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HIS SMILE 1 

By SUSAN GLASPELL 
(From The Pictorial Review) 

T AURA stood across the street waiting for the people 
to come out from the picture-show. She couldn’t 
have said just why she was waiting, unless it was that 
she was waiting because she could not go away. She was 
not wearing her black; she had a reason for not wearing 
it when she came on these trips, and the simple lines of 
her dark-blue suit and the smart little hat Howie had 
always liked on her, somehow suggested young and happy 
things. Two soldiers came by; one of them said, 4 4 Hello, 
there, kiddo,” and the other, noting the anxiety with 
which she waited, assured her, “ You should worry." 
She looked at them, and when he saw her face the one 
who had said, “You should worry," said, in sheepish 
fashion, “ Well, I should worry," as if to get out of the 
apology he didn't know how to make. She was glad they 
had gone by. It hurt so to be near the soldiers. 

The man behind her kept saying, “ Pop -corn! Pop - com 
right here." It seemed she must buy pop-corn if she stood 
there. She bought some. She tried to do the thing she 
was expected to do — so she wouldn’t be noticed. 

Then the people came pushing out from the theater. 
They did it just as they did it in the other towns. A new 
town was only the same town in a different place; and all 
of it was a world she was as out of as if it were passing 
before her in a picture. All of it except that one thing 
that was all she had left! She had come so far to have it 
tonight. She wouldn't be cheated. She crossed the street, 
and as the last people were coming out of the theater she 
went in. 

1 Copyright, 1921, by The Pictorial Review Company, Inc. 

Copyright, 1922, by Susan Glaspell Cook. 

194 


SUSAN GLASPELL 


195 


A man, yawning, was doing something to a light. He 
must belong to the place. His back was to her, and she 
stood there trying to get brave enough to speak. It had 
never been easy for her to open conversations with 
strangers. For so many years it was Howie who had 
seemed to connect her with the world. And suddenly 
she thought of how sorry Howie would be to see her wait- 
ing around in this dismal place after every one else had 
gone, trying to speak to a strange man about a thing that 
man wouldn’t at all understand. How well Howie would 
understand it! He would say, “ Go on home, Laura.” 
“ Don’t do this, sweetheart.” Almost as if he had said 
it, she turned away. But she turned back. This was her 
wedding anniversary. 

She went up to the man. “ You didn’t give all of the 
picture tonight, did you?” Her voice was sharp; it 
mustn’t tremble. 

He looked round at her in astonishment. He kept 
looking her up and down as if to make her out. Her 
trembling hands clutched the bag of pop-corn and some 
of it spilled. She let it all fall and put one hand to her 
mouth. 

A man 'came down from upstairs. “ Lady here says 
you didn’t give the whole show tonight,” said the first 
man. 

The young man on the stairs paused in astonishment. 
He, too, looked Laura up and down. She took a step back- 
ward. 

“ What was left out wasn’t of any importance, lady,” 
said the man, looking at her, not unkindly, but puzzled. 

“ I think it was! ” she contended in a high, sharp voice. 
They both stared at her. As she realized that this could 
happen, saw how slight was her hold on the one thing she 
had, she went on, desperately, “ You haven’t any right 
to do this! It’s — it’s cheating .” 

They looked then, not at her, but at each other — as 
the sane counsel together in the presence of what is 
outside their world. Oh, she knew that look! She had 
seen her brother and his wife doing it when first she knew 
about Howie. 

44 Now I’ll tell you, lady,” said the man to whom she 


1 % 


HIS SMILE 


had first spoken, in the voice that deals with what has 
to be dealt with carefully, “ you just let me give you your 
money back, then you won’t have the feeling that you’ve 
been cheated.” He put his hand in his pocket. 

“ I don’t want my money back! ” cried Laura. “I — 
want to see what you left out! ” 

“ Well, I’ll tell you what I’ll do,” proposed the young 
man, taking his cue from the older one. 11 I’ll tell you just 
exactly what happened in the part that was left out.” 

“ I know exactly what happened,” cut in Laura. “I — 
I want to see — what happened.” 

It was a cry from so deep that they didn’t know what 
to do. 

“ Won’t you do it for me? ” she begged of the young 
man, going up to him. “ What you left out — won’t 
you show it for me — now? ” 

He just stood there staring at her. 

“ It means — ! It ” But how could she tell them 

what it meant? She looked from one to the other, as if 
to see what chance there was of their doing it without 
knowing what it meant. When she couldn’t keep sobs 
back, she turned away. 

Even in her room at the hotel she had to try to keep 
from crying. She could hear the man moving around in 
the next room — so he, of course, could hear her, too. 
It was all as it was in the pictures — people crowded 
together, and all of it something that seemed life and 
really wasn’t. Even that — the one thing, the one moment 
— really wasn’t life. But it was all she had! If she let 
herself think of how little that all was — it was an empti- 
ness she was afraid of. 

The people who had tried to comfort her used to talk 
of how much she had had. She would wonder sometimes 
why they were talking on her side instead of their own. 
For if you have had much — does that make it easy to 
get along with nothing? Why couldn’t they see it? That 
because of what Howie had been to her — and for ten 
years! — she just didn’t know any way of going on living 
without Howie! 

Tonight made fresh all her wedding anniversaries — 
brought happiness to life again. It almost took her in. 


SUSAN GLASPELL 


197 


And because she had been so near the dear, warm things 
in which she had lived, when morning came she couldn’t 
get on the train that would take her back to that house 
to which Howie would never come again. Once more it 
all seemed slipping from her. There must be something. 
As a frightened child runs for home, she turned to that 
place where — for at least a moment — it was as if Howie 
were there. 

She went to the telegraph office and wired the com- 
pany that sent out “ The Cross of Diamonds,” asking 
where that film could be seen. She had learned that this 
was the way to do it. She had known nothing about such 
things at first; it had been hard to find out the ways of 
doing. It was a world she didn’t know the ways of. 

When she got her answer, and found that the place 
where “ The Cross of Diamonds ” would be shown that 
night was more than a hundred miles away — that it 
meant going that much farther away from home — she 
told herself this was a thing she couldn’t do. She told 
herself this must stop — that her brother was right in 
the things he said against it. It wouldn’t do. He hadn’t 
said it was crazy, but that was what he meant — or 
feared. She had told him she would try to stop. Now 
was the time to do it — now when she would have to go 
so much farther away. But — it was going farther away 
— this glimpse of Howie — all that was left of Howie 
was moving away from her! And after the disappoint- 
ment of the night before — She must see him once more! 
Then — yes, then she would stop. 

She was excited when she had decided to do this. It 
lifted her out of the nothingness. From this meager thing 
her great need could in a way create the feeling that she 
was going to meet Howie. Once more she would see him 
do that thing which was so like him as to bring him back 
into life. Why should she turn from it? What were all 
the other things compared with this thing? This was one 
little flash of life in a world that had ceased to be alive. 

So again that night, in the clothes he had most liked, 
she went for that poor little meeting with her husband 
■ — so pitifully little, and yet so tremendous because it 
was all she would ever have. Again she sat in a big, 


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HIS SMILE 


noisy place with many jostling, laughing people — and 
waited to see Howie. She forgot that the place had ugly 
red walls and sickly green lights; she could somehow sepa- 
rate herself from harsh voices and smells — for she was 
here to meet Howie! 

She knew just the part of the house to sit in. Once she 
had sat where she couldn't see him as he passed from sight! 
After that she had always come very early. So she had 
to sit there while other people were coming in. But she 
didn’t much mind that; it was like sitting in a crowded 
railway station when the person you love is coming soon. 

But suddenly something reached over that gulf between 
other people and her. A word. A terrible word. Behind 
her some one said 14 munitions.” She put her hand to 
her eyes and pressed tight. Not to see. That was why 
she had to keep coming for this look at Howie. She had 
to see him — that she might shut out that — the picture 
of Howie — blown into pieces. 

She hated people. They were always doing something 
like this to her. She hated all these people in the theater. 
It seemed they were all, somehow, against her. And 
Howie had been so good to them! He was so good to 
people like the people in this theater. It was because he 
was so good and kind to them that he was — that he 
was not Howie now. He was always thinking of people’s 
comfort — the comfort of people who had to work hard. 
From the time he went into his father’s factory he had 
always been thinking up ways of making people more 
comfortable in their work. To see girls working in uncom- 
fortable chairs, or standing hour after hour at tables too 
low or too high for them — he couldn’t pass those things 
by as others passed them by. He had a certain inventive 
faculty, and his kindness was always making use of that. 
His father used to tell him he would break them all up 
in business if his mind went on working in that direction. 
He would tell him if he was going to be an inventor he 
had better think up some money-making inventions. 
Howie would laugh and reply that he’d make it all up 
some day. And at last one of the things he had thought 
out to make it better for people was really going to make 
it better for Howie. It was a certain kind of shade for 


SUSAN GLASPELL 


199 


the eyes. It had been a relief to the girls in their little 
factory, and it was being tried out elsewhere. It was 
even being used a little in one of the big munition plants. 
Howie was there seeing about it. And while he was 

there He went in there Howie. There wasn’t even 

anything to carry out. ) 

The picture had begun. She had to wait until almost 
half of it had passed before her moment came. The story 
was a tawdry, meaningless thing about the adventures of 
two men who had stolen a diamond cross — a strange 
world into which to come to find Howie. Chance had 
caught him into it — he was one of the people passing along 
a street which was being taken for the picture. His 
moment was prolonged by his stopping to do the kind of 
thing Howie would do, and now it was as if that one 
moment was the only thing saved out of Howie’s life. 
They who made the picture had apparently seen that the 
moment was worth keeping — they left it as a part of 
the stream of life that was going by while the detective 
of their story waited for the men for whom he had laid 
a trap. The story itself had little relation to real things 

— yet chance made it this vehicle for keeping something 
of the reality that had been Howie — a disclosing moment 
captured unawares. 

She was thinking of the strangeness of all this when 
again the people seated back of her said a thing that 
came right to her. They were saying “ scrap-heap.” 
She knew — before she knew why — that this had some- 
thing to do with her. Then she found that they were 
talking about this film. It was ready for the scrap-heap. 
It was on its last legs. They laughed and said perhaps 
they were seeing its “ last appearance.” 

She tried to understand what it meant. Then even this 
would cease to be in the world. She had known she ought 
to stop following the picture around, she had even told 
herself this would be the last time she would come to see 
it — but to feel it wouldn’t any longer be there to be seen 

— that even this glimpse of Howie would go out — go 
out as life goes out — scrap-heap! She sat up straight and 
cleared her throat. She would have to leave. She must 
get air. But she looked to see where they were. Not far 


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HIS SMILE 


now. She might miss Howie! With both hands "she took 
hold of the sides of the seat. She was not going to fall 
forward! Not suffocating. Not until after she had seen 
him. 

Now. The detective has left the hotel — he is walking 
along the street. He comes to the cigar-store door, and 
there steps in to watch. And there comes the dog! Then 
it was not going to be cut out tonight! Along comes the 
little dog — pawing at his muzzle. He stops in distress 
in front of the cigar-store. People pass and pay no 
attention to the dog — there on the sidewalk. And then 
— in the darkened theater her hands go out, for the door 
has opened — and she sees her husband! Howie. There. 
Moving as he always moved! She fights back the tears 
that would blur him. That dear familiar way he moves! 
It is almost as if she could step up and meet him, and 
they could walk away together. > 

He starts to go the other way. Then he sees the dog. 
He goes up to him; he is speaking to him, wanting to know 
what is the matter. She can fairly hear the warmth and 
kindness of his voice as he speaks to the little dog. He 
feels of the muzzle — finds it too tight ; he lets it out a 
notch. Dear Howie. Of course he would do that. No 
one else had cared, but he would care. Then he speaks to 
the dog — pats him — tells him he is all right now. 
Then Howie turns away. 

But the dog thinks he will go with this nice person! 
Howie laughs and tells him he can't come. A little girl 
has come across the street. Howie tells her to keep the 
dog from following him. Then again he turns to go. But 
just before he passes from sight the child calls something 
to him, and he looks back over his shoulder and smiles. 
She sees again the smile that has been the heart of her 
life. Then he passes from sight. 

And he always leaves friends behind him — just as he 
always did leave friends behind him. There will be little 
murmurs of approval ; sometimes there is applause. 
Tonight a woman near Laura said, “ Say, I bet that’s an 
awful nice fellow.” 

She never left her seat at once, as if moving would 
break a spell. For a little iwhile after she had seen it, his 


is 


SUSAN GLASPELL 


201 


smile would stay with her. Then it would fade, as things 
fade in the motion pictures. Somehow she didn’t really 
have it. That was why she had to keep coming — con- 
stantly reaching out for something that was not hers to 
keep. 

When her moment had gone, she rose and walked down 
the aisle. It was very hard to go away tonight. There 
had been all the time the fear that what happened the 
night before would happen again — that she would not ; 
see Howie, after all. That made her so tense that she was 
exhausted now. And then “ munitions ” — and “scrap- 
heap.” Perhaps it was because of all this that tonight 
her moment had been so brief. Only for an instant 
Howie’s smile had brought her into life. It was gone now. 

It had passed. 

She was so worn that when, at the door, her brother 
Tom stepped up to her she was not much surprised or 
even angry. Tom had no business to be following her 
about. She had told him that she would have to manage 
it her own way — that he would have to let her alone. 
Now here he was again — to trouble her, to talk to her 
about being brave and sane — when he didn’t know — 
when he didn’t have any idea what he was talking about! 
But it didn’t matter — not tonight. Let him do things 
— get the tickets — and all that. Even let him talk to 
her. That didn’t matter either. 

But he talked very little. He seemed to think there 
was something wrong with her. He looked at her and 
said, “ O, Laura! ” reproachfully, but distressed. 

“ I thought you weren’t going to do this any more, 
Laura,” he said gently, after they had walked a little 
way. 

44 How did you know I was here? ” she asked listlessly. 

44 They sent me word you had left home. I traced 
you.” 

44 I don’t see why you should trace me,” she said, but 
not as if it mattered. 

44 O, Laura! ” he said again. 44 Well, I must say I don’t 
think Mrs. Edmunds was much of a friend! ” 

It was Mrs. Edmunds who had told Laura thatUhere 
was this glimpse of her husband in 44 The Cross of Dia- 


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HIS SMILE 


monels.” She had hesitated about telling her, but had 
finally said it was so characteristic and beautiful a moment 
she felt Laura should see it. 

From the first Tom had opposed her seeing it, saying 
it would be nothing but torture to her. Torture it was, 
but it was as if that torture were all there was left of 
life. 

Tonight everything was as a world of shadows. She 
knew that her brother was taking her to his home instead 
of back to her own.. He had wanted to do this before, 
but she had refused. There was nothing in her now that 
could refuse. She went with him as if she were merely 
moving in a picture and had no power of her own to get 
out of it. 

And that was the way it was through the next few 
weeks. Tom and his wife would talk to her about trying 
to interest herself in life. She made no resistance, she 
had no argument against this; but she had no power to 
do it. They didn’t know — they didn’t know how it had 
been with her and Howie. 

She herself had never been outgoing. It was perhaps a 
habit of reserve built out of timidity, but she had been a 
girl whose life did not have a real contact with other 
fives. Perhaps there were many people like that — per- 
haps not; she did not know. She only knew that before 
Howie came the fife in her was more as a thing unto itself 
than a part of the fife of the world. 

Then Howie came! Howie, who could get on with any 
one, who found something to like in every one; and in 
the warmth and strength of his feeling for people he 
drew her into that main body of fife where she had not 
been before. It had been like coming into the sunshine! 

Now he was gone; and they asked her to be alone what 
she had been through him. It was like telling one to go 
into the sunshine when the sun is not shining. 

And the more these others tried to reach her, the more 
alone she felt, for it only made her know they could not 
reach her. When you have lived in the sunshine, days of 
cold mist may become more than you can bear. After 
a long struggle not to do so, she again went to the 
long-distance telephone to find out where that picture 


SUSAN GLASPELL 


203 


was being shown — that picture into which was caught 
one moment of Howie's life as he moved through the 
world. 

Worn by the struggle not to do what she was doing, 
and tormented by the fear that she had waited too long, 
that this one thing which was left to her might no 
longer be , she had to’ put every bit of her strength into 
establishing this connection with the people who could 
tell her what she must know. Establishing the connection 
with living was like this. She was far off and connected 
only by a tenuous thing which might any moment go 
into confusion and stop. 

At the other end some one was making fun of her. 
They doubted if 4 4 The Cross of Diamonds ” could be 
seen anywhere at all. 44 The Cross of Diamonds ” had 
been double-crossed. Wasn't it too much of a cross, 
anyway, to see 44 The Cross of Diamonds " ? 

Finally another man came to the phone. 44 The Cross 
of Diamonds " could be seen at a certain town in Indiana. 
But she'd better hurry! And she’d better look her last 
look. Why did she want to see it — might he ask? But 
Laura hung up the receiver. She must hurry! 

All the rest of it was a blur and a hurry. Through the 
unreal confusion drove the one idea — she must get there 
in time! And that whole life of the world seemed pitted 
against her — it was as if the whole of that main body of 
life was thrown in between her and Howie. The train 
was late. It was almost the hour for pictures to begin 
when she got down at that lonely, far-away station. And 
the town, it seemed, was a mile from the station! There 
was a bus she must take. Every nerve of her being was 
hurrying that bus on — until that very anxiety made it 
seem it was Howie himself she would see if only she could 
get there in time. 

And being late, the downstairs at the theater was full. 
44 Balcony only,” said a man as she came in. 44 Oh, won't 
you find me a good seat? ” Laura besought him. 44 Like 
to know how I’ll find you a seat when there ain't no seat,” 
was the answer — the whole big life of the world in 
between her and Howie! 

Upstairs, too, it was hard to find a place. And all 


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HIS SMILE 


those people seated there — for them it meant only a few 
hours' silly entertainment! 

But after a moment a man directed her to a seat. 
There was another place beside it, and just as Laura was 
being seated a woman came along with two children. 
“ We can’t all sit together,” she was saying, “ so you just 
sit in here, Mamie. You sit right in here — beside the 
nice lady.” 

The mother looked at Laura, as if expecting her to wel- 
come her child. Laura did nothing. She must be alone. 
She was there to be with Howie. 

She was not as late as she had feared. There would be 
time for getting ready — getting ready for Howie! She 
knew this would be the last time she would see Howie 
as he had moved through the world. For the last time 
she would see his face light to a smile. If she did not 
reach him tonight, she would never reach him. She had 
a feeling that she could reach him, if only something in 
her — if only something in her — 

She could not finish that; it brought her to a place 
into which she could not reach, but as never before she 
had a feeling that he conld be reached. And so when 
the little girl beside her twisted in her seat and she knew 
that the child was looking up at her she tried not to know 
this little girl was there — tried not to know that any 
of those people were there. If only she could get them 
all out of the way — she could reach into the shadow and 
feel Howie near! 

But there was one thing she kept knowing — try her 
best not to know it! The little girl beside her, too young 
to be there, was going to sleep. When it came right up 
to the moment for her to see Howie, she was knowing 
that that little girl had fallen asleep in' an uncomfortable 
position. Her head had been resting on the side of the 
seat — the side next Laura — and as she fell asleep it 
slipped from its support in a way that— Could she 
help it if this child was not comfortable? Angry, she 
tried to brush this from her consciousness as we brush 
dust from our eyes. This was her moment with Howie 
— her chance . 

But when her moment came, a cruel thing happened. 


SUSAN GLASPELL 


205 


Something was wrong with the machine that was showing 
the picture. At just that moment — of all the moments! 
— the worn-out film seemed to be going to pieces before 
her eyes. After the little dog came along, and just as 
Howie should come out from the cigar-store, there was a 
flash — a blur — a jumble of movements. It was like an 
earthquake — it looked like life ceasing to be life. “ No! ” 
she gasped under her breath. “ No! ” The people around 
her were saying things of a different sort. “ Cut it! ” 
“ What you givin’ us? ” “Whoa, boy! ” They laughed. 
They didn’t care. It got a little better; she could make 
out Howie bending down to fix the dog’s muzzle — but 
it was all dancing crazily — and people were laughing. 
And then — then the miracle! It was on Howie’s smile 
the picture steadied — that smile back over his shoulder 
after he had turned to go. And, as if to bring to rights 
what had been wrong, the smile was held, and it was as 
if Howie lingered, as if in leaving life he looked back over 
his shoulder and waited — waited for his smile to reach 
Laura. Out of the jumble and blur — out of the wrong 
and meaningless — Howie’s beautiful steady smile making 
it all right . 

She could not have told how it happened. As Howie 
passed, she turned to the little girl beside her whose head 
was without support and, not waking her, supported the 
child’s head against her own arm. And after she had done 
this — it was after she had done it that she began to know, 
as if doing it let down bars. 

Now she was knowing. She had wanted to push people 
aside and reach into the shadows for Howie. She began 
to see that it was not so she would reach him. It was in 
being as he had been — kind, caring — that she could 
have a sense of him near. Here was her chance — among 
the people she had thought stood between her and her 
chance. Howie had always cared for these people. On 
his way through the world with them he had always 
stopped to do the kind thing — as he stopped to make it 
right for the badly muzzled dog. Then there was some- 
thing for her to do in the world. She could do the kind 
things Howie would be doing if he were there! It would 
somehow — keep him. It would — fulfill him. Yes, 


206 


HIS SMILE 


fulfill him. Howie had made her more alive — warmer 
and kinder. If she became as she had been before — 
Howie would have failed. She moved so that the little 
girl who rested against her could rest the better. And as 
she did this — it was as if Howie had smiled. The one 
thing the picture had never given her — the sense that 
it was hers to keep — that stole through her now as the 
things come which we know we can never lose. For the 
first moment since she lost him, she had him. And all 
the people in that theater, and all the people in the 
world — here was the truth! It cleared and righted as 
Howie’s smile had righted the picture. In so far as she 
could come close to others she would come closer to him.