reo + i tag a eneries sti ieee font then antl eathe Bat Bo Rae noe MY SUMMER IN A GARDEN. BY CHARLES DUDLEY WARNER. BOSTON: JAMES R. OSGOOD & CO: LATE TICKNOR & FIELDS, AND FIELDS, OSGOOD, & CO. 1871. Entered, according to Act of Congress, in the year 1870, By FIELDS, OSGOOD, & CO., In the Office of the Librarian of Congress, at Washington. s A. i; A ‘ WwW aA, PAL Te a Hisy Rand, Avery, & Frye, Stereowpers and Printers, Boston. INTRODUCTORY LETTER. M* DEAR MR. FIELDS, —I did prom- ise to write an Introduction to these charming papers; but an Introduction, — what is it? —a sort of pilaster, put upon the ~ face of a building for look’s sake, and usually flat, —very flat. Sometimes it may be called a caryatid, which is, as I understand it, a cruel device of architecture, representing a man or a woman, obliged to hold up upon his or her head or shoulders a structure which they did not build, and which could stand just as well without as with them. But an Introduction is more apt to bea pillar, such as one may see in Baalbec, standing up in the air all alone, with nothing on it, and with nothing for it to do. But an Introductory Letter is different. ili iv INTRODUCTORY LETTER. There is in that no formality, no assumption of function, no awkward propriety or dignity ‘to be sustained. A letter at the opening of a book may be only a footpath, leading the curious to a favorable point of observation, and then leaving.them to wander as they will. Sluggards have been sent to the ant for wisdom; but writers might better be sent to the spider, — not because he works all. night, and watches all day, but because he works unconsciously. He dare not even bring his work before his own eyes, but keeps it be- hind him, as if too much knowledge of what one is doing would spoil the delicacy and modesty of one’s work. . Almost all graceful and fanciful ae is born like a dream, that comes noiselessly, and tarries silently, and goes as a bubble bursts. And yet somewhere work must. come te real, well-considered work. Inness (the best American painter of Na-. ture in her moods of real human feeling) once, said, “* No man can do any thing in art, unless he has intuitions ; but, between whiles, “INTRODUCTORY LETTER. v one must work hard in cellecting the materials out of which intuitions are made.” The truth could not be hit off better. Knowl- edge is the soil, and intuitions are the flowers - which grow up out of it. The soil must be well enriched and worked. It is very plain, or will be to those who read these papers, now gathered up into this book, as into a chariot for a race, that the author has long employed his eyes, his ears, and his understanding, in observing and con- sidering the facts of Nature, and in weaving curious analogies. Being an editor of one of the oldest daily newspapers in New England, and obliged to fill its columns day after day (as the village mill is obliged to render every day so.many sacks of flour or of meal to its hungry customers), it naturally occurred to him, ** Why not write something which I myself, as well as my readers, shall enjoy? The: market gives them facts enough ; politics, lies enough ; art, affecta- tions enough ; criminal news, horrors enough ; vi INTRODUCTORY LETTER. fashion more than enough of vanity upon vanity, aid vexation of purse. Why should they not have some of those wandering and joyous fancies which solace my hours ?” The suggestion ripened into execution. Men and women read, and wanted more. These garden letters began to blossom every week; and many hands were’ glad to gather pleasure from them. A sign it was of wis- dom. In our feverish days, it is a-sign of health or of+convalescence that men love gentle pleasure, and enjoyments that do not rush or roar, but distil as the dew. The love of rural life, the habit of finding enjoyment in familiar things, that suscepti- bility to Nature which keeps the nerve gently thrilled in her homeliest nooks and by her commonest sounds, is worth a thousand for- tunes of money, or its equivalents. Every book which interprets the secret lore of fieids and gardens, every essay that brings men nearer to the understanding of the mys- teries which every tree whispers, every brook INTRODUCTORY LETTER. eo VN murmurs, every weed, even, hints, is a con- tribution to the wealth and the happiness of our kind. And if the lines of the writer shall be traced in quaint characters, and be filled with a grave humor, or break out at times into merriment, all this will be no pre- sumption against their wisdom or his good- ness. Is the oak less strong and tough because the mosses and weather-stains stick in all manner of grotesque sketches along its bark? Now, truly, one may not learn from this little book either divinity or horticulture ; but if he gets a pure happiness, and a ten- dency to repeat the happiness from the sim- ple stores of Nature, he will gain from our friend’s garden what Adam lost in his, and what neither philosophy nor divinity has always been able to restore. Wherefore, thanking you for listening to a former letter, which begged you to consider whether these curious and ingenious papers, that go winding about like a half-trodden path between the garden and the field, might WA INTRODUCTORY CHAPTER« r _ not be Fiven in book-form to your million eaders, ? remain, yours to command in every thing but the writing of an Introduc- tion, : HENRY WARD BEECHER. BY WAY OF DEDICATION. 5 Y DEAR POLLY, — When a few of these papers had appeared in ‘The “Courant,” I was encouraged to continue them by hearing that they had at least one reader who read them with the serious mind from which alone profit is to be expected. _It was a maiden lady, who, I am sure, was no more to blame for her singleness than for her age; and she looked to these honest sketches of experience for that aid which the profes- _ sional agricultural papers could not give in the management of the little bit of garden which she called her own. She may have been my only disciple; and I confess that the thought of her yielding a simple faith to— what a gainsaying world may have regarded with levity has contributed much to give an ix x BY WAY OF DEDICATION. increased practical turn to my reports of “what I know about gardening. The thought that I had misled a lady, whose age is not her only singularity, who looked to me for advice which should be not at all the fanciful product of the Garden of Gull, would give me great pain. I trust that her autumn is a peaceful one, and undisturbed by either the humorous or the satirical side of Nature. You know that this attempt to tell the truth about one of the most fascinating occu- pations in the world has not been without its dangers. I have received anonymous letters. Some of them were murderously spelled; others were missives in such elegant phrase and dress, that danger was only to be apprehended in them by one skilled in the mysteries of medizval poison- ing, when death flew on the wings of a perfume. One lady, whose entreaty that I should pause had something of command in it, wrote that my strictures on “ pusley ” had so inflamed her husband’s zeal, that, in her absence in the country, he had rooted up all * BY WAY OF DEDICATION. xi her beds of portulaca (a sort of cousin of the fat weed), and utterly cast it out. It is,” however, to be expected, that retributive justice would visit the innocent as well as the guilty of an offending family. This is only another proof of the wide sweep of moral forces. I suppose that it is as neces- sary in the vegetable world as it is elsewhere to avoid the appearance of evil. In offering you the fruit of my garden, which has been gathered from week to week, without much reference to the progress of the ‘crops or the drought, I desire to acknowledge an influence which has lent half the charm to my labor. If I were in a court of justice, or injustice, under oath, I should not like to say, that either in the wooing days of spring, or under the suns of the summer solstice, you had been, either with hoe, rake, or miniature spade, of the least use in the earden ; but your suggestions have been in- valuable, and, whenever used, have been paid for. Your horticultural inquiries have been of a nature to astonish the vegetable world, Xll BY WAY OF DEDICATION. if it listened, and were a constant inspiration to research. There was almost nothing that you did not wish to know; and this, added to what I wished to know, made a boundless field for discovery. What might have be- come of the garden if your advice had been followed, a good Providence only knows; but I never worked there without a consciousness that you might at any moment come down the walk, under the grape-arbor, bestowing elances of approval, that were none the worse for not being critical; exercising a sort of superintendence that elevated gar- dening into a fine art; expressing a wonder that was as complimentary to me as it was to Nature ; bringing an atmosphere which made the garden a region of romance, the soil of which was set apart for fruits native to climes unseen. It was this bright presence that filled the garden, as it did the summer, with lizht, and now leaves upon it that tender play of color and bloom which is called among the Alps the afterglow. - c. D. W. Noox Farm, Harrrorp, October, 1870. MY SUMMER IN A GARDEN. PRELIMINARY. ae love of dirt is among the earliest of passions, as it is the latest. Mud- pies gratify one of our first and best in- stincts. So long as we are dirty, we are pure. Fondness for the ground comes back to a man after he has run the round of pleasure and business, eaten dirt, and sown wild-oats, drifted about the world, and taken the wind of all its moods. The love of digging in the ground (or of looking on while he pays another to dig) is as sure to come back to him, as he is sure, at last, to go under 1 ge MY SUMMER IN A GARDEN. the ground, and stay there. To own a bit of ground, td scratch it with a hoe, to plant seeds, and watch their renewal of life, —this is the commonest delight of the race, the most satisfactory thing a man can do. When Cicero writes of the pleasures of old age, that of agriculture is chief among them: “ Venio nunc ad voluptates agricolarum, quibus eyo in- credibiliter delector: que nec ulla w- pediunter senectute, et mihi ad saprentis vitam proxime videntur accedere.” (I am driven to Latin because New-York editors have exhausted the English lan- guage in the praising of spring, and es- pecially of the month of May.) Let us celebrate the soil. Most men toil that they. may own a piece of it; they measure their success in life by their ability to buy it. It is alike the passion of the parvenu and the pride of the aristocrat. Broad acres are a patent of MY SUMMER IN A GARDEN. 3 nobility ; and no man but feels more of a man in the world if he have a bit of ground that he can call his own. How- ever small it is on the surface, it is four thousand miles deep; and that is a very handsome property. And there is a great pleasure in working im the soil, apart from the ownership of it. The man who has planted a garden feels that he has done something for the ggod of the world. He belongs to the produ- _cers. It is a pleasure to eat of the fruit of one’s toil, if it be nothing more than a head of lettuce or an ear of corn. One cultivates a lawn even with great satisfaction; for there is nothing more beautiful than grass and turf in our lati- tude. The tropics may have their de- lights; but they have not turf: and the world without turf is a dreary desert. The original garden of Eden could not have had such turf as one sees in Eng- 4 MY SUMMER IN A GARDEN. land. The Teutonic races all love turf: they emigrate in the line of its erowth. To dig in the mellow soil—to dig moderately, for all pleasure should be taken sparingly —is a great thing. One gets strength out of the ground as often as one really touches it with a hoe. Antzeus (this is a classical article) was no doubt an agriculturist ; and such a prize- fighter as Hercules couldn’t do any thing with him till he got him to lay down his spade, and quit the soil. It is not simply beets and potatoes and corn and string- beans that one raises in his well-hoed garden: it is the average of human life. There is life in the ground; it goes into the seeds; and it also, when it is stirred up, goes into the man who stirs it. The hot sun on his back as he bends to his shovel and hoe, or contemplatively rakes the warm and fragrant loam, is better than much medicine. The buds or MY SUMMER IN A GARDEN. are coming out on the bushes round about; the blossoms of the fruit-trees be- gin to show; the blood is running up the grape-vines in streams; you can smell the wild-flowers on the near bank; and the birds are flymg and glancing and singing everywhere. To the open kitch- en-door comes the busy housewife to shake a white something, and stands a moment to look, quite transfixed by the delichtful sights and sounds. Hoeing in the garden on a bright, soft May day, ~ when you are not obliged to, is nearly equal to the delight of going trouting. Blessed be agriculture! if one does not have too much of it. All literature is fragrant with it, in a gentlemanly way. At the foot of the charming olive-covered hills of Tivoli, Horace (not he of Chap- paqua) had-a sunny farm: it was in sight of Hadrian’s villa, who did land- scape-gardening on an extensive scale, 6 MY SUMMER. IN A GARDEN. and probably did not get half as much comfort out of it as Horace did from his _ more simply-tilled acres. We trust that Horace did a little hoemg and farming himself, and that his verse is not all fraud- ulent, sentiment. In order to enjoy agriculture, you do not want too much of it, and you want to be poor enough to have a little inducement to work mod- erately yourself. Hoe while it is spring, and enjoy the best anticipations. It is not much matter if things do not turn out well. MY SUMMER IN A.GARDEN. Sey! WHAT I KNOW ABOUT GARDENING. FIRST WEEK. NDER this modest title, I purpose to write a series of papers, some of which will be like many papers of gar- den-seeds, with nothing vital in them, on the subject of gardening; holding that no man has any right to keep valuable knowledge to himself, and hoping that those who come after me, except tax- gatherers and that sort of person, will find profit in the perusal of my experi- ence. As my knowledge is constantly increasing, there is likely to be no end to these papers. They will pursue no orderly system of agriculture or horti- culture, but range from topic: to .topic, 8 MY SUMMER IN A GARDEN. according to the weather and the prog: ress of the weeds, which may drive me from one corner of the garden to the other. The principal value of a private gar- den is not understood. It is not to give the possessor vegetables and fruit (that can be better and cheaper done by the market-gardeners), but to teach him pa- tience and philosophy, and the higher vir- tues, — hope deferred, and expectations blighted, leading directly to resignation, and sometimes to alienation. The gar- den thus becomes a moral agent, a test of character, as it was in the beginning. I shall keep this central truth in mind in these. articles. I mean to have a moral garden, if it is not a productive one,— one that shall teach, O my brothers! O my sisters! the great les- sons of life. ‘The first pleasant thing about a gar- MY SUMMER IN A GARDEN. 9 den in this latitude is, that you never know when to set it going. If you want any thing to come to maturity early, you must start itin a hot-house. If you put it out early, the chances are all in favor of getting it nipped with frost ; for the thermometer will be 90° one day, and go below 32° the night of the day following. And, if you do not set out plants or sow seeds early, you fret con- tinually ; knowing that your vegetables will be late, and that, while Jones has early peas, you will be watching your slow-forming pods. This keeps you in a state of mind. When you have planted any thing early, you are doubtful whether to desire to see it above ground, or not. If a hot day comes, you long to see the young plants; but, when a cold north wind brings frost, you tremble lest the seeds have burst their bands. Your spring is passed in anxious doubts and 10 MY SUMMER IN A GARDEN. fears, which are usually realized; and so a great moral discipline is worked out for you. | Now, there is my corn, two or three inches high this 18th of May, and ap- parently having no fear of a frost. I was hoeing it this morning for the first time, — it is not well usually to hoe corn until about the 18th of May, —when Polly came out to look at the Lima beans. She seemed to think the poles | had come up beautifully. I thought they did look well: they are a fine set of poles, large and well grown, and stand straight. They were inexpensive too. The cheapness came about from my cut- ing them on another man’s land, and he did not know it. I have not examined this transaction in the moral light of gardening; but I know people in this country take great liberties at the, polls. Polly noticed that the beans had not MY SUMMER IN A GARDEN. 11 themselves come up in any proper sense, but that the dirt had got off from them, leaving them uncovered. She thought it would be well to sprinkle a slight layer of dirt over them;.and I, indulgently, consented. It occurred to me, when she had gone, that beans always come up that way, — wrong end first; and that what they wanted was light, and not dirt. Observation : Woman always did, from the first, make a muss in a garden. I inherited with my garden a large patch of raspberries. Splendid berry the raspberry, when the strawberry has gone. ‘This patch has grown into such a defiant attitude, that you could not get within several feet of it. Its stalks were enormous in size, and cast out long, prickly arms in all directions; but the bushes were pretty much all dead. I have walked into them a good deal with 12 MY SUMMER IN A GARDEN. a pruning-knife ; but it is very much like fighting original sin. The variety is one that I can recommend. I think it is called Brinckley’s Orange. It is exceedingly prolific, and has enormous stalks. The fruit is also said to be good; but that does not matter so much, as the plant does not often bear in this region. The stalks seem to be biennial institutions ; and as they get about their growth one year, and bear the next year, and then die, and the winters here nearly always kill them, unless you take them into the house (which is inconvenient if you have a family of small children), it is very dif- ficult to induce the plant to flower and fruit. This is the greatest objection there is to this sort of raspberry. I. think of keeping these for discipline, and setting out some others, more hardy sorts, for fruit. MY SUMMER IN A GARDEN. 1S SECOND WEEK. EXT to deciding when to start your garden, the most important matter is, what to put im it. It is dif_i- cult to decide what to order for dinner on a given day: how much more op- pressive is it to order in a lump an end- less vista of dinners, so to speak! For, unless your garden is a boundless prairie (and mine seems to me to be that when I hoe it on hot days), you must make a selection, from the great variety of vege- tables, of those you will raise in it; and .you feel rather bound to supply your own table from your own garden, and to eat only as you have sown. I hold that no man has a right (what- ever his sex, of course) to have a gar- 14 MY SUMMER IN A GARDEN. den to his own selfish uses. He ought not to please himself, but every man to please his neighbor. I tried to havea garden that would give general moral satisfaction. It seemed to me that no- body could object to potatoes (a most useful vegetable); and I began to plant them freely. But there was a chorus of protest against them. “You don’t want to take up your ground with potatoes,” the neighbors said: “‘ you can buy pota- toes”’ (the very thing I wanted to avoid doing is buying things). “What you want is the perishable things that you cannot get fresh m the market.” —“ But what kind of perishable things?” A hor- ticulturalist of emimence wanted me to sow lines of strawberries and raspberries — right over where I had put my potatoes in drills: I had about five hundred straw- berry- plants in another part of my gar- .den; but this fruit-fanatic wanted me to MY SUMMER IN A GARDEN. 15 turn my whole patch into vines and run- ners. [suppose I could raise strawber- ries enough for all my neighbors; and perhaps I ought to do it. I had a little space prepared for melons, —musk-mel- ous,-—-which I showed to an experienced friend. “You are not going to waste your ground on musk-melons?”’ he asked. “They rarely ripen in this climate thor- oughly, before frost.” He had tried for years without luck. I resolved to not go into such a foolish experiment. But, the next day, another neighbor happened in. “Ah! I see you are going to have mel- ons. My family would rather give up any thing else in the garden than musk- melons,—of the nutmeg variety. They are the most grateful things we have on the table.” So theré it was. There was no compromise: it was melons, or no melons, and somebody offended in any case. I half resolved to plant them a 16 MY SUMMER IN A GARDEN. little late, so that they would, and they wouldn’t. But I had the same difficulty about string-beans (which I detest), and squash (which I tolerate), and parsnips, and the whole round of green things. I have pretty much come to the con- clusion, that you have got to put your foot down in gardening. If I had actu- ally taken counsel of my friends, I should not have had a thing growing in the garden to-day but weeds. And besides, while you are waiting, Nature does not wait. Her mind is made up. She knows just what she will raise; and she has an infinite variety of early and late. The most humiliating thing to me about a garden is the lesson it teaches of the . inferiority of man. Nature is prompt, decided, inexhaustible. She thrusts up her plants with a vigor and freedom that I admire; and, the more worthless the plant, the more rapid and splendid its \ MY SUMMER IN A GARDEN. gO erowth. She is at it early and late, and all night; never tiring, nor showing the least sign of exhaustion. “Hternal gardening is the price of liberty,” is a motto that I should put over the gateway of my garden, if I had a gate. And yet it is not wholly true; for there is no liberty in gar- dening. The man who undertakes a garden is relentlessly pursued. He felicitates himself, that, when he gets it once planted, he will have a season of rest and of enjoyment in the sprouting and growing of his seeds. It is a green anticipation. He has planted a. seed that will keep him awake nights; drive rest from his bones, and sleep from his pillow. Hardly is the garden planted, when he must begin to hoe it. The weeds have sprung up all over it in a night. They shine and wave in redundant life. The docks have almost 2 18 MY SUMMER IN A “YARDEN. gone to seed; and their roots go deeper than conscience. Talk about the Lon- don Docks !—the roots of these are like the sources of the Aryan race. And the weeds are not all. I awake in the morning (and a thrivg garden will wake a person up two hours before he ought to be out of bed), and think of the tomato-plants,— the leaves like fine lace-work, owing to black bugs that skip around, and can’t be caught. Some- body ought to get up before the dew is off, (why don’t the dew stay on till after a reasonable breakfast?) and sprinkle soot on the leaves. I wonder if it is I. Soot is so much blacker than the bugs, that they are disgusted, and go away. You can’t get up too early, if you have a garden. You must be early due yourself, if you get ahead of the bugs. I think, that, on the whole, it would be best to sit up all MY SUMMER IN A GARDEN. 19 ‘night, and sleep day-times. Things appear to go on in the night in the garden uncommonly. It would be less trouble to stay up than it is to get up so early. I have been setting out some new raspberries, two sorts,—a silver and a gold color. -How fine they will look on the table next year in a cut-glass dish, the cream being in a ditto pitcher! I set them four and five feet apart. I set _my strawberries pretty well apart also. The reason is, to give room for the cows to run through when they break into the garden,—as they do sometimes.