Schult 45 83.1.2.2 y
26. Stiirzende Frau, 1912 (Woman falling)
io13/i6 x i29/w in. (27.4 x 31.8 cm) REFERENCE: Schult 46 83.1.2.2 z
72
An der Ostgrenze, 1914
(On the eastern frontier)
Lithograph on wove paper
13V2 x n3/i6 in. (34.3 x 28.4 cm)
From Kriegszeit, no. 12 (1914): 3
provenance: Hauswedel1 & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
REFERENCE: Schult 63
EXHIBITION: Reed 281/2; Guenther 3
83.1.1411 c
73
Erst Sieg, dann Frieden, 1914 (First victory, then peace) Lithograph on wove paper i43/i6 x io7/i6 in. (36.0 x 26.5 cm) From Kriegszeit, no. 20 (1914): 3 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
REFERENCE: Schult 66 EXHIBITION: Reed 281/5; Chipp 131 83.1.1418 c
74
Der heilige Krieg, 1914
(The holy war)
Lithograph on wove paper
i6'/4 x 10 in. (41.3 x 25.4 cm)
From Kriegszeit, no. 17 (1914): 3
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
reference: Schult 65
exhibition: Reed 281/4; Chipp 130;
Rigby III, 3
83.1.1416 c
71-23
71-24
71-25
71-26
73
72
75
76
Barlach
75
21
77
Liigt, Stiirme, liigt, 1914
(Lie, storms, lie)
Lithograph on wove paper
14V2 x io'/i6 in. (36.8 x 25.5 cm)
From Kriegszeit, no. 14 (1914): 3
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
REFERENCE: Schult 64
EXHIBITION: Reed 281/3
83.1.1413 c
76
Die Bethlehem Steel Company in
Amerika, c. 1915
(The Bethlehem Steel Company in
America)
Lithograph on wove paper
I515/i6 x 10% in. (40.5 x 27.6 cm)
From Kriegszeit, no. 49 (1915): 3
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
REFERENCE: Schult 70
EXHIBITION: Reed 281/9
83.1.1447 c
77
Der Drescher von Masuren, c. 1915 (The thresher of Masuria) Lithograph on wove paper 17V4 x n3/i6 in. (43.8 x 28.4 cm) From Kriegszeit, no. 53 (1915): 2 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
REFERENCE: Schult 72 EXHIBITION: Reed 281/11
83.1.1451b
78
Evakuierung, c. 1915
(Evacuation)
Lithograph on wove paper
i6'/i x io15/i6 in. (413 x 27.7 cm)
From Kriegszeit, no. 50 (1915): 2
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
REFERENCE: Schult 71 EXHIBITION: Reed 281/10
83. 1. 1448 b
79
Serbische Elegie, c. 1915
(Serbian elegy)
Lithograph on wove paper
i67/8 x n5/i6 in. (42.8 x 28.8 cm)
From Kriegszeit, no. 57 (1915): 3
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
REFERENCE: Schult 73
EXHIBITION: Reed 281/12
83.1.1454 c
78
79
22
Barlach
80
StrasseneckeinWarschau,c. 1915 (Street corner in Warsaw) Lithograph on wove paper 16V8 x 11V4 in. (41.0 x 28.5 cm) From Kriegszeit, no. 28 (1915): 3 PROVENANCE: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
REFERENCE: Schult 67 EXHIRITION: Reed 281/6 83.1.1426 c
81
Sturmangriff, c. 1915
(Assault)
Lithograph on wove paper
15V2 x io15/ie in. (39.4 x 27.8 cm)
From Kriegszeit, no. 32 (1915): 3
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
REFERENCE: Schult 68
EXHIBITION: Reed 281/7
83.1.1430 c
82
Und tvenn die Welt noil Teufel war,
c 1915
(And if the world were full of devils) Lithograph on wove paper 15V2 x n'/2 in. (39.4 x 29.2 cm) From Kriegszeit, no. 46 (1915): 2 PROVENANCE: Hauswedell 6c Nolte, Hamburg, 5-7 June 1975, part of lot 1072
REFERENCE: Schult 69 EXHIBITION: Reed 281/8 83.1.1444 b
83
Anno Domini mcmxvi post Christum
natum, 1916
(The year of our Lord 1916)
Lithograph on wove paper
79/i6 x 9V4 in. (19.2 x 23.5 cm)
From Der Bildermann 1, no. 14
(1916): 1
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
180
REFERENCE: Schult 80
EXHIBITION: Reed 265/5
83.1.1462.53
84
Aus einem neuzeitlichen Totentanz,
1916
(From a modern dance of death)
Lithograph on wove paper
11% x 8V4 in. (29.9 x 21.0 cm)
From Der Bildermann 1, no. 11
(1916): 3
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
180
REFERENCE: Schult 78
EXHIBITION: Reed 265/3
83.1.1462.43
80
82
84
Barlach
23
85
86
89
85
Briider, 1916
(Brothers)
Lithograph on wove paper
ii'/2 x 8'/s in. (29.2 x 20.7 cm)
From Lieder des Bildermann,
supplement to Der Bildermann 1, no. 7
(1916), p. 3
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
180
REFERENCE: Schult 77
EXHIBITION: Reed 265/8 83.1.1462.76
86
Demut, 1916
(Humility)
Lithograph on wove paper
ii5/s x 89/ie in. (29.5 x 21.8 cm)
From Der Bildermann 1, no. 1 (1916): 5
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
180
REFERENCE: Schult 75
EXHIBITION: Reed 265/1
83.1.1462.3
87
Dona nobis pacem, 1916
(Give us peace)
Lithograph on wove paper
7 x g'/s in. (17.8 x 23.2 cm)
From Der Bildermann 1, no. 18
(1916): 1
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
180
REFERENCE: Schult 82
EXHIBITION: Reed 265/7: Chipp 132 83.1.1462.69
88
Der Miide, 1916
(The weary one)
Lithograph on wove paper
n%6 x 89A& in. (29.3 x 21.7 cm)
From Der Bildermann 1, no. 4 (1916): 3
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
180
REFERENCE: Schult 76
EXHIBITION: Reed 265/2
S3. 1.1462.15
89
Selig sind die Barmherzigen, 1916 (Blessed are the merciful) Lithograph on wove paper 915/i6 x 8n/i6 in. (25.3 x 22.0 cm) From Der Bildermann 1, no. 16 (1916): 2
provenance: Hauswedell & Nolte, Hamburg, 6-8 June 1974, part of lot 180
REFERENCE: Schult 8l
EXHIBITION: Reed 265/6 83.1.1462.62
Barlach
90
Wem Zeit wie Ewigkeit, 1916
(To whom time is an eternity)
Lithograph on wove paper
n5/8 x 87/i6 in. (29.6 x 21.5 cm)
From Der Bildermann 1, no. 13
(1916): 2
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
180
REFERENCE: Schl>lt 79
EXHIBITION: Reed 265/4
S3. 1.1462.50
91
Der Blinde, 1918 (The blind man) Lithograph on cover stock- ed x 43/i6 in. (15.5 x 10.6 cm) From Adolf von Hatzfeld, Franziskus, 2d ed. (Berlin: Paul Cassirer, 1918), cover
provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 REFERENCE: Schult 112
83.1.4 a
92
Der arme Vetter
(The poor cousin)
Text volume with 2 lithographs and
portfolio of 36 lithographs on Watteau
paper
Illustrations to play by Barlach (Berlin:
Paul Cassirer, 1919)
INSCRIPTION: signed and numbered
(208/300) on justification page
provenance: Hauswedell & Nolte,
Hamburg, 14 June 1973, lot 63
REFERENCE: Schult II3-52
EXHIBITION: Reed 232 83.1.5.1a, b; 83. 1.5.2 a-jj
1. Untitled (title page 1— text volume),
1919
12% x g7/i6 in. (31.4 x 23.9 cm) REFERENCE: Schult 113
83.1.5.1a
2. Untitled (half-title page 1— text volume), 1919
i27/i6 x g9/i6 in. (31.6 x 24.3 cm) REFERENCE: Schult 114 83.1.5.1b
3. LTntitled (title page 2— portfolio),
1919
io13/i6 x 13% in. (27.4 x 34.9 cm) REFERENCE: Schult 115 83.1.5.2 a
4. Untitled (half-title page 2— portfolio), 1919
io13/i6 x i37/s in. (27.5 x 35.3 cm) REFERENCE: Schult 116 83.1.5.2 b
5. Ansteigendes Paar, 1919 (Ascending couple)
io9/i6 x 13% in. (26.9 x 34.9 cm) REFERENCE: Schult 117 83.1.5.2 c
ERNST BARLACH
DER
ARHE VETTER
DER
Ann e.
VETTER
EINDUCHMIT
34ZEICHNUNGEN
VON ERNST DARLACH
VERLEGTBEIPAULCASSIRER IN 0ERLINIMIAHREI9I9
92-1
92-2
ERNST BARLACH
DERARME VETTER
|
'-&' |
_. |
|
DER ARM £ VETTER |
|
|
EIN BuCHhlTJ+ ZE1CHNUNGEM Ft D1ESTEINPRES5EV |
B, |
|
ERNST B&RLACr- |
|
|
VERLEGTDEI PAUL CAS IN D.ERLi N in IAHP |
SIRtR E 1919 |
92-3
92-4
:-;5SPu ....
92-6
92-8
Bariach
25
92-9
92-11
92-13
92-10
92-12
92-14
92-16
92-17
6. Begegnung, 1919 (Encounter)
10% x i37/8 in. (27.3 x 35.3 cm)
REFERENCE: Schult ll8
83.1.5.2 d
7. Ungleiches Paar 1, 1919 (Unlikely couple 1)
10% x i37/s in. (27.0 x 35.2 cm) REFERENCE: Schult lig 83.1.5.2 e
8. Ungleiches Paar 2, 1919 (Unlikely couple 2)
io5/s x 13% in. (27.0 x 34.9 cm) REFERENCE: Schult 120 83. 1.5.2 f
9. Abendlicher Strom, 1919 (Evening current)
io13/i6 x i315/i6 in. (27.5 x 35.4 cm) REFERENCE: Schult 121
83.1.5.2 g
10. Auf Abwegen, 1919 (On the wrong path)
10% x 13T/S in. (27.0 x 35.2 cm) REFERENCE: Schult 122 83. 1.5.2 h
11. Der Schuss, 1919 (The gunshot)
io9/i6 x I315/i6 in. (26.9 x 35.4 cm) REFERENCE: Schult 123 83.1.5.2 i
12. Nach dem Schuss, 1919 (After the gunshot)
K>y8 x 13% in. (27.0 x 34.9 cm) REFERENCE: Schult 124 83.1. 5.2 j
13. Zwei Manner im Gesprdch, 1919 (Two men conversing)
10% x 13% in. (27.0 x 35.2 cm) REFERENCE: Schult 125 83.1.5.2 k
14. Gestorter Aufbruch, 1919 (Troubled departure)
io13/i6 x 13T/8 in. (27.5 x 35.2 cm) REFERENCE: Schult 126
83.1.5.2 1
Die Stolze, 1919
(The proud woman)
io13/i6 x 13% in. (27.5 x 34.9 cm)
INFERENCE: Schult 127
83.1.5.2 m
Armer Wetter und hoher Herr 1,
1919
(Poor cousin and high master 1) io5/8 x i37/8 in. (27.0 x 35.3 cm)
REFERENCE: Schult 128
83. 1.5.2 n
17. Armer Wetter und hoher Herr 2,
1919
(Poor cousin and high master 2)
io9/i6 x 14 in. (26.8 x 35.5 cm)
REFERENCE: Schult 129
83.1.5.20
18. Die Zudringliche, 1919 (The intrusive woman)
io11/^ x I313/i6 in. (27.2 x 35. 1 cm) REFERENCE: Schult 130
83.1.5.2 p
15
16
92-18
26
Barlach
92 (continued)
19. Die Raucherin, 1919 (Woman smoking)
io9/i6 x i37/s in. (26.9 x 35.3 cm) REFERENCE: Schult 131 83. 1.5.2 q
20. Die Lauscherin, 1919 (The eavesdropper)
10% x I313/i6 in. (27.0 x 35. 1 cm) REFERENCE: Schult 132 83.1.5.2 r
21. Die Beichte, 1919 (The confession)
io9/ie x 13% in. (26.8 x 35.2 cm) REFERENCE: Schult 133 83.1.5.2 s
22. "Frau Venus" 1919
io9/ie x i313/ie in. (26.8 x 35. 1 cm) REFERENCE: Schult 134 83.1.5.2 t
23. Das Paar in der Menge 1 — Heimliches Gesprach, 1919
(The couple in the crowd 1— secret
conversation)
io9/ie x I313/i6 in. (26.8 x 35. 1 cm)
REFERENCE: Schult 135
83.1.5.2 u
24. Das Paar in der Menge 2—Heiliger, Strohbraut und Lumpensack, 1919 (The couple in the crowd 2— saint, straw bride, and ragbag)
loYs x I3u/i6 in. (27.0 x 34.7 cm) REFERENCE: Schult 136 83.1.5.2V
25. Das Paar in der Menge 3— der Knieende, 1919
(The couple in the crowd 3— man
kneeling)
io9/ie x i37/s in. (26.9 x 35.2 cm)
REFERENCE: Schult 137
83. 1.5.2 w
26. Gesprach vor Tisch, 1919 (Conversation before dinner) io"/i6 x 13% in. (27.2 x 34.9 cm) reference: Schult 138
83. 1.5.2 x
27. Zweikatnpf 1, 1919 (Duel 1)
io9/i6 x 14 in. (26.9 x 35.6 cm) REFERENCE: Schult 139
83.1.5.2 y
28. Zweikatnpf 2, 1919
(Duel 2)
ion/i6 x 14 in. (27.2 x 35.6 cm) REFERENCE: Schult 14O 83. 1.5.2 z
92-19
92-21
92-23
92-22
92-24
92-25
92-26
92-28
92-29
92-30
92-31
92-34
Barlach
29
27
30
31
Schlechtes Gewissen i, 1919
(Bad conscience 1)
io5/8 x 14 in. (27.0 x 35.6 cm)
REFERENCE: Schult 14 1
83.1.5.2 aa
Schlechtes Gewissen 2, 1919
(Bad conscience 2)
iou/i6 x i37/8 in. (27.2 x 35.2 cm)
REFERENCE: Schult 142
83. 1.5.2 bb
Schlechtes Gewissen 3, 1919
(Bad conscience 3)
io7/s x 13T/8 in. (27.6 x 35.2 cm)
REFERENCE: Schult 143
exhibition: Guenther 4
83.1.5.2 cc
32. Verlorenes Licht 2, 1919 (Lost light 2)
10% x i37/s in. (27.0 x 35.2 cm) REFERENCE: Schult 145 83.1.5.2 dd
33. Sternreigen, 1919 (Star dance)
iou/i6 x I313/i6 in. (27.2 x 35. 1 cm) REFERENCE: Schult 146 83. 1.5.2 ee
34. Die Laterne, 1919 (The lantern)
io3/i6 x 14V16 in. (25.9 x 35.7 cm) REFERENCE: Schult 147 83.1.5.2 ff
35. Letzter Dienst 2, 1919 (Final duty 2)
io9/i6 x I315/i6 in. (26.8 x 35.4 cm) REFERENCE: Schult 149 exhibition: Guenther 5 83. 1.5.2 gg
36. Zwei gegen Einen, 1919 (Two against one)
ion/i6 x I3n/i6 in. (27.2 x 34.7 cm) REFERENCE: Schult 150 EXHIBITION: Guenther 6 83.1.5.2 hh
37. Verzweifelter Abtanz, 1919 (Desperate dance)
ion/i6 x I313/i6 in. (27. 1 x 35. 1 cm) REFERENCE: Schult 151 83. 1.5.2 ii
38. Magd eines hohen Herrn, 1919 (Maid of a high master)
io9/i6 x I3u/i6 in. (26.8 x 34.7 cm) REFERENCE: Schult 152 83-1-5-2JJ
92-35
92-38
28
Barlach
93
Barmherziger Samariter, 1919 (The good Samaritan) Woodcut on wove paper 615/i6 x 5'/i6 in. (17.7 x 12.9 cm) From Paul Erich Kiippers, ed. , Das Kestnerbuch (Hannover: Heinrich Bbhme Verlag, 1919), following p. 64 provenance: Galerie Gerda Bassenge, Berlin, 13-18 May 1973, part of lot 4076
REFERENCE: Schult 163 exhibition: Reed 321/8 83.1. 140 h
94
Gruppe in Sturm, 1919
(Group in a storm)
Woodcut on China paper, laid down on
heavy wove paper
7x 5'/i6in. (17.8 x 12.9 cm)
Proof apart from edition of 100; see also
cat. no. 95
inscription: dedication to Karl
Riicessly(?) on support sheet
PROVENANCE: Gropper Gallery, Boston;
Ars Libri, Boston; purchased in 1980
REFERENCE: Schult 162
M. 82. 287. 5
95
Gruppe in Sturm, 1919 (Group in a storm) Woodcut on wove paper 6u/i6 x 413/i6 in. (17.0 x 12.2 cm) From UnserWeg 1920: Einjahrbuch (Berlin: Paul Cassirer, 1919), frontispiece. The center also has an impression from Kurt Pfister, ed., Deutsche Graphiker der Gegenwart (Leipzig: Klinkhardt & Biermann, 1920). Schult catalogues these as reprints of the editioned woodcut (see cat. no. 94); in fact they are reduced versions printed from a different block provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 REFERENCE: version of Schult 162 EXHIBITION: Reed 323/2 831590 a
96
Der Kopf
(The head)
Portfolio of 10 woodcuts on japan paper An extra suite from deluxe edition of illustrations to poem by Reinhold von Walter (Berlin: Paul Cassirer, 1919); the center also has the bound edition of 200 INSCRIPTION: each sheet signed, l.r.; book signed by artist and author and numbered (1/20) on justification page provenance: Hartung & Karl, Munich, 28-29 May 1974, lot 1807 REFERENCE: Schult 101, 103-H exhibition: Reed 231; Barton 61 83.1.6.2 a-] 1. Untitled (title page), 1919
65/8 x 5V4 in. (16.8 x 13.3 cm)
REFERENCE: Schult IOI
83.1.6.2 a
93
95
JDerJltopt
MM 1M$
96-1
96-2
96-3
96-4
Barlach
29
96-5
96-6
96-7
96-8
96-9
96-10
2. Fluchende Alte, 1919 (Cursing old woman)
4 x 3V8 in. (10. 1 x 7.9 cm) REFERENCE: Schult 103
83.1.6.2 b
3. Lahmer, Blinder und bettlende Alte, 1919
(Cripple, blind man, and old beggar
woman)
5V8 x 5V4 in. (12.9 x 13.3 cm)
REFERENCE: Schult 104
83.1.6.2 C
4. Bettlermajestat, 1919 (Beggar's majesty)
59/i6 x 4^/8 in. (14.2 x 12.4 cm) REFERENCE: Schult 105 83.1.6.2 d
5. Die Peitsche, 1919 (The whip)
55/i6 x 5V4 in. (13.6 x 13.3 cm) REFERENCE: Schult 106 83.1.6.2 e
6. Die Verstossetien, 1919, (The outcasts)
5V4 x 5% in. (13.4 x 13.5 cm) REFERENCE: Schult 107 83. 1.6.2 f
7. Russische Bettlerin, 1919 (Russian beggar woman) 4 x 3'/8 in. (10.2 x 7.9 cm) REFERENCE: Schult 108 83. 1.6.2 g
8. Verzweiflung und Emporung, 1919 (Despair and rebellion)
5% x 5% in. (13.7 x 14.5 cm) REFERENCE: Schult 109 83.1.6.2 h
9. Knieende Bettlerin, 1919 (Kneeling beggar woman) 4 x 3'/i6 in. (10.1 x 7.8 cm) REFERENCE: Schult HO 83.1.6.2 i
10. Vntergang, 1919 (Downfall)
5% x 5 in. (14.5 x 12.8 cm) REFERENCE: Schult 111 83. 1.6.2 j
97
Mors Imperator, 1919
(Death on horseback)
Woodcut on J. W. Zanders paper
10% x i4'/4 in. (27.0 x 36.2 cm)
Published by Paul Cassirer, Berlin,
1919
inscription: signed, l.r. ; numbered
(16/100), 1.1.
provenance: R. Dale Fisher, Wappin-
gers Falls, New York; purchased in 1973
REFERENCE: Schult 156
M. 82.288.3
97
30
Barlach
98
Die Wandlungen Gottes: Sieben Holzschnitte
(The transformations of God: Seven woodcuts)
Portfolio of 7 woodcuts on japan paper Published by Paul Cassirer, Berlin, 1922; total edition of 121; the center also has the unsigned 1922 popular edition with reproductions of the prints inscription: each print signed, l.r.; numbered (1/110) on justification page PROVENANCE: Hartung & Karl, Munich, 28-30 June 1974, lot 1803
REFERENCE: Schult 164-66, 168-71
EXHIRITION: Reed 233 83.i.7a-g
1. Der erste Tag, 1920-21 (The first day)
io'/s x i4'/8 in. (25.7 x 35.9 cm) REFERENCE: Schult 164 83.1.7 a
2. Die Dome, 1920-21 (The cathedrals)
io'/i6 x i43/i6 in. (25.5 x 36.0 cm) REFERENCE: Schult 165 83.1.7 b
3. Der gottliche Bettler, 1920-21 (The divine beggar)
10V16 x 14V16 in. (25.5 x 35.8 cm) REFERENCE: Schult 166 83.1.7 c
4. Totentanz2, 1920— 21 (Dance of death 2)
913/i6 x i43/i6 in. (25.0 x 36.0 cm) REFERENCE: Schult 168 83.1.7 d
5. Goff Bauch, 1920-21 (The god "Paunch")
io'/s x i4'/i6 in. (25.7 x 35.8 cm) REFERENCE: Schult 169 83. 1.7 e
6. Die Fehen, 1920-21 (The rocks)
io'/s x 14V16 in. (25.7 x 35.8 cm) REFERENCE: Schult 170
83.1.7 f
7. Der siebente Tag, 1920-21 (The seventh day)
io'/i6 x i4Vi6 in. (25.5 x 35.8 cm) REFERENCE: Schult 171 83- 1-7 g
99
Elend, 1922
(Poverty)
Lithograph on J. W. Zanders paper
i9'/4 x 16% in. (48.9 x 42.5 cm)
INSCRIPTION: signed, l.r.; numbered
(51/104), 1.1.
provenance: Galerie Nierendorf,
Berlin; purchased in 1975
reference: Schult 201
M. 82.288.5
98-1
98-2
98-5
98-6
98-3
98-7
2«s
99
Barlach
31
100-6
100-2
100-7
100
100-3
100-4
100-S
4.
100
Der Findling
(The foundling)
Portfolio of 20 woodcuts on japan paper
An extra suite of illustrations to play by
Barlach (Berlin: Paul Cassirer, 1922);
the center also has a copy of the bound
edition of 80
inscription: each sheet signed, l.r.
provenance: Karl & Faber. Munich,
1 June 1973, part of lot 389
REFERENCE: Schult 172-73, 175-92
exhibition: Reed 234, Barton 62 83. 1.9.2 a-t
1. Die Last, 1922 (The burden)
49/ie x 39/i6 in. (11.6 x 9. 1 cm) REFERENCE: Schult 172
83.1.9.2 a
2. Haderndes Paar im Regen, 1922 (Couple quarreling in the rain) 3% x 5% in. (9.5 x 13.6 cm) REFERENCE: Schult 173 83.1.9.2 b
3. Steinklopfer und voter Kaiser, 1922 (Stone breaker and red kaiser)
5'/s x 4'/2 in. (13.0 x 11.4 cm) REFERENCE: Schult 175 83.1.9.2 c
Wanderndes Paar im Regen, 1922 (Wayfaring couple in the rain)
3 x 43/i6 in. (7.7 x 10.7 cm) REFERENCE: Schult 176 83. 1.9.2 d
Gruppe uus drei Figuren—Bass, Diskant, Tenor, 1922 (Group of three figures— bass, soprano, tenor) 4I5/i6 x 5% in. (12.5 x 13.7 cm) REFERENCE: Schult 177 83.1.9.2 e
Der Hundekarren, 1922 (The dogcart)
4 x 5V2 in. (10.2 x 13.9 cm) REFERENCE: Schult 178
83. 1.9.2 f
Lahmer und Einbein—Diebitz und
Stiebitz, 1922
(Cripple and one-legged man—
Diebitz and Stiebitz)
4'/i6 x 4V2 in. (10.3 x 11.4 cm)
REFERENCE: Schult 179
83.1.9.2 g
8. Wandernde Puppenspieler, 1922 (Wayfaring puppeteers)
33/s x 45/i6 in. (8.6 x 11.0 cm)
REFERENCE: Schult l8o
83. 1.9.2 h
9. Verzweifelter Puppenspieler, 1922 (Desperate puppeteer)
4% x 59/i6 in. (11.7 x. 14. 1 cm) REFERENCE: Schult 181 83.1.9.2 i
10. Elise, knieend vor der Mutter, 1922 (Elise kneeling before her mother) 3% x 53/i6 in. (8.5 x 13. 1 cm) REFERENCE: Schult 182
83.1. 9. 2j
6
7.
100-10
100-5
32
Barlach
100 (continued)
11. Cruppe aus mehreren Figuren, 1922
(Group of several figures) 4V2 x 5 in. (11.5 x 12.7 cm) REFERENCE: Schult 183
83.1.9.2 k
12. Der Puppenspieler, 1922 (The puppeteer)
43/i6 x 53/i6 in. (10.6 x 13.2 cm) REFERENCE: Schult 184 83. 1.9.2 1
13. Ein braver Mann muss gehn und betteln— Kummer und Elise, 1922 (An honest man must go and beg— Kummer and Elise)
5 x 4V2 in. (12.7 x 11.5 cm) REFERENCE: Schult 185 83.1.9.2 m
14. Der Mantel ist mehr Flick ah Stuck, 1922
(The cloak is more patch than whole
cloth)
4'/2X37/8in. (11.5x8.7 cm)
REFERENCE: Schult 186
83. 1.9.2 n
15. Friss, Friss, Vater Kummer, 1922 (Gorge, gorge, father Kummer) 45/i6 x 5% in. (10.9 x 13.7 cm) REFERENCE: Schult 187 83.1.9.20
16. Der Kessel, 1922 (The kettle)
6V2 x 57/i6 in. (16.5 x 13.8 cm) REFERENCE: Schult 188 EXHIBITION: Guenther 13 83. 1.9.2 p
17. Der hohe Herr, 1922 (The master)
67/i6 x 5V16 in. (16.4 x 12.9 cm)
REFERENCE: Schult 189
83. 1.9.2 q
18. Der Maulwurf, 1922 (The mole)
3n/i6 x 59/i6 in. (9.3 x 14. 1 cm) REFERENCE: Schult 190 83. 1.9.2 r
19. Das Kind in der Glorie, 1922 (The child in glory)
67/i6 x 5V2 in. (16.4 x 14.0 cm) REFERENCE: Schult 191 EXHIBITION: Guenther 14 83.1.9.2 s
20. Fort mit dem Wort vom Menschenfrass, 1922
(Away with the word of cannibalism) 5u/i6 x 57/i6 in. (14.5 x 13.8 cm) REFERENCE: Schult 192 EXHIBITION: Guenther 15 83. 1.9.2 t
100-11
100-12
100-13
100-17
100-18
100-19
100-15
100-20
Barlach
33
101-1
101-2
101-3
101-5
101-6
101-7
101
Goethe: Walpurgisnacht
Portfolio of 20 woodcuts on japan paper Accompanied book edition with same 20 woodcuts (Berlin: Paul Cassirer, 1923); the center also has the unnumbered popular edition with reproductions of the woodcuts, published by Cassirer in
1923
INSCRIPTION: each sheet signed, l.r.; signed and numbered (18/120) on book's justification page provenance: R. E. Lewis, San Anselmo, California; purchased in 1974 REFERENCE: Schult 203-6, 208-23 exhibition: Reed 235; Barton 63 83. 1.34.2 a-t
1. Untitled (title page), 1922 77/i6 x 55/s in. (18.9 x 14.3 cm) REFERENCE: Schult 203 83.1.34.2 a
2. Der Harfner, 1922 (The harpist)
53/i6 x 3n/i6 in. (13. 1 x 9.3 cm)
REFERENCE: Schult 2O4
83.1.34.2 b
3. Blocksberggelichter, 1922 (Blocksberg gang)
3 x 4 in. (7. 6 x 10. 1 cm) REFERENCE: Schult 205
83.1.34.2 c
4. Das Irrlicht, 1922 (Will-o'-the-wisp)
415/i6 x 4u/i6 in. (12.5 x 11.9 cm) REFERENCE: Schult 206 83.1.34.2 d
5. Faust und Mephistopheles 2, 1922 (Faust and Mephistopheles 2) 75/i6 x 59/i6 in. (18.6 x 14.2 cm) REFERENCE: Schult 208 83.1.34.2 e
6. Hexenreise, 1922 (Witch's journey)
7V4 x 5V2 in. (18.4 x 13.9 cm) REFERENCE: Schult 209 83. 1.34.2 f
7. Die Hexe Baubo, 1922 (The witch Baubo)
47/8 x 3n/i6 in. (12.4 x 9.3 cm) REFERENCE: Schult 210 83- 1-34-2 g
8. Das Eulennest, 1922 (The owl's nest)
55/i6 x 4% in. (13.4 x 11.1 cm) REFERENCE: Schult 211 83. 1.34.2 h
9. Der Bischof, 1922 (The bishop)
5'/2 x 59/i6 in. (14.0 x 14.2 cm) REFERENCE: Schult 212 83.1.34.2 i
34
Barlach
101 (continued)
10. Reitender Vrian, 1922 (Urian riding)
7V2 x 5%6 in. (19.0 x 14. 1 cm) REFERENCE: Schult 213 83. 1.34.2 j
11. Hexenritt, 1922 (Witch's ride)
7% x 5n/i6 in. (18.8 x 14.4 cm) REFERENCE: Schult 214
83.1.34.2 k
12. Die Spielleute, 1922 (The troubadours)
47/s x 4V2 in. (12.4 x 11.5 cm) REFERENCE: Schult 215 83. 1.34.2 1
13. Die Schneckenhexe, 1922 (The snail witch)
3,5/i6 x 3 in. (10.0 x 7.7 cm) REFERENCE: Schult 216 83.1.34.2 m
14. Die Trodelhexe, 1922 (The witch of junk)
5'/i6 x 59/i6 in. (12.9 x 14. 1 cm)
REFERENCE: Schult 217 83.I.34.211
15. Lilith, Adams erste Frau, 1922 (Lilith, Adam's first wife)
7% x $¥s in. (18.8 x 14.3 cm) REFERENCE: Schult 218 83.1.34.20
16. Mephistopheles tanzend mit der Alien, 1922
(Mephistopheles dancing with the old woman)
5u/i6 x 4V8 in. (14.4 x 10.5 cm) REFERENCE: Schult 219 83.1.34.2 p
17. Fausr tanzend mit derjungen, 1922 (Faust dancing with the young witch)
6'/s x 415/i6 in. (15.6 x 12.5 cm) REFERENCE: Schult 220 83. 1.34.2 q
18. Der Proktophantasmist und anderes Gelichter, 1922
(The procto-phantom and other
rabble)
415/i6 x 5 Ms in. (12.6 x 13.0 cm)
REFERENCE: Schult 221
83. 1.34.2 r
19. Gretchen, 1922
7% x 55/8 in. (18.7 x 14.3 cm) REFERENCE: Schult 222 83.1.34.2 s
20. Verliebte Reverenz, 1922 (Amorous reverence)
3'/i6 x 39/i6 in. (7.8 x 9. 1 cm) The center also has an impression from Hermann Struck, Die Kunst des Radierens, 5th ed. (Berlin: Paul Cassirer, 1923), before p. 175 REFERENCE: Schult 223 83.1.34.2 t
101-12
101-13
101-14
101-15
101-16
101-17
101-18
101-19
101-20
=55^
103-2
102
103-4
Barlach
102
Der Henker, 1922 (The executioner)
Lithograph on J. W. Zanders paper 20V4 x 16V2 in. (51.7 x 42.0 cm) From portfolio Die Ausgestossenen (Berlin: Paul Cassirer, 1922) INSCRIPTION: signed, l.r.; numbered (40/104), 1.1.
provenance: Hauswedell & Nolte, Hamburg, 6-8 June 1974, lot 76 REFERENCE: Schult 197 EXHIBITION: Chipp 2
M. 82. 288. 4
103
An die Freude
(Ode to joy)
Book with 9 woodcuts printed from zinc
plates on wove paper
Illustrations to poem by Friedrich von
Schiller (Berlin: Paul Cassirer, 1927):
from unnumbered popular edition
provenance: unknown; purchased in
1975
REFERENCE: Schult 271-79
83.i.36a-i
1. Freude, schoner Gotterfunken, 1924
(Joy, fairest spark of the gods) 97/s x i43/ie in. (25. 1 x 36.0 cm) REFERENCE: Schult 271
83.1.36 a
2. Seid umschlungen, Millionen, 1924 (Be embraced, millions)
915/i6 x i43/i6 in. (25.3 x 36.0 cm) REFERENCE: Schult 272 83.1.36 b
3. Engelreigen, 1924 (Band of angels)
lo'/s x 14M6 in. (25.8 x 36.0 cm) REFERENCE: Schult 273
83.1.36 c
4. Der Cherub, 1924 (The cherub)
ioVs x i43/i6 in. (25.8 x 36.0 cm) REFERENCE: Schult 273 83. 1.36 d
5. Die Jakobsleiter, 1924 (Jacob's ladder)
io3/i6 x i43/i6 in. (25.9 x 36.0 cm) REFERENCE: Schult 275 83.1.366
6. Das Liebespaar, 1924 (The lovers)
ioVb x i43/i6 in. (25.8 x 36.0 cm) REFERENCE: Schult 276
831.361
35
103-5
36
Barlach
103 (continued)
7. Unser Schuldbuch set vernicktet,
1924
(Let all old scores be forgotten)
io5/i6 x i43/i6 in. (26. 1 x 36.0 cm)
REFERENCE: Schult 277
83- 1-36 g
8. Dieses Glas dem guten Geist, 1924 (A toast to the benevolent spirit) 10V4 x i43/i6 in. (26.0 x 36.0 cm) REFERENCE: Schult 278
83.1.36 b
9. Der Sternenrichter, 1924 (God the Father)
io5/i6 x i43/ie in. (26. 1 x 36.0 cm) REFERENCE: Schult 279 831-361
104
Goethe: Ausgewahlte Gedichte
(Goethe: Selected poems) Portfolio of 31 lithographs on J. W. Zandersbiitten paper, plus extra folio of 23 lithographs on japan paper Published by Paul Cassirer, Berlin,
1924
inscription: extra folio signed, l.r. ; numbered (52/100) on justification page PROVENANCE: Karl & Faber, 1 June
1973. lot 391
REFERENCE: Schult 227-42, 244-62
exhibition: Reed 236
83. 1.33. 1 a-ee; 83. 1.33.2 a-w
1. Lesender Jiingling, 1924 (Disciple reading)
5V4 x 6'/8 in. (13.3 x 15.6 cm) Also in folio on japan paper reference: Schult 227 83.1.33.1a
2. DerErweckte, 1924 (The awakened one)
67/s x 8Vs in. (17. 5 x 20.6 cm) Also in folio on japan paper REFERENCE: Schult 228 83.1.33.1b
3. Der Totentanz 1, 1924 (The dance of death 1)
yVi x 715/i6 in. (18.5 x 20.2 cm) Also in folio on japan paper
REFERENCE: Schult 22g
83.1.33.1c
4. Der Totentanz 2, 1924 (The dance of death 2)
10% x 8'/8 in. (26.4 x 20.6 cm) Also in folio on japan paper REFERENCE: Schult 230 83.1.33.1 d
5. Der Totentanz 3, 1924 (The dance of death 3) io3/i6 x 8 in. (25.9 x 20.3 cm) REFERENCE: Schult 231 83.1.33.1 e
6. An den Mond 1 , 1924 (To the moon 1)
6'/s x 8 in. (15.6 x 20.3 cm) REFERENCE: Schult 232 83- 1-33- if
103-7
104-1
104-2
104-3
104-6
104-7
Barlach
37
104-11
,•>''..
104-14
104-16
104-18
104-9
104-10
104-13
/ , A
104-15
104-17
7. An den Mond 2, 1924 (To the moon 2)
5% x 8% in. (13.7 x 21.3 cm) Also in folio on japan paper REFERENCE: Schult 233
§3- 1-33- ig
8. Des Paria Gebet, 1924 (The pariah's prayer)
5n/i6 x 67/s in. (14.4 x 17.5 cm) REFERENCE: Schult 234 83.1.33.1 h
9. Legende 1, 1924 (Legend 1)
io>/2 x 83/i6 in. (26.7 x 20.8 cm) Also in folio on japan paper REFERENCE: Schult 23 5 83. 1.33. li
10. Legende 2, 1924 (Legend 2)
65/8 x 8 in. (16. g x 20.3 cm) Also in folio on japan paper REFERENCE: Schult 236
83- 1-33- ij
11. Legende 3, 1924 (Legend 3)
io5/i6 x 8'/8 in. (26.2 x 20.6 cm) Also in folio on japan paper REFERENCE: Schult 237 83.1.33.1k
12. Dank des Paria, 1924 (The pariah's thanks)
59/i6 x 3% in. (14. 1 x 9.2 cm) Also in folio on japan paper REFERENCE: Schult 238
83- 1-33- 1 1
13. Rastlose Liebe, 1924 (Restless love)
7J/8 x 87/8 in. (18. 1 x 22.5 cm) The center has another impression from the four-page prospectus for this publication REFERENCE: Schult 239 83.1.33.1 m
14. Prometheus 1, 1924
513/i6 x 6% in. (14.8 x 17.2 cm) Also in folio on japan paper REFERENCE: Schult 240 83.1.33.1 n
15. Prometheus 2, 1924
6% x 7V2 in. (17.5 x 19.0 cm) REFERENCE: Schult 241
83- 1-33- 10
16. Grenzen der Menschheit, 1924 (The limits of humanity)
5M6 x 713/i6 in. (13.5 x 19.9 cm) Also in folio on japan paper REFERENCE: Schult 242 83.1.33.1 p
17. Der getreue Eckart 1, 1924 (The faithful Eckart 1)
10 x 8V4 in. (25.4 x 21.0 cm) Also in folio on japan paper REFERENCE: Schult 244
83- i-33-i q
18. Der getreue Eckart 2, 1924 (The faithful Eckart 2)
7% x 79/i6 in. (18.5 x 19.2 cm) REFERENCE: Schult 245 83.1.33.1 r
38
Barlach
104 (continued)
19. Schdfers Klagelied, 1924 (Shepherd's lamentation)
8'/i x 715/i6 in. (21.0 x 20.2 cm) REFERENCE: Schult 246
83.1.33.1 s
20. Erlkonig 1, 1924 (The erlking 1)
915/ie x 713/i6 in. (25.3 x 19.9 cm) Also in folio on japan paper REFERENCE: Schult 247
83.1.33.1 t
21. Erlkonig 2, 1924 (The erlking 2)
613/i6 x 8 in. (17.3 x 20.3 cm)
REFERENCE: Schult 248
83.1.33.1 u
22. Der Zauberlehrling i , 1924 (The sorcerer's apprentice 1) 6V2 x 8 in. (16.5 x 20.3 cm) Also in folio on japan paper REFERENCE: Schult 249 83.1.33.1 v
23. Der Zauberlehrling 2, 1924 (The sorcerer's apprentice 2) 6"/i6 x 7,5/i6 in. (17.0 x 20. 1 cm)
REFERENCE: Schult 250
83.1.33.1 w
24. Harfenspieler, 1924 (The harpist)
65/j6 x 8'/s in. (16.0 x 20.6 cm) Also in folio on japan paper REFERENCE: Schult 251 83.1.33.1 x
25. Die wandelnde Glocke 1 , 1924 (The changing bell 1)
7u/i6 x 71s/h> in. (195 x 20.2 cm) Also in folio on japan paper REFERENCE: Schult 252
83-i-33-iy
26. Harzreise im Winter 1, 1924 (Winter journey in the Harz 1) 6I3/i6 x 63/ie in. (17.3 x 15.7 cm) REFERENCE: Schult 253 83.1.33.1 z
27. Harzreise im Winter 2, 1924 (Winter journey in the Harz 2) io7/s x 8Vs in. (27.6 x 20.6 cm) REFERENCE: Schult 254 83.1.33.1 aa
28. Harzreise im Winter 3, 1924 (Winter journey in the Harz 3) 77/i6 x 8'/8 in. (18.9 x 20.3 cm) Also in folio on japan paper REFERENCE: Schult 255 83.1.33.1 bb
29. Der Konig in Thule 1, 1924 (The king in Thule 1)
6"/i6 x 715/i6 in. (17.0 x 20.2 cm) REFERENCE: Schult 256 83.1.33.1 cc
30. Der Konig in Thule 2, 1924 (The king in Thule 2)
6u/i6 x 7I5/i6 in. (17.0 x 20.2 cm) Also in folio on japan paper REFERENCE: Schult 257
83.1.33.1 dd
104-21
104-19
104-22
104-23
104-24
«©srf"^>
104-25
104-26
104-28
104-29
104-30
Barlach
39
104-31
104-34
104-35
wwSLs
'- -ft*"-!' jgk
105
107
., t^fTr
;■:/::: %
(i
^'? U :'■■■<
l'< ■'■''
31. Geistes-Gruss, 1924 (Greeting of spirit)
6'/s x 8 in. (15.6 x 20.3 cm) Also in folio on japan paper REFERENCE: Schult 258
83.1.33.1 ee
32. Der Totentanz 4, 1924 (The dance of death 4)
85/s6 x 715/ie in. (21. 1 x 20. 1 cm) Only in folio on japan paper REFERENCE: Schult 259
83. 1.33.2 t
33. An den Mond 3, 1924 (To the moon 3)
73/i6 x 8Vs in. (18.3 x 20.6 cm) Only in folio on japan paper
REFERENCE: Schult 260
83. 1.33.2 u
34. An den Mond 4, 1924 (To the moon 4)
6% x 8V4 in. (16.2 x 21.0 cm) Only in folio on japan paper REFERENCE: Schult 261
83.1.33.2 V
35. Die wandelnde Glocke 2, 1924 (The changing bell 2)
5V2 x 7% in. (14.0 x 20.0 cm) Only in folio on japan paper REFERENCE: Schult 262 83.1.33.2 w
105
Selbstbildnis 1 , 1928
(Self-portrait 1)
Lithograph on J. W. Zanders paper
17% x i25/8 in. (45.0 x 32.0 cm)
INSCRIPTION: signed, l.r. ; numbered
(6/50), 1.1.
provenance: Hauswedell & Nolte,
Hamburg, 2-4 June 1977, lot 61
REFERENCE: Schult 282
EXHIBITION: Chipp 3
M. 82. 288. 6
106
Der Durstige, 1930
(The thirsty one)
Reproduction of a drawing (Schult
1916), with letter from Barlach signed
and dated "Giistrow / Febr. 1930"
131/4 x 20V2 in. (33.7 x 52.0 cm)
provenance: gift of Dr. Isa Lohmann-
Siems, Hamburg, 1978
The reproduction and letter were sent
to Dr. Lohmann-Siems as a thank-you
after Barlach's sixtieth birthday
M. 82.288.7 a, b
107
Der neue Tag, 1932
(The new day)
Lithograph printed in gray on Van
Gelder Zonen paper
12% x i73/i6 in. (32.0 x 43.7 cm)
Proof apart from edition of 150
INSCRIPTION: signed, l.r.; titled and
dated below image
provenance: Hauswedell & Nolte,
Hamburg, 11-12 June 1982, lot 96
REFERENCE: Schult 294
M. 82. 287. 77
40
Josef Bato
born 1888 Budapest, Hungary
Marius Bauer
born 1867 The Hague, Netherlands
died 1932
Amsterdam,
Netherlands
Barlach
108
Der netie Tag, c. 1932
(The new day)
Lithographic crayon and pencil on
transfer paper
14% x 20% in. (36.5 x 51.8 cm)
Preliminary transfer drawing for
lithograph (cat. no. 107)
inscription: various numbers on verso
provenance: Marga Boehmer,
Giistrow; Galerie Pels-Leusden, Berlin;
purchased in 1979
exhibition: Vom zeichnerischen
Entwurfzur Druckgraphik: Eine
Gegeniiberstellung (Berlin: Galerie
Pels-Leusden, 1979-80), no. 9a
M. 82. 287. 76
109
Vorrucken im Granat- und
Schrapnellfeuer, c. 1915
(Advancing in grenade and shrapnel
fire)
Lithograph on wove paper
i5'/i6 x io7/8 in. (38.2 x 27.6 cm)
From Kriegszeit, no. 30 (1915): 4
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/13
83.1.1428 d
110
Untitled (poem by Hauff), 1916
Lithograph on wove paper
11 x SVi in. (28.0 x 21.0 cm)
From Lieder des Bildermann,
supplement to Der Bildermann 1, no.
11(1916)
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
180
EXHIBITION: not listed in Reed under
265
83.1.1462.78
111
Untitled (Oriental street scene), c. 1911 Etching on laid paper 9'/s x 6 in. (23.2 x 15.2 cm) From Zeitschrift fur bildende Kunst. n.s., 22, no. 1 (1911): before 1 provenance: Galerie Gerda Bassenge, Berlin, 15 May 1976, part of lot 4364 83.1.965 a
Rudolf Bauer 112
Untitled (abstract composition), c. 1918 born 1889 Linoleum cut printed in red, blue, and
Lindenwald black on slick wove paper
7% x 5V& in. (19.7 x 13.0 cm) died 1953 Deal, From Herwarth Walden, ed.,
New Jersey Expressionismus: Die Kunstwende
(Berlin: Verlag der Sturm, 1918),
following p. 8
provenance: Kornfeld & Klipstein,
Bern, 14 June 1972, part of lot 37
exhibition: Guenther under 340
83.1.600 b
108
109
111
lfe'fiit^.'-.^owr«^^-i,
Bauer-Saar
41
115
113
Untitled (abstract composition), c. 1918 Linoleum cut printed in red, blue, and yellow on slick wove paper g'/i6 x 515/i6 in. (23. 1 x 15. 1 cm) From Herwarth VValden, ed., Expressionismus: Die Kunstwende (Berlin: Verlag der Sturm, 1918), following p. 72
provenance: Kornfeld & Klipstein, Bern, 14 June 1972, part of lot 37 EXHIBITION: Guenther under 340 83.1.600 g
114
Untitled (abstract composition), c. 1923 Woodcut on wove paper 8 x 7V2 in. (20.3 x 19.0 cm) From Karl Lorenz, ed., Das neue Hamburg (Hamburg: Gemeinsehafts- verlag Hamburgischer Kiinstler, 1923),
P- 43
INSCRIPTION: numbered (257/450) on
justification page
provenance: Arthur H. Minters, New
York; purchased in 1976
EXHIBITION: Reed under 322
83.1. 160 e
115
Untitled (abstract composition), c. 1923 Woodcut on wove paper 8V4 x 7V4 in. (21.0 x 18.4 cm) From Karl Lorenz, ed., Das neue Hamburg (Hamburg: Gemeinschafts- verlag Hamburgischer Kiinstler, 1923),
P- 45
INSCRIPTION: numbered (257/450) on
justification page
PROVENANCE: Arthur H. Minters, New
York; purchased in 1976
exhibition: Reed under 322
83.1.160 f
116
Untitled (abstract composition), c. 1923
Woodcut on wove paper
7n/i6 x 77/i6 in. (19.5 x 18.9 cm)
From Karl Lorenz, ed., Das neue
Hamburg (Hamburg: Gemeinschafts-
verlag Hamburgischer Kiinstler, 1923),
p. 47
inscription: numbered (257/450) on
justification page
provenance: Arthur H. Minters, New
York; purchased in 1976
exhibition: Reed under 322
83.1. 160 g
Adolf Bauer-Saar
42
Baum
|
Paul Baum |
117 |
|
Weiden, c. 1924 |
|
|
born 1859 Meissen |
(Willows) |
|
Etching on heavy wove paper |
|
|
died 1932 |
5% x 73/i6 in. (14.6 x 18.3 cm) |
|
San Gimignano, |
From Richard Hamann and Fritz |
|
Italy |
Herbert Lehr, eds. , Marburger |
|
Jahrbuchfiir Kunstwissenschaft , vol. 1 |
|
|
(Marburg: Verlag des kunstgeschicht- |
|
|
lichen Seminars der Universitat |
|
|
Marburg, 1924), before p. 285; edition |
|
|
of 500 |
|
|
PROVENANCE: Biicherei Verlag Kurt |
|
|
Desch, Munich (ex libris); Hartung & |
|
|
Karl, Munich, 13 November 1979, part |
|
|
of lot 2958 |
|
|
83.1.785 a |
|
|
Fritz Baumann |
118 |
|
Untitled (horse and rider), c. 1915 |
|
|
born 1886 Basel, |
Woodcut on wove paper |
|
Switzerland |
i39/i6 x i87i6 in. (34.5 x 46.9 cm) |
|
From Der Sturm 6, no. 5/6 (1915): |
|
|
died 1943 Basel, |
30-31 |
|
Switzerland |
provenance: Ex Libris, New York; |
purchased in 1982 83.1.1392.20
119
Untitled (horses), c. 1915 Woodcut on wove paper iou/i6 x ig3/i6 in. (27. 1 x 48.7 cm) From Der Sturm 6, no. 7/8 (1915):
42-43
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1- 1392-21
120
Untitled (family in landscape), c. 1915 Woodcut on wove paper io13/i6 x i63/8 in. (27.4 x 41.6 cm) From Der Sturm 6, no. 13/14 (1915):
78-79
provenance: Ex Libris, New York;
purchased in 1982
83.1.1392.26
|
Otto Baumberger |
121 |
|
Kreuzabnahme, c. 1918 |
|
|
born 1889 |
(Descent from the cross) |
|
Alstetten, |
Lithograph on japan paper |
|
Switzerland |
8 x 5n/i6 in. (20.3 x 14.5 cm) |
|
From deluxe edition of Das Kunstblatt |
|
|
died 1961 |
2, no. 7 (1918); the center also has an |
|
impression from the regular edition |
|
|
inscription: numbered (32/110) on |
|
|
justification page |
|
|
provenance: Henry Hallenstein; W. F. |
|
|
Arntz, Haag (Oberbayern); purchased |
|
|
in 1975 |
|
|
exhibition: Reed 283/25 |
|
|
83.1.1117 a |
117
121
118
119
120
Beckmann
43
123-4
123-1
123-5
122 Herbert Bayer
Untitled (abstract composition), c. 1923
Lithograph printed in black, gray, blue, born 1900 Haag
and red on wove paper (Oberbayern)
99/i6 x 5% in. (24.3 x 14.6 cm)
From Staatliches Bauhaus in Weimar, died 1985
1919-2923 (Weimar and Munich: Santa Barbara,
Bauhausverlag, 1923), p. 221; from California
German edition of 2,000 (total edition of
2,600)
provenance: Galerie Gerda Bassenge,
Berlin, 13- 18 May 1974, part of lot
3956
exhibition: Reed under 398
83.1.41 i
123
Eurydikes Wiederkehr, in drei
Gesangen
(The return of Eurydice, in three
cantos)
Book with 9 lithographs on Strathmore
japan paper
Illustrations to verses by Johannes
Guthmann (Berlin: Paul Cassirer, 1909);
total edition of 60
inscription: each sheet signed, l.r.;
numbered (24/35) on justification page
provenance: Galerie Gerda Bassenge,
Berlin, 28 April 1982, lot 2378
REFERENCE: GallwitZ 3
83. 1.734 a-i
1. Begrdbnis, 1909 (The burial)
8 x 6% in. (20.3 x 17.2 cm) Following page 10 REFERENCE: GallwitZ 3 (l) 83- 1-734 a
2. Untitled (Orpheus lying in landscape), 1909
715/i6 x 6% in. (20.2 x 17.5 cm) Following page 24 REFERENCE: GallwitZ 3 (z) 83-i-734b
3. Orpheus verldsst seine Mutter, um in die Unterwelt zu gehen, 1909 (Orpheus leaves his mother to go to Hades)
7i3/i6 x 613/i6 in. (19.9 x 17.3 cm) Following page 36 REFERENCE: GallwitZ 3 (3)
83- 1-734 c
4. Orpheus in der Unterwelt, 1909 (Orpheus in Hades)
75/s x 6% in. (194 x 16.8 cm) Following page 42 REFERENCE: Gallwitz 3 (4)
83- 1-734 d
5. Orpheus vor Plato und Proserpina,
1909
(Orpheus before Plato and
Persephone)
8 x 6% in. (20.3 x 17.2 cm)
Following page 52
REFERENCE: Gallwitz 3 (5)
83.1.734 e
Max Beckmann
born 1884 Leipzig
died 1950
New York, New York
Seckmann
123 (continued)
6
Das Wiedersehen, 1909 (The reunion)
y7/s x 6V2 in. (20.0 x 16.5 cm) Following page 58 REFERENCE: Gallwitz 3 (6)
§3- 1-734 f
7. Untitled (dark passage), 1909 6% x 8% in. (17. 1 x 21.3 cm) Following page 62 REFERENCE: Gallwitz 3 (7)
83- 1-734 g
8. Untitled (the shore), 1909 7% x 6V2 in. (19.6 x 16.5 cm) Following page 66 REFERENCE: Gallwitz 3 (8)
83- 1-734 h
9. Untitled (vista), 1909
713/i6 x 63/4 in. (19.9 x 17. 1 cm) Following page 78 REFERENCE: Gallwitz 3 (9) 83-i-734i
124
Verkaufder Gefangenen, c. 1909 (Selling of the prisoners) Brown ink on wove paper 4'/s x 415/i6 in. (10.8 x 12.5 cm) inscription: titled, l.r., inscribed "Der Rivern(?)," l.r.
provenance: Kate Steinitz; Zeitlin & Ver Brugge, Los Angeles; purchased in
1974
reference: Wiese 58; Gordon 654
EXHIBITION: Reed 1
Study for 1910 painting in the Saint
Louis Art Museum (Gbpel 127)
L. 84. 5.26; lent by the Robert Gore
Rifkind Collection, Beverly Hills,
California
125
Entwurf Amazonenschlacht ', 1910
(Study for battle of the Amazons)
Pencil on heavy card
7% x 77/s in. (19.7 x 20.0 cm)
inscription: signed and dated, l.r.;
titled, 1.1.
provenance: Reinhard Piper, Munich
(inscription, verso); his sale, Karl &
Faber, Munich, 29 June 1981, lot 75;
Evelyn Hagenbeck Galerie & Verlag,
Hamburg; purchased in 1981
reference: Kaiser, p. 8; Wiese 57
exhibition: Anne Rover and Bernhard
Schnackenburg, Max Beckmann in der
Sammlung Piper (Bremen: Kunsthalle,
1974), no. 1, pi. 46
Study for 1911 painting in the Robert
Gore Rifkind Collection, Beverly Hills,
California (Gopel 146)
L. 84. 5. 27; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
123-6
^4&«S£.
126
125
Beckmann
45
%jf3>MJ
127-2
127-3
127-4
127-5
127-6
126
David und Bathsheba, 191 1
(David and Bathsheba)
Lithograph on J. W. Zanders paper
17V2 x 14V2 in. (44.5 x 36.8 cm)
Published by I. B. Neumann Verlag,
Berlin
INSCRIPTION: signed and dated, l.r.;
numbered (17/40), 1.1.
provenance: Zeitlin & Ver Brugge, Los
Angeles; purchased in 1974
REFERENCE: Gallwitz 14
EXHIBITION: Reed 2
M. 82.288.9
127
Sechs Lithographien zum neuen Testament
(Six lithographs from the New
Testament)
Portfolio of 6 lithographs on japan paper
Published by E. W. Tieffenbach, Berlin,
1911; from first edition on japan paper
INSCRIPTION: each plate signed, l.r.;
inscribed "Herrn und Frau S. / zum
Weihnachten 1912 mit den /
herzlichsten Griissen / Max Beckmann"
on title page
provenance: Karl & Faber, Munich, 30
May 1975, lot 609
REFERENCE: Gallwitz 5- 10
EXHIBITION: Reed 3
83.i.38a-f
1. Christus in der Wiiste, 1911 (Christ in the wilderness) io15/i6 x g5/i6 in. (27.7 x 23.6 cm) REFERENCE: Gallwitz 5 exhibition: Reed 3/1 83.1.38 a
2. Taufe Christi, 1911 (The baptism of Christ)
9u/i6 x 813/i6 in. (24.6 x 22.4 cm) REFERENCE: Gallwitz 6 EXHIBITION: Reed 3/2 83.1.38 b
3. Christus unci I die Siinderin, 1911 (Christ and the adulteress) loVie x g5/i6 in. (25.6 x 23.7 cm) reference: Gallwitz 7 EXHIBITION: Reed 3/3 83.1.38 c
4. Die Bergpredigt, 1911 (The Sermon on the Mount) lo'/a x g5/8 in. (26.7 x 24.5 cm) REFERENCE: Gallwitz 8 exhibition: Reed 3/4; Guenther 20 83. 1.38 d
5. Das Ahendmahl, 1911 (The Last Supper)
io7/i6 x 11% in. (26.5 x 29.5 cm) REFERENCE: Gallwitz 9 EXHIBITION: Reed 3/5 83. 1.38 e
6. Die Wiirfler unter dem Kreuz, 1911 (Soldiers gambling for Christ's robe) 11% x 95/s in. (29.5 x 24.5 cm) REFERENCE: Gallwitz 10 EXHIBITION: Reed 3/6, Guenther 21 83. 1.38 f
Beckmann
128
Das Bad der Straf linge
(The bath of the convicts)
Seven lithographs on wove paper
Illustrations to story by Fyodor
Dostoyevski "Aus einem Totenhaus," in
Kunst und Kunstler 11, no. 6 (1913):
289-96
PROVENANCE: Erasmus, Amsterdam;
purchased in 1975
REFERENCE: Gallwitz 28
EXHIBITION: Reed under 286
83. 1.1242 s-y
1. Untitled (title page), 1912 2% x 65/i6 in. (7.0 x 16.0 cm) Page 289
REFERENCE: Gallwitz 28 (1) 83.1.1242 s
2. Untitled (standing and kneeling prisoners), 1912
5*4x3% in. (13.3x8.3 cm) Page 290
REFERENCE: Gallwitz 28 (2) 83.1.1242 t
3. Untitled (two men, half-length), 1912
43/i6 x 415/i6 in. (11.0 x 12.5 cm) Page 291
REFERENCE: Gallwitz 28 (3) 83.1.1242 u
4. Untitled (two men at door), 1912 45/s x 3V16 in. (11.7 x 7.8 cm) Page 292
REFERENCE: Gallwitz 28 (4) 83.1.1242 v
5. Untitled (prisoners in room), 1912 87/ie x 7VI6 in. (21.5 x 18.0 cm) Page 293
REFERENCE: Gallwitz 28 (5) 83.1.1242 w
6. Untitled (prisoner in room), 1912 6Vs x 55/i6 in. (15.5 x 13.5 cm) Page 294
REFERENCE: Gallwitz 28 (6) 83.1.1242 x
7. Untitled (Crucifixion), 1912 7% x 5% in. (20.0 x 14.0 cm) Page 296
REFERENCE: Gallwitz 28 (7) 83.1.1242 y
129
Bildnis des verwundeten Schwagers
Martin Tube, 1914
(Portrait of wounded brother-in-law
Martin Tube)
Lithograph on wove paper
n15/i6 x 9I3/i6 in. (30.3 x 25.0 cm)
From Kriegszeit, no. 11 (1914): 4
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
reference: Gallwitz 53c
EXHIBITION: Reed 281/14; Chipp 133
83.1.1410 d
128-1
128-3
128-5
128-2
128-4
Beckmann
47
129
130
132-2
132-1
132-3
130
Mord, 1914
(Murder)
Drypoint on japan paper
9 x io7/8 in. (22.9 x 27.7 cm)
From portfolio Shakespeare Visionen
(Munich: Marees-Gesellschaft, 1918);
from edition A (total edition of 200)
INSCRIPTION: signed, l.r.; numbered
(xiv/l) on justification page; publisher's
blind stamp, l.r.
provenance: Hans Bolliger, Zurich;
purchased in 1972
REFERENCE: Gallwitz 54
EXHIBITION: Reed 336/31
M. 82.288.384.31
131
Der Abend: Selbstbildnis mit
Battenbergs, 1916
(The evening: Self-portrait with the
Battenbergs)
Drypoint on japan paper
97/ie x 7 in. (23.9 x 17.8 cm)
From portfolio Gesichter (Munich:
Marees-Gesellschaft, 1919-20), pi. 10;
from edition of 40 (total edition of 100);
unnumbered
inscription: signed, l.r.; inscribed
"Mitternacht"(?), 1.1.; publisher's
stamp, l.r.
provenance: Kennedy Galleries, New
York; private collection, Los Angeles;
Art Harris Gallery, Los Angeles;
purchased in 1972
REFERENCE: Gallwitz 67
exhibition: Reed 372; Chipp 4
M. 82.288. 15
132
Die Fiirstin
(The princess)
Book with 6 drypoints on laid paper Illustrations to novel by Kasimir Edschmid (Weimar: Gustav Kiepenheuer Verlag, 1918) INSCRIPTION: numbered (206/500) on justification page
provenance: Ganymede Graphics, Berkeley; purchased in 1974 reference: Gallwitz 89 EXHIBITION: Reed 369 83-i-39a-f
1. Untitled (three seated figures), 1917
7X5'/4in. (17.7 x 13.4 cm) Following page 8 reference: Gallwitz 89 (1)
83- 1-39 a
2. Untitled (misshapen figure), 1917 7'/i6 x 53/s in. (18.0 x 13.7 cm) Following page 28 reference: Gallwitz 89 (2)
83- 1-39 b
3. Untitled (man and nude woman),
1917
7% x 415/i6 in. (18.7 x 12.5 cm) Following page 40 reference: Gallwitz 89 (3) 83- 1-39 c
48
Beckmann
132 (continued)
4. Untitled (figure at window), 1917 7% x 59/i6 in. (18.7 x 14.2 cm) Following page 54 REFERENCE: Gallwitz 89 (4)
83- 1-39 d
5. Untitled (five figures), 1917 7'/i6 x 5V2 in. (18.0 x 13.9 cm) Following page 60 REFERENCE: Gallwitz 89 (5) 83.1.39 e
6. Untitled (seduction), 1917 7'/s x 5 '/a in. (18. 1 x 14.0 cm) Following page 78 REFERENCE: Gallwitz 89 (6) 83.1.39 f
133
Mainlandschaft, 1918
(Main River landscape)
Drypoint on handmade paper
9% x n5/8 in. (24.9 x 29.5 cm)
From portfolio Gesichter (Munich:
Marees-Gesellschaft, 1919-20), pi. 6;
from edition of 60 (total edition of 100);
unnumbered
INSCRIPTION: signed, l.r.; titled and
dated, 1.1.; publisher's stamp, l.r.
provenance: Stefan Lennart, Munich;
purchased in 1974
REFERENCE: Gallwitz 99
EXHIBITION: Reed 373
M. 82. 288. 16
134
Bildnis Reinhard Piper, 1920 (Portrait of Reinhard Piper) Drypoint on thin japan paper n3/4 x 57/8 in. (29.8 x 15.0 cm) Proof apart from edition of 35 published by R. Piper & Co., Munich inscription: signed, l.r; inscribed, not by artist, "Musterdruck zum Auftrag 23 vom 10/5.21," 1.1. provenance: Galerie Wolfgang Ketterer, Hamburg, 18 December 1978, lot 593
REFERENCE: Gallwitz 134 M. 82.288. 14
135
Pierrot und Maske, 1920 (Pierrot and mask) Lithograph on heavy wove paper i25/i6 x 8 in. (31.3 x 20.3 cm) From Kurt Pfister, ed., Deutsche Graphiher der Gegenwart (Leipzig: Klinkhardt & Biermann, 1920), pi. 30; edition of 600 PROVENANCE: Hans Bolliger, Zurich; purchased in 1972 REFERENCE: Gallwitz 146 exhibition: Reed under 339 83.1.171 w
132-4
132-5
Beckmann
49
136-1
|
:~^^^^3^^y¥-t' |
|
|
l,;/^^^^^-^^ |
136-2
136-4
136-6
136
Stadtnacht
(City night)
Book with 7 lithographs on japan paper
Illustrations to poems by Lili von
Braunbehrens (Munich: R. Piper &
Co., 1921): from edition of 100 on japan
paper (total edition of 600)
inscription: signed on justification
page
provenance: Galerie Gerda Bassenge,
Berlin, 29 May 1975, lot 4931.1
REFERENCE: GallwitZ 135-41
EXHIBITION: Reed 370
83-i-4oa-g
1. Untitled (title page), 1920 7% x 6 in. (18.8 x 15.2 cm) REFERENCE: GallwitZ 135 83.1.40 a
2. Trinklied, 1920 (Drinking song)
7V2 x 69/i6 in. (19. 1 x 16.7 cm) Page 17
REFERENCE: GallwitZ 136 83.1.40 b
3. StadtTiacht, 1920 (City night)
7% x 6'/i6 in. (19.4 x 15.5 cm)
Page 24
REFERENCE: GallwitZ 137
83.1.40 c
4. Verbitterung, 1920 (Bitterness)
7'/2 x 57/8 in. (19.0 x 15.0 cm) Page 32
REFERENCE: GallwitZ 138 EXHIBITION: Chipp 134 83. 1.40 d
5. Vorstadtmorgen, 1920 (Morning in the suburbs) 7u/i6 x 6Vs in. (19.5 x 15.5 cm) Page 40
REFERENCE: GallwitZ 139 83.1.406
6. Mobliert, 1920 (Furnished)
8'/i x 6'/i6 in. (21.0 x 15.5 cm) Page 42
REFERENCE: GallwitZ 140 83. 1.40 f
7. Die Kranke, 1920 (The sick one)
7V2 x 6V16 in. (19.0 x 15.4 cm) Page 46
REFERENCE: GallwitZ 141 83. 1.40 g
136-7
50
Beckmann
137
Bildnis Dostojewskis, 1921 (Portrait of Dostoyevski) Drypoint on laid paper 6"/i6 x 4u/i6 in. (17.0 x 12.0 cm) From portfolio Ganymed-Mappe I (Munich: Marees-Gesellschaft, 1921); edition of 200; the center also has the print in Julius Meier-Graefe, ed., Ganymed, vol. 3 (Munich: R. Piper & Co., 1921), before p. 1 inscription: signed, l.r. provenance: Hans Bolliger, Zurich; purchased in 1972 REFERENCE: Gallwitz 160 b
exhibition: Reed 317/10 M. 82. 288. 377 b
138
Der Jahrmarkt
(The annual fair)
Portfolio of 10 drypoints on handmade
paper
Published by Marees-Gesellschaft,
Munich, 1922; total edition of 200
inscription: each sheet signed, l.r.;
numbered (12/125) on justification
page; publisher's stamp, l.r.
provenance: Galerie Wolfgang
Ketterer, Munich, 26 May 1975, lot 131
REFERENCE: Gallwitz 163-72
exhibition: Reed 371
M. 82.288. 19 a-k
1. Der Ausrufer—Selbstbildnis, 1921 (The barker— self-portrait)
131/] x io3/i6 in. (33.6 x 25.9 cm) REFERENCE: Gallwitz 163 EXHIBITION: Chipp 6 M.82.288.iga
2. Garderobe, 1921 (Dressing room)
8'/s x 513/i6 in. (20.7 x 14.7 cm) REFERENCE: Gallwitz 164 EXHIBITION: Chipp 7
M. 82.288. 19 b
3. Hinter den Kulissen, 1921 (Behind the scenes)
8V4 x 12 in. (21.0 x 30.5 cm) REFERENCE: Gallwitz 165 EXHIBITION: Chipp 8 M. 82. 288. 19 c
4. Sclriessbude, 1921 (Shooting gallery)
12V2 x 9% in. (31.8 x 24.8 cm) REFERENCE: Gallwitz 166 M. 82. 288. 19 c!
5. Der grosse Mann, 1921 (The tall man)
i2'/i6 x 83/i6 in. (30.7 x 20.8 cm) REFERENCE: Gallwitz 167 M. 82.288. 19 e
6. DerNeger, 1921 (The Negro)
11% x io'/j in. (28.9 x 26.0 cm) REFERENCE: Gallwitz 168 EXHIBITION: Chipp 9 M. 82. 288. 19 f
138-1
138-6
Beckmann
51
138-7
138-8
138-9
138-10
139
7. Das Karussell, 1921 (The carousel)
n7/i6 x 10 in. (29.0 x 25.4 cm) REFERENCE: GallwitZ 169
M. 82. 288. 19 g
8. Die Seiltanzer, 1921 (The tightrope walkers)
lo'/s x io'/i6 in. (25.7 x 25.6 cm) REFERENCE: GallwitZ 170 M. 82.288. 19 h
9. Niggertanz, 1921 (Nigger dance)
io'/j x 10 in. (26.0 x 25.4 cm) REFERENCE: Gallwitz 171 M. 82. 288. 19 i
10. Schlangendame, 1921 (Snake lady)
11% x io'/i6 in. (29.0 x 25.5 cm) REFERENCE: GallwitZ 172 EXHIBITION: Chipp 10
M. 82. 288. 19 j
139
Portrat Reinhard Piper, 1921 (Portrait of Reinhard Piper) Lithograph on Van Gelder Zonen paper 233/ie x 16V2 in. (58.9 x 42.0 cm) Proof apart from edition of 40 published by R. Piper & Co., Munich inscription: signed, l.r.; dedicated by Piper to Lotta Tieffenbach and dated 25 May 1924, 1.1.
provenance: Reinhard Piper; Lotta Tieffenbach; Parke-Bernet, New York, 12 May 1972, lot 24 REFERENCE: GallwitZ 156 EXHIBITION: Reed 333; Chipp 5 M. 82. 288. 10
140
Bildnis Reinhard Piper, 1922 (Portrait of Reinhard Piper) Woodcut on thin japan paper 8'/2 x 4'/i6 in. (21.6 x 10.3 cm) Block cut by Albert Fallscheer; published by R. Piper & Co., Munich inscription: signed, l.r.; numbered (vn/x), 1.1.
provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, lot 159 REFERENCE: GallwitZ 210 b EXHIBITION: Reed 334; Barton 65 M. 82.288. 12
141
Liebespaar, 1922
(Lovers)
Lithograph on wove paper
■f/s x 5'/2 in. (20.0 x 14.0 cm)
From Georg Biermann, ed., Jahrbuch
derjungen Kunst (Leipzig: Klinkhardt
& Biermann, 1922), frontispiece
provenance: Hans Bolliger, Zurich;
purchased in 1975
REFERENCE: Gallwitz 267
EXHIBITION: Reed 320/1922.1
83.1.800 a
Beckmann
142
Madchen mit Tamburin, 1922
(Girl with tambourine)
Woodcut on cover stock
45/i6 x 3% in. (11. 0x9.5cm)
From Max Beckmann: I. B. Neumanns
Bilderhefte (Berlin: Verlag Graphisches
Kabinett Israel Ber Neumann, 1922),
cover
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
reference: Gallwitz 217
EXHIBITION: Reed 277
83.1.218 a
143
Selbstbildnis, 1922
(Self-portrait)
Woodcut on japan paper
8% x 6'/8 in. (22.2 x 15.4 cm)
Published by R. Piper & Co., Munich;
total edition of 100
INSCRIPTION: signed, l.r. ; numbered
(vin/xx), 1.1.
provenance: Karl & Faber, Munich,
2-3 December 1971, lot 579
reference: Gallwitz 195 c
exhibition: Reed 374; Barton 64;
Chipp 11
M. 82. 288. 11
144
Tanzende, 1922
(Dancers)
Woodcut on laid paper
7V16 x 4V8 in. (18.0 x 10.5 cm)
From portfolio Ganymed-Mappe 11
(Munich: Marees-Gesellschaft, 1922);
the center also has the print in Julius
Meier-Graefe, ed., Ganymed, vol. 4
(Munich: R. Piper & Co., 1922),
following p. 128
inscription: signed, l.r.; numbered
(cxl/ccc) on cover
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1972
reference: Gallwitz 197
EXHIBITION: Reed 317/24
M. 82.288.378 b
145
Bei der Toilette, 1923 (Toilette)
Woodcut on handmade paper 24'/i6 x i8'/i6 in. (61. 1 x 45.9 cm) Trial proof apart from edition of 55 INSCRIPTION: signed and dated, l.r.; inscribed "Zwei Frauen Probedruck, 1.1. provenance: R. E. Lewis, San Rafael, California; purchased in 1979 REFERENCE: Gallwitz 226 EXHIBITION: Barton 67 M. 82.288. 17
142
145
Beckmann
53
147
146
146
Bildnis Frau H. M.; Naila, 1923 (Portrait of Frau H. M.; Naila) Woodcut on simili-japan paper 13% x 12% in. (34.9 x 32.7 cm) From portfolio Gegenwart (Munich: Marees-Gesellschaft, n.d.), pi. 2; edition size unknown (probably 100) INSCRIPTION: signed, l.r.; publisher's stamp, l.r.
provenance: Kornfeld & Klipstein, Bern, 15-17 June 1972, lot 50 REFERENCE: Gallwitz 252 b exhibition: Reed 375; Barton 66 M. 82. 288. 13
147
Bildnis Naila mil aufgestiitzten Armen
und Glas, 1923
(Portrait of Naila resting on elbows with
glass)
Drypoint on heavy wove paper
85/i6 x 6'/s in. (21. 1 x 15.6 cm)
From deluxe edition of Curt Glaser et
al., Max Beckmann (Munich: R. Piper &
Co., 1924), the first oeuvre catalogue of
Beckmann's prints
provenance: Hans Bolliger, Zurich;
purchased in 1975
reference: Gallwitz 230
83.1.216 a
148
Frauenkopf/ Frau Battenberg, 1923
(Head of a woman / Frau Battenberg)
Woodcut on laid paper
9'/i6 x 5% in. (23.0 x 14.7 cm)
INSCRIPTION: signed, l.r.; numbered
(32/35), LL
provenance: Ars Libri, Boston;
purchased in 1979
reference: Gallwitz 227
M. 82. 288. 18
149
Zeretelli, 1923
Drypoint on thin laid paper
7J/4 x 5V2 in. (18.5 x 14.0 cm)
From portfolio Ganymed-Mappe III
(Munich: Marees-Gesellschaft, 1924);
edition of 100
INSCRIPTION: signed, l.r.
provenance: Hartung & Karl, Munich,
13-15 November 1979, part of lot 2779
REFERENCE: Gallwitz 247
EXHIBITION: Reed 317/46
M. 82. 288. 379 d
54
Beckmann
150
Der Mensch ist kein Haustier
(Man is not a domestic animal)
Book with 7 lithographs on Van Gelder
paper
Illustrations to play by Stephan Lackner
(Paris: Editions Cosmopolites, 1937);
total edition of 120
inscription: signed and numbered
(70/100) on justification page
provenance: gift of Stephan Lackner,
1981
REFERENCE: GallwitZ 286
83.1.42 3-g
1. Untitled (prisoners), 1937 6 x 37/s in. (15.3 x 9.8 cm) Following page 8 83.1.42 a
2. Untitled (vampire birds), 1937 4 x 65/i6 in. (10.2 x 16.0 cm) Following page 26
83.1.42 b
3. Untitled (two heads), 1937 6'/s x 315/i6 in. (15.5 x 10.0 cm) Following page 36
83.1.42 c
4. Untitled (lovers), 1937
63/i6 x 4'/s in. (15.7 x 10.5 cm) Following page 54 83.1.42 d
5. Untitled (dancers), 1937 6%e x 3% in. (15.7 x 9.8 cm) Following page 64 83.1.42 c
6. Untitled (two seated figures), 1937 6V16 x 43/i6 in. (15.4 x 10.6 cm) Following page 70
83. 1.42 f
7. Untitled (man with hat), 1937 6'/s x 4 in. (15.5 x 10.2 cm) Following page 110
83. 1.42 g
150-1
150-3
150-5
150-2
150-4
150-6
150-7
Beckmann
55
151-1
151-4
151-7
151-3
151-6
151-5
151-8
151-11
151-12
151
Day and Dream
Portfolio of 15 lithographs on wove
paper
Published by Curt Valentin, New York,
1946
inscription: each plate signed, l.r., and
numbered (81/90), 1.1.
provenance: Christie's, London, 5 July
1979, lot 184
REFERENCE: Gallwitz 289-303
M. 82. 287. 6 a-o
1. Self-Portrait, 1946
12V2 x 10% in. (31.8 x 26.3 cm)
REFERENCE: Gallwitz 289
M. 82. 287.6 a
2. Weather Vane, 1946
I4n/i6 x 9V2 in. (37.3 x 24. 1 cm) REFERENCE: Gallwitz 290 M. 82.287.6 b
3. Sleeping Athlete, 1946
io3/8 x 11 in. (26.4 x 27.9 cm) REFERENCE: Gallwitz 291 M. 82.287.6 c
4. Tango, 1946
141/2 x 11 in. (36.8 x 27.9 cm) REFERENCE: Gallwitz 292 M. 82.287.6 d
5. Crawling Woman, 1946
i43/i6 x n5/s in. (36.0 x 29.5 cm) REFERENCE: Gallwitz 293 M. 82. 287. 6 e
6. / Don't Want to Eat My Soup, 1946 10% x 15% in. (26.4 x 39. 1 cm) REFERENCE: Gallwitz 294
M. 82. 287. 6 f
7. Dancing Couple, 1946
i25/ie x 9V2 in. (31.3 x 24.1 cm) REFERENCE: Gallwitz 295
M. 82.287.6 g
8. King and Demagogue, 1946 i45/i6 x g% in. (36.4 x 24.8 cm) REFERENCE: Gallwitz 296
M. 82. 287.6 h
9. The Buck, 1946
I213/i6 x 10 in. (32.6 x 25.4 cm) REFERENCE: Gallwitz 297 M. 82. 287.61
10. Dream of War, 1946
io'/2 x i49/i6 in. (26.7 x 37.0 cm) REFERENCE: Gallwitz 298 M. 82. 287. 6 j
11. Morning, 1946
n7/8 x g5/s in. (30.2 x 24.5 cm) reference: Gallwitz 299 M. 82. 287.6 k
12. Circus, 1946
i55/8 x 11% in. (39.7 x 28.9 cm) REFERENCE: Gallwitz 300 M. 82. 287. 6 I
13. Magic Mirror, 1946
i2'/8 x 8V2 in. (30.8 x 21.6 cm) REFERENCE: Gallwitz 301 M. 82. 287. 6 m
151-13
56
Beckmann
151 (continued)
14. The Fall of Man, 1946
11% x io'/i in. (29.9 x 26.0 cm) REFERENCE: GallwitZ 302 M. 82. 287.611
15. Christ and Pilate, 1946
i39/i6 x io7/s in. (34.4 x 27.6 cm) REFERENCE: GallwitZ 303 M. 82. 287. 60
$#-^
Rene Beeh 152
Untitled (head of a black man), c. 1910 born 1886 Pencil on Le Marchais paper, laid down
Strassburg n'/i6 x 77/s in. (28. 1 x 20.0 cm)
inscription: signed by artist's widow on died 1922 support sheet, l.r.
Strasbourg. France provenance: Hilda Ascher Allen
(artist's sister-in-law); R. E. Lewis, San
Rafael, California; purchased in 1977
M. 82. 288. 309
153
Untitled (head of a man), c. 1910 Brown ink on wove paper, laid down 6V2 x 513/ie in. (16.5 x 14.7 cm) PROVENANCE: Hilda Ascher Allen (artist's sister-in-law); R. E. Lewis, San Rafael, California; purchased in 1977 M. 82.288.320
154
Untitled (horse drawing cart), 1910 Pencil on brownish wove paper 5'/4 x 85/8 in. (13.3 x 21.9 cm) inscription: signed and dated, l.r. PROVENANCE: Hilda Ascher Allen (artist's sister-in-law); R. E. Lewis, San Rafael, California; purchased in 1977 M. 82.288.307
155
Untitled (two dogs), c. 1910 Black ink on notebook paper, laid down 3 x 37/ie in. (7.6 x 8.8 cm) INSCRIPTION: signed by artist's widow on support sheet, l.r. provenance: Hilda Ascher Allen (artist's sister-in-law); R. E. Lewis, San Rafael, California, purchased in 1977 Reproduced in M. Barka, Rene Beeh: Malerbriefe aus Algerien mit sechzig Zeichnungen (Munich: Georg Miiller & Eugen Rentsch, 1914), p. 31 M. 82.288.311
156
Untitled (back view of nude woman),
c 1910-15
Black ink on handmade paper, laid
down
97/i6 x 53/i6 in. (24.0 x 13.2 cm)
INSCRIPTION: signed by artist's widow, 1.1.
provenance: Hilda Ascher Allen
(artist's sister-in-law); R. E. Lewis, San
Rafael, California; purchased in 1977
M. 82.288.314
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151-15
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157
57
157
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158
159
fflte^O1
Untitled (back view of seated nude
woman), c. 1910-15
Black ink on handmade paper, laid
down
59/i6 x 8V2 in. (14.2 x 21.6 cm)
inscription: signed by artist's widow, l.r.
provenance: Hilda Ascher Allen
(artist's sister-in-law); R. E. Lewis, San
Rafael, California; purchased in 1977
M. 82.288.312
158
Untitled (lioness), c. 1910-15 Brown ink on wove paper, laid down 4 '/a x 6'/i6 in. (11.5 x 15.4 cm) inscription: signed by artist's widow, l.r. provenance: Hilda Ascher Allen (artist's sister-in-law); R. E. Lewis, San Rafael, California; purchased in 1977 M. 82. 288.313
159
Untitled (lioness), c. 1910-15
Brown ink on wove paper
8 x 101 l/i6 in. (20.3 x 27. 1 cm)
INSCRIPTION: signed by artist's widow, l.r.
PROVENANCE: Hilda Ascher Allen
(artist's sister-in-law); R. E. Lewis, San
Rafael, California; purchased in 1977
M. 82. 288.315
160
Untitled (nude woman in profile),
c. 1910-15
Brown ink on notebook paper, laid
down
11% x 7% in. (29.6 x 18.8 cm)
inscription: signed by artist's widow, l.r.
PROVENANCE: Hilda Ascher Allen
(artist's sister-in-law); R. E. Lewis, San
Rafael, California; purchased in 1977
M. 82. 288. 3 18
161
Untitled (seated figure in landscape),
c. 1910-15
Black ink and wash on notebook paper,
laid down
7% x 4V1 in. (18.7 x 10.8 cm)
inscription: signed by artist's widow on
support sheet, l.r.; numbered (252) on
support sheet, I.e.
provenance: Hilda Ascher Allen
(artist's sister-in-law); R. E. Lewis, San
Rafael, California; purchased in 1977
M. 82.288.317
162
Untitled (two figures in hammocks),
c. 1910-15
Pencil on wove paper, laid down 67/s x 8 in. (17.5 x 20.4 cm) provenance: Hilda Ascher Allen (artist's sister-in-law); R. E. Lewis, San Rafael, California; purchased in 1977 M. 82. 288. 302
161
58
Beeh
163
Untitled (horse and rider), c. 1911 Brown ink on wove paper, laid down 5V4 x 3V8 in. (13.3 x 8.0 cm) INSCRIPTION: signed by artist's widow on support sheet, l.r. provenance: Hilda Ascher Allen (artist's sister-in-law); R. E. Lewis, San Rafael, California; purchased in 1977 Reproduced in M. Barka, Rene Beeh: Malerbriefe aus Algerien mit sechzig Zeichnungen (Munich: Georg Muller & Eugen Rentsch, 1914), p. 51 M. 82.288.319
164
Untitled (praying monk), 1913 Black ink and watercolor on wove paper, laid down
47/s x 313/i6 in. (12.4 x 9.7 cm) INSCRIPTION: dated, u.l.; signed by artist's widow on support sheet, l.r. provenance: Hilda Ascher Allen (artist's sister-in-law); R. E. Lewis, San Rafael, California; purchased in 1977 M. 82. 288.321
165
Untitled (two cavalrymen), 1914 Lithograph on wove paper 53/e x 4'/i6 in. (13.6 x 10.3 cm) From Zeit-Echo i, no. 2 (1914): 19 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 exhibition: Reed under 308
83.1.1186 d
166
Untitled (dead horse and soldiers),
Lithograph on wove paper
5'/2 x 4 in. (14.0 x 10.2 cm)
From Zeit-Echo 1, no. 3 (1914): 33; the
center also has an impression from the
special edition
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
exhibition: Reed under 308
83.1. 1187 f
167
Untitled (two cavalrymen), 1914 Lithograph on wove paper 4V2 x 315/i6 in. (11.5 x 10.0 cm) From Zeit-Echo 1, no. 4 (1914): 47 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 exhibition: Reed under 308 83.1.1189 b
168
Untitled (cavalryman), c. 1915 Lithograph on wove paper 49/i6 x 3V2 in. (11.6 x 8.9 cm) From Zeit-Echo 1, no. 6 (1915): 87 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 exhibition: Reed under 308 83.1.1191 c
163
165
166
167
Beeh
59
169
170
ft."...
173
174
169
Untitled (riders), c. 1915
Lithograph on wove paper
69/i6 x 57/i6 in. (16.7 x 13.8 cm)
From special edition ofZeit-Echo 1, no.
9(1915): 121
inscription: numbered (36) on table of
contents
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
EXHIBITION: Reed under 308
83.1.1194 a
170
Untitled (man leading horse), c. 1915 Lithograph on wove paper 5H6 x 4V16 in. (12.9 x 10.4 cm) From Zeit-Echo 1, no. 10 (1915): 145 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 exhibition: Reed under 308
83.1.1195 a
171
Untitled (mounted lancer), c. 1915 Lithograph on wove paper 3n/i6 x 4V2 in. (9.4 x 11.5 cm) From Zeit-Echo 1, no. 14 (1915): 204 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 EXHIBITION: Reed under 308 83.1.1199 a
172
Untitled (deer), c. 1915-20 Black chalk on brownish wove paper 67/ie x 5u/i6 in. (16.3 x 14.5 cm) inscription: signed by artist's widow, 1.1. provenance: Hilda Ascher Allen (artist's sister-in-law); R. E. Lewis, San Rafael, California; purchased in 1977 M. 82.288.310
173
Untitled (rear view of crouching woman), c. 1915—20 Red chalk on laid paper io7/i6 x 75/is in. (26.5 x 18.6 cm) provenance: Hilda Ascher Allen (artist's sister-in-law); R. E. Lewis, San Rafael, California; purchased in 1977 M. 82. 288. 303
174
Untitled (woman seated at table),
c. 1915-20
Black ink on wove paper, laid down 4n/i6 x 37/8 in. (11.9 x 9.9 cm) inscription: signed on drawing and support sheet, l.r. provenance: Hilda Ascher Allen (artist's sister-in-law); R. E. Lewis, San Rafael, California; purchased in 1977 M. 82. 288. 327
60
Beeh
175
DerUnzufriedene, 1919
(The dissatisfied one)
Lithograph on Van Gelder Zonen paper
n3/i6 x 8% in. (28.4 x 22.2 cm)
Trial proof
INSCRIPTION: signed and dated, l.r.;
titled and inscribed "(Probedruck)," 1.1.
PROVENANCE: Hilda Ascher Allen
(artist's sister-in-law); R. E. Lewis, San
Rafael, California; purchased in 1977
M. 82.288.33
176
DerZufriedene,c. 1919
(The contented one)
Lithograph on laid paper
87s x 7V4 in. (22.5 x 18.5 cm)
From deluxe edition of Munchner
Blatter fur Dichtung und Graphih 1,
no. 11/12 (1919): 181
INSCRIPTION: numbered (xix/c) on table
of contents
PROVENANCE: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
exhibition: Reed under 290
83- 1- 1333 8
177
Untitled (man with dog), c. 1919
Lithograph on laid paper
7V16 x 6'/i6 in. (18.0 x 15.4 cm)
From deluxe edition of Munchner
Blatter fur Dichtung und Graphik 1,
no. 1 (1919): 3
inscription: numbered (xix/c) on table
of contents
provenance: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
EXHIBITION: Reed under 290
83.1.1323 c
178
Untitled (cow in landscape), c. 1919
Lithograph on laid paper
79/i6 x 6Vi in. (19.2 x 15.8 cm)
From deluxe edition of Munchner
Blatter fiir Dichtung und Graphik 1,
no. 2 (1919): 23
inscription: numbered (xix/c) on table
of contents
PROVENANCE: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
EXHIBITION: Reed under 290
83.1. 1324 d
179
Untitled (man in jungle), c. 1919 Lithograph on laid paper 8u/i6 x 515/i6 in. (22.0 x 15.0 cm) From deluxe edition of Munchner Blatter fiir Dichtung und Graphik 1, no. 4 (1919): 59
INSCRIPTION: numbered (xix/c) on table of contents
PROVENANCE: Richard Seewald; Kunstgalerie Esslingen, Esslingen; acquired by exchange in 1974 exhibition: Reed under 290 83.1.1326 d
176
175
177
178
180
Beeh
61
181
182
183
184
185
186
180
Untitled (crippled man), c. 1919
Lithograph on laid paper
8% x 4I5/i6 in. (21.2 x 12.5 cm)
From deluxe edition of Miinchner
Blatter fiir Dichtung und Graphik 1,
no. 8(1919): 117
inscription: numbered (xix/c) on table
of contents
provenance: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
exhibition: Reed under 290
83.1.1330 c
181
Untitled (beggars in street), c. 1919 Lithograph on japan paper 16 x n7/i6 in. (40.6 x 29. 1 cm) provenance: Hilda Ascher Allen (artists sister-in-law); R. E. Lewis, San Rafael, California; purchased in 1977 M.82.288.25
182
Untitled (brothel scene), c. 1919 Lithograph on Holland paper I213/i6 x 9% in. (32.6 x 24.8 cm) inscription: signed, l.r. provenance: Hilda Ascher Allen (artist's sister-in-law); R. E. Lewis, San Rafael, California; purchased in 1977 M. 82. 288. 28
183
Untitled (bull in forest), 1919 Lithograph on Van Gelder Zonen paper I3n/i6 x n7/8 in. (34.7 x 30.2 cm) inscription: signed and dated, l.r. provenance: Hilda Ascher Allen (artist's sister-in-law); R. E. Lewis, San Rafael, California; purchased in 1977 M. 82.288.29
184
Untitled (four streetwalkers), c. 1919 Lithograph on Van Gelder Zonen paper i29/i6 x loVe in. (31.9 x 25.7 cm) provenance: Hilda Ascher Allen (artist's sister-in-law); R. E. Lewis, San Rafael, California; purchased in 1977 M. 82.288.21
185
Untitled (lions attacking two figures),
c 1919
Lithograph on japan paper
16 x 11V4 in. (40.7 x 28.6 cm)
provenance: Hilda Ascher Allen
(artist's sister-in-law); R. E. Lewis, San
Rafael, California; purchased in 1977
M. 82. 288. 26
186
Untitled (massacre of the innocents),
c 1919
Lithograph on Holland paper
14% x io5/i6 in. (37.4 x 26.2 cm)
provenance: Hilda Ascher Allen
(artist's sister-in-law); R. E. Lewis, San
Rafael, California; purchased in 1977
M. 82. 288.27
62
Beeh
187
Untitled (monk and other figures in mountainous landscape), 1919 Lithograph on Van Gelder Zonen paper n7/8 x 14V8 in. (30.2 x 35.9 cm) inscription: signed and dated, l.r. provenance: Hilda Ascher Allen (artist's sister-in-law); R. E. Lewis, San Rafael, California; purchased in 1977 M. 82.288.30
188
Untitled (nude man crouching in landscape), c. 1919 Lithograph on japan paper I5n/i6 x 12% in. (399 x 31.4 cm) provenance: Hilda Ascher Allen (artist's sister-in-law); R. E. Lewis, San Rafael, California; purchased in 1977 M.S2.288.23
189
Untitled (riders in mountain pass), 1919 Black ink, pencil, and gray wash on wove paper, laid down 9% x 77/i6 in. (24.7 x 18.9 cm) inscription: dated, 1.1. provenance: Hilda Ascher Allen (artist's sister-in-law); R. E. Lewis, San Rafael, California; purchased in 1977 M. 82.288.316
190
Untitled (three men eating), c. 1919 Lithograph on Van Gelder Zonen paper 9% x 9V2 in. (25. 1 x 24.2 cm) provenance: Hilda Ascher Allen (artist's sister-in-law); R. E. Lewis, San Rafael, California; purchased in 1977 M. 82. 288.20
191
Untitled (two figures and vultures),
c 1919
Lithograph on Futon paper
12 x i23/8 in. (30.4 x 31.4 cm)
provenance: Hilda Ascher Allen
(artist's sister-in-law); R. E. Lewis, San
Rafael, California; purchased in 1977
M. 82.288.24
192
Untitled (vulture and jackal with skeleton), 1919
Lithograph on Van Gelder Zonen paper ioI5/ie x I415/i6 (27.8 x 38.0 cm) inscription: signed and dated, l.r. provenance: Hilda Ascher Allen (artist's sister-in-law); R. E. Lewis, San Rafael, California; purchased in 1977 M. 82. 288.22
193
Daniel, 1920
Lithograph on Van Gelder Zonen paper
n7/i6 x 8'/8 in. (29.0 x 20.6 cm)
inscription: signed and dated, l.r.;
titled, 1.1.
provenance: Hilda Ascher Allen
(artist's sister-in-law); R. E. Lewis, San
Rafael, California; purchased in 1977
M. 82.288. 36
187
188
193
190
194-2
194-1
194-5
194-10
195
Beeh
194
Gottfried Keller-Bilderbuch: Zehn Steinzeichnungen von Rene Beeh
(Gottfried Keller picture book: Ten
lithographs by Rene Beeh)
Book with 10 lithographs (3 in brick red)
on wove paper
Published by Eugen Rentsch Verlag,
Erlenbach and Zurich, n.d.
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1977
83.1.44 a-]
1. Pankraz der Schmoller, c. 1920 (Pankraz the sulker)
9V2 x 9% in. (24. 1 x 24.8 cm) 83.1.44 a
2. Der Schlimm-Heilige Vitalis, c. 1920
(The wicked Saint Vitalis) liYt x 9V2 in. (28.5 x 24. 1 cm) 83.1.44 b
3. Der Schlimm-Heilige Vitalis, c. 1920
(The wicked Saint Vitalis) Printed in brick red 93/8 x 9% in. (24.5 x 23.8 cm) 83.1.44 c
4. Ursula, c. 1920
12 x 8V2 in. (30.5 x 21.6 cm) 83.1.44 d
5. Ursula, c. 1920
lo'/s x 6'/4 in. (25.8 x 15.9 cm) 83.1.44 e
6. Das Meretlein, c. 1920 (Little Meret) Printed in brick red
9V2 x 87/8 in. (24.1 x 22.5 cm) 83. 1.44 f
7. Spiegel das Katzchen, c. 1920 (Kitten and mirror)
n5/s x 87/8 in. (29.5 x 22.5 cm)
83- 1-44 g
8. Die drei gerechten Kammacher, c. 1920
(Three just comb makers) 10V2 x g'/s in. (26.7 x 23.2 cm) 83.1.44 b
9. Der Naar auf Manegg, c. 1920 (The fool at Manegg) Printed in brick red
io!/2 x 8lA in. (26.7 x 21.0 cm) 83. 1.44 i
10. Der Naar auf Manegg, c. 1920 (The fool at Manegg)
10% x 9V4 in. (26.4 x 23.5 cm) 83.1.44J
195
Lowe, c. 1920
(Lion)
Lithograph on heavy wove paper
7V16 x 7V16 in. (18.0 x 18.0 cm)
From Kurt Pfister, ed., Deutsche
Graphiker der Gegenwart (Leipzig:
Klinkhardt & Biermann, 1920), p. 27:
edition of 600
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1972
exhibition: Reed under 339
83.1.171 1
63
64
Beeh
196
Robinson l, 1920
Lithograph on Van Gelder Zonen paper
i33/i6 x 10V2 in. (33.5 x 26.6 cm)
Trial proof
INSCRIPTION: signed and dated, l.r. ;
titled and inscribed "(probedruck)," 1.1.
PROVENANCE: Hilda Ascher Allen
(artist's sister-in-law); R. E. Lewis, San
Rafael, California; purchased in 1977
M. 82. 288. 37
197
Strindberg: Inferno
Portfolio of 20 lithographs on Perfecta
paper
Published by Hyperion-Verlag,
Munich, 1920
inscription: signed and numbered
(15/300) on justification page; each sheet
signed, l.r.
provenance: Hilda Ascher Allen,
sister-in-law of artist (dedication dated
September 1921 on first print to her and
husband Gustav Ascher); R. E. Lewis,
San Rafael, California; purchased in
1977
The Los Angeles County Museum of
Art also has a copy from the deluxe
edition of 60, which contains two
additional lithographs
83.1.27 a-t
1. Untitled (two men seated at a table), 1920
10 x 9% in. (25.4 x 25. 1 cm) 83.1.27 a
2. Untitled (cafe scene), 1920 i27/i6 x 9% in. (31.6 x 24.8 cm) 83.1.27 b
3. Untitled (street scene with prostitutes), 1920
i23/i6 x g7/i6 in. (31.0 x 23.9 cm) 83.1.27 c
4. Untitled (four women in the street), 1920
I2n/i6 x 9'/i6 in. (32.2 x 23.0 cm) 83.1.27 d
5. Untitled (cafe scene), 1920 n7/8 x loVi in. (30.2 x 26.0 cm) 83.1.27 e
6. Untitled (cafe scene), 1920 11V2 x g3/8 in. (29.2 x 23.8 cm) 83.1.27 f
7. Untitled (men seated outside cafe), 1920
12% x 10V4 (31.4 x 26.0 cm) 83.1.27 g
8. Untitled (cafe scene), 1920 i2'/2 x io3/ie in. (31.7 x 25.9 cm) 83.1.27 b
9. Untitled (zoo), 1920
12% x g13/i6 in. (31.5 x 24.9 cm) 83.1.271
10. Untitled (man with plants), 1920 12V2 x g'/s in. (31.7 x 23.2 cm) 83. 1.27 j
11. Untitled (man reclining on bed), 1920
io13/i6 x 8"/i6 in. (27.5 x 22. 1 cm) 83.1.27 k
196
197-1
197-2
197-3
197-4
197-8
197-7
Beeh
65
197-10
197-13
197-14
197-15
197-18
12. Untitled (kneeling man), 1920 12V16 x 83/i6 in. (30.6 x 20.8 cm) 83. 1.27 1
13. Untitled (running man), 1920 11 x 713/i6 in. (28.0 x 19.8 cm) 83.1.27 m
14. Untitled (man at window), 1920 io3/i6 x 7n/i6 in. (25.8 x 19.5 cm) 83.1.27 n
15. Untitled (man in interior), 1920 n9/i6x 8% in. (29.3 x 21.9 cm) 83.1.27 0
16. Untitled (man and child walking), 1920
n9/i6 x g5/i6 in. (29.3 x 23.7 cm) 83.1.27 p
17. Untitled (scenes of violence), ig20 i23/i6 x 8% in. (31.0 x 22.3 cm)
83. 1.27 q
18. Untitled (man on crutches), 1920 i23/ie x g5/s in. (31.0 x 24.5 cm) 83.1.27 r
19. Untitled (two dogs), 1920 i27/s x 9 in. (32.7 x 22.9 cm) 83.1.27 s
20. Untitled (woman standing in a doorway), 1920
i2'/2 x 77/i6 in. (31.7 x 18.9 cm) 83.1.27 1
197-16
197-17
197-19
66
Beeh
198
Der Tod der . . . , 1920
(The death of ... )
Lithograph with watercolor on laid
paper
io9/ie x g'/i6 in. (26.8 x 23.0 cm)
INSCRIPTION: signed and dated, l.r.;
titled, 1.1.
provenance: Hilda Ascher Allen
(artist's sister-in-law); R. E. Lewis, San
Rafael, California; purchased in 1977
M. 82.288.31
199
Untitled (beggar), c. 1920 Lithograph on handmade paper g'/i x 5% in. (24.2 x 13.6 cm) The center also has unsigned impressions from the portfolio Ganymed-Mappe I (Munich: Marees- Gesellschaft, 1921) and from Julius Meier-Graefe, ed. , Ganymed, vol. 3 (Munich: R. Piper & Co., 1921), following p. 88 INSCRIPTION: signed, l.r. provenance: Hilda Ascher Allen (artist's sister-in-law); R. E. Lewis, San Rafael, California; purchased in 1977 M. 82. 288. 32
200
Untitled (brothel scene), c. 1920 Black ink and watercolor on thin wove paper, laid down 67/s x 7% in. (17.4 x 18.8 cm) inscription: signed and dated, l.r. provenance: Hilda Ascher Allen (artist's sister-in-law); R. E. Lewis, San Rafael, California; purchased in 1977 M. 82. 288. 326
201
Untitled (kneeling man in landscape),
c. 1920
Lithograph on Van Gelder Zonen paper
n'Vie x io'/8 in. (29.7 x 25.7 cm)
provenance: Hilda Ascher Allen
(artist's sister-in-law); R. E. Lewis, San
Rafael, California; purchased in 1977
M.82.288.34
202
Untitled (nude woman in landscape),
1920
Lithograph on Holland paper
12 x io'/4 in. (30.5 x 26. 1 cm)
Trial proof
inscription: signed and dated, l.r.;
inscribed "Probedruck," 1.1.
provenance: Hilda Ascher Allen
(artist's sister-in-law); R. E. Lewis, San
Rafael, California; purchased in 1977
M.82.288.35
203
Untitled (two figures on raft), c. 1920 Lithograph on Van Gelder Zonen paper 12% x 10V2 in. (31.4 x 26.7 cm) PROVENANCE: Hilda Ascher Allen (artist's sister-in-law); R. E. Lewis, San Rafael, California; purchased in 1977 M. 82.288.39
..::--
198
199
201
203
Beeh
67
204
mm$&
■mMy> '*"
205
B
207
206
208
204
Untitled (two figures with fish), 1920 Lithograph on Van Gelder Zonen paper i27/i6 x g5/i6 in. (31.6 x 23.6 cm) inscription: signed, dated, and inscribed "5 dr.," l.r. ; illegible inscription, 1.1.
provenance: Hilda Ascher Allen (artist's sister-in-law); R. E. Lewis, San Rafael, California; purchased in 1977 M. 82. 288.38
205
Untitled (two women), c. 1920 Black ink and watercolor on pebbled wove paper, laid down 8% x 7'/i6 in. (22.3 x 17.9 cm) provenance: Hilda Ascher Allen (artist's sister-in-law); R. E. Lewis, San Rafael, California; purchased in 1977 M. 82.288.325
206
Jiinge am Ofen; Slilleben, n.d. (Youth by the stove; still life) Black chalk on thin wove paper 8V2 x 53/i6 in. (21.6 x 13.2 cm) provenance: Hilda Ascher Allen (artist's sister-in-law); R. E. Lewis, San Rafael, California; purchased in 1977 M. 82.288.305
207
Untitled (bust of a woman), n.d
Red chalk on wove paper 87/i6 x 5% in. (21.5 x 13.6 cm) inscription: numbered "v," u.r.; illegible inscription, u.l. provenance: Hilda Ascher Allen (artist's sister-in-law); R. E. Lewis, San Rafael, California; purchased in 1977 M. 82.288.301
208
Untitled (house in landscape), n.d. Pencil on wove paper, laid down 5V8 x 7% in. (13.0 x 18.7 cm) inscription: signed by artist's widow, l.r. provenance: Hilda Ascher Allen (artist's sister-in-law); R. E. Lewis, San Rafael, California; purchased in 1977 M. 82.288.308
209
Untitled (nude woman standing in profile), n.d.
Red chalk on wove paper 87/i6 x 5% in. (21.5 x 13.6 cm) inscription: numbered (1), u.r; illegible inscription, u.l. PROVENANCE: Hilda Ascher Allen (artist's sister-in-law); R. E. Lewis, San Rafael, California; purchased in 1977 M. 82. 288. 299
209
68
F. A. Begeer
Beeh
210
Untitled (seated nude woman), n.d. Red chalk on wove paper 87/i6 x 55/ie in. (21.5 x 13.5 em) INSCRIPTION: numbered (v), u.r. ; illegible inscription, u.l. PROVENANCE: Hilda Ascher Allen (artist's sister-in-law); R. E. Lewis, San Rafael, California: purchased in 1977 M.82.288.306
211
Untitled (seated woman), n.d. Red chalk on wove paper 87/i6 x 55/i6 in. (21.5 x 13.5 cm) INSCRIPTION: numbered (ill), u.r.; illegible inscription, u.l. provenance: Hilda Ascher Allen (artist's sister-in-law); R. E. Lewis, San Rafael, California; purchased in 1977 M. 82. 288. 300
212
Untitled (studies of heads and fruit) (recto); untitled (figure seated in landscape) (verso), n.d. Pencil on laid paper ■fA x 8% in. (19.0 x 22.2 cm) provenance: Hilda Ascher Allen (artist's sister-in-law); R. E. Lewis, San Rafael, California; purchased in 1977 M.82.288.304 a, b
213
Untitled (youth and maid), n.d.
Pencil and watercolor on wove paper 9 x n7/8 in. (22.9 x 30.2 cm) provenance: Hilda Ascher Allen (artist's sister-in-law); R. E. Lewis, San Rafael, California; purchased in 1977 M.82.288.322
214
Untitled (youth and maid), n.d. Pencil and watercolor on wove paper 87/s x 11% in. (22.6 x 29.6 cm) provenance: Hilda Ascher Allen (artist's sister-in-law); R. E. Lewis, San Rafael, California; purchased in 1977 M. 82. 288.323
215
Untitled (youth and two women in bedroom), n.d.
Pencil and watercolor on wove paper 913/i6 x i3'/4 in. (25.0 x 33.7 cm) provenance: Hilda Ascher Allen (artist's sister-in-law); R. E. Lewis, San Rafael, California; purchased in 1977 M. 82. 288.324
216
Untitled (abstract composition), c 1924
Linoleum cut on wove paper
5V2 x 4'/ie in. (14.0 x 10.4 cm)
From Der Sturm 15, no. 4 (1924): 197
provenance: Ex Libris, New York;
purchased in 1982
83.1.1396.21
rWv#
210
211
212 (verso)
212 (recto)
213
215
Behrens
69
218
217
219
220
217
Untitled (abstract composition), c. 1924
Linoleum cut on wove paper
3u/i6 x 4% in. (9.4 x 12.4 cm)
From Der Sturm 15, no. 4 (1924): 203
provenance: Ex Libris, New York;
purchased in 1982
83.1.1396.22
218
Alexander Olbricht, 1910
Etching printed in brown on laid paper
87/8 x 7V8 in. (22.5 x 18.0 cm)
From Zeitschrift fur bildende Kunst,
n.s. , 23, no. 2 (1912): following 56
provenance: Galerie Gerda Bassenge,
Berlin, 15 May 1976, part of lot 4364
83.1.966 a
219
Untitled (leaves), c. 1914
Woodcut on laid paper
69/i6 x 47/ie in. (16.7 x 11.3 cm)
From Das neue Pathos 2, no. 1/3 (1914):
99; from edition B of 250
PROVENANCE: Ars Libri, Boston;
acquired by exchange in 1984
83.1.824 m
220
Untitled (plant), c. 1914
Woodcut on laid paper
69/i6 x 4V2 in. (16.7 x 11.4 cm)
From Das neue Pathos 2, no. 1/3 (1914):
100; from edition B of 250
PROVENANCE: Ars Libri, Boston;
acquired by exchange in 1984
83.1.824 n
221
222
221
Untitled (the kiss), c. 1898
Woodcut printed in green, rust, dark
brown, medium brown, and light brown
on thin laid paper
ion/i6 x 87/i6 in. (27.2 x 21.5 cm)
From Pan 4, no. 2 (1898): following 116;
the center has two impressions
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
reference: Dennerlein 2021
83-1. 1356 k
222
Winterlandschaft, c. 1900
(Winter landscape)
Woodcut on wove paper
io7/ie x 85/ie in. (26.5 x 21. 1 cm)
From Pan 5, no. 4 (1900): following 240
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
REFERENCE: Dennerlein 2610
8.3- 1- 1359 f
Marcus Behmer
born 1879 Weimar died 1958 Berlin
Peter Behrens
born 1868 Hamburg died 1940 Berlin
70
Behrens
Vincenc Benes
born 1883 Velke Lisice, Bohemia
died 1979
Harold Bengen
born 1879 Hannover
Henri Benson
223
Heerfiihrer im Osten, 1915 (Army commander in the east) Lithograph on wove paper n'/2X yVi in. (29.2 x 18.5 cm) From Kriegszeit, no. 56 (1915): 1 provenance: Hauswedell & Nolte, Hamburg. 5-7 June 1975, part of lot 1072
EXHIBITION: Reed 281/15 83.1.1453 a
224
Bildnis Richard Dehmel, n.d. (Portrait of Richard Dehmel) Woodcut printed in dark green, brown, and light brown on japan paper 20V8 x i47/i6 in. (51.2 x 36.7 cm) INSCRIPTION: signed, l.r. ; numbered
(13). 11.
provenance: Galerie Gerda Rassenge, Rerlin, 16-17 May 1979, lot 4479 M. 82.288.41
(&^Ri™
223
225
Untitled (Cubist still life), c. 1914
Linoleum cut on wove paper
8V2 x 57/s in. (21.6 x 14.9 cm)
From Der Sturm 5, no. 13/14 (1914): 89
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1392.2
226
Untitled (landscape), c. 1912
Woodcut on wove paper
7% x ioI5/i6 in. (19.6 x 27.7 cm)
From Der Sturm 2, no. 103 (1912): 823
provenance: Ex Libris, New York;
purchased in 1982
83.1.1390.26
225
227
Das Bankett, a 1912
(The banquet)
Linoleum cut on wove paper 3'/s x 2% in. (8.0 x 6.7 cm) From Saturti 3, no. 1 (1913): 9 provenance: Galerie Gerda Rassenge, Rerlin, 4 June 1975, part of lot 4899 exhibition: Reed under 300 83.1.1312 b
Riidiger Berltt 228
Badende, c. 1919 born 1883 Leipzig (Rathers)
Woodcut on wove paper died 1939 Leipzig 2% x 33/s in. (6.9 x 8.5 cm)
From Die Aktion 9, no. 21/22 (1919):
355
provenance: gift of Titus Felixmiiller,
227
DEHMEL
226
228
L. 84. 5. 84 d; lent by the Robert Gore Rifkind Foundation, Beverly Hills, California
Berlit
71
229
230
231
232
233
229
Frauenkopf, c. 1919
(Head of a woman)
Woodcut on wove paper
313/i6 x 3V8 in. (9.7 x 7.9 cm)
From Die Aktion 9, no. 21/22 (1919):
354
provenance: gift of Titus Felixmuller,
1984
L. 84. 5. 84 c; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
230
Gedenket des Pressefonds der "Aktion"
c- 1919
(Remember the publication fund of Die
Aktion)
Woodcut on wove paper
413/i6 x 33/i6 in. (12.2 x 8. 1 cm)
From Die Aktion 9, no. 21/22 (1919):
368
provenance: gift of Titus Felixmuller,
1984
L.84.5.84 j; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
231
Kahnfahrt, c. 1919
(Boat trip)
Woodcut on wove paper
5n/i6 x 6% in. (14.4 x 17.2 cm)
From Die Aktion 9, no. 21/22 (1919):
357-58
provenance: gift of Titus Felixmuller,
1984
L.84.5.84 e; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
232
Knabenkopf, c. 1919
(Head of a youth)
Woodcut on wove paper
4'/i x 3V8 in. (10.8 x 7.9 cm)
From Die Aktion 9, no. 29 (1919): 502;
not identified as an original woodcut
PROVENANCE: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83- 1- 1555 d
233
Maske, c. 1919
(Mask)
Woodcut on wove paper
41/) x 2% in. (10.8 x 6.9 cm)
From Die Aktion 9, no. 21/22 (1919):
351
provenance: gift of Titus Felixmiiller,
1984
L.84.5.84 b; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
72
Berlit
234
Selbstportrdt, c. 1919
(Self-portrait)
Woodcut on wove paper
53/i6 x $/m in. (13. 1 x 8.8 cm)
From Die Aktion 9, no. 21/22 (1919):
cover- not identified as an original
woodcut
PROVENANCE: gift of Titus Felixmiiller,
1984
L. 84. 5. 84 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
235
Trauer, c. 1919
(Sorrow)
Woodcut on wove paper
3!/i x 315/i6 in. (8.3 x 10.0 cm)
From Die Aktion 9, no. 2/5 (1919): 62
provenance: Ars Libri, Boston;
purchased in 1982
L. 84. 5. 82 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
236
Trauer, c. 1919
(Sorrow)
Woodcut on wove paper
9% x 5% in. (23.8 x 14.6 em)
From Die Aktion 9, no. 2/5 (1919):
65-66
provenance: Ars Libri, Boston;
purchased in 1982
L. 84. 5.82 b; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
237
Vmarmung, c. 1919
(Embrace)
Woodcut on wove paper
9V2 x 5% in. (24.2 x 13.7 cm)
From Die Aktion 9, no. 21/22 (1919):
365-66
provenance: gift of Titus Felixmiiller,
1984
L. 84. 5. 84 i; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
238
Widmungsblatt fur "Die Aktion"
c 1919
(Dedication page for Die Aktion)
Woodcut on wove paper
9% x 65/i6 in. (23.8 x 16.0 cm)
From Die Aktion 9, no. 2/5 (1919):
87-88
provenance: Ars Libri, Boston;
purchased in 1982
L.84.5.82 d; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
235
234
236
237
239
238
Berlit
73
240
243
241
239
Untitled (dancers), c. 1919
Woodcut on wove paper
57/ie x 3% in. (13.8 x 9.5 cm)
From Die Aktion 9, no. 12/13 (1919):
cover
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1550 a
240
Untitled (figures in landscape), c. 1919
Woodcut on wove paper
45/i6 x 33/8 in. (11.0 x 8.5 cm)
From Die Aktion 9, no. 21/22 (1919):
359
PROVENANCE: gift of Titus Felixmiiller,
1984
L. 84. 5. 84 f; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
241
Untitled (tower), c. 1919
Woodcut on wove paper
9% x 3V8 in. (23.8 x 7.9 cm)
From Die Aktion 9, no. 21/22 (1919):
362
provenance: gift of Titus Felixmiiller,
1984
L.84.5.84 g; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
242
Untitled (abstract composition), c. 1919
Woodcut on wove paper
315/i6 x 3VB in. (10.0 x 8.0 cm)
From Die Aktion g, no. 21/22 (1919):
363
provenance: gift of Titus Felixmiiller,
1984
L.84.5.84 h; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
243
Untitled (standing nude), c. 1919
Woodcut on wove paper
5lAx3Vam. (13.4x7.9 cm)
From Die Aktion 9, no. 33/34 (1919):
586
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1556 b
244
Widmungsblatt fur "Die Aktion"
c. 1920
(Dedication page for Die Aktion)
Woodcut on wove paper
55/s x 6% in. (14.3 x 16.8 cm)
From Die Aktion 10, no. 27/28 (1920):
391-92; not identified as an original
woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1570 b
74
Berlit
245
Untitled (houses), c. 1920
Woodcut on wove paper
65/i6 x 6% in. (16.0 x 17.2 cm)
From Die Aktion 10, no. 25/26 (1920):
cover
PROVENANCE: gift of Titus Felixmuller,
1984
L. 84. 5. 87 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
246
Aktstudie, c. 1921
(Study of a nude)
Woodcut on wove paper
59/i6 x 3V4 in. (14.2 x 8.3 cm)
From Die Aktion 11, no. 47/48 (1921):
cover; not identified as an original
woodcut
PROVENANCE: gift of Titus Felixmuller,
1984
L. 84. 5. 94 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
247
Michel traumt sehon wieder, c. 1921
(Michel dreams yet again)
Woodcut on wove paper
5%X7in. (13.7 x 17.7 cm)
From Die Aktion 11, no. 43/44 (1921):
cover; not identified as an original
woodcut
provenance: gift of Titus Felixmuller,
1984
L. 84.5.93 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
248
Aktion! c. 1922
(Action!)
Woodcut on wove paper
513/i6 x 67/i6 in. (14.8 x 16.3 cm)
From Die Aktion 12, no. 11/12 (1922):
cover; not identified as an original
woodcut
provenance: gift of Titus Felixmuller,
1984
L. 84. 5. 98 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
249
Armer USPD—Parteisklave, c. 1922
(Poor USPD-party slave)
Woodcut on wove paper
5% x 27/s in. (14.6 x 7.3 cm)
From Die Aktion 12, no. 35/36 (1922):
cover; not identified as an original
woodcut
provenance: gift of Titus Felixmuller,
1984
L. 84. 5. 110 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
245
246
248
249
Berlii
75
250
252
250
Der Aufbau-Engel des Kapitalismus,
e. 1922
(The building angel of capitalism)
Woodcut on wove paper
3% x 3'/8 in. (9.6 x 7.9 cm)
From Die Aktion 12, no. 47/48 (1922):
666; not identified as an original
woodcut
provenance: gift of Titus Felixmiiller,
1984
L. 84. 5. 116 c; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
251
Der Engel, der die Ebertgeselhchaft
vor dem Untergang retten will, c. 1922
(The angel who would save the Ebert
society from ruin)
Woodcut on wove paper
59/i6 x 3'/8 in. (14.2 x 7.9 cm)
From Die Aktion 12, no. 47/48 (1922):
665; not identified as an original
woodcut
provenance: gift of Titus Felixmiiller,
1984
L.84. 5. 116 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
252
Hoch die Arbeitsgemeinschaft, c. 1922
(Toast the study group)
Woodcut on wove paper
6Vi x 65/i6 in. (15.9 x 16.0 cm)
From Die Aktion 12, no. 23/24 (1922):
cover; not identified as an original
woodcut
provenance: gift of Titus Felixmiiller,
1984
L.84. 5. 104 a; 'ent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
253
Der Hungerengel des geduldigen
Proletariats, c. 1922
(The angel of hunger of the patient
proletariat)
Woodcut on wove paper
3'/4 x 215/i6 in. (8.2 x 7.5 cm)
From Die Aktion 12, no. 47/48 (1922):
665; not identified as an original
woodcut
provenance: gift of Titus Felixmiiller,
1984
L.84. 5. 116 b; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
253
76
Berlit
254
Der Schieber-Engel, c. 1922
(The profiteer angel)
Woodcut on wove paper
315/i6 x 3'/8 in. (10.0 x 8.0 cm)
From Die Aktion 12, no. 47/48 (1922):
666; not identified as an original
woodcut
provenance: gift of Titus Felixmiiller,
1984
L. 84. 5. 1 16 d; lent by the Robert Gore
Rifkind Foundation. Beverly Hills,
California
255
Die vereinigte Noske-Levi-Crispien
Partei, c. 1922
(The united Noske-Levi-Crispien party)
Woodcut on wove paper
515/i6 x 37/s in. (15. 1 x 9.9 cm)
From Die Aktion 12, no. 27/28 (1922):
cover; not identified as an original
woodcut
PROVENANCE: gift of Titus Felixmiiller,
1984
L.84.5. 106 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
256
Untitled (angel with Die Aktion),
c. 1922
Woodcut on wove paper
513/i6 x 3V4 in. (14.7 x 8.0 cm)
From Die Aktion 12, no. 47/48(1922):
682; not identified as an original
woodcut
provenance: gift of Titus Felixmiiller,
1984
L. 84. 5. 1 16 e; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
257
Karl Radek, zum Kostiimivechseln
eingerichtet, c. 1923
(Karl Radek prepared to change his
costume)
Woodcut on wove paper
6 x s'/s in. (15.2 x 13.0 cm)
From Die Aktion 13, no. 13 (1923):
cover; not identified as an original
woodcut
PROVENANCE: gift of Titus Felixmiiller,
1984
L.84.5. 128 a; 'en' by 'he Robert Gore
Rifkind Foundation, Beverly Hills,
California
258
Landschaft, c. 1923
(Landscape)
Woodcut on wove paper
515/ie x 7V16 in. (15.0 x 18.0 cm)
From Die Aktion 13, no. 16 (1923):
cover; not identified as an original
woodcut
provenance: gift of Titus Felixmiiller,
1984
L.84.5. 13° a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
f^S 'rtffifcjto
WJ
**'#ife/
257
258
Berlit
77
iProlet!
263
261
262
259
Antiwahlplakat-Entwurf, c. 1924
(Study for antivoting poster)
Woodcut on wove paper
5'/2 x 6n/i6 in. (14.0 x 17.0 cm)
From Die Aktion 14, no. 11 (1924):
cover; not identified as an original
woodcut
PROVENANCE: gift of Titus Felixmuller,
1984
L.84.5. 142 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
260
"Auch ich zdhle mit" c. 1924
("I also count")
Woodcut on wove paper
4%x 3'/i6 in. (11.1 x 7.8 cm)
From Die Aktion 14, no. 12 (1924): 610;
not identified as an original woodcut
provenance: gift of Titus Felixmuller,
1984
L.84.5. 143 d; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
261
Gedenkblatt fur proletarische Wahler,
c. 1924
(Memorial for proletarian voters)
Woodcut on wove paper
7V4 x 3V& in. (18.5 x 8.0 cm)
From Die Aktion 14, no. 11 (1924): 548;
not identified as an original woodcut
provenance: gift of Titus Felixmuller,
1984
L.84.5. 142 b; 'ent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
262
"Mah, ich wahle" c. 1924
("Baa, I vote")
Woodcut on wove paper
25/i6 x 3V16 in. (5.9 x 7.8 cm)
From Die Aktion 14, no. 12 (1924): 623;
not identified as an original woodcut
provenance: gift of Titus Felixmuller,
1984
L.84.5. 143 j; 'ent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
263
Michels Ritt ins Parlament, 1924
(Michel's ride to parliament)
Woodcut on wove paper
6Vi x 6n/i6 in. (15.8 x 17.0 cm)
From Die Aktion 14, no. 12 (1924):
cover; not identified as an original
woodcut
provenance: gift of Titus Felixmuller,
L.84.5. M3 a; 'ent by the Robert Gore Rifkind Foundation, Beverly Hills, California
78
Berlit
264
Die Parteipfaffen aufdem
Stimmenfang, c. 1924
(The party priests canvassing)
Woodcut on wove paper
4V16 x 57/i6 in. (10.4 x 13.8 cm)
From Die Aktion 14, no. 12 (1924):
611-12; not identified as an original
woodcut
provenance: gift of Titus Felixmuller,
1984
L.84.5.143 e; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
265
Sklaventrost, c. 1924
(Solace for slaves)
Woodcut on wove paper
315/i6 x 3 in. (10.0 x 7.6 cm)
From Die Aktion 14, no. 12 (1924): 615;
not identified as an original woodcut
PROVENANCE: gift of Titus Felixmuller,
1984
L.84.5. 143 g; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
266
"Em stolzes Gefiihl: ich wahle," c. 1924
("A proud feeling: I vote")
Woodcut on wove paper
45/i6 x 213/i6 in. (10.9 x 7.5 cm)
From Die Aktion 14, no. 12 (1924): 607;
not identified as an original woodcut
PROVENANCE: gift of Titus Felixmuller.
1984
L.84.5.143 c; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
267
"Wir Parteikamele wahlen unentwegt,"
c. 1924
("We party camels vote incessantly")
Woodcut on wove paper
zlA x 6% in. (5.7 x 16.2 cm)
From Die Aktion 14, no. 12 (1924):
605-6; not identified as an original
woodcut
provenance: gift of Titus Felixmuller,
1984
L.84.5. 143 b; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
268
Turn Magdeburger Prozess, c. 1924
(On the Magdeburg trial)
Woodcut on wove paper
515/ie x 6n/i6 in. (15.0 x 17.0 cm)
From Die Aktion 15, no. 1 (1925):
19-20; not identified as an original
woodcut
PROVENANCE: gift of Titus Felixmuller,
1984
L.84.5. x45 c; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
Wir $ur£
264
267
266
268
Berlit
79
s%tm
269
MMMKR
271
273
MWKitfe*
272
269
Ztt'et Welten, c. 1924
(Two worlds)
Woodcut on wove paper
6 x 67/s in. (15.2 x 17.5 cm)
From Die Aktion 14, no. 15 (1924):
cover; not identified as an original
woodcut
provenance: giftofTitus Felixmuller,
1984
L. 84. 5. 144 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
270
Der Aasgeier, c. 1925
(The vulture)
Woodcut on wove paper
47/8 x 6% in. (12.4 x 17. 1 cm)
From Die Aktion 15, no. 9 (1925): cover;
not identified as an original woodcut
provenance: gift of Titus Felixmuller,
1984
L.84.5. !53 a; 'ent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
271
Denkmiinze an Locarno, c. 1925
(Commemorative medal for Locarno)
Woodcut on wove paper
65/s x 6% in. (16.8 x 17. 1 cm)
From Die Aktion 15, no. 10(1925):
cover; not identified as an original
woodcut
provenance: gift of Titus Felixmuller,
1984
L.84.5. 154 a> lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
272
Deutschlands Jugend nnd seine Paten,
c 1925
(Germany's youth and its godparents)
Woodcut on wove paper
6'/2 x 69/i6 in. (16.5 x 16.7 cm)
From Die Aktion 15, no. 5 (1925): cover;
not identified as an original woodcut
provenance: gift of Titus Felixmuller,
1984
L.84.5. J49 ai lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
273
Der Kapitalismus itnd die Lohnsklaven,
c 1925
(Capitalism and the wage slaves)
Woodcut on wove paper
4n/i6x 5V2 in. (11.9.x 13.9 cm)
From Die Aktion 15, no. 8 (1925): cover;
not identified as an original woodcut
provenance: gift of Titus Felixmuller,
1984
L.84.5. 152 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
80
Berlit
274
Moskauer Meister-Konkurrenz, c. 1925
(Master competition in Moscow)
Woodcut on wove paper
513/i6 x 6% in. (14.8 x 17. 1 cm)
From Die Aktion 15, no. 2 (1925): cover;
not identified as an original woodcut
provenance: gift of Titus Felixmiiller,
1984
L. 84. 5.146 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
275
Parlamentarische Schaukampfe,
c 1925
(Parliamentary boxing matches)
Woodcut on wove paper
5u/i6 x 6V2 in. (14.5 x 16.5 cm)
From Die Aktion 15, no. 6 (1925): cover;
not identified as an original woodcut
provenance: gift of Titus Felixmiiller,
1984
L.84.5. 150 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
276
Moskauer Chinapolitik, c. 1927
(Moscow's China politics)
Woodcut on wove paper
57/8 x 7'/i6 in. (14.9 x 18.0 cm)
From Die Aktion 17, no. 4/6 (1927):
cover; not identified as an original
woodcut
provenance: gift of Titus Felixmuller,
1984
L.84.5. !^7 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
Peter Bertlings 277
Mutter und Kind, c. 1934
born Krefeld(?) (Mother and child)
Woodcut on japan paper
6% x 915/i6 in. (16.9 x 25.2 cm)
From portfolio Holzschnitte
niederrheinischer Kiinstler (Krefeld:
Felt Verlag, 1934). The text indicates
that the first 35 were on japan paper and
signed; the center's copy, however, is
unsigned
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.16 a
Emil Betzler 278
Chor der Menschheit, 1919
born 1892 Kamen (Chorus of humanity)
Drypoint on J. W. Zanders paper 8V4 x 6% in. (21.0 x 17.2 cm) From Eos 2, no. 3 (1919): 27; from edition A (total edition of 250) inscription: numbered (xvii/xl) and signed by editor Paul Baumann on justification page
provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 EXHIBITION: Reed under 270 83.1.1607 d
275
278
276
Beye
81
&^x m^K
279
279
Chor des Weibes, 1919
(Chorus of women)
Drypoint on J. W. Zanders 1916 paper
8'/4 x 63/i in. (21.0 x 17.2 cm)
From Eos 2, no. 3 (1919): 21; from
edition A (total edition of 250)
INSCRIPTION: numbered (xvii/xl) and
signed by editor Paul Baumann on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
EXHIBITION: Reed under 270
83.1.1607 c
280
Satan hat gesiegt, 1919
(Satan has triumphed)
Drypoint on J. W. Zanders 1916 paper
9 x 7V16 in. (22.8 x 17.9 cm)
From Eos 2, no. 3 (1919): 11: from
edition A (total edition of 250)
INSCRIPTION: numbered (xvii/xl) and
signed by editor Paul Baumann on
justification page
PROVENANCE: Kunstgalerie Esslingen,
Esslingen: purchased in 1974
exhibition: Reed under 270
83.1.1607 a
283
281
Widmungsblatt fur "Die Aktion"
c. 1918
(Dedication page for Die Aktion)
Woodcut on wove paper
4% x 3% in. (11.7 x 8.6 cm)
From Die Aktion 8, no. 49/50 (1918):
666; not identified as an original
woodcut
PROVENANCE: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1544 a
282
Untitled (figures with crosses), c. 1918
Woodcut on wove paper
513/i6 x 37/8 in. (14.8 x 9.9 cm)
From Die Aktion 8, no. 27/28 (1918):
340; not identified as an original
woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1536 b
283
Untitled (figures in flames), 1918
Woodcut on wove paper
7V4 x 55/s in. (18.5 x 14.3 cm)
From Die Aktion 8, no. 39/40 (1918):
503-4; not identified as an original
woodcut
PROVENANCE: gift of Titus Felixmuller,
1984
L. 84.5. 80 e; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
Bruno Beye
born 1895 Magdeburg
died 1976 Magdeburg
82
Beye
284
Untitled (scene of carnage), c. 1918
Woodcut on wove paper
5'/2 x jVa in. (13.9 x 18. 1 cm)
From DieAktion 9, no. 8/9 (1919): cover
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1548 a
285
Untitled (figures in sun), c. 1918 Woodcut on wove paper 53/i6 x dVs in. (13. 1 x 17.4 cm) From Die Aktion 9, no. 8/9 (1919): 125-26
provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 83.1.1548 b
286
Portrat, c. 1920
(Portrait)
Woodcut on wove paper
515/i6 x 415/i6 in. (15.0 x 12.5 cm)
From Die Aktion 10, no. 29/30 (1920):
cover; not identified as an original
woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1571 a
287
Der Baumfaller, c. 1921
(The woodsman)
Woodcut on wove paper
7J/i6 x 65/s in. (18.0 x 16.8 cm)
From DieAktion 11, no. 21/22 (1921):
cover
provenance: gift of Titus Felixmiiller,
1984
L. 84.5.91 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
Otto Beyer 288
Abendmahl, c. 1918 born 1885 (The Last Supper)
Katowice, Poland Woodcut on wove paper
5V8 x 613/i6 in. (13.0 x 17.3 cm) From Die Aktion 8, no. 11/12 (1918):
131-32
provenance: gift of Titus Felixmiiller,
1984
L.84.5.75 b; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
Frantisek Bilek 289
Meteor, c. 1916 born 1872 Chynov, Woodcut on wove paper
Bohemia 4% x 3u/i6 in. (12. 1 x 9.4 cm)
From Die Aktion 6, no. 18/19 (1916): died 1941 Chynov, cover; not identified as an original
Czechoslovakia woodcut
provenance: Hauswedell & Nolte,
Hamburg, 30 November 1979, part of
lot 1173
83.1.1514 b
284
285
287
286
288
289
Birckenbach
83
293
291
295
290
Familie, igig
(Family)
Woodcut on wove paper
315/i6 x 4n/i6 in. (10.0 x 11.9 cm)
From Die Aktion 9, no. 33/34 (1919)-'
cover
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1556 a
291
Landschaft, c. 1919
(Landscape)
Woodcut on wove paper
37/s x 57/8 in. (9.8 x 14.9 cm)
From Die Aktion 9, no. 39/40 (1919):
cover; not identified as an original
woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83- 1- 1559 a
292
Untitled (girl), c. 1919 Woodcut on laid paper 3'/i6 x 5'/i6 in. (7.8 x 12.9 cm) From Der Weg 1, no. 8/9 (1919): 15 PROVENANCE: Ex Libris, New York; purchased in 1976 exhibition: Reed under 305 83.1.12191
293
Untitled (woman and child), c. 1919 Woodcut on laid paper 35/i6 x 43/i6 in. (8.4 x 10.6 cm) From DerWeg 1, no. 8/9 (1919): 15 provenance: Ex Libris, New York; purchased in 1976 EXHIBITION: Reed under 305 83.1.1219 h
294
Untitled (woman and child), c. 1919
Woodcut on wove paper
4n/i6 x 5'/2 in. (11.9 x 14.0 cm)
From Die Biicherkiste 1, no. 5/7 (1919):
67
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1975
exhibition: Reed under 267
83.1. 1634 g
295
Untitled (woman and two children),
c 1919
Woodcut on wove paper
37/8 x 6% in. (9.8 x 16.8 cm)
From Die Biicherkiste 1, no. 8/10
(1919): 107
provenance: Hans Bolliger, Zurich;
purchased in 1975
exhibition: Reed under 267
83.1.1634 m
Oskar Birckenbach
84
Birckenbach
Fritz Bleyl
born 1881 Zwickau died 1966
296
Untitled (man seated at desk), 1919
Woodcut on wove paper
7 x 415/i6 in. (17-8 x 12.6 cm)
From Die Biicherkiste 1, no. 8/10
(1919): 119
provenance: Hans Bolliger, Zurich;
purchased in 1975
exhibition: Reed under 267
83.1.16340
297
Mai im Vorgarten, c. 1921
(May in the front garden)
Woodcut on wove paper
5ls/i6 x 49/i6 in. (15.0 x 11.6 cm)
From Die Ahtion 11, no. 19/20 (1921):
cover
PROVENANCE: gift of Titus Felixmiiller,
1984
L. 84. 5.90 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
Georg Birnbacher 298
Untitled (fighting in street), c. 1915 died 1917 Linoleum cut on wove paper
Kdnigsberg 85/s x n13/i6 in. (21.9 x 30.0 cm)
From Der Sturm 6, no. 1/2 (1915): 7
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1392.17
299
Liebende, c. 1916
(Lovers)
Woodcut on J. W. Zanders paper 6u/i6 x 5I:Vi6 in. (17.0 x 14.8 cm) From portfolio Die Fibel (Darmstadt: Karl Lang Verlag, 1919) inscription: signed by Fritz Schaefler "fur Birnbacher/F. Schaefler," l.r. provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 EXHIBITION: Reed under 338 83.1.18 a
300
Untitled (couple), c. 1916 Woodcut on laid paper 5V8 x 5'/4 in. (13.0 x 13.4 cm) From Der Weg 1, no. 4 (1919): 1 provenance: Ex Libris, New York; purchased in 1976 EXHIBITION: Reed under 305 83.1.1216 a
301
Hockende mit Hut, c. 1906 (Crouching woman with hat) Carbon pencil on brown wove paper i79/i6 x i39/i6 in. (44.6 x 34.5 cm) provenance: estate of the artist (stamp, verso); Galerie Nierendorf, Berlin; purchased in 1975 exhibition: Reed 50; Driesbach 6 M.82.288.328
IT J I'<1
297
296
298
299
300
301
Bollschweiler
85
mMdf
306
303
304
305
302
302
Hauser hotter dem Deich, 1920
(Houses behind the dike)
Lithograph on laid paper
47/s x 6 in. (12.4 x 15.2 cm)
From Katalog der zweiten Ausstellung
der Hamburgischen Secession, exh. cat.
(Hamburg: Alte Kunsthalle, 1921),
no. 10, pi. 6
provenance: Ars Libri, Boston;
purchased in 1982
83- 1-735 g
303
Raufende Bauern, c. 1924
(Scuffling peasants)
Woodcut on wove paper
59/i6 X4u/i6 in. (14.1 x 11.9 cm)
From Karl Dietz, ed., Schwarzer Greif:
Ein Ahnanach aufdas Jahr 1925
(Rudolfstadt: Greifenverlag, 1925),
P- 139
PROVENANCE: unknown
83- 1-549 t
304
Bildnis Felixmiiller, 1914 (Portrait of Felixmiiller) Lithograph on Ingres paper 24 x 17V! in. (61.3 x 43.8 cm) INSCRIPTION: signed and inscribed "Orig. Lithographie," 1.1. PROVENANCE: Galerie Wolfgang Ketterer, Munich, 29 May 1979, lot 130 EXHIBITION: Chipp 12; Rigby 3 M. 82. 288.42
305
Leben, c. 1918
(Life)
Woodcut on purple wove paper
n'/i x 9% in. (28.5 x 24.8 cm)
From Menschen 1, no. 8 (1918): 4
provenance: Galerie Gerda Bassenge,
Berlin, 25 May 1975, part of lot 4883
exhibition: Reed under 289; Rigby iv, 1
83.1. 1372 g
306
Gartnerei, 1917
(Nursery)
Lithograph on japan paper
6I5/i6 x io'/i6 in. (17.6 x 25.5 cm)
From deluxe edition of Das Kunstblatt
1, no. 12 (1917); the center also has an
impression from the regular edition
inscription: numbered (32/110) on
justification page
provenance: Henry Hallenstein; W. F.
Arntz, Haag (Oberbayern); purchased
in 1975
EXHIBITION: Reed 283/26
83.1.1096 a
Karl Blohm
born 1886 Tbnning
Friedrich Blum
Peter August Bockstiegel
born 1889 Arrode-Werther
died 1951 Arrode-Werther
Jakob Friedrich (Jack) Bollschweiler
born 1888 Lorrach
died 1938 Italy
86
Bollschweiler
Hans Bolz
born 1887 Aachen
died 1918 Neuwittelsbach
W. Boning
Karl Borschhe
Sandor Bortnyik
born 1893
Maros-Vasarhely,
Hungary
died 1976 Budapest, Hungary
307
Knieendes Madchen, c. 1917
(Kneeling girl)
Drypoint on wove paper
415/i6 x 5'/i6 in. (12.6 x 12.8 cm)
From deluxe edition of Das Kunstblatt
1, no. 12 (1917)
INSCRIPTION: numbered (32/110) on
justification page
PROVENANCE: Henry Hallenstein; W. F.
Arntz, Haag (Oberbayern); purchased
in 1975
EXHIBITION: Reed 283/1
83.1.1096 b
308
Untitled (abstract composition), c. 1913 Woodcut on wove paper 5n/i6 x g3/i6 in. (14.5 x 23.3 cm) From Der Sturm 4, no. 164/165
(1913): 4i
provenance: Ex Libris, New York;
purchased in 1982
83.1.1391.63
309
Die hohe Kirche zu Reims, 1914 (The cathedral at Reims) Lithograph on wove paper ii'/»x 9% in. (28.3 x 24.8 cm) From Kriegszeit, no. 5 (1914): 1 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
EXHIBITION: Reed 281/16 83.1.1404 a
310
Untitled (man attacking nude woman),
c. 1920
Woodcut on japan paper
65/i6 x 5V2 in. (16.0 x 14.0 cm)
From Eros 1, no. 2 (1921): following 64
INSCRIPTION: numbered (593/1,000) on
justification page
provenance: Galerie Gerda Bassenge,
Berlin, 16 April 1981, part of lot 2212
83.1.1610 d
311
Untitled (man and horse), c. 1918
Linoleum cut on wove paper
4% x 57/i6 in. (12.0 x 13.8 cm)
From Hungarian periodical Ma 3, no. 7
[1918?]: 77
provenance: gift of Dr. Paul Raabe,
1985
L. 85. 2. 88 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
312
Untitled (abstract composition), c. 1922
Woodcut on wove paper
8% x 6% in. (21.9 x 16.9 cm)
From Der Sturm 13, no. 12 (1922): 185
provenance: Ex Libris, New York;
purchased in 1982
83.1.1395.20
308
&*>y~" ^^f' '"'''";. 1' '->*9*~4
309
s^pn
307
310
311
Braumiiller
87
313
316
314
313
Bei der Lampe, c. 1911
(By the lamp)
Etching on heavy wove paper
10V2 x 715/i6 in. (26.6 x zo.2 cm)
From Zeitschrift fur bildende Kunst,
n.s., 22, no. 4 (1911): before 77
provenance: Galerie Gerda Bassenge,
Berlin, 15 May 1976, part of lot 4364
83-i-965d
314
Untitled (nudes), c. 1913
Woodcut on laid paper
5% x 53/i6 in. (14.9 x 13. 1 cm)
From Das neue Pathos 1, no. 3/4
(1913): 61
inscription: numbered (50/100) on
justification page
provenance: Ars Libri, Boston;
purchased in 1983
L. 84. 5. 339 h; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
315
Untitled (three nudes), c. 1913 Woodcut on laid paper 47/8 x 2% in. (12.4 x 7.0 cm) From Das neue Pathos 1, no. 5/6
(1913): 45
inscription: numbered (50/100) on
justification page
provenance: Ars Libri, Boston;
purchased in 1983
L. 84. 5. 339 n; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
316
Selbstvernichtung, c. 1915
(Self-destruction)
Lithograph on wove paper
6% x 4% in. (17.2 x 10.8 cm)
From Zeit-Echo 1, no. 21 (1915): 323
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
exhibition: Reed under 308
83. 1. 1206 c
317
Herrscher, c. 1901
(Ruler)
Woodcut printed in brown and green on
PH Antique paper
io'/j x 7'/ie in. (26.0 x 18.0 cm)
From Richard Scheid, ed., Avalun
(Munich: Verlag Avalun, 1901)
INSCRIPTION: numbered (108/300) on
title page
PROVENANCE: Warrack & Perkins,
Witney, Oxfordshire; purchased in 1974
exhibition: Reed under 38
83.1. 1657 j
Otto Richard Bossert
born 1874 Heidelberg
died 1919 Leipzig
Walther Bdtticher
born 1885 Hagen died 1916 France
Dora Brandenburg- Polster
born 1884 Magdeburg
Georg Braumiiller
born 1870 Berlin
died 1928/35 Wiesbaden
317
88
Braumiiller
born 1897 Lodz, Poland
318
Lieder an das Leben, c. 1901
(Songs to life)
Woodcut printed in reddish brown and light brown on PH Antique paper io9/i6 x 75/i6 in. (26.8 x 18.6 cm) From Richard Scheid, ed., Avalun (Munich: Verlag Avalun, 1901) INSCRIPTION: numbered (108/300) on title page
provenance: Warrack & Perkins, Witney, Oxfordshire; purchased in 1974 exhibition: Reed under 38 83.1.16571
319
Otto Falckenberg, c. 1901
Woodcut printed in black and orange on
PH Antique paper
915/i6 x 6V2 in. (25. 3 x 16.5 cm)
From Richard Scheid, ed. , Avalun
(Munich: Verlag Avalun, 1901)
INSCRIPTION: numbered (108/300) on
title page
provenance: Warrack & Perkins,
Witney, Oxfordshire; purchased in 1974
EXHIBITION: Reed under 38
83.1. 1657 d
320
Pan singt, c. 1901
(Pan sings)
Woodcut printed in brown and light
orange on PH Antique paper
915/i6 x 7'/i6 in. (25.3 x 18.0 cm)
From Richard Scheid, ed., Avalun
(Munich: Verlag Avalun, 1901)
inscription: numbered (108/300) on
title page
PROVENANCE: Warrack & Perkins,
Witney, Oxfordshire; purchased in 1974
exhibition: Reed under 38
83.1. 1657 f
321
Untitled (man and woman on balcony),
c. 1901
Woodcut printed in red and gray on PH
Antique paper
io'/i x 73/i6 in. (26.0 x 18.2 cm)
From Richard Scheid, ed., Avalun
(Munich: Verlag Avalun, 1901)
INSCRIPTION: numbered (108/300) on
title page
provenance: Warrack & Perkins,
Witney, Oxfordshire; purchased in 1974
EXHIBITION: Reed under 38
83. 1. 1657 k
319
318
320
|
wffr i- 'k |
|
1 /i^£ r* \ - |
|
SMp^MjpSS: |
Vincent (Icchok) Brauner
See cat. no. 31
died Auschwitz. Poland
Brulez-Mavromati
89
323
326
322
Weib und Panther, 1920
(Woman and panther)
Lithograph on laid paper
4V2 x 6 in. (11.5 x 15.2 cm)
From Katalog der zweiten Ausstellung
der Hamburgischen Secession, exh. cat.
(Hamburg: Alte Kunsthalle, 1921), no.
13. pl- 13
provenance: Ars Libri, Boston;
purchased in 1982
§3- 1-735 n
Franz Breest
323
Untitled (child), c. 1927
Lithograph on wove paper
9% x 6'/8 in. (23.8 x 15.6 cm)
inscription: signed, 1.1.
From Ing. Hermann Heuss et al.,
Kiinstler abseits vom Wege, 1Q07-IQ2J
(Chemnitz: Kiinstlergruppe Chemnitz,
1927), p. 56
PROVENANCE: unknown
83- 1-52 g
324
Untitled (abstract composition), c. 1923
Lithograph printed in red and black on
wove paper
gVs x s'/s in. (23.2 x 13.0 cm)
From Staatliches Bauhaus in Weimar,
1919-2923 (Weimar and Munich:
Bauhausverlag, 1923), p. 217; from
German edition of 2,000 (total edition of
2,600)
provenance: Galerie Gerda Bassenge,
Berlin, 13-18 May 1974, part of lot
3956
83.1.41 g
325
Untitled (head), c. 1921
Woodcut on wove paper
913/i6 x 7u/i6 in. (25.0 x 19.5 cm)
From Karl Lorenz, ed. , Die rote Erde,
2d ser., no. 1 (Hamburg: Adolf Harms
Verlag, 1922), p. 125
inscription: numbered (383/450) on
justification page
provenance: Hartung & Karl, Munich,
13-16 November 1979, part of lot 5024
83- 1-973 z
326
Untitled (head), c. 1921
Woodcut on wove paper
67/s x 7'/i6 in. (17.5 x 17.9 cm)
From Karl Lorenz, ed., Die rote Erde,
2d ser. , no. 1 (Hamburg: Adolf Harms
Verlag, 1922), p. 127
inscription: numbered (383/450) on
justification page
provenance: Hartung & Karl, Munich,
13-16 November 1979, part of lot 5024
83. 1.973 aa
Heinrich Brenner
born 1883 Marienburg
Marcel Lajos Breuer
born 1902 Pecs, Hungary
died 1981
New York, New York
Fortuna Brulez- Mavromati
90
Brulez-Rflavromati
Max Bucherer
born 1883 Basel Switzerland
327
Untitled (head), c. 1921
Linoleum cut on wove paper
10 x 8V16 in. (25.4 x 20.5 cm)
From Karl Lorenz, ed.. Die rote Erde,
2d sen, no. 1 (Hamburg: Adolf Harms
Verlag, 1922), p. 129
inscription: numbered (383/450) on
justification page
PROVENANCE: Hartung & Karl, Munich,
13- 16 November 1979, part of lot 5024
83.1.973 bb
328
Untitled (woman at piano), c. 1921
Linoleum cut on wove paper
io"/i6 x 75/i6 in. (27. 1 x 18.6 cm)
From Karl Lorenz, ed.. Die rote Erde,
2d ser.. no. 1 (Hamburg: Adolf Harms
Verlag, 1922), p. 131
INSCRIPTION: numbered (383/450) on
justification page
provenance: Hartung & Karl, Munich,
13- 16 November 1979, part of lot 5024
83- 1-973 cc
329
Untitled (nuns walking), c. 1921
Linoleum cut on wove paper
8% x 7% in. (21.9 x 18.7 em)
From Karl Lorenz, ed., Die rote Erde,
2d ser. , no. 1 (Hamburg: Adolf Harms
Verlag, 1922), p. 133
INSCRIPTION: numbered (383/450) on
justification page
provenance: Hartung & Karl, Munich,
13-16 November 1979, part of lot 5024
83. 1.973 dd
330
Untitled (abstract composition), c. 1921
Woodcut on wove paper
7% x 87/i6 in. (19.3 x 21.4 cm)
From Karl Lorenz, ed., Die rote Erde,
2d ser., no. 1 (Hamburg: Adolf Harms
Verlag, 1922), p. 135
inscription: numbered (383/450) on
justification page
provenance: Hartung & Karl, Munich,
13- 16 November 1979, part of lot 5024
83- 1-973 ee
331
Untitled (refugees), c. 1915 Woodcut on wove paper 2I5/i6 x 315/i6 in. (7.5 x 10.0 cm) From Zeit-Echo 1. no. 18 (1915): 275 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 exhibition: Reed under 308 83.1.1203 c
Robert Budzinski 332
Der Gottsucher, c. 1924
(The seeker of God)
Linoleum cut on wove paper
7V16 x 5% in. (18.0 x 13.7 cm)
From DerPionier 1, no. 10/11(1924): 12
provenance: Ars Libri. Boston;
purchased in 1981
83.1.963 1
327
328
332
335-1
335-2
335-5
335-6
Burchartz
91
331
333
335-3
330
334
|
* ^-itj^m |
|
|
' ' / ■ Jp^a2^*^* 'fey ' iB' TEE 3S° v |
Jw ■ R ■■ jjf ■fTa f D" I |
|
k^C^ |
333
Unendlichkeit, c. 1924
(Infinity)
Linoleum cut on wove paper
6% x 4V4 in. (17.5 x 11.4 em)
From Der Pionier 1, no. 10/11 (1924): 13
provenance: Ars Libri, Boston;
purchased in 1981
83.1.963 m
334
Untitled (cityscape), 1920 Lithograph on wove paper 9% x 7V2 in. (24.5 x 19. 1 cm) From portfolio Das Buch Eins des Aktivisten Bundes, 1919 (Diisseldorf: Eigener Verlag, 1920) inscription: signed and dated, l.r. PROVENANCE: Ars Libri, Boston; purchased in 1981 83.1.670 h
335
Die Damonen
(The devils)
Portfolio of 8 lithographs on laid paper Illustrations to novel by Fyodor Dostoyevski, no. 43/44 in the monographic series Die Silbergaule (Hannover: Paul Steegemann, 1919) INSCRIPTION: each sheet signed, l.r.; titled, 1.1. j and numbered (42/50), I.e., except plate 2 (41/50) PROVENANCE: Ars Libri, Boston; purchased in 1982 83.1.11 a-h
1. Damonen 1, 1919 (Devils 1)
77/i6 x 413/i6 in. (18.9 x 12.2 cm) 83. 1 . 1 1 a
2. Damonen 2, igig (Devils 2)
6V2 x 4% in. (16.5 x 11.3 cm) 83.1.11 b
3. Damonen 3, 1919 (Devils 3)
6V4 x 4T/i6 in. (15.9 x 11.3 cm) 83.1.11 c
4. Damonen 4, 1919 (Devils 4)
6V16 x 47/ie in. (15.4 x 11.3 cm) 83.1.11 d
5. Damonen 5, 1919 (Devils 5)
6'/8 x 45/i6 in. (15.6 x 11.0 cm) 83.1.11 e
6. Damonen 6, 1919 (Devils 6)
515/i6 x 45/i6 in. (15. 1 x 11.0 cm) 83.1.11 f
7. Damonen 7, 1919 (Devils 7)
6!/j x 4% in. (15.9 x 11.8 cm) 83.1.11 g
8. Damonen 8, 1919 (Devils 8)
5% x 43/s in. (14.7 x 11.2 cm) 83.1.11 h
Hans Bullinger
born 1896 Hassloch
Max Burchartz
born 1887 Elberfeld died 1961 Essen
335-7
92
Burchartz
Hanns Otto Butterlin
born 1900 Jalisco, Mexico
336
ZweiManner, c. 1919 (Two men)
Lithograph on japan paper 77/8 x 59/i6 in. (20.0 x 14.2 cm) From Das Kunstblatt 3, no. 8 (1919) provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 EXHIBITION: Reed 283/27 83.1.1142 a
337
Untitled (man with fish), c. 1919
Lithograph on wove paper
6% x s'/s in. (17.2 x 13.0 cm)
From Paul Erich Kiippers, ed., Das
Kestnerbiich (Hannover: Heinrich
Bohme Verlag, 1919), following p. 96
provenance: Galerie Gerda Bassenge,
Berlin, 13-18 May 1973, part of lot
4076
exhibition: Reed 321/10
83.1. 140 j
338
Frau vor dem Fenster, 1920 (Woman at the window) Lithograph on wove paper 7X 5% in. (17.8 x 13.7 em) From Georg Biermann, ed.,Jahrbuch derjungen Kunst (Leipzig: Klinkhardt & Biermann, 1920), following p. 164 PROVENANCE: Bismarck Buchhandlung, Charlottenburg (ex libris, cover); Ganymede Graphics, Berkeley, purchased in 1974 EXHIBITION: Reed 320/1920.6 83.1.798 d
339
Selbstportrat, 1921
(Self-portrait)
Lithograph on wove paper
i5'/2 x io15/i6 in. (393 x 27.8 cm)
From portfolio Die Schaffenden 3, no. 1
(Weimar: Gustav Kiepenheuer Verlag,
1921); edition of 100 (total edition of
125)
INSCRIPTION: signed, 1.1.; publisher's
stamp, 1.1.
provenance: Kunsthaus Lempertz,
Cologne, 3-4 December 1980, lot 113
reference: Jahn and Berger 84
M. 82.287.7
340
lxtaccihuatl: Der Azteken Legende vom Berge der schlafenden Frau
(lxtaccihuatl: To the Aztec legend of the mountain of the sleeping woman) Book with 5 woodcuts on wove paper Illustrations to poem by Butterlin, published for Gesellschaft der Bibliophilen (Berlin: A. R. Meyer, 1921) provenance: gift of Elmar Seibel, 1985 INSCRIPTION: numbered (13/250) on justification page
L.85.2.73 a-e; lent by the Robert Gore Rifkind Foundation, Beverly Hills, California
336
337
338
339
iKe^ppS :3PS§|f
340-1
(ySjft yf iM^^
340-3
:0-m
»«v
Biittner
1. Ixtaccihuatl, 1921
Printed in green on yellow cover
stock
2V2 x 2n/i6 in. (6.4 x 6.8 cm)
Cover
L.85.2.73a
2. Untitled (pictographs), 1921 37/8 x 3V4 in. (9.8 x 8.3 cm) Inside front cover
L. 85.2.73 b
3. Untitled (erupting volcano), 1921 315/i6 x 3% in. (10.0 x 8.6 cm) Facing title page
L. 85. 2. 73 c
4. Untitled (cross and bones), 1921 4 x 3% in. (10. 1 x 8.5 cm) Facing page 14
L.85.2.73d
5. Untitled (pictographs), 1921 35/s x 33/i6 in. (9.2 x 8. 1 cm) Inside back cover L.85.2.73e
93
343
344
341
Ehrliches Spiel! 1914
(Honest play!)
Lithograph on wove paper
i39/i6 x io13/i6 in. (345 x 27.5 cm)
From Kriegszeit, no. 5 (1914): 3
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/17 (as Biibbner)
83.1.1404 c
342
Die Fahne im Feld, 1914
(The flag in the field)
Lithograph on wove paper
13% x 10V16 in. (35.0 x 25.5 cm)
From Kriegszeit, no. 11 (1914): 2
PROVENANCE: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/20
83.1.1410 b
343
Im Argonnen Wald, 1914
(In the Argonne Forest)
Lithograph on wove paper
12% x 10% in. (31.5 x 26.3 cm)
From Kriegszeit, no. 42 (1915): 2
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/32
83.1.1440 b
344
Das Kaiserlied, 1914
(The imperial anthem) Lithograph on wove paper 15% x io13/i6 in. (39.0 x 27.4 cm) From Kriegszeit, no. 18/19 (1914): 5 PROVENANCE: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
exhibition: Reed 281/26 83.1.1417 c
Erich Biittner
born 1889 Berlin died 1936 Freiburg
94
Biittner
345
Nach der Bescherung, 1914
(After the distribution of Christmas
presents)
Lithograph on wove paper
13 x n13/i6 in. (33.0 x 30.0 cm)
From Kriegszeit, no. 18/19 (1914): 3
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/25
83.1.1417 c
346
Nahkampf in der Champagne, 1914
(Hand-to-hand fighting in Champagne)
Lithograph on wove paper
11% x g15/i6 in. (29.5 x 25.2 cm)
From Kriegszeit, no. 33 (1915): 4
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/36 (as Heinrich
Biittner)
83.1.1431 d
347
Rast, 1914
(Rest)
Lithograph on wove paper
iiu/i6 x 93/i6 in. (29.7 x 23.4 cm)
From Kriegszeit, no. 12 (1914): 1
PROVENANCE: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/21
83.1.1411 a
348
Reiterlied, 1914
(Cavalry song)
Lithograph on wove paper
15V& x 10 in. (38.4 x 25.4 cm)
From Kriegszeit, no. 16 (1914): 3
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/24
83.1.1415 c
349
Sturm aufein Fort, 1914
(Attack on a fort)
Lithograph on wove paper
n7/e x 913/i6 in. (30.2 x 25.0 cm)
From Kriegszeit, no. 15 (1914): 1
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/23
83.1.1414 a
350
Uber Paris, 1914
(Over Paris)
Lithograph on wove paper
13% x 913/i6 in. (34.9 x 25.0 cm)
From Kriegszeit, no. 8 (1914): 4
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/19
83.1.1407 d
345
346
349
/ ', :.' >*■
350
351
354
i is
352
353
355
Biittner
351
Winterkampagne, 1914
(Winter campaign)
Lithograph on wove paper
14 x 10V4 in. (35.5 x 26.0 cm)
From Kriegszeit, no. 14 (1914): 2
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/22
83.1.1413 b
352
Artillerie hinter Diinen, c. 1915 (Artillery behind the dunes) Lithograph on wove paper i53/4 x n!/4 in. (40.0 x 28.5 cm) From Kriegszeit, no. 21 (1915): 2 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
EXHIBITION: Reed 281/27 83.1.1419 b
353
Der Dichter im Felde, 1915 (Poet in the field) Lithograph on wove paper n7/i6 x 9V2 in. (29.0 x 24. 1 cm) From Kriegszeit, no. 50 (1915): 3 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
EXHIBITION: Reed 281/33 83.1.1448 c
354
Einberufen! 1915
(Drafted!)
Lithograph on wove paper
i23/8 x 9'4 in. (31.5 x 23.5 cm)
From Kriegszeit, no. 35 (1915): 2
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of
lot 1072
exhibition: Reed 281/30; Chipp 136
83.1.1433 b
355
GeneralleutTiant von Ludendorff, 1915 (Lieutenant General von Ludendorff) Lithograph on wove paper n5/i6 x io5/i6 in. (28.7 x 26.2 cm) From Kriegszeit, no. 29 (1915): 1 PROVENANCE: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
exhibition: Reed 281/18 (as Biissner) 83.1.1427 a
356
Im Zeichen der Schippe, 1915 (In the sign of the spade) Lithograph on wove paper n7/i6 x 8n/i6 in. (29.0 x 22.0 cm) From Kriegszeit, no. 40 (1915): 4 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
exhibition: Reed 281/31 83.1. 1438 d
95
356
96
Biittner
357
Mannschaftsessen, 1915 (Soldiers' mess) Lithograph on wove paper 8"/i6 x nVi in. (22.0 x 28.5 cm) From Kriegszeit, no. 62 (1916): 2 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
EXHIBITION: Reed 281/35 83.1.1459 b
358
Sudostlicher Kriegschauplatz in Berlin,
1915
(Southeastern theater of battle in
Berlin)
Lithograph on wove paper
i23/i6 x g13/i6 in. (30.9 x 25.0 cm)
From Kriegszeit, no. 58 (1915): 3
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of
lot 1072
EXHIBITION: Reed 281/34
83.1.1455 c
359
Wilhelm II, c. 1915
(William 11)
Lithograph on wove paper
11 x g9/i6 in. (28.0 x 24.3 cm)
From Kriegszeit, no. 24 (1915): 1
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of
lot 1072
EXHIBITION: Reed 281/29; Chipp 135
83.1.1422 a
360
Untitled (portrait of a man), c. 1915 Lithograph on wove paper 8'/8 x 67/s in. (20.6 x 17.5 cm) From Kriegszeit, no. 23 (1915): 1 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
EXHIBITION: Reed 281/28 83.1.1421 a
361
Franz Werfel, 1918
Lithograph on laid paper
7% x 6V4 in. (194 x 15.9 cm)
From Dasjunge Deutschland 1, no. 6
(1918): following 188
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
83.1.1616 a
362
Hermann Essig, 1918
Lithograph on laid paper
7V4 x 6 in. (18.4 x 15.3 cm)
From Dasjunge Deutschland 1, no. 6
(1918): before 189
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
83.1.1616 b
357
358
359
361
"^
HtvJ**'"' **'■>■
360
Biittner
97
363
Marja Leiko, 1918
Lithograph on laid paper
jVs x 55/8 in. (18. 1 x 14.3 cm)
From Dasjunge Deutschland 1, no. 8/9
(1918): following 272
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
83.1.1618 a
364
"Seeschlacht" von Reinhard Goering 1,
1918
(Seeschlacht by Reinhard Goering 1)
Lithograph on laid paper
8I5/i6 x 77/s in. (22.7 x 20.0 cm)
From portfolio Dasjunge Deutschland:
Phantasien uber die Auffuhrungen des
Jahres 1917/18 (privately printed for the
members of Das junge Deutschland,
1918)
PROVENANCE: Laurence McGilvery,
La Jolla, California; purchased in 1978
83.1.101 d
365
"Seeschlacht" von Reinhard Goering 2,
1918
(Seeschlacht by Reinhard Goering 2)
Lithograph on laid paper
8% x 77/s in. (21.3 x 20.0 cm)
From portfolio Das junge Deutschland:
Phantasien uber die Auffuhrungen des
Jahres 1917/18 (privately printed for the
members of Das junge Deutschland,
1918)
provenance: Laurence McGilvery,
La Jolla, California; purchased in 1978
83.1.101 e
98
Campendonk
Heinrich Campendonk
born 1889 Krefeld
died 1957
Amsterdam,
Netherlands
366
Halbaht mit Katze, 1912
(Half-length nude with eat)
Woodcut on wove paper
10V2 x n3/i6 in. (26.7 x 28.4 cm)
From Der Sturm 3, no. 134/135
(1912): 201
provenance: Ex Libris, New York;
purchased in 1982
REFERENCE: Engels 2
83- 1- 139137
367
Halbfigur mit Tier, 1912
(Half-length figure with animal)
Woodcut on wove paper
io13/i6 x 9% in. (27.4 x 24.8 cm)
From Der Sturm 3, no. 140/141
(1912): 239
provenance: Ex Libris, New York;
purchased in 1982
reference: Engels 3
83.1.1391.46
368
Tanzender Bauer, 1912
(Dancing farmer)
Woodcut on wove paper
io"/i6 x g15/i6 in. (27.2 x 25.2 cm)
From Der Sturm 3, no. 131 (1912): 177
PROVENANCE: Ex Libris, New York;
purchased in 1982
REFERENCE: Engels 1
83- 1-1391-34
369
Erscliaffung der Tiere, 1916 (Creation of the animals) Woodcut on wove paper 13x7% in. (33.0 x 19.7 cm) From Der Sturm 7, no. 5 (1916): 53 provenance: Ex Libris, New York; purchased in 1982 reference: Engels 17 83.1.1393.11
370
Ex Libris I Herwarth Walden, c. 1916
Woodcut on wove paper
47/i6 x 3% in. (11.3 x 8.5 cm)
From Der Sturm 6, no. 21/22
(1916): 129
PROVENANCE: Ex Libris, New York;
purchased in 1982
REFERENCE: Engels 5
83.1.1392.35
366
367
369
Campendonk
99
372
373
375
376
371
Knabenakt mit Fischen, 1916 (Nude youth with fish) Woodcut on wove paper 8Vi x 6V4 in. (21.0 x 15.9 cm) From Der Sturm 7, no. 5 (1916): 49 provenance: Ex Libris, New York; purchased in 1982 REFERENCE: Engels 18 83.1.1393.10
372
Komposition mit Pferd, Reh und
Hirsch, c. 1916
(Composition with horse, doe, and stag)
Woodcut on wove paper
9% x i25/8 in. (24.8 x 32.0 cm)
From Der Sturm 6, no. 23/24
(1916): 139
provenance: Ex Libris, New York;
purchased in 1982
REFERENCE: Engels 14
83.1.1392.37
373
Komposition mit weiblichem Akt und
Tieren, c. 1916
(Composition with female nude and
animals)
Woodcut on wove paper
87/8 x 11% in. (22.5 x 29.9 cm)
From Der Sturm 7, no. 10 (1917): 113
provenance: Ex Libris, New York;
purchased in 1982
REFERENCE: Engels 12
83.1.1393.16
374
Liegender weiblicher Akt mit Blumen undBaumen,c. 1916 (Reclining female nude with flowers and trees)
Woodcut on wove paper 77/s x 6% in. (20.0 x 17. 1 cm) From Der Sturm 6, no. 21/22 (1916): 121 provenance: Ex Libris, New York- purchased in 1982
REFERENCE: Engels 10
83.1.1392.32
375
Mdnnliche Halbfigur mit Kuh und
Ziege, 1916
(Half-length male figure with cow and
goat)
Woodcut on wove paper
11 x 83/i6 in. (27.9 x 20.8 cm)
From Der Sturm 7, no. 12 (1917): 137
provenance: Ex Libris, New York;
purchased in 1982
REFERENCE: Engels 19
83.1.1393.18
376
Sitzende Frau mit Pferden, c. 1916 (Seated woman with horses) Woodcut on wove paper 5V8 x 73/i6 in. (13.0 x 18.2 cm) From Der Sturm 7, no. 2 (1916): 13 provenance: Ex Libris, New York; purchased in 1982 REFERENCE: Engels 7 83- 1- 1393-3
100
Campendonk
377
Sitzender weiblicher Akt mit Rehen und
Hund, c. 1916
(Seated female nude with deer and dog)
Woodcut on wove paper
7'/i6 x 5V16 in. (17.9 x 12.9 cm)
From Der Sturm 7, no. 3 (1916): 33
PROVENANCE: Ex Libris, New York;
purchased in 1982
REFERENCE: Engels 11
83.1.1393.6
378
Sitzendes Mddchen mit Hirsch, 1916
(Seated girl with stag)
Woodcut on wove paper
12% x 10V16 in. (32.7 x 25.5 cm)
From Der Sturm 7, no. 5 (1916): 55
PROVENANCE: Ex Libris, New York;
purchased in 1982
REFERENCE: Engels l6
83-1 1393-12
379
Tiere aufder Weide, 1916 (Animals in the pasture) Woodcut on wove paper 4 x 7% in. (10. 1 x 19.7 cm) From Der Sturm 8, no. 1 (1917): 5 PROVENANCE: Ex Libris, New York; purchased in 1982 REFERENCE: Engels 4 83.1.1393.20
380
Der Tiger, c. 1916
(The tiger)
Woodcut on wove paper
913/i6 x i25/s in. (25.0 x 32.0 cm)
From Der Sturm 6, no. 23/24 (1916):
141
provenance: Ex Libris, New York;
purchased in 1982
REFERENCE: Engels 15
83.1.1392.38
381
Ziegenbock und Schafe, c. 1916 (Billy goat and sheep) Woodcut on wove paper 65/i6 x 8V4 in. (16. 1 x 21.0 cm) From Der Sturm 7, no. 6 (1916): 61 PROVENANCE: Ex Libris, New York; purchased in 1982 REFERENCE: Engels 9 83- 1- 1393- 13
382
Zwei Ziegen, 1916- 17
(Two goats)
Woodcut on slick wove paper
4 x 7I3/i6 in. (10. 1 x 19.9 cm)
From Herwarth Walden, ed.,
Expressionismus: Die Kunstwende
(Berlin: Verlag der Sturm, 1918), p. 71
provenance: Kornfeld & Klipstein,
Bern, 14 June 1972, part of lot 37
REFERENCE: Engels 21 (this edition not
cited)
EXHIBITION: Guenther under 340
83. 1.600 f
377
379
380
Campendonk
101
381
382
383
384
383
Frosche und Schmetterling, 1917
(Frogs and butterfly)
Woodcut on wove paper
4% x 7 in. (12.0 x 17.8 cm)
From deluxe edition of Das Kunstblatt
1, no. 8 (1917); the center also has an
impression from Der Sturm 8, no. 1
(1917): 5
INSCRIPTION: numbered (32/110) on
justification page
provenance: Henry Hallenstein; W. F.
Arntz, Haag (Oberbayern); purchased
in 1975
REFERENCE: Engels 24 EXHIBITION: Reed 283/2 83.1.1092 b
384
Madchen mit Frbschen, 1917
(Girl with frogs)
Woodcut on wove paper
97/i6 x 39/i6 in. (24.0 x 9. 1 cm)
From deluxe edition of Das Kunstblatt
1, no. 8 (1917); the center also has im- pressions from the regular edition and from Der Stunn 8, no. 1 (1917): 7 inscription: numbered (32/110) on justification page
provenance: Henry Hallenstein; W. F. Arntz, Haag (Oberbayern); purchased
in 1975
REFERENCE: Engels 25 EXHIBITION: Reed 283/28 83.1.1092 a
385
Bauerngang, 1918
(Peasants strolling)
Woodcut on wove paper
3xg3/i6in. (7.7 x23.3 cm)
From deluxe edition of Das Kunstblatt
2, no. 4 (1918); the center also has an impression from Kurt Pfister, ed., Deutsche Graphiker der Gcgcnwart (Leipzig: Klinkhardt & Biermann, 1920), pi. 18
inscription: numbered (32/110) on justification page
provenance: Henry Hallenstein; W. F. Arntz, Haag (Oberbayern); purchased
in 1975
REFERENCE: Engels 33 EXHIBITION: Reed 283/3 83.1.1114 b
385
102
Campendonk
386
Frau mit Blume, 1918 (Woman with flower) Woodcut on wove paper 7V16 x 4% in. (18.0 x 12. 1 cm) From Die Biicherkiste 1, no. 8/10 (1919): 101; the center also has impressions from Miinchner Blatter fiir Dichtung and Graphik 1, no. 5 (1919): 79; Walter Schiirmeyer, Heinrich Campendonk (Frankfurt: Verlag Zinglers Kabinett, 1920), frontispiece; and the deluxe edition of Paul Westheim, Das Holzschnittbuch (Potsdam: Gustav Kiepenheuer Verlag, 1921), following p. 176 provenance: Hans Bolliger, Zurich; purchased in 1975 REFERENCE: Engels 32 EXHIBITION: Reed 267 83.1.1634 k
387
Interieur: Frau am Ofen, 1918
(Interior: Woman at stove)
Woodcut on laid paper
8 x 7V2 in. (20.3 x 19.0 cm)
From Der Weg 1, no. 1 (1919): 7
provenance: Ex Libris, New York;
purchased in 1976
reference: Engels 41 (this edition not
cited)
EXHIBITION: Reed under 305
83.1.1213 d
388
Am Tisch sitzende Frau mit Katze und
Fisch, 1919
(Woman seated at table with cat and
fish)
Woodcut printed in dark brown on wove
paper
7 x 6'/s in. (17.7 x 15.6 cm)
From Walter Schiirmeyer, Heinrich
Campendonk (Frankfurt: Verlag
Zinglers Kabinett, 1920), following p. 4;
the center also has an impression from
the deluxe edition of Miinchner Blatter
fiir Dichtung und Graphik 1, no. 2
(1919)
PROVENANCE: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
REFERENCE: Engels 42
83.1.254 b
389
Sitzender Mann, 1919
(Seated man)
Woodcut on wove paper
g'/i x 5'/s in. (23.5 x 13.0 cm)
From Das Kunstblatt 3, no. 6 (1919)
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
REFERENCE: Engels 44
EXHIBITION: Reed 283/29
83.1.1140 a
386
388
Campendonk
103
390
390
Zwei Akte im Boot vor Sternenhimmel,
1919
(Two nudes in a boat before a starry sky)
Woodcut on laid paper
4n/i6 x 93/i6 in. (11.9 x 23.3 em)
From deluxe edition of Miinchner
Blatter fur Dichtung und Graphik 1,
no. 11/12 (1919)
INSCRIPTION: numbered (xix/c) on table
of contents
PROVENANCE: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
REFERENCE: Engels 43
EXHIBITION: Reed under 290
8311333 a
391
Untitled (woman in cart), c. 1919
Lithograph on laid paper
39/i6 x 515/i6 in. (9.0 x 15.0 cm)
From deluxe edition of Miinchner
Blatter fur Dichtung und Graphik 1,
no. 2 (1919): 18
INSCRIPTION: numbered (xix/c) on table
of contents
provenance: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
EXHIBITION: Reed under 290
83.1.1324 b
392
Deo, 1920-21
Woodcut with blue and green
watercolor on japan paper
13 x 77/8 in. (33.0 x 20.0 cm)
provenance: Sotheby's, London, 29
April 1975, lot 16
reference: Engels 50
exhibition: Reed 171; Barton 54;
Rigby 5
M. 82. 288. 43
393
Landschaft mit Ziegen und Wildkatzen,
1921
(Landscape with goats and wildcats)
Woodcut on wove paper
6 x 7 in. (15.2 x 17.8 cm)
From Georg Biermann, ed., Jahrhuch
derjungen Kunst (Leipzig: Klinkhardt
& Biermann, 1921), following p. 184
provenance: Hans Bolliger, Zurich;
purchased in 1975
reference: Engels 48
exhibition: Reed 320/1921.1
83.1.799 c
104
Campendonk
394
Die Bettler, nach Brueghel, 1922
(The beggars, after Brueghel)
Woodcut on laid paper
59/i6 x 613/i6 in. (14.2 x 17.3 em)
From portfolio Ganymed-Mappe 11
(Munich: Marees-Gesellsehaft, 1922);
edition of 300; the center also has an
impression from Julius Meier-Graefe,
ed., Ganymed, vol. 4 (Munich: R. Piper
& Co. , 1922), following p. 144
inscription: signed, 1.1.; numbered
(cxl/ccc) on cover
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1972
REFERENCE: Engels 62
exhibition: Reed 317/25; Barton 55;
Rigby 4
M. 82. 288.378 c
Josef Capek 395
Untitled (standing figure), c. 1915 born 1887 Hronov, Linoleum cut on wove paper
Bohemia i39/ie x g5/i6 in. (34.5 x 23.7 cm)
From Dcr Sturm 6, no. 1/2 (1915): 5 died 1945 provenance: Ex Libris, New York;
Bergen-Belsen purchased in 1982
83.1.1392.16
396
Herbst, c. 1917
(Autumn)
Woodcut on wove paper
8Vt x 5% in. (20.9 x 14.6 cm)
From Die Aktion 8, no. 1/2 (1918):
11-12
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1528 c
397
Hlava zeny, c. igi8
(Head of a woman)
Linoleum cut on wove paper
4% x 3'/s in. (12.0 x 8.0 cm)
From Czech periodical Cerven 1, no. 1
(1918): 1
provenance: gift of Dr. Paul Raabe,
1985
L. 85. 2. 50 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
398
Kopf, c. 1918
(Head)
Woodcut on wove paper
5V8 x 4'/i6 in. (13.0 x 10.3 cm)
From Die schone Raritat 2, no. 8
(1918): 123
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
EXHIBITION: Reed under 301
83.1.1652 e
394
395
396
398
401
Caspar
399
Nacht, c. 1918
(Night)
Woodcut on wove paper
55/i6 x 37/s in. (13.5 x 9.8 cm)
From Die schone Raritdt 2, no. 9
(1918): 141
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
exhibition: Reed under 301
83.1.1653 c
400
Zigeunerin, c. 1918
(Gypsy)
Woodcut on wove paper
4V2 x 4V4 in. (11.5 x 10.8 cm)
From Die schone Raritat 2, no. 8
(1918): 113
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
EXHIBITION: Reed under 301
83.1.1652 a
401
Untitled (head of a woman), c. 1918
Woodcut on wove paper
8'/i x 59/i6 in. (20.9 x 14.2 cm)
From Die Aktion 8, no. 39/40 (1918):
507-8; not identified as an original
woodcut
provenance: gift of Titus Felixmiiller,
1984
L. 84. 5. 80 g; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
105
402 Ivan Cargo Untitled (abstract composition), c. 1929
Linoleum cut on slick wove paper born 1898 Tolmin,
8'/j x 6'/s in. (21.0 x 15.5 cm) Slovenia
From Der Sturm 19, no. 11/12
(1929): 349 died 1958
provenance: Ex Libris, New York; Ljubljana.
purchased in 1982 Yugoslavia
83-1-1397-13
403 Karl Caspar
Pieta, c. 1912
Lithograph on wove paper born 1879
10V16 x i215/i6 in. (25.5 x 32.9 cm) Friedrichshafen
From portfolio Sema (Munich:
Delphin-Verlag, 1912) died 1956
inscription: signed, l.r.; numbered Brannenburg
(101/215) on justification page
provenance: Karl & Faber, Munich,
26-28 May 1977, part of lot 1475
M. 82.288.383 a
403
Caspar
404
Kameraden, c. 1914
(Comrades)
Lithograph with orange watercolor on
wove paper
13% x 97/8 in. (33.4 x 25.0 cm)
From portfolio Kriegsbilderbogen
Miinchner Kiinstler (Munich:
Goltzverlag, [c. 1914]), pi. 10; the
center has two impressions
INSCRIPTION: initialed, l.r.; publisher's
stamp, l.r.
provenance: Christie's, London, 5 July
1979, part of lot 178
M. 82.288.381 g
405
Untitled (parade of soldiers), 1914
Lithograph on wove paper
5% x 4V2 in. (14.5 x 11.5 cm)
From special edition of Zeit-Echo 1, no.
5(1914): 61
inscription: numbered (43) on table of
contents
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
exhibition: Reed under 308
83.1.1190 b
406
Untitled (falling soldier), c. 1915 Lithograph on wove paper 5% x 4% in. (14.6 x 12. 1 cm) From Zeit-Echo 1, no. 12 (1915): 173 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 exhibition: Reed under 308 83.1.1197 a
407
Sommernachtstraum, c. 1917 (A Midsummer Night's Dream) Lithograph on orange japan paper I415/i6 x 10V4 in. (38.0 x 26.0 cm) From portfolio Shakespeare Visionen (Munich: Marees-Gesellschaft, 1918); from edition A (total edition of 200) inscription: signed, l.r.; numbered (xiv/l) on justification page; publisher's blind stamp, l.r.
provenance: Hans Bolliger, Zurich; purchased in 1972 EXHIBITION: Reed 336/7 M. 82.288.384.7
408
Gott Voter zeigt Adam das Parodies,
c 1919
(God the Father shows paradise to
Adam)
Lithograph on laid paper
io3/i6 x 7]/i6 in. (25.8 x 18.0 cm)
From deluxe edition of Miinchner
Blatter fur Dichtung und Graphik 1,
no. 11/12(1919): 165
inscription: numbered (xix/c) on table
of contents
PROVENANCE: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
exhibition: Reed under 290
83- 1- 1333 c
/ /
Iv*?' -i
<r
4-..
\
405
407
404
406
-"**«SS»S.
408
Caspar
107
409
411
410
412
409
Johannes aufPatmos, c. 1919
(Saint John on Patmos)
Lithograph on wove paper
97/i6 x 87/i6 in. (24.0 x 21.5 cm)
From Genius 1, no. 1 (1919): following
160
provenance: M. J. Royer Bookshop,
Los Angeles; purchased about 1970-72
exhibition: Reed 275/3
83.1.813 c
410
Untitled (Resurrection), c. 1919
Lithograph on laid paper
io3/i x 79/i6 in. (27.3 x 19.2 cm)
From deluxe edition of Miinchner
Blatter fur Dichtung und Graphik 1,
no. 1 (1919): 7
inscription: numbered (xix/c) on table
of contents
provenance: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
exhibition: Reed under 290
83.1.1323 d
411
Untitled (old man in landscape), c. 1919
Lithograph on laid paper
g'/2 x 75/i6 in. (24. 1 x 18.6 cm)
From deluxe edition of Miinchner
Blatter fiir Dichtung und Graphik 1,
no. 4 (1919): 55
inscription: numbered (xix/c) on table
of contents
provenance: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
EXHIBITION: Reed under 290
83.1.1326 c
412
Untitled (head of a bearded man),
c 1919
Lithograph on laid paper
8Ve x 59/i6 in. (20.7 x 14.2 cm)
From deluxe edition of Miinchner
Blatter fiir Dichtung und Graphik 1,
no- 5 (1919)
inscription: numbered (xix/c) on table
of contents
PROVENANCE: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
exhibition: Reed under 290
83.1.1327 a
413
Untitled (Saint Augustine and the
Christ Child), c. 1919
Lithograph on laid paper
8% x 67/ie in. (20.6 x 16.4 cm)
From deluxe edition of Miinchner
Blatter fiir Dichtung und Graphik 1,
no. 6 (1919): 87
inscription: numbered (xix/c) on table
of contents
provenance: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
EXHIBITION: Reed under 290
83.1.1328 c
108
Caspar
Maria Caspar-Filser
born 1878 Riedlingen
died 1958 Brannenburg
414
Untitled (head of a woman), c. 1919
Lithograph on laid paper
7% x 6V$ in. (19.6 x 17.5 cm)
From deluxe edition of Miinchner
Blatter fiir Dichtung und Graphik 1,
no. 7(1919): 103
inscription: numbered (xix/c) on table
of contents
provenance: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
exhibition: Reed under 290
83.1.1329 c
415
Untitled (figure with book), c. igig
Lithograph on laid paper
7% x 5n/i6 in. (18.7 x 14.5 cm)
From deluxe edition of Miinchner
Blatter fiir Dichtung und Graphik 1,
no. 10(1919): 149
inscription: numbered (xix/c) on table
of contents
provenance: Richard Seewald:
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
EXHIBITION: Reed under 290
83.1.1332 b
416
Heimsuchung, c. 1920
(The Visitation)
Lithograph on heavy wove paper
io9/i6 x 7V8 in. (26.8 x 18. 1 cm)
From Kurt Pfister, ed. , Deutsche
Graphiker der Gegenwart (Leipzig:
Klinkhardt & Biermann, 1920), pi. 26;
edition of 600
provenance: Hans Bolliger, Zurich;
purchased in 1972
EXHIBITION: Reed under 339
83.1.171s
417
Kluge Jungfrau, c. 1924
(Wise virgin)
Lithograph printed in black and red on
wove paper
7lA x 5% in. (18.4 x 14.3 cm)
From portfolio Ganymed-Mappe in
(Munich: Marees-Gesellschaft, 1924);
edition of 100
INSCRIPTION: signed, l.r.
PROVENANCE: Hartung & Karl, Munich,
13-15 November 1979, part of lot 2779
EXHIBITION: Reed 317/42
M. 82. 288. 379 j
414
416
417
418
Romische Landschaft, c. 1912 (Roman landscape) Lithograph on wove paper 67/i6 x 8% in. (16.3 x 21.3 cm) From portfolio Sema (Munich: Delphin-Verlag, 1912) inscription: signed, l.r.; numbered (101/215) on justification page provenance: Karl & Faber, Munich, 26-28 May 1977, part of lot 1475 M. 82.288.383 b
-/%fe« /iiy>#t- /&s
418
Jernigoi
109
■ffi.iltyM-J&VL.
'■€,% abxok. tt.it, ^K&Kim
421
420
419
Marsch durch ein brennendes Dorf,
c. 1914
(March through a burning village)
Lithograph with pale orange watercolor
on wove paper
i37/8 x n'/i6 in. (35.3 x 28.1 cm)
From portfolio Kriegsbilderbogen
Miinchner Kunstler (Munich:
Goltzverlag, [c. 1914]), pi. 11
INSCRIPTION: initialed, l.r.; publisher's
stamp, l.r.
provenance: Christie's, London, 5 July
1979, part of lot 178
M. 82. 288.381 h
420
Untitled (dead cavalrymen), 1914 Lithograph on wove paper 45/i6 x 6V16 in. (11.0 x 15.4 cm) From Zeit-Echo 1, no. 1 (1914) provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 exhibition: Reed under 308 83.1.1185 b
421
Untitled (abstract composition), c. 1928
Linoleum cut on green cover stock
27/s x 3'/i in. (7.3 x 8.2 cm)
From Der Sturm 19, no. 9 (1928): cover
PROVENANCE: Ex Libris, New York;
purchased in 1982
§3' i- 1397-9
422
Untitled (abstract composition), c. 1928
Linoleum cut on slick wove paper
3V4 x 57/ie in. (8.2 x 13.8 cm)
From Der Sturm 19, no. 10 (1929): 343
provenance: Ex Libris, New York;
purchased in 1982
83.1.1397.12
423
Untitled (heads), c. 1929 Linoleum cut on slick wove paper 55/ie x 613/i6 in. (13.5 x 17.3 cm) From Der Sturm 19, no. 11/12
(1929): 363
provenance: Ex Libris, New York;
purchased in 1982
83- 1-1397- 14
Augusto Cernigoi
born 1898 Trieste, Austria
110
Christophe
Franz Christophe 424
Das Mord im Kastanienwaldchen; oder, born 1875 Vienna, Die ereignislose Hochzeitsnacht
Austria (The murder in the chestnut woods; or,
The uneventful wedding night) Book with 6 color lithographs on laid paper
Illustrations to story by Henry de Koch, no. 5 in the monographic series Der Venuswagen (Berlin: Fritz Gurlitt Verlag, 1919); total edition of 700 inscription: signed and numbered (35/40) on justification page provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 EXHIBITION: Reed 415/5 83. 1.807 a-f
1. Untitled (man spying on bathing woman), 1919
Printed in gold, green, pink, and
black
73/i6 x 5I5/i6 in. (18.2 x 15. 1 cm)
Before page 13
83.1.807 a
2. Untitled (murdered couple), 1919 Printed in black, green, gold, pink, and brown
73/i6 x 515/i6 in. (18.2 x 15.1 cm) Following page 16 83.1.807 b
3. Untitled (couple in boudoir), 1919 Printed in black, green, pink, and red
jVt x 6 in. (18.4 x 15.2 cm) Following page 20 83.1.807 c
4. Untitled (man behind woman),
1919
Printed in black, brown, rose,
green, and yellow
73/i6 x 6 in. (18.3 x 15.2 cm)
Following page 28
83. 1.807 d
5. Untitled (man assaulting woman),
1919
Printed in black, rose, yellow, and
brown
7'/s x 57/8 in. (18. 1 x 14.9 cm)
Following page 36
83.1.807 e
6. Untitled (skeleton, nude woman, and man with gun), 1919 Printed in black, brown, green, and red
yV* x 6 in. (18.5 x 15.2 cm) Following page 44 83. 1.807 f
424-1
424-3
424-4
424-5
Corinth
111
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425-3
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425-4
425-5
425-6
2.
3.
425
Das Buch Judith
(The book of Judith)
Book with 22 color lithographs on japan
paper
Illustrations to apocryphal text (Berlin:
Pan-Presse, 1910); from edition of 60 on
japan paper (total edition of 310)
inscription: signed and numbered
(14/60) on justification page
provenance: Karl & Faber, Munich, 29
November 1974, lot 926
REFERENCE: Schwarz L54, I-XXII
EXHIBITION: Reed 5
83-1-53 a~v
1. Kriegerszene, 1910 (Warrior scene)
Printed in red, blue, and yellow 53/s x g'/j in. (13.6 x 23.5 cm) INSCRIPTION: signed, l.r. REFERENCE: Schwartz L54, 1 §3- 1-53 a
Untitled (initial A), 1910 Printed in blue and red 4V2 x 4l5/i6 in. (11.5 x 12.5 cm) REFERENCE: Schwarz L54, II 83.1.53 b
Das Heer des Holofernes, 1910 (The army of Holofernes) Printed in red, blue, and yellow 7V4 x g'/s in. (18.4 x 23.2) REFERENCE: Schwarz L54, III 83.1.53 c
Achior vor Holofernes, 1910 (Achior before Holofernes) Printed in blue, red, and yellow iou/i6 x 9% in. (27. 1 x 24.5 cm) INSCRIPTION: signed, l.r. REFERENCE: Schwarz L54, IV 83.1.53 d
Die Agypter ertrinken im Meer, 1910
(The Egyptians drown in the sea) Printed in brown and green 77/s x 9'/i6 in. (20.0 x 23.0 cm) REFERENCE: Schwarz L54, IV
83l-53e
Untitled (marginal decoration),
1910
Printed in black and yellow
i9/i6 x 9V16 in. (4.0 x 23. 1 cm)
REFERENCE: Schwarz L54, VI
83- 1-53 f
Die Knechte des Holofernes
ergreifen Achior, 1910
(The servants of Holofernes seize
Achior)
Printed in blue, red, and yellow
7% x 9V16 in. (20.0 x 23.0 cm)
REFERENCE: Schwarz L54, VII
83-1-53 g
Lovis Corinth
born 1858 Tapiau
died 1925 Zandvoort, Netherlands
6
112
Corinth
425 (continued)
8.
Untitled (marginal decoration),
1910
Printed in red and yellow 2V16 x 9J/i6 in. (5.2 x 23.0 cm) REFERENCE: Schwarz L54, VIII
83- 1-53 n
9. Achior am Baume, hdngend, 1910 (Achior hanged from a tree) Printed in blue, red, and yellow n!/8 x g'/s in. (28.2 x 23.2 cm) INSCRIPTION: signed, l.r. REFERENCE: Schwarz L54, IX
83- 1-53 i
10. Chambri und Charmi bei Judith,
1910
(Chambri and Charmi visiting
Judith)
Printed in blue and brown
7V&X9 in. (19.0 x 22.9 cm)
REFERENCE: Schwarz L54, X
83153J
11. Judith tasst sich von der Magd schmiicken, 1910
(Judith being dressed by her maid) Printed in blue, red, and yellow io13/i6 x 9V4 in. (27.5 x 23.5 cm) INSCRIPTION: signed, l.r. REFERENCE: Schwarz L54, XI 83.1.53 k
12. Judith vor Holofernes, 1910 (Judith before Holofernes) Printed in blue, red, yellow, and brown
77/i6 x 7%6 in. (18.9 x 19.2 cm) REFERENCE: Schwarz L54, XII
83-1-531
13. Judith im Zelte des Holofernes, 1910
(Judith in the tent of Holofernes)
Printed in blue, red, brown, and
yellow
7V2 x g5/i6 in. (19. 1 x 23.7 cm)
reference: Schwarz L54, XIII
83.1.53 m
14. Judith schlagt dem Holofernes das Haupt ab, 1910
(Judith beheads Holofernes) Printed in red, green, and brown 11V16 x 97/i6 in. (28. 1 x 24.0 cm) INSCRIPTION: signed, l.r. REFERENCE: Schwarz L54, XIV A 83.1.53 n
15. Judith verlasst das Zelt, 1910 (Judith leaves the tent) Printed in brown, blue, and black 715/i6 x 87/s in. (20. 1 x 22.5 cm) REFERENCE: Schwarz L54, XV 83- 1- 53"
425-8
425-11
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425-19
425-18
425-21
Corinth
113
425-10
425-15
425-14
425-16
425-20
16. Judiths Riickkehr, 1910 (The return of Judith)
Printed in red, blue, yellow, brown, and violet
iou/i6 x 9V16 in. (27.2 x 23. 1 cm) INSCRIPTION: signed, l.r. REFERENCE: Schwarz L54, XVI
83- 1-53 P
17. Ein Engel, 1910 (An angel)
Printed in blue and yellow 8% x g'/2 in. (20.9 x 24.2 cm) REFERENCE: Schwarz L54, XVII
83-1-53 q
18. Der Diener Bagoa vor dent Zelte des Holofernes, 1910
(The servant Bagoa before the tent
of Holofernes)
Printed in blue and red
77/i6 x gVi6 in. (18.9 x 23. 1 cm)
reference: Schwarz L54, xvm
83-1-53 r
19. Bagoa und die Feldherren vor der Leiche des Holofernes, 1910 (Bagoa and the generals before the corpse of Holofernes)
Printed in red, blue, brown, and
yellow
io13/ie x 9V6 in. (27.4 x 23.2 cm)
INSCRIPTION: signed, l.r.
REFERENCE: Schwarz L54, XIX
83.1.53 s
20. Der Kampf der Juden, 1910 (The battle of the Jews) Printed in brown, red, and green 77/8 x 97/i6 in. (20.0 x 24.0 cm) REFERENCE: Schwarz L54, xx
83-1-53 1
21. Untitled (marginal decoration),
1910
Printed in green, red, and brown 2 x g3/i6 in. (5. 1 x 23.4 cm) REFERENCE: Schwarz L54, XXI
83- 1-53 u
22. Siegestanz, 1910 (Dance of victory) Printed in red and green 45/8 x g'/i in. (11.8 x 23.5 cm) inscription: signed, l.r. REFERENCE: Schwarz L54, XXII 83- 1-53 v
426
Frauenkopf, 1911
(Head of a woman)
Etching and drypoint on wove paper
4% x 3V4 in. (12.0 x 8.3 cm)
From Kunst und Kunstler 11, no. 5
(1913): 238
PROVENANCE: Erasmus, Amsterdam;
purchased in 1975
REFERENCE: Schwarz 55
EXHIRITION: Reed under 286
83.1.1242 r
425-22
426
114
Corinth
427
Ruhender weibliche Akt, 1911 (Reclining female nude) Soft-ground etching on handmade paper
415/i6 x 67/s in. (12.6 x 17.4 cm) From Zeitschrift fur bildende Kunst, n,s., 22, no. 3(1911): before 53 provenance: Galerie Gerda Bassenge, Berlin, 15 May 1976, part of lot 4364 REFERENCE: Schwarz 61 83.1.965 c
428
Lesender Monch, 1916
(Monk reading)
Drypoint on thin laid paper
jVi x i7/8 in. (18.6 x 4.8 cm)
From deluxe edition of Fritz Gurlitt,
ed., Das graphische Jahr (Berlin: Fritz
Gurlitt Verlag, 1921), facing p. 10
INSCRIPTION: signed, l.r. ; numbered
(xm/c) on justification page
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1974
REFERENCE: Schwarz 294
EXHIBITION: Reed 315/5 (1921)
83.1.85 a
429
Fahtaff, c. 1917
Etching and drypoint on japan paper
io9/i6 x 8'/i6 in. (26.8 x 20.5 cm)
From portfolio Shakespeare Visionen
(Munich: Marees-Gesellschaft, 1918);
from edition A (total edition of 200)
INSCRIPTION: signed, l.r.; numbered
(xiv/l) on justification page; publisher's
blind stamp, l.r.
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1972
reference: Schwarz 389 (as 1919)
exhibition: Reed 336/11
M. 82.288.384. 11
430
Kronung Heinrichs v, c. 1917
(Coronation of Henry v)
Drypoint on japan paper
6 x io9/i6 in. (15.3 x 26.8 cm)
From portfolio Shakespeare Visionen
(Munich: Marees-Gesellschaft, 1918);
from edition A (total edition of 200)
inscription: signed, l.r.; numbered
(xiv/l) on justification page; publisher's
blind stamp, l.r.
provenance: Hans Bolliger, Zurich;
purchased in 1972
REFERENCE: Schwarz 390 (as 1919)
exhibition: Reed 336/30
M. 82. 288. 384. 30
427
,*»— ■
430
Corinth
115
432-2
432-5
431
Selbstbildnis, 1918
(Self-portrait)
Lithograph on wove paper
6% x 4V4 in. (16.0 x 10.8 cm)
From Fritz Gurlitt, ed., Almanach auf
dasjahr 1919 (Berlin: Fritz Gurlitt
Verlag, 1919), facing p. 69
provenance: Galerie Gerda Bassenge,
Berlin, 13-18 May 1974, part of lot
4071
REFERENCE: Schwarz L325
EXHIBITION: Reed 315/1 (1919)
83.1.82 b
432
Biblische Motive
(Biblical scenes)
Portfolio of 5 woodcuts on japan paper Published by Fritz Gurlitt Verlag, Berlin; from edition of 25 on japan paper, of which first 15 are numbered (total edition of 70) INSCRIPTION: each sheet signed, l.r.; numbered (Av) on justification page PROVENANCE: Karl & Faber, Munich, 29 November 1974, lot 998 REFERENCE: Schwarz H370-74 exhibition: Reed 340; Barton 70 83.i.3oa-e
1. Der Siindenfall, 1919 (The Fall of man)
97/s x 93/i6 in. (25. 1 x 23.3 cm) REFERENCE: Schwarz H370 83.1.30 a
2. Austreibung aus dem Parodies.,
1919
(The expulsion from paradise) n5/i6 x i43/i6 in. (28.7 x 36.0 cm) REFERENCE: Schwarz H371 83130 b
3. "Im Schweisse deines Angesichtes"
1919
("By the sweat of your brow") i25/s x 16 in. (32.1 x 40.7 cm) REFERENCE: Schwarz H372 83.1.30 c
4. Brudermord, 1919 (Cain and Abel)
12% x I513/i6 in. (32.0 x 40.2 cm) REFERENCE: Schwarz H373 83.1.30 d
5. Christus am Kreuz, 1919 (Christ on the cross)
14%6 x n15/i6 in. (36.0 x 30.3 cm) REFERENCE: Schwarz H374 83. 1.30 e
116
Corinth
433
Selbstbildnis, 1919
(Self-portrait)
Drypoint on laid paper
zVt x 2'/i6 in. (5.8 x 5.2 cm)
From deluxe edition of Fritz Gurlitt,
ed., Almanach auf das Jahr 1920
(Berlin: Fritz Gurlitt Verlag, 1920),
following p. 184
INSCRIPTION: numbered (361/750) on
justification page
provenance: Hans Bolliger, Zurich;
purchased in 1971
REFERENCE: Schwarz 375
EXHIBITION: Reed 315/3 (1920)
83.1.83 b
434
Der Venuswagen
(The chariot of Venus)
Book with 8 color lithographs on laid
paper
Illustrations to poem by Friedrich von
Schiller, no. 1 in the monographic series
Der Venuswagen (Berlin: Fritz Gurlitt
Verlag, 1919); total edition of 700
INSCRIPTION: signed and numbered
(35/40) on justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
REFERENCE: Schwarz L383, I-VIII
exhibition: Reed 415/1
83.1.803 a-h
1. Der Dichter, 1919 (The poet)
Printed in blue, yellow, red, and black
6V16 x 8!/s in. (15.4 x 20.6 cm) Following title page REFERENCE: Schwarz L383, I Not as described in Schwartz (lacking inscription and with four, not three, colors) 83.1.803 a
2. Patsch! Patsch!, 1919 (Smack! Smack!)
Printed in brown, blue, and black 915/i6 x 8V4 in. (25.2 x 21.0 cm) Following page 12 REFERENCE: Schwarz L383, II 83.1.803 b
3. Untitled (nude woman and bull),
1919
Printed in pink, black, blue, and
yellow
lO-Vie x 85/s in. (25.9 x 21.9 cm)
Following page 14
REFERENCE: Schwarz L383, m
Schwarz describes colors as blue,
brown, and yellow
83.1.803 c
4. Untitled (nude woman and faun),
1919
Printed in black, brown, pink, and
dark rose
915/i6 x 8V2 in. (25.2 x 21.6 cm)
Following page 18
REFERENCE: Schwarz L383, iv
Schwarz describes colors as brown
and yellow
83.1.803 d
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433
434-2
Corinth
117
434-8
5. Venusfinger, igig (Finger of Venus)
Printed in pink, brown, and black 913/i6 x 8'/i6 in. (25.0 x 20.5 cm) Following page 20 REFERENCE: Schwarz L383, V Schwarz describes colors as brown and blue 83.1.8036
6. Untitled (standing nude woman with crucifix), 1919
Printed in black, blue, brown, and
pink
10 x 83/i6 in. (25.4 x 20.8 cm)
Following page 22
REFERENCE: Schwarz L383, VI
Schwarz describes colors as green
and brown
83. 1.803 f
7. Inquisitia, 1919 (Inquisition)
Printed in black, pink, brown, and green
loyw x 715/i6 in. (25.8 x 20.2 Cm) Following page 24 REFERENCE: Schwarz L383, vii Schwarz describes colors as brown, yellow, and green 83.1.803 g
8. Untitled (bacchanalian scene), 1919 Printed in black, blue, brown, and pink
loVs x 7% in. (25.7 x 19.6 cm) Following page 28 reference: Schwarz L383, vm Schwarz describes colors as blue, brown, and red 83.1.803 h
435
Weiblicher Studienkopf 1 , 1919 (Study of a woman's head 1) Lithograph on japan paper 8Vt x 5n/i6 in. (21.0 x 14.5 cm) From deluxe edition of Fritz Gurlitt, ed., Almanach aufdasjahr 1920 (Berlin: Fritz Gurlitt Verlag, 1920), facing title page; the center also has an impression from the regular edition INSCRIPTION: numbered (361/750) on justification page
provenance: Hans Bolliger, Zurich: purchased in 1971 reference: Schwarz L357 EXHIBITION: Reed 315/2 (1920) 83.1.83 a
435
118
Corinth
436
Anna Boleyn
(Anne Boleyn)
Book with 24 lithographs (1 in color) on
soft wove paper
Illustrations to narrative by Herbert
Eulenberg (Berlin: Fritz Gurlitt Verlag,
1920); from edition B of 125 (total
edition of 175)
inscription: signed on title page
provenance: Laurence McGilvery, La
Jolla, California; purchased in 1978
REFERENCE: Schwarz L428, I-XXIV
83.1.35 a-x
1. Deckellithographie—Das englische Wappen, 1920
(Cover lithograph— English coat of
arms)
Printed in red, blue, and yellow
67/s x 7'/i6 in. (17.5 x 18.0 cm)
REFERENCE: Schwarz L428, I
831.35 a
2. Untitled (title page), 1920 12% x g13/i6 in. (32.0 x 25.0 cm) REFERENCE: Schwarz L428, 11 83.1.35 b
3. Die vierzehn Nothelfer, 1920 (The fourteen aides)
7V2 x 10V4 in. (19.0 x 26.0 cm) REFERENCE: Schwarz L428, III
831.35 c
4. Turnierbild, 1920 (Tournament)
12% x g13/i6 in. (32.4 x 25.0 cm) REFERENCE: Schwarz L428, IV 83- 1-35 d
5. Anna Boleyn wahrend des Turniers, 1920
(Anne Boleyn during the
tournament)
12% x 93/i6 in. (32.4 x 23.3 cm)
REFERENCE: Schwarz L428, V
83-!-35e
6. Turnier-Ritter, 1920 (Tournament knight)
I213/i6 x 8'/8 in. (32.5 x 20.7 cm) REFERENCE: Schwarz L428, VI
83- 1-35 f
7. Vor dem Turnier, 1920 (Before the tournament) 12% x 95/8 in. (32.0 x 24.5 cm) REFERENCE: Schwarz L428, vn
83-1-35 g
8. Heinrich VIII, 1920 (Henry VIII)
I213/i6 x g13/i6 in. (32.5 x 25.0 cm) REFERENCE: Schwarz L428, VIII 83.1.35 h
436-1
» 1 *.*>
436-2
436-6
436-7
436-8
Corinth
119
436-9
436-11
436-10
|
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|||
|
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||
|
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|||
|
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|
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1-w |
436-13
436-16
11
12
9. Turnier-Studie, 1920 (Tournament study)
12% x 7% in. (32.3 x 19.3 cm) REFERENCE: Schwarz L428, IX
83- 1-35 •
10. Der Junker Norris, 1920 (Squire Norris)
i25/s x 95/s in. (32.0 x 24.5 cm) REFERENCE: Schwarz L428, X
831-35J
Alte Strasse in London, 1920
(Old street in London)
12% x 913/i6 in. (32.0 x 25.0 cm)
REFERENCE: Schwarz L428, XI
83-1-35 h
Heinrich VIII, 1920
(Henry vm)
12% x io3/i6 in. (32.0 x 25.8 cm)
REFERENCE: Schwarz L428, XII
83-1-351
13. Der Bischof, 1920 (The bishop)
I2s/s x 8"/i6 in. (32.0 x 22.0 cm) reference: Schwarz L428, xm 83.1.35 m
14. Westminster-Abtei, 1920 (Westminster Abbey)
12% x 913/i6 in. (32.0 x 25.0 cm) reference: Schwarz L428, xiv 83.1.35 n
15. Turnier-Studie, 1920 (Tournament study)
12% x 9 in. (31.4 x 22.9 cm) REFERENCE: Schwarz L428, XV
83-i-35°
16. Turnierhof, 1920 (Tournament court)
12% x 913/i6 in. (31.4 x 25.0 cm) REFERENCE: Schwarz L428. xvi
83- 1-35 P
17. Der Sanger Smeton, 1920 (The singer Smeton)
I213/i6 x g15/i6 in. (32.5 x 25.2 cm) reference: Schwarz L428, XVII
83- 1-35 q
18. Anna Boleyn ah Mutter, 1920 (Anne Boleyn as mother)
12% x 913/i6 in. (32.4 x 25.0 cm) reference: Schwarz L428, xvm 83-1-35 r
436-18
120
Corinth
436 (continued)
19. Norfolk, 1920
i25/s x 97/i6 in. (32.0 x 24.0 cm) REFERENCE: Schwarz L428, XIX 83- 1-35 s
20. Anna Boleyn und Norris, 1920 (Anne Boleyn and Norris) 12V16 x 9^16 in. (31.6 x 25.2 cm) REFERENCE: Schwarz L428, XX
83- 1-35'
21. Heinrich vm, 1920 (Henry vm)
i23/i6 x 915/i6 in. (31.0 x 25.2 cm) reference: Schwarz L428, XXI
83-1-35"
22. Turnierkampf, 1920 (Jousting)
i23/4 x 913/i6 in. (32.4 x 25.0 cm) REFERENCE: Schwarz L428, XXII
83- 1-35 v
23. Kronungszug, 1920 (Coronation procession)
i25/8 x 913/w in. (32.0 x 25.0 cm) reference: Schwarz L428, XXIII 83. i-35 w
24. Anna Boleyn und der Henker, 1920 (Anne Boleyn and the executioner) i27/8 x io'/i6 in. (32.7 x 25.5 cm) REFERENCE: Schwarz L428, XXIV 83-1-35 *
437
Des Kunstlers Schwiegermutter, 1920
(The artist's mother-in-law)
Drypoint on thin laid paper
5'/i x 4'/i in. (13.5 x 11.0 cm)
From deluxe edition of Fritz Gurlitt,
ed., Das graphische Jahr (Berlin: Fritz
Gurlitt Verlag, 1921), following p. 36
INSCRIPTION: signed, l.r.; numbered
(xiii/c) on justification page
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1974
REFERENCE: Schwarz 411 (this edition
not cited)
exhibition: Reed 315/1 (1921)
(incorrectly cited as Mdnnliches Bildnis)
83.1.85 b
438
lm Tiergarten, ig20
(In the Tiergarten)
Drypoint on Van Gelder Zonen paper
5V8 x ylA in. (13. 1 x 18. 1 cm)
From portfolio Ganymed-Mappe 1
(Munich: Marees-Gesellschaft, 1921);
from edition of 200 (total edition of
i-35o)
INSCRIPTION: signed, l.r.
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1972
REFERENCE: M filler 471
EXHIBITION: Reed 317/16
M. 82. 288. 377 m
436-19
436-20
436-22
436-23
436-24
437
438
Corinth
121
439-3
439-6
439-9
439-8
439-10
439
Martin Luther
Book with 40 lithographs on handmade
paper
Illustrations to text by Tim Klein
(Berlin: Fritz Gurlitt Verlag, 1920-21)
inscription: signed on title page, l.r.;
signed and numbered (lxxxi/cl) on
justification page
provenance: Laurence McGilvery,
La Jolla, California; purchased in 1978
REFERENCE: Schwarz L444, 1-IL
83-i-37a-nn
1. Untitled (cover), 1920 Printed in black, red, blue, and yellow
g'/4 x g13/i6 in. (23.5 x 25.0 cm) REFERENCE: Schwarz L444, I Reverse copy of 1521 woodcut by Hans Baldung Grien 83.1.37 a
2. Untitled (title page), 1920 12% x 913/i6 in. (32.0 x 25.0 cm) REFERENCE: Schwarz L444, II Same image as cover 83.1.37 b
3. Luthers Vater, 1920 (Luther's father)
io'/j x 7V16 in. (26.0 x 18.0 cm) REFERENCE: Schwarz L444, III Copy of 1527 painting by Lucas Cranach the Elder 83.1.37 c
4. Luthers Mutter, 1920 (Luther's mother)
9T/i6 x 7V16 in. (24.0 x 18.0 cm) REFERENCE: Schwarz L444, IV Copy of 1527 painting by Lucas Cranach the Elder 83. 1.37 d
5. Frau Ursula Cotta zu Eisenach, 1920
(Frau Ursula Cotta at Eisenach) i23/i6 x 913/i6 in. (31.0 x 25.0 cm) REFERENCE: Schwarz L444, V 83. 1.37 e
6. Luther geht ins Kloster, 1920 (Luther enters the cloister) i25/8 x 913/i6 in. (32.0 x 25.0 cm) REFERENCE: Schwarz L444, VI
83- 1-37 f
7. Luther im Kloster, 1920 (Luther in the cloister)
12% x 913/i6 in. (31.5 x 25.0 cm) REFERENCE: Schwarz L444, VII
83-1-37 g
8. Versuchung-Tentatio, 1920 (Temptation)
i25/s x ioVi6 in. (32.0 x 25.5 cm) reference: Schwarz L444, VIII 83. 1.37 h
9. Antichrist, 1920
12% x lo'/ie in. (31.5 x 25.5 cm) REFERENCE: Schwarz L444, IX
83- 1-37 i
10. Ablasshandel, 1920 (Selling of indulgences)
12% x io'/i6 in. (31.5 x 25.5 cm) REFERENCE: Schwarz L444, X 83- 1-37 J
122
Corinth
439 (continued)
11. Uberfall aufTetzel, 1920 (Raid on Tetzel)
\o?h x io'/i6 in. (31.5 x 25.5 cm) REFERENCE: Schwarz L444, XI 83.1.37 k
12. Bruder Martin, 1920 (Brother Martin)
8V2 x 4'%6 in. (21.6 x 12.3 cm) REFERENCE: Schwarz L444, XII
831-371
13. Die fiinfundneunzig Thesen, 1920 (The ninety-five theses)
12% x g13/i6 in. (32.0 x 25.0 cm) REFERENCE: Schwarz L444, XIII 83.1.37 m
14. Karl v, Philipp von Hessen und Georg von Frundsberg, 1920 (Charles v, Philipp von Hessen, and Georg von Frundsberg)
i33/i6 x g13/i6 in. (33. 5 x 25.0 cm) reference: Schwarz L444, XI v 83. 1.37 n
15. Kaiser Maximilian I, 1920 (Emperor Maximilian 1) 12% x 10 in. (32.0 x 25.4 cm) REFERENCE: Schwarz L444, XV Copy of 1518 woodcut by Hans Burgkmair
83.1.370
16. Kurfiirst Friedrich der Weise, 1920 (Elector Frederick the Wise)
6'/s x 5% in. (15.5 x 15.0 cm) REFERENCE: Schwarz L444, xvi Copy of 1524 engraving by Albrecht Diirer
§3- 1-37 P
17. Erasmus von Rotterdam, 1920 (Erasmus of Rotterdam)
7V16 x 65/i6 in. (18.0 x 16.0 cm) REFERENCE: Schwarz L444, XVII
83-1-37 q
18. Luther verbrennt die Bannbulle, 1920
(Luther burns the bull of
excommunication)
I213/i6 x 913/i6 in. (32.5 x 25.0 cm)
reference: Schwarz L444, xvm
83-i-37r
19. Luthers Einzug in Worms, 1920 (Luther's entry to Worms) I213/i6 x 9% in. (32.5 x 24.5 cm) REFERENCE: Schwarz L444, XIX 83.1.37 s
439-13
439-15
439-12
&*7 x^z
439-14
439-17
439-18
Corinth
123
(if.-.
439-20
439-22
439-24
439-26
439-21
439-23
439-25
20. Luther unci Frundsberg, 1920 (Luther and Frundsberg) I213/i6 x g13/i6 in. (32. 5 x 25.0 cm)
REFERENCE: SchwarZ L444, XX
83- 1-37*
21. Lucas Cranach, 1920
8Vb x 77/s in. (22.5 x 20.0 cm) REFERENCE: SchwarZ L444, XXI After 1550 painting by Lucas Cranach the Younger 83.1.37 u
22. Ulrich von Hutten, 1920 i29/i6 x g7/i6 in. (32.0 x 24.0 cm) REFERENCE: SchwarZ L444, XXII 83.1.37 V
23. Der Uberfall bet Eisenach, 1920 (The raid near Eisenach)
12% x 10V16 in. (31.5 x 25.5 cm) REFERENCE: SchwarZ L444, XXIII 83. 1.37 w
24. Durer, 1920
lo'/s x 7V2 in. (25.7 x 19. 1 cm) REFERENCE: SchwarZ L444, XXIV After self-portrait by Albrecht Durer 83.1.37 x
25. Teufehspuk, 1920 (The devil's spook)
I213/i6 x g13/i6 in. (32.5 x 25.0 cm) REFERENCE: Schwarz L444, XXV
83-1-37 y
26. ImschwarzenBarenzuJena, 1920 (At the Black Bear in Jena)
12% x io'/i6 in. (31.5 x 25.5 cm) REFERENCE: Schwarz L444, XXVI 83. 1.37 z
27. Hans Sachs, 1920
8Vt x 85/s in. (21.0 x 22.0 cm) reference: Schwarz L444, XXVII Copy of 1545 woodcut by Hans Brosamer 83. 1.37 aa
28. Luther und Catharina von Bora, 1920
(Luther and Catharina von Bora) 12%6 x 913/i6 in. (32.0 x 25.0 cm) reference: Schwarz L444, XXVIII 83.1.37 bb
439-28
124
Corinth
439 (continued)
29. Einefeste Burg, 1920 (A fortified town)
i29/i6 x g13/i6 in. (32.0 x 25.0 cm) REFERENCE: Schwarz L444, XXIX 83. 1.37 cc
30. Die Bibel, 1920 (The Bible)
i29/i6 x g13/i6 in. (32.0 x 25.0 cm) REFERENCE: Schwarz L444, XXX 83. 1.37 dd
31. Luther und sein Barbier, 1920 (Luther and his barber)
i29/i6 x g13/i6 in. (32.0 x 25.0 cm) REFERENCE: Schwarz L444, XXXI 83. 1.37 ee
32. Luther und der Legat Vergerio, 1920
(Luther and the papal legate
Vergerio)
i29/i6 x 9u/i6 in. (32.0 x 24.7 cm)
REFERENCE: Schwarz L444, XXXII
83. 1.37 ff
33. Luther und Cranach, 1920 (Luther and Cranach)
i29/i6 x 9n/i6 in. (32.0 x 24.7 cm) REFERENCE: Schwarz L444, XXXIII
83- 1-37 gg
34. Joaehim 1 von Brandenburg, 1920 (Joachim I of Brandenburg)
5 '/a x 6% in. (14.0 x 17.2 cm) REFERENCE: Schwarz L444, xxxiv Copy of painting by Lucas Cranach the Younger 83. 1.37 hh
35. Kaiser Karl V, 1920 (Emperor Charles v)
6Vi6 x 6n/i6 in. (15.5 x 17.0 cm)
REFERENCE: Schwarz L444, XXXV
Copy of 1531 engraving by Barthel
Beham
83.1.37 ii 3$. Dr. Martin Luther, 1920
1 1 x g'/i in. (28.0 x 23.5 cm)
REFERENCE: Schwarz L444, xxxvi
Copy of woodcut by Lucas Cranach
the Elder
8.31-37JJ 37. Luther errettet Melanchthon vom
Tode, 1920
(Luther saves Melanchthon from
death)
12% x ioV4 in. (31.5 x 26.0 cm)
REFERENCE: Schwarz L444, xxxvn
83. 1.37 kk
439-29
439-31
439-33
439-30
439-34
t)f «&.it „.-.— ^«^-*<j^'"'..^'<i'J*Sr''"
439-36
Corinth
125
439-38
439-39
439-40
I : ;•■ ' . \
440
38. Magdalenchens Sterben, 1920 (Magdalenchens death)
i27/s x 913/i6 in. (32.7 x 25.0 cm) REFERENCE: Schwarz L444, XXXVIII 83. 1.37 11
39. Luthers Tod, 1920 (The death of Luther)
i25/i6 x g7/8 in (315 x 25.2 cm) reference: Schwarz L444, xxxix 83.1.37 mm
40. Bitter Jorg, 1920 (Sir Jorg)
12% x 913/i6 in. (32.4 x 25.0 cm) REFERENCE: Schwarz L444, IL 83. 1.37 nn
440
Selbstbildnis, 1920
(Self-portrait)
Lithograph on heavy wove paper
12% x qVb in. (31.5 x 23.5 cm)
From Kurt Pfister, ed. , Deutsche
Graphiker der Gegenwart (Leipzig:
Klinkhardt & Biermann, 1920), pi. 1;
edition of 600
provenance: Hans Bolliger, Zurich;
purchased in 1972
reference: Schwarz L409
exhibition: Reed under 339
83.1.171a
441
Selbstbildnis, 1920
(Self-portrait)
Drypoint on copperplate paper
4% x 3V4 in. (11. 1 x 8.2 cm)
From Lovis Corinth and Wilhelm
Hausenstein, Von Corinth und iiber
Corinth: Bei den Corinthern (Leipzig:
E. A. Seemann, 1920), frontispiece
inscription: signed, below; numbered
(10/100) on justification page
provenance: M. J. Royer, Los Angeles;
purchased in 1972
reference: not in Schwarz or Muller
83.1.54 a
442
Die Vertreibung aus dem Parodies,
1920-21
(The expulsion from paradise)
Lithograph printed in black, yellow,
blue, and pink on handmade paper
I3n/i6 x 12V2 in. (34.8 x 31.8 cm)
From portfolio Im Paradies (Leipzig:
E. A. Seemann, [c. 1921]); edition of
100
inscription: signed, l.r.
REFERENCE: Muller 545
M. 86. 360. 3; gift of Rabbi Wm. Kramer
126
Corinth
443
Wallensteins Lager
(Wallenstein's camp) Book with 6 etchings on J. W. Zanders paper
Illustrations to play by Friedrich von Schiller (Berlin: Hans Heinrich Tillgner Verlag, 1922); total edition of 300 INSCRIPTION: each sheet signed, l.r. ; numbered (13/20) on justification page provenance: Galerie Gerda Bassenge, Berlin, 13-18 May 1974, lot 4158 REFERENCE: Muller 809- 14 83.1.56 a-f
1. Untitled (title page), 1922 io'/i6 x 8'/s in. (25.5 x 20.7 cm) REFERENCE: Miiller 809 83.1.56 a
2. "Vater, es wird nicht gut abuiufen, bleiben wir von dem Soldatenliaufen" 1922 ("Father, it won't turn out well. Let's stay away from that bunch of soldiers")
lo'/ie x 8Vi6 in. (25.5 x 20.5 cm) REFERENCE: Miiller 810 83.1.56 b
3. "Was der Blitz! Das Lttja die Gustel von Blasewitz" 1922
("Oh my goodness! Well, that's Gustel of Blasewitz") io3/i6 x 83/i6 in. (25.8 x 20.8 cm) REFERENCE: Muller 812 83.1.56 c
4. "Einer Dime sckon Gesicht muss allgemein sein wie's Sonnenlicht" 1922
("The beautiful face of a maiden must be as common as sunlight") 10V16 x 83/i6 in. (25.6 x 20.8 cm) REFERENCE: Miiller 811 83.1.56 d
5. Kapuziner predigt, 1922 (Capuchin preaching)
10V16 x 83/i6 in. (25.6 x 20.8 cm)
REFERENCE: Miiller 813
83. 1.56 e
6. "Wohl auf, Kamraden, aufs Pferd, aufs Pferd! Ins Feld, in die Freiheit gezogen!" 1922
("Come on, comarades, to the horses, to the horses! Into the field for freedom!")
io'/i6 x 8'/8 in. (25.6 x 20.6 cm) REFERENCE: Muller 814 83.1.56 f
443-1
443-3
'■<"^W?w1'l-Jss:-''-.-ti5^v*.v _--^t3V0y>W
443-4
443-5
443-6
Corinth
127
444
446-1
446-3
445
ny#*.
446-2
444
Alice Berend, 1923
Lithograph on laid paper
77/s x 7% in. (20.0 x 18.8 cm)
From portfolio Ganymed-Mappe ill
(Munich: Marees-Gesellschaft, 1924)
inscription: signed, l.r. ; numbered
(66/100) on portfolio cover
provenance: Hartung & Karl, Munich,
13-15 November 1979, part of lot 2779
REFERENCE: Mfiller 684
exhibition: Reed 317/41 (M filler
number not cited)
M. 82. 288. 379 a
445
Hanna bringt ihren Sohn Samuel zu Eli,
1923
(Hannah presents her son Samuel to
Eli)
Lithograph printed in black, pink, blue,
and light green on japan paper
4V2 x 6% in. (11.4 x 17.2 cm)
From portfolio Saul und David (Berlin:
Propylaen-Verlag, 1923); edition of 50
(total edition of 300)
INSCRIPTION: signed, l.r.
reference: Mfiller 747
M. 86. 360. 2; gift of Rabbi Wm. Kramer
446
Die Rauber
(The robbers)
Book with 12 lithographs on wove paper Illustrations to play by Friedrich von Schiller (Hellerau: Verlag Avalun, 1923) INSCRIPTION: signed and numbered (147/280) on justification page provenance: Galerie Wolfgang Ketterer, Munich, 25 November 1974,
lot 357
REFERENCE: Mfiller 797-808
exhibition: Reed 331
83.1.578-1
1. Untitled (title page), 1923 87/i6 x 515/i6 in. (21.5 x 15.0 cm) inscription: signed, l.r. REFERENCE: Mfiller 797 83.1.57 a
2. Kopfstiick zum ersten Akt, 1923 (Headpiece to first act)
45/i6 x 515/i6 in. (11.0 x 15.0 cm) Page 13
REFERENCE: Mfiller 798
83.1.57 b
3. Franz und der alte Moor, 1923 (Franz and the old Moor) 97/i6 x 7 in. (24.0 x 17.7 cm) Page 15
INSCRIPTION: signed, l.r. REFERENCE: Mfiller 799 83.1.57C
4. Kopfstiick zum zweiten Akt, 1923 (Headpiece to second act)
4'/2 x 6 in. (11.4 x 15.2 cm) Page 34
REFERENCE: Mfiller 800 83. 1.57 d
128
Corinth
Othon Coubine
born 1883 Boskovice, Moravia
died 1969 Marseilles, France
446 (continued)
5. Hermanns liigenhafter Bericht,
1923
(Hermann's fabricated report)
97/i6 x 7 in. (24.0 x 17.7 cm)
Page 41
INSCRIPTION: signed, l.r.
REFERENCE: Miiller 801
83. 1.57 e
6. Kopfstiick zum dritten Akt, 1923 (Headpiece to third act)
47/ie x 6 in. (11.2 x 15.2 cm)
Page 58
REFERENCE: Miiller 802
83- 1-57 f
7. Rast Sommerabend, 1923 (Summer evening rest) 95/s x 7 in. (24.5 x 17.8 cm) Page 62
INSCRIPTION: signed, l.r. REFERENCE: Miiller 803
83-1-57 g
8. Kopfstiick zum vierten Akt, 1923 (Headpiece to fourth act)
4V2 x 67/i6 in. (11.5 x 16.3 cm) Page 69
REFERENCE: Miiller 804 83.1.57 h
9. Karl Moor und sein Voter, 1923 (Karl Moor and his father) 8n/i6X 6 in. (22.1 x 15.2 cm) Page 85
INSCRIPTION: signed, l.r. REFERENCE: Miiller 805
83-1-571
10. Kopfstiick zum fiinften Akt, 1923 (Headpiece to fifth act)
47/i6 x 6 in. (11.2 x 15.3 cm) REFERENCE: Miiller 806 Page 90
83- 1-57 J
11. Karl hat Amalien getotet, 1923 (Karl killed Amalien)
97/i6 x 7V16 in. (24.0 x 18.0 cm) Page 101
INSCRIPTION: signed, l.r. REFERENCE: Miiller 807
83.1.57 k
12. Schlussbild, 1923 (Endpiece)
97/i6 x 7 in. (24.0 x 17.8 cm) Page 105
INSCRIPTION: signed, l.r. REFERENCE: Miiller 808
83-1-57!
447
Untitled (flowers), c. 1914
Woodcut on wove paper
6% x 8 in. (17. 1 x 20.4 cm)
From Der Sturm 5, no. 2 (1914): 9
provenance: Ex Libris, New York;
purchased in 1982
83.1.1391.82
446-7
446-6
446-8
446-10
446-12
446-11
Crodel
129
|
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|
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MP- \. |
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449
448
c^""*^
450
448
Untitled (figure), c. 1914
Woodcut on wove paper
6% x 8 in. (16.8 x 20.3 cm)
From Der Sturm 5, no. 3 (1914): 17
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1391.83
449
Madchenkopf, 1923
(Head of a girl)
Lithograph on wove paper
87/i6 x 6 in. (21.5 x 15.2 cm)
From Georg Biermann, ed.,]ahrbuch
derjungen Kunst (Leipzig: Klinkhardt
6 Biermann, 1923), frontispiece PROVENANCE: Hans Bolliger, Zurich; purchased in 1975
EXHIBITION: Reed 320/1923. 1 83.1.801 a
450
Der Trdger, c. 1923
(The carrier)
Lithograph on wove paper
7 x 4u/i6 in. (17.8 x 11.9 cm)
From Das Querschnittbuch 1923, intro. by H. von Wedderkop (Frankfurt am Main: Querschnitt-Verlag, 1923), following p. 102
inscription: numbered (86/400), p. iv PROVENANCE: Ex Libris, New York; purchased in 1982 83.1.517 c
453
451
Das Bildnis des Dichters Theodor Daubler, c. 1921
(Portrait of the poet Theodor Daubler) Lithograph on wove paper n7/8 x g7/i6 in. (30.2 x 23.9 cm) From Kiindung 1, no. 11/12 (1921) PROVENANCE: Galerie Wolfgang Ketterer, Munich, 26 November 1974, part of lot 1154 exhibition: Reed under 282 83.1.1061 1
452
Der Blinde, c. 1921
(The blind man)
Woodcut on wove paper
8"/i6 x g15/i6 in. (22.0 x 25.2 cm)
From Kiindung 1, no. 11/12 (1921)
provenance: Galerie Wolfgang
Ketterer, Munich, 26 November 1974,
part of lot 1154
exhibition: Reed under 282
83.1.1061 i
453
Mannlicher Kopf, c. 1921 (Head of a man) Woodcut on wove paper 12V2 x qVk in. (31.7 x 23.1 cm) From Kiindung 1, no. 9/10 (1921) provenance: Galerie Wolfgang Ketterer, Munich, 26 November 1974, part of lot 1154 exhibition: Reed under 282 83.1.1060 d
Charles Crodel
born 1894 Marseilles. France
died 1973 Munich
130
Henri-Edmond Cross
born 1856 Douai France
died 1910 Saint-Clair, France
Martha Cunz
born 1876 Saint Gall, Switzerland
Crodel
454
Weiblicher Kopf, c. 1921
(Head of a woman)
Woodcut on wove paper
i27/8 x 813/i6 in. (32.7 x 22.4 cm)
From Kiindung 1, no. 11/12 (1921)
provenance: Galerie Wolfgang
Ketterer, Munich, 26 November 1974,
part of lot 1154
EXHIBITION: Reed under 282
83.1.1061 h
455
Untitled (landscape), 1924
Lithograph printed in tan, green, and
black on wove paper
67/i6 x 8u/i6 in. (16.4 x 22.0 cm)
From Georg Biermann, ed.,Jahrbuch
derjungen Kunst (Leipzig: Klinkhardt
& Biermann, 1924), before p. 419
provenance: Galerie Nierendorf,
Berlin: purchased in 1975
EXHIBITION: Reed 320/1924.4
83. 1.802 d
456
In den Champs-Elysees, c. 1898 (On the Champs Elysees) Lithograph printed in light blue, dark blue, yellow, green, and red on chine volant paper
715/i6 x 10V4 in. (20.2 x 26. 1 cm) From Pan 4, no. 1 (1898): following 60 provenance: Kornfeld & Klipstein, Bern, 7-8 June 1978, part of lot 775 REFERENCE: Compin, p. 338; Dennerlein 1970 83- 1- 1356 e
457
Blick aufSankt Callen, c. 1906
(View of Saint Gall)
Woodcut printed in gray, green, and
reddish brown on wove paper
65/8 x g7/i6 in. (16.9 x 23.9 cm)
From Zeitschrift fur bildende Kunst,
n.s., 17, no. 5(1906): before 109
provenance: Galerie Gerda Bassenge,
Berlin, 15 May 1976, part of lot 4364
83.1.964 d
Mi
454
455
458-1
458-2
458-3
458-4
Czeschka
131
458-5
458-7
458-9
458-6
458-8
458-10
458
Kalendar 1904 gezeichnet von Czeschka
(Calendar for 1904 designed by
Czeschka)
Book with 12 color lithographs on wove
paper
Each: 6'/j X 5% in. (15.9 x 14.9 cm)
Published by Buch und Steindruckerei
Christoph Reissers Sohne, Vienna, 1904
provenance: Warrack & Perkins,
Enstone, Oxfordshire; purchased in
1975 83.1.583-1
1. Janner, c. 1903 (January)
Printed in blue and black 83.1.58 a
2. Februar, c. 1903 (February)
Printed in rust, blue, and black 83.1.58 b
3. Marz, c. 1903 (March)
Printed in rust, blue, and black 83.1.58 c
4. April, c. 1903 Printed in blue and rust 83.1.58 d
5. Mai, c. 1903 (May)
Printed in blue and black 83. 1.58 e
6. Juni, c. 1903 (June)
Printed in blue and black 83. 1.58 f
7. Juli, c. 1903
(My)
Printed in rust, blue, and black 83. 1.58 g
8. August, c. 1903
Printed in rust, blue, and black 83. 1.58 h
9. September, c. 1903
Printed in rust, blue, and black 831581
10. October, c. 1903
Printed in rust, blue, and black 83. 1.58 j
11. November, c. 1903
Printed in rust, blue, and black 83.1.58 k
12. Dezember, c. 1903 (December)
Printed in blue and black 83.1.58!
Carl Otto Czeschka
born 1878 Vienna, Austria
died 1960 Hamburg
458-12
132
Czeschka
459
Die Nibelungen: Dem ileutschen Volke
wiedererzahlt
(The Nibelungen legend: Retold to the
German people)
Book with 8 two-page color lithographs
on wove paper
Each: 5V4 x 4u/i6 in. (13.3 x 11.9 cm)
Illustrations to text by Franz Keim, no.
22 in the monographic series Gerlachs
Jugendbiicherei (Vienna and Leipzig:
Verlag Gerlach & Wiedling, [1908-9?])
provenance: Kaiser Wilhelm II (ex
libris, cover); Kaiser Wilhelm Kinder-
heim, Ahlbeck (stamp); Hans Bolliger,
Zurich; purchased in 1975
EXHIBITION: Reed 39
83-1-59 a-p
1. Untitled (woman dreaming of birds), c. 1905
Printed in blue, black, and gold Pages 8-9 83.1.59 a, b
2. Untitled (four knights and drawbridge), c. 1905
Page 14 printed in blue, black, red,
and gold
Page 15 printed in blue and black
83- 1-59 C d
3. Untitled (cavalry with banners), c. 1905
Printed in blue, black, and gold Pages 22-23 83. 1.59 e, f
4. Untitled (sailing ship), c. 1905 Page 30 printed in black and gold Page 31 printed in blue, black, and gold
83. 1.59 g, h
5. Untitled (group of eleven figures),
c 1905
Page 38 printed in black and gold
Page 39 printed in blue, black, and
gold
83-i-59i. J
6. Untitled (four figures), c. 1905 Printed in blue, black, and gold Pages 46-47
83.1.59 k, 1
7. Untitled (man near sleeping figures; man on ledge), c. 1905 Page 54 printed in blue, black, and gold
Page 55 printed in black and gold
83- 1-59 m. n
8. Untitled (battle scene), c. 1905 Printed in red, black, and gold Pages 62-63
83.1.590, p
459-1
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1 i " |
1 |
|||
|
1 |
m |
-.5? |
w ' |
|
|
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1 |
459-5
Czeschka
133
460
Am Bache, 1919
(By the brook)
Woodcut in black and gray on yellowish
laid paper
12% x i8'/z in. (32.5 x 47.0 cm)
provenance: Karl & Faber, Munich,
26-28 May 1977, lot 1154
M. 82.288.44
134
Danziger
Ludwig Danziger 461
Hinter der Front in Polen, 1915 born 1874 Luban, (Behind the lines in Poland)
Poland Lithograph on wove paper
i67/s x 10 in. (43.0 x 25.4 cm) died 1924 From Kriegszeit, no. 49 (1915): 2
Charlottenburg provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
83.1.1447 b
Heinrich Maria 462
Davringhausen Karamasoff: Neun Steinzeichnungen
(Karamazov: Nine lithographs)
born 1894 Aachen Portfolio of 9 lithographs on handmade
paper
died 1970 Published by Goltzverlag, Munich,
Cagnes-sur-Mer, 1920
France inscription: signed and numbered
(30/120) on justification page provenance: Kornfeld & Klipstein, Bern, 2-7 June 1977, lot 358 83.i.25a-i
1. Untitled (monk in spotlight), c. 1920 i6'/j x 10 in. (413 x 25.4 em) 83.1.25 a
2. Untitled (man seated at desk), c. 1920
i3'/2 x li'/s in. (34.3 x 28.3 cm) 83.1.25 b
3. Untitled (man standing at window), c. 1920
i315/ie x 9% in. (35.4 x 24.5 cm) 83.1.25 c
4. Untitled (chair and doorway), c. 1920
i23/ie x 9'/j in. (31.0 x 23.5 cm) 83. 1.25 d
5. Untitled (wintry landscape), c. 1920 I3u/i6 x g'/i in. (34. 8 x 23.2 cm)
83. 1.25 e
6. Untitled (woman seated on bed), c. 1920
I213/i6 x 9% in. (32.6 x 23.8 cm) 83.1.25 f
7. Untitled (woman at piano), c. 1920 13 x 9V4 in. (33.0 x 23.5 cm)
831-258
8. Untitled (man standing under skylight), c. 1920
15'/-! x 10V2 in. (38.7 x 26.7 cm) 83.1.25 h
9. Untitled (monk and man seated at table), c. 1920
i2'/2 x 8% in. (31.8 x 21.3 cm) 831-251
461
462-1
462-4
462-2
462-3
462-9
Dexel
135
463
467
|
463 |
G. den Decker |
|
Untitled (abstract composition), 1924 |
|
|
Linoleum cut on wove paper |
|
|
5n/i6 x 5n/i6 in. (14.5 x 14.4 cm) |
|
|
From Der Sttirm 16, no. 4 (1925): 59 |
|
|
provenance: Ex Libris, New York; |
|
|
purchased in 1982 |
|
|
83.1.1396.37 |
|
|
464 |
Maurice Denis |
|
Frau mit Kind, c. 1897 |
|
|
(Woman and child) |
born 1870 |
|
Lithograph printed in grayish green on |
Granville. France |
|
wove paper |
|
|
9% x 613/i6 in. (24.5 x 17.3 cm) |
died 1943 Saint |
|
From Pan 3, no. 3 (1897): following 184 |
Germain-en-Laye, |
|
PROVENANCE: Kornfeld 6r Klipstein, |
France |
|
Bern, 7-8 June 1978, part of lot 775 |
|
|
reference: Cailler 103 (as 1898); |
|
|
Dennerlein 1712 |
|
|
83- 1- 1355 g |
|
|
465 |
Fortunato Depero |
|
Papagalli—motivo ornamentale, c. 1922 |
|
|
(Parrots— ornamental motif) |
born 1892 Fondo, |
|
Linoleum cut on wove paper |
Italy |
|
57/s x 515/i6 in. (14.9 x 15.0 cm) |
|
|
From Der Sturm 13, no. 6 (1922): 111 |
died 1960 |
|
PROVENANCE: Ex Libris, New York; |
Rovereto, Italy |
|
purchased in 1982 |
|
|
83.1.1395.8 |
|
|
466 |
Andre Derain |
|
Untitled (nude kneeling in landscape), |
|
|
c. 1916 |
born 1880 Chatou, |
|
Woodcut on wove paper |
France |
|
4 x 3'/s in. (10. 1 x 8.0 cm) |
|
|
From Die Aktion 6, no. 14/15 (1916): |
died 1954 Garches, |
|
196; not identified as an original |
France |
|
woodcut |
|
|
provenance: Hauswedell & Nolte, |
|
|
Hamburg, 30 November 1979, part of |
|
|
lot 1173 |
|
|
83.1.1512 a |
|
|
467 |
|
|
Stilleben, c. 1919 |
|
|
(Still life) |
|
|
Woodcut on wove paper |
|
|
7% x 65/s in. (20.0 x 17.1 cm) |
|
|
From Das Kunstblatt 3, no. 10 (1919) |
|
|
provenance: Kunstgalerie Esslingen, |
|
|
Esslingen; purchased in 1975 |
|
|
EXHIBITION: Reed 283/30 |
|
|
83.1.1144 a |
468
Apollotheater, 1917
(Apollo theater)
Woodcut on wove paper
57/i6 x 713/i6 in. (13.8 x 19.9 cm)
From Der Sturm 9, no. 9 (1918): 119
PROVENANCE: Ex Libris, New York;
purchased in 1982
REFERENCE: Vitt 4
83- 1- 1393-57
Walter Dexel
born 1890 Munich
died 1973 Brunswick
468
136
Dexel
|
469 |
|
|
Steile Strasse—der Strahl, 1918 |
|
|
(Steep street— the beam) |
|
|
Woodcut on wove paper |
|
|
75/i6 x 85/s in. (18.6 x 21.9 cm) |
|
|
From Der Sturm 8, no. 12 (1918): 187 |
|
|
provenance: Ex Libris, New York; |
|
|
purchased in 1982 |
|
|
REFERENCE: Vitt 5 |
|
|
83.1.1393.38 |
|
|
470 |
|
|
Sternenbriicke, igig |
|
|
(Starry bridge) |
|
|
Woodcut on japan paper |
|
|
10V2 x 713/i6 in. (26.6 x 19.8 cm) |
|
|
From an edition printed by the artist, |
|
|
apart from the edition for the third |
|
|
Bauhaus-Mappe (Peters 111/4) |
|
|
PROVENANCE: Galerie Wolfgang |
|
|
Ketterer, Munich, 28-30 May 1973, lot |
|
|
480 |
|
|
inscription: signed, l.r.; numbered |
|
|
(25/10), 1.1. |
|
|
REFERENCE: Vitt 10 |
|
|
M. 82. 288.45 |
|
|
Erich Dietrich |
471 |
|
Fur Henri Barbusse, 1919 |
|
|
born 1890 Berlin |
(For Henri Barbusse) |
|
Lithograph on wove paper |
|
|
8'/i x 6% in. (21.0 x 16.2 cm) |
|
|
From Dasjunge Deutschland 2, no. 8 |
|
|
(1919) |
|
|
provenance: Kunstgalerie Esslingen, |
|
|
Esslingen; purchased in 1974 |
|
|
83.1.1627 a |
|
|
Rudolf Adrian Dietrich |
472 |
|
Untergang, c. 1918 |
|
|
born 1894 Berlin |
(Decline) |
|
Woodcut on wove paper |
|
|
died 1969 Hamburg |
2% x 2I5/i6 in. (7.3 x 7.5 cm) |
|
From Menschen 1, no. 10 (1918): 2 |
|
|
provenance: Galerie Gerda Bassenge, |
|
|
Berlin, 25 May 1975, part of lot 4883 |
|
|
EXHIBITION: Reed under 289 |
|
|
83.1.1376 b |
OttoDix
born 1891
Untermhaus
died 1969 Singen
469
473
Neun Holzschnitte
(Nine woodcuts)
Portfolio of 9 woodcuts on laid paper
Published by Dresdner Verlag,
Dresden, 1922
INSCRIPTION: signed and dated, l.r.;
numbered (11/30), 1.1.; titled, I.e.
PROVENANCE: Wlademar Schwalbe,
1937 (ex libris); Christie's, London, 7
May 1979, lot 225
REFERENCE: Karsch 23-31
EXHIBITION: Barton 83
M. 82. 288.56 a-i
1. Strasse, 1919
(Street)
97/i6 x 615/i6 in. (24.1 x 17.6 cm)
REFERENCE: Karsch 23
EXHIBITION: Barton 83 a
M.82.288.56a
Dix
137
473-3
473-5
473-7
■We A> ^ c ' W"
473-4
W&k
473-8
2. Elektrische, 1920
(Streetcar)
11 x g% in. (28.0 x 23.7 cm) REFERENCE: Karsch 24 exhibition: Barton 83 b; Rigby 6 M. 82. 288. 56 b
3. Die Prominenten: Konstellation, 1920
(The celebrities: Constellation) 97/8 x 77/8 in. (25.0 x 19.9 cm) REFERENCE: Karsch 25 EXHIBITION: Barton 83 c; Rigby 7 M. 82.288.56 c
4. harm der Strasse, 1920 (Street noise)
11 x 9% in. (28.0 x 23.8 cm) REFERENCE: Karsch 26 EXHIBITION: Barton 83 d; Rigby 8 M. 82. 288.56 a
5. Liebespaar, 1921 (Lovers)
9% x 7% in. (25.0 x 19.9 cm) REFERENCE: Karsch 27 EXHIBITION: Barton 83 e M. 82.288.56 e
6. Katzen, 1920 (Cats)
97/i6 x 67/s in. (24.0 x 17.4 cm) reference: Karsch 28 EXHIBITION: Barton 83 f M. 82. 288. 56 f
7. Mann und Weib: Ndchtliche Szene,
1919
(Man and woman: Nocturnal scene) 913/i6 x 6'/j in. (25.0 x 15.9 cm) reference: Karsch 29 EXHIBITION: Barton 83 g; Rigby 10 M. 82.288.56 g
8. Apotheose, 1919 (Apotheosis)
n'/s x 77/a in. (28.2 x 20.0 cm) REFERENCE: Karsch 30 EXHIBITION: Barton 83 h; Rigby 9 M. 82. 288.56 h
9. Scherzo, 1920
9% x 67/s in. (23.8 x 17.5 cm) REFERENCE: Karsch 31 EXHIBITION: Barton 83 i M. 82.288.56 i
474
/. B. Neumann, 1922
Etching and drypoint on copperplate
paper
nu/i6X 9V2 in. (29.7 x 24. 1 cm)
Published by Karl Nierendorf, Berlin
inscription: signed and dated, l.r.j
titled, I.e.; numbered (48/50), 1.1.
PROVENANCE: Galerie Nierendorf,
Berlin; purchased in 1974
REFERENCE: Karsch 49 II
exhibition: Reed 278; Chipp 18;
Rigby 1 1
M. 82.288.48
473-9
138
Dix
475
Selbstportrat im Profil, 1922 (Self-portrait in profile) Lithograph on wove paper 8V4 x 5% in. (21.0 x 15.0 cm) INSCRIPTION: signed, l.r. provenance: Heritage Gallery, Los Angeles; purchased in 1978 REFERENCE: Karsch 50 EXHIBITION: Chipp 19 M.82.288.46
476
Zirkus
(Circus)
Portfolio of 10 etchings with drypoint on
copperplate paper
Published by the artist
INSCRIPTION: each sheet signed and
dated, l.r.; numbered (9/50), 1.1.;
titled, I.e.
provenance: Galerie Nierendorf,
Berlin; Galerie Wolfgang Ketterer,
Hamburg, 28 November 1972, lot 279
reference: Karsch 32-41
exhibition: Reed 393
M.82.288.5oa-j
1. Die Verachter des Todes, 1922 (The disdainers of death) 13% x io7/8 in. (34. 7 x 27.7 cm) REFERENCE: Karsch 32 exhibition: Reed 393/1; Chipp 15 M. 82. 288. 50 a
2. lllusionsakt, 1922 (Illusion act)
11% x io'/s in. (30.0 x 25.5 cm) REFERENCE: Karsch 33 II EXHIBITION: Reed 393/2 M. 82.288.50 b
3. Sketch, 1922
i5'/2 x 11% in. (39.4 x 30.2 cm) reference: Karsch 34 11 exhibition: Reed 393/3 M. 82. 288.50 c
4. Balanceakt, 1922 (Balancing act)
11% x 715/i6 in. (29. g x 20.2 cm) REFERENCE: Karsch 35 II
exhibition: Reed 393/4 M. 82. 288.50 d
5. Maud Arizona; Suleika, das tatowierte Wunder, 1922 (Maud Arizona; Suleika, the tattooed wonder)
11% x 713/i6 in. (29.0 x 19.8 cm) REFERENCE: Karsch 36 II EXHIBITION: Reed 393/5 M. 82.288.50 e
6. Internationaler Reitakt, 1922 (International riding act) I513/i6 x 11% in. (40.2 x 30.2 cm) REFERENCE: Karsch 37 II exhibition: Reed 393/6
M. 82. 288. 50 f
7. Amerikanischer Reitakt, 1922 (American riding act)
13%6 x i2'/8 in. (34.5 x 30.9 cm) REFERENCE: Karsch 38 II exhibition: Reed 393/7 M. 82. 288. 50 g
ff &?^
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|
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476-2
476-3
476-7
Dix
139
476-8
|
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|
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C -Jilt |
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|
W$mp'; |
|
476-9
478
476-10
8. Technisches Personal, 1922 (Technical personnel)
n13/i6 x 713/i6 in. (30.0 x 19.8 cm) REFERENCE: Karsch 39 II exhibition: Reed 393/8; Rigby 13 M. 82.288.50 h
9. Li/i, die Konigin der Luft, 1922 (Lili, the queen of the air) ii3/i x 77/8 in. (29.9 x 20.2 cm) REFERENCE: Karsch 40 II EXHIBITION: Reed 393/9; Chipp 16 M. 82. 288. 50 i
10. Dompteuse, 1922 (Animal trainer)
I513/i6 x 11% in. (40.2 x 29.7 cm) REFERENCE: Karsch 41 II EXHIBITION: Reed 393/10; Chipp 17 M. 82. 288.50 j
477
Blinder, 1923
(Blind man)
Lithograph on Johann-Wilhelm Biitten
paper
lgVi x 15 in. (48.9 x 38. 1 cm)
Published by Karl Nierendorf, Berlin
inscription: signed and dated, l.r.;
numbered (48/66), 1.1.
provenance: R. E. Lewis, San Rafael,
California; purchased in 1979
REFERENCE: Karsch 52 EXHIBITION: Chipp 20; Rigby 14
M. 82.288.49
478
Greis, 1923
(Old man)
Lithograph on Johann-Wilhelm Biitten
paper
21% x 15V2 in. (55.0 x 39.5 cm)
Published by Karl Nierendorf, Berlin
inscription: signed and dated, l.r.;
numbered (7/56), 1.1.
provenance: Galerie Nierendorf,
Berlin; purchased in 1982
REFERENCE: Karsch 51
EXHIBITION: Rigby 15
M. 82. 287. 9
479
Halbaht, 1923 (Half-length nude) Lithograph on laid paper 23% x ig'/4 in. (60.0 x 49.0 cm) Published by Karl Nierendorf, Berlin inscription: signed and dated, l.r.; numbered (17/55), '-'• provenance: Galerie Nierendorf, Berlin; purchased in 1983 REFERENCE: Karsch 125 L. 84. 5.24; lent by the Robert Gore Rifkind Foundation, Beverly Hills, California
479
140
Dix
480
Otto Freundlich, 1923 Lithograph on wove paper i59/i6 x io7/i6 in. (39.5 x 26.5 cm) Published by Karl Nierendorf and Euphorion Verlag, Berlin; edition of about 140
inscription: signed and dated, l.r. ; blind stamp of Euphorion Verlag, l.r. provenance: Galerie Nierendorf, Berlin; purchased in 1982 REFERENCE: Karsch 53 c M. 82. 287. 11
481
Paul Westheim, 1923 Lithograph on wove paper i5'/4 x i8"/i6 in. (38.5 x 47.5 cm) Published by Karl Nierendorf, Berlin INSCRIPTION: signed, l.r. provenance: Galerie Nierendorf, Berlin; purchased in 1975 REFERENCE: Karsch 63 b EXHIBITION: Reed 284; Chipp 21; Rigby 12 M. 82. 288. 47
482
Portrdt Angermayer, 1923 (Portrait of Angermayer) Lithograph on wove paper i87/s x 12% in. (48.0 x 32.5 cm) Published by Karl Nierendorf, Berlin inscription: signed and dated, l.r.; numbered (5/55), 1.1. provenance: Galerie Nierendorf, Berlin; purchased in ig82 REFERENCE: Karsch 60 b M. 82. 287. 10
483
Kinderbildnis, 1924 (Portrait of a child) Lithograph on wove paper io5/8 x 7% in. (27.0 x 19.8 cm) From Georg Biermann, ed., Jahrbuch derjungen Kunst (Leipzig: Klinkhardt & Biermann, 1924), frontispiece provenance: Galerie Nierendorf, Berlin, purchased in 1975 REFERENCE: Karsch 126 II exhibition: Reed 320/1924.1; Chipp 138 83.1.802 a
484
Der Krieg
(War)
Portfolio of 50 etchings with aquatint on
copperplate paper
Published by Karl Nierendorf, Berlin,
1924
INSCRIPTION: each sheet signed, l.r.;
numbered (15/70), 1.1.; numbered
serially with Roman numeral, I.e.
provenance: Galerie Saxonia, Munich;
purchased in 1979
reference; Karsch 70-119
M. 82.288.51 a-55 j
480
Jl
Ji
I fppB
■v^^^-v*
,-^#
-^
482
-
484-1
484-3
Dix
141
484-4
484-5
484-6
484-7
v"=.
484-9
1. Soldatengrab zwischen den Linien, 1924
(Soldiers' grave between the lines) 7% x 11% in. (19.3 x 28.9 cm) REFERENCE: Karseh 70 b M. 82.288.51 a
2. Verschiittete; Januar igi6, Champagne, 1924 (Buried alive; January 1916, Champagne)
5V2 x 7% in. (14.0 x 19.7 cm) REFERENCE: Karseh 71 b M. 82.288.51 b
3. Gastote; Templeux-La-Fosse, August igi6, 1924
(Gas victims; Templeux-La-Fosse,
August 1916)
7% x 11% in. (19.4 x 28.9 cm)
REFERENCE: Karseh 72 b
M. 82.288.51c
4. Trichterfeld bei Dontrien, von Leuchtkugeln erhellt, 1924 (Crater field near Dontrien, lit by flares)
7n/i6 x io'/i in. (19.5 x 26.0 cm) REFERENCE: Karseh 73 b EXHIBITION: Rigby 23 M. 82.288.51 d
5. Pferdekadaver, 1924 (Horse cadaver)
5n/i6 x 7% in. (14.5 x 19.7 cm) reference: Karseh 74 b M. 82.288.51 e
6. Verwundeter, Herbst igi6, Bapaume, 1924 (Wounded man, autumn 1916, Bapaume)
7% x n3/s in. (19.7 x 29.0 cm) reference: Karseh 75 b EXHIBITION: Chipp 22; Rigby 26 M. 82.288.51 f
7. Bei Langemarck, Februar igi8, 1924
(Near Langemarck, February 1918) 9% x ii9/ie in. (24.7 x 29.3 cm) reference: Karseh 76 b M. 82. 288. 51 g
8. Relaisposten, Herbstschlacht in der Champagne, 1924
(Relay post, autumn battle in
Champagne)
513/i6 x 713/i6 in. (14.8 x 19.8 cm)
reference: Karseh 77 b
M. 82. 288.51 h
9. Xerfallender Kampfgraben, 1924 (Disintegrating trench)
n13/i6 x 9% in. (30.0 x 24.4 cm) reference: Karseh 78 b M. 82.288.51 i
10. Fliehender Verwundeter, Sommerschlacht igi6, 1924 (Wounded man fleeing, summer battle, 1916)
7% x 5V2 in. (19.7 x 14.0 cm) REFERENCE: Karseh 79 b EXHIBITION: Chipp 23; Rigby 24 M. 82.288.51 j
142
Dix
484 (continued)
11. Verlassene Stellung bei Neuville, 1924
(Abandoned position near Neuville) 73/4 x 5% in. (19.7 x 14.6 cm) REFERENCE: Karsch 80 b M. 82. 288. 52 a
12. Sturmtruppe geht unter Gas vor, 1924
(Shock troops advance under gas) 7% x 11V2 in. (19.6 x 29. 1 cm) REFERENCE: Karsch 81 b EXHIBITION: Chipp 24; Rigby 21 M. 82.288.52 b
13. Mahheit in der Sappe, Lorettohohe, 1924 (Mealtime in the trench, Loretto heights)
7% x n7/i6 in. (19.6 x 29.0 cm) REFERENCE: Karsch 82 b EXHIBITION: Rigby 17 M. 82. 288. 52 c
14. Ruhende Kompanie, 1924 (Resting company)
ioVi x 713/i6 in. (26.0 x 19.8 cm) REFERENCE: Karsch 83 b M. 82. 288. 52 d
15. Verlassene Stellung bei Vis-en- Artois, 1924
(Abandoned position near Vis-en-
Artois)
7% x 10V4 in. (19.6 x 26.0 cm)
REFERENCE: Karsch 84 b
M. 82. 288. 52 e
16. Leiche im Drahtverhau, Flandern,
1924
(Corpse in barbed wire, Flanders) n13/i6 x g9/i6 in. (30.0 x 24.3 cm) REFERENCE: Karsch 85 b EXHIBITION: Rigby 19
M. 82.288.52 f
17. Leuchtkugel erhellt die Monacu- ferme, 1924
(Flare illuminates the Monacu-
ferme)
513/i6 x 713/i6 in. (14.8 x 19.8 cm)
REFERENCE: Karsch 86 b
M. 82.288. 52 g
■&**>'
484-11
484-14
484-16
484-17
Dix
143
484-18
484-19
484-21
484-20
484-23
18. Toter Sappenposter, 1924 (Dead sentry in the trench) ■7W16 x 5I3/i6 in. (19.8 x 14.7 cm) REFERENCE: Karsch 87 b
M. 82. 288.52 h
19. Totentanz anno 1 7, Hohe toter Mann, 1924
(Dance of death 1917. Dead Man's
Hill)
9% x n13/i6 in. (24.5 x 30.0 cm)
REFERENCE: Karsch 88 b
M. 82. 288. 52 i
20. Die zweite Kompanie wird heute Nacht abgelbst, 1924
(The second company will be
relieved tonight)
713/i6 x io3/is in. (19.8 x 25.8 cm)
REFERENCE: Karsch 89 b
M.82.288.52J
21. Abgekampfte Truppe geht zuriick, Sommeschlacht, 1924 (Battle-weary troops retreat, battle of the Somme)
7% x nYs in. (19.8 x 28.9 cm) REFERENCE: Karsch 90 b EXHIBITION: Chipp 25 M. 82. 288. 53 a
22. Nachtliche Begegnung mit einem Irrsinigen, 1924
(Nocturnal encounter with a
lunatic)
10% x 7% in. (26.2 x 19.7 cm)
REFERENCE: Karsch 91 b
EXHIBITION: Rigby 25
M. 82. 288. 53 b
23. Toter im Schlamm, 1924 (Dead man in the mud)
7% x lo'/s in. (19.5 x 25.8 cm) REFERENCE: Karsch 92 b
EXHIBITION: Chipp 26
M. 82.288.53 c
24. Granattrichter mit Blumen, Fruhling 1916, 1924
(Shell crater with flowers, spring
1916)
513/i6 x 713/i6 in. (14.8 x 19.8 cm)
REFERENCE: Karsch 93 b
M. 82. 288.53 d
484-24
144
Dix
484 (continued)
25. Die Triimmer von Langemarck,
1924
(The ruins of Langemarck)
nI3/i6 x gn/i6 in. (30.0 x 24.6 cm)
REFERENCE: Karsch 94 b
M. 82.288.53 e
26. Sterbender Soldat, 1924 (Dying soldier)
713/i6 x 513/i6 in. (19.8 x 14.8 cm) reference: Karsch 95 b M. 82. 288. 53 f
27. Abend in der .Wijtschaete-Ebene, November 1917, 1924 (Evening on the Wijtschaete plain, November 1917)
9"/i6 x n13/i6 in. (24.6 x 30.0 cm) REFERENCE: Karsch 96 b M. 82. 288. 53 g
28. Cesehen am Steilhang von Clery- sur-Somme, 1924
(Seen on the escarpment at Clery-
sur-Somme)
lo'/i x 7% in. (26.0 x 19.6 cm)
REFERENCE: Karsch 97 b
M. 82. 288. 53 h
29. Gefunden beim Grabendurchstich, Auberive, 1924
(Found while digging a tench,
Auberive)
7n/i6 x n7/i6 in. (19.5 x 29.0 cm)
REFERENCE: Karsch 98 b
M. 82.288.53 i
30. Drahtverhau vor dem Kampfgraben, 1924 (Tangled barbed wire before the trench)
10Y4 x 7n/i6 in. (26.0 x 19.5 cm) REFERENCE: Karsch 99 b M. 82. 288. 53 j
31. Schddel, 1924 (Skull)
io'/s x 7% in. (25.7 x 19.5 cm) reference: Karsch 100 b EXHIRITION: Chipp 27 M. 82. 288.54 a
484-25
yy^
484-26
484-30
484-31
Dix
145
if* g
"i\ Is ■/
484-32
484-34
484-35
33
34
32. Matrosen in Antwerpen, 1924 (Sailors in Antwerp) g5/e x n13/i6 in. (24.5 x 30.0 cm) REFERENCE: Karsch 101 II b M. 82. 288. 54 b
Lens wird mil Bomben belegt, 1924 (Lens being bombed) 11% x 9n/i6 in. (29.8 x 24.6 cm) reference: Karsch 102 b M. 82. 288. 54 c Frontsoldat in Briissel, 1924 (Front-line soldier in Brussels) n5/i6 x 713/i6 in. (28.8 x 19.8 cm) reference: Karsch 103 b EXHIBITION: Rigby 20 M. 82. 288. 54 d
35. Die Irrsinnige von Sainte-Marie-a-
Py, 1924
(The madwoman of Sainte-Marie-
a-Py)
n5/i6 x 7% in. (28.8 x 19.8 cm)
REFERENCE: Karsch 104 II b
EXHIBITION: Chipp 28
M. 82. 288. 54 e
36. Besuch bei Madame Germaine in Mericourt, 1924
(Visit to Madame Germaine's in
Mericourt)
io'/j x 7% in. (26. 1 x 19.8 cm)
REFERENCE: Karsch 105 b
EXHIBITION: Chipp 29; Rigby 18
M. 82. 288. 54 f
37. Kantine in Haplincourt, 1924 (Canteen in Haplincourt) 713/i6 x io3/i6 in. (19.8 x 25.9 cm) REFERENCE: Karsch 106 b
M. 82. 288. 54 g
38. Zerschossene, 1924 (Shot to pieces)
57/s x 715/i6 in. (14.9 x 20. 1 cm) REFERENCE: Karsch 107 b M. 82. 288. 54 h
484-36
484-38
146
Dix
484 (continued)
39. Durch Fliegerbomben zerstbrtes Halts, 1924
(House destroyed by aerial bombs) 11% x 9% in. (29.8 x 24.4 cm) REFERENCE: Karsch 108 II b M. 8z. 288.54 i
40. Transplantation, 1924 (Skin graft)
713/i6 x 57/s in. (19.8 x 14.9 em) REFERENCE: Karsch 109 III b M. 82.288.54 j
41. Maschinengewehrzug geht vor, Somme, November igi6, 1924 (Machine-gun squad advances, Somme, November 1916)
9% x n13/i6 in. (24.5 x 30.0 cm) reference: Karsch 110 b EXHIBITION: Chipp 30; Rigby 16 M. 82.288.55 a
42. Toter, Saint-Clement, 1924 (Dead man, Saint-Clement) 11% x lo'/i in. (2g.g x 25.9 cm) REFERENCE: Karsch ill iv.i.b EXHIBITION: Chipp 31
M. 82. 288. 55 b
43. Essenholer bei Pilhem, 1924 (Ration carriers near Pilkem) 95/8 x 11% in. (24.5 x 29.8 cm) reference: Karsch 112 b M. 82. 288. 55 c
44. Uberfall einer Schleichpatrouille,
1924
(Surprise attack)
77/s x 515/i6 in. (20.0 x 15.0 cm)
reference: Karsch 113 b
M. 82. 288. 55 d
45. Unterstand, 1924 (Foxhole)
7% x n3/8 in. (19.8 x 29.0 cm) REFERENCE: Karsch 1 14 b EXHIBITION: Chipp 32 M. 82. 288. 55 e
46. Die Schlafenden von Fort Vaux; Gastote, 1924
(The sleepers of Fort Vaux; gas
victims)
9% x 11% in. (24.8 x 29.8 cm)
REFERENCE: Karsch 115 l.b
M. 82.288. 55 f
47. Verwundetentransport im Houthulster Wald, 1924 (Transporting the wounded in Houthulst Forest)
713/i6 x 10 in. (19.8 x 25.4 cm) reference: Karsch 116 b M. 82.288.55 g
48. Die Sappenposten haben nacbts das Feuer zu unterhalten, 1924
(The outposts in the trenches must
maintain the bombardment at
night)
93/4 x n13/i6 in. (24.7 x 30.0 cm)
REFERENCE: Karsch 1171.2
EXHIBITION: Rigby 22
M. 82. 288. 55 h
484-39
484-43
j^rn-
484-44
484-45
484-46
Doerbecker
147
484-48
484-50
485
49. Appell der Zuriickgekehrten, 1924 (Roll call of returning troops) 713/i6 x nyi6 in. (19.8 x 28.8 cm) REFERENCE: Karsch 118 b
M. 82. 288. 55 i
50. Tote vor der Stellung bei Tahure, 1924
(Dead men before the position near
Tahure)
7% x io'/s (19.7 x 25.8 cm)
REFERENCE: Karsch 199 b
EXHIBITION: Chipp 33
M. 82.288.55 j
485
Selbstbildnis, 1950 (Self-portrait)
Linoleum cut on cover stock 83/i6 x 5% in. (20.8 x 14.3 cm) From Otto Conzelmann, Otto Dix: Gemalde, Aquarelle, Zeichnungen, Graphik, exh. cat. (Freiburg: Kunstverein, 1950-51), cover PROVENANCE: unknown reference: Karsch 190 b 83.1.669 a
486
Halbakt von vorn, 1966
(Half-length nude from the front)
Lithograph on Rives paper
15% x 14 in. (40. 1 x 35.6 cm)
Published by Erker Presse, Saint Gall.
Print is misnumbered; edition size was
actually 80
inscription: signed and dated, l.r.;
numbered (35/40), 1.1.; publisher's
stamp, 1.1.
PROVENANCE: Galerie Elfriede
Wirnitzer, Baden-Baden: purchased in
1984
REFERENCE: Karsch 314 a
L. 84. 5. 334; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
487
Portratskizze Paul Baum, c. 1924 (Portrait sketch of Paul Baum) Lithograph on wove paper 9V2 x 7V4 in. (24. lx 18.4 cm) From Richard Hamann and Fritz Herbert Lehr, eds., Marburger Jahrbuchfur Kunstwissenschaft, vol. 1 (Marburg: Verlag des kunstgeschicht- lichen Seminars der Universitat Marburg, 1924), before p. 285; edition of 500
provenance: Biicherei Verlag Kurt Desch, Munich (ex libris); Hartung & Karl, Munich, 13 November 1979, part of lot 2958 831785 b
Karl Doerbecker
•> \
487
148
Doessler
W. Doessler
Manfred Dorr
488
Untitled (seated woman), c. 1914
Woodcut on wove paper
4% x 2V16 in. (12. 1 x 5.2 cm)
From Die Aktion 4, no. 46/47
(1914): 880
provenance: Hauswedell & Nolte,
Hamburg, 30 November 1979, part of
lot 1173
83.1.1499 a
Juniper Dolonofer 489
Untitled (lamentation over dead soldier), 1914 Lithograph on wove paper i47/i6 x iou/i6 in. (36.7 x 27.1 cm) From Kriegszeit, no. 4 (1914): 2 PROVENANCE: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
exhibition: Reed 281/37 83.1.1403 b
490
Streik, c. 1912
(Strike)
Woodcut on wove paper
6'/8 x 4V16 in. (15.5 x 10.4 cm)
From Saturn 2, no. 5 (1912): 99
provenance: M. K. Neudold (ex libris);
Galerie Gerda Bassenge, Berlin, 4 June
!975. Part of lot 4899 EXHIBITION: Reed under 300 83.1.1311c
491
Totschlag, c. 1912
(Homicide)
Woodcut on wove paper
6Vs x 315/i6 in. (15.5 x 10.0 cm)
From Saturn 2, no. 6 (1912): 111
provenance: M. K. Neudold (ex libris);
Galerie Gerda Bassenge, Berlin, 4 June
1975, part of lot 4899
EXHIBITION: Reed under 300
83.1.1311 d
492
Vor dem Totschlag, c. 1912
(Before the homicide) Woodcut on wove paper 6'/j x 47/i6 in. (15.8 x 11.3 cm) From Saturn 2, no. 9 (1912): 195 provenance: M. K. Neudold (ex libris); Galerie Gerda Bassenge, Berlin, 4 June
1975. Part °f lot 4899 exhibition: Reed under 300 83.1.1311 j
489
Dumont
149
493
Ftir die Freiheit im Kerker, c. 1922
(For freedom in prison)
Woodcut on wove paper
■jVt x 59/i6 in. (18.5 x 14.2 cm)
From Die Aktion 12, no. 11/12(1922):
169-70; not identified as an original
woodcut
provenance: gift of Titus Felixmiiller,
1984
L. 84. 5. 98 b; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
Walter Drechseler
494
Frau, 1920
(Woman)
Etching and aquatint on heavy wove
paper
9% x 6V2 in. (23.8 x 16.5 cm)
inscription: signed and dated, l.r.
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1976
M. 82.288.58
495
Der Intettektuelle, 1920
(The intellectual)
Etching and aquatint on copperplate
paper
11% x 8'5/i6 in. (29.9 x 22.7 cm)
inscription: signed and numbered (no.
18). l.r.
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1977
EXHIBITION: Rigby 27
M. 82. 288.57
496
Untitled (abstract composition), c. 1919
Woodcut on slick wove paper
713/i6 x 515/ie in. (19.8 x 15. 1 cm)
From Das Tribunal 1, no, 10/11 (1919):
cover
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1975
EXHIBITION: Reed under 304
83.1.961a
497
Sappho, c. 1895
Glyptograph printed in green on wove
paper
4% x 7V2 in. (12.0 x 19.0 cm)
From Pan 1, no. 1 (1895-96):
following 34
PROVENANCE: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
REFERENCE: Dennerlein 85
83. 1. 1350 f
August Wilhelm Dressier
born 1886 Bergesgrun
died 1970 Berlin
Ewald Diilberg
born 1888 Schwerin died 1933 Berlin
Maurice Dumont
496
495
150
Eberz
Josef Eberz
born 1880 Limburg died 1942 Munich
498
Flusslandschaft, 1917
(River landscape)
Lithograph on wove paper
7V2 x 6V2 in. (19.0 x 16.5 cm)
From deluxe edition of Das Kunstblatt
1, no. 4 (1917); the center also has an
impression from the regular edition
INSCRIPTION: numbered (32/110) on
justification page
provenance: Henry Hallenstein; W. F.
Arntz, Haag (Oberbayern); purchased
in 1975
EXHIBITION: Reed 283/31
83.1.1088 a
499
Der Flammende, 1918
(The burning one)
Lithograph on J. W. Zanders 1916 paper
8 x 57/8 in. (20.3 x 14.9 cm)
From Eos 1, no. 1 (1918): 89; from
edition A (total edition of 250)
INSCRIPTION: numbered (xvii/xl) and
signed by editor Emil Pirchan on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
exhibition: Reed under 270
83.1.1605 k
500
Der Fremde, 1918
(The foreigner)
Drypoint on J. W. Zanders 1916 paper
95/s x 6 in. (24.5 x 15.2 cm)
From Eos 1, no. 2 (1918): 131; from
edition A (total edition of 250)
inscription: numbered (xvii/xl) and
signed by editor Emil Pirchan on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
exhibition: Reed under 270
83.1.1606 d
501
Der Prophet, c. 1918 (The prophet) Woodcut on japan paper 10% x 7% in. (27.3 x 19.8 cm) inscription: signed and dated(?) (20), l.r. ; numbered (3/35), 1.1. provenance: Saalbau-Galerie, Darmstadt; purchased in 1980 EXHIBITION: Chipp 34; Rigby 28 M. 82. 287. 13
498
502
Eberz
151
-V- "-•
504-1
504-2
505
502
Die Tat, 1918
(The deed)
Drypoint on J. W. Zanders 1916 paper
95/s x 57/s in. (24.5 x 14.9 cm)
From Eos 1, no. 2 (1918): 147; from
edition A (total edition of 250)
INSCRIPTION: numbered (xvii/xl) and
signed by editor Emil Pirehan on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
exhibition: Reed under 270
83.1.1606 f
503
Uberfall, 1918
(Assault)
Drypoint on heavy wove paper
6% x 413/i6 in. (16.2 x 12.2 cm)
inscription: signed, l.r.; numbered
(1/12), 1.1.
provenance: Saalbau-Galerie,
Darmstadt; purchased in 1980
M. 82. 287. 12
504
Unnennbar Brudertum
(Inexpressible brotherhood)
Book with 2 lithographs on Strathmore-
Alexandra paper
Illustrations to poems by Kurt Hiller
(Wolgast: Kentauer Verlag/Hermann
Kruse, 1918); from edition of 250 (total
edition of 350)
provenance: Erasmus, Amsterdam;
purchased in 1975
EXHIBITION: Reed 347
83.1.60 a, b
1. Untitled (kneeling male nude), 1918 5n/i6 x 4V2 in. (14.5 x 11.5 cm) Before page 7
83.1.60 a
2. Untitled (standing male nude), 1918 7% x 4'/s in. (18.8 x 10.5 cm) Following page 24
83.1.60 b
505
Das Weib, 1918
(The woman)
Drypoint on J. W. Zanders 1916 paper
95/s x 6'/8 in. (24.5 x 15.6 em)
From Eos 1, no. 2 (1918): 139; from
edition A (total edition of 250)
INSCRIPTION: numbered (xvii/xl) and
signed by editor Emil Pirehan on
justification page
PROVENANCE: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
exhibition: Reed under 270
83.1.1606 e
506
Untitled (leaves), c. 1918
Woodcut on wove paper
513/i6 x 3J5/i6 in. (14.8 x 10.0 cm)
From Die Aktion 8, no. 9/10 (1918): 123;
not identified as an original woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1531c
152
Eberz
507
Untitled (nude with bird), e. 1918
Woodcut on wove paper
6'/j x 4% in. (15.9 x 12.0 em)
From Die Aktion 8, no. 29/30 (1918):
365-66
PROVENANCE: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83- 1- I537a
508
Untitled (sleeping nude), c. 1918 Woodcut on wove paper 8V4 x 6V4 in. (20.9 x 15.9 cm) From Die Aktion 8, no. 29/30 (1918):
377-78
provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 8311537 b
509
Untitled (man with plants), c. 1918
Woodcut on wove paper
73/i6 x 9u/j6 in. (18.3 x 24.6 cm)
From Die Aktion 8, no. 29/30 (1918):
381-82
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83- 1-1537 c
510
Erlosung, c. 1919
(Salvation)
Lithograph on laid paper
9'/i6 x 7V16 in. (23.0 x 18.0 cm)
From deluxe edition of Miinchner
Blatter fur Dichtung and Graph ik 1,
no. 7(1919): ill
inscription: numbered (xix/c) on table
of contents
provenance: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
exhibition: Reed under 290
83.1.13296
511
Liebespaar, c. 1919
(Lovers)
Lithograph on laid paper
97/i6 x 73/i6 in. (23.9 x 18.2 cm)
From deluxe edition of Miinchner
Blatter fiir Dichtung und Graphik 1,
no. 10(1919): 157
inscription: numbered (xix/c) on table
of contents
PROVENANCE: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
exhibition: Reed under 290
83.1. 1332 d
512
Madchen, Pfau und Sonne, c. 1919 (Girl, peacock, and sun) Linoleum cut on slick wove paper 10% x 713/i6 in. (27.0 x 19.8 cm) From Das Tribunal 1, no. 10/11 (1919): 117
PROVENANCE: Hans Bolliger, Zurich; purchased in 1975 exhibition: Reed under 304 83.1.961b
507
509
508
510
512
511
Eberz
153
513
516
518
513
Die Nonne und der Tod, c. 1919
(The nun and Death)
Woodcut on laid paper
713/i6 x 6% in. (199 x 16.2 cm)
From deluxe edition of Miinchner
Blatter fiir Dichtung und Graphih 1,
no. 5(1919)171
inscription: numbered (xix/c) on table
of contents
provenance: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
exhibition: Reed under 290
83.1.1327 c
514
Untitled (brothel scene), 1919
Drypoint on wove paper
5 x 33/4 in. (12.7 x 9.5 cm)
From Eros 1, no. 1 (1921): following
justification page
INSCRIPTION: numbered (593/1,000) on
justification page
provenance: Galerie Gerda Bassenge,
Berlin, 16 April 1981, part of lot 2212
83.1.1610 a
515
Untitled (standing nude woman),
c 1919
Linoleum cut on thin wove paper
8"/i6 x 5% in. (22.0 x 14.6 cm)
From Das Tribunal 1, no. 3 (1919): 37
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1975
EXHIBITION: Reed under 304
83- 1-955 b
516
Untitled (head), c. 1919
Woodcut on slick wove paper
7'/2 x 6n/i6 in. (19.0 x 17.0 cm)
From Das Tribunal 1, no. 5 (1919):
cover
PROVENANCE: Hans Bolliger, Zurich:
purchased in 1975
exhibition: Reed under 304; Rigby
Hi, 5
83- 1-957 a
517
Untitled (couple), c. 1919 Woodcut on laid paper 45/i6 x 6V4 in. (10.9 x 17. 1 cm) From Der Weg 1, no. 3 (1919): 1 PROVENANCE: Ex Libris, New York: purchased in 1976 exhibition: Reed under 305 83.1.1215 a
518
Untitled (couple), c. 1919 Woodcut on laid paper gVa x 7V16 in. (24. 1 x 18.0 cm) From Der Weg 1, no. 3 (1919): 7 PROVENANCE: Ex Libris, New York; purchased in 1976 exhibition: Reed under 305 83.1. 1215 d
154
Eberz
519
Untitled (woman in profile), e. 1919
Woodcut on wove paper
6% x 45/i6 in. (16.9 x 10.9 cm)
From Die Biicherkiste 1, no. 5/7
(1919): 77
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1975
exhibition: Reed under 267
83.1.16341
520
Untitled (head), c. 1919 Woodcut on wove paper 6V4 x 45/8 in. (15.9 x 11.7 cm) From Die Biicherkiste 1, no. 8/10 (1919): 105
PROVENANCE: Hans Bolliger, Zurich; purchased in 1975 EXHIBITION: Reed under 267 83.1. 1634 1
521
Versohnung, 1920
(Reconciliation)
Lithograph on wove paper
7V4 x 5% in. (18.4 x 14.6 cm)
From Georg Biermann, ed., Jahrbuch
derjungen Kunst (Leipzig: Klinkhardt
& Biermann, 1920), following p. 269
provenance: Bismarck Buchhandlung,
Charlottenburg (ex libris, cover);
Ganymede Graphics, Berkeley;
purchased in 1974
EXHIBITION: Reed 320/1920.8
§3- 1-798 g
522
Knabe mit Frauen, c. 1924
(Youth with women)
Woodcut on wove paper
4I5/i6 x 415/i6 in. (12.6 x 12.6 cm)
From Karl Dietz, ed., Schwarzer Greif:
Ein Almanach aufdas Jahr 1925
(Rudolfstadt: Greifenverlag, 1925), p. 11
PROVENANCE: unknown
§3' 1-549 d
|
Alexander Eckener |
523 |
|
Untitled (burial scene), c. 1914 |
|
|
born 1870 |
Etching and drypoint on wove paper |
|
Flensburg |
79/i6 x 59/i6 in. (19.2 x 14.2 cm) |
|
From Ernst Sauermann, ed., |
|
|
died 1944 |
Schleswig-Holsteinischer Kunst- |
|
Abstgemund |
kalender 1915 (Potsdam: Stiftungsverlag, |
|
[c. 1914-15]), following p. 63 |
|
|
provenance: Walter Hane (ex libris); |
|
|
Ars Libri, Boston; purchased in 1979 |
|
|
83.1.751a |
|
|
Waldemar Eckertz |
524 |
|
Untitled (abstract composition), c. 1925 |
|
|
born 1881 Berlin |
Linoleum cut on wove paper |
83/4 x 81/8 in. (22.3 x 20.7 cm)
From Der Sturm 16, no. 3 (1925): 43
provenance: Ex Libris, New York;
purchased in 1982
83.1.1396.32
520
519
522
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521
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524
523
Eggeler
155
jsy
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525
528-1
528-3
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525
Wenn der Friihling kommt, c. 1895
(When spring comes)
Lithograph printed in brown, green,
gold, and rust on wove paper
9ls/i6 x 45/i6 in. (253 x 11.0 cm)
From Pan 1, no. 2 (1895-96): following
118
PROVENANCE: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
REFERENCE: Dennerlein 328
83.1. 1350 1
526
Schwertlilien, c. 1895-96
(Irises)
Woodcut printed in black and yellow
87/i6 x 4'yie in. (21.5 x 12.5 cm)
From Pan 1, no. 3 (1896): following 158
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
reference: Dennerlein 512
83.1.1351a
527
Nachtreiher, c. 1896
(Night herons)
Woodcut printed in black, gray, and
vermilion on thin japan paper
55/i6 x gn/i6 in. (13. 5 x 24.6 cm)
From Pan 2, no. 3 (1896): following 222
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
reference: Dennerlein 1118
83-1-1353 g
528
Amine: Eine Liebesgeschichte
(Amine: A love story)
Portfolio of 6 etchings on heavy wove
paper
inscription: each sheet signed, l.r.
provenance: Marilyn Pink, Los
Angeles; purchased in 1979
M. 82. 287. 14 a-f
1. Untitled (nude woman and man playing flute), c. 1920
3V8 x 3'/i6 in. (7.9 x 7.8 cm) M. 82. 287. 14 a
2. Untitled (nude woman and man with cart), c. 1920 ^xsYsin. (7.9x7.9cm)
M. 82. 287. 14 b
3. Untitled (musicians and hanged figures), c. 1920
3V8 x 3V16 in. (7.9 x 7.8 cm) M. 82. 287. 14 c
4. Untitled (tavern scene with nude woman), c. 1920
3V& x 3V16 in. (7.9 x 7.8 cm) M. 82. 287. 14 d
5. Untitled (serenading harlequin), c. 1920
3'/8 x 3V16 in. (7.9 x 7.8 cm) M. 82. 287. 14 e
6. Untitled (nude woman tortured by Death), c. 1920
3'/s x 3'/i6 in. (7.9 x 7.8 cm) M. 82. 287. 14 f
Otto Eckmann
born 1865 Hamburg
died 1902
Badenweiler
Stefan Eggeler
born 1894 Vienna, Austria
528-5
528-6
156
Eggeler
529
Walpurgisnacht
Portfolio of 6 etchings printed in green
on heavy wove paper
inscription: signed and dated on verso
of title page; each sheet signed, l.r.
provenance: Marilyn Pink, Los
Angeles; purchased in 1979
M.82.287.i5a-f
1. Die Ausfahrt, 1921 (The departure) 5'/4X7in. (13.4 x 17.7 cm) M.82.287. 15 a
2. Wie sich die Hexen salbten aufdass siefliegen konnten, 1921
(How the witches annoint themselves so they can fly) 5'/jX7in. (13.4 x 17.7 cm) M.82.287. 15 b
3. Der unehrbare Tanz, 1921 (The disreputable dance) 51/iX7in. (13.4.x 17.7 cm) M.82.287. 15 c
4. Die Musikanten, 1921 (The musicians) 5'/4X7in. (13.4 x 17.7 cm) M.82.287. 15 d
5. Die teuflische Unzucht, 1921 (Satanic whoredom)
5V4 x 7 in. (133 x 17.8 cm) M.82.287. 15 e
6. Die Hexenmesse, 1921 (The witches' mass) 5»/4X7in. (13.4 x 17.7 cm) M.82.287. 15 f
529-2
529-1
529-4
529-3
Georg Ehrlich 530
Trostung, c. 1920
born 1897 Vienna, (Consolation)
Austria Lithograph printed in green on japan
paper
died 1966 713/i6 x gYi in. (19.8 x 23.5 cm)
From Genius 2, no. 1 (1920): before 129 provenance: M. J. Royer Bookshop, Los Angeles; purchased about 1970-72 83.1.814 b
Jacob Eingartner 531
Untitled (abstract composition), c. 1913
Woodcut on wove paper
51/2X71/i6in. (13.9 x 17.9 cm)
From Der Sturm 4, no. 176/177
(1913): 89
provenance: Ex Libris, New York;
purchased in 1982
83.1.1391.74
531
530
Erbsloh
157
\ r v
iW
532
533
534
536
532
Flatternde Tanze l, 1918
(Fluttering dances 1)
Drypoint on J. W. Zanders 1916 paper
63/i6 x 5% in. (15.7 x 13.7 cm)
From Eos 1, no. 1 (1918): 9; from edition
A (total edition of 250)
INSCRIPTION: numbered (xvii/xl) and
signed by editor Emil Pirchan on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
exhibition: Reed under 270
83.1.1605 a
533
Flatternde Tanze 2, 1918
(Fluttering dances 2)
Drypoint on J. W. Zanders 1916 paper
7V4 x 6 in. (18.4 x 15.2 cm)
From Eos 1, no. 1 (1918): 15; from
edition A (total edition of 250)
inscription: numbered (xvii/xl) and
signed by editor Emil Pirchan on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
exhibition: Reed under 270
83.1.1605 b
534
Flatternde Tanze 3, 1918
(Fluttering dances 3)
Drypoint on J. W. Zanders 1916 paper
6 x 4% in. (15.2 x 11.8 cm)
From Eos 1, no. 1 (1918): 19; from
edition A (total edition of 250)
inscription: numbered (xvii/xl) and
signed by editor Emil Pirchan on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
exhibition: Reed under 270
83.1.1605 c
535
Madchenkopf, c. 1919
(Head of a girl)
Lithograph on wove paper
13 x 9'/i6 in. (33.0 x 23.0 cm)
From Genius 1, no. 2 (1919): before 309
provenance: M. J. Royer Rookshop,
Los Angeles; purchased about 1970-72
EXHIBITION: Reed 275/6
83. 1.813 f
536
Akt mit Strumpfband, 1920
(Nude with garter)
Woodcut on lightweight laid paper
6V1 x 49/i6 in. (15.9 x 11.6 cm)
inscription: numbered (26/50), 1.1.
estate stamp, verso
PROVENANCE: gift of Louis Karl, 198
REFERENCE: Karl 12
L.84.5.20; lent by the Robert Gore
Rifkind Foundation, Reverly Hills,
California
Ernst Moritz Engert
born 1892 Yokohama, Japan
Ignaz Epper
born 1892 Saint Gall, Switzerland
Adolf Erbsloh
born 1881
New York, New York
died 1947 Irschenhausen
158
Ernst
Max Ernst
born 1891 Bruhl
died 1976 Paris, France
Ernst Ewerbecfc
born Aachen
537
Essai pour M. Brusberg, 1972
(Study for M. Brusberg)
Lithograph printed in red on wove
paper
97/i6 x 59/i6 in. (24.0 x 14.2 cm)
From Werner Spies, Max Ernst: Jen-
seits der Malerei—das graphische
Oeuvre, exh. cat., Brusberg
Dokumente, no. 3 (Hannover: Kestner-
Museum, 1972)
inscription: numbered 1,593/4,444 on
justification page
PROVENANCE: unknown
REFERENCE: Leppien 220J
83.1.1706 a
538
Untitled (cover), c. 1919
Woodcut on cover stock
4% x 57/i6 in. (12.0 x 13.8 cm)
From Der schwarze Turin, no. 5 (1919)
INSCRIPTION: numbered (160/200) on
justification page
provenance: Ex Libris, New York;
purchased in 1978
83.1.1319 a
539
Untitled (seated nude), c. 1919
Woodcut on wove paper
7V16 x 415/i6 in. (179 x 12.5 cm)
From Der schwarze Turm, no. 5 (1919):
pl.l
INSCRIPTION: numbered (160/200) on
justification page
PROVENANCE: Ex Libris, New York;
purchased in 1978
83.1.1319 b
540
Untitled (woman at table), c. 1919
Woodcut on wove paper
4'/i6 x 55/i6 in. (10.3 x 13.5 cm)
From Der schwarze Turm, no. 5 (1919):
pi. 2
INSCRIPTION: numbered (160/200) on
justification page
PROVENANCE: Ex Libris, New York;
purchased in 1978
83.1.1319 c
541
Untitled (two men in cafe), c. 1919
Woodcut on wove paper
47/i6 x 513/i6 in. (11.2 x 14.8 cm)
From Der schwarze Turm, no. 5 (1919):
Pi- 3
inscription: numbered (160/200) on
justification page
provenance: Ex Libris, New York;
purchased in 1978
83.1. 1319 d
538
540
539
Ewerbeck
159
542
543
547
545
542
Untitled (bust of a woman), c. 1919
Woodcut on wove paper
5'/i6 x 515/i6 in. (12.8 x 15.0 em)
From Der schwarze Turin, no. 5 (1919):
pi. 4
inscription: numbered (160/200) on
justification page
provenance: Ex Libris, New York:
purchased in 1978
83- 1 1319 e
543
Untitled (tired nude woman), c. 1919
Woodcut on wove paper
6V2 x 6u/i6 in. (16.5 x 17.0 cm)
From Der schwarze Turm, no. 5 (1919):
pl-5
INSCRIPTION: numbered (160/200) on
justification page
PROVENANCE: Ex Libris, New York;
purchased in 1978
83. 1.1319 f
544
Untitled (nude looking at reflection),
e- 19!9
Woodcut on wove paper
4% x 6'/i in. (12. 1 x 15.8 cm)
From Der schwarze Turm, no. 5 (1919):
pi. 6
INSCRIPTION: numbered (160/200) on
justification page
provenance: Ex Libris, New York;
purchased in 1978
83.1. 1319 g
545
Untitled (reclining nude), e. 1919
Woodcut on wove paper
4u/i6 x 6'/i6 in. (11.9 x 15.4 cm)
From Der schwarze Turm, no. 5 (1919):
pi. 7
INSCRIPTION: numbered (160/200) on
justification page
provenance: Ex Libris, New York;
purchased in 1978
83. 1.1319 h
546
Untitled (two figures), c. 1919
Woodcut on wove paper
5% x 53/ie in. (13.6 x 13.2 cm)
From Der schwarze Turm, no. 5 (1919):
pi. 8
INSCRIPTION: numbered (160/200) on
justification page
PROVENANCE: Ex Libris, New York;
purchased in 1978
83.1.1319*
547
Untitled (nude), c. 1921 Woodcut on wove paper 4% x 2V4 in. (12.0 x 5.7 cm) From Georg Britting and Josef Achmann, eds., Die Sichel 1921 (Munich: Verlag die Sichel, 1921), p. 7 provenance: Ganymede Graphics, Berkeley; purchased in 1974 exhibition: Reed under 302 83.1. 1638 d
160
Fabry
Ernst Feigl
Friedrich Feigl
born 1884 Prague, Bohemia
|
Edmund Fabry |
548 |
|
Ekstase, c. 1918 |
|
|
born 1892 |
(Ecstasy) |
|
Norderney |
Woodcut on blue wove paper |
|
313/i6 x 37/ie in. (9.7 x 8.7 cm) |
|
|
died 1939 |
From Menschen 1, no. 10 (1918): 3 |
|
Wiesbaden |
provenance: Galerie Gerda Bassenge, |
|
Berlin, 25 May 1975, part of lot 4883 |
|
|
exhibition: Reed under 289 |
|
|
83.1.1376 c |
549
Erleuchtung, c. 1918 (Enlightenment) Woodcut on wove paper 6n/i6 x 515/i6 in. (17.0 x 15. 1 cm) From Menschen 1, no. 6 (1918): 3; the center has two copies of this issue provenance: Galerie Gerda Bassenge, Berlin, 25 May 1975, part of lot 4883 EXHIBITION: Reed under 289 83.1.1367 b
550
Untitled (portrait of General von
Stein), 1914
Lithograph on wove paper
9'/2 x 6% in. (24.2 x 17. 1 cm)
From Kriegszeit, no. 9 (1914): 1
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/38
83. 1. 1408 a
551
Mackensen, c. 1916
Lithograph on wove paper
9% x 6% in. (24.5 x 17.2 cm)
From Kriegszeit, no. 63 (1916): 1
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/39
83. 1. 1460 a
552
Untitled (horses and soldiers), 1914 Lithograph on wove paper 55/ie x 4V16 in. (13.5 x 10.3 cm) From Zeit-Echo 1, no. 4 (1914): 43 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 exhibition: Reed under 308 83.1.1189 a
549
550
551
552
Feininger
161
554
''■'(
A^
553
553
Untitled (woman pleading), c. 1915
Lithograph on wove paper
55/i6 x 4V8 in. (13.5 x 10.5 cm)
From special edition of Zeit-Echo 1, no.
7 (i9i5): 97
INSCRIPTION: numbered (43) on table of
contents
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
exhibition: Reed under 308
83.1.1192 c
554
Untitled (group of nudes and horse),
c 1919
Lithograph and watercolor on laid paper
5% x 7u/i6 in. (14.6 x 19.5 cm)
From deluxe edition of Miinchner
Blatter fur Dichtung und Graphik 1,
no. 10 (1919)
inscription: numbered (xix/c) on table
of contents
PROVENANCE: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
EXHIBITION: Reed under 290
83.1.1332 a
555
Das Tor, 1912
(The gate)
Etching on wove paper
i6'/8 x 12% in. (41.0 x 32.0 cm)
From portfolio Die Schaffenden 1, no. 1
(Weimar: Gustav Kiepenheuer Verlag,
1919); from edition of 100 (total edition
of 125)
INSCRIPTION: signed, 1.1.; publisher's
stamp, 1.1.
provenance: Karl & Faber, Munich,
26-27 May 1971, lot 644
reference: Prasse E 52; Jahn and
Berger 1
EXHIBITION: Reed 223
M.82.288.59
556
Fischerboot im Regen, c. 1917
(Fishing boat in the rain)
Etching on wove paper
45/i6 x 5V2 in. (11.0 x 13.9 cm)
From deluxe edition of Das Kunstblatt
1, no. 3 (1917)
INSCRIPTION: numbered (32/110) on
justification page
PROVENANCE: Henry Hallenstein; W. F.
Arntz, Haag (Oberbayern); purchased
in 1975
REFERENCE: Prasse, p. 258, no. 17 EXHIBITION: Reed 283/4 83.1.1087 b
Lyonel Feininger
born 1871
New York, New York
died 1956
New York, New York
556
162
Feininger
557
Da-Da 1, 1918
Woodcut on wove paper
4^16 x 37/i6 in. (11.6 x 8.8 cm)
From Adolf Knoblauch, Dada, Der
jiingste Tag, no. 73/74 (Leipzig: Kurt
Wolff Verlag, 1919), frontispiece
provenance: Hartung & Karl, Munich,
21 November 1974. part of lot 1758
REFERENCE: Prasse W 91
83.1.391a
558
Hansaflotte, 1918
(Hansa fleet)
Woodcut on wove paper
6V2 x 8% in. (16.5 x 21.9 cm)
From Kurt Pfister, ed. , Deutsche
Graphiker der Gegenwart (Leipzig:
Klinkhardt & Biermann, 1920), p. 23;
edition of 600
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1972
REFERENCE: PraSSe W 115
exhibition: Reed under 339 83.1.171 p
559
Rathaus, Zottelstedt, 1918 (Town hall, Zottelstedt) Woodcut on wove paper 4V2 x 5V2 in. (11.4 x 14.0 cm) From Ja! Stimmen des Arbeitsrates fur Kunst in Berlin (Berlin-Charlottenburg: Photographische Gesellschaft, 1919), frontispiece; edition of 55 PROVENANCE: unknown REFERENCE: Prasse W 37 exhibition: Reed under 368B 83- 1-354 a
560
Rue St. Jacques, Paris, 1918
Woodcut on wove paper
5% x 4V2 in. (13.6 x 11.5 cm)
From Paul Erich Kiippers, ed., Das
Kestnerbuch (Hannover: Heinrich
Bohme Verlag, 1919), following p. 112
provenance: Galerie Gerda Bassenge,
Berlin, 13-18 May 1973, part of lot
4076
reference: Prasse W 46 11
exhibition: Reed 321/11
83.1.140 k
561
Segler, 1918
(Sailboat)
Woodcut on J. W. Zanders paper
7 x 7V16 in. (17.7 x 18.0 cm)
From portfolio Die Fibel (Darmstadt:
Karl Lang Verlag, 1919)
inscription: signed, 1.1.
PROVENANCE: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
REFERENCE: Prasse W 99 II
exhibition: Reed under 338
83.1.18 b
558
561
557
560
Feininger
163
562
566
562
Dorf, c. 1918-19
(Village)
Woodcut on wove paper
613/i6 x 7I5/i6 in. (17.3 x 20. 1 cm)
From Das Kunstblatt 4, no. 1 (1920)
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
REFERENCE: Prasse W 301
EXHIBITION: Reed 283/33
83.1.1147 a
563
Kathedrale, 1919
(Cathedral)
Woodcut on gray-blue newsprint
12 x 7% in. (30.5 x 18.7 cm)
From brochure Programm des
Staatlichen Bauhauses in Weimar (April
1919), cover
provenance: Hans Bolliger, Zurich;
date of purchase unknown
reference: Prasse W 144 I. B
exhibition: Reed 395; Rigby, p. 105,
fig- 9i 83.1.3 a
564
Marine, c. 1919
(Navy)
Woodcut on wove paper
615/i6 x 8%6 in. (17.6 x 21.8 cm)
From Die rote Erde 1, no. 8/10
(1920): 261
provenance: Hans Bolliger, Zurich;
purchased in 1975
reference: Prasse W 66
exhibition: Reed under 298
83. 1.972 f
565
Schiffe am Hafenquai, 1919 (Ships at harbor quay) Woodcut on wove paper 6% x g13/i6 in. (17.1 x 25.0 cm) From Das Kunstblatt 3, no. 2 (1919) provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 REFERENCE: Prasse W 116 exhibition: Reed 283/32 83.1.1136 a
566
Segelboote mit Mond, 1919
(Sailboats with moon)
Woodcut on thin laid paper
5u/ie x 6u/i6 in. (14.8 x 17.0 cm)
From deluxe edition of Paul Westheim,
Das Holzschnittbuch (Potsdam: Gustav
Kiepenheuer Verlag, 1921), following
p. 168
INSCRIPTION: signed, l.r.; numbered
(15/100) on justification page
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1972
REFERENCE: Prasse W 183 III
EXHIBITION: Reed 319/2
83- 1- 199 b
164
Feininger
Max Feldbauer
born 1869
Neumarkt
died 1948 Munich
Conrad Felixmiiller born 1897 Dresden died 1977 Berlin
567
Buttelstedt, 1920 Woodcut on wove paper 8 x 6'/8 in. (20.3 x 15.5 cm) From Georg Biermann, ed.,Jahrbuch derjungen Kunst (Leipzig: Klinkhardt & Biermann, 1920), following p. 204 PROVENANCE: Bismarck Buchhandlung, Charlottenburg (ex libris, cover); Ganymede Graphics, Berkeley; purchased in 1974 reference: Prasse W 208 EXHIBITION: Reed 320/1920.4 83. 1.798 e
568
Husaren in Angriff, 1914
(Hussars attacking)
Lithograph with pale orange watercolor
on wove paper
15% x I215/i6 in. (39. 7 x 32.8 cm)
From portfolio Kriegsbilderbogen
Miinchner Kiinstler (Munich:
Goltzverlag, [c. 1914]), pi. 3
INSCRIPTION: signed, l.r.; publisher's
stamp, l.r.
provenance: Christie's, London, 5 July
1979, part of lot 178
M. 82.288.381 b
569
Untitled (mounted officer), c. 1915 Lithograph on wove paper 6 x 4% in. (15.3 x 12. 1 cm) From Zeit-Echo 1, no. 8 (1915): 109 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 EXHIBITION: Reed under 308 83- 1- 1193 a
567
570
Abraham und Isaak, 1913
(Abraham and Isaac)
Woodcut on orange wove paper
4% x g7/i6 in. (12. 1 x 24.0 cm)
From Menschen 1, no. 2 (1918): 2
provenance: Galerie Gerda Bassenge,
Berlin, 25 May 1975, part of lot 4883
REFERENCE: Sbhn 32c
EXHIBITION: Reed under 289
83.1.1362 c
571
Pharao und Joseph, 1914
(Pharaoh and Joseph)
Woodcut on wove paper
10 x 8Vs in. (25.4 x 20.7 cm)
From Der Sturm 6, no. 3/4 (1915): 19;
the center also has an impression from
Menschen 1, no. 2 (1918): 2
provenance: Ex Libris, New York;
purchased in 1982
reference: Sbhn 55b
83.1.1392.18
569
571
570
Felixmiiller
165
572
575
572
Untitled (mother and child), 1914 Brush and black ink on wove paper 8V2 x 5V8 in. (21.3 x 13.0 cm) inscription: initialed and dated, 1.1. provenance: E. A. Buck (stamp, verso); Galerie Wolfgang Ketterer, Munich, 26 November 1973, lot 398 exhibition: Reed 412 Study for the woodcut Galgenlied (Sohn 16) M. 82. 288. 329
573
Bildnis Karl Liebknecht, 1916 (Portrait of Karl Liebknecht) Woodcut on laid paper 33/i6 x 3 in. (8. 1 x 7.7 cm) From Menschen 2, no. 2 (1919): 1 provenance: Galerie Gerda Bassenge, Berlin, 25 May 1975, part of lot 4883 reference: Sohn 88b (as original) exhibition: Reed under 28g; Chipp 142 (as reproduction); Rigby III, 6 (as reproduction)
83.1. 1379 d
574
Selbstbildnis, 1916
(Self-portrait)
Woodcut on laid paper
6% x 6 in. (17.2 x 15.3 cm)
From Der Weg 1, no. 5/6 (1919): 1
provenance: Ex Libris, New York;
purchased in 1976
REFERENCE: Sbhn 85b
EXHIBITION: Reed under 305; Chipp 140
83.1.1217 a
575
Vater und Sohn reichen sich im Beisein vonMondund Sternen die Hande, 1916 (Father and son reach toward each other in the presence of the moon and stars) Woodcut on orange wove paper 11% x 9% in. (29.8 x 24.8 cm) From Menschen 1, no. 2 (1918): 3 provenance: Galerie Gerda Bassenge, Berlin, 25 May 1975, part of lot 4883 reference: Sohn 86b EXHIBITION: Reed under 289 83.1.1362 b
576
Bedriicktsein im Atelier, 1917 (Depressed in the studio) Woodcut on green thin wove paper 11% x 913/i6 in. (29.8 x 24.9 cm) From Menschen 1, no. 1 (1918): 4 provenance: Galerie Gerda Bassenge, Berlin, 25 May 1975, part of lot 4883 REFERENCE: Sohn 99b exhibition: Reed under 289 83.1.1361 b
576
166
Felixmiiller
577
Bess Brenck-Kalischer, 1917 Woodcut on wove paper 2I3/i6 x 37/i6 in. (7.2 x 8.7 cm) From Menschen 1, no. 3 (1918): 3 provenance: Galerie Gerda Bassenge, Berlin, 25 May 1975, part of lot 4883 REFERENCE: Sohn 114b exhibition: Beed under 289 83- 1- 1363 e
578
Der Dichter Rudolf Dietrich, 1917 (The poet Budolf Dietrich) Woodcut on wove paper 45/i6 x 3'/i in. (11.0 x 8.2 cm) From Menschen 1, no. 3 (1918): 2 provenance: Galerie Gerda Bassenge, Berlin, 25 May 1975, part of lot 4883 reference: Sohn 101b exhibition: Beed under 289 83.1.1363 c
579
Der Dichter Walter Rheiner, 1917 (The poet Walter Bheiner) Woodcut on orange wove paper n13/i6 x 9'/i6 in. (30.0 x 23. 1 cm) From Menschen 1, no. 2 (1918): 4 provenance: Galerie Gerda Bassenge, Berlin, 25 May 1975, part of lot 4883 REFERENCE: Sohn 105c exhibition: Reed under 289 83. 1. 1362 e
580
Fur Anastasia Dimitriewa, 1917
(For Anastasia Dimitrieva)
Woodcut on wove paper
45/i6 x 3V4 in. (10.9 x 8.2 cm)
From Die Aktion 8, no. 9/10 (1918): 119
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
reference: Sohn 106b
83.1.531b
581
Kopf Londa, 1917
(Head of Londa)
Woodcut on wove paper
45/i6 x 2% in. (11.0 x 7.0 cm)
From Die Aktion 8, no. 3/4 (1918): 40
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
REFERENCE: S6hn 103b
83.1. 1529 d
582
Kopf Londa 2, 1917
(Head of Londa 2)
Lithograph on japan paper
7% x 6'/8 in. (20.0 x 15.5 cm)
From deluxe edition of Das Kunstblatt
2, no. 1 (1918)
inscription: numbered (32/110) on
justification page
provenance: Henry Hallenstein; W. F.
Arntz, Haag (Oberbayern); purchased
in 1975
REFERENCE: Sbhn 112
EXHIBITION: Reed 283/5
83.1.1111 b
577
£.?;
581
582
Felixmiiller
167
584
583
F/v\.
585
583
Menschen, 1917
(Humanity)
Woodcut on thin wove orange paper
18 x 57/s in. (45.8 x 14.9 cm)
Announcement for periodical
Menschen; the block was used for the
title page of each issue; for the first year
(1918) the center has all ten issues (two
copies of no. 6), one special flier (21
November 1918), and four additional
promotional fliers
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1976
REFERENCE: Sohn 119
83.1.1360 a
584
Postulat, 1917
(Postulate)
Woodcut on purple wove paper
515/i6 x 5'/s in. (15.0 x 13.0 cm)
From promotional flier for Menschen 1,
no. 8 (1918), p. 2
provenance: Galerie Gerda Bassenge,
Berlin, 25 May 1975, part of lot 4883
reference: Sohn 109c
EXHIRITION: Reed under 289
83.1.1371b
585
Zwischen Mann und Frau, 1917 (Between man and woman) Lithograph on laid paper n'/4 x 83/i in. (28.5 x 22.3 cm) inscription: signed, monogrammed, and dated, 1.1.; titled, I.e.; numbered (6/8), l.r.
provenance: Graphik Salon Gerhart Sohn, Diisseldorf; purchased in 1978 REFERENCE: Sohn 113 EXHIBITION: Rigby 31 M. 82.288.60
586
Bohmen, 1918
(Bohemia)
Woodcut on wove paper
513/i6 x 3% in. (14.7 x 8.6 cm)
From Die schone Raritat 2, no. 8
(1918): 128
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
REFERENCE: Sohn 152
exhibition: Reed under 301
83.1.1652 h
587
Bruckensprung, 1918 (Leap from the bridge) Woodcut on green wove paper 5V2 x 3% in. (14.0 x 8.5 cm) From Menschen 1, no. 5 (1918): 2 provenance: Galerie Gerda Bassenge, Berlin, 25 May 1975, part of lot 4883 REFERENCE: Sohn 127b exhibition: Reed under 289 83.1.1366 b
587
168
Felixmiiller
588
Erich H. Miiller, 1918 Woodcut on wove paper 3% x 213/i6 in. (9.9 x 7. 1 cm) From Menschen 1, no. 3 (1918): 2 provenance: Galerie Gerda Bassenge, Berlin, 25 May 1975, part of lot 4883 REFERENCE: Sohn 131a exhibition: Reed under 289 83-1- i363d
589
Felixmiiller— Selbstportrdt, 1918
(Felixmiiller— self-portrait)
Woodcut on wove paper
37/8 x 2'/2 in. (9.9 x 6.3 cm)
From Menschen 1, no. 3 (1918): 3
provenance: Galerie Gerda Bassenge,
Berlin, 25 May 1975, part of lot 4883
REFERENCE: S6hn 133a
EXHIBITION: Reed under 289 83.1. 1363 f
590
Felix Stiemer, 1918 Woodcut on wove paper 43/4 x 215/i6 in. (12.1x7.5 cm) From Menschen 1, no. 3 (1918): 4 provenance: Galerie Gerda Bassenge, Berlin, 25 May 1975, part of lot 4883 REFERENCE: Sohn 134a exhibition: Reed under 289 83.1.136311
591
Heinar Schilling, 1918 Woodcut on wove paper 45/i6 x 2% in. (11.0 x 7.0 cm) From Menschen 1, no. 3 (1918): 3 provenance: Galerie Gerda Bassenge, Berlin, 25 May 1975, part of lot 4883 REFERENCE: Sohn 130a exhibition: Reed under 289 83- 1- i363g
592
Lautenspielerin, 1918 (Woman playing lute) Woodcut on purple wove paper 45/8 x 45/i6 in. (11.7 x 10.9 cm) From Menschen 1, no. 8 (1918): 4 provenance: Galerie Gerda Bassenge, Berlin, 25 May 1975, part of lot 4883 REFERENCE: Sohn 146c exhibition: Reed under 289 83.1. 1372 h
593
Liebesfrucht, 1918
(Fruit of love)
Lithograph printed in dark brown on
olive green wove paper
17% x n'/s in. (45.2 x 28.3 cm)
From edition of about 30
inscription: signed and dated, 1.1. ;
titled. I.e.; inscribed "lithographie," l.r.
provenance: Graphik Salon Gerhart
Sohn, Diisseldorf; purchased in 1978
REFERENCE: S6hn 143
M. 82.288.63
588
589
590
592
593
Felixmiiller
169
594
595
596
594
Madchen unter Bdumen, 1918
(Girl under trees)
Woodcut on green wove paper
9% x 513/i6 in. (24.7 x 14.7 cm)
From Menschen 1, no. 7 (1918): 3
provenance: Galerie Gerda Bassenge,
Berlin, 25 May 1975, part of lot 4883
REFERENCE: Sbhn I24C
exhibition: Reed under 289
83.1.1370 c
595
Morgen, 1918
(Morning)
Woodcut on purple wove paper
47/i6 x 7 in. (11.2 x 17.8 cm)
From promotional flier for Menschen 1,
no. 8 (1918), p. 2
provenance: Galerie Gerda Bassenge,
Berlin, 25 May 1975, part of lot 4883
REFERENCE: Sbhn 158b
exhibition: Reed under 289
83.1.1371 d
596
Mutter, 1918
(Mother)
Woodcut on wove paper
87/s x 3I/2 in. (22.5 x 8.9 cm)
From Das Kunstblatt 3, no. 3 (1919)
provenance: Kunstgalerie Esslingen,
Esslingen, purchased in 1975
reference: Sbhn 157b
exhibition: Reed 283/53
83.1.1137 a
597
Offenes Hoar, 1918
(Undone hair)
Woodcut on purple wove paper
11% x n13/i6 in. (29.8 x 30.0 cm)
From promotional flier for Menschen 1,
no. 8 (1918). p. 4
provenance: Galerie Gerda Bassenge,
Berlin, 25 May 1975, part of lot 4883
REFERENCE: Sbhn 136b
exhibition: Reed under 289
83.1. 1371 e
598
Programm, 1918
(Program)
Woodcut on purple wove paper
37/i6 x 6'/s in. (8.8 x 15.6 cm)
From promotional flier for Menschen 1,
no. 8 (1918), p. 2
provenance: Galerie Gerda Bassenge,
Berlin, 25 May 1975, part of lot 4883
REFERENCE: Sbhn 132b
exhibition: Reed under 289
83.1.1371c
598
170
Felix mulier
599
Der rote Hahn, 1918 (The red rooster) Woodcut on wove paper 3% x 215/i6 in. (9.5 x 7.4 cm) From Gottfried Benn, Diesterweg, Der rote Hahn, no. 8 (Berlin-Wilmersdorf: Verlagdie Aktion, 1918), p. 29 provenance: Hartung & Karl, Munich, 13- 14 November 1974, part of lot 1936 REFERENCE: Sohn 169 (as 1919; this edition not cited) 83.1.674 a
600
Schwangere, 1918
(Pregnant woman)
Woodcut on wove paper
6V2 x 39/i6 in. (16.5 x 9.0 cm)
From Die Aktion 9, no. 18 (1919): 259
provenance: gift of Titus Felixmiiller,
1984
REFERENCE: Sohn 148b
L. 84. 5. 83 b; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
601
Selbstbild, 1918
(Self-portrait)
Woodcut on laid paper
413/i6 x 215/i6 in. (12.3 x 7.5 cm)
From Menschen 2, no. 2 (1919): 3
provenance: Galerie Gerda Bassenge,
Berlin, 25 May 1975, part of lot 4883
REFERENCE: S6hn I47C
exhihition: Reed under 289 831- 1379 g
602
Soldat im lrrenhaus, 1918 (Soldier in a madhouse) Lithograph printed in red and blue- violet on laid paper lS'/s x i23/i6 in. (38.4 x 31.0 cm) From edition of about 20 inscription: signed and dated, l.r.; inscribed "farbige lithographie," 1.1. PROVENANCE: Kunsthaus Lempertz, Cologne, 3-4 December 1980, lot 324 REFERENCE: Sohn 150 EXHIBITION: Rigby 29
M. 82.287. 16
603
Soldat im lrrenhaus 2, 1918 (Soldier in a madhouse 2) Lithograph on wove paper i37/i6 x 11 in. (34.2 x 28.0 cm) From portfolio Die Schaffenden 1, no. 2 (Weimar: Gustav Kiepenheuer Verlag, 1919); from edition of 100 (total edition of 125)
inscription: signed and dated, 1.1.; tided, I.e.; inscribed "Lithographie," l.r. provenance: Kunsthaus Lempertz, Cologne, 19 July 1982, lot 194 reference: Sohn 150a; Jahnand Berger 15
EXHIBITION: Rigby 30 M. 82. 287. 17
599
602
601
Felixmiiller
171
605
604
604
Walter Rheiner, 1918
Woodcut on wove paper
3% x 3 in. (8.5 x 7.6 cm)
From Menschen 1, no. 3 (1918): 2
provenance: Galerie Gerda Bassenge,
Berlin, 25 May 1975, part of lot 4883
REFERENCE: Sohn 129a
EXHIBITION: Reed under 289; Rigby
IV, 5
83.1.1363 b
605
Frau am Fenster, 1919
(Woman at window)
Woodcut on wove paper
9V2 x 6% in. (24. 1x16.8 cm)
From Die rote Erde 1, no. 6 (1919): 171
provenance: Hans Bolliger, Zurich:
purchased in 1975
REFERENCE: Sohn 191b
EXHIBITION: Reed under 298
83. 1.970 d
606
Mutter und Kind, 1919
(Mother and child)
Woodcut on wove paper
515/i6 x 3% in. (15.0 x 8.5 cm)
From Die Ahtion 10, no. 25/26 (1920):
351
provenance: gift of Titus Felixmiiller,
1984
REFERENCE: Sohn 183b
L.84.5.87 c; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
607
Mutter und Kind 2, 1919
(Mother and child 2)
Woodcut on wove paper
6% x 215/i6 in. (16.2 x 7.4 cm)
From Die Aktion 9, no. 18 (1919): 278
provenance: gift of Titus Felixmiiller,
1984
REFERENCE: Sohn 166b
L. 84. 5. 83 c; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
608
Mutter und Kind 3, 1919
(Mother and child 3)
Woodcut on wove paper
315/i6 x 3J/i in. (10.0 x 8.3 cm)
From Die Aktion 9, no. 28 (1919): 462
provenance: gift of Titus Felixmiiller,
REFERENCE: Sohn 168b L.84.5.85 b; lent by the Robert Gore Rifkind Foundation, Beverly Hills, California
606
172
Felix miiUer
609
Paar, 1919
(Couple)
Woodcut on wove paper
513/i6 x 515/i6 in. (14.8 x 15.0 cm)
From Die rote Erde 1, no. 6 (1919): 165
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1975
REFERENCE: Sohn 180b
exhibition: Reed under 298
83. 1.970 c
610
Selbstbildnis, 1919
(Self-portrait)
Woodcut on wove paper
97/i6 x 6"/i6 in. (24.0 x 17.0 cm)
From Kurt Pfister, ed. , Deutsche
Graphiker der Gegemvart (Leipzig:
Klinkhardt & Biermann, 1920), pi. 24;
edition of 600
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1972
REFERENCE: Sohn 189b
EXHIBITION: Reed under 339
83.1.171 q
611
Toter Genosse, 1919
(Dead comrade)
Lithograph on wove paper
6% x 59/i6 in. (17.2 x 14.2 cm)
From Paul Erich Kiippers, ed., Das
Kestnerbuch (Hannover: Heinrich
Bohme Verlag, 1919), following p. 52
provenance: Galerie Gerda Bassenge,
Berlin, 13-18 May 1973, part of lot
4076
REFERENCE: Sohn 76b
exhibition: Reed 321/6; Rigby iv, 4
83.1.140 f
612
Untitled (cover), 1919
Woodcut on wove paper
io7/i6 x 515/i6 in. (26.5 x 15.0 cm)
From Sezession Gruppe 1919, exh. cat.
(Dresden: Verlag Emil Richter, 1919)
provenance: Hans Bolliger, Zurich;
purchased in 1974
REFERENCE: Sohn 163
Poor condition
83.1.566 a
613
Selbstbildnis mit Frau, c. 1920-21
(Self-portrait with wife)
Woodcut on thin wove paper
I513/i6 x 15% in. (40. 1 x 40.0 cm)
Trial proof of line block of color woodcut
(cat. no. 614)
INSCRIPTION: signed, l.r.; inscribed
"15/15 Holzschnitt, 11. Zustand,
Probedruck der Conturenplatte des
fbg.,"l.l.
PROVENANCE: Kunsthaus Lempertz,
Cologne, 19 May 1979, lot 248
REFERENCE: Sohn 233
exhibition: Barton 85
M. 82.288.64
610
1 Verlsq lE.Wchrer
612
Felix mii Her
173
614
614
Selbstbildnis mit Frau, ig2i (Self-portrait with wife) Woodcut printed in orange, red, blue, and tan on handmade paper 15% x 15% in. (40.0 x 40.0 cm) From edition of about 10 inscription: signed and titled, l.r.; inscribed "farbiger holzschnitt," 1.1. provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1978 REFERENCE: S6hn 234 exhibition: Barton 86; Chipp 36 M. 82.288.61
615
Liebespaar, 1923
(Lovers)
Woodcut on wove paper
87/8 x 6% in. (22.5 x 16.8 cm)
From Georg Biermann, ed.,]ahrbuch
derjungen Kunst (Leipzig: Klinkhardt
& Biermann, 1923), before p. 319
provenance: Hans Bolliger, Zurich;
purchased in 1975
REFERENCE: Sohn 314
exhibition: Reed 320/1923.4; Rigby IV, 3 83. 1.801 d
616
Noch sind nicht alle Mdrze vorbei, 1923
(All the months of March have not yet
passed)
Woodcut on wove paper
35/i6 x 515/ie in. (8.4 x 15.0 cm)
From Die Aktion 13, no. 5 (1923): cover
provenance: gift of Titus Felixmiiller,
1984
REFERENCE: S6hn 316
L. 84.5. 121 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
615
174
Felixmiiller
617
ABC: Ein geschiitteltes, gekniitteltes Alphabet in Bildern mit Versen von Londa und Conrad Felixmiiller
(ABC: A nonsense alphabet in pictures with verses by Londa and Conrad Felixmiiller)
Book with 16 woodcuts with watercolor (except title page, which is printed in color) on handmade paper Published by Emil Boden, Dresden, 1925; one of about 10 hand-colored copies (total edition of 350) inscription: signed and numbered (82/100) on p. 2; inscribed "Eigenhandigcoloriert, C. Felixmiiller" on p. 2 provenance: Galerie Wolfgang Ketterer, Munich, 1 December 1980, lot 494
REFERENCE: Sbhn 348-63 83. 1.656 a-p
1. Untitled (title page), 1925 Printed in red and blue 715/ie x 97/s in. (20.2 x 25. 1 cm) REFERENCE: Sbhn 348 83.1.656 a
2. Untitled (dedication page), 1925 With purple, green, yellow, and pale pink watercolor
77/s x gI3/i6 in. (20.0 x 25.0 cm) REFERENCE: Sbhn 349 83.1.656 b
3. A-B, 1925
With pink, yellow, blue, purple, orange, and green watercolor 7% x 913/i6 in. (20.0 x 24.9 cm) REFERENCE: Sbhn 350 83.1.656 c
4. C-D, 1925
With orange, blue, yellow, red, purple, and green watercolor 7% x 913/i6 in. (20.0 x 25.0 cm) REFERENCE: Sbhn 351 83. 1.656 d
5. E-F, 1925
With green, blue, yellow, orange,
and purple watercolor
713/i6 x 9% in. (19.9 x 24.8 cm)
REFERENCE: Sbhn 352
83.1.6566
6. G-H, 1925
With blue, green, and orange
watercolor
77/s x g13/i6 in. (20.0 x 25.0 cm)
REFERENCE: Sbhn 353
83. 1.656 f
7. /-/, 1925
With yellow, red, green, orange, purple, blue, and ocher watercolor 7% x g7/s in. (20.0 x 25. 1 cm) REFERENCE: Sbhn 354 83.1.656 g
8. K-L, 1925
With orange, yellow, blue, green, purple, and red watercolor 77/a x 913/i6 in. (20.0 x 25.0 cm) REFERENCE: Sbhn 355 83. 1.656 h
HerLucaSTitus
J und fiir die Kinder nraer rreunde
igezeklmet und h Holz gesd™tten192i> ' n diesrAirsgabe im Selfatverto simfmo ■Exenqdare iMi.u.sigii. ■Dies tragt
617-1
lanksuindieQIowns im Circus sehrr Wiesieaufeinem Drahtseil stehnf
617-3
617-4
617-5
617-6
ndiwier spielen miM viel Sp&ssl
Felixmiiller
175
617-9
617-11
617-13
sieht wie! sin Buffet
aus
fa
^&*uckerZieli.isl(i hSL M&F-Efni BodenDtaSL
9. M-1V, 1925
With orange, green, red, blue, yellow, and purple watercolor 713/i6 x g13/i6 in. (19.9 x 24.9 cm) REFERENCE: S6hn 356 83.1.656!
10. O-P, 1925
With green, purple, blue, red, orange, and yellow watercolor 77/8 x 9I3/i6 in. (20.0 x 25.0 cm) REFERENCE: Sohn 357 83.1. 656 j
11. Q-R, 1925
With orange, red, yellow, blue, green, purple, and pink watercolor 713/i6 x g13/i6 in. (19.9 x 24.9 cm) REFERENCE: S6hn 358 83.1.656 k
12. S-T, 1925
With purple, blue, green, orange, and yellow watercolor 77/s x g13/i6 in. (20.0 x 25.0 cm) REFERENCE: Sohn 359 83.1.656 1
13. U-V, 1925
With blue, green, red, yellow, orange, and purple watercolor 77/8 x 97/8 in. (20.0 x 25. 1 cm) REFERENCE: Sohn 360 83.1.656 m
14. W-X, 1925
With blue, yellow, pink, green, orange, and purple watercolor 77/8 x 9,3/i6 in. (20.0 x 25.0 cm) REFERENCE: Sohn 361 83.1.656 n
15. Y-Z, 1925
With orange, ocher, blue, pink, yellow, and green watercolor 77/s x 913/i6 in. (20.0 x 25.0 cm) REFERENCE: Sohn 362 83.1.6560
16. Schlussblatt zum Bilderbuch ABC,
1925
(End page to the picture book ABC)
With yellow, blue, and rose
watercolor
413/i6 x 65/i6 in. (12.2 x 16.0 cm)
reference: Sohn 363
83. 1.656 p
617-15
617-16
176
Felixmiiller
Maximilian von Fichard
born 1836 Lvov, Galicia
618
Bikinis Max Liebermann, 1926 (Portrait of Mas Liebermann) Woodcut on wove paper with watermark of the Hamburger Griffelkunst-Vereinigung 10//2 x i57/i6 in. (49.7 x 39.2 cm) From edition of about 40 inscription: signed, l.r. provenance: Galerie Saxonia, Munich; purchased in 1978 REFERENCE: Sohn 366 b EXHIBITION: Barton 87; Chipp 37 M. 82.288.62
Valer von Ferencky 619
Ceneraloberst von Mackensen, 1915 died 1955 (Senior General von Mackensen)
Budapest, Hungary Lithograph on wove paper
14 x 11 in. (35.5 x 28.0 cm) From Kriegszeit, no. 45 (1915): 4 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
EXHIBITION: Reed 281/40 83.1.1443 d
620
Heerfiihrer im Osten—Exzellenz von Linsingen, 1915 (Army commander in the east- Excellency von Linsingen) Lithograph on wove paper n7/i6 x 9% in. (29.0 x 23.5 cm) From Kriegszeit, no. 49 (1915): 1 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072 EXHIBITION: Reed 281/41
83.1.1447 a
621
Heerfiihrer im Osten— General Boehm-
Ermolli, 1915
(Army commander in the east— General
Boehm-Ermolli)
Lithograph on wove paper
12 x io'/j in. (30.5 x 26.0 cm)
From Kriegszeit, no. 50 (1915): 1
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: not in Reed under 281
83.1.1448 a
618
622
Motiv aus Strassburg, 1891
(Motif from Strasbourg)
Etching on Van Gelder Zonen paper
3X41/2in. (7.7.x 11.5 cm)
From Pan 4, no. 3 (1898): following 182
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
reference: Dennerlein 2121
83.1.1357 c
620
619
621
Fingesten
177
623
625
\JitlM. ^/^y^l-U^
&Jfcltt&tm
CHRONIK
626
623
Untitled (Cubist composition), c. 1913
Woodcut on wove paper
97/i6 x 6V4 in. (24.0 x 15.8 cm)
From Der Sturm 4, no. 182/183 (1913):
117
provenance: Ex Libris, New York;
purchased in 1982
83.1.1391.78
624
Kopf, c. 1914
(Head)
Woodcut on wove paper
7'/i6 x 5V4 in. (17.9 x 14.0 cm)
From Der Sturm 4, no. 198/199 (1914):
177
provenance: Ex Libris, New York;
purchased in 1982
83.1.1391.80
625
Bhawani, c. 1918 Lithograph on wove paper io3/i6 x 7n/i6 in. (25.8 x 19.5 cm) From deluxe edition of Marsyas, no. 5 (1918): 125; total edition of 235 inscription: signed, l.r.; numbered (xxvn/xxxv) on justification page provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 exhibition: Reed under 288 83.1.1665 m
626
Chronik, 1918
(Chronicle)
Lithograph on wove paper
57/s x 6VS in. (15.0 x 16.6 cm)
From deluxe edition of Marsyas, no. 5
(1918): 153; total edition of 235
INSCRIPTION: signed, u.r.; numbered
(xxvn/xxxv) on justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
exhibition: Reed under 288
83. 1. 1665 aa
627
Untitled (man at window), c. 1918 Lithograph on wove paper 95/i6 x 6V2 in. (23.7 x 16.5 cm) From deluxe edition of Marsyas, no. 5 (1918): 129; total edition of 235 inscription: signed, l.r.; numbered (xxvn/xxxv) on justification page provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 exhibition: Reed under 288 83.1.1665 n
Emil Filla
born 1882
Chropyne. Moravia
died 1953 Prague, Czechoslovakia
Michl Fingesten
born 1884 Buczkowitz
died 1943Cosenza, Italy
627
178
Fingesten
628
Marsyas, 1919
Drypoint on japan paper
5'/4 x 6Vs in. (13-3 x 15.5 cm)
First state; from deluxe edition of
Marsyas, no. 6 (1919); the issue also
contains impressions of the second state
(signed, l.r.; inscribed "11 Zust.," 1.1.)
and the published state (p. 225; signed,
l.r.); total edition of 235 in the published
state
inscription: signed, l.r; inscribed "1
Zust.," 1.1.; numbered (xxvu/xxxv) on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
exhibition: Reed under 288
83.1.1666 cc
629
Untitled (man and woman on couch),
c 1919
Drypoint on japan paper
8"/i6 x 6V2 in. (22. 1 x 16.5 cm)
First state; from deluxe edition of
Marsyas, no. 6 (1919); the issue also
contains an impression of the published
state (p. 189); total edition of 235 in the
published state
INSCRIPTION: numbered (xxvu/xxxv)
on justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
exhibition: Reed under 288
83.1. 1666 d
630
Untitled (couple in landscape), c. 1919
Drypoint on japan paper
8u/i6 x 6V4 in. (22.0 x 16.5 cm)
First state; from deluxe edition of
Marsyas, no. 6 (1919); the issue also
contains impressions of the second state
(signed, l.r; inscribed "11 Zust.," 1.1.)
and the published state (p. 193; signed,
l.r.); total edition of 235 in the published
state
INSCRIPTION: numbered (xxvu/xxxv)
on justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
exhibition: Reed under 288
83.1. 1666 f
Ernesto de Fiori 631
Cesang, c. 1915
born 1884 Rome, (Singing)
Italy Lithograph on laid paper
4% x 57/i6 in. (12. 1 x 13.8 cm)
died 1945 From Zeit-Echo 2, no. 10 (1915-16):
Sao Paulo, Brazil 151
provenance: gift of Elmar Seibel, 1983 L.86. 175 b; lent by the Robert Gore Rifkind Foundation, Beverly Hills, California
628
■? 7AH?s(?A.N(y'f
Ol'— ^ v^
629
630
631
Fischer
179
^
633
634
638
636
632
Untitled (couple), c. 1915 Lithograph on laid paper 5V8 x 5 in. (13.0 x 12.7 cm) From Zeit-Echo 2, no. 7 (1915-16): 98 provenance: gift of Elmar Seibel, 1983 L. 86. 1.72 a; lent by the Robert Gore Rifkind Foundation, Beverly Hills, California
633
Untitled (head of a woman), c. 1916
Lithograph on laid paper
513/i6 x 4 in. (14.7 x 10.2 cm)
From Zeit-Echo 2, no. 13 (1915-16):
200
provenance: gift of Elmar Seibel, 1983
L. 86. 1.78 b; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
634
Peripherie des Gleisdreiecks, c. 1923 (Periphery of Gleisdreiecks station) Linoleum cut on wove paper 3n/i6 x 47/8 in. (9.4 x 12.4 cm) From Der Sturm 14, no. 4 (1923): 53: the image also appears on the cover provenance: Ex Libris, New York; purchased in 1982 83- 1- 1395-31
635
Telegraphie, c. 1923
(Telegraphy)
Linoleum cut on wove paper
4V1 x 39/ie in. (11.4 x 9. 1 cm)
From Der Sturm 14, no. 4 (1923): 55
provenance: Ex Libris, New York;
purchased in 1982
83- 1- 1395- 32
636
Untitled (abstract composition), c. 1924
Linoleum cut on wove paper
4la/i6 x 3% in. (12.3 x 9.2 cm)
From Der Sturm 15, no. 1 (1924): 31
provenance: Ex Libris, New York;
purchased in 1982
83-1- 1396-6
637
Untitled (abstract composition), c. 1924
Linoleum cut on wove paper
3'/8 x 4% in. (8.0 x 11. 1 cm)
From Der Sturm 15, no. 2 (1924): 107
provenance: Ex Libris, New York;
purchased in 1982
83- 1- 1396- 14
638
Gewitterstimmung, c. 1896
(Stormy atmosphere)
Etching on laid paper
7% x 713/i6 in. (18.8 x 19.8 cm)
From Pan 2, no. 2 (1896): following 92
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
reference: Dennerlein 973
83- 1- 1352 g
Oskar Fischer
born 1892 Karlsruhe
died 1955 Berlin-Kopenick
Otto Fischer
born 1870 Leipzig died 1947 Dresden
180
Fischer
|
Paul Fischer |
639 |
|
Fischfang, c. 1924 |
|
|
born 1860 |
(Fishing) |
|
Copenhagen, |
Woodcut on wove paper |
|
Denmark |
5% x 45/s in. (14.3 x 11.7 cm) |
|
From Karl Dietz, ed\, Schwarzer Greif: |
|
|
died 1934 |
Ein Almanack auf das Jahr 2925 |
|
(Rudolfstadt: Greifenverlag, 1925), p. 85 |
|
|
PROVENANCE: unknown |
|
|
83- 1-549 1 |
|
|
Pierre Flouquet |
640 |
|
Untitled (abstract composition), c. 1925 |
|
|
born 1900 Paris, |
Linoleum cut on wove paper |
|
France |
jVe x 3% in. (18. 1 x 9.6 cm) |
|
From Der Sturm 16, no. 9 (1925): 125 |
|
|
died 1967 Dilbeek, |
provenance: Ex Libris, New York; |
|
Belgium |
purchased in 1982 |
|
83.1.1396.44 |
|
|
641 |
|
|
Untitled (abstract composition), c. 1925 |
|
|
Linoleum cut on wove paper |
|
|
7V2 x 55/i6 in. (19.0 x 13.5 cm) |
|
|
From Der Sturm 16, no. 9 (1925): 132 |
|
|
provenance: Ex Libris, New York; |
|
|
purchased in 1982 |
|
|
83.1.1396.45 |
|
|
642 |
|
|
Untitled (abstract composition), c. 1925 |
|
|
Linoleum cut on wove paper |
|
|
7'/8 x 4V16 in. (18. 1 x 10.3 cm) |
|
|
From Der Sturm 16, no. 9 (1925): 133 |
|
|
provenance: Ex Libris, New York; |
|
|
purchased in 1982 |
|
|
83.1.1396.46 |
|
|
643 |
|
|
Untitled (abstract composition), c. 1925 |
|
|
Linoleum cut on wove paper |
|
|
7%x49/i6in. (18.7 x 11.6 cm) |
|
|
From Der Sturm 16, no. 10 (1925): 139; |
|
|
the image also appears on the cover |
|
|
provenance: Ex Libris, New York; |
|
|
purchased in 1982 |
|
|
83.1.1396.48 |
|
|
644 |
|
|
Untitled (abstract composition), c. 1925 |
|
|
Linoleum cut on wove paper |
|
|
7% x 45/s in. (18.7 x 11.7 cm) |
|
|
From Der Sturm 16, no. 10 (1925): 141 |
|
|
provenance: Ex Libris, New York; |
|
|
purchased in 1982 |
|
|
83-1- 1396-49 |
Hans Freese 645
Ophelia, 1917 born 1889 Lithograph on japan paper
Oldenburg lo'/ie x 9% in. (25.5 x 24.8 cm)
From portfolio Shakespeare Visionen died 1953 Berlin (Munich: Marees-Gesellschaft, 1918);
from edition A (total edition of 200)
INSCRIPTION: signed and dated, l.r.;
numbered (xiv/l) on justification page;
publisher's blind stamp, l.r.
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1972
EXHIBITION: Reed 336/22
M. 82. 288. 384.22
639
640
642
644
Freundlich
181
645
649
648
650
646
Ekstase, c. 1917
(Ecstasy)
Woodcut on wove paper
5V16 x 4V2 in. (12.9 x 11.5 cm)
From Die Aktion 8, no. 1/2 (1918): cover
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1528 a
647
Akt, c. 1918
(Nude)
Woodcut on wove paper
6'/s x l3/i6 in. (i5-'6 x 2.0 cm)
From Die Aktion 8, no. 37/38 (1918):
471
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1540 b
648
Akt, c. 1918
(Nude)
Woodcut on wove paper
i7/i6 x 6% in. (3.7 x 17. 1 cm)
From Die Aktion 8, no. 37/38 (1918):
483-84
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1. 1540 f
649
Cellospieler, c. 1918
(Cellist)
Woodcut on wove paper
6'/s x 3'/8 in. (15.6 x 8.0 cm)
From Die Aktion 8, no. 37/38 (1918):
482
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1540 c
650
Landschaft, c. 1918
(Landscape)
Linoleum cut on wove paper
i'/i6 x 7% in. (2.7 x 19.7 cm)
From Die Aktion 8, no. 13/14 (1918):
165-66; not identified as an original
linoleum cut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1532 a
651
Liegender Akt, c. 1918
(Reclining nude)
Woodcut on wove paper
i9/i6 x 6% in. (3.9 x 17. 1 cm)
From Die Aktion 8, no. 37/38 (1918):
485-86
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83- 1- 1540 g
Otto Freundlich
born 1878Stolp
died 1943
Lublin-Maidanek.
Poland
182
Freundlich
652
Der Mensch in der Landschaft, e. 1918
(Figure in landscape)
Woodcut on wove paper
59/i6 x 4% in. (14.2 x 11. 1 cm)
From Die Aktion 8, no. 37/38 (1918):
474
provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 83.1.1540 c
653
Portrat, c. 1918
(Portrait)
Woodcut on wove paper
515/i6 x 5J/i6 in. (15.0 x 12.8 cm)
From Die Aktion 8, no. 37/38 (1918):
477-78
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83. 1.1540 d
654
Selbstportrdt, c. 1918
(Self-portrait)
Woodcut on wove paper
415/i6 x 4% in. (12.6 x 12.4 cm)
From Die Aktion 8, no. 37/38 (1918):
cover; not identified as an original
woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1540 a
655
Volksblatt zum "Kommunistischen
Manifest," c. 1918
(Popular sheet to the Communist
Manifesto)
Linoleum cut on wove paper
io13/i6 x 73/ie in. (27.5 x 18.2 cm)
From Die Aktion 8, no. 17/18 (1918):
229-30; not identified as an original
linoleum cut; the center has two copies
of this issue
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
L. 84. 5. 77 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
656
Widmungsblatt "Die Aktion," c. 1918
(Dedication page for Die Aktion)
Woodcut on wove paper
4!/4 x 3V4 in. (10.8 x 8.3 cm)
From Die Aktion 8, no. 37/38 (1918):
494
provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 83.1.1540 h
652
654
Friedmann-Otten
183
656
657
659
657
Widmungsblatt fur den "Roten Hahn,''
c. 1918
(Dedication page for Der rote Hahn) Woodcut on wove paper 5% x 37/s in. (14.6 x 9.8 cm) From Franz Pfemfert, ed., Scherz, Satire, Ironie und tiefere Bedeutung, Der rote Hahn, no. 11 (Berlin- Wilmersdorf: Verlag die Aktion, 1918), p. 48; the image also appears in Hilde Stieler, Der Regenbogen, Der rote Hahn, no. 17 (Berlin-Wilmersdorf: Verlag die Aktion, 1918), p. 29 PROVENANCE: Hartung & Karl, Munich, 21 November 1974, part of lot 1936 83.1.529 a
|
658 |
August Fricke |
|
Die Einfaltigen, c. 1912 |
|
|
(The simple-minded) |
born 1875 |
|
Lithograph on wove paper |
Gruningfeld |
|
9% x 713/i6 in. (24.8 x 19.8 cm) |
|
|
From portfolio Sema (Munich: |
|
|
Delphin-Verlag, 1912) |
|
|
inscription: signed, l.r.; numbered |
|
|
(101/215) on justification page |
|
|
provenance: Karl & Faber, Munich, |
|
|
26-28 May 1977, part of lot 1475 |
|
|
M. 82.288.383 c |
659
"Es ist vollbracht" c. 1918
("It is completed")
Woodcut on wove paper
67/s x 215/i6 in. (17.4 x 7.5 cm)
From Die Aktion 8, no. 11/12 (1918):
144; not identified as an original
woodcut; the center has two copies of
this issue
provenance: gift of Titus Felixmiiller,
1984
L. 84. 5. 75 g; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
Mizi Friedmann-Otten
658
184
Friedmann-Otten
660
Untitled (cemetery), c. 1918
Woodcut on wove paper
4M) x 2% in. (10.5 x 6. 1 cm)
From Die Aktion 8, no. 15/16 (1918):
196; not identified as an original
woodcut
provenance: gift of Titus Felixmiiller,
1984
L.84.5.76 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
Calitornia
Alexander Friedrich 661
Erinnern, c. 1919
born 1895 Hamburg (Remembering)
Woodcut printed in blue-gray, yellow, pink, and blue on wove paper 6% x 87/8 in. (17.5 x 22.5 cm) From Menschen 2, no. 38/45 (1919): 3 provenance: Galerie Gerda Bassenge, Berlin, 25 May 1975, part of lot 4883 exhibition: Reed under 289 83.1.1382 a
662
Orakel, c. 1919
(Oracle)
Woodcut on wove paper
65/s x 7V16 in. (16.8 x 18.0 cm)
From Menschen 2, no. 38/45 (1919): 15
provenance: Galerie Gerda Bassenge,
Berlin, 25 May 1975, part of lot 4883
EXHIBITION: Reed under 2S9
83.1.1382 b
663
Schachspiel, c. igig
(Chess game)
Woodcut printed in red on orange wove
paper
79/i6 x 73/i6 in. (19.2 x 18.3 cm)
From Menschen 2, no. 38/45 (1919): 63
provenance: Galerie Gerda Bassenge,
Berlin, 25 May 1975, part of lot 4883
EXHIBITION: Reed under 289
83.1.1382 c
Ernst Fritsch 664
Haus vor der Sonne, c. 1919
born 1892 Berlin (House before the sun)
Lithograph on heavy wove paper
died 1962 Berlin 95/s x 7V2 in. (24.5 x 19.1 cm)
From Joachim Kirchner, Junge Berliner Kunst, Wasmuths Kunsthefte, no. 6 (Berlin: E. Wasmuth, [1919?]), pi. 2 provenance: W. F. Arntz, Haag (Oberbayern); purchased in 1975 83.1.120 b
661
660
663
Fuhrmann
185
664
666
665
Untitled (abstract composition), c. 1923 Linoleum cut on wove paper 7% x 6'/2 in. (19.7 x 16.5 cm) From Der Sturm 14, no. 6 (1923): 91; the image also appears on the cover provenance: Ex Libris, New York; purchased in 1982 83- 11395-34
666
Untitled (abstract composition), c. 1924
Linoleum cut on wove paper
43/i6 x 35/i6 in. (10.6 x 8.4 cm)
From Der Sturm 15, no. 3 (1924): 143
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1396.15
Paul Fuhrmann
born 1893 Berlin died 1952 Berlin
665
186
Gallen-Kallela
Axel Gallen-Kallela
born 1865 Pori Finland
died 1931
Wilhelm Gallhof
667
Madchen und Tod im Walde, 1895
(Maiden and Death in the woods)
Woodcut printed in dark brown on thin
handmade paper, laid down
6'/2 x 4% in. (16.5 x 11.7 cm)
Proof before edition in portfolio Die
Briicke n (1907)
INSCRIPTION: signed and dated on
mount, l.r.
provenance: Hans Bolliger, Zurich;
purchased in 1974
REFERENCE: Bolliger and Kornfeld 7
EXHIBITION: Reed 49
M. 82.288.364
668
Kauerndes Madchen, 1911
(Crouching girl)
Etching on thick wove paper
31;yi6 x 313/i6 in. (9.7 x 9.7 cm)
From Zeitschrift fur bildende Kunst,
n.s., 23, no. 3 (1912): before 57
provenance: Galerie Gerda Bassenge,
Berlin, 15 May 1976, part of lot 4364
83.1.966 b
Otto Gampert 669
Buchenwald, c. 1896 born 1842 Soft-ground etching on wove paper
Ottenbach, 6s/s x 10V16 in. (16.8 x 25.5 cm)
Switzerland From Pan 2, no. 3 (1896): following 206
PROVENANCE: Kornfeld & Klipstein, died 1924 Zurich, Bern, 7-8 June 1978, part of lot 775
Switzerland reference: Dennerlein 1103
83- 1- 1353C
670
Landschaft, c. 1896
(Landscape)
Etching on wove paper
27/i6 x 4V2 in. (6.2 x 11.5 cm)
From Pan 1, no. 5 (1896): following 298
PROVENANCE: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
REFERENCE: Dennerlein 743
83.1.1351 k
Paul Gangolf 671
Variete, c. 1914 born 1879 Berlin (Music hall)
Woodcut on wove paper died 1945 Berlin 45/s x 39/ie in. (11.8 x 9.0 cm)
From Die Ahtion 4, no. 40/41 (1914):
812
PROVENANCE: Hauswedell & Nolte,
Hamburg, 30 November 1979, part of
lot 1173
83.1.1496 a
s*^
V
V^W*-- ->..,
\
2>K&v ?,
w
668
669
WFTi
671
Gaul
187
672
'^*^&'-
675
673
auf DidfGdjtn Ifunfdi Itque auftmtn'
ft pps i&ftiTi mm' leu
674
672
Das Gebet, c. 1918
(The prayer)
Woodcut on laid paper
65/i6 x 4V2 in. (16.0 x 11.4 cm)
From Menschen 2, no. 2 (1919): 3
provenance: Galerie Gerda Bassenge,
Berlin, 25 May 1975, part of lot 4883
exhibition: Reed under 289
83.1.1379 f
Eugen Ludwig Gattermann
673
Ausblich nach Westen, 1914
(View to the west)
Lithograph on wove paper
n'/a x 10% in. (29.2 x 26.3 cm)
From Kriegszeit , no. 20 (1914): 1
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/54
83.1.1418 a
674
Der britische Leu, 1914
(The British lion)
Lithograph on wove paper
I213/i6 x g15/i6 in. (32.6 x 25.3 cm)
From Kriegszeit, no. 4 (1914): 4
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/44
83.1.1403 d
675
Hilfstruppen im Westen, 1914 (Support troops in the west) Lithograph on wove paper I213/i6 x 9% in. (32.6 x 24.7 cm) From Kriegszeit, no. 14 (1914): 4 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
EXHIBITION: Reed 281/51 83.1.1413 d
676
Indien I Franz-Afrika, 1914 (India / French Africa) Lithograph on wove paper i5'/4 x 10V4 in. (38.7 x 26. 1 cm) From Kriegszeit, no. 8 (1914): 2 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
exhibition: Reed 281/46 83.1.1407 b
677
Kampf, 1914
(Battle)
Lithograph on wove paper
315/i6 x ioVs in. (10.0 x 27.0 cm)
From Kriegszeit, no. 3 (1914): 2
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/43
83.1.1402 b
August Gaul
born 1869 Grossauheim
died 1921 Berlin
u.*-~~?^-
188
Gaul
.
678
Die Liigenflote, 1914
(The lying flute)
Lithograph on wove paper
5 '/a x 99/i6 in. (14.0 x 24.3 cm)
From Kriegszeit, no. 10 (1914): 2
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/47
83.1.1409 b
679
Schafe, c. 1914
(Sheep)
Drypoint on heavy wove paper
95/ie x 7% in. (23.6 x 18.7 cm)
From Zeitschrift fur bildende Kunst,
n.s., 26, no. 7(1915): before 153
provenance: Galerie Gerda Bassenge,
Berlin, 15 May 1976, part of lot 4364
83. 1.967 1
680
Sieg, 1914
(Victory)
Lithograph on wove paper
3'/8 x loVi in. (8.0 x 26.0 cm)
From Kriegszeit, no. 3 (1914): 2
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/43
83.1.1402 c
681
Tierfabel, 1914
(Animal fable)
Lithograph on wove paper
7% x 75/i6 in. (18.8 x 18.5 cm)
From Kriegszeit, no. 11 (1914): 1
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/48
83.1.1410 a
682
Unsere Flieger, 1914
(Our fliers)
Lithograph on wove paper
11 x g5/8 in. (27.9 x 24.5 cm)
From Kriegszeit, no. 7 (1914): 1
PROVENANCE: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/45
83.1.1406 a
683
Unter dem Mistelzweig, 1914, 1914 (Under the mistletoe, 1914) Lithograph on wove paper i39/i6 x io7/ie in. (34.4 x 26.5 cm) From Kriegszeit, no. 18/19 (1914): 8 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
exhibition: Reed 281/53 83.1.1417 b
678
J.*?-.
680
|
d&LJ£*^j-i |
■ |
||
|
*t! |
■ |
||
|
Wwm |
■■ 'i |
aS^^fe^!
Gaul
189
684
685
.■~-^*-,>
687
689
684
DieZuckerriibe, 1914
(The sugar beet)
Lithograph on wove paper
16V4 x 9V16 in. (41.2 x 23.0 cm)
From Kriegszeit, no. 13 (1914): 2
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/50
83.1.1412 b
685
Untitled (bear and vultures), 1914 Lithograph on wove paper i5'/i6 x g5/a in. (38.2 x 24.5 cm) From Kriegszeit, no. 2 (1914): 3 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
exhibition: Reed 281/42 83.1.1401 c
686
Untitled (wild dogs and leopard), 1914 Lithograph on wove paper I413/i6 x ios/s in. (37.6 x 27.0 cm) From Kriegszeit, no. 11 (1914): 3 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
exhibition: Reed 281/49 83.1.1410 c
687
Untitled (pigs and sheep), 1914 Lithograph on wove paper 15V4 x 9% in. (38.8 x 24.8 cm) From Kriegszeit, no. 15 (1914): 2 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
exhibition: Reed 281/52 83.1.1414 b
688
Adjo, Onkelchen! c. 1915
(Farewell, dear uncle!)
Lithograph on wove paper
15% x 10% in. (39.0 x 27.0 cm)
From Kriegszeit, no. 53 (1915): 4
PROVENANCE: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/79
83.1.1451c
689
Der Bar in den Karpathen, c. 1915
(The bear in the Carpathian Mountains)
Lithograph on wove paper
io3/e x 11 in. (26.3 x 28.0 cm)
From Kriegszeit, no. 37 (1915): 1
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/63
83.1.1435 a
688
190
Gaul
690
Begeisterung auf dem Kapitol, c. 1915 (Enthusiasm at the Capitoline) Lithograph on wove paper i23/i6 x 878 in. (31.0 x 22.5 cm) From Kriegszeit, no. 45 (1915): 3 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072 EXHIBITION: Reed 281/71
83.1.1443 c
691
Der britische Leu, e. 1915
(The British lion)
Lithograph on wove paper
I213/i6 x io5/i6 in. (32. 5 x 26.2 cm)
From Kriegszeit, no. 27 (1915): 1
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/59
83.1.1425 a
692
Der britische Leu in Verlegenlieit,
c- 1915
(The British lion in a predicament)
Lithograph on wove paper
12%6 x io7i6 in. (30.9 x 26.5 cm)
From Kriegszeit, no. 24 (1915): 4
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/58
83.1.1422 d
693
Chantecler, c. 1915
(Chanticleer)
Lithograph on wove paper
Ii7i6 x 10% in. (29.0 x 27.0 cm)
From Kriegszeit, no. 46 (1915): 1
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/72
83.1.1444 a
694
Die Dardanellen, c. 1915
(The Dardanelles)
Lithograph on wove paper
n3/i6 x io5/s in. (28.4 x 27.0 cm)
From Kriegszeit, no. 34 (1915): 1
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/62
83.1.1432 a
695
Divina commedia, c. 1915
(Divine comedy)
Lithograph on wove paper
io'/s x io'/4 in. (25.7 x 26.0 cm)
From Kriegszeit, no. 41 (1915): 4
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/68
S3. 1. 1439 d
691
690
693
692
694
695
Gaul
191
697
696
699
~~r:: .7-'-^---: ^^r^?-"7*^-^
698
701
700
696
Einst und jetzt, c. 1915
(Past and present)
Lithograph on wove paper
io5/a x 10% in. (27.0 x 26.3 cm)
From Kriegszeit, no. 48 (1915): 1
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/74
83.1.1446 a
697
Der gestellte Bar, c. 1915
(The bear held at bay)
Lithograph on wove paper
n5/8 x n13/i6 in. (29.5 x 30.0 cm)
From Kriegszeit, no. 50 (1915): 4
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/75
83. 1.1448 d
698
Der gewohnliche Hornrabe, c. 1915 (The common hornbill) Lithograph on wove paper i33/i6 x ioV4 in. (33.5 x 26.0 cm) From Kriegszeit, no. 41 (1915): 2 PROVENANCE: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
EXHIBITION: Reed 281/66 83.1.1439 b
699
Gleitflug itn Osten, c. 1915 (Glider flight in the east) Lithograph on wove paper n5/i6 x 11 in. (28.8 x 28.0 cm) From Kriegszeit, no. 52 (1915): 1 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
EXHIBITION: Reed 281/77 83.1.1450 a
700
Der Hindenburg kommt! c. 1915
(Hindenburg is coming!)
Lithograph on wove paper
i47/s x 10% in. (37.8 x 27.0 cm)
From Kriegszeit, no. 22 (1915): 2
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/56
83. 1. 1420 b
701
Idyll in der Nordsee, c. 1915 (Idyll in the North Sea) Lithograph on wove paper 11% x io7/i6 in. (29.8 x 26.5 cm) From Kriegszeit, no. 30 (1915): 3 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
EXHIBITION: Reed 281/61 83.1.1428 c
192
Gaul
702
Konzert an den Dardanellen, c. 1915
(Concert at the Dardanelles)
Lithograph on wove paper
i2'/i6 x 9% in. (30.7 x 24.5 cm)
From Kriegszeit, no. 53 (1915): 1
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/78
83.1.1451a
703
Lusitania, 1915
Lithograph on wove paper
10% x gVi in. (27.0 x 23.5 cm)
From Kriegszeit, no. 39 (1915): 1
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/64
83.1.1437 a
704
Nach England! c. 1915
(To England!)
Lithograph on wove paper
i23/i6 x 10% in. (31.0 x 27.0 cm)
From Kriegszeit, no. 28 (1915): 1
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/60
83- 1- 1449 d
705
Nach detn ersten Kriegsjahr, 1915 (After the first year of war) Lithograph on wove paper I4n/i6 x io'/i6 in. (37.3 x 25.5 cm) From Kriegszeit, no. 51 (1915): 4 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
EXHIBITION: Reed 281/76 83.1.1426 a
706
Die neueste Renaissance, 1915
(The newest renaissance)
Lithograph on wove paper
I2n/i6 x io13/i6 in. (32.2 x 27.4 cm)
From Kriegszeit, no. 41 (1915): 1
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/65
83- 1- M39 a
707
Romulus-Sonnino und Remus- Salandra, c. 1915 (Romulus-Sonnino and Remus- Sal andra)
Lithograph on wove paper 8 x 8"/i6 in. (20.3 x 22.0 cm) From Kriegszeit, no. 43 (1915): 1 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
EXHIBITION: Reed 281/69 83. 1. 1441 a
703
704
|
IffiH |
||
|
Wm - ■ 333, |
||
|
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~— r- |
' — ^Spfii/ |
|
~ |
"^2'q |
706
^M
?*~.™ / At*+ (l. t ;~io.
709
I^^KICw ' '^-w
711
713
Gaul
708
Senatus popiihisque Romantis, c. 1915 (The senate and people of Rome) Lithograph on wove paper i65/i6 x io7/i6 in. (41.5 x 26.5 cm) From Kriegszeit, no. 41 (1915): 3 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
EXHIBITION: Reed 281/67 83.1.1439 c
709
Soldatengrdber in Polen, c. 1915 (Soldiers' graves in Poland) Lithograph on wove paper 14% x g15/i6 in. (37.5 x 25.2 cm) From Kriegszeit, no. 59 (1915): 2 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
exhibition: Reed 281/81 83.1.1456 b
710
Soldatengrdber in Polen, e. 1915 (Soldiers' graves in Poland) Lithograph on wove paper 16V8 x g9/i6 in. (41.0 x 24.3 cm) From Kriegszeit, no. 59 (1915): 3 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
EXHIBITION: Reed 281/81 83.1.1456 c
711
Tirol, c. 1915
Lithograph on wove paper
12%6 x io7/i6 in. (31.0 x 26.5 cm)
From Kriegszeit, no. 45 (1915): 1
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/70
83.1.1443 a
712
Verstimmungen, c. 1915
(Bad moods)
Lithograph on wove paper
n7/i6 x 99/i6 in. (29.0 x 24.3 cm)
From Kriegszeit, no. 56 (1915): 2
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/80
83-i-!453b
713
Wolfe in den Karpathen, c. 1915 (Wolves in the Carpathian Mountains) Lithograph on wove paper 12V2 x io9/i6 in. (31.7 x 26.9 cm) From Kriegszeit, no. 21 (1915): 4 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
EXHIBITION: Reed 281/55 83.1.1419 d
193
194
Gaul
714
Zerschossenes Gehoft, c. 1915 (Bullet-riddled farmstead) Lithograph on wove paper 13% x g15/i6 in. (35.0 x 25.3 cm) From Kriegszeit, no. 23 (1915): 3 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
EXHIBITION: Reed 281/57 83.1.1421 c
715
Untitled (bears), e. 1915
Lithograph on wove paper
I5n/i6 x io15/i6 in. (39.9 x 27.7 cm)
From Kriegszeit, no. 47 (1915): 4
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/73
83.1. 1445 d
716
Bergziegen, c. 1916
(Mountain goats)
Lithograph on wove paper
io7/s x 89/i6 in. (27.7 x 21.8 cm)
From Der Bildermann 1, no. 15
(1916): 4
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
180
EXHIBITION: not listed in Reed under
265
83.1.1462.60
717
Der erste Olzweig, c. 1916
(The first olive branch)
Lithograph on wove paper
I3n/i6 x io5/8 in. (34.8 x 27.0 cm)
From Kriegszeit, no. 61 (1916): 4
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/85
83.1. 1458 d
718
Es langt nickt inehr! c. 1916
(It's no longer enough!)
Lithograph on wove paper
io!/ie x 8u/i6 in. (25.5 x 22.0 cm)
From Kriegszeit, no. 64/65 (1916): 1
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/88
83.1.1461 a
719
Europa, c. 1916
(Europe)
Lithograph on wove paper
8 x io"/i6 in. (20.3 x 27.2 cm)
From Der Bildermann 1, no. 1 (1916): 1
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
180
exhibition: not listed in Reed under
265
83.1.1462.1
%L/ fa. , X- ^U- -C 4yf~~ ZZ*/-^
715
719
|
Hit |
'wij |
4 |
_,.J^...,-.- |
|
|
«4™< 44, 4. |
Utt |
' |
t,a k-c |
|
|
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-" --7 |
1"*" |
™... |
716
718
Gaul
195
720
#1 I
,:<^f„/^,/„/
722
721
723
H
724
|vf*ojr£ £a M-ARr^
720
Gallipoli, c. 1916
Lithograph on wove paper
n7/i6 x io'/i6 in. (29.0 x 25.5 cm)
From Kriegszeit, no. 61 (1916): 1
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/84
83.1.1458 a
721
Der "gute Hirt" Nikita, c. 1916 (The "good shepherd" Nikita) Lithograph on wove paper n13/i6 x 97/i6 in. (30.0 x 24.0 em) From Kriegszeit, no. 62 (1916): 1 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
EXHIBITION: Reed 281/86 8311459 a
722
Der Hanister, c 1916
(The hamster)
Lithograph on wove paper
6'5/i6 x 8% in. (17.6 x 22.2 cm)
From Der Bildermann 1, no. 12 (1916): 1
PROVENANCE: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
180
EXHIBITION: not listed in Reed under
265
83.1.1462.45
723
Horns Riff, 1916
(Horn's ledge)
Lithograph on wove paper
79/i6 x g7/i6 in. (19.2 x 24.0 cm)
From Der Bildermann 1, no. 6 (1916): 1
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
180
exhibition: not listed in Reed under
265
83.1.1462.21
724
Kut el Amara, c. 1916
Lithograph on wove paper
73/i6 x 9V4 in. (18.2 x 23.5 cm)
From Der Bildermann 1, no. 4(1916): 1
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
180
exhibition: not listed in Reed under
265
83.1.1462.13
196
Gaul
725
Lied der Freundschaft, e. 1916 (Song of friendship) Lithograph on wove paper 11% x 8?/i6 in. (28.9 x 21.5 cm) From Lieder des Bildermann, supple- ment to Der Bildermann 1, no. 1 (1916) provenance: Hauswedell & Nolte, Hamburg, 6-8 June 1974, part of lot 180
exhibition: not listed in Reed under 265 83.1.1462.73
726
Die neue Somtnerzeit, e. 1916
(The new summertime)
Lithograph on wove paper
8lYis x 8% in. (22.0 x 21.9 cm)
From Der Bildermann 1, rio. 3 (1916): 3
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
180
exhibition: not listed in Reed under
265
83.1.1462.11
727
Der Rabe, c. 1916
(The raven)
Lithograph on wove paper
n9/i6 x 9V2 in. (29.3 x 24. 1 cm)
From Der Bildermann 1, no. 5 (1916): 2
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
180
exhibition: not listed in Reed under
265
83.1.1462.18
728
Resurrectio Poloniae, c. 1916
(The resurrection of Poland)
Lithograph on wove paper
69/i6 x g15/i6 in. (16.6 x 25.2 cm)
From Der Bildermann 1, no. 16
(1916): 1
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
180
exhibition: not listed in Reed under
265
83.1.1462.61
729
Saloniki-ki-kikeriki, c. 1916 Lithograph on wove paper 121/' x 913/i6 in. (31.8 x 25.0 cm) From Kriegszeit, no. 60 (1916): 4 PROVENANCE: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
exhibition: Reed 281/83 83.1.1457 e
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LJ5a3faiui6ipSc'u'>"n'1(^('n' ©if (Knfentfrit tofr(jdj& * ©as gifci rin Sopprfr iiid)' n, SBas Jw unfrai tolrb Pt^ajrlf. Ser fttnn ft in i*rifa bfrgrflm, ©f r rs bun SJrrjrn /agt/; ©ft mufcfs tagf-ici) frffTrn ©fr ingrfj* im fi'tfc naafr.
0oH frrijttmic bar allrn, ©if ntfinf Srrff liefctv ©arm fotfmir mirfj gefaflm, S)*r mir ficfj ^^rjtic^ gift- TTtit btefm ^un&sgdWtm 25crfarf, in? ?fin unb "Sot <2xb' caxf ben. ®ruub be r §clfrn ynborfdje burcb bfn5bb-
.Sccfjs ilb '- 3trr frit gorij foimmr §iiW 5^r?£0rU iff boiler llngriunvr.
f>it Srir ifl Ms . Sir iffir^ II* flrfwit. 5>if Olifft tfr S>af , S>r?f»tlfifiVt«n.
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725
«J<, — fj«. _, -Mrfi* «^C' «- j-y. >-f> !
729
Gaul
197
S.M.S. MOWE
730
733
731
732
730
S.M.S. Mowe, c. 1916 Lithograph on wove paper i23/s x 0//4 in. (31.5 x 23.5 cm) From Kriegszeit, no. 63 (1916): 4 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
exhibition: Reed 281/87 83.1.1460 d
731
Vorfriihling, c. 1916
(Early spring)
Lithograph on wove paper
yVis x 87/i6 in. (18.5 x 21.5 cm)
From Der Bildermann 1, no. 2 (1916): 1
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
180
EXHIBITION: not listed in Reed under
265
83.1.1462.5
732
Wehrpflichtdebatte, c. 1916 (Compulsory military service debate) Lithograph on wove paper 915/i6 x 9V4 in. (25.2 x 23.5 cm) From Kriegszeit, no. 60 (1916): 1 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
EXHIBITION: Reed 281/82 83.1.1457 a
733
Weihnackt, igi6
(Nativity)
Lithograph on wove paper
io7/s x 7V2 in. (27.7 x 19.0 cm)
From Der Bildermann 1, no. 18
(1916): 2
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
180
exhibition: not listed in Reed under
265
83.1.1462.70
734
Untitled (animals), c. 1916
Lithograph on wove paper
43/i6 x 8n/i6 in. (10.6 x 22. 1 cm)
From supplement to Der Bildermann 1,
no. 6 (1916): 10
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
180
exhibition: not listed in Reed under
265
83.1.1462.82
734
198
Gaul
735
Untitled (pigs), 1916
Lithograph on wove paper
69/i6 x 9'/s in. (16.6 x 23.2 cm)
From Der Bildermann 1, no. 7 (1916): 1
PROVENANCE: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
180
EXHIBITION: not listed in Reed under
265
83.1.1462.25
736
Untitled (butterflies), e. 1916
Lithograph on wove paper
6*^16 x 7^6 in. (17.6 x 20.2 cm)
From Der Bildermann 1, no. 8 (1916): 2
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
180
exhibition: not listed in Reed under
265
83.1.1462.30
737
Untitled (eagles), 1916
Lithograph on wove paper
79/i6 x 9 in. (19.2 x 22.9 cm)
From Der Bildermann 1, no. 11 (1916): 1
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
180
exhibition: not listed in Reed under
265
83.1.1462.41
738
Untitled (two monkeys), c. 1916
Lithograph on wove paper
n7/i6 x 8% in. (29.0 x 21.9 cm)
From Der Bildermann 1, no. 14(1916): 2
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
180
EXHIBITION: not listed in Reed under
265
83.1.1462.54
739
Untitled (dove), c. 1916
Lithograph on wove paper
25/8 x 77/ie in. (6.7 x 18.9 cm)
From supplement to Der Bildermann 1,
no. 17(1916)
PROVENANCE: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
exhibition: not listed in
265
83.1.1462.83
Reed 1
740
Der Hamster, c. 1917 (The hamster) Etching on wove paper 5u/i6 x 5% in. (14.5 x 13.6 cm) From Zeitschrift fur bildende Kunst, n.s., 29, no. 9 (1917-18): before 167 provenance: Galerie Gerda Rassenge, Berlin, 15 May 1976, part of lot 4364 83.1.968 d
■°1L ?#■ MM-
736
735
738
739
^--Jsk
Gehre
199
>yc
741
mm
! y '§ Ay v
742
741
Ziegen, c. 1916 (Goats)
Lithograph on wove paper g'/a x 8% in. (24.1 x 22.0 cm) From Kurt Pfister, ed. , Deutsche Graphiker der Gegenwart (Leipzig: Klinkhardt & Biermann, 1920), pi. 5; edition of 600 (see also cat. no. 716) provenance: Hans Bolliger, Zurich; purchased in 1972 exhibition: Reed under 339 83.1.171 d
742
Die Auswanderer, c. 1914 (The emigrants) Drypoint on heavy wove paper 713/i6 x 513/i6 in. (19.8 x 14.7 cm) From Zeitschrift fur bildende Kunst, n.s., 25, no. 12 (1914): before 313 provenance: Galerie Gerda Bassenge, Berlin, 15 May 1976, part of lot 4364 83- 1-967 g
743
Landschaft, c. 1918
(Landscape)
Woodcut on wove paper
3n/i6 x 5% in. (9.4 x 14.6 cm)
From Die Aktion 8, no. 15/16 (1918):
197-98; not identified as an original
woodcut. The center has two copies of
this issue
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
L. 84. 5. 76 b; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
744
Aktstudie, c. 1919
(Study of a nude)
Woodcut on wove paper
5V16 x 3'/s in. (12.9 x 7.9 cm)
From Die Aktion 9, no. 29 (1919): 490;
not identified as an original woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83- 1- 1555C
745
Landschaft, c. 1919
(Landscape)
Woodcut on wove paper
35/i6 x 3'/i6 in. (8.4 x 7.8 cm)
From Die Aktion 9, no. 14/15 (1919):
228
PROVENANCE: Ars Libri, Boston;
purchased in 1982
83. 1.1551 e
Oskar Gawell
born 1888 Hawlodno, Poland
Erich Gehre
born 1886 Dresden
743
200
Gehre
746
Landschaft, c. 1919
(Landscape)
Woodcut on wove paper
43/i6 x 515/i6 in. (10.7 x 15.0 cm)
From Die Aktion 9, no. 20 (1919):
333-34; not identified as an original
woodcut
provenance: Kunstgalerie Ksslingen,
Esslingen; purchased in 1975
83- 1- 1552 b
747
Landschaft, c. 1920
(Landscape)
Woodcut on wove paper
4 x 5% in. (10.1 x. 14. 6 cm)
From Die Aktion 10, no. 43/44 (1920):
cover; not identified as an original
woodcut
PROVENANCE: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1576 a
Willi Geiger 748
Stierkampf
born 1878 (Bullfight)
Schonbrunn Six etchings on japan paper
Excerpted from Kitnst und Kunstler 12,
died 1971 Munich no. 8(1914): 407-14; the center also has
impressions from the 1913- 14 bound volume of the periodical PROVENANCE: Kunstgalerie Esslingen, Esslingen; purchased in 1975 83.1.62 a-f
1. Untitled (bull goring matador), c. 1912
2% x 3n/i6 in. (6.0 x 9.4 cm) Page 407 83.1.62 a
2. Untitled (study of matadors), c. 1912
4l/s x 4'/4 in. (10.5 x 10.8 cm) Page 409 83.1.62 b
3. Untitled (bullfight scene), c. 1912 3V2 x 45/i6 in. (8.9 x 11.0 cm) Page 411
83.1.62 c
4. Untitled (bull tossing matador), c. 1912
2% x 35/s in. (6.7 x 9.2 cm) Page 412 83.1.62 d
5. Untitled (picadors with bull in center), c. 1912
2% x 57/i6 in. (6.7 x 13.8 cm) Page 413 83.1.62 e
6. Untitled (study of bulls), c. 1912 2'/s x 2V2 in. (5.4 x 6.4 cm) Page 414
83. 1.62 f
748-1
748-3
WStMi-
T\l
®fr
748-4
748-6
749-2
Geiger
201
749-4
749-5
749-7
749-6
749-9
749-8
749-10
749
Gilles de Rais
Book with 16 lithographs on laid paper Illustrations to novel by Joris Karl Huysmans, translated by August Doppner, no. 9 in the monographic series Der Venuswagen (Berlin: Fritz Gurlitt Verlag, 1919); total edition of 700
inscription: signed and numbered (35/35) on justification page PROVENANCE: Kunstgalerie Esslingen, Esslingen; purchased in 1975 EXHIBITION: Reed 415/9 83.1.811 a-p
1. Untitled (portrait of a man), 1914 4V16 x 35/8 in. (10.4 x 9.2 cm) Before page 9
INSCRIPTION: signed, l.r. 83.1.811a
2. Untitled (mounted knight), 1914 55/i6 x 45/s in. (13.5 x 11.8 cm) Following page 10 83.1.811b
3. Untitled (illuminated room), 1914 7% x 5n/i6 in. (19.7 x 14.5 cm) Following page 14
83.1.811c
4. Untitled (running figures), 1914 6% x 6'/t in. (17.4 x 15.9 cm) Following page 16
83. 1.811 d
5. Untitled (massacre of the innocents), 1914
69/i6 x 3% in. (16.6 x 9.5 cm) Following page 18 83.1.811 e
6. Untitled (group fleeing city), 1914 513/i6X 5 in. (14.7 x 12.7 cm) Following page 20
83. 1.811 f
7. Untitled (kneeling figure with dead child), 1914
4%x 4V2 in. (11.1 x 11.5 cm) Following page 22 83. 1.811 g
8. Untitled (mourner with rosary),
1914
8 x 5V2 in. (20.3 x 14.0 cm)
Following page 24
83. 1.811 h
9. Untitled (seated nude in forest),
1914
8'/4 x 59/i6 in. (20.9 x 14. 1 cm) Following page 26 83.1.811 i
10. Untitled (dead figure), 1914 4'/i6 x 6% in. (10.3 x 17. 1 cm) Following page 28
83. 1.811 j
11. Untitled (figure), 1914
5V2 X4n/i6 in. (14.0 x 11.9 cm) Following page 30 83.1.811k
202
Geiger
749 (continued)
12. Untitled (nude figure with swords),
73/i6 x 513/ie in. (18.3 x 14.8 cm) Following page 32 83. 1.811 1
13. Untitled (chained figure), 1914 7'/8 x 4 in. (18. 1 x 10. 1 cm) Following page 34
83.1.811 m
14. Untitled (cardinal with dead Christ), 1914
7% x 7'/i6 in. (19.3 x 17.9 cm) Following page 36 83.1.811 n
15. Untitled (chalice), 1914 45/8 x 23/i6 in. (11.8 x 5.5 cm) Following page 38 83.1.811 o
16. Untitled (figure and horse), 1914 315/i6 x 4 in. (10.0 x 10.2 cm) Page 40
83.1.811 p
750
Unseren Helden, 1914
(To our heroes, 1914) Portfolio of 10 lithographs on heavy handmade paper
From special edition (Munich: Graphik- Verlag, [1918]); total edition of 300 inscription: signed and numbered (58/60) on justification page; each sheet signed, l.r. , and numbered (58), 1.1. PROVENANCE: Bernd Gobel Kunsthan- del, Baden-Baden; purchased in 1986 The series is dedicated to the memory of the artist's brother Wolfgang, who was killed in battle, August 20, 1914 L.86. 1. 13 a-j; lent by the Bobert Gore Rifkind Foundation, Beverly Hills, California
1. Untitled (Wolfgang Geiger dying), c. 1914
15V4 x io5/8 in. (38.7 x 27.0 cm) L.86. 1.13 a
2. Untitled (soldiers in forest), c. 1914 12 x i35/8 in. (30.5 x 34.6 cm) L.86. 1.13 b
3. Untitled (soldiers around a tree), c. 1914
i77/8 x 9% in. (454 x 23.8 cm) L.86. 1.13 c
4. Untitled (sleeping soldiers), c. 1914 13% x 15 in. (35.3 x 38. 1 cm) L.86. 1.13 d
5. Untitled (soldiers charging), c. 1914 16% x 11 in. (42.6 x 27.9 cm)
L. 86.1. 13 e
6. Untitled (dying Wolfgang on ground), c. 1914
n15/i6 x 17% in. (30.3 x 44.2 cm) L.86. 1. 13 f
-**>
749-12
749-13
749-16
749-14
749-15
750-2
750-5
750-4
Geiger
203
750-6
750-7
750-9
750-10
751
752
7. Untitled (adrift on water), c. 1914 i83/8 x 9 in. (46.7 x 22.9 cm) L.86.i.i3g
8. Untitled (mourning women), c. 1914
l85/8 x 13% in. (47.3 x 34.9 cm) See also cat. no. 754 L. 86. 1.13 h
9. Untitled (entombment), c. 1914 11% x 14% in. (28.9 x 37.8 cm) L.86.i.i3i
10. Untitled (Pieta), c. 1914
i4'/4 x n'/s in. (36.2 x 28.3 cm) L.86.1.13J
751
Untitled (dead saint), 1914
Lithograph on wove paper
59/i6 x 4'/i6 in. (14.2 x 10.4 cm)
From Zeit-Echo 1, no. 3 (1914): 25; the
center also has an impression from the
special edition
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
EXHIBITION: Reed under 308
83.1. 1187 a
752
Untitled (figures running), 1914 Lithograph on wove paper 5'/8 x 43/i6 in. (13.0 x 10.6 cm) From Zeit-Echo 1, no. 4 (1914): 53 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 exhibition: Reed under 308 83.1.1189 d
753
Untitled (rearing horse), 1914
Lithograph on wove paper
4I/2 x 5V16 in. (10.4 x 12.8 cm)
From special edition of Zeit-Echo 1, no.
5 (i9i4): 65
inscription: numbered (43) on table of
contents
PROVENANCE: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
EXHIBITION: Reed under 308
83.1.1190c
754
Untitled (mourning women), c. 1914 Offset lithograph on wove paper 65/b x 4% in. (16.8 x 12. 1 cm) From Zeit-Echo 1, no. 21 (1915): 325 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 exhibition: Reed under 308 Although described as an original lithograph in the periodical, this appears to be a reproduction of the print from the portfolio Unseren Helden, 1914 (cat. no. 750.8). Not illustrated 83.1.1206 d
753
204
Geiger
755
Untitled (mourning figures), c. 1915
Lithograph on wove paper
69/ie x 43/i6 in. (16.6 x 10.7 cm)
From special edition of Zeit-Echo 1, no.
7 (1915): 89
INSCRIPTION: numbered (43) on table of
contents
PROVENANCE: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
exhibition: Reed under 308
83.1.1192 a
756
Untitled (rearing horses), c. 1915
Lithograph on wove paper
Q5/w x 4l5/ie in. (16.0 x 12.5 cm)
From special edition of Zeit-Echo 1, no.
9(1915): 129
inscription: numbered (36) on table of
contents
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
exhibition: Reed under 308
83.1.1194 d
757
Untitled (dead soldier), c. 1915 Lithograph on wove paper 3J/s x 59/i6 in. (8.0 x 14.2 cm) From Zeit-Echo 1, no. 15 (1915): 227 PROVENANCE: Kunstgalerie Esslingen, Esslingen; purchased in 1975 exhibition: Reed under 308 83.1.1200 c
758
Untitled (resting soldiers), c. 1915 Lithograph on wove paper 4V16 x 5'/j in. (10.3 x 13.4 cm) From Zeit-Echo 1, no. 17 (1915): 250 PROVENANCE: Kunstgalerie Esslingen, Esslingen; purchased in 1975 exhibition: Reed under 308 83.1.1202 a
759
Untitled (man embracing world), 1917 Lithograph on wove paper 6% x 5V2 in. (17.5 x 14.0 cm) From deluxe edition ofMarstjas, no. 3 (1917): 249; total edition of 235 inscription: signed, l.r; numbered (xxvn/xxxv) on justification page provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 EXHIBITION: Reed under 288 83.1.1663 bb
760
Untitled (man with cross), 1917 Lithograph on wove paper 7% x 4% in. (18.8 x 12. 1 cm) From deluxe edition of Marsyas, no. 3 (1917): 251; total edition of 235 inscription: signed, l.r.; numbered (xxvn/xxxv) on justification page provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 exhibition: Reed under 288 83.1.1663 cc
wu
757
759
760
Geissler
205
761
762
763
761
Untitled (Pieta), 1917 Lithograph on wove paper 0//16 x 6% in. (23.0 x 17. 1 cm) From deluxe edition oiMarsijas, no. 3 (1917): 253; total edition of 235 inscription: signed, l.r.; numbered (xxvn/xxxv) on justification page provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 exhibition: Reed under 288 83.1.1663 dd
762
Untitled (Pieta), 1917 Lithograph on wove paper 77/i6 x 53/ie in. (18.9 x 13.2 cm) From deluxe edition of Marsyas, no. 3 (1917): 255; total edition of 235 INSCRIPTION: signed, l.r.; numbered (xxvn/xxxv) on justification page provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 exhibition: Reed under 288 83.1.1663 ee
763
Untitled (sailboat), 1917 Lithograph on wove paper 8% x 6% in. (22.3 x 17. 1 cm) From deluxe edition of Marsyas, no. 3 (1917): 257; total edition of 235 inscription: signed, l.r.; numbered (xxvn/xxxv) on justification page provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 exhibition: Reed under 288 83.1. 1663 ff
764
Aus Dostojewsky "Grossinquisitor,"
c. 1924
(The Grand Inquisitor from
Dostoyevski)
Woodcut on wove paper
57/8 x 4 in. (14.9 x 10. 1 cm)
From Karl Dietz, ed., Schwarzer Greif:
Ein Almanach auf das Jahr 192$
(Rudolfstadt: Greifenverlag, 1925),
P- M9
PROVENANCE: unknown
83- 1-549 v
765
Aus Dostojewsky "Grossinquisitor"
c. 1924
(The Grand Inquisitor from
Dostoyevski)
Woodcut on wove paper
515/i6 x 313/i6 in. (15.0 x 9.7 cm)
From Karl Dietz, ed., Schwarzer Greif:
Ein Almanach auf das Jahr 1925
(Rudolfstadt: Greifenverlag, 1925),
P- 151
provenance: unknown
83- 1-549 w
Wilhelm Geissler
born 1895 Hamm died 1928 Berlin
765
206
Geissler
766
Buchtitel, c. 1924
(Book title)
Woodcut printed in red and black on
wove paper
73/i6 x 4I3/i6 in. (18.2 x 12.3 cm)
From Karl Dietz, ed.. Schwarzer Creif:
Ein Almanach aufdasjahr 1925
(Rudolfstadt: Greifenverlag, 1925),
p. 161
PROVENANCE: unknown
83.1.549 aa
767
Buchtitel, c. 1924
(Book title)
Woodcut printed in red and black on
wove paper
5V2 x 3n/i6 in. (14.0 x 9.4 cm)
From Karl Dietz, ed., Schwarzer Greif:
Ein Almanach aufdas Jahr 1925
(Rudolfstadt: Greifenverlag, 1925),
p. 163
PROVENANCE: unknown
83.1. 549 bb
768
Buchtitel, c. 1924
(Book title)
Woodcut printed in red and black on
wove paper
63/i6 x 45/i6 in. (15.7 x 10.9 cm)
From Karl Dietz, ed. , Schwarzer Greif:
Ein Almanach aufdasjahr 1925
(Rudolfstadt: Greifenverlag, 1925),
p. 167
PROVENANCE: unknown
83. 1.549 dd
769
Der Biirokrat, c. 1924
(The bureaucrat)
Woodcut on wove paper
6'/s x 4% in. (15.6 x 12. 1 cm)
From Karl Dietz, ed., Schwarzer Greif
Ein Almanach aufdasjahr 1925
(Rudolfstadt: Greifenverlag, 1925),
p. 185
PROVENANCE: unknown
83- 1-549 »
770
Ex Libris, c. 1924
Woodcut on wove paper
3 x 23/i6 in. (7.6 x 5.6 cm)
From Karl Dietz, ed., Schwarzer Greif :
Ein Almanach aufdasjahr 1925
(Rudolfstadt: Greifenverlag, 1925),
p. 114
provenance: unknown
83-1-549 0
771
£1 Libris, c. 1924
Woodcut on wove paper
213/i6 x 23/i6 in. (7.2 x 5.6 cm)
From Karl Dietz, ed., Schwarzer Greif:
Ein Almanach aufdasjahr 1925
(Rudolfstadt: Greifenverlag, 1925),
p. 123
provenance: unknown
83-1-549 q
FRANZ LUOTKE
MENACHTDER ERTOUNG
766
WHELM VERSHOFEN
DER
HOI,
DIENS
Gl^lFtMRIAGRUDOLSlM
768
769
771
770
Geissler
207
772
773
772
Ex Libris, c. 1924
Woodcut on wove paper
29/i6 x 2yi6 in. (6.5 x 5.6 cm)
From Karl Dietz, ed., Schwarzer Greif:
Ein Almanack auf das Jahr 1925
(Rudolfstadt: Greifenverlag, 1925),
P- 125
PROVENANCE: unknown
83- 1-549 r
773
Ex Libris, c. 1924
Woodcut on wove paper
215/i6 x 2'/8 in. (7.5 x 5.4 cm)
From Karl Dietz, ed., Schwarzer Greif:
Ein Almanach auf das Jahr 1925
(Rudolfstadt: Greifenverlag, 1925),
P- 155
PROVENANCE: unknown
83- 1-549 *
774
Ex Libris, c. 1924
Woodcut on wove paper
2I3/i6 x zVi in. (7.2 x 5. 7 cm)
From Karl Dietz, ed., Schwarzer Greif
Ein Almanach auf das Jahr 1925
(Rudolfstadt: Greifenverlag, 1925),
p. 156
PROVENANCE: unknown
83-1-549 y
775
Ex Libris, c. 1924
Woodcut printed in red and black on
wove paper
39/i6 x 2n/i6 in. (9.0 x 6.8 cm)
From Karl Dietz, ed. . Schwarzer Greif:
Ein Almanach auf das Jahr 1925
(Rudolfstadt: Greifenverlag, 1925),
p. 171
PROVENANCE: unknown
83.1.549 ee
776
Gefesselter 1 , c. 1924
(The chained one 1)
Woodcut on wove paper
5V2 x 4% in. (14.0 x 12.0 cm)
From Karl Dietz, ed., Schwarzer Greif :
Ein Almanach auf das Jahr 1925
(Rudolfstadt: Greifenverlag, 1925),
P- 159
provenance: unknown
83.1-549Z
777
Gefesselter 2, 1924
(The chained one 2)
Woodcut on wove paper
5V2 x 45/8 in. (14.0 x 11.8 cm)
From Karl Dietz, ed., Schwarzer Greif ':
Ein Almanach auf das Jahr 1925
(Rudolfstadt: Greifenverlag, 1925),
p. 165
PROVENANCE: unknown
83. 1549 cc
208
Geissler
Georg Gelbke
born 1882 Rochlitz died 1947 Dresden
778
Neujahrskarte, c. 1924
(New Year's card)
Woodcut on wove paper
4 '/a x 4% in. (11.5 x 11. 1 cm)
From Karl Dietz, ed., Schwarzer Greif:
Ein Almanach aufdasjahr 2925
(Rudolfstadt: Greifenverlag, 1925),
P- 173
PROVENANCE: unknown
83- 1-549 ff
779
Neujahrskarte, c. 1924
(New Year's card)
Woodcut printed in red and black on
wove paper
35/8 x 39/i6 in. (9.2 x 9. 1 cm)
From Karl Dietz, ed., Schwarzer Greif :
Ein Almanach aufdasjahr 1925
(Rudolfstadt: Greifenverlag, 1925),
P- 175
PROVENANCE: unknown
831-549 gg
780
Der Schulmeister, c. 1924
(The schoolmaster)
Woodcut on wove paper
63/i6 x 45/8 in. (15.7 x 11.8 cm)
From Karl Dietz, ed., Schwarzer Greif
Ein Almanach aufdasjahr 1925
(Rudolfstadt: Greifenverlag, 1925),
P- 179
PROVENANCE: unknown
83. 1.549 hh
781
Schwarzer Greif, c. 1924
(Black griffin)
Woodcut printed in black and orange on
cover stock
97/8 x 7 in. (25. 1 x 17.8 cm)
From Karl Dietz, ed., Schwarzer Greif:
Ein Almanach aufdasjahr 1925
(Rudolfstadt: Greifenverlag, 1925),
cover
provenance: unknown
83.1.549 a
778
779
■I^T
780
781
782
Untitled (head of a man), 1927 Lithograph on wove paper 8'/4 x 7V2 in. (21.0 x 19.0 cm) From Ing. Hermann Heuss et al., Kiinstler abseits vom Wege, 1Q07- 1927 (Chemnitz: Kiinstlergruppe Chemnitz, 1927), p. 8
provenance: unknown 83.1.52 a
782
Genin
209
MmM
gl :*J ...' L*=3
Afc
784
785
783
Am Brunnen, c. 1912
(At the well)
Lithograph on wove paper 75/i6 x 6V2 in. (18.6 x 16.5 cm) From portfolio Sema (Munich: Delphin-Verlag, 1912) INSCRIPTION: signed, l.r.j numbered (101/215) on justification page provenance: Karl & Faber, Munich, 26-28 May 1977, part of lot 1475 M. 82.288.383 d
784
Die Uberfallene, 1917 (The assaulted woman) Lithograph on wove paper 235/i6 x i45/i6 in. (59.2 x 36.3 cm) From portfolio Die Frau provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1978 M. 82. 288. 65
785
Untitled (chariot), c. 1917
Drypoint on japan paper
315/i6 x 513/i6 in. (10.0 x 14.8 cm)
First state; from deluxe edition of
Marsyas, no. 1 (1917); the issue also
contains impressions of the second state
(signed, l.r.) and the published state
(p. 61); total edition of 235 in the
published state
INSCRIPTION: numbered (xxvu/xxxv) on
justification page
PROVENANCE: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
EXHIBITION: Reed under 288
83.1.1661 x
786
Untitled (nude woman), c. 1917
Drypoint on japan paper
7V4 x 43/i6 in. (18. 1 x 10.6 cm)
First state; from deluxe edition of
Marsyas, no. 1 (1917); the issue also
contains impressions of the second state
(signed, l.r.) and the published state
(p. 63); total edition of 235 in the
published state
INSCRIPTION: numbered (xxvu/xxxv) on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
exhibition: Reed under 288
83.1.1661 aa
787
Untitled (figure with parrots), c. 1917
Drypoint on japan paper
7V16 x 4s/i6 in. (17.9 x 10.9 cm)
First state; from deluxe edition of
Marsyas, no. 1 (1917); the issue also
contains impressions of the second state
(signed, l.r.) and the published state
(p. 65); total edition of 235 in the
published state
inscription: numbered (xxvu/xxxv) on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
exhibition: Reed under 288
83.1.1661 dd
Robert Genin
born 1884 Wisokoje, Russia
died 1943 Moscow, U.S.S.R.
Genin
788
Untitled (two figures with animals), c. 1917
Drypoint on japan paper 73/i6 x 6Vi6 in. (18.2 x 15.4 cm) First state; from deluxe edition of Marsyas, no. 1 (1917); the issue also contains impressions of the second state (signed, l.r.) and the published state (p. 69); total edition of 235 in the published state
inscription: signed, l.r.; numbered (xxvii/xxxv) on justification page provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 EXHIBITION: Reed under 288 83.1.1661 gg
789
Untitled (woman drinking), c. 1917 Drypoint on japan paper j'A x 6'/i6 in. (18.5 x 15.4 cm) First state; from deluxe edition of Marsyas, no. 1 (1917); the issue also contains impressions of the second state (signed, l.r.) and the published state (p. 71); total edition of 235 in the published state
inscription: signed, l.r.; numbered (xxvii/xxxv) on justification page provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 exhibition: Reed under 288 83.1.1661 jj
790
Untitled (horse-drawn carriage),
c. 1917
Drypoint on japan paper
4 x 7 in. (10.2 x 17.7 cm)
First state; from deluxe edition of
Marsyas, no. 4 (1918); the issue also
contains impressions ot the second state
(signed, l.r.) and the published state
(p. 13); total edition of 235 in the
published state
inscription: numbered (xxvii/xxxv) on
justification page
PROVENANCE: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
exhibition: Reed under 288
83.1.1664 a
791
Untitled (man and woman kissing),
c. 1917
Drypoint on japan paper
7 x 4'/4 in. (17.8 x 10.8 cm)
First state; from deluxe edition of
Marsyas, no. 4 (1918); the issue also
contains impressions of the second state
(signed, l.r.) and the published state
(p. 17); total edition of 235 in the
published state
inscription: signed, l.r.; numbered
(xxvii/xxxv) on justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
EXHIBITION: Reed under 288
83.1.1664 d
788
789
£#18
^j^^M
790
791
Georgi
211
A^Pfzf
792
793
-a : SR^S
794
792
Untitled (cavalry officer), c. 1917 Drypoint on japan paper 515/i6 x 73/i6 in. (15.0 x 18.3 cm) First state; from deluxe edition of Marsyas, no. 4 (1918); the issue also contains impressions of the second state (signed, l.r.) and the published state (p. 21); total edition of 235 in the published state
INSCRIPTION: signed, l.r.; numbered (xxvu/xxxv) on justification page provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 exhibition: Reed under 288 83.1. 1664 g
793
Untitled (two carriages), c. 1917
Drypoint on japan paper
5% x 3% in. (14.6 x 9.5 cm)
First state; from deluxe edition of
Marsyas, no. 4 (1918); the issue also
contains impressions of the second state
(signed, l.r.) and the published state
(p. 25); total edition of 235 in the
published state
INSCRIPTION: signed, l.r; numbered
(xxvu/xxxv) on justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
EXHIBITION: Reed under 288
83.1. 1664 j
794
Untitled (crowd following chariot),
c. 1917
Drypoint on japan paper
7 x 515/ie in. (17.8 x 15.1 cm)
First state; from deluxe edition of
Marsyas, no. 4 (1918); the issue also
contains impressions of the second state
(signed, l.r.) and the published state
(p. 29); total edition of 235 in the
published state
INSCRIPTION: signed, l.r; numbered
(xxvu/xxxv) on justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
exhibition: Reed under 288
83.1.1664 m
795
Marchenerzahler, c. 1919
(Storyteller)
Woodcut on slick wove paper
79/i6 x 5V2 in. (19.2 x 13.9 cm)
From Das Tribunal 1, no. 12 (1919):
cover
provenance: Hans Bolliger, Zurich;
purchased in 1975
EXHIBITION: Reed under 304
83.1.962 a
Hermann Georgi
born 1888 died 1975
212
Karl Gerlach
Wilhelm Gerstel
born 1879 Bruchsal
Gerlach
796
Das Konzert, c. 1912
(The concert)
Woodcut on wove paper
69/i6 x 9% in. (16.7 x 24.5 cm)
From Der Sturm 3, no. 111 (1912): 49
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1391.4
797
Untitled (women in room), c. 1914
Woodcut on laid paper
5'/s x 413/i6 in. (13.0 x 12.2 cm)
From Das neue Pathos 2, no. 1/3 (1914):
65; from edition B of 250
PROVENANCE: Ars Libri, Boston;
acquired by exchange in 1984
83.1.824 b
797
Hermann Gewecke 798
Untitled (tower), c. 1919 Woodcut on laid paper 513/i6 x 43/i6 in. (14.7 x 10.6 cm) From Der Weg 1, no. 5/6 (1919): 13 provenance: Ex Libris, New York; purchased in 1976 EXHIBITION: Reed under 305 83.1.1217 f
799
Untitled (man with pipe), c. 1919 Woodcut on laid paper 6V2 x 47/i6 in. (16.5 x 11.2 cm) From Der Weg 1, no. 7 (1919): 1 provenance: Ex Libris, New York; purchased in 1976 exhibition: Reed under 305 83.1.1218 a
800
Untitled (nude woman), c. 1919 Woodcut on laid paper io'/j x 69/i6 in. (26.0 x 16.6 cm) From Der Weg 1, no. 7 (1919): 7 PROVENANCE: Ex Libris, New York; purchased in 1976 EXHIBITION: Reed under 305 83.1.1218 d
801
Untitled (woman at mirror), c. 1919 Woodcut on laid paper 97/s x 7V2 in. (25. 1 x 19.0 cm) From Der Weg 1, no. 10 (1919): 3 PROVENANCE: Ex Libris, New York; purchased in 1976 exhibition: Reed under 305 83.1.1220 b
802
Untitled (woman at bath), c. 1919 Woodcut on laid paper 8V2 x dVs in. (21.6 x 17.4 cm) From Der Weg 1, no. 10 (1919): 7 PROVENANCE: Ex Libris, New York; purchased in 1976 EXHIBITION: Reed under 305 83. 1. 1220 d
798
799
801
800
802
796
Gleichmann
213
805
M^^CT III
807
803
Der Riese, c. 1895
(The giant)
Etching on laid paper
11% x 9 in. (29.6 x 22.8 cm)
From Pan 1, no. 2 (1895-96): 95
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
reference: Dennerlein 251
83. 1. 1350 i
804
Fruhling, c. 1906
(Spring)
Drypoint on laid paper
g'/2 x 23/i6 in. (24.2 x 5.6 cm)
From Zeitschrift fur bildende Kunst,
n.s., 17, no. 5 (1906): following 116
provenance: Galerie Gerda Bassenge,
Berlin, 15 May 1976, part of lot 4364
83.1.964 c
805
Vergdnglichkeit, c. 1918
(Transience)
Lithograph on wove paper
7% x 55/ie in. (18.7 x 13.5 cm)
From deluxe edition of Das Kunstblatt
2, no. 5 (1918)
INSCRIPTION: numbered (32/110) on
justification page
provenance: Henry Hallenstein; W. F.
Arntz, Haag (Oberbayern); purchased
in 1975
EXHIBITION: Reed 283/6
83.1.1115b
806
Weltentriickte, c. 1918 (Removed from the world) Lithograph on japan paper 6Vs x 57/i6 in. (15.5 x 13.8 cm) From deluxe edition of Das Kunstblatt 2, no. 10 (1918); the center also has an impression from the regular edition provenance: Henry Hallenstein; W. F. Arntz, Haag (Oberbayern); purchased
in 1975
EXHIBITION: Reed 283/34
83.1.1120 a
807
Untitled (city park), c. 1919 Lithograph on japan paper 7 x 5% in. (17.8 x 13.7 cm) From Das Kunstblatt 3, no. 7 (1919) provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 exhibition: Reed 283/35 83.1.1141 a
Ernst Moritz Geyger born 1861 Berlin died 1941 Italy
Marie Gey-Heinz
born 1881 Cologne died 1908 Leipzig
Otto Gleichmann
born 1887 Mainz died 1963 Hannover
806
214
Gleichmann
808
Untitled (two men), c. 1919
Lithograph on wove paper
6% x 5n/i6 in. (17.5 x 14.5 cm)
From Paul Erich Kuppers, ed., Das
Kestnerbuch (Hannover: Heinrich
Bohme Verlag, 1919), following p. 60
provenance: Galerie Gerda Bassenge,
Berlin, 13-18 May 1973, part of lot
4076
EXHIBITION: Beed 321/7
83.1. 140 g
809
Tier, 1920
(Animal)
Gouache and ink on card
815/i6 x 7% in. (22.7 x 20.0 cm)
inscription: signed and dated, I.e.;
titled, 1.1.
provenance: Galerie Flechtheim,
Berlin; Hauswedell & Nolte, Hamburg,
6-7 June 1975, lot 53
exhibition: Beed 228
M. 82. 288. 330
810
Untitled (drinking scene), 1921 Pencil on wove paper 97/ie x 13 in. (23.9 x 33. 1 cm) inscription: signed and dated, l.r.; work number "298," l.r. PROVENANCE: gift of Gunda Gleichmann-Kingeling, 1981 M. 82.287.78
811
Der Erstochene, 1923 (Stabbed man)
Watercolor, gouache, and ink on wove paper
18% x 25Vi6 in. (479 x 63.6 cm) inscription: signed, dated, and titled, l.r.; work number "348," l.r. provenance: Gunda Gleichmann- Kingeling; Galerie Brusberg, Hannover; purchased in 1980 EXHIBITION: Rigby 32 M. 82. 287. 79
808
WT'i
mm
Rochus Gliese 812
Helene Thimig, 1918 born 1891 Berlin Lithograph on laid paper
5% x 5 in. (14.6 x 12.7 cm) died 1925/27 From Dasjunge Deutschland 1, no. 7
Los Angeles, (1918): facing 209
California;?) provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
83.1. 1617 a
811
Godal
215
IKtl
813
814
816-1
V r «
816-2
813
"Der Sohn" von Walter Hasenclever l,
1918
(Der Sohn by Walter Hasenclever 1)
Lithograph on laid paper
8% x 7V16 in. (21.3 x 17. g cm)
From portfolio Das junge Deutschland:
Phantasien iiber die Auffuhrungen des
Jahres 1917/18 (privately printed for the
members of Das junge Deutschland,
1918)
provenance: Laurence McGilvery, La
Jolla, California; purchased in 1978
83.1.101 f
814
"Der Sohn" von Walter Hasenclever 2,
1918
(Der Sohn by Walter Hasenclever 2)
Lithograph on laid paper
89/i6 x 73/8 in. (21.7 x 18.8 cm)
From portfolio Das junge Deutschland:
Phantasien iiber die Auffuhrungen des
Jahres 1917/18 (privately printed for the
members of Das junge Deutschland,
1918)
provenance: Laurence McGilvery,
La Jolla, California; purchased in 1978
83.1.101 g
815
Else Lasker-Schiiler, 1919
Lithograph on laid paper
67/s x 6'/8 in. (17.5 x 15.6 cm)
From Das junge Deutschland 2, no. 7
(1919): facing 171
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
83.1.1626 a
816
Revolution
Portfolio of 13 lithographs on J. W. Zanders 1916 paper Published by Genossenschaft fur pro- letarische Kunst, Berlin, 1920; from edition A of unknown size. The portfolio also contains an impression of the poster advertising the series, illustrating plate 5 inscription: numbered (18) on justification page; each sheet signed, 1.1. provenance: Bernd Gobel Kunsthan- del, Baden-Baden; purchased in 1986 L.86. l.ioa-m; lent by the Robert Gore Rifkind Foundation, Beverly Hills, California
1. Marseillaise, c. 1920
207/8 x I5v/i6 in. (53.0 x 39.2 cm) Plate 1
INSCRIPTION: titled, l.r. L.86. 1.10 a
2. Fabriken, c. 1920 (Factories)
22V4 x 16% in. (56.5 x 42.5 cm) Plate 2
INSCRIPTION: titled, l.r. L.86. 1.10 b
Erich Godal
born 1899
216
Godal
Arthur Goelz
816 (continued)
3. Brot! c. 1920 (Bread!)
19% x 16V2 in. (50. 1x41.9 cm) Plate 3 L.86. 1.10 c
4. Aufruhr, c. 1920 (Riot)
207/8 x i6s/s in. (53.0 x 42.2 cm) Plate 4 L.86. 1. 10 d
5. Fiihrer, c. 1920 (Leader)
19% x 14!^ in. (49.8 x 36.2 cm) Plate 5 L.86. 1.10 e
6. Angriff, c. 1920 (Attack)
22H x 17% in. (56.2 x 45. 1 cm) Plate 6 L.86. 1. 10 f
7. Barrikaden, c. 1920 (Barricades)
19% x i67/s in. (49.2 x 42.8 cm)
Plate 7
L. 86.1. log
8. Tod ion Berlin, c. 1920 (Death of Berlin)
17% x 15% in. (44.7 x 39.3 cm) Plate 8 L.86. 1. 10 h
9. Opfer, c. 1920 (Victims)
22'/2 x 16% in. (57. 1 x 42.5 cm) Plate 9 L.86. 1.10 i
10. Chaos, c. 1920
22'/s x i77/i6 in. (56.2 x 44.3 cm) Plate 10 L.86. 1.10 j
11. Standrecht, c. 1920 (Martial law)
22]/s x 16% in. (56.2 x 42.5 cm) Plate 1 1 L.86. 1.10 k
12. Ruhe und Ordnung, c. 1920 (Peace and order)
22V8 x 16% in. (56.2 x 42.2 cm) Plate 12 L.86. 1. 10 1
13. Totentanz, c. 1920 (Dance of death)
20T/8 x i67/s in. (530 x 42.9 cm) Plate 13 L.86. 1.10 m
817
Untitled (two figures with dog), c. 1918
Woodcut on wove paper
4% x 3V8 in. (12.0 x 7.9 cm)
From Die Aktion 8, no. 39/40 (1918):
501; not identified as an original
woodcut
provenance: gift of Titus Felixmiiller,
1984
L.84.5.80 d; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
|
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|
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11 |
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|
|
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V. MyjfeaBj |
|
|
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r> |
||
|
'M^ ' /' |
|||
|
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816-5
816-7
|
n^ |
ff^^|» |
|
|
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iHkiliiiffiH |
|
|
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l ■ ■■' Wj^*l!r*^Wfi fcLmm '"''?v'' |
816-9
816-10
816-6
Gothein
217
816-11
816-12
816-13
817
818
821
818
lrrenhaus, c 1918
(Madhouse)
Woodcut on wove paper
8I3/i6 x 6V2 in. (22.4 x 16.5 cm)
From Die Aktion 8, no. 39/40 (1918):
back cover; not identified as an original
woodcut
PROVENANCE: gift of Titus Felixmiiller,
1984
L. 84. 5. 80 k; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
819
Untitled (figure in bed), c. 1918
Woodcut on wove paper
7 x 413/i6 in. (17.7 x 12.2 cm)
From Die Aktion 8, no. 31/32 (1918):
407-8; not identified as an original
woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1538 e
820
Der Traum, c. 1919
(The dream)
Woodcut on wove paper
7 x 7V16 in. (178 x 18.0 cm)
From Die Aktion 9, no. 14/15 (1919):
225-26
PROVENANCE: Ars Libri, Boston;
purchased in 1982
83.1.1551 d
821
Der Neid, c. 1924
(Envy)
Woodcut on wove paper
6% x 413/i6 in. (16.2 x 12.2 cm)
From Karl Dietz, ed., Schwarzer Greif:
Ein Alrnanach auf das Jahr 1925
(Rudolfstadt: Greifenverlag, 1925),
P- M5
provenance: unknown
83- 1-549"
822
K'uss, c. 1918
(Kiss)
Lithograph on wove paper
75/i6 x 95/s in. (18.6 x 24.4 cm)
From deluxe edition of Das Kunstblatt
2, no. 5 (1918); the center also has an
impression from the regular edition
inscription: numbered (32/110) on
justification page
provenance: Henry Hallenstein; W. F.
Arntz, Haag (Oberbayern); purchased
in 1975
EXHIBITION: Reed 283/36
83.1.1115 a
Erich Goldbaum
Bruno Goldschmitt
born 1881
Nuremberg
Werner Gothein
born 1890 Karlsruhe
died 1968
218
Ella Graf
Gothein
823
Raucher, c. 1919
(Smoker)
Woodcut on wove paper
10 x 51/4 in. (25.4 x 13.4 cm)
From Das Kunstblatt 3, no. 5 (1919)
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
EXHIBITION: Reed 283/37
83.1.1139 a
|
Friedrich Karl Gotsch |
824 |
|
Knabe im Mondschein, 1923 |
|
|
born 1900 Pries |
(Boy in moonlight) |
|
Woodcut on wove paper |
|
|
died 1984 |
7'/z x 7V2 in. (19.0 x 19.0 cm) |
|
Flensburg |
From Georg Biermann, ed., Jahrbuch |
|
derjungen Kunst (Leipzig: Klinkhardt |
|
|
& Biermann, 1923), following p. 424 |
|
|
provenance: Hans Bolliger, Zurich; |
|
|
purchased in 1975 |
|
|
EXHIBITION: Reed 320/1923.6 |
|
|
83. 1.801 f |
Hans Gott 825
Untitled (seated nude woman), c. 1919 born 1883 Munich Lithograph on laid paper
713/i6 x 415/i6 in. (19.8 x 12.5 cm)
From deluxe edition of Miinchner
Blatter fiir Dichtung und Graphik 1,
no. 8 (1919): 121
INSCRIPTION: numbered (xix/c) on table
of contents
provenance: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
exhibition: Reed under 290
83.1.1330 d
826
Schlafendes Madchen, c. 1924 (Sleeping girl)
Etching printed in brown on laid paper 53/i6 x 8'/4 in. (13.2 x 21.0 cm) From portfolio Ganymed-Mappe m (Munich: Marees-Gesellsehaft, 1924); edition of 100; the center also has an impression from Julius Meier-Graefe, ed., Ganymed, vol. 5 (Munich: R. Piper &Co., 1925), following p. 144 provenance: Hartung & Karl, Munich, 13- 15 November 1979, part of lot 2779 EXHIBITION: Reed 317/37 M. 82. 288. 379 f
827
Der Prunksaal der K. K. Hofbibliothek in Wien, c. 1914
(The great hall of the royal imperial court library in Vienna) Woodcut on wove paper 715/i6 x 11% in. (20.2 x 29.9 cm) From Internationale Ausstellung fiir Buchgewerbe und Graphik, exh. cat. (Leipzig: Osterreichisches Haus, 1914), following p. 28 provenance: unknown 83.1.429 b
826
825
Graf
219
828
829
830
831
828
Untitled (standing nude woman),
c. 1918
Woodcut on wove paper
8% x 515/i6 in. (22.5 x 15.0 cm)
From deluxe edition of Das Kunstblatt
2, no. 8 (1918); the center also has an
impression from the regular edition
inscription: numbered (32/110) on
justification page
provenance: Henry Hallenstein; W. F.
Arntz, Haag (Oberbayern); purchased
in 1975
EXHIRITION: Reed 283/38
83.1.1118 a
829
Untitled (fisherman), c. 1919 Woodcut on laid paper 87/s x 513/i6 in. (22.6 x 14.8 cm) From Der Weg 1, no. 2 (1919): 5 PROVENANCE: Ex Libris, New York; purchased in 1976 exhibition: Reed under 305 83.1.1214 c
830
Untitled (reclining figure), c. 1919 Woodcut on laid paper i"/i6 x 7'/i6 in. (4.2 x 17.9 cm) From Der Weg 1, no. 5/6 (1919): 10 PROVENANCE: Ex Libris, New York; purchased in 1976 EXHIBITION: Reed under 305 83.1.1217 d
831
Untitled (standing figure), c. igig Woodcut on laid paper 8V2 x 5u/i6 in. (21.6 x 14.5 cm) From Der Weg 1, no. 5/6 (1919): 11 PROVENANCE: Ex Libris, New York; purchased in 1976 exhibition: Reed under 305 83.1.1217 e
832
Untitled (figure and star), 1919 Woodcut on wove paper 6'/s x 313/i6 in. (15.6 cm x 9.7 cm) From Hans Theodor Joel, ed.. Das graphische Jahrbuch (Darmstadt: Karl Lang Verlag, 1920), following p. 10 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 EXHIBITION: Reed 318/2 83- 1-99 b
Gottfried Graf
born 1881 Munich died 1938 Stuttgart
832
220
Oskar Graf
born 1873 Freiburg died 1957 Boll
Walter Gramatte
born 1897 Berlin died 1929 Hamburg
Graf
833
Uecht Gruppe
Book with 2 woodcuts on cover stock
Catalogue to second spring exhibition at
Kunstgebaude Stuttgart (1920); edition
of 50
PROVENANCE: unknown
83.1.319 a, b
1. Untitled (group of figures), c. 1920 7% x 53/i6 in. (19.7 x 13.2 cm) Front cover
83.1.319 a
2. Untitled (abstract composition), c. 1920
4V16 x 2% in. (10.3 x 6.0 cm) Back cover 831319 b
834
Kinderstudie—Schabkunstblatt, c. 1898 (Study of a child— mezzotint) Mezzotint on laid paper 315/i6 x 5'/j in. (10.0 x 13.3 cm) From seventh portfolio of Verein fur Original-Radierung (Munich: Verein fur Original-Radierung, 1898) provenance: L'Art Ancien, Zurich; purchased in 1974 83.1. 159 h
835
Kaserne, 1916
(Barracks)
Drypoint on wove paper
67/i6 x 75/8 in. (16.3 x 19.3 cm)
From deluxe edition of Das Kunstblatt
1, no. 9 (1917)
INSCRIPTION: numbered (32/110) on
justification page
provenance: Henry Hallenstein; W. F.
Arntz, Haag (Oberbayern); purchased
in 1975
reference: Eckhardt 108 EXHIBITION: Reed 283/7 83.1.1093 b
836
Lesender Mann, 1917
(Man reading)
Lithograph on wove paper
5n/i6 x 5V2 in. (14.5 x 14.0 cm)
From deluxe edition of Marsyas, no. 3
(1917): 259; total edition of 235
inscription: signed and dated, l.r.;
numbered (xxvn/xxxv) on justification
page
PROVENANCE: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
REFERENCE: Eckhardt 45
exhibition: Reed under 288
83.1. 1663 gg
|
MUf |
||
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Hi \ ii fii * III IK i I II ,: |
m 1 X ¥*# Wit 9 |
|
|
Hilt1 i |
-■mm |
|
|
miiiia^BaM^u ^ |
833-2
834
Gramatte
221
836
838
837
839-1
839-2
839-3
837
Der Kranke mit den Blumen, 1918
(Sick man with flowers)
Lithograph on japan paper
8'/i6 x 75/ie in. (20.5 x 18.5 cm)
From deluxe edition of Das Kunstblatt
2, no. 11 (1918)
inscription: numbered (32/110) on
justification page
provenance: Henry Hallenstein; W. F.
Arntz, Haag (Oberbayern); purchased
in 1975
REFERENCE: Eckhardt 54 EXHIBITION: Reed 283/8 83.1.1121 b
838
Das Kreisen, 1918
(The circling)
Lithograph on J. W. Zanders paper
10V4 x 713/i6 in. (26. 1 x 19.8 cm)
From portfolio Die Fibel (Darmstadt:
Karl Lang Verlag, 1919)
INSCRIPTION, signed and dated, l.r.
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
REFERENCE: Eckhardt 51
EXHIBITION: Reed under 338; Guenther
80
83.1.18 c
839
Der Mantel: Zwolf Lithographien zur Erzahlung von Nicolai Gogol (The overcoat: Twelve lithographs to the story by Nikolay Gogol) Rook with 12 lithographs on wove paper Illustrations to story by Nikolay Gogol (Potsdam and Berlin: Gustav Kiepen- heuer Verlag, igig); edition of 1,100 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 REFERENCE: Eckhardt 55-66 EXHIBITION: Reed 337 83.1.63 a-1
1. Der Morgentveg zum Amt, 1918 (The morning route to the office) 65/s x 55/i6 in. (16.8 x 13.5 cm) Refore page 1
REFERENCE: Eckhardt 55 I EXHIBITION: Chipp 143 83.1.63 a
2. Der Titularrat Akaki Akakijetvitsch, 1918
(The titular councillor Akaky
Akakievich)
69/i6 x 55/i6 in. (16.7 x 13.5 cm)
Facing page 4
REFERENCE: Eckhardt 56
83.1.63 b
3. Akaki zeigt dem Schneider die auszubessernden Stellen, 1918 (Akaky shows the tailor the spots requiring mending)
65/s x 55/ie in. (16.8 x 13.5 cm) Facing page 10 reference: Eckhardt 57 in 83.1.63 c
222
Gramatte
839 (continued)
4. Akaki geht ratios aufder Strasse, 1918
(Akaky walks perplexed down the
street)
69/i6 x 53/i6 in. (16.6 x 13. 1 cm)
Facing page 14
reference: Eckhardt 58 11
83.1.63 d
5. Akaki lasst sich einen neuen Mantel anmessen, 1918
(Akaky is measured for a new overcoat) .
6"/i6 x 53/i6 in. (16.9 x 13. 1 cm) Facing page 16 REFERENCE: Eckhardt 59 II 83.1.63 e
6. Akaki tragt den Mantel das erstmai aufder Strasse, 1918
(Akaky wears the overcoat for the
first time on the street)
6% x 55/i6 in. (16.8 x 13.5 cm)
Facing page 19
reference: Eckhardt 60 I
83. 1.63 f
7. Akaki hat in einer Auslage das Bild einer hubschen Frau gesehen, 1918 (Akaky saw the picture of a pretty woman in a shop window)
6"/i6 x 53/i6 in. (17.0 x 13.2 cm) Facing page 20 REFERENCE: Eckhardt 61 83- 1-63 g
8. Zwei gespenstische Hande greifen naeh etwas, 1918
(Two ghostly hands reach for
something)
6"/i6 x 53/i6 in. (17.0 x 13.2 cm)
Facing page 24
reference: Eckhardt 62 II
83. 1.63 h
9. Akaki in Fieberphantasien, 1918 (Akaky in a delirium)
69/i6 x 53/i6 in. (16.6 x 13. 1 cm) Facing page 30 reference: Eckhardt 63 83.1.631
10. Akaki im Sarg aus Fichtenhoh, 1918
_ (Akaky in a spruce coffin) 67/i6 x 53/i6 in. (16.4 x 13.2 cm) Facing page 32 REFERENCE: Eckhardt 64 83. 1.63 j
11. Akaki wird zu Grabe getragen, 1918
(Akaky is carried to the grave) 69/i6 x $lA in. (16.7 x 13.3 cm) Facing page 34 reference: Eckhardt 65 83.1.63 k
839-4
839-6
|
% |
|
|
#}.&■ |
: ■% .% I |
|
- i 1 9 ' |
839-5
839-7
839-9
839-11
Gramatte
223
839-12
SPU
841
12. Die Kalinkin-Briicke, bei der es nachts spukt, igi8 (The Kalinkin Bridge, which is haunted at night) 69/i6 x 55/ie in. (16.7 x 13.5 cm) Facing page 38 reference: Eckhardt 66 II 83. 1.63 1
840
DerRebell 1, 1918
(The rebel 1)
Drypoint on japan paper
6"/i6 x 5 in. (17.0 x 12.7 cm)
First state; from deluxe edition of
Marsyas, no. 5 (1918); the issue also
contains impressions of the second state
and the published state (p. 93; signed
and dated, l.r.); total edition of 235 in
the published state
inscription: numbered (xxvn/xxxv) on
justification page
PROVENANCE: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
reference: Eckhardt 119 I
EXHIBITION: Reed under 288
83.1.1665 a
841
Der Re bell 2, 1918
(The rebel 2)
Drypoint on japan paper
6% x 5'/i6 in. (17. 1 x 12.8 cm)
First state; from deluxe edition of
Marsyas, no. 5 (1918); the issue also
contains impressions of the second state
and the published state (p. 97; signed
and dated, l.r.); total edition of 235 in
the published state
inscription: numbered (xxvn/xxxv) on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
REFERENCE: Eckhardt 120 I
exhibition: Reed under 288
83.1.1665 b
842
Der Rebell 3, 1918
(The rebel 3)
Drypoint on japan paper
6% x 4I5/i6 in. (17. 1 x 12.6 em)
First state; from deluxe edition of
Marsyas, no. 5 (1918); the issue also
contains impressions of the second state
and the published state (p. 1 15); total
edition of 235 in the published state
inscription: numbered (xxvn/xxxv) on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
reference: Eckhardt 121 1
exhibition: Reed under 288
83.1. 1665 g
842
224
Gramatte
843
Der Rebell 4, 1918
(The rebel 4)
Drypoint on japan paper
6% x 5'/i6 in. (17. 1 x 12.8 em)
First state; from deluxe edition of
Marsyas, no. 5 (1918); the issue also
contains impressions of the second state
and the published state (p. 119; signed
and dated, l.r.); total edition of 235 in
the published state
inscription: numbered (xxvu/xxxv) on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
reference: Eckhardt 122 1
EXHIBITION: Reed under 288
83. 1.1665 j
844
Die tragische Sendung: Ein dramatisches Ereignis in zehn Szenen
(The tragic mission: A dramatization in
ten scenes)
Book with 10 woodcuts on Dutch
handmade paper
Illustrations to play by Hermann Kasack
(Berlin: Ernst Rowohlt Verlag, 1920);
from deluxe edition
inscription: each sheet signed and
dated, l.r.; numbered (15/50) and signed
by author on justification page
PROVENANCE: Ars Libri, Boston;
purchased in 1979
REFERENCE: Eckhardt 28-37
EXHIBITION: Barton 78
83- 1-744 a-j
1. Blatt 1, 1920 (Plate 1)
513/i6 x 3l/s in. (14.7 x 8.0 cm) Before scene 1 REFERENCE: Eckhardt 28 83.1.744 a
2. Blatt 2, 1920 (Plate 2)
515/ie x 3% in. (15.0 x 8.5 cm) Before scene 2 reference: Eckhardt 29 83.1.744 b
3. Blatt 3, 1920 (Plate 3)
515/i6 x 35/i6 in. (15.0 x 8.4 cm) Before scene 3 reference: Eckhardt 30 83.1.744 c
4. Blatt 4, 1920 (Plate 4)
513/i6 x 3V4 in. (14.8 x 8.3 cm) Before scene 4 REFERENCE: Eckhardt 31 83. 1.744 d
5. Blatt 5, 1920 (Plate 5)
513/i6 x 35/ie in. (14.8 x 8.4 cm) Before scene 5 reference: Eckhardt 32 83. 1.744 e
843
844-1
844-2
844-3
844-4
844-5
Gramatte
225
844-6
844-7
844-8
844-9
844-10
845-2
6. Blatt 6, 1920 (Plate 6)
5I3/i6 x 3V4 in. (14.7 x 8.3 cm) Before scene 6 REFERENCE: Eckhardt 33 83.1.744 f
7. Blatt 7, 1920 (Plate 7)
5% x 3% in. (14.6 x 8.5 cm) Before scene 7 REFERENCE: Eckhardt 34
8.3- 1-744 g
8. Blatt 8, 1920 (Plate 8)
5% x 35/i6 in. (14.6 x 8.4 cm) Before scene 8 reference: Eckhardt 35 83. 1.744 h
9. Blatt 9, 1920 (Plate 9)
5"/i6 x 35/i6 in. (145 x 8.4 cm) Before scene 9 reference: Eckhardt 36 83.1.744 s
10. Blatt 10, 1920 (Plate 10)
513/i6 x 3% in. (14.7 x 8.5 cm) Before scene 10 REFERENCE: Eckhardt 37 83- 1-744 J
845
Das Gesicht
(The face)
Portfolio of 9 etchings with aquatint (3 with watercolor) on japan paper Published by Euphorion Verlag, Berlin,
1924
inscription: each sheet signed and
dated, l.r., and numbered (v/x), 1.1.
provenance: Galerie Gerda Bassenge,
Berlin, 8-10 November 1978, lot 2647
REFERENCE: Eckhardt 155-63
According to Ferdinand Eckhardt
(letter, 1979), this set was probably
printed for the artist or for a close friend
of the artist
M. 82.288.66 a-i
1. Mann im Baum: Selbstbildnvi, 1923 (Man in room: Self-portrait) Printed in brown and green
11% x 87/i6 in. (29.9 x 21.4 cm) REFERENCE: Eckhardt 155 (as 1922) M. 82. 288. 66 a
2. Ldchelnder Kopf: Selbstportrat,
1923
(Smiling head: Self-portrait)
Printed in green
loVs x 613/i6 in. (25.7 x 17.3 cm)
REFERENCE: Eckhardt 156 (as 1922)
M. 82.288.66 b
3. Ermudender Kopf: Selbstportrat, 1922
(Tired head: Self-portrait)
Printed in green, hand-colored with
rose watercolor
913/i6 x 97/i6 in. (25.0 x 24.0 cm)
REFERENCE: Eckhardt 157
M. 82. 288. 66 c
226
Gramatte
845 (continued)
4. Vogelmadchen: Sonia Gramatte, 1922
(Bird girl: Sonia Gramatte) Printed in blue 8% x 8% in. (22.2 x 21.2 cm) REFERENCE: Eckhardt 158 M. 82. 288. 66 d
5. Dunkles Gesicht: Selbstbildnis, 1922
(Dark face: Self-portrait) Printed in dark brown lo'/ie x 67s in. (25.5 x 17.4 cm) REFERENCE: Eckhardt 159 M. 82.288.66 e
6. Das Paar: Selbstportrat mit Frau, 1922
(The couple: Self-portrait with wiie) Printed in blue and green g9/i6 x 915/i6 in. (24.3 x 25.3 cm) REFERENCE: Eckhardt 160 M. 82. 288.66 f
7. Miider Mddchenkopf: Sonia Gramatte, 1923
(Head of a tired girl: Sonia Gramatte)
Printed in green and black, hand- colored with rose watercolor 11% x 9% in. (29.8 x 23.8 cm) REFERENCE: Eckhardt 161 M. 82.288.66 g
8. Knabenkopf: Selbstportrat, 1922 (Head of a boy: Self-portrait) Printed in green, hand-colored with rose watercolor
I2n/i6 x 9% in. (32.3 x 24.7 cm) reference: Eckhardt 162 (as 1922-23)
EXHIBITION: Chipp 39 M. 82. 288. 66 h
9. Mann am Meer: Selbstportrat, 1922 (Man by the sea: Sell-portrait) Printed in black and green
913/i6 x 9V2 in. (24.9 x 24.2 cm) reference: Eckhardt 163 (as 1923) EXHIBITION: Chipp 40 M. 82.288.66 i
846
Lenz: Ein Fragment von Georg Biichner mit zwolf Radierungen von Walter Gramatte
(Lenz: A fragment by Georg Biichner
with twelve etchings by Walter
Gramatte)
Book with 12 etchings on Van Geldern-
Biitten paper
Illustrations to story by Georg Biichner
(Hamburg: Werkstatt Lerchenfeld,
1925)
inscription: numbered (1/150) on
justification page
provenance: Ars Libri, Boston;
purchased in 1979
reference: Eckhardt 182-93
83.1.742 a-!
845-4
845-5
845-6
|
WW |
|
|
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|
|
B^ffr^"*^!!! |
^Wm |
|
MM ^^B |
p&^Jfl |
|
H.f)p ■' - " ' ^SSEi* |
|
|
W.**\ ■ |
845-8
845-9
846-2
846-1
Gramatte
227
846-3
846-5
846-7
846-6
846-9
1. Blatt l, 1924 (Plate 1)
io9/i6 x 77/i6 in. (26.9 x 18.9 cm) Facing page 4 REFERENCE: Eckhardt 182 83.1.742 a
2. Blatt 2, 1924 (Plate 2)
io9/i6 x 7% in. (26.8 x 18.8 cm) Facing page 8 REFERENCE: Eckhardt 183 83.1.742 b
3. Blatt 3, 1924 (Plate 3)
io9/i6 x jVi in. (26.9 x 19.0 cm) Facing page 10 REFERENCE: Eckhardt 184 83.1.742 c
4. Blatt 4, 1924 (Plate 4)
ion/i6 x 77/i6 in. (27.2 x 18.9 cm) Facing page 14 reference: Eckhardt 185 11 83. 1.742 d
5. Blatt 5, 1924 (Plate 5)
10% x 79/i6 in. (27.0 x 19.2 cm) Facing page 16 REFERENCE: Eckhardt 186 83. 1.742 e
6. Blatt 6, 1924 (Plate 6)
iou/i6 x 7'/z in. (27. 1 x 19.0 cm) Facing page 20 REFERENCE: Eckhardt 187 83. 1.742 f
7. Blatt 7, 1924 (Plate 7)
10% x 7V2 in. (27.0 x 19.0 cm) Facing page 26 reference: Eckhardt 188
83- 1-742 g
8. Blatt 8, 1924 (Plate 8)
io9/i6 x 77/i6 in. (26.9 x 18.9 cm) Facing page 30 reference: Eckhardt 189 83. 1.742 h
9. Blatt 9, 1924 (Plate 9)
io9/i6 x 77/i6 in. (26.9 x 18.9 cm) Facing page 36 reference: Eckhardt 190 83. 1.742 i
10. Blatt 10, 1924 (Plate 10)
10% x 7V2 in. (27.0 x 19.0 cm) Facing page 40 REFERENCE: Eckhardt 191 83. 1.742 j
846-10
228
Gramatte
846 (continued)
11. Blatt ii, 1924 (Plate 11)
io9/i6 x 7% in. (26.9 x 18.8 cm) Facing page 42 reference: Eckhardt 192 83.1.742 k
12. Blatt 12, 1924 (Plate 12)
io9/i6 x 7% in. (26.8 x 18.8 cm) Facing page 50 reference: Eckhardt 193 83. 1.742 1
847
Wozzeck
Portfolio of 13 etchings on heavy wove
paper
Illustrations to tragedy by Georg
Biichner
inscription: inscribed "This is no. four
from five sets of 'Wozzeck' / found in
Walter Gramatte s estate / S. C.
Eckhardt-Gramatte" on title page
PROVENANCE: estate of the artist; gift of
Ferdinand Eckhardt, 1980
reference: Eckhardt 200-201,
203-13
83.1.10 a-m
1. Untitled (title page), 1925 10% x 8'/4 in. (27.0 x 21.0 cm) REFERENCE: Eckhardt 200 83.1.10 m
2. Wozzeck rasiert den Hauptmann,
1925
(Wozzeck shaves the captain) io7/i6 x 83/i6 in. (26.5 x 20.8 cm) REFERENCE: Eckhardt 201 83.1.10 a
3. Wozzeck in der Uniarmung Marias,
1925
(Wozzeck in Maria's embrace) 10% x 8'/i in. (27.0 x 20.9 cm) REFERENCE: Eckhardt 203 83.1.10 b
4. Maria mit dem Knaben aufdem Arm, 1925
(Maria with the child in her arms) io9/i6 x 83/i6 in. (26.8 x 20.8 cm) REFERENCE: Eckhardt 204 83.1.10 c
5. Maria in Uniarmung mit dem Tambourmajor, 1925
(Maria embracing the drum major) 10% x 83/i6 in. (27.0 x 20.8 cm) REFERENCE: Eckhardt 205 83.1.10 d
6. Maria mit dem schlufenden Knaben im Arm vor dem Spiegel, verhldrt iiber den Ring des Tambourmajors,
1925
(Maria before the mirror with the sleeping child in her arms, trans- figured by the drum major's ring) 10% x 8'/4 in. (27.0 x 21.0 cm) reference: Eckhardt 206 83.1.10 e
846-11
y
\jCllec
von
847-1
»ti£;,H
847-3
847-4
847-6
.'>-Vv.-V ' .-■ pH
846-12
eassSSa
847-8
Greve-Lindau
229
!'*xv, li. -, :■■■■
7.
847-9
847-10
847-12
847-13
9
Maria betend, 1925
(Maria praying)
10% x 8'/j in. (27.0 x 20.9 cm)
REFERENCE: Eckhardt 207
83.i.iof
Wozzeck aufder Strasse; die Hand
des Hauptmanns winkt ihr heran,
1925
(Wozzeck in the street; the captain's hand beckons him closer) 10% x 8V1 in. (27.0 x 21.0 cm) REFERENCE: Eckhardt 208 83.1. log
Grosser KopfWozzecks restlos verzweifelt, 1925 (Large head of Wozzeck in total despair)
io9/i6 x 8'/8 in. (26.9 x 20.7 cm) REFERENCE: Eckhardt 209 83.1.10 h Der Mord, 1925 (The murder)
io9/i6 x 83/i6 in. (26.9 x 20.8 cm) REFERENCE: Eckhardt 210 83.1.10 i
Wozzeck geht in den Teich, 1925 (Wozzeck enters the pond) io5/s x 83/i6 in. (27.0 x 20.8 cm) reference: Eckhardt 211 83.1.10J
Wozzeck ertrinkt, 1925 (Wozzeck drowns) 10% x 8V4 in. (27.0 x 21.0 cm) REFERENCE: Eckhardt 212 83.1.10 k 13. Zwei Burger laufen davon, ah sie unheimliche haute com Teich horen, 1925
(Two townsmen run away because they hear unearthly sounds from the pond)
io5/8 x 8V4 in. (27.0 x 20.9 cm) REFERENCE: Eckhardt 213 83.1.10 1
10
11
12
848 Otto Greiner
Golgotha, c. 1896
Lithograph on chine colle born 1869 Leipzig
7I5/i6 x 10V16 in. (20. 1 x 25. 5 cm)
From Pan 2, no. 2 (1896): following 104 died 1916 Munich
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
reference: Dennerlein 979
83-1-1352 h
849
Naehtliche Pionierarheit , 1914 (Nighttime spadework) Lithograph on wove paper i39/i6 x 9V16 in. (34.4 x 23.0 cm) From Kriegszeit, no. 12 (1914): 2 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
exhibition: Reed 281/90 83.1.1411 b
George Greve-Lindau
born 1876 Lindau
849
230
Greve-Lindau
Otto Griebel
born 1893/95 Meerane
died 1972 Dresden
850
Reitergefecht, 1914
(Cavalry battle)
Lithograph on wove paper
11 I3/i6 x 93/i6 in. (30.0 x 23.3 cm)
From Kriegszeit, no. 17 (1914): 1
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/91
83.1.1416 a
851
Niemandsland,' 1935
(No-man's-land)
Black ink and white gouache on green
paper
i25/i6 x 17V& in. (31.2 x 43.6 cm)
inscription: signed, dated, and titled,
u.r.
PROVENANCE: Galerie Pabst, Munich;
purchased in 1982
exhibition: Der erste Weltkrieg: Vision
und Wirhlichkeit (Munich: Galerie
Pabst, 1982), no. 33
M. 82. 287. 80
852
Verwundeter, 1935
(Wounded man)
Charcoal and black crayon on wove
paper
i23/ie x i6'/s in. (31.0 x 41.0 cm)
inscription: signed and dated, l.r.
PROVENANCE: Galerie Pabst, Munich;
purchased in 1982
exhibition: Der erste Weltkrieg: Vision
und Wirklichkeit (Munich: Galerie
Pabst, 1982), no. 34
M. 82.287.81
Walter 0. Grimm 853
Akt, c. 1918
born c. 1890 (Nude)
Woodcut on wove paper died 1919 43/i6 x 3% in. (10.7 x 8.2 cm)
From Der schwarze Turin, no. 1 (1919):
pl-3
inscription: numbered (94/100) on
justification page
provenance: Ex Libris, New York;
purchased in 1978
83.1.1315 c
854
BildnisL.H.,c. 1918
(Portrait of L. H.)
Woodcut on wove paper
43/i6 x 3'/8 in. (10.6 x 8.0 cm)
From Der schwarze Turm, no. 1 (1919):
pl-S
INSCRIPTION: numbered (94/100) on
justification page
provenance: Ex Libris, New York;
purchased in 1978
83.1.13156
850
853
852
Grimm
231
858
860
855
Bildnis L. Th., c. 1918 (Portrait of L. Th.) Woodcut on purple wove paper 4'/i6 x 33/i6 in. (10.3 x 8. 1 cm) From Menschen 1, no. 8 (1918): 1 provenance: Galerie Gerda Bassenge, Berlin, 25 May 1975, part of lot 4883 exhibition: Reed under 289 83.1.1372 c
856
Das Cabarett, c. 1918
(The cabaret)
Woodcut on wove paper
5V16 x 4I5/i6 in. (12.9 x 12.6 cm)
From Der schwarze Turm, no. 1 (1919):
pi. 8
inscription: numbered (94/100) on
justification page
provenance: Ex Libris, New York;
purchased in 1978
83.1.1315 h
857
Dos Cafe, c. 1918
(The cafe)
Woodcut on laid paper
5'/s x 5V16 in. (13.0 x 12.8 cm)
From Menschen 2, no. 4 (1919): 3
provenance: Galerie Gerda Bassenge,
Berlin, 25 May 1975, part of lot 4883
exhibition: Reed under 289
83- 1- 1379 J
858
Christfestblatt 1918: "Erkennen," 1918
(Christmas sheet 1918: "Behold the
Christ Child")
Woodcut on wove paper
5'/8 x 37/i6 in. (13.0 x 8.7 cm)
From Der schwarze Turm, no. 1 (1919):
pi. 7
inscription: numbered (94/100) on
justification page
provenance: Ex Libris, New York;
purchased in 1978
83-1-1315 g
859
lm Cafe, c. 1918 (In the cafe)
Woodcut on purple wove paper 215/i6 x 35/i6 in. (7.5 x 8.4 cm) From Menschen 1, no. 8 (1918): 1 provenance: Galerie Gerda Bassenge, Berlin, 25 May 1975, part of lot 4883 EXHIBITION: Reed under 289 83.1.1372 b
860
Jesus im Tempel, c. 1918 (Jesus in the temple) Woodcut on purple wove paper 913/i6 x 9V2 in. (24.9 x 24. 1 cm) From Menschen 1, no. 8 (1918): 2 provenance: Galerie Gerda Bassenge, Berlin, 25 May 1975, part of lot 4883 EXHIBITION: Reed under 289 83. 1. 1372 d
232
Grimm
861
Landschaft, c. 1918
(Landscape)
Woodcut on laid paper
8'/i6 x 7%6 in. (20.5 x 18.2 cm)
From Menschen 2, no. 1 (1919): 2
provenance: Galerie Gerda Bassenge,
Berlin, 25 May 1975, part of lot 4883
exhibition: Reed under 289
83.1.1379 a
862
Linoleumschnitt, c. 1918
(Linoleum cut)
Linoleum cut on wove paper
4I3/ie x 37/8 in. (12.3 x 9.8 cm)
From Der schwarze Turm, no. 1 (1919):
pi. 1
INSCRIPTION: numbered (94/100) on
justification page
PROVENANCE: Ex Libris. New York;
purchased in 1978
8311315a
863
Das Miidchen, c. 1918
(The girl)
Woodcut on wove paper
3n/i6 x 3'/s in. (9.4 x 8.0 cm)
From Die Ahtion 8, no. 39/40 (1918):
500; not identified as an original
woodcut
provenance: gift of Titus Felixmuller,
1984
L.84.5.80 c; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
864
Menschen, c. 1918
(Humanity)
Woodcut on pink wove paper
103/i6 x 89/i6 in. (25.8 x 21.7 cm)
From Menschen 1, no. 9 (1918): 3
provenance: Galerie Gerda Bassenge,
Berlin, 25 May 1975, part of lot 4883
exhibition: Reed under 289
83- 1- 1373C
865
Miide Tanzerin, c. 1918
(Tired dancer)
Woodcut on wove paper
37/& x 23/» in. (9.9 x 6.9 cm)
From Der schwarze Turm, no. 1 (1919):
pi. 6
inscription: numbered (94/100) on
justification page
provenance: Ex Libris, New York;
purchased in 1978
83.1. 1315 f
866
Mutter und Kind, c. 1918
(Mother and child)
Woodcut on wove paper
4 x 3'/8 in. (10. 1 x 8.0 cm)
From Die Aktion 9, no. 12/13(1919):
182
PROVENANCE: Ars Libri, Boston;
purchased in 1982
83.1.1550 b
861
862
863
864
865
866
Grimm
233
868
867
870
869
867
Der ScUaf, c. 1918
(Sleep)
Woodcut on wove paper
3V4 x 6n/i6 in. (8.0 x 17.0 cm)
From Die Aktion 9, no. 23/24 (1919):
381-82; not identified as an original
woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83- 1- 1553 b
868
Der Schlaf, c. 1918
(Sleep)
Woodcut on wove paper
5% x 4% in. (14.6 x 12.4 cm)
From Die Aktion 9, no. 41/42 (1919):
cover
PROVENANCE: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1560 a
869
Studie, 1918
(Study)
Woodcut on wove paper
7 x 213/i6 in. (17. 7 x 7.2 cm)
From Der schwarze Turm, no. 1 (1919):
pi. 4
INSCRIPTION: numbered (94/100) on
justification page
PROVENANCE: Ex Libris, New York;
purchased in 1978
83.1. 1315 d
870
Totenklage, c. 1918
(Dirge)
Woodcut on purple wove paper
4% x 9% in. (11.1 x 23.8 cm)
From Menschen 1, no. 8 (1918): 2
provenance: Galerie Gerda Bassenge,
Berlin, 25 May 1975, part of lot 4883
EXHIBITION: Reed under 289
83.1.13726
871
Vber das dunlde Wasser, c. 1918
(Over dark water)
Woodcut on pink wove paper
4V8 x 25/ie in. (10.5 x 5.9 cm)
From Menschen 1, no. 9 (1918): 2
provenance: Galerie Gerda Bassenge,
Berlin, 25 May 1975, part of lot 4883
EXHIBITION: Reed under 289
83- 1- 1373 b
872
Verkundigung, c. 1918
(Annunciation)
Woodcut on wove paper
4Vs x 3V8 in. (10.5 x 7.9 cm)
From Der schwarze Turin, no. 1 (1918):
pi. 2
INSCRIPTION: numbered (94/100) on
justification page
provenance: Ex Libris, New York;
purchased in 1978
83.1.1315 b
871
234
Grossberger
Herbert Grossberger 873
Begegnung, c. 1912
born 1890 (Encounter)
Linoleum cut on wove paper
died 1954 3% x 4 in. (9.6 x 10.1 cm)
From Saturn 3, no. 1 (1913): cover; the image also appears on p. 19 provenance: Galerie Gerda Bassenge, Berlin, 4 June 1975, part of lot 4899 EXHIBITION: Reed under 300
83.1.1312 a
874
Duzi, Duzi! c. 1912
Etching on laid paper, tipped in
3I5/i6 x 2 in. (10.0 x 5.0 cm)
From Saturn 2, no. 6 (1912): 120
PROVENANCE: M. K. Neudold (ex libris);
Galerie Gerda Bassenge, Berlin, 4 June
1975. Part of lot 4899 exhibition: Reed under 300 83.1.1311c
875
Frau M., c. 1912 Woodcut on wove paper 55/i6 x 315/i6 in. (13.5 x 10.0 cm) From Saturn 2, no. 8 (1912): 157 PROVENANCE: M. K. Neudold (ex libris); Galerie Gerda Bassenge, Berlin, 4 June 1975, part of lot 4899 exhibition: Reed under 300 83.1.1311 g
876
Frau S., c. 1912 Woodcut on wove paper 513/i6 x 4 in. (14.7 x 10.2 cm) From Saturn 2, no. 8 (1912): 171 PROVENANCE: M. K. Neudold (ex libris); Galerie Gerda Bassenge, Berlin, 4 June 1975, part of lot 4899 exhibition: Reed under 300 83.1.1311 h
877
Frau St., c. 1912
Linoleum cut on wove paper
3% x 215/ie in. (8.6 x 7. 5 cm)
From Saturn 3, no. 2 (1913): 51
provenance: Galerie Gerda Bassenge,
Berlin, 4 June 1975, part of lot 4899
exhibition: Reed under 300
83.1.1313 c
878
Die Schlafstube, c. 1912
(The bedroom)
Woodcut on wove paper
3l5/i6 x 37/i6 in. (10.0 x 8.8 cm)
From Saturn 2, no. 4 (1912): 75
provenance: M. K. Neudold (ex libris);
Galerie Gerda Bassenge, Berlin, 4 June
1975, part of lot 4899
EXHIBITION: Reed under 300
83.1.1311b
873
874
875
877
878
Grossmann
235
879
881
.. /^5»s. ' \ ;
880
882
879
Strindberg, e. 1912 Woodcut on wove paper 47/i6 x 2I3/i6 in. (11.2 x 7.2 em) From Saturn 2, no. 12 (1912): 271 provenance: M. K. Neudold (ex libris); Galerie Gerda Bassenge, Berlin, 4 June 1Q-75. part °f lot 4899 EXHIBITION: Reed under 300 83.1.1311 1
880
Judisches Theater: Der Zauberer,
c 1905
(Jewish theater: The magician)
Etching on laid paper
79/i6 x 4V2 in. (19.2 x 11.5 cm)
One of only 2 impressions
INSCRIPTION: signed, 1.1.; titled, l.r.j
estate stamp, verso
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
reference: Jentsch 70
EXHIBITION: Reed 379
M. 82.288.67
881
Bauerntanz Brugge, c. 1906
(Peasants' dance in Bruges)
Etching printed in green on laid paper
5'/s x 7V6 in. (13.0 x 18. 1 cm)
INSCRIPTION: signed, 1.1.; titled, l.r.;
estate stamp, 1.1.
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
REFERENCE: Jentsch 48
EXHIBITION: Reed 376
M. 82. 288. 68
882
Madehen mit grossem Hut, c. 1907 (Girl with big hat) Etching on laid paper 89/i6 x 57/i6 in. (21.7 x 13.8 cm) INSCRIPTION: estate stamp, verso provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 reference: Jentsch 4g EXHIBITION: Reed 377 M. 82.288.69
883
Untitled (landscape with wagon),
c. 1909
Drypoint on laid paper
4I3/i6 x 65/i6 in. (12.3 x 16.0 cm)
From Kunst und Kiinstler 8, no. 4
(1910): 184
provenance: Ars Libri, Boston;
purchased in 1982
REFERENCE: not in Jentsch
83.1.1228 b
Rudolf Grossmann
born 1882 Freiburg died 1941 Freiburg
236
Grossmann
884
AmBahnhofFriedrichstrasse, c. 1911
(At the Friedriehstrasse train station)
Lithograph on japan paper
915/i6 x 7u/i6 in. (25.3 x 19.5 em)
From Kunst und Kiinstler 9, no. 8
(1911): 414
PROVENANCE: Ars Libri, Boston;
purchased in 1982
REFERENCE: Jentseh 243
83. 1. 1229 c
885
7m Tiergarten, c. 1911
(In the Tiergarten)
Lithograph on japan paper
7V2 x g15/i6 in. (19.0 x 23.7 em)
From Kunst und Kiinstler 9, no. 12
(1911): 651
provenance: Ars Libri, Boston;
purchased in 1982
REFERENCE: Jentseh 245
83.1.1229 f
886
Landstrasse bei Zehlendorf, c. 1911 (Country road near Zehlendorf) Lithograph on japan paper 65/i6 x 9^6 in. (16.0 x 23.6 cm) From Kunst und Kiinstler 9, no. 5 (1911): 257
provenance: Ars Libri, Boston; purchased in 1982 REFERENCE: not in Jentseh 83.1.1229 b
887
Kubin nach Tisch, 1912 (Portrait of Kubin after dinner) Pencil on manila paper -jVa x i25/i6 in. (18.4 x 31.3 cm) inscription: signed and dated, 1.1.; inscribed "Dr. Hans Contrate," l.r. provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 REFERENCE: Jentseh 18 EXHIBITION: Reed 380 M. 82.288.331
888
Rennplatz, c. 1912
(Turf)
Lithograph on japan paper
77/6 x 9% in. (20.0 x 24. 5 cm)
From Kunst und Kiinstler 10, no. 10
(1912): 519
provenance: Ars Libri, Boston;
purchased in 1982
REFERENCE: Jentseh 257
83.1.1239 a
889
Vor der Stadt, c. 1912
(Outside the city)
Drypoint on Strathmore japan paper
3% x 6'/8 in. (9.5 x 15.6 cm)
From Zeitschrift fur bildende Kunst,
n.s., 23, no. 5 (1912): following 132
provenance: Galerie Gerda Bassenge,
Berlin, 15 May 1976, part of lot 4364
reference: Jentseh 126
83.1.966 f
MS&IM <-
885
884
886
|
J |
^^v |
||
|
- ' --. / \ / |
. ~ |
||
|
\ \ / - - |
|||
|
•> < ' -1 ■;/ |
L&l: fcti |
887
SL2offe£
seas
889
888
Grossmann
237
890
891
892
893
890
Begrabnis, c. 1913
(Funeral)
Lithograph on japan paper
77/i6 x loVi in. (18.9 x 26.0 cm)
From Kunst und Kiinstler 11, no. 2
(1913): 80
provenance: Erasmus, Amsterdam;
purchased in 1975
REFERENCE: Jentsch 246
exhibition: Reed under 286
83.1.1242 n
891
Berliner Bilder 6, c. 1913 (Berlin pictures 6) Lithograph on japan paper 6Vs x 815/i6 in. (15.5 x 22.7 cm) From Kunst und Kiinstler 11, no. 7
(1913): 340
provenance: Erasmus, Amsterdam;
purchased in 1975
reference: not in Jentsch
EXHIBITION: Reed under 286
83.1.1242 z
892
Berliner Baracken-Lazarett, 1914 (Hospital barracks in Berlin) Lithograph on wove paper i2'/4 x 913/i6 in. (31. 1 x 25.0 cm) From Kriegszeit, no. 13 (1914): 4 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
reference: Jentsch 218 EXHIBITION: Reed 281/93 83.1.1412 d
893
Husarenball, c. 1914
(Hussars' ball)
Lithograph on japan paper
6Vt x 8 in. (15.8 x 20.3 cm)
From Kunst und Kiinstler 12, no. 2
(1914): 82
PROVENANCE: Ars Libri, Boston;
purchased in 1982
REFERENCE: Jentsch 247
83.1.12431
894
Polnische Fliichtlinge, 1914
(Polish refugees)
Lithograph on wove paper
6x9'/iin. (15.3x23.5 cm)
From Kriegszeit, no. 16 (1914): 2
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
REFERENCE: Jentsch 219
EXHIBITION: Reed 281/94
83.1.1415 b
894
238
Grossmann
895
Strassenkampf, 1914
(Street battle)
Lithograph on wove paper
n5/8 x g7/i6 in. (29.6 x 23.9 cm)
From Kriegszeit, no. 8 (1914): 1
PROVENANCE: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
REFERENCE: Jentsch 217
EXHIBITION: Reed 281/92
83.1.1407 a
896
Vorstadt im Schnee, 1914
(Suburb in the snow)
Lithograph on wove paper
8 x io"/i6 in. (20.3 x 27.2 cm)
From Kriegszeit, no. 20 (1914): 2
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
REFERENCE: Jentsch 220
EXHIBITION: Reed 281/96
83.1.1418 b
897
Untitled (armed Arabs), 1914
Lithograph on wove paper
45/ie x 97/i6 in. (11.0 x 23.9 cm)
From Kriegszeit, no. 18/19 (1914): 6
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
reference: not in Jentsch
exhibition: Reed 281/95
83.1. 1417 f
898
Berliner Vorort, c. 1915
(Berlin suburb)
Lithograph on wove paper
7% x 9% in. (20.0 x 24.7 cm)
From Kriegszeit, no. 44 (1915): 3
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
reference: Jentsch 221
EXHIBITION: Reed 281/97
83.1.1442 c
899
"Wer will unter die Soldaten . . . ,"
c- 1915
("Who wants to become a soldier . . .")
Lithograph on wove paper
i49/i6 x 9V4 in. (37.0 x 23.5 cm)
From Kriegszeit, no. 48 (1915): 3
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
reference: Jentsch 222
EXHIBITION: Reed 281/98
83. 1. 1446 c
896
897
898
895
899
Grossmann
239
I Sf :N{ Hi
r " ill 'I m
'' t\< Viva v_;.-- A\"^\\s
904
901
■ ''^ ft
^ Fife
: .,/' %wsf) 1 |
t%; :
903
k '
905
900
Untitled (cavalrymen resting), c. 1915 Lithograph on wove paper 6% x 53/i6 in. (16.2 x 13.2 cm) From Zeit-Echo 1, no. 11 (1915): 159 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 reference: Jentsch under 348 exhibition: Reed under 308 83.1.1196 b
901
Untitled (city scene), c. 1915
Lithograph on wove paper
4% x 7% in. (12.4 x 18.8 cm)
From special edition of Zeit-Echo 1, no.
13(1915): 199
INSCRIPTION: numbered (32) on table of
contents
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
reference: Jentsch under 348
EXHIBITION: Reed under 308
83.1.1198 c
902
Untitled (soldiers in park), c. 1915 Lithograph on laid paper 6% x 5V4 in. (17. 1 x 13.3 cm) From Zeit-Echo 2, no. 1 (1915-16): 13 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 reference: Jentsch under 348 EXHIBITION: Reed under 308 83.1.1207 b
903
Untitled (tavern scene), c. 1915 Lithograph on laid paper 413/i6 x 4J3/i6 in. (12.3 x 12.3 cm) From Zeit-Echo 2, no. 3 (1915-16): 38 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 reference: Jentsch under 348 EXHIBITION: Reed under 308 83.1.1209 b
904
Untitled (women bathing), c. 1915
Lithograph on laid paper
65/s x 55/i6 in. (16.9 x 13.5 cm)
From Zeit-Echo 2, no. 7 (1915-16): 104
PROVENANCE: gift of Elmar Seibel, 1983
reference: Jentsch under 348
L. 86. 1.72 b; lent by the Robert Gore
Rifkind Foundation, Reverly Hills,
California
905
Untitled (couple in landscape), c. 1915
Lithograph on laid paper
513/i6 x 37/8 in. (14.7 x 9.9 cm)
From Zeit-Echo 2, no. 11 (1915-16):
167
provenance: gift of Elmar Seibel, 1983
reference: Jentsch under 348
L. 86. 1 . 76 b; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
Grossmann
906
Bayerischer Wald, c. 1916 (Bavarian forest) Lithograph on wove paper n7/i6 x 8Vj in. (29.0 x 21.0 cm) From Der Bildermann 1, no. 13
(1916): 3
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
180
REFERENCE: Jentsch 224
EXHIBITION: not listed in Reed under
265
83.1.1462.51
907
Deutsches Stadtchen, c. 1916
(German village)
Lithograph on wove paper
n3/i6 x 83/8 in. (28.4 x 21.2 cm)
From Der Bildermann 1, no. 3 (1916): 2
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
180
REFERENCE: Jentsch 225
exhibition: not listed in Reed under
265
83.1.1462.10
908
Die fromine Helene, c. 1916
(Pious Helene)
Lithograph on wove paper
n5/8 x 5% in. (29.5 x 13.6 cm)
From Der Bildermann 1, no. 17,
(1916): 3
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
180
reference: Jentsch 223
exhibition: not listed in Reed under
265
83.1.1462.67
909
lm Miinchner Hofbrdu, c. 1916
(In the Munich Hofbrau)
Lithograph on wove paper
6V2 x 87/8 in. (16.5 x 22.5 cm)
From Der Bildermann 1, no. 10
(1916): 1
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
180
reference: not in Jentsch
exhibition: not listed in Reed under
265
83.1.1462.37
910
lm Miinchner Hofgarten, c. 1916
(In the Munich Hofgarten)
Lithograph on wove paper
69/i6 x 715/i6 in. (16.7 x 20.2 cm)
From Der Bildermann 1, no. 5(1916): 1
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
180
REFERENCE: Jentsch 226
exhibition: not listed in Reed under
265
83.1.1462.17
907
909
^#\fa|i
906
U Ih
910
Grossmann
241
912
911
911
Landschaft am Neckar, c 1916
(Landscape by the Neckar River)
Lithograph on wove paper
5'A x 9V16 in. (14.0 x 23.0 cm)
From Der Bildermann 1, no. 15
(1916): 1
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
180
REFERENCE: not in Jentsch
exhibition: not listed in Reed under
265
83.1.1462.57
912
Miinchen, chinesischer Turm, c. 1916
(Munich, Chinese tower)
Lithograph on wove paper
liVie x 87/i6 in. (28.2 x 21.4 cm)
From Der Bildermann 1, no. 7 (1916): 2
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
180
REFERENCE: Jentsch 227
EXHIBITION: not listed in Reed under
265
83.1.1462.26
913
Till Ulenspiegel
One lithograph with watercolor and 6 vignette lithographs on wove paper Illustrations to translation of chapters 36, 37, and 40 of book by Charles de Coster, excerpted from Kunst und Kiinstler 14, no. 2 (1916): 57-68; the center also has impressions from the bound volume of the periodical provenance: Ars Libri, Boston; purchased in 1982 reference: Jentsch 359 83.i.66a-g 1. Untitled (woman seated), c. 1916
With blue, green, and rose
watercolor
57/i6 x 6V2 in. (13.8 x 16.5 cm)
Page 68
83. 1.66 g
914
Untitled (violinist), c. 1916 Lithograph on laid paper 6% x 4% in. (16.2 x 11.1 cm) From Zeit-Echo 2, no. 13 (1915-16):
195
provenance: gift of Elmar Seibel, 1983
reference: Jentsch under 348
L. 86. 1.78 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
242
Grossmann
915
Blick aus dem Fenster, c. 1917 (View from the window) Drypoint on japan paper 7% x 5% in. (19.7 x 14.6 cm) First state; from deluxe edition of Marstjas, no. 3 (1917); the issue also contains impressions of the second state (signed, 1.1.) and the published state (p. 237); total edition of 235 in the published state
INSCRIPTION: signed, 1.1.; numbered (xxvn/xxxv) on justification page provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 REFERENCE: Jentsch 351 EXHIBITION: Reed under 288 83.1. 1663 y
916
Caliban 1, c. 1917
Lithograph printed in brown on japan
paper
14% x 10% in. (37.5 x 27.6 cm)
From portfolio Shakespeare Visionen
(Munich: Marees-Gesellschaft, 1918);
from edition A (total edition of 200)
INSCRIPTION: signed, 1.1.; numbered
(xiv/l) on justification page; publisher's
blind stamp, l.r.
provenance: Hans Bolliger, Zurich;
purchased in 1972
reference: Jentsch 249
exhibition: Reed 336/8
M. 82.288.384.8
917
Caliban 1, c. 1917
Offset lithograph printed in brown with blue, pink, and green watercolor on japan paper
i45/s x 10% in. (37.1 x 27.3 cm) From portfolio Shakespeare Visionen (Munich: Marees-Gesellschaft, 1918); from edition A
inscription: signed, 1.1.; numbered (xiv/l) on justification page; publisher's blind stamp, l.r.
PROVENANCE: Hans Bolliger, Zurich; purchased in 1972 reference: Jentsch 248 exhibition: Reed 336/37 Because of its appearance and reduced size, the print is probably a reproduc- tion of cat. no. 916 that was hand- colored by the artist, rather than an original lithograph M. 82.288.384.37
5^7/,
.-/
fWMf
fW" ;^ P
ssai
915
916
917
Grossmann
243
. jS§5&£«Kfc$ij«)»i»=S'"v
920-1
919
sn~h>-_. it***,*! f s I Hi
920-2
920-3
920-4
918
Caliban 2, c. 1917
Lithograph printed in brown on japan
paper
i53/ie x i3'/4 in. (38.5 x 33.7 em)
From portfolio Shakespeare Visionen
(Munich: Marees-Gesellschaft, 1918);
from edition A (total edition of 200)
INSCRIPTION: signed, 1.1.; numbered
(xiv/l) on justification page, publisher's
blind stamp, l.r.
provenance: Hans Bolliger, Zurich;
purchased in 1972
REFERENCE: Jentsch 250
EXHIBITION: Reed 336/9
M. 82. 288.384.9
919
Liebespaar, c. 1917
(Lovers)
Drypoint on japan paper
5V2 x 39/ie in. (14.0 x 9.0 cm)
First state; from deluxe edition of
Marsyas, no. 3 (1917); the issue also
contains impressions of the second state
(signed, 1.1.) and the published state
(p. 227); total edition of 235 in the
published state
INSCRIPTION: signed, 1.1.; numbered
(xxvn/xxxv) on justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
reference: Jentsch 355 (before
remarque)
exhibition: Reed under 288
83. 1. 1663 p
920
Posinsky: Eine Novelle von Carl Sternheim
(Posinsky: A novella by Carl Sternheim) Book with 6 lithographs on laid paper Illustrations to story by Carl Sternheim (Berlin: Verlag Heinrich Hochstim, 1917); edition of 50 PROVENANCE: Ars Libri, Boston; purchased in 1977 REFERENCE: Jentsch 469
83- 1-574 a-f '
1. Untitled (cover), c. 1917 37/s x 37/s in. (9.9 x 9.9 cm)
83- 1-574 a
2. Untitled (man at stove), c. 1917 i7/a x 2% in. (4.8 x 6. 1 cm) Page 7
83- 1- 574 b
3. Untitled (people in street), c. 1917 4% x 37/8 in. (12. 1x9.9 cm)
Page 37
83- 1-574 c
4. Untitled (seated nude man), c. 1917 41/-! x 3V2 in. (10.8 x 8.9 cm)
Page 41 83- 1-574 d
244
Grossmann
920 (continued)
5. Untitled (figures at doorway), c. 1917
3 x 3% in. (7.6 x 9.2 em) Page 59 83- 1-574 e
6. Untitled (man standing at table), c. 1917
4lA x 2% in. (11.4 x 7.0 cm) Page 61 83- 1-574 i
921
Ungleiches Paar, c. 1917
(Unlikely couple)
Drypoint on japan paper
95/i6 x 7V16 in. (23.7 x 18.0 cm)
First state; from deluxe edition of
Marsyas, no. 3 (1917); the issue also
contains impressions of the second state
(signed, 1.1.) and the published state
(p. 233); total edition of 235 in the
published state
INSCRIPTION: signed, 1.1.; numbered
(xxvn/xxxv) on justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
reference: Jentsch 353 (before
remarque)
exhibition: Reed under 288
83.1.1663 v
922
Villa am See, c. 1917
(Villa by the lake)
Drypoint on japan paper
6'/j x 4% in. (15.9 x 12.0 cm)
First state; from deluxe edition of
Marsyas, no. 3 (1917); the issue also
contains impressions of the second state
(signed, 1.1.) and the published state
(p. 229); total edition of 235 in the
published state
INSCRIPTION: signed, 1.1.; numbered
(xxvn/xxxv) on justification page
PROVENANCE: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
reference: Jentsch 354 (before
remarque)
exhibition: Reed under 288
83.1.1663 s
923
Untitled (man in city), c. 1917 Drypoint on japan paper 57/s x 313/i6 in. (14.9 x 9.7 cm) From prospectus for Marsyas (May 1917), p. 7; total edition of 235 INSCRIPTION: signed, 1.1.; numbered (xxvn/xxxv) on justification page provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 reference: not in Jentsch exhibition: Reed under 288 83.1.1660 c
920-5
921
923
920-6
922
Grossmann
245
925-1
925-4
925-7
"";»•-■ is
925-10
925-2
925-3
925-6
925-8
925-9
924
Untitled (concert), c. 1917 Lithograph with ocher, gray, and lavender watercolor on japan paper 9% x 7% in. (24.5 x 18.7 cm) From Kunst unci Kiinstler 16, no. 5 (1918): 166
PROVENANCE: Ars Libri, Boston; purchased in 1982 reference: not in Jentsch 83.1.1247 a
925
Eine dumme Geschichte
(A stupid story)
Portfolio of 22 lithographs and 1 ink and wash drawing on japan paper Accompanied illustrated book by Fyodor Dostoyevski (Munich: Marees- Gesellschaft, 1918); total edition of 200 INSCRIPTION: each sheet signed, 1.1.; numbered (3/50) on cover provenance: H. J. Hintze (ex libris, portfolio); Leo Lewin (ex libris, portfolio); PauLFreier (ex libris, book); Kunstgalerie Esslingen, Esslingen; purchased in 1975 REFERENCE: Jentsch 358, 45 exhibition: Reed 335; Guenther 92 83.1.64.2 a-w
1. Untitled (title page), 1918 8% x 63/i6 in. (22.2 x 15.7 cm) 83.1.64.2 a
2. Untitled (plate 2), 1918
5% x 4'/s in. (15.0 x 10.5 cm) 83.1.64.2 b
3. Untitled (plate 3), 1918
6Vi6 x 315/i6 in. (15.4 x 10.0 cm) 83.1.64.2 c
4. Untitled (plate 4), 1918
6Vi6 x 315/i6 in. (15.4 x 10.0 cm) 83.1.64.2 d
5. Untitled (plate 5), 1918
6 x 315/i6 in. (15.3 x 10.0 cm) 83.1.64.2 e
6. Untitled (plate 6), 1918
57/s x 3I5/i6 in. (15.0 x 10.0 cm) 83.1.64.2 f
7. Untitled (plate 7), 1918 413/i6 x 3% in. (12.2 x 9.5 cm) 83. 1.64.2 g
8. Untitled (plate 8), 1918
41/-! x 43/i6 in. (10.8 x 10.6 cm) 83.1.64.2 h
9. Untitled (plate 9), 1918
57/8 x 315/i6 in. (15.0 x 10.0 cm) 83.1.64.2 i
10. Untitled (plate 10), 1918 6x4 in. (15.2 x 10.2 cm) 83. 1.64.2 j
11. Untitled (plate 11), 1918
57/s x 315/i6 in. (15.0 x 10.0 cm) 83.1.64.2 k
12. Untitled (plate 12), 1918
4% x 315/i6 in. (12.0 x 10.0 cm) 83.1.64.2 1
246
Grossmann
925 (continued)
13. Untitled (plate 13), 1918 6'/s x 45/i6 in. (15.5 x n.o cm) 83.1.64.2 m
14. Untitled (plate 14), 1918 5n/i6 x 4 in. (145 x 10.2 cm) 83.1.64.2 n
15. Untitled (plate 15), 1918 5'/8 x 3% in. (13.0 x 9.9 cm) 83.1.64.2 o
16. Untitled (plate 16), 1918 57/s x 45/ie in. (15.0 x 11.0 cm) 83. 1.64.2 p
17. Untitled (plate 17), 1918 5% x 4 in. (15.0 x 10.2 cm) 83.1.64.2 q
18. Untitled (plate 18), 1918
57/8 x 315/i6 in. (15.0 x 10.0 cm) 83.1.64.2 r
19. Untitled (plate 19), 1918 57/s x 4V16 in. (15.0 x 10.3 cm) 83.1.64.2 s
20. Untitled (plate 20), 1918 5!yi6 x 3^16 in. (15. 1x10.1 cm) 83.1.64.2 t
21. Untitled (plate 21), 1918 6 x 3% in. (15.2 x 9.6 cm) 83.1.64.2 u
22. Untitled (seated nude), 1918 Charcoal and brownish gray ink and wash, laid down
5^16 x 3^16 in. (15.1 x 10.0 cm) INSCRIPTION: initialed, l.r.
REFERENCE: JeiltSch 45
Study for plate 21 of Eine dumme
Geschichte
83.1.64.2 w
23. Untitled (plate 22), 1918 6 x 35/i6 in. (15.3 x 8.5 cm) 83.1.64.2 v
926
At Aschinger, Berlin, c. 1919 Lithograph on laid paper 7% x 75/i6 in. (19.7 x 18.5 cm) provenance: gift of Dr. Jelena Hahl,
is
925-13
925-16
925-17
|
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|
|
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|
|
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925-15
925-18
"*r~;" ■"""-"-;' *^k>
reference: not in Jentsch M. 82.287. 18
927
Berliner Pferdemarkt, c. 1919
(Horse market in Berlin)
Lithograph on laid paper
89/i6 x 7V16 in. (21.7 x 18.0 cm)
From deluxe edition of Miinchner
Blatter fur Dichtung und Graphik 1,
no. 2 (1919): 31
inscription: numbered (xix/c) on table
of contents
provenance: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
reference: Jentsch under 357
exhibition: Reed under 290
83. 1. 1324 f
925-19
925-20
925-21
925-23
Grossmann
247
^r^ 7>*^*t-<*i. at^*^. Jcft^w^
928
:'^> \
%>tr& rviAsW} fu~€A^yn,cL-
m m .
'mmm i
syp
927
■
929
■4l?_ M^-'J~&m4*s^u£c*«^
■ ,:ii?i :}■ ' ■■:■
M
I 1 .F
pv'-^w
■'-3- p
y&L 'W.^Afwt^«A
928
Freude am Schonen, c. 1919 (Delight in beauty) Lithograph on heavy wove paper 5^6 x 4V16 in. (14.2 x 10.3 cm) From Julius Meier-Graefe, ed., Gamjmed, vol. 1 (Munich: R. Piper & Co., 1919), following p. 140 provenance: Ganymede Graphics, Berkeley; purchased in 1974 reference: Jentsch under 356 exhibition: Reed 317/2 Although all five prints by Grossmann in this volume are listed as original lithographs, they appear to be offset 83.1.1385 b
929
Der Kritiker, c. 1919 (The critic)
Lithograph on heavy wove paper 5'/2 x 45/i6 in. (14.0 x 11.0 cm) From Julius Meier-Graefe, ed., Gamjmed, vol. 1 (Munich: R. Piper & Co., 1919), following p. 152 provenance: Ganymede Graphics, Berkeley; purchased in 1974 REFERENCE: Jentsch under 356 EXHIBITION: Reed 317/5 See remarks under cat. no. 928. Although it is listed in the table of contents under this title, the image is the same as Der Unverstandene (cat. no. 934) 83.1.13856
930
Der Kunstfreund, c. 1919
(The art lover)
Lithograph on heavy wove paper
6!/i x 4'/s in. (15.9 x 10.5 cm)
From Julius Meier-Graefe, ed.,
Gamjmed, vol. 1 (Munich: R. Piper &
Co. , 1919), following p. 136
provenance: Ganymede Graphics,
Berkeley; purchased in 1974
reference: Jentsch under 356
EXHIBITION: Reed 317/1
See remarks under cat. no. 928
83.1.1385 a
931
Der Kunsthdndler, c. 1919 (The art dealer)
Lithograph on heavy wove paper 5V2 x 45/i6 in. (14.0 x 11.0 cm) From Julius Meier-Graefe, ed., Gamjmed, vol. 1 (Munich; R. Piper & Co., 1919), following p. 148 provenance: Ganymede Graphics, Berkeley; purchased in 1974 reference: Jentsch under 356 EXHIBITION: Reed 317/3 See remarks under cat. no. 928 83. 1.1385 d
930
931
248
Grossmann
932
DieLoge, c. 1919
(The loge)
Lithograph on laid paper
9 x yVt in. (22.8 x 18.5 cm)
From deluxe edition of Miinchner
Blatter fur Dichtung und Graphik 1,
no. 10(1919): 153
INSCRIPTION: numbered (xix/c) on table
of eon tents
provenance: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
reference: Jentsch under 357
exhibition: Reed under 290
83.1.1332 c
933
Ochsenstall, c. 1919
(Ox stable)
Lithograph on laid paper
97/i6 x 79/i6 in. (24.0 x 19.2 cm)
From deluxe edition of Miinchner
Blatter fur Dichtung und Graphik 1,
no. 4 (1919): 63
INSCRIPTION: numbered (xix/c) on table
of contents
provenance: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
reference: Jentsch under 357
EXHIBITION: Reed under 290
83.1.1326 e
934
Der Unverstandene, c. 1919 (The misunderstood) Lithograph on heavy wove paper 5V2 x 45/i6 in. (14.0 x 11.0 cm) From Julius Meier-Graefe, ed., Gamjmed, vol. 1 (Munich: R. Piper & Co., 1919), following p. 144 provenance: Ganymede Graphics, Berkeley; purchased in 1974 REFERENCE: Jentsch under 356 EXHIBITION: Reed 317/4 See remarks under cat. nos. 928 and 929. Not illustrated 83.1.1385 c
935
Zirkus, c. 1919
(Circus)
Lithograph and watercolor on laid paper
■f/m x 8'/s in. (18.3 x 20.6 cm)
From deluxe edition of Miinchner
Blatter fur Dichtung und Graphik 1,
no. 6 (1919)
INSCRIPTION: numbered (xix/c) on table
of contents
provenance: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
reference: Jentsch under 357
EXHIBITION: Reed under 290
83. 1. 1328 a
t > ■ 1 VA I
--'■'. \ ■■ <l ir
i
,v> . u
1 ■ ' (■ w
i
-31 '
932
933
' if ' v ? ■ " 7
. - -'"' >I,V
Wi
, >r
935
Grossmann
249
%l/i<) ill > /l/:
i # j /'
936
937
^:>
,/v jj;:.
^
^ ^ >y
-M
_>
d\
v
X *
938
fl^
936
Untitled (couple), c. 1919
Lithograph and vvatercolor on laid paper
7 x 4,3/i6 in. (17.8 x 12.5 cm)
From deluxe edition of Miinchner
Blatter fur Dichtung und Graphih 1,
no. 1 (1919)
INSCRIPTION: numbered (xix/c) on table
of contents
provenance: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
REFERENCE: not in Jentsch
exhibition: Reed under 290
83.1.1323 a
937
Untitled (reading in armchair), c. 1919
Lithograph on laid paper
8'/i6 x 67/i6 in. (20.5 x 16.4 cm)
From deluxe edition of Miinchner
Blatter fur Dichtung und Craphik 1,
no. 7(1919): 107
inscription: numbered (xix/c) on table
of contents
provenance: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
REFERENCE: not in Jentsch
EXHIBITION: Reed under 290
83. 1. 1329 d
938
Untitled (three figures), c. 1919
Lithograph on laid paper
313/i6 x 5!/s in. (9.7 x 13.0 cm)
From deluxe edition of Miinchner
Blatter fur Dichtung und Graphik 1,
no. 8 (1919): 125
inscription: numbered (xix/c) on table
of contents
PROVENANCE: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
reference: not in Jentsch
exhibition: Reed under 290
83.1. 1330 e
939
Die Boxer, c. 1920
(The boxers)
Lithograph on heavy wove paper
8V2 x 75/i6 in. (21.6 x 18.6 cm)
From Kurt Pfister, ed. , Deutsche
Graphiker der Gegenwart (Leipzig:
Klinkhardt & Riermann, 1920), pi. 7;
edition of 600
provenance: Hans Bolliger, Zurich;
purchased in 1972
REFERENCE: Jentsch 293
exhibition: Reed under 339
83.1.171 e
939
Grossmann
940
E. T. A. Hoffmann: Ritter Gluck
Portfolio of 18 woodcuts with watercolor and 1 drawing on japan paper Blocks cut by Johann Tempel and Albert Fallscheer after drawings by Gross- mann; hand-coloring is by Grossmann. Published by Marees-Gesellschaft, Munich, 1920
inscription: each sheet signed, 1.1.; numbered (32/65) on cover provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1977 REFERENCE: Jentsch 391-408 83.1.248-5
1. Strassencafe, 1920 (Sidewalk cafe)
5V16 x 315/i6 in. (12.8 x 10.0 cm) REFERENCE: Jentsch 391 83.1.24 a
2. Konzert, 1920 (Concert)
5V16 x 3I5/i6 in. (12.8 x 10.0 cm) REFERENCE: Jentsch 392 83.1.24 b
3. Konzert, 1920 (Concert)
6V2 x 45/i6 in. (16.5 x 10.9 cm) REFERENCE: Jentsch 393 83.1.24 c
4. Der Geiger, 1920 (The violinist)
5V16 x 315/i6 in. (12.8 x 10.0 cm) REFERENCE: Jentsch 394 83.1.24 d
5. Ritter Gluck, 1920
5V16 x 3ls/i6 in. (12.8 x 10.0 cm) REFERENCE: Jentsch 395 83.1.24 e
6. Gesellschaft, 1920 (Society)
6V2 x 4H in. (16.5 x 10.8 cm) reference: Jentsch 396 83.1.24 f
7. Der Geiger in Gesellschaft, 1920 (The violinist in society)
6V2 x 43/8 in. (16.5 x 11.0 cm) reference: Jentsch 397 83.1.24 g
8. Alleine, 1920 (Alone)
6'/2 x 4'/i in. (16.5 x 10.8 cm) reference: Jentsch 398 83.1.24 b
9. Duett, 1920 (Duet)
6%6 x 45/i6 in. (16.6 x 10.9 cm) REFERENCE: Jentsch 399 83. 1.24 i
10. Gesprdch, 1920 (Conversation)
6V2 x 45/ie in. (16.5 x 10.9 cm) reference: Jentsch 400 83.1.24J
940-1
940-4
940-7
940-5
940-3
940-6
940-9
940-10
940-12
Grossmann
251
940-13
940-16
940-18
940-14
940-17
940-19
11. Begegnung, 1920 (Encounter)
5'/i6 x 315/i6 in. (12.8 x 10.0 cm) reference: Jentsch 401 83.1.24 k
12. Gesellschaft, 1920 (Society)
6V2 x 4V4 in. (16.5 x 10.8 cm) REFERENCE: Jentsch 402 83. 1.24 1
13. Musizierende, 1920 (Making music)
6'/2 x 4lA in. (16.5 x 10.8 cm) REFERENCE: Jentsch 403 83.1.24 m
14. Strassencafe, 1920 (Sidewalk cafe)
5 x 315/i6 in. (12.7 x 10.0 cm) reference: Jentsch 404 83.1.24 n
15. Vier Damen in Gesellschaft, 1920 (Four ladies at a party)
5 x 315/i6 in. (12.7 x 10.0 cm) reference: Jentsch 405 83.1.24 o
16. Gesellschaft, 1920 (Party)
5 x 315/i6 in. (12.7 x 10.0 cm) REFERENCE: Jentsch 406 83. 1.24 p
17. Konzert, 1920 (Concert)
5V16 x 315/i6 in. (12.8 x 10.0 cm) REFERENCE: Jentsch 407 83. 1.24 q
18. Untitled (endpiece), 1920 2 x 39/i6 in. (5.0 x 9. 1 cm) reference: Jentsch 408 83.1.241
19. Untitled (musicians), c. 1920 Conte crayon on thin japan paper, laid down
8'/i6 x 11% in. (20.5 x 28.9 cm) Accompanied portfolio 83.1.24 s
941
Der alte Gartner, c. 1921 (The old gardener) Drypoint on laid paper 713/i6 x 513/i6 in. (198 x 14.7 cm) From portfolio Ganymed-Mappe 1 (Munich: Marees-Gesellschaft, 1921); edition of 200; the center also has an impression from Julius Meier-Graefe, ed., Ganymed, vol. 3 (Munich: R. Piper &Co., 1921), following p. 148 INSCRIPTION: signed, 1.1. PROVENANCE: Hans Bolliger, Zurich; purchased in 1972 reference: Jentsch 155 EXHIHITION: Reed 317/14 M. 82. 288. 377 c
941
252
Grossmann
A fimrri^
942
Die Grossmutter, c. 1921
(The grandmother)
Lithograph with rose watercolor on
wove paper
i2'/i x 10% in. (31. 1 x 27.3 cm)
From portfolio Ganymed-Mappe I
(Munich: Marees-Gesellschaft, 1921);
edition of 200
INSCRIPTION: signed, 1.1.
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1972
REFERENCE: Jentsch 292
exhibition: Reed 317/17
M. 82.288.377 k
943
Das grosse Bestiarium der modernen Literatur
(The great bestiary of modern literature) Six lithographs with watercolor on wove paper
Illustrations to text by Franz Blei (Berlin: Ernst Rowohlt Verlag, 1922). See also cat. nos. 970 and 1102 inscription: signed by artist, Franz Blei, Olaf Gulbransson, and Thomas Theodor Heine and numbered (376/400) on justification page provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 reference: not in Jentsch EXHIBITION: Reed 330 83.1.51 e, f, k, 1, n, p
1. Das Edschmid, 1922 (Caricature of Kasimir Edschmid) With pink, beige, yellow, and green watercolor
3% x 3% in. (9.2 x 9.5 cm) Facing page 40 83.1.51 e
2. K. Einstein, 1922 (Caricature of Karl Einstein) With blue, pink, green, beige, and yellow watercolor
5% x 33/4 in. (14.3 x 9.5 cm) Facing page 48 83.1.51 f
3. Die Kolbannette, 1922 (Caricature of Annette Kolb)
With blue, green, pink, yellow, and
orange watercolor
6'/2 x 37/8 in. (16.5 x 9.7 cm)
Facing page 128
83.1.51k
4. Der Lasker-Schuler, ig22 (Caricature of Else Lasker-Schuler) With pink, blue, green, and yellow watercolor
4 x 6V2 in. (10.2 x 16.5 cm) Facing page 144 83.1.51 1
5. Das Meyrink, 1922 (Caricature of Gustav Meyrink) With blue, green, pink, yellow, and violet watercolor
5% x 3% in. (14.6 x 9.5 cm)
Facing page 176
The subject is identified incorrectly
in the book's index as "E. Meyrink"
83.1.5m
943-2
jW^K-cvrjY .^iif.r
943-4
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943-5
943-6
942
944
Grossmann
253
i .-
m
w(tqt4e*-$(Ui£Gt&s*rtr,'btr&**
i 9 a. 2-
-
- i
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945-1
945-2
945-3
945-4
945-6
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945-9
945-5
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945-7
945-10
945-8
6. Rilke, 1922
(Caricature of Rainer Maria Rilke)
With blue, green, and pink
watercolor
6'/i x 3% in. (15.9 x 9. 5 cm)
Facing page 208
83.1.51 p
944
Portrait of Max Liebermann, c. 1922 Graphite on parchment lg'/ie x 13V& in. (48.3 x 33.4 cm) INSCRIPTION: signed, 1.1. provenance: Marjorie Kauffmann Graphics, Los Angeles; purchased in
1975
exhibition: Reed 381; Chipp 41
M. 82. 288.332
945
Unold von Kaltenquell
Book with 50 lithographs with watercolor on laid paper Illustrations to text by Grossmann (Berlin: Paul Cassirer, 1922) inscription: signed and numbered (97/180) on justification page provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1977 reference: Jentsch 440 83. 1.65 a— xx
1. Untitled (title page), 1922 9% x 6V4 in. (23.8 x 15.4 cm) 83.1.65 a
2. Untitled ("Unold von Kaltenquell ist sich . . ."), 1922
8% x 7% in. (22.5 x 18.7 cm) 83.1.65 b
3. Untitled ("Soil er sich . . ."), 1922 85/i6 x 9 in. (21. 1 x 22.8 cm) 83.1.65 c
4. Untitled ("Buddha bis Schopenhauer . . ."), 1922 77/8 x 7V2 in. (20.0 x 19. 1 cm) 83.1.65 d
5. Untitled ("Wen langweilte . . ."), 1922
12% x lo'/s in. (31.5 x 25.7 cm) 83.1.65 e
6. Untitled ("Unold wird vom . . ."), 1922
io'/j x 77/i6 in. (26.0 x 18.9 cm) 83.1.65 f
7. Untitled ("Ein Vater . . ."), 1922 i43/i6 x 8% in. (36.0 x 22.2 cm) 83-1.65 g
8. Untitled ("Boxt und wird . . ."), 1922
7V2 x 9% in. (19.0 x 24.8 cm) 83.1.65 b
9. Untitled ("Durch kraftiges . . ."), 1922
9% x 6V2 in. (24.8 x 16.5 cm) 83.1.651
10. Untitled ("Die Riickseite . . ."), 1922
75/s x 12V8 in. (194 x 30.8 cm) 83. 1.65 j
254
Grossmann
945 (continued)
11. Untitled ("Sein trainierter Biceps . . ."), 1922
12% x 7V8 in. (31.5 x 18. 1 cm) 83.1.65 k
12. Untitled ("Man ist von neuer . . ."), 1922
10 x 9% in. (25.4 x 23.8 cm) 83.1.651
13. Untitled ("Der Denker findet . . ."), 1922
915/ie x 75/8 in. (25.3 x 19.4 cm) 83.1.65 m
14. Untitled ("Er erbaut sich . . ."), 1922
4% x 53/8 in. (12. 1 x 13.7 cm) 83.1.65 n
15. Untitled ("Wo Uberzeugung . . ."), 1922
8 x 10% in. (20.3 x 27.3 cm) 83.1.650
16. Untitled ("Es bewahrheitet . . ."), 1922
9 x 10% in. (22.8 x 26.3 cm) 83. 1.65 p
17. Untitled ("Doch auch Kunst . . ."), 1922
i37/i6 x 8'/8 in. (342 x 20.6 cm) 83.1.65 q
18. Untitled ("Unold schafft den . . ."), 1922
i33/i6 x 815/i6 in. (335 x 22.7 cm) 83. 1.65 r
19. Untitled ("Der Mensch . . ."), 1922 i33/8 x tjVe in. (340 x 23.2 cm) 83.1.65 s
20. Untitled ("Sein neues . . ."), 1922 13!/! x 8V2 in. (33.7 x 21.6 in.) 83.1.651
945-12
945-13
945-15
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945-17
945-18
£
945-20
Grossmann
255
y' '-
945-21
945-24
^ f
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945-25
945-23
S. V
945-27
21. Untitled ("Tat ist Zeit . . ."), 1922 ios/i6 x 715/i6 in. (26.2 x 20.2 cm) 83.1.65 u
22. Untitled ("Die Oberf lache . . ."), 1922
£ i25/s x 7% in. (32. 1 x 19.4 cm)
83.1.65 V
23. Untitled ("Besonders schwer . . ."), 1922
8% x n15/i6 in. (22.0 x 30.3 cm) 83.1.65 w
24. Untitled ("In dieser Scheinwelt . . ."), 1922
i49/i6 x 10V2 in. (37.0 x 26.7 cm) 83. 1.65 x
25. Untitled ("Auch die Einzelerscheinung . . ."), 1922 85/s x g9/i6 in. (22.0 x 24.3 cm) 83.1.65 y
26. Untitled ("Aber ein Traum . . ."), 1922
jV\s x n7/s in. (18.3 x 30. 1 cm) 83. 1.65 z
27. Untitled ("Diesen Traum sieht . . ."), 1922
i47/ie x 10% in. (36.7 x 27.6 cm) 83. 1.65 aa
28. Untitled ("Der Denker fragt . . ."), 1922
12 x 615/i6 in. (30.5 x 17.6 cm) 83.1.65 bb
29. Untitled ("Im Anfang war . . ."), 1922
7% x 6n/i6 in. (19.7 x 17.0 cm) 83. 1.65 cc
30. Untitled ("Er findet . . ."), 1922 9I3/i6 x 43/i6 in. (24.9 x 10.7 cm) 83.1.65 dd
945-26
!/S
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945-29
945-28
256
Grossmann
945 (continued)
31. Untitled ("Der Denker: Tanzen . . ."), 1922
6V4 x 5% in. (15.9 x 15.0 cm) 83.1.65 ee
32. Untitled ("Ein Segelboot . . ."), 1922
n13/i6 x io>/2 in. (30.0 x 26.7 cm) 83. 1.65 ff
33. Untitled ("Am Morgen . . ."), 1922 12V4 x 9% in. (31. 1 x 25. 1 cm)
83- 1-65 gg
34. Untitled ("Von neuer 945-31 Erkenntnis . . ."), 1922
i35/8 x 8n/i6 in. (34.6 x 22. 1 cm) 83. 1.65 hh
35. Untitled ("Sind wir denn . . ."), 1922
12V16 x 9% in. (30.6 x 24.8 cm) 83.1.6511
36. Untitled ("Die Belehrung . . ."), 1922
9I5/ie x 11% in. (25.3 x 29.5 cm) 83165JJ
37. Untitled ("Der Denker: Warum . . ."), 1922
73/i6 x 715/i6 in. (18.3 x 20.2 cm) 83. 1.65 kk
38. Untitled ("Die geschwachten . . ."), 1922
75/8 x 11% in. (19.4 x 30. 1 cm) 83. 1.65 11
39. Untitled ("Nach der Botanik . . ."), 1922
8 x 11% in. (20.3 x 30. 1 cm) 83.1.65 mm
40. Untitled ("Aber die Geliebte . . ."), 1922
12% x ioVs in. (32.7 x 25.8 cm) 83.1.65 nn
; -i
945-32
945-34
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945-35
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945-37
945-36
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945-40
Grossmann
257
i ft S(
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945-41
945-44
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41. Untitled ("Er fiihlt . . ."), 1922 g'/4 x 77/i6 in. (23.5 x 18.9 em) 83.1.65 00
42. Untitled ("Der Denker: O Zwiespalt! . . ."), 1922
I3n/i6 x 8% in. (34.8 x 22.2 cm) 83. 1.65 pp
43. Untitled ("Unold gelangt . . ."), 1922
io15/i6 x 77/s in. (27.8 x 20.0 cm) 83.1.65 qq
44. Untitled ("Das Ich tanzt . . ."), 1922 7^16 x 8 in. (18.6 x 20.3 cm) 83.1.65 rr
45. Untitled ("Doch sieht er. . ."), 1922 77/i6 x 8'/s in. (18.9 x 20.6 cm) 83.1.65 ss
46. Untitled ("und das Ich . . ."), 1922 li'/s x 8'/i in. (28.3 x 21.0 cm) 83.1.65 tt
47. Untitled ("und den Schimmy "), 1922
hVj x 5% in. (28.5 x 13.7 cm) 83.1.65 uu
48. Untitled ("Der Larm . . ."), 1922 n7/«x 7 in. (30.1 x 17.8 cm)
83. 1.65 vv
49. Untitled ("Er besticht . . ."), 1922 io3/i6 x ii3/ie in. (25.9 x 28.4 cm) 83.1.65 WW
50. Untitled ("Und er sieht . . ."), 1922 lo'/a x io5/i6 in. (26.7 x 26.2 cm) 83. 1.65 xx
945-47
945-48
it
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;
945-49
945-50
258
Grossntann
946
Zigeunerwagen, c. 1922
(Gypsy wagon)
Etching on handmade paper
69/i6 x 5 in. (16.7 x 12.7 cm)
From portfolio Ganymed-Mappe II
(Munich: Marees-Gesellschaft, 1922)
INSCRIPTION: signed, 1.1.; numbered
(cxl/ccc) on cover
provenance: Hans Bolliger, Zurich;
purchased in 1972
REFERENCE: Jentsch 52
EXHIBITION: Reed 317/34
M. 82. 288. 378 h
947
Untitled (portrait), 1922 Lithograph on laid paper 37/s x 3'/8 in. (g.g x 8.0 cm) From Hans Siemsen, ed., Die Lieder des alten Morelli (Dusseldorf: Galerie Alfred Flechtheim, 1922), frontispiece INSCRIPTION: signed, 1.1.; numbered (116/200) on justification page PROVENANCE: Ars Libri, Boston; purchased in 1979 REFERENCE: not in Jentsch 83.1.740 a
948
Jahrmarkt, c. 1924 (Annual fair)
Drypoint on thin laid paper 57/s x 7n/i6 in. (15.0 x ig.5 cm) From portfolio Ganymed-Mappe III (Munich: Marees-Gesellschaft, 1924); edition of 100; the center also has an impression from Julius Meier-Graefe, ed., Ganymed, vol. 5 (Munich: R. Piper &Co., 1925), following p. 184 INSCRIPTION: signed, 1.1. PROVENANCE: Hartung & Karl, Munich, 13-15 November 1979, part of lot 2779 reference: Jentsch 145 exhibition: Reed 317/39 M. 82. 288. 379 e
George Grosz 949
Erotische Szene, igi2 born 1893 Berlin (Erotic scene)
Black ink and colored pencil on laid died 1959 Berlin paper
813/i6 x n'/4 in. (22.4 x 28.5 cm)
inscription: signed, 1.1.; estate stamp
and date, verso
provenance: Galerie Pabst, Munich;
purchased in 1980
M. 82.287.82
/-7..v /■ if' \ nar '.'-^-'"'-or- it
946
Y
948
949
950-1
950-2
Grosz
259
950-3
950-5
950-4
950-6
950-8
2.
950
Erste George Grosz-Mappe
(First George Grosz portfolio)
Portfolio of 9 transfer lithographs on
japan paper
Published by Verlag neue Jugend,
Berlin; Malik-Verlag, Berlin, 1917
inscription: numbered (21/120) on
justification page
provenance: Kornfeld & Klipstein,
Bern, 10 June 1977, lot 370
REFERENCE: Diiekers M I, 1-9
M. 82.288.71 a-i
1. Erinnerung an New York, 1915-16
(Memory of New York)
I4v/s x n5/8 in. (378 x 29.6 cm)
reference: Diiekers M I, 1
M. 82.288.71 a
Texasbildfur meinen Freund
Chingachgook, 1915-16
(Texas picture for my friend
Chingachgook)
io5/s x iou/i6 in. (26.9 x 27. 1 cm)
reference: Diiekers M I, 2
M. 82.288.71 b
AmKanal, 1915-16
(At the canal)
io3/8 x 8% in. (26.4 x 22.2 cm)
reference: Diiekers M I, 3
M. 82.288.71c
Strasse in der Stadt, 1915-16
(Street in the city)
lo'/s x I4n/i6 in. (25.8 x 37.3 cm)
reference: Diiekers M I, 4
M. 82.288.71 d
Menschen in der Strasse, 1915-16
(People in the street)
io7/8 x 89/i6 in. (27.6 x 21.7 cm)
REFERENCE: Diiekers M I, 5
M. 82.288.71 e
Vorstadt, 1915-16
(Suburb)
14% x i23/i6 in. (37. 1 x 31.0 cm)
reference: Diiekers M I, 6
M. 82.288. 71 f
Peripherie, 1915-16
(Outskirts)
i2'/i6 x 87/s in. (30.6 x 22.5 cm)
reference: Diiekers M 1, 7
M. 82.288.71 g
Kaschemme, 1916
(Joint)
io5/8 x 85/8 in. (27.0 x 21.8 cm)
REFERENCE: Diiekers M I, 8
M. 82.288.71 h
Mondnacht, 1915-16
(Moonlit night)
I4u/i6 x n5/8 in. (37.4 x 29.6 cm)
reference: Diiekers M 1, 9
M. 82.288.71 i
6.
8
9
950-9
260
Grosz
951
Kleine Grosz Mappe
(Little Grosz portfolio)
Portfolio of 20 transfer lithographs on
japan paper
Published by Malik-Verlag, Berlin,
1917
inscription: numbered (28/100) on
justification page
provenance: Kornfeld & Klipstein,
Bern, 10 June 1977, lot 371
REFERENCE: Diickers M II, 1-20
exhihition: Reed 386/1-20
M. 82.288. 72 a-t
1. Fraulein und Liebhaber, 1915—16 (Girl and her lovers)
95/s x 6 in. (24.5 x 15.2 cm) reference: Diickers M II, 1 exhihition: Reed 386/1 M. 82. 288. 72 a
2. Strasse, 1915-16 (Street)
93/s x 63/i6 in. (23.8 x 15.7 cm) REFERENCE: Diickers M II, 2 EXHIBITION: Reed 386/2 M. 82.288.72 b
3. Strassenbild, 1915-16 (Street scene)
93/i6 x 5V2 in. (23.4 x 14.0 cm) REFERENCE: Diickers M II, 3 exhibition: Reed 386/3; Rigby 34 M. 82.288.72 c
4. Kaffeehaus, 1915-16 (Coffee house)
85/8 x 5/16 in. (21.8 x 13.8 cm) REFERENCE: Diickers M II, 4 EXHIBITION: Reed 386/4 M. 82.288.72 d
5. Goldgrdberbar, 1915-16 (Gold diggers' saloon)
7I3/i6 x 5u/i6 in. (19.8 x 14.5 cm) REFERENCE: Diickers M II, 5 EXHIBITION: Reed 386/5 M. 82. 288. 72 e
6. Krauall der Irren, 1915-16 (Riot of the insane)
95/i6 x 5% in. (23.7 x 14.6 cm) REFERENCE: Diickers M II, 6 EXHIBITION: Reed 386/6 M. 82.288. 72 f
7. Strasse des Vergniigens, 1915-16 (Street of pleasure)
87/s x 5I3/i6 in. (22.6 x 14.7 cm) REFERENCE: Diickers M II, 7 exhibition: Reed 386/7; Rigby 35 M. 82. 288. 72 g
8. Werbung, 1915-16 (Courtship)
67/ie x 5% in. (16.4 x 13.7 cm) reference: Diickers M II, 8 EXHIBITION: Reed 386/8 M. 82. 288.72 h
9. Qeselhchaft, 1915-16 (Party)
6'/8 x 5V6 in. (15.5 x 13.0 cm) reference: Diickers M II, 9 EXHIBITION: Reed 386/9 M. 82. 288.72 i
951-6
Vffe^'
'-gap "h°fi X-PFI vrMPi
951-7
Grosz
261
951-10
951-13
v^
951-16
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951-11
951-12
951-15
951-18
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10. Ca/e, 1915-16
7n/i6 x 5V8 in. (195 x 13.0 cm) REFERENCE: Diickers M H, 10 exhibition: Reed 386/10 M. 82.288.72 j
11. Spaziergang, 1915-16 (Taking a walk)
8"/i6X 6 in. (22.1 x 15.3 cm) reference: Diickers M II, 11 EXHIBITION: Reed 386/11 M. 82. 288. 72 k
12. Hiiuser am Kanal, 1915-16 (Houses on the canal)
7I3/i6 x 5V16 in. (19.8 x 12.9 cm) reference: Diickers M II, 12 EXHIBITION: Reed 386/12 M. 82.288. 72 1
13. Vorstadthauser, 1915-16 (Suburban houses)
87/s x 5'/i6 in. (22.5 x 12.9 cm) REFERENCE: Diickers M II, 13 exhibition: Reed 386/13 M. 82. 288. 72 m
14. DieFabrihen, 1915-16 (The factories)
8% x 55/i6 in. (21.3 x 13.5 cm) reference: Diickers M II, 14 EXHIBITION: Reed 386/14 M. 82.288. 72 n
15. Die Kirche, 1915-16 (The church)
713/ie x 55/i6 in. (19.9 x 13.4 cm) REFERENCE: Diickers M II, 15 EXHIBITION: Reed 386/15 M. 82.288.720
16. Das einzelne Haus, 1915-16 (The single house)
8 x 55/i6 in. (20.4 x 13.5 cm) reference: Diickers M II, 16 EXHIBITION: Reed 386/16
M. 82. 288. 72 p
17. Der Dorfschullehrer, 1915-16 (Village schoolmaster)
8% x 55/ig in. (21.3 x 13.5 cm) reference: Diickers M II, 17 EXHIBITION: Reed 386/17 M. 82.288. 72 q
18. Jagerlatein, 1915-16 (Tall stories)
8V4 x 6 in. (21.0 x 14.9 cm) reference: Diickers M II, 18 EXHIBITION: Reed 386/18 M. 82.288.72 r
19. Mord, 1915-16 (Murder)
9 x 55/i6 in. (22.9 x 13.5 cm) reference: Diickers M 11, 19 EXHIBITION: Reed 386/19
M. 82.288.72 s
20. Hinrichtimg, 1915-16 (Execution)
83/4 x 5% in. (22.2 x 14.3 cm) reference: Diickers M 11, 20 exhibition: Reed 386/20 M. 82.288.72 t
951-19
951-20
262
Grosz
952
Ecce Homo
Book with 84 offset lithographs and 16 color offset reproductions of watercolors on wove paper Published by Malik- Verlag, Berlin, 1922-23; from edition C of 6,000—8,000 (total edition of 10,000) provenance: M. J. Royer Bookshop, Los Angeles; date of purchase unknown REFERENCE: Duckers S I, 1-84 83.1.73.1-84
1. Friedrichstrasse, 1918
10% x 67/s in. (26.4 x 17.5 cm) REFERENCE: Duckers S I, 1 83.1.73.1
2. Familie, 1916 (Family)
io13/i6 x 6% in. (27.4 x 16.8 cm) REFERENCE: Duckers S I, 2 83.1.73.2
3. Aus der Jugendzeit, 1922 (Halcyon days)
io7/8 x 65/i6 in. (27.7 x 16.0 cm) reference: Duckers S 1, 3
83- 1-73-3
4. Grimmiger Mann, 1918 (Grim man)
11 x 65/i6 in. (27.9 x 16.0 cm) reference: Diickers S I, 4
83-1-73-4
5. Gruss aus Sachsen, 1920 (Greetings from Saxony) io9/i6 x 77/s in. (26.8 x 20.0 cm) reference: Diickers S I, 5
83 1-73-5
6. Marseille, 1919 (Marseilles)
10% x 7V8 in. (27.6 x 18.0 cm) reference: Diickers S I, 6 83.1.73.6
7. Schonheitsabend in der Motzstrasse, 1918
(Beauty contest on Motzstrasse) 7V2 x nVs in. (19. 1 x 28.3 cm) reference: Diickers S I, 7
83-1-73-7
8. Bessere Leute, 1920
(A finer class of people)
67/i6 x io13/i6 in. (16.4 x 27.5 cm)
reference: Diickers S 1, 8
83.1.73.8
9. Entkleidung, 1921 (Disrobing)
11V4 x 7% in. (28.5 x 18.7 cm) REFERENCE: Duckers S I, 9
83-1-73-9
10. Stammtischstudien, 1919 (Studies of the regulars)
713/i6 x io15/i6 in. (19.9 x 27.8 cm) reference: Duckers S I, 10 83.1.73.10
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952-3
952-4
952-5
952-6
952-8
952-7
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952-9
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263
952-11
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952-17
11. DerBesuch, 1920 (The visit)
8V4 x 10% in. (21.0 x 26.3 cm) REFERENCE: Duckers S I, 11 83.1.73.11
12. Mord, 1915-16 (Murder)
9 x 57/s in. (22.8 x 14.9 cm) REFERENCE: Duckers S I, 12 83.1.73.12
13. Hinterbliebene, 1921 (The bereaved)
8'/i6 x 7n/i6 in. (20.5 x 19.5 cm) REFERENCE: Duckers S I, 13
83- 1-73- 13
14. Zu House, 1922 (At home)
9n/i6 x 7% in. (24.6 x 19.7 cm) reference: Duckers S I, 14
83- 1-73- 14
15. Charakterkopf, 1921 (A man of character)
8% x 7% in. (22.2 x 19.3 cm) REFERENCE: Duckers S I, 15
83- 1-73-15
16. Verziickung, 1922 (Rapture)
n3/i6 x 7V8 in. (28.4 x 18. 1 cm) REFERENCE: Duckers S I, 16 83.1.73.16
17. Verlobung, 1922 (Engagement)
8% x 7% in. (22.5 x 19.7 cm) REFERENCE: Duckers S I, 17
83- 1-73-17
18. Biirgerliche Welt, 1918 (World of the bourgeoisie) HV* x 10% in. (21.0 x 26.3 cm) REFERENCE: Duckers S I, 18 83.1.73.18
19. Nachimichs, 1921-22 (The new generation)
io15/i6 x 7'/> in. (27.8 x 18.4 cm) REFERENCE: Duckers S I, 19
83- 1-73- 19
20. Louise, 1919
io13/i6 x 5% in. (27.5 x 13.7 cm) REFERENCE: Duckers S I, 20 83.1.73.20
952-19
952-20
264
Grosz
952 (continued)
21. Der Hypochonder Otto Sckmalhuusen, 1921 (The hypochondriac Otto Schmalhausen)
11/4 x 7^16 in. (28.5 x 19.2 cm) REFERENCE: Duckers S I, 21 83.1.73.21
22. Separe, 1922 (Separated)
93/i6 x 7% in. (23.4 x 20. 1 cm) reference: Diickers S I, 22 83.1.73.22
23. Die Verantwortlichen, 1920 (Those responsible)
6"/i6 x 11% in. (17.0 x 28.9 cm) REFERENCE: Diickers S I, 23
83- 1-73-23
24. Der besessene Forstadjunkt, 1918 (The obsessed forestry assistant) 8V16 x 10% in. (20.5 x 26.9 cm) reference: Diickers S I, 24
83-1-73-24
25. Melancholie, 1920-21 (Melancholy)
10% x 77/i6 in. (27.0 x 18.9 cm) REFERENCE: Duckers S I, 25
83-1-73-25
26. Fruhlings Ertiachen, 1922 (Spring's awakening)
g'/s x 7u/i6 in. (23. 1 x 19.5 cm) reference: Diickers S I, 26 83.1.73.26
27. Schwere Zeiten, 1919 (Hard times)
10 x 6% in. (25.4 x 17.2 cm) reference: Diickers S 1, 27 83.1.73.27
28. Promenade, 1922
77/b x 8'/2 in. (20.0 x 21.6 cm) reference: Diickers S I, 28 83.1.73.28
29. Hausherr, 1921 (Head of the household) 10% x 77/8 in. (27.0 x 20.0 cm) reference: Diickers S I, 29 83.1.73.29
30. HahnimKorbe, 1921 (Cock of the walk)
8u/i6 x 713/i6 in. (22. 1x19.8 cm) reference.- Diickers S I. 30 83-1-73-30
952-21
952-24
fma
WMl
952-25
4-? - — -, <0
952-28
952-27
952-30
952-29
Grosz
265
952-31
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952-36
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952-39
31. Die Macht der Musik, 1922 (The power of music)
ii3/ie x 7V16 in. (28.5 x 18.0 cm) REFERENCE: Diickers S I, 31 83.1.73.31
32. Lustmord in der Ackerstrasse, 1916-17
(Sex murder on Ackerstrasse) 75/i6 x 7'/2 in. (18.6 x 19.0 cm) reference: Diickers S I, 32
83- 1-73-32
33. Hochfinanz, 1922 (High finance)
8 x g3/i6 in. (20.4 x 23.3 cm) REFERENCE: Diickers S I, 33
83- 1-73-33
34. Nachts, 1919
(At night)
11 x 7% in. (28.0 x 19.3 cm)
reference: Diickers S I, 34
83-1-73-34
35. Der absolute Monarchist, 1918 (The absolute monarchist) io7/s x 7'/s in. (27.7 x 18. 1 cm) reference: Diickers S 1, 35
83-1-73-35
36. Plauderstunde, 1922 (Cozy chat)
7% x io7/8 in. (194 x 27.7 cm) reference: Diickers S I, 36 83-1-73-36
37. In Gedanken, 1920 (Deep in thought)
io'5/i6 x 63/i6 in. (27.8 x 15.7 cm) reference: Diickers S I, 37
83-1-73-37
Aenne, 1921
11V16 x 73/i6 in. (28. 1 x 18.2 cm)
REFERENCE: Diickers S I, 38
83-1-73-38
Interieur, 1915
(Interior)
7% x n9/i6 in. (18.8 x 29.3 cm)
reference: Diickers S 1, 39
83-1-73-39
40. Dr. Huelsenbeck am Ende, 1920 (Dr. Huelsenbeck at the end of his rope)
10% x 8% in. (26.3 x 22.2 cm) reference: Diickers S I, 40 83.1.73.40
38.
39.
952-40
266
Grosz
952 (continued)
41.
Cafe, 1916
9I3/i6 x 8 in. (24.9 x 20.3 cm)
REFERENCE: Diickers S I, 41
83- 1-73-41 42. RudiS., 1921
io15/i6 x 8 in. (27.8 x 20.3 cm) REFERENCE: Diickers S I, 42
§3- 1-73-42
Germanentag, 1921
(Teutonic celebration)
715/i6 x 7n/i6 in. (20.2 x 19.6 cm)
reference: Diickers S I, 43
83-1-73-43
Dr. S. undFrau, 1921
(Dr. S. and wife)
n'/s x 7% in. (28.3 x 19.4 cm)
reference: Diickers S I, 44
83.1.73.44
Nach Ladenschluss, 1920
(After the shops close)
8'/s x 10V2 in. (20.7 x 26.7 cm)
REFERENCE: Diickers S I. 45
83-1-73-45
Franz Jung gewidmet, 1917
(Dedicated to Franz Jung)
11 x 6% in. (27.9 x 16.9 cm)
REFERENCE: Diickers S I, 46
83.1.73.46
Heimatliche Gestalten, 1920
(Hometown figures)
io5/s x 73/i in. (26.9 x 19.7 cm)
REFERENCE: Diickers S I, 47
83-1-73-47 48. Kommerzienrats Tochterlein, 1921 (The industrialist's dear little daughter)
ioI5/i6 x 37/i6 in. (27.8 x 8.7 cm) REFERENCE: Diickers S I, 48 83.1.73.48
Quergebaude titer Treppen, 1916 (Tenement, four flights up) 69/i6 x 11 in. (16.6 x 28.0 cm) REFERENCE: Diickers S I, 49
83-1-73-49
Akrobaten, 1915
(Acrobats)
7V16 x 713/ie in. (18.0 x 19.8 cm)
reference: Diickers S 1, 50
83-1-73-50
43.
44.
45
46
47
49
50
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952-41
952-42
952-43
952-44
952-48
952-46
952-47
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952-49
Grosz
267
952-51
952-54
952-57
952-52
952-53
952-55
952-56
952-58
51. Eva, 1918
io13/i6 x 8Vb in. (27.5 x 20.6 cm) REFERENCE: Diickers S I, 51
83-1-73-51
52. O olte Burschenherrliehkeit, 1922
(Good old student days)
87/i6 x 713/i6 in. (21.5 x 19.9 cm)
REFERENCE: Diickers S I, 52
83- 1-73-52
53. Studie, 1922 (Study)
io3/i6 x 73/i6 in. (25.9 x 18.2 cm) reference: Diickers S I, 53
83-1-73-53
54. Ledebour, 1919
8"/i6 x 8V4 in. (22.0 x 20.9 cm) REFERENCE: Diickers S I, 54
83-1-73-54
55. Garnisonsverwendungsfahig, 1920 (Fit for garrison duty)
11 '/i6 x 79/i6 in. (28. 1 x 19.2 cm) REFERENCE: Diickers S I, 55
83-1-73-55
56. Vor dem Tee, 1922 (Before tea)
io9/i6 x 8'/s in. (26.8 x 20.6 cm) REFERENCE: Diickers S I, 56 83-1-73-56
57. Ungleiches Paar, 1922 (Unlikely couple)
913/i6 x 71V'i6 in. (25.0 x 19.6 cm) reference: Diickers S I, 57
83- 1-73-57
58. Apachen, 1916-17 (Apaches)
715/i6 x io"/i6 in. (20.2 x 27. 1 cm) REFERENCE: Diickers S I, 58
83- 1-73-58
59. Ehrenmann, 1921 (Man of honor)
9V2 x 7n/i6 in. (24.2 x 19.6 cm) reference: Diickers S I, 59
83- 1-73-59
60. Richard Wagner— Gedenkblatt,
1921
(In memory of Richard Wagner) 9V2 x 7V2 in. (24.2 x 19. 1 cm) REFERENCE: Diickers S I, 60 83.1.73.60
952-60
952-59
268
Grosz
952 (continued)
61. Genreszene, 1922 (Genre scene)
io7/i6 x 7V16 in. (26.6 x 17.9 cm) REFERENCE: Diickers S I, 61 83.1.73.61
62. Esplanade, 1921
ion/i6 x 77/8 in. (27. 1 x 20.0 cm) REFERENCE: Diickers S I, 62 83.1.73.62
63. Eheszene, 1916 (Domestic scene)
8'/s x 8V16 in. (20.6 x 20.5 cm) reference: Diickers S I, 63
83- 1-73-63
64. An der Grenze, 1920-21 (On the verge)
io13/i6 x 65/8 in. (27.5 x 16.8 cm) REFERENCE: Diickers S I, 64
83- 1-73-64
65. Magenbeschwerden, 1921 (Stomachache)
n'/s x 6% in. (28.3 x 17.1 cm) reference: Diickers S I, 65
83-1-73-65
66. Haifische, 1920-21 (Sharks)
8V4 x io13/i6 in. (20.6 x 27.4 cm) reference: Diickers S I, 66 83.1.73.66
67. Allein, 1922 (Alone)
713/i6 x 8% in. (19.8 x 21.9 cm) reference: Diickers S I, 67
83-1-73-67
68. Querschnitt, 1919-20 (Cross section)
11 x 6'A in. (27.9 x 15.9 cm) reference: Diickers S I, 68 83.1.73.68
69. Krach, 1921 (Quarrel)
io"/i6 x 77/8 in. (27. 1 x 20. 1 cm) REFERENCE: Diickers S I, 69
83-1-73-69
70. Standchen, 1922 (Serenade)
io9/i6 x 75/i6 in. (26.8 x 18.5 cm) reference: Diickers S 1, 70 83.1.73.70
952-61
952-62
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952-64
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952-68
952-63
952-65
952-67
952-70
Grosz
269
952-71
952-72
952-73
952-76
952-79
71. Deutsche Manner, 1921 (German men)
io7/i6 x -/Vs in. (26.6 x 18. 1 cm) reference: Duckers S I, 71
83- 1-73-71
72. Jugend, 1920 (Youth)
io13/i6 x 6'/4 in. (27.5 x 15.9 cm) reference: Duckers S I, 72
83-1-73-72
73. Vorstadt, 1915-16 (Suburb)
10% x 8'/8 in. (26.3 x 20.7 cm) REFERENCE: Duckers S 1, 73
83-1-73-73
74. Trio, 1919
ioVj x 7% in. (26. 1 x 19.7 cm) reference: Duckers S I, 74
83-1-73-74
75. Silberne Hochzeit, ig22 (Silver wedding anniversary) 10 x 713/i6 in. (25.5 x 19.9 cm) reference: Duckers S I, 75
83-1-73-75
76. Krise, 1922 (Crisis)
ii3/ie x 7% in. (28.4 x 19.7 cm) REFERENCE: Duckers S 1, 76 83-1-73-76
77. Schaferstiindchen, 1921 (Lovers' tryst)
ii'/i6 x 715/i6 in. (28. 1 x 20.2 cm) REFERENCE: Duckers S I, 77
83-1-73-77
78. Sonntag frith, 1922 (Sunday morning)
io13/i6 x 83/i6 in. (27.5 x 20.8 cm) REFERENCE: Duckers S I, 78 83-1-73-78
79. Dr. Benn's Nachtcafe, 1918 (Dr. Benn's night cafe)
8'/i6 x io7/i6 in. (20.5 x 26.5 cm) reference: Duckers S I, 79
83-1-73-79
80. Kopfe, 1921 (Heads)
8Vt x 713/i6 in. (20.9 x ig.8 cm) REFERENCE: Duckers S 1, 80 83.1.73.80
952-80
270
Grosz
952 (continued)
81
Ausgang, 1921
(Time off)
10% x 6^16 in. (27.0 x 17.7 cm)
REFERENCE: Diickers S I, 81
83.1.73.81
82. Athlet, 1922 (Athlete)
n3/i6 x 75/i6 in. (28.4 x 18.5 cm) REFERENCE: Diickers S I, 82 83.1.73.82
83. Das Ende, 1917 (The end)
n'/i6X 75/8 in. (28.1 x 19.3 cm) reference: Diickers S I, 83
83- 1-73-83
84. Das Vaterunser, 1922 (The Lord's Prayer)
10% x 715/i6 in. (26.9 x 20.2 cm) REFERENCE: Diickers S I, 84 83.1.73.84
953
Gott mil uns
(God with us)
Portfolio with 8 photolithographs on G. F. Drey Konige paper Published by Malik- Verlag, Berlin, 1920: from edition C of 65 (total edition of 125). The set is incomplete, lacking plate 6 (Diickers M III, 6) inscription: numbered (119/125) on justification page provenance: Galerie Wolfgang Ketterer, Munich, 26 November 1973, lot 483
reference: Diickers M III, 1-5, 7-9 exhirition: Reed 387; Rigby 36-43 M. 82.288.73 a-h
1. Gott mit uns, 1919 (God with us)
11% x i67/8 in. (30.2 x 42.9 cm) reference: Diickers M in, 1 exhibition: Reed 387/1: Rigby 36 M. 82. 288. 73 a
2. Fur deutsches Recht and deutsche Sitte, 1919
{"The Germans to the Front") I415/i6 x I2s/i6 in. (38.0 x 31.3 cm) reference: Diickers M III, 2 exhibition: Reed 387/2: Chipp 42: Rigby 37 M. 82.288. 73 b
3. Feierabend, 1919 ("Zc/i dien")
15V4 x n'Vie in. (38.7 x 29.9 cm) reference: Diickers M III, 3 exhibition: Reed 387/3; Rigby 38 M. 82. 288. 73 c
4. Licht und Luft dem Proletariat, 1919
(The Workman's Holiday)
13% x nu/i6 in. (34.9 x 29.7 cm)
reference: Diickers M in, 4
exhibition: Reed 387/4; Guenther
105; Rigby 39
M. 82. 288. 73 d
952-81
952-83
953-1
952-82
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953-4
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271
953-5
953-6
953-7
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953-8
955
5. Die Gesundbeter, 1918 (German Doctors Fighting the Blockade)
i27/i6 x 11% in. (31.6 x 29.6 cm) REFERENCE: Diickers M m, 5 EXHIBITION: Reed 387/5; Chipp 43, Rigby 40 M. 82.288.73 e
6. Die vollendete Demokratie, 1919 ("The World Made Safe for Democracy")
iylA x n15/i6 in. (44.5 x 30.3 cm) REFERENCE: Duckers M III, 7 EXHIBITION: Reed 387/7; Rigby 41 See also cat. no. 954 M. 82. 288.73 f
7. Die Kommunisten fallen— und die Devisen steigen, 1919
(Blood Is the Best Sauce)
12 x I713/i6 in. (30.5 x 45.2 cm)
reference: Duckers M III, 8
EXHIBITION: Reed 387/8; Guenther
104; Rigby 42
M. 82. 288. 73 g
8. Den macht uns keiner nach, 1919 ("Made in Germany")
1 i3/i6 x 9% in. (28.4 x 24. 7 cm) REFERENCE: Duckers M III, 9 EXHIBITION: Reed 387/9; Rigby 43 M. 82. 288.73 h
954
L'etat, c'est inoi: Die vollendete
Demokratie, c. 1919
(The World Made Safe for Democracy)
Rlack ink on wove paper
22 '/s x 15VS in. (56.2 x 38.5 cm)
INSCRIPTION: signed, l.r.
provenance: Forum Gallery, New
York; Sotheby Parke Bernet, New York,
13-14 December 1973, lot 113
REFERENCE: Diickers under M III, 7
EXHIBITION: Reed 388; Chipp 44;
Rigby 44
Reproduced as photolithograph in
portfolio Gott mit uns (cat. no. 953.6)
M. 82.288.333
955
Er hat Hindenburg verspottet, 1920 (He jeered at Hindenburg) Lithograph on heavy wove paper 9V4 x 613/i6 in. (23.5 x 17.4 cm) From Kurt Pfister, ed. , Deutsche Graphiker der Gegenwart (Leipzig: Klinkhardt & Biermann, 1920), pi. 11; edition of 600
provenance: Hans Bolliger, Zurich; purchased in 1972 REFERENCE: Diickers E 64 exhibition: Reed under 339 83.1.171 h
272
Grosz
956
Arbeitlose, ig20-2i
(Unemployed)
Lithograph on thin laid paper
8% x 67/s in. (z2.o x 17.5 cm)
From Fritz Gurlitt, ed., Das graphische
Jahr (Berlin: Fritz Gurlitt Verlag, 1921),
facing index
INSCRIPTION: signed, l.r.; numbered
(xm/c) on justification page
provenance: Hans Bolliger, Zurich;
purchased in 1974
REFERENCE: Diickers E 67
EXHIBITION: Reed 315/2 (1921)
83.1.85 i
957
Gute Gesellschaft, c. ig20-2i
(High society)
Photolithograph on wove paper
63/ie x 4% in. (15.8 x 11.7 cm)
From Das Querschnittbuch 1923, intro.
by H. von Wedderkop (Frankfurt am
Main: Querschnitt-Verlag, 1923),
following p. 28
INSCRIPTION: numbered (86/400), p. iv
PROVENANCE: Ex Libris, New York;
purchased in 1982
REFERENCE: Diickers E 71
83.1.517 b
958
Munkepunke Dionysos
Book with 6 photolithographs on laid
paper
Illustrations to text by Alfred Richard
Meyer (Berlin: Fritz Gurlitt Verlag,
1921)
INSCRIPTION: each sheet signed, l.r.;
signed by author and numbered (64/100)
on justification page
PROVENANCE: Kornfeld & Klipstein,
Bern, 10 June 1977, lot 381
REFERENCE: Diickers B I, 1-6
83. i-46a-f
1. Visitenkarte, 1920-21 (Calling card)
6% x 67/s in. (16.2 x 17.4 cm) Page 7
REFERENCE: Diickers B I, 1 83.1.46 a
2. Berliner Friihling, 1920-21 (Springtime in Berlin)
8% x 7V2 in. (22.3 x 19. 1 cm) Page 19
REFERENCE: Diickers B I, 2 83.1.46 b
3. Fur Regentage, 1920-21 (For rainy days)
9 x 7% in. (22.9 x 18.8 cm) Page 39
REFERENCE: Diickers B I, 3 83.1.46 c
4. Meine Kegelbahn, 1920-21 (My bowling alley)
95/s x ■/'/$ in. (24.5 x 18.0 cm) Page 47
REFERENCE: Diickers B I, 4 83. 1.46 d
956
958-1
2) ^
958-3
957
958-2
958-4
Grosz
273
958-5
m gftWl
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u -
959-4
958-6
959-2
959-5
959-6
5. Sport und Liebe, 1920-21 (Sport and love)
95/i6 x 79/i6 in. (23.6 x 19.2 cm) Page 55
reference: Diickers B I, 5 83.1.46 c
6. Ein Madchen aus Leipzig, 1920-21 (A girl from Leipzig)
9 x 63/i6 in. (22.9 x 15.7 cm) Page 59
reference: Diickers B I, 6 83. 1.46 f
959
Die Abenteuer des Herrn Tartarin aus
Tarascon
(The adventures of Herr Tartarin from
Tarascon)
Book with 20 offset lithographs on wove
paper
Illustrations to text by Alphonse Daudet
(Berlin: Erich Reiss Verlag, 1921);
edition of 100
provenance: Ars Libri, Boston;
purchased in 1979
reference: Diickers B A I, 1-20
83-i-43a-t
1. Tartarin im Waffenkabinett, 1921 (Tartarin in his armory)
6 x 4% in. (15.2 x 12. 1 cm)
Page 7
reference: Diickers B A 1, 1
83-1-43 a
2. Die Miitzenjager, 1921 (The cap hunters)
613/w x 415/i6 in. (17.3 x 12.5 cm) Page 11
REFERENCE: Diickers B A 1, 2 83.1.43 b
3. Vor der Jagd, 1921 (Before the hunt)
65/i6 x 4% in. (16. ix 11.7 cm)
Page 15
reference: Diickers B A 1, 3
83i43c
4. Tartarins Traum, 1921 (Tartarin's dream)
67/ie x 4% in. (16.3 x 11.8 cm) Page 23
reference: Diickers B A I, 4 83.1.43 d
5. "Dass sie dock endlich einmal kamen,'' 1921
("I wish they would finally show up") 7V4 x 413/i6 in. (18.4 x 12.2 cm) Page 29
reference: Diickers B A I, 5 83. 1.43 e
6. Der Uberfall der Tartaren, 1921 (The attack of the Tatars)
5% x 53/i6 in. (13.0 x 13. 1 cm) Page 35
REFERENCE: Diickers B A I, 6 83. 1.43 f
7. "Ein Lowe, Kreuzdonnerwetter!" 1921
("A lion, confound it!")
55/ie x 5V16 in. (13.5 x 12.9 cm)
Page 41
reference: Diickers B A I, 7
83- 1-43 g
274
Grosz
959 (continued)
8. Im Hafen von Marseille, 1921 (In the harbor of Marseilles) 73/i6 x 47/s in. (18.2 x 12.4 cm) Page 59
REFERENCE: Diickers B A I, 8 83. 1.43 h
9. Zwischen Franhreich und Algier, 1921
(Between France and Algiers) 75/s x 45/i6 in. (19.3 x 11.0 cm) Page 67 reference: Diickers B A I, 9
83-1-43 "
10. Die Anrufung des Cervantes— Don Quichotte, 1921
(The invocation of Cervantes— Don
Quixote)
613/i6 x 4n/i6 in. (174 x 11.9 cm)
Page 73
reference: Diickers B A I, 10
831-43J
11. "Leg* an! Gebt Fewer.' Bums!" 1921 ("Ready! Fire! Bang!")
4V2 x 5 in. (11.5 x 12.8 cm) Page 83
reference: Diickers B A I, 11 83.1.43 k
12. Der Held aus Tarascon sucht seine maurische Geliebte, 1921
(The hero from Tarascon looking for
his Moorish beloved)
7 x 4'/s in. (17.8 x 10.4 cm)
Page 91
reference: Diickers B A 1, 12
83- 1-43 1
13. In der Oberstadt von Algier, 1921 (Uptown Algiers)
75/s x 45/i6 in. (19.3 x 11.0 cm) Page 95
reference: Diickers B A I, 13 83.1.43 m
14. Prinz Gregor von Montenegro, 1921
(Prince Gregor of Montenegro)
73/i6 x 43/i6 in. (18.2 x 10.6 cm)
Page 101
reference: Diickers B A 1, 14
83.1.4311
15. Tartarin und Baia, 1921 (Tartarin and Baia)
7n/i6 x 5'/s in. (19.6 x 13.0 cm)
Page 109
reference: Diickers B A 1, 15
83.1.430
16. Der blinde Lowe, 1921 (The blind lion)
7n/i6 x 45/s in. (19.5 x 11.8 cm)
Page 127
reference: Diickers B A 1, 16
83- 1-43 P
17. Auf dem arabischen Markt, 1921 (In the Arabian market)
71/' x 415/i6 in. (19. 1 x 12.6 cm) Page 133
reference: Diickers B A 1, 17 83- 1-43 q
. Sri
959-8
959-11
959-9
959-12
959-10
WJtMsL
mm
959-13
959-15
959-16
Grosz
275
959-18
959-19
960
959-20
18. Aufder Pirsch, 1921 (Tartarin goes a-hunting) 57/s x 4% in. (14.9 x 12.0 cm) Page 141
REFERENCE: Diickers B A I, 18 83.1.43 r
19. Baia tanzt, 1921 (Baia dances)
67/i6 x 4n/i6 in. (16.4 x 11.9 cm) Page 153
REFERENCE: Diickers B A I, 19 83.1.43 s
20. "Hoch Tartarin!" 1921 ("Long live Tartarin! ")
7u/i6 x s'/ie in. (195 x 12.9 cm) Page 161
REFERENCE: Diickers B A I, 20 83-1-43 t
960
Thomas Rowlandson zum Andenken, 1921
(In memory of Thomas Rowlandson) Lithograph on wove paper io7/i6 x 77/8 in. (26.5 x 20.0 cm) From Georg Biermann, ed., Jahrbuch derjungen Kunst (Leipzig: Klinkhardt & Biermann, 1921), following p. 104 PROVENANCE: Hans Bolliger, Zurich; purchased in 1975 reference: Diickers E 68 EXHIRITION: Reed 320/1921.4 83- 1-799 b
961
Der Regisseur, 1922
(The boss)
Photolithograph on laid paper 22n/i6 x 16% in. (57.6 x 42.5 cm) From portfolio Die Rauber (Berlin: Malik-Verlag, 1922) INSCRIPTION: signed, l.r. provenance: Hanna Bekker vom Rath, Frankfurt; Wenger Gallery, La Jolla. California; purchased in 1973 reference: Diickers M v, 1 exhibition: Reed 389; Chipp 45; Rigby 45
For a similar composition, see Heinrich Hoerle, Der Sklavenhalter Kapitalismus (cat. no. 1195) M. 82.288. 70
961
276
Grosz
962
Lady Hamilton
Book with 8 photolithographs with watercolor on laid paper Illustrations to text by Alfred Richard Meyer (Berlin: Fritz Gurlitt Verlag,
1923)
inscription: each sheet signed, l.r.;
signed by author and numbered (53/150)
on justification page
PROVENANCE: Karl & Faber, Munich,
30 May 1975, lot 765
reference: Diickers B II, 1-8
exhibition: Reed 390
83.1.74 a-h
1. Lady Hamilton ah antike lebende Statue, 1922-23
(Lady Hamilton as an antique living
statue)
75/i6 x 415/i6 in. (18.5 x 12.5 cm)
Frontispiece
REFERENCE: Diickers B II, 1
83.1.74 a
2. Lady Hamilton steht dem Maler George Romney Modell, 1922-23 (Lady Hamilton models for the painter George Romney)
8'/i6 x 57/i6 in. (20.5 x 13.8 cm) Following page 16 REFERENCE: Diickers B II, 2 83.1.74 b
3. Lady Hamilton, 1922-23 73/i6 x 5u/i6 in. (18.3 x 14.5 cm) Following page 20 REFERENCE: Diickers B II, 3 83.1.74 c
4. Lady Hamilton Schleiertanz, 1922-23
(Lady Hamilton's veil dance) 69/i6 x 5V2 in. (16.6 x 14.0 cm) Following page 24 reference: Diickers B 11, 4 83. 1.74 d
5. Sir William Hamilton, 1922-23 7'/s x 5% in. (18.1 x 14.6 cm) Following page 32 reference: Diickers B 11, 5
83- 1-74 e
6. Lady Hamilton mit Fticher und Lyra, 1922-23
(Lady Hamilton with fan and lyre) yVz x 5V2 in. (19. 1 x 14.0 cm) Following page 40 reference: Diickers B H, 6 83. 1.74 f
7. Lady Hamilton tanzt, 1922-23 (Lady Hamilton dances)
■/Vi x 43/i6 in. (18.4 x 10.7 cm) Following page 44 REFERENCE: Diickers B II, 7
83- 1-74 g
8. Lady Hamilton mit dem Faclier,
1922-23
(Lady Hamilton with a fan) 8V16 x 57/s in. (20.5 x 14.9 cm) Following page 48 REFERENCE: Diickers B 11, 8 83.1.74 h
•&t&±
962-1
X^
f\TI
VI-
962-3
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962-2
mzMt
962-6
962-8
Grosz
277
963-1
S»d
■<L
Mmmm
V 963-3
cEr
A
imw^*):
963-5
963-2
963-6
H
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963-8
963
Kofces
Book with 10 offset lithographs on wove
paper
Illustrations to novel by Heinrich Mann
(Berlin: Propylaen Verlag, 1925); edition
of 3,000-5,000
provenance: Hans Bolliger, Zurich;
purchased in 1974
REFERENCE: Duckers B III, l-io
EXHIBITION: Reed 391
83.1.76 a-j
1. Die Spinne im Netz— Kobes,
1924-25
(The spider in the web— Kobes)
yV* x 5u/i6 in. (18.4 x 14.5 cm)
Frontispiece
reference: Duckers B III, 1
83.1.76 a
2. Der Mittehtand rennt sich zu Tode, 1924-25
(The middle class works itself to
death)
8 x 6V4 in. (20.4 x 15.9 cm)
Page 7
REFERENCE: Duckers B in, 2
83.1.76 b
3. Die Rayonchefs, 1924-25 (The department heads) 6Vi x 8 in. (159 x 20.3 cm) Page 11
REFERENCE: Duckers B III, 3 83.1.76 c
4. Die Dame vor der Leiche des Mittelstandes, 1924-25
(The lady before the corpse of the
middle class)
77/s x 6%6 in. (20.0 x 15. 7 cm)
Page 19
REFERENCE: Duckers B III, 4
83. 1.76 d
5. Aufdem gefahrvollen Weg zu Kobes, 1924-25
(On the dangerous way to Kobes) 83/i6 x 67s in. (20.8 x 17.5 cm) Page 29
REFERENCE: Duckers B III, 5 83. 1.76 e
6. Ins AUerheiligste vorgedrungen, 1924-25
(Advanced into the holy of holies) 8V16 x 67/ie in. (20.5 x 16.3 cm) Page 35 REFERENCE: Duckers B III, 6
83. 1.76 f
7. Kobes fehlt nur noch die Eisenbahn,
1924-25
(Kobes still lacks only railroads)
6V2 x 8 in. (16.5 x 20.3 cm)
Page 39
reference: Diickers B III, 7
83. 1.76 g
8. Mir den Waffen einer Frau, 1924-25
(With the weapons of a woman) 7% x 6V16 in. (19.7 x 15.4 cm) Page 43
REFERENCE: Diickers B HI, 8 83. 1.76 h
278
Grosz
963 (continued)
9. Wer sich opfert, istfrei, 1924-25 (He who sacrifices himself is free) 7% x 6% in. (19.7 x 16.2 cm) Page 57
reference: Diickers B III, 9
83. 1.76 i
10. Das Ende des Dr. Sand, 1924-25 (Dr. Sand's end)
715/i6 x 6 in. (20.2 x 15.2 cm)
Page 69
reference: Diickers B III, 10
83.1.76J
964
Port d'eaux-mortes
(Port of still waters)
Book with 8 transfer lithographs or
photolithographs on vellum Lafuma
paper
Illustrations to novel by Pierre Mac-
Orlan (Paris: Sans Pareil, 1926); from
edition E (total edition of 1,260)
INSCRIPTION: numbered (538/1,000) on
justification page
provenance: Victoria Dailey, Los
Angeles; purchased in 1974
reference: Diickers B IV, 1-8
EXHIBITION: Reed 392
83.1.77 a-h
1. Untitled (frontispiece), 1925 5I3/i6 x 37/8 (14.7 x 9.8 cm) reference: Duckers B iv, 1
83.1.77 a
2. Cafe "An Bean Patron" 1925 5% x 313/i6 in. (14.3 x 9.7 cm) Following page 4 reference: Duckers B IV, 2 83.1.77 b
3. Oncle Paul spielt Akkordeon, 1925 (Uncle Paul plays the accordion) 513/i6 x 315/i6 in. (14.8 x 10. 1 cm) Following page 12 reference: Duckers B IV, 3 83.1.77 c
4. Die Nacht des Mordes und das Glucksspiels, 1925
(The night of murder and gambling) 5% x 3% in. (14.6 x 9.6 cm) Following page 40 reference: Diickers B IV, 4 83.1.77 d
5. Das Doppelleben des Nicolas Behen—Jeckill und Hyde, 1925 (The double life of Nicolas Behen— Jekyll and Hyde)
5n/i6 x 3% in. (14.5 x 9. 1 cm) Following page 56 reference: Diickers B IV, 5 83. 1.77 e
6. Dancing in der West India Docks Road—der blinde Oncle Paul, 1925 (Dancing in West India Docks Road-blind Uncle Paul)
513/i6 x 4'/s in. (147 x 10.4 cm) Following page 68 REFERENCE: Diickers B IV, 6 83. 1.77 f
\J}^*JL~ J'lVjJjr^ZtTg'
964-1
964-3
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964-2
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964-4
964-5
964-6
Grosz
279
964-7
^
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965-1
-gte. ■=*»- A* a*>3*^^^ ^ w 5* ^- ^
965-4
965-3
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965-6
7. Judat der Morder, 1925 (Judat the murderer)
59/i6 x 3% in. (14. 1 x 9.2 cm) Following page 72 REFERENCE: Duckers B IV, 7
83- 1-77 g
8. Der Morgen der Hinrichtung, 1925 (The morning of the execution) 513/i6 x 37/b in. (14.7 x 9.9 cm) Following page 78 reference: Duckers B IV, 8 83.1.77 h
965
Hintergrund
(Background)
Portfolio of 17 rotogravures on laid
paper
Illustrations to the play Schwejk by
Erwin Piscator (Berlin: Malik- Verlag,
1928); edition of 10,000
provenance: unknown
reference: Duckers M vi, 1-17
83.1.79 a-q
1. Schwejk: "Melde gehorsamst, dass ich blod bin," 1927
(Schwejk: "Beg to report, sir, I am an idiot")
7% x 415/i6 in. (18.8 x 12.6 cm) reference: Duckers M VI, 1 83.1.79 a
2. Seid untertan der Obrigkeit, 1927 (Bow to the authorities)
5'/i x gVi6 in. (13.4 x 23.0 cm) reference: Duckers M VI, 2 83.1.79 b
3. Volkes Stimme, 1927 (The voice of the people) 5% x 8'/8 in. (14.6 x 20.7 cm) REFERENCE: Duckers M VI, 3 83.1.79 c
4. Der Lebensbaum, 1927 (The tree of life)
45/i6 x 9 in. (11.0 x 22.9 cm) REFERENCE: Duckers M VI, 4 83. 1.79 d
5. Ich liebe Dichl 1927 (I love you!)
59/i6 x 7V4 in. (14. 1 x 18.4 cm) REFERENCE: Duckers M vi, 5 83.1.79 c
6. Das ganze Volk ist eine Simulantenbande, 1927
(The entire population is a bunch of
malingerers)
4>/8 x 93/i6 in. (10.6 x 23.3 cm)
REFERENCE: Duckers M vi, 6
83- 1-79 f
965-5
280
Grosz
965 (continued)
7. Jn drei Tagen sind Sie felddienstfdhig, 1927
(In three days you'll be fit for field
duty)
5'/i6 x 77/s in. (12.8 x 20.0 cm)
REFERENCE: Diickers M VI, 7
83- 1-79 g
8. Ein bischen gut zureden, 1927 (Just a little persuasion)
4% x 8% in. (11.1 x 22.2 cm) reference: Diickers M vi, 8
83.1.7911
9. Die Ausschuttung des heiligen Geistes, 1927.
(The outpouring of the Holy Spirit) 615/i6 x 57/s in. (17.6 x 13.9 cm) reference: Diickers M vi, 9
83- 1-79 i
10. Maul halten und weiter dienen, 1927
(Shut up and do your duty) 6x 7'/8 in. (15.2 x 18.1 cm) reference: Diickers M VI, 10
831-79J
11. Bitte recht freundlich, 1927 (Please look friendly)
5% x 7 in. (13.6 x 17.8 cm) REFERENCE: Diickers M vi, 11 83.1.79 k
12. Mir ist der Krieg wie eine Badekur bekommen, 1927
(The war did me a lot of good, like a
spa)
7% x 415/i6 in. (19.7 x 12.6 cm)
reference: Diickers M VI, 12
83. 1.79 1
13. MitHerz und Hand fur's Vaterland, 1927
(With heart and hand for the
fatherland)
45/i6 x 85/i6 in. (10.9 x 21.2 cm)
reference: Diickers M vi, 13
83.1.79 m
14. Bald wieder: "Je grausamer, je humaner," 1927
(Once again: "The more cruel, the more human")
413/i6 x 7% in. (12.2 x 18.8 cm) reference: Diickers M vi, 14 83. 1.79 n
15. Bechtsordnung, 1927 (Order of the law)
69/i6 x 5V2 in. (16.7 x 13.9 cm) reference: Diickers M vi, 15 83.1.790
16. Wofiir? 1927 (For what?)
5'/i x yVs in. (13.4 x 18. 1 cm) reference: Diickers M vi, 16
83-1-79 P
17. Wir sind zum Gehorchen geboren! 1927
(We are born to obey!)
7% x 53/i6 in. (19.7 x 13. 1 cm)
reference: Diickers M vi, 17
83-1-79 q
Firlttwj; ri.' Aiity,. ■*.•/?,
965-9
/^o/xl. Hi*) v>< J~* toJiJ-i. .
965-12
-Cm
965-13
965-14
Gulbransson
281
965-15
965-16
965-17
966
Scheherezade, c. 1919 Lithograph on heavy wove paper g'/s x 6I3/i6 in. (23.2 x 17.3 cm) From Joachim Kirchner, Junge Berliner Kunst, Wasmuths Kunsthefte, no. 6 (Berlin: E. Wasmuth, [1919?]), pi. 3 PROVENANCE: W. F. Arntz, Haag (Oberbayern); purchased in 1975 83.1.120 c
967
Kreuzabnahme, c. 1916
(Descent from the cross)
Woodcut on wove paper
8% x 515/i6 in. (21.2 x 15.0 cm)
From Die Aktion 6, no. 16/17 (1916):
217-18
provenance: Hauswedell & Nolte,
Hamburg, 30 November 1979, part of
lot 1173
83.1.1513 a
968
Kommune, c. 1918
(Commune)
Lithograph on japan paper
g9/i6 x 65/8 in. (24.3 x 16.8 cm)
From deluxe edition of Das Kunstblatt
2, no. 7 (1918)
inscription: numbered (32/110) on
justification page
provenance: Henry Hallenstein; W. F.
Arntz, Haag (Oberbayern); purchased
in 1975
EXHIBITION: Reed 283/9
83.1.1117 b
967
968
969
Othello, c. 1917
Lithograph on orange japan paper
10% x 6n/i6 in. (27.0 x 17.0 cm)
From portfolio Shakespeare Visionen
(Munich: Marees-Gesellschaft, 1918);
from edition A (total edition of 200)
INSCRIPTION: signed, 1.1. ; numbered
(xiv/l) on justification page; publisher's
blind stamp, l.r.
provenance: Hans Bolliger, Zurich;
purchased in 1972
EXHIBITION: Reed 336/24
M. 82. 288.384.24
Arthur Grunenberg
born 1886 Konigsberg
Max Gubler
born 1898 Zurich, Switzerland
died 1976 Zurich, Switzerland
Olaf Gulbransson
born 1873 Oslo, Norway
died 1956 Tegernsee
969
282
Gulbransson
970
Das grosse Bestiarium der modernen Literatur
(The great bestiary of modern literature)
Six lithographs with watercolor on wove
paper
Illustrations to text by Franz Blei
(Berlin: Ernst Rowohlt Verlag, 1922);
see also cat. nos. 943 and 1 102
INSCRIPTION: signed by artist, Franz
Blei, Rudolf Grossmann, and Thomas
Theodor Heine and numbered (376/400)
on justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
EXHIBITION: Reed 330
83.i.5ib-d, i, j, q
1. Der Bierbaum, 1922 (Caricature of Otto Julius Bierbaum) With blue, green, and pink watercolor
67/s x 4'/4 in. (17.5 x 10.8 cm) Facing page 17 83.1.51 b
2. Bjornson, 1922 (Caricature of Bjornstjerne Bjornson)
With pink and green watercolor 37/ie x 7% in. (8.8 x 18.8 cm) Facing page 24 83.1.51c
3. Die Daubler, 1922 (Caricature of Theodor Daubler) With blue, green, pink, and orange watercolor
6% x 4V8 in. (17.2 x 10.5 cm) EXHIBITION: Chipp 145 Facing page 32 83.1.51 d
4. Die Hesse, 1922 (Caricature of Hermann Hesse) With blue and pink watercolor 5V2 x 3% in. (14.0 x 9.5 cm) Facing page 96
83.1.51 i
5. Ibsen, 1922
(Caricature of Henrik Ibsen) With blue and green watercolor ■/Vs x 43A in. (18. 1 x 12. 1 cm) Facing page 112
83151J
6. Der Tolstoj, 1922 (Caricature of Leo Tolstoy)
With blue, green, yellow, and pink
watercolor
3V2 x 7 in. (8.9 x 17.8 cm)
Facing page 224
83.1.51 q
3<«t» v o ~
970-2
X- I E DAUBL-SR.
D i E HEli C
970-3
4k , f
970-5
971
972
Gunschmann
283
|
971 |
Carl Gunschmann |
|
Untitled (head of a man), c. 1918 |
|
|
Woodcut on laid paper |
born 1895 |
|
5% x 4% in. (13.7 x 12.0 cm) |
Darmstadt |
|
From Menschen 1, no. 4 (1918): 3 |
|
|
provenance: Galerie Gerda Bassenge, |
died 1984 |
|
Berlin, 25 May 1975, part of lot 4883 |
|
|
exhibition: Reed under z8g |
|
|
83-11379' |
972
Untitled (three figures), c. 1919
Linoleum cut on slick wove paper
8%6 x 415/i6 in. (20.8 x 12.5 cm)
From Das Tribunal 1, no. 3 (1919):
cover
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1975
exhibition: Reed under 304
83- 1-955 a
284
Hacker
Adolf Hacker
Adolf de Haer
born 1892 Dusseldorf
died 1945 Osnabruck
973
Tennis, c. 1912 Woodcut on wove paper 4 x 3^16 in. (10.2 x 9.7 cm) From Saturn 2, no. 7 (1912): 145 PROVENANCE: M. K. Neudold (ex libris); Galerie Gerda Bassenge, Berlin, 4 June 1975, part of lot 4899 exhibition: Reed under 300 83.1.1311 f
974
Untitled (man in street), 1920 Lithograph on wove paper loVfe x 8% in. (26.7 x 21.3 cm) From portfolio Das Buch Eins des Aktivisten Bundes, 1919 (Diisseldorf: Eigener Verlag, 1920) inscription: signed and dated, l.r. PROVENANCE: Ars Libri, Boston; purchased in 1981 83. 1.670 g
975
Untitled (mother and child), c. 1920
Woodcut on wove paper
9V16 x 6% in. (23. 1 x 16.9 cm)
From Gert Wollheim, ed., Das Buch
Zwei des Aktivisten Bundes, lgig,
Dusseldorf (Dusseldorf: Druckhaus
Dusseldorf, [1920])
PROVENANCE: Kornfeld & Klipstein,
Bern, 11 June 1977, part of lot 492
83.1.249 d
|
Hans Haffenrichter |
976 |
|
Untitled (figure), c. 1923 |
|
|
born 1897 |
Linoleum cut on wove paper |
|
Wurzburg |
67/s x 3% in. (17.5 x 8.5 cm) |
|
From Der Sturm 14, no. 7 (1923): 101 |
|
|
the image also appears on the cover |
|
|
PROVENANCE: Ex Libris, New York; |
|
|
purchased in 1982 |
|
|
83 i- 1395-36 |
977
Untitled (seated figure), c. 1923 Linoleum cut on wove paper 6 x 4J/i6 in. (15.3 x 10.3 cm) From Der Sturm 14, no. 12 (1923): lS the image also appears on the cover provenance: Ex Libris, New York; purchased in 1982 83- !• 1395-51
973
974
976
977
978
979
980
983
Halm
978
285
U. Hallerstede
Ausjakobsen Gedichte, c. 1924
(From the poems of Jakobsen)
Woodcut on wove paper
4V2 x 3 in. (11.5 x 7.6 cm)
From Karl Dietz, ed. , Schwarzer Greif:
Ein Almanach aufdasjahr 1925
(Rudolfstadt: Greifenverlag, 1925),
P- 131
PROVENANCE: unknown
83-1-549 s
979
Aus Jakobsen Novellen, c. 1924 (From the tales of Jakobsen) Woodcut on wove paper 45/8 x 33/ie in. (11.7x8.1 cm) From Karl Dietz, ed., Schwarzer Greif : Ein Almanach aufdasjahr 1925 (Rudolfstadt: Greifenverlag, 1925), p. 25 PROVENANCE: unknown 83- 1-549 f
980
Der Kuss, c. 1924
(The kiss)
Woodcut on wove paper
55/i6 x 33/i6 in. (13.5 x 8. 1 cm)
From Karl Dietz, ed., Schwarzer Greif
Ein Almanach aufdasjahr 1925
(Rudolfstadt: Greifenverlag, 1925), p. 53
provenance: unknown
83- 1-549 h
981
981
Landschaft, c. 1896
(Landscape)
Etching on wove paper
li'/s x 8V2 in. (28.3 x 21.6 cm)
From Pan 1, no. 4 (1896): following 214
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
reference: Dennerlein 630
83.1.1351 f
982
Motiv von der Reichenau, c. 1896
(Motif from the Reichenau)
Etching on laid paper
7% x io15/i6 in. (19.4 x 27.7 cm)
From Pan 2, no. 3 (1896): following 210
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
reference: Dennerlein 1107
83- 1- 1353 d
983
Konigliche Professor, c. 1898
(Royal professor)
Drypoint on laid paper
io13/i6 x 8% in. (27.5 x 21.3 cm)
From seventh portfolio of Verein fur
Original-Radierung (Munich: Verein fur
Original-Radierung, 1898)
PROVENANCE: L'Art Ancien, Zurich;
purchased in 1974
83- 1- 159 d
Peter Halm
born 1854 Mainz died 1923 Munich
286
Halm
Paul Hamann
born 1891 Hamburg
984
Pappeln, c. 1898
(Poplars)
Etching on handmade paper
n5/s x 89/i6 in. (29.5 x 21.8 cm)
From Pan 4, no. 3 (1898): following 162
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
REFERENCE: Dennerlein 2085
83-11357 a
985
Sankt Emmeram zu Regensburg,
c. 1911
(Saint Emmeram at Regensburg)
Drypoint on wove paper
5'/2 x 67/s in. (14.0 x 17.5 cm)
From Zeitschrift fur bildende Kunst,
n.s., 22, no. 7 (1911): before 149
provenance: Galerie Gerda Bassenge,
Berlin, 15 May 1976, part of lot 4364
83.1.9656
986
Sonne, 1920
(Sun)
Lithograph on laid paper
65/s x 3% in. (16.8 x 9.9 cm)
From Katalog der zweiten Ausstellung
der Hamburgischen Secession, exh. cat.
(Hamburg: Alte Kunsthalle, 1921),
no. 23, pi. 3
provenance: Ars Libri, Boston;
purchased in 1982
83- 1-735 d
Otto Hamel 987
Aufder Flucht, c. 1916 born 1866 Erfurt (Fleeing)
Lithograph on wove paper died 1950 Lohr 87s x lo'/ie in. (22.6 x 25.6 cm)
From Kriegszeit, no. 63 (1916): 3
provenance: Hauswedell & Nolte.
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: not listed in Reed
under 281
83.1.1460 c
988
Kolonne itn Vormarsch, c. 1916
(Advancing column)
Lithograph on wove paper
87/s x i2'/i6 in. (22.5 x 30.7 cm)
From Kriegszeit, no. 62 (1916): 4
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/100 (as Otto
Harmch)
83.1.1459 d
984
Rtf.20.
986
985
987
988
989
Hanf
287
990-1
990-2
990-3
990-4
990-5
&xf\xxL\°>n
991
989
Verwundeten-Transport, c. 1916 (Transport of the wounded) Lithograph on wove paper io7/i6 x loVw in. (26.5 x 25.5 cm) From Kriegszeit, no. 64765 (1916): 4 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
EXHIBITION: Reed 281/99 83.1.1461 d
990
Die Maske des roten Todes
(The Masque of the Red Death) Booklet with 5 woodcuts on handmade oatmeal paper
Illustrations to story by Edgar Allan Poe (Vienna: Artur Wolf Verlag, 1924) INSCRIPTION: signed and numbered (44/300) on justification page provenance: Bernd Gbbel Kunsthan- del, Baden-Baden; purchased in 1986 L.86. 1.11 a-e; lent by the Robert Gore Rifkind Foundation, Beverly Hills, California
1. Untitled (ballroom scene), c. 1924 11% x 9n/i6 in. (29.5 x 24.6 cm) L.86. 1.11 a
2. Untitled (nude woman in landscape), c. 1924
11% x 9u/i6 in. (29.5 x 24.6 cm) L.86.1.11 b
3. Untitled (couple with Death), c. 1924
iis/s x 913/i6 in. (29.5 x 24.9 cm) L.86.1.11 c
4. Untitled (figure in black), c. 1924 11% x 9% in. (29.5 x 24.7 cm) L.86.1.11 d
5. Untitled (wall with death's-head), c. 1924
n9/i6 x 9% in. (29.4 x 24.7 cm) L.86.1.11 e
991
Erste graphische Mappe der Kunstlergruppe Jung-Erfurt, c. 1919 (First graphic portfolio of the Kunstlergruppe Jung-Erfurt) Black ink and pencil on gray cardboard 20 x 14 in. (50.8 x 35.6 cm) provenance: Galerie Gerda Bassenge, Berlin, 8-10 November 1977, part of lot 2778
This portfolio cover was acquired with a group of prints by Hanf, who produced the second portfolio of the Kunstler- gruppe Jung-Erfurt, and it may be attributed to him M. 82. 287. 109
Margarethe Hammerschlag
Alfred Hanf
born 1890 Erfurt
288
Hanf
992
Fruhling, igig
(Spring)
Woodcut on heavy wove paper
69/i6 x 8% in. (16.6 x 21.3 cm)
inscription: signed and dated, l.r.;
titled, 1.1.; inscribed "2. Abzug/
Handdruck," 1.1.
PROVENANCE: Galerie Gerda Bassenge,
Berlin, 8-10 November 1977, part of
lot 2778
This print may be Hanf s contribution to
the first portfolio of the Kiinstlergruppe
Jung-Erfurt, also published in 1919
M. 82. 287. 103
993
Sechs Holzschnitte von Alfred Hanf
(Six woodcuts by Alfred Hanf) Portfolio of 6 woodcuts on japan paper Second portfolio of the Kiinstlergruppe Jung-Erfurt (Erfurt: Stierpresse, 1919) inscription: each sheet signed, l.r.; numbered (41/100) on justification page provenance: Galerie Gerda Bassenge, Berlin, 8-10 November 1977, part of lot 2778 M. 82. 287. 20 a-f
1. Landstrasse, 1919 (Country road)
i2'/8 x 9% in. (30.8 x 24.8 cm) The center also has a proof signed, dated, titled, and inscribed "Handdruck," as well as another unsigned proof M. 82. 287. 20 a
2. Abend, 1919 (Evening)
11% x 9% in. (29.8 x 24.5 cm) The center also has a proof signed, dated, titled, and inscribed "Handdruck" M. 82. 287. 20 b
3. Untitled (village), 1919
12 x g15/i6 in. (30.4 x 25.3 cm) The center also has an unsigned proof of a later state M. 82. 287. 20 c
4. Die Kirche, 1919 (The church)
g5/i6 x 7 in. (23.6 x 17.8 cm) The center also has an unsigned proof of this state, as well as a proof signed, dated, titled, and inscribed "3. Zustand (letzter)" M. 82. 287. 20 d
5. Untitled (church), 1919
7% x g!/i6 in. (18.8 x 23. 1 cm) The center also has an unsigned proof of a later state M. 82. 287. 20 e
6. Untitled (mountain landscape),
!919
n15/i6 x 10 in. (30.3 x 25.4 cm)
The center also has an unsigned
proof of a later state
M. 82. 287.20 f
993-1
993-2
993-3
993-6
994
995
998
iy6 ' Jft-
3
§Hy i V'-
999
Hasler
994
Liebespaar, c. 1924
(Lovers)
Woodcut on wove paper
57/i6 x 4% in. (13.8 x 12.0 cm)
From Karl Dietz, ed., Schwarzer Greif:
Ein Almanack aufdasjahr 1925
(Rudolfstadt: Greifenverlag, 1925), p. 15
PROVENANCE: unknown
83-1-549 e
289
995
Paar vor Ziegelei, 1920
(Couple before a brickyard)
Lithograph on laid paper
55/s x 6'/4 in. (14.3 x 15.9 cm)
From Katalog der zweiten Ausstellung
der Hamburgischen Secession, exh. cat.
(Hamburg: Alte Kunsthalle, 1921),
no. 26, pi. 8
PROVENANCE: Ars Libri, Boston;
purchased in 1982
83- 1-735*
Erich Hartmann
born 1886 Elberfeld
997
996
Die Novelle von J. W. Goethe, c. 1914
(Short story by J. W. Goethe)
Sixteen vignette lithographs on japan
paper
From Kunst und Kiinstler 12, no. 11
(1914): 563-74
provenance: Ars Libri, Boston; purchased in 1982 Not illustrated
83.1. 1243 aa-pp
997
Soldatentod, c. 1915
(Death of a soldier)
Lithograph on japan paper
ioVs x 7% in. (25.7 x 19.6 cm)
From Kunst und Kiinstler 13, no. 5
(1915): 194
provenance: Ars Libri, Boston;
purchased in 1982
83.1.1244 k
998
Sturm, c. 1917
(Storm)
Lithograph on blue japan paper
I415/i6 x 10V16 in. (38.0 x 25.5 cm)
From portfolio Shakespeare Visionen
(Munich: Marees-Gesellschaft, 1918);
from edition A (total edition of 200)
inscription: signed, l.r.; numbered
(xiv/l) on justification page; publisher's
blind stamp, l.r.
provenance: Hans Bolliger, Zurich;
purchased in 1972
exhibition: Reed 336/28
M. 82.288.384.28
999
Untitled (factory scene), n.d.
Lithograph on laid paper
%lA x 7% in. (23.5 x 18.7 cm)
provenance: gift of Dr. Jelena Hahl,
1981
EXHIBITION: Rigby 46
M. 82. 287. 21
Bernhard Hasler
born 1884 Schenkendorf
died 1945 Bad Oldesloe
290
Hauser
Carl Maria (Carry) 1000
Hauser Schwangere, 1920
(Pregnant woman) born 1895 Vienna, Black ink on japan paper
Austria ii3/ie x 8% in. (28.4 x 22.2 cm)
inscription: signed and dated, l.r.;
titled, 1.1.
provenance: Galerie Pabst, Munich;
purchased in 1981
M. 82. 287. 83
1001
Selbstbildnis, 1920
(Self-portrait)
Black ink on wove paper
ii5/s x 9 in. (29.5 x 22.9 cm)
INSCRIPTION: monogrammed, signed,
and dated (twice), l.r.; inscribed
"zeichnung," 1.1.
PROVENANCE: Galerie Pabst, Munich;
purchased in 1981
M. 82. 287. 84
1002
Buch der Traume
(Book of dreams)
Book with 8 woodcuts on laid paper
Printed by Profildruck, Vienna, and
published in 1976 by Galerie Pabst
under artist's supervision; prints first
published in 1922 in a small edition
INSCRIPTION: numbered (359/500) on
justification page
provenance: Galerie Pabst, Munich;
purchased in 1980
83. 1.684 a-h
1. Untitled (title page), 1921 5% x 45/i6 in. (13.7 x 11.0 cm) INSCRIPTION: signed, l.r. 83.1.684 a
2. Untitled (man and cat), 1921 5V2 x 43/i6 in. (14.0 x 10.6 cm) INSCRIPTION: signed, 1.1. 83.1.684 b
3. Untitled (man and child), 1921 5V2 x 4'/4 in. (14.0 x 10.8 cm) inscription: signed, 1.1. 83.1.684 c
4. Untitled (falling man), 1921 5V2 x 4% in. (14.0 x 11. 1 cm) inscription: signed, l.r. 83. 1.684 d
5. Untitled (man with three female nudes), 1921
5V2 x 4'/8 in. (14.0 x 10.5 cm) INSCRIPTION: signed, 1.1. 83.1.6840
6. Untitled (man with tall buildings), 1921
5% x 4V4 in. (13.7 x 10.8 cm) INSCRIPTION: signed, 1.1. 83. 1.684 f
7. Untitled (man and sleeping woman), 1921
5% x 4V4 in. (13.7 x 10.8 cm) INSCRIPTION: signed, 1.1. 83. 1.684 g
8. Untitled (justification page), 1921 53/s x 4>/4 in. (13.7 x 10.8 cm) INSCRIPTION: signed, l.r.
83. 1.684 h
1000
Hecht
291
1002-5
1003
1002-8
|
1003 |
|
|
Liebende, 1923 |
|
|
(Lovers) |
|
|
Woodcut on japan paper |
|
|
7% x 5?/i6 in. (18.8 x 13.8 cm) |
|
|
INSCRIPTION: signed and dated, l.r. ; |
|
|
titled, 1.1. |
|
|
provenance: Galerie Gerda Bassenge, |
|
|
Berlin, 12 December 1979, part of lot |
|
|
2778 |
|
|
M. 82. 287. 22 |
|
|
1004 |
Raoul Hausmann |
|
Untitled (sailboats), 1913 |
|
|
Lithograph on laid paper |
born 1886 Vienna, |
|
8 x 5% in. (20.3 x 14.3 cm) |
Austria |
|
From Das neue Pathos 1, no. 3/4 |
|
|
(i9i3): 51 |
died 1971 Limoges, |
|
INSCRIPTION: numbered (50/100) on |
France |
|
justification page |
|
|
provenance: Ars Libri, Boston; |
|
|
purchased in 1983 |
|
|
L. 84. 5. 339 f; lent by the Robert Gore |
|
|
Rifkind Foundation, Beverly Hills, |
|
|
California |
1005
Aus der Leben des heiliges Franz, nach
Taddeo Gaddi, c. 1922
(From the life of Saint Francis, after
Taddeo Gaddi)
Woodcut on thin laid paper
67/s x 5V2 in. (17.4 x 13.9 cm)
From portfolio Ganymed-Mappe 11
(Munich: Marees-Gesellschaft, 1922);
the center also has an impression from
Julius Meier-Graefe, ed., Gamjmed,
vol. 4 (Munich: R. Piper & Co., 1922),
following p. 70
INSCRIPTION: signed, l.r.; numbered
(cxl/ccc) on cover
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1972
EXHIBITION: Reed 317/23
M. 82. 288. 378 g
1006
Die Stadt, c. 1922
(The city)
Woodcut on thin japan paper
95/s x 7n/i6 in. (24.5 x 19.5 cm)
From portfolio Ganymed-Mappe II
(Munich: Marees-Gesellschaft, 1922)
inscription: signed, l.r.; numbered
(cxl/ccc) on cover
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1972
EXHIBITION: Reed 317/31
M. 82. 288. 378 j
Franz Hecht
born 1877 Brunswick
1006
1005
292
Erich Heckel
born 1883 Dobeln
died 1970 Radolfzell
Hecht
1007
Holzschnitt nach einem altitalienischen Meister, c. 1924
(Woodcut after an Italian old master) Woodcut on thin laid paper 53/4 x 12% in. (14.6 x 32. 1 cm) From portfolio Ganymed-Mappe in (Munich: Marees-Gesellschaft, 1924); edition of 100 inscription: signed, l.r. PROVENANCE: Hartung & Karl, Munich, 13- 15 November 1979, part of lot 2779 EXHIBITION: Reed 317/43 M. 82.288.379 1
1008
Vor Sonnenaufgang, 1904 (Before sunrise)
Woodcut printed in green and gray- green on wove paper 37/i6 x 57/s in. (8.7 x 14.9 cm) Color trial proof
inscription: signed, l.r.; inscribed "Proof Dr. 2 Baume sollen dunkler werden," u.l.
provenance: Hauswedell & Nolte, Hamburg, 15 June 1973, lot 638 REFERENCE: variant of Dube 26b EXHIBITION: Reed 51; Goley l; Thiem 1 M. 82. 288. 76
1009
Sambo, 1905
Woodcut printed in black and ocher on
heavy laid paper
63/i6 x 4V4 in. (15.7 x 10.8 cm)
INSCRIPTION: signed and dated, l.r.;
titled, 1.1.
provenance: Carus Gallery, New York;
purchased in 1973
reference: Dube 56b
exhibition: Reed 52; Barton 1; Goley 2;
Thiem 2
M. 82.288. 77
1010
Die Ballade vom Zuchthaus zu Reading
(The Ballad of Reading Gaol)
Portfolio of 12 woodcuts on handmade
paper
Illustrations to poem by Oscar Wilde
INSCRIPTION: all sheets signed, l.r.;
some sheets with excerpts of Wilde's
poem in German
provenance: Gustav Schiefler; his son
Gustav Schiefler; Kornfeld & Klipstein,
Bern, 13-15 June 1974, lot 365
REFERENCE: Dube 120-31
EXHIBITION: Reed 54/1-12; Thiem 3- 14
M. 82.288.873-1
1. Die Ballade vom Zuckthaus zu
Reading von Oskar Wilde mit
Holzschnitten von E. Heckel, 1907
(The Ballad of Reading Gaol by
Oscar Wilde with woodcuts by E.
Heckel)
3T/16 x 513/i6 in. (8.8 x 14.8 cm)
reference: Dube 120
EXHIBITION: Reed 54/1; Chipp 46;
Thiem 3
M.82.288.87I
1007
1008
DrteMl
mm
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1009
1010-1
1010-4
1010-5
1010-6
1010-8
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1010-9
1010-10
Heckel
2. Zur Ballade l, 1907 (To the ballad 1)
77/s x 57/8 in. (20.0 x 15.0 cm) REFERENCE: Dube 121 exhibition: Reed 54/2; Barton 3a; Chipp 47; Goley 5a; Thiem 4 M. 82.288.87 a
3. Zwei Gestalten, 1907 (Two figures)
7% x 6 in. (20.0 x 15.2 cm) reference: Dube 122 exhibition: Reed 54/3; Barton 3b; Goley 5b; Theim 5 M.82. 288.87 b
4. Der Gefangene, 1907 (The prisoner)
7% x 5T/8 (20.0 x 15.0 cm) REFERENCE: Dube 123 exhibition: Reed 54/4: Barton 3c; Goley 5c; Thiem 6 M. 82.288.87 c
5. Der Richter, 1907 (The judge)
6% x 5V6 in. (16.2 x 13. 1 cm) INSCRIPTION: titled, 1.1. reference: Dube 124 exhibition: Reed 54/5: Barton 3d; Chipp 48; Goley sd; Thiem 7 M.82.288.87d
6. Der Wdrter, 1907 (The prison guard)
8V4 x 57/8 in. (21.0 x 15.0 cm)
REFERENCE: Dube 125 II EXHIBITION: Reed 54/6; Barton 3e; Chipp 49; Goley 5e; Thiem 8 M. 82.288.87 e
7. Singende, 1907 (The singing ones)
77/8 x 6 in. (20.0 x 15.2 cm) REFERENCE: Dube 126 EXHIBITION: Reed 54/7; Barton 3f; Thiem 9 M. 82.288.87 f
8. Angst, 1907 (Fear)
8 x 57/8 in. (20.3 x 14.9 cm) reference: Dube 127 exhibition: Reed 54/8; Barton 3g; Chipp 50; Thiem 10 M.82. 288. 87 g
9. Das Grauen, 1907 (The horror)
7T/8 x 513/i6 in. (20. 1 x 14.8 cm) reference: Dube 128 11 EXHIBITION: Reed 54/9; Barton 3h; Thiem 11 M. 82.288.87 h
10. Sein letztes Gebet, 1907 (His last prayer)
8'/4 x 57/e in. (21.0 x 14.9 cm) inscription: inscribed "Hinrich- tung," 1.1.
REFERENCE: Dube 129 EXHIBITION: Reed 54/10; Barton 3i; Thiem 12 M. 82. 288.87 i
293
294
Heckel
1010 (continued)
11. Xur Ballade 2, 1907 (To the ballad 2)
8"/i6 x 63/s in. (22. 1 x 16. 1 cm) REFERENCE: Dube 130 EXHIBITION: Reed 54/11; Barton 3J; Thiem 13 M. 82. 288. 87 j
12. Kruzifix, 1907 (Crucifix)
715/i6 x 6 in. (20.1 x 15.3 cm)
INSCRIPTION: inscribed "Schluss-
blatt," l.r.
REFERENCE: Dube 131
EXHIBITION: Reed 54/12; Barton 3k;
Thiem 14
M. 82. 288. 87 k
1011
Kopfdes Geigers, 1907
(Head of a violinist)
Woodcut on laid paper
7% x 5% in. (20.0 x 14.9 cm)
From Das neue Pathos 2, no. 1/3 (1914):
23; from edition B of 250
PROVENANCE: Ars Libri, Boston;
acquired by exchange in 1982
REFERENCE: Dube 109 II. B
EXHIBITION: Goley 18
83.1.824 c
1012
Segelboot, 1907
(Sailboat)
Woodcut on heavy wove paper
65/i6 x 85/8 in. (16.1 x 21.9 cm)
From portfolio Die Briicke m (1908),
pi. 1
inscription: signed, dated, and
inscribed "Dangast i. O, l.r.
PROVENANCE: Kornfeld & Klipstein,
Bern, 13- 15 June 1974, lot 85
reference: Dube 143 i.B; Bolliger and
Kornfeld 10
exhibition: Reed 53 (photograph
transposed with the following); Barton
2; Goley 3; Thiem 15
M. 82.288.366
1013
Segelboot, 1907
(Sailboat)
Woodcut on heavy wove paper
65/i6 x 85/s in. (16. 1 x 22.0 cm)
According to Wolf-Dieter Dube
(conversation with author, October
1984), this impression is a variant inking
of the first state, and not the second
state as catalogued previously
INSCRIPTION: signed, dated, and
inscribed "Dangast i. O," l.r.
provenance: Christie's, London, 5
December 1974, lot 166
REFERENCE: Dube 143 I (edition size
uncertain)
exhibition: Reed 53/2 (photograph
transposed with above); Goley 4;
Thiem 16
M. 82. 288. 79
1013
1016
Meckel
1014
Untitled (postcard of a tightrope walker), c. 1909
Crayon, india ink, and watercolor on card
5V2 x 39/i6 in. (14.0 x 9.0 cm) inscription: addressed to Dr. Rosa Schapire and initialed; postal cancel- lation dated 1909
provenance: Rosa Schapire; private collection, Los Angeles, 1946; Heritage Gallery, Los Angeles; purchased in 1972 exhibition: Reed 56; Goley 7; Thiem 18 M. 82.288. 334
1015
Franzi, 1910 Woodcut on wove paper 69/i6 x 4'A in. (16.6 x 10.8 cm) From KG Briicke, catalogue of exhibi- tion at Galerie Arnold, Dresden, 1910 (Dresden: Heinrich Niescher, [1910]) provenance: Hauswedell & Nolte, Hamburg, 8- 10 June 1972, part of lot 240
reference: Dube 179 I; Bolliger and Kornfeld 41/6 EXHIBITION: Reed 243/6 M. 82. 288. 374 f
1016
Knieende Akte, 1910
(Kneeling nudes)
Woodcut on yellow cover stock
n3/4 x i53/4 in. (29.9 x 40.0 cm)
From portfolio Die Briicke v (1910),
cover
PROVENANCE: estate of the artist;
Gunther Franke, Munich (purchased
from Siddi Heckel); Carus Gallery, New
York; purchased in 1974
REFERENCE: Dube 181; Bolliger and
Kornfeld 17
EXHIBITION: Reed 79; Goley 9;
Thiem 22
M. 82. 288.369 a
1017
Liegendes Kind, 1910
(Reclining child)
Drypoint on copperplate paper
5V8 x 7% in. (13.0 x 19.3 cm)
Proof before edition of 10 on japan
paper and edition of 30 on handmade
paper
inscription: signed and dated, l.r.
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, lot 610
reference: Dube 79 A
exhibition: Reed 57; Thiem 19
M. 82.288.86
295
296
Heckel
1018
Miissige Weiber, 1910 (Idle women) Woodcut on wove paper 45/i6 x 6n/i6 in. (11.0 x 17.0 cm) From KG Briicke, catalogue of exhibi- tion at Galerie Arnold, Dresden, 1910 (Dresden: Heinrich Niescher, [1910]) provenance: Hauswedell & Nolte, Hamburg, 8-10 June 1972, part of lot 240
REFERENCE: Dube 180 i; Bolliger and Kornfeld 41/14 exhibition: Reed 243/14 M. 82. 288. 374 n
1019
Schlafender Mann, 1910 (Sleeping man) Woodcut on wove paper 6u/i6 x 45/i6 in. (17.0 x 11.0 cm) From KG Briicke, catalogue of exhibi- tion at Galerie Arnold, Dresden, 1910 (Dresden: Heinrich Niescher, [1910]) PROVENANCE: Hauswedell & Nolte, Hamburg, 8-10 June 1975, part of lot 240
REFERENCE: Dube 178 I; Bolliger and Kornfeld 41/15 exhibition: Reed 243/15 M. 82. 288. 3740
1020
Segelboot, 1910
(Sailboat)
Lithograph on soft handmade paper
io13/i6 x 13 in. (27.5 x 33.0 cm)
INSCRIPTION: signed and dated, l.r.
PROVENANCE: Arthur Harris; purchased
'n 1974
REFERENCE: Dube 149 EXHIBITION: Thiem 21 M. 82.288.74
1021
Stehendes Kind, 1910
(Standing child)
Woodcut printed in red, green, and
black on wove paper
14% x io13/ie in. (37.5 x 27.4 cm)
From portfolio Die Briicke VI (1911),
pi. 1
INSCRIPTION: signed and dated (11), l.r.
provenance: Galerie Wolfgang
Ketterer, 8 December 1970, lot 283 a
reference: Dube 204-b.2/b; Bolliger
and Kornfeld 22
exhibition: Reed 60; Chipp 51; Goley
11; Thiem 23
M. 82. 288. 370 b
1018
1019
1020
1021
Heckel
297
1022
1024
1022
Strasse mit Fussgangern— Hamburger
Hafen, 1910
(Street with pedestrians— Hamburg
harbor)
Drypoint on wove paper
6u/i6 x y'Vie in. (17.0 x 20. 1 cm)
From portfolio Die Briicke vi (1911),
pl 3
inscription: signed and dated, l.r.
provenance: Galerie Nierendorf,
Berlin; purchased in 1974
REFERENCE: Dube 91; Bolliger and
Kornfeld 24
EXHIBITION: Reed 59; Goley 10;
Thiem 20
M. 82. 288. 370 d
1023
Szene im Wald, 1910
(Scene in the woods)
Lithograph on heavy wove paper
11 x 13% in. (28.0 x 34.9 cm)
From portfolio Die Briicke vi (1911),
pl. 2
INSCRIPTION: signed and dated, l.r.
PROVENANCE: Hauswedell & Nolte,
Hamburg, 2-4 June 1977, lot 568
reference: Dube 153; Bolliger and
Kornfeld 23
M. 82. 288. 370 c
1024
Titelholzschnitt, 1910 (Title woodcut) Woodcut on wove paper 69/ie x 45/ie in. (16.7 x 10.9 cm) From KG Briicke, catalogue of exhibi- tion at Galerie Arnold, Dresden, 1910 (Dresden: Heinrich Niescher, [1910]) provenance: Hauswedell & Nolte, Hamburg, 8-10 June 1972, part of lot 240
reference: Dube 177 I; Bolliger and Kornfeld 41/1 EXHIBITION: Reed 243/1 M. 82. 288. 374 a
1025
Akt am Stein, 1912
(Nude on rock)
Woodcut on laid paper
39/ie x 213/ie in. (9. 1x7.1 cm)
From Ernst Ludwig Kirchner, Chronik
KG Briicke (1913)
provenance: Kornfeld & Klipstein,
Bern, 8 June 1977, part of lot 70
reference: Dube 239; Bolliger and
Kornfeld 62/4
exhibition: Reed 86/6
83.1. 109 f
1025
298
Heckel
1026
Badende am Teich, 1912
(Bathers at the pond)
Woodcut on thin pink wove paper
53/i6 x 45/i6 in. (13.1 x 11.0 cm)
From Ausstellung von Kiinstlergruppe
Briicke, exh. cat. (Berlin: Galerie Fritz
Gurlitt, 1912); the center has two
impressions
PROVENANCE: Kornfeld & Klipstein,
Bern, 15-17 June 1972, part of lot 113
REFERENCE: Dube 227 I; Bolliger and
Kornfeld 42/2
EXHIRITION: Reed 245/2; Thiem 24
M. 82. 288.375 b
1027
Im Gesprach, 1912
(In conversation)
Woodcut on laid paper
■j'/s x 45/i6 in. (18.1 x 11.0 cm)
From Das neue Pathos 1, no. 5/6
(1913): 25
inscription: numbered (50/100) on
justification page
provenance: Ars Libri, Boston;
purchased in 1983
REFERENCE: Dube 235
L.84.5.339 k; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1028
Der Mora1 der Akulka von Dostoiewski, 1912
(The murder of Akulka by Dostoyevski) Woodcut on heavy handmade paper 6'/8 x 45/i6 in. (15.6 x 11.0 cm) inscription: signed, l.r. PROVENANCE: Carus Gallery, New York; purchased in 1975 REFERENCE: Dube 237 exhibition: Reed 62; Goley 13 M. 82. 288. 84
1029
Pantomime von W. S. Guttmann, 1912 (Pantomime by W. S. Guttmann) Woodcut on wove paper 35/i6 x 4% in. (8. 5 x 11.1 cm) Announcement of exhibitions by Heckel and Otto Mueller at Galerie Dr. Fritz Goldschmidt and Dr. Victor Waller- stein, Berlin
provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 reference: Dube 232 IV exhibition: Reed 61; Goley 12; Thiem 26 M. 82. 288. 80
1026
1027
1028
Heckel
299
1030
1030
Sich waschende, 1912
(Washing herself)
Woodcut on thin pink wove paper
5V4 x 4V8 in. (13.3 x 10.5 cm)
From Ausstellung von Kiinstlergruppe
Briicke, exh. cat. (Berlin: Galerie Fritz
Gurlitt, 1912); the center has two
impressions
provenance: Kornfeld & Klipstein,
Bern, 15- 17 June 1972, part of lot 113
reference: Dube 228; Bolliger and
Kornfeld 42/3
exhibition: Reed 245/3; Thiem 25
M. 82.288.375 c
1031
Sitzender Mann, 1912
(Seated man)
Woodcut on laid paper
39/i6 x 213/i6 in. (9. 1 x 7. 1 cm)
From Ernst Ludwig Kirchner, Chronik
KG Briicke (1913)
provenance: Kornfeld & Klipstein,
Bern, 8 June 1977, part of lot 70
REFERENCE: Dube 238 I; Bolliger and
Kornfeld 62/4
exhibition: Reed 86/5
83.1. 109 e
1032
Steliende, 1912
(Standing woman)
Woodcut on laid paper
2i3/i6 x 77/i6 in. (54.0 x 18.9 cm)
INSCRIPTION: signed and dated, I.r.
provenance: Galerie Wolfgang
Ketterer, Munich, 12 December 1978,
lot 1054
REFERENCE: Dube 234 II
exhibition: Barton 5
M. 82.288.78
1033
Am Strand, 1913 (On the beach) Woodcut on laid paper 7 x 4% in. (17.8 x 12. 1 cm) From Das neue Pathos 1, no. 3/4
(1913): 55
INSCRIPTION: numbered (50/100) on
justification page
PROVENANCE: Ars Libri, Boston;
purchased in 1983
REFERENCE: Dube 253 II. B
L. 84. 5. 339 g; lent by the Robert Gore
Rif kind Foundation. Beverly Hills,
California
1033
300
Heckel
1034
Frau, 1913
(Woman)
Woodcut printed in red and black on
thin laid paper
7'/8 x 4'/s in. (18. 1 x 10.5 cm)
From portfolio Ganymed-Mappe III
(Munich: Marees-Gesellschaft, 1924);
edition of 100; the center also has an
impression from Julius Meier-Graefe,
ed., Ganymed, vol. 5 (Munich: R. Piper
&Co., 1925), following p. 124
inscription: signed and dated, l.r.
provenance: Hartung & Karl, Munich,
13- 15 November 1979, part of lot 2779
REFERENCE: Dube 259 II
exhibition: Reed 317/36; Goley 16;
Thiem 30
M. 82. 288.379 h
1035
Fruhlingslandschaft, 1913
(Spring landscape)
Woodcut on wove paper
io'A x 8% in. (25.9 x 21.3 cm)
From deluxe edition of D«s Kunstblatt
2, no. 1 (1918); the center also has an
impression from the regular edition
inscription: numbered (32/110) on
justification page
provenance: Henry Hallenstein; W. F.
Arntz, Haag (Oberbayern); purchased
in 1975
REFERENCE: Dube 255 B EXHIBITION: Reed 283/39 83.1.111 a
1036
Krankes Madchen, 1913 (Sick girl)
Woodcut on wove paper 7V2 x 5V2 in. (19.0 x 14.0 cm) From Kurt Pfister, ed., Deutsche Graphiker der Gegenwart (Leipzig: Klinkhardt & Biermann, 1920); edition of 600; the center also has an impression from the bound copy of the book provenance: Saalbau-Galerie, Darmstadt; purchased in 1980 REFERENCE: Dube 266 B exhibition: Goley 15; Thiem 33 M. 82. 287. 26
1037
Lesende, 1913
(Woman reading)
Black ink on wove paper
i815/i6 x 14M6 in. (48. 1 x 36.0 cm)
inscription: signed and dated, 1. r.
provenance: Galerie Elfriede Wirnit-
zer, Baden-Baden; purchased in 1983
The sitter is Siddi, the artist's wife
L.84.5.22; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1034
1037
1036
1038
■W' v
:3Ne
1041
Heckel
1038
Madchenkopf, 1913
(Head of a girl)
Woodcut on wove paper
io3/i6 x 6"/i6 in. (25.8 x 17.0 cm)
From Genius 2, no. 1 (1920): following
114
provenance: M. J. Rover Bookshop,
Los Angeles; purchased about 1970-72
REFERENCE: Dube 264 III.B EXHIBITION: Reed 275/9 83.1.814 a
1039
Zwei Manner am Tisch, igi3
(Two men at a table)
Woodcut on laid paper
97/i6 x io5/i6 in. (24.0 x 26.2 cm)
INSCRIPTION: signed, l.r.
provenance: Hausvvedell & Nolte,
Hamburg, 15 June 1973, lot 648
REFERENCE: Dube 250 I
exhibition: Reed 63; Barton 6; Goley
14, Thiem 28
M. 82.288.81
1040
Frau, 1914
(Woman)
Pencil on SLG paper
19% x 13VI6 in. (49.2 x 33.2 cm)
inscription: signed and dated, l.r.
provenance: Christie's, London, 1
December 1981, lot 366
The sitter is Siddi, the artist's wife;
the center also has a reproduction of the
drawing in Das Kunstblatt 2, no. 9
(1918): 287
L. 84. 5. 17; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1041
Hauser in Garten, 1914
(Houses in gardens)
Lithograph on laid paper
95/i6 x 7V4 in. (23.6 x 18.5 cm)
From Das neue Pathos 2, no. 1/3 (1914):
61; from edition B of 250
provenance: Ars Libri, Boston;
acquired by exchange in 1984
REFERENCE: Dube 222 II
83. 1.824 g
1042
Irre beim Essen, 1914
(Madmen eating)
Drypoint on heavy wove paper
7V2 x 5% in. (19.0 x 14.3 cm)
From deluxe edition of Das Kunstblatt
1, no. 2 (1917)
inscription: numbered (32/110) on
justification page
provenance: Henry Hallenstein; W. F.
Arntz, Haag (Oberbayern); purchased
in 1975
REFERENCE: Dube 129 B exhibition: Reed 283/10; Thiem 34 83.1.1086 b
301
1042
!
302
Heckel
1043
Einjiinger, 1915
(A disciple)
Woodcut on laid paper
I315/i6 x ii'/i in. (35.4 x 28.5 cm)
inscrifhon: signed, l.r.; dated and
inscribed "Ostende," 1.1.; inscribed (in
another hand) "Bildnis Hartmann," 1.1.
PROVENANCE: Galleria Henze,
Campione d'ltalia, Switzerland;
purchased in 1982
REFERENCE: Dube 300 II
exhibition: Thiem 37
M. 82. 287.25
1044
Bei Gent, 1916
(Near Ghent)
Lithograph on wove paper
lo'Vie ,\ 85/i6 in. (27.2 x 21. 1 cm)
From Der Bildermann 1, no. 15 (1916):
3; the center also has an impression
from the bound volume of the periodical
(Reed 265/12)
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1981
reference: Dube 238 11. B
exhibition: Goley 20; Thiem 39
M.S2.287.24
1045
Belgische Landsehaft , 1916
(Belgian landscape)
Lithograph on wove paper
7%6 x 8'%6 in. (18.2 x 22.4 cm)
From Der Bildermann 1. no. S (1916): 1
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
lSo
REFERENCE: Dube 242 II. B
EXHIBITION: Reed 265 11
S3. 1.1462.29
1046
Die Fahrt, 1916
(The ride)
Lithograph on wove paper
loViex S¥w in. (25.6 x 21.1 cm)
From Der Bildermann 1, no. 3 (1916): 4
PROVENANCE: Hauswedell & Nolte.
Hamburg, 6-S June 1974. part of lot
1S0
REFERENCE: Dube 241 m.B
EXHIBITION: Reed 265/9
S3.1.IJ": 12
1047
Handstand, 1916
Lithograph on japan paper
:: > \ > in
From portfolio Die Schaffenden 1. no. 1
i ^S)-- _-- :otal
125 s ■ -
PROVEN
-
-
-
1043
1044
1045
icj-
1046
V ' 1 i *'■ • f'M tkt
Heckel
303
1048
In der Muschelstube 2, 1916
(In the seafood cafe 2)
Lithograph on wove paper
n'/iexSin. (28.1 x 20.4 cm)
From Der Bildermann 1, no. 4 (1916): 2
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
180
REFERENCE: Dube 229 I.B
EXHIBITION: Reed 265/10
83.1.1462.14
1049
DerNarr, 1917
(The fool)
Woodcut on G. Fiehtner paper
i4'/i6X lo'Viein. (35.8x27.1 cm)
From portfolio Bauhaus-Mappe v
(Weimar: Bauhaus, 1921); edition of 110
inscription: signed and dated, l.r.
provenance: Galerie Wolfgang
Ketterer, Munich, 8 December 1970,
lot 290
reference: Dube 309 II. B; Peters v/5
exhibition: Reed 65; Chipp 53; Rigby
47; Goley 22; Thiem 40
M. 82.288.82
1050
Manner am Strand, 1919
(Men at the beach)
Woodcut on wove paper
67/s x 5'/4 in. (17.5 x 13.4 cm)
From Paul Erich Kuppers, ed., Das
Kestnerbuch (Hannover: Heinrich
Bohme Verlag, 1919), following p. 16
provenance: Galerie Gerda Bassenge,
Berlin, 13-18 May 1973, part of lot
4076
reference: Dube 319 II. B
exhibition: Reed 321/1: Thiem 44
83.1.140 a
1051
Der Spaziergang, 1919
(The stroll)
Woodcut on laid paper
i83/ie x i213/ie in. (46.3 x 32.6 cm)
INSCRIPTION: signed and dated (20), l.r.
provenance: Karl & Faber, Munich,
10-11 December 1970, lot 836
REFERENCE: Dube 317 I
exhibition: Reed 66; Rigby 48; Goley
23; Thiem 42
M. 82.288.83
302
Heckel
1043
Einjiinger, 1915
(A disciple)
Woodcut on laid paper
i315/ie x 11V4 in. (35.4 x 28.5 cm)
inscription: signed, l.r.; dated and
inscribed "Ostende," 1.1.; inscribed (in
another hand) "Bildnis Hartmann, 1.1.
provenance: Galleria Henze,
Campione d Italia, Switzerland;
purchased in 1982
REFERENCE: Dube 300 II
EXHIBITION: Thiem 37
M. 82. 287. 25
1044
Bei Gent, 1916
(Near Ghent)
Lithograph on wove paper
ion/i6 x 85/i6 in. (27.2 x 21. 1 cm)
From Der Bildermann 1, no. 15 (1916):
3; the center also has an impression
from the bound volume of the periodical
(Reed 265/12)
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1981
reference: Dube 238 11. B
EXHIBITION: Goley 20; Thiem 39
M. 82. 287. 24
1045
Belgische Landschaft, 1916 (Belgian landscape) Lithograph on wove paper 73/i6 x 813/i6 in. (18.2 x 22.4 cm) From Der Bildermann 1, no. 8 (1916): 1 PROVENANCE: Hauswedell & Nolte, Hamburg, 6-8 June 1974, part of lot 180
REFERENCE: Dube 242 II. B
exhibition: Reed 265/11 83.1.1462.29
1046
Die Fahrt, 1916
(The ride)
Lithograph on wove paper
10V16 x 85/i6 in. (25.6 x 21. 1 cm)
From Der Bildermann 1, no. 3 (1916): 4
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
180
REFERENCE: Dube 241 III.B
EXHIBITION: Reed 265/9
83.1.1462.12
1047
Handstand, 1916
Lithograph on japan paper
n'/s x 8 in. (28.3 x 20.4 cm)
From portfolio Die Schaffenden 1, no. 1
(Weimar: Gustav Kiepenheuer Verlag,
1919-20); from edition of 25 (total
edition of 125)
inscription: signed and dated, l.r.
PROVENANCE: Hauswedell & Nolte,
Hamburg, 15 June 1973, lot 630
REFERENCE: Dube 230 I; Jahn and
Berger 2
exhibition: Reed 64; Chipp 52; Goley
21; Thiem 38
M. 82. 288.75
1043
1045
1046
Heckel
303
1049
1050
1048
In der Muschelstube 2, 1916
(In the seafood cafe 2)
Lithograph on wove paper
11V16 x 8 in. (28. 1 x 20.4 em)
From Der Bildermann 1, no. 4 (1916): 2
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
180
REFERENCE: Dube 229 l.B
EXHIBITION: Reed 265/10
83.1.1462.14
1049
Der Narr, 1917
(The fool)
Woodcut on G. Fichtner paper
i4'/i6 x io"/i6 in. (35.8 x 27. 1 cm)
From portfolio Bauhaus-Mappe v
(Weimar: Bauhaus, 1921); edition of 110
INSCRIPTION: signed and dated, l.r.
PROVENANCE: Galerie Wolfgang
Ketterer, Munich, 8 December 1970,
lot 290
REFERENCE: Dube 309 II. B; Peters v/5
exhibition: Reed 65: Chipp 53: Rigby
47; Goley 22; Thiem 40
M. 82.288.82
1050
Manner am Strand, 1919
(Men at the beach)
Woodcut on wove paper
6Vs x 5'/4 in. (17.5 x 13.4 cm)
From Paul Erich Kiippers, ed., Das
Kestnerbuch (Hannover: Heinrich
Bohme Verlag, 1919), following p. 16
provenance: Galerie Gerda Bassenge,
Berlin, 13-18 May 1973, part of lot
4076
REFERENCE: Dube 319 II B
exhibition: Reed 321/1; Thiem 44
83.1.140 a
1051
Der Spaziergang, 1919
(The stroll)
Woodcut on laid paper
i83/i6 x I213/i6 in. (46.3 x 32.6 cm)
inscription: signed and dated (20), l.r.
provenance: Karl & Faber, Munich,
10-11 December 1970, lot 836
reference: Dube 317 1
exhibition: Reed 66; Rigby 48; Goley
23; Thiem 42
M. 82.288.83
1051
304
Heckel
1052
Zivei am Meer, 1920
(Two by the sea)
Woodcut on heavy handmade paper
7 x 55/i6 in. (17.8 x 13.5 cm)
From deluxe edition of Paul Westheim,
Das Holzschnittbuch (Potsdam: Gustav
Kiepenheuer Verlag, 1921), following
p. 160
INSCRIPTION: signed and dated, l.r.;
numbered (15/100) on justification page
provenance: Hans Bolliger, Zurich;
purchased in 1972
REFERENCE: Dube 326 B
exhibition: Reed 319/3; Thiem 46
83.1.199 a
1053
Inhaltsverzeichnis der Erich Heckel
Mappe des Verlag I. B. Neumann,
Berlin, 1921
(Table of contents of the Erich Heckel
portfolio published by I. B. Neumann,
Berlin)
Woodcut on handmade paper
I2n/i6 x 8% in. (32.2 x 22.0 cm)
From edition of 40
inscription: signed and dated, l.r.
provenance: Carus Gallery, New York;
purchased in 1974
REFERENCE: Dube 329 B
exhibition: Reed 68; Goley 26;
Thiem 47
M. 82. 288. 85
1054
Drucke, 1905-1922
(Prints, 1905-1922)
Brochure with 4 woodcuts on soft laid
paper
For an exhibition at I. B. Neumann,
Berlin, 1922; printer's proof apart from
numbered edition of 30 without text and
regular edition with text
provenance: Carl Linck; Warrack &
Perkins, Enstone, Oxfordshire;
purchased in 1977
REFERENCE: Dube 331-34
83. 1.873-d
1. Untitled (title page), 1922 3V4 x 5'/a in. (8.2 x 14.0 cm) REFERENCE: Dube 331 83.1.87 a
2. Badende, 1922 (Bathers)
4% x 2% in. (11.7 x 7.0 cm)
REFERENCE: Dube 334
Plate 2 83.1.87 b
3. Begegnung, 1922 (Encounter)
4% x 2% in. (11.7 x 7.0 cm) REFERENCE: Dube 333 Plate 3 83.1.87 c
4. Im Atelier, 1922 (In the studio)
3% x 59/i6 in. (8.6 x 14. 1 cm) REFERENCE: Dube 332 Plate 4 83. 1.87 d
1053
1052
1054-1
1054-2
Heckel
305
K DER GENWRRT
<BftMD1
HECKEL
JRJONVERLAC LIN ^vm
1055
1056-1
1056-2
1056-3
1056-4
1055
Titelblatt zu I. B. Neutnanns Bilderheft
"Erich Heckel" 1922
(Title page to I. B. Neumann's picture
book Erich Heckel)
Woodcut on slick cover stock
7% x 5V2 in. (18.7 x 13.9 cm)
From pamphlet (Berlin: Verlag
Graphisches Kabinett I. B. Neumann,
1922-23), cover
provenance: unknown
REFERENCE: Dube 335 II
83.1.630 a
1056
Graphik der Gegenwart: Band I: Erich Heckel
(Contemporary graphics: Volume 1: Erich Heckel)
Book with 5 woodcuts on laid paper Published by Euphorion Verlag, Berlin,
1931
provenance: Hans Bolliger, Zurich;
purchased in 1973 REFERENCE: Dube 348-52 EXHIBITION: Reed 70/1-5 83.i.goa-e
1. Untitled (cover), 1930 Printed in blue and black jVs x 11 in. (20.0 x 28.0 cm) REFERENCE: Dube 348 EXHIBITION: Reed 70/1 83.1.90 a
2. Zirkus, 1930 (Circus)
Printed in vermilion and blue 97/i6 x 12V4 in. (23.9 x 31.2 cm) reference: Dube 349 EXHIBITION: Reed 70/2 Front endpapers 83.1.90 b
3. Stadion, 1930 (Stadium)
7V2 x 47/i6 in. (19.0 x 11.3 cm) REFERENCE: Dube 352 EXHIBITION: Reed 70/5 Frontispiece 83.1.90 c
4. Untitled (boy with initials), 1930 1V4 x i"/i6 in. (3.8 x 4.3 cm) REFERENCE: Dube 351 EXHIBITION: Reed 70/4
First page of text 83. 1.90 d
5. Tanzende Matrosen, 1930 (Dancing sailors)
Printed in vermilion and blue 93/8 x 12V4 in. (23.8 x 31.2 cm) REFERENCE: Dube 350 EXHIBITION: Reed 70/3 Back endpapers 83. 1.90 e
306
Heckel
1057
Katalog der Ausstellung "Erich Heckel" in der Kunsthutte, Chemnitz
(Catalogue of the exhibition Erich Heckel at the Kunsthiitte, Chemnitz) Book with z woodcuts on wove paper Catalogue to 1931 exhibition PROVENANCE: Hans Bolliger, Zurich; purchased in 1973 REFERENCE: Dube 346-47
83.1.89 a, b
1. Untitled (folding cover), 1930 Printed in black and brown 65/8 x 36V8 in. (16.8 x 91.7 cm) REFERENCE: Dube 346 EXHIRITION: Reed 69/1; Thiem 48 83.1.89 a
2. Untitled (title page), 1930 &A x n'/i6 in. (17. 1 x 28. 1 cm) reference: Dube 347 EXHIRITION: Reed 69/2 83.1.89 b
1058
Der Holzschnitzer: Bildnis E. L. Kirchner, 1948
(The wood-carver: Portrait of E. L. Kirchner)
Lithograph on laid paper nl3/i6x n13/i6in. (30.0 x 30.0 cm) INSCRIPTION: signed and dated, l.r.; titled and numbered (23/29), 1.1. provenance: Galerie Pels-Leusden, Berlin; purchased in 1983 REFERENCE: Dube 331 EXHIBITION: Erich Heckel zum hundertsten Geburtstag (Berlin: Galerie Pels-Leusden, 1983), no. 174 L. 84. 5. 335; lent by the Robert Gore Rifkind Foundation, Beverly Hills, California
1059
Erich Heckel: Bilder, Drucke, iQii-1949
(Erich Heckel: Pictures, prints,
1911-1949)
Book with 2 woodcuts on smooth wove
paper
Catalogue to exhibition at the
Kunstverein in Freiburg and the
Stadtische Kunsthalle in Mannheim
(Freiburg: Kunstverein, 1950); edition
of 1,000
PROVENANCE: Ars Libri, Boston;
purchased in 1981
REFERENCE: Dube 396-97
83.1.685 a, b
1. Untitled (cover), 1950
6"/is x 413/i6 in. (17.0 x 12.2 cm) REFERENCE: Dube 396 B
83.1.685 a
2. Untitled (frontispiece), 1950 6"/i6 x 4% in. (17.0 x 12. 1 cm) REFERENCE: Dube 397 B 83.1.685 b
liHii|
1057-1 (detail)
HUSSTELLUNG
IKUNST HCHTE
ERICHHECKEL
D1
1057-2
EKHBINIJI (DKISIDilSin
1059-2
1058
Heckendorf
307
1060
1061
1063
1062
1064
1065
1060
Aus ostpreussischen Kriegstagen, 1914 (From East Prussian days of war) Lithograph on wove paper io!/2 x 913/i6 in. (26.7 x 24.9 cm) From Kriegszeit, no. 24 (1915): 2 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
EXHIBITION: Reed 281/101 83.1.1422 b
1061
Fliegerschuppen, 1914
(Hangar)
Lithograph on wove paper
io7/i6 x io5/i6 in. (26.5 x 26.2 cm)
From Kriegszeit, no. 47 (1915): 2
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/104
83.1.1445 b
1062
Kampfan der Angerapp, 1914 (Battle on the Angerapp) Lithograph on wove paper 11% x 10^16 in. (29.5 x 25.8 cm) From Kriegszeit, no. 31 (1915): 4 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
EXHIBITION: Reed 281/103 83.1.1429 d
1063
Marine-Flieger-Station, 1914 (Marine flyers' station) Lithograph on wove paper i23/i6 x io9/i6 in. (31.0 x 26.8 cm) From Kriegszeit, no. 27 (1915): 2 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
EXHIBITION: Reed 281/102 83.1.1425 b
1064
Fliegeriibung, c. 1915
(Flying practice)
Lithograph on wove paper
9% x 11 in. (24.7 x 28.0 cm)
From Kriegszeit, no. 47 (1915): 3
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/105
83.1.1445 c
1065
Untitled (battle aftermath), c. 1915 Lithograph on wove paper 4% x 5% in. (12.0 x 13.6 cm) From Zeit-Echo 1, no. 8 (1915): 119 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 EXHIBITION: Reed under 308 83.1.1193 b
Franz Heckendorf
born 1888 Berlin died 1964 Munich
308
Heckendorf
Wilhelm Heckrott
born 1890 Hannover
died 1964 Bremen
Jacoba van Heemskerck
born 1876 The Hague, Netherlands
died 1923 Domburg, Netherlands
1066
Ernst Deutsch, 1918
Lithograph on laid paper
614 x 5 in. (15.9 x 12.7 cm)
From Dasjunge Deutschland 1, no. 8/9
(1918): before 273
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
83.1.1618 b
1067
Orientalische Landschaft, c. 1919 (Oriental landscape) Lithograph on heavy wove paper 55/8 x 7V2 in. (14.3 x 19. 1 cm) From Joachim Kirchner, Junge Berliner Kunst, Wasmuths Kunsthefte, no. 6 (Berlin: E. Wasmuth, [1919?]), pi. 4 provenance: W. F. Arntz, Haag (Oberbayern); purchased in 1975 83.1.120 d
1068
Landschaft, 1921
(Landscape)
Lithograph on wove paper
7'/ie x g7/i6 in. (18.0 x 24.0 cm)
From Georg Biermann, ed. , ] ahrbuch
derjungen Kunst (Leipzig: Klinkhardt
& Biermann, 1921), following p. 256
provenance: Hans Bolliger, Zurich;
purchased in 1975
exhibition: Reed 320/1921.2
83- 1-799 d
1069
Kinderbildnis, c. 1919 (Portrait of a child) Drypoint on heavy handmade paper 11 x g'/4 in. (28.0 x 23.5 cm) INSCRIPTION: signed, l.r.; titled, 1.1. provenance: Galleria del Levante, Munich; purchased in 1978 EXHIBITION: Chipp 55 M. 82.288.88
1070
Stilleben, c. 1914
(Still life)
Woodcut on wove paper
3% x 57/s in. (9.6 x 14.9 cm)
From Der Sturm 5, no. 19/20 (1915): 125
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1392.8
1071
Untitled (hills), c. 1914
Woodcut on wove paper
57/8 x 515/i6 in. (14.9 x 15.0 cm)
From Der Sturm 5, no. 15/16 (1914): 105
provenance: Ex Libris, New York;
purchased in 1982
83.1.1392.4
1068
1069
Heemskerck
309
1072
1072
Untitled (boats and trees), c. 1914
Woodcut on wove paper
313/i6 x 57/s in. (9.7 x 14.9 cm)
From Der Sturm 5, no. 15/16 (1914): 105
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1392.5
1073
Baum, c. 1915
(Tree)
Woodcut on wove paper
513/i6 x 57/8 in. (14.8 x 14.9 cm)
From Der Sturm 5, no. 23/24 (1915): 149;
the center also has an impression from
Herwarth Walden, ed., Expressionismus:
Die Kunstwende (cat. no. 1074)
provenance: Ex Libris, New York;
purchased in 1982
83.1.1392.13
1074
Baum, c. 1915 (Tree)
Woodcut on slick wove paper 513/ie x 57/8 in. (14.8 x 14.9 cm) From Herwarth Walden, ed., Expressionismus: Die Kunstwende (Berlin: Verlag der Sturm, 1918), p. 65 provenance: Kornfeld & Klipstein, Bern, 14 June 1972, part of lot 37 EXHIBITION: Guenther under 340 Not illustrated 83. 1.600 e
1075
Waldweg, c. 1915 (Woodland path) Woodcut on wove paper 57/s x 5% in. (15.0 x 15.0 cm) From Der Sturm 6, no. 15/16(1915): 89; the center also has an impression from Herwarth Walden, ed., Expressio- nismus: Die Kunstwende (cat. no. 1076) PROVENANCE: Ex Libris, New York; purchased in 1982 83.1.1392.27
1076
Waldweg, c. 1915 (Woodland path) Woodcut on slick wove paper 57/s x 5% in. (15.0 x 15.0 cm) From Herwarth Walden, ed., Expressionismus: Die Kunstwende (Berlin: Verlag der Sturm, 1918), p. 64 provenance: Kornfeld & Klipstein, Bern, 14 June 1972, part of lot 37 exhibition: Guenther under 340 Not illustrated 83.1.600 d
1077
Untitled (sailboat), c. 1915
Woodcut on wove paper
67/i6 x 97/s in. (16.3 x 25. 1 cm)
From Der Sturm 5, no. 23/24 (1915): 153
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1392.14
310
Heemskerck
1078
Untitled (flags), c. 1915
Woodcut on wove paper
5% x gI3/i6 in. (14.6 x 25.0 cm)
From Der Sturm 5, no. 23/24 (1915): 155
provenance: Ex Libris, New York;
purchased in 1982
83.1.1392.15
1079
Untitled (abstract composition), c. 1915
Woodcut on wove paper
57/8 x 9 in. (14.9 x 22.8 cm)
From Der Sturm 6, no. 9/10 (1915): 55
provenance: Ex Libris, New York;
purchased in 1982
83.1.1392.24
1080
Untitled (windmill), c. 1915
Woodcut on wove paper
513/i6 x 77/8 in. (14.8 x 20.0 cm)
From Der Sturm 6, no. 13/14 (1915): 73
provenance: Ex Libris, New York;
purchased in 1982
§3- 1- 1392-25
1081
Untitled (houses and trees), c. 1915
Woodcut on wove paper
8u/i6 x i29/i6 in. (22. 1x31.9 cm)
From Der Sturm 6, no. 19/20(1915): 113
provenance: Ex Libris, New York;
purchased in 1982
83.1.1392.30
1082
Untitled (shadows), c. 1915
Woodcut on wove paper
8% x i25/8 in. (22.2 x 32.0 cm)
From Der Sturm 6, no. 19/20(1915): 115
provenance: Ex Libris, New York;
purchased in ig82
83.1.1392.31
1083
Untitled (sails), c. 1916
Woodcut on wove paper
7T/8 x io15/i6 in. (20.0 x 27.8 cm)
From Der Sturm 6, no. 21/22 (1916): 125
PROVENANCE: Ex Libris, New York;
purchased in 1982
83- 1- 139233
1084
Untitled (boats), c. 1916
Woodcut on wove paper
713/i6 x ioI5/i6 in. (19.8 x 27.8 cm)
From Der Sturm 6, no. 21/22 (1916): 127
provenance: Ex Libris, New York;
purchased in 1982
83.1.1392.34
1085
Untitled (mountains), c. 1916
Woodcut on wove paper
713/i6 x lo^ie in. (19.9 x 27.7 cm)
From Der Sturm 7, no. 1 (1916): 5
PROVENANCE: Ex Libris, New York;
purchased in 1982
83- 1- 1393- 1
1078
1080
1081
1082
1083
1084
1085
Heemskerck
311
1086
1088
1089
1091
1090
1093
1092
1086
Untitled (sailboats), c. 1916
Woodcut on wove paper
6lA x g13/i6 in. (15.8 x 24.9 cm)
From Der Sturm 7, no. 4 (1916): 37
provenance: Ex Libris, New York;
purchased in 1982
83- 1- 1393-7
1087
Untitled (still life), c. 1916 Woodcut on wove paper 715/i6 x 11 in. (20.2 x 28.0 cm) From Der Sturm 7, no. 4 (1916): 41 provenance: Ex Libris, New York; purchased in 1982 83.1.1393.8
1088
Untitled (bridge), c. 1916
Woodcut on wove paper
8 x 11 in. (20.3 x 28.0 cm)
From Der Sturm 7, no. 4 (1916): 45
PROVENANCE: Ex Libris, New York;
purchased in 1982
83-1- 1393-9
1089
Untitled (buildings), c. 1916
Woodcut on wove paper
73/i x 11 in. (19.7 x 27.9 cm)
From Der Sturm 7, no. 10 (1917): 115
provenance: Ex Libris, New York;
purchased in 1982
83-i!393-i7
1090
Untitled (fish), c. 1917
Woodcut on wove paper
12% x 85/8 in. (32.0 x 21.9 cm)
From Der Sturm 7, no. 12 (1917): 139
provenance: Ex Libris, New York;
purchased in 1982
83-1- 1393- 19
1091
Untitled (churchyard), c. 1917
Woodcut on wove paper
85/a x i29/i6 in. (21.9 x 31.9 cm)
From Der Sturm 8, no. 1 (1917): 9
PROVENANCE: Ex Libris, New York;
purchased in 1982
83- 1-1393-23
1092
Untitled (landscape), c. 1917
Woodcut on wove paper
yVs x io15/i6 in. (20.0 x 27.8 cm)
From Der Sturm 8, no. 3 (1917): 37
provenance: Ex Libris, New York;
purchased in 1982
83- 1- 1393- 26
1093
Untitled (landscape), c. 1917
Woodcut on wove paper
9% x i43/i6 in. (23.8 x 36. 1 cm)
From Der Sturm 8, no. 3 (1917): 39
provenance: Ex Libris, New York;
purchased in 1982
83.1.1393.27
312
Heemskerck
1094
Untitled (trees), c. 1918
Woodcut printed in black and red on
slick wove paper
513/ie x 713/i6 in. (14.8 x 19.9 cm)
From Herwarth Walden, ed.,
Expressionismus: Die Kunstwende
(Berlin: Verlag der Sturm, 1918), p. 40
PROVENANCE: Kornfeld & Klipstein,
Bern, 14 June 1972, part of lot 37
exhibition: Guenther under 340
83.1.600 c
1095
Untitled (trees), c. 1918
Woodcut on wove paper
5I3/i6 x g13/i6 in. (14.7 x 25.0 cm)
From Der Sturm 9, no. 2 (1918): 17
provenance: Ex Libris, New York;
purchased in 1982
8311393-41
1096
Untitled (abstract composition), c. 1921 Woodcut on wove paper 89/ie x 6V4 in. (21.7 x 15.9 cm) From Der Sturm 12, no. 10 (1921): 173; the image also appears on the cover provenance: Ex Libris, New York, purchased in 1982 83- 1- 1395-4
1097
Untitled (abstract composition), c. 1921
Woodcut on wove paper
89/i6 x 6'/4 in. (21.7 x 15.9 cm)
From Der Sturm 12, no. 10 (1921): 181
PROVENANCE: Ex Libris, New York;
purchased in 1982
83- 1-1395-5
Hans Adolf Heimann 1098
Schlaraffenland, 1919 born 1882 Berlin (Land of milk and honey)
Drypoint on J. W. Zanders 1916 paper 9% x 7V2 in. (24.7 x 19.0 cm) From Eos 2, no. 3 (1919): 45; from edition A (total edition of 250) inscription: numbered xvii/xl and signed by editor Paul Baumann on justification page
provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 exhibition: Reed under 270 83.1.1607 e
1099
Umbra, 1919
(Shadow)
Drypoint on J. W. Zanders 1916 paper
io'/s x -ffy. in. (25.7 x 19. 1 cm)
From Eos 2, no. 3 (1919): 91; from
edition A (total edition of 250)
INSCRIPTION: numbered xvii/xl and
signed by editor Paul Baumann on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
exhibition: Reed under 270
83.1.1607 o
1096
1095
1097
1098
1099
1102-1
u/tif UedctUftZTrta
1101
2>t.'e yevrf<>\
1102-2
Heine
1100
Vorsintflut, 1919
(Antediluvian era)
Drypoint on J. W. Zanders 1916 paper
9% x 7V2 in. (24.8 x 19. 1 cm)
From Eos 2, no. 3 (1919): 87; from
edition A (total edition of 250)
INSCRIPTION: numbered xvii/xl and
signed by editor Paul Baumann on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
exhibition: Reed under lot 270
83.1.1607 n
313
1102-3
1101
Lady Macbeth, c. 1917
Etching and aquatint on japan paper
i4'/i x 7% in. (36.2 x 18.8 cm)
From portfolio Shakespeare Visionen
(Munich: Marees-Gesellschaft, 1918);
from edition A (total edition of 200)
inscription: signed, l.r. , numbered
(xiv/l) on justification page; publisher's
blind stamp, l.r.
provenance: Hans Bolliger, Zurich;
purchased in 1972
exhibition: Reed 336/27
M. 82.288.384.27
1102
Das grosse Bestiarium der modernen Literatur
(The great bestiary of modern literature)
Six lithographs with watercolor on wove
paper
Illustrations to text by Franz Blei
(Berlin: Ernst Rowohlt Verlag, 1922);
see also cat. nos. 943 and 970
inscription: signed by artist, Franz
Blei, Rudolf Grossmann, and Olaf
Gulbransson and numbered (376/400)
on justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
exhibition: Reed 330
83.1.51 a, g, h, m, o, r
1. Der Bahr, 1922 (Caricature of Hermann Bahr) With blue and brown watercolor 6'/2 x 3% in. (16.5 x 9.5 cm) Facing page 8
83.1.51a
2. Die George, 1922 (Caricature of Stefan George) With pink, blue, green, and orange watercolor
6V2 x 3% in. (16.5 x 9.5 cm) Facing page 64
83-1-51 g
3. Das Gehauptmann, 1922 (Caricature of Gerhart Hauptmann) With green and red watercolor 6V2 x 3% in. (16.5 x 9.5 cm) Facing page 80
83.1.51 h
Thomas Theodor Heine
born 1867 Leipzig
died 1948 Stockholm, Sweden
314
Heine
|
1102 (continued) |
||
|
4. Der Thomasmann und der |
||
|
Heinrichmann, 1922 |
||
|
(Caricatures of Thomas Mann and |
||
|
Heinrich Mann) |
||
|
With green, orange, and blue |
||
|
watercolor |
||
|
6'/a x 3% in. (16.5 x 9.5 cm) |
||
|
Facing page 160 |
||
|
83.1.51 m |
||
|
5. Der Rathenau, 1922 |
||
|
(Caricature of Walther Rathenau) |
||
|
With blue, beige, and red |
||
|
watercolor |
||
|
6V2 x 3% in. (16.5 x 9.5 cm) |
||
|
Facing page 192 |
||
|
83.1.510 |
||
|
6. Wedekind, 1922 |
||
|
(Caricature of Frank Wedekind) |
||
|
With blue, green, and pink |
||
|
watercolor |
||
|
6V2 x 3% in. (16.5 x 9.5 cm) |
||
|
Facing page 240 |
||
|
83.1.51 r |
||
|
Karl Luis Heinrich- |
1103 |
|
|
Salze (pseudonym of |
Untitled (male nude), c. 1917 |
|
|
Katharina Heise) |
Woodcut on wove paper 2V4 x 37/i6 in. (5.8 x 8.8 cm) |
|
|
born 1891 |
From Die Aktion 8, no. 1/2 (1918): 18 |
|
|
Gross-Salze |
provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 |
|
|
died 1964 Halle |
83.1.1528 e 1104 Akte im Walde, c. 1918 (Nudes in the forest) Woodcut on wove paper 43/i6 x 3% in. (10.7x8.5 cm) From Die Aktion 8, no. 23/24 (1918): 304 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 83- 1- 1534° 1105 Betveinung, c. 1918 |
|
|
(Lamentation) ' |
A |
|
|
Woodcut on wove paper |
Mft |
|
|
5'/i6 x 6V4 in. (12.9 x 15.9 cm) |
t ffl |
|
|
From Die Aktion 8, no. 11/12 (1918): |
f M |
|
|
cover; not identified as an original | |
JSk ,!' |
1102-4
woodcut
PROVENANCE: gift of Titus Felixmiiller,
1984
L.84.5.75 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1106
Briicke, c. 1918
(Bridge)
Woodcut on wove paper
4Y4 x 3J/2 in. (12.0 x 8.9 cm)
From Die Aktion 8, no. 23/24 (1918): 289
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1534 b
1102-5
1103
1104
filial
1106
Heinrich-Salze
315
1107
1111
1108
1109
1110
1113
1107
lm Cafe, c. igi8
(In the cafe)
Woodcut on wove paper
3% x 2% in. (8.5 x 6.9 cm)
From Die Aktion 8, no. 23/24 (1918): 300
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83-1-1534 g
1108
Maria Verkundigung, c. 1918
(The Annunciation)
Woodcut on wove paper
i9/i6 x 39/i6 in. (3.9 x 9.0 cm)
From Die Aktion 8, no. 23/24 (1918): 288
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1534 a
1109
Segelboote, c. 1918
(Sailboats)
Woodcut on wove paper
57/i6 x 9V16 in. (13.8 x 23.0 cm)
From Die Aktion 8, no. 23/24 (1918):
back cover
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83-1-1534 >
1110
Sommertag im Walde, c. 1918 (Summer day in the woods) Woodcut on wove paper 213/i6 x 5'/i6 in. (7.2 x 12.9 cm) From Die Aktion 8, no. 23/24 (1918):
297-98
provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 83-1- 1534 f
1111
Strasse, c. 1918
(Street)
Woodcut on wove paper
3% x 23/i6 in. (9.2 x 5.5 cm)
From Die Aktion 8, no. 23/24 (1918): 292
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83- 1- 1534C
1112
Tanz, c. 1918
(Dance)
Woodcut on wove paper
39/ie x 25/i6 in. (9. 1 x 5.9 cm)
From Die Aktion 8, no. 23/24 (1918): 293
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83-1-1534 d
1113
Tans, c. 1918
(Dance)
Woodcut on wove paper
5V16 x 3% in. (12.8 x 9.2 cm)
From Die Aktion 8, no. 23/24 (1918): 296
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83- 1- 1534 e
316
Heinrich-Salze
1114
Untitled (wounded figure), c. 1918
Woodcut on wove paper
3V2 x 29/i6 in. (8.9 x 6.5 cm)
From Die Aktion 8, no. 5/6 (1918): 66
PROVENANCE: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1530 b
1115
Untitled (figure on mountain), c. 1918
Woodcut on wove paper
5'/i6 x 3V2 in. (12.8 x 8.9 cm)
From Die Aktion 8, no. 9/10 (1918):
back cover
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1531 d
1116
Untitled (Crucifixion), c. 1918
Woodcut on wove paper
65/i6 x 3 in. (16.0 x 7.6 cm)
From Die Aktion 8, no. 11/12 (1918): 133
provenance: gift of Titus Felixmuller,
1984
L. 84. 5.75 c; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1117
Untitled (self-portrait), c 1918
Woodcut on wove paper
43/i6 x 23/i6 in. (10.6 x 5.5 em)
From Die Aktion 8, no. 11/12 (1918):
back cover
provenance: gift of Titus Felixmuller,
1984
L. 84. 5.75 i; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
Walthcr Helbig 1118
Untitled (seated nude), c. 1912 born 1878 Woodcut on thin wove paper, laid down
Falkenstein 43/s x 43/i6 in. (11.1 x 10.7 cm)
From Moderner Bund: Zweite died 1968 Ascona, Ausstellung, exh. cat. (Zurich:
Switzerland Kunsthaus, 1912)
INSCRIPTION: numbered (101/200)
facing title page
PROVENANCE: Kornfeld & Klipstein,
Bern, 10 June 1977, part of lot 596
83.1.623 a
1119
Untitled (two nudes and horse), c. 1912
Woodcut on laid paper
715/i6 x io15/i6 in. (20. 1 x 27.8 cm)
From Moderner Bund: Zweite
Ausstellung, exh. cat. (Zurich:
Kunsthaus, 1912)
INSCRIPTION: numbered (101/200)
facing title page
provenance: Kornfeld & Klipstein,
Bern, 10 June 1977, part of lot 596
83.1.623 c
1114
1117
1119
1118
1120
1122
1123
HE10UX
1124
Heroux
1120
Landschaft, c. 1913
(Landscape)
Woodcut on wove paper
jVsx 9 in. (18.1 x 22.8 cm)
From Der Sturm 4, no. 154/155
(1913)- 1
provenance: Ex Libris, New York;
purchased in 1982
83.1.1391.54
1121
Vogelpredigt, c. 1920
(Saint Francis preaching to the birds)
Woodcut on wove paper
713/j6 x 515/i6 in. (19.9 x 15.0 cm)
From Das Kunstblatt 4, no. 9 (1920):
facing 257
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
exhirition: Reed 283/40
83- i-i 155 a
317
1122
Untitled (nude woman), c. 1921
Woodcut on wove paper
7% x 413/i6 in. (19.7 x 12.3 cm)
From Das Kunstfenster 1, no. 16
(1921): 7
provenance: Ars Libri, Boston;
purchased in 1978
83.1.1077 a
Fritz Henning
1123
Italienischer Hof, c. 1912 (Italian courtyard) Lithograph on wove paper i33/i6 x 13% in. (33.5 x 35.0 cm) From portfolio Sema (Munich: Delphin-Verlag, 1912) INSCRIPTION: signed, l.r.; numbered (101/215) on justification page provenance: Karl & Faber, Munich, 26-28 May 1977, part of lot 1475 M. 82.288.383 e
Frank S. Hermann
1124
Scludschwester, c. 1906
(Teaching nun)
Etching on japan paper
39/ie x 2'/e in. (9. 1 x 5.4 cm)
From Zeitschrift fur bildende Kunst,
n.s., 17, no. 6 (1906): following 160
provenance: Galerie Gerda Bassenge,
Berlin, 15 May 1976, part of lot 4364
83.1.964 g
1125
Von einer russischen Reise, 1911
(From a Russian trip)
Lithograph printed in brown on wove
paper
6'/8 x gn/i6 in. (15.6 x 24.6 cm)
From Zeitschrift fur bildende Kunst,
n.s., 23, no. 6 (1912): following 156
provenance: Galerie Gerda Bassenge,
Berlin, 15 May 1976, part of lot 4364
83.1.966 h
Bruno Heroux
born 1868 Leipzig died 1944 Leipzig
318
Heroux
|
1126 |
|
Von einer russischen Reise, 1911 |
|
(From a Russian trip) |
|
Lithograph printed in brown on wove |
|
paper |
|
5n/i6 x 9% in. (14.5 x 23.8 cm) |
|
From Zeitschrift fur bildcnde Kunst, |
|
n.s., 23, no. 6 (1912): following 156 |
|
PROVENANCE: Galerie Gerda Bassenge, |
|
Berlin, 15 May 1976, part of lot 4364 |
|
83.1.966; |
Oswald Herzog
born 1881 Haynau
Emmy Hess
born 1878 Chicago, Illinois
Otto Hettner
born 1875 Dresden died 1931 Dresden
1127
Liebe, c. 1917
(Love)
Woodcut on wove paper
85/i6 x 73/i6 in. (21. 1 x 18.3 cm)
From Der Sturm 8, no. 1 (1917): 11
PROVENANCE: Ex Libris, New York;
purchased in 1982
83- 1- 139324
1128
Revolution, c. 1919
Woodcut on wove paper
515/ie x 815/i6 in. (15. 1 x 22.7 cm)
From Der Sturm 9, no. 12 (1919): 149
PROVENANCE: Ex Libris, New York;
purchased in 1982
83-1-1393 59
1129
Bilder zu dem Marehen von Siegfried
Schott, c. 1921
(Illustrations to story by Siegfried
Schott)
Woodcut on wove paper
913/i6 x 813/i6 in. (25.0 x 22.4 cm)
From Kundung 1, no. 11/12 (1921)
provenance: Galerie Wolfgang
Ketterer, Munich, 26 November 1974,
part of lot 1154
EXHIBITION: Reed under 282
83.1.1061 e
1130
Dem Andenken Ludivig Franks, 1914 (In memory of Ludwig Frank) 15V16 x g15/i6 in. (38.2 x 25.2 cm) From Kriegszeit, no. 4 (1914): 3 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
exhibition: Reed 281/109 83.1.1403 c
1131
Dank an den Generaloberst von
Hindenburg, 1914
(Thanks to Senior General von
Hindenburg)
Lithograph on wove paper
11 x g5/8 in. (28.0 x 24.4 cm)
From Kriegszeit, no. 3 (1914): 1
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/108
83.1.1402 a
1126
1127
1131
i 1 A™ "i <
m .m^$mm
$m twiti
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fc. ^ * ,^~. »-. *. S « -a v me. A V. » /i « 3H * i J |
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|
§LOeNLi€D^^. DCR ^SPCVRTCkNef^ |
|
|
Sttitttarr BSJantt - |
~ Bller ■!(*»( »rr BKro hoc janaiim, ettrirton SHJmifT - S«s i&t! |
|
Etn I" Bum- |
HJami Bit: Ditto* BBi, «r Mrf! |
|
Bltnrtitt SRiniKt — |
8Wn »«• SSinort one 3aB(liB5( flllt; Hlatn i*r! enratatt SSiiun — |
|
Eftit ttr (KaBDtr: |
SSoc Mt Mil: {»„ o,f gaBjiioji. Oa« Ira^Bt, ««t tarf! ®n«ti nit! |
|
Smiihaii fSMnnrr — |
VKl: ettrt Bti «(Kb bdD ■■■. .1 .-..■■ , SotilMH 9SJBBft - BWrWi lt(' |
|
etsr b» 3 "■>*'«"*< |
€6or err <nias<r: ejst 6<r 3009!. B$r; 4 £uit Bit; 3}«t HBftn jU ifr' |
|
VfT-sss.- wafer -HI* |
/^e^mi»rvU>i arv tfove><XT\ d&V-
Dau fci^vneig er tender *fctgen, Oil mitJchm£*-^ur\t £l, ;..i»vJ>C
77Z«/itj 9cyenj ^IJcif Dt/^inei;
'('dcndJotfc*.
Surety firnle£i\ Qjttj/t/
i£ c v> &w£, uo run do» Mi y'or, Curt ridttm,etm nJcrxy
1133
j^i-^....' DE'-irKLeipmQjiG.g'n
1137
Hettner
1132
Die erste Fahne, 1914
(The first flag)
Lithograph on wove paper
8% x 95/i6 in. (22.5 x 23.7 cm)
From Kriegszeit, no. 1 (1914): 3
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/106
83. 1. 1400 c
1133
Germania an ihre Kinder, 1914 (Germany to her children) Lithograph on wove paper 9% x g13/i6 in. (24.7 x 25.0 cm) From Kriegszeit, no. 2 (1914): 4 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072 EXHIBITION: Reed 281/107
83.1.1401 d
1134
Heldenlied der Spartaner, c. 1914 (Heroic song of the Spartans) Lithograph on japan paper 8u/i6 x 6% in. (22.0 x 16.2 cm) Illustration to poem by Gotthold Ephraim Lessing in Kunst und Kiinstler 13, no. 1 (1914): before 1 PROVENANCE: Ars Libri, Boston; purchased in 1982 83.1.1244 a
1135
Das Hollenpferd, 1914
(The horse of hell)
Lithograph on wove paper
nVi x io13/i6 in. (29.2 x 27.5 cm)
From Kriegszeit, no. 18/19 (1914): 7
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/115
83- 1-1417S
1136
Im Lazarett, 1914
(In the military hospital)
Lithograph on wove paper
n'/s x io'/4 in. (28.3 x 26.0 cm)
From Kriegszeit, no. 21 (1915): 1
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: not listed in Reed under
281
83.1.1419 a
1137
Den Kleinmiitigen! 1914
(To the fainthearted ones!)
Lithograph on wove paper
i45/i6 x 97/8 in, (36.3 x 25. 1 cm)
From Kriegszeit, no. 15 (1914): 3
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/113
83.1.1414 c
319
320
Hettner
1138
Das Kriegsjahr, 1914
(The war year)
Lithograph on wove paper
n3/8 x 10V2 in. (29.5 x 26.7 cm)
From Kriegszeit, no. 20 (1914): 4
PROVENANCE: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/116
83.1. 1418 d
1139
Der Landsturm, 1914
(Local reserve troops)
Lithograph on wove paper
i49/i6 x 10V16 in. (37.0 x 25.5 cm)
From Kriegszeit, no. 17 (1914): 2
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/1 14
83.1.1416 b
1140
Nikolais Ausritt zum Sieg, 1914 (Nikolai's ride to victory) Lithograph on wove paper 13 x 10% in. (330 x 26.4 cm) From Kriegszeit, no. 10 (1914): 1 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
EXHIBITION: Reed 281/111 83.1.1409 a
1141
Tsingtau, 1914
Lithograph on wove paper
li'Vie x io13/i6 in. (29.7 x 27.5 cm)
From Kriegszeit, no. 13 (1914): 1
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/112
83.1.1412 a
1142
Zerschossene Batterie, 1914
(Destroyed battery)
Lithograph on wove paper
15% x io15/i6 in. (39. 1 x 27.8 cm)
From Kriegszeit, no. 9 (1914): 3
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/110
83. 1. 1408 c
1143
Untitled (marginalia), 1914
Lithograph on wove paper
15V4 x 11 in. (39.4 x 27.9 cm)
From Kriegszeit, no. 18/19 (1914): z
provenance: Hauswedell & Nolte,
Hamburg, 5-7 July 1975, part of lot
1072
EXHIBITION: not listed in Reed under
281
83.1.1417 b
1138
Mifeub».J'a«jr.T>£"« •/?•
cflTUhe THW-
1141
- Omtrxtt™*- ^tv/tbe/irH* S^?^,
1142
Hettner
321
1145
Gsntznr-teL Cv^&cZs-
1147
1146
C>ltv fttTT^t^
1148
1144
Dem Andenken der Cefallenen, c. 1915
(In memory of the fallen)
Lithograph on japan paper
8% x 65/s in. (22.2 x 16.8 cm)
From Kunst und Kiinstler 13, no. 4
(1915): 146
PROVENANCE: Ars Libri, Boston;
purchased in 1982
83.1. 1244 i
1145
Der Besiegte, c. 1915
(The conquered)
Lithograph on wove paper
i39/ie x 8'/i6 in. (34.5 x 20.5 cm)
From Kriegszeit, no. 59 (1915): 1
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/122
83.1.1456 a
1146
Einst geschieht's, c. 1915
(It will happen one day)
Lithograph on wove paper
i23/i6 x 915/i6 in. (31.0 x 25.3 cm)
From Kriegszeit, no. 22 (1915): 4
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/89 (as Emanuel
Geibel)
83.1.1420 d
1147
Gedenkblatt, c. 1915
(Memorial page)
Lithograph on wove paper
i4J/i6 x io9/i6 in. (35.7 x 26.8 cm)
From Kriegszeit, no. 31 (1915): 3
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/119
83. 1. 1429 c
1148
Der Kaiser in Lyck, c. 1915
(The kaiser in Lyck)
Lithograph on wove paper
i33/8 x 10V16 in. (34.0 x 25.5 cm)
From Kriegszeit, no. 28 (1915): 4
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/118
83.1.1426 d
1149
Kriegsrat im Zelte des Zaren, c. 1915
(War council in the tent of the czar)
Lithograph on wove paper
13V2 x 9% in. (34.3 x 24.5 cm)
From Kriegszeit, no. 47 (1915): 1
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/121
83- 1- 1445 a
322
Hettner
1150
Die Letzten der "Emden" c. 1915 (Survivors of the Emden) Lithograph on wove paper i2'/i6 x io13/i6 in. (30.7 x 27.5 cm) From Kriegszeit, no. 26 (1915): 1 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
EXHIBITION: Reed 281/117 83.1.1424 a
1151
Untitled (horse and rider), c. 1915 Lithograph on wove paper 5n/i6X n5/s in. (14.5 x 29.5 cm) From Kriegszeit, no. 45 (1915): 2 PROVENANCE: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
EXHIBITION: Reed 281/120 83.1.1443 b
1152
Untitled (figures around a table),
c 1915
Lithograph on wove paper
413/i6 x g13/i6 in. (12.2 x 25.0 cm)
From Kriegszeit, no. 60 (1916): 3
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/123
83.1. 1457 d
1153
Die Komodie, c. 1917
(The comedy)
Lithograph on japan paper
8Vi x i23/ie in. (21.0 x 31.0 cm)
From portfolio Shakespeare Visionen
(Munich: Marees-Gesellschaft, 1918);
from edition A (total edition of 200)
inscription: signed, 1.1.; numbered
(xiv/l) on justification page; publisher's
blind stamp, l.r.
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1972
EXHIBITION: Reed 336/18
M. 82.288. 384. 18
Charles Heyman 1154
Rue Lafitte, Paris, c. 1911 born 1881 Paris, Etching on thin japan paper
France 9 x 53/>6 in. (22.8 x 13. 1 cm)
From Zeitschriftfiir bildende Kunst, died 1915 n.s., 22, no. 11 (1911): before 249
provenance: Galerie Gerda Bassenge,
Berlin, 15 May 1976, part of lot 4364
83-1-965J
1150
1152
1153
Hirsch
323
1158
1157
1160
1159
|
1155 |
Karl Jakob Hirsch |
|
Revolution 3, 1915 |
|
|
Etching, aquatint, and drypoint on |
born 1892 |
|
heavy brownish laid paper |
Hannover |
|
7% x 57/s in. (19.6 x 14.9 cm) |
|
|
inscription: signed and dated, l.r.; |
died 1952 Munich |
|
titled, 1.1. |
|
|
provenance: Kunstgalerie Esslingen, |
|
|
Esslingen; purchased in 1975 |
|
|
EXHIBITION: Reed 416/3 |
|
|
M. 82.288.91 |
1156
Ruhe aufder Flucht, c. 1915
(Rest on the flight to Egypt)
Woodcut on wove paper
5V16 x 3'/i6 in. (12.9 x 7.8 cm)
From Die Aktion 5, no. 52 (1915): 670;
not identified as an original woodcut
provenance: Hauswedell & Nolte,
Hamburg, 30 November 1979, part of
lot 1173
83.1. 1504 d
1157
Verkundigung bei den Hirten, c. 1915 (Annunciation to the shepherds) Woodcut on wove paper 5V16 x 3'/i6 in. (129 x 7.8 cm) From Die Aktion 5, no. 52 (1915): 677; not identified as an original woodcut provenance: Hauswedell & Nolte, Hamburg, 30 November 1979, part of lot 1173 83.1.1504 c
1158
Verzweiflung, 1915
(Despair)
Etching and drypoint on heavy
brownish laid paper
7% x 57/s in. (19.7 x 14.9 cm)
inscription: signed and dated, l.r.;
titled, 1.1.
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
exhibition: Reed 416/1
M. 82. 288.89
1159
Zu Mahlers Liedern "Reveille" 1915 (To Mahler's songs "Reveille") Aquatint, etching, and drypoint on heavy brownish laid paper 77/s x 57/8 in. (20.0 x 14.9 cm) INSCRIPTION: signed and dated, l.r.; titled, 1.1.
provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 EXHIBITION: Reed 416/2 M. 82.288.90
1160
Untitled (group of nudes), c. 1915
Woodcut on wove paper
913/i6 x 5'/i6 in. (25.0 x 12.9 cm)
From Die Aktion 6, no. 9/10 (1916):
109-10
provenance: Hauswedell & Nolte,
Hamburg, 10 November 1979, part of
lot 1173
83.1.1509 a
324
Hirsch
1161
Selbstportrdt, c. 1916
(Self-portrait)
Woodcut on wove paper
4I3/i6 x 39/i6 in. (12.3 x 9.0 cm)
From Die Aktion 6, no. 24/25 (1916):
cover; not identified as an original
woodcut
PROVENANCE: Hauswedell & Nolte,
Hamburg, 10 November 1979, part of
lot 1173
83.1.1517 a
1162
Selbstportrdt, c. 1916
(Self-portrait)
Woodcut on wove paper
4V1 x 3% in. (11.5 x 9.2 cm)
From Die Aktion 6, no. 24/25 (1916): 334
provenance: Hauswedell & Nolte,
Hamburg, 10 November 1979, part of
lot 1173
83.1. 1517 f
1163
Untitled (kneeling couple), c. 1916
Woodcut on wove paper
97/i6 x 5V16 in. (23.9 x 12.9 cm)
From Die Aktion 6, no. 24/25 (1916):
317-18
provenance: Hauswedell & Nolte,
Hamburg, 10 November 1979, part of
lot 1173
83.1.1517 b
1164
Untitled (couple embracing), c. 1916
Woodcut on wove paper
97/s x 53/i6 in. (25. 1 x 13. 1 cm)
From Die Aktion 6, no. 24/25 (1916):
321-22
provenance: Hauswedell & Nolte,
Hamburg, 10 November 1979, part of
lot 1173
83.1.1517 c
1165
Untitled (two nudes), c. 1916
Woodcut on wove paper
10 x 5% in. (25.4 x 13.0 cm)
From Die Aktion 6, no. 24/25 (1916):
325-26
provenance: Hauswedell & Nolte,
Hamburg, 10 November 1979, part of
lot 1173
83.1. 1517 d
1166
Untitled (two figures), c. 1916 Woodcut on wove paper 8'/2 x 6'/j in. (21.6 x 15.8 cm) From Die Aktion 6, no. 24/25 (1916):
329-3°
PROVENANCE: Hauswedell & Nolte,
Hamburg, 10 November 1979, part of
lot 1173
83. 1. 1517 e
Hirsch
325
1167
1168
1170
1167
Kreuzigung, igi8
(Crucifixion)
Woodcut on wove paper
57/a x 4'/i6 in. (14.9 x 10.4 cm)
From Die Aktion 8, no. 11/12(1918):
135-36
provenance: gift of Titus Felixmiiller,
1984
L.84.5.75 d; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1168
Widmungsblatt fiir "Die Aktion,"
c. 1918
(Dedication page for Die Aktion)
Woodcut on wove paper
4% x 415/i6 in. (12.0 x 12.5 cm)
From Die Aktion 8, no. 31/32 (1918):
cover; not identified as an original
woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1538 a
1169
Nr. 1, c. 1919
(No. 1)
Woodcut on wove paper
6'/8 X4% in. (15.6 x 11.7 cm)
From Der schwarze Turin, no. 4 (1919):
pi. 1
inscription: numbered (192/200) on
justification page
provenance: Ex Libris, New York;
purchased in 1978
83.1.1318 a
1170
Nr. 2, c. 1919
(No. 2)
Woodcut on wove paper
5n/i6 x 55/s in. (14.5 x 14.3 cm)
From Der schwarze Turm, no. 4 (1919):
pi. 2
inscription: numbered (192/200) on
justification page
provenance: Ex Libris, New York;
purchased in 1978
83.1.1318 b
1171
Nr. 3, c. 1919
(No. 3)
Woodcut on wove paper
43/i6 x 4V16 in. (10.6 x 10.4 cm)
From Der schwarze Turm, no. 4 (1919):
pl- 3
INSCRIPTION: numbered (192/200) on
justification page
provenance: Ex Libris, New York;
purchased in 1978
83.1.1318 c
326
Hirsch
1172
Nr. 4, c. 1919
(No. 4)
Woodcut on wove paper
63/i6 x 4V16 in. (15.7 x 10.4 cm)
From Der schwarze Turm, no. 4 (1919):
pi. 4
INSCRIPTION: numbered (192/200) on
justification page
PROVENANCE: Ex Libris, New York;
purchased in 1978
EXHIBITION: Rigby III, 14
83.1. 1318 d
1173
Nr. 5, c. 1919
(No. 5)
Woodcut on wove paper
6'/s x 4V2 in. (15.6 x 11.5 cm)
From Der schwarze Turm, no. 4 (1919):
pl-5
INSCRIPTION: numbered (192/200) on
justification page
PROVENANCE: Ex Libris, New York;
purchased in 1978
83.1.1318 e
1174
Nr. 6, c. 1919
(No. 6)
Woodcut on wove paper
63/i6 x 45/8 in. (15.7 x 11.7 cm)
From Der schwarze Turm, no. 4 (1919):
pi. 6
inscription: numbered (192/200) on
justification page
PROVENANCE: Ex Libris, New York;
purchased in 1978
83.i.i3i8f
1175
Nr. 7, c. 1919
(No. 7)
Woodcut on wove paper
515/i6 x 45/i6 in. (15.0 x 11.0 cm)
From Der schwarze Turm, no. 4 (1919):
pi. 7
INSCRIPTION: numbered (192/200) on
justification page
PROVENANCE: Ex Libris, New York;
purchased in 1978
83.1. 1318 g
1176
Nr. 8, c. 1919
(No. 8)
Woodcut on wove paper
6'/s x 4V16 in. (15.6 x 10.4 cm)
From Der schwarze Turm, no. 4 (1919):
pi. 8
INSCRIPTION: numbered (192/200) on
justification page
PROVENANCE: Ex Libris, New York;
purchased in 1978
83.1.1318 h
1173
1172
1174
1175
Hirzel
327
1177
■
I
1177
Untitled (head), c. 1919 Woodcut on wove paper &Y\e x 2% in. (15.7 x 6.6 cm) From Die Aktion 9, no. 20 (1919): cover; not identified as an original woodcut provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 83.1.1552 a
1178
Wahyisinniger, 1922
(Madman)
Etching, drypoint, and aquatint on
heavy brownish laid paper
77/s x 6V2 in. (20.0 x 16.5 cm)
inscription: signed, l.r.; titled, 1.1.
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
exhirition: Reed 416/5; Rigby 49
M. 82.288.92
1179
Untitled (abstract composition), c. 1923
Lithograph printed in black and red on
wove paper
9V16 x 9V16 in. (23.0 x 23.0 cm)
From Staatliches Bauhaus in Weimar,
2919-1923 (Weimar and Munich:
Bauhausverlag, 1923), p. 61; from
German edition of 2,000 (total edition of
2,600)
provenance: Galerie Gerda Bassenge,
Berlin, 13- 18 May 1974, part of lot
3956
83.1.41 a
1180
Untitled (abstract composition), c. 1923
Lithograph printed in gray, blue, and
black on wove paper
9% x gn/i6 in. (24.5 x 24.7 cm)
From Staatliches Bauhaus in Weimar,
1919-1923 (Weimar and Munich:
Bauhausverlag, 1923), p. 63; from
German edition of 2,000 (total edition of
2,600)
provenance: Galerie Gerda Bassenge,
Berlin, 13-18 May 1974. part of lot
3956
83.1.41 b
1181
Villa Falconieri, c. 1912 Etching on heavy wove paper 11V2 x 7n/i6 in. (29.2 x 19.5 cm) From Zeitschrift fur bildende Kunst, n.s., 23, no. 10 (1912): before 229 provenance: Galerie Gerda Bassenge, Berlin, 15 May 1976, part of lot 4364 83.1.966 n
Ludwig Hirschfeld- Mack
born 1893
Frankfurt am Main
died 1965 Sydney, Australia
Hermann Hirzel
born 1874 Buenos Aires, Argentina
died 1939 Berlin
328
Hiss
Dora Hiss
Reinhold Hoberg
born 1859 Berlin
G. B. R. van Hoboken
born 1893
died 1971 Sweden
1182
Quo vadis, Italia? e. 1915 (Where are you going, Italy?) Lithograph on wove paper i69/i6 x 11% in. (42.0 x 29.5 cm) From Kriegszeit, no. 40 (1915): 3 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
EXHIBITION: Reed 281/124 83.1.1438 c
1183
In der Kiiche, c. 1914
(In the kitchen)
Etching on wove paper
7V16 x 4% in. (17.9 x 11.7 cm)
From Zeitschrift fiir bildende Kunst,
n.s., 25, no. 12(1914): following 332
PROVENANCE: Galerie Gerda Bassenge,
Berlin, 15 May 1976, part of lot 4364
83- i-967.i
1184
Untitled (landscape with ravine),
c. 1914
Wood engraving on wove paper
2% x 4V2 in. (7.0 x 11.5 cm)
From Zeitschrift fiir bildende Kunst,
n.s., 25, no. 12 (1914): following 324
provenance: Galerie Gerda Bassenge,
Berlin, 15 May 1976, part of lot 4364
83.1.967 h
1185
Untitled (landscape), c. 1914
Wood engraving on wove paper
3'/4 x 415/i6 in. (8.3 x 12.6 cm)
From Zeitschrift fiir bildende Kunst,
n.s., 25, no. 12(1914): following 324
provenance: Galerie Gerda Bassenge,
Berlin, 15 May 1976, part of lot 4364
83.1.9671
1186
Die Bedienerin, 1919 (The charwoman) Woodcut on japan paper 2V2 x 2% in. (6.3 x 7.0 cm) INSCRIPTION: estate stamp, verso provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 exhibition: Reed 418/3; Barton 76 M. 82. 288. 95
1187
Liebespaar, 1919
(Lovers)
Woodcut on japan paper
39/i6 x 29/i6 in. (9. 1 x 6. 5 cm)
inscription: estate stamp, verso
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
exhibition: Reed 418/2; Barton 75
M. 82.288.94
1182
1183
1184
1186
1188
1190
1192
1189
1191
1193
Hoerle
1188
Liebespaar, 1919
(Lovers)
Woodcut on japan paper
5'/s x 315/i6 in. (13.0 x 10.0 cm)
INSCRIPTION: estate stamp, verso
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
exhibition: Reed 418/4; Barton 77
M. 82.288.96
1189
Liegender weiblicher Akt, c. 1919 (Reclining female nude) Drypoint on japan paper 4V8 x 29/i6 in. (10.5 x 7.5 cm) inscription: estate stamp, verso provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1980 M. 82. 287. 28
1190
Tanzerin, 1919
(Dancer)
Woodcut on laid paper
315/i6 x 3V8 in. (10.0 x 8.0 cm)
inscription: signed, 1.1.; dated, l.r.
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
EXHIBITION: Reed 418/1; Barton 74
M. 82.288.93
1191
Weiblicher Akt , 1919
(Female nude)
Woodcut printed in brown on japan
paper
5% x 4% in. (13.7 x 11.7 cm)
inscription: signed and dated, 1.1.;
inscribed "Handdruck," l.r.
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1980
M. 82. 287. 27
329
1192
Der Prophet Matthaus, c. 1917
(The prophet Matthew)
Woodcut on wove paper
815/i6 x 6V2 in. (22.7 x 16.5 cm)
From deluxe edition of Das Kunstblatt
1, no. 4(1917)
inscription: numbered (32/110) on
justification page
provenance: Henry Hallenstein; W. F.
Arntz, Haag (Oberbayern); purchased
in 1975
EXHIBITION: Reed 283/11
83.1.1088 b
1193
Das Reh, c. 1917
(The deer)
Woodcut on wove paper
45/i6 x 2% in. (11.0 x 6. 1 cm)
From Die Aktion 8, no. 1/2 (1918): 14
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1528 d
Hanna Hoch
born 1889 Gotha died 1978 Berlin
Heinrich Hoerle
born 1895 Cologne died 1936 Cologne
330
Karl Hofer
born 1878 Karlsruhe
died 1955 Berlin
Hoerle
1194
Die nur ausserlich feindlichen
Schwestern gehen aufdem nationalen
Strich, e. 1923
(The sisters who walk the nation's
streets are only outwardly hostile)
Woodcut on wove paper
7 x 6"/ie in. (17.8 x 17.0 em)
From Die Aktion 13, no. 17 (1923):
cover; not identified as an original
woodcut
provenance: gift of Titus Felixmuller,
1984
L.84. 5. 131 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1195
Der Sklavenhalter Kapitalismus,
c. 1924
(Slave-owning capitalism)
Woodcut on wove paper
7% x 6% in. (19.3 x 17.2 cm)
From Die Aktion 14, no. 6 (1924): cover;
not identified as an original woodcut
provenance: gift of Titus Felixmuller,
1984
For a similar composition, see George
Grosz, Der Regisseur (cat. no. 961)
L.84. 5. J37 a- 'ent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1196
"Genickfalten" c. 1925
( "Pleats on the neck")
Woodcut on wove paper
53/ie x 4 in. (13.2 x 10.2 cm)
From Die Aktion 15, no. 4 (1925): cover;
not identified as an original woodcut
PROVENANCE: gift of Titus Felixmuller,
1984
L.84. 5. M8 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1197
Arbeitslose, c. 1926
(The unemployed)
Woodcut on wove paper
65/i6 x 5% in. (16.0 x 14.6 cm)
From Die Aktion 16, no. 8 (1926): cover;
not identified as an original woodcut
PROVENANCE: gift of Titus Felixmuller,
1984
L.84. 5. 16i a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1198
Nachtliche Uberfahrt, 1899
(Night crossing)
Drypoint on laid paper
5V4 x 7 in. (13.4 x 17.8 cm)
From Zeitschrift fur bildende Kunst,
n.s., 17, no. 4 (1906): before 73
provenance: Galerie Gerda Bassenge,
Berlin, 15 May 1976, part of lot 4364
REFERENCE: Rathenau 3 II
83.1.964 c
ft
1194
1196
1195
1197
Hofer
331
1198
1199
1200
1199
Masken, 1917-18
(Masks)
Lithograph on japan paper
iyVa x I2n/i6 in. (43.5 x 32.2 cm)
From portfolio Shakespeare Visionen
(Munich: Marees-Gesellschaft, 1918);
from edition A (total edition of 200)
INSCRIPTION: numbered (xiv/l) on
justification page; publisher's blind
stamp, l.r.
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1972
REFERENCE: Rathenau L 6
EXHIBITION: Reed 336/1
M. 82. 288.384.1
1200
Das Nest, 1921
(The nest)
Lithograph on laid paper ioI3/i6 x 93/i6 in. (27.5 x 23.3 cm) From Genius 3, no. 1 (1921): 156 provenance: M. J. Rover Bookshop, Los Angeles; purchased about 1970-72 REFERENCE: Rathenau 34 exhibition: Reed 275/14 83.1.816 c
1201
Tanzerin, 1921 (Dancer)
Lithograph on laid paper 8Vt x sVs in. (21.0 x 13.7 cm) From portfolio Ganymed-Mappe 1 (Munich: Marees-Gesellschaft, 1921); edition of 200. The center also has an impression from Julius Meier-Graefe, ed., Ganymed, vol. 3 (Munich: R. Piper & Co., 1921), following p. 72 INSCRIPTION: signed, l.r. provenance: Hans Bolliger, Zurich; purchased in 1972 reference: Rathenau 169 EXHIBITION: Reed 317/11 M. 82.288.377 e
1202
Heulende Wolfe, 1922 (Howling wolves) Lithograph on wove paper 6% x 6'/j in. (16.9 x 15.9 cm) From portfolio of illustrations to Adolf von Hatzfeld, Liebesgedichte (Frankfurt: Galerie Alfred Flechtheim, 1922), pi. 3; edition of 125 INSCRIPTION: signed, l.r. provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1977 REFERENCE: Rathenau 146 M. 82. 288.98
^"^
1201
332
Hofer
Eugen Hoffmann
born 1892 Dresden died 1955 Dresden
1203
Novize, 1922
(Novice)
Lithograph on Holland paper
87/i6 x 59/i6 in. (21.5 x 14.2 cm)
From portfolio Ganymed-Mappe 11
(Munich: Marees-Gesellsehaft, 1922)
INSCRIPTION: signed, l.r.; numbered
(cxl/ccc) on cover
provenance: Hans Bolliger, Zurich;
purchased in 1972
REFERENCE: Rathenau 30
EXHIBITION: Reed 317/30
M. 82.288.3781
1204
Schlafende, 1922 (Sleeping woman) Lithograph on laid paper io7/i6 x 913/i6 in. (26.5 x 25.0 cm) From second annual portfolio of Kreis graphischer Kiinstler und Sammler (Leipzig: Verlag Arndt Beyer, 1922); from edition of 125 signed examples (total edition of 250) INSCRIPTION: signed, l.r. provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1977 reference: Rathenau 41 M. 82.288.97
1205
Zwei schlafende Madchen, e. 1922-25 (Two sleeping girls) Pencil on wove paper 15V2 x 2i7/s in. (39.4 x 55.5 cm) inscription: initialed, l.r. PROVENANCE: Hans Konig, Cologne; Sotheby's, London, 4 April 1974, lot 334 EXHIBITION: Reed 195 M. 82. 288.335
1206
Kopf, 1919
(Head)
Woodcut on laid paper
i715/is x I515/i6 in. (45.5 x 40.5 cm)
From portfolio Kopfe, pi. 3
INSCRIPTION: signed, l.r.; inscribed "1/5
Original Handdruck," 1.1., "3. Blatt," u.l.
provenance: Galleria del Levante,
Munich; purchased in 1978
exhibition: Barton 84 a; Chipp 57;
Rigby 50
M. 82.288.99
1207
Kopf, 1919
(Head)
Woodcut on laid paper
i75/s x 15% in. (44.7 x 40.0 cm)
From portfolio Kopfe, pi. 4
inscription: signed, l.r.; inscribed "1/5
Original Handdruck," 1.1., "4. Blatt," u.l.
provenance: Galleria del Levante,
Munich; purchased in 1978
exhibition: Barton 84 b; Rigby 51
M. 82.288. 100
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1204
t^.V^^o~.
1206
Hofman
333
1208
1209
1208
Der Krieg, c. 1919
(The war)
Woodcut on wove paper
97/i6 x 7V16 in. (24.0 x 17.9 cm)
From Die Ahtion 9, no. 18 (1919):
281-82
PROVENANCE: gift of Titus Felixmiiller,
1984
L.84.5.83 d; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1209
Untitled (portrait), c. 1919
Woodcut on wove paper
6V2 x 4% in. (16.5 x 11.7 cm)
From Die Aktion 9, no. 37/38 (1919):
cover
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83-i-i558a
1210
1212
1213
1211
1210
Detail ' einer Facade— 1914, 1914 (Detail of a facade— 1914) Linoleum cut on wove paper 9 x 77/ie in. (22.8 x 18.9 cm) From Der Sturm 5, no. 4 (1914): 25 PROVENANCE: Ex Libris, New York; purchased in 1982 83.1.1391.85
1211
Eckhaus—1914, 1914 (Corner house— 1914) Linoleum cut on wove paper I315/i6 x io3/i6 in. (35.4 x 25.9 cm) From Der Sturm 5, no. 6 (1914): 45 PROVENANCE: Ex Libris, New York; purchased in 1982 83.1.1391.87
1212
Gartenpavillon: Das Obergesims,
c. 1914
(Garden pavilion: The upper cornice)
Linoleum cut on wove paper
I215/i6 x I515/i6 in. (32.8 x 40.4 cm)
From Der Sturm 5, no. 17/18 (1914):
118-19
provenance: Ex Libris, New York;
purchased in 1982
83.1.1392.7
1213
Monumentalgebaude—1914, 1914 (Monumental building— 1914) Linoleum cut on wove paper i3'/4 x ig7/i6 in. (33.6 x 49.3 cm) From Der Sturm 5, no. 13/14 (1914):
94-95
provenance: Ex Libris, New York;
purchased in 1982
83.1.1392.3
Vlastislav Hofman
born 1884 Jicin, Bohemia
died 1964 Prague. Czechoslovakia
334
Hofman
1214
Projekt eines Friedhofs bet Prag, 1912,
e. 1914
(Project for a churchyard near Prague,
1912)
Linoleum cut on wove paper
io3/ie x I3n/i6 in. (25.8 x 34.7 cm)
From Der Sturm 5, no. 3 (1914): 21
provenance: Ex Libris, New York;
purchased in 1982
83.1.1391.84
1215
Colombine, c. 1918
Woodcut on wove paper
5>/2 x 53/ie in. (13.9 x 13. 1 cm)
From Die schone Raritat 2, no. 8 (1918):
125
PROVENANCE: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
exhirition: Reed under 301
83. 1.1652 f
1216
Maria, c. 1918
Woodcut on wove paper
5% x 43/i6 in. (14.3 x 10.6 cm)
From Die schone Raritat 2, no. 8 (1918):
117
PROVENANCE: Kunstgalerie Esslingen, Esslingen; purchased in 1975 EXHIBITION: Reed under 301 83.1.1652 b
1217
Placici zena, c. 1918
(Crying woman)
Linoleum cut on wove paper
79/i6 x 59/i6 in. (19.2 x 14.2 cm)
From Czech periodical Cerven 1, no. 1
(1918): 9
provenance: gift of Dr. Paul Raabe,
1985
L. 85. 2. 50 b; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1218
Portret Stanislava K. Neutnanna,
e. 1918
(Portrait of Stanislava K. Neumanna)
Linoleum cut on wove paper
67/8 x 513/i6 in. (17.4 x 14.8 cm)
From Czech periodical Cerven 1, no.
11/12(1918): 165
PROVENANCE: gift of Dr. Paul Raabe,
1985
L. 85. 2. go b; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1219
Raskolnikow, c. 1920
(Raskolnikov)
Linoleum cut on wove paper 6V4 x 4J/i6 in. (15.8 x 10.3 cm) From Das Kunstblatt 4, no. 2 (1920) PROVENANCE: Kunstgalerie Esslingen, Esslingen; purchased in 1975 EXHIBITION: Reed 283/41 83.1.1148 a
1214
1217
1218
1219
Hofmann
335
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1220
1222
1223
1224-1
1224-2
1224-4
1220
Adam und Eva, c. 1897
(Adam and Eve)
Lithograph printed in black, yellow,
blue, and vermilion on bluish wove
paper
915/i6 x 7% in. (25.2 x 19.4 cm)
From Tan 3, no. 1 (1897): following 16
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
REFERENCE: Dennerlein 1409
83- 1- 1354 b
1221
Sonnige Tage, c. 1898 (Sunny days)
Lithograph printed in brown, yellow, blue, and vermilion on wove paper 6% x n3/i6 in. (17.5 x 28.4 cm) From Pan 3, no. 4 (1898): before 205 provenance: Kornfeld & Klipstein, Bern, 7-8 June 1978, part of lot 775 reference: Dennerlein 1762 83-1- 13551
1222
Reiter, c. 1915
(Riders)
Woodcut on wove paper
12% x i53/4 in. (30.8 x 39.9 cm)
INSCRIPTION: signed, l.r.
provenance: Karl & Faber, Munich,
27-28 November 1980, part of lot 1363
M. 82. 287.29
1223
Reiter, c. 1915
(Riders)
Woodblock
12V8 x i53/4 in. (30.8 x 39.9 cm)
provenance: Karl & Faber, Munich,
27-28 November 1980, part of lot 1363
M. 82. 287. 100
1224
Das Hirtenlied: Ein Fragment
(The shepherd's song: A fragment) Book with 17 woodcuts on wove paper Illustrations to play by Gerhart Haupt- mann (Dresden: Carl Reissner, 1924) provenance: Dr. Helmut Tenner, Heidelberg, 16- 17 April 1975, part of lot 1353 83i-92a-q
1. Untitled (title page), 1924 3V2 x 4'/i6 in. (8.9 x 10.3 cm) 83.1.92 a
2. Untitled (artist and angel), 1924 3% x 4V16 in. (9.5 x 10.3 cm) Page 5
83.1.92 b
3. Untitled (shepherd), 1924 3% x 315/i6 in. (9.5 x 10.0 cm) Page 14
83.1.92 c
4. Untitled (man and angel), 1924 4n/i6 x 37/s in. (11.9 x 9.9 cm) Page 16
83. 1.92 d
5. Untitled (landscape), 1924 3% x 315/i6 in. (9.5 x 10.0 cm) Page 18
83. 1.92 e
Ludwig von Hofmann
born 1861 Darmstadt
died 1945 Pillnitz
336
Hofmann
1224 (continued)
6. Untitled (man and angel in landscape), 1924
3% x 4 Vie in. (9.5 x 10.3 cm) Page 19 83. 1.92 f
7. Untitled (goats and bulls), 1924 3 x 4'/ie in. (7.6 x 10.3 cm) Page 21
83. 1.92 g
8. Untitled (three men with herd),
3'/2 x 4V16 in. (8.9 x 10.3 cm) Page 23 83. 1.92 h
9. Untitled (nude man with cows),
1924
3'/r x 4 in. (8.3 x 10.2 cm)
Page 25
83.1.921
10. Untitled (man and woman with jug), 1924
5'/8 x 4V8 in. (13.0 x 10.5 cm) Page 28 83. 1.92 j
11. Untitled (woman at fire), 1924 47/i6 x 37/s in. (11.3 x 9.9 cm) Page 31
83.1.92 k
12. Untitled (landscape with tents), 1924
1V2 x 37/8 in. (3.8 x 9.9 cm) Page 33 83. 1.92 1
13. Untitled (old shepherd), 1924 37/s x 4 in. (g.g x 10.2 cm) Page 35
83.1.92 m
14. Untitled (in the fields), 1924 3'/s x 4 in. (8.0 x 10.2 cm) Page 40
83. 1.92 n
15. Untitled (Laban and Leah), 1924 4'A x 3I5/i6 in. (10.8 x 10.0 cm) Page 42
83.1.920
16. Untitled (Laban and Jacob), 1924 313/i6 x 37/8 in. (9.7 x g.g cm) Page 44
83. 1.92 p
17. Untitled (woman in field), 1924 37/i6 x 4V16 in. (8.7 x 10.3 cm) Page 48
83. 1.92 q
1224-12
|
u&3j |
|
|
im |
1224-7
1224-9
1224-13
1224-15
1224-17
1228
1226
1229
1227
Holloff
1225
Notre Dame de Paris, 1912 Lithograph on wove paper io15/i6 x 12% in. (27.8 x 32.4 cm) From portfolio Sema (Munich: Delphin-Verlag, 1912) INSCRIPTION: signed, 1.1.; numbered (101/215) on justification page provenance: Karl & Faber, Munich, 26-28 May 1977, part of lot 1475 M. 82. 288. 383 f
1226
Untitled (men playing cards), c. 1915 Lithograph on wove paper 45/i6 x 315/i6 in. (10.9 x 10.0 cm) From Zeit-Echo 1, no. 11 (1915): 161 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 EXHIBITION: Reed under 308 83.1.1196 c
1227
Untitled (man with music box), c. 1920 Lithograph on japan paper 87/s x 5n/i6 in. (22.5 x 14.5 cm) From Das Kunstblatt 4, no. 3 (1920) provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 EXHIBITION: Reed 283/42 83.1.1149 a
1228
Bauernhauser auf beualdetem Hiigel,
c. 1897
(Farmhouses on a wooded hill)
Etching printed in green on laid paper
6Vs x g3/i6 in. (15.5 x 23.4 cm)
From Pan 3, no. 2 (1897): following 120
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
REFERENCE: Dennerlein 1620
83- 1- 1354 e
1229
Alblandschaft , 1909 (Alpine landscape) Etching on wove paper 45/8X 7n/i6in. (11.7 x 19.5 cm) From Zeitschrift fiir bildende Kunst, n.s., 25, no. 2 (1914): before 25 provenance: Galerie Gerda Bassenge, Berlin, 15 May 1976, part of lot 4364 83.1.967 a
1230
1230
Mysterium, 1918
(Mystery)
Metal cut on J. W. Zanders paper
3% x 5% in. (8.6 x 14.9 cm)
From Eos 1, no. 2 (1918): 159; from
edition A (total edition of 250)
INSCRIPTION: numbered (xvii/xl) and
signed by editor Emil Pirchan on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
exhibition: Reed under 270
83.1.1606 g
337
Fritz Hofmann-Juan
born 1873 Dresden died 1937 Dresden
Otto Hohlt
born 1889 Santo Domingo
died 1960Katzbach
Felix Hollenberg
born 1868 Sterkrade
Curt Holloff
born 1887 Leipzig
338
Hdlloff
1231
Zwei Schulmadel, c. 1918
(Two schoolgirls)
Etching printed in brown on heavy
wove paper
4'/4 x 413/i6 in. (10.8 x 12.2 cm)
From Zeitschrift fiir bildende Kunst,
n.s., 30, no. 4/5 (1918-19): following 120
provenance: Galerie Gerda Bassenge,
Berlin, 15 May 1976, part of lot 4364
83.1.968 g
1232
Er gibt ihr Schonheit, 1920
(He gives her beauty)
Metal cut on J. W. Zanders 1916 paper
9% x 6'A in. (24.8 x 15.9 cm)
From Eos 2, no. 4 (1920): 179: from
edition A (total edition of 250)
inscription: numbered (xvii/xl) and
signed by editor Paul Baumann on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
exhirition: Reed under 270
83.1.1608 1
1233
Ich aber bin verantwortlich meiner
Arbeit, 1920
(I, however, am accountable for my
work)
Metal cut on J. W. Zanders 1916 paper
9% x GVa in. (24.8 x 15.9 cm)
From Eos 2, no. 4 (1920): 175: from
edition A (total edition of 250)
INSCRIPTION: numbered (xvii/xl) and
signed by editor Paul Baumann on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
EXHIBITION: Reed under 270
83.1.1608 j
1234
Starrt ein Pflug, 1920
(A plow stares)
Metal cut on J. W. Zanders 1916 paper
9% x 6'A in. (24.5 x 15.9 cm)
From Eos 2, no. 4 (1920): 171; from
edition A (total edition of 250)
inscription: numbered (xvii/xl) and
signed by editor Paul Baumann on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
exhibition: Reed under 270
83.1.1608 i
1231
1232
1234
1235
1236
Holthoff
339
khbin dar Doctor E&eh -
bart . l«urierdieUur.ni«am«inerA
KomTtitttJwn^tosdie Blin-
dengahn. unddctBdfei,«»hnwftNyie.-
der *ehd
4c^jWrt4*iPle-:dm Erwonfe gem geKufr;
Zu B^zdom -hqw- ^ nierteich Den(tothdes,$rossGri
pficderien . Ich jcMy^ifih trtrawn
- Belt voft Kerf cf«f©rt>«n istoat«nme
J"?f _ _
erDdbrec
5md isFWSheutWch>
1237-6
1235
Was mir entgegen will, 1920
(What would confront me)
Metal cut on J. W. Zanders 1916 paper
9% x 63/s in. (24.8 x 16.2 cm)
From Eos 2, no. 4 (1920): 177; from
edition A (total edition of 250)
INSCRIPTION: numbered (xvii/xl) and
signed by editor Paul Baumann on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
exhibition: Reed under 270
83.1.1608 c
1236
Wille zur Macht, 1920
(Will to power)
Metal cut on J. W. Zanders 1916 paper
9% x 6'/j in. (24.5 x 15.9 cm)
From Eos 2, no. 4 (1920): 181; from
edition A (total edition of 250)
INSCRIPTION: numbered (xvii/xl) and
signed by editor Paul Baumann on
justification page
PROVENANCE: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
exhibition: Reed under 270
83.1.1608 m
1237
Doctor Eisenbart
Block book with 21 color linoleum cuts
on handmade oatmeal paper
Published by Drei Masken Verlag,
Munich, 1923
PROVENANCE: Ars Libri, Boston;
purchased in 1980
83.1.631 a-v
1. Untitled (cover), 1923 Printed in black, blue, green, yellow, red, and pink
4% x 3"/i6 in. (11.7 x 9.3 cm)
Cover
83.1.631a
2. Untitled (man with scythe), 1923 Printed in black and red
2 x 2'/i6 in. (5.0 x 5.2 cm) 83.1.631b
3. Untitled (man bowing), 1923 Printed in black, blue, and yellow 59/i6 x 3u/i6 in. (14.2 x 9.3 cm) 83.1.631c
4. Untitled (beheading), 1923 Printed in black, blue, and red 5n/i6 x 3V8 in. (144 x 9.8 cm) 83.1.631 d
5. Untitled (two men), 1923 Printed in black, red, and yellow 59/i6 x 35/i6 in. (14. 1 x 8.4 cm) 83.1.631 e
6. Untitled (man being fed), 1923 Printed in black, red, yellow, and blue
53/s x 35/s in. (13.6 x 9.2 cm) 83.1.631 f
Hermann Holthoff and Adolf Rademacher
340
Holthoff
1237 (continued)
7. Untitled (two men, one seated),
1923
Printed in black, pink, and yellow
5'/i x 33/a in. (13.4 x 8.5 cm)
83. 1.631 g
8. Untitled (man tortured), 1923 Printed in black, yellow, and red 57/i6 x 3% in. (13.8 x 9.6 cm) 83.1.63111
9. Untitled (man with toilet), 1923 Printed in black, yellow, and green 57/i6 x 3% in. (13.8 x 9.6 cm) 83.1.6311
10. Untitled (man with cane), 1923 Printed in black and yellow 5n/i6 x 3% in. (14.5 x 8.5 cm) 83. 1.631 j
11. Untitled (woman with cane), 1923 Printed in black, pink, and yellow 5u/i6 x 37/i6 in. (14.5 x 8.7 cm) 83.1.631k
12. Untitled (man with cart), 1923 Printed in black, yellow, and green 59/i6 x 4V8 in. (14. 1 x 10.5 cm)
83. 1.631 1
13. Untitled (man on horse), 1923 Printed in black, pink, and yellow 53/i6 x 37/ie in. (13.2 x 8.7 cm) 83.1.631 m
14. Untitled (man seated with cane),
1923
Printed in black, yellow, and blue 57/i6 x 39/i6 in. (13.8 x 9. 1 cm) 83.1.631 n
15. Untitled (man with coffin), ig23 Printed in black, yellow, and blue 5V2 x 3n/i6 in. (14.0 x 9.3 cm) 83.1.6310
16. Untitled (man gesturing), 1923 Printed in black, blue, and red 59/i6 x 39/i6 in. (14.2 x 9.0 cm) 83.1.631 p
17. Untitled (man being shot), 1923 Printed in black, yellow, and blue 5'/2X3%in. (13.9x8.5 cm) 83.1.631 q
18. Untitled (man being dismembered), 1923 Printed in black and red 513/i6 x 39/i6 in. (14.8 x 9. 1 cm) 83.1.631 r
19. Untitled (man forced to drink),
1923
Printed in black, yellow, and blue
5%x3%in. (13.0x9.9 cm)
83.1.631s
20. Untitled (man seated at desk), 1923 Printed in black, yellow, red, and green
415/i6 x 3% in. (12.5 x 9.5 cm) 83- 1-631 1
21. Untitled (man on horse), 1923 Printed in black, yellow, and green 5'/4 x 3n/i6 in. (13.4 x 9.4 cm) 83.1.631 u
.. nban Ljwf- fmlsn !ch *ti Botntett ■"*«
yk-Scfmw.r^ahWdren
•A Ail
U#
Es iUltiifi Man* in lanr
<i«rrK wwt ftp pn t twfrt
febtmwiSriwrwhjelzt; \
1237-7
1 DerSdiuFmeufWvon'
I-, IfeehSh , -%
- lift- drefesigjelhr <w
— . Dieflrrhoe,"
den Kevl bcjb leh so - \ j kurieiM; . - ' das* er huh mmme^ m»hr letxiarf;
1237-9
EsliH-ein/Vteriridrti
5schwrtr2eriSte(tsr*. Oct* Dw&dttWQrf icji
leh sfach iKtSibeJcie Ah< t-gen aws,-, ■ .,_
unq so tmtclnt- ichden •Stasrhareai?.
im&Qrto-ttctlH&W.
^PirnltemBlIF -7,V=— >€iftJ!jrt?»Sf eStim*] dea£
IcRsMcoiMi- Iht P»gfcgteitt[
-^^tfteOfclrV w-, t.
■ djeWf nSrleVie^tt(4>^4 -
ravPta^da n«hm lch\-
CderJstehtvjtjr' im'WL- -■— fiaroteain.
1237-12
jMhctei-tejiMein twchefr
f «mf einertiTrtfoftfsSlf i -_. Kle«jier«rt. . .
§.'.. QHsMete: ,_
"irdieicrtnz.
1237-13
N^rfynset^iv ar'-
jnr Filx.-
V ~ jjesehiekj-
■, v*l«MrB2SM+ Inn Sient
slrtotfWh n«hm kh ihnt i ijiwr- dre! Miriirfwi vor
trilcm ttrehr rweh aer
1237-14
; WthrTnenrJ
:»V^\>
1237-16
Hiibner
341
1237-19
1238
1240
i— -, TesroyrtefflT- . ^ • Ickiehlcte wiensnnifctHS.. ", ddr-V/elfv „ _ *JSS#rJatiii*«TtsBrMt
Dots isl"dift Artywiejch
- .■_ Men
'ctassjedes MiHsAwiiv. —nwncrHJh.v" / ,»4 ^stfcw ich.be rwinem v
1237-20
1237-21
1239
ijisa
1241
1238
Mutter und Kind, c. 1934
(Mother and child) Woodcut on japan paper 89/i6 x 55/i6 in. (21.7 x 13.5 cm) From portfolio Holzschnitte niederrheinischer Kiinstler (Krefeld: Felt Verlag, 1934); possibly from edition of 35 (see remarks under cat. no. 277) provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 83.1.16 b
Willy Holzhausen
1239
Der Mensch in den Elementen, 1919
(Man among the elements)
Woodcut on newsprint
55/8 x 4V2 in. (14.3 x 11.4 cm)
From Der Einzige 1, no. 25/26 (1919):
289
provenance: Galerie Gerda Bassenge,
Berlin, 1-6 November 1976, part of lot
4442 83.1.1643 a
1240
Das Nachtgespenst, 1919
(The night phantom)
Woodcut on newsprint
6 x 4 in. (15.2 x 10.2 cm)
From Der Einzige 1, no. 19 (1919): 223
provenance: Galerie Gerda Bassenge,
Berlin, 1-6 November 1976, part of lot
4442
83.1.1639 a
1241
Untitled (men around a table), c. 1920 Linoleum cut on brown wove paper 8V2 x 6'/i in. (21.6 x 15.9 cm) From Eros 1, no. 1 (1921): before 3 INSCRIPTION: numbered (593/1,000) on justification page
provenance: Galerie Gerda Bassenge, Berlin, 16 April 1981, part of lot 2212 83.1.1610 b
1242
In Staub mit alien Feinden
Brandenburgs, 1914
(In the dust with all enemies of
Brandenburg)
Lithograph on wove paper
i27/i6 x g13/i6 in. (31.6 x 24.9 cm)
From Kriegszeit, no. 3 (1914): 4
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/125
83. 1. 1402 e
Lothar Homeyer
born 1883 Berlin
Alwine Hotter
Heinrich Hiibner
born 1869 Berlin
1242
342
Hiibner
Ulrich Hiibner 1243
Umgiirte dich mit deiner ganzen Flotte, born 1872 Berlin England! 1914
(Surround yourself with your entire died 1932 fleet, England!)
Neubabelsberg Lithograph on wove paper
i27/i6 x g3/i6 in. (31.6 x 23.3 cm)
From Kriegszeit, no. 5 (1914): 2
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/126 (as Heinrich
Hiibner)
83.1.1404 b
1244
Auf holier See, c. 1915
(On the high seas)
Lithograph on wove paper
i35/i6 x io7/s in. (33.8 x 27.6 cm)
From Kriegszeit, no. 25 (1915): 3
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/127
83.1.1423 c
1245
Brand in Antwerpen, 1915
(Fire in Antwerp)
Lithograph on wove paper
8% x io13/i6 in. (22.2 x 27.5 cm)
From Kriegszeit, no. 8 (1915): 2
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/128
83.1.1426 b
1246
Kampfvor den Dardenellen, c. 1915 (Battle outside the Dardenelles) Lithograph on wove paper n13/i6 x g3/s in. (30.0 x 23.8 cm) From Kriegszeit, no. 30 (1915): 2 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
exhibition: Reed 281/130 83.1.1428 b
1247
S.M.S. "Ayesha" c. 1915 Lithograph on wove paper n5/i6 x g5/s in. (28.8 x 24.4 cm) From Kriegszeit, no. 29 (1915): 4 PROVENANCE: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072 exhibition: Reed 281/129
83.1.1427 d
1243
1244
1245
Huf
343
1248
1249
n
if'.E « .v«
SkkSBBn^^^'-J^Kg
1250
::>?£/^\\\
1248
U-Boote im Kampf, c. 1915
(U-boats in battle)
Lithograph on wove paper
13V16 x 10V4 in. (33-2 x 26.0 em)
From Kriegszeit, no. 32 (1915): 4
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/131
83.1. 1430 d
1249
I/-5 Hurra! c. 1915
(Hurray for the U-5!)
Lithograph on wove paper
i2'/8 x 10 in. (30.8 x 25.4 cm)
From Kriegszeit, no. 38 (1915): 4
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/132
83.1.1436 d
1250
Winter im Hamburger Hafen, c. 1915 (Winter in Hamburg Harbor) Drypoint on heavy wove paper 37/8 x 5% in. (9.9 x 14.6 cm) From Zeitschrifl fur bildende Kunst, n.s., 26, no. 10/11 (1915): before 237 provenance: Galerie Gerda Bassenge, Berlin, 15 May 1976, part of lot 4364 83.1.967 m
1251
Einbringen einer Prise, c. 1916
(Bringing in a prize)
Lithograph on wove paper
n'/i6 x 8V2 in. (28. 1x21.6 em)
From Kriegszeit, no. 64/65 (1916): 8
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: not listed in Reed under
281
83.1.1461 h
1252
Untitled (head of a girl), c. 1915 Lithograph on laid paper 4V8 x 33/4 in. (12.4 x 9.6 cm) From Zeit-Echo 2, no. 11 (1915-16): 163 provenance: gift of Elmar Seibel, 1983 L. 86. 1.76 a; lent by the Robert Gore Rifkind Foundation, Beverly Hills, California
Fritz Huf
born 1888 Lucerne, Switzerland
died 1970 Lucerne, Switzerland
1252
344 Huhnen
Fritz Huhnen 1253
Bildnis, c. 1934
born 1895 Krefeld (Portrait)
Woodcut on japan paper
died 1981 Krefeld io'/s x 65/a in. (25.8 x 16.8 cm)
From portfolio Holzschnitte niederrheinischer Kiinstler (Krefeld: Felt Verlag, 1934); possibly from edition of 35 (see remarks under cat. no. 277) provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 83.1.16 d
1254
Flohzirkus, c. 1934
(Flea circus)
Woodcut on japan paper
6% x io5/i6 in. (17. 1 x 26.2 cm)
From portfolio Holzschnitte
niederrheinischer Kiinstler (Krefeld:
Felt Verlag, 1934); possibly from edition
of 35 (see remarks under cat. no. 277)
provenance: Kunstgalerie Esslingen.
Esslingen; purchased in 1975
83.1.16 c
ierzy Hulewicz
born 1886 Koscian, Poland
died 1940
1254
1255
Akt, c. 1918
(Nude)
Woodcut on wove paper
7% x i13/i6 in. (19.6 x 4.6 cm)
From Die Ahtion 8, no. 21/22 (1918):
267; not identified as an original
woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1533 c
1256
Akt, c. 1918
(Nude)
Woodcut on wove paper
7% x 23/i6 in. (19.7 x 5.5 cm)
From Die Aktion 8, no. 21/22 (1918):
270; not identified as an original
woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1533 d
1257
Amazone, c. 1918
(Amazon)
Woodcut on wove paper
$Vs x 7 in. (14.9 x 17.8 cm)
From Die Aktion 8, no. 35/36 (1918):
455-56
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83- 1- 1539 f
1258
Frau des Kiinstlers, c. 1918
(The artist's wife)
Woodcut on wove paper
315/i6 x 3'/s in. (10.0 x 7.9 cm)
From Die Aktion 8, no. 35/36 (1918): 445
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83-i- 1539 b
1253
1257
1256
1259
1258
Hulewicz
345
1260
/ >
1264
1259
Genesis, c. 1918
Woodcut on wove paper
37/i6 x 37/i6 in. (8.8 x 8.7 cm)
From Die Aktion 8, no. 35/36 (1918): 457
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83- 1-1539 8
1260
Madonna, c. 1918
Woodcut on wove paper
37/s x 215/i6 in. (9.9 x 7.5 cm)
From Die Aktion 8, no. 35/36 (1918): 448
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83- 1- 1539 c
1261
Maria Magdelena, c. 1918
(Mary Magdalen)
Woodcut on wove paper
69/i6 x 2% in. (16.7 x 6.7 cm)
From Die Aktion 8, no. 35/36 (1918): 452
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83- 1- 1539 e
1262
Portrat, c. 1918
(Portrait)
Woodcut on wove paper
415/i6 x 3'/8 in. (12.6 x 8.0 cm)
From Die Aktion 8, no. 27/28 (1918):
345; not identified as an original
woodcut. The center also has an
impression from Die Aktion 8, no. 33/34
(1918): back cover
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1536 c
1263
Selbstportrdt, c. 1918
(Self-portrait)
Woodcut on wove paper
5'/i6 x 57/8 in. (12.8 x 14.9 cm)
From Die Aktion 8, no. 35/36 (1918):
cover; not identified as an original
woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83 -i- 1539 a
1264
Der Strahl, c. 1918
(The beam)
Woodcut on wove paper
39/i6 x 2V2 in. (9.0 x 6.3 cm)
From Die Aktion 8, no. 35/36 (1918): 449
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83-1-1539 d
1265
Untitled (abstract composition), c. 1918
Woodcut on wove paper
2V2 x i13/i6 in. (6.3 x 4.6 cm)
From Die Aktion 8, no. 35/36 (1918): 460
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1539 b
346
Hundt
Otto Hundt 1266
Missverstiindnisse, 1914 born 1887 Berlin (Misunderstandings)
Lithograph on wove paper
12% x 713/i6 in. (32. 1 x 19.8 cm)
From Kriegszeit, no. 23 (1915): 4
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: not listed in Reed under
281
83.1.1421 d
1267
Russische Siege in England— in
Russland, 1914
(Russian victories in England — in
Russia)
Lithograph on wove paper
13 x 8% in. (330 x 21. 1 cm)
From Kriegszeit, no. 16 (1914): 4
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: not listed in Reed under
281
83.1.1415 d
1268
"Times" "Temps," 1914
Lithograph on wove paper
6V4 x 11 in. (16.0 x 28.0 cm)
From Kriegszeit, no. 17 (1914): 4
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: not listed in Reed under
281
83.1.1416 d
Sidney Hunt
1269
Untitled (man reading), 1923
Linoleum cut on slick wove paper
4 x 35/i6 in. (10.2 x 8.4 cm)
From Der Sturm 19, no. 2/3 (1928): 212
PROVENANCE: Ex Libris, New York:
purchased in 1982
83- 1- 1397-5
1270
Untitled (abstract composition), c. 1928
Linoleum cut on slick wove paper
4V2 x 215/i6 in. (11.4 x 7.5 cm)
From Der Sturm 19, no. 2/3 (1928): 214
provenance: Ex Libris, New York;
purchased in 1982
83.1.1397.6
Robert M. Huth 1271
Jiingling, c. 1921 born 1890 Erfurt (Youth)
Woodcut on wove paper ii5/ie x 6V2 in. (28.8 x 16.5 cm) From Kundung 1, no. 9/10 (1921) provenance: Galerie Wolfgang Ketterer, Munich, 26 November 1974, part of lot 1154 exhibition: Reed under 282 83.1.1060 e
1266
1267
Huth
347
1272
Tischgenossen, c. 1921 (Table companions) Woodcut on wove paper 87/i6X n7/i6 in. (21.4 x 29.1 cm) From Kiindung 1, no. 9/10 (1921) PROVENANCE: Galerie Wolfgang Ketterer, Munich, 26 November 1974, part of lot 1154 exhibition: Reed under 282 83. 1. 1060 f
1270
1271
1272
348
Ideler
Lonni Ideler
Arthur lilies
born 1870 Hamburg died 1953 Luneburg
1273
Familie, c. 1919
(Family)
Woodcut on wove paper
4%6 x 2u/i6 in. (10.7 x 6.8 cm)
From Die Aktion 9, no. 37/38 (1919):
630; not identified as an original
woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1558 b
1274
Mondaufgang, c. 1897
(Moonrise)
Etching printed in blue, yellow, and red
on wove paper
7V4 x 513/i6 in. (18.4 x 14.8 cm)
From Pan 2, no. 4 (1897): following 280
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
reference: Dennerlein 1240
83- 1- 1353 k
Johannes Itten 1275
Figiirliche Komposition, 1918 born 1888 (Figural composition)
Schwarzenegg. Lithograph on heavy wove paper
Switzerland i813/i6 x n!/2 in. (47.8 x 29.2 cm)
From portfolio Lithographie-Mappe died 1967 Zurich, (Vienna: R. Lanyi, 1919), pi. 6
Switzerland inscription: signed, I.e.
provenance: Galerie Wolfgang Ketterer, Munich, 28 May 1973, lot 936 REFERENCE: Rotzler 164 M. 82.288. 101
1275
Itten
349
J^. >^t,«v.
tutu &M«M«, IWSwj
«
„i»«ttU6£
4v^*W
1276-1
1276-2
JH5
4'Sb«(pe6?©M&ic-h.«.Ri'on ou" ^"a
yv^SMhn
1276
Utopia: Dokumente der Wirklichheit
(Utopia: Documents of reality) Book with 10 lithographs on japan paper Edited by Bruno Adler (Weimar: Utopia- Verlag, 1921); with a cover drawn by Oskar Schlemmer (see cat. no. 2506). Although Rotzler catalogues 21 works (228-48), only the signed original lithographs are listed here INSCRIPTION: each sheet signed, l.r.; numbered (1/7: Museumausgabe) on justification page
provenance: Hans Bolliger, Zurich; purchased in 1975 reference: Rotzler 239-48 exhibition: Reed 397 83.i.g3a-k
1. Dip Erschaffung Etxis— Kompositionsanalyse, 1921 (The creation of Eve- compositional analysis) n5/i6 x 75/s in. (28.8 x 19.4 cm) REFERENCE: Rotzler 239 Based on a thirteenth-century French miniature in the Bibliotheque Nationale, Paris 83.1.93 a
2. Die Erschaffung Evas—Spruch, 1921
(The creation of Eve— text) io15/i6 x 77/i6 in. (27.8 x 18.8 cm) REFERENCE: Rotzler 240 83.1.93 b
3. Die Geburt Christi— Kompositionsanalyse, 1921 (The Nativity— compositional analysis)
n7/i6 x 7T/16 in. (29.0 x 18.8 cm) REFERENCE: Rotzler 241 Based on a painting by Meister Francke in the Kunsthalle, Hamburg 83.1.93 c
4. Die Geburt Christi—Spruch, 1921 (The Nativity— text)
n5/i6 x 6u/ie in. (28.8 x 17.0 cm) REFERENCE: Rotzler 242 83.1.93 d
1276-4
350
Itten
1276 (continued)
5. Anbetung der Konige— Kompositionsanalyse, 1921 (Adoration of the Magi- compositional analysis) With vermilion, yellow, blue, green, and rose watercolor n3/8 x 73/i6 in. (28.9 x 18.3 cm) REFERENCE: Rotzler 243 Based on a painting by Meister Francke in the Kunsthalle, Hamburg
83.1.93^
6. Anbetung der Konige— Spruch, 1921
(Adoration of the Magi— text) Printed in black and red io7/8 x jVb in. (27.6 x 18. 1 cm) REFERENCE: Rotzler 244
83- 1-93 f
7. Arhat Vanavasi— Kompositionsanalyse, 1921 (Arhat Vanavasi— compositional analysis)
n"/i6 x 6% in. (297 x 16.2 cm) REFERENCE: Rotzler 245 Based on a painting by Mu-chi
83-1-93 g
8. Arhat Vanavasi— Spruch, 1921 (Arhat Vanavasi— text)
io15/i6 x 8Vb in. (27.8 x 20.6 cm) REFERENCE: Rotzler 246
8.3- 1-93 h
9. Der Generalinquisitor— Kompositionsanalyse, 1921 (The grand inquisitor- compositional analysis)
n'/s x 7V2 in. (28.2 x 19.0 cm) REFERENCE: Rotzler 247 Based on a painting by El Greco in the Havemeyer collection, New York 83.1.93 i 10. Der Generalinquisitor— Spruch, 1921
(The grand inquisitor— text) 913/i6 x 6V2 in. (24.9 x 16.5 cm) REFERENCE: Rotzler 248 83-1-93 J
J^tfcfcn& *&?&
1276-5
w
i
iflOfr-
£ "ftp
(kW.wmi
of,
1' ' '
Hliraft '1
1276-9
1276-7
1276-8
352
Jaeckel
Willy Jaeckel
born 1888 Breslau died 1944 Berlin
1277
Fratzen des Todes, c. 1915
(Grimaces of death)
Lithograph on wove paper
12% x g15/i6 in. (31.5 x 25.2 em)
From Kriegszeit, no. 34 (1915): 2
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/135; Guenther
134 a
83.1.1432 b
1278
Juden-Massaker, e. 1915
(Massacre of the Jews)
Lithograph on wove paper
liy4 x Q5/s in. (29.9 x 24.5 cm)
From Kriegszeit, no. 32 (1915): 1
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/133; Guenther
134 b
83.1.1430 a
1279
Karpathen, c. 1915
(Carpathian Mountains)
Lithograph on wove paper
11% x g9/i6 in. (29.6 x 24.3 cm)
From Kriegszeit, no. 42 (1915): 3
PROVENANCE: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/136
83.1.1440 c
1280
Przemysl, c. 1915
Lithograph on wove paper
io'/j x g7/i6 in. (26.0 x 24.0 cm)
From Kriegszeit, no. 33 (1915): 2
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/134
83.1.1431b
1281
Serbisches Schicksal, c. 1915
(Serbian destiny)
Lithograph on wove paper
i37/s x 9% in. (35.3 x 24.5 cm)
From Kriegszeit, no. 56 (1915): 3
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/137
83.1.1453 c
1279
1281
1282
f V
1285
1286-1
1286-2
1286-3
Jaeckel
1282
Gotz von Berlichingen, e. 1916 Lithograph on wove paper 67/i6 x 9% in. (16.3 x 24.5 cm) From Kriegszeit, no. 60 (1916): 3 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
exhibition: Reed 281/138 83.1.1457 c
1283
Kanal in Berlin, c. 1916
(Canal in Berlin)
Lithograph on wove paper
715/i6 x 8% in. (20. 1x21.3 cm)
From Der Bildermann 1, no. 2 (1916): 2
provenance: Hauswedell & Nolte.
Hamburg, 6-8 June 1974, part of lot
180
EXHIBITION: not listed in Reed under
265
83.1.1462.6
1284
Zerschossener Wald, c. 1916 (Forest shot to pieces) Lithograph on wove paper 13% x 9% in. (35.0 x 24.8 cm) From Kriegszeit, no. 62 (1916): 3 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
EXHIBITION: Reed 281/139 83.1.1459 c
1285
Untitled (woman and child), c. 1916
Lithograph on wove paper
95/8 x 715/i6 in. (24.5 x 20.2 cm)
From Der Bildermann 1, no. 6 (1916): 2
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
180
EXHIBITION: not listed in Reed under
265
83.1.1462.22
1286
Das Buch Hiob
(The book of Job)
Book with 13 lithographs on Van Gelder
paper
Illustrations to biblical text (Berlin:
Erich Reiss, 1917); total edition of 200
INSCRIPTION: each plate signed, 1.1.;
numbered (18/60) on justification page
provenance: Florian Karsch; Galerie
Nierendorf, Berlin; purchased in 1975
exhibition: Reed 382
83.i.94a-m
1. Untitled (portrait of Job), 1917 37/8 x 4V8 in. (9.9 x 10.5 cm) Frontispiece
83.1.94 a
2. Untitled (Job and his family), 1917 9 x 87/i6 in. (22.9 x 21.4 cm) Facing chapters 3 and 4
83.1.94 b
3. Untitled (two men fighting), 1917 9 x 83/s in. (22.9 x 21.3 cm) Facing chapters 6 and 7 83.1.94 c
353
354
Jaeckel
1286 (continued)
4. Untitled (house destroyed), 1917
87/s x 8'/2 in. (22.6 x 21.6 cm) Facing chapter 10 83. 1.94 d
5. Untitled (nude kneeling in landscape), 1917
9 x 8'/2 in. (22.9 x 21.6 cm) Facing chapters 13 and 14 83.1.94 c
6. Untitled (Job with boils), 1917 9 x 8'/2 in. (22.9 x 21.6 cm) Facing chapters 17 and 18
83. 1.94 f
7. Untitled (Job sees a rainbow), 1917 9 x 8% in. (22,9 x 21.3 cm) Facing chapter 21
83- 1-94 g
8. Untitled (mother and child in storm), 1917
9 x 87/ie in. (22.9 x 21.4 cm) Facing chapters 23 and 24 83.1.94 b
9. Untitled (after the storm), 1917 9 x 8V2 in. (22.9 x 21.6 cm) Facing chapters 28 and 29
83- 1-94 i
10. Untitled (Job kneeling in landscape), 1917
8,5/i6 x 8'/2 in. (22.7 x 21.6 cm) Facing chapter 32
83- 1-94 J
11. Untitled (Job kneeling in landscape), 1917
815/i6 x 8V2 in. (22.7 x 21.6 cm) Facing chapter 34 83.1.94 k
12. Untitled (landscape), 1917 9 x 85/i6 in. (22. g x 21. 1 cm) Facing chapters 37 and 38
83- 1-94 1
13. Untitled (sunrise), 1917
9 x 87/i6 in. (22.9 x 21.4 cm) Facing chapter 40 83.1.94 m
1287
Hamlet, c. 1917
Lithograph on japan paper
io'A x 8'/4 in. (26.0 x 21.0 cm)
From portfolio Shakespeare Visionen
(Munich: Marees-Gesellschaft, 1918);
from edition A (total edition of 200)
INSCRIPTION: signed, l.r.; numbered
(xiv/l) on justification page; publisher's
blind stamp, l.r.
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1972
exhibition: Reed 336/23; Guenther
134 c (as 1915)
M. 82. 288. 384. 23
jP&>&g@r* I
1286-4
1286-6
1286-9
3 m
1286-11
1286-12
1288-1
1288-3
1288-5
1288-7
1289
Jaeckel
1288
Erotische Votiflafeln
(Erotic votive pictures)
Book with 7 lithographs on laid paper
Illustrations to poems by Heinrich
Lautensack, no. 6 in the monographic
series Der Venuswagen (Berlin: Fritz
Gurlitt Verlag, 1919); total edition of
700
inscription: signed and numbered
(35/40) on justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
EXHIBITION: Reed 415/6
83. 1.808 a-g
1. Das hassliche Madchen, 1919 (The ugly girl)
8!/i6 x 5n/i6 in. (20.5 x 14.4 cm) Following page 10 83.1.808 a
2. Der Haremschudchter, 1919 (The eunuch)
69/i6 x 55/s in. (16.6 x 14.3 cm) Following page 16 83.1.808 b
3. Pan, 1919
5n/i6 x 59/i6 in. (14.4 x 14. 1 cm) Following page 18 83.1.808 c
4. Die blinde Harfnerin bei den Felsen, 1919
(The blind harpist on the rocks) 615/i6 x 6'/s in. (17.6 x 15.5 cm) Following page 20 83. 1.808 d
5. Jungejudin, 1919 (Young Jewess) 4'/2X57/sin. (11.5 x 14.9 cm) Following page 24
83. 1.808 e
6. Das Korsett, 1919 (The corset)
8 x 5n/i6 in. (20.3 x 14.4 cm) Following page 26 83. 1.808 f
7. Vom Ubermut einer Tanzerin zur Nacht, 1919
(Of the wantonness of a dancer at
night)
6'A x 5n/i6 in. (15.8 x 14.4 cm)
Following page 28
83. 1.808 g
1289
Weiblicher Aid, c. 1919
(Female nude)
Lithograph on heavy wove paper
67/s x io'/4 in. (17.5 x 26.0 cm)
From Joachim Kirchner, Junge Berliner
Kunst, Wasmuths Kunsthefte, no. 6
(Berlin: E. Wasmuth, [1919?]), pi. 5
provenance: W. F. Arntz, Haag
(Oberbayern); purchased in 1975
83.1. 120 e
355
1287
356
Jaeckel
1290
Zdrtlichkeit, 1919
(Tenderness)
Lithograph on laid paper
■/'A x 59/i6 in. (18.5 x 14. 1 cm)
From Dasjunge Deutschland 2, no. 2
(1919): before 31
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
83.1.1622 a
1291
Untitled (reclining child), c. 1919 Lithograph on wove paper 4>/2 x 7% in. (11.5 x 19.7 cm) From deluxe edition of Marsyas, no. 6 (1919): 175; total edition of 235 INSCRIPTION: signed, 1.1.; numbered (xxvu/xxxv) on justification page provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 exhibition: Reed under 288 83.1.1666 a
1292
Untitled (woman comforting man),
c 1919
Lithograph on wove paper
8'/i6 x 69/i6 in. (20.5 x 16.7 cm)
From deluxe edition of Marsyas, no. 6
(1919): 177; total edition of 235
INSCRIPTION: signed, l.r.; numbered
(xxvu/xxxv) on justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
exhibition: Reed under 288
83.1.1666 b
1293
Untitled (man in street), c. 1919 Lithograph on wove paper 53/i6 x 7 in. (13.2 x 17.8 cm) From deluxe edition of Marsyas, no. 6 (1919): 181; total edition of 235 INSCRIPTION: signed, l.r.; numbered (xxvu/xxxv) on justification page provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 EXHIBITION: Reed under 288 83.1.1666 c
1294
Die Holle
(The inferno)
Book with 35 etchings with soft ground and drypoint on laid paper Illustrations to poem by Dante Alighieri, translated by Karl Streckfuss and revised by Richard Hirsch (Berlin: Hans Heinrich Tillgner, 1923); from edition C of 100 (total edition of 200) INSCRIPTION: signed on justification page
provenance: Erasmus, Amsterdam; purchased in 1978
83- 1-95- 1-35
1. Untitled (portrait of Dante), 1923
47/8 x 5V16 in. (12.4 x 12.9 cm)
Frontispiece
831.951
1290
1291
1293
1292
1294-2
1294-1
1294-3
Jaeckel
357
1294-4
1294-6
1294-8
1294-9
Erster Gesang I Eingang: Der Wald I
Die Tiere I Vergil, 1923
(First canto / Introduction: The
forest / The animals / Virgil)
5V4 x 9% in. (13.3 x 23.8 cm)
Page 9
83- 1-95-2
Zweiter Gesang I Einleitung:
Beatrix I Lucia, 1923
(Second canto / Introduction:
Beatrice / Lucia)
413/i6 x 415/i6 in. (12.2 x 12.6 cm)
Page 11
83-1-95-3
Drifter Gesang I Holle/itor I
Vorholle I Die Memmen I Cblestin v /
Charon, 1923
(Third canto / The gate of hell /
Purgatory / The cowards / Celestine
V / Charon)
i2'/s x g'/j in. (30.8 x 23.5 cm)
Page 13
83- 1-95-4
Vierter Gesang I Erste Abteilung:
Erster Kreis I Ungetaufte I Erzvdter I
Dichter, 1923
(Fourth canto / First section: First
circle / The unbaptized / Patriarchs /
Poets)
47/8 x 5 in. (12.4 x 12.7 cm)
Page 17
83-1-95-5
Fiinfter Gesang I Zweite Abteilung:
Zweiter Kreis I Siinden der Liebe !
Minos I Paris, 1923
(Fifth canto / Second section:
Second circle / Sins of love / Minos /
Paris)
5'/4 x g'/j in. (13.3 x 23.5 cm)
Page 19
83-1-95-6
Sechster Gesang I Dritter Kreis I
Die Schlemmer I Cerberus I Ciacco
weissagt, 1923
(Sixth canto / Third circle / The
gourmands / Cerberus / Ciacco
prophesies)
12V8 x 9V8 in. (30.8 x 23.2 cm)
Page 2 1
83-1-95-7
Siebenter Gesang I Pluto I Vierter
Kreis I Geizige I Fiinfter Kreis I
Jahzornige im Styx, 1923
(Seventh canto / Pluto / Fourth
circle / Misers / Fifth circle /
Wrathful ones in the Styx)
5 x 415/ie in. (12.7 x 12.6 cm)
Page 25
83.1.95.8
Achter Gesang I Uberfalirt I Filippo
Argenti I Zum sechsten Kreis I
Kampfum Dis, 1923
(Eighth canto / The crossing /
Filippo Argenti / To the sixth circle /
Fight for Dis)
5'/j x 9% in. (13.3 x 23.8 cm)
Page 27
83-1-95-9
Jaeckel
1294 [continued)
10. Neunter Gesang I Die Engels- erscheinung I Eintritt in Dis I Sechster Kreis I Ketzer, 1923 (Ninth canto / Appearance of the angel / Entry to Dis / Sixth circle / Heretics)
12 x g3/i6 in. (30.5 x 23.3 cm)
Page 29
83.1.95.10
11. Zehnter Gesang I Sechster Kreis I Farinata I Cavalcante I Friedricli //,
1923
(Tenth canto / Sixth circle / Farinata /
Cavalcante / Frederick n)
47/a x 47/8 in. (12.4 x 12.4 cm)
Page 33
83.1.95.11
12. Elfter Gesang I Papst Anastasius I Einteilung der weitern Kreise, 1923 (Eleventh canto / Pope Anastasius / Arrangement of further circles) 5'/4 x 9'/4 in. (13.3x23.5 cm)
Page 35 83.1.95.12
13. Zwolfter Gesang I Dritte Abteilung I Siebenter Kreis I Erster Ring / Gewalttatige I Chiron, 1923 (Twelth canto / Third section / Seventh circle / First ring / The brutal ones / Chiron)
i2'/s x g'/s in. (30.8 x 23.2 cm) Page 37
83- 1-95- 1.3
14. Dreizehnter Gesang I Siebenter Kreis I Zweiter Ring I Selbstmbrder als klagende Bdume, 1923 (Thirteenth canto / Seventh circle / Second ring / Suicides as wailing trees)
5% x 9% in. (13.7 x 23.8 cm) Page 41
83- 1-95- 14
15. Vierzehnter Gesang I Siebenter Kreis I Dritter Ring I Ldsterer I Wucherer I Kapaneus, 1923 (Fourteenth canto / Seventh circle / Third ring / Blasphemers / Usurers / Capaneus)
47/8 x 47/a in. (12.4 x 12.4 cm) Page 43
83- 1-95- 15
16. Fiinfzehnter Gesang I Siebenter Kreis I Dritter Ring I Sodomiter I Brunetto, Dantes Lehrer, 1923 (Fifteenth canto / Seventh circle / Third ring / Sodomites / Brunetto. Dante's teacher)
5V4 x g3/8 in. (13.3 x 23.8 cm)
Page 45
83.1.95.16
17. Sechzehnter Gesang I Dritter Ring I Guidoguerra I Rusticucci I Zum achten Kreis, 1923
(Sixteenth canto / Third ring / Guidoguerra / Rusticucci / To the eighth circle)
53/s x 97/i6 in. (13.7 x 24.0 cm) ' Page 47 83- 1-95- 17
1294-12
1294-16
1294-11
1294-13
1294-15
1294-17
1294-18
1294-20
1294-21
1294-22
1294-24
1294-23
Jaeckel
18. Siebzehnter Gesang I Geryon I Letzte des dritten Rings I Wucherer I Abfahrt, 1923
(Seventeenth canto / Geryon / Last
of the third ring / Usurers /
Departure)
12% x 9V4 in. (30.8 x 23.5 cm)
Page 49
83.1.95.18
19. Achtzehnter Gesang I Achter Kreis I Erste und Zweite Bulge I Kuppler und Schmeichler, 1923 (Eighteenth canto / Eighth circle / First and second chasms / Procurers and flatterers)
4% x 4I5/i6 in. (12.4 x 12.6 cm) Page 53
831-9519
20. Neunzehnter Gesang I Achter Kreis I Dritte Bulge I Simonisten I Niccolo m I Papste, 1923
(Nineteenth canto / Eighth circle / Third chasm / Simoniacs / Nicholas in / Popes)
5V4 x qV, in. (13.4 x 23.5 cm) Page 55
83- 1-95-2°
21. Zwanzigster Gesang I Achter Kreis I Vierte Bulge I Zauberer I Teresias I Manto, 1923
(Twentieth canto / Eighth circle /
Fourth chasm / Sorcerers / Tiresias /
Manto)
i2'/4 x 93/i6 in. (31. 1 x 23.3 cm)
Page 57
§3- 1-95-21
22. Einundzwanzigster Gesang I Achter Kreis I Funfte Bulge I Bestechliche,
1923
(Twenty-first canto / Eighth circle /
Fifth chasm / The corrupt)
5»/4 x g'/4 in. (13.3 x 23.5 cm)
Page 61
83-1-95-22
23. Zweiundzwanzigster Gesang I Fortsetzung I Die Teufelshetze,
1923
(Twenty-second canto / Continuation / Devil's torment) 5V4 x g5/i6 in. (13.3 x 23.7 cm) Page 63
83-1-95-23
24. Dreiundzwanzigster Gesang I Achter Kreis I Sechste Bulge I Heuchler I Kaiphas, 1923 (Twenty-third canto / Eighth circle / Sixth chasm / Hypocrites / Caiphas) 47/8 x 5 in. (12.4 x 12.7 cm)
Page 65
83-1-95-24
25. Vierundzwanzigster Gesang I [Achter] Kreis I Siebente Bulge I Diebe als Schlangen, 1923 (Twenty-fourth canto / Eighth circle / Seventh chasm / Thieves as snakes) i2'/8 x g'/s in. (30.8 x 23.2 cm) Page 67
83-1-95-25
359
1294-25
360
Jaeckel
1294 (continued)
26. Funfundzwanzigster Gesang I [Achter] Kreis I Siebente Bulge I Die Verwandlung, 1923 (Twenty-fifth canto / Eighth circle / Seventh chasm / Metamorphosis) 47/s x 415/i6 in. (12.4 x 12.6 cm) Page 71
83.1.95.26
27. Seehsundzwanzigster Gesang I Achter Kreus I Achte Bulge I Schlechte Ratgeber, 1923 (Twenty-sixth canto / Eighth circle / Eighth chasm / Evil counselors) 51/. x gYt in. (13.3 x 23.5 cm)
Page 73 83.1.95.27
28. Siebenundzwanzigster Gesang I Guide- von Montefeltro, 1923 (Twenty-seventh canto / Guido da Montefeltro)
47/s x 5 in. (12.4 x 12.7 cm)
Page 75
83.1.95.28
29. Achtundzwanzigster Gesang I Achter Kreis I Neunte Bulge I Zwietrachtstifter, 1923 (Twenty-eighth canto / Eighth circle / Ninth chasm / Sowers of schism) 12V16 x g'/i in. (30.6 x 23.5 cm) Page 77
83- 1-95-29
30. Neunundzwanzigster Gesang I Achter Kreis I Xehnte Bulge I Fdlscher I Alchymisten, 1923 (Twenty-ninth canto / Eighth circle / Tenth chasm / Forgers / Alchemists) 415/i6 x 5'/i6 in. (12.6 x 12.9 cm) Page 81
83-1-95-30
31. Dreissigster Gesang I Personen- Fakcher I Falschmiinzer I Master Adam, 1923
(Thirtieth canto / Falsifiers in deeds / Falsifiers in words / Master Adam) 5'/4 x g3/8 in. (13.3 x 23.8 cm) Page 83
83-1-95-31
32. Einunddreissigster Gesang I Zum neunter Kreis I Der Brunnen I Die Giganten, 1923
(Thirty-first canto / To the ninth circle / The well / The giants) 12V8 x gVi in. (30.8 x 23.5 cm) Page 85
83-1-95-32
33. Zweiunddreissigster Gesang I Neunter Kreis des ewigen Eises I Kaina I Antenora, 1923 (Thirty-second canto / Ninth circle of eternal ice / Caina / Antenora) 5'/i x 91/., in. (13.3 x 23.5 cm) Page 89
83-1-95-33
1294-27
1294-28
-' l , -,- -^ «U fl^T '- ■ 'At'' 1 A.
1294-33
1294-32
1294-34
1295
1294-35
Jansen
34. Dreiunddreissigster Gesang I Neunter Kreis I Antenora und Ptolomda I Verrater, 1923 (Thirty-third canto / Ninth circle / Antenora and Ptolemy / Traitors) 415/i6 x 5'/8 in. (12.5 x 13.0 cm) Page 91
83- 1-95-34
35. Vierunddreissigster Gesang I Judecca / Erzverrdter /Judas I Brutus, 1923
(Thirty-fourth canto / Judecca / Archtraitors / Judas / Brutus) i2'/8 x g'/i in. (30.8 x 23.5 cm) Page 93
83- 1-95-35
361
1295
Settler, c. 1912
(Beggars)
Lithograph on wove paper i63/i6 x n13/i6 in. (41. 1 x 30.0 cm) From portfolio Sema (Munich: Delphin-Verlag, 1912) INSCRIPTION: signed, l.r.; numbered (101/215) on justification page provenance: Karl & Faber, Munich, 26-28 May 1977, part of lot 1475 M. 82. 288.383 g
1297
1296
Untitled (city in flames), 1914 Woodcut on wove paper 7X4V2 in. (17.7 x 11.4 cm) From Zeit-Echo 1, no. 3 (1914): 39; the center also has an impression in Zeit- Echo 1, no. 10(1915): 151 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 exhibition: Reed under 308 83. 1.1 187 j
1297
Die beiden Veroneser, 1917 (The Two Gentlemen of Verona) Woodcut with brown, aqua, yellow, red, and blue watercolor on japan paper 8n/i6 x 10V16 in. (22.0 x 25.5 cm) From portfolio Shakespeare Visionen (Munich: Marees-Gesellschaft, 1918); from edition A (total edition of 200) inscription: signed and dated, l.r.; numbered (xiv/l) on justification page; publisher's blind stamp, l.r. PROVENANCE: Hans Bolliger, Zurich: purchased in 1972 exhibition: Reed 336/16 M. 82.288.384. 16
Gustav Jagerspacher
Franz Maria Jansen
born 1885 Cologne died 1958Buchel
362
Jansen
1298
Die beiden Veroneser, 1917 (The Two Gentlemen of Verona) Woodcut on japan paper 8"/i6 x io'/i in. (22.0 x 26.0 em) From portfolio Shakespeare Visionen (Munich: Marees-Gesellschaft, 1918); from edition A
inscription: signed and dated, l.r.; numbered (xiv/l) on justification page; publisher's blind stamp, l.r. PROVENANCE: Hans Bolliger, Zurich; purchased in 1972 EXHIBITION: Reed 336/35 M.82.288. 384.35
1299
Wintertnarchen, c. 1917
(The Winter's Tale)
Woodcut with blue, green, yellow,
pink, and brown watercolor on japan
paper
ll'/s x 8V4 in. (28.3 x 21.0 cm)
From portfolio Shakespeare Visionen
(Munich: Marees-Gesellschaft, 1918);
from edition A (total edition of 200)
INSCRIPTION: signed and dated, l.r.;
numbered (xiv/l) on justification page;
publisher's blind stamp, l.r.
provenance: Hans Bolliger, Zurich;
purchased in 1972
EXHIBITION: Reed 336/21
M. 82.288.384.21
1300
Wintertnarchen, 1917
(The Winter's Tale)
Woodcut on japan paper
11 x 8n/i6 in. (28.0 x 22.0 cm)
From portfolio Shakespeare Visionen
(Munich: Marees-Gesellschaft, 1918);
from edition A
INSCRIPTION: signed and dated, l.r.;
numbered (xiv/l) on justification page;
publisher's blind stamp, l.r.
provenance: Hans Bolliger, Zurich;
purchased in 1972
EXHIBITION: Reed 336/36
M. 82.288.384.36
1301
Landschaft, c. 1918
(Landscape)
Drypoint on laid paper
4V2 x 6 in. (11.4 x 15.3 cm)
From Zeitschrift fiir bildende Kunst,
n.s., 30, no. 1/2 (1918-19): following 36
provenance: Galerie Gerda Bassenge,
Berlin, 15 May 1976, part of lot 4364
83. 1.968 e
1301
1300
INlMBiS^
10 /?4/)lERUN<rEN v.F.M.JM^
VERLA& F.O-UR.I.ITT
BERLIN 1911
1302-1
1302-2
1302-3
Jansen
363
1302-4
1302-6
1302-8
1302-10
1302-5
$u-. i=^B#sfe:
1302-7
1302-9
|
BIS |
|
^^ffAjj £ C^A*«jWt^VLwTj * "J^ |
|
111 |
1303
1302-11
1302
Industrie 1920
(Industry 1920)
Portfolio of 10 etchings with drypoint on
japan paper, plus cover lithograph on
board
Published by Fritz Gurlitt Verlag,
Berlin, 1921; from edition A of 20 on
japan paper (total edition of 40)
inscription: each sheet signed, l.r.
provenance: Warrack & Perkins,
Enstone, Oxfordshire; purchased in
1977 83.1.12 a-k
1. Industrie 1920, 1921 (Industry 1920) Lithograph on board
io"/i6 x 17V& in. (27.2 x 43.5 cm)
Cover
83.1.12 k
2. Untitled (frontispiece), 1921 9n/i6 x 13% in. (24.5 x 34.9 cm) EXHIBITION: Rigby 53 83.1.12 a
3. Untitled (workers arriving), 1921 io'/s x 7n/i6 in. (25.7 x 19.6 cm) EXHIBITION: Rigby 54
83.1.12 b
4. Untitled (workers eating), 1921 7% x 11% in. (19.7 x 29.5 cm) EXHIBITION: Rigby 55 83.1.12 c
5. Untitled (big machinery), 1921 97/i6 x I3u/i6 in. (24.0 x 34.8 cm) 83. 1.12 d
6. Untitled (street), 1921
6'/8 x 93/i6 in. (15.5 x 23.3 cm) 83.1.12 e
7. Untitled (women and children), 1921
7 x 95/i6 in. (17.8 x 23.7 cm) 83.1.12 f
8. Untitled (entrance to house), 1921 65/s x gVa in. (16.8 x 23.2 cm)
83. 1.12 g
9. Untitled (tall factory buildings), 1921
95/i6 x 7V16 in. (23.7 x 18.0 cm) 83.1.12 h
10. Untitled (field workers), 1921 89/i6 x 11 in. (21.8 x 28.0 cm) EXHIBITION: Rigby 57 83.1.12 i
11. Untitled (workers leaving), 1921 7V4 x 99/i6 in. (18.4 x 24.3 cm) EXHIBITION: Rigby 56 83.I.12J
1303
Verjiingungsattest der Gotzenpauke,
1921
(Certificate of rejuvenation of the idol's
drum)
Woodcut on wove paper
i3'/i6 x io'/4 in. (33.2 x 26.0 cm)
PROVENANCE: Galerie Wolfgang
Ketterer, Munich, 26 November 1974,
came with lot 1154 (not listed in
catalogue)
EXHIBITION: Reed 353
M. 82. 288. 102
364
Jansen
1304
Aus dem Leben tier Art Klinkert,
c. 1922
(From the life of the species Klinkert)
Woodcut on wove paper
77/8 x 4 in. (20.0 x 10.2 cm)
From Die Aktion 12, no. 43/44 (1922):
628; not identified as an original
woodcut
provenance: gift of Titus Felixmiiller,
1984
L.84.5. 114 b; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1305
Entwnrffur eine neue Briefmarke,
c. 1922
(Study for a new postage stamp)
Woodcut on wove paper
4V2 x 4% in. (11.5 x 11.7 cm)
From Die Aktion 12, no. 33/34 (1922):
cover; not identified as an original
woodcut
PROVENANCE: gift of Titus Felixmiiller,
1984
L.84.5. 109 a^ 'ent by 'he Robert Gore
Rifkind Foundation, Beverly Hills,
California
1306
Der Hohn der Ausbeuter, c. 1922
(The mockery of profiteers)
Woodcut on wove paper
39/i6 x 4% in. (9.0 x 12.0 cm)
From Die Aktion 12, no. 45/46 (1922):
cover; not identified as an original
woodcut
provenance: gift of Titus Felixmiiller,
1984
L.84.5. 115 a; len' by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1307
Die hiternationale von Genua, c, 1922
(The internationale of Genoa)
Woodcut on wove paper
7'/j x 59/i6 in. (18.5 x 14.2 cm)
From Die Aktion 12, no. 19/20 (1922):
cover; not identified as an original
woodcut
provenance: gift of Titus Felixmiiller,
1984
L.84.5. 102 a; 'ent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1308
Wann reisst den betrogenen "tapferen
Sohnen" die Geduld? c. 1922
(When will the betrayed "brave sons"
lose patience?)
Woodcut on wove paper
3% x 4n/i6 in. (8.5 x 11.9 cm)
From Die Aktion 12, no. 37/38 (1922):
cover; not identified as an original
woodcut
PROVENANCE: gift of Titus Felixmiiller,
1304
SPtMfll
1307
1308
L.84.5. 111 a> 'ent by the Robert Gore Rifkind Foundation, Beverly Hills, California
Jansen
365
1309
1312
1313
1309
Zeitgenossen, 1922
(Contemporaries)
Woodcut on wove paper
■/Vb x 6Vs in. (20.0 x 15.5 cm)
From Georg Biermann, ed. , Jahrbuch
der jungen Kunst (Leipzig: Klinkhardt
& Biermann, 1922), before p. 317
provenance: Hans Bolliger, Zurich;
purchased in 1975
exhibition: Reed 320/1922.6
83. 1.800 f
1310
Aufruhr, c. 1923
(Revolt)
Woodcut on wove paper
6% x 6V4 in. (16.2 x 15.8 cm)
From Die Aktion 13, no. 12 (1923):
cover; not identified as an original
woodcut
provenance: gift of Titus Felixmiiller,
1984
L. 84. 5.127 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1311
Augenblicklich wird gestorben, c 1923
(Condemned to immediate death)
Woodcut on wove paper
5% x 5V2 in. (13.7 x 13.9 cm)
From Die Aktion 13, no. 20 (1923):
573-74; not identified as an original
woodcut
provenance: gift of Titus Felixmiiller,
1984
L.84.5. 132 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1312
Hutet euch! c. 1923
(Beware!)
Woodcut on wove paper
515/i6 x 65/ie in. (15. 1 x 16.0 cm)
From Die Aktion 14, no. 1 (1924): cover;
not identified as an original woodcut
provenance: gift of Titus Felixmiiller,
1984
L.84.5. !33 a; lent by 'he Robert Gore
Rifkind Foundation, Beverly Hills,
California
1313
Die Sieger von Mulheim, c. 1923
(The conquerors of Miilheim)
Woodcut on wove paper
5'/4X7in. (13.3 x 17.8 cm)
From Die Aktion 13, no. 8 (1923): cover;
not identified as an original woodcut
provenance: gift of Titus Felixmiiller,
1984
L.84.5. 123 a; 'ent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
366
Jansen
1314
Der Weg der KPD, c. 1923
(The way of the KPD)
Woodcut on wove paper
53/i6 x 6% in. (13. 1 x 17. 1 cm)
From Die Aktion 13, no. 14 (1923):
cover; not identified as an original
woodcut
provenance: gift of Titus Felixmiiller.
1984
L. 84. 5. 129 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1315
Die Arbeiterzertreter beschworen die
Dummen, c. 1924
(The crushers of the working class
implore the fools)
Woodcut on wove paper
8V2 x 6T/a in. (21.6 x 17.4 cm)
From Die Aktion 14, no. 3 (1924):
131-32; not identified as an original
woodcut
PROVENANCE: gift of Titus Felixmiiller,
1984
L. 84. 5. 135 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1316
"Audi der klassenbewusste Proletarier schatzt manchmal den WaMzettel!"
c. 1924
("Even the class-conscious proletarian
sometimes values the ballot!")
Woodcut on wove paper
7% x 6u/i6 in. (19.7 x 17.0 cm)
From Die Aktion 14, no. 3 (1924):
141—42; not identified as an original
woodcut
provenance: gift of Titus Felixmiiller,
1984
L.84.5. 135 b; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1317
Ausbeuter im Gliick, c. 1924
(Successful exploiter)
Woodcut on wove paper
49/i6 x 53/i6 in. (11.6 x 13. 1 cm)
From Die Aktion 14, no. 9(1924):
435-36; not identified as an original
woodcut
provenance: gift of Titus Felixmiiller,
1984
L.84.5. 140 b; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1318
Fur die Ebert i? Co., c. 1924
(ForEbert&Co.)
Woodcut on wove paper
59/i6 x 4 in. (14.2 x 10.2 cm)
From Die Aktion 15, no. 1 (1925): 18;
not identified as an original woodcut
PROVENANCE: gift of Titus Felixmiiller,
1984
L.84.5. !45 b; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1314
1318
Jansen
367
1319
1321
1320
1323
1322
1319
Hiitet euch, c. 1924
(Beware)
Woodcut on wove paper
613/i6 x 513/i6 in. (17.3 x 14.8 em)
From Die Ahtion 14, no. 2 (1924):
47-48; not identified as an original
woodcut
provenance: gift of Titus Felixmuller,
1984
L. 84. 5. 134 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1320
Ins fiinfzehnte Jahrl Widmungsblatt fiXr
Die Aktion, c. 1924
(Into the fifteenth year! Dedication page
for Die Aktion)
Woodcut on wove paper
7a/i6 x 57/i6 in. (18.2 x 13.8 cm)
From Die Aktion 15, no. 1 (1925): cover;
not identified as an original woodcut
provenance: gift of Titus Felixmuller,
1984
L.84.5. 145 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1321
Die Parlamentskoche bei der Arbeit,
c. 1924
(Parliamentary cooks at work)
Woodcut on wove paper
5'/2 x 615/i6 in. (14.0 x 17.6 cm)
From Die Aktion 14, no. 9 (1924): cover;
not identified as an original woodcut
provenance: gift of Titus Felixmuller,
1984
L.84.5. 14° a- lent by 'he Robert Gore
Rifkind Foundation, Beverly Hills,
California
1322
Die selben SPD-Fiihrer heute! c. 1924
(The same SPD leaders today!)
Woodcut on wove paper
6 x s'/ie in. (15.2 x 12.9 cm)
From Die Aktion 14, no. 12 (1924):
619-20; not identified as an original
woodcut
PROVENANCE: gift of Titus Felixmuller,
1984
L.84.5. M3 '; 'ent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1323
Die SPD-Fiihrer, bevor sie
emporgehoben waren, c. 1924
(The SPD leaders before they were
elevated)
Woodcut on wove paper
6x55/i6in. (15.3 x 13.5 cm)
From Die Aktion 14, no. 12 (1924):
617-18; not identified as an original
woodcut
provenance: gift of Titus Felixmuller,
1984
L.84.5. M3 h; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
368
Jansen
1324
Die SPD-Carde marschiert zur Wahl,
c. 1924
(The SPD guards march to vote)
Woodcut on wove paper
5V8 x 4 in. (13.0 x 10. 1 cm)
From Die Aktion 14, no. 12 (1924): 613;
not identified as an original woodcut
provenance: gift of Titus Felixmiiller,
1984
L.84.5. 143 f; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1325
Wahlbiirger, c. 1924
(Voting citizens)
Woodcut on wove paper
6% x 6Vs in. (17.2 x 15.5 cm)
From Die Aktion 14, no. 4 (1924): cover;
not identified as an original woodcut
provenance: gift of Titus Felixmiiller,
1984
L.84. 5. 136 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1326
Untitled (man and woman), c. 1924 Woodcut on wove paper 5n/i6 x 4'/2 in. (14.4 x 11.5 cm) From Karl Dietz, ed., Schwarzer Greif: Ein Almanack aufdasjahr 1925 (Rudolfstadt: Greifenverlag, 1925), p. 61 provenance: unknown 83-1 549'
1327
Der Parasit, c. 1925
(The parasite)
Woodcut on wove paper
5I3/i6 x 3'/s in. (14.8 x 8.0 cm)
From Die Aktion 15, no. 12 (1925):
cover; not identified as an original
woodcut
provenance: gift of Titus Felixmiiller,
1984
L.84.5. !56 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1328
Plakatentwurf zur Prasidentenwahl,
c 1925
(Poster design for the presidential
election)
Woodcut on wove paper
515/i6 x 7V4 in. (15.0 x 18.5 cm)
From Die Aktion 15, no. 3 (1925): cover;
not identified as an original woodcut
provenance: gift of Titus Felixmiiller,
1984
L.84.5. 147 a; len' by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1324
1325
1326
1328
1327
Janthur
369
1330
1331
1329
Die Schwerverletzen dem deutschen
Volk, c. 1925
(The badly wounded— for the German
people)
Woodcut on wove paper
5% x 4% in. (13.7 x 11. 1 cm)
From Die Ahtion 15, no. 7 (1925): cover;
not identified as an original woodcut
provenance: gift of Titus Felixmiiller,
1984
L. 84. 5. 151 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1330
Her mil dem biirgerlichen Stimmzettel!
c. 1926
(This way with the citizen's ballot!)
Woodcut on wove paper
6'/s x 5% in. (15.6 x 14.6 cm)
From Die Aktion 16, no. 5 (1926): cover;
not identified as an original woodcut
provenance: gift of Titus Felixmiiller,
1984
L. 84. 5. 158 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1331
So wird die Welt aussehen bis znm Siege
des Kommunismus! c. 1927
(How the world will look until the
victory of communism!)
Woodcut on wove paper
613/i6 x 5% in. (17.3 x 13.7 cm)
From Die Aktion 17, no. 1/2 (1927):
cover; not identified as an original
woodcut
provenance: gift of Titus Felixmiiller,
1984
L.84.5. 165 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1332
Wintertndrchen, c. 1917
(The Winter's Tale)
Lithograph on japan paper
n13/i6 x 77/b in. (30.0 x 20.0 cm)
From portfolio Shakespeare Visionen
(Munich: Marees-Gesellschaft, 1918);
from edition A (total edition of 200)
inscription: signed, l.r.j numbered
(xiv/l) on justification page; publisher's
blind stamp, l.r.
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1972
EXHIBITION: Reed 336/15
M. 82. 288.384. 15
Richard Janthur born 1883 Zerbst died 1956 Berlin
370
Janthur
1333
Des Capitain Lemuel Gullivers Reise in das Land derer Houyhnhnms
(Captain Lemuel Gulliver's travels in the land of the Houyhnhnms) Book with 12 full-page lithographs and 24 vignettes on laid paper Illustrations to novel by Jonathan Swift (Berlin: Fritz Gurlitt Verlag, 1919); from deluxe edition of 50 (total edition of 150); the center also has a drawing for the illustration following page 12 (see eat. no. 1336)
inscription: signed and numbered (xvi/l) on justification page; each full- page lithograph signed, l.r. provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 exhibition: Reed 182 83.1.96.1-24
1. Untitled (title page), 1919 7"/i6 x 5V4 in. (19.5 x 13.4 cm) 83.1.96.1
2. Untitled (Gulliver on land), 1919 g'/s x 7V2 in. (23.2 x 19. 1 cm) Following page 8
83- 1-96-3
3. Untitled (Gulliver and two horses),
1919
9% x 75/s in. (23.8 x 19.4 cm)
Following page 12
See also cat. no. 1336
83- 1-96-5
4. Untitled (man, horse, and monkey),
1919
g'/s x 7% in. (23.2 x 20.0 cm)
Following page 18
83.1.96.7
5. Untitled (figures and horse), 1919 g'/i x 7V2 in. (23.5 x 19. 1 cm) Following page 20
83-1-96-9
6. Untitled (two horses in stable), 1919 10 x 7% in. (25.4 x 19.7 cm) Following page 24
83.1.96.11
7. Untitled (nude man and horse),
1919
g'/s x 75/s in. (23.2 x 19.4 cm)
Following page 26
83.1.96.12
8. Untitled (wild figures), 1919 io5/i6 x 75/8 in. (26.2 x 19.4 cm) Following page 38 83.1.96.15
9. Untitled (two nudes in landscape),
1919
97/s x 7 in. (25. 1 x 17.8 cm)
Following page 40
83.1.96.17
10. Untitled (man and horses), 1919 9V4 x 713/i6 in. (23.5 x ig.g cm) Following page 48 83.1.96.20
11. Untitled (horses and man in boat),
1919
gVi x 7V2 in. (23.5 x 19. 1 cm)
Following page 52
83.1.96.22
1333-1
1333-7
^'#^fe.#^
1333-2
1333-5
1333-8
1333-3
1333-6
1333-9
Janthur
371
1334
1335-1
1335-4
1335-5
12. Untitled (horse at seashore), 1919 g'/j x 7% in. (23.5 x 19.7 em) Following page 60 83.1.96.24
1334
lkarus, c. 1919
(Icarus)
Lithograph on laid paper
5I5/i6 x 3V-1 in. (15. 1 x 8.3 cm)
From Fritz Gurlitt, ed., Almanach auf
das Jahr 1919 (Berlin: Fritz Gurlitt
Verlag, 1919), frontispiece
provenance: Galerie Gerda Bassenge,
Berlin, 13-18 May 1974, part of lot
4071
exhibition: Reed 315/2
83.1.82 a
1335
Pantschatantra: Fabeln aus dem indischen Liebesleben
(Pantschatantra: Fables from the Indian
life of love)
Book with 10 full-page color lithographs
and 23 vignettes and initials on laid
paper
Illustrations to Indian fables, no. 3 in
the monographic series Der
Venuswagen (Berlin: Fritz Gurlitt
Verlag, 1919); total edition of 700
inscription: signed and numbered
(35/40) on justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
exhibition: Reed 415/3
83. 1.805 a-gg
1. Untitled (man surprises lovers),
1919
Printed in black, orange, and purple
7l/2 x 65/i6 in. (19. 1 x 16. 1 cm)
Following title page
83.1.805 a
2. Untitled (angry nude man in bed),
1919
Printed in black, orange, and purple
8 x 7V2 in. (20.4 x 19.0 cm)
Following page 12
83.1.805 f
3. Untitled (lovers in moonlight), 1919 Printed in black, green, and yellow 8% x 6% in. (21.3 x 17.5 cm) Following page 20
83. 1.805 i
4. Untitled (two lovers), 1919 Printed in black, green, and yellow 8% x 515/i6 in. (22.2 x 15.0 cm) Following page 28
83. 1.805 1
5. Untitled (man under lover's bed),
1919
Printed in black, red, and green
7% x 513/ie in. (19.6 x 14.8 cm)
Following page 34
83. 1.805 q
6. Untitled (man attacks lovers), 1919 Printed in black, purple, and orange 87/i6 x 6u/i6 in. (21.5 x 17.0 cm) Following page 36
83.1.8051
372
Janthur
1335 (continued)
7. Untitled (nude couple under palm
tree), 1919
Printed in black, green, and orange
87/i6 x 515/i6 in. (21.5 x 15.0 cm)
Following page 38
83.1.805 w
8. Untitled (nude woman riding nude man), 1919
Printed in black, yellow, and red 715/i6 x 67/i6 in. (20.2 x 16.4 cm) Following page 40 83. 1.805 x
9. Untitled (nude couple with animals), 1919
Printed in black, yellow, and orange 715/i6 x 5u/i6 in. (20. 1 x 14.4 cm) Following page 42 83. 1.805 cc
10. Untitled (three nudes), igig Printed in black, orange, and purple
8% x6 in. (21.3 x 15.3 cm) Following page 44 83. 1.805 ff
1336
Untitled (Gulliver and two horses),
c 1919
Black ink on wove paper
10V2 x 8'/4 in. (26.7 x 21.0 cm)
INSCRIPTION: initialed, 1.1.
PROVENANCE: Kunstgalerie Esslingen,
Esslingen; purchased in 1977
EXHIRITION: Piigby 52
Study for illustration following page 12
in a German edition of an episode from
Jonathan Swift's Gulliver's Travels (cat.
no. 1333-3) M. 82.288.336
1337
Vierzehn Cedichte von Rabindranath
Tagore
(Fourteen poems by Rabindranath
Tagore)
Book with 12 full-page and 32 vignette
lithographs on laid paper
Illustrations to poems by Rabindranath
Tagore (Berlin: Karl Schnabel Verlag,
1920)
INSCRIPTION: initialed and numbered
(118/400) on justification page
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1978
83.1.97.1-44
1. Untitled (woman and child), 1920 7"/i6 x 5V8 in. (19.5 x 13. 1 cm)
83- 1-97-4
2. Untitled (two nude figures, one reclining), 1920
77/s x 5V2 in. (20.0 x 14.0 cm)
83-1-97-7
3. Untitled (two nude male figures), 1920
715/ie x s'/s in. (20.2 x 13. 1 cm) 83.1.97.12
4. Untitled (woman on terrace), 1920 8Vs x 5l/< in. (20.6 x 13.4 cm) 83-1-97-15
1335-9
1337-1
1335-8
1337-3
1337-5
1337-6
1337-7
1337-8
1338
Janthur
5.
373
1337-9
1337-12
1339-1
1339-2
Untitled (man and woman embracing in garden), 1920 8V2 x 55/i6 in. (21.6 x 13.5 cm) 83.1.97.18
6. Untitled (male figure seated by stream), 1920
73/i6 x 55/i6 in. (18.3 x 13.5 cm) 83.1.97.23
7. Untitled (figure reclining on terrace), 1920
8'/j x 5V4 in. (21.0 x 13.4 cm) 83.1.97.26
8. Untitled (two figures by the sea), 1920
8 x 5'/4 in. (20.3 x 13.4 cm)
83- 1-97-29
9. Untitled (nude man and animal),
1920
75/8 x s'/s in. (19.5 x 13.0 cm)
83.1.97.32
10. Untitled (two nudes embracing), 1920
8'/i6 x 55/i6 in. (20.5 x 13.5 cm)
83-1-97-37
11. Untitled (reclining figure and bird), 1920
8'/i6 x 55/i6 in. (20.5 x 13.5 cm) 83.1.97.40
12. Untitled (two figures and fish), 1920
7% x 5 in. (19.3 x 12.8 cm) 83-1-97-43
1338
Frau mit Schakal, c. 1921 (Woman with jackal) Lithograph on laid paper 47/s x 5s/8 in. (12.4 x 14.3 cm) From deluxe edition of Fritz Gurlitt, ed., Das graphischeja.hr (Berlin: Fritz Gurlitt Verlag, 1921), facing p. 72 inscription: signed, I.r.i numbered (xiii/l) on justification page PROVENANCE: Hans Bolliger, Zurich; purchased in 1974 EXHIBITION: Reed 315/6 (1921) 83.1.85 c
1339
Robinson Crusoe
Book with 31 color lithographs on japan
paper
Illustrations to novel by Daniel Defoe
(Leipzig: Insel-Verlag, 1922); edition of
800
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1976
exhibition: Reed 183
83.1.98.1-31
1. Der Hafen von Hull, 1922 (The harbor of Hull)
Printed in black, green, and orange 8V4 x 55/8 in. (21.0 x 14.3 cm) Before page 5 83.1.98.1
2. Der Schiffbruch, 1922 (The shipwreck)
Printed in black, yellow, and violet 8lA x 6 in. (21.0 x 15.2 cm) Following page 8 83.1.98.2
374
Janthur
1339 (continued)
3. Die Wellen tragen Robinson ans Land, 1922
(The waves carry Robinson to land) Printed in black, blue, and green 5% x 8% in. (13.7 x 21.3 cm) Following page 12
83- 1-98.3
4. Robinson klammert sich an den Felsen an, 1922
(Robinson clings to the rock)
Printed in black, grayish blue, and
rose
9 x 5V2 in. (22.9 x 14.0 cm)
Following page 16
83.1.98.4
5. Robinson findet eine Quelle, 1922 (Robinson finds a well)
Printed in black, blue, and rust 8 x 5'/2 in. (20.3 x 14.0 cm) Following page 20
83.1.98.5
6. Die erste Naeht aufdem Raum, 1922
(The first night in the tree) Printed in black, violet, and yellow 8Vs x 5V2 in. (20.7 x 14.0 cm) Following page 24 83.1.98.6
7. Robinson besucht mit dem Floss das Wrack, 1922
(Robinson visits the wreckage with the raft)
Printed in black, green, and brown 8 x 5 '/a in. (20.3 x 14.0 cm) Following page 28
83.1.98.7
8. Robinsons Krankheit, 1922 (Robinson's illness)
Printed in black, blue, and rose 8% x 6 in. (21.3 x 15.2 cm) Following page 32 83.1.98.8
9. Im Walde, 1922 (In the forest)
Printed in black, yellow, and green 8V4 x 5% in. (21.0 x 13.7 cm) Following page 36 83.1.98.9
10. Die Regenzeit, ig22 (The rainy season)
Printed in black, blue, and green 8'/8 x 5% in. (20.7 x 14.6 cm) Following page 40 83.1.98.10
11. Robinson in seiner Hiitte, 1922 (Robinson in his hut) Printed in black, gold, and rose 8V4 x 5% in. (21.0 x 14.6 cm) Following page 44 83.1.98.11
12. Robinson fallt einen Raum, 1922 (Robinson fells a tree)
Printed in black, blue, and green 8 x 5% in. (20.3 x 14.6 cm) Following page 48 83.1.98.12
1339-3
1339-4
1339-5
1339-6
1339-7
1339-8
1339-11
Janthur
375
1339-13
1339-14
|
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■■'■■ B |
|
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■ >>&.'* |
|
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ffi^ii |
Br^^iS^fi |
wiwf' |
|
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|
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1339-15
1339-17
1339-18
13. Robinson baut ein Boot, 1922 (Robinson builds a boat) Printed in black, blue, and rose 8'/8 x 5% in. (20.7 x 14.3 cm) Following page 50 83.1.98.13
14. Aufder Fahrt urn die lnsel, 1922 (On the trip around the island) Printed in black, green, and orange 8 x 5% in. (20.3 x 14.3 cm) Following page 52
83.1.98.14
15. Robinson und seine Tiere, 1922 (Robinson and his animals) Printed in black, blue, and rose 8'/8 x 5V2 in. (20.7 x 14.0 cm) Following page 54 83.1.98.15
16. Robinson erschrickt vor der Fussspur, 1922
(Robinson alarmed by the footprint) Printed in black, yellow, and green 8 x 5% in. (20.3 x 13.7 cm) Following page 56 83.1.98.16
17. Robinson hort in der Nacht einen Kanonensehuss und ziindet ein Fewer an, 1922
(Robinson hears a cannon shot in the night and lights a fire) Printed in black, rose, and gold 8 x 5V2 in. (20.3 x 14.0 cm) Following page 60 83.1.98.17
18. Ein Schiff, 1922 (A ship)
Printed in black, green, and yellow SVs x 5% in. (20.7 x 14.3 cm) Following page 64 83.1.98.18
19. Robinson sieht die Kahne der Wilden, 1922
(Robinson sees the boats of the
savages)
Printed in black, yellow, and green
7% x 57/8 in. (19.4 x 14.9 cm)
Following page 68
83.1.98.19
20. Der Tanz der Wilden, 1922 (The dance of the savages) Printed in black, blue, and rose 8% x 5% in. (21.3 x 14.3 cm) Following page 72 83.1.98.20
1339-19
1339-20
376
Janthur
1339 (continued)
21. Errettung Freitags aus den Handen der Wilden, 1922
(Friday's rescue from the hands of
the savages)
Printed in black, green, and red
8'/s x 5% in. (20.7 x 14.6 cm)
Following page 76
83.1.98.21
22. Robinson und Freitag im Walde, 1922
(Robinson and Friday in the forest) Printed in black, yellow, and green 8V2 x 5% in. (21.6 x 14.6 cm) Following page 80 83.1.98.22
23. Robinson erzahlt Freitag von England, 1922 (Robinson tells Friday about England)
Printed in black, yellow, and green 8 x 5Vi in. (20.3 x 13.3 cm) Following page 84 83.1.98.23
24. Freitags Vater und der Spanier fahren ab, 1922
(Friday's father and the Spaniard
depart)
Printed in black, blue, and rose
8'/4 x 5V2 in. (21.0 x 14.0 cm)
Following page 88
83.1.98.24
25. Die Befreiung des Kapitiins, 1922 (The liberation of the captain) Printed in black, blue, and rose
8 x 5'/2 in. (20.3 x 14.0 cm) Following page 90
§3- 1-98-25
26. Robinson und Freitag fahren ab, 1922
(Robinson and Friday depart) Printed in black, brown, and blue 8% x 5V2 in. (21.3 x 14.0 cm) Following page 92 83.1.98.26
27. Die Zuriickbleibenden sehen der Abfahrt zu, 1922
(The survivors watch the departure) Printed in black, blue, and brown 8% x 5% in. (21.3 x 14.3 cm) Following page 96 83.1.98.27
28. Die Abfahrt des Schiffes, 1922 (The departure of the ship) Printed in black, green, and blue 8'/2x 5V2 in. (21.6 x 14.0 cm) Following page 98 83.1.98.28
29. Das Schiff auf der Heimreise, 1922 (The ship on the journey home) Printed in black, blue, and rose 8'/i x 5V2 in. (21.0 x 14.0 cm) Following page 100 83.1.98.29
1339-22
1339-26
1339-27
1339-28
1339-29
Janthur
377
1340-1
1340-2
1340-3
1340-4
30. Robinson sieht seine Insel wieder, 1922
(Robinson sees his island again) Printed in black, rose, and gold 8% x 5% in. (21.3 x 14.6 cm) Following page 102 83.1.98.30
31. Robinsons Insel, 1922 (Robinson's island)
Printed in black, brown, and green 7% x 55/8 in. (19.7 x 14.3 cm) Following page 104 83.1.98.31
1340
Tamango
Book with 7 lithographs on J. W.
Zanders paper
Illustrations to novel by Prosper
Merimee (Berlin: Franz Schneider
Verlag, 1922)
INSCRIPTION: each sheet signed, l.r.;
signed and numbered (42/200) on
justification page
provenance: Karl Hammerschlag (ex
libris on cover); Ars Libri, Boston;
purchased in 1979
83. 1.752 a-g
1. Untitled (nude couple), 1922 8% x 5% in. (21.3 x 13.7 cm) Following page 8 83.1.752 a
2. Untitled (man in rowboat), 1922 8V4 x 6'/s in. (21.0 x 15.6 cm) Following page 10
83.1.752 b
3. Untitled (fight), 1922
85/8 x 65/s in. (21.9 x 16.8 cm) Following page 20 83.1.752 c
4. Untitled (figures on deck), 1922 8% x 5% in. (22.2 x 14.6 cm) Following page 22
83.1.752 d
5. Untitled (figures overboard), 1922 77/8 x 65/s in. (20.0 x 16.8 cm) Following page 24
83. 1.752 e
6. Untitled (two nudes), 1922 8 x 5V4 in. (20.7 x 13.3 cm) Following page 26
83. 1.752 f
7. Untitled (seated nude native), 1922 8% x 6 in. (21.3 x 15.2 cm) Endpiece
83- 1-752 g
378
Jawlensky
Alexej von Jawlensky
born 1864 Kuslowo Torschok, Russia
died 1941 Wiesbaden
1341
Kopfe
(Heads)
Portfolio of 6 lithographs on japan paper
First portfolio published by
Nassauischer Kunstverein, Neues
Museum, Wiesbaden, 1922; from
deluxe edition of 20 on japan paper
(total edition of 100)
inscription: each sheet signed, 1.1.,
and numbered (19/20), l.r.
PROVENANCE: Carus Gallery, New York;
purchased in 1975
exhibition: Reed 211 A- F
M. 82. 288. 103 a-f
1. Kopf, 1922 (Head)
i25/ie x 7V4 in. (31.3 x 18.5 cm) exhibition: Reed 211 A M82.288.103a
2. Kopf, 1922 (Head)
n5/8 x 7n/i6 in. (29.5 x 19.5 cm) exhibition: Reed 211 B M. 82. 288. 103 b
3. Kopf, 1922 (Head)
11 x 97/ie in. (28.0 x 24.0 cm) exhibition: Reed 211 C M. 82. 288. 103 c
4. Kopf, 1922 (Head)
11Y4 x 97/i6 in. (28.5 x 24.0 cm) exhibition: Reed 211 D M. 82.288. 103 d
5. Kopf, 1922 (Head)
i23/i6 x 8'/i6 in. (31.0 x 20.5 cm) exhibition: Reed 211 E M. 82. 288. 103 e
6. Kopf, 1922 (Head)
11% x 8n/i6 in. (29. 5 x 22.0 cm) exhibition: Reed 211 F; Chipp 58 M. 82.288. 103 f
\
1341-2
|
---•"" |
|||
|
1 |
/ / / / |
- |
|
|
/ |
|||
|
- |
|||
|
1 j |
1341-3
1341-4
1341-5
Jung
379
1342
1342
Untitled (old man and Pegasus), c. 1902
Woodcut on laid paper
5s/is x 5'/s in. (14. 1 x 13.0 cm)
From Wiener Secession: Katalog der
vierzehnten Ausstellung der Vereini-
gung bildender Kiinstler Osterreichs,
exh. cat. (Vienna: Wiener Secession,
1902), p. 8
provenance: Hartung & Karl, Munich,
28-29 May 1974, part of lot 2031
exhibition: Reed under 241/1
83.1.610 a
1343
Untitled (piper), c. 1902
Woodcut on laid paper
59/ie x 5V8 in. (14. 1 x 13.0 cm)
From Wiener Secession: Katalog der
vierzehnten Ausstellung der Vereini-
gung bildender Kiinstler Osterreichs,
exh. cat. (Vienna: Wiener Secession,
1902), p. 49
provenance: Hartung & Karl, Munich,
28-2g May 1974, part of lot 2031
exhibition: Reed under 241/1
83.1.610 i
Rudolf Jettmar
born 1869 Zawodzie, Poland
died 1939 Vienna, Austria
1344
Kaiser Franz Joseph 1, c. 1914
Woodcut on wove paper
8 x 5V2 in. (20.4 x 13.9 cm)
From Internationale Ausstellung fiir
Buchgewerbe und Graphik, exh. cat.
(Leipzig: Osterreichisehes Haus, 1914
frontispiece
PROVENANCE: unknown
83.1.429 a
Moritz Jung
born 1885 Mikolow, Poland
died 1915Galicia
1343
380
Kaiser
U. Kaiser
; ' S^te %
1345
Kirche bei Arras, 1915
(Church near Arras)
Lithograph on wove paper
14% x g15/i6 in. (37.5 x 25.2 cm)
From Kriegsze.it, no. 64/65 (1916): 7
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/140
83.1.1461 g
1347
Leopold von Kalckreuth
born 1855 Dusseldorf
died 1928
1346
Heimkehr, c. 1898
(Returning home)
Lithograph printed in blue and rust on
wove paper
7V4 x 7lA in. (19.0 x 19.0 cm)
From Pan 3, no. 4 (1898): following 234
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
reference: Dennerlein 1802
Not illustrated
83- 1- 1355 k
1347
Ninnenei und Muhme, c. 1899 (Ninnenei and aunt) Mezzotint on wove paper gVi x 7V2 in. (24.2 x 19. 1 cm) From Pan 5, no. 3 (1899): before 133 provenance: Kornfeld & Klipstein, Bern, 7-8 June 1978, part of lot 775 reference: Dennerlein 2496 83.1.1359 a
1348
Aufder Tenne, c. 1904
(On the threshing floor)
Etching printed in brown on laid paper
5V2 x 7V4 in. (13.9 x 18.5 cm)
From Kunst und Kunstler 3, no. 3
(1904): 92
provenance: Ars Libri, Boston;
purchased in 1982
83.1.1223 a
1349
Kartoffelernte, c. 1910
(Potato harvest)
Etching printed in brown on wove
paper
57/s x 7"/i6 in. (14.9 x 19.5 cm)
From Kunst und Kunstler 9, no. 5
(1911): before 217
provenance: Ars Libri, Boston;
purchased in 1982
83.1.1229 a
it
i
1349
1348
iPffl
Kampmann
381
#tWf Is
1351
1353
1352
1354
1350
Fasanenjagd, c. lgn
(Pheasant hunt)
Etching on wove paper
79/i6 x 5% in. (19.2 x 13.7 cm)
From Kunst und Kunstler 9, no. 11
(1911): 564
provenance: Ars Libri, Boston;
purchased in 1982
83.1.1229 e
1351
Bildnuise 1: Gotz von Berlichingen, 1916
(Portraits 1: Gotz von Berlichingen)
Lithograph on wove paper
n9/i6 x 83/i6 in. (29.3 x 20.8 em)
From Der Bildermann 1, no. 1 (1916): :
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
180
EXHIBITION: not listed in Reed under
265
83.1.1462.2
1352
Untitled (standing soldier), 1914 Lithograph on wove paper 13V4 x 8'/s in. (33.6 x 20.6 cm) From Kriegszeit, no. 1 (1914): 2 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
EXHIBITION: Reed 281/141 83.1.1400 b
1353
Erinnentng an die ersten Attgusttage,
c 1915
(Remembrance of the first days of
August)
Lithograph on wove paper
I213/i6 x g'/ie in. (32.5 x 24.0 cm)
From Kriegszeit, no. 25 (1915): 4
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/142
83.1.1423 d
1354
Neue Siegesblatter, c. 1915
(New victor)' sheets)
Lithograph on wove paper
7u/i6 x 87/i6 in. (195 x 21.5 cm)
From Kriegszeit, no. 38 (1915): 2
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/143
83.1.1436 b
1355
Steigende Nebel, c. 1896
(Rising fog)
Lithograph on green wove paper
915/i6 x 7'/i6 in. (25.2 x 18.0 cm)
From Pan 2, no. 3 (1896): following 204
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
REFERENCE: Dennerlein 1100
8311353 b
Arthur Kampf
born 1864 Aachen died 1939 Berlin
Gustav Kampmann
born 1859 Boppard
died 1917 Godesberg
382
Kampmann
Wassily Kandinsky
born 1866 Moscow, Russia
died 1944 Neuilly- sur-Seine, France
1356
Thahnuhle, c. 1898
(Valley mill)
Lithograph printed in beige, dark blue,
and lime green on wove paper
87/i6 x Q15/in in. (21.4 x 17.6 cm)
From Pan 4, no. 3 (1898): following 188
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
REFERENCE: Dennerlein 2138
83.1.13S7CI
1357
Balltvolken, c. 1899
(Gathering clouds)
Lithograph printed in black and tan on
greenish laid paper
g% x 513/i6 in. (23.8 x 14.8 cm)
From Pan 5, no. 3 (1899): following 148
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
REFERENCE: Dennerlein 2506
83.1.1359 b
1357
1358
Ankunft der Kaufleute, 1903
(Arrival of the merchants)
Woodcut on wove paper
2% x 6Vt in. (7.0 x 15.8 cm)
From Der Sturm 3, no. 129 (1912): 158
(as 1906)
PROVENANCE: Ex Libris, New York;
purchased in 1982
REFERENCE: Roethel 19 II
83.1.1391.26
1359
Gebirgssee, 1903
(Mountain lake)
Woodcut on laid paper
3% x 53/i in. (8.6 x 14.6 cm)
From portfolio Gedichte ohne Worte
(Moscow, 1903), pi. 4
provenance: Sotheby's, London, 27
January 1975, lot 83
reference: Roethel 15 1
EXHIBITION: Reed 157; Barton 44
M. 82. 288. 105
1360
Katze, 1907
(Cat)
Woodcut on wove paper
2n/i6 x 6'/i in. (6.8 x15.8 cm)
From Der Sturm 3, no. 129 (1912): 159
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1391,28
1361
Schalmei, 1907
(Shawm)
Woodcut on wove paper
4V4 x 63/i6 in. (10.8 x 15.7 cm)
From Der Sturm 3, no. 129 (1912): 158
PROVENANCE: Ex Libris, New York;
purchased in 1980
REFERENCE: Roethel 54
83.1.1391.27
1359
Kandinsky
383
1362
1364
1363
1362
Sitzendes Mddchen, 1907
(Seated girl)
Woodcut on wove paper
37/8 x 5% in. (9.8 x 13.7 cm)
From Der Sturm 3, no. 129 (1912): 159
(as 1906)
PROVENANCE: Ex Libris, New York;
purchased in 1982
REFERENCE: Roethel 67 (as 1906)
83.1.1391.29
1363
Der Spiegel, 1907
(The mirror)
Linoleum cut printed in black,
burgundy, pink, green, yellow, and blue
on japan paper
12% x 6'/i in. (32.4 x 15.9 cm)
inscription: signed, l.r.; inscribed
"Spiegel (Holzschnitt)," 1.1.
provenance: Mrs. Robert S. Benjamin;
Dr. and Mrs. Hans Kleinschmidt, New
York; Kornfeld & Klipstein, Bern, 15
June 1972, lot 451
reference: Roethel 49 (this impression
cited)
EXHIBITION: Reed 159
M. 82.288. 106
1364
Mitgliedskarte der Neuen
Kiinstlervereinigung Miinchen, 1908-9
(Membership card for the Neue
Kiinstlervereinigung Miinchen)
Woodcut on wove paper
413/i6 x 5n/i6 in. (12.3 x 14.4 cm)
From Der Sturm 3, no. 129 (1912): 160
PROVENANCE: Ex Libris, New York;
purchased in ig82
reference: Roethel 78
83.1.1391.30
1365
Holzschnitt fur den "Sturm" 1910
(Woodcut for Der Sturm)
Woodcut on wove paper
4'/i6 x 7% in. (10.4 x 19.7 cm)
From Der Sturm 3, no. 129 (1912): 157
provenance: Ex Libris, New York;
purchased in 1982
REFERENCE: Roethel 80
83.1.1391.25
384
Kandinsky
1366
Holzschnitt fur den Almanack "Der
blaue Reiter," 1911
(Woodcut for the almanac Der blaue
Reiter)
Woodcut (electrotype) printed in red,
blue, and black on cardboard
11 x 85/ie in. (27.9 x 21. 1 cm)
From Wassily Kandinsky and Franz
Marc, eds., Der blaue Reiter, 2d ed.
(Munich: R. Piper & Co., 1914), cover;
edition of 100 (first edition of 1,260)
PROVENANCE: gift from J. B. Kugelman
to W. L. Phelps, 1914 (manuscript
inscription, inside cover); M. J. Rover
Bookshop, Los Angeles; purchased in
1972
reference: Roethel 141 HI
exhibition: Reed 160; Tuchman and
Barron 84
83.1.105 a
1367
Uber das Geistige in der Kunst
(Concerning the spiritual in art) Book with 1 1 woodcuts on laid paper Illustrations to second edition of text by Kandinsky (Munich: R. Piper & Co., 1912). The center also has a copy of the third edition (minus the cover), also published by Piper in 1912, and a copy of the English edition, published as The Art of Spiritual Harmony, trans. M.T. H. Sadler (London: Constable & Co., 1914). The latter is accompanied by a 1939 letter from Kandinsky to the book s former owner Merle Armitage provenance: M. J. Rover Bookshop, Los Angeles; purchased before 1977 reference: Roethel 82-92 exhibition: Reed 161; Tuchman and Barron 83 a 83.1.103 a-k
1. Stehender und stiirzender Turm mit Reiter, 1911
(Standing and falling tower with
rider)
Printed in green
45/i6 x 4% in. (10. g x 12.0 cm)
Cover; from the third edition
REFERENCE: Roethel 82
83.1.103 k
2. Dem Andenken an Elisabeth Tichejeff gewidmet ', 1911 (Dedicated to the memory of Elisabeth Tichejeff)
4% x 15/i6 in. (11.7 x 2.4 cm) Following title page
REFERENCE: Roethel 83
83.1.103 a
3. Vignette bei "Einleitung," 1911 (Vignette with "Introduction") 2 x 3% in. (5. 1 x 9.2 cm)
Page 3
reference: Roethel 84
83.1.103 b
|
^^^B |
%?*£vMw' P^'<8 |
|
BIAUE 1 |
Irar /' / iV ! \B |
|
REITER |
|
|
Kgfg |
1366
|
KANDINSKY |
|
+ OBER \ DAS GEISTIGE * IN DER KUNST DBITTE AUFLHae |
1367-2
1367-3
1367-5
Kandinsky
385
1367-8
1367-10
4. Reitermotiv in ovaler Form, 1911 (Rider motif in ova] form)
2% x 215/i6 in. (6.6 x 7.5 cm) Page 11
REFERENCE: Roethel 85 83.1.103 c
5. Liegendes Paar> 1911 (Reclining couple)
i9/i6 x 4% in. (4.0 x 12.4 cm) Page 18
reference: Roethel 86 83.1.103 d
6. Vignette bei "Pyramide" 1911 (Vignette with "Pyramid") 29/i6 x 213/i6 in. (6.5 x 7. 1 cm) Page 36
REFERENCE: Roethel 87 83.1.1036
7. Vignette bei "Wirkung der Farbe" 1911
(Vignette with "The effect of color") i5/s x 4!yi6 in. (4. 1x12.3 cm) Page 43
REFERENCE: Roethel 88 83.1.103 f
8. Vignette bei "Formen und Farbenspraehe," 1911 (Vignette with "The language of form and color")
4% x 1 in. (11.8 x 2.5 cm)
Page 50
REFERENCE: Roethel 89
83.1. 103 g
9. Vignette bei "Theorie" 191 1
(Vignette with "Theory") 37/s x i9/ie in. (9.9 x 4.0 cm) Page 96
REFERENCE: Roethel 90 83.1.103 b
10. Vignette bei "Kunstwerk und Kiinstler" 1911
(Vignette with "Art and artists")
2 x 3n/i6 in. (5.0 x 9.3 cm)
Page 114
REFERENCE: Roethel 91
83.1.1031
11. Liegender weiblicher Akt, 1911 (Reclining female nude)
15/i6 x 4V2 in. (2.4 x 11. 5 cm) Page 121
REFERENCE: Roethel 92 83.1. 103 j
1367-11
1367-9
386
Kandinsky
1368
Klange
(Sounds)
Book with 25 full-page (12 in color) and
31 vignette woodcuts on Van Gelder
paper
Illustrations to poems by Kandinsky
(Munich: R. Piper & Co., 1913); total
edition of 345
INSCRIPTION: signed and numbered
(65/300) on justification page
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1972
REFERENCE: Roethel 71-74, 85;
95-140, 142-46
exhibition: Reed 162; Barton 47
83.1.102.1-56
1. ZweiReiter vorRot, 1911
(Two riders against red background) Printed in yellow, red, blue, and black
4'/s x 63/i6 in. (10.5 x 15.7 cm) The center also has a signed proof pulled after the publication of the 1913 edition and before the publication of the 1938 reprint edition, as well as a posthumous impression from XXe siecle 27 (December 1966): following 16 reference: Roethel 95 1 83.1.102.1
2. Komposition 2, 1911 (Composition 2)
57/sx 8V4 in. (15.0 x 21.0 cm) reference: Roethel 97 1 83.1.102.3
3. Lyrisches, 1911 (Lyrical)
Printed in yellow, red, blue, and
black
5"/i6X 8V2 in. (14.5 x 21.6 cm)
reference: Roethel 98 I
83.1.102.5
4. Zwei Franen in Mondlandschaft, 1911
(Two women in moonlit landscape) Printed in violet, green, and black 37/i6 x 4n/i6 in. (8.8 x 11.9 cm) reference: Roethel 100 1 83.1.102.7
5. Variation nach Improvisation zis 1911
(Variation after Improvisation 21) 4V2 x 57/i6 in. (11.5 x 13.9 cm) REFERENCE: Roethel 101 83.1.102.8
6. Motiv aus Improvisation 25, 1911 (Motif from Improvisation 25) 89/i6 x 85/s in. (21.7 x 21.9 cm) REFERENCE: Roethel 105 83.1.102.13
7. Orientalisches, ign (Oriental)
Printed in yellow, red, and blue tfA x 7V2 in. (12.4 x 19.0 cm) REFERENCE: Roethel 106 II
83.1.102.15
1368-1
1368-2
1368-3
1368-4
1368-5
1368-6
1368-7
|
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|
|
i<^ -"• i3r 1 1 |
j >ii* |
|
v\\ / |
'rm |
|
w&&* |
si |
|
ft *• v^l J^Cl r ■ r |
^\ w^pSff |
1368-!
1368-10
1368-11
1368-14
|
m |
|
|
Of |
r W* MSka |
|
Y^&^ |
'%tV%j |
1368-16
i i^kv *%ifhnf#*
1368-15
^>
* v-
i
fo#
1368-18
1368-17
Kandinsky
8.
387
Drci Reiter in Rot, Blau und
Schwarz, 1911
(Three riders in red, blue, and
black)
Printed in red, blue, and black
89/i6 x 83/i in. (21.7 x 22.2 cm)
REFERENCE: Roethel 107 I
83.1.102.16
9. Reiterweg, 1911 (Riding path)
67/i6 x 8V4 in. (16.3 x 21.0 cm) reference: Roethel 1111 83.1.102.21
10. Weisser Klang, 1911 (White sound)
Printed in violet, orange, blue, and
black
37/i6 x 313/i6 in. (8.8 x 9.7 cm)
REFERENCE: Roethel 113 III
83.1.102.23
11. Kahnfahrt, 1911 (Boat trip)
Printed in red, dark violet, and
black
85/s x 8"/i6 in. (22.0 x 22. 1 cm)
REFERENCE: Roethel 115 1
83.1.102.25
12. Improvisation 4, 1911
5% x 7'/i6 in. (14.6 x 17.9 cm) REFERENCE: Roethel 117 I 83.1.102.27
13. Schwarzer Fleck, 1912 (Black spot)
6% x 87/i6 in. (16.9 x 21.4 cm) REFERENCE: Roethel 145 83.1.102.30
14. Berge, 1911 (Mountains)
Printed in yellow, red, and blue 4u/i6 x 615/i6 in. (11.9 x 17.7 cm) REFERENCE: Roethel 122 II 83.1.102.32
15. Improvisation j, 1911
7V2 x 4% in. (19.0 x 12.4 cm) REFERENCE: Roethel 124 83.1.102.34
16. Apfelbaum, 1911 (Apple tree)
Printed in yellow, green, and blue 315/i6 x 315/i6 in. (10.0 x 10.0 cm) reference: Roethel 126 11 83.1.102.36
17. Improvisation ig, 1911
57/s x 7% in. (15.0 x 18.5 cm) reference: Roethel 127 1 83.1.102.37
18. Improvisation 1, 1911
57/i6 x 49/i6 in. (13.8 x 11.6 cm) reference: Roethel 128 I 83. 1.102.38
19. Jiingster Tag, 1912 (Judgment Day)
67/i6 x 85/i6 in. (16.4 x 21.2 cm) REFERENCE: Roethel 146 83.1.102.42
388
Kandinsky
1368 (continued)
20. Allerheiligen, 1911
(All Saints' Day)
Printed in yellow, red, and blue
8s/s x 89/ie in. (22.0 x 21.8 cm)
REFERENCE: Roethel 131 I
83.1.102.45
21. Tiiuflinge, 1911 (The baptized)
37/s x 55/ie in. (9.9 x 13.5 cm) REFERENCE: Roethel 132 83.1.102.46
22. Landschaft mit Figuren und Kruzifix, 1911 (Landscape with figures and crucifix)
Printed in orange, blue, and black 313/i6 x 313/i6 in. (9. 7 x 9. 7 cm) REFERENCE: Roethel 134 II b 83.1.102.48
23. Motiv mis Improvisation 10, 1911 (Motif from Improvisation 10) 513/i6 x 7% in. (14.8 x 18.7 cm) REFERENCE: Roethel 135 I 83.1.102.49
24. Landschaft mit aufrechter weisser Figur, 1911
(Landscape with erect white figure) 5'/4 x 4'/ie in. (13.3 x 10.3 cm) reference: Roethel 1361 83.1.102.50
25. Grosse Auferstehung, 1911 (Great resurrection)
Printed in red, violet, and black 85/s x 89/w in. (21.9 x 21.8 cm) REFERENCE: Roethel 138 II b 83.1.102.52
1369
Postkarte fur die Bauhaus-Ausstellung,
1923
(Postcard for the Bauhaus exhibition)
Lithograph printed in red, blue, and
black on heavy card
5% x 39/i6 in. (13.7 x 9.0 cm)
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
91/
REFERENCE: Roethel 179
M. 82.288. 104
1370
Vnbenannter Holzschnitt, 1924
(Untitled woodcut)
Woodcut on heavy oatmeal paper
$7/a x 77/8 in. (15.0 x 20.0 cm)
From portfolio Ganymed-Mappe in
(Munich: Marees-Gesellschaft, 1924);
edition of 100
INSCRIPTION: signed, l.r.
provenance: Hartung & Karl, Munich,
^-^ November 1979, part of lot 2779
REFERENCE: Roethel 181
EXHIBITION: Reed 317/44
M. 82.288.379 i
1368-21
1368-20
1368-23
BAU- HAUS
WEIMAR
JULI -SEPTEMBER 1923. 45
1369
Kassak
389
1371
1374
1373
1375
1371
Holzschnitt fur Editions Cahiers d'Art,
*93°
(Woodcut for Editions Cahiers d'Art) Woodcut printed in black, yellow, and red on Velin de Torpes paper 8n/i6 x 45/i6 in. (22.0 x 11.0 cm) From Will Grolimann, Kandinshy (Paris: Editions Cahiers d'Art, 1930), frontispiece; edition of 610 provenance: Hans Bolliger, Zurich; purchased in 1973
REFERENCE: Roethel 193
83- 1-374 a
1372
Klausen, c. 1921
Lithograph on wove paper
nVi x g'/i in. (28.5 x 23.5 cm)
From Genius 3, no. 2 (1921): following
322
provenance: M. J. Royer Bookshop,
Los Angeles; purchased about 1970-72
exhibition: Reed 275/16
83.1.817 b
1373
Untitled (city), 1924 Lithograph on wove paper 8% x 69/ie in. (21.9 x 16.6 cm) From Richard Hamann and Fritz Herbert Lehr, eds., Marburger Jahrbuch fur Kunstwissenschaft, vol. 1 (Marburg: Verlag des kunstgeschieht- lichen Seminars der Universitat Marburg, 1924), before p. 285; edition of 500
PROVENANCE: Biicherei Verlag Kurt Desch, Munich (ex libris); Hartung & Karl, Munich, 13 November 1979, part of lot 2958 83.1.785 c
1374
Portrdt des Genossen Erieh Miiksam,
c. 1920
(Portrait of comrade Erich Miihsam)
Woodcut on wove paper
315/is x 37/i6 in. (10.0 x 8.7 cm)
From Die Aktion 11, no. 3/4 (1921):
cover; not identified as an original
woodcut
provenance: gift of Titus Felixmuller,
1984
L. 84. 5. 89 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1375
Untitled (abstract composition), c. 1922 Linoleum cut on wove paper 7'/i6 x 5u/i6 in. (18.0 x 14.4 cm) From Der Sturm 13, no. 11 (1922): 167; the image also appears on the cover PROVENANCE: Ex Libris, New York; purchased in 1982 8.3- 1- 1395- 17
Alexander Kanoldt
born 1881 Karlsruhe
died 1939 Berlin
Eugen Maria Karpf
Lajos (Ludwig) Kassak
born 1887 Ersekujvar, Hungary
died 1967 Budapest. Hungary
390
Kassak
Maria Katzgrau
Julius Kaufmann
born 1885 Altkirch
1376
Untitled (abstract composition), c. 1924
Linoleum cut on wove paper
87/s x 6 in. (22.5 x 15.2 cm)
From Der Sturm 15, no. 2 (1924): 53
PROVENANCE: Ex Libris, New York;
purchased in 19S2
83.1.1396.9
1377
Untitled (abstract composition), c. 1924
Linoleum cut on wove paper
7V16 x 63/i6 in. (18.0 x 15.7 cm)
From Der Sturm 15, no. 2 (1924): 57
provenance: Ex Libris, New York;
purchased in 1982
83.1.1396.10
|
53 |
||||
Hermann Katelhon 1378
Die drei Buchen, c. 191 1
born Hofgeismar (The three beeches)
Etching on laid paper
died 1940 Munich 87/s x i25/s in. (22.5 x 32.0 cm)
From Zeitschrifl fur bildende Kunst, n.s., 22, no. 2 (1911): before 25 provenance: Galerie Gerda Bassenge, 15 May 1976, part of lot 4364 83.1.965 b
1376
1377
1379
Job, c. 1934
Woodcut on japan paper
6V4 x 5n/i6 in. (15.8 x 14.4 cm)
From portfolio Holzschnitte
niederrheinischer Kunstler (Krefeld:
Felt Verlag, 1934); possibly from edition
of 35 (see remarks under cat. no. 277)
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.16 e
1378
1380
Friedenssehnsueht, c. 1918
(Desire for peace)
Woodcut on wove paper
5 x 37/i6 in. (12.7 x 8.7 cm)
From Die Ahtion 8, no. 31/32 (1918):
409; not identified as an original
woodcut
PROVENANCE: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1. 1538 f
1381
Hiinde, c. 1918
(Hands)
Linoleum cut on wove paper
4 x 35/i6 in. (10.2 x 8.4 cm)
From Die Aktion 8, no. 39/40 (1918):
516; not identified as an original
linoleum cut
PROVENANCE: gift of Titus Felixmiiller,
1984
L.84.5.80 j; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1380
1379
1381
Kaus
391
1383
1385-4
1385-1
1385-3
1382
Untitled (sunrise), c. 1919
Woodcut on wove paper
39/i6 x 39/i6 in. (9.0 x 9.0 cm)
From Die Ahtion 9, no. 23/24 (1919):
396; not identified as an original
woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83- 1-1553 c
1383
Untitled (head of a man), 1917 Woodcut on laid paper 69/i6 x 5 in. (16.7 x 12.7 cm) From Der Weg 1, no. 4 (1919): 5 provenance: Ex Libris, New York; purchased in 1976 exhibition: Reed under 305 83.1.1216 c
1384
Madchenkopf, c. 1919
(Head of a girl)
Woodcut on wove paper
913/i6 x 4I5/i6 in. (24.9 x 12.5 cm)
From Die rote Erde 1, no. 8/10 (1920):
289
provenance: Hans Bolliger, Zurich;
purchased in 1975
exhibition: Reed under 298
83. 1.972 j
1385
Die Sage von Sankt Julian deni < Gastfreien
(The legend of Saint Julian the
hospitable)
Book with 12 lithographs on wove paper
Illustrations to story by Gustave
Flaubert (Potsdam and Berlin: Gustav
Kiepenheuer Verlag, 1919); edition of
2,000-3,000
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
83.1. 108 a-1
1. Untitled (youth with bird), c. 1919 67/s x 5V16 in. (17.5 x 12.8 cm) Following page 10
83.1.108 a
2. Untitled (youth freeing a bird), c 1919
6ls/i6 x 5 in. (17.7 x 12.7 cm) Following page 14 83.1.108 b
3. Untitled (youth with stick), c. 1919 615/i6 x 5 in. (17.7 x 12.7 cm) Following page 16
83.1.108 c
4. Untitled (youth with stag), c. 1919 615/i6 x 5 in. (17.7 x 12.7 cm) Following page 18
83.1. 108 d
5. Untitled (figure with headdress),
c 1919
6'yi6 x 415/i6 in. (17.7 x 12.6 cm)
Following page 20
83.1.108 e
Max Kaus
born 1891 Berlin died 1977 Berlin
392
Kaus
1385 (continued)
6. Untitled (man and woman), c. 1919 7 x 415/i6 in. (17.8 x 12.6 cm) Following page 24
83.1. 108 f
7. Untitled (man and woman), e. 1919 7 x 5 in. (17.8 x 12.7 em) Following page 28
83.1.108 g
8. Untitled (man among animals),
c- ig'9
67/s x 5'/s in. (175 x 13.0 cm)
Following page 32
83.1. 108 h
9. Untitled (the embrace), c. 1919 7'/s x s'/s in. (18. 1 x 13.0 cm) Following page 36
83.1. 108 i
10. Untitled (seated man), c. 1919 ■jVs x 5'/i6 in. (18.1 x 12. g cm) Following page 40
83. 1.108 j
11. Untitled (man by fire), c. 1919 7 x 5'/i6 in. (17.8 x 12.9 cm) Following page 44 83.1.108 k
12. Untitled (man and woman), c. 1919 7H x 5 in. (18. 1 x 12.8 cm) Following page 46
83.1.108 1
1386
ZweiKopfe, c. 1919
(Two heads)
Woodcut on wove paper
913/ie x 713/i6 in. (25.0 x 19.8 cm)
From Die rote Erde 1, no. 8/10 (1920):
287
provenance: Hans Bolliger, Zurich;
purchased in 1972
exhibition: Reed under 298
83. 1.972 i
1387
Kopf, 1920
(Head)
Woodcut on wove paper
io9/i6 x yVs in. (26.8 x 20.0 cm)
From Genius 2, no. 2 (1920): following
308
provenance: M. J. Royer Bookshop,
Los Angeles; purchased about 1970-72
EXHIBITION: Reed 275/10
83.1.815 a
1388
Mddchenkopf, 1920
(Head of a girl)
Woodcut on heavy wove paper
nVi x 5V16 in. (28.6 x 12.9 cm)
From portfolio Die Schaf fenden 3, no. 1
(Weimar: Gustav Kiepenheuer Verlag,
1921); from edition of 100 (total edition
of 125)
inscription: signed and dated, l.r.j
inscribed "gedr. F. Voigt," 1.1..
publisher's blind stamp, 1.1.
PROVENANCE: Karl & Faber, Munich, 1
December 1972, lot 782
reference: Jahn and Berger 85
exhibition: Reed 414; Chipp 59
M. 82.288. 109
1385-7
1385-8
1385-9
1385-10
Keler
393
1386
1389
1391
|
1389 |
Hermann Keil |
|
Gerechtigkeit! c. 1919 |
|
|
(Justice!) |
born 1889 |
|
Linoleum cut on slick wove paper |
Darmstadt |
|
g'/s x 7V8 in. (23.2 x 18. 1 cm) |
|
|
From Das Tribunal 1, no. 6 (1919): |
died 1962 |
|
cover |
|
|
provenance: Hans Bolliger, Zurich; |
|
|
purchased in 1975 |
|
|
EXHIBITION: Reed under 304 |
|
|
83.1.958 a |
1390
Graphisches Manifest, c. 1919
(Graphic manifesto)
Woodcut on thin wove paper
g'/s x 6% in. (23.2 x 17.2 cm)
From Das Tribunal 1, no. 3 (1919): 41
provenance: Hans Bolliger, Zurich;
purchased in 1975
exhibition: Reed under 304
83- 1-955 c
1391
Graphisches Manifest, c. 1919
(Graphic manifesto)
Linoleum cut on slick wove paper
9V8 x jVi in. (23.2 x 18.5 cm)
From Das Tribunal 1, no. 7 (1919): 87
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1975
exhibition: Reed under 304
83- 1-959 a
1392
Graphisches Manifest, c. 1919
(Graphic manifesto)
Linoleum cut on slick wove paper
glA x 7V16 in. (23.5 x 18.0 cm)
From Das Tribunal 1, no. 10/11 (1919):
123
provenance: Hans Bolliger. Zurich;
purchased in 1975
exhibition: Reed under 304
83.1.961c
1393
Wandmalerei: Tordurchfahrt Form und
Ausfuhrung, c. 1923
(Wall painting: Gateway plan and
execution)
Lithograph printed in gray, yellow,
blue, black, and red on wove paper
8V4 x 9V16 in. (21.0 x 23.0 cm)
From Staatliches Bauhaus in Weimar,
1919-192.3 (Weimar and Munich:
Bauhausverlag, 1923), p. 97; from
German edition of 2,000 (total edition of
2,600)
provenance: Galerie Gerda Bassenge,
Berlin, 13- 18 May 1974, part of lot
3956
83.1.41 d
Peter Keler and Farkas Molnar
1392
1393 (detail)
394
Kempkes
Hanns Kempkes 1394
Rheinschiffer, c. 1934 (Rhenish sailor) Woodcut on japan paper i25/8 x g'/)6 in. (32.0 x 23.0 cm) From portfolio Holzschnitte niederrheinischer Kiinstler (Krefeld: Felt Verlag, 1934); possibly from edition of 35 (see remarks under cat. no. 277) provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 83. 1.16 f
Ernst Kempter
born 1891 Olten
Kermcheekl?)
Edmund Kesting
born 1892 Dresden
died 1970 Birkenwerder
1395
Landschaft, c. 1921
(Landscape)
Woodcut on wove paper
6% x 3n/i6 in. (16.2 x 9.3 cm)
From Das Kimstfenster 1, no. 13
(1921): 7
provenance: Ars Libri, Boston;
purchased in 1978
83.1.1074 a
1396
Landschaft, c. 1921
(Landscape)
Woodcut on wove paper
5% x 315/i6 in. (13.6 x 10.0 cm)
From Das Kimstfenster 1, no. 14
(1921): 7
provenance: Ars Libri, Boston;
purchased in 1978
83.1.1075 a
1394
1395
1397
Untitled (three figures in shadows), 1920
Lithograph on wove paper 12V4 x 87/8 in. (31. 1 x 22.6 cm) From portfolio Das Buch Eins des Aktivisten Bundes, 1919 (Diisseldorf: Eigener Verlag, 1920) inscription: signed and dated, l.r. PROVENANCE: Ars Libri, Boston; purchased in 1981 83. 1 . 670 b
1396
1397
1398
Raumgestaltung "Kino" c. 1927 (Interior decoration of a cinema) Woodcut on wove paper 5'/8 x 6 in. (13.0 x 15.2 cm) From Der Sturm 18, no. 1/2 (1927): 27; the image also appears on the cover PROVENANCE: Ex Libris, New York; purchased in 1982 831- 1397-4
1399
Untitled (abstract composition), c. 1928
Linoleum cut on slick wove paper
65/i6 x 3u/i6 in. (16.0 x 9.3 cm)
From Der Sturm 19, no. 5 (1928): 253
PROVENANCE: Ex Libris, New York;
purchased in 1982
S3- 1- 1397-7
1399
1401
Kind
1400
Untitled (abstract composition), c. 1928
Linoleum cut on slick wove paper
515/i6 x 2% in. (15. 1 x 6.0 cm)
From Der Sturm 19, no. 5 (1928): 255
provenance: Ex Libris, New York;
purchased in 1982
83.1.1397.8
1401
Untitled (abstract composition), c. 1928
Linoleum cut printed in red and blue on
slick wove paper
7'/» x 65/i6 in. (18. 1 x 16.0 cm)
From Der Sturm 19, no. 9 (1928): 317
provenance: Ex Libris, New York;
purchased in 1982
83.1.1397.10
1402
L^ntitled (abstract composition), c. 1928
Linoleum cut printed in red and blue on
slick wove paper
7V16 x 6% in. (17.9 x 16.2 cm)
From Der Sturm 19, no. 9 (1928): 321
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1397.11
1403
Untitled (abstract composition), c. 1929
Linoleum cut on orange cover stock
53/i6 x 53/i6 in. (13. 1 x 13.2 cm)
From Der Sturm 20, no. 1 (1929): cover
PROVENANCE: Ex Libris, New York;
purchased in 1982
83-1 1397- 15
1404
Untitled (abstract composition), c. 1929 Linoleum cut on slick wove paper 6'/i6 x 4V8 in. (15.4 x 10.5 cm) From Der Sturm 20, no. 1 (1929): 13 PROVENANCE: Ex Libris, New York; purchased in 1982
83.1.1397.16
1405
Untitled (abstract composition), c. 1929
Linoleum cut on slick wove paper
63/i x 4% in. (17.2 x 12. 1 cm)
From Der Sturm 20, no. 1 (1929): 15
provenance: Ex Libris, New York;
purchased in 1982
83- 1- 1397- 17
395
1406
Die Darsteller, c. 1918 (The actors) Woodcut on laid paper 55/i6 x 3V8 in. (13.5 x 8.0 cm) From Menschen 2, no. 1 (1919): 3 provenance: Galerie Gerda Bassenge, Berlin, 25 May 1975, part of lot 4883 exhibition: Reed under 289 83.1.1379 b
Georg Kind
born 1897 Dresden died 1945 Dresden
1406
396
Kind
Thomas King
Edmund Daniel Kinzinger
1407
Tanzende, c. 1918
(Dancing)
Woodcut on laid paper
5V4 x 3V6 in. (13.4 x 8.0 cm)
From Menschen 2, no. 1 (1919): 3
provenance: Galerie Gerda Bassenge,
Berlin, 25 May 1975, part of lot 4883
exhibition: Reed under 289
83.1.1379 c
1408
Madchenkopf, c. 1919
(Head of a girl)
Woodcut on laid paper
8Ve x 59/ie in. (20.6 x 14. 1 cm)
From Menschen 2, no. 5 (1919): 3
provenance: Galerie Gerda Bassenge,
Berlin, 25 May 1975, part of lot 4883
exhibition: Reed under 289
83- 1- 1379 m
1409
Gestalt, c. 1921
(Form)
Woodcut on wove paper
i23/i6 x 8V4 in. (31.0 x 21.0 cm)
From Kiindung 1, no. 11/12 (1921)
provenance: Galerie Wolfgang
Ketterer, Munich, 26 November 1974,
part of lot 1154
EXHIBITION: Reed under 282
83.1.1061 k
1410
Harmonie, c. 1921
(Harmony)
Woodcut on wove paper
i23/i6 x 8V2 in. (31.0x21.6 cm)
From Kiindung 1, no. 11/12 (1921)
provenance: Galerie Wolfgang
Ketterer, Munich, 26 November 1974,
part of lot 1154
exhibition: Reed under 282
83. 1.1061 j
1407
1408
1410
1411
Untitled (figure), c. 1919 Woodcut on laid paper 8'/j x 6Vt in. (21.0 x 15.9 cm) From Der Weg 1, no. 5/6 (1919): 9 PROVENANCE: Ex Libris, New York; purchased in 1976 exhibition: Reed under 305 83.1.1217 c
1412
Untitled (abstract composition), c. 1919
Woodcut on laid paper
6'A x 513/i6 in. (15.9 x 14.8 cm)
From Der Weg 1, no. 8/9 (1919): 1
PROVENANCE: Ex Libris, New York;
purchased in 1976
EXHIBITION: Reed under 305
83.1.1219a
1409
1412
1411
Kirchner
397
ii \m\m i M'wtm'.i'fr rrlvfl|„'T'lr,v.-^vi
IOHAHNES FRANKE
BURGERttEiSTEK
1415
1413
Eisenbahn unci Briiche, 1903
(Railway and bridge)
Crayon and charcoal on heavy wove
paper
loVt x i4'/8 in. (26.0 x 35.8 cm)
INSCRIPTION: signed and dated, l.r.;
estate stamp, verso
provenance: Piccadilly Gallery,
London; O. P. Reed, Jr., Los Angeles;
purchased in 1973
EXHIBITION: Reed 71
M. 82. 288. 337
1414
£1 Libris Professor Ernst Kirchner,
1904
Woodcut on wove paper
1% x 2n/i6 in. (4.4 x 6.8 cm)
PROVENANCE: Hauswedell & Nolte,
Hamburg, 12 June 1982, part of lot 735
REFERENCE: Dube 676
Professor Kirchner was the artist's
father
M. 82. 287.31
1415
Ex Libris Johannes Franke, 1905 Woodcut on gray wove paper 2% x ils/i6 in. (7.0 x 4.9 cm) PROVENANCE: Hauswedell & Nolte, Hamburg, 12 June 1982, part of lot 735
REFERENCE: Dube 678
M. 82. 287. 30
1416
Stehender Madchenakt, 1905 (Standing female nude) Woodcut on wove paper 4% x 1V2 in. (12.0 x 3.8 cm) provenance: Galerie Gerda Bassenge, Berlin, 4 June 1975, part of lot 1570 reference: Dube 53 exhibition: Reed 72; Barton 8 M. 82.288. 113
1417
Celwft mit Baumen, 1906 (Farm with trees)
Woodcut on heavy handmade paper 415/i6 x 47/8 in. (12.5 x 12.3 cm) inscription: signed, 1.1.; titled, I.e.; inscribed "Grunddruck," l.r. provenance: Christie's, London, 5 December 1974, lot 179 reference: Dube 70 EXHIBITION: Reed 73 M. 82.288. 114
1418
Madchenakt, 1906
(Female nude)
Woodcut printed in rose on heavy laid
paper
9V2 x 9V2 in. (24. 1 x 24. 1 cm)
inscription: signed, l.r.; inscribed
"Handdruck," 1.1.
PROVENANCE: Carus Gallery, New York;
purchased in 1974
REFERENCE: Dube 89
EXHIBITION: Reed 74
M. 82. 288. 115
Ernst Ludwig Kirchner
born 1880 Aschaffenburg
died 1938
Frauenkirch,
Switzerland
398
Kirchner
14X9
Paar, c. 1906
(Couple)
Pencil on brown wrapping paper
17% x 13% in. (44.8 x 34.6 cm)
provenance: estate of the artist; Curt
Valentin, New York; Richard Feigen,
Chicago; George London, New York;
Sotheby's, London, 5 December 1973,
lot 207
EXHIBITION: Reed 75
M. 82.288.338
1420
Ex Libris Ed. Leubner, 1907
Woodcut on wove paper
215/i6 x 1^16 in. (7.5 x 4.9 cm)
Trial proof
provenance: Galerie Kornfeld, Bern,
21 June 1985, part of lot 69
REFERENCE: Dube 680
L. 85. 2. 35; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1421
Ex Libris Ernst Bachhausen 1, 1907 Woodcut on thin wove paper 213/i6 x 1% in. (7. 1 x 4.4 cm) Trial proof
provenance: Botho Graef-Stiftung, Kunstverein, Jena; Galerie Ferdinand Moller, purchased in 1940; Galerie Kornfeld, Bern, 21 June 1985, part of lot 69
REFERENCE: Dube 68l
L. 85. 2. 36; lent by the Robert Gore Rifkind Foundation, Beverly Hills, California
1422
Ex Libris Ernst Backhausen 3, 1907
Woodcut on heavy wove paper
25/i6 x i7/8 in. (5.9 x 4.8 cm)
Trial proof
provenance: Galerie Kornfeld, Bern,
21 June 1985, part of lot 69
REFERENCE: Dube 683
L. 85. 2. 37; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1423
Stillcben mit Krug und Blumen, 1907
(Still life with pitcher and flowers)
Woodcut printed in yellow, gray-green,
and rose on heavy wove paper
8 x 6% in (20.2 x 16.8 cm)
Proof before edition in portfolio Die
Briicke HI (1908)
inscription: signed and dated, l.r.
provenance: Kornfeld & Klipstein,
Bern, 13- 15 June 1974, lot 459
reference: Dube 112; Bolligerand
Kornfeld 11
exhibition: Reed 76
M. 82. 288. 367
1419
€D. l€UBn€K«
BHCKHHUSH1
1422
1423
Kirchner
399
HRMIlOSl
Curio Rmiet OichwdndStfaweizll
EHeckel S 5 ■ S S" '.'. Dresden
(EL Krchnep MPechxfein ^^mm KSchmidr-Rattluff
Dresden
Dresden Ratal!
Rxel Bs\l£n Hsbinafbrs Final FNalke/i :S= — ^Tiambupi
i DfirtsBudHjewerbemuseumlBipzig [ jfdaWiIdberger NeukinhbJLha|fnj jFBflup Hpchifekf==BflSEll FrBuTilIherg 111 5chweden| J Vvpadzinski Or . Bnnnl IFh ipiidingerlDipekhir JjiBaall i|R Kislinj) - SSS Ziirieffjl
jCurt- Blflxs Ref erenddp .. Leipzig IS nkerhielrn Bdrnnesse Dresden J EMidielDrmEd Wiedlishadi Sch weiz
IRasfl SchilpirB FrI Dr Hdmrjurq H Kind stud ;:::.*:: Dresden M RduErrFrdu ^=^ Hamburg IKohlep-Haussen ": Dresden EBrdmft inq — HurichiO-Fr EKirchner Prof •» ChEmnirz I Graf HflrrYVDnKeuIer Veimflr*
Bufirmflm i Rekfnp 1 1 ii 1 ISnesti.W □Weils DVmedi.'u HilJienbdiJllW
RHakbn thenl. ■'Ratho
MUnqepJ' Kapellmeister llil Leipzig FINoTde Fj-au l i -Risen
Bellmdnnl Hrdiitekl I 1 1 1 ! Zwikau KMSeifenf Fdbnkdnt ' Dresden KJhihmflno Prof D ■ ■— Chemm& □.Millsr Direktbr il 1 1 1 Sabthurn GilnBiErWeiske * m ' Chcmmfe. fritzCahn sfod jut 1 1 1 1 1 1 1 Leipzig Waldsfeiii DpibbJi" ' 'Hltendtof HThielelDrmedlillllKhenuiib SthePer Ld ndgppidi txdit, Homhurg ffchn - liftof Or- ■' Jena
Winrfmf FrduDr 1 1 1 1 1 1 SaestiW Sella Dp- - ■ 'Leipzig
Ruppert Fdfankbesi 1 1 1 1 Lei peig flJBMiann Prnf " ' ' " ' : ' Dresdim Si
1424-3
unSIPNISKJ
MdrieSeckelFrflu Hamburg | E fny S1 Lirken Frdu Wdndsbeck j HFnsrJi <^^^™^ Dresden I von Rosen Rmknthkr BruikhBunn I HnhinHuberll III Flensnurgl RnnB Xchgpire-Neurailfl Wwil
ZSihnti&emlHrihikkf Berlin B Wunsihe Rnthirekt' Z Berlin Consul Rnrflxen Frdul Hamburg FF Sshmidf Dr Z Magdeburg I Henny Druf aFr flu J Hamburg I EdiNiBuEftfey MmCrnwleyi fc
1424-5
1424
Mitgliederverzeichnisse der Kiinstlergruppe Briicke
(Membership lists for the artists' group
the Briicke)
Brochure with 5 woodcuts on heavy
gray-green linen paper
The extremely rare fiinftes Verzeichnis
(1909); the center also has impressions
from KG Briicke, catalogue of exhibition
at Galerie Arnold, Dresden, 1910
(Dresden: Heinrich Niescher, [1910])
provenance: Galerie Kornfeld, Bern,
21 June 1985, lot 125
REFERENCE: Dube 700-703, 705;
Bolliger and Kornfeld 41/16-20
L. 85. 2. 38 a— e; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1. Untitled (title vignette), 1907 i15/i6 x 215/ie in. (4.9 x 7.5 cm) REFERENCE: Dube 700; Bolliger and Kornfeld 41/16
L. 85. 2. 38 a
2. Aktiv-Mitglieder, igo8-g (Active members)
6u/i6 x 4V4 in. (17.0 x 10.5 cm)
Does not appear in the Galerie
Arnold catalogue
reference: Dube 705 IV; Bolliger
and Kornfeld 41/17
L.85.2.38b
3. Passiv-Mitglieder 1, 1907 (Inactive members 1)
6"/i6 x 4V8 in. (17.0 x 10.4 cm) reference: Dube 701 II; Bolliger and Kornfeld 41/18 L.85.2.38 c
4. Passiv-Mitglieder 2, 1907-9 (Inactive members 2)
65/s x 43/i6 in (16.8 x 10.7 cm) reference: Dube 702 IV; Bolliger and Kornfeld 41/19 L.85.2.38 d
5. Passiv-Mitglieder 3, 1909-10 (Inactive members 3)
6u/i6 x 4V16 in. (17.0 x 10.3 cm) Appears in the second state in the Galerie Arnold catalogue reference: Dube 703 I; Bolliger and Kornfeld 41/20 L.85.2.38 e
1425
Kirchhofund Kirche (Burg auf
Fehmarn), 1908
(Churchyard and church, fortress at
Fehmarn)
Woodcut on japan paper
ig15/i6 x 14% in. (50.6 x 37.8 cm)
INSCRIPTION: signed, 1.1.; inscribed
"Grunddruck," l.r.
provenance: Galerie Wolfgang
Ketterer, Munich, 26 November 1974,
lot 904
reference: Dube 136
EXHIBITION: Reed 77
M. 82.288. 116
400
Kirchner
1426
Liebesszene, 190S
(Love scene)
Lithograph printed in olive green,
orange, and yellow on heavy japan
paper
i55/s x 13 in. (39.6 x 33.0 cm)
PROVENANCE: Cams Gallery, New York;
purchased in 1972
REFERENCE: Dube 73 II
exhibition: Reed 78; Chipp 60
M. 82. 288. 110
1427
Portrat Schmidt-Rottluff, igog
(Portrait of Schmidt-Rottluff)
Woodcut printed in red on heavy wove
paper
15% x 11% in. (40.0 x 29.8 cm)
From portfolio Die Briicke IV (1909),
cover
PROVENANCE: Kornfeld & Klipstein,
Bern, 15-17 June 1972, lot 503
REFERENCE: Dube 706; Bolliger and
Kornfeld 13
EXHIBITION: Reed 110; Chipp 61
M. 82. 288.368 a
1428
Tanzerin mit gehobenem Rock, 1909
(Dancer with lifted skirt)
Woodcut on heavy wove paper
95/8 x i35/i6 in. (24.4 x 33.8 cm)
From portfolio Die Briicke v (1910),
pi. 2
inscription: signed, l.r.
PROVENANCE: Carus Gallery, New York;
purchased in 1974
reference: Dube 141 II; Bolliger and
Kornfeld 19
EXHIBITION: Reed 81; Barton 9
M. 82.288.369 c
1429
Badende, 1910 (Bathers)
Woodcut on wove paper 6n/i6 x 43/i6 in. (17.0 x 10.6 cm) From KG Briicke, catalogue of exhibi- tion at Galerie Arnold, Dresden, 1910 (Dresden: Heinrich Niescher, [1910]) provenance: Hauswedell & Nolte, Hamburg, 8-10 June 1972, part of lot 240
REFERENCE: Dube 726; Bolliger and Kornfeld 41/4 exhibition: Reed 243/4 M. 82.288.374 d
1427
1428
|
X |
Kirchner
401
1430
IIPMjJ
FrElu I DEufcthmilnn Ham hung FrrJuM Difiz-Duhr.^ocp »■ Fp|<IGDld2Jiiniitf— -^ « FHassler fc *l "
Prflu^rE Hnpf K- — '*
BleiJircidEP ■ '•
i- Helk:ne.Simnn tar * •» GHiibner ^"""^^^ ** Dpmed RKirsch — Mundipn Fbenzsch ■*• *■ EddelsEnh W Hane ^^ Elankene*ej jDrWeinEP — — ChemmhF fiBEiEirdDpf P* OWenbupg \i
~^>3
BildyonEHeckel H ScfmittkLK
1431
1433
1430
Drei Badende an den Moritzburger
Seen, 1910
(Three bathers at the Moritzburg Lakes)
Drypoint on heavy wove paper
7 x 8V16 in. (17.8 x 20.5 cm)
From portfolio Die Briicke v (1910),
pl- 3
INSCRIPTION: signed, l.r.
PROVENANCE: Carus Gallery, New York;
purchased in 1974
reference: Dube 69; Bolliger and
Kornfeld 20
EXHIBITION: Reed 82
M. 82. 288.369 d
1431
Mann und Frau, 1910 (Man and woman) Woodcut on wove paper 6n/i6 x 45/i6 in. (17.0 x 1 1.0 cm) From KG Briicke, catalogue of exhibi- tion at Galerie Arnold, Dresden, 1910 (Dresden: Heinrich Niescher, [1910]) provenance: Hauswedell & Nolte, Hamburg, 8- 10 June 1972, part of lot 240
REFERENCE: Dube 723; Bolliger and Kornfeld 41/3 EXHIBITION: Reed 243/3 M. 82.288.374 e
1432
Afif Schilf werfende Badende, 1910 (Bathers tossing reeds) Woodcut printed in light green, red- orange, and black on heavy wove paper 7% x n7/i6 in. (20.0 x 29.0 cm) From portfolio Die Briicke v (1910), pl. 1 inscription: signed, l.r. provenance: Carus Gallery, New York; purchased in 1974
REFERENCE: Dube 160; Bolliger and Kornfeld 18
EXHIBITION: Reed 80; Barton 10 M. 82. 288. 369 b
1433
Passiv-Mitglieder 4, 1910
(Inactive members 4)
6% x 43/i6 in. (17.2 x 10.6 cm)
From KG Briicke, catalogue of
exhibition at Galerie Arnold, Dresden,
1910 (Dresden: Heinrich Niescher,
[1910]); see also cat. no. 1424
provenance: Hauswedell & Nolte,
Hamburg, 8-10 June 1972, part of lot
240
REFERENCE: Dube 704
M. 82.288.374 '
1432
402
Kirchner
1434
Rudernde Samoanerin, lgio (Samoan woman rowing) Woodcut on wove paper 2>M x 4'/i in. (5.7 x 10.8 cm) From KG Briicke, catalogue of exhibi- tion at Galerie Arnold, Dresden, 1910 (Dresden: Heinrieh Niescher, [1910]) provenance: Hauswedell & Nolte, Hamburg, 8-10 June 1972, part of lot 240
REFERENCE: Dube 725 I; Bolliger and Kornfeld 41/2 EXHIBITION: Reed 243/2 M. 82. 288. 374 b
1435
Sandgrdber am Tiber, 1910 (Trench diggers by the Tiber) Woodcut on wove paper 6"/i6 x 45/i6 in. (17.0 x 11.0 cm) From KG Briicke, catalogue of exhibi- tion at Galerie Arnold, Dresden, 1910 (Dresden: Heinrieh Niescher, [1910]) provenance: Hauswedell & Nolte, Hamburg, 8-10 June 1972, part of lot 240
reference: Dube 721; Bolliger and Kornfeld 41/10 EXHIBITION: Reed 243/10 M. 82. 288.374 j
1436
Sitzender Akt, 1910 (Seated nude) Woodcut on wove paper 6n/i6X 45/i6 in. (17.0 x 11.0 cm) From KG Briicke, catalogue of exhibi- tion at Galerie Arnold, Dresden, 1910 (Dresden: Heinrieh Niescher, [1910]) PROVENANCE: Hauswedell & Nolte, Hamburg, 8-10 June 1972, part of lot 240
REFERENCE: Dube 722; Bolliger and Kornfeld 41/7 EXHIBITION: Reed 243/7 M. 82. 288. 374 g
1437
Tanz, 1910 (Dance)
Woodcut on wove paper 45/i6.x 6n/i6in. (11.0 x 17.0 cm) From KG Briicke, catalogue of exhibi- tion at Galerie Arnold, Dresden, 1910 (Dresden: Heinrieh Niescher, [1910]) provenance: Hauswedell & Nolte, Hamburg, 8-10 June 1972, part of lot 240
REFERENCE: Dube 724; Bolliger and Kornleld 41/13 EXHIBITION: Reed 243/13 M. 82. 288. 374 m
1434
1436
Kirchner
403
1439
1441
1443
1438
Akte, lgn
(Nudes)
Woodcut on wove paper
8'/i6 x io'/s in. (20.5 x 25.7 cm)
From Der Sturm 2, no. 88 (1911): 703
PROVENANCE: Ex Libris, New York;
purchased in 1982
REFERENCE: Dube 182 II
83.1.1390.11
1439
Ball, 1911
Woodcut on wove paper
8'/s x g9/i6 in. (20.6 x 24.3 cm)
From Der Sfurm 2, no. 69 (1911): 547
provenance: Ex Libris, New York;
purchased in 1982
reference: Dube 189 n
83.1.1390.1
1440
Liegendes Madchen, 1911
(Reclining girl)
Woodcut on wove paper
7,3/i6 x 9V2 in. (19.9 x 24. 1 cm)
From Der Sturm 2, no. 78 (1911): 623
provenance: Ex Libris, New York;
purchased in 1982
REFERENCE: Dube 173
83.1.1390.7
1441
MVIM-Institut, 1911 Woodcut on envelope 27/8 x 2V8 in. (7.3 x 5.3 cm) inscription: addressed by Kirchner to Frau Luise Schiefler; postal cancellation dated 1 November 1911 PROVENANCE: Kornfeld & Klipstein, Bern, 15- 17 June 1972, lot 510 REFERENCE: Dube 958 I 83.1.118
1442
Ruhe, 1911
(Rest)
Woodcut on wove paper
8 x lo'/s in. (20.3 x 25.7 cm)
From Der Sturm 2, no. 75 (1911): 595
provenance: Ex Libris, New York;
purchased in 1982
REFERENCE: Dube 172 II
83.1.1390.5
1443
Siesta, 1911
Woodcut on wove paper
73/4 x io5/i6 in. (19.6 x 26.2 cm)
From Der Sturm 2, no. 81 (1911): 647
PROVENANCE: Ex Libris, New York;
purchased in 1982
REFERENCE: Dube 174
83.1.1390.8
1442
404
Kirchner
1444
Sommer, 1911
(Summer)
Woodcut on wove paper
75/8 x g15/i6 in. (19.3 x 25.3 cm)
From Der Sturm 2, no. 71 (1911): 567
provenance: Ex Libris, New York;
purchased in 1982
REFERENCE: Dube 185 II
83.1.1390.3
1445
Tdnzerinnen, 191 1
(Dancers)
Woodcut on wove paper
8J/s x 10V16 in. (20.7 x 25.5 cm)
From Der Sturm 2, no. 77 (1911): 611
provenance: Ex Libris, New York;
purchased in 1982
REFERENCE: Dube 179
83.1.1390.6
1446
Tanzlokul, 1911
(Dance hall)
Woodcut on wove paper
8V2 x 915/i6 in. (21.6 x 25.3 cm)
From Der Sturm 2, no. 96 (1912): 763
PROVENANCE: Ex Libris, New York;
purchased in 1982
REFERENCE: Dube 178 II
83.1.1390.18
1447
Triumph der Liebe, 1911
(Triumph of love)
Woodcut on laid paper
9% x 9'/i in. (24.7 x 23.5 cm)
inscription: signed, l.r.; inscribed
"Eigendruck," 1.1.
PROVENANCE: Botho Graef-Stiftung,
Kunstverein, Jena (stamp, verso); stamp
of "entartete Kunst," verso; Hauswedell
& Nolte, Hamburg, 5-7 June 1975, lot
952
REFERENCE: Dube 186 II EXHIBITION: Reed 83; Barton 11 M. 82. 288. 117
1448
Variete, 1911
(Dance hall)
Woodcut on wove paper
8 x 10V4 in. (20.3 x 26.0 cm)
From Der Sturm 2, no. 71 (1911): 563
provenance: Ex Libris, New York;
purchased in 1982
REFERENCE: Dube 181 II
83.1.1390.2
1449
Akrobaten, 1912
(Acrobats)
Woodcut on wove paper
ioI5/i6 x 99/i6 in. (27.8 x 24.3 cm)
From Der Sturm 2, no. 101 (1912): 807
PROVENANCE: Ex Libris, New York;
purchased in 1982
REFERENCE: Dube 194 III
83.1.1390.24
1446
1448
1449
Kirchner
405
1451
1452
1453-2
1450
Drei Akrobatinnen an Ringen, 1912
(Three acrobats at the rings)
Lithograph on heavy yellowish wove
paper
io9/i6 x 87/i6 in. (26.8 x 21.5 cm)
inscription: signed by artist's wife, l.r.;
estate stamp, verso
provenance: Zeitlin & Ver Brugge,
Los Angeles; purchased in 1976
REFERENCE: Dube 215 II
EXHIRITION: Reed 87
M. 82.288. 111
1451
Eispalast-Tanze, 1912
(Dances at the ice palace)
Woodcut with yellow-green watercolor
on wove paper
^xg'/iin. (33. ix 23.4 cm)
inscription: signed, l.r.
provenance: Robert Gregor Taylor,
Philadelphia; Martin Gordon, New
York, 3 May 1976, lot 116
REFERENCE: Dube 196 I
exhibition: Reed 84; Barton 12;
Chipp 62
M. 82.288. 118
1452
Schleudertanze, 1912
(Fling dance)
Woodcut on thin pink wove paper
5V8 x 45/i6 in. (13.0 x 10.9 cm)
From Ausstellung von Kiinstlergruppe
Briicke, exh. cat. (Berlin: Galerie Fritz
Gurlitt, 1912); the center has two
impressions
provenance: Kornfeld & Klipstein,
Bern, 15- 17 June 1972, part of lot 113
reference: Dube 728; Bolliger and
Kornfeld 42/5
exhibition: Reed 245/4
M. 82. 288. 375 d
1453
Das Stiftsfraulein und der Tod
(The canoness and Death)
Book with 5 woodcuts on wove paper
Illustrations to short story by Alfred
Doblin, no. 8 in the monographic series
Lyrische Flugblatter (Berlin: A. R.
Meyer, 1913)
provenance: Hartung & Karl, Munich,
28-30 June 1974, lot 1908
REFERENCE: Dube 199-203
exhibition: Reed 85; Barton 13
83.i.noa-e
1. Untitled (title page), 1912 4V2 x 35/i6 in. (11.5 x 8.4 cm) reference: Dube 199 83.1.110 a
2. Stiftsfraulein am Ndhtisch, 1912 (Canoness at the sewing table) 4V2 x 3'/s in. (11.5 x 8.0 cm) The center also has impressions from Saturn 3, no. 2 (1913): cover, 43 reference: Dube 200
83.1.110 b
406
Kirchner
1453 (continued)
3. Das Stiftsfraulein im See, 1912 (The canoness in the lake)
4V1 x 3'/i6 in. (11.5 x 7.8 cm) REFERENCE: Dube 201 II 83.1.110 c
4. Stiftsfraulein im Garten, 1912 (Canoness in the garden)
45/8 x 3'/8 in. (11.8 x 8.0 cm) REFERENCE: Dube 202 83.1.110 d
5. Sterbendes altes Fraulein, 1912 (Dying old maid)
45/s x 3'/8 in. (11.8 x 8.0 cm) REFERENCE: Dube 203 83.1.110 e
1454
Toilette, 1912
Woodcut on thin pink wove paper
5'/ie x 43/i6 in. (12.8 x 10.7 cm)
From Ausstellung von Kiinstlergruppe
Briicke, exh. cat. (Berlin: Galerie Fritz
Gurlitt, 1912); the center has two
impressions
provenance: Komfeld & Klipstein,
Bern, 15-17 June 1972, part of lot 1 13
REFERENCE: Dube 730 II; Bolliger and
Kornfeld 42/6
exhibition: Reed 245/5
M. 82. 288. 375 e
1455
Untitled (title woodcut), 1912
Woodcut and collage on blue wove
paper
79/i6 x 3V16 in. (19.2 x 7.8 cm)
From Ausstellung con Kiinstlergruppe
Briicke, exh. cat. (Berlin: Galerie Fritz
Gurlitt, 1912), cover; the center has two
impressions
PROVENANCE: Kornfeld & Klipstein,
Bern, 15-17 June 1972, part of lot 113
reference: Dube 727 II; Bolliger and
Kornfeld 42/1
exhibition: Reed 245/1
M. 82. 288.375 a
1456
Gewecke undErna, 1913
(Gewecke and Erna)
Etching and drypoint on heavy wove
paper
97/s x 83/i6 in. (25.0 x 20.8 cm)
provenance: Galerie Nierendorf,
Berlin; purchased in 1975
REFERENCE: Dube 169
exhibition: Reed 88; Chipp 63
M. 82. 288. 133
1457
Lesende Frau, 1913
(Woman reading)
Woodcut on heavy wove paper
n'/s x 9V8 in. (28.2 x 23. 1 cm)
inscription: signed, 1. r. ; estate stamp,
verso
provenance: Hauswedell & Nolte,
Hamburg, 8- 10 June 1972, lot 1188
REFERENCE: Dube 2l8 III
exhibition: Reed go
M. 82. 288. 120
1453-3
1453-4
1454
1456
Kirchner
407
1458
1459
1460
1461
r, i-.z.,'.-~t.,
1458
Zirkusszene, 1913
(Circus scene)
Woodcut on laid paper
39/i6 x 2% in. (9. 1x7.0 cm)
From Ernst Ludwig Kirchner, Chronih
KG Briicke (1913)
provenance: Kornfeld & Klipstein,
Bern, 8 June 1977, part of lot 70
reference: Dube 712 A; Bolliger and
Kornfeld 62/2
exhibition: Reed 86/4
83.1.109 b
1459
Zwei nackte Frauen, 1913
(Two nude women)
Woodcut on laid paper
35/s x 27/s in. (9.2 x 7.3 cm)
From Ernst Ludwig Kirchner, Chronik
KG Briicke (1913); the center also has an
impression printed on an advertisement
for Kirchner's exhibition at the
Kunstverein, Jena, 1914 (Dube 711 B)
PROVENANCE: Kornfeld is Klipstein,
Bern, 8 June 1977, part of lot 70
REFERENCE: Dube 711 A; Bolliger and
Kornfeld 62/2
exhibition: Reed 86/3
83.1.109 a
1460
Der Morder, 1914
(The murderer)
Lithograph printed in red and black on
heavy smooth cardboard
2o'/s x 233/s in. (50. 1 x 59.4 cm)
One of three Kirchner illustrations to
Emile Zolas La bete humaine
inscription: signed and dated, 1.1.
PROVENANCE: Galerie Thomas, Munich;
purchased in 1975
reference: Dube 253 b.n
exhibition: Reed 91; Chipp 64
M. 82. 288. 112
1461
Strassenszene nach dem Regen, 1914 (Street scene after a shower) Woodcut on thin wove paper 10% x 10 in. (27.3 x 25.4 cm) inscription: estate stamp, verso provenance: Hausewedell & Nolte, Hamburg, 8-10 June 1972, lot 1189
REFERENCE: Dube 236
exhibition: Reed 92; Barton 14 M. 82. 288. 121
1462
Aufdern Kasernenhof, 1916
(In the barracks courtyard)
Lithograph on wove paper
ios/i6 x 87/i6 in. (26.8 x 21.4 cm)
From Der Bildermann 1, no. 15
(1916): 2
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
180
REFERENCE: Dube 308 II. C
EXHIBITION: Reed 265/15
83.1.1462.58
1462
408
Kirchner
1463
Balkon, Prof. Graf, Jena, 1916—
traumender Mann, 1916
(Balcony, Prof. Graf, Jena, 1916—
dreaming man)
Woodcut printed in blue and green on
Strathmore paper
7V& x 5'/ie in. (18.0 x 12.9 cm)
Trail proof; executed for
Kunstbibliothek, Berlin
INSCRIPTION: signed, l.r.; inscribed
"Versuchdruck," 1.1., "An Dr. Bauer,
herzlichst, E. L. Kirchner," verso
provenance: Karl & Faber, Munich, 1
June 1973, lot 660
REFERENCE: Dube 281, first variation
EXHIBITION: Reed 94
M. 82.288. 122
1464
Bildnis Carl Steriiheims, 1916
(Portrait of Carl Stemheim)
Lithograph on wove paper
n13/i6 x 715/i6 in. (30.0 x 20.2 cm)
From Der Bildermann 1, no. 9(1916): 2
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
180
REFERENCE: Dube 328 C
EXHIBITION: Reed 265/14
83.1.1462.34
1465
Botanischer Garten, Jena, 1916
(Botanical garden, Jena) Woodcut on yellowish wove paper I515/i6 x 12% in. (40.4 x 31.5 cm) inscription: signed, l.r.; dated (14), l.r.; inscribed "Eigendruck," 1.1. provenance: Ellwood Hitchkock, Alhambra, California; purchased in
1977
REFERENCE: Dube 292 I
EXHIBITION: Barton 15
M. 82.288. 123
1466
Katalog der Ausstellung E. L. Kirchner, Galerie Schames, Frankfurt (Catalogue of the E. L. Kirchner exhibition, Galerie Schames, Frankfurt) Book with 2 woodcuts on cover stock PROVENANCE: W. F. Arntz, Haag (Oberbayern); purchased in 1975 REFERENCE: Dube 734-35 EXHIBITION: Reed 95/1-2 83.1.111 a, b
1. Untitled (front cover), 1916 63/i6 x 4!/s in. (15.7 x 10.5 cm) REFERENCE: Dube 734 I EXHIBITION: Reed 95/1 83.1.111 a
2. Untitled (back cover), 1916 4,5/i6 x 3% in. (12.5 x 8.5 em) REFERENCE: Dube 735 EXHIBITION: Reed 95/2 83.1.111 b
1463
1464
s
|
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|
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|
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|
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ISJiel
1466-2
Kirchner
409
Bremer Frauenklub von 1908
FadalkSran II, worn II.— IB. Okt. GeofTnet worm. II— IS, naohm. 4 — 6 Uhr. Sonntag geachloasen.
1467-1
1467-2
1468
1469-1
1467
Katalog der Ausstellung von Kleidern aus der Stickstube von Frau Euchen
(Catalogue of the exhibition of dresses
from the needlework salon of Mrs.
Eucken)
Book with 3 woodcuts (2 in color) on
wove paper
PROVENANCE: Kornfeld & Klipstein,
Bern, 13-15 June 1974, lot 471
REFERENCE: Dube 731-33
exhibition: Reed 93/1-3; Barton 16
M.82.288.i36a-c
1. Untitled (front cover), 1916 Printed in black, blue, and brown on pink paper
613/i6 x 49/i6 in. (17.3 x 11.5 cm) REFERENCE: Dube 731 EXHIBITION: Reed 93/1 M82.288.136a
2. Dame mit Hund, 1916 (Lady with dog)
Printed in black, green, and orange
on buff paper
6% X4% in. (17.1 x 11.7 cm)
REFERENCE: Dube 732 II
EXHIBITION: Reed 93/2
M. 82. 288. 136 b
3. Untitled (back cover), 1916 On pink paper
4V4 x 3'/s in. (10.8 x 7.9 cm) reference: Dube 733 EXHIBITION: Reed 93/3 M. 82.288. 136 c
1468
Landschaft im Taunus, 1916
(Landscape in Taunus)
Lithograph on wove paper
11 x 7]3/i6 in. (28.0 x 19.8 cm)
From Der Bildermann 1, no. 6 (1916): 3
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot 180
REFERENCE: Dube 315 C
EXHIBITION: Reed 265/13
83.1.1462.23
1469
Hymnus
(Hymn)
Book with 1 lithograph and 1 woodcut
Illustrations to poems by Karl Theodor
Bluth (privately printed, n.d.); Dube
dates the cover 1919; Kornfeld, about
1916
provenance: Galerie Kornfeld, Bern,
21 June 1985, lot 95
L.85.2.39 a, b; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1. Untitled (cover), c. 1916 Lithograph on pink cover stock 83/s x 7% in. (21.3 x 18.7 cm) REFERENCE: Dube 459 L.85.2.39 a
2. Untitled (endpiece), 1918 Woodcut on blue cover stock 2'/2 x 29/i6 in. (6.4 x 6.5 cm)
The center also has an impression from the portfolio Absalom REFERENCE: Dube 366 L.85.2.39 b
410
Kirchner
1470
Der Theosoph, 1917-18
(The theosophist)
Woodcut on handmade paper, laid
down
20% x io'/i6 in. (51.7 x 25.5 cm)
INSCRIPTION: signed, l.r. ; inscribed
"Eigendruck," 1.1.
provenance: Galerie Wolfgang
Ketterer, Munich, 8 December 1970,
lot 467
REFERENCE: Dube 317
exhibition: Reed 96; Barton 17;
Chipp 65
M. 82.288. 124
1471
Bildnis Dr. Spengler, 1919
(Portrait of Dr. Spengler)
Woodcut printed in yellow and black on
pinkish wove paper
19V4 x i25/i6 in. (49.0 x 31.3 cm)
INSCRIPTION: signed, l.r.; inscribed
"Eigendruck," 1.1., "an Nele," I.e.;
titled. I.e.
PROVENANCE: Hauswedell & Nolte,
Hamburg, 6-7 June 1975, part of lot 955
REFERENCE: Dube 404 b.II
exhibition: Reed 97; Barton 18; Chipp 66
Dedicated to Nele van de Velde, daughter of artist Henry van de Velde M. 82. 288. 126
1472
Ludwig Schames, Frankfurt am Main: Bikier vonE. L. Kirchner, 1919 (Ludwig Schames, Frankfurt am Main: Pictures by E. L. Kirchner) Woodcut on yellow cover stock 613/i6 x 53/i6 in. (17.3 x 13.2 cm) From catalogue of exhibition at Galerie Ludwig Schames, Frankfurt, March 1919, cover. The center also has an impression from Gustav Schiefler, Die Graphik Ernst Ludwig Kirchners: Band 2, 1917-1927, p. 36, in which the block is printed in a reduced form (5W x 39/i6 in. [13.4 x 9.0 cm]); see cat. no. 1484 provenance: Andreas Walser (dedication from Kirchner, 24 May 1929, on title page); Hans Bolliger, Zurich; purchased in 1973 reference: Dube 736 i.B exhibition: Reed g8 83.1.112 a
1473
Ludwig Schames, Frankfurt a. M.: Graphik E. L. Kirchner
(Ludwig Schames, Frankfurt a. M.: Graphics by E. L. Kirchner) Book with 3 woodcuts Illustrations to exhibition catalogue (Frankfurt: Galerie Ludwig Schames, 1920)
provenance: Andreas Walser (dedication from Kirchner, 24 May 1929, on title page); Hans Bolliger, Zurich; purchased in 1973 EXHIBITION: Reed 99 83.1.1138-0
1472
1471
1473-1
Kirchner
411
1474-2
1474-3
ftHeUmkchdffen hdben
opSithmilBla.. effiilll' NkBiJsJiemdBaijindesStraFJK DenwitindtnHci'deniihwillr
UicWeGesdiwadepWolken AAA "WcuceStjelditM'
Die (TedaJeJuHbmekd aWnta Zer3ehen inViind unJUchh
WenndieRbende iinken *q UndwipsiMflfenein.-^-^, Gc hen die TrSum ? die xcht Mil leiditen Fussen heron
Cymleln Usssn ik klin^en" In denn5ndenlic]ir_JEc03 Mandnef lustcrn jnd halhen KerzenirariliPGesiihf
1474-5
1. Untitled (cover), 1919 On blue cover stock
7'/i6 x 5% in. (18.0 x 14.6 cm) REFERENCE: Dube 737 83.1.113 a
2. Hymnus, 1919 (Hymn)
On smooth wove paper 59/i6 x 39/i6 in. (14. 1 x 9.0 cm) Page 9; the center also has an impression in Gustav Schiefler, Die Graphik Ernst Ludwig Kirchners: Band 2, 1917-1927, p. 36 (see cat. no. 1484)
reference: Dube 748 11. A 83.1.113 b
3. Der Garten derlrren, 1919 (The garden of madmen) On smooth wove paper 213/i6 x 215/i6 in. (7.4 x 7.4 cm) Page 14
REFERENCE: Dube 768 B 83.1.113 c
1474
Umbra Vitae
(Shadow of life)
Book with 4 full-page and 45 vignette
woodcuts (3 in color) on laid paper and
color woodcut on linen
Illustrations to poems by Georg Heym
(Munich: Kurt Wolff Verlag, 1924); total
edition of 510
INSCRIPTION: numbered (271/500) on
justification page
provenance: Dr. Viktor Undlia,
Krympendorf (ex libris on inside cover);
Hans Bolliger, Zurich; purchased in
1972
REFERENCE: Dube 758-807
EXHIBITION: Reed 104
83.1.116.1-50
1. Untitled (cover), 1919-23 Printed in black and green on yellow linen
913/i6 x 13% in. (25.0 x 35.0 cm) REFERENCE: Dube 759 83.1.116.1
2. Untitled (front endpaper), 1919-23 Printed in blue on fuchsia paper 35/8 x i2'/j in. (9.2 x 31.2 cm) reference: Dube 760 83.1.116.2
3. Untitled (title page), 1919-23 Printed in black and red
59/i6 x 39/i6 in. (14.2 x g. 1 cm) REFERENCE: Dube 762 II. A 83.1.116.3
4. Alle Landschaften haben . . . ,
1919-23
(All landscapes have . . .)
5% x 39/i6 in. (14.6 x 9. 1 cm)
Page 14
REFERENCE: Dube 770 II. A
83.1.116.12
5. Untitled (back endpaper), 1919-23 Printed in blue on fuchsia paper 35/8 x i27/i6 in. (9.2 x 31.6 cm) REFERENCE: Dube 761 83.1.116.50
412
Kirchner
1475
Ausstelhtng von neuen Gemdlden und GraphikvonE. L. Kirchner, 1916-1921
(Exhibition of new paintings and graphics by E. L. Kirchner, 1916-1921) Book with 4 woodcuts on wove paper Illustrations to exhibition catalogue (Frankfurt: Galerie Ludwig Schames, 1921)
PROVENANCE: Hans Bolliger, Zurich; purchased in 1974 EXHIBITION: Reed 102/1-4 83.1.114 a-d
1. Untitled (cover), 1921 On yellow-orange paper 5'/8 x 9'/4 in. (13.0 x 23.5 cm) REFERENCE: Dube 738 II EXHIBITION: Reed 102/1 83.1.114 a
2. Selbstbildnis mit Blume in der Hand, 1920
(Self-portrait with flower in hand) 57/8 x 3V2 in. (15.0 x 9.0 cm) Page 4
REFERENCE: Dube 428 II exhibition: Reed 102/3 83.1.114 b
3. Kopfvor Landschaft mit Figuren, 1921
(Head before landscape with
figures)
3]/8 x 3 in. (8.0 x 7.7 cm)
Page 5
REFERENCE: Dube 739 II
exhibition: Reed 102/2 83.1.114 c
4. Wiese, 1921 (Meadow)
2n/i6 x 35/s in. (6.8 x 9.2 cm) Page 15
REFERENCE: Dube 757 B EXHIBITION: Reed 102/4 83.1.114 d
1476
Badende in Fehen, 1921
(Bathers in rocks)
Woodcut on handmade paper
277/s x I5n/i6 in. (70.8 x 39.8 cm)
INSCRIPTION: titled, dated, and
inscribed "I. Zustand" l.r.
provenance: Hauswedell & Nolte, 6-8
June 1974, lot 968
REFERENCE: Dube 452 I
EXHIBITION: Reed 101, Barton 19;
Chipp 67
M. 82.288. 128
1477
Plakat Nina Hard, 1921
(Poster of Nina Hard)
Woodcut printed in black, blue, and red
on thin brownish wove paper
2i'/i x igVi in. (54.0 x 38.7 cm)
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, lot 970
REFERENCE: Dube 718 (partial proof
without letters)
exhibition: Reed 100; Barton 20;
Chipp 68
M. 82. 288. 127
Uber
1475-3
1475-2
1476
Kirchner
413
1478-1
DdsjjraphischeWerk CrnsHudvi/ig Kirchner
DieGrdphik fpnst Ludwic] Kirchneps bii
von GustdvSdil Bdndl bisBK
€uphopionVerld(| Beplin-Chdrlottew
1479-2
1479-3
1478
Neben der Heerstrasse: Erzahlungen von Jacob Bosshart
(Near the military road: Stories by Jacob
Bosshart)
Book with woodcut on red-brown dust
jacket and 23 vignette woodcuts on
wove paper
Illustrations to book by Jacob Bosshart
(Zurich and Leipzig: Verlag von
Grethlein & Co., 1923)
provenance: Alan Wofsy. San
Francisco; purchased in 1974
REFERENCE: Dube 808-31
EXHIBITION: Reed 103
83.i.ii5a-x
1. Untitled (dust jacket), 1922 Printed in black and violet 713/i6 x 12 in. (19.8 x 30.4 cm) REFERENCE: Dube 808 IV. 3 The center has two impressions 83. 1.1 15 x
1479
Das graphische Werk von Ernst Ludwig Kirchner bis 1924; Band 1, bis 1916
(The graphic work of Ernst Ludwig Kirchner to 1924: Volume 1, to 1916) Book with 12 full-page and 41 vignette woodcuts on smooth wove paper Illustrations to first volume of catalogue raisonne by Gustav Schiefler (Berlin- Charlottenburg: Euphorion Verlag, 1924-26); the center also has the prospectus for the catalogue, which includes the woodcuts appearing on page 113 (Dube 878 B) and page 187 (Dube 885 II. B)
INSCRIPTION: numbered (150/260) on justification page
PROVENANCE: Kurt Hentzen, 1930 (inscription, title page); Kornfeld & Klipstein, Bern, 20 June 1973, lot 408 EXHIBITION: Reed 105 83.1.380.1-53
1. Untitled (cover), 1922-24 Printed in black, blue, and orange on brown paper
10% x 12% in. (27.0 x 32.0 cm)
REFERENCE: Dube 859 The center also has a proof impression
83- 1-380.53
2. Untitled (title page), 1922-24 Printed in black and violet 6Vi x 4 in. (159 x 10.2 cm)
Page 1; the center also has a proof
impression in black and purple as
well as an impression in black and
rose
REFERENCE: Dube 861 b.2 III
83.1.380.1
3. Eva, 1922-24 (Eve)
59/i6 x 2% in. (14. 1 x 6. 1 cm)
Page 8
REFERENCE: Dube 864
83.1.380.4
414
Kirchner
1479 (continued)
4.
Frau mil Katze, 1922-24 (Woman with cat) 513/ifi x 3^16 in. (14-8 x 9.0 cm) Page 26
REFERENCE: Dube 869
83.1.380.10
5. Badende, 1922-24 (Bathers)
Printed in red, violet, and green
23/i6 x 3% in. (5.5 x 9.2 cm)
Page 27; the center also has a prool
impression
REFERENCE: Dube 870 II
83. 1.380. 11
6. Lungerndes Artistenmadchen, 1910 (Lounging acrobat)
65/i6 x 315/i6 in. (16.0 x 10.0 cm)
Page 112
REFERENCE: Dube 157 II
83.1.380.21
7. Liegendes nacktes Madchen mit Katze, 1922—24
(Reclining nude girl with cat)
Printed in red and blue
2V2 x 3u/i6 in. (6.3 x 9.3 cm)
Page 113; the center also has a proof
impression
REFERENCE: Dube 878 A
83.1.380.22
8. Fehmarnsund, 1912 (Fehmarn Sound)
413/i6 x 3l3/i6 in. (12.3 x 9.7 cm)
Page 116
REFERENCE: Dube 215 II
83.1.380.25
9. Frauenunterhaltung im Bordell,
191.3
(Women's conversation in a
bordello)
5'/8 x 3V2 in. (13.0 x 8.9 cm)
Page 234
REFERENCE: Dube 233 II
83.1.380.40
10. Zwei Tanzerinnen, 1922-24 (Two dancers)
Printed in red and yellow 25/i6 x 3% in. (5.9 x 9.5 cm) Page 235
REFERENCE: Dube 891 83.1.380.41
11. Der Kranke, 1919 (The sick one)
513/i6 x 39/i6 in. (14.8 x 9.0 cm)
Page 318
REFERENCE: Dube 401 II
83- 1-380.50
12. Bordellszene, 1913 (Bordello scene)
515/i6 x 39/i6 in. (15.0 x 9.0 cm) Page 357
REFERENCE: Dube 232 II 83-1-380.52
1479-4
1479-6
1479-5
1479-7
1479-10
Kirchner
415
1479-12
2E1CHNUNGEN VON ERNST LUDWIG KIRCHNER
imchJ
ARNOLDS GRflPHMBiiCHER
1481-1
WGrohmann^P* Kipchner-Zeichnun§en
100TafelnundzafilreiciieHolzjdinilfeimText flrnoldvGpaPhisthe Bucher I ZweireFol3e Band6
IferlaglMflpnoldl
Dresden 1925
Ver2eichni5]ifdes
Grap|ii5chen\Nerlces CpjisI JgqRid |\ir diner
1480
1481-4
1480
Titelblatt—veruorfen, 1922-24 (Title page— rejected) Woodcut on blotting paper 515/i6 x 39/i6 in. (15.0 x g.o cm) inscription: signed, l.r. provenance: Ganymede Graphics, Berkeley; purchased in 1975 REFERENCE: Dube 860 II exhibition: Reed 105/3 (as f>rst state) M. 82. 288. 125
1481
Zeichnungen von Ernst Ludwig Kirchner
(Drawings by Ernst Ludwig Kirchner)
Book with 4 full-page and 15 vignette
woodcuts
Illustrations to text by Will Grohmann
(Dresden: Verlag Ernst Arnold, 1925)
inscription: numbered (255/2,225) on
justification page
provenance: Kornfeld & Klipstein,
Bern, 20 June 1973. lot 406
reference: Dube 832-49
EXHIBITION: Reed 107
83. 1.378 a-s
1. Untitled (front cover), 1924 Electrotype on yellow linen g'/i x 67/i6 in. (23.5 x 16.4 cm) REFERENCE: Dube 832 I
83-i-378q
2. Untitled (title page), 1924 Printed in black and red on smooth wove paper
6"/i6 x 5'/4 in. (17.0 x 13.3 cm) REFERENCE: Dube 835 83.1.378 a
3. Reiter, 1924 (Rider)
On smooth wove paper
4'/i6 x 415/i6 in. (10.3 x 12.5 cm)
Page 38
REFERENCE: Dube 849
83. 1.378 p
4. Untitled (back cover), 1924 On yellow linen
49/i6 x 513/i6 in. (11.6 x 14.7 cm) REFERENCE: Dube 834 II 83.1.378 s
1481-2
416
Kirchner
1482
Das Werk Ernst Ludwig Kirchners
(The work of Ernst Ludwig Kirchner) Book with 6 woodcuts on wove paper Illustrations to text by Will Grohmann (Munich: Kurt Wolf f Verlag, 1926) INSCRIPTION: inscribed "Herrn Gabarel mitherzl. Dank/ E. L. Kirchner Febr. 27" on title page; numbered (74/850) on justification page
PROVENANCE: Herrn Gabarel; Hans Bolliger, Zurich; purchased in 1973 EXHIBITION: Reed 108
83- 1-379 a-f
1. Untitled (title page), 1925 Printed in black and blue 7V16 x 7 in. (18.0 x 17.8 cm) REFERENCE: Dube 852 A EXHIBITION: Chipp 69
The center also has an impression from the prospectus for the book (Dube 852 B)
83- 1-379 a
2. Vorwort, 1925 (Foreword) Printed in blue
3n/i6 x 67/s in. (9.4 x 17.5 cm)
Page 3
REFERENCE: Dube 853
83- 1-379 b
3. Das Werk E. L. Kirchners, 1925 (The work of E . L. Kirchner) Printed in blue
39/i6 x 7 in. (9. 1x17.8 cm)
Page 7
REFERENCE: Dube 855
83- 1-379 c
4. Paar vor Spiegel, 1925 (Couple before a mirror) 4% x 4% in. (12.0 x 12.0 cm) Page 10
REFERENCE: Dube 858 II 83- 1-379 d
5. Verzeichnisse, 1925 (Indexes) Printed in blue
3V2 x 7V16 in. (8.9 x 17.9 cm)
Page 53
REFERENCE: Dube 856
8.3- 1-379 e
6. Tafeln, 1925 (Plates) Printed in blue
3V4 x 7V16 in. (8.9 x 18.0 cm) Page 61
REFERENCE: Dube 857 83-1-379 f
1483
Der Maler und zwei Frauen, 1927 (The painter and two women) Woodcut on heavy wove paper 16% x xiVi in. (42.5 x 28.5 cm) inscription: signed and dated (20), l.r. ; inscribed "Eigendruck," 1.1.; dedication, I.e.
provenance: Kornfeld & Klipstein, Bern, 20-22 June 1979, lot 589 REFERENCE: Dube 583 II exhibition: Barton 22 M. 82. 288. 135
1
IkwU
6nstLudwicj Kir-diners
von ■» ,-- —
WGrohmflnnl
Kurt Wolff Verlag Munchen
%u^<fUU ^"fig^M
1482-2
DasWerk IF fLKirchneps
Ml
1482-3
1482-4
1482-5
1482-6
1483
Kirchner
417
Die Graph lie fpnstLuowicj Kipchners
von GusfavSchiefleri
Bandn mm
EuphorionVenlag H
BeplirrCha>lotfenbiiiȤ
1484-6
DieHolzsdinifle
1484-5
OleLithogpflphien
1484-7
1484
Die Graphik Ernst Ludwig Kirchners: Band 2, 1917-1927 (The graphic work of Ernst Ludwig Kirchner: Volume 2, 1917-1927) Book with 15 full-page (6 in color) and 46 vignette woodcuts on smooth wove paper plus color woodcut on cover Illustrations to second volume of catalogue raisonne by Gustav Schiefler (Berlin-Charlottenburg: Euphorion Verlag, 1927—31); edition of 620; see also cat. nos. 1472 and 14732 provenance: Kornfeld & Klipstein, Bern, 13- 15 June 1974, lot 149 exhibition: Reed 106 83.1.381.1-62
1. Untitled (cover), 1922-24 Printed in black, blue, and orange on brown paper
io5/s x 12% in. (27.0 x 32.0 cm)
REFERENCE: Dube 859
The print was also used for the first
volume of Schiefler's catalogue (see
cat. no. 1479. 1 for illustration)
83.1.381.62
2. Untitled (title page), 1927-31 Printed in black and green 65/i6 x 4 in. (16.0 x 10. 1 cm) Page 1
REFERENCE: Dube 902 83.1.381.1
3. Die Holzschnitte, 1927-31 (The woodcuts)
Printed in black and red 37/i6X3%in. (8.8x8.6 cm) Page 37 REFERENCE: Dube 911
83.1.381.12
4. Selbstportrat, 1926 (Self-portrait)
5% x 3V4 in. (14.6 x 8.9 cm)
Page 71
REFERENCE: Dube 549 III
83.1.381.18
5. Trost, 1927-31 (Solace)
63/i6 x 39/i6 in. (157 x 9.0 cm)
Page 135
REFERENCE: Dube 921 II
83.1.381.24
6. Seifenbliiser, 1927-31 (Bubble blower)
4V2 x 3% in. (11.4 x 8.5 cm) Page 222
reference: Dube 927 83.1.381.30
7. Die Lithographien, 1927-31 (The lithographs)
Printed in black and red
37/i6 x 3% in. (8.8 x 8.6 cm)
Page 223
reference: Dube 928 b
83.1.381.31
8. Naektes Paar, 1926 (Nude couple)
63/i6 x 3'/2 in. (15.7 x 8.9 cm)
Page 258
reference: Dube 558 m
83.1.381.37
1484-8
418
Kirchner
1484 (continued)
9. Maskenszene, 1927-31 (Masque)
59/i6 x i7/ie in. (14. 1 x 3.7 cm)
Page 286
REFERENCE: Dube 935
83.1.381.41
10. Die Radierungen, 1927—31 (The etchings)
Printed in black and red
37/i6 x 3T/16 in. (8.7 x 8.7 cm)
Page 287
REFERENCE: Dube 936
83.1.381.42
11. Nachtrage, 1927-31 (Addenda)
Printed in black and red 33/4 x 37/i6 in. (9.5 x 8.8 cm) Page 483
REFERENCE: Dube 948 83.1.381.55
12. Zwei tanzende Frauen, 1927-31 (Two dancing women)
2.V4 x 3T/16 in. (5.7 x 8.7 cm)
Page 499
REFERENCE: Dube 950 II
83.1.381.58
13. Tanz, 1927-31 (Dance)
4% x 3% in. (12.4 x 8.6 cm) Page 526
reference: Dube 952 83.1.381.60
14. Frau und Mann, 1927 (Woman and man)
67/i6 x 313/i6 in. (16.4 x 9.7 cm)
Page 536
REFERENCE: Dube 591 IV
83.1.381.61
1485
Ausstellung Ernst Ludwig Kirchner
(Ernst Ludwig Kirchner exhibition) Book with 5 woodcuts printed in brown on wove paper, plus woodcut on cover stock
Illustrations to exhibition catalogue (Bern: Kunsthalle, 1933) provenance: O. P. Reed, Jr., Los Angeles; date of purchase unknown 83.i.nga-f
1. Untitled (cover), 1932
i3/i6 x 4V4 in. (3. 1 x 10.8 cm) REFERENCE: Dube 741 83.1.119 a
2. Zwei Tanzerinnen, 1932 (Two dancers)
213/i6 x 4'/8 in. (7. 1 x 10.4 cm)
Page 9
REFERENCE: Dube 742
83.1.119 b
3. Zwei Tanzerinnen, 1932 (Two dancers)
3% x 4'/s in. (8.6 x 10.4 cm) Page 14
REFERENCE: Dube 743 83.1.119 c
1484-11
adiepuncjen
1484-10
1484-14
1488
Klee
419
1485-2
1485-3
1485-5
1485-4
1485-6
1486
Zwei Kopfe vor Landschaft, 1932
(Two heads before a landscape)
3 x 4V8 in. (7.7 x 10.4 em)
Page 17
REFERENCE: Dube 744
83.1.119 d
Untitled (nude in boat), 1925
3% x 4V16 in. (9.6 x 10.3 cm)
Page 47
REFERENCE: Dube 751 II
83.1.119 e
Hirten und Ziegen, 1924
(Shepherds and goats)
3% x 4'/s in. (9.6 x 10.4 cm)
Page 52
REFERENCE: Dube 843 11
83. 1.1 19 f
1486
Interieur mit junger Frau, c. 1896 (Interior with young woman) Etching and aquatint on laid paper 55/i6 x 313/i6 in. (13.5 x 9.7 cm) From Pan 1, no. 4 (1896): following 242 provenance: Kornfeld & Klipstein, Bern, 7-8 June 1978, part of lot 775 reference: Dennerlein 645 83.1.1351 i
1487
November, c. 1896
Etching and aquatint printed in brown
on wove paper
i25/s x 713/i6 in. (32.0 x 19.9 cm)
From Pan 2, no. 3 (1896): following 216
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
reference: Dennerlein 1110
83.1.1351 e
Eugen Kirchner born 1865 Halle died 1938 Munich
1488
BlickaufeinenFluss, 1912 (View over a river) Lithograph on wove paper 77/s x n5/i6 in. (20.0 x 28.8 cm) From portfolio Sema (Munich: Delphin-Verlag, 1912) inscription: signed, l.r. provenance: Kornfeld & Klipstein, Bern, 8-9 June 1977, lot 443 reference: Kornfeld 42 B.b EXHIBITION: Jordan 110 M. 82.288.383 h
1489
Schlachtfeld, 1914
(Battlefield)
Lithograph on wove paper
2% x 43/i6 in. (6.6 x 10.7 cm)
From Zeit-Echo 1, no. 3 (1914): 32
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
REFERENCE: Kornfeld 62 II
exhibition: Reed under 308: Jordan 37
83.1.1187 e
Paul Klee
born 1879
Munchenbuchsee, Switzerland
died 1940 Muralto, Switzerland
1487
420
Klee
1490
Der Todfiir die Idee, 1915
(Death for the idea)
Lithograph on wove paper
65/ie x 3% in. (16.0 x 8.5 cm)
From special edition of Zeit-Echo 1, no.
7 (1915): 93
INSCRIPTION: numbered (43) on table of
contents
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
REFERENCE: Kornfeld 63 II. a
EXHIBITION: Reed under 308; Jordan
under 112
83.1.1192 b
1491
Akrobaten, igig
(Acrobats)
Lithograph on laid paper
79/i6 x 3 in. (19.2 x 7.7 cm)
From deluxe edition of Munchner
Blatter fur Dichtung und Graphik 1,
no. 1 (1919): 10
INSCRIPTION: numbered (xix/c) on table
of contents
provenance: Richard Seewald,
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
REFERENCE: Kornfeld 71 II. a
exhibition: Reed under 2go
83.1.13236
1492
Ausloschendes Licht, 1919
(Extinguished light)
Lithograph on wove paper
65/i6 x 5V8 in. (16.0 x 13.0 cm)
From Paul Erich Kiippers, ed.. Das
Kestnerbuch (Hannover: Heinrich
Bohme Verlag, 1919), following p. 80
provenance: Galerie Gerda Bassenge,
Berlin, 13-18 May 1973, part of lot
4076
reference: Kornfeld 75 B
EXHIBITION: Reed 321/9; Fryberger 26;
Jordan 50
83.1.140 i
1493
DreiKopfe, 1919
(Three heads)
Lithograph on laid paper
413/i6 x 513/i6 in. (12.3 x 14.8 cm)
From deluxe edition of Munchner
Blatter fur Dichtung und Graphik 1,
no. 3 (1919): 38
INSCRIPTION: numbered (xix/c) on table
of contents
PROVENANCE: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
REFERENCE: Kornfeld 70 III. a
EXHIBITION: Reed under 290; Fryberger
21; Jordan 52
83.1.1315 c
1490
1492
1493
Klee
421
1494
1497
1494
Insekten, 1919
(Insects)
Lithograph and watercolor on laid paper
8'/s x 513/i6 in. (20.6 x 14.7 cm)
From deluxe edition of Miinchner
Blatter fur Dichtung und Graphik 1,
no. 9 (1919)
inscription: numbered (xix/c) on table
of contents
PROVENANCE: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
reference: Kornfeld 74
exhibition: Reed under 290: Fryberger
under 21: Jordan under 113
83.1.1331 a
1495
Der schreckliche Traum, 1919
(The nightmare)
Lithograph on laid paper
715/i6 x 53/8 in. (20. 1 x 13.6 cm)
From deluxe edition of Miinchner
Blatter fur Dichtung und Graphik 1,
no. 11/12(1919): 185
inscription: numbered (xix/c) on table
of contents
provenance: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
reference: Kornfeld 76 II. a
exhibition: Reed under 290
83- 1- 1333"
1496
Versunkenheit, 1919
(Reverie)
Lithograph on laid paper
95/i6 x 65/i6 in. (23.6 x 16.0 cm)
From deluxe edition of Miinchner
Blatter fitr Dichtung und Graphik 1,
no. 9(1919): 143
inscription: numbered (xix/c) on table
of contents
PROVENANCE: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
REFERENCE: Kornfeld 73 H.a
EXHIBITION: Reed under 290; Fryberger
under 21; Chipp 150; Jordan 46
83.1.1331 e
1497
Zahlenbaumlandschaft, 1919 (Number-tree landscape) Lithograph on laid paper 67/s x 415/i6 in. (17.5 x 12.6 cm) From deluxe edition of Miinchner Blatter fur Dichtung und Graphik 1,
no. 9(1919): 142
INSCRIPTION: numbered (xix/c) on table
of contents
provenance: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
REFERENCE: Kornfeld 72 H.a
exhibition: Reed under 290; Fryberger
under 21; Jordan 49
83.1.1331 d
422
Klee
Bernhard Klein born 1888 Hamburg died 1967 Berlin
1498
Riesenblattlaus, 1920
(Giant aphid)
Lithograph on wove paper
57/i6 x z'/j in. (13.8 x 5.7 cm)
From Kurt Pflster, ed., Deutsche
Graphiker der Gegenwart (Leipzig:
Klinkhardt & Biermann, 1920), pi. 10;
edition of 600
provenance: Hans Bolliger, Zurich;
purchased in 1972
REFERENCE: Kornfeld 77 II. b
exhibition: Reed under 339; Fryberger
28; Jordan 58
83.1.171 g
1499
Kopf bdrtiger Mann, 1925 (Head of a bearded man) Lithograph on simili-japan paper 8% x 6 in. (22.3 x 15.3 cm) Printed by O. Felsing about 1930 for O. W. Gauss, Munich, from edition of 30 on simili-japan paper inscription: signed, l.r. provenance: Solomon R. Guggenheim Museum, New York; O. P. Reed, Jr., Los Angeles; purchased in 1972 reference: Kornfeld 98 B.a M. 82. 288. 138
.vvj:.H,-%-*.t , .
1498
1499
1500
Feierabend, c. 1918
(After work)
Woodcut on wove paper
7n/i6 x 59/i6 in. (19.5 x 14. 1 cm)
From Die schone Raritat 2, no. 9 (1918):
133
PROVENANCE: Kunstgalerie Esslingen, Esslingen; purchased in 1975 exhibition: Reed under 301 83.1.1653 b
1501
Alte Glocken, c, 1919
(Old bells)
Woodcut on wove paper
57/8 x 4^16 in. (14.9 x 11.0 cm)
From Der schwarze Turin, no. 2 (1919):
pl-5
INSCRIPTION: numbered (161/200) on
justification page
PROVENANCE: Ex Libris, New York;
purchased in 1978
83.1. 1316 e
1502
Dalmatienische Landschaft, c. 1919
(Dalmatian landscape)
Woodcut on wove paper
5V& x 5 in. (15.0 x 12.7 cm)
From Der schwarze Turm, no. 2 (1919):
pi. 8
inscription: numbered (161/200) on
justification page
provenance: Ex Libris, New York;
purchased in 1978
83.1.1316 h
1501
1500
Klein
423
1503
1504
1505
1506
1503
Frau mil Spiegel, c. 1919
(Woman with mirror)
Woodcut on wove paper
65/i6 x 315/i6 in. (16. 1 x 10.0 cm)
From Der schwarze Turm, no. 2 (1919):
pi. 4
INSCRIPTION: numbered (161/200) on
justification page
PROVENANCE: Ex Libris, New York;
purchased in 1978
83.1. 1316 d
1504
Joliannes und Salome, c. 1919
(John the Baptist and Salome)
Woodcut on wove paper
6'/2 x 415/i6 in. (16.6 x 12.5 cm)
From Der schwarze Turm, no. 2 (1919):
P>- 3
inscription: numbered (161/200) on
justification page
PROVENANCE: Ex Libris, New York;
purchased in 1978
83.1.1316 c
1505
Junge Familie, c. 1919
(Young family)
Woodcut on wove paper
57/a x 4V4 in. (14.9 x 10.8 cm)
From Der schwarze Turm, no. 2 (1919):
pi. 2
INSCRIPTION: numbered (161/200) on
justification page
provenance: Ex Libris, New York;
purchased in 1978
83.1.1316 b
1506
Der Reiter aufder Briicke, c. 1919
(The rider on the bridge)
Woodcut on wove paper
57/s x 4% in. (14.9 x 11. 1 cm)
From Der schwarze Turm, no. 2 (1919):
pi. 6
INSCRIPTION: numbered (161/200) on
justification page
provenance: Ex Libris, New York;
purchased in 1978
EXHIBITION: Rigby III, 19
83.1. 1316 f
1507
Schlepper und Kdhne, c. 1919
(Tugboat and barges)
Woodcut on wove paper
65/i6 x 45/i6 in. (16.0 x 11.0 cm)
From Der schwarze Turm, no. 2 (1919):
pi. 7
INSCRIPTION: numbered (161/200) on
justification page
provenance: Ex Libris, New York;
purchased in 1978
83.1.1316 g
1507
424
Cesar Klein
born 1876 Hamburg died 1954 Pansdorf
Klein
1508
Der Zeitungsleser, c. 1919
(Man reading a newspaper)
Woodcut on wove paper
415A& x 4V8 in. (12.6 x 10.5 em)
From Der schwa rze Turm, no. 2 (1919).
pi. 1
inscription: numbered (161/200) on
justification page
PROVENANCE: Ex Libris, New York;
purchased in 1978
83.1.1316 a
1509
Untitled (kneeling nude), c. 1912
Woodcut on wove paper
io7/8 x 713/i6 in. (27.6 x 19.8 cm)
From Der Sturm 2, no. 98 (1912): 783
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1390.21
1510
Untitled (woman in interior), c. 1912
Woodcut on wove paper
95/i6 x 713/i6 in. (23.6 x 19.8 cm)
From Der Sturm 3, no. 105 (1912): 5
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1391.1
1511
Untitled (seated nude in landscape),
c. 1912
Woodcut on wove paper
I215/i6 x 9V16 in. (32.9 x 23. 1 cm)
From Der Sturm 3, no. Ii5/n6(i9i2):8i
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1391.9
1512
Untitled (seated woman), c. 1914 Woodcut on wove paper 8% x 65/i6 in. (21.9 x 16.0 cm) From Die Aktion 4, no. 17 (1914):
369-70
provenance: Hauswedell & Nolte,
Hamburg, 30 November 1977, part of
lot 1173
83.1.142 e
1513
Madchen, c. 1918
(Girl)
Woodcut on purple wove paper
1213/ig x 81yi6 in. (32.5 x 22.7 cm)
From Menschen 1, no. 8 (1918): 3
provenance: Galerie Gerda Bassenge,
Berlin, 25 May 1975, part of lot 4883
EXHIBITION: Reed under 289
83.1. 1372 f
1514
Untitled (nude woman), c. 1918 Woodcut on green wove paper io15/ie x 8Vs in. (27.8 x 20.6 cm) From Menschen 1, no. 5 (1918): 3 provenance: Galerie Gerda Bassenge, Berlin, 25 May 1975, part of lot 4883 exhibition: Reed under 289 83.1.1366 c
1509
1508
>v^*2
1512
Klemm
425
1517
1515
Bei der Kartenschldgerin, 1922 (With the fortune-teller) Drypoint on handmade paper 13 x 815/i6 in. (33. o x 22.7 cm) From portfolio Ganymed-Mappe 11 (Munich: Marees-Gesellschaft, 1922) INSCRIPTION: signed, 1.1.; numbered (CXL/CCC) on cover PROVENANCE: Hans Bolliger, Zurich; purchased in 1972 EXHIBITION: Reed 317/29 M. 82.288.378 d
1516
Untitled (two men in armor), c. 1914 Woodcut on laid paper 8n/i6 x s'/j in. (22.0 x 13.3 cm) From Das neue Pathos 2, no. 1/3
(1914): 75
provenance: Ars Libri, Boston; acquired by exchange in 1984 83.1.824 i
1517
i£>'5> 1915
Lithograph on japan paper
8% x jVi in. (22.2 x 18.4 cm)
From Kunst und Kunstler 13, no. 5
(1915): 215
provenance: Ars Libri, Boston;
purchased in 1982
83.1. 1244 1
1518
Die drei Zigeuner, c. 1916
(The three gypsies)
Lithograph on wove paper
io9/i6 x g'/4 in. (26.8 x 23.5 cm)
From Lieder des Bildermann,
supplement to Der Bildermann 1, no.
I3(!9i6)
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
180
EXHIBITION: not listed in Reed under
265
83.1.1462.79
1519
Enten, c. 1917
(Ducks)
Woodcut on wove paper
53/i6 x 65/i6 in. (13.1 x 16.0 cm)
From deluxe edition of Das Kunstblatt
1, no. 5 (1917); the center also has an
impression from the regular edition
INSCRIPTION: numbered (32/110) on
justification page
provenance: Henry Hallenstein; W. F.
Arntz, Haag (Oberbayern); purchased
in 1975
exhibition: Reed 283/44
83.1.1089 a
Paul Kleinschmidt
born 1883 Bublitz
died 1949 Bensheim
Walther Klemm
born 1883 Karlsbad died 1957 Weimar
1518
426
Hlemui
1520
Kleinstadt, c. 1917
(Small town)
Drypoint on wove paper
69/i6 x 5V4 in. (16.7 x 13.4 cm)
From deluxe edition of Das Kunstblatt
1, no. 5(1917)
INSCRIPTION: numbered (32/110) on
justification page
provenance: Henry Hallenstein; W. F.
Arntz, Haag (Oberbayern); purchased
in 1975
EXHIBITION: Reed 283/12
83.1.1089 b
1521
William Tell
Book with 2 full-page and 56 vignette woodcuts on wove paper Illustrations to play by Friedrich von Schiller (Berlin: Deutsche Buch- Gemeinschaft, 1929) provenance: Kurt Meyer (ex libris, cover); Zeitlin & Ver Brugge, Los Angeles; purchased in 1975 83.1.123.1-58
1. Untitled (soldiers holding Gessler's hat aloft), 1929
65/i6 x 47/8 in. (16.0 x 12.4 cm)
Page 37
83.1.123.13
2. Untitled (freedom fighters pledging their unity), 1929
7'/i6 x 415/i6 in. (17.9 x 12.6 cm)
Page 93
83.1.123.27
Max Klinger 1522
Erinnerung, 1894
born 1857 Leipzig (Memory)
Etching on wove paper
died 1920 Leipzig io7/s x 6 in. (27.6 x 15.2 cm)
From Pan 2, no. 2 (1896): before 85 provenance: Kornfeld & Klipstein, Bern, 7-8 June 1978, part of lot 775 reference: Singer 226; Dennerlein
969
83.1. 1352 f
1523
Der Philosoph, 1895
(The philosopher)
Etching and aquatint on wove paper
11V2 x 77/s in. (29.2 x 20.0 cm)
From Pan 1, no. 2 (1895-96):
following 96
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
reference: Singer 244; Dennerlein
255
83-1- 1350 j
1521-1
1520
Kneil
427
1524
1528
15.29
1526
1524
Sommernachtstraum, c. 1917
(A Midsummer Night's Dream)
Lithograph on japan paper
io'/i6 x 9 in. (25.6 x 22.8 cm)
From portfolio Shakespeare Visionen
(Munich: Marees-Gesellschaft, 1918);
from edition A (total edition of 200)
INSCRIPTION: numbered (xiv/l) on
justification page; publisher's blind
stamp, l.r.
provenance: Hans Bolliger, Zurich;
purchased in 1972
EXHIBITION: Reed 336/3
M. 82. 288.384.3
1525
Madchenkopf, c. 1896
(Head of a girl)
Etching printed in black and brown on
chine colle
415/i6 x 6'/i in. (12.6 x 15.8 cm)
From Pan 1, no. 3 (1896): following 166
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
reference: Dennerlein 514
83.1.1351b
1526
Zwei Studienkopfe, c. 1896
(Two studies of heads)
Etching on chine colle
2'/4 x 35/8 in. (5.8 x 9.2 cm)
From Pan 1, no. 3 (1896): following 172
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
REFERENCE: Dennerlein 516
83.1.1351c
1527
An der sozialistischen Staatskrippe ,
c. 1923
(At the cradle of the socialist state)
Woodcut on wove paper
2% x 7% in. (6.6 x 18.8 cm)
From Der Pionier 1, no. 5/6 (1923): 17
provenance: Ars Libri, Boston;
purchased in 1981
831963J
1528
Corpus delicti, 1923
Woodcut on wove paper
5 x 3V8 in. (12.7 x 8.0 cm)
From Der Pionier 1, no. 4 (1923): 18
provenance: Ars Libri, Boston;
purchased in 1981
83.1.963 a
1529
Cuno, c. 1923
Woodcut on wove paper
215/i6 x 2J5/i6 in. (7.5 x 7.4 cm)
From Der Pionier 1, no. 5/6 (1923): 17
provenance: Ars Libri, Boston;
purchased in 1981
83- 1.963 k
Erich Klossowski
born 1875 Ragnit died 1949 France
Edmund Klotz
born 1855 Inzing, Austria
died 1919 Vienna, Austria
Ernst Kneil
1527
428
Kneil
1530
Der deutsch-vblkische Wechselbalg,
c. 1923
(The German people's changeling)
Woodcut on wove paper
39/i6 x 43/i6 in. (9. 1 x 10.6 cm)
From Der Pionier 1, no. 5/6 (1923): 10
PROVENANCE: Ars Libri, Boston;
purchased in 1981
83.1.963 g
1531
Dinters Wiedergeburt, c. 1923
(Dinter's rebirth)
Woodcut on wove paper
3V4 x 2V2 in. (8.2 x 6.4 cm)
From Der Pionier 1, no. 5/6 (1923): 10
PROVENANCE: Ars Libri, Boston,
purchased in 1981
83.1.963 b
1532
Die Himmelspioniere, c. 1923
(The heavenly pioneers)
Woodcut on wove paper
37/8 x 4V16 in. (9.9 x 10.3 cm)
From Der Pionier 1, no. 5/6 (1923): 15
provenance: Ars Libri, Boston;
purchased in 1981
83.1.9631
1533
Die Inflation, c. 1923
(Inflation)
Woodcut on wove paper
3:/j x 4% in. (8.3 x 12. 1 cm)
From Der Pionier i, no. 5/6 (1923): 5
PROVENANCE: Ars Libri, Boston;
purchased in 1981
83.1.963 b
1534
Der kiinfiige Gesandte von Moshau,
c. 1923
(The future ambassador from Moscow)
Woodcut on wove paper
3'/i x 2V2 in. (8.3 x 6.3 cm)
From Der Pionier 1, no. 5/6 (1923): 8
provenance: Ars Libri, Boston;
purchased in 1981
83. 1.963 e
1535
Der Notstandsarbeiter, c. 1923
(The relief worker)
Woodcut on wove paper
4 x 3 in. (10.2 x 7.7 cm)
From Der Pionier 1, no. 5/6 (1923): 6
provenance: Ars Libri, Boston;
purchased in 1981
83.1.963 c
1536
Der Regierungsvertreter, c. 1923 (The government agent) Woodcut on wove paper 39/i6 x 2% in. (9.0 x 7.0 cm) From Der Pionier 1, no. 5/6 (1923): 8 provenance: Ars Libri, Boston; purchased in 1981 83. 1.963 f
1531
1532
1533
1534
1535
1536
Koch
429
1538
jjip^
1541
1539
1540
1537
Verschworung, c. 1923
(Conspiracy)
Woodcut on wove paper
5V16 x 4 in. (12.8 x 10.2 cm)
From Der Pionier 1, no. 5/6 (1923): 7
provenance: Ars Libri, Boston,
purchased in 1981
83.1.963 d
1538
Das ist unser Los, uenn wir nicht
kdmpfenden Anted nehmen am
Weltgeschehen, c. 1924
(That is our lot when we don't take an
active interest in world affairs)
Woodcut on wove paper
55/i6 x 7% in. (135 x 18.8 cm)
From Der Pionier 1, no. 10/1 1 (1924): 28
provenance: Ars Libri, Boston;
purchased in 1981
83- 1-96.3 P
1539
Im Wahlkampfdienste, c. 1924 (Serving the election campaign) Woodcut on wove paper 513/i6 x 5V16 in. (14.8 x 12.9 cm) From Der Pionier 1, no. 10/11 (1924): 21 provenance: Ars Libri, Boston; purchased in 1981 83.1.96311
1540
Um Menschenrechte, 1924
(On human rights)
Woodcut on wove paper
67/8 x 4'/i6 in. (174 x 10.4 cm)
From Der Pionier 1, no. 10/11 (1924): 22
provenance: Ars Libri, Boston;
purchased in 1981
83- 1- 9630
1541 Georg E. Kobbe
Untitled (boat), 1919
Lithograph on laid paper born 1902 Berlin
81/2 x 6% in. (21.6 x 16.8 em)
From Dasjunge Deutschland '2, no. 12 died 1934
(1919): 334
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
83.1.1631a
•innate., zr^^ttj^
/t tilt
1542
Kriegserinnerung, 1919 (Memories of war) Woodcut on brown wove paper 13W x 815/i6 in. (33.7 x 22.7 cm) From series Rudolfinische Drucke, no. 13, printed by Rudolf Gerstung, pub- lished by Wilhelm Gerstung, Offenbach am Main, c. 1921; edition of 200 inscription: signed, 1.1. provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 986 EXHIBITION: Reed 354 M. 82.288. 140
Rudolf Koch
born 1876 Nuremberg
died 1934 Offenbach
430
Koch
1543
Was hiilfe es den Menschen, so er die
ganze Welt gewbnne . . . , c. 1919
(What profits a man if he gains the
whole world . . . )
Linoleum cut on brown wove paper
9 x i37/i6 in. (22.9 x 34.2 cm)
From series Rudolfmische Drucke, no.
11, printed by Rudolf Gerstung, published by Wilhelm Gerstung, Offenbach am Main, 1920 INSCRIPTION: signed, 1.1. provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot g86 M. 82.288. 142
1544
Ich bin der Herr, dein Gott, c. 1920
(I am the Lord, your God)
Woodcut printed in black and red on
handmade laid paper
16% x i83/i6 in. (42.6 x 46.2 cm)
From series Rudolfmische Drucke, no.
16, printed by Rudolf Gerstung,
published by Wilhelm Gerstung,
Offenbach am Main, 1922
inscription: initialed, l.r.
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot 986
M. 82.288. 141 a, b
1545
Jesaia, 1920
(Isaiah)
Woodcut on handmade laid paper
i27/i6 x 18% in. (31.6 x 46.6 cm)
From series Rudolfmische Drucke, no.
12, printed by Rudolf Gerstung, published by Wilhelm Gerstung, Offenbach am Main, 1920 inscription: signed, 1.1.: initialed and dated, l.r.
provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 986 M.82.288.i3ga, b
TCH BINDER HERR/DHNj
iufoOltratttttOT
Moissey Kogan
born 1879 Orgeyev, Bessarabia
died 1943 France
1546
Untitled (two nudes), c. 1922
Woodcut on wove paper
6'/4 x 2'/s in. (15.8 x 5.4 cm)
From Der Querschnitt durch 1922
(Diisseldorf: Galerie Alfred
Flechtheim, 1922), p. 1
INSCRIPTION: numbered (29/400) facing
title page
PROVENANCE: Ex Libris, New York:
purchased in 1982
83.1.828 a
1547
Untitled (two nudes), c. 1922
Woodcut on wove paper
55/i6 x 2V16 in. (13.5 x 5.2 cm)
From Der Querschnitt durch 1922
(Diisseldorf: Galerie Alfred
Flechtheim, 1922), p. 2
INSCRIPTION: numbered (29/400) facing
title page
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.828 b
1545
1549
1546
1548
1550
Kohl
1548
Untitled (two nudes), c. 1922
Woodcut on wove paper
5'/4 x 2'/s in. (13.3 x 5.4 cm)
From Der Querschnitt durch 1922
(Diisseldorf: Galerie Alfred
Flechtheim, 1922), p. 3; the image also
appears following p. 150
INSCRIPTION: numbered (29/400) facing
title page
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.828 c
1549
Untitled (seated male nude), c. 1922
Woodcut on wove paper
7'/i6 x 3'/i6 in. (179 x 7.8 cm)
From Der Querschnitt durch 1922
(Diisseldorf: Galerie Alfred
Flechtheim, 1922), following p. 10
inscription: numbered (29/400) facing
title page
provenance: Ex Libris, New York;
purchased in 1982
83. 1.828 d
431
1550
Hohe Stunde, c. 1919
(The sublime hour)
Lithograph on heavy wove paper
8% x 7V8 in. (21.3 x 18. 1 cm)
From Joachim Kirchner, Junge Berliner
Kunst, Wasmuths Kunsthefte, no. 6
(Berlin: E. Wasmuth, [igig?]), pi. 6
PROVENANCE: W. F. Arntz, Haag
(Oberbayern); purchased in 1975
83. 1.120 f
1551
Untitled (cover), c. 1919
Lithograph printed in black and green
on gray cover stock
12 x g'/a in. (30.5 x 23.2 cm)
From Joachim Kirchner, Junge Berliner
Kunst, Wasmuths Kunsthefte, no. 6
(Berlin: E. Wasmuth, [1919?]), cover
provenance: W. F. Arntz, Haag
(Oberbayern); purchased in 1975
83.1.120 n
1552
Untitled (family), 1922 Lithograph on wove paper 7n/i6 x n'/s in. (19.5 x 28.3 cm) From Georg Biermann, ed., Jahrbuch derjungen Kmist (Leipzig: Klinkhardt & Biermann, 1922), before p. 69 provenance: Hans Bolliger, Zurich; purchased in 1975 EXHIBITION: Beed 320/1922.2 83.1.800 b
Adolf Koglsperger
born 1891 Bremen
Robert Kohl
born 1891 Vienna Austria
432
Kohlhoff
Wilhelm Kohlhoff 1553
Das Drama, c. 1917 born 1893 Berlin (The play)
Lithograph on brown japan paper died 1971 io'Visx g7/i6 in. (27.2 x 24.0 cm)
From portfolio Shakespeare Visionen
(Munich: Marees-Gesellschaft, 1918);
from edition A (total edition of 200)
INSCRIPTION: signed, l.r.; numbered
(xiv/l) on justification page; publisher's
blind stamp, l.r.
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1972
EXHIBITION: Reed 336/17; Guenther
432
M. 82. 288.384. 17
1554
Der Blinde, c. 1919
(The blind man)
Lithograph on heavy wove paper
io5/8 x 5u/i6 in. (27.0 x 14.5 cm)
From Joachim Kirchner, Junge Berliner
Kunst, Wasmuths Kunsthefte, no. 6
(Berlin: E. Wasmuth, [1919?]), pi. 7
provenance: W. F. Arntz, Haag
(Oberbayern); purchased in 1975
83. 1.120 g
1555
Der Reiter, 1922
(The rider)
Lithograph on wove paper
8n/i6 x 7V16 in. (22.0 x 18.0 cm)
From Georg Biermann, ed.,]ahrbuch
derjungen Kunst (Leipzig: Klinkhardt
& Biermann, 1922), following p. 152
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1975
exhibition: Reed 320/1922.3
83. 1.800 c
1553
£r*-Z £<0
|
Oskar Kokoschka |
1556 Die trawnenden Knaben |
1554 |
|
born 1886 |
(The dreaming boys) |
|
|
Pdchlarn, |
Book with 8 color lithographs |
jttSVg] |
|
Austria |
mechanically transferred to stone, on |
«&*■ |
|
wove paper |
-J7& |
|
|
died 1980 |
Illustrations to poem by Kokoschka |
|
|
Villeneuve. |
(Vienna: Wiener Werkstatte, 1908); |
|
|
Switzerland |
from second edition (Leipzig: Kurt Wolff Verlag, 1917) inscription: signed on dedication |
~^^r' |
|
7"i'<> |
||
|
page, July 1978; numbered (35/275) on |
i'rli. |
|
|
justification page |
||
|
PROVENANCE: Hauswedell & Nolte, |
||
|
Hamburg, 6-8 June 1974, lot 998 |
||
|
REFERENCE: Wingler and Welz 22-29 exhibition: Reed 46 |
~:v -'■.-' |
|
|
m |
||
|
83.1. 125 a-h |
■'•'■ |
|
|
1. Schlafende Frau, 1906-8 |
||
|
(Sleeping woman) |
||
|
Printed in black, blue, yellow, green, and red |
1556-1 |
|
|
g'/2 x 9!/i6 in. (24. 1 x 23.0 cm) |
||
|
Plate 1 |
||
|
REFERENCE: Wingler and Welz 22 |
||
|
83.1.125 a |
1556-2
Kokoschka
433
1556-3
1556-4
1556-6
1556-7
2. Das Segelschiff, 1906-8 (The sailboat)
Printed in black, blue, yellow,
green, and red
g'/2 x 9 in. (24. 1 » 22.8 em)
Plate 2
reference: Wingler and Welz 23
83.1.125 b
3. Die Schiffer rufen, 1906-8 (The sailors shout)
Printed in black, blue, yellow,
green, and red
9V2 x g'/ie in. (24. 1 x 23.0 cm)
Plate 3
reference: Wingler and Welz 24
83.1.125 c
4. Die feme Insel, 1906-8 (The distant island) Printed in black, blue, yellow, green, and red
g'/z x 9Vi6 in. (24. 1 x 23.0 cm) Plate 4
REFERENCE: Wingler and Welz 25 83.1. 125 d
5. Paare im Gesprach, 1906-8 (Couples in conversation) Printed in black, blue, yellow, green, and red
97/i6 x 9V16 in. (24.0 x 23.0 cm)
Plate 5
reference: Wingler and Welz 26
83.1.1256
6. Die Schlafenden, 1906-8 (The sleeping ones) Printed in black, blue, yellow, green, and red
9V2 x 9V16 in. (24. 1 x 23.0 cm) Plate 6
reference: Wingler and Welz 27 83.1.125 f
7. Die Erwachenden, 1906-8 (The awakening ones) Printed in black, blue, yellow, green, and red
9'/2 x g'/i6 in. (24. 1 x 23.0 cm)
Plate 7
reference: Wingler and Welz 28
831125 s
8. Das Madchen Li und ich, 1906-8 (The girl Li and I)
Printed in black, blue, yellow,
green, ocher, and red
97/i6 x g'/i6 in. (24.0 x 23.0 cm)
Plate 8
REFERENCE: Wingler and Welz 29
83.1. 125 h
1556-8
434
Kokoschka
1557
Vierzehn Postkarten der Wiener Werkstatte
(Fourteen postcards from the Wiener
Werkstatte)
Fourteen color lithographs
mechanically transferred to stone, on
white board
Each: 5V2 x 3V2 in. (14.0 x 9.0 cm) (card
size)
From set of 15 postcards (lacking
Wingler and Welz 16)
provenance: Kornfeld & Klipstein,
Bern, 21 June 1973, lot 433 (except cat.
no. 1557.2: Frederick Mulder, London;
purchased in 1977)
REFERENCE: Wingler and Welz 3-15, 17
EXHIBITION: Reed 45/1-14
M. 82. 288. 143-56
1. Reiter und Segelschiff, 1906-8 (Rider and sailboat)
4I3/i6 x 3V6 in. (12.3 x 8.0 cm) REFERENCE: Wingler and Welz 3 exhibition: Reed 45/1 M. 82. 288. 149
2. Blumengarten, 1906-8 (Flower garden)
3u/i6 x 215/i6 in. (9.4 x 7.5 cm) REFERENCE: Wingler and Welz 4 exhibition: Reed 45/2 M. 82.288. 143
3. Jager und Tiere, 1906-8 (Hunter and animals)
47/s x 35/i6 in. (12.4 x 8.4 cm) REFERENCE: Wingler and Welz 5 EXHIBITION: Reed 45/3 M. 82.288. 144
4. Flotenspieler und Fledermause, 1906-8
(Flutist and bats)
$V$ x 3% in. (13.0 x 8.0 cm)
REFERENCE: Wingler and Welz 6
EXHIBITION: Reed 45/4
M. 82. 288. 152
5. Biedermeierdame auf Wiese, 1906-8
(Biedermeier woman in meadow) 413/i6 x 3'/i in. (12.3 x 8.3 cm) reference: Wingler and Welz 7 EXHIBITION: Reed 45/5 M. 82. 288. 148
6. Madchen mit Lamm von Rdubern bedroht, 1906-8
(Girl with lamb, threatened by
robbers)
5V6 x 3Vi in. (13.0 x 8.0 em)
reference: Wingler and Welz 8
exhibition: Reed 45/6
M. 82.288. 151
7. Musikanten, 1906-8 (Musicians)
5'/i x 37/i6 in. (13.4 x 8.7 cm) REFERENCE: Wingler and Welz 9 exhibition: Reed 45/7 M. 82.288. 154
1557-3
1557-6
1557-2
1557-8
Kokoschka
435
1557-9
1557-11
1557-10
1557-12
8. Madchen mit Schaf auf Bergtviese,
1906-8
(Girl with sheep in mountain
meadow)
53/i6 x 3'/-! in. (13.2 x 8.2 cm)
reference: Wingler and Welz 10
exhibition: Reed 45/8
M. 82.288. 146
9. Sennerin und Kuh, 1906-8 (Dairymaid with cow)
53/i6 x 3% in. (13.2 x 8.5 cm) reference: Wingler and Welz 11 EXHIBITION: Reed 45/9 M. 82.288. 156
10. Drei Hirten, Hund and Schafe, 1906-8
(Three shepherds, dog, and sheep) 5'/4 x 3% in. (13.4 x 8.5 cm) REFERENCE: Wingler and Welz 12 EXHIBITION: Reed 45/10 M. 82.288. 155
11. Mutter mit drei Kindern, 1906-8 (Mother with three children)
5'/s x 3V16 in. (13.0 x 7.8 cm) REFERENCE: Wingler and Welz 13 exhibition: Reed 45/11 M. 82.288. 145
12. Drei Madchen, Lamm und Paradiesvogel, 1906-8 (Three girls, lamb, and birds of paradise)
415/i6 x 33/i6 in. (12.5 x 8. 1 cm) reference: Wingler and Welz 14 EXHIBITION: Reed 45/12 M. 82.288. 153
13. Madchen am Fenster, 1906-8 (Girl at the window)
5V4 x 37/i6 in. (13.4 x 8.7 cm) reference: Wingler and Welz 15 exhibition: Reed 45/13 M. 82.288. 147
14. Madchen aufWiese vor einem Dorf, 1906-8
(Girl in meadow before a village) 5'/i6 x 3'/s in. (12.8 x 7.9 cm) reference: Wingler and Welz 17 EXHIBITION: Reed 45/14 M. 82. 288. 150
1558
Hirsch, Fuchs und Zauberer, 1907
(Stag, fox, and magician)
Lithograph mechanically transferred to
stone, printed in black, blue, green,
and red on laid paper
513/i6 x 515/i6 in. (14.8 x 15. 1 cm)
Illustration to the play Das getupfte Ei
by Kokoschka, in the first program book
Kabarett Fledermaus (Vienna: Wiener
Werkstatte, 1907)
provenance: Hartung & Karl, Munich,
15 November 1979, part of lot 2899
reference: Wingler and Welz 20
83.1.167 a
436
Kokoschka
1559
Frauenmord: "Morder, Hoffnung der
Frauen" c. 1908-9
(Murder of women: "Murderer, hope of
women")
Pencil, ink, and watereolor on soft wove
paper
i2'/8 x io'/s in. (30.8 x 25.7 cm)
INSCRIPTION: initialed, l.r.
provenance: Karl & Faber, Munich, 12
November 1980, lot 1456
reference: Ernest Rathenau, Oskar
Kokoschka: Handzeichnungen, 1906-
1969 (New York: Ernest Rathenau,
1971), p. 13, pi. 23; Ivan Fenjo, OK: Die
friihe Graphik (Vienna: Euroart, 1976),
P- 57. P>- 36
EXHIBITION: Chipp 70; Vergo 3.65, pi. 24: Varnedoe, p. 214; Calvocoressi 104 M. 82. 287. 85
1560
Ex libris Frau Emma Backer, c. 1909 Rubber stamp(?) printed in brown on wove paper
215/i6 x 2% in. (7.5 x 6.0 cm) INSCRIPTION: signed, l.r. provenance: Galerie Gerda Bassenge, Berlin, 24 May 1975, lot 1590 reference: not in Wingler and Welz exhibition: Reed 47 M. 82.288. 157
1561
Die chinesische Mauer
(The Chinese wall)
Portfolio of 8 lithographs on simili-japan
paper
Illustrations to collection of essays by
Karl Kraus (Leipzig: Kurt Wolf f Verlag,
1914); it is uncertain whether this set is
from the book edition of 200 or the
portfolio edition of 30
inscription: each sheet signed, l.r.
provenance: Kulturministerium
Baden-Wurttemberg; Hauswedell &
Nolte, Hamburg, 6-8 June 1974, lot
999
REFERENCE: Wingler and Welz 35-42
exhibition: Reed 187/1-8
M. 82.288. 164 a-h
1. Der Mord, 1913 (The murder)
13V8 x iol5/i6 in. (33.3 x 27.7 cm) REFERENCE: Wingler and Welz 35 EXHIBITION: Reed 187/1 M.82.288.i64a
2. Aristoteles und Phyllis, 1913 (Aristotle and Phyllis)
11 x io15/ie in. (28.0 x 27.8 cm) reference: Winger and Welz 36 exhibition: Reed 187/2; Chipp 72 M. 82.288. 164 b
3. Frau mit Kind und Tod, 1913 (Woman with child and Death) 12V4 x io3/i6 in. (31.2 x 25.8 cm) reference: Wingler and Welz 37 EXHIBITION: Reed 187/3
M. 82. 288. 164 c
1559
fMfcehto
1560
.""^Sffm;^
'
1561-1
1561-2
1561-3
Kokoschka
437
1561-5
1562-1
owaweaf
1561-6
i»»
mm
1561-8
1562-2
4. Am Spinnrad, 1913 (At the spinning wheel)
13% x ioVj in. (340 x 26.0 cm) reference: Wingler and Welz 38 exhibition: Reed 187/4 M. 82. 288. 164 d
5. Die christliche Liebe, 1913 (Christian love)
i23/s x gV& in. (31.4 x 25. 1 cm) reference: Wingler and Welz 39 exhibition: Reed 187/5 M. 82.288. 164 e
6. Weib, vom Marine begehrt, 1913 (Woman, by man desired)
12% x 9V8 in. (31.4 x 25. 1 cm) REFERENCE: Wingler and Welz 40 exhibition: Reed 187/6 M-82.288.164f
7. Lauscher, 1913 (Eavesdropper)
n3/i6 x ioI5/i6 in. (28.4 x 27.7 cm) REFERENCE: Wingler and Welz 41 EXHIBITION: Reed 187/7; Guenther
175
M. 82.288. 164 g
8. Die Eindringlinge, 1913 (The intruders)
11x11 in. (27.9 x 28.0 cm)
reference: Wingler and Welz 42
exhibition: Reed 187/8; Guenther
176
M. 82. 288. 164 h
1562
Der gefesselte Columbus
(The bound Columbus)
Portfolio of 12 lithographs on J. W.
Zanders paper
Illustrations to poem by Kokoschka
(Berlin: Fritz Gurlitt Verlag, 1920-21);
from third edition (total edition of 120;
two earlier editions from 1916 totaled
200)
inscription: numbered (54/70) on
justification page
provenance: Ars Libri, Boston;
purchased in 1979
reference: Wingler and Welz 43-54
M. 82.287.333-1
1. Das Gesicht des Weibes, 1913 (The face of woman)
8"/i6 x 7% in. (22.0 x 19.3 cm) INSCRIPTION: initialed, l.r. reference: Wingler and Welz 43 EXHIBITION: Chipp 73 M. 82.287. 33 a
2. Der neue Columbus und der heilige Georg, 1913
(The new Columbus and Saint
George)
I213/i6 x I213/i6 in. (32.5 x 32.6 cm)
REFERENCE: Wingler and Welz 44
M. 82.287.33 b
3. Das jiingste Gericht, 1913 (The Last Judgment)
i213/i6 x li'/s in. (32.5 x 28.2 cm) reference: Wingler and Welz 45 M. 82. 287. 33 c
1562-3
438
Kokoschka
1562 (continued)
4. Der Weg ins Grab, 1913 (The path to the grave)
io7/8 x n'/8 in. (27.6 x 28.3 cm) reference: Wingler and Welz 46 M. 82. 287. 33 d
5. Das Paar im Kerzenlicht, 1913 (Couple in candlelight)
I215/i6 x 10% in. (32.9 x 26.3 cm) reference: Wingler and Welz 47 EXHIBITION: Chipp 74 M. 82. 287. 33 e
6. Der Apfel der Eva, 1913 (The apple of Eve)
13% x n5/s in. (34.0 x 29.6 cm) REFERENCE: Wingler and Welz 48 EXHIBITION: Chipp 75 M. 82. 287. 33 f
7. Am Scheidewege, 1913 (At the fork in the road)
i45/i6 x io7/i6 in. (36.3 x 26.5 cm) reference: Wingler and Welz 49 M. 82.287. 33 g
8. Der Mann mit erhobenen Armen und die Gestalt des Todes, 1913 (Man with raised arms and the figure of Death)
11 Vi x ioI5/i6 in. (29.2 x 27.8 cm) reference: Wingler and Welz 50 M. 82. 287. 33 h
9. Begegnung, 1913 (Encounter)
i23/i6 x n5/8 in. (30.9 x 29.5 cm) reference: Wingler and Welz 51
EXHIBITION: Chipp 76
M. 82. 287.331
10. Weib uber Schemen gebeugt, 1913 (Woman bent over phantom)
H3A x 12 in. (22.2 x 30.4 cm) REFERENCE: Wingler and Welz 52 EXHIBITION: Chipp 77 M. 82. 287. 33 j
11. Das Weib triumphiert uber den Toten, 1913
(The woman triumphs over the
corpse)
i23/i6 x io'/i6 in. (31.0 x 25.5 cm)
REFERENCE: Wingler and Welz 53
M. 82. 287. 33 k
12. Das reine Gesicht, 1913 (The clear face)
8'/s x 13V4 in. (20.7 x 33.6 cm) reference: Wingler and Welz 54 M. 82. 287. 33 1
1562-4
I ■*£
1562-6
1562-8
1562-9
1562-12
Kokoschka
439
1563-2
1563
Alios Makar
Five lithographs on wove paper
From Zeit-Echo l, no. 20 (1915):
297-308
inscription: each sheet signed (in
1978), l.r.
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
REFERENCE: Wingler and Welz 69-73
EXHIRITION: Reed under 308
83.1.1205 a-e
1. Mdnnlicher und weiblicher Akt, sitzend, 1914
(Seated male and female nudes) 613/ie x 49/i6 in. (17.3 x 11.6 cm) Page 297
reference: Wingler and Welz 69 83.1.1205 a
2. Der Mann, im Schosse des Weibes liegend, 1914
(The man lying in the lap of the
woman)
6 x 513/i6 in. (15.3 x 14.8 cm)
Page 299
reference: Wingler and Welz 70
83.1.1205 b
3. Der Mann im Boot, 1914 (The man in the boat)
5u/i6 x 7V2 in. (144 x 19. 1 cm) Page 303
REFERENCE: Wingler and Welz 71 83.1.1205 c
4. Sonne uber einem vogeldhnlichen Paar, 1914
(Sun over a birdlike couple) 7V16 x 515/i6 in. (18.0 x 15. 1 cm) Page 305
reference: Wingler and Welz 72 83.1.1205 d
5. Mann und Weib mit Schlange, 1914 (Man and woman with snake)
6'/s x 413/i6 in. (15.5 x 12.2 cm)
Page 308
reference: Wingler and Welz 73
83.1.12056
1563-5
440
Kokoschka
1564
O Ewigkeit— du Donnerwort; Bachkantate
(O eternity— thou thundering word;
Bach cantata)
Portfolio of 1 1 lithographs on Van
Gelder Zonen paper
Published by Fritz Gurlitt Verlag,
Berlin, 1916; from deluxe edition of 25.
The center also has a bound copy from
the second edition (1918)
INSCRIPTION: signed, l.r.
provenance: Hilde Ascher Allen; B. E.
Lewis, Inc., San Francisco; purchased
in 1977
REFERENCE: Wingler and Welz 58-68
EXHIBITION: Beed 190/1-11
M. 82. 288. 168 a- k
1. Selbstbildnis, Brustbild mit Zeiclienstift, 1914 (Bust-length self-portrait with drawing pencil)
I715/i6 x 12 in. (455 x 30.5 cm) reference: Wingler and Welz 58 exhibition: Beed 190/1; Chipp 78 M.8z.288.i68a
2. Drachen iiber einer Flamme, 1914 (Dragons over a flame)
io7/i6 x 7'/4 in. (26.5 x 18.5 cm) The center has another impression from the deluxe edition of 1916 reference: Wingler and Welz 59 exhibition: Reed 190/2 M. 82. 288. 168 b
3. Der Wanderer im Gewitter, 1914 (Traveler in a thunderstorm) i615/i6 x 11% in. (43.0 x 29.8 cm) reference: Wingler and Welz 60 exhibition: Reed 190/3
M. 82.288. 168 c
4. Das Weib fiihrt den Mann, 1914 (The woman leads the man) i57/i6 x i25/i6 in. (39.2 x 31.3 cm) The center has another impression from the 1917 edition of 100 reference: Wingler and Welz 61 exhibition: Beed 190/4
M. 82. 288. 168 d
5. Die Fleltende, 1914 (The supplicant)
i63/i6 x io15/i6 in. (41. 1 x 27.7 cm) reference: Wingler and Welz 62 EXHIBITION: Beed 190/5 M. 82.288. 168 e
6. Das letzte Lager, 1914 (The last camp)
i63/i6 x i2'/i6 in. (41. 1 x 30.7 cm) reference: Wingler and Welz 63 EXHIBITION: Beed 190/6 M. 82. 288. 168 f
7. Furcht und Hoffnung: Der Mann trostet das Weib, 1914
(Fear and hope: The man comforts
the woman)
i53/i6 x n15/i6 in. (38.5 x 30.3 cm)
REFERENCE: Wingler and Welz 64
EXHIBITION: Beed 190/7
M. 82. 288. 168 g
1564-2
1564-1
1564-3
1564-4
1564-6
1564-5
Kokoschka
441
1564-10
1564-9
8. Mann und Weib aufdem Sterbeweg, 1914
(Man and woman on the road to
death)
15 x n13/i6 in. (38. 1 x 30.0 cm)
REFERENCE: Wingler and Welz 65
exhibition: Reed 190/8
M. 82.288. 168 h
9. Der Adler: "Selig sind die Toten"
1914
(The eagle: "Blessed are the dead") i37/s x n7/i6 in. (35.3 x 29. 1 cm) The center has another impression from the deluxe edition of 1916 reference: Wingler and Welz 66 EXHIBITION: Reed 190/9 M. 82.288. 168 i
10. Der Mann erhebt seinen Kopf aus dem Grabe, aufdem das Weib sitzt,
19M
(The man raises his head from the
grave, on which the woman sits)
17% x 131./. in. (44.4 x 33.7 cm)
REFERENCE: Wingler and Welz 67
exhibition: Reed 190/10
M. 82. 288. 168 j
11. Pieta: "Es ist genug," 1914 (Pieta: "It is enough")
nV4 x i2n/i6 in. (29.2 x 32.2 cm) The center has another impression from the deluxe edition of 1916 reference: Wingler and Welz 68 EXHIBITION: Reed 190/11 M. 82. 288. 168 k
1565
Das Abendtnahl, 1916
(The Last Supper)
Lithograph on wove paper
81/* x io9/i6 in. (21.0 x 26.8 cm)
From Der Bildermann 1, no. 17
(1916): 1
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot 180
reference: Wingler and Welz 83
EXHIBITION: Reed 265/21
83.1.1462.65
1566
Auferstehung, 1916
(The Resurrection)
Lithograph on wove paper
915/i6 x n13/i6 in. (25.2 x 30.0 cm)
From Der Bildermann 1, no. 14 (1916): 4
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot 180
REFERENCE: Wingler and Welz 81
EXHIBITION: Reed 265/19
83.1.1462.56
1567
Christi Dornenkronung, 1916 (Christ crowned with thorns) Lithograph on wove paper ioVi6 x i23/i6 in. (25.6 x 30.9 cm) From Der Bildermann 1, no. 9 (1916): 4 provenance: Hauswedell & Nolte, Hamburg, 6-8 June 1974, part of lot 180 reference: Wingler and Welz 79 EXHIBITION: Reed 265/17 83.1.1462.36
1566
442
Kokoschka
1568
Christus am Kreuz, 1916
(The Crucifixion)
Lithograph on wove paper
lo'/a x 12% in. (26.7 x 31.5 cm)
From Der Bildennann 1, no. 12
(1916): 4
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot 180
reference: Wingler and Welz 80
EXHIBITION: Reed 265/18
83.1.1462.48
1569
Christus am Olberg, 1916 (Christ on the Mount of Olives) Lithograph on wove paper io9/i6 x 12% in. (26.8 x 31.5 cm) From Der Bildennann 1, no. 7 (1916): 4 provenance: Hauswedell & Nolte, Hamburg, 6-8 June 1974, part of lot 180 reference: Wingler and Welz 78 EXHIBITION: Reed 265/16 83.1.1462.28
1570
Der Judashuss, 1916
(The kiss of Judas)
Lithqgraph on wove paper
9'/2 x n'/4 in. (24.2 x 28.5 cm)
From Der Bildermann 1, no. 16
(1916): 4
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot 180
reference: Wingler and Welz 82
EXHIBITION: Reed 265/20
83.1.1462.64
1571
Rast aufder Flucht nach Agypten, 1916
(Rest on the flight to Egypt)
Lithograph on wove paper
87A x 11% in. (22.6 x 28.9 cm)
From Der Bildennann 1, no. 18
(1916): 4
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot 180
REFERENCE: Wingler and Welz 84
EXHIBITION: Reed 265/22
83.1.1462.72
1572
Hiob
(Job)
Book with 14 lithographs on Old
Stratford paper
Illustrations to play by Kokoschka
(Berlin: Paul Cassirer, 1917)
INSCRIPTION: signed and numbered
(14/100) on justification page
provenance: Sotheby's, New York,
9-10 November 1978, lot 119
reference: Wingler and Welz 87- 100
83.1.126 a-n
1. Adam undEva, 1916-17
(Adam and Eve)
Printed in red
9% x 10 in. (24.7 x 25.4 cm)
Page 5
reference: Wingler and Welz 87
83.1.126 a
1568
1571
1572-1
1572-2
1572-3
1572-4
Kokoschka
443
1572-9
1572-11
2. Hiob, Kammerjungfrau und Papagei, 1916-17
(Job, chambermaid, and parrot) 11% x g'/i in. (29.8 x 23.5 cm) Page 7
reference: Wingler and Welz 88 83. 1. 126 b
3. Hiob cor der Ttire Animas, 1916-17
(Job at Animas door)
Printed in red
6% x io5/i6 in. (16.3 x 26.2 cm)
Page 14
REFERENCE: Wingler and Welz 89
83.1.126 c
4. Hiob und der Kautschukmann, 1916-17
(Job and the contortionist) n9/i6 x g'/j in. (29.4 x 23.5 cm) Page 19
REFERENCE: Wingler and Welz 90 83.1.126 d
5. Hiob und der Pudel, 1916-17 (Job and the poodle) Printed in red
6% x 9'/s in. (17.2 x 23. 1 cm) Page 2 1
REFERENCE: Wingler and Welz 91 83.1.126 e
6. Hiob, Anima und der Kautschukmann, 1916—17
(Job, Anima, and the contortionist) n5/i6 x qV* in. (28.8 x 23.5 cm) Page 27
REFERENCE: Wingler and Welz 92 83.1. 126 f
7. Hiob und die Frduleins, 1916-17 (Job and the maidens)
i29/i6 x glA in. (319 x 23.5 cm) Page 35
REFERENCE: Wingler and Welz 93 83.1. 126 g
8. Das Frdulein und der Heisssporn, 1916-17
(The maiden and the firebrand)
Printed in red
6% x 9% in. (17.2 x 23.8 cm)
Page 38
REFERENCE: Wingler and Welz 94
83.1.126 h
9. Der Hexenschuss, 1916-17 (Lumbago)
Printed in red
79/i6 x 9% in. (19.2 x 24.8 cm)
Page 42
REFERENCE: Wingler and Welz 95
83.1.126 i
10. Eros und das Paar am Tisch, 1916-17
(Eros and the couple at the table)
Printed in red
6Vi6 x 815/i6 in. (15.4 x 22.7 cm)
Page 43
REFERENCE: Wingler and Welz 96
83. 1.126 j
11. Hiob mit Geweih, 1916-17 (Job with horns)
11V4 x 93/i6 in. (28.5 x 23.4 cm) Page 45
reference: Wingler and Welz 97 83.1.126 k
444
Kokoschka
1572 (continued)
12. Die Herren in Trauerkleidung, 1916-17
(The gentlemen in mourning dress) nVi x g3/i6 in. (28.5 x 23.4 cm) Page 49
REFERENCE: Wingler and Welz 98 83.1.126 1
13. Anima mit Kautschukmann, 1916-17
(Anima with contortionist)
Printed in red
63/i6 x 67/s in. (15.8 x 17.5 cm)
Page 52
REFERENCE: Wingler and Welz 99
83.1.126 m
14. End: Anima und Hiob, 1916—17 (End: Anima and Job)
gVie x i23/i6 in. (23.0 x 31.0 cm) Page 55
REFERENCE: Wingler and Welz 100 83.1.126 n
1573
Sturm, 1916-17
(The Tempest)
Lithograph on japan paper
10T/16 x 97/i6 in. (26.5 x 24.0 cm)
From portfolio Shakespeare Visionen
(Munich: Marees-Gesellschaft, 1918);
from edition A (total edition of 200)
INSCRIPTION: signed, l.r.; numbered
(xiv/l) on justification page; publisher's
blind stamp, l.r.
provenance: Hans Bolliger, Zurich;
purchased in 1972
REFERENCE: Wingler and Welz 86
EXHIBITION: Reed 336/20
M. 82.288.384.20
1574
Lob des hohen Verstandes
(In praise of higher reason) Book with 6 lithographs on wove paper Illustrations to essay by Victor Dirsztay (Leipzig: Kurt Wolff Verlag, 1917) inscription: each sheet signed, l.r.; signed facing title page, July 1978 provenance: Galerie Henze, Campione d Italia, Switzerland; purchased in 1975
REFERENCE: Wingler and Welz 104-9 EXHIBITION: Reed 191 83. 1.756 a-f
1. Den Strick bloss zu beschaffen gilt's, 1917
(Only the rope is necessary) 77/i6 x 57/8 in. (18.9 x 14.9 cm) Following page 10 reference: Wingler and Welz 104 83.1.756 a
2. Versunken wieder in Schlaf . . . ,
1917
(Lost again in sleep . . .)
6V2 x &Vt in. (16.5 x 15.9 cm)
Following page 14
reference: Wingler and Welz 105
83.1.756 b
1572-13
1572-14
1573
Al>-'
«££>-
1574-2
Kokoschka
445
1574-3
1574-4
1574-6
1574-5
1576
3. Wie geht's zu mit dem Todesfall?
1917
(How goes it with the dead?)
8V4 x 615/i6 in. (21.0 x 17.6 cm)
Following page 16
reference: Wingler and Welz 106
83.1.756 c
4. Jener schldgt die arme Zeit ganz tot,
1917
(That one strikes poor time
completely dead)
69/i6 x 63/i6 in. (16.6 x 15.7 cm)
Following page 18
REFERENCE: Wingler and Welz 107
83. 1.756 d
5. Der Begiinstigte und der in den Staub Zerfallene, 1917
(The favored one and the one
crumbled into dust)
75/i6 x 65/i6 in. (18.6 x 16.0 cm)
Following page 24
REFERENCE: Wingler and Welz 108
83.1.756 c
6. Unwerte Gesichter (Der verdammten Chor), 1917 (Unworthy faces [The chorus of the condemned])
6"/i6 x 615/i6 in. (17.0 x 17.6 cm) Following page 26 REFERENCE: Wingler and Welz 109 83. 1.756 f
1575
Portrdt Kathe Richter, 1917
(Portrait of Kathe Richter)
Lithograph on japan paper
9% x 6"/i6 in. (24.8 x 17.3 cm)
From deluxe edition of Das Kunstblatt
1, no. 10 (1917); the center also has an
impression from the regular edition
INSCRIPTION: numbered (32/110) on
justification page
provenance: Henry Hallenstein; W. F.
Arntz, Haag (Oberbayern); purchased
in 1975
reference: Wingler and Welz 112 exhibition: Reed 283/45; Chipp 152 83.1.1094 a
1576
Portrdt Kathe Richter, 1917
(Portrait of Kathe Richter)
Lithograph on japan paper
n'/s x 8% in. (28.2 x 21.3 cm)
From deluxe edition of Das Kunstblatt
1, no. 10 (1917)
provenance: Henry Hallenstein; W. F.
Arntz, Haag (Oberbayern); purchased
in 1975
reference: Wingler and Welz 113 exhibition: Reed 283/13 83.1.1094 b
1575
446
Kokoschka
1577
Corona 1, 1918
Lithograph printed in red-brown on
J. W. Zanders paper
223/is x 15% in. (56.4 x 40.0 cm)
Published by Paul Cassirer, Berlin,
lgig; from edition of 30
inscription: signed and dated, l.r.
provenance: Sotheby's, London, 29
April 1975, lot 87
REFERENCE: Wingler and Welz 126
EXHIBITION: Reed 192
M. 82.288. 158
1578
Corona 2, 1918 Lithograph on wove paper 237/s x 18V2 in. (60.6 x 47.0 cm) Published by Paul Cassirer, Berlin, 1919, from edition of 30 provenance: Karl & Faber, Munich, 23-25 November 1978, lot 1271 reference: Wingler and Welz 127 EXHIBITION: Chipp 80
M. 82. 288. 160
1579
Walter Hasenclever, Brustbild nach links, 1918
(Walter Hasenclever, bust-length portrait facing left) Lithograph on J. W. Zanders paper 247/ie x i65/8 in. (62. 1 x 42.3 cm) Published by Paul Cassirer, Berlin; from edition of 50 (total edition of 75) inscription: signed, l.r. provenance: R. E. Lewis, Inc., San Anselmo, California; purchased in 1974 reference: Wingler and Welz 118 exhibition: Reed 193; Chipp 79 M. 82. 288. 159
1580
Dai Konzert 1 —Naemie, 1920
(The concert 1— Naomi)
Lithograph printed in red-brown on
J. W. Zanders paper
27% x i8'/4 in. (69.6 x 46.3 cm)
From portfolio Die Tochter des Bundes
(Berlin: Paul Cassirer, 1921)
inscription: signed, l.r.; numbered
(6/50) and titled, 1.1.
provenance: Galerie Henze,
Campione dTtalia, Switzerland;
purchased in 1981
reference: Wingler and Welz 140
M. 82. 287. 32
1581
Mddchenbildnis, 1923 (Portrait of a girl) Lithograph on laid paper 97/i6 x 6n/i6 in. (24.0 x 17.0 cm) From Hermann Struck, Die Kunst des Radierens, 5th ed. (Berlin: Paul Cassirer, 1923), before p. 157 provenance: Herman George Scheffauer (inscribed by author, 6 August 1926, on title page); Sims, Reed & Fogg, London; purchased in 1985 reference: Wingler and Welz 159 M.86.80 c; Book Purchase Fund
1578
1580
1581
Kokoschka
447
1582
•|g#
H
\
1584-1
\
1583
1582
Paul Westheim—Kopf, 1923
(Head of Paul Westheim)
Lithograph on Van Gelder Zonen paper
io9/ie x n7/s in. (26.9 x 30. 1 cm)
From portfolio Die Schaffenden 4, no. 3
(Berlin: Euphorion Verlag, 1923);
edition of 100 (total edition of 125)
INSCRIPTION: signed, l.r.; publisher's
stamp, u.r.
provenance: R. E. Lewis, San
Anselmo, California: purchased in 1974
reference: Wingler and Welz 162
exhibition: Reed 285; Chipp 81
M. 82. 288. 162
1583
Christus hilft den hungernden Kindern,
1945-46
(Christ helps the hungry children)
Photolithograph on offset paper
24 x i9'/i6 in. (61.0 x 48.5 cm)
From small edition with Spanish text for
Austrian diplomats in South America
(apart from edition of 5,000 with
English text)
PROVENANCE: Ars Libri, Boston;
purchased in 1979
reference: Wingler and Welz 180
M.82.288.163
1584
Oskar Kokoschka: A Retrospective Exhibition
Book with 2 lithographs on wove paper Illustrations to exhibition catalogue by James Plaut (Boston: Institute of Contemporary Art, 1948); from deluxe edition of 200 INSCRIPTION: signed on title page, July
1978
provenance: Lee & Lee Booksellers, New York: purchased in 1975 reference: Wingler and Welz 181-82 83.1.401 a, b
1. Flotenspieler, 1948 (Flutist)
9 x 67/s in. (22.9 x 17.5 cm) REFERENCE: Wingler and Welz 181 83.1.401 a
2. Weiblicher Akt, 1948 (Female nude)
8V4 x 6% in. (21.0 x 17.5 cm) REFERENCE: Wingler and Welz 182 83.1.401 b
1584-2
448
Kokoschka
1585
Irische Legende
(Irish legend)
Book with 5 lithographs on offset paper
Illustrations to opera by Werner Egk
(Freiburg: Verlagsanstalt Klemm, Erich
Seemann, 1955)
inscription: numbered (415/500) on
justification page
PROVENANCE: Hartung & Karl, Munich,
10-13 November 1981, lot 3002
REFERENCE: Wingler and Welz
200-204
83.1.172 a-e
1. Cathleen und der Dichter Aleel,
1955
(Cathleen and the poet Aleel)
io"/i6 x 8 in. (27.2 x 20.3 cm)
Following page 8
reference: Wingler and Welz 200
83.1.172 a
2. Die beiden Hirten erzahlen von dem Unheil, das die Herden befiel, 1955 (The two shepherds recount the disaster that struck the herd) n3/i6 x 8% in. (28.4 x 22.0 cm) Following page 14 REFERENCE: Wingler and Welz 201 83.1.172 b
3. Der schlafende Dichter und die Damonen, 1955
(The sleeping poet and the demons) io5/i6 x 77/s in. (26.2 x 20.0 cm) Following page 22 REFERENCE: Wingler and Welz 202 83.1.172 c
4. Cathleen und der Bote der Unterwelt, 1955
(Cathleen and the messenger of the
underworld)
10% x g7/i6 in. (27.3 x 24.0 cm)
Following page 32
reference: Wingler and Welz 203
83.1.172 d
5. Der Dichter Aleel, im Hintergrund die Seele Cathleens und die kreisenden Damonen, 1955
(The poet Aleel with Cathleens soul
and circling demons in the
background)
11^16 x 89/i6 in. (28.4 x 21.8 cm)
Following page 40
reference: Wingler and Welz 204
83. 1. 172 e
1586
King Lear
Portfolio of 16 lithographs on Crisbrook
paper
Illustrations to play by William
Shakespeare (London: Ganymed
Original Editions, 1963)
INSCRIPTION: signed and numbered
(69/275) on justification page
PROVENANCE: Ex Libris, New York;
purchased in 1979
REFERENCE: Wingler and Welz 223-38
M. 82.288. 181 a-p
1585-1
1586-1
\ ^ nil <\
1585-4
- S"*-\ \W!Jf Si- ' i'
1586-2
1585-3
1585-5
1586-3
1586-5
Kokoschka
449
1586-6
1586-8
1586-10
PL %
1586-12
1586-7
1586-9
1586-11
|
ii |
||
|
mi |
sii l |
|
|
1586-13 |
1. Portrait of King Lear, 1963 I4ls/i6 x io5/ie in. (37.9 x 26. 1 cm) Frontispiece
reference: Wingler and Welz 223 M. 82. 288. 181 a
2. Lear, 1963
i47/8 x li'/ie in. (37.8 x 28. 1 cm) Facing page 8
REFERENCE: Wingler and Welz 224 M. 82.288. 181b
3. Edmund, 1963
14% x 10% in. (372 x 26.4 cm) Following page 14 reference: Wingler and Welz 225 M. 82. 288. 181c
4. Lear and His Men Leaving Goneril's Castle, 1963
i39/i6 x 10% in. (34.4 x 27.7 cm) Following page 28 reference: Wingler and Welz 226 M. 82.288. 181 d
5. Edgar, 1963
16% x 11% in. (42.2 x 29.5 cm) Following page 38 reference: Wingler and Welz 227 M. 82.288. 181 e
6. Lear, Regan, Goneril, 1963 i45/8 x 11% in. (37. 1 x 28.9 cm) Following page 48 REFERENCE: Wingler and Welz 228 M.82.288.i8if
7. Lear, 1963
I4n/i6 x 10V2 in. (373 x 26.7 cm) Following page 56 REFERENCE: Wingler and Welz 229 M. 82. 288. 181 g
8. Lear and Fool, 1963
I4l3/i6 x io7/i6 in. (37.7 x 26.5 cm) Following page 64 REFERENCE: Wingler and Welz 230 M. 82.288. 181 h
9. Gloucester Led by an Old Man,
1963
13 x n7/i6 in. (330 x 29.0 cm)
Following page 70
REFERENCE: Wingler and Welz 231
M. 82.288. 181 i
10. Goneril and Edmund, 1963 15 x 10% in. (38. 1 x 26.4 cm) Following page 74 reference: Wingler and Welz 232 M. 82.288. 181 j
11. Enter with Drum and Colours: Cordelia and Soldiers, 1963 13V16 x 10T/16 in. (33.2 x 26.5 cm) Following page 78 reference: Wingler and Welz 233 M. 82. 288. 181k
12. Gloucester and Edgar, 1963 14% x 11 in. (37.2 x 28.0 cm) Following page 82 reference: Wingler and Welz 234 M. 82.288. 181 1
13. Cordelia, 1963
14V8 x io'/i6 in. (35.9 x 25.5 cm) Following page 92 REFERENCE: Wingler and Welz 235 M. 82.288. 181 m
450
Kokoschka
1586 (continued)
14. Edgar and Edmund Fight, 1963 I213/ie x 10V16 in. (32.5 x 25.5 cm) Following page 102 REFERENCE: Wingler and Welz 236 M. 82.288. 181 n
15. Lear with Cordelia in His Arms,
1963
i37/i6 x g13/i6 in. (34. 1 x 25.0 cm)
Following page 106
REFERENCE: Wingler and Welz 237
M.82.288.1810
16. Lear with the Body of Cordelia,
1963
12V16 x io'/2 in. (30.7 x 26.7 cm)
Following page 108
REFERENCE: Wingler and Welz 238
M. 82.288. 181 p
1587
SelbstbUdnis mit Faunskopf, 1966 (Self-portrait with head of a faun) Lithograph on japan nacre paper 29'/2 x 23'/j in. (750 x 59.0 cm) Published by Marlborough Fine Art, London
inscription: signed, l.r. ; numbered (xxx/lxx), 1.1.
provenance: William Weston Gallery, London: purchased in 1971 REFERENCE: Wingler and Welz 365 M. 82.288. 161
Alexander Kolbe 1588
Skizzen aus dem Feld, 1914 (Sketches from the field) Lithograph on wove paper I213/i6 x 9% in. (32.6 x 24.7 cm) From Kriegszeit, no. 15 (1914): 4 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
EXHIBITION: Reed 281/144 83.1.1414 d
1589
Skizzen aits dem Feld, c. 1915
(Sketches from the field)
Lithograph on wove paper
ia13/i6 x n7/i6 in. (32.5 x 29.0 cm)
From Kriegszeit, no. 26 (1916): 4
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/145
83.1. 1424 d
Georg Kolbe 1590
Die deutsche Flotte, c. 1915 born 1877 (The German fleet)
Waldheim Lithograph on wove paper
815/i6 x io"/i6 in. (22.7 x 27.2 cm) died 1947 Berlin From Kriegszeit, no. 25 (1915): 2
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/146
83.1.1423 b
m, i
W* 7/
1586-14
1586-16
-*MJS=
1590
1586-15
1589
Kollwitz
451
H:^|S
1592
1594
1591
Begrtissung, 1892
(Greeting)
Etching on wove paper
45/8 x 37/i6 in. (11.8 x 8.8 cm)
From Pan 5, no. 1 (1899): following 50
PROVENANCE: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
REFERENCE: Klipstein 10 II.C;
Dennerlein 2403
83.1.1358 c
1592
Die Carmagnole, 1901
(The carmagnole)
Etching and aquatint on copperplate
paper
229/i6 x i6'/s in. (57.3 x 41.0 cm)
PROVENANCE: Galerie Wolfgang
Ketterer, Munich, 8 June 1970, lot 804
REFERENCE: Klipstein 49 VIII
exhibition: Reed 13; Forster-Hahn 11
M. 82.288.341
1593
Tanz um die Guillotine, 1901 (Dance around the guillotine) Charcoal on yellowish wove paper 2i'/s x i67/s in. (53.7 x 42.8 cm) INSCRIPTION: signed, u.r. provenance: Joseph Katz, Baltimore; Hauswedell & Nolte, Hamburg, 6 June 1974, lot 1036 REFERENCE: Nagel 177 exhibition: Reed 12; Forster-Hahn 12 Study for Kollwitz's 1901 etching Die Carmagnole (cat. no. 1592) M. 82. 288. 339
1594
Brustbild einer Arbeiterfrau mit blauem Tuck, 1903
(Portrait of a working-class woman with blue shawl)
Lithograph printed in light blue, dark blue, and brown on japan paper I4n/i6 x io7/i6 in. (37.3 x 26.5 cm) inscription: signed, l.r. provenance: Karl & Faber, Munich, 2 June 1972, lot 655 REFERENCE: Klipstein 68 II exhibition: Reed 15; Forster-Hahn 21 M. 82.288. 182
1595
Losbruch, 1903
(Breaking away)
Etching and aquatint on yellowish
copperplate paper
I915/ie x 23V2 in. (50.7 x 59.7 cm)
From portfolio Bauernkrieg (Dresden:
Verlag Emil Richter, 1921), pi. 5
INSCRIPTION: signed, l.r.
provenance: Galerie Wolfgang
Ketterer, Munich, 5-6 June 1972, lot
865
reference: Klipstein 66 IX
exhibition: Reed 14; Forster-Hahn 18
M. 82. 288. 187
Kathe Kollwitz
born 1867 Konigsberg
died 1945 Moritzburg
1595
452
Kollwitz
1596
Beim Dengeln, 1905
(The sharpener)
Etching and soft ground on copperplate
paper
11% x 11% in. (29.8 x 29.8 cm)
From portfolio Bauernkrieg (Dresden:
Verlag Emil Richter, 1921), pi. 3;
unsigned proof
provenance: unknown
REFERENCE: Klipstein 90 X
L. 87. 27. 43; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1597
Die Gefangenen, 1908
(The prisoners)
Aquatint and etching on copperplate
paper
i27/s x 16% in. (32.7 x 42.3 cm)
From portfolio Bauernkrieg
(Verbindung fiir historische Kunst,
1908), pi. 7: the center also has a later
impression
PROVENANCE: Hauswedell & Nolte,
Hamburg, 4 June 1971, lot 1120
REFERENCE: Klipstein 98 V
EXHIBITION: Reed 18; Forster-Hahn 19
M.82.288.342
1598
Mannliche Figuren, 1908
(Male figures)
Crayon and charcoal on P. L. Bas paper
i8'yi6 x 24% in. (47.8 x 61.9 cm)
Study for Kollwitz's 1908 etching Die
Gefangenen (cat. no. 1597)
inscription: signed, initialed, and
dated, l.r.
provenance: Hauswedell & Nolte,
Hamburg, 4 June 1971, lot 1100
reference: Nagel 432 a
exhibition: Reed 19; Steadman 35;
Forster-Hahn 20
M. 82.288. 340
1599
Tod, Frau und Kind, 1910
(Death, woman, and child)
Etching printed in brown on heavy
wove paper
i5l5/i6 x 16V16 in. (40.5 x 40.8 cm)
inscription: signed, l.r.
provenance: Galerie Gerda Bassenge,
Berlin, 5-6 December 1980, lot 55S1
reference: Klipstein 113x111
M. 82. 287. 39
1600
Das Bangen, 1914
(Fear)
Lithograph on wove paper
13V4 x 9V2 in. (33.6 x 24. 1 cm)
From Kriegszeit, no. 10 (1914): 4
PROVENANCE: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
REFERENCE: Klipstein 126 II. b
exhibition: Reed 281/147
83.1.1409 d
1596
Kollwitz
453
AZrte-^
1601
1603
1605
1601
Mutter mit Kind aufdem Arm, 1916 (Mother with child in her arms) Lithograph on wove paper i3'/8 x 77/i6 in. (33.4 x 18. g cm) From Der Bildermann 1, no. 2(1916): 3 provenance: Hauswedell & Nolte, Hamburg, 6-8 June 1974, part of lot 180
REFERENCE: Klipstein 132 II
EXHIBITION: Reed 265/23 83.1.1462.7
1602
Gedenkblatt fur Karl Liebknecht, 1919 (Memorial sheet for Karl Liebknecht) Lithograph on heavy Papier Lipsia paper
I513/i6 x 259/i6 in. (40.2 x 65.0 cm) inscription: signed, l.r. provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1980 REFERENCE: Klipstein 138 EXHIBITION: Rigby 58 M. 82. 287. 38
1603
Der Trauernde, 1919
(The mourner)
Etching and aquatint on Van Gelder
Zonen paper
io7/8 x 6^16 in. (27.6 x 16.0 cm)
INSCRIPTION: signed, l.r.
provenance: Galerie Nierendorf,
Berlin; purchased in 1985
REFERENCE: Klipstein 137 v. A. a
L. 85. 2. 34; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1604
Gedenkblatt fur Karl Liebknecht,
1919-20
(Memorial sheet for Karl Liebknecht)
Woodcut on wove paper
I413/i6 x 203/i6 in. (37.6 x 51.2 cm)
INSCRIPTION: signed, l.r.
provenance: Saalbau-Galerie,
Darmstadt; purchased in 1980
reference: Klipstein 139 IV. a
EXHIBITION: Rigby 59
M. 82. 287. 35
1605
Selbstbildnis, 1920
(Self-portrait)
Lithograph on heavy wove paper
9V8 x 8'/8 in. (23.2 x 20.7 cm)
From Kurt Pfister, ed., Deutsche
Graphiker der Gegenwart (Leipzig:
Klinkhardt & Biermann, 1920), pi. 3;
edition of 600
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1972
REFERENCE: Klipstein 145 I.b
EXHIBITION: Reed under 339
83.1.171 c
454
Kollwiiz
1606
Sieben Holzschnitte zum Krieg
(Seven woodcuts on the war) Portfolio of 7 woodcuts on japan paper Published by Verlag Emil Richter, Dresden, 1924; from edition A inscription: each sheet signed, l.r., and numbered (18/100), 1.1. provenance: Hauswedell & Nolte, Hamburg, 6 June 1975, lot 1059 reference: Klipstein 177-83 EXHIBITION: Reed 204; Barton 58 a-g; Rigby 60-66 M. 82. 288. 193 a-g
1. Das Opfer, 1922-23 (The sacrifice)
i49/i6 x 15% in. (37.0 x 40.0 cm) reference: Klipstein 177 vii. b M. 82. 288. 193 a
2. Die Freiwilligen, 1922-23 (The volunteers)
i33/4 x i95/i6 in. (350 x 49.0 cm) reference: Klipstein 178 IV. b M. 82. 288. 193 b
3. Die Eltern, 1923 (Parents)
13% x i69/i6 in. (35.0 x 42.0 cm) reference: Klipstein i7glv.b M. 82. 288. 193 c
4. Die Witwe 1, 1922-23 (The widow 1)
14% x 9% in. (37. 1 x 24.4 cm) REFERENCE: Klipstein 180 v.b M. 82. 288. 193 d
5. Die Witwe 2, 1922-23 (The widow 2)
n3/4 x 2013/i6 in. (29.9 x 52.9 cm) reference: Klipstein 181 vn.b M. 82. 288. 193 e
6. Die Mutter, 1922-23 (The mothers)
i33/s x 15% in. (34.0 x 40.0 cm) reference: Klipstein 182 v.b M. 82. 288. 193 f
7. Das Volk, 1922-23 (The people)
14Y16 x 11% in. (36. 1 x 29.9 cm) REFERENCE: Klipstein 183 v.b M. 82. 288. 193 g
1607
Selbstbildnis, 1924 (Self-portrait) Lithograph on japan paper 11% x 815/i6 in. (29.8 x 22.7 cm) From annual portfolio of Kreis graphischer Kiinstler und Sammler (Leipzig: Verlag Arndt Beyer, n.d.); from deluxe edition of 25 inscription: signed, l.r. provenance: Lumley Cazalet, Ltd., London; purchased in 1974 REFERENCE: Klipstein 198 a exhibition: Reed 205; Chipp 83 M. 82.288. 184
1606-1
1606-3
1606-4
1606-6
1606-7
Kollwitz
455
1607
1608
1610
1608
Verbruderung, 1924 (Fraternization) Lithograph on laid paper g'/i x 6"/i6 in. (23.5 x 17.0 cm) From Henri Barbusse, Der singende Soldat (Leipzig: Friedrich Dehne Verlag, 1924), frontispiece; from German edition of 700 (there was also an English edition of 700) INSCRIPTION: numbered (598/1,400) on justification page
provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1977 REFERENCE: Klipstein 199 c EXHIBITION: Chipp 153; Rigby III, 18 83.1.128 a
1609
Hunger, 1925
Woodcut on heavy japan paper
227/8 x i67/s in. (58.2 x 42.9 cm)
From portfolio Proletariat (Dresden:
Verlag Emil Richter, 1926), pi. 2; total
edition of 100
INSCRIPTION: signed, l.r.; numbered
(i5/25)> 1-1.
provenance: Zeitlin & Ver Brugge, Los
Angeles; purchased in 1976
reference: Klipstein 207 xv. b
EXHIBITION: Forster-Hahn 66; Barton
59; Chipp 84; Rigby 67
M. 82.288. 185
1610
Frau vertraut sich dem Tod an, 1934 (Woman entrusts herself to Death) Lithograph on wove paper i8Vs x 15^16 in. (46.0 x 39.5 cm) From portfolio Tod (1934-37), pi. 1 INSCRIPTION: signed, l.r. j numbered (34/100), 1.1.
provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1979 reference: Klipstein 256 b M. 82.288. 188
1611
Selbstbildnis, 1934 (Self-portrait)
Lithograph on copperplate paper 8'A x 77/i6 in. (21.0 x 18.9 cm) Dedicated proof apart from edition of 80 INSCRIPTION: signed, dated (37), and dedicated to Frau Gerda Fulder, l.r. provenance: R. E. Lewis, Inc., San Anselmo, California; purchased in 1975 reference: Klipstein 252 a exhibition: Reed 208; Chipp 85 M. 82.288. 183
1612
Tod aufder Landstrasse, 1934 (Death on the highway) Lithograph on wove paper i6V8 x 11% in. (41.0 x 29.2 cm) From portfolio Tod (1934-37), P'- 5; edition of 100 INSCRIPTION: signed, 1.1. provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1979 REFERENCE: Klipstein 260 II. b M. 82.288. 190
456
Kollwitz
1613
Tod greift in Kinderschar, 1934 (Death seizes a group of children) Lithograph on wove paper 19% x i6V4 in. (50. 1 x 42.0 cm) From portfolio Tod (1934-37), pi. 3; edition of 100
PROVENANCE: Karl & Faber, Munich, 28-29 November 1974, lot 1279
REFERENCE: Klipstein 258 b
exhibition: Reed 209; Chipp 86 M. 82.288. 189
1614
Tod lidlt Mddclien im Schoss, 1934 (Death holds a girl in his lap) Lithograph on wove paper 16% x i4I5/i6 in. (42.9 x 37.9 cm) From portfolio Tod (1934-37), pi- 2; edition of 100 INSCRIPTION: signed, l.r. provenance: Richard A. Simms, Long Beach, California; Paula Kendall, Los Angeles; purchased in 1979 reference: Klipstein 257 b M.82.287.36
1615
Tod packt eine Frau, 1934
(Death grasps a woman)
Lithograph on wove paper
20V16 x 14% in. (51.0 x 36.5 cm)
From portfolio Tod (1934-37), pi. 4
inscription: signed, l.r.; numbered
(35/100), 1.1.
PROVENANCE: Frankfurter Kunst-
kabinett, Frankfurt; purchased in 1980
REFERENCE: Klipstein 259 b
M. 82. 287. 37
1616
Rufdes Todes, 1934-35
(Summons of Death)
Lithograph on soft wove paper
15 x 15 in. (38.0 x 38.0 cm)
From portfolio Tod (1934-37), pi- 8;
edition of 100
inscription: signed, l.r.; inscribed
"Aus Folge Tod," l.r.
provenance: Alice Adam, Chicago
(catalogue 1, no. 36); purchased in 1977
reference: Klipstein 263 b
M. 82. 288. 192
1617
Tod im Wasser, 1934-35
(Death in the water)
Lithograph on brownish wove paper
19V2 x 14% in. (49.5 x 37.5 cm)
From portfolio Tod (1934-37), pi- 7;
edition of 100
inscription: signed, l.r.
provenance: Galerie Wolfgang
Ketterer, Munich, 26 November 1974,
lot 977
reference: Klipstein 262 b
EXHIBITION: Reed 210
M.82.288.191
1614
1613
1616
^m^^j^mm
1618
1619
1620
1621
1622
Kopke
1618
Selbstbildnis im Profil, nach rechts,
1938
(Self-portrait in profile, facing right)
Lithograph on wove paper
18% x n9/i6 in. (477 x 29.3 cm)
INSCRIPTION: inscribed "Aus dem
Nachlass Kathe Kollwitz, Hans
Kollwitz," 1. r.
provenance: Jeffrey Horwitz Ltd., Los
Angeles; purchased in 1980
REFERENCE: Klipstein 265 in. a
M. 82. 287. 34
457
1619
Untitled (woman flying), c. 1902 Woodcut on laid paper 515/i6 x 59/i6 in. (15. 1 x 14. 1 cm) From Wiener Secession: Katalog der vierzehnten Ausstellung der Vereini- gung bildender Kiinstler Osterreichs, exh. cat. (Vienna: Wiener Secession, 1902), p. 54
provenance: Hartung & Karl, Munich, 28-29 May 1974, part of lot 2031 EXHIBITION: Reed under 241/1 83.1.610 j
1620
Untitled (seated nude), c. 1902 Woodcut on laid paper 59/ie x 53/i6 in. (14. 1 x 13.2 cm) From Wiener Secession: Katalog der vierzehnten Ausstellung der Vereini- gung bildender Kiinstler Osterreichs, exh. cat. (Vienna: Wiener Secession, 1902). p. 61
PROVENANCE: Hartung & Karl, Munich, 28-29 May 1974, part of lot 2031 EXHIBITION: Reed under 241/1 83.1.610 1
1621
Falstaff, c. 1917 Lithograph on japan paper i43/i6 x 11% in. (36.0 x 29.5 cm) From portfolio Shakespeare Visionen (Munich: Marees-Gesellschaft, 1918); from edition A (total edition of 200) INSCRIPTION: signed, l.r.; numbered (xiv/l) on justification page; publisher's blind stamp, l.r.
PROVENANCE: Hans Bolliger, Zurich; purchased in 1972 EXHIBITION: Reed 336/6 M. 82.288.384.6
1622
Mddchenpaar, c. 1921
(Two girls)
Woodcut on wove paper
I315/i6 x 10% in. (35.4 x 27.0 cm)
From Kiindung 1, no. 9/10 (1921)
PROVENANCE: Galerie Wolfgang
Ketterer, Munich, 26 November 1974,
part of lot 1154
exhibition: Reed under 282
83.1.1060 g
Friedrich Kdnig
born 1857 Vienna, Austria
died 1941 Vienna, Austria
Leo von Konig
born 1871 Brunswick
died 1944 Tutzing
Robert Kopke
born 1893 Bremen
458
Kopke
1623
Mann mit Ghs, c. 1921 (Man with glass) Woodcut on wove paper 13% x 9% in. (35.0 x 24.7 cm) From Kiindung 1, no. 9/10 (1921) provenance: Galerie Wolfgang Ketterer, Munich, 26 November 1974, part of lot 1154 EXHIBITION: Reed under 282 83.1.1060 h
1624
Seele Sein, c. 1921 (Spiritual being) Woodcut on wove paper n7/i6 x 89/i6 in. (29.0 x 21.8 cm) From Kiindung 1, no. 4/6 (1921) provenance: Galerie Wolfgang Ketterer, Munich, 26 November 1974, part of lot 1154 EXHIBITION: Reed under 282 83. 1. 1058 b
1625
Untitled (two figures), c. 1923
Woodcut on wove paper
613/i6 x 5% in. (17.3 x 13.1 cm)
From Karl Lorenz, ed. , Das neue
Hamburg (Hamburg: Gemeinsehafts-
verlag Hamburgischer Kunstler, 1923),
p. 163
INSCRIPTION: numbered (257/450) on
justification page
PROVENANCE: Arthur H. Minters, New
York; purchased in 1976
EXHIBITION: Reed under 322
83.1.160 aa
1626
Untitled (three figures), c. 1923
Woodcut on wove paper
615/i6 x 6% in. (17.7 x 17.5 cm)
From Karl Lorenz, ed. , Das neue
Hamburg (Hamburg: Gemeinschafts-
verlag Hamburgischer Kunstler, 1923),
p. 165
INSCRIPTION: numbered (257/450) on
justification page
PROVENANCE: Arthur H. Minters, New
York; purchased in 1976
EXHIBITION: Reed under 322
83.1.160 bb
1627
Untitled (two figures), c. 1923
Woodcut on wove paper
99/i6 x 6V2 in. (24.3 x 16.5 cm)
From Karl Lorenz, ed. , Das neue
Hamburg (Hamburg: Gemeinschafts-
verlag Hamburgischer Kunstler, 1923),
p. 167
inscription: numbered (257/450) on
justification page
provenance: Arthur H. Minters, New
York; purchased in 1976
EXHIBITION: Reed under 322
83.1. 160 cc
1623
1625
6off gino/nun hofet
T)emut DicH/WefWDe , du Micte- , ■,,
, 5AAenunL ■ , P6nerJ)rangtW(fr5^ordne/
Rayrmuj mfe
WMfio HkftKYer
1624
1626
Korteweg
459
1628
1630
1632
1628
Untitled (battlefield), c. 1915 Lithograph on wove paper 67/i6 x 4I3/i6 in. (16.4 x 12.3 cm) From special edition of Zeit-Echo 1, no.
9 (1915): 135
INSCRIPTION: numbered (36) on table of
contents
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
exhibition: Reed under 308
83.1.1194 f
Otto Kopp
born 1879 Munich
1629
Kopping'sche Zierglaser, c. 1896 (Ornamental glasses by Kopping) Etching printed in green on wove paper io3/i6 x 6'/i in. (25.8 x 15.8 cm) From Pan 2, no. 3 (1896): following 252 provenance: Kornfeld & Klipstein, Bern, 7-8 June 1978, part of lot 775 reference: Dennerlein 1208 83- 1- I353i
1630
Sitzende nackte Figur, c. 1898
(Seated nude figure)
Etching on wove paper
7% x 71/i6 in. (19.6 x 17.9 cm)
From Pan 3, no. 4 (1898): following 212
PROVENANCE: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
REFERENCE: Dennerlein 1768
83- 1- 1355 J
Karl Kopping
born 1848 Dresden died 1914 Berlin
1631
Untitled (house), c. 1913 Linoleum cut on wove paper 615/ie x 47/i6 in. (17.6 x 11.2 cm) From Der Sturm 4, no. 170/171
(1913): 65
provenance: Ex Libris, New York;
purchased in ig82 83.1.1391.70
1632
Untitled (forest), c. 1913 Linoleum cut on wove paper 53/i6 x 7% in. (13. 1 x 18.8 cm) From Der Sturm 4, no. 170/171 (1913): 69
PROVENANCE: Ex Libris, New York; purchased in 1982 83.1.1391.71
1633
Untitled (sailboats), c. 1913 Linoleum cut on wove paper 45/8 x 59/w in. (11.7 x 14.2 cm) From Der Sturm 4, no. 170/171 (1913): 69
provenance: Ex Libris, New York; purchased in 1982 83.1.1391.72
Adrian Johan Korteweg
born 1890
Wormerveer,
Netherlands
died 1917 Madras, India
1633
460
Kotfk
Pravoslav Kotik
born 1889 Slabce, Bohemia
A. Krapp
1634
MUenci, c. 1918
(Lovers)
Woodcut on wove paper
5% x 43/i6 in. (14.3 x 10.7 cm)
From Czech periodical Cerven i, no. 16
(1918): 221
provenance: gift of Dr. Paul Raabe,
1985
L. 85. 2. 91 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1635
Untitled (the star of kings), c. 1917 Woodcut on wove paper 39/i6 x 3% in. (9.0 x 8.6 cm) From Die Aktion 8, no. 3/4 (1918): 33; not identified as an original woodcut provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 83.1.1529 b
1636
Die Aktion, c. igi8
(Action)
Woodcut on wove paper
3 x 3V4 in. (7.7 x 8.2 cm)
From Die Aktion 8, no. 25/26 (1918):
315; not identified as an original
woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83- 1- 1535C
1637
Portrat Ludwig Baumer, c. 1918
(Portrait of Ludwig Baumer)
Woodcut on wove paper
3% x 213/i6 in. (9. 5 x 7. 1 cm)
From Ludwig Baumer, Dasjungste
Gericht, no. 16 in the monographic
series Der rote Hahn (Berlin-
Wilmersdorf: Verlag die Aktion, 1918),
frontispiece
provenance: Hartung & Karl, Munich,
21 November 1974, part of lot 1936
83-1-531 a
1638
Die Satire, c. 1918
(The satire)
Woodcut on wove paper
2n/i6 x 3V8 in. (6.8 x 8.0 cm)
From Die Aktion 8, no. 27/28 (1918):
349; not identified as an original
woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1. 1536 d
1636
1637
1638
Krapp
461
1639
:: ■ 1^Ple
1641
1640
1643
1642
1639
Die Satire der Franzosen I, c. 1918
(The satire of the French 1)
Woodcut on wove paper
3'/8 x 3V8 in. (8.0 x 8.0 cm)
From Die Aktion 8, no. 33/34 (1918):
418; not identified as an original
woodcut
provenance: gift of Titus Felixmiiller,
1984
L. 84. 5. 79 a; lent by the Robert Gore
Rifldnd Foundation, Beverly Hills,
California
1640
Die Satire der Franzosen 2, c. 1918
(The satire of the French 2)
Woodcut on wove paper
3lA x 39/i6 in. (8.3 x 9.0 cm)
From Die Aktion 8, no. 33/34 (1918):
419; not identified as an original
woodcut
PROVENANCE: gift of Titus Felixmiiller,
1984
L. 84. 5. 79 b; lent by the Robert Gore
Rifldnd Foundation, Beverly Hills,
California
1641
Die Satire der Franzosen 3, c. 1918
(The satire of the French 3)
Woodcut on wove paper
213/i6 x 3V8 in. (7.2 x 8.0 cm)
From Die Aktion 8, no. 33/34 (1918):
420; not identified as an original
woodcut
provenance: gift of Titus Felixmiiller,
1984
L. 84. 5.79 c: lent by the Robert Gore
Rifldnd Foundation, Beverly Hills,
California
1642
Die Satire der Franzosen 4, c. 1918
(The satire of the French 4)
Woodcut on wove paper
29/i6 x 3V16 in. (6.5 x 7.8 cm)
From Die Aktion 8, no. 33/34 (1918):
422; not identified as an original
woodcut
provenance: gift of Titus Felixmiiller,
1984
L. 84.5. 79 d; lent by the Robert Gore
Rifldnd Foundation, Beverly Hills,
California
1643
Untitled (Annunciation), c. 1918 Woodcut on wove paper 213/i6 x 3V8 in. (7. 1 x 8.0 cm) From Die Aktion 8, no. 9/10(1918): ill; not identified as an original woodcut provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 83.1.1531a
462
Krapp
1644
Untitled (figures in web), c. 1918 Woodcut on wove paper 59/i6 x 3'/s in. (14. 1 x 7.9 cm) From DieAktion 8, no. 25/26 (1918):
3M
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83- 1- 1535 b
1645
Momentbild aus der
Nationalversammlung, c. 1919
(Snapshot from the national assembly)
Woodcut on wove paper
47/i6 x 6"/i6 in. (11.2 x 17.0 cm)
From Die Aktion 9, no. 28 (1919):
473-74; not identified as an original
woodcut
provenance: gift of Titus Felixmiiller,
1984
L.84.5.85 c; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1646
"Sammeltfiir den Pressefonds!'' c. 1919 ("Collect for the press funds!") Woodcut on wove paper 3:/4 x 3% in. (8.3 x 8.5 cm) From Die Aktion 9, no. 20 (1919): 340; not identified as an original woodcut provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 83- 1. 1552 d
1647
Untitled (seated figure), c. 1919
Woodcut on wove paper
25/i6 x 3V16 in. (5.9 x 7.8 cm)
From Die Aktion 9, no. 26/27 (1919):
450; not identified as an original
woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1554 a
1648
Untitled (two figures), c. 1919
Woodcut on wove paper
2% x 3Va in. (6.9 x 8.9 cm)
From Die Aktion 9, no. 41/42 (1919):
704; not identified as an original
woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83. 1. 1560 b
1644
1645
Bruno Krauskopf 1649
Damenbildnis, 1919 born 1892 (Portrait of a woman)
Marienburg Lithograph on laid paper
8V2 x 6V2 in. (21.6 x 16.5 cm) died 1960 Berlin From Dasjunge Deutschland 2, no. 10
(1919): before 267
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
83.1.1629 a
Kretzschmar
463
1650
1651
1650
Portraitstudie, 1919
(Portrait study)
Lithograph on heavy wove paper
10V2 x 7% in. (26.7 x 18.8 cm)
From Joachim Kirchner, Junge Berliner
Kunst, Wasmuths Kunsthefte, no. 6
(Berlin: E. Wasmuth, [1919?]), pi. 8
PROVENANCE: W. F. Amtz, Haag
(Oberbayern); purchased in 1975
83.1.120 h
1651
Zu Dostojewskis Novelle "Die Sanfte"
1919
(To Dostoyevski's short story "The
gentle one")
Lithograph on laid paper
83/i6 x 6'/i6 in. (20.8 x 15.4 cm)
From Das junge Deutschland 2, no. 1
(1919): before 1
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
83.1.1621 a
1652
Untitled (portrait of a woman), 1919
Lithograph on laid paper
8% x 6V4 in. (21.9 x 15.9 cm)
From Das junge Deutschland [3, no. 1
(1920): before 1
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
83.1.1632 a
1652
1653
Untitled (steam shovel), c. 1913
Lithograph on laid paper
7% x 5V2 in. (18.7 x 14.0 cm)
From Das neue Pathos 1, no. 5/6
(1913): 49
inscription: numbered (50/100) on
justification page
PROVENANCE: Ars Libri, Boston;
purchased in 1983
L. 84. 5. 339 o; lent by the Bobert Gore
Bifkind Foundation, Beverly Hills,
California
Karl Friedrich Krebs
born 1880 Vingelz, Switzerland
**,
1654
Der Fleischerladen, 1921 (The butcher's shop) Etching and aquatint on wove paper 10% x n9/i6 in. (26.3 x 29.4 cm) From portfolio Ganymed-Mappe I (Munich: Marees-Gesellschaft, 1921); edition of 200 INSCRIPTION: signed, l.r. PROVENANCE: Hans Bolliger, Zurich; purchased in 1972 EXHIBITION: Reed 317/18 M. 82.288.377 f
Bernhard Kretzschmar
born 1889 Dobeln died 1972 Dresden
1654
1653
464
Kreizschmar
Albert Kriiger
1655
Der schbne Sonntag, 1922
(Beautiful Sunday)
Lithograph on wove paper
ioVi x 7V4 in. (26.0 x 19.0 cm)
From Gearg Biermann, ed.,]ahrbuch
derjungen Kunst (Leipzig: Klinkhardt
& Biermann, 1922), before p. 21
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1975
EXHIBITION: Reed 320/1922.4
83. 1 . 800 d
Karl Kriete 1656
Bauernhof, c. 1919 born 1887 Fahr (Farm)
Woodcut on wove paper
8V4 x g13/i6 in. (21.0 x 24.9 cm)
From Die rote Erde 1, no. 8/10 (1920):
238
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1975
exhibition: Reed under 298
83.1.972 a
1657
Zwei Fischer, c. 1919
(Two fishermen)
Woodcut on wove paper
8'/8 x 10V2 in. (20.6 x 26.6 cm)
From Die rote Erde 1, no. 8/10 (1920):
240
provenance: Hans Bolliger, Zurich;
purchased in 1975
EXHIBITION: Reed under 298
83.1.972 b
Karl Heinz Kroll 1658
Untitled (woman), c. 1925
Linoleum cut on wove paper
6% x 4V6 in. (17.5 x 10.5 cm)
From Der Sturm 16, no. 11/12 (1925):
161; the image also appears on the cover
provenance: Ex Libris, New York;
purchased in 1982
83.1.1396.53
1659
Untitled (seated couple), c. 1925
Linoleum cut on wove paper
5% x 4V2 in. (14.6 x 11.5 cm)
From Der Sturm 16, no. 11/12 (1925):
163
provenance: Ex Libris, New York;
purchased in 1982
83-1- 1396.54
1660
Jacob Burckhardt, c. 1898
Wood engraving printed in brown and
blue on wove paper
3% x 3% in. (9.6 x 8.5 cm)
From Pan 4, no. 2 (1898): following 104
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
reference: Dennerlein 1993
83. 1.1356 j
1656
1655
1657
1658
1660
Kubicki
465
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1662
1663
1665
1661
Bocklins Selbstbildnis mit Tod, c. 1899 (Bocklins self-portrait with Death) Chiaroscuro wood engraving printed in black and blue on wove paper 53/i6 x 4'/i in. (13. 1 x 10.8 cm) From Pan 4, no. 4 (1899): following 236 provenance: Kornfekl & Klipstein, Bern, 7-8 June 1978, part of lot 775 REFERENCE: Dennerlein 2249 83- 1- 1357 f
1662
Untitled (two figures), c. 1918
Woodcut on wove paper
3V16 x 4V4 in. (7.8 x 10.8 cm)
From Die Aktion 8, no. 21/22 (1918):
275; not identified as an original
woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83-1- 1533 g
1663
Untitled (two figures), c. 1918
Woodcut on wove paper
1% x 4n/i6 in. (4. 1 x 11.9 cm)
From Die Aktion 8, no. 21/22 (1918):
back cover; not identified as an original
woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83ii533i
1666
1664
Bunt, c. 1918
(Gay)
Woodcut on wove paper
49/i6 x 6V2 in. (11.6 x 16.5 cm)
From Die Aktion 8, no. 21/22 (1918):
cover; not identified as an original
woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83-1- 1533 a
1665
Madonna, c. 1918
Woodcut on wove paper
415/i6 x 215/i6 in. (12.5 x 7.5 cm)
From Die Aktion 8, no. 21/22 (1918):
271; not identified as an original
woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83- 1- 1533 e
1666
Ruderer, c. 1918
(Oarsman)
Woodcut on wove paper
37/s x 513/i6 in. (9.9 x 14.8 cm)
From Die Aktion 8, no. 25/26 (1918):
cover; not identified as an original
woodcut
provenance: Kunstgalerie Esslingen.
Esslingen; purchased in 1975
83- 11535 a
Margarete Kubicka born 1891 Berlin died 1984 Berlin
Stanislav Kubicki
born 1886 Ziegenhain
died 1943 Poland
466
Alfred Kubin
born 1877 Litomerice, Bohemia
died 1959 Wernstein
Kubicki
1667
Selbstportrdt, c. 1918
(Self-portrait)
Woodcut on wove paper
6Vj x 5'/i6 in. (15.9 x 12.8 cm)
From Die Aktion 8, no. 21/22 (1918):
281-82; not identified as an original
woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1533 b
1668
Untitled (head), c. 1919 Linoleum cut on laid paper 613/i6 x 65/i6 in. (17.3 x 16.0 cm) From Der Weg 1, no. 8/9 (1919): 3 provenance: Ex Libris, New York, purchased in 1976 exhibition: Reed under 305 83.1.1219 b
1669
Untitled (abstract composition), c. 1919 Linoleum cut on laid paper 6V4 x 515/i6 in. (15.8 x 15.0 cm) From Der Weg 1, no. 8/9 (1919): 9 PROVENANCE: Ex Libris, New York; purchased in 1976 EXHIBITION: Reed under 305 83.1.12196
1670
Der Fliichtling, 1912 (The fugitive) Lithograph on wove paper 89/i6 x io13/i6 in. (21.7 x 27.5 cm) From portfolio Sema (Munich: Delphin-Verlag, 1912) INSCRIPTION: signed, l.r. ; numbered (101/215) on justification page provenance: Karl & Faber, Munich, 26-28 May 1977, part of lot 1475 REFERENCE: Raabe 43 M. 82.288.383 i
1671
Kriegsfurie mil Brandfackel, 1914 (War fury with torch) Lithograph on wove paper 6% x 49/i6 in. (17. 1 x 11.6 cm) From Zeit-Echo 1, no. 4 (1914): 51 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 reference: Raabe 73 exhibition: Reed under 308 83.1.1189 c
1672
Cdsarenkopf, c. 1915 (Head of Caesar) Lithograph on wove paper 4I3/i6 x 4% in. (12.3 x 11. 1 cm) From Zeit-Echo 1, no. 6 (1915): 75 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 reference: Raabe under 7g exhibition: Reed under 308 83.1.1191a
1671
1670
Kubin
467
1672
1673
1674
1675
1673
Hydne auf dem Schlachtfeld, 1915 (Hyena on the battlefield) Lithograph on laid paper 5'/j x 47/s in. (13.3 x 12.4 cm) From Zeit-Echo 2, no. 4 (1915-16): 59 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 REFERENCE: Raabe under 79 EXHIBITION: Reed under 308 83.1.1210 c
1674
Japanischer Feldherr, 1915 (Japanese general) Lithograph on laid paper 63/i6 x 5'/s in. (15.7 x 13.0 cm) From Zeit-Echo 2, no. 4 (1915-16): 51 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 reference: Raabe under 79 EXHIBITION: Reed under 308 83.1.1210 a
1675
Zwei Schlangen, 1915 (Two snakes)
Lithograph on laid paper 6% x 47/i6 in. (17.4 x 11.2 cm) From Zeit-Echo 2, no. 4 (1915-16): 56 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 reference: Raabe under 79 exhibition: Reed under 308 83.1.1210 b
1676
Caliban, 1917
Lithograph on japan paper
i29/i6 x io'/j in. (32.0 x 26.0 cm)
From portfolio Shakespeare Visionen
(Munich: Marees-Gesellschaft, 1918);
from edition A (total edition of 200)
inscription: signed, l.r., numbered
(xiv/l) on justification page; publisher's
blind stamp, l.r.
provenance: Hans Bolliger, Zurich;
purchased in 1972
reference: Raabe 95
EXHIBITION: Reed 336/26
M. 82. 288. 384. 26
1676
468
Kubin
1677
Wilde Pferde, 1918-19
(Wild horses)
Pen and ink over pencil on heavy wove
paper
n"/i6 x i77/ie in. (29.7 x 44.3 cm)
provenance: present from artist to
Thomas Theodor Heine, editor of
Simplicissmus, 1928; Sotheby's,
London, 6 December 1973, lot 203a
EXHIBITION: Reed 342
Related to reproduction in portfolio
Wilde Tiere (Munich: Hyperion-Verlag,
1920) (Raabe 125)
M. 82. 288. 344
1678
Gespenst des geizigen Miillers, c. 1919
(Ghost of the miserly miller)
Lithograph on laid paper
6% x 5'/j in. (17.2 x 13.3 cm)
From deluxe edition of Miinchner
Blatter fiir Dichtung und Graphik 1,
no. 4 (1919): 51
INSCRIPTION: numbered (xix/c) on table
of contents
PROVENANCE: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
REFERENCE: Raabe under 120
exhibition: Reed under 290
83.1.1326 b
1679
Hommage a Rimbaud, 1919
(Homage to Rimbaud)
Lithograph on laid paper
5% x 53/ie in. (14.6 x 13. 1 cm)
From deluxe edition of Miinchner
Blatter fur Dichtung und Graphik 1,
no. 11/12 (1919): 161
inscription: numbered (xix/c) on table
of contents
PROVENANCE: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
reference: Raabe under 120
exhibition: Reed under 290
83- 1- 1333 b
1680
Der kleine Sparer, c. 1919
(The small saver)
Lithograph on laid paper
9 x 5% in. (22.8 x 14.3 cm)
From deluxe edition of Miinchner
Blatter fiir Dichtung und Graphik 1,
no. 6 (1919): 83
INSCRIPTION: numbered (xix/c) on table
of contents
provenance: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
reference: Raabe under 120
exhibition: Reed under 290
83.1.1328 b
1677
oTOTmoKKj. cv 5yvrnV»v«
1679
1680
Kubin
46S
1681
1682
1681
Auf der Flucht, ig20
(In flight)
Lithograph on heavy wove paper
7% x io'/4 in. (18.8 x 26.0 cm)
From Kurt Pfister, ed., Deutsche
Graphiker der Gegemvart (Leipzig:
Klinkhardt & Biermann, 1920), pi. 8;
edition of 600
provenance: Hans Bolliger, Zurich;
purchased in 1972
REFERENCE: Raabe 126
EXHIBITION: Reed under 339
83.1. 171 f
1682
Jeremias, c. 1921 (Jeremiah)
Lithograph on heavy wove paper 413/i6 x 39/i6 in. (12.2 x 9. 1 cm) From portfolio Ganymed-Mappe 1 (Munich: Marees-Gesellschaft, 1921); edition of 200; the center also has an impression from Julius Meier-Graefe, ed., Ganymed, vol. 3 (Munich: R. Piper &Co., 1921), facing p. 152 INSCRIPTION: signed, l.r. provenance: Hans Bolliger, Zurich; purchased in 1972 REFERENCE: Raabe 142 EXHIBITION: Reed 317/15 M. 82.288.377 1
1683
StieraufderAlm, 1921 (Bull in Alpine pasture) Lithograph on wove paper 97/a x 8V2 in. (25.0 x 21.5 cm) From portfolio Ganymed-Mappe I (Munich: Marees-Gesellschaft, 1921); edition of 200 INSCRIPTION: signed, l.r. provenance: Hans Bolliger, Zurich; purchased in 1972 REFERENCE: Raabe 144 EXHIBITION: Reed 317/19 M. 82.288.377 d
470
Kubin
1684
Rauhnacht
(Christmastide)
Portfolio of 13 lithographs on heavy
wove paper
Illustrations to drama by Richard
Billingis (Berlin: Volksverband der
Bueherfreunde / Wegweiser Verlag,
1925)
inscription: each sheet signed, l.r.
provenance: Galerie Wolfgang
Ketterer, 26 November 1974, lot 1037
reference: Raabe 281
exhibition: Reed 345
83.1.29 a-m
1. Der Gutsherr, c. 1924 (The squire)
io3/i6 x 14% in. (25.9 x 37.5 cm) Plate 1 83.1.29 a
2. Circe, c. 1924
93/8 x I413/i6 in. (23.8 x 37.6 cm) Plate 2 83.1.29 b
3. Hexenkiiche, c. 1924 (Witch's kitchen)
95/i6 x 14% in. (23.7 x 37.5 cm) Plate 3 83.1.29 c
4. Verliebte Zauberer, c. 1924 (Lovesick magician)
9V2 x i47/s in. (24. 1 x 37.8 cm) Plate 4 83.1.29 d
5. Behemoth, c. 1924
QlYi6 x i47/8 in. (24.7 x 37.8 cm) Plate 5 83.1.29 e
6. Ein Wirtshaus am Donaustrand, c. 1924
(Tavern on the banks of the Danube) 9% x 14% in. (24.8 x 37.5 cm) Plate 6 83. 1.29 f
w
1684-1
tSj^
1684-5
1684-2
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1684-6
Kubin
471
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1684-7
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1684-9
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££t rS
1684-8
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1684-10
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.A::>^ 2
7. Schloss Zwickeldt, c. 1924 (Zwickeldt castle)
9% x 14% in. (24.5 x 37.5 cm) Plate 7 83- 1-29 g
8. Vampyre, c. 1924 (Vampire)
io'/i6 x 14% in. (25.5 x 37.5 cm) Plate 8 83. 1.29 h
9. Leviathan, c. 1924
9n/i6 x i47/s in. (24.7 x 37.8 cm)
Plate 9
83.1.291
10. Der Fang, c. 1924 (The catch)
99/i6 x I413/i6 in. (24.3 x 37.6 cm) Plate 10 83. 1.29 j
11. Kriegshameraden, c. 1924 (Wartime comrades)
93/4 x I413/i6 in. (24.8 x 37.6 cm) Plate 11 83.1.29 k
12. Der MiXhlteich, c. 1924 (The mill pond)
9u/i6 x I415/i6 in. (24.6 x 37.9 cm) Plate 12 83.1.29 1
13. Die Miillerin, c. 1924 (The miller's wife)
9V2 x 14V2 in. (24.1 x 36.8 cm) Plate 13 83.1.29 m
1684-11
1684-12
1684-13
472
Kubista
Bohumil Kubista
born 1884
Vlckovice, Bohemia
died 1918 Prague, Bohemia
Maria Kuhlen
Walter Kiihne
Alfred Kunze
born 1866 Chemnitz died 1943 Chemnitz
Erika M. Kunzig
1685
U more, c. 1918
(Near the sea)
Linoleum cut on wove paper
5% x 83/i6 in. (14.9 x 20.8 cm)
From Czech periodical Cerven 1, no.
11/12(1918): 159
provenance: gift of Dr. Paul Raabe,
1985
L. 85. 2. 90 a; lent by the Robert Gore
Rifkind Foundation, Reverly Hills,
California
1686
Mddchen, c. 1934
(Girl)
Woodcut on japan paper
6 x 45/i6 in. (15.2 x 10.9 cm)
From portfolio Holzschnitte
niederrheinischer Kiinstler (Krefeld:
Felt Verlag, 1934); possibly from edition
of 35 (see remarks under cat. no. 277)
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.i.i6g
1687
lsola di Sogno, c. 1912
Etching on Van Gelder Zonen paper
5 x 7 in. (12.7 x 17.7 cm)
From Zeitschrift fur bildende Kunst,
n.s., 23, no. 4 (1912): following 104
provenance: Galerie Gerda Bassenge,
Berlin, 15 May 1976, part of lot 4364
83. 1.966 d
1688
Untitled (seascape), c. 1927 Lithograph on wove paper 6% x 8n/i6 in. (17. 2 x 22. 1 cm) From Ing. Hermann Heuss et al., Kiinstler abseits vom Wege, igoy-ig2j (Chemnitz: Kiinstlergruppe Chemnitz, 1927), p. 16
INSCRIPTION: signed, l.r. PROVENANCE: unknown 83.1.52 b
1689
Die Muttergottes mit den Rehen,
c 1919
(Madonna with deer)
Lithograph on heavy wove paper
9n/i6 x 6% in. (24.6 x 16.8 cm)
From Joachim Kirchner, Junge Berliner
Kunst, Wasmuths Kunsthefte, no. 6
(Berlin: E. Wasmuth, [1919?]), pi. 9
provenance: W. F. Arntz, Haag
(Oberbayern); purchased in 1975
83.1.120 i
1685
1689
Kurzweil
473
^^m-^G ■■ -&&£- i«ss&3s
1688
1691
1690
Modell zu einemfreistehenden Brunnen
fur eine Halle, 1920
(Model for a freestanding fountain for a
hall)
Lithograph on laid paper
6% x 5'/8 in. (17.2 x 13.0 cm)
From Katalog der zweiten Ausstellung
der Hamhurgischen Secession, exh. cat.
(Hamburg: Alte Kunsthalle, 1921), no.
37. pl- 15
PROVENANCE: Ars Libri, Boston;
purchased in 1982
83- 1-735 P
Richard Kuohl
born 1880 Meissen
1691
Akt einer nach rechts sitzenden und
nachsinnenden Frau, c. 1902
(Seated nude facing right and
meditating)
Woodcut printed in black and orange on
laid paper
5'/s x 53/ie in. (13.0 x 13. 1 cm)
From Wiener Secession: Katalog der
vierzehnten Ausstellung der Vcreini-
gung bildender Kiinstler Osterrcichs,
exh. cat. (Vienna: Wiener Secession,
1902), p. 70
PROVENANCE: Hartung & Karl, Munich,
28-29 May 1974, part of lot 2031
reference: Novotny and Adoll 414
EXHIBITION: Reed under 241/1
83.1.610 n
1692
Der Polster, 1903 (The pillow)
Woodcut printed in yellow, dark olive, light olive, light gray-blue, dark gray- blue, and red-brown on japan paper, laid down on heavy gray card nVi x ioVi in. (28.6 x 26.0 cm) From portfolio Jahresmappe der Gesellschaft fur vervielfaltigende Kunst (Vienna, 1903)
provenance: Donald Corcoran, Vienna; gift of O. P. Reed, Jr., 1977 reference: Novotny and Adolph 428 B M. 82. 288. 194
Max Kurzweil
born 1867 Bzenec, Moravia
died 1916 Vienna, Austria
1692
474
Laage
Wilhelm Laage
born 1868
Hamburg-Stellingen
died 1930 Ulm
1693
Beim Einmachen, 1908
(At canning time)
Woodcut printed in black, gray, and red
on J. W. Zanders paper
11% x g15/i6 in. (29.6 x 25.3 cm)
inscription: signed and dated, l.r.
PROVENANCE: Kornfeld & Klipstein,
Bern, 20-22 June 1979, lot 692
REFERENCE: Hagenlocher 82 II. c
M. 82. 288. 195
1694
Mutter Erde
(Mother earth)
Book with 1 1 woodcuts on wove paper Illustrations to poems by Ludwig Finckh (Stuttgart and Berlin: Deutsche Verlags-Anstalt, 1917); edition of 250 inscription: dedicated "Unserem lieben Max und der Els von Ugel und Dorl. Konstanz. 26.9.17," inside cover provenance: Kunstgalerie Esslingen, Esslingen: purchased in 1975 reference: Hagenlocher 287-97 83.1.141 a-k
1. Untitled (cover), 1917 4V16 x 3% in. (10.3 x 8.6 cm) reference: Hagenlocher 287 83.1.141 a
2. Knabenakt, 1917 (Nude youth)
515/i6 x 37/8 in. (15. 1 x 9.8 cm)
Frontispiece
reference: Hagenlocher 288 I
83.1.141 b
3. Haus Finckh, 1917 (Finckh's house)
4n/i6 x 37/s in. (11.9 x 9.8 cm) Page 11
reference: Hagenlocher 289 83.1.141 c
4. Frauenakt, 1917 (Nude woman)
5% x 3% in. (13.7 x 9.5 cm) Page 25
reference: Hagenlocher 290 II 83.1.141 d
5. Ernte, 1917 (Harvest)
4I3/i6 x 4 in. (12.3 x 10.2 cm) Page 43
REFERENCE: Hagenlocher 291 II 83.1.141 e
Gutter <£rt>e
£ubroig "Jftncfl)
1694-1
1694-2
1694-3
1694-4
1694-5
1694-6
La Fresnaye
475
'm%rt^mx:<?;mm
1694-9
1694-8
1694-10
1694-11
6. Gewitter, 1917 (Thunderstorm)
4% x 4 in. (12.4 x 10.2 cm) Page 57
REFERENCE: Hagenlocher 292 II 83.1.141 f
7. Regenbogen, 1917 (Rainbow)
5 x 315/i6 in. (12.8 x 10.0 cm) Page 73
REFERENCE: Hagenlocher 293 83.1. 141 g
8. Mddchenakt, 1917 (Nude girl)
413/i6 x 3% in. (12.3 x 9.8 cm) Page 91
REFERENCE: Hagenlocher 294 83.1.141 h
9. Der Pfliiger, 1917 (The plowman)
4% x 3I5/i6 in. (12. 1 x 10.0 cm) Page 103
reference: Hagenlocher 295 83.1.141 i
10. Stadt am Albrand, 1917 (City on the Albrand)
4n/i6 x 37/8 in. (11.9 x 9.9 cm) Page 121
REFERENCE: Hagenlocher 296 83.1. 141 j
11. Korb mit Friichten, 1917 (Basket of fruit)
3'/s x 3V8 in. (8.0 x 8.0 cm) Page 136
REFERENCE: Hagenlocher 297 83.1.141 k
1695
Untitled (man and woman in landscape), 1924 Lithograph on wove paper 87/i6 x 515/i6 in. (21.5 x 15.0 cm) From Georg Biermann, ed., Jahrbuch derjungen Kunst (Leipzig: Klinkhardt & Biermann, 1924), following p. 462 PROVENANCE: Galerie Nierendorf, Berlin; purchased in 1975 EXHIRITION: Reed 320/1924.5 83.1.802 e
Jean-Emile Laboureur
born 1877 Nantes, France
died 1943 Penestin, France
1696
1696
Friede auf Erden, c. 1916
(Peace on earth)
Woodcut on wove paper
215/i6 x 45/8 in. (7.5 x 11.8 cm)
From Die Ahtion 6, no. 51/52 (1916):
693-94; not identified as an original
woodcut
provenance: Hauswedell & Nolte,
Hamburg, 30 November 1979, part of
lot 1173
83- 1- 1527 b
Roger de La Fresnaye
born 1885 Le Mans, France
died 1925 Grasse, France
1695
476
Lange
Otto Lange
born 1879 Dresden died 1944 Dresden
1697
Fiiclise, c. 1917
(Foxes)
Woodcut on wove paper
77/s x 513/i6 in. (20.0 x 14.8 cm)
From deluxe edition of Das Kunstblatt
1, no. 11 (1917)
INSCRIPTION: numbered (32/110) on
justification page
provenance: Henry Hallenstein; W. F.
Arntz, Haag (Oberbayern); purchased
in 1975
EXHIHITION: Reed 283/14
83.1.1095 b
1698
Portrdt, c. 1917
(Portrait)
Woodcut on wove paper
713/i6 x 513/ie in. (19.8 x 14.8 cm)
From deluxe edition of Das Kunstblatt
1, no. 11 (1917); the center also has an
impression from the regular edition
inscription: numbered (32/110) on
justification page
provenance: Henry Hallenstein; W. F.
Arntz, Haag (Oberbayern); purchased
in 1975
EXHIHITION: Reed 283/46; Chipp 154
83.1.1095 a
1699
Dame in Griin, 1918
(Lady in green)
Woodcut printed in green, black, and
orange on heavy wove paper
14 x 9V2 in. (35.6 x 24.2 cm)
From portfolio Die Schaffenden 1, no. 3
(Weimar: Gustav Kiepenheuer Verlag,
1919); from edition of 100 (total edition
of 125)
INSCRIPTION: signed, l.r. ; publisher's
stamp, 1.1.
provenance: Galerie Wolfgang
Ketterer, Munich, 29 May, 1973, lot
1206
REFERENCE: Jahn and Berger 26
M. 82.288. 196
1700
Fischpredigt, 1919
(Preaching to the fish)
Woodcut on wove paper
8Vt x 6% in. (21.0 x 16.8 cm)
From Sezession Gruppe 1919, exh. cat.
(Dresden: Verlag Emil Richter, 1919)
provenance: Hans Bolliger, Zurich;
purchased in 1974
83-i-556c
1701
Landschaft, c. 1919
(Landscape)
Woodcut on wove paper
8'/i6 x 10V16 in. (20.5 x 25.5 cm)
From Die rote Erde 1, no. 8/10 (1920):
343
provenance: Hans Bolliger, Zurich;
purchased in 1975
exhibition: Reed under 298
83. 1.972 r
1698
1700
1699
1701
1702
1703
1705
1704
|
Hr.'xfl |
Wv |
||
|
Ijmjth, |
^■mI « |
||
|
wSil! |
|||
|
^K |
%MM/,mM |
||
|
r^\tA |
JJJm |
||
|
w/mm |
|||
|
^ES |
IMzm |
1707
1706
Lange
1702
Madchen mit bliihender Kaktee, c. 1919
(Girl with flowering cactus)
Woodcut on wove paper
9V2 x 7 in. (24.2 x 17.8 cm)
From Die rote Erde 1, no. 8/10 (1920):
341
provenance: Hans Bolliger, Zurich;
purchased in 1975
EXHIBITION: Reed under 298
83. 1.972 q
1703
Nachtliche Szene, probably after 1919 (Nocturnal scene) Linoleum cut on white card 259/i6 x i913/i6 in. (65.0 x 50.4 cm) inscription: signed, l.r.; inscribed "Hand-Selbstdruck," 1.1. provenance: Galleria del Levante, Munich; purchased in 1978 M. 82. 288. 197
1704
Verspottung Christi, probably after
1919
(The mocking of Christ)
Woodcut printed in red and black on
thin laid paper
20% x i83/i6 in. (52.4 x 46.2 cm)
INSCRIPTION: signed, l.r; inscribed
"Hand-Selbstdruck," 1.1.
provenance: Galleria del Levante,
Munich; purchased in 1978
exhibition: Chipp 88; Rigby 68
M. 82. 288. 198
1705
Vision, probably after 1919 Woodcut and color monotype on heavy wove paper
20% x i87/i6 in. (52.7 x 46.8 cm) INSCRIPTION: signed, l.r; inscribed "Hand-Selbstdruck I," 1.1. provenance: Galleria del Levante, Munich; purchased in 1978 EXHIBITION: Chipp 87; Rigby 69 M. 82. 288. 199
477
1706
Untitled (group of figures), 1919 Linoleum cut on wove paper 95/i6 x 7% in. (23.6 x 20.0 cm) From Die rote Erde 1, no. 8/10 (1920):
303
provenance: Hans Bolliger, Zurich;
purchased in 1975
exhibition: Reed under 298
83.1.972 k
1707
Untitled (group of figures), c. 1919 Linoleum cut on wove paper 99/i6 x 615/i6 in. (24.3 x 17.6 cm) From Die rote Erde 1, no. 8/10 (1920):
3°5
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1975
EXHIBITION: Reed under 298
83. 1.972 1
Werner Lange
born 1888 died 1955 Kiel
478
Lange
Otto Larsen
born 1889 Hannover
died 1972
Else Lasker-Schiiler
born 1869Elberfeld
died 1945 Jerusalem, Palestine
1708
Abstraktion, c. 1921
(Abstraction) Woodcut on wove paper 11% x 9% in. (28.9 x 24.4 cm) From Kiindung 1, no. 11/12 (1921) provenance: Galerie Wolfgang Ketterer, Munich, 26 November 1974, part of lot 1154 exhibition: Reed under 282 83.1.1061 g
1709
Kopf, c. 1921
(Head)
Woodcut on wove paper
i27/w x 87/i6 in. (31.6 x 21.5 cm)
From Kiindung 1, no. 11/12 (1921)
provenance: Galerie Wolfgang
Ketterer, Munich, 26 November 1974,
part of lot 1154
EXHIBITION: Reed under 282
83.1.1061 f
1708
1710
Der Gatte als Beichtvater, c. 1927 (The husband as confessor) Lithograph printed in black and beige on wove paper 45/i6 x 39/i6 in. (10.9 x 9.0 cm) Illustration to fable by Jean La Fontaine in Amalthea Almanack, igiy-ig2y (Zurich, Vienna, and Leipzig: Amalthea- Verlag, 1927), following p. 76 PROVENANCE: unknown 83.1.209 a
if**
7LA,
1711 (detail)
1711
Prinz Jussuf von Theben, c. 1921 (Prince Jussuf of Thebes) Blue ink on wove paper 73/i6 x 4% in. (18.3 x 12.0 cm) From Else Lasker-Schiiler, Der Wunderrabbiner von Barcelona (Berlin: Paul Cassirer, 1921) inscription: titled below image PROVENANCE: Hartung & Karl, Munich, 15 November 1979, lot 2930 83.1.754 a
1712
Theben: Gedichte und Lithographien
(Thebes: Poems and Lithographs) Book with 10 lithographs on wove paper Illustrations to poems by Lasker- Schiiler (Frankfurt am Main and Berlin: Querschnitt-Verlag, 1923) inscription: each sheet signed below image; signed and numbered (222/250) on justification page PROVENANCE: Willie Moor (ex libris, cover); Francis J. Koppstein (ex libris, cover); Ars Libri, Boston; purchased in 1979
83- 1-755 a-j 1
1712-1
1923
Gebet, c.
(Prayer)
9V2 x 6V16 in. (24. 1 x 15.4 cm)
Plate 1
83-i-755a
1709
1710
1712-2
Laurencin
479
t^^[t^j4^f^M^
1712-7
1712-10
1712-5
1712-6
1712-8
1712-9
1713
|
2. |
Meine Mutter, c. 1923 |
|
(My mother) |
|
|
9//16 x 6Vb in. (23.0 x 15.5 cm) |
|
|
Plate 2 |
|
|
83- 1-755 b |
|
|
3. |
Versohnung, c. 1923 |
|
(Reconciliation) |
|
|
8Vt x 5% in. (21.0 x 14.3 cm) |
|
|
Plate 3 |
|
|
83-1-755 c |
|
|
4. |
Mein Volk, c. 1923 |
|
(My people) |
|
|
8% x GVs in. (22.3 x 15.5 cm) |
|
|
Plate 4 |
|
|
83- 1-755 d |
|
|
5. |
Sascha, c. 1923 |
|
9% x 55/i6 in. (23.8 x 13.5 cm) |
|
|
Plate 5 |
|
|
83- 1-755 e |
|
|
6. |
Marie von Nazareth, c. 1923 |
|
(Mary of Nazareth) |
|
|
79/i6 x 55/i6 in. (19.2 x 13.5 cm) |
|
|
Plate 6 |
|
|
83- 1-755 f |
|
|
7. |
Ein alter Tibetteppich, c. 1923 |
|
(An old Tibetan carpet) |
|
|
715/i6 x 6 in. (20.2 x 15.3 cm) |
|
|
Plate 7 |
|
|
83- 1-755 g |
|
|
8. |
Ein Lied, c. 1923 |
|
(A song) |
|
|
5I5/i6 x 35/i6 in. (15.0 x 8.4 cm) |
|
|
Plate 8 |
|
|
83-i-755h |
|
|
9. |
Joseph wird verkauft, c. 1923 |
|
(Joseph is sold) |
|
|
75/8 x 2u/i6 in. (19.3 x 6.8 cm) |
|
|
Plate 9 |
|
|
83-i-755i |
|
|
10 |
. Gott hor . . . , c. 1923 |
|
(God, listen . . .) |
|
|
8Vi x 4V2 in. (20.9 x 11.4 cm) |
|
|
Plate 10 |
|
|
83- 1-755 J |
1713
Hafen von Antwerpen, c. 1906
(Antwerp harbor)
Etching on laid paper
67/s x 8Vi in. (17.5 x 21.0 cm)
From Zeitschrift fur bildende Kunst,
n.s., 17, no. 6(1906): before 133
provenance: Galerie Gerda Bassenge,
Berlin, 15 May 1976, part of lot 4364
83. 1.964 f
1714
Untitled (woman), c. 1913 Woodcut on wove paper 77/i6 x 67/s in. (18.9 x 17.5 cm) From Der Sturm 4, no. 156/157
(i9i3): 9
provenance: Ex Libris, New York;
purchased in 1982
83.1.1391.55
Gaston de Latenay
Marie Laurencin
born 1885 Paris, France
died 1956 Paris, France
1714
480
Laurencin
Wilhelm Lehmbruck
born 1881 Meiderich
died 1919 Berlin
Wilhelm Leibl
born 1844 Cologne died 1900 Wurzburg
1715
Untitled (woman on horse), c. 1913
Woodcut on wove paper
8'/s x 8% in. (20.6 x 22.5 cm)
From Der Sturm 4, no. 156/157(1913): 13
PROVENANCE: Ex Libris, New York;
purchased in 1982
83- 1- 1391-57
1716
Untitled (Egyptian), c. 1913
Woodcut on wove paper
77/8 x 3'/i6 in. (20.0 x 7.8 cm)
From Der Sturm 4, no. 160/161 (1913): 27
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1391.59
Fernand Leger 1717
Lafemme au miroir, 1920 born 1881 (Woman at mirror)
Argentan, France Lithograph on wove paper
8 x 713/i6 in. (20.4 x 19.8 cm) died 1955 From Das Kunstblatt 4, no. 7 (1920)
Gif-sur-Yvette, provenance: Kunstgalerie Esslingen,
France Esslingen; purchased in 1975
reference: Shapire 1
EXHIBITION: Reed 283/47
83.1.1153 a
1718
Mannlicher Ruckenakt mit gesenktem
Kopf, 1911
(Male nude from the rear, with bowed
head)
Drypoint on japan paper
6'/j x 43/j in. (15.8 x 12.0 cm)
From edition of 20 on japan paper
inscription: signed by Anita
Lehmbruck, l.r. ; estate stamp, l.r.
provenance: Sotheby's, London, 29
April 1975. lot 94 REFERENCE: Petermann 19 II EXHIBITION: Reed 226 M. 82. 288. 200
1719
Der Pilger, 1912
(The pilgrim)
Drypoint on wove paper
77/8 x 57/8 in. (20.0 x 14.9 cm)
An edition of 20 on japan paper is
recorded
INSCRIPTION: signed, 1.1.; titled, l.r.
provenance: Sotheby's, New York, 15
May 1974, lot 495
reference: Petermann 41
EXHIBITION: Reed 227
M. 82. 288.201
1720
Bildnis einer alien Frau, c. 1865 (Portrait of an old woman) Etching on wove paper 8Vt x 6V4 in. (20.9 x 15.8 cm) From Pan 3, no. 2 (1897): following 94 provenance: Kornfeld & Klipstein, Bern, 7-8 June 1978, part of lot 775 REFERENCE: Dennerlein 1557 83.1.1354 c
1715
1716
1717
Leip
481
1722-2
1722-3
1722-4
1722-5
1722-6
1722-7
1722-8
1722-9
1721
Bei der Tanzerin, c. 1920
(With the dancer)
Woodcut on wove paper
0//8 x 5% in. (23.2 x 13.7 cm)
From Hugo Koch and Emil Maetzel,
eds., Der gelben Posaune der Sieben
gewidmet (Hamburg: Konrad Hanf,
1920)
provenance: Ganymede Graphics,
Berkeley; purchased in 1974
83.1.124 c
1722
Die Segelfahre
(The ferryboat)
Book with 9 woodcuts on laid paper
Illustrations to book by Leip (Altona and
Hamburg: Hammerich & Lesser
Verlag, 1920)
PROVENANCE: unknown
83.1.142 a-i
1. Untitled (violinist), c. 1920 49/i6 x 3 in. (11.6 x 7.6 cm) Page 9
83.1.142 a
2. Untitled (sailboat), c. 1920 4V2 x 2% in. (11.5 x 7.3 cm) Page 21
83.1.142 b
3. Untitled (man watching nude woman), c. 1920
4V2 x 215/i6 in. (11.5 x 7.5 cm) Page 45 83.1.142 c
4. Untitled (gondola), c. 1920 4V2X 2]5/i6 in. (11.5 x 7.5 cm) Page 75
83.1.142 d
5. Untitled (costumed dancers), c. 1920
4% x 213/i6 in. (11.2 x 7. 1 cm) Page 91 83.1.142 e
6. Untitled (two figures embracing), c. 1920
45/i6 x 2% in. (11.0 x 7.0 cm) Page 101 83.1.142 f
7. Untitled (man in moonlight), c. 1920
43/8 x 213/i6 in. (11.2 x 7.2 cm) Page 111 83. 1. 142 g
8. Untitled (man and bed), c. 1920 4V2 x 215/i6 in. (11.5 x 7.5 cm) Page 123
83.1.142 h
9. Untitled (dancers and sailboat), c. 1920
4V2 x 2^16 in. (11.5x7.4 cm) Page 133 83. 1. 142 i
Hans Leip
born 1893 Hamburg
482
Leistikow
Walter Leistikow 1723
Baumgruppe, c. 1896 born 1865 (Group of trees)
Bromberg Drypoint on wove paper
413/i6 x 7V4 in. (12.3 x 18.5 cm) died 1908 From Pan 2, no. 1 (1896): following 2
Schlachtensee provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
REFERENCE: Dennerlein 850
83.1.1352 b
1724
Waldsee, c. 1897
Etching on laid paper
613/i6 x g'/j in. (17.3 x 23.5 cm)
From Pan 3, no. 1 (1897): following 10
PROVENANCE: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
REFERENCE: Dennerlein 1405
83- 1-1354 a
1725
Kraniche, c. 1898
(Cranes)
Lithograph printed in black, orange,
and beige on wove paper
89/i6 x 11 in. (21.7 x 27.9 cm)
From Pan 4, no. 2 (1898): following 88
PROVENANCE: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
reference: Dennerlein 1985
83.1. 1356 h
1726
Das Haus, c. 1900
(The house)
Etching on wove paper
6% x g5/i6 in. (16.8 x 23.7 cm)
From Pan 5, no. 4 (1900): following 226
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
reference: Dennerlein 2594
83- 1- 1359 d
Maximilian Lenz
born 1860 Vienna, Austria
died 1948 Vienna, Austria
Fritz Levy
1727
Untitled (clouds), c. 1902
Woodcut printed in black and orange on
laid paper
59/ie x 5'/s in. (14. 1 x 13.0 cm)
From Wiener Secession: Katalog der
vierzehnten Ausstellung der Vereini-
gung bildender Kiinstler Osterreichs,
exh. cat. (Vienna: Wiener Secession,
1902), p. 46
provenance: Hartung & Karl, Munich,
28-29 May 1974, part of lot 2031
EXHIBITION: Reed under 241/1
83.1.610 h
1728
Grossstadt, c. 1920
(Big city)
Woodcut on wove paper
7% x 4% in. (18.8 x 11.7 cm)
From Das Kunstfenster 1, no. 4
(1920): 7
provenance: Ars Libri, Boston;
purchased in 1975
83.1.1065 a
1724
1723
1727
Liebermann
483
1729
1731
1730
1732
1729
Kellergarten in Rosenheim, 1895 (Outdoor tavern in Rosenheim) Etching on wove paper 79/i6 x 9% in. (19.2 x 23.8 cm) From Pan 1, no. 1 (1895-96): following 30 provenance: Kornfeld & Klipstein, Bern, 7-8 June 1978, part of lot 775 reference: Schiefler 34; Dennerlein
77
83.1. 1350 e
1730
Theodor Fontane, 1896 Lithograph on wove paper 10V2 x 8n/i6 in. (26.7 x 22.0 cm) From Pan 2, no. 1 (1896): before 1 provenance: Kornfeld & Klipstein, Bern, 7-8 June 1978, part of lot 775 reference: Schiefler 41; Dennerlein 847 83.1.1352 a
1731
Badende Jungen, 1897
(Bathing youths)
Etching on laid paper
6% x 87s in. (16.8 x 22.6 cm)
From Pan 3, no. 2 (1897): following 100
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
reference: Schiefler 43; Dennerlein
1562
83.1.1354 d
1732
Holzsuchende Frauen, 1898 (Women gathering wood) Lithograph printed in bluish gray on laid paper
69/ie x n5/i6 in. (16.6 x 28.8 cm) From Pan 5, no. 4 (1900): following 204 provenance: Kornfeld & Klipstein, Bern, 7-8 June 1978, part of lot 775 reference: Schiefler 48; Dennerlein
2579
83- 1- 1359C
1733
Fischmarkt in Amsterdam, 1907 (Fish market in Amsterdam) Etching on heavy laid paper 37/8 x 5I3/ie in. (9.9 x 14.8 cm) From Gustav Schiefler, Das graphische Werk von Max Liebermann (Berlin: Bruno Cassirer, 1907), frontispiece INSCRIPTION: numbered (51/300) on justification page
provenance: Jurgen Holstein, Pocking bei Miinchen; purchased in 1974 reference: Schiefler 67 v EXHIBITION: Reed 7
83.1.434 a
Max Liebermann
born 1847 Berlin died 1935 Berlin
1733
484
Liebermann
1734
Strand in Noordwijk, 1909 (Beach in Noordwijk) Lithograph on wove paper 413/ie x 713/i6 in. (12.3 x 19.8 cm) From Kunst und Kiinstler 8, no. 1 (1909): 2
provenance: Ars Libri, Boston; purchased in 1982 REFERENCE: Schiefler 81 b 83.1.1228 a
1735
Am Strand von Scheveningen
(On the beach at Scheveningen) Three lithographs on japan paper Illustrations to story by Jozef Israels in Kunst und Kiinstler 11, no. 3 (1912):
131-33
PROVENANCE: Erasmus, Amsterdam;
purchased in 1975
REFERENCE: Schliefler 140-42
exhibition: Reed under 286
83.1.1242 o-q
1. Israels "Am Strande von Scheveningen" 1912 (Israels's "On the beach at Scheveningen")
313/ie x 55/ie in. (9.7 x 13.5 cm) Page 131
reference: Schiefler 140 II. c 83.1.1242 o
2. Badende Jungen im Meer, 1912 (Youths swimming in the sea) 45/i6 x 69/i6 in. (10.9 x 16.7 cm) Page 132
REFERENCE: Schiefler 141 c 83.1.1242 p
3. Spielende Kinder am Strande, 1912 (Children playing on the beach)
4 x 67/i6 in. (10.2 x 16.4 cm) Page 133
REFERENCE: Schiefler 142 c 83.1.1242 q
1736
Grosses Selbstportrat, stehend und
zeichnend, 1912
(Large self-portrait, standing and
drawing)
Lithograph on heavy wove paper
I4u/i6 x 11% in. (37.3 x 30.2 cm)
From edition of 50
INSCRIPTION: signed, l.r.
provenance: Karl & Faber, Munich, 2
June 1972, lot 705
REFERENCE: Schiefler 135 b
exhibition: Reed 8
M. 82. 288. 202
1734
1735-2
1735-3
1736
Liebermann
485
L~c~ . %z>™~ ' f<K< Q.
f~ (^L^J
2\ U4jk Ottilia.,,
Jj^ylfr-y*.
X< 4" !r'^-tli" -f "' "«• 'St' •
1 . /*+**«-i-(ij ■
1738
-iHf ,
1740
1737
Selbstbildnis, 1913
(Self-portrait)
Drypoint on laid paper
87/8 x 7 in. (22.5 x 17.8 cm)
From Erich Hancke, Mai Liebermann:
Sein Leben und seine Werke (Berlin:
Bruno Cassirer, 1914), p. iii
provenance: unknown; acquired in
1974
reference: Schiefler 150, subsequent
to m.b
83.1.432 a
1738
An meine liebenjuden, 1914
(To my beloved Jews)
Lithograph on wove paper
13 x io'/i6 in. (33.0 x 25.6 cm)
From Kriegszeit, no. 3 (1914): 3
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
reference: Schiefler 174 b
exhibition: Reed 281/150
83.1.1402 d
1739
Deutschlands Fahnenlied, 1914 (Germany's battle song) Lithograph on wove paper i33/i6 x g13/i6 in. (33.5 x 25.0 cm) From Kriegszeit, no. 14 (1914): 1 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
REFERENCE: Schiefler 188 b exhibition: Reed 281/159; Chipp 155 83.1.1413 a
1740
Einzug der Russen, 1914
(Entry of the Russians)
Lithograph on wove paper
11 x io'/s in. (28.0 x 25.7 cm)
From Kriegszeit, no. 4 (1914): 1
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
REFERENCE: Schiefler 175 b
exhibition: Reed 281/151
83.1.1403 a
1741
Der englische Rechenfehler, 1914 (The English miscalculation) Lithograph on wove paper 13% x 913/i6 in. (346 x 25.0 cm) From Kriegszeit, no. 7 (1914): 4 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
reference: Schiefler 180 b exhibition: Reed 281/156 83.1.1406 d
1739
486
liebermann
1742
Extrablatt! 1914
(Extra!)
Lithograph on wove paper
i23/i6 x 9'/s in. (31.0 x 23. z cm)
From Kriegszeit, no. 6 (1914): 1
PROVENANCE: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
reference: Sehiefler 177 b
EXHIBITION: Reed 281/152
83.1.1405 a
1743
Hercules-Hindenburg, 1914
Lithograph on wove paper
12^16 x 95/i6 in. (31.9 x 23.7 cm)
From Kriegszeit, no. 6 (1914): 4
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
REFERENCE: Sehiefler 179 b (as from
Kriegszeit, no. 7)
exhibition: Reed 281/155
83- 1- 1405 d
1744
Der Kaiser, 1914
(The kaiser)
Lithograph on wove paper
nn/i6 x gI3/i6 in. (29.7 x 25.0 cm)
From Kriegszeit, no. 2 (1914): 1
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
reference: Sehiefler 173 b
exhibition: Reed 281/149
83.1.1401 a
1745
Krieg auf Erden, 1914
(War on earth)
Lithograph on wove paper
i5'/2 x 11 in. (39. 4 x 28.0 cm)
From Kriegszeit, no. 18/19 (X914): 4
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
reference: Sehiefler 184 b
EXHIBITION: Reed 281/162
83.1.1417 d
1746
Kriegsbild, 1914
(War picture)
Lithograph on japan paper
n5/i6X 9 in. (28.7 x 22.9 cm)
From Kunst und Kiinstler 13, no. 2
(1914): 46
provenance: Ars Libri, Boston;
purchased in 1982
REFERENCE: Sehiefler 205 (as 1915; this
edition not cited)
83.1.1224 b
(^ifrRSCflLAcr rn.fi gjsmnii bares j
1743
it QJ^,
1745
'IfiluUtrtHrMIt
1742
St^McU- .'
1744
ittU
1746
Liebermann
487
1747-3
■■Wj^ ^
.,-
'^*m*-
'■
l|[*rio^ !li4^*i, JfamA
1748
1749
1747
Kunstgesprache im Kriege
(Art dialogues in wartime)
Four full-page and 2 vignette
lithographs on wove paper
Illustrations to article by Karl Scheffler
in Kunst und Kiinstler 13, no. 3 (1914):
102-13
provenance: Ars Libri, Boston;
purchased in 1982
reference: Schiefler 200-201, 203,
207 (as 1915; this edition not cited)
83.1.1244 c-h
1. Untitled (fallen cavalryman), 1914 i23/i6 x g5/i6 in. (31.0 x 23.7 cm) Page 102
reference: Schiefler 200 83.1.1244 c
2. Untitled (injured cavalrymen),
19M
12V16 x 87/s in. (30.7 x 22.6 cm)
Page 105
REFERENCE: Schiefler 201
83.1.1244 c
3. Untitled (injured soldier), 1914 7ls/i6 x 65/i6 in. (20.2 x 16.0 cm) Page 109
REFERENCE: Schiefler 207 83.1. 1244 g
4. Untitled (soldier and railway bridge), 1914
8% x 6n/i6 in. (22.5 x 17.0 cm) Page 113
reference: Schiefler 203 83.1.1244 h
1748
Marsch, Marsch, Hurrah! 1914 (March, march, hurrah!) Lithograph on wove paper i23/i6 x n'/s in. (30.9 x 28.9 cm) From Kriegszeit, no. 18/19 U9i4): 1 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
reference: Schiefler 185 b EXHIBITION: Reed 281/161 83.1.1417 a
1749
Der Reichskanzler, 1914
(The chancellor)
Lithograph on wove paper
12 x 10% in. (30.5 x 26.0 cm)
From Kriegszeit, no. 16 (1914): 1
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
reference: Schiefler 182 b
EXHIBITION: Reed 281/160
83.1.1415 a
488
Liebermann
1750
Samariter, 1914
(Samaritan)
Lithograph on wove paper
i39/i6 x n9/i6 in. (34-5 x 29.3 cm)
From Kriegszeit, no. 10 (1914): 3
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
reference: Schiefler 189 b
EXHIBITION: Reed 281/157
83.1.1409 c
1751
Unsere blauenjungen, 1914
(Our blue youths)
Lithograph on wove paper
16% x 6I5/i6 in. (42.2 x 17.6 cm)
From Kriegszeit, no. 13 (1914): 3
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
REFERENCE: Schiefler 190 b
EXHIBITION: Reed 281/158
83.1.1412 c
1752
Wilhelm von Bode, 1914
Drypoint on Van Gelder Zonen paper
9V4 x 7'/b in. (23.5 x 18. 1 cm)
From Zeitschrift fur bildende Kunst,
n.s., 26, no. 1 (1914): before 1
provenance: Galerie Gerda Bassenge,
Berlin, 15 May 1976, part of lot 4364
REFERENCE: Schiefler 170 vi.b (as 1915)
83.1.967 k
1753
Wohlauf Kameraden, aufs Pferd, aufs
Pferd, 1914
(Come on, comrades, to the horses, to
the horses)
Lithograph on wove paper
i43/i6 x 1 i'/i6 in. (36.0 x 28. 1 cm)
From Kriegszeit, no. 6 (1914): 2
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
reference: Schiefler 176 b
EXHIBITION: Reed 281/153
83.1.1405 b
1754
Untitled (crowd in street), 1914
Lithograph on wove paper
io'/s x 97/i6 in. (25.7 x 24.0 cm)
From Kriegszeit, no. 1 (1914): 1
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
reference: Schiefler 172 b
EXHIBITION: Reed 281/148
83. 1. 1400 a
1750
1752
1753
Liebermann
489
1756-2
1755
X'
\.--
1756-3
,Av (VV-*^1—
nvi_
1758
1755
Untitled (zeppelins), 1914
Lithograph on wove paper
14V16 x io'/i6 in. (35-7 x 25.5 cm)
From Kriegszeit, no. 6 (1914): 3
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
REFERENCE: Schiefler 178 b (as from
Kriegszeit, no. 7)
EXHIBITION: Reed 281/154
83.1.1405 c
1756
Bassompierre
Three lithographs on wove paper Illustrations to story by Johann Wolfgang von Goethe, excerpted from Kunst und Kiinstler 15, no. 10 (1917): 463-66; the center also has impressions from the bound volume provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 reference: Schiefler 211-13 exhibition: Reed 9 83.1. 143 a-c
1. Der Marschall, 1915 (The marshal)
5% x 6 in. (13.7 x 15.2 cm) Page 463
REFERENCE: Schiefler 211 c 83.1.143 a
2. Das Beilager, 1915 (The consummation)
315/i6 x 713/i6 in. (10.0 x 19.9 cm) Page 465
REFERENCE: Schiefler 212 c 83. 1. 143 b
3. Die Pestleichen, 1915 (The plague victims)
4n/i6 x 6% in. (11.9 x 16.2 cm) Page 466
reference: Schiefler 213 c 83.1.143 c
1757
In Ostpreussen, c. 1915
(In East Prussia)
Lithograph on wove paper
8 x 8% in. (20.3 x 22.5 cm)
From Kriegszeit, no. 21 (1915): 3
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
reference: Schiefler 186 b
EXHIBITION: Reed 281/163
83.1.1419 c
1758
Kant, c. 1915
Lithograph on wove paper
i27/s x 5V2 in. (32.7 x 14.0 cm)
From Kriegszeit, no. 31 (1915): 1
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
reference: Schiefler 192 b
EXHIBITION: Reed 281/167
83. 1. 1429 a
490
Liebermann
1759
Kriegsvolkskiiche, 1915
(Wartime soup kitchen)
Lithograph on japan paper
95/i6 x 11% in. (23.7 x 28.9 cm)
From Kunst und Kiinstler 13, no. 6
(1915): 240
provenance: Ars Libri, Boston;
purchased in 1982
reference: Schiefler 202 (this edition
not cited)
83.1.1224 m
1760
Kurassier-Oberst, c. 1915
(Cuirassier-major)
Lithograph on wove paper
i43/i6 x g15/i6 in. (36.0 x 25.3 cm)
From Kriegszeit, no. 24 (1915): 3
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
reference: Schiefler 183 b
EXHIBITION: Reed 281/165
83.1.1422 c
1761
Reiter-Kampf, c. 1915
(Cavalry battle)
Lithograph on wove paper
10'A x i23/ie in. (26.0 x 31.0 cm)
From Kriegszeit, no. 33 (1915): 3
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
reference: Schiefler 196 b
exhibition: Reed 281/169
83.1.1431c
1762
Vlrich von Wilamowitz-Mollendorff,
c- 1915
Lithograph on wove paper
11 x g7/i6 in. (28.0 x 24.0 cm)
From Kriegszeit, no. 58 (1915): 1
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
reference: Schiefler 197
EXHIBITION: Reed 281/172
83- 1- M55 a
1763
Der verwundete Kamerad, c. 1915 (The wounded comrade) Lithograph on wove paper 915/i6 x n13/i6 in. (25.3 x 30.0 cm) From Kriegszeit, no. 32 (1915): 2 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
reference: not in Schiefler exhibition: Reed 281/168 83.1.1430 b
1762
1760
1761
1763
Liebermann
491
1764
1765
\Aui\-
1766
1767
1764
Untitled (rifleman), c. 1915
Lithograph on wove paper
i6'/i x g13/i6 in. (41.2 x 25.0 cm)
From Kriegszeit, no. 22 (1915): 3
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
reference: Schiefler 187 b
EXHIBITION: Reed 281/164
83- 1- M35C
1765
Untitled (wounded soldier), e. 1915
Lithograph on wove paper
I3u/i6 x 7'/i6 in. (34.8 x 18.0 cm)
From Kriegszeit, no. 27 (1915): 4
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
reference: Schiefler 191 b
EXHIBITION: Reed 281/166
83.1. 1425 d
1766
Untitled (rifleman), c. 1915
Lithograph on wove paper
i6'/s x 8 in. (41.0 x 20.3 cm)
From Kriegszeit, no. 37 (1915): 3
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
REFERENCE: Schiefler 193 b
EXHIBITION: Reed 281/170
83.1.1420 c
1767
Untitled (drummer), c. 1915 Lithograph on wove paper i69/i6 x 6V2 in. (42.0 x 16.5 cm) From Kriegszeit, no. 38 (1915): 3 PROVENANCE: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
reference: Schiefler 194 b EXHIBITION: Reed 281/171 83.1.1436 c
1768
Untitled (drummer), c. 1915
Lithograph on wove paper
I515/i6 x 715/i6 in. (40.5 x 20.2 cm)
From Kriegszeit, no. 63 (1916): 2
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
reference: not in Schiefler
exhibition: not listed in Reed under
281
83.1.1460 b
1768
492
Liebermann
~./\ -v
1769
Berliner Pfingsten, 1916 (Whitsuntide in Berlin) Lithograph on wove paper 11 x 8'/i in. (28.0 x 21.0 cm) From Lieder des Bildermann, supple- ment to Der Bildermann 1, no. 5 (1916) provenance: Hauswedell & Nolte, Hamburg, 6-8 June 1974, part of lot 180
reference: Schiefler 220 b EXHIBITION: Reed 265/25
83.1.1462.75
1770
Briickenwache, c. 1916
(Watch by the bridge)
Lithograph on wove paper
12% x g5/i6 in. (31.5 x 23.7 cm)
From Kriegszeit, no. 64/65 (1916): 5
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
reference: Schiefler 195 b
EXHIBITION: Reed 281/173
83.1.1461 e
1771
Untitled (by the sea), 1916
Lithograph on wove paper
8Vt x 10% in. (20.9 x 27.0 cm)
From Der Bildermann 1, no. 10
(1916): 4
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
180
REFERENCE: Schiefler 218 c
EXHIBITION: Reed 265/24
83.1.1462.40
1772
Selbstbildnis, 1917
(Self-portrait)
Lithograph on heavy wove paper
85/i6 x 6'/j in. (21. 1 x 15.9 cm)
From Kurt Pfister, ed. , Deutsche
Graphiker der Gegenwart (Leipzig:
Klinkhardt & Biermann, 1920), pi. 2;
edition of 600
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1972
REFERENCE: Schiefler 307
exhibition: Reed under 339
83.1.171 b
1773
Lesender Mann, c. 1918
(Man reading)
Lithograph on handmade paper
65/ie x 415/i6 in. (16.0 x 12.6 cm)
From Unser Weg 1919. Einjahrbuch,
2d ed. (Berlin: Paul Cassirer, 1918),
frontispiece
PROVENANCE: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
reference: Schiefler 323 II b (as 1919)
EXHIBITION: Reed 323/1
83.1.589 a
1770
1771
1772
Lohse-Wachtler
493
1776
1778
1774
Eislauf, c. 1923 (Ice skating) Etching on laid paper 415/i6 x 7 in. (12.5 x 17.8 cm) From Hermann Struck, Die Kunst des Radierens, 5th ed. (Berlin: Paul Cassirer, 1923), frontispiece provenance: Herman George Scheffauer (inscription by author, 6 August 1926, title page); Sims, Reed & Fogg, London; purchased in 1985 reference: not in Schiefler M.86.80 a; Book Purchase Fund
1775
Der Miillerin Reue, c. 1924
(The remorse of the miller's wife)
Lithograph on laid paper
8'/i6 x 7V4 in. (20.5 x 18.5 cm)
From four-page prospectus to portfolio
by Ernst Barlach Goethe: Ausgewahlte
Gedichte (Berlin: Paul Cassirer, 1924);
see cat. no. 104
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
reference: not in Schiefler
83.1.32 c
1776
Untitled (decorative composition),
c. 1902
Woodcut on laid paper
59/ie x 53/i6 in. (14.2 x 13.2 cm)
From Wiener Secession: Katalog der
vierzehnten Ausstellung der Vereini-
gung bildender Kiinstler Osterreichs,
exh. cat. (Vienna: Wiener Secession,
1902), p. 76
PROVENANCE: Hartung & Karl, Munich,
28-29 May 1974, part of lot 2031
EXHIBITION: Reed under 241/1
83.1.610 p
1777
Untitled (woman with long scarf),
c. 1907
Lithograph printed in black, blue, and
red on laid paper
6'/i6 x 6W6 in. (15.4 x 15.4 cm)
From first program book Kabarett
Fledermans (Vienna: Wiener
Werkstatte, 1907)
provenance: Hartung & Karl, Munich,
15 November 1979, part of lot 2899
83.1.167 b
Wilhelm List
born 1864 Vienna, Austria
died 1918 Vienna, Austria
Berthold Loftier
born 1874 Nieder- Rosental, Austria
died 1960 Vienna. Austria
1778 Elfriede Lohse-
Die Nachtwandlerin, 1919 Wachtler
(The sleepwalker)
Woodcut on brownish simili-japan born 1899
paper Brandenburg
10V2 x 815/i6 in. (26.7 x 22.7 cm)
INSCRIPTION: inscribed "Die died 1940
Nachtwandlerin— Holzschnitt von L.
Wachtler 1919" below image
provenance: Galerie Saxonia, Munich;
purchased in 1981
M. 82. 287. 40
494
Lomnitz
|
Alfred Lomnitz |
1779 |
|
Gespenstersonate, c. 1920 |
|
|
born 1892 |
(Ghost sonata) |
|
Eschwege |
Woodcut on wove paper |
|
715/i6 x 5% in. (20. 1 x 14.6 cm) |
|
|
From Das Kunstblatt 4, no. 6 (1920) |
|
|
provenance: Kunstgalerie Esslingen, |
|
|
Esslingen; purchased in 1975 |
|
|
EXHIBITION: Reed 283/48 |
|
|
83.1.1152 a |
Karl Lorenz
born 1888
Hamburg- Wandsbeck
died 1961 Hamburg-Rahlstedt
1780
R. M. Rilke: Holzschnitte von Karl
Lorenz
(R. M. Rilke: Woodcuts by Karl Lorenz)
Portfolio of 14 woodcuts with watercolor
on japan paper
Published by Turmpresse; from edition
of unknown size
PROVENANCE: gift of Elmar Seibel, 1982
L.86. 1. 1 a-n; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1. Rainer Maria Rilke, 1931 With brown, aqua, and purple watercolor
12% x g'/2 in. (32. 1 x 24. 1 cm) L. 86.1.1 a
2. Untitled (design with star and fish),
1931
With gold, brown, and fuchsia
watercolor
12V2 x 9V2 in. (31.7 x 24. 1 cm)
INSCRIPTION: signed and dated, l.r.
L.86. 1.1b
3. Untitled (title page), 1931 With gold, purple, and yellow watercolor
12% x 9V2 in. (32.0 x 24.2 cm) L. 86.1.1c
4. Untitled (design with sunburst),
1931
With brown, purple, and fuchsia
watercolor
i25/8 x g'/2 in. (32.0 x 24.2 cm)
INSCRIPTION: signed and dated, l.r.
L. 86.1. id
5. Untitled (design with flowers), 1931 With yellow, fuchsia, and aqua watercolor
12V2 x 9V2 in. (31.7 x 24.2 cm) INSCRIPTION: signed and dated, l.r. L. 86.1.1 e
6. DieEngel, 1931 (The angels)
With gold, yellow, and fuchsia
watercolor
12V2 x 0//2 in. (317 x 24.2 cm)
L.86. 1. if
1780-1
EttBlKzi
OF&ftL
TWbe^i
1780-3
1779
1780-2
lie/Eta*
1780-5
1780-6
Lorenz
495
K3^ilQil!ueJ5«l
1780-7
1780-9
M
1780-10
VORTEL
L&m:
7. So ungewiss und gross, 1931 (So uncertain and large) With brown, gold, and purple watercolor
i2'/2 x 9V2 in. (31.7 x 24.2 cm) L.86.i.ig
8. Begreifst, 1931 (Understand)
With gold, brown, and purple
watercolor
12V2 x 9'/2 in. (31.7 x 24.2 cm)
L.86.i.ih
9. Du bist . . . , 1931 (You are . . .)
With yellow, gold, and fuchsia
watercolor
12V2 x 9V2 in. (31.7 x 24.2 cm)
L.86.i.ii
10. Untitled (design with tree), 1931 With purple, orange, fuchsia, and aqua watercolor
12V2 x 9'/2 in. (31.7 x 24.2 cm) inscription: signed and dated, l.r. L.86.1.1J
11. Untitled (design with stars), 1931 With light purple, dark purple, and yellow watercolor
12V2 x g'/a in. (31.7 x 24.2 cm) inscription: signed and dated, l.r. L. 86. 1.1k
12. Aus: Die Worte des Engels, 1931 (From: The words of the angel) With yellow, purple, and gold watercolor
12% x 9V2 in. (32.0 x 24.2 cm) INSCRIPTION: signed, dated, and numbered (16) L.86.1.1I
13. Rainer Maria Rilke, 1931 With gold, fuchsia, and brown watercolor
12V2 x 9V2 in. (31.7 x 24.2 cm) L. 86. 1.1 m
14. Weihnachts-Paket , 1931 (Christmas package)
With brown, purple, and aqua
watercolor
12V2 x 9V2 in. (31.7 x 24.2 cm)
L. 86.1. in
1780-11
1780-12
iMqfcra
FM mi
^o
1151 Q
1780-13
1780-14
496 Lowengard
Kurt Lowengard 1781
Untitled (cityscape with bridge),
born 1895 Hamburg e. 1923
Woodcut on wove paper
913/ie x 63/ie in. (24.9 x 15.7 cm)
From Karl Lorenz, ed.. Das neue
Hamburg (Hamburg: Gemeinschafts-
verlag Hamburgischer Kiinstler, 1923),
p. 177
INSCRIPTION: numbered (257/450) on
justification page
provenance: Arthur H. Minters, New
York; purchased in 1976
exhibition: Reed under 322
83. 1.160 dd
1782
Untitled (cityscape), c. 1923 Woodcut on wove paper 75/8 x 5% in (19.4 x 13.7 cm) From Karl Lorenz, ed. , Das neue Hamburg (Hamburg: Gemeinschafts- verlag Hamburgischer Kiinstler, 1923),
P- 179
INSCRIPTION: numbered (257/450) on
justification page
provenance: Arthur H. Minters, New
York; purchased in 1976
exhibition: Reed under 322
83. 1.160 ee
1783
Untitled (cityscape), c. 1923
Woodcut on wove paper
77/s x 55/8 in. (20.0 x 14.3 cm)
From Karl Lorenz, ed.. Das neue
Hamburg (Hamburg: Gemeinschafts-
verlag Hamburgischer Kiinstler, 1923),
p. 181
INSCRIPTION: numbered (257/450) on
justification page
PROVENANCE: Arthur H. Minters, New
York; purchased in 1976
EXHIBITION: Reed under 322
83.1. 160 ff
Maximilien Luce
born 1858 Paris, France
died 1941 Paris, France
1784
Hochofen, c. 1898
(Blast furnaces)
Lithograph printed in blue, yellow,
burgundy, and blue-green on chine
volant paper
loVi x 77/8 in. (26. 1 x 20.0 cm)
From Pan 4, no. 1 (1898): following 20
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
reference: Dennerlein 1878
83.1.1356 b
Hanns Heinz Luck 1785
Franziskus, c. 1920
(Francis)
Woodcut on wove paper
7'/i6 x 413/i6 in. (18.0 x 12.3 cm)
From Das Kunstfenster 1, no. 5 (1920): 13
provenance: Ars Libri, Boston;
purchased in 1978
83.1.1066 b
1782
1781
1784
1783
Luksch
497
1786 (recto)
1786 (verso)
1790
1786
Umrahmung zum Trinldied von Dehmel, c. 1895
(Frame for Dehmel's drinking song) Lithograph printed in green and red on wove paper, with images on recto and verso
Recto: 12 x 8n/i6 in. (30.4 x 22. 1 cm); verso: ll7/s x 8n/i6 in. (30.2 x 22.1 cm) FromPfln 1, no. 1 (1895-96): following 14 PROVENANCE: Kornfeld & Klipstein, Bern, 7-8 June 1978, part of lot 775 REFERENCE: Dennerlein 68 83.1.1350 b, c
1787
Freya und die Riesen, 1896
(Freya and the giants)
Lithograph printed in black, brown,
rust, and gold on wove paper
9% x 715/i6 in. (24.8 x 20. 1 cm)
From Pan 2, no. 2 (1896): following 140
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
REFERENCE: Dennerlein 1072
83.1.1352 1
1788
Untitled (balancing figure), c. 1919 Woodcut on wove paper 4V8 x 4 in. (10.5 x 10.2 cm) From Menschen 2, no. 54/61 (1919): 40 provenance: Galerie Gerda Bassenge, Berlin, 25 May 1975, part of lot 4883 exhibition: Reed under 289 83.1. 1384 d
1789
Untitled (head in profile), c. 1919 Woodcut on wove paper 2% x 31/-! in. (7.3 x 8.3 cm) From Menschen 2, no. 54/61 (1919): 41 provenance: Galerie Gerda Bassenge, Berlin, 25 May 1975, part of lot 4883 EXHIBITION: Reed under 289 83.1.1384 c
1790
Untitled (head), c. 1919
Woodcut on wove paper
4 x 3% in. (10. 1 x 9.5 cm)
From Menschen 2, no. 54/61 (1919): 41
provenance: Galerie Gerda Bassenge,
Berlin, 25 May 1975, part of lot 4883
EXHIBITION: Reed under 289
83. 1.1384 f
1791
Untitled (fat figure), c. 1919 Woodcut on wove paper 3'/i x 3 in. (8.2 x 7.6 cm) From Menschen 2, no. 54/61 (1919): 59 provenance: Galerie Gerda Bassenge, Berlin, 25 May 1975, part of lot 4883 EXHIBITION: Reed under 289 83.1. 1384 j
Georg Liihrig
born 1868 Gottingen
died 1957
Andreas Luksch
1791
498
Peter Luksch
Elena Luksch- Makovsky
born 1878 Saint Petersburg, Russia
died 1967 Hamburg
Luksch
1792
Untitled (head), c. 1919
Woodcut on wove paper
45/i6 x 2% in. (10.9 x 7.0 cm)
From Menschen 2, no. 54/61 (1919): 52
provenance: Galerie Gerda Bassenge,
Berlin, 25 May 1975, part of lot 4883
exhibition: Beed under 289
83.1. 1384 g
1793
Untitled (head), c. 1919 Woodcut on wove paper 313/i6 x 35/i6 in. (9.7 x 8.4 cm) From Menschen 2, no. 54/61 (1919): 53 provenance: Galerie Gerda Bassenge, Berlin, 25 May 1975, part of lot 4883 EXHIBITION: Reed under 289 83.1.1384 h
1794
Untitled (head), c. 1919
Woodcut on wove paper
313/i6 x 2'/8 in. (9.7 x 5.4 cm)
From Menschen 2, no. 54/61 (1919): 53
provenance: Galerie Gerda Bassenge,
Berlin, 25 May 1975, part of lot 4883
exhibition: Reed under 289
83. 1. 1384 i
1795
Untitled (three figures), c. igo2 Woodcut printed in black and orange on laid paper
5"/i6 x 5V4 in. (14.5 x 13.3 cm) From Wiener Secession: Katalog der vierzehnten Ausstellung der Vereini- gung bildender Kiinstler Osterreichs, exh. cat. (Vienna: Wiener Secession, 1902), p. 57
PROVENANCE: Hartung & Karl, Munich, 28-29 May 1974, part of lot 2031 EXHIBITION: Reed under 241/1 83.1.610 k
1796
Untitled (three figures), c. 1902
Woodcut printed in black and orange on
laid paper
5% x 55/i6 in. (14.6 x 13.5 cm)
From Wiener Secession: Katalog der
vierzehnten Ausstellung der
Vereinigung bildender Kiinstler
Osterreiclis, exh. cat. (Vienna: Wiener
Secession, 1902), p. 72
PROVENANCE: Hartung & Karl, Munich,
28-29 May 1974, part of lot 2031
exhibition: Beed under 241/1
83.1.610 o
1793
1792
1794
1797
Lyck
499
1797
Portrait, c. 1912 Woodcut on wove paper 2% x 1^16 in. (7.3 x 4.9 cm) From Saturn 2, no. 9 (1912): 183 provenance: M. K. Neudold (ex libris); Galerie Gerda Bassenge, Berlin, 4 June
WS. Part of lot 4899 exhibition: Reed under 300 83.1.1311 i
1798
Der Sdufer, c. 1912
(The drunkard)
Woodcut on wove paper
3% x is/i6 in. (8.5 x 3.4 cm)
From Saturn 2, no. 4 (1912): 65
provenance: M. K. Neudold (ex libris);
Galerie Gerda Bassenge, Berlin, 4 June
1975, part of lot 4899
EXHIBITION: Reed under 300
83.1.1311a
Maria Lyck
500
Macke
August Macke 1799
Akt, c. 1910 born 1887 (Nude)
Meschede Charcoal on thick brownish wove paper
2415/i6 x 19 in. (63.3 x 48.2 cm) died 1914 inscription: signed by Elisabeth
Perthes-les-Hurlus, Macke, l.r.; dedicated to Fried and
France Emma Liibbecke, 1945, 1.1.
provenance: Fried Liibbecke and Emma Liibbecke-Job, Frankfurt; gift to private collector, Los Angeles, 1946; Heritage Gallery, Los Angeles; purchased in 1972 EXHIBITION: Reed 168 The date 1914 on the drawing probably refers to the year of Macke s death rather than the date of execution M. 82. 288. 345
1800
Begriissung, 1912
(Greeting)
Linoleum cut on copperplate paper
9I/2 x 7% in. (23.9 x 19.3 cm)
Trial proof before edition in Der Sturm
3, no. 138/139 (1912): 221; the center
also has an impression from the
published edition (cat. no. 1801)
INSCRIPTION: inscribed "Nachlass
August Macke (Probedruck 2) Elisabeth
Erdemann-Macke" below image
provenance: Karl & Faber, Munich, 1
June 1973, lot 749
EXHIBITION: Reed 166
M. 82. 288.203
1801
Begriissung, 1912
(Greeting)
Linoleum cut on wove paper
gVi x 75/s in. (23.9 x 19.3 cm)
From Der Sturm 3, no. 138/139 (1912):
221; printed from the cracked block
provenance: Ex Libris, New York;
purchased in 1982
Not illustrated
83.1.1391.40
1802
Untitled (three nudes), c. 1913 Linoleum cut on wove paper 4'/2x 3'/j in. (11.5 x 8.3 cm) From Der Sturm 3, no. 152/153 (1913): 289; the center also has impressions from the deluxe and regular editions of Das Kunstblatt 2, no. 4 (1918) provenance: Ex Libris, New York; purchased in 1982 83-1- 1391- 53
1799
1800
|
^ |
?™l |
|
|
Rf /t |
||
|
is I i ' |
k^^AAml v j&giir^:i |
1802
1804
1805
1806
Maetzel
1803
Untitled (abstract composition), 1923 Linoleum cut on wove paper 107/i6 x 5% in. (26.5 x 14.3 cm) From Der Sturm 15, no. 1 (1924): 11 provenance: Ex Libris, New York; purchased in 1982 83.1.1396.14
501
1805
Beweinung, c. 1918
(Lamentation)
Woodcut on wove paper
713/i6 x io'/4 in. (19.9 x 26.0 cm)
From Die Aktion 8, no. 13/14 (1918):
173-74; not identified as an original
woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1532 b
1806
Untitled (two women), c. 1918
Woodcut on wove paper
5% x 4 in. (13.7 x 10.2 cm)
From Die Aktion 8, no. 5/6 (1918): cover
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1530 a
1807
Herbst, c. 1919
(Autumn)
Woodcut on wove paper
8% x 6"/i6 in. (21.2 x 17.0 cm)
From Die Aktion 9, no. 39/40 (1919):
back cover
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1559 b
1808
Untitled (head), c. 1919
Woodcut on wove paper
5V& x 4 in. (13.0 x 10.2 cm)
From Die Aktion 9, no. 37/38 (1919):
645-46
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83. 1. 1558 c
Karel Maes
born 1900 Mol, Belgium
|
1804 |
Emil Maetzel |
|
Badende Knaben, c. 1914 |
|
|
(Bathing youths) |
born 1877 |
|
Linoleum cut on wove paper |
Cuxhaven |
|
14% x i87/8 in. (37.5 x 48.0 cm) |
|
|
From Der Sturm 6, no. 17/18 (1915): |
died 1955 Hamburg |
|
102-3; the center has two copies of this |
|
|
issue |
|
|
provenance: Ex Libris, New York; |
|
|
purchased in 1982 |
|
|
83.1.1391.29 |
1808
502
Maetzel
1809
Salome, c. 1920
Woodcut on wove paper
8s/8 x 613/i6 in. (21.9 x 17.3 em)
From Hugo Koch and Emil Maetzel,
eds., Der gelben Posaune der Sieben
gewidmet (Hamburg: Konrad Hanf,
1920)
provenance: Ganymede Graphics,
Berkeley; purchased in 1974
83. 1.124 d
1810
Stilleben mit Negerplastik, 1920
(Still life with African sculpture)
Woodcut on laid paper
7 x %Vs in. (17.8 x 13.0 cm)
From Katalog der zweiten Ausstellung
der Hamburgischen Secession, exh. cat.
(Hamburg: Alte Kunsthalle, 1921), no.
45. P'- 5
provenance: Ars Libri, Boston;
purchased in 1982
83- 1-735 f
1811
Untitled (cover), c 1920 Woodcut on yellow cover stock I213/i6 x 9% in. (32.5 x 24.8 cm) From Hugo Koch and Emil Maetzel, eds. , Der gelben Posaune der Sieben gewidmet (Hamburg: Konrad Hanf, 1920)
provenance: Ganymede Graphics, Berkeley; purchased in 1974 83.1.124 a
1812
Untitled (title page), c. 1920
Woodcut on wove paper
5 x 6 in. (12.7 x 15.3 cm)
From Hugo Koch and Emil Maetzel,
eds., Der gelben Posaune der Sieben
gewidmet (Hamburg: Konrad Hanf,
1920)
provenance: Ganymede Graphics,
Berkeley; purchased in 1974
83.1.124 b
1813
Der blinde Voter, c. 1921 (The blind father) Woodcut on wove paper 13V4 x 9% in. (337 x 24.4 cm) From Kiindung 1, no. 9/10 (1921) provenance: Galerie Wolfgang Ketterer, Munich, 26 November 1974, part of lot 1 154 EXHIBITION: Reed under 282 83. 1.1060 j
1814
Junges Paar, c. 1921
(Young couple)
Woodcut on wove paper
loVie x 6I3/i6 in. (25.5 x 17.3 cm)
From Kiindung 1, no. 9/10 (1921)
provenance: Galerie Wolfgang
Ketterer, Munich, 26 November 1974,
part of lot 1154
exhibition: Reed under 282
83.1.1060 i
1809
1810
vmmM *W R$W Sftfc Itt&N \i &m
1814
Maetzel-Johannsen
503
1815
1816
1817
1818
1815
Untitled (Crucifixion), c. 1923
Woodcut on wove paper
6 x 4n/i6 in. (15.3 x 11.9 cm)
From Die Aktion 13, no. 6 (1923): cover;
not identified as an original woodcut
provenance: gift of Titus Felixmiiller,
1984
L.84.5. 122 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1816
Untitled (head), c. 1923
Linoleum cut on wove paper
9V2 x 6% in. (24. 1 x 17. 1 cm)
From Karl Lorenz, ed. , Das neue
Hamburg (Hamburg: Gemeinschafts-
verlag Hamburgischer Kunstler, 1923),
p. 147
inscription: numbered (257/450) on
justification page
provenance: Arthur H. Minters, New
York; purchased in 1976
exhibition: Reed under 322
83.1.160 x
1817
Untitled (figure with flowers), c. 1923 Linoleum cut on wove paper 913/i6 x 6V2 in. (24.9 x 16.5 cm) From Karl Lorenz, ed., Das neue Hamburg (Hamburg: Gemeinschafts- verlag Hamburgischer Kunstler, 1923),
P- 149
INSCRIPTION: numbered (257/450) on
justification page
provenance: Arthur H. Minters, New
York; purchased in 1976
exhibition: Reed under 322
83.1.160 y
1818
Untitled (seated nude), c. 1923 Linoleum cut on wove paper io'/4 x 77/i6 in. (26.0 x 18.9 cm) From Karl Lorenz, ed., Das neue Hamburg (Hamburg: Gemeinschafts- verlag Hamburgischer Kunstler, 1923),
P- 151
inscription: numbered (257/450) on
justification page
provenance: Arthur H. Minters, New
York; purchased in 1976
exhibition: Reed under 322
83.1.160 z
1819
1819
Mutter und Kind, c. 1919
(Mother and child)
Woodcut on wove paper
g7/8 x 5n/i6 in. (25. 1 x 14.4 cm)
From Die rote Erde 1, no. 8/10 (1920):
259
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1975
exhibition: Reed under 298
83. 1.972 e
Dorothea Maetzel- Johannsen
504
Maetzel-Johannsen
Franz Marc
born 1880 Munich
died 1916 Verdun. France
1820
Stilleben, 1920
(Still life)
Linoleum cut on laid paper
5 x 6'/s in. (12.7 x 15.6 cm)
From Katatog der zweiten Ausstellung
der Hamburgischen Secession, exh. cat.
(Hamburg: Alte Kunsthalle, 1921), no.
40 or 41, pi. 2
PROVENANCE: Ars Libri, Boston;
purchased in 1982
83. 1-735 c
1821
Untitled (cover), 1920
Woodcut and collage on purple laid
paper
97/8 x 7% in. (25. 1 x 19.7 cm)
From Katalog der zweiten Ausstellung
der Hamburgischen Secession, exh. cat.
(Hamburg: Alte Kunsthalle, 1921)
PROVENANCE: Ars Libri, Boston;
purchased in 1982
83- 1-735 a
1822
Katze hinter einem Baum, 1910-11
(Cat behind a tree)
Pencil on laid paper
7'/i6 x 4% in. (179 x 11. 1 cm)
provenance: Christie's, London, 5
April 1974, lot 136
REFERENCE: Schardt, Skizzenbuch 23,
p. 20
EXHIBITION: Reed 169
Study for Marc's painting Kinderbild
(Lankheit 146)
M. 82. 288. 346
1823
Ruhende Pferde, 191 1- 12
(Resting horses)
Woodcut on wove paper
69/i6 x 8~/s in. (16.7 x 22.5 cm)
From Der Sturm 3, no. 146/147 (1913):
261
provenance: Ex Libris, New York;
purchased in 1982
reference: Lankheit 825.2
83.1.1391.51
1824
Die Hirtin, 1912
(The shepherdess)
Woodcut on wove paper
85/» x 2l3/ie in. (21.9 x 7.2 cm)
From Der Sturm 3, no. 144/145 (1913):
253
PROVENANCE: Ex Libris, New York;
purchased in 1982
REFERENCE: Lankheit 828.2
EXHIBITION: Rosenthal 26
83.1.1391.49
■MMHMMMH|
1721
XL
1821
1822
1829
1825
1828
1826
Marc
1825
Pferde, 1912
(Horses)
Woodcut on wove paper
5'/i x 39/i6 in. (13.3 x 9.0 cm)
From Der Sturm 3, no. 129 (1912): 163
provenance: Ex Libris, New York;
purchased in 1982
reference: Lankheit 844.2
83.1.1391.31
1826
Pferde, 1912
(Horses)
Woodcut on wove paper
8% x 3'/j in. (21.9 x 8.3 cm)
From Der Sturm 3, no. 138/139 (1912):
229
PROVENANCE: Ex Libris, New York;
purchased in 1982
reference: Lankheit 832.2
83.1.1391.42
1827
Schlafende Hirtin, 1912
(Sleeping shepherdess)
Woodcut on wove paper
713/i6 x 97/i6 in. (19.8 x 23.9 cm)
From Der Sturm 4, no. 160/161 (1913):
25; the center also has an impression
from Der Sturm 6, no. 23/24 (1916): 137
(Lankheit 829.3)
PROVENANCE: Ex Libris, New York;
purchased in 1982
reference: Lankheit 829.2
83.1.1391.58
1828
Der Stier, 1912
(The bull)
Woodcut on wove paper
6'/i x 8"/i6 in. (15.8 x 22.0 cm)
From Der Sturm 3, no. 140/141 (1912):
233
provenance: Ex Libris, New York;
purchased in 1982
reference: Lankheit 827.2
83.1.1391.44
1829
Tierlegende, 1912
(Animal legend)
Woodcut on wove paper
713/i6 x 97/i6 in. (19.9 x 24.0 cm)
From Der Sturm 3, no. 127/128 (1912):
145 (see also cat. no. 1830)
provenance: Ex Libris, New York;
purchased in 1982
reference: Lankheit 831.2
83.1.1391.22
505
1827
506
Marc
1830
Tierlegende, 1912 (Animal legend) Woodcut on wove paper 713/i6 x g7/i6 in. (19.9 x 24.0 cm) From Genius 1, no. 2 (1919): following 282; the center also has an impression from the second edition (cat. no. 1829) provenance: M. J. Rover Bookshop, Los Angeles; purchased about 1970-72 REFERENCE: Lankheit 831.3 exhibition: Reed 275/4 Not illustrated 83.1.813 d
1831
Tiger, 1912
Woodcut on wove paper
713/i6 x g7/i6 in. (19.8 x 24.0 cm)
From Der Sturm 3, no. 132 (1912): 185;
the center also has an impression from
Wolf Pryzgode, ed., Buch der Toten
(Munich: Roland Verlag, 1919), p. xiii
(this edition not recorded by Lankheit)
provenance: Ex Libris, New York;
purchased in 1982
reference: Lankheit 833.2
83.1.1391.36
1832
Versohnung, 1912
(Reconcilation)
Woodcut on wove paper
fA x io'/s in. (20.0 x 25.7 cm)
From Der Sturm 3, no. 125/126 (1912):
133
PROVENANCE: Ex Libris, New York;
purchased in 1982
REFERENCE: Lankheit 837.2
83.1.1391.20
1833
Wildpferdchen, 1912 (Wild little horse) Woodcut on wove paper 2% x 3'/8 in. (6.0 x 7.9 cm) From Der Sturm 4, no. 156/157 (1913): 11; the center also has the following impressions not recorded by Lankheit: from Franz Marc: Gedachtnis- Ausstellung: Gemalde und Aquarelle I Holzschnitte. exh. cat. (Berlin: Galerie der Sturm, 1916), frontispiece; Herwarth Walden, ed., Expressionia- mus: Die Kunstwende (Berlin: Verlag der Sturm, 1918), title page; and Der Sturm 17, no. 5 (1926): cover, 77 PROVENANCE: Ex Libris, New York; purchased in 1982 REFERENCE: Lankheit 830.2 83.1.1391.56
1831
1832
1833
1834
Marcks
507
1835
1834
Geburt der Pferde, 1913 (The birth of horses) Woodcut printed in black, red, rose, and green on japan paper 8V2 x 5% in. (21.5 x 14.5 cm) provenance: Herr Probse, Mannheim; private collection, Los Angeles, 1947; Heritage Gallery, Los Angeles; purchased in 1972 REFERENCE: Lankheit 840 exhibition: Reed 170; Rosenthal 42 M. 82. 288. 204
1835
Lotvenjagd nach Delacroix, 1913 (Lion hunt after Delacroix) Woodcut on wove paper 913/i6 x io"/i6 in. (24.9 x 27.2 cm) From Der Sturm 6, no. 5/6 (1915): 25 PROVENANCE: Ex Libris, New York; purchased in 1982 REFERENCE: Lankheit 838.2 83-1- 1392. 19
1836
1836
Strassenansicht, 1924
(Street view)
Lithograph on wove paper
6V4 x 8Vt in. (15.8 x 21.0 cm)
From Georg Biermann, ed. , Jahrbuch
derjungen Kunst (Leipzig: Klinkhardt
& Biermann, 1924), before p. 63
provenance: Galerie Nierendorf,
Berlin; purchased in 1975
exhibition: Reed 320/1924.2
83. 1.802 b
F. Marchand
1838
1837
Frauenkopf, 1934
(Head of a woman)
Woodcut on laid paper
8'/i x 65/i6 in. (20.9 x 16.0 cm)
From Gerhard Marcks: Zum
achtzigsten Geburtstag, exh. cat.
(Berlin: Galerie Nierendorf, 1969),
frontispiece; total edition of 2,000 (first
100 signed)
INSCRIPTION: signed, l.r.; numbered
(62/100) on justification page
provenance: Giinter Fuchs,
Diisseldorf; purchased in 1979
83.1.784 a
1838
Telemachos, begleitet von Hunden,
1963
(Telemachus accompanied by dogs)
Woodcut on wove paper
53/ie x 5% in. (13.2 x 14.3 cm)
From Gerhard Marcks: Dem grossen
Bildhauer zum Geddchtnis, exh. cat.
(Berlin: Galerie Nierendorf, 1983),
frontispiece
inscription: numbered (488/2,000) on
justification page
provenance: gift of Galerie
Nierendorf, 1983
L.86. 1.9 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
Gerhard Marcks
born 1889 Berlin
died 1981 Burgbrohl
508
Marcks
Franz Marten
born 1898 Gelsenkirchen
1839
Spinne und Schmetterling, 1972
(Spider and butterfly)
Woodcut on wove paper
6Vj x 3% in. (15.8 x 9.5 cm)
From Gerhard Marcks: Dem grossen
Bildhauer zum Gediichtnis, exh. cat.
(Berlin: Galerie Nierendorf, 1983),
p. 11
INSCRIPTION: numbered (488/2,000) on
justification page
provenance: gift of Galerie
Nierendorf, 1983
L. 86. 1.9 b; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1840
Selbstbildnis, 1973
(Self-portrait)
Lithograph on wove paper
7% x yVs in. (19.6 x 18. 1 cm)
From Gerhard Marcks: Zum
funfundachtzigsten Geburtstag, exh.
cat. (Berlin: Galerie Nierendorf, 1974),
frontispiece; total edition of 1,650 (first
150 signed)
INSCRIPTION: signed, l.r.; numbered
(91/150) on justification page
PROVENANCE: Giinter Fuchs,
Diisseldorf; purchased in 1979
83.1.445 a
1841
Sitzendes Mddchen, 1973
(Seated girl)
Lithograph on wove paper
li'/s x 6% in. (28.2 x 16.2 cm)
From Gerhard Marcks: Zum
funfundachtzigsten Geburtstag, exh.
cat. (Berlin: Galerie Nierendorf, 1974),
frontispiece; total edition of 1,650 (first
150 signed)
INSCRIPTION: signed, l.r.; numbered
(91/150) on justification page
provenance: Giinter Fuchs,
Diisseldorf, purchased in 1979
83.1.445 b
1842
Aus dem Cyklus "Musik" c. 1920 (From the series "Music") Woodcut on wove paper 7Vi6 x 45/8 in. (18.0 x 11.8 cm) From Das Kunstfenster 1, no. 7 (1920): 13
provenance: Ars Libri, Boston; purchased in 1978 83.1.1068 a
jmiifcfe
1840
1839
1841
1842
Masereel
509
1845-1
1844
1843-1
1843
Die Passion eines Menschen
(The passion of a human being)
Book with 25 woodcuts on japan paper
Sheet: 11 x 8% in. (27.9 x 22.3 cm)
Picture book (Munich: Kurt Wolff
Verlag, 1921); total edition of 750
inscription: signed and numbered
(25/50) on justification page
provenance: Walter Schafroth (ex
libris); source and date of purchase
unknown
reference: Vorms and Gabelentz
B.3.la
83.1. 145 a-y
1. Untitled (coach scene with figures),
1918
5V4 x 4V4 in. (13.4 x 10.8 cm)
Plate 11
83.1.145 k
1844
Untitled (mob scene), 1918
Woodcut on slick wove paper
43/i6 x 37/i6 in. (10.7 x 8.8 cm)
From Das Tribunal 1, no. 8/9 (1919):
cover
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1975
exhibition: Reed under 304
83.1.960 a
1845
My Book of Hours
Book with 167 woodcuts on wove paper Sheet: 67/s x 413/i6 in. (17.4 x 12.3 cm) Illustrations to English edition of picture book with introduction by Romain Rolland, published by artist in 1922. The center also has a copy of the German popular edition (Vorms and Gabelentz B.4.ib) with 165 woodcuts and an introduction by Thomas Mann (Munich: Kurt Wolff Verlag, 1926); edition of 1,000-5,000 INSCRIPTION: signed and numbered (135/600) on justification page provenance: unknown REFERENCE: Vorms and Gabelentz B. 4.11a
83.1.148.1-167 1. Untitled (artist in his studio),
c 1919
39/i6 x 2% in. (9.0 x 6.9 cm)
Following title page
83.1.148.2
Frans Masereel
born 1889
Blankenberghe,
Belgium
died 1972 Avignon, France
510
Masereel
1846
Biibii votn Montparnasse
(Bubii of Montparnasse)
Book with 10 full-page and 10 vignette
woodcuts on laid paper and vignette
woodcut on cover
Sheet: yVw x 47/s in. (18.3 x 12.4 cm)
Illustrations to novel by Charles-Louis
Philippe (Munich: Kurt Wolff Verlag,
1920); from popular edition of
1,000-15,000
provenance: Dr. Rene Prevot (ex
libris); Kunstgalerie Esslingen,
Esslingen; purchased in 1975
reference: Vorms and Gabelentz C.29
83.1.144 a-u
1. Untitled (carnival scene), 1920
4% x 3'/ie in. (12.0 x 7.8 cm)
Page 41
83.1.144 d
1847
Five Tales
Book with 14 full-page and 14 vignette
woodcuts on wove paper
Sheet: 713/i6 x 6 in. (19.9 x 15.3 cm)
Illustrations to American edition of
stories by Emile Verhaeren, translated
by Keeve Willis (New York: Albert &
Charles Boni, 1924)
provenance: Ganymede Graphics,
Berkeley; purchased in 1974
REFERENCE: Vorms and Gabelentz
C.26.II
83. 1.146 a— bb
1. Untitled (head of a man), 1920 43/4 x 35/i6 in. (12.0 x 8.5 cm) Following table of contents 83.1.146 a
1848
Geschdftsmann, 1920
(Businessman)
Woodcut on wove paper
8'/8 x 6% in. (20.7 x 16.2 cm)
From Genius 2, no. 1 (1920): following
158
provenance: M. J. Royer Bookshop,
Los Angeles: purchased about 1970-72
reference: Vorms and Gabelentz Ab. 1
EXHIBITION: Reed 275/7
83.1.814 c
1849
Untitled (wounded figures), 1920
Woodcut on wove paper
29/i6 x 33/s in. (6.5 x 8.5 cm)
From Die Aktion 12, no. 13/14 (1922):
cover; not identified as an original
woodcut. The center also has an
impression from Five Tales (cat. no.
1847)
PROVENANCE: gift of Titus Felixmiiller,
1984
L.84.5.gg a; 'ent by 'he Robert Gore
Rjfkind Foundation, Beverly Hills,
California
1848
1846-1
1847-1
1850
Masereel
511
1851-1
1852
1853
1850
Das Bild, 1921
(The picture)
Woodcut on wove paper
47/i6 x 3Vi6 in. (11.3 x 8.7 cm)
From Das Querschnittbuch 1923, intro.
by H. von Wedderkop (Frankfurt am
Main: Querschnitt-Verlag, 1923),
frontispiece
inscription: numbered (86/400), p. iv
provenance: Ex Libris, New York;
purchased in 1982
REFERENCE: Vorms and Gabelentz E.27
83.1.517 a
1851
Der eurige J tide
(The wandering Jew)
Book with 8 full-page and 4 vignette
woodcuts on wove paper
Sheet: 99/is x 7V2 in. (24.3 x 19.0 cm)
Illustrations to German edition of novel
by August Vermeylen (Leipzig: Insel-
Verlag, 1921); edition of 260
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
reference: Vorms and Gabelentz C.35
83.1.1473-1
1. Untitled (Christ walks through the
crowd), c. 1921
5% x 4V2 in. (149 x 11.4 cm)
Frontispiece
83.1.147 a
1852
Der moderne Sklavenhalter, c. 1921
(The modern slave owner)
Woodcut on wove paper
4V2 x 37/i6 in. (11.4 x 8.8 cm)
From Die Aktion 12, no. 3/4 (1922):
cover; not identified as an original
woodcut
provenance: gift of Titus Felixmiiller,
1984
L. 84. 5. 96 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1853
Untitled (man and buildings), c. 1921
Woodcut on wove paper
5'/s x 4V4 in. (13.0 x 10.8 cm)
From Der Querschnitt durch 1921
(Berlin: Galerie Alfred Flechtheim,
1922), frontispiece
INSCRIPTION: numbered (340/400), p. iv
PROVENANCE: Ex Libris, New York;
purchased in 1982
REFERENCE: Vorms and Gabelentz 2q
83.1.827 a
1849
512
Masereel
1854
Der Ausbeuter Kapitalismus und der
Proletaries c. 1922
(Capitalism the exploiter and the
proletarian)
Woodcut on wove paper
215/i6 x 57/s in. (7.5 x 14.9 cm)
From Die Aktion 12, no. 9/10(1922):
133-34; not identified as an original
woodcut
provenance: gift of Titus Felixmuller,
1984
L. 84. 5. 97 b; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1855
Die drei Partei-lnternatioTialen als
Nonnen, c. 1922
(The three party internationals as nuns)
Woodcut on wove paper
25/i6 x 33/s in. (5.9 x 8.5 cm)
From Die Aktion 12, no. 15/16 (1922):
208; not identified as an original
woodcut
provenance: gift of Titus Felixmuller,
1984
L.84. 5. 100 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1856
Gbtterlasterliehe Anrufungen, c. 1922
(Blasphemous invocations)
Woodcut on wove paper
3^16 x 3% in. (9. 1 x 9.5 cm)
From Die Aktion 12, no. 9/10 (1922):
135; not identified as an original
woodcut
provenance: gift of Titus Felixmiiller,
1984
L.84. 5. 97 c> 'e"t by tne Robert Gore
Rifkind Foundation, Beverly Hills,
California
1857
Die Kirche segnete das Morden! c. 1922
(The church blessed murder!)
Woodcut on wove paper
3% x 39/i6 in. (9.5 x 9.0 cm)
From Die Aktion 12, no. 9/10 (1922):
133; not identified as an original
woodcut
PROVENANCE: gift of Titus Felixmiiller,
1984
L.84.5.97 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1858
Lasttrager, c. 1922
(Porter)
Woodcut on wove paper
3 x i15/i6 in. (7.7 x 4.9 cm)
From Die Aktion 12, no. 9/10 (1922):
138; not identified as an original
woodcut
provenance: gift of Titus Felixmuller,
1984
L.84.5.97 g; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1854
1855
1856
1858
1859
1860
1861
1862
1863
Masereel
1859
Strassenbild, c. 1922
(Street picture)
Woodcut on wove paper
4% x 3% in. (12.0 x 8.5 cm)
From Die Aktion 12, no. 19/20 (1922):
275; not identified as an original
woodcut
provenance: gift of Titus Felixmuller,
1984
L. 84. 5. 102 b; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1860
Und Belgien? Vnd Luxemburg? c. 1922
(And Belgium? And Luxembourg?)
Woodcut on wove paper
315/i6 x 3V2 in. (10.0 x 8.9 cm)
From Die Aktion 12, no. 9/10 (1922):
137; not identified as an original
woodcut
PROVENANCE: gift of Titus Felixmuller,
1984
L.84.5.97 f; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1861
Was die Kriegsberichte meinten, c. 1922
(What the war news meant)
Woodcut on wove paper
3n/i6 x 39/i6 in. (9.4 x 9. 1 cm)
From Die Aktion 12, no. 9/10 (1922):
135; not identified as an original
woodcut
PROVENANCE: gift of Titus Felixmuller,
1984
L.84.5.97 d; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1862
Untitled (soldier), c. 1922
Woodcut on wove paper
3"/i6 x 3V2 in. (9.4 x 8.9 cm)
From Die Aktion 12, no. 9/10 (1922):
136; not identified as an original
woodcut
provenance: gift of Titus Felixmuller,
1984
L.84.5.97 e; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1863
Untitled (riot), c. 1922
Woodcut on wove paper
43/4 x 3% in. (12.0 x 8.5 cm)
From Die Aktion 12, no. 39/40 (1922):
cover; not identified as an original
woodcut
PROVENANCE: gift of Titus Felixmuller,
1984
L.84.5. 112 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
513
514
Masereel
1864
The Ballad of Reading Gaol
Book with 7 full-page and 30 vignette
woodcuts on laid paper
Sheet: io5/i6 x 7 in. (26.2 x 17.7 cm)
Illustrations to poem by Oscar Wilde
(London: Methuen & Co., 1924); an
insert notes that the book's publication
was delayed to 1925
inscription: numbered (24/50) before
title page
provenance: Marlborough, London;
purchased in 1975
reference: Vorms and Gabelentz
C.471
83.1. 153 a-kk
1. Untitled (trooper in his cell),
c. 1923
513/i6 x 3 in. (14.8 x 7.6 cm)
Page 19
83.1. 153 f
1865
Der Redner, c. 1924
(The speaker)
Woodcut on wove paper
55/i6 x 415/i6 in. (135 x 12.6 cm)
From Karl Dietz, ed., Schwarzer Greif:
Ein Almanack aufdasjahr 1925
(Rudolfstadt: Greifenverlag, 1925), p. 31
PROVENANCE: unknown
83- 1-549 g
1866
Untitled (kneeling man), 1924 Woodcut on wove paper 47/i6 x 37/i6 in. (11.2 x 8.8 cm) From Georg Biermann, ed., Jahrbuch derjungen Kunst (Leipzig: Klinkhardt & Biermann, 1924), before p. 353 provenance: Galerie Nierendorf, Berlin; purchased in 1975 REFERENCE: Vorms and Gabelentz E.35 exhibition: Reed 320/1924.3 83.1.802 c
1867
Untitled (man holding head), c. 1925 Woodcut on wove paper 4V2 x 3V2 in. (11.4 x 8.9 cm) From 1925: Ein Almanach fur Kunst und Dichtung aus dem Kurt Wolff Verlag (Munich: Kurt Wolff Verlag, 1925), frontispiece provenance: Saalbau Galerie, Darmstadt; purchased in 1980 83.1.643 a
1864-1
Matare
515
1869-1
1868-1
1868
Die Geschichte von Ulenspiegel und
Lamme Goedzak
(The story of Ulenspiegel and Lamme
Goedzak)
Two books with 52 lull-page woodcuts,
98 vignette woodcuts, and 183 initials
on wove paper
Sheet: g15/i6 x 7 in. (25.2 x 17.8 cm)
Two-volume German edition of story by
Charles de Coster, translated by Karl
Wolfskehl (Munich: Kurt Wolff Verlag,
1926); edition of 1,600
provenance: Hans Bolliger, Zurich;
purchased in 1974
REFERENCE: Vorms and Gabelentz C.57
83. 1. 150. 1. 1-184; 83. 1. 150.2. 1- 152
1. Untitled (Christmas carolers), 1926 65/i6 x 49/ie in. (16.0 x 11.6 cm) Volume 1, page 69 83.1.150.1.40
2. Untitled (the executioner), 1926 6'/fe x 4n/i6 in. (16.5 x 11.9 cm) Volume 2, page 7 83.1.150.2.8
1869
Jeunesse
(Youth)
Book with 22 woodcuts on oatmeal
paper
Sheet: ioI5/i6 x 8 in. (27.8 x 20.3 cm)
Picture book with introduction by
Thomas Mann (Zurich: Verlag Oprecht,
1948); edition of 3,000
provenance: Ganymede Graphics,
Berkeley; purchased in 1974
REFERENCE: Vorms and Gabelentz B.35
83.1. 152 a-v
1. Untitled (frolicking on beach),
c. 1948
7'A x 5 in. (19.0 x 12.7 cm)
Plate 19
83. 1. 152 s
1870
Stehende Kuh, 1920
(Standing cow)
Woodcut on laid paper
3 x 6 in. (7.6 x 15.2 cm)
From Richard Hamann and Fritz
Herbert Lehr, eds., Marburger
Jahrbuch fur Kunstwissenschaft, vol. 1
(Marburg: Verlag des kunstgeschicht-
lichen Seminars der Universitat
Marburg, 1924), before p. 285; edition
of 500
provenance: Biicherei Verlag Kurt
Desch, Munich (ex libris); Hartung &
Karl, Munich, 13 November 1979, part
of lot 2958
reference: Peters 13 (this edition not
cited)
83.1.785 d
Ewald Matari
born 1887 Aachen died 1965 Buderich
1870
516
Matare
1871
Landschaft, 1921
(Landscape)
Woodcut on wove paper
5n/i6 x 8u/i6 in. (145 x 22.0 cm)
From Georg Biermann, ed. , Jahrbuch
derjungen Kunst (Leipzig: Klinkhardt
& Biermann, 1921), following p. 48
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1975
reference: variant of Peters 56
exhibition: Reed 320/1921.3
83- 1-799 a
Georg A. Mathey 1872
Brennende Stadt, c. 1916 born 1884 Sibiu, (Burning city)
Romania Woodcut on wove paper
g7/s x 7% in. (25. 1 x 19.7 cm) died 1968 From Die Ahtion 6, no. 22/23 (^iS):
Buchendorf 299—300
provenance: Hauswedell & Nolte,
Hamburg, 30 November 1979, part of
lot 1173
83.1.1516 b
1873
Sturm: Paul Adler gewidmet, c. 1916
(Storm: Dedicated to Paul Adler)
Woodcut on wove paper
5% x 7 in. (13.7 x 17.8 cm)
From Die Aktion 6, no. 22/23 (1916):
cover; not identified as an original
woodcut
provenance: Hauswedell & Nolte,
Hamburg, 30 November 1979, part of
lot 1173
83.1.1516 a
1874
Aufstieg, c. 1919
(Ascent)
Woodcut on wove paper
7V16 x 4V2 in. (17.9 x 11.5 cm)
From Die Aktion 9, no. 2/5 (1919):
81-82
provenance: gift of Titus Felixmuller,
1984
L. 84. 5. 82 c; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
Janos (Hans) Mattis- 1875
Teutsch Untitled (woman in landscape), c. 1917
Linoleum cut on wove paper born 1884 Brasov, 59/i6 x 5V& in. (14.2 x 13.0 cm)
Romania From Hungarian periodical Ma 2, no. 4
[1917?]: 49 died 1960 Brasov, provenance: gift of Dr. Paul Raabe,
Romania 1985
L. 85. 2. 82 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1871
1872
1876
Mattis-Teutsch
517
1878
1879
1876
Untitled (two figures), c. 1917
Woodcut on wove paper
4 x 45/i6 in. (10.2 x 10.9 cm)
From Hungarian periodical Ma 2, no. 4
[1917?]: 61
provenance: gift of Dr. Paul Raabe,
1985
L.85.2.82 b; lent by the Robert Gore
Rifldnd Foundation, Beverly Hills,
California
1877
Untitled (landscape), c. 1917
Linoleum cut on wove paper
4'/i6 x 7 in. (10.3 x 17.7 cm)
From Hungarian periodical Ma 2, no. 9
[1917?]: 145
provenance: gift of Dr. Paul Raabe,
1985
L.85.2.83 a: lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1878
Untitled (landscape), c. 1917
Linoleum cut on wove paper
47/s x 4 in. (12.4 x io. 1 cm)
From Hungarian periodical Ma 2, no.
11 [1917?]: 177
provenance: gift of Dr. Paul Raabe,
1985
L. 85. 2. 84 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1879
Untitled (landscape), c. 1918 Linoleum cut on wove paper 6V2 x 69/i6 in. (16.5 x 16.7 cm) From Der Sturm 9, no. 3 (1918): 43 PROVENANCE: Ex Libris, New York; purchased in 1982 83- 1- 1393-48
1880
Untitled (lake), c. 1918 Woodcut on wove paper 513/i6 x 47/i6 in. (14.8 x 11.2 cm) From Der Sturm 9, no. 5 (1918): 65 PROVENANCE: Ex Libris, New York; purchased in 1982 83-1- 1393-5°
1881
Untitled (landscape), c. 1918
Linoleum cut on wove paper
415/i6 x 6'/8 in. (12.5 x 15.6 cm)
From Hungarian periodical Ma 3, no. 3
[1918?]: 34
provenance: gift of Dr. Paul Raabe,
1985
L.85.2.85 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
518
Mattis-Teutsch
1882
Untitled (abstract composition), c. 1918
Linoleum cut on wove paper
59/ie x 5V2 in. (14. 1 x 14.0 cm)
From Hungarian periodical Ma 3, no. 7
[1918?]: 85
provenance: gift of Dr. Paul Raabe,
1985
L.85.2.88 b; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1883
Untitled (landscape), c. 1922
Linoleum cut on wove paper
69/ie x 6% in. (16.6 x 16.8 cm)
From Der Sturm 13, no. 9 (1922): 139
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1. 1395. 1Z
1884
Untitled (landscape), c. 1922
Linoleum cut on wove paper
6Vi x 8Vs in. (15.8 x 20.6 cm)
From Der Sturm 13, no. 10 (1922): 151
PROVENANCE: Ex Libris, New York;
purchased in 1982
83- 1- 1395- 15
1885
Untitled (abstract composition), c. 1923
Linoleum cut on wove paper
65/i6 x 6H in. (16. 1x15.9 cm)
From Der Sturm 14, no. 9 (1923): 139
provenance: Ex Libris, New York;
purchased in 1982
83- 1- 1395-41
1886
Untitled (abstract composition), c. 1923 Woodcut on wove paper 69/ie x 4'/i6 in. (16.7 x 10.3 cm) From Der Sturm 14, no. 11 (1923): 166; the image also appears on the cover PROVENANCE: Ex Libris, New York; purchased in 1982 83- !■ 1395-46
1887
Untitled (abstract composition), c. 1923
Woodcut on wove paper
67/s x 4V8 in. (17.4 x 10.5 cm)
From Der Sturm 14, no. 11 (1923): 167
PROVENANCE: Ex Libris, New York;
purchased in 1982
83- 1- 1395-47
1888
Untitled (landscape), c. 1924
Linoleum cut on wove paper
6'/i x 8'/8 in. (15.8 x 20.7 cm)
From Der Sturm 15, no. 2 (1924): 105
provenance: Ex Libris, New York;
purchased in 1982
83.1.1396.13
|
/ ■:/::-:;:;: |
^/^ |
|
|
K5. |
^«^l |
cm |
|
W'Jr |
||
|
ft IA |
^^% \k |
I m |
|
i Si |
v^./' |
fcZ \ |
|
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^^^■^M |
Jv |
1882
1886
1887
1889
Maxy
519
1890
1892
1891
1889
Untitled (abstract composition), c. 1925 Linoleum cut on wove paper 613/i6 x 59/i6 in. (17.3 x 14.2 cm) From Der Sturm 16, no. 6 (1925): 85; the image also appears on the cover provenance: Ex Libris, New York; purchased in 1982 83.1.1396.41
1890
Untitled (abstract composition), c. 1925
Linoleum cut on wove paper
73/i6 x 69/i6 in. (18.3 x 16.7 cm)
From Der Sturm 16, no. 6 (1925): 89
provenance: Ex Libris, New York;
purchased in 1982
83.1.1396.42
1891
Untitled (two men), c. 1919
Woodcut on wove paper
3n/i6 x 4% in. (9.3 x 12.0 cm)
From Die Bucherkiste 1, no. 3 (1919): 39
provenance: Hans Bolliger, Zurich;
purchased in 1975
EXHIBITION: Reed 267
83- 1. 1634 e
1894
1893
Untitled (abstract composition), c. 1923
Woodcut on wove paper
613/i6 x 4% in. (17.3 x 12.4 cm)
From Der Sturm 14, no. 10 (1923): 153
provenance: Ex Libris, New York;
purchased in 1982
§3- 1- 1395-44
1894
Untitled (abstract composition), c. 1923
Woodcut on wove paper
57/s x 47/i6 in. (149 x 11.2 cm)
From Der Sturm 14, no. 11 (1923): 170
PROVENANCE: Ex Libris, New York;
purchased in 1982
83- 1139548
1895
Untitled (abstract composition), c. 192,3
Woodcut on wove paper
513/i6 x 47/i6 in. (14.7 x 11.2 cm)
From Der Sturm 14, no. 11 (1923): 171
PROVENANCE: Ex Libris, New York;
purchased in 1982
83-1- 1395-49
Mauermayer
1892 Charles Maurin
Mutter und Kind, c. 1896
(Mother and child) born 1856 Puy,
Zinc etching on wove paper France
99/i6 x yVs in. (24.3 x 18. 1 cm)
From Van 2, no. 1 (1896): following 78 died 1914 Grasse,
provenance: Kornfeld & Klipstein, France
Bern, 7-8 June 1978, part of lot 775
reference: Dennerlein 961
83- 1- 1352 e
Max Hermann Maxy
born 1895 Braila, Romania
520 May
Bruno May 1896
Selbstbildnis mit Hut, 1904
born 1880 Berlin (Self-portrait with hat)
Lithograph printed in brown on japan
died 1959 paper
i213/ie x 10% in. (32.5 x 27.0 cm) INSCRIPTION: signed, l.r. ; inscribed "Originallithographie," 1.1. PROVENANCE: Kunstgalerie Esslingen, Esslingen; purchased in 1980 M. 82.287.41
Karl Mediz
born 1868 Vienna. Austria
died 1945
Bernhard P. Mehnert
born 1892 Chemnitz
Hans Meid
born 1883 Pforzheim
died 1957
Schloss
Ludwigsburg
1897
Robert Diez, c. i8g6 Lithograph on wove paper io'/i6 x 65/s in. (25.5 x 16.9 cm) From Pan 2, no. 2 (1896): following 130 PROVENANCE: Kornfeld & Klipstein, Bern, 7-8 June 1978, part of lot 775 reference: Dennerlein 1025 83.1.1352 k
1898
Untitled (head of a woman), c. 1927 Lithograph on wove paper io9/i6 x 79/i6 in. (26.8 x 19.2 cm) From Ing. Hermann Heuss et al., Kiinstler abseits vomWege, 1907-1927 (Chemnitz: Kiinstlergruppe Chemnitz, 1927), p. 40
INSCRIPTION: signed, 1.1. PROVENANCE: unknown 83.1.52 e
1896
1899
Der Spion (Dame am Fenster), 1909 (The spy [lady at the window]) Etching on handmade paper 45/s x 3V2 in. (11.7 x 8.9 cm) From Zeitschrift fur bildende Kunst, n.s., 23, no. 5 (1912): before 105 provenance: Galerie Gerda Bassenge, Berlin, 15 May 1976, part of lot 4364
REFERENCE: JentSC'h 12 II. a
83. 1.966 e
1900
Hades und Persephone, 1910
(Hades and Persephone)
Drypoint on wove paper
8% x 57/i6 in. (22.2 x 13.8 cm)
From edition of 75
INSCRIPTION: signed and dated, l.r.;
titled, 1.1.
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
REFERENCE: Jentsch 35 II
M. 82.288.205
S^psv""'-..:.^
1900
Meid
521
-1
~ -»<- "-* \T s!n "V
1902
HANN UND GULPENHEH 2U VIEL GESAGT 1ST NICHTS GESAGT
EINE MORGENLANDISCHE ERZAHLUNG
C. M. W 1 E L A N D MIT 10 OK1G1NALLITHOCRAFHIEN
HANS MEID
1903-1
1903-3
1901
ldylk, 1913
(Idyll)
Drypoint on laid paper
713/i6 x 5VI6 in. (19.8 x 12.8 cm)
From Kunst und Kiinstler 11, no. 12
(1913): 592
provenance: Erasmus, Amsterdam;
purchased in 1975
REFERENCE: Jentsch 107
exhibition: Reed under 286
83.1.1242 mm
1902
Reiter und Reiterin, 1913
(Male and female riders)
Drypoint on wove paper
43/s x 5V8 in. (11.8 x 14.9 cm)
From Zeitschrift fiir bildende Kunst,
n.s., 25, no. 6 (1914): following 160
provenance: Galerie Gerda Bassenge,
Berlin, 15 May 1976, part of lot 4364
reference: Jentsch 108 II. b
83. 1.976 d
1903
Hann und Gulpenheh
(Hann and Gulpenheh)
Ten lithographs on wove paper
Illustrations to story by Christoph M.
Wieland in Kunst und Kiinstler 12, no. 4
(1914): 189-98
PROVENANCE: Ars Libri, Boston;
purchased in 1982
reference: Jentsch 122-31
83.1. 1243 j-s
1. Untitled (title vignette), 1914 4V2 x 39/i6 in. (11.5 x 9.0 cm) Page 189
REFERENCE: Jentsch 122 83.1. 1243 j
2. Hann umarmt die sterbende Gulpenheh, 1914
(Hann embraces the dying
Gulpenheh)
215/i6 x 215/i6 in. (7.5 x 7.5 cm)
Page 190
REFERENCE: Jentsch 123
83.1.1243 k
3. Aissa der Prophet spricht mit Hann,
1914
(Aissa the prophet speaks with
Hann)
4% x s'/s in. (12. 1 x 13.0 cm)
Page 191
REFERENCE: Jentsch 124
83. 1. 1243 1
4. Hann eilt um Kleiderfiir die nackte Gulpenheh, 1914
(Hann rushes for clothing for the
naked Gulpenheh)
4V2X 5u/i6 in. (11.5 x 14.5 cm)
Page 192
REFERENCE: Jentsch 125
83.1.1243 m
522
Meid
1903 (continued)
5. Des Sultans Sohn erblickt die nackte Gulpenheh, 1914
(The sultan's son espies the naked
Gulpenheh)
47/i6 x 6V4 in. (11.2 x 16.5 cm)
Page 193
REFERENCE: Jentsch 126
83.1.124311
6. Gulpenheh zieht in den Palast ein,
1914
(Gulpenheh's entry into the palace)
5'/i x 6V2 in. (13.4 x 16.5 cm)
Page 194
REFERENCE: Jentsch 127
83.1.12430
7. Gulpenheh erscheint im Palast vor Harm, 1914
(Gulpenheh appears to Hann in the
palace)
5VI6 x 69/i6 in. (12.9 x 16.7 cm)
Page 195
reference: Jentsch 128
83.1. 1243 p
8. Aissa der Prophet erscheint am Galgen des Hann, 1914
(Aissa the prophet appears at Hann's
gallows)
413/i6 x 6'/4 in. (12.3 x 15.8 cm)
Page 196
reference: Jentsch 129
83.1. 1243 q
9. Aissa der Propliet zeugt vor dem Sultan fiir Hann, 1914
(Aissa the prophet testifies for Hann
before the sultan)
5n/i6 x 6n/i6 in. (14.5 x 17.0 cm)
Page 197
REFERENCE: Jentsch 130
83.1. 1243 r
10. Frau Gulpenheh wird zuriick ins Grab geschleift, 1914 (Gulpenheh is dragged back to the grave)
313/i6 x 5% in. (9.7 x 13.6 cm) Page 198
REFERENCE: Jentsch 131 83.1.1243 s
1904
Aus einem Heldenleben, c. 1915
(From the life of a hero)
Lithograph on wove paper
7n/ie x 10 in. (19.5 x 25.4 cm)
From Kriegszeit, no. 43 (1915): 3
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
reference: Jentsch 218
exhibition: not listed in Reed under
281
83.1.1441c
1903-6
1903-8
1903-5
1903-7
1903-9
Meid
523
1908
1904
1907
1905
Aus einem Heldenleben oder Gabriele
d'Annunzio oder des Dichters Abschied
und Wiederkehr, c. 1915
(From the life of a hero; or, Gabriele
d'Annunzio; or, The poet's departure
and return)
Lithograph on wove paper
7u/i6 x 10V16 in. (19.5 x 25.5 cm)
From Kriegszeit, no. 43 (1915): 2
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
REFERENCE: Jentsch 217
exhibition: not listed in Reed under
281
83.1.1441b
1906
Kavallerie-Patrouille, c. 1915
(Cavalry patrol)
Lithograph on wove paper
8u/i6 x io5/s in. (22.0 x 27.0 cm)
From Kriegszeit, no. 37 (1915): 2
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
reference: Jentsch 214 b
EXHIBITION: Reed 281/174 83.1.1435 b
1907
Strasse in Kalisch, c. 1915
(Street in Kalisz)
Lithograph on wove paper
i45/i6 x 9% in. (36.4 x 24.8 cm)
From Kriegszeit, no. 39 (1915): 2
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
reference: Jentsch 215 11
exhibition: Reed 281/175
83- 1- 1437 b
1908
Strassenwache, c. 1915
(Street watch)
Lithograph on wove paper
8V4 x n7/i6 in. (21.0 x 29.0 cm)
From Kriegszeit, no. 42 (1915): 4
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
REFERENCE: Jentsch 216 b
exhibition: Reed 281/176
83.1.1440 d
1905
524
Meid
1909
Aminak unter der Palme, 1917 (Aminah under the palm tree) Etching on laid paper 67/8X 4% in. (175 x 11.7 cm) From Klabund, Mohammed: Der Roman eines Propheten (Berlin: Verlag Erich Reiss, 1917), frontispiece; total edition of 600
INSCRIPTION: signed, l.r.; numbered (17/70) on justification page provenance: H. C. Thieme, 1917 (signed and dated on endsheet); Hartung & Karl, Munich, 14 November 1974, part of lot 1775 reference: Jentsch 261 a 83.1.186 b
1910
Dorimene und Orphise, 1917 (Dorimene and Orphise) Etching and drypoint on japan paper 3'/4 x 4% in. (8.3 x 12.0 cm) From deluxe edition of Marsijas, no. 2 (1917); the issue also contains an unsigned impression and one from the published state (p. gg); total edition of 235 in the published state INSCRIPTION: signed, l.r.; numbered (xxvn/xxxv) on justification page provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 REFERENCE: Jentsch 255 a exhibition: Reed under 288 83.1.1662 e
1911
Lesende aufeiner Parkbank, 1917 (Readers on a park bench) Lithograph on wove paper 4 x 515/i6 in. (10. 1 x 15. 1 cm) From deluxe edition of Marsijas, no. 1 (1917): 74; total edition of 235 inscription: signed, l.r.; numbered (xxvn/xxxv) on justification page PROVENANCE: Kunstgalerie Esslingen, Esslingen; purchased in 1974 reference: Jentsch 260 a exhibition: Reed under 288 83.1.1661 mm
1912
Ein Liebespaar im Garten, 1917 (Lovers in the garden) Drypoint on japan paper 9 x 6% in. (22.9 x 17. 1 cm) From prospectus for Marsyas (May 1917), p. 5; total edition of 235 inscription: signed, l.r.; numbered (xxvn/xxxv) on justification page PROVENANCE: Kunstgalerie Esslingen, Esslingen; purchased in 1974 reference: Jentsch 253 hi a exhibition: Reed under 288 83.1.1660 b
1909
1912
■ Si:
1910
1911
Meid
525
1913
SSSlfe^*^
H
. ^'-$=^c>'^ v-^-:rV'c^5':'^.'.-t5^n: ;J
iSvc-a^^
1915
fet -US' " « i -ifr.-.i'sC-
1913
Orphise und Alcest, 1917 (Orphise and Alcestis) Etching and drypoint on japan paper 47/i6 x 5n/i6 in. (11.2 x 14.4 cm) From deluxe edition of Marsyas, no. 2 (1917); etched on same plate as endpiece (2 x s'/s in. [5. 1 x 13. 1 cm]; Jentsch 259); the issue also contains impressions of both from the divided plate and from the published state (pp. 91, 120); total edition of 235 in the published state
INSCRIPTION: signed, l.r.j numbered (xxvn/xxxv) on justification page provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 REFERENCE: Jentsch 254 I EXHIBITION: Reed under 288 83.1.1662 a
1914
Orphise vor dem Spiegel, 1917 (Orphise before the mirror) Etching and drypoint on japan paper 25/s x 43/i6 in. (6.7 x 10.6 cm) From deluxe edition of Marsyas, no. 1 (1917); etched on same plate as Damon in der Hammer (Damon in the chamber; 27/s x 43/ie in. [7.3 x 10.6 cm]; Jentsch 257 1); the issue also contains impressions of both from the divided plate and from the published state (pp. 102, 108); total edition of 235 in the published state
INSCRIPTION: signed, l.r.; numbered (xxvn/xxxv) on justification page PROVENANCE: Kunstgalerie Esslingen, Esslingen; purchased in 1974 REFERENCE: Jentsch 256 I EXHIBITION: Reed under 288 83.1. 1662 j
1915
Tafelnder mit seeks Dienern, 1917 (Diner with six servants) Etching and drypoint on japan paper 5'/i6 x 3% in. (12.8 x 9.6 cm) First state; from deluxe edition of Marsyas, no. 2 (1917); the issue also contains impressions of the second state and the published state (p. 111); total edition of 235 in the published state INSCRIPTION: signed, l.r.; numbered (xxvn/xxxv) on justification page provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 REFERENCE: Jentsch 258 I EXHIBITION: Reed under 288 83.1.1662 m
526
Meidner
Ludwig Meidner
born 1884 Bernstadt
died 1966 Darmstadt
1916
Portrat des Dichters Theodor Daubler,
c. 1910-11
(Portrait of the poet Theodor Daubler)
Drypoint on yellow wove paper
j13/i6 x 5^16 in. (19.9 x 15.0 cm)
Proof apart from edition of 100
numbered impressions
inscription: signed by artist, l.r., and
by sitter, 1.1.
provenance: Galerie Gerda Bassenge,
Berlin, 24 May 1975, lot 1694
EXHIBITION: Reed 175; Chipp 89
M. 82.288.206
1917
Wannsee-Bahnhof, 1913 (Wannsee train station) Black ink, heightened with white, on wove paper
i8Vi x 23'/j in. (46.4 x 59.0 cm) INSCRIPTION: signed and dated, l.r. provenance: Hammelsbeck, Cologne (embossed collector s mark "H H" and flower); Galerie Thomas Borgmann, Cologne; purchased in 1979 REFERENCE: Grochowiak, p. 247, pi. 176; Helmut Goettl, ed., Karl Hubbuch i8gi-igyg, exh. cat. (Karlsruhe: Badischer Kunstverein, 1981), p. 84; Hermann Glaser, Die Kultur der wilhebninischen Zeit: Topographie einer Epoche (Frankfurt: S. Fischer Verlag,
1984). P- 3°7 M. 82. 287. 86
1918
Untitled (street scene), 1913
Black ink and white gouache on wove
paper
i87/8 x 16 in. (479 x 40.6 cm)
inscription: signed and dated, I.e.
M. 86. 360. 4; gift of Rabbi Win. Kramer
1919
Bildnis Raoul Hausmann, 1914 (Portrait of Raoul Hausmann) Lithograph on laid paper i69/i6 x 11 in. (42.0 x 28.0 cm) inscription: signed, l.r. PROVENANCE: Museum of Modern Art, New York; purchased in 1981 EXHIBITION: Rigby 71 M. 82. 287. 52
1920
Untitled (portrait of man smoking),
1914
Drypoint on laid paper
6% x 7V16 in. (17.1 x 17.9 cm)
inscription: signed and dated, l.r.
M. 86. 360. 6; gift of Rabbi Wm. Kramer
i/a-,*.c..!f£fv^
1916
1918
1920
1919
Meidner
527
1924
1921 (recto)
1921 (verso)
1921
Sitzende biblische Figur, 1915 (Seated biblical figure) Reed pen and ink on heavy card 209/i6 x 17% in. (52.3 x 45. 1 cm) INSCRIPTION: signed and dated, I.e.; estate stamp, verso; sketch of man with beard, verso, obliterated provenance: D. Thomas Bergen; Christie's, London, 2 December 1980, lot 204
EXHIBITION: Miesel 22 M. 82. 287. 88 a, b
1922
Selbstbildnis, 1916
(Self-portrait)
Black ink and pencil on wove paper
23V4 x i8'/s in. (sg. 1 x 46.0 cm)
inscription: signed and dated, l.r.
provenance: Galerie Wolfgang
Ketterer, Munich, 27 May 1975, lot
1330
REFERENCE: Grochowiak, p. 242, pi. 22
(as in the Wilhelm-Lehmbruck-
Museum, Duisburg)
exhibition: Reed 173; Chipp 98
M. 82.288.347
1923
Portrat, 1917
(Portrait)
Lithograph on japan paper
7V2 x 6H/i6 in. (19.0 x 17.0 cm)
From deluxe edition of Das Kunstblatt
1, no. 6 (1917); the center also has an impression from the regular edition inscription: numbered (32/110) on justification page
provenance: Henry Hallenstein; W. F. Arntz, Haag (Oberbayern); purchased
in 1975
EXHIBITION: Reed 283/50
83.1.1090 a
1924
Gebet, 1918
(Prayer)
Lithograph on japan paper
gl/i6 x jVa in. (23.0 x 18.5 cm)
From deluxe edition of Das Kunstblatt
2, no. 12 (1918); the center also has an impression from the regular edition INSCRIPTION: numbered (32/110) on justification page
provenance: Henry Hallenstein; W. F. Arntz, Haag (Oberbayern); purchased
in 1975
EXHIBITION: Reed 283/51
83.1.1122 a
1922
1923
528
Meidner
1925
Radierte Portrat-Skizze, c. 1918
(Etched portrait-sketch)
Drypoint on wove paper
515/i6 x 413/i6 in. (15.0 x 12.3 cm)
From deluxe edition of Das Kunstblatt
2, no. 3 (1918); the center has a second
impression without burr, also from the
deluxe edition of Das Kunstblatt
(cat. no. 1926)
INSCRIPTION: numbered (32/110) on
justification page
provenance: Henry Hallenstein, W. F.
Arntz, Haag (Oberbayern); purchased
in 1975
EXHIBITION: Reed 283/15
83.1.1113 b
1926
Radierte Portrat-Skizze, c. 1918
(Etched portrait-sketch)
Drypoint on wove paper
515/i6 x 413/i6 in. (15.0 x 12.3 cm)
Not illustrated (see cat. no. 1925)
M. 86. 360. 12; gift of Rabbi Win. Kramer
1927
Septetnberschrei
(September cry)
Book with 14 lithographs on Van Gelder
paper
Illustrations to text by Meidner (Berlin:
Paul Cassirer, 1920); from deluxe
edition (size of regular edition
unknown)
inscription: each sheet signed, l.r.;
numbered (73/100) on justification page
provenance: Galerie Gerda Bassenge,
Berlin, 10-15 May '976, lot 4663
EXHIBITION: Reed 328; Guenther 232
83.1.155 a-n
1. Untitled (cityscape), 1918 83/i6 x 5% in. (20.8 x 14.9 cm) Following page 4 83.1.155 a
2. Untitled (man with scythe), 1918 77/8 x 5% in. (20.0 x 14.6 cm) Following page 8
83.1.155 b
Untitled (man running from town),
1918
8'/i6 x 6 in. (20.5 x 15.2 cm)
Following page 16
83.1.155 c
Untitled (man and death), c. 1918
8Vs x 5% in. (20.6 x 14.6 cm)
Following page 24; the center has a
second impression (gift of Rabbi
Wm. Kramer, 1986)
83.1.155 d
Untitled (man clutching pole), 1918
715/i6 x 57/s in. (20.2 x 14.9 cm)
Following page 28; the center has a
second impression (gift of Rabbi
Wm. Kramer, 1986)
83.1. 155 e
Untitled (man seated on ground),
1918
8 x 513/i6 in. (20.3 x 14.8 cm)
Following page 38
83.1. 155 f
3.
4.
5.
3.
1925
-(^y^fa'dm^ —
1927-3
1927-4
1927-5
1927-6
Meidner
529
1927-9
>iyT)2*n'Ai*T — ■
1927-11
1927-14
1927-12
dol**J"-~
1927-13
1928
7. Untitled (man kneeling on ground), 1918
715/ie x 5I5/i6 in. (20.2 x 15. 1 cm) Following page 44
83ii55g
8. Untitled (landscape with figures),
1918
715/i6 x 6 in. (20.2 x 15.2 cm)
Following page 46
83.1. 155 h
9. Untitled (two figures), 1918 715/i6 x 5% in. (20.2 x 14.9 cm) Following page 50 83.1.1551
10. Untitled (man kneeling on ground), 1918
715/i6 x 57/8 in. (20.2 x 14.9 cm) Following page 56
831155J
11. Untitled (bearded man kneeling on ground), 1918
8V16 x 5I3/ie in. (20.5 x 14.8 cm) Following page 62 83.1.155 k
12. Untitled (two figures recoiling), 1918
S'/j x 57/s in. (21.0 x 14.9 cm) Following page 66 83.1.155 1
13. Untitled (man and moon), 1918 8H6 x 513/i6 in. (20.5 x 14.8 cm) Following page 68
83.1.155 m
14. Untitled (man kneeling among bones), 1918
715/ie x 5i3/i6 in. (20.2 x 14.8 cm) Following page 76 83.1.155 n
1928
Alter Mann, 1919
(Old man)
Lithograph on japan paper
12 V2 x 11% in. (31.8 x 29.9 cm)
One of 25 signed impressions from the
deluxe edition of Die Schaffenden
inscription: signed, l.r.
M. 86. 360. 10; gift of Rabbi Wm. Kramer
1929
Selbstportrdt, 1919
(Self-portrait)
Lithograph on laid paper
9'/i6 x 6'/2 in. (23.0 x 16.5 cm)
From Das junge ■ Deutschland 2, no. 11
(1919)
provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 83.1.1630 a
1930
Vision des Apostel Paulus, 1919 (Vision of the apostle Paul) Lithograph on heavy wove paper 10 x 615/i6 in. (25.4 x 17.6 cm) From Joachim Kirchner, Junge Berliner Knnst, Wasmuths Kunsthefte, no. 6 (Berlin: E. Wasmuth, [1919?]), pi. 10 PROVENANCE: W. F Arntz, Haag (Oberbayern); purchased in 1975 83. 1.120 j
530
Meidner
1931
Bildnis, 1920
(Portrait)
Lithograph on heavy wove paper
913/i6 x 7n/i6 in. (25.0 x 19.5 em)
From Kurt Pfister, ed. , Deutsche
Graphiker der Gegenwart (Leipzig:
Klinkhardt & Biermann, 1920), pi. 29;
edition of 600. The center has two
impressions
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1972
exhibition: Reed under 339
83.1.171 v
1932
Der Okkultist, 1920 (The occultist) Etching on wove paper 7% x 67/s in. (19.7 x 17.5 cm) Later printing by Wolfgang Blauert, authorized by artist's estate inscription: inscribed "Nachlass Ludwig Meidner," l.r. ; numbered (3/35), 1.1.; estate stamp, verso provenance: Saalbau-Galerie, Darmstadt; purchased in 1980 M. 82. 287. 42
1933
The Prophet Micha, 1920
Black crayon on heavy wove paper
28"/i6 x i8'yi6 in. (72.8 x 48. 1 cm)
inscription: initialed and dated, l.r.;
titled, u.l.; estate stamp, verso
provenance: D. Thomas Bergen;
Christie's, London, 2 December 1980,
lot 267
exhibition: Miesel 32
M. 82.287.87
1934
Bildnis Alfred Wolfenstein, c. 1920-22 (Portrait of Alfred Wolfenstein) Drypoint on Van Gelder paper 7% x 67/s in. (19.7 x 17.5 cm) INSCRIPTION; signed, l.r. provenance: Zeitlin & Ver Brugge, Los Angeles; purchased in 1968 EXHIBITION: Reed 174; Chipp 91 M. 82. 288. 207
1935
Bildnis Alfred Wolfenstein, 1921 (Portrait of Alfred Wolfenstein) Black crayon on heavy wove paper 3i9/i6 x 22'/i6 in. (80. 1 x 56. 1 cm) inscription: initialed and dated, 1.1. provenance: D. Thomas Bergen; Christie's, London, 2 December 1980, lot 278
EXHIBITION: Whitford 21; Miesel 35 M. 82.287.91
1932
Y/Bf?
1933
|
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||
|
i , |
^Sfes^p^Vs, |
|
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. 11^' |
'*%'
■:- "r'j t.tP;;.,
■"HjT
Meidner
531
1936
P/!
1937
1938
1940
1936
Bildnis Professor Eugen Goldstein,
1921
(Portrait of Professor Eugen Goldstein)
Etching on wove paper
8Vs x 6'A in. (20.6 x 15.9 cm)
INSCRIPTION: signed, l.r. ; numbered (4),
1.1.; titled, 1.1.
provenance: Galerie Gerda Bassenge,
Berlin, 16-17 May 1979, lot 4777
M. 82. 288. 209
1937
Selbstbildnis, 1921
(Self-portrait)
Black crayon on wove paper
31 x 22V2 in. (78. 7 x 57. 1 cm)
INSCRIPTION: initialed and dated, 1.1. j
estate stamp, verso
provenance: D. Thomas Bergen;
Christie's, London, 2 December 1980,
lot 272
EXHIBITION: Miesel 34; Rigby 70
M. 82. 287. 90
1938
Bella Chagall, 1922 Etching on wove paper 79/i6 x 5% in. (19.2 x 14.3 cm) Later printing by Wolfgang Blauert, authorized by artist's estate INSCRIPTION: inscribed "Nachlass Ludwig Meidner," l.r.; numbered (6/30), 1.1.; estate stamp, verso provenance: Saalbau-Galerie, Darmstadt; purchased in 1980 M. 82. 287. 44
1939
Maler Stein, 1922 (The painter Stein) Etching on wove paper ioVs x 8Vs in. (25.7 x 20.7 cm) Later printing by Wolfgang Blauert, authorized by artist's estate inscription: inscribed "Nachlass Ludwig Meidner," l.r.; numbered (3/30), 1.1.; estate stamp, verso PROVENANCE: Saalbau-Galerie, Darmstadt; purchased in 1980 M. 82. 287.47
1940
Miinnerkopf—Dr. Praucher-Schmidke, 1922
(Head of a man— Dr. Praucher- Schmidke)
Drypoint on wove paper 5% x 49/i6 in. (14.6 x 11.6 cm) Later printing by Wolfgang Blauert, authorized by artist's estate inscrt TION: inscribed "Nachlass Ludwig Meidner," l.r.; numbered (3/35), 1.1.; estate stamp, verso provenance: Saalbau-Galerie, Darmstadt; purchased in 1980 M. 82.287.46
1939
532
Meidner
1941
Mannerportrcit mit aiifgestiitztem rechtem Arm, 1922
(Portrait of a man resting on right arm) Black crayon on thin cardboard 2g5/8 x 22'/j in. (75.4 x 56.5 cm) INSCRIPTION: initialed and dated, l.r ; estate stamp, verso provenance: Galerie Wolfgang Ketterer, Munich, 12 December 1978, part of lot 1392 M. 82.288.349
1942
Selbstbildnis, 1922 (Self-portrait) Etching on wove paper io'/s x 8'/8 in. (25.7 x 20.6 cm) Later printing by Wolfgang Blauert, authorized by artist's estate inscription: inscribed "Nachlass Ludwig Meidner," l.r; numbered (5/45), 1.1.; estate stamp, verso provenance: Saalbau-Galerie, Darmstadt; purchased in 1980 M. 82. 287. 43
1943
Selbstportrat beim Zeichnen, 1922 (Self-portrait while drawing) Etching on wove paper 8Vi x 7V2 in. (21.0 x 19.0 cm) Later printing by Wolfgang Blauert, authorized by artists estate inscription: inscribed "Nachlass Ludwig Meidner," l.r.; numbered (5/45), 1.1.; estate stamp, verso provenance: Saalbau-Galerie, Darmstadt; purchased in 1980 M. 82. 287.45
1944
Die Feuerprobe
(Ordeal by fire)
Book with 5 etchings on laid paper Illustrations to novel by Ernst Weiss (Berlin: Verlag die Schmiede, 1923); unnumbered, from edition of 675 provenance: Dr. Helmut Tenner, Heidelberg, 16-17 April 1975, lot 1333 exhirition: Reed 176 83.1. 156 a-e
1. Untitled (reclining man), 1923 7 x 415/i6 in. (17.7 x 12.5 cm) Following page 8
83.1.156 a
2. Untitled (self-portrait), 1923 67/s x 5 in. (17.5 x 12.7 cm) Following page 32 exhibition; Chipp 156 83.1.156 b
3. Untitled (man gesturing), 1923 67/8 x 415/i6 in. (17.5 x 12.6 cm) Following page 56
83.1.156 c
4. Untitled (woman with hat), 1923 7 x 5 in. (17.7 x 12.7 cm) Following page 72
83.1. 156 d
1941
1944-2
1944-4
1944-1
1944-3
ife .
ml
1944-5
1943
1946
w&
1948
1942
1945
Meidner
5. Untitled (man with hat), 1923 67/s x 415/i6 in. (17.5 x 12.5 cm) Following page 96 83.1.156 a
1945
Selbstbildnis, 1923
(Self-portrait)
Black crayon on heavy wove paper
237/s x i65/i6 in. (60.7 x 41.5 cm)
INSCRIPTION: initialed and dated, l.r.;
estate stamp, verso
PROVENANCE: Kunsthaus Lempertz,
Cologne. 2 December 1978, lot 514
M.82.288.348
1946
Bildnis Paul Westheim, 1924 (Portrait of Paul Westheim) Brown crayon on heavy wove paper 28 x 227/i6 in. (71.2 x 57.0 cm) INSCRIPTION: initialed and dated, l.r. provenance: D. Thomas Bergen; Christie's, London, 2 December 1980, lot 277
EXHIBITION: Whitford 22; Miesel 36; Chipp 92 M. 82.287.89
1947
Landschaft, 1925
(Landscape)
Drypoint on wove paper
5% x yVk in. (13.7 x 18.4 cm)
Later printing by Wolfgang Blauert,
authorized by artist's estate
INSCRIPTION: inscribed "Nachlass
Ludwig Meidner," l.r.; numbered
(3/35), 1.1.; estate stamp, verso
provenance: Saalbau-Galerie,
Darmstadt; purchased in 1980
M. 82.287.48
1948
Shizzenblatt—Baum, Selbstportrat,
Else, 1925
(Sheet of sketches— tree, self-portrait.
Else)
Drypoint on wove paper
7V4 x 57/8 in. (18.5 x 14.9 cm)
Later printing by Wolfgang Blauert,
authorized by artist's estate
inscription: inscribed "Nachlass
Ludwig Meidner," l.r.; numbered
(10/40), 1.1.; estate stamp, verso
provenance: Saalbau-Galerie,
Darmstadt; purchased in 1980
M. 82. 287.49
1949
Untitled (portrait of a woman), 1929 Lithograph on brown wove paper 14% x io5/8 in. (36.6 x 27.0 cm) M.86.360. 14; giftofBabbi Wm. Kramer
533
1949
534
Meidner
1950
Selbstportrat, 1930 (Self-portrait) Drypoint on wove paper 8Vs x 6'/4 in. (20.7 x 15.9 cm) Later printing by Wolfgang Blauert, authorized by artist's estate inscription: inscribed "Nachlass Ludwig Meidner," l.r.; numbered (3/20), 1.1.; estate stamp, verso provenance: Saalbau-Galerie, Darmstadt; purchased in 1980 M. 82. 287. 50
1951
Untitled (refugees), c. 1942-43 Charcoal on wove paper 21% x 18 in. (55. 2 x 45.7 cm) INSCRIPTION: monogrammed, 1.1. M. 86. 360. 5; gift of Rabbi Wm. Kramer
1952
Selbstportrat, c. 1964 (Self-portrait) Drypoint on wove paper 7% x 415/j6 in. (19.4 x 12.6 cm) Later printing by Wolfgang Blauert, authorized by artist's estate inscription: inscribed "Nachlass Ludwig Meidner," l.r.; numbered (1/15), 1.1.; estate stamp, verso provenance: Saalbau-Galerie, Darmstadt; purchased in 1980 M. 82. 287.51
1953
Selbstbildnis, 1965
(Self-portrait)
Lithograph on handmade paper
i6'/c x i57/8 in. (41.3 x 40.3 cm)
From portfolio Europaische Graphik IV:
Selbstbildnisse (Munich: Galerie
Wolfgang Ketterer, 1965), pi. 9; total
edition of 100
INSCRIPTION: signed and dated (1966),
l.r; numbered (17/65), 1.1.; publisher's
blind stamp, 1.1.
M. 86. 360. 16; gift of Rabbi Wm. Kramer
1954
Untitled (last self-portrait 1), 1965 Lithograph on BFK Rives paper i2'/s x 10% in. (30.7 x 27.3 cm) INSCRIPTION: signed, I.e.; inscribed "h.c. [hors de commerce]," 1.1. M. 86. 360. 13; gift of Rabbi Wm. Kramer
1955
Untitled (self-portrait), 1966 Lithograph on BFK Rives paper i25/8 x I313/i6 in. (32.1 x 35.0 cm) inscription: signed and dated, I.e.; numbered (20/60), 1.1. M. 86.360. 15; gift of Rabbi Wm. Kramer
1956
Weibliches Portrat, n.d. (Portrait of a woman) Etching on heavy laid paper 65/s x 5V16 in. (16.8 x 12.8 cm) inscription: signed, l.r. provenance: Graphik Salon Gerhart Sohn, Diisseldorf; purchased in 1978 M. 82.288. 208
1953
1952
1954
1956
Meier
535
1957
1959
1961
ES
rn
SPAAifllWRAFT;
i« |ol<k^kbe^tab.*mAmt>o/ Mnoff- •
U t\b Von oer Irje-^luf ben ^Trahl «4wren ber (hr* 4i'iVAm'*l'''Zum toW<£7>inM~ 6 wiHw NWiWrunoec un? zvi ^feiv Uno|i'no\)n>oo4nur\*hr\ino^r^«vanfen Uno\»en<>«\\iM imfy^osbooner-fknlan r\(n\il>er inofe ^nen^i'njimkeiTen. no kitervm^mittf'ortfmArmum^limow Uno keu^en^Ti'menzu \m> |ell>er m'eo?i~ Ur\o|mb I'mNWeoer^lAnj? bU||et~6li'«6er Im ovmklen 6runo* in vmj |elb|t v«rMvm§«n &> Wfb emJAh^termtn \jn>entn«jelt'< ^/(rAlle^'no nur ^nw>/*W^*lpi#^B»_.
1958
1960
1962
1957
Untitled (portrait of Frau Jaeckel), rid.
Drypoint on laid paper
q7A& x 7 in. (24.0 x 17.8 cm)
inscription: signed, l.r.
M. 86. 360. 7; gift of Rabbi Wm. Kramer
1958
Untitled (portrait of Walter Kaempfer),
1922
Etching on laid paper
87/s x 7% in. (22.5 x 19.7 cm)
inscription: signed, l.r.
M. 86.360. 9; gift of Rabbi Wm. Kramer
1959
Untitled (portrait of an old woman), n.d. Drypoint on copperplate paper 513/i6 x 4% in. (14.8 x 11.7 cm) INSCRIPTION: signed, l.r; inscribed by another hand, "Mother of the Artist," 1.1. M. 86. 360. 17; gift of Rabbi Wm. Kramer
1960
Untitled (portrait of a woman with hat),
n.d.
Etching on laid paper
io7/8 x 8'/s in. (27.6 x 20.6 cm)
INSCRIPTION: signed, l.r.; numbered
(38/50), 1.1.
M. 86. 360. 8; gift of Rabbi Wm. Kramer
1961
Untitled (profile portrait of a woman),
n.d.
Drypoint on laid paper
6'/i6 x 57/i6 in. (15.4 x 13.8 cm)
INSCRIPTION: signed, l.r.
M. 86. 360. 18; gift of Rabbi Wm. Kramer
1962
Begnadung,c. 1921
(Blessing)
Woodcut on wove paper
n9/i6 x 97/i6 in. (29.3 x 24.0 cm)
Poem by Wilhelm Niemeyer from
Kiindung 1, no. 11/12 (1921)
PROVENANCE: Galerie Wolfgang
Ketterer, Munich, 26 November 1974,
part of lot 1154
exhibition: Reed under 282
83.1.1061 d
1963
Gemeinschaft, c. 1921
(Community)
Woodcut on wove paper
n7/i6 x 8n/i6 in. (29.0 x 22.0 cm)
Poem by Wilhelm Niemeyer from
Kiindung 1, no. 9/10 (1921)
provenance: Galerie Wolfgang
Ketterer, Munich, 26 November 1974,
part of lot 1154
exhibition: Reed under 282
83.1.1060 b
Hugo Meier
1963
536
Meier
Moriz Melzer
born 1877 Albendorf, Bohemia
died 1966 Berlin
1964
Namenverzeichnis, c. 1921 (Index of names) Woodcut on wove paper i25/8 x 43/i6 in. (32.0 x 10.6 cm) From Kiindung 1, no. 9/10 (1921) provenance: Galerie Wolfgang Ketterer, Munich, 26 November 1974, part of lot 1154 exhibition: Reed under 282
83.1.1060 c
1965
Verziickung, e. 1921
(Ecstasy)
Woodcut on wove paper n5/s x 9% in. (29.5 x 23.8 cm) Poem by Wilhelm Niemeyer from Kiindung 1, no. 11/12 (1921) provenance: Galerie Wolfgang Ketterer, Munich, 26 November 1974, part of lot 1154 exhibition: Reed under 282
83.1.1061 c
|
Hanns Meinke |
1966 |
|
Leonardo, c. 1914 |
|
|
born 1884 |
Woodcut on laid paper |
|
Strassburg |
7 x 6V2 in. (17.8 x 16.5 cm) |
|
From Das neue Pathos 2, no. 1/3 (1914): |
|
|
115; from edition B of 250 |
|
|
PROVENANCE: Ars Libri, Boston; |
|
|
acquired by exchange in 1984 |
|
|
83.1.824 p |
1967
Grablegung, c. 1912
(Burial)
Woodcut on wove paper
n'/s x 15% in. (28.2 x 40.0 cm)
From Der Sturm 2, no. 97 (1912): 775
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1390.20
1968
Untitled (two nudes), c. 1912
Woodcut on wove paper
io3/i6 x 14T/8 in. (25.8 x 37.8 cm)
From Der Sturm 2, no. 102 (1912): 815
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1390.25
1969
Untitled (horse), c. 1912
Woodcut on wove paper
10V4 x i47/s in. (26.0 x 37.8 cm)
From Der Sturm 3, no. 115/116(1912): 84
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1391.10
1970
Untitled (couple in landscape), c. 1912
Woodcut on wove paper
io5/i6 x 14T/8 in. (26.2 x 37.8 cm)
From Der Sturm 3, no. 117/118 (1912): 93
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1391.12
1965
1967
1971
1973
1972
1974
1975
1976
Melzer
1971
Untitled (cover), c. 1919
Woodcut on cover stock
8% x 5'/s in. (21.0 x 13.0 cm)
From Der schwarze Turm, no. 6 (1919)
INSCRIPTION: numbered (63/200) on
justification page
provenance: Ex Libris, New York;
purchased in 1978
83.1.1320 a
1972
Untitled (abstract composition), c. 1919
Woodcut on wove paper
7V2 x 5% in. (19. 1 x 14.3 cm)
From Der schwarze Turm, no. 6 (1919):
pi. 1
inscription: numbered (63/200) on
justification page
provenance: Ex Libris, New York;
purchased in 1978
83. 1. 1320 b
1973
Untitled (abstract composition), c. 1919
Woodcut on wove paper
57/i6 x 7V2 in. (13.8 x 19.0 cm)
From Der schwarze Turm, no. 6 (1919):
pi. 2
INSCRIPTION: numbered (63/200) on
justification page
provenance: Ex Libris, New York;
purchased in 1978
83. 1 . 1320 c
1974
Untitled (abstract composition), c. 1919
Woodcut on wove paper
4% x 6 in. (12.0 x 15.3 cm)
From Der schwarze Titrm, no. 6 (1919):
pl- 3
inscription: numbered (63/200) on
justification page
provenance: Ex Libris, New York;
purchased in 1978
83.1.1320 d
1975
Untitled (abstract composition), c. 1919
Woodcut on wove paper
515/i6 x 7'/i6 in. (15.0 x 18.0 cm)
From Der schwarze Turm, no. 6 (1919):
pl. 4
INSCRIPTION: numbered (63/200) on
justification page
provenance: Ex Libris, New York;
purchased in 1978
83. 1. 1320 e
1976
Untitled (abstract composition), c. 1919
Woodcut on wove paper
5n/i6 x 7n/i6 in. (145 x 19.5 cm)
From Der schwarze Turm, no. 6 (1919):
Pl. 5
INSCRIPTION: numbered (63/200) on
justification page
provenance: Ex Libris, New York;
purchased in 1978
83.1.1320 f
537
538
Carl Mense
born 1886 Rheine
died 1965 Konigswinter
Melzer
1977
Untitled (abstract composition), c. 1919
Woodcut on wove paper
4I5/i6 x 69/ie in. (12.5 x 16.7 cm)
From Der schwarze Turm, no. 6 (1919):
pi. 6
INSCRIPTION: numbered (63/200) on
justification page
provenance: Ex Libris, New York;
purchased in 1978
83.1. 1320 g
1978
Untitled (abstract composition), c. 1919
Woodcut on wove paper
55/8 x yVt in. (14.3 x 18.5 cm)
From Der schwarze Turm, no. 6 (1919):
pi. 7
inscription: numbered (63/200) on
justification page
PROVENANCE: Ex Libris, New York;
purchased in 1978
83.1.1320 h
1979
Untitled (abstract composition), c. 1919
Woodcut on wove paper
713/i6 x 55/8 in. (19.8 x 14.3 cm)
From Der schwarze Turm, no. 6 (1919):
pi. 8
INSCRIPTION: numbered (63/200) on
justification page
PROVENANCE: Ex Libris, New York;
purchased in 1978
83.1.1320 i
1980
Untitled (animals), c. 1914 Linoleum cut on wove paper 7V2 x g5/i6 in. (19. 1 x 23.6 cm) From Der Sturm 5, no. 5 (1914): 33 PROVENANCE: Ex Libris, New York; purchased in 1982 83.1.1391.86
1981
Untitled (figures), c. 1914
Woodcut on wove paper
8'/i6 x io5/i6 in. (20.5 x 26.2 cm)
From Der Sturm 5, no. 8 (1914): 57
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1391.89
1982
Untitled (two figures), c. 1914
Linoleum cut on wove paper
85/ie x 7% in. (21. 1 x 18.8 cm)
From Der Sturm 5, no. 12 (1914): 81
provenance: Ex Libris, New York;
purchased in 1982
83.1.1392.1
1983
Untitled (descent from the cross),
c. 1914
Linoleum cut on wove paper
12 x g7/i6 in. (30.4 x 24.0 cm)
From Der Sturm 5, no. 19/20 (1915):
129
provenance: Ex Libris, New York;
purchased in 1982
83.1.1392.9
1981
1987
1986
1985
|
HE1F" ^ravJiM S2^' |
|
|
\A£ **M8 KHHSk^^-^rv |
|
|
Ki^H**^ '^B ■■! ^Hv^ *m |
|
|
briSf1* JCfS^P^P '• ^ta"- *fll |
|
|
mmwmf^Jm |
|
|
if «\W mil i |
|
|
^f/ft |
|
|
g: ~ v^&k mWJ^Jffc |
"ma |
1989
Meseck
1984
Untitled (figures in boat), c. 1915
Linoleum cut on wove paper
12% x 9% in. (31.4 x 24.4 cm)
From Der Sturm 5, no. 21/22 (1915):
141
provenance: Ex Libris, New York;
purchased in 1982
83.1.1392.11
1985
Untitled (standing nudes), c. 1915 Linoleum cut on wove paper 9% x 713/i6 in. (24.8 x 19.9 cm) From Der Sturm 5, no. 21/22 (1915):
143
provenance: Ex Libris, New York;
purchased in 1982
83- 1- 1392- 12
1986
Arkadische Landschaft, 1923
(Arcadian landscape)
Lithograph on wove paper
5'/2 x 77/8 in. (14.0 x 20.0 cm)
From Georg Biermann, ed. , Jahrbuch
derjungen Kunst (Leipzig: Klinkhardt
& Biermann, 1923), following p. 202
provenance: Hans Bolliger, Zurich;
purchased in 1975
EXHIBITION: Beed 320/1923.3
83.1.801 c
539
1988
1987
Untitled (nude couple and snake), 1913
Etching on laid paper
Diameter: 23/i6 in. (5.6 cm)
From Das neue Pathos 1, no. 2 (1913):
32 (justification page); the image also
appears in no. 3/4 (p. 68) and no. 5/6
(p. 64)
INSCRIPTION: numbered (50/100)
PROVENANCE: Ars Libri, Boston;
purchased in 1983
L. 84. 5. 399 c; lent by the Bobert Gore
Rifkind Foundation, Beverly Hills,
California
1988
Untitled (figures in interior), c. 1914
Woodcut on laid paper
8% x 6% in. (22.3 x 17.2 cm)
From Das neue Pathos 2, no. 1/3 (1914):
5; from edition B of 250
provenance: Ars Libri, Boston;
acquired by exchange in 1984
83.1.824 a
1989
Untitled (three figures), c. 1914 Lithograph on laid paper 8% x 7V2 in, (22.5 x 19.0 cm) From Das neue Pathos 2, no. 1/3 (1914): 79; from edition B of 250 PROVENANCE: Ars Libri, Boston; acquired by exchange in 1984 83.1.824]
Felix Meseck
born 1883 Danzig
died 1955 Holzminden
540
Meseck
1990
Lear, c. 1917
Etching on japan paper
i2'/8 x 7% in. (30.8 x 18.8 cm)
From portfolio Shakespeare Visionen
(Munich: Marees-Gesellsehaft, 1918);
from edition A (total edition of 200)
INSCRIPTION: signed, l.r.; numbered
(xiv/l) on justification page; publisher's
blind stamp, l.r.
provenance: Hans Bolliger, Zurich;
purchased in 1972
exhibition: Reed 336/25
M. 82.288.384.25
1991
Untitled (two men and nude woman),
c 19 !9
Drypoint on J. W. Zanders paper
o?A x i15/i6 in. (6.9 x 4.9 cm)
From Das Jahrbuch der Zeitschrift
"Das neue Pathos," vol. 3 (Berlin: Verlag
E. W. Tieffenbach, 1919), p. 17; edition
of 150
PROVENANCE: Ars Libri, Boston;
purchased in 1983
L. 84. 5. 340 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
1992
Funfzehn Kaltnadelarbeiten zu H. von Kleists Penthesilea
(Fifteen drypoints to H. von Kleists
Penthesilea)
Portfolio of 16 drypoints on laid paper
Published by Ferdinand Moller Verlag,
Berlin and Potsdam; from edition 3
(total edition of 55)
INSCRIPTION: each sheet signed, l.r.;
numbered (14/35), '•'•; signed on
justification page
provenance: Helmut Tenner,
Heidelberg, 16-17 April 1975, part of
lot 1338
EXHIBITION: Reed 352
83.i.23a-p
1. Untitled (title page), c. 1920 93/i6 x 6Vs in. (23.3 x 15.6 cm) 83. 1.23 p
2. Penthesilea, c. 1920
93/i6 x 6!/i6 in. (23.3 x 15.4 cm) 83.1.23 a
3. Begegnung, c. 1920 (Encounter)
9 x 6"/i6 in. (22.8 x 17.0 cm) 83.1.23 b
4. Landschaft, c. 1920 (Landscape)
g'/s x 6V2 in. (23.2 x 16.5 cm) 83.1.23 c
5. Aufbruch, c. 1920 (Departure)
9 x 6% in. (22.8 x 16.8 cm) 83.1.23 d
FELIX MESECK
)5 Kalinadelarbeilen
Hv Kleisis Penthesilea
Ferdinand Moller Verlag
1990
1992-4
1992-5
.
1991
Li " '"
1992-7
1992-8
Meseck
541
ft WW
• 5 ft-.-1 n ■'■
- A i >
1992-11
1992-14
1992-10
1992-12
1992-15
1992-13
1992-16
6. Reifendf (stiirmende) Amazonen, c. 1920
(Riding [attacking] Amazons) 75/i6 x 513/i6 in. (18.6 x 14.7 cm) 83.1.236
7. Odysseus und Achill, c. 1920 (Odysseus and Achilles)
g7/s x 65/8 in. (25.1 x 16.8 cm) 83. 1.23 f
8. Kampf, c. 1920 (Battle)
9 x 6% in. (22.8 x 16.9 cm) 83.1.23 g
9. Rosenfest, c. 1920 (Feast of the roses)
83/i6 x 6 in. (20.8 x 15.2 cm) 83.1.23 h
10. Handgemenge, c. 1920 (Hand-to-hand combat)
93/i6 x 6n/i6 in. (23.4 x 17.0 cm) 83.1.231
11. Penthesilea und Achill, c. 1920 (Penthesilea and Achilles)
9 x 6n/i6 in. (22.8 x 17.0 cm)
83- 1-23 J
12. Kampf mit heraussprengendem
Pferd, c. 1920 (Battle with leaping horse) 9V4 x 6V2 in. (23.5 x 16.5 cm) 83.1.23 k
13. Liebesgarten, c. 1920 (Garden of love)
9 x 65/s in. (22.8 x 16.9 cm) 83. 1.23 1
14. Achills Tod, c. 1920 (Death of Achilles)
g!/i6 x 65/s in. (23.0 x 16.8 cm) 83.1.23 m
15. An der Leiche Achills 1, c. 1920 (At the corpse of Achilles 1) 93/i6 x 6% in. (23.3 x 17.2 cm) 83. 1.23 n
16. An der Leiche Achills 2, c. 1920 (At the corpse of Achilles 2) g'/s x 6n/i6 in. (23. 1 x 17.0 cm) 83.1.230
1993
Mann und Frau, c. 1921
(Man and woman)
Drypoint on thin laid paper
65/a x 4% in. (16.8 x 12.0 cm)
From Fritz Gurlitt, ed. , Das graphische
Jahr (Berlin: Fritz Gurlitt Verlag, 1921),
facing p. 92
INSCRIPTION: signed, l.r.; numbered
(xin/c) on justification page
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1974
exhibition: Reed 315/3 (1921)
83.1.85 d
1993
542
Meseck
1994
Landschaft mit Ziegen, 1922
(Landscape with goats)
Drypoint on wove paper
7n/i6 x 5V2 in. (19.5 x 14.0 cm)
From portfolio Ganymed-Mappe 11
(Munich: Marees-Gesellsehaft, 1922);
the center also has an impression from
Julius Meier-Graefe, ed., Ganymed,
vol. 4 (Munich: R. Piper & Co., 1922),
following p. 248
INSCRIPTION: signed, l.r.; numbered
(cxl/ccc) on cover
provenance: Hans Bolliger, Zurich:
purchased in 1972
exhibition: Reed 317/27
M. 82. 288. 378 a
1995
Das Marchen von Gockel und Hinkel
(The tale of Gockel and Hinkel) Book with 13 etchings on laid paper Illustrations to book by Clemens Brentano (Munich: Drei Masten Verlag, 1922); total edition of 340 INSCRIPTION: signed and numbered (222/250) on justification page provenance: Helmut Tenner, Heidelberg, 16-17 April 1975, part of lot 1338
EXHIBITION: Reed 346 83.1.157 a-m
1. Untitled (title page), c. 1922 2V4 x 33/i6 in. (5.8 x 8. 1 cm) 83.1.157 a
2. Untitled (family with animals), c. 1922
65/s x 4^6 in. (16.9 x 11.6 cm) Page 13 83.1.157 b
3. Untitled (ruin in landscape), c. 1922 37/s x 45/8 in. (9.9 x 11.8 cm)
Page 17 83.1.157 c
4. Untitled (man sleeping), c. 1922 29/i6 x 4% in. (6.5 x 11.8 cm) Page 22
83.1. 157 d
5. Untitled (man copulating with goat), c. 1922
69/i6 x 49/i6 in. (16.7 x 11.6 cm) Page 29 83.1.157 c
1994
1995-2
1995-4
1995-1
1995-3
1995-6
1995-7
Meseck
543
y
to
1995-8
1995-9
m ~' wsjN
1995-12
1995-10
6. Untitled (family living in ruins),
c. 1922
65/s x 49/i6 in. (16.9 x 11.6 cm)
Page 43
83.1. 157 f
7. Untitled (people feasting), c. 1922 6% x 49/i6 in. (16.9 x 11.6 cm) Page 63
83-i-i57g
8. Untitled (people dancing), c. 1922 37/s x 45/s in. (9.8 x 11.8 cm)
Page 72
83- 1-157"
9. Untitled (three figures in landscape), c. 1922
3'/s x 45/8 in. (7.9 x 11.8 cm)
Page 80
83.1.1571
10. Untitled (two mice), c. 1922 3% x 45/s in. (9.8 x 11.8 cm) Page 93
831-157J
11. Untitled (two men and donkey), c. 1922
65/8 x 49/i6 in. (16.9 x 11.6 cm) Page 99 83.1.157 k
12. Untitled (two couples on terrace), c. 1922
3V4 x 4% in. (8.3 x 11.8 cm) Page 104 83.1.157 1
13. Untitled (children around a chicken), c. ig22
35/i6 x 4lA in. (8.4 x 10.8 cm) Page 106 83.1.157 m
1995-11
1995-13
544
Meseck
1996
Tiere
(Animals)
Portfolio of 1 1 etchings on handmade
paper
Published by Fritz Gurlitt Verlag,
Berlin; total edition of 150
inscription: each sheet signed, l.r.;
numbered (7/40), 1.1.
PROVENANCE: Helmut Tenner,
Heidelberg, 16-17 April I975i part of
lot 1338
83. 1.26 a-k
1. Untitled (title page), c. 1922 513/i6 x 315/i6 in. (14.8 x 10.0 cm) 83.1.26 k
2. Untitled (lion and lioness), c. 1922 5% x 7u/i6 in. (14.9 x 19.5 cm) 83.1.26 a
3. Untitled (man reclining under a tree), c. 1922
7u/i6 x 55/8 in. (19.5 x 14.3 cm) 83.1.26 b
4. Untitled (four apes), c. 1922 7u/i6 x 57/8 in. (19.5 x 14.9 cm) 83.1.26 c
5. Untitled (six monkeys), c. 1922 7n/i6 x 515/i6 in. (19.5 x 15.0 cm) 83. 1.26 d
6. Untitled (mother and baby ape), c. 1922
79/i6 x 55/i6 in. (19.2 x 13.5 cm) 83.1.26 e
7. Untitled (lion and three lionesses), c. 1922
5s/i6 x 7n/i6 in. (13.5 x 19.5 cm) 83. 1.26 f
8. Untitled (two deer eating), c. 1922 75/8 x 513/i6 in. (19.4 x 14.7 cm)
83. 1.26 g
9. Untitled (crocodiles), c. 1922 513/i6 x 7% in. (14.8 x 19.3 cm) 83. 1 . 26 h
10. Untitled (two felines), c. 1922 57/a x 7% in. (14.9 x 19.3 cm) 83.1.26 i
11. Untitled (four horses and a dog), c. 1922
57/8 x 7V6 in. (14.8 x 19. 1 cm) 83.1.26 j
1997
Jagd, c. 1924
(Hunt)
Drypoint on wove paper
3'/8 x io9/i6 in. (7.9 x 26.8 cm)
From portfolio Ganymed-Mappe m
(Munich: Marees-Gesellschaft, 1924);
edition of 100
inscription: signed, l.r.
provenance: Hartung & Karl, Munich,
13-15 November 1979, part of lot 2779
EXHIBITION: Reed 317/45
M. 82. 288. 379 g
Verli.9 Fritz l"!urMI Berlin
M
1996-5
1996-7
l (-ftps' 1
1996-2
1996-4
^fe|#
1996-6
im ns1' '
t
&LJii
Michel
545
1 i l
^ (0; ^
1996-9
1996-10
^r
2000
'TSA- ' ~~- *~~ *
1999
1998
Baumgruppe am Wasser, e. 1896 (Group of trees by the water) Etching on wove paper 87/s x 6V4 in. (22.5 x 15.8 cm) From Pan 1, no. 4 (1896): following 228 provenance: Kornfeld & Klipstein, Bern, 7-8 June 1978, part of lot 775 REFERENCE: Dennerlein 639 83- 1- 1351 g
1999
Landschaft, c. 1898
(Landscape)
Etching on laid paper
io3/i6 x I215/i6 in. (25.9 x 32.8 cm)
From seventh portfolio of Verein fur
Original-Radierung (Munich: Verein fur
Original-Radierung, 1898)
provenance: L'Art Ancien, Zurich:
purchased in 1974
83.1.159 a
2000
Landschaft, c. 1898
(Landscape)
Etching on laid paper
85/i6 x 6V2 in. (21. 1 x 16.5 cm)
From seventh portfolio of Verein fur
Original-Radierung (Munich: Verein fur
Original-Radierung, 1898)
PROVENANCE: L'Art Ancien, Zurich;
purchased in 1974
83-1- 159 g
2001
Hauser in Meersburg, c. 1899 (Houses in Meersburg) Etching on wove paper 7V4 x 9% in. (18.4 x 25. 1 cm) From Pan 5, no. 1 (i8gg): following 8 provenance: Kornfeld & Klipstein, Bern, 7-8 June 1978, part of lot 775 reference: Dennerlein 2319 83.1.1358 a
2002
Strohhiitte in Oberbayern, c. 1899
(Thatched cottage in upper Bavaria)
Etching on wove paper
6Vt x 415/i6 in. (15.9 x 12.5 cm)
From Pan 4, no. 4 (1899): following 214
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
REFERENCE: Dennerlein 2230
83. 1. 1357 e
Carl Theodor Meyer
born 1860 Basel, Switzerland
died 1932Hauptwil, Switzerland
2003
Walpurgisnacht, c. 1924
Woodcut on wove paper
73/i6 x 4% in. (18.3 x 12.0 cm)
From Karl Dietz, ed., Schwarzer Greif:
Ein Almanack auf dasjahr 1925
(Rudolfstadt: Greifenverlag, 1925), p. 77
PROVENANCE: unknown
83- 1-549 k
Karl Michel
born 1885 Leipzig
2002
1998
2003
546
Minkenberg
Hein Minkenberg 2004
Heilige Familie, c. 1934 born 1889 (Holy family)
Heinsberg Woodcut on japan paper
57/i6 x 8V4 in. (13.8 x 20.9 cm) From portfolio Holzschnitte niederrheinischer Kiinstler (Krefeld: Felt Verlag, 1934); possibly from edition of 35 (see remarks under cat. no. 277) provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 83.i.i6h
George Minne
born 1866 Ghent. Belgium
died 1941 Laethem-
Saint-Martin,
Belgium
2005
Serres chaudes
(Hothouses)
Book with 6 wood engravings on Van
Gelder paper
Illustrations to poems by Maurice
Maeterlinck (Paris: Leon Vanier, 1889);
edition of 155
PROVENANCE: Warrack & Perkins,
Enstone, Oxfordshire; purchased in
1977
83.1. 158 a-f
1. Cloches de verre, c. 1889 (Glass bells)
il5/i6 x 2% in. (4.9 x 7.0 cm) Page 22 83.1.158 a
2. Offrande obscure, c. 1889 (Dark offering)
i15/i6 x 2n/i6 in. (4.9 x 6.9 cm) Page 26 83.1.158 b
3. Hopital, c. 1889 (Hospital)
2 x 213/i6 in. (5. 1 x 7.2 cm) Page 48 83.1.158 c
4. Desirs d'hiver, c. 1889 (Desires of winter)
in/i6 x 2% in. (4.3 x 7.0 cm) Page 56 83.1.158 d
5. Ame de nuit, c. 1889 (Night soul)
25/i6 x 2n/i6 in. (5.9 x 6.8 cm) Page 94 83.1. 158 e
6. Untitled (endpiece), c. 1889 i11/i6 x 1% in. (4.3 x 3.6 cm)
The image also appears on the cover 83.1. 158 f
2006
Der Taufer, c. 1916
(The baptist)
Woodcut on wove paper
313/i6 x 3V8 in. (9.7 x 7.9 cm)
From DieAktion 6, no. 5/6 (1916): 66;
not identified as an original woodcut
provenance: Hauswedell & Nolte,
Hamburg, 30 November 1979, part of
lot 1173
83.1.1507 b
2005-1
2005-3
2004
2005-2
Y^
1 'i'i '„'///
2005-6
Mitschke-Collande
547
2007
2008-1
2007
Trauer, c. 1916
(Grief)
Woodcut on wove paper
45/8 x 3V16 in. (11.8 x 7.8 cm)
From Die Aktion 6, no. 5/6 (1916):
cover; not identified as an original
woodcut
provenance: Hauswedell & Nolte.
Hamburg, 30 November 1979, part of
lot 1173
83.1.1507 a
2008
Der begeisterte Weg
(The inspired way)
Portfolio of 6 woodcuts on laid paper
provenance: Galleria del Levante,
Munich; purchased in 1978
EXHIBITION: Barton 82 a-f; Rigby
72-77
While not published as a group, the
prints were reproduced photo-
mechanically as a group in Walther
Georg Hartmann, Der begeisterte Weg
(Dresden, 1919)
M. 82.288.211 a-f
1. Der begeisterte Weg, 1919 (The inspired way)
13% x 11% in. (34.0 x 29.8 cm)
INSCRIPTION: signed and dated, l.r.;
titled, u.l.; inscribed "Handdruck,"
1.1.
EXHIBITION: Barton 82 a; Rigby 72
M. 82.288.211 a
2. Da habt ihr mich, 1919 (Here you have me)
nn/i6 x i37/i6 in. (29.7 x 34.2 cm) INSCRIPTION: signed and dated, l.r.; inscribed "Handdruck," 1.1., "Blatt 2," u.l., "Der begeisterte Weg," u.r. EXHIBITION: Barton 82 b; Rigby 73 M. 82.288.211b
3. Freiheit, 1919 (Freedom)
13% x i59/i6 in. (35.0 x 39.5 cm)
INSCRIPTION: signed, l.r.; inscribed
"Handdruck," 1.1., "Blatt 3" and
"in," u.l
EXHIBITION: Barton 82 c; Chipp 93;
Rigby 74
M. 82. 288.211c
4. Du hast deinen Bruder getotet,
1919
(You have killed your brother)
i37/i6 x iin/i6 in. (34.2 x 29.7 cm)
INSCRIPTION: signed and dated, l.r.;
inscribed "Handdruck," 1.1., "Blatt
4," u.l.
exhibition: Barton 82 d; Rigby 75
M. 82.288.211 d
Constantin von Mitschke-Collande
born 1884 Milicz
died 1956 Nuremberg
2008-3
548
Mitschke-Collande
2008 (continued)
5. Steh auf und verkiinde die Liebe, Erwachter, 1919
(Get up and proclaim love, awakened one)
i39/i6 x 1 i5/s in. (34. 5 x 29. 5 cm) INSCRIPTION: signed and dated, l.r.; inscribed "Handdruck," 1.1., "Blatt 5," u.l., "Der begeisterte Weg," u.r. EXHIBITION: Barton 82 e; Rigby 76 M.82. 288.21 le
6. Die Zeit ist reif, 1919 (The time is ripe)
13% x n13/i6 in. (35.0 x 30.0 cm) INSCRIPTION: signed and dated, l.r.; inscribed "Handdruck," 1.1., "Blatt 6," u.l., "Der begeisterte Weg," u.r. EXHIBITION: Barton 82 f; Rigby 77 M.82.288.211 f
2009
Die Erwartung, 1919
(Expectation)
Woodcut on laid paper
8V4 x 69/i6 in. (20.9 x 16.6 cm)
The center also has an impression from
Sezession Gruppe 1919, exh. cat.
(Dresden: Verlag Emil Richter, 1919)
INSCRIPTION: signed and dated, l.r.;
inscribed "Handdruck 1," 1.1.; titled, 1.1.
provenance: Galleria del Levante,
Munich; purchased in 1978
M.82. 288. 2 10
2010
Die Tiere der Insel
(The animals of the island)
Book with 11 color woodcuts on wove
paper
Illustrations to book by Walther Georg
Hartmann (Dresden: Sibyllen-Verlag,
1923); from deluxe edition
inscription: numbered (1/200) and
signed by author and artist on
justification page
PROVENANCE: Hartung & Karl, Munich,
17 May 1979, lot 1771
83.1.746 a-k
1. Untitled (men on ship), c. 1923 Printed in black and orange 4%x 3>/s in. (11.1 x 8.0 cm) Page 15
83.1.746 a
2. Untitled (fish), c. 1923 Printed in black and yellow 45/i6 x 3V8 in. (11.0 x 8.0 cm) Page 21
83.1.746 b
3. Untitled (sheep), c. 1923 Printed in black and purple 45/j6 x 3'/s in. (11.0 x 8.0 cm) Page 25
83.1.746 c
4. Untitled (man standing), c. 1923 Printed in black and yellow
4% x 3'/s in. (1 1. 1 x 8.0 cm) Page 31 83.1.746 d
2008-5
2008-6
2009
2010-2
2010-4
2010-5
Moholy-Nagy
549
2010-8
2010-9
2010-10
Moholj-Nagy: i~<
5. Untitled (seagulls), c. 1923 Printed in black and blue 45/i6 x 3'/8 in. (11.0 x 8.0 cm) Page 39
83. 1.746 e
6. Untitled (deer), c. 1923 Printed in black and yellow 4% x 3'/8 in. (11.1 x 7.9 cm) Page 43
83. 1.746 f
7. Untitled (nude man with animals), c. 1923
Printed in black and green 43/sx 3'/s in. (11.1 x 8.0 cm) Page 51 83. 1.746 g
8. Untitled (sailing ship), c. 1923 Printed in black and yellow 43/8 x 3J/8 in. (11. 1 x 7.9 cm) Page 61
83.1.746 b
9. Untitled (dolphin), c. 1923 Printed in black and green 4% x 33/i6 in. (11. 1 x 8. 1 cm) Page 67
83.1.7461
10. Untitled (man watching birds), c. 1923
Printed in black and yellow 45/i6 x 3'/8 in. (11.0 x 8.0 cm) Page 71 83. 1.746 j
11. Untitled (sailboats and cliffs), c. 1923
Printed in black and green 45/i6 x 3% in. (11.0 x 8.0 cm) Page 75 83.1.746 k
2012
2013
2011
Untitled (abstract composition), c. 1921
Linoleum cut on wove paper
6Vi x 9% in. (15.8 x 24.7 cm)
From Der Sturm 12, no. 8 (1921): 149
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1395.2
2012
Untitled (building), c. 1921 Linoleum cut on wove paper ■/Vt x 5V2 in. (18.4 x 14.0 cm) From Der Sturm 13, no. 1 (1922): 7; the image also appears on the cover provenance: Ex Libris, New York; purchased in 1982 83- 1- 1395-7
2013
Untitled (machine), c. 1922 Linoleum cut on wove paper 613/i6 x 6V2 in. (17.3 x 16.5 cm) From Der Sturm 13, no. 9 (1922): 129; the image also appears on the cover provenance: Ex Libris, New York; purchased in 1982 83- 1- 1395- 10
Las/lo Moholy-Nagy
born 1895 Bacsbokod, Hungary
died 1946 Chicago. Illinois
550
Moholy-Nagy
2014
Untitled (abstract composition), c. 1922
Linoleum cut on wove paper
77/8 x 5u/i6 in. (20.0 x 14.5 cm)
From Der Sturm 14, no. 1 (1923): 5; the
image also appears on the cover
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1395.22
2015
Untitled (abstract composition), c. 1923 Linoleum cut on wove paper jVk x 4% in. (18.3 x 11.8 cm) From Der Sturm 14, no. 10 (1923): 149; the image also appears on the cover PROVENANCE: Ex Libris, New York; purchased in 1982 83- 1- 1395-43
2016
Untitled (abstract composition), c 1924
Linoleum cut on wove paper
77/8 x 6 in. (20.0 x 15.2 cm)
From Der Sturm 15, no. 1 (1924): 25
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1396.5
2017
Untitled (abstract composition), c. 1924 Linoleum cut on wove paper 513/i6 x 515/i6 in. (14.8 x 15.0 cm) From Der Sturm 15, no. 2 (1924): 61 provenance: Ex Libris, New York; purchased in 1982 83.1.1396.11
2018
Untitled (abstract composition), c. 1924
Linoleum cut on wove paper
513/i6 x 5% in. (14.8 x 14.6 cm)
From Der Sturm 15, no. 2 (1924): 67;
the image also appears on the cover
provenance: Ex Libris, New York;
purchased in 1982
83.1.1396.12
2019
Untitled (abstract composition), c. 1924 Wood engraving on wove paper 4"/ie x 3V4 in. (11.9 x 8.2 cm) From Der Sturm 15, no. 4 (1924): 181; the image also appears on the cover provenance: Ex Libris, New York; purchased in 1982 83- 1- 1396- 18
2020
Untitled (abstract composition), c. 1924
Wood engraving on wove paper
4u/i6x 3V4 in. (11.9 x 8.2 cm)
From Der Sturm 15, no. 4 (1924): 187
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1396.19
2014
2015
2016
2019
Molnar
551
2020
2021
2022
AfcVfcy /•<*&— <-
2025
2021
Untitled (abstract composition), c. 1924
Wood engraving on wove paper
5n/i6 x 4% in. (14.5 x 12.0 cm)
From Der Sturm 15, no. 4 (1924): 193
provenance: Ex Libris, New York;
purchased in 1982
83.1.1396.20
2022
Beethovenluius in der Eroikagasse,
Wien, c. 1902
(Beethoven's house on Eroikagasse,
Vienna)
Woodcut printed in black and orange on
laid paper
59/ie x gVj in. (14.2 x 13.4 cm)
From Wiener Secession: Katalog der
vierzehnten Ausstellung der Vereini-
gung bildender Kiinstler Osterreichs,
exh. cat. (Vienna: Wiener Secession,
1902), p. 38
provenance: Hartung & Karl, Munich,
28-29 May 1974, part of lot 2031
exhibition: Reed under 241/1
83.1.610 f
2023
Am Nachmittag, c. 1911
(In the afternoon)
Woodcut on wove paper
513/i6 x 6n/i6 in. (14.8 x 17.0 cm)
From Der Sturm 2, no. 87 (1911): 695
provenance: Ex Libris, New York;
purchased in 1982
83.1.1390.10
2024
Berliner Expression, n.d. (Berlin expression) Lithograph on wove paper 915/ie x 8V16 in. (25.2 x 20.5 cm) provenance: Galerie Saxonia, Munich; purchased in 1981 EXHIBITION: Rigby 78 M. 82. 287. 53
2025
Untitled (figures on horseback), c. 1915 Lithograph on wove paper 4V2 x 5% in. (11.5 x 13.7 cm) From Zeit-Echo 1, no. 23/24 (1915): 365 provenance: gift of Elmar Seibel, 1983 L.86. 1.70 e; lent by the Robert Gore Rifkind Foundation, Beverly Hills, California
See cat. no. 1393
Cari Moll
born 1861 Vienna, Austria
died 1945 Vienna, Austria
Otto Moller
born 1883 Schmiedefeld
died 1964 Berlin
Rudolf Moller
born 1881 Schmiedefeld
died 1967 Berlin
2024
Farttas Molnar
born 1897 Pecs, Hungary
552
Morgner
Wilhelm Morgner 2026
Acker mit Weib, 1912 born 1891 Soest (Field with woman)
Woodcut on wove paper died 1917 14% x 2213/i6 in. (37.2 x 57.9 cm)
near Langemark, From Der Sturm 3, no. 136/137(1912):
Belgium 214-15
provenance: Ex Libris, New York;
purchased in 1982
83.1.1391.39
2027
Bdrtiger Mann, c. 1912
(Bearded Man)
Linoleum cut on wove paper
9 x 6% in. (22.9 x 17.2 cm)
From Georg Biermann, ed., Jahrbuch
derjungen Kunst (Leipzig: Klinkhardt
& Biermann, 1920), following p. 224
provenance: Bismarck Buchhandlung,
Charlottenburg (ex libris, cover);
Ganymede Graphics, Berkeley;
purchased in 1974
EXHIBITION: Beed 320/1920.7
83. 1.798 f
2028
Fressende Holzarbeiter, 1912
(Woodworkers eating)
Woodcut on japan paper
i2s/8 x 145/4 in. (32.0 x 36.2 cm)
The center also has an impression from
Der Sturm 3, no. 125/126(1912):
138-39
INSCRIPTION: signed and dated, l.r. ; inscribed "Fressende Holzarbeiter— Holzschnitt Handdruck No. 1," 1.1. PROVENANCE: Kunstgalerie Esslingen, Esslingen; purchased in 1978 exhibition: Barton 72 M. 82. 288. 2 13
2029
Holzarbeiterfamilie, c. 1912
(Woodworker's family)
Woodcut on wove paper
11% x I315/i6 in. (29.8 x 35.4 cm)
From Der Sturm 3, no. 127/128 (1912):
150-51
provenance: Ex Libris, New York;
purchased in 1982
83.1.1391.23
2030
In Memoriam Wilhelm Morgner
Portfolio of 7 linoleum cuts and woodcut
cover on wove paper
Published posthumously by Galerie
Flechtheim, Diisseldorf, 1920; edition
of 56
inscription: each sheet signed by
artist's widow, l.r.; signed by Georg
Tappert; tribute signed by Theodor
Daubler; poem signed by Adolf von
Hatzfeld
provenance: Zeitlin & Ver Brugge, Los
Angeles; date of purchase unknown
M.82.z88.2i4a-h
1. Patroklidom, 1912
5 '4 x 3%6 in. (13.3 x 9.0 cm)
Cover
M. 82. 288. 2 14 h
2027
2028
2029
2030-1
2030-3
2030-4
M^J,
1 'i"'&y "i'i')Ay ''" I'm/ J-.'///j'///tyA^
2030-6
2030-.
2031
2030-5
2030-7
<*£^
Morgner
2. Grosse Briicke hei Soest, 1912 (Large bridge near Soest) 14V16 x 20V16 in. (357 x 51.0 cm) exhibition: Guenther 433
M. 82. 288. 2 14 a
3. Mann mit Spaten und Karre, 1912 (Man with spade and cart) 2015/i6 x i-/Vs in. (532 x 43.5 cm) M. 82.288.214 b
4. Ziegeleiarbeiter, 1912 (Brickyard worker)
15 x 205/i6 in. (38. 1x51.6 cm) M. 82. 288. 2 14 c
5. Selbstbildnis, 1912 (Self-portrait)
19% x i63/i6 in. (50.5 x 41. 1 cm) M. 82. 288.214 d
6. Obsternte, igi2 (Fruit harvest)
16V4 x 20V16 in. (413 x 51.0 cm) M. 82.288.214 e
7. Kopfeines biirtigen Mannes, 1912 (Head of a bearded man)
15W6 x 13% in. (38.3 x 34.3 cm) exhibition: Guenther 434 M82.288.214f
8. Abstrakte Komposition, 1912 (Abstract composition)
15V4 x ig3/8 in. (38.7 x 49.2 cm) M. 82. 288. 214 g
2031
Landschaft mit einer strahlenden
Sonne, c. 1912
(Landscape with radiant sun)
Woodcut on wove paper
97/i6 x i43/i6 in. (23.9 x 36.0 cm)
From Der Sturm 3, no. 112 (1912): 61
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1391.6
2032
Der Rattenfallenhandler, c. 1912 (The rat-trap merchant) Woodcut on wove paper I313/i6 x g9/i6 in. (35. 1 x 24.3 cm) From Der Sturm 3, no. 109 (1912): 37 PROVENANCE: Ex Libris, New York; purchased in 1982 83.1.1391.3
2033
Selbstbildnis, 1912
(Self-portrait)
Black ink on wove paper
2313/i6 x 19 in. (60.5 x 48.3 cm)
inscription: monogrammed and
dated, c.r.
provenance: Georg Tappert (estate
stamp #504, verso); Carus Gallery, New
York; purchased in 1975
exhibition: Reed 212; Chipp 94
M. 82.288.350
553
2033
554
Morgner
2034
Tierdressur, 1912
(Animal training)
Woodcut on wove paper
14% x 22% in. (37. 5 x 57.8 cm)
From Der Sturm 3, no. 138/139 (1912):
226-27
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1391.41
2035
Untitled (abstract composition), c. 1912
Woodcut on wove paper
97/i6 x i4'/8 in. (24.0 x 35.9 cm)
provenance: Ex Libris, New York;
purchased in 1982
From Der Sturm 3, no. 113/114 (1912): 74
83.1.1391.8
2036
Mannliches Portrat, 1913
(Portrait of a man)
Black ink on dun-colored wove paper
10% x 715/i6 in. (26.3 x 20.2 cm)
inscription: monogrammed and
dated, l.r.
provenance: Galerie Wolfgang
Ketterer, Munich, 26 November 1974,
lot 1321
EXHIBITION: Reed 213
Margaret Biedermann believes this is a
self-portrait
M. 82. 288.351
2037
Untitled (scene from the Passion), 1913
Woodcut on wove paper
5%6 x 6V2 in. (13. 1 x 16.5 cm)
From Der Sturm 4, no. 164/165 (1913): 45
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1391.64
2038
Untitled (scene from the Passion), 1913
Woodcut on wove paper
5I3/ie x 6% in. (14.7 x 17.2 cm)
From Der Sturm 4, no. 164/165 (1913): 45
provenance: Ex Libris, New York;
purchased in 1982
83.1.1391.65
2039
Untitled (scene from the Passion), 1913
Linoleum cut on wove paper
5% x 6"/i6 in. (14.3 x 17.0 cm)
From Der Sturm 4, no. 166/167 (1913): 49
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1391.66
2040
Untitled (scene from the Passion), 1913
Woodcut on wove paper
415/i6 x 6% in. (12.6 x 16.2 cm)
From Der Sturm 4, no. 168/169(1913): 57
provenance: Ex Libris, New York;
purchased in ig82
83.1.1391.68
2034
2036
2035
2041
2038
2039
M^
2043
Moser
2041
Selbstbildnis mit hoher Miitze, n.d.
(Self-portrait with tall hat) Linoleum cut on brownish paper i43/i6 x gVi in. (36.0 x 23.5 cm) inscription: titled and numbered (40/50), l.r. ; inscribed "Nachlass Wilhelm Morgner, Frau Morgner," l.r. provenance: estate of the artist; Galerie Gerda Bassenge, Berlin, 22-26 May 1975, lot 1707 EXHIBITION: Reed 214 M. 82.288.212
555
2042
Die Fahne des Propheten, c. 1915
(The flag of the prophet)
Lithograph on wove paper
io'/i6 x io7/i6 in. (25.5 x 26.5 cm)
From Kriegszeit, no. 22 (1915): 1
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/178
83. 1. 1420 a
2043
Fahneneid, c. 1915
(Oath of allegiance)
Lithograph on wove paper
13% x 10% in. (35.0 x 27.3 cm)
From Kriegszeit, no. 26 (1915): 3
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/179
83.1.1424 c
2044
Kriegs-Lazarett in Arahien, c. 1915 (War hospital in Arabia) Lithograph on wove paper 14 x io'3/i6 in. (35.5 x 27.5 cm) From Kriegszeit, no. 31 (1915): 2 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
exhibition: Reed 281/180 83.1.1429 b
M. Mory
2045
Ein decorativer Fleck in "flof und
Griin" c. 1897
(A decorative mark in "red and green")
Lithograph printed in salmon red and
green on slick wove paper
8V2 x 69/i6 in. (21.6 x 16.6 cm)
From Ver Sacrum 1, no. 1 (1898): 11
provenance: Max Reed, London;
purchased in 1976
83.1.1609 a
Koloman Moser
born 1868 Vienna, Austria
died 1918 Vienna, Austria
2042
556
Moser
Otto Mueller
born 1874 Libava, Moravia
died 1930 Breslau
2046
Untitled (standing figure), c. 1902
Woodcut on laid paper
5 '/a x 55/i6 in. (14.0 x 13.5 cm)
From Wiener Secession: Katalog der
vierzehnten Ausstellung der Vereini-
gung bildender Kiinstier Osterreichs,
exh. cat. (Vienna: Wiener Secession,
1902), p. 32
provenance: Hartung & Karl, Munich,
28-29 Mav '974. Part °f 'ot 2031 exhibition: Reed under 241/1 83.1.610 e
2047
Knabe zwischen Blattpflanzen, 1912
(Youth seated between large plants)
Woodcut on japan paper
11 x I4u/i6 in. (27.9 x 37.3 cm)
From a posthumous edition (after 1946)
of about 400 impressions printed by
Eugen Meyerhofer
provenance: Christie's, London, 5
December 1974, lot 218
REFERENCE: Karsch 2 II A
EXHIBITION: Reed 137
M. 82.288.218
2048
Sitzende Akte am Strand, 1912 (Nudes seated on the beach) Woodcut on thin pink wove paper 47/i6 x 53/i6 in. (11.2 x 13. 1 cm) From Ausstellung von KG Briicke, exh. cat. (Berlin: Galerie Fritz Gurlitt, 1912); the center has two impressions PROVENANCE: Kornfeld 6t Klipstein, Bern, 15-17 June 1972, part of lot 113 REFERENCE: Karsch 4; Bolliger and Kornfeld 42/8 EXHIBITION: Reed 245/6 M. 82.288.375 f
2049
Sitzender Akt aufWiese, 1912
(Seated nude in meadow)
Woodcut printed in gold on black wove
paper
I415/i6 x 12 in. (38.0 x 30.5 cm)
From portfolio Die Briicke vn (1912),
cover
provenance: Kunsthandel Wolfgang
Werner, Bremen; purchased in 1982
REFERENCE: Karsch 5; Bolliger and
Kornfeld 25
M. 82. 287. 98
2050
Drei Figuren und gekreutzte Stdmme,
1916
(Three figures and crossed tree trunks)
Lithograph on wove paper
io7/ie x 8Vt in. (26.5 x 21.0 cm)
From Der Bildermann 1, no. 9 (1916): 3
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot 180
reference: Karsch 66 b
EXHIBITION: Reed 265/26
83.1.1462.35
2046
/N/
.•*;'%»
/ ; W \-o
2048
2049
^^^<J/^'~-
2050
2052
Mueller
2051
Strand, 1918
(Beach)
Lithograph on japan paper
7n/i6 x gI3/i6 in. (19.5 x 25.0 cm)
From Das Kunstblatt 3, no. 1 (1919)
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
REFERENCE: Karsch 76 II
EXHIBITION: Reed 283/52 83.1.1135 a
2052
Badende, 1920
(Bathers)
Lithograph on heavy wove paper
67/8 x 95/i6 in. (17.5 x 23.7 cm)
From Kurt Pfister, ed. , Deutsche
Graphiker der Gegenwart (Leipzig:
Klinkhardt & Biermann, 1920), pi. 20;
edition of 600
PROVENANCE: Hans Bolliger, Zurich:
purchased in 1972
REFERENCE: Karsch hoc
EXHIBITION: Reed under 339
83.1.171 m
2053
Polnische Familie, 1920-21 (Polish family)
Lithograph with rust, yellow, blue, and green crayon on heavy wove paper lo'/i x 79/i6 in. (26.0 x 19.2 cm) Proof apart from edition of 25 hand- colored impressions in portfolio Die Schaffenden 3, no. 1 (Weimar: Gustav Kiepenheuer Verlag, 1921) (Jahn and Berger 86); total edition of about 185 INSCRIPTION: signed, l.r. provenance: Carus Gallery, New York; purchased in 1973 REFERENCE: Karsch 114 II. a-b EXHIBITION: Reed 139; Rigby 79 M. 82.288.215
2054
Adam und Eve, 1920-23 (Adam and Eve)
Lithograph on heavy wove paper i73/i6 x 13 in. (43.6 x 33. 1 cm) From edition of 50 inscription: signed, l.r. provenance: Hauswedell & Nolte, Hamburg, 8- 10 June 1972, lot 1672 reference: Karsch 122 11 exhibition: Reed 138; Rigby 80 M. 82.288.216
557
2054
558
Mueller
Lorenz Miiller
Richard Miiller
born 1874Tschirnitz, Bohemia
died 1954 Dresden
2055
Zigeunerfamilie am Planwagen,
1926-27
(Gypsy family at their wagon)
Lithograph printed in black, brown,
yellow, and vermilion on brownish gray
wove paper
277/i6 x ig13/i6 in. (69.7 x 50.3 cm)
From portfolio Zigeuner-Mappe
(Breslau: Lange Akademie, 1927);
edition of about 60 unnumbered
examples
INSCRIPTION: signed in yellow pencil, I.e.
provenance: Hauswedell & Nolte,
Hamburg, 2 June 1971, lot 1473
REFERENCE: Karsch 167 III
EXHIRITION: Reed 140; Chipp 95
M. 82.288.217
2056
Alte Frau-Studie, c. 1898
(Study of an old woman)
Etching on laid paper
13% x 9V4 in. (34.0 x 23.5 cm)
From seventh portfolio of Verein fur
Original-Radierung (Munich: Verein fur
Original Radierung, 1898)
provenance: L'Art Ancien, Zurich;
purchased in 1974
83.1.159 k
2055
2056
2057
Schneedacher mit Telephonstand,
c. 1899
(Snowy roofs with telephone wires) Etching and aquatint on wove paper 513/i6 x 8% in. (14.8 x 22.2 cm) From Pan 5, no. 2 (1899): following 84 PROVENANCE: Kornfeld & Klipstein, Bern, 7-8 June 1978, part of lot 775 REFERENCE: Dennerlein 2417 83.1. 1358 f
2057
Gabriele Milliter 2058
Aurelie, 1906
born 1877 Berlin Woodcut printed in black, orange, pink,
and beige on japan paper
died 1962 Murnau fA6 x 69/ie in. (18.2 x 16.7 cm)
From edition of about 10 or 11 inscription: estate stamp, verso provenance: Galerie Gunzenhauser, Munich; purchased in 1973 REFERENCE: Roethel 4 EXHIBITION: Reed 163
M.82.288.219
2060
|
H70D f*l |
||
|
i™ 51 |
||
|
HtgVyS |
||
|
Kh ' ^^PaI ^mh |
LJ |
|
2061
JPMW
Miinter
2059
Neujahrswunsch, 1909
(New Year's greetings)
Woodcut printed in red, blue, and
yellow on chine colle laid down on
purple card
3H x 4% in. (8.5 x 12.0 cm)
From edition of about 24
INSCRIPTION: signed, l.r.; inscribed
"Original Holzsehnitt," 1.1.
provenance: Galerie Gunzenhauser,
Munich; purchased in 1973
REFERENCE: Roethel 36
EXHIBITION: Reed 164
M. 82. 288. 220
2060
Bauarbeit, c. 1912
(Construction)
Woodcut on wove paper
65/s x 89/i6 in. (16.9 x 21.8 cm)
From Der Sturm 3, no. 136/137 (1912):
209
PROVENANCE: Ex Libris, New York;
purchased in 1982
REFERENCE: Roethel 39
83.1.1391.38
2061
Bauernfamilie, c. 1912
(Farm family)
Woodcut on wove paper
5V16 x jVs in. (12.9 x 20.0 cm)
From Der Sturm 3, no. 152/153 (1913):
285
PROVENANCE: Ex Libris, New York;
purchased in 1982
reference: Roethel 41
83.1.1391.52
2062
Blumengiessen, 1912 (Watering plants) Woodcut on newsprint 8"/i6 x 7 in. (22.0 x 17.8 cm) One of five proofs announcing M (inter's exhibition at Der Sturm, Berlin, 1913; the center also has an impression from Der Sturm % no. 138/139 (1912): 231 inscription: estate stamp, verso provenance: Galerie Gunzenhauser, Munich; purchased in 1973 REFERENCE: Roethel 40 exhibition: Reed 165 M. 82.288.221
2063
Habsburgerplatz, c. 1912
Woodcut on wove paper
65/s x 8% in. (16.9 x 21.9 cm)
From Der Sturm 4, no. 162/163 (^s)1 33
PROVENANCE: Ex Libris, New York;
purchased in 1982
REFERENCE: Roethel 42
83.1.1391.61
559
560
Jbszef Arpad Murmann
born 1889 Bratislava, Slovakia
M (inter
2064
Neujahrswunsch, 1913
(New Year's greetings)
Woodcut on wove paper
5'/s x 8'/4 in. (13.0 x 20.9 cm)
From Der Sturm 3, no. 142/143 (1913):
PROVENANCE: Ex Libris, New York; purchased in 1982 REFERENCE: Roethel 43 83.1.1391.48
2065
Deutscher Gefangenen-Transport in Frankreich: Auszug aus Chartres, 1914 (German prisoner transport in France: Exodus from Chartres) Lithograph on wove paper 93/i6 x 11 in. (23.3 x 28.0 cm) From Kriegszeit, no. 52 (1915): 2 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
EXHIBITION: Reed 281/186 83.1.1450 b
2066
Deutscher Gefangenen-Transport in Frankreich: Fahrt nach dem Stiffen,
1914
(German prisoner transport in France:
Journey to the south)
Lithograph on wove paper
g!/4 x 11 in. (23.5 x 28.0 cm)
From Kriegszeit, no. 52 (1915): 3
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/187
83.1.1450 c
2067
Erlebnisse eines Zivilgefangenen in Frankreich: Einlieferung, 1914 (Experiences of a civilian prisoner in France: Admission) Lithograph on wove paper 93/i6 x 11 in. (23.4 x 28.0 cm) From Kriegszeit, no. 61 (1916): 2 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
exhibition: Reed 281/189 83.1.1458 b
2068
Avanti! Avanti! 1915
(Forward! Forward!)
Lithograph on wove paper
i25/s x 10V2 in. (32.0 x 26.7 cm)
From Kriegszeit, no. 59 (1915): 4
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/188
83.1. 1456 d
2065
2066
2067
Myrback
561
2064
2070
2069
Erlebnisse eines Zivilgefangenen in Frankreich: Vnterkunft, 1915 (Experiences of a civilian prisoner in France: Quarters) Lithograph on wove paper g'/s x io15/i6 in. (23.2 x 27.8 cm) From Kriegszeit, no. 61 (1916): 3 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
exhibition: Reed 281/190 83.1.1458 c
2070
"Unsere heldenhaften Truppen ..."
c 1915
("Our heroic troops . . .")
Lithograph on wove paper
i27/8 x n3/i6 in. (32.7 x 28.4 cm)
From Kriegszeit, no. 51 (1915): 1
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: not listed in Reed under
281
83.1.1449 a
2071
Beethoven-Monument in Heiligenstadt,
Wien, c. 1902
(Beethoven monument in Heiligenstadt,
Vienna)
Woodcut printed in black and orange on
laid paper
59/i6 x 5V4 in. (14.2 x 13.4 cm)
From Wiener Secession: Katalog der
vierzehnten Ausstellung der Vereini-
gung bildender Kunstler Osterreiclis,
exh. cat. (Vienna: Wiener Secession,
1902), p. 21
PROVENANCE: Hartung & Karl, Munich,
28-29 May 1974, part of lot 2031
exhibition: Reed under 241/1
83.1.610 c
Felician von Myrback
born 1853 Zaleszcyki. Galicia
died 1940 Klagenfurt, Austria
2069
562
Nathan
Steffi Nathan
2072
Untitled (two men in street), 1919
Lithograph on laid paper
47/8 x 3'/2 in. (12.4 x 8.9 cm)
From Das junge Deutschland 2, no. 4/5
(1919)
provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 83.1.1624 a
2073
Untitled (figure in forest), 1919
Lithograph on laid paper
4V2 x 3W in. (11.4 x 8.3 cm)
From Das junge Deutschland 2, no. 4/5
(1919)
provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 83.1.1624 b
Heinrich Nauen 2074
Mutter und Kind, c. 1919 born 1880 Krefeld (Mother and child)
Etching on wove paper died 1941 Kalkar 9% x yVw in. (23.8 x 18.3 cm)
From Genius 1, no. 2 (1919): following
296
provenance: M. J. Royer Bookshop,
Los Angeles; purchased about 1970-72
exhibition: Reed 275/5
83.1.8136
2075
Mdher im Feld, c. 1934 (Reaper in the field) Woodcut on japan paper 7I5/i6 x 5V4 in. (20.2 x 13.4 cm) From portfolio Holzschnitte niederrheinischer Kiinstler (Krefeld: Felt Verlag, 1934); possibly from edition of 35 (see remarks under cat. no. 277) provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 83.1.16 i
|
Otto Nebel |
2076 |
|
Linoleumschnitt 3, 1925 |
|
|
born 1892 Berlin |
(Linoleum cut 3) |
|
Linoleum cut on wove paper |
|
|
died 1975 Bern, |
7% x 59/i6 in. (19.4 x 14.2 cm) |
|
Switzerland |
From Der Sturm 16, no. 4 (1925): 53; |
|
the image also appears on the cover |
|
|
provenance: Ex Libris, New York; |
|
|
purchased in 1982 |
|
|
83.1.1396.35 |
2073
2074
2075
2076
Nerlinger
563
2077
2078
2080
2082
2077
Linoleumschnitt 4, 1925
(Linoleum cut 4)
Linoleum cut on wove paper
87/i6 x 6V2 in. (21.4 x 16.5 cm)
From Der Sturm 16, no. 4 (1925): 55
provenance: Ex Libris, New York;
purchased in 1982
83.1.1396.36
2078
Linoleumschnitt 5, 1925 (Linoleum cut 5) Linoleum cut on wove paper 715/ie x 69/ie in. (20. 1x16.6 cm) From Der Sturm 16, no. 6 (1925): 93 provenance: Ex Libris, New York; purchased in 1982 83.1.1396.43
2079
Untitled (abstract composition), c. 1925
Linoleum cut on wove paper
87/i6 x 6% in. (21.5 x 16.2 cm)
From Der Sturm 16, no. 3 (1925): 45
provenance: Ex Libris, New York;
purchased in 1982
83.1.1396.33
2080
Aufdem Tempelhofer Feld, 1915 (On the Templehof field) Lithograph on wove paper 85/i6 x li'/s in. (21. 1 x 28.2 cm) From Kriegszeit, no. 48 (1915): 2 provenance: Hauswedell & Nolte. Hamburg, 5-7 June 1975, part of lot 1072
EXHIBITION: Reed 281/184 83.1.1446 b
2081
Besuch im Lazarett, 1915
(Visit to the military hospital)
Lithograph on wove paper
nVs x 95/i6 in. (28.3 x 23.6 cm)
From Kriegszeit, no. 39 (1915): 4
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/182
83.1. 1437 d
2082
Im Grunewald, c. 1915
(In the Grunewald)
Lithograph on wove paper
715/ie x io5/i6 in. (20. 1 x 26.2 cm)
From Kriegszeit, no. 46 (1915): 3
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/185
83.1.1444 c
Oskar Nerlinger
born 1893 Schwann died 1969 Berlin
564
Nerlinger
2083
Lazarett in Siidende, 1915 (Military hospital in Siidende) Lithograph on wove paper 12'/j x io3/i6 in. (31.2 x 25.8 cm) From Kriegszeit, no. 43 (1915): 4 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
exhibition: Reed 281/183 83.1.1441 d
2084
Russisclier Krieg, c. 1915
(Russian war)
Lithograph on wove paper
ion/i6 x g7/i6 in. (27.2 x 24.0 cm)
From Kriegszeit, no. 35 (1915): 4
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/181
83- 1- M33d
2085
Untitled (man with plant), c. 1918 Woodcut on green wove paper 9 x 7 in. (22.8 x 17.8 cm) From Menschen 1, no. 7 (1918): 2 provenance: Galerie Gerda Bassenge, Berlin, 25 May 1975, part of lot 4883 exhibition: Reed under 289 83.1.1370 b
2086
Untitled (man with plant), c. 1918
Woodcut on laid paper
9 x 7 in. (22.8 x 17.8 cm)
From Der Weg 1, no. 3 (1919): 9
provenance: Ex Libris, New York;
purchased in 1976
exhibition: Reed under 305
Printed from the same block as cat. no.
2085 but inked more heavily
83.1.1215 e
2087
Untitled (two figures), c. 1918 Woodcut on laid paper 7% x 8% in. (19.3 x 22.3 cm) From Menschen 2, no. 2 (1919): 2 provenance: Galerie Gerda Bassenge, Berlin, 25 May 1975, part of lot 4883 EXHIBITION: Reed under 289 83.1.1379 e
2088
Untitled (man in suit), c. 1919 Woodcut on laid paper 8'/4 x 5% in. (21.0 x 13.7 cm) From Menschen 2, no. 4 (1919): 2 provenance: Galerie Gerda Bassenge, Berlin, 25 May 1975, part of lot 4883 exhibition: Reed under 289 83-ii379n
2084
2085
2086
2088
Nerlinger
565
2089
2091
2092
2093
2095
2094
2089
Untitled (abstract composition), c. 1922 Woodcut on wove paper 57/s x 37/s in. (14.9 x 9.9 cm) From Der Sturm 13, no. 12 (1922): 179; the image also appears on the cover PROVENANCE: Ex Libris, New York; purchased in 1982 83- 1- 1395- 19
2090
Untitled (abstract composition), c. 1923
Woodcut on wove paper
57/s x 315/i6 in. (14.9 x 10.0 cm)
From Der Sturm 14, no. 3 (1923): 37;
the image also appears on the cover
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1395.28
2091
Untitled (abstract composition), c. 1923
Linoleum cut on wove paper
yVt x 5% in. (18.5 x 13.6 cm)
From Der Sturm 14, no. 7 (1923): 103
provenance: Ex Libris, New York;
purchased in 1982
831- 1395-37
2092
Untitled (abstract composition), 1923 Linoleum cut on wove paper 6% x 613/i6 in. (17.5 x 17.3 cm) From Der Sturm 15, no. 1 (1924): 35 PROVENANCE: Ex Libris, New York; purchased in 1982 83.1.1396.7
2093
Untitled (abstract composition), 1923
Linoleum cut on wove paper
6V2 x jlA in. (16.5 x 18.4 cm)
From Der Sturm 15, no. 4 (1924): 217
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1396.23
2094
Untitled (abstract composition), 1923
Linoleum cut on wove paper
67/i6 x 5T/16 in. (16.3 x 13.8 cm)
From Der Sturm 15, no. 4 (1924): 223
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1396.24
2095
Untitled (abstract composition), 1923
Linoleum cut on wove paper
6V& x 513/i6 in. (155 x 14.8 cm)
From Der Sturm 16, no. 1 (1925): 5; the
image also appears on the cover
provenance: Ex Libris, New York;
purchased in 1982
83.1.1396.26
2096
Untitled (abstract composition), c. 1924
Linoleum cut on wove paper
6'/8 x 4u/i6 in. (15.6 x 11.9 cm)
From Der Sturm 15, no. 3 (1924): 147
provenance: Ex Libris, New York;
purchased in 1982
83.1.1396.16
566
Nerlinger
2097
Untitled (abstract composition), c 1925
Linoleum cut on wove paper
79/i6 x 6Vb in. (19.2 x 15.6 cm)
From Der Sturm 16, no. 3 (1925): 37;
the image also appears on the cover
provenance: Ex Libris, New York;
purchased in ig82
83.1.1396.30
2098
Untitled (abstract composition), c. 1925
Linoleum cut on wove paper
7% x 6'/8 in. (19.3 x 15.6 cm)
From Der Sturm 16, no. 3 (1925): 39
PROVENANCE: Ex Libris, New York;
purchased in 1982
83- 1- 1396. 31
Ernst Neumann 2099
Hans Benzmann, c. 1901 born 1871 Kassel Woodcut printed in brown and light
green on PH Antique paper ioI3/i6 x 7% in. (27.4 x 18.7 cm) From Richard Scheid, ed., Avalun (Munich: Verlag Avalun, 1901) INSCRIPTION: numbered (108/300) on title page
provenance: Warrack & Perkins, Witney, Oxfordshire; purchased in 1974 exhibition: Reed under 38 83.1. 1657 h
2100
Heinrich Lautensach, c. 1901 Woodcut printed in black and brownish red on PH Antique paper 913/i6 x 7% in. (25.0 x 18.7 cm) From Richard Scheid, ed., Avalun (Munich: Verlag Avalun, 1901) INSCRIPTION: numbered (108/300) on title page
provenance; Warrack & Perkins, Witney, Oxfordshire; purchased in 1974 EXHIBITION: Reed under 38 83.1.1657 c
2101
Reinhard Piper (Ludwig Reinhard),
c. 1901
Woodcut printed in blue and green on
PH Antique paper
95/i6 x 7'/i6 in. (23.7 x 18.0 cm)
From Richard Scheid, ed. , Avalun
(Munich: Verlag Avalun, 1901)
INSCRIPTION: numbered (108/300) on
title page
provenance: Warrack & Perkins,
Witney, Oxfordshire; purchased in 1974
EXHIBITION: Reed under 38
83. 1. 1657 g
2101
^irtrVaut£ttg<KiC
2099
Neumann
567
2103
2104
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P^— iL.^^fctf'' |
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|
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Hf^S^r TB |
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2105
2102
Rene Maria Rilke, c. 1901
Woodcut printed in purple and green
on PH Antique paper
n13/i6 x 73/s in. (30.0 x 18.7 em)
From Richard Scheid, ed., Avalun
(Munich: Verlag Avalun, 1901)
inscription: numbered (108/300) on
title page
provenance: Warrack & Perkins,
Witney, Oxfordshire; purchased in 1974
exhibition: Reed under 38
83.1.1657 b
2103
Richard Scheid, c. 1901
Woodcut printed in green, blue, and
orange on PH Antique paper
nVi x 7V16 in. (29.2 x 18.0 em)
From Richard Scheid, ed., Avalun
(Munich: Verlag Avalun, 1901)
inscription: numbered (108/300) on
title page
provenance: Warrack & Perkins,
Witney, Oxfordshire; purchased in 1974
exhibition: Reed under 38
83.1. 1657 e
2104
Vignette, c. 1901
Woodcut printed in light and dark
brown on PH Antique paper
3'/8 x 2 in. (7.9 x 5.0 cm)
From Richard Scheid, ed., Avalun
(Munich: Verlag Avalun, 1901)
inscription: numbered (108/300) on
title page
provenance: Warrack & Perkins,
Witney, Oxfordshire; purchased in 1974
exhibition: Reed under 38
83.1. 1657 1
2105
Untitled (hanging lamp), c. 1901
Woodcut printed in dark and light olive green on PH Antique paper 11 x yVw in. (28.0 x 18.0 cm) From Richard Scheid, ed., Avalun (Munich: Verlag Avalun, 1901) INSCRIPTION: numbered (108/300) on title page
provenance: Warrack & Perkins, Witney, Oxfordshire; purchased in 1974 exhibition: Reed under 38 83.1.1657 a
*c
2106
Edgar und Gloucester, c. 1917 (Edgar and Gloucester) Lithograph on japan paper i49/i6 x 1 i7/i6 in. (37.0 x 29. 1 cm) From portfolio Shakespeare Visionen (Munich: Marees-Gesellschaft, 1918); from edition A (total edition of 200) inscription: signed, l.r. ; numbered (xiv/l) on justification page; publisher's blind stamp, l.r.
provenance: Hans Bolliger, Zurich; purchased in 1972 exhibition: Reed 336/13 M. 82.288.384. 13
Max Neumann
born 1885 Kbnigsberg
2106
568
Nicholson
William Nicholson 2107
Alte Frau, c. 1897
born 1872 Newark, (Old woman)
England Woodcut printed in black, light brown,
and dark brown on laid paper
died 1949 9% x 7n/i6 in. (245 x 19.5 cm)
From Pan 3, no. 3 (1897): following 154 provenance: Kornfeld & Klipstein, Bern, 7-8 June 1978, part of lot 775 REFERENCE: Dennerlein 1678 83.1. 1355 d
Otto Niebuhr
2108
Untitled (head in profile), c. 1923 Woodcut on wove paper 913/i6 x 53/i6 in. (24.9 x 13.2 cm) From Karl Lorenz, ed., Das neue Hamburg (Hamburg: Gemeinschafts- verlag Hamburgischer Kunstler, 1923),
P- 73
INSCRIPTION: numbered (257/450) on
justification page
PROVENANCE: Arthur H. Minters, New
York; purchased in 1976
EXHIBITION: Reed under 322
83.1.160 k
2109
Untitled (man walking), c. 1923 Woodcut on wove paper 95/s x 7V16 in. (24.5 x 17.9 cm) From Karl Lorenz, ed., Das neue Hamburg (Hamburg: Gemeinschafts- verlag Hamburgischer Kiinstler, 1923),
P- 75
INSCRIPTION: numbered (257/450) on
justification page
PROVENANCE: Arthur H. Minters, New
York; purchased in 1976
EXHIBITION: Reed under 322
83.1.160 1
2110
Untitled (house), c. 1923 Woodcut on wove paper 8V2 x 69/ie in. (21.6 x 16.7 cm) From Karl Lorenz, ed., Das neue Hamburg (Hamburg: Gemeinschafts- verlag Hamburgischer Kunstler, 1923),
P- 77
INSCRIPTION: numbered (257/450) on
justification page
PROVENANCE: Arthur H. Minters, New
York; purchased in 1976
exhibition: Reed under 322
83.1.160 m
2110
2107
Nolde
569
2112
2113
.•;■; ...
2111
Leid, c. 1920
(Grief)
Woodcut on wove paper
73/4 x 6V4 in. (19.7 x 15.9 cm)
From Georg Biermann, ed., Jahrbuch
derjungen Kunst (Leipzig: Klinkhardt
& Biermann, 1920), following p. 300
provenance: Bismarck Buchhandlung,
Charlottenburg (ex libris, cover);
Ganymede Graphics, Berkeley;
purchased in 1974
exhibition: Reed 320/1920.2
83.1.798 h
Franz Nietsche
2112
Akt, 1906
(Nude)
Etching and aquatint on heavy
yellowish wove paper
7% x 5% in. (19.4 x 14.9 cm)
From portfolio Die Briicke 11 (1907), pi.
3; from edition of 20 numbered
impressions (total edition of 73)
inscription: signed and dated, l.r.;
signed by printer, 1.1., numbered (13), 1.1.
provenance: Stiftung Ada und Emil
Nolde, Seebiill; Fischer Fine Art Ltd.,
London; purchased in 1976
REFERENCE: Schiefler and Mosel 34 II;
Bolliger and Kornfeld 8
EXHIBITION: Reed 126
M. 82. 288.365
2113
Tischgesellschaft, 1906
(Dinner party)
Etching on wove paper
515/i6 x 7V2 in. (15. 1 x 19.0 cm)
From Zeitschrift fur bildende Kunst
n.s., 19, no. 2 (1907)
PROVENANCE: F. Ddrling, Hamburg;
purchased in 1975
REFERENCE: Schiefler and Mosel 38 IV
EXHIBITION: Reed 127
M. 82. 288. 233
2114
Diisterer Mannerkopf, 1907 (Head of man in darkness) Lithograph printed in blue-black and rose on wove paper 23% x 17 in. (60.0 x 43.2 cm) Printed in 1915; from edition of 34 of third state, of which 20 are numbered (total edition of 145) INSCRIPTION: signed, l.r.; titled, I.e.; inscribed 'Aufl. Nr. 13," 1.1.; dated, u.l. provenance: Galerie Wolfgang Ketterer, Munich, 9 June 1970, lot 1164 REFERENCE: Schiefler and Mosel 17 III EXHIBITION: Reed 128; Chipp 97 M. 82. 288. 230
Emil Nolde
born 1867 Nolde died 1956 Seebull
2114
570
Nolde
2115
Heller Tag, 1907
(Bright day)
Lithograph on heavy wove paper
n'/s x 19V16 in. (28.2 x 48.5 cm)
From edition of 100
inscription: signed and dated, l.r.
provenance: gift of Helene Sonderling
Los Angeles, 1982
reference: Schiefler and Mosel 20
In poor condition (not illustrated)
L. 84.5. 382; lent by the Robert Gore
Rifkind Foundation; Beverly Hills,
California
2116
Kopfmit Pfeife, E. N., 1907
(Head with pipe, E. N. [self-portrait])
Lithograph with watercolor on smooth
wove paper
i57/s x n5/8 in. (40.3 x 29.5 cm)
Probably a proof apart from edition of
200
INSCRIPTION: signed, l.r.; titled and
inscribed "iibermalt," 1.1.
PROVENANCE: Stiftung Ada und Emil
Nolde, Seebiill; purchased in 1977
REFERENCE: Schiefler and Mosel 5
EXHIBITION: Chipp 96
M. 82. 288. 229
2117
Mannerkopf, 1907 (Head of a man)
Lithograph printed in sepia on heavy brownish card
i77/8 x 12% in. (45.4 x 32. 1 cm) From edition of 20 numbered impressions (total edition of 100) inscription: signed and dated, l.r.; inscribed "Nr. 14," 1.1. provenance: Stiftung Ada und Emil Nolde, Seebiill; purchased in 1977 reference: Schiefler and Mosel 16 11 M. 82. 288. 228
2118
Tingel-Tangel-Sangerin, 1907 (Tingel-tangel singer) Lithograph printed in violet, yellow, and black on brownish wove paper 15T/S x 65/ie in. (40.3 x 16.0 cm) Printed in 1915; from edition of 20 numbered impressions (total edition of 100)
INSCRIPTION: signed, l.r.; titled, I.e.; inscribed "Auflage Nr. 18," 1.1. provenance: Stiftung Ada und Emil Nolde, Seebiill; purchased in 1977 reference: Schiefler and Mosel 30 11 M. 82.288.231
2116
2118
2117
Nolde
571
2119
2120-2
2120-1
2119
Segler und drei kleine Dampfer, 1910
(Sailor and three small steamers)
Etching on heavy wove paper
watermarked R. P. 1929
12% x i65/i6 in. (31.4 x 41.5 cm)
Printed in 1929
inscription: signed, l.r. ; titled, 1.1.
provenance: Stiftung Ada und Emil
Nolde, Seebull; purchased in 1978
reference: Schiefler and Mosel 140 11
M.82.288.234
2120
Das graphische Werk Emil Noldes bis 1910
(Emil Noldes graphic work to 1910)
Book with 1 full-page and 26 vignette
woodcuts and 1 full-page lithograph on
wove paper
Illustrations to catalogue raisonne by
Gustav Schiefler (Berlin: Verlag Julius
Bard, 1911)
inscription: numbered (61/435) on
justification page
provenance: Kornfeld & Klipstein,
Bern, 13-15 June 1974, part of lot 818
exhibition: Reed 135
83.1.161 a-bb
1. Agypterin 1, 1910 (Egyptian woman 1) Woodcut
6'/i6 x 4'/s in. (15.4 x 10.4 cm)
Frontispiece
reference: Schiefler and Mosel 86
III
83.1.161 a
2. Der Pfliiger, 1911 (The plowman) Lithograph
6x45/i6 in. (15.2 x 11.0 cm) Following page 32 reference: Schiefler and Mosel 35 83. 1.161 j
2121
Der Sanger, 1911
(The singer)
Woodcut on japan paper
815/i6 x 67/i6 in. (22.7 x 16.4 cm)
From Ernst Sauermann, ed. ,
Schleswig-Holsteinischer Kunstkalender
1915 (Potsdam: Stiftungsverlag,
[c. 1914-15]), endpiece
provenance: Walter Hane (ex libris);
Ars Libri, Boston; purchased in 1979
reference: Schiefler and Mosel 97 I
83.1.751b
2121
572
Nolde
2122
Knecht, 1912
(Serf)
Woodcut on heavy japan paper
12 x 9% in. (30.4 x 24.7 cm)
From edition of 8 of this state (total
edition of 12)
inscription: signed, l.r.; inscribed
"III.5"1.1.
provenance: Galerie Nierendorf,
Berlin; purchased in 1978
REFERENCE: Schiefler and Mosel 117 HI
EXHIBITION: Barton 32; Chipp 100
M. 82.288.238
2123
Prophet, 1912
Woodcut on brownish oatmeal paper 12% x 8% in. (32.0 x 21.2 cm) From edition of about 20 inscription: signed, l.r.; titled, I.e. provenance: Hauswedell & Nolte, Hamburg, 8- 10 June 1972, lot 1782 reference: Schiefler and Mosel no exhibition: Reed 130; Barton 31; Chipp 98 M. 82. 288.239
2124
Prophetenkopf, 1912 (Head of a prophet) Black ink on rice paper i6'/8 x 11% in. (41.0 x 29.8 cm) INSCRIPTION: signed, l.r. provenance: Kunsthaus Lempertz, Cologne, 17 May 1974, lot 449 exhibition: Reed 129; Chipp 99 M. 82.288. 352
2125
Tanzerin, 1913
(Dancer)
Lithograph printed in black, brownish red, carmine, and gray-violet on simili- japan paper
207/s x 27'/s in. (53.0 x 69.0 cm) Printed by Westphalen; a variation, without the violet-color stone, within the numbered edition of 35 inscription: signed, l.r.; inscribed (by Ada Nolde) "Aufl. Nr. 24," 1.1. provenance: Hauswedell & Nolte, Hamburg, 6-7 June 1975, lot 1408 reference: Schiefler and Mosel 56 exhibition: Reed 131; Chipp 101 M. 82. 288.232
2126
Kopf eines Eingeborenen— Profit,
c. 1913-14
(Head of a South Sea islander— profile)
Gouache and India ink on yellowish rice
paper
ig9/i6 x i415/ie in. (49.7 x 38.0 cm)
INSCRIPTION: signed, l.r.
provenance: Stiftung Ada und Emil
Nolde, Seebiill; purchased in 1978
M. 82. 288. 353
2122
2123
2125
2124
Nolde
573
2127
2130
2129
2127
Kerzentanzerinnen, 1917 (Candle dancers) Woodcut on cardlike paper n7/i6 x g5/s in. (29.0 x 24.3 cm) From edition of 13 of this state (total edition of 21)
INSCRIPTION: signed, l.r.; titled, 1.1. provenance: William Matson Roth; R. E. Lewis, Inc., San Anselmo, California; purchased in 1974 reference: Schiefler and Mosel 127 v exhibition: Reed 132; Barton 33; Chipp 102 M. 82. 288. 240
2128
Lichter Kopf, 1917
(Luminous head)
Woodcut on heavy wove paper
12V8 x 9% in. (30.8 x 23.8 cm)
From edition of 13 of this state (total
edition of 21)
inscription: signed, l.r.
provenance: Hauswedell & Nolte,
Hamburg, 6-7 June 1975, lot 1420
reference: Schiefler and Mosel 148 IV
EXHIBITION: Reed 133; Barton 34;
Chipp 103
M. 82. 288. 241
2129
Madonna, 1917
Woodcut on wove paper
87/ie x 6 in. (21.4 x 15.3 cm)
From deluxe edition of Das Kunstblatt
1, no. 1 (1917)
INSCRIPTION: numbered (32/110) on
justification page
provenance: Henry Hallenstein; W. F.
Arntz, Haag (Oberbayern); purchased
'■1 1975
reference: Schiefler and Mosel 142 EXHIBITION: Reed 283/16 83.1.1085 a
2130
Junger Fiirst und Tdnzerinnen, 1918 (Young prince and dancers) Etching and aquatint on Van Gelder Zonen paper
10% x 89/i6 in. (26.3 x 21.8 cm) From edition of about 15 of this state (total edition of 26) inscription: signed, l.r. PROVENANCE: Stiftung Ada und Emil Nolde, Seebiill; purchased in 1977 reference: Schiefler and Mosel 196 II M. 82.288.235
574
Nolde
2131
Der Tod als Tanzerin, 1918
(Death as a dancer)
Etching and aquatint on heavy
handmade paper
8V4 x io7/i6 in. (21.0 x 26.5 cm)
From edition of about 18 of this state
(total edition of 28)
INSCRIPTION: signed, l.r.
PROVENANCE: Stiftung Ada und Emil
Nolde, Seebiill; purchased in 1977
reference: Schiefler and Mosel 200 11
EXHIBITION: Rigby 81
M.82.288.236
2132
Wikinger, 1922
(Vikings)
Etching and aquatint on wove paper i25/s x g5/s in. (32. 1 x 24.5 cm) From edition of 6 of this state (total edition of about 18) inscription: signed, l.r. provenance: Karl & Faber, Munich, 11 December 1970, lot 1088 reference: Schiefler and Mosel 212 II exhibition: Reed 134; Chipp 104 M. 82. 288. 237
2133
Vier Fische I Ztvei hliihende Kakteen I
Zwei Pflanzen, 1924
(Four fish / Two blooming cacti / Two
plants)
Three woodcuts on one sheet of
yellowish rice paper
515/i6 x 4V4 in. (15.0 x 10.8 cm)
Proof apart from edition of 520 in
Gustav Schiefler, Das graphische Werk
von Emil Nolde, 1910-1925 (Berlin:
Euphorion Verlag, 1926-27); the center
also has impressions from the published
edition
INSCRIPTION: signed, l.r.
provenance: Galleria Henze,
Campione d'ltalia, Switzerland;
purchased in 1975
reference: Schiefler and Mosel 169,
170, 178
EXHIBITION: Reed 136/1-3
M. 82. 288. 242 a-c
2134
Das graphische Werk von Emil Nolde, 1910-1925
(The graphic work of Emil Nolde,
1910-1925)
Book with 2 full-page and 33 vignette
woodcuts and 2 full-page lithographs
(see cat. nos. 2135 and 2136) on wove
paper
Illustrations to catalogue raisonne by
Gustav Schiefler (Berlin: Euphorion
Verlag, 1926-27)
INSCRIPTION: numbered (148/520) on
justification page
provenance: Kornfeld & Klipstein,
Bern, 13- 15 June 1974, part of lot 818
exhibition: Reed 136; Barton 35
83.1.162 a-jj
2131
2133
Nolde
575
2134-1
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2135
1. Mann und junges Madchen, 1925 (Man and young girl) Woodcut
615/i6 x 5'/i6 in. (17.6 x 12.8 cm)
Frontispiece
reference: Schiefler and Mosel
188 III
EXHIBITION: Chipp 158
83.1.162 a
2. Nachbarsleute, 1925 (Neighbors) Woodcut
6 x 4'/i in. (15.2 x 10.8 cm)
Page 102
reference: Schiefler and Mosel
189
83.1.162 z
2135
Altere Herren, 1926
(Old men)
Lithograph printed in black, blue, and
violet on simili-japan paper
67/ie x 47/i6 in. (16. 3X 11.2cm)
From proof edition of 28 before edition
of 520 in Gustav Schiefler, Das
graphische Werk von Emil Nolde,
1910-1925 (Berlin: Euphorion Verlag,
1926-27); the center also has an
impression from the published edition
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
1404
reference: Schiefler and Mosel 71 II
exhibition: Reed 136/4
M. 82.288.243 b
2136
Fabelwesen, 1926
(Fabulous beasts)
Lithograph printed in red, black, gray,
and violet on simili-japan paper
67/i6 x 4T/16 in. (16.3 x 11.2 cm)
From proof edition of 28 before edition
of 520 in Gustav Schiefler, Das
graphische Werk von Emil Nolde,
1910-1925 (Berlin: Euphorion Verlag,
1926-27); the center also has an
impression from the published edition
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
1404
REFERENCE: Schiefler and Mosel 77 II
exhibition: Reed 136/5
M. 82.288. 243 a
2136
576
Nolken
Franz Nolken
born 1884 Hamburg died 1918
Wilhelm Nowak
born 1886 Mnisek, Slovakia
2137
Eine Dame, die sich den Hut aufsetzt, n.d.
(A lady putting on her hat)
Woodcut on blue-gray wove paper
10% x g'/i6 in. (27.0 x 23.0 cm)
inscription: signed, 1.1.; inscribed
"Probedruck," 1.1.
provenance: C. Rump; Galerie Gerda
Bassenge, Berlin, 16- 17 May 1979, lot
4805
exhibition: Barton 41
M. 82.288.244
"*KX"#2s,
2138
Untitled (field with tree), 1914 Lithograph on wove paper 215/i6 x 45/i6 in. (7.4 x 11.0 cm) From Zeit-Echo 1, no. 1 (1914) provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 EXHIBITION: Reed under 308
83.1.1185 a
2139
Untitled (after the battle), 1914 Lithograph on wove paper 6'/j x 413/i6 in. (15.8 x 12.3 cm) From Zeit-Echo 1, no. 2 (1914): 23 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 exhibition: Reed under 308
83.1.1186 f
2140
Imogen, c. 1917 Lithograph on japan paper i53/i6 x 97/s in. (38.6 x 25. 1 cm) From portfolio Shakespeare Visionen (Munich: Marees-Gesellsehaft, 1918); from edition A (total edition of 200) INSCRIPTION: signed, l.r.; numbered (xiv/l) on justification page; publisher's blind stamp, l.r.
provenance: Hans Bolliger, Zurich; purchased in 1972 exhibition: Reed 336/29 M.82.288.384.29
2141
Sommernachtstraum, c. 1917
(A Midsummer Nights Dream)
Lithograph with blue, green, brown,
and orange watercolor on japan paper
99/i6 x 12 in. (24.3 x 30.5 cm)
From portfolio Shakespeare Visionen
(Munich: Marees-Gesellsehaft, 1918);
from edition A (total edition of 200)
INSCRIPTION: signed, l.r.; numbered
(xiv/l) on justification page; publisher's
blind stamp, l.r.
provenance: Hans Bolliger, Zurich;
purchased in 1972
exhibition: Reed 336/12
M. 82. 288.384. 12
2138
2139
2140
Niickel
577
2142
Sommernachtstraum, c. 1917 (A Midsummer Night's Dream) Lithograph on japan paper 99/i6 x n7/8 in. (24.3 x 30.2 cm) From portfolio Shakespeare Visionen (Munich: Marees-Gesellschaft, 1918); from edition A (total edition of 200) INSCRIPTION: signed, l.r.; numbered (xiv/l) on justification page; publisher's blind stamp, l.r.
provenance: Hans Bolliger, Zurich; purchased in 1972 EXHIBITION: Reed 336/34 M. 82. 288. 384. 34
2143
Regenwetter, c. 1924 (Rainy weather) Metal cut on laid paper ■/Ve x 55/i6 in. (18.0 x 13.5 cm) From portfolio Ganymed-Mappe HI (Munich: Marees-Gesellschaft, 1924); edition of 100; the center also has an impression from Julius Meier-Graefe, ed., Ganymed, vol. 5 (Munich: R. Piper & Co., 1925), following p. 224 INSCRIPTION: signed, l.r. PROVENANCE: Hartung & Karl, Munich, 13-15 November 1974, part of lot 2779 EXHIBITION: Reed 317/40 M. 82.288.379 k
Otto Niickel
born 1888 Cologne
died 1956 Munich
2143
578
Oeltjen
Jan Oeltjen
born 1880 Jaderberg
2144
Eisstoss, c. 1916 (Push on the ice) Woodcut on japan paper io5/i6 x 12 in. (26.2 x 30.5 cm) INSCRIPTION: signed and titled, l.r. provenance: Saalbau-Galerie, Darmstadt; purchased in 1980 M. 82. 287. 55
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2145
Wilhelm Oesterie 2145
Untitled (man with sword), 1914 born 1876 Lithograph on wove paper
Wagenstadt iiyi6 x io5/s in. (29.3 x 27.0 cm)
From Kriegszeit, no. 9 (1914): 2 died 1922 Berlin provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIRITION: Reed 281/191
83.1.1408 b
2146
Untitled (refugees), 1914 Lithograph on wove paper 57/m x 45/i6 in. (13.8 x 10.9 cm) From Zeit-Echo 1, no. 16 (1915): 241 PROVENANCE: Kunstgalerie Esslingen, Esslingen; purchased in 1975 EXHIRITION: Reed under 308 83.1.1201 c
Annie Oftterdinger 2147
Modebild 1, c. 1915
(Fashion illustration 1)
Lithograph on laid paper
6V2 x 4% in. (16.5 x 11.7 cm)
From Zeit-Echo 2, no. 2 (1915-16): 29
PROVENANCE: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
exhibition: Reed under 308
83.1.1208 b
2148
Modebild 2, c. 1915 (Fashion illustration 2) Lithograph on laid paper 69/i6 x 415/i6 in. (16.7 x 12.5 cm) From Zeit-Echo 2, no. 3 (1915-16): 44 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 EXHIBITION: Reed under 308
83.1.1209 d
2148
i»f//iti , mi mm
2149
2150
2151
2152
Olde
2149
Modebild 3, c. 1915 (Fashion illustration 3) Lithograph on laid paper 73/i6 x 415/i6 in. (18.2 x 12.5 cm) From Zeit-Echo 2, no. 4 (1915-16): 62 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 EXHIBITION: Reed under 308 83.1.1210 d
2150
Modebild 7, c. 1915
(Fashion illustration 7)
Lithograph on laid paper
87/8 x 513/i6 in. (22.6 x 14.7 cm)
From Zeit-Echo 2, no. 8 (1915-16): 124
provenance: gift of Elmar Seibel, 1983
L.86. 1.73 d; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
579
2151
Untitled (flower), c. 1914
Woodcut on laid paper
4V16 x 33/i6 in. (10.3 x 8. 1 cm)
From Das neue Pathos 2, no. 1/3 (1914):
91: from edition B of 250
PROVENANCE: Ars Libri, Boston;
acquired by exchange in 1984
83. 1.824 1
2152
Klaus Groth, c. 1896 Drypoint on wove paper io9/i6 x 7% in. (26.8 x 19.7 cm) From Pan 2, no. 4 (1897): before 269 provenance: Kornfeld & Klipstein, Bern, 7-8 June 1978, part of lot 775 reference: Dennerlein 1229 83- 1- 1353 J
2153
Detlev von Liliencron, c. 1898
Lithograph printed in brown on wove
paper
7I3/i6 x 7% in. (19.8 x 18.8 cm)
From Pan 4, no. 2 (1898): following 76
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
REFERENCE: Dennerlein 1980
83- 1- 1356 g
2154
Friedrich Nietzsche, c. 1900 Etching on wove paper 7 x 5V16 in. (17.7 x 12.8 cm) From Pan 5, no. 4 (1900): following 232 provenance: Kornfeld & Klipstein, Bern, 7-8 June 1978, part of lot 775 reference: Dennerlein 2602 83-1- i359e
Alexander Olbricht
born 1876 Breslau died 1942 Weimar
Hans Olde
born 1855 Suderau died 1917 Kassel
2153
580
Opfermann
Karl Opfermann
born 1891 Roding died 1960 Hamburg
2155
Untitled (man at table), c. 1919
Linoleum cut on wove paper
95/i6 x 7V2 in. (23.6 x 19.0 cm)
From Die rote Erde 1, no. 8/10 (1920):
271
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1975
exhibition: Reed under 298
83. 1.972 g
2156
Untitled (couple), c. 1919 Linoleum cut on wove paper g'/i x 63/i6 in. (23.5 x 15.7 cm) From Die rote Erde 1, no. 8/10 (1920):
273
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1975
exhibition: Reed under 298
83. 1.972 h
2157
Am Fenster, c. 1920
(At the window)
Woodcut on wove paper
8n/i6 x 67i6 in. (22. 1 x 16.4 cm)
From Hugo Koch and Emil Maetzel,
eds., Der gelben Posaune der Sieben
gewidmet (Hamburg: Konrad Hanf,
1920)
provenance: Ganymede Graphics,
Berkeley; purchased in 1974
83.1.124 b
2158
Drei Kopfe, c. 1920 (Three heads) Woodcut on wove paper il7/i6 x 9V2 in. (29. 1 x 24. 1 cm) From Kiindung 1, no. 1 (1921) provenance: Galerie Wolfgang Ketterer, Munich, 26 November 1974, part of lot 1154 exhibition: Reed under 282 83.1.1055 c
2159
Die Genesende, c. 1920
(The convalescent)
Woodcut on wove paper
i43/i6 x 9 in. (36. 1 x 22.8 cm)
The center also has an impression from
Kiitidung 1, no. 9/10 (1921)
INSCRIPTION: signed, l.r.; titled, 1.1.
PROVENANCE: Saalbau-Galerie,
Darmstadt; purchased in 1980
M.82.287.56
2160
Heiliger, 1920
(Saint)
Lithograph on laid paper
7% x iVi in. (18. 1x3.8 cm)
From Katalog der zweiten Ausstellung
der Hamburgischen Secession, exh. cat.
(Hamburg: Alte Kunsthalle, 1921), no.
49, pi. 11
provenance: Ars Libri, Boston;
purchased in 1982
83-1-7351
2157
2158
2160
Opfermann
581
When sehrft
k Deis rcoromen
Ti£Y
2163
2165
2161
Frauenkopf, e. 1921
(Head of a woman)
Woodcut on wove paper
12V2 x iou/i6 in. (31.8 x 27. 1 cm)
From Kiindung 1, no. 9/10 (1921)
provenance: Galerie Wolfgang
Ketterer, Munich, 26 November 1974,
part of lot 1154
exhibition: Reed under 282
83.1.1060 k
2162
Schwermut, c. 1921
(Melancholy) Woodcut on wove paper n7/i6X 89/i6 in. (29.1 x 21.8 cm) Poem by August Stramm, from Kiindung 1, no. 2 (1921) provenance: Galerie Wolfgang Ketterer, Munich. 26 November 1974, part of lot 1154 EXHIBITION: Reed under 282 83.1.1056 b
2163
Untitled (head of a woman), c. 1921
Woodcut on wove paper
11 x 7% in. (27.9 x 19.4 cm)
From Karl Lorenz, ed., Die rote Erde,
2d ser., no. 1 (Hamburg: Adolf Harms
Verlag, 1922), p. 29
INSCRIPTION: numbered (383/450) on
justification page
PROVENANCE: Hartung & Karl, Munich,
13-16 November 1979, part of lot 5024
83- 1-973 h
2164
Untitled (three heads), c. 1921
Woodcut on wove paper
97/i6 x 6'/i6 in. (24.0 x 15.4 cm)
From Karl Lorenz, ed.. Die rote Erde,
2d ser. , no. 1 (Hamburg: Adolf Harms
Verlag, 1922), p. 31
INSCRIPTION: numbered (383/450) on
justification page
PROVENANCE: Hartung & Karl, Munich,
13- 16 November 1979, part of lot 5024
83.19731
2165
Untitled (seated nude with flowers),
c. 1921
Linoleum cut on wove paper
815/i6 x 4'%6 in. (22.7 x 12.3 cm)
From Karl Lorenz, ed., Die rote Erde,
2d ser., no. 1 (Hamburg: Adolf Harms
Verlag, 1922), p. 33
INSCRIPTION: numbered (383/450) on
justification page
PROVENANCE: Hartung & Karl, Munich,
13-16 November 1979, part of lot 5024
83- 1-973 J
2161
582
Optermann
2166
Untitled (nude woman and child),
c. 1921
Woodcut on wove paper
8V2 x 5n/i6 in. (21.6 x 14.5 cm)
From Karl Lorenz, ed., Die rote Erde,
2d ser. , no. 1 (Hamburg: Adolf Harms
Verlag, 1922), p. 35
inscription: numbered (383/450) on
justification page
PROVENANCE: Hartung & Karl, Munich,
13- 16 November 1979, part of lot 5024
83.1.973 k
2167
Untitled (sun shining on couple),
c. 1921
Woodcut on wove paper
93/i6 x 6"/i6 in. (23.4 x 17.0 cm)
From Karl Lorenz, ed., Die rote Erde,
2d ser., no. 1 (Hamburg: Adolf Harms
Verlag, 1922), p. 37
inscription: numbered (383/450) on
justification page
PROVENANCE: Hartung & Karl, Munich,
13-16 November 1979, part of lot 5024
83- 1-973 I
2168
Untitled (two nudes in landscape),
c. 1921
Woodcut on wove paper
8% x 5u/i6 in. (21.3 x 14.5 cm)
From Karl Lorenz, ed., Die rote Erde,
2d ser., no. 1 (Hamburg: Adolf Harms
Verlag, 1922), p. 39
INSCRIPTION: numbered (383/450) on
justification page
provenance: Hartung & Karl, Munich,
13-16 November 1979, part of lot 5024
83.1.973 m
2169
Untitled (mother and child), c. 1921 Woodcut on wove paper 613/i6 x 33/i6 in. (17.3x8.1 cm) From Georg Britting and Josef Achmann, eds., Die Sichel 1921 (Munich: Verlag die Sichel, 1921), p. 14 provenance: Ganymede Graphics, Berkeley; purchased in 1974 EXHIBITION: Reed under 302 83.1. 1638 f
2170
Das neue Hamburg, c. 1923
(The new Hamburg)
Woodcut on wove paper
n3/i6 x 77/i6 in. (28.4 x 18.9 cm)
From Karl Lorenz, ed. , Das neue
Hamburg (Hamburg: Gemeinschafts-
verlag Hamburgischer Kiinstler, 1923),
title page
INSCRIPTION: numbered (257/450) on
justification page
provenance: Arthur H. Minters, New
York; purchased in 1976
EXHIBITION: Reed under 322
83.1.160 a
2166
2168
2167
2169
Ophey
583
2173
2172
2171
Untitled (head in profile), c. 1923
Woodcut on wove paper
7V1 x 55/i6 in. (19. 1 x 13.5 cm)
From Karl Lorenz, ed., Das neue
Hamburg (Hamburg: Gemeinschafts-
verlag Hamburgischer Kiinstler, 1923),
p. 117
INSCRIPTION: numbered (257/450) on
justification page
provenance: Arthur H. Minters, New
York; purchased in 1976
exhibition: Reed under 322
83.1.160 r
2172
Untitled (standing man), c. 1923 Woodcut on wove paper 97/8X 5 in. (25.1 x 12.7 cm) From Karl Lorenz, ed.. Das neue Hamburg (Hamburg: Gemeinschafts- verlag Hamburgischer Kiinstler, 1923),
P- "9
inscription: numbered (257/450) on
justification page
PROVENANCE: Arthur H. Minters, New
York; purchased in 1976
exhibition: Reed under 322
83.1.160 s
2173
Untitled (house in landscape), c. 1923 Woodcut on wove paper 613/i6 x io7/s in. (17.3 x 27.6 cm) From Karl Lorenz, ed., Das neue Hamburg (Hamburg: Gemeinschafts- verlag Hamburgischer Kiinstler, 1923), p. 121
INSCRIPTION: numbered (257/450) on justification page
provenance: Arthur H. Minters, New York; purchased in 1976 exhibition: Reed under 322 83.1.160 t
2174
Latidschaft, c. 1921
(Landscape)
Woodcut on wove paper
5Vi6 x 7% in. (12.8 x 18.8 cm)
From Das Kunstfenster 1, no. 19
(1921): 7
PROVENANCE: Ars Libri, Boston;
purchased in 1978
83.1.1080 a
Walter Ophey
born 1882 Eupen, Belgium
died 1930 Diisseldorf
2174
584
Oppenheimer
Max Oppenheimer IMOPP)
born 1885 Vienna, Austria
died 1954
New York, New York
2175
Anatomie, 1912
(Anatomy)
Lithograph printed in brown on wove
paper
7I3/i6 x 713/i6 in. (19.9 x 19.8 cm)
From portfolio Sema (Munich:
Delphin-Verlag, 1912)
inscription: signed, l.r.; numbered
(101/215) on justification page
provenance: Karl & Faber, Munich,
26-28 May 1977, part of lot 1475
REFERENCE: possibly Osborn 9 (called
Pietd 1)
M.82.288.383J
2176
Siegesnachrichten, 1914
(Victory news)
Lithograph on wove paper
n'/i x n'/ie in. (28.5 x 28. 1 cm)
From Kriegszeit, no. 1 (1914): 4
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
REFERENCE: not in Osborn
EXHIBITION: Reed 281/177
83.1.1400 d
2177
Zehn Radierungen zu Gustav Flauberts Geschichte von Sankt Julian dem Gastfreien
(Ten etchings to Gustave Flaubert's "Legend of Saint Julian the Hospitable ')
Portfolio of 10 drypoints on laid paper Published by Bruno Cassirer Verlag, Berlin
inscription: each sheet signed, l.r.; numbered (5/30), 1.1. PROVENANCE: Hauswedell & Nolte, Hamburg, 29-30 April 1976, lot 102 reference: not in Osborn 83.1.163 a-]"
1. Untitled (title page), n.d. 5V2 x 4% in. (14.0 x 11.1 cm) 83.1. 163 j
2. Untitled (two figures in rowboat), n.d.
6 x 4V8 in. (15.2 x 10.5 cm) 83.1.163 a
2175
ZEfiN HAD! EH VNCEN Gvjtav Flav&lkt:
— <<
BRV/VO C4JJ/K£fi VCRL~AG BLRLIK
&\
2177-3
£b^v*lK ft---) Ssr^V- v ■jfv--* 3
2177-2
Oppenheimer
585
2177-5
2177-6
> i >2 ' "' 3^**^ f^r^s -35.
6s_
Trr; -.- "Vrili'^--rjrff''r^-*»a's"
2177-7
2177-9
2177-8
2177-10
3. Untitled (dead stag), rid. 2% x 37/8 in. (6.0 x 9.9 cm) 83.1.163 b
4. Untitled (stag hunt), n.d. 6 x 4% in. (15.2 x 12.0 cm) 83.1.163 c
5. Untitled (man in foliage), n.d. 415/i6 x 4 in. (12.6 x 10.2 cm) 83.1.163 d
6. Untitled (castle on hill), n.d. 29/i6 x 45/ie in. (6.5 x 10.9 cm) 83.1.1636
7. Untitled (group of dogs), n.d. 2% x 43/i6 in. (6. 1 x 10.7 cm) 83.1. 163 f
8. Untitled (two men floating over landscape), n.d.
5ls/i6 x 3% in. (15.0 x 9.5 cm) 83.1.163 g
9. Untitled (two men, one dying), n.d. 215/i6 x 39/i6 in. (7.5 x 9.0 cm)
83.1. 163 h
10. Untitled (falcon), n.d.
37/i6 x 215/i6 in. (8.8 x 7. 5 cm) 83.1.163 i
2178
Untitled (self-portrait), c. 1938
Drypoint on copperplate paper
5'/s x 3V6 in. (13.0 x 8.0 cm)
From deluxe edition of Max
Oppenheimer, Menschen finden ihren
Maler (Zurich: Verlag Oprecht, 1938),
frontispiece
INSCRIPTION: signed, l.r.; numbered
(18/80), 1.1.
PROVENANCE: unknown
83.1.496 a
2178
586
Orlik
EmilOrlik 2179
Am Felde, c. 1897
born 1870 Prague, (Near the field)
Bohemia Etching on laid paper
2% x s'/i in. (7.0 x 13.3 em)
died 1932 Berlin From Pan 3, no. 3 (1897): following 144
PROVENANCE: Kornfeld & Klipstein, Bern, 7-8 June 1978, part of lot 775 REFERENCE: Dennerlein 1673 83-1- 1355 b
2180
Kurzweil, c. 1897
(Pastime)
Etching on laid paper
2n/ie x 2lA in. (6.8 x 5.7 cm)
From Pan 3, no. 3 (1897): following 168
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
reference: Dennerlein 1684
83- 1- 1355 e
2181
Landschaft, c. 1897
(Landscape)
Etching on laid paper
27/i6 x 53/i6 in. (6.2 x 13.2 cm)
From Pan 3, no. 3 (1897): following 144
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
REFERENCE: Dennerlein 1672
83- 1- 1355C
2182
Wiirfler, c. 1897
(Dice players)
Etching on laid paper
21/m x 3% in. (5.3 x 8.6 cm)
From Pan 3, no. 3 (1897): following 168
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
reference: Dennerlein 1685
83-ii355e
2183
Wdscherinnen, c. 1898 (Washerwomen)
Etching and aquatint on laid paper 915/i6 x 12V8 in. (25.2 x 30.8 cm) From seventh portfolio of Verein fur Original-Radierung (Munich: Verein fur Original-Radierung, 1898) provenance: L'Art Ancien, Zurich; purchased in 1974 83.1. 159 f
2184
Untitled (title-page vignette), c. 1898 Etching on laid paper 215/i6 x i7/s in. (7.5 x 4.7 cm) From seventh portfolio of Verein fur Original-Radierung (Munich: Verein fur Original-Radierung, 1898) provenance: L'Art Ancien, Zurich; purchased in 1974 83-1- 159 1
2180
2181
2184
2183
Orlik
587
2185
2187
2185
Edinburgh, c. i8gg Lithograph printed in dark green, light green, black, and ocher on laid paper 415/i6 x 8V8 in. (12.6 x 20.7 cm) From Pan 5, no. 2 (1899): following 78 provenance: Kornfeld & Klipstein, Bern, 7-8 June 1978, part of lot 775 reference: Dennerlein 2415 83.1. 1358 e
2186
Untitled (figure in garden), c. 1902
Woodcut printed in black and orange on
laid paper
5% x 5V4 in. (14.3 x 13.0 cm)
From Wiener Secession: Katalog der
vierzehnten Ausstellung der Vereini-
gung hildender Kiinstler Osterreichs,
exh. cat. (Vienna: Wiener Secession,
1902), p. 28
provenance: Hartung & Karl, Munich,
28-29 May 1974, part of lot 2031
EXHIBITION: Reed under 241/1
83.1.610 d
2187
Untitled (mountain landscape), c. 1902
Woodcut printed in black and orange on
laid paper
5V2 x 53/i6 in. (14.0 x 13.2 cm)
From Wiener Secession: Katalog der
vierzehnten Ausstellung der Vereini-
gung hildender Kiinstler Osterreichs,
exh. cat. (Vienna: Wiener Secession,
1902), p. 65
PROVENANCE: Hartung & Karl, Munich,
28-29 May 1974, part of lot 2031
EXHIBITION: Reed under 241/1
83.1.610 m
2188
Untitled (woman carrying sticks),
c. 1903
Woodcut printed in black, blue-green,
and orange on japan paper
59/i6 x 49/i6 in. (14. 1x11.6 cm)
From Knnst und Kiinstler 2, no. 1
(1903): 33
provenance: Ars Libri, Boston;
purchased in 1982
83.1.1222 a
2189
Treppenhaus am Quai Voltaire, c. 1917
(Stairwell on the Quai Voltaire)
Drypoint and soft-ground etching on
laid paper
8'/s x 5 Vie in. (20.7 x 12.8 cm)
From Zeitschrift fur hildende Kunst,
n.s., 29, no. 7 (1917-18): following 146
provenance: Galerie Gerda Bassenge,
Berlin, 15 May 1976, part of lot 4364
83.1.968 c
2189
588
Orlik
2190
Emiljannings ah Rodrigo in der
"Riichse der Pandora" 1918
(Emil Jannings as Rodrigo in Pandora's
Box)
Lithograph on laid paper
815/i6 x 6'/i6 in. (2Z.7 x 15.4 cm)
From Dasjunge Deutschland 1, no.
11/12 (1918): before 355
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
83.1.1620 b
2191
Frank Wedekind, 1918
Lithograph on laid paper
69/i6 x 49/i6 in. (16.6 x 11.6 cm)
From Dasjunge Deutschland 1, no. 5
(1918): following 354
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
83.1.1615 a
2192
Werner Krauss als Schigolch in der "Biichse der Pandora," 1918 (Werner Krauss as Schigolch in Pandora's Box) Lithograph on laid paper 8% x 57/i6 in. (21.2 x 13.8 cm) From Dasjunge Deutschland 1, no. 11/12 (1918)
provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 83.1.1620 a
2193
Kokoschkaauf der Probe, 1919 (Kokoschka rehearsing) Lithograph on wove paper 8'/4 x 6"/i6 in. (21.0 x 17.0 cm) From Dasjunge Deutschland 2, no. 6
(1919)
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
EXHIBITION: Chipp 159
83.1.1625 a
2194
Himmel und Holle, 1920
(Heaven and hell)
Lithograph on wove paper
8lA x 5% in. (21.0 x 14.6 cm)
From Das junge Deutschland 3, no. 2/3
(1920)
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
83.1.1633 a
2195
Bildnis des Verfassers, c. 1925
(Portrait of the author)
Lithograph on wove paper
6'/4 x 413/i6 in. (15.9 x 12.2 cm)
From Rom Landau, Der unbestechliche
Minos (Hamburg: Harder Verlag, 1925),
frontispiece
provenance: B. & L. Rootenberg,
Sherman Oaks, California; purchased in
1975 83.1.422 a
2190
2191
OrLii,
2192
2193
2194
Orlowski
589
2196-1
2196-2
2196
Die Cholera in Paris
(Cholera in Paris)
Book with 3 woodcuts on wove paper,
plus initial by Friedrich Dobe
Illustrations to text by Heinrich Heine
(Berlin: Verlag August Kuhn-Foelix,
1923); edition of 50
INSCRIPTION: each sheet signed, l.r.;
signed, dated, and inscribed by
publisher on first page
provenance: Galerie Gerda Bassenge,
Berlin, 10-15 May 197^> lot 4689
REFERENCE: Schwarzenberger 159-61
83.1.164 b-d
1. Der todgezeichnete Harlekin, 1923 (The harlequin marked by death) 8%6 x 53/i6 in. (20.8 x 13.2 cm) Page 7
reference: Schwarzenberger 159 83.1.164 b
2. Eineute der Chiffoniers, 1923 (Uprising of the ragpickers) 83/i6 x 53/i6 in. (20.8 x 13.2 cm) Page 11
REFERENCE: Schwarzenberger 160 83.1.164 c
3. Totenemeute, 1923 (Uprising of the dead)
8'/s x 53/ie in. (20.6 x 13.2 cm) Page 16
REFERENCE: Schwarzenberger 161 83.1.164 d
Hans Orlowski
born 1894 Insterburg
died 1967 Berlin
590
Pankok
Bernhard Pankok
born 1872 Munster died 1943 Stuttgart
2197
Kirche, 1895
(Church)
Mezzotint printed in brown on laid
paper
6n/i6 x 4V2 in. (17.0 x 11.5 cm)
From Pan 2, no. 3 (1896): following 220
PROVENANCE: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
REFERENCE: Dennerlein 1115
83-ii353f
2198
Landschaft—Schabkumtblatt, 1897
(Landscape— mezzotint)
Mezzotint printed in brown on laid
paper
95/i6 x 12% in. (23.7 x 31.5 cm)
From seventh portfolio of Verein fur
Original-Radierung (Munich: Verein fur
Original-Radierung, 1898)
PROVENANCE: L'Art Ancien, Zurich;
purchased in 1974
83-1- 159 e
Otto Pankok 2199
Untitled (abstract composition), 1919 born 1893 Lithograph on brown oatmeal paper
Miihlheim an der 12 x 10V2 in. (30.5 x 26.7 cm)
Ruhr From portfolio Das Buch Eins des
Aktivisten Bundes, 1919 (Diisseldorf: died 1966 Wesel Eigener Verlag, 1920)
inscription: signed and dated, l.r.
PROVENANCE: Ars Libri, Boston;
purchased in 1981
83.1.670 e
2200
Untitled (head), 1919 Lithograph on wove paper 10% x 7 in. (26.4 x 17.8 cm) From portfolio Das Buch Eins des Aktivisten Bundes, 1919 (Diisseldorf: Eigener Verlag, 1920) INSCRIPTION: signed and dated, l.r. provenance: Ars Libri, Boston; purchased in 1981 83. 1.670 f
2198
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wm
2203
2204
Pape
2201
Das Buck Zwei des Aktivisten Bundes,
lgig, Diisseldorf, c 1920
(Book two of the Aktivisten Bund, 1919,
Diisseldorf)
Woodcut on rose cover stock
7% x 515/i6 in. (19.7 x 15.0 cm)
From Gert Wollheim, ed., Das Buch
Zwei des Aktivisten Bundes, 2919,
Dusse/dor/(Diisseldorf Druckhaus
Diisseldorf, [1920]), cover
provenance: Kornfeld & Klipstein,
Bern, 11 June 1977, part of lot 492
83.1.249 a
2202
Kellner, c. 1920
(Waiter)
Woodcut on wove paper
7I3/i6X 515/i6 in. (19.9 x 15.0 cm)
From Gert Wollheim, ed., Das Buch
Zwei des Aktivisten Bundes, lgig,
Diisseldorf (Diisseldorf: Druckhaus
Diisseldorf, [1920])
provenance: Kornfeld & Klipstein,
Bern, 11 June 1977, part of lot 492
83.1.249 b
2203
Kunstreklame, e. 1920
(Art promotion)
Woodcut on rose cover stock
77/s x 57/8 in. (20.0 x 14.9 cm)
From Gert Wollheim, ed.. Das Buch
Zwei des Aktivisten Bundes, 1919,
Dusse/(forf(Dusseldorf: Druckhaus
Diisseldorf, [1920]), back cover
provenance: Kornfeld & Klipstein,
Bern, 11 June 1977, part of lot 492
83. 1.249 i
2204
Untitled (head), c. 1920
Woodcut on wove paper
6'/s x 3n/i6 in. (15.6 x 9.3 cm)
From Gert Wollheim, ed., Das Buch
Zwei des Aktivisten Bundes, lgig,
Diisseldorf (Diisseldorf Druckhaus
Diisseldorf, [1920]); this attribution is
conjectural because the artist is not
identified
provenance: Kornfeld & Klipstein,
Bern, 11 June 1977, part of lot 492
83. 1.249 f
591
2205
Mutter, c. 1924
(Mother)
Woodcut on wove paper
65/i6 x 4V2 in. (16.0 x 11.4 cm)
From Karl Dietz, ed., Scluvarzer Greif:
Ein Almanack aufdasjakr 1925
(Rudolfstadt: Greifenverlag, 1925),
p. 111
provenance: unknown
83.1.549 n
Hans Pape
born 1894 Hamburg
2205
592
Paresce
Rene Herbert Paresce
born 1886 Switzerland
Rudolf Paris
Lisa Pasedag
2206
Untitled (terrace), c. 1923
Woodcut on wove paper
515/i6 x 4 in. (15.0 x 10. 1 cm)
From Da* Querschnittbuch 1923, intro.
by H. von Wedderkop (Frankfurt am
Main: Querschnitt-Verlag, 1923), p. 109
inscription: numbered (86/400), p. iv
provenance: Ex Libris, New York,
purchased in 1982
83.1.517 d
2207
Untitled (abstract composition), c. 1923 Lithograph printed in brownish gray and black on wove paper 813/i6 x 813/i6 in. (22.4 x 22.4 cm) From Staatliches Bauhaus in Weimar, 1919-1923 (Weimar and Munich: Bauhausverlag, 1923), p. 67; from German edition of 2,000 (total edition of 2,600)
provenance: Galerie Gerda Bassenge, Berlin, 13-18 May 1974, part of lot 3956 83.1.41 c
2208
Die Revolution marschiert, c 1918
(The revolution marches)
Woodcut on wove paper
4% x 213/i6 in. (12.0 x 7. 1 cm)
From Die Aktion 8, no. 47/48 (1918):
638; not identified as an original
woodcut
PROVENANCE: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1543 a
2209
Portrait c. 1919
(Portrait)
Woodcut on wove paper
4^16 x 2% in. (12.5 x 6.7 cm)
From Die Aktion 9, no. 14/15 (1919):
215
provenance: Ars Libri, Boston;
purchased in 1982
83.1.1551a
Hermann Paul 2210
Spielendes Meerweib, c. 1898 born 1874 Paris, (Mermaid playing)
France Woodcut and lithograph printed in
blue, red, and yellow on laid paper died 1940 Paris, n7/ie x 8 in. (29.0 x 20.3 cm)
France)?) From Pan 3, no. 4 (1898): following 252
provenance: Kornfeld & Klipstein, Bern, 7-8 June 1978, part of lot 775 reference: Dennerlein 1853 831- 1355-1
2207
2206
2208
2210
Pechstein
593
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2213
2212
2211
Venezianisc/ier Palast, c. 1914 (Venetian palace) Etching on laid paper 8'/2 x 11V2 in. (21.6 x 2g.2 cm) From Zeitschrift fur bildende Kunst, n.s., 25, no. 2 (1914): following 56 provenance: Galerie Gerda Bassenge, Berlin, 15 May 1976, part of lot 4364 83.1.967 b
Ingwer Paulsen
born 1883 Ellerbek
2212
Unsere Frau, 1907
(Our lady)
Woodcut printed in dark green on
heavy wove paper
9 x 47/8 in. (22.8 x 12.4 cm)
From portfolio Die Briicke 111 (1908),
P'- 3
inscription: signed, l.r.; dated (by another hand), 1.1. provenance: duplicate from Kunsthalle, Bremen (stamp, 1.1.); Kunsthandel Wolfgang Werner, Bremen; purchased in 1982 REFERENCE: Fechter 33; Bolliger and Kornfeld 12 M. 82. 287.97
2213
Frau aufdem Sofa, 1908
(Woman on a sofa)
Etching and aquatint on heavy wove
paper
f/z x 7% in. (19.9 x 19.9 cm)
One of two known impressions
inscription: signed and dated (1910), l.r
provenance: Galerie Evelyn Hagen-
beck, Hamburg; purchased in 1973
REFERENCE: Fechter 12
exhibition: Reed 142
According to Max K. Pechstein (letter,
28 May 1982), the print is incorrectly
dated 1910 and was titled Sitzetide by
Fechter
M. 82.288. 250
2214
Artistin, 1910 (Performer)
Woodcut on wove paper 6"/i6 x 5V2 in. (17.0 x 14.0 cm) From KG Briicke, catalogue of exhibi- tion at Galerie Arnold, Dresden, 1910 (Dresden: Heinrich Niescher, [1910]) provenance: Hauswedell & Nolte, Hamburg, 8-10 June 1972, part of lot 240
reference: not in Fechter; Bolliger and Kornfeld 41/11 exhibition: Reed 243/11 M. 82.288.374 k
Max Pechstein
born 1881 Zwickau died 1955 Berlin
594
Pechstein
2215
Badende, lgio (Bathers)
Woodcut on wove paper 47/ie x 6n/i6 in. (11.2 x 17.0 cm) From KG Briicke, catalogue of exhibi- tion at Galerie Arnold, Dresden, 1910 (Dresden: Heinrich Niescher, [1910]) provenance: Hauswedell & Nolte, Hamburg, 8- 10 June 1972, part of lot 240
reference: not in Fechter; Bolliger and Kornfeld 41/12 EXHIBITION: Reed 243/12 M. 82.288.374 1
2216
Postkarte: Zirkus Pferd, 1910
(Postcard: Circus horse)
Watercolor on card
37/i6 x 5 '/a in. (8.8 x 13.9 cm)
provenance: Heritage Gallery, Los
Angeles; purchased in 1972
EXHIBITION: Reed 141
Postcard sent in 1910 Irom Pechstein in
Wilmersdorf/Berlin to Rosa Schapire in
Hamburg
M. 82. 288. 354
2217
Sitzender Mann, 1910 (Seated man) Woodcut on wove paper 6"/i6 x 45/i6 in. (17.0 x 11.0 cm) From KG Briicke, catalogue of exhibi- tion at Galerie Arnold, Dresden, 1910 (Dresden: Heinrich Niescher, [1910]) provenance: Hauswedell & Nolte, Hamburg, 8-10 June 1972, part of lot 240
reference: not in Fechter; Bolliger and Kornfeld 41/5 EXHIBITION: Reed 243/5 M. 82.288.374 e
2218
Erlegung des Festbratens, 1911
(Killing of the banquet roast)
Woodcut with orange, yellow, and
green watercolor on newsprint
8% x io'/i in. (22.5 x 26.0 cm)
Proof apart from edition in Der Sturm
2, no. 93 (1912): 739; the center also has
an impression from the published
edition
inscription: signed and dated, l.r
provenance: Virginia Lust Gallery,
New York; purchased in 1979
reference: not in Fechter
M. 82. 287. 57
i kA_i
2216
2218
■ BlUWEMBKELi
Pechstein
595
2219
2221
iBRUCKEToiil
EHecW
2219
Fischerkopfy, 1911
(Head of a fisherman 7)
Woodcut on heavy wove paper
11% x g'/2 in. (29.0 x 24. 1 cm)
From portfolio Die Briicke vn (1912),
P>- 3
inscription: signed and dated, l.r.;
inscribed "11," 1.1.
provenance: Kunsthandel Wolfgang
Werner, Bremen; acquired by exchange
in ig82
REFERENCE: Fechter 79; Bolliger and
Kornfeld 28
M. 82.288.373
2220
Knieender Akt mit Schale, 1911
(Kneeling nude with bowl)
Woodcut on blue wove paper
I4n/i6 x 12 in. (37.3 x 30.4 cm)
From portfolio Die Briicke vi (1911),
cover
provenance: Carus Gallery, New York;
purchased in 1972
reference: not in Fechter; Bolliger
and Kornfeld 21
exhibition: Reed 58; Barton 36
M. 82. 288. 370 a
2221
Akrobaten 3, 1912
(Acrobats 3)
Woodcut with pink and green
watercolor on simili-japan paper
87/i6 x 10% in. (21.5 x 27.0 cm)
From portfolio Die Schaffenden 1, no. 1
(Weimar: Gustav Kiepenheuer Verlag,
1919); from edition of 25 on japan paper
(total edition of 125)
INSCRIPTION: signed, l.r.; publisher's
blind stamp, 1.1.
PROVENANCE: Stefan Lennert, Munich;
purchased in 1974
REFERENCE: Fechter 89; Jahn and
Berger 6
exhibition: Reed 146; Barton 37
M. 82. 288. 245
2222
Badende, 1912
(Bathers)
Woodcut with green and ocher
watercolor on wove paper
713/i6 x 813/i6 in. (19.8 x 22.4 cm)
From Der Sturm 2, no. g4 (1912): 747
provenance: Ex Libris, New York;
purchased in 1982
reference: Fechter 108 a
8.3- 1- 1390- 16
2220
596
Pechstein
2223
Landschaft, 1912
(Landscape)
Woodcut on thin pink wove paper
4'/i x 53/i6 in. (10.8 x 13. 1 cm)
From Ausstellung von KG Briiche, exh.
cat. (Berlin: Galerie Fritz Gurlitt, 1912);
the center has two impressions
PROVENANCE: Kornfeld & Klipstein,
Bern, 15- 17 June 1972, part of lot 113
REFERENCE: not in Fechter; Bolliger
and Kornfeld 43/6
EXHIBITION: Reed 245/7
M. 82. 288.375 g
2224
Russisches Ballet 1, 1912
(Russian ballet 1)
Etching and aquatint on heavy wove
paper
n13/i6 x g13/i6 in. (30.0 x 25.0 cm)
From portfolio Die Briicke VII (1912),
pi. 1
inscription: signed and dated, l.r.;
inscribed "11," 1.1.
PROVENANCE: Kunsthandel Wolfgang
Werner, Bremen; acquired by exchange
in 1982
reference: Fechter 65; Bolliger and
Kornfeld 26
M. 82.288.371
2225
Schwermut, 1912
(Melancholy)
Woodcut on thin pink wove paper
5% x 4% in. (13.3 x 1 1. 1 cm)
From Ausstellung von KG Briicke, exh.
cat. (Berlin: Galerie Fritz Gurlitt, 1912);
the center has two impressions
provenance: Kornfeld & Klipstein,
Bern, 15-17 June 1972, part of lot 1 13
REFERENCE: not in Fechter; Bolliger
and Kornfeld 43/7
exhibition: Reed 245/8
M. 82.288.375 h
2226
Tanzende und Badende am Waldteich,
1912
(Dancers and bathers at a forest pond)
Lithograph with blue and green
watercolor on heavy wove paper
i7'/i6 x I213/i6 in. (43.3 x 32.5 cm)
From portfolio Die Briicke vn (1912),
pi. 2
inscription: signed and dated, l.r.;
inscribed "15," 1.1.
provenance: Kunsthandel Wolfgang
Werner, Bremen; acquired by exchange
in 1982
REFERENCE: not in Fechter; Bolliger
and Kornfeld 27
M. 82.288.372
2223
2225
2226
2227
Pechstein
597
2228-1
2228-3
+**
2228-7
2228-9
2228-2
2228-4
2228-6
2228-8
2227
lm Schatten, 1913
(In the shadows)
Lithograph on thin wove paper
20% x i213/i6 in. (51.8 x 32.5 cm)
inscription: initialed and dated, l.r.;
titled. 1.1.
PROVENANCE: Galerie Nierendorf,
Berlin: purchased in 1983
REFERENCE: Fechter 146
L.84.5. 18; lent by the Robert Gore
Rif kind Foundation, Beverly Hills,
California
2228
Reisebilder: Italien, Siidsee (Travel pictures: Italy, South Seas) Book with 50 lithographs on wove paper Picture book published by Paul Cassirer, Berlin, 1919 inscription: signed and numbered (479/800) on justification page provenance: Hans Bolliger, Zurich; purchased in 1972 reference: not in Fechter exhibition: Reed 150 83.1.165.1-50
1. Untitled (landscape with church),
1913-14
55/i6 x 813/i6 in. (13.5 x 22.4 cm)
Plate 1
83.1.165.1
2. Untitled (lake with steamer),
1913-M
yVt x 7% in. (18.4 x 19.7 cm)
Plate 2
83.1.165.2
3. Untitled (fishermen on beach),
1913-M
69/w x 8u/i6 in. (16.7 x 22. 1 cm)
Plate 3
83.1.165.3
4. Untitled (fishermen with nets),
1913-M
5u/i6 x 8ls/i6 in. (14.5 x 22.7 cm)
Plate 4
83.1.165.4
5. Untitled (boats on beach), 1913-14 7V16 x io3/i6 in. (18.0 x 25.9 cm) Plate 5
83.1.165.5
6. Untitled (sailboat), 1913-14 715/i6 x 53/i6 in. (20.2 x 13.2 cm) Plate 6
83.1.165.6
7. Untitled (village and sailboats),
1913-M
5V16 x 7% in. (12.9 x 19.3 cm)
Plate 7
83.1.165.7
8. Untitled (sailboats and aqueduct),
1913-M
4n/i6 x 7"/i6 in. (11.9 x 19.5 cm)
Plate 8
83.1.165.8
9. Untitled (man in rowboat),
1913-14
5V2 x 8V4 in. (13.9 x 21.0 cm)
Plate 9
83.1.165.9
598
Pechstein
2228 [continued)
10. Untitled (men in boat), 1913-14 8% x 6V2 in. (21.3 x 16.5 cm) Plate 10
83.1.165.10
11. Untitled (trawling), 1913-14 3V8 x jVt in. (8.0 x 18.4 cm) Plate 11
83.1.165.11
12. Untitled (fishermen casting),
1913-M
7'/i6 x 53/s in. (17.9 x 13.7 cm)
Plate 12
83.1.165.12
13. Untitled (boats on village beach),
191.3-M
5V2 x 7% in. (14.0 x 19.3 cm)
Plate 13
83.1.165.13
14. Untitled (men hauling boat),
1913-14
513/i6 x io'/i6 in. (14.7 x 25.6 cm)
Plate 14
83.1.165.14
15. Untitled (boat hauled ashore),
1913-M
5"/i6 x 83/i6 in. (14.5 x 20.8 cm)
Plate 15
83.1.165.15
16. Untitled (men rowing), 1913—14 9'/s x 71/4 in. (23.2 x 18.4 cm) Plate 16
83.1.165.16
17. Untitled (rowboat in waves),
1913-M
3% x 55/s in. (8.6 x 14.3 cm)
Plate 17
83.1.165.17
18. Untitled (sailboat in waves),
1913-M
65/i6 x jVa in. (16.0 x 18.4 cm)
Plate 18
83.1.165.18
19. Untitled (boat hauled ashore),
1913-M
315/i6 x 77/i6 in. (10.0 x 18.9 cm)
Plate 19
83.1.165.19
2228-12
2228 11
2228-13
—==--*— ^JL=,
&P*
'& ~\}&(. Y^^ W*"*^5^*
2228-17
2228-16
^«.W
Pechstein
2228-20
2228-22
■©,
M £L=
2228-24
599
2228-21
2228-23
2228-25
2228-26
20. Untitled (sailboat hauled ashore),
1913-M
57/8 x 83/s in. (14.9 x 21.3 cm)
Plate 20
83.1.165.20
21. Untitled (five fishermen), 1913-14 7%6 x 9 in. (18.2 x 22.8 cm)
Plate 21 83.1.165.21
22. Untitled (five fishermen), 1913-14 77/8 x g'/2 in. (20.0 x 24. 1 cm)
Plate 22 83.1.165.22
23. Untitled (women carrying water),
1913-M
73/i6 x g5/8 in. (18.2 x 24.4 cm)
Plate 23
83.1.165.23
24. Untitled (game of pelota), 1913-14 6% x io'/i in. (16.2 x 26.0 cm) Plate 24
83.1.165.24
25. Untitled (card game), 1913-14 413/i6 x 7V2 in. (12.2 x 19.0 cm) Plate 25
83.1.165.25
26. Untitled (boats on beach), 1913-14 4% x 7% in. (11.1 x 19.7 cm)
Plate 26 83.1. 165.26
27. Untitled (boats near aqueduct),
1913-14
59/i6 x 8 in. (14. 1 x 20.3 cm)
Plate 27
83.1.165.27
28. Untitled (men hauling boat),
1913-M
5% x gVi in. (14.6 x 23.5 cm)
Plate 28
83.1.165.28
29. Untitled (sun shining through clouds), 1913-14
6'/s x 8 in. (155 x 20.3 cm)
Plate 29
83.1.165.29
2228-27
2228-28
600
Pechstein
2228 (continued)
30. Untitled (men climbing mast),
1913-14
io7/i6 x 77/i6 in. (26.5 x 18.9 cm)
Plate 30
83.1.165.30
31. Untitled (catamaran), 1913-14 6'/2x7%in. (16.5 x 18.8 cm) Plate 31
83.1.165.31
32. Untitled (natives under palm trees), 1913-14
71/2 x 83/i6 in. (19.0 x 20.8 cm)
Plate 32
83.1.165.32
33. Untitled (two natives), 1913-14 7V2 x 63/i6 in. (19.0 x 15.7 cm) Plate 33
83.1.165.33
34. Untitled (two native women),
1913-M
6% x 65/8 in. (16.2 x 16.9 cm)
Plate 34
83.1.165.34
35. Untitled (hut under palm trees),
1913-M
81/-! x 6V16 in. (21.0 x 16.4 cm)
Plate 35
83- 1-165-35
36. Untitled (two native women and child), 1913-14
■jVi x 5n/i6 in. (18.4 x 14.5 cm)
Plate 36
83.1.165.36
37. Untitled (five native women),
1913-M
6I3/i6 x 97/ie in. (17.3 x 24.0 cm)
Plate 37
83- 1-165-37
38. Untitled (group of natives around hut), 1913-14
5% x 6V2 in. (13.7 x 16.5 cm)
Plate 38
83.1.165.38
39. Untitled (four native women),
1913-M
5% x 7V16 in. (14.6 x 18.0 cm)
Plate 39
83.1.165.39
40. Untitled (women gathering),
1913-M
7I5/ie x 79/i6 in. (20.2 x 19.2 cm)
Plate 40
83.1.165.40
"x&ll'i/'/l
if \^
\
2228-30
-'^■, *
2228-32
^f
2228-34
Mpg*^
W
f
2228-38
2228-37
Pechstein
601
2228-40
2228-42
2228-44
2228-46
2228-48
2228-41
2228-43
Jim
2228-45
2228-47
2228-49
- «m£ k
41. Untitled (village), 1913-14 7% x 8 in. (20.0 x 20.4 cm) Plate 41
83.1.165.41
42. Untitled (native family on boat),
1913-M
8% x 5ls/i6 in. (22.2 x 15.0 em)
Plate 42
83.1.165.42
43. Untitled (natives in canoes),
1913-M
4% x 73/i6 in. (12.0 x 18.3 cm)
Plate 43
83.1.165.43
44. Untitled (three native women),
1913-M
69/i6 x 5%6 in. (16.7 x 13.5 cm)
Plate 44
83.1.165.44
45. Untitled (two natives with animals),
1913-M
8V2 x 73/i6 in. (21.6 x 18.3 cm)
Plate 45
83.1.165.45
46. Untitled (seated native), 1913-14 8'/4 x 65/s in. (20.9 x 16.8 cm) Plate 46
83.1.165.46
47. Untitled (bathing women), 1913-14 87/ie x 8 in. (21.4 x 20.3 cm)
Plate 47 83.1.165.47
48. Untitled (two natives and boat),
1913-M
7% x 67/8 in. (19.7 x 17.5 cm)
Plate 48
83.1.165.48
49. Untitled (four seated women),
1913-M
43/4 x 6% in. (12.0 x 16.8 cm)
Plate 49
83- 1- 16549
50. Untitled (six natives with boat),
1913-M
4% x 8 in. (12. 1 x 20.4 cm)
Plate 50
83.1.165.50
2228-50
602
Pechstein
2229
Eibedul, 1917
Woodcut with orange watercolor on
japan paper
9n/i6 x 7I5/i6 in. (24.6 x 20.2 cm)
From portfolio Kopfe (Berlin: Fritz
Gurlitt Verlag, 1919); from edition of 4
on japan paper (total edition of 14)
INSCRIPTION: initialed and dated
(1918), l.r.
provenance: Galerie Nierendorf,
Berlin; purchased in 1975
REFERENCE: Fechter 121
EXHIBITION: Reed 147; Chipp 106
The information in Chipp has been
corrected by Max K. Pechstein (letter,
28 May 1982), who identifies Eibedul as
a prince in the South Seas
M. 82. 288.246
2230
Exotische Kopfe
(Exotic heads)
Portfolio of 6 woodcuts on green laid
paper watermarked with tower and
flower
Published by Fritz Gurlitt Verlag,
Berlin, igig
INSCRIPTION: each sheet signed and
dated, l.r.; numbered (1/14) and signed
by publisher on justification page
provenance: gift of Elmar Seibel, 1986
reference: Fechter 131-36 (as 1918)
L.86. 1.38 a-f; lent by the Robert Gore
Rifkind Collection, Beverly Hills,
California
1. Exotische Kopfe 1, 1917 (Exotic heads 1)
n9/i6 x 813/ie in. (29.3 x 22.4 cm) REFERENCE: Fechter 131 L.86. 1.38 a
2. Exotische Kopfe 2, 1917 (Exotic heads 2)
n9/i6 x 815/i6 in. (29.4 x 22.7 cm) REFERENCE: Fechter 132 L.86.i.38b
3. Exotische Kopfe 3, 1917 (Exotic heads 3)
i2'/8 x 87/8 in. (30.8 x 22.5 cm) REFERENCE: Fechter 133 L.86. 1.38 c
4. Exotische Kopfe 4, 1917 (Exotic heads 4)
n9/i6 x 9 in. (29.4 x 22.9 cm) REFERENCE: Fechter 134 L.86. 1.38 d
5. Exotische Kopfe 5, 191 7 (Exotic heads 5)
li'/a x 87/i6 in. (29.2 x 21.4 cm) REFERENCE: Fechter 135 L.86. 1.38 e
6. Exotische Kopfe 6, 1917 (Exotic heads 6)
n9/^ x 8% in. (29.4 x 21.9 cm) REFERENCE: Fechter 136 L.86. 1.38 f
2230-1
2230-2
2230-3
2230-4
2230-6
Pechstein
603
2231
sGS^y*^
®&J
2233-2
2233-1
' / %
2233-4
2233-3
2231
Graphikhandel I Beim Steindrucker,
191/
(Print dealer / At the lithographer's) Lithograph on wove paper 49/i6 x 6'/i in. (11.6 x 15.8 cm) From deluxe edition oiMarsyas, no. 2 (1917): 173; total edition of 235 inscription: signed, l.r.'j numbered (xxvn/xxxv) on justification page provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 REFERENCE: not in Fechter EXHIBITION: Reed under 288 83.1.1662 jj
2232
Lesende auf der Parkbank, 1917 (Readers on the park bench) Lithograph on wove paper 4 Vie x 6% in. (10.4 x 16.2 cm) From deluxe edition olMarsyas, no. 4 (1918): 75; total edition of 235 INSCRIPTION: signed, l.r.; numbered (xxvn/xxxv) on justification page provenance: Kunstgalerie Esslingen, Esslingen: purchased in 1974 REFERENCE: not in Fechter EXHIBITION: Reed under 288 83. 1.1664 bf>
2233
Die samldndische Ode
(The Samland ode) Book with 6 full-page and 9 vignette lithographs on Van Gelder paper Illustrations to poem by Heinrich Lautensack (Berlin: Fritz Gurlitt Verlag, 1918); total edition of 130 inscription: each sheet initialed; signed and dated on frontispiece: signed and numbered (ix/xxx) on justification page
provenance: Sotheby's, London, 14 December 1978, lot 230 reference: not in Fechter 83.1.166 a-o
1. Untitled (four nude women on beach), 1917
i313/i6 x 12 in. (35. 1 x 30.5 cm)
Frontispiece
83.1.166 a
2. Untitled (nude woman crouching on sand), 1917
6% x 11% in. (17.5 x 29.8 cm) Page 1 83.1.166 b /
3. Untitled (nude woman reclining on shore), 1917
i49/i6 x I313/i6 in. (37.0 x 35. 1 cm) Page 3 83.1.166 c
4. Untitled (nude woman reclining in hills), 1917
12% x n9/i6 in. (32.4 x 29.3 cm) Following page 12 83.1. 166 g
604
Pechstein
2233 (continued)
5. Untitled (two nudes reclining on shore), 1917
I213/i6 x 11% in. (32.6 x 28.9 cm) Following page 32 83.1.166 n
6. Untitled (nudes frolicking in sea), 1917
13 x 12% in. (33.0 x 31.5 cm) Following page 38 83.1.166 o
2234
Bildnis Dr. Freundlich, 1918 (Portrait of Dr. Freundlich) Woodcut on heavy gray copperplate paper
14VS x g'/i in. (35.9 x 23.5 cm) Possibly proof apart from portfolio Holzschnitte 1919 (Berlin: Fritz Gurlitt Verlag, 1920) INSCRIPTION: signed, l.r. PROVENANCE: Hanna Bekker vom Rath, Frankfurt; Murel and Sig Wenger, San Francisco and La Jolla, California; Wenger Gallery, La Jolla, California; purchased in 1973 REFERENCE: Fechter 142 EXHIRITION: Reed 148; Barton 38 M. 82. 288. 247
2235
Heidenstamm 1, 1918
(Heathen tribe 1)
Drypoint and roulette on japan paper
8l5/i6 x 65/8 in. (22.7 x 16.8 cm)
First state; from deluxe edition of
Marsyas, no. 4 (1918); the issue also
contains impressions from the second
state (signed, l.r.) and the published
state (p. 37); total edition of 235 in the
published state
INSCRIPTION: numbered (xxvil/xxxv) on
justification page
PROVENANCE: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
REFERENCE: Fechter 84 1
EXHIBITION: Reed under 288
83.1.1664 p
2236
Heidenstamm 2, 1918
(Heathen tribe 2)
Drypoint and roulette on japan paper
87/» x 69/i6 in. (22.5 x 16.6 cm)
First state; from deluxe edition of
Marsyas, no. 4 (1918); the issue also
contains impressions from the second
state (signed, l.r.) and the published
state (p. 41); total edition of 235 in the
published state
inscription: numbered (xxvu/xxxv) on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
REFERENCE: Fechter 85 I
exhibition: Reed under 288
83.1.1664 s
2233-5
2233-6
2235
2234
2236
Pechstein
605
2238
2240
2237
Heidenstamm 3, 1918
(Heathen tribe 3)
Drypoint and roulette on japan paper
87/s x 6% in. (22.5 x 16.8 cm)
First state; from deluxe edition of
Marsyas, no. 4 (1918); the issue also
contains impressions from the second
state (signed, l.r.) and the published
state (p. 51); total edition of 235 in the
published state
inscription: numbered (xxvn/xxxv) on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
REFERENCE: Fechter 86 1
EXHIBITION: Reed under 288
83.1.1664 v
2238
Heidenstamm 4, 1918
(Heathen tribe 4)
Drypoint and roulette on japan paper
813/ie x 6V2 in. (22.4 x 16.5 cm)
First state; from deluxe edition of
Marsyas, no. 4 (1918); the issue also
contains impressions from the second
state (signed, l.r.) and the published
state (p. 55); total edition of 235 in the
published state
inscription: numbered (xxvu/xxxv) on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
REFERENCE: Fechter 87 I
EXHIBITION: Reed under 288
83.1. 1664 y
2239
Kopf, 1918
(Head)
Woodcut on gray laid paper
3'/8 x 315/i6 in. (8.0 x 10.0 cm)
From deluxe edition of Fritz Gurlitt,
ed., Almanack aufdasjahr 1920
(Berlin: Fritz Gurlitt Verlag, 1920),
following p. 192; the center also has an
impression from the regular edition
INSCRIPTION: numbered (361/750) on
justification page
provenance: Hans Bolliger, Zurich;
purchased in 1971
reference: Fechter 149
EXHIBITION: Reed 315/4 (1920)
83.1.83 c
2240
Mutter, c. 1918
(Mother)
Woodcut on wove paper
89/ie x 5VI6 in. (21.8 x 12.8 cm)
From deluxe edition of Das Kunstblatt
2, no. 6 (1918)
INSCRIPTION: numbered (32/110) on
justification page
provenance: Henry Hallenstein; W. F.
Arntz, Haag (Oberbayern); purchased
in 1975
reference: not in Fechter EXHIBITION: Reed 283/17 83.1.1116 b
606
Pechstein
2241
Nach dem Bade, c. 1918
(After the bath)
Lithograph on wove paper
8!/i6 x 7V2 in. (20.5 x 19.0 cm)
From deluxe edition of Das Kunstblatt
2, no. 11 (1918)
inscription: numbered (32/110) on
justification page
provenance: Henry Hallenstein; W. F.
Arntz, Haag (Oberbayern); purchased
in 1975
reference: not in Fechter EXHIBITION: Reed 283/55 83.1.1121 a
2242
Saug/ing, c. 1918
(Infant)
Woodcut on wove paper
815/i6 x 45/i6 in. (22.7 x 11.0 cm)
From deluxe edition of Das Kunstblatt
2, no. 6 (1918)
inscription: numbered (32/110) on
justification page
provenance: Henry Hallenstein; W. F.
Arntz, Haag (Oberbayern); purchased
in 1975
reference: not in Fechter EXHIBITION: Reed 283/54 83.1.1116 a
2243
Der Schatten 1, igi8 (The shadow 1) Drypoint on japan paper 8'/i6 x 63/i6 in. (20.5 x 15.7 cm) First state; from deluxe edition of Marsyas, no. 5 (1918); the issue also contains impressions from the second state (signed and dated, l.r.) and the published state (p. 133); total edition of 235 in the published state inscription: numbered (xxvii/xxxv) on justification page
provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 REFERENCE: Fechter 97 I EXHIBITION: Reed under 288 83.1.1665 o
2244
Der Schatten 2, 1918
(The shadow 2)
Drypoint on japan paper
77/s x 6 in. (20.0 x 15.3 cm)
First state; from deluxe edition of
Marsyas, no. 5 (1918), the issue also
contains impressions from the second
state (signed and dated, l.r.) and the
published state (p. 137); total edition of
235 in the published state
INSCRIPTION: numbered (xxvn/xxxv) on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
reference: Fechter 98 I
EXHIBITION: Reed under 288
83.1.1665 r
2241
2242
2243
2244
Pechstein
607
yOMME i<)16
2245
2247-1
\$f? 4)&
2247-2
2246
2247-3
2245
Der Schatten 3, 1918 (The shadow 3) Drypoint on japan paper 715/i6 x 65/i6 in. (20.2 x 16.0 cm) First state; from deluxe edition of Marsyas, no. 5 (1918); the issue also contains impressions from the second state (signed and dated, l.r.) and the published state (p. 143); total edition of 235 in the published state inscription: numbered (xxvii/xxxv) on justification page
provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 reference: Fechter 99 1 exhibition: Reed under 288 83.1.1665 u
2246
Der Schatten 4, 1918
(The shadow 4)
Drypoint on japan paper
8'/i6 x 6'/i6 in. (20.5 x 15.4 cm)
First state; from deluxe edition of
Marsyas, no. 5 (1918); the issue also
contains impressions from the second
state (signed and dated, l.r.) and the
published state (p. 149; signed and
dated, l.r.); total edition of 235 in the
published state
inscription: numbered (xxvii/xxxv) on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
reference: Fechter 100 1
exhibition: Reed under 288
83.1.1665 x
2247
Somme 1916
Portfolio of 9 etchings with drypoint on J. W. Zanders paper Published by Fritz Gurlitt Verlag, Berlin, 1919; total edition of 50 INSCRIPTION: each sheet signed and dated, l.r., and numbered (3), 1.1.; numbered (m/viii) and signed by publisher on justification page provenance: Stuttgarter Kunstkabinett, Stuttgart; Ars Libri, Boston; purchased in 1985 REFERENCE: Fechter 88-96 L.85.2. 10 a-j; lent by the Robert Gore Rifkind Foundation, Beverly Hills, California
1. Somme 1, 1918
15V2 x 12V2 in. (39.4 x 31.8 cm) reference: Fechter 88 This plate was also used for the portfolio cover L.85.2. 10 a
2. Somme 2, 1918
15% x 12V2 in. (39.7 x 31.8 cm) reference: Fechter 89 L.85.2. 10 b
3. Somme 3, 1918
15V2 x 12V2 in. (39.4 x 31.8 cm) REFERENCE: Fechter 90 L.85.2. 10 c
6 ©8
Pechstein
2247 (continued)
4. Somme 4, 1918
i5'/2 x 12% in. (394 x 31.5 cm) REFERENCE: Fechter 91 L.85.2.iod
5. Somme 5, 1918
i5'/2 x 12% in. (39.4 x 31.5 cm) REFERENCE: Fechter 92 L. 85. 2. 10 e
6. Somme 6, 1918
15V2 x 12% in. (39.4 x 31.5 cm) REFERENCE: Fechter 93 L. 85.2. 10 f
7. Somme 7, 1918
i5'/2 x 12V2 in. (39.4 x 31.8 cm) REFERENCE: Fechter 94 L. 85.2. log
8. Somme 8, 1918
i$Vk x 12V2 in. (395 x 31.8 cm) REFERENCE: Fechter 95 L. 85. 2. 10 h
9. Somme 9, 1918
i53/4 x 12V2 in. (40.0 x 31.8 cm) REFERENCE: Fechter 96 This plate appeared only in the portfolios numbered I-VIII L. 85. 2. 10 i
2248
Untitled (letter with South Sea
natives), c. 1918
Black ink and watercolor on smooth
wove paper
n3/i6 x 813/i6 in. (28.4 x 22.3 cm)
provenance: Heritage Gallery, Los
Angeles; purchased in 1972
EXHIBITION: Reed 149
The drawing was used for Pechstein's
painting Mutter und Kind, 1918; the
letter is addressed to Dr. Rosa Schapire
in Hamburg
83.1.170
2249
Fischer an der Ostsee, 1919 (Fishermen on the Baltic) Lithograph on heavy wove paper 97/i6 x 6% in. (24.0 x 16.8 cm) From Joachim Kirchner, Junge Berliner Kunst, Wasmuths Kunsthefte, no. 6 (Berlin: E. Wasmuth, [1919?]), pi. 11 provenance: W. F. Arntz, Haag (Oberbayern); purchased in 1975 reference: Fechter 222 83.1.120 k
2250
Judas, 1919
Woodcut on wove paper
g'/2 x 63/i6 in. (24.2 x 15.7 cm)
From Die rote Erde 1, no. 8/10 (1920):
251
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1975
REFERENCE: Fechter 153
83.1.972 c
2247-4
2247-7
2247-6
1 */»«•<
2248
2249
Pechstein
609
2250
2252
2251
2253
2251
Verwundeter, 1919
(Wounded man)
Woodcut on wove paper
913/i6 x 6'/j in. (25.0 x 15.9 cm)
From Die rote Erde 1, no. 8/10 (1920):
253
provenance: Hans Bolliger, Zurich;
purchased in 1975
REFERENCE: Fechter 152
EXHIBITION: Reed under 288;
Rigby in. 20
83.1.972 d
2252
Weib vom Mann begehrt, 1919
(Woman desired by man)
Woodcut on wove paper
915/i6 x 6'/i in. (25.2 x 15.8 cm)
From Kurt Pfister, ed., Deutsche
Graphiker der Gegenwart (Leipzig:
Klinkhardt & Biermann, 1920), pi. 21;
edition of 600
provenance: Hans Bolliger, Zurich;
purchased in 1972
reference: Fechter 157
exhibition: Reed under 339; Chipp 161
83.1.171 n
2253
Untitled (seated figure with ball),
c 1919
Woodcut on wove paper
4% x 43/i6 in. (12.0 x 10.6 cm)
From Fritz Gurlitt, ed., Almanach auf
dasjahr 1919 (Berlin: Fritz Gurlitt
Verlag, 1919), following p. 102
provenance: Galerie Gerda Bassenge,
Berlin, 13-18 May 1974, part of lot
4071
reference: not in Fechter
exhibition: Reed 315/3 (1919)
83.1.82 c
2254
Untitled (cover), 1919 Woodcut on heavy cover stock Book: 8% x i37/s in. (22.3 x 35.2 cm) From deluxe edition of Fritz Gurlitt, ed. , Almanach auf dasjahr 1920 (Berlin: Fritz Gurlitt Verlag, 1920) INSCRIPTION: numbered (361/750) on justification page
PROVENANCE: Hans Bolliger, Zurich; purchased in 1971 REFERENCE: Fechter 159 EXHIBITION: Reed 315/1 (1920)
83.1.83 d, e
2254 (back)
610
Pechstein
2255
Fischerhafen, 1920 (Fishing port) Lithograph on wove paper 9% x 6'/2 in. (24.8 x 16.5 cm) From Georg Biermann, ed., Jahrbuch derjungen Kunst (Leipzig: Klinkhardt & Biermann, 1920), frontispiece provenance: Bismarck Buchhandlung, Charlottenburg (ex libris, cover); Ganymede Graphics, Berkeley; purchased in 1974 reference: Fechter 224 exhibition: Reed 320/1920. 1
83.1.798 a
2256
Gotzenfigur, 1920
(Figure of an idol)
Woodcut on heavy wove paper
I513/i6x n"/i6in. (40.2 x 29.7 cm)
From portfolio Holzschnitte 1919
(Berlin: Fritz Gurlitt Verlag, 1920),
cover; total edition of 95
inscription: signed by publisher,
verso; numbered (v/xx), verso
provenance: Galerie Wolfgang
Ketterer, Munich, 27 May 1975, lot
1504
REFERENCE: Fechter 160
exhibition: Reed 151; Chipp 108
M.82.288.24S
2257
H. M. Pechstein und Rudolf Belling,
c. 1921
(H. M. Pechstein and Rudolf Belling)
Woodcut on orange cover stock
79/i6 x 413/i6 in. (19.2 x 12.3 cm)
From Hans Geier and Paul Fechter,
H. M. Pechstein und Rudolf Belling:
Drittes Buch der Galerie Goyert, exh.
cat. (Cologne: Galerie Goyert, 1921),
cover
provenance: D. Thomas Bergen;
Arthur H. Minters, New York;
purchased in 1985
reference: not in Fechter
M.86.79 a; Book Purchase Fund
2258
Das Vaterunser
(The Lord's Prayer)
Portfolio of 12 woodcuts with watercolor on wove paper
Printed by F. Voigt for Propylaen Verlag, Berlin, 1921; total edition of 250 inscription: each sheet signed by artist, l.r, and printer, 1.1.; numbered (23/50) on justification page provenance: R. E. Lewis, Nicasio, California; purchased in 1975 exhibition: Reed 152/1-12 83.1.22 a-1
/ff
<** ~ -'V?S
outselling
JUCHMfcr— ^
Gctferie C'
Kolna.RMrv
2257
Pechstein
611
iHolztthnittealMfechrfeinl
2258-1
2258-5
2258-2
2258-4
2258-6
2258-7
2258-8
1. Das Vaterunser, Holzschnitte von H. M. Pechstein, 1921
(The Lord's Prayer, woodcuts by H.
M. Pechstein)
With ocher, blue, and red
watercolor
15% x n5/8 in. (39.7 x 29.6 cm)
EXHIBITION: Reed 152/1
83. 1 . 22 a
2. Vaterunser I Der Du bist I im Himmel, 1921
(Our Father, which art in heaven)
With blue, ocher, yellow, and red
watercolor
I5n/i6 x 11% in. (39.8 x 29.8 cm)
exhibition: Reed 152/2
83.1.22 b
3. Geheiliget werde I DeinName, ig2i (Hallowed be Thy name)
With yellow, blue, and green
watercolor
i5n/i6x ii"/i6in. (39.9 x 29.7 cm)
exhibition: Reed 152/3; Rigby 83
83.1.22 c
4. Dein Reich komme I Dein Wille geschehe I Wie im Himmel also auch aufErden, 1921
(Thy kingdom come, Thy will be
done, on earth as it is in heaven)
With blue, yellow, ocher, and red
watercolor
I5n/i6 x 11% in. (39.9 x 29.6 cm)
exhibition: Reed 152/4
83. 1.22 d
5. Utiser tdglich Brot I gieb tins heute, 1921
(Give us this day our daily bread)
With red, blue, and ocher
watercolor
15% x 11% in. (40.0 x 29.6 cm)
exhibition: Reed 152/5; Barton 39 a
83.1.22 e
6. Und vergieb I uns I unsre Schuld, 1921
(And forgive us our debts)
With blue, green, yellow, and ocher
watercolor
I5n/i6 x 11% in. (39.8 x 29.8 cm)
exhibition: Reed 152/6
83.1.22 f
7. Wie wir vergeben I unsern I Schuldigern, 1921
(As we forgive our debtors)
With blue, ocher, and aqua
watercolor
I5u/i6 x 11% in. (39.8 x 29.5 cm)
EXHIBITION: Reed 152/7
83.1.22 g
8. Und I fiihre I tins nicht I in Versuchung, 1921
(And lead us not into temptation)
With pink, orange, yellow, blue,
and ocher watercolor
I5n/i6 x n5/s in. (39.9 x 29.5 cm)
exhibition: Reed 152/8; Barton
39 b; Rigby 82
83.1.22 h
612
Pechstein
2258 (continued)
9. Sondern erlose uns von dem Vbel,
1921
(But deliver us from evil)
With blue, yellow, ocher, and aqua
watercolor
15% x 11% in. (39.7 x 29.8 cm)
EXHIBITION: Reed 152/g
83.1.22 i
10. Denn Dein I ist das Reich, 1921 (For Thine is the kingdom) With ocher, blue, aqua, and red watercolor
I5u/i6 x 11% in. (39.8 x 29.6 cm) exhibition: Reed 152/10; Barton 39C 83. 1 . 22 j
11. Und die Kraft I und I die Herrlichkeit, 1921
(And the power and the glory)
With blue, yellow, ocher, and aqua
watercolor
15% x 11% in. (40.0 x 29.8 cm)
exhibition: Reed 152/11
83.1.22 k
12. Von Ewigkeit I zu Ewigkeit I Amen, 1921
(For ever and ever, amen)
With red, yellow, and blue
watercolor
i5n/ie x n5/s in. (39.9 x 29.6 cm)
EXHIBITION: Reed 152/12; Barton
39 d 83.1.22 1
2259
Weiblicher Kopf, c. 1921
(Head of a woman)
Woodcut on thin laid paper
4 x 3'/8 in. (10.2 x 8.0 cm)
From Fritz Gurlitt, ed., Das graphische
Jahr (Berlin: Fritz Gurlitt Verlag, 1921),
following p. 102
INSCRIPTION: signed, l.r. ; numbered
(xm/c) on justification page
provenance: Hans Bolliger, Zurich;
purchased in 1974
EXHIBITION: Reed 315/4 (1921)
83. 1.85 e
2260
Bildnis Paul Fechter, 1921 (Portrait of Paul Fechter) Drypoint on Van Gelder Zonen paper i53/s x 12V2 in. (397 x 31.7 em) From annual portfolio of Kreis graphischer Kiinstler und Sammler (Leipzig: Verlag Arndt Beyer, 1921); from edition of 100 (total edition of 275) INSCRIPTION: signed, l.r. provenance: Sotheby's, New York, 14-16 May 1974, lot 551 exhibition: Reed 153; Chipp 109 M.82.288.251
2258-9
2258-10
2258-12
2261
Pechstein
613
2262-5
2262-4
2262-6
/ (cfl ,
2261
Fischerhopf, 1922
(Head of a fisherman)
Woodcut on wove paper
15% x nn/i6 in. (40.0 x 29.7 cm)
From edition of 20
inscription: initialed and dated, l.r.
provenance: R. E. Lewis, Inc., San
Anselmo, California; purchased in 1973
exhibition: Reed 154; Barton 40
M. 82.288.249
2262
Yali und sein weisses Weib
(Yali and his white wife)
Book with 8 etchings with drypoint on
handmade paper
Illustrations to text by Willy Seidel
(Berlin: Fritz Gurlitt Verlag, 1924);
edition of 220 (unnumbered copy)
inscription: each sheet signed, l.r.
PROVENANCE: Ars Libri, Boston;
purchased in 1979
83.1.745 a-h
1. Untitled (Yali and child), 1922 97/i6 x 7 in. (24.0 x 17.8 cm) Frontispiece
83- 1-745 a
2. Untitled (the white wife and four natives), 1922
97/ie x 71/16 in. (23.9 x 17.9 cm) Following page 8; the center has another impression
§3- 1-745 b
3. Untitled (the white wife and three natives sleeping), 1922
9T/16 x 7'/ie in. (23.9 x 17.9 cm) Following page 10 83.1.745 c
4. Untitled (Yali and the white wife), 1922
9% x 7V16 in. (23.8 x 17.9 cm) Following page 12 83- 1-745 d
5. Untitled (the white wife hunting), 1922
9% x 7 in. (23.8 x 17.8 cm) Following page 14
83- 1-745 e
6. Untitled (the white wife with birds),
1922
g5Ae x 7V16 in. (23.7 x 17.9 cm)
Following page 16
83-1-745 f
7. Untitled (the white wife cowering from lightning), 1922
g% x 7 in. (23.8 x 17.8 cm) Following page 20
83- 1-745 g
8. Untitled (the white wife with three children), 1922
9% x 7 in. (23.8 x 17.8,011) Following page 26 83- 1-745 li
2262-7
2262-8
\
614
Peeters
|
Josef Peeters |
2263 |
|
Untitled (abstract composition), 1920 |
|
|
born 1895 Antwerp, |
Linoleum cut on wove paper |
|
Belgium |
65/s x 5V4 in. (16.8 x 13.4 cm) |
|
From Der Sturm 14, no. 1 (1923): 11 |
|
|
died 1960 Antwerp, |
provenance: Ex Libris, New York; |
|
Belgium |
purchased in 1982 |
|
83.1.1395.23 |
|
|
2264 |
|
|
Untitled (abstract composition), 1921 |
|
|
Linoleum cut on wove paper |
|
|
515/i6 x 65/i6 in. (15. 1 x 16.0 cm) |
|
|
From Der Sturm 13, no. 10 (1922): 145; |
|
|
the image also appears on the cover |
|
|
provenance: Ex Libris, New York, |
|
|
purchased in 1982 |
|
|
83- 1- 1395- M |
|
|
2265 |
|
|
Untitled (abstract composition), 1921 |
|
|
Linoleum cut on wove paper |
|
|
6% x 5'/i in. (17.2 x 13.4 cm) |
|
|
From Der Sturm 14, no. 7 (1923): 105 |
|
|
(printed upside down in the center's |
|
|
issue) |
|
|
provenance: Ex Libris, New York; |
|
|
purchased in 19S2 |
|
|
83. 1-1395-38 |
|
|
2266 |
|
|
Untitled (abstract composition), 1921 |
|
|
Linoleum cut on wove paper |
|
|
6V2 x 4 in. (16.5 x 10.2 em) |
|
|
From Der Sturm 16, no. 1 (1925): 7 |
|
|
provenance: Ex Libris, New York; |
|
|
purchased in 1982 |
|
|
83.1.1396.27 |
|
|
2267 |
|
|
Untitled (abstract composition), 1922 |
|
|
Linoleum cut on wove paper |
|
|
65/i6 x 67/i6 in. (16. 1 x 16.3 cm) |
|
|
From Der Sturm 14, no. 3 (1923): 43 |
|
|
provenance: Ex Libris, New York; |
|
|
purchased in 1982 |
|
|
83.1.1395.29 |
|
|
2268 |
|
|
Lino 5, 1923 |
|
|
Linoleum cut on wove paper |
|
|
75/i6 x 55/i6 in. (18.6 x 13.5 cm) |
|
|
From Der Sturm 15, no. 1 (1924): 5; the |
|
|
image also appears on the cover |
|
|
provenance: Ex Libris, New York; |
|
|
purchased in 1982 |
|
|
83.1.1396.2 |
|
|
Alfred Heinrich |
2269 |
|
Pellegrini |
Untitled (dog), 1914 |
|
Lithograph on wove paper |
|
|
born 1881 Basel, |
2V& x 3% in. (5.4 x 9.8 cm) |
|
Switzerland |
From Zeit-Echo 1, no. 4 (1914): 55 |
|
provenance: Kunstgalerie Esslingen, |
|
|
died 1958 Basel, |
Esslingen; purchased in 1975 |
|
Switzerland |
EXHIBITION: Reed under 308 |
|
83.1.1189 e |
|
1 A jtM\ Am .^mw'im |
||
|
r |
si |
2265
2267
Pellegrini
615
2271
" 4m i
...•••■'■ '; HPP*
2272
2273
2270
Untitled (mother and child), c. 1915 Lithograph on wove paper 6Yt x 43/ie in. (159 x 10.7 cm) From Zeit-Echo 1, no. 17 (1915): 255 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 EXHIBITION: Reed under 308 83. 1. 1202 b
2271
Untitled (landscape), e. 1917
Drypoint on japan paper
g'/j x 615/i6 in. (23.5 x 17.6 cm)
First state; from deluxe edition of
Marsyas, no. 1 (1917); the issue also
contains impressions from the second
state (signed, l.r.) and the published
state (p. 17); total edition of 235 in the
published state
inscription: numbered (xxvu/xxxv) on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
exhibition: Reed under 288
83.1.1661 d
2272
Untitled (two figures), c. 1917
Etching on japan paper
9V16 x 613/i6 in. (23.0 x 17.3 cm)
First state; from deluxe edition of
Marsyas, no. 1 (1917); the issue also
contains impressions from the second
state (signed, l.r.) and the published
state (p. 21); total edition of 235 in the
published state
inscription: numbered (xxvil/xxxv) on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
EXHIBITION: Reed under 288
83.1.1661 g
2273
Untitled (man and woman), c. 1917
Drypoint on japan paper
95/i6 x 7 in. (23.6 x 17.8 cm)
First state; from deluxe edition of
Marsyas, no. 1 (1917); the issue also
contains impressions from the second
state (signed, l.r.) and the published
state (p. 23); total edition of 235 in the
published state
INSCRIPTION: numbered (xxvu/xxxv) on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
exhibition: Reed under 288
83. 1.1661 j
616
Pellegrini
2274
Untitled (master and servant), c. 1917
Etching on japan paper
95/i6 x 7 in. (23.6 x 17.7 cm)
First state; from deluxe edition of
Marsyas, no. 1 (1917); the issue also
contains impressions from the second
state (signed, l.r.) and the published
state (p. 27); total edition of 235 in the
published state
inscription: numbered (xxvn/xxxv) on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
exhibition: Reed under 288
83.1.1661 m
2275
Untitled (woman and sea creature),
c 1917
Drypoint on japan paper
6'/s x 5% in. (15.5 x 13.6 cm)
First state; from deluxe edition of
Marsyas, no. 1 (1917); the issue also
contains impressions from the second
state (signed, l.r.) and the published
state (p. 29); total edition of 235 in the
published state
INSCRIPTION: numbered (xxvn/xxxv)
on justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
EXHIBITION: Reed under 288
83. 1.1661 p
|
Johannes Pel/er |
2276 |
|
Szene, c. 1913 |
|
|
(Scene) |
|
|
Linoleum cut on wove paper |
|
|
3% x 4V16 in. (8.5 x 10.4 cm) |
|
|
From Saturn 3, no. 3 (1913): cover; the |
|
|
image also appears on p. 81 |
|
|
provenance: Galerie Gerda Bassenge, |
|
|
Berlin, 4 June 1975, part of lot 4899 |
|
|
exhibition: Reed under 300 |
|
|
83.1.1314 a |
|
|
Joseph Pennell |
2277 |
|
Kustenlandschafl, 1897 |
|
|
born 1857 |
(Coastal landscape) |
|
Philadelphia, |
Lithograph on wove paper |
|
Pennsylvania |
55/i6 x 7n/i6 in. (13.5 x 19.5 cm) |
|
From Pan 2, no. 4 (1897): following 340 |
|
|
died 1926 |
provenance: Kornfeld & Klipstein, |
|
New York, New York |
Bern, 7-8 June 1978, part of lot 775 |
|
REFERENCE; Wuerth 63; Dennerlein |
|
|
1380 |
|
|
§3- 1- 1353 m |
2274
^.^,-, .V^iSS
2277
2276
2278
Laszlo Peri
born 1889 Budapest. Hungary
died 1967 London, England
2278
Untitled (abstract composition), c. 1923
Linoleum cut on wove paper
6% x 8V2 in. (17.2 x 21.6 cm)
From Der Sturm 14, no. 2 (1923): 21;
the image also appears on the cover
provenance: Ex Libris, New York;
purchased in 1982
8311395-25
Petersen
617
2279
2281
4t4iZi^**A-f£**<-<-.
2283
2280
2284
2279
Untitled (abstract composition), c. 1923
Linoleum cut on wove paper
6V4 x 89/i6 in. (15.9 x 21.7 cm)
From Der Sturm 14, no. 2 (1923): 27
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1395.26
2280
Untitled (abstract composition), c. 1923
Linoleum cut on wove paper
6 x 8'/i6 in. (15.2 x 20.5 cm)
From Der Sturm 14, no. 12 (1923): 187
PROVENANCE: Ex Libris, New York;
purchased in 1982
8.3- 1- 1395- 52
2281
Der amerikanische Friedensengel, 1915
(The American angel of peace)
Lithograph on wove paper
13% x io3/s in. (35.0 x 27.0 cm)
From Kriegszeit, no. 52 (1915): 4
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/195
83.1. 1450 d
2282
England— Japan— China, 1915 Lithograph on wove paper i313/ie x 11V16 in. (35. 1 x 28. 1 cm) From Kriegszeit, no. 51 (1915): 3 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
exhibition: Reed 281/194 83.1.1449 c
2283
Englands Luft- und Unterseeflotte,
1915
(England's air and underwater fleet)
Lithograph on wove paper
16 x 10% in. (40.6 x 27.3 cm)
From Kriegszeit, no. 48 (1915): 4
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/192
83.1.1446 d
2284
Das Expeditionsheer, 1915
(The expeditionary force)
Lithograph on wove paper
I415/i6 x ion/i6 in. (38.0 x 27.1 cm)
From Kriegszeit, no. 58 (1915): 4
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/197
83.1. 1455 d
Carl 0. Petersen
born 1880 Dachau
618
Robert Philippi
born Vienna, Austria
Petersen
2285
Das Mdrchen vom Vogel Grey, 1915
(The fable of Gray Bird)
Lithograph on wove paper
n5/i6 x lo'/a in. (28.7 x 26.7 cm)
From Kriegszeit, no. 49 (1915): 4
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/193
83.1. 1447 d
2286
Russischer Katzen jammer, 1915
(Russian hangover)
Lithograph on wove paper
i4'/i6 x io5/s in. (35.7 x 27.0 cm)
From Kriegszeit, no. 56 (1915): 4
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/196
83.1.1453 d
2287
Franzosische Gefangene bei der Arbeit,
1916
(French prisoners at work)
Lithograph on wove paper
15 x 915/ie in. (38. 1 x 25.3 cm)
From Kriegszeit, no. 64/65 (1916): 2
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/198
83.1.1461 b
Hippolyte Petitjean 2288
Dekorativer Entwurf, c. i8g8
born 1854 Macon, (Decorative study)
France Lithograph printed in blue, yellow,
green, light pink, and red on chine
died 1929 Paris, volant paper
France io'/j x 713/i6 in. (26.0 x 19.9 cm)
From Pan 4, no. 1 (1898): following 56 provenance: Kornfeld & Klipstein, Bern, 7-8 June 1978, part of lot 775 reference: Dennerlein 1963 83.1.1356 d
2289
Maurice Maeterlinck, 1898 Lithograph on wove paper io'/i6 x 7% in. (25.6 x 19.7 cm) From Pan 3, no. 4 (1898): following 258 provenance: Kornfeld & Klipstein, Bern, 7-8 June 1978, part of lot 775 reference: Dennerlein 1855 83.1.1355 m
2290
Die Erschrockene, c. 1920 (The terrified one) Woodcut on wove paper g15/i6 x i2'/s in. (25.3 x 30.8 cm) INSCRIPTION: signed, l.r. provenance: Saalbau-Galerie, Darmstadt; purchased in 1980 M. 82. 287. 99
|
/— >/--£^..r: |
||
|
d*tW |
||
|
Jrw |
||
|
BSp%-^J |
SJSr» |
|
|
WSem. |
2285
2286
2288
2289
Philippi
619
2291-1
2291-3
2291-6
2291-2
2291-5
2291-4
2291-7
2291-9
2291
Zehn Holzschnitte
(Ten woodcuts)
Portfolio of 10 woodcuts on thin japan
paper
Published by Thyrsos Verlag, Leipzig
and Vienna, 1923, with a foreword by
Hans Tietze
INSCRIPTION: each sheet signed and
numbered in sequence, 1.1.; numbered
(35/S5) on justification page
provenance: Ars Libri, Boston;
purchased in ig82
83.i.i5a-j
1. Madchen, c. 1923 (Girls)
85/i6 x 83/s in. (21. 1x21.2 cm) Plate 1 83.1.15 a
2. Badende, c. 1923 (Bathers)
g7/i6 x 10% in. (24.0 x 26.4 cm) Plate 2 83.1.15 b
3. Melancholie, c. 1923 (Melancholy)
8"/i6 x 89/i6 in. (22.0 x 21.8 cm)
Plate 3
83.1.15 c
Traumende, c. 1923
(Dreamers)
2013/i6 x 6'/j in. (52.8 x 15.9 cm)
Plate 4
83-i-i5d
Denker, c. 1923
(Thinker)
io5/i6 x 413/i6 in. (26.2 x 12.3 cm)
Plate 5
83.1.156
Ehnd, c. 1923
(Misery)
59/i6 x 3% in. (14. 1x9.5 cm)
Plate 6
831.15 f
Hoffetide, c. 1923
(Hopeful one)
5% x 3V16 in. (13.6 x 7.8 cm)
Plate 7
83.1-15?
Die Leidenden, c. 1923
(The sufferers)
15V2 x 17% in. (39.4 x 44.7 cm)
Plate 8
83.1.15 b
9. Qual, c. 1923 (Agony)
19 x io9/i6 in. (48.3 x 26.9 cm) Plate 9
83115'
10. Liebespaar, c. 1923 (Lovers)
i77/i6 x I3n/i6 in. (44.3 x 34.8 cm)
Plate 10
83115J
4.
5.
6.
8
620
Pickardt
Ernst Pickardt
2292
Untitled (Italian city in rain), c. 1919 Drypoint on japan paper 713/i6 x 6 in. (19.9 x 15.3 cm) First state; from deluxe edition of Marsyas, no. 6 (1919); the issue also contains impressions from the second state (signed, l.r.j inscribed "2. Zustand," 1.1.) and the published state (p. 207; signed, l.r.); total edition of 235 in the published state inscription: numbered (xxvn/xxxv) on justification page
PROVENANCE: Kunstgalerie Esslingen, Esslingen; purchased in 1974 exhibition: Reed under 288 83.1.1666 o
2293
Untitled (market scene), c. 1919
Drypoint on japan paper
95/ie x 67/s in. (23.6 x 17.4 cm)
From deluxe edition of Marsyas, no. 6
(1919); the issue contains two additional
impressions; total edition of 235 in the
published state
INSCRIPTION: numbered (xxvn/xxxv) on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
exhibition: Reed under 288
83.1.1666 r
2294
Untitled (tavern scene), c. 1919 Drypoint on japan paper 713/i6 x 515/i6 in. (199 x 15.0 cm) From deluxe edition of Marsyas, no. 6 (1919); the issue contains three additional impressions; total edition of 235 in the published state inscription: numbered (xxvn/xxxv) on justification page
PROVENANCE: Kunstgalerie Esslingen, Esslingen; purchased in 1975 EXHIBITION: Reed under 288 83.1.1666 u
2295
Untitled (woman with laundry), c. 1919
Drypoint on japan paper
97/i6 x 73/i6 in. (24.0 x 18.3 cm)
First state; from deluxe edition of
Marsyas, no. 6 (1919); the issue also
contains impressions from the second
state and the published state (p. 219);
total edition of 235 in the published
state
inscription: numbered (xxvn/xxxv) on
justification page
PROVENANCE: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
exhibition: Reed under 288
83.1.1666 y
2292
2293
2294
Plaichinger-Coltelli
621
2296
2299
2300
2296
Centaurenpaar, c. 1896
(Pair of centaurs)
Etching on laid paper
9n/i6 x 67/i6 in. (24.6 x 16.3 cm)
From Pan 2, no. 2 (1896): following 110
PROVENANCE: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
reference: Dennerlein 983
83.1.13521
2297
Im Saal der schwarzen Siiulen, 1918 (In the hall of the black columns) Drypoint on J. W. Zanders paper 79/ie x 7V2 in. (19.2 x 19.0 cm) From Eos 1, no. 1 (1918): 71; from edition A (total edition of 250) INSCRIPTION: numbered (xvii/xl) and signed by editor Emil Pirchan on justification page
provenance: Kunstgalerie Esslingen, Esslingen: purchased in 1974 exhibition: Reed under 270 83.1.1605 i
2298
DerRuf, 1918
(The shout)
Drypoint on J. W. Zanders paper
9% x 8M> in. (23.2 x 21.6 cm)
From Eos 1, no. 1 (1918): 73; from
edition A (total edition of 250)
inscription: numbered (xvii/xl) and
signed by editor Emil Pirchan on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
exhibition: Reed under 270
83. 1.1605 j
2299
Titelblatt: Der fliegende Hund, 1918 (Title page: The flying dog) Drypoint on J. W. Zanders paper 6V2 x jVi in. (16.5 x 18.4 cm) From Eos 1, no. 1 (1918): 65; from edition A (total edition of 250) inscription: numbered (xvii/xl) and signed by editor Emil Pirchan on justification page
provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 exhibition: Reed under 270 83.1. 1605 g
2300
Verziickung, 1918
(Ecstasy)
Drypoint on J. VV. Zanders paper
3n/i6 x 5% in. (9.4 x 14.3 cm)
From Eos 1, no. 1 (1918): 42; from
edition A (total edition of 250)
inscription: numbered (xvii/xl) and
signed by editor Emil Pirchan on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
EXHIBITION: Reed under 270
83.1.1605 d
Max Ernst Pietschmann
born 1865 Dresden
Elfriede Plaichinger- Coltelli
622
Plaichinger-Coltelli
Rudolf Pleissner
born 1889 Chemnitz
Wilhelm Pliinnecke
born 1894 Hannover
died 1954 Stuttgart
2301
Der Warner, 1918
(The warner)
Drypoint on J. W. Zanders paper
10V4 x z7/8 in. (26.0 x 7.3 cm)
From Eos 1, no. 1 (1918): 69; from
edition A (total edition of 250)
INSCRIPTION: numbered (xvii/xl) and
signed by editor Emil Pirchan on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
EXHIBITION: Reed under 270
83.1.1605 h
2302
Untitled (reclining female nude), 1927
Lithograph on wove paper
65/s x 8% in. (16.8 x 22.0 cm)
From Ing. Hermann Heuss et al.,
Kunstler abseits vom Wege, 1907-1927
(Chemnitz: Kiinstlergruppe Chemnitz,
1927), p. 48
INSCRIPTION: signed and dated, l.r.
PROVENANCE: unknown
83. 1 . 52 f
2303
Hauser, Baume, Menschen
(Houses, trees, people)
Portfolio of 11 lithographs on wove
paper
Published by Friedrich Dehne Verlag,
Leipzig, c. 1921
inscription: each sheet signed and
dated, l.r.; numbered (65/100), inside
cover
PROVENANCE: Groschen Sammlung
(stamp, verso); Warrack & Perkins,
Enstone, Oxfordshire; purchased in
1977 83.i.iga-k
1. Untitled (cover), 1919
97/s x 87/ie in. (25. 1x21.4 em) 83.1.19 k
2. Untitled (factory), 1919 13V6 x 9% in. (33.3 x 24.8 cm) 83.1.19 a
3. Untitled (street with cart), 1919 9s/8 x 12V2 in. (24.5 x 31.7 cm) 83.1.19 b
4. Untitled (landscape with factory),
1919
io'/s x i39/i6 in. (25.7 x 34.5 cm)
83.1.19c
5. Untitled (amusement park), 1919 13% x 915/i6 in. (34.9 x 25.3 cm) 83.1.19 d
6. Untitled (land around factory),
1919
lo'/e x I215/i6 in. (25.7 x 32.9 cm)
83.1.19 e
2302
_feriNEVERLA£iTEU,^IG
2301
2303-4
2303-5
2303-8
Pliinnecke
623
2303-9
V^%Kf^cke*
2304-1
2304-2
2304-5
2303-11
2304-3
7. Untitled (barren trees), 1919 io'/s x 13 in. (25.7 x 33.0 cm) 83. 1.19 f
8. Untitled (tree with fence), 1919 i313/i6 x 9% in. (35. 1 x 24.8 cm) 83. 1.19 g
9. Untitled (chimney), 1919 i23/ie x gI5/j6 in. (31.0 x 25.3 cm) 83.1.19I1
10. Untitled (railway bridge), 1919 i43/i6 x g9/i6 in. (36. 1 x 24.3 cm) 83.1.19 i
11. Untitled (bridge), 1919
14V2 x 10716 in. (36.9 x 26.5 cm) 83. 1.19 j
2304
Die Marseillaise
(The Marseillaise)
Portfolio of 10 lithographs, plus cover
lithograph with watercolor, on wove
paper
Published by Friedrich Dehne Verlag,
Leipzig, 1919
inscription: each sheet signed and
dated, l.r., and numbered (97), 1.1.;
numbered (97/100) inside front cover
provenance: Ars Libri, Boston;
purchased in 1979
83-i.28a-k
1. Untitled (cover), igig
With pink, blue, yellow, and rust
watercolor
57/s x 89/i6 in. (14.9 x 21.7 cm)
83.1.28 k
2. Untitled (title page), 1919 lS'/i x n'/a in. (46.4 x 29.2 cm) 83.1.28 a
3. Untitled (man speaking to crowd),
1919
171/4 x 12% in. (438 x 31.5 cm)
83.1.28 b
4. Untitled (the orator), 1919 i77/8 x n'/s in. (45.4 x 28.3 cm) 83.1.28 c
5. Untitled (crowd in street), 1919 17% x n'/s in. (44.2 x 29.2 cm) 83. 1.28 d
6. Untitled (crowd of men), 1919 i8'/8 x n3/8 in. (46. 1 x 28.9 cm) 83.1.28 e
7. Untitled (battle with guns and knives), 1919
17% x 11% in. (44.8 x 29.9 cm) 83.1.28 f
8. Untitled (the barricade), 1919 18 x li3^ in. (45.7 x 29.9 cm) 83.1.28 g
9. Untitled (the guillotine), 1919 i8'/i x 11% in. (46.4 x 28.9 cm) 83.1.28 h
624
Pliinnecke
Enrico Prampolini
born 1894 Modena, Italy
died 1956 Rome, Italy
Joachim Probst
2304 (continued)
10. Untitled (firing squad), 1919
18V6 x nV4 in. (46. 1 x 29.2 cm) 83.1.281
11. Untitled (crucified man), rgig i8'/s x 11% in. (46. 1 x 29.8 cm) S3. 1.28 j
2305
Einer rumanischen Ballerina, c. 1919 (To a Romanian ballerina) Drypoint on japan paper 89/ie x 65/ie in. (21.7 x 16. 1 cm) First state; from deluxe edition of Marsyas, no. 6 (1919); the issue also contains impressions from the second state (signed, l.r; inscribed "11," 1.1.) and the published state (p. 199); total edition of 235 in the published state inscription: numbered (xxvn/xxxv) on justification page
PROVENANCE: Kunstgalerie Esslingen, Esslingen; purchased in 1974 EXHIBITION: Reed under 288 83.1.1666 i
2306
Untitled (man and woman before a
city), c. 1919
Woodcut on wove paper
6u/i6X 5V8 in. (17.0 x 13.1 cm)
From Paul Erich Kiippers, ed.. Das
Kestnerbuch (Hannover: Heinrich
Bohme Verlag, 1919), following p. 32
provenance: Galerie Gerda Bassenge,
Berlin, 13- 18 May 1973, part of lot
4076
EXHIBITION: Reed 321/2
83.1.140 b
2307
Untitled (interior), c. 1920 Linoleum cut on wove paper 6u/i6 x 5% in. (17.0 x 13.7 cm) From Der Sturm 11, no. 6 (1920): 81 provenance: Ex Libris, New York; purchased in 1982 83.1.1394.1
Max Pretzfelder 2308
Hollandische Landsehaft, c. 1911 (Dutch landscape) Etching on thin japan paper 5% x 513/i6 in. (14.6 x 14.7 cm) From Zeitschrift fur bildende Kunst, n.s., 22, no. 9 (1911): before 173 provenance: Galerie Gerda Bassenge, Berlin, 15 May 1976, part of lot 4364 83-1-965 g
2309
Untitled (Christ), n.d. Black ink on thin wove paper io15/i6 x 8'/2 in. (27.8 x 21.6 cm) INSCRIPTION: signed, 1.1. provenance: Morton D. May (inscription, verso); source and date of purchase unknown M. 82. 288.355
2305
2309
2308
Puxkandl
625
2310
2313
2315
2310
In Brand geschossene Stadt, e. 1914
(Shelled city in flames)
Lithograph with yellow watercolor on
wove paper
i59/ie x 13V8 in. (39.6 x 33.4 cm)
From portfolio Kriegsbilderbogen
Miinchner Kiinstler (Munich:
Goltzverlag, [c. 1914]), pi. 12
INSCRIPTION: signed, l.r. , publisher's
stamp, l.r.
provenance: Christie's, London, 5 July
1979, part of lot 178
M. 82.288.381 i
2311
Fischerdorf, c. 1920
(Fishing village)
Woodcut on wove paper
5 x 713/i6 in. (12.7 x 19.8 cm)
From Das Kunstfenster 1, no. 3
(1920): 7
PROVENANCE: Ars Libri, Boston;
purchased in 1978
83.1.1064 a
2312
Abend, c. 1920
(Evening)
Woodcut on wove paper
5 x 715/i6 in. (12.7 x 20. 1 cm)
From Das Kunstfenster 1, no. 2
(1920): 7
PROVENANCE: Ars Libri, Boston;
purchased in 1978
83.1.1063 a
2313
Kind und Welt, c. 1920
(Child and world)
Woodcut on wove paper
7V2 x 4% in. (19.0 x 11.1 cm)
From Das Kunstfenster 1, no. 6
(1920): 13
provenance: Ars Libri, Boston;
purchased in 1978
83.1.1067 a
2314
Untitled (couple), c. igig Woodcut on laid paper 75/i6 x 6 in. (18.6 x 15.2 cm) From Der Weg 1, no. 10 (1919): 1 provenance: Ex Libris, New York; purchased in 1976 EXHIBITION: Reed under 305; Guenther 331 83.1.1220 a
2315
Untitled (man crossing bridge), c. 1919
Woodcut on wove paper
6% x 415/i6 in. (16.8 x 12.6 cm)
From Die Biicherkiste 1, no. 8/10
(1919): 109
provenance: Hans Bolliger, Zurich;
purchased in 1975
EXHIBITION: Reed 267
83.1. 1634 n
Walther Piittner
born 1872 Leipzig
died 1953 Schloss Maxbrain, near Bad Aibling
Hubert Piitz
Willi A. Piitz
born 1875 Deutz
Karl Puxkandl
626
Rabus
Carl Rabus 2316
Kreisende Schatten 1 , 1920 born 1898/1900 (Whirling phantoms 1)
Kempten Drypoint on J. W. Zanders paper
9% x 8 in. (23.8 x 20.3 cm) From Eos 2, no. 4 (1920): 111; from edition A (total edition of 250) INSCRIPTION: numbered (xvii/xl) and signed by editor Paul Baumann on justification page
PROVENANCE: Kunstgalerie Esslingen, Esslingen; purchased in 1974 EXHIBITION: Reed under 270 83.1.160S a
2317
Kreisende Schatten 2, 1920 (Whirling phantoms 2) Drypoint on J. W. Zanders 1916 paper 11V2 x 8% in. (29.2 x 21.3 cm) From Eos 2, no. 4 (1920): 121; from edition A (total edition of 250) INSCRIPTION: numbered (xvii/xl) and signed by editor Paul Baumann on justification page
provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 exhibition: Reed under 270 83.1.1608 b
2318
Kreisende Schatten 3, 1920 (Whirling phantoms 3) Drypoint on J. W. Zanders 1916 paper 11V2 x 8Vt in. (29.2 x 21.0 cm) From Eos 2, no. 4 (1920): 127; from edition A (total edition of 250) inscription: numbered (xvii/xl) and signed by editor Paul Baumann on justification page
provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 exhibition: Reed under 270 83.1.1608 c
2317
2318
2319
Adolf Rademacher
See cat. no. 1237
|
Franz Radziwill |
2319 Abhehr, c. 1921 |
|
|
born 1895 |
(Abandonment) |
|
|
Strohausen |
Woodcut on wove paper 11 x 7% in. (28.0 x 19.7 cm) |
|
|
died 1982 Dangast |
From Kiindung 1, no. 3 (1921) |
|
|
provenance: Galerie Wolfgang |
||
|
Ketterer, Munich, 26 November 1974 |
||
|
part of lot 1154 |
||
|
EXHIBITION: Reed under 282 |
||
|
83.1.1057 f |
AUGiEN/iWfi
tart [ore n^
,444^44
2321
2322
2323
2324
Ree
2320
Augenspielzeug, c. 1921
(Toy for the eyes)
Woodcut on wove paper
n13/i6 x 9% in. (30.3 x 24.8 em)
Poem by Karl Lorenz from Kiindung 1,
no. 3 (1921)
provenance: Galerie Wolfgang
Ketterer, iVIunich, 26 November 1974,
part of lot 1154
exhibition: Reed under 282
83- 1- 1057 b
2321
Landschaft, c. 1921
(Landscape)
Woodcut on wove paper
7% x 11 in. (19.6 x 28.0 cm)
From Kiindung 1, no. 3 (1921)
provenance: Galerie Wolfgang
Ketterer, Munich, 26 November 1974,
part of lot 1154
exhibition: Reed under 282
83.1.1057 c
2322
Liebesgram, c. 1921 (Sorrow of love) Woodcut on wove paper 8% x 12V4 in. (21.9 x 31.2 cm) From Kiindung 1, no. 3 (1921) provenance: Galerie Wolfgang Ketterer, Munich, 26 November 1974, part of lot 1154 EXHIBITION: Reed under 282 83.1. 1057 d
2323
Der Prophet, c. 1921 (The prophet) Woodcut on wove paper n7/8 x 7V16 in. (30. 1 x 17.9 cm) From Kiindung 1, no. 3 (1921) PROVENANCE: Galerie Wolfgang Ketterer, Munich, 26 November 1974, part of lot 1154 exhibition: Reed under 282 83.1.1057 c
627
2324
Untitled (three Maries at the tomb),
1920
Lithograph on laid paper
6Vs x 4% in. (15.6 x 11.8 cm)
From Katalog der zweiten Ausstellung
der Hamburgischen Secession, exh. cat.
(Hamburg: Alte Kunsthalle, 1921), pi. 9
provenance: Ars Libri, Roston;
purchased in 1982
§3- 1-735 J
Anita Ree
born 1885 Hamburg
died 1933 Kampen auf Sylt
628
Carl Anton Reichel
born 1874
died 1944 Vienna, Austria
Heinrich Reifferscheid
born 1872 Breslau
died 1945 Niederdollendorf
Reichel
2325
Hekate, 1918
(Hecate)
Drypoint on J. W. Zanders 1916 paper
9% x 7% in. (24.8 x 18.7 cm)
From Eos 1, no. 2 (1918): 117; from
edition A (total edition of 250)
inscription: numbered (xvii/xl) and
signed by editor Emil Pirchan on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen, purchased in 1974
exhibition: Reed under 270
83.1.1606 c
2326
Die kolchische Medea, 1918 (The Colchian Medea) Drypoint on J. W. Zanders 1916 paper 10V2X 8Vt in. (26.7 x 21.0 cm) From Eos 1, no. 2 (1918): 115: from edition A (total edition of 250) INSCRIPTION: numbered (xvii/xl) and signed by editor Emil Pirchan on justification page
provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 exhibition: Reed under 270 83.1.1606 b
2327
Die kretischen Latoiden, 1918 (The Cretan Latoids) Drypoint on J. W. Zanders 1916 paper io5/i6 x 715/i6 in. (26.2 x 20.2 cm) From Eos 1, no. 2 (1918): 111; from edition A (total edition of 250) INSCRIPTION: numbered (xvii/xl) and signed by editor Emil Pirchan on justification page
provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 EXHIBITION: Reed under 270 83.1.1606 a
2328
Untitled (landscape), c. 1904 Etching printed in brown on laid paper 6% x 9% in. (16.9 x 23.8 cm) From Kunst und Kunstler 2, no. 11
(1904): 428
provenance: Ars Libri, Boston;
purchased in 1982
83.1.1222 b
2329
An Holderlin, c. 1917
(To Holderlin)
Etching printed in brown on heavy
wove paper
8% x 47/i6 in. (21.2 x 11.3 cm)
From Zeitschrift fur bildende Kunst,
n.s., 29, no. 1 (1917-18): before 1
provenance: Galerie Gerda Bassenge,
Berlin, 15 May 1976, part of lot 4364
83.1.968 a
2325
2326
2327
Reinhardt
629
2330
2332
2334
2330
Worte I ' Geschwatz, e. 1920
(Words /nonsense)
Woodcut on wove paper
515/ie x 4'/i in. (15.0 x 10.8 em)
From Die Aktion 10, no. 49/50 (1920):
cover; not identified as an original
woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1578 a
Bruno W. Reimann
2331
Untitled (David), c. 1915 Lithograph on wove paper 6% x 5V2 in. (17.2 x 14.0 cm) From Zeit-Echo 1, no. 10 (1915): 149 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 EXHIBITION: Reed under 308 83.1.1195 b
2332
Untitled (man fighting lion), c. 1915
Lithograph on wove paper
57/s x 5% in. (14.9 x 13.6 cm)
From special edition of Zeit-Echo 1, no.
I3(i9!5): 187
INSCRIPTION: numbered (32) on table of
contents
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
exhibition: Reed under 308
83.1.1198 a
2333
Untitled (hand-to-hand combat),
c 1915
Lithograph on wove paper
7% x 53/i6 in. (19.4 x 13. 1 cm)
From Zeit-Echo 1, no. 18 (1915): 271
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
exhibition: Reed under 308
83.1. 1203 b
2334
Untitled (woman and child among rubble), c. 1915 Lithograph on wove paper 515/i6 x 5'/j in. (15.0 x 13.3 cm) From Zeit-Echo 1, no. 21 (1915): 319 PROVENANCE: Kunstgalerie Esslingen, Esslingen; purchased in 1975 exhibition: Reed under 308 83.1.1206 b
2335
Untitled (two ancient soldiers), c. 1915 Lithograph on wove paper 69/i6 x 5'/i6 in. (16.6 x 12.9 cm) From Zeit-Echo 1, no. 23/24 (1915): 359 provenance: gift of Elmar Seibel, 1983 L. 86. 1.70 d; lent by the Robert Gore Rifkind Foundation, Beverly Hills, California
Franz Reinhardt
born 1881 Helmstedt
2335
630
Heinrich Revy
born 1883
Fdherczeg-Lak,
Hungary
Fritz Rhein
born 1873 Stettin
died 1948 Streckenhorst
Revy
2336
Untitled (three women and tiger),
c. 1921
Etching and aquatint on wove paper
5I3/i6 x 6% in. (14.8 x 17.2 cm)
From Eros 1, no. 3 (1921): following 96
inscription: numbered (593/1,000) on
justification page
provenance: Galerie Gerda Bassenge,
Berlin, 16 April 1981, part of lot 2212
83.1.1610 e
2337
Zerschossenes Dorf, 1914 (Bnllet-riddled village) Lithograph on wove paper 87/8 x n'/ie in. (22.5 x 28. 1 cm) From Kriegszeit, no. 26 (1915): 2 provenance; Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
exhibition: Reed 281/200 83.1.1424 b
2338
Alarm! 1915
Lithograph on wove paper
io7/8 x io3/i6 in. (27.6 x 25.9 cm)
From Kriegszeit, no. 23 (1915): 2
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/199
83.1.1421 b
2339
Im Alarmkeller, 1915
(In the bomb shelter)
Lithograph on wove paper
I3u/i6 x 11% in. (34.7 x 29.8 cm)
From Kriegszeit, no. 35 (1915): 3
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/201
83.1.1433 c
2340
Im Unterstand, 1915
(In the foxhole)
Lithograph on wove paper
I215/ie x li'/s in. (32.8 x 28.3 cm)
From Kriegszeit, no. 39 (1915): 3
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/202
83.1.1437 c
2341
Riichhehr im Regen, 1915
(Return in the rain)
Lithograph on wove paper
13% x 12 in. (34.0 x 30.5 cm)
From Kriegszeit, no. 44 (1915): 1
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/203
83.1.1442 a
2338
2340
2336
'■$#'■. I'M
/ I . !
2341
2339
)^#M# "^
2344
2346
2347
Richter
2342
Untitled (couple), c 1914
Woodcut on wove paper
g'/j x 67/s in. (23.5 x 17.4 cm)
From Die Aktion 4, no. 17 (1914):
361-62
provenance: Hauswedell & Nolte,
Hamburg, 30 November 1979, part of
lot 1173
83.1.1482 c
2343
Die Esel, c. 1915
(The asses)
Woodcut on wove paper
33/8 x 6V4 in. (8.5 x 15.9 cm)
From Die Aktion 5, no. 52 (1915): cover;
not identified as an original woodcut
provenance: Hauswedell & Nolte,
Hamburg, 30 November 1979, part of
lot 1173
83.1.1504 a
2344
Untitled (reclining figure), 1915 Lithograph on laid paper 5 x 67/i6 in. (12.7 x 16.4 cm) From Zeit-Echo 2, no. 8 (1915-16): 122 PROVENANCE: gift of Elmar Seibel, 1983 L.86. 1.73 c; lent by the Robert Gore Rifkind Foundation, Beverly Hills, California
2345
Akt, c. 1916
(Nude)
Linoleum cut on wove paper
65/ie x 4n/i6 in. (16. 1 x 11. g cm)
From Die Aktion 6, no. 13 (1916):
157-58
PROVENANCE: Hauswedell & Nolte,
Hamburg, 30 November 1979, part of
lot 1173
83.1.1511 a
2346
Hund, c. 1916
(Dog)
Linoleum cut on wove paper
2% x 57/i6 in. (7.0 x 13.8 cm)
From Die Aktion 6, no. 13 (1916):
177-78
provenance: Hauswedell & Nolte,
Hamburg, 30 November 1979, part of
lot 1173
83.1.1511 e
2347
Musik, c. 1916
(Music)
Linoleum cut on wove paper
63/8 x &A in. (16.2 x 15.9 cm)
From Die Aktion 6, no. 13 (1916):
169-70
provenance: Hauswedell & Nolte,
Hamburg, 30 November 1979, part of
lot 1173
83.1.1511c
631
Hans Richter
born 1888 Berlin
died 1976 Locarno, Switzerland
632
Richter
2348
Miisik, c. 1916
(Music)
Linoleum cut on wove paper
415/i6 x 213/i6 in. (12.6 x 7.2 cm)
From Die Ahtion 6, no. 13 (1916): 171
provenance: Hauswedell & Nolte,
Hamburg, 30 November 1979, part of
lot 1173
83.1.1511c!
2349
Nonne, c. 1916
(Nun)
Linoleum cut on wove paper
47/i6 x 4 in. (11.3 x 10.2 cm)
From Die Aktion 6, no. 13 (1916):
165-66
provenance: Hauswedell & Nolte,
Hamburg, 30 November 1979, part of
lot 1173
83.1.1511 b
2350
Entwurffiir ein Aktions-Plakat, c. 1930
(Study for a Die Aktion poster)
Woodcut on wove paper
5n/i6 x 3% in. (14.5 x 9.5 cm)
From Die Aktion 20, no. 1/2 (1930):
cover
provenance: gift of Titus Felixmuller,
1984
L.84. 5. 173 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
Klaus Richter 2351
Heimweh, 1916
born 1887 Berlin (Homesickness)
Lithograph on wove paper
died 1948 Berlin 10% x 715/i6 in. (27.7 x 20.1 cm)
From Lieder des Bildermann, supple- ment to Der Bildermann 1, no. 3 (1916) provenance: Hauswedell &: Nolte, Hamburg, 6-8 June 1974, part of lot 190
exhibition: not listed in Reed under 265 83.1.1462.74
|
Heinrich Richter- |
2352 |
|
Berlin |
Bahnwarterhauschen, c. 1912 |
|
(Linesman's cottage) |
|
|
born 1884 Berlin |
Woodcut on wove paper |
|
9% x i4'/s in. (24.8 x 35.9 cm) |
|
|
died 1981 Berlin |
From Der Sturm 3, no. 121/122 |
|
(1912): 117 |
|
|
PROVENANCE: Ex Libris, New York; |
|
|
purchased in 1982 |
|
|
83.1.1391.18 |
2353
Die Briistung, c. 1912 (The balustrade) Woodcut on wove paper io15/i6 x 7% in. (27.7 x 19.7 cm) From Der Sturm 2, no. 99 (1912): 791 PROVENANCE: Ex Libris, New York; purchased in 1982 83.1.1390.22
2348
^^
fiehivtof$-
JBirln oi«'SV<iviPf Juill UionftiTn, SW mirg nut ofr SVrbflrdflrfm, 6s juirfn uni luffr n Sif nnS*m 5>«ivSnmiii, ulkinvfMjn-
SBna toiflit if). , oiinTrif 3»JpJfl'. SJpr. bcrulttn.frijaiwn ^Ht% %A>,biefitin\al hioltr 6fn 6lp)iln, '.lljK u«jt fw ton fyn )"p tofit .'
21m Wbjlrn trlrucfr' ic§ bit tSlirne. 9nft)ienealmtlii>t)ia$ ju lljr, Sic 'Jtatfjiianll'ljSr'irfjroatrtif, 0i< fang bor 1ft- i"Y»«W SSiir.
£>rr TRorgrn, ftm ift mciiw Jnf uirl £>o ling' id) in |ldif r Stunb'
ri),'J'(iilfrfilan6,iun5'rjmsgniriJ''
2353
Richter-Berlin
633
2354
2355
2356
2360
TlfT!
2354
Kopf eines Zerhackten, e. 1912
(Head of a dismembered man)
Woodcut on wove paper
i3'/s x 10% in. (33.4 x 26.4 cm)
From Der Sturm 2, no. 104 (1912): 831
provenance: Ex Libris, New York;
purchased in 1982
83.1.1390.27
2355
Landschaft mit Bachmiihle, c. 1912
(Landscape with millstream)
Woodcut on wove paper
9% x i4'/i6 in. (24.5 x 35.7 cm)
From Der Sturm 3, no. 119/120
(1912): 105
provenance: Ex Libris, New York:
purchased in 1982
83.1.1391.15
2356
Landschaft mit hollandischer Muhle,
c. 1912
(Landscape with windmill)
Woodcut on wove paper
9% x 14V16 in. (24.5 x 35.8 cm)
From Der Sturm 3, no. 119/120
(1912): 107
PROVENANCE: Ex Libris, New York;
purchased in ig82
83.1.1391.16
2357
Der Torsteher, c. 1912
(The goalie)
Woodcut on wove paper
12% x lo'/a in. (32. 1 x 26.6 cm)
From Der Sturm 3, no. 111 (1912): 53
provenance: Ex Libris, New York;
purchased in 1982
83.1.1391.5
2358
Untitled (figures in landscape), c. 1912
Woodcut on wove paper
9% x ^Vs in. (24.7 x 35.9 cm)
From Der Sturm 3, no. 130 (1912): 169
provenance: Ex Libris, New York;
purchased in 1982
83-1-1391-32
2359
Untitled (skater), c. 1913
Woodcut on wove paper
ion/i6 x 87/i6 in. (27.2 x 21.4 cm)
From Der Siurm 4, no. 168/169
(1913): 61
provenance: Ex Libris, New York;
purchased in 1982
83.1.1391.69
2360
Untitled (houses), c. 1914
Woodcut on wove paper
85/i6 x 6'/4 in. (21. 1 x 15.8 cm)
From Die Aktion 4, no. 23 (1914):
501—2; not identified as an original
woodcut
provenance: Hauswedell & Nolte,
Hamburg, 30 November 1979, part of
lot 1173
83.1.1488 a
634
Richter-Berlin
2361
Die Hirten aufdem Felde, c. 1916
(The shepherds in the fields)
Woodcut on wove paper
45/i6 x 57/s in. (11.0 x 14.9 cm)
From Die Aktion 6, no. 51/52 (1916):
cover; not identified as an original
woodcut
PROVENANCE: Hauswedell & Nolte,
Hamburg, 30 November 1979, part of
lot 1173
83.1.1527 a
2362
Maeedonisches Mddchen, c. 1916
(Macedonian girl)
Woodcut on wove paper
85/ie x 6'/j in. (21. 1 x 15.9 cm)
From Die Aktion 6, no. 47/48 (1916):
645-46
PROVENANCE: Hauswedell & Nolte,
Hamburg, 30 November 1979, part of
lot 1173
83.1.1525 b
2363
Kraftakt, 1974 (Feat of strength) Linoleum cut on laid paper 7% x 55/ie in. (19.4 x 13.5 cm) From Heinrich Richter-Berlin, Kunstblatter der Galerie Nierendort, no. 32 (Berlin: Galerie Nierendorf, 1974), following p. 18; edition of 2,000 provenance: Galerie Nierendorf, Berlin; acquired in 1974 83.1.521b
2364
Kunstlerin und Miizen, 1974 (Artist and patron) Linoleum cut on laid paper 75/8 x 5V4 in. (19.4 x 13.4 cm) From Heinrich Richter-Berlin. Kunstblatter der Galerie Nierendorf, no. 32 (Berlin: Galerie Nierendorf, 1974), following p. 38; edition of 2,000 provenance: Galerie Nierendorf, Berlin; acquired in 1974 83.1.521 d
2365
Mddchen am Strand, 1974 (Girl on the beach) Linoleum cut on laid paper ■jVi x 5V4 in. (19.0 x 13.4 cm) From Heinrich Richter-Berlin. Kunstblatter der Galerie Nierendorf, no. 32 (Berlin: Galerie Nierendorf, 1974), before p. 23; edition of 2,000 provenance: Galerie Nierendorf, Berlin; acquired in 1974 83.1.521c
2363
2362
2364
2370
2367
2368
Rodin
2366
Untitled (woman seated by tree),
c. 1920
Lithograph on wove paper
10 x 8% in. (254 x 21.3 cm)
From portfolio Das Buch Eins des
Aktivisten Bundes, 1919 (Diisseldorf:
Eigener Verlag, 1920)
inscription: signed, l.r.
provenance: Ars Libri, Boston:
purchased in 1981
83.1.670 c
635
2367
Sophus Soneland 1, 1920
Etching on J. W. Zanders 1916 paper
9V2 x 7% in. (24.2 x 18.7 cm)
From Eos 2, no. 4 (1920): 133; from
edition A (total edition of 250)
INSCRIPTION: numbered (xvii/xl) and
signed by editor Paul Baumann on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
exhibition: Reed under 270
83.1. 1608 d
2368
Sophus Soneland 2, 1920
Etching and aquatint on J. W. Zanders
igi6 paper
9% x 7% in. (24.8 x 18.8 cm)
From Eos 2, no. 4 (1920): 137; from
edition A (total edition of 250)
inscription: numbered (xvii/xl) and
signed by editor Paul Baumann on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
exhibition: Reed under 270
83.1.1608 e
2369
Sophus Soneland 3, 1920
Etching and aquatint on J. W. Zanders
1916 paper
9%6 x 75/i6 in. (24.3 x 18.6 cm)
From Eos 2, no. 4 (1920): 143; from
edition A (total edition of 250) •
inscription: numbered (xvii/xl) and
signed by editor Paul Baumann on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
exhibition: Reed under 270
83.1. 1608 f
2370
Antonin Proust, 1885
Drypoint on wove paper
9V16 x 65/s in. (23.0 x 16.8 cm)
From Pan 3, no. 3 (1897): following 190
PROVENANCE: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
REFERENCE: Delteil 10 V; Dennerlein
1725
83- 1- 1355 h
Hans Rilke
born 1881 Rheydt
died 1947 Dusseldorf
Karl Ritter
born 1888 Wurzburg
Auguste Rodin
born 1840 Paris, France
died 1917 Meudon, France
636
Roeder
Max Roeder
born 1866 Munchen-Gladbach
died 1947 Rome,
Italy
]. Leonard Roeselare
2371
Heiliger Hain, c. 1912
(Sacred grove)
Etching on laid paper with crowned
fleur-de-lis watermark
8lA x io9/i6 in. (20.9 x 26.9 cm)
From Zeitschrift fur bildende Kunst,
n.s., 23, no. 12 (1912): following 312
provenance: Galerie Gerda Bassenge,
Berlin, 15 May 1976, part of lot 4364
83.1.966 p
2372
Eine sckone Frau bedarf keiner Perlen,
c. 1924
(A beautiful woman needs no pearls)
Linoleum cut on wove paper
ioV2 x 5'/i in. (26.7 x 13.4 cm)
From Der Sturm 15, no. 1 (1924): 7
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1396.3
Henry Roessingh 2373
Untitled (two nudes), c. 1915 born 1889 Lithograph on laid paper
43/8 x 315/i6 in. (11. 1 x 10.0 cm) died 1927(?) From Zeit-Echo 2, no. 6 (1915-16): 82
PROVENANCE: gift of Elmar Seibel, 1983 L. 86. 1 . 71 a; lent by the Robert Gore Rifkind Foundation, Beverly Hills, California
2374
Untitled (standing nude with pitcher),
c 1915
Lithograph on laid paper
67/b x 4'/8 in. (175 x 10.4 cm)
From Zeit-Echo 2, no. 9 (1915-16): 137
provenance: gift of Elmar Seibel, 1983
L.86. 1.74 b; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
2375
Untitled (couple at table), c. 1916 Lithograph on laid paper 4'/4 x 3'/j in. (10.8 x 8.2 cm) From Zeit-Echo 2, no. 12 (1915-16): 186 provenance: gift of Elmar Seibel, 1983 L.86. 1.77 b; lent by the Robert Gore Rifkind Foundation, Beverly Hills, California
2376
Untitled (barn), c. 1916
Lithograph on laid paper
4!/! x 45/i6 in. (10.8 x 10.9 cm)
From Zeit-Echo 2, no. 15 (1915-16): 227
provenance: gift of Elmar Seibel, 1983
L.86. 1.80 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
2371
2373
2372
2376
2378
2377
2380
2381
Rohlfs
2377
Der gute Hirte, c. 1911
(The good shepherd)
Woodcut on wove paper
89/ie x 3% in. (21.8 x 9.6 cm)
From deluxe edition of Das Kunstblatt
2, no. 9(1918)
INSCRIPTION: numbered (32/110) on
justification page
provenance: Henry Hallenstein; W. F.
Arntz, Haag (Oberbayern); purchased
in 1975
REFERENCE: Vogt 36 EXHIBITION: Reed 283/18 83.1.1119b
2378
Elias in der Wuste, c. 1912
(Elijah in the wilderness)
Woodcut on wove paper
5n/i6 x 45/8 in. (14.5 x 11.8 cm)
From Das Kunstblatt 3, no. 12 (1919)
PROVENANCE: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
REFERENCE: Vogt 41
EXHIBITION: Reed 283/57
83. 1.1146 a
2379
Der Tod, c. 1912-13
(Death)
Linoleum cut printed in blue on heavy
wove paper
8 x qVi in. (20.3 x 24. 1 cm)
From portfolio Die Schaffenden 2, no. 1
(Weimar: Gustav Kiepenheuer Verlag,
1920); from edition of 100 (total edition
of 125)
INSCRIPTION: signed, l.r.; titled, 1.1.;
blind stamp of Die Schaffenden, 1.1.
provenance: R. E. Lewis, Inc., San
Anselmo, California; purchased in 1972
REFERENCE: Vogt 64; Jahn and Rerger 41
EXHIBITION: Reed 196
M. 82.288.254
2380
Riickkehr des verlorenen Sohnes, 1916 (Return of the prodigal son) Woodcut on brownish paper i95/8 x i49/i6 in. (49.8 x 37.0 cm) inscription: signed, l.r. provenance: O. P. Reed, Jr., Los Angeles; purchased in 1972
REFERENCE: Vogt 99
EXHIBITION: Reed 197
The block was inked in the manner of a
monotype
M. 82.288.255
2381
Auferstehung der Toten, c. 1917 (Resurrection of the dead) Woodcut on thin laid paper 5'/8 x i55/s in. (13.0 x 39.6 cm) inscription: signed and titled, l.r. provenance: Christie's, London, 4 July 1974, part of lot 160 REFERENCE: Vogt 105
exhibition: Reed 198 M. 82. 288. 256
637
Christian Rohlfs
born 1849 Niendorf
died 1938 Hagen in Westphalen
638
Rohlfs
2382
Tod mit Sarg, c. 1917
(Death with coffin)
Woodcut printed in brown on rice paper
laid down on yellowish paper
87/i6 x 515/i6 in. (21.5 x 15.0 cm)
Proof apart from unsigned edition in
Das Kunstblatt 2, no. 9 (1918); the
center also has impressions from the
regular and deluxe editions of Das
Kunstblatt
inscription: signed and titled, l.r.
provenance: Christie's, London, 4 July
1974, part of lot 160
REFERENCE: Vogt 104
EXHIBITION: Reed 199; Barton 68;
Rigby 84
M. 82.288.257
2383
Der Gefangene, 1918
(The prisoner)
Woodcut on simili-japan paper
24V4 x 18% in. (61. 1 x 46.6 cm)
provenance: Hauswedell & Nolte,
Hamburg, 8-9 June 1979, lot 1163
REFERENCE: Vogt 107 II
EXHIBITION: Barton 69; Chipp 110;
Rigby 85
M. 82. 288.253
2384
Kleiner mannlicher Kopf 2, 1921
(Small head of a man 2)
Woodcut on wove paper
513/i6 x 4 in. (14.8 x 10.2 cm)
From Wolfgang van der Briele,
Christian Rohlfs: Der Kiinstler und sein
Werk (Dortmund: Gebriider Lensing,
1921), before title page
provenance: Ex Libris, New York;
purchased in 1980
REFERENCE: Vogt 113 (as C. 1920)
83.1.647 a
2385
Fiinftes Buch der Galerie Goyert, 1922 (Fifth book of the Galerie Goyert) Woodcut on green heavy wove paper 8V2 x 59/i6 in. (21.6 x 14.2 cm) Cover to catalogue for Rohlfs exhibition at Galerie Goyert, Cologne, 1922 provenance: Hartung & Karl, Munich, 13 November 1974, lot 1930 REFERENCE: Vogt 153 (with much larger dimensions) 83.1.542 a
Felicien Rops 2386
Oude-Kate, c. 1876 born 1833 Namur, (Old Kate)
Belgium Soft-ground etching on wove paper
io3/i6 x 7u/i6 in. (25.8 x 19.5 cm) died 1898 From Pan 1, no. 1 (1895-96):
Essonnes, France following 8
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
REFERENCE: Exsteens 268; Dennerlein
63
83- 1- 1350 a
2383
2382
2384
2385
2386
2387
2388
2390
2389
2392
2391
nJk
Rosier
2387
Die Strasse, c. 1912
(The street)
Woodcut on wove paper
913/i6 x i33/s in. (25.0 x 34.0 cm)
From Der Sturm 3, no. 140/141
(1912): 237
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1391.45
2388
Untitled (landscape), c. 1912
Woodcut on wove paper
77/8 x ioVi in. (20.0 x 26.0 cm)
From Der Sturm 3, no. ng/120
(1912): 101
provenance: Ex Libris, New York;
purchased in 1982
83.1.1391.14
2389
Untitled (landscape), c. 1912
Woodcut on wove paper
io5/i6 x 77/8 in. (26.2 x 20.0 cm)
From Der Sturm 3, no. 121/122
(1912): 119
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1391.19
2390
Untitled (woman in forest), c. 1912
Woodcut on wove paper
8% x g5/i6 in. (21.3 x 23.6 cm)
From Der Sturm 3, no. 131 (1912): 173
PROVENANCE: Ex Libris, New York;
purchased in 198a
83- 1- 1391-33
2391
Untitled (on the beach), c. 1913
Woodcut on wove paper
7'/i6 x 87/i6 in. (18.0 x 21.4 cm)
From Der Sturm 4, no. 160/161
(1913): 29
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1391.60
2392
Untitled (figure in landscape), c. 1914 Woodcut on wove paper li'Vie x 6lA in. (29.7 x 15.8 cm) From Der Sturm 5, no. 1 (1914): 5 PROVENANCE: Ex Libris, New York; purchased in 1982 83.1.1391.81
639
Friedrich Rosenkranz
2393
Frauenkopf, 1911
(Head of a woman)
Lithograph on japan paper
7 x 5"/i6 in. (17.8 x 14.5 cm)
From Kunst und Kiinstler 10, no. 3
(1911): 120
PROVENANCE: Ars Libri, Boston;
purchased in 1982
83.1.1232 a
Waldemar Rosier
born 1882 Streisen died 1916 Arys
640
Rosier
2394
Untitled (figures on beach), c. 1913 Lithograph on laid paper 5s/i6 x 6'/8 in. (13.5 x 15.6 cm) From Das neue Pathos 1, no. 3/4
(1913): 39
INSCRIPTION: numbered (50/100) on
justification page
PROVENANCE: Ars Libri, Boston;
purchased in 1983
L. 84. 5. 339 e; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
2395
Untitled (street scene), c. 1913 Lithograph on laid paper 313/i6 x 6% in. (9.7 x 16.2 cm) From Das neue Pathos 1, no. 5/6
(1913): 13
INSCRIPTION: numbered (50/100) on
justification page
PROVENANCE: Ars Libri, Boston;
purchased in 1983
L. 84. 5. 339 j; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
2396
Untitled (cafe scene), c. 1914 Lithograph on laid paper gVt x 69/i6 in. (23.5 x 16.6 cm) From Das neue Pathos 2, no. 1/3 (1914): 7; from edition B of 250 provenance: Ars Libri, Boston; acquired by exchange in 1984 83.1.824 b
2397
Untitled (portrait of a woman), c. 1914 Lithograph on laid paper 615/i6 x 7'/j in. (17.6 x 18.5 cm) From Das neue Pathos 2, no. 1/3 (1914): 55; from edition B of 250 provenance: Ars Libri, Boston; acquired by exchange in 1984 83.1.824!'
2398
Untitled (landscape), c. 1914 Drypoint on wove paper 5% x 7n/i6 in. (14.6 x ig.5 cm) From Zeitschrift fur bildende Kunst, n.s., 25, no. 8 (1914): before 193 PROVENANCE: Galerie Gerda Bassenge, Berlin, 15 May 1976, part of lot 4364 83.1.9670
2399
Ablosung, c. 1915
(Relief)
Lithograph on wove paper
11% x g13/i6 in. (29.5 x 25.0 cm)
From Kriegszeit, no. 54 (1915): 2
PROVENANCE: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/206
83.1.1452 b
2394
2395
2397
2396
2398
"i~.j„-,^^ft-w
^-5*
2399
Rossing
641
2400
2401
2402
2400
Writer der Front in Flandern, c. 1915 (Behind the lines in Flanders) Lithograph on wove paper io5/8 x g'/i in. (27.0 x 23.5 em) From Kriegszeit, no. 54 (1915): 4 PROVENANCE: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
exhibition: Reed 281/207 83.1.1452 a
2401
Stille Helden, c. 1915
(Quiet heroes)
Lithograph on wove paper
n5/s x n13/i6 in. (29.5 x 30.0 cm)
From Kriegszeit, no. 54 (1915): 1
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/203
83.1.1452 a
2402
Untitled (battlefield), 1915 Lithograph on wove paper •fA x 11 in. (19.0 x 28.0 cm) From Kriegszeit, no. 54 (1915): 3 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
exhibition: Reed 281/206 83.1.1452 c
2403
Untitled (two men walking at sunset),
c- 1915
Lithograph on J. W. Zanders paper
5!/a x 413/i6 in. (14.0 x 12.2 cm)
From Das Jahrbuch der Zeitschrift
"Das neve Pathos," vol. 3 (Berlin: Verlag
E. W. Tieffenbach, 1919), p. 27; edition
of 150
PROVENANCE: Ars Libri, Boston;
purchased in 1983
L.84.5.340 b; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
2404
Der eingebildete Kranke, 1922 (The imaginary invalid) Woodcut on thick japan paper 7V2 x 5'/8 in. (19.0 x 13.0 em) From Ganymed-Mappe 11 (Munich: Marees-Gesellschaft, 1922) INSCRIPTION: signed and dated, l.r.; numbered (cxl/ccc) on cover PROVENANCE: Hans Bolliger, Zurich; purchased in 1972 EXHIBITION: Reed 317/32 M. 82. 288. 378 i
Karl Rossing
born 1897 Gmunden, Austria
2404
642
Rossing
2405
Taras Bulba
Book with 8 full-page and 22 vignette woodcuts on wove paper Illustrations to story by Nikolay Gogol (Vienna, Leipzig, and Munich: Rikola Verlag, 1922)
PROVENANCE: Helmut Tenner, Heidelberg, 15-17 April 1975, lot 1353 exhibition: Reed 348 83.1.173 a-dd
1. Untitled (man carrying another man on shoulders), c. 1922 6V8X4u/i6in. (15.6 x 11.9 cm) Page 29
83- 1-173 8
2. Untitled (camp), c. 1922 65/s x 4% in. (16.8 x 12.4 cm) Page 55
83.1.173 k
3. Untitled (man and woman by candlelight), c. 1922
6V2 x 413/i6 in. (16.5 x 12.2 cm) Page 70 83.1.173 n
4. Untitled (foot and mounted soldiers), c. 1922
65/s x 413/i6 in. (16.8 x 12.3 cm) Page 85
83- 1-173 P
5. Untitled (rider with pistol), c. 1922 69/i6 x 413/i6 in. (16.7 x 12.3 cm) Page 91
83-1-173 q
6. Untitled (cavalry battle), c. 1922 69/i6 x 413/i6 in. (16.7 x 12.3 cm) Page 111
83.1.173 1
7. Untitled (scene of execution), c. 1922
65/s x 413/i6 in. (16.8 x 12.3 cm) Page 139 83.1. 173 z
8. Untitled (man chained to tree), c. 1922
65/s x 413/i6 in. (16.8 x 12.3 cm) Page 147 83.1. 173 cc
2405-1
2405-2
2405-3
2405-4
2405-5
2405-7
2405-8
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643
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2406-4
2406-6
2406
Das Aldegrever-Madchen
(The Aldegrever girl) Book with 8 lithographs with watercolor on laid paper
Illustrations to story by Alfred Richard Meyer, no. 4 in the monographic series Der Venuswagen (Berlin: Fritz Gurlitt Verlag, 1919), total edition of 700 INSCRIPTION: signed and numbered (35/40) on justification page provenance: Kunstgalerie Esslingen, Esslingen: purchased in 1975 exhibition: Reed 415/4 83. 1.806 a-h
1. Untitled (standing nude with towel), 1919
With pink and blue watercolor 8 x 67/i6 in. (20.4 x 16.4 cm) Before page 1 1 83.1.806 a
2. Untitled (nude in profile), 1919 With pink watercolor
8'A x 59/ie in. (21.0 x 14. 1 cm) Following page 14 83.1.806 b
3. Untitled (three nudes), 1919 With blue, green, and pink watercolor
77/s x yV* in. (20.0 x 18.4 cm)
Following page 20
83.1.806 c
Untitled (seated nude), 1919
With pink and brown watercolor
8% x 63/4 in. (22.2 x 17.2 cm)
Following page 26
83. 1.806 d
Untitled (standing woman with
candle), 1919
With pink and yellow watercolor
7X55/sin. (17.7 x 14.3 cm)
Following page 30
83.1.806 e
Untitled (couple in hammock), 1919
With blue, pink, brown, and red
watercolor
815/i6 x 7u/i6 in. (22.7 x 19.5 cm)
Following page 32
83. 1.806 f
Untitled (nude in negligee), 1919
With pink and blue watercolor
73/i6 x 3%6 in. (18.2 x 9.0 cm)
Following page 36
83.1.806 g
Untitled (nude shot by arrow), 1919
With green, yellow, blue, red, and
pink watercolor
9V16 x 6'/s in. (23.0 x 15.5 cm)
Following page 38
83. 1.806 h
4.
5.
Georg Walter Rossner
born 1885 Leipzig
2406-i
644
Rothenstein
William Rothenstein 2407
Walter Crane, 1896 born 1872 Lithograph on laid paper
Bradford, England io"/i6 x 9T/16 in. (27.2 x 24.0 cm)
From Pan 2, no. 4 (1897): following 328 died 1945 London, provenance: Kornfeld & Klipstein,
England Bern, 7-8 June 1978, part of lot 775
REFERENCE: Dennerlein 1329
83- 1- 1353 1
Ernst Rottger 2408
Junges Paar, c. 1934 born 1899 Kassel (Young couple)
Woodcut on japan paper 7% x 45/i6 in. (19.6 x 10.9 cm) From portfolio Holzschnitte niederrheinischer Kiinstler {Krefeld: Felt Verlag, 1934); possibly from edition of 35 (see remarks under cat. no. 277) provenance: Kunstgalerie Esslingen, Esslingen: purchased in 1975 83.1.16]
Andre Rouveyre 2409
Kopf, 1920 born 1879 Paris, (Head)
France Woodcut on wove paper
97/i6 x 7 in. (24.0 x 17.8 cm) died 1962 From Genius 2, no. 2 (1920): following
320
provenance: M. J. Royer Bookshop,
Los Angeles; purchased about 1970—72
EXHIBITION: Reed 275/11
83.1.815 b
Gerhard von Ruckteschell
2408
2410
Prophet, c. 1920 Woodcut on wove paper 9% x yVs. in. (24.8 x 19.0 cm) From Kiindung 1, no. 1 (1921) PROVENANCE: Galerie Wolfgang Ketterer, Munich, 26 November 1974, part of lot 1154 EXHIBITION: Reed under 282 83.1.1055 d
2411
Schreitende und Kinder, c. 1921 (Strollers and children) Woodcut on wove paper 14V16 x io'/j in. (35.7 x 26.0 cm) From Kiindung 1, no. 9/10 (1921) PROVENANCE: Galerie Wolfgang Ketterer, Munich, 26 November 1974, part of lot 1154 EXHIBITION: Reed under 282 83.1.1060 n
2410
Ruckteschell
645
2413
2415
2412
Springende Kinder, c. 1921
(Jumping children)
Woodcut on wove paper
11 x 7n/i6 in. (28.0 x 19.5 cm)
From Kiindung 1, no. 9/10 (1921)
provenance: Galerie Wolfgang
Ketterer, Munich, 26 November 1974,
part of lot 1154
EXHIBITION: Reed under 282
83.1.1060 m
2413
Untitled (three women), c. 1923 Woodcut on wove paper 8'/4 x 63/i6 in. (21.0 x 15.7 cm) From Karl Lorenz, ed., Das neue Hamburg (Hamburg: Gemeinschafts- verlag Hamburgischer Kiinstler, 1923),
P- 133
INSCRIPTION: numbered (257/450) on
justification page
provenance: Arthur H. Minters, New
York; purchased in 1976
EXHIBITION: Reed under 322
83.1.160 u
2414
Untitled (head), c. 1923 Woodcut on wove paper io7/s x 6l/s in. (27.6 x 15.6 cm) From Karl Lorenz, ed.. Das neue Hamburg (Hamburg: Gemeinschafts- verlag Hamburgischer Kiinstler, 1923),
P- 135
INSCRIPTION: numbered (257/450) on
justification page
provenance: Arthur H. Minters, New
York; purchased in 1976
exhibition: Reed under 322
83.1.160 v
2415
Untitled (two women), c. 1923 Woodcut on wove paper g'/s x 7V1 in. (23. 1 x 19.0 cm) From Karl Lorenz, ed., Das neue Hamburg (Hamburg: Gemeinschafts- verlag Hamburgischer Kiinstler, 1923),
P- 137
inscription: numbered (257/450) on
justification page
provenance: Arthur H. Minters, New
York; purchased in 1976
EXHIBITION: Reed under 322
83.1.160 w
646
Rudinoff
W. Rudinoff
born 1866
Angermunde
Crete Ruhle
Walter Ruttmann
born 1887 Frankfurt am Main
died 1941 Berlin
2416
Untitled (landscape), 1901
Etching on laid paper
5 x 7'/i6 in. (12.7 x 17.9 cm)
From Zeitschrift fur bildende Kunst,
n.s., 17, no. 2 (1905): following 48
provenance: Galerie Gerda Bassenge,
Berlin, 15 May 1976, part of lot 4364
83.1.964 b
2417
Untitled (portrait of a woman), 1902 Etching on laid paper 713/i6 x 71:yi6 in. (19.8 x 19.8 cm) From Zeitschrift fur bildende Kunst, n.s., 17, no. 2 (1905): before 25 PROVENANCE: Galerie Gerda Bassenge, Berlin, 15 May 1976, part of lot 4364 83.1.964 a
2418
Der "revolutionare Parlamentarier"
marschiert, c. 1924
(The "revolutionary parliamentarian"
marches)
Woodcut on wove paper
47/i6 x 3 in. (11.3 x 7.6 cm)
From Die Ahtion 14, no. 15 (1924): 695;
not identified as an original woodcut
provenance: gift of Titus Felixmiiller,
1984
L.84.5. 144 b; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
2419
Spaziergang, 1919
(The stroll)
Lithograph on J. W. Zanders paper
io'/i6 x 6% in. (25.5 x 17. 1 cm)
From portfolio Die Fibel (Darmstadt:
Karl Lang Verlag, 1919); the center has
another impression
inscription: signed and dated, l.r.
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
exhibition: Reed under 338
83.i.i8d
i Ml?
2416
2418
Rysselberghe
647
2420
2422
7 h
J0*
2420
Untitled (three seated figures), 1919 Lithograph on wove paper 6% x 4 in. (16.2 x 10.2 cm) From Hans Theodor Joel, ed. , Das graphische Jahrbuch (Darmstadt: Karl Lang Verlag, 1920), following p. 40 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 exhibition: Reed 318/3 83199 c
2421
Untitled (six demonic figures), c. 1919 Lithograph on wove paper 9% x 6% in. (24.7 x 16.2 cm) provenance: O. P. Reed, Los Angeles; date of purchase unknown L.82.5.3; lent by the Robert Gore Rifkind Foundation, Beverly Hills, California
2422
Henri de Regnier, c. 1898 Lithograph on laid paper 89/i6 x 6% in. (21.7 x 16.8 cm) From Pan 4, no. 1 (1898): following 24 PROVENANCE: Kornfeld & Klipstein, Bern, 7-8 June 1978, part of lot 775 REFERENCE: Dennerlein 1881 83.1.1356 c
Theo van Rysselberghe
born 1862 Ghent, Belgium
died 1926 Saint-Clair. France
"Vv>
2421
648
Sartorius
Karl Sartorius
C. F. Savary
2423
Dame mit Schleier, c. 1934 (Lady with veil) Woodcut on japan paper 713/i6 x 3% in. (199 x 8.6 cm) From portfolio Holzschnitte niederrheinischer Kiinstler (Krefeld: Felt Verlag, 1934); possibly from edition of 35 (see remarks under cat. no. 277) provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 83.1.16 k
2424
Modebild 4, c. 1915
(Fashion illustration 4)
Lithograph on laid paper
5'/i6 x 37/ie in. (12.9 x 8.7 cm)
From Zeit-Echo 2, no. 5 (1915-16): 78
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
EXHIBITION: Reed under 308
83.1.1211 b
2425
Modebild 5, c. 1915
(Fashion illustration 5)
Lithograph on laid paper
59/i6 x 3V8 in. (14. 1 x 7.9 cm)
From Zeit-Echo 2, no. 6 (1915-16): 93
PROVENANCE: gift of Elmar Seibel, 1983
L. 86. 1.71 c; lent by the Robert Gore
Kit kind Foundation, Beverly Hills,
California
2426
Modebild 7, c. 1915 (Fashion illustration 7) Lithograph on laid paper 57/8 x $Vs in. (14.9 x 12.9 cm) From Zeit-Echo 2, no. 7 (1915): 110 PROVENANCE: gift of Elmar Seibel, 1983 L. 86. 1.72 d; lent by the Robert Gore Rifkind Foundation, Beverly Hills. California
2427
Modebild 8, c. 1915
(Fashion illustration 8)
Lithograph on laid paper
5V2 x 37/8 in. (14.0 x 9.9 cm)
From Zeit-Echo 2, no. 9 (1915-16): 140
provenance: gift of Elmar Seibel, 1983
L.86. 1.74 c; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
2423
■/to \
(1 l\ w*.
2424
2425
/
'^^iisi***
Savary
649
2428
\/n
2430
2429
\A~7S *
2431
S»lMl#\,><-<S.-T. . . ^
^ D
2428
Modebild 9, c. 1915
(Fashion illustration 9)
Lithograph on laid paper
7'/i x 4V2 in. (18.5 x 11.4 cm)
From Zeit-Echo 2, no. 10 (1915-16): 155
provenance: gift of Elmar Seibel, 1983
L.86. 1.75 c; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
2429
Modebild 10, c. 1915
(Fashion illustration 10)
Lithograph on laid paper
5]1/i6 x 4 in. (145 x 10. 1 cm)
From Zeit-Echo 2, no. 11 (1915-16): 174
provenance: gift of Elmar Seibel, 1983
L. 86. 1.76 c: lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
2430
Modebild 11, c 1915
(Fashion illustration 11)
Lithograph on laid paper
4I5/i6 x 3% in. (12.6 x 8.5 cm)
From Zeit-Echo 2, no. 12(1915-16): 188
provenance: gift of Elmar Seibel, 1983
L.86. 1.77 c; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
2431
Modebild 12, c. 1915
(Fashion illustration 12)
Lithograph on laid paper
5!/8 x 3% in. (13.0 x 8.6 cm)
From Zeit-Echo 2, no. 14 (1915-16): 222
provenance: gift of Elmar Seibel, 1983
L.86. 1.79 b; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
2432
Untitled (jungle in moonlight), c. 1915 Lithograph on laid paper 4V2 x 27/s in. (11.5 x 7.3 cm) From Zeit-Echo 2, no. 1 (1915-16): 8 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 exhibition: Reed under 308 83. 1. 1207 a
2433
Untitled (Alpine couple), c. 1915 Lithograph on laid paper 53/i6 x 45/i6 in. (13. 1 x 10.9 cm) From Zeit-Echo 2, no. 3 (1915-16): 34 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 exhibition: Reed under 308 83.1.1209 a
2433
2432
650
Schad
Christian Schad
born 1894
Miesbach
died 1982 Stuttgart
2434
Stille Nacht, c. 1915
(Silent night)
Woodcut on wove paper
4V4 x 3'/8 in. (10.8 x 8.0 em)
From Die Aktion 5, no. 52 (1915): 666;
not identified as an original woodcut
provenance: Hauswedell & Nolte,
Hamburg, 30 November 1979, part of
lot 1173
83.1.1504 b
2435
Portrdt, c. 1918
(Portrait)
Linoleum cut on wove paper
5V8 x 37/i6 in. (13.0 x 8.7 cm)
From Die Aktion 8, no. 31/32 (1918):
401; not identified as an original
linoleum cut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1538 d
2436
Paul Levis Weg zu einer neuen, ihm
Beifall spendenden "Zentrale," c. 1921
(Paul Levi applauded on his way to
headquarters)
Woodcut on wove paper
6V2X4V2 in. (16.5 x 11.5 cm)
From Die Aktion 11, no. 17/18 (1921):
cover; not identifed as an original
woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1582 a
Edmund Schaefer 2437
Erzahlungen aus dem Orient
born 1880 Bremen (Tales from the Orient)
Portfolio of 10 wood engravings on japan paper
Published by Volksverband der Bucherfreunde, Berlin, with an introduction by Emil Waldmann inscription: each sheet signed, l.r. provenance: Ars Libri, Boston; purchased in 1979 M. 82. 288. 259 a-j
1. Mann mit Vorhang, n.d. (Man with curtain)
3,5/i6 x 3% in. (10.0 x 9.2 cm) Title page, also used for cover M. 82. 288. 259 i
2. Im Urwald, n.d. (In the jungle)
815/i6 x 7 in. (22.7 x 17.8 cm) M. 82.288.259 a
3. Die gefahrliche Emladung, n.d. (The dangerous invitiation)
77/8 x 513/i6 in. (20.0 x 14.8 cm) M. 82. 288. 259 b
4. Chinesisches Piratenschiff, n.d. (Chinese pirate ship)
615/i6 x 8I5/i6 in. (17.6 x 22.7 cm) M. 82. 288. 259 c
5. Verfolgung und Flucht, n.d. (Pursuit and flight)
6'Me x 5% in. (17.6 x 14.6 cm) M. 82. 288.259 d
2437-1
2437-5
2437-6
2437-8
Schaefler
651
2435
2438
2434
2436
2441
■'4 -' '■''/)- \^'
Die geheimnisvolle Sanfte, n.d.
(The mysterious sedan chair)
7'/i6 x 5I3/i6 in. (17.9 x 14.8 cm)
M. 82. 288. 259 e
Kampf auf der Dschunke, n.d.
(Battle on the junk)
7 x 5I3/i6 in. (17.8 x 14.8 cm)
M. 82.288.259 f
In Mittagsglut, n.d.
(In midday heat)
7x9 in. (17.8 x 22.8 cm)
M. 82. 288.259 g
Buddhastatue und Flehende, n.d.
(Buddha statue and supplicants)
615/i6 x 513/i6 in. (17.6 x 14.8 cm)
M. 82. 288. 259 h
2438
Bildnis A. Wach, c. 1918 (Portrait of Alois Wach) Woodcut on laid paper io"/i6 x 7% in. (27.2 x 18.7 cm) From Der Weg i, no. 1 (1919): 3 provenance: Ex Libris, New York; purchased in 1976 exhibition: Reed under 305 83.1.1213 b
2439
Pferd, c. 1918
(Horse)
Woodcut on laid paper
8n/i6 x 69/i6 in. (22.0 x 16.7 cm)
From Der Weg 1, no. 1 (1919): 5
provenance: Ex Libris, New York;
purchased in 1976
EXHIBITION: Reed under 305
83.1.1213 c
2440
Wanderzirkus, c. 1918
(Traveling circus)
Drypoint on wove paper
77/i6 x 6n/i6 in. (18.9 x 17.0 cm)
From deluxe edition of Das Kunstblatt
2, no. 12 (1918)
INSCRIPTION: numbered (32/110) on
justification page
PROVENANCE: Henry Hallenstein; W. F.
Arntz, Haag (Oberbayern); purchased
in 1975
exhibition: Reed 283/20
83.1.1122 b
2441
Untitled (the way), c. 1918 Woodcut on laid paper 67/8 x 6Vi in. (17.4 x 15.8 cm) From Der Weg 1, no. 1 (1919): 1 PROVENANCE: Ex Libris, New York; purchased in 1976 exhibition: Reed under 305; Rigby III, 24 83.1.1213 a
Fritz Schaefler
born 1888 Eschau died 1954 Cologne
2439
2440
652
Schaefler
2442
Untitled (figures running), c. 1918 Woodcut on laid paper iI5/i6 x 5V16 in. (4.9 x 12.8 cm) From DerWeg 1, no. 1 (1919): 10 PROVENANCE: Ex Libris, New York; purchased in 1976 exhibition: Reed under 305 83.1. 1213 f
2443
Bildnis Butting, c. 1919
(Portrait of Butting)
Woodcut on J. W. Zanders paper
12% x g3/8 in. (32.7 x 23.8 cm)
From portfolio Die Fibel (Darmstadt:
Karl Lang Verlag, 1919)
INSCRIPTION: signed, l.r.
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
exhibition: Reed under 338
83.1.18 c
2444
Bildnis Butting, c. 1919
(Portrait of Butting)
Woodcut on laid paper
915/i6 x 7V4 in. (25.3 x 18.4 cm)
From Der Weg 1, no. 4 (1919): 3; this
appears to be an autograph replica of the
woodcut from Die Fibel (cat. no. 2443)
provenance: Ex Libris, New York;
purchased in 1976
exhibition: Reed under 305
Not illustrated
83.1.1216 b
2445
Bildnis G. Birnbacher, c. 1919 (Portrait of G. Birnbacher) Woodcut on laid paper 10% x 7a/i6 in. (27.0 x 19.5 cm) From Der Weg 1, no. 7 (1919): 3 provenance: Ex Libris, New York; purchased in 1976 EXHIBITION: Reed under 305 83.1.1218 b
2446
Bildnis Kurt Eisner, c. 1919 (Portrait of Kurt Eisner) Woodcut on laid paper 10% x 715/i6 in. (27.0 x 20.2 cm) From Der Weg 1, no. 3 (1919): 3 provenance: Ex Libris, New York; purchased in 1976 EXHIBITION: Reed under 305; Rigby III, 23 83.1.1215 b
2447
Bildnis Scliauspielerin R., c. 1919
(Portrait of actress R.)
Woodcut on wove paper
9V2 x 7 in. (24.2 x 17.8 cm)
From Die rote Erde 1, no. 8/10
(1920): 315
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1975
EXHIBITION: Reed under 298
83.1.972 m
2442
-fTMutqfy,
2445
2443
2448
2451
2449
2450
2453
2452
Scharff
2448
Liebespaar bei Lampenlicht, c. 1919
(Lovers by lamplight)
Woodcut on wove paper
io'/i6 x 7 in. (25.5 x 17.8 cm)
From Die rote Erde 1, no. 8/10
(1920): 317
provenance: Hans Bolliger, Zurich;
purchased in 1975
exhibition: Reed under 298
83. 1.972 n
2449
Untitled (head), c. 1919 Linoleum cut on wove paper 7% x 5% in. (19.4 x 13.7 cm) From Die Biicherkiste 1, no. 5/7
(1919): 71
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1975
exhibition: Reed 267
83.1.1634 b
653
2450
Feldbatterie, c. 1915
(Field battery)
Lithograph on wove paper
n7/i6 x n7/i6 in. (29.0 x 29.0 cm)
From Kriegszeit, no. 35 (1915): 1
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/209
83.1.1433 a
2451
Im Schneesturm, c. 1915
(In the snowstorm)
Lithograph on wove paper
i59/i6 x n13/i6 in. (39.5 x 30.0 cm)
From Kriegszeit, no. 34 (1915): 4
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/208
83.1.1432 c
2452
Untitled (artist in studio), c. 1927 Lithograph on wove paper 8% x 615/i6 in. (22.0 x 17.6 cm) From Ing. Hermann Heuss et al. , Kunstler abseits vom Wege, igoj-ig2j (Chemnitz: Kiinstlergruppe Chemnitz, 1927), p. 24
PROVENANCE: unknown 83.1.52 c
Kurt Schafer
born c. 1886 died 1915
Gustav Schaffer
born 1881
2453
Gehende Manner, c. 1912 (Walking men) Lithograph on wove paper 11V4 x 713/i6 in. (28.5 x 19.8 cm) From portfolio Sema (Munich: Delphin-Verlag, 1912) inscription: signed, l.r. ; numbered (101/215) on justification page PROVENANCE: Karl & Faber, Munich, 26-28 May 1977, part of lot 1475 M. 82. 288. 383 k
Edwin Scharff
born 1887 Neu-Ulm died 1955 Hamburg
654
Scharff
2454
Untitled (couple embracing), 1912
Lithograph on laid paper
73/is x 4% in. (18.3 x 11. 1 cm)
From deluxe edition ofMiinchner
Blatter fur Diclitung und Graphik 1,
no. 11/12(1919): 192
INSCRIPTION: numbered (xix/c) on table
of contents
provenance: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
exhibition: Reed under 290
831-133J
2455
An meinen tapferenfiirs Vaterlund
gefallenen Bruder, 1914
(To my brave brother who has fallen for
his country)
Lithograph with red watercolor on wove
paper
i$Vk x 11V4 in. (38.2 x 28.5 cm)
From portfolio Kriegsbilderbogen
Miinchner Kiinstler (Munich:
Goltzverlag, [c. 1914]), pi. 1
inscription: signed, l.r.
PROVENANCE: Christie's, London, 5 July
1979, part of lot 178
M. 82.288.381 a
2456
Untitled (seated soldier), 1914 Lithograph on wove paper 515/i6x 49/i6 in. (15.1 x 11.6 cm) From Zeit-Echo 1, no. 2 (1914): 13 PROVENANCE: Kunstgalerie Esslingen, Esslingen: purchased in 1975 EXHIBITION: Reed under 308
83.1.1186 c
2457
Untitled (mounted officer), 1914
Lithograph on wove paper
6'/s x 53/i6 in. (15.6 x 13.2 cm)
From Zeit-Echo 1, no. 3 (1914): 37: the
center also has an impression from the
special edition
PROVENANCE: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
exhibition: Reed under 308
83.1. 1187 h
2458
Untitled (fighting nudes), 1914 Lithograph on wove paper 5n/i6 x 45/is in. (14.5 x 10.9 cm) From Zeit-Echo 1, no. 6 (1915): 81 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 EXHIBITION: Reed under 308 83.1.1191b
2457
2458
— — <«^-— •/ —
'j4*£&'-->ifU~'
2455
2459
2454
Scharff
655
2460
2462
*>zrHyt i
2464
2461
i
2463
2465
2459
Untitled (dead horse and soldier), 1914
Lithograph on wove paper
3 x 415/i6 in. (7.6 x 12.5 cm)
From special edition of Zeit-Echo 1, no.
9(i9i5): 123
inscription: numbered (36) on table of
contents
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
exhibition: Reed under 308
83.1.1194 b
2460
Untitled (head), 1914 Lithograph on wove paper 5"/i6 x 4n/i6 in. (145 x 11.9 cm) From Zeit-Echo 1, no. 12(1915): 179 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 EXHIBITION: Reed under 308 83.1.1197 c
2461
Schwerer Reiter, c. 1915
(Cavalryman)
Lithograph on wove paper
5% x 4% in. (13.7 x 11.1 cm)
From Zeit-Echo 1, no. 16 (1915): 233
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
EXHIBITION: Reed under 308
83.1.1201 a
2462
Untitled (two women), c. 1915 Lithograph on wove paper 5V2 x 3% in. (14.0 x 9.6 cm) From Zeit-Echo 1, no. 15 (1915): 220 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 EXHIBITION: Reed under 308 83.1.1200 a
2463
Untitled (three archers), c. 1915 Lithograph on wove paper 5V4 x 4% in. (13.9 x 12.4 cm) From Zeit-Echo 1, no. 15 (1915): 231 provenance: Kunstgalerie Esslingen, Esslingen, purchased in 1975 EXHIBITION: Reed under 308 83.1.1200 d
2464
Untitled (nude man with sword), 1915 Lithograph on wove paper 59/i6 x 45/i6 in. (14.2 x 11.0 cm) From Zeit-Echo 1, no. 17 (1915): 262 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 EXHIBITION: Reed under 308
83.1.1202 c
2465
Untitled (man writing), c. 1915 Lithograph on laid paper 57/ie x 4% in. (13.8 x 11.8 cm) From Zeit-Echo 2, no. 6 (1915-16): 87 provenance: gift of Elmar Seibel, 1983 L. 86. 1.71 b; lent by the Robert Gore Rifkind Foundation, Beverly Hills, California
656
Scharff
2466
Die Ahnung, c. 1917
(The premonition)
Drypoint on japan paper
95/ie x 7 in. (23.7 x 17.7 cm)
First state; from deluxe edition of
Marsyas, no. 2 (1917); the issue also
contains impressions from the second
state (signed, l.r.) and the published
state (p. 165); total edition of 235 in the
published state
inscription: numbered (xxvo/xxxv) on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
exhibition: Reed under 288
83.1.1662 x
2467
Apoll und Marsyas, c. 1917
(Apollo and Marsyas)
Drypoint on japan paper
53/i6 x 6% in. (13.2 x 17.2 cm)
First state; from deluxe edition of
Marsyas, no. 1 (1917); the issue also
contains impressions from the second
state (signed, l.r.) and the published
state (p. 1); total edition of 235 in the
published state
INSCRIPTION: numbered (xxvn/xxxv) on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
exhibition: Reed under 288
83.1.1661 a
2468
Segelboot, 1917
(Sailboat)
Lithograph on laid paper
10 x 6n/i6 in. (25.4 x 17.0 cm)
From deluxe edition ofMiinchner
Blatter fur Dichtung tmd Graphik 1,
no. 6 (1919): 91
inscription: numbered (xix/c) on table
of contents
provenance: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
EXHIBITION: Reed under 290
83.1.1328 d
2469
Der Vntergang, c. 1917
(Downfall)
Drypoint on japan paper
95/i6 x 613/i6 in. (23.7 x 17.6 cm)
First state; from deluxe edition of
Marsyas, no. 2 (1917); the issue also
contains impressions from the second
state (signed, l.r.) and the published
state (p. 171); total edition of 235 in the
published state
INSCRIPTION: numbered (xxvn/xxxv) on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
83. 1. 1662 gg
2466
***-~4 h
-\
s..
2467
2469
2468
Scharff
657
2472
2471
2470
2470
Die Verzweiflung, c. 1917
(Despair)
Drypoint on japan paper
9% x 7 in. (23.8 x 17.8 cm)
First state; from deluxe edition of
Marsyas, no. 2 (1917); the issue also
contains impressions from the second
state (signed, l.r.) and the published
state (p. 167); total edition of 235 in the
published state
inscription: numbered (xxvn/xxxv) on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
exhibition: Reed under 288
83.1.1662 aa
2471
Der Zusammenbruch, c. 1917
(Collapse)
Drypoint on japan paper
9V4 x 67/s in. (23.5 x 17.5 cm)
First state; from deluxe edition of
Marsyas, no. 2 (1917); the issue also
contains impressions from the second
state (signed, l.r.) and the published
state (p. 169); total edition of 235 in the
published state
INSCRIPTION: numbered (xxvn/xxxv) on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
83.1.1662 dd
2472
Ztcei Manner im Boot, c. 1918
(Two men in a boat)
Drypoint on japan paper
313/i6 x 2% in. (9.7 x 7.0 cm)
From deluxe edition of Das Kunstblatt
2, no. 8 (1918)
inscription: numbered (32/110) on
justification page
provenance: Henry Hallenstein; W. F.
Arntz, Haag (Oberbayern); purchased
in 1975
EXHIBITION: Reed 283/19
83.1.1118b
2473
Reiter, c. 1919
(Rider)
Lithograph on laid paper
8% x 3% in. (21.2 x 9.5 cm)
From deluxe edition of Miinchner
Blatter fur Dichtung und Graphik 1,
no. 3 (1919): 47
INSCRIPTION: numbered (xix/c) on table
of contents
provenance: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
exhibition: Reed under 290
83. 1.1325 f
658
Scharff
2474
Umarmung, c. 1919
(Embrace)
Lithograph on laid paper
6% x 4'/i in. (17.2 x 10.8 cm)
From deluxe edition of Munchner
Blatter fur Dichtung und Graphik 1,
no. 2 (1919): 19
INSCRIPTION: numbered (xix/c) on table
ot contents
provenance: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
exhibition: Reed under 290
83.1.1324 c
2475
Untitled (two figures), c. 1919
Lithograph on laid paper
89/i6 x 45/i6 in. (21.8 x 11.0 cm)
From deluxe edition of Munchner
Blatter fur Dichtung und Graphik 1,
no. 8 (1919)
inscription: numbered (xix/c) on table
of contents
provenance: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
exhibition: Reed under 290
83.1.1330 a
2476
Die Briider, c. 1921 (The brothers) Lithograph on wove paper io5/s x 6"/i6 in. (27.0 x 17.0 cm) From Genius 3, no. 1 (1921): follow- ing 118
provenance: M. J. Royer Bookshop, Los Angeles; purchased about 1970-72 EXHIBITION: Reed 275/12 83.1.816 a
CjjV^*
2474
2478
Hermann Scherer 2477
Selbstbildnis unit "Totenklage"
born 1893 c. 1924-26
Rummingen (Self-portrait with Totenklage)
Woodcut on japan paper
died 1927 Basel, 2i7/ie x 11% in. (54.5 x 29.6 cm)
Switzerland inscription: estate stamp (no. 16), l.r
provenance: Scherer collection, Efringen-Kirehen; purchased in 1984 EXHIBITION: Barron 119 L.84.5.336; lent by the Robert Gore Rifkind Foundation, Beverly Hills, California
2476
|
ESQ f~ gta |
||
|
■it 1 BmVj 1 |
W^fy |
ill jH |
|
Ira W7- |
ftBw |
|
|
'wtM |
1 j^ij^ii |
JLM |
|
m |
2477
fT%
2475
Scheurich
659
f \l r.5<2
,';. fll 3 < tell I i
lit it
3 tail IK^gKSSf'Sgr \ 2479-1
2479-2
2479-3
2479-4
2479-5
2478
Jungling mit Turban, 1919
(Youth with turban)
Lithograph on thin laid paper
7% x 6'/i in. (19.4 x 15.8 cm)
From Fritz Gurlitt, ed., Das graphische
Jahr (Berlin: Fritz Gurlitt Verlag, 1921),
following p. 112
inscription: numbered (xiii/l) on
justification page
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1974
exhibition: Reed 315/7 (1921)
83. 1.85 f
2479
Die konigliche Orgie
(The royal orgy)
Book with 6 full-page and 3 vignette lithographs on laid paper Illustrations to a French royal opera of 1789, no. 7 in the monographic series Der Venuswagen (Berlin: Fritz Gurlitt Verlag, 1919); total edition of 700 inscription: signed and numbered (35/40) on justification page provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 exhibition: Reed 415/7 83.1.809 a-i
1. Ich ham, ich sah . . . , 1919 (I came, I saw. . . )
3 x 27/i6 in. (7.6 x 6.2 cm) Following title page 83.1.809 a
2. Untitled (men around table), 1919 3% x 53/4 in. (8.6 x 14.6 cm) Before page 13
83.1.809 b
3. Untitled (trio on stage), 1919 33/i6 x 4 in. (8. 1 x 10.2 cm) Following page 16 83.1.809 d
4. Untitled (two lovers on sofa), 1919 2% x 3 in. (6.7 x 7.6 cm) Following page 20
83. 1.809 e
5. Untitled (the cuckold), 1919 37/i6 x 4% in. (8.7 x 11.7 cm) Following page 24
83. 1.809 f
6. Untitled (woman on sofa), 1919 3'/i6 x g/e in. (7.8 x 9.8 cm) Following page 26
83. 1.809 g
Paul Scheurich
born 1883
New York, New York
died 1945
Brandenburg
Jill
^p^*
2479-6
660
Egon Schiele
born 1890Tulln, Austria
died 1918 Vienna, Austria
Adolf Schinnerer
born 1876 Schwarzenbach
died 1949 Ottersheim
Schiele
2480
Mannlicher Aht I Selbstbildnis, 1912 (Male nude / Self-portrait) Lithograph on heavy wove paper 16V2 x 81/' in. (42.0 x 21.5 cm) From portfolio Sema (Munich: Delphin-Verlag, 1912); from edition of 200 (total edition of 215) inscription: signed and dated, 1.1. PROVENANCE: Donald Corcoran, Vienna; purchased in 1974 reference: Kallir i/b.2 exhibition: Reed 201; Chipp 112 M. 82.288.383 1
2481
Bildnis Arthur Roessler, 1914 (Portrait of Arthur Roessler) Drypoint printed in brownish black on light wove paper 9% x i29/i6 in. (23.9 x 31.9 cm) Proof before steel-facing of plate inscription: signed and dated, l.r. . signed by sitter, l.r.; numbered (28), 1.1. PROVENANCE: Donald Corcoran, Vienna; purchased in 1973 REFERENCE: Kallir 8 a exhibition: Reed 202; Chipp 113 M. 82. 288. 260
2482
Untitled (seated woman), 1914 Pencil on slick paper 19 x I2n/i6 in. (48.3 x 32.2 cm) inscription: signed and dated, 1.1. provenance: Feingarten Galleries, Los Angeles; purchased in 1977 EXHIBITION: VergO 3.55, fig. 72 M. 82. 288. 356
2483
Mannlicher Kopf, 1916
(Head of a man)
Woodcut on wove paper
315/i6 x 3V8 in. (10.0 x 8.0 cm)
From Die Aktion 6, no. 39/40 (1916): 550
provenance: Hauswedell & Nolte,
Hamburg, 30 November 1979, part of
lot 1173
REFERENCE: Kallir 14.2
83.1.1523 a
2480
2483
2481
i ~y
2484
Badende Frauen, c. 1912 (Bathing women) Lithograph on wove paper 83/i6 x 11% in. (20.8 x 29.5 cm) From portfolio Sema (Munich: Delphin-Verlag, 1912) INSCRIPTION: signed, l.r.; numbered (101/215) on justification page provenance: Karl & Faber, Munich, 26-28 May 1977, part of lot 1475 M. 82.288.383 m
2484
2482
2487
2485
Schinnerer
661
ti
2486-5
•
2486-2
IB
J - • ■ . W m .■'
IS '
rMmi w
2488
2485
Untitled (burying corpses), 1914 Lithograph on wove paper 5V2 x 47/i6 in. (14.0 x 11.3 cm) From Zeit-Echo 1, no. 1 (1914) PROVENANCE: Kunstgalerie Esslingen, Esslingen; purchased in 1975 exhibition: Reed under 308 83. 1.1185 c
2486
Totengespraeh
(Speaking of the dead)
Five lithographs on wove paper
From Zeit-Echo 1, no. 22 (1915):
329-41
provenance: gift of Elmar Seibel, 1983
L. 86. 1.69 a-e; lent by the Robert Gore
Rifkind Foundation, Reverly Hills,
California
1. Untitled (man embracing woman),
c- 1915
75/i6 x 45/i6 in. (18.6 x 10.9 cm)
Page 329
L. 86. 1.69 a
2. Untitled (man seated in mountain landscape), c. 1915
6% x 5V4 in. (15.8 x 13.4 cm) Page 331 L.86. 1.69 b
3. Untitled (men fighting on boat),
c- 1915
6!/s x 5 in. (15.5 x 12.7 cm)
Page 335
L.86. 1.69 c
4. Untitled (group of figures), c. 1915 ■/Vb x 4u/i6 in. (18.1 x 11.9 cm) Page 339
L.86. 1.69 d
5. Untitled (three struggling figures),
c- 1915
-jVi x 57/i6 in. (18.5 x 13.8 cm)
Page 341
L.86. 1.69 e
2487
Untitled (fighting a dragon), c. 1915 Lithograph on wove paper 5^16 x 4% in. (14.2 x 11.1 cm) From Zeit-Echo 1, no. 12 (1915): 177 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 EXHIBITION: not listed under Reed 308 83.1.1197 b
2488
Untitled (hand-to-hand combat),
c 1915
Lithograph on wove paper
59/ie x 4'/2 in. (14. 1x11.4 cm)
From Zeit-Echo 1, no. 16 (1915): 237
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
EXHIBITION: Reed under 308
83.1.1201 b
662
Schinnerer
2489
Untitled (man with corpses), c. 1915 Lithograph on wove paper 6"/i6x 53/i6 in. (17.0 x 13.2 cm) From Zeit-Echo 1, no. ig (1915): 293 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 exhibition: Reed under 308 83.1.1204 c
2490
Visionen, c. 1917
(Visions)
Etching on japan paper
11 x 87/s in. (28.0 x 22.5 cm)
From portfolio Shakespeare Visionen
(Munich: Marees-Gesellschaft, 1918);
from edition A (total edition of 200)
INSCRIPTION: signed, l.r; numbered
(xiv/l) on justification page; publisher's
blind stamp, l.r.
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1972
EXHIBITION: Reed 336/4
M. 82.288.384.4
2491
Untitled (three figures in landscape),
c. 1917
Lithograph on wove paper 715/i6 x io9/i6 in. (20. 1 x 26.8 cm) From Zeitschrift fur bildende Kunst, n.s., 29, no. 6(1917-18): following 126 provenance: Galerie Gerda Bassenge, Berlin, 15 May 1976, part of lot 4364 83.1.968 b
2492
Untitled (men carrying nudes), c. 1917 Etching on japan paper 8% x 615/i6 in. (21.9 x 17.6 cm) First state; from deluxe edition of Marsyas, no. 3 (1917); the issue also contains impressions from the second state (signed, l.r.) and the published state (p. 203; plate cut down to 4]/i6 x 6% in. [10.3 x 17.2 cm]); total edition of 235 in the published state INSCRIPTION: signed, l.r; numbered (xxvn/xxxv) on justification page provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 exhibition: Reed under 288 83.1.1663 d
2493
Untitled (man in bed), c. 1917
Etching on japan paper
8V2 x 6I3/te in. (21.6 x 17.3 cm)
First state; from deluxe edition of
Marsyas, no. 3 (1917); the issue also
contains impressions from the second
state (signed, l.r.) and the published
state (p. 205); total edition of 235 in the
published state
INSCRIPTION: signed, l.r; numbered
(xxvn/xxxv) on justification page
PROVENANCE: Kunstgalerie Esslingen,
Esslingen, purchased in 1974
EXHIBITION: Reed under 288
83.1. 1663 g
2489
2490
2493
2492
Schinnerer
663
2496
2497
2495 (detail)
2494
Untitled (two figures supporting man), c. 1917
Etching on japan paper 89/i6 x 67/s in. (21.8 x 17.5 cm) First state; from deluxe edition of Marsyas, no. 3 (1917); the issue also contains impressions from the second state and the published state (p. 209), both signed, l.r; total edition of 235 in the published state inscription: signed, l.r.; numbered (xxvn/xxxv) on justification page provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 EXHIBITION: Reed under 288 83.1. 1663 j
2495
Untitled (group of six figures), c. 1917 Etching on japan paper 89/i6 x 615/i6 in. (21.8 x 17.6 cm) First state; from deluxe edition of Marsyas, no. 3 (1917); the issue also contains impressions from the second state (signed, l.r.) and the published state (p. 212; plate cut down to 315/ie x 67/s in. [10.0 x 17.4 cm]); total edition of 235 in the published state INSCRIPTION: signed, l.r; numbered (xxvn/xxxv) on justification page provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 exhibition: Reed under 288 83.1.1663 n
2496
Stelzenldufer, c. 1919
(Men on stilts)
Lithograph on laid paper
9'/2 x 73/i6 in. (24. 1 x 18.3 cm)
From deluxe edition of Miinchner
Blatter fur Dichtung und Graphik 1,
no. 9(1919): 135
inscription: numbered (xix/c) on table
of contents
provenance: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
EXHIBITION: Reed under 290
83.1.1331 b
2497
Werbung, c. 1919
(Courtship)
Lithograph on laid paper
6 x 43/i in. (15.3 x 12.0 cm)
From deluxe edition of Miinchner
Blatter fiir Dichtung und Graphik 1,
no. 7 (1919): 99
inscription: numbered (xix/c) on table
of contents
provenance: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
EXHIBITION: Reed under 290
83.1.1329 b
664
Schinnerer
2498
Untitled (two men with men on backs),
c 19 19
Lithograph on laid paper
8% x 65/i6 in. (22.6 x 16.0 em)
From deluxe edition of Miinchner
Blatter fur Dichtung unci Graphik 1,
no. 1 (1919): 11
inscription: numbered (xix/c) on table
of contents
PROVENANCE: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
exhibition: Reed under 290
83.1. 1323 f
2499
Untitled (mother bathing child), c. 1919
Lithograph on laid paper
8V4 x 59/ie in. (20.9 x 14.2 cm)
From deluxe edition of Miinchner
Blatter fur Dichtung und Graphik 1,
no. 3 (1919): 35
inscription: numbered (xix/c) on table
of contents
provenance: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
EXHIBITION: Reed under 290
83.1.1325 b
2500
Untitled (two nudes and eagle), c. 1919
Lithograph on laid paper
55/i6X7in. (13.5 x 17.7 cm)
From deluxe edition oi Miinchner
Blatter fur Dichtung und Graphik 1,
no. 8(1919): 113
INSCRIPTION: numbered (xix/c) on table
of contents
PROVENANCE: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
EXHIBITION: Reed under 290
83.1.1330 b
2501
Untitled (two drowned nudes), c. 1919 Lithograph on laid paper
9I/ix71/iin. (23.5 x 18.5 cm)
From deluxe edition of Miinchner
Blatter fiir Dichtung und Graphik 1,
no. 11/12(1919): 173
INSCRIPTION: numbered (xix/c) on table
of contents
PROVENANCE: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
exhibition: Reed under 290
83- 1- 1333 e
2500
. J-._*XnSiw
2499
Schleifer
665
m
2503
2502
2502
Das Gastmahl, c. 1920
(The dinner party)
Lithograph on heavy wove paper
g'/i6 x 73/i6 in. (23.0 x 18.3 cm)
From Kurt Pfister, ed., Deutsche
Graphiker der Gegenwart (Leipzig:
Klinkhardt & Biermann, 1920), pi. 28;
edition of 600
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1972
exhibition: Reed under 339
83.1.171 u
2503
Der Kinderhirte, c. 1921
(The children's shepherd)
Etching on laid paper
5I5/i6 x 57/8 in. (15.0 x 14.9 cm)
From portfolio Ganymed-Mappe I
(Munich: Marees-Gesellschaft, 1921);
edition of 200; the center also has an
impression from Julius Meier-Graefe,
ed., Ganymed, vol. 3 (Munich: R. Piper
& Co., 1921), before p. 73
INSCRIPTION: signed, l.r.
provenance: Hans Bolliger, Zurich;
purchased in 1972
EXHIBITION: Reed 317/12
M. 82.288.377 g
2504
Uberfahrt, c. 1924
(Passage)
Etching printed in brown on wove
paper
5 x 73/8 in. (12.7 x 18.8 cm)
From portfolio Ganymed-Mappe in
(Munich: Marees-Gesellschaft, 1924);
edition of 100; the center also has an
impression from Julius Meier-Graefe,
ed., Ganymed, vol. 5 (Munich: R. Piper
&Co., 1925), following p. 160
INSCRIPTION: signed, l.r.
provenance: Hartung & Karl, Munich,
13-15 November 1979, part of lot 2779
EXHIBITION: Reed 317/38
M. 82.288.379 b
2505
2505
Untitled (abstract composition), c. 1923
Lithograph printed in black, red, and
gray on wove paper
93/i6 x 63/i6 in. (23.3 x 15.7 cm)
From Staatliches Bauhaus in Weimar,
1919-1923 (Weimar and Munich:
Bauhausverlag, 1923), p. 219; from
German edition of 2,000 (total edition of
2,600)
provenance: Galerie Gerda Bassenge,
Berlin, 13-18 May 1974, part of lot
3956
83.1.41 h
Fritz Schleifer
666
Schlemmer
Oskar Schlemmer
born 1888 Stuttgart
died 1943 Baden-Baden
2506
Utopia: Dokumente der Wirklichkeit,
1921
(Utopia: Documents of reality) Lithograph with pink, vermilion, yellow, blue, and violet watercolor and gold and silver paint on parchment 12'Zi x 9V2 in. (31.2 x 24.2 cm) From book with lithographs by Johannes Itten (see cat. no. 1276), edited by Bruno Adler (Weimar: Utopia-Verlag, 1921), cover INSCRIPTION: signed "Umschlag- zeichnung Oskar Schlemmer," u.r. PROVENANCE: Hans Bolliger, Zurich; purchased in 1975 EXHIBITION: Reed 397 83193 k
2507
Grosse Briicken Revue, n.d.
(Great bridges revue)
Color offset lithograph on postcard
4V2 x 3% in. (11.5x9.5 cm)
After Schlemmer; printed by Gebriider
Fey, Frankfurt
provenance: gift of Siegfried and
Gesche Poppe, Hamburg, 1983
L.84.5. 14; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
Rudolf Schlichter 2508
Auszug aus Lucians Nachrichten torn
born 1890 Ca Iw Tode des Peregrinus
(Excerpt from Lucians account of the died 1955 Munich death of Peregrinus)
Book with 1 full-page and 9 vignette lithographs on handmade paper Illustrations to book by Christoph M. VVieland (Heidelberg: Verlag von Richard Weissbach, 1920) inscription: signed and numbered (114/150) on justification page PROVENANCE: Kunstgalerie Esslingen, Esslingen; purchased in 1975 exhibition: Reed 384 83.1. 176 a-j 1. Untitled (crowd around man on
pedestal), c. 1920
93/i6 x 415/i6 in. (23.3 x 12.6 cm)
Frontispiece
83.1.176 a
2509
Tanz, c. 1920
(Dance)
Lithograph on japan paper
11 x 8'/i6 in. (28.0 x 20.5 cm)
From Das Kunstblatt 4, no. 4 (1920)
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
exhibition: Reed 283/58
83.1.1150 a
# ,ii';'i
FESTHAUE
GKSSSE BRCICKEN
Irevue
PANTOMIME IN 3TEILEN
mgmm ..<
Bheri' ' 1
RMANN BURGER
SCENE GESETZ
El NZ HI LPERT
DoKu^znTI D^k V/fdKLicUEi
2506
2508-1
2509
Schmidt
667
2511
2513
2512
2510
T/ie Ballad of Reading Gaol, c. 1923
Book with 61 vignette drypoints on
handmade paper
Illustrations to poem by Oscar Wilde
(Munich: O. C. Recht Verlag, 1923)
inscription: first plate signed, l.r. ;
numbered (90/200) on justification page
provenance: Galerie Gerda Bassenge,
Berlin, 14 November 1978, lot 2939
83.1.178.1-61
1. Untitled (the trooper commits
murder), c. 1923
1% x 3V2 in. (4. 1x8.9 cm)
Page 7
83.1.178.1
2511
Der Schrecken, c. 1924
(Terror)
Woodcut on wove paper
515/i6 x 4% in. (15. 1 x 12. 1 cm)
From Karl Dietz, ed. , Schwarzer Creif:
Ein Almanack aufdasjahr 1925
(Rudolfstadt: Greifenverlag, 1925), p. 3
provenance: unknown
83.1.549 b
2512
Sangerin, c. 1917
(Singer)
Lithograph on wove paper
7% x 45/8 in. (19.6 x 11.8 cm)
From deluxe edition of Das Kunstblatt
1, no. 3 (1917); the center also has an
impression from the regular edition
inscription: numbered (32/110) on
justification page
provenance: Henry Hallenstein; W. F.
Arntz, Haag (Oberbayern); purchased
'" 1975
EXHIBITION: Reed 283/59
83.1.1087 a
2513
Amerikanisches Gefangenenlager,
c. 1920
(American prison camp)
Woodcut on wove paper
7% x 413/i6 in. (19.6 x 12.2 cm)
From Das Kunstfenster i, no. 4
(1920): 13
provenance: Ars Libri, Boston;
purchased in 1978
83. 1. 1065 b
Bruno Schmialek
born 1888 Lazisk
Wilhelm Schmid
Ernst Schmidt
born 1896 Dusseldorf or 1897 Hanau
2510-1
668
Schmidt
Kurt Schmidt
born 1901 Limbach
Werner Paul Schmidt
born 1888 Bremen died 1964
2514
Buhnenwerkstatt: Aufbau fur ein Feueruerk: Form und Ausfiihrung,
c. 1923
(Theater workshop: Construction for a
fireworks display: Plan and execution)
Lithograph printed in gray, yellow, red,
blue, and black on wove paper
0//16 x 9 in. (23.0 x 22.9 cm)
From Staatliches Bauhaus in Weimar,
1919-2923 (Weimar and Munich:
Bauhausverlag, 1923), p. 157; from
German edition of 2,000 (total edition of
2,600)
provenance: Galerie Gerda Bassenge,
Berlin, 13- lS May 1974, part of lot
3956
83.1.41 f
2515
Biihnenwerkstatt: Biihnenentivurffur
"Das mechanisehe Ballet" c. 1923
(Theater workshop: Stage design for
"The mechanical ballet")
Lithograph printed in gray, black,
yellow, and red on wove paper
81/-! x g'/ie in. (21.0 x 23.0 cm)
From Staatliches Bauhaus in Weimar,
1919-1923 (Weimar and Munich:
Bauhausverlag, 1923), p. 153; from
German edition of 2,000 (total edition of
2,600)
provenance: Galerie Gerda Bassenge,
Berlin, 13-18 May 1974, part of lot
3956
83.1.41 e
2516
Die Liebe des Flibustierfiihrers
(The love of the pirate captain) Twelve lithographs on japan paper Illustrations to story by Paul Ernst in Kunst unci ' Kiinstler 11, no. 10 (1913): 489-500
provenance: Erasmus, Amsterdam; purchased in 1975 exhibition: Beed under 286 83.1.1242 aa-11
1. Untitled (title page and initial), c 1913
59/i6 x 513/i6 in. (14.2 x 15.0 cm) Page 489 83.1.1242 aa
2. Untitled (four figures), c. 1913 4'/s x 4'/i in. (10.5 x 10.8 cm) Page 490
83.1.1242 bb
3. Untitled (abandon ship), c. 1913 65/s x 4V2 in. (16.8 x 1 1.5 cm) Page 491
83. 1.1242 cc
4. Untitled (figures walking), c. 1913 3% x 4'/s in. (9.6 x 10.5 cm)
Page 492 83.1.1242 dd
5. Untitled (the lookout), c. 1913 5X45/i6in. (12.7 x 11.0 cm) Page 493
83.1.1242 ee
2514
i'-rrxii.^U^Ac-arafi£ftm fun.
1 London in dtr nirdhtfcn btfb^cuiclicn puttu Smbc ikf 'iroJuum rum Anttr .-hi,. Urine !.™iktui« ion kipicincn
j "nil .hi jrroocn Gijwm. pncnuen und n-udHcn. 1),. '
/ lucl. itijndicn i.:r-.:!ii,:.tenirti,r.-ri I , mU.,,-, ,■■11 jul ,Iu ,umj|-, in
; ncncbUptlitlic TluniM Aa fijbiHiicr irl«i,.n ,!„■ ,m <j,.ll 1,.,,
Dtr l|[M,dc sprang ,„, ,„;n jii,,™, d-.: h..]|Jii.lt«;Ju; Tomifufi: fid jo/, icincn
nicltt« /,■,!,„£!, und /-:,;,: jdi luf.hf l-.nk. to miiv ,1,-n i^ciieH Vers krichMnd"
unci htulenil, wcil itim die Nise und UiT;n fddi.i,- .
Y com,, yo pule vertc fk ...
I'idicr bin lichcmd umn ^djniidjicndcn BlitV iu. y
D11111 nihrn lie ihr
MKkac.i im Arm
und -lot. sic citij. ^
fort, sata wen nodj
rfimn cr dim
2516-3
2515
2516-2
2516-4
2516-6
2516-7
Schmidt
669
2516-8
|
m |
|
|
Wj^l§T |
|
|
^ffl&Kffif* |
2518
2516-9
2516-11
£y. / ' uZZZZSJZZ'VZVZZ^TJZ' vtu
,(>,
6. Untitled (men and cattle), c. 1913 3% x 55/ie in. (9.2 x 13.5 cm) Page 494
83. 1.1242 ff
7. Untitled (figures battling), c. 1913 5n/i6 x 67/i6 in. (145 x 16.3 cm) Page 495
83.1.1242 gg
8. Untitled (swordsmen), c. 1913 3n/i6 x 4'/i6 in. (9.4 x 10.4 cm) Page 496
83.1.1242 lib
9. Untitled (men carrying body),
c 1913
3u/i6 x 4% in. (9.4 x 12.0 cm)
Page 497
83.1.1242 ii
10. Untitled (woman playing instrument), c. 1913
313/ie x %V* in. (9.7 x 13.3 cm) Page 498 83.1. 1242 jj
11. Untitled (figures fighting in interior), c. 1913
5'/s x 513/i6 in. (13.0 x 14.8 cm) Page 499 83.1.1242 kk
12. Untitled (man and woman struggling), c. 1913
35/i6 x 313/i6 in. (8.4 x 9.7 cm) Page 500 83.1.1242 11
2517
Jiinglingstod in der Schlacht, c. 1914 (Death of a youth in battle) Lithograph on japan paper 87/8 x 7V16 in. (22.5 x 17.9 cm) Illustration to poem by Tyrtaeus in Kunst und Kiinstler 13, no. 4 (1915): before 181
provenance: Ars Libri, Boston; purchased in 1982 83.1. 1244 J
2518
Untitled (cavalry battle), 1914 Lithograph on wove paper 4V8 x 47/i6 in. (10.5 x 11.2 cm) From Zeit-Echo 1, no. 1 (1914) provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 exhibition: Reed under 308 83.1. 1185 d
2519
Untitled (cavalryman with horse), 1914
Lithograph on wove paper
5u/i6 x 45/i6 in. (14.5 x 11.0 cm)
From Zeit-Echo 1, no. 3 (1914): 27; the
center also has an impression from the
special edition
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
exhibition: Reed under 308
83.1.1187 b
670
Schmidt
2520
Untitled (horse and cannon), 1914
Lithograph on wove paper
i7/s x 37/s in. (4.8 x 9.9 cm)
From Zcit-Echo 1, no. 3 (1914): 36; the
center also has an impression from the
special edition
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
exhibition: Reed under 308
83.1. 1187 g
2521
Untitled (hand-to-hand combat),
c 1915
Lithograph on wove paper
4X43/8 in. (10.1 x 11.1 cm)
From Zeit-Echo 1, no. 11 (1915): 167
PROVENANCE: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
exhibition: Reed under 308
83.1.1196 d
2522
Untitled (fallen banner), c. 1915
Lithograph on wove paper
2V16 x 47/i6 in. (5.3 x 11.2 cm)
From Zeit-Echo 1, no. 14 (1915): 215
provenance: Kunstgalerie Esslingen,
Esslingen, purchased in 1975
EXHIBITION: Reed under 308
83- !• "99c
2523
Untitled (lancer crossing river), c. 1915
Lithograph on wove paper
5% x 5V-1 in. (13.7 x 13.4 cm)
From Zcit-Echo 1, no. 18 (1915): 265
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
exhibition: Reed under 308
83.1.1203 a
2524
Untitled (mounted soldier), 1915 Lithograph on wove paper 59/i6 x 5 in. (14. 1 x 12.7 cm) From Zcit-Echo 1, no. 21 (1915): 313 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 exhibition: Reed under 308 83.1.1206 a
2525
Untitled (horse in park), c. 1915 Lithograph on laid paper 53/i6 x 37/ie in. (13.2 x 8.7 cm) From Zeit-Echo 2, no. 3 (1915-16): 42 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 EXHIBITION: Reed under 308 83.1.1209 c
2520
2522
2521
|
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|
|
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|
|
i 'T, -:»T. iSi |
|
|
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|
|
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2523
2524
2525
Schmidt-Rottluff
671
2528
2526
Richard in, 1917 Lithograph on japan paper 13% x 1 i7/i6 in. (34.0 x 29. 1 cm) From portfolio Shakespeare Visionen (Munich: Marees-Gesellschaft, 1918); from edition A (total edition of 200) inscription: signed and dated, l.r.; numbered (xiv/l) on justification page; publisher's blind stamp, l.r. provenance: Hans Bolliger, Zurich; purchased in 1972 exhibition: Reed 336/10 M. 82.288.384. 10
2527
Joseph Gustav Mraczek als Dirigent,
1918
(Joseph Gustav Mraczek as conductor)
Woodcut on wove paper
12W x 913/i6 in. (31.1 x 25.0 cm)
From promotional flyer for Menschen 1,
no. 4 (1918), p. 2
provenance: Galerie Gerda Bassenge,
Berlin, 25 May 1975, part of lot 4883
exhibition: Reed under 289
83.1.1364 b
2528
Holbeinplatz in Dresden, 1906
Lithograph on heavy wove paper
8'/2 x I313/i6 in. (21.6 x 35. 1 cm)
From portfolio Die Briicke II (1907),
pi. 4
inscription: signed, l.r.; titled (by
artist?), 1.1.
provenance: Galerie Saxonia, Munich;
purchased in 1980
reference: Schapire 8; Bolliger and
Kornfeld 9
exhirition: Thiem 49
M. 82.287.96
2529
Altdresdner Hauser, 1908 (Houses in old Dresden) Drypoint on wove paper 5% x 75/i6 in. (13.7 x 18.6 cm) From portfolio Die Briicke iv (1909),
P'- 3
inscription: signed, l.r.
provenance: Galerie Gunzenhauser,
Munich; purchased in 1975
reference: Schapire 9; Bolliger and
Kornfeld 16
exhirition: Reed 113; Thiem 50
M. 82. 288. 368 d
A. H. Schmidt- Niechcioi
born 1893 died 1960
Karl Schmidt-Rottluff
born 1884 Rottluff died 1976 Berlin
672
Schmidt-Rottluff
2530
Berliner Strasse in Dresden, 1909 Lithograph on wove paper 15% x 13V4 in. (40.0 x 33.7 cm) From portfolio Die Briicke IV (1909), pi. 2
INSCRIPTION: signed, l.r. provenance: Sammlung Ceroid (stamp, l.r.); Kornfeld & Klipstein, Bern, 13-15 June 1974, lot 86 REFERENCE: Schapire 57; Bolliger and Kornfeld 15
exhibition: Reed 112; Thiem 51 M. 82. 288. 368 c
2531
Bildnis H. , 1909
(Portrait of H. [Erich Heckel])
Lithograph on heavy wove paper
15% x i25/s in. (39.7 x 32. 1 cm)
From portfolio Die Briicke IV (1909),
pi. 1
inscription: signed, l.r.
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, lot 1649
reference: Schapire 56; Bolliger and
Kornfeld 14
exhibition: Reed 111
M. 82. 288. 368 b
2532
Haus im Park, 1910 (House in park) Woodcut on wove paper 613/i6 x 45/i6 in. (17.3 x 11.0 cm) From KG Briicke, catalogue of exhi- bition at Galerie Arnold, Dresden, 1910 (Dresden: Heinrieh Niescher, [1910]) provenance: Hauswedell & Nolte, Hamburg, 8-10 June 1972, part of lot 240
reference: Schapire 49; Bolliger and Kornfeld 41/8 exhibition: Reed 243/8 M. 82. 288.374 h
2533
Schnitter, 1910
(Reaper)
Woodcut on wove paper 6u/isx 45/i6 in. (17.0 x 11.0 cm) From KG Briicke, catalogue of exhi- bition at Galerie Arnold, Dresden, 1910 (Dresden: Heinrieh Niescher, [1910]) provenance: Hauswedell & Nolte, Hamburg, 8-10 June 1972, part of lot 240
REFERENCE: Schapire 50; Bolliger and Kornfeld 41/9 exhibition: Reed 243/9 M. 82.288.374 i
2530
2531
2532
2533
2538
Schmidt-Rottluff
673
2534
2535
2536
2534
Untitled (seated nude), e. 1910
Woodcut on wove paper
69/i6 x 5 in. (16.7 x 12.7 cm)
From Die Aktion 4, no. 38/39 (1914):
787-88; although identified as an
original woodcut, the print is not
recorded by Schapire
provenance: Hauswedell & Nolte,
Hamburg, 30 November 1979, part of
lot 1173
REFERENCE: not in Schapire
83- 1- 1495 a
2535
Bildnis S., 1911 (Portrait of S.) Lithograph on wove paper 15% x i35/i6 in. (40.0 x 33.8 cm) inscription: signed, 1.1. PROVENANCE: Frankfurter Kunst- kabinett. Frankfurt; purchased in 1980 REFERENCE: Schapire 72 exhirition: Chipp 115; Thiem 54 Although the portrait has been published as representing Gustav Schiefler, Leopold Reidemeister identifies the sitter as Robert Seckel, who, with his wife, acquired the complete edition of seven lithographs M. 82. 287.61
2536
Kopfe 1, 1911 (Heads 1)
Woodcut on heavy wove paper i9'/2 x 15% in. (49.6 x 39. 1 cm) inscription: signed and dated, 1.1. PROVENANCE: Rosa Schapire; Carus Gallery, New York; purchased in 1976 REFERENCE: Schapire 66 exhibition: Reed 115; Barton 23; Chipp 114; Thiem 53 M. 82. 288. 262
2537
Miidchen, 1911
(Girl)
Woodcut on wove paper
6x 8 in. (15.3 x 20.4cm)
From Der Sturm 2, no. 73 (1911): 579
provenance: Ex Libris, New York;
purchased in 1982
reference: Schapire 57
83.1.1390.4
2538
Der neue Club, Neopathetisches Cabaret, 1911
(The new club, Neopathetisches
Cabaret)
Woodcut on thin laid paper
i7/8 x 65/8 in. (4. 7 x 16.8 cm)
provenance: Hans Bolliger, Zurich;
purchased in 1973
reference: Schapire, Gebrauchs-
blatter 16
EXHIBITION: Reed 114
M. 82.288.261
2537
674
Schmidt-Rottiuff
2539
Kammende Frauen, igi2
(Women combing hair)
Woodcut on thin pink wove paper
5V4 x 47/i6 in. (13.3 x 11.3 cm)
From Ausstellung von KG Briicke, exh.
cat. (Berlin: Galerie Fritz Gurlitt, 1912);
the center has two impressions
PROVENANCE: Kornfeld & Klipstein,
Bern, 15-17 June 1972, part of lot 113
reference: Schapire 97; Bolliger and
Kornfeld 42/9
EXHIHITION: Reed 245/9; Thiem 55
M. 82. 288. 375 i
2540
Kopfin Profil, 1912
(Head in profile)
Woodcut on wove paper
5'/s x 45/i6 in. (13.0 x 11.0 cm)
From Die Aktion 4. no. 34/35 (1914):
cover
provenance: Hauswedell & Nolte,
Hamburg, 30 November 1979, part of
lot 1173
REFERENCE: Schapire 75
83.1.1492 a
2541
Sitzendes Madchen, 1912
(Seated girl)
Woodcut on thin pink wove paper
5'/4 x 45/i6 in. (13.3 x 11.0 cm)
From Ausstellung von KG Briicke, exh.
cat. (Berlin: Galerie Fritz Gurlitt, 1912);
the center has two impressions
provenance: Kornfeld & Klipstein,
Bern, 15- 17 June 1972, part of lot 1 13
REFERENCE: Schapire 9S; Bolliger and
Kornfeld 42/10
EXHIHITION: Reed 245/10; Thiem 56
M. 82. 288. 375 j
2542
Zwei Madchen, 1912
(Two girls)
Woodcut on wove paper
5V16 x 515/i6 in. (12.9 x 15. 1 cm)
From Die Aktion 4, no. 17 (1914):
357-58
provenance: Hauswedell & Nolte,
Hamburg, 30 November 1979, part of
lot 1173
reference: Schapire 88
83.1.1482 b
2543
Akte, 1913
(Nudes)
Woodcut on wove paper
7n/i6 x io9/i6 in. (19.5 x 26.8 cm)
From Der Sturm 4, no. 196/197
(1914): 169
PROVENANCE: Ex Libris, New York;
purchased in 1982
REFERENCE: Schapire 106
83.1.1391.79
|
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|
|
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|
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||
|
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2539
2542
2541
Schmidt-Rottluff
675
2544
2545
2546
2547
2544
Boote aufSee, 1913
(Boats on the sea)
Woodcut on wove paper
73A x io%6 in. (19.7 x 26.9 em)
From Der Sturm 5, no. 7 (1914): 49
provenance: Ex Libris, New York;
purchased in 1982
reference: Schapire 103
83.1.1391.88
2545
Kopf, 1913
(Head)
Woodcut on laid paper
39/i6 x 213/i6 in. (9. 1x7.1 cm)
From Ernst Ludwig Kirchner, Chronik
KG Briicke (1913)
PROVENANCE: Kornfeld & Klipstein,
Bern. 8 June 1977, part of lot 70
reference: Schapire 101; Bolliger and
Kornfeld 62/3
EXHIBITION: Reed 86/1
83.1.109 c
2546
Kopf, 1913
(Head)
Woodcut on laid paper
3V2 x 2% in. (8.9 x 7.0 cm)
From Ernst Ludwig Kirchner, Chronik
KG Briicke (1913)
provenance: Kornfeld & Klipstein,
Bern, 8 June 1977, part of lot 70
reference: Schapire 102; Bolliger and
Kornfeld 62/3
EXHIBITION: Reed 86/2
83. 1. 109 d
2547
Sitzendes Mddclien, 1913
(Seated girl)
Woodcut on wove paper
14V6 x 17% in. (35.9 x 45.0 cm)
inscription: signed and dated, l.r.;
work number "1326," I.e.
provenance: Karl & Faber, Munich,
23-25 November 1978, lot 1730
reference: Schapire 124
exhibition: Barton 24; Thiem 58
M. 82. 288. 263
2548
Bucht im Mondschein, 1914 (Bay in moonlight) Woodcut on thin grayish laid paper i5>/2 x 19V2 in. (39.4 x 49.5 cm) INSCRIPTION: signed, l.r. provenance: Christie's, London, 5 December 1974, lot 256 reference: Schapire 160 exhibition: Reed 116; Barton 25; Thiem 59 M. 82. 288. 264
676
Schmidt-Rottluff
2549
Zwei Madchen, 1914
(Two girls)
Lithograph on laid paper
li'/sx 8'/4 in. (28.2 x 21.0 cm)
From Das neue Pathos 2, no. 1/3 (1914):
85; from edition B of 250
provenance: Ars Libri, Boston;
acquired by exchange in 1984
reference: Schapire 85
83.1.824 k
2550
Kopf, 1915
(Head)
Woodcut on wove paper
9% x 7 in. (24.8 x 17.7 cm)
From Die Aktion 6, no. 9/10 (1916):
113-14
provenance: Hauswedell & Nolte,
Hamburg, 30 November 1979, part of
lot 1173
reference: Schapire 174
83.1.1509 b
2551
Frauenkopf, 1916 (Head of a woman) Woodcut on wove paper lo'/s x 7'/i6 in. (25.7 x 18.0 cm) From Kurt Pfister, ed., Deutsche Graphiker der Gegenwart (Leipzig: Klinkhardt & Biermann, 1920), pi. 22; edition of 600
provenance: Hans Bolliger, Zurich; purchased in 1972 REFERENCE; Schapire 191 exhibition: Reed under 339 83.1.171 o
2552
Kopf, 1916 (Head)
Woodcut on wove paper 6% x 97/ie in. (17.2 x 23.9 cm) From Genius 1, no. 1 (1919): follow- ing 128
PROVENANCE: M. J. Royer Bookshop, Los Angeles; purchased about 1970-72 reference: Schapire 189 EXHIBITION: Reed 275/1 83.1.813 a
2553
Mutter, 1916
(Mother)
Woodcut on laid paper
14% x i23/i6 in. (37.2 x 31.0 cm)
From portfolio Zehn Holzschnitte von
Schmidt-Rottluff (Berlin: I. B. Neumann,
1919); edition of 75
INSCRIPTION: signed, l.r.
provenance: Karl & Faber, Munich, 2
June 1972, lot 806
REFERENCE: Schapire 194
exhibition: Reed 117; Barton 26;
Thiem 61
M.82.288.265
2549
2551
2553
2552
Schmidt-Rottluff
677
2554
|
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|
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|
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|||
|
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|
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|
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2557
2554
Madchen mit Zopfen, igi7
(Girl with braids)
Woodcut on wove paper
89/i6 x 65/i6 in. (21.8 x 16.0 cm)
From deluxe edition of Das Kunstblatt
2, no. 2 (1918)
INSCRIPTION: numbered (32/110) on
justification page
PROVENANCE: Henry Hallenstein; W. F.
Arntz, Haag (Oberbayern); purchased
■n 1975
REFERENCE: Schapire 200 EXHIBITION: Reed 283/21 83. 1.1112 b
2555
Mannlicher Kopf, 1917
(Head of a man)
Woodcut on wove paper
63/i6 x 89/i6 in. (15.7 x 21.7 cm)
From Die rote Erde 1, no. 6 (1919): 159
provenance: Hans Bolliger, Zurich;
purchased in 1975
reference: Schapire 202
exhibition: Reed under 298
83.1.970 b
2556
Mensehenpaar, 1917
(Couple)
Woodcut on wove paper
715/i6 x 513/i6 in. (20. 1 x 14.8 cm)
From deluxe edition of Das Kunstblatt
2, no. 2 (1918); the center also has an
impression from the regular edition
INSCRIPTION: numbered (32/110) on
justification page
provenance: Henry Hallenstein; W. F.
Arntz, Haag (Oberbayern); purchased
in 1975
REFERENCE: Schapire 199 EXHIBITION: Reed 283/60 83.1.1112 a
2557
Der Heilige, 1918
(The saint)
Woodcut on wove paper
io3/i6 x 77/s in. (25.9 x 20.0 cm)
From Die rote Erde 1, no. 6 (1919): 154
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1975
reference: Schapire 231
exhibition: Reed under 298; Rigby,
p. 105, fig. 27; Thiem 74
83.1.970 a
2555
678
Schmidt-Rottluff
2558
Kristus, 1918
(Christ)
Woodcut on wove paper
19% x i53/s in. (50. 1 x 39. 1 cm)
From portfolio Schmidt-Rottluff: Neun
Holzschnitte (Munich: Kurt Wolff,
1919); proof before edition of 75
INSCRIPTION: signed, l.r.; work number
"186," 1.1.
provenance: Carus Gallery, New York;
purchased in 1975
REFERENCE: Schapire 208
EXHIBITION: Reed 121; Barton 29;
Chipp 1 16; Rigby 86; Thiem 64
M. 82. 288.270
2559
Kristus und Judas, 1918
(Christ and Judas)
Woodcut on wove paper
15% x igu/i6 in. (39.7 x 50.0 cm)
From portfolio Schmidt-Rottluff: Neun
Holzschnitte (Munich: Kurt Wolff,
1919); proof before edition of 75
INSCRIPTION: signed, l.r; work number
"1816." 1.1.
provenance: Rosa Schapire; Carus
Gallery, New York; purchased in 1975
reference: Schapire 218
EXHIBITION: Reed 122; Chipp 117;
Rigby 87; Thiem 72
M. 82. 288. 266
2560
Madchen aits Koumo, 1918
(Girl from Kaunas)
Woodcut on Van Gelder Zonen paper
19% x 15% in. (49.8 x 39.0 cm)
From portfolio Zehn Holzschnitte von
Schmidt-Rottluff (Berlin: I. B.
Neumann Verlag, 1919); edition of 75
INSCRIPTION: signed, l.r.
provenance: Sotheby's, New York, 16
May 1974, lot 649
REFERENCE: Schapire 209
exhibition: Reed 119; Barton 28;
Chipp 118; Thiem 65
M. 82.288.267
2561
Russische Landschaft, 1918 (Russian landscape) Woodcut on laid paper 7l3/ie x loVi in. (19.8 x 26.0 cm) From Der Weg 1, no. 7 (1919): 5 provenance: Ex Libris, New York; purchased in 1976 reference: Schapire 228 exhibition: Reed under 305 83.1.1218 c
2559
2561
2558
EUMottUf
■UzicKnitte
K.usin Liebe Kri>iu5
Gan& nacU Emmau/ Kri/tuf UucKt" detn f<=i£e»baum
Petri R/chZug, KnVtm" tjnj die EheDiechen'n
KYlVtu; und Judar J under
mk
2562
2560
Schmidt-Rottluff
679
2563-3
2563-4
2563-6
2562
Schmidt-Rottluff: Neun Holzschnitte,
1918
(Schmidt-Rottluff: Nine woodcuts) Woodcut on Van Gelder Zonen paper I9u/i6 x 15% in. (50.0 x 39.7 cm) Title page for portfolio published by Kurt Wolff, Munich, 1919; edition of 75 inscription: signed, l.r. provenance: Hauswedell & Nolte, Hamburg, 6-7 June 1975, lot 1632 REFERENCE: Schapire, Gebrauchs- blatter 40
exhibition: Reed 123; Thiem 62 M. 82. 288.269
2563
Das Spiel Christa
(The play Christa)
Book with 9 woodcuts on wove paper
Illustrations to play by Alfred Brust, no.
29/30 in the monographic series Der
rote Hahn (Berlin-Wilmersdorf: Verlag
die Aktion, 1918)
provenance: Galerie Gerda Bassenge,
Berlin, 29 May 1975, lot 5228
reference: Schapire 219-27
exhibition: Reed 118
83.1. 179 a-i
1. Mannlicher Kopf in Profit, 1918 (Head of a man in profile) 315/i6 x 3% in. (10.0 x 8.5 cm) Page 5
reference: Schapire 219 83.1.179 a
2. Stehendes nacktes Madchen, igi8 (Standing nude girl)
6V2 x 3V2 in. (16.5 x 8.9 cm) Page 9
reference: Schapire 220 exhibition: Thiem 73 83.1.179 b
3. Zwei Figuren, 1918 (Two figures)
67/i6 x 37/i6 in. (16.3 x 8.7 cm) Page 21
reference: Schapire 221 83.1.179 c
4. Zwei Frauen in Schwarz, 1918 (Two women in black)
6V2 x 3V2 in. (16.5 x 8.9 cm)
Page 23
reference: Schapire 222
83-ii79d
5. Mannlicher Kopf, 1918 (Head of a man)
5V16 x 3V2 in. (12.9 x 8.9 cm)
Page 29
reference: Schapire 223
83.1.1796
6. Weiblicher Kopf, 1918 (Head of a woman)
5 x 37/i6 in. (12.7 x 8.8 cm) Page 31
reference: Schapire 224 83. 1. 179 f
680
Schmidt-Rottluff
2563 (continued)
7. Stehende Frau und bartiger Mann,
1918
(Standing woman and bearded man)
63/i6 x 3V2 in. (15.7 x 8.9 cm)
Page 39
reference: Schapire 225
83-1- 179 g
8. Mdnnlicher Kopf, 1918 (Head of a man)
65/ie x 37/i6 in. (16.0 x 8.8 cm) Page 41
reference: Schapire 226 83.1. 179 h
9. Christuskopf, 1918 (Head of Christ)
3% x 3^16 in. (9.2 x 8.4 cm) Page 45; the center also has an impression from Die Aktion 8, no. 41/42 (1918): 554 reference: Schapire 227 83.1.1791
2564
Inhaltsverzeichnis fur die Neumann-
Mappe, 1919
(Table of contents for the Neumann
portfolio)
Woodcut on Van Gelder Zonen paper
19V2 x i59/ie in. (49.6 x 39.5 cm)
From portfolio Zehn Holzsehnitte von
Schmidt-Rottluff (Berlin: IB.
Neumann Verlag, 1919); edition of 75
inscription: signed, l.r.
provenance: Cams Gallery, New York;
purchased in 1975
reference: Schapire, Gebrauchs-
blatter 43
EXHIBITION: Reed 120; Thiem 75
M. 82.288.268
2565
Kleine Prophetin, 1919 (Little prophetess) Woodcut on wove paper 7V16 x 4% in. (18.0 x 12.0 cm) From Hans Theodor Joel, ed., Das graphische Jahrbuch (Darmstadt: Karl Lang Verlag, 1920), frontispiece provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 REFERENCE: Schapire 253 EXHIBITION: Reed 318/1 83- 1-99 a
2566
Kristus und Nikodemus, 1919
(Christ and Nicodemus)
Woodcut on wove paper
i99/ie x i55/8 in. (49.7 x 39.7 cm)
inscription: signed, l.r.; work number
"1934." LI.
provenance: Karl & Faber, Munich.
23-25 November 1979, lot 1738
reference: Schapire 261
exhibition: Barton 30
M. 82. 288. 271
2563-7
2563-8
2563-9
Drei'am it;cr\ \
/ /«a</cK?A at/j txpivnoV
A /Maixho\./'e\
2564
2565
Schmidt-Rottluff
681
2566
2568
2567
VJehrte wen WillehM'oiS Wl'l eh/
UndR^^^errecKte ■ Rauh rag
Deh Ring e/erf, Wahiv zerW^ri Raum^ern/^ ■ Nuh .kuhc/et
2567
Reichswappen, 1919 (Imperial coat of arms) Woodcut on gray wove paper i99/ie x i5'/2 in. (49.7 x 39.4 cm) INSCRIPTION: signed, l.r; work number
"1935." 1-1-
PROVENANCE: Hauswedell & Nolte,
Hamburg, 6-7 June 1975, lot 1634 REFERENCE: Schapire 262 EXHIBITION: Reed 124; Rigby 88; Thiem 77 M. 82.288.272
2568
Gesprach vom Tod, 1920
(Speaking of death)
Woodcut on heavy handmade paper
7 x 55/i6 in. (17.8 x 13.4 cm)
From deluxe edition of Paul Westheim,
Das H olzschnittbuch (Potsdam: Gustav
Kiepenheuer Verlag, 1921), following
p. 184
INSCRIPTION: signed, l.r; numbered
(15/100) on justification page
provenance: Hans Bolliger, Zurich;
purchased in 1972
REFERENCE: Schapire 267
EXHIBITION: Reed 319/4
83. 1.199 d
2569
"Kundung" Gedicht, 1920
(Kunrfungpoem)
Woodcut on wove paper
1 i7/ie x 89/i6 in. (29.0 x 21.8 cm)
Poem by Wilhelm Niemeyer from
Kundung i, no. 1 (1921)
provenance: Galerie Wolfgang
Ketterer, Munich, 26 November 1974,
part of lot 1154
reference: Schapire, Gebrauchs-
blatter 54
EXHIBITION: Reed under 282
83.1.1055 b
2570
Kundung: Eine Zeitschrift fur Kunst,
1920
(Kundung: A magazine for art)
Woodcut printed in black and orange on
wove paper
i2'/8 x 9% in. (30.8 x 23.8 cm)
Proof of title page of periodical,
probably for issue no. 9/10
(September-October 1921) with these
colors; the block was used for each of the
center's seven issues but was printed on
a different colored paper: (1) buff, (2)
violet, (3) green, (4/6) blue, (7/8) red,
(9/10) orange, (11/12) brown
INSCRIPTION: signed, l.r.; inscribed
"Orig. Holzschnitt," 1.1.
provenance: Carus Gallery, New York;
purchased in 1972
reference: Schapire, Gebrauchs-
blatter 53
exhibition: Reed 125; Thiem 80
M. 82. 288. 273
2570
682
Schmidt-Rottluff
2571
Lesender Mann, 1921 (Man reading) Woodcut on wove paper 11 x 713/i6 in. (279 x 19.8 cm) From Genius 3, no. 2 (1921): follow- ing 292
provenance: M. J. Royer Bookshop, Los Angeles; purchased about 1970-72 REFERENCE: Schapire 274 EXHIBITION: Reed 275/15 83. 1.817 a
2572
Manus-Offizin Fritz Voigt, 1922 (Business card for Fritz Voigt) Drypoint on J. VV. Zanders paper 713/i6 x 5V2 in. (19.8 x 13.9 cm) inscription: signed, l.r. provenance: Hauswedell & Nolte, Hamburg, 2-4 June 1976, lot 1425 REFERENCE: Schapire, Gebrauchs- blatter 76
EXHIBITION: Reed 109 (p. 270) M. 82. 288. 279
2573
Bildnis Valentiner 1 , 1923
(Portrait of Valentiner 1)
Woodcut on heavy wove paper
ig9/i6 x 15V2 in. (49.7 x 39.3 cm)
INSCRIPTION: signed, l.r.; work number
"2332," 1.1.
provenance: Galerie Wolfgang
Ketterer, Munich, 2 December 1980,
lot 1338
reference: Schapire 297
exhibition: Chipp 119: Thiem 81
The Los Angeles County Museum of
Art also has a trial proof on yellow paper
M. 82. 287. 60
2574
Fischer im Boot, 1923
(Fishermen in boat)
Woodcut on Johann-Wilhelm paper
7x5'/! in. (17.8 x 13.9 cm)
From regular edition of Rosa Schapire,
Karl Schmidt-Rottluffs graphisches
Werk bis 1923 (Berlin: Euphorion
Verlag, 1924), p. 71; edition of 330 (total
edition of 400)
inscription: signed on justification
page
provenance: Ars Libri, Boston;
purchased in 1983
REFERENCE: Rathenau 3
L. 84. 5. 338 g; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
2572
2574
2573
Schmidt-Rottluff
683
2575
2576
2575
Gebrauclisblatter, 1923
(Commercial prints)
Woodcut on Van Gelder Zonen paper
j*A6 x 5V2 in. (18.2 x 13.9 cm)
From portfolio of proofs apart from Rosa
Schapire, Karl Schmidt '-Rottluffs
graphisches Werk bis .1923 (Berlin:
Euphorion Verlag, 1924); the center
also has an impression from the regular
edition (p. 87); total edition of 400
INSCRIPTION: signed, l.r.; numbered
(11/xxx), 1.1.
provenance: Carus Gallery, New York;
purchased in 1974
REFERENCE: Rathenau 74
M. 82. 288. 277
2576
Holzschnitte, 1923
(Woodcuts)
Woodcut on Van Gelder Zonen paper
7 x 53/ie in. (17.8 x 13. 1 cm)
From portfolio of proofs apart from Rosa
Schapire, Karl Schmidt-Rottluffs
graphisches Werk bis 1923 (Berlin:
Euphorion Verlag, 1924); the center
also has an impression from the regular
edition (p. 13); total edition of 400
INSCRIPTION: signed, l.r.; numbered
(II/XXX), 1.1.
provenance: Carus Gallery, New York;
purchased in 1974
reference: Rathenau 71
M.82. 288.275
2577
Madchenkopf, 1923
(Head of a girl)
Woodcut on Johann-Wilhelm paper
73/i6 x 53/i6 in. (18.2 x 13.2 cm)
From regular edition of Rosa Schapire,
Karl Schmidt-Rottluffs graphisches
Werk bis 1923 (Berlin: Euphorion
Verlag, 1924), p. 49; edition of 330 (total
edition of 400)
INSCRIPTION: signed on justification
page
PROVENANCE: Ars Libri, Boston;
purchased in 1983
reference: Rathenau 1
L.84.5.338 e; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
2578
Radierungen und Stiche, 1923
(Etchings and engravings)
Woodcut on Van Gelder Zonen paper
615/i6 x 57/i6 in. (17.6 x 13.8 cm)
From portfolio of proofs apart from Rosa
Schapire, Karl Schmidt-Rottluffs
graphisches Werk bis 1923 (Berlin:
Euphorion Verlag, 1924); the center
also has an impression from the regular
edition (p. 77); total edition of 400
INSCRIPTION: signed, l.r.; numbered
(11/xxx), 1.1.
provenance: Carus Gallery, New York;
purchased in 1974
reference: Rathenau 73
M.82. 288.274
684
Schmidt-Rottluff
Wilhelm Schnarrenberger
born 1892 Buchen
died 1966 Karlsruhe
2579
Schnitter, 1923
(Reaper)
Woodcut on Johann-Wilhelm paper
7'/i6 x 59/ie in. (179 x 14. 1 cm)
From regular edition of Rosa Schapire,
Karl Schmidt-Rottluffs graphisches
Werk bis 1923 (Berlin: Euphorion
Verlag, 1924), p. 33; edition of 330 (total
edition of 400)
inscription: signed on justification
page
provenance: Ars Libri, Boston;
purchased in 1983
REFERENCE: Rathenau 2
L. 84. 5. 338 d; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
2580
Steindrucke, 1923
(Lithographs)
Woodcut on Van Gelder Zonen paper
7 x 5% in. (17.8 x 13.7 cm)
From portfolio of proofs apart from Rosa
Schapire, Karl Schmidt-Rottluffs
graphisches Werk bis 192,3 (Berlin:
Euphorion Verlag, 1924); the center
also has an impression from the regular
edition (p. 59); total edition of 400
inscription: signed, l.r. ; numbered
(11/xxx), 1.1.
PROVENANCE: Carus Gallery, New York;
purchased in 1974
REFERENCE: Rathenau 72
M. 82.288. 276
2581
In Riihe bewegt, Jahr umjahr, Gruss
zumNeujahr, 1925, 1924
(Moved in quietude, year by year, a
New Year's greeting, 1925)
Woodcut on thin japan paper
8!/s x 6 in. (20.6 x 15.3 cm)
INSCRIPTION: signed, l.r.
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1976
REFERENCE: Rathenau 78 (with larger
dimensions)
EXHIBITION: Guenther 459
M. 82. 288.278
2582
Chor der Hbllengeister, 1919 (Chorus of infernal spirits) Lithograph on J. W. Zanders 1916 paper io5/i6 x 77/s in. (26.2 x 20.0 cm) From Eos 2, no. 3 (1919): 15; from edition A (total edition of 250) INSCRIPTION: numbered (xvii/xl) and signed by editor Paul Baumann on justification page
provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 EXHIBITION: Reed under 270 83.1.1607 b
2579
2582
2583
Schnarrenberger
685
2584
2586
2585
2587
2583
Dammerung, 1919
(Twilight)
Lithograph on J. W. Zanders ig 16 paper
g'/s x 6'A in. (25. 1 x 15.9 cm)
From Eos 2, no. 3 (1919): 85; from
edition A (total edition of 250)
INSCRIPTION: numbered (xvii/xl) and
signed by editor Paul Baumann on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
exhibition: Reed under 270
83.1.1607 m
2584
Steigende Stadt 1, 1919 (City rising 1)
Woodcut on J. W. Zanders 1916 paper io'/s x 6'/s in. (25.7 x 15.5 cm) From Eos 2, no. 3 (1919): 51; from edition A (total edition of 250) inscription: numbered (xvii/xl) and signed by editor Paul Baumann on justification page
provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 exhibition: Reed under 270 83.1.1607 f
2585
Steigende Stadt 2, 1919
(City rising 2)
Woodcut on J. W. Zanders 1916 paper
10 x 6'/8 in. (25.4 x 15.5 cm)
From Eos 2, no. 3 (1919): 55; from
edition A (total edition of 250)
inscription: numbered (xvii/xl) and
signed by editor Paul Baumann on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
exhibition: Reed under 270
83.1.1607 g
2586
Steigende Stadt 3, igig (City rising 3)
Woodcut on J. W. Zanders 1916 paper loVs x 6'/s in. (25.7 x 15.5 cm) From Eos 2, no. 3 (1919): 57; from edition A (total edition of 250) inscription: numbered (xvii/xl) and signed by editor Paul Baumann on justification page
provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 exhibition: Reed under 270 83.1.1607 h
2587
Untitled (carnival), c. 1919 Woodcut on laid paper 813/i6 x 413/i6 in. (22.4 x 12.2 cm) From Der Weg 1, no. 4 (1919): 9 provenance: Ex Libris, New York; purchased in 1976 exhibition: Reed under 305 83.1.1216 d
686 Schoff
Otto Schoff 2588
Untitled (woman at window), c. 1916 born 1884 Bremen Lithograph on laid paper
8'/8 x 43/i6 in. (20.6 x 10.7 cm) died 1938 Berlin From Zeit-Echo 2. no. 15 (1915-16): 237
PROVENANCE: gift of Elmar Seibel, 1983 L. 86. 1.80 c; lent by the Robert Gore Rifkind Foundation, Beverly Hills, California
2589
Sappho oder die Lesbierinnen
(Sappho; or, The Lesbians) Book with 7 etchings on laid paper Illustrations to text by E. Jouy, no. 2 in the monographic series Der Venuswagen (Berlin: Fritz Gurlitt Verlag, 1920); total edition of 700 INSCRIPTION: signed and numbered (35/40) on justification page PROVENANCE: Kunstgalerie Esslingen, Esslingen; purchased in 1975 EXHIBITION: Reed 415/2 83.1.804 a-g
1. Untitled (title page), 1920 7% x 5% in. (19.7 x 14.6 cm) 83.1.804 a
2. Untitled (three women and two dandies), 1920
7% x 513/i6 in. (19.4 x 14.7 cm) Following page 6 83.1.804 b
3. Untitled (three women in a garden), 1920
713/i6 x 5I3/i6 in. (19.9 x 14.8 cm) Following page 10 83.1.804 c
4. Untitled (two lovers), 1920 79/i6 x 59/i6 in. (ig.2 x 14.2 cm) Following page 12
83. 1.804 d
5. Untitled (three nudes in a garden), 1920
75/s x 59/ie in. (19.3 x 14. 1 cm) Following page 16 83.1.804 e
6. Untitled (three nudes in a garden), 1920
79/i6 x 59/ie in. (19.2 x 14.2 cm) Following page 18 83. 1.804 f
7. Untitled (three nudes in a garden), 1920
7ll/i6 x 59/i6 in. (19.5 x 14. 1 cm) Following page 20 83. 1.804 g
2590
Zwei Madchen, c. 192 1
(Two girls)
Drypoint on thin laid paper
37/i6 x 4% in. (8.7 x 12.0 cm)
From Fritz Gurlitt, ed. , Das graphische
Jahr (Berlin: Fritz Gurlitt Verlag, 1921),
following p. 118
inscription: signed, l.r; numbered
(xiii/l) on justification page
provenance: Hans Bolliger, Zurich;
purchased in 1974
EXHIBITION: Reed 315/8 (1921)
831.85 g
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2590
2589-7
2591
2588
DER HEBELL.
■mam.
Perform:
|)erlrciuh-i(7r Der Gefqhcjehe Das SchahlCkV^ik Dar^rxTocKter'
Der Refer
2592
GIITAHrWE DIEJERV/ENDE FINCERUIDHERZEN SIKD OFFEN JTERNLIEOT AM HARE miDEMU/A/AEN kR/AEVM5<HLINGEN OEUEBTE J0ltfUN5SPRAfflE \JNtt GEDANKEN ABER WE KINDER, W
2594
Schott
2591
Markt in Intra, c. 1911 (Market in Intra) Lithograph on wove paper 55/s x io7/i6 in. (14.3 x 26.5 cm) From Zeitschrift fur bildende Kunst, n.s., 22, no. 9 (1911): before 197 provenance: Galerie Gerda Bassenge, Berlin, 15 May 1976, part of lot 4364 83. 1.965 h
687
Robert F. K. Scholz
born 1877 Dresden died 1918
2592
Ersre Ursache, c. 1919
(First cause)
Woodcut on slick wove paper
913/i6 x 75/8 in. (25.0 x 19.3 cm)
From Das Tribunal 1, no. 12 (1919): 131
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1975
exhibition: Reed under 304
83.1.962 b
2593
Das gilt am Fusse dieser Wende, c. 1921
(That is valid based on this turn of
events)
Woodcut with blue and red watercolor
on wove paper
io15/i6 x 8V2 in. (27.8 x 21.6 cm)
Poem by Schott from Kiindung 1, no.
7/8 (1921)
provenance: Galerie Wolfgang
Ketterer, Munich, 26 November 1974,
part of lot 1154
EXHIBITION: Reed under 282; Guenther
under 332
83.1.1059 b
2594
Der Rebelh Tragodie, c. 1921
(The revolutionary: A tragedy) Woodcut on wove paper i29/i6 x 9% in. (31.9 x 24.5 cm) From Kiindung 1, no. 7/8 (1921): 101 (not listed in table of contents) provenance: Galerie Wolfgang Ketterer, Munich, 26 November 1974, part of lot 1154
EXHIBITIONS: not listed in Reed under 282 83.1.1059 d
2595
Der Regenbogen, c. ig2i
(The rainbow)
Woodcut on wove paper
11W x n7/i6 in. (28.5 x 29. 1 cm)
From Kiindung 1, no. 7/8 (1921)
provenance: Galerie Wolfgang
Ketterer, Munich, 26 November 1974,
part of lot 1154
exhibition: Reed under 282; Guenther
under 332
83.1.1059 g
Reinhold Schon
Siegfried Schott
,;60fAf^iEU£t J0NNEN =
688
Schott
2596
Una sancta cubica, c. 1921
Woodcut on wove paper
11% x 99/ie in. (29.8 x 24.3 cm)
From Kiindung 1, no. 7/8 (1921)
provenance: Galerie Wolfgang
Ketterer, Munich, 26 November 1974,
part of lot 1 154
EXHIBITION: Reed under 282; Guenther
under 332
83.1.1059 c
2597
Theater, c. 1921
Woodcut with vermilion, yellow, blue,
and red watercolor on wove paper
11% x 95/8 in. (29.9 x 24.5 cm)
From Kiindung 1, no. 7/8 (1921)
provenance: Galerie Wolfgang
Ketterer, Munich, 26 November 1974,
part of lot 1154
EXHIBITION: Reed under 282; Guenther
under 332
83.1.1059 c
2598
Der Tod, c. 1921
(Death)
Woodcut on wove paper
gn/i6 x n13/i6 in. (24.6 x 30.0 cm)
From Kiindung 1, no. 7/8 (1921)
provenance: Galerie Wolfgang
Ketterer, Munich, 26 November 1974,
part of lot 1154
exhibition: Reed under 282; Guenther
under 332
83.1. 1059 f
Martha Schrag 2599
Untitled (workers), c. 1927 born 1870 Borna Lithograph on wove paper
83/i6 x 7V16 in. (21. 1 x 17.9 cm) died 1957 From Ing. Hermann Heuss et al.,
Karl-Marx-Stadt Kiinstler abseits vomWege, 1907-1927
(Chemnitz: Kiinstlergruppe Chemnitz,
1927), p. 32
INSCRIPTION: signed, 1.1.
PROVENANCE: unknown
83. 1.52 d
Gerth Schreiner 2600
Altliches Fraulein, c. 1920
(Old maid)
Woodcut on wove paper
77/s x 7^16 in. (20.0 x 20.2 cm)
From Gert Wollheim, ed., Das Buch
Zwei des Aktivisten Bundes, 1919,
Diisseldorf (Diisseldorf: Druckhaus
Diisseldorf, [1920]); this attribution is
conjectural because the artist is not
identified
provenance: Kornfeld & Klipstein,
Bern, 11 June 1977, part of lot 492
83- 1-249 g
2598
2599
2600
2601
Schreyer
689
XLVI
Qo«-
■ %-
J-o-l-
g»-^gg>~>Bg^g
Qotf-
■ %■
1-o+-
2601
Der Literal, c. 1920
(Man of letters)
Woodcut on pink cover stock
7% x 515/i6 in. (197 x 15.0 cm)
From Gert Wollheim, ed., Das Buch
Zwei des Aktivisten Bundes, 1919,
Diisseldorf (Diisseldorf: Druckhaus
Diisseldorf, [ig2o]), inside back cover
PROVENANCE: Kornfeld & Klipstein,
Bern, 11 June 1977, part of lot 492
83.1.249!!
2603
Mytfel
■PlP
fl.lif hh
2602-1
Gclicbfe
MuHii
mwemm^um.
pi
Mann
OHMf
SBI
S
2602-4
11
■
It
2602-5
2602
Kreuzigung: Spielgang Werk vn
(Crucifixion: Play sequence vn)
Block book with 5 woodcut illustrations
and 72 text woodcuts with pochoir on
wove paper
Illustrations to and text of play by
Schreyer (Hamburg: Werkstatt der
Kampfbuhne, 1921); from edition 2 of
500 (total edition of 525); printed in
1920
provenance: Hans Bolliger, Zurich;
purchased in 1974
exhibition: Reed 402
83.1.180.1-77
1. Mutter, c. 1920 (Mother)
With red and green pochoir 8% x 12'/j in. (21.9 x 31. 1 cm) Plate 5 83.1.180.5
2. Geliebte, c. 1920 (Lover)
With red and green pochoir 89/ie x i2'/8 in. (21.8 x 30.8 cm) Plate 6 83.1.180.6
3. Geliebte I Mutter, c. 1920 (Lover / mother)
With red, green, and yellow
pochoir
8Vi6 x i23/i6 in. (21.5 x 30.9 cm)
Plate 7
83.1.180.7
4. Mann, c. 1920 (Man)
With red and green pochoir 89/i6 x i2'/8 in. (21.8 x 30.8 cm) Plate 8 83.1.180.8
5. Untitled (two figures), c. 1920 With red and green pochoir 8'/i6 x i23/i6 in. (20.5 x 31.0 cm) Plate 9
83.1.180.9
2603
Kampfbuhne, c. 1921
(Battle scene)
Woodcut with red and blue watercolor
on wove paper
7V16 x I2n/i6 in. (179 x 32.2 cm)
From Der Sturm 12, no. 4 (1921): 73
provenance: Ex Libris, New York;
purchased in 1982
83- 1- 1395- 1
Lothar Schreyer
born 1886 Blasewitz
died 1966 Hamburg
690
Schreyer
2604
Erster Druck der Kampfbiihne, 1921
(First publication of the Kampfbiihne)
Woodcut with red and yellow
watercolor on wove paper
i^Vs x nI3/i6 in. (35.9 x 30.0 cm)
Broadside for book published by
Werkstatt der Kampfbiihne, Hamburg,
1921 (cat. no. 2602)
inscription: stamped "Lucas Grafe /
Buchhandlung / Hamburg," I.e.
provenance: Galerie Wolfgang
Ketterer, Munich, 26 November 1974,
part of lot 1154
83.1.181
2605
Mutter, 1921 (Mother)
Lithograph with orange, blue, and white pochoir on thin japan paper 8% x 6% in. (22.5 x 16.8 cm) From portfolio Neue europaische Graphik: Erste Mappe (Weimar: Bauhaus, 1921); edition of 100 INSCRIPTION: monogrammed, l.r. ; inscribed "Farbform 'Mutter' aus Biihnenwerk Kindsterben' 1921 / Ganzmaske," 1.1.
provenance: R. M. Light, Santa Barbara, California; purchased in 1980 reference: Peters 1/13 (as 1922) M. 82.287.62
2606
Untitled (abstract composition), c. 1925
Linoleum cut on wove paper
45/i6 x 7V2 in. (10.9 x 19. 1 cm)
From Der Sturm 16, no. 2 (1925): 21
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1396.28
[R*TCR DRUCK DCR K/VMPTBUHHC
PIE kAMPFBUBHE(IMR08l IH'FW FR<UilP<HUHPUlllH<i*,lHHitH utw ERITEM IPIELGAllCi EIIIE1 BUHNEHWERKFF / DIE KHOPFUHO Dtt 1PIEIGANE.S lllful [U HiHiuHMliul Villi ..ItHBtP IJEDEUTIIHO Wit DIE HHilPFtlHCtHllOltHI/ITEHI UHH IKP IIOrtH FOB [ll( TIWKIJHIT ALIE IPK1E PEP KAHPFBIIHIIE HHP HMH IPIUEiAMGEH (jEJPIEIT IPI(lEiAI«, KREUZIG0l<t./BullHt«WERk VH UTtlH HOUICBHIFIWERK' UHD(mHAlT(kF(HIIII(ltlU^II,HlUII<MHITrE/UROM(lSX36tm. DIEEK«EAUJGABEV0HtKPWIP25WEPKE DROEKEN IIP AOF EEFTKI lAPAHPAl IER HIT D(P tIAHD GEDRUtKT BEMAlT/HUMERItftT UHD JIUMICRTMU MaPFEODER LETiEREAHP/ WERK1TATTPREI* 5000HABK DIE ZWEITE AUTGABE VCM DER VMR 50OWERKE DRIFEBEH IFFAUF EiUTEF KtffTEHEt PAPKP MIT PEP PPEilE *OM PTIKK GEDHIIEPT JfPEFElATTIIf H^HBKEMAIT/DilWEP.K IITAIJ PAPPBAHD GERIIHOEW WERhlTATTPREH B(l IIEITEUUHG Bit ERITEH MAI 150 MARK BEIDC AUIGABEM ERHHEIFFEH IM MAI 1921.
WIRWIMEH/DAil DIEIE t I'lTC VEROFFCHTLICHUMG ' IH< i fPIELQAFEGf EIRE KOJTBAR REIT f UP BINLIOPHIIE TAMMLER lll/WIRWUNHHEH/DAH UIIIER WERK ZU DEUHEHIEHEH KOMMT/DIEDEITIIFIMFUR UHIERE ARBEITIGEMEIHIEHATT llilli [OR UHKM ARBEIT HABEM/ WER MOTH HIEIITI VOII UMIERER ARBEIT KEMHT/BAUH DURCH DIE1EI V/ERK UHI1ITT<IBAREH EIHBLIEH IH UHJERE ARBEIT EHPFAMEiEH/ WERIIHJT1RH JTEHT/HAHHAlMDtM TPIElGAHEl DER IIWH DEROEMEIttllMAFT BEGREITEM/ DIE ZU ALUM ZCITCN VORAUlHTZUHEj DER HilHHEHkUHfT IfT/
2604
Georg Schrimpf 2607
An Dich—Erde!
born 1889 Munich (To you— earth!)
Booklet with 6 woodcuts on laid paper
died 1938 Berlin Published by Verlag freie Strasse,
Berlin-Wilmersdorf, 1915 provenance: Galerie Nierendorf, Berlin; purchased in 1975 exhirition: Guenther 300 83.1. 182 a-f
1. Untitled (cover), c. 1915 77/s x 57/s in. (20.0 x 14.9 cm) 83.1.182!'
2. Untitled (nude woman and child),
c 1915
5'/2 x 6'/8 in. (14.0 x 15.6 cm)
Page 5
83.1.182 a
3. Untitled (two seated nudes), c. 1915 4%6 x 5I3/i6 in. (10.9 x 14.8 cm) Page 7
83.1.182 b
4. Untitled (two seated nudes), c. 1915 5'/i6 x 7V16 in. (12.8 x 18.0 cm) Page 9
83.1.182 c
2609
2608
2611
2614
'HnSiA-Grhe!
ZwtUt Fetgr do Veraibeit
2607-2
1915
2607-1
2607-3
2607-5
2607-4
2607-6
Schrimpf
5. Untitled (two nudes), c. 1915 jVs x 5V16 in. (18. 1 x 12.8 cm) Page 11
83.1. 182 d
6. Untitled (seated nude), c. 1915 7% x 5% in. (20.0 x 13.6 cm) Page 13
83.1.182 e
2608
Untitled (two nudes), c. 1916
Woodcut on wove paper
515/i6 x 313/i6 in. (15.0 x 9.7 cm)
From Die Aktion 6, no. 47/48 (1916):
650; not identified as an original
woodcut
provenance: Hauswedell & Nolte,
Hamburg, 30 November 1979, part of
lot 1173
83.1.1525 c
2609
Untitled (seated figure), c. 1916 Linoleum cut on wove paper io15/i6 x 7% in. (27.7 x 19.6 cm) From Der Sturm 7, no. 1 (1916): 7 PROVENANCE: Ex Libris, New York; purchased in 1982 83.1.1393.2
2610
Untitled (animals), c. 1916
Woodcut on wove paper
814 x 11 in. (21.6 x 27.9 cm)
From Der Sturm 7, no. 6 (1916): 67
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1393.14
2611
Untitled (horses), c. 1916
Woodcut on wove paper
6'/j x 8V1 in. (15.8 x 21.0 cm)
From Der Sturm 7. no. 10 (1917): 109
PROVENANCE: Ex Libris, New York;
purchased in 1982
83' 1-1393- 15
2612
Untitled (horse), c. 1917 Woodcut on wove paper 63/ie x 85/i6 in. (15.7 x 21. 1 cm) From Der Sturm 8, no. 3 (1917): 33 provenance: Ex Libris, New York; purchased in 1982 83.1.1393.25
2613
Untitled (woman with cat), c. 1917 Woodcut on wove paper 67/i6 x 53/i6 in. (16.3 x 13.2 cm) From Der Sturm 8, no. 8 (1917): 113 provenance: Ex Libris, New York; purchased in 1982 83.1.1393.29
2614
Untitled (woman reclining), c. 1917
Woodcut on wove paper
5X 7V8 in. (12.7 x 18.1 cm)
From Der Sturm 8, no. 10 (1918): 145
provenance: Ex Libris, New York;
purchased in 1982
83- 1-1393-33
691
692
Schrimpf
2615
Untitled (nude woman), c. 1917
Woodcut on wove paper
45/i6 x 515/i6 in. (11.0 x 15.0 cm)
From Der Sturm 8, no. 10 (1918): 155
provenance: Ex Libris, New York;
purchased in 1982
8.3- 1- 1393-35
2616
Untitled (woman with bird), c. 1917
Woodcut on wove paper
5'/8 x 3% in. (13.0 x 9.5 cm)
From Der Sturm 8, no. 10 (1918): 155
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1393.36
2617
Untitled (woman seated in landscape),
c. 1917
Woodcut on wove paper
7!/a x 5V8 in. (18. 1 x 13.0cm)
From deluxe edition of Das Kunstblatt
1, no. 2(1917): 32; the center also has an
impression from the regular edition
inscription: numbered (32/110) on
justification page
provenance: Henry Hallenstein; W. F.
Amtz, Haag (Oberbayern); purchased
in 1975
EXHIBITION: Reed 283/61
83.1.1086 a
2618
Der expressionistische Holzschnitt
(The Expressionist woodcut)
Book with 2 woodcuts on wove paper
Catalogue of exhibition at Neue Kunst /
Hans Goltz, Munich, 1918
provenance: Erasmus, Amsterdam;
purchased in 1981
83.1.721 a, b
1. Untitled (cover), c. 1918 715/ie x 6Vs in. (20.2 x 15.5 cm) 83.1.721 a
2. Franz von Assist, c. 1918 (Francis of Assisi)
3u/i6 x 35/8 in. (9.3 x g. 2 cm) Plate 1 83.1.721 b
2619
Untitled (woman and child), c. 1918
Woodcut on wove paper
io3/i6 x 713/i6 in. (25.9 x 19.9 cm)
From Der Sturm 8, no. 12 (1918): 185
provenance: Ex Libris, New York;
purchased in 1982
83- 1- 1393-37
2620
Untitled (deer), c. 1918 Woodcut on wove paper 39/i6 x 53/i6 in. (9.0 x 13.2 cm) From Der Sturm 9, no. 3 (1918): 41 provenance: Ex Libris, New York; purchased in 1982 83- 1-1393-46
2615
2616
jjtbAuyrtel/u,,
l5.Juni - l5Juliipi8
N£UE Kumr
HANJ G0U2 MUMCHEN
2618-1
2617
2618-2
Schrimpf
693
2620
2621
2622
2623
2624
2621
Untitled (seated woman), c. 1918
Woodcut on wove paper
3V2 x 4V16 in. (8.9 x 11.2 cm)
From Der Sturm 9, no. 3 (1918): 41
provenance: Ex Libris, New York;
purchased in 1982
83-1393-47
2622
Untitled (two nudes in landscape),
c. 1918
Woodcut on wove paper
5'/s x 73/i6 in. (13.0 x 18.2 cm)
From deluxe edition of Das Kunstblatt
2, no. 3 (1918); the center also has
impressions from the regular edition
and from Der Weg 1, no. 2 (1919): 9
INSCRIPTION: numbered (32/110) on
justification page
provenance: Henry Hallenstein; W. F.
Arntz, Haag (Oberbayern); purchased
'n 1975
exhibition: not listed in Reed
under 283
83.1.1113 a
2623
Amen unci Anfang von Oskar Maria
Graf, c. 1919
(End and beginning by Oskar Maria
Graf)
Woodcut on wove paper
7'/i6X 5s/i6 in. (18.0 x 13.5 cm)
From Die Biicherkiste 1, no. 5/7
(1919): 81
provenance: Hans Bolliger, Zurich;
purchased in 1975
exhibition: Reed under 267
83.1. 1634 j
2624
Untitled (woman seated at table),
c 1919
Woodcut on laid paper
8'A x 6'/j in. (21.0 x 15.9 cm)
From DerWeg 1, no. 2 (1919): 9
provenance: Ex Libris, New York;
purchased in 1976
exhibition: Reed under 305
83.1.1214 d
2625
Untitled (crouching nude), c. 1919 Woodcut on wove paper 2% x 513/ir, in. (7.0 x 14.7 cm) From Die Biicherkiste 1, no. 2 (1919): 17 provenance: Hans Bolliger, Zurich; purchased in 1975 exhibition: Reed under 267 83.1.1634 b
2625
694
Schrimpf
2626
Untitled (cat), c. 1919
Woodcut on wove paper
3% x 47/in in. (8.6 x 11.2 cm)
From Die Biicherkiste 1, no. 2(1919): 21
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1975
exhibition: Reed under 267
83.1.1634 c
2627
Untitled (view of a city), c 1919 Woodcut on wove paper 2% x 47/ib in. (6. 1x11.3 cm) From Die Biicherkiste 1, no. 2 (1919): 25 PROVENANCE: Hans Bolliger, Zurich; purchased in 1975 exhibition: Reed under 267 83.1.1634 d
2628
Zwei Franen m it Kind, 1923
(Two women with child)
Lithograph on wove paper
7V2 x 65/k> in. (19.0 x 16.0 cm)
From Georg Biermann, ed., Jahrbuch
derjungen Kunst (Leipzig: Klinkhardt
& Biermann, 1923), following p. 178
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1975
EXHIBITION: Reed 320/1923.2
83.1.801b
2629
Untitled (woman washing her hair),
1925
Lithograph on heavy wove paper
8% x 6'/s in. (21.2 x 15.6 cm)
INSCRIFriON: signed and dated, l.r.
provenance: Tobey C. Moss, Los
Angeles; purchased in 1978
M. 82. 288. 280
Alfred Schroder 2630
Gefangnishof, c. 1923
(Prison yard)
Woodcut on wove paper
5%, x 4V16 in. (14. 1 x 10.6 cm)
From Die Aktion 13, no. 4 (1923): cover;
not identified as an original woodcut
PROVENANCE: gift of Titus Felixmiiller,
1984
L.84.5. 120 a; lent by the Robert Gore
Ritkind Foundation, Beverly Hills,
Galifornia
2626
2628
2627
2629
2630
Otto Schubert
born 1892 Dresden died 1970 Dresden
2631
Finale, c. 1917 Lithograph on japan paper i65/ib x g'/i in. (41.5 x 23.5 cm) From portfolio Shakespeare Visionen (Munich: Marees-Gesellschaft, 1918); from edition A (total edition of 200) inscription: signed, l.r.; numbered (xiv/l) on justification page; publisher's blind stamp, l.r.
PROVENANCE: Hans Bolliger, Zurich; purchased in 1972 EXHIBITION: Reed 336/32 M. 82. 288.384.32
2632- 1
2632-2
t&fi ^'f3
2632-4
Schubert
695
2632-7
-^ (
2632-8
»«V »',;-
2632-10
£W&
2632-12
2632
Die Leiden der Pferde im Krieg
(The sufferings of horses in war)
Portfolio of 12 lithographs on laid paper
Published by Emil Richter Verlag,
Dresden, 1917
INSCRIPTION: signed and numbered (11)
on table of contents
provenance: Kunsthalle, Karlsruhe
(stamp, verso); Hartung & Karl,
Munich, 13-15 November 1979, lot
5044
M. 82.287.64a-!
1. Arbeit, c. 1917 (Labor)
9% x 15% in. (24.7 x 39. 1 cm) M. 82. 287. 64 a
2. Hunger, c. 1917
ii'/2 x i6'/i in. (29.2 x 41.2 cm) M. 82.287.64 b
3. Durst, c. 1917 (Thirst)
1 1% x i69/i6 in. (28.8 x 42. 1 cm) M. 82. 287. 64 c
4. Hitze, c. 1917 (Heat)
io%6 x i67/i6 in. (26.8 x 41.7 cm) EXHIBITION: Rigby 89 (as 1919) M. 82.287.64 d
5. Qual, c. 1917 (Agony)
11V16 x 16V2 in. (28. 1 x 41.9 cm) M. 82.287.64 e
6. Angst, c. 1917 (Fear)
loVi x i7'/4 in. (26.7 x 43.7 cm) exhibition: Rigby 91 (as 1919) M. 82. 287.64 f
7. Obdach, c. 1917 (Shelter)
11% x l-jVt in. (29.8 x 43.8 cm) M. 82. 287. 64 g
8. Im Granatfeuer, c. 1917 (Under shell fire)
12V2 x i57/8 in. (31.8 x 40.3 cm) M. 82. 287. 64 h
9. Wetter, c. 1917 (Weather)
11% x i75/i6 in. (28.8 x 44.0 cm) M. 82. 287.641
10. Lazarett, 1917 (Infirmary)
n15/i6 x 17V8 in. (30.4 x 43.5 cm) M. 82.287.64 j
11. Verwundet, c. 1917 (Wounded)
99/i6 x 17V2 in. (24.3 x 44.5 cm) M. 82.287.64 k
12. Tod, c. 1917 (Death)
io15/i6 x iyVt in. (27.8 x 43.8 cm) EXHIBITION: Rigby 90 (as 1919) M. 82. 287. 64 1
2631
696
Schubert
2.
3.
2633
Reineke Fuchs
(Reynard the fox)
Portfolio of 20 drypoints on thin japan
paper
Illustrations to epic by Heinrich der
Glichezaere (Munich: Marees-Gesell-
schaft, 1921); from deluxe edition of 65
INSCRIPTION: each sheet signed, l.r.
provenance: Hauswedell & Nolte,
Hamburg, 30 November 1979, lot 1143
M. 82. 287. 93 a-t
1. Untitled (two foxes), 1917
5V16 x 4% in. (iz.8 x 11.8 cm)
M, 82. 287.93 a
Untitled (fox attacking), 1917
5 x 45/s in. (12.7 x 11.8 cm)
M. 82. 287. 93 b
Untitled (fox at gallows), 1917
5'/i6 x 49/i6 in. (12.9 x 11.6 cm)
M. 82. 287. 93 c
4. Untitled (fox and birds), 1917 5l/i6 x 45/s in. (12.9 x 11.8 cm) M. 82. 287. 93 d
5. Untitled (two foxes near tree), 1917 5V16 x 49/is in. (12.8 x 11.6 cm)
M. 82. 287. 93 e
6. Untitled (fox carried on litter), 1917 5 x 49/i6 in. (12.7 x 11.6 cm)
M. 82. 287. 93 f
7. Untitled (two foxes in pails), 1917 5V16 x 4% in. (12.8 x 11.8 cm)
M. 82. 287.93 g
8. Untitled (two foxes among animals),
1917
5V16X 4% in. (12.8 x 11.8 cm)
M. 82. 287. 93 h
9. Untitled (fox standing), 1917 4l5/i6 x 45/s in. (12.6 x 11.7 cm) M. 82. 287. 93 i
2633-2
2633-4
2633-5
2633-6
: a< y
m
2633-7
2633-8
Schubert
697
2633-11
2633-12
2633-14
10. Untitled (head presented to lion),
1917
5V16 x 43/s in. (12.8 x 11.7 cm)
M. 82. 287.93 j
11. Untitled (fox in moonlight), 1917 415/i6 x 4%6 in. (12.6 x 11.6 cm) M. 82. 287, 93 k
12. Untitled (fox and horses), 1917 5'/i6 x 4% in. (12.8 x 11.8 cm) M. 82.287.93 1
13. Untitled (fox walking), 1917 4u/i6 x 4% in. (11.9 x 11. 1 cm) M. 82. 287. 93 m
14. Untitled (rider chasing stag), 1917 415/i6 x 4% in. (12.6 x 11.7 cm) The center also has Schubert s preparatory drawing (cat. no. 2635) M. 82. 287.93 n
15. Untitled (foxes and chickens), 1917 49/i6 x 45/i6 in. (11.6 x 10.9 cm)
M. 82. 287.93 °
16. Untitled (people chasing bear),
1917
5'/i6 x 4% in. (12.8 x 11.8 cm)
M. 82. 287. 93 p
17. Untitled (court of the lion king),
1917
5V16 x 4% in. (12.8 x 11.8 cm)
M. 82. 287.93 q
18. Untitled (fox bowing to lion king),
1917
5 X4'/2in. (12.7 x 11.5 cm)
M. 82. 287. 93 r
19. Untitled (fox attacking pig), 1917 45/s x 43/s in. (11.8 x 11.1 cm)
M. 82. 287. 93 s
20. Untitled (fox consulting sage), 1917 5'/i6 x 4% in. (12.8 x 11.7 cm)
M. 82. 287.93 t
2633-16
J§SMfe£
2633-17
2633-18
2633-19
2633-20
698
Schubert
2634
Vierundzwanzig Lithographien vom Krieg im Westen
(Twenty-four lithographs of the war in
the west)
Portfolio of 24 lithographs (3 in color) on
laid paper
Published by Emil Richter Verlag,
Dresden, 1917
INSCRIPTION: signed and numbered (11)
on table of contents
PROVENANCE: Kunsthalle, Karlsruhe
(stamp, verso); Hartung & Karl,
Munich, 13-15 November 1979, lot
5046
M. 82. 287. 63 a-x
1. Flandern, c. 1917 (Flanders)
Printed in black, yellow, blue, and
red
6'/2 x 10 in. (16.5 x 25.4 cm)
1VI.82.287.63a
2. Strassenkampf, c. 1917 (Street battle)
11V4 x I513/i6 in. (28.6 x 40.5 cm) M. 82.287.63 b
3. Landstrasse, c. 1917 (Country road)
n'/2 x I515/i6 in. (29.2 x 40.5 cm) M. 82. 287. 63 c
4. Ablosung, c. 1917 (Relieving a sentry)
n'/4 x 16 in. (28.6 x 40.6 cm) M. 82. 287. 63 d
5. Im Regen, c. 1917 (In the rain)
n5/i6 x i57/s in. (28.7 x 40.3 cm) M. 82. 287.636
6. Essenhohr 1, c. 1917 (Ration carriers 1)
n'/s x 16 in. (28.3 x 40.6 cm) M. 82.287.63 f
7. Kranke Soldaten, c. 1917 (Wounded soldiers)
11% x 15% in. (28.8 x 40.0 cm) M. 82. 287. 63 g
8. Zerstorter Wald, c. 1917 (Destroyed forest)
11Y4 x i6'/j in. (28.6 x 41.3 cm) M. 82.287.63 h
2634-1
2634-3
2634-2
2634-6
2634-8
2634-10
Schubert
699
&»
mmsmtii
2634-11
2634-13
2634-16
9. Champagne, c. 1917
Printed in red, yellow, blue, and
black
6V2 x 10% in. (16.5 x 27.3 cm)
M. 82. 287. 631
10. Essenholer 2, c. 1917 (Ration carriers 2)
n'/i x i69/i6 in. (28.6 x 42.1 cm) M . 82. 287. 63 j
11. Gefangene Franzosen, c. 1917 (French prisoners)
nH x 16 in. (28.6 x 40.6 cm) M. 82.287.63 k
12. Am Massengrab, c. 1917 (At the mass grave)
n'/i x 15% in. (28.6 x 40.0 cm) M. 82.287.63 1
13. Abwehr, c. 1917 (Defense)
11 x i57/s in. (28.0 x 40.3 cm) M. 82. 287. 63 m
14. Im Sperrfeuer, c. 1917 (Under barrage)
liVi x 16 in. (28.6 x 40.6 cm) M. 82. 287. 63 n
15. Wasserholer, c. 1917 (Water carriers)
11V2 x 16 in. (29.2 x 40.6 cm) M. 82. 287.63 0
16. Verwundete 1, c. 1917 (Wounded 1)
n5/i6 x 17 in. (28.7 x 43.2 cm) M. 82. 287. 63 p
17. Argonnen, c. 1917 (Argonne)
Printed in red, yellow, blue, and
black
6V2 x io'/s in. (16.5 x 25.7 cm)
M. 82. 287. 63 q
18. Volltreffer, c. 1917 (Direct hit)
n'/j x i63/i6 in. (28.6 x 41. 1 cm) M. 82. 287. 63 r
19. Nahkampf, c. 1917 (Hand-to-hand fighting)
n'/i6 x i65/ie in. (28. 1 x 41.5 cm) M. 82. 287. 63 s
20. Verivundete 2, c. 1917 (Wounded 2)
n'/2 x 15% in. (29.2 x 40.0 cm) M. 82. 287.631
2634-18
•---.- .-:SfTi
2634-19
2634-20
700
Schubert
2634 (continued)
21. Im Wald, c. 1917 (In the forest)
n'/a x 16 in. (29.2 x 40.6 cm) M. 82. 287. 63 u
22. Transport, c. 1917
1 1 x 15% in. (28.0 x 40.0 cm) M. 82. 287. 63 v
23. Vorposten, c. 1917 (Outpost)
n3/s x 16 in. (28.8 x 40.6 cm) M. 82. 287. 63 w
24. In der Nacht, c. 1917 (At night)
n'/a x 15% in. (29.2 x 40.0 cm) M. 82. 287.63.x
2635
Untitled (rider chasing stag), 1917 Blue crayon on laid paper i25/s x 9% in. (32. 1 x 24.5 cm) INSCRIPTION: signed, l.r.; dated, 1.1. PROVENANCE: Hauswedell & Nolte, Hamburg, 30 November 1979, part of lot 1143
Preparatory study for a plate from the portfolio Reineke Fuchs (cat. no. 2633. 14) M. 82. 287. 92
2636
Beschivbrung und Traum
(Incantation and dream)
Book with 6 lithographs on japan paper
Illustrations to deluxe edition of poems
by Alfred Gunther (Dresden: Emil
Richter Verlag, 1920)
INSCRIPTION: numbered (15/60) and
signed by artist and author on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen: purchased in 1976
83.1.1833^
1. Untitled (man among flowers), c 1919
5% x 4 in. (14.6 x 10.2 cm) 83.1.183 a
2. Untitled (woman and violinist),
c 1919
413/i6 x 33/i6 in. (12.3 x 8. 1 cm)
83.1.183 b
3. Untitled (man in forest), c. 1919 5V4 x 33/i6 in. (13.3 x 8. 1 cm) 83.1.183 c
4. Untitled (couple among flowers), c 1919
4% x 313/i6 in. (12.0 x g.7 cm) 83.1.183 d
5. Untitled (couple under starlight), c- 1919
5V4 x 3n/i6 in. (13.3 x 9.4 cm) 83.1.183 e
6. Untitled (man pleading), c. 1919 413/i6 x 3n/i6 in. (12.2 x 9.4 cm) 831. 183 f
2634-21
2634-22
2634-23
2635
2636-1
2636-2
2636-3
2636-4
Schubert
701
2636-5
2637
2636-6
2638-1
2638-3
2638-4
4s --w"5W ;i
2638-6
2638-7
2637
Ich Hebe Dich, 1919
(I love you)
Woodcut on heavy wove paper
6% x 5'/i6 in. (16.2 x 12.8 em)
INSCRIPTION: signed, l.r. ; numbered
(3/10), 1.1.; inscribed "Selbstdruck," I.e.
provenance: Galleria del Levante,
Munich; purchased in 1978
M. 82. 288. 281
2638
Bilderbuch fur Tyll und Nele
(Picture book for Tyll and Nele)
Portfolio of 24 color woodcuts on japan
paper
Published by Marees-Gesellsehaft,
Munich, 1920; total edition of 300
inscription: each sheet signed, l.r.;
signed and numbered (xxix/xlv) on
justification page
provenance: Kenneth Karmiole, Los
Angeles; purchased in 1979
S3'i-75°a-x
1. Untitled (justification page), c. 1920
Printed in yellow, red, and green 315/i6 x 3V8 in. (10.0 x 8.0 cm) 83. 1.750 x
2. Untitled (children riding rooster), c. 1920
Printed in green, vermilion, and
yellow
i25/s x g7/i6 in. (32.0 x 23.9 cm)
83.1.750 a
3. Untitled (lion attacking zebra), c. 1920
Printed in green, vermilion, and
orange
i25/s x 9V2 in. (32.0 x 24. 1 cm)
83.1.750 b
4. Untitled (hunter on elephant fighting tigers), c. 1920
Printed in blue, green, and yellow i29/i6 x 9V2 in. (31.9 x 24. 1 cm)
§3- 1-75° c
5. Untitled (bear trainer), c. 1920 Printed in green, red, yellow, and black
12% x g9/i6 in. (32.0 x 24.3 cm) 83. 1.750 d
6. Untitled (man riding horse), e. 1920 Printed in green, red, yellow, and violet
i29/i6 x 97/i6 in. (31.9 x 24.0 cm) 83.1.750 e
7. Untitled (man with hunting dog), c. 1920
Printed in blue, green, red, and
purple
i25/8 x g7/i6 in. (32.0 x 24.0 cm)
83. 1.750 f
702
Schubert
2638 (continued)
8. Untitled (woman with eats), e. 1920 Printed in brown, blue, green, and yellow
12% x 9% in. (32.0 x 23.8 em) 83-i-75°g
9. Untitled (woman with cows), c. 1920
Printed in red, yellow, and purple 12% x g7/i6 in. (32.0 x 24.0 em) 83. 1.750 h
10. Untitled (men with donkeys), c. 1920
Printed in blue, green, brown, and
red
12% x 97/i6 in. (32. 1 x 24.0 cm)
8.3- i-75»i
11. Untitled (pigs), c. 1920 Printed in red, blue, and yellow 12% x 9V2 in. (32.0 x 24. 1 cm)
831-750J
12. Untitled (woman with goats), c. 1920
Printed in green, red, yellow, and
purple
I2n/i6 x 9v/i6 in. (32.2 x 23.9 cm)
83.1.750 k
13. Untitled (woman shearing sheep with shepherd), c. 1920
Printed in yellow, blue, green, and
red
i29/i6 x 97/i6 in. (319 x 24.0 cm)
83. 1.750 1
14. Untitled (stork with nest), c. 1920 Printed in blue, red, yellow, and purple
i25/s x 9?/i6 in. (32. 1 x 24.0 cm) 83.1.750 m
15. Untitled (rabbit hunter), c. 1920 Printed in green, red, blue, and yellow
12% x q'/i in. (32. 1 x 24. 1 cm) 83. 1.750 n
16. Untitled (chickens), c. 1920 Printed in yellow, green, blue, and red
i29/i6 x 9V2 in. (31.9 x 24. 1 cm) 83.1.7500
17. Untitled (swans and ducks), c. 1920 Printed in olive green, blue, red, and yellow
i25/s x 97/i6 in. (32.0 x 24.0 cm) 83. 1.750 p
18. Untitled (fox), c. 1920
Printed in green, light blue, dark blue, and red
i25/s x 97/i6 in. (32.0 x 24.0 cm) 83. 1.750 q
19. Untitled (monkeys), c. 1920 Printed in red, green, light blue, and dark blue
12% x 9V2 in. (32.0 x 24.2 cm) 83.1.7501
20. Untitled (parrots), c. 1920 Printed in green, red, blue, and yellow
i25/s x 9V2 in. (32.0 x 24. 1 cm) 83.1.750 s
2638-8
2638-14
2638-17
2638-12
^m^
fesL
2638-15
2638-18
2638-10
2638-13
2638-19
Schubert
703
2638-20
2638-21
2638-22
2638-23
2638-24
2639
2642
21. Untitled (rhinoceros and bird),
c. 1920
Printed in red, green, yellow, and
dark blue
i29/i6 x g7/i6 in. (31,9 x 23.9 cm)
83.1.750 1
22. Untitled (flamingos and pelicans), c. 1920
Printed in red, blue, brown, and
black
i25/8 x 95/ir, in. (32.0 x 23.6 cm)
83. 1.750 u
23. Untitled (camels), c. 1920 Printed in blue, red, green, and yellow
i29/i6 x g7/i6 in. (319 x 24.0 cm) 83. 1.750 v
24. Untitled (giraffe), c. 1920 Printed in green, yellow, purple, and black
i25/s x 9V2 in. (32.0 x 24. 1 cm) 83. 1.750 w
2639
Friihling, c. 1920
(Spring)
Drypoint on thick wove paper
4% x 3% in. (11.7 x 9.2 cm)
From Julius Meier-Graefe, ed.,
Ganymed, vol. 2 (Munich: R. Piper &
Co., 1920), following p. 208
provenance: Ganymede Graphics,
Berkeley: purchased in 1974
exhibition: Reed 317/6
83.1.1386 a
2640
Herbst, c. 1920
(Autumn)
Drypoint on thick wove paper
45/s x 39/i6 in. (11.8 x 9.0 cm)
From Julius Meier-Graefe, ed.,
Ganymed, vol. 2 (Munich: R. Piper &
Co., 1920), following p. 216
provenance: Ganymede Graphics,
Berkeley: purchased in 1974
EXHIBITION: Reed 317/8
83.1.1386 c
2641
Sommer, c. 1920 (Summer)
Drypoint on thick wove paper 413/i6 x 3% in. (12.2 x 9.2 cm) From Julius Meier-Graefe, ed., Ganymed, vol. 2 (Munich: R. Piper & Co., 1920), following p. 212 provenance: Ganymede Graphics, Berkeley: purchased in 1974 exhibition: Reed 317/7 83.1.1386 b
2642
Winter, c. 1920 Drypoint on thick wove paper 4I3/i6 x 37/ir, in. (12.2 x 8.8 cm) From Julius Meier-Graefe, ed. , Ganymed, vol. 2 (Munich: R. Piper & Co., 1920), following p. 222 provenance: Ganymede Graphics, Berkeley; purchased in 1974 EXHIBITION: Reed 317/9 83. 1.1386 c!
704
Schiilein
Julius Wolfgang Schiilein
born 1881 Munich
died 1970
New York, New York
Wilhelm Schuier
born 1875 Karlsruhe
2643
Netzflicker, c. 1912 (Net menders) Lithograph on wove paper 67/s x gu/i6 in. (17-5 x 24.6 cm) From portfolio Sema (Munich: Delphin-Verlag, 1912) INSCRIPTION: signed, l.r. ; numbered (101/215) on justification page provenance: Karl & Faber, Munich, 26-28 May 1977, part of lot 1475 M. 82.288.383 n
2644
Die Mutter der Helden, 1914
(The mothers of heroes)
Lithograph with red, yellow, and blue
watercolor on wove paper
8'/j x li'/s in. (21.0 x 28.2 cm)
From portfolio Kriegsbilderbogen
Miinchner Kiinstler (Munich:
Goltzverlag, [c. 1914]), pi. 9
inscription: signed, l.r.; publisher's
stamp, l.r.
provenance: Christie's, London, 5 July
1979, part of lot 178
M. 82.288.381 f
2645
Untitled (battlefield), c. 1915 Lithograph on wove paper 65/i6X 47/i6 in. (16.0 x 11.3 cm) From Zeit-Echo 1, no. 19 (1915): 281 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 EXHIBITION: Reed under 308 83.1.1204 a
2643
^ m^M^J^
•ijj^~^
2646
Hunde, c. 1917
(Dogs)
Woodcut on wove paper
35/ie x 3% in. (8.4 x 8. 5 cm)
From Die Aktion 8, no. 3/4 (1918): 36;
not identified as an original woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83-i-i529c
2647
Begrdbnis, c. 1918
(Burial)
Woodcut on wove paper
i7/8 x 515/i6 in. (4.8 x 15. 1 cm)
From Die Aktion 8, no. 39/40 (1918):
495-96; not identified as an original
woodcut
PROVENANCE: giftofTitus Felixmiiller,
1984
L.84.5.80 a; lent by the Robert Gore
Ritkind Foundation, Beverly Hills,
California
2646
jPiiw.i v.wT™ 2^ygT^^5
*>m>mii*m
2647
2648
2650
2649
2651
Schulze
2648
Portriit, c. 1918
(Portrait)
Woodcut on wove paper
3'/s x 2% in. (7.9 x 6. 1 cm)
From Die Aktion 8, no. 51/52 (1918):
681; not identified as an original
woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
831-1545 a
2649
Totenklage, c. 1918
(Dirge)
Woodcut on wove paper
2.V* x i9/ir. in. (5.8 x 4.0 cm)
From Die Aktion 8, no. 31/32 (1918):
391; not identified as an original
woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1538 b
2650
Untitled (village), c. 1918
Woodcut on wove paper
3% x 5"/i6 in. (8.6 x 14.5 cm)
From Die Aktion 8, no. 43/44 (1918):
cover; not identified as an original
woodcut
PROVENANCE: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1541 a
2651
Untitled (head), c. 1919
Woodcut on wove paper
i15/i6 x 25/ie in. (4.9 x 5.9 cm)
From Die Aktion 9, no. 14/15 (1919):
219; not identified as an original
woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1551c
705
2652
Gustav Landauers Portriit, c. 1919
(Portrait of Gustav Landauer)
Woodcut on wove paper
6Vs x 4% in. (15.6 x 12.0 cm)
From Die Aktion 9, no. 30/31 (1919):
cover; not identified as an original
woodcut
PROVENANCE: gift of Titus Felixmuller,
1984
L. 84. 5. 86 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
Franz Schulze
706
Schulze
2653
N. Lenin, c. 1919
Woodcut on wove paper
515/i6 x 3% in. (15.0 x 8.6 cm)
From Die Aktion 9, no. 30/31 (1919): 522
provenance: gift of Titus Felixmiiller,
1984
L. 84. 5. 86 c; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
2654
Trotzkys Portrdt, c. 1919
(Portrait of Trotsky)
Woodcut on wove paper
5V2 x 39/i6 in. (13.9 x 9.0 cm)
From Die Aktion 9, no. 45/46 (1919): 735
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
EXHIBITION: Chipp 163 83.1.1561b
2653
Carl Schwalback
born 1885 Mainz died 1983 Munich
Max Schwarzer
2655
Liebespaar, 1911
(Lovers)
Lithograph on wove paper nI3/i6 x 9% in. (30.0 x 24.7 cm) From portfolio Sema (Munich: Delphin-Verlag, 1912) INSCRIPTION: signed, 1.1.; numbered (101/215) on justification page PROVENANCE: Karl & Faber, Munich, 26-28 May 1977, part of lot 1475 M. 82. 288. 3830
2656
Abend, 1918
(Evening)
Lithograph on J. W. Zanders 1916 paper
io'/s x 65/a in. (25.7 x 16.8 cm)
From Eos 1, no. 2 (1918): 173; from
edition A (total edition of 250)
inscription: numbered (xvii/xl) and
signed by editor Emit Pirchan on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
exhibition: Reed under 270
83.1.1606 i
2657
Der Dichter, 1918
(The poet)
Lithograph on J. W. Zanders 1916 paper
io'/s x 6V4 in. (25.7 x 16.5 cm)
From Eos 1, no. 2 (1918): 177; from
edition A (total edition of 250)
inscription: numbered (xvii/xl) and
signed by editor Emil Pirchan on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen, purchased in 1974
EXHIBITION: Reed under 270
83. 1.1606 j
2655
£,rc£~J^-s-tit"X'
s": ■ * ;»^.M:'^R^1
2656
* l::.
• f **
i
j'-
ii
m
1m
■
Schwemer
707
2660
2658
Der Jiingling, 1918
(Young man)
Lithograph printed in green on J. W.
Zanders 1916 paper
9% x 6V4 in. (23.8 x 15.9 cm)
From Eos 1, no. 2 (1918): 169; from
edition A (total edition of 250)
inscription: numbered (xvii/xl) and
signed by editor Emil Pirchan on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
EXHIBITION: Reed under 270
83.1.1606 h
2659
Untitled (head of a man), c. 1919 Woodcut on thin yellow japan paper 415/i6 x 33/i in. (12.5 x 9.5 cm) From Galerie Alfred Flechtheim, Diisseldorf, 1919: Erste Ausstellung: Expressionisten, exh. cat. (Berlin: Gustav Kiepenheuer Verlag, 1919), following p. 28
provenance: Galerie Gerda Bassenge, Berlin, 29 May 1975, part of lot 4677 83.1.229 b
2660
Waldfee, 1920
(Forest fairy)
Lithograph on laid paper
6% x 47/s in. (16.2 x 12.4 cm)
From Katalog der zweiten Ausstellung
der Hamburgischen Secession, exh. cat.
(Hamburg: Alte Kunsthalle, 1921), no.
64, pi. 14
provenance: Ars Libri, Boston;
purchased in 1982
83- 1-735 °
2661
Untitled (two figures), c. 1923
Woodcut on wove paper
713/i6 x 57/8 in. (19.9 x 15.0 cm)
From Karl Lorenz, ed., Das neue
Hamburg (Hamburg: Gemeinschafts-
verlag Hamburgischer Kiinstler, 1923),
p. 27
inscription: numbered (257/450) on
justification page
provenance: Arthur H. Minters, New
York; purchased in 1976
exhibition: Reed under 322
83.1.160 b
Richard Schwarzkopf
born 1893 Bonn died 1963
Paul Schwemer
born 1889 Neubukow
2661
708
Schwemer
2662
Untitled (figure in landscape), c. 1923 Woodcut on wove paper 713/i6 x 57/8 in. (199 x 15.0 cm) From Karl Lorenz, ed., Das neue Hamburg (Hamburg: Gemeinschafts- verlag Hamburgischer Kiinstler, 1923),
P- 29
inscription: numbered (257/450) on
justification page
provenance: Arthur H. Minters, New
York; purchased in 1976
EXHIBITION: Reed under 322
83.1.160 c
2663
Untitled (man walking), c. 1923 Woodcut on wove paper 57/i6 x 7^6 in. (13.8 x 19.2 cm) From Karl Lorenz, ed.. Das neue Hamburg (Hamburg: Gemeinschaits- verlag Hamburgischer Kiinstler, 1923),
P- 31
INSCRIPTION: numbered (257/450) on justification page
PROVENANCE: Arthur H. Minters, New York: purchased in 1976 EXHIBITION: Reed under 322 83.1.160 d
|
Martin Schwemmer |
2664 |
|
Tanzerin, c. 1920 |
|
|
born 1894 |
(Dancer) |
|
Hamburg- |
Woodcut on wove paper |
|
Wandsbeck |
8'/i x 5I5/i6 in. (21.0 x 15. 1 cm) |
|
From Hugo Koch and Emil Maetzel, |
|
|
eds., Der gelben Posaune der Sieben |
|
|
gewidmet (Hamburg: Konrad Hanf, |
|
|
1920) |
|
|
provenance: Ganymede Graphics, |
|
|
Berkeley; purchased in 1974 |
|
|
83.1.124 c |
2665
Untitled (nude couple), 1920 Lithograph on laid paper 63/i6 x 45/i6 in. (15.7 x 11.0 cm) From Katalog der zweiten Ausstellung der Hamburgischen Secession, exh. cat. (Hamburg: Alte Kunsthalle, 1921), pi. 7 PROVENANCE: Ars Libri, Boston; purchased in 1982 83-1-735 h
2666
Untitled (cover), c. 1920
Woodcut on wove paper
4% x 6Vs in. (11.8 x 15.5 cm)
From Der schwarze Turin, no. 8 (1920)
INSCRIPTION: numbered (85/200) on
justification page
PROVENANCE: Ex Libris, New York;
purchased in 1978
83.1.1322 a
Hjj... . -.■ailfflll
2662
2663
2664
2666
2667
Schwemmer
709
2668
2669
2670
2671
2667
Untitled (bust), c. 1920
Woodcut on wove paper
5V4 x 215/i6 in. (133 x 7.4 cm)
From Der schwarze Turm, no. 8 (1920):
pi. 1
inscription: numbered (85/200) on
justification page
PROVENANCE: Ex Libris, New York;
purchased in 1978
83.1.1322 b
2668
Untitled (two figures), c. 1920
Woodcut on wove paper
6n/i6 x 27/s in. (17.0 x 7.3 cm)
From Der schwarze Turm, no. 8 (1920):
pi. 2
inscription: numbered (85/200) on
justification page
provenance: Ex Libris, New York;
purchased in 1978
83.1.1322 c
2669
Untitled (kneeling nude), c. 1920
Woodcut on wove paper
5% x 315/i6 in. (14.3 x 10.0 cm)
From Der schwarze Turm, no. 8 (1920):
Pi- 3
inscription: numbered (85/200) on
justification page
provenance: Ex Libris, New York;
purchased in 1978
83.1.1322 d
2670
Untitled (standing woman), c. 1920
Woodcut on wove paper
8!/2 x 5% in. (21.6 x 14.6 cm)
From Der schwarze Turin, no. 8 (1920):
pi. 4
inscription: numbered (85/200) on
justification page
PROVENANCE: Ex Libris, New York;
purchased in 1978
83.1.1322 e
2671
L'ntitled (two dancers), c. 1920
Woodcut on wove paper
8Vj x 515/i6 in. (21.0 x 15.0 cm)
From Der schwarze Turm, no. 8 (1920):
pl-5
INSCRIPTION: numbered (85/200) on
justification page
PROVENANCE: Ex Libris, New York;
purchased in 1978
83, 1.1322 f
2672
Untitled (nudes embracing), c. 1920
Woodcut on wove paper
8'/4 x 57/8 in. (21.0 x 14.9 cm)
From Der scluvarze Turm, no. 8 (1920):
pi. 6
INSCRIPTION: numbered (85/200) on
justification page
PROVENANCE: Ex Libris, New York;
purchased in 1978
83.1. 1322 g
710
Schwemmer
Martel
Schwichtenberg
born 1896 Hannover
died 1945 Sulzburg
2673
Untitled (frightened woman), c. 1920
Woodcut on wove paper
7V2 x 3l5/i6 in. (19. ix 10.0 cm)
From Der schwarze Turm, no. 8 (1920):
pi. 7
inscription: numbered (85/200) on
justification page
PROVENANCE: Ex Libris, New York;
purchased in 1978
83.1.1322 h
2674
Untitled (the kiss), c. ig20
Woodcut on wove paper
8'/4 x 515/i6 in. (20.9 x 15.0 cm)
From Der schwarze Turm, no. 8 (1920):
pi. 8
INSCRIPTION: numbered (85/200) on
justification page
provenance: Ex Libris, New York;
purchased in 1978
83.1.13221
2675
Nachtphantasie, 1919
(Night fantasy)
Lithograph on heavy wove paper
9n/i6 x 615/i6 in. (24.6 x 17.6 cm)
From Joachim Kirchner, Junge Berliner
Kunst, Wasmuths Kunsthefte, no. 6
(Berlin: E. Wasmuth, [1919?]), pi. 12
provenance: W. F. Arntz, Haag
(Oberbayern); purchased in 1975
83.1.120 1
2676
Kinder, c. 1921
(Children)
Woodcut on wove paper 9V2 x i27/8 in. (24.2 x 32.7 cm) From Kiindung 1, no. 9/10 (1921) provenance: Galerie Wolfgang Ketterer, Munich, 26 November 1974, part of lot 1154 exhibition: Reed under 282 83.1.1060 0
2677
Zwei alte Franen, c. 1921 (Two old women) Woodcut on wove paper 9% x 13 in. (24.5 x 33.0 cm) From Kiindung 1, no. g/10 (1921) PROVENANCE: Galerie Wolfgang Ketterer, Munich, 26 November 1974, part of lot 1154 exhibition: Reed under 282 83.1.1060 p
2677
Schwimmer
711
2678
2680
2682
2678
Kamarupa l, 1919
Etching on J. W. Zanders 1916 paper 615/i6 x 4% in. (17.6 x 11.8 cm) From Eos 2, no. 3 (1919): 61; from edition A (total edition of 250) INSCRIPTION: numbered (xvii/xl) and signed by editor Paul Baumann on justification page
PROVENANCE: Kunstgalerie Esslingen, Esslingen; purchased in 1974 exhibition: Reed under 270 83. 1. 1607 i
2679
Kamarupa 2, 1919
Etching on J. W. Zanders 1916 paper
yVs. x 4% in. (19. 1x12.1 cm)
From Eos 2, no. 3 (1919): 67; from
edition A (total edition of 250)
INSCRIPTION: numbered (xvii/xl) and
signed by editor Paul Baumann on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
exhibition: Reed under 270
83.1. 1607 j
2680
Kamarupa 3, igig
Etching on J. W. Zanders 1916 paper 7% x 55/8 in. (19.7 x 14.3 cm) From Eos 2, no. 3 (1919): 69; from edition A (total edition of 250) inscription: numbered (xvii/xl) and signed by editor Paul Baumann on justification page
provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 exhibition: Reed under 270 83.1.1607 k
Fritz Schwimbeck
born 1889 Munich
2681
Der Revolutionary c, 1919
(The revolutionary)
Woodcut on wove paper
415/i6 x 3'/s in. (12.6 x 8.0 cm)
From Die Aktion 9, no. 45/46 (1919): 739
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1561c
2682
Werbetfiir "Die Aktion," c. 1919
(Subscribe to Die Aktion)
Woodcut on wove paper
37/sx3in. (9.8 x7.7 cm)
From Die Aktion 9, no. 35/36 (1919): 620
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83-1- 1557 a
Max Schwimmer
born 1895 Leipzig died 1960 Leipzig
|
712 |
Schwitters |
|
Kurt Schwitters |
2683 |
|
Untitled (abstract composition), 1919 |
|
|
born 1887 |
Woodcut on wove paper |
|
Hannover |
7% x 413/i6 in. (18.7 x 12.3 cm) |
|
From Paul Erich Kiippers, ed., Das |
|
|
died 1948 |
Kestnerbuch (Hannover: Heinrich |
|
Ambleside, England |
Bohme Verlag, 1919), following p. 128 |
|
provenance: Galerie Gerda Bassenge, |
|
|
Berlin, 13-18 May 1973, part of lot |
|
|
4076 |
|
|
REFERENCE: Schmalenback 250 |
|
|
EXHIBITION: Reed 321/12 |
|
|
83.1.140 1 |
2684
Die Kathedrale
(The cathedral)
Book with 8 lithographs on wove paper Picture book, no. 41/42 in the monographic series Die Silbergaule (Hannover: Paul Steegemann, 1920) PROVENANCE: Jurgen Holstein, Munich; purchased in 1981 reference: Schmalenback 251 83.1.722 a-h
1. Untitled (cover), c. 1920 87/i6 x 5'/i in. (21.4 x 13.3 cm) 83.1.722 a
2. Untitled (abstract composition), c. 1920
7'/i6 x 49/i6 in. (18.0 x 11.6 cm) 83.1.722 b
3. Untitled (abstract composition), c. 1920
6'/i x 31/. in. (15.9 x 8.2 cm) 83.1.722 c
4. Untitled (abstract composition), c. 1920
5% x 47/i6 in. (14.6 x 11.3 cm) 83.1.722 d
5. Untitled (abstract composition), c. 1920
7'/8 x 4I4 in. (18. 1 x 10.8 cm) 83.1.722 e
6. Untitled (abstract composition), c. 1920
715/ie x 53/i6 in. (20.2 x 13. 1 cm) 83.1.722 f
7. Untitled (abstract composition), c. 1920
8?/i6 x 55/i6 in. (21.4 x 13.5 cm) 83. 1.722 g
8. Untitled (abstract composition), c. 1920
813/i6 x 55/8 in. (22.4 x 14.3 cm) 83.1.722 h
2685
Untitled (abstract composition), c. 1922
Woodcut on wove paper
5V16 x 3T/8 in. (12.9 x 9.8 cm)
From Der Sturm 13, no. 9 (1922): 135
provenance: Ex Libris, New York;
purchased in 1982
reference: Schmalenbach 253
83.1.1395.11
2684-6
jfliES'LBe§G>kt MERZ
KAWRAtf
o^ uon
ft liTr(„
/■'wiLUlTEfcE^.MnVEKl'lSH'lNNoVer
2684-1
2684-7
2684-2
o.
n §
» y
MERZ
0
2684-5
2684-8
2685
2683
2687
2689
2690
2691
Seewald
2686
Untitled (abstract composition), c. 1919 Woodcut on laid paper 65/i6 x 513/ie in. (16.0 x 14.8 cm) From Menschen 2, no. 5 (1919): 2 provenance: Galerie Gerda Bassenge, Berlin, 25 May 1975, part of lot 4883 exhibition: Reed under 289 83.1.1379 k
2687
Untitled (abstract composition), c. 1919 Woodcut on laid paper 4 x 4 in. (10.2 x 10.2 cm) From Menschen 2, no. 5 (1919): 2 provenance: Galerie Gerda Bassenge, Berlin, 25 May 1975, part of lot 4883 exhibition: Reed under 289 83- 1-13791
713
2688
Untitled (seaport), c. 1915 Lithograph on wove paper 79/i6 x 53/i6 in. (19.2 x 13.2 cm) From Zeit-Echo 1, no. 23/24 (1915): 355 PROVENANCE: gift of Elmar Seibel, 1983 L. 86. 1.70 c; lent by the Robert Gore Rifkind Foundation, Beverly Hills, California
2689
Briicke 1917, c. 1918
(Bridge 1917)
Etching on wove paper
3x3% in. (7.7 x9.8 cm)
From deluxe edition of Das Kunstblatt
2, no. 10 (1918)
inscription: numbered (32/110) on
justification page
provenance: Henry Hallenstein; W. F.
Arntz, Haag (Oberbayern); purchased
in 1975
exhibition: Reed 283/22
83.1.1120 b
2690
Am Strand, 1912
(On the beach)
Watercolor on card
67s x 9V4 in. (17.4 x 23.5 cm)
INSCRIPTION: signed (twice) and dated, l.r.
provenance: Kunstgalerie Esslingen,
Esslingen, purchased in 1974
Related to 1913 woodcut Strand
(cat. no. 2695.3)
M. 82.288.357
2691
Cafe, Korsika, 1913
(Cafe, Corsica)
Drypoint on heavy wove paper
413/i6 x 63/s in. (12.2 x 16.2 cm)
Unnumbered; from first edition of 20
INSCRIPTION: signed, l.r.; titled, 1.1.;
inscribed "Heinr. Wetteroth Miinchen
gedr.," 1.1.
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
REFERENCE: Jentsch R 7
M. 82.288.282
0. Sebald
Paul Adolf Seehaus
born 1891 Bonn died 1919 Hamburg
Richard Seewald
born 1889
Arneswalde
(Neumark)
died 1976 Munich
714
Seewald
2692
Circus, 1913
Drypoint on heavy wove paper
87/i6 x 6V4 in. (21.4 x 15.9 cm)
Only impression known of first state
inscription: signed and dated, l.r. ,
inscribed "i Zustand," 1.1.
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
reference: Jentsch R 8a
M. 82.288.283
2693
Oktoberfest, 1913
Drypoint on heavy wove paper
8'/2 x 6'/s in. (21.6 x 15.6 cm)
Only impression known of first state
inscription: signed and dated, l.r.;
inscribed "1. Zustand." 1.1.
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
REFERENCE: Jentsch R 10a
EXHIBITION: Guenther 303
M. 82.288.284
2694
Ostsee—Hiddensee, 1913
(Baltic Sea— Hiddensee)
Woodcut on wove paper
4 x 4% in. (10. 1 x 12. 1 cm)
From Die neue Kunst 1, no. 1 (1913): 73
PROVENANCE: Ex Libris, New York;
purchased in 1980
REFERENCE: Jentsch H 5 II
83.1. 1398 d
2695
Zehn Holzschnitte
(Ten woodcuts)
Portfolio of 1 1 woodcuts on thin japan
paper
Published by Heinrich F. S. Bachmair,
Munich, 1913; total edition of no
inscription: each sheet signed, l.r.;
numbered (6/10) on justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
REFERENCE: Jentsch H 9-19
M. 82. 288. 287 a- k
1. Untitled (title page), 1913 5V2 x 315/i6 in. (14.0 x 10.0 cm) reference: Jentsch H g
M. 82. 288.287 k
2. Revolution, 1913
5V2 x 315/i6 in. (14.0 x 10.0 cm) The center also has an impression from Revolution 1, no. 1 (1913): 1 reference: Jentsch H 10 EXHIBITION: Guenther 301 M. 82. 288. 287 a
3. Strand, 1913 (Beach)
4% x 6'/i in. (12.0 x 15.8 cm) reference: Jentsch H 11 M. 82.288.287 b
L. ■
2693
2692
t (,61 t
fyittri^fefeo^
fadlT
2695-3
2695-2
2695-4
2695-5
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|
|
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jy If ^\**Wi» a» |i/*LJJ X-—J !*■ J; |
|
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|
|
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|
|
M |
|
|
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WW |
2695-6
2695-9
2695-8
2695-11
Seewald
4. Variete, 1913 (Music hall)
4 x 413/i6 in. (10. lx 12.2 cm) The center also has an impression from Die neue Kunst 1, no. 1 (1913): 27 reference: Jentsch H 12 M. 82. 288.287 c
5. Jahrmarkt, igi3 (Annual fair)
4 x 413/i6 in. (10. 1 x 12.2 cm) The center also has an impression from Die neue Kunst 1, no. 1 (1913): 25 REFERENCE: Jentsch H 13 M. 82. 288.287 a
6. Bahnhof, 1913 (Train station)
59/i6 x 39/i6 in. (14. 1x9.1 cm) REFERENCE: Jentsch H 14 exhibition: Guenther 302 M. 82.288.287 e
7. Strasse, 1913 (Street)
3V8 x 315/i6 in. (8.0 x 10.0 cm) The center also has an impression from Die neue Kunst 1, no. 1 (1913): 71 reference: Jentsch H 15 M.82. 288.287 f
8. Aus Dalmatien, 1913 (From Dalmatia)
3'/8 x 37/8 in. (8.0 x 9.9 cm) reference: Jentsch H 16 M. 82.288.287 g
9. Aus Korsika—Fuhrwerk, 1913 (From Corsica— cart)
315/i6 x 4% in. (10.0 x 12.0 cm) reference: Jentsch H 17 M. 82.288.287 h
10. Aus Korsika—Tiere im Wald, 1913 (From Corsica— animals in the forest)
5V2 x 315/i6 in. (14.0 x 10.0 cm) reference: Jentsch H 18 M. 82.288.287 i
11. Aus Korsika—Landschaft, 1913 (From Corsica— landscape)
4% x 65/8 in. (12.0 x 16.9 cm) reference: Jentsch H 19 M. 82.288.287 j
2696
Marseilles, 1914 Lithograph on wove paper 5n/i6 x 4% in. (14.5 x 11. 1 cm) From special edition of Zeit-Echo 1,
no. 7(1915): 103
INSCRIPTION: numbered (43) on table of
contents
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
REFERENCE: Jentsch L 9
exhibition: Reed under 308
83.1.1192 d
715
716
Seewald
2697
Untitled (cavalry battle), 1914
Lithograph on wove paper
5% x 45/i6 in. (13.6 x 11.0 cm)
From Zeit-Echo 1, no. 3 (1914): 38; the
center also has an impression from the
special edition
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
REFERENCE: Jentsch L 7
EXHIBITION: Reed under 308
83.1.1187 i
2698
Untitled (cavalryman), 1914
Lithograph on wove paper
2V2 x 39/i6 in. (6.3 x 9.0 cm)
From special edition of Zeit-Echo 1, no.
5 (1914): 67
INSCRIPTION: numbered (43) on table of
contents
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
reference: Jentsch L 8
exhibition: Reed under 308
83.1.1190 d
2699
Zehn Holzschnitte zur Bibel
(Ten woodcuts on the Bible) Portfolio of 10 woodcuts with watercolor on thin japan paper Published by Dreilanderverlag, Munich, 1916; edition of 75 (total edition of 250); the set is incomplete, lacking Jentsch H 55 and H 58 inscription: each sheet signed, l.r. PROVENANCE: Kunstgalerie Esslingen, Esslingen; purchased in 1974
REFERENCE: Jentsch H 48-54, 56-57, 59
EXHIBITION: Reed 349; Barton 71 M. 82.288.288 a-j
1. Titel: Paradies, 1914 (Title: Paradise)
With pink, yellow, aqua, and blue
watercolor
yVs x 5V2 in. (18.1 x 14.0 cm)
REFERENCE: Jentsch H 48
M. 82. 288.288 a
2. Titel: "Zehn Holzschnitte zur BibeV'—erste Fassung, 1914 (Title: "Ten woodcuts on the Bible "—first version)
With pink, yellow, aqua, and blue
watercolor
7'/i6 x 5V2 in. (18.0 x 14.0 cm)
Unique impression
reference: Jentsch H 59
M. 82. 288. 288 j
3. Die Siindflut, 1914 (The Deluge)
With blue, purple, green, yellow,
and pink watercolor
57/i6 x 6% in. (13.8 x 16.2 cm)
INSCRIPTION: dated, l.r; titled, 1.1.
REFERENCE: Jentsch H 49
M, 82.288.288 b
2698
2697
2699-1
2699-2
2699-3
Seewald
717
2699-8
*?^%h.^^(
@<x»a^
2699-10
2700
4. Jericho, 1914
With violet, blue-green, gold, and
pink watercolor
57/i6 x 6% in. (13.8 x 16.2 cm)
INSCRIPTION: titled, 1.1.
REFERENCE: Jentsch H 50
M. 82. 288.288 c
5. Das rote Meer, 1914 (The Red Sea)
With pink, yellow, green, blue, and
purple watercolor
57/i6 x 63/8 in. (13.8 x 16.2 cm)
REFERENCE: Jentsch H 51
M. 82. 288. 288 d
6. Sodom und Gomorrha, 1914 (Sodom and Gomorrah)
With blue, yellow, green, rose, and
purple watercolor
5V2 x 6% in. (14.0 x 16.2 cm)
INSCRIPTION: dated, l.r.; titled, 1.1.
REFERENCE: Jentsch H 52
M. 82. 288. 288 e
7. David und Batseba, 1915 (David and Bathsheba)
With pink, yellow, blue, green, and
purple watercolor
7'/i6 x 5V2 in. (18.0 x 14.0 cm)
REFERENCE: Jentsch H 53
M. 82.288.288 f
8. Kanaan, 1915 (Canaan)
With aqua, blue, gold, violet, and
rust watercolor
7V16 x 59/ie in. (18.0 x 14.2 cm)
INSCRIPTION: titled, 1.1.
reference: Jentsch H 54
M. 82.288.288 g
9. Bileams Esel, 1915 (Balaam's ass)
With blue, pink, aqua, and gold
watercolor
6'/4 x 4% in. (15.9 x 12. 1 cm)
reference: Jentsch H 56
M. 82. 288.288 h
10. David und Goliath, 1916 (David and Goliath)
With gold, pink, blue, and aqua
watercolor
6Vi x 4% in. (15.9 x 12. 1 cm)
INSCRIPTION: titled, 1.1.
REFERENCE: Jentsch H 57
M. 82.288.288 i
2700
Untitled (three cavalrymen), c. 1915
Lithograph on wove paper
3n/i6 x 35/s in. (9.3 x 9.2 cm)
From special edition of Zeit-Echo 1, no.
9(1915): 131
INSCRIPTION: numbered (36) on table of
contents
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
REFERENCE: Jentsch L 10
EXHIRITION: Reed under 308
83.1.11946
718
Seewald
2701
Untitled (street with flags), 1915
Lithograph on wove paper
67/s x 59/i6 in. (17.5 x 14. 1 em)
From special edition of Zeit-Echo 1, no.
13(1915): 193
INSCRIPTION: numbered (32) on table of
contents
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
REFERENCE: Jentsch L 11
exhibition: Reed under 308
83.1.1198 b
2702
Briiche in Passau, 1917
(Bridge in Passau)
Drypoint on heavy wove paper
5V4 x 67/s in. (13.3 x 17.4 cm)
From first edition of 20
INSCRIPTION: signed and dated, l.r. ;
titled, 1.1.
provenance: Kunstgalerie Esslingen,
Esslingen: purchased in 1974
reference: Jentsch R 24
EXHIBITION: Guenther 304
M. 82.288.286
2703
Passau, 1917
Drypoint on heavy wove paper
5V2 x 77/ie in. (14.0 x 18.9 cm)
Only impression known
inscription: signed, l.r.; inscribed
"Heinr. Wetteroth Munchen gedr, 1.1.
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
REFERENCE: Jentsch R 23
M. 82. 288.285
2704
Penthesilea, ein Trauerspiel
(Penthesilea, a tragedy)
Book with 10 full-page and 1 1 vignette
lithographs (some with watercolor) on
simili-japan paper
Illustrations to play by Heinrieh von
Kleist (Munich. Goltzverlag, 1917); total
edition of 200
INSCRIPTION: each sheet signed, l.r;
numbered (73/140) on justification
page; dedicated by artist (10 March
*975) t0 Robert Gore Rifkind
provenance: Laurence McGilvery,
La Jolla, California; purchased in 1974
reference: Jentsch L 36-56
exhibition: Reed 351
83.1.184 a-u
1. Untitled (title page), 1917 ioT/s x 85/i6 in. (27.6 x 21.2 cm) reference: Jentsch L 36 83.1.184 a
2. Untitled (charioteer), 1917 513/m x 8% in. (14.8 x 21.3 cm) Frontispiece
reference: Jentsch L 37 83.1.184 b
3. Untitled (battle), 1917
8n/i6 x 87/ie in. (22.1 x 21.5 cm) Page 6
reference: Jentsch L 39 83.1.184 a
2705
-PENTHEJilW-
^W&. Richard. .WwaU
2704-1
2701
2703
2704-4
Seewald
719
M
2704-5
2704-9
2704-10
4. Untitled (charioteer), 1917
With blue, orange, green, and gold
watercolor
77/i6 x 7V4 in. (18.9 x 18.4 cm)
Page 12
reference: Jentsch L 40
83.1.184 c
5. Untitled (charioteer), 1917
With pink, blue, purple, and yellow
watercolor
83/ie x 8% in. (20.8 x 22.2 cm)
Page 16
reference: Jentsch L 41
83.1. 184 f
6. Untitled (cavalry), 1917
With gold, blue, rose, and green
watercolor
65/i6 x 89/i6 in. (16. 1x21.8 cm)
Page 21
REFERENCE: Jentsch L 43
83.1.184 b
7. Untitled (rider), 1917
With blue, yellow, green, and pink
watercolor
7'/4 x 6% in. (18.4 x 16.8 cm)
Page 44
REFERENCE: Jentsch L 45
83.1. 184 j
8. Untitled (battle), 1917
With blue, green, yellow, gold, and
pink watercolor
8 x 8V4 in. (20.4 x 21.0 cm)
Page 63
reference: Jentsch L 49
83.1.184 n
9. Untitled (soldiers in mountains),
1917
77/8 x 77/8 in. (20.0 x 20.0 cm)
Page 88
reference: Jentsch L 52
83. 1. 184 q
10. Untitled (battle with horses and elephants), 1917
67/8 x 8V4 in. (17.5 x 21.0 cm)
Page 103
reference: Jentsch L 53
83.1.1841-
2705
Der Blinde und der Lahmt ', 1919
(The blind man and the cripple)
Woodcut on laid paper
83/i6 x 6'/8 in. (20.8 x 15.6 cm)
From deluxe edition of Miinchner
Blatter fur Dichtung und Graphik 1,
no. 5(1919): 75
INSCRIPTION: numbered (xix/c) on table
of contents
provenance: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
reference: Jentsch H 85
exhibition: Reed under 290
83.1.1327 d
720
Seewald
2706
Getraumte Urwaldlandschaft, 1919 (Dreamed primeval forest) Lithograph on laid paper 89/i6 x 7V2 in. (21.7 x 19.0 cm) From deluxe edition of Munchner Blatter fiir Dichtung und Graphik 1,
no. 3 (1919): 43
inscription: numbered (xix/c) on table
of contents
provenance: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
REFERENCE: Jentsch L 95
EXHIBITION: Reed under 290 83- 1- 1325 e
2707
Der Hirte, 1919 (The shepherd)
Woodcut with black, blue, green, and purple pochoir on wove paper 9% x 7 in. (23.8 x 17.8 cm) From Genius 1, no. 1 (1919): follow- ing 132
provenance: M. J. Rover Bookshop, Los Angeles; purchased about 1970-72 REFERENCE: Jentsch H 77 III EXHIBITION: Reed 275/2
83.1.813 b
2708
Kind und Katze, igig
(Child and cat)
Lithograph with watercolor on laid
paper
8% x 7V16 in. (21.2 x 17.9 cm)
From deluxe edition of Munchner
Blatter fiir Dichtung und Graphik 1,
no. 4 (1919)
INSCRIPTION: signed, l.r.; numbered
(xix/c) on table of contents
provenance: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
reference: Jentsch L 96
exhibition: Reed under 290
83.1.1326 a
2709
Richard Seewald: Das graphische Werk, 1912-1918
(Richard Seewald: The graphic work,
1912-1918)
Book with 2 lithographs on wove paper
Catalogue to exhibition at Neue Kunst /
Hans Goltz, Munich, 1919
PROVENANCE: unknown; acquired in
1974
REFERENCE: Jentsch L 89-90
83.1.551a, b
1. Untitled (cover), 1919
8% x 67/i6 in. (21.3 x 16.3 cm) reference: Jentsch L 89 83.1.551a
2. Eselreiter, 1919 (Man riding donkey) 55/sx5in. (14.3 x 12.7 cm) Before illustrations reference: Jentsch L 90 83.1.551b
NEUE KUNST HANS GOLTZ
rr|ONCHeisl $R_l£K/NER.\STfc.8
isM^»
RICHARD SEEWALD
DAS GltAPHISCHC WEKKI^Ifc -1^16
2709-1
2706
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flk |
|
|
^s^/ |
Kj-^—wL^^^K |
■/ 'vV> |
|
T&SSmJstJ&SQL |
'"& |
|
|
JdQp |
flSfeTEpS |
i*=e5&XMw |
|
f*f*r>\St' |
V 1 W^»j |
i^3f***fp |
|
IX '"' f*j |
RwfiSEf 4 li |
■y^nWsidW |
|
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mywjv |
r ^Xj/ |
|
5^» ftfs ^^~' |
2709-2
Seewald
721
2710
2713
|
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|
|
^toE |
jWlPj; |
2711
2712
2710
Den Wanrferern, 1919
(To the wayfarers)
Lithograph on laid paper
9% x 8 in. (24.8 x 20.3 cm)
From deluxe edition of Miinchner
Blatter fiir Dichtung und Graphik 1,
no. 11/12 (1919): 189
inscription: numbered (xix/c) on table
of contents
provenance: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
REFERENCE: Jentsch L 98
EXHIBITION: Reed under 290
83.1.1333 i
2711
Wdschertnnen am Lago Maggiore, 1919 (Washerwomen at Lake Maggiore) Lithograph on wove paper 55/i6 x 73/i6 in. (13.5 x 18.2 cm) From Paul Erich Kiippers, ed., Das Kestnerbuch (Hannover: Heinrich Bohme Verlag, 1919), following p. 44 provenance: Galerie Gerda Bassenge, Berlin, 13-18 May 1973, part of lot 4076
reference: Jentsch L 91 EXHIBITION: Reed 321/4 83.1.140 d
2712
Ziegen, 1919
(Goats)
Lithograph on laid paper
3% x 45/s in. (8.6 x 11.8 cm)
From deluxe edition of Miinchner
Bliitter fiir Dichtung unci Graphik 1,
no. 8 (1919): 128
INSCRIPTION: numbered (xix/c) on table
of contents
PROVENANCE: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
REFERENCE: Jentsch L 97
EXHIBITION: Reed under 290
83- 1- 133 f
2713
Untitled (two deer), 1919
Lithograph on laid paper
39/i6 x 4% in. (9. 1 x 1 1 . 1 cm)
From deluxe edition of Miinchner
Blatter fiir Dichtung und Graphik 1,
no. 1 (1919): 2
INSCRIPTION: numbered (xix/c) on table
of contents
PROVENANCE: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
REFERENCE: Jentsch L 94
EXHIBITION: Reed under 290
83.1.1323 b
722
Seewald
2714
Badende, 1920
(Bathers)
Lithograph printed in blue on wove
paper laid down on board
12 x 85/s in. (30.5 x 22.0 cm)
From Kurt Pfister, ed. , Deutsche
Graphiker dcr Gegenwart (Leipzig:
Klinkhardt & Biermann, 1920), cover;
edition of 600
provenance: Hans Bolliger, Zurich;
purchased in 1972
reference: Jentsch L no
EXHIBITION: Reed under 339
83.1.171 x
2715
Die liege, 1920
(The goat)
Woodcut on wove paper
6'/s x 8'/4 in. (15.6 x 21.0 cm)
From Kurt Pfister, ed., Deutsche
Graphiker der Gegenwart (Leipzig:
Klinkhardt & Biermann, 1920), pi. 17;
edition of 600
provenance: Hans Bolliger, Zurich;
purchased in 1972
reference: Jentsch H 81 II
exhibition: Reed under 339
83. 1.171 j
2716
Stadt, 1921
(City)
Woodcut on thin wove paper
9V2 x n"/i6 in. (24. 1 x 29.6 cm)
From portfolio Ganymed-Mappe I
(Munich: Marees-Gesellschaft, 1921);
edition of 200
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1972
reference: Jentsch H 108 II
exhibition: Reed 317/20
M. 82. 288. 377 i
2717
Aus dein Camposanto, 1922
(From the Camposanto)
Woodcut on laid paper
5V2 x 7 in. (14.0 x 17.7 cm)
From portfolio Ganymed-Mappe II
(Munich: Marees-Gesellschaft, 1922);
the center also has an impression from
Julius Meier-Graefe, ed., Gamjmed,
vol. 4 (Munich: R. Piper & Co., 1922),
following p. 232
inscription: signed, l.r.; numbered
(CXL/CCC) on cover
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1972
reference: Jentsch H 116
exhibition: Reed 317/26
M. 82.288.378 e
Kurt pfI/ter
oe OTJCHf
GRAPH iKER i'..i
DER GEGENWART
2719
K.l\rtkHAf*.DT » BlEHMANN V£RLAG LEIPZIG
2714
2717
|
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||
|
Cf Jan *\ |
a |
|
|
IgS; |
Pbj |
2718-4
2718-3
|
i |
|||
|
£L |
'^eSf |
1 |
|
|
ESw |
s§\\^ |
2718-5
2718-6
2718-9
2718-10
Hf^Jfe^
Seewald
2718
P. Vergiiius Maro: Bucolica
Book with 10 full-page and 10 vignette woodcuts on J. W. Zanders paper Illustrations to German edition of Virgil's Bucolics, translated by Theodor Haecker (Berlin: Euphorion Verlag, 1923); total edition of 720 inscription: signed and numbered (56/120) on justification page; each full- page sheet signed
provenance: Hauswedell & Nolte, Hamburg, 30 November 1979, lot 1513 REFERENCE: Jentsch 118-37 83. 1.650 a- 1
1. Untitled (milking a goat), 1923 65/ie x 5% in. (16.0 x 13.0 cm) reference: Jentsch H 119 83.1.650 b
2. Untitled (oxen), 1923
65/i6 x 5'/s in. (16. 1 x 13.0 cm) reference: Jentsch H 120 83.1.650 c
3. Untitled (three herders), 1923 65/i6 x 5'/s in. (16. 1 x 13.0 cm) reference: Jentsch H 122 83.1.650 e
4. Untitled (animals), 1923 65/i6 x 5'/s in. (16. 1 x 13.0 cm) REFERENCE: Jentsch H 125 83.1.650 h
5. Untitled (reaping grain), 1923 63/i6 x 5'/s in. (16. 1 x 13.0 cm) REFERENCE: Jentsch H 127 83.1. 650 j
6. Untitled (harvesting grapes), 1923 65/i6 x 5V8 in. (16. 1 x 13.0 cm) REFERENCE: Jentsch H 129
83. 1.650 1
7. Untitled (flock of sheep), 1923 6s/i6 x 5V8 in. (16. 1 x 13.0 cm) REFERENCE: Jentsch H 131 83. 1.650 n
8. Untitled (lovers under the arbor),
1923
65/i6 x 5V8 in. (16. 1 x 13.0 cm) REFERENCE: Jentsch H 133 83. 1.650 p
9. Untitled (man carrying lamb), 1923 65/i6 x 5V8 in. (16. 1 x 13.0 cm) REFERENCE: Jentsch H 135
83. 1.650 r
10. Untitled (goatherd), 1923 65/i6 x s'/s in. (16. 1 x 13.0 cm) REFERENCE: Jentsch H 137 83. 1.650 t
2719
Selbstportrat, 1924 (Self-portrait) Woodcut on wove paper 4 x 215/i6 in. (10.2 x 7.5 cm) From Heinrich Saedler, Richard Seewald (Miinchen-Gladbach: Fiihrer- Verlag, 1924), frontispiece; edition of 100 inscription: signed, 1.1. provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 reference: Jentsch H 138 11 831552 a
723
724
Segal
Arthur Segal
born 1875 lasi. Romania
died 1944 London, England
2720
Die lesende Frau des Kunstlers, c. 1907
(The artist's wife reading)
Black ink on wove paper
i69/i6 x I213/i6 in. (42.0 x 32.5 em)
inscription: estate stamp, verso
provenance: Sotheby's, London, 4
April 1974, lot 339
Study for painting Blick aus dem
Fenster (Sotheby s, London, 16 April
1970, lot 21)
M. 82.288.358
2721
Die Lesende, c. 1911
(Reader)
Woodcut on wove paper
713/i6 x 11 in. (19.8 x 27.9 cm)
From Der Sturm 2, no. 92 (1912): 731
provenance: Ex Libris, New York;
purchased in 19S2
REFERENCE: Nathanson 7
83.1.1390.14
2722
Lotos, c. 1911
(Lotus)
Woodcut on wove paper
7% x 11 in. (19.7 x 27.9 cm)
From Der Sturm 2, no. 91 (1911): 723
provenance: Ex Libris, New York,
purchased in 1982
REFERENCE: not in Nathanson
83- 1- 1390- 13
2723
Untitled (street), c. ign
Woodcut on wove paper
513/i6 x 713/i6 in. (14.8 x 19.9 cm)
From Der Sturm 2, no. 82 (1911): 655
PROVENANCE: Ex Libris, New York;
purchased in 1982
reference: Nathanson 2
83- 1- 1390- 9
2724
Untitled (demonstration), c. lgn
Woodcut on wove paper
7% x 11 in. (19.7 x 27.9 cm)
From Der Sturm 2, no. 89 (1911): 707
PROVENANCE: Ex Libris, New York;
purchased in 1982
REFERENCE: Nathanson 13 (as c. 1912)
83.1.1390.12
2725
Am Strand, c. 1912
(At the beach)
Black ink on wove graph paper
8% x 11 in. (22.3 x 28.0 cm)
inscription: estate stamp, verso
provenance: Sotheby's, London, 4
April 1974, lot 341
exhibition: Reed 216
M. 82. 288. 359
2722
2723
2724
2725
2726
2728
Segal
2726
Die Dame, c. 1912
(The lady)
Woodcut on wove paper
io15/i6 x 713/i6 in. (27.8 x 19.9 cm)
From Der Sturm 3, no. 117/118 (1912): 95
PROVENANCE: Ex Libris, New York;
purchased in 1982
REFERENCE: not in Nathanson
83.1.1391.13
2727
Lebensfreude, c. 1912
(Joy of life)
Woodcut on wove paper
7% x 11 in. (19.6 x 27.9 cm)
From Der Sturm 2, no. 97 (1912): 771
PROVENANCE: Ex Libris, New York;
purchased in 1982
reference: not in Nathanson
83.1.1390.19
2728
Die Pest, 1912 (The plague)
Woodcut on heavy tan wove paper 133/4 x 9% in. (35.0 x 24.7 cm) INSCRIPTION: signed, dated, and titled, l.r; inscribed "Original Handdruck," 1.1. provenance: Saalbau-Galerie, Darmstadt; purchased in 1980 REFERENCE: not in Nathanson M. 82.287.65
2729
Sommersitz, c. 1912
(Summer residence)
Woodcut on wove paper
7% x io15/i6 in. (19.6 x 27.7 cm)
From Der Sturm 2, no. 95 (1912): 755
provenance: Ex Libris, New York;
purchased in 1982
reference: Nathanson 18
83.1.1390.17
2730
Vom Strande, c. 1912
(From the beach)
Woodcut on wove paper
913/ie x I3n/i6 in. (24.9 x 34.7 cm)
From Der Sturm 3, no. 140/141
(1912): 241
PROVENANCE: Ex Libris, New York;
purchased in 1982
REFERENCE: Nathanson 8
§3- 1- 1391-47
725
2730
726
Segal
2.
3.
2731
Vom Strande
(From the beach)
Bound portfolio of 8 woodcuts on wove
paper
Published by A. R. Meyer, Berlin-
Wilmersdorf, 1913; edition of 1,000
provenance: private collection,
Ascona; Kunstgalerie Esslingen,
Esslingen; purchased in 1975
REFERENCE: not in Nathanson
Similar to other woodcuts from the
Baltic coast (see Nathanson 8-11)
M. 82. 288.289 a-h
1. Untitled (title page), c. 1912
415/i6 x 6% in. (12.6 x 17.2 cm)
M. 82.288.289 a
Untitled (figure placing towel on
sand), c. 1912
77/s x g13/i6 in. (20.0 x 24.9 cm)
M. 82.288.289 b
Untitled (figure under umbrella),
c. 1912
77/8 x 97/8 in. (20.0 x 25. 1 cm)
The center also has an impression
from Der Sturm 3, no. 127/128
(1912): 153
M. 82.288.289 c
Untitled (group of figures on sand),
c. 1912
713/i6 x 913/ie in. (19.9 x 24.9 cm)
The center also has an impression
from Der Sturm 3, no. 132 (1912): 181
M. 82. 288. 289 d
Untitled (three figures on the
sand), c. 1912
713/i6 x g13/i6 in. (19.9 x 24.9 cm)
M. 82.288.289 e
Untitled (boats), c. 1912
7'/j x lo'/ie in. (18.5 x 25.6 cm)
M. 82. 288.289 f
Untitled (six figures on the sand),
c. 1912
77/s x gI3/i6 in. (20.0 x 24.9 cm)
M. 82. 288. 289 g
Untitled (boats), c. 1912
59/i6 x 713/i6 in. (14.1 x 19.9 cm)
M.82.288.2S9I1
5.
6.
7.
8
2732
Untitled (houses), c. 1912
Woodcut on wove paper
4% x 77/a in. (11.1 x 20.0 cm)
From Der Sturm 3, no. 117/118(1912): 89
provenance: Ex Libris, New York;
purchased in 1982
reference: not in Nathanson
831139111
2733
Untitled (street scene), c. 1912
Woodcut on wove paper
6% x 83/4 in. (16.8 x 22.2 cm)
From Der Sturm 3, no. 121/122
(1912): 113
PROVENANCE: Ex Libris, New York;
purchased in 1982
REFERENCE: Nathanson 16
83.1.1391.17
2731-2
2731-4
2731-5
2731-7
2736
2734
2732
2738-2
Segal
2734
Untitled (houses), c. 1913
Woodcut on wove paper
85/8 x n3/i6 in. (21.9 x 28.4 cm)
From Der Sturm 4, no. 162/163 (1913): 37
provenance: Ex Libris, New York;
purchased in 1982
REFERENCE: Nathanson 22
83.1.1391.62
2735
Untitled (houses), c. 1913
Woodcut on wove paper
13% x 9% in. (35.0 x 24.8 cm)
From Der Sturm 4, no. 172/173 (1913): 77
PROVENANCE: Ex Libris, New York;
purchased in 1982
reference: not in Nathanson
83.1.1391.73
2736
Untitled (on the beach), c. 1913
Woodcut on wove paper
813/i6 x i27/8 in. (22.4 x 32.7 cm)
From Der Sturm 4, no. 180/181
(1913): 109
PROVENANCE: Ex Libris, New York;
purchased in 1982
REFERENCE: not in Nathanson
83.1.1391.77
2737
Ascona, 1914—16
Woodcut on wove paper
4V16 x 3% in. (10.4 x 9.6 cm)
From Die Aktion 6, no. 51/52
(1916): 702
provenance: Hauswedell & Nolte,
Hamburg, 30 November 1979, part of
lot 1173
REFERENCE: Nathanson 26
83.1. 1527 d
2738
Sechs Holzschnitte
(Six woodcuts)
Six woodcuts on wove paper
From Die weissen Blatter 3, no. 3
(1916): 113-18
provenance: Hans Bolliger, Zurich;
purchased in 1975
exhibition: Reed under 306
83.1. 1588 a-f
1. Untitled (Ascona seen from above), 1914-16
37/i6 x 4V8 in. (8.7 x 10.5 cm) Page 113
reference: Nathanson 60 83.1.1588 a
2. Untitled (house at Losone), 1914-16
4V16 x 47/i6 in. (10.3 x 11.2 cm) Page 114
reference: Nathanson 27 83.1.1588 b
727
728
Segal
2738 (continued)
3. Untitled (the church at Ascona),
1914-16
413/i6 x 3'/s in. (12.3 x 7.9 cm)
Page 115
REFERENCE: not in Nathanson
83.1.1588 c
4. Untitled (street in Ascona), 1914-16
4'/i6 x 3'/j in. (10.3 x 8.3 cm) Page 116
REFERENCE: not in Nathanson 83.1.1588 a
5. Untitled (path leading down to Ascona), 1914-16
5V16 x 47/i6 in. (12.8 x 11.3 cm) Page 117
REFERENCE: Nathanson 59 83.1. 1588 e
6. Untitled (Chapel of la Madonna della Fontana), 1914-16
7V16 x 4% in. (17.9 x 12. 1 cm)
Page 118
reference: Nathanson 34
83.1.1588.
2739
Der auferstandene Christus, 1915
(The risen Christ)
Woodcut on PMP Italia paper
8% x 515/i6 in. (22.2 x 15. 1 cm)
inscription: signed and dated, l.r.;
inscribed "Orig. Handdruck," 1.1. , "Frl.
Turnheer als herzlichen Ostergruss
1918," 1.1.
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1980
REFERENCE: not in Nathanson
M. 82.287.67
2740
Dorfim Tessin, 1916
(Village in Ticino)
Woodcut on handmade paper
45/s x 715/ie in. (11.7 x 20.2 cm)
inscription: signed and dated, l.r:
inscribed "Orig. Handdruck," 1.1.
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
reference: Nathanson 31
exhirition: Reed 217
M. 82.288.271
2741
Kirche in Arcegno, Tessin, 1916 (Church in Arcegno, Ticino) Woodcut on Ingres paper 7u/i6 x 10 in. (19.5 x 25.4 cm) inscription: signed and dated, l.r; inscribed "Orig. Handdruck," 1.1. provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1980 reference: Nathanson 52 This appears to be an earlier state than that illustrated in Nathanson M. 82.287.66
2738-3
2738-4
2738-5
2738-6
2740
2739
Segall
729
2741
2742
2745
2743
2746
2742
Landschaft, c. 1916
(Landscape)
Woodcut on wove paper
39/i6 x 415/i6 in. (9. 1 x 12.5 cm)
From Die Aktion 6, no. 43/44 (1916):
cover; not identified as an original
woodcut
provenance: Hauswedell & Nolte,
Hamburg, 30 November 1979, part of
lot 1173
REFERENCE: not in Nathanson
83.1.1524 a
2743
Die Flucht nach Agypten, c. 1917 (The flight to Egypt) Woodcut on wove paper 85/i6 x 11 in. (21. 1 x 28.0 cm) inscription: signed, l.r.; inscribed "Orig. Handdruck," 1.1. provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 reference: Nathanson 69 EXHIBITION: Reed 218/2 The center also has a preparatory drawing (cat. no. 2744) M. 82.288.361
2744
Die Flucht nach Agypten, c. 1917
(The flight to Egypt)
Black ink and white gouache on laid
paper
nV4 x 16% in. (29.2 x 42.5 cm)
INSCRIPTION: estate stamp, verso
provenance: Sotheby's, London, 4
April 1974, lot 337
EXHIBITION: Reed 218/1
Study for woodcut (cat. no. 2743)
M. 82. 288.360
2745
Die irrenden Frauen, c. 1919 (The wandering women) Woodcut on wove paper 6Vt x 45/8 in. (15.9 x 11.8 cm) From Neue Blatter fiir Kunst und Dichtung 2 (May 1919): before 26 provenance: Hans Bolliger, Zurich, purchased in 1975 exhibition: Reed under 292 83.1.1655 a
2746
Betender Knabe, c. 1920 (Praying youth) Woodcut on wove paper 97/s x 7% in. (25. 1 x 19.7 cm) From Kiindung 1, no. 2 (1921) provenance: Galerie Wolfgang Ketterer, Munich, 26 November 1974, part of lot 1154 exhibition: Reed under 282 83.1.1056 c
Lasar Segali
born 1889 Vilna, Lithuania
died 1957 Sao Paulo. Brazil
730
Segall
2747
Im Atelier, 1920 (In the studio) Lithograph on wove paper 97/8 x I2l3/i6 in. (25. 1 x 32.5 cm) From Kundung 1, no. 2 (1921) provenance: Galerie Wolfgang Ketterer, Munich, 26 November 1974, part of lot 1154 exhibition: Reed under 282 83.1. 1056 f
2748
Junge Bettlerin, c. 1920 (Young beggar woman) Lithograph on wove paper i33/ie x 5u/i6 in. (33.5 x 14.5 cm) From Kundung 1, no. 2 (1921) provenance: Galerie Wolfgang Ketterer, Munich, 26 November 1974, part of lot 1154 EXHIBITION: Reed under 282 83.1.1056 d
2749
Religioser Feiertag, 1920
(Religious holiday)
Woodcut on thin japan paper, laid down
13% x n13/i6 in. (35.0 x 30.0 cm)
inscription: inscribed "Gravure de
auturi de Lasar Segal / M . . . Lasar
Segal / Maurice(?) Segal / 14 Settembre
1976," l.r.
provenance: Galleria del Levante,
Munich; purchased in 1978
EXHIBITION: Rigby 92
M. 82. 288. 290
2750
Wit we und Kind, c. 1920 (Widow and child) Woodcut on wove paper 95/i6 x 7'/i6 in. (23.7 x 17.9 cm) From Kundung 1, no. 2 (1921) provenance: Galerie Wolfgang Ketterer, Munich, 26 November 1974, part of lot 1154 EXHIBITION: Reed under 282 83.1.1056 c
2747
2750
Alexander Seidel 2751
Radivoi Rachlin, 1919 Lithograph on J. W. Zanders 1916 paper 9% x 6'/i in. (24.8 x 15.9 cm) From Eos 2, no. 3 (1919): 75; from edition A (total edition of 250) INSCRIPTION: numbered (xvii/xl) and signed by editor Paul Baumann on justification page
provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 EXHIBITION: Reed under 270 83.1.1607 1
2748
Seiwert
731
2753
2756
2752
Untitled (woman with branch), c. 1918 Woodcut on wove paper 3% x i7/s in. (8.5 x 4.8 cm) From Die Aktion 8, no. 5/6 (1918): 70; not identified as an original woodcut provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 83.1. 1530 d
2753
Untitled (figure), c. 1918
Woodcut on wove paper
3Vi6 x 2V16 in. (7.8 x 5.2 cm)
From Die Aktion 8, no. 25/26 (1918):
322; not identified as an original
woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
8.3- 1- 1535 d
2754
Untitled (figure), c. 1918
Woodcut on wove paper
39/i6 x lVt in. (9. 1 x 3.2 cm)
From Die Aktion 8, no. 39/40 (1918):
509; not identified as an original
woodcut
provenance: gift of Titus Felixmiiller,
1984
L. 84. 5. 80 h; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
2755
Untitled (nude), c. 1918
Woodcut on wove paper
4l/i6 x 13/i6 in. (10.3 x 2.0 cm)
From Die Aktion 8, no. 39/40 (1918):
512; not identified as an original
woodcut
provenance: gift of Titus Felixmiiller,
1984
L.84.5.80 i; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
2756
Untitled (figure), c. 1919
Woodcut on wove paper
4% x 2V2 in. (11.8 x 6.3 cm)
From Die Aktion 9, no. 14/15 (1919): 218
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1551b
2757
Untitled (head in profile), c. 1919 Woodcut on wove paper 3V16 x 27/i6 in. (7.8 x 6.2 cm) From Die Aktion 9, no. 20 (1919): 335; not identified as an original woodcut provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 83.1.1552 c
Franz Wilhelm Seiwert
born 1894 Cologne died 1933 Cologne
732
Seiwert
2758
Arbeit I Brot, c. 1922
(Labor / bread)
Woodcut on wove paper
6 x 43/i6 in. (153 x 10.7 em)
From Die Aktion 13, no. 1 (1923): cover;
not identified as an original woodcut
PROVENANCE: gift of Titus Felixmiiller,
1984
L. 84. 5. 117 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
2759
Klassenkampf, c. 1922
(Class struggle)
Woodcut on wove paper
67/s x 43/s in. (17.5 x 11.7 cm)
From Die Aktion 12, no. 43/44 (1922):
cover; not identified as an original
woodcut
PROVENANCE: gift of Titus Felixmiiller,
1984
L.84.5.ii4a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
2760
Die Opfer mahnen! c. 1922
(The victims warn!)
Woodcut on wove paper
6'/s x 5V2 in. (155 x 14.0 cm)
From Die Aktion 12, no. 41/42 (1922):
cover; not identified as an original
woodcut
provenance: gift of Titus Felixmiiller,
1984
L. 84. 5. 113 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
2761
Fur die Betriebsorganisationen! c. 1923
(For the trade organizations!)
Woodcut on wove paper
6V2 x 45/s in. (16.5 x 11.7 cm)
From Die Aktion 13, no. 10 (1923):
cover; not identified as an original
woodcut
provenance: gift of Titus Felixmiiller,
1984
L. 84. 5. 125 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
2762
Theatermaske, c. 1923
(Theater mask)
Linoleum cut on wove paper
33/i6 x 3V8 in. (8. 1 x 8.0 cm)
From Die Aktion 13, no. 5 (1923): 129;
not identified as an original linoleum cut
provenance: gift of Titus Felixmiiller,
1984
L.84.5. 121 b; lent by the Robert Gore
Rifkind Foundation. Beverly Hills,
California
if®
2758
EBfflfcCHt! !
2760
2761
2762
2765
BJiil
2767
2766
Seiwert
2763
Die Aktion, c. igz4
(Action)
Woodcut on wove paper
5% x 4Vs in. (14.6 x 10.5 em)
From Die Aktion 14, no. 10 (1924): 530;
not identified as an original woodcut
provenance: gift of Titus Felixmiiller,
1984
L. 84.5. 141 b; lent by the Robert Gore
Rifkind Foundation. Beverly Hills,
California
2764
JEin deutsches Stilleben, 1924
(A German still life)
Woodcut on wove paper
515/i6 x 6u/i6 in. (15.0 x 17.0 cm)
From Die Aktion 14, no. 7 (1924): cover;
not identified as an original woodcut
provenance: gift of Titus Felixmuller,
1984
L. 84. 5. 138 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
2765
Idyll aus der deutschen "Republik"
c. 1924
(Idyll from the German "Republic")
Woodcut on wove paper
3'/4 x 55/i6 in. (8.2 x 13.5 cm)
From Die Aktion 14, no. 10 (1924):
cover; not identified as an original
woodcut
PROVENANCE: gift of Titus Felixmuller,
1984
L.84.5. 141 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
2766
Untitled (workers), c. 1924 Woodcut on wove paper 6% x 4V2 in. (16.2 x 11.5 cm) From Karl Dietz, ed. , Schwarzer Greif: Ein Almanack aufdasjahr 1925 (Rudolfstadt: Greifenverlag, 1925), p. 69 PROVENANCE: unknown 83- 1-549 J
2767
Das Heer der Arbeitslosen wachst
stundlich, c. 1925
(The army of the unemployed grows
hourly)
Woodcut on wove paper
6'/8 x 5'/i6 in. (15.6 x 12.9 cm)
From Die Aktion 15, no. 11 (1925):
cover; not identified as an original
woodcut
provenance: gift of Titus Felixmuller,
1984
L.84.5. x55 a; 'ent by tne Robert Gore
Rifkind Foundation, Beverly Hills,
California
733
734
Seiwert
2768
Solidaritat, c. 1925
(Solidarity)
Woodcut on wove paper
6% x 37/i6 in. (16.2 x 8.7 cm)
From Die Aktion 15, no. 6 (1925): 314;
not identified as an original woodcut
provenance: gift of Titus Felixmiiller,
1984
L.84.5. 150 b; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
2769
Alle Macht den Raten, c. 1926
(All power to the counselors)
Woodcut on wove paper
7 x 37/8 in. (17.8 x 9.9 cm)
From Die Aktion 16, no. 4 (1926): cover
PROVENANCE: gift of Titus Felixmiiller,
1984
L.84.5. J57 a; 'ent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
2770
Untitled (two figures), c. 1927
Woodcut on wove paper
513/i6 x 39/i6 in. (147 x 9.0 cm)
From Die Aktion 17, no. 3 (1927): cover;
not identified as an original woodcut
provenance: gift of Titus Felixmiiller,
1984
L.84.5. 166 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
Willy Semm 2771
Erinnerung an die Russentage in born 1888 Leipzig Ostpreussen: Flucht der Einwohner,
c 1915
(In memory of the Russians' days in East Prussia: Flight of the inhabitants) Lithograph on wove paper 12% x io'/s in. (31 5 x 25.7 cm) From Kriegszeit, no. 44 (1915): 4 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
EXHIBITION: Reed 281/210 83.1.1442 d
|
Paul Signac |
2772 |
|
Abend, 1898 |
|
|
born 1863 Paris, |
(Evening) |
|
France |
Lithograph printed in light blue, dark |
|
blue, green, yellow, and pink on chine |
|
|
died 1935 Paris. |
volant paper |
|
France |
7I5/i6 x io'/i in. (20.2 x 26. 1 cm) |
|
From Pan 4. no. 1 (1898): following 8 |
|
|
provenance: Kornfeld & Klipstein, |
|
|
Bern, 7-8 June 1978, part of lot 775 |
|
|
reference: Kornfeld and Wick 20 11. d; |
|
|
Dennerlein 1872 |
|
|
83.1.1356 a |
2768
2769
2772
Skotarek
735
2774
2775
2773
Stehender kleiner Bar, n.d.
(Standing baby bear)
Etching on wove paper
83/4 x 65/s in. (22.2 x 16.8 cm)
INSCRIPTION: signed, l.r.; inscribed "10
Drucke/'l.l.
PROVENANCE: Karl & Faber, Munich,
2-3 December 1971, lot 1137
L. 84. 5. 34; lent by the Robert Gore
Rifkind Collection, Beverly Hills,
California
2774
Droschke im Regen, 1896
(Cab in the rain)
Lithograph printed in black, yellow, and
green on wove paper
9% x 87/i6 in. (24.8 x 21.5 cm)
From Pan 2, no. 1 (1896): following 32
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
REFERENCE: Dennerlein 862
83-1- 1352 c
2775
Der Gehende, c. 1918
(Man walking)
Woodcut on wove paper
4% x 2V2 in. (12. 1 x 6.3 cm)
From Die Aktion 8, no. 33/34 (1918):
423; not identified as an original
woodcut
provenance: gift of Titus Felixmuller,
1984
L. 84. 5. 79 e: lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
2776
Untitled (standing woman), c. 1918
Woodcut on wove paper
4n/i6X 3 in. (11.9 x 7.7 cm)
From Die Aktion 8, no. 21/22 (1918):
263; not identified as an original
woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1533 b
2777
Untitled (standing nude), c. 1918
Woodcut on wove paper
6]/s x 315/i6 in. (15.6 x 10.0 cm)
From Die Aktion 8, no. 39/40 (1918):
505; not identified as an original
woodcut
PROVENANCE: gift of Titus Felixmuller,
1984
L.84.5.80 f; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
Renee Sintenis
born 1888 Glatz died 1965 Berlin
Franz Skarbina
born 1849 Berlin died 1910 Berlin
Vladislav Skotarek
2776
736
Slevogt
Max Slevogt
born 1868Landshut
died 1932 Neukastel
2778
Traumerei, 1904—5
(Reverie)
Etching on chine applique
39/i6 x 39/i6 in. (9.0 x 9.0 cm)
From Kunst und Kunstler 4, no. 1
(i9t>5): 2
PROVENANCE: Ars Libri, Boston;
purchased in 1982
reference: Sievers and Waldmann 5
(as Meditation)
83.1.1224 a
2779
Selbstbildnis. 1908
(Self-portrait)
Lithograph on japan paper
■yVt x jVa in. (18.4 x 18.4 cm)
From Kunst und Kunstler 13, no. 9
(1915): 392
PROVENANCE: Ars Libri, Boston;
purchased in 1982
REFERENCE: Sievers and Waldmann
36 11
83.1. 1244 n
2780
Sindbad der Seefahrer, 1908
(Sinbad the sailor)
Book with 33 vignette lithographs on
wove paper
Illustrations to story (Berlin: Bruno
Cassirer, 1908)
INSCRIPTION: signed and numbered
(125/300) opposite title page
provenance: Jiirgen Holstein,
Kbnigstein im Taunus; purchased in
1974
REFERENCE: Sievers and Waldmann
37-69
EXHIBITION: Reed 10
Not illustrated
83. 1.185 a-gg
2781
Sieben aufeinen Stretch, 1911
(Seven at one blow)
Lithograph on japan paper
65/s x 5S/4 in. (16.8 x 13.3 cm)
From Kunst und Kunstler 10, no. 5
(1912): 228
PROVENANCE: Ars Libri, Boston;
purchased in 1982
reference: Sievers and Waldmann 460
(this edition not cited)
83.1.1234 a
2782
DerZeichner, 1911
(The draftsman)
Drypoint on laid paper
7Vi6 x 4% in. (17.9 x ii.8 cm)
From Kunst und Kunstler g, no. 9
(1911): 462
provenance: Ars Libri, Boston;
purchased in 1982
reference: Sievers and Waldmann
434 I 83.1.1229 d
2778
2781
»#tt»ffc
2782
2779
Sievogt
737
2784
... - ■ • ^ ^..\
2785
2786
2783
Benvenuto Cellini in der Ubersetzung
von Goethe, zehnte Kapitel, c. 1913
(Benvenuto Cellini in the translation by
Goethe, chapter ten)
Eight vignette lithographs on wove
paper
Illustrations to chapter 10 of Benvenuto
Cellini's autobiography, translated by
Johann Wolfgang von Goethe, in Kunst
unci Kunstler 12, no. 1 (1913): 3-8
PROVENANCE: Ars Libri, Boston;
purchased in 1982
REFERENCE: Sievers and Waldmann
555-58. 560-63 (as 1914; this edition
not cited)
Not illustrated
83. 1. 1243 a-h
2784
Drei Wegelagerer, c. 1915
(Three ambushers)
Lithograph on wove paper
5% x 515/i6 in. (13.7 x 15.0 cm)
From Kriegszeit, no. 40 (1915): 2
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/212
Probably a reproduction of a drawing by
Sievogt
83.1.1438 b
2785
Symbole der Zeit 1, c. 1916
(Signs of the times 1)
Lithograph on wove paper
i23/i6 x 8'/2 in. (30.9 x 21.6 cm)
From Der Bildermann 1, no. 1 (1916): 4
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
180
exhibition: not listed in Reed under
265
83.1.1462.4
2786
Symbole der Zeit 2, c. 1916
(Signs of the times 2)
Lithograph on wove paper
i25/i6 x 77/s in. (31.3 x 20.0 cm)
From Der Bildermann 1, no. 2 (1916): 4
PROVENANCE: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot 180
exhibition: not listed in Reed
under 265
83.1.1462.8
2787
Symbole der Zeit 3, c. 1916
(Signs of the times 3)
Lithograph on wove paper
8V16 x 11% in. (20.5 x 29.5 cm)
From Der Bildermann 1, no. 4 (1916): 4
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot 180
exhibition: not listed in Reed
under 265
83.1.1462.16
738
Slevogt
2788
Symbole der Zeit 4, c. 1916
(Signs of the times 4)
Lithograph on wove paper
■f/t. x 11 in. (20.0 x 28.0 cm)
From Der Bildermann 1, no. 5 (1916): 4
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot 180
exhibition: not listed in Reed
under 265
83. 1.1462.20
2789
Symbole der Zeit 5, c. 1916
(Signs of the times 5)
Lithograph on wove paper
87/ie x io15/i6 in. (21.5 x 27.8 cm)
From Der Bildermann 1, no. 6 (1916): 4
PROVENANCE: Hauswedell or Nolte,
Hamburg, 6-8 June 1974, part of lot 180
exhibition: not listed in Reed
under 265
83.1.1462.24
2790
Symbole der Zeit 6, c. 1916
(Signs of the times 6)
Lithograph on wove paper
n"/i6 x 8'/i6 in. (29.7 x 20.5 cm)
From Der Bildermann 1, no. 8 (1916): 4
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot 180
exhibition: not listed in Reed
under 265
83.1.1462.32
2791
Symbole der Zeit 7, c. 1916
(Signs of the times 7)
Lithograph on wove paper
li'/a x 87/i6 in. (28.3 x 21.5 cm)
From Der Bildermann 1, no. 11
(1916): 4
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot 180
reference: not listed in Reed
under 265
83.1.1462.44
2792
Symbole der Zeit 8, c. 1916
(Signs of the times 8)
93/i6 x 13% in. (23.3 x 33.4 cm)
From Der Bildermann 1, no. 13
(1916): 4
PROVENANCE: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot 180
exhibition: not listed in Reed
under 265
83.1.1462.52
2793
Symbole der Zeit 9, c. 1916
(Signs of the times 9)
95/i6 x i39/i6 in. (23.7 x 34.5 cm)
From Der Bildermann 1, no. 17
(1916): 4
PROVENANCE: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot 180
EXHIBITION: not listed in Reed
under 265
83.1.1462.68
J-l.~ .off CTL-i™ S.'y *crU§,
JL /^X6 ~~s ->&-~ fc '— A-
2790
2789
:<3kX $*«/
2792
2791
Slevogt
739
2793
|
Utter- ALf.ve*. lL*tLLr ***** ■ ••■ |
a*. Jt~ a^^* |
|
|
Ujtl* |
r,«e..- '/^'j/ie t tlec- Kustt |
|
|
Ciothx ijC^i. |
•laiJjOi JlC ■5&J-MI Ji^«-ni
2794
' .
2795
2794
Symbole der Xeit 10, c. 1916
(Signs of the times 10)
Lithograph on wove paper
i2'/i6 x 9% in. (30.7 x 24. 7 cm)
From Der Bildermann 1, no. 18
(1916): 3
provenance: Hauswedel! & Nolte,
Hamburg, 6-8 June 1974, part of lot 180
EXHIBITION: not listed in Reed
under 265
83.1.1462.71
2795
Untitled (title page), c. 1916
Lithograph on wove paper
6V2 x 87/i6 in. (16.5 x 21.5 em)
From Der Bildermann 1, no. 3 (1916): 1
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot 180
EXHIBITION: not listed in Reed
under 265
83.1.1462.9
2796
Untitled (poem by Heine), c. 1916 Lithograph on wove paper n7/i6 x 8¥i in. (29.0 x 21.0 cm) From Lieder des Bildermann, supple- ment to Der Bildermann 1, no. 9 (1916) provenance: Hauswedell & Nolte, Hamburg, 6-8 June 1974, part of lot 180 EXHIBITION: not listed in Reed under 265 83.1.1462.77
2797
Untitled (title page), c. 1917 Lithograph on laid paper 9% x 6% in. (23.8 x 16.8 cm) From Klabund, Mohammed: Der Roman eines Prophcten (Berlin: Verlag Erich Reiss, 1917); total edition of 600 INSCRIPTION: signed, 1.1.; numbered (17/70) on justification page provenance: H. C. Thieme, 1917 (signed and dated on endsheet); Hartung & Karl, Munich, 14 November 1974, part of lot 1775 83.1.186 a
2798
Die Eroberung Mexikos durch Cortez,
c 1919
(The conquest of Mexico by Cortes)
Seven vignette lithographs on japan
paper
Illustrations to article in Kunst and
Kiinstler 17, no. 9 (1919): 341-48
PROVENANCE: Ars Libri, Boston;
purchased in 1982
Not illustrated
83.1. 1248 a-g
2797
740
Slevogt
Marcel Slodki
born 1892 Lodz. Poland
died 1943/44 France
2799
Nach der Dante Barke Delacroix',
c. 1921
(After the Barque of Dante by
Delacroix)
Etching and aquatint on wove paper
95/i6 x nn/i6 in. (23.7 x 2g.6 cm)
From portfolio Ganymed-Mappe 1
(Munich: Marees-Gesellschaft, 1921);
edition of 200
inscription: signed with stamped
signature, l.r. ; publisher's stamp, l.r.
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1972
exhibition: Reed 317/21
M. 82. 288.377 a
2800
Untitled (rider), c. 1921
Lithograph on laid paper
9% x 67/s in. (24.5 x 17.5 cm)
From Gabriel Perry, Der Waldldafer
(Berlin: Propylaen-Verlag, 1921),
frontispiece
INSCRIPTION: numbered (633/1,500) on
justification page
PROVENANCE: unknown
83.1.187 a
2801
Untitled (lovers in water), c. 1924
Lithograph on laid paper
5% x 67/i6 in. (13.7 x 16.4 cm)
From four-page prospectus to portfolio
by Ernst Barlach Goethe: Ausgewahlte
Gedichte (Berlin: Paul Cassirer, 1924);
see cat. no. 104
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.32 b
2802
Untitled (man on trapeze), c. 1915 Woodcut on wove paper 8"/i6 x 7V4 in. (22.0 x 18.4 cm) From Die Aktion 6, no. 3/4 (1916): 35-36 (printed upside down in the center's issue)
provenance: Hauswedell & Nolte, Hamburg, 30 November 1979, part of lot 1173 83.1.1506 a
Eddy Smith 2803
Untitled (five men), c. 1914 born 1896 Berlin Woodcut on laid paper
7% x 513/ie in. (19.7 x 14.7 cm) died 1957 Berlin From Das neue Pathos 2, no. 1/3 (1914):
111: from edition B of 250
PROVENANCE: Ars Libri, Boston;
acquired by exchange in 1984
83.1.824 0
2800
2801
2802
2803
Starke
741
2804
2805
2806
2804
Landschaft, c. 1918
(Landscape)
Woodcut on wove paper
5'/2 x 45/i6 in. (14.0 x 10.9 cm)
From Die schone Raritat 2, no. 8
(1918): 121
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
exhibition: Reed under 301
83.1.1652 d
2805
Schlafende, c. igi8
(The sleeping one)
Woodcut on wove paper
37/i6 x 515/i6 in. (8.7 x 15.0 cm)
From Die schone Raritat 2, no. 8
(1918): 127
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
EXHIBITION: Reed under 301
83.1.1652 g
2806
Kalender 1922, c. 1921
(Calendar 1922)
Rlock book with 32 woodcuts on laid
paper with stag watermark
Cover: 7% x I213/i6 in. (19.7 x 32.5 cm)
Published by the artist, c. 1921
INSCRIPTION: initialed and inscribed
"Handgedruckt" on title page
provenance: unknown
Only the cover is illustrated
83.1.564 a-ff
2807
Untitled (woman), c. 1919 Drypoint on japan paper 77/8 x 6V4 in. (20.0 x 15.8 cm) First state; from deluxe edition of Marsyas, no. 6 (1919); the issue also contains impressions from the second state (signed, l.r.) and the published state (p. 203); total edition of 235 in the published state
INSCRIPTION: signed, l.r.; numbered (xxvn/xxxv) on justification page provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 exhibition: Reed under 288 83.1. 1666 1
Vaclav Spala
born 1885 Bohemia
died 1946 Prague, Czechoslovakia
Thea Spangenberg
Eugen Spiro
born 1874 Breslau
|
2808 |
Ottomar Starke |
|
Die neue Geselhchaft: Blatt 1, 1916 |
|
|
(The new society: Plate 1) |
born 1886 |
|
Lithograph on wove paper |
Darmstadt |
|
5'/2 x 7V2 in. (14.0 x 19.0 cm) |
|
|
From Der Bildermann 1, no. 9 (1916): 1 |
died 1962 |
|
provenance: Hauswedell & Nolte, |
Baden-Baden |
|
Hamburg, 6-8 June 1974, part of lot 180 |
|
|
exhibition: not listed in Reed |
|
|
under 265 |
|
|
83.1.1462.33 |
2807
742
Starke
2809
Die neue Gesellschaft: Blatt 2, 1916
(The new society: Plate 2)
Lithograph on wove paper
9% x 8"/i6 (24.8 x 22.0 cm)
From Der Bildermann 1, no. 10
(1916): 2
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot 180
EXHIBITION: not listed in Reed
under 265
83.1.1462.38
2810
Die neue Gesellschaft: Blatt 3, 1916
(The new society: Plate 3)
Lithograph on wove paper
n'/i6 x 8"/i6 in. (28.0 x 22.0 cm)
From Der Bildermann 1, no. 11
(1916): 2
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot 180
exhibition: not listed in Reed
under 265
83.1.1462.42
2811
Die neue Gesellschaft: Blatt 4, 1916
(The new society: Plate 4)
Lithograph on wove paper
ioVi6 x 8'/s in. (25.5 x 20.7 cm)
From Der Bildermann 1, no. 12
(1916): 2
provenance. Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot 180
exhibition: not listed in Reed
under 265
83. 1.1462.46
2812
Die neue Gesellschaft: Blatt 5, 1916
(The new society: Plate 5)
Lithograph on wove paper
11% x 815/i6 in. (29.9 x 22.7 cm)
From Der Bildermann 1, no. 14
(1916): 3
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot 180
EXHIBITION: not listed in Reed
under 265
83.1.1462.55
2813
Die neue Gesellschaft: Blatt 6, 1916
(The new society: Plate 6)
Lithograph on wove paper
i2'/i6 x 95/i6 in. (30.7 x 23.6 cm)
From Der Bildermann 1, no. 17
(1916): 2
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot 180
exhibition: not listed in Reed
under 265
83.1.1462.66
2811
Bfl ncuc fflt(fll|4aft
2813
2816
2817
Stegemann
2814
O mein Heimatland, 1916
(Oh my homeland)
Lithograph on wove paper
65/s x 87/s in. (16.8 x 22.5 cm)
From Lieder des Bildermann,
supplement to Der Bildermann 1, no.
15 (1916): 8
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot 180
exhibition: not listed in Reed
under 265
83.1.1462.80
2815
Der Croupier, c. 1923
(The croupier)
Woodcut on wove paper
67/s x 4% in. (174 x 11.7 cm)
From Das Querschnittbuch 192,3, intro.
by H. von Wedderkop (Frankfurt am
Main: Querschnitt-Verlag, 1923),
following p. 132
INSCRIPTION: numbered (86/400), p. iv
PROVENANCE: Ex Libris, New York;
purchased in 1982
83-1.517 e
743
2816
Portrat Peter Halm, 1887
(Portrait of Peter Halm)
Etching and drypoint on laid paper
73/t x 513/i6 in. (19.6 x 14.8 cm)
From Pan i, no. 3 (1896): following 182
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
REFERENCE: Dennerlein 542
83.1.1351 d
2817
Nackte Frau sich kammend, c. 1920 (Nude woman combing hair) Woodcut on wove paper i37/s x io13/i6 in. (35.3 x 27.5 cm) From Kiindung 1, no. 1 (1921) provenance: Galerie Wolfgang Ketterer, Munich, 26 November 1974, part of lot 1154 exhibition: Reed under 282 83.1. 1055 e
2818
Untitled (title page), c. 1921
Woodcut on wove paper
5'/i6 x 4 in. (12.8 x 10. 1 cm)
From Karl Lorenz, ed., Die rote Erde,
2d sen, no. 1 (Hamburg: Adolf Harms
Verlag, 1922), p. 1
INSCRIPTION: numbered (383/450) on
justification page
provenance: Hartung & Karl, Munich,
13- 16 November 1979, part of lot 5024
83-1-973 a
Karl Stauffer-Bern
born 1857
Trubschachen, Switzerland
died 1891 Florence, Italy
Heinrich Stegemann
born 1888 Stellingen
died 1945 Hamburg
744
Stegemann
2819
Untitled (figure at window), c. 1921
Woodcut on wove paper
915/i6 x 7'/ie in. (25.3 x 18.0 cm)
From Karl Lorenz, ed., Die rote Erde,
2d ser. , no. 1 (Hamburg: Adolf Harms
Verlag, 1922), p. 57
INSCRIPTION: numbered (383/450) on
justification page
provenance: Hartung & Karl, Munich,
13-16 November 1979, part of lot 5024
83-1-973 n
2820
Untitled (couple in street), c. 1921
Woodcut on wove paper
8% x 73/i6 in. (22.2 x 18.3 cm)
From Karl Lorenz, ed. , Die rote Erde,
2d ser., no. 1 (Hamburg: Adolf Harms
Verlag, 1922), p. 59
INSCRIPTION: numbered (383/450) on
justification page
PROVENANCE: Hartung & Karl, Munich,
13- 16 November 1979, part of lot 5024
83-1-973 0
2821
Untitled (figure watching stars), c. 1921
Woodcut on wove paper
9% x 75/i6 in. (24.8 x 18.6 cm)
From Karl Lorenz, ed., Die rote Erde,
2d ser., no. 1 (Hamburg: Adolf Harms
Verlag, 1922), p. 61
INSCRIPTION: numbered (383/450) on
justification page
provenance: Hartung or Karl, Munich,
13- 16 November 1979, part of lot 5024
83- 1-973 P
2822
Untitled (profile), c. 1921
Woodcut on wove paper
9V4 x 65/i6 in. (23.5 x 16.0 cm)
From Karl Lorenz, ed., Die rote Erde,
2d ser., no. 1 (Hamburg: Adolf Harms
Verlag, 1922), p. 63
INSCRIPTION: numbered (383/450) on
justification page
provenance: Hartung & Karl, Munich,
13- 16 November 1979, part of lot 5024
8.3- 1-973 q
2823
Untitled (figure and stars), c. 1921
Woodcut on wove paper
8% x 75/i6 in. (22.2 x 18.6 cm)
From Karl Lorenz, ed., Die rote Erde.
2d ser., no. 1 (Hamburg: Adolf Harms
Verlag, 1922), p. 65
INSCRIPTION: numbered (383/450) on
justification page
provenance: Hartung & Karl, Munich,
13- 16 November 1979, part of lot 5024
83- 1-973'-
2819
2820
2821
2822
Stegemann
745
2824
ErnsT
2826
2827
2824
Untitled (figure and stars), c. 1921
Woodcut on wove paper
9% x 75/i6 in. (24.8 x 18.5 cm)
From Karl Lorenz, ed., Die rote Erde,
2d ser. , no. 1 (Hamburg: Adolf Harms
Verlag, 1922), p. 67
inscription: numbered (383/450) on
justification page
provenance: Hartung & Karl, Munich,
13-16 November 1979, part of lot 5024
83- 1-973 s
2825
Untitled (figure at window), c. 1921 Woodcut on wove paper 87/i6 x 6 in. (21.4 x 15.2 cm) From Georg Britting and Josef Achmann, eds., Die Sichel 1921 (Munich: Verlag die Sichel, 1921), p. 11 provenance: Ganymede Graphics, Berkeley; purchased in 1974 exhibition: Reed under 302 83.1.1638 e
2826
Ernst Rump, dem Kunstfreund und
Forderer, c. 1923
(To Ernst Rump, friend of art and
patron)
Woodcut on wove paper
6"/i6 x 4% in. (17.0 x 12. 1 cm)
From Karl Lorenz, ed., Das neue
Hamburg (Hamburg: Gemeinschafts-
verlag Hamburgischer Kiinstler, 1923),
P- 99
inscription: numbered (257/450) on
justification page
provenance: Arthur H. Minters, New
York; purchased in 1976
exhibition: Reed under 322
83.1.160 q
2827
Untitled (seated figure), c. 1923 Woodcut on wove paper 9'/4 x 613/i6 in. (23.5 x 17.3 cm) From Karl Lorenz, ed., Das neue Hamburg (Hamburg: Gemeinschafts- verlag Hamburgischer Kiinstler, 1923),
P- 93
INSCRIPTION: numbered (257/450) on
justification page
provenance: Arthur H. Minters, New
York; purchased in 1976
exhibition: Reed under 322
83.1.160 n
2828
Untitled (head in profile), c. 1923 Woodcut on wove paper g'/j x 7I3/i6 in. (23.5 x 19.9 cm) From Karl Lorenz, ed.. Das neue Hamburg (Hamburg; Gemeinschafts- verlag Hamburgischer Kiinstler, 1923),
P- 95
INSCRIPTION: numbered (257/450) on
justification page
provenance: Arthur H. Minters, New
York; purchased in 1976
exhibition: Reed under 322
83.1.160 o
746
Stegemann
2829
Untitled (the embrace), e. 1923 Woodcut on wove paper 9V2 x 713/i6 in. (24. 1 x 19.9 cm) From Karl Lorenz, ed., Das neue Hamburg (Hamburg: Gemeinschafts- verlag Hamburgischer Kiinstler, 1923),
P- 97
INSCRIPTION: numbered (257/450) on
justification page
PROVENANCE: Arthur H. Minters, New
York; purchased in 1976
exhibition: Reed under 322
83.1. 160 p
Milly Steger 2830
Auferstehen, c. 1917 born 1881 (To rise from the dead)
Rheinberg Lithograph on japan paper
10V4 x 715/i6 in. (26.0 x 20.2 cm) died 1948 From deluxe edition of Das Kunstblatt
Berlin-Wannsee 1, no. 7 (1917); the center also has an
impression from the regular edition
INSCRIPTION: numbered (32/110) on
justification page
PROVENANCE: Henry Hallenstein; W. F.
Arntz, Haag (Oberbayern); purchased
in 1975
EXHIBITION: Reed 283/62
83.1.1091a
2831
Karyatide, c. 1917
(Caryatid)
Lithograph on wove paper
9% x 5V4 in. (24.5 x 13.4 cm)
From deluxe edition of Das Kunstblatt
1, no. 7(1917)
inscription: numbered (32/110) on
justification page
PROVENANCE: Henry Hallenstein; W. F.
Arntz, Haag (Oberbayern); purchased
in 1975
EXHIBITION: Reed 283/23
83.1.1091 b
Otto Theodor 2832
Wolfgang Stein Liittich, 1914
(Liege) born 1877 Zatec, Lithograph with pale orange and yellow
Bohemia watercolor on wove paper
i43/i6 x 9u/i6 in. (36.0 x 24.6 cm) died 1958 Frydlant From portfolio Kriegsbilderbogen
nad Ostravici. Miinchner Kiinstler (Munich:
Czechoslovakia Goltzverlag, [c. 1914]), pi. 4
inscription: signed, l.r; publisher's
stamp, l.r.
provenance: Christie's, London, 5 July
1979, part of lot 178
M. 82.288.381 c
2833
Untitled (barren landscape), 1914 Lithograph on wove paper 25/8 x 47/i6 in. (6.7 x 11.2 cm) From Zeit-Echo 1, no. 2 (1914): 12 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 exhibition: Reed under 308 83.1.1186 b
2829
2830
2833
II m%W
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Steiner-Prag
747
*"iLr *ir
2835-1
2835-2
2835-3
2835-4
2835-5
2835-6
2834
Untitled (figure reading), c. 1919 Lithograph on wove paper 43/ie x 7V8 in. (10.7 x 18. 1 cm) From deluxe edition olMarsyas, no. 6 (1919): 221; total edition of 235 inscription: signed, l.r.j numbered (xxvu/xxxv) on justification page provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 exhibition: Reed under 288 83.1. 1666 bb
2835
Der Golem
(The golem)
Portfolio of 25 lithographs on handmade paper
Illustrations to story by Gustav Meyrink (Leipzig: Kurt Wolff Verlag, 1916); total edition of 300. The center also has the bound edition with eight of the prints (Leipzig: Kurt Wolf f Verlag, 1915) inscription: signed and numbered (52/265) on justification page provenance: Hauswedell & Nolte, Hamburg, 30 November 1979, lot 1529 M. 82.287.68 a-y
1. Widmung, 1915-16 (Dedication)
7'/i6 x 4% in. (18.0 x 12. 1 cm) inscription: signed and dated (1916), l.r. M. 82.287.68 a
2. Der Golem, 1915-16 (The golem)
•fh x 53/i6 in. (19. 1 x 13.2 cm) The center also has an impres- sion from the bound edition, frontispiece
INSCRIPTION: initialed, l.r. exhibition: Chipp 120 M. 82.287.68 b
3. Die Hahnpassgasse, 1915-16 (The cock's walk passage) 7%6 x 4I3/i6 in. (18.9 x 12.2 cm) inscription: signed and dated (1916), l.r.
M. 82.287.68 c
4. Am Crabe des Meisters, 1915-16 (At the master's grave)
7J/8 x 5u/i6 in. (18. 1 x 14.5 cm) M. 82. 287. 68 d
5. Im Ghetto, 1915-16 (In the ghetto)
6% x 413/i6 in. (16.5 x 12.2 cm) inscription: signed and dated (1916), l.r. M. 82. 287. 68 e
6. Die Erscheinung des Golem, 1915-16
(The appearance of the Golem) 73/i6 x 4% in. (18.3 x 12. 1 cm) The center also has an impression from the bound edition, following p. 48
INSCRIPTION: signed and dated (1916), l.r. M. 82. 287. 68 f
Hugo Steiner-Prag
born 1880 Prague, Bohemia
died 1945
New York. New York
748
Steiner-Prag
2835 (continued)
7. Das Buch Ibbur, 1915-16 (The book of Ibbur)
75/i6 x 413/i6 in. (18.6 x 12.2 cm) The center also has an impression from the bound edition, following p. 80 M. 82.287.68 g
8. Aron Wassertrum, 1915- 16 7'/a x 4% in. (18. 1 x 12. 1 cm) inscription: signed and dated (1916), l.r.
The center also has an impression from the bound edition, following p. 128 M. 82.287.68 h
9. Der Student Charousek, 1915-16 (The student Charousek)
6'/i6 x 4n/i6 in. (15.4 x 11.9 cm)
INSCRIPTION: signed and dated
(1916), l.r.
The center also has an impression
from the bound edition, following
p. 176
M. 82.287.681
10. Laster, 1915-16 (Vice)
7x5'/. in. (17.8 x 13.3 cm) inscription: signed and dated (1916), l.r. M82.287.68j
11. Der Hilferuf, 1915-16 (The cry for help)
7% x 4% in. (18.7 x 12. 1 cm) inscription: signed and dated (1916), l.r. M. 82.287.68 k
12. Der Weg ins Grauen, 1915-16 (The way to horror)
jVn x 4,3/i6 in. (18..1 x 12.2 cm) The center also has an impression from the bound edition, following p. 224 M. 82. 287. 681
13. Nachtgespenst, 1915—16 (Night phantom)
73/i6 x 49/i6 in. (18.3 x 11.6 cm) inscription: signed and dated (1916), l.r. M. 82. 287. 68 m
14. Der Gehetzte, 1915-16 (The pursued one)
7% x 4n/i6 in. (18.7 x 11.9 cm) inscription: signed and dated (1916), l.r. M. 82. 287. 68 n
15. Beim "Loisitschek" 1915-16 (At the cafe Loisitschek) 515/i6 x 4% in. (15.0 x 12. 1 cm) The center also has an impression from the bound edition, following p. 272
inscription: signed and dated (1916), l.r. M. 82. 287. 680
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749
2835-16
2835-17
2835-18
2835-21
2835-22
2835-23
2835-24
16. Die Gezeichneten, 1915-16 (The marked ones)
7V8 x 413/i6 in. (18. 1 x 12.2 cm) inscription: signed and dated (1916), l.r. M. 82.287.68 p
17. Angst, 1915-16 (Fear)
75/i6 x 47/8 in. (18.6 x 12.4 cm) INSCRIPTION: signed and dated (1916), l.r. M. 82. 287. 68 q
18. Schemajah Hillel, 1915-16 (The Hillel charm)
jVs x 4u/i6 in. (18. 1 x 11.9 cm) The center also has an impression from the bound edition, following p. 320 M. 82.287.68 r
19. DieWachspuppe, 1915-16 (The wax doll)
75/i6 x s¥s in. (18.6 x 13.7 cm) M. 82. 287. 68 s
20. ImDom, 1915-16 (In the cathedral)
■jVi x 4V2 in. (18.4 x 11.4 cm) M. 82. 287. 68 t
21. Alchymistengasse, 1915-16 (Alchemists' lane)
6'/i6 x 4u/i6 in. (15.4 x 11.9 cm) INSCRIPTION: signed and dated (1916), l.r. M.82.287.68U
22. Rosina, 1915-16
75/i6 x 5 in. (18.6 x 12.7 cm) M. 82. 287.68 V
23. Mord, 1915-16 (Murder)
jVs x 415/i6 in. (18. 1 x 12.6 cm) INSCRIPTION: signed and dated (1916), l.r. M. 82. 287. 68 w
24. Das Ende des Ghetto, 1915-16 (The end of the ghetto)
7yi6 x 5 in. (18.3 x 12.7 cm) M. 82.287.68 x
25. Die Befreiten, 1915-16 (The liberated ones)
73/i6 x 47/s in. (18.3 x 12.4 cm) INSCRIPTION: signed and dated (1916), l.r. M. 82.287.68 y
2835-25
750
Steiner-Prag
Heinrich Steinhagen
born 1880 Wismar died 1948 Hamburg
2836
Ein Ende in Paris
(An end in Paris)
Book with 4 lithographs printed in black, pink, and yellow on wove paper Illustrations to book by Richard Wagner (Leipzig: Fr. Kistner & C. F. W. Siegel,
1924)
provenance: Erasmus, Amsterdam;
purchased in 1978
83. 1.189 a-d
1. Untitled (building under trees), c. 1924
5% x 37/i6 in. (13.7 x 8.8 cm)
Cover
83.1.189 d
2. Untitled (man with papers), c. 1924 37/s x 27/i6 in. (9.8 x 6.2 cm) Following page 16
83.1.189 a
3. Untitled (man waiting), c. 1924 3% x 27/i6 in. (9.8 x 6.2 cm) Following page 32
83.1.189 b
4. Untitled (man reading in bed), c. 1924
3% x 27/i6 in. (9.8 x 6.2 cm) Following page 48 83.1.189 c
2837
Der Wanderer, c. 1920
(The wanderer)
Woodcut on wove paper
77/8 x 5V4 in. (20.0 x 13.3 cm)
From Hugo Koch and Emil Maetzel,
eds., Der gelben Posaune der Sieben
gewidmet (Hamburg: Konrad Hanf,
1920)
provenance: Ganymede Graphics,
Berkeley; purchased in 1974
83.1. 124 f
Jakob Steinhardt 2838
Der Prophet, 1912 born 1887 Zerkow, (The prophet)
Poland Etching on wove paper
7x51/2 in. (17.7x13.9 cm) died 1968 From Das neue Pathos 1, no. 1 (1913): 11
Nahariya, Israel inscription: numbered (50/100) on
justification page
provenance: Ars Libri, Boston;
purchased in 1983
L.84.5.339 a; 'ent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
2839
Alterer Mann, 1913
(Elderly man)
Drypoint on japan paper
4V2 x 35/i6 in. (11.5 x 8.4 cm)
inscription: signed, l.r.j numbered
(6/30), 1.1.
provenance: Cams Gallery, New York;
purchased in 1975
EXHIBITION: Reed 178
M. 82. 288.291
RICHARD WAGNER
2836-1
2836-2
2836-4
2837
2838
Steinhardt
751
y J
2840
2844
2840
Mannerbildnis, 1913
(Portrait of a man [Georg Fuchs])
Gray chalk and graphite on wove paper
14V2 x io9/i6 in. (36.8 x 26.8 cm)
inscription: monogrammed and
dated, 1.1.
provenance: Carus Gallery, New York;
purchased in 1975
exhibition: Reed 177; Chipp 121
Identification of the sitter was made in
1982 by Ziva Amishai-Maisels
M. 82.288.362
2841
Selbstbildnis, 1913
(Self-portrait)
Charcoal and crayon on heavy wove
paper
17V8 x i35/i6 in. (43.5 x 33.8 cm)
INSCRIPTION: signed and dated, I.e.;
monogrammed, 1.1.
provenance: D. Thomas Bergen; his
sale, Christie's, London, 12 February
ig8o, lot 243
EXHIBITION: Larson 67
M. 82. 287. 94
2842
Untitled (man and nude woman),
c 1913
Etching on laid paper
2% x 2V16 in. (6.7 x 5.2 cm)
From Das neue Pathos 1, no. 2 (1913): 19
INSCRIPTION: numbered (50/100) on
justification page
provenance: Ars Libri, Boston;
purchased in 1983
L. 84. 5. 339 b; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
2843
Untitled (nude woman in bed), 1913
Drypoint on laid paper
43/i6 x 35/i6 in. (10.7 x 8.4 cm)
From Das neue Pathos 1, no. 3/4 (1913): 31
INSCRIPTION: numbered (50/100) on
justification page
PROVENANCE: Ars Libri, Boston;
purchased in 1983
L. 84. 5. 339 d; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
2844
Untitled (old man in landscape), c. 1913
Drypoint on laid paper
43/i6 x 3% in. (10.7 x 9.2 cm)
From Das neue Pathos 1, no. 5/6 (1913): 33
inscription: numbered (50/100) on
justification page
provenance: Ars Libri, Boston;
purchased in 1983
L. 84. 5. 339 1; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
752
Steinhardt
2845
Untitled (head of an old man), c. 1913
Linoleum cut on laid paper
69/i6 x 413/i6 in. (16.7 x 12.3 em)
From Das neue Pathos 1, no. 5/6 (1913): 41
inscription: numbered (50/100) on
justification page
provenance: Ars Libri, Boston:
purchased in 1983
REFERENCE: Kolb 20
L.84.5.339 m; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
2846
Untitled (Polish village), 1913
Woodcut on laid paper
4 x 515/i6 in. (10.2 x 15.0 cm)
From Das neue Pathos 2, no. 1/3 (1914):
39; from edition B of 250
PROVENANCE: Ars Libri, Boston;
acquired by exchange in 1984
REFERENCE: Kolb 22
83.1.824 c!
2847
Mob 2, 1914
Gob 2)
Etching on japan paper
6% x 4'/) in. (16.2 x 10.8 cm)
INSCRIPTION: signed, l.r.
provenance: Carus Gallery, New York;
purchased in 1975
exhibition: Reed 179 (as Isaiah)
The subject is identified in Arno Nadel,
Graphiker der Gegenwart: Jakob
Steinhardt (Berlin: Verlag neue
Kunsthandlung, 1920), p. 29
M. 82.288.292
2848
Rot und gliihend ist das Auge desjuden (Red and glowing is the eye of the Jew) Book with 9 drypoints on laid paper Illustrations to poems by Arno Nadel (Berlin: Fritz Gurlitt Verlag, 1920) INSCRIPTION: each sheet signed, l.r.; numbered (vn/c) on justification page provenance: Erasmus, Amsterdam; purchased in 1980 83.1.651 a-i
1. Untitled (man gesturing), c. 1917 3% x 2% in. (8.5 x 6.6 cm) Frontispiece
83.1.651a
2. In tiefer Nacht, c. 1917 (In the dead of night)
5VI6 x 3'/2 in. (12.9 x 8.9 cm) 83.1.651 b
3. Winter, c. 1917
3% x 5% in. (9.6 x 14.6 cm) 83.1.651c
4. Heimkehr aus der Synagogue, c. 1917
(Coming home from the synagogue) 4V2 x 63/i6 in. (11.4 x 15.7 cm) 83.1.651 d
2846
2848-2
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753
2848-8
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2849-3
N-:J
2849-2
2849-4
2849-5
5. lm Bethamidrasch, c. 1917 (In the house of study)
43/i6 x 43/i6 in. (10.7 x 10.7 cm) 83.1.6516
6. Das Maariw-Gebet, c. 1917 (The evening prayer)
5 x 715/ie in. (12.7 x 20.2 cm) 83.1.651 f
7. Sterbender Greis, c. 1917 (Dying old man)
87/s x 75/i6 in. (22.5 x 18.6 cm) 83. 1.651 g
8. Der Friedhof, c. 1917 (The cemetery) 55/i6X5in. (13.5 x 12.7 cm) 83.1.651 h
9. Lichtbemchen, c. 1917 (Blessing over the candles) 57/s x 5 in. (15.0 x 12.7 cm) 83.1.651 i
2849
Sechs Radierungen
(Six etchings)
Portfolio of 6 drypoints on Van Gelder
Zonen paper
Published by Euphorion Verlag, Berlin,
1922; from edition of 10 on Van Gelder
Zonen paper (total edition of 85)
INSCRIPTION: signed, l.r.; numbered
(8/10), 1.1.
provenance: Hauswedell & Nolte,
Hamburg, 8-9 June 1979, lot 1248
M. 82.288.293 a-f
1. Dorfstrasse, 1918 (Village street)
7'/i6 x 95/i6 in. (17.9 x 23.7 cm) M. 82. 288. 293 a
2. Begrabnis, 1921 (Funeral)
57/s x 7% in. (14.9 x 19.7 cm) M. 82. 288. 293 b
3. Seuche, n.d. (Plague)
7V16 x 95/ie in. (17.9 x 23.7 cm) M. 82. 288. 293 c
4. Judenfamilie , n.d. (Jewish family)
5% x 7% in. (14.9 x 19.7 cm) M. 82. 288. 293 d
5. Hausliche Szene, n.d. (Domestic scene)
6V4 x 4u/i6 in. (15.9 x 11.9 cm) M. 82. 288. 293 e
6. Bildnis des Dichters, n.d. (Portrait of the poet)
7% x 5T/8 in. (19.7 x 14.9 cm) M. 82.288.293 f
754
Steinhardt
2850
Gleichnisse
(Parables)
Book with 8 lithographs on laid paper
Illustrations to stories by Jizchok-Leib
Perez (Berlin: Fritz Gurlitt Verlag,
1920); from unnumbered deluxe edition
of 100
inscription: each sheet signed, l.r.
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1976
83.1.190 a-h
1. Untitled (men fighting), c. 1919-20 8% x 69/i6 in. (22.2 x 16.7 cm) Frontispiece
83.1.190 a
2. Der Glasscherben, c. 1919-20 (Of the shards of glass)
813/i6 x 6V2 in. (22.4 x 16.6 cm) Before page 21 83.1.190 b
3. Der Kolonist, c. 1919-20 (The colonist)
9 x 6'/2 in. (22.8 x 16.5 cm) Before page 33 83. 1.190 c
4. Die vierfarbige Laterne und die vier Ideinen Hunde, c. 1919-20
(The four-colored lamp and the four
small dogs)
9X 6'/2in. (22.8 x 16.5 cm)
Before page 4 1
83.1. 190 d
5. Vomlrren in der Wiiste, c. 1919-20 (Of wandering in the desert)
9 x 69/i6 in. (22.8 x 16.7 cm) Before page 49 83.1. 190 e
6. Messias Zeiten, c. 1919-20 (Time of the Messiah)
87/s x 69/i6 in. (22.5 x 16.7 cm) Before page 65 83. 1.190 f
7. Ein Chanukkatraum, c. 1919-20 (A Hanukkah dream)
815/i6 x 6V2 in. (22.7 x 16.5 cm) Before page 75 83.1. 190 g
8. Die Schwalben, c. 1919-20 (The swallows)
8% x 65/i6 in. (22.5 x 16.0 cm) Before page 85 83.1. 190 h
2851
Musikalische Novellen
(Musical short stories)
Book with 5 lithographs on laid paper
Illustrations to stories by Jizehok-Leib
Perez (Berlin: Fritz Gurlitt Verlag, 1920)
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1976
83.1. 191 a-e
1. Schmajissroel oder Der Bassgeiger,
c. 1920
(Sh'ma Yisrael or the bass fiddler)
9 x 6V2 in. (22.8 x 16.5 cm)
Frontispiece
83.1.191a
2850-1
2850-4
2851-1
2850-2
2850-5
2851-2
2850-3
2850-8
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755
2852-1
2852-2
2852-3
2852-4
2852-5
2. Die Wandlungen einer Weise, c. 1920
(The changes of a melody) 8% x 6V2 in. (22.3 x 16.5 cm) Before page 25 83.1.191b
3. Die Kabbalisten, c. 1920 (The cabalists)
8% x 69/i6 in. (22.3 x 16.7 cm) Before page 45 83.1.191c
4. Der Purimgeiger, c. 1920 (The Purim fiddler)
8% x 614 in. (22.2 x 16.5 cm) Before page 53 83.1. 191 d
5. Er spielt fur den Teufel, c. 1920 (He plays for the devil)
8% x 67/i6 in. (22.2 x 16.4 cm) Before page 61
83.1. 191 e
2852
Neun Holzschnitte zu ausgewahlten Versen aus dem Buche Jeschu ben Elieser ben Sirah
(Nine woodcuts to selected verses from
the book Jeschu ben Elieser ben Sirah)
Book with 9 woodcuts on laid paper
Illustrations to ancient Jewish text, no.
9 in the monographic series Publika-
tionen der Soncino-Gesellschaft der
Freunde des jiidischen Buches (Berlin:
Soncino-Gesellschaft, 1929); from
edition of 800
INSCRIPTION: signed on justification
page
provenance: Hans Bolliger, Zurich;
purchased in 1974
REFERENCE: Kolb 85-93
EXHIBITION: Reed 180
83.1.1923-1
1. Untitled (family and figure of Death), 1922
63/i6 x 47/s in. (15.7 x 12.4 cm) REFERENCE: Kolb 85
83.1.192 a
2. Untitled (man seated at table), 1922 6'A x 413/i6 in. (15.9 x 12.3 cm) REFERENCE: Kolb 86
83.1.192 b
3. Untitled (two groups arguing), 1922 6'/4 x 415/i6 in. (15.9 x 12.5 cm) REFERENCE: Kolb 87
83.1.192 c
4. Untitled (man eating and apparition), 1922
63/i6 x 415/i6 in. (15.7 x 12.6 cm) REFERENCE: Kolb 88 83.1. 192 d
5. Untitled (tavern scene), 1922 63/i6 x 415/i6 in. (15.7 x 12.6 cm) REFERENCE: Kolb 89
83.1.1926
6. Untitled (atelier), 1922
65/i6 x 4% in. (16.0 x 12.4 cm) REFERENCE: Kolb 90
83.1. 192 f
756
Steinhardt
2852 (continued)
7. Untitled (demons), 1922
6'/j x 415/i6 in. (159 x 12.6 cm) REFERENCE: Kolb 91 83.I.192 g
8. Untitled (figures with cat and snake), 1922
6% x 413/i6 in. (16. 1 x 12.3 cm) REFERENCE: Kolb 92
83.1. 192 h
9. Untitled (woman suckling child), 1922
65/i6 x 4l5/i6 in. (16.0 x 12.6 cm) REFERENCE: Kolb 93
83.1.1921
2853
Noemi
(Naomi)
Book with 3 woodcuts on wove paper Illustrations to poem by Ivan Goll (Berlin: privately printed for the annual meeting of the Soncino-Gesellschaft,
1929)
INSCRIPTION: numbered (123/150) on
justification page
provenance: Erasmus, Amsterdam;
purchased in 1979
REFERENCE: Kolb 114-16
83.1. 193 a-c
1. Untitled (mourning woman), 1924 37/i6 x 3'/i in. (8.8 x 8.2 cm) REFERENCE: Kolb 114
83-ii93a
2. Untitled (crowd in street), 1924 4% x 315/i6 in. (12. 1 x 10.0 cm) REFERENCE: Kolb 115
83.1.193 b
3. Untitled (landscape with tree), 1924 i15/i6 x 4V8 in. (4.9 x 10.4 cm) REFERENCE: Kolb 116
83.1.193 c
2854
Isaiah the Prophet, 1954
Woodcut on wove paper
18V2 x i41/2 in. (47.0 x 36.8 cm)
INSCRIPTION: signed and dated, l.r;
numbered (16/50), 1.1.
provenance: Tobey C. Moss, Los
Angeles; purchased in 1985
REFERENCE: Kolb 350
L. 85. 2. 44; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
Ferdinand Steiniger 2855
Bohmischer Gutshof, 1910
born 1882 Leipzig (Bohemian estate)
Etching on heavy wove paper
6'4 x 9% in. (15.8 x 23.8 cm)
From Zeitschrift fur bildende Kunst,
n.s., 23, no. 6 (1912): before 133
provenance: Galerie Gerda Bassenge,
Berlin, 15 May 1976, part of lot 4364
83. 1.966 g
2852-7
2852-9
2853-1
2853-2
2854
2856
/?,
2857
Stem
2856
Berlin, igog
Woodcut printed in blue, red, and buff
on rice paper
i3'/i6 x g% in. (33.2 x 24.8 cm)
INSCRIPTION: signed and dated, l.r.;
numbered (12), 1.1.
provenance: estate of the artist; Zeitlin
& Ver Brugge, Los Angeles; purchased
in 1977
M. 82. 288. 294
2857
"Der Besuch aus dem Elysium" von
Franz Werfel, 1918
(Der Besuch aus dem Elysium by Franz
Werfel)
Lithograph on laid paper
105/s x g'A in. (27.0 x 24. 1 cm)
From portfolio Das junge Deutschland:
Phantasien iiber die Auffuhrungen des
Jahres 1917/18 (privately printed for the
members of Das junge Deutschland,
1918)
provenance: Laurence McGilvery, La
Jolla, California; purchased in 1978
83.1.101 h
2858
"Der Bettler" von Beinhard Sorge 1,
1918
(Der Bettler by Reinhard Sorge 1)
Lithograph on laid paper
10% x 7% in. (27.3 x 19.7 cm)
From portfolio Das junge Deutschland:
Phantasien iiber die Auffuhrungen des
Jahres 1917/18 (privately printed for the
members of Das junge Deutschland,
1918)
provenance: Laurence McGilvery, La
Jolla, California; purchased in 1978
83.1.101 a
2859
"Der Bettler" von Beinhard Sorge 2,
1918
(Der Bettler by Reinhard Sorge 2)
Lithograph on laid paper
io5/8 x 713/i6 in. (27.0 x 19.8 cm)
From portfolio Das junge Deutschland:
Phantasien iiber die Auffuhrungen des
Jahres 1917/18 (privately printed for the
members of Das junge Deutschland,
1918)
provenance: Laurence McGilvery, La
Jolla, California; purchased in 1978
83.1.101 b
757
Kate Steinitz
born 1889 Beuthen
died 1975 Los Angeles, California
Ernst Stern
born 1876 Bucharest, Romania
died 1954 London, England
2859
758
Stern
2860
"Der Bettler" von Reinhard Sorge 3,
1918
(Der Bettler by Reinhard Sorge 3)
Lithograph on laid paper
io13/i6 x 77/8 in. (27.5 x 20.0 cm)
From portfolio Das junge Deutschland:
Phantasien fiber die Auffuhrungen des
Jahres 1917/18 (privately printed for the
members of Das junge Deutschland,
1918)
provenance: Laurence MeGilvery, La
Jolla, California; purchased in 1978
83.1.101 c
2861
"Kain" von Friedrieh Koffka, 1918
[Kain by Friedrieh Koffka)
Lithograph on laid paper
io5/8 x 8V2 in. (27.0 x 21.6 cm)
From portfolio Das junge Deutschland:
Phantasien iiber die Auffuhrungen des
Jahres 1917/18 (privately printed for the
members of Das junge Deutschland,
1918)
provenance: Laurence MeGilvery, La
Jolla, California; purchased in 1978
83.1.101 i
2862
Eine Szene aus Goerings "Seeschlacht"
1918
(A scene from Goerings Seeschlacht)
Lithograph on laid paper
7>/s x 5V2 in. (18. 1 x 14.0 cm)
From Das junge Deutschland 1, no. 3
(1918): before 63
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
83.1.1613 a
2863
Eine Szene aus dem "Kaufmann von
Venedig," 1918
(A scene from The Merchant of Venice)
Lithograph on laid paper
8V16 x 6 in. (20.5 x 15.2 cm)
From Das junge Deutschland 1, no. 10
(1918): before 297
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
83.1.1619 a
2864
Eine Szene aus Sorges "Der Bettler"
1918
(A scene from Der Bettler by Sorge)
Lithograph on laid paper
yV« x 57/s in. (18.4 x 14.9 cm)
From Das junge Deutschland 1, no. 1
(1918): before 1
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
83.1.1611 a
\ttv-
2860
2862
2861
2865
2864
Stoermer
759
s0
^=— i^£-!; "=" SIP* -> ->?~y~ft™'
2867
2870
2865
Die Wupper, 1919
(The Wupper River)
Lithograph on laid paper
6'A x 8V2 in. (16.5 x 21.6 cm)
From Dasjunge Deutschland 2, no. 3
(1919): before 63
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
83.1.1623 a
2866
Maubeuge: Was ich sail! 1914 (Maubeuge: What I saw!) Lithograph on wove paper I415/i6 x g7/8 in. (38.0 x 25. 1 cm) From Kriegszeit, no. 7 (1914): 2 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072 EXHIBITION: Reed 281/213
83.1.1406 b
2867
Was ich sak! 1914
(What I saw!)
Lithograph on wove paper
15 x g7/8 in. (38. 1 x 25. 1 cm)
From Kriegszeit, no. 8 (1914): 3
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/214
83.1.1407 c
2868
Krieg gegen Italien! c. 1915
(War against Italy!)
Lithograph on wove paper
I415/i6 x io'/i6 in. (37.9 x 25.5 cm)
From Kriegszeit, no. 46 (1915): 4
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/215
83. 1. 1444 d
2869
Untitled (face), 1920 Lithograph on wove paper li'/d x 10 in. (28.6 x 25.4 cm) From portfolio Das Ruch Eins des Aktivisten Bundes, 1919 (Diisseldorf: Eigener Verlag, 1920) INSCRIPTION: signed and dated, l.r. PROVENANCE: Ars Libri, Boston; purchased in 1981 83.1.670 i
Helmuth Stockmann
Franz Stoeffhase
2870 Curt Stoermer
Untitled (dead Christ), c. 1913
Woodcut on wove paper born 1891 Hagen
9% x 6V4 in. (24.8 x 15.9 cm) in Westphalen
From Der Sturm 4, no. 166/167 (1913): 53
provenance: Ex Libris, New York; died 1976
purchased in 1982
83.1.1391.67
760
Ernst Stohr
born 1865 Sankt Polten, Austria
died 1917
Stoermer
2871
Untitled (kneeling figure), c. 1913
Woodcut on wove paper
7% x 515/i6 in. (19.6 x 15. 1 cm)
From Der Sturm 4, no. 178/179 (1913): 97
provenance: Ex Libris, New York;
purchased in 1982
83- 1.1391-75
2872
Der Verworfene
(The reprobate)
Book with 6 woodcuts on J. W. Zanders
paper
Illustrations to poems by Charles
Baudelaire, paraphrased by Hans
Havemann (Hannover: Zweemann,
1920); total edition of 1,000
INSCRIPTION: numbered (68/250) on
justification page
provenance: Ars Libri, Boston;
purchased in 1979
83- 1-749 a"f
1. Die Zerstorung, c. 1920
("La destruction")
43/is x 37/i6 in. (10.6 x 8.7 cm)
Page 9
83.1.749 a
2. Leichentanz, c. 1920 ("Danse macabre")
4V& x 3% in. (10.5 x 8.6 cm) Page 2 1
83- 1-749 b
3. Der Vampir, c. 1920 ("Le vampire")
43/i6 x 3'/8 in. (10.7 x 7.9 cm)
Page 33
83-1-749C
4. Anheimgefallenheit, c. 1920 ("Reversibilite")
37/s x 3'/2 in. (9.8 x 8.9 cm) Page 45 83. 1.749 d
5. Lied am sinkenden Tag, c. 1920 ("Chanson d'apres-midi")
4!/8 x 3% in. (10.5 x 8.5 cm) Page 57 83- 1-749 e
6. Der Abgrund, c. 1920 ("Le gouffre")
43/i6 x 3% in. (10.6 x 8.6 cm) Page 69 83- 1-749 f
2873
Untitled (woman with skull), c. 1902 Woodcut on laid paper 59/i6 x 53/i6 in. (14.2 x 13.2 cm) From Wiener Secession: Katalog der vierzehnten Ausstellung der Vereini- gung bildender Kunstler Osterreichs, exh. cat. (Vienna: Wiener Secession, 1902), p. 13
PROVENANCE: Hartung & Karl, Munich, 28-29 May 1974, part of lot 2031 exhibition: Reed under 241/1 83.1.610 b
2872-2
2872-4
2872-3
2872-6
Strohemeyer
761
2871
2873
2874
2875
2877
2876
2874
Drame obscure, c. 1912 (Dark drama) Woodcut on wove paper io3/i6 x I315/i6 in. (25.9 x 35.4 cm) From Der Sturm 3, no. 144/145
(i9i3): 257
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1391.50
2875
Untitled (nudes and man with hat),
c 1913
Woodcut on wove paper
io7/i6 x I3n/i6 in. (26.5 x 34.7 cm)
From Der Sturm 4, no. 178/179
(1913): 101
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1391.76
2879
2878
Burgersentimentalitat, c. 1916
(Bourgeois sentimentality)
Woodcut on wove paper
39/i6 x 47/b in. (9. 1 x 12.4 cm)
From DieAktion 6, no. 51/52 (1916):
699-700; not identified as an original
woodcut
provenance: Hauswedell & Nolte,
Hamburg, 30 November 1979, part of
lot 1173
83.1.1527 c
2879
Die Gepfeilte, c. 1917
(Woman shot by an arrow)
Woodcut on wove paper
55/ie x 5u/i6 in. (13.5 x 14.5 cm)
From Die Aktion 8, no. 1/2(1918): 9-10
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1528 b
Robert Storm- Petersen
born 1882 Valby, Denmark
died 1949
Frederiksberg,
Denmark
|
2876 |
William Strang |
|
Selbstportrat, 1895 |
|
|
(Self-portrait) |
born 1859 |
|
Etching on wove paper |
Dumbarton, |
|
715/i6 x 513/i6 in. (20. 1 x 14.8 cm) |
Scotland |
|
From Pan 2, no. 4 (1897): following 348 |
|
|
PROVENANCE: Kornfeld & Klipstein, |
died 1921 |
|
Bern, 7-8 June 1978, part of lot 775 |
Bournemouth. |
|
reference: Dennerlein 1395 |
England |
|
83- *■ 1353 n |
2877 Robert Streit
Untitled (man watching nude woman
on bed), c. 1921 born 1883
Woodcut on wove paper Granzendorf .
515/i6 x 67/s in. (15. 1 x 17.5 cm) Bohemia
From Eros 1, no. 5 (1921): before 131
inscription: numbered (593/1,000) on died 1957 Vienna,
justification page Austria
provenance: Galerie Gerda Bassenge, Berlin, 16 April 1981, part of lot 2212 83.1.1610 g
Ott-heinrich Strohemeyer
762
Strohemeyer
Hermann Struck
born 1876 Berlin
died 1944 Haifa, Palestine
2880
Weltenschopfung, c. 1919
(Creation of the world)
Woodcut on wove paper
5'/i x 5V8 in. (13. 1 x 13. 1 cm)
From Die Aktion 9, no. 18 (1919): cover
PROVENANCE: gift of Titus Felixmuller,
1984
L.84.5.83 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
2881
Das Kreuz im Kreise, 1920
(The cross in the circle)
Linoleum cut on J. VV. Zanders 1916
paper
7% x 6V1 in. (197 x 15.9 cm)
From Eos 2, no. 4 (1920): 185; from
edition A (total edition of 250)
INSCRIPTION: numbered (xvii/xl) and
signed by editor Paul Baumann on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
exhibition: Reed under 270
83.1.1608 n
2882
Bildnis R. B., 1905
(Portrait of R. B.)
Etching printed in brown on handmade
paper
83/ie x 515/i6 in. (20.8 x 15.0 cm)
From Zeitschrift fur bildende Kunst,
n.s., 23, no. 9 (1912): before 205
provenance: Galerie Gerda Bassenge,
Berlin, 15 May 1976, part of lot 4364
83.1.966 m
2883
Marc Chagall, c. 1923 Drypoint on laid paper 4u/i6 x 37/s in. (11.9 x 9.8 cm) From Hermann Struck, Die Kunst des Radierens, 5th ed. (Berlin: Paul Cassirer, 1923), before p. 109 provenance: Herman George Scheffauer (inscribed by author, 6 August 1926, on title page); Sims, Reed & Fogg, London; purchased in 1985 M. 86.80 b; Book Purchase Fund
Stanislaw Stiickgold 2884
Erfullung, c. 1917 born 1880 Warsaw, (Fulfillment)
Poland Lithograph on japan paper
77/s x 59/i6 in. (20.0 x 14.2 cm) died 1933 Paris, From deluxe edition of Das Kunstblatt
France 1, no. 9 (1917); the center also has an
impression from the regular edition
inscription: numbered (32/110) on
justification page
provenance: Henry Hallenstein; W. F.
Arntz, Haag (Oberbayern); purchased
in 1975
exhibition: Reed 283/63
83-1-10933
2880
|
1 |
fwmmm |
|||
|
1 § |
... ^fl| 1 nlmB |
Br"'- mfc* BftL |
IPl''' § In pt- if PI p |
2882
2881
2884
2885
2887
2888
Szwarc
2885
Untitled (two nudes), c. 1920 Lithograph on japan paper 87/s x 513/i6 in. (22.6 x 14.8 cm) From Das Kunstblatt 4, no. 8 (1920) provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 EXHIBITION: Reed 283/64 83.1.1154 a
763
2886
Untitled (two lovers), c. 1920
Linoleum cut printed in blue and black
on wove paper
8V2 x 5% in. (21.6 x 13.7 cm)
From Eros 1, no. 1 (1921): following 32
INSCRIPTION: numbered (593/1,000) on
justification page
provenance: Galerie Gerda Bassenge,
Berlin, 16 April 1981, part of lot 2212
83.1.1610 c
2887
Agnes Henningsen, c. 1912
Woodcut(?) on wove paper 513/i6 x 315/i6 in. (14.8 x 10.0 cm) From Saturn 2, no. 12 (1912): 257; unlike the other prints in the periodical, this is not identified as a woodcut PROVENANCE: M. K. Neudold (ex libris); Galerie Gerda Bassenge, Berlin, 4 June
1975. Part of l°l 4899 exhibition: Reed under 300
83.1.1311 k
2888
Untitled (winged woman), c. 1918
Woodcut on wove paper
3V4 x 29/i6 in. (8.2 x 6.5 cm)
From Die Aktion 8, no. 21/22 (1918):
274; not identified as an original
woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
831- 1533 f
See also cat. no. 31
2889
Untitled (interior), c. 1920 Linoleum cut on wove paper 67/8 x 5% in. (17.5 x 14.6 cm) From Gert Wollheim, ed., Das Buch Zwei des Aktivisten Bundes, 1929, DiisseMor/ (Diisseldorf: Druckhaus Diisseldorf, [1920]) provenance: Kornfeld & Klipstein, Bern, 11 June 1977, part of lot 492 83.1.249 c
Egge (Eugen) Sturm- Skrla
born 1894 Komarno, Poland
Kurt Szafranski
born 1890 Berlin died 1964
Stefan Szmai
Marek Szwarc
born 1892 Zgierz, Poland
died 1958 Paris, France
2889
764
Tappert
Georg Tappert 2890
Der Clown, 1910
born 1880 Berlin (The clown)
Woodcut on wove paper
died 1957 Berlin 11 x jWie in. (27.9 x 19.8 cm)
From Der Sturm 2, no. 100 (1912): 799 provenance: Ex Libris, New York; purchased in 1982 83.1.1390.23
2891
Junges Madchen, 1910
(Young girl)
Woodcut on rice paper
89/i6 x 515/i6 in. (21.7 x 15.0 cm)
inscription: estate stamp, signed by A.
Tappert, verso; numbered (1 33/35), 1.1.
PROVENANCE: Galerie Ludorff,
Diisseldorf; purchased in 1977
REFERENCE: Karsch 17
EXHIBITION: Barton 73
M. 82. 288. 295
2892
Chansonette, c. 1911
(Chanteuse)
Woodcut on wove paper
9u/i6 x 6n/i6 in. (24.6 x 17.0 cm)
From Die Ahtion 4, no. 17 (1914):
365-66
PROVENANCE: Hauswedell & Nolte,
Hamburg, 30 November 1979, part of
lot 1173
REFERENCE: Karsch 25
83.1.1482 d
2893
Neue Secession, c. 1911
(New secession)
Woodcut on wove paper
6% x 6% in. (17. 1 x 17. 1 cm)
From Die Ahtion 4, no. 17 (1914): cover
provenance: Hauswedell & Nolte,
Hamburg, 30 November 1979, part of
lot 1173
83.1.1482 a
2894
Das Schweigen, c. 1911
(Silence)
Woodcut on wove paper
9n/i6 x 6% in. (24.6 x 17. 1 cm)
From Die Aktion 4, no. 20 (1914):
433-34
provenance: Hauswedell & Nolte,
Hamburg, 30 November 1979, part of
lot 1173
83.1.1485 a
2890
2892
2891
2893
2894
Tappert
765
2895
?Hr**. '•"
2897
2898
2895
Zwei sitzende Mddchen, c. 1911
(Two seated girls)
Woodcut on wove paper
i25/i6 x 13% in. (31.3 x 35.0 cm)
From Der Sturm 3, no. 113/114 (1912):
70-71
PROVENANCE: Ex Libris, New York;
purchased in 1982
REFERENCE: Karsch 28
83.1.1391.7
2896
Excentric, c. 1912
(Eccentric)
Woodcut on wove paper
97/i6 x 7V2 in. (24.0 x 19. 1 cm)
From Der Sturm 3, no. 106 (1912): 13
provenance: Ex Libris, New York;
purchased in 1982
83.1.1391.2
2897
Sitzendes Lieschen, im Ballettrock,
1912
(Lieschen sitting, in a ballet costume)
Monotype(?) on wove paper
i615/i6 x 12% in. (43.0 x 31.5 cm)
INSCRIPTION: signed and dated, u.r.;
inscribed "Dr. i.,'u.l.
provenance: Karl & Faber, Munich, 24
November 1979, lot 1807
Although catalogued as a lithograph,
this may be the first impression of a
monotype of the same composition
(Wietek 119). The inscription "Dr. 1."
(erster Druck) supports this
M. 82. 288. 296
2898
Eva, 1916
(Eve)
Woodcut on wove paper
9 x 6n/i6 in. (22.9 x 17.0 cm)
From Die Aktion 6, no. 37/38 (1916):
519-20
PROVENANCE: Hauswedell & Nolte,
Hamburg, 30 November 1979, part of
lot 1173
reference: Karsch 92
83.1.1522 c
2899
Kleiner Hund, 1916
(Small dog)
Woodcut on wove paper
45/i6 x 515/i6 in. (11.0 x 15.0 cm)
From Die Aktion 6, no. 47/48 (1916):
cover
PROVENANCE: Hauswedell & Nolte,
Hamburg, 30 November 1979, part of
lot 1173
REFERENCE: Karsch 58
83.1.1525 a
766
Tappert
2900
Madonna, 1916
Woodcut on wove paper
97/i6 x 67/ie in. (24.0 x 16.4 cm)
From Die Aktion 6, no. 37/38 (1916):
515-16
provenance: Hauswedell & Nolte,
Hamburg, 30 November 1979, part of
lot 1173
REFERENCE: Karsch 56
83.1.1522 b
2901
Zwei stehende weibliche Akte unit Tuch, 1916
(Two standing female nudes with cloth)
Woodcut on wove paper
gVs x 67/i6 in. (23.2 x 16.4 cm)
From Die Aktion 6, no. 37/38 (1916):
511-12
provenance: Hauswedell & Nolte,
Hamburg, 30 November 1979, part of
lot 1173
reference: Karsch 40
83.1.1522 a
2902
Afrikanische Gottin, 1917
(African goddess)
Woodcut on wove paper
7'/i6 x 3'/i in. (18.0 x 8.2 cm)
From Die Aktion 8, no. 11/12 (1918):
148; not identified as an original
woodcut
provenance: gift of Titus Felixmuller,
1984
REFERENCE: Karsch 66
L. 84. 5. 75 h; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
2903
Paar im Zimmer, 1917
(Couple in room)
Lithograph with watercolor on japan
paper
9V16 x 7 in. (23.0 x 17.8 cm)
From deluxe edition of Marsyas, no. 2
(1917); the issue also contains a signed
and dated uncolored impression
(p. 157); total edition of 235 in the
published state
inscription: signed and dated, l.r.;
numbered (xxvh/xxxv) on justification
page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
REFERENCE: Karsch 37
EXHIBITION: Reed under 288
83. 1. 1662 t
2902
2900
2901
2903
Tappert
767
2904
2905
2906
2904
Posinski im Sessel, 1917
(Posinski in an armchair)
Lithograph on wove paper
4]/2x 45/ie in. (11.4 x 11.0 cm)
From deluxe edition of Marsyas, no. 2
(1917): 137; total edition of 235
inscription: numbered (xxvn/xxxv) on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
reference: Karsch 34
exhibition: Reed under 288
83.1.1662 a
2905
Posinski unit Pistole, 1917
(Posinski with pistol)
Lithograph with watercolor on japan
paper
5 x 7I/4 in. (12.7 x 18.5 cm)
From deluxe edition of Marsyas, no. 2
(1917); the issue also contains an
uncolored impression (p. 161); total
edition of 235 in the published state
inscription: signed and dated, l.r.j
numbered (xxvn/xxxv) on justification
page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
REFERENCE: Karsch 35
EXHIBITION: Reed under 288
83.1.1662 v
1917
2907
2906
Selbstbildnis, 1
(Self-portrait)
Woodcut on purple wove paper
415/ie x 3% in. (12.6 x 9.2 cm)
From Menschen 1, no. 8 (1918): 4
provenance: Galerie Gerda Bassenge,
Berlin, 25 May 1975, part of lot 4883
REFERENCE: Karsch 38
EXHIBITION: Reed under 289
83.1.13721
2907
Untitled (nude on couch), 1917
Lithograph with watercolor on japan
paper
gVie x 7 in. (23.0 x 17.8 cm)
From deluxe edition of Marsyas, no. 2
(1917); the issue also contains a signed
and dated uncolored impression
(p. 151); total edition of 235 in the
published state
INSCRIPTION: signed and dated, l.r.;
numbered (xxvn/xxxv) on justification
page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
REFERENCE: Karsch 36
exhibition: Reed under 288
83.1.1662 r
768
Tappert
2908
Alte Chansonette, 1918
(Old chanteuse)
Linoleum cut on wove paper
6V4 x 4% in. (15.9 x 12.0 cm)
From Der schwarze Turm, no. 3 (1919):
pi. 2
inscription: numbered (192/200) on
justification page
PROVENANCE: Ex Libris, New York;
purchased in 1978
REFERENCE: Karsch 41
83.1.1317 c
2909
Im Cafe, 1918
(In the cafe)
Linoleum cut on wove paper
513/i6 x 3I5/ie in. (14.7 x 10.0 cm)
From Der schwarze Turm, no. 3 (1919):
pi. 8
INSCRIPTION: numbered (192/200) on
justification page
provenance: Ex Libris, New York;
purchased in 1978
REFERENCE: Karsch 42
83.1. 1317 i
2910
Improvisation, 1918
Linoleum cut on wove paper
65/s x 4u/i6 in. (16.8 x 11.9 cm)
From Der schwarze Turm, no. 3 (1919):
pi. 7
INSCRIPTION: numbered (192/200) on
justification page
provenance: Ex Libris, New York;
purchased in 1978
83- 1-1317"
2911
Kleinigkeiten, 1918
(Trifles)
Linoleum cut on wove paper
65/s x 4% in. (16.9 x 11.8 cm)
From Der schwarze Turm, no. 3 (1919):
pl- 3
inscription: numbered (192/200) on
justification page
PROVENANCE: Ex Libris, New York;
purchased in 1978
83.1. 1317 d
2912
Kopf, 1918
(Head)
Linoleum cut on wove paper
513/i6 x 37/s in. (14.8 x 9.9 cm)
From Der schwarze Turm, no. 3 (1919):
pl. 6
inscription: numbered (192/200) on
justification page
provenance: Ex Libris, New York;
purchased in 1978
83.1. 1317 g
2909
2908
|
3^5S3P\I? |
^t |
|
vfS^P |
|
|
till |
fj Vm |
|
r 11 tV7w ^^^f -^v-y^V ^ |
2910
2911
Tappert
769
2913
2915
\ **)>^s
2916-2
2913
Landschaft l, 1918
(Landscape 1)
Linoleum cut on wove paper
73/i6 x 53/i6 in. (18.3 x 13. 1 cm)
From Der schwarze Turin, no. 3 (1919):
pi. 1
inscription: numbered (192/200) on
justification page
provenance: Ex Libris, New York;
purchased in 1978
83.1.1317 b
2914
Landschaft 2, 1918
(Landscape 2)
Linoleum cut on wove paper
53/i6 x 65/i6 in. (13. 1 x 16.0 cm)
From Der schwarze Turin, no. 3 (1919):
pl 5
INSCRIPTION: numbered (192/200) on
justification page
PROVENANCE: Ex Libris, New York;
purchased in 1978
83- 1- 1317 f
2915
Maria, c. 1918
(Mary)
Woodcut on wove paper
5'/j x 35/8 in. (13.3 x 9.2 cm)
From Die schone Raritat 2, no. 9
(1918): 129
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
EXHIRITION: Reed under 301
83.1.1653 a
2916
Der Nachtwandler
(The sleepwalker)
Portfolio of 8 woodcuts on copperplate
paper
Illustrations to poem by Theodor
Daubler (Diisseldorf: Galerie
Flechtheim, 1920); total edition of 136
INSCRIPTION: signed and numbered
(53/130) on justification page; each
sheet signed, l.r. , and numbered, 1.1.
provenance: Galerie Wolfgang
Ketterer, Munich, 29 May 1973, lot
1900
REFERENCE: Karsch 47-54
EXHIRITION: Reed 220
83.1.17 a-h
1. Untitled (title page), 1918 8'/4 x 8% in. (21.0 x 22.0 cm) REFERENCE: Karsch 47 83.1.17 a
2. Betende vor der Stadt, 1918 (Worshipers before the city) ii7/e x 8'/s in. (30.2 x 20.6 cm) reference: Karsch 48 EXHIRITION: Rigby 94 83.1.17 b
3. Akt zwischen Masken, 1918 (Nude among masks)
8% x 75/i6 in. (21.8 x 18.6 cm) REFERENCE: Karsch 49 83.1.17 c
2916-3
770
Tappert
2916 (continued)
4. Tanz im Cabarett, 1918 (Dance in the cabaret)
11% x 8!/s in. (30.2 x 20.6 cm) REFERENCE: Karsch 50 83.1.17 c!
5. Paar und Traumt iere, 1918 (Couple and dream animals) 7% x 83/i6 in. (19.3 x 20.8 cm) REFERENCE: Karsch 51 83.1.17 e
6. Schlafende mit Mashen, 1918 (Sleeping woman with masks) 77/i6 x 8 in. (18.8 x 20.4 cm) REFERENCE: Karsch 52
83.1.17 f
7. Die Reiterin, 1918 (The rider)
8 x 8 in. (20.4 x 20.4 cm) REFERENCE: Karsch 53 EXHIBITION: Guenther 310; Rigby 93
83117s
8. FurLilith, 1918 (For Lilith)
11Y2 x 8'/i6 in. (29.2 x 20.5 cm) REFERENCE: Karsch 54 EXHIBITION: Guenther 311 83.1.17 b
2917
Schlafendes Madchen, 1918
(Sleeping girl)
Linoleum cut on wove paper
4% x 6V2 in. (12.0 x 16.5 cm)
From Derschwarze Turm, no. 3 (1919):
pi. 4
INSCRIPTION: numbered (192/200) on
justification page
PROVENANCE: Ex Libris, New York;
purchased in 1978
REFERENCE: Karsch 87
83.1.1317 c
2918
Untitled (cover), 1918
Linoleum cut on cover stock
5% x 215/i6 in. (13.7 x 7.5 cm)
From Der schwarze Turm, no. 3 (1919)
INSCRIPTION: numbered (192/200) on
justification page
PROVENANCE: Ex Libris, New York;
purchased in 1978
REFERENCE: Karsch 83
83.1.1317 a
2919
Untitled (head), c. 1918
Woodcut on wove paper
85/i6 x 7'/i6 in. (21. 1x18.0 cm)
From Die Aktion 8, no. 41/42 (1918):
back cover
provenance: gift of Titus Felixmuller,
1984
L.84.5.81 c; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
2916-4
|
lu^v |
|
|
183 |
|
2916-8
2916-7
2917
^TAPPER?
2919
2920
2921
2923-2
2923-3
Tegtmeier
2920
Untitled (head), c. 1918 Woodcut on green wove paper 6% x 0//2 in. (16.9 x 24.2 cm) From Menschen 1, no. 5 (1918): 4 provenance: Galerie Gerda Bassenge, Berlin, 25 May 1975, part of lot 4883 exhibition: Reed under 289 83.1.1366 d
771
2923-4
2921
Befreiung, c. 1919
(Liberation)
Woodcut on wove paper
69/i6 x 3'/s in. (16.6 x 7.9 cm)
From Die Aktion 9, no. 30/31 (1919):
519; not identified as an original
woodcut
provenance: gift of Titus Felixmiiller,
1984
L. 84. 5. 86 b; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
2922
Portrat des Kommunisten Dr. Laufenberg—Hamljurg, c. 1919 (Portrait of the Communist Dr. Laufenberg— Hamburg) Woodcut on wove paper 5I3/i6X4'/2 in. (14.8 x 11.5 cm) From Die Aktion 9, no. 29 (1919): cover; not identified as an original woodcut provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 83-1-1555 a
2923
Gesang von der offenen Landstrasse
(Song of the Open Road)
Book with 6 woodcuts on wove paper
Illustrations to poem by Walt Whitman,
translated by Hans Reisiger (Lauenburg
an der Elbe: Adolf Saal Verlag, 1921);
edition of 1,000
provenance: Ars Libri, Boston;
purchased in 1979
83-1-795 a~f
1. Untitled (kneeling nude man), 1920 5"/i6 x 5V16 in. (14.4 x 12.8 cm) Page 7
83-1-795 a
2. Untitled (two nudes, one crippled),
1920
5n/i6 x 53/i6in. (145 x 13.1 cm)
Page 11
83- 1-795 b
3. Untitled (nudes walking), 1920 59/i6 x 5'/i6 in. (14.2 x 12.8 cm) Page 15
83- 1-795C
4. Untitled (country road at night),
1920
5% x 5V16 in. (14.3 x 12.9 cm)
Page 19
83- 1-795 d
5. Untitled (man with upraised arms), 1920
5u/i6 x 5'/8 in. (14.5 x 13.0 cm) Page 23 83-1-795 e
Wilhelm Tegtmeier
born 1895 Nethen- Schafermoorhaus uber Oldenburg
died 1968
2923-5
772
Tegtmeier
2923 (continued)
6. Untitled (couple in landscape), 1920 59/ie x 5M6 in. (14. 1 x 13. 1 cm) Page 27 83- 1-795 f
2924
Berghauser im Allgau, c. 1921 (Hillside houses in Allgau) Woodcut on wove paper io3/i6 x 8% in. (25.8 x 22.3 cm) From Kundung 1, no. 9/10 (1921) provenance: Galerie Wolfgang Ketterer, Munich, 26 November 1974, part of lot 1154 EXHIBITION: Reed under 282 83. 1. 1060 q
2925
Dorfim Allgau, c. 1921 (Village in Allgau) Woodcut on wove paper 9V4 x yVi in. (23.5 x 18.5 cm) From Kundung 1, no. 9/10 (1921) provenance: Galerie Wolfgang Ketterer, Munich, 26 November 1974, part of lot 1154 EXHIBITION: Reed under 282 83.1.1060 r
2926
Untitled (church), c. 1921
Woodcut on wove paper
93/i6 x 57/s in. (23.3 x 14.9 cm)
From Karl Lorenz, ed., Die rote Erde,
2d ser., no. 1 (Hamburg: Adolf Harms
Verlag, 1922), p. 7
inscription: numbered (383/450) on
justification page
provenance: Hartung & Karl, Munich,
13-16 November 1979, part of lot 5024
83.1.973 b
2927
Untitled (village), c. 1921
Woodcut on wove paper
87/i6 x 6'/j in. (21.5 x 15.8 cm)
From Karl Lorenz, ed., Die rote Erde,
2d ser., no. 1 (Hamburg: Adolf Harms
Verlag, 1922), p. 9
INSCRIPTION: numbered (383/450) on
justification page
provenance: Hartung & Karl, Munich,
13-16 November 1979, part of lot 5024
83.1.973 c
2928
Untitled (village with trees), c. 1921
Woodcut on wove paper
8V2 x 6V4 in. (21.6 x 15.9 cm)
From Karl Lorenz, ed., Die rote Erde,
2d ser., no. 1 (Hamburg: Adolf Harms
Verlag, 1922), p. 11
INSCRIPTION: numbered (383/450) on
justification page
provenance: Hartung & Karl, Munich,
13-16 November 1979, part of lot 5024
83.1.973 d
2923-6
2924
2926
2927
2928
2929
2930
2931
J 'V-v i-i«<M^>i — ' |\ f.
2933
2932
Teutsch
2929
Untitled (two men at table), c. 1921
Woodcut on wove paper
97/i6 x 7[/i6 in. (23.9 x 18.0 cm)
From Karl Lorenz, ed., Die rote Erde,
2d ser. , no. 1 (Hamburg: Adolf Harms
Verlag, 1922), p. 13
INSCRIPTION: numbered (383/450) on
justification page
PROVENANCE: Hartung & Karl, Munich,
13—16 November 1979, part of lot 5024
83- 1-973 e
2930
Untitled (landscape), c. 1921
Woodcut on wove paper
g3/i6 x 7 in. (23.3 x 17.8 cm)
From Karl Lorenz, ed., Die rote Erde,
2d ser., no. 1 (Hamburg: Adolf Harms
Verlag, 1922), p. 15
inscription: numbered (383/450) on
justification page
provenance: Hartung & Karl, Munich,
13-16 November 1979, part of lot 5024
83-1-973 f
2931
Untitled (landscape), c. 1921
Woodcut on wove paper
97/i6 x 7'/ie in. (23.9 x 18.0 cm)
From Karl Lorenz, ed., Die rote Erde,
2d ser., no. 1 (Hamburg: Adolf Harms
Verlag, 1922), p. 17
inscription: numbered (383/450) on
justification page
provenance: Hartung & Karl, Munich,
13- 16 November 1979, part of lot 5024
83- 1-973 g
773
See cat. nos. 1875-90
2932
Stiirmende Bayern, 1914
(Bavarians attacking)
Lithograph with orange and green
watercolor on wove paper
13 x 11% in. (33.0 x 29.9 cm)
From portfolio Kriegsbilderbogen
Miinchner Kiinstler (Munich:
Goltzverlag, [c. 1914]), pi. 5
INSCRIPTION: signed, l.r.; publisher's
stamp, l.r.
provenance: Christie's, London, 5 July
1979, part of lot 178
M. 82. 288. 381 d
2933
Untitled (soldiers in forest), 1914
Lithograph on wove paper
4n/i6 x 45/i6 in. (11.9 x 11.0 cm)
From Zeit-Echo 1, no. 3 (1914): 31; the
center also has an impression from the
special edition of Zeit-Echo 1, no. 5
(1914): 69
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
exhibition: Reed under 308
83.1. 1187 d
lanos (Hans) Mattis- Teutsch
Walther Teutsch
born 1883 Brasov, Romania
died 1964 Munich
774
Teutsch
2934
Untitled (seated man), c. 1915 Lithograph on wove paper 6V]6 x 45/8 in. (15.4 x 11.8 cm) From Zeit-Echo 1, no. ig (1915): 289 PROVENANCE: Kunstgalerie Esslingen, Esslingen; purchased in 1975 exhibition: Reed under 308 83.1.1204 b
2935
Untitled (line of wagons), c. 1915 Lithograph on wove paper 5V2 x 47/i6 in. (14.0 x 11.2 cm) From Zeit-Echo 1, no. 23/24 (1915): 345 provenance: gift of Elmar Seibel, 1983 L. 86. 1.70 a; lent by the Robert Gore Rifkind Foundation, Beverly Hills, California
2936
Untitled (man carrying soldier), c. 1915 Lithograph on wove paper 59/i6 x 413/i6 in. (14. 1 x 12.3 cm) From Zeit-Echo 1, no. 23/24 (1915): 350 provenance: gift of Elmar Seibel, 1983 L. 86. 1.70 b; lent by the Robert Gore Rifkind Foundation, Beverly Hills, California
2937
Untitled (cavalry charge), c. 1915 Lithograph on laid paper 5'A x 4V2 in. (13.3 x 11.5 cm) From Zeit-Echo 2, no. 8 (1915-16): 118 provenance: gift of Elmar Seibel, 1983 L. 86. 1.73 b; lent by the Robert Gore Rifkind Foundation, Beverly Hills, California
2938
Imogen, c. 1917
Woodcut on japan paper
5V2 x 65/s in. (14.0 x 16.8 cm)
From portfolio Shakespeare Visionen
(Munich: Marees-Gesellschaft, 1918):
from edition A (total edition of 200)
INSCRIPTION: signed, l.r.; inscribed
"Handdruck No. 32," 1.1.; numbered
(xiv/l) on justification page; publisher's
blind stamp, l.r.
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1972
EXHIBITION: Reed 336/14
M. 82.288.384. 14
2939
Othello, c. 1917
Woodcut on japan paper
6% x 4^16 in. (17.2 x 12.5 cm)
From portfolio Shakespeare Visionen
(Munich: Marees-Gesellschaft, 1918);
from edition A
INSCRIPTION: signed, l.r.; inscribed
"Handdruck No. 52," 1.1.; numbered
(xiv/l) on justification page; publisher's
blind stamp, l.r.
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1972
EXHIBITION: Reed 336/33
M. 82. 288. 384. 33
:U',X ""f 2934
2935
r*M.
2937
2938
Teutsch
775
I .,.:.: , f
2939
2941
l km*-
m I
v« ^
2940
2942
2943
2940
Faun und Nymphe, c. 1919
(Faun and nymph)
Lithograph on laid paper
g'/s x 77/i6 in. (23.2 x 18.9 cm)
From deluxe edition of Miinchner
Blatter fur Dichtung und Graphik 1,
no. 6 (1919): 95
inscription: numbered (xix/c) on table
of contents
provenance: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
exhirition: Reed under 290
83.1.1328 e
2941
Zu einem Sonett von William
Shakespeare, c. 1919
(To a sonnet by William Shakespeare)
Woodcut on laid paper
5% x 5 in. (13.7 x 12.7 cm)
From deluxe edition of Miinchner
Blatter fur Dichtung und Graphik 1,
no. 3 (1919)
inscription: numbered (xix/c) on table
of contents
PROVENANCE: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
exhibition: Reed under 290
83.1.1325 a
2942
Untitled (man with pick), 1919
Lithograph on laid paper
yYi x 6n/i6 in. (18.4 x 17.0 cm)
From deluxe edition of Miinchner
Blatter fur Dichtung und Graphik 1,
no. 1 (1919): 15
INSCRIPTION: numbered (xix/c) on table
of contents
PROVENANCE: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
exhibition: Reed under 290
83 -i- 1323 g
2943
Untitled (nude woman by the sea),
c 1919
Lithograph on laid paper
715/i6 x 613/i6 in. (20.2 x 17.3 cm)
From deluxe edition of Miinchner
Blatter fur Dichtung und Graphik 1,
no. 11/12(1919): 177
INSCRIPTION: numbered (xix/c) on table
of contents
provenance: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
EXHIBITION: Reed under 290
83- 1- 1333 f
776
Teutsch
Andreas Thorn
born 1884 died 1943
Hans Thoma
born 1839 Bernau
died 1924 Karlsruhe
2944
Schaferszene, 1922
(Pastoral scene)
Woodcut on wove paper
77/s x 6 in. (20.0 x 15.2 cm)
From Georg Biermann, ed., Jahrbuch
derjungen Kunst (Leipzig: Klinkhardt
& Biermann, 1922), before p. 265
provenance: Hans Bolliger, Zurich;
purchased in 1975
exhibition: Reed 320/1922.5
83.1.800 e
2945
Eros Urania, 1918
Lithograph on J. W. Zanders 1916 paper
9% x 6'/j in. (24.8 x 15.9 cm)
From Eos 1, no. 1 (1918): 51; from
edition A (total edition of 250)
inscription: numbered (xvii/xl) and
signed by editor Emil Pirchan on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
exhibition: Reed under 270
83.1. 1605 e
2946
Pliantasina, 1918
Lithograph on J. W. Zanders 1916 paper 9% x 6'/i in. (24.8 x 15.9 cm) From Eos 1, no. 1 (1918): 57; from edition A (total edition of 250) inscription: numbered (xvii/xl) and signed by editor Emil Pirchan on justification page
provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 EXHIBITION: Reed under 270 83.1.1605 f
2947
Der Geiger, c. 1895
(The fiddler)
Chiaroscuro woodcut printed in black
and blue on wove paper
10n/i6 x 83/4 in. (27.2 x 22.2 cm)
From Pan 1, no. 2 (1895-96): following
100
PROVENANCE: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
REFERENCE: Dennerlein 276
83- 1- 1350 k
2948
Landschaft, c. 1896
(Landscape)
Lithograph printed in black, olive
green, blue, and red on wove paper
615/i6 x io'/i6 in. (17.6 x 25.6 cm)
From Pan 2, no. 3 (1896): following 232
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
reference: Dennerlein 1132
83- 1- 1353"
■
"'"Vi-V? ■*
'■. '"'"5,^
&• ^^
- <v>.
, „ ft' '5' KrV^II'tfl" ;» P ' ■ " '■ i ', V; A?
2945
2946
2948
2947
2949
|
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|
|
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|
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|
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2953
2954
2951
Thum
2949
Wundervogel, 191 1
(Fantastic birds)
Etching on heavy wove paper
715/i6 x 9% in. (20. 1 x 24.5 cm)
From Zeitschrift fur bildende Kunst,
n.s., 22, no. 12 (1911): before 273
provenance: Galerie Gerda Bassenge,
Berlin, 15 May 1976, part of lot 4364
83.1.965 k
777
2950
Untitled (group of women), c. 1915 Lithograph on wove paper 5V2 x 4% in. (14.0 x 10.8 cm) From Zeit-Echo 1, no. 18 (1915): 279 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 exhibition: Reed under 308 83. 1. 1203 d
2951
TrauerndeFrau, c. 1916
(Mourning woman)
Lithograph on wove paper
14% x 4'/2 in. (36.5 x 11.5 cm)
From Kriegszeit, no. 64/65 (1916): 6
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/216
83.1.1461 f
2952
Untitled (frieze of figures), c. 1917 Drypoint on japan paper 27/i6 x 6Vi in. (6.2 x 15.8 cm) From prospectus for Marsyas (May 1917), p. 3; total edition of 235 INSCRIPTION: signed, 1. r. ; numbered (xxvii/xxxv) on justification page provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 EXHIBITION: Reed under 288 83.1.1660 a
2953
Untitled (seated nude woman), c. 1917 Drypoint on japan paper 37/ie x 2n/i6 in. (8.8 x 6.8 cm) From prospectus for Marsyas (May 1917), p. 9; total edition of 235 INSCRIPTION: signed, l.r.; numbered (xxvii/xxxv) on justification page provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 exhibition: Reed under 288 83.1.1660 d
2954
Die Erste, 1919
(The first woman)
Lithograph on laid paper
8 x 5% in. (20.3 x 14.6 cm)
From Dasjunge Deutschland 2, no. 9
(1919): facing 235
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
83.1.1628 a
Erich Thum
born 1886 Berlin
778
Thylmann
|
Karl Thylmann |
2955 |
|
Liebende, 1916 |
|
|
born 1888 |
(Lovers) |
|
Darmstadt |
Woodcut on japan paper |
|
ioYs x 415/i6 in. (27.0 x 12.5 cm) |
|
|
died 1916 |
INSCRIPTION: signed (by J. Thylmann), |
|
Grossauheim |
1.1. j inscribed "J. Th.," l.r. |
|
provenance: Saalbau-Galerie, |
|
|
Darmstadt; purchased in 1980 |
|
|
M. 82.287.69 |
Leo Tilgner 2956
Kampfmit den Dingen, c. 1924 born 1892 (Battle with the objects)
Gelsenkirchen Woodcut on wove paper
7 x 53/i6 in. (17.8 x 13. 1 cm)
From Karl Dietz, ed., Schwarzer Greif:
Ein Almanach auf das Jahr 1925
(Rudolfstadt: Greifenverlag, 1925), p. 93
PROVENANCE: unknown
83.1.549 m
Rolf Tillmann
F. Tischler
2957
Demonstration, c. 1920
Woodcut on wove paper
5>/-i x 3% in. (13.4x9.5 cm)
From Die Aktion 10, no. 27/28 (1920):
cover; not identified as an original
woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83. 1. 1570 a
2958
In Flandern, c. 1915
(In Flanders)
Lithograph on wove paper
12 x 815/i6 in. (30.5 x 22.7 cm)
From Kriegszeit, no. 57 (1915): 2
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: not listed in Reed
under 281
83.1.1454 b
2959
Skizzenblati aus Menin, 1915
(Sheet of sketches from Menin)
Lithograph on wove paper
16V16 x n3/i6 in. (40.8 x 38.4 cm)
From Kriegszeit, no. 44 (1915): 2
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: not listed in Reed
under 281
83. 1 . 1442 b
2960
Kraljevo, c. 1916
Lithograph on wove paper
7% x n'/s in. (19.4 x 28.2 cm)
From Kriegszeit, no. 64/65 (1916): 3
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: not listed in Reed
under 281
83.1.1461 c
2956
2960
2957
2959
Titze
779
W, Tine: Bidenug
2962
2964
2963
rfc^wt^/^iL
JDlnDlGUNG
D«"i L,eib srlofih, W»J ReineVec|chj6flRBUJ
i ji?ref l-eibeKohh.. '
Dein^siWrloM-..'
"a Meere maimer, [^D.j. ,
i DeinLeib enlohh . '4M Sterne srurzetiShindl
2965
2961
Schlesisches Dorf, 1921
(Silesian village)
Linoleum cut on japan paper
i6'/i6 x i6"/i6 in. (40.8 x 42.4 cm)
Trial proof
INSCRIPTION: signed, l.r.; inscribed
"Prob. Handr.,'1.1.
provenance: Galleria Henze,
Campione d'ltalia, Switzerland;
purchased in 1981
M. 82. 287. 70
Heinrich Tischler
born 1892 Kozle
2962
Badende, c. 1919
(Bathers)
Woodcut on wove paper
8% x 67/i6 in. (22.3 x 16.4 cm)
From Die rote Erde 1, no. 6 (1919): 181
provenance: Hans Bolliger, Zurich;
purchased in 1975
EXHIBITION: Reed under 298
83. 1.970 f
2963
Traum, c. 1919
(Dream)
Woodcut on wove paper
8% x 67/i6 in. (22.3 x 16.3 cm)
From Die rote Erde 1, no. 6 (1919): 175
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1975
exhibition: Reed under 298
83.1.970 e
2964
Der Bauer, c. 1920 (The farmer) Woodcut on wove paper i2'/i6 x 9% in. (30.6 x 24.8 cm) From Kiindung 1, no. 1 (1921) provenance: Galerie Wolfgang Ketterer, Munich, 26 November 1974, part of lot 1154 exhibition: Reed under 282 83.1. 1055 f
2965
Huldigung, c. 1921
(Homage)
Woodcut on wove paper
11% x 813/i6 in. (29.5 x 22.4 cm)
Poem by Wilhelm Niemeyer from
Kiindung 1, no. 11/12 (1921)
provenance: Galerie Wolfgang
Ketterer, Munich, 26 November
1974, part of lot 1154
exhibition: Reed under 282
83.1.1061 b
2966
Madchen mit Katze, c. 1921 (Girl with cat) Woodcut on wove paper 12 x lo'/ie in. (30.5 x 25.5 cm) From Kiindung 1, no. 9/10 (1921) provenance: Galerie Wolfgang Ketterer, Munich, 26 November 1974, part of lot 1154 exhibition: Reed under 282 83.1.1060 t
Willi Titze
born 1890 Hamburg
780
Titze
2967
Mann am Tisch, c. 1921 (Man at the table) Woodcut on wove paper n15/i6 x g13/i6 in. (30.3 x 24.9 cm) From Kiindung 1, no. 9/10 (1921) PROVENANCE: Galerie Wolfgang Ketterer, Munich, 26 November ig74, part of lot 1154 EXHIBITION: Reed under 282 83.1.1060 s
Arnold Topp 2968
Untitled (abstract composition), c. 1918 born 1887 Soest Woodcut printed in black, red, green,
and gold on slick wove paper died Brandenburg 65/ie x 3n/i6 in. (16.1 x 9.3 cm)
From Herwarth Walden, ed. , Expressionismus: Die Kunstwende (Berlin: Verlag der Sturm, 1918), following p. 112
PROVENANCE: Kornfeld & Klipstein, Bern, 14 June 1972, part of lot 37 EXHIBITION: Guenther under 340 83.1.600 h
2969
Untitled (abstract composition), c. 1918 Linoleum cut on wove paper 97/8 x 7% in. (25. 1x19.6 cm) From Der Sturm 9, no. 1 (1918): 5 PROVENANCE: Ex Libris, New York; purchased in 1982 83- 1- 1393-39
2970
Untitled (abstract composition), c. 1918
Linoleum cut on wove paper
63/i6 x 85/8 in. (15.7 x 21.9 cm)
From Der Sturm 9, no. 2 (1918): 23
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1393.42
2971
Untitled (sky), c. 1918 Linoleum cut on wove paper 6'/i6 x 65/s in. (15.4 x 16.9 cm) From Der Sturm 9, no. 2 (1918): 28 PROVENANCE: Ex Libris, New York; purchased in 1982 83- 1- 1393-43
2972
Untitled (landscape), c. 1918 Woodcut on wove paper 615/i6 x 5% in. (17.6 x 13.6 cm) From Der Sturm 9, no. 8 (1918): 101 provenance: Ex Libris, New York; purchased in 1982 8311393-51
2973
Untitled (landscape with house),
c. 1918
Woodcut on wove paper
67/s x 53/8 in. (17.5 x 13.6 cm)
From Der Sturm 9, no. 9 (1918): 1 13
provenance: Ex Libris, New York;
purchased in 1982
831- 1393-54
2968
2969
2970
2971
2972
2973
Toulouse-Lautrec
781
sag
2974
2975
2977
2976
2978
2979
2974
Untitled (house), c. 1918 Woodcut on wove paper 53/i6 x 3n/i6 in. (13. 1x9.3 cm) From Der Sturm 9, no. 9 (1918): 117 provenance: Ex Libris, New York; purchased in 1982 §3- 1- 1393-55
2975
Untitled (cat), c. 1918
Woodcut on wove paper
515/i6 x 37/8 in. (15.0 x 9.9 cm)
From Der Sturm 9, no. 9 (1918): 117
provenance: Ex Libris, New York;
purchased in 1982
83.1.1393.56
2976
Untitled (fantasy house), c. 1919 Woodcut on wove paper 5% x 3u/i6 in. (13.7 x 9.3 cm) From Der Sturm 9, no. 12 (1919): 153 provenance: Ex Libris, New York; purchased in 1982
83.1.1393.60
2977
Untitled (spectral figure), c. 1919
Woodcut on wove paper
515/i6 x 4n/i6 in. (15.0 x 11.9 cm)
From Der Sturm 9, no. 12 (1919): 153
provenance: Ex Libris, New York;
purchased in 1982
83.1.1393.61
2978
Untitled (house), c. 1919
Woodcut on wove paper
6'/4 x 45/8 in. (15.8 x 11.7 cm)
From Der Sturm 9, no. 12 (1919): 155
provenance: Ex Libris, New York;
purchased in 1982
83.1.1393.62
2979
Untitled (sun), c. 1919
Woodcut on wove paper
3% x gVfc in. (9.9 x 13.0 cm)
From Der Sturm 9, no. 12 (1919): 155
provenance: Ex Libris, New York;
purchased in 1982
83.1.1393.63
2980
MUe Marcelle Lender, en buste, 1895 (Mile Marcelle Lender, bust length) Lithograph printed in gray, light green, dark olive green, light olive green, blue, red, rose, and yellow on wove paper 12% x 9V2 in. (32.4 x 24.2 cm) From Pan 1, no. 3 (1896): following 196; from edition of 1, 100 (total edition of 1,211)
PROVENANCE: Kornfeld & Klipstein, Bern, 7-8 June 1978, part of lot 775 REFERENCE: Wittrock 99 IV; Dennerlein
577 83.1.1351 e
Henri de Toulouse- Lautrec
born 1864 Albi, France
died 1901 Malrome, France
2980
782
Trondle
Hugo Trondle
born 1882 Bruchsal died 1955 Munich
Wilhelm Triibner
born 1851 Heidelberg
died 1917 Karlsruhe
2981
Briicke, c. 1924
(Bridge)
Lithograph on laid paper
5"/i6 x 75/s in. (14.5 x 19.3 cm)
From portfolio Ganymed-Mappe ill
(Munich: Marees-Gesellschaft, 1924);
the center also has an impression from
Julius Meier-Graefe, ed., Gamjmed,
vol. 5 (Munich: R. Piper & Co., 1925),
following p. 120
inscription: signed, l.r.; numbered
(66/100) on cover
PROVENANCE: Hartung & Karl, Munich,
13-15 November 1979, part of lot 2779
EXHIHITION: Reed 317/35
M. 82.288.379 c
Alice Triibner 2982
Der Hohfaller Ferdinand Hodler, 1914 born 1875 (Ferdinand Hodler, the woodcutter)
Bradford, England Lithograph on wove paper
i33/s x 10% in. (34.0 x 26.3 cm) died 1916 Berlin From Kriegszeit, no. 9 (1914): 4
PROVENANCE: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/219 (as W.
Triibner)
83.1.1408 d
2983
Isadoras Aufforderung zum Tanze,
c 1915
(Isadora's invitation to the dance)
Lithograph on wove paper
11% x 10V16 in. (30.2 x 25.5 cm)
From Kriegszeit, no. 57 (1915): 4
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/223
83- 1- 1454 d
2984
Nehmt, Helden, hin den Kranz! 1914 (Heroes, accept the wreath!) Lithograph on wove paper 13 x 10V16 in. (330 x 25.5 cm) From Kriegszeit, no. 5 (1914): 4 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
EXHIBITION: Reed 281/217 83.1.1404 d
2985
Walkiirengruss, 1914
(Greeting of the Valkyries) Lithograph on wove paper 12% x io5/i6 in. (32.3 x 26.2 cm) From Kriegszeit, no. 7 (1914): 3 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
EXHIBITION: Reed 281/218 83.1.1406 c
VMtaA«|U I 'tla l^tl^itu, (wl^^id HeiUi^. I
2984
2983
Tschinkel
783
2986
2987
2989
2990
2986
Der bayerische Kronprinz, c. 1915 (The Bavarian crown prince) Lithograph on wove paper i23/i6 x g13/i6 in. (31.0 x 25.0 cm) From Kriegszeit, no. 25 (1915): 1 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
EXHIBITION: Reed 281/220 83.1.1423 a
2987
Bismarck, c. 1915
Lithograph on wove paper
iiu/i6 x io7/i6 in. (29.7 x 26.5 cm)
From Kriegszeit, no. 33 (1915): 1
PROVENANCE: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/222
83.1.1431 a
2988
General von Falkenhayn, c. 1915 Lithograph on wove paper i2'/i6 x 913/i6 in. (30.6 x 25.0 em) From Kriegszeit, no. 30 (1915): 1 provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, part of lot 1072
exhibition: Reed 281/221 83.1.1428 a
2989
Coriolan und seine Mutter, c. 1922 (Coriolanus and his mother) Woodcut on thin japan paper 95/8 x 12V4 in. (24.5 x 31.7 cm) From Ganymed-Mappe 11 (Munich: Marees-Gesellschaft, 1922) inscription: signed, l.r. ; numbered (cxl/ccc) on cover provenance: Hans Bolliger, Zurich; purchased in 1972 exhibition: Reed 317/33 M. 82.288.378 k
2990
Der biirgerliche Friedensengel, c. 1924
(The bourgeois angel of peace)
Woodcut on wove paper
4 x 25/s in. (10.2 x 6.6 cm)
From Die Aktion 14, no. 15 (1924): 699;
not identified as an original woodcut
provenance: gift of Titus Felixmiiller,
1984
L.84. 5. 144 c; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
Peter Trumm
born 1888
Strassburg
died 1966
Franz Tschinkel
born 1876 Sudetenland
died 1929 Decin. Czechoslovakia
784
Ubbelohde
Otto Ubbelohde
born 1867 Marburg
died 1922 Grossfelden
2991
Motiv von der oberen Lahn, c. 1896
(Motif from the upper Lahn)
Etching on wove paper
89/i6 x 6n/i6 in. (21.8 x 17.0 cm)
From Pan 1, no. 5 (1896): following 278
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
reference: Dennerlein 736
83- 1- 1341 J
2992
Motiv aus Hessen, c. 1897
(Motif from Hesse)
Etching and aquatint printed in green
on wove paper
8% x 7V4 in. (21.2 x 18.5 cm)
From Pan 3, no. 3 (1897): before 141
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
REFERENCE: Dennerlein 1670
83-1- 1355 a
2993
Landschaft, c. 1898
(Landscape)
Etching and aquatint on laid paper
6 x 4'/s in. (15.3 x 10.5 cm)
From seventh portfolio of Verein fur
Original-Radierung (Munich: Verein fur
Original-Radierung, 1898)
PROVENANCE: L'Art Ancien, Zurich;
purchased in 1974
83.1.159 c
Maria Uhden 2994
Untitled (four nudes), c. 1915 born 1892 Coburg Woodcut on wove paper
8"/i6 x g5/i6 in. (22.0 x 23.6 cm) died 1918 Munich From Der Sturm 6, no. 15/16(1915): 91
provenance: Ex Libris, New York;
purchased in 1982
83.1.1392.28
2995
Untitled (seven nudes), c. 1916
Woodcut on wove paper
87/i6 x io5/i6 in. (21.5 x 26.2 cm)
From Der Sturm 7, no. 2 (1916): 17
PROVENANCE: Ex Libris, New York;
purchased in 1982
83-1- 1393-4
2996
Untitled (figures with animal), c. 1916
Woodcut on wove paper
8n/i6 x io9/i6 in. (22.1 x 26.8 cm)
From Der Sturm 7, no. 2 (1916): 19
provenance: Ex Libris, New York;
purchased in 1982
83-1- 1393-5
2992
2995
Uhden
785
2999
3000
2997
3002
2997
Barenfiihrer, c. 1917
(Bear trainer)
Woodcut on wove paper
713/i6 x io5/i6 in. (19.8 x 26.2 cm)
From Der Sturm 9, no. 1 (1918): 11
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1393.40
2998
Frau am Wasser, c. 1917 (Woman by the water) Woodcut on wove paper 4%6 x 47/i6 in. (10.7 x 11.3 cm) From Der Sturm 9, no. 3 (1918): 43 provenance: Ex Libris, New York; purchased in 1982 8.3- 1- 1393-49
2999
Reiter, c. 1917
(Riders)
Woodcut on wove paper
73/i6 x 5V2 in. (18.2 x 14.0 cm)
From Der Sturm 8, no. 9 (1917): 139
provenance: Ex Libris, New York;
purchased in 1982
83.1.1393.32
3000
Der Schueinhirt, c. 1917
(The swineherd)
Woodcut on wove paper
9 x 75/8 in. (22.8 x 19.3 cm)
From Der Sturm 8, no. 10 (1918): 153
PROVENANCE: Ex Libris, New York;
purchased in 1982
83-1- 1393-34
3001
Tanz, c. 1917
(Dance)
Woodcut on wove paper
8% x 7V& in. (21.2 x 18. 1 cm)
From Der Sturm 8, no. 3 (1917): 41
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1393.28
3002
Untitled (nudes and wild animals),
c. 1917
Woodcut on wove paper
n"/i6 x io5/8 in. (29.7 x 27.0 cm)
From Der Sturm 8, no. 8 (1917): 117
PROVENANCE: Ex Libris, New York;
purchased in 1982
8311393-30
3003
Untitled (nudes in landscape), c. 1917
Woodcut on wove paper
10% x 7 in. (27.0 x 17.8 cm)
From Der Sturm 8, no. 8 (1917): 119
provenance: Ex Libris, New York;
purchased in 1982
83.1.1393.31
3003
786
Uhden
3004
Untitled (acrobats), c. 1917 Woodcut on wove paper 8'/4 x 6%6 in. (20.9 x 15.7 cm) From Der Sturm 9, no. 3 (1918): 37 PROVENANCE: Ex Libris, New York; purchased in 1982 83- 1- 1393-44
3005
Untitled (family in cart), c. 1917 Woodcut on wove paper 63/i6 x 8'A in. (15.7 x 20.9 cm) From Der Sturm 9, no. 3 (1918): 39 PROVENANCE: Ex Libris, New York; purchased in 1982 83- 1- 1393-45
3006
Untitled (nativity), c. 1917
Woodcut on wove paper
8Vs x 6% in. (20.6 x 16.2 cm)
From Der Sturm 9, no. 8 (1918): 105
provenance: Ex Libris, New York;
purchased in 1982
83- 1- 1393-52
3007
Untitled (man rowing in jungle), c. 1917
Woodcut on wove paper
io3/i6 x 715/i6 in. (25.8 x 20. 1 cm)
From Der Sturm 9, no. 8 (1918): 109
provenance: Ex Libris, New York;
purchased in 1982
83- 1-1393-53
3008
Untitled (falling nude), c. 1917
Woodcut on wove paper
7V16 x 55/i6 in. (18.0 x 13.5 cm)
From Der Sturm 9, no. 10 (1919): 125
PROVENANCE: Ex Libris, New York;
purchased in ig82
83.1.1393.58
3009
Untitled (circus), c. 1917 Woodcut on laid paper 95/i6 x 713/ie in. (23.7 x 19.8 cm) From Der Weg 1, no. 5/6 (1919): 3 PROVENANCE: Ex Libris, New York; purchased in 1976 EXHIBITION: Reed under 305 83.1.1217 b
3010
Untitled (elephant), c. 1917 Woodcut on wove paper 2^16 x 29/i6 in. (6.5 x 6.5 cm) From Die Biicherkiste 1, no. 2 (1919): 13 provenance: Hans Bolliger, Zurich; purchased in 1975 exhibition: Reed under 267 83.1.1638 a
3007
3006
3009
3004
3010
3008
Unold
787
3012
3013
3015
3016
3011
Weiblicher Studienkopf, c. 1896
(Study of a woman's head)
Lithograph printed in green and black
on wove paper
10% x 83/i6 in. (27.6 x 20.8 cm)
From Pan 2, no. 2 (1896): following 112
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
reference: Dennerlein 986
83- 1- 1352 j
Hans Unger
born 1872 Bautzen died 1936 Dresden
3012
Strassenkampf in Lowen, 1914
(Street battle in Louvain)
Lithograph with gray, orange, green,
yellow, and brown watercolor on wove
paper
12V16 x i57/8 in. (30.6 x 40.3 cm)
From portfolio Kriegsbilderbogen
Munchner Kiinstler (Munich:
Goltzverlag, [c. 1914])
INSCRIPTION: signed, l.r.; publisher's
stamp, l.r.
provenance: Christie's, London, 5 July
1979, part of lot 178
M. 82.288.381 e
3013
Untitled (storming a city), 1914 Woodcut on wove paper 23/i6 x 45/i6 in. (5.5 x 11.0 cm) From Zeit-Echo 1, no. 2 (1914): 9 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 exhibition: Reed under 308 83.1.1186 a
3014
Untitled (execution scene), 1914
Woodcut on wove paper
2 x 45/i6 in. (5.0 x 11.0 cm)
From Zeit-Echo 1, no. 2 (1914): 22
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
exhibition: Reed under 308
83.1. 1186 e
3015
Untitled (line of soldiers), 1914
Woodcut on wove paper
2V16 x 45/i6 in. (5.3 x 11.0 cm)
From Zeit-Echo 1, no. 3 (1914): 29; the
center also has an impression from the
special edition
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
exhibition: Reed under 308
83.1.1187 c
3016
Untitled (sentry in forest), 1914
Woodcut on wove paper
2 x 43/i6 in. (5.0 x 10.6 cm)
From special edition of Zeit-Echo 1, no.
5 ('9M): 57
inscription: numbered (43) on table of
contents
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
exhibition: Reed under 308
83.1.1190 a
Max Unold
born 1885 Memmingen
died 1964 Munich
788
Unold
3017
Untitled (infantry battle), 1914 Woodcut on wove paper 5'/i6 x 43/i6 in. (12.8 x 10.7 cm) From Zeit-Echo 1, no. 14 (1915): 211 PROVENANCE: Kunstgalerie Esslingen, Esslingen; purchased in 1975 exhibition: Reed under 308
83.1.1199 b
3018
Untitled (camp), 1914
Woodcut on wove paper
23/i6 x 45/i6 in. (5.6 x 11.0 cm)
From Zeit-Echo 1, no. 15 (1915): 225
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
EXHIBITION: Reed under 308
83.1.1200 b
3019
Marsch durchs Geholz, 1915
(March through the woods)
Lithograph on wove paper
12 x g5/8 in. (30.5 x 24.5 cm)
From Kriegszeit, no. 58 (1915): 2
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/226
83.1.1455 b
3020
Schutzengraben im Wald, 1915
(Trench in the forest)
Lithograph on wove paper
i23/i6 x 9% in. (31.0 x 24.7 cm)
From Kriegszeit, no. 29 (1915): 2
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/225
83.1.1427 b
3021
Vor einem franzosischen Landhaus,
1915
(Before a French country house)
Lithograph on wove paper
i25/8 x 9% in. (32.0 x 24.8 cm)
From Kriegszeit, no. 27 (1915): 3
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/224
83. 1. 1425 c
3022
Untitled (destroyed bridge), c. 1915
Woodcut on wove paper
4n/i6 x 37/8 in. (11.9 x 9.9 cm)
From special edition of Zeit-Echo 1, no.
9(1915): 125
inscription: numbered (36) on table of
contents
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
exhibition: Reed under 308
83.1.1194c
3021
3022
3025
3026
3028
Unold
789
3024
3023
3019
3020
3023
Untitled (group of prisoners), c. 1915 Woodcut on wove paper z"/i6 x 4V4 in. (6.8 x 10.8 cm) From Zeit-Echo 1, no. 11 (1915): 153 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 EXHIBITION: Reed under 308 83.1.1196 a
3024
Untitled (bunkhouse), c. 1915 Lithograph on laid paper 49/i6 x 7 in. (11.6 x 17.8 cm) From Zeit-Echo 2, no. 5 (1915-16): 66 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 EXHIBITION: Reed under 308 83.1.1211 a
3025
Untitled (the meeting), c. 1915
Lithograph on laid paper
5 Vie x 49/i6 in. (12.8 x 11.6 cm)
From Zeit-Echo 2, no. 9 (1915-16): 134
provenance: gift of Elmar Seibel, 1983
L. 86. 1.74 a: lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
3026
Untitled (group of soldiers), c. 1916 Lithograph on laid paper 5"/i6 x 45/s in. (14.5 x 11.8 cm) From Zeit-Echo 2, no. 14 (1915-16): 213 provenance: gift of Elmar Seibel. 1983 L. 86. 1.79 a; lent by the Robert Gore Rifkind Foundation, Beverly Hills, California
3027
Das Volk, 1917
(The people)
Woodcut on japan paper
7V16 x 57/i6 in. (17.9 x 13.8 cm)
From portfolio Shakespeare Visionen
(Munich: Marees-Gesellschaft, 1918);
from edition A (total edition of 200)
INSCRIPTION: numbered (xiv/l) on
justification page; publisher's blind
stamp, l.r; signed and dated, l.r.
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1972
EXHIBITION: Reed 336/2; Guenther 435
M. 82. 288. 384. 2
3028
Untitled (at the table), 1919
Lithograph on wove paper
67/s x 5'/i in. (17.5 x 13.4 cm)
From Paul Erich Kiippers, ed.. Das
Kestnerbuch (Hannover: Heinrich
Bohme Verlag, 1919), following p. 36
provenance: Galerie Gerda Bassenge,
Berlin, 13-18 May 1973, part of lot
4076
exhibition: Reed 321/3
83.1.140 c
3018
790
Unold
3029
Untitled (four men in tavern), c. 1919
Lithograph on laid paper
7% x 6 in. (18.8 x 15.2 cm)
From deluxe edition of Miinchner
Blatter fur Dichtung und Graphik 1,
no. 2 (1919): 30
INSCRIPTION: numbered (xix/c) on table
of contents
PROVENANCE: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
EXHIBITION: Reed under 290
83.1.13246
3030
Untitled (girl holding child), c. 1919
Lithograph on laid paper
5'/4 x 1% in. (14.0 x 4.5 cm)
From deluxe edition of Miinchner
Blatter fur Dichtung und Graphik 1,
no. 3 (1919): 39
INSCRIPTION: numbered (xix/c) on table
of contents
PROVENANCE: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
EXHIBITION: Reed under 290
83.1. 1325 d
3031
Untitled (man walking dog), c. 1919
Woodcut on laid paper
41I/i6 x 315/i6 in. (11.9 x 10.0 cm)
From deluxe edition of Miinchner
Blatter fur Dichtung und Graphik 1,
no. 5 (1919): 67
inscription: numbered (xix/c) on table
of contents
provenance: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
exhibition: Reed under 290
83.1.1327 b
3032
Untitled (three women), c. 1919 Lithograph and watercolor on laid paper 5'/s x 6V4 in. (13.0 x 15.8 em) From deluxe edition of Miinchner Blatter fur Dichtung und Graphik 1, no. 7 (1919)
inscription: numbered (xix/c) on table of contents
PROVENANCE: Richard Seewald; Kunstgalerie Esslingen, Esslingen; acquired by exchange in 1974 exhibition: Reed under 290 83.1.1329 a
Pit WmA ^!
Mi *>
st Vr
3032
3031
3033
3029
Unold
791
3034
46-
"inf unfit! if
3036
3030
3033
Untitled (two women and man on
bicycle), c. 1919
Lithograph on laid paper
7% x 67/i6 in. (19.7 x 16.4 cm)
From deluxe edition of Miinehner
Blatter fur Dichtung and Graphik 1,
no. 9d9i9); 1.39
INSCRIPTION: numbered (xix/c) on table
of contents
provenance: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
exhibition: Reed under 290
83.1.1331c
3034
Untitled (two couples), c. 1919
Lithograph on laid paper
7I3/i6 x 7 in. (19.9 x 17.7 cm)
From deluxe edition of Miinchner
Blatter fiir Dichtung and Graphik 1,
no. 11/12 (1919): 169
inscription: numbered (xix/c) on table
of contents
PROVENANCE: Richard Seewald;
Kunstgalerie Esslingen, Esslingen;
acquired by exchange in 1974
exhibition: Reed under 290
83- 1- 1333 d
3035
Die Strasse, c. 1920
(The street)
Lithograph on heavy wove paper
11 x 7V16 in. (28.0 x 18.0 cm)
From Kurt Pfister, ed. , Deutsche
Graphiker der Gegenwart (Leipzig:
Klinkhardt & Biermann, 1920), pi. 25;
edition of 600
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1972
exhibition: Reed under 339
83.1.171 r
3036
Kinder aufder Strasse, c. 1921 (Children on the street) Lithograph on heavy wove paper n13/i6 x 85/s in. (30.0 x 21.9 cm) From portfolio Ganymed-Mappe 1 (Munich: Marees-Gesellschaft, 1921); edition of 200 INSCRIPTION: signed, l.r. provenance: Hans Bolliger, Zurich; purchased in 1972 EXHIBITION: Reed 317/22 M. 82. 288. 377 h
3035
792
Unold
Adolf Uzarski
born 1885
Duisburg-Meiderich
died 1970 Dusseldorf
3037
In memoriam Rene Beeh, 1922 Woodcut on thin japan paper 7V16 x 57/i6 in. (18.0 x 13.8 cm) From portfolio Ganymed-Mappe II (Munich: Marees-Gesellsehaft, 1922); the center also has an impression from Julius Meier-Graefe, ed., Ganymed, vol. 4 (Munich: R. Piper & Co., 1922), following p. 280
inscription: signed and dated, l.r.; numbered (cxl/ccc) on cover provenance: Hans Bolliger, Zurich; purchased in 1972 EXHIBITION: Reed 317/28 M. 82. 288. 378 f
2.
3.
3038
Tuti-Nameh
(Tales of the parrot)
Portfolio of 13 lithographs on Van
Gelder Zonen paper
Published by A. Bagel, Dusseldorf,
1919; total edition of 85
INSCRIPTION: numbered (11/80) on
justification page; each sheet signed and
dated, l.r, and numbered, 1.1.
provenance: Galerie Gerda Bassenge,
Berlin, 27-29 May 1975, lot 5256
EXHIBITION: Reed 350
83.1.14 a-m
1. Untitled (title page), 1919
I713/i6 x i2Vi6 in. (45.2 x 30.6 cm)
83.1.14 m
Untitled (nude couple dancing),
1919
20V4 x I415/i6 in. (51.4 x 37.9 cm)
83.1.14 a
Untitled (man falling from bridge),
1919
19% x 14% in. (49.9 x 36.5 cm)
83.1.14 b
Untitled (nude man dreaming),
1919
i83/ie x 12V2 in. (46.3 x 31.7 cm)
83.1.14 c
Untitled (nude couple with parrot),
1919
i8n/i6 x i45/s in. (47.5 x 37.2 cm)
83.i.i4d
Untitled (lion attacking nude
woman), 1919
20% x 13% in. (52.4 x 34.0 cm)
83.1.146
Untitled (nude man watching two
bathing nudes), 1919
lg'/s x 14% in. (48.6 x 37.5 cm)
83.i.i4f
Untitled (two nudes fighting on
horseback), 1919
i8"/i6 x i57/i6 in. (474 x 39.2 cm)
83-i-MS
Untitled (nude man running from
elephant), 1919
2o"/i6 x is'/s in. (52.5 x 38.4 cm)
83.1.14I1
QUJiz^Emeh
3037
3038-2
Twolf Vr'Stdl
ym. Kifiug iron A. Saqtl, JiujjtUtyrfl^g
3038-3
3038-5
3038-6
3038-7
Uzarski
10. Untitled (nude couple with dragon), 1919
i83/s x 12V2 in. (46.7 x 31.7 cm) 83.1.141
11. Untitled (nude couple on horseback), 1919
i87/i6 x I313/i6 in. (46.9 x 35. 1 cm) 83.1.14J
12. Untitled (nude couple on raft),
1919
207/8 x I5n/i6 in. (53.0 x 39.8 cm) 83.1.14 k
13. Untitled (woman fleeing two fighting nudes), 1919
18 x i4'/2 in. (45.7 x 36.8 cm) 83.1.14I
793
3038-10
3038-9
3038-13
794
Vallotton
|
Felix Vallotton |
3039 |
|
A Schumann, 1893 |
|
|
born 1865 |
(To Schumann) |
|
Lausanne, |
Woodcut on blue laid paper |
|
Switzerland |
515/i6 x 413/i6 in. (15. 1 x iz.2 cm) |
|
From Pan 1, no. 1 (1895-96): following 24 |
|
|
died 1925 Paris, |
provenance: Kornfekl & Klipstein, |
|
France |
Bern, 7-8 June 1978, part of lot 775 |
|
REFERENCE: Vallotton and Goerg 131 c; |
|
|
Dennerlein 73 |
|
|
83.1. 1350 d |
|
|
3040 |
|
|
La nuit, 1895 |
|
|
(The night) |
|
|
Woodcut on wove paper |
|
|
8'/8 x 8% in. (20.6 x 22.5 cm) |
|
|
From first edition of 60 |
|
|
inscription: signed and numbered |
|
|
(46). Lr. |
|
|
provenance: Galerie Wolfgang |
|
|
Ketterer, Munich, 29 November |
|
|
1972, lot 1149 |
|
|
reference: Vallotton and Goerg 164 a |
|
|
M. 82. 288. 297 |
|
|
Henry van de Velde |
3041 |
|
Tropon, 1898 |
|
|
born 1863 Antwerp, |
Lithograph printed in black, purple. |
|
Belgium |
orange, and yellow on thick laid paper |
|
12 x 715/i6 in. (30.5 x 20. 1 cm) |
|
|
died 1957 Zurich, |
From Pan 4, no. 1 (1898): following 62 |
|
Switzerland |
provenance: Kornfekl & Klipstein, |
|
Bern, 7-8 June 1978, part of lot 775 |
|
|
reference: Dennerlein 1974 |
|
|
83.1. 1356 f |
3040
W^^
3042-1
3042-2
Van de Velde
795
*A v
3042-3
*SN
3042-5
3042-7
3042-6
3042-8
3042-9
3042
Ein Tag bei Kirchner aufder Staffelalp
(A day with Kirchner on the Staffelalp)
Manuscript with 13 woodcuts on thin
japan paper
Illustrated letter-poem from Nele van
de Velde, daughter of Henry van de
Velde, to Ernst Ludwig Kirchner. The
center also has the text and images in
Genius 2, no. 2 (1920): 282-92. That
version does not, however, include two
woodcuts present here. The order
followed is that published
INSCRIPTION: signed and dated on last
page
provenance: Wolfgang Wittrock
Kunsthandel, Diisseldorf; purchased
in 1976
M. 82.288.2983-111
1. Adee Haus am See! 1920 (Good-bye, house by the lake!) 45/sX4 in. (11.8 x 10.1 cm)
M. 82. 288. 298 a
2. Nele zu klein. Wegweiser zu hoch. Musste Idettern und lesen: "Weg zur Staffelalp," 1920
(Nele too small. Road sign too high.
Had to climb up the pole to read:
"To the Staffelalp")
5 x 43/i6 in. (12.7 x 10.7 cm)
M. 82.288.298 b
3. Dureh hohen Schnee und verschneite Tannen, 1920 (Through mountains of snow and past fir trees heavy with snow) 6n/i6 x 5%6 in. (17.0 x 13. 1 cm) M. 82. 288. 298 c
4. ... die Alp! 1920 (. . . the Alp!)
53/8 x 4V4 in. (13.7 x 10.8 cm) M. 82. 288. 298 d
5. Vor Kirchners Hiitte, 1920 (Before Kirchner's cottage) 53/i6 x 3'%6 in. (13.2 x 10.0 cm) M. 82.288.298 e
6. Unerwartet und sturmisch, 1920 (Unexpected and tempestuous) 53/i6 x 4n/i6 in. (13. 1x11.9 cm) M. 82. 288. 298 f
7. Benommen und stumm, 1920 (Numb and silent)
5u/i6 x 413/i6 in. (14.4 x 12.3 cm) M. 82. 288. 298 g
8. ... und nach reichlichen Geniissen aller Art, Kirchner urinkt ah! 1920 (And after abundant treats of all kinds, Kirchner declines!)
413/i6 x 4V8 in. (12.3 x 10.5 cm) M. 82.288.298 h
9. Berauscht! Nelefindet den Weg nur aufden Handen iiber Sch.needa.mme hinweg! 1920
(In high spirits! Nele finds the way
back only by climbing over
snowbanks!)
5V2 x 47/ie in. (14.0 x 11.3 cm)
M. 82.288.298 i
Nele van de Velde
born 1897 Belgium died 1965
796
Van de Velde
Jacob Gerard Veldheer
born 1864 Haarlem, Netherlands
Jan Veth
born 1864
Dordrecht. Netherlands
died 1925
3042 (continued)
10. Durch die Waldfurien verfolgt . . . , 1920
(Pursued by the furies of the woods . . .)
5'/4X 41/2 in. (13.4 x 11.4 cm) M. 82.288.298 j
11. . . . sinkt Nele erschopft vor dem Ziel . . . , 1920
(. . . short of her goal, Nele collapses exhausted . . .) 6'/s x 4 in. (15.5 x 10.2 cm) M. 82. 288. 298 k
12. Untitled (Kirchner and Nele before his painting), 1920
7V2 x 4% in. (19.0 x 12.0 cm) Not reproduced in Genius M. 82.288.298 1
13. Untitled (Kirchner and Nele at the table), 1920
7V4 x 5 in. (19.0 x 12.7 cm) Not reproduced in Genius M. 82.288.298 m
3043
Ansicht eines kleinstadtischen
Gebaudekomplexes, c. 1896
(View of a small-town building complex)
Woodcut printed in green on wove
paper
ioI5/i6 x 8 in. (27.8 x 20.4 cm)
From Pan 1, no. 4 (1896): following 234
PROVENANCE: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
REFERENCE: Dennerlein 642
83.1. 1351 h
3044
Op Macken, c. 1899
Woodcut printed in green on wove
paper
83/i6 x 513/i6 in. (20.8 x 14.8 cm)
From Pan 5, no. 1 (1899): following 56
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
reference: Dennerlein 2405
83.1. 1358 d
3045
Jozef Israels, 1896
Lithograph on wove paper
10V4 x 87/e in. (26.0 x 22.6 cm)
From Pan 3, no. 2 (1897): following 130
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
reference: Dennerlein 1660
83. 1.1354 f
3042-12
3042-11
|
E mam ^t^-y | ajBf |
|
|
WW |
|
3043
Viegener
797
3046
3047
3049
3048
3046
Soest, 1918
Woodcut on yellow japan paper
7V16 x 413/i6 in. (18.0 x 12.3 em)
From Galerie Alfred Flechtheim,
Diisseldorf, rajg.1 Erste Ausstellung:
Expressionisten, exh. cat. (Berlin:
Gustav Kiepenheuer Verlag, 1919),
following title page
provenance: Galerie Gerda Bassenge,
Berlin, 29 May 1975, part of lot 4677
83.1.229 a
3047
Untitled (head of a woman), c. 1918
Woodcut on wove paper
5V6 x 47/i6 in. (13.0 x 11.3 cm)
From Die Aktion 8, no. 27/28 (1918):
cover; not identified as an original
woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1536 a
3048
Untitled (discussion), 1919
Woodcut on wove paper
65/s x 5'/i6 in. (16.9 x 12.9 cm)
From Paul Erich Kuppers, ed., Das
Kestnerbuch (Hannover: Heinrich
Bohme Verlag, 1919), following p. 48
provenance: Galerie Gerda Bassenge,
Berlin, 13-18 May 1973, part of lot
4076
EXHIBITION: Beed 321/5
83.1.140 e
3049
Simson, 1921
(Samson)
Woodcut on wove paper
415/i6 x 4% in. (12.6 x 10.4 cm)
From Georg Biermann, ed.,Jahrbuch
derjungen Kunst (Leipzig: Klinkhardt
& Biermann, 1921), following p. 336
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1975
EXHIBITION: Reed 320/1921.6
83- 1-799 f
3050
Kuhhirt, c. 1924
(Cowherd)
Woodcut on wove paper
55/i6 x 47/8 in. (13.5 x 12.4 cm)
From Karl Dietz, ed., Schwarzer Greif:
Ein Almanach aufdasjahr 1925
(Rudolfstadt: Greifenverlag, 1925), p. 121
PROVENANCE: unknown
83- 1-549 P
Eberhard Viegener
born 1890 Soest died 1967 Soest
3050
798 Voellmy
Fritz Voellmy 3051
Licht und S chat ten, c. 1906 born 1863 Basel, (Light and shadow)
Switzerland Mezzotint on laid paper
93/i6 x 6% in. (23.4 x 16.9 cm) From Zeitschrift fur bildende Runst, n.s., 17, no. 7(1906): following 176 provenance: Galerie Gerda Bassenge, Berlin, 15 May 1976, part of lot 4364 83.1.964 b
Hans von Volkmann 3052
Kapelle—Eifel, 1898
born 1860 Halle (Chapel— Eifel)
Lithograph printed in rust, black,
died 1927 Halle green, and brown on greenish wove
paper
95/i6 x 7n/i6 in. (23.7 x 19.5 cm) From Pan 4, no. 3 (1898): following 176 PROVENANCE: Kornfeld & Klipstein, Bern, 7-8 June 1978, part of lot 775 reference: Dennerlein 2117 83-1- 1357 b
Christoph Voll
born 1897 Munich
died 1939 Karlsruhe
3053
Selbstportrat, 1921 (Self-portrait)
Drypoint on heavy wove paper io5/8 x 713/i6 in. (27.0 x 19.9 cm) INSCRIPTION: signed, l.r.; titled, I.e.; inscribed "K. Nadel," 1.1. provenance: Galleria del Levante, Munich: purchased in 1981 EXHIBITION: Rigby 95 M. 82.287.71
3054
Hirtenkonigin, n.d. (Shepherdess queen) Woodcut on beige laid paper I3n/i6 x 11% in. (34.8 x 30.2 cm) INSCRIPTION: indecipherable inscription, 1.1.; titled, I.e.; signed, 1. estate stamp, verso provenance: Galleria del Levante, Munich; purchased in 1981 M. 82. 287. 73
3055
Kopf, n.d.
(Head)
Drypoint on heavy wove paper
7% x 5V4 in. (19.7 x 13.4 cm)
INSCRIPTION: signed, l.r.; titled, I.e.;
inscribed "Radierung," 1.1.; estate
stamp, verso
provenance: Galleria del Levante,
Munich; purchased in 1981
EXHIBITION: Rigby 96
M. 82. 287. 72
3052
3051
3054
3053
Volz
799
3056
Salome, c. 1896
Lithograph printed in green, vermilion,
and violet on laid paper
io"/i6 x 75/i6 in. (27.2 x 18.6 cm)
From Pan 2, no. 3 (1896): following 184
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
REFERENCE: Dennerlein 1093
831-1353 a
3057
Aufzug und Tanz tier Nymphen, e. 1898
(Procession and dance of the nymphs)
Lithograph printed in red and brown on
laid paper
4V4 x 8Vt in. (10.8 x 21.0 cm)
From Pan 4, no. 2 (1898): following 100
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
reference: Dennerlein 1989
83.1.13561
Wilhelm Volz
born 1855 Karlsruhe
died 1901 Munich
3056
800
Wach
Alois Wach
born 1892 Lambach, Austria
died 1940 Broumov, Czechoslovakia
3058
Erlosung, c. 1919
(Release)
Woodcut on laid paper
59/i6 x 67/s in. (14.2 x 17.4 cm)
From Der Weg 1, no. 2 (1919): 1
PROVENANCE: Ex Libris, New York;
purchased in 1976
exhibition: Reed under 305; Rigby
III, 26
83.1.1214 a
3059
Untitled (figures at table), c. 1919 Woodcut on laid paper 67/s x 59/i6 in. (17.5 x 14. 1 cm) From Der Weg 1, no. 2 (1919): 3 PROVENANCE: Ex Libris, New York; purchased in 1976 exhibition: Reed under 305 83.1.1214 b
3060
Untitled (kneeling figure), c. 1919 Woodcut on laid paper 83/i6 x 63/i6 in. (20.8 x 15.7 cm) From Der Weg 1, no. 8/9 (1919): 5 PROVENANCE: Ex Libris, New York; purchased in 1976 exhibition: Reed under 305 83.1.1219 c
3061
Untitled (standing figure), c. 1919 Woodcut on laid paper 83/i6 x 63/i6 in. (20.8 x 15.7 cm) From Der Weg 1, no. 8/9 (1919): 7 provenance: Ex Libris, New York; purchased in 1976 exhibition: Reed under 305 83.1.1219 d
3062
Untitled (man and two women), c. 1919
Woodcut on wove paper
6% x 3'/i in. (17.2 x 8.3 cm)
From Die Biicherkiste 1, no. 5/7
(1919): 65
provenance: Hans Bolliger, Zurich;
purchased in 1975
EXHIBITION: Reed under 267
83. 1.1634 f
3063
Kreuzigung, c. 1920
(Crucifixion)
Woodcut on wove paper
69/i6 x 515/i6 in. (16.6 x 15. 1 cm)
From Die Aktion 10, no. 13/14 (1920):
cover
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1568 a
3064
3059
3061
3062
Wachlmeier
801
3065
3063
3068
3064
Landsehaft mit Frauen, c. 1920 (Landscape with women) Woodcut on wove paper 59/i6 x 67/s in. (14.2 x 17.5 cm) From Das Kunstblatt 4, no. 10 (1920) provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 EXHIBITION: Reed 283/65 83.1.1156 a
3066
3069
3065
Untitled (figures in street), c. 1914
Woodcut on wove paper
95/i6 x 6'/s in. (23.6 x 15.5 cm)
From Der Sturm 5, no. 15/16 (1914): 107
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1392.6
3066
Untitled (figures in street), c. 1914
Linoleum cut on wove paper
ii9/ie x 8% in. (29.3 x 22.5 cm)
From Der Sturm 5, no. 19/20 (1915): 131
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.1392.10
3067
Untitled (figures seated around a
table), c. 1915
Woodcut on wove paper
8%6 x 10V16 in. (21.4 x 25.6 cm)
From Der Sturm 6, no. 9/10 (1915): 49
PROVENANCE: Ex Libris, New York;
purchased in 1982
83.1.139222
3068
Untitled (seated figure), c. 1915
Linoleum cut on wove paper
12% x 83/i6 in. (32.4 x 20.8 cm)
From Der Sturm 6, no. 9/10 (1915): 53
provenance: Ex Libris, New York;
purchased in 1982
83.1.1392.23
3069
Vor dem Cafe, c. 1917
(In front of the cafe)
Etching on wove paper
37/s x 315/i6 in. (9.8 x 10.0 cm)
From deluxe edition of Das Kunstblatt
1, no. 6 (1917)
INSCRIPTION: numbered (32/110) on
justification page
PROVENANCE: Henry Hallenstein; W. F.
Arntz, Haag (Oberbayern); purchased
in 1975
exhibition: Reed 283/24 (as a
lithograph)
83.1.1090 b
Ludwig Wachlmeier
802
Wacik
Franz Wacik
born 1883 Austria
died 1938 Vienna, Austria
3070
Prinz Eugen der edle Ritter
(Prince Eugen, the noble knight) Book with 12 color lithographs printed in black, pink, blue, green, and yellow on slick wove paper Each: 8% x 11 in. (21.9 x 28.0 cm) Illustrations to story by Hugo von Hofmannsthal (Vienna: Seidel & Sohn, 1915); second revised edition PROVENANCE: Hartung & Karl, Munich, 14 November 1974, lot 1742 (as first edition) 83.1.1973-1
1. Untitled (man on steps), c. 1915 83.1.197 a
2. Untitled (man fighting on horseback), c. 1915 83.1.197 b
3. Untitled (fighting Turk), c. 1915 83.1.197 c
4. Untitled (studying fortifications),
c 1915 83.1. 197 d
5. Untitled (Prince Eugen and his steward), e. 1915
83.1. 197 e
6. Untitled (the smithy), c. 1915 83.1.197 f
7. Untitled (rug merchants), c. 1915
83- 1-197 g
8. Untitled (soldiers charging), c. 1915 83.1.197 b
9. Untitled (around the campfire),
c- 1915 83.1.1971
10. Untitled (on the terrace), c. 1915
83-1- 197 J
11. Untitled (the lion in the belvedere),
c- 1915 83.1.197 k
12. Untitled (the prince's spirit in battle), c. 1915
83.1. 197 1
Wilhelm Wagner 3071
Riickkehr ins Gefangenlager, 1914 born 1887 Hanau (Return to the prison camp)
Lithograph on wove paper died 1968 xaVi x io15/i6 in. (31.1 x 27.8 cm)
Bad Saarow From Kriegszeit, no. 37 (1915): 4
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/272
83.1.1435 d
3070-1
3070-5
3071
3070-6
3072
3073
3070-7
3070-i
3075
3074
I If
V
yiw**^
.t
Wagner
3072
/m neutralen Land, 1915
(In the neutral zone)
Lithograph on wove paper
16 x io'/s in. (40.7 x 25.7 cm)
From Kriegszeit, no. 51 (1915): 2
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/230
83.1.1449 b
3073
Paradeschritt in Zossen, 1915
(Slow march in Zossen)
Lithograph printed in black, blue, red,
and green on wove paper
g!/i6 x li'/s in. (23.0 x 28.2 cm)
From Kriegszeit, no. 38 (1915): 1
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/228
83.1.1436 a
3074
Schiessiibung, 1915
(Target practice)
Lithograph on wove paper
n3/i6 x n13/i6 in. (28.4 x 30.0 cm)
From Kriegszeit, no. 40(1915): 1
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/229
83.1.1438 a
3075
Untitled (carriage in street), c. 1915 Lithograph on laid paper 4V4 x 6% in. (10.8 x 16.2 cm) From Zeit-Echo 2, no. 8 (1915-16): 115 provenance: gift of Elmar Seibel, 1983 L. 86. 1.73 a; lent by the Robert Gore Rifkind Foundation, Beverly Hills, California
3076
Berlin, am Kiirfiirstendamm, c. 1916
(Berlin, on Kiirfurstendamm)
Lithograph on wove paper
io9/ie x 8V2 in. (26.8 x 21.5 cm)
From Der Bildennann 1, no. 7 (1916): 3
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot 180
exhibition: not listed in Reed
under 265
83.1.1462.27
3077
Untitled (tavern scene), c. 1916 Lithograph on laid paper 69/ie x 415/i6 in. (16.6 x 12.6 cm) From Zeit-Echo 2, no. 13 (1915-16): 205 provenance: gift of Elmar Seibel, 1983 L. 86. 1.78 c; lent by the Robert Gore Rifkind Foundation, Beverly Hills, California
803
3076
3077
804
Wagner
3078
Die KirscJien
(The cherries)
Book with 7 lithographs on laid paper Illustrations to poem by Wilhelm Heinse, no. 8 in the monographic series Der Venuswagen (Berlin: Fritz Gurlitt Verlag, 1920); total edition of 700 inscription: signed and numbered (35/40) on justification page PROVENANCE: Kunstgalerie Esslingen, Esslingen; purchased in 1975 EXHIBITION: Reed 415/8 83. 1.810 a-g
1. Untitled (carriage), 1920 8% x 7'/i6 in. (21.2 x 18.0 cm) Following page 14 83.1.810 a
2. Untitled (nude woman seated on ground), 1920
7% x 57/i6 in. (19.7 x 13.8 cm) Following page 22 83.1.810 b
3. Untitled (nude woman shielding eyes), 1920
778 x 37/8 in. (20.0 x 9.9 cm) Following page 26 83.1.810 c
4. Untitled (nude woman covering mouth), 1920
85/sx 4% in. (21.9 x 11.1 cm) Following page 30 83. 1.810 d
5. Untitled (nude woman bending), 1920
6% x 65/s in. (17.2 x 16.8 cm) Following page 34 83.1.810 e
6. Untitled (nude woman bending), 1920
5% x 63/i6 in. (14.6 x 15.7 cm) Following page 38 83. 1.810 f
7. Untitled (nude woman from rear), 1920
6Vs x 45/i6 in. (15.6 x 11.0 cm) Following page 42 83. 1.810 g
3079
Frau mit Pelz, c. 1921
(Woman with fur)
Drypoint on thin laid paper
2% x 3T/8 in. (6.9 x 9.8 cm)
From Fritz Gurlitt, ed., Das graphische
Jahr (Berlin: Fritz Gurlitt Verlag, 1921),
following p. 138
inscription: signed, l.r. ; numbered
(xiii/l) on justification page
PROVENANCE: Hans Bolliger, Zurich;
purchased in 1974
exhibition: Reed 315/9 (1921)
83.185 h
3078-1
3078-3
3078-6
3078-7
Wanzer
805
3083
mm
3081
3082
3080
Ein Sommernaehtstraum, c. 1905 (A Midsummer Night's Dream) Lithograph on wove paper 93/i6 x 6V4 in. (23.4 x 15.8 cm) From Kunst und Kunstler 3, no. 8
(1905): 310
PROVENANCE: Ars Libri, Boston;
purchased in 1982
83.1.1223 d
3081
Figurine zum "Figaro" c. 1911 (Female figure from Figaro) Lithograph printed in black, gray, light green, and rose on japan paper 7% x 6n/i6 in. (19.3 x 17.0 cm) From Kunst unci Kunstler 10, no. 1 (1911): 2
PROVENANCE: Ars Libri, Boston; purchased in 1982 83.1.1230 a
3082
Bei der Munitionskolonne, 1914
(With the munitions column)
Lithograph on wove paper
7V2X 11 in. (19.0 x 28.0 cm)
From Kriegszeit, no. 12 (1914): 4
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/231
83.1.1411 d
3083
Ninon de lenclos, c. 1914
(Ninon of the close)
Etching on wove paper
4'/2 x 3V6 in. (11.4 x 8.0 cm)
From Kunst und Kunstler 12, no. 7
(1914): 354
provenance: Ars Libri, Boston;
purchased in 1982
83. 1.1243 t
3084
Welten 1, 1920
(Worlds 1)
Lithograph on J. W. Zanders 1916 paper
10 x 6V2 in. (25.4 x 16.5 cm)
From Eos 2, no. 4 (1920): 147; from
edition A (total edition of 250)
inscription: numbered (xvii/xl) and
signed by editor Paul Baumann on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
EXHIBITION: Reed under 270
83.1.1608 g
Karl Walser
born 1877 Teufen, Switzerland
died 1943 Bern, Switzerland
Will Wanzer
born 1891 Munich died 1938 Bonn
3084
806
Wanzer
3085
Welten 2, 1920
(Worlds 2)
Lithograph on J. W. Zanders 1916 paper
10 x 69/i6 in. (25.4 x 16.7 cm)
From Eos 2, no. 4 (1920): 153; from
edition A (total edition of 250)
inscription: numbered (xvii/xl) and
signed by editor Paul Baumann on
justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
EXHIBITION: Reed under 270
83.1. 1608 h
Erich Waske 3086
Die Offenbarung Johannis
born 1889 Berlin (The revelation of Saint John)
Portfolio of 13 lithographs on japan
paper
Published by Axel Junker, Berlin, 1919;
total edition of 60
INSCRIPTION: each sheet signed, l.r.;
numbered (9/20) on justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1978
83.1.21 a-m
1. Untitled (title page), 1919 7% x 8V2 in. (18.8 x 21.6 cm) 83.1.21 m
2. Untitled (the apocalyptic woman),
1919
i615/i6 x i3'/i6 in. (43.0 x 33.2 cm)
83.1.21 a
3. Untitled (vision of the New Jerusalem), 1919
17V8 x 13% in. (43.5 x 34.0 cm) 83.1.21 b
4. Untitled (the whore of Babylon),
1919
i615/i6 x 13 in. (43.0 x 33.0 cm)
83.1.21 c
5. Untitled (Christ and the twenty- four elders), 1919
i6I5/i6 x 13% in. (430 x 34.0 cm) 83.1.21 d
6. Untitled (the angel in the sun calling the birds of prey), 1919 i6'/s x 13% in. (41.0 x 34.0 cm) 83.1.21 e
7. Untitled (Christ as judge), 1919 i69/i6 x 13 in. (42.0 x 33.0 cm) 83.1.21 f
8. Untitled (angel with book of seven seals), 1919
if A x 13V8 in. (43.5 x 33.3 cm) 83.1.21 g
9. Untitled (the opening of the seventh seal 1), igig
i75/i6 x 13V16 in. (44.0 x 33.2 cm) 83.1.21 h
3086-1
3086-2
3086-4
3086-9
3086-10
3086-12
3086-13
Weber
10. Untitled (Saint Michael and the dragon), 1919
i615/i6 x i37/i6 in. (43.0 x 34.2 cm) 83.1.21 i
11. Untitled (Saint John's vision of the Son of man), 1919
17VB x i39/ie in. (43.5 x 34.5 cm) 83.1. 21 j
12. Untitled (the opening of the seventh seal 2), 1919
i67/i6 x i39/i6 in. (41.8 x 34.5 cm) 83.1.21 k
13. Untitled (the opening of the seventh seal 3), 1919
17 x 13V2 in. (43.2 x 34.3 cm) 83.1.21 1
3087
Rheinlandschaft bei Godesberg, c. 1919 (Rhine landscape near Godesberg) Lithograph on heavy wove paper 9% x 67/s in. (24.8 x 17.5 cm) From Joachim Kirchner, Junge Berliner Kunst, Wasmuths Kunsthefte, no. 6 (Berlin: E. Wasmuth, [1919?]), pi. 13 PROVENANCE: W. F. Arntz, Haag (Oberbayern); purchased in 1975 83.1.120 m
3088
Sonnenaufgang, 1920
(Sunrise)
Lithograph on wove paper
75/s x 5% in. (19.4 x 14.6 cm)
From Georg Biermann, ed.,Jahrbuch
derjungen Kunst (Leipzig: Klinkhardt
& Biermann, 1920), following p. 92
provenance: Bismarck Buchhandlung,
Charlottenburg (ex libris, cover);
Ganymede Graphics, Berkeley;
purchased in 1974
exhibition: Reed 320/1920.5
83.1.798 c
807
3089
Am Brunnen, 1920 (At the fountain) Woodcut on wove paper 8'/8 x 6V2 in. (20.7 x 16.5 cm) From Georg Biermann, ed., Jahrbuch derjungen Kunst (Leipzig: Klinkhardt & Biermann, 1920), following p. 56 provenance: Bismarck Buchhandlung, Charlottenburg (ex libris, cover); Ganymede Graphics, Berkeley; purchased in 1974 exhibition: Reed 320/1920.3 83.1.798 b
Evarist Adam Weber
born 1887 Aachen
3087
3088
808
Emit Rudolf Weiss
born 1875 Lahr
died 1942 Meersburg
Weiss
3090
Bei sinkendem Licht: Dialogs
(By failing light: Dialogues)
Book with 5 woodcuts on laid paper
Illustrations to dialogues by Hans
Bethge (Leipzig: Verlag von H.
Seemann, 1903)
INSCRIPTION: signed on title page
provenance: Richard Elwell (ex libris);
Warrack & Perkins, Enstone,
Oxfordshire; purchased in 1975
EXHIBITION: Reed 41
83.1.198 a-e
1. Madchen im Mai, c. 1903 (Girls in May)
37/8 x 33/i6 in. (9.9 x 8. 1 cm) Page 11 83.1.198 a
2. Der Tote, c. 1903 (The dead one)
315/ie x 33/i6 in. (10.0 x 8. 1 cm) Page 35 83.1.198 b
3. Unter den Sternen, c. 1903 (Under the stars)
37/8 x 33/i6 in. (9.9 x 8. 1 cm) Page 53 83.1.198 c
4. Im Schlitten, c 1903 (In the sleigh)
315/ie x 33/i6 in. (10.0 x 8. 1 cm) Page 71 83.1. 198 d
5. Die versunkene Krone, c. 1903 (Lost glory)
315/i6 x 33/i6 in. (10.0 x 8. 1 cm) Page 91 83. 1.198 e
3091
Bogenschiitze, c. 1914
(Archer)
Woodcut on laid paper
7% x 6% in. (19.7 x 17. 1 cm)
From Das neue Pathos 2, no. 1/3 (1914):
43; from edition B of 250
provenance: Ars Libri, Boston;
acquired by exchange in 1984
83.1.824 c
3092
Trostende Stimme, c. 1915
(Comforting voice)
Lithograph on wove paper
15% x 815/i6 in. (40.0 x 22.7 cm)
From Kriegszeit, no. 29 (1915): 3
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/232
83. 1. 1427 c
3090-1
3090-3
3090-2
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3090-5
3092
3096
3093
3094
3095
Weiss
3093
Vision, c. 1917 Drypoint on japan paper i25/i6 x 10V2 in. (31.3 x 26.7 cm) From portfolio Shakespeare Visionen (Munich: Marees-Gesellschaft, 1918); from edition A (total edition of 200) INSCRIPTION: signed, l.r. ; inscribed "28/52," 1.1.; numbered (xtv/l) on justification page; publisher's blind stamp, l.r.
PROVENANCE: Hans Bolliger, Zurich; purchased in 1972 EXHIBITION: Reed 336/19 M. 82.288.384. 19
3094
Untitled (moonlit landscape), c. 1919
Linoleum cut on J. W. Zanders paper
2u/i6 x 33/i6 in. (6.8 x 8. 1 cm)
From Das Jahrbuch derZeitschrift
"Das neue Pathos," vol. 3 (Berlin: Verlag
E. W. Tieffenbach, 1919), p. 41; edition
of 150
provenance: Ars Libri, Boston;
purchased in 1983
L. 84. 5. 340 c; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
809
3095
Frauen in der Kriegszeit, c. 1915
(Women in wartime)
Lithograph on wove paper
i2y$ x io9/i6 in. (32.7 x 26.8 cm)
From Kriegszeit, no. 36 (1915): 1
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: Reed 281/233
83.1.1434 a
3096
Fran und Kind eines Unteroffiziers,
c- 1915
(Wife and child of a noncommissioned
officer)
Lithograph on wove paper
12V2 x 83/8 in. (31.7 x 21.2 cm)
From Kriegszeit, no. 36 (1915): 2
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
EXHIBITION: not listed in Reed under
281
83.1.1434 b
3097
Kriegsnahstube, c. 1915
(War sewing room)
Lithograph on wove paper
n7/i6 x io15/i6 in. (29.0 x 27.8 cm)
From Kriegszeit, no. 36 (1915): 4
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/235
83.1.1434 d
Hedwig Weiss
born 1860 Konigsberg
died 1923 Berlin
3097
810
Sion Wenban
born 1818 Cincinnati, Ohio
died 1897 Munich
Anton Wendling
born 1891
Munchen-Gladbach
Weiss
3098
Zwischen Hannover und Lehrte,
c- 1915
(Between Hannover and Lehrte)
Lithograph on wove paper
11 x n7/i6 in. (28.0 x 29.0 cm)
From Kriegszeit, no. 36 (1915): 3
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/234
83.1.1434 c
3099
Sehnsucht, c. 1916
(Longing)
Lithograph on wove paper
i85/i6 x ioy< in. (46.5 x 26.0 cm)
From Kriegszeit, no. 60 (1916): 2
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: Reed 281/236
83.1.1457 b
|
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3098
3103
3100
Landschaft, c. 1895
(Landscape)
Etching on wove paper
2V16 x 4n/i6 in. (5.3 x 11.9 cm)
From Pan 1, no. 2 (1895-96): following 58
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
reference: Dennerlein 242
831 i35°g
3101
Landschaft, c. 1897
(Landscape)
Etching on wove paper
3 x 6% in. (7.7 x 16.8 cm)
From Pan 5, no. 1 (1899): following 44
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
reference: Dennerlein 2384
83.1.1358 b
3102
Zwei Landschaften, c. 1897
(Two landscapes)
Etchings on laid paper
2% x 7n/i6 in. (6.6 x 19.5 cm); 3% x 6%
in. (9.5 x 16.8 cm)
Two etchings on one sheet, from
seventh portfolio of Verein fur Original-
Radierung (Munich: Verein fur
Original-Radierung, 1898)
PROVENANCE: L'Art Ancien, Zurich;
purchased in 1974
8311591. J
3100
3103
Franziskus, c. 1924
(Saint Francis)
Woodcut on wove paper
5% x 4V2 in. (14.6 x 11.5 cm)
From Karl Dietz, ed., Schwarzer Greif:
Ein Almanack auf das Jahr 1925
(Rudolfstadt: Greifenverlag, 1925), p. 7
PROVENANCE: unknown
83- 1-549 c
3102
Wetzel
811
3099
3106
3105
3107
3104
Abraham und Lot, c. 1917 (Abraham and Lot) Lithograph on wove paper 4% x 65/8 in. (12. 1 x 16.9 cm) From deluxe edition of Marsyas, no. 3 (1917): 196; total edition of 235 INSCRIPTION: signed, l.r. ; numbered (xxvu/xxxv) on justification page provenance: Kunstgalerie Esslingen, Esslingen: purchased in 1974 exhibition: Reed under 288 83.1.1663 c
3105
Eva und Susanne, c. 1917 (Eve and Susanna) Lithograph on wove paper 4% x 6n/i6 in. (12.0 x 17.0 cm) From deluxe edition of Marsyas, no. 3 (1917): 191; total edition of 235 inscription: signed, l.r.; numbered (xxvu/xxxv) on justification page provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1974 exhibition: Reed under 288 83.1.1663 a
3106
Die Gefesselte, 1917
(The chained woman)
Woodcut on wove paper
4V& x 2% in. (10.5 x 7.0 cm)
From deluxe edition of Marsyas, no. 1
(1917): 44; total edition of 235
inscription: signed and dated, l.r.;
numbered (xxvu/xxxv) on justification
page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
exhibition: Reed under 288
83.1.1661 w
3107
Die Konigstochter, 1917
(The king's daughter)
Woodcut on wove paper
53/i6 x 25/8 in. (13.2 x 6.6 cm)
From deluxe edition of Marsyas, no. 1
(1917): 41; total edition of 235
inscription: signed and dated, l.r.;
numbered (xxvu/xxxv) on justification
page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
exhibition: Reed under 288
83.1.1661 t
3108
Lilie, c. 1917
(Lily)
Lithograph on wove paper
9V4 x 6% in. (23.5 x 17. 1 cm)
From deluxe edition of Marsyas, no. 3
(1917): 193; total edition of 235
inscription: signed, l.r.; numbered
(xxvu/xxxv) on justification page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
EXHIBITION: Reed under 288
83.1.1663 b
Ines Wetzel
born 1878 Berlin died 1940 Dachau
812
Wetzel
3109
Die Nonne, 1917
(The nun)
Woodcut on wove paper
4V8 x 2% in. (10.5 x 6.9 cm)
From deluxe edition of Marsyas, no. 1
(1917): 43; total edition of 235
inscription: signed and dated, l.r. ;
numbered (xxvn/xxxv) on justification
page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
exhibition: Reed under 288
83.1.1661 v
3110
Das Paar, 1917
(The couple)
Woodcut on wove paper
5V16 x 213/i6 in. (12.8 x 7.2 cm)
From deluxe edition of Marsyas, no. 1
(1917): 42; total edition of 235
INSCRIPTION: signed and dated, l.r.;
numbered (xxvn/xxxv) on justification
page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
exhibition: Reed under 288
83.1.1661 u
3111
Die Schlafende, 1917
(The sleeping woman)
Woodcut on wove paper
4'/i6 x 25/s in. (10.4 x 6.6 cm)
From deluxe edition of Marsyas, no. 1
(1917): 40; total edition of 235
INSCRIPTION: signed and dated, l.r.;
numbered (xxvn/xxxv) on justification
page
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1974
EXHIBITION: Reed under 288
83.1.1661 s
3112
Aktstudie, c. 1918
(Study of a nude)
Woodcut on wove paper
37/i6 x 2% in. (8.8 x 6.9 cm)
From Die Aktion 8, no. 39/40 (1918):
497; not identified as an original
woodcut
provenance: gift of Titus Felixmiiller,
1984
L.84.5.80 b; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
3113
Landschaft, c. 1918
(Landscape)
Woodcut on wove paper
5% x 39/i6 in. (13.6 x 9.0 cm)
From Die Aktion 8, no. 15/16 (1918):
back cover
provenance: gift of Titus Felixmiiller,
1984
L.84.5.76 c; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
3109
3110
3112
3113
Wilden
813
3116
3117
3114
Untitled (reclining nude), c. 1918
Woodcut on wove paper
39/i6 x s'/s in. (9.0 x 13.0 cm)
From Die Aktion 8, no. 41/42 (1918):
cover; not identified as an original
woodcut
PROVENANCE: gift of Titus Felixmiiller,
1984
L.84.5.81 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
3115
Dem Schopfer der Roten Armee, c. 1929
(To the creator of the Red Army)
Woodcut on wove paper
515/i6 x 7'/s in. (15.0 x 18.1 cm)
From Die Aktion 19, no. 3/4(1929):
79-80; not identified as an original
woodcut
provenance: gift of Titus Felixmiiller,
1984
L.84.5. 171 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
3116
SelbstbiUnis, c. 1912
(Self-portrait) Lithograph on wove paper 8u/i6 x 6'/j in. (22.0 x 15.8 cm) From Zeitschrift fiir bildende Kunst, n.s., 23, no. 11 (1912): following 288 provenance: Galerie Gerda Bassenge, Berlin, 15 May 1976, part of lot 4364 83. 1 . 966 0
3117
Tanz, 1920
(Dance)
Linoleum cut on laid paper
6% x 5'/i in. (17.2 x 13.3 cm)
From Katalog der zweiten Ausstellung
der Hamburgischen Secession, exh. cat.
(Hamburg: Alte Kunsthalle, 1921), no.
72, pi. 1
PROVENANCE: Ars Libri, Boston;
purchased in 1982
Related to 1914 sculpture by Wield
83- 1-735 b
3118
Aufstieg, c. 1920
(Mountain climbing)
Woodcut on wove paper
7V2 x 5'/4 in. (19. 1 x 13.3 cm)
From Das Kunstfenster 1, no. 5 (1920): 7
PROVENANCE: Ars Libri, Boston;
purchased in 1978
83.1.1066 a
Paul Wieger
Friedrich Wield
born 1883 Hamburg died 1940 Hamburg
Egon Wilden
3118
814
Wilm
Hubert Wilm
born 1887 Kaufbeuren
Edward Winkler
born 1884 Saint Petersburg, Russia
Margarete Wohlwill
born 1878 Hamburg
3119
Anbetung, 1912
(Adoration)
Etching on Strathmore japan paper
5% x 5V16 in. (14.9 x 12.9 cm)
From Zeitschrift fiir bildcnde Kunst,
n.s., 23, no. 8(igi2): before 181
provenance: Galerie Gerda Bassenge,
Berlin, 15 May 1976, part of lot 4364
83.1.966 k
3120
Badende Frauen, igi2
(Bathing women)
Etching printed in brown on handmade
paper
45/s x 8 in. (11.8 x 20.4 cm)
From Zeitschrift fiir bildcnde Kunst,
n.s., 23, no. 8 (1912): following 204
provenance: Galerie Gerda Bassenge,
Berlin, 15 May 1976, part of lot 4364
83.1.966 1
3121
Waldinneres, c. 1914
(Heart of the forest)
Etching printed in brown on wove
paper
77/w x 9V2 in. (18.9 x 24. 1 cm)
From Zeitschrift fiir bildcnde Kunst,
n.s., 25, no. 4 (1914): following 108
provenance: Galerie Gerda Bassenge,
Berlin, 15 May 1976, part of lot 4364
83.1.967 c
3122
Landschaft mit Schleuse, 1920
(Landscape with floodgate)
Lithograph on laid paper
47/8 x 6 in. (12.4 x 15.2 cm)
From Katalog der zweiten Ausstellung
der Hamburgischen Secession, exh. cat.
(Hamburg: Alte Kunsthalle, 1921), no.
75- P>- 4
PROVENANCE: Ars Libri, Boston,
purchased in 1982
83- 1-735 e
GustavWolf 3123
Am Anfang: Genesis
born 1887 (In the beginning: Genesis)
Ostringen Portfolio of 7 lithographs with
watercolor on J. W. Zanders paper died 1947 Published by Eugen Diederichs, Jena,
East Northfield, 1913; total edition of 250
Massachusetts INSCRIPTION: each sheet signed, l.r.;
numbered (47/50) on justification page provenance: Galerie Gerda Bassenge, Berlin, 29 May 1975, lot 5278 exhibition: Reed 332 83.1.200 a-g 1. Der erste Tag, c. 1913 (The first day) With aqua, red, and yellow watercolor
g'/s x 7 in. (23. lx 17.8 cm) 83.1.200 a
3121
3122
3119
Der crsu Cao.
3123-1
Der drittc Cag
Der vitrli Caa
3123-3
3123-4
Wolf
815
;-t ggs
3124
3125
3120
3123-5
Der fijnflc Cag
Bl.7
Dtr etcbstt Cag
2. Der zu'eife Tag, c. 1913 (The second day)
With pink, light blue, dark blue, red, yellow, light green, and dark green watercolor io'/s x 7 in. (25.7 x 17.8 cm) 83.1.200 b
3. Der dritte Tag, c. 1913 (The third day)
With gray, brown, yellow, light
blue, dark blue, red, and green
watercolor
io'/s x 6% in. (25.7 x 17.2 cm)
83.1.200 c
4. Der vierte Tag, c. 1913 (The fourth day)
With red, orange, yellow, green, violet, blue, and brown watercolor io5/i6 x 7 in. (26.2 x 17.8 cm) 83.1.200 d
5. Der fiinfte Tag, c. 1913 (The fifth day)
With red, green, blue, violet, and yellow watercolor 9V2 x 7'/i6 in. (24. 1 x 17.9 cm) 83.1.200 e
6. Der sechste Tag, c. 1913 (The sixth day)
With blue, peach, yellow, red,
violet, green, pink, and brown
watercolor
io7/i6 x 715/i6 in. (26.5 x 20. 1 cm)
83. 1.200 f
7. Der siebente Tag, c. 1913 (The seventh day)
With red, yellow, blue, pink, and green watercolor 8% x 7 in. (22.2 x 17.8 cm) 83.1.200 g
3124
Figiirliche Landschaft, n.d. (Landscape with figures) Black ink on japan paper i5'/i6 x 11% in. (38.3 x 29.9 cm) PROVENANCE: widow of the artist; gift of Robert M. Light, 1980 M. 82. 287. 95
3125
Damenbildnis, c. 1898
(Portrait of a lady)
Drypoint, roulette, and aquatint on laid
paper
43/i6 x 37/i6 in. (10. 7x8.8 cm)
From seventh portfolio of Verein fur
Original-Radierung (Munich: Verein fur
Original-Radierung, 1898)
provenance: L'Art Ancien, Zurich;
purchased in 1974
83.1.159 b
Heinrich Wolf
born 1875 Niemcza, Poland
died 1940 Munich
3123-7
816
Hilde Wolf
Gert Wollheim
born 1894 Dresden
died 1974
New York, New York
Claus Wrage
born 1891 Malente
Wolf
3126
Untitled (abstract composition), c. 1918
Woodcut on laid paper
4% x 69/i6 in. (11.8 x 16.7 cm)
From Der Weg 1, no. 1 (1919): 9
PROVENANCE: Ex Libris, New York;
purchased in 1976
exhibition: Reed under 305
83.1.12136
3127
Untitled (landscape), c. 1919 Woodcut on laid paper 97/i6 x 6% in. (24.0 x 16.8 cm) From Der Weg 1, no. 3 (1919): 5 PROVENANCE: Ex Libris, New York; purchased in 1976 exhibition: Reed under 305 83.1.1215 c
3128
Selbstbildnis, 1919
(Self-portrait)
Charcoal on heavy wove paper
19V2 x 14^16 in. (49.6 x 36.9 cm)
inscription: signed and dated, 1.1.
provenance: Galerie Remmert &
Barth, Diisseldorf; purchased in 1984
L. 84. 5. 364; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
3129
Untitled (man with package), 1920 Lithograph on wove paper 8lA x 10% in. (21.6 x 27.0 cm) From portfolio Das Buch Eins des Aktivisten Bundes, 1919 (Diisseldorf: Eigener Verlag, 1920) inscription: signed and dated, l.r. provenance: Ars Libri, Boston; purchased in 1981 83. 1.670 a
3130
Untitled (abstract composition), 1920 Lithograph on wove paper io'/i x 8'/j in. (26.0 x 21.0 cm) From portfolio Das Buch Eins des Aktivisten Bundes, ig 19 (Diisseldorf: Eigener Verlag, 1920) inscription: signed, l.r. PROVENANCE: Ars Libri, Boston; purchased in 1981 83.1.670 d
3131
Untitled (head of an old woman),
c. 1923
Woodcut on wove paper
io'/4 x 7% in. (26.0 x 19.6 cm)
From Karl Lorenz, ed., Das neue
Hamburg (Hamburg: Gemeinsehafts-
verlag Hamburgischer Kiinstler, 1923),
P- 57
INSCRIPTION: numbered (257/450) on
justification page
PROVENANCE: Arthur H. Minters, New
York; purchased in 1976
exhibition: Reed under 322
83.1.160 h
3126
3127
3129
3128
3130
Wroniecki
817
3131
3133
3135
3132
Untitled (head of an old woman),
c. 1923
Woodcut on wove paper
io'/j x 713/i6 in. (26. 1 x 19.9 cm)
From Karl Lorenz, ed., Das neue
Hamburg (Hamburg: Gemeinschafts-
verlag Hamburgischer Kiinstler, 1923),
P- 59
INSCRIPTION: numbered (257/450) on
justification page
provenance: Arthur H. Minters, New
York; purchased in 1976
EXHIBITION: Reed under 322
83.1.160 i
3133
Untitled (landscape), c. 1923
Woodcut on wove paper
73/i x io3/i6 in. (19.6 x 25.9 cm)
From Karl Lorenz, ed., Das neue
Hamburg (Hamburg: Gemeinschafts-
verlag Hamburgischer Kiinstler, 1923),
p. 61
INSCRIPTION: numbered (257/450) on
justification page
provenance: Arthur H. Minters, New
York; purchased in 1976
exhibition: Reed under 322
83.1.160 j
3134
Untitled (kneeling figure), c. 1918
Woodcut on wove paper
4%x 37/i6 in. (11.1 x 8.7cm)
From Die Aktion 8, no. 31/32 (1918):
394; not identified as an original
woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1538 c
3135
Portrat, c. 1919
(Portrait)
Woodcut on wove paper
45/i6 x 3V4 in. (11.0 x 8.3 cm)
From Die Aktion 9, no. 23/24 (1919):
cover; not identified as an original
woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
8311553 a
Jan Wroniecki
born 1890 Posen
died 1948 Poznan, Poland
3134
818
Wiirtenberger
Ernst Wiirtenberger 3136
Die drei gerechten Kammacker
born 1868 (The three just combmakers)
Steisslingen Book with 8 woodcuts on wove paper
Illustrations to text by Gottfried Keller died 1934 (Leipzig: Kurt Wolff Verlag, 1918)
PROVENANCE: unknown
83.1.201 a-h
1. Untitled (Jobst, Fridolin, and Dietrich), c. 1918
4n/i6 x 59/i6 in. (11.9 x 14. 1 cm) Following title page 83.1.201 a
2. Untitled (three men in bed), c. 1918 4% x 5V2 in. (12. 1 x 13.9 cm)
Page 2 1 83. 1.201 b
3. Untitled (girl in meadow), c. 1918 4% x s'/a in. (11.8 x 14.0 cm) Page 25
83.1.201 c
4. Untitled (interior with man at table), c. 1918
4n/i6 x 5V2 in. (11.9 x 14.0 cm) Page 33 83.1.201 d
5. Untitled (pleading), c. 1918 4% x 5V2 in. (12. 1 x 14.0 cm) Page 39
83.1.201 e
6. Untitled (three men and girl in meadow), c. 1918
4% x 5V2 in. (12. 1 x 14.0 cm) Page 51 83.1.201 f
7. Untitled (man and woman in forest), c. 1918
4n/i6 x 51/2 in. (11.9 x 13.9 cm) Page 65 83.1.201 g
8. Untitled (street brawl), c. 1918 4"/i6 x 5V2 in. (11.9 x 14.0 cm) Page 69
83.1.201 h
Johannes Wiisten
born 1896
Heidelberg
died 1943 Brandenburg an der Havel
3137
Untitled (man in landscape), 1919 Woodcut on wove paper 6x 4% in. (15.2 x 12.1 cm) From Menschen 2, no. 54/61 (1919): 3 inscription: signed and dated, 1.1. provenance: Galerie Gerda Bassenge, Berlin, 25 May 1975, part of lot 4883 EXHIBITION: Reed under 289 83.1.1384 a
3138
Untitled (three men), c. 1919 Woodcut on wove paper 615/ie x 4V2 in. (17.6 x 11.5 cm) From Menschen 2, no. 54/61 (1919): 12 provenance: Galerie Gerda Bassenge, Berlin, 25 May 1975, part of lot 4883 exhibition: Reed under 289 83.1.1384 b
3136-1
3136-2
|
I |
Plr |
5=-*^>^* |
gT^^ra&^ii |
|
MM1 |
^^*t**H fil 1 |
||
|
•1 |
H |
||
|
\5^5igf!! |
fesg-^^gB1^ |
sH/Op |
3136-3
3136-6
3136-7
3136-8
Wusten
819
3138
3139
Untitled (head of a man), c. 1919 Woodcut on wove paper 7% x 5n/i6 in. (18.8 x 14.5 cm) From Menschen 2, no. 54/61 (1919): 18 provenance: Galerie Gerda Bassenge, Berlin, 25 May 1975, part of lot 4883 exhibition: Reed under 289 83.1.1384 c
3140
Monch, 1920
(Monk)
Woodcut on laid paper
5V2 x 4% in. (14.0 x 12. 1 cm)
From Katalog der zweiten Ausstellung
der Hamburgischen Secession, exh. cat.
(Hamburg: Alte Kunsthalle, 1921), no.
79, pi. 16
provenance: Ars Libri, Boston:
purchased in 1982
83-1-735 q
3141
Venus im Dreck, c. 1920
(Venus in the mud)
Woodcut on wove paper
g'/i x 6V2 in. (23.5 x 16.5 cm)
From Hugo Koch and Emil Maetzel,
eds., Der gelben Posaune der Sieben
gewidmet (Hamburg: Konrad Hanf,
1920)
provenance: Ganymede Graphics,
Berkeley; purchased in 1974
83.1. 124 g
3139
3140
3141
820
Zacharias
Alfred Zacharias
born 1901 Regensburg
3142
Strassenkampf, c. 1920 (Street battle) Woodcut on wove paper 3'/sx37/sin. (7.9 x9.9 cm) From DieAhtion 10, no. 33/34 (1920): 467 provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 83.1.1572 b
3143
Zweihampf, c. 1920
(Duel)
Woodcut on wove paper
215/i6 x 37/8 in. (7.4 x 9.9 cm)
From DieAhtion 10, no. 29/30 (1920):
410; not identified as an original
woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1571 b
3144
Die Verratenen, c. 1921
(The betrayed)
Woodcut on wove paper
515/i6 x 4n/i6 in. (15.1 x 11.9 cm)
From Die Ahtion 11, no. 15/16 (1921):
cover; not identified as an original
woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1581a
3142
3144
3143
|
Karl Friedrich |
3145 |
|
Zahringer |
Widmungsblatter |
|
(Dedication pages) |
|
|
born 1886 Fiitzen |
Portfolio of 6 woodcuts on laid paper |
|
Printed and published by Kunstdrucke- |
|
|
died 1923 Murg. |
rei Kiinstlerbund, Karlsruhe, 1921 |
|
Switzerland |
PROVENANCE: unknown |
|
inscription: each sheet with stamped |
|
|
signature, l.r. |
|
|
83.1.733 a-f |
|
|
1. Mann im Hochgebirge—E. F. |
|
|
Meyer, c. 1921 |
|
|
(Man in high mountains— E. F. |
|
|
Meyer) |
|
|
3% x 3V16 in. (9.9 x 7.8 cm) |
|
|
Plate 1 |
|
|
83.1.733 a |
|
|
2. Pan— Christian Morgenstern, |
|
|
c. 1921 |
|
|
37/8 x 3I/4 in. (9.8 x 8.3 cm) |
|
|
Plate 2 |
|
|
83- 1-733 b |
3145-3
3145-6
Zeising
821
3145-5
3146
3148
Eberjagd— Hermann Lons, c. 1921 (Boar hunt— Hermann Lons) 35/is x 2% in. (8.4 x 7.0 cm) Plate 3
83.1.733 c
Entschwebender Genius— Prinz zu
Schdneich-Charokith, c. 1921
(Genius ascending— Prince of
Schbneich-Charolath)
3l3/i6 x 33/i6 in. (9.7 x 8. 1 cm)
Plate 4
§3- 1-733 d
Schiffe, die sich begegnen— Beatrice
Harradan, c. 1921
(Two ships meeting— Beatrice
Harradan)
313/i6 x 3'/i in. (9.7 x 8.3 cm)
Plate 5
83- 1-733 e
Ziegen— Christian Morgenstern,
c. 1921
(Goats— Christian Morgenstern)
4 x 3% in. (10.2 x 8.5 cm)
Plate 6
83- 1-733 f
3146
Fischerhafen in der Bretagne, 1909
(Fishing harbor in Brittany)
Etching on laid paper
7% x g7/i6 in. (18.7 x 23.9 cm)
From Zeitschrift fur bildende Kunst,
n.s., 22, no. 7(1911): following 172
provenance: Galerie Gerda Bassenge,
Berlin, 15 May 1976, part of lot 4364
83. 1.965 f
3147
Die Salzgasse in Dresden, 1911
(Salzgasse in Dresden)
Etching printed in brown on laid paper
8% x 53/i6 in. (21 .9 x 13. 1 cm)
From Zeitschrift fur bildende Kunst,
n.s., 23, no. 4 (1912): before 81
provenance: Galerie Gerda Bassenge,
Berlin, 15 May 1976, part of lot 4364
83.1.966 c
3148
Fahrhaus Uhlenhorst, 1913
(Uhlenhorst ferry-house)
Drypoint on laid paper with crowned
fleur-de-lis watermark
87/i6 x 915/i6 in. (21.4 x 25.2 cm)
From Zeitschrift fur bildende Kunst,
n.s., 25, no. 8 (1914): before 253
provenance: Galerie Gerda Bassenge,
Berlin, 15 May 1976, part of lot 4364
83. 1.967 f
Walter Zeising
born 1876 Leipzig died 1933 Dresden
3147
822
Zeller
Magnus Zeller 3149
Revolutionszeit
born 1888 (Time of revolution)
Biesenrode Portfolio of 7 lithographs on wove paper
Published by Albreeht Blau, Berlin,
died 1973 Caputh 1920
inscription: signed and numbered (103/300) on justification page provenance: Comision nacional de museos y monumentos historicos / Jose Luis Busaniche, secretario general (stamp, each sheet); Kamberg collection, Springfield, Massachusetts (stamp, each sheet, verso) M.87.58 a-g; gift of Mr. and Mrs. Marvin Fishman
1. Volksredner, c. 1920 (Agitator)
i213/i6 x 14 in. (32.6 x 35.6 cm) M.87.58 a
2. Spieler, c. 1920 (Gamblers)
11 x I415/i6 in. (27.9 x 37.9 em) M.87.58 b
3. Rummelplatz, c. 1920 (Busy square)
n13/i6X I513/i6in. (30.0x40.1 cm) M.87.58 c
4. Zecher, c. 1920 (Revelers)
I513/i6 x n7/8 in. (40.2 x 30.2 cm) M.87.58 d
5. Diebe, c. 1920 (Thieves)
15% x 11% in. (39.0 x 29.9 cm) M.87.58 e
6. Dejnonstranten, c. 1920 (Demonstrators)
147/8 x n3/i6 in. (37.8 x 28.4 cm) M.87.58 f
7. Begrabnis der Opfer, c. 1920 (Burial of the sacrifices)
nl3/i6 x 15% in. (30.0 x 39.0 cm) M.87.58 g
Heinrich Zernack
born 1899 Koblenz died 1945 Berlin
31S0
Der Verbrecher, c. 1924
(The criminal)
Woodcut on wove paper
53/i6 x 415/i6 in. (13.2 x 12.6 cm)
From Karl Dietz, ed., Schwarzer Greif:
Ein Almanack aufdasjahr 1925
(Rudolfstadt: Greifenverlag, 1925), p. 191
PROVENANCE: unknown
83-1-549 jj
Fritz Zeymer 3151
Pyramus tind Thisbe, c. 1907 born 1886 Vienna, (Pyramus and Thisbe)
Austria Lithograph printed in black, blue,
green, and red on laid paper died 1940 Vienna, 35/s x 6 in. (9.2 x 15.2 em)
Austria Illustration to play by C. Schloss in first
program book Kabarett Fledermaus (Vienna: Wiener Werkstatte, 1907) PROVENANCE: Hartung & Karl, Munich, 15 November 1979, part of lot 2899 83.1.167 d
3149-1
3149-3
3149-5
3149-2
3149-6
3150
Zille
823
onaaaaBODaDDDaDBDaaD aaaaanaatiDaaDDDaaDnn
3151
3153
3155
3156
3152
Untitled (woman with diaphanous
cape), c. 1907
Lithograph printed in black, blue, light
green, and red on laid paper
5I5/i6 x 5I5/i6 in. (15. 1 x 15. 1 cm)
From first program book Kabarett
Fledermaus (Vienna: Wiener
Werkstatte, 1907)
provenance: Hartung & Karl, Munich,
15 November 1979, part of lot 2899
83.1.167 c
3153
Mutter, 1927
(Mother)
Lithograph on wove paper
9V2 x 7n/i6 in. (24. 1 x 19.6 cm)
From Ing. Hermann Heuss et al.,
Kiinstler abseits vom Wege, igoj—iQ2j
(Chemnitz: Kiinstlergruppe Chemnitz,
1927), p. 64
provenance: unknown
83.1.52 b
3154
Untitled (church), c. 1918
Woodcut on wove paper
6'A x 3s/i6 in. (159 x 8.4 cm)
From Die Aktion 8, no. 11/12 (1918):
141; not identified as an original
woodcut
PROVENANCE: gift of Titus Felixmiiller,
1984
L. 84. 5. 75 f; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
3155
Untitled (tower), c. 1919 Woodcut on wove paper 6% x 5V16 in. (16.9 x 12.8 cm) From Das Kunstblatt 3, no. 11 (1919) provenance: Kunstgalerie Esslingen, Esslingen; purchased in 1975 exhibition: Reed 283/66 83.1.1145 a
Bruno Ziegler
born 1879 Gotha died 1941 Chemnitz
Willy Zierath
born 1890 Berlin
|
3156 |
Heinrich Zille |
|
AufUrlaub, c. 1916 |
|
|
(On vacation) |
born 1858 |
|
Lithograph on wove paper |
Radeberg |
|
6% x 85/i6 in. (16.2 x 21. 1 cm) |
|
|
From Der Bildermann 1, no. 13 (1916): 1 |
died 1929 Berlin |
|
provenance: Hauswedell & Nolte, |
|
|
Hamburg, 6-8 June 1974, part of lot 180 |
|
|
EXHIBITION: not listed in Reed under |
|
|
265 |
|
|
83.1.1462.49 |
3154
824
Zille
3157
Das eiseme Kreuz, c. 1916
(The Iron Cross)
Lithograph on wove paper
io3/i6 x 85/ie in. (25.9 x 21. 1 cm)
From Der Bildermann 1, no. 8 (1916): 3
PROVENANCE: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot
180
EXHIBITION: not listed in Reed under
265
83.1.1462.31
3158
Ferienpaten, c. 1916
(Vacation with godparents)
Lithograph on wove paper
9u/i6 x 8'/i6 in. (24.6 x 20.4 cm)
From Der Bildermann 1, no. 10 (1916): 3
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot 180
EXHIBITION: not listed in Reed under 265
83.1.1462.39
3159
Kinderschar, c. 1916
(Swarm of children)
Lithograph on wove paper
915/i6 x 8n/i6 in. (25.3 x 22. 1 cm)
From Der Bildermann 1, no. 5 (1916): 3
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot 180
EXHIBITION: not listed in Reed under 265
83.1.1462.19
3160
Schnapsdestille, c. 1916
(Liquor shop)
Lithograph on wove paper
io3/i6 x 8V4 in. (27.5 x 21.0 cm)
From Der Bildermann 1, no. 16 (1916): 3
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot 180
exhibition: not listed in Reed under 265
83.1.1462.63
3161
Untitled (crowd on sidewalk), 1916 Lithograph on wove paper 10% x 8V4 in. (25.7 x 21.0 cm) From Der Bildermann 1, no. 12 (1916): 3 PROVENANCE: Hauswedell & Nolte, Hamburg, 6-8 June 1974, part of lot 180 exhibition: not listed in Reed under 265 83.1.1462.47
3162
Untitled (restaurant), c. 1916
Lithograph on wove paper
87/s x 8 in. (22.5 x 20.3 cm)
From supplement to Der Bildermann 1,
no. 4 (1916)
provenance: Hauswedell & Nolte,
Hamburg, 6-8 June 1974, part of lot 180
EXHIBITION: not listed in Reed under 265
83. 1.1462.81
V ifffffe,.
3161
3163
3165
3167
3166
3168
Zitzewitz
3163
ExLibris, c. 1918
Woodcut on wove paper
2% x o?A in. (6.6 x 6.6 cm)
From Die Aktion 8, no. 19/20 (1918):
back cover; not identified as an original
woodcut
provenance: gift of Titus Felixmiiller,
1984
L. 84.5. 78 i; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
3164
Golgotha, c. 1918
Woodcut on wove paper
37/8 x 35/i6 in. (9.8 x 8.4 cm)
From Die Aktion 8, no. 11/12(1918):
140; not identified as an original
woodcut
provenance: gift of Titus Felixmiiller,
1984
L. 84. 5. 75 e; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
3165
Stilleben, c. 1918
(Still life)
Woodcut on wove paper
4% x 45/s in. (12.4 x 11.8 cm)
From Die Aktion 8, no. 17/18 (1918):
back cover
PROVENANCE: gift of Titus Felixmiiller,
1984
L. 84. 5. 77 b; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
3166
Untitled (nude), c. 1918
Woodcut on wove paper
65/s x in/i6 in. (16.9 x 4.3 cm)
From Die Aktion 8, no. 19/20 (1918): 237
provenance: gift of Titus Felixmuller,
1984
L. 84.5. 78 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
3167
Untitled (country road), c. 1918 Woodcut on wove paper 73/i6 x 59/i6 in. (18.2 x 14. 1 cm) From Die Aktion 8, no. 19/20 (1918):
239-40
provenance: gift of Titus Felixmuller,
1984
L.84.5.78 b; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
3168
Untitled (girl resting), c. 1918
Woodcut on wove paper
3u/i6 x 4% in. (9.4 x 11. 1 cm)
From Die Aktion 8, no. 19/20 (1918): 244
PROVENANCE: gift of Titus Felixmuller,
1984
L.84.5.78 c; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
825
Auguste von Zitzewitz
born 1880 Berlin died 1960 Berlin
826
Zitzewitz
Anders Zorn
born 1860 Dalarna, Sweden
died 1920 Dalarna, Sweden
3169
Untitled (cat), c. 1918
Woodcut on wove paper
25/i6 x 29/i6 in. (5.9 x 6.5 cm)
From Die Aktion 8, no. 19/20 (1918): 245
PROVENANCE: gift of Titus Felixmiiller,
1984
L. 84. 5. 78 d; lent by the Robert Gore
Kit kind Foundation, Beverly Hills,
California
3170
Untitled (two horses), c. 1918
Woodcut on wove paper
7'/i6 x 55/s in. (17.9 x 14.3 cm)
From Die Aktion 8, no. 19/20 (1918):
247-48
PROVENANCE: gift of Titus Felixmiiller,
1984
L. 84. 5. 78 e; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
3171
Untitled (two fish), c. 1918 Woodcut on wove paper i9/i6 x 73/s in. (4.0 x 18.8 cm) From Die Aktion 8, no. 19/20 (1918):
251-52
provenance: gift of Titus Felixmiiller,
1984
L. 84.5. 78 f; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
3172
Untitled (girl), c. 1918
Woodcut on wove paper
47/i6 x 3% in. (11.3 x 8.6 cm)
From Die Aktion 8, no. 19/20 (1918): 253
PROVENANCE: gift of Titus Felixmiiller,
1984
L. 84. 5. 78 g; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
3173
Untitled (still life), c. 1918
Woodcut on wove paper
1% x 1% in. (4. 2 x 4. 1 cm)
From Die Aktion 8, no. 19/20 (1918): 257
provenance: gift of Titus Felixmiiller,
1984
L. 84. 5. 78 h; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
3174
Mine Simon, 1891
Etching on wove paper
95/i6 x 6V4 in. (23.7 x 15.9 cm)
From Pan 1, no. 2 (1895-96): following 70
provenance: Kornfeld & Klipstein,
Bern, 7-8 June 1978, part of lot 775
reference: Delteil 66 iv; Dennerlein
246
83.1. 1350 h
3169
3170
3172
• #
3171
3173
Zuntz
827
3174
3176
|
3175 |
|
|
Paul Verlaine, 1895 |
|
|
Etching on wove paper |
|
|
97/i6 x 6'/i in. (23.9 x 15.9 cm) |
|
|
From Pan 2, no. 1 (1896): following 68 |
|
|
PROVENANCE: Kornfeld i*c Klipstein, |
|
|
Bern, 7-8 June 1978, part of lot 775 |
|
|
reference: Delteil 92 Hi; Dennerlein |
|
|
956 |
|
|
83.1.1352CI |
|
|
3176 |
Jan Zrzavy |
|
Jongleur, c. 1918 |
|
|
(Juggler) |
born 1890 |
|
Woodcut on wove paper |
Vadin, Bohemia |
|
5 '/a x 4 in. (13.9 x 10. 1 cm) |
|
|
From Die schone Raritdt 2, no. 8 |
died 1977 |
|
(1918): 119 |
|
|
PROVENANCE: Kunstgalerie Esslingen, |
|
|
Esslingen; purchased in 1975 |
|
|
EXHIBITION: Reed under 301 |
|
|
83.1.1652 c |
3177
Gestalt, c. 1913
(Figure)
Linoleum cut on wove paper
313/i6 x 4'/i6 in. (9.7 x 10.4 cm)
From Saturn 3, no. 5 (1913): cover; the
image also appears on p. 139
provenance: Galerie Gerda Bassenge,
Berlin, 4 June 1975, part of lot 4899
exhibition: Reed under 300
83.1.1314 c
Israel Zuntz
3175
3177
828
F. K.
Anonymous
3178
Die Qual, c. 1918
(Torment)
Woodcut on wove paper
5V2 x 37/i6 in. (14.0 x 8.8 cm)
From Die Aktion 9, no. 1 (1919): 18
PROVENANCE: Ars Libri, Boston;
purchased in 1982
83.1.1546 a
3179
Untitled (man and woman on bed),
c. 1921
Woodcut on laid paper
57/a x g'A in. (15.0 x 23.5 cm)
From Eros 1, no. 4 (1921): before 99
provenance: Galerie Gerda Bassenge,
Berlin, 16 April 1981, part of lot 2212
83.1.1610 f
3180
Kiinstlergruppe Briicke, 1911
(The artists' group the Briicke)
Woodcut on card
315/i6 x 6% in. (10.0 x 16. 1 cm)
Announcement for exhibition at Haus
Leonhard Tietz, Diisseldorf, May-June
1911
provenance: Warrack & Perkins,
Enstone, Oxfordshire; purchased in
1975
EXHIBITION: Reed 244
M. 82.288.1
3181
D'Annunzio, 1915
Lithograph on wove paper
i39/i6 x lo'/a in. (34.4 x 26.7 cm)
From Kriegszeit, no. 42 (1915): 2
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: not listed in Reed
under 281
83.1.1440 a
3182
Kranker Tatar, 1915
(Sick Tatar)
Lithograph on wove paper
10% x 7% in. (26.3 x 20.0 cm)
From Kriegszeit, no. 57 (1915): 1
provenance: Hauswedell & Nolte,
Hamburg, 5-7 June 1975, part of lot
1072
exhibition: not listed in Reed
under 281
83- 1- 1454 a
51071=
K.Gr.„BRiJCKE
A\AI-JUNI 1911
IN DE.P*
KUNSTAUSSTELLUNG
l*V HAUSE.
L EON HARD Tl ETC
A. & nuSSLLDORF
il'
3180
3183
3182
3181
3186
Anonymous
829
3184-4
3184-3
3184-6
3184-5
3183
Der Kapitalismus, c. 1918
(Capitalism)
Woodcut on wove paper
5V2 x 7'/s in. (14.0 x 18. 1 cm)
From Die Aktion 8, no. 45/46 (1918):
cover; not identified as an original
woodcut
provenance: Kunstgalerie Esslingen,
Esslingen; purchased in 1975
83.1.1542 a
3184
Das Cabinet des Dr. Caligari
(The cabinet of Dr. Caligari)
Seven silver prints
Stills from the film directed by Robert
Wiene
provenance: Sotheby's, New York, 15
December 1981, lot 126
M. 82.287.1 a-g
1. Untitled, 1919
915/ie x 13 in. (25.3 x 33.0 cm) M. 82.287.1 a
2. Untitled, 1919
10 x 13 in. (25.4 x 33.0 cm) exhibition: Rigby III, 2 M. 82. 287. lb
3. Untitled, 1919
13 x 10 in. (33.0 x 25.4 cm) M. 82.287.1 c
4. Untitled, 1919
10 x 13 in. (25.4x33.0 cm) EXHIBITION: Rigby III, 1 M. 82.287. id
5. Untitled, 1919
915/ie x 13 in. (25.3 x 33.0 cm) M. 82. 287.1 e
6. Untitled, 1919
10 x 13 in. (25.4x33.0 cm) M. 82.287. if
7. Untitled, 1919
13 x gI5/i6 in. (33.0 x 25.3 cm) Xl.82.287.1g
3185
Untitled (bull), c. 1920
Woodcut on wove paper
lVis x 4% in. (3.6 x 11. 1 cm)
From Gert Wollheim, ed., Das- Bitch
Zwei des Aktivisten Bundes, 1919,
Dusseldorf (Diisseldorf: Druckhaus
Diisseldorf, [1920])
PROVENANCE: Kornfeld & Klipstein,
Bern, 11 June 1977, part of lot 492
83.1.2496
3186
Gruppenbild: Gewerkschaftsangestellte
in einer Sitznng im Ruhrgebiet, c. 1923
(Group picture: Labor union employees
at a meeting in the Ruhr district)
Woodcut on wove paper
515/i6 x 415/i6 in. (15. 1 x 12.5 cm)
From Die Aktion 13, no. 3 (1923): cover;
not identified as an original woodcut
provenance: gift of Titus Felixmiiller,
1984
L.84.5. 119 a; lent by the Robert Gore
Rifkind Foundation, Beverly Hills,
California
830
Anonymous
3187
Six Expressionist anti-Nazi stickers
Letterpress on wove paper PROVENANCE: Ex Libris, New York; purchased in 1977 M.82.288. 222—27
1. Heil Hitler? 1944-45
4% x i15/i6 in. (12.0 x 4.9 cm) M. 82. 288. 222
2. Hitler uterben I Volk leben, 1944-45 (Hitler to die / people to live)
2% x 3V8 in. (7.0 x 7.9 cm) M. 82.288.223
3. Ein seehster Kriegswinter? 1944-45 (A sixth winter of war?)
4'/i6 x 6n/i6 in. (10.3 x 16.9 cm) M. 82. 288. 224
4. Der Schuldige, 1944-45 (The guilty one)
3J/i x 2% in. (8.3 x 6.0 cm) M. 82. 288. 225
5. Erledigt, 1944-45 (Finished)
3u/i6 x 2u/i6 in. (9.3 x 6.8 cm) M. 82. 288. 226
6. Prima Heftpflaster, 1945 (A great bandage)
33/i6 x 5u/i6 in. (8.4 x 14.5 cm) M. 82.288.227
Hfe afffUS iSk
3187-1
3187-3
3187-4
3187-5
R^ 1 a deutscftes (k' Heflpflaster §> Dester Ersatz
fur englisch Pflaster
1
■ » ft
1
Vor dem
Gebraudi
gut
anfeuthten.
f
^ESl
^■•■JJt SJt. 0?49
3187-6
832
Index of Authors and Editors
Achmann, Josef. See Britting, Georg, and Josef
Achmann Adler, Bruno, 1276, 2506
Barbusse, Henri, 1276, 1608 Barlach, Ernst, 70-71, 92, 100 Baudelaire, Charles, 2872 Baumer, Ludwig, 1637 Benn, Gottfried. 599 Bethge, Hans, 3090 Biermann, Georg
Jahrbuch derjungen Kunst (1920): 338, 521, 567, 2027, 2111, 2255, 3088-89
Jahrbuch derjungen Kunst (1921): 21, 393, 960, 1068, 1871, 3049
Jahrbuch derjungen Kunst (1922): 141, 1309, 1552. 1555. 1655, 2944
Jahrbuch derjungen Kunst (1923): 48, 449, 615, 824, 1986, 2628
Jahrbuch derjungen Kunst (1924): 455, 483, 1695, 1836, 1866 Billingis, Richard, 1684 Blei. Franz, 943, 970, 1102 Bluth, Karl Theodor, 1469 Bosshart, Jacob, 1478 Braunbehrens, Lili von, 136 Brentano, Clemens, 1995 Briele, Wolfgang van der, 2384 Britting, Georg, and Josef Achmann, 23-25,
547, 2169, 2825 Brust, Alfred, 2563 Buchner, Georg, 846-47 Butterlin, Hanns Otto, 340
Cellini, Benvenuto, 2783
Conzelmann, Otto, 485
Corinth, Lovis, and Wilhelm Hausenstein, 441
Coster, Charles de, 913, 1868
Dante Alighieri, 1294
Daubler, Theodor, 2916
Daudet, Alphonse, 959
Defoe, Daniel, 1339
Dietz, Karl, 303, 522, 639, 764-81, 821, 978-80,
994, 1326, 1865, 2003, 2205, 2511, 2766, 2956,
3050, 3103, 3150 Dirsztay, Victor, 1574 DOblin, Alfred, 1453 Dostoyevski, Fyodor, 128, 335, 764-65, 925,
1028, 1651
Edschmid, Kasimir, 132 Egk, Werner, 1585 Ernst, Paul, 2516 Eulenberg, Herbert, 436
Felixmuller, Londa and Conrad, 617 Finckh, Ludwig, 1694 Flaubert, Gustave, 13S5, 2177
Glaser, Curt, et al., 147 GlIchezaere, Heinrich der, 2633 Goerinc, Reinhard, 364-65, 2862 Goethe. Johann Wolfgang von, 101, 104, 996,
1756 Gogol, Nikolay. 839, 2405 Goll, Ivan, 2853 Graf, Oskar Maria, 2623 Grohmann, Will, 1371, 1481-82 Grossmann, Rudolf, 945 GCnther, Alfred, 2636
Gurlitt, Fritz Almanach aufdasja.hr 1919: 431, 1334. 2253 Abnanach aufdasjahr 1920: 433, 435, 2239,
2254 Das graphische Jahr (1921): 428, 437, 956, 1338. 1993. 2259. 2478, 2590, 3079 Guthmann. Johannes, 123
Hamann, Richard, and Fritz Herbert Lehr, 117,
487. 1373. l87° Hancke, Erich, 1737 Hartmann, Walther Georg, 2008, 2010 Hasenclever, Walter, 813-14 Hatzfeld, Adolf von, 91, 1202 Hauff, Wilhelm, 110 Hauptmann, Gerhart, 1224 Hausenstein, Wilhelm. See Corinth, Lovis, and
Wilhelm Hausenstein Heine, Heinrich, 2196, 2796 Heinse, Wilhelm, 3078 Henschke, Alfred. See Klabund Heuss, Ing. Hermann, etal., 323, 782, 1688,
1898, 2302, 2452, 2599, 3153 Heym, Georg, 1474 Hiller, Kurt, 504 Hoffmann, E. T. A., 940 Hofmannsthal, Hugo von, 3070 Huysmans, Joris Karl, 749
Israels, Jozef, 1735
Joel, Hans Theodor, 832, 2420, 2565 Jouy, E., 2589
Kandinsky, Wassily, 1367-68
Kandinsky, Wassily, and Franz Marc, 1366
Kasack, Hermann, 844
Keim, Franz, 459
Keller, Gottfried, 194, 3136
KlRCHNER, Ernst Ludwig, 1025, 1031, 1458-59,
2545-46 Kirchner, Joachim, 59, 664, 966, 1067, 1289,
i55o-5i- 1554. l65°. l689. 1929, 2249, 2675,
3087 Klabund (Alfred Henschke), 1909, 2797 Klein, Tim, 439
Kleist. Heinrich von, 1992, 2704 Knoblauch, Adolf, 557 Koch, Henry de, 424 Koch, Hugo, and Emil Maetzel, 1721, 1809,
1811-12, 2157, 2665, 2837, 3141 Koffka, Friedrich, 2861 Kokoschka, Oskar, 1556, 1558, 1562, 1572 Kraus, Karl, 1561 Kuppers, Paul Erich, 93, 337, 560, 611, 808,
1050, 1492, 2306, 2683, 2711, 3028, 3048
LaCkner, Stephan, 150
La Fontaine, Jean, 1710
Landau, Rom, 2195
Lasker-Schuler, Else, 1711-12
Lautensack, Heinrich, 1288, 2233
Lehr, Fritz Herbert. See Hamann, Richard, and
Fritz Herbert Lehr Leip, Hans, 1722 Lessing, Gotthold Ephraim, 1134 Lorenz, Karl, 2320
Das neue Hamburg (1923): 114-16, 1625-27, 1781-83, 1816-18, 2108-10, 2170-73,
2413-15, 2661-63, 2826-29, s^-ss
Die rote Erde, 2d ser. , no. 1: 22, 26-30, 325-30, 2163-68, 2818-24, 2926-31
MacOrlan, Pierre, 964
Maeterlinck, Maurice, 2005
Maetzel, Emil. See Koch, Hugo, and Emil
Maetzel Mandach, Conrad von, 37 Mann, Heinrich, 963 Mann, Thomas, 1845, 1869 Marc, Franz. See Kandinsky, Wassily, and Franz
Marc Meidner, Ludwig, 1927 Meier-Graefe. Julius
Ganynied, vol. 1: 928-31, 934
Ganymed, vol. 2: 2639-42
Gamjmed, vol. 3: 137, 199, 941, 1201, 1682,
2503 Ganymed, vol. 4: 144, 394, 1005, 1994, 2717,
3037 Ganymed, vol. 5: 826, 948, 1034, 2143, 2504,
2981 Merimee, Prosper, 1340 Meyer, Alfred Richard, 958, 962, 2406 Meyrink, Gustav, 2835
Nadel, Arno, 2848
Neumann, 1. B., 1055
Niemeyer, Wilhelm, 1962-63, 1965, 2569, 2965
Oppenheimer, Max, 2178
Perez. Jizchok-Leib, 2850-51
Perry, Gabriel, 2800
Pfemfert, Franz, 657
Pfister, Kurt, 95, 135, 195, 385, 416, 440, 558, 610, 741, 939, 955, 1036, 1498, 1605, 1681, 1772, 1930, 2052, 2252, 2502, 2551, 2714-15,
30.35 Philippe, Charles-Louis, 1846 Piscator, Erwin, 965 Plaut, James, 1584 POE, Edgar Allan, 990 Pryzgode, Wolf, 1831
Rolland, Romain, 1845
Saedler, Heinrich, 2719
Sauermann, Ernst, 523, 2121
Schapire, Rosa, 2574-80
Scheffler, Karl, 1747
Scheid, Richard, 317-21, 2099-2105
Schiefler, Gustav, 1472, 1473.2, 1479, 1484.
1733, 2120, 2133-36 Schiller, Friedrich von, 103, 434, 443, 446,
1521
SCHLOSS, C, 3151
Schott, Siegfried, 1129, 2593
Schreyer, Lothar, 2602
Schurmeyer, Walter, 386, 388
Seidel, Willy, 2262
Shakespeare, William, 1586, 2863, 2941
Siemsen, Hans, 947
SORGE, Reinhard, 2858-60, 2864
Spies, Werner, 537
Sternheim, Carl, 920
Stieler. Hilde, 657
Stramm, August, 2162
Strindberg, August, 197
Struck, Hermann, 101.20, 1581, 1774, 2883
Swift, Jonathan, 1333, 1336
Tagore, Rabindranath, 1337 Tietze, Hans, 2291 Tyrtaeus, 2517
833
Velde, Nele van de, 3042 Verhaeren, Emile, 1847 Vebmeylen, August, 1851 Vergil, 2718
Wagner, Richard, 2836
VValden, Herwarth, 112-13, 3S2, 1074, 1076,
1094, 1833, 2968 Waldmann, Emil, 2437 Walter, Reinhold von, 96 Wedderkop, H. von, 450, 957, 1S50, 2206, 2815 Weiss, Ernst, 1944 Werfel, Franz, 2857 Westheim, Paul, 386, 566, 1052, 2568 Whitman, Walt, 2923 Wieland, Christoph M., 1903, 2508 Wilde, Oscar, 1010, 1864, 2510 Wollheim, Gert, 975, 2201-4, 2600-2601,
2889, 3185
Zola, Emile, 1460
Heinrich Campendonk
Madchen mit Froschen Cat. no. 384
Index of Publishers
Verlag die Aktion: Felixmiiller, 599; Freundlich,
657; Krapp, 1637; Schmidt-Rottluff, 2563 Alte Kunsthalle: Ahlers-Hestermann, 33, Banco, 64; Blohm, 302; Breest, 322; Hamann, 986; Hartmann, 995; Kuohl, 1690; Maetzel, 1810, Maetzel-Johannsen, 1820-21; Opfermann, 2160; Ree, 2324; Schwemer, 2660; Schwemmer, 2666, Wield, 3117; Wohlwill, 3122; Wiisten, 3140 AMALTHEA-Verlag: Larsen, 1710 Verlag Ernst Arnold: E. L. Kirchner, 1481 Verlag Avalun: Braumiiller, 317-21, Corinth, 446; E. Neumann, 2099-2105
Heinrich F. S. Bachmair: Seevvald, 2695 A. Bagel: Uzarski, 3038 Verlag Julius Bard: Nolde, 2120 Bauhaus: Heckel, 1049; Schreyer, 2605 Bauhaus verlag: Bayer, 122; Breuer, 324;
Hirschfeld-Mack, 1179-80; Keler and
MolnaY, 1393; Paris, 2207; Schleifer, 2505;
K. Schmidt, 2514-15 Verlag Arndt Beyer: Hofer, 1204; Kollwitz, 1607;
Pechstein, 2260 Alhrecht BlaU: Zeller, 3149 Emil Boden: Felixmiiller, 617 Heinrich BOhme Verlag: Barlach, 93; Burchartz,
337; Feininger, 560; Felixmiiller, 611;
Gleichmann, 808; Heckel, 1050; Klee, 1492;
Plunnecke, 2306; Schwitters, 2683; Seevvald,
2711; Unold, 3028; Viegener, 3048 Albert & Charles Boni: Masereel, 1847
Editions Cahiers d'Art: Kandinsky, 1371 Bruno Cassirer: Liebermann, 1733, 1737;
Oppenheimer, 2177; Slevogt, 2780 Paul Cassirer: Barlach, 71, 91-92, 95-98,
100-101, 101.20, 102-4; Beckniann, 123;
Grossmann, 945; Kokoschka, 1572, 1577-81;
Lasker-Schiiler, 1711; Liebermann, 1773-75;
Meidner, 1927; Pechstein, 2228; Slevogt,
2801; Struck, 2883 Constable & Co. : Kandinsky, 1367 Editions Cosmopolites: Beckmann, 150
Friedrich Dehne Verlag: Kollwitz, 1608;
Plunnecke, 2303-4 DELPHIN-Verlag: Caspar, 403; Caspar-Filser, 418;
Fricke, 658; Genin, 783; Hermann, 1123;
Hofmann-Juan, 1225; Jagerspacher, 1295;
Klee, 1488; Kubin, 1670; Oppenheimer, 2175;
Scharff, 2453; Schiele, 2480; Schinnerer,
2484; Schiilein, 2643; Schwalbaek, 2655 Deutsche Buch-Gemeinschaft: Klemm, 1521 Deutsche Verlags-Anstalt: Laage, 1694 Eugen Diederichs: G. Wolf, 3123 Dreilanderverlag: Seevvald, 2699 Drei Masken Verlag: Holthoff and Rademacher,
1237; Meseck, 1995 Dresdner Verlag: Dix, 473 Druckhaus DOsseldorf: Haer, 975; O. Pankok,
2201-4; Schreiner, 2600-2601; Szvvarc, 2889;
anonymous, 3185
Eigener Verlag: Bullinger, 334; Haer, 974;
Kermcheek (?), 1397; O. Pankok, 2199-2200;
Rilke, 2366; Stoeffhase, 2869; Wollheim,
3129-30 Erker Presse: Dix, 486
Euphorion Verlag: Dix, 480; Gramatte, 845; Heckel, 1056; E. L. Kirchner, 1479, 14S4; Kokoschka, 1582; Nolde, 2133-36; Schmidt- Rottluff, 2574-80; Seevvald, 2718; Steinhardt, 2849
Felt Verlag: Bertlings, 277; Holzhausen, 1238; Huhnen, 1253-54; Katzgrau, 1379; Kempkes, 1394; Kuhlen, 1686; Minkenberg, 2004; Nauen, 2075; Rottger, 2408, Sartorious, 2423
Galerie Alfred Flechtheim: Grossmann, 947; Hofer, 1202; Kogan, 1546-49; Masereel, 1853; Morgner, 2030; Tappert, 2916
Verlag FREIE Strasse: Schrimpf, 2607
FOHRER-Verlag: Seevvald, 2719
Ganymed Original Editions: Kokoschka, 1586
O. W. Gauss: Klee, 1499
Gemeinschaftsverlag Hamburgischer KunstleR: Bauer-Saar, 114-16; Kopke, 1625-27; Lowengard, 1781-83; Maetzel, 1816-18; Niebuhr, 2108-10; Opfermann, 2170-73; Ruckteschell, 2413-15; Schwemer, 2661-63; Stegemann, 2826-29; Wrage,
3131-33
Genossenschaft fOr proletarische Kunst: Godal, 816
Verlag Gerlach & Wiedling; Czeschka, 459
Wilhelm Gerstung: Koch, 1542-45
GoltzverlaG: Caspar, 404; Caspar-Filser, 419; Davringhausen, 462; Feldbauer, 568; Piittner, 2310; Scharff, 2455; Schiilein, 2644; Seevvald, 2704; Stein, 2832; W. Teutsch, 2932; Unold, 3012
Graphik- Verlag: Geiger, 750
GreifenverlaG: Blum, 303; Eberz, 522; P. Fischer, 639; Geissler, 764-81; Goldschmitt, 821; Hallerstede, 978-S0; Hanf, 994; Jansen, 1326; Masereel, 1865; Michel, 2003; Pape, 2205; Schmialek, 2511; Seiwert, 2766; Tilgner, 2956; Viegener, 3050; Wendling, 3103, Zernack, 3150
Verlag von Grethlein & Co. : E. L. Kirchner, 1478
Galerie Fritz GurlitT: Heckel, 1026, 1030; E. L. Kirchner, 1452, 1454-55; Mueller, 2048, Pechstein, 2223, 2225; Schmidt-Rottluff,
2539- 2541 Fritz Gurlitt Verlag: Christophe, 424; Corinth, 428, 431-37, 439; Geiger, 749; Grosz, 956, 958, 962; Jaeekel, 1288; Jansen, 1302; Janthur, 1333-35. 1338; Kokoschka, 1562, 1564, Meseck, 1993, 1996; Pechstein, 2229, 2230, 2233, 2234, 2239, 2247, 2253-54, 2256, 2259, 2262; Rossner, 2406; Scheurieh, 2478-79; Schoff, 2589-90; Steinhardt, 2848, 2850-51; Wagner, 3078-79
Hammerich & Lesser Verlag: Leip, 1722
Konrad HanF: Leip, 1721; Maetzel, 1809, 1811-12; Opfermann, 2157; Schwemmer, 2665; Steinhagen, 2837; Wiisten, 3141
Harder Verlag: Orlik, 2195
Adolf Harms Verlag: Aehmann, 22. 26-30; Brulez-Mavromati, 325-30; Opfermann, 2163-68; Stegemann, 281S-24; Tegtmeier, 2926-31
Verlag Heinrich Hochstim: Grossmann, 920
HYPERION-Verlag: Beeh, 197
INSEL-Verlag: Janthur, 1339; Masereel, 1851 Institute of Contemporary Art (Boston): Kokoschka, 1584
834
Publishers
Axel Junker: Waske, 3086
Kentauer Verlag: Eberz, 504
KESTNER-Museum: Ernst, 537
Galerie Wolfgang Ketterer: Meidner, 1952
Gustav Kiepenheuer Verlag: Beckmann, 132; Burchartz, 339; Campendonk, 386; Feininger, 555. 566; Felixmiiller, 603; Gramatte, 839; Heckel, 1047, 1052; Kaus, 1385, 1388; O. Lange, 1699; Mueller, 2053; Peehstein, 2221; Rohlfs, 2379; Schmidt-Rottluff, 2568; Schwarzkopf, 2659; Viegener, 3046
Fr. KlSTNER & C. F. W. Siegel: Steiner-Prag, 2836
Verlagsanstalt Klemm: Kokosohka, 1585
Klinkhardt & Biermann: Aehmann, 21;
Archipenko, 48; Barlach, 95; Beckmann, 135, 141; Beeh, 195; Burchartz, 338; Campen- donk, 385, 393; Caspar, 416; Corinth, 440; Coubine, 449; Crodel, 455, Dix, 483; Eberz, 521; Feininger, 558, 567; Felixmiiller, 610, 615; Gaul, 741; Gotsch, 824; Grossmann, 939; Grosz, 955, 960; Heckel, 1036; Heckendorl, 1068; Jansen, 1309; Klee, 1498; Kohl, 1552; Kohlhoff, 1555; Kollwitz, 1605; Kretzsehmar, 1655: Kubin, 1681; Laboureur, 1695; Liebermann, 1772; Marchand, 1836; Masereel, 1866; Matare, 1871; Meidner, 1930; Mense, 1986; Morgner, 2027; Mueller, 2052; Nietsche, 2111; Peehstein, 2252, 2255; Schinnerer, 2502: Schmidt-Rottluff, 2551; Schrimpf, 2628; Seewald, 2714-15; W. Teutsch, 2944: Unold, 3035; Viegener, 3049; Waske, 3088; Weber, 3089
Hermann Kruse: Eberz, 504
Verlag August Kuhn-Foelix: Orlowski, 2196
KUNSTDRUCKEREI KUNSTLERBUND: ZSllrmger,
3!45 Verlag des kunstceschichtlichen Seminars
der Universitat Marbuhc: Baum, 117;
Doerbecker, 487; Kanoldt, 1373; Matare,
1870 Kunsthalle (Bern): E. L. Kirchner, 1485 Kunsthaus (Zurich): Arp, 53; Helbig, 1118-ig Kunstlergruppe Chemnitz: Brenner, 323;
Gelbke, 782; Kunze, 1688; Mehnert, 1898;
Pleissner, 2302; Schaffer, 2452; Schrag, 2599;
Ziegler, 3153 Kunstverein (Freiburg): Dix, 485; Heckel, 1059
Karl Lang Verlag: Birnbacher, 299; Feininger, 561; G. Graf, 832; Gramatte, 838; Ruttmann, 2419-20; Schaefler, 2443, Schmidt-Rottluff,
2565 Lange Akademie: Mueller, 2055 R. Lanyi: Itten, 1275 Gebriider Lensing: Rohlfs, 2384
MALIK-Verlag: Grosz, 950-53, 961, 965 MAREES-Gesellschaft: Ahlers-Hestermann, 32; Beckmann, 130-31, 133, 137-38, 144, 146, 149; Beeh, 199; Campendonk, 394; Caspar, 407, 417, Corinth, 429-30, 438, 444; Freese, 645; Gott, 826; Grossmann, 916-18, 925, 940-42, 946; Gulbransson, g6g; Hasler, 998; Hecht, 1005-7; Heckel, 1034; Heine, 1101; Hettner, 1153; Hofer, 1199, 1201, 1203; Jaeckel, 1287; Jansen, 1297-1300; Janthur, 1332; Kandinsky, 1370, Kleinschniidt, 1515; Klossowski, 1524; Kohlhoff, 1553; Kokoschka, 1573; L. Konig, 1621; Kretzsehmar, 1654;
Kubin, 1676, 1682-83; Meseck, 1990, 1994, 1997; M. Neumann, 2106; Nowak, 2140-42; Niiekel, 2143; Rossing, 2404; Schinnerer, 2490, 2503-4; W. Schmidt, 2526; Schubert, 2631, 2633, 2638; Seewald, 2716-17; Slevogt, 2799; W. Teutsch, 2938-39; Trondle, 2981; Trumm, 2989; Unold, 3027, 3036-37; E. Weiss, 3093
Marlborough Fine Art: Kokoschka, 1587
Methuen & Co.: Masereel, 1864
A. R. Meyer: Butterlin, 340; E. L. Kirchner, 1453; Segal, 2731
Ferdinand MOLLER Verlag: Meseck, 1992
Nassauischer Kunstverein, Neues Museum:
Jawlensky, 1341 Verlag neue JuGEND: Grosz, 950 Verlag Graphisches Kabinett Israel Ber
Neumann: Beckmann, 142; Heckel. 1055 I. B. Neumann Verlag: Herbert Anger, 46;
Beckmann, 126; Heckel, 1053; Schmidt- Rottluff, 2553, 2560, 2564 Galerie NlERENDORF: Marcks, 1S37-41; Richter-
Berlin, 2363-65 Karl NlERENDORF: Dix, 474, 477-82, 484 Heinrich NlESCHER: Heckel, 1018- ig, 1024;
E. L. Kirchner, 1424, 1429, 1431, 1433-37;
Peehstein, 2214-15, 2217; Schmidt-Rottluff,
2532-33
Verlag Oprecht: Masereel, 1869; Oppenheimer,
2178 Osterreichisches Haus: E. Graf, S27; Jung,
1344
Galerie Michael Pabst: Hauser, 1002 Pan-Presse: Corinth, 425 Photographische Gesellschaft: Feininger,
559 R. Piper & Co. : Beckmann, 134, 136-37,
!39"40. 143-44- 147; Beeh. 199; Campendonk, 3g4; Gott, 826; Grossmann, 928-31, 934, 941, 948; Hecht, 1005; Heckel, 1034; Hofer, 1201; Kandinsky, 1366-68; Kubin, 1682; Meseck, I9g4; Niiekel, 2143; Schinnerer, 2503-4; Schubert, 2639—42; Seewald, 2717; Trondle, 2981; Unold, 3037 Propylaen- Verlag: Corinth, 445; Grosz, g6:}; Peehstein, 2258; Slevogt, 2800
Querschnitt- Verlag: Coubine, 450; Grosz, 957; Lasker-Schiiler, 1712; Masereel, 1850; Paresce, 2206; Starke, 2815
O. C. Recht Verlag: Schlichter, 2510
Erich Reiss Verlag: Grosz, gsg; Jaeckel. 1286;
Meid, igog; Slevogt, 2797 Buch und Steindruckerei Christoph Reissers
Sonne: Czeschka, 458 Carl Reissner: Hofmann, 1224 Eugen Rentsch Verlag: Beeh, ig4 Verlag Emil RlCHTER: Felixmiiller, 612; Kollwitz,
1595-96, 1606, 1609, O. Lange, 1700;
Mitschke-Collande, 2009; Schubert, 2632,
2634, 2636 Rikola Verlag: Rossing, 2405 Roland Verlag: Marc, 1831 Ernst Rowohlt Verlag: Gramatte, 844;
Grossmann, 943; Gulbransson, 970; Heine,
1102
Adolf S aal Verlag: Tegtmeier, 2g23 Sans Pareil: Grosz, g64
Galerie Ludwig SCHAMES: E. L. Kirchner, 1473,
1475 Verlag die Sghmiede: Meidner, ig44 Karl Schnabel Verlag: Janthur, 1337 Franz Schneider Verlag: Janthur, 1340 Schweizerische graphische Gesellschaft:
Amiet, 37 E. A. Seemann: Corinth, 441-42 Erich Seemann: Kokoschka, 1585 Verlag von H. Seemann: E. Weiss, 30go Seidel & Sohn: Wacik, 3070 SiBYLLEN-Verlag: Mitschke-Collande, 2010 Verlag die Sichel: Achmann, 23-25; Ewerbeck,
547; Opfermann, 2i6g; Stegemann, 2825 SONCINO-Gesellschaft: Steinhardt, 2852 Paul Steegemann: Burchartz, 335; Schwitters,
2684 Stierpresse: Hanf, gg3 Stiftungsverlag: Eckener. 523; Nolde, 2121 Galerie der Sturm: Marc, 1833 Verlag der Sturm: R. Bauer, 112-13;
Campendonk, 3S2; Heemskerek, 1074, 1076,
1092-94; Topp, 2968
Thyrsos Verlag: Philippi, 2291
Verlag E. W. Tieffenbach: Beckmann, 127;
Meseck, iggi; Rosier, 2403; E. Weiss, 3094 Hans Heinrich Tillgner Verlag: Corinth, 443;
Jaeckel, 1294 Turmpresse: Lorenz, 1780
UTOPIA-Verlag: Itten, 1276; Schlemmer, 2506
Curt Valentin: Beckmann, 151
Leon Vanier: Minne, 2005
Verein fur Oricinal-Radierung (Munich):
O. Graf, 834; Halm, 983; Meyer, iggg-2000;
L. Midler, 2056; Orlik, 2183-84; B. Pankok,
2ig8; Ubbelohde, 2gg3; Wenban, 3102;
Heinrich Wolf, 3125 Volksverband der BOcherfreunde: Kubin,
1684; Schaefer, 2437
E. Wasmuth: Badt, 59; Fritseh, 664;
Grunenberg, 966; Heckendorf, 1067; Jaeckel, 1289; Koglsperger, 1550-51; Kohlhoff, 1554; Krauskopf, 1650; Kiinzig, 1689; Meidner, ig2g; Peehstein, 224g; Schwichtenberg, 2675; Waske, 3087
Wegweiser Verlag: Kubin, 1684
Verlag von Richard Weissbach: Schlichter, 2508
Werkstatt der KampfbOhne: Schreyer, 2602, 2604
Wiener Secession: Andri, 38; Jettmar, 1342-43; F. Konig, i6ig-20; Kurzweil, 1691; Lenz, 1727; List. 1776; Luksch-Makovsky, 1795-96; Moll, 2022; Moser, 2046; Myrbach, 2071; Orlik, 2186-87; Stohr, 2873
Wiener Werkstatte; Kokoschka, 1556-58; Loffler, 1777; Zeymer, 3151-52
Artur Wolf Verlag: Hammerschlag, 990
Kurt Wolff Verlag: Feininger, 557; E. L.
Kirchner, 1474, 1482; Kokoschka, 1556, 1561, 1574; Masereel, 1843, 1845-46, 1867-68; Schmidt-Rottluff, 2558-59, 2562; Steiner- Prag, 2835; Wurtenberger, 3136
Verlag Zinglers Kabinett: Campendonk, 386,
388 Zweemann: Stoermer, 2872
835
Index of Books
The index includes only those books that contain works by more than one artist.
Almanack aufdasjahr igig (Gurlitt, ed.): Cor- inth, 43 1; Janthur, 1334; Pechstein, 2253
Almanack aufdasjahr 7920 (Gurlitt, ed.): Cor- inth, 433, 435; Pechstein, 2239, 2254
Ausstellung von KG Briicke: Heckel, 1026, 1030; E. L. Kirchner, 1452, 1454-55; Mueller, 2048; Pechstein, 2223, 2225; Schmidt- Rottluff, 2539, 2541
Avalun (Scheid, ed.): Braumiiller, 317-21; E. Neumann, 2099-2105
Das Buch Zwei des Aktivisten Bundes, 1919, Dusseldorf (Wollheim, ed.): Haer, 975; O. Pankok, 2201-4; Schreiner, 2600-2601; Szwarc, 2889; anonymous, 3185
Cfironik KG Briicke (E. L. Kirchner); Heckel, 1025, 1031; E. L. Kirchner, 1458-59; Schmidt-Rottluff, 2545-46
Deutsche Graphiker der Gegenwart (Pfister, ed. ): Barlach, 95; Beckmann, 135; Beeh, 195; Campendonk, 385; Caspar, 416; Corinth, 440; Feininger, 558, Felixmuller, 610; Gaul, 741, Grossmann, 939; Grosz, 955; Heckel, 1036; Klee, 1498; Kolhvitz, 1605; Kubin, 168 1; Liebermann, 1772; Meidner, 1931; Mueller, 2052; Pechstein, 2252; Schinnerer, 2502; Schmidt-Rottluff, 2551; Seewald, 2714-15; Unold, 3035
Expressionhmus : Die Kunstwende {Walden, ed.): R. Bauer, 112-13; Campendonk, 382; Heemskerck, 1073-76, 1094; Marc, 1833; Topp, 2968
Galerie Alfred Flechtheim, Dusseldorf, 1919.
Erste Ausstellung: Expressionisten.
Schwarzkopf, 2659; Viegener, 3046 Ganymed, vol. 1 (Meier-Graefe, ed.):
Grossmann, 928-31, 934 Ganyined, vol. 2 (Meier-Graefe, ed.): Schubert,
2639-42 Ganymed, vol. 3 (Meier-Graefe, ed.): Beckmann,
137; Beeh, 199; Grossmann, 941; Hofer, 1201;
Kubin, 1682; Schinnerer, 2503 Ganymed, vol. 4 (Meier-Graefe, ed.): Beckmann,
144, Campendonk, 394; Hecht, 1005;
Meseck, 1994; Seewald, 2717; Unold, 3037 Ganymed, vol. 5: Gott, 826; Grossmann, 948;
Heckel, 1034; Nuckel, 2143; Schinnerer,
2504; Trbndle, 2981 Der gelben Posaune der Sieben gewidmet (Koch
and Maetzel, eds.): Leip, 1721; Maetzel,
1809, 1811-12; Opfermann, 2157;
Schwemmer, 2665; Steinhagen, 2837;
Wusten, 3141 Goethe: Ausgewahlte Gedichte: (four-page
prospectus to portfolio): Barlach, 104.13;
Liebermann, 1775, Slevogt, 2801 Das graphische Jahr (1921; Gurlitt, ed.): Corinth,
428, 437; Grosz, 956; Janthur, 1338; Meseck,
1993; Pechstein, 2259, Scheurich, 2478;
Schoff, 2590; Wagner, 3079 Das graphische J ahrbuch (1920; Joel, ed.): G.
Graf, 832; Ruttmann, 2420; Schmidt-Rottluff,
2565
Das grosse Bestiarum der modernen Literatur (Blei): Grossmann, 943; Gulbransson, 970; Heine, 1102
Das Holzschnittbuch (Westheim): Campendonk, 386; Feininger, 566; Heckel, 1052, Schmidt- Rottluff, 2568
Internationale Ausstellung fur Buckgewerbe und Graphik: E. Graf, 827; Jung, 1344
Jahrbuck der jungen Kunst (1920; Biermann,
ed.): Burchartz, 338; Eberz, 52 1; Feininger,
567; Morgner, 2027, Nietsche, 2111;
Pechstein, 2255; Teutsch, 2944; Waske, 3088;
Weber, 3089 Jakrbuch der jungen Kunst (1921; Biermann,
ed.): Achmann, 21; Campendonk, 393; Grosz,
960; Heckendorf, 1068; Matare, 1871;
Viegener, 3049 Jahrbuch der jungen Kunst (1922, Biermann,
ed.): Beckmann, i4i;Jansen, 1309; Kohl,
1552; Kohlhoff, 1555; Kretzschmar, 1655 Jahrbuch der jungen Kunst (1923; Biermann,
ed.): Archipenko, 48; Coubine, 449;
Felixmuller, 615; Gotsch, 824; Mense, 1986;
Schrimpf, 2628 Jahrbuch der jungen Kunst (1924; Biermann,
ed.): Crodel, 455, Dix, 483; Laboureur, 1695,
Marchand, 1836; Masereel, 1866 Das Jahrbuch der Zeitschrift "Das neue Pathos,"
vol. 3: Meseck, 1991; Rosier, 2403; E. R.
Weiss, 3094 Junge Berliner Kunst (J. Kirchner): Badt, 59;
Fritsch, 664; Grunenberg, 966, Heckendorf,
1067; Jaeckel, 1289, Koglsperger, 1550-51;
Kohlhoff, 1554; Krauskopf, 1650; Kiinzig,
1689; Meidner, 1930; Pechstein, 2249;
Schwichtenberg, 2675, Waske, 3087
Kabarett Fledermaus: Kokoschka, 1558; Loffler, i777;Zeymer, 3151-52
Katalog der zweiten Ausstellung der Hamburgischen Secession: Ahlers- Hestermann, 33; Banco, 64; Blohm, 302; Breest, 322, Hamann, 986; Hartmann, 995; Kuohl, 1690; Maetzel, 1810; Maetzel- Johannsen, 1820-21; Opfermann, 2160, Ree, 2324; Schwemer, 2660; Schwemmer, 2666; Wield, 3117; Wohlwill, 3122, Wusten, 3140
Das Kestnerbuch (Kiippers, ed.): Barlach, 93; Burchartz, 337; Feininger, 560; Felixmuller, 611; Gleichmann, 808, Heckel, 1050; Klee, 1492, Pliinnecke, 2306, Schwitters, 2683; Seewald, 2711; Unold, 3028; Viegener, 3048
KG Briicke: Heckel, 1015, 1018-19, 1024; E. L. Kirchner, 1424, 1429, 1431, 1433-37. Pechstein, 2214-15, 2217; Schmidt-Rottluff,
2532-33
Die Kunst des Radierens (Struck): Barlach,
101.20; Kokoschka, 1581; Liebermann, 1774; Struck, 2883
Kunstler abseits vom Wege, 1907-2927 (Heuss et al.): Brenner, 323; Gelbke, 782; Kunze, 1688, Mehnert, 1898; Pleissner, 2302; Schaffer, 2452; Schrage, 2599; Ziegler, 3153
Marburger Jahrbuch fur Kunstwissenschaft, vol.
1 (Hamann and Lehr, eds.): Baum, 117;
Doerbecker, 487; Kanoldt, 1373; Matare,
1870 Moderner Bund: Zweite Ausstellung: Arp, 53;
Helbig, 1118-19
Mohammed: Der Roman eines Propheten (Klabund): Meid, 1909; Slevogt, 2797
Das neue Hamburg (Lorenz, ed.): Bauer-Saar, 114-16; Kopke, 1625-27; Lowengard, 1781-83; Maetzel, 1816-18; Niebuhr, 2108- 10, Opfermann, 2170-73; Ruckteschell, 2413-15; Schwemer, 2661-63; Stegemann, 2826-29; Wrage, 3131-33
Das Querschnittbuch 2923: Coubine, 450; Grosz, 957; Masereel, 1849, Paresce, 2206; Starke, 2816 Der Qtterschtiitt durch 1921: Masereel, 1853 Der Querschnitt durch 1922: Kogan, 1546-49; Masereel, 1849
Die rote Erde 2d ser., no. 1 (Lorenz, ed.): Achmann, 22, 26-30, Brulez-Mavromati, 325-30; Opfermann, 2163-68; Stegemann, 2818-24; Tegtmeier, 2926-31
Schleswig-Holsteinischer Kunstkalendar igi5: Eckener, 523; Nolde, 2121
Schwarzer Greif Ein Almanack aufdasjahr 1925 (Dietz, ed.): Blum, 303; Eberz, 522; P. Fischer, 639; Geissler, 764-81; Goldschmitt, 821; Hallerstede, 978-80; Hanf, 994; Jansen, 1326; Masereel, 1865; Michel, 2003, Pape, 2205, Schmialek, 2511; Seiwert, 2766; Tilgner, 2956; Viegener, 3050; Wendling, 3103; Zernack, 3150
Sezession Gruppe 2919. Felixmuller, 612; Lange, 1700; Mitschke-Collande, 2009
Die Sichel 1921 (Britting and Achmann, eds.): Achmann, 23-25; Ewerbeck, 547; Opfermann, 2169; Stegemann, 2825
Staatliches Bauhaus in Weimar, 1919-1923. Bayer, 122; Breuer, 324; Hirschfeld-Mack, 1179-80; Keler and Molnar, 1393; Paris, 2207; Schleifer, 2505; K. Schmidt, 2514-15
Unser Weg 2919. Ein Jakrbuch: Liebermann,
1773 Unser Weg 1920. Ein Jahrbuch: Barlach, 95
Wiener Secession: Katalog der vierzehnten Ausstellung der Vereinigung bildender Kunstler Osterreichs: Andri, 38; Jettmar, 1342-43: Konig, 1619-20; Kurzweil, 1691; Lenz, 1727; List, 1776; Luksch-Makovsky, 1795-96; Moll, 2022; Moser, 2046; Myrbach, 2071; Orlik, 2186-87; Stohr, 2873
836
Index of Periodicals
Die Aktion 4 (1914)
no. 17: C. Klein, 1512; H. Richter, 2342;
Schmidt-Rottluff, 2542; Tappert, 2892-93 no. 20: Tappert, 2894 no. 23: Richter-Berlin, 2360 no. 34/35: Schmidt-Rottluff, 2540 no. 38/39: Schmidt-Rottluff, 2534 no. 40/41: Gangolf, 671 no. 46/47: Doessler, 488 Die Aktion 5 (1915)
no. 52: Hirsch, 1156-57; H. Richter, 2343;
Schad, 2434 Die Aktion 6 (1916) no. 3/4: Slodki, 2802 no. 5/6: Minne, 2006-07 no. 9/10: Hirsch, 1160; Schmidt-Rottluff,
2550 no. 13: H. Richter. 2345-49 no. 14/15: Derain, 466 no. 16/17: Gubler, 967 no. 18/19: Bilek, 289 no. 22/23: Mathey, 1872-73 no. 24/25: Hirsch, 1161-66 no. 37/38: Tappert, 2898, 2900-2901 no. 39/40: Schiele, 2483 no. 43/44: Segal, 2742 no. 47/48: Richter-Berlin, 2362; Schrimpf,
2608; Tappert, 2899 no. 51/52: La Fresnaye, 1696; Richter-Berlin,
2361; Segal, 2737; Strohmeyer, 2878 Die Aktion 8 (1918)
no. 1/2: Capek, 396; Freundlich, 646;
Heinrich-Salze, 1103; Hoerle, 1193;
Strohmeyer, 2879 no. 3/4: Bampi, 62; Felixmiiller, 581; Krapp,
1635; Schuler, 2646 no. 5/6: Herbert Anger, 43; Heinrich-Salze,
1114; Maetzel, 1806; Seiwert, 2752 no. 9/10: Eberz, 506; Felixmiiller, 580;
Heinrich-Salze, 1115; Krapp, 1643 no. 11/12: Beyer, 288; Friedmann-Otten, 659;
Heinrich-Salze, 1105, 1116-17; Hirsch,
1167; Tappert, 2902; Zierath, 3154;
Zitzewitz, 3164 no, 13/14: Freundlich, 650; Maetzel, 1805 no. 15/16: Friedmann-Otten, 660; Gehre,
743; Wetzel, 3113 no. 17/18: Freundlich, 655; Zitzewitz, 3165 no. 19/20: Zitzewitz, 3163, 3166-73 no. 21/22: Hulewicz, 1255-56; Kubicka,
1662-63; Kubicki, 1664-65, 1667;
Skotarek, 2776; Szmai, 2888 no. 23/24: Heinrich-Salze, 1104, 1106-13 no. 25/26: Krapp, 1636, 1644; Kubicki, 1666;
Seiwert, 2753 no. 27/28: Bampi, 63; Beye, 282, Hulewicz,
1262; Krapp, 1638; Viegener, 3047 no. 29/30: Eberz, 507-9 no. 31/32: Goldbaum, 819; Hirsch, 1168;
Kaufmann, 1380; Schad, 2435; Schuler,
2649; Wroniecki, 3134 no. 33/34: Hulewicz, 1262; Krapp, 1639-42;
Skotarek, 2775 no. 35/36: Hulewicz, 1257-61, 1263-65 no. 37/38: Freundlich, 647-49, 651-54, 656 no. 39/40: Beye, 283; Capek, 401; Goetz, 817;
Goldbaum, 818; Grimm, 863; Kaufmann,
1381; Schuler, 2647; Seiwert, 2754-55;
Skotarek, 2777; Wetzel, 3112 no. 41/42: Schmidt-Rottluff, 2563, Tappert,
2919, Wetzel, 3114 no. 43/44: Schuler, 2650
no. 45/46: anonymous, 3183 no. 47/48: Pasedag, 2208 no. 49/50: Beye, 281 no. 51/52: Schuler, 2648 Die Aktion 9(1919)
no. 1: anonymous (F.K.), 3178
no. 2/5: Berlit, 235-36, 238; Mathey, 1874
no. 8/9: Beye, 284-85
no. 10/11: Helmut Anger, 41-42
no. 12/13: Berlit, 239; Grimm, 866
no. 14/15: Gehre, 745; Goldbaum, 820;
Pasedag, 2209; Schuler, 2651; Seiwert,
2756 no. 18: Felixmiiller, 600, 607; Hoffmann,
1208; Strohmeyer, 2880 no. 20: Gehre, 746; Hirsch, 1177; Krapp,
1646; Seiwert, 2757 no. 21/22: Berlit, 228-31, 233-34, 237-
240-42 no. 23/24: Grimm, 867; Kaufmann, 1382;
Wroniecki, 3135 no. 26/27: Krapp, 1647 no. 28: Helmut Anger, 39-40; Felixmiiller,
608; Krapp, 1645 no. 29: Herbert Anger, 44; Berlit, 232; Gehre,
744; Tegtmeier, 2922 no. 30/31: Schulze, 2652-53; Tegtmeier, 2921 no. 33/34: Berlit, 243; Birckenbach, 290 no. 35/36: Schwimmer, 2682 no. 37/38: Hoffmann, 1209; Ideler, 1273;
Maetzel, 1808 no. 39/40: Birckenbach, 291; Maetzel, 1807 no. 41/42: Grimm, 868; Krapp, 1648 no. 45/46: Herbert Anger, 45; Schulze, 2654;
Schwimmer, 2681 Die Aktion 10 (1920) no. 9/10: Arndt, 49 no. 13/14: Wach, 3063 no. 25/26: Arndt, 51; Berlit, 244; Felixmiiller,
606 no. 27/28: Berlit, 244; Tillmann, 2957 no. 29/30: Beye, 286; Zacharias, 3143 no. 33/34: Arndt, 50; Zacharias, 3142 no. 43/44: Gehre, 747 no. 49/50: Reimann, 2330 Die Aktion 11 (1921) no. 3/4: Karpf, 1374 no. 15/16: Zacharias, 3144 no. 17/18: Schad, 2436 no. 19/20: Birckenbach, 297 no. 21/22: Beye, 287 no. 43/44: Berlit, 247 no. 47/48: Berlit, 246 Die Aktion 12 (1922)
no. 3/4: Masereel, 1S52 no. 9/10: Masereel, 1854, 1856-62 no. 11/12: Berlit, 248; Drechseler, 493 no. 13/14: Masereel, 1849 no. 15/16: Masereel, 1855 no. 19/20: Jansen, 1307; Masereel, 1S58 no. 23/24: Berlit, 252 no. 27/28: Berlit, 255 "o. 33/34: Jansen, 1305 no. 35/36: Berlit, 249 no. 37/38: Jansen, 1308 no. 39/40: Masereel, 1863 no. 41/42: Seiwert, 2760 no. 43/44: Jansen, 1304; Seiwert, 2759 no. 45/46: Jansen, 1306 no. 47/48: Berlit, 250-51, 253-54, 256 Die Aktion 13(1923) no. 1: Seiwert, 2758 no. 3: anonymous, 3186 no. 4: Schroder, 2630
no. 5: Felixmiiller, 616; Seiwert, 2762 no. 6: Maetzel, 1815 no. 8: Jansen, 1313 no. 10: Seiwert, 2761 no. 12; Jansen, 1310 no. 13: Berlit, 257 no. 14: Jansen, 1314 no. 16: Berlit, 258 no. 17: Hoerle, 1194 no. 20: Jansen, 1311 Die Aktion 14 (1924) no. 1: Jansen, 1312 no. 2: Jansen, 1319 no. 3: Jansen, 1315-16 no. 4: Jansen, 1325 no. 6: Hoerle, 1195 no. 7: Seiwert, 2764 no. 9: Jansen, 1317, 1321 no. 10: Seiwert, 2763, 2765 no. 11: Berlit, 259, 261
no. 12: Berlit, 260, 262-67; Jansen, 1322-24 no. 15: Berlit, 269; Riihle, 2418; Tschinkel,
2990 Die Aktion 15 (1925)
no. 1: Berlit, 268; Jansen, 1318, 1320
no. 2: Berlit, 274
no. 3: Jansen, 1328
no. 4: Hoerle, 1196
no. 5: Berlit, 272
no. 6; Berlit, 275; Seiwert, 2768
no. 7; Jansen, 1329
no. 8: Berlit, 273
no. 9: Berlit, 270
no. 10: Berlit, 271
no. 11: Seiwert, 2767
no. 12: Jansen, 1327 Die Aktion 16(1926)
no. 4: Seiwert, 2769
no. 5: Jansen, 1330
no. 8: Hoerle, 1197
no. 10: Arntz, 52
no. 11/12: Bachner, 58 Die Aktion 17 (1927)
no. 1/2: Jansen, 1331
no. 3: Seiwert, 2770
no. 4/6: Berlit, 276 Die Aktion 19(1929)
no. 3/4: Wetzel, 3115 Die Aktion 20 (1930)
no. 1/2: H. Richter, 2350
Der Bildermann 1 (1916)
no. 1: Barlach, 86; Gaul, 719, 725; Kalckreuth,
1351; Slevogt, 2785 no. 2: Gaul, 731; Jaeckel, 1283, Kollwitz,
1601; Slevogt, 2786 no. 3: Gaul, 726; Grossmann, 907; Heckel,
1046; K. Richter, 2351; Slevogt, 2795 no. 4: Barlach, 88; Gaul, 724; Heckel, 1048;
Slevogt, 2787; Zille, 3162 no. 5: Gaul, 727; Grossmann, 910;
Liebermann, 1769; Slevogt, 2788; Zille,
3159 no. 6: Gaul, 723, 734; Jaeckel, 1285; E. L.
Kirchner, 146S; Slevogt, 2789 no. 7: Barlach, 85; Gaul, 735; Grossmann,
912; Kokoschka, 1569; Wagner, 3076 no. 8; Gaul, 736; Heckel, 1045; Slevogt, 2790;
Zille, 3157 no. 9: E. L. Kirchner, 1464; Kokoschka, 1567;
Mueller, 2050; Slevogt, 2796; Starke, 2808 no. 10: Grossmann, 909; Liebermann, 1771;
Starke, 2809; Zille, 3158
Periodicals
837
no. 11: Barlach, 84; Bato, 110; Gaul, 737;
Slevogt, 2791; Starke, 2810 no. 12: Gaul, 722; Kokoschka, 1568; Starke,
2811; Zille, 3161 no. 13: Barlach, 90; Grossmann, 906; Klemm,
1518; Slevogt, 2792; Zille, 3156 no. 14: Barlach, 83; Gaul, 738; Kokoschka,
1566; Starke, 2812 no. 15: Gaul, 716; Grossmann, 91 1; Heckel,
1044; E. L. Kirchner, 1462; Starke, 2814 no. 16: Barlach, 89; Gaul, 728; Kokoschka,
1570; Zille, 3160 no. 17: Gaul, 739; Grossmann, 908; Ko- koschka, 1565; Slevogt, 2793; Starke, 2813 no. 18: Barlach, 87; Gaul, 733; Kokoschka,
1571; Slevogt, 2794 Die Biicherkiste 1 (1919)
no. 2: Schrimpf, 2625-27; Uhden, 3010
no. 3: Mauermeyer, 1891
no. 5/7: Birckenbach, 294; Eberz, 519;
Schaefler, 2449; Schrimpf, 2624; Wach,
3062 no. 8/10: Birckenbach, 295-96; Campendonk,
386; Eberz, 520; Puxkandl, 2315
Cerven 1 (1918)
no. 1: Capek, 397; Hofman, 1217
no. 11/12: Hofman, 1218; Kubista, 1685
no. 16: Kotik, 1634
DerEinzige 1(1919)
no. 19; Homeyer, 1240 no. 25/26: Homeyer, 1239 Eos 1 (1918)
no. 1: Eberz, 499; Engert, 532-34;
Plaichinger-Coltelli, 2297-2301; Thorn, 2945. 2946 no. 2: Eberz, 500, 502, 505; Reichel, 2325-27; Schwarzer, 2656-58 Eos 2 (1919)
no. 3: Betzler, 278-80; Heimann, 1098- 1100; Schnarrenberger, 2582-86; Schwimbeck, 2678-80; Seidel, 2751 Eos 2 (1920)
no. 4: Holloff, 1232-36; Rabus, 2316-18; Rit- ter, 2367-69; Strohmeyer, 2881; Wanzer, 3084-85 Eros 1 (1921)
no. 1: Eberz, 514; Hotter, 1241; Sturm-Skrla,
2886 no. 2: Borschke, 310 no. 3: Revy, 2336 no. 4: anonymous ("M"), 3179 no. 5: Streit, 2877
Genius 1 (1919)
no. 1: Caspar, 409; Schmidt-Rottluff, 2552;
Seewald, 2707 no. 2: Epper, 535; Marc, 1830; Nauen, 2074 Genius 2 (1920)
no. 1: Ehrlich, 530; Heckel, 1038; Masereel,
1848 no. 2: Kaus, 1387; Rouveyre, 2409; N. van de Velde, 3042 Genius 3 (1921)
no. 1: Archipenko, 47; Hofer, 1200; Scharff,
2476 no. 2: Kanoldt, 1372; Schmidt-Rottluff, 2571
Dasjunge Deutschland 1 (1918) no. 1: Stern, 2864 no. 3: Stern, 2862 no. 5: Orlik, 2191 no. 6: Biittner, 361-62
no. 7: Gliese, 812
no. 8/9: Biittner, 363; Heckendorf, 1066
no. 10: Stern, 2863
no. 11/12: Orlik, 2190, 2192 Dasjunge Deutschland 2 (1919)
no. 1: Krauskopf, 1651
no. 2: Jaeckel, 1290
no. 3: Stern, 2865
no. 4/5: Nathan, 2072-73
no. 6; Orlik, 2193
no. 7: Gliese, 815
no. 8: E. Dietrich, 471
no. 9: Thum, 2954
no. 10: Krauskopf, 1649
no. 11: Meidner, 1929
no. 12: Kobbe, 1541 Dasjunge Deutschland 3 (1920)
no. 1: Krauskopf, 1652
no. 2/3: Orlik, 2194 Jungjiddisch (1919)
no. 2/3: Adler, 31; Barczynski, 31; Brauner, 31; Szwarc, 31
Kriegszeit (1914)
no. 1: Hettner, 1132; Kampf, 1352;
Liebermann, 1754; Oppenheimer, 2176 no. 2: Baluschek, 61; Gaul, 685; Hettner,
1133; Liebermann, 1744 no. 3: Gaul, 677, 680; Hettner, 1131; H.
Hiibner, 1242; Liebermann, 1738 no. 4: Dolonofer, 489; Gaul, 674; Hettner,
1130; Liebermann, 1740 no. 5: Boning, 309; Biittner, 341; U. Hiibner,
1243; W. Triibner, 2984 no. 6: Liebermann, 1742-43, 1753, 1755 no. 7: Gaul, 682; Liebermann, 1741;
Stockmann, 2866; W. Triibner, 2985 no. 8: Biittner, 350; Gaul, 676; Grossmann,
895; U. Hiibner, 1245; Stockmann, 2867 no. 9; E. Feigl, 550; Hettner, 1142; Oesterle,
2145; A. Triibner, 2982 no. 10: Gaul, 678; Hettner, 1140; Kollwitz,
1600; Liebermann, 1750 no. 11: Beckmann, 129; Biittner, 342; Gaul,
681,686 no. 12: Barlach, 72; Biittner, 347; Greve-
Lindau, 849; Walser, 3082 no. 13: Gaul, 6S4; Grossmann, 892; Hettner,
1141; Liebermann, 1751 no. 14: Barlach, 75; Biittner, 351; Gaul, 675;
Liebermann, 1739 no. 15: Biittner, 349; Gaul, 687; Hettner,
1137; A. Kolbe, 1588 no. 16: Biittner, 348; Grossmann, 894; Hundt,
1267; Liebermann, 1749 no. 17: Barlach, 74; Greve-Lindau, 850;
Hettner, 1139; Hundt, 1268 no. 18/19: Biittner, 344-45; Gaul, 683;
Grossmann, S97; Hettner, 1135, 1143;
Liebermann, 1745, 1748 no. 20: Barlach, 73; Gaul, 673; Grossmann,
896; Hettner, 1138 Kriegszeit (1915)
no. 21: Biittner, 352; Gaul, 713; Hettner,
1136; Liebermann, 1757 no. 22: Gaul, 700; Hettner, 1146;
Liebermann, 1764; Mory, 2042 no. 23: Biittner, 360; Gaul, 714; Hundt, 1266;
Rhein, 2338 no. 24: Biittner, 359; Gaul, 692; Heckendorf,
1060; Liebermann, 1760 no. 25; U. Hiibner, 1244; Kampf, 1353; G.
Kolbe, 1590; W. Triibner, 2986 no. 26: Hettner, 1150; A. Kolbe, 1589; Mory,
2043; Rhein, 2337 no. 27: Gaul, 691; Heckendorf, 1063;
Liebermann, 1765; Unold, 3021 no. 28: Barlach, So; Gaul, 704; Hettner, 1148 no. 29: Biittner, 355; U. Hiibner, 1247;
Unold, 3020; E. R. Weiss, 3092 no. 30: Bato, 109; Gaul, 701; U. Hiibner,
1246; W. Triibner, 2988 no. 31: Heckendorf. 1062; Hettner, 1147;
Liebermann, 1758; Mory, 2044 no. 32: Barlach, 81; U. Hiibner, 1248; Jaeckel,
1278; Liebermann, 1763 no. 33: Biittner, 346; Jaeckel, 1280;
Liebermann, 1761; W. Triibner, 2987 no. 34: Gaul, 694; Jaeckel, 1277; Schafer, 2451 no. 35: Biittner, 354; Nerlinger, 2084; Rhein,
2339; Schafer, 2450 no. 36: H. Weiss, 3095-98 no. 37: Gaul. 689; Liebermann, 1766; Meid,
1906; Wagner, 3071 no. 38: U. Hiibner, 1249; Kampf, 1354;
Liebermann, 1767; Wagner, 3073 no. 39: Gaul, 703; Meid, 1907; Nerlinger,
2081; Rhein, 2340 no. 40: Biittner, 356; Hiss, 1182; Slevogt,
2784; Wagner, 3074 no. 41: Gaul, 695, 698, 706, 708 no. 42: Biittner, 343; Jaeckel, 1279; Meid,
1908; anonymous, 3181 no. 43: Gaul, 707; Meid, 1904-5; Nerlinger,
2083 no. 44: Grossmann, S98; Rhein, 2341; Semm,
2771; F. Tischler, 2959 no. 45: Ferencky, 619; Gaul, 690, 711;
Hettner, 1151 no. 46: Barlach, 82; Gaul, 693; Nerlinger,
2082; Stockmann, 2868 no. 47: Gaul, 715; Heckendorf, 1061, 1064;
Hettner, 1149 no. 48: Gaul, 699; Grossmann, 899; Nerlinger,
2080; Peterson, 2283 no. 49: Barlach, 76; Danziger, 461; Ferencky,
620; Peterson, 2285 no. 50: Barlach, 78; Biittner, 353; Ferencky,
621 ; Gaul, 697 no. 51: Gaul, 705; Murmann, 2070; Peterson,
2282; Wagner. 3072 no. 52: Gaul, 699, Murmann, 2065-66;
Peterson, 2281 no. 53: Barlach, 77; Gaul, 688, 702 no. 54: Rosier, 2399-2402 no. 56: Behrens, 223; Gaul, 712; Jaeckel,
1281; Peterson, 2286 no. 57: Barlach, 79; F. Tischler, 2958; A.
Triibner, 2983; anonymous, 3182 no. 58: Biittner, 358; Liebermann, 1762;
Peterson, 2284; Unold, 3019 no. 59: Gaul, 709-10; Hettner, 1145;
Murmann, 2068 Kriegszeit (1916)
no. 60: Gaul, 729, 732; Hettner, 1152; Jaeckel,
1282; H. Weiss, 3099 no. 61: Gaul, 717, 720; Murmann, 2067, 2069 no. 62: Biittner, 357; Gaul, 721; Hamel, 988;
Jaeckel, 1284 no. 63: E. Feigl, 551; Gaul, 730; Hamel, 987;
Liebermann, 1768 no. 64/65: Gaul, 718; Hamel, 989; U. Hiibner,
1251; Kaiser, 1345; Liebermann, 1770;
Peterson, 2286; Thum, 2951; F. Tischler,
2960 Kttndimg 1 (1921)
no. 1: Opfermann, 2158; Ruckteschell, 2210;
Schmidt-Rottluff, 2569, Stegemann, 2817;
838
Periodicals
Titze, 2964
no. 2: Opfermann, 2162; Segall, 2746-48, 2750
no. 3: Radziwill, 2319-23
no. 4/6: Kopke, 1624
no. 7/8: Schott, 2593-98
no. 9/10: Crodel, 453; Huth, 1271-72; Kopke, 1622-23; Maetzel, 1813-14; Meier, 1963-64; Opfermann, 2159, 2161; Ruckteschell, 2411-12, Schmidt-Rottluff, 2570; Schwichtenberg, 2676-77; Tegtmeier, 2924-25; Titze, 2966-67
no. 11/12: Crodel, 451-52, 454; Hess, 1129; King, 1409- 10; VV. Lange, 1708-9; Meier, 1962, 1965; Titze, 2965 Das Kunstblatt 1 (1917)
no. i: Nolde, 2129
no. 2; Heckel, 1042; Schrimpf, 2617
no. 3; Feininger, 556; Schmid, 2512
no. 4: Eberz, 498; Hoch, 1192
no. 5: Klemm, 1519-20
no. 6: Meidner, 1923; Wachlmeier, 3069
no. 7; Steger, 2830-31
no. 8; Campendonk, 383-84
no. 9; Gramatte, 835; Stuckgold, 2884
no. 10: Kokoschka, 1575-76
no. 11: O. Lange, 1697-98
no. 12: Bollschweiler, 306—7 Das Kunstblatt 2 (1918)
no. 1: Felixmiiller, 582; Heckel, 1035
no. 2; Schmidt-Rottluff, 2554, 2556
no. 3: Meidner, 1925-26; Schrimpf, 2622
no. 4: Campendonk, 385; Macke, 1802
no. 5: Gleichmann, 805; Gothein, 822
no. 6: Pechstein, 2240, 2242
no. 7: Baumberger, 121; Gubler, 968
no. 8: G. Graf, 828; Scharff, 2472
no. 9: Heckel, 1040; Rohlfs, 2377, 2382
no. 10: Gleichmann, 806; Seehaus, 2689
no. 11: Gramatte, 837; Pechstein, 2241
no. 12: Meidner, 1924; Schaefler, 2440 Das Kunstblatt 3 (1919)
no. 1; Mueller, 2051
no. 2: Feininger, 565
no. 3; Felixmiiller, 596
no. 5: Gothein, 823
no. 6; Campendonk, 389
no. 7: Gleichmann, 807
no. 8; Burchartz, 336
no. 10: Derain, 467
no. 11: Zierath, 3155
no. 12: Rohlfs, 2378 Das Kunstblatt 4 (1920)
no. 1: Feininger, 562
no. 2: Hofman, 1219
no. 3: Hohlt, 1227
no. 4: Schlichter, 2509
no. 6; Lomnitz, 1779
no. 7: L^ger, 1717
no. 8: Stuckgold, 2885
no. 9; Helbig, 1121
no. 10: Wach, 3064 Das Kunstfenster 1 (1920)
no. 1: Aufseeser, 56
no. 2: W. Piitz, 2312
no. 3: H. Piitz, 2311
no. 4: Levy, 1726; E. Schmidt, 2513
no. 5; Luck, 1785; Wilden, 3118
no. 6: W. Piitz, 2313
no. 7: Marten, 1842 Das Kunstfe7ister 1 (1921)
no. 13: Kempter, 1395
no. 14: Kempter, 1396
no. 16: Henning, 1122
no. 19; Ophey, 2174 Kunst unci Kiinstler 2 (1903)
no. i:Orlik, 2188 Kunst unci Kiinstler 2 (1904)
no. 11: Reifferscheid, 2328 Kunst und Kiinstler 3 {1904)
no. 3: Kalckreuth, 1348 Kunst und Kiinstler 3 (1905)
no. 8: Walser, 3080 Kunst und Kiinstler 4 (1905)
no. 1: Slevogt, 2778 Kunst und Kiinstler 8 (1909)
no. 1: Liebermann, 1734 Kunst und Kiinstler 8 (1910)
no. 4: Grossmann, 883 Kunst und Kiinstler 9 (191 1)
no. 5: Grossmann, 886, Kalckreuth, 1349
no. 8: Grossmann, 884
no. 9: Slevogt, 2782
no. 11: Kalckreuth, 1350
no. 12: Grossmann, 885 Kunst und Kiinstler 10 (1911)
no. 1: Walser, 3081
no. 3: Rosier, 2393 Kunst und Kiinstler 10 (1912)
no. 5: Slevogt, 2781
no. 10: Grossmann, 888 Kunst und Kiinstler 11 (1912)
no. 1: Barlach, 70 Kunst und Kiinstler 11 (1913)
no. 2: Grossmann, 890
no. 3: Liebermann, 1735
no. 5: Corinth, 426
no. 6: Beckmann, 128
no. 7: Grossmann, 891
no. 10: W. Schmidt, 2516
no. 12: Meid, 1901 Kunst und Kiinstler 12 (1913)
no. 1: Slevogt, 2783 Kunst und Kiinstler 12 (1914)
no. 2: Grossmann, 893
no. 4: Meid, 1903
no. 7: Walser, 3083
no. 8: Geiger, 748
no. 11: Hasler, 996 Kunst und Kiinstler 13 (1914)
no. 1: Hettner, 1134
no. 2: Liebermann, 1746
no. 3: Liebermann, 1747 Kunst und Kiinstler 13 (1915)
no. 4: Hettner, 1144; W. Schmidt, 2517
no. 5: Hasler, 997; Klemm, 1517
no. 6: Liebermann, 1759
no. 9: Slevogt, 2779 Kunst und Kiinstler 14 (1916)
no. 2: Grossmann, 913 Kunst und Kiinstler 15 (1917)
no. 10: Liebermann, 1756 Kunst und Kiinstler 16 (1918)
no. 5; Grossmann, 923 Kunst und Kiinstler 17 (1919)
no. 9: Slevogt, 2798
Ma 2 [1917?]
no. 4: Mattis-Teutsch, 1875-76
no. 9: Mattis-Teutsch, 1877
no. 11: Mattis-Teutsch, 1878 Ma 3 [1918?]
no. 3: Mattis-Teutsch, 1881
no. 7: Bortnyik, 311; Mattis-Teutsch, 1882 Marsyas (prospectus; May 1917)
Grossman, 923; Meid, 1912; Thum, 2952-53 Marsyas (1917)
no. 1: Genin, 785-89; Meid, 1911, 1914;
Pellegrini, 2271-75; Scharff, 2467; Wetzel, 3106-7, 3109-11 no. 2; Meid, 1910, 1913, 1915; Pechstein, 2231; Scharff, 2466, 2469-71; Tappert,
2903-5. 2907 no. 3: Geiger, 759-63; Gramatte, 836;
Grossmann, 915, 919, 921-22;
Schinnerer, 2492-95; Tappert, 2909-14;
Wetzel, 3104-5, 3108 Marsyas (1918)
no. 4: Genin, 790-94; Pechstein, 2232,
2235-38 no. 5: Fingesten, 625-27; Gramatte, 840-43;
Pechstein, 2243-46 Marsyas (1919)
no. 6: Fingesten, 628-30; Jaeckel, 1291-93;
Pickardt, 2292-95; Plunnecke, 2305;
Spiro, 2807; Stein, 2834 Menschen (title page): Felixmiiller, 583 Menschen 1 (1918)
no. 1: Felixmiiller, 576
no. 2; Felixmiiller, 570-71, 575, 579
no. 3: Felixmiiller, 577-78, 588-91, 604
no. 4: Gunschmann, 971; Schmidt-Niechciol,
2527 no. 5: Felixmiiller, 587; C. Klein, 1514;
Tappert, 2920 no. 6: Fabry, 549
no. 7: Felixmiiller, 594; Nerlinger, 2085 no. 8: Bockstiegel, 305; Felixmiiller, 584, 592,
595. 597-98; Grimm, 855, 859-60, 870;
C. Klein, 1513; Tappert, 2906 no. 9: Grimm, 864, 871 no. 10: R. Dietriech, 472; Fabry, 548 Menschen 2 (1919)
no. 1; Grimm, 861; Kind, 1406-7
no. 2: Felixmiiller, 573, 601; Gattermann,
672; Nerlinger, 2086 no. 4: Grimm, 857; Nerlinger, 2087 no. 5: Kind, 1408; Sebald, 2686-87 no. 38/45: Friedrich, 661-63 no. 54/61: A. Luksch, 1788-91; P. Luksch,
i792-94; Wiisten, 3137-39 Miinchner Blatter fur Dichtung und Graphik
1 (i9'9)
no. 1: Beeh, 177; Caspar, 410; Grossmann,
936; Klee, 1491, Schinnerer, 2498;
Seewald, 2713; W. Teutsch, 2942 no. 2: Beeh, 178; Campendonk, 388, 391;
Grossmann, 927; Scharff, 2474; Unold,
3029 no. 3: Klee, 1493; Scharff, 2473; Schinnerer,
2499; Seewald, 2706; W. Teutsch, 2941;
Unold, 3030 no. 4: Beeh, 179; Caspar, 411; Grossmann,
933; Kubin, 1678; Seewald, 2708 no. 5: Campendonk, 386; Caspar, 412; Eberz,
513; Seewald, 2705; Unold, 3031 no. 6: Caspar, 413; Grossmann, 935; Kubin,
1680; Scharff, 2468; W. Teutsch, 2940 no. 7: Caspar, 414; Eberz, 510; Grossmann,
937; Schinnerer, 2497, Unold, 3032 no. 8: Beeh, 180; Gott, 825; Grossmann, 938;
Scharff, 2475; Schinnerer, 2500; Seewald,
2712 no. 9: Klee, 1494, 1496-97; Schinnerer, 2496;
Unold, 3033 no. 10: Caspar, 415; Eberz, 511; F. Feigl, 554;
Grossmann, 932 no. 11/12: Beeh. 176; Campendonk, 390;
Caspar, 408; Klee, 1495; Kubin, 1679;
Scharff, 2454; Schinnerer, 2501; Seewald,
2710; W. Teutsch, 2943; Unold, 3034
Periodicals
839
Neue Blatter fur Kunst und Dichtung 2 (1919)
Segall, 2745 Die neue Kunst 1 (1913)
no. 1: Seewald, 2694, 2695.4, 2695-5- 2695.7 Das neue Pathos 1 (1913) no. 1: Steinhardt, 2838 no. 2: Meseck, 1987; Steinhardt, 2842 no. 3/4: Botticher, 314; Hausmann, 1004; Heckel, 1033; Rosier, 2394; Steinhardt, 2843 no. 5/6: Botticher, 315; Heckel, 1026; Krebs, 1653; Rosier, 2395; Steinhardt, 2844-45 Das neue Pathos 2 (1914)
no. 1/3: Behmer, 219-20; Gerstel, 797; Heckel, ion, 1041; Klemm, 1516; Meinke, 1966; Meseck, 1988-89; Olbricht, 2151; Rosier, 2396-97; Schmidt- Rottluff, 2549; Smith, 2803; Steinhardt, 2846; E. R. Weiss, 3091
Pan 1 (1895-96)
no. 1: Dumont, 497, Liebermann, 1729;
Luhrig, 1786; Rops, 2386; Vallotton, 3039 no. 2: Eckmann, 525; Geyger, 803; Klinger,
i523;Thoma, 2947; Wenban, 3100; Zorn,
3174 Pan 1 (1896)
no. 3: Eckmann, 526; Klotz, 1525-26;
Stauffer-Bern, 2816, Toulouse-Lautrec,
2980 no. 4: Halm, 981, E. L. Kirchner, i486; C. T.
Meyer, 1998; Veldheer, 3043 no. 5: Gampert, 670; Ubbelohde, 2991 Pan 2 (1896)
no. 1: Leistikow, 1723; Liebermann, 1730;
Mauermeyer, 1892; Skarbina, 2774; Zorn,
3175 no. 2: Otto Fischer, 638; Greiner, 848;
Klinger, 1522; Luhrig, 1787; Mediz, 1897;
Pietschmann, 2296; Unger, 3011 no. 3: Eckmann, 527, Gampert, 669; Halm,
982; Kampmann, 1355; E. L. Kirchner,
1487; Kopping, 1629; B. Pankok, 2197;
Thoma, 2948; Volz, 3056 Pan 2 (1897)
no. 4: lilies, 1274; Olde, 2152; Pennell, 2277;
Rothenstein, 2407; Strang, 2876 Fan 3 (1897)
no. 1: Hofman, 1220, Leistikow, 1724 no. 2: Hollenberg, 1228; Leibl, 1720;
Liebermann, 1731; Veth, 3045 no. 3: Denis, 464: Nicholson, 2107; Orlik,
2179-82; Rodin, 2370; Ubbelohde, 2992 Pan 3 (1898)
no. 4: Hofman, 1221; Kalckreuth, 1346;
Kopping, 1630; Paul, 2210; Petitjean, 2289 Pan 4 {1898)
no. 1: Cross, 456; Luce, 1784; Petitjean, 2288;
Rysselberghe, 2422; Signac, 2772; H. van
de Velde, 3041 no. 2: Behrens, 221; Kruger, 1660; Leistikow,
1725; Olde, 2153; Volz, 3057 no. 3: Fichard, 622; Halm, 984; Kampmann,
1356, Volkmann, 3052 Pan 4 (1899)
no. 4: Baertsoen, 60; Kruger, 1661; C. T.
Meyer, 2002 Pan 5 (1899)
no. 1: Kollwitz, 1591; C. T. Meyer, 2001;
Veldheer, 3044; Wenban, 3101 no. 2: R. Miiller, 2057; Orlik, 2185 no. 3: Kalckreuth, 1347; Kampmann, 1357 Pan 5 (1900)
no. 4: Behrens, 222; Leistikow, 1726; Liebermann, 1732; Olde, 2154 Der Pionier 1 (1923)
no. 4: Kneil, 1528
no. 5/6: Kneil, 1527, 1529-37 Der Pionier 1 (1924)
no. 10/11: Budzinski, 332-33; Kneil, 1538-40
Revolution 1 (1913)
no. 1: Seewald, 2695.2 Die rote Erde 1 (1919)
no. 6: Felixmuller, 605, 609, Schmidt- Rottluff, 2555, 2557; Titze, 2962-63 Die rote Erde 1 (1920)
no. 8/10: Achmann, 5, 16; Feininger, 564; Kaus, 1384, 1386, Kriete, 1656-57; O. Lange, 1701—2; W. Lange, 1706-7; Maetzel-Johannson, 1819; Opfermann, 2155-56; Pechstein, 2250-51; Schaefler, 2447-48
Saturn 2 (1912)
no. 4: Grossberger, 878; Lyck, 1798
no. 5: Dorr, 490
no. 6: Dorr, 491; Grossberger, 874
no. 7: Hacker, 973
no. 8: Grossberger, 875-76
no. 9: Dorr, 492; Lyck, 1797
no. 12: Grossberger, 879; Szafranski, 2887 Saturn 3 (1913)
no. 1: Benson, 227; Grossberger, 873
no. 2: Grossberger, 877; E. L. Kirchner,
M53-2
no. 3: Pelzer, 2276
no. 5: Zuntz, 3177 Die schone Raritdt 2 (1918)
no. 8: Capek, 398, 400; Felixmuller, 586; Hof- man, 1215-16; Spala, 2804-5; Zrzavy, 3176
no. 9: tapek, 399, B. Klein, 1500; Tappert,
2915
Der schwarze Turm (1919)
no. 1: Grimm, 853-54, 856, 858, 862, 865, 869, 872
no. 2: B. Klein, 1501-8
no. 3: Tappert, 2908-14, 2917-18
no. 4: Hirsch, 1169-76
no. 5: Ewerbeck, 538-46
no. 6: Melzer, 1971-79 Der schwarze Turm (1920)
no. 7: Achmann, 3-4, 6-7, 10, 12
no. 8: Schwemmer, 2664, 2667—74 Die Sichel 2 (1920)
no. 1: Achmann, 8, 11
no. 2/3: Achmann, 11, 15, 17, 19-20 Der Sturm 2 (1911)
no. 69: E. L. Kirchner, 1439
no. 71: E. L. Kirchner, 1444, 1448
no. 73: Schmidt-Rottluff, 2537
no. 75: E. L. Kirchner, 1442
no. 77: E. L. Kirchner, 1445
no. 78: E. L. Kirchner, 1440
no. 81: E. L. Kirchner, 1443
no. 82: Segal, 2723
no. 87: Moller, 2023
no. 88: E. L. Kirchner, 1438
no. 89: Segal, 2724
no. 91: Segal, 2722 Der Sturm 2 (1912)
no. 97: Melzer, 1967; Segal, 2727 no. g8: C. Klein, 1509 no. 99: Richter-Berlin, 2353 no. 100: Tappert, 2890 no. 101: E. L. Kirchner, 1449 no. 102: Melzer, 1968 no. 103: Bengen, 226 no. 104: Richter-Berlin, 2354 no. 105: C. Klein, 1510 no. 106: Tappert, 2896 Der Sturm 3 (1912)
no. 109: Morgner, 2032
no. 111: Gerlach, 796; Richter-Berlin, 2357
no. 112: Morgner, 2031
no. 113/114: Morgner, 2035; Tappert, 2895
no. 115/116: C. Klein, 1511; Melzer, 1969
no. 117/118: Melzer, 1970; Segal, 2726, 2732
no. 119/120: Richter-Berlin, 2355-56;
Rosenkranz, 2388 no. 121/122: Richter-Berlin, 2352;
Rosenkranz, 2389; Segal, 2733 no. 125/126: Marc, 1832; Morgner, 2028 no. 127/128: Marc, 1829; Morgner, 2029;
Segal, 2731.3 no. 129: Kandinsky, 1358, 1360-62, 1364-65;
Marc, 1825 no. 130: Richter-Berlin, 2358 no. 131: Campendonk, 368; Rosenkranz, 2390 no. 132: Marc, 1831; Segal, 2731.4 no. 134/135: Campendonk, 366 no. 136/137: Morgner, 2026; Munter, 2060 no. 138/139: Macke, 1800-1801; Marc, 1826;
Morgner, 2034; Munter, 2062 no. 140/141: Campendonk, 367; Marc, 1828;
Rosenkranz, 2387; Segal, 2730 Der Sturm 3 (1913)
no. 142/143: Munter, 2064
no. 144/145: Marc, 1824; Storm-Petersen,
2874 no. 146/147: Marc, 1823 no. 152/153: Macke, 1802; Munter, 2061 Der Stunn 4 (1913)
no. i54/x55: Helbig, 1120 no. 156/157: Laurencin, 1714-15; Marc, 1833 no. 160/161: Laurencin, 1716; Marc, 1827; Rosenkranz, 2391
Munter, 2063; Segal, 2734 Bolz, 308; Morgner, 2037-38 Morgner, 2039, Stoermer, 2870 Morgner, 2040; Richter-Berlin,
Korteweg, 1631-33
Segal, 2735
Eingartner, 531
Stoermer, 2871; Storm-Petersen,
|
no |
92 |
Segal, 2721 |
|
no |
93 |
Pechstein, 2218 |
|
no |
94 |
Pechstein, 2222 |
|
no |
95 |
Segal, 2729 |
|
no |
96 |
E. L. Kirchner, 1446 |
no. 162/163: no. 164/165: no. 166/167: no. 168/169:
2359 no. 170/171: no. 172/173: no. 176/177: no. 178/179:
2875
no. 180/181: Segal, 2736
no. 182/183: Filla, 623 Der Sturm 4 (1914)
no. 196/197: Schmidt-Rottluff, 2543
no. 198/199: Filla, 624 Der Sturm 5 (1914)
no. 1: Rosenkranz, 2392
no. 2: Coubine, 447
no. 3: Coubine, 448; Hofman, 1214
no. 4: Hofman, 1210
no. 5: Mense, 1980
no. 6: Hofman, 1211
no. 7: Schmidt-Rottluff, 2544
no. 8; Mense, 1981
no. 12: Mense, 1982
no. 13/14: Benes, 225; Hofman, 1213
no. 15/16: Heemskerck, 1071-72; Wachlmeier, 3065
840
Periodicals
no. 17/18: Hofman, 1212 Der Sturm 5 (1915)
no. 19/20: Heemskerck, 1070; Mense, 1983; Wachlmeier, 3066
no. 21/22: Mense, 1984-S5
no. 23/24: Heemskerck, 1073, 1077-78 Der Sturm 6 (1915)
no. 1/2: Birnbacher, 29S; Capek, 395
no. 3/4: Felixmuller, 571
no. 5/6: Baumann, 118; Marc, 1835
no. 7/8: Baumann, 119
no. 9/10: Heemskerck, 1079; Wachlmeier, 3067-68
no. 13/14: Baumann, 120; Heemskerck, 1080
no. 15/16: Heemskerck, 1075; Uhden, 2994
no. 17/18: Maetzel, 1804
no. 19/20: Heemskerck, 1081-82
no. 21/22: Campendonk, 370, 374; Heemskerck, 1083-84
no. 23/24: Campendonk, 372, 380; Marc, 1827 Der Sturm 7 (1916)
no. 1: Heemskerck, 1085; Schrimpf, 2609
no. 2: Campendonk, 376; Uhden, 2995-96
no. 3: Campendonk, 377
no. 4: Heemskerck, 1086—88
no. 5: Campendonk, 369, 371, 378
no. 6: Campendonk, 381; Schrimpf, 2610 Der Sturm 7 (1917)
no. 10: Campendonk, 373; Heemskerck, 1089; Schrimpf, 2611
no. 12: Campendonk, 375; Heemskerck, 1090 DerSturinS (1917)
no. 1: Campendonk, 379, 383-84; Heemskerck, 1091; Herzog, 1127
no. 3: Heemskerck, 1092-93; Schrimpf, 2612; Uhden, 3001
no. 8: Schrimpf, 2613; Uhden, 3002-3
no. 9: Uhden, 2999 Der Sturm 8 (1918)
no. 10: Schrimpf, 2614-16; Uhden, 3000
no. 12: Dexel, 469; Schrimpi, 2619 Der Sturm 9 (1918)
no. 1: Topp, 2969: Uhden, 2997
no. 2: Heemskerck, 1095; Topp, 2970-71
no. 3: Mattis-Teutsch, 1879; Schrimpf, 2620—21; Uhden, 299S, 3004-5
no. 5: M&ttis-Teutsch, 1880
no. 8: Topp, 2972; Uhden, 3006-7
no. 9: Dexel, 468; Topp, 2973-75 Der Sturm 9 (1919)
no. 10: Uhden, 3008
no. 12: Herzog, 1128; Topp, 2976-79 Der Sturm 11 (1920)
no. 6: Prampolini, 2307 Der Sturm 12 (1921)
no. 4: Schreyer, 2603
no. 8: Moholy-Nagy, 2011
no. 10: Heemskerck, 1096-97 Der Sturm 13 (1922)
no. 1: Moholy-Nagy, 2012
no. 6: Depero, 465
no. 9: Mattis-Teutsch, 1883; Moholy-Nagy, 2013; Schwitters, 2685
no. 10: Mattis-Teutsch, 1884; Peeters, 2264
no. 11: Kass&k, 1375
no. 12: Bortnyik, 312; Nerlinger, 2089 Der Stunn 14 (1923)
no. 1: Moholy-Nagy, 2014; Peeters, 2263
no. 2: Peri, 2278-79
no. 3: Nerlinger, 2090; Peeters, 2267
no. 4: Oskar Fischer, 634-35
no. 6: Fuhrmann, 665
no. 7: Haffenrichter, 976; Nerlinger, 2091; Peeters, 2265
no. 9: Albrecht, 34; Mattis-Teutsch, 1885 no. 10; Maxy, 1893; Moholy-Nagy, 2015 no. 11: M&ttis-Teutsch, 1886-87; Maxy,
1894-95
no. 12: Haffenrichter, 977; Peri, 2280 Der Sturm 15 (1924)
no. 1: Oskar Fischer, 636; Maes, 1803, Moholy-Nagy, 2016; Nerlinger, 2092; Peeters, 2268; Roeselare, 2372
no. 2: Oskar Fischer, 637; Kassak, 1376-77; Mdttis-Teutsch, 1888; Moholy-Nagy, 2017-18
no. 3: Fuhrmann, 666; Nerlinger, 2096
no. 4: Begeer, 216-17; Moholy-Nagy, 2019-21; Nerlinger, 2093-94 Der Sturm 16(1925)
no. 1; Nerlinger, 2095; Peeters, 2266
no. 2: Schreyer, 2606
no. 3: Eckertz, 524; Nebel, 2079; Nerlinger, 2097-98
no. 4: den Decker, 463; Nebel, 2076-77
no. 5: Albrecht, 35
no. 6: Mattis-Teutsch, 1889-90; Nebel, 2078
no. 9: Flouquet, 640-42
no. 10: Arp, 54-55; Flouquet, 643-44
no. 11/12: Kroll, 1658-59 Der Sturm 17(1926)
no. 5: Marc, 1833 Der Sturm 18 (1927)
no. 1/2: Kesting, 1398 Der Sturm 19 (1928)
no. 2/3: Hunt, 1269-70
no. 5: Kesting, 1399-1400
no. 9: Cernigoi, 421; Kesting, 1401-2
no. 10: Cernigoi, 422 Der Sturm 19(1929)
no. 11/12: Cargo, 402; Cernigoi, 423 Der Sturm 20 (1929)
no. 1: Kesting, 1403-5
Das Tribunal 1 (1919)
no. 3: Eberz, 515; Hacker, 972; Keil, 1390
no. 5: Eberz, 516
no. 6: Keil, 1389
no. 7: Keil, 1391
no. 8/9: Masereel, 1844
no. 10/11: Dulberg, 496; Eberz, 512; Keil,
1392 no. 12: Georgi, 795; Schon, 2592
Ver Sacrum 1 (1898)
no. 1: Moser, 2045 XXe siecle 27 (December 1966)
Kandinsky, 1368. 1
Der Weg 1 (1919)
no. 1: Campendonk, 387; Schaefler, 2438-39,
2441-42; Hilde Wolf, 3126 no. 2: G. Graf, 829; Schrimpf, 2622; Wach,
3058-59 no. 3: Eberz, 517-18; Nerlinger, 208S;
Schaefler, 2446; Hilde Wolf, 3127 no. 4: Birnbacher, 300; Kaus, 1383; Schaefler,
2444; Schnarrenberger, 2587 no. 5/6: Felixmuller, 574; Gewecke, 798; G.
Graf, 830-31; Kinzinger, 1411; Uhden,
3009 no. 7: Gewecke, 799-800; Schaefler, 2445;
Schmidt-Rottluff, 2561; Schrimpf, 2623 no. 8/9: Achmann, 13-14; Birckenbach,
292-93; Kinzinger, 1412; Kubicki,
1668-69; Wach, 3060-61
no. 10: Achmann, 9; Gewecke, 801-2; Puxkandl, 2314 Die weissen Blatter 3 (1916) no. 3: Segal, 2738
Zeit-Echo 1 (1914)
no. 1: Caspar-Filser, 420; Nowak, 2138;
Schinnerer, 2485; W. Schmidt, 2518 no. 2: Beeh, 165; Nowak, 2139; Scharff, 2456;
Stein, 2833; Unold, 3013—14 no. 3: Beeh, 166; Geiger, 751; Jansen, 1296;
Klee, 1489; Scharff, 2457; W. Schmidt,
2519-20; Seewald, 2697; W. Teutsch,
2933; Unold, 3015 no. 4: Beeh, 167; F. Feigl, 552; Geiger, 752;
Kubin, 1671; Pellegrini, 2269 no. 5: Caspar, 405; Geiger, 753; Seewald,
2698; Teutsch, 2933; Unold, 3016 Zeit-Echo 1 (1915)
no. 6: Beeh, 168; Kubin, 1672; Scharff, 2458 no. 7: F. Feigl, 553; Geiger, 755; Klee, 1490;
Seewald, 2696 no. 8: Feldbauer, 569; Heckendorf, 1065 no. 9: Beeh, 169; Geiger, 756; Kopp, 1628;
Scharff, 2459; Seewald, 2700; Unold, 3022 no. 10: Beeh, 170; Jansen, 1296; Reinhardt,
2331 no. 11: Grossmann, 900; Hohlt, 1226; W.
Schmidt, 2521; Unold, 3023 no. 12: Caspar, 406; Scharff, 2460;
Schinnerer, 2487 no. 13: Grossmann, 901; Reinhardt, 2332;
Seewald, 2701 no. 14: Beeh, 171; W. Schmidt, 2522; Unold,
3017 no. 15: Geiger, 757; Scharff, 2462-63;
Seewald, 2701; Unold, 3018 no. 16: Oesterle, 2146; Scharff, 2461;
Schinnerer, 2488 no. 17: Geiger, 758; Pellegrini, 2270; Scharff,
2464 no. 18: Bucherer, 331; Reinhardt, 2333; W.
Schmidt, 2523; Thum, 2950 no. 19: Schinnerer, 2489; Schiilein, 2645; W.
Teutsch, 2934 no. 20: Kokoschka, 1563 no. 21: Brandenburg-Polster, 316; Geiger,
754; Reinhardt, 2334; W. Schmidt, 2524 no. 22: Schinnerer, 2486 no. 23/24: Molier, 2025; Reinhardt, 2335;
Seehaus, 2688; W. Teutsch, 2935-36 Zeit-Echo 2 (1915-16)
no. 1: Grossmann, 902; Savary, 2432 no. 2: Bangerter, 65; Offterdinger, 2147 no. 3: Grossmann, 903; Offterdinger, 2148;
Savary, 2433; W. Schmidt, 2525 no, 4: Kubin, 1673-75; Offterdinger, 2149 no. 5: Savary, 2424; Unold, 3024 no. 6: Roessingh, 2373; Savary, 2425; Scharff,
2465 no. 7: Bangerter, 66; Fiori, 632; Grossmann,
904; Savary, 2426 no. 8: Offterdinger, 2150; H. Richter, 2344;
W. Teutsch, 2937; Wagner, 3075 no. 9: Roessingh, 2374; Savary, 2427; Unold,
3025 no. 10: Bangerter, 67; Fiori, 631; Savary, 2428 no. 11; Grossmann, 905; Huf, 1252; Savary,
2429 no. 12: Bangerter, 68; Roessingh, 2375;
Savary, 2430 no. 13: Fiori, 633; Grossmann, 914; Wagner,
3°77
841
no. 14: Savary, 2431; Unold, 3026
no. 15: Bangerter, 69; Roessingh, 2376; Schoff, 2588 Zeitschrift fur bildende Kunst, n.s., 17(1905)
no. 2: Rudinoff, 2416-17 Zeitschrift fur bildende Kunst, n.s., 17(1906)
no. 4: Hofer, 1198
no. 5: Cunz, 457; Gey-Heinz, 804
no. 6: Heroux, 1124; Latenay, 1713
no. 7; Voellmy, 3051 Zeitschrift fiir bildende Kunst, n.s., 19 (1907)
no. 2: Nolde, 2113 Zeitschrift fiir bildende Kunst, n.s., 22 (1911)
no. 1: M. Bauer, 111
no. 2: Katelhon, 1378
no. 3: Corinth, 427
no. 4: Bossert, 313
no. 7: Halm, 985; Zeising, 3146
no. 9: Pretzfelder, 2308; Scholz, 2591
no. 11: Heyman, 1154
no. 12: Thoma, 2949 Zeitschrift fiir bildende Kunst, n.s., 23(1912)
no. 2: Behmer, 218
no. 3: Gallhof, 668
no. 4: Kuhne, 1687; Zeising, 3147
no. 5: Grossmann, 889; Meid, 1899
no. 6: Heroux, 1125-26; Steiniger, 2855
no. 8: Wilm, 3119-20
no. 9: Struck, 2882
no. 10: Hirzel, 1181
no. 11: Wieger, 3116
no. 12: Roeder, 2371 Zeitschrift fiir bildende Kunst, n.s., 25 (1914)
no. 2: Hollenberg, 1229; Paulsen, 2211
no. 4: Winkler, 3121
no. 6: Meid, 1902
no. 8: Rosier, 2398; Zeising, 3148
no. 12: Gawell, 742; Hoberg, 1183-85 Zeitschrift fur bildende Kunst, n.s., 26 (1914)
no. 1: Liebermann, 1752 Zeitschrift fiir bildende Kunst, n.s., 26 (1914-15)
no. 7: Gaul, 679 Zeitschrift fiir bildende Kunst, n.s., 26 (1915)
no. 10/11: U. Hubner, 1250 Zeitschrift fiir bildende Kunst, n.s., 29 (1917-18)
no. 1: Reifferscheid, 2329
no. 6: Schinnerer, 2491
no. 7: Orlik, 2189
no. 9: Gaul, 740 Zeitschrift fiir bildende Kunst, n.s., 30 (1918—19)
no. 1/2: Jansen, 1301
no. 4/5: Hdlloff, 1231
Index of Portfolios
The index includes only those portfolios that con- tain works by more than one artist. In most cases the center owns the complete portfolio, but par- tial holdings from portfolios have also been included in cases where the center owns more than one print from a given portfolio. Incomplete portfolios are indicated by an asterisk.
Die Briicke II: Amiet, 36; Gallon- Kallel a, 667;
Nolde, 2112; Schmidt-Rottluff, 2528 Die Briicke III: Heckel, 1012; Kirchner, 1423;
Pechstein, 2212 Die Briicke IV: Kirchner, 1427; Schmidt-Rottluff,
2529-3 1 Die Briicke V: Heckel, 1016; Kirchner, 1428,
1430, 1432 Die Briicke VI: Heckel, 1021-23; Pechstein, 2220 Die Briicke VII: Mueller, 2049; Pechstein, 2219,
2224, 2226 Das Buch Eins des Aktivisten Bundes, 1919:
Bullinger, 334, Haer, 974; Kermcheek (?),
1397; O. Pankok, 2199-2200; Rilke, 2366;
Stoeffhase, 2869; Wollheim, 3129-30
Die Fibel: Birnbacher, 299; Feininger, 561; Gramatte, 838; Ruttmann, 2419; Schaefler, 2443
Ganymed-Mappe I: Beckmann, 137; Beeh, 199;
Corinth, 438; Grossmann, 941-42; Hofer,
1201; Kretzschmar, 1654; Kubin, 1682-83;
Schinnerer, 2503; Seewald, 2716; Slevogt,
2799; Unold, 3036 Ganymed-Mappe II: Beckmann, 144;
Campendonk, 394; Grossmann, 946; Hecht,
1005-6; Hofer, 1203; Kleinschmidt, 1515;
Meseck, 1994; Rossing, 2404; Seewald, 2717;
Trumm, 2989; Unold, 3037 Ganymed-Mappe III: Beckmann, 149; Caspar,
417; Corinth, 444; Gott, 826; Grossmann, 948;
Hecht, 1007; Heckel, 1034; Kandinsky, 1370;
Meseck, 1997; Nuckel, 2143; Schinnerer,
2504; Trondle, 2981
*Holzschnitte niederrheinischer Kiinstler:
Bertlings, 277; Holzhausen, 1238; Huhnen, 1253-54; Katzgrau, 1379; Kempkes, 1394; Kuhlen, 1686; Minkenberg, 2004; Nauen, 2074; Rottger, 2408; Sartorius, 2423
Dasjunge Deutschland: Phantasien uber die Auffiihrungen des Jahres 1917/18: Buttner, 364-65; Gliese, 813-14; Stern, 2857-61
*Kreis graphischer Kiinstler und Sammler (annual
portfolios): Hofer, 1204; Kollwitz, 1607;
Pechstein, 2260 *Kriegsbilderbogen Miinchner Kiinstler: Caspar,
404; Caspar-Filser, 419; Feldbauer, 568;
Piittner, 2310; Scharff, 2455; Schiilein, 2644;
Stein, 2832; W. Teutsch, 2932; Unold, 3012
*Die Schaffenden 1, no. 1: Feininger, 555;
Heckel, 1047; Pechstein, 2221 *Die Schaffenden i, no. 2: Felixmiiller, 603 *Die Schaffenden 1, no. 3: Lange, 1699 *Die Schaffenden 2, no. 1: Rohlfs, 2379 *Die Schaffenden 3, no. 1: Burchartz, 339; Kaus,
1388; Mueller, 2053 ♦Die Schaffenden 4, no. 3: Kokoschka, 1582
*Die Schaffenden (volume and number unknown): Meidner, 1928 Sema: Caspar, 403; Caspar-Filser, 418; Fricke, 658, Genin, 784; Hermann, 1123; Hofmann- Juan, 1225; Jagerspacher, 1295; Klee, 1488; Kubin, 1670; Oppenheimer, 2175; Scharff, 2453; Schiele, 2480; Schinnerer, 2484; Schiilein, 2643; Schwalback, 2655 Shakespeare Visionen: Ahlers-Hestermann, 32; Beckmann, 130; Caspar, 407; Corinth, 429-30; Freese, 645; Grossmann, 916-18; Gulbransson, 969; Hasler, 998; Heine, 1101; Hettner, 1153; Hofer, 1199; Jaeckel, 1287; Jansen, 1297-1300; Janthur, 1332; Klossowksi, 1524; Kohlhoff, 1553, Kokoschka, 1573; Konig, 1621; Kubin, 1676; Meseck, 1990; Neumann, 2106; Nowak, 2140-42; Schinnerer, 2490; W. Schmidt, 2526; Schu- bert, 2631; W. Teutsch, 2938-39; Unold, 3027; E. R. Weiss, 3093
Verein fiir Original-Radierung (seventh portfolio): O. Graf, 834; Halm, 983; C. T. Meyer, 1999-2000; Muller, 2056; Orlik, 2183-84; B. Pankok, 2198; Ubbelohde, 2993; Wenban, 3102; Heinrich Wolf, 3125
Emil Orlik
Untitled (mountain landscape) Cat. no. 2187
342
Index of Portraits
Achmann, Josef, 9 Amiet(?), Cuno, 1529 Angermayer, Fred Antoine, 482 Arp, Hans, 53
Badt, Kurt, 59 Bahr, Hermann, 1102.1 Barlach, Ernst, 105 Battenberg, Fridel, 131, 148 Battenberg, Ugi, 131 Baum. Paul, 487 Baumer, Ludwig, 1637 Beckmann, Max, 131, 138.1, 143,
151.1 Berend, Alice, 444 Berlit, Riidiger, 234 Bierbaum, Otto Julius, 970.1
BlRNBACHER, G., 2445
Bjornson, Bjornstjerne, 970.2 BOCKLIN, Arnold, 1663 Bode, Wilhelm von, 1752 Boehm-Ermolli, General Eduard
von, 621 Brenck-Kalischer, Bess, 577 Burchartz, Max, 339 Burckhardt, Jacob, 1660 Butting, M., 2443-44
Chagall, Bella, 1938 Chagall, Marc, 2883 Corinth, Lovis, 431, 433, 440, 441 Crane, Walter, 2407
Daubler, Theodor, 451, 970.3,
1916 Dehmel, Richard, 224 Deutsch, Ernst, 1066 Dietrich. Rudolf, 578 Diez, Robert, 1897 Dix, Otto, 475, 485 Dostoyevski, Fyodor, 137
Edschmid, Kasimir, 943.1 Einstein, Karl, 943.2 Eisner, Kurt, 2446 Essie, Hermann, 362
Falckenberg, Otto, 319 Falkenhayn, General Erich von,
2988 Fechter, Paul, 2260 Felixmuller, Conrad, 304, 574,
589, 601, 610, 613, 614 Felixmuller, Londa, 581, 582,
613, 614 Fontane, Theodor, 1730 Freundlich, Dr. Erwin Finlay,
2234 Freundlich, Otto, 480, 654 Fuchs, Georg, 2840
Geicer, Wolfgang, 750.1, 750.6 George, Stefan, 1102.2 Gewecke, Hans, 1456 Giacometti, Giovanni, 36 Goldstein, Eugen, 1936 Graf, Botho, 1463 Gramatte, Sonia, 845.4, 845.6-7 Gramatte, Walter, 845.1-3,
845.5-6, 845.8-9 Groth, Klaus, 2152
Halm, Peter, 2816 Hard, Nina, 1477 Hasenclever, Walter, 1579 Hauptmann, Gerhart, 1102.3 Hauser, Carry, 1000 Hausmann, Raoul, 1919 Heckel, Erich, 2531 Heckel, Siddi, 1037, 1040 Heinrich-Salze, Karl Luis, 1117 Henningsen, Agnes, 2887 Hesse, Hermann, 970.4 HlRSCH, Karl Jakob, 1161, 1162 Huelsenbeck, Richard, 952.40 Hulewicz, Frau, 1258 Hulevvicz, Jerzy, 1263
Ibsen, Henrik, 970.5 Israels, Jozef, 3045
Jaeckel, Frau, 1957 Jannings, Emil, 2190
Kaempfer, Walter, 1958 Kirchner, Ernst Ludwig, 1058,
1475.2, 1484.4 Kokoschka, Oskar, 1564.1, 1587,
2193 Kolb, Annette, 943.3 Kollwitz, Kathe, 1605, 1607,
1611, 1618 Krauss, Werner, 2192 Kubicki, Stanislav, 1667 Kubin, Alfred, 887
Landau, Rom, 2195 Landauer, Gustav, 2652 Lasker-Schuler, Else, 815, 9434 Laufenberg, Dr., 2922 Ledebour, Georg, 952.54 Leiko, Marja, 363 Lender, Marcelle, 2980 Lenin, Nikolai, 2653 Liebermann, Max, 618. 944,
i736-37. !772 Liebknecht, Karl, 573 Liliencron, Detlev von, 2153 Linsincen, Alexander von, 620
Mackensen, August von, 551, 619
Maeterlinck, Maurice, 2289
Mann, Heinrich, 1102.4
Mann, Thomas, 1102.4
Marcks, Gerhard, 1840
May, Bruno, 1896
Meidner, Ludwig, 1922, 1928,
1937 > i942-43. 1944-2, 1945.
1948, 1950, 1952-55 Meyrink, Gustav, 943.5 Morgner, Wilhelm, 2030.5, 2033,
2041 Mraczek, Joseph Gustav, 2527 MOHSAM, Erich, 1374 MOller, Erich H., 588
Neumann, I. B., 474 Neumanna, Stanislava K., 1218 Nietzsche, Friedrich, 2154 Nolde, Emil, 2116
Olbricht, Alexander, 218 Oppenheimer, Max, 2178
Piper, Reinhard, 134, 139-40 Praucher-Schmidke, Dr., 1940 Proust, Antonin, 2370
Radek, Karl, 257 Rathenau, Walther, 1102.5 Regnier, Henri de, 2422 Rheiner, Walter, 579, 604 Richter, Kiithe, 1575-76 Rilke, Rainer Maria, 943.6 ROESSLER, Arthur, 2481
Scherer, Hermann, 2477 Schiefler(?), Gustav, 2535 Schiele, Egon, 2480 Schilling, Heinar, 591 Schlichter, Rudolf, 952. 42 Schmalhausen, Otto, 952.21 Schmidt-Rottluff, Karl, 1427 Seckel(?), Robert, 2535 Seewald, Richard, 2719 Segal, Ernestine, 2720 Simon, Mme. Georges, 3175 Slevogt, Max, 2778 Spengler, Lucius, 1471 Stein, General von, 550 Steinhardt, Jakob, 2841 Sternheim, Carl, 1464 Stevens, Corona, 1577-78 Stiemer, Felix, 590 Strang, William, 2876 Strindberc, August, 879
Tappert, Georg, 2906 Thimig, Helene, 812 Tolstoy, Leo, 970.6 Trotsky, Leon, 51, 2654, 3115 Tube, Martin, 129
Valentiner, William R , 2573 Verlaine, Paul, 3175 Voll, Christoph, 3053
Wach, Alois, 2438 Wedekind, Frank, 1102.6, 2191 Werfel, Franz, 361 Westheim, Paul, 481, 1582, 1946 Wieger, Paul, 3116 Wilamowitz-MOllendorff,
Ulrich von, 1762 William ii, 359 Wolfenstein, Alfred, 1934-35 Wollheim, Gert, 3128
Zeretelli, Nicolai Michailovich, 149
Kurt Schwitters
Untitled (cover) Cat. no. 2684. 1
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County of Los Angeles
Board of Supervisors, ig8g
Edmund D. Edelman, Chairman Michael D. Antonovich Deane Dana Kenneth Hahn Peter F. Schabarum
Chief Administrative Officer and Director of Personnel
Richard B. Dixon
Los Angeles County Museum of Art Board of Trustees, Fiscal Year 1988-89
Julian Ganz, Jr., Chairman
Daniel N. Belin, President
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Prestel Art Books
A Selection
German Expressionism 1915-1925: The Second Generation
Edited by Stephanie Barron. 197 pages with 516 illustrations, 89 in full color. Clothbound. isbn 3-7913-0874-2. Also available in German: isbn 3-7913-0916-1.
German Art in the 20th Century: Painting and Sculpture 1905-1985
Edited by Christos Joachimides,
Norman Rosenthal, and Wieland
Schmied.
518 pages with 623 illustrations,
293 in full color. Clothbound.
isbn 3-7913-0743-6.
Also available in German:
isbn 3-7913-0728-2.
The Blue Rider
in the Lenbachhaus, Munich
Edited and with an introduction by Armin Zweite. Approx. 240 pages with approx. 120 full-color plates. Clothbound. isbn 3-7913-0850-5.
Egon Schiele and His Contempo- raries from the Collection Leopold
Edited by Klaus Albrecht Schroder
and Harald Szeemann.
296 pages with 146 full-color plates
and 59 black-and-white illustrations.
Clothbound.
isbn 3-7913-0921-8.
Also available in German:
isbn 3-7913-0917-x.
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