PNY . ees i +, i rae } ut Ae ites + ya \ ; : Hi oe { ri) iat fi i v \) 5 ot Mee ese ay i ay : i ts ant oy ie HARVARD UNIVERSITY. LIBRA OF THE MUSEUM OF COMPARATIVE ZOOLOGY. ESTABLISHED BY EDWARD L. YOUMANS. THE POPULAR SCIENCE MIO NY ELLY. EDITED BY WILLIAM JAY YOUMANS VOL. XXXV. MAY TO OCTOBER, 1889. Jt NEW YORK : Pear PLE TON-AND COMPANY, 1, 8, anD 5 BOND STREET. 1889. Vie oe ihos A100 fu hay. ON CINe. RUDOLF J. E. CLAUSIUS. THE BoP be whi NCE IVE OLIN, Te EW MAY, 1889. NEW CHAPTERS IN THE WARFARE OF SCIENCE. VI.—DIABOLISM AND HYSTERIA. By ANDREW DICKSON WHITE, LL.D., L.H. D., EX-PRESIDENT OF CORNELL UNIVERSITY. PART I. ie: the foregoing chapter I have sketched the triumph of science in destroying the idea that individual lunatics are “ possessed by devils,’—in establishing the truth that insanity is physical disease,—and in substituting for superstitious cruelties toward the insane a treatment mild, kindly, and based upon ascertained facts, The Satan who had so long troubled individual men and women thus became extinct; henceforth his fossil remains only were preserved; they may still be found in the sculptures and storied windows of medizeval churches, in sundry liturgies, and in popular forms of speech. But another Satan still lived—a Satan who wrought on a larger scale—who took possession of multitudes. For, after this triumph of the scientific method, there still remained a class of mental disorders which could not be treated in asylums, which were not yet fully explained by science, and which therefore gave arguments of much apparent strength to the supporters of the old theological view: these were the epidemics of “ diabolic possession ” which for so many centuries afflicted various parts of the world. When obliged, then, to retreat from their old position in regard to individual cases of insanity, the more conservative the- ologians promptly referred to these epidemics as beyond the domain of science—as clear evidences of the power of Satan; and, as the basis of this view, they cited from the Old Testament fre- quent references to witchcraft, and, from the New Testament, St. VOL. Xxxv.—1 2 THE POPULAR SCIENCE MONTHLY. Paul’s question as to the possible bewitching of the Galatians, and Simon the magician’s bewitching of the people of Samaria. Naturally, such leaders had a large body of adherents in that class—so large in all times—who find that “ To follow foolish precedents and wink With both our eyes, is easier than to think.” * It must be owned that their case seemed strong. Though in all human history, so far as it is closely known, these phenomena had appeared, and though every classical scholar could recall the wild orgies of the priests, priestesses, and devotees of Dionysus and Cybele, and the epidemic of wild rage which took its name from some of these, the great fathers and doctors of the Church had left a complete answer to any skepticism based on these facts ; in their view the gods of the heathen were devils—these examples, then, could be transformed into a powerful argument for diabolic possession. t But it was more especially the epidemics of diabolism in medizeval and modern times which gave strength to the theologi- cal view, and from these I shall present a chain of typical exam- ples. As early as the eleventh century we find clear accounts of dia- bolical possession taking the form of epidemics of raving, jump- ing, dancing, and convulsions—the greater number of the sufferers being women and children. In a time so rude, accounts of these manifestations would rarely receive permanent record; but it is very significant that even at the beginning of the eleventh cent- ury we hear of them at the extremes of EKurope—in northern Germany and in southern Italy. At various times during that century we get additional glimpses of these exhibitions, but it is not until the beginning of the thirteenth century that we have a renewal of them ona large scale. In 1237, at Erfurt, a jumping disease and dancing mania began and afflicted a hundred chil- dren, many of whom died in consequence; it spread through the whole region, and fifty years later we hear of it in Holland. But it was the last quarter of the fourteenth century that saw its greatest manifestations. There was much reason for them. It was a time of oppression, famine, and pestilence: the crusading spirit, having run its course, had been succeeded by a wild, mysti- cal fanaticism; the most frightful plague in human history—the * As to eminent physicians, finding a stumbling-block in hysterical mania, see Kirch- hof’s article, page 351, cited in previous chapter. + As to the Menads, Corybantes, and the disease “Corybantism,” see, for accessible and adequate statements, Smith’s “ Dictionary of Antiquities” and Lewis and Short’s “ Lex- icon”; also reference in Hecker’s “Essays upon the Black Death and the Dancing Mania.” For more complete discussion, see Semelaigne, ‘“ L’Aliénation mentale dans PAntiquité,” Paris, 1869. NEW CHAPTERS IN THE WARFARE OF SCIENCE. 3 black death—was depopulating whole regions, reducing cities to villages, and filling Europe with that strange mixture of devotion and dissipation which we always note during the prevalence of deadly epidemics on a large scale. It was in this ferment of religious, moral, and social disease that there broke out in 1374, in the lower Rhine region, the great- est perhaps of all manifestations of “ possession ”—an epidemic of dancing, jumping, and wild raving. The cures resorted to seemed on the whole to intensify the disease; the afflicted continued dancing for hours, until they fell in utter exhaustion. Some declared that they felt as if bathed in blood, some saw visions, some prophesied. Into this mass of “ possession ” there was also clearly poured a current of scoundrelism which increased the disorder. The immediate origin of these manifestations seems to have been the wild revels of St. John’s Day. In those revels sundry old heathen ceremonies had been perpetuated, but under a nomi- nally Christian form: wild Bacchanalian dances had thus become a semi-religious ceremonial. The religious and social atmosphere was propitious to the development of the germs of diabolic influ- ence vitalized in these orgies, and they were scattered far and wide through large tracts of the Netherlands and Germany, and especially through the whole region of the Rhine. At Cologne we hear of five hundred afflicted at once, at Metz of eleven hun- dred dancers in the streets, at Strasburg of yet more painful mani- festations ; and from the greater cities they spread through the villages and rural districts. The great majority of the sufferers were women, but there were many men, especially of those whose occupations were seden- tary. Remedies were tried upon a great scale—exorcisms first, but especially pilgrimages to the shrine of St. Vitus: the exor- cisms accomplished so little that popular faith in them grew small, and the main effect of the pilgrimages seemed to be to increase the disorder by subjecting great crowds to the diabolic contagion. Yet another curative means was seen in the great flagellant processions—vast crowds of men, women, and children who wandered through the country, screaming, praying, beating themselves with whips, imploring the divine mercy and the intervention of St. Vitus. Most fearful of all the great attempts at cure were the persecutions of the Jews. A feeling had evi- dently spread among the people at large that the Almighty was filled with wrath at the toleration of his enemies, and might be propitiated by their destruction: in the great cities and villages of Germany, then, the Jews were plundered, tortured, and mur- dered by tens of thousands. No doubt that, in all this, greed was united with fanaticism, but the argument of fanaticism was sim- 4 THE POPULAR SCIENCE MONTHLY. ple and cogent—the dart which pierced the breast of Israel at that time was winged and pointed from its own sacred books: the Biblical argument was the same used in various ages to promote persecution, and this was that the wrath of the Almighty was stirred against those who tolerated his enemies, and that because of this toleration the same curse had now come upon Europe which the prophet Samuel had denounced against Saul for show- ing mercy to the enemies of Jehovah. It is but just to say that various popes and kings exerted themselves to check these cruelties. Although the argument of Samuel to Saul was used with frightful effect two hundred years later by a most conscientious pope to spur on the rulers of France in extirpating the Huguenots, the papacy in the fourteenth cent- ury stood for mercy to the Jews. But even this intervention was long without effect; the tide of popular superstition had be- come too strong to be curbed even by the spiritual and temporal powers.* Against this overwhelming current science for many genera- tions could do nothing. Throughout the whole of the fifteenth century physicians appeared to shun the whole matter. Occasion- ally some more thoughtful man ventured to ascribe some phase of the disease to natural causes, but this was an unpopular doc- trine, and evidently dangerous to those who developed it. Yet, in the beginning of the sixteenth century, cases of “ pos- session ” on a large scale began to be brought within the scope of medical research ; and the man who led in this evolution of medi- cal science was Paracelsus. He it was who first made modern Europe listen for a moment to the idea that these diseases are inflicted neither by saints nor demons, and that the “dancing possession ” is simply a form of disease, of which the cure may be effected by proper remedies and regimen. ; Paracelsus appears to have escaped any serious interference— it took some time, perhaps, for the theological leaders to under- stand that he had “let a new idea loose upon the planet”; but they soon understood it, and their course was simple. For about fifty years the new idea was well kept under, but in 1561 another physician, John Wier, of Cleves, having revived it, he was ruined and narrowly escaped with his life. * See Wellhausen, article “Israel,” in the “Encyclopedia Britannica,” ninth edition ; also the reprint of it in the “History of Israel,” London, 1885, p. 546. On the general subject of the demoniacal epidemics, see Isensee, “ Geschichte der Medicin,” vol. i, pp. 260 et seq. ; also Hecker’s essay. As to the history of Saul, as a curious landmark in the general development of the subject, see “The Case of Saul, showing that his Disorder was a Real Spiritual Possession,” by Granville Sharp, London, 1807, passim. As to the citation of Saul’s case by the reigning pope to spur on the French kings against the Huguenots, I shall give a line of authorities in my chapter on “The Church and International Law.” See also Maury, “La Magie et l’Astrologie dans l’Antiquite et au Moyen Age.” NEW CHAPTERS IN THE WARFARE OF SCIENCE. 5 In the following century the Protestants of Holland were no less severe toward Balthasar Bekker, an eminent divine of the Reformed Church, who doubted some of the statements regarding possession.* Although the new idea was thus resisted, it must have taken some hold upon thoughtful men, for we find that in the second half of the same century the St. Vitus’s dance and forms of de- moniacal possession akin to it gradually diminished in frequency and were sometimes treated as diseases. In the seventeenth cent- ury, so far as the north of Europe is concerned, these displays of “possession” on a great scale had almost entirely ceased; here and there cases appeared, but there was no longer the wild rage extending over great districts and afflicting thousands of people. Yet it was, as we shall see, in this same seventeenth century—in the last expiring throes of this superstition—that it led to the worst acts of cruelty.t While this satanic influence had been exerted on so great a scale throughout northern Europe, a display strangely like it, yet - strangely unlike it, had been going on in Italy. There, too, epi- demics of dancing and jumping seized groups and communities ; but they were supposed to arise from a physical cause, the theory being that the bite of a tarantula in some way provoked a super- natural intervention, of which dancing was the accompaniment and cure. In the middle of the sixteenth century Fracastoro made an evident impression on the leaders of Italian opinion by using medical means in the cure of the possessed; though it is worthy of note that the medicine which he applied successfully was such as we now know could not by any direct effects of its own accom- plish any cure—whatever effect it exerted was wrought upon the imagination of the sufferer. This form of “possession,” then, passed out of the supernatural domain, and became known as “tarantism.” Though it continued much longer than the corre- sponding manifestations in northern Europe, by the beginning of the eighteenth century it had nearly disappeared ; and, though spe- cial manifestations of it on a small scale break out occasionally, even in these days, its main survival is the “tarantella,” which ' the traveler sees danced at Naples as a catchpenny assault upon his purse.{ * For Paracelsus, see ‘Isensee,” vol. i, chap. xi; also Pettigrew, “Superstitions con- nected with the History and Practice of Medicine and Surgery” (London, 1844, introduct- ory chapter. For Wier, see authorities given in my previous chapter. For Bekker, see cita- tions in my chapter on “ Witchcraft.” + As to this diminution of wide-spread epidemic in the seventeenth century, see citations from Schenk von Grafenberg and in Hecker, as above ; also Horst. ¢ See Hecker’s “Epidemics of the Middle Ages,” pp. 87-104; also extracts and ob- 6 THE POPULAR SCIENCE MONTHLY. But, long before this form of “possession” had begun to disap- pear, there had arisen new manifestations, apparently more inex- plicable. As the first great epidemics of dancing and jumping had their main origin in a religious ceremony, so various new forms had their principal source in what were supposed to be cen- ters of religious life—in the convents, and more especially in those for women. Out of many examples we may take a few as typical. In the fifteenth century the chroniclers assure us that an in- mate of a German nunnery having been seized with a passion for biting her companions, her mania spread until most, if not all, her fellow-nuns began to bite each other; and that this passion for biting passed from convent to convent into other parts of Germany, into Holland, and even across the Alps into Italy. So, too, in a French convent, when a nun began to mew like a cat, others began mewing, and the desire spread and was only checked by severe measures.* In the sixteenth century the Protestant Reformation gave new force to witchcraft persecutions in Germany. The new Church endeavored to show that in zeal and power she exceeded the old. But in France influential opinion seemed not so favorable to these forms of diabolical influence, especially after the publication of Montaigne’s “ Hssays,” in 1580, had spread a skeptical atmosphere over many leading minds. In 1588 occurred in France a case which indicates the growth of this skeptical tendency even in the higher regions of the French Church. In that year Martha Brossier, a country girl, was,it was claimed, possessed of the devil. The young woman was to all ap- pearance under direct satanic influence. She roamed about, beg- ging that the demon might be cast out of her, and her impreca- tions and blasphemies brought consternation wherever she went. Myth-making began on a large scale; stories grew and spread. The capuchin monks thundered from the pulpits throughout France regarding these proofs of the power of Satan. The alarm _ spread, until at last even jovial, skeptical King Henry IV was disquieted, and the reigning pope was asked to take measures to ward off the evil. Fortunately, there then sat in the episcopal chair of Angers a prelate who had apparently imbibed something of Montaigne’s skepticism—Miron; and, when the case was brought before him, he submitted it to the most time-honored of sacred tests. He first brought into the girl’s presence two bowls, one containing holy water, the other ordinary spring-water, but allowed her to draw a servations in Carpenter’s ‘“ Mental Physiology,” London, 1888, pp. 8312-315; also Mauds- ley, ‘“‘ Pathology of Mind,” p. 73 and following. * See citation from Zimmermann’s “ Solitude,” in Carpenter, pp. 34, 314. NEW CHAPTERS IN THE WARFARE OF SCIENCE. 7 false inference regarding the contents of each: the result was that at the presentation of the holy water the devils were perfectly calm, but when tried with the ordinary water they threw Martha into convulsions. The next experiment made by the shrewd bishop was to simi- lar purpose. He commanded loudly that a book of exorcisms should be brought, and, under a previous arrangement, his attend- ants brought him a copy of Virgil. No sooner had the bishop begun to read the first line of the “ Ajneid” than the devils threw Martha into convulsions. On another occasion a Latin dictionary, which she had reason to believe was a book of exorcisms, produced a similar effect upon the devils. Although the good bishop was thereby led to pronounce the whole matter a mixture of insanity and imposture, the capuchin monks denounced this view as godless. They insisted that these tests really proved the presence of Satan, showing his cunning in covering up the proofs of his existence. The people at large sided with their preachers, and Martha was taken to Paris, where vari-, ous exorcisms were tried, and the Parisian mob became as devoted to her as they had been twenty years before to the murderers of the Huguenots,—as they became two centuries later to Robes- pierre,—and as they are at the present moment to General Bou- langer. But Bishop Miron was not the only skeptic. The Cardinal de Gondi, Archbishop of Paris, charged the most eminent physicians of the city, and among them Riolan, to report upon the case. Various examinations were made, and the verdict was that Martha was simply a hysterical impostor. Thanks, then, to medical sci- ence, and to these two enlightened ecclesiastics who summoned its aid, what fifty or a hundred years earlier would have been the center of a wide-spread epidemic of possession was isolated, and hindered from producing a national calamity.* But during the seventeenth century a theological reaction set in, not only in France but in all parts of the Christian world, and the belief in diabolic possession, though certainly dying, flickered up hectic, hot, and spiteful through the whole century. In 1611 we have a typical case at Aix. An epidemic of possession having occurred there, Gauffridi, a man of note, was burned at the stake as the cause of the trouble. Michaelis, one of the priestly exor- cists, declared that he had driven out sixty-five hundred devils from one of the possessed. Similar epidemics occurred in various parts of the world.+ Twenty years later a far more striking case occurred at Lou- dun, in western France, where a convent of Ursuline nuns was “afflicted by demons.” * See Calmeil, “La Folie,’ tome i, livre 8, c. 2. ° + See “ Dagron,” chap. il. 8 THE POPULAR SCIENCE MONTHLY. The convent was filled mainly with ladies of noble birth, who, not having sufficient dower to secure husbands, had—according to the common method of the time—been made nuns, without any special regard to their feelings. It is not difficult to understand that such an imprisonment of a multitude of women of different ages would produce some wo- ful effects. Any reader of Manzoni’s “ Promessi Sposi,” with its wonderful picture of a noble lady kept in a convent against her will, may have some idea of the rage and despair which must have inspired such assemblages in which pride, pauperism, and the suppression of the instincts of humanity wrought a fearful work. What this work was is to be seen throughout the middle ages; but it is especially in the sixteenth and seventeenth cent- uries that we find it frequently taking shape in outbursts of diabolic possession.* In this case at Loudun, the usual evidences of satanic influ- ence appeared. One after another of the inmates fell into convul- sions; some showed physical strength apparently supernatural; some a keenness of perception quite as surprising; many howled forth blasphemies and obscenities. Near the convent dwelt a priest—Urbain Grandier—noted for his brilliancy as a writer and preacher, but careless in his way of living. Several of the nuns had evidently conceived a passion for him, and in their wild rage and despair dwelt upon his name. In the same city, too, were sundry ecclesiastics and laymen with whom Grandier had been engaged in various petty neigh- borhood quarrels, and some of these men held the main control of the convent. Out of this mixture of “ possession ” within the convent and malignity without it, came a charge that Grandier had bewitched the young women. The Bishop of Poictiers took up the matter. A trial was held, and it was noted that, whenever Grandier appeared, the “ possessed ” screamed, shrieked, and showed every sign of dia- bolic influence. Grandier fought desperately, and appealed to the Archbishop of Bordeaux, De Sourdis. The archbishop ordered a more careful examination, and, on separating the nuns from each other and from certain monks who had been bitterly hostile to Grandier, such glaring discrepancies were found in their testi- mony that the whole accusation was brought to naught. But the enemies of Satan and of Grandier did not rest. * On monasteries, as centers of “ possession,” and hysterical epidemics, see Figuier, “Te Merveilleux,” page 40 and following; also Calmeil, Lingin, Kirchhof, Maudsley, and others. On similar results from excitement at Protestant meetings in Scotland and camp-meetings in England and America, see Hecker’s “‘ Essay,” concluding chapters. NEW CHAPTERS IN THE WARFARE OF SCIENCE. 9g Through their efforts Cardinal Richelieu, who appears to have had an old grudge against Grandier, sent a representative, Lau- bardemont, to make another investigation. Most frightful scenes were now enacted; the whole convent resounded more loudly than ever with shrieks, groans, howling, and cursing, until finally Grandier, though even in the agony of torture he refused to con- fess the crimes that his enemies suggested, was hanged and burned. From this center the epidemic spread; multitudes of women and men were affected by it in various convents. Several of the great cities of the south and west of France came under the same influence ; the “ possession ” went on for several years longer, and then gradually died out, though scattered cases have occurred from that day to this.* A few years later we have an even more striking example among the French Protestants. The Huguenots, who had taken refuge in the mountains of the Cevennes to escape persecution, being pressed more and more by the cruelties of Louis XIV, began to show signs of a high degree of religious exaltation. Assembled for worship in wild and desert places, an epidemic broke out, ascribed by them to the Almighty, but by their oppo- nents to Satan. Men, women, and children preached and prophe- sied. Large assemblies were seized with trembling. Some under- went the most terrible tortures without showing any signs of suffering. Marshal de Villiers, who was sent against them, de- clared that he saw a town in which all the women and girls, with- out exception, were possessed of the devil, and ran leaping and screaming through the streets. Cases like this, inexplicable to the science of the time, gave renewed strength to the theological view.t Toward the end of the same century similar manifestations began to appear on a large scale in America. The life of the early colonists in New England was such as to give rapid growth to the germs of the doctrine of possession brought from the mother-country. Surrounded by the dark pine forests; having as their neighbors Indians, who were more than suspected of being children'of Satan; harassed by wild beasts apparently sent by the powers of evil to torment the elect; with no varied literature to while away the long winter evenings; with few amusements save neighborhood quarrels; dwelling intently on every text of Scripture which supported their gloomy * Among the many statements of Grandier’s case, one of the best in English may be found in Trollope’s “Sketches from French History” (London, 1878). See also Bazin, “Louis XIII.” + See Bersot, “‘Mesmer et le Magnétisme animal” (third edition, Paris, 1864, pp. 95 et seq.). 10 THE POPULAR SCIENCE MONTHLY. theology, and adopting its most literal interpretation—it is not strange that ideas regarding the darker side of nature were rap- idly developed.* The fear of witchcraft, thus developed, received a powerful stimulus from the treatises of learned men. Such works, coming from Europe, which was at that time filled with the superstition, acted powerfully upon conscientious preachers and were brought by them to bear upon the people at large. Naturally, then, throughout the latter half of the seventeenth century we find scattered cases of diabolical possession. At Boston, Springfield, Hartford, Groton, and other towns, cases occurred, and here and there we hear of death-sentences. In the last quarter of the seventeenth century the fruit of these ideas began to ripen. In the year 1684 Increase Mather pub- lished his book, “ Remarkable Providences,”’ laying stress upon diabolical possession and witchcraft. This book, having been sent over to England, exercised an influence there and came back with the approval of no less a man than Richard Baxter. By this its power at home was increased, In 1688 a poor family in Boston was afflicted by demons. Four children, the eldest thirteen years of age, began leaping and bark- ing like dogs, or purring like cats, and complaining of being pricked, pinched, and cut. An old Irishwoman was finally tried and executed. All this produced a deep impression on the mind of a man of great natural abilities, of most earnest and conscientious desire to do good in his generation, mixed with pride, vanity, ambition, and love of power; in short, a typical specimen of the high ecclesias- tic as he has so often afflicted the earth. This man was Cotton Mather, the son of Increase Mather, and both father and son gave all their great powers to deepening and extending this theologi- cal view as sanctioned by Scripture. In 1692 began a new outbreak of possession, which is one of the most instructive in history. The Rev. Samuel Parris was the minister of the church in Salem. No pope ever had higher ideas of his own infallibility, no bishop a greater love of ceremony, no inquisitor a greater passion for prying and spying.t Before long Mr. Parris had much upon his hands. Many of his hardy, independent parishioners disliked his ways. Quarrels arose. Some of the leading men of the congregation were pitted against him. The previous minister, George Burroughs, had left the germs of troubles and quarrels, and to these were now added * For the idea that America before the Pilgrims had been especially given over to Satan, see the literature of the early Puritan period, and especially the poetry of Wigzles- worth, treated in Tyler’s “ History of American Literature,” vol. ii, p. 25 et seq. + For curious examples of this, see Upham’s “ History of Salem Witchcraft,” vol. i, NEW CHAPTERS IN THE WARFARE OF SCIENCE. 11 new complications arising from the assumptions of Parris. There were innumerable wranglings and lawsuits; in fact, all the essen- tial causes for satanic interference which we saw at work in and about the monastery at Loudun, and especially the turmoil of a petty village where there is no intellectual activity, and where men and women find their chief substitute for it in squabbles— religious, legal, political, social, and personal. In this darkened atmosphere thus charged with the germs of disease it was suddenly discovered that two young girls in the family of Mr. Parris were possessed of devils; they complained of being pinched, pricked, and cut, fell into strange spasms and made strange speeches; showing all the signs of diabolic possession rec- ognized in the works of experts or handed down by tradition. The two girls, having been brought by Mr. Parris and others to tell who had bewitched them, first charged an old Indian woman, and the poor old Indian husband was led to join in the charge. This at once afforded new scope for the activity of Mr. Parris. With his passion for magnifying his office, he immediately began making a great stir in Salem and in the country round about. Two magistrates were finally summoned. With them came a great crowd, and a court was held at the meeting-house. The scenes which then took place would have been the richest of farces had they not led to events so tragical. The possessed went into spasms at the approach of those charged with witchcraft, and when the poor old men and women attempted to attest their inno- cence they were overwhelmed with outcries by the possessed, quotations of Scripture by the ministers, and denunciations by the © mob. The mania spread to other children, and one especially— Ann Putnam, a child of twelve years—showed great precocity and played a striking part in the performances, Two or three married — women also, seeing the great attention paid to the afflicted, and influenced by that epidemic of morbid imitation which science now recognizes in all such cases, soon became similarly afflicted, and in their turn made charges against various persons. The In- dian woman was flogged by her master, Mr. Parris, until she con- - fessed relations with Satan; and others were forced or deluded into confession. These hysterical confessions—the results of un- bearable torture, or the reminiscences of dreams, which had been prompted by the witch legends and sermons of the period—em- braced such facts as flying through the air to witch gatherings, partaking of witch sacraments, signing a book presented by the devil, and submitting to satanic baptism. The possessed had begun with charging their possession upon poor and vagrant old women, but ere long, emboldened by their success, they attacked higher game, struck at some of the fore- most people of the region, and did not cease until several of these 12 THE POPULAR SCIENCE MONTHLY. were condemned to death, and every man, woman, and child brought under a reign of terror. Many fled outright, and one of the foremost citizens of Salem went constantly armed, and kept one of his horses saddled in the stable to flee if brought under accusation. The hysterical ingenuity of the possessed women grew with their success. They insisted that they saw devils prompting the accused to defend themselves in court. Did one of the accused clasp her hands in despair, the possessed clasped theirs; did the accused, in appealing to Heaven, make any gesture, the possessed simultaneously imitated it; did the accused in weariness drop her head, the possessed dropped theirs, and declared that the witch was trying to break their necks. The court-room resounded with groans, shrieks, prayers, and curses; judges, jury, and people were aghast, and even the accused were sometimes thus led to believe in their own guilt, Very striking in all these cases was the mixture of trickery with frenzy. In most of the madness there was method. Sundry witches charged by the possessed had been engaged in controversy with the Salem church people. Others of the accused had quar- reled with Mr. Parris. Still others had been engaged in old law- suits against persons more or less connected with the girls. One of the most fearful charges—which cost the life of a noble and lovely lady—arose undoubtedly from her better style of dress and living. Old slumbering neighborhood or personal quarrels bore in this way a strange fruitage of revenge; for the cardinal doctrine of a fanatic’s creed is that his enemies are the enemies of God. Any person daring to hint the slightest distrust of the pro- ceedings was in danger of being immediately brought under accu- sation of a league with Satan. Husbands and children were thus brought to the gallows for daring to disbelieve these charges against their wives and their mothers. Some of the clergy were accused for endeavoring to save members of their churches,* One poor woman was charged with “ giving a look toward the great meeting-house of Salem, and immediately a demon entered the house and tore down a part of it.” This cause for the falling of a bit of poorly nailed wainscoting seemed perfectly satisfactory to Dr. Cotton Mather, as well as to the judge and jury, and she was hanged, protesting her innocence. Still another lady, belong- ing to one of the most respected families of the region, was charged with the crime of witchcraft. The children were fear- fully afflicted whenever she appeared near them. It seemed never * This is admirably brought out by Upham, and the lawyer-like thoroughness with which he has examined all these hidden springs of the charges is one of the main things which render his book one of the most valuable contributions to the history and philosophy of demoniacal possession ever written. NEW CHAPTERS IN THE WARFARE OF SCIENCE, 13 to occur to any one that a bitter old feud between the Rev. Mr. Parris and the family of the accused might have prejudiced the children, and directed their attention toward the woman. No ac- count was made of the fact that her life had been entirely blame- less; and yet, in view of the wretched insufficiency of proof, the jury brought in a verdict of not guilty. As they brought in this verdict, all the children began to shriek and scream, until the court committed the monstrous wrong of causing her to be in- dicted anew. In order to warrant this, the judge referred to one perfectly natural and harmless expression made by the woman when under examination. The jury at last brought her in guilty. She was condemned; and, having been brought into the church heavily ironed, was solemnly excommunicated and delivered over to Satan by the minister. Some good sense still prevailed, and the Governor reprieved her; but ecclesiastical pressure and popu- lar clamor were too powerful. The Governor was induced to re- call his reprieve, and she was executed, protesting her innocence and praying for her enemies.* Another typical case was presented. The Rev. Mr. Burroughs, against whom considerable ill will had been expressed, and whose petty parish quarrel with the powerful Putnam family had led to his dismissal from his ministry, was named by the possessed as one of those who plagued them, one of the most influential among the afflicted being Ann Putnam. Mr. Burroughs had led a blame- less life, the only thing ever charged against him by the Putnams being that he insisted strenuously that his wife should not go about the parish talking of her own family matters. He was charged with afflicting the children, convicted, and executed. At the last moment he repeated the Lord’s Prayer solemnly and fully, which it was supposed that no sorcerer could do, and this, together with his straightforward Christian utterances at the exe- cution, shook the faith of many in the reality of diabolical pos- session. Kre long it was known that one of the girls had acknowledged that she had belied some persons who had been executed, and especially Mr. Burroughs, and that she had begged forgiveness; but this for a time availed nothing. Persons who would not con- fess were tied up and put to a sort of torture which was effective in securing new revelations. In the case of Giles Cory the horrors of the persecution culmi- nated. Seeing that his doom was certain, and wishing to preserve his family from attainder and their property from confiscation, he refused to plead. He was therefore pressed to death, and, when in his last agonies his tongue was pressed out of his mouth, the sheriff with his walking-stick thrust it back again. * See Drake, “The Witchcraft Delusion in New England,” vol. iii, p. 34 e seg. 14 THE POPULAR SCIENCE MONTHLY. Everything was made to contribute to the orthodox view of possession. On one occasion, when a cart conveying eight con- demned persons to the place of execution stuck fast in the mire, some of the possessed declared that they saw the devil trying to prevent the punishment of his associates. Confessions of witch- craft abounded; but the way in which these confessions were ob- tained is touchingly exhibited in a statement afterward made by several women. In explaining the reasons why, when charged with afflicting sick persons, they made a false confession, they said: ... “By reason of that suddain surprizal, we knowing our- selves altogether Innocent of that Crime, we were all exceedingly astonished and amazed, and consternated and affrighted even out of our Reason; and our nearest and dearest. Relations, seeing us in that dreadful condition, and knowing our great danger, appre- hending that there was no other way to save our lives,... out of tender ... pitty perswaded us to confess what we did confess. And indeed that Confession, that it is said we made, was no other than what was suggested to us by some Gentlemen; they telling us, that we were Witches, and they knew it, and we knew it, and they knew that we knew it, which made us think that it was so; and our understanding, our reason, and our faculties almost gone, we were not capable of judging our condition; as also the hard measures they used with us, rendred us uncapable of making our Defence, but said anything and everything which they desired, and most of what we said, was in effect a consenting to what they Saige t. as Case after case, in which hysteria, fanaticism, cruelty, injus- tice, and trickery played their part, was followed up to the scaf- fold. In a short time twenty persons had been put to a cruel death, and the number of the accused grew larger and larger. The highest position and the noblest character formed no barrier. Daily the possessed became more bold, more tricky, and more wild. No plea availed anything. In behalf of several women, whose lives had been of the purest and gentlest, petitions were presented, but to no effect. A Scriptural text was always ready to aid in the repression of mercy: it was remembered that “Satan himself is transformed into an angel of light,” and above all re- sounded the Old Testament injunction, which had sent such mul- titudes in Europe to the torture-chamber and the stake, “ Ye shall not suffer a witch to live.” Such clergymen as Noyes, Parris, and Mather, aided by such judges as Stoughton and Hathorn, left nothing undone to stimu- late these proceedings. The great Cotton Mather based upon this outbreak of disease thus treated his famous book, “ Wonders of * See Calef, in Drake, vol. iii, pp. 56, 57; also vol. iii, pp. 838-46; also Upham. NEW CHAPTERS IN THE WARFARE OF SCIENCE. 15 the Invisible World,” thanking God for the triumphs over Satan thus gained at Salem; and his book received the approbation of the Governor of the Province, the President of Harvard College, and various eminent theologians in Europe as well as in America. But, despite such efforts as these, observation, and thought upon observation, which form the beginning of all true science, began a new order of things. The people began to fall away. Justice Bradstreet, having committed thirty or forty persons, be- came aroused to the absurdity of the whole matter; the minister of Andover had the good sense to resist the theological view ; even so high a personage as Lady Phips, the wife of the Gov- ernor, began to show lenity. Each of these was, in consequence of this disbelief, charged with collusion with Satan; but such charges seemed now to lose their force. In the midst of all this delusion and terrorism stood Cotton Mather firm as ever. His efforts to uphold the declining supersti- tion were heroic. But he at last went one step too far. Being himself possessed of a mania for myth-making and wonder-mon- gering, and having described a case of witchcraft with possibly greater exaggeration than usual, he was confronted by Robert Calef. Calef was a Boston merchant, and appears to have united the good sense of a man of business to considerable shrewdness in observation, power in thought, and love for truth. He began writing to Mather and others to show the weak points in the sys- tem. Mather, indignant that a person so much his inferior dared dissent from his opinion, at first affected to despise Calef; but, as Calef pressed him more and more closely, Mather denounced him, calling him among other things “ A Coal from Hell.” All to no purpose. Calef fastened still more firmly upon the flanks of the great theologian ; thought and reason now began to resume their sway. The possessed having accused certain men held in very high respect, doubts began to dawn upon the community at large. Here was the repetition of that which set men thinking under similar circumstances in the German bishoprics when those under trial for witchcraft there had at last, in their desperation or mad- ness, charged the very bishops and the judges upon the bench with sorcery. The party of reason grew stronger. The Rev. Mr. Par- ris was soon put upon the defensive, for some of the possessed be- gan to confess that they had accused people wrongfully. Hercu- lean efforts were made by certain of the clergy and devout laity to support the declining belief, but the more thoughtful turned more and more against it; jurymen prominent in convictions solemnly retracted their verdicts and publicly craved pardon of God and man. Most striking of all was the case of Justice Sew- 16 THE POPULAR SCIENCE MONTHLY. all. A man of the highest character, in view of what he sup- posed the teachings of Scripture and the principles laid down by the great English judges, he had unhesitatingly condemned the accused ; but reason now dawned upon him. He looked back and saw the baselessness of the whole proceedings, and made a public statement of his errors. His diary contains many passages show- ing deep contrition, and ever afterward, to the end of his life, he was wont, on one day in the year, to enter into solitude, and there remain all the day long in fasting, prayer, and penitence, Chief-Justice Stoughton never yielded. To the last he lamented the “evil spirit of unbelief” which was thwarting the glorious work of freeing New England from demons, The church of Salem solemnly revoked the excommunications of the condemned and drove Mr. Parris from their pastorate. Cotton Mather passed his last years in groaning over the decline of the faith and the ingratitude of a people for whom he had done somuch. Very significant is one of his complaints, since it shows the evolution of a more scientific mode of thought abroad as well as at home: he laments in his diary that English publishers gladly printed Calef’s book against witchcraft and possession, but would no longer publish his own, and he declares this “an attack upon the glory of the Lord.” ee ree GLASS-MAKING. By C. HANFORD HENDERSON, PROFESSOR OF PHYSICS AND CHEMISTRY IN THE PHILADELPHIA MANUAL TRAINING SCHOOL, II.—THE HISTORY OF A PICTURE-WINDOW. Lae the reproduction of the beautiful, Art has occupied itself chiefly with form and color, and has seldom made more serious demands upon light than to ask enough of it to reflect its achievements in these two directions to the eye of the beholder. So keen is the pleasure derived from well-adjusted proportions that our statuary and architecture please by their appeal to this one sentiment alone. When color joins with represented form, our delight in these harmonies is sufficiently complete to exclude for the time any sense of deficiency. We believe ourselves to be quite satisfied. And yet, when we turn from these clever reproductions to the veritable nature of the outward world, or of our own unmaterial- ized fancies, our copies seem poor things after all. At best, they are so inadequate that one almost feels that the attempt is a mis- take. The marble figure lacks the divine life that suffused and made adorable the human original. The painted atmosphere has GLASS-MAKING. a) Ye Ze aed ~ hee Heke a ; wa is i. r oa ae > Bs ved : P fax asa N * a antag ian ae ‘* e¢ 4 lla, | ‘ = a OK a Ny a ae ¥ ‘i AN: WOU rae wi ek 8, : °» Pirea ae © x 1 as ali np lee a vere ee acetone enue vi rus MEMORIAL WINDOW FINISHED. (Shown in process of manufacture in the following illustrations.) VOL. Xxxv.—2 18 THE POPULAR SCIENCE MONTHLY. not the spiritual light and transparency of the real heavens. The aureole encircling the sainted head does not palpitate with the living fire that glows in every sunbeam. Some element there is in nature’s beauty that art has failed to catch. It may be, that in attempting to give permanence to impressions which are essen- tially transitory, a certain violence is done to the constitution of things, which we resent even while we admire. The beauty is too permanent. It is not one with the pasemie, ever-changeful moods of Nature. We must not, however, be too ounce and demand the impos- sible. It is not to be expected that the pupil will equal the master. But the question is not unreasonable as to whether Art can not import into her work some of the life and the eternal ebb and flow which characterize that world of beauty which it is her province to attempt to reproduce. Form and color are large elements, but they do not make up nature. There must be light and motion, else the scene is deficient in its chief charms. True, it is impos- sible to realize motion in very fact: the strained muscle and un- stable poise can only suggest it. Nor is it possible, working with marble and canvas, to realize the life and light of the real ether. This is something too subtile to be simulated. But it may be bor- rowed. By giving expression to his conceptions in translucent materials, the artist may so strain and filter the sunlight that it shapes itself at his bidding into such pictures as he will. And the beholder, seated on his bench before it, or perhaps kneeling in a reverential mood, loses himself in this fine vision, and under its influence sends out his thoughts over broader ranges and higher planes. I remember distinctly, as a child, the keen pleasure I used to. get from a picture-window that faced me during afternoon church. It was a poor thing, artistically—Zaccheus on the bough of a very inadequate-looking sycamore-tree, with a passing multitude of such dimensions as to make tree-climbing seem absolutely superfluous —hbut in the early winter twilight I found the picture very beau- tiful. When the increasing darkness had softened the group in the foreground into a pleasant harmony, there was a strip of sky along the horizon that sprang into glowing life. And in that bit of light I used to wander over the Judean hills in happy abstrac- tion until the music and the benediction called me back again to the more prosaic life of an American city. It is this added element in glass that makes it so fitting a ma- terial for the expression of artistic conceptions. It is a sensitive vehicle for the carriage of a beautiful thought. The material pos- sesses a wealth of the purest color; it permits in its shading the accurate representation of form, and it furnishes something that marble and canvas do not—large possibilities in the way of light. GLASS-MAKING. 19 and of effective changeableness. These considerations are attract- ing the attention of artistic people, and probably in no other field is there better work being done to-day. It is true that the mate- rial is fragile—very fragile—but then few works of art are fash- ioned with the idea of rough usage. If protected from mere mechanical injury, glass will outlast many forms of matter appar- ently much more robust. Particularly is it proof against that ever-present enemy, the atmosphere. Stone crumbles and decays, metals corrode, and pigments fade, but glass defies nearly every- thing but fracture. The few glass ornaments that have come down to us from the ancient world are in a state of superior pres- ervation. Glass and terra-cotta, fragile as they are, seem better adapted than even tablets of stone for preserving the records of the past. Clay cylinders from Assyria, depicting the story of the garden of Hden, are a part of historical record still extant: the graven decalogue is no more. The subject of picture-windows is a very large one, since their fabrication demands the exercise of such diverse faculties. Viewed from either the artist’s or the technologist’s standpoint, it presents many features of interest. In our nomenclature we have permitted ourselves to fall into rather careless habits. The terms “painted,” “stained,” and “mosaic” glass are used indis- criminately to designate any form of window-glass work which involves color, but a moment’s consideration will show them to be far from synonymous. Some of our best effects are produced without the use of either paint or stain, and such windows have the advantage of a much greater durability. In painted glass the colors are produced by enamels fused to the surface of the glass by means of heat. In stained glass, a permanent transparent color effect is secured by the action of heat on certain metallic oxides applied to the surface as pigments; while in mosaic glass, pure and simple, the design is brought out by the use of shaped frag- ments of colored glass bound together by strips of doubly grooved lead. The three products, it will be seen, are quite distinct. It fre- quently happens, and in the older examples of ecclesiastical design it is nearly always the case, that all are combined in one window. But at the present time there is a strong reaction against the em- ployment of either paint or stain, since they are not only less durable but also less brilliant than homogeneous colored glass. There is a decided tendency to rely entirely upon the mosaic treatment, and to limit the use of paint to the representation of the human figure. The manufacture of mosaic glass has attracted the attention of men of such ingenuity and taste that it deserves its rank among the fine arts. It has attained a degree of artistic perfection of 20 THE POPULAR SCIENCE MONTHLY. which the earlier examples gave only sparing promise. In spite of the abandonment of paint and stain, the mosaic glass has been given greater variety and greater depth of color than at any time since the Renaissance. In its present form, the mosaic picture- window is a distinctively American product. It has been evolved here, and, though now somewhat copied in Europe, it is here that the process has reached its greatest extension and perfection. The history of its mode of becoming is both unique and interesting. It. is one that could not have been written much earlier to advan- tage, for the material of which it is composed has only been gath- ering during recent years. Were this history to be unfolded logically, it would start with the first conception which shaped itself in the brain of the artist, and from that intangible begin- ning it would be traced through the colored sketch, the full-sized cartoon, the gradual replacement of colored paper by colored glass, and so on to the completed window; but that would pre- suppose too much. It would take for granted that the artist in glass had only to catch his fine dreams of beauty, and that the material for their expression would be found at hand ready for his use. But such is very far from being the case. In this form of art-work the real struggle has been to make the material adapt itself to the conception it is intended to express. The struggle, however, has been carried on so cleverly and so successfully that the ultimate triumph is the more enjoyable for the prelude. It is more consistent, therefore, to consider first the technical part in the history of a picture-window, the production of that adroitly wrought and daintily colored material which has made the win- dow possible; and then, having won the material, to regard its subsequent disposition in producing the fine effects which make it so admirable. To describe every variety of glass utilized in a mosaic picture- window would be to describe nearly every form of glass known in the flat. In such a window, be it remembered, the entire pict- ure, except the exposed portions of the figure, is brought out by the use of shaped fragments of colored glass; and one can readily imagine that, as all possible subjects are chosen for such repre- sentation, all possible shades and combinations and effects are needed in the glass employed. Draperies, vegetation, architecture, sky, earth, air, and water, are all successfully depicted without the use of either paint or stain. Such windows, except the flesh portions, are true mosaics, and of the most brilliant kind. To acccomplish these wonders the glass has been made in ali the colors of the spectrum, and has undergone a thousand differ- ent transformations. The shapes have been no less varied than the colors. The so-called “jewels,” or pieces of richly colored glass, cut with facets after the manner of precious stones, have GLASS-MAKING. 21 added immensely to the brilliancy of modern designs, and have been particularly effective when introduced as a setting or frame- work to a picture-window. They are imported for the most part from Germany. The greater part of the flat glass used, however, is made in the immediate neighborhood of New York, under the direct supervision of the art-workers who are to utilize it. I had recently the pleasure of going through such a factory in Brooklyn, probably the largest of the kind in this country, and it was a veri- table chromatic treat to visit the store-rooms, for some five hun- dred different color combinations were recognized in stock. The mosaic ateliers of the Vatican contain, it is true, not less than twenty-six thousand different tints; but these, it must be remem- bered, are simply opaque enamels, while the glass mentioned is all easily translucent, and much of it is clearly transparent. In the manufacture of this glass the materials employed are much the same as in ordinary sheet and plate glass. It is a double silicate of lime and soda, the coloring being due to the addition of metallic oxides which are soluble in the fused glass. The mate- In THE Guass-SHop. SELECTING THE GLASS FROM THE SHEETS. rials needed for the basis are, as before, sand, limestone, and alkali. They are mixed in the proper proportions—that is to say, about thirty parts of lime and forty of soda to every hundred parts of sand—and are fused in fire-clay crucibles in the customary glass-furnace. The coloring matter is added at different stages of the process, according to the nature of the material. The mineral world has been pretty thoroughly ransacked to 22 THE POPULAR SCIENCE MONTHLY. obtain the needed colors, and additions to the list are constantly being made as the result of further experimentation. Taking the colors up in the order of the spectrum, the violet shades are gen- erally produced from manganese or from very small quantities of cobalt; the deep blues, indigos, purple blues, and normal blues, from varying proportions of cobalt; peacock-blue from copper ; the finest greens from copper and chromium; and the dull sea- water tint from ferrous oxide. The oxide of copper gives an emerald green. The yellows come from a variety of sources: the sesquioxide of uranium gives a fine fluorescent yellow; the oxide of lead a pale yellow, and the oxide of silver, applied as a pigment to the surface of the glass, a permanent yellow stain. The higher oxide of iron gives an orange color, but, as it has a strong tend- ency to become reduced, it is necessary during the manipulation of the glass to keep some oxidizing agent present, such as man- ganic oxide. In the reds a number of excellent shades are readily obtainable. Manganese furnishes a variety of pinkish reds and pinks ; copper, in its lower oxide, the fine blood-red of Bohemian glass; and gold, the deepest and most brilliant of all reds, the well- known ruby glass. This list, however, is but a fragment. It bears to the complete array of color at the command of the glass-worker much the same relation that an inventory of crude pigments would bear to the fine distinctions housed in an artist’s color-box. It is only intended to give some little idea of the mineral bases utilized for their color effect. The fine gradations of color, and the rich and delicate tones, are the result of no such elementary chromat- ics. Many substances have joined their forces to produce these fine results. In many cases they have been obtained only after long experimentation, and have a corresponding value in the eyes of their discoverers. The magnificent window designed by Mr. John La Farge, which now faces the chancel in Trinity Church, Boston, owes the brilliancy of its peacock hues to the combined forces of some seventeen ingredients. This is an extreme instance of com- plexity, but it fairly represents the present tendency to secure a multitude of effects even at the expenditure of a multitude of agents. In addition to these metallic compounds a number of other substances are used to produce either colors or unique effect. A little carbonaceous matter yields an amber tint of very agreeable hue, while the opalescence now so much in vogue and so justly admired results from the presence of oxide of tin, arsenic, or lime, or from native minerals, such as fluorite or the cryolite now im- ported in such large quantities from Greenland. The superiority of American art-work in glass is largely due to the introduction of this effective opalescent glass. It was first used in this country about ten years ago, by Mr. John La Farge and Mr. Louis C. GLASS-MAKING. 24 Tiffany. The idea is due to Mr. Tiffany, and suggested itself in the most accidental manner. His own collection of glass included several Venetian wine-glasses made of thin opalescent glass, as well as several of thin transparent ruby of the quality used in ordinary colored window glass. As a painter he was naturally keenly alive to all color effects, and could not fail to be impressed with the contrast presented by the two glasses. The opalescent afforded such varying and beautiful effects, and seemed to possess so many advantages over the ordinary transparent glass, that the idea flashed upon him that if the ruby glass could be made use of in windows, why could not the opalescent as well? He decided at any rate to attempt its introduction. After long and careful ex- perimenting he succeeded in obtaining a sufficient quantity of glass for the construction of a window. There were so many dif- ficulties to be overcome, however, that for a time it seemed doubt- ful whether the glass could ever be largely introduced. That question has now been so far. set at rest that the glass may be said to enjoy too great a popularity for its own good. Its reputation has been somewhat injured at the hands of enthusiastic glass-work- ers—“ glass sinners,” Mr. Tiffany calls them—whose taste in this direction appears to have suffered chromatic aberration. It is the apparent ambition of these people to combine the greatest number of colors in the smallest possible space, and the results have been unhappy to such a degree as to frighten more sober-minded lovers of beauty from paths so seemingly dangerous. This unfortunate craze, however, may soon be expected to spend itself, and the really artistic work in opalescent glass will suffer no permanent damage from the nightmares in color which now disfigure many even of our better-class tenements and hotels. But the glass-worker has only begun his work when he has the molten “metal” simmering in his crucibles. It must undergo many subsequent manipulations before it is available for the pur- pose of art. Some of these, from a technical point of view, seem retrogressional. It has been found that the rich color effects in glass of the middle ages are largely due to the imperfections in the material. Its lack of homogeneousness, its unequal thickness, and uneven surfaces contribute largely to its beauty. The mod- ern product is too uniform to be brilliant; it transmits the light with too great regularity. Intentional imperfections are, therefore, introduced into the process; and the products, in consequence, are much more satisfactory to the artist. This work of individual- izing the product has now been so far systematized that several special brands of art glass are recognized in the markets. The so- called antique glass, in both white and colors, is made precisely like the ordinary sheet window glass, except that the surface of the glass is made full of minute blow-holes, which produce almost 24 THE POPULAR SCIENCE MONTHLY. an aventurine effect, and add greatly to its brilliancy. In the cathedral glass the surface is rendered wavy and uneven, so that the transmission of light shall be correspondingly irregular. In the flash glass ordinary sheets are covered with a thin plating of colored glass, a process which permits a very delicate color tone, and materially decreases the expense, where a costly glass, such as ruby, is needed to give the color. But in mosaic work it is now generally preferred that the glass shall not be at all trans- parent, since the effect is much richer. The most of the glass is therefore cast, the process being a repetition in miniature of the In THE PAINTING-Room. THE ARTIST LAYING IN THE HEADS. casting of rough plate. The pots containing the molten colored glass always remain, however, in the furnace, and the “ metal” is. dipped out in small iron ladles. It is poured at once on a little casting table, and is smoothed out by means of an iron roller. The small sheets thus obtained are readily handled, and permit the use of the convenient rod leer. In this, the annealing process requires from three to six hours, and at the end of that time the sheets are ready for use. In case more than one color is to appear in the same sheet, the effect is obtained by mixing together several masses of differently colored and still plastic glass on the casting table, by means of a copper instrument not unlike a plasterer’s trowel. In this way three or even four colors are combined in the same piece of glass, and, though the results are always more or less experimental, GLASS-MAKING. 26 artists have learned to adapt them to their picture-windows as well as to their geometrical designs. The workmen have attained no little skill in the art of mixing. They have learned to reduce the accidental element in this apparently hit-or-miss process to a minimum, and with a fair degree of accuracy to secure predeter- mined combinations. The mixture of blue and white translucent glass in particular is made to represent sky effects as naturally as if the colors had been laid on by an artist’s brush. It is true that this combination is prone to represent an August sky; but this is not to be regretted, since at no other season of the year are the heavens more beautiful. By this mode of manufacture the glass has an unequal thick- ness and consequent varying depth of color that well adapt it for art purposes. For certain uses, however, particularly for drapery, the differences in color tone are still not sufficiently great, and other devices must be resorted to. A special product, known as drapery glass, has of recent years been added to the already ex- tended list, and produces a most excellent effect. While the sheet of glass on the casting table is still sufficiently hot to be plastic, it is seized by suitable tools, and rumpled up until it looks like a piece of crumpled cloth. It is permitted to cool in this condition, and, when introduced into a picture-window, presents a luminous substitute scarcely less natural than real drapery. One is almost tempted to run his hand over the folds to try their texture. It is by processes so painstaking and so ingenious as these that the material for our picture-window is won. The industry is still a comparatively new one, yet so marked are the improvements witnessed by the passing years that the artist is now almost un- restricted in making the design of his window. Should it contain any effects not expressible in materials already at hand, the de- ficiency is only an incentive for further effort, and the needed material is pretty sure to be speedily forthcoming. So much for the body of our window: the soul of it comes by a less visible process. - In some quiet moment, under the influence of a strong senti- ment, or in the face of an inspiring vision, a suggestion of beauty is evolved in the artist mind. Why it comes in one brain rather than in another it would be difficult to say. Whether it is the result of some subtile chemical reaction in the gray and the white, or the incomprehensible force that has caused this reaction, it seems almost useless to inquire. But in some way or other the vision comes, and finds lodgment under a hospitable roof. It is entertained and communed with until it takes definite shape, and the conception is committed to paper. It is at first little more than a suggestion, a small colored sketch. If this prove satisfac- tory, it becomes the nucleus of a window, and undergoes its first 26 THE POPULAR SCIENCE MONTHLY, metamorphosis, enlargement. From the beginning of its career until finally, after months or years, the picture is in place and the bright sunlight illumines it, the different steps in the transforma- tion involve never-ceasing care and thought. At any step a failure of attention might mean a total failure of the work. To follow this little sketch in its growth toward a window, will be to watch its fortunes under many different hands and under widely varying circumstances. As the Tiffany Glass Company of New York has been particu- larly successful in adapting the mosaic treatment to picture-win- dows, their studios furnish typical illustrations of the several steps. Ordinarily the artist simply furnishes the small colored sketch, and from this germ the window is evolved. Occasionally he goes a step further, and supplies a cartoon in black and white of the natural size. Itis only in rare instances that he does the full-sized sheet in colors. Not unfrequently the suggestion for a window is taken from some celebrated painting or engraving. The Tiffany Company recently reproduced Gustave Doré’s famous picture, “Christ leaving the Pretorium,” for a church memorial window, the entire piece being executed in pure mosaic, with the exception of the faces and hands. The dimensions of this truly magnificent work of art are twenty by thirty feet. It is the most ambitious window ever attempted in America, and, indeed, the largest opalescent piece in the world. In many cases, however, the suggestion comes from humbler sources. A very beautiful window designed by Mr. EK. P. Sperry—“ Faith, Hope, and Charity” —and recently completed as a memorial window for the Unity Church at Springfield, Mass., sprang from a thought suggested by a Christmas card. Where the design for a window is ordered and paid for by the purchaser of the window, it is of course impossible to secure a duplicate; but where a picture that is already common property is reproduced, the work may be several times repeated. Thus “The Good Shepherd,’ a very satisfactory figure of the Christ taken from the well-known painting by Frederick J. Shields, has been reproduced in glass three times, and now adorns as many churches in different parts of the country. It is too beau- tiful a conception to be rendered any less pleasing by this repeti- tion. In all cases the patterns and other needed guides are pre- served, so that, should the occasion arise, a picture-window once executed may be readily duplicated. A window has just been completed for the Buffalo Cathedral, to take the place of one recently destroyed by fire. It is a very close duplicate of the original work. But while the success in reproducing pictures already extant has been very marked, a keener pleasure is de- rived from modern pictures designed originally for execution in glass. Many of these are exceedingly beautiful, and represent GLASS-MAKING. 27 the thought of some of the best artists of the modern American school. The enlargement of the colored sketch to natural size is accom- plished by women artists, who work standing before large sheets of heavy brown paper tacked against the walls of the studio. While this mode of procedure would in any case be necessitated by the large size of the cartoons, it has the independent value of per- In THE DEcoRATING-Room. TREATING THE LEADS. mitting the progress of the work to be checked at all stages by long-range scrutiny. As much of the enlargement as possible is done mechanically, but at best there remains much free-hand work requiring genuine artistic feeling. Indeed, throughout the entire process, true artists are needed in the most mechanical por- tions to make the success of the adventure complete. When the enlargement is finished, the cartoon is divided up by heavy black lines so disposed as to represent the doubly grooved lead needed to hold the fragments of colored glass together. Sketch and car- toon are now taken to the glass store-room, and appropriate glass for the window is selected and laid aside. If suitable material is not found in stock, it is ordered in such quantity that the discov- ery of right effects may reasonably be expected. As the accidental element, in spite of all the skill on the part of the glass-worker, is necessarily large, it sometimes happens that a ton of glass must be searched over to find a few pounds of just the right sort. In some cases several months pass before appropriate material can be selected. 28 THE POPULAR SCIENCE MONTHLY. The search for material ended, the work of construction may begin. Two duplicate copies of the cartoon are first made. One operation suffices to accomplish this. The cartoon is laid on a large table, and beneath it are two sheets of similar paper and two sheets of ordinary black transfer paper arranged alternately. By passing a small revolving wheel over the outlines of the cartoon, the tracings are quickly and accurately made. Hach space is then numbered correspondingly on both tracings, and one of them is cut up to make patterns for the glass-cutter. An ingenious dis- secting instrument is used for this purpose. It consists of a pair of double-edged shears, which, in cutting, removes a strip of paper just the width of the lead which will separate the fragments of glass when they are finally bound together. In this way each pattern is precisely the size required. When the glass is ready to be put together in the window, there is very little coaxing to be done to get it into place. The picture-window has now reached the most critical stage in its development. The paper patterns are to find suitable counter- parts in glass, and upon the nicety with which this substitution is accomplished depends the effect of the entire work. Nothing is left undone that will assist the glass-cutter in forming correct color-judgments. Throughout the entire process, and here par- ticularly, the work progresses under precisely those conditions that are best calculated to make surprises and incongruities im- possible when the whole shall be completed. A sheet of plain glass, the size of the cartoon, is laid over the undissected tracing. Outlines of the intended lead bands are then painted on the clear glass in black lines of corresponding width. On the model thus prepared the paper patterns are stuck by means of a little wax. It is now ready to be taken to the figure-room, where it is placed directly in front of a large window, and the slow work of substi- tuting colored glass for paper begins. The position in which the completed window is to be placed must constantly be borne in mind, and the treatment adopted be made to conform to the re- quirements of light and neighborhood. A window that will be effective when seen against a clear northern sky will probably be somewhat dull if turned to some other point of the compass and seen against a dark background of brick walls and shadows, while a window that would be a delight under these more somber con- ditions would be insupportably glaring against the stronger ight. Consideration must also be paid to whether the window is to be seen commonly at long or short range, and to the general color tone of neighboring windows and walls. Piece by piece the paper patterns are removed, and the shaped fragments of glass take their place. Each fragment is obtained by repeated trials until just the right effect is secured. When the GLASS-MAKING. 29 fragment has been selected and shaped, it is also held to the sheet of clear glass by means of a little wax, and another paper pattern is removed, to be similarly replaced by glass. In this manner the removal and replacement ge on step by step until the entire work is done. The colored sketch and the enlarged cartoon are always kept in sight, so that the spirit of the picture may be realized as completely as possible. The workmen who thus select and cut the glass have acquired a surprising skill in adapting its accidental variations to the needed expression of the thought. In many cases they entered the studio as boys, and have been slowly trained to perform this difficult work with much nicety of judgment. In mosaic glass of purely geometrical design, the requirements of SoLDERING JOINTS oF LEAD LINEs. color harmony alone need attention; but in the picture-window, in addition to this, a very appreciative eye is needed to seize upon just the right combinations to bring out the draperies and the background and the sky. It is frequently impossible to secure the desired effect with one thickness of glass, and the custom of doubling the glass is becoming more prevalent each year. This practice gives both better drawing and deeper color. In the matter of draperies, particularly, the method leaves little to be desired. In the window representing “ Faith, Hope, and Charity,” the draperies of the three figures were executed in white opalescent glass, and the dainty shades desired—pale green, pink, and yellow —secured by placing back of this, fragments of plain glass of the 30 THE POPULAR SCIENCE MONTHLY. proper color. The effect could scarcely have been more delicate, yet the color tones were full and strong. In another window, the design of Mr. Will H. Low, the dra- peries of a seated figure were executed ina vivid blue. The sketch called for a rich purple, and any one passing through the studio at this stage of progress would have been inclined to resent the seeming liberties taken by the workmen. The artist’s intentions. evidently were only half carried out. But, while one stands pon- dering over the excessive amount of assurance possessed by people of a certain class, one of their number has quietly slipped a piece of ruby glass back of the draperies, and at once the vivid blue vanishes to give place to a magnificent purple as much finer than the artist’s paper-color as the sunshine is better than gas-light. In this plan of doubling the glass the colorist has in his pos- session a device of immense effectiveness. The entire color tone of a window can readily be changed, even after it is completed and in place. When the window is well under way, the preparation of the flesh portions of the picture begins. These are cut from white opalescent glass, and must be painted with no inconsiderable skill. In the early days of mosaic glass the painting was done almost in monochrome, a light reddish brown being a favorite tint. It had, however, the disadvantage of giving a statue-like sameness to all the figures. Had the taste continued, our windows would have become an assemblage of rather monotonous blonde types. But to-day there is great variety in this respect, and the painting of the face and other exposed portions of the figure is made to con- form very strictly to the character of the whole picture. In eccle- siastical designs done in medieval style, the painting is executed in a pinkish-brown monochrome on transparent antique glass. The effect is so very Elizabethan that it is hard to believe the work a modern product, unless one has seen it in process of evo- lution. For the saints and Madonnas of the early masters, the high cheek-bone and other characteristics of feature are repro- duced with remarkable fidelity. But, while these products are highly interesting, they are in point of beauty far excelled by modern types. To the production of these nearly the whole range of mineral paint has contributed. One of the finest examples of the modern school of painting on glass is to be found in the face of “The Good Shepherd,” in which nearly every possible color has been used. At a distance one is not conscious of any particular color, but is attracted by the intense life and love shown in the face. Rather bold expedients are often employed to secure these striking effects. In one face, whose eyes were more than usually expressive of life, the result was obtained by bands of bright green bordering both eyelids. GLASS-MAKING. 31 The manner of painting the flesh portions is not without inter- est. The pieces of opalescent glass are mounted in rough frames before a window, and nearly all other light is cut off. In this way the artist can see his work under precisely the same conditions that will prevail when the window is put in place, and he can paint to correspondingly good advantage. The colors are put on rather heavy to allow for firing, and for the distance at which the faces will commonly be seen. In many cases the paint is put on solidly, and is then picked off with a sharp instrument, giving much the effect of an etching. It looks a little eerie, on going into such a studio, to see a group of heads and hands, and other severed mem- bers of the anatomy staring at one in luminous characters. The painting must be done in installments, as it is necessary to fire the glass from two to four times. Each firing requires about an hour and a half, and six hours more for the kiln to cool down. Before the last firmg the flesh portions are taken to the figure-room and given place in the otherwise completed picture. In this way the artist can judge of the final colors needed to bring them into per- fect harmony with the general color tone of the picture. : It is by the expenditure of such care and labor that the soul and body of our picture-window are brought together ; but, before the union is made permanent, the window undergoes a searching art scrutiny, and any changes are suggested that would add to its beauty and harmony. In some cases all the combinations have proved so fortunate that very few changes are needed; but the case is not always so easily disposed of. It happens at times that portions of the glass must be recut several times before the de- sired effect is secured ; or, even after the window is completed, the discovery is sometimes made that a different background would have been more effective in bringing out the figure. Such was the case in a Jeanne d’Arc window designed by Mr. Frank D. Millet. The substitution of a light for a dark sky brought the . figure into much finer relief. When, finally, the effect is considered satisfactory, the frag- ments of colored glass are removed one by one from the sheet of clear glass, and are skillfully bound together by means of strips of doubly grooved lead. This requires some very nice soldering. When it is completed the lead is tinned in order to protect it from the atmosphere. The spaces between the glass and the lead are then filled with a composition of putty and lead, which sets very rigidly, and serves the double purpose of making the window per- fectly water-tight and of preventing any looseness on the part of the fragments of glass. There remains only the provision of a strong, iron-bound frame, and the picture-window, after a devel- opment covering many months, is ready to be put in place. The materials for its manufacture have been gathered from many ° r THK POPULAR SCIENCE MONTHLY 32 (aaa 4 ¥ THE Goop SHEPHERD. THE CONVICT-ISLAND OF BRAZIL. 33 sources, and the skill of many hands and brains has united to bring them into suitable community. The functions of artist and artisan have been fulfilled. Now they give place to the office of the critic. The result of this co-operative labor is much more than mere decoration. It is a work of art whose capacity for deep and beau- tiful expression we are only beginning to realize. Standing before such a picture-window, one feels anew the spiritual element in all beauty. The thought that has fastened itself to a sunbeam seems singularly alive and pervasive. To one who is familiar only with the chromatic efforts of the “glass sinners” this praise may seem extravagant; but, as we love painting in spite of some pretty poor chromos, and statuary in the face of popular domestic groups turned out by the gross, so is it possible to warmly admire the window of real merit while we deplore its unhappy imitator. At its best one can imagine few objects more beautiful. The varying light and the purity of color in art work of this character are a source of lively pleasure. They appeal to a sentiment which, when present at all, is apt to be a dominant one. Those who entertain it turn away regretfully from so beautiful and so luminous a picture. THE CONVICT-ISLAND OF BRAZIL—FERNANDO DE NORONHA. By JOHN C. BRANNER, Pu. D. HE island of Fernando de Noronha* is in the South Atlantic Ocean, two hundred and fifty miles south of the equator, about two hundred miles northeast of Cape St. Roque, and near the track of vessels plying between European ports and those of South America lying south of the cape. It belongs to Brazil, and has long been used by that Government for a penal colony. In 1876, when a member of the Imperial Geological Survey of Brazil, I visited this island for the purpose of studying its natural history and mapping it. It was no part of my official duty to criticise the administration of the affairs of the island as a prison, yet it was but natural that I should take a deep interest in this administra- tion, and should inform myself, whenever occasion offered, regard- ing the methods employed in dealing with a class of persons so new to me. The commandant and other officers spoke freely whenever they addressed me in regard to administrative meas- * The name is also erroneously written—Fernam de Loronha, Ferro de Noronha, Fer- nando Noronha, Ferdinando Noronha, Fernand de la Rogne, ete. VOL. XXXV.—3 34 THE POPULAR SCIENCE MONTHLY. ures, while from the prisoners themselves I learned much of the operation and results of these measures. It will throw some light upon the character of the inhabitants of Fernando de Noronha to know how crime is looked upon by the common people in Brazil, and I can not better show this than by relating a bit of personal experience. I had the misfortune at one time to wound a Brazilian laborer —in his dignity. He thereupon threatened to take my life, and was by no means careful to keep his resolutions to himself. As the carrying out of such a determination upon his part would have caused me much inconvenience, I called upon him in person, with the purpose, if possible, of dissuading him. I found that he did not look upon the condition of a criminal with dread at all. He told me frankly that, if he should succeed in carrying out his designs, he knew perfectly well what his career would be. “ At present,” said he, “I am obliged to work for a living; if I am sent to jail, my living will be furnished me, and I shall have nothing to do. If you are dead, there will be no one to appear against me in the courts as my accuser, and in the course of a year or less I shall be set free, well rested, and with the reputation in the community of being a man of courage.” In this case I saw to it that he had the opportunity of enjoying the coveted otium cum dignitate in jail without having to commit acrime. But in a country where wrong-doing sets so ightly upon the conscience, and where it so frequently goes altogether unpun- ished, the criminal class is large, as we should expect, though through a lax administration of the laws but a small part of it ever reaches Fernando. I refer to this phase of the subject be- cause, in order to understand the class of people inhabiting Fer- nando de Noronha, it is necessary to know something of the source of supply. The convict-island is visited once a month by a small steamer from Pernambuco. On one of the vessels I took passage, fur- nished with the usual and indispensable official letters of intro- duction from the President of the Province of Pernambuco; and, after a voyage of two and a half days, anchored in front of the village in which the commandant or governor of the island lives. Arrived at the anchoring-ground—for there is no wharf or pier, and no small boats are allowed on the island—I could see upon the beach about seventy-five half-naked men tugging at a huge two- storied raft, trying to get it into the water. When this was launched, a large cable was secured on shore, and the great raft was paddled slowly in our direction, telling out the cable, the other end of which was finally made fast to the steamer. The personal baggage, five or six newly arrived convicts with their guards, and myself and servant, were placed on the upper THE CONVICT-ISLAND OF BRAZIL. 35 story of this peculiar craft, and it was then drawn in near the shore by means of the cable. When we struck bottom I was taken on the wet, slippery, naked back of a convict, who waded ashore and deposited me on the dry beach. Everybody and every- thing landed from the raft, I was escorted by a man who took me in charge, and whom I afterward found to be a convict directed by the commandant to look after all persons and all things land- ing, and escorted up the very steep hill, through the well-paved streets of the village, to the house of the commandant, closely fol- lowed by the newly arrived convicts under guard. The commandant I found to be a very aged man, an officer in the regular Brazilian army. His thin gray hair was cut close to his angular head, and his mustache was white with age and yellow with tobacco-smoke. He received me indifferently for a Brazil- ian, for, though he placed the island itself and everything and everybody on it at my orders, in true Brazilian style, I could see that there was a coolness beneath his politeness. I afterward found that this was due to a suspicion that I had been sent here by the Government upon some secret mission. This impression removed, he became heartily kind to me, and did all in his power to aid me in my work. He gave me a room in the official resi- dence, the seat of honor at his bountifully served table, and a motley crew of convicts for servants, while the slender resources of the island were in reality placed at my disposal. At the house of the commandant certain ones of the convicts were admitted freely and treated with more or less indulgence. The chief amusement of the officers of the garrison and their wives was to assemble during the evening around the big table in the reception-room in the official residence, and there to play kino. On such occasions (and this game was played every even- ing during my stay save two) there were from one to five privi- leged convicts standing about the room as lookers-on, and some of them were even invited to take, and did take, part in the game. At meal-time they frequently dropped into the dining-room, and gently encouraged the old governor to scold them while at his meal. Some of them, being ready conversationalists, were permit- ted to talk freely, and were even asked, before the meal was over, to take places at the great dining-table; and, though they always sat below the wine, were generally given some sweetmeats or a cup of coffee at the end of the meal. Among the convicts thus specially privileged about the house was a tall, handsome Italian, apparently a man of education. He spoke, besides his native language, Spanish,German, some English, and Portuguese almost perfectly. I asked his story of the son of the commandant, who also told me the personal history of many of these men, and learned that he had killed five persons in less 36 THE POPULAR SCIENCE MONTHLY. than five minutes, including the young lady to whom he was be- trothed, because she had followed the advice of her father and mother, and had broken off the match upon the morning of the day on which they were to be married. As the narrator ended the story, which was told in all its dreadful details, he remarked, “ And so you see he was almost justified.” This instance, which is simply an example out of a great many of a more or less similar nature, is mentioned for the purpose of illustrating one of the most deplorable facts connected with the administration of the affairs of the island—that is, the inevitable influence upon its inhabitants of familiarity with crime. This young man, neither a criminal nor an executive officer, had come, by constant contact with criminals, to look upon crime with pity in some cases, and with actual approval in others. It is not my purpose to repeat here in detail the stories of the lives of these people, for those stories are sensational to the last degree, and should be looked upon simply as so many facts in a social study. But, while some of the convicts were indulged, others were treated with unnecessary severity, which merged into cruelty. This unequal justice, or rather the disproportionate pun- ishment meted out to offenders, and over which the officers in charge had full jurisdiction, was, in itself, demoralizing to the great body of convicts, and held out no hope or encouragement to any one to be anything short of the most abandoned criminal. No effort was made to fit the punishment to the crime. Flogging was the one remedy for everything, and, as it always took place in the presence of the assembled prisoners, this became a new element of degradation to the entire community. A convict having stolen a pig, was sent for and flogged. The very next morning the com- mandant was called to the front door, and there on the veranda stood a man horribly mangled by an assassin. “ What does all this mean ?” said the commandant. “Fulano has killed me,” said the convict. “ Away with you to the hospital”; and, turning to an officer, he continued, “and bring Fulano here to me.” And Fulano was brought and flogged.* The influence of such a system of treatment upon the less depraved classes of criminals may readily be imagined. * T undertook to witness a flogging once, but, as I did not get through it with credit to myself, the less said of that occasion the better. I was informed by one of the officers that, not long before, one convict had been so severely flogged that he had died of his injuries. In the light of these facts it is interesting to read article 179, section 19, of the Brazilian Constitution of 1824. It is as follows: “From this time forth flogging, torturing, branding, and all other cruel punishments are abolished.” It should be added, however, that in 1879, since my visit to Fernando de Noronha, the Minister of Justice of the Brazilian Empire has directed that corporal punishment of the convicts should cease. Postscript_—The “ Proceedings of the Royal Geographical Society” for July, 1888, con- tains an article upon Fernando by a gentleman who visited that place in 1887. The convict THE CONVICT-ISLAND OF BRAZIL. 37 The amusements of the inhabitants were cock-fighting and kino. I suggested to the commandant that cock-fighting was a degrading pastime for his protégés (I did not mention kino, because that was the favorite amusement in his own house). His reply was: “I know it isn’t good; but then—” Often in private conversation these men would discourse to me upon the moral and social condition of their companions. On ‘such occasions I frequently heard such expressions as these: “ You must look out for Fulano.” “Some people have no consciences.” “The Lord deliver us from a convict!” “These convicts are a bad set, I tell you!” Society was as varied among these men as in other parts of the world. There were all classes and grades, though they all met on the common level of crime. Social distinctions among them were based upon money first, and second, other things being equal, upon the nature of the crime committed, certain crimes being regarded ’ as indicative of courageous manhood. While about my work one day, my attention was attracted by a young man who was posing near by and disdainfully watching me. He was not more than twenty years of age, good-looking, and well dressed. A fine felt hat sat jauntily upon the side of his head, and he wore a blue cloak, the bright red lining of which he displayed to good advantage by tossing it back over his shoulder. I saw that he was a type, drew him into conversation, and finally asked him for what he was sent to Fernando. Bridling up and throwing back his shoulders, he struck his left breast with his right hand closed, as if upon a dagger, and exclaimed proudly, “ Mor-r-rte ! ” (murder). Many of the prisoners were known among themselves by what seemed to be very odd names, and I learned that they were nick- names taken from some circumstance connected with the crimes they were expiating. Sometimes there was a ghastly sort of humor about these names. One, who had murdered a priest, was called “O Padre,” the priest; another, who had murdered a man for his money and had found but half a pataca upon him, was called “ Meta Pataca,” half a pataca, about sixteen cents; another, for a similar reason, was called “Quatro Vintens,”’ four cents. These are simply instances of how the minds of these people dwelt constantly upon crime, how they admired crime, and conse- system is there spoken of as “almost unique in its excellence,” and a convict of seventeen years’ standing is called “our dear old guide.” The great number of verbal errors in the article lead one to conclude that its author knows little or nothing of the Portuguese lan- guage, without the easy command of which he could get no clear insight into the working of the convict system. He states also that one of the prisoners was flogged during his short visit. Flogging continues, therefore, in spite of the order of the Minister of Justice made in 1879 and referred to above. 38 THE POPULAR SCIENCE MONTHLY. quently gravitated toward it. About their work in shop or field, the daily bread of their minds was to think and talk of crime in every shape that diseased minds and perverted natures can con- jure it up. One would entertain his companions by detailing to them the story of some crime committed by himself, or of which he had knowledge, while every one listened attentively, like so many experts. The story ended, criticism began, and each one would indicate what he considered the weak points in the plan and its execution, and would suggest improvements here and there. One story always led to another, and, as might be expected, minds accustomed to this highly seasoned food soon rejected all other. The total population of the island at the time of my visit was 2,562, about seven hundred of whom were not criminals, but the wives and children of convicts who were, by necessity or choice, accompanying husbands or parents in their exile and imprison- ment. As already stated, the great majority of the convicts had been sent here for murder, and belonged to a low, brutal type of men. The general tendency of this intermingling of the innocent with the criminal, and of the less depraved of the convicts with the worst, is to reduce all to a common level, and that level the lowest. In the ordinary experience of life a man seldom or never sinks so low that there is no hope for him, hope both subjective and ob- jective, but of the worst of these convicts this is not true. The only priest of the island, after years of labor, went through his sacred duties in a perfunctory manner, for, as he gave me to understand, he had long since come to realize that the seed he sowed fell into the fire. Speaking to him one day regarding the peculiar charm of the place, he replied: “Ah me! I can’t see these things now, for though it is, externally, all that you see and say of it, this quiet, this seclusion, this beautiful and bountiful nature are turned by man into a stifling, suffocating hole—a stench in the nostrils of God.” But fortunately the attractiveness, the beauty and grandeur of nature as seen in the delightful landscapes, the tropical vegetation, the peculiar fauna and flora, the majesty of the ocean, the violence of the tempests, the charming caprice of clouds and sunshine, pre- vent one from brooding too long over these dark pictures of hu- man depravity, while the convicts themselves not infrequently come like quaint figures in the foregrounds of beautiful pictures. But to see this beauty one must look through the eyes of a lover of nature. For the true-hearted naturalist there is no such thing as soli- tude, but to those who see but little or nothing companionable or intelligible in landscapes, in forests and fields and oceans, and above all to the ignorant, Fernando de Noronha doubtless seems THE CONVICT-ISLAND OF BRAZIL. 39 a lonely, desolate, and forbidding place. A phrase in common use among the inhabitants of that island expresses better than any- thing else could the general feeling of the prisoners in regard to their isolation and separation from all that is interesting and attractive to them on earth. For them, and in their minds, the earth is divided into two parts, one of which—that inhabited by themselves—is known as Fernando, the other part is known and usually spoken of as “the world.” This term was in constant use, and I frequently heard among them such expressions as these: “ When I was in the world,” “ This came from the world.” It is often asked whether there was not great danger in trust- ing one’s self with men so many of whom were known to be des- perate characters. This question can not be answered for every one at the same time, because whether there would be danger would depend almost entirely upon how one conducted himself. The commandant was so solicitous regarding my personal safety, when I first began my work on the island, that he wished to send an escort of soldiers with me in order to secure me against pos- sible danger, and it was with difficulty that I persuaded him to allow me to dispense with such cumbersome attendance. When working in parts of the island remote from the village I sometimes found it necessary to pass the night in the huts of the convicts. At such times I was never treated otherwise than with respect by them, and I never had the least reason to feel disturbed about my personal security. One day, when alone in my room in the house of the commandant, a tall mulatto came to the door and handed me a begging letter, written in very poor Portuguese. In this letter he called himself my “afflicted fellow-countryman.” Addressing him in English, I found that he had been an Ameri- can sailor, and was here for murder. As he seemed eager to be in my service, I employed him; but, when I informed the commandant of the arrangement, he endeavored to dissuade me from having him about me, assuring me that he was the most un- conscionable, incorrigible criminal in the entire settlement. In spite of these protests, I took my “ fellow-countryman” with me, and for three days his services gave entire satisfaction. At the end of that time he was discharged for the only impoliteness shown me during my stay upon the island. Abandoned and unscrupulous as so many of the convicts were, I found them susceptible to the ameliorating influences of fair wages and reasonable treatment—a susceptibility due to some ex- tent, perhaps, to the general absence of considerate treatment in their present lives—and when I left Fernando some of those whom I had employed manifested their good-will toward me in a way of their own. On the morning upon which the steamer was to sail for Pernambuco, my collections and baggage had all, as I thought, 40 THH POPULAR SCIENCH MONTHLY. been placed on board, when, previous to my taking leave of the officers and their families, I was called to the door by a visitor— one of my convicts. He stood barefooted and uncovered, his warped, reddish-brown hat held in his left hand behind him, his coarse shirt of dirty cotton cloth hung, in the customary fashion, outside his coarse trousers, and these were rolled half-way up his bare, brown legs. He laid his right forearm across his forehead like’a timid child, and when asked, “ And what is it, Feliciano?” he said: “ My patron, pardon me, eh? but it is allI have. Here are some squashes I have brought for your lordship to take back to the world with you,” and he pointed with his leather hat toward six enormous squashes that lay upon the floor of the veranda, and which he had brought during the night from a distant part of the island. My embarrassment may be realized in some degree when I say that I knew that, excepting only the clothes he wore, these six squashes were the sum total of that poor fellow’s earthly pos- sessions. I knew, too, how serious an offense it would be to decline his present, so there was nothing to be done but to accept it and take his squashes “back to the world” with me. If the matter had ended here, it would have caused me no serious inconvenience; but, before the steamer sailed, a whole wagon-load of squashes had accumulated on the floor of the veranda, and all of them had to be accepted and taken away. When the time for my embarkation had arrived, the officers of the station accompanied me to the beach, where they bade me farewell in that affectionate and touching manner so character- istic of Brazilian gentlemen. After these had withdrawn, there came about me seven men with rough clothing—what there was of it—rough, hard hands, and hard faces. They stood uncovered, and, without speaking a word, one after another held out to me a thick, horny right hand. One of them then stooped and took me on his back, and, wading out to the great raft, left me to be trans- ferred to the steamer. That afternoon I saw this lofty, beautiful, but sin-cursed Fernando sink slowly into the ocean; and the last sight I had of it was when, as the sun went down, it touched with crimson and gold a cloud-banner that streamed away like a pen- nant from the summit of its majestic peak.* * In view of what I have said of the moral condition of the convicts confined on this island, it is but just that I should add that in the year following my visit, that is, in 1877 the Imperial Government of Brazil appointed a commission for the purpose of elaborating a prison system for the country. The President of the Province of Pernambuco held out to the Legislative Assembly of that province the hope that Fernando de Noronha would not be overlooked by this commission. Said he, ‘‘The grave social, economic, and moral ques- tions here involved will be settled.”’ It is to be hoped, too, that the transfer of this penal colony from the Department of War to that of Justice will also be conducive to a better prison system. THE STRANGH MARKINGS ON MARS. 41 THE STRANGE MARKINGS ON MARS. By GARRETT P. SERVISS. i the whole planetary empire of the sun there is but one body, if we except the moon, whose actual surface can be satisfac- torily examined even with the most powerful telescope. The broad disk of Jupiter presents a most inviting and splendid sight ; but it is apparent that we are not looking at the solid shell of a planet, but at a vast expanse of thick clouds, surrounding and concealing the planetary core, and reflecting the sunlight from their shifting surfaces. Saturn presents a somewhat similar appearance, modified by greater distance. Uranus and Neptune are so nearly beyond the present reach of telescopes, so far as the phenomena of their disks are concerned, that we know almost nothing of their surface appearances. Some observations of Ura- nus, however, indicate that it presents the same equatorial paral- lelism of exterior markings that characterizes Jupiter and Saturn; and so we may infer that what we faintly discern on its disk are the outlines of cloud-masses, enveloping the planet, and drawn out by the effects of its rotation into belts and streaks. Coming to the nearer planets, we find that Venus, superbly brilliant to the naked eye, and consequently, it might naturally be thought, a promising object for telescopic scrutiny, is nevertheless the most disappointing of all the planets when viewed with a telescope. The splendor of its luminosity in itself forms an obstacle to the study of its surface, where flitting glimpses of shadowy forms and brilliant spots only serve to excite the keenest curiosity. With respect to Mercury, our knowledge is equally unsatisfac- tory. The surface of the moon, of course, has been well studied, as such maps as those of Beer and Madler, Neison and Schmidt suf- ficiently attest. But, after all, the absence of the faintest indica- tion of life robs the wonderful lunar landscapes of a large share of the interest that would otherwise attach to them. Finally, we look at Mars, and here at last we find a globe whose true surface we can inspect, and which at the same time possesses an atmosphere and other concomitants of vital organiza- tion. Since Mars has been selected by more than one astronomer as the probable abode of life (and perhaps the only one besides the Earth in the solar system), and especially since a discussion of the markings seen upon the planet necessarily involves the physical features upon which the theory of Mars’s fitness for inhabitation rests, it will be well to recall here the principal facts that have been ascertained respecting that interesting orb. The diameter of Mars is 4,200 miles, or only some 240 miles 42 THE POPULAR SCIENCE MONTHLY. more than half of the mean diameter of the Earth. The density of the planet is rather less than three quarters of the density of the Harth, or about four times the density of water. The force of gravity upon its surface is less than two fifths of that upon the Earth; more accurately, 0°38. That is to say, if a man from the Earth could visit Mars, he would find that his weight had diminished almost two thirds. Members of terrestrial fat men’s clubs could become agile dancers by simply going to Mars. This feebleness of the force of gravity must, it is clear, have an impor- tant effect upon the organization of any forms of life that may exist upon Mars, whether animal or vegetable. The mean dis- tance of Mars from the sun is 141,500,000 miles, that of the Earth being 92,900,000. The length of Mars’s year is six hundred and eighty-seven days. Its day is only forty-one minutes longer than our day upon the Earth. The inclination of its equator to the plane of its orbit differs but slightly from that of the Harth. But when we come to consider the eccentricity of its orbit, we find a decided difference between the Earth and Mars. The Earth’s orbit is so nearly a circle that its greatest and least distances from the sun differ by only 3,000,000 miles, while the orbit of Mars is so eccentric that that planet is 26,000,000 miles nearer to the sun at one extremity of its orbit than at the other. It follows that, while Mars receives, upon the whole, less than half as much light and heat from the sun as the Harth gets, yet that quantity is variable to the extent of about one third of its greatest value—in other words, the sun gives Mars half as much again heat at its perihelion as it does at its aphelion. It is hardly necessary to point out the important climatic effect of such a variation. An- other remarkable resemblance between the Earth and Mars comes in here. Just as on the Earth, the summer of the northern hemi- sphere of Mars occurs when the planet is farthest from the sun and its winter when nearest. The effect, as Mr. Proctor has pointed out, tends to equalize the temperature of the seasons in Mars’s northern hemisphere, but to exaggerate their difference in the southern hemisphere. We may dwell for a moment upon this last-stated peculiarity, for it is exceedingly interesting in its suggestiveness. Having summer occurring in the southern hemisphere of Mars at the planet’s perihelion, and winter at its aphelion, we should find there a most remarkable disparity both in temperature and in the brilliancy of daylight between the two seasons. The differ- ence would be the sum of the effects produced by the greater or less distance of the sun and the variation in the inclination of its rays to the surface of the planet. Since the first cause alone would produce an inequality amounting, in the extreme, nearly to the ratio of 3 to 2, it is evident that the addition of the second would THE STRANGH MARKINGS ON MARS. 43 increase the difference to such an extent that the seasonal changes might be fatal to all higher forms of life. We have only to recol- lect how powerful the effect of the comparatively moderate va- riations between the seasons of our own planet is upon the human organism in order to understand what must be the condition of things in the southern hemisphere of Mars, where the passage from one season to the other presents the succession of violent winter cold, accompanied by days of gloom and faint sunshine, followed by a blazing summer, with the sun hanging overhead, visibly increased in apparent size by its approach. Telescopic observations show clearly by the great variation in the extent of the polar snows how extensive is the effect of these changes upon the surface of the planet. In the hot summer the snows rapidly retreat toward the pole, and even leave the actual pole itself bare of snow, showing that upon Mars, as upon the Earth, the center, or pole, of greatest cold (at least in the southern hemisphere) does not coincide with the geographical pole of the planet. Then, with the on-coming of winter, the march of the snows begins and they rapidly advance further and further toward the equator, spreading over the antarctic regions until another change of sea- son brings back a flaming sun to melt them away. It should be added that, as Prof. Young has remarked, the climate of Mars, upon the whole, appears to be much milder than we should nat- urally have expected in view of its distance from the sun. Bearing in mind these general facts about the size of Mars and its position in the solar system, we shall now proceed to the discussion of its surface phenomena as revealed by the telescope, merely pausing to remark that the atmosphere of Mars is appar- ently less dense than that of the Harth, and that the spectroscope has demonstrated the presence of watery vapor in it. The little telescope of Galileo, which had enabled him to dis- cover the phases of Venus, the satellites of Jupiter, the mountains of the moon, the existence of Saturn’s ring, and “vast crowds of stars” in the Milky Way, was not powerful enough to show him the markings that diversified the disk of Mars. The earliest draw- ings of Mars that have come down to us were made by Fontana, in Italy, in 1636 and 1638. They contain very little detail, the best representing the planet simply with a darkish spot in the center of the disk. Twenty odd years later Huygens made much better drawings, and then the work was taken up by Cassini, Maraldi, and others, with the cumbersome telescopes of the time, the most powerful of which consisted of an object-glass suspended high in the air by means of a long pole or other support, while the eye-piece in the hand of the observer on the ground was, with infinite difficulty, brought and kept in line with the optical axis of the instrument. One of these telescopes was no less than three 44 THE POPULAR SCIENCE MONTHLY. hundred feet in length, the great length being necessary in order to avoid, as far as possible, the chromatic aberration of the single lenses of which object-glasses were then made! Considering the enormous difficulties under which they labored, the results at- tained by these early observers are astonishing. The delineations of the planet’s surface made by Huygens and Hooke were suffi- ciently exact to be used by modern astronomers in ascertaining the rotation period of the planet within a fraction of a second, while Cassini’s observations enabled. him to calculate that period with an error of less than three minutes. In fact, Huygens saw enough to suggest to his penetrating mind the existence of an analogy between the surface of Mars and that of the Earth. In 1666 Cassini made a drawing of Mars, which is reproduced in our cut, showing in rough outline a feature of the planet’s sur- face which has since become well known under the names of Kaiser Sea and the Hour-glass Sea, the last being suggested by its shape. Directly underneath Cassini’s drawing I have placed, for the purpose of comparison, a picture of Mars made by Herschel in 1780, and showing the same sea, but with much more detail. Allowing for the difference in the position of the disk (for the two drawings were plainly not made at precisely the same period of the planet’s rotation, nor at the same inclination), and also con- sidering the great superiority of Herschel’s telescope, the resem- blance is sufficiently striking to show that the two observers were looking at the same feature of the planet, and that it was a per- manent marking on the disk. The south polar ice-cap is conspicu- ous in Cassini’s drawing. A word, by the way, in regard to the “seas” and “ice-caps” of Mars. The general color of the planet is ruddy, some observers say rose-color, and this hue is plain in naked-eye observations. But the telescope shows that the disk, instead of being uniformly red, although that tint predominates, is divided into streaks and patches of varying hue. The reddish regions are regarded as ‘being the land-surfaces of the planet, while the dusky or greenish parts are looked upon as probably oceans or seas. At the poles there are seen white caps which, inasmuch as they increase in size when it is winter and decrease when it is summer in their respective hemispheres, are regarded as the arctic and antarctic snow regions of Mars. From the time of Herschel the study of the surface markings of Mars was prosecuted by many observers with more or less suc- cess, and Beer and MAdler, those indefatigable portrayers of celes- tial scenery, made a chart of Mars; but it was not until some twenty years ago that a reasonably full and satisfactory map of the red planet was produced. Then Mr. Proctor, using the draw- ings of the “eagle-eyed” Dawes as the basis of his work, con- > a S eS x © eS = a O §