.•V' ■■'.:.
For Reference
Music
Reference
NOT TO BE TAKEN FROM THIS ROOM
Rectal f&ook Collection
Bratt&riH Hnteratg UJtbrarg
'The search for truth even unto its innermost parts"
In Memory of
Mrs. Julius Stone
The Gift of
Dr. and Mrs. Ben F. Feingold
Brandeis University National
Women's Committee
•
CATALOGUE
OF
MANUSCRIPT MUSIC
IN THE
BRITISH MUSEUM
BY
AUGUSTUS HUGHES-HUGHES,
ASSISTANT IN THE DEPARTMENT OP MSS.
VOL. I.
SACRED VOCAL MUSIC.
PEINTED BY OEDEE OF THE TEUSTEES.
SOLD AT THE BRITISH MUSEUM;
AND BY
Longmans and Co., 39 Paternoster Row; Bernard Quaritch, 15 Piccadilly;
Asher and Co., 13 Bedford Street, Covent Garden;
Kegan Paul, Trench, Trvbner and Co., Limited, Dryden House,
43 Gerrard Street, Soho; and
Henry Frowde, Oxford University Press Warehouse, Amen Corner,
LONDON.
1906.
[All rights reserved.]
© 1964, The Trustees of the British Museum
Photolithographic reprint 1964
Music
■SJ^
87a-
V.
Made and printed by offset in Great Britain by
William Clowes and Sons, Limited, London and Beccles
NOTE.
The Catalogue of which this is the first volume will include the
whole of the Manuscript Music in the British Museum, except that in
the case of liturgical manuscripts, whether of the Roman, Greek, or
Lutheran Church, only those portions which contain harmonized music
are described.
The present volume is devoted exclusively to Sacred Vocal Music,
its contents being classified under subject-headings, a full list of which
is given in the table on p. v. Vol. II, which may be expected within
a year, will comprise Secular Vocal Music, and Vol. Ill, completing
the work, Instrumental Music, Treatises on Music, a Reference-list of
musical instruments depicted in manuscripts, and other miscellaneous
matter. For the convenience of those who are interested in one class
of music only, and for other- reasons, each volume will have its own
indices and thus be complete in itself.
Mr. A. Hughes-Hughes is responsible for the compilation of the
entire Catalogue.
"6
George F. Warner,
Keeper of MSS.
1st March, 1906.
REFERENCE,
321630
TABLE OF CONTENTS
Anthems, pp. 1-113.
v. under Motets, p. 266.
" Azzioni sacrb." v. Oratorios.
Burial Services, v. under An-
thems, pp. 39, 41, 60, 68, 79 (2),
103, 104.
Canons, pp. 113-129.
v. under Anthems, pp. 48,
56.
Motets, p. 327.
Cantatas (for solo voices and
chorus, etc.). pp. 129-137.
(a 2). v. under Duets, pp.
174 (2), 175 (2).
(a 1). v. under Songs, pp.
435-454 passim.
Carols (for Christmas, etc.). pp.
137-146.
v. under Motets, pp. 261,
269, 275, 357.
Chants (Church of England).
pp. 146-152.
Chorales, pp. 153-157.
v. under Choruses, pp. 160-
161.
Choruses, pp. 157-170.
■ v. under Canons, p. 123.
Dialogues, v. under Anthems,
pp. 16, 27, 29, 44, 50, 52, 104.
v. also under Carols, p. 139.
Choruses, p. 158.
Duets, pp. 172-175
passim.
Miracle-Plays, p. 239.
Songs, p. 425.
Duets, pp. 170-177.
v. under Hymns, p. 188.
Miracle-Plays, p. 240.
Glees, v. under Anthems, p. 76.
Choruses. pp. 165,
166.
Graces (before and after Meals).
p. 177.
Hymns (English), pp. 179-196.
v. under Choruses. 170,176.
Improperia. v. under Passion
Music, pp. 387-389.
Lamentations, pp. 197-200.
v. under Songs. pp. 440,
442, 444, 445, 447, 450 (2), 455.
Litanies, pp. 200-203.
Madrigals, pp. 204, 205.
v. under Duets, p. 175.
Magnificat, pp. 205-211.
v. under Motets, p. 322.
Masses, pp. 211-239.
v. under Motets, pp. 260,
279, 322.
Requiems, p. 391.
Miracle-Plays, pp. 239-243.
v. under Motets, p. 253.
Miserere, pp. 244-252.
v. under Canons, p. 115.
Moralities, v. Miracle-Plays.
Motets (with Latin words), pp.
252-364.
v. under Cantatas, p. 129.
Chorales. pp. 153-
156.
— (with English words), v.
under Anthems. pp. 23, 53.
100, 112.
(with German words). v.
under Choruses, pp. 160, 162,
166.
VI
TABLE OF CONTENTS.
Motets (with Italian words), v.
under Duets, p. 174.
(a 1). v. under Songs, pp.
428-446 passim.
Mysteries, v. Miracle-Plays.
Odks (with English words), v.
under Anthems, p. 73.
Oratorios, pp. 364-387.
Passion Music (with Latin words),
pp. 387-389.
v. under Motets, pp. 294,
315, 328, 332, 339, 360, 361.
Plainsong Melodies.
p. 390.
(with German, Italian words,
etc.). v. under Cantatas, pp.
129, 131 (2), 134-136.
Passion-Plays. v. Miracle-Plays.
Plainsong Melodies, p. 390.
v. under Chants, p. 151.
Songs, p. 451.
" Preces." v. under Services,
pp. 396-421 passim.
Quartets, p. 391.
Quintet, p. 391.
Requiem, pp. 391-395.
Rounds, v. under Canons, pp.
119, 126, 127.
Services (Church of England).
pp. 396-421.
Songs, pp. 422-455.
Stabat Mater, pp. 456-460.
Te Deum. pp. 460-463.
Trios, pp. 463-465.
v. under Duets, p. 177.
Vespers, pp. 465-466.
v. under Motets, p. 322.
TABLE OF MANUSCRIPTS.
Arundel MSS.
Arundel 14, ff. 34-36b. p. 211.
44, f. 1. p. 422.
248, f. 153 (p. 255) ; f. 154
(p.424);f. 154b (p. 157); f. 155
(pp. 157, 255, 424); ff. 200b,
201b (p. 255).
501, ff. 16, 16b. p. 422.
Burney MSS.
Burney 357, ff. 15b, 16. p. 252.
Cotton MSS.
Cotton, Nero E. viii, f. 55b. p.
265.
Titus A. xxi, f. 90b. p. 252.
Titus D. xxiv, ff. 1-4. p. 256.
Vespasian A. xxv, passim
(p. 141); f. 163b (pp. 141,425).
Vespasian D. vi, f. 77b.
p. 239.
Appendix xxix, f . 36b. p. 255.
Egerton MSS.
Egerton 274, f. 3 (pp. 423-4) ; f. 7b
(p. 254); ff. 12-42 passim (pp.
423-4) ; ff. 43, 45 (p. 254) ; ff.
47-9 passim (pp. 423-4) ; ff. 50-
54b passim (p. 254) ; £. 56b (pp.
423-4).
945, ff. 288-321 passim, p.
255
995, ff.20b, 21b; 62b, 63b;
92b, 93b; 134b, 135b. p. 7.
1246, f. 137. p. 115.
1312, ff. 12b, 17. p. 115.
2009, f. 1 (p. 279) ; f. 8 (p.
143) ; ff. 49b, 54b, 55b (p. 8) ;
f. 59b (p. 143).
— 2010, f. 45b. p. 143.
Egerton 2011, 2012, f. 1 (p. 279) ;
f. 8 (p. 143); ff. 49b, 54b, 55b
(p. 8); f.59b(p. 143).
2013, ff. 7, 8 (p. 172) ; ff. 42,
49b-52, 57b (p. 428).
2379, f. 149. p. 131.
2447. p. 378.
2448, ff. 3-137 (p. 237);
ff. 138-49 (p. 357).
— 2449. pp. 146, 357.
— 2450, ff. 1-40 (p. 341); f.
40b (p. 199) ; f. 51b (p. 250) ;
ff. 53-111 (p. 135); f. 112 (p.
250) ; ff.<124-50b (pp. 341-2).
2451, ff. 1-23 (p. 358) ; ff.
39-43b (p. 319); ff.45-86b (p.
358); ff. 100-141 (p. 395).
— 2452. p. 379.
— 2453, ff. 1-13 (p. 210); ff.
14-42 (p. 358); ff. 43, 51 (pp.
237-8).
2454, ff. l-29b (p. 454) ; f .
30 (p. 358) ; ff. 41-92 (p. 251) ;
ff. 93, 101 (p. 358).
— 2455, ff. 1, 55. p. 459.
— 2456. p. 237.
— 2457, ff. 2-45b (p. 200) ; ff.
46b-64 (p. 358); ff. 65b, 78b,
89b, 102 (p. 210); ff. 114-29
(p. 459).
2458, ff. 2-39 (p. 440) ; ff.
40-79b (p. 457) ; ff. 80-99 (p.
319).
— 2459, ff. 2-31 (p. 251) ; f. 32
(p. 359); ff. 77-1 36b (p. 238);
ff. 137-218 passim (p. 359).
2460, ff. 2b-23b (p. 359) ; ff.
25b, 32b (p. 146) ; ff. 38-54 (p.
359) ; ff. 57-6 lb (p. 210) ; ff.
62-75 (p. 359); ff. 77-132 (p.
238).
Vlll
TABLE OF MANUSCRIPTS.
Egertou 2461, flf. 4b-33b passim
(pp. 359-60) ; ff. 37-43 (p. 460) ;
flf. 43b-120b passim (pp. 359-
360); ff. 122-132 (p. 463); ff.
132-155 passim (pp. 359-360).
2462, f. 2 (p. 360); f. 11
(p. 238) ; f. 29 (p. 454) ; f. 32
(p. 360) ; ff. 35, 46 (p. 454) ; ff.
62-77b (p. 251); ff. 78-88 (p.
419).
2463, ff. 2-21 (p. 390) ; f. 22
(p. 360); ff. 34-47 (p. 210); f.
48 (p. 360); ff. 6 6-1 05b (p.
251).
— 2464, f. 20 (p. 199); ff. 37-
55 (pp. 360-1) ; ff. 56-88 (p.
236).
— 2465, ff. 15b, 20b. p. 462.
2466, ff. 2-42 (p. 455) ; ff.
43-70 (p. 361).
— 2467. p. 361.
2468, ff. 3-3 lb passirn (pp.
319-20) ; ff. 35b, 37 (pp. 224-5) ;
ff. 38, 41 (pp. 319-20); f. 43
(pp. 224-5); £.45 (p. 441); f.
45b (pp. 319-20); f. 46b (p.
441); f. 47 (pp. 224-5); f. 59
(P- 247).
— 2469. p. 463.
2470, flf. 3-1 6b (p. 389); f.
17 (p. 361); ff. 21-23 (p. 395);
ff. 24, 30 (p. 361); f. 33 (p. 251);
ff. 43-48 passim (p. 361); f. 49
(p. 455); f.52 (p. 251).
— 2471. p. 338.
— 2512, ff 1-4 (pp. 190, 381);
ff. 4b-7b (p. 190).
— 2564. p. 237.
— 2565, ff.,32-55b. p. 342.
— 2566. p. 332.
2571, f.8b (p. 362); ff. 12-
23b (p. 252) ; ff. 24-33 (p. 362).
— 2603, f. 65. p. 36.
2615, ff. 1-108. pp. 242,
253.
2727. p. 380.
2829, B, f. 11. p. 128.
Harley MSS.
Harley 275, f. 146b. p. 138.
322, f. 74b. p. 423.
524, f 63. p. 254.
Harley 978, f. 2 (p. 242) ; ff. 4b, 6,
7 (p. 423) ; f. 8b (p. 253) ; f. 9b
(pp. 157, 253) ; f. 10b (p. 423) ;
f. lib (p. 253); ff, 12, 13, 13b
(p. 423).
1501, f. 48 (p. 287); ff. 52,
54b (p. 428).
■ 1709, ff. 1, 3b, 5 (p. 266);
f. 7 (p. 456); flf. 9-18 (p. 266);
f. 20 (p. 456) ; ff. 22-55 (p. 266).
1717, f. 251b. p. 422.
1863 (reversed), ff. 156b-l 61
(p. 430); ff. 161b-172 (p. 173).
2124. p. 243.
• 2942, ff. 4, 112 (p. 138) ;
ff. 121, 121b (p. 256).
— 3357, ff. 84b-87b. p. 144.
— 4142. pp. 29-31.
— 4401, ff. 3b-5b, 106b-108.
p. 423.
— 4664, f. 182b. p. 113.
— 4899, ff. 15-34b (p. 216) ;
ff. 35-38 (p. 200).
— 5396, ff. 273b, 280b. p. 138.
— 6346. pp. 31-36.
— 7337, ff. 5b-25 (p. 405) ;
ff. 25b-192 (pp. 53-4, 405);
ff. 192b-193b (p. 117).
7338. pp. 54-6, 296, 405-6.
7339. pp. 56-7, 406.
7340. pp. 57-9, 406-7.
7341. pp. 59-61, 407.
7342. pp. 61-2, 407-8.
7343, ff. 2-8, 12-14 (p. 408) ;
ff. 9-11, 15-1 6b (p. 63).
7549, ff. 8b, 14, 16, 43b-46.
p. 429.
7578, f. 86b (pp. 265, 463) ;
ff. 87-89 (p. 463); ff. 89-9 lb
(p. 3); f. 94 (p. 397); £. 95b
(p. 183); f. 98 (p. 397); £. 103b
(p. 183) ; ff. 104-5 (p. 265) ;
f. 117 (p. 3).
King's MSS.
King's 317, ff. 33-37. p. 366.
Lansdowne MSS.
Lansdowne 379, f. 38. p. 138.
462, f. lb (pp. 211, 258);
f. 151b (p. 211); f. 152 (pp. 205,
211); f. 152b (p. 258).
TABLE OF MANUSCRIPTS.
IX
Royal MSS.
Royal 5 F. vii, f. 85. p. 422.
6 E. ix, f. 29. p. 424.
8 G. vii, ff. 2b, 4b (p. 259) ;
f. 6b (p. 140) ; ff. 8b-Q2b passim
(p. 259).
1 1 E. xi, ff. 10b-17. p. 259.
12 E. i, ff. 193-5. p. 424.
14 A. xxii. p. 426.
Appendix 12-16, passim.
pp. 197, 271.
Appendix 17-22, passim.
pp. 141, 266-7.
Appendix 23-25. pp. 4,
141, 244, 267-8.
Appendix 26-30,
pp. 141, 268.
Appendix
pp. 142, 177, 268
Appendix 45-48
passim.
31-35, passim.
pp. 212, 260.
Appendix
passim.^
49-54, passim.
pp. 142", 270.
Appendix 56,
ff. 22b-28b
(p. 205) j f. 30b (p. 460).
Appendix 57, ff. lb,
4b.
pp. 270-1
Appendix 58, f. lib (p. 258);
f. 23 (p. 204) ; ff. 26-33 passim
(p. 258) ; ff. 33b-38b (p. 212) ;
f. 39b (p. 258); f. 52b (p. 139);
ff. 58b-59b (p. 258).
Appendix 63. pp. 9-10.
— Appendix 64. p. 115.
Appendix 74-76, passim.
pp. 1, 179, 396-7.
Sloane MSS.
Sloane 1021, f. 107 (p. 153) ;
f. 115 (p. 115).
1210, ff. 1, 1*, 138-140. p.
255.
158
1313,11. p. 211.
1335, ff. 41-19 lb passim, p.
2593, passim, p. 137.
Additional MSS.
Additional 4388, f. 53b (p. 172) ;
ff. 100b, 101 (p. 183).
Additional 4900, ff. 54-62b pas-
sim (p. 425) ; ff. 64b, 65 (pp.
171-2); f. 67 (p. 114).
5036, ff. 5-73b passim (p
303); ff. 77, 81 (p. 219); ff.
89-160 passim (pp. 303-4).
5037, ff. 3-1 36b (p. 304)
ff. 137-143b (p. 219).
5038, ff. 2-69b (p. 305)
ff. 70-78 (p. 219).
■ 5039. p. 204.
5040. p. 219.
5041. p. 220.
5042, passim, p. 305.
■ 5043, passim (p. 305) ; ff. 28,
45, 81b (p. 144).
5044, ff. 2, 36, 61b (p. 305) ;
ff. 73-98 (p. 456) ; ff. 98b-106b
(p. 441) ; ff. 107-155b (p. 220).
5045. p. 220.
5046, ff. 4, 6 (p. 306) ; ff. 8-
117 (p. 220); ff. 117b-147 (p.
392); ff. 147b, 149b (p. 306).
5047, ff. 5-1 72b (pp. 220-1) ;
ff. 172b-190 (p. 392).
5048. p. 306.
5049, ff. 1, 34. p. 456.
5051, ff. ll-89b. p. 306.
5053. p. 66.
— 5054, passim, pp. 68, 159,
178, 201, 204, 221, 246, 306-7,
409, 456.
— 5058, passim, p. 307.
5059, ff. 3-63 passim (p. 308) ;
ff. '
(P-
1, 77
308).
5061.
5062.
5319.
5320.
5323.
(p. 198); ff. 87, 92
68.
369.
366.
370.
412.
130.
147.
— 5326, f. 63. p.
5327. pp. 44,
5336, f. 4b (p. 145); ff. 7, 8
(p. 124) : ff. 22b, 32 (p. 124).
5337, ff. 55-7 (p. 367) ;
f. 82b (p. 122).
— 5341. v. Royal Appendix 64.
— 5465, ff 48b-86b, 118b,
122b. pp. 139-40.
— 5665, ff. 4b, 5b, 6b (p. 171);
ff. 7b-46b jNMnm(pp. 139, 171) ;
TABLE OF MANUSCRIPTS.
f. 47b (p. 425) ; ff. 48b-51b
passim (p. 171); ff. 52b, 54b
(p. 139); f.55b (p. 260); ff. 56b,
57b (p. 139); f. 58b (p. 258)
ff. 59b-65 (p. 260) ; f. 69b (p
171); £. 70b (p. 463); ff. 73b
84b (p. 212); ff. 95b-106 (p
396); ff. 106b, 107b (p. 260)
f. 109b (p. 212) ; f. 112b (p
260) ;f. 113b (p. 212) ; ff. 120b-
122b (p. 260); f. 123b (p. 140)
ff. 124b-145 passim (pp. 260-1)
Additional 5666, ff. 2-8b passim
pp. 137-8.
6324, ff. 145-146b (p. 224)
ff. 147-1 50b (p. 411).
9071, ff. 1-39 passim, p. 103.
9072, ff. 1, 7, 10 (p. 103);
ff. 14-34 (p. 418); ff. 35-99
passim (pp. 103-4).
9073, f. 1 (p. 104) ; ff". 6, 6b
(p. 151) ; ff. 8-32 (p. 104)
ff. 34-40b (p. 418) ; ff. 41-51
passim (p. 104) ; f. 51b (p. 195)
ff. 52-78 passim (p. 104).
9074, ff. 17-25 (p. 350)
ff. 26-33b (p. 127); f. 34 (p.
195); f. 35 (p. 127); ff. 36, 37
(p. 105) ; f. 54 (p. 105).
9075, ff. l-45b. p. 418.
9076, ff. 1-49 passim. p.
105.
9077,
ff.l,
105)
3, 4 (p. 453)
f. 7b (p. 453)
f. 5b (p
f. 14b (p. 177); f. 15b (p. 453)
f. 17b (p. 105) ; ff. 22b, 26
(p. 453) ; f. 27b (p. 105) ; f. 29b
(p. 177); ff. 32-39b (p. 453);
f. 42 (p. 105) ; ff. 47, 49 (p. 453).
— 10337, tf. 50b-52, 54, 59b.
p. 430.
— 10338, passim, pp. 23, 172,
283-4, 400, 428, 460.
— 11515-17. pp. 369-70.
■ 11581, f. 2 (p. 148); f
9b
(p. 71) ;f. 12b(p7l20);'ff. 14b-
31 passim (pp. 221-2); f. 37
(p. 120).
— 11582, ff. 2b-31b (p. 222);
f. 31b (pp. 222, 312); ff. 32b-
46b (pp. 222-3); f. 47 (p. 312) ;
ff. 47b-59 passim (pp. 222-3);
ff.59b-65b (pp. 312-13); ff. 66b-
68b (p. 457); ff. 6 9-7 2b (p.
246); ff. 73-94 (pp. 312-13);
f. 95 (p. 222).
Additional 11583, ff. lib, 20b. p.
313.
11584, f. 9 (p. 313); f. 9b
(p. 120) ; f. 10 (p. 207) ; ff. 10b-
40b passim (pp. 313-14); f. 44
(p. 120); f. 45 (pp. 313-14).
- 11585, ff. 17, 18 (p. 145)
ff. 27b-30b, 37 (p. 314) ; f. 38
(p. 223); f.38b (pp. 120, 314)
ff.39-41b(p. 314); ff.42, 42b (p
178) ;f. 44(p. 223); f. 44b(p. 314)
— 11586, ff. 3b-10b passim (p
314); f. 12b (p. 209); ff. 16b
17b (p. 71); ff. 18b-28 (p. 223)
f. 28b (p. 71) ; f. 29b (p. 145)
f. 32 (p. 314); ff. 35b, 49b (p. 71)
11587, ff. 2-17 (p. 223)
ff. 18, 18b (p. 185); ff. 21b
30b-35b(p. 72); f. 36 (p. 314)
— 11588, f. 41 (p. 315); ff. 74
75b (p. 120).
11589, ff. 19b-24b (p. 317)
ff. 25-121 (p. 122).
— 11590. p. 122.
— 11591, ff. 1-22. p. 122.
— 11608, f. 23b (p. 16);ff. 30b,
31b (p. 172); ff. 39b (p. 16);
f. 45b fp. 427) ; f. 46b (p. 283) ;
ff. 47b-50 (p. 16) ; ff. 85b, 86
(p. 116).
12532, f. 35 (p. 320); ff. 62,
66 (p. 320); f. 67 (p. 161)
f. 68 (p. 320) ; ff. 70b, 74 (p. 77)
f. 75 (p. 161); f. 78 (p. 77)
f. 78b (p. 161); ff 82, 91 (p.
320) ; f. 148 (p. 161).
— 14101, f. 1 (p. 302); ff.70-
74b (p. 441) ; f. 75 (p. 302) ;
ff. 137-159 (p. 207).
14102, ff. 1-84 (p. 218) ;
ff. 85, 138 (p. 320) ; ff. 143-152b
(p. 441); ff. 153-63 (p. 320);
ff 164-197 (p. 131).
— 14103, ff. 1-18 (p. 436); ff.
19-1 29b (p. 394).
14104, ff.l, 7 (p. 301);
ff. 57-90 (p. 441); ff. 91, 161
(p. 301); ff. 208-219 (p. 207).
TABLE OF MANUSCRIPTS.
XI
Additional 14105, ff. 1-55 (p. 225);
f.56 (p. 298); f. 77 (p. 201);
ff. 95, 127 (pp. 298-9) ; f. 178 (p.
201); ff. 192, 206 (pp. 298-9).
14106, f. 1 (p. 218); f. 71
(p. 218); ff. 154-173b(p. 201);
f. 174 (p. 320); f. 194 (p. 441);
f. 202 (p. 174).
14107, ff. l-39b (p. 225);
ff. 41, 46 (p. 297) ; ff. 68-88b
(p. 245); ff. 89-111 passim (p.
297); ff. 125-158b (p. 461);
f. 159 (p. 297); ff. 171-196b
(p. 200).
— 14108, ff. 1-76 (p. 199);
ff. 77-106 (p. 202) ; ff. 107-200
(p. 342); ff 201-212 (p. 394).
14109, ff. 1-97 (p. 342) ;
ff. 98-110 (p. 450) ; ff. 111-174
(p. 231).
— 14110, ff. 182-204. p. 445.
14111, ff. 1-57 (p. 218);
ff.58, 71 (pp. 320-1); f. 85
(p. 201); f. 88 (pp. 320-1);
f. 102 (p. 201); f. 115 (pp.
320-1); ff. 128-234b (p. 392).
— 14112, ff. 1, 9 (p. 342); ff.
15-53b (p. 450); ff. 54-91 (p.
442) ; f. 92 (p. 374).
— 14123. p. 364.
— 14124. pp. 367-8.
14125, ff. 2-138 (p. 436);
ff. 144-154 (p. 298).
— 14126. p. 296.
— 14127, f. 1 (p. 129); f. 29
(p. 299) ; ff. 39-114 passim (pp.
129-30).
14128, ff. 1-39 (p. 207);
ff. 40-176 (p. 298).
— 14129, ff. l-29b (p. 461);
ff. 30, 39, 46 (p. 437) ; ff. 56-159
(p. 298).
14130, ff. 1-70 (p. 450);
ff. 71-107 (p. 176); ff 108-1 27b
(p. 321).
14131, ff. 1-114 (p. 321);
ff. 115-160 (p. 442).
— 14132. p. 218.
— 14133, ff. l-103b (p. 321) ;
ff. 104-216 (p. 247).
14134, f. 1 (p. 321); ff. 53-
167b (p. 225); f. 168 (p. 321).
Additional 14136. p. 367.
14137, ff. 1-35 (p. 461) ; ff.
36-143 passim (p. 332) ; ff. 145-
156 (p. 247); ff. 157, 157b (p.
332); ff. 159-70 (p. 445).
14138, ff. 1-53 (p. 393) ;
ff. 54-105b (p. 228).
— 14139,ff l-76(p.231);ff.77,
104 (p. 250) ; ffl32-53b(p.342).
14140, ff. 1, 8b (p. 451);
ff. 36, 65 (p. 343) ; ff. 103-161
(p. 462).
— 14141, ff. l-144b (pp.
332-3); ff. 145, 161 (p. 248).
14142, ff. l-45b passim (p.
343) ; ff. 52-87 (p. 209) ; ff. 88,
152 (p. 343).
— 14143. p. 333.
— 14144,' ff. 1-18 (p. 449);
ff. 19-48b (p. 338); ff. 49-69
(p. 175).
14145, f. 1 (p. 315) ; ff. 57-
132b passim (pp. 315, 461).
— 14146, ff. l-34b (p. 461);
ff.35, 108 (p. 315).
— 14147. p. 368.
— 14148, ff. 1-103 (p. 435);
ff. 104-30 (pp. 174-5); ff. 131-
66b (p. 435); ff. 167-184 (pp.
174-5); ff. 185-200 (pp. 435-6);
ff 201-9b (pp. 174-5) ; ff. 210-
15 (pp. 435-6) ; ff. 216-245 (pp.
174-5); ff. 246-74 (p. 131); ff.
275-81 (pp. 174-5); ff. 282-5
(pp. 435-6).
— 14149, ff. 1,15 (p. 229); f.53
(p. 333); f.56 (p. 229); ff.72-
105b (p. 333); ff. 106-141 (p.
238).
— 14150. p. 231.
14151, ff. 1-54 (p. 216); ff.
55-60b (p. 293); ff. 61-74 (p.
388).
— 14152. p. 301.
— 14153, f. 1 (p. 302); f. 37
(p. 302); ff. 80-167 passim (p.
438); f. 172 (p. 302); f. 192 (p.
438); f.214 (p. 302); f. 240 (p.
438).
14154, ff. l-22b (p. 458);
f. 23 (p. 302) ; ff. 60, 72, 88 (p.
438) ; f. 96 (p. 302).
Xll
TABLE OF MANUSCRIPTS.
Additional 14155. p. 224.
14156. p. 302.
14157, ff. 48-52. p. 374.
14158, ff. 1, 27 (pp. 446-7);
ff. 44-104 (p. 333) ; ff. 105-165b
(p. 225); ff. 166, 189, 207 (pp.
446-7).
14159, ff. 1-218. p. 437.
14160. p. 301.
14161, ff 1, 21 (p. 209) ; ff.
36, 44 (p. 333) ; ff. 56-85b (p.
232); ff. 86-115 (p. 458); f.
116 (p. 343); ff. 139-66 (p. 462);
f. 167 (p. 343); ff. 201, 202 (p.
442) ; ff. 203-209b (p. 322) ; ff.
210-230 (p. 202).
14162, ff. 47, 67 (p. 334);
ff. 85, 97 (p. 447); ff. 101, 118
(p. 334); f. 141 (p. 447); fif. 193-
204b (p. 322).
14165, ff. 202-217b. p. 434.
■ 14166, ff. 1, 25 (p. 343) ; ff.
44b-68 (p. 232) ; f.68b (p. 343).
14174, f. 1 (p. 349); f. 21b
(p. 232); £. 51 (p. 349); £.75
(p. 232); ff.102, 108b (p. 349).
■ 14175, ff. 1-47 passim (p.
446); ff.60b-70(p. 376); ff.71-
129b passim (p. 446); ff. 130-
149b (p. 331); ff. 151-72 (p.
446).
■ 14176. p.
14177, f. 1
232.
(p. 232) ; ff. 36-
51 (p. 250) ; f. 52 (p. 344) ; f. 62
(p. 232).
14179, ff. 1-86 (p. 376); ff.
87-1 55b (p. 202).
14183, ff. 91-119. p. 442.
14188, ff. 1-20 (p. 218); ff.
21-76 (p. 297) ; f. 78 (p. 362) ;
ff. 170-191 (p. 389); f. 192 (p.
207).
14189, ff. 1-27 (p. 249); ff.
27b, 28 (p. 449); ff. 29-54b
passim (p. 338) ; ff. 64-94 (p.
392); ff. 95-122 (p. 338); f. 123
(p. 230).
14190, ff. l-13b (p. 235); ff.
46-59 (p. 248).
14191, ff. 1-106 passim (pp.
442-3); f. 114 (p. 302); ff.125-
137 (pp. 206-7); ff. 137b, 139
(pp. 442-3); f. 158 (p. 302) ; ff.
164, 176 (pp. 442-3); ff. 188,
192 (p. 302).
Additional 14192, ff. 1, 27 (p.
443); f. 55 (p. 334); ff. 75-191
passim (p. 443).
14193, f. 1 (p. 300) ; ff. 9, 21
(p. 438); ff. 3 1-7 lb (pp. 347-8);
£72 (p. 438); ff. 128-160 (p.
465) ; £. 161 (p. 438).
14194, ff. 1-39 (p. 238); ff.
40-162 (p. 362); ff. 163-2 10b
(p. 252).
— 14195, ff.l-59b (p. 230) ; ff.
60-1 18b (p. 249).
— 14196. p. 458.
— 14197, ff. l-133b (p. 435);
ff. 134-139 (p. 133).
14198, ff.1-20 (p. 344); ff.
21-68 (p. 225).
14199. p. 393.
. 14200, ff. 1-llb (p. 388);
f. 12 (p. 334); ff. 14, 25, 27 (p.
447); ff 29, 31 (p. 334); f. 38
(p. 447) ; ff. 90, 94 (p. 334).
14201, ff. 5-53 passim (p.
316); ff.62-71b(p. 201); ff.72-
123b passim (pp. 316-17); ff.
132b-145 (p. 457); ff. 145b-200
passim (pp. 316—17).
14202. p. 346.
14203. p. 294.
14206, ff.79-80b. p. 388.
14221, ff. 75-85. p. 174.
14225,189. p. 434.
14229,182b. p. 436.
14245, ff. 30-3 (p. 368); 1
60b (p. 457).
14334, 13 (p. 21'
141
(p. 217); ff. 90, 97b (p. 456).
— 14336,119 (p. 430); ff. 21-
72b (pp. 291-2).
14340, ff. 2-27 passim (pp.
318-19); ff. 28, 28b (p. 178)
129b (pp. 318-19); 131b (p
440); ff. 33, 36 (pp. 318-19)
ff. 37, 38 (p. 186) ; 1 39 (p. 440)
— 14341, 12b (pp. 419-20)
ff. 4, 5b (p. 352); ff 8b, 12 (p
107) ; 1 13b (p. 352) ; 1 14b (p
107); ff. 15b, 16b (p. 352); f.
18 (p. 128); 118b (p. 352); f,
TABLE OF MANUSCRIPTS.
xin
19b (p. 195); f. 20 (pp. 419-20);
f. 26b (p. 352) ; f. 28b (p. 454) ;
f. 29 (p. 107); f.30b (p. 195);
ff. 31, 34, 41 (p. 352).
Additional 14342, f. 2 (p. 234);
f. 18 (pp. 234, 394) ; ff. 26, 28
(p. 390); ff. 30-38 (p. 246); f. 39
(p. 390) ; f. 40 (p. 345) ; f. 53 (p.
234) ; ff. 54, 55 (p. 394) ; f. 56
(p.390);ff.57-62(p.417); f.62b
(p. 150).
14343, f. 14. p. 391.
14395, ff. 77-79b. p.
14396, ff.35-37b. p.
14398, ff. 5-1 16b (pp.
11); f. 118b (p. 145); ff.
124 (pp. 310-11); ff 127, 128b
(p. 118); ff. 130-13 lb (p. 221);
f. 134b (p. 310-11).
14399, ff. 6, 17b
14400. p. 225.
14401. p. 334.
14402. p. 248.
15102, ff. 207-21. p. 242.
15117, ff. 4-6b (p. 426) ; ff.
7b, 12b-14, 16b (p. 10); f. 19b
(p. 426); f. 24 (p. 183).
15166, ff. 1-65 passim (pp.
179-80) ; ff. 67, 75b -89b (p. 2).
• 15984. p. 374.
350.
465.
310-
122b,
p. 430.
15996. p.
16021. p.
16029. p.
16139-40.
371.
371.
374.
p. 381.
17001, f. 175b. p. 271.
— 17731, ff. 2-25b (p. 234) ;
ff. 26-35 (p. 345).
— 17784, ff. 2b-83 (p. 24);
ff. 84b-176b (p. 400); ff. 177,
177b (p. 146).
— 17786-17789, ff. 9b, 13, 32b
(pp. 142-3); f. 331) (p. 275);
ff. 38, 45b, 46b (p. 5).
— 17790,ff.6b, 15b (pp. 142-3);
f. 16b (p. 275); ff. 21, 28b, 29b
(p. 5).
— 17791, ff. 9b, 13, 32b (pp.
142-3); f. 33b (p. 275) ; ff. 38,
45b, 46b (p. 5).
— 17792-17796, passim. pp.
13, 143, 198, 282, 398.
— 17797, passim, pp.
Additional 17802-5, passim, pp.
271-3, 387, 460.
17816, passim, pp. 24, 144,
7, 278.
285, 460.
— 17818.
— 17819,
pp. 77-8.
ff. 3b-17b
passim
(p.78);f. 19(p.412);ff. 35-114
passim (p. 78) ; f. 118b (p. 412) ;
f. 135b (p. 78).
- 17820, ff. 2-36 (p. 412) ;
ff. 36b-154b(p. 79).
- 17829, f. 71. p. 464.
17835, ff. 2, 5b, 7 (p. 294);
ff. 9-1 2b (p. 433); ff. 13-45
(p. 294); ff. 49-86b (p. 217);
f. 87 (p. 294); f. 110b (p. 402).
17837. p. 95.
17839, ff. 18-28 (p. 401) ;
ff. 28b-259 (p. 88).
17840, ff. 3-75 (p. 80) ; ff.
79-102b (p. 412); ff. 103-152
(pp. 80-1).
— 17841, ff. l-43b (pp. 39-40) ;
ff. 45-55 (p. 148); ff. 58b, 62
(pp. 39-40); f. 64 (p. 116);
ff. 65-105 (pp. 39-40) ; ff. 106-
112b (p. 412).
— 17842. pp. 81-2.
— 17843. p. 89.
— 17844, ff. 3-94 (p. 89) ; ff
95-148 (p. 415).
— 17845. p. 405.
— 17846.
— 17847.
— 17848, ff. 2-8 (p. 46) ; ff.
9-51 (p. 413) ; ff. 52b-142
p. 67.
p. 45.
ff. 2-8
413);
(p. 46).
— 17849, ff. 1-18 (p. 415)
ff. 19-142 (pp. 89-90).
17850, ff. 32, 32b (p. 184);
ff. 38b-206 (pp. 46, 47) ; f. 207b
(p. 294).
— 17851. p. 47.
17852, ff. 11-91 (pp. 63-4);
ff. 92, 94b (p. 403).
— 17853, ff. 12, 19 (p.
ff. 54-171 (p. 64).
— 17854. pp. 408-9.
17855, ff. 3, 6 (p.
401);
371);
ff. 10b-85 (p. 70) ; f. 86 (p. 371).
17856. p. 101.
17857. p. 418.
XIV
TABLE OF MANUSCRIPTS.
Additional 17858, ff. 12-27b. p.
112.
17859. p. 65.
17860, f. 121. p. 75.
17861. p. 82.
1 8936-9, passim, pp. 8, 206,
215-16, 279-80, 391-2. -
19569, ff. 23-33 (p. 452) ; ff.
34-37 (p. 169)
— 19570. p. 66.
19583, ff. lb-45 passim (pp
261-2) ; ff. 33b-36 (p. 244).
— 19648, f. 44. p. 128.
— 19759, f. 5b (p. 428) j f. 37b
(p. 28) ; f. 38 (p. 428).
22099, £. 17b (p. 173); ff.
19-26 (p. 434); ff. 26b, 27b
(p. 52) ; f. 28b (p. 434) ; f. 35
(p. 52); f.55 (p. 184); f. 55b
(p. 52) ; f. 57b (p. 434) ; f. 78
(p. 184) ; ff. 78b-88b passim (p.
52) ; f. 90 (p. 434).
22100, ff. 30b, 44b, 48b (pp.
28-9) ; f. 56b (p. 429) ; f. 73b
(pp. 28-9); ff.81b, 100b (p.
429) ; ff. 105b-107b (pp. 28-9) ;
f. 115b (p. 173).
22597. ff. 3-15 (p. 4) ; f.l6b
(p. 142); f. 17 (p. 273); ff. 18-
21b (p. 4); f. 22b (p. 273); f.
23b (p. 398) ; f. 53 (p. 4).
— 23624, ff. 5-38b (p. 309) ; f.
41 (p. 68); ff. 45-77 (pp. 309-
10); f.78b(p. 118); ff. 82-9 lb
(pp. 309-10) ; f. 94 (p. 68) ; ff.
96-107 (pp. 309-10); ff 117,
134, 155 (p. 409).
23626, ff. 3-40b passim (p.
83); f.45 (p. 145); ff.85-112b
passim (p. 83).
23909. p. 351.
23910. p. 100.
23911. p. 351.
23912. p. 100.
23913. p. 113.
23914. p. 106.
23922, ff. 8b-ll. p. 241.
24198, ff. 1, 132, 133 (p. 256).
24285. p. 373.
24286. p. 376.
24287. p. 334.
24288. p. 163.
Additional 24289. p. 232.
24290, ffl-34b (p. 362);
ff. 37-100 (p. 248).
24291, f. 1 (p. 199) ; ff. 24b,
39 (pp. 248-9) ; ff. 68, 98b (p.
335) ; f. 105 (pp. 248-9).
24292. p. 458.
24293, ff. 2-12 passim (p.
292); f. 15 (p. 431); ff. 17b-
39 passim (p. 292) ; ff. 43b-53b
(p. 431); f. 58 (p. 292); f. 62
(p. 431).
24294. p. 83.
24295, ff. 1, 53 (p. 245) ;
ff. 11 3-1 54b (p. 322).
24296, f. 1 (p. 322) ; ff. 9-73
(p. 226) ; ff. 75, 92 (p. 322).
24297, ff. 1-40. p. 226.
24298, ff. 2-180b (p. 322);
ff. 182-199b (p. 207).
— 24299. p. 335.
— 24300, ff. 2-96 (p. 323) ; ff.
98-137 (p. 208).
— 24307, ff. 102, 103, 109. p.
444.
24309, ff. 3-22b (p. 431) ; ff.
23-57 (p. 288).
— 25031. pp. 254-5.
— 25076, f. 12. p. 376.
163-4.
106b-108b.
— 27633.
— 27634.
27636,
passim,
27573, passim, pp.
27574. pp. 166-9.
27630, ff. 2b-67
p. 256.
p. 74.
p. 372.
f. 14 (pp. 73-4) ; f.
26 (p. 410).
— 27639. p. 135.
— 27640, ff'. 2-1 4b. p. 452.
— 27641. p. 439.
— 27642, ff 2b-8b passim (pp.
120-1); ff 111-112 (p. 316);
ff. 121b-199 (pp. 120-1).
27643, f. 16 (p. 120); ff. 22,
22b (p. 451).
— 27644, ff. 45b, 46 (p. 95).
— 27645, ff. 6, 6b (p. 178) ; ff.
35, 48 (p. 316); ff 52-53 (p.
74) ; ff. 54-55b (p. 440) ; ff. 63-
93 passim (p. 122).
— 27646, ff. 187b-189 (p. 98);
ff. 194b, 195 (p. 126).
TABLE OF MANUSCRIPTS.
xv
Additional 27685, ff. 4b, 5b, 6b,
7b. p. 185.
27741-4. p. 381-2.
27745. p. 408.
27749, ff. 2-67b (p. 411);
ff. 68-1 57b (p. 75).
27750, ff. 3, 19 (p 409) ;
ff. 26-47b passim (p. 66) ; f. 51b
(p. 409); ff 60, 61b (p. 184);
ff 62b-69b (p. 66) ; f. 74b (p.
409);ff.82, 82b (p. 118); ff.83,
87b (p. 66) ; ff. 92b-93b (p. 147) ;
f. 94 (p. 66); f. 101b (p. 118).
— 27751. p. 415.
— 27752, f.2 (p. 412); f. 8b
(p. 77); f. 10b (p. 412).
27753, f.3 (p. 76); ff.7-16b
(P
158.
186.
(p. 415).
— 27754. p. 72.
— 27757. p. 77.
27932, f. 2 (p. 184) ; f. 26b
369).
27945, f. 51b. p. 243.
28172. p. 365.
28550, ff. 43b-44b. p. 425.
28598, f. 14. p. 255.
28613, ff. 2, 3. p. 373.
28743. p. 380.
28757, ff. 1-35.
28810. p. 83.
28864, ff. 51-64.
28967. p. 83.
28968. p. 83.
26969. p. 403.
29247, ff. 3, 9b, 17b, 46,47b,
p. 8.
— 29275. p. 238.
— 29282, passim, pp. 172, 284.
— 29289, ff. l-80b (pp. 398-9);
ff.S3b-99 passim (p. 15): ff.99b,
100 (pp. 398-9) ; ff. 101-7
(pp. 15-16); ff. 107b-lll (pp.
398-9); f. 115 (pp. 15-16);
f. 115b (pp. 398-9).
— 29291, ff. 23-36 passim (p.
123) : ff.54, 55 (p. 173); ff. 58,
60 (p. 413).
29292. p. 432.
- 29293. p. 447.
29366-29368, passim, pp.5,
76.
Additional 29372-29377, passim.
pp. 10-13, 281.
29379, ff. 3-9 (p. 296) ; ff.
12-13b (p. 434) ; ff 14-18b
(p. 296).
29380, f. 3 (p. 161) ; f. 6b
(p. 323).
— 29381, ff. 11, 27b. p. 161.
29382-29385, ff 9b-46 pas-
sim, pp. 161, 226, 323.
- 29386, ff. 25b-52 passim (p.
117); ff. 70, 73 (p. 369).
29387, f. 4. p. 124.
29388-29392, passim, pp.
197, 275.
- 29393-29395, ff 6, 7b (p.
123) ; ff. 14b-18 passim (p. 162).
- 29396, f. 60b (p. 27) ; f. 73
(p. 428); f. S6b (p. 464); ff.
103b, 108, 113 (p. 27).
29397, f. 50 (p. 429) ; f. 87b
(p. 29).
29401-29405, ff. 12b-5l
passim (p. 8) ; f. 51b (p. 143).
29416. p. 413.
29417-29426. p. 84.
29427, ff. 14b-30b passim
(p. 6); f. 31 (p. 276); ff. 3 2-3 7b
(p. 6) ; f. 38 (p. 276) ; ff. 66b-
72 (pp. 6-7) ; f. 73 (p. 276) ;
ff 74-77b (pp. 6-7).
— 29430, ff. l-50b passim (p.
401) ;f. 54 (p. 47) ;f. 59 (p. 433).
— 29480. p. 135.
— 29481, f.3 (pp. 147, 427);
ff 4, 5, 17 (p. 427); ff. 27-43b
(reversed) passim (p. 40).
— 29482. pp. 323-4.
29483, ff. 1-1 6b (p. 208) ;
ff. 17-24 (p. 444) ; ff. 25-32b
(p. 393); ff. 33-48b (p. 457);
ff. 49, 51 (pp. 323-4).
— ■ 29509. p. 335.
29906. p. 382.
— ■ 29968, ff. 1-142 (p. 353) ;
ff. 143-144 (p. 152) ; f. 145 (p.
420).
29987, f. 37b (p. 204) ; ff.
275.
29370, f. 114. p. 65.
56, 64b, 67 (p. 425) ; ff. 82b-
86 (p. 211); f. 87 (p. 288).
29996, ff. 121b, 136. p. 114.
— 29997, ff. 25, 26b. p. 381.
XVI
TABLE OF MANUSCRIPTS.
Additional 29998, ff. 2-29 (p.
413); ff. 29b-51 (p. 84).
. 30063. p. 158.
30085, 30086. p. 420.
30087, ff. 2-40b (p. 420) ;
ff. 41-206 (pp. 108-9).
30091, ff. 1-7 passim, p. 253.
30273, f. 2. p. 128.
30308, ff. l-16(p.65);ff. 17-
27 (pp. 62-3).
— 30309. p. 90.
30361-30366, ff. l-13b pas-
sim (p. 273) ; ff. 16b-49 passim
(pp. 142, 273) ; ff. 50b-55b pas-
sim (pp. 273-4).
— 30382, passim, pp. 27, 245,
285-6.
— 30388. p. 372.
— 30389, ff. l-144b. p. 382.
— 30390-1. p. 381.
30392, ff. 5b-17b (p. 131);
ff. 17b-19b (p. 411) ; f. 19b
(pp. 75-6) ; ff. 20-22b passim
(p. 122) ; ff. 22b, 23 (p. 148) ;
ff. 30b, 46b, 54b (pp. 75-6).
— 30395. p. 101.
— 30478, passim, pp. 16-22,
399-400.
— 30479, passim, pp. 16-23.
30480-4, passim, pp. 3, 4,
265, 397-8.
— 30485, f. 115b. p. 114.
— 30520, ff. 2, 3. p. 213.
— 30798, f. 71. p. 368.
— 30810-30815. p. 274.
— 30829-30. pp. 24, 144, 285,
460.
— 30831-30834, passim. pp.
37, 401.
— 30860. p. 52.
— 30925. p. 384.
30930, ff. 3, 4 (pp. 27-8)
f. 7b (p. 116); ff. 8b, 11 (p. 286)
f. 13 (p. 116) ; ff. U-29bpassin
(pp. 27-8).
— 30931, ff. 5-39b (p. 41)
f. 41 (p. 413); ff. 43-1 77b (pp
41-2).
30932, ff. 4-144 (pp. 42-44)
f. 146 (p. 432); ff. 147, 149,150
(pp. 42-4); f. 152 (p. 432)
ff. 154-171 (pp. 42-4).
Additional 30933, ff. 3-109 (pp.
403-4); f. 113 (p. 48); ff. 114,
117 (pp. 403-4) ; f. 120b (p. 48) ;
f. 121 (p. 116); f. 121b (p. 48);
f. 122b (pp. 11 6, 403-4); ff.l24b-
131b (pp. 116-17) ; ff. 133b,
135 (p. 48); f. 158 (pp. 116-17).
■ 30952, £. 87b. p. 178.
30953,1110b. p. 176.
30954, f. 28. p. 449.
31004. p. 136.
31041. p. 234.
31042, f. 110b. p. 138.
31051. p. 131.
31209, ff. l-102b. pp. 413-
14.
31210, ff. 2-82b (pp. 413-
14); ff. 83-121 (pp. 84-5).
31220. p. 229.
31222, f.2b (p. 222); ff. 3b-
26 (p. 312).
— 31226, ff. 62b-65 (p. 226) ;
f. 65b (p. 85); f. 70b (p. 414);
ff. 88b, 93b (p. 85) ; f. 97b
(p. 324); f. 100b (p. 85); f. 103
(p. 324).
31239, f. lb (p. 190); ff.
4b-10 (p. 151); f. 10b (p. 235);
ff. 11, 12b (p. 151); f. 20 (p. 102);
f. 29 (p. 127).
— 31307, ff. 62-77. p. 226.
— 31309, ff. 1-60 (p. 457) ;
ff 61-69b (p. 317).
31310, ff. 1-20 (p. 208) ;
ff. 21-36 (p. 132).
— 31391. p. 114.
— 31394. p. 324.
— 31395, £. 1 (p. 335) ; f. 3
(p. 226); ff. 19-27b (p. 249);
ff. 28, 33 (p. 226).
— 31396. pp. 308-9.
31397, ff. 3-34 (p. 339) ;
ff. 35b-98 (p. 205).
— 31398, ff. l-34b (p. 302) ;
ff. 35-37b (p. 67) ; ff. 38-51
(p. 204) ; ff. 62-68b (p. 159).
31399, ff. l-35b (pp. 335-6) ;
f. 36 (p. 90); ff. 39-94b (pp.
335-6) ; ff. 95-99b (p. 133).
— 31400, ff. l-27b (p. 246);
ff. 28, 46 (p. 229).
— 31401. p. 315.
TABLE OF MANUSCRIPTS.
XVll
Additional 31402. p. 325.
31403, f. 31 (p. 245) : ff. 40-
44 (p. 93) ; ff. 44b, 45b (p. 404) ;
f. 77b (p. 93).
31404, ff. 1-79 (p. 414);
ff. 80-96 (p. 85).
— 31405, ff. 1-133 (pp. 48-9).
— 31406, f. 18b. p. 325.
- 31407, f. 9 (p. 325); f. 14
162); ff. 18-47 (p. 325).
31408. p. 205.
31409, ff. 4-57 passim, p.
(P
326
31412, f. 59b (p. 318); ff.
61-70b (p. 373) ; ff. 71,
(p. 318) ; f. 74b (p. 440).
— 31413, f. 72. p. 326.
31415, passim, pp. 106,
383, 419.
— 31417.
— 31418.
— 31420.
— 31421.
72b
352,
p. 276.
p. 90.
pp. 190-2.
pp. 192-4.
31432, f. 2b. p. 115.
— 31434, passim, pp. 144, 158,
288.
— 31437, ff. 1-19 (p. 37); ff.
20-41 (p. 291); ff.41b-43 (p.
430).
— 31438, ff. 2-17 (pp. 262-3) ;
f. 53 (p. 158); ff. 53b-60 (p.
283).
— 31440, f. 13b (p. 429) ; ff.
67b-128b passim (p. 287); ff.
131b-140b (p. 391); ff. 150b-
179b passim (p. 287); f. 181
(p. 116).
— 31441, ff. 3-26b (p. 326) ;
ff. 79b, 80b (p. 123); ff. 96b-
98 (p. 205).
— 31442, passim, pp. 326-7.
31443, ff. 2-54 passim (p.
404); ff. 66-69b(p. 51); ff. 70,
98 (p. 404); ff. 135-96 (p. 51).
— 31444, passim, pp. 49, 50,
294, 404.
31445, passim, pp. 49, 50,
404
— 31446, ff. 43b-45b.
— 31453, ff. 189-191.
31455, narts i-iv
pp. 295-6.
p. 401.
p. 50.
passim.
Additional 31457, ff. 45-84b. p.
402.
31458, f. 1 (p. 37) ; ff. 6-36
(p. 217).
31459. pp. 51-2.
31460, ff. 5-54 (p. 432) ;
ff. 54b-69b (p. 44) ; ff. 71b, 77
(p. 432) ; f. 79 (p. 44) ; ff. 80b-
85b passim (p. 432) ; f. 87 (p.
44) ; ff. 90-9 7b passim (pp.
432-3).
— 31461, ff. 2-5 (p. 294) ; ff. 5,
5b (p. 117); ff. 6-102b passim
(pp. 50-1).
31462,16 (p. 124): ff. 43b-
66 passim (pp. 124-5).
31463, ff. 1-61 passim, p.
125.
— 31469, 31470. p. 227.
— 31471, f. 3 (p. 327); f. 13
(p. 227) ; f. 56 (p. 327) ; f. 68b
(p. 227); f. 86b (p. 327) ; f. 921)
(p. 227); f. 113 (p. 327); f.
119b (p. 227); ff. 142-143 (pp.
123-4, 162, 327).
31472, ff. 2-12 (p. 434); ff.
12b-79 passim (p. 295); ff. 84-
90b (p. 364); f. 91 (p. 295).
— 31474, ff. l-38b (p. 208) ;
ff. 39-63b (p. 288).
31475, ff. l-38b(p. 295); ff.
39-56b (p. 287).
— 31476, ff. 1-47 (p. 336) ; ff.
48, 52 (p. 217).
— 31477, passim, pp. 327, 374.
— 31478, ff. 1-30 (p. 227) ; ff.
30b-40b (p. 208); ff. 41-96b
(p. 461).
31479, part i, ff. I -3b passim
(pp. 429-30) ; ff. 5b-55b passim
(pp. 289-90); f. 57b (p. 24 5).
— 31479, part ii, ff. 1-50 pas-
sim (pp. 289-91); f. 51 (p.
245).
— part iii, ff. 1-7 (pp. 429-30) ;
ff. 16-46 passim (pp. 289-91) ;
f. 46b (p. 245).
-, part iv, ff. 5-8b (pp. 429-
30) ; ff. 10-43b passim (pp. 289-
91); f. 44 (p. 245).
— 31480, ff. 1-79 (p. 292) : ff.
80-841) (p. 431).
XV111
TABLE OF MANUSCRIPTS.
Additional 31481, ff. 1-62 passim
(p. 350) ; ff. 86-88 (p. 458) ; ff.
88b, 91 (p. 350).
31482. p. 336.
31483. p. 337.
31484. p. 227.
31485. p. 206.
31486. p. 447.
31489, f. 54b. p. 365.
31490, ff. 74-8 lb. p. 444.
31491, ff. 62-5 (p. 368); ff.
125-141b (p. 174).
31493, f. 95. p. 362.
31497, f. 24b. p. 175.
31498. p. 457.
31499. p. 301.
31503, ff. 60-128. p. 293.
31504, ff. 23, 24b (p. 436);
ff. 115b-120b (pp. 366-7); ff.
130b-145 passim (p. 436) ; ff.
145b, 146b (p. 65); ff. 149,
149b (p. 408) ; f. 150b (p.
65).
31506, ff. 38b, 46, 135 (p.
328); ff. 153, 159 (p. 444).
31508, ff. 66-81. p. 434.
31519, ff. l-20b (p. 218);
ff. 21-38b (p. 328).
31522. p. 233.
31525. p. 249.
31526, f. 1 (p. 459); ff. 3-
27 (p. 202) ; ff. 28-37b (p. 395) ;
ff. 38, 42, 45 (pp. 349-50) ; f. 49
(p. 235) ; f. 52b (pp. 349-50) ;
ff. 56, 60 (p. 235) ; f. 61b (pp!
349-50).
31550, ff. l-8b (p. 208) ; ff.
9-57b (p. 328).
— 31554. p. 328.
— 31557. p. 85.
— 31558. p. 86.
— 31559, ff. 1, 21 (p. 86); f.
39 (p. 414); ff. 46-73 passim
(pp. 148, 414); f. 74 (p. 328).
— 31560. p. 375.
— 31568. p. 366.
— 31570. p. 375.
31573, ff. l-32b (pp. 210-
11); ff. 55, 60 (p. 386); ff 73b,
74 (p. 113) ; ff. 74b-83b passim
(p. 386).
— 31580. p. 392.
Additional 31581-31584, passim,
pp. 164-5, 176, 449, 464.
31586. p. 52.
31587. p. 416.
31590. p. 175.
31605, f. 45b. p. 86.
31608. p. 245.
31610, ff. 1-68 (p. 227); ff.
69, 89, 106 (p. 328).
31611. p. 394.
ff.3, 7 (pp. 447-
17 (p. 199); ff. 24,
— 31612,
8); ff. 11,
31 (pp.
199).
447-8) ; f. 59 (p.
31613, ff. 8b-44. p. 465.
— 31614, ff. 1-25 (p. 329) ;
ff. 26-56 (p. 247); ff. 57-64
(p. 201); ff. 75-154 (p. 228).
— 31615, f. 1 (p. 329); ff. 34-
66 (p. 247) ; ff. 67, 97 (p. 329) ;
ff. 104-132 (p. 239).
— 31616. p. 247.
— 31625, ff. 1-17. p. 444.
— 31627. p. 444.
— 31628. p. 445.
— 31629. p. 376.
— 31635-6. p. 375.
— 31637, ff.27-73b. p. 228.
— 31642, f. 2 (p. 439); I 4
(p. 318) ; f. 25 (p. 439) ; ff. 38,
48 (p. 318).
— 31643. p. 311.
— 31649, ff. 115-116. p. 124.
— 31658, ff. lb-5b (p. 437);
ff. 7-39 (p. 312).
— 31659. p. 436.
— 31660. p. 375.
— 31661. p. 221.
— 31662-3. p. 458.
— 31666, ff. l-47b (p. 297) ;
ff. 50-59b (p. 351).
— 31668. p. 456.
— 31670, ff. 2, 14 (p. 92);f.25
(p. 410) ; ff 34, 39 (p. 92) ;
ff. 50-59b (p. 229) ; f. 60 (p.
125); ff. 61, 74 (p. 100).
— 31676. ff. 29-32. p. 376.
— 31681-2. p. 392.
— 31683. p. 198.
— 31684, ff. l-25b
ff. 26-45b (p. 329).
— 31685, 31686.
(p. 445)
132.
TABLE OF MANUSCRIPTS.
XIX
Additional 31687. p. 367.
31694. p. 86.
- 31699. p. 132.
31702, ff. l-9b (p. 132);
ff. 10-2 lb (p. 228).
— 31706. p. 75.
— 31709, ff. 72-85.
— 31711. p. 233.
— 31714.
— 31720.
— 31721.
— 31722.
p. 377.
pp. 92, 148.
p. 246.
p. 87.
p. 72.
31723, ff. 44, 45. p. 377.
31725. p. 224.
31732, ff. 14-2 lb. p. 464.
31748, f. 1. p. 311.
31752. p. 339.
31753, f. 27b. p. 410.
31754, ff. 1-1301 > passim (pp.
70-1); ff.-135b, 136b (p. 448);
ff. 137, 139 (pp. 70-1) ; ff. 144,
145 (p. 165).
31761, ff. 1, 5, 15 (p. 339);
ff. 24b-63 (p. 230).
31762, ff. 1-44 (pp. 339-40) ;
ff. 44b-50b (p. 249).
31770, ff. 39-44b. p. 107.
- 31779. p. 107.
31796-7. pp. 382-3.
31798. p. 107.
31800. p. 105.
31801. p. 106.
31804, f. 104b. p. 464.
31806, ff. 46-72b (p. 119);
ff.73, 85 (p. 337); ff. 91 -184b
passim (p. 119).
31807, f. 21. p. 125.
31811, f. 18. p. 337.
- 31815, ff. l-53b. p. 373.
31817, f.5b (p. 464); f. 7b
(p. 377).
- 31818, ff. lb, 5
(P.
344);
344);
f.5b (p. 126); f.6 (p.
ff. 16, 20 (p. 416); f. 22 (p. 379) j
f. 27 (p. 233); ff. 28, 31b, 38b
(p. 344) ; ff. 42-73 passim (pp.
95-6); f. 80 (p. 451).
31819, ff 1-51 passim (pp.
118-19) ;f. 52 (p. 187) ;ff 53b-
60b (p. 337); f. 61 (p. 175);
ff. 63b-79 (p. 187); ff. 80-8 3b
(p. 149).
Additional 31820, ff. l-4b (p.
379) ; ff. 7-61 (p. 87) ; ff. 62-93
(p. 96); ff. 94-7 (p. 415); f. 98b
(p. 96).
31821,ff.2-37_po8«»n(p.94);
ff. 41b, 42 (p. 186) ; ff. 42b, 43
(p. 94); £.44 (p. 417) ; ff. 45-60
(p. 176); f. 66 (p. 176); ff. 68-
121 passim (pp. 94-5) ; ff. 123-5
(p. 383); f. 126 (p. 350); ff. 127-
153 passim (pp. 94-5); f. 155
(p. 451); ff. 156, 158 (pp. 94-5).
31822, ff. 1-3 (p. 344) ; f. 4
(p. 87); f. 5 (p. 188); ff. 7-21
passim (pp. 96-7); f. 28 (p. 126) ;
f. 29 (pp. 96-7); f. 33 (p. 419);
ff. 39, 42 (pp. 96-7) ; f. 50
(p. 419); ff. 58, 66 (pp. 96-7);
f. 71 (p. 126) ; f. 72 (pp. 96-7) ;
ff. 75-79 (p. 318); ff.80, 80b
(p. 188).
31855, ff. 1-117 (p. 196);
p. 125.
ff. 118, 120 (p. 112); f. 121b
(p. 196); f. 122b (p. 112).
31870. p. 365.
31897, f. 8. p. 454.
31899. p. 340.
31903. p. 170.
31922, f. 88b (p. 261); f.
112b (p. 141).
31986. p. 137.
31995, ff. 20b-21b.
32012. p. 98.
32013, f. 13b (p. 99);ff. 17b,
30 (p. 452); ff. 41, 58b (p. 99);
f. 60b (p. 452) ; f. 66 (p. 99) ;
f. 68b (p. 127); ff. 74b-108b
passim (p. 99); f. 110 (p. 452).
v. also pp. 189-90.
32014. pp. 189-90.
32015, ff. 2b-64 passim, p.
99. v. also pp. 1 89-90.
32016, ff. 31b-176 passim.
p. 99. v. also pp. 189-90.
32017, passim, pp. 169-70.
32018, ff. l-25b (p. 417);
f. 26 (p. 453); f. 28b (p. 101);
ff. 32, 33b (p. 453) ; f. 36 (p.
177) ; f. 38 (453) ; f. 40b (p.
101); f. 41b (p. 177); f. 42b
(p. 101); f. 44 (p. 453); £. 45b
(p. 177); ff. 48, 52 (p. 101);
XX
TABLE OF MANUSCRIPTS.
(P
(P
ff. 54b, 55 (p. 177); f. 58
127); f. 60b (p. 101); f. 62
453); f. 63b (p. 101); f. 68 (p
453); £. 69 (p. 101); f. 74 (p
453); ff. 75b, 80b (p. 101); ff
Sib, 86 (p. 453) ; f. 86b (p. 101)
f. 89b (p. 453) ; f. 92b (p. 465) ;
f. 94 (p. 101); v. also pp. 189-
190.
Additional 32021, ff 2, 4b (p. 127) ;
f. 8 (p. 166) ; ff. 22b, 34 (p.
127); f. 42 (p. 391); ff. 43b-64b
passim (p. 127).
32024. p. 368.
32034. p. 229.
32036,13. p. 159.
32039, ff l-24b (p. 133);
ff. 25-66b (p. 377).
32071. p. 236.
32073, ff. 1-1 58b (p. 134) ;
ff. 159, 165 (p. 202).
— 32080. p. 130.
— 32082. p. 236.
— 32137, ff. 7b-138 (p. 153-5) ;
f. 139 (p. 173); ff. 139b-187b
(pp. 153, 155-6) ; ff. 189-292b
(pp. 153, 156, 173, 433).
— 32138, ff. 1-266 passim (pp.
160-1) ; f. 266 (p. 316) ; ff.
270b-295b passim (pp. 160-1) ;
f. 299b (p 178) ; ff. 301b-344
160-1).
p. 385.
passim (pp.
32139.
32140.
32141,
f. 23 (p. 297).
— 32152, ff.
ff. 25-58 (p.
p. 134.
ff. l-22b (p. 228) ;
2-24b (p. 209);
203) ; ff. 59-61
(p. 337) ; ff?62b-63b (p. 177).
— 32160 (reversed), ff. 50b-52
(p. 175) ; ff. 55b, 56 (p. 445).
— 32169, ff.61-73b (pp. 364-
5); ff 136-142 (p. 329).
— 32170, ff. l-33b. p. 299.
32173, ff. 39, 75 (p. 130);
ff 135-141b (pp. 449-50) ; f . 142
(p. 159); f. 144 (p. 174); f. 145
(p. 159).
— 32174, ff. 36-79b. P. 372.
— 32178, ff. 52-54 (p. 450);
ff. 112-138 (p. 166).
— 32179, ff. 9-17b.
450.
Additional 32181, f. 3 (p. 393) ;
f. 10 (p. 448) ; ff. 21-22b (p.
164).
32183, ff. 106-153. p. 231.
32184, f. 1 (p. 348) ; ff. 15-
44 (p. 202); ff. 45-82 (p. 135);
ff. 83-164 (p. 348) ; ff. 165-212
(p. 462).
32185. p. 234.
32186. p. 234.
32187. p. 379.
32237, £ 68. p. 340.
32312. p. 363.
32314, ff.24-174b. p. 136.
32318. p. 383.
32343, f. 14. p. 37.
- 32377, f. 26 (p. 264) ; ff 26b,
(p. 197); ff. 27b-60b passim
264); ff. 62b, 69b (p. 197) ;
27
(P-
f. 72b (p. 264).
— 32383, ff. 31-51b
f. 53 (p. 137) ; f. 94
f. 101 (p. 113).
— 32384. p. 384.
— 32386. p. 384.
— 32389, ff. l-16b
f. 17 (p. 132) ; f. 27
f. 35 (pp. 132-3) ;
(p. 445) ; ff. 55-92
(P-
(P-
^r.
178);
(PP-
(P-
ff. 45,
passim
217);
^97) •
51
(P-
132).
— 32391, ff. 101-148b (p. 363) ;
ff. 149-167 (p. 393) ; ff. 168-180
(p. 395).
— 32392. p. 329.
— 32393, ff. l-14b (p. 202);
ff. 15-67 (p. 229); ff. 68, 86
(p. 337).
— 32394, ff. 24-48 (p. 228) ;
ff. 49-84b (p. 239).
— 32395, ff. 1-17 (p.
ff. 18-29 (p. 448)
(p. 463).
— 32398, ff. 1-12
ff 13, 26 (p. 338).
— 32399, ff. l-147b
ff. 148-253b (p. 461).
— 32400. p. 338.
— 32401, ff. 1-1 17b
ff. 118-1 67b (p. 203).
— 32411, ff. 6-7b (p
f. 29b (p. 235).
— 32423-4. p. 384.
ff.
(P-
(P-
(P-
363) ;
62-99
231);
230) ;
379);
157);
TABLE OF MANUSCRIPTS.
xxi
Additional 32429, passim. pp.
165, 250, 340-1, 462.
32432, ff. 1-14 (p. 231) ;
ff. 15-26 (p. 344) ; f. 26b (p.
460); ff. 28-43 (p. 341); f. 44
(p. 460); f. 63 (p. 341).
32433. p. 162.
32436, ff. 1, 3, 20 (p. 330) ;
ff. 40-64 (p. 134) ; ff. 65-90b (p.
363).
— 32584, ff. l-54b (p. 410);
ff. 55-102b (p. 76).
— 32588, ff. l-36b. p. 415.
32594, ff. 1-7 (p. 363) ; ff.
33, 39 (p. 455) ; ff. 45-85 (p.
363).
— 32595, ff. 1-6 (p. 137) ; ff.
7-19 (p. 353).
— 32675, ff. 1, 46. p. 378.
- 32677, ff 1-3 (p. 133); ff.
10-1 lb (p. 378).
— 33229. p. 386.
— 33234, passim, pp. 28, 216,
245, 286-7, 428.
33235, passim, pp. 38, 293,
431.
— 33236, ff. 70-71b. p. 431.
— ■ 33239, ff. 7, 10 (p. 418) ;
f. 12 (p. 102); ff. 16, 34 (p. 418);
ff. 38-46 passim (p. 102); ff.
48-9 (p. 128); f. 52 (p. 418);
f. 56 (p. 102) ; f. 64 (p. 418) ;
ff. 71b-144 passim (p. 102) ; ff.
146, 146b (p. 418); f. 147 (p.
128) ; f. 147b (p. 419) ; f. 148
(p. 128) ; ff. 149b, 150b (p. 419) ;
ff. 166-95 (p. 459) ; f. 196 (p.
419); f. 246 (p. 150).
33240, ff. 6-10 (p. 419); ff.
11, 21 (p. 311); ff. 23, 25 (p. 98).
— 33274a. p. 97.
33288, ff. 5, 20b (p. 421);
f. 34b (p. 152); ff. 35-104passm
(p. 421).
— 33289,33290. pp. 109-111.
— 33291, f. 113. pp. 111-12.
— 33292, ff. 5, 15, 26b, 35
(pp, 152, 421); ff. 47-113 (pp.
111-12).
— 33310, ff. 84b-88. p. 233.
33312, ff. l-160b (p. 236);
f. 161 (p. 209); f. 190 (p. 106).
Additional 33313, f. 1. p. 106.
33351, ff. lb, 5b, 6 (p. 367) ;
ff. 17, 30 (p. 87).
33444, ff. l-28b (p. 239) ;
ff. 29-46 (p. 364).
33568, f. 3 (p.
69); f.5b
(p. 184); ff.6, 6b; 9 (p. 69); f.
11 (p. 184); ff. llb-72 passim
(p. 69); f. 75 (p. 409); f. 78b
(p. 370) ; ff. 82, 84b (p. 69) ; ff. 88,
88b (p. 370) ; f. 89 (p. 97) ; ff. 93,
94 (p. 453) ; f. 94b (p. 195).
— 33569, ff. 1-28 (p. 448) ; ff.
29-54 (p. 134) ; ff. 57-125b (p.
394).
33571.
p. 387.
33598. p. 330.
33610, ff. 29-45.
33792, f. 69. p.
33933, ff. 1-44'
p. 129.
131.
passim (p.
180-2); f. 44b (p. 2), ff. 45-48
(p. 182) ; f. 48b (p. 397) ; ff. 52,
54 (p. 2) ; ff. 56b, 57b (p. 263) ;
f. 60b (p. 2) ; f. 63 (p. 263) ; f. 65
(p. 2) ; ff". 66, 69, 70 (p. 263) ;
f. 71b (p. 2) ; ff. 74-76 (p. 263).
— 33952. p. 330.
— 33989, ff. 128, 142b. p. 258.
— 34000-34002, passim, pp.
143, 197, 214, 276-7.
— 34005, ff. 2-1 7b (pp. 158-9) ;
ff. 18-40b (p. 217); ff 43-121
(p. 393).
— 34006.
— 34007,
p. 365.
ff. 33-37
(p. 224);
f. 38 (p. 95).
34049, ff. 1-25 passim (p.
278) ; ff'. 25b-32b passim (p.
214) ; ff. 33-48b passim (p. 278).
— 34050, ft: 14b, 17b. p. 278.
— 34051. pp. 351-2.
— 34052, ff. 7b, 28, 56. p. 129.
— 34054, ff. 1-9. p. 295.
— 34056, ff. 164-181b. p. 174.
— 34070, f. 1-3 (p. 352) ; for
f. 3, v. also p. 200.
— 34071, ff. 24b-39b passim.
p. 331.
- 34072, ff. 6-37b. p. 404.
34073, ff. l-6b (p. 330) ; ff.
98b-106 (p. 97).
— 34074, f. 19b.
377.
XX11
TABLE OF MANUSCRIPTS.
Additional 34075, f. 19b. p. 377.
34076, f. 14b. p. 92.
34118. p. 135.
34182, ff. 1-105 (p. 385) ;
ff. 106-111 (p. 170).
34191, ff. 1-1 6b (p. 212); ff.
17-35 (p. 261) ; ff 35b-43 (p.
396) ; ff. 44-6 (p. 261) ; ff. 47b-
50b (p. 396).
— 34203, passim, pp. 38, 402.
— 34264. p. 364.
— 34267, f. 25 (p. 369) ; f. 29
(p. 438); f.43 (p. 196); f. 44
(p. 152).
— 34279a. p. 330.
— 34279b, ff. l-39b (p. 299) ;
ff. 40-55b (p. 383) ; ff. 56-7 (p.
439).
— 34289. pp. 87-8.
— 34297. p. 331.
— 34541. p. 385.
— 34542, ff. 31-59b. p. 421.
— 34607,^8^. pp. 146, 203,
209-10, 237, 251, 353-6, 389,
459, 463.
— 34608, ff.9b, 12 (p. 74); ff.
14b, 15b (p. 411); f. 16b (p.
185) ; f. 21 (p. 74) ; f. 21b (pp.
74,316);ff 22, 22b (p. 74) ; f. 24
(p. 464); f. 27b (p. 122); f. 30b
(p. 411); ff. 31, 31b (p. 74).
— 34609, f. 7 (p. 92) ; ff. 8b-10
(p. 149); f. 13b (pp. 92, 149);"
ff. 16-28 (p. 416); f. 31b (pp.
92-3) ; f. 33b (p. 416) ; ff. 38b-
40b (pp. 92-3) ; ff. 43b, 48b
(p. 416); f. 55 (pp. 92-3); f. 59b
(pp. 92-3, 149); f. 60 (p. 416);
f. 66 (p. 149) ; f. 70b (pp. 92-3) ;
f. 74 (p. 416); f. 74b (pp. 149,
187) ; f. 75 (pp. 92-3) ; f. 76b
(p. 449); f. 78b (p. 416); f. 79b
(p. 149).
— 34610, ff. 2-1 4b (p. 331) ;
f. 15 (p. 445); f. 19 (p. 93);
ff. 22-25b (p. 149) ; f. 26 (p. 93) ;
f. 41b (p. 383).
— 34700, ff. lb-12b (p. 214) ;
ff. 13-22 (p. 387).
34717, ff. 1-17 (p. 162); ff
Additional 34725, ff 142-6b. p.
380.
34726, f. 4 (p. 66) ; ff. 17-
18b (p. 300); f. 19 (p. 198);
ff. 37-120 passim (pp. 300-1).
•34800, ff. 16-24b (p. 282);
17b-19 (p. 157).
— 34724. p. 462.
ff 46-49 passim (p. 13).
— 34803, f. 79. p. 454.
— 34804, f. 1 (p. 454); ff. 13-
19b (p. 233).
34898, ff. 16b, 21 (p. 216);
ff. 32b-34b (p. 283) ; f. 35b (p.
206) ; ff. 39b-52b (p. 283) ; f.
53b (p. 244) ; f. 55b (p. 283) ;
ff. 56b, 70 (p. 216).
— 34996, f. 14b (p. 376); ff
16-19 (p. 148).
— 34997. p. 370.
34998, f. 3 (p. 70) ; f. 5 (p.
185); f.5b (p. 174); ff. 6, 8, 9
(p. 185) ; ff. 17-1 8b passim (p.
70); f. 19 (p. 118); f. 19b (p.
70) ; ff 21, 22b (p. 371) ; f. 26b
(p. 439); f.29 (p. 371); ff. 30b,
33 (p. 409); ff. 35, 36b (p. 118);
ff. 37, 38 (p. 439) ; f. 39b (p.
147); f. 41 (p. 371); f. 44 (p.
185); f.45b (p. 439); f. 46 (p.
371); f. 55 (p. 439); f. 60 (p.
147); ff. 62-73 passim (p. 70);
f. 79 (p. 185).
— 34999, ff. 1-80 (p. 371) ; ff.
81-87 (p. 135); ff 88-107 (p.
98); ff. 108-24 (pp. 416-17);
ff. 124b, 125b (p. 439); ff. 126-
176 (pp. 194-5); f. 176b (pp.
151, 416-17); ff. 177-178b (p.
151); f. 179 (p. 126); ff. 182,
183 (p. 439).
— 35000. p. 224.
35001, ff. 1-14 (p. 235); ff.
15-36b (p. 317); f. 37 (p. 126)
f. 38 (p. 317); ff.42-90b (p
345); f. 92 (pp. 145, 345); ff.
95b-107b (p. 345); f. Ill (pp.
145, 345); ff. 113b-152 (pp
345-6).
— 35002. p. 319.
— 35003, ff. 1-6 passim (p.
349); ff.7, 9 (p. 451); f. 10
(p. 390}; ff. 11-25 passim (p.
349).
TABLE OF MANUSCRIPTS.
xx ni
Additional 35006, ff. 16, 16b (p.
152); f.46b (p. 106); f. 47 (p.
152).
35007, f.88b. p. 417.
35023, f. 1. p. 100.
35024, ff. l-2b (p. 150) ; f. 3
(p. 93); f. 13 (p. 389); f. 14
(p. 451) ; f. 16 (p. 230) ; ff. 18-
20 (p. 317).
35026, f. lib (p. 151) ; ff 16,
16b (p. 128); f. 26 (p. 453)
f. 27 (p. 236); f. 29b (p. 128)
f. 60b (p. 112); f. 64b (p. 387)
ff.72b, 73b (p. 196).
35027, f.3b. p. 195.
35038, ff. 4, 5 (p. 417); ff.
9-11 (p. 150); ff. ll-43b (p.
100) ; f. 44 (p. 451) ; f. 44b (p.
126).
35039, f. 1 (p. 73) ; f. 7b
(p. 410) ; f. 8 (p. 148) ; ff. 9-7 4b
(p. 73) ; f. 75 (p. 176).
35040, f. 10 (p. 185) ; £. 25b
(p. 438); f. 26 (p. 147); f. 26b
(p. 185); f. 33b (p. 69); f. 28b
(p. 438); ff 40-42 (p. 147).
— 35084. p. 291.
— 35087, passim, p. 262.
— 35134, ff. l-13b (^ 459);
ff. 14-23b (p. 351) ; ff. 24-29b
(p. 250) ; ff 30-33 (p. 389) ; ff.
34-35b (p. 151); ff. 36, 37 (p.
395); ff.37b-40 (p. 419); ff.
41-43 (p. 151).
35290, ff. 234-241 b. p.
243.
— 36268, ff. 3-52b (p. 408) ;
ff.53, 58 (p. 63); ff. 62-68 (p.
408) ; f. 68b (p. 63) ; f. 85b (p.
147).
Additional 36484, f. 2b (p. 183) ;
ff. 3, 4 (p. 7); ff. 7-1 6b passim
(p. 279); f. 17 (p. 7); ff. 19, 20,
20b (p. 279) ; f. 26b (p. 7) ; ff.
47-53b passim (p. 279) ; f. 54
(pp. 7, 183) ; £. 56 (p. 7) ; f. 56b
(p. 279).
36490, f. 6 (pp. 210, 356) ;
ff. 7b-45b (pp. 356-7).
36526a, ff. 1, 5 ; 2, 8. p. 183.
■ 36572, f. 1. p. 103.
36579, f. lb. p. 171.
36652, ff. 17, 17b. p. 378.
36740, ff. 1-22 (p. 112);
f. 85 (p. 455).
— 36742, ff. 25b-44. p. 112.
— 36871. pp. 188-9.
— 36874. p. 230.
— 36881. pp. 240-1.
Printed Books, Department of.
Press mark, 785. D. 9, f. 47b.
p. 117.
A. 621, between pages 90
and 91. pp. 187-8.
A. 909, pp. 105-121 passim
(p. 440); p. 115 (p. 373).
— C. 21. d. 23 (beginning),
p. 159.
- C. 42. i. 12 (3 vols.), p. 378.
D. 212. c, passim, pp. 129,
172, 206, 244, 280-1, 426.
— H. 71. a, ff. 14-24. p. 133.
— K.'l. c. 23 (xxi-xxvii). p.
263-4.
K. 9. b. 9 (5), f. 1 (pp. 39,
402); ff.4-6 (p. 39); ff. 6-1 3b
(p. 402); ff. 14, 17b (p. 39);
ff 19b, 31 (p. 402).
CORRECTIONS.
p. 3. Had. 7578. After Durham, add Nos. 1-3 are by J. Shepherd.
,, 4. Add. 22597. In no. 9, for Anonymous, read By J. Shepherd.
- In no. 14, for Anonymous, read By R. Parsons.
> » »?
C. Add. 29427. In no. 15, for wages, read wayes.
10. Add. 15117. In no. 1, for Anonymous, read By W. Byrd.
11. Add. 29372-7. In no. 34, after Pierson, add [Attributed to H. (?) Palmer
in Add. 17792-6.]
12. In no. 47, after " M., insert [Thomas].
1G. Add. 30478-9. Title, 1. 8. After form, add part of.
18. In no. G5, for Joseph, read Robert.
19. In no. 129, before Huchinson, insert [Richard].
21. In no. 215, before Tomkins, insert [John?].
28. Add. 30930. Dele no. 3 (transferred, as secular Trio, to vol. ii).
34. Harl. 6346. In no. 160, for " Dr. Bull," read By the same.
,, After no. 160, insert 160*. "Praise we the Lord." "Dr. Bull."
f. 59.
36. Eg. 2603. For P.S.A., read P.S.A.
38. Add. 33235. In heading, for Part Song, read secular Trio.
41. Add. 29481. In no. 6, for Anonymous, read By the same.
43. Add. 30932. In no. 5, for Morris, read Norris.
44. Add. 31460. In heading, for ? of Oxford, read of St. Paul's Churchyard.
49. Add. 31405. In no. 25, for Anonymous, read By J. Weldon.
,, Add. 31444. In no. 4, for 1695, read 1696.
55. Harl. 7338. In no. 31, for Tarrant, read Farrant.
59. Harl. 7340. In no. 52, for 1682, read 1682/3.
60. Harl. 7341. In no. 4, for 1703, read 1703/4.
68. Add. 5054. No. 9 (I heard a voice) is by W. Croft.
81. Add. 17840. In no. 46, for generally sung to the words, read very
similar to.
88. Add. 17839. In the heading, dele G. Townshend Smith, organist of
Hereford Cathedral.
89. Add. 17844. In no. 8, before no. 14, insert vol. i.
92. Add. 34076. Add to the description, Composed by John Weldon.
93. Add. 34609. In no. 8, for f. 58b, read f. 59.
95. Add. 31821. In no. 35, for Anonymous, read By M. Greene.
104. Add. 9072. In no. 10, after is, add erroneously.
117. Add. 30933. In no. 13, for Anonymous, read By J. Hilton.
119. Add. 31819. In no. 10, for Rd ?, read William.
,, In no. 13, insert By S. Webbe, sen.
xxvi CORRECTIONS.
p. 121. Add. 27642. In no. 7, for f. 30, read f. 31.
123. Add. 29393-5. After Trevor, ec, add J. Travers.
131. Eg. 2379. For below, read in vol. iii.
„ Add. 33792. For f. 69, read ff. 69.
132. Add. 31685-6. For Jornelli, read Jomelli.
161. In no. 58, after aria, add "Kommt wieder."
,, In no. 63, after aria, add "Ihr Augen, weint."
164. Add. 27573. In no. 43, for Laench, read Saench.
167. Add. 27574. In no. 32, for f. 12, read f. 13.
186. In Add. 28864, after "Irish," add [by J. Smith?].
187. Add. 31819. No. 8 was harmonized by T. Ravenscroft.
197. Add. 32377. In no. 3, for 52b, read 62b.
206. Add. 17802-5. For 4 voices, read 4 or 5 voices.
,, Add. 31485. In the heading, for Beever, read Bever.
213. Add. 17802-5. In nos. 17, 18, for without names, read with the
same name.
236. Add. 32082. For Messi, read Messe.
240. Add. 36881. In heading, for Collection of. . .Cantiones, read Troper of
South French origin.
,, In 1. 4, for them, read the pieces.
250. Add. 14139. In no. 1, after chorus, read Apparently borrowed from
Lotti (cf. Add. 14177, f. 36, below).
257. Add. 27630. In no. 40, dele [unigeniti].
266. Harl. 1709. In no. 20, after intemerata," add Apparently by Tallis.
272. Add. 17802-5. In no. 25, for Pye, read Tye.
278. Add. 34049. In no. 10, for undum, read undem.
279: eel. 2. 1. 3. For Eundum, .rod Fundem.
282. Add. 17792-6. In no. 4, after meum," add By O. di Lasso.
294. Add. 17835. In no. 3, for Anonymous, read By the same.
300. Add. 34726. In no. 28, after Deus," add By the same.
303. In line 9, for 1872, read 1782.
306. Add. 5054. In no. 1, for 6, read 5.
307. In no. 10, for Wm Bird and, read Canon by.
315. Add. 14145-6. In no. 11, for surge, read luge.
327. Add. 31442. In no. 3, for Anonymous, read By Palestrina.
328. Add. 31554. In 1. 3, for 158b, read 140b.
343. Add. 14166. In no. 1, before f. 1, insert Attributed to D. Scarlatti, in
Eg. 2451 (below, p. 358).
344. Add. 31818. For 1. 8, read No. 4 is by Campra; nos. 5, 6, by Steffani.
„ Add. 31822. In no. 2, dele From the same source.
352. Add. 14341. In no. 10, for 4, read 5.
358. Eg. 2451. In no. 5, after Domenico, insert [or Alessandro].
383. Add. 31796-7. For Comparete, read Camporese.
455. Add. 36740. After harp, insert By A. Goring Thomas. Autogr.
456. Add. 14334. In 1. 1, for 90, 97b, read 90-97b.
MANUSCEIPT MUSIC
IN THE
BEITISH MUSEUM.
PART I.— VOCAL MUSIC— SACRED.
SECTION I.— ANTHEMS
as sung in the church of england, including
Settings of Metrical Psalms.
A FEW EARLY
Royal Appendix 74-76.
Paper. Apparently written about 1547-8, before the first Boohc of the Common
Prayer, 1549. In many cases the versions of the Psalms followed closely resemble
those in the Prymer of 1544. Oblong octavo. Names of former owners and
others are : — [John Lumley, Baron] Lumley, i, f. 1 ; [Henry Fitzalan, 18th Earl of]
Arundel, iii, f. 52; Robert Grimes, Thomas Sampson, Christopher Lyllingworth,
i, f. lb; Nicholas Bourne, Richard Oliver, i, f. 34b; and John Hornsaye, ii,
f. 35b. The same MSS. also contain a Bass-viol Quintet, Hymns, Lute Music,
Madrigals, Services, some String Duets, Trios, Quartets, Quintets, and a Septet,
which are described separately.
Anthems and Services, in parts, in three volumes : Vol. i (ff. 53)
containing, unless the contrary is stated, a single triplex part ; ii (ff. 36)
a contra-tenor part ; and iii (ff. 52) a tenor part. The Services are
described separately. The Anthems are : —
1. "Out of the depe." i, f.4; iii,
f.5.
2. " Prayse y* Lord, ye servants." i,
f. 5 ; iii, f . 6.
3. "Behold, bretherne, how good." i,
f. 5b (beginning only) ; iii, f . 6b.
4. "Geue sentence with me, O God."
i, f . 6 (end only) ; iii, f. 7b.
5. "Oclappe your hands." i, f. 6; iii,
f. 8b.
G. "Not vnto vs, 0 Lord." i, f.7; ii,
f . 1 (end only) ; iii, f . 9b.
7. " Saue me, O God." i, f.9; ii, f. lb;
iii, f. 11.
8. "I cryde vnto yc Lorde." i, f.9b;ii,
f.2; iii, f. lib.
9. "Remembre not, 0 Lord." By
Tallis. i, f. 13 ; ii, f. 5b ; iii, f. 15.
10. "0 Lorde, rebuke me not." i,
f . 20b ; ii, 20b ; iii, f. 28b.
11. "0 Lorde Christe Jesu, that art
King": a prayer for King Edward
[VI]. i, f. 22b (2 triplex parts) ; ii,
f . 22b (2 tenors) ; iii, f. 30b (2 contra-
tenors).
12. "Praysid be God our father." i,
f. 24b (2 triplex parts) ; ii, f. 24b (2
tenors) ; iii, f. 32 b (2 contra-tenors).
In vol. i leaves are wanting at the beginning and after ff. 5, 13,
and (?) 19.
VOCAL MUSIC- SACKED.
Additional 15166, ff. 67, 75b-89b.
Paper; after 1567. Oblong octavo. Besides the compositions mentioned
below, the MS. contains several Madrigals (g.u.).
Treble part of a collection of Psalms, etc., probably written for
4 voices. Most of them will be described under Hymns (q.v.), but the
following partake rather of the nature of Anthems : —
1. "My soule trulie waiteth still one
god." "Bolde." f. 67.
2. Another setting. "[Robert] Hasil-
tun." f. 67.
3. "Praise we the lord at all tymes."
By tbe same. f. 75b.
4. "Christ our paschall Lambe." " She-
perd." f. 76.
5. "0 God, be mercyfull vnto vs."
" Doctor Tye." f. 77.
6. " Verelye, verelye, I saie vnto you."
"Tallis." i. 78b.
7. " 0 lorde, geve thy holie sprite." By
the same. f. 79.
8. " Teache me thy waye, 0 lorde, and I
will walke." By the same. f. 80.
9. "A newe commaundement geue I
vnto you." By the same. f. 80b.
10. "Submit yourselues one to an-
other." "Sheparde." f. 81b.
11. "Praise the Lorde, 0 ye servants."
"Mondaye." f. 82b.
12. "Behould, it is Christe." By the
same, f . 83.
13. "Here the voice and preyer."
"Tallis." f. 84.
14. "Blessed are all they that feare the
lorde." "Poynte." f. 85.
15. "0 happie man, if thou repent."
"Jonson." f.86b.
16. "0 Lord of hosts, thou God of
Israeli." "Dr. Tye." f.87b.
17. "If ye love me, kepe my com-
maundements." "Talys." f. 88.
18. " In trouble and aduersitye." "Ta-
verner." f. 88b.
Additional 33933, ff. 44b-71b.
Paper ; a.d. 1575-8. Octavo. The MS. also contains Hymns, Madrigals, part
of a Mass, Motets, part of a Service, and In nomines of the same date, together
with Part-songs, Carols, and a Madrigal of the early 17th cent., all of which arc
separately described.
Contra-tenor part of the music to certain Psalms, etc., which
occur in Thomas Wode's transcripts of the Scottish Metrical Psalter of
1566. For a full account of the MS. and of the other parts see the
Catalogue of Additions, 1888-93, the Rev. J. W. Macmeeken's History
of the Scottish Metrical Psalms, 1872, etc. Most of the Psalms are set
as Hymns, but those in which the parts are apparently independent,
and which are sometimes called in the MS. " voluntarie," are here
described under Anthems : —
1. "Ovr Father, whiche in heauen art
Lord, halowed be thy name." Anony-
mous, f. 44b.
2. "Haue mercy, God, for thy great
mercies sake." In 4 parts. Two
copies, both incomplete at the end.
"AndroKemp." ff . 52, 53.
3. "Of mercye and of iudgement bothe."
In 5 parts. " M[r]. A. Blakehall"
[1569]. f. 54.
4. ["Bles]sed art thou [that] fearis
God." Beginning torn off. [In 5
parts]. By the same. f. 60b.
5. "0 God abufe, so weill thou hes
deuysde." [In 4 parts]. "ShirJhone
Futhy." f. 65.
6. "Judge and rouenge my cause, 0
lord." In 5 parts. " Blakhall.*'
f.71b.
ANTHEMS. 3
Additional 31992, ff. 5b-53 passim.
Paper ; after 1589. Oblong quarto.
Anthems for 5 and 6 voices, by William Byrd and others. In lute
notation. See under Lute Music.
Harley 7578, ff. 89-9 lb, 117.
Paper ; temp. Elizabeth. Oblong octavo. For further description of the MS.,
see under Madrigals.
Single part of Anthems written at, or near, Durham :
1. "Why dyde the Gentels frett and
fweme." f. 89.
2. " Ponder my wordes, 0 Lorde."
f.90.
3. " Geve to the Lorde, ye potentate."
f. 91b.
4. " Prepare yow, prepare you, time
werith awaye." " Wylliam Mundye."
f. 117.
Additional 30480-30484, passim.
Paper; temp. Elizabeth. Oblong octavo. Belonged to Thomas Hamond of
Hawkdon, co. Suffolk, in 1615, as attested (iii, f. lb) by George, Eobert, and
Philip Hamond, and Kobert Hamond, jun. ; and, in 1776, to J. Stafford Smith
(i, f. 88b). The MS. also contains Services, Motets, Madrigals, a Violin Solo, and
String Quartets, Quintets and a Sextet, by English composers of the same
period, all described elsewhere.
Anthems by English composers, in parts. Vol. i (ff. 89) contains
the cantus ; vol. ii (ff. 94) the contra-tenor ; vol. iii (ff. 87) the tenor ;
vol. iv (ff. 91) the bass; and vol. v (ff. 22) the quintus parts. The
Anthems are : —
1. " 0 prayse God in his holynes." [R.]
" Whyt"[e]. i, f. 22b ; ii, f. 24b ; iii
f. 22 ; iv, f. 24b.
2. "Prayse ye the lord, ye children.'
"Doctor Tye." i, f. 24 ; ii, f. 26 ; iii
f. 23b ; iv, f . 25b.
3. "Christ rysynge agayne." " Shep-
perde." i, f . 25b ; ii, f. 28 ; iii, f. 25
iv, f. 27.
4. " 0 mercyfull father, we besech the "
with second part, " 0 God confound
y" proude." " Feryng." i, f. 27 ; ii
f. 29 ; iii, f. 26b ; iv, f . 28b.
5. " 0 God, for thy name sake save me.'
"John Franctynge." i, f.28; ii
f. 30b ; iii, f . 27b ; iv, f . 29b.
6. "I gyve yow a newc commaunde
ment." [J.] " Sheperdc." i, f . 29
ii, f.31b; iii, f . 29 ; iv, f. 31.
7. "In iudgmcnt, lorde." Anonymous.
f.30; ii, f. 32b; iii, f.30; iv, f. 32.
8. " Prepare yowe, prepare yowe, tymc
weareth awaye." [Will. ?] Mundy.
i, f. 38b ; ii, f. 42b ; iii, f. 39b ; ir,
f . 42b.
9. " When Jesus went into Simon
the pharisyes bowse." In 5 parts.
" Tallis." i, f. 40 ; ii, f. 42 ; iii, f. 41 ;
iv, f . 45.
10. "Fromthedepth I called." "Docter
Tye." i, f. 41 ; ii, f. 47 ; iii, f. 43 ; iv,
f.46.
11. " Wipe away my synes." By Tallis.
i, f. 42b ; ii, f. 49 ; iii, f. 45 ; iv, f . 48 ;
v, f. 2.
12. " Blessed arte thow that fearest
God." "Phillip deWildroe." i,f.44;
ii, f. 50b; iii, f. 46b; iv, f. 49b ; v, f. 3b.
13. " My trust, O Lorde, in the is
grounded." In 5 parts. "Doctor
Tye." i, f. 45 ; ii, f. 51b ; iii, f. 47 ; iv,
f. 50b ; v, f. 4.
VOCAL MUSIC— SACRED.
14. " Wyth all our hartes." By Tallis.
i, f. 46 ; ii, f. 52 b ; iii, f. 48b; iv, f. 51b ;
v, f . 5.
15. " I will geve thankes vnto y' Lord
with my holl harte." Anonymous,
i, f. 47 ; ii, f. 56 ; iii, f. 52 ; iv, f. 55.
16. "Purge me, O Lord." "Tallys."
i, f. 49 ; ii, f. 55 ; iii, f. 51 ; iv, f. 54.
17. " Delyver vs, Lord " ; some parts
beginning, " Bothe nyght and daye
save vs." Anonymous, i, f. 49b ; ii,
f. 55b ; iii, f . 51b ; iv, f. 54b.
18. " Delyuer vs, good lord, frometer-
nall Death." " Doctor Tye." i, f. 51 ;
ii, f. 57b ; iii, f.49; iv, f. 56b.
19. "Lord, thou haste commanded."
" Baruch Bulman." i, f. 52 ; ii, f. 58b;
iii, f. 54 ; iv, f. 57b.
20. " 0 geue thankes vnto ye Lord, for
he." "Taverner." i, f. 53; ii, f. 59b;
iii, f . 55 ; iv, f . 58b.
21. " I have loued." "DocterTye." i,
f. 53b; ii, f.60; iii, f.55b; iv, f. 59.
22. "0 Lord, rebuke me not"— the
music imperfect at the end. Anony-
mous, i, f . 56 ; ii, f . 62 : iii, f. 57b ;
iv, f . 62.
23. " Save me, 0 God, for thy names
sake." In 4 parts. By Tye. i, f . 57b ;
ii, f. 45 ; iii, f. 41b ; iv, f. 52.
24. " Oure father, which arte in hcucu."
Anonymous, iv, f. 32 b.
Royal Appendix 23-25, f. 32b.
Paper ; 16th cent. Oblong octavo. The name of Robert Jeuuer is written at
the top of the page in vol. iii. For a further description of the MS., see under
Motets.
" Lorde, be my judge " (superius, contra-tenor, and tenor parts),
f. 32b. The words occur in the Scottish Psalter of 1566. Anonymous.
Additional 22597, ff. 3-15, 18-2 lb, 53.
Paper ; late 16th cent. Oblong octavo. The MS. also contains many short
String Quintets, etc., two Motets and a Carol, in the same hand (see under their
respective headings) ; also a Song in " Don Quixote," by R. Courteville, in a
later hand (see under Operas).
Tknor part of the following Anthems : —
1. " The Lorde blesse vs." "R.White."
Attributed by Tudway, in Harley
MS. 7339, f. 34b, to Matthew White,
who lived temp. Chas. I, but the
version used appears to date from
;tbout 1548-9, at which time Robert
White (d. 1574) was no doubt nourish-
ing. f.3.
2. " Saue mee, 0 God, for thy name sake ' '
— the end missing. Anonymous, f . 4.
3. " O consider myne aduersitie " — the
beginning lost. " Malorie." f. 6.
4. "Blessed art thou y* fearest God."
"Phillips" (called Philip de Wildre
in Add. 30484, f. 4). f.8.
5. " I call and eric." " Tallis." f. 9.
0. " 0 lorde, I bowe the knees." ' ' Mun-
daye." ff. 10b, 18.
7. " Here, o lorde god, thy people."
Anonymous, f. 13b.
8. " Howe louge shall myne enimyes."
By Byrd. f. 14b.
9. "Our father, which art in heaven."
An'.'uyim.'Us. f. 15b.
10. " All people, clapp your hands."
Anonymous, f . 19b.
11. " Deliuer mo from myne enimyes "
(in 5 parts). By R. Parsons, f. 21.
12. " Blessed ar they that keepe his
testimonies" (in 5 parts). By Tallis.
f. 21b.
13. [My soule, geve laud unto the lorde]
(for 5 voices). Anonymous, f. 23b.
14. "Almighty God, whose kingdom is
evcrlastinge." Anonymous, f . 53.
ANTHEMS.
Additional 17786-17791, passim,
Paper ; early 17th cent. Oblong octavo. For a further description see under
Madrigals.
Anthems for 6 and 7 voices, in parts, viz. : —
1. "Hosannah to y* sonne of David"
(a 6). " Tho. Weelkes." i-iv, vi,f. 38;
v, f.21.
2. " 0 Lord, arise " (a 7). By the same,
i-iv, vi, f. 45b ; v, f. 28b.
3. "0 singe vnto the Lord" (a 7).
" Thomas Tomkins." i-iv, vi, f. 46b ;
v, f. 29b.
The 7th part is wanting in the last two
anthems.
Additional 29366-29368, passim.
Paper ; early 17th cent. Oblong folio. Belonged to Jo. Browne, probably
John Browne, the publisher of Alfonso Ferrabosco (the younger), in 1609, etc.
The MS. also contains Madrigals, Motets, a Song, String Quintets, etc., described
elsewhere.
Anthems, etc., apparently in the hand of Alfonso Ferrabosco, the
elder, whose monogram appears at the end of his own compositions.
Vol. i contains the cantus part ; ii, the bassus ; and iii, the quintus.
1. "Put me [not] to rebuke" (for 5
voices). " Tho. Wilkinson." i,f. 6b;
ii, f. 4b ; iii, f. 5b.
2. " Helpe, Lorde " (do.). By the same.
i, f. 7b ; ii, f . 5b ; iii, f. 6b.
3. "0 Lord my God, in thee haue I
put" (do.). By the same, i, f. 8b;
ii, f.6b; iii, f . 7b.
4. "0 Lord, consider my destresse"
(do.). By the same, i, f. 9b; ii,
f . 7b ; iii, f . 8b.
5. " Preserue me, 0 Lord, from those"
(do.). By the same, i, f. 10b; ii,
ff . 8b, 9b ; iii, f. 9b.
G. " 0 Lord, let me knowe mine end"
(do.). "Tho. Tomkins." i, f. lib ; ii,
iii, f. 10b.
7. ' ' Rise, 0 my soule " (do.). ' ' Willyam
Simes." i, f. 13b.
S. "Hast the, 0 God, to deliuer me."
By the same, i, f . 15 ; ii, iii, f . 13.
9. "Sing Joyfully vnto God" (for 6
voices). By W. Byrd, but according
to the index by "Mr. Mudd of
Peterborough]." i, f. 15b; ii, iii,
f. 14b.
10 "Away fond thoughts" (do.).
"Willyam Simes." i,f. 16; ii, iii, f . 15.
11. " Hast the, O God, to deliuer me,"
with second part, " But let all those "
(do.). "Michaell Este." i, f. 19b ;
ii, f. 18b ; iii, f. 19b.
12. "I am the resurrection" (for 5
voices). "Orlando Gibbons." i, ii,
f. 21b ; iii (contra-tenor part), f. 21b.
13. "I lift my hart vp to the hils"
(do.). "Thomas Warwick." i, ii,
f. 22 ; iii (altus part), f. 22.
14. "Hear my prayer, 0 Lord, and con-
sider." "Robert Ramseye." i, ii,
f . 22b ; iii, f. 16b.
15. "I will magneffy the, 0 Lord."
" Martin Pearson." i, ii, f. 25b ; iii,
f . 23b.
16. "Lord, how are they encreased."
"Tho. Wilkinson." i, ii, f. 26b; iii,
f.29.
17. "Deliuer me, 0 Lord, from lying
lipps." By the same, i, f. 27 ; ii,
f. 27b ; iii, f. 29b.
18. "0, 0 my sonne Absolom" (for 0
voices). "Th. Weelks." i, f. 28b;
ii, iii, f. lib.
19. "0, 0 Jonathan, woe is me " (do.).
By the same, i, f. 29 ; ii, iii, f. 12.
20. "When David heard y' Absolon "
(for 5 voices). " Bearsley." i, f. 29b.
21. "When David heard y' Jonathan "
(do.). By the same, i, f. 30.
22. " Wounded with sinne " (do.).
Anonymous, i, f. 30b.
23. " Bow downe thyne eare." "Pietro
Philippi." i, f.31b; ii, f.30b; iii,
f. 31b.
6
VOCAL MUSIC— SACRED.
24. "I am ye resurrection" (for G
voices). "Thomas Wilkinson." i,
f. 32; ii, f. 31b; iii, f . 32.
5. "Prays the Lord [0 ye servants]."
By the same, i, f. 41b; ii, f. 28b;
ii, f. 30.
20. "0 singe vnto y' Lord a new songe,
Let" (for 7 voices). "Th. Tomkins,
Bachelr of Mus : orga : Wigorni-
ensis." iii, f. 34b.
Additional 29427, passim.
Paper; early 17th cent. Apparently contemporary with Thomas Myriell's
"Tristitije Remedium," 1616 (Add. 29372-29377, see below, p. 10), very many of
the pieces in the latter being also found here. Small folio. The MS. also contains
Madrigals, Motets, and String Trios, Quartets and Quintets, described elsewhere.
Altus paht (unless the contrary is stated) of the following
Anthems : —
1. " Oute of the deepe " (5 voices). By
Thomas Lupo. f. 14. '
2. "When Israeli," with second part,
"What aileth thee" (verse anthem
for 5 voices). Quintus part. By
M. Este. f. 15.
3. " O, 0 my sonne Absolon " (6 voices).
Quintus and altus parts. By T.
Weelkes. ff. 16, 31b.
4. "0, 0 Jonathan, 0 woe is me" (6
voices). Quintus and altus parts. By
the same. ff. 16, 31b.
5. " I call and crie " (5 voices). " Tal-
lis." f. 17.
6. "Turn thie face " (6 voices). Anony-
mous, f. 18.
7. "0 Lord, behould my miseries" (5
voices). "Jo. Milton." f. 19.
8. "By Euphrates flowrie side" (5
voices). " Martin Pierson." f. 20b.
9. "I am the resurrection" (5 voices).
" John Milton." f. 21b.
10. "0 had I wings" (5 voices). By
the same. f. 22.
11. " If that a sinners sighs " (5 voices).
By the same. (In 2 keys), ff. 22b,
68.
12. " 0 Jesu sweet." By Tho. Ravens-
croft, f. 23.
13. " Plead Thou my cause." By Martin
Pierson. f. 24.
14. "Ah helplesse wretch" (verse an-
them). " Tho. Rauenscroft." f. 25.
15. "0 that my wa^cs," with second
part, "I will thanke thee." " Martin
Peirson." ff. 25b, 26.
16. "All laude and praise" (verse
anthem for 5 voices). By the same.
f. 26b.
17. "And the kinge was moved" (5
voices). By Rd. Dering. f. 27.
18. "0 Lord, lett me knowe." By T.
Tomkins (?). f . 27b.
19. " Singe ioyfully vnto our God."
Anonymous, f. 28b.
20. "When Dauid hard" (5 voices).
" Wm. Bearsley." f. 29.
21. "0 Lord, in thee is all my trust"
(5 voices). "Tho. Rauenscroft." f.29b.
22. " I am the resurrection " (5 voices).
Anonymous, f. 30b.
23. " 0 my sonne Absolom" (5 voices).
" Giles Farnabie." f. 32.
24. " Saule and Jonathan." Anony-
mous, f. 32.
25. "When Dauid hard" (6 voices).
"Robert Ramsey." f. 32b.
26. "When Dauid hard." "John
Milton." f. 32b.
27. " 0 woe is me for thee." By the
same. (In 2 keys), ff. 33, 68b.
28. "Arise . . . ." (5 voices). "Wm,
Siims." f. 33b.
29. " Heare my prayer, 0 Lord, and
consider" (5 voices). By .T. Lupo.
f. 34b.
30. " Downe [caitiff wretch]," with
second part, " Prayer is an endless
chaine " (5 voices). " John Warde."
ff. 35b, 65.
31. " Howe longe shall I seekecouncell"
(5 voices). By the same. ff. 37b,
66b.
32. " Long haue I lifted vp my voice"
(5 voices). " George Hanford." f. 67b.
33. ' ' Almighty God [who by the leading
of a star] " (5 voices). "John Bull."
f. 69b.
ANTHEMS.
34. " Heare me, 0 God, [a broken
heart]" (5 voices). "Alfonso Fera-
bosco." f. 70b.
35. "Blessed art thou yl fearest God."
By P. Phillips, f. 71.
30. " 0 Lord, turne thy wrath," with
second part, "Bow thyne eare" (2nd
contra-tenor part). "Wil. Byrd."
f. 72.
37. " It is my welbeloveds voice " (6
voices). By T. Tomkins. f. 74.
38. " Fraile man, despise the treasures"
(4 voices). "John Bull." f. 75b.
39. " Blow oute y* trumpett " (5 voices).
By M. Pierson. f. 76b.
40. "Howe doth the holie cittie," with
second part, " She weepeth continu-
ally " (6 voices). By J. Milton, f . 77b.
Additional 17797, passim.
Paper; after 1600. Small oblong quarto. The MS. also contains Madrigals
and a Motet, described elsewhere.
Anthems for 5 voices, in parts, inserted in a collection of Madrigals
by Richard Nicholson, who is probably the composer of the pieces
marked below as anonymous. The first four are metrical. Nos. 5
and 6, in a different hand, are by William Stonnard, " Bac. Mus.,"
and must have been written after 1608, when he took that degree.
1. "Come, holy Gost, eternall God."
Anonymous, ff . 6b, 24b, 42b, 60b, 78b.
2. " O Lord, of whome I do depend."
Anonymous, ff. 6b, 24b, 42b, 60b, 78b.
3. " O Lord, turne not away thy face."
Anonymous, ff. 7, 25, 43, 61, 79.
4. "O praise our Lord, Yee saints."
"Byrd." ff. lib, 29b, 47b, 65b, 83b.
5. " Harken, all yee people." ff. 16b,
34b, 52b, 70b, 88b.
6. " Behold, how good." ff . 18, 36, 54.
72, 90.
Egerton 995, ff. 2 Ob- 13 5b passim.
Paper; after 1604. Quarto. For a further description of the MS., see under
Madrigals.
Two Anthems for 5 voices, by Thomas Lupo : the alto, canto,
quinto, and basso parts.
1. "Out of the deepe." ff. 20b, 62b,
92b, 134b.
2. " Heere my prayer, o lord, and con-
sider." ff. 21b, 63b, 93b, 135b.
Additional 36484, ff. 3, 4, 17, 26b, 54, 56.
Paper ; after 1604. Small oblong folio. For a further description of the MS.,
see under Madrigals.
Bass part of some Scottish metrical versions of Psalms, etc., for 4
voices (with one exception, noted below). The names of the composers
are not given.
1. "O Lord, how mony enemeis have
I." f. 3.
2. " Oure father, god celestiall." f. 4.
3. "Off mercieand of Judgement both,"
for 5 voices (the same version as in
the Scottish Metrical Psalter, 1565-
1635) : the music by A. Blakehall
(sec Add. 33933, f. 54). f. 17.
4. "With mynd opprest I cry to the."
f . 26b.
5. " Our god is our defender." f. 54.
6. " The god off all power and micht."
f. 56.
3
VOCAL MUSIC— SACRED.
Egerton 2009, 2011, 2012, ff. 49b, 54b, 55b.
Paper ; after 1611. Oblong duodecimo. For a further description of the MS.,
see under Madrigals.
Three Anthems, by "William Byrd, in Psalmes, Sonets and Songs,
1588 : superius, medius and bassus parts.
1. "Arise, 0 Lord, why slepest thou." f. 54b.
f. 49b. 3. " Euen from the depth." f. 55b.
2. "0 God, giue eare and doe apply."
Additional 29247, ff. 3, 9b, 17b, 46, 47b and 76.
Paper ; after 1611. Oblong quarto.
Six Anthems by "W. Byrd and one by Tallis, in lute notation. See
under Lute Music.
Additional 18936-18939, passim.
Paper ; after 1612. Oblong octavo. For a further description of the MS., see
under Masses.
Sacred vocal compositions, in parts. The first four are for 3
voices ; the others appear to be for 5 voices, though only 4 parts remain.
1. "Heare my prayer, O Lord." By
J. Mundy(?). i, ii, iv, f.8b.
2. "Helpe me, O lord, my sauiour."
Anonymous, i, ii, iv, f. 8b.
3. " Ponder my words, 0 Lord."
Anonymous, i, ii, iv, f. 9.
4. "O heare yea this." Anonymous.
i, ii, iv, f. 9b.
5. "Haue mercy on vs, Lord." "Byrd."
i, ii, iv, f. 50; iii, f . 32.
6. "The Lord ys onely my support."
By the same, i, ii, iv, f. 50b; iii, f. 32b.
7. "Lord, to the I make my moane."
By the same, i, ii, iv, f . 50b ; iii,
f. 32b.
8. " O Lord, bow downe thy heauenly
eyes." By the same, i, ii, iv, f. 51 ;
iii, f. 33.
9. "Praise him on Tube," with second
part, "Ye gladsome sound." "Al-
phonso [Ferrabosco]." i, ii, iv,
f. 51b ; iii, f. 33b.
Additional 29401-29405, ff. 12b-51 passim.
Paper ; after 1613. Oblong duodecimo. For a further description of the MS.,
see under Madrigals.
Sacred vocal compositions, for 5 voices, in parts ; unattributed,
but (with the exceptions noted below) known to be by William Byrd.
1. "O God, giue ear." f. 12b.
± " Eucn from the depth." f. 18b.
3. "O Lord, bo we downe thine heavcnlyc
eyes." f. 26b.
1. " O Lord, how vayne." Probably by
Byrd. f. 27b.
5. "The man is blest." Probably by
the same, f . 45b.
6. "Blessed is hee [that fears]." f.45b.
7. "Blessed are those that be un-
defiled." By Tallis. f. 46b.
8. "O Lord, who in thy sacred tent."
f. 47b.
9. "Help, Lord." f . 48.
10. " 0 Lord, [how long]." f. 48b.
11. " Keioyce vnto the Lord." Written
in 1586-7. Uncertain composer,
f . 49b.
12. " Lord, in thy wrath." f. 50b.
13. " Yf that a sinner." f.51
ANTHEMS.
Royal Appendix 63.
Paper, ff. 31 ; after 1614 (see below). Small octavo.
Metrical Psalms or Anthems for 4 and 5 voices, being Sir
William Leigh ton's Tears or Lamentations of a Sorrowful Soul, 1614 :
the cantus part, with accompaniment of treble viol and lute written in
tablature below. Add. 31418 contains a copy of the vocal score of the
above work (see under Anthems, late 18th cent.).
1. "0 louing God and father deere."
" William Leighton, knight." f. 1.
2. "Come, lett us sing to god with
praise." By the same. f. lb.
3. "My soule doth long and shal
depend." By the same. f. 2.
4. "In thee, 0 Lord, I put my trust."
By the same. f. 2b.
5. "Thou art my God, thy helps at
hand." By the same. f. 3.
6. Almighty God, which hast mee
brought." By the same." f. 3b.
7. "An hart that's broken and con-
trite." " Jo. Dowland." f . 4b.
8. "0 Lord, thy names most excellent."
" W. Leighton, knight." f. 5.
9. "I cannot, Lord, excuse my sin."
By the same, f . 5b.
10. "Thou God of might hast chastned
me." "Jo. Milton." f.6.
11. "Yield vnto God the Lord on
high." " Ro. Johnson." f.6b.
12. "Almighty God, which hast me
brought." "Tho. Ford." f. 7.
13. " Alas that I offeuded euer." " E.
Hooper," f. 7b.
14. "0 God, to whome all harts are
seene." " Ro. Kindersley." f. 8.
15. "Almighty Lord and god of loue."
"Na. Giles." f.8b.
16. "He lye me downe to sleepe in
peace." " Jo. Coperario." f . 9.
17. "Attend vnto my teares, 0 Lord."
' • D[octor John] Bull." f . 9b.
IS. "In the, 0 Lord, I put my trust."
" Alphonso Ferrabosco." f. 11.
19. " Bee vnto me, O Lord, a tower."
"W. Bird." f.llb.
20. " What shall I render to the Lord ? "
"Ro. Jones." f. 12.
21. "I am quite tyred with mv grones."
"Jo. Wilby." f. 12b.
22. "0 let mee treade in the right
path." "Jo. Ward." f. 13.
23. "Most mighty" [and all-knowing
Lord]. " Tho. Weelkes." f. 13b.
24. "0 Lord, how doe my woes en-
crease." " Orlando Gibbons." f. 14.
25. "0 God, that no tyme doest des-
pise." " Mar. Peerson." f. 14b.
26. "Let thy saluation be my ioy."
"Ro. Jones." f. 15.
27. "0 Lord, giue eare to my com-
plaint." "Tho. Lupo." f. 15b.
28. "Hidden, 0 Lord, are my most
horred siunes." "Fra. Pilkington."
f. 16.
29. "Looke downe, 0 Lord, on me,
poore man." " W. Bird." f. 16b.
30. "In the departure of the Lord."
"D. Bull." f. 17b.
31. "0 Lord, come pittie my distresse."
"Alphonso Ferrabosco." f . 19.
32. "Attend vnto my teares, O Lord"
(not the same as No. 17). " D.
Bull." f. 19.
33. "I laid me downe to rest and
slept." "W. Bird." f. 19b.
34. "0 Lord, I lift my hart to thee."
" Orlando Gibbons." f. 20.
35. "0 Lord, behold my miseryes."
"Jo. Milton." f.20b.
36. "High mighty God of righteous-
nes." " Fra. Pilkington." f.21b.
37. "Welspring of bounty, God of
feare." "Hooper." f. 22.
38. "The cause of death is wicked
sinne." " Tho. Lupo." f . 22b.
39. " 0 lett me at thy footestoole fall."
" Martin Peerson." f. 23.
40. "0 Lord, howdo my woes encrease."
" Jo. Coperario." f . 23b.
41. "0 happy hee whom thou pro-
tectst." " Tho. Weelkes." f.24.
42. "Out of the deepe to the I cride."
"Na. Giles." f. 24b.
43. "Saue me, 0 Lord, for righteous
men." " Ro. Johnson." f.25.
44. "Not vnto us, but to thy name."
" Tho. Ford." f. 25b.
10
VOCAL MUSIC— SACKED.
45. "Lord, euer bridle my desires."
" Mar. Peerson." f. 26.
46. "0 had I winges like to a Dove."
"Jo. Milton." f.26b.
47. "Lament, lament, my soule, cry,
cry." "Ro. Jones." f.27.
48. "0 Lord, consider my great mones."
"Jo. Ward." f. 27b.
49. "0 God, the rocke of my whole
strength." " Jo. Wilby." f . 28.
50. "I shame at mine unworthiness."
"Jo. Dowland." f . 28b.
51. "If that a sinners sighes." "Jo.
Milton." f. 29.
52. "Judge them, 0 Lord, which me
pursue." "Ro.Kindersley." f . 29b.
53. "Come, come, helpe, helpe, 0 God,
OGod." "W. Bird." f. 30.
54. "0 Lord, come pitty my com-
plaint." "Thimolphus Thopul."
f.30b.
55. " In depth (sic) no man remembreth
thee." " Alphonso Ferrabosco." f. 31.
Additional 15117, ff. 7b, 12b-14, 16b.
Paper ; after 1614. Small folio. Belonged to Hugh Floyd, in 1630 ; on f. lb
is the name of John Swarland. The MS. also contains a Chamber Quartet, Duets
(secular), Lute music, Madrigals, a number from an Opera, Songs (sacred and
secular) of the same date ; also an index to a collection of Hymns, after 1599.
See under their respective headings.
Treble part, with lute accompaniment in tablature, of the following
Anthems : —
1. "0 God, geive eare and do applye."
Anonymous, f. 7b.
2. "Deliver me from myne Enimies."
By R. Parsons, f. 12b.
3. "Come let vs singe to God with
praise." By Sir W. Leighton. f. 13b.
4. " 0 lovinge god and father deere."
By the same. f. 13b.
By J.
on
5. " An heart thats broken."
Dowland. f. 14.
6. "Yeeld vnto God, the lord
highe." By R. Johnson, f. 14.
7. "0 sacrum conuivium," with the
alternative words "I call and crye."
By T. Tallis, from the Cantioncs
Sacrce of Tallis and Byrd, 1575.
f. 16b.
Nos. 3-6 are evidently taken from Sir W. Leighton's Tears or
Lamentations of a Sorroicful Sold, 1614.
Additional 29372-29377, passim.
Paper ; a.d. 1616. Small folio. For the Madrigals and Motets also contained
in these volumes, see under their respective headings.
" Tristiti^e Remedium. Cantiones selectissima? diuersorum turn
author urn turn argumentorum labor e et rnanu exarataj Thomae Myriell.
a.d. 1616." Anthems, part-songs and motets, in 4, 5 and 6 parts, in
six volumes — vol. i containing the cantus part ; ii, the altus ; iii, the
tenor ; iv, the bassus ; v, the quintus ; and vi, the sextus. The title-
page is engraved. The Anthems are : —
" John Warde." i-iv, f. 12.
. "Attend vnto my teares, 0 Lord."
"Dr. Bull." i-iv, f. 12.
. "0 Lord, giue eare to my complaint."
' ' Thomas Lupo." i-iv, f . 12b.
. " I am quite tyred with my groanes."
" John Wilby." i-iv, f. 13.
1. "Fraile man, despise the treasures
of this life." " Dr. Bull." i-iv, f. 9b.
2. "In the departure of the Lord." By
the same, i-iv, f . lib.
3. " Thou God of might hast chastned
me." "John Milton." i-iv, f. lib.
4. "0 let me tread in the right path."
ANTHEMS.
11
The following 62 Anthems are for 5 voices : —
8. "And the king was moued." Rich-
ard " Deering." i-iv, f. 14 ; v, f. 2.
9. "0 Jesu meeke." "Tho. Ravens-
croft, B. of M." i-iv, f. 15 ; v, f. 3.
10. "Pleade thou my cause, 0 Lord."
"M[artin] Pierson." i-iv, f.l5b;
v, f.3b.
11. "Ah helples wretch, what shall I
doe." " Thomas Rauenscroft." i-iv,
f . 16 ; v, f. 4.
12. "0 that my waves," with second
part, "I will thanke thee with an un-
fayned heart" (probably altered from
No. 81). " M[artin] Pierson." i-iv,
f. 1Gb, v, f. 4b.
13. " All laud and praise with heart and
voice." " Thomas Ravenscroft." i-iv,
f . 17b ; v, f . 5b.
14. "0 Lord, behold my miseries."
"John Milton." i-iv, f. 18 ; v, f. 6.
15. "If that a sinners sighs." By the
same, i-iv, f . 18b ; v, f. 6b.
16. "When David heard that Absolon
was slaine." By the same, i-iv, f. 19 ;
v, f.7.
17. "0 woe is me for thee, my brother
Jonathan." By the same, i-iv, f. 19b;
v, f . 7b.
18. "I am the resurrection." By the
same, i-iv, f. 20 ; v, f. 8.
19. " When Israel came out of Egypt "
(verse anthem). " MichaelEst." i-iv,
20b ; v, f . 8b.
20. " Rise, 0 my soule, with thy desires
to heauen." "William Simmes."
i-iv, f.21b; v, f. 9b.
21. " 0 heauenly God, 0 Father deare."
"William Damon." i-iv, f.23; v,
f. 11.
22. "0 sacred and Holy Banket" ("0
sacrum convivium " ). "Thomas
Tallis." i-iv, f. 25b ; v, f. 13b. With
another version, "I call and crie."
i-iv, f . 76b ; v, f . 63b.
23. ";Come, come, helpe, helpe, 0 God."
" Will. Byrde." i-iv, f. 27b; v, f. 15b.
24. "Not vnto us but to thy name."
"Tho. Poorde." i-iv, f. 28 ; v, f. 16.
25. "0 happie he whom thou pro-
tectst." "Thomas Weelkes." i-iv,
f . 28b ; v, f . 16b.
26. "0 let me at thy footestoole fall."
"Mar. Pierson." i-iv, f. 29 ; v, f. 17.
27. "Judge them, 0 Lord, which me
pursue." "Robert (William, in
vol. iii) Kyndersly." i-iv, f. 29b; v,
f . 17b.
28. " 0 Lord, consider my greate
moanes." "JohnWarde." i-iv, f. 30
v, f. 18.
29. "I laid me downe to rest and
slept." " William Byrd." i-iv, f. 30b
v, f. 18b.
30. "0 Lord, how doe my woes in-
crease." "John Coprario." i-iv
f. 31 ; v, f. 19.
31. " Ovt of the deepe." " Tho. Lupo.'
i-iv, f . 34b ; v, f. 21b.
32. " My eyes with feruency of spirit.'
"William Byrd." i-iv, f.36b; v
f . 23b.
33. " My soule opprest with care and
greife." By the same, i-iv, f. 37
v, f. 24.
34. "0 goe not from me." "Martin
Pierson." i-iv, f. 37b ; v, f. 24b.
35. "Blow out the trumpet." By the
same, i-iv, f . 38b ; v, f. 25b.
36. " Who will rise vp with me," with
second part, "But when I said." By
the same, i-iv, f . 39b ; v, f . 26b.
37. "Raine eyes, in tender memory
weepe" (verse anthem). By the
same, i-iv, f . 40b : v, f . 27b.
38. "Fly, rauisht soule," with second
part, " Rest there a while," and third
part, "Mvse still thereon" (verse
anthem). By the same, i-iv, f. 41b;
v, f. 28b.
39. "I am brought into so great trou-
ble," with second part, "My heart
panteth." By the same, i-iv, f. 43b ;
v, f. 30b.
40. "0 Lord, thou hast searched me
out," with second part, "Thou art
about my path," third part, "Thou
hast fashioned me," and fourth part,
"Whether shall I goe." By the
same, i-iv, f. 47 ; v, f . 34.
41. "See, see, the word is Incarnate."
"Orlando Gibbons." i-iv, f. 65 ; v,
f.52.
42. "Downe, caitiue wretch," with
second part, "Prayer is an endles
chaine." "JohnWarde." i-iv, f. 66b;
v. f . 53b.
12
VOCAL MUSIC— SACRED.
43. "How long wilt thou forget me."
By the same, i-iv, f. 68b ; v, f. 55b.
44. "Almighty God, which by the
leading" (probably taken from No.
75). "John Bull." i-iv, f.69b; v,
f . 56b.
45. " Heare me, 0 God, a broken heart."
"Alfonso Ferabosco." i-iv, f. 72b;
v, f. 59b.
46. "I lift my hart to thee, my God."
" Doctor Tye." i-iv, f. 75b ; v, f. 62b.
47. " Saue me, 0 God, for thy names
sake." "M. Coste." i-iv, f. 78b;
v, f. 65b.
48. "0 giue thanks vnto the Lord, for
he." By J. Munday. i-iv, f . 79b ;
v, f. 66b.
49. "Deliucr me from mine enimies."
By R. Parsons, i-iv, f. 80b ; v, f. 67b.
50. "Blessed art thou that fearest
God." •• Peter Philips." i-iv, f. 81 ;
v, f. 68.
51. " 0 Jesu, looke." " George Kirby."
i-iv, f.81b; v, f. 68b.
52. "Heare my prayer, 0 Lord, and let"
(verse anthem). "Mr. Wilkinson."
i-iv, f. 82b ; v, f . 69b.
53. " It is a good thing to giue thanks."
"John Lugge." i-iv, f. 83b; v,
f . 70b.
54. "Long haue I lifted vp my voice."
" G. Hanford." i-iv, f. 87 ; v, f. 74.
55. "0 God of Gods," with second part,
" To the Almighty Trinity." " John
Bennet " or " Bennett." i-iv, f. 87b ;
v, f . 74b.
56. "Giueeare, 0 God" (verse anthem).
"Tho. Weelkes." i-iv, f.91b; v,
f. 78b.
57. " O clap your hands," with second
part, " God is gone vp." "Michael
East." i-iv, f. 92b ; v, f. 79b.
58. "0 Lord, turne thy wrath," with
second part, "Bowe thine eare."
"Will. Byrd." i-iv, f.97b; v, f.84b.
See also " Ne irascaris," i-iv, f. 74b,
v, f. 61b; and " Civitas sancti," i-iv,
f. 75, v, f. 62.
59. "Preuent vs, 0 Lord." By the
same, i-iv, f . 99b ; v, f . 86b.
60. "Haue mercy vpon me, 0 God,
after thy greate goodnes." "Simon
Stubbes." i-iv, f . 100b ; v, f . 87b.
61. "Sing ioyfully vnto God our
strength" (verse anthem). "John
Mundy." i-iv, f . 101b ; v, f. 88b.
62. " Preserue me, 0 Lord, from those "
(verse anthem). "Tho. Wilkinson."
i-iv, f. 103b ; v, f. 90b.
63. "Pvt me not to rebuke" (verse
anthem). By the same, i-iv, f. 1041) ;
v, f. 91b.
64. " When David heard that Absolon
was slaine." " Tho. Tomkins." i-iv,
f. 107b ; v, f. 94b.
65. "Father of loue, pure fountaine of
rich grace." " Simon Stubbes." i-iv,
f . 110b ; v, f . 97b.
66. "Alleluiah, salvation and glory."
"Tho. Weelkes." i-iv, f. 111b; v,
f . 98b.
67. " Behold, it is Christ." "Edmund
Hooper." i-iv, f . 115b ; v, f. 102b.
68. "With all our heart and mouth."
"Tho. Tallis." i-iv, f. 116b; v,
f . 103b.
69. " Let God arise " (verse anthem).
"Jo. Ward." i-iv, f. 117b ; v, f. 104b.
The following Anthems are for 6 voices :-
70. " 0, O my sonne Absolon." " Tho-
mas Weelkes." i-iv, f. 122b ; v, f . 109b ;
vi, f. 4b.
71. " 0, 0 Jonathan, woe is me for thee."
By the same, i-iv, f. 123 ; v, f. 110 ;
vi, f. 5.
72. " Lord, in thy wrath rep roue me
not," with second part, " Long haue I
languisht." " Giovanni Croce." i-iv,
f. 130b ; v, f. 117b ; vi, f. 12b.
73. " Shew mercy, Lord, on me," with
second part, "Giue me a cleane
hart."
By the same, i-iv, f. 131b ; v, f . 118b ;
vi, f. 13b.
74. "Christ rising," with second part,
"Christ is risen." " William Byrd."
i-iv, f. 137 ; v, f. 124 ; vi, f. 19.
75. " How doth the holy City remainc
solitary," with second part, "She
weepeth continually." "John Mil-
ton." i-iv, f. 138b; v, f. 125b; vi,
f . 20b.
76. "Almighty God, which by the
leading." "Doctor Bull." i-iv,
f. 140b ; v, f. 127b ; vi, f. 22b.
ANTHEMS.
13
77. " Lord, remember Dauid." "Mat-
thew Jeffrye." i-iv, f. 141b ; v, f. 128b ;
vi, f. 23b.
78. " In thee, 0 Lord, doe I trust." By
the same, i-iv, f. 142b ; v, f . 129b ;
vi, f. 24b.
79. "When David heard that Absolon
was slaine." " Tho. Weelkes." i-iv,
f. 143; v, f. 130; vi, f. 25.
80. " If the Lord himself." " Matthew
Jeffry." i-iv, f. 143b; v, f. 130b; vi,
f. 25b.
81. "Thou art my king, 0 God, send
help." "Tho.Tomkins." i-iv, f. 144b;
v, f.l31b; vi,f.26b.
82. " 0 that my waies were made so
direct," with second part, " I will
thanke thee." (What appears to be
an organ part has been added in
vol. vi.) " Martin Pierson." i-iv,
f. 148b ; v, f. 135b ; vi, f. 30b.
83. " Sing ioyfully vnto God, our
strength." "William Byrd." i-iv,
f . 156b ; v, f . 143b ; vi, f. 38b.
84. " Almighty Lord, whose loue," with
second part, " Bend downe, 0 Lord."
"William White." i-iv, f.l57b; v,
f. 144b ; vi, f. 39b.
85. " It is my welbeloueds voice."
"Tho. Tomkins." i-iv, f. 159b; v,
f. 146b ; vi, f. 41b.
86. "Sing vnto God" (verse anthem).
By the same, i-iv, f. 160b ; v, f. 147b ;
vi, f. 42b.
87. " Lord, in thine anger doe no more
rcproue me." "Jo. Croce." i-iv,
f. 171b ; v, f. 158b ; vi, f. 53b.
88. " My strength eu'n fayles me." By
the same, i-iv, f. 172b; v, f. 159b;
vi, f. 54b.
89. " Lord, bend thy righteous eares."
Anonymous, i-iv, f. 173 ; v, f. 160 ;
vi, f. 55.
90. "From deepest horror of sad peni-
tence." "Tho. Tomkins." i-iv,
f. 174b ; v, f. 161b ; vi, f. 56b,
Additional 34800, A, ff. 46, 47 ; B, C, ff. 48, 49.
Paper ; after 1618. Small octavo. For a further description of the MS., seo
under Motets.
Sacrkd compositions fur 3 voices, in parts. Anonymous.
1. " Sittinge alone I did lament." a,
f. 47 ; B, c, f . 49.
2. " Excesse of wealth." a, f. 46; n,c,
f. 48.
Additional 17792-17796, passim.
Paper ; after 1624, the date of the earliest known publication (see below).
Small oblong quarto. In the original binding, stamped I. M. The MS. contains
also Bass-viol music, a Carol, Lamentations, Madrigals, Motets, Services, and String
Duets, Trios, Quartets, Quintets, and Sextets (see under the respective headings).
Anthems, etc., including a few so-called Hymns, in parts. The five
volumes contain respectively the cantus, altus, tenor, quintus, and
bassus parts ; the sextus part is wanting. The first three Anthems
are for 4 voices, being taken from Sacred Hymnes, by John
Amner, 1615.
1. "Sainte Marie now," with second
part, " At length to Christ," and third
part, "But he the God of loue." i, v,
f. 17 ; ii, iii, f. 19.
2. " Sweet ar the thoughts." i, v,
f. 18b ; ii, iii, f. 20b.
3. "Com, letes reioyce." i, v, f. 19b;
ii, iii, f. 22b.
4. "When Israeli came out" (a 5).
"M. Easte," [1610]. i, f. 112b ; ii,
f. 116 ; iii, f. 118 ; iv, f. 105b ; v,
f. 110.
5. "Rise, o my soule" (a 5). " M (?)
East." i, f. 114b; ii, f. 117b; iii,
f. 119b; iv, f.107; v, f.lllb.
6. "Singe wee mcrrilic" (a 6). " M.
Easte" [1624]. i, f. 116b; ii, f. 119b;
iii, f. 121; iv, f. 109; v, f. 113.
II
VOCAL MUSIC- SACRED.
The following 27 (nos. 7-33) are for 5 voices :-
7. " Reioice, reioice " (with chorus a 8).
"Tho. Thomkins." i, f. 118; ii,
f. 121b; iii, f. 122b; iv, f. 110b; v,
f. 114b.
8. " Ne irascaris," beginning " 0 Lorde,
turne thy wrath." " William Birde "
[1589]. i, f. 120; ii, f. 123b; iii, f. 124b;
iv, f.ll2b; v, f.116.
'.>. "Ogoe not from ine." "Palmer"
[M. Pierson in Add. 29372]. i,
f. 121b ; ii, f. 125 ; iii, f. 126 ; iv, f. 114 ;
v, f. 117b.
10. "Deliuervs, o lorde." Anonymous,
i, f. 123b; ii, iii, f.l27b; iv, f.H5b;
v, f. 118b.
11. "Almightie God, y* fountaine."
"Tho. Tomkins." i, f. 124b ; ii,
f.l26b; iii, f.l28b; iv, f.H6b; v,
f. 119b.
12. "Behould, it is Christ." "E.
Hooper." i, f. 125b; ii, f. 128b; iii,
f. 129b ; iv, f . 117b ; v, f . 120b.
13. " Stirre vp, wee beceech thee."
Anonymous, i, f. 126b; ii, f. 129b;
iii, f. 130b; iv, f. 118b; v, f. 121b.
14. "How longe shall mine enemies."
By W. Byrd. i, f. 127b ; ii, f. 130b ;
iii, f. 131b ; iv, f. 119b ; v, f. 122b.
15. " Wipe awaie my sinnes," sc. " Abs-
terge, Domine," by Tallis, 1575.
i, f.l28b; ii, f.l31b; iii, f. 132b;
iv, f. 120b ; v, f. 123b.
16. Blessed be thie name." By the
same, i, f. 130 ; ii, f. 133 ; iii, £. 152 ;
iv, f . 122 ; v, f. 125.
17. "O geeue thanks vnto the Lorde,
for hee is gracious." By N. Giles.
i, f 130b; ii, f. 133b; iii, f. 152b ;
iv, f . 122b ; v, f. 125b.
18. " Reioyce in the Lorde, o yee
righteous." Anonymous, i, f. 131b ;
ii, f. 134b; iii, f.l53b; iv, f. 123b;
v, f. 126b.
19. "Holy, Holy, Holie, Lorde God."
By R. Parsons, i, f. 132b ; ii, f. 135b ;
iii, f. 154b ; iv, f. 124b ; v, f. 127b.
20. " Remember not, Lorde." By
J. Amner [1615]. i, f. 133b ; ii,
f.l36b; iii, f. 155b; iv, f. 125b; v,
f . 128b.
21. "O Lord, I bowe the knees." By
W. Mundy. i, f.134; ii, f.l37b;
iii, f . 156 ; iv, f . 126b ; v, f. 129b.
22. "With all our harts." By Tallis.
i, f.l35b; ii, f. 138b; iii, f. 157 ; iv,
f.l27b; v, f. 131.
23. "I will sing vnto the Lord." By
J. Amner [1615]. i, f.l36b; ii,
f.l39b; iii, f. 157b; iv, f. 128b; v,
f. 131b.
24. "Hee that decended." By the
same [1615]. i, f. 137 ; ii, f. 140;
iii, f. 158 ; iv, f. 129 ; v, f. 132.
25. " 0 God, whom our offences."
"Birde." i, f. 137b; ii, f. 140b ; iii,
f.l58b; iv, f.l29b; v, f. 132b.
The following 8 are anonymous : —
26. "Al people, clape your handes."
i, f.l38b; ii, f.l41b; iii, f.134; iv,
f. 130b ; v, f . 133b.
27. "0 Lorde, rebuke me not." i.
f. 139b; ii, f. 142b; iii, v, f. 134b; iv,
f. 131b.
28. "Christ rising againe," in two parts,
i, f. 140b; ii, f. 143b ; iii, v, f.l35b;
iv, f. 139.
29. "Lordo, enter not into judgment."
i, f. 141b; ii, f.l44b; iii, f.l36b;
iv, f. 133b; v, f . 137b.
The following G are for 6 voices :-
34. "0 giuc thanks vnto the Lord."
By J. Mundy. i, f. 147 ; ii, f. 150 ;
iii, f. 142; iv, f.l40b; v, f. 143b.
30. "Lett God arise." i, f . 142b ; ii,
i. 145b; iii, f.l37b; iv, f,134b; v,
f. 138b.
31. "Out of the deepe." i, f.l43b;
ii, f. 146b; iii, f . 138b ; iv, f.l35b;
v, f. 139b.
32. ' ' Blessed art thow that fearest
God." i, f. 144b; ii, f.l47b; iii,
f. 139b ; iv, f . 136b ; v, f . 140b.
33. "Heare my criyng, of (sic) God."
i, f. 145b; ii, f.l48b; iii, f.l40b;
iv, f. 137b ; v, f. 141b.
35. " Giuc sentence with me." " Ran-
dall." i, f.l48b; ii, f.l51b; iii,
f. 143b ; iv, f . 141b ; v, f. 144b.
ANTHEMS.
15
36. "Sing ioyfullie vnto God." " W.
Byrd." i, f.150; ii, f.l52b; iii,
f. 144b ; iv, f. 142b ; v, f . 145b.
37. "With Angells and Archangells."
Anonymous, i, f. 150b; ii, f. 155b;
iii, f. 145b; iv, f.l43b; v, f. 146b.
38. " Woe is me that I am constrained."
"To. Tomkins" [1622]. i, f. 151b;
ii, f. 153b; iii, f. 146b; iv, f. 144b;
v, f. 147b.
39. "Turne vnto the Lorde." By the
same [1622]. i, f. 152 ; ii, f. 154;
iii, f. 147 ; iv, f. 145 ; v, f. 148.
40. "Awake vp, my Glorie " (a 7).
Anonymous, i, f. 152b; ii, f . 154b ;
iii, f. 147b ; iv, f. 145b ; v, f. 148b.
41. "0 Lord, arise" (a 7). By T.
Weekes. i, f. 153b; ii, f. 156b; iii,
f. 148b ; iv, f. 146b ; v, f. 149b.
42. "0 singe vnto the Lorde a new
song" (a 7). Anonymous, i, f . 154b ;
ii, f. 157b; iii, f. 149b; iv, f . 147 ;
v, f. 150b.
43. " Reioice in the Lorde, 0 yee
righteous " (a 6). By " M. Jefferies."
i, f. 155b; ii, f . 158b ; iii, f. 150b; iv,
i. 148b; v, i. 151b.
44. " Holie, [holie, holie,] Lorde God
allmightie." " T. Batson." i, f. 156b;
ii, f. 159b; iii, f. 151b; iv, f. 149b;
v, f. 152b.
Additional 29289, ff. 83b-107 passim, and 115.
Paper ; about 1029 (f. 110). Folio. The same MS. contains numerous
Services (see under that heading).
Single parts (altus, unless the contrary is stated) of Anthems by
English composers of the 16th and 17th centuries, viz. : —
1. " 0 Lord, the maker." "Mundie."
f . 83b.
2. "0 Lord, ye world's Saviour." By
the same. f. 84.
3. "My song shalbe." By the same,
f . 84b.
4. " O Lord God of hostes." " Tallis."
f . 85b.
5. "0 Lord, give thy Holy Spirit."
By the same, f . 86.
6. " 0 God, be mercifull." " Strogers."
f . 86b.
7. "Call to remembrance." By Far-
rant, f . 87.
8. "Hide not Thou Thy face." By
the same. f. 87b.
9. "I will exalt Thee." Tenor part.
"Dr. Tye." f.87b.
10. " 0 God, be mercifull." Tenor part.
By the same. f. 89.
11. "I have loued ... for y' Lord
will heare." Tenor part. By the
same, f . 90.
12. "0 Eternall God." "Johnson."
f . 91b.
13. "Remember not, 0 Lord." "Tal-
lis." i. 92b.
14. 0 God, be mercifull." " Shcp-
harde." f. 93.
15. "0 Lord of hosts." Tenor part.
" Dr. Tye." f. 94.
16. "Teach me, 0 Lord." Tenor part.
" Mundie." f. 94b.
17. " 0 clap your hands." By Orlando
Gibbons, f . 95b.
18. "0 Thou God Almighty." For 5
voices. "Hooper." f . 96b.
19. "With all our harts." "Tallis."
f . 96b.
20. "Blessed be Thy name." By the
same. f. 97.
21. " Let my Complaint." " Shep-
harde." f. 97b.
22. "Saueme,OGod." "Dr. Tye." f.98.
23. " Hast Thee, 0 God." " Shephard."
f . 98b.
24. " Teach me Thy waye." " Hooper."
£.99.
25. " 0 Lord, our Gouernour." Anony-
mous, f. 101.
26. " God be mercifull." Second treble
part. " Mundie." f. 102.
27. "Submitt yourselues." "Shep-
hard." f. 102b.
28. "I giue you a newc Command-
ment." By the same. f. 103.
29. "If you loue Me." "Tallis."
f. 103b.
16
VOCAL MUSIC- SACRED.
30. " Hearc the voyce." By the same,
f. 103b.
31. "This is my Commandment."
Soprano part. "Johnson." f. 104.
32. "He that hath My Command-
ments." Tenor part. " Coste."
f. 104.
33. "Behold, it is Christ." Tenor part.
••Muudie." f. 104b.
34. "A newe commandment." " Tal-
lis." f. 104b.
35. "Praise the Lord, 0 ye servants."
By Mundy. f. 105.
36. "If you loue me." "White."
f . 105b.
37. "Reioyce in the Lord." " Shcp-
hard." f. 105b.
38. "Christ rising againc." Tenor
part. By the same. f. 10G.
39. "Let vs nowe laude." Second
treble part. "Mundie." f. 107.
40. "Almighty and cuerlasting God,"
for 4 voices. " Orl. Gibbons." f. 115.
Additional 11608, ff. 23b-50 passim.
Paper; a.d. 1G56-1G59.
mjc under Songs.
Small folio. For the further contents of the MS.,
Anthems, etc., for 3 voices (unless the contrary is stated), with a
bass. Nos. 2-6 are by Johu Hilton ; nos. 4-6 consist of 1st treble
with basso continuo in score, and separate 2nd treble and bass parts.
1. "A Dialogue betweene (1) Saul, (2)
the witch of Endor and (3) Samuell's
Ghost," beginning "In guiltie night,"
in score. " Ro. Ramsey." f. 23b.
2. "A Dialogue of King Solomon and
the 2 harlotts," beginning " When
Israeli's sweet synger slept." f. 39b.
3. "The Dialogue of Job : God, Satan,
Job's wife and ye messingers," begin-
ning "Amongst my Children dares
y6 feind appeare. f. 42b.
4. "Thewayes of Zyon doe mourne."
f . 47b.
5. "The precious sons of Zyon." f. 48b.
G. "The breath of our nostrills." f. 49b.
Additional 30478, 30479.
Paper; a.d. 1GG4, 1G70, etc. Folio. Vol. i (see f. 1) appears to have belonged
in 1664 to George Dauenport, chaplain to John Cowin, Bishop of Durham. For
the cover of vol. ii, sec below; on a fly-leaf is the bookplate of "Mess" Sharp,
London," representing a large organ, " Gran[vi]lle Sharp invenit." For further
contents, see under Services.
" A Bookk of Selected Chvrch-Mvsick Consisting of full Anthems
and Anthems with verses Used in the Cathedrall Chvrch of Durham.
Anno Domini 1664." Vol. i is so entitled, and contains the tenor
Cantoris part. Vol. ii is practically a duplicate, and its cover is
stamped with the title, " Anthemes Tenor Cantoris Preb. vii I. B.
MDCLXX,"the initials no doubt being those of Isaac Basire (d. 1676),
Prebendary of the seventh stall in Durham Cathedral. The first 35
anthems in vol. i are printed, and with Nos. 101-114 form Rev. John
Barnard's First Book of Selected Church Musiclc, 1641.
3. "Hide not thou thy face." "Richard
Farrant." i, f. 6.
4. "Call to remembrance." By the
same, i, f. 6b.
5. " Haste thee, O God," with a second
part, "Bvt lot all those." "John
Shepheard." i, f. 7. (According to
1. "O Lord, give thy holy Spirit."
" Thomas Tallis." i, f. 5.
2. "Teach me thy way." i, f . 5b.
Attributed here and in other MSS. to
"Edmund Hooper," but ascribed in
vol. i, f. 81, and vol. ii, f. 43, to
" William (?) Mundy."
ANTHEMS.
1
Tudway, iu Had. 7340, f. 40, "Thomas
Shepherd ").
6. " 0 Lord, the maker." i, f. 7b. As-
signed here to " William Mundy," but
in i, f. 56b, and ii, f. 55 (where the
verse portions also are given), to
"[John(?)] Shepperd."
7. "0 Lord, the world's saviour" (see
also no. 67). "William Munday."
i, i. 8.
8. "Deliver vs, 0 Lord," with second
part, "Blessed bee the Lord God of
Israeli." "Orlando Gibbons." i,
f.9.
9. "Almighty and everlasting God."
By the same, i, f. 9b ; ii, f . 23b.
10. "0 praise the Lord, all ye heathen."
"Adrian Batten." i, f. 10 ; ii, f. 65.
11. "Hide not thou thy face." By the
same, i, f. 10b.
12. "Lord, we beseech thee." By the
same, i, f. 11.
13. "Haste thee, 0 God," with second
part, "Bvt let all those." By the
same, i, ff. 11, lib.
14. "When the Lord turned againe."
By the same, i, f. 12.
15. "I will exalt thee," with second
part, "Sing vnto the Lord." " Doctor
Tye." i, ff . 12b, 13.
16. " 0 God, be mercifull vnto us." By
the same, i, f. 14.
The above are for 4 voices ; the following 14 for 5 voices
17. "With all our hearts." By " Tho-
mas Tallis." i, f. 15b.
18. "Blessed bee thy name." By the
same, i, ff . 16, 37 ; ii, f. 18b.
19. " 0 thow God Allmighty." i, f. 16b.
Attributed here to "Edmund Hoop-
er," but in i, f. 37b, and ii, f. 19, to
" [William (?)] Mundy."
20. " I call and cry." " Thomas Tallis."
i, f. 17; ii, f. 5b.
21. "0 Lord, I bow the knee."
" William Mundy." i, f . 17b. Differ-
ing slightly from the other copies in
i, f. 36, andii, f . 17b.
22. "Prevent vs, 0 Lord." "William
Bird." i, f. 18b ; ii, f. 28.
23. " Behold, It is Christ." " Edmund
Hooper." i, f. 19b ; ii, f. 6b.
24. "The Lord blesse vs." "Robert
White." i, f. 20 ; ii, f. 5.
25. "Wipe away my sins." "Tallis."
i, f. 20b.
26. "0 God, whom our offences."
" Will. Bird." i, f. 22.
27. "0 Lord, make thy servant Charles."
By the same, i, f. 23 ; ii, f. 8b.
28. "I lift my heart to thee." " Doctor
Tye." i, f.23b; ii, f. lib.
29. "0 Lord, turne thy wrath," with
second part, "Bow thine eare."
" William Bird." i, ff. 24b, 25. With
another version, " Let not thy wrath."
ii, f. 30.
30. " 0 give thankes vnto the Lord, for
he." " Doctor [Nathanael] Giles."
i, f. 26 ; ii, f. 7b.
Of the following Anthems nos. 31-34, 37, 38, 43, 48 are for 6 voices : —
31. " Sing joyfully." "William Bird."
i, f. 27; ii, f. 11.
32. "Deliver me from mine enemies."
" Rob. Persons." i, f. 27b.
33. " Hosanna to the Sonne of David."
"Orlando Gibbons." i, f.28b; ii,
f. 24.
34. " Lift vp your heads." By the
same, i, f. 29; ii, f.47.
35. "0 Lord, grant the king" (for 6
and 7 voices). " [Thomas] Weelkes."
i, f. 30.
36. "0 how glorious." " [Robert]
White." i, f. 31 ; ii, f. 7.
37. "Out of the deepe." "Morley."
i, f. 31b; ii, f.9.
38. "0 God, the proud." "Bird." i,
f . 32 ; ii, f. 10.
39. " Deliuer me from mine enemies"
(slightly altered from no. 32, attri-
buted to Parsons). By the same.
i, f. 32b ; ii, f. 12b.
40. " 0 how Amiable." " Weelks." i,
f. 33 ; ii, f. 14.
41. "Holy . . . Lord God Almightie."
« Robt. Parsons." i, f. 34 ; ii, f. 14b.
42. "0 giue thanks vnto the Lord, for
hee." "John Mundy." i, f.34b;ii,
f. 15b.
43. " 0 Lord, giue eare." "Bird." i,
f . 35b ; ii, f . 17.
44. "Almightie God, the fountainc."
18
VOCAL MUSIC— SACRED.
"[Thomas] Tomkins." i, f. 38 ; ii,
f . 19b.
45. "Saue me, 0 God, for thy names
sake." " Bird." i, f. 39 ; ii, f. 13.
46. "0 God of my salvation." "Tho.
Warrock" (called "Warwick" in the
index), i, f. 39b ; ii, f. 27.
47. "Allmightie [God, which in Thy
wrath"]. Verse anthem. "Adrian
Batten." Composed " in the time of
the plag." i, f. 40.
48. " Reioyce in ye Lord." " [M.] Jef-
feries." i, ff. 40b, Gib; ii, f. 20b.
49. "HoweLonge shall myne enemies."
"Bird." i, f.41; ii, f. 25.
50. "Giue laude vnto thee Lord."
"Mundy." i, f . 42 ; ii, f. 29.
51. " Behould, nowe praise." " [W. (?)]
White." i, f . 43 ; ii, f. 33b.
52. "0 praise God in his holynes" (7
voices). " [R.] White." i, f. 44 ; ii,
f. 21b.
53. "God standeth in the Congrega-
tion." " Read." i, f. 45 ; ii, f. 29b.
54. "Blessed is the man that feareth."
"Rutter." i, f. 45b; ii, f. 32.
55. "Arise, 0 Lord, whie sleepest thou."
"Bird." i, f . 46 ; ii, f . 32b.
56. " Call to remembrance." " [John]
Hilton." i, f. 47; ii, f. 34b.
57. "0 God, whose nature." " Henrie
Palmar." i, f. 48 ; ii, f. 27b.
58. "Almightie and euerlasting God."
"Yarrow." i, f.48b; ii, f.37b.
59. "The eyes of all." "Geeres." i,
f . 49 ; ii, f. 36.
60. " By the waters of Babylon." "Tho.
Willson." i, f . 49b ; ii, f . 40b.
61. "0 pray for the peace of Jerusa-
lem." "Jo. Nichals." i, f. 51 ; ii,
£.37.
62. "When the Lord turned." "Jo.
Foster." i, f. 52 ; ii, f. 38b.
63. "If the Lord himselfe." By the
same, i, f. 53 ; ii, f. 39b.
64. Glorie be to God on high." By the
same, i, f. 54; ii, f. 44.
65. "When y» Lord turned."
" [Joseph (?)] Stephenson." i, f. 55 ;
ii, f . 53.
66. "Arise, 0 Lord, and hearc."
"Tallis." i, f. 56; ii, f. 54.
67. "0 Lord, thec worlds Saviour."
"Wood." Differing slightly from
no. 7, which is attributed to Mundy.
i, f.57b; ii, f.56.
68. "God, which hast prepared."
"Mudd." i, f.58b; ii, f . 57b.
69. "Yee that feare the Lord." "[J.]
Hutchinson." i, f. 59 ; ii, f. 58b.
70. "Praise the Lord, O my soule."
" [H.] Loosemore." i,f.60b; ii, f . GO.
71. "I will magnifie thee, 0 Lord."
"Hooper." i, f.01; ii, f. 46.
72. "Praise thee Lord, yee servants."
"Jefferies." i, f.62b; ii, f. 49.
73. " Behoulde, nowe praise." " Allin-
sonne" [in the index, Allison], i,
f. 64 ; ii, f. 50.
74. "Blowevpthe trumpet." " Pear-
sone." i, f. 65 ; ii, f. 51.
75. "0 singe vnto y* Lord a newe
Songe." "Thomas Tomkins." i,f.66;
ii, f. 52.
76. " Out of the deepe." "[John]
Hutchinson." i, f. 67; ii, f. 64.
77. "0 Lord, let it be thy pleasure."
By the same, i, f. 67b ; ii, f. 73b.
78. "Grant, wee beseech the, mercyfull
Lord." By the same, i, f. 68; ii,
f. 74.
79. "Euer blessed Lord." "[Robt.]Per-
sons " or " Parsons." i, f. 68b ; ii, f. 72.
80. "Behold, how good and joyfull."
"Jo. Hutchinson." i, f. 69; ii,
i. 61b.
81. " My songe shall be." "Jo. Foster."
i, f.69b; ii, f.62b.
82. " Keepe, wee beseech the." "Hird-
son" or "Heardson." i, f.70b; ii,
f . 63b.
83. " 0 Lord, grant y'Kinge." "Docter
Child." i, f. 71 ; ii, f.73.
84. "Almighty and everlasting God"
" [Johu] Foster." i,.f. 71b ; ii, f. 60b.
85. "I am the resurrection." By the
same, i, f. 72 ; ii, f. 45.
86. "Arise, 0 Lord." " [0.] Gibbons."
i, f.73.
87. "OGod.beemcrcifull." "btrogcrs."
i, f. 73b; ii, f. 57.
88. " Almighty God, which hast giucn."
"[Edmund] Hooper." i, f. 7-1 ; ii,
f. 35b.
89. "Rejoyce in the Lord" (for men).
"Mundy." i, f.75; ii, f. 65b.
90. "Let us nowe laudo " (for men).
Bv the same, i, f. 70b; ii, f.GGb.
ANTHEMS.
19
91. "Hee that hath my Conimande-
nients." "Dr. Giles." i, f.76b; ii,
f.67.
92. "Hee that hath my commande-
ments." "Mundy." i, f . 77 ; ii,
f.68.
93. "If yea loue me." By the same.
i, f. 77b ; ii, f. 69.
94. " This is my commandement." By
the same, i, f. 78 ; ii, f. 69b.
95. "Heare the voyce and prayer." By
the same, i, f. 79 ; ii, f. 70.
96. " Submit yourselues." " [J.] Shep-
perd." i,f.80; ii, f. 71.
97. "Let thy mercyfull cares."
"Muds" or "Mudd." i, f.80b; ii,
f.43.
98. "0 praise yM Lord of heaven."
"Geeres." i, f.81b; ii, f. 26.
99. " Singe wee merrily." "Jefferics."
i, f. 82; ii, f.48.
100. "Singe wee merrily." "Daniel
Taler" or "Taylor." i, f.83; ii,
f. 22b.
The preceding are full anthems, and the following verse anthems,
unless the contrary is stated ; nos. 101-114 in vol. i are printed (see
above) : —
101. "0 Lord, rebuke me not." "Wil-
liam Bird." i, f. 84.
102. "Heare my Prayer, 0 God." By
the same, i, ff. 84b, 137b ; ii, f. 127.
103. " Ah helplesse wretch." "William
Mundy." i, f. 85.
104. "Out of the deepe." "Thomas
Morley." Not the same as no. 37.
i, f. 86 ; ii, f . 82.
105. "Behold, thou hast made." " Or-
lando Gibbons." i, f. 86b ; ii, f. 104.
106. "Out of the deepe." "Adrian
Batten." i, f. 87 ; ii, f. 135b.
107. " I will praise the Lord." "John
Ward." i, f. 88.
108. "Thou God, that guidst." "Bird,"
i, f. 89.
109. "Christ Rising again," with se-
cond part, "Christ is Risen." " Will.
Bird." i, ff . 89b, 90 ; ii, ff . 156b, 157.
110. "Deliver me, 0 God." "D. Bull."
i, f. 90b.
111. " Let God arise." " John Ward."
i, f. 91 ; ii, f. 85.
112. " 0 how happy a thing it is."
" Doct. Giles." i, f. 92 ; ii, f. 82b.
113. " 0 God, mystrength." " Mundy."
i, ff. 92, 132b ; ii, f. 82b.
114. " Blessed art." By the same, i,
f.93; ii, f. 83b.
115. "My Lord." " Doc : Giles." i,
f . 93b ; ii, f. 84b.
116. " Save mee, 0 God." "Richard
Portman." i, f. 94 ; ii, f. 87.
117. " Sing vnto ye Lord." " [0.] Gib-
bons." i, f. 95 ; ii, f. 87b.
118. "0 God of Gods." "[Edmund]
Hooper." i, f.95b; ii, f.90.
119. "Wee praise thee, 0 Father."
"[0.] Gibbons." i, f. 97 ; ii, f. 92.
120. " In the, 0 Lord." " DoC : Bull."
i, f. 98 ; ii, f. 102b.
121. "Blessed bee y° Lord God of
Israeli." "Tomkins." i, f . 98b.
122. "This is ye record." "[0.] Gib-
bons." i, f. 99 ; ii, 105.
123. "Howe longe shall I seeke coun-
sell." " Morley." i, f. 99b ; ii,
f. 105b.
124. "0 God, my heart." "Rich.
Hutchinson." i, f. 100b ; ii, f . 107.
125. " When Israeli came out of Egipt."
"Mich. East." i, f. 102 ; ii, f. 108.
126. "Heere me, 0 Lord." " Fidor "
(Fidoe, in the index), i, f. 103 ; ii,
f. 100b.
127. "Thou art my King." "Tom-
kins." i, f. 104; ii, f.91b.
128. "I will wash my hands." "Wil-
liam Smith." i, f. 104b; ii, f. 93.
129. " 0 Lord, I am not highminded."
'•Huchinson." i, ff . 104b, 133; ii,
f . 93b.
130. "Deliver me from my enemies."
"Tomkins." i, f. 105.
131. "0 sing unto ye Lord." "Rich.
Hind," or "Hinde." i, f. 105b ; ii,
f . 94b.
132. "How many hired servants."
" Robt. Parsons" or "Persons." i,
f. 106b ; ii, f. 176.
133. "Glorious and powerfull God."
" [0.] Gibbons." i, ff. 107, 167b.
134. "Praise the Lord, 0 my soulc."
"Batten." i, f. 107b ; ii, f. 07.
135. "If the Lord himselfc" (Guu-
c 2
20
VOCAL MUSIC-SACRED.
powder Treason). "Edward Smith."
i, ff.109, 176; ii, f.98.
136. " Aboue the starres." "Tomkins."
i, f. 110 ; ii, f. 122b.
137. "Aboue the starrs." "Robert
Parsons." i, f. 110b ; ii, f. 133.
138. "Blessed are they that keepe."
"Batten." i, f. 111.
139. "Behould.OLord." " [Thomas (?)]
Willkinson." i, f. 111b ; ii, f. 129.
140. "Helpe, Lord." By the same, i,
f. 112; ii, f . 131.
141. "Olet me heare thy loveingekind-
nes." " Rauenscroft." i, f. 112b ; ii,
f.130.
142. "Deliuer mee, O Lord." "Will-
kinson." i, f. 113b ; ii, f. 142b.
143. " Heare my prayr, O God." "Bat-
ten." i, f. 114 ; ii, f. 124b.
144. " Heare my prayer, O Lord." By
the same, i, f. 114b; ii, f. 125.
145. "Heare my prayer, O Lord" (for
a bass). Anonymous, i, f. 115b;
ii, f. 126b.
146. "O Lord, my God." "Wilkinson."
i, f. 116 ; ii, f. 139b.
147. "Put me not to rebuke." By the
same, i, f. 116b ; ii, f. 138.
148. " Out of ye deepe." " Tomkins."
i, f. 117 ; ii, f. 135.
149. " Haue mercy vpon mee, O God."
" Docter Giles." i, f. 117b ; ii, f. 136.
150. "Heare my crie, O God." " John
Hilton." i, f. 118 ; ii, f. 133b.
151. "Heare my prayer, O Lord."
"Wilkinson." i, f. 119 ; ii, f. 140.
152. "I will magnifie the, 0 Lord."
" Doc. Giles." i, f. 119b ; ii, f. 109b.
153. "I will allwayes giue thanks."
"Portman." i, f. 120.
154. "In the, O Lord." "Wilks," sc.
Weelkes. i, f. 120b ; ii, f. 132.
155. "O pray for the peace of Jerusa-
lem." "Tomkins." i, ff. 121b, 132 ;
ii, f. 131b.
156. " I will loue y", O Lord." "[Wil-
liam] Cranford." i, f. 122 ; ii, f. 120.
157. "Lord, howe are they increased."
" Wilkinson." i, f. 122b ; ii, f. 141b.
158. "O Lord, thou hast searched."
"Batten." i, f. 123b; ii, f. 123.
159. " My helpe commeth of ye Lord."
"Tomkins." i, f. 124 ; ii, f. 121.
160. "O heare my prayer, Lord." |
"Docter Giles." i, f. 124b ; ii, f. 126.
101. "O Lord, let me know." "Salo-
mon Tozer." i, f. 125 ; ii, f. 137.
162. "Preserue me, 0 Lord." "Wil-
kinson." i, f. 126; ii, f. 128b.
163. "Praise ye lord, o yee Seruants."
" Wilkinson." i, f. 126b ; ii, f. 119b.
164. " Saue me, 0 God, for y° waters."
"Hilton." i, f.127; ii, f. 127b.
165. "0 Lord, which for our sake."
" [W.] Smith." i, f. 127b ; ii, f. 152.
166. "O Lord, consider my distres."
"Wilkinson." i, f. 128 ; ii, f. 138b.
167. "Ponder my words, O Lord."
"Batten." i, f. 128b; ii, f. 123b.
168. "Vntoy", OLord." "Wilkinson."
i, f. 129b; ii, f. 140b.
169. " Allmightie and euerlastinge
God." "Palmer." i, ff. 130, 160; ii,
f. 151b.
170. "I will Sing vnto y* Lord."
"[John] Amner." i, f. 130b ; ii,
f. 143b.
171. " Behould how good and joyfull."
"Portman." i, f. 133b ; ii, f. 96b.
172. "0 praise God in his holyness."
"Edward Smith." i, f . 134 ; ii,
f . 99b.
173. "Blessed are all theye." "[0.]
Gibbons." i, f. 135; ii, f. 101b.
174. "0 Lord, let me know." " Tom-
kins." i, f. 135b; ii, f . 103.
175. "What reward." "Jo. Foster."
i, f.136; ii, f. 112.
176. "My dayes are gon." " Cutts."
i, f. 136b ; ii, f. 144b.
177. " Lord, what is man." " Foster."
i, f. 137; ii, f. 144b.
178. "Heare, 0 my people." " Child."
i, ff. 137 (where it is altered to " Gib-
bons"), 142; ii, f. 120b.
179. "I will magnifie the, 0 Lord."
"Martine Persone." i, f . 138 ; ii,
£.86.
180. "My heart is set." " W. Smith."
i, f. 138b ; ii, f. 106b.
181. " 0 Lord, in the is all my trust."
"[Edmund] Hooper." i, f. 139 ; ii,
f . 111b.
182. "0 praise the Lord, ye Angclls."
"Cutts." i, f. 139b; ii, f. 144.
183. " 0 Lord, tume not away." " [N.J
Ghiles" or "Giles." i, f. 110; ii,
f. 112b.
ANTHEMS.
21
184. "Haue mercy vpon me, 0 God."
"Gibbons." i, f. 141 ; ii, f. 113.
185. " Holy . . . Lord God Almightye."
"Batten." i, f . 141b ; ii, f. 119.
186. "0 how amiable." "Gale" (Galle
in the index), i, f. 142 ; ii, f. 122.
187. "O Lord, thou hast searched."
" [N. (?)] Giles." i, f. 142b.
188. "Glory bee to God one high."
" [H.] Loosemore." i, f . 143b ; ii, f . 172b.
189. "Haue pittie vpon me, 0 God."
" [Chr.] Gibbons." i, f. 144.
190. "Out of the deepe." " DocUr
Giles" (Gilles in the index), i,
f.l44b; ii, f. 134b.
191. "I will All wayesGiue thanks."
" Mudd " or " Mudes." i, f. 145 ; ii,
f. 171.
192. "The Lord is my light." "Wil.
Laws" or " Lawes." i, f. 145b; ii,
f. 171b.
193. " Feare not, shepherd." "Loose-
more" (Shepeard in the index), i,
f.l46b; ii, f. 183.
194. " I heard a voyce." " Bryne." i,
f. 147 ; ii, f. 115b.
195. "I Will Giue thanks vnto thee."
"[H] Loosemore." i, f . 147b ; ii,
f. 181b.
196. "0 give thanks." "[William]
Tucker." i, f . 149 ; ii, f . 116.
197. " My heart is fixed." By the same,
i, f. 149b ; ii, f. 116b.
198. [" There were shepherds."] By the
same, i, f. 150 ; ii, f. 117.
199. "Comfort yea, my People." By
the same, i, f. 150b ; ii, f. 118b.
200. "This is the day." By the same.
i, f. 150b.
201. " Wherewithall shall a younge
man." By the same, i, f. 151 ; ii,
f. 118.
202. "I will giue thanks vnto thee."
" John Nichols." i, f . 151b.
The remainder of the MS. is headed " Anthems with Verses for
Holy-Dayes," but this only applies to the following 39 anthems, which
include 5 (nos. 226-230) for " Kings Day " :—
203. "Behould, I bring you." "[0.]
Gibbons." i, f . 153 ; ii, f. 146b.
204. " I will preach thy lawe." " Wil-
liam Smith." i, f. 153b ; ii, f. 147.
205. " Steven being full of." " Thomas
Tomkins." i, f. 154b; ii, f. 148.
206. " Mercifull Lord, we beseech thee."
"Geeres." i, f.155; ii, f. 148.
207. "Allmightie God, who out."
"Hen. Palmer." i, f. 155b; ii, f. 149b.
208. " Allmightie God, who didst mani-
fest." "Doc. Bull." i, f. 155b.
209. "0 God, who through." " W.
Smith." i, f. 156b.
210. "How is the gould become
dimme " (for King Charles, the
Martyr). " Elias Smith." i, f.157;
ii, f. 169.
211. "Allmightie and euerlasting God."
"Tomkins." i, f. 157b ; ii, f. 163b.
212. "Allmightie and everlasting
God." "W. Smith." i, f. 158; ii,
f . 164.
213. "Allmightie and everlasting
God" (not the same as no. 169).
" H. Palmer." i, f. 158b ; ii, f. 164b.
214. "Turne thou vs, 0 good Lord."
"Batten." i, f. 159; ii, f . 150b.
215. "Turne thou us, o good Lord."
"Tomkins." i, f. 160b ; ii, f. 153.
216. " The blessid Lamb." "[Edmund]
Hooper." i, f. 161 ; ii, f. 154b.
217. " Christ riseinge againe." "Jux-
on." i, ff . 162, 181 ; ii, f. 155b.
218. " If yee bee risen." " [0.] Gibbons."
i, f. 163 ; ii, f . 157b.
219. "Allmightie God, which
through." " [Richard] Deeringe." i,
f . 163b ; ii, f . 158b.
220. "[G]rant, we beseech." " W.
Smith." i, f. 164b.
221. "[0] clap your hands." " [M.]
East." i, f. 165 ; ii, f. 160b.
222. " [0]Lord, ourGouerner." "[W.(?)]
Mundy." i, f. 165b.
223. " [0] God, the kinge." " Orl. Gib-
bons." i, f. 166b; ii, f. 159b.
224. "Behould, y" hour commeth."
By Gibbons, i, f. 168 ; ii, f. 162b.
225. "[G]od, which on this day" or
" God, which as at this time." " Doc.
Giles " or " Gilles." i, ff. 169, 177b ;
ii, ff . 161b, 173 (where it is attributed
to "Gibbons").
226. "Grant, holy trinitie." 0. Gib-
bons. i, f. 170 ; ii, f. 88,
22
VOCAL MUSIC— SACRED.
227. "Thou god, that guidest." " Doc.
Giles" (or rather Byrd — see no. 108).
i, f. 170b.
228. "Giue yc kinge thy judgements]."
"Wilkes." i, £.171; ii, f.99.
229. "0 Lord, make thy seruant."
" [William] Cranford." i, f. 171b ; ii,
f . 168.
230. " Give the kinge thy judgements."
"[H.]Loosmore." i, f . 172; ii, f . 114b.
231. "As they departed." " [M. (?)]
East." i, f. 173.
232. "Almighty God [who by]." "[0.]
Gibbons." i, f. 173b ; ii, f. 165b.
233. "Everlasting God." "Doc. Giles."
i, f. 174; ii, f. 166.
234. "Therefore reioyce." "Batten."
i, f. 174b.
235. "[Almighty God, w]hich hast
knit." "Tomkins." i, f . 175 ; ii,
f . 166b.
236. " [H]alleluiah." "Wilkes." i,
f. 175b; ii, f. 167b.
237. ' ' Jesus came when the doors were
Shutt." "Tomkins." i, f . 176b ; ii,
f. 163.
238. "I will Allwayes Give Thanks."
" Kinge." i, f. 177 ; ii, f. 170b.
239. "Se, Sinfull Soule." " Gibbs."
i, i. 178b; ii, f. 154.
240. "God, which hast taught." " W.
Smith." i, f. 179; ii, f. 165.
241. "I heard a voyce." "Jo. Batten."
i, f.l79b; ii, f. 170.
242. "Send aide." "Jo. Mundy." i,
f.180; ii, f. 110.
243. "In thee, 0 Lord, haue I put"
(full anthem). "James Carr." i,
f. 181b; ii, f . 75.
244. "0 God, wherefor art thou absent "
(full anthem). "Doc,er Child." i,
f. 182b ; ii, f. 76b.
245. " Allmighty God, who secst" (full
anthem). "Foster." i, f. 183 ; ii, f. 76.
246. "Sett vp thy selfe." "Foster."
i, f. 183b; ii, f. 114.
247. "0 lett my mouth bee filled."
" Docter Child." i, f. 184 ; ii, f. 178.
248. "Thou art my king." By the
same, i, f. 184 ; ii, f. 178b.
249. "0 sing unto y" Lord." By the
same, i, f. 184b ; ii, f . 178b.
250. "Blessed be the Lord God." By
the same, i, f. 184b ; ii, f. 78b.
251. "0 clapp your hands." By the
same, i, f. 185 ; ii, f. 77b.
252. "0 praise the Lord, Laud yee."
By the same, i, f . 185 ; ii, f . 79.
253. "0 pray for the peace." By the
same, i, f. 186 ; ii, f. 177.
254. ["Glory be to God on high."]
By the same, i, f . 186b ; ii, f. 77.
255. "Lord, How are they increased."
"King." i, f. 187.
256. "I will allways give thanks."
Anonymous, i, f. 187b.
257. "Haue pitie vpon me." " Wisse,"
sc. Wise, i, f. 188.
258. "By ye waters." "Wise." i,
f . 188b.
259. "Thou, 0 God, art praised."
Anonymous. ByWise(?). i, f. 189.
260. "Teach me, 0 Lord." " [C] Gib-
bons." i, f. 189b.
261. "Lord, how longe wilt thou."
"Tuckere." i, f . 190.
262. "Like as my heart (sic) desiris."
Anonymous, i, f. 191.
263. "I will magnifie thee, 0 God."
"Tuckers." i, f. 192.
264. "Lift up your heads." ["J. (?)]
Hutchinson." i, f. 205.
265. "The Lord hear thee." " Greggs."
i, f. 205b.
266. "0 God, the proud." "[J. (?)]
Hutchinson." i, f. 206b.
267. "0 praise the Lord, all ye heathen."
" [H. (?)] Pursell." i, f. 206b.
268. "0 God, thou art my God."
"Mudd." i, f. 207.
269. "0 G-od, wherefore art thou ab-
sent." "Dr. Blow." i, f.207b.
270. " My song shall be." "Lawes." i,
f. 20S ; ii, f . 180.
271. "How are yc mighty fallen."
"Wise." i, f. 209.
272. "I heard a voyce from heaven."
"Foster." ii, f . 45b.
273. "My God,myGod,looke vponme "
(verse anthem). "King" or " Ston-
nards" (Stonuard in the index), ii,
f. 80.
274. "Heare, 0 my people" (verse
anthem). By Stonnard. ii, f. 80b.
275. " The secret sins " (verse anthem).
"Gibbons." ii, f. 80.
276. " Behold, 0 God " (verse anthem).
"Bird." ii, f. 89.
ANTHEMS.
23
277. "Giuc sentence" (verse anthem).
"Tomkins." ii, f. 94.
278. "0 Lord, consider my distress"
(verse anthem). "Edw. Smith."
ii, f. 111.
279. " 0 Lord, send vs " (verse anthem).
"Tucker." ii, f. 117b.
280. " Almightie God, which hast
made" (verse anthem). " [Edmund]
Hooper." ii, f. 149.
281. "Almightie God, which by the
leading" (verse anthem). " Doc'"
Bull." ii, f. 149b.
282. "Almightie and euerlasting God"
(verse anthem). "Palmer" (not the
Each volume contains at the
to the full Anthems and the verse
same as no. 1G9 or no. 213). ii,
f. 152b.
283. "Arise, 0 God" (verse anthem).
"0. Gibbons." ii, f . 174.
284. " 0 Lord, how joyfull is the "
(verse anthem). " Tho. Wilks." ii,
f. 174b.
285. "Praise yee the Lord" (verse
anthem). "King." ii, f. 179.
286. "Praise yee the Lord" (verse
anthem). By the same, ii, f. 179
(not the same as the last).
287. " . . . . Successiue course."
" Weelks." f. 184.
beginning and end separate indexes
Anthems.
Additional 10338, ff. 67b-274b^ass/m.
Paper; after 1669. Small folio. For a further description of the MS., see
under Motets.
Anthems in score, with a Basso continuo, by George Jeffreys.
AutoyrajjJt.
1. "See, see, ye word is incarnate,"
with second part, "The Paschall
lambe," and third part, " Glory be to
y* Lambe " (3 voices). Composed in
1662. f . 67b.
" With notes that are both loud and
sweet" (for the Ascension). For 2
voices. At the beginning is written
" Mr. Pett." f. 89.
"Glory to God on high" (Morning
Hymn). "Composed at Mr. Peter
Gunnings motion, May, 1652."
f . 104b.
4. " Vnto thee, O Lord, will I lift vp my
soul," with second part, "Shew me
thy wayes, 0 Lord," described as a
"mottect," or motet, f. 106b.
5. " Heare my prayer, 0 Lord, and with
thine ears." f. 108b.
6. " Sing vnto the Lord, 0 yee Saints."
f. 110.
7. "Praise the Lord, 0 my soule."
f. 111b.
8. "Brightest Sunne, how was thy
light " (for the Epiphany), f. 113.
Nos. 3 to 8 are for 3 voices ; the following four anthems are for
4 voices : —
9. "What praise can reach thy j 11. " Turne thou vs, 0 good Lord,"
Clemency." f. 153b. composed in 1655. f. 172.
10. " In the midst of life "—"made in
the tyme of my sicknes, October,
1657." f. 160b.
12. " Turne thee againe, O Lord God,"
composed in 1648. f. 177.
The remaining anthems are for 5 voices.
13. " Bussie tyme" (for Innocents'
day), f. 239.
14. "Brightest of dayes" (for the
Epiphany). f.;242b.
15. "Whisper it easily" (on the Pas-
sion), f. 246b.
16. "Ryse Hart, thy lord is rysen"
(for the Resurrection), f. 250b,
24
VOCAL MUSIC— SACRED.
17. " Looke vpp, all Eyes" (for the
Ascension), f. 255b.
18. "The Lord in thy aduersity."
f . 259b.
19. "A musick strange" (for Whit-
Sunday). The date 1669 is added at
the end, but whether as that of the
composition or of the completion of
the volume is not certain, f. 270b.
Additional 30829, 30830, 17816, passim.
Paper ; after 1669. Quarto. For a further description of the MS., see under
Motets.
Anthems by George Jeffreys : the altus, tenor, and bass parts.
Autograph. The first six are for 4 voices ; the rest, unless the contrary
is stated, are for 5 voices.
1. " Turne thee againe, 0 Lord." i, ii,
f.l2b; iii, f . 13b.
2. " Turne thou vs, 0 good Lord." i, ii,
f. 15b ; iii, f. 16b.
3. "In the midst of life." i, ii, f. 16b ;
iii, f. 17b.
4. "What Praise." i, f.18; ii, f. 17b ;
iii, f.l8b.
5. " How wretched is the State." i,ii,
f.22b; iii, f. 23b.
6. " Awake, my Soule, thou too securely
sleepst." i, ii, f. 23b ; iii, f. 24b.
7. "The Lord in thy aduersity." i,
f.25b; ii, f.26b; iii, f. 27b.
8. " Bussie tyme " (for Innocents' Day).
i, f. 28 ; ii, f. 29b ; iii, f. 31.
9. ["Brightest of days"] (for the
Epiphany), i, f.29; ii, f.30b; iii,
f. 32.
10. "Whisper it easily" (for the Pas-
sion). i, f. 30b ; ii, f. 31b ; iii, f. 33b.
11. " Ryse heart " (for the Resurrec-
tion), i, f. 31b ; ii, f. 32b ; iii, f. 34b.
12. " Looke vp all eyes " (for the Ascen-
sion), i, f. 32b ; ii, f. 34 ; iii, f. 36.
13. "A musick strange" (for Whit-
Sunday), i, f. 34 ; ii, f. 36b ; iii,
f . 38b.
14. "Almighty God, who mad'st" (for
the Circumcision), i, f. 35 ; ii, f . 37b ;
iii, f. 40.
Additional 17784, ff. 2b-83.
Paper; written about 1676, while Henry Compton was Bishop of London
(f. 53) and before the death (1678) of George Digby, 2nd Earl of Bristol (f . 94) ; with
additions down to temp. James II. Folio. Ornamented in many places by the
Royal Arms, in trick, and by those of Knights of the Garter elected tenipp.
Charles II. and James II., and of other distinguished persons of the same period.
There are also portraits of Charles II. (ff . 3, 72b) ; rather roughly executed
drawings of Biblical subjects (ff . 48b-50, 67-70, 75) ; globes, etc. (f. 16b) ; musical
instruments (see under Bass-viols, Harps, and Lutes). Apparently written for a
member of the Butler family (whose arms are on f. 178b, etc.) ; belonged afterwards
to one of the Achesons of Gosford, whose bookplate is at tbe beginning. At the
end is a collection of Services, for which see under that heading.
The Bass part of a collection of Anthems by English composers,
viz. : —
1. "O Lord, make thy servant Charles
.... to rejoyce " (verse anthem).
InF. "Cranford." f . 3.
2. "I will magnify thee" (verse
anthem). InB b. "Dr. Gyles." f.4.
3. "The Lord is my light" (verse
anthem). In D minor. " Will.
Lawes." f. 5.
4. "Lett God arise" (verse anthem).
In A minor. By the same. f. 6.
5. "O Lord, rebuke mee not" (verse
anthem). In C minor. "Dr.
Childe." f. 7.
6. "Haste thee, 0 God" (verse an-
them). In C minor. "Pell. Hum-
phry." f.8.
ANTHEMS.
25
7. "Have Mercy upon mee, 0 God"
(verse anthem). In C minor. By
the same, f . 9.
8. "0 Lord, I have sinned" (verse
anthem). In C minor. " John
Blow." f. 10.
9. " I will be glad and Rejoyce " (verse
anthem). In C. "Dr. Will. Childe."
f.llb.
10. "0 Bee Joyfull in y» Lord " (verse
anthem). In A minor. "P. Hum-
phry." f. 12.
11. "My soule is weary" (verse an-
them). In C minor. "Hen. Hall."
f . 13b.
12. "How are the Mighty falln"
(verse anthem). In C minor.
"Michaell Wise." f. 14.
13. "Heare me when I call" (verse
anthem). In C. "Wm. Childe." f. 15.
14. "The Earth is the Lords" (verse
anthem). Three bass parts. In A
minor. By the same, f . 1Gb.
15. "Behold, how good and Joyfull"
(verse anthem). In D. By the
same. f. 19b.
16. "Let God arise" (verse anthem).
In B b. By the same. f. 20b.
17. "0 sing unto the Lord a new
song" (verse anthem). In G. By
the same. f. 21b.
18. "Thou art my King, 0 God " (verse
anthem). In D. By the same.
f.22b.
19. "Give the King thy Judgments"
(verse anthem). In D. By the
same. f. 23.
20. "0 Praise God in his holyness"
(verse anthem). In C. "Michaell
Wise." f. 23b.
21. "Have pitty upon mee" (verse
anthem). In A minor. By the
same. f. 24b.
22. "By the Waters of Babylon"
(verse anthem). In D minor By
the same. f. 25b.
23. "Blessed is bee that considereth "
(verse anthem). In E minor. By
the same. f. 26b.
24. "0 let my mouth be rilled" (verse
anthem). In G. "Childe." f.27.
25. "Saue me, 0 God, for thy names
sake" (verse anthem). In D. By
the same. f. 27b.
26. "0 praise the Lord . . . laud yee
y" name" (full anthem). In D.
[By the same], f. 28b.
27. "Sing wee Merrily" (full anthem).
Decani and Cantoris parts. In F.
By the same. f. 29b.
28. "If the Lord himselfe" (full
anthem). In G. By the same.
f. 31b.
29. "0 pray for y* Peace of Jerusalem "
(full anthem). In E minor. By the
same. f. 32.
30. "Praise the Lord, 0 my Soule"
(full anthem). In F. By the same.
f . 32b.
31. "0 Lord, Grant the King" (full
anthem). In F. By the same.
f.33b.
32. "Arise, 0 Lord" (full anthem).
In D minor. "Mr. Bird." f.34.
33. " Help us .... 0 God of our
Salivation." Second part of the pre-
ceding. In F. By the same. f. 34.
34. "Hide not thou thy face" (full
anthem). In D minor. "Rich. Far-
rant." f. 34b.
35. "Almighty and Everlasting God"
(full anthem). In F. "Orlando
Gibbons." f. 35.
36. "Behold, it is Christ" (full an-
them). In A minor. "Mr. Hooper."
f . 35b.
37. "Teach mee thy way" (full an-
them). In D minor. By the same.
f. 36.
38. "Blessed bee ye Lord God" (full
anthem). In D. "Child." f. 36b.
39. "0 clapp your hands" (full an-
them). In D. By the same. f. 36b.
40. "0 Praise the Lord, all yee
Heathen " (full anthem). In D
minor. " Adrian Batten." f.37.
41. "0 Lord, Turne thy wrath" and
" Bow thine eare " (full anthem, in
two parts). In F. " William Bird."
ft. 37b, 38.
42. " Save mee, 0 God " (full anthem).
In G minor. By the same. f. 38b.
43. "Call to Remembrance" (full an-
them). In D minor. "Rich. Far-
rant." f. 39.
44. "I Call and Cry" (full anthem).
In G minor. " Tallis." f. 39b.
45. "0 Lord, I Bow the knees" (full
26
VOCAL MUSIC— SACRED.
anthem). In G minor. "Wm,
Mundy." f . 40.
46. "Prevent us, 0 Lord" (full an-
them). In D minor. "Wm. Bird."
f.41.
47. "Sing joyfully" (full anthem).
In C. By the same, f . 41b.
48. "Hosanna to the Son of David"
(full anthem). In C. "Orlando
Gibbons." f. 42.
49. " Lift up your heads" (full an-
them). InC. By the same, f . 42b.
50. "0 Lord , make thy servant Charles "
(full anthem). InF. "Bird." f.43.
51. "With All our hearts" (full an-
them). In G minor. " Tallis." f. 43b.
52. " 0 give thanks unto ye Lord"
(full anthem). In A minor. "Dr.
Gyles." f. 44.
53. "Glorious and Powerfull God"
(verse anthem). In G minor. "Or-
lando Gibbons." f. 44b.
54. "Behold, thou hast made my
Dayes " (verse anthem). In A
minor. By the same. f. 46.
55. "Aboue the Stars" (verse anthem,
with Decani and Cantoris chorus
parts). In G minor. " Mr. Tomkins."
f.46.
56. "Ovt of the Deepe" (verse an-
them). In G minor. " Morley."
£.47.
57. "Thou art my King" (verse an-
them). In C minor. "Tho. Tom-
kins, f. 47b.
58. "Behold, I bring you" (verse an-
them). In G minor. " Orlando
Gibbons." f. 48b.
59. " Allmighty God, which by ye
leading of a Star" (verse anthem).
In A minor. "Dr. Bull." f. 49.
60. "Christ Rising againe " and • ' Christ
is Risen "(verse anthem, in two parts).
In D minor. " Mr. Bird." f. 49b, 50.
61. "0 Lord, grant the King" (verse
anthem). Not the same as no. 31.
InF. "Dr. Child." f.50b.
62. "The King shall Rejoyce " (verse
anthem). In F. By the same.
f.51b.
63. "0 clapp your hands" (verse an-
them). Not the same as no. 39.
By the same, f . 52b.
64. "Turne thou us, 0 Good Lord"
(verse anthem). In C minor. By
the same, f . 53.
65. "My Heart is Fixed" (verse an-
them). In A minor. By the same,
f . 53b.
66. "0 how Amiable" (verse anthem).
In D. By the same. f. 54b.
67. "If the Lord himselfe" (verse
anthem). In B \j. Anonymous, f. 55.
68. "Praise the Lord, 0 my Soule"
(verse anthem). Not the same as
no. 30. InF. "Child." f.56.
69. "Heare my prayer, 0 God" (verse
anthem). In G minor. "Mr. Wil-
kinson." f. 56b.
70. "Lord what is man" (verse an-
them). In E minor. " Mr. Turner."
f.57.
71. "Awake up, My Glory" (verse
anthem). In A. "Mich. Wise."
f.58.
72. "0 Praise the Lord" (verse an-
them). In C minor. "Humphry."
f . 58b.
73. "Heare, 0 Heavens" (verse an-
them). In C minor. By the same.
f . 59b.
74. "0 Lord God, the heathen" and
"Lord, how long" (full anthem, in
two parts). In A minor. "Child."
£.61.
75. "When Israeli Came out of Egypt"
(verse anthem). In G minor. "Mr.
Blow." f . 61b.
76. "This is ye Day" (verse anthem).
InG. " Mr. Tucker." f. 63.
77. "And I heard a great Voyce (verse
anthem). Two bass parts. In C.
"Mr. Blow." f.63b.
The remaining anthems were written at the end of the reign of
Charles II and during that of James II.
78. "0 God, thou art my God" (full them). In Bb. "Pell. Humphry."
anthem?). In D minor. "Mr. f. G8b.
John Walter." f. G7. \ 80. "Awake, put on thy strength" (verse
79. "Rejoyce in the Lord" (verse an- ' nnthem). InC. "Mich. Wise." f. 09.
ANTHEMS.
27
81. "Like as the Hart" (verse an-
them). In F minor. "Pell. Humphry."
f.70.
82. " Sing we merrily " (verse an-
them). In F. "Dr. John Blow."
f. 71b.
83. "The King shall rejoyce" (verse
anthem). In D minor. " Pell.
Humphery." f. 72b.
84. "0 give thanks vnto y" Lord, for
he is gratious" (full anthem). In
B b. By the same, f . 74.
85. " 0 Lord, my God, why hast thou
forsaken me " (verse anthem). In
F minor. By the same. f. 75.
8G. "God is our hope" (full anthem).
Decani and Cantoris parts. In A.
By Dr. Blow. f. 76b.
87. " 0 Lord, thou hast searched me "
(verse anthem). Decani and Cantoris
parts. In C minor. By the same,
f. 78.
88. " 0 give thanks unto y* Lord, for
he is gracious" (full anthem). In
G minor. " Mr. John Walter."
f.80.
89. " Ponder my words, 0 Lord " (verse
anthem). In C minor. " Mr. John
Golding." f.81b.
90. "By the waters of Babilon" (verse
anthem). In G minor. "Mr. Wm.
Turner." f. 83.
Additional 29396, ff. 60b, 103b, 108, 113.
Paper ; about 1G78-1682. Folio. For a further description of the MS., see
under Songs.
The words and melodies of four Anthems, of which the first has a
bass for organ, in score, and the others are unaccompanied. The first
three are published in Richard Deering's Gantica Sacra, 1674.
1. "I charge you ... O Daughters of
Jerusalem." " [M.] Wise." f . 60b.
2. "Set vp thy selfe, O God." "J.
Jackson." f. 103b.
3. "Let God arise." By the same,
f. 108.
4. "Jn guilty night": a dialogue be-
tween Saul, the Witch of Endor, and
Samuel. By Robert Ramsey, f. 113.
Additional 30382, passim.
Paper; 1678-1686. Folio. For a fuller description of the MS., see under
Motets.
Anthems for 3 voices (unless the contrary is stated), in score,
viz.
1. ["Awake up, my glory"]: the end
only. M. Wise, f . 2.
2. "Wake sleeping ones" : a Dialogue
4. ["O that mine eyes "] : the beginning
lost. By the same. f. 87.
5. " Close thine eyes and sleep secure."
between the Angel and the Soul ; By the same, f . 87b
with chorus. " H[enry] B[owman]."
Autograph, f . 43b.
3. ' ' Sing vnto the Lord, O yee Saints " :
funeral anthem. By the same. f. 83b.
6. "How are the mighty fain."
"Wise." f.89.
7. "The Lord is my light." " H.
[should be W.] Laws." f. 90b.
Additional 30930, ff. 3-29b passim.
Paper; begun in 1680. Included in T. Jones' sale, February, 1826; with
bookplates of the Rev. John Parker and Edmund T. Warren Home. From
the latter the MS. appears to have passed (before 1849) to Joseph Warren, who
has made numerous pencil notes in it, and who gave a short description of it in
28
VOCAL MUSIC -SACRED.
vol. ii of Boyce's Cathedral Music (pp. 18, 19). Folio. For the Canons, Motet,
and String Trios, etc., see under those headings.
Anthems in score, from miscellaneous autograph vocal and instru-
mental music by Henry Purcell.
1. "Plung'd in y* confines of dispair"
(3 voices), f. 3.
2. "0 all ye people, clap your hands"
(4 voices), f. 4.
3. "When on my pick bed I languish"
(3 voieos). f.6.
4. "Lord, not to us" (3 voices). Un-
finished, f . 14.
5. " Ah ! few and full of sorrow are ye
dayes of man" (4 voices). Un-
finished, f. 15b.
6. " 0 Lord, our Governor, on earth thy
name is Excellent " (4 voices), f. 18.
7. "01 I'm sick of life" (3 voices).
f . 20b.
8. " Lord, I can suffer thy rebukes "
(4 voices), f. 22.
9. "Hear me, 0 Lord, and that soon"
(4 voices). Unfinished, f. 23b.
10. "Since God so tender a regard"
(3 voices), f. 24b.
11. " Early, 0 Lord, my fainting soul"
(4 voices), f. 26.
12. " Hear me, 0 Lord, y* great support
of mine integritie " (3 voices), f. 28.
Additional 33234, passim.
Paper; 1680-1682. Folio. For a further description of the MS., see under
Songs.
Anthems with basses for the organ (except in no. 2), in score.
The first five are solo Anthems.
1. "I am come into my Garden."
" Hen. Aldrich." f. 4b.
2. "Oh that mine eyes": the chorus
omitted. " Loosmore." f. 47.
3. "Turn thee unto me, 0 Lord."
"John Blow." f.72b.
4. " I waited patiently." " Aldrich."
f. 74b.
5. "Giue the king thy judgments."
By the same. f. 79.
6. "Plungd in the Confines of dispair"
(for 3 voices). By H. Purcell. f. 154.
7. " 0 all yee people, clap your hands."
By the same, f . 156b.
Additional 19759, f. 37b.
Paper; about 1681. Small folio. See also under Songs.
" "Wee sing to him whose wisdome form'd the eare." By [Henry]
Purcell. The melody of a sacred solo, with chorus of which the
treble only is given.
Additional 22100, ff. 30b-107b.
Paper; about 1682 (see f. 151b). Belonged to, and probably transcribed by,
a Mr. Dolbin, in 168£ (see ff. 150, 151, where the name of James Hart also
appears) ; in 1813 in the possession of Robert Smith (bookplate, f. 1), in whose
hand are several notes on ff. l-2b. Folio. The MS. also contains Cantatas
(English), Duets (sacred and secular), a Masque, Odes, Songs (sacred and secular),
and Trios, for all of which see under their respective headings.
Sacred compositions for several voices, with a bass, in score.
2. " Ah ! my soul, why so dismay'd,"
for 3 voices. " Dr. Gibbons." f. 44b.
3. " A winged harbinger from bright
1. "Lord, I confess my sin is great,"
for solo with chorus of 3 and 4
voices. " Jo. Walter." f.30b.
ANTHEMS.
29
beav'n flown," for 4 voices. "Dr.
Blow." f. 48b.
4. "As on Euphrates shady banks";
for solo, duet, and trio. By the
same. f. 73b.
5. "In guilty night: a dialougue
between Saul, Samuell, and the witch
of Endor." " Lanear." f. 105b.
The name of another, " The beauty of Israel," by J. Walter, appears
in the index, f. 2b.
Additional 29397, f. 87b.
Paper ; about 1682-1690. Narrow oblong duodecimo. For further contents of
the MS., see under Songs.
" I charge you, O daughters of Jerusalem," for treble and bass solo
voices with 2-part chorus, in score. " Mi. Wise."
Harley 4142.
Paper ; ff. 31. Temp. Charles IT. Small quarto. Apparently contemporary
with Harley 6346, below. The original vellum covers bear the initials C. F.
Words of Anthems (verse, unless the contrary is stated), alpha-
"[T.] Tom'
betically arranged.
1. "Aboue the Starrs."
kins." f. 1.
2. " Allmightie God, which by the
leading of a Starr." " Dr. Bull." f. 1.
3. " Arise, 0 Lord, why sleepest thou "
(full). "Bird." LI.
4. "Allmightie God, the fountaine"
(full). "Tomkins." f. lb.
5. "Allmightie God, which hast knitt
togeather." " Childe." f. lb.
6. " All People, clapp your hands " (full).
" Tho. Weelkes." f. lb.
7. "Behold, thou hast made my daies."
" Orlando Gibbons." f. 2.
8. "Behold, it is Christ" (full).
" Hooper." f . 2.
9. " Behold, I bring you." "Gibbons."
f.2.
10. "Blessed be tho Lord God of
Israeli." "Tomkins." f.2b.
11. "Blessed art thou that fearest."
" Dr. Mundye." f. 2b.
12. "Behold, how good and joyfull."
" John Lugg." f. 2b.
13. " Bow Downe thine Eare " (full).
Childe. f. 2b.
14. "Behold now, praise ye Lord."
Anonymous, f. 3.
15. " Blessed are all they that fearc."
" Dr. Giles et Mr. Gibbons." f. 3.
16. "Christ Rising agahie." "Bird."
f.4.
17. "Call to Remembrance" (full).
Anonymous, f. 4.
18. " Deliver me, 0 God, from all my
foes that bee." " Dr. Bull." f . 5.
19. "Euerlasting God, which hast
ordayned." " Dr. Giles." f.6.
20. " Exalt thy selfe, 0 God." " Bird."
f.6.
21. "Euen from y* depth vnto the
Lord " (full). By the same. f. 6.
22. "Forgiueme,Lord,my Sinne "(full).
"Tallis." f.7.
23. "Glorious and powerfull God."
" Orlando Gibbons." f. 8.
24. " God, which as vpon this day."
" Dr. Giles." f . 8b.
25. "Giue the King thy Judgments."
" Childe." f. 8b.
26. " Heare, 0 my people, and I will
assure thee." By the same. f. 9.
27. " Heare my prayer, 0 Lord, and with
thine Eares." W. Cross or T. Tomkins
(see Harley 6346). f. 9.
28. " Holy, holy, holy, Lord God all-
mightie " (full). "Rob. Parsons."
f.9.
29. "Holie, Holie, Holie, Lord God of
hosts " (full). " Childe." f. 9.
30. "Heare the Prayers, O our God"
(full). Anonymous, f. 9b.
31. "Heare my prayer, O Lord, and
Consider." "Bird." f . 9b.
30
VOCAL MUSIC— SACRED.
32. "Hide not thou thy face" (full).
Anonymous, f. 9b.
33. "Haue mercie on me, 0 God, after
thy great goodness." Anonymous.
f.9b.
34. How long shall Mine enemies"
(full). "Bird." f.9b.
35. " Hearken, you nations, 0 Come,
see and heare." "Hooper." f. 10.
36. "Helpe vs, O God of our Sallua-
tion"(full). "Bird." f. 10b.
37. "I am the Resurrection" (full).
"Lugg." f. 11.
38. " I will magnifie thee, 0 Lord, for
those." " Dr. Giles." f. 11.
39. " I Call and Cry " (full). " Tallis."
f. 11.
40. "I am well pleased." Anonymous,
f. lib.
41. "I will giue laud and honnour
both." Anonymous, f. lib.
42. " Increase my joy " (full). Anony-
mous, f. lib.
43. " Keepe, we beseech thee, 0 Lord "
(full). "Lugg." f . 12.
44. " Let not thy wrath, 0 Lord " (full).
" Bird." f. 13.
45. " Lord, for thy tender mercies sake "
(full). Anonymous, f. 13.
46. "Let vs now laud and magnifie"
(full). Anonymous, f . 13.
47. "Let thy mercifull eares " (full).
"White." f. 13.
48. " Lett God arise." "Ward." f. 13b.
49. "Lett vs lift vp our eyes."
" Weelkes." f. 13b.
50. "Lord, comfort [them] that lie
sicke." " Rob. Parsons." f. 14.
51. "Lord, in thy wrath reproue me
not." Anonymous, f. 14.
52. "Lord, who shall dwell." " Childe."
f. 14b.
53. "Lett my complaint come before
thee." "Lugg." f. 14b.
54. "My shepherd is y* liuing Lord."
" Tomkins." f. 15.
55. " My beloued spake." By the
same. f. 15.
56. " My Soule trulie waiteth."
" Childe." f. 15b.
57. "Not euery one that saith " (full).
"Lugg." f.10.
58. "Out of thedcepc." "Dr. Giles."
f.17.
59 v " O giue thankes vnto the Lord, for
he " (full). " [J.] Mundye." f. 17.
60. O God, ye proud ace risen vp " (full).
"Bird." f. 17b.
61. O Lord, make thy seruant . . .
Charles " (full). By the same,
f. 17b.
62. "O giue thankes unto y Lord, for
he" (full). "Dr. Giles." f.l7b.
63. "0 Lord, I bow y« knees." " [W.]
Mundye." f. 17b.
64. "0 Lord, y« maker " (full). Anony-
mous, f. 18.
65. "0 Praise God in his holines"
(full). Anonymous, f . 18.
66. " 0 Lord, ye worlds sauiour " (full).
Anonymous, f. 18.
67. "0 Lord God almighty, we humbly
beseech thee to bless . . . Charles [I] "
(full). "Weelkes." f . 18b.
68. "0 Lord, of whome I doe depend."
"Dr. Giles." f. 18b.
69. "0 Heare my humble prayer,
Lord." "Dr. Giles." f . 18b.
70. "0 God of Gods, 0 King of Kings."
"Hooper." f . 19.
71. 0 let my mouth be filled."
"Childe." f.l9b.
72. "0 Lord, let me know mine End."
"Tomkins." f.l9b.
73. "0 Lord God, ye heathen" (full).
"Childe." f.l9b.
74. " 0 pray for ye peace." "Tomkins."
f.20.
75. "0 praise ye Lord, all yee heathen "
(full). By the same. f.20.
76. "0 Jesue Christ, thou art y* light."
' ' Henry Loosemore." f . 20.
77. "0 Lord, turne not away thy face."
"Dr. Giles." f.20b.
78. "0 God, wherfore art thou absent "
(full). "Childe." f.21.
79. "0 God, whome our Offences haue
displeased" (full). "Bird." f. 21b.
80. "0 Lord, grant yc King." "Childe."
f. 21b.
81. "0 worship ye Lord." By the
same. f. 21b.
82. "0 praise y° Lord, laud ye" (full).
By the same. f. 21b.
83. "0 that y° Salivation were giuen "
(full). "Childe." f.22.
84. "Praise y° Lord, yc God of might."
" [W.] Jeffrie." f. 23.
ANTHEMS.
31
85. " Kcjoycein y' Lord." Anouymous.
f. 24b.
86. "Remember not, 0 Lord, our Old
Iniquities." Anonymous, f. 24b.
87. "Sing wee merrily vnto God our
strength " (full). " Childe." f. 25.
88. " Sing vnto God, 0 yee Kingdomes."
By the same. f. 25.
89. "Save me, 0 God, for thy name
sake "(full). "Bird." f. 25.
90. "SoeGod loued ye world." "Or-
lando Gibbons." f. 25b.
91. "Stirr vp, we beseech thee" (full).
"Lugg." f.25b.
92. " Steephen, being full of y' holie
Ghost." Anonymous, f. 25b.
93. "Sing joyfully vnto God our
strength" (full). "Bird." f. 26.
94. " Se, se, y* word is incarnate."
" Or. Gibbons." f . 26.
95. "Turne thou vs, 0 Good Lord."
"Childe." f.27b.
96. "The Lord blesse vs." Anony-
mous, f. 27b.
97. "The Lord is onlie my Support."
"Childe." f.27b.
98. " The King shall reioyce." By the
same. f. 28.
99. "The Spirrit of grace grant vs, O
Lord." By the same. f. 28b.
100. "Thou God, thatguid'st." "Bird."
f. 28b.
101. " Teach me, 0 Lord, y« way." By
the same. f. 29.
102. " The Earth is y6 Lords." "Hill-
ton." f. 29.
103. "Thou Art my King, O God."
••Tomkins." f. 29b.
104. "Vnto thee, O Lord, will I lift vp."
"Gibbons." f. 30.
105. "What child was he." "Dr.
Giles." f. 31.
106. "With all our harts and mouthes "
(full). "Tallis." f. 31.
107. "What shall I render vnto the
Lord." "Childe." f. 31b.
108. "We Praise thee, O father."
" Or. Gibbons." f. 31b.
Harley 6346.
Paper; ft. 111. Temp. Charles II. Folio.
" The Anthems used in the King's Chapel." Words only.
I. Full Anthems : —
1. "O Lord, make Thy servant
Charles." " William Bird." f. 2.
2. "I call and crie." "T. Tallis."
f.2.
3. " O Lord, I bow the knees of my
heart." "W. Mundy." f.2.
4. "Prevent us (O Lord), in all our
doings." "W. Bird." f. 2b.
5. "Holy, Lord God Almighty" "R.
Parsons." f. 2b.
6. " 0 giue thankes unto the Lord, for
he is gratious." "N.Giles." f . 2b.
7. "Behold, it is Christ." "E. Hooper."
i. 3.
8. "Save me (0 God), for thy Names
sake." "W. Mundy." f. 3.
9. " How long shall mine enimics
triumph." "W.Bird." f . 3.
10. "Out of the deep have I called.*'
By the same. f. 3b.
11. " Sing joyfully unto God our
strength." By the same." f. 3b.
12. "Arise, O Lord, why sleepcst thou."
By the same. f. 3b.
13. "O Lord, graunt ye King a long
life." "T. Weelkes." f.4.
14. "With all our hearts and mouth."
"T. Tallis." f.4.
15. "Deliver me from mine enimies."
"R. Parsons." f.4.
16. "0 Lord God Allmighty, we hum-
bly beseech Thee." " T. Weelks."
f.4b.
17. "0 How Glorious art Thou." " E.
Hooper." f. 4b.
18. "The Lord blesse us." "I. [R. ?]
White." f.4b.
19. "Blessed be thy Name, 0 God."
"T. Tallis." f.5.
20. "Hosanna to the Sonn of David."
" Orlando Gibbons." f.5.
21. "0 God, the proud arc risen."
•• Tho. Tomkins" f.5.
22. "I will inagniric Thee, 0 Lord,
32
VOCAL MUSIC— SACRED.
my King." "Edmund Hooper."
f.5b.
23. "0 sing unto the Lord a new
song: Let the congregation." "Tho.
Tomkins." f. 5b.
24. "Lift up your heads, 0 yee gates."
" Orlando Gibbons." f.6.
25. " 0 Lord, rebuke me not." By the
same. f. 6.
26. "0 Thou God Allmighty, Father of
all mercy." By Edmund Hooper (?).
f.6b.
27. "0 God, whom our offences have
displeased." "Wm. Byrd." f.6b.
28. "Teach me Thy way, O Lord."
By Edmund Hooper (?). f. 7.
29. "0 Praise God in His Holynesse."
" Mr. [R.] White." f. 7.
30. " Almighty and everliving God, we
humbly beseech thee." " T. Tom-
kins." f . 7b.
81. "0 Lord God Allmighty, we hum-
bly beseech Thee to blesse." " T.
Weelkes." f. 7b.
32. "Blessed art thou that fearest
God." "Dr. Giles." f . 8.
33. " Allmighty God, Which hast
given." "Edmund Hooper." f.8b.
34. "Almighty and everlasting God,
mercifully looke." "Orlando Gib-
bons." f. 8b.
35. "0 Lord, I have loved the habita-
tion of Thy House." "Tho. Tom-
kins." i. 9.
3G. "Almighty God, the Fountaine."
By the same, f . 9.
37. "Arise, 0 Lord, into thy resting
place." By the same. f. 9b.
38. "0 God, the proud are risen."
"Will. Bird." f.9b.
39. " I lift my heart to Thee, my God."
"Dr. Tye." f. 9b.
40. "0 Lord, turn thy wrath," with
second part, "Bow downe Thine
eyes " (sic). " Will. Bird." f. 10.
41. "God y» Father, God y« Sonne."
"John Bui." f. 10b.
42. "The man that feares the Lord is
blest." By the same. f. 10b.
43. " See, Brethren, what a pleasing
blisse." "W.Porter." f. 11.
44. "Ponder my words (0 Lord)." By
the same. f. lib.
45. " Teach us by his Example (Lord)."
" Orlando Gibbons." f. lib.
40. "All laud and praise with heart
and voice." By T. Weelkes (?). £.12.
47. "0 how happie a thing it is."
"Dr. Giles." f. 12b.
48. "Behold (0 God) y« sad and heavy
case.
W. Bird." f. 13.
49. "Sadok the Priest." " T. Tom-
kins." f. 13b.
50. "0 God of my salvation." "Mr.
Warwick." f . 13b.
51. "Gravnt us (Gratious Lord) so to
eat." "T. Tomkins." f . 13b.
52. "Heare my praier (O Lord) and
with Thine eares." "W. Crosse."
f. 14.
53. "I lift mine eyes up to the hills."
" Tho. Warwick." f . 14.
54. " Blessed be the Lord God of
Israel." "Mr. Tomkins." fE. 14b,
43b.
55. "Consider mine enimies." "W.
Porter." f. 14b.
56. "Deliver me not over." By the
same. f. 14b.
57. " The King shall rejoyce." ' ' John
Tomkins." f. 15.
58. "0 Lambe of God." "Richard
Portman." ff . 15, 20.
59. "0 Lord, I lift my heart to thee."
' ' Orlando Gibbons." f . 15b.
60. "Almighty God, which hast given
us grace." "Walter Porter." f. 15b.
61. "Hearken (0 God) unto a wretches
cries." By Dr. John Wilson (?). f . 16.
62. "Praise yee the strength of
Britains hope." "William Childe."
f. 16b.
63. "Blessed be the Lord God, even
the God of Israel." "Robert Tom-
kins." f . 17.
64. "All glory be to God on high."
"Tho. Ford." f. 17.
65. " Zadock the Priest." Sung at the
coronation of Charles II, 23 April,
1661. By H. Lawes. f . 17b.
66. "Hear'st thou, my soulo, what
serious things." "Henry Cooke."
f.18.
67. "Behold, 0 God our defender."
By the same. f. 19.
68. "The tweluc Apostles in a Ring."
By the same. f. 19b.
ANTHEMS.
33
II. Single (i.e. Verse) Anthems : —
69. "Thou God, that guidest both
Heaven and earth." " W. Bird."
f. 21.
70. "Teach mo (0 Lord) the way."
By the same. f. 21b.
71. "Hearo my praier (0 Lord) and
consider." By the same. f. 21b.
72. " Above y° starres my Savior
dwells." " Tho. Tomkins." f. 22.
73. "Except the Lord had helped us."
"Na. Giles." f. 22b.
74. "Tho secret shines that hidden
lie." " Will. Mundy." f . 23.
75. "Almighty God, who by Thy Sonn."
"Orlando Gibbons." f . 23b.
76. "This is yc record of John." By
the same. f. 23b.
77. "O Lord, of whom I doe depend."
"Na. Giles." f. 24.
78. "Almighty Father, which didst
give Jesus Christ." Anonymous.
f . 24b.
79. "Praise y* Lord, y° God of might
and power." " W. Jeffrye." f . 25.
80. "Giue sentence with me (0 God)."
" Tho. Tomkins." f. 25b.
81. " 0 Lord, turne not away Thy face."
" Na. Giles." f. 26.
82. "Thou ait my King (0 God)."
" Tho. Tomkins." f. 27.
83. "Almighty and everliving God, we
humbly beseech Thy Majestic" By
the same. f. 27.
84. " Alack ! when I look back." " W.
Bird." f.27b.
85. " O Lord, in Thee is all my trust."
"Tho. Tallis" and "Nat. Giles."
i. 28.
86. "0 hear my praier (Lord) and let
my crie." " Na. Giles." f . 2Sb.
87. "Behold, Thou hast made my
dayes." " Orl. Gibbons." f. 28b.
88. "0 Lord my God, in all distresse."
"Na. Giles." f.29.
89. "0 God, the King of Glorie." " 0.
Gibbons." f.29b.
90. "0 God, which as on this day."
"Dr. Giles." f. 29b.
91. "Blessed are those that are vnde-
filed." " Tho. Tallis." f.30.
92. "Everlasting God, which hast or-
dained." -Dr. Giles." f.30b.
93. "Almighty God, which hast knitt
together." "T. Tomkins." f. 30b.
94. " Out of the deep." " T. Morlcy."
f. 31.
95. "What Child was he whose birth
did Angels glad." " N. Giles."
f.31b.
96. "I will magnifie Thee (O Lord), for
Thou hast sett me up." By the
same. f. 32.
97. "In Thee (0 Lord) put I my trust."
"Dr. Bull." f. 32b.
98. " Christ rising again," with second
part, " Christ is risen." " W. Bird."
f. 32b.
99. " Make y° Great God thy Fort and
dwell." " Henry Lawes." f. 33.
100. " Ah ! helplesse wretch, what shall
I doe." "W. Mundy." f. 33b.
101. "Have mercy upon me (0 God)
after Thy great Goodnesse." "Dr.
Giles." f. 34b.
102. "The Blessed Lamb, y« Holy
promised seed." " E. Hooper." f. 35.
103. "0 Lord of Hosts, Thou God of
peace." "N.Giles." f. 35b.
104. " Blessed are all they that feare
the Lord." " Orl. Gibbons." f. 36.
105. "Lord, in Thy wrath reproue me
not." "Jo. Amner." f. 36b.
106. " G ravnt, O Holy Trinity, that Thy
servant Charles." "0. Gibbons."
f. 36b.
107. "Almighty God, which mad'st."
"E. Hooper." f. 37.
108. "We praise Thee (0 Father)."
"0. Gibbons." f. 37.
109. "Stephan, being full of y° Holy
Ghost." "T. Tomkins." f. 37b.
110. " 0 Lord, let me know." By the
same. f. 37b.
111. "0 God of Gods, 0 King of
Kings." "E. Hooper." f. 38.
112. " Have ye no regard." " Allphonso
Ferabosco." f. 3Sb.
113. " Who is he that commeth." "T.
Tomkins." f. 38b.
114. " A Fruitful Branch of Jesse bliss-
ful stemme." " Mr. Hooper."
f. 39.
115. "If you be risen againe with
Christ." " Orlando Gibbons." f. 39b.
34
VOCAL MUSIC— SACRED.
116. "Glorious and powerful! God."
By the same. f. 40.
117. "0 sing unto the Lord a new
song: Let the Congregation." "N.
Giles." f. 40b.
118. "Deliver rue (0 God) from all my
foes that be." " Dr. Bull." f. 41.
119. " Behold, I bring you." "Orlando
Gibbons." f. 41.
120. " Almighty God, which by yc lead-
ing of a Starr." "Dr. Bull." f. 41b.
121. "My help commeth from the
Lord." "T. Tomkins." f . 41b.
122. "0 Lord God of my salvation."
"R. Portman." ff. 42, 45b.
123. "I will alwaies give thanks unto
y* Lord, His praise." "A Thanks-
giving after ye late sicknes." By
the same. f. 42b.
124. " How many hired servants." By
the same. f. 43.
125. "In Thee (0 Lord) haue I put my
trust." " Giles Tomkins." f . 43b.
126. "Turn Thou us (0 Lord)." "John
Tomkins." f. 44.
127. "0 Lord, make Thy Servant
Charles." " W. Cranford." f . 44.
128. "Jesvs came when the doores
were shutt." " Tho. Tomkins." f. 44b.
129. "I will love Thee (0 Lord)."
" Will. Cranford." f.45.
130. " Look, Shepheards, look." "Tho-
mas Foord." f . 46.
131. "Wee beseech Thee (0 Lord)
pour Thy grace." "John Tomkins."
ff. 46b, 66.
132. "Behold, how good and joyfull a
thing." "R. Portman." f. 47.
133. "Have mercy upon me (0 God)
after Thy great goodnesse." "John
Tomkins." f. 47b.
134. "Remember not (Lord) our offen-
ses." By the same. f. 47b.
135. "The Lord hear Thee in the day
of trouble." " Thomas Holmes." f.48.
136. "Lord, who shall dwell." "Rich-
ard Portman." f. 48b.
137. " Thou art fairer then the children
of men." " Robert Tomkins." f. 49.
138. " Hear me (0 God), a broken heart
is my best part." "Wm. Crosse."
f. 49b.
139. " 0 Lord, rebuke me not." By the
same. f. 50.
140. "Heare my praier (0 Lord) and
with thine eares." By the same.
f.50.
141. "0 be joyfull in the Lord."
"Wm. Bird." f . 50b.
142. "Sing yee to our God." By the
same. f. 50b.
143. "IftheLordHimselfe." "William
Randall." f. 51.
144. " Mine eyes are ever looking unto
y« Lord." "Wm. Crosse." f. 51b.
145. "The simple Sheep that went
astray." "Tho. Tallis." f. 52.
146. "Preserve (most mighty God)."
"Dr. Bull." f.52b.
147. "Hear me when I call (0 God)."
"W.Crosse." f.53.
148. "Let us be glad and clap our
hands." " W. Bird." f.53b.
149. "0 Father deare, 0 Sonn most
deare." "W.Randall." f. 54.
150. "Great King of Gods." " Oil.
Gibbons." f. 54b.
151. "Hear my crying, 0 God." "El-
way Bivin." f. 55.
152. "Bow down Thine eare (0 Lord)."
By the same. f. 55b.
153. "Behold (0 God) with thy all
prospering eye.
W. Bird." f.55b.
154. "0 God, best Guide, sure Gard."
"Dr. Bull." f. 56.
155. " Have mercie on us (Lord)." "Dr.
Giles." f. 56b.
156. "Thou God of wisedome and of
might." " Orl. Gibbons." f.57.
157. "0 All true Brittish hearts."
Anonymous, f. 57b.
158. "Hearken (yee nations), 0 come
see and heare." " E. Hooper." f. 58.
159. "This is the Day wherein yc Lord
hath wrought." "Orl. Gibbons."
f. 58b.
160. "So God loved y= world." " Dr.
Bull." f. 59.
161. "How joyfull and how glad a
thing." By the same. f. 59b.
162. "My help commeth even from the
Lord." By T. Tomkins (?). f. 60.
163. "Hast Thee (0 God) to deliver
me." " H. Lawes." ff. 60b, 89b.
164. "The Lord is King, the earth may
be glad." By the same. f. 61.
165. " Praise the Lord, 0 my soulc,
and all." " Tho. Tomkins." f. Gib.
ANTHEMS.
1GG. " 0 Think upon thy servant." By
the same. f. Gib.
1G7. "Hearken unto my voice (0
Lord)." "Hen. Lawcs." f. 62.
1G8. "Arise, shine: For thy Light is
conic " (for New Year's Pay). Anony-
mous, f. 62b.
169. "0 praise the Lord, for it is
a good thing." "Walter Porter."
f.63.
170. "Hear me (0 Lord) and that
soon.
Will. Crosse." f.G3b.
171. "Ponder my words (0 Lord)."
" Walter Porter." f. 64.
172. "Awake, thou Lute and Harpe."
By the same. f. 64b.
173. "My God, my God, look upon me."
"JohnCobbe." f. 65.
174. "Hear my crying (0 God)." "Giles
Tomkins." f. 65b.
175. "O pray for the peace of Hieru-
salem." " Tho. Tomkins." f . 66.
176. "My dwelling is above." By the
same. f. 66b.
177. "My God, I am wounded with my
sinne." " John Tomkins." f. 67.
178. "I will magnifie Thee (0 Lord),
for Thou." "Tho. Holmes." f . 67b.
179. " 0 give thanks unto the Lord and
call." " Walter Porter." f. 68.
180. "0 God, when Thou wentest
forth." " Robert Tomkins." f. 68b.
181. "0 Let me heare Thy loving
kindnesse." By the same. f. 69.
182. "Holy, holy, holy, Lord God All-
mighty." "Batten." f.69b.
183. "Heare my prayer (0 God) and
hide not." By the same. f. 70.
184. "Before the Mountaines were
brought forth." "Will. Lawcs."
f . 70b.
185. "Who is this that commeth." By
the same. f. 71.
186. "The heavens declare theGlorie."
" Rich. Portman." f.71b.
187. "The Lord hear thee." "John
Cobb." f. 72.
188. "0 let my mouth be filled."
" Will. Childe." f. 72b.
189. " 0 Lord, I have sinned." Anony-
mous, f. 73.
190. " Most Gratious God and loving
Father." Anonymous, f. 73b.
191. "0 ^Eternal God and mercifull
Father, since Lineall Succession."
"W. Cranford." f. 74.
192. Another prayer, beginning with
the same words, "for the safe delivery
of the Queen." By the same. f. 7 lb.
193. "0 Lord, Thou hnst searched mc
out." "Walter Porter." f. 75.
194. " Hear mc, O God, in tho multi-
tude of Thy mercies." "Rob. Tom-
kins." f. 75b.
195. "0 Lord, Thou hast searched mc
out." "John Cobb." f. 70.
196. "Have pitie upon me (0 ycc my
friends)." "Christopher Gibbons."
f. 76b.
197. " Most gratious God and Mercifull
Father." " Rich. Portman." f. 77.
198. "Hear my praicr (O Lord) and
with thine ears." "Tho. Tomkins."
f.77b.
199. "Lord, hear my voice when I
crie." "Tho. Mudd." f. 78.
200. "Like as the Hart." "Robert
Tomkins." f . 78b.
201. "Have yee no regard." "Henry
Oxford." f. 79.
202. "My Beloved spake." Anony-
mous, f . 79b.
203. "My Beloved spake." "Tho.
Tomkins." f . 80.
204. "0 Light, 0 blessed Trinitie"
(followed by the original Latin
words). "Tho. Hunt." ft". 80b, 81.
205. "Let us with loud and cheerfull
voice begin." " Tho. Ford." f.81b.
206. "0 most Gratious God, look upon
us." "Joh. Cobb." f.82.
207. "Holy, Holy, Holy, Lord (rod
Allmighty." Anonymous, f. 82b.
20S. "The Lord hear thee." "John
Tomkins." f. 83.
209. "Rejoice in the Lord, O ycc
Righteous." "Richard Portman."
f . 83b.
210. "Withdraw not Thou Thymercie."
"Tho. Tomkins." f. 84.
211. 0 Lord, graunt the King a long
life." " Rob. Tomkins." f.84b.
212. "0 God, wherefore art Thou
absent." " Rich. Portman." f. 85.
213. "Blessed be the Lord My
strength." "Tho. Ford." f. 85b.
214. " Hear, 0 heavens, and give care."
Anonymous, f. 86.
36
VOCAL MUSIC— SACRED
215. "Thou, O God, art praised." "Jo.
Cobe." f. 87.
216. "Hear, OLord, and have mercie."
" Rob. Tomkins." f . 87b.
217. "0 sing unto the Lord a new
bong, let the Congregation." " Rich.
Portman." f. 88.
218. " Give the King thy judgments."
"Jo. Cobbe." f.88b.
219. "Gravnt, 0 Holy and Blessed
Trinity" (for 8 voices). "Sung at
the Baptism of Prince Charles, Iune
27th, 1630." Anonymous, f. 89.
220. " Lift up your heads, O yee Gates "
(for counter-tenor and bass). Anony-
mous, f . 90.
221. "The Lord liveth and Blessed be
my Rock " (for a bass). Anonymous.
f.90b.
222. "Make the great God thy Fort,
and dwell" (for 2 counter-tenors, a
mean, and a bass). Anonymous.
f.91.
223. "They that put their trust in
the Lord" (for 2 means). By H.
Lawes (?). f. 92.
224. "I will give thanks unto thee,
0 Lord, with my whole heart " (for
2 counter-tenors and a bass). Anony-
mous, f . 92b.
225. "My song shall be of mercy"
(for a tenor). By H. Lawes (?). f . 93.
226. "Hear me when I call, 0 God"
(for tenor, counter-tenor, and bass).
Anonymous, f. 93b.
227. "Hearken, O daughter, and con-
sider" (for tenor and counter-tenor).
By H. Lawes (?). f. 94.
228. "Blessed is every one that
feareth." " Hen. Lawes." f.94b.
229. "Thou art my king, 0 God."
" Wm. Childe." f.95.
The remaining Anthems are by Henry Cooke
230. "Looke up, languishing soule."
ff . 95b, 99.
231. "Let my Prayers bee set forth."
i. 96.
232. "0 sing unto y« Lord a new song,
for He hath done." f. 96b.
233. "The Lord is my Shepheard."
f. 97.
234. Unto thee, 0 Lord, doe I lift up
my soule." f. 97b.
235. "0 clap your hands together."
f . 98.
236. "I will alway give thankes unto
the Lord, his praise." f. 98b.
237. "My song shall be alway of the
loving kindnesse." f. 100.
238. " Heare my cry, 0 God, give eare."
f . 100b.
239. "Downe fell y* Glorious mystick
flame." f.101.
240. "My rauisht soule." f. 101b.
241. " My God, my God, why hast thou
forsaken me." f. 102.
242. "Sing and Rejoyce in the Lord."
f . 102b.
243. " Christ Rising againe." f. 103.
At the end are Indexes to the full and verse Anthems. A leaf in
the latter is wanting after f. 110.
Egerton 2603, f. 65.
Paper ; 17th cent. Octavo. In a miscellaneous collection of papers belonging
to Frederic Ouvry, F.S.A.
" O Singe vnto the Lord A newe Songe, Let the congregation of
the saintes praise thee " : the words only of an Anthem for treble and
counter-tenor, by Henry Lawes. Autograph.
ANTHEMS.
37
Additional 30831-30834, passim.
Paper; 17th cent. Small folio. Reversing the volumes, there are some
Services (see under that heading) by the same composer.
Anthems by Dr. Benjamin Rogers : the medius, tenor, and bassus
Cantoris parts, and the organ score. Autograph. The altus part is
wanting, and (except in no. 1) the medius also.
1. "Save me, 0 God, for thy names
sake" (full), i, f.8b; ii, f.lOb; iii,
f. 13b ; iv, f . 22b.
2. "Behold, I bring you glad Tidings"
(verse), ii, f. 10 ; iii. f . 13 ; iv, f . 21b.
3. "Behold, how good and joyfull a
thing" (full), ii, f.9b; iii, f. 12;
iv, f . 20.
4. " 0 pray for the peace of Jerusalem "
(full), ii, f.9; iii, f.llb; iv, f. 19b.
5. "I beheld, and loe " (verse), ii,
f.8b; iii, f.ll; iv, f . 18b.
G. "Bow down thine ear" (verse), ii,
f. 8 ; iii, f. 10 ; iv, f. 16b.
7. "If the Lord himself" (verse).
f . 7 ; iii, f . 9 ; iv, f. 14b.
Additional 32343, f. 14.
Paper ; 17th cent. Octavo. Belonged to John Payne Collier.
The words of a verse Anthem taken from Psalm 27, beginning
" Harken vnto my voice, O Lord," by H[enry] L[awes]. Autograph.
Additional 31437, ff. 1-19.
Paper ; second half of the 17th cent. Folio. Apparently belonged to the Music
School [at Oxford] and afterwards to Dr. Philip Hayes. The same MS. contains
also Motets, Sacred Solos, and a String Quartet, which are described under their
respective headings.
Anthems for 3 voices, in score, by M[atthew] L[ock], Autograph.
1. "Blessed is the man that hath not
gone." f . lb.
2. " Lord, rebuke me not." f. 2b.
3. "O Lord, our Lord, how marvail-
ous." f. 3b.
4. "Let God arise." f.4b.
5. "Behold! how good and joyfull."
f.5b.
6. "Prayse our Lord, all ye Gentiles."
f. 6b.
7. " When I was in tribulation." f. 7b.
8. "Sing unto the Lord a new song,
his praise." f. 7b.
9. "From the depths haue I called."
f. 9b.
10. "O Lord, heare my prayer, and let
my cry." f. 12b.
11. "In the begining, O Lord." f. 13b.
12. "Arise, O Lord." f. 14b.
13. "Lord, now lettest thou thy ser-
vant." f. 15b.
14. "A Hymne, O God, becometh thee
in Syon." f . 16b.
Additional 31458, f. 1.
Paper ; late 17th cent. Folio. The MS. contains also a Mass of the 1st part
of the 18th cent, described elsewhere.
" O sing unto the Lord a new song, for he hath done maruelous
things " : full Anthem for 4 voices, with symphony, ritournelles, < tc,
in score, by John Blow. Autograph.
38
VOCAL MUSIC -SACRED.
Additional 33235, passim.
Paper ; late 17th cent. Folio. Among former owners are Mrs. Cave (f. lb) ;
Simon Child, organist of New College, Oxford (f. 2) ; Philip Hayes, 1757 (f. lb) ;
Rev. John Parker, and Stephen Groombridge, F.R.S. (bookplates) ; J. Smith, of
Deptford; and Vincent Novello, 1832 (f. lb), who bequeathed the MS. to the
British Museum. The MS. contains also Cantatas (secular), Duets, Madrigals,
Motets, a Part Song, Sacred Songs, and Songs, which are described under their
respective headings. For short accounts of musicians, see under Biographies
(late 18th cent.).
Anthems, with a bass for the organ (unless the contrary is stated),
in score. Nos. 2-4 are corrected from the originals by Philip Hayes.
1. " When David heard that Absalon " ;
for 3 voices. Anonymous, f. 3.
2. "Since God so tender a regard";
solo, with 3-part chorus, on a ground
bass. "Henry Purcell." f . 7b.
3. "Early, 0 Lord, my fainting soul."
By the same. f. 10b.
4. "0 all ye people, clap your hands."
By the same, f . 17b.
5. " 0 Lord my God, why hast thou " ;
with symphonies, etc. "P. Hum-
phrey." Printed in Boyce's Cathedral
Music, i. 21b.
G. "Job's curse": "Let the night
perish"; solo with 2-part chorus.
"H[enry P[urcell]." In Harmonia
Sacra, f. 48b.
7. "Jesus, seeing y* multitudes " ; verse
anthem with 5-part chorus, with a
figured bass. "Dr. Blow." f . 104b.
8. "Sing vnto y* Lord, 0 ye Saints" ;
verse anthem with 5-part chorus.
' ' Dr. [Christopher] Gibbons." f . 109b.
9. "Sing we merrily vnto God our
strength " ; for 6 voices. " Dr. Blow."
f. 112b.
10. "Have mercy upon me, O God";
verse anthem. ' ' Pelham Humphry."
f. 116.
11. "I said in y* cutting off of my
dayes " ; solo, with ritournelles, etc.
"Dr. Blow." f.l20b.
12. "How doth y" sity sit solitary";
verse anthem for 3 voices, with a
figured bass. By the same. f. 125b.
13. "How doth y" citty sit solitary";
verse anthem with 5-part chorus.
Dr. Blow or M. Lock. f. 129.
14. "As on Euphrates shady banks " ;
solo anthem, the words by Sandys.
"Dr. Blow." f. 132.
15. "And I heard a great voice " ; with
ritournelles, etc. By the same.
f.138.
Additional 34203, passim.
Paper ; late 17th cent. Oblong octavo. On f. 1 is the name of Tho. Williams,
in whose hand the MS. appears to be written. He was probably the organist of
St. John's College, Cambridge, in 1712 (see Joule's Collection of Words to ... .
Anthems), who composed the Service in Harley 7341, f. 235. The MS. also
contains some Services, described under that heading.
OiUiAN-scoKK of Anthems.
1. "Hear my prayer, O Lord, and let " 5. " Go ye into all the world " (verse),
(verse). By Wilkinson, f. 3. Anonymous, f. 15b.
G. " Sing wee merrily " (full). "Blow."
f. 17b.
3. "Like as the hart" (verse). "Bird." j 7. "My days are gone." By Cutts.
f.7b. f. 21b.
4. "Behold, how good." By John 8. "It is a good thing." Anonymous.
Hutchinson, f. 14b. f. 23.
2. "O Lord, let me know mine end"
(verse). Anonymous, f. 4b.
ANTHEMS.
39
9. "Sing aloud unto God." Anony-
mous, f. 24b.
10. " Bow downe Thine eare." Anony-
mous, f. 25b.
11. "Turn thee unto me." By Blow.
f. 27.
12. " Blessed be the Lord my strength."
"Pursol." f. 29.
13. "My beloved spake." "Jo. Tha-
mer." f. 36.
14. " The Lord hath don great things."
"H. L[oosemore?J." f.37.
15. "0 praise the Lord ... ye that
stand." Anonymous, f. 38.
16. " Vnto thee, 0 Lord, [will I lift up] "
(verse). Anonymous, f. 39.
17. "How are the mightie fal'n"
(verse). "Wise." f. 41.
18. " Sing joyfully." "Bird." f. 43.
19. "Hear my prayer, 0 God." "Bat-
ten." f.44b.
20. "Prays the Lord, 0 my Soule."
"H. L[oosemore]." f. 64b.
21. "Almightie and everlasting God."
" G. L[oosemore ?]." f. 65b.
22. " I call and cry." "Tallis." f. 66b.
23-5. "I am the resurrection," " Man
that is born," and " I heard a voyce,"
the three forming the Burial Service.
" [John] Ferrabosco." , ff. 67b, 08, 69.
26. "Behold, God is my salvation."
"Tudway." f.69b.
27. "Behold, I send unto you Pro-
phets." "G. L[oosemore?]." f. 71.
28. " How doth the Cittie sit solitarie."
By the same, f . 72b.
29. Rejoyce in the Lord." By the
same, f . 75b.
30. " Rejoyce in the Lord. "P[elham]
H[umfrey] " in the index, f. 77.
31. "Vnto thee, 0 Lord." By W. (?)
King, f . 78b.
32. "The Lord, even the most mightie."
" G. L[oosemore ?]." f . 80.
33. "Out of the deep." Anonymous.
f. 81b.
34. "I will magnifie thee, 0 God my
king" (verse). "Tucker." f . 83b.
Printed Book, K. 9. b. 9 (5), ff. 1-19 passim.
Paper ; 17th-18th cent. Folio. Inserted in MS. at the end of a printed copy
of a Mass by Orlando di Lasso, 1587.
Anthems, in score [by Dr. John Blow].
1. " 0 Lord God of my Saluation " ; for
6 solo voices with 8-part chorus, f. 1.
2. " My God, my soul is vexed " ; for 3
solo voices with 5-part chorus, ff . 4-6.
3. " Jesus seeing the Multitudes " ; for
4 solo voices with 5-part chorus.
f. 14.
4. "0 God, wherefore art thou absent
from us " ; full anthem in 5 parts.
ff . 17b-19.
Additional 17841, ff. 1-105.
Paper; late 17th-18th centt. Small folio. Bookplate of James Kent, of
Winchester, the composer (d. 1776). The MS. afterwards belonged to James
Bartleman, the singer, who has added pencil-notes; at his death, in 1821, it was
purchased by Vincent Novello, who presented it to the British Museum in
1849. It also contains a "Te Deum," Chants, and a Canon, which are described
elsewhere.
Anthems, etc., by English composers, in score, some of them
autograph.
1. "0 sing unto the Lord a new song "
(verse anthem). "Crofts." Auto-
graph (?). f.3.
2. "Thou, 0 God, art Praised" (verse
anthem). Anonymous, f . 12.
3. " Sing we merrily " (verse anthem,
with organ). "Tudway." f. 15.
4. "Lord, how are they increased"
(verse anthem). "Blow." f . 20.
5. "I will sing unto the Lord" (verse
anthem). "Tudway." f. 24b.
6. Figured bass of "Blessed [are all
they]." Anonymous, f. 30.
40
VOCAL MUSIC— SACRED.
The following 16 solos are from Anthems by [Dr. William] Crofts.
7. "Their delight shall be," from
"Blessed is the people." f. 30b.
8. "My soul shall make her boast,"
from "I will allway give thanks."
f.31b.
9. "Behold, he that keepeth Israel,"
[from "I will lift up mine eyes"].
f. 32.
10. "As for sinners," from "I will
sing [unto the Lord as long "J.
f. 33b.
11. 12. "0 Lord God of my salvation"
and "My sight faileth," from "0
Lord God of my salvation." if. 34b,
35b.
13. "Now know I," from "0 praise
the Lord, ye that fear." f. 36.
14, 15. "0 Lord, how manifold" and
' ' Thou deckest thyself," from ' ' Praise
the Lord, 0 my soul." ff . 37, 37b.
16,17. "Thou, Lord, hast made us
glad" and "Thou hast been our
succour," from "Sing unto ye Lord
[and praise his name]." ff. 38b, 39b.
18. "For tho they be punished," from
" The souls of ye righteous." " Per-
form'd at ye Queens funefral]."
f.40.
19. "Thou (sic) I walk in ye midst of
trouble," [from " 0 give thanks unto
the Lord "]. f. 40b.
20. "He maketh peace," [from "This
is the day "]. f. 42.
21. "I look for y« Lord," [from "Out
of the deep "]. f. 42b.
22. "Help me now, 0 Lord," [? from
"I will give thanks unto Thee," but
not in 17820, 17842, etc.]. f. 43b.
23. "I will arise" (solo anthem).
Anonymous, f. 56.
24. "Man that is born" (funeral
anthem for 3 voices). Anonymous,
f. 58b.
25. " Allmighty and Euerlasting God."
" 0. Gibbonss." f . 62.
26. "I will magnifie thee, 0 God" (solo
anthem, with organ). By D. Purcell.
Autograph, f. 65.
27. "Behold, thou hast made" (solo
anthem). " Orlando Gibbons." f.72.
28. "0 Lord, rebuke me not" (solo
anthem). " Welldon." f.75.
29. " Blessed be the Lord my strength "
(solo anthem). By the same. f. 77b.
30. "Hear my prayer, 0 Lord, and
consider " (verse anthem). By D.
Purcell. Autograph, f. 81.
31. "Put me not to rebuke" (solo
anthem). By the same. Autograph.
f. 87.
32. "0 God, tbou art my God" (solo
anthem). By the same. Autograph.
f . 90b.
33. "Praise the Lord, O my soul"
("Symphony anthem"). Anony-
mous, f. 94.
Additional 29481, ff. 27-43b (reversed) passim.
Paper ; 17th-18th centt. Small oblong folio. Belonged originally to A. B.,
possibly Adrian Batten (see original covers), to Richard Elliott in 1655, to
William Wilkins in 1743, and probably afteiwards to J. Stafford Smith, who has
inserted one or two of the songs in his Musica Antiqua. The MS. also contains
some Songs (secular and sacred) about 1630, Madrigals of the 17th cent., Harp-
sichord music, Instructions for "consort" tuning, of the latter part of the
17th cent., and a Chant of the 17th-18th cent., which are described elsewhere.
Anthems in parts : medius or treble part only, unless the contrary
is stated.
1. "Lord, how are they increased"
(verse anthem). Imperfect. By W.
King, ff . 27, 33.
2. " 0 give thanks unto the Lord, for
he." Decani and Cantoris parts.
" Dr. Rogers." ff. 27b, 30.
3. "Now that the Lord" (verse
anthem). Decani and Cantoris parts.
"For King C[harles'] Restoration,
May 29." " Wm. King." ff. 28, 32.
4. "How are the mighty falln" (verse
anthem). By M. Wise. f. 29.
ANTHEMS.
41
5. "Teach me, 0 Lord, the way"
(verse anthem). "Dr. Rogers." f. 30b.
6. "Praise the Lord, 0 my soule."
Anonymous, f. 31.
7. "Lead mo, 0 providence Devinc."
Anonymous, f. 32b.
8. " Haste thee, 0 God, to deliver me "
(for 8 voices, 4 Decani and 4 Cantoris).
"Dan. Koseingrave." ff. 34b-38b,
40b-43b.
Additional 30931.
Paper; ff. 179. Late 17th-18th centt. Folio. Bookplate of " James Kent,
[organist of] Trim Coll. Camb." (c/. Add. 17841, above). Some of the Anthems
appear to have been transcribed by Daniel Henstridge, organist of Canterbury
Cathedral (cf. Add. 30932, f. 155b).
" Anthems Ancient and Modern . . . collected by William
Flackton," bookseller, of Canterbury (see f. 2b), "Vol. 1st"; with
memoranda in the hands of the Rev. Wm. Gostling (1770), Dr. Philip
Hayes (1784-5), and the compiler (1776); also in that of Vincent
Novello (about 1830). In score.
1. "O Lord, thou hast searched me"
(verse anthem). "Crofts." f. 5.
2. "The earth is ye Lords" (solo
anthem). By the same. f. 15.
3. "Sing unto God, 0 ye kingdoms"
(solo anthem). By the same. "Com-
posed on occasion of the success of
our Navy in 1708." f. 18.
4. "Out of the deep" (solo anthem).
By the same. f. 22.
5. " We will rejoyce in thy salvation."
By the same. f. 26. With organ
part. f. 31.
G. "O praise God in his Holiness"
(verse anthem). Imperfect. Anony-
mous, f . 30b.
7. "O Lord, grant y° king" (organ
part of anthem). " Crofts." f. 32b.
8. "0 Lord, rebuke me not" (organ
part). By the same. f. 33b.
9. "Hear my crying" (organ part).
"Welldon." f.34b.
10. "I will sing unto ye Lord as long
as I live" (solo anthem, organ part).
"Dr. Crofts." f. 35b.
11. "O give thanks [unto the Lord, for
he is gracious "] (organ part). "Pur-
cell." f.37b.
12. "O Lord, rebuke me not" (solo
anthem, organ part). " Sung by Mr.
Elford." "Weldon." f.39b.
13. "Behold, I bring you" (verse
anthem). "Will. Raylton, November
y* 8th, 1710." Autograph, f. 43.
14. "Behold, O God, our defender"
(verse anthem). By the same, " March
3'1 171§." Autogr. f . 47.
15. "Great is the Lord and great is his
power" (verse anthem). By the
same. Autogr. f. 50.
1G. "I am the resurrection." By the
same. Autogr. 1. 54.
17. "Be mercifull unto me, 0 God"
(verse anthem). "H. Purcell." f. 56.
18. " Blessed are they that fear " (verse
anthem, with symphonies). By the
same. Composed for the thanks-
givings on 15, 29 Jan. 168g, "for the
Queen's being with child." Autogr.
£.61.
19. "Out of ye deep" (verse anthem).
By the same. Autogr. f. 67.
20. " My song shall be " (solo anthem).
By the same. f. 71.
21. "The Lord is king, the earth"
(solo anthem). By the same. f. 75.
22. "Turn thou us" (solo anthem).
By the same." f.79.
23. "Man that is born"; beginning
here with the words "In ye midst of
life." By the same. Composed before
1683. £.81.
24. "Acquaint thyself with God " (solo
anthem). "Green." f.85.
25. "I laid me down" (solo from
"Lord, how are they increased").
By the same. f. 91.
26. "Turn again then unto thy rest" :
solo from "O give thanks [unto the
Lord, for he"]. "Boycc." f. 93.
42
VOCAL MUSIC— SACRED.
27. "Almighty [God, who by the leading
of a star] " (versejanthem with 5-part
chorus). "Bull." f. 94.
28. "0 God, wherefore art thou absent "
(5 voices). "John Blow." f. 96.
29. " My God, my God, look upon me."
By the same. f. 100.
30. " God is our hope " (8 voices). By
the same, f . 103.
31. Apparently the score, without
words, of a short full anthem in 4
parts by " Humphreeys." f. 103 (at
bottom).
32. Another score, without words, of a
full anthem (?) in 4 parts by "Dr.
Blow." f. 104.
33. " When Israel came out of Egypt."
"Blow." f. 109.
34. "Thou art my king, 0 God."
"Humpris." f. 113b.
35. "Sing we merrily" (6 voices).
"Blow." f. 117.
36. "I will love thee, 0 Lord (verse
anthem). " [Jer.] Clark." f. 121b.
Followed by a printed copy of the
same, evidently intended for insertion
in the 1st or 2nd collection of
anthems known as Divine Harmony,
edited by Weldon and published by
Walsh, f . 125b.
37. "Save me, 0 God" (5 voices).
The following five Anthems are in the hand of William Raylton,
being taken from Barnard's Church Music, 1641.
By Byrd. f. 130.
38. "The Lord, even the most mighty "
(solo anthem). " Henry Hall."
f. 131.
39. " Blessed be ye Lord, my strength "
(solo anthem). By the same. f. 133.
40. "0 clap your hands." By the
same. f. 136.
41. "In thee, 0 Lord, have I put my
trust " (verse anthem). By the same,
f. 141.
42. "Why do y" heathen" (verse an-
them). By the same. f. 144b.
43. "0 give thanks unto ye Lord, for
he is gracious" (6 voices). "Henry
Aldrich." f. 149.
44. "Give ye king thy judgments"
(solo anthem, organ part). By the
same. f. 151b.
45. "Have mercy vpon me, 0 Lord"
(solo anthem, organ part). By the
same. f. 155.
46. "Out of ye deep." " From an an-
them of Laws" (?). Adapted by the
same. f. 157.
47. "Wee have heard with our ears."
" From Palestrina." Adapted by the
same. f. 158.
48. " Give ear, 0 Lord." Adapted by the
same. Autograph, f. 161.
49. "I heard a voice." "Albertus
Bryne." f. 162.
50. "Wipe away my sins" (5 voices).
" Tho" Tallis." f . 167b.
51. "With all our hearts" (5 voices).
By the same. f. 173b.
52. "Blessed be thy name" (5 voices).
By the same. f. 175b.
53. "0 Lord, give thy Holy Spirit."
By the same. f. 177b.'
Additional 30932.
Paper ; ff . 172. Late 17th-18th centt. Folio. The MS. also contains Songs
(sacred), described elsewhere.
" Anthems Ancient and Modern . . . collected by William Flack-
ton. Vol.2"' (see Add. 30931, above). In score. Many of the
transcripts appear to be in the hand of Daniel Henstridge, organist of
Canterbury Cathedral, and most of the autographs are certified by
Dr. Philip Hayes, in 1785.
1. "By y* waters of Babylon" (verse
anthem). " Wise." f. 4.
2. "Arise, 0 Lord" (organ part). By
the same. f. 9.
3. "Awake vp, my glory" (verse
anthem). By the same. f. 11.
4. "I will arise" (solo anthem, with-
out words). By the same. f. 12.
ANTHEMS.
4.3
5. "Sing, 0 daughter of Sion " (verse
anthem). " William Morris." f. 14.
G. " 0 sing vnto y* Lord a new song"
(verse anthem). By the same. f. 16b.
7. "Is it true" (verse anthem), "sung
at the opening of Windsor Chapel,
1702" (see also Harl. 7341, f. 35).
"Tudway." f . 20b.
8. "Blessed is the people" (verse
anthem). By the same. f. 24.
9. " My heart rejoyceth" (solo anthem).
By the same, f . 26.
10. "I will sing unto the Lord" (verse
anthem). By the same. f. 32.
11. "lam the resurrection." By the
same. Sung at the funeral of Lord
Blandford in King's College Chapel,
24 Pebr. 170f . f . 36b.
12. "Praise the Lord" (organ part,
the beginning written out in score).
"Rogers." f . 38.
13. "Teach me, 0 Lord" (written like
the last). By the same. f. 39.
14. "Behold, now praise" (like the
last). By the same, f . 40b.
15. "Bow down thine ear" (verse
anthem). By the same. Probably
transcribed from the original at Ox-
ford (see note at end), f. 41.
16. " 0 give thanks" (organ part). By
the same. f. 44.
17. " I beheld, and loe " (verse anthem).
By the same. f. 45.
18. "0 praise the Lord, laud ye the
name " (solo anthem, with sym-
phonies, etc.). "Pellham Humphreys."
£.48.
19. "By y* waters of Babilon" (solo
anthem, with organ part). By the
same. Altered by, and in the auto-
graph of, H. Purcell. f. 52.
20. " Haue mercy vpon me, 0 God"
(verse anthem, with overture, etc.).
By the same. Autograph, f . 56.
21. "I will give thanks vnto thee " (solo
anthem.) "John Church." f . 60.
22. "0 praise the Lord, for it is a good
thing" (verse anthem). Anonymous.
f. 64.
23. "Praise y° Lord, 0 Jerusalem."
"Jer. Clark." f.66.
24. "Comfort yee, my people" (solo
anthem). " Tocker." f.68.
25. " 0 Lord, our gouernour." "George
King " (158G-1665), organist of Win-
chester College. This and the fol-
lowing anthems were sent in this
form by Edward Jackson, "of Glo-
cester cathedral," to Daniel Hen-
stridge, then organist of Rochester
Cathedral, f. 70b.
26. "The Lord is King." By the same.
f.71.
27. "In thee, O Lord, have I put my
trust" (verse anthem). "Hawkins,
organist of Ely." f. 72.
28. " O God, y* strength of all." "John
Sargenson, M.A.," minor canon of
Christ Church, Canterbury. Auto-
graph, f . 77.
29. "Give ear, 0 ye heav'ns" (verse
anthem). " Nich. Wootton," organ-
ist of Canterbury Cathedral. Auto-
graph, f. 79.
30. " 0 come hither and hearken " (solo
anthem). Anonymous, f . 84.
31. "I had rather be a doorkeeper"
(solo anthem). Beginning only.
Anonymous, f. 86b.
32. "My beloved spake." " H. Pur-
cell." Autograph. 1. 87.
33. "Who hath believed our report"
(verse anthem). By the same. Auto-
graph, f . 94.
34. "I am well pleas'd" (verse an-
them). "Aldrich from Carissimi."
f.99.
35. "0 Lord, rebuke me not" (solo
anthem). "Weldon." f . 105.
36. "Lord, what is man" (verse an-
them). "Tumor." f . 107.
37. "The Lord is righteous" (solo
anthem). By the same. f. 110.
38. "The Lord is full of compassion"
(verse anthem). " Jereh Clark."
f. 113.
39. " Except y« Lord build the house"
(3 voices). "Harris." f. 118.
40. "0 God, thou art my God." By
John Walter. Beginning only. f. 120b.
41. "Behold now, praise the Lord"
(verse anthem). " Purcell." Auto-
graph. f. 121.
42. " The Lord is my Shepherd "
(verse anthem). "Wise." f . 126.
43. "My God, my God, look upon me."
"J. Blow, at Aspinden Hall, Sep. the
6th, 1697." Autograph, f. 128.
44
VOCAL MUSIC— SACRED.
44. "Let thy merciful Eares." "John
Sargenson." Autograph, f . 130b.
45. " Behold, I bring you " (organ part).
" H. Purcell." f. 132.
4G. "Vnto the, 0 Lord" (organ part).
" [William (?)] King." f. 133b.
47. "If the Lord himselfe" (organ
part, the beginning in score). " Will.
Child." f . 135.
48. "0 that mine eyes" (verse an-
them). " [H.] Loosemore." f. 136.
49. "How long wilt thou forget"
(verse anthem, with 3-part chorus,
differing in this respect from the
copies in Harl. 7340, etc.). " [C]
Gibbons." f. 138.
50. " Who shall give salvation " (organ
part). Beginning only. Anonymous.
f . 140b.
51. "0 give thanks unto the Lord
and call " (verse anthem). " Bower."
f. 141.
52. "0 come heither and hearken"
(solo anthem). By the same. f. 144.
53. "Hear, 0 Lord, and consider"
(solo anthem, organ part). " Greene."
f. 147.
54. "Praise the Lord, ye servants."
"Blow." f. 149.
55. "Lord, thou art become gracious."
"Church." f.150.
5G. "Hear me, when I call " (3 voices).
" Dan1 Henstridge." Autograph,
i. 154.
57. "With all our hearts" (5 voices).
"Tho. Tallis." f . 156.
58. "Blessed be y* Lord, my strength "
(solo anthem). " Hen. Purcell."
f. 157.
59. "Hast thee, 0 God." "Hum-
phreys." f. 161.
GO. "I will sing of thy pow'r" (solo
anthem). "Holmes." f . 165.
61. "I will magnifie thee, 0 God " (solo
anthem). " Hawkins " [of Ely].
f . 166b. Followed by the organ part,
f. 169.
62. "I will cry unto God" (solo an-
them). By Blow. In the same hand
as no. 61. f. 171.
Additional 31460, ff. 54b-69b, 79, 87.
Paper; 17th-18th centt. Oblong folio. At f. 1 is written " Mr [Simon or
William] Child His Book." Belonged also to Dr. Wm. Hayes, Dr. Philip Hayes,
and Robert Smith (?of Oxford, bookplate). The MS. also contains sacred and
secular Songs (early 19th cent.), described elsewhere. See also Biographies and
Histories (late 18th cent.).
Anthems, or Solos from Anthems, with figured bass, in score.
6
1. "Turn thee unto me, 0 Lord."
"Blow." f.54b.
2. "Behold, thou hast made my dayes."
" Orlando Gibbons." f. 56b.
3. "I waited patiently for y* Lord."
" Henry Aldrich." f. 58b.
4. " 0 God, thou art my God." By the
same, f . 62b.
5. " I charge you, 0 daughters of Jeru-
salem." " Michael Wise." f.67.
Let God arise." " William Lawes."
i. 68.
7. "Job's curse": "Let the night
perish"; with 2-part chorus. "H.
P[urcell]." f. 79.
8. " In guilty night." Dialogue between
Saul, the Witch of Endor, and
Samuel, with 3-part chorus. By
N. Lanier (see 22100, f. 107b). f. 87.
Additional 5327.
Paper ; ff . 127. Early 18th cent. Oblong folio.
Anthems, in score, by Dr. Maurice Greene ; all written in the
same hand, apparently that of the composer, before he took his
ANTHEMS.
45
Doctor's degree (1730), his name being given at the end as " Mr."
Greene.
1. "The Lord is my strength and my
song" (verse anthem), f . 3.
2. "God is our hope and strength"
(6 voices), f. 9.
3. "I will give thanks unto thee, O
Lord" (verse anthem), f . 20b.
4. "I will allway give thanks unto the
Lord" (verse anthem), f . 28b.
5. "Hear my prayer, 0 God, and hide
not thyself" (verse anthem), f. 34b.
6. " 0 Lord, give ear unto my prayer "
(verse anthem), f. 39.
7. "0 God, thou art my God" (verse
anthem), f . 44b.
8. "I will seek unto God" (verse an-
them, with 5-part chorus), f. 51b.
9. "Have mercy on me, 0 God, after
thy great goodness" (sokTanthem).
f. 55b.
10. " Let God arise " (verse anthem,
with 5-part chorus), f . G5b.
11. "0 give thanks unto the Lord and
call " (verse anthem, with organ
part), f. 7G.
12. "Lord, let me know my end."
f. 85b.
13. " My soul truly waiteth still upon
God " (solo anthem), f. 89b.
14. "Acquaint thyself with God" (solo
anthem), f. 95b.
15. "0 Lord, our governour " (verse
anthem, with 5-part chorus), f. 100.
16. "I will magnifie thee, 0 God"
(verse anthem), f. 107b.
17. "Lord, how are they increased"
(solo anthem), f. 113.
18. " O how amiable are thy dwellings "
(solo anthem), f. 117b.
The whole of the above Anthems, besides several others, are in
Add. 17850, which is also in the hand of the composer, and is probably
the original MS. At the end (f. 127b) is a Chant, also by Dr. Greene.
Paper; ff . 100.
Novello.
Additional 17847.
Early 18th cent. Folio. Presented, in 1849, by Vincent
Anthems, in score, by Dr. William Croft,
hands.
In several different
.1. "I will sing unto y" Lord as long as
I live " (verse anthem), f. 2.
2. "I will always give thanks" (verse
anthem). "The words . . . given
to me by . . . Queen Anne, and
performed att S' Pauls upon Thanks-
giveing Day." With the names of
the soloists, Elford, Freeman, and
Gates, filled in by the composer.
f.5.
3. " Sing unto the Lord and praise his
name" (verse anthem), f. 13.
4. "0 Lord God of my salvation"
(verse anthem), f. 18b.
5. "Praise the Lord, 0 my soul, 0
Lord my God" (verse anthem).
f. 22b.
6. " 0 Lord God of my salvation " (not
the same as no. 4) ; with autograph
alteration, f. 27.
7. " 0 praise the Lord, all ye heathen "
(verse anthem), f. 30b.
8. "Deliver us, 0 Lord our God"
(verse anthem), f. 32b.
9. "The Earth is the Lord's" (solo
anthem), "composd for y° famous
Mr. Elford." f. 38.
10. "Blessed is the people, O Lord"
(verse anthem), f. 41b.
11. "I waited patiently" (verse an-
them), "composd for Tho. Gethin,
when one of y" children of Her
Majest' Chapell." f. 47.
12. "The Lord is my light" (verse
anthem), f. 50b.
13. "O clap your hands together"
(verse anthem), f. 58b.
14. "I will magnifie thee, O Lord"
(solo anthem), f. 65b.
15. "0 come, let us sing unto the
Lord" (verse anthem), f. 70b.
16. "Behold, now praise the Lord"
4G
VOCAL MUSIC— SACRED.
(verse anthem) ; with a few bars of
symphony for the organ, in the hand
of the composer, f. 74b.
17. "Help us, 0 God of our salvation "
(solo anthem) ; the first part auto-
graph, f. 78.
18. "Let him fly from cvill" (verse
anthem), being Part HI of the
"Union" anthem, of which the
other two parts were composed by
Dr. Blow and Jer. Clark. Autograph.
f. 81.
19. "Teach me, 0 Lord, the way"
(verse anthem). Imperfect. Auto-
graph, f . 85.
20. "I will magnifie thee, 0 Lord"
(solo anthem), for "Mr. Elford."
Different from no. 14. f. 90.
21. "Behold, God is my salvation"
(verse anthem). Autograph, f . 95.
Additional 17848, ff. 2-8, 52b-142.
Paper ; early 18th-19th centt. Oblong folio. Presented, in 1849, by Vincent
Novello. There are also two Morning Services, described elsewhere.
Anthems, in score, by Dr. William Croft. In several different
hands, nos. 5-9 being in that of Vincent Novello and copied from a
MS. formerly in the possession of James Bartleman. Nos. 10-17 are
from MSS. formerly belonging to William Shield.
1. "Preserve me, O God" (solo an-
them) ; with a few alterations in the
hand of the composer, followed by
an organ part almost entirely auto-
graph, ff. 2, 6. There is another
copy in the hand of Vincent Novello
at f. 100.
2. "Let my complaint come before
thee" (solo anthem), f. 52b.
3. "Praise the Lord, O my Soul, O
Lord " (verse anthem), f. 57.
4. "Blessed is the people, O Lord"
(verse anthem), f. 71.
5. "The Lord is king, the earth may be
glad " (solo anthem), f. 79.
G. "The Lord hath appeared for us"
(verse anthem), copied from the
original, f. 83.
7. "I will magnify thee, O Lord, for
thou " (solo anthem), f. 92.
8. "O give thanks unto the Lord and
call " (solo anthem). Different from
Add. 17846: f. 97.
9. "Help, Lord, for the Godly man
ceaseth " (for 5 voices), f. 103.
10. "The Lord is my Light" (verse
anthem), f. 105.
11. "O clap your hands" (verse an-
them), f . 113.
12. "I will magnify thee, O Lord"
(verse anthem). Different from no. 7.
f. 121.
13. "Behold, now praise the Lord"
(verse anthem), f. 126.
14. "O sing unto the Lord a new
song" (verse anthem). Copied from
the original, f. 130.
15. " Help us, 0 God of our salvation "
(verse anthem). Copied from the
original in Add. 17847, f. 78. f. 132.
16. "Let him fly from evil." Pt. Ill
of the "Union" anthem. Copied
from the original in Add. 17847,
f. 81. f. 134.
17. "Behold, God is my salvation"
(verse anthem). Copied from the
original in Add. 17847, f. 95. f. 137.
Additional 17850, ff. 38b-206.
Paper ; early 18th cent. Large folio. Belonged to William Gorton, Dr. Greene,
Dr. Boyce, Marmaduke Overend (1779), Joseph Corfe of Salisbury (1791), Dr. S.
Arnold (1791-1802), W. Russell (1803), George Gwilt, Vincent Novello (1849).
At the beginning are Hymns by William Gorton, and at the end a Motet by
Greene, described elsewhere.
Anthems, in score, by Dr. Maurice Greene. Nos. 1-16 appear to
be autograph. Nos. 17-2G are in a hand resembling that of Dr. Boyce,
ANTHExMS.
47
some of the marks of expression being apparently added by the
composer.
1. "The Lord is my strength and my
song" (verse anthem), f. 38b.
2. "God is our hope and strength"
(verse anthem, with G-part chorus),
f. 44.
3. "I will give thanks unto thee, O
Lord, with my whole heart " (verse
anthem), f. 53.
4. "I will allway give thanks unto the
Lord" (verse anthem), f. Gl.
5. "Hear my prayer, 0 God, and hide
not thy self" (verse anthem), f. 68.
6. "Acquaint thy self with God " (solo
anthem), f. 72b.
7. "Lord, how are they increased"
(solo anthem), f. 76b.
8. "My soul truly waiteth still upon
God" (solo anthem), f. 81.
9. " 0 Lord, give ear unto my prayer "
(verse anthem), f . 87b.
10. "0 God, thou art my God" (verse
anthem), f. 93b.
11. "I will seek unto God" (verse
anthem, with 5-part chorus), f. 99b.
12. "Have mercy on me, 0 God, after
thy great goodness" (solo anthem).
f. 104b.
13. "Let God arise" (verse anthem,
with 5-part chorus), f. 111.
14. "0 give thanks unto the Lord and
call" (verse anthem), f. 120.
15. "0 sing unto the Lord a new
song" (5 voices), f. 128b.
16. "Lord, let me know my End."
f. 137b.
17. "O Lord, our Governour " (verse
anthem, with 5-part chorus), f. 142.
18. "I will magnifie thee, 0 God"
(verse anthem), f. 147b.
19. "0 how amiable are thy dwellings "
(solo anthem, with 5-part chorus).
f. 151b.
20. "0 give thanks unto yc Lord, let
them give thanks" (verse anthem),
f. 156b.
21. "The Lord, ev'n yc most mighty
God " (solo anthem), f. 163.
22. "Behold, I bring you glad tidings "
(solo anthem, with 6-part chorus).
Made for Christmas Day, 1728.
f. 167b.
23. "The King shall rejoyce" (verse
anthem), f. 175b.
24. " Thou, 0 God, art praised in Sion "
(verse anthem), f. 183b.
25. "Like as yehart" (verse anthem),
f. 188b.
26. "Hear my crying, 0 God" (verse
anthem), f. 194.
27. "0 God of my Righteousness"
(verse anthem), f. 199.
28. "Hear, 0 Lord, and consider my
complaint" (solo anthem), f. 203b.
Additional 17851.
Paper; ff. 75. Early 18th cent. Quarto. Presented, in 1849, by Vincent
Novello, who bought it at the sale of [J.] Horsfall, chorister at Westminster
Abbey (d. 1817).
Three full Anthems, with accompaniment for orchestra, in full
score, by Dr. Maurice Greene ; the last two autograph.
1. "Sing praises unto ye Lord, 0 yee names of the soloists, Gates, Hughs,
saints." f. 2. and Wesly, are appended, f. 17.
2. " All thy works praise Thee." The 3. " Sing we merrily." f. 40.
Additional 29430, f. 54.
Paper ; early 18th cent. Small folio. For a further description of the MS.,
see under Services.
" My song shall be always of the loving-kindness of the Lord," fur
a solo voice with chorus. JJy Henry Purcell.
48
VOCAL MUSIC— SACRED.
Additional 30933, ff. 113-135 passim.
Paper; early 18th cent. Folio. For a further description of the MS., see
under Services.
Anthems, in score, interspersed among some Services forming
Vol. Ill of the collection made by William Flackton of Canterbury
(see above, p. 41).
1. "All people" (5 voices). "Matthew
Lock." f. 113.
2. "The Lord is King" (organ part).
"Danl. Henstridge." Autograph.
f . 120b.
3. "Be not thou afraid" (first few bars
only). Anonymous, f. 121b.
4. "And mine eyes" (canon), from
"Save me, 0 God." "Henry Pur-
soll." f. 133b.
5. "Deliver me from mine enemies"
(6 voices). By R. Parsons, f. 135.
Additional 31405, ff. 1-133.
Paper ; early 18th cent. Folio. Some leaves have been lost after ff . 69 and
133. The MS. also contains Songs from Operas, Odes, etc., described elsewhere.
Anthems written in several different, but nearly contemporary,
hands, in score.
1. " 0 God, Thou art my God." " Hy.
Purcell." ff. 1, 38.
2. " 0 God, thou hast cast us out " (for
G voices). By the same. f. 3.
3. "Hosanna to ye Son of David" (for
6 voices). By 0. Gibbons, f. 6.
4. "Lift up your heads" (for 6 voices).
[By the same.] f . 8.
5. "Behold, itt is Christ." " Hooper."
f.10.
6. " O God, wherefor art thou Absent."
"Blow." f. 11.
7. "God is our hope" (for 8 voices).
[By the same.] f. 13.
8. "Thy holy city " : the same as " Bow
thine ear " (for 5 voices). By Byrd.
f . 16b.
9. "0 give thanks unto ye Lord, for
he is gracious " (for 6 voices).
By Aldrich. f. 18b.
10. "Out of y" deap" (for 6 voices).
"Morley." f.20.
11. "Out of ye deep." "Aldrich."
f. 22b.
12. " Allmighty and euerlasting God."
" [0.] Gibbons." f.24.
13. " Almighty God, which by ye
leading of A Star" (verse anthem,
with 6-part chorus and symphony
for organ). "Bull." f. 25.
14. " Preuent us, 0 Lord " (for 5
voices). "Bird." f.28b.
15. "0 Lord, I bow the knees" (for
5 voices). " [W.] Munday." f . 30b.
16. "They that go down to ye sea"
(solo anthem). " [H] Purcell."
f. 34.
17. "Give thanks unto y" Lord"
(with symphonies, etc.). "Fiocco."
f.42.
18. "Clap your hands" (with sym-
phonies, etc.). " Fiocco " (? adapted
by Nalson). f. 52.
19. "Lord, thou hast been our Refuge."
"Turner." f. 64.
20. "The way of God" (? verse an-
them). Imperfect, By H. Purcell.
f.68.
21. [" The Lord is King, be the people
never so impatient."] Imperfect at
the beginning. " Dr Croft." f. 70.
22. " We waite for thy loving kindness "
(verse anthem). [By the same.]
f. 73.
23. "0 Lord, thou has searched me
out" (verse anthem). By the same,
f. 79.
24. "This is ye day which ye Lord
hath made" (verse anthem). By
the same. Imperfect. The names
of the singers, Hughes, [Richard]
Elford (d. 1714), [Bernard] Gates,
Weely, [John] Church, and Freeman,
are added in the same hand. f. 92.
ANTHEMS.
49
25. "I will lift up mine eyes" (solo
anthem). Anouymous. f. 100.
26. "Ponder my words" (verse an-
them). "C. Shode" or "Shoele."
f. 104.
27. "0 Lord, turn thy wrath' away"
(for 5 voices). By Byrd. f. 111.
28. "The Lord is a sun"; anthem
"performed att ye King's Corona-
tion, 1714." In full score. By Croft.
In the same hand as nos. 21-24.
f. 118.
29. "0 Lord, rebuke me not" (for 6
voices). Imperfect. By the same,
f . 128.
Additional 31444, 31445, passim.
Paper; early 18th cent. Small folio. The same volumes also contain two
Services and a Motet, described elsewhere.
Anthems, some of them with instrumental symphonies, in score.
31444. Vol. I.
1. "Give ye king thy judgments"
(solo anthem). "Aldritch." f.29.
2. "The wayes of Syon doe mourn"
(verse anthem). "Wise." 133.
3. "The Lord hath declared" (verse
anthem). "Tudway." f.36.
4. "We will rejoyce" (verse anthem).
" Blow." " Composed for the
Thanksgiving Day for the discovery
of the plot against the King's life.
Performed Thursday 16 of April,
1696." f. 42.
5. "Turn Thee unto me, 0 Lord"
(solo anthem). By the same, f, 49.
6. "Thy Righteousness, 0 God" (verse
anthem). By the same. f. 52.
7. "Blessed is yc man that feareth"
(verse anthem, with instrumental
prelude, etc.). By the same. f. 63.
8. " I waited patiently" (verse an-
them). By the same. f. 77.
9. "Bring vnto yc Lord" (verse an-
them). By the same, f . 83.
10. " God is our hope " (verse anthem).
By the same, f . 88.
11. "Praise the Lord, 0 my soul" (6
voices). By the same. "Composed
vpon the Peace .... 1697." f. 95.
12. "Lord, remember David " (5 voices).
By the same. ' ' Composed for y" open-
ing of yc new chappell att Whitehall,
December ye 9th (1698)." f . 101.
13. "My heart rejoyceth" (verse an-
them). "Norris." f . 108.
14. "Man that is born" (verse an-
them)." "T. T[udway]." f. 119.
15. " I am y resurrection." [By the
same.] f. 125.
16. "The Lord hear thee" (verse an-
them, with 5-part chorus, sym-
phonies, etc.). By the same. f. 127.
17. " Blessed is the man that hath not
walked" (solo anthem, with 5-part
chorus, symphonies, etc.). "Blow."
f . 145b.
18. "0 give thanks unto the Lord and
call " (verse anthem, with sym-
phonies, etc.). By the same. f. 152b.
19. "As on Euphrates" (3 voices).
By the same. f. 162b.
20. "How doth the City sit solitary"
(3 voices). By the same. f. 165.
21. "Cry aloud and spare not" (3
voices). , By the same. f. 168b.
22. "0 Lord, Thou hast searched"
(verse anthem). By the same,
f. 173b.
23. "Is it true that God" (verse an-
them, preceded by organ part).
"Tudway." "Sung to the Queen
at the opening of her chappel at
Windsore, July 13, 1702." (Se.
HarU7341, f.35). f. 178b.
24. "Lord, thou hast been gracious"
(verse, with 5-part chorus). " Blow."
f. 184.
25. " By the waters of Babylon " (verse
anthem). "Hen. Hall." f . 189.
26. "How are yc mighty fal'n" (verse
anthem). "Wise." f. 194b.
27. "Behold, God is my salvation"
(verse anthem). "Tudway." f. 198.
28. " I will sing a new song." "Wise."
f . 202b.
29. " Thou knowest, Lord, the secrets."
"Hen. Purcell." "Sung at Queen
Mary's Funerall, March 5,
f.208.
169*.
50
VOCAL MUSIC— SACRED.
31445. Vol. II.
30. " God spake sometimes in vissions "
(8 voices, with instrumental sym-
phony, etc.). "Blow." f.3.
31. "Praise the Lord, O my soul — O
Lord " (solo anthem, with sym-
phonies, etc.). " Hen. Purcell."
f. 37.
32. "Blessed is yc man that feareth "
(verse anthem). By the same,
f. 46b.
33. " Sing we merrily " (verse anthem).
"Dr. Tudway." f . 53.
34. "Blessed are those that are un-
defiled" (solo anthem). "Norris."
i. 57.
35. "Hold not thy tongue" (verse
anthem, with Prelude, etc.). "Dr.
Turner." f. 62.
36. "0 sing praises" (verse anthem,
with symphony, etc.). By the same,
f. 72b.
37. "God sheweth me his goodness"
(verse anthem, with 5-part chorus
and symphonies, etc.). By the same,
f . 80b.
38. "0 praise yc Lord, for it is a good
thing" (verse anthem, with sym-
phonies, etc.). By the same. f. 92.
39. "Hear, 0 heav'ns" (solo anthem).
"Humphris." f.98.
40. "I am well pleased " (solo anthem).
" Dan. Purcell." f . 102.
41. "They that goe down" (solo an-
them, with symphony, etc.). " [H.]
Purcell." f . 109.
42. "Rejoyce in the Lord" ("Bell"
anthem). By the same. f. 117.
43. "Turn us againe, O God" (verse
anthem). "Blow." f. 123.
44. "Why doe yc heathen so furiously
rage" (verse anthem). By the same,
f. 129b.
45. " Deliver me from mine Enemies "
(verse anthem). "Turner." f. 135b.
46. "I was glad " (verse anthem).
"Blow." "Made Octr yc 15, 1697,
att Hamton town for the opening of
S< Paul's Cathederall." f. 141b.
47. "0 give thanks unto the Lord, for
he is gracious " (verse anthem).
" [H.] Purcell." f. 156b.
48. " 0 sing unto God " (verse anthem).
"Blow." f.165.
49. " Praise yc Lord, yee Servants "
(verse anthem). "Phil. Hart." f. 171.
50. "I will give thanks unto thee"
(verse anthem). "Norris." f. 178.
51. "God sheweth me his goodness"
(verse anthem). By the same. f. 186.
Additional 31453, ff. 189-191.
Paper ; early 18th cent. Small folio. For the rest of the volume, see under
Operas.
" A Dialogue betwixt Saul and ye Witch of Endor," beginning
" In guiltie night," with 3-part chorus and figured bass. By Ben[jarnin]
Lamb.
Additional 31461, passim.
Paper; early 18th cent. Quarto. Bookplate of "James Kent, Trin. Coll.
Camb.," and his signature on f. 2. The MS. also contains Canons (sacred), Duets,
a Motet, and Songs, described elsewhere.
Anthems, mostly with a figured bass, in score. Unless the contrary
is stated, they are for solo and in the hand of Daniel Purcell (d. 1717) ;
most of them also appear to be his composition, though his name is not
appended in all cases.
1. "Sing unto God, 0 yee Kingdoms"
(with 5-part chorus). "Dr. Croft."
f.6.
2. " Praise the Lord, 0 my soul, and
all." By D. Purcell. f. 13b.
3. "My God, my God, look upon inc.''
ANTHEMS.
51
By the same. f. 21.
4. "In thee, 0 Lord, have I put my
trust." By the same. f. 27.
5. "It is a good thing to give thanks."
[By the same ?]. f. 31.
6. "Lord, thou hast searched me " (with
chorus). By the same. f. 35.
7. "Lord, rebuke me not "(with chorus).
By the same. f. 39.
8. "Have mercy upon me, 0 God,
after." [By the same?], f.43.
9. "I will sing unto the Lord as long."
(With chorus at the end in a different
hand). By the same. ff. 48b, 52b.
10. "0 let my mouth be filled."
"Daniel Purcell." In James Kent's
hand, f . 54.
11. "My song shall be al way." ByHenry
Purcell. In the same hand. f. 58.
12. "Blessed is he whose unrighteous-
ness." By Daniel Purcell(?). f.G2b.
13. "Lord, let me know my end."
[By the same ?] f . 70b.
14. " Give the King thy judgments "
(verse anthem, with 5-part chorus).
"Dr. Croft, July 13, 1727, his last
anthem." In a different hand,
f . 102b,
Additional 31443, ff. 66-196.
Paper; about 1700. Small folio. Belonged to Dr. Philip Hayes, and to
Dr. William Horsley. The Services are described elsewhere.
Anthems and Services, in score. The Anthems are : —
1. "I am the resurrection." "John
Ferabosco, organist of Ely." f. 66.
2. " Man that is born of woman." By
Nos. 1-3 form the Burial Service
4. "Wipe away my sins" (5 voices).
"Tallis." f.135.
5. "Out of the Deep" (6 voices).
" Tho. Morley." f. 141.
6. " Lord, in thy rage rebuke me not"
(3 voices). "W. Bird." f . 145.
7. "Save me, O God, for thy names
sake" (5 voices). "Henry Purcell."
f . 147.
8. "With all our hearts and mouths"
(5 voices). "Tallis." f . 150.
9. "Almighty God, the Fountain"
(5 voices). "Tomkins." f . 153.
10. "Blessed be thy name" (5 voices).
"Tallis." f.l58b.
11. "Deliver us, O Lord," with a
second part beg. "Blessed be the
Lord God of Israel." " [O.] Gibbons."
the same. f. 67b.
3. "I heard a voice." By the same,
f. 69b.
f . 160b.
12. "O Lord, give thy holy Spirit."
"Tallis." f.164.
13. "0 thou God Almighty." "Ed-
mund Hooper." f. 166.
14. "0 Lord, the worlds Saviour."
"Wm. Mundy." f. 168.
15. "I lift my heart to thee " (5 voices).
"Dr. Tye." f . 171.
16. " Behold, I bring you glad tidings "
(5 voices). " Orl. Gibbons." f. 175b.
17. "If ye be risen again" (verse
anthem, with 5-part chorus). By
the same. f. 181b.
18. "Blessed are all they that fear"
(solo anthem, with 7-part chorus).
By the same, f . 186b.
Additional 31459.
Paper ; ff. 39. a.d. 1702-1705. Quarto.
Verse Anthems, in score, in the hand of Thomas Tudway (Mus.
Doc. 1705).
1. " Wee will reioyce in thy salvation." By the same. f. 9.
"Dr. Blow." f. 2b. 3. "0 Lord, my God, why hast thou for-
2. " 0 sing unto God and sing praises." I sakenme." "Pell. Humphres." f . 15.
52
VOCAL MUSIC— SACRED.
■4. " I will love the, 0 Lord, my
streng[t]h." " Quarles." f. 20b.
5. "I will lift up mine eyes." " Tud-
way.
: Sung to yc Queen at the
Bath." f. 26.
6. "Is it true that God." By the
same. "Sung to the Queen at the
opening of her Chappel at Windsor,
July y° 13th, 1702." f. 29.
7. "Sing, O heau'ns." By the same.
f. 34.
Additional 22099.. ff. 26b-90 passim.
Paper; about 1704-1707. Folio. For the rest of the contents, see under
Operas.
Anthems, in score, most of them with a bass. In Nos. 6-15 the
harmonies in the choruses are not filled in.
1. "I will lift up my eyes" (verse
anthem, with the choruses omitted).
"Weldon." f. 26b.
2. "Thy way, O God, is holy" (full
anthem). Imperfect. " H. P[urcell]."
f. 27b.
3. "O praise the Lord, for it is a good
thing" (short anthem for 3 voices).
"Weldon." f.35.
4. "O Lord, grant the Queen" (5 voices).
" Dr. Aldrich." f.55b.
5. "The Lord is King and hath put on
glorious apparel " (solo anthem).
By the same, f . 78b.
6. "I waited patiently" (solo anthem).
By the same. f. 79b.
7. "Praise the Lord, O yee his ser-
vants " (solo anthem). By the same.
f. 82.
8. "Turn thee unto me" (verse
anthem). "Dr. Blow." f.83b.
9. " O Give thanks unto the Lord, for
he is gracious " (full anthem). "Dr.
Aldrich." f.85.
10. "Oh how amiable are thy dwel-
lings" (full anthem). Adapted by
the same. f. 85b.
11. My song shall be always" (3 voices
— apparently incomplete). "Crofts."
f.87.
12. "O praise God in his holiness"
(3 voices — apparently incomplete).
"Weldon." f.87.
13. "Sing unto the Lord a new song,
rejoyce" (2 parts only). " Church."
f.87b.
14. "Arise, thy light is come" (solo
anthem, with chorus in compressed
score). "Dr. Turner." f. 87b.
15. "In guilty night" (dialogue for 3
voices, with 3-part chorus). " H.
P[urcellJ." f. 88b.
Additional 30860.
Paper ; ff. 8. a.d. 1707. Folio.
" Unto Thee will I cry " : verse Anthem, with figured bass, in score,
stated by T. Crampton (by whom the MS. was purchased in 1878) to
be by James Hesletine, i.e. Heseltine, organist of Durham Cathedral.
Autograph. " Sep* yc 17th, 1707."
Additional 31586.
Paper ; ff. 74. About 1710 (see f. 23). Folio. On f. 91b is the name of Thomas
Burlyson.
Anthems, with figured bass, in score, by Dr. [Philip] Falle, pre-
bendary of Durham. Autograph. Those not otherwise described are
for a solo voice, with 4-part chorus.
1. "I saw the Lord sitting upon a 2. -Give mc neither Poverty nor
Throne." f. 2. Kiches" (full anthem), f. 8.
ANTHEMS.
53
3. "0 Death, how bitter is the remem-
brance of thee " (solo, with 3-part
chorus), f. 11.
4. "In the Lord put I my Trust" (2
voices), f. 15.
5. "Thou that hearest the Pray'r"
(full), f. 21.
6. "Hear, 0 thou Sheppard of Israel"
(full anthem, followed by an alterna-
tive verse to the middle portion, and
a separate 2nd treble part). "Set
to Musick upon Occasion of Dr.
Sacheverel's Tryal [1710] . . . may
properly be used at a Visitation of
the Bishop," etc. ff. 23, 38, 40.
7. "If the Lord had not helped me"
(solo, without chorus), f. 43.
8. "The Lord is gracious" (2 voices),
f. 45b.
9. ' ' Thou shewest us wonderful things "
(full). " Thanksgiving for Rain and
a plentiful Harvest." f. 56b.
10. "Tell ye the daughter of Si on."
For Palm Sunday, etc. i. 62.
11. "Have mercy upon me, 0 God,
after thy great goodness." f. 70.
12. " Tho' I speak with the Tongues of
Men and of Angels." f. 75.
13. "If thou, Lord, wilt be extreme " ;
described by the composer as a
"Motetto." f.82.
14. " Come, ye children, and hearken "
(solo, with 2-part chorus), f. 93.
Harley 7337-7342, passim.
Paper; a.d. 1715-1720.
elsewhere.
Six volumes. Quarto. The Services are described
" A Collection of the most celebrated Services and Anthems used
in the Church of England from the Reformation to the Restauration
of K. Charles II. Composed by the best masters, and collected by
Thomas Tudway, D.M., Musick-Professor to the University of
Cambridge, a.d. mdccxv," afterwards brought down to the end of
Queen Anne's reign. In score.
In a short introduction addressed to Edward, Lord Harley [2nd
Earl of Oxford, 1724], for whom the music was transcribed, Dr.
Tudway makes special mention of Tallis, Byrd, and Orlando Gibbons.
Harley 7337. Vol. I (ff. 196). " Ancient Church Musick from the
Reformation to the Restauration of King Charles ye 2nd." The
Anthems included are : —
1. "I call and cry to thee, O Lord"
(5 parts) ; originally written (as well
as the three following) to Latin
words. " Tho. Tallis." f.25b.
2. "Wipe away my sins" (5 parts).
By the same, f . 28b.
3. " With all our hearts and mouths"
(full anthem, in 5 parts). By the
same. f. 34.
4. "O Lord, give thy holy spirit."
By the same. f. 36b.
5. " Sing joyfully unto God " (6 parts).
"Bird." f. 54.
6. "0 Lord, turn thy wrath away
from us" (5 voices), divided into two
parts, the second beg. "Bow thine
ear, 0 Lord " (printed in Boyce's
Cathedral Music as a separate an-
them). Originally written to Latin
words. By the same. ff. 57, 60.
7. "0 Lord, make thy servant, our
sou'raign Lord yc King " (full an-
them, in 5 parts). By the same.
f. 63.
8. "Save me, 0 God, for thy name
sake " (full anthem, in 5 parts). By
the same. f. 65.
9. "Prevent us, 0 Lord, in all our
doings " (full anthem). By the
same. f. 67b.
10. "Discomfit them, 0 Lord" (5 parts).
Performed "On ye occasion of y"
Spanish invasion in 1588." "Tallis."
f. 68b.
11. "Almighty God, who by ye leading
of a starr" (verse anthem, in 5 parts,
54
VOCAL MUSIC— SACRED.
with organ part). Published by
Boyce with different words. "Dr.
Bull, 1592." f. 76b.
12. "0 come hither and harken" (5
parts). " John Amner." f. 113b.
13. "Christ, rising again from yc
dead." By the same, " 1636." f. 117.
14. "0 Lord, I bow y° knees of my
heart " (5 parts). " William Mundy."
f. 119.
15. "O Lord, encrease my faith" (full
anthem). "Orlando Gibbons." f. 135.
16. "Why art thou so heavy" (full
anthem). By the same. f. 136.
17. "Behold, thou hast made my
days" (verse anthem). By the same,
f. 137.
18-20. "I am ye resurrection and the
life," " Man that is born of a
woman," and "I heard a voice from
Heav'n": "the Funerall or Dirge
Anthems usually perform'd at West-
minster Abby." "Tho. Morley."
ff. 174b, 176, 176b.
21. "0 give thanks unto yc Lord"
(5 parts). "Dr. Giles." f . 177b.
22. "Allmighty God, y0 Fountain"
(5 parts). " Tho. Tomkins." f. 180.
23. "Behold, it is Christ" (5 parts).
< ' [Edmund] Hooper." f . 183b.
24. "Hear my prayer, 0 God."
"Adrian Batten." (Published with
an additional part by Boyce.) Not
identical with Add. 30478, f. 14,
though it ends like that anthem,
f. 185b.
25. "Put me not to rebuke." " Henry
Loosmoor." f. 187.
26. "The Lord is my light" (verse
anthem). "Henry [should be Wil-
liam] Laws." f. 188b.
Services
beginning at the Restaur-
Harley 7338. Vol. II (ff. 254). "A Collection of
and Anthems, both ancient and modern .
ation of K. Charles II. . . . collected . . . a.d. mdccxvi." Preceded by
another introduction to Lord Harley, giving an account of the innova-
tions made by Charles II in the royal Chapel and of their influence
on Cathedral Music. The Anthems included are : —
1. "If ye Lord himself had not been
on our side": "An Anthem of
Thanksgiving to God for haveing put
an end to the Great Rebellion in
1641 by the restauration of the Royall
family." "Dr. [William] Child."
f. 16b.
2. "Sing we merrily unto God" (8
parts). By the same, "being part
of his Exercise at Oxford for his
Batchellours degree in Musick in
the year 1639." (Publ. by Boyce in
7 parts.) f. 18.
3. " 0 Lord God, y" Heathen are come
into thine inheritance " (full anthem,
in 5 parts). Composed by the same,
"in y° year 1644 on y" occasion of
y" abolishing The Common Prayer
and overthrowing yc constitution,
both in Church and State." f. 25b.
4. " 0 praise y° Lord . . . Laud yee
y" name of y* Lord" (full anthem,
in 5 parts). Composed by the same,
"upon the Restauration of the
Church and Royall Family in 1(160."
f. 28b.
5. " Thou art my King, 0 God " (verse
anthem, with symphony). " Pelham
Humfreys." f. 48b.
6. ' ' Haste thee, 0 God " (verse anthem,
"with a symphony of Instruments ").
By the same, f . 52.
7. "0 Lord, my God, why hast thou
forsaken me " (verse anthem). By
the same. f. 55.
8. "Like as the Hart" (verse anthem,
in 3 parts). By the same. f. 58.
9. "By y° waters of Babilon" (verse
anthem, in 3 parts, with instrumental
symphony, etc.). By the same. f. 60b.
10. " 0 give thanks unto yc Lord, for
he is gracious " (verse anthem, "with
symphonys and retornellos for Instru-
ments"). By the same. f. 65.
11. "Have mercy upon me, 0 God"
(verse anthem, in 3 parts). By the
same. f. 70.
12. " Praise the Lord, 0 my soul " (full
anthem). "Dr. Child." f . 85.
13. " 0 Lord, grant ye king a long life "
(full anthem). By the same, " at y°
Restauration." f . 86.
ANTHEMS.
55
14. "0 Praise yc Lord, laud ye y°
name of yc Lord" (with symphonies,
etc.). "Pelham Humfreys, Servant
to . . . Charles ye 2d and master of
y> Children of ye Chappell Royall."
f. 89b.
15. "Lord, teach us to number our
days " (" Funerall or Dirge Anthem "
for 3 voices). By the same. f. 94.
16. "0 be joyfull in y» Lord" (in
3 parts, with symphony). By the
same, f . 96b.
17. "The King shall rejoyce" (with
symphonies, etc.). By the same.
f . 98b.
18. "Hear, 0 Heav'ns, and give Ear,
0 Earth " (verse anthem, in 3 parts).
By the same. f. 104.
19. "Awake, put on thy strength"
(verse anthem, in 3 parts) . ' ' Michaell
Wise." f. 132.
20. "The wayes of Sion do mourn"
(verse anthem, in 2 parts). By the
same. f. 135b.
21. " Thou, 0 God, art praised in Sion "
(in 2 parts). "Rev. Dr. Holder."
f. 141.
22. "I will arise and go to my Father "
(full anthem). " Rev. Dr. Creighton,
Canon and Prsecentor of Wells."
f. 153b.
"The following Anthems [nos. 23-38] were compos'd 1st in Latiu.
By Carissimi, Palestrina, Stradella, <irc. And set to English words by
ye Revd. Dr. Aldrich, Dean of X4 Church " :—
23. "We have heard with our ears."
From Palestrina's motet, Doctor
bonus, f. 154b.
24. "Why art thou so vexed, 0 my
soul. From Palestrina's motet, Ave
Maria, f. 156b.
25. "My Heart is fixt, O God" (full
anthem). From Palestrina's motet,
Nos autem gloriari. f. 158.
26. "The eye of y8 Lord" (full an-
them). From Palestrina's motet,
Jesus junxit se. f . 159b.
27. "0 God, ye King of Glory" (full
anthem). From Palestrina's motet,
O Bex Glorias, f. 161.
28. "Hold not thy tongue" (full an-
them). From Palestrina's motet,
Nativitas tua. i. 162b.
29. " Give ear, 0 Lord " (full anthem).
f. 164.
30. " Behold, now praise ye Lord "
(full anthem, in 5 parts), f. 166.
31. "Hide not thou thy face" (full
anthem, in 5 parts). From R. Tar-
rant, f. 168.
32. "I look for the Lord " (full an-
them, in 5 parts), f. 169b.
33. "0 Lord, rebuke me not" (full
anthem, in 5 parts). Attributed to
Mr. Husbands in Add. 17842, f. 60b,
and (with different words) to Dr.
Matthew White in Vol. iii, f. 34b,
of this Collection ; but probably by
Robert White, f. 171b.
34. "Oh how amiable" (verse anthem,
in 2 parts, with 5-part chorus),
f. 174.
35. "Haste thee, 0 Lord" (verse an-
them, in 2 parts, with 6-part chorus).
From Carissimi's Jephthah. f. 177.
36. " For Sion's sake I will not hold
my peace " (verse anthem, in 2 and
3 parts, with 5-part chorus). From
Carissimi. f. 179.
37. "0 pray for yc Peace of Jerusalem "
(verse anthem, in 2 and 3 parts).
From the same. f. 182b.
38. "I am well pleased " (verse anthem,
in 3 parts). From the same. f. 185b.
39. "The Lord said unto my Lord"
(solo anthem, with chorus). "By
Mr. Jackson, Organist of Wells."
f . 204b.
40. "0 Lord, I have sinned" (verse
anthem). " Compos'd for y° funerall
Solemnity of Generall Monk in West-
minster Abby, by Dr. John Blow."
f.211.
41. "I said in y" cutting off of my
dayes " (verse anthem, in 3 parts,
with symphonies, etc.). By the same,
f. 214.
42. "The Lord is my shepherd " (verse
anthem, with symphonies, etc.). By
the same. f. 218b.
43. "My beloved spake " (verse anthem,
with symphonies, etc.). " Henry
Purcell, Organist and Servant to King
5G
VOCAL Ml) SIC— SACRED.
Charles yc 2d and of St. Peters, West-
minster." f. 224.
44. "They that go down to ye Sea"
(verse anthem, in 2 parts, with
symphonies, etc.). By the same,
f . 229b.
45. "My Song shall be all way " (solo
anthem, with symphonies, etc., and
chorus). By the same. f. 233b.
46. "The Lord hear thee in y° day of
trouble" (verse anthem, with 5-part
chorus and instrumental symphonies).
"Dr. Tudway," "being part of his
Exercise for his Batchellours of
Music's degree in 1681." f. 238.
Harley 7339. Vol. Ill (ff. 244). Anthems and Services " before
and since the Restauration of King Charles the lid, mdccxvi " ; pre-
ceded by an introduction alluding briefly to the royal and otherwise
distinguished persons who have written music, among whom the
collector specially mentions Henry VIII, the Emperor Leopold I, and
the Rev. Drs. William Holder, Robert Creighton, and Henry Aldrich.
The Anthems included are : —
1. "0 Lord, the Maker of all things"
(full anthem). "Composed 1st in
Latin by Henry VIII and sung in
his own Royall Chappell " — formerly
attributed to William Mundy, and
recently to John Shepherd (see Add.
30478-30479). f. 4b.
2. " 0 praise yc Lord, all yee heathen"
(full anthem, in 12 parts). "By Mr.
Thomas Tomkins, Organist to ... .
Charles yc 1st." f . 16.
3. "Glory" be to God in y high'st "
(full anthem, in 10 parts). "For
X*masday." By the same. f. 21.
4. "0 God, ye proud are risen up" (8
parts). By the same. f. 23b.
5. "Turn thou us, good Lord" (full
anthem, "being a Canon throughout
of 4 parts in one"). Bythesame. f. 28.
6. "0 Praise God in his holines" (8
parts). "Dr. [Robert] White, [wrongly
described here as] Gentleman of yc
Chappell Royall to . . . Charles y°
1st." f. 29b.
7. "The Lord bless us and keep us " (5
parts). "A collect . . . composed by
Dr. Matthew White of X' Church,
Oxon. 1611 " ; more probably by
Robert White (see Add. 22597, f. 3).
The same as no. 33 in vol. ii above,
f. 34b.
8. "Deliver me from mine enemies"
(full anthem, in 6 parts). "Robert
Parsons, one of the Gentlemen of y
Chappell Royall to Queen Elizabeth."
f. 36b.
9. " 0 Lord, grant yc King a long life "
(full anthem, in 6 parts). "Mr.
Weilks, Servant to ... . Charles
the 1st." f. 38b.
10. "Glory be to God on high" (full
anthem). "A Hymn . . . compos'd
by Mr. George Loosernore, Organist
of Trinity Coll. Cambridge, at y"
Restauration." f. 40b.
11. "0 praise our God, yee people"
(verse anthem, in 3 parts). "Dr.
Willm. Holder, Sub Dean of ... .
Charles ye 2d's Chappell Royall."
f.41b.
12. "0 Give thanks unto yc Lord"
(verse anthem, in 3 parts). " Edward
Low, one of yc Organists to King
Charles yc 2d at y" Restauration and
of Xt Church, Oxon." f. 44.
13. "0 Give thanks unto y« Lord"
(full anthem in 4 and 5 parts).
"Will. Tucker, gentleman of yc
Chappell to King Charles yc 2d and
Prsecentor of y Abby Church in
Westminster." f.45b.
14. "I will magnify thee, 0 God"
(verse anthem, in 3 parts). By the
same. f. 47.
15. "I heard a voice from Heav'n "
(solo funeral anthem, with chorus
and organ part). "Mr. Jewett of
Exeter." f. 49b.
16. " Praise y° Lord, 0 my soul " (verse
anthem, in 3 parts). "Revd. Dr.
Creighton, Canon and Prsecentor of
Wells." f.61.
17. "Out of y° deep" (full anthem).
" Dr. Aldrich." f. 72.
ANTHEMS.
0<
18. "0 praise y° Lord, all yee heathen."
By the same, f . 73b.
19. " Sing unto the Lord, 0 yee Saints "
(full anthem, in 4 parts). By the
same. f. 74b.
20. "How are ye mighty fall'n" (verse
anthem, in 3 parts). " Michaell
Wise." f . 96b.
21. "I will sing a new song" (verse
anthem). By the same. f. 98b.
22. "0 Praise God in his holines "
(verse anthem, in 3 parts). By the
same. f. 101.
23. "Behold, how good and joyfull"
(verse anthem, in 3 parts). By the
same. f. 103b.
24. "0 praise ye Lord, for it is a good
thing" (verse anthem, in 1 and 3
parts, with symphonies). "Dr.
Willm. Turner, Gentleman of yc
Cbappell to King Charles the 2d and
of y° choirs of St. Pauls and West-
minster." f . 122.
25. "The King shall rejoyce" (verse
anthem, in 3 and 4 parts, with
symphonies, etc.). By the same,
"for y* solemnity of St. Csecilia's
Day, 1697." f. 126b.
26. "Hosanna to ye Son of David" (6
parts). " Orlando Gibbons, one of ye
Organists to . . . Charles yc first."
f . 140b.
27. "0 Lord, grant ye King a long
life " (5 parts). " Dr. Aldrich." f. 142b.
28. "I will magnify thee, 0 Lord"
(solo anthem, with 5-part chorus
and organ part). "Dr. Nathaniell
Giles, organist to King James yc
first." f. 146.
29. "Behold, how good and joyfull a
thing it is" (verse anthem, in 5
parts, with organ part). "John
Lugg." f. 149.
30. "Save me, 0 God" (full anthem).
" Dr. John Blow." f. 164.
31. "0 Lord God of my salvation"
(full anthem, in 8 parts). By the
same. f. 165b.
32. "0 God, my heart is ready" (full
anthem). By the same. f. 169.
33. "And I heard a great voice " (verse
anthem, with symphonies, etc.). By
the same. f. 170b.
34. "The Kings of Tharsis" (verse
anthem, with symphonies). By the
same. f. 177.
35. "Praise yc Lord, 0 my soul" (verse
anthem for 5 voices). By the same,
"compos'd on ye Peace in 1697."
f. 180b.
36. "Comfort yee, my people" (verse
anthem for 3 voices). "Dr. Aldrich."
f. 190b.
37. "Who's this that comes from
Edom" (anthem for 1 and 3 voices).
By the same. f. 194.
38. " 0 Lord, our Governour" (solo
anthem). By the same. f. 198b.
39. "O God, thou art my God" (solo
anthem). By the same, f . 199b.
40. "Have mercy upon me" (solo an-
them). By the same. f. 202b.
41. "Rejoyce in yc Lord allway" (the
"Bell" anthem, for 3 solo voices,
with symphonies, etc.). "Henry Pur-
cell, one of yc Organists to King
Charles y° 2d And of St. Peters,
Westminster." f. 216b.
42. "Praise yc Lord, 0 my soul " (verso
anthem for 2 voices, with symphonies,
etc.). By the same. f. 221.
43. "I was glad" (verse anthem for 3
voices). By the same. f. 226.
44. "0 God, thou art my God" (full
anthem). By the same, f . 229.
45. "Lord, how long wilt thou be
angry " (full anthem in 5 parts). By
the same. f. 231b.
46. "0 God, thou hast cast us out"
(full anthem in 6 parts). By the
same. f. 234.
47. "Save me, 0 God" (full anthem
in 5 parts). By the same. f. 237.
48. "I will all ways give thanks " (verse
anthem for 3 voices, with sym-
phony). Written jointly by Hum-
frey, Blow, and Turner, and known
as the " Club " anthem (see Tudway's
note before it), f. 239b.
from
Harley 7340. Vol. IV (ff. 268). » Services and Anthems . . .
ye Reformation .... down to y6 Accession of Queen Anne ....
[collected] a.d. mdcc[x]vii " j preceded by a short introduction treating
58
VOCAL MUSIC SACRED.
chiefly of the composition and rendering of church music.
Anthems are : —
The
1. "0 sing unto yc Lord a new song "
(full anthem in 7 parts). "John
Amner, Organist and Master of yc
Boys of yc cathedrall church at Ely
. . . 1609." f. 18.
2. "Lord, I am not highminded" (full
anthem in 5 parts). By the same.
f.24.
3. "Remember not, Lord, our offences"
(full anthem in 5 parts). By the
same. f. 2Gb.
4. " 0 God, be mercifull unto us" (full
anthem). " Dr. Tye, 1545." f.28b.
5. " 0 Allmighty God, mercifully hear "
(full anthem). "Mr. [Thomas] Bar-
croft, Organist of Ely, 1535." Pro-
bably written originally to Latin
words, f. 31.
6. "Lift up your heads" (full anthem
in 6 parts). "Orlando Gibbons,
Organist to King Charles yc 1st
and Master of y° Children of his
Chappell." f. 32.
7. "0 Lord Allmighty, thou God of
Israeli" (full anthem). "Compos'd
by Mr. [John] Farrant, in King
Charles y° 1st time." f . 34b.
8. "I am y" resurrection and yc Life"
(verse anthem, with 6-part chorus).
"Tho. Wilkinson." f. 36b.
9. "Praise yc Lord, O my soul" (full
anthem). " Mr. Laud." f. 39.
10. " Haste thee, 0 God " (full anthem
in 4 parts). Said here to be "com-
pos'd by Tho. Shepherd in King
James y° 1st time," but generally
attributed to John Shepherd, Mus.
Doc, Oxon., 1554. f. 40.
11. "Teach me thy way, O Lord"
(full anthem). " Mr. [William] Fox "
[organist of Ely], f. 41b.
12. "Have mercy upon me, 0 God"
(full anthem). " Mr. Gibbs, Organist
of Norwich, . . . 1635." (The Cata-
logue of Ancient Choral Services,
etc., at Ely, says "Richard [or John]
Gibbs.") f. 42.
13. " Lord, for thy tender mercys sake "
(full anthem). " Composed [altered ?]
by Mr. Hilton," but generally attri-
buted to Richard Farrant. f. 43.
14. "God, who hast prepared" (full
anthem). "Mr. Mudd" ("Thomas
or John," according to the Ely Cathe-
dral Catalogue), f. 43b.
15. "0 Lord God of my salvation"
(full anthem). "Tho. Wilkinson."
f . 44b.
16. " Almighty God, which hast given "
(full anthem in 5 parts). " Edmund
Hooper." f. 54.
17. "0 Lord, deliver me" (full an-
them in 5 parts). "Dr. Christopher
Tye, servant to . . . Queen Eliza-
beth." f.56b.
18. Sing, 0 heav'ns" (full anthem in
7 parts). "John Amner." f . 59.
19. "Behold, how good and joyfull a
thing" (full anthem). "John Hutch-
inson, Organist of Durham in y*
reigne of King James y° l"1." f. 63b.
20. "When y° Son of man" (anthem
in 5 parts, with instruments). " Mat-
thew Lock, Composer of the Chap-
pell to King Charles yc 2'1 and
organist to Queen Catherine." f. 75.
21. "Sing unto yc Lord, 0 yce saints"
(verse anthem, with symphonies, etc.).
By the same. f. 79b.
22. "How long wilt thou forget me, O
Lord" (verse anthem for 2 voices).
"Dr. Christopher Gibbons, one of
y° Organists of his majestys chap-
pells Royall at yc Restauration,
and of St. Peters, Westminster."
f. 91b.
23. "I beheld and loe" (anthem in G
parts, with instruments). "Dr. John
Blow, Organist and Master of y°
Children of . . . Charles y° 2d- Chap-
pell, and Organist of St. Peters,
Westminster, f. 105.
24. "0 sing unto God" (verso anthem
for 3 voices). By tho same. f. 109b.
25. "Why do yc Heathen" (verse an-
them for 3 voices). By the same.
£.114.
26. "We will rejoyce in thy Salva-
tion" (verse anthem for 3 voices).
By the same. ' ' For the thanksgiving
of y Rye [House] plot." f. 119.
27. "O Lord, thou hast searched"
ANTHEMS.
59
(verse anthem for 2 basses). By the
same, f . 123b.
28. " Thy righteousness, 0 God " (verse
anthem). By the same. f. 126.
29. "God is our hope and strength"
(8 parts). By the same. f. 132.
30. "0 God, wherfore art thou absent "
(full anthem in 5 parts). By the
same), f. 138.
81. "0 give thanks" (verse anthem).
" Henry Purcell." f . 152b.
32. " Behold, I bring you glad tideings "
(anthem for Christmas Day, with
organ). By the same. f. 158b.
33. "Be mercifull unto me, O God"
(verse anthem for 3 voices). By the
same. f. 162.
34. "I will love thee, 0 Lord" (solo
anthem for bass). "Dr. Aldrich."
f . 175.
35. " The Lord is King " (solo anthem).
By the same. f. 178.
36. "Give ye King thy Judgments"
(solo anthem). By the same. f. 180.
37. "If ye Lord himself " (verse anthem
in 3 parts). By the same. f. 182b.
38. "0 Lord, I have heard thy voice "
(solo anthem). By the same. f. 185b.
39. "Lord, let me know my end"
(verse anthem for 3 voices, with 5-
part chorus). "Matthew Lock."
f . 189b.
40. "How hath the City sate solitary"
(verse anthem for 2 voices, with 2
instrumental parts). " Edward Gib-
bons, Custos of yc College of Preists
Vicars ... of Exeter, 1611." f. 194.
41. "Not unto us, 0 Lord" (verse
anthem for 8 voices). "Matthew
Lock." f . 200.
42. "Let God arise" (verse anthem
for 2 voices). "Henry Hall, Organist
of Hereford." f. 220.
43. "O Clap your hands" (verse an-
them for 3 voices). By the same.
f. 222.
44. "By ye waters of Babilon " (verse
anthem for 3 voices). By the same.
f . 226.
45. " Blessed are those that are unde-
nted " (solo anthem). "Willm. Nor-
ris, one of yc choir and master of yc
children of y" Cathedral church at
Lincoln." f. 233b.
46. "I will give thanks unto thee, 0
Lord " (verse anthem). By the same,
f . 237.
47. "Allmighty and everlasting God,
who hast given " (full anthem).
"Robert Wildbore, Organist of Trinity
Coll. Camb. 1683." f. 242.
48. "The Earth is the Lords" (verse
anthem). " Jeremiah Clark, Organ-
ist to . . . Queen Anns Chappell and
of St Pauls." f. 243.
49. "I will love thee, 0 Lord" (verse
anthem for 2 voices). By the same,
f . 246b.
50. "Praise ye Lord, O Jerusalem"
(full anthem). By the same. f. 250.
51. "Bow down thine Ear" (verse
anthem for 3 voices). By the same.
f . 251b.
52. "The Lord hath declared his Salva-
tion" (verse anthem, with instru-
mental symphonies, etc.) . " Composed
for . . . Charles yB 2d* Chappell on
ye Thanksgiving for y* discovery of
y° Rye House Conspiracy. By Mr.
Tho. Tudway, Organist of Kings Coll.
chappell, Camb. 1682^' f. 255b.
53. "Blessed is y° man that feareth
ye Lord " (funeral anthem for 3 solo
voices). " Henry Purcell." f.260.
54. "Thou knowest, Lord, ye secrets of
our Hearts" (full anthem). "Sung
at ye funerall ... of Queen Mary,
169|, accompanied with flat mourn-
full Trumpets. Composed by Mr.
Henry Purcell ; in Honour to whose
Memory the same composition was
perform'd y° year following at his
own funerall in Westminster Abby."
f . 264b.
Harley 7341. Vol. V (ff. 294). "Services and Anthems
Compos'd for the most part in the Reigne of . . . Queen Anne.
Collected a.d. mdccxviii." The Anthems are : —
1. " Is it true that God will dwell with
men " (verse anthem for 3 voices).
" Dr. Tho. Tudway, designed for yc
opening of St. Pauls Church. And
sung at yc opening of Kings Coll.
Chappell." f. 35.
GO
VOCAL MUSTC -SACRED.
2. " Sing we merrily unto God" (verse
anthem for 3 voices). By the same,
f . 39h.
3. "My God, my God, look upon me"
(verse anthem for 3 voices). By the
same, "1675." f. 43.
4. " Man that is born of a woman "
(verse anthem for 2 voices). By the
same. " Compos'd for yc funerall
... of Dr. Beaumont, Regius Pro-
fessor, and likewise perform'd [with
nos. 5, 6] at ye funeral . . . of yc . . .
Marquis of Blandford in Kings Coll.
Chappell [1703";." f. 46.
5. "I am ye resurrection" (full an-
them). By the same. f. 49.
6. "I heard a voice from Heav'n"
(verse anthem for 3 voices). By the
same. f. 50b.
7. "I will lift up mine Eyes" (solo
anthem). By the same, f . 51b.
8. "Sing, 0 Heavn's" (verse anthem
for 3 voices). By the same. " Sung
to y° Queen in her chappell at Wind-
sor." f. 54.
9. "I will sing unto the Lord" (verse
anthem of 3 voices). By the same.
" Sung to the Queen after the victory
at Blenheim [1704]." f. 58.
10. "Thou, 0 Lord, hast heard " (verse
anthem). By the same. " Sung to
yc Queen in Kings College Chappell
. . . April 16, 1705." f. 62b.
11. "The Queen shall rejoyce " (full
anthem). "Dr. William Turner."
"Sung at yc Coronation . . . of . . .
Queen Ann, Aprill the 23rd, 1702."
f . 76b.
12. "Behold, now praise ye Lord"
(verse anthem for 3 voices, with sym-
phonies, etc.). By the same. " Com-
pos'd in King Charles' time." f. 78b.
13. " Lord, thou hast been our refuge "
(verse anthem for 3 voices). By the
same. f. 81b.
14. "The Lord is righteous" (solo
anthem). By the same, f . 84b.
15. "O Lord, grant ye Queen a long
life" (full anthem). "James Haw-
kins, Organist of the Cathedral
Church at Ely." f. 102.
16. " My God, my God, look upon me "
(verse anthem for 3 voices). By the
same. f. 103b.
17. " Lord, thou art become Gracious "
(verse anthem for 2 voices). By the
same. f. 108.
18. "Lord, who shall dwell" (verse
anthem). By the same. f. 111b.
19. "Bow down thine ear" (full an-
them for 6 voices). By the same,
f. 116b.
20. "Arise and shine, O daughter of
Zion" (verse anthem). "George
Holmes, Organist of y° Cathedral
church at Lincoln." f. 119b.
21. "I waited patiently " (full anthem).
"James Cooper, Organist of the
cathedral church in Norwich."
f. 127.
22. "Awake up, my glory" (verse
anthem for 3 voices, with instru-
ments). " Compos'd by Tho. Wanless,
Organist of York, for his Batchelour
of Musicks degree, in Cambridge."
f. 129.
23. "0 Lord God of my Salvation"
(full anthem). "Vaughan Richard-
son, Organist of the Cathedrall
Church at Winchester." f. 133b.
24. "0 Lord, our Govemour " (verse
anthem for 3 voices, with sym-
phonies, etc.). "John Bishop, Organist
of y' College at Winchester." f. 145.
25. "I will give thankes unto thee, O
Lord" (verse anthem). "Phillip
Hart, Organist ... of St. Mary Ax
in London." f. 158b.
26. "Praise y" Lord, yee Servants"
(verse anthem for 3 voices). By the
same. f. 164.
27. "Unto thee have I cry'd" (full
anthem). "Benjamin Lamb, Organist
of Eton College." f. 177.
28. "O worship y" Lord" (verse an-
them for 3 voices). By the same,
f. 179.
29. "O Lord God of Hosts" (full an-
them in 6 parts). "John Goldwin,
Organist of St. George's Chappell at
Windsor." f. 196b.
30. " Hear me, O God, in ye multitude
of thy mercy" (full anthem in 5
parts). By the same. f. 199b.
31. " We will rejoyce in thy Salvation "
(full anthem). "Dr. Willm. Croft,
Organist and Composer of yc Royall
Chappell and of St. Peters, West-
ANTHEMS.
Gl
minster, for yc Thanksgiving on yc
29th of May." f. 202b.
32. "I will sing unto y° Lord" (verse
anthem for 2 voices). By the same.
f.206.
33. "Hear, 0 Lord, and have mercy"
(full anthem for 5 voices). " Charles
King, Batchellour in Music, Master
of yc Children and one of ye choir of
St. Pauls." f. 217b.
34. "Hear my crying, 0 God" (verse
anthem for 3 voices). By the same,
f . 220.
35. " Sing unto God, O yee Kingdoms "
(verse anthem). By the same. f. 224.
36. "I will love thee, 0 Lord" (verse
anthem for 3 voices). "George
Holmes, Organist of the Cathedral
Church at Lincoln." f. 229b.
37. "O Lord, thou hast cast us out"
(verse anthem for 3 voices). " Charles
Woolcot." f. 243.
38. "Shew your Selves joyfull" (verse
anthem for 3 voices). "John Bow-
man, Organist of Trinity College,
Cambridg." f. 245b.
39. "Praise the Lord, O my soul"
(verse anthem for 3 voices). "Dr.
Willm. Crofts." f. 249.
40. "I will always give Thanks" (an-
them for 3 voices). By the same,
f. 255.
41. "0 Lord, grant y" Queen" (full
anthem). "John Church, one of y"
Gentlemen of ye Chappell Royall,
Master of ye Boyes, and one of the
choir of St. Peters, Westminster."
f . 276b.
42. " Righteous art thou, 0 Lord " (full
anthem). By the same. f. 279b.
43. "Praise the Lord, 0 my Soul"
(verse anthem for 3 voices). By the
same. " Compos'd for her Majestys
Chappell." f. 282.
44. "Lord, thou art become Gracious"
(verse anthem for 3 voices). By the
same. "Compos'd .... for ye 29th
of May." f. 285b.
45. "Hear my crying, 0 God" (full
anthem in 6 parts). " John Weldon,
one of the Organists and Composers
to ye Royall chappell." f. 288b.
Harley 7342. Vol. VI (ff. 383). " Y* most Modern Celebrated
Services and Anthems. . . . Compos'd Cheiny in yc Reigne of . . .
Queen Anne . . . and Collected mdccxx." With an introduction by
Dr. Tudway, giving a sketch of the history of music, more particularly
sacred music, down to his own time. The Anthems are : —
1. "My heart rejoyceth " (verse an-
them, with symphonies, etc., for in-
struments). " Tho. Tudway, for
yc Thanksgiving on ye Peace [of
Utrecht], perform'd in St Marys
Church before ye Vniversity, July ye
7th, 1713." f . 48.
2. "Behold, how good and joyfull"
(verse anthem for 3 voices). By the
same. "Compos'd for her Majesty
chappell on the Thanksgiving for y*
Union with Scotland [1707]." f. 64b.
3. "0 praise ye Lord, for it is a good
thing " (verse anthem for 3 voices).
By the same. " Sung to yc Queen on
the Thanksgiving for ye victory at
Audenard [1708]." f . 69.
4. "Arise, Shine" (verse anthem for 3
voices). By the same. "For the
Queens Chappell." f. 74b.
5. "Plead thou my cause, 0 Lord"
(verse anthem for 3 voices). By the
same. " For her majesty chappell on
ye change of the Ministry and y"
insolence of yc Faction therupon."
f. 79b.
"Give yc Lord yc Honour due"
(verse anthem). By the same. "An
other . . Thanksgiving for ye Peace."
f . 83.
, "Arise, Shine " (verse anthem, with
symphonies, etc., for instruments).
"Tho. Rosengrave, Student of X*
church, Oxon. [Dublin, according to
Burney, in Add. 11589, f. 12b]. An
Anthem of Thanksgiving for yc Peace
in 1713 . . . compos'd at Venice Xb",
1712 "(sic). f.88b.
, "If y" Lord himself" (verse anthem
for 4 voices). "Benjamin Lamb,
Organist of Eton College. . . . Thanks-
giving especially for y« 5"' of No-
vember." f. 136b.
. " I will give thanks " (verse anthem).
62
VOCAL MUSIC— SACKED.
By the same, "especially for y" 29th
of May." f. 143b.
10. "Ascribe unto ye Lord worship "(an-
them for 3 basses). "John Goldwin,
Organist of St. George's chappell in
Windsor Castle." f. 150.
U. "Thy way, 0 God, is holy" (verse
anthem for 3 voices). By the same,
f. 153b.
12. "Comfort yee, my people" (verse
anthem for 3 voices). "Henry Hall,
late Organist of ye Cathedral Church
at Hereford." f. 157.
18. "The Souls of the Righteous"
(verse anthem for 3 voices). By the
same. f. 162b.
14. "Grant, we beseech thee, mercifull
Lord" (full anthem in 5 parts). By
"yc Honb10 and Rev" Mr. Edward
Finch, Residentiary and Prebendary
of the Cathedrall Church's of Canter-
bury and York." f. 171b.
15. "Blessed be thou, Lord God of
Israeli" (full anthem). "James
Hawkins, B.M., Organist of ye Cathe-
dral Church at Ely." f. 184b.
1G. "0 Lord, my God, I have cryed"
(verse anthem for 3 voices). By the
same. f. 188.
17. "Blessed is he that considereth"
(verse anthem for 3 voices). By the
same. f. 191.
18. "0 Praise the Lord, for it is a good
thing" (verse anthem for 3 voices).
"James Hawkins jur, Organist of
Peterborough." f. 194.
19. "0 Praise God in his holines "
(verse anthem for 2 voices). "John
Goldwin." f . 205.
20. "I will sing unto y" Lord" (full
anthem). By the same. f. 207b.
21. "0 be joyfull in God" (verse an-
them for 2 voices). By the same.
f. 209b.
22. "God is our hope" (with instru-
ments). "Will"' Brodcrip, Organist
of yc Cathedrall Church at Wells.
Compos'd on ye Peace." f. 223b.
23. "0 sing unto y" Lord a new Song "
(full anthem in 5 parts). "Maurice
Greene, Organist of the Cathedrall
Church of St. Pauls." f. 235.
24. "Bow down thine eare " (full an-
them in 6 parts). By the same,
" Etat. suae 23." f.240b.
25. "0 God, thou art my God" (solo
anthem). By the same, f . 249b.
26. "0 give thanks unto yc Lord"
(verse anthem for 2 voices). By the
same, f . 253.
27. " Turn thy face from my sins " (full
anthem in 5 parts). " John Church."
f . 287b.
28. "Blessed are those that are un-
dented" (verse anthem for 3 voices).
By the same. f. 291.
29. "Mercifull Lord, we beseech thee"
(full anthem). "James Hawkins,
sometime Organist of St. Johns
College, now ... of ye Cathedral
Church, Ely." f.296.
30. " Offer y° sacrifice of righteousnes "
(verse anthem). "William Croft,
first Organist of ye Chappell Royall
and Master of the children therof."
f. 297.
31. "I cry'd unto yc Lord" (verse an-
them). By the same. "Organist . . .
and also Composer to the Chappell
Royall." f. 304.
A Table of Contents is given at the end of each volume.
For a
thematic Catalogue, accompanied by critical notes, see parts of vols, vii
and ix of Dr. Burney's "Musical Extracts" (Add. 11587, f. 37b to
end; 11589, ff. 1-19).
Additional 30308, ff. 17-27.
Paper ; about 1718-1720. Folio. For the rest of the volume in which the MS.
is contained, see below, p. 65.
" As paints (sic) the Hart " : No. 8 of the Chandos Anthems, by
G. F. Handel. Autograph. The vocal parts with a bass for the organ,
in score. At the beginning are written, also in Handel's autograph,
the names of the singers for whose use this version was apparently
ANTHEMS.
63
made, viz. Hughs, Eilfurt [Elfortl], Whely, and [Bernard 1] Gates. A
corner of the last page has been torn off, carrying with it the greater
part of the last bar.
This version corresponds with the third of the four published by
the Hiindel-Gesellschaft (vol. xxxiv, p. 277, where it is numbered
Anthem 6°), but is not the same as that published by Arnold as
Chandos No. 8. It contains a quartet and chorus " As paints the heart "
(sic, f. 17), alto solo " Tears are my dayly Food" (f. 19b), followed
by another alto solo " Now when I think thereupon " (f. 20), chorus
"In the voice of praise" (f. 21), canto and alto duet "Why so full
of grief " (f. 22b), and 5-part chorus " Put thy Trust in God " (f. 23b).
At the end (f. 26) is an alternative setting (for bass) of the air " Now
when I think thereupon," the same as that included in Anthem G1'
of the above-mentioned collection.
Additional 36268, ff. 53, 51, 68b.
Paper ; a.d. 1721. Quarto. On f. 2b is the following note in the hand of
[Philip, Baron, afterwards first Earl of,] H[ardwicke] : " May 29th, 1745. This
Book was bought at the Sale of the late Earl of Oxford's Library. Note the
Chapel at Wimple never was consecrated." For the remainder of the Music
written for the same occasion, see under Chants and Services.
Verse anthems, with a figured bass for organ, in score, being part
of the music composed for the consecration of the Chapel of Edward,
Lord Harley, at Wimpole, 31 August, 1721, by Thomas Tudway,
" CM. and Master of ye Music in his Lordships Chappell."
1. "0 how Amiable are thy dwellings,
thou Lord of Host " {sic), f . 53.
2. "Is it true that God will dwell with
men ? " f. 58.
3. "My Heart rejoyceth in y1- Lord."
"An Anthem of Thanksgiving on yc
peace." With additional symphonies
for oboes and strings, f . 68b.
Harley 7343, ff. 9-11, 15-1 6b.
Paper; a.d. 1724. Small Quarto. Inserted in a Service by the same
composer, described elsewhere.
The words of three Anthems, "compos'd, with Instrumental
music, for the consecration of ... . Lord Harley's Chappell at
Wimpole By Thomas Tudway, MD, . . . 1724." For the music, see
Add. 36268, above.
1. "Oh how amiable are thy dwellings "
(verse), f. 9.
2. "Is it true that God will dwell with
men?" (verse). Written before 1718
(see Harley 7341, f. 35). f. 10.
3. " My Heart rejoyceth " (solo).
"1713" (see Harley 7342, f. 48).
f. 15.
Additional 17852, ff. 11-91.
Paper; after 1728 (see f. 43). Folio. The volume also contains some Organ
Music and Services, described elsewhere.
Belonged at various times to Gran-
G4
VOCAL MUSIC— SACRED.
ville Sharp (see bookplate, f. 2), Jas. Bartlcmau (1818), and Vincent Novcllo
(1849).
Anthems in score, by Dr. Maurice Greene.
i
Let God arise" (verse anthem, |
with 5-part chorus), f. 11.
2. ''Have mercy on me, O God, after
thy Great Goodness" (solo anthem).
"June, 1720." f.21b.
3. "God is our hope aud strength"
(verse anthem, with 6-part chorus),
f. 28.
4. "Hear my prayer, 0 God, and hide
not thyself " (verse anthem), f. 37b.
5. "O give thanks unto the Lord, let
them give thanks." "Before their
Ma"" att S' James's on Easterday,
1728." f. 43.
i
6. "I will allways give thanks unto
the Lord, his praise " (verse antbem).
f. 51.
7. "Thou, 0 God, art praised in Sion"
(verse anthem), f. 56b.
8. "The king shall rejoyce in thy
strength" (verse anthem), f. 62b.
9. " O how amiable are thy dwellings "
(solo anthem), f. 70b.
10. "0 Lord our Governor" (verse
anthem, with 5-part chorus), f. 76b.
11. " My soul truly waitcth still upon
God " (solo anthem, with 5-part
chorus). "Oct. 1720." f. 84.
Nos. 1-10 are in the same hand as Add. 17853, ff. 54-129 ; no. 11
is in the same hand as if. 1 29b— 1 71 of the same MS., possibly that of
the composer, but the MS. is not the original.
Additional 17853, ff. 54-171.
Paper; after 1730 (when Greene took his Mus. Doc. degree). Folio. Belonged
originally to Sir William Blakeston, second Bart. (d. 1692). Later owners were
Granville Sharp, James Bartleman (1818), and Vincent Novello (1849). Nos. 1-7
are written in the same hand as Add. 17852, ff . 11-83 ; nos. 8-13 in the same
hand as Add. 17852, ff. 84-91. The MS. also contains (in the original hand, and
another rather later hand) Harpsichord Music (late 17th cent., etc.), Musical
Instructions, fragments of Operas (early 18th cent.), Services, Violin solos, and
a fragment of a Treatise (1694), described elsewhere.
Anthems, in score, by Dr. Maurice Greene.
1. "0 God, Thou art my God" (verse
authem). f. 54.
2. " 0 Lord, give ear unto my prayer "
(verse anthem). "1720." f.62.
3. "Open the gates of righteousness."
Written for the "Annual Meeting of
the Sons of the Clergy, Dec. 12, 1723."
f. 72b.
4. "0 give thanks unto the Lord and
call" (verse anthem), f. 95b.
5. " I will seek unto God" (verse an-
them, with 5-part chorus), f. 106b.
G. " Rejoyce in the Lord, 0 ye
righteous" (solo anthem), f. 113.
7. "I will give thanks unto thee, 0
Lord, with my whole heart " (verse
anthem), f. 120.
8. "Lord, how are they increased"
(solo anthem), f. 129b.
9. "Praise the Lord, 0 my soul, and
all that is within me" (solo anthem),
f. 134b.
10. "The Lord, ev'n yc most mighty
God " (solo anthem), f. 139.
11. "Hear my crying, O God, give
ear" (verse anthem), f. 146b.
12. "Hear, 0 Lord, and consider"
(solo anthem), f. 156.
13. "Haue mercy upon me, 0 God,
after thy great goodness" (solo an-
them, with 5-part chorus), f. 161b.
ANTHEMS. 65
Additional 17859.
Paper ; ff. 33. After 1734. Oblong folio. Belonged subsequently to Marmaduke
Overend (1779), William Russell and Vincent Novello (1845-1849).
" Blessed are all they that fear ye Lord " : verse " Anthem Com-
posed for the Nuptials of the Princess Royal Anne, eldest daughter of
George II with the Prince of Orange, &c. [14 March, 1731].
Composed by the Master of the Band then Dr. Maurice Greene.
Copied by Dr. William Boyce then his Pupil." With accompaniment
for oboes and strings, in full score. The above title is in the hand of
Marmaduke Overend.
Additional 31504, ff. 145b-153 passim.
Paper ; after 1740. Folio. For the rest of the MS., see under Songs.
Portions of anthems, in score.
1. " Upon thy right hand " (treble solo).
From the Coronation Anthem, "My
heart is inditing," 1727, with accom-
paniment for two violins. " Handle."
f. 145b.
2. " Let Justice and judgment" (treble
solo). From the Coronation Anthem,
" Let thy hand," 1727, with figured
bass. By the same. f. 146b.
3. "Great is y° Lord and marvelous"
(treble solo, with two violins and two
basses). " [Thomas] Rosingrave,
junr." f.l50b.
Additional 30308, ff. 1-16.
Paper; a.d. 1743. Folio. Belonged to Walter Michael Moseley, of Glas-
hampton, in 1877. The MS. also contains a setting of Chandos Anthem No. 8
(see above, p. 62).
Original draft, with numerous alterations, of the Dettingen
Anthem, " The King shall rejoice," with accompaniments for three
trumpets, drum, two oboes, bassoon, two violins, viola, and bass, and
chorus for two trebles, alto, tenor, and bass, in full score. At the
beginning is written, " angefangen den 30 July, 1743"; and at the
end, "S. D. G.— G. F. Handel. London Agost 3. 8. 1743 vollig
geendiget." Printed in the Handel-Gesellschaft's publications, vol.
xxxvi.
Additional 29370, f. 114.
Paper ; [a.d. 1745]. Quarto. Bookplate (f. 7) of Robert Smith [of St. Paul's
Churchyard, see f. 114b]. The MS. also contains portions of Operas (about 1737-
1746), and Songs, by the same composer, described elsewhere.
"God bless our noble King," harmonized, apparently for trio and
3-part chorus, with accompaniment for two horns and a viola, by
Dr. Thomas Augustine Arne. Autograph. Stated in the table of
contents on f. 7 to have been "made for Drury Lane theatre, 1745."
66
VOCAL MUSIC— SACRED.
Additional 34726, f. 4.
Paper; a.d. 1748. Folio. For the rest of the MS., see under Motets.
" O thou that in the heavns dost dwell," for 4 voices, in score,
by John Travers. Antoyraph. Not properly an anthem, but the first
of a series of examples of modulation, set to the words of Sternhold
and Hopkins' Psalms.
Additional 5053.
Taper; ft". 88. a.d. 1751. Oblong folio. Bookplate, with arms, of "James
Mathias, London," to whom it was presented by the composer.
Antiikms, with accompaniments for strings and organ, in score, by
[Hester, widow of Henry] Needier, 1751. Antoyraph. The first
three are solos with chorus, the others full anthems.
1. " To my just plea and sad com-
plaint." f.4.
2. " Lord, who's the happy man that
may." f. 12.
3. " How good and pleasant must it
be." f. 19b.
4. " How long will ye Imagine mis-
chief?" f.33b.
5. " Traise yc Lord, 0 my soul, 0 Lord
my God." f. 53b.
G. " Let tears fall down over yc dead."
f.79.
Additional 27750, ft'. 26-101 passim.
Paper; about 1753-1776 (see ft. 35, 101). Quarto. Bequeathed to the Museum
by Sir George T. Smart. The MS. also contains Canons (about 1766-76), Chants
(before 1776), Hymns (after 1765), and Services (about 1753-66), described elsewhere.
Anthems with figured bass, in score, by Dr. Thomas Sanders
Dupuis. " Performed at the Chapel Royal, St. James's."
1. "I cry'd unto the Lord with my
voice" (full anthem for 5 voices),
f. 26.
2. " Save me, 0 God, for thy Names
sake" (solo). "1753." f. 31b.
3. "Be thou my judge, 0 Lord " (verse),
f. 35b.
4. " Lord, what love have I unto thy
law" (solo). "1762." f.41b.
5. "How long wilt thou forget me"
(solo). 1763. f. 44.
6. "I will sing of the Lord" (full an-
them for 5 voices). " 1763, Oct., com-
posed at Russel Farm, the seat of
the Dowager Countess of Essex."
f.47b.
7. " 0 how amiable are thy dwellings "
(verse). "1764." f . 62b.
8. " Lord, teach us to number our
days" (verse). "1766." f . 69b.
9. "My heart is fixed, 0 God" (solo).
f. 83.
10. "Lift up your heads" (solo, with
two alternative endings), f. 87b.
11. "Lord, what is man" (verse).
"Oct. 1776." f.94.
Additional 19570.
Paper ; ft. 96. a.d. 1757-about 1769. Oblong folio. Bookplate, with arms, of
Nares.
" (First Book of) Anthems conipos'd for the use of the Kings
Chapel by James Nares, from 1757 to (1709 &c.)." The words in
brackets appear to have been added by Richard Clark (see f. 1), whose
ANTHEMS.
67
stamp is on f. 2, and in whose hand are various remarks made in
Nares' index (f. 2) and in the body of the work. The greater number
of the compositions appear to have been contained in the Twenty Anthems,
published in 1778, with the exception of six (nos. 1, 5, 8, 14, 15, 18),
which are probably among the seven said by Novello, in his edition
of the same work, to be " contained in a previous volume." They are
all of them verse Anthems, in score, with a figured bass, unless the
contrary is stated.
1. " Do well, 0 Lord." " 1757." f. 3.
2. " When the Lord turned again."
" 1758." f . 6b.
3. "Turn Thee again, 0 Lord." "1759"
(the solo added afterwards), f. 11.
4. " Not unto us, Lord." " A Thanks-
giving Anthem, for the taking Mon-
treal and making us Masters of all
Canada." "1760." f.15.
5. "Have mercy upon me, 0 God."
" Compos'd at York and alter' d for
the King's Chapel, 1759." f. 20.
6. "The souls of the Righteous."
"Factum Windisorio, 1734. Etat.
18." Used afterwards at the King's
Chapel, at several royal funerals, f . 23.
7. "Behold, 0 God, our Defender."
" Compos'd for his Majesty's Inaugu-
ration Day, 1761." f. 27.
8. " 0 clap your hands" (full anthem).
Composed on the birth of George IV,
on 12 Aug. 1762. f. 32.
9. " The Lord is righteous." Composed
on the birth of Frederic, Duke of
York, in Aug. 1763. f. 36b.
10. " It is a good thing to give thanks."
" 1764." f . 40.
11. " Arise, thou Judge of the World."
"1764." f.46b.
12. "Behold, how good and joyfull."
"1765." f.54.
13. " By the . waters of Babylon."
" 1766." f. 58b.
14. "The Lord hear me." "1766."
f. 62b.
15. " 0 praise the Lord." " Compos'd
at York, 1746, and altered for the
Kings Chapell, 1767." f. 67.
16. "Unto thee, 0 God, do we give
thanks." " 1767." f. 70b.
17. "O give thanks to the God of
Heav'n." "1768." f. 75b.
18. " The Lord is my strength." "Com-
posed for his Majesty's Birthday,
1769." f. 80b.
19. " Lord, how long wilt Thou be
angry." " 1771." f. 86b.
20. " Be glad, 0 ye Righteous " (full
anthem for 5 voices). " Compos'd
for the Kings Chapel, 1765, and
Instruments added to it for the use
of the Society of Ancient Music, at
the Crown and Anchor in the Strand,
1769." f. 96b (reversed).
Additional 17846.
Paper ; ff . 40. a.d. 1759. Oblong folio. Belonged to Granville Sharp
(bookplate, f. 2), George Gwilt (1814), and Vincent Novello (1849).
" O give thanks unto the Lord and call upon his name " : full
Anthem with verses, accompanied by strings and organ, in score.
Composed by Dr. William Croft " for the Thanksgiving upon
suppressing of the Rebellion at Preston, 1715 " (see 17843, f. 123).
Additional 31398, ff. 35-37b.
Paper ; about 1759 (f. 34b). Oblong quarto. For the rest of the volume, see
below, under Madrigals (1759-61).
"O God the King of Glory," for 4 voices, in score. Altered by
Dr. Aldrich from the motet " O Rex gloriae," by Palestrina.
68
VOCAL MUSIC— SACKED.
Additional 5054, li*. 23-151 passim.
Paper; before 17G0 (see below). Quarto. Bequeathed, in 1782, by James
Mathias, to whom it was bequeathed by the transcriber's widow. The MS. also
contains a secular Canon, Duets, a Grace, a Litany, Madrigals (sacred and
secular), portions of Masses, Motets, a Miserere, Sacred Choruses, and part of a
Service, all described elsewhere.
Full Anthems, for 4 voices (unless the contrary is stated), in
score. Transcribed by Henry Needier (d. 1760).
1. " When David heard that Absolon "
(G voices). " Thos. Weelks." f. 23.
2. " 0 Lord, I bow the knee of my
heart " (5 voices). " Wm. Mundy."
f. 105.
3-9. " Funeral Service, consisting of
the five following short anthems : —
" I am the Resurrection" (f. 128), " I
know that my Redeemer" (f. 128b),
" We brought nothing into this
world" (f. 129b), " Man that is born
of a woman" (f. 130), and "In the
midst of life" (f. 131), by T. Morley ;
aud the two anthems " Thou know-
est, Lord, y" secrets " (f. 132), and
' ' I heard a voice from hcav'n " (f . 133),
by " Henry Purcell."
The three following anthems are [from Songs of Sundrie Natures,
1589] by Wm. Bird:—
10. " Lord, hear my prayer instantly"
(no. V), for 3 voices, f. 146.
11. " Lord, in thy rage rebuke me not "
(no. I), for 3 voices, f. 147.
12. "O Lord, my God, let flesh and
blood" (no. XXII). f. 149.
Additional 5061.
Paper; ff. 79. Before 17G0 (see below). Oblong quarto. Bequeathed, in
1782, by James Mathias (bookplate), to whom it was presented by the tran-
scriber's widow.
''The ways of Zion do mourn'": anthem, with accompaniments
for oboes and strings, in full score, by George Frederick Handel.
" Perform'd in King Henry the Seventh's Chappel at Westminster, at
the Funeral of Queen Caroline, on the 17th day of December, 1737."
Transcribed by Henry Needier (d. 1760).
Additional 23624, ff'. 41, 94.
Paper ; about 1763 (see f. lb). Small folio. Bookplate, with arms, of the Rev.
John Parker ; purchased from William Chappell in 1860. The MS. also contains
a Canon (sacred), Motets and Services in the same hand, described elsewhere.
Two Anthems, in score, transcribed by John Alcock.
1. " Blessed are those that be undefiled,"
for 5 voices, with a figured bass.
" Tallis." From the Cantioiws Sacrx
(1575). f. 41.
2. " Arise, O Lord, why sleepest thou,"
for 5 voices ; with a second part,
" Help us, O God of our salvation,"
for G voices. " [William] Bird." f.94.
ANTHEMS.
G9
Additional 33568, ff. 3-87b passim.
Paper ; about 1768 (see f. 1). Quarto. Belonged to Richard Barker of Bury in
1768. The MS. also contains an Anthem (early 19th cent.), Hymns (about 1768
and after 1834), fragments of an Oratorio, a sacred Song (after 1831), and part
of a Service (about 1768), all described elsewhere.
Anthems in score, most of them without accompaniment.
1. "Lord, thou art become gracious"
(verse). "J.Smith." f . 3.
2. "0 all ye nations of the world"
(verse). By the same. f. 6.
3. "Behold, I bring you glad tidings"
(verse). "Stephenson." f. 6b.
4. "Blessed is he that considereth "
(solo). "Jerh Clark." f.9.
5. " Sing, 0 ye heav'ns." Anonymous.
Imperfect in the middle, f. lib.
6. " I heard a great Voice." " Knapp."
f . 14b.
7. " Let the righteous rejoyce." " Josh
Stephenson." f. 16b.
8. "Bow down thy ear, 0 Lord" (for
3 voices). " [J. (?)] Smith." ff. 19,
39b.
9. I will magnify the (sic), 0 God."
"Church." f.22.
10. "Give the King thy Judgments,
0 Lord " (verse). " Knapp." f. 24.
11. "Arise, 0 Lord, into thy resting
place" (solo). "Hawkings." f.26.
12. "By the Rivers of Babylon."
" [R. (?)] Barber." f . 28b.
13. "Blessed are all they that fear"
(for 3 voices). Anonymous, f. 31.
14. "0 praise the Lord, for it is a good
thing" (solo). " [J. (?)] Smith." f. 33.
15. "Teach me thy way, 0 Lord" (for
2 tenors and a bass). Anonymous.
f. 35.
16. " Holy, Holy, Holy, Lord God All-
mighty." " [J. (?)] Bishop." f. 36b.
17. " Set up thyself, 0 God." " [J. (?)]
Smith." f. 37b.
18. "Acquaint thyself with God"
(verse). " Docter Green." f. 40.
19. "I was glad when they said unto
me" (verse). Anonymous, f . 45.
20. "0 sing unto the Lord a new song,
for he hath done." "Coates."
f. 47b.
21. " Arise, shine, 0 Zion." " [Aaron]
Williams." f. 49b.
22. " Zadock the Priest" (Coronation
Anthem). "Handel." f . 53.
23. "Bring unto the Lord, 0 ye
mighty" (solo). " [J. (?)] Smith."
f . 56b.
24. "Hear my pray'r, 0 God, and hide
not." Anonymous, f. 60b.
25. "Praise the Lord, 0 my soul, 0
Lord" (verse). "J.Green." f. 63.
26. "0 worship the Lord" (verse).
"Cole." f.66.
27. "I am the resurrection" (verse).
" Taken out of Burial Office." Anony-
mous, f . 70b.
28. "I will lift up mine eyes" (solo).
" Weldon." f.72.
29. " 0 praise the Lord, all ye heathen "
(verse). " [Aaron ?] Williams." f.82b.
30. "0 praise the Lord, praise him in
the light (sic)" (verse). "John
Smith." f. 84b.
Additional 35040, f. 33b.
Paper; about 1773. Oblong octavo. For the rest of the MS., see under Piano-
forte music.
" Be glad, O ye righteous " : the melody with bass of the beginning
of what was intended to be the first of a set of " 3 solo Anthems for
the voice, Harpsichord or Organ," in the hand of Samuel Wesley, when
a boy.
70
VOCAL MUSIC— SACRED.
Additional 34998, passim.
Paper ; about 1774-5. Oblong folio. The MS. also contains other music, vocal
and instrumental, which is described elsewhere.
Short Anthems, in score, for 1 voice, with a bass, unless the
contrary is stated ; by Samuel Wesley. From a volume containing
rough copies of his juvenile compositions.
1. "Behold, how good and joyful"
(verse anthem, with chorus and
occasional accompaniments for flute,
violin, violoncello, and organ), f. 3.
2. "Behold, I was shapen in wicked-
ness." f. 17.
3. " Thou shalt make me hear of joy
and gladness " (for 3 voices), f. 17b.
4. " Hide thy face from my sins."
£.18.
5. " Praise the Lord, 0 ye servants."
f . 18b.
6. " 0 ye that love the Lord." f. 19b
(reversed).
7. " The Lord is my shepherd." " June,
1774." f. 62.
8. " 0 praise the Lord, all ye heathen."
f . 62b.
9. "Praise ye the Lord, ye immortal
quires." "Feb. 27, 1775." 1.71.
10. "0 praise the Lord of heaven"
(long anthem, with solos and chorus).
f . 73.
Additional 17855, ff. 10b-85.
Paper; before 1776 (f. 2). Oblong folio. Belonged to James Fisher (bookplate,
f. 2), Domenico Dragonetti, and Vincent Novello (1849). The MS. also contains
some numbers from Handel's " Messiah " (see below, under Oratorios).
Anthkms, with a figured bass for the organ, in score, by Dr.
Maurice Greene ; transcribed by J. Paul Hobler.
1. "Acquaint thyself with God" (solo
anthem), f. 10b.
2. " Praise the Lord, 0 my soul, and
all that is within me" (solo anthem).
f. 15.
3. "0 God, thou art my God" (verse
anthem), f. 18b.
4. " Lord, how are they increased "
(solo anthem), f. 25b.
5. "The Lord is my Shepherd" (verse
anthem), f. 29b.
6. " 0 Lord, give ear unto my prayer "
(verse anthem), f. 39b.
7. "Hear, 0 Lord, and consider my
complaint " (solo anthem), f. 46b.
8. " Let my complaint come before
thee, 0 Lord " (solo anthem), f. 51.
9. " Thou, 0 God, art praised in Sion"
(verse anthem), f. 57b.
10. "0 sing unto God, sing praises"
(verse anthem), f. 64b.
11. "0 How amiable are thy dwellings "
(solo anthem), f. 71b.
12. " 0 God of my righteousness "
(verse anthem), f. 79b.
Additional 31754, ff. 1-139 passim.
Paper ; about 1778-1799. Oblong folio. Belonged to Joseph Warren. The MS.
also contains other compositions by C. Wesley, and an anonymous Song (1804),
all described elsewhere.
Anthems, in score, by Charles Wesley ; unpublished. Autograph.
Unless the contrary is stated, they are for solo voices with 5-part
chorus. The first four have accompaniments for an orchestra con-
sisting of trumpets, drums, oboes, violins, violas, basses and organ, and
ANTHEMS.
1
occasionally also horns, violetta, and violoncello ; the others have a
figured bass only, for the organ.
1. " Lord, Thou art become gracious "
(with 4-part chorus), f. 1.
2. " God is our hope " (full anthem).
" Jan", 1789." f. 27.
3. " 0 sing unto the Lord a new song.
Let the congregation." " London,
Aug* 13th, An. Dom. 1799." f. 57.
4. " Bring unto the Lord, 0 ye mighty "
(after 1794, see watermark), f. 86.
5. "Thou hast girded me with
strength " (with 4-part chorus).
" An. Dom. 1797, March 1th." f. 101.
6. " I will lift up mine eyes " (with
4-part chorus). "Oct. 2d, 1778."
f. 109.
7. " Praised be the Lord, who helpeth
us." f. 118.
8. " God be merciful unto us " (full
anthem), f. 123.
9. "Oh that my head were waters"
(with 4-part chorus). "1793." On
f. 130b is marked " Fag'1," but no
other instruments are indicated ex-
cept the organ, f. 129.
10. " The Lord shall preserve thy going
out " (short duet, followed by 4-part
chorus, and apparently intended to
end with a " Hallelujah "). f. 137.
11. " Let Israel rejoice in him that
made him" (apparently the con-
cluding chorus of an anthem for 4
voices), f. 139.
Additional 11581, f. 9b.
Paper ; about 1780 (see f. 2). Quarto. The volume is no. I of Dr. Burney's
"Musical Extracts." The other contents are: Canons (sacred and secular), a
Chant, Examples of Harmony, Lute music, portions of Masses, a Catch, a
Song, some notes on a MS. (described under Histories), and some Welsh music,
all described elsewhere.
" Lord, who shall dwell in thy tabernacle " : Anthem for 5 voices,
by Robt. White, " scored [by Dr. Charles Burney] from [a copy of the]
single parts, without bars, transcribed 1581."
Additional 11586, passim.
Paper ; before 1782 (see Madrigals). Oblong folio. The MS. also contains a
Carol, specimens of Harmony, Madrigals, extracts from Masses, Motets, Songs, part
of a String Trio and String Quintets, all described elsewhere.
" Musical Extracts," by Dr. Charles Burney : vol. vi, containing
the following Anthems, in score : —
1. " If that a sinner sighes " (5 voices).
"John Milton." From Sir Wm.
Leighton's Teares or Lamentations,
1614. f. 16b.
2. " O Lord, behold my miseries " (5
voices). By the same. From the
same work. f. 17b.
3. " From depth of sinne " (3 voices).
"William Byrd." From Songs of
sundrie natures, 1589. f. 28b.
4. " O had I wings like to a dove " (5
voices). "John Milton." From
Leighton's work. f. 35b.
5. " Blessed be the Lord God of Israel " :
chorus from the anthem, " Deliver
us, O Lord our God." " Croft."
From Six Select Anthems, 1770.
f. 49b.
72 VOCAL MUSIC— SACRED.
Additional 11587, ff. 21b, 30b-35b.
Paper ; before 1782 (see Masses). Oblong quarto. Tbe MS. also contains
Secular Duets, Hymns, Madrigals, portions of Masses, a Motet, Notes (see under
Biographies), and Chamber Sextets, all written about the same time as the
Anthems. Folios 38-88b contain part of a thematic Catalogue (after 1794) of
the works in Tudway's Church Music (see above, pp. 53-02).
Psalms, for 3 voices, unless the contrary is stated, in score, tran-
scribed by Dr. Charles Burney, and forming (along with other pieces)
vol. vii of his "Musical Extracts." Nos. 2-14 are from Choice
Pmlmes put into Musich for 3 roices, by Henry and William Lawes,
1648, the first six being by Henry, the others by William, Lawes.
1. "Prayse the Lord, 0 my soul, while
I live." "John Mundy." From
Songs and Psalmes, 1594. f. 21b.
2. "That man is truly blest, who never
strayes." f . 30b.
3. "Who trusts in thee, 0 let not
shame deject." f. 31.
4. "0 thou from whom all mercy
springs." f. 31.
5. " Lord, judge my cause." f. 31b.
6. " 0 hear me, Lord, be thou inclin'd."
f. 31b.
7. "Lord, showre on us thy grace."
f. 32.
8. "Lord, as the hart imbost with
heat." f. 32b.
9. "How hath Jehovah's wrath." f. 33.
10. "Sing to the King of Kings." f. 33b.
11. "Praise the Lord enthron'd on
high." f. 34.
12. "Lord, thy deserved wrath assuage."
f . 34b.
13. "Come, sing the great Jehova's
praise." f. 35.
14. "Let all in sweet accord clap
hands." f. 35.
15. "He lie me down to sleep in peace "
(in 4 parts). " J. Coperario." "From
Sr Wm. Leighton's Teares [or Lamen-
tations] of a sorrowful soule, 1614."
f . 35b.
Additional 31722.
Paper; ff. 48. a.d. 1782. Folio.
" Anthem for the meeting of the Sons of the Clergy at St. Paul's,
1782: O praise the Lord, for the Lord is gracious," for solos and
4-part chorus, with orchestral accompaniments, in full score. By Philip
Hayes. Autograph.
At the end (f. 48) is written " Perform'd in Sl Paul's Cathedral
on May ye 13th and 16th, 1782— revived May 20 and 22d, 1791."
Additional 27754.
Paper; ff. 53. a.d. 1783. Quarto. Bequeathed in 1867 by Sir George T.
Smart ; ff. 41-53 belonged in 1834 to Daniel Carnley of Hull.
" Rejoyce in the Lord, O ye Righteous " : a " Thanksgiving Anthem
composed and Performd at the Chapel Royal for the Peace in the year
1783," by Dr. Thomas Sanders Dupuis. Two copies, both autograph.
The first (f. 3) was made after the other and has the instrumental
parts added, in full score, the original MS. (f. 41) consisting merely of
the vocal score with a figured bass for the organ.
ANTHEMS.
Additional 35039, ff. 1-7 4b.
Paper ; a.d. 1783-1835. Oblong folio. The MS. also contains an Organ Solo
(1770-1780) ; part of a Service and a Chant (1778) ; a sacred Duet (early 19th
cent.) ; and a Pianoforte Solo (19th cent.).
Anthems, Sacred Odes, etc., with full organ accompaniment or
figured bass, in score, unless the contrary is stated.
Nos. 1-18 are by Charles Wesley and in his autograph, nos. 4-16
being written for Robt. Glenn, [organist] of Christ's Hospital, and
(unless otherwise described) for solo or duet with 2-part chorus.
Nos. 19-24 are by Samuel Wesley and in his autograph.
1. "Hear my pray'r, 0 Lord, and with
thine ears" (verse). "For Bristol,
March 8th, 1783." f. 1.
2. "Lord God of Armies." "A Loyal
Prayer . . . 1805" (for 4 voices), f.9.
3. "Lord of Hosts and God of might"
(quartet, to be repeated in chorus).
The air was composed by Jonathan
Battishill, about 1768. f . 9b.
4. "Child of sorrow, cease repining"
(solo, with 3-part chorus). "July 25
.... 1817." f. 11.
5. "Sweet are the notes." "Feb. 6th,
1818." f. 15.
6. "When to the throne of Heavn's
almighty Lord." "London, Feb3'
25th . . . 1819." f. 18.
7. " Pillow'd on earth, low lay the
Father's head." Sacred Ode, written
for "the Institution by Royalty at
Christ Church, London . . . Febr.
1820." f. 22.
8. "Dwells there in scenes of grief."
' Ode . . . . June 19th, 1820." f. 25.
0. " What is the life of man ? " "Ode
or Anthem for Christ's Hospital,
1822." f. 27.
10. "Nor the rapt seraph's harp."
"1823." f. 31.
11. "To all his works thro' natures
boundless space." "1824." f. 34.
12. "Where, in what hallow'd spot
doth Peace reside." "1825." f. 37b.
13. "Now is mercys work compleated."
" Febr. 14th, 1826." f. 41.
14. "Lord of life, thine ear inclining."
"1827." f.43.
15. "When first Jehovah." "Feb. yc
13th, 1828." f. 45.
16. "Sweet are thy pleasures, Mem-
mory," anthem or ode. f. 47.
17. "Great God of Heav'n " (2-part
chorus). " Feb. 28, 1817." f. 49.
18. " . . . near, The Lord shall wipe
all tears." Fragment, consisting of a
solo, apparently from an anthem by
C. Wesley, f. 50.
19. "Lord of the Earth and Heavn's."
In 2 keys. The chorus is expressed
by the melody with a figured bass
below it. ff . 51b, 53.
20. " The Lord is my Shepherd," with
2-part chorus. In 2 keys. " Decr 6,
1834." ff. 55, 58.
21. "Mansions of Heav'n," for 2-part
chorus, with solo. "Feb' 28, 1835."
f. 61.
22. " What hymns, O Lord." "Christ-
mas hymn." f. 64b. In this and
the next two anthems (about 1830)
the treble part only is given.
23. "O give thanks unto the Lord and
call upon his name." f. 66.
24. " Sweet were the Sounds." f. 67.
25. "Tho' round thy radiant throne,"
for solo, duet, and (apparently) chorus
in unison. By S. S. Wesley. Auto-
graph, f. 68.
26. "Rejoice in the Lord airway"
(the "Bell" anthem), with sym-
phonies for strings, in score. " Henry
Purcell." f. 70.
Additional 27636, f. 14.
Paper ; a.d. 1784. Oblong Folio. In a volume of early compositions of J. W.
Callcott. written at Kensington Gravel Pits in 1784-5 (see note at beginning).
74 VOCAL MUSIC— SACRED.
The other works are Odes (1785), Overtures, and part of a Service, all described
elsewhere.
" I will cry unto God " : verse Anthem for counter-tenor, tenor, and
2 basses, with accompaniments for oboes, 2 violins, viola, violoncello,
double bass, organ and harpsichord, in score, by J[ohn] W[all] Callcott.
Autograph. Imperfect, leaving off abruptly in the middle of the chorus,
"The voice of thy thunder." Begun April 4, 1784, and " perform'd
for the first time at Mr. Watts', Kemp's Row, Chelsea, April 25,
1784," when the 1st violin was played by Gillingham, the double
bass by Hill, and 2 of the vocal parts sung by Messrs. Dignum
and Boyce.
Additional 27633.
Paper ; ff . 45. a.d. 1785. Purchased from William Hutchins Callcott, in
1867. Folio.
" O come, let us sing unto the Lord " : full Anthem for 2 double
choirs (16 voices), with accompaniments for 2 oboes, bassoons, strings,
and harpsichord (1st choir), and 2 trumpets, drums, strings, and organ
(2nd choir). By J[ohn] W[all] Callcott. Autograph. " Composed at
Kensington Gravell Pitts," 16-28 February, 1785. For the occasion
on which it was written, see f. 1.
Additional 34608, passim.
Paper; about 1785-1789. Oblong octavo. The MS. also contains fragments of
Canons (sacred and secular), a Glee, specimens of Harmony, a Hymn, Madrigals,
specimens of Melodies, Motets, National airs (Italian and Welsh), Operas, Piano-
forte Solos, Services, and a Trio (sacred). See also under Albums and Biographies.
Common-place book of John Stafford Smith, containing, among
other things, fragments of the following sacred compositions, which
are (with one exception) anonymous. Unless the contrary is stated,
only the melody is given.
1. "Comfort the soul of thy servant,"
with bass. f. 9b.
2. "Rejoice in the Lord." "Barnard
Reversing the MS. : —
4. " 0 God, thou art . . ." f.21b.
5. "Man that is born." f. 22.
6. "Tell ye the daughters of Sion."
f.22b.
Gates." f. 12.
3. "Hold not thy tongue," with figured
bass. f. 21.
7. "Have pity upon me, 0 ye my
friends." f. 31.
8. "Against thee only have I sinned."
f.31b.
Additional 27645, ff. 52-53.
Paper ; a.d. 1786. Oblong quarto. For the further contents of the volume,
see under sacred Canons (1791-1806).
" Save me, O God, for thy names sake " (4 voices), written for Dr.
Bever by John Wall Callcott. Autograph.
ANTHEMS.
75
Additional 27749, ff. 68-1 57b.
Paper ; a.d. 1786-1793. Quarto. Bequeathed, in 1867, by Sir George Smart.
At the beginning of the MS. are some Services (1784, &c.) by the same composer,
described separately.
Anthems, with figured bass, in score, by Dr. Thomas Sanders
Dupuis. Autograph.
1. "0 Lord, how manifold" (verse).
"Composed to shew the new Addi-
tions to the organ at ye Chapel
Royal." " Jan>', 1786." f.68.
2. " Hearken unto my voice, 0 Lord"
(verse). " March, 1786." f.79.
3. " The souls of the Righteous " (verse) .
"Composed Nov' ye 5th, 1787, on the
death of Dr. [Robert] Lowth, Bishop
of London, who died on the 3d of
Nov'." f. 85.
4. "The Lord, ev'n the most Mighty
God " (verse). "July, 1788." f. 93.
5. " I was glad when they said " (verse,
with violoncello obbligato). "Com-
posed for the op'ning S*. Pauls, Co-
vent Garden, Nov. 1"', 1789." An
alternative Hallelujah is given at the
end for "where there is no choir."
ff. 101, 108b.
6. " My God, my God, look upon me "
(solo). "Oct', 1787." f.l09b.
7. "Sing unto God, 0 ye Kingdoms"
(verse, with violoncello obbligato).
"March, 1790." f. 118.
8. "Arise, shine, for thy light is come "
(full). "Jan. 1", 1791." f. 122b.
9. "If the Lord himself." "Novr y«
2d, 1791." f. 128b.
10. " It is a good thing to give thanks "
(solo), f. 133.
11. "0 come, let us sing unto the
Lord" (solo). "1792." f. 137b.
12. "The Lord is my shepherd " (solo).
"1792." f. 140.
13. "This is the day which the Lord
hath made" (solo). "Compos'd for
Quebec Chapel." "1792." f . 142b.
14. "Not unto us, 0 Lord" (full).
" March, 1793." f. 145b.
15. "The Lord is my light" (solo).
" Ap[ril], 1793." "Composed for the
General Fast. The words chosen by
the Bishop of London." f. 147b.
Additional 17860, f. 121.
Paper ; a.d. 1789. Oblong folio. Belonged to the Rev. J. W. Dodd in 1795.
The earlier part of the MS. contains " The Judgment of Paris," described under
Operas.
" Hearken unto me " : solo Anthem, with accompaniment for
oboes, strings, and organ, in full score, by Dr. [Maurice] Greene.
Additional 31706.
Paper; ff . 18. a.d. 1791. Folio.
" Awake, awake, put on thy strength " : verse Anthem for 4 voices,
with accompaniment for organ, in score, by William Jackson [of
Exeter]. Autograph. At ff. 13 and 16 are two copies of the 1st and
2nd treble parts.
Additional 30392, ff. 19b-78 passim.
Paper ; a.d. 1791, 1794. Quarto. At the beginning are diagrams showing the
height of the spire of St. Mary's [Oxford], sent to W. Crotch by Mrs. Digby Mack-
worth. Belonged to the Crotch family until 1877. The MS. also contains Canons
70 VOCAL MUSrC— SACRED.
(sacred and secular), a sacred Cantata (1790), Chamber music (a Sextet), Chants,
a Chorus (1790-1), Organ music (1790-1), Pianoforte music (1795), part of a
Service (1790), parts of String Quartets (1790), and parts of Treatises (1794), all
described elsewhere.
Fragments of Anthems, forming part of a sketch-book of compo-
sitions by Dr. William Crotch.
1. "How sweet are thy words," for 3 voices. Teu bars only. At the beginning
is written " Glee Dr. Harrington — s. h." This composition does not appear in
any of the collections of vocal music by Dr. Henry Harrington, of Bath, though
some of them contain " glees " with sacred words. The initials s. h. occur again
on ff. 40, and 41, and also in combination with Crotch's on f. 22b, apparently
during a visit to Bath in the autumn of 1791 (see ff. 20b, 39b, etc.). f. 19b.
2. " God is our hope," for solo voices and 4-part chorus, with a bass for the organ,
in score. "May 1st, 1791." The anthem, as far as f. 37, corresponds with the
published edition, but the concluding duet and chorus are quite different,
f. 30b.
3. Sketch of the anthem " My God, my God, look upon me." " 12 March, '94."
Afterwards published with no. 2 in Ten Anthems. f. 4Gb.
4. Sketch of an anthem, "O sing unto the Lord a new song [all the whole
earth]," for solo voices and 5-part chorus, with accompaniments for flutes,
bassoons and strings, in score. "22nd March, 1794, Oxford." ff . 54b-78.
Additional 27753, f. 3.
Paper ; a.d. 1794. Oblong folio. Bequeathed by Sir George T. Smart in 18G7.
The MS. also contains an Organ Solo and a Service (late 18th cent.) by the same
composer, described elsewhere.
" Put me not to rebuke " : full Anthem for Ash Wednesday, with
figured bass, in score. By Dr. T[homas] S[anders] D[upuis]. " Feby,
1794." Autograph.
Additional 32584, ff. 55-1 02b.
Paper; a.d. 1794-1799. Folio and quarto. The MS. also contains Services, a
Duet, and a Song, by the same composer, all described elsewhere.
Anthems by William Jackson [of Exeter]. Autograph. Unless
the contrary is stated, they are for solo voice, with 4-part chorus and
accompaniment for organ, in score.
1. "Praise the Lord, O my soul, while | the latter autograph, ff . 71-83b.
Hive." "1794." f.55. ! 5. " Blow ye the trumpet." "1799."
2. "O be joyful in the Lord, all ye , Imperfect in the middle (after f. 85b) .
lands." "1796." Organ score, f . 59. f. 84.
3. "There shall be signs in the sun." { G. "I look'd, and behold a door" ; pre-
"1796." With 5-part chorus, f. 65. ceded (at f. 89) by the organ part.
4. A later setting of the above (about Apparently composed circ. 1798 (see
1799). Duplicate copies of the chorus watermark), f. 95.
parts, and one of the bass solo part,
ANTHEMS. 77
Additional 27757.
Paper; ff. 52. a.d. 1795. Bequeathed by Sir George T. Smart in 1867.
Quarto.
" Blessed are all they that fear the Lord " : Anthem, in full score,
"compos'd for the Ceremony of the Marriage of His R.H. the Prince
of Wales, 1795," by Dr. Thomas Sanders Dupuis. Autograph.
Additional 27752, f. 8b.
Paper; after 1796. Quarto. For a fuller description of the MS., see under
Services.
" Hymn composed for the Anniversary of the ' Royal Cumberland '
School, 1796," by Dr. Thomas Sanders Dupuis. It consists of a solo,
" Great Lord of all things," followed by a duet and a " Hallelujah" for
solo and chorus.
Additional 12532, ff. 70b, 74, 78.
Paper; 18th cent. Quarto. For a further description of the MS., see under
Madrigals.
Three sacred compositions, in score, by William Byrd, from Psalms,
So?igs, and Sonnets, 1611.
1. "Let not the sluggish sleep" (4
voices). f.70b.
2. "Sing ye to our Lord" (3 voices).
f. 74.
3. " I have been young, but now am
old" (do.), f. 78.
Additional 17818.
Paper ; ff. 63. 18th cent. Folio. Belonged successively to Thomas Champnes,
N. Steele (1782), Dr. Arnold, William Kussell (1803-1813), and Vincent Novello,
who presented it in 1849.
Several collections of Anthems, in score, mostly printed.
1. " Harmonia Sacra or Select Anthems .... for one, two, and three voices
. . . . by . . . Henry Purcell. London. Printed for I.Walsh," [1730?].
ff . 3-20b.
a. "Blessed is he that considereth the
poor" (3 voices), f. 4.
b. "I was glad when they said unto
me " (solo) ; with the treble part of
the chorus filled in by hand, f . 6b.
c. "0 give thanks unto the Lord, for
he is gracious" (verse anthem), f. 9.
2. " Six select Anthems . . for two and three voices, with a Thorough Bass for
the Harpsichord or Organ London. Printed for W. Randall," [1770].
ff. 21-47.
d. "My song shall be alway" (solo);
with symphony for instruments.
f. 13.
e. "Thy way, O God, is holy " (2 voices),
f. 16.
f. "They that go down to the sea"
(solo), f. 18b.
a. " Behold, I bring you glad tidings "
(solo). " Henry Purcell." f . 22b.
b. "Blessed is the people, 0 Lord" (3
voices). "Dr. Croft." f.26b.
c. " I will love thee, O Lord, my
strength" (2 voices). "Jer. Clark."
f. 31b.
d. "The Lord is my strength and my
78
VOCAL MUSIC— SACRED.
song" (solo). By the same. f. 35b.
e. "Lord, how are they encreased" (2
voices). "Dr. Blow." f . 40.
f. "Deliver us, 0 Lord, our God" (3
voices). "Dr. Croft." f . 44.
3. "Two Anthems .... sung at St. Paul's Cathedral. Composed by Mr.
Jonathan Battishill. London. Printed for C. and S. Thompson," [1765?].
f.48.
a. " Call to remembrance, 0 Lord " (for
5 and 7 voices), f. 49b.
b. "How long wilt thou forget me"
(solo), f. 54.
4. "Be merciful unto me, 0 God" (for 3 voices). "H. Purcell." In manuscript.
Late 18th cent. f. 58.
Additional 17819, passim.
Paper; 18th cent. Folio. The MS. belonged successively to Richard Guise,
Bartlemau, John Watts (1822), and Vincent Novello (1828-1849), the last of whom
evidently made use of it for his edition of Purcell's Sacred Music.
A collection of Anthems and Services, in score. The Anthems,
of which nos. 1-7 are printed, forming the second collection of Divine
Harmony, published by J. Walsh [1730?], are as follows: —
1. "Turn Thee unto me, 0 Lord " (solo
anthem). "Dr. Blow." f . 3b.
2. "0 be joyfull in God, all ye lands"
(solo anthem). " Jere. Clark." f . 5b.
3. "The Lord is full of compassion"
(verse). By the same, f . 8.
4. "How long wilt thou forget me"
(solo anthem). By the same. f. lib.
5. "0 praise the Lord, laud ye the
name" (solo anthem). "Dr. Pe-
pusch." f. 13b.
G. "Blessed are those that are unde-
nted" (solo anthem). "Norris."
f. 15b.
7. "0 Lord, how glorious are thy
works" (solo anthem). "Gold win."
f. 17b.
8. "The Lord is my Light" (verse
anthem). " Dr. Wm. Boyce." f. 35.
9. "I have set God always before me "
(solo). By the same. f. 39b.
10. "0 sing unto the Lord a new song "
(solo anthem). " John Church." f. 43.
11. "0 love the Lord, all ye his saints."
"Goldwin." f. 47.
12. "0 Lord our Governor" (solo an-
them). By Purcell. f. 49.
13. " Hear me, 0 Lord, and that soon "
(verse, with 5-part chorus). " H. P[ur-
cell]." f. 54b.
14. "Save me, 0 God, for thy Names
sake " (5 voices). By the same. f. 58b.
15. "Lord, how long wilt thou be
angry " (5 voices). By the same. f. 61.
16. "Remember not, Lord, our offen-
ces " (5 voices). By the same. f. 63b.
17. "0 Lord God of hosts" (8 voices).
By the same. f. 65.
18. "0 praise God in his holiness"
(verse anthem). By the same. f. 71.
19. "In thee, 0 Lord, do I put my
trust " (verse anthem). By the same.
£.76.
20. "The Lord is my light and my
salvation" (3 voices). By the same,
f. 80b.
21. "My heart is fixed, 0 God" (3
voices). By the same. f. 84b.
22. "0 sing unto the Lord a new song "
(solo anthem). By the same. f. 88b.
23. "Rejoice in the Lord alway " (the
"Bell" anthem, without accompani-
ments). By the same. f. 94.
24. "Ponder my words, 0 Lord" (solo
anthem). " Dr. John Blow." f. 96.
25. "Be merciful unto me, 0 God"
(3 voices). "Purcell." f.99b.
26. "They that go down to the sea"
(solo anthem). By the same. f. 105b.
27. "0 God, thou art my God." By
the same. f. 110b.
28. "0 God, thou hast cast us out " (6
voices). By the same. f. 114.
29. "Behold, I bring you glad tidings "
(solo anthem). By the same. f. 138b.
ANTHEMS.
Additional 17820.
Paper; 18th cent. Folio. Belonged to B. Yarnold, John Buswell, Mus. Doc,
— Bussell of Deptford, and Vincent Novello (1829-1849).
Anthems and Services, in score. The Anthems are : —
1. "They that go down to the sea"
(solo anthem). "Purcell." f. 36b.
2. " Like as the hart desires the water-
brooks " (verse). " P. Humphreys."
f. 40b.
3. "0 Thou God Almighty, Father of
all mercy" (5 voices). "Edmund
Hooper." f. 44.
4. "I will give thanks unto thee, 0
Lord, with my whole heart " (verse).
"Thanksgiving Anthem for the vic-
tory at Blenheim, 1704 . . . Dr.
William Croft." f. 46.
5. "Wherewithal shall a young man"
(verse anthem). "William Tucker."
f. 59.
6. "0 give thanks unto the Lord, for
he " (solo anthem). By the same,
f. 61.
7. "Teach me, 0 Lord, the way of thy
Statutes" (verse anthem). "Dr.
Christopher Gibbons." f. 62b.
8. " Call to remembrance." By Far-
rant. " Alter'd by Dr. Aldrich." f. 65.
9. "Sing we merily unto God our
strength" (6 voices). "Dr. Blow."
f. 67.
10. " Prepare ye the way of the Lord "
(verse anthem, with 5-part chorus).
" Michael Wise." f. 71.
11. " Blessed is he that considereth the
poor" (verse anthem). By the
same. f. 74.
12. "Christ rising again" (altus part
only). By the same, f . 76b.
13. "Lord, what is man" (verse an-
them). " Dr. Wm. Boyce." f . 79.
14. "The earth is the Lords" (for 3
basses). " Dr. Will. Cbild." f. 82.
15. " With all our hearts and mouths "
(5 voices). " Tho' Tallis." f. 85b.
16. "0 Lord, make thy servant (6
voices). "Will. Bird." f. 87b.
17. "Blessed be the Lord, my
strength " (solo anthem). " H.
Purcell." f. 90.
18 "Let God arise" (verse anthem).
By the same. f. 93.
19. "My beloved spake" (3 voices,
with symphonies). By the same.
f. 96.
20. " Lord, thou hast been our refuge "
(verse anthem). "Dr. Will"1 Turner."
f. 102b.
21. "I am the resurrection" (Funeral
Service). "Holmes." f. 105b.
22. "I am the Resurrection " (Funeral
Service). " Wauliss." 107b.
23. "Behold, how good and joyfull."
" Hutchenson." f. 109b.
24. "Save me, O God, for thy names
sake " (tenor and bass only).
" Will'" Bird." f. 111b.
25,26. "O Lord, thou hast searched
me" (solo anthems). "Dr. John
Blow." Two versions, ff . 116, 119b.
27. "O give thanks unto the Lord, for
he " (5 voices). " Giles." f. 122.
28. "I will magnifie thee, 0 Lord"
(solo, with 6-part chorus). By the
same. f. 125.
29. "Blessed be thy name, 0 God"
(5 voices). " Tho" Tallis." f. 128b.
30. " It is a good thing to give thanks "
(3 voices). "H. Purcell." f. 130.
31. " Hear my prayer, 0 God, and hide
not." Incomplete. By the same,
f . 134b.
32. "I will sing unto the Lord as long "
(5 voices). By the same. f. 139.
33. "How long wilt thou forget me"
(verse anthem). "Dr. Christopher
Gibbons." f. 142.
34. "Rejoice in the Lord, 0 ye righ-
teous " (solo anthem). " Dr. Maurice
Greene." f. 144.
35. "Turn thy face from my sin" (solo
anthem). By the same. f. 148b.
36. "Like as the hart desires" (solo
anthem). " Dr. Willm Boyce."
f. 151b.
37. "Lord, teach us to number our
days" (verse anthem). " Pel ham
Humphreys." f. 154b.
An Anthem appears to have been lust after f. 138.
80
VOCAL MUSIC— SACRED.
Additional 17840, passim.
Paper ; ff. 154. 18th cent. Folio. Bookplate of the " Rev'1. John Parker," hy
whom the index (f. 2h) was compiled. The MS. afterwards belonged to James
Bartleman, the singer, who has added many pencil notes, including some
important identifications. At his death, in 1821, it was acquired by Vincent
Novello, who presented it to the Museum in 1849. The MS. also contains
Services (q.v.) by Blow, Aldrich, and Purcell.
Anthems in score, viz. : —
1. "For Sion's sake" (verse anthem,
with 5-part chorus). " Adapted from
Carissimi by Aldrich." f. 3.
2. "0 pray for the peace of Jerusalem "
(verse anthem). By the same, from
the same. f. 5b.
3. " Behold, in heav'n " (verse anthem).
By the same, from the same. f. 8.
4. "'Haste Thee, O Lord" (verse an-
them for 2 voices, with G-part chorus).
By the same, from Carissimi's " Jeph-
thah." f. 10.
5. " 0 Lord, I have heard" (solo an-
them). By the same. f. 12.
G. ''Give the King thy Judgments"
(solo anthem). By the same. f. 15.
7. "Sing unto the Lord" (verse an-
them). " Orlando Gibbons." f . 17b.
8. " I waited patiently " (solo anthem).
"Aldrich." f . 20.
9. "How long wilt thou forget" (verse
anthem). " Chri. Gibbons." f. 23.
10. "Thy beauty, O Israel" (verse
anthem). " Mic. Wise, with addi-
tions by Dr. Aldrich." f. 24b.
11. "I will love the, O Lord" (solo
anthem). By Aldrich. f. 27.
12. "My song shall be" (solo anthem,
with symphonies). By Purcell. f. 30.
13. "Like as the hart " (verse anthem).
By P. Humfreys (name in pencil),
f. 33b.
14. "Oh how amiable" (verse anthem,
with 5-part chorus). Adapted by
Aldrich. f. 35.
15. "I will love thee, O Lord" (solo
anthem). "Bartholomew Isaack."
f.37.
10. '• The Lord is King" (solo anthem).
By Aldrich. f. 39b.
17. " I will exalt thee" (verse anthem,
with strings). Anonymous, f. 41.
18. •'Comfort yec" (solo anthem).
By Aldrich. f. 43b.
19. "God is our hope" (for 5 voices.)
[By the same.] f. 46b.
20. "Praise the Lord, O yee his ser-
vants" (solo anthem, with 5-part
chorus). Attributed by Bartlemau
to Vaughan Richardson, but probably
by Dr. Aldrich (see Add. 22099, f. 83).
f.48.
21. "Hide not Thou thy face" (for 5
voices). Adapted by Aldrich from
R. Farrant. f . 50b.
22. "0 praise the Lord, ah yee
heathen." By Aldrich. f. 51b.
23. "I was in the Spirit" (verse an-
them). Adapted by Aldrich from
Dr. Blow's anthem, "And I heard a
great voice." f. 52.
24. "I am well pleased" (verse an-
them). By Aldrich, from Carissimi.
f. 54b.
25. " Behold now, praise the Lord " (for
5 voices). " Aldrich" (adapted), f. 57.
26. "Awake, put on thy strength"
(verse anthem). "Wise." f. 58b.
27. "Open me the gates of righteous-
ness" (verse anthem). By the
same. f. 01.
28. "The Lord is my light" (verso
anthem, with instrumental accom-
paniment). "Wm. Lawes." f. 63.
29. "We have heard." Aldrich, from
Palestrina (according to Bartleman).
f. 66.
30. "Hold not thy tongue." By the
same from the same. f. 68.
31. "Sing unto the Lord" (verse an-
them, with 5-part chorus). " Christo-
for Gibbons." f.69.
32. " The Lord said unto my Lord."
By the same. f. 71.
33. "O be joyfull." By P. Humfrcy.
f. 73.
34. "0 give thanks" (verse anthem).
"H. Purcell." £.76.
ANTHEMS.
81
35. " Bcjoyccin the Lord " (the " liell "
anthem). By the same. f. 103.
3G. "Lord, let me know my end"
(verbe anthem, with 5-part chorus).
" Matthew Lock." f. 10G.
37. "Be mercifull unto me, 0 God"
(verse anthem). ByH. Purcell. f. 109.
38. "In jury is God known" (solo
anthem). "W. N [orris]." f. 112.
3'J. "Blessed are those that are un-
defiled" (solo anthem). By the
same. f. 113b.
■10. "Behold, thou hast made" (solo
anthem, with 5-part chorus). "Or-
lando Gibbons." f. 116.
41. "Behold, how good and joyfull "
(verse anthem). "W.Norris." f. 118.
42. "The Lord is King" (verse an-
them). " Hn. Purcell." f. 122.
43. "The souls of the righteous " (verse
anthem). "Hn. Hall." f. 124b.
44. "0 Lord, my God, why hast thou
forsaken me " (solo anthem). " [P.]
Humphry." f. 127b.
45. "0 praise yc Lord, laud yc the
name" (solo anthem, with sym-
phonies). By the same. f. 130.
4G. "Be not wroth," generally sang to
the word!', "Bow thine car" (for 5
voices). " William Byrd." f. 133b.
47. " O Lord, grant the Queen" (" The
King " in Harl. 7339, f. 140b). For 5
voices. By Aldrich. f. 135b.
48. " Blessed be the Lord, my strength "
(solo anthem). " H. Hall." f. 139.
49. "O Lord, thou hast searched me "
(solo anthem). "Blow." f. 141b.
50. "Have mercy upon me, 0 God"
(verse anthem). "Humphries." f. 144.
51. "0 Lord, I have sinned" (verse
anthem). "Blow." f. 14Gb.
52. "Hast thee, 0 God" (verse an-
them). " Pelham Humphris." f. 149.
53. "I will love thee" (verse anthem,
with ritournelles). "Je. Clarke."
f. 152.
Additional 17842.
Paper; jS. 145. 18th cent. Quarto. "Purchased from the collection of
W" Scroggs Esq'" by Thomas Bever, LL.D., Fellow of All Souls Coll., Oxford
(whose bookplate it bears), in 1777, and presented to the Museum by Vincent
Novello, in 1849.
score, copied by Dr. William Walond, of Oxford
Anthems in
(see f. 1).
1. "God is gone up" (full anthem,
with parts for 6 solo voices). " Croft."
f.3.
2. "All people that on earth do dwell."
"Tallis." f. 9.
3. "Be not wrath very sore" (in 5
parts). "Bird." Similar to "Bow
Thine Ear " (Harley 7337, f. GO), but
with variations, f. 11.
4. "We have heard with our ears."
" Adapted by Dr. Aldrich from Pal-
lastrini and Carissimi." f. 14.
5. "God is our hope" (in 5 parts).
"Aldrich." f. 18.
G. " 0 God, thou art my God." ' ' Pur-
cell." f. 23b.
7. " 0 God, thou hast cast us out " (in
G parts). " Hen. Purcell." f. 27b.
8. " Behold now, praise the Lord" (in
5 parts). Adapted by "Aldiich."
f.33b.
9. " Why art thou so vexed." By Aid-
rich, from Palestrina. f. 37.
10. "My heart is fixt." By Aldrich,
from Palestrina. f. 40.
11. "The Eye of the Lord." By Aid-
rich, from Palestrina. f. 43.
12. "I call and cry" (in 5 parts).
"•Tallis." f.46b.
13. "With all our hearts" (in 5 parts).
By Tallis. f. 50b.
14. "I look for the Lord " (in 5 parts).
Adapted by Aldrich. f. 53b.
15. " I will magnifie thee, 0 God" (in
5 parts). Anonymous, f . 56b.
16. "0 Lord, rebuke me not" (in 5
parts). " Husbands," from R. White
(see Add. 22597, f. 3), but with other
words, f. GOb.
17. "0 God, the king of Glory." By
Aldrich, from Palestrina. f. 61.
18. "0 sing unto the Lord" (verse
82
VOCAL MUSIC— SACKED.
anthem for 1, 2, and 3 voices).
"Croft." f.G6b.
19. "I will give thanks" (verse an-
them for solo and 3 voices, with
8-part chorus). By the same. f. 75b.
20. "Put me not to rebuke." By the
same. f. 89.
21. "I will love thee" (verse anthem
for 2 voices and solo). " Je. Clarke."
f. 94b.
22. "Sing unto the Lord" (verse an-
them for 3 voices and solo). " Croft."
f. 101.
23. "We will rejoyce in thy salvation "
(in 5 parts). By the same. f. 110b.
24. "0 Lord, rebuke me not" (in G
parts). By the same. f. 118b.
25. "I am the resurrection." " Tho'
Morley." f. 126.
2G. "I will alway give thanks."
"Croft." f.l32b.
Additional 17861.
Paper; ft. 128. 18th cent. Oblong folio. Belonged to Dr. S.
W. Russell (1803), George Gwilt (1848), and Vincent Novello (1849).
Arnold,
Anthems, in score, viz. : —
1. "0 God, thou hast cast us out"
(verse anthem). " Maurice Greene."
" Compos'd for the Fast Day. Dec.
18,1745." Autograph, f. 3.
2. "Give yc King thy judgments"
(verse anthem, with 5-part chorus).
"W. C[roft]. July ye 13"', 1727."
Autograph, f. 10.
3. "Praise the Lord, 0 my soul, while
I live" (solo anthem). "Maurice
Greene." Autograph, f. 19.
4. "Hear, 0 Lord, and have mercy"
(verse anthem). " Dr Greene,
written by Mr. S. Porter, his pupil."
f. 24.
5. "Hear my crying, 0 God" (solo
anthem). By Dr. Boyce. Autograph.
f. 31. With a copy, f. 94.
6. "0 Lord, look down from Heaven"
(verse anthem). By Dr. Greene (?).
Autograph, f. 40.
7. " 0 sing unto the Lord a new song "
(verse anthem). By the same.
Autograph, f . 46.
8. "0 praise the Lord of Heaven."
By the same. Autograph, i. 54.
9. "I will alway give thanks unto the
Lord" (verse anthem). By the
same. Axitograph. ff . 62-67b.
10. " Teach me, 0 Lord " (the last page
only). By Dr. Boyce. f. 72.
11. "I will magnifie thee, 0 God"
(solo anthem). By the same. f. 72b.
12. "The Lord is full of compassion"
(last page only). By the same. f. 80.
13. " Give unto the Lord, 0 ye mighty ' '
(solo anthem). By the same(?).
f. 80b.
14. "I cried unto the Lord with my
voice" (verse anthem). By the
same. f. 87.
15. "0 be joyfull in God" (first page
only). Anonymous, f . 93b.
1G. "How long wilt thou forget me"
(verse anthem, with 5-part chorus).
By Dr. Boyce (?). f. 102.
17. "Lord, what is man" (verse an-
them). By the same. Imperfect at
the end. f. 108.
18. "The Lord is king" (last page
only). By the same (?). f. 110.
19. "I will alway give thanks" (solo
anthem). By Greene. Different
from no. 9. f. 110b.
20. "0 give thanks unto the Lord"
(first and last pages only), for 8 voices.
Anonymous, f. 117b.
21. "Like as the hart" (solo anthem).
Imperfect at the end. By Dr. Boyce.
f.H8b.
22. "Lord, teach us to number our
days " (solo anthem). " Dr. Boyce."
Autograph. (The concluding chorus
is in a different hand. The original
MS. will be found at ff. G8b-71b.)
f. 121.
ANTHEMS. 83
Additional 23626, passim.
Paper; 18th cent. Quarto. For a further description of the MS., see under
Madrigals.
Sacred vocal compositions, in score, by William Bird. Nos. 1-7
are for 3 voices.
1. "Lord, in thy rage." f.3.
2. " Right blest are they." f. 4.
3. " Lord, in thy wrath." f. 5b.
4. " 0 God, which art most mercifull."
f. 7.
5. " Lord, hear my prayer." f. 8b.
6. " From depth of sin." f. 9b.
7. "Attend mine humble prayer."
f. 10b.
8. " 0 Lord my God " (a 4). f. 40b.
9. "Behold, how good a thing it is,"
in two parts (a 6). f. 85.
10. "Unto the hills mine eyes I lift"
(a 6). f.107.
11. "Christ rising," in two parts (a 6).
f. 112b.
Additional 24294.
Paper ; ff . 44. 18th cent. Quarto. Bookplate, with arms, of Messrs. Sharp,
of Old Jewry, from whom the volume appears to have passed into the hands of
Dr. H. Gauntlett (1861).
" Hear my prayer, O God, and hide not thyself" : Anthem for solo
and chorus, with accompaniments for strings and organ, by the Revd.
Phocion Henley.
Additional 28810.
Paper; ft". 4. 18th cent. Oblong octavo.
" Put me not to rebuke, 0 Lord " : verse Anthem, " Alter'd from
Dr Greene, meerly to perpetuate the fine verse ' I go mourning,'
the 4-part Anthem being never us'd. Per J. N[ares]." Autograph.
Additional 28967.
Paper ; S. 57. 18th cent. Quarto. Belonged to William Felton, Vincent
Novello (1847) and Joseph Warren (1862).
"Blessed is he that considereth the poor": full Anthem for four
voices, in full score, by Dr. William Boyce. Autograph. Said to have
been composed for the Festival of the Sons of the Clergy.
Additional 28968.
Paper ; ff. 41. 18th cent. Quarto.
" Have mercy upon me, O God, after thy great goodness " : Chandos
Anthem, No. 4, for solo voices and 3-part chorus, with symphony and
accompaniments for strings and oboes, in score, by Handel. Stated
by Joseph Warren (f. 1) to be in Smith's handwriting, i.e. John
Christopher Smith, the elder
84 VOCAL MUSIC- SACRED.
Additional 29417-29426.
Paper; 18th cent. Oblong quarto.
Ten of the Chandos Anthems, by Handel. The abbreviations used
below refer to the numbers assigned to the Anthems or " Psalmen "
in the Hiindel-Gesellsehaft's edition of these works, and in that of Dr.
Arnold. Any variations from these two editions are indicated. The
Chandos " Te Deum " (Add. 29416) is in the same hand. All the
Anthems, except where the contrary is stated, are for solo voices and
4-part chorus, with accompaniments for two violins, oboe, double bass
and organ, in score.
29417. Vol. i (ff.27). 1. "I will magnifie thee, 0 God, my king," with 3-part
chorus (Am. 1 ; H.-G. v"). The solos which in the Arnold and Hiindel-Gesell-
schaft editions precede and follow the tenor air, " The Lord preserveth all them
that love him," are omitted.
29418. Vol. ii (ff. 38). 2. " Let God arise," with a part for violoncello and bassoon
(Arn. 3, but without the bass air, " Like as the smoke," and the alto air, " Like
as wax " ; H.-G. xi").
29419. Vol. iii (ff. 29). 3. "Have mercy upon me, 0 God," with 3-part chorus
(Arn. 4 ; H.-G. iii).
29420. Vol. iv (ff. 54). 4. " 0 come, let us sing" (Arn. 5 ; H.-G. viii).
29421. Vol. v (ff . 24). 5. " 0 sing unto the Lord," with 3-part chorus, and part for
violoncello and bassoon (Arn. 6 ; H.-G. iv).
29422. Vol. vi (ff. 33). 6. " My song shall be alway " (omitting the trio for treble,
tenor, and bass, which is published in Arn. 7 and H.-G. vii).
29423. Vol. vii (ff. 30). 7. "As pants the Heart (sic)," with 3-part chorus and
violoncello part (Arn. 8 : H.-G. vi").
29424. Vol. viii (ff . 59). 8. " The Lord is my light " (Arn. 9 ; H.-G. x).
29425. Vol. ix (ff. 38). 9. "In the Lord put I my trust," with 3-part chorus
(Arn. 10; H.-G. ii).
29426. Vol. x (ff. 46). 10. "0 praise the Lord with one consent" (Arn. 11;
H.-G. ix).
Additional 29998, ff. 29b-51.
Paper; 18th cent. Folio. The MS. belonged to Thomas Barnard, who
appears to have been the transcriber. It contains also the later version of
Handel's "Te Deum" in B flat (see under Services).
" Let God arise " : Anthem for solo voices and 6-part chorus, with
accompaniments for two violins, viola, oboe, and bassoon and double
bass (violoncello in the Hiindel-Gesellsehaft's edition), in full score.
Published by Arnold as Chandos Anthem, No. 2, but really an
arrangement for the King's Chapel of No. 3 of that series. Anthem
XP in the Hiindel-Gesellsehaft's edition.
Additional 31210, ff. 83-121.
Paper ; 18th cent. Quarto. The MS. also contains Services by Charles King,
described elsewhere.
Anthems, with a ligured bass, in score, by Charles King, Mus. Lac.
ANTHEMS.
85
Probably copied from the originals (see f. 2Gb), after the composer's
death.
1. " 0 give thanks unto the Lord, for
he" (verse anthem), f . 83.
2. "The Lord is my Shepherd" (verse
anthem), f. 90b.
3. "Lord, remember David" (full an-
them). f.98b.
4. "Turn thou thy face from my sins "
(full anthem), f. 105.
5. "Unto thee, 0 Lord, will I lift up"
(full anthem), f. 110.
6. "As pants the hart" (full anthem).
f. 113.
7. " 0 pray for the peace of Jerusalem "
(full anthem), f. 116b.
Additional 31226, ff. 65b-100b paaaim.
Paper ; 18th cent. Oblong quarto. The MS. also contains a few Motets,
Masses and Services in the same hand, and Italian Songs, described elsewhere.
Anthems in score, viz. : —
1. "Lord, thou hast commanded" 3. "0 mercyfull Father, we beseche
(with figured bass). " Barick Bull- thee" (with figured bass). " Feryng."
man." f. 65b. f. 93b.
2. "0 God, for thy Names sake." 4. "When Jesus went" (5 voices).
" John Franctynge." f.88b. " Tho" Tallis." f. 100b.
Additional 31404, ff. 80-96.
Paper ; 18th cent. Belonged in 1783 to E. S. Biggs, of Cambridge. Oblong
folio. For the rest of the MS., see under Services.
Organ-part of a collection of Services and Anthems. The latter
(reversing the volume) are : —
1. " Praise the Lord, O my soul " (full | (verse anthem). "Crofts." f. 89.
anthem). "Child." f. 96b. | 7. "We have heard with our ears"
2. "O give thanks" (full anthem).
"Tucker." f. 95b.
3. "Awake up, my Glory" (verse an-
them). "Wise." f.94b.
4. " I was glad " (verse anthem).
"Purcell." f.93b.
5. "Out of the deep" (full anthem).
"Aldrich." f . 90b.
0. " O praise the Lord, all yee Heathen "
(full anthem). By Aldrich, from
Palestrina. f. 87b.
8. "I will magnifie" (verse anthem).
"Tucker." f. 85b.
9. " We will rejoyce." " Crofts."
f. 83.
10. "O praise ye the Lord, all yee
heathen." " Dr. Aldrich." f. 80b.
Additional 31557.
Paper; ff . 73. 18th cent. Quarto. Belonged to Thomas Clarke. The MS.
contains many notes by Rophino Lacy, who declares certain alterations on ff. 6,
24, 25 and 37 to be in the composer's hand.
Two settings of the anthem " As pants the hart," in full score, by
Handel.
1. For solo voices and 6-part chorus, with symphony and accompaniments for
oboe, two violins, viola, violoncello, and organ with double bass in unison, in
the hand of J. Christopher Smith, tho elder. This arrangement differs from
86
VOCAL MUSIC— SACRED.
all the four published by the Handel-Gesellschaft, but most nearly resembles
those numbered vib and vid. It consists of a Sinfonia in D minor (f . 3) ; a
quintet (Messrs. Hughs, Bell, Getting, Whely and Baker) with 6-part chorus,
" As pants the hart " (f. 6) ; an alto solo, "Tears are my daly food " (f. 13) ; a bass
solo, "Now when I think thereupon " (f. 15b) ; " Iu the voice of praise " for solo
voices and 4-part chorus in unison (f. 16b) ; an alto and tenor duet, "Why so
full of grief" (f. 22b); and a bass solo with 4-part chorus, "Put thy trust in
God " (f. 26).
2. For solo voices and 3-part chorus, with "sonata" and accompaniments for
two violins, oboe, violoncello and bassoon, double bass and organ, being the
original setting of Chandos Anthem No. 8 (H.-G. vi"). f . 32.
Additional 31558.
Paper; ft. 44. 18th cent. Oblong quarto.
"My song shall be alway " : Chandos Anthem, in full score,
published by Arnold and the Hiindel-Gesellschaft as No. 7, with this
difference, that the trio, " Thou rulest the raging of the sea," is here
omitted. At the top of f. 1 is written the name " Green," which has
been crossed out, and that of Handel substituted in pencil.
Additional 31559, ff. 1, 21.
Paper; 18th cent. Large folio. The MS. also contains some Services by
Blow and a Mass by Lully, described elsewhere.
Two of the Chandos Anthems, in full score, by Handel, transcribed
by John Christopher Smith, the elder.
1. "As pants the hart": the original
version as published by Arnold (No.
8), for solo voices and 3-part chorus,
with symphony and accompaniments
for 2 violins, oboe, violoncello, and
organ in unison with violoncello
grosso (i.e. double bass), f. 1.
2. "My song shall be allway " : the
same version of Chandos Anthem
No. 7 as in Add. 31558 (q.v.). f. 21.
Additional 31605, f . 45b.
Paper; 18th cent. Oblong folio. For a list of tha contents of the MS., see
under Operas.
" Lord of all power and might," for 4 voices, in compressed score,
by Rev'1 [William] Mason. Imperfect at the end.
Additional 31694.
Paper; ff . 45. 18th cent. Quarto. Belonged to "The Musick Clubb of
Glocester."
" Sing we merrily unto God our strength " : Anthem, with accom-
paniments for trumpets, oboes, violins, violoncello, contra-basso, organ
and bassoons, in full score, by Dr. John Alcock.
ANTHEMS. 87
Additional 31721.
Paper ; ff . 20. 18th cent. Quarto.
" Call to remembrance " : Anthem for 2 cantos and 4-part chorus,
with accompaniment for the organ, in score, followed (f. 11) by the 2nd
canto solo part, and the chorus parts in duplicate, by Dr. [B.] Cooke.
Apparently autograph.
Additional 31820, ff. 7-61.
Paper; 18th cent. Oblong folio. The MS. also contains some early 19th
cent, copies of Anthems, described below.
Verse Anthems, in parts, by [John] Scheeles or Sheeles.
Autograph (?).
1. " 0 come, let us sing unto the Lord."
f.7.
2. " Hear, 0 thou Shepherd." f.20.
3. "OLord, thou hast searched me."
£.43.
Additional 31822, f. 4.
Paper; 18th cent. Folio. For a description of the MS., see below (p. 9G).
Words of an Anthem, " My song shall be always of the loving-
kindness of the Lord."
Additional 33351, ff. 17, 30.
Paper; 18th cent. Oblong octavo. For the rest of the MS., see under
Songs.
The melody of the national Anthem, to the words " God save
great George our King." Seven verses, of which the last four, beg.
"Fame, let thy trumpet sound," are repeated on f. 30.
Additional 34289.
Paper ; ff . 49. 18th cent. Quarto. Bookplate of Messrs. Sharp.
Twenty Anthems for two trebles and a bass, in score, by Dr.
William Child, being The first set of Psalms of in voi/ces . . . with a
continual basse, either for the Organ or Theorbo, published by the com-
poser in 1639.
1. "Blessed is the man that hath not j 7. "OLord, my God, in thee have 1
walked." f. 3. put my trust." f. 19.
2. " Why doth ye Heathen so furiously
rage." f. 6.
3. "Lord, how are they increased."
f. 8.
4. " Heare me when I call." f. 12.
5. " Ponder my words, 0 Lord." f. 14b.
8. " 0 Lord our Governour." f. 21b.
9. " I will give thanks unto the (sic), O
Lord, with my whole heart." f. 23b.
10. "Why standest thou so farr off."
f.25b.
11. "In the Lord put I my trust."
G. " 0 Lord, rebuke me not." f. 17. f. 27b.
H
88
VOCAL MUSIC— SACRED.
12. " Helpe me, Lord, for there is not
one." f. 29b.
13. "How long wilt thou forget me, 0
Lord." f. 31b.
14. " The foole hath said in his heart."
f. 32b.
15. "Lord, who shall dwel in thy
Tabernacle." f. 34.
10. "Preserve me, 0 God, for in thee
have I put." f. 3G.
17. "0 that the salvation were given
unto Israeli." f. 38b.
18. "Save mee, 0 God, for thy name
sake." £.41.
19. " 0 that my wayes." f. 43b.
20. "Praise ye (sic) y° Lord, 0 my
soule." f.46b.
Additional 17839, ff. 28b-259.
Paper ; late 18th century. Large folio. Belonged to Samuel Picart, prebendary
of Hereford ; R. Underwood, solicitor, of Hereford ; G. Townshend Smith, organist
cf Hereford Cathedral ; Robert Kanzow Bowley, librarian to the Sacred Harmonic
Society; and (1848-9) Vincent Novello (see letters at the beginning). At f. 18 is
one of Blow's Services, described elsewhere.
Anthems, many of them with symphonies, etc., for organ or
strings, in score, by Dr. John Blow, transcribed by Dr. Philip Hayes.
1. "Hear my voice, 0 God." f. 28b.
2. "Arise, 0 Lord, into thy resting
place." f. 37b.
3. "I said in the cutting off of my
days" (solo anthem), f. 45b.
4. "The Kings of Tharsis" (verse an-
them), f. 52b.
5. "When the Lord turned again"
(verse anthem), f. 57.
G. "Ascribe unto the Lord" (solo an-
them, with G-part chorus), f. 65b.
7. "I was glad" (G voices). "Com-
posed ... for a general Thanksgiving
. . . Dec', 1G94." In full score,
f. 78b.
8. " 0 sing unto the Lord a new song
all " (G voices), f. 95.
9. "I waited patiently" (verse an-
them), f. 10Gb.
10. "Jesus seeing the multitude"
(verse anthem, with 5-part chorus).
f. 113.
11. "Behold, how good and joyful"
(verse anthem), f. 120b.
12. "0 Lord God of my salvation" (8
voices), f. 124.
13. "Lord, how arc they increased"
(verso anthem), f. 131.
14. " Blessed is the man that hath not
walked " (verse anthem), f. 136b.
15. "Christ being raised" (verse an-
them), f. 148b.
16. "I beheld, and lo in the midst"
(verse anthem), f. 152b.
17. " The Lord is my shepherd " (verse
anthem), f. 162b.
18. " When Israel came out of Egypt "
(verse anthem), f. 183b.
19. "Man that is born of a woman"
(verse anthem), f. 209b.
20. " We will rejoice in thy salvation"
(verse anthem), f. 212b.
21. "0 how amiable are thy dwel-
lings " (verse anthem), f. 220.
22. " Blessed is the man that hath not
walked " (verse anthem). Composed
"July 27, 1706." Different from
no. 14. f. 224.
23. "God is our hope " (verse anthem).
f . 229b.
24. " And I heard a great voice of much
people" (verse anthem), f. 237b.
25. "Praise the Lord, ye servants"
f . 248b.
26. "Cry aloud and spare not" (verse
anthem), f.250.
ANTHEMS.
89
Additional 17843 and 17844, ff. 3-94.
Paper ; late 18th cent. Quarto. Purchased at Bartleman's sale by Vincent
Novello, and presented by him to the Museum in 1849. Vol. ii also contains some
Services, described elsewhere.
Anthems, with a bass, in score, by Dr. William Croft. The whole
of vol. i and part of vol. ii (ff. 3-59) are in the same hand.
17843. Vol. I (ff. 156).
1. "The souls of the Righteous " (verse
anthem). Composed "For the Fu-
neral of Queen Ann." f. 3.
2. " I will give thanks unto thee, 0
Lord" (verse anthem). "For the
Thanksgiving upon the victory at
Blenheim." f. 12b.
3. "God is gone up." f. 26b.
4. "Teach me, 0 Lord, the way of thy
statutes " (verse anthem), f. 33b.
5. "Give the King thy Judgments"
(verse anthem, with 5-part chorus).
f.40.
G. " O praise the Lord, all ye Heathen "
(verse anthem), f . 50.
7. " Deliver us, 0 Lord our God " (verse
anthem), f. 52b.
8. "The Lord is righteous" (verse an-
17844. Vol. II.
1. "Praise God in his Sanctuary"
(verse anthem). " Compos'd for the
openning of the organ at Fiuedon in
Northamptonshire, the gift of y°
Rev'' Sr. John Dolben Bar'." f. 3.
2. " I will lift up mine eyes." " Com-
posed for the Sons of the Clergy.
. . . 1713." f. 17.
3. "Offer the Sacrifice of Righteous-
ness" (verse anthem, with 8-part
chorus). Composed for the same,
f. 33.
4. " 0 come, let us sing unto the Lord "
them), f. 57b.
9. "0 Lord our Governour" (verse
anthem), f. 64.
10. "I waited patiently" (solo an-
them), f. 73b.
11. "My soul be joyful" (verse an-
them), f. 78b.
12. "0 give thanks unto the Lord and
call," with symphonies for strings.
Written " for the Thanksgiving upon
suppressing of the Rebellion at
Preston, 1715." f . 89b.
13. "The Lord is a Sun and a Shield,"
with instruments. In full score.
"Compos'd ... for the coronation
of . . . George 1"." f. 123b.
14. "Praise the Lord, 0 my soul"
(solo anthem), f. 147.
(verse anthem). The Hallelujah at
the end (f. 53) was. supplied by Vin-
cent Novello from a MS. belonging
to Mr. Shield, f. 4Gb.
5. "Blessed is the man, 0 Lord " (verse
anthem), f. 54.
6. "Be mercifull unto me, 0 God"
(verse anthem, with 7-part chorus).
f.GO.
7. " Put me not to rebuke." f. 7Gb.
8. " Praise the Lord, 0 my soul " (verse
anthem). Different from no. 14.
f . 84b.
Additional 17849, ff. 19-142.
Paper ; late 18th cent. Quarto. Purchased (the whole or the greater part)
at James Bartleman's death (1821) by Vincent Novello, and presented by him to
the Museum in 1849. There is an Evening Service by Croft, described elsewhere.
Anthems, by Dr. William Croft, in score, written in various
hands. Nos. 1-4 are in the same hand.
1. "0 Lord, thou art my God" (verse
anthem, with 5-part chorus), f. 19.
2. "The Lord is righteous" (verse
anthem), f. 33b.
90
VOCAL MUSIC— 8 ACRED.
3. " 0 praise the Lord, all ye heathen "
(verse anthem), f. 41.
4. "Great and marvellous are thy
works" (solo anthem), f. 44.
5. "Try me, 0 God " (6 voices), f. 49.
G. " Blessed be the Lord my strength "
(verse anthem, with 5-part chorus).
Sung at St. Paul's by Messrs. Barnes,
Elford, Church and Williams, on the
occasion of the Thanksgiving in
Dec. 1705. f. 62.
7. " I will lift up mine eyes." f. 85.
8. "Give the king Thy judgements" (5
At f. 48b is the beginning of a
"Galliard."
voices). " July y" 13th, 1727." Tran-
scribed from the original (now Add.
17861, f. 10). f.96.
9. "My soul, be joyful," with second
part, "0 put your trust in him."
ff . 107, 115b.
10. "This is the day which the Lord
hath made" (curtailed — with the
" Hallelujah " from no. 7 repeated at
the end). In the same hand as no. 5.
f.123.
11. "Blessed is the people, 0 Lord."
In the same hand as no. 9. f. 132.
full anthem, "I am well pleased," by
Additional 30309.
Paper; ff. 111. Late 18th cent. Folio. Bookplate, with arms, of Walter
Michael Moseley, of Glashampton.
Anthems, in score, by Handel, transcribed, at least as far as f. 41,
by Edmund Thomas Warren. The remainder were probably copied by
Warren at a rather later period. The first four are nos. 6, 4, 5, and
8, of the Chandos Anthems as published by Arnold. They are
written for solo voices and (unless the contrary is stated) 3-part chorus,
with symphony and accompaniments for strings, oboes, etc. The
numbers in brackets are those under which they are published in the
Handel-Gesellschaft's series.
1. "O sing unto the Lord a new song,
all the whole earth " (iv). f. 3.
2. " Have mercy upon me, 0 God, after
thy great goodness " (iii). f. 21.
3. " 0 come, let us sing unto the Lord,"
with 4-part chorus (viii). f. 42b.
4. "As pants the Hart " (vi»). f. 71.
5. "The King shall rejoice": the
"Dettingen" anthem, written for
solo voices and 5-part chorus, with ac-
companiments for trumpets, drums,
oboes, bassoons, strings, and organ, in
full score.
Additional 31399, f. 36.
Paper; late 18th cent. Oblong quarto. For the rest of the MS., see under
Motets.
" O Lord God, 0 God of our Salvation," for 5 voices, with a
figured bass, in score, said to be altered from a motet of Palestrina by
Dr. Aldrich.
Additional 31418.
Paper; ff . 70. Late 18th cent. Large quarto. Bookplate of Edmund T.
Warren Home.
" The Tears or Lamentations of a sorrowful soul . . . sett forth
by Sir William Leighton . . . 1614": a transcript (omitting the
treble viol and lute parts) by J. Stafford Smith and E. T. Warren
ANTHEMS.
91
Home of the published work, consisting of metrical Psalms or
Anthems in 4 or 5 parts, in score. Nos. 1-30 are for 4 voices, the
rest for 5.
1. "0 loving God and Father deere." I 2G. "I am quite tyred with my
" Sir Wm Leighton." f.2b. groanes." "Jn° Wilbye." f. 18.
2. " Come let us sing to God." By the ! 27. " What shall I render to the Lord."
same. f. 3.
3. "My soule doth long." By the
same. f. 3.
4. "In thee, 0 Lord, I put my trust."
By the same. f. 3b.
5. "Thou art my God, thy help's at
hand." By the same. f. 4.
G. "Almighty God, which hast me
brought." By the same. f. 4b.
7. "I cannot, Lord, excuse my sin."
By the same. f. 5.
8. "An heart thats broken." "Jos.
Dawland." f. 5b.
9. " OLord, thy names most excellent."
" Sir W"> Leighton." f. 6.
10. "Thou God of might." "John
Milton." f.6b.
11. "Yield unto God, the Lord."
"R.Johnson." f.7b.
12. "Almighty God, which hast me
brought." "Tho'Forde." f . 8.
13. "Alas that I offended ever." "E.
Hooper." f. 8b.
14. "0 God, to whom all hearts are
seen." " R. Kindersley." f. 9.
15. "Almighty Lord and God of love."
"Nat. Gyles." f.9b.
16. 'Tie lie me down to sleep."
" I. Cuperario." f. 10.
17. "Atend unto my tears, 0 Lord."
' ' D[octor John] Bull." f . 10b.
18. " Look downe, 0 Lord, on me poor
man." " Wm Byrde." f. 11.
19. "Hidden, 0 Lord, are my most
horrid sinnes." "Franc. Pilkington."
f. 12.
20. "O Lord, give ear to my com-
plaint." "Tho'Lupo." f. 13.
21. "Let thy salvation be my joy."
"Rob1 Jones." f. 14.
22. "0 God, that no time doest despise."
" Martin Pierson, M.B." f. 15.
23. "0 Lord, how doe my woes en-
crease." " Orlando Gibbons." f. 15b.
24. "Most mighty and all-knowing
Lord." " Thomas Weelkes." f.l6b.
25. "0 let me tread in the right path."
" John Warde." f. 17.
"Rob* Jones." f. 19.
28. " In thee, 0 Lord, I put my trust."
" Alfonso Ferabosco." f. 20.
29. "Be unto me, 0 Lord, a tow'r."
"Wm. Byrde." f . 20b.
30. "In the departure of the Lord."
••Dr. J- Bull." f. 22b.
31. "I laid me down to rest." " Wm.
Byrd." f. 23.
32. "Attend unto my tears, 0 Lord."
" Dr. J"' Bull." f. 26.
33. " 0 Lord, come pitty my distress."
" Alfonso Ferabosco." f. 26b.
34. "0 Lord, behold my miseries."
"J.Milton." f. 27.
35. "High mighty God of righteous-
ness." " Francis Pilkington." f. 31b.
36. "0 Lord, I lift my soul to thee."
" Orlando Gibbons." f . 33b.
37. "Well-spring of bounty." "Hooper."
f . 34b.
38. "The cause of death." "Tho'
Lupo." f . 35b.
39. "0 let me at thy footstoole fall."
"Martin Peerson." f. 37b.
40. "0 Lord, how do my woes en-
crease." " John Cuperario." f. 39b.
41. "0 happy bee, whom thou pro-
tectst." " Tho° Weelkes." f . 42.
42. "Out of the deep to thee I cry'd "
(not the same as the one in Add.
30478). " Nathaniel Gyles." f. 43b.
43. "Save me, 0 Lord, for righteous
men.
Robert Johnson." f. 44.
44. "Not unto us, but to thy name."
" Thos. Forde." f. 45b.
45. "Lord, ever bridle my desires."
" Martin Pearson." f. 47.
46. "Oh had I wings like to a dove."
" Jn° Milton." f. 49.
47. "Lament, lament, my soul doth
cry." "Rob1 Jones." f. 51.
48. "0 Lord, consider my great moans."
"John Ward." f. 53b.
49. "0 God, the rock of my whole
strength." "Jno Wilbye." f.55.
50. "I shame at my un worthiness."
"J^Douland, B.M." f. 57.
92
VOCAL MUSIC— SACRED.
51. "If that a sinners sighs." " Jno
Milton." f.59b.
52. "Judge them, O Lord, which me
pursue." " R. Kindersley." f. 62.
53. "Come, come, help me, 0 God."
"WmByrde." f. 64.
54. "0 Lord, come, pity my com-
plaint." " Timolphus Thopul." f.66b.
55. "In Death no man remembreth
thee." " Alfonso Ferabosco." f.69.
Additional 31670, ff. 2, 14, 34, 39.
Paper ; late 18th cent. Oblong folio. The MS. contains two other anthems,
dated 1811, etc. (see below) ; also Canons, a Mass, and Services of the end of the
18th cent., described elsewhere.
Anthems, in score (unless the
" 0 be joyful in God." Organ score,
tenor solo part, and drum part. " Dr.
Boyce." Mostly autograph. Belonged
to W. Felton, organist of Hereford,
and in 1844 to W. J. Porter, A.M.
ff. 2, 12, 13.
"Lord, thou hast been our refuge,"
solo anthem " compos'd for St.
George's Chapel at Windsor ... at
the instance of . . . Revd Dr Shep-
contrary is stated).
herd, Canon of Windsor and Plumian
Professor in the University of Cam-
bridge," by "J. Worgan, M.D., . . .
Richmond, 1782." f. 14.
3. " Lift up your heads, 0 ye Gates,"
solo anthem for Easter Day. By
T. S. Dupuis. Autograph, f. 34.
4. "Unto thee, 0 God, do we give
thanks," verse anthem. " Dr. Hayes."
Autograph (?). f. 38.
Additional 31714, Pt. I (ff. 5), Pt. II (ff. 11).
Paper; late 18th cent. Quarto and oblong folio. At the end of Pt. I there is
a Chant, described elsewhere.
" Teach me, O Lord, the way of thy Statutes " : solo Anthem, with
figured bass, in score, by Dr. [Thomas Sanders] Dupuis. Part I
contains the original manuscript ; Part II, a copy of the score, followed
by the 1st canto part with a bass, and the duet for 2 cantos ; and also
a treble chorus part.
Additional 34076, f. 14b.
Paper ; late 18th cent. Quarto. For a further description of the MS., see
under Songs.
" Blessed be the Lord my strength " : solo Anthem, with figured
bass, in score. " Sung by Mr. [Richard] Elford."
Additional 34609, passim.
Paper ; late 18th cent. Folio. The MS. also contains a Catch, Chants,
Glees, Harpsichord Music, notes on History of Music, a Hymn, Musical Instruc-
tions (see Treatises), Organ Music, Services, Solfeggi, and Songs (sacred and
secular), all described elsewhere.
Portions of Anthems, in the hand of John Stafford Smith, mostly
in organ score.
1. Funeral anthem without words.
"Jn° James." f.7.
2. "Though ye have lien among the
pots." Unfinished. By J. S. Smith (?).
f. 13b.
3. "Wherewithal shall a young man"
ANTHEMS.
93
(2 voices). "Arnold." f. 31b.
4. "0 praise the Lord, [all ye
heathen]." Full anthem. By the
same. f. 38b.
5. "0 how amiable." By the same.
f.39.
G. "Who is this [that cometh from
Edom] ? " By the same. f. 39b.
7. " Thy Righteousness, 0 God." " Dr.
Ayrton" (a pupil of Dr. Narcs,
whose approval of the work is shown
by an anecdote given by the tran-
scriber). "1778." f. 40b.
8. "The Lord is my shepherd" (for 2
trebles). Attributed on f. 58b to
" Joseph John Harris." f . 55.
9. "0 give thanks unto the Lord, for
he is gracious." Beginning only.
Anonymous, f. 59b.
10. "0 Lord, I have sinned." Un-
finished. By J. S. Smith, f. 70b.
11. " Sing unto God, 0 ye kingdoms of
the earth " : the words of an anthem.
By J. S. Smith (?). f . 75.
Additional 34610, ff. 19, 26.
Paper ; late 18th cent. Quarto. At ff . 22-25b are some Chants in the same
hand, and the MS. also contains a Glee and a Madrigal (about 1812), Motets and
a Song (18th cent.), and part of an Oratorio (1827), all described elsewhere.
Two full Anthems, for 4 voices, in score, in the hand of William
Walond, organist of Chichester Cathedral (see f. 22).
1. "To God belong[s] th' eternal Sway"
(Psalm 97), with figured bass for the
organ. " [W.] Walond." f. 20b.
2. "Why art thou so vexed, 0 my
Soul." "R[obert] Shenton." The
name of Corelli appears at the top of
f. 27 (? as composer of the melody),
f. 2fi.
f. 26
Additional 35024, f. 3.
Paper ; late 18th cent. Oblong folio. The MS. also contains Chants, part of
a Mass, a Song (secular), a String Trio, and a fragment for the Violin of about the
same date, a Violin Concerto (1782), a Motet (1794), some Pianoforte Solos (1795),
and some fragments (early 19th cent.), all described elsewhere.
" O Give thanks unto the Lord, for he is gracious " : verse Anthem
for 4 voices, by H. Purcell. Said by Vincent Novello to be in the
hand of Samuel Wesley, but apparently only the second movement is
in his hand.
Additional 31403, ff. 40-44, 77b.
Paper; 18th-19th cent,
under Organ Music.
Folio. For a further description of the MS., see
Organ part of the following Anthems : —
1. "0 Lord, grant the king." By W.
Child, f. 40.
2. "Praise the Lord." [By the same.]
f . 40b.
3. " Hosanna to the Son of David." By
0. Gibbons. Apparently transcribed
by S. Corfe. f . 42.
4. " Come, Holy Ghost." Anonymous.
Apparently written, with no. 5, about
1700. f. 44.
5. "The Spirit of Grace." Anonymous.
f. 44.
6. "Deliver us." By A. Batten, f. 77b.
91
VOCAL MUSIC— SACRED.
Additional 31821, passim.
Paper ; late 18th and early 19th centt. Oblong folio. The MS. also contains
Hymns (18th cent.) ; part of an Oratorio (1831 ?) ; a sacred Duet, sacred Song, and
Services (early 19th cent.) ; and a Motet (after 1827) ; all described elsewhere.
Anthems in score, transcribed (unless the contrary is stated) by
R. J. S. Stevens, the earlier ones being probably intended for insertion
in his Sacred Music, 1802, which contains two or three of them.
1. "Bow thine ear." Alto, 1st tenor,
and bass parts, in score. "Bird."
f.2.
2. "Great King of Gods" (5 voices,
with symphony for viols). " Orlando
Gibbons." " Made for the king's being
in Scotland . . . 1617." Copied from
Dr. Philip Hayes' MS. f. 5.
3. "Lord, grant grace" (8 solo voices
and 5-part chorus). By the same.
1.11.
4. " 0 all true faithful hearts " (contra-
tenor solo and 6-part chorus, with
symphony for viols). A thanksgiving
for the king's recovery from sickness.
By the same. Copied from Dr. P.
Hayes' MS. f . 17.
5. "Blessed are all they that fear the
Lord" (wedding anthem for solo and
6-part chorus with viols). "First
made for my Lord of Somerset." By
the same. Copied from the same MS.
f. 22.
6. "This is the record of John" (solo
anthem, with 5-part chorus and
viols). "Made for Dr. Laud, President
of St. Johns, Oxford . . . afterwards
. . . Archbishop." By the same.
Copied from the same MS. f . 28.
7. " Turn thou us, 0 Good Lord " (verse
anthem). " Michael Wise." Copied
from the same MS. f . 33.
8. "The Lord is my strenght" (verse
anthem). "Tho* Cam." Apparently
autograph. ' f . 37.
9. "This is the joyfull Day indeed"
(short anthem, with symphony for
horns, etc.). By the same, and appar-
ently autograph. f . 42b.
10. " I will arise and go to my father."
" Creyghton, D.D." f . 43.
11. "0 set me up upon the rock"
(quartet). "Weldon." f. 45.
12. " Quicken me, 0 Lord." Canto,
tenor, and bass parts, in score, of a
chorus from the anthem, "Thy
word is a lantern." "Purcell."
f. 47.
13. "The Lord is full of compassion"
(3 voices). By Jeremiah Clarke.
Copied in 1828 from a MS. belonging
to Mr. Savage, f. 49.
14. "Bow down thine Ear" (3 voices).
" Composed for the Fast the fourth
of April, 1705." By the same, and
copied from the same MS. f . 55.
15. "0 be joyful in God " (solo anthem).
"Composed for the Annual meeting
of the Sons of the Clergy, Novr 26,
1706," and sung by Mr. Elford. By
the same, and copied from the same
MS. f. 60.
16. " I will love thee, 0 Lord " (Thanks-
giving anthem for 3 voices). By the
same, f . 68.
17. "0 Lord God of my salvation"
(verse anthem). "Richardson." In
a different hand. f. 76.
18. "The Lord is my Shepherd" (2
trebles). By Greene. In a different
hand, f . 80.
19. Another setting of the same words,
for solo voices and 5-part chorus, the
melody resembling that of no. 18.
By William Savage. " Olive's (?)
writing." f. 87.
20. "0 give thanks unto the Lord"
(alto and bass). "Dr. Greene." f. 91.
21. "But my trust is in thy mercy"
(duet from "How long wilt Thou
forget me"). By the same. f. 94.
22. "My soul truly waiteth" (solo
anthem). By the same. f. 95.
23. "Thou visitest the earth" (solo
and chorus from "Thou, 0 God, art
praised"). By the same. f. 99.
24. " Behold, how good " (full anthem).
"J. Baildoon." In the same hand
as no. 17. f. 101.
25. "Not unto us, Lord" (verse an-
ANTHEMS.
95
them). Anonymous. Copied from Dr.
P. Hayes' MS. f . 106.
26. "Almighty God, give us grace."
" Charterhouse, 27 Nov. 1807." This
and nos. 27-29 are by Stevens and
in his autograph. Belonged to
" A. M. Jeffery." f. 109.
27. "The grace of our Lord."
" Brighton, Oct. 10, 1824." f. 114.
28. "Grant, we beseech Thcc, merciful
Lord." " Jan^ 15, 1812." f. 115.
29. "O Lord, raise up, we pray Thee."
" Feb* 24, 1816." f. 117.
30. "I heard a voice from Heavn "
(verse anthem). " John Wall Callcott.
October 25, 1802. Performed at the
Funeral of Dr. Arnold." f. 121.
31. "Praise ye Lord, 0 my soul" (verse
anthem). By W. Savage. In the same
hand as the two following anthems
(possibly Stevens' when a boy, cf.
Add. 31820, f. 94). f. 127.
32. "O magnifie the Lord" (solo an-
them). By W. Savage (?). f. 131b.
33. "Behold now, praise the Lord"
(full anthem). By the same. f. 145.
34. "O let the wickedness of the
ungodly " (verse anthem for 5 voices).
By " A Candidate for Gresham Medal,
1833." f. 153.
35. "0 how amiable" (bass solo and
duet). Aronymou-s. f. 156.
36. " It is a good thing " (solo anthem).
Anonymous. In a different hand,
f. 158.
Additional 34007, f. 38.
Paper; 18th-19th cent. Small folio. For the rest of the MS., see under
secular Songs (1804).
" How are thy servants blest, O Lord " : a recitative accompanied
by violin and followed by a 3-part chorus to the words " Allelujah,
Amen." By Samuel Wesley. Autograph.
Additional 17837.
Paper ; ff. 65. Early 19th cent. Quarto. Presented, in 1849, by Vincent
Novello.
" 0 pkaisk God in his holiness " : Anthem for solo voices and
chorus, with symphonies and accompaniments for trumpets, oboes,
strings, drum, and organ, in full score. Anonymous.
Additional 27644, ff. 46, 45b (reversed).
Paper ; early 19th cent. Oblong quarto.
The opening bars of several Anthems, in compressed score, sc. : —
(1) "0 praise the Lord." f. 46 ;— (2) " Sing unto God." f. 46 ;— (3) " Christ
our [Passover]." f. 45b. Anonymous. Inserted in the middle of a glee by Sir
Augustus Callcott, added at the end of a collection by J. W. Callcott (see under
Glees, 1789-1799).
Additional 31818, passim.
Paper ; early 19th cent. Oblong folio. The MS. also contains a Canon (sacred),
Motets, Songs (sacred and secular), and fragments of Services and of an Oratorio
and a Mass, all described elsewhere.
Anthems, etc., in score, with figured basses, mostly in the hand of
11. J. S. Stevens, by whom they were probably adapted. Nos. 1-5
96
VOCAL MUSIC— SACKED.
are from Steffani; nos. 6-15 are
sopra i Salmi.
1. "Be wise now therefore" (solo
anthem), f. 42.
2. "Blessed be the Lord, who hath
pleasure " (for 3 voices), f. 44.
3. " Lord, who shall dwell in thy taber-
nacle" (for 1 and 3 voices), f. 46.
4. " 0 come, let us sing unto the Lord "
(for 3 voices), f. 50.
5. " I will love thee, 0 Lord " (solo
anthem), f. 52.
G. " The poorcommitteth himself unto
thee " (for 2 voices), f. 58.
7. "I call upon thee, 0 Lord" (for 2
voices), f. 59.
8. "In my distress I called upon the
adapted from Marcello's Parafrasi
Lord " (for 1 and 3 voices), f. GO.
9. "His throne of holiness" (solo an-
them), f. 62.
10. " I will alway give great thanks"
(for 2 voices), f.63.
11. "0 taste and see" (for 2 voices),
f. 65.
12. "They looked unto him" (for 2
voices.) f . 67.
13. "As the hart panteth" (for 2
voices), f. 68.
14. "There is a river" (for 2 voices).
f.71.
15. " I will thank thee " (solo anthem),
f. 73.
Additional 31820, ff. 62-93, 98b.
Paper ; early 19th cent. Oblong folio. The MS. also contains some 18th cent.
Anthems, fragments of Oratorios, and portions of Services, described elsewhere.
Anthems, in score, by William Savage ; copied by R. J. S. Stevens,
except nos. 5-10 and the second of the two copies in nos. 1 and 2,
which are in the hand of William Savage, junior.
1. "Call to remembrance" (solo an-
them). "1783." Two copies, with a
chorus added, in place of the Amen,
to the second, ff . 62, G8.
2. "Hide not thou thy face" (duet).
"1784." Two copies, ff . 63, 70.
3. "Hearken unto my voice, O Lord " :
"penitential Anthem . . . 1779." Two
copies, ff. 64b, 89b.
4. "The Lord is my shepherd" (for 2
sopranos). "1769." f.66.
5. "Behold, it is Christ" (solo with
chorus), f. 71b.
6. "Almighty and Everlasting God"
(duct), f. 73.
7. "Hear my prayer, O God, and hide
not thyself " (duet), f. 74.
8. " Deliver us, O Lord " (full anthem).
f . 76b.
9. " Blessed be the Lord God of Israel."
f. 78.
10. "I will exalt thee, O Lord," with
second part, " Sing unto the Lord, ye
that are his saints." f. 79b.
11. "Hear, O Lord, and consider " (solo
anthem). "1779." f. 91.
12. " My soul, how lovely is the place "
(solo anthem). Beginning only. f. 93.
13. "O be joyful in the Lord, all ye
lands " (for 2 sopranos), f. 98b.
Additional 31822, ff. 7-72 passim,
Paper ; early 19th cent., etc. Quarto. The MS. also contains other Anthems
and Services written after 1831 ; Canons, Hymns, Songs, and Motets, all early 19th
cent. ; another Motet copied in 1798 ; and a fragment of an Opera written after
1818 ; all described elsewhere.
Anthems, in score, the first six with figured bass. Nos. 1-6, in
the hand of R. J. S. Stevens, are by Dr. Greene, and, except no. 5,
arc for solo voices without chorus; nos. 10-12, in the same hand, are,
ANTHEMS.
97
with no. 13, anonymous, forming nos. 2, 3, and 5 of the Gresham
Sacred Music, 1831.
1. "Blessed are they that dwell in thy
house." f. 7.
2. " 0 sing unto the Lord with thanks-
giving." f. 11.
3. "The Lord shall go forth." f. 13.
4. " I did call upon the Lord." f. 14.
5. "The Lord will deliver the right-
eous" (full anthem), f. 15.
6. "The gentiles shall come to thy
light." f . 16.
7. "Arise; 0 Lord, into thy resting-
place " (solo anthem). " Dr. Alcock."
f. 18.
8. "Give the King thy Judgments"
(verse anthem, with a bass). "Dor
Boyce." f. 21.
9. "Honour and glory be to the Lord"
(full anthem, with organ accompani-
ment). " M. Forster." f . 29.
10. "Unto him that loved us" (for 5
voices), f. 39.
11. "Let the words of my mouth " (for
5 voices), f. 42.
12. "Let God arise"; with the organ-
part written out. f. 58.
13. "As the waters fail from the sea."
By " a candidate for Gresham Medal,
1832." f. 66.
14. "They that go down to the sea"
(solo anthem, without chorus). " Gra-
tiani." f. 72.
Additional 33274a.
Paper; ff. 8. Early 19th cent. Folio.
" O Lord, make thy servant, our sovereign Lord," for 5 voices, in
score, by William Byrde [1607]. Apparently transcribed by Richard
Clark, who sent it to Miss Hockett, of Crosby Hall, with an account of
the occasion on which it was composed, the arras of the composer, and
a short pedigree of Thomas Byrde, of Stondon Place, Essex, to whom
William Byrd was evidently related.
Additional 33568, f. 89.
Paper ; early 19th cent. Quarto. For a further description of the MS., see
above, p. 69.
" Sing unto God, 0 ye kingdoms " : full Anthem, by [Edward]
Miller, of Doncaster.
Additional 34073, ff. 98b-106.
Paper; early 19th cent. Oblong folio. The MS. also contains a Glee and
some String Quartets in the same hand, a Motet (18th cent.), and a secular Trio
(late 18th cent., etc.), all described elsewhere.
Organ accompaniments, in the hand of Vincent Novello, to the
following anthems, nos. 1-6 being by Dr. Greene, the rest by Dr.
Croft.
1. " Offer the sacrifice." f.98b.
2. " So will he hear me." f. 99b.
3. " All the Kings of the Earth." f. 100.
4. "Lord, how long." f. 100b.
f . 101b.
6. " O Lord God of hosts." f. 103b.
7. " We will rejoyce in thy Salvation."
f. 104.
5. " O sing unto the Lord a new Song." | 8. " Sing praises to the Lord." f. 105b.
98 VOCAL MUSIC— SACKED.
Additional 27646, ff. 187b-189.
Paper ; about 1800 (watermark). Octavo. For a further description of this part
of the MS., see under Treatises.
Part of an Anthem for 4 voices, without accompaniment, beginning
" Hear me in the time of trouble," apparently by Dr. William Boyce.
Printed.
Additional 33240, fK 23, 25.
Paper; a.d. 1800, 1813. Quarto. The MS. was presented to the Musical
Antiquarian Society on condition that at its dissolution it should be deposited
in the British Museum. It also contains a Catalogue (1841), a secular Duet
(1800), Motets (1799), an Ode (1683), and part of a Service (1837), all described
elsewhere.
Two Anthems for counter-tenor, tenor, and bass, in score, by Samuel
Wesley, sc. (1) " This shall be my Rest for ever " (Ps. 132). " 4 July,
1800." f. 23;— (2) "Behold how good and joyful a Thing." "Com-
posed for the Installation of the R, W. G. M., May 12, 1813." f. 25.
Autograph.
Additional 34999, ff. 88-107.
Paper; about 1802-1832 (watermarks). Quarto. For the rest of the MS., sec
under Hymns (about 1830-1837).
Sacred compositions, in score (with one exception), by Samuel
Wesley. Autograph.
1. " Be pleased, O Lord, to deliver me "
(for 3 voices). About 1802 (watermark).
f.88.
2. "Hear, O thou shepherd of Israel"
(for solo voices and chorus, with
organ). The names of the original
singers, Miss Jack, Mr. and Mrs.
Lemonty, Mr. Sandro, are given.
f. 91.
3. " Who can tell how oft he offendeth "
(solo). " 4 July, 1823." f.101.
4. " My delight shall be in thy Stat-
utes" (chorus in compressed score).
" 11 April, 1816." f. 103.
5. "All go to one Place" (funeral an-
them k Alto part. Copy. About 1832
(watermark), f. 104.
6. Anthem (?) in 4 parts. Intperfea
at the beginning. The words "Ho-
sannah, Hallelujah " are filled in at
the end. f. 106.
Additional 32012 ; and 32013, 32015, 32016 and 32018, passim.
Paper ; a.d. 1809-1852. Quarto, oblong quarto, folio, small oblong quarto,
and folio. For a further description of the contents of vols, ii-v, see under
Hymns (1806-52).
Anthems taken from a collection of autograph compositions by
Thomas Miles. Unless the contrary is stated, they are full anthems,
with accompaniments for organ or pianoforte, and are in score.
32012. Vol. I (ff. 88).
1. •• Let the righteous be glad." "24 1809." Revised "1 Nov. 1847."
April, 1809." M. f. 10.
2. " The king shall rejoice." " 15 Oct. 3. " Have mercy upon me, U Gud, after
ANTHEMS.
99
thy great goodness." ' ' 10 Febr. 1810."
f.18.
4. "Blessed is he that considereth the
poor." "11 Oct. 1810." Revised " 6
Nov. 1827 [? 1847]." f. 26.
5. "The souls of the righteous" (fuueral
anthem). "7 Oct. 1812." f. 38.
6. "Save me, 0 God, for the waters
are come in" (for 2 voices). "27th
June, 1824." f. 46.
7. " Thou art my portion, 0 Lord " (for
2 voices). " 27 Aug. 1826." f. 55.
8. "Let my complaint come before
thee " (solo anthem), f. 62.
9. "I cried unto the Lord" (solo an-
them), f. 69.
10. "Bow down thine ear, 0 Lord"
(solo anthem), f. 76.
11. "0 praise the Lord, all ye heathen."
Apparently unfinished, f. 83.
32013. Vol. II. Most of the Anthems in this volume are described
by the composer as psalms or hymns and have no accompaniment. The
names of the authors of the words are given in brackets.
1. "High let us swell our tuneful
notes," Christmas hymn, "15 Nov.
1830" (Doddridge), f. 13b.
2. "Lord of the worlds above," psalm
for 2 voices, "29 Jan7, 1831 " (Watts).
f. 41.
3. "Why should this earth delight us
so," hymn, "4 April, 1841" (the
same), f. 58b.
4. " Happy the man whose tendercare,"
for 3 voices, "Febr. 12, 1823" (new
version), f . 66.
5. "Ye worshippers of Jacob's God."
" 14 Dec. 1848 " (new version), f. 74b.
6. "Come, let us all unite our joys,"
motet, "19 Nov. 1848" (Patrick),
f. 85b.
7. "May the grace of Christ our
Saviour," hymn, "3 May, 1849"
(Newton), f. 90b.
8. ' ' My soul with grateful thoughts of
love," psalm, "10 June, 1849" (new
version), f. 99b.
9. "Angels from the realms of glory,"
hymn, " 10 Dec. 1849" (Montgomery),
f. 108b.
32015. Vol. III. The Anthems in this volume are settings of
James Merrick's metrical versions of some of the Psalms, " 1 Feby,
1834."
1. "Why thus enraged, ye tribes pro-
fane." f. 2b.
2. " O spare me, Lord," solo anthem,
f . 10b.
3. "Immortal king! thro' earth's wide
frame." f. 15b.
4. "O help me, Lord, for none I see"
(the end wanting), f. 26b.
5. "Father of all I my soul defend."
f . 31b.
6. "Blest object of my soul's desire."
f . 35b.
7. "God the heav'ns aloud proclaim."
f. 44b.
8. "Earth, big with empires." f. 53b.
9. " Sing, ye sons of might." f. 64.
32016. Vol. IV. " Psalm-tunes, composed to the version of Tate
and Brady," including, besides many hymns, the following which may
be more properly described as Anthems, but are without accompaniment.
They were composed in 1849-1852.
1. "Proclaim aloud Jehovah reigns."
" 13 July, 1849." f . 31b.
2. "As pants the hart for cooling
streams." " 19 May, 1850." f. 97b.
3. " How dreadful arc the sacred
courts." " 7 June, 1850." f. 113.
4. "O may I worthy prove." "29
Aug', 1852." f. 155.
5. "Be thou, O God, exalted high."
"3 Nov. 1852." f.165.
6. "Since God himself has said the
word." "4 Nov. 1852." f. 166b.
7. " When Israel by th' Almighty led."
" 1 Sept. 1852." f. 176.
100 VOCAL MUSIC— SACRED.
32018. Vol. V. The names of the authors of the words in this
volume are given in brackets.
1. "Brother, thou art gone to rest,"
hymn for two voices, with 5-part
chorus (Baptist Noel), f. 28b.
2. "Draw nigh unto my soul," solo
from an anthem, f. 40b.
3. "Our hiding place, our tow'r of
strength " (Noel's selection), f. 42b.
4. "Thou, Lord, by strictest search
hast known'' (Tate and Brady).
f.48.
5. " O God, who hast prepared," collect.
f.52.
6. "0 how sweet are thy words," duet
from an anthem, f. 60b.
7. "Far from the world, O Lord,"
hymn for two voices, with chorus,
f . 63b.
8. "Sun of my soul," evening hymn
(Noel's selection), f. 69.
9. " Mark the soft falling snow," hymn
for 3 voices, with 5-part chorus
(Doddridge), f. 75b.
10. "I will give thanks unto thee, O
Lord," solo anthem, f. 80.
11. "Thy goodness does the circling
year " (new version), f. 86b.
12. "Be thou, O God, exalted high,"
anthem for 3 voices (new version).
f. 94.
Additional 31670, ff. 61, 74.
Paper; a.d. 1811, etc. Oblong folio.
Anthems, in score, by John Davy, sc. (1) "Lord, who shall
dwell in thy tabernacle" (verse Anthem), f. 61; — (2) "Ponder my
words, O Lord " (verse Anthem). " May 26, 1811." f. 74. See also
below, p. 103.
Additional 35023, f. 1.
Paper; about 1811 (watermark). Quarto. The MS. also contains Harpsichord
music (about 1810), part of an Ode (about 1823), part of an Opera (about 1837), a
violin concerto (late 18th cent.) and secular Songs (about 1837), all described
elsewhere.
" O sing unto the Lord " : verse Anthem, organ part, by Dr.
Maurice Greene. In the hand of Samuel Wesley.
Additional 23910, 23912.
Paper ; ff. 25 and 46. After 1812 (watermark). Folio. Presented by Elizabeth
Horsley, the composer's widow.
Two " motetts," with accompaniments for wind and stringed in-
struments, in full score, by William Horsley, sc. (1) " O God the
King of Glory," collect, for 5 voices (autograph) ; — -(2) " God is our hope
and strength," for two choirs.
Additional 35038, ff. ll-43b.
Paper ; a.d. 1814-1820. Quarto. The MS. also contains the words of an Ode
(1779) ; sacred and secular Canons (late 18th cent.) ; a sacred Song (1802) ;
Pianoforte solos and secular Songs (1816, etc.) ; a secular Duet and a Trio (1818) ;
Chants and parts of Services (1822) ; and Letters (1828, etc.).
Anthkms, with (in most cases) figured basses and occasionally full
ANTHEMS.
101
accompaniments for the organ, in the hand of Charles Wesley, unless
the contrary is stated.
1. "Almighty God, Who hast given
thine only Son," for 4 voices, " com-
posed for Joseph Smith . . . 1814."
" Ch. Wesley." f. 11.
2. "Who is that blest of Heaven,"
solo and duet, composed by "C.
W[esley]." "London, Feb* 13th,
1815, for . . , R. Glenn." f . 15.
8. "Great God, when on a guilty land,"
solo and duet. By the same. f. 21.
4. "Bitter is the orphan's tear," solo
and 2-part chorus, written for R.
Glenn. By the same. " 1816."
f. 26.
5. "Hither all that glads the mind,"
solo and 2-part chorus. By the
same. "London, Feb. 16th, 1817."
f.28.
6. " Behold, I bring you," solo and
chorus. By the same. " Dec' 27th,
1820." f. 31.
7. "I will magnify thee, 0 God," solo,
duet and 2-part chorus, "composed
by [?for] Mr. Glenn." By the
same (?). f. 33.
8. "Shout, Sons of Heav'n," semi-
chorus, composed for Christ's Hos-
pital, by "Sam1 Wesley" [in 1834].
Autograph, f. 37.
9. "Welcome the glorious morn," solo
with chorus apparently in unison.
By Dr. Worgan. f. 41.
10. "Hallelujah," final chorus of an
anthem, "from the compositions of
Corelli." f. 43b.
Additional 30395.
Paper : ff . 44. About 1815 (watermark, f. 25, etc.). Oblong quarto.
" O give thanks unto the Lord, call upon his name " : full Anthem
for solo voices and 5-part chorus, with overture and accompaniments
for flutes, horns, bassoon, and strings, in full score [by Dr. William
Crotch], Autograph. In the table of contents (f. lb) the composer
has marked the tempi by reference to Maelzel's metronome.
Additional 31120, passim.
Paper ; about 1819-1831. Oblong folio.
Movements from Anthems by English composers, arranged by
Vincent Novello as Organ Voluntaries.
See under Organ Solos.
Additional 17856.
Paper; ff. 93. About 1825 (see cover).
Vincent Novello.
Oblong folio. Presented, in 1849, by
Four full Anthems, for 4 voices, with accompaniments for wind
and stringed instruments, in full score, by Dr. Maurice Greene ; copied
for engraving by Vincent Novello from MSS. which he describes as
"by Dr. Greene," or "in his own handwriting." The first is from
Add. 17853, and the others from Add. 17851. The transcriber has
added an organ-part to the first 3 Anthems.
1. "Open the gates of Righteousness."
f.2.
2. "Sing praises unto the Lord, O ye
saints." f. 26.
3. "All thy works praise thee."
4. " Sing we merrily." f. 69.
f.50.
102
VOCAL MUSIC— SACRED.
Additional 31239, f. 20.
Paper; about 1825-1829. Oblong duodecimo. For a furtber description of
the MS., see under Harmony.
" Go not far from me, O God " : short verse Anthem for 2 voices,
in score, in the hand of Samuel Wesley, apparently the composer.
Additional 33239, passim,
Paper ; a.d. 1830-2, etc. Oblong folio. The same MS. also contains Services,
Thematic Catalogues, Canons, Chants, etc., described elsewhere.
Anthems, etc., in score, mostly copied by Vincent Novello, who
presented them in 1843 to the Musical Antiquarian Society. The
organ part has been occasionally added by the transcriber.
1. "Prevent us, 0 Lord." "Wm
Bird." From Harley MS. 7337.
£.12.
2. " 0 Lord, encrease my faith." "Or-
lando Gibbons." From the same MS.
f. 38.
3. "Why art thou so heavy." By the
same. From the same MS. f. 40.
4. "Behold, thou hast made " (solo an-
them). By the same. From the same
MS. f.42.
5. "0 sing unto the Lord and worship"
(5 voices), adapted by J. H. Short
from Orlando Gibbons' Silver Sivan.
From a MS. at Westminster Abbey.
f.46.
6. "Praise the Lord O my soul; O
Lord." " [Robert] Creighton." From
Harley MS. 7339. f. 56.
7. "The king shall rejoice. "Pelham
Humfrys." From Harley MS. 7338.
f.71b.
8. "O praise the Lord, laud ye." By
the same. From the same MS. f. 80.
9. "Have mercy upon me, 0 God."
By the same. From Add. 30932.
f.87.
10. " I will always give thanks "
("Club" anthem). " Humfreys, Blow
and Turner." From Harley MS. 7339.
f. 93.
11. "0 be joyful in the Lord." "Pel-
ham Humfreys." From Harley MS.
7338. f. 100."
12. "O give thanks unto the Lord,
for" (verse anthem). By the same.
"1683." From a MS. in the Fitz-
william Museum, f. 104.
13. "Glory be to God on high" (8
voices). "Dr. [William] Childe."
From the same MS. f. 112.
14. " The Kings of Tharsis." " Blow."
From Harley MS. 7339. f. 122.
15. "Praise the Lord, 0 my soul, and
all." By the same. From the same
MS. f. 128.
16. "0 Lord God of my salvation."
By the same. From the same MS.
f. 135.
17. "0 God, my heart is ready." By
the same. From the same MS.
f. 140.
18. "Praise the Lord, ye servants."
By the same. From Add. MS. 30932.
f. 144.
19. "0 Lord, I have sinned." By the
same. From Harley MS. 7338.
f. 152.
20. "The Lord is my shepherd." By
the same. From the same MS.
f. 157.
21. "0 God, the strength of all" (5
voices). " Charles Evans." From a
MS. at Westminster Abbey, f. 206.
22. ' ' Almighty Father, who hast giv'n."
By the same. From the same MS.
f. 208.
23. "Almighty God, give us grace."
" [R. J. S.] Stevens." f. 210.
24. "Blessed Lord, who hast caused."
" W. Russell, organist of the Found-
ling Hospital." f. 213.
25. "Grant, we beseech thee, merciful
Lord." "Tho' Attwood, 1814."
f. 215.
26. "0 Lord, we beseech thee merci-
ANTHEMS.
103
fully to receive." By the same,
"Jan'' 21, 1814." f.219b.
27. "0 God, who by the leading." By
the same, "July, 1814." f. 223b.
28. " Lord, who shall dwell." f. 226.
29. "Ponder my words, 0 Lord " (verse
anthem), f. 238.
Nos. 28 and 29 are in the autograph of John Davy, by whom they
were presented [in 1812 ?] to Miss Lucy Moseley.
Additional 36572, f. 1.
Paper; about 1830-1837 (?). Quarto. For a further description of the MS.,
see under Operas.
" God save our Gracious King. William the fourth we sing " ;
harmonized for 4 voices, in score.
Additional 9071-9074, 9076, 9077, passim.
Paper ; about 1831-1832. Oblong folio. These MSS. also contain Canons, a
thematic Catalogue, Chants, Hymns, Motets, sacred Duets, sacred Songs, and
Services, by the same composer ; all described elsewhere under their respective
headings.
Transcripts made by Vincent Novello for his edition of PurceU's
Sacred Music, 1829-1832, with some additional notes for the Musical
Antiquarian edition of 1846. They comprise, besides other works, the
following Anthems, in score : —
9071. Vol. I. Verse Anthems, with symphonies, etc., for instru-
ments : —
1. " Praise the Lord, O my soul, O Lord
my God." From Harley MS. 7339.
f.l.
2. " Behold, I bring you glad tidings."
From a MS. belonging to T. Grea-
torex. f. 13.
3. "They that go down to the sea."
Imperfect at the end. From Harley
9072. Vol. II. Verse Anthems, unless the contrary is stated,
with organ accompaniments : —
MS. 7 j8. f. 27.
4. " O Lord, grant the King." From a
MS. belonging to W. Hawes. f . 35.
5. " My heart is inditing," for 8 voices.
Performed at the coronation of James
II. From a MS. belonging to T.
Greatorex. f. 39.
1. "Who hath believed our report?"
From Add. MS. 30932. f. 1.
2. " O praise the Lord, all ye heathens."
From a MS. belonging to W. Hawes.
f.7.
3. "Sing unto God, O ye Kingdoms."
From the same MS. f. 10.
4. "I will sing unto the Lord as long
as I live," full anthem for 5 voices.
From a MS. in the Fitzwilliam
Museum, f. 35.
5. " O Lord, thou art my God." From
the same library, f. 41.
6. " Lord, who can tell." From the
same library, f. 49.
7. "Blessed is he whose unrighteous-
ness," for 6 voices. From the same
library, f. 53.
8. " By the waters of Babylon." From
Add. MS. 30932. Adapted from Pel-
ham Humfrey. f. 64.
9. " Blessed is the man that feareth,"
for 3 solo voices. From Harley MS.
7340. f. 68.
10. "I am the resurrection," the begin-
ning of a Burial Service by ' ' W"
104
VOCAL MUSIC— SACRED.
Raylton," which Purcell is supposed
to have completed. From Add. MS.
30931. f. 75.
11. "I heard a voice from heav'n."
" Dr. Croft." From his Musica Sacra.
£.78.
12. " Thou knowest, Lord, the secrets,"
introduced by Croft in the Burial
Service of which no. 11 forms a part.
From Harley MS. 7340. f. 79.
The last 3 are evidently full anthems.
13. "Hear my prayer, 0 Lord, and let
my crying," full anthem for 8 voices.
From a MS. in the Fitzwilliam
Museum, f. 81.
14. "Turn thou us, 0 good Lord."
From Add. MS. 30931. f . 83.
15. "Let God arise." From a MS. in
the Fitzwilliam Museum, f. 86.
16. "0 consider my adversity." From
a York Minster MS. f. 90.
17. "Bow down thine ear, 0 Lord."
From a MS. in the Fitzwilliam
Museum, f. 99.
9073. Vol. III.
Organ-pakt of the following Anthems
1. "Blessed are they that fear the
Lord." From a MS. belonging to
James Bartleman. f. 1.
2. "They that go down to the sea."
From Boyce's Cathedral Music. Dif-
ferent from Add. MS. 9071, no. 3.
f.8.
3. " Rejoice in the Lord alway." From
a MS. belonging to J. Bartleman.
f.10.
4. " O God, thou art my God." From
Boyce's Catliedral Music, f. 12.
5. "O God, thou hast cast us out."
From the same work. f. 13.
6. "My beloved spake." From a MS.
belonging to J. Bartleman. f. 14.
7. "I will give thanks." From a MS.
belonging to the same. f. 17.
8. "Praise the Lord, 0 my soul, and
all that is." From the same MS.
f.20.
9. "My heart is fixed." From the
same MS. f. 23.
10. "Unto thee will I cry." f. 26.
11. "I was glad when they said." From
a MS. belonging to J. Bartleman.
f . 30.
12. " Thy way, 0 God, is holy." From
Boyce's Cathedral Music, f. 32.
13. " It is a good thing to give thanks."
From a MS. belonging to J. Battle-
man, f. 41.
14. "0 sing unto the Lord." From
Add. MS. 17819. f. 44.
15. "The Lord is my light." From
the same MS. (?). ff . 46, 47, 50.
16. "Behold now, praise the Lord."
From Add. MS. 30932. f. 43.
17. "Remember, not, Lord, our of-
fences," full anthem for 5 voices.
From Add. MS. 17819. f. 51.
18. "Lord, how long wilt thou be
angry," full anthem for 5 voices.
From the same MS. f. 52.
19. "Be merciful unto me, 0 God."
From Boyce's Cathedral Music, i. 53.
20. "Hear me, 0 Lord, and that soon."
From Add. MS. 17819. f. 55.
21. "In thee, 0 Lord, do I put my
trust." From the same MS. f. 57.
22. "Blessed be the Lord, my strength."
From Add. MS. 17820. f. 60.
23. "0 give thanks [unto the Lord,
for He]." From Boyce's Cathedral
Music, f. 62.
24. "Save me, 0 God, for thy name's
sake," full anthem for 5 voices.
From Add. MS. 17819. f. 64.
25. "0 Lord our Governour." From
the same MS. f. 65.
26. "Out of the deep." From a copy
published by Goodison. f. 67.
27. "Blessed is he that considereth."
From Walsh's Harmonia Sacra.
f.69.
28. "My song shall be alway." From
the same work. f. 71.
29. "0 Lord God of hosts," full an-
them for 8 voices. From Boyce's
Cathedral Music, f. 74.
30. "Why do the heathen." From a
MS. belonging to Mr. Hawes. f. 75.
31. "In guilty night" (Saul and the
Witch of Endor), for 3 voices. From
Playford's Harmonia Sacra, f. 78,
ANTHEMS.
105
9071. Vol. IV. Portions of Anthems : —
1. Introductory symphony to "My be-
loved spake." From Add. MS. 30932.
f.3G.
2. ''Let mine eyes run down." Im-
perfect. From a MS. at Westminster
Abbey, f. 37.
3. "Blowup the Trumpet." "1681."
Imperfect. From the same MS. f . 43.
4. "0 God, the King of Glory," full
anthem. Imperfect. From the same
MS. i. 54.
9076.
voices : —
Vol. VI. Hymns, or metrical Anthems, mostly for 4
1. "O all ye people, clap your hands."
From a MS. belonging toKev. Janes
Pears, of Bath. f. 1.
2. "Hear me, O Lord, the great sup-
port," for 3 voices. From Add. MS.
30930. f. 4.
3. "Turn thee again, O Lord." From
a MS. belonging to Rev. J. Pears.
f.9.
4. "Turn Thou us, 0 good Lord." From
the same MS. f. 13.
5. " Since God so tender a regard," for
3 voices. From the same MS. f. 17.
6. "Plung'd in the Confines of De-
spair," for 3 voices. From a MS.
belonging to Mr. Hawes. f. 21.
7. "O Lord our Governour, on Earth."
From a MS. belonging to Rev. J.
Pears, f. 26.
8. "O I'm sick of life," for 3 voices.
From a MS. belonging to Mr. Hawes.
f. 31.
9. "Lord, I can suffer thy rebukes."
From a MS. belonging to Rev. J.
Pears, f. 36.
10. "Lord, not to us," for 3 voices.
From the same MS. f. 41.
11. " Early, O Lord, my fainting soul."
From the same MS. f. 43.
12. "O happy man that fears the
Lord." From the same MS. f. 48.
13. "Ah! few and full of sorrows."
From the same MS. f. 49.
9077. Vol. VII. Sacred songs or hymns for solo, with chorus,
from Play ford's Harmonia Sacra : —
1. " Let the night perish." f. 5b. 4. " How have I stray'd ! " f. 27b.
2. " The night is come." f. 13. 5. "We eing to him whose wisdom."
3. "Great God and just." f. 17b. £. 42b.
Paper; ff.60.
Bennett.
Additional 31800.
a.d. 1833. Quarto. From the Library of Sir W. Sterndale
" Let God arise " : an " Anthem as performed at Great St. Mary's
Church, Cambridge, on Commencement Sunday, June 30th, 1833."
"Composed by Thos Attwood Walmisley, org1 of Trin. and Sl
John's Coll., for his Bachelor's Degree," and " inscribed to Tho9
Forbes Walmisley," his father. Autograph. A full Anthem with
introduction and accompaniments for 2 drums, 2 trumpets, 3 trom-
bones, 4 horns, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, and strings, in
full score.
On f. GOb are the first 8 bars of what appears to be another
Anthem, in the same hand. The opening movemeat is written for
semi-chorus of 2 tenors and 2 basses, with accompaniments for horns,
flutes, oboes, 2 clarinets, 2 trombones, and strings, in full score.
106 VOCAL MUSIC— SACRED.
Additional 33312, f. 190; 33313, f. 1.
Paper ; a.d. 1833, etc. Oblong folio. Add. 33312 also contains a Mass and a
Magnificat (19th cent.), and Add. 33313 an Orchestral composition (19th cent.),
described elsewhere.
" Judica, Domine, nocentes me " : " Salmo a cinque voci con coro
scritto in musica da Lord Rurghersh " [John Fane, Earl of Westmor-
land, 1841], with accompaniments for flutes, oboes, clarinets, horns,
trumpets, bassoons, trombones, drums, strings, and organ, in full score.
A few corrections appear to be in the hand of the composer. In Add.
33313 the same is set to English words, " Plead Thou my cause, 0
Lord," in the composer's autograph.
Additional 31415, passim.
Paper ; after 1835. Oblong octavo. For a further description of the MS., see
under Madrigals.
Short sacred vocal compositions, in parts. The MS. is divided into
six volumes, of which vol. i contains first treble ; vol. iii, alto ; vol. iv,
first tenor; and vol. vi, bass. Vols, ii and v contain Madrigals, etc.
1. "Almighty God, who hast me
brought in safety," for 4 voices.
"Thos. Forde, 1614." i, f. 30 ; iii,
f. 30b; iv, f . 42 ; vi, f. 38b.
2. "An heart that's broken," for 4
voices. "J. Dowland, 1614." i,
f. 30b; iii, f . 30b ; iv, f. 42b; vi,
f. 38b.
3. "I will sing unto the Lord," for 2
voices (?). " J. Amner, M.B., 1615."
i, f.Slb; iii, f. 33.
Additional 23914.
Paper; ff. 14. a.d. 1837 (?). Quarto.
" Hosannah ! to the Son of David" : Anthem for 12 voices, with
organ accompaniment, in score, by " William Horsley, Mus. Bac.
Oxon. First Composed in 1797, Revised 1837."
Additional 35006, f. 46b.
Paper ; a.d. 1837. Quarto. For a further description of the MS., see under
Pianoforte music.
" I will arise and go to my Father " : solo Anthem, with organ or
pianoforte accompaniment, by Samuel Wesley. Autograph.
Additional 31801.
Paper ; ff . 37. a.d. 1840, etc. Quarto.
" Why, O Lord, delay for ever," described by the composer on the
title-page as " An Anthem for a Mezzo Soprano Solo with chorus and
organ accompaniments, composed for C. R. Rroadley, Esquire [the
author of the words, which are taken from Psalm 13], by Felix
Mendelssohn-Bartholdy. Leipzig, 14 December, 1840." The autograph
organ score is followed (f. 9) by an arrangement for an orchestra
ANTHEMS. 107
consisting of 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, a
trumpet, drums and strings, in full score. Published posthumously
as Op. 96. According to the composer's note [? 5 Jan. 1843] on f. 9,
he had not time to go through this copy carefully, but requests
Moscheles to do so, and especially to correct any mistakes in the
English. On f. 1 is a note relating to the anthem from the librettist
to Goodwin, 15 May, 1848 ; and on the back of it, a list of the
vocal and instrumental parts sent to Miss Dolby.
Additional 31770, ff. 39-44b.
Paper; a.d. 1841. Small octavo. The MS. also contains an Overture (1819)
by the same composer.
" The God of thy father shall help thee." " On the birth of . . .
the Prince of Wales, composed for Her Majesty's Chapel-Royal by the
Chevalier Sigismond Neukomm, 1841 " : full Anthem for 4 voices with
organ accompaniment, in score. Autograph. Dated, Berne (" Hubel "),
22 Nov. 1841.
Additional 31779.
Paper ; ff. 12. a.d. 1842. Oblong folio.
" O bless'd for ever, bless'd are they " : metrical version of Psalm 128
by Charles Bayles Broad ley ; for solo voices and chorus, with accom-
paniments for flute, 2 oboes, 2 clarinets, 2 horns, 2 bassoons, 3 trom-
bones, and strings, in full score, by Ludwig Spohr. " Tnstrumentirt in
Sept. 1842." Autograph.
Additional 31798.
Paper ; ff. 32. [a.d. 1842 — year of publication.] Folio.
" Robed in pow'r Jehovah reigneth" : metrical version of Psalm 93,
by C. B. Broadley, the words only partially filled in ; for solo voices
and 5-part chorus, with accompaniments for 2 flutes, 2 oboes, 2
clarinets, 2 bassoons, 4 horns, 2 trumpets, 2 drums, 3 trombones,
cornopean, ophicleide, strings, and organ, in full score, by I[gnaz]
Moscheles (Op. 100). Autograph.
Additional 14341, ff. 8b-29 passim.
Paper ; before 1843. Presented, in 1843, by Vincent Novello. Oblong folio.
The MS. also contains a Canon (sacred), Hymns, Motets, a Chorus (sacred), part
of some Services, and a Song (sacred), described elsewhere.
Anthems, mostly unaccompanied, in score, forming part of " A
collection of Church Music, Latin and English, composed by Samuel
Wesley," and transcribed by Vincent Novello " from MSS. never
published."
1. "All the Earth doth worship thee" (verse anthem, for 3 voices), f. 14b.
(for 4 voices), f. 8b. 4. "Behold, how good and joyful"
2. "0 Lord God, most holy" (verse : (for counter-tenor, tenor, and bass),
anthem, for 4 voices). From the < " (Masonic.) Composed for the
Burial Service, f. 12. Installation of the It. w. G. M., May
3. "In the multitude of the sorrows" I 12, 1813."
108
VOCAL MUSIC— SACRED.
Additional 30087, ff. 41-206.
Paper; a.d. 1844-1846, with pencil additions dated 187C. Oblong folio,
the contents of the first part of the MS. (ff. 1-40), see under Services.
For
Anthems taken from a transcript, made by John Bishop, of
Cheltenham, of John Barnard's First Book of Selected Church Music,
scored by the transcriber from the part-books at Hereford and in the
possession of the Sacred Harmonic Society, etc. ; prepared and embel-
lished with several facsimiles of the original work with a view to
publication, and with a short explanatory introduction dated 1876.
I. Full Anthems : nos. 1-16 in 4 parts ; nos. 17-30 in 5 parts ; and
nos. 31-35 in 6, 7 and 8 parts : —
1. "O Lord, give thy holy spirit," a
prayer. " Thomas Tallis." f. 41.
2. "Teach me thy way, O Lord."
" Edmund Hooper." f. 42b.
3. " Hide not thou thy face from us, O
Lord," a prayer. " Richard Far-
rant." f. 44b.
4. "Call to remembrance, O Lord."
By the same. f. 4G.
5. " Haste thee, O God, to deliver me,"
with second part, " But let all those."
" John Shepheard." ff. 47b, 49b.
G. " O Lord, the maker." "A hymne at
evening prayer." "William Mundy."
f.51b.
7. "O Lord, the world's Saviour,"
hymn. By the same. f. 54.
8. "Deliver us, O Lord, our God," with
second part, ' ' Blessed be the Lord God
of Israel." " Orlando Gibbons." ff . 57,
58.
9. "Almighty and everlasting God."
By the same, f , GO.
10. " O praise the Lord, all ye heathen."
"Adrian Batten." f.Glb.
11. "Hide not thou thy face from us."
By the same. f. G3.
12. " Lord, we beseech thee, give ear,"
collect for 3rd Sunday in Advent.
By the same. f. G5.
13. "Haste thee, O God, to deliver
me," with second part, " But let all
those." By the same, ff . 66b, 68.
14. "When the Lord turned again."
By the same. f. 69.
15. "I will exalt thee, O Lord," with
second part, " Sing unto the Lord, yo
that bo his saints." " Doctor Tye."
ff. 71b, 74b.
16. "O God, be merciful unto us," with
second part, "That we may know
the way," and third part, "O let
the people rejoice." By the same,
ff. 78, 80, 81.
17. "With all our hearts and mouths."
" Thomas Tallis." f. 84.
18. "Blessed be thy name, O God."
By the same, f . 8Gb.
19. "O thou God Almighty," a prayer.
" Edmund Hooper." f. 88b.
20. "I call and cry." "Thomas Tal-
lis." f. 90b.
21. " 0 Lord, I bow the knee." " Wil-
liam Mundy." f. 93b.
22. "Prevent us, 0 Lord." "The
Fourth Prayer after the Commu-
nion." " William Bird." f. 98.
23. " Behold, it is Christ." " Edmund
Hooper." f. 100b.
24. "The Lord bless us," a prayer.
" Robert White." f. 103.
25. "Wipe away my sins," a prayer.
" Thomas Tallis." f . 106b.
26. "0 God, whom our offences," a
prayer. "Will. Bird." f. 112b.
27. "0 Lord, make thy servant Charles."
By the same. f. 116.
28. "I lift my heart to thee." "Doctor
Tye." f. 118b.
29. "0 Lord, turn thy wrath," with
second part, " Bow thine ear." " Wil-
liam Bird." ff. 122b, 126b.
30. "0 give thanks unto the Lord, for
he." " Doctor Giles." f. 130b.
31. "Sing joyfully unto God." " Wil-
liam Bird." f.134.
32. "Delivor me from mine enemies"
(canon). " Rob. Persons." f. 137.
33. "Hosanna to the Son of David."
"Orlando Gibbons." 139b.
ANTHEMS.
109
34. " Lift up your heads." By the
same. f. 142b.
II. Verse Anthems : —
36. "0 Lord, rebuke me not," solo
with 5-part chorus, the organ part
wanting. " William Bird." f. 149.
37. "Hear my prayer, 0 God," solo
with 5-part chorus. By the same.
f. 154.
38. "Ah I helpless wretch," solo with
5-part chorus. " William Mundy."
f. 157b.
39. "Out of the deep," solo with 5-
part chorus. "Thomas Morley."
f. 163b.
40. " Behold, thou hast made my days,"
solo with 5-part chorus. "Orlando
Gibbons." f. 167b.
41. " Out of the deep," solo, etc.
" Adrian Batten." f. 172b.
35. "0 Lord, grant the King."
" Thomas Weelkes." f. 146.
42. "I will praise the Lord," solo
with 5-part chorus. " John Ward."
f. 177.
J 43. "Thou God that guid'st," solos
with 5-part chorus. " A Prayer
for the King." " William Bird."
f. 182b.
j 44. "Christ rising," with second part,
"Christ is risen," for 2 voices with
5-part chorus. By the same. ff. 187,
190.
j 45. "Deliver me, 0 God," for 2 voices
with 5-part chorus. " D[octor] Bull."
f. 193b.
46. " Let God arise," for 2 voices
with 5-part chorus. "John Ward."
f. 198b.
Additional 33289, 33290.
Paper ; ff. 153, 129. a.d. 1846. Quarto.
Anthems by Dr. John Blow, transcribed by William Henry Husk,
Librarian to the Sacred Harmonic Society.
33289. Vol. I.
1. "I beheld, and lo I a great multi-
tude." Composed for James II (see
f. 2). Copied from Harley MS. 7340.
i. 5.
2. " And I heard a great voice of much
people." Copied from Harley MS.
7339. f. 14.
3. "I said in the cutting off of my
days," with 5-part chorus. Copied
from Harley MS. 7338. f . 22.
4. " The Lord is my shepherd." From
the same MS. f. 28.
5. "When Israel came out of Egypt."
From an autograph score formerly
belonging to Mr. Hawes. f. 36.
6. "Blessed is the man that feareth."
From a MS. belonging to Dr. Rim-
bault. f . 45.
7. "The Lord is king." From a MS.
in Ely Cathedral library, f. 59.
8. "Blessed is the man that hath not
walked." From a MS. belonging to
Dr. Rimbault. f. 64.
9. "O give thanks unto the Lord and
call." From a MS. belonging to Dr.
Rimbault. f. 70b.
10. "Cry aloud and spare not." The
concluding chorus is wanting. From
a MS. belonging to Dr. Rimbault.
f. 79b.
11. "Lord, thou hast been gracious,"
with 5-part chorus. From a MS.
belonging to Dr. Rimbault. f. 84.
12. "I will always give thanks unto
the Lord, his praise," with a sym-
phony. The "Club" anthem by
Humphreys, Turner and Blow (see
f. 2b). From Harley MS. 7339. f . 88.
13. "The kings of Tharsis." From a
MS. belonging to Mr. Hawes, collated
with Harley MS. 7339. f. 92.
The above are all verse Anthems with instruments.
110
VOCAL MUSIC— SACRED.
14. "0 God, my heart is ready." From
Harley MS. 7339. f. 96b.
15. "O Lord God of my salvation,"
for 8 voices. From the same MS.
f.100.
16. "The Lord hear thee." From
Boyce's Cathedral Music, f. 104.
17. " God spake sometime in visions,"
for 8 voices, with instruments. From
Ely Cathedral Library, f. 106.
18. "Behold, 0 God our defender," for
5 voices. From a MS. belonging to
the transcriber. Composed for the
coronation of James II. f. 137.
19. "Let thy hand be strengthen'd."
From the same MS. f. 138b.
20. "God is our hope and strength,"
for 8 voices. From Boyce's Cathedral
Music, f. 140.
21 . "0 God, wherefore art thou absent,"
for 5 voices. From the same work,
f . 145.
22. "Praise the Lord, ye servants."
From a MS. belonging to Dr. Rim-
bault. f. 148.
23. " Save me, 0 God, for the waters."
From Boyce's Cathedral Music, f . 149.
24. " My God, my God, look upon me."
"Sep. the 6th, 1697." From the
same, collated with the original then
in the possession of Dr. Rimbault
(now Add. MS. 30932 ?). f. 151.
33290. Vol. II. All verse Anthems.
1. "Lord, how are they increased."
From a MS. belonging to Mr. Hawes.
f. 5.
2. "Thy righteousness, O God." From
Harley MS. 7340. f . 9.
3. "We will rejoice in thy salvation."
"1683." From the same MS. f. 18.
4. " O pray for the peace of Jerusalem,"
for solo. From Playford's Divine
Companion, f. 26.
5. "Lord, remember David," with 5-
part chorus, " composed on the
opening of the New Chappell at
Whitehall, Decr 9, 1698." From a
MS. at Ely Cathedral, f. 27b.
G. "Blessed is the man that hath not
walked." " July 27. 1706." From a
MS. belonging to Dr. Rimbault.
Different from vol. i, no. 8. f . 33.
7. "Turn us again, O God." From a
MS. formerly belonging to Mr. Hawes.
f. 36b.
8. "God is our hope and strength."
From a MS. belonging to Dr. Rim-
bault. Different from vol. i, no. 20.
f. 43.
9. "Why do the heathen so furiously
rage." From a MS. formerly belong-
ing to Mr. Hawes. f . 48.
10. "Praise the Lord, O my soul, and
all that is within me," without
chorus, "composed on the peace in
1697." From a MS. belonging to
Dr. Rimbault, collated with Harley
MS. 7339. f. 54.
11. " I was glad when they said," with
5-part chorus, "made . . . Octr y*
15, 1697 ... for the opening of St.
Paul's." From a MS. belonging to
Dr. Rimbault. f. 60.
12. " O Lord, thou hast searched mc,"
for solo. From Boyce's Cathedral
Music, f. 70b.
13. " 0 sing unto God and sing praises."
From the same, f . 74b.
14. " Thy way, O God, is holy." From
a MS. at Ely Cathedral, f. 80.
15. "I waited patiently for the Lord."
From a MS. belonging to Dr. Rim-
bault. f. 84.
16. "Bring unto the Lord, O ye
mighty." From the same library.
f.89.
17. "God is our hope and strength."
From the same library. Different
from vol. i, no. 20, and vol. ii, no. 8.
f.93.
18. "How doth the city sit solitary,"
without chorus. From the same
library, f . 99.
19. "When the Lord turned again."
From a MS. at Ely Cathedral, f. 102.
20. "Christ being raised." From the
same MS. f. 107.
21. "O Lord, I have sinned." " 1670."
From Boyce's Cathedral Music, f . 110.
22. "Turn thee unto me, O Lord," for
solo. From Add. 33234. f. 114.
23. " Jesus, seeingthemultitudes," with
5-part chorus. From a MS. belonging
to Joseph Warren, f. 11Gb.
24. " Behold, how good and joyful."
ANTHEMS.
Ill
From MSS. belonging to Dr. Rim-
bault and Ely Cathedral, f. 122.
25. " Sing we merrily unto God," with
G-part chorus. From MSS. belonging
to Dr. Rimbault and the Chapel
Royal, f. 124.
Additional 33291, ff. 113 ; 33292, ff. 47-113.
Paper ; a.d. 1865. Quarto. For Add. 33292, ff. 5-46b, see under Services.
Anthems by Dr. John Blow, transcribed by William Henry Husk,
Librarian of the Sacred Harmonic Society. Those in Add. 33291
are all verse Anthems, unless the contrary is stated, nos. 5-14 having
accompaniments for instruments.
8.
33291. Vol. I.
. "I will call upon the Lord" (solo
anthem). The treble part of the
chorus is wanting. From a MS.,
no. 1644, in the Sacred Harmonic
Society's Library, supplemented by
a Chapel Royal MS. f . 5.
. "0 give thanks unto the Lord, for
he is gracious." From MS. part-
books formerly belonging to the
Rev. William Gostling, of Canter-
bury, f. 12.
, "Ponder my words, 0 Lord" (solo
anthem). From the same source.
f.19.
" I will cry unto God." From a
MS. formerly belonging to William
Flackton. f . 22.
"0 give thanks unto the Lord, for
he is gracious." From a MS. belong-
ing to Joseph Warren. Different
from no. 2. f. 24.
"Sing we merrily," with 6-part
chorus. From the same MS. For
a copy without the instruments, see
Add. 33290, f. 124. f. 37.
"Lift up your heads, 0 ye gates."
From the same MS. f. 44.
" Cry aloud and spare not." From
a copy belonging to G. Townshend
Smith, collated with others belong-
ing to Joseph Warren and the Sacred
Harmonic Society, f. 48.
9. "Hear my voice, 0 God," with
5-part chorus. From a MS. formerly
belonging to Charles Hatchett of
Battersea (Add. 17839 ?). f. 54.
10. "The Lord is King and hath put
on." From a MS. belonging to
Joseph Warren, f . 66.
11. " 0 sing unto the Lord a new song,
for he." From a MS. belonging to
G. Townshend Smith, collated with
one belonging to Joseph Warren,
f. 74.
12. " Sing unto the Lord, 0 ye saints."
From the same two MSS. The last
4 bars are supplied by Warren,
f. 81b.
13. "The Lord God is a sun" (full
anthem). Composed for the Corona-
tion of William and Mary. From
MS. 1897 in the Sacred Harmonic
Society's Library, f . 93b.
14. "Thy Mercy, 0 Lord." From a
MS. belonging to Joseph Warren,
f. 104.
33292. Vol. II. Nos. 1-5 are verse Anthems, the rest are full.
Nos. 1-18 are copied from Rev. W. Gostling's part-books.
1. " I waited patiently." This setting
varies considerably from the version
in Add. 33290, f. 84. f. 47.
2. " The days of man." f. 52.
3. " Awake, awake, utter a song." Com-
posed after the victory at Blenheim
in 1704. f. 57b.
4. "The Lord is King, the earth."
f . 69b.
5. "Blessed be the Lord, my strength."
f.76.
6. " My days are gone." f. 81.
7. "Teach me Thy way, 0 Lord."
f. 83.
8. " Praise the Lord, 0 my soul, while
I live." f. 85.
9. "I will praise the name of God."
f.88.
112 VOCAL MUSIC— SACRED.
10. " Put me not to rebuke." f. 91. ! bclongeth." f. 107.
11. "Lord, Thou knowest all my de-
sire." f . 93.
12. " Bow down thine ear, 0 Lord, and
hear," with 5-part chorus, f. 95.
13. "Be merciful unto me, 0 Lord."
f. 97.
14. " In the time of trouble." f. 99.
19. "Behold, O God our defender,"
varying considerably from the an-
them beginning with the same words,
Add. 33289, f. 137. From MS. 1897
in the Sacred Harmonic Society's
Library, f. 109.
20. "Let my prayer come up into Thy
15. "0 praise the Lord of heav'n." presence." From the same MS.
f.101. f. 110b.
16. " Thy hands have made me." f. 103.
17. "Lord, Thou art become gracious."
f . 105.
18. "O Lord God, to whom vengeance
21. "My God, my soul is vexed." From
a MS. belonging to G. Townshend
Smith, f. 111.
Additional 31855, ff. 118, 120, 122b.
Paper ; a.d. 1871. Oblong folio.
Anthems, taken from The Whole Psalmes, printed by John Day in
1063, and scored by Joseph Warren (see under Hymns).
1. "O Lord of Hosts, thou God of ! Queen." " W. Parsons." f. 120.
Israel." "J. Shepherd." f. 118. i 3. " Remember not, O Lord God,
2. "Almighty God, whose kingdom
is everlasting." "A Prayer for the
our old iniquities." "A Prayer."
" Thomas Tallis." f. 122b.
Additional 36740, ff. 1-22 ; 36742, ff. 25b-44.
Paper ; about 1878, Folio and oblong folio. Add. 36740 also contains fragments
of secular music, sc. a Cantata (1892), Duets (1880-1890), and Songs (1878-1894),
together with exercises in Harmony ; and in Add. 36472 arc a fragment of a secular
Song, part of an Orchestral suite, and exercises in Harmony.
" Out of the deep," for a soprano solo and chorus, with symphonies
and accompaniment for flutes, oboes, clarinets, bassoons, trumpets,
horns, drums, harp, and strings, in score [by Arthur Goring Thomas].
Autograph. Performed at St. James's Hall in 1878. With a rough
draft (in Add. 36472) of the pianoforte score of the same.
Additional 35026, f. 60b.
Paper; a.d. 1895. Quarto.
" Conclusion of an 8-part Motett on the " Hundredth Psalm "
[beg. " All people that on earth do dwell "], by William Pole, who has
added the words " I wish to record my grateful remembrance of a . . .
kindness . . . received from Samuel Wesley senr in . . . 1836."
Additional 17858, ff. 12-27b.
Paper; 19th cent. Oblong folio. For the first part of the MS., sec under
Odes.
Anthems, in score, by Dr. Maurice Greene, copied from the
CANONS. 113
originals formerly in the possession of James Bartleman [now Add.
17853(?)], by Vincent Novello, who added an organ part.
1. "Rejoice in the Lord, O ye Right-
eous " (solo anthem), f. 12.
2. "Hear my crying, 0 God" (verse
anthem), f. 17.
3. " 0 give thanks unto the Lord and
call upon his name" (verse anthem),
f. 22.
Additional 23913.
Paper ; S. 30. 19th cent. Presented by Elizabeth Hutchins Horsley, the
composer's widow. Quarto.
" O Lord God of my salvation," Psalm 88, for 12 voices, with organ
accompaniment, in score, by W. Horsley.
Additional 31573, ff. 73b, 74.
Paper; 19th cent. Folio. For the rest of the MS., see under Oratorios.
Notes (illustrated) of variations between the published editions
and the original sketches at Buckingham Palace of Handel's " Chandos "
Anthems, " As pants the hart," and " Let God arise " (no. 3 of
Arnold's edition).
Additional 32383, f. 101.
Paper ; 19th cent. Small oblong folio. The MS. also contains a sacred
Cantata (see p. 137), a Cornet Concerto, a Grace, a Motet (1834), and fragments
of Operas (1834, etc.), described elsewhere.
" God save the Queen," with accompaniments for ottavino, flute,
oboe, clarinets, horns, [cornet a] pistons, bassoons, trombones, ophicleide,
drums, and strings, in full score. The vocal score is given separately
at f. 107, but without the words.
SECTION II.— CANONS,
including Sacked Rounds.
Harley 4664, f. 182b.
Vellum ; early 14th cent. 10i x 15£ in. From a Hymnal, forming part of a
Breviary, written apparently for Coldingham Priory, co. Berwick, and adapted to
Durham use.
The Hymn " Nunc sancte nobis Spiritus " (In principalibus festis),
set as a double Canon. "Written on 2 staves of 4 red lines.
1 14
VOCAL MUSIC— SACRED.
Additional 30485, f. 115b.
Paper ; 16th-17th cent. Small folio. Inserted near the end of a collection of
Virginal Music (see under Pianoforte Music).
" Two in one in the 5 vpon Miserere " ; without words.
Additional 31391.
Paper ; ff . 20. 16th-17th cent. Oblong duodecimo.
Canons on plainsong melodies, by William Byrd. Each of them
is signed with the composer's initials. Nos. 1-6 are founded on
" O Lux, Beata Trinitas " ; nos. 7-11 on the plainsongf." Per naturam " ;
and the rest on the " Miserere mihi, Domine." Only the last three
have the words filled in.
1, 2. " Two parts in one." ff. 2, 2b.
3, 4. " Foore parts in two." ff. 3, 3b.
5. " Two parts in one." f. 4 (reversed).
6. "Two parts in one, two sundry
waves." ff . 4b, 5.
7-11. " Synophe, two parts in one."
ff . 5b, 6b, 7, 7b, 8b.
12. "Three parts in one." f. 9.
J3-16. "Two parts in one." ff . 9b,
10b, 11, lib.
17. " Two parts in one" (" Plainesonge
hiest"). f. 12.
18. " Two parts in one." f. 12b.
19. " Two parts in one " (" Plainesonge
in the midst"), f. 13.
20. The same. f. 13b.
21. The same ("Plainesonge in the
mydst"). f. 14.
22. The same. f. 14b.
23. The same ("Plainesonge hiest").
f. 15.
24. The same. f. 15b.
25. The same ("plainesonge loest").
f.16.
26. The same ("Plainesonge hiest").
f. 16b.
27. The same. f. 17.
28-30. "Five parts" ("Three parts in
one"), ff. 17b, 18b, 19b.
Additional 29996, ff. 121b, 136.
Paper; early 17th cent. Small folio. For a further description of the MS.,
see under Organ Music (16th cent.).
1. "O all ye nations of the world"; for 4 voices, in score.
Anonymous, f. 121b.
2. " Remember . . . ." (20 parts in 1). By Elwaye Bevins. f. 136.
Additional 4900, f. 67.
Paper ; after 1600. Small folio. For a further description of the MS., see
under Songs (sacred).
Canons (2 parts in one), with the original plainsong melodies
on which they are founded, sc. (1) "O Lux, Beata Trinitas";
(2) " Verbum caro factum est."
CANONS. 115
Egerton 1246, f. 137.
Paper; a.d. 1620. Octavo. The MS. contains also several drawings of
Musical Instruments.
" Venite, exultemus Domino : fuga perpetua octavi toni : a 4,"
composed by Jacobus Schedlichius, " Vallensium organista " [? at
Leipzig], and inserted in the Album Amicorum of Johann Leonhard
Kotz, of Auerbach.
Royal Appendix 64.
Paper ; ff. 28. Temp. James I. Quarto. Formerly numbered Add. 5341.
The first lines of the Psalms in the Latin Vulgate version, set as
Canons (in 4 parts, unless the contrary is stated) by Sydrach Rahel.
From the dedication to James I, in French, it appears that they are
intended to be accompanied by the lute, i.e. in unison with the
voices. Included also are the " Oratio Dominica," for 5 voices (f. 27b),
and " Viuat Jacobus primus," apparently two settings for 2 voices
(f. 28). The first lines of all the Canons are given in the Index to
the present Catalogue.
Sloanel021, f. 115.
Paper ; about 1640. Small quarto. For a further description of the MS., see
under Songs.
" Canon ad decimam acutam," beg. " Qui non est mecum," by
Johannes Stobaeus, " Electoris Brandenburg : . . . capellae magister
. . . Regiomonti [i.e. Konigsberg] . . . 1640." Autograph.
Egerton 1312, ff. 12b, 17.
Paper ; a.d. 1644, 1648. Oblong duodecimo. The MS. contains also an
example of Harmony (about 1648).
Canons inserted in the Album Amicorum of Johann Veit Stoll, of
Nuremberg, sc. (1) " Ubi deficit auxilium humanum " (2 voices in
hypodiapason), by Joh. Andreas Herbst, Director of Music at Nurem-
berg, 1644. f. 12b; — (2) "Jesus, sola haereditas " (3 voices — "alter in
subdiapason "), by Joh. Sigismundus Hager, organist, of Nuremberg,
1648. f. 17.
Additional 31432, f. 2b.
Paper ; 1st half of 17th cent. Folio. For a further description of the MS.,
see under Songs.
" Tis joy to see how deadly sin " ; for 3 voices, " in the unison and
a 5th below," by William Lawes. Autograph.
116 VOCAL MUSIC -SACRED.
Additional 11608, ff. 85b, 86 (reversed).
Paper ; a.d. 1656-1659. Small folio. See also under Songs (secular).
Canons for 3 voices, written out at length.
1. " Ora et labora " ("5th above and
4th below, rising a note.") " J. H[il-
ton]." f. 85b (for another copy, in
score, see f. 39).
2. "Hast thee, 6 lord, make hast"
(catch). "Tho. Ford." f. 86.
3. "My soule, 6 lord, shall trust in
thee " (in the unison). " Jo. Hilton."
f.86.
Additional 30930, ff. 7b, 13.
Paper ; about 1680 (see f. 2). Folio. See also above, p. 27, under Anthems.
Canons, with a bass, in score, by H[enry] P[urcell], sc. (1) " Gloria
patri " (4 voices), f. 7b ; — (2) " Doraine, non est exaltatum cor meum "
(2 voices), the first 11 bars only. f. 13. Autograph.
Additional 31440, f. 181.
Paper; before 1685. Folio. See also under Motets.
" Non nobis, Domine": Canon for 120 voices in the unison, each
part taking up the singing a minim rest after the last singer. By
Pietro Reggio. Autograph.
Additional 17841, f. 64.
Paper ; early 18th cent. Small folio. See also above, p. 39, under Anthems.
Canon (4 in one), " Laudate Dominum, quia Bonus est," by
Dr. [William] Croft. Autograph.
Additional 30933, ff. 121-135.
Paper ; early 18th cent. Folio. For a further description of the MS., see
under Services.
Canons collected by William Flackton, of Canterbury, in score.
1. "Te Deum Laudamus, Te con-
fitemur Dominum." "Green." f. 121.
2. " Omnis Spiritus laudet Dominum "
(3 voices). By the same. Two
settings, f. 121.
3. "Miserere mei, O Jesu." "Blow."
f. 122b.
4. "Glory be to y" father." In G.
" Hen. Pursol." f. 124b.
5. " Glory be." In D minor. " Dan'1
Henstridge." f. 127 (reversed).
6. " Gloria Patri." In D (?). " Hen.
Pursoll." f. 128.
7. "Gloria Patri" (3 voices). In G
minor. By the same. f. 128b.
8. ' ' Laudate Dominum, omnes gentes "
^3 voices). By the same. f. 129.
9. " Sanctus, Sanctus, Sanctus, Domi-
nus" (3 voices). In C. "Matthew
Lock." f. 129b.
10. " Glory be to y' Father" (3 voices).
In D. By the same. f. 130.
11. "O bone Jesu, miserere mei" (2
voices). "Dr. Blow." f. 131.
CANONS.
117
12. " Doraine Jesu Christe " (6 voices).
" Matthew Lock." f. 131b.
13. " My soule, O Lord, shall trust in
thee " (3 voices). Anonymous, f. 158.
There are also numerous specimens of Canons without words in
extracts which follow from musical works by Morley, Bevin, and
Blow.
Additional 31461, ff. 5, 5b.
Paper ; early 18th cent. Quarto. See also above, p. 50, under Anthems.
Canons in the hand of James Kent, sc. (1) "Jerusalem, Oh that
thou hadst known" (round). By James Kent (?). f. 5 ;— (2) " Non
nobis, Domine." By W. Byrd. f. 5 ; — (3) Beginning of a Canon
without words. " Jer. Clark." f. 5b.
Karley 7337, ff. 192b-193b.
Paper ; a.d. 1715. Quarto. See also above, p. 53, under Anthems
Canons by various composers.
1. "Non nobis, Domine" (in 3 parts),
"compos'd by Mr. Tho. Morley."
Generally attributed to Byrd. f. 192b.
2. "0 that men would therfore praise
y" Lord " (3 parts in one). By the
same, f . 193.
3. "Hast thee, 0 Lord" (3 parts in
one). "By Mr. Rob' Ramsey,"
but ascribed by Hilton to Thomas
Ford. f. 193.
4. "Music devine, ye mirror of the
Arts" (3 parts in one). Originally
ascribed to Ramsey, f. 193.
5. "She weepeth sore in yc night" (4
parts in one). "Compos'd by Mr.
Ramsey," but attributed by Hilton
to William Lawes. f. 193b.
6. " Miserere mei, Domine " (3 parts in
one). Anonymous, f. 193b.
Printed Book, 785. d. 9, f. 47b.
Paper; a.d. 1730. Oblong octavo. For a further description of the MS.,
see under Treatises.
" Non nobis, Domine " ; for 3 voices, in score, by William Bird.
Additional 29386, ff. 25b-52 passim.
Paper ; about 1762. Quarto. See also under Catches.
Canons, for 3 voices (unless the contrary is stated), in score.
1. "Haste thee, O Lord," roundelay.
"Ford." f.25b.
2. "Lord, hear the poor." By T.
Ravenscroft, from Deuteromelia,
1609. f. 37b.
3. "O Lord, almighty." "Jn° Hil-
ton." f. 45.
4. "She weepeth sore" (a 4). " W,n
Lawes." f. 45.
5. "I am weary of my groaning."
" Edmd Nelham." f.45.
6. "Prostrate on my knees" (a 4).
" Jn° Hilton." f. 45b.
7. " Ora pro nobis " (a 4). " Jn.
Travers. f. 51.
8. " Gloria in excelsis." By the same,
f. 51b.
9. "In te, Domine, speravi " (a 4).
Anonymous, f. 51b.
10. "0 que c'est chose belle" (a 5).
" Claude le Jeune." f. 52.
11. "Miserere mei, Domine." "WD;
Bird." f. 52.
12. "Miserere nostri, Domine." By
the same. f. 52.
118 VOCAL MUSIC— SACRED.
Additional 23624, f. 78b.
Paper ; about 1763. Small folio. See also above, p. 68, under Anthems.
" Diliges Dominum ; " for 8 voices. It consists of four Canons, from
the Cantiones . . . sacrsp . . . Auctore . . . Guilielmo Birdo, 1575."
Additional 27750, ff. 82, 82b, 101b.
Paper; about 1766-1776 (see ff. 74, 101). Quarto. See also above, p. 66, under
Anthems.
Four Canons (3 in one), by Dr. Thomas Sanders Dupuis. Auto-
graph. All without words except the third (f. 82b), which begins
" Lord, bow thine Ear to my request."
Additional 14398, ff. 127, 128b.
Paper; a.d. 1770. Quarto. For a further description of the MS., see under
Motets.
Two Canons, in score, from Tallis and Byrd's Cantiones Sacrse, 1575,
sc. (1) "Miserere nostri, Domine " (7 voices), by Thomas Tallis, 1570.
f. 127 ;— (2) " Diliges Dominum " (8 voices), by William Byrde. f. 128b.
Additional 34998, ff. 19, 35, 36b.
Paper; about 1774-1775. Oblong folio. See also above, p. 70, under Anthems.
Five Canons for 2 voices, by Samuel Wesley.
1. "Hallelujah, Amen." f. 19.
2. A quasi-canon, to the same words.
f.35.
3. " O sing unto the Lord." f. 36b.
4. " God shall bless us." f. 36b.
5. "Praise him upon the well tun'd
cymbals." f. 36b.
6. "He maketh the barren woman to
keep house." f. 36b.
Additional 31819, ff. 1-51 passim.
Paper; about 1775-1787. Oblong folio. See also under Hymns (below,
p. 187).
Canons for 3 voices (unless the contrary is stated), most of them
probably by candidates for the prize medal of the Catch Club. From
no. 12 onwards no names are attached.
1. "Follow my path." "Dr. Arne."
f.l.
2. " Help me, O Lord, extend thine
arm." By the same. f. lb.
3. "O Lord, I lift my heart." Anony-
mous, f . 2b.
4. " Hear my crying, O God, give ear "
(4 in 2). " [J. W.] Holder." f. 3.
Cooke, 1787." ff. 5, 8b.
6. " I cried unto thee, save me."
"S. W[ebbe, sen'?], Dec' 16th,
1776." f.6.
7. " I cried unto Thee, O Lord." By
the same. f. 7.
8. " O Lord, in Thee have I trusted "
(4 in 2). "James Elliott." Auto-
5. "Glory be to God on high." "Dr. graph and copy. ff. 8, 11.
CANONS.
ll'J
9. " O come, let us sing " (4 in 2). By
the same. Autograph f. 9b.
10. "I laid me down" (round for 6
voices). "[R'1 ?] Savage." In the
hand of R. J. S. Stevens, f. 12.
11. "We praise thee, 0 God" (5 in 2).
"For the Prize Medal, 1785." f. 14.
12. " Halleluia, Amen " (9 in 1). f. 15.
13. " Let ev'ry voice Jehovah's Glory
sing." f. 19.
14. "Thee, Sov'reign God" (4 in 2).
f. 20.
15. "Thou, O God, art praised" (10
in 1). f. 22.
16. " Blessed is the man whom thou
choosest" (4 in 1). f. 23b.
17. "Jehovah reigns, let ev'ry nation
hear" (4 in 2). f. 25b.
18. "Unto Thee, 0 Lord, will I lift up
my soul." f. 27b.
19. "Thou, O God, art praised." By
J. W. Callcott. Autograph. " For
the Prize Medal, 1785." f. 29b.
20. "0 come, let us sing." [By the
same]. " For the Prize, 1785." f. 31.
21. " Rejoice in the Lord, let your
songs be of him." f. 32.
22. " Dominus regnat ; contremiscant
populi " (5 in 2). By J. W. Callcott.
" For the Prize, 1785." f. Si.
23. " Agnus Dei." "For the Prize
Medal, 1785." f. 34b.
24. " Blessed is he that consideieth
the poor" (4 in 2). By J. W. Call-
cott. f. 36b.
25. " Not unto us, O Lord." [By the
same], f 38.
26. "Nos autem gloriari oportet."
" Rece[ive]d 24th Jan>', 1775." f. 39.
27. " O how amiable are thy Dwel-
lings." By J. W. Callcott. " For
the Prize, 1785." f. 40.
28. "The Lord hath prepar'd his
Throne." f. 41.
29. " Glory be to the Father" (4 in 2),
with figured bass for violoncello or
organ, f. 42.
30. " 0 Jova, Domine noster." f. 43b.
31. " Though an host of men " (4 in 2).
f. 44b.
32. "Alleluia" (4 in 2). f. 46.
33. " In omni tempore tribulationis."
i. 47.
34. " Blessed be the Lord God " (4 in 2).
f.48.
35. " O let my mouth be filled." f. 49.
36. " Let us praise the name of the
Lord "(5 in 1). f. 50.
Additional 31806, ff. 46-1 84b passim.
Paper ; about 1777. Oblong folio. See also under Catches (1774).
Canons, for 3 voices (unless the contrary is stated), in score.
1. " Miserere mei, Domine, secundum
misericordiam." " Bird." f. 46.
2. " Adjuva nos, Deus" (a 4). Anony-
mous, f . 51b.
3. "Laudate nomen Domini" (a 6).
Anonymous, f. 58.
4. "Haste thee, O Lord." "Ford."
f. 58b.
5. " Exurgat Deus." " S. Webbe."
f.64.
6. "Help us, O God" (a 5). By the
same. f. 68.
7. " Go to the ant, thou sluggard."
Anonymous, f. 72b.
8. "Oh Absalom, my son." "Charles
King." f. 91.
9. " Come, let us strive." Anonymous.
f.96.
10. "By the waters of Babylon." f.l29b.
This and the next four appear to be
by "Dr. [M.] Greene."
11. 12. "O all ye works of the Lord "
and " Out of the Deep." f. 130.
13, 14. " Omnis spiritus laudet Domi-
num" and "Te Deum laudamus."
f. 130b.
15. "Glory be to the Father" (a 5).
" S. Webbe, 1777." f. 184b.
10
120 VOCAL MUSIC— SACRED.
Additional 11581, ff. 12b, 37.
Paper ; about 1780. Quarto. See also above, p. 71, under Anthems.
Canons in 3 parts, transcribed by Dr. Charles Burney, sc. (1)
"Non nobis, Domine." "Ascribed to Wm. Bird." f. 12b;— (2)
" Canone di Giuseppe Bernabei nella messa di morte." (Paulucci's
Arte pratica di Contrappunto, i, p. 158). f. 37.
Additional 11584, ff. 9b, 44b.
Paper; before 1782. Oblong quarto. For other contents of the ISIS., see
under Motets.
Canons for 3 voices, in the hand of Dr. Burney, sc. (1) " Veni,
Creator Spiritus," by Zarlino. Scored from his Istitutioni armoniche,
ed. 1573. f. 9b :— (2) " Regi Regis Regum arcana cano," by Henry
Lawes[1650]. f. 44b.
Additional 11585, f. 38b.
Paper; before 1782. Oblong quarto. For a further description of the MS.,
see under Motets.
" Benedictus qui venit " (a 2), by [Anton] Brumel (from Glarean),
cited by Burney as an example of Homophonia in the Mixolydian
mode.
Additional 11588, ff. 74b, 75b.
Paper ; about 1783. Quarto. For a further description of the MS., see under
Madrigals.
Two Canons, sc. (1) "Amo Christum" (2 voices), with separate
figured bass, by Romano Micheli, 1615. f. 74b ;— (2) " Tu es Petrus "
(4 voices). Anonymous, f. 75b.
Additional 27643, f. 16.
Paper ; about 1783 (see ff . 15b, 17). Quarto. See also under Glees (1803-
1812).
" O sing unto the Lord a Song of thanksgiving " ; for 3 voices, in
score, by Dr. J. W. Callcott. Autograph.
Additional 27642, passim.
Paper ; a.d. 1784-1800. Oblong quarto. The MS. appears to have belonged
to the " Concentores [Sodales] " in 1800 (see f. 16b), and afterwards to W. H.
Callcott. It contains also a secular Canon, Catches, Glees, Madrigals, a Motet
(sacred), and secular Trios, all described elsewhere.
Canons for several voices (4, unless the contrary is stated), in
score, by Dr. J. W. Callcott. Autograph.
1,2. "Hear rny prayer, O God, and
hide not thyself." Two settings.
ff. 2b, 4b.
3. " Not unto us, O Lord " (a 3). f. 6.
CANONS.
121
4. " 0 give thanks " (a 3 ?). " Jan* 15,
1800." f. 16b.
5. " Thou, 0 Lord, hast known."
" October 15, 1?90." f.29.
6. " I am well pleas'd." " Prize
medal, 1791." f. 29b.
7. "Not unto us, O Lord." "1791."
f.30.
8. "Blessed is he that considereth the
Poor." " DeC 6, 1784." Prize
medal, 1785. f. 50b.
9. " 0 how amiable are thy dwellings"
(a 3). " Dec' 13, 1784." f.68b.
10. " Praise the Lord, 0 my soul and
all that is within me." f . 70b.
11. "Thou, O God, art praised" (a 3).
" Decr 24, 1784." f.83b.
12. "Dominus regnat, contremiscant
populi" (a 5). "Decr 24, 1784."
f.84.
13. "O come, let us sing unto the
Lord" (a 3). " DeC 20, 1784."
f . 86b.
The following 30 numbers are dated " 1786 "
14. " Sing unto the Lord, all the ..."
Unfinished, f. 121b.
15. ' ' Out of the deep." f . 126b.
16. " O be joyful in the Lord." f. 141.
17. "Be thou my judge" (a 3). Un-
finished, f. 141b.
18. "O come, let us sing" (a 5). ff.
146, 147b.
19. "Vox clamantis in deserto" (a 5).
f. 148.
20. "Lord, now lettest thou" (a 5).
f. 148b.
21. " Comfort us again, O Lord " (a 5).
f. 149.
22. "Ubi tua, O Mors, victoria" (a 5).
f. 151.
23. "Confitebortibi, Domine." f.l52b.
24. " Oh that I had wings." f. 153.
25. " Kyrie eleison." f. 154b.
26. "In te, Domine, speravi." f. 155.
27. "Lord, thou hast been our refuge."
f. 155b.
28. "I am well pleasd " (different from
no. 6). f. 156.
29. " De profundis." f. 156b.
30. "O God, thou hast searched me."
f. 157.
31. "In the Lord put I my trust."
f . 158.
32. "Blessed be thou, Lord God of
Israel." Beginning only, f . 158b.
33. "The sorrows of Death." f. 159.
34. "Thou shalt shew me the path"
(prize medal, 1787). f. 159b.
35. "Hear my voice, O God, in my
pray'r." f. 160.
36. "I will magnify thee, O Lord."
f . 160b.
37. " Trust ye in the Lord." f. 161.
38. "Not unto us, O Lord" (a 5).
f. 162.
39. "Super flumina Babylonis" (a 5).
f. 164.
40. "Turn thee unto me" (a 5).
f . 165.
41. "Dixit Dominus Domino meo."
f. 165b.
42. "I will wash my hands." f. 166.
43. "O give thanks unto the Lord"
(a 5). Unfinished, f. 166b.
The remaining numbers are dated " 1785 " : —
44. "Hear my prayer, O God, and
hide not " (different from no. 1).
f. 192b.
45. "Bow down thine ear." f. 193.
46. "Turn thee again." f. 193b.
47. " Thou, Lord, hast been a defence."
f. 194.
48. "O give thanks unto the Lord."
f. 196.
49. "Glory be to the Father." f. 197.
50. " Save us, 0 King." f. 197b.
51. "Lord, in thee have I trusted"
(a 3). f. 198.
52. " God is our hope." f. 199.
In one or two instances the names of the original singers are given.
See f. 20b, where [J.] Hindle, [J.] Danby, [R.] Cooke, and [S.] Webbe
[jun' 1] are mentioned.
122 VOCAL MUSIC— .SACKED.
Additional 34608, f. 27b.
Paper; about 1785-1789. Oblong octavo. See also above, p. 74, under
Anthems.
" Praise God upon ye Lute " ; for 3 voices, in score, by [John]
Dowland, 1600.
Additional 30392, If. 20-22b passim.
Paper ; a. d. 1791 (f. 22). Quarto. See also above, p. 75, under Anthems.
Sketches of 3-part canons by Dr. William Crotch, sc. (1) " Let
all those that love Thy name." f. 20 ; — (2, 3) Two settings of the words
"Not unto us, O Lord." ff. 21, 22 ;— (4) " O Lord, in thee have I
trusted." f. 22b. Autograph.
Additional 27645, ff. 62-93 passim.
Paper ; a.d. 1791-1806. Oblong quarto. The MS. belonged to W. H. Callcott.
It contains also an Anthem (p. 74), and Catches, etc., described elsewhere (see
the Index-table of MSS.).
Canons (for 4 voices, unless the contrary is stated), in score, by
J. W. Callcott. Autograph. Nos. 2-5 are written 4 in 2.
1. "Thou shalt have none other Gods "
(a 3 — " Recte et Retro et Sursum vel
deorsum "). " Ocf 11, 1792." f. 62.
2. "Let me die the death of the
righteous." " August 18, 1791." f. 67.
3. "O Israel, return unto the Lord."
i. 68.
4. " Piii d' un giorno e la vita mortale."
f.69.
5. "In the day of prosperity." " June
3, 1806." f . 92.
6. "Thou, O God, art praised in Sion "
(10 in 1). " June 16, 1806." f. 93.
Additional 11589, ff. 25-121 ; 11590 (ff. 100) ; 11591, ff. 1-22.
Paper; after 1794. Oblong quarto. Belonged to William Chappell before
1839. For a further description of 11589, see under Motets (late 18th cent.) ; and
for 11591, see under Operas (late 18th cent.).
Transcript by Dr. Charles Burney of the Regole del contrappunio
pratico di Nicola Sala . . . 1794, only a few unimportant headings
having been omitted. In vol. i, f. 28b, the transcriber has added a
specimen of counterpoint not in Sala's work.
Additional 5337, f. 82b (reversed).
Paper ; 18th cent. Folio. For a list of the contents of the MS., see under
Oratorios.
" Who is the King of Glory " (Canon, 3 in 1). By Dr. [William ?]
Hayes.
CANONS.
123
Additional 29291, ff. 23-36 passim.
Paper; 18th cent. Belonged to R. Guise in " Oct. 1762." Polio. The volume
also contains Canons (secular), Catches, a Duet (secular), Glees, Madrigals, Part-
songs, etc., all described elsewhere.
Canons for 3 voices (unless the contrary is stated), in score. Those
marked with an asterisk are included in " Catch that catch can," 1652.
1. *" Non nobis, Domine." "WraBird."
f.23.
2. *" Haste thee, O Lord" (? for 4
voices, in the original). "Tho' Ford,
1611." f. 23b.
3. " O Lord, I will praise thee." Anonji-
mous. f. 24.
4. *" My soul, 0 Lord, shall trust in
thee." "J.Hilton." f. 24b.
5. "Laudate Dominum de coelis."
Anonymous, f. 25.
6. *" Thus said (sic) the preacher." By
E. Nelham. f . 25.
7. "Miserere mei, Domine." "W"1
Bird." f. 25.
8. " Praise God upon the lute." "John
Dowland." f. 25b.
9. *" She . weepeth sore" (4 voices).
"W-Laws." f.26.
10. "0 go your way into his Gates " (4
voices). "H. Purcell." f . 26b.
11. "Lord, thou hast been favourable."
"WmLawes." f. 27b.
12. "Happy sons of Israel." By the
same, ff . 28, 36.
Additional 29393-29395, ff. 6, 7b.
Paper ; 18th cent. Oblong duodecimo. For a further description of the MS.,
see under Choruses (below, p. 162).
Two Canons for 3 voices, in parts, by — Trevor, sc. (1) "Jesu,
Filius (sic) Dei." f. 6 ;— (2) " Memento, Homo." f. 7b.
Additional 31441, ff. 79b, 80b.
Paper ; 18th cent. Oblong quarto. For a further description of the MS., see
under Motets.
Catches (so-called) for 3 voices, in score.
1. " Thus saith the Preacher." " [Ed-
mund] Nelham." f. 79b.
2. "0 Absalom . . my son " "Hen.
Laws." f. 80b.
3. "Jerusalem, 0 that thou hadst
known." Anonymous. There is a
copy in James Kent's hand in 31461,
f. 5 (seep. 117). f.80b.
Additional 31471, ff. 142-143.
Paper ; 18th cent. Folio. See also under Masses.
A sketch of a composition for 3 choirs of i voices each, with a basso
continuo for organ, in parts, apparently compiled by Vincenzo Ugolino
from the following Canons, all of which are anonymous.
1. " Agimus tibi gratias " (6 in 1).
f. 142.
2. " Sedenti in throno" (4 voices).
f. 142.
3. " Ipsi gloria et imperium " (4 voices),
f. 142.
4. " Tu dominaris omnium " (4 voices).
f. 142.
124
VOCAL MUSIC— SACRED.
5. " Tribus Honor vims." f. 142.
6. " Soli deo honor " (6 voices), f. 142.
7. "Laudem dicite Deo" (2, 3 and 4
voices), f. 142.
8. "Cantemus Domino cum primis
vocibus." f . 142.
9. "Laus, honor, virtus, gloria" (3
voices), f. 142b.
10. "Laudato sempre sia il nome" (4
voices), f. 143.
11. " Laus Tua, deus" (4 voices), f. 143.
12. "Per te ccepta finiatur " (4 or 5
voices), f. 143.
Additional 31649, ff. 115-116.
Paper ; 18th cent. Oblong folio. For a further description of the MS., see
under Operas.
Three copies of " Non Nobis, Domine " ; for 3 voices, in score.
Said to be by William Bird.
Additional 5336, ff. 7, 8, 22b, 32.
Paper ; late 18th cent. Oblong folio. The MS. also contains a Carol (see
below, p. 145), Catches, Madrigals, Secular Quartets and Trios, and Organ Solos,
described elsewhere.
Canons, for 4 voices and in score (unless the contrary is stated).
Nos. 1-4 are from Pammelia, by T. Ravenscroft, 1609.
1. "Attend, my people, and give ear."
f.7.
2. " O Lord, turn not away thy face."
i. 8.
3. "0 Lord, in thee is all my trust."
f.8.
4. "Miserere nostri, Domine" (3
voices), f. 22b.
5. "Ave, Maria, gratia plena" (3
voices). Written out in full, in a
different hand. Anonymous, f. 32.
Additional 29387, f. 4.
Paper ; late 18th cent. Oblong quarto. Belonged to William Ayrton.
" Amen " : Canon per augmentation, for 3 voices, in score, by Dr.
[Benjamin] Cooke. Autograph.
Additional 31462, ff. 6, 43b-66 passim.
Paper; late 18th cent. Oblong octavo. The MS. also contains secular
Canons, Catches, a Part-song, and a number from an Opera.
Canons and sacred Rounds, in the hand of E. T. Warren Home.
Unless the contrary is stated, they are for 3 voices, and written out
in full.
1. "Haste thee, 0 Lord, make haste."
"Ford." f.6.
2. "Help us, 0 God." "Dr. Hayes."
f. 43b.
3. "Bow down thine ear, 0 Lord."
By the same. f. 44.
4. "Benedicite Dominum. Amen," in
score. By the same. f. 44b.
5. " Clamavi in toto Corde meo," in
score. Anonymous, f . 45.
6. "I charge you, 0 ye Daughters of
Jerusalem," in score. " Jn° Church."
f. 45b.
7. "Jesus is harmonius." "WmLawes.''
f . 47b.
8. " Lift up your heads and rejoice," in
score. Anonymous, f . 52.
CANONS.
125
The remaining Canons, with the exception of nos. 14 and 20, are
by Dr. Greene.
9, 10. "Out of the deep," and " 0 all ye
works of the Lord." f. 54.
11,12. "By the waters of Babylon,"
and " Ora pro nobis." f. 55.
13. " Te Deum laudamus." f. 56.
14. "Jerusalem, 0 that thou hadst
known." Anonymous, f. 58.
15. "Kyrie, eleyson," for 4 voices,
f . 61b.
16. " Christe, eleyson," for 4 voices.
f.62.
17. " We praise thee, 0 God," in score
f.62b.
18. "OmnisspirituslaudetDominum,"
in score, f. 63.
19. " Adeste, cantemus Dominum," for
4 voices, in score, f . 63b.
20. "I charge ye, O Daughters of
Jerusalem." " Jn° Hilton." f. 66.
Additional 31463, ff. 1-61 passim.
Paper ; late 18£h cent. Oblong octavo. The MS. also contains Secular
Canons, Catches, a Part-song, and a number from an Opera.
Canons for 3 voices, written out in full, in the hand of E. T
Warren [Home].
1. "Jerusalem, Oh that thou hadst
known." Anonymous, f. 1.
2. Another setting of the above. " Ro-
sengrave." f. lb.
3. " Haste thee, 0 Lord." "Ford." f. 5.
4. "By the waters of Babylon." " Dr
Green." f. 9.
5. "Ora pro nobis." By the same.
f.34.
6. "O Absalom, my son." "King."
f. 42b.
7. Another setting of the above. "H.
Lawes." f. 43.
8. " 0 all ye works of the Lord." " Dr
Green." f. 49.
9. "I charge ye, 0 Daughters of Jeru-
salem." "Jn° Hilton." f. 61.
Additional 31670, f . 60.
Paper; late 18th cent. Oblong octavo. The MS. also contains Anthems
(above, p. 92), etc.
Canons (3 in 1), by Samuel Webbe [senior], sc. (1) "Let ev'ry
voice Jehovah's glory shew." f. 60 ; — (2) " I laid me down and slept."
f. 60b.
Additional 31807, f. 21.
Paper; late 18th cent. Quarto. For other contents of the MS., see under
Glees (1779-1823).
" Exaudi, Domine, justitiam " ; for 3 voices, in score. Anonymous.
Additional 31995, ff. 20b-21b.
Paper ; late 18th cent. Oblong octavo. The MS. also contains secular Canons
and examples of Harmony.
Canons founded on chorales : the first few bars only, in musical
shorthand. By an anonymous German composer.
1. " Erschienen ist der herrliche Tag."
f. 20b.
2. "Jesus Christus, unser Heyland."
f. 20b.
126
VOCAL MUSIC— SACRED.
3. " Christ lag in Todes bande." f. 20b.
4. " Christ ist erstanden." f. 20b.
5. "Erstanden ist der Herre Christ."
f. 20b.
6. " Komm, Heiliger Geist." f. 21.
7. "Nun bitten wir den Herre Christ."
f. 21.
8. " Herr Jesu Christ, Dich zu uns
Wend*." f. 21.
9. "Ach! Gott und Herr." f. 21.
10. " Es ist das Heyl uns kommen."
f. 21.
11. "Gott sey gelobet." f. 21b.
12. " Dies' sind die heil'gen zehn
Gebot'." f.21b.
13. "0 Herre Gott, begnade mich."
f . 21b.
Additional 35038, f. 44b.
Paper; late 18th cent. Quarto. See also under Anthems (above, p. 100).
" Haste thee, O Lord, make haste with speed " : round for 3 voices,
in score, by Thomas Ford, 1650.
Additional 31818, f. 5b.
Paper ; early 19th cent. Oblong folio. See also above, p. 95.
" Help us, O God " ; for 3 voices, in score. By [W. ?] Hayes.
Additional 31822, ff. 28, 71.
Paper ; early 19th cent. Quarto. See also above, p. 96.
Canons for 3 voices, in score, sc. (1) "Hallelujah," by J. W.
Holder, f. 28 ;— (2) " Great is the Lord." Anonymous, f. 71.
Additional 34999, f. 179.
Paper ; early 19th cent. Quarto. See also under Hymns (below, p. 194).
"As pants the Hart" (3 in 1), by Samuel Wesley. Autograph.
Additional 35001, f. 37.
Paper; early 19th cent. Quarto. For a further description of the MS., see
under Motets.
" Collaudate Dominum Deum, omnes popu[li] " : beginning of a
Canon for 3 voices, in the hand, and probably the composition, of
Samuel Wesley.
Additional 27646, ff. 194b, 195.
Paper ; about 1800 (watermark). Octavo. For the rest of the volume, see
p. 98, and the Index-table of MSS.
Two Canons (4 in 2), by Dr. [John Wall] Callcott. Printed.
1. "Hear my prayer, O God." The
first 6 bars only (for the remainder,
see 27642, f. 2b). f. 194b.
2. Another to the same words (an in-
version of the preceding), f. 195.
CANONS.
127
Additional 32013, f. 68b ; 32018, ff. 55, 98 ; 32021, passim.
Paper ; a.d. 1814-1841. Oblong quarto. For a fuller description of vols, i
and ii, see under Hymns (below, p. 189) ; for vol. iii, see under Glees (1806-1850).
Canons by Thomas Miles. Autograph.
32013. Vol. I.
"'Tis religion that can give." "10
July, 1841." For 4 voices, with piano-
32018. Vol. II.
1. " In a land of strange delight." Set
as above. The words by Montgomery.
f. 58.
32021. Vol. III.
1. " Ostende nobis, Domine " ("Canon
in the 5th below and 4th above").
" April 221"1, 1821." f. 2.
2. "Enter not into judgment" ("Round
for 3 voices "). " April 29th, 1821."
f.4b.
3. "I have long'd for thy saving health."
(Same as no. 1, "falling a tone at
every repetition "). " Novr 2nd, 1814."
f. 22b.
4. " Almighty Father t save the King"
("Round, 4 voices"). "May 7th,
1823." f. 34.
5. " Gloria tibi, Domine" (for 3 voices,
"in the 4th and 8th below "). f. 43b.
forte accompaniment. The words by
Mrs. Masters, f. 68b.
2. " Quare tristis es " (six in two), with
accompaniment for organ, f. 98.
6. " Be thou exalted, Lord." Set as
above. " 12th March, 1826." f. 55b.
7. "Hallelujah, Amen" (3 voices, "in
the 12th and 5th below"). "26th
March, 1826." f. 56.
8. "Praise the Lord, O Jerusalem"
("Round, 3 voices"). "13 May,
1826." f. 56.
9. No. 7 reversed, f. 56b.
10. " Domine, exaudi orationem "
("Three in one per Arsin et Thesin ").
" 11th May, 1826." f.58b.
11. " Spera in Deo " (" Round, 4
voices"). "12 Jan", 1832." f. 64b.
Additional 31239, f. 29.
Paper ; about 1825-1829. Oblong duodecimo. For a further description of the
MS., see under Harmony.
" Diligam te Domine " (in 5th and 8th), for 3 voices. In the hand
of, and apparently composed by, Samuel Wesley.
Additional 9074, ff. 26-33b, 35.
Paper ; about 1831. Oblong folio. For a further description of the MS., see
above, p. 105.
Canons, in score, by Henry Purcell, transcribed by Vincent Novello.
Nos. 2-7 are taken from Add. 30933 (see above, p. 116).
1. "Gloria Patri et Filio " (from a MS.
belonging to Mr. Hawes). f. 26.
2. " Glory be to the Father." f. 29b.
3. " Gloria Patri." f. 30b.
4. " Laudate Dominum " ; for 3 voices,
f . 31b.
5. "And mine eyes have seen," from
the anthem " Save me, O God " ; for
5 voices, f. 32.
6. " Gloria Patri " ; for 3 voices, f. 32b.
7. "Alleluia." f. 33b.
8. "Amen. Allelujah." Imperfect.
From the title-page of Playford's
Harmonia Sacra, i. 35.
128 VOCAL MUSIC— SACRED.
Additional 33239, ff. 48-49, 147-148.
Paper ; about 1832. Oblong folio. See also above, p. 102.
Canons, in score, copied by Vincent Novello from a MS. (now Add
30933) which then belonged to the Rev. Joshua Dix, of Faversham.
1. "Sanctus" in C, for 3 voices. "Mat
thew Lock." f. 48.
2. " Domine Jesu Christe," for6voices
By tbe same. f. 49.
3. '-Miserere mei, 0 Jesu.'' "Dr.
Blow." f. 147.
4. "O bone Jesu." By the same,
f. 148.
There are a few other Canons in the same MS. forming portions of Services,
under which heading they are described.
Additional 19648, f. 44.
Paper; a.d. 1833. Quarto. For a further description of the MS., see •
Glees.
" Glory be to thee, O Lord " ; for 4 voices in one, in score, by J.
Warren. Autograph (1).
Additional 30273, f. 2.
Paper; about 1833 (watermark, f. 35). Narrow oblong octavo. See also under
Catches.
" Non nobis, Domine" ; for 3 voices, in score, attributed to William
Byrd ; followed by two " Amens," for 3 and 4 voices.
Egerton 2829, B, f. 11.
Paper ; about 1837. Small folio.
" Amen " : Canon for 4 voices, in score, by [Thomas] Attwood. A
shortened version of the same is given, also in the composer's hand, in
Add. 35026, f. 16, of which the probable date is 1837.
Additional 35026, ff. 16, 16b, 29b.
Paper; a.d. 1837-1841. Quarto. For a description of the MS., see under
Albums.
Three Canons, sc. (1) " Amen " (4 in 2), by Attwood. Autograph,
about 1837. f. 16; — (2) " Alleluja. Amen. Canone Enimmatico di
Joh. Seb. Bach, 1720." In the hand of Dr. Schlemmer, 21 April,
1838. f. 16b;— (3) " Benedictus, qui venit " (4 in 2), by Henry R.
Bishop. Autograph, f. 29b.
Additional 14341, f. 18.
Paper ; before 1843. Oblong quarto. See also above, p. 107.
" Kyrie, eleison"; for 5 voices, in score, "upon a subject in
Mozart's Kyrie (Mass in F, no. 3)," by Samuel Wesley, July, 1805.
CANTATAS. 129
Additional 34052, ff. 7b, 28, 56.
Paper; 19th cent. Quarto. See also under Canons (secular).
Canons in the unison, in score, by Italian composers.
1. " Pieta, mio Dio " (3 voices).
"Gampani." f.7b.
2. "Cantabimus canticum novum" (5
voices). Anonymous, f . 28.
3. " Tre dolci e cari nomi hai in te
raccolti" (3 voices). Anonymous,
i. 56.
SECTION III.— CA.NTATAS
FOR USE IN CHURCH OR OTHERWISE.
Additional 33610, ff. 29-45.
Paper ; a.d. 1627. Folio.
" Gratulatio Angelica Bey dem fiirstl. Beylager .... Friderichs
Marsreraven zu Baden und .... Eleonorse, Gravin zu Solms
(Laubach) . . . 1627 . . . mit 9 stimmen (Raphael and 2 choruses of
angels, etc.) cum bassu continuo componirt durch Johann Andream
Herbst von Franckfurt am Main, chori Musici Directorem."
In parts.
Printed Book, D. 212. c, vol. i, f. 68 ; ii, f. 62b ; iii, £. 69b.
Paper ; a.d. 1688. Small quarto. See also under Motets (after 1613).
" Passio secundum Matthajum," beg. " Das Leiden vnd Sterben
unsern Herrn," for solo voices (Jesus, Pilate, Judas, etc.) and 4-part
chorus. Canto, alto, and basso parts only. Anonymous. Transcribed
in 1688.
Additional 14127, passim.
Paper ; a.d. 1726, etc. Folio. See also under Motets (1745).
Cantatas, with accompaniments for instruments and a figured bass
for organ, in score, by Nicola Porpora, " Maestro delle Figlie del Coro
del Pio Ospedale d' Incurabili. 1731. In Venezia." Almost entirely
Autograph. All written for solo voices, with a chorus of 4 mixed voices
(unless the contrary is stated).
1. " Sacram sumentes lyram " (" In-
troduzione al Salmo Miserere,"
1731) ; with a chorus of 4 female
vnices. f . 1.
2. "Resplendet novo sole nox" ("mot-
tetto Pastorale," 1739); with hunt-
ing horns, flutes, oboes, etc. I. 39.
3. "Cum invocarem," with chorus of
130
VOCAL MUSIC— SACRED.
4 female voices. " 1726." f. 67.
, " Colla stagion novella" ("cantata
in Lode di S. Gennaro Di D. Nicola
Porpora per cantarsi nel Sedile Di
Porta Noua . . . 1768 ") ; with trum-
pets, horns, oboes, etc. The accom-
panied recitative at f. 167 appears to
belong to it. f . 95.
5. " Sorgi sereno il ciglio" (cantata for
2 voices, La Beligione and L' Onni-
potenza) ; with trumpets, horns,
oboes, etc. f. 114.
Additional 5326, f. 63.
Paper; about 1732 (date of publication). Oblong quarto. Belonged to the
composer's pupil [Charles] John Stanley (bookplate with arms).
" The Song of Deborah and Barak " : a short work, of the nature
of an oratorio, for solo voices and 4-part chorus, with symphonies and
accompaniments for trumpets, oboes, and strings, in score, by Dr.
[Maurice] Greene. Apparently in the hand of Dr. Boyce. It begins
"Attend, ye princes."
Additional 32080.
Paper ; ff . 233. a.d. 1772, etc. Folio.
Church cantatas for solo voices and chorus, with symphonies and
accompaniments for strings and a figured bass for harpsichord or organ,
in score. Other instruments employed are mentioned below. The
numbers marked with an asterisk have also separate parts. Nos.
1—11 are by Joh. Gottfr. Krebs ; and nos. 5-7 appear to be in the
hand of H. W., 1789 (see f. 95).
Heiligthum " ; with oboes, trumpets,
kettledrums, etc. Copied by — Kiister
for J. E. Kayser, in 1772. f. 96.
9. *" Der Himmel majestatsche Lie-
der " ; with horns, etc. i. 143.
10. "1st dies der Held aus Davids
Saamen " ; with oboes, etc. f. 166.
11. *" Christus kommt her." f. 174.
12. *"Singet dem Herrn, lobet ihn";
with oboes, trumpets, horns, drums,
etc. " [G. A.] Bergt." Belonged to
[Wilhelm?] Stade. f.187.
1. "Hosianna dem Sohne David"; with
horns, etc. f. 1.
2. "Dein Zorn, du Allmachtiger " ;
with oboes, etc. f. 8.
3. *" Wohl dem der nicht wandelt " ;
with oboes, etc. f. 15.
4. *" Barmherzig ist der Herr." f. 38.
5. "Gross ist die Menge falscher
Christen." f. 59.
6. *" Die Friihling lockt uns ins Ge-
fielde " ; with flutes, etc. f . 67.
7. " Der Hirten sanfte Flote." f. 90.
8. *" Lobet den Herrn in seinem
Additional 32173, ff. 39, 75.
Paper; a.d. 1778, etc. Oblong folio. The MS. also contains Sacred Choruses,
etc., described elsewhere.
Two sacred compositions, of the nature of odes, in honour of St.
Rupert of Salzburg, divided into two parts, Figura (wanting in the
first) and Applicatio. They are written for solo voices (Filia Petri,
2 Priests, and 2 Levites) and a 4-part chorus of people, with symphonies
and accompaniments for horns (once a cornetto di postiglione), trumpets,
oboes, flutes, strings, and harpsichord, in score. The second Cantata
begins " In emigratione nostra," and is headed " Canticum in Tono
CANTATAS. 131
peregrine" Dated Salzburg, 7 June, 1778, and 24 Aug. 1782. By
Johann Michael Haydn. Autograph.
Egerton 2379, f. 149.
Haydn's "Die Sieben Worte": the original form, about 1787,
as described below, under Orchestral Music (Miscellaneous).
Additional 30392, ff. 5b-17b.
Paper ; a.d. 1790. Quarto. See also above, p. 75.
" Part of Messiah, a Sacred Eclogue, by Pope, set to music by "W.
Crotch," for solo voices and chorus, with accompaniments for 2 trumpets,
2 violins, viola, oboe, and bassoons, and a figured bass, in full score.
Autograph. Begun " 13 October " and ended " 22 October," 1790.
Additional 33792, ff.69.
Paper ; a.d. 1794. Oblong octavo and folio.
" Jauchzet dem Herrn alle Welt " (Psalm 100), for solo voices and
4-part chorus with symphonies and accompaniments for trumpets,
oboes, flutes, strings, drums, and a figured bass for organ, in score.
By Johann Adam Hiller. Autograph. At the end is a set of the
parts, of which the organ-part is transposed. The treble chorus-part
is in duplicate. Some slight alterations appear to have been made in
1814 (see f. 2).
Additional 14102, ff. 164-197.
Paper; 18th cent. Folio. See also under Motets.
" Cessent corda lamenta formare " ; for a treble voice with 4-part
(and at the end 3-part) chorus, with symphonies and accompaniments
for trumpets, oboes, and strings, and a figured bass for organ, in score.
[By Francesco Durante?] Autograph.
Additional 14148, ff. 246-274.
Paper ; 18th cent. Oblong quarto. See also under sacred Songs (1725-1738).
Dialogue, apparently for only 3 voices, Speranza, Genio celeste,
and Genio maligno, with a bass for harpsichord or organ, in parts. [By
Francesco Feo.]
Additional 31051.
Paper; ff. 36. 18th cent. Folio.
" Trostvolle Gedancken iiber das Leiden und Sterben unsers
Herrn und Heilandes Jesu Christi . . . C. H. Graun " : recitatives
and arias, etc., for solo voices, and 4-part choruses, with symphonies
and accompaniments for trumpets, oboes d'amore, flutes, and strings,
132 VOCAL MUSIC— SACRED.
and a figured bass for organ, in score. Beg. " Fiirwahr Er trug
unsre Krankheit," to which is prefixed a chorale, " Em Lammlein geht
und triigt die Schuld," where the instruments are in unison with the
voices.
Additional 31310, ff. 21-36.
Paper ; 18th cent. Oblong folio. See also under Magnificat (below, p. 208).
" Mein Odem ist schwach " : a short sacred composition, consisting
of bass solos and 4-part choruses, with short symphony and accompani-
ments for strings, in score, by J. E[rnst ?] Bach.
Additional 31685, 31686.
Paper ; ff . 37 and 44. 18th cent. Oblong folio.
" Miserere a Due voci con istromenti Tradotto in versi volgari e
posto in musica dal Sigr Nicolo Jomelli." Two copies, the first
described as " Miserere Volgarizzato." Begins, " Pieta, Signore, se
grande e il fallo mio."
o
Additional 31699.
Paper ; ff . 179. 18th cent. Oblong quarto.
Christmas Cantata in 2 parts, for 3 solo voices, Elpino, Tirsi, and
an Angel, and choruses of shepherdesses and angels, with symphonies
and accompaniments for oboes, flutes, strings, psaltery, and harpsi-
chord, in score, by Giovanni Battista Costanzi. Not autograph, though
marked " originale." Begins "Elpino, ah come cede tenera etade al
sonno ! "
Additional 31702, ff. l-9b.
Paper ; 18th cent. Folio. The MS. contains also part of a Mass.
" Bald, bald, erscheint das Heil der frommen " ; for solo voices and
4-part chorus, with symphonies and accompaniments for strings and a
figured bass for organ, in score ; by Georg Benda. Autograph.
Additional 32389, passim.
Paper; 18th cent. Folio. The MS. also contains a Mass, a Motet, and
Sacred Songs.
Church Cantatas, for' solo voices with 4-part chorales, and with
symphonies and accompaniments for strings, organ, etc., in score.
Nos. 1, 2 are in the hand of [Georg Philip] Telemann, and have addi-
tional accompaniments for horns and oboes ; the rest are also by
Telemann, but are in a rather later hand. Oboes, as well as strings,
etc., are also employed in nos. 4, 7, 8, and 11.
1. "Gelobet sey Gott." " [Johann
Friedrich] Agricola." f. 17.
2. "Articulus secundus de Redemp-
tione," beg. "Ich glaube an Jesuai
Christum," with bassoons, etc. " Te-
leman." f. 35.
3. " Es werden nicht alle die zu mir
sagen Herr." f. 55.
CANTATAS.
133
4. "Das weiss ich fur wahr." f. 59.
6. " Der Geist des Herrn ist iiber mir."
f. 65.
6. "Lobet den Herrn." f.68.
7. "Siehe! eine Jungfrau ist schwan-
ger." f. 72.
8. "Der Sohn Gottes hat mien ge-
liebet." f. 77.
9. "Es sind mancherley Gaben." f. 80.
10. " Meine Seele, erhebt den Herrn."
f. 84.
11. "Das weiss ich fur wahr." (Dif-
ferent from no. 4.) f. 87.
12. " Und die Apostel sprachen zu dem
Herrn." f. 92.
Additional 32677, ff. 1-3.
Paper ; 18th cent. Quarto. The rest of the contents are described elsewhere.
A Sacred composition with Latin words, consisting of a prelude
and at least 7 vocal numbers, of which the first begins with the words
" Parce mihi, Domine," the fifth is a duet, and the last a trio. The
accompaniments are apparently for strings. The composer's name is
not given, but he was probably a Frenchman. The only parts which
remain are 1 vocal (treble) and 1 instrumental (1st violins?).
Printed Book, H. 71. a, ff. 14-24.
Paper ; 18th cent. Folio.
" Du Tochter Zion " : Cantata for the lat Sunday in Advent, by
[Georg Philip] Telemann. Composed for solo voices and chorus, with
symphonies and accompaniments for trumpets and strings and a
figured bass for organ, in score, followed by most of the separate
parts. Inserted at the end of the printed edition of the same work.
Additional 14197, ff. 134-139.
Paper; late 18th cent. Oblong quarto. See also under Sacred Songs (1725).
Second violin part of an Italian Cantata, for two voices, with
strings, in honour of St. Joseph, by Nicolo Conti. The words are
omitted, except in the recitatives. The first aria of which the opening
words are given is " Salua Maria."
Additional 31399, ff. 95-9 9b.
Paper ; late 18th cent. Oblong quarto. See also under Motets.
" 0 quam suave est regnum coelorum " ; for 3 treble voices, with a
bass, in score, by [Giovanni Battista] Bassani.
Additional 32039, ff. l-24b.
Paper ; late 18th cent. Oblong quarto. The MS. contains also an Oratorio
by the same composer.
" Vater unser," so-called oratorium for tenor and bass, with chorales,
accompanied by horns, flutes, oboes, bassoons, and strings, in score ; by
W[ilhelm Friedrich Ernst] Bach. Autograph. It begins with the
words " Du hast deineSaule dir aufgebaut."
134
VOCAL MUSIC— SACRED.
Additional 33569, ff. 29-54.
Paper ; late 18th cent. Oblong folio. See also under Songs (sacred).
" Gott hat den Herrn auferwecket " ; for solo voices and 4-part
chorus, with symphonies and accompaniments for oboes and strings,
and a figured bass for organ, in score, by [Karl Philipp Emanuel?]
Bach. Apparently in the hand of Johann Gottfried Schicht (see
Add. 29907, passim, and 32178, f. 112).
Additional 32073, ff. 1-1 58b.
Paper ; 18th, 19th centt. Folio. The MS. contains also a Litany (below,
p. 203), and a sacred Song, described elsewhere.
Cantatas, for solo voices and chorus, with a figured bass for organ
or harpsichord, in score. Where other instruments are employed,
mention is made of them below. Nos. 3-5, by Joh. Phill. Kirn-
berger, are in a later hand.
1. " Machet die Thore weit " (Advent) ;
with trumpets, oboes, horns, strings,
drums, etc. "[Johann Heinrich]
Rolle." f. 1.
2. "Das Leiden und der Tod Jesu,"
beg. " Weinet, weinet, heilge Thra-
nen " ; with horns, flutes, oboes,
bassoons, strings, etc. By the same.
Text by Christian August Albrecht.
f. 40.
3. " Erbarm dich, unser Gott ! " (Ps. 51).
f. 115.
4. " Zion klagt mit Angst und Schmer-
zen " ; with oboes, strings, etc. After a
version of Ps. 137 by Moses Mendels-
sohn, f. 127.
5. "Der Fall Adams"; with flute,
strings, etc. Begins with the words
" Schonste der Schopfung." f. 143.
Additional 32140.
Paper; ff. 80. 18th -19th cent. Folio. Belonged to Otto Jahn (bookplate).
" Seeliges Erwagen " : Cantata in 9 meditations (Betrachtungen),
for solo voices and chorus, with symphonies and accompaniments for
flutes (piccolo and traverso), chalumeau, oboes, hunting horns, bassoons,
and strings, and a figured bass for harpsichord, in score ; by [Georg
Philip] Telemann. It begins : " Gute Nacht, ihr meine Lieben "
(after the introductory choral " Schmucke dich, O liebe Seele ").
Additional 32436, ff. 40-64.
Paper ; 18th-19th cent. Folio. See also under Motets.
Church Cantatas, with symphonies and accompaniments for horns,
oboes, and strings, and a bass for organ, in score. Nos. 2, 3 are for
the 5th and 6th Sundays after Epiphany, and are written for solo
voices and 4-part chorus by [Johann Gottfried] Vierling.
1. " Lobsinget Gott," for Whit-Monday
(chorus of 4 voices, with flutes, etc.).
"Fried. Gottlob Starck." f. 40.
2. " Dein Wort, O Hochster." f. 46.
3. "Wir haben ein prophetisches Wort."
f. 55.
CANTATAS. 135
Additional 34118.
Paper; ft. 31. 18th-19th cent. Oblong folio. Belonged to [Raphael Georg]
Kiesewetter (d. 1850) and A[ugust] G[ottfried] Ritter, the latter of whom has
added several notes relating to his publication of various parts of the contents in
1856 and 1864.
" Nisi Dominus," for soprano and alto solo voices and 4-part chorus,
with symphonies and accompaniments for strings and a figured bass for
organ, in score, by Alessandro Scarlatti.
Egerton 2450, ff. 53-111.
Paper ; early 19th century. Oblong octavo. See also under Motets.
" Le tre ore dell' Agonia di nostro Signor, Gesii Cristo " ; for
2 sopranos, with pianoforte, in score, beginning " Gia trafitto in duro
legno," by Nicola Zingarelli.
Additional 29480.
Paper ; ff . 38. Early 19th cent. Folio. Belonged to Joseph Warren.
" Stille Feier " : a Cantata for Good Friday, written for solo
voices and 4-part chorus with organ obbligato, in score. The name of
the composer and date are erased.
Additional 32184, ff. 45-82.
Paper ; early 19th cent. Oblong folio. See also under Motets (1805-1806).
" Morgenopfer," beg. " In Aurorens goldner Stunde " ; for 2 choirs
of 4 voices each and tenor and bass solos, with symphonies and
accompaniments for strings and (in one case) harp, in score, and a
separate score for the wind instruments (piccolo, flutes, oboes, clarinets,
horns, trumpets, bassoons, trombones, and ophicleide), and for drums.
[By Johann Nepomuk Hummel.] Autograph.
Additional 34999, ff. 81-87.
Paper; early 19th cent. Quarto. See also under Hymns (below, p. 194).
Four vocal and four string parts of the last movement of an
" Invocation to the Deity," by Samuel Wesley. Autograph.
Additional 27639.
Paper ; ff. 78. a.d. 1800. Quarto. Belonged to William Hutchins Callcott.
The MS. also contains some biographical notes (see under Biographies), etc.
" Propter Sion non tacebo " : sacred Cantata for solo voices and
choruses of 4 and 8 voices, with symphonies and accompaniments for
trumpets, horns, flutes, oboes, clarinets, bassoons, and strings, and a
II
136 VOCAL MUSIC— SACRED.
figured bass for organ, in score, by John Wall Callcott, " March 8,
1800." Autograph. The pencil marks in the margin are by Dr.
Crotch. This work was the composer's exercise on taking the degree
of Doctor of Music, 12 June, 1800. The melody of the opening
movement is taken from an earlier composition, of " Octr 11, 1792," in
Add. 27645, f. 54.
Additional 31004.
Paper ; ff. 115. a.d. 1802. Folio. Belonged to Dr. Julius Beer, a Berlin
physician, and given by him on 17 May, 13G6, to Dr. Lindner, editor of the
Vossisclie Zeitung.
" Der Tod Jesu " : Cantata, the words by C[arl] W[ilhelm]
Ramler, the music by Christian Ernst Graaf, Kapellmeister to the
Prince of Orange and Nassau. Apparently autograph. Written for
solo voices and 4-part chorus, with symphonies and accompaniments
for oboes, flutes, horns, bassoons, and sti'ings, and a figured bass for
organ, in score. Begins " Du dessen Augen flossen." At the begin-
ning is the dedication, dat Haag, 1802, to the King of Prussia, and a
note, dat. Potsdam, 26 Oct. 1802, from his Secretary (?) — Niethe to
the chamberlain and " Directeur des Spectacles," suggesting its per-
formance for a charity.
Additional 32314, ff. 26-1 74b.
Paper ; a.d. 1813, 1814. Oblong folio. Belonged to C. Geisler, in whose hand
are the descriptions at the beginning of each Cantata. The MS. contains also
some numbers from Operas and some secular Songs, described elsewhere.
Twelve church Cantatas for 4 voices (most of them containing
solos), with symphonies and accompaniments for clarinets and strings,
etc., in score, by [Christian Gottgift] August Bergt. Autograph
(except No. 7).
1. " Ehre sey Gott in der Hohe " ; with
trumpets, drums, etc. f . 26.
2. "Gott ruft der Sonn' " ; with horns,
trumpets, flutes, bassoons, trombones,
organ, etc. f. 35.
3. " Selig sind die reines Herzens,"
beg. " Vater, hilf mir " ('■ Deus noster
refugium ") ; with trumpets, drums,
bassoons, organ, etc. f. 50.
4. " Jauchzet dem Herm" ; with flutes,
horns, trombones, organ, etc. f. 59.
5. " Erheb' uns zu dir " ; with oboes,
horns, trumpets, drums, etc. The
text is by [Friedrich Gottlieb] Klop-
stock, 1814. f. 72.
6. "Unser Geist soil dich erheben";
with above instruments, and flutes,
bassoons, organ, etc., 1813. f. 87.
7. "Der Todestag des Erlosers," beg.
"Geist der Andacht" ; with bassoons,
drums, organ, etc. The text is by
[August Hermann] Niemeyer. f. 98.
8. " Lobet Gott, denn Jesus lebet " ;
with horns, bassoons, organ, etc.
f. 123.
9. " Singt Jesu Dank"; with oboes,
horns, trumpets, drums, bassoons,
etc., 1813. f. 136.
10. " Wie in der herrlicher Natur";
with horns, bassoons, etc. f. 145.
11. " DieSternleinin der Nacht"; with
horns, bassoons, etc. f. 155.
12. " Danket dem Herm " ; with horns,
trumpets, drums, etc. i. 164.
The above appear to be taken from a collection entitled " Die
christlichen Feste," a copy of the title-page of which is given on f. 164.
CAROLS. 137
Additional 32595, ff. 1-6.
Paper ; a.d. 1840. Oblong folio. See also under Motets.
A short thanksgiving Cantata for soprano and bass solo voices and
4-part chorus, with pianoforte accompaniment, in score, by Joseph
Kumlik. Autograph. Begins " Gross ist der Herr." The alternative
text, " Justus ut palma," was added afterwards.
Additional 31986.
Paper ; ff. 4. a.d. 1832. Folio.
"Stein der iiber alle Schiitze hilf t " : aria for soprano, from the
Cantata " Tritt auf die Glaubensbahn," with symphony and accom-
paniments for flute, viola d' amore, and bass, in score, by Johann
Sebastian Bach. Copied from the original in the Imperial Library at
Berlin by Carli Zoeller.
Additional 32383, f. 52.
Paper ; 19th cent. Oblong folio. See also above, p. 113.
" Praise ye the Lord, praise ye the name of the Lord " : sacred
Cantata for solo voices and chorus, with accompaniments for ottavino,
flute, oboe, clarinets, bassoons, horns, cornets, ophicleide, double
bassoon, strings, organ, and drums, in full score, by Sir Michael
Costa. Autograph.
SECTION IV.— CAROLS,
CHIEFLY FOR CHRISTMAS, WITH LATIN AND MODERN WORDS.
Sloane 2593, passim.
Paper ; 14th-15th cent. 5| x 4| in.
A collection of Christmas and other Carols, etc., without music.
Additional 5666, ff. 2-8b passim.
Paper ; 14th-15th cent. 7£ x 5£ in. See also under Songs.
A small collection of Carols, etc., probably written for two or three
voices, though in one or two cases only one part is given. Said by
T. Martin, of Palgrave, to be in the hand of John Brackley, friar
minor of Norwich, tutor to William Paston, Justice of the Common
Pleas (1378-1444). Brackley was still living in 1461. At the end
138 VOCAL MUSIC— SACRED.
are some memoranda by John. Whyte, tempp. Richard II and
Henry IV.
1. "Lulay, my child, ande wepe no
mor" ; with second verse, "This ender
nithgt " (? 2 or 3 parts), ft". 2, 2b.
2. "Now has Mary born a flour" (1
part), f. 3.
3. " Lullay, lullow .... my barne,
slepe softly now" (2 parts), f. 4b.
4. "I saw a swete semly syght" (2
parts), f. 5.
5. " Puer natus in betlehem " (? 2
parts), f. 8b.
Harley 5396, ff. 273b, 280b.
Paper ; about 1456 (see f. 296b). 8 J x 5£ in. On f. 280b is the name of Wylyam
Northe, of York.
Words of Carols inserted, with ballads of about the same date, in
a volume of miscellaneous contents, sc. (1) "When Cryst was born of
Mary fre." f. 273b : — (2) " Be glad, lordynges, be ye more and lesse."
f. 280b.
Harley 275, f. 146b.
Paper ; 15th cent. 8J x 5| in.
Words of a Christmas Carol, beg. " Joy we all now yn this feste,
ffor verbum caro factum est." Inserted at the end of a copy of the
" Speculum human* salvationis."
Harley 2942, ff. 4, 112.
Paper ; 15th cent. 7$ x 4| in.
Carols, without music, added at the beginning and end of a late
14 th century Processional, written probably at or near St. Neots, sc.
(1) "Now let us be mery, bothe all and some," with refrain,
Kerieleson." f. 4 ; — (2) " Such a lady seke I never more." f. 122.
u
Additional 31042, f. 110b.
Paper ; 15th cent. 11 x 8 in.
Words of a so-called " Carolle ffor crystynmesse," beg. " The Rose
es the fayreste flour of alle." Imperfect at the end. From a collection
of English poems and romances written in a northern dialect
by Robert Thornton (see Catalogue of Additions for 1876-1881,
pp. 148-151).
Lansdowne 379, f. 38.
Paper; 15th-16th cent. Octavo. Belonged formerly to Lord Somers, Sir
Joseph Jekyl and James West.
Words of two Carols added at the end of an imperfect Tract
printed by Wynkyn de Worde, the missing portions of which are
given in the same hand as the Carols, sc. (1) " Tydynges, tydynges
that be trwe " ; — (2) " Mirabilem (sic) misterium, ye son of God ys
man becum."
CAROLS.
139
Additional 5665, ff. 7b-58 passim.
Paper and vellum ; 15th-16th cent. Large octavo. See also under Motets
{temp. Henry VIII).
Carols for 2 solo voices, with 3-part choruses, in parts. Many
appear to be the joint productions of Richard Smert, of Plymtree,
co. Devon, and John Truelove.
1. "Nowelle . . . tydynges gode y thyng
to telle." " Smert." In J. Stafford
Smith's Musica Antiqua, and Joseph
Ritson's Ancient Songs, f. 7b.
2. "Nowelle . . . who ys there that
syngith so." By the same. In the
same works, f. 8b.
3. "Merveleno3t, iosep." Anonymous.
In Musica Antiqua. f . 10.
4. " Man, be joyfull." " Smert."
i. lib.
5. "Soli deo sit laudum gloria."
" Smert " and " Trouluffe." f. 16b.
6. " Haue mercy of me, kyng of blisse."
"Smert Ricard de Plymptre."
f. 17b.
7. " Regi canamus glorie." Anony-
mous, f. 18b.
8. "0 radix iesse." Anonymous.
f . 19b.
9. " 0 clavis dauid." " Smert."
f . 20b.
10. "0 david, thow nobelle key."
" Troulouffe, John," and "Smert,
Ric." f . 21b.
11. "Now make we ioye." Anony-
mous, f. 28b.
12. "Jhesu fili virginis." "Smert."
f. 29b.
13. "Jhesu fili dei." "Smert" and
"Trouluffe." f.32b.
14. "Tydynges trew." Anonymous.
f.33b.
15. "Nascitur ex virgine." " Smert."
f . 34b.
16. "Do welle and drede no man."
Anonymous, f . 35b.
17. "Alleluya. Now may we myrthis
make." Anonymous, f. 36b.
18. "Pro face, welcom. This tyme ys
borne a chylde of grace." Anony-
mous, f. 39b.
19. "Jhesu fili virginis" (different
from no. 12). Anonymous, f. 43b.
20. " Blessed mote J>u be, swete ihesus."
" Smert." f. 52b.
21-23. "Nesciens mater virgo virum
peperit." Three settings. "Trou-
luffe." The name of "Smert" is
also given at the end of the third
one. ff . 54b, 56b, 57b.
Royal Appendix 58, f. 52b.
Paper ; early 16th cent. Oblong octavo. See also under Madrigals.
" Thys vyrgyn clere " : a quasi-dialogue between the Virgin and
Child, preceded by a very short 3-part chorus, " Thys endere ny3th,"
with which it is evidently connected, the refrain " By by, baby, lullay "
being common to both. Anonymous.
Additional 5465, ff. 48b-86b, 118b, 122b.
Vellum ; early 16th cent. Small folio. The MS. belonged to Charles Fairfax in
1618, and is said to have been previously in the possession of Dr. Robert Fairfax,
the composer of some of the numbers, whose arms are introduced in the
illuminated initials on ff . 26b, 27. See also f. 1, on which the name of Ralph
Thoresby of Leeds appears, as a later owner. It contains also secular Madrigals
in the same hand, and an Organ Solo (late 16th cent.).
Sacred vocal compositions by English musicians of the end of the
15th and beginning of the 16th centuries. Nos. 3-7 are for four voices ;
140
VOCAL MUSIC— SACRED.
the others for three voices. The MS. is described in Burney's and
Hawkins' Histories of Music.
1. "Alone . . . here I sitt alone"; '■
with second part, "Son, she said,
I have J>° borne." Anonymous,
f. 48b.
2. " A[h !] my dere son, said Mary";
with second part, "This endurs
nyght " ; and third part, "My moder
dere, amend your chere." Anony-
mous, f . 50b.
3. " Jhesu, mercy! how may this be"
with second part, " Crist that was"
third part, " He that wrought "
fourth part, " A[h !] Jhesu, whi
suffyrd thou " ; and fifth part,
" Lo ! man for ye." "Browne."
f . 53b.
4. "Affraid, alas"; with second part,
" Sith it concludid was"; third
part, "Me thynkyth in my reason" ;
fourth part, "Well I remembir his
wowndis"; and fifth part, "Glorius
lady, of hevyn hye quene." Anony-
mous, f. 58b.
5. " Woffully araid " ; with second
part, "Beholde me, I pray"; third
part, "Thus nakyd am I nailid " ;
and fourth part, "Off sharpe thorne."
"William Cornyssh, Junior." f.63b.
6. " A[h !] gen till Jhesu " ; with second
part, " Uppon the cross nailid";
third part, "My blody wownds " ;
fourth part, "I hade on petur and
mawdlen pyte"; fifth part, " Thynk
agayne, pride " ; and sixth part,
"Lord, on all synfull." " Sheryn-
gam." f. 67b.
7. "Woffully arayd"; divided into
parts, as in no. 5. " Browne."
f. 73b.
8. " My feerfull dreme " ; with second
part, "To Caluery"; third part,
"His grevous deth"; fourth part,
" Saynt Jhon yan said"; arid fifth
part, "Vnto the cross." " Gilbert
Banaster." f. 77b.
9. "A[h !] blessid Jhesu" ; with second
part, "Where art )>u, nature" ; third
part, " My voice is so trobled " ; and
fourth part, ' ' Now, mercyffull Jhesu."
" Richard Dauy." f.82b.
10. "A[h!]my hart, remembir" (first
and second parts) ; with third part,
" With wepyng teris." By the same,
f. 86b.
11. "Be hit knowyn to all"; with
second part, " A[h !] man, I haue
yevyn"; third part, "Iff any man
will say"; and fourth part, " Witt-
ness the erthe." Anonymous.
f. 118b.
12. "In a slumbir" ; with second part,
"Beholde he saide." Anonymous,
f. 122b.
Royal 8. G. vii, f. 6b.
Vellum ; a.d. 1519-1533. Folio.
" Nesciens mater " ; for 4 voices, in parts. Anonymous. Introduced
among a number of Motets (q.v.).
Additional 5665, f. 123b.
Paper; iattp Henry VIII. Large octavo. For a further description of the
MS., see under Motets.
"Nesciens mater virgo virum peperit " ; for 3 voices, in parts, by an
English composer. Anonymous.
CAROLS. 141
Additional 31922, f. 112b.
Vellum ; temp. Henry VIII. Small folio. For a further description of the
MS., see under Madrigals.
" Qui (sic) petis, o filij " ; with second verse, " The inoder full
manerly " ; third verse, " I mene this by Mary " ; and fourth verse,
" Musyng on her maners " ; for 4 voices in parts, by " Pygott."
Additional 19583, f. 7b.
Vocal compositions by French and Flemish composers. See under
Motets (first half of 16th cent.).
Cotton, Vespasian A. xxv, passim.
Paper ; 16th cent. Octavo. For a further description, see under Sacred
Songs (1576).
Christmas and other Carols, without music.
Royal Appendix 17-22, ff. 33b-57b passim.
Paper ; 16th cent. Oblong quarto. For a further description of the MS., see
under Motets.
Christmas Carols, for 8 voices, in parts, apparently by " Dyricke
Gerarde." Vol. i contains the 1st superius part; vol. ii, contratenor;
vol. iii, 2nd superius and 2nd bassus; vol. iv, 1st bassus; vol. v,
quintus and tenor ; and vol. vi, sextus.
1. "Hodie nobis, ccelorum rex"; with 3. " Hodie Christus natus est." i, iv,
second part, " Gloria in excelsis."
i, iv, f. 43b; ii, f.4Ib; iii, f. 47b; v,
f. 44b ; vi, f. 33b.
2. " Angelus ad pastores." i, iv, f. 45 ;
ii, f.43; iii, f.50b; v, f.47b; vi, f.35.
f. 45b ; ii, f . 43b ; iii, f . 52b ; v, f . 49b ;
vi, f. 35b.
4. " Noe, Noe . . . exultemus." i, iv,
f.48b; ii, f. 46b ; iii, f. 57b; v, f. 54b ;
vi, f. 38b.
Royal Appendix 23-25, f. 28b.
Paper; 16th cent. Oblong octavo. For a further description of the MS., see
under Motets.
" Parvulus Alius hodie natus est." Superius, contratenor and tenor
parts. Anonymous.
Royal Appendix 26, 29, f. 9 ; 27, 28, f. 10; 30, f. 8b.
Paper; 16th cent. Oblong octavo. For a further description of the MS., see
under Motets.
" Hodie nobis, ccelorum rex " ; with second part, "Gloria in excelsis."
For 8 voices, in parts, by Derike Gerarde. Autograph (?). Vols, i, iv,
and v contain 2 parts each.
142 VOCAL MUSIC— SACRED.
Royal Appendix 31-35, passim.
Paper ; 16th cent. Oblong octavo. For a further description of the MS., see
under Motets.
Two carols, for 8 voices, in parts, apparently by Derick Gerard,
sc. (1) " Noe, noe, exultemus." Vol. i, f. 54b ; ii, 60 ; iii, 59 ; iv, 57b j
v, 64b ;— (2) " Hodie Christus natus est." i, f . 63b ; ii, iii, 65b ;
iv, 59b ; v, 67b. Vols, i, iv, and v contain 2 parts each.
Royal Appendix 49-52, 54, f . 2b ; 53, f. 3b.
Paper; 16th cent. Oblong octavo. For a further description of the MS., see
under Motets.
" Hodie nobis celorum rex " ; with second part, " Gloria in excelsis."
For 8 voices, in parts, by Noe Truie. Vols, ii and v contain 2 vocal
parts each.
Additional 17802-17805 (i, f. 238b ; ii, f. 236b ; iii, f. 227b ;
iv, f. 217b).
Paper ; late 16th cent. Octavo. For a further description of the MS., see
under Motets.
" Nesciens mater virgo virum peperit," apparently for 4 voices, in
parts, by — " Wright" or " Wryghte."
Additional 22597, f. 16b.
Paper ; late 16th cent. Oblong octavo. See also above, p. 4.
Tenor part of " Angelus ad pastores." Anonymous.
Additional 30361-30366, ff. 16b-49 passim.
Paper ; 16th-17th cent. Oblong octavo. See also under Motets.
Five Carols for Christmas, written for 6 voices, in parts. The
composers' names are not given.
1. " Puer natus est nobis" ; with second
part, " Postquam consumati sunt."
f . 16b.
2. " Angelus ad pastores." f. 26b.
3. "Parvulus filius hodie natus est."
f . 34b.
4. "Gloria in excelsis . . . Ecce Maria
genuit." f. 35b.
5. "Cum natus esset Jesus"; with
second part, " Et ecce stella." [By
Orlando di Lasso], f. 43b.
6. " Hodie Christus natus est." f. 49.
Additional 17786-17791, passim.
Paper ; early 17th cent. Oblong octavo. For a further description of the MS.,
see under Madrigals.
Carols for 5 and 6 voices, in parts.
1. " Borne is the babe" (a 5). Anony-
mous. Vols, i-iv, vi, f . 9b ; v, f. 6b
(words).
2. " Sweet was the songe " (a 5), with-
CAROLS.
143
out words. Anonymous, i-iv, vi,
f. 13.
3. "Gloria in excelsis Deo: singe my
sowle " (a 6). " Tho. Weekes." i-iv,
vi, f. 32b ; v, f. 15b.
Additional 33933, ff. 82b, 89b.
Paper ; early 17th cent. Octavo. See also above, p. 2.
Counter-tenor part of two Christmas Carols, sc. (1) "Remember,
O thou man " (for 4 voices). [Published in T. Ravenscroft's Melismata,
1611.] f. 82b ;— (2) " Alisons of Adam " (for 3 voices). Anonymous.
[Published in John Forbes' Songs and Fancies, Aberdeen, 1 662.] f . 89b.
Additional 34000, f. 31b; 34001-34002, ff. 27b, 30b, 31b, 37b.
Paper; early 17th cent. Oblong octavo. For a further description of the MS.,
see under Motets.
Vocal Parts (imperfect) of the following compositions, probably
by Giovanni Gabrieli. Vol. i contains cantus i ; vol. ii, cantus ii ;
and vol. iii, tenor.
3. " Pastores, dicite quidnam vidistis."
ii, iii, f. 30b.
4. "Quern vidistis, pastores." ii, iii,
1. "Angelus ad pastores" (a 8). i,
f . 31b.
2. "Nesciens mater virgo." ii, iii,
f. 27b.
f. 37b.
Egerton 2009-2012 (i, iii, iv, ff. 8, 59b ; ii, f. 45b).
Paper ; after 1611, etc. Oblong duodecimo. For a further description of the
MS., see under Madrigals.
Two Christmas Carols, in parts, sc. (1) "I heard a messe of merry
shepards (superius, medius, bassus, altus). i, iii, iv, f. 8 ; ii, f. 45b ; —
(2) " Out of ye orient " (superius, medius, bassus). i, iii, iv, f. 59b.
Imperfect. Anonymous. The majority of the compositions in the MS.
are by William Byrd.
Additional 29401-29405, f. 51b.
Paper ; after 1613. Oblong duodecimo. For a further description of the MS.,
see under Madrigals.
" Out of the orient " ; for 5 voices, in parts. Anonymous.
Additional 17792-17796 (i, f. 162b ; ii, iii, f. 166b ; iv, f. 155b ;
v, f. 159b).
Paper ; after 1624. Small oblong quarto. See also above, p. 13.
' Angelus ad pastores " ; for 5 voices, in parts. Anonymous.
144 VOCAL MUSIC— SACRED.
Harley 3357, ff. 84b-87b.
Paper; a.d. 1632 (f. 2b). Duodecimo. Belonged to John Holies, Duke of
Newcastle, who gave it in 1708 to his daughter Henrietta, who married, in 1713,
Edward, Lord Harley, 2nd Earl of Oxford in 1724.
Sacred Poems transcribed by Ralph Crane and dedicated to Sir
Francis Ashley, Serjeant-at-Law, in Dec. 1632, containing among other
things " Certaine diuine Hymnes, or Carrols for Christmas-day "
(without music), by " W. A., Esq."
Additional 10338, f. 233b.
Paper ; after 1669. Small folio. For a further description of the MS., see
under Motets.
" Harke, sheapard swaynes," for 5 voices, with a basso continuo, in
score, by George Jeffreys. Autograph.
Additional 30829, f. 26b ; 30830, f. 28b ; 17816, f. 29b.
Paper; after 1669. Quarto. For a further description of the MSS., see under
Motets.
The altus, tenor, and bassus parts of the preceding composition.
Autograph.
Additional 31434, passim.
Paper ; 17th cent. Small folio. For a further description of the MS., see
under Motets.
Two Carols for 5 voices, with a figured bass for organ, in parts,
by Henry Lawes, sc. (1) " Harke, sheperd swaynes." ff. 3, 16, 27b,
40, 52b, 64;— (2) " Angelus ad pastores." ff. 5, 17, 29,41,54,65.
Apparently autograph.
Additional 32137, ff. 78b-86.
See under Chorales (below, p. 153).
Additional 5043, ff. 28, 45, 81b.
Paper; before 1760. Quarto. For a further description of the MS., see under
Motets.
Three carols, in score, included in the Moduli of Joannes Mouton,
published in 1555, sc. (1) " Quoeramus cum pastoribus," with second
part, " Ubi pascas " (a 4). f. 28 ;— (2) " Noe, noe, noe, psallite " (a 4).
f. 45 ; — (3) " Nesciens mater " (a 8, consisting of 4 canons), f. 81b.
CAROLS. 145
Additional 14398, f. 118b.
Paper ; a.d. 1770. Quarto. See also under Motets.
" Quem vidistis, pastores," with second part, " Angelus ad pastores " ;
for 5 voices, in score, by A. Tubal, 1545.
Additional 11585, ff. 17, 18.
Paper ; before 1782. Oblong quarto. For a further description of the MS.,
see under Motets.
Two Carols for 4 voices, in score, from the Melanges de la Musique,
by Eustache du Caurroy, published after his death, in 1610, sc. (1)
"Noel ! Voyci l'heureuse nuit." f. 17 ;— (2) "Noel ! Sors de ton lit."
f. 18.
Additional 11586, f. 29b.
Paper ; before 1782. Oblong folio. See also above, p. 71.
" Rejoyce, rejoyce, with hart and voyce " (for 4 voices). By William
Byrd. Taken by Dr. Burney from Songs of sundrie natures . . .
1589.
Additional 23626, ff. 45, 75b, 92b.
Paper ; 18th cent. Quarto. For a further description of the MS., see under
Madrigals.
Christmas Carols, in score, by the same.
1. "Rejoice, rejoice, with heart and
voice " (a 4). f. 45.
2. "Cast off all doubtfull care " (a 4) ;
possibly the second part of the pre-
ceding carol, f . 46.
3. "From virgins womb" (a 5). f. 75b.
4. "An earthly tree a heav'nly fruit it
bare " (a 6). f. 93.
Additional 5336, f . 4b.
Paper ; late 18th cent. Oblong folio. See also above, p. 124.
" Remember, O thou man " ; for 4 voices, in score [from Melismata,
by T. Ravenscroft, 161 1J.
Additional 35001, ff. 92, 111.
Paper; about 1804 (watermark). Quarto. See also under Motets (1801-1825).
Two antiphons, for 4 voices, with organ accompaniment, in score,
by Samuel Wesley, sc. (1) " Hodie Christus natus est." f. 92 ; —
(2) " Vidimus stellam." f. 111. Autograph.
146 VOCAL MUSIC— SACRED.
Additional 34051, ff. 30, 38, 45.
Paper ; a.d. 1835. Oblong quarto. See also under Motets
Latin Carols, in score, by Giovanni Maria Nanini.
1. " Quern vidistis, pastores ' ' (attributed
to Vittoria in Egerton 2460, f. 26).
f.30.
2. "Hodie nobis coelorum rex." f. 38.
3. " Hodie Cbristus natus est." f. 45.
Additional 34607, passim.
Paper ; a.d. 1855. Oblong folio. See also under Motets.
Latin Carols, in parts.
1. "Angelus ad pastores" (8 voices).
"Felice Anerio." ff. 39b, 73, 106,
137b, 153b, 165, 176, 187.
2. "Pastores loquebantur " (8 voices).
By tbe same, ff . 40, 73b, 106b, 138,
154, 165b, 176b, 187b.
3. "Nato Domino" (8 voices). By the
same, ff . 41b, 75, 108, 139b, 155, 167,
178, 188b.
4. " Hodie nobis coelorum rex " (3
voices ?). Anonymous, ff. 201, 207b,
213b.
Egerton 2449, ff. 46-116.
See under Motets (19th cent.).
Egerton 2460, ff. 25b, 32b.
Paper ; 19th cent. Oblong quarto. See also under Motets.
Latin Carols for 6 voices, in score, sc. (1) "Queni vidistis,
pastores," by Tommaso Ludovico Vittoria (attributed in Add. 34051,
f . 30, to G. M. Nanini). f . 25b ;— (2) " Hodie nobis ccelorum rex,"
by Giovanni Maria Nanini. f. 32b.
SECTION V.— CHANTS
AS SUNG TO THE PSALMS, ETC., IN THE CHURCH OF ENGLAND.
Additional 17784, ff. 177b, 177.
Paper ; a.d. 1676. Folio. See also above, p. 24-.
" Tunes in foure parts to the Psalms of David," i.e. single Chants,
in score.
1. " The ImperiaU." f. 177b.
2. "Canterbury." f.l77b.
3. " Dr. Childs Windsor." f. 177b.
4. " Mr. Blowes 1st." f. 177b.
5-12. Anonymous (? by Dr. Blow).
177b, 177.
13-18. " Mr. Turners." f. 177.
19. [The Grand chant.] "Mr. Pell
Humphry." f. 177.
20. " Mr. Tho. Purcell." f. 177.
21. Anonymous (? by the same), f. 177.
CHANTS. 147
Additional 29481, f. 3.
Paper; 17th-18th cent. Oblong quarto. See also above, p. 40.
The Grand Chant, in score, by Pelham Humfrey.
Additional 5327, f. 127b.
Paper ; early 18th cent. Oblong quarto.
A single Chant in Bt>, by Dr. Maurice Greene, added at the end
of a collection of Anthems (above, p. 44) by the same composer.
Additional 36268, f. 85b.
Paper ; a.d. 1721 Quarto. See also above, p. 63.
" The Psalm Tunes to be us'd at Morning and Ev'ning Pray'r on
ye . . . consecration of . . . Lord Harlys Chappell at Wimpole,"
1721, by Tho. Tudway, sc. (1) For the " Venite," etc. In D minor ;—
and (2) For Evening prayer. In F.
Additional 35040, ff. 26, 40-42.
Paper ; about 1773. Oblong folio. See also under Pianoforte Music.
Chants double, and written in compressed score, unless the con-
trary is stated.
1. In A (melody and bass only of the
second part). "Dr. Hayes." f. 26.
2. In F (single). "S.Wesley." Auto-
graph, f. 26.
3. In E, in score, f. 40.
4. In E (melody and bass), f. 40b.
5. In E». f. 40b.
6. In Bb. 1 41.
7. InC (single). £.41.
8. In G (single), f. 41.
9. In Ep (melody and bass), f. 41b.
10. In Ej (melody and bass), f. 41b.
11. In Bfe (melody and bass), f. 42.
12. In C (single, melody and bass). By
Pelham Humfrey (?). f. 42.
13. In G (do.), f. 42.
Additional 34998, ff. 39b, 60.
Paper ; a.d. 1774-1775. Oblong folio. See also above, p. 70.
Chants by Samuel Wesley, sc. (1-3) Three double Chants in Bb, C,
and G. The melody and bass only. f. 39b ; — (4) Single chant in D,
for 6 voices, with accompaniment for organ and drum (?). f. 60.
Additional 27750, ff. 92b-93b.
Paper ; before 1776 (see f. 101). Quarto. See also above, p. 66.
Eight Chants, in score, by Dr. Thomas Sanders Dupuis. The first
three and the last are double Chants ; the other four are single.
1. InBb. f.92b.
2. In Eb . f. 92b.
3. In E minor, f. 93.
4. In B minor, f . 93.
5. In D minor, f. 93.
6. In F minor, f. 93b.
7. In E. f. 93b.
8. InG. f.93b.
148 VOCAL MUSIC— SACRED.
Additional 35039, f. 8.
Paper; a.d. 1778. Oblong quarto. See also above, p. 73.
Double Chant in Et? [by C. Wesley ?]. Autograph (?).
Additional 11581, f. 2.
Paper ; about 1780. Quarto. See also above, p. 71.
"Double Chant sung at S* Paul's church, Octr 20th, 1780." The
treble part only. Copied by Dr. Charles Burney.
Additional 30392, ff. 22b, 23.
Paper; 1791. Quarto. See also above, p. 75.
Three double Chants, for 4 voices, in score ; the first two in the
key of D, the third in D minor. By Dr. William Crotch. Autograph.
Additional 17841, ff. 45-55.
Paper ; 18th cent. Small folio. See also above, p. 39.
" Psalms for ye Evening Service of the 24th Day of the Month,"
i.e. single Chants to those Psalms, the words of which are written out
in full, with the music written in score under each verse. The first
chant (f. 45) is by Child ; the other three (ff. 47, 49b, 52b) by Tallis.
Additional 31559, ff. 46-73 passim.
Paper ; 18th cent. Large folio.
Single Chants in D (Dorian), G minor, A minor, and F, for the
" Venite," included by Dr. Blow in his Services (q.v.) written in
those keys.
Additional 34996, ff. 16-19.
Paper ; 18th cent. Oblong duodecimo. See also under Pianoforte Music.
Three double Chants, set to the words of the " Gloria Patri," from
Samuel Wesley's "First Music Book," sc. (1) In E, for 4 voices, in
score, f. 16;— (2) In E. The melody and bass only. f. 17b;— (3)
In W, for 4 voices, in compressed score, f. 18b.
Additional 31714 (Pt. I), f 4b.
Paper ; late 18tb cent. See also above, p. 92.
A single Chant added in the same hand at the end of an autograph
anthem by Dr. Dupuis. It has some resemblance to the double chant
in Add. 27750, f. 93b (see p. 147).
CHANTS.
149
Additional 31819, ff. S0-83b.
Paper ; late 18th cent. Oblong quarto. See also under Hymns.
Chants, of which nos. 11-16 are single, and the rest double.
They are (unless the contrary is stated) for 4 voices, in score.
1. In E, for 5 voices. " Battishill."
f.80.
2. In A. "Soape'r." f . 80.
3. In El? . " [R. ?] Hudson." f. 80b.
4. InE. "Jones." f.80b.
5. InB . "Dr. Cooke." f. 81.
6. In G minor. "Flintoft." f. 81.
7. InF. "Cha'King." f.81b.
8. In G, for 6 voices. "Nalson." f. 81b.
9. InD. "Dr. Nares." f. 82.
10. In A minor. " Dr. Cook." f.82.
11. InB!?. "Dr. Green." f. 82b.
12. In G minor. " Weldon." f . 82b.
13. InE*. "Battishill." f.82b.
14. In A. " Dr. Allcock." f. 82b.
15. InF. "Dr. Cook." f.83.
16. In A. "Battishill." f.83.
17. InD. "Jones." f.83.
18. In Bl?, for 8 voices. Anonymous,
f . 83b.
Additional 34609, passim.
Paper ; late 18th cent. Octavo. See also above, p. 92.
Ghants, mostly single, in score.
1. The Grand Chant. By P. Humfrey.
f. 8b.
2. Chant in A. " Dr. Blow." f. 8b.
3. Chant in A. " [W.] Turner." f. 8b.
4. Chant in A. Anonymous, f. 8b.
5. Chant in G minor. "H. Cotton."
f.8b.
6. Chant in G minor. "T. Garland."
f.9.
7. 8. Chants in C and F. Anonymous.
f.9.
9. Chant in D. Anonymous, f. 9.
10. Chant in Bfr. " Aldrich." f.9.
11. Chant for the "Te Deum," in G
minor, f . 9.
12. New chant, in G. "J. S. S[mith]."
f. 10.
13. Chant to Ps. 1. "J. Beckwith."
f. 13b.
14. Chant in E. By J. S. Smith, f. 59b.
15. Double chant in At?. " Atwood."
f.66.
16. Treble part of chant in E. " [W.]
Hawes." f.66.
17. Chant in F minor. By J. S.
Smith (?). f. 74b (reversed).
18. Double chant in E? to the ' ' Venite."
First and second treble parts only.
By the same (?). f. 79b (reversed).
Additional 34610, ff. 22-25b.
Paper ; late 18th cent. Oblong quarto. See also above, p. 93.
Chants, some with the harmonies written out, others with the
melody and a figured bass only, by William Walond, organist of
Chichester Cathedral. Autograph. They are all double Chants, unless
the contrary is stated.
1, 2. InBI? — possibly a quadruple chant,
f. 22.
3. A single chant in E7. f. 22.
4. In A. f. 22.
5. In D. f . 22.
6. In C. f. 22.
7. Apparently a quadruple chant be-
ginning in Eb major and ending
minor, ff. 22b, 24.
8. InB. f.22b.
9. In F. f . 22b.
10. In C. f. 22b.
150
VOCAL MUSIC— SACRED.
In E. f. 22b.
In F minor. (See also f. 24.) f .
23.
25.
11
12
13. In E. f. 23.
14. In D. f . 23.
15. In F minor.
16. In G minor.
17. In C. f. 25.
18. Single chant in E.
19. 20. In E. f . 25.
21. In C. f. 25.
22. In C minor, f. 25.
23. In F. f. 25.
24. In G. f. 25.
23.
f. 25.
25. In E minor, f. 25.
26. In B*. f. 25.
27. In B minor, f. 25b.
28. InBb. f.25b.
29. In A. f. 25b.
30. InBfr. i. 25b.
31. In A minor, f. 25b.
32. In C. f. 25b.
33. In E. f. 25b.
34. In C. f. 25b.
35. InEJ. f.25b.
36. In F. f . 25b.
Additional 35024, ff. l-2b.
Paper ; late 18th cent. Oblong folio. See also above, p. 93.
Chants for 4 voices, in score. Nos. 1-3 are double, the rest single.
1. InEt?. "Dr. Alcock." f. 1.
2. In B*. " R. Wainwright." f. 1.
3. In C minor. " R. W[ainwright ?].'*
f.lb.
4. In D minor. " Hy Purcell." f. 2.
5. InE. "Dr. Hayes." f . 2.
6. In D. " Rev. Mr. Clayton." f. 2b.
7. In A. Anonymous, f. 2b.
Paper; after 1808 (watermark).
MS., see under Masses.
Double Chant in D, by S. Wesley.
Additional 14342, f. 62b.
Oblong quarto. For a description of the
Additional 33239, f. 246.
Paper ; a.d. 1812. Oblong folio. See also above, p. 102.
Two double, and four single, Chants, by John Davy. Autograph.
Additional 35038, ff. 9-11.
Paper; a.d. 1822. Quarto. See also above, p. 100.
Melody, with figured bass, in score, of the following Chants, of
which the first ten are in the hand of S. S. Wesley. Nos. 1-9 are
double, the rest single.
1. In A. " Dupuis." f. 9.
2. In D minor. Anonymous, f . 9.
3. InEfr. "J.Robinson." f . 9.
4. In E>. "Dr. Dupuis." f.9b.
5. In Efr. "Revd [Phocion] Henley."
f.9b.
6. In C minor. " Battishill." f. 9b.
7. In E. By the same. f. 10.
8. In E1?. " Becwith." f. 10.
9. In A. "Attwood." f. 10.
10. In G minor. " Purcell." f. 10.
11. In D, composed for Jos. Smith, by
" C. W[esley]," in 1814. Atitograph.
f. 11.
CHANTS. 151
Additional 31239, ff. 4b-10, lib, 12b.
Paper; about 1825-1829. Oblong duodecimo. For a further description of
the MS., see under Harmony.
Double Chants (with one exception), for 4 voices, with a com-
pressed score for organ below, in score, most of them by S. W[esley],
in whose hand they are written.
1. "Penitential." f.4b.
2. "Funeral." f. 5b.
3. 4. No names, ff . 6b, 7b.
5. "Thanksgiving." f . 8b.
6. "Devotional." f . 9b.
7. No name (single), f. lib.
8. " Penitential," Jany 17, 1826.
f. 12b.
Additional 9073, ff. 6, 6b.
Paper ; a.d. 1831. Oblong quarto. See also above, p. 104.
Chants, in score, transcribed by Vincent Novello from an old
organ-book at Westminster Abbey.
1. InG. " Thomas Purcell." f.6.
2. In A minor. " Henry Purcell." f. 6.
3. Funeral chant in G minor. "Thomas
Purcell." f. 6.
4. The same in G major, f. 6.
5. In D minor. " Purcell." f. 6b.
Additional 35134, ff. 34-35b, 41-43.
Paper ; a.d. 1832. Oblong folio. See also under Stabat Mater.
" Cantus Gregorianus Psalmis aptus," i.e. plainsong chants in the
8 principal ecclesiastical modes and the " tonus octavus irregularis,"
with harmonies added. In duplicate (with a figured bass, and with the
harmonies written out in full). "Written by ft. G., Jan. 8th, 1832 "
(see end).
Additional 34999, ff. 176b-178b.
Paper ; about 1836 (watermark). Quarto. See also under Hymns (1830-1837).
Chants for 4 voices, in the hand of Samuel Wesley, who appears
to be the composer of them. With the exception of no. 1, they are
in score, with organ accompaniment.
1. In F (single chant) to the "Gloria
Patri." In compressed score. "Bur-
rows." f. 176b.
2, 3. In C and D (double), f. 177.
4-7. In C, F, G, and B* (single).
f. 177b.
8, 9. In G and G minor (double).
f. 178.
10, 11. In A and F (double), f. 178b.
Additional 35026, f. lib.
Paper; [a.d. 1836?]. Quarto. For a description of the MS., see under
Albums (1836-1895).
Single Chant in G minor for the Litany. By Vincent Novello.
Autograph.
152 VOCAL MUSIC— SACRED.
Additional 35006, ff. 16, 16b, 47.
Paper ; a.d. 1837. Quarto. See also under Pianoforte Music.
Chants in the hand of, and most of them composed by, Samuel
Wesley. Nos. 1, 2 and 5, double chants ; nos. 3 and 4, single.
1. In A minor, f. 16.
2. In C minor. " J. Battishill." f. 16.
3. 4. In A and B minor, f. 16b.
5. In F, for the "Nunc dimittis."
f.47.
Additional 33288, f. 34b.
Paper ; a.d. 1846. Quarto. For a fuller description of the MS., see under
Services.
Single Chant in E minor, by Dr. John Blow, in score, copied by
W. H. Husk from Boyce's Cathedral Music. It appeared in 1674 at
the end of John Playford's Introduction.
Additional 33292, ff. 5, 15, 26b, 35.
Paper; a.d. 1865. Quarto. For a fuller description of the MS., see under
Services.
Single Chants by Dr. John Blow, in score, copied by W. H. Husk
from a MS. in the hand of John Christopher Smith (now Add. 31559),
where they precede Services in the same keys. They are : —
1. In D. f. 5. ! 3. In A minor, f. 26b.
2. In G minor, f. 15. I 4. In F. f. 35.
Additional 34267, C, f. 44.
Paper ; about 1887. Narrow oblong octavo.
" The dead man's chant " : double chant in E. Anonymous. For
words, see East Anglian, March, 1887.
Additional 29968, ff. 143-144.
Paper ; 19th cent. Folio. See also under Motets (1850).
The melodies of four single chants and a double one, with the
words of portions of the Anglican Church Service written under them.
1. InG. "T. Purcell." f. 143. I 4. In Eb. "Battishill." f. 143b.
2. In C minor. " [Pelham] Humphry."
f. 143.
3. InF. "Tallis." f . 143b.
5. In Fto (double). " Mornington."
f. 144.
CHORALES.
153
SECTION VI.— CHOEALES
AS SUNG BY THE PROTESTANT CHURCH IN GERMANY.
Sloane 1021, f. 107.
Paper ; about 1640. Small quarto. For a further description of the MS., see
under Songs.
The melodies only of four Chorales, the words of which are taken
from Psalms vi, xxiii, xlii, and cxxx. The notes exactly corre-
spond with those given in Die Psalmen Davids. Nach den Frant-
zosischen Weisen gesetzt. Durch Martin Opitzer . . . Basel . . . 1640,
but the words are different.
1. " In deinem grosse Zorne."
2. " Mein huter v[nd] mein Hirt ist
Gott."
3. " Wie nach einer Wasserquelle."
4. " Zu dir vom hertzens grunde."
Additional 32137, passim.
Paper; 17th-18th cent. The "Garten Lied" on f . 290b is from Der himm-
lischer Garten Gesellschafft, by Johann Quirsfeld (1642-1G8G), the earliest extant
edition of which is dated 1721. Duodecimo. See also under sacred Duets and
Songs.
"Liber Cantionum Martini Gobelii": a collection of hymns and
other poems of a religious character, in score. Nos. 1—4 are for 3
voices ; the others, except where the contrary is stated, are for 4 voices
and unaccompanied.
1. " Jesu, siisser Morgensterne." f. 7b.
2. " Eytelkeit, Eytelkeit, vieler Verder-
ben." f. 8b.
3. "Ave Jesu, summe bonus" (sic);
with German version, " Sey gegrus-
set, Jesu." f. 9b.
4. "Gott Vatter, nim mich mir."
f. 10b.
5. "Trau auf Gott in alien Sachen."
f.llb.
6. "Fahr hin, du schnode Welt."
f. 12b.
7. "Ach! sagt mir nicht von Gold."
f. 13b.
8. "Jesu, meine Freuden freude."
f. 14b.
9. "Jesus ist und bleibt mein Leben."
f. 16.
10. " Dancket dem Herren alle Zeit."
f. 17b.
11. "Lobet den Herren, denn er ist
freundlich." f. 18b.
12. "Warumbbetriibstdudich." f . 20.
13. "Ach I Gott, wie manches Hertze-
leid." f. 21b.
14. "Kein stiindlein geth" (sic); with
alternative 5-part setting to the end
of each verse, f. 23.
15. "Nun so wil ich mich der Welt
entschlagen." f. 24b.
16. " Gem ich habe missgehandelt."
f.26.
17. "Jesu, Jesu, du mein Leben."
f. 27.
18. " Schonster Jesu." f. 28b.
19. " O Seelig ist der Mann " (3 voices).
f.30.
20. "Gott, unser Zuversicht " : aria for
3 voices with figured bass. f. 31.
21. "Nun dancket all." f. 32b.
154
VOCAL MUSIC— SACRED.
22. " Kurtz ist die Zeit." f. 34.
23. " 0 Wunder grosse Treu." f. 35b.
24. " Welt, Ade ! ich bin dein Mude " (5
voices), f. 37b.
25. "Ach! liebster Gott." f. 39b.
26. " Wir leben wie ein Wandersmann."
f . 41b.
27. "Zion, die werthe Gottesstadt."
f . 42b.
28. "Ach! was soil ich Sunder ma-
chen." f. 43b.
29. " Eins bitt ich dich." f. 44b.
30. " Zu dich hab ich gehoffet." f. 45b.
31. " Ich hab der Welt." f . 46b.
32. "Ach! Herr, mich armen Sunder."
f. 47b.
33. " Sey Gott getreu." f. 48b.
34. "Aufl mein Geist" (3 voices).
f. 49b.
35. "Siisser Christ, du, du bist meine
Wonne." f. 51b.
36. "Wohl mir, Jesus, meine freude."
f. 52b.
37. " Jesu, meine Freude." f. 53b.
38. "Herr Jesu Christ, du hdchstes
Gut." i. 54b.
39. "Wen dich ungliick thut." f. 55b.
40. "Ach ! Gott und Herr." f. 56b.
41. " Sey Wohlgemuth." f . 57b.
42. "Ich, ich, bineuerTroster." f. 58b.
43. "Herr Jesu, deinen Handen " (5
voices), f. 59b.
44. "Liebster Gott, wenn mein Ge-
muth." f. 60b.
45. " Jesus, meine Zuversicht." f. 62.
46. "0 Jesu Christ, meinslebens lust"
(? 5 voices), f.63.
47. "AufErdenbin ich nureingast"
(5 voices), f. 63b.
48. "Ach! wie fluchtig." f. 64.
49. " Wie ein Nebel." f.64b.
50. " Welt, Gute nacht." f. 65.
51. "Ist nicht der Menschen leben."
f. 66.
52. " Warumb ist der Mensch erschaf-
fen." f. 68.
53. "Salve, cordis gaudium"; with
German version, "Sey gegriisst ins
himmels saal." f. 69b.
54. " Mein Seel, dich freust." f. 70b.
55. "O Jesu, mein hertzes Breiitigam."
f. 71b.
56. " Nun kom, der Heyden Heylandt."
f. 73b.
57. " Auf, auf, die rechte Zeit ist hie."
f. 74b.
58. "Ihr lieben Christen, freut euch
nun." f. 75b.
59. " Welt Schopfer." f.76b.
60. " Gelobet seyst du, Jesu Christ."
f. 78b.
61. "Von Himmel hoch da kom ich
her." f. 79b.
62. " Puer natus in Bethlehem " ; with
German version, "Ein kind ge-
bohrn." f. 80b.
63. "In dulci jubilo nun singet."
f. 81b.
64. " Wir dancken dir, Herr Jesu
Christ." f. 81b.
65. "Von Himmel kam der Engel-
schaar." f. 82b.
66. "0 trautes, liebes, Jesulein." f. 82b.
67. " Frolig soil mein hertze." f. 83b.
68. 69. "Lobt Gott, ihr Christen" (2
tunes), f. 84b.
70. "DasneugeborneKindelein." f.85b.
71. " Wir Christen leut." f. 85b.
72. "Das Jesulein soil doch mein
Trost." f. 86b.
73. "Ecce quomodo moritur Justus"
(" Siehe wie zeitlich stirbt "). f . 86b.
74. " Das alte Jahr." f. 87b.
75. " Heut sind die lieben Engelein."
f. 88b.
76. "Gott Vatter uns sein Sohn."
£. 89b.
77. "Frolock du, Tochter Zion."
f.90b.
78. " Jesu, dein Seel lass heilgen mich."
f.90b.
79. "Es ist gewisslich an der Zeit."
f. 91b (see also f. 77b).
80. "Wacht auf, ihr Christen alle."
f . 92b.
81. "Nun, Gott lob, es ist vollbracht"
(5 voices), f. 93b.
82. " Ein ander suche freude." f. 95b.
83. " Send uns, Herr Christ." f. 95b.
84. "O Herre Gott, in meinen Noth"
(5 voices), f. 97b.
85. "So sehr hat Gott die Welt ge-
libt." f . 98b.
86. "Jesu, leyden, Pein und todt."
f. 100.
87. "0 Jesu, wie ist dein gestalt."
f . 103.
88. " 0 traurigkeit." f. 104b.
CHORALES.
155
89. " Eroffnet euch, ibr tranenquellen."
f. 105b.
90. "Eroffne dich, mein schwacber
mund." f. 107.
91. " Auf , auf , mit freud." f . 108b.
92. " Gott lob, nun setz icb abermahl."
f. 110.
93. "Was kiimmerstu dicb, liebes
hertzcben." f. 116.
94. "Wohlauf, mein gantzes Icb."
f . 119.
95. " Von Adams Zeiten an." f. 122.
96. "Wir dancken dir, Herr Jesu
Cbrist." f. 123b.
97. "O Gottes Sobn" (3 voices).
f . 123b.
98. "O menscb, nun deines lebens."
f. 124b.
99. "Wen icb in todes nothen bin."
f.l25b.
100. " Erstanden ist der Herre Cbrist."
f. 126b.
101. " Willkommen sey die froligkeit."
f. 127b.
102. " Cbristus ist erstanden." f. 128b.
103. " Erscbienen ist der berrlicb tag."
f . 129b.
104. "Cbrist lag in todes banden."
f. 130b.
105. "Friih morgens da die Sonn
aufgetb." f. 131b.
106. "Gen himmel aufgefabren ist."
f. 132b.
107. "Auf diesen tag bedencken wir."
f. 133b.
108. " Gens cuncta voce crebra " (" Lo-
bet den Herren alle "). f. 135.
109. " Spiritus sancti gratia" (" Des
beilgen Geistes reicbe'gnad "). f. 136b.
110. " Kom, Gott, Schopfer. f. 138.
111. "Dein Trost, Herr Cbriste " (only
2 parts), f. 139.
112. "O Herre Cbrist, du Gottlich
Feur." f.l39b.
113. "Amen, Gott Vater." f. 139b.
114. "Mini sacellum ccelicum" ("Mir
ist ein cbristlich Kirchelein ").
f. 140b.
115. "O Lux, beata Trinitas" ("Der
du bist 3 in Einigkeit '"). f. 141b.
116. "Was mag docb diese Welt."
f. 142b.
117. "Sag, was bilft alle Welt" (5
voices), f. 143b.
118. " Benedicamus Domino." f. 144b.
119. " Temporis ad punctum." f. 144b.
120. " Dominus, illuminatio mea."
f. 145b.
121. "Acb! dass icb boren solte."
f . 146b.
122. " Mein boffnung." f. 148.
123. "In te, Domine, speravi." f. 148.
124. " Commenda Domino vias tuas."
f. 148b.
125. "Ego in justitia videbo faciem
tuam." f. 149b.
126. "Herr Jesu Cbrist, mein Trost."
f. 150b.
127. " Auff dicb allein." f. 151b.
128. " Tu nostros animos." f. 152b.
129. "Felix ille animi " (3 voices),
f. 153b.
130. "TeRegemDominumquecanam"
(3 voices), f. 153b.
131. "Was mag auf diesen Erden."
f. 155b.
132. " Meinen Jesum lass icb nicbt "
(3 voices), f. 156b.
133. " Alles was in dieser welt." f.158.
134. " Du Friede fiirst." f. 159b.
135. "Unser Leben waret siebentzig
Jahr " (5 voices), f. 160b.
136. " Exultavit cor meuin." f. 162 b.
137. " Psallite Domino." f. 163b.
138. "Factusest Dominus refugium."
f . 164b.
139. "Auf deine Zukunft boffen wir."
f . 165b.
140. "Quis dabit ex Sion salutare."
f . 166b.
141. "Quis puer bic novus est."
f. 167b.
142. " Gloria in excelsis Deo, pax aurea
terris." f. 168b.
143. " Nascitur Emanuel." f. 170b.
144. "Freuet eucb, ibr Cbristen alle."
f. 170b.
145. " Was ist hier vor ein Kindelein."
f. 171b.
146. " Mir ist, Jesu, der Nabme dein."
f . 172b.
147. " Zum lieben, neuen, Jabre."
f. 174b.
148. "Vivit ovans Cbristus"; with
second part, "Vor solche grosser
Giite." ff. 176b, 186b.
149. "Gott, Vatter, nim micb in dein
Hut." f. 177b.
156
VOCAL MUSIC— SACRED.
150. "0 Alma, Sancta, Trinitas" ("0
Heiligste Dreyfaltigkeit "). f. 178b.
151. "Exultate, justi, in Domino."
f. 179b.
152. "Exaudivit Dominus depreca-
tionem meam." f. 180b.
153. " Ewiger Gott, wir bitten dich."
f. 181b.
154. "0 grosser Gott von Macht."
f. 182b.
155. "Verzage nicht du Haufflein
klein." f. 184.
156. " Was Gott bescheret." f. 185b.
157. " Jesu, 6 du lebensquell" (3
voices), f. 187b.
158. "Was quelet mein bertz " (3
voices), f.190.
159. "Seelig, ja seelig, wer willich
ertreget " (3 voices), f. 191.
160. "Vom tot wieder erstanden ist."
f . 194b.
161. "Vespera jam venit." ff. 196b,
195b.
162. " Ach ! bleib bey uns." f. 197b.
163. "Wie soil ich dich empfangen."
f. 199b.
164. " 0 Jesu siiss, wer dein gedenckt."
f. 200b.
165. "0 Gott, du Schopffer." f.201b.
166. "Ich habe mir die Welt so gross
gemachet." f. 202b.
167. "Schmiicke dich, 6 liebe Seele."
f . 204b.
168. "Jesu, quell verlangter Fretiden "
(Another tune in 2 parts is given at
the end), f. 206b.
169. " Nicht so traurig." f.208b.
170. " Hastu denn, Jesu." f. 211b.
171. "Ach! mein hertz-liebesJesulein"
(5 voices). f.215b.
172. "Ihr lieben kinder, freuet Euch "
(5 voices), f. 217b.
173. "Uns ist ein kind gebohren " (5
voices), f.218.
174. "Jetzt sprost herfiir aus Davids
stammelein" (5 voices), f . 218b.
175. "Freut Euch Zugleich, arme und
reich " (5 voices), f. 219b.
176. "0 Theures blut" (5 voices),
f . 221b.
177. " Welt packe dich." f. 222b.
178. "0 wie so gar seelig ist doch der
Christ" (5 voices), f . 223b.
179. "Excita, Domine, corda nostra."
f . 226b.
180. "Ach ! Gott in hochsten throne."
f . 227b.
181. "Ach! dass doch mochte kom-
men." f. 228b.
182. " Jesu, das zarte Kindelein,"
f. 229b.
183. "Hort.ihr blumenreiche Matten "
(only 2 parts are given to the first
12 verses), f. 230b.
184. "Ihr Hirten in Hiirden, nun
machet euch auf." f. 232b.
185. " Wo hast du dich hin verborgen "
(only 2 parts), f. 233b.
186. " Christe, tuus sanguis." i. 236b.
187. "Pro tantis meritis." f. 237b.
188. "Herr Jesu Christ, dein theures
blut." f. 238b.
189. "Wohl dem der sich bey Zeit."
f. 239b.
190. " Freud fiber alle freude." f. 242b.
191. "Gewonnen, gewonnen, der Sa-
thanas lieget." f. 245b.
192. " Lasset klag und trauren fahren."
" Kilian Metzger." f.247b.
193. " Jesu, Jesu, meine Freude."
f. 288b.
194. "Alle menschen mtissen sterben."
f. 291b.
195. " 0 Jesu Christ, dein." f. 292b.
Additional 31033.
See under Harmony (1763).
Additional 32046.
See under Harmony (1777).
Additional 31898.
See under Harmony (18th cent.).
CHORUSES. 157
Additional 34717, ff. 17b-19.
Paper ; 18th cent. Folio. See also under Choruses (sacred).
Four Chorales for 4 voices, without accompaniment, in score.
Anonymous.
1. " Steig auf, mein Dank." f. 17b.
2. " Vater, also leb ich wieder." f. 18.
3. "Halleluja! bringet Ehre." f. 18b.
4. "Wenn ich deine Schopfung seh."
£.19.
Additional 32047.
See under Harmony (1S15).
Additional 32411, ff. 6-7b.
Paper; about 1818 (see below). Oblong octavo. Other portions of the MS.
are described under Masses, Secular Canons and Choruses, Harmony, National
Music, Opera, Chamber Music, Dance Music, Orchestral Music, etc.
Chorales for 4 voices, in compressed score, written, and apparently
harmonized, by Johann Christian Lobe.
1. "Christus, der ist mein Leben."
f. 6.
2, 3. " Allein Gott in der Hoh' sey Ehr."
Two settings, of which the first is
dated 28 Pebr. 1818. ff . 6b, 7.
SECTION VII.— CHOEUSES.
Harley 978, f. 9b.
Vellum ; after 1226. 7£ x 5 in. For a description of the MS., see under
Motets.
" Duce creature, uirgine Marie." Adaptation to French words of
the Motet, " Ave eloriosa mater."
,->■
Arundel 248, ff. 154b, 155.
Vellum ; early 14th cent. 8£ x 5f in. For a further description of the MS.,
see under Motets.
1. " Jesu Cristes milde moder stud biheld her sone o[n] rode"
(sequence for 2 voices), f. 154b.
2. " Reine, pleine de ducur " : adaptation to French words of the
hymn " Salve Virgo " (for 3 voices), f. 155.
158 VOCAL MUSIC— SACRED.
Additional 31438, f. 53.
Paper; after 1660 (f. 75b). Oblong octavo. For a further description of the
MS., see under Motets (1553).
" A toy, mon Dieu " (altus part). By Conradus Syluius.
Sloane 1335, ff. 4 1-1 9 lb passim.
Paper ; 17th cent. Duodecimo. Said to have been bought at Moscow by
Thomas Smith in 1662.
A Sticherarium or choral book, in Russian, with a 2nd vocal part
added in red ink about the original melodies.
Additional 31434, passim.
Paper ; 17th cent. Small folio. For a further description of the MS., see
under Motets.
Compositions for 5 voices, with a figured bass for organ, in parts,
by Henry Lawes. Apparently autograph.
1. "Sitting by the streames" (Ps.
cxxxvii). ff. 1, 14, 26, 38, 50, 62.
2. " Thee and thy wondrous deedes, o
Lord" (Ps. ix). ff. 1, 14b, 26b, 38b,
50b, 62.
3. " My Soule, the great God[s] prayses
singe " (Ps. civ), ff. 2, 15, 27, 39, 51,
62b.
4. " Splendea qual vivo sole " : dialogue
between Abraham, Isaac, and the
Angel, with 3-part chorus, ff. 6b,
18b, 30b, 42, 55b, 66b.
Additional 30063.
Paper ; ff. 346. Late 17th cent., etc. Small quarto.
A choral book in Russian, with the hymns, etc., harmonized for
4 voices, in quasi-score ; the notes being written in four parallel lines
(alternately black and red), without staves. Folios 315-332 appear to
have been inserted at a later period.
Additional 28757, ff. 1-35.
Paper; early 18th cent. Oblong duodecimo. The MS. also contains
Madrigals.
Five psalms for 3 voices, in score, by Claude Le Jeune
[1607-1608?].
1. " Dieu nous soit doux." f. 1. | f. 29i
2. " O Seigneur, que de gens." f. 19.
3. "Helas! Seigneur." f. 23b.
4. "Misericorde au pauvre vicieux."
5. " J'ay de ma voix a Dieu crie."
f. 35.
Additional 34005, ff. 2-1 7b.
Paper ; after 1726 (date of publication). Oblong folio. See also Eequiems
(late 18th cent).
" Non ti contristi": no. 36 from the Parafrasi sopra i primi 50
CHORUSES. 159
Salmi ; for 4 voices, in score, by Benedetto Marcello. One short
passage has been omitted (see f. 6b). The MS. is in two hands, of
which the second, commencing at f. 9b, may possibly be autograph. The
fragment on f. 41 appears to be in the latter hand.
Additional 32036, f. 3.
Paper; about 1749 (see f. 1). Small folio. The MS. also contains a
Madrigal.
" Seigneur, Garde mon droit " ; for 3 voices, in score, by Cl[aude]
le Jeune.
Additional 5054, ff. 85-88, 162b.
Paper ; before 1760. Quarto. For a further description of the MS., see above,
p. 68.
Three Psalms, for 3 voices, in score, by Claude Le Jeune.
1. "0 Seigneur, que des Gens" (from
Cinquantc Pseaumcs, 1602). f. 85.
2. "A toy, mon Dieu" (from the same
work), f. 86.
3. "Sois ententif, mon peuple" (from
Cinqiiantc Pscaumes, 1608). f. 87.
Additional 31398, ff. 62-68b.
Paper; about 1761 (f. 61b). Oblong quarto. See also under sacred Madrigals
(1759-1761).
" Reveillez vous " (Ps. xxxiii) ; for 8 voices, in score, by Jean
Swelinck (Pseaumes, Book ii, 1613).
Printed Book, C. 21. d. 32 (beginning).
Paper; a.d. 1765. Oblong folio. Bound up with some printed juvenile
pianoforte works of Mozart, presented on the same occasion.
A short setting (1 page) of the words "God is our Refuge and
strength, a very present help in trouble," from Psalm xlvi ; for 4 voices,
in score, by [Johann Chrysostom] Wolfgang [Gottlieb] Mozart, by
whom it is described as a " chorus." Autograph. Written at the age
of nine years for, and presented to, the British Museum on the
occasion of his visit in July, 1765.
Additional 32173, ff. 142, 145.
Paper ; a.d. 1784, etc. Oblong folio. See also above, p. 130.
Hymns for 4 voices, with accompaniments for horns, or trumpets,
and a figured bass for organ, in score, by M[ichael] Haydn.
Autograph.
1. "Erhebt euch, Christen." "Lita-
neygesang der Heiligsten Dreyfaltig-
keit . . . Salzb[urg], den 29 Marz
[1]784." f. 142.
2. " Herr ! grosser Gott ! " "TeDeum
.... Salzb[urg], 5 Junii, [1]805."
f . 145.
160
VOCAL MUSIC— SACRED.
Additional 32138, ff. 1-344 passim.
Paper; about 1785 (see f. 331b). Oblong octavo. The MS. was given to Herr
Cantor Stade, jun., by " Musikdirektor " [Ludwig Ernst] Gebhardi of Erfurt
(1781-1862). It also contains a secular Chorus, a Grace and part of a Latin
Motet, described elsewhere.
" Motette " often ending in a chorale, or an aria, for 4 voices
(including occasionally solo voices with chorus), in score. Unaccom-
panied. Probably collected by George Peter Weimar of Erfurt, who
is one of the principal contributors (? Motetten und Arien, of which
part i was published at Leipsic in 1782).
1. " Herr, ich habe lieb." " Graun." f. 3.
2. "Herr, gehe nicht ins Gericht."
Anonymous, f. 5b.
3. "Hilf, Herr." "Homilius." f . 8.
4. "Der Herr ist Konig." "Bolle."
f. 12.
5. "Unendlicher Gott." "Fischer."
f. 21.
6. " Lass sich freuen alle." "Hiller."
f.30.
7. " Selig sind die Todten.". Anony-
mous, f . 39b.
8. "Die bestimmten Jahre sind kom-
men." " Voigtlander." f . 45b.
9. "Lobe den Herrn, meine Seele."
"Rust." f.51b.
10. "Ehre sey Gott in der Hohe."
"Rolle." f.57b.
11. "Furwahr er trug unsre Krank-
heit." "Weimar." f.61b.
12. "Er war der allerverachteste."
"Graun." f.67.
13. " Er ist um unserer Siinde willen."
By the same. f. 70.
14. " Aus der Tiefen." "Ernst Bach."
f.75.
15. "Piirchte dich nicht, ich bin der
erste." " Doles." f. 80.
10. "Nach dir, Herr, verlanget." By
the same. f. 87.
17. "Wer bin ich, Herr." By the
same. f. 113b.
18. "Bleiben bei uns." "Standfuss."
f. 121.
19. "Kommet, lasset uns anbeten."
"Rolle." f.l27b.
20. "Der Herr ist mein Hirte."
"Standfuss." f. 133.
21. "Der Engel des Herrn." "Wei-
mar." f. 143b.
22. "Furchte dich nicht, ich bin mit
dir." "Doles." f. 147.
23. "Ziehet an die Liebe." By the
same. f. 154.
24. "Gott, du bleibest." "Fischer."
f . 160b.
25. "Gott, der Herr, ist Sonn und
Schild." "Rolle." f . 163.
26. "Die Giite des Herrn." By the
same. f. 171b.
27. " Der Herr behiite dich." f. 176b.
28. " Unser Vater." " Homilius."
f . 182b.
29. "Siehe, das ist Gottes Lamm."
"Weimar." f. 188b.
30. "Machet die Thore weit." By
the same. f. 192b.
31. Another setting of no. 30. By the
same. f. 197b..
32. " Kom herein, du Gesegneter."
By the same. f. 202.
33. " Machet die Thore weit " (different
from nos. 30, 31). Anonymous.
f . 206b.
34. " Du Tochter Zion." "W[eima]r."
f. 211.
35. " Siehe, ich verkundige euch." By
the same. f. 218b.
36. "Unsistein kind gebohren." By
the same. f. 222.
37. "Kiindlich Gross ist das Gottselige
Geheimniss." " Kayser." f. 225b.
38. " Nichts sol uns scheiden."
"W[eima]r." f . 232.
39. "Mir hast du Arbeit gemacht."
By the same. f. 236b.
40. "Furwahr er trug unsre Krank-
heit.'' By the same, f . 239b.
41. " Beschlieset einen Rath." By the
same. f. 243b.
42. " Lasset uns aufsehen." "Graun."
f . 247b.
CHORUSES.
161
•13. " Siehe des Herrn Auge." "Horni-
lius." f . 252b.
44. "Ich hatte viel Bekiimmerniss."
"Fehre." f . 256b.
45. " Sieh, 0 Mensch auf Gottes Giite."
"Homilius." f . 261b.
46. "Erhebt den Herrn." "Tag."
Imperfect at tbe end. f. 264b.
47. "Lasset uns freuen." "Graun."
f . 266.
48. " Selig sind die zu dem Abend-
mahl." Anonymous, f. 270b.
49. "Alle eure Sorgen werfet."
"Reinhold." f . 273b.
50. "Wie ich zu dir." " Penzel."
f. 277b.
51. " Alles Fleisch ist wie Gras."
"Hiller." f. 279.
52. " Siehe, das ist Gottes Lam."
Anonymous, f. 285.
53. " Der Herr ist nahe." "W[eima]r."
f . 290b.
54. "Herr, deinen Leiden." By the
same. f. 294.
55. " So gehst du nun." By the same.
f . 295b.
56. "0 Lamm Gottes." Anonymous.
f. 301b.
57. "Tod, wo ist dein Stachel."
"W[ei]m[a]r, 1784." f . 304b.
58. "Siehe, es hat iiberwunden der
Lowe," by " Teleman" ; with an aria
at the end by " W[ei]m[a]r." ft. 307b,
309.
59. " Der Herr ist mein Hirte."
"Homilius." f. 310.
60. "Ich schreye mit meiner Stimme."
"Neefe." f. 320.
61. "Herr, lehre mich." " Weiske."
f . 328b.
62. "Wie bang hat dich mein Lied
beweint." By " W[ei]m[a]r, 1785."
f . 331b.
63. " Furwahr er trug." By " Binder-
nagel" ; with an aria at the end by
"Penzel." ff. 336b, 342.
64. "Der Mensch lebt." "[J. P.]
Reichardt." f. 343b.
Additional 12532, ff. 67, 75, 78b, 148.
Paper ; 18th cent. Quarto. For a further description of the MS., see under
Madrigals.
Sacred compositions, in score, by Cl[aude] Le Jeune, taken (except
no. 1) from his Pseaumes a 3 voix, book i, 1602.
1. "En Registre sera mise Vne si
grande entreprise," for 2 voices,
f. 67.
first few bars of the treble only.
f. 75.
3. " Qui est-ce qui conversera." f. 78b.
2. " Jusques a quand as estably." The | 4. " A toy, mon Dieu." f. 148.
Additional 29380, f. 3 ; 29381, ff. 11, 27b.
Paper ; 18th cent. Narrow oblong duodecimo. For a further description of
the MSS., see under Madrigals.
Psalms for 3 voices, in score, by Cl[aude] le Jeune.
29380. Vol. I. "Vouloir m'est pris
de mettre en escriture." f. 3.
29381. Vol. II. 1. "Exauce, 6 mon
Dieu, ma priere." f. 11.
2. " O combien est plaisant." f. 27b.
162 VOCAL MUSIC— SACRED.
Additional 29382-29385, passim.
Paper ; 18th cent. Narrow oblong duodecimo. For a further description of
the MS., see under Motets.
Portions of three psalms, in parts, by Claude Le Jeune.
1. "0 combien est plaisant " (a 3).
Vol. i, f. 12b; iii, f. 10b; iv, f.9b.
2. "A Toy, mon Dieu " (a 3). ii, f. 15 ;
iii, f. 14 ; iv, f. 12b.
3. " Lors seulement ne suivray tes
sentiers" (a 2). ii, f. 20b; iii, f.26b.
Additional 29393-29395, ff. 1 4b-l 8 passi
im.
Paper ; 18th cent. Oblong duodecimo. The MS. also contains sacred Canons
(see p. 123), secular Canons, Catches, Madrigals, and a secular Motet, in the
same hand ; all described elsewhere.
A collection of short vocal pieces, most of them for 3 voices, in
parts (cantus, medius, bassus), in the hand of John Iminyns ; including
two taken from the second book of Psalms for 3 voices published by
Claude Lejeune in 1608.
1. "O Seigneur, que des Gens." i, 2. " 0 Dieu des Armees." i, f. 16b; ii,
f.15; ii, f.l4b; iii, f. 16b.
f. 16; iii, f. 18.
Additional 31407, f. 14.
Paper ; 18th cent. Oblong duodecimo. See also under Motets.
" Debout, Seigneur " (Psalm lxxiv) ; for 4 voices, in score.
Anonymous.
Additional 31471, ff. 142, 143.
See above, p. 123, under Canons.
Additional 32433.
Paper ; ff . 64. 18th cent. Oblong quarto.
" O d' immensa pieta fonte inesausto " ; described at the beginning as
" Miserere — A 3. Alto, Tenore, e Basso, Con Viole [and'violoncelli] —
Musica di Benedetto Marcello — Parafrasi." In a rather later hand is
added " di Ascanio Giustiniani, Patrizi Veneti." In score. It is
Psalm xxxiv from the Estro Poetico-Harmonico, published in 1724-1727.
Additional 34717, ff. 1-17.
Paper ; 18th cent. Folio. The MS. also contains some Chorales (see p. 157)
and an Oboe Concerto (about 1757), described elsewhere.
Five "motetti" for solo voices and 4-part chorus, without accom-
paniment, in score. Anonymous.
1. " Jauchzet dem Herrn." f. 1. I 4. "Gott, dein Weg ist heilig." f. 10b.
2. " Gott ist unsre Zuversicht." f. 4b. 5. " Vor dir, O Ewiger." f. 13.
3. "Ich dancke dir, Gott." f. 7b.
CHORUSES.
163
Additional 24288.
Paper ; ff. 114. Late 18th cent. Oblong folio. Bookplate with arms of Charles
Hatchett. Afterwards the volume came into the possession of Dr. H. Gauntlett.
Portions of two psalms in Russian, for 4 voices, in score.
1. "Pomiluy mya Bozhe" (Ps. li, in
14 numbers) ; with symphonies and
accompaniments for flute, 3 violas,
violoncello, and bass, and a figured
bass for organ. "Giuseppe Sarti."
f.l.
2. "Ne otverz i rnenevo" (Ps. lxxi),
" konshchert " without accompani-
ment. "Berezosky." f.97.
Additional 27573, passim.
Paper ; late 18th cent. Oblong octavo.
Psalms and hymns in the Ladine, or Grisons, dialect, for several
voices in parts ; taken from German or Swiss collections, mostly of the
second half of the 18th cent. Only 3 parts are given, unless the
contrary is stated.
1. " Hoatz ais a nus " (4 voices).
"Berius" [?F. K. von Baer, fl. 1777].
f.2.
2. " Quaist di eis bain." Anonymous,
i. 4.
3. "Lodo tu saiast." Anonymous, f. 5.
4. "Tuots leidamaing da cor Chian-
tain." Anonymous, f. 6.
5. "Lais nat un filg " (only 1 part
given). " [J. B. ?] d'Lulij." f. 7b.
6. "Dieu, fatscha chia que ch'nus."
Anonymous, f. 8.
7. "Chia Christ sco hoatz a coel."
Anonymous, f . 9.
8. "Christus, eispernoasgrand-pchio."
"Muscul." f.lOb.
9. "Christus la Moart ho supero."
The same. f. lib.'
10. "0 Noebla Chrisstantaed." "Be-
rius." f. 12b.
11. " 0 Spiert sanctissem." "DeLulij."
f. 14.
12. "0 Segner, num ar prender."
"Berius." f. 15.
13. " Ilg Segner ais mieu bum pastur"
(4 voices). "Muscil." f. 16b.
14. "Vid te svoalva lorma mia" (only
1 part). Anonymous, f. 17b.
15. "Ach spoardsch, o Dieu." " De
Lulij." f. IS.
1G. "Eau m'voalv vi a Dieu." "[J.
W. ?] Simlerus." f. 19b.
17.
; Mi oarm il Segner loda."
'Berius."
f. 21.
18. "Sco ziev ouva fraischia gira" (2
voices). Anonymous, f. 22b.
19. " D'allegrezza pur can tain " (only
1 part). Anonymous, f. 23.
20. "In Sion cert vain celebrseda," from
SeeleiuMusik. f. 23b.
21. "Da Cormaing lode" (2 voices).
Anonymous, f. 25.
22. " Dieu regna taunt." "Simlerus."
f . 25b.
23. "II Segner regna." By the same.
f.27.
24. " Mieu aroefet mia domanda" (only
1 part). Anonymous, f. 28b.
25. "Lode Dieu" (2 voices). Anony-
mous, f. 29.
26. " Mieu cour eis apino.O Dieu" (only
1 part). By J. P. Sweelinck. f.30.
27. "Scodun Dieu lod" (only 1 part).
"Bachovius" [? J. Kaspar Bacho-
fen]. f. 30b.
28. "Beo et venturaivel" (only 1 part).
"DeLulij." f. 31.
29. " Cur chia Dieu turnanttet " (fugue
for 4 voices), from Seelen-musik.
f . 31b.
30. "Quels chi vaun" (fugue for 3
voices). Anonymous, f. 32.
31. "Dieu lode" (2 voices). Anony-
mous, f . 32b.
32. "Eau voelg te exaltar" (only 1
part). "DeLulij." f. 33.
164
VOCAL MUSIC— SACRED.
33. "Loda l'Segner" (2 voices), from
Seelen-musik. f . 33b.
34. Another setting (3 voices), from the
same. f. 34.
35. "Noas ferrn castelg" (2 voices),
from the same, f . 34b.
36. " Eau in meis bscengs" (4 voices).
Anonymous, f . 35.
37. "0 Christ, vair Dieu " (4 voices),
from Seelen-musik. f. 36.
38. "A tuot alaig " (only 1 part). "De
Lulij." f.37.
39. Another setting (fugue). Anony-
mous, f. 37b.
40. "In lod da Christ" (fugue), from
Seelen-musik. f. 38.
41. Another setting (2 voices). " [G.
J.] Zollicofer " (fl. 1766). f. 38b.
42. "O oarma mia L'Segner bene-
descha." Anonymous, f . 39b.
43. "II Lsench Spiert " (4 voices).
"Berius." f.40.
Of the following ten numbers (44—53), only 1 part is given.
44. " Eau craj in Dieu." "Bachovius."
f.42.
45. " Eau clamm te." Anonymous,
f . 42b.
46. "Tres grazch et agiud da noass."
Anonymous, f. 43.
47. "II Segner a mieu Segner." By
Sweelinck. f. 43b.
48. "O oarma mia." Anonymous.
(Different from no. 42.) f. 44.
49. "Sco ziev ova fraischia gira." By
Sweelinck. f . 44b.
50. "Quel eis zuond venturaivel."
Anonymous, f. 45.
51. "Noas Dieu tuot pusant Lode."
Anonymous, f. 45b.
52. "Eau am, mieu Dieu." By Sweel-
inck. f. 46.
53. " Sallegrebain zuond." Anonymous,
f . 46b.
54. "Vid te svoalva lorma " (2 voices).
Anonymous, f. 47b.
55. "Raig dels Raigs." " [Barthold
Heinrich] Bro[c]kes." f. 49.
Additional 32181, ff. 21-22b.
Paper ; late 18th cent. Oblong folio. See also Operas (1796, etc.).
" Ovunque il guardo io giro " : chorus for 4 voices, in score, with
separate score for accompaniment of trombones, trumpets, and drums,
by F. X. Siissmayr. Autoyraph.
Additional 31581-31584, passim.
Paper ; 18th-19th cent. Quarto. For settings of the remaining Psalms, see
under Duets, Songs, and Trios.
Settings of the greater portion of the first 50 Psalms for solo
voices and chorus, with a bass for organ, from the Estro Poetico-
Harmonico. Parafrasi sopra li . . . Salmi," published by Benedetto
Marcello in 1724—1727. The number of parts in the choruses is
generally the same as the number of solo voices, of which, except where
the contrary is stated, there are two. The MS. is in 4 volumes and is
said to be in the hand of [M.] Luigi [C. Z. S.] Cherubini, from whose
grandson, L. Cherubini, it was purchased in 1879 by Julian Marshall.
31581. Vol. I.
1. "Beato l'uom che dietro."
2. " Donde cotanto fremito."
3. "0 Dio, perche." f . 19.
i. " Nell' invocarti." f.29.
f.2.
f. 9.
5. " Le voci querule." f. 39.
6. "Signor, quando arde il foco."
f.55.
7. " Or che m'assale." f. 66.
CHORUSES.
165
8. " Quanto di spirto " (a 3). In this,
as well as in several other Psalms,
the music to which it is intoned
by the Spanish or German Jews is
31582. Vol. II.
1. "Tu che sai," the melody founded
on an ancient Greek Hymn of Diony-
sius in the Lydian mode, of which
the words and notes (in the ancient
notation) are given at the beginning.
f.2.
2. " Io sempre t' amero " (a 3). f. 13.
3. "I cieli immensi" (a 4). f. 52.
31583. Vol. III.
1. "II Signor s' e la mia luce" (a 3).
f.2.
2. " 0 prole nobile " (a 3). f. 33.
3. " Signor, poiche ti piacque." f. 47.
4. " 0 beati color cui 1' opre inique "
(a 3). f. 72.
5. "Almegiuste" (a 3). f.86.
31584. Vol. IV.
1. "Quando d' ogni piu grave e duro
affanno." f. 8.
2. " 0 beato chi pietoso " (a 3). f. 20.
3. " Udir le orecchie nostre " (a 4, with
violoncellos and double basses), f. 44.
4. " Dal cor ripieno di celeste fiamma "
(a 3). f.G4.
5. " Tra 1' aspre e rie miserie." f. 76.
given, f. 90.
9. "Mentre io tutta ripongo in Dio "
(a 4). f.123.
10. " Signor, tu dammi aita." f. 133.
4. "Quando, o Ke, cinto sarai " (a 4).
f.68.
5. " Nel tuo potere " (a 4). f. 85.
G. " S' e il Signore mio Pastore." f. 120.
7. "Delia terra" (a 3). f. 129.
8. " In mezzo a' tristi affanni." f. 143.
9. " Or che condannami " (a 3). f. 161.
6. " Al Signor in ogni tempo." f. 112.
7. " Sopra i nemici miei " (a 3). f. 124.
8. "L' uomo col opre sue." f. 140.
9. " Non ti contristi " (a 4, with violon-
cellos and double basses), f. 147.
10. "Signor, quando la fiamma."
f. 179.
6. " Questa che al ciel s'inalza" (a 3).
f.89.
7. "Ogentituttevoi" (A3), f. 100.
8. "II grande Iddio " (a 3). f. 112.
9. "O d' immensa pieta fonte" (a 3,
with "violette" and violoncellos),
f. 124.
Additional 32429, ff. 98b-113b jx<ssm.
Paper ; 18th-19th cent. Oblong octavo. See also under Motets.
Parts (bass, unless the contrary is stated) of the following com
positions, the first two of which are anonymous : —
f. 106.
1. "Cantiamo su, cantiamo inni di
Gloria al Dio." f. 98b.
2. " O pane del cielo." f . 100.
3. ' ' Sommo ben, mio signor " (contralto
and 2 basses). "Fanetti." ff. 101b-
104.
4. The same words. " Majer." f. 105.
5. The same words. "Arici.'
6. " Lodate Maria." f. 112b.
Apparently this and presumably also
the two following compositions are
by "Giuseppe Pai." (See f. 103b).
7. "Maria, sei gilio." f. 113.
8. "O Madredi Dio." f. 113b.
Additional 31754, ft'. 144, 145.
Paper ; about 1804 (watermark). Oblong folio. See also above, p. 70.
" O thou great source of every good " : so-called " glee " for 4 voices
with pianoforte accompaniment, the words by Miss Bowdler, the music
by C[harles] W[esley]. Autograph. Two unfinished settings.
166
VOCAL MUSIC— SACRED.
Additional 32021, f. 8.
Paper; a.d. 1810. Oblong quarto. See also under Glees (1806-1850).
"0 thou, whose name too often is prof an'd " : sacred "glee" for
3 voices, in score, by Thomas Miles. Autograph.
Additional 32178, if. 112-138.
Paper ; a.d. 1813-1822. Oblong folio. See also under Operas, Songs (sacred
and secular), and Pianoforte Solos.
Sacred Choruses for 4 voices (unless the contrary is stated), most
of them with quartets, in score, by J. G. Schicht. Autograph. Nos. 1,
3 and 4 are described as " Mottetti."
1. "Gott ist unser Zuversicht," 25
Aug. 1818. The words by Gellert.
f. 112.
2. "Vater, den uns Jesus offenbaret,"
25 July, 1822. The words by Wit-
schel. f. 114.
3. " Lobet den Herrn in seinem Heilig-
thum " (8 voices), June, 1818. f. 118.
4. "Gross ist der Herr," with parts
for 3 trombones, in separate score,
October, 1821. f. 122.
5. "Wirnahen uns von heisser dank-
begier," 5, 6 Nov. 1813. f. 131.
Additional 27574.
Paper; ff. 52. a.d. 1817. Oblong folio.
The treble part of some Psalms, etc., selected from various Swiss
and German collections, by Gian G. Schechi, for the use of Barbla and
Chiatrina Secchi of Zutz in the Grisons, in the dialect of which (Ladine)
the words are written. Those marked with an asterisk are taken from
Selemusic, i.e. Seelen-musik, most of them from the first edition, 1694.
Of the composers and compilers referred to below, " Sweling " is Jan
Pieterszoon Sweelinck ; "Smidlin" or " Smitlin," Johann Schmidlin ;
" Bachofen," Johann Kaspar Bachofen ; " Godau " or " Godeaux,"
Antoine Godeau ; " Broquis," probably Barthold Heinrich Brockes ;
" Solicofar," Kaspar Zollicofer ; " Simler," Johann Wilhelm Simler ;
" Egli," Johann Heinrich Egli ; and " Nageli," Hans Georg Nageli,
who appears to have been connected, either as contributor or editor,
with the collection alluded to below as La Celerine or Cellerina.
1. "Mu Segnar, huossa pur" (a 5).
" Sweling." f. 2.
2. "O Segnar, num arprender" (a 4).
By the same. f. 2.
3. "Ludde tuots la Diving Ezenza "
(a 7). By the same. f. 2b.
4. "II raig se tain" (a 4). By the
same, f . 2b.
5. "II nar in sieu cour disch " (a 6).
By the same. f. 3.
6. "Muvus cus gliers chis dais" (a 5).
By the same, f . 3.
7. "Niet malquiter" (a 5). By the
same. f. 3b.
8. "Tuorblaz niivlas d'loarma mia."
"Smidlin." f. 3b.
9. "Ach! Gesu, tu glusch." By the
same. f. 4b.
10. "Pur taid la mieu areif" (a 4).
"Sweling." f . 5.
11. " Vus che sur tearra s'tais" (a 5).
By the same. f. 5.
12. "D'tlascha gner." By the same.
f. 5b.
13. " Predgain oura." " Andr[eas]
Sch[mau?]" and "Bachofen." f. 5b.
CHORUSES.
167
14. "Muondadhe." "Bachofen." f. 6b.
15. " Sco ziev ova fraischa gira " (a 8).
"Sweling." f. 7.
16. "0 Dieu Etern " (a 3). f. 7.
17. "Tu ch'ins host deres 6s" (a 5).
"Sweling." f. 7b.
18. "Chiante a Dieu" (a 4). By the
same. f. 7b.
19. " Te ludains Nus, Dieu " (a 4). By
the same. f. 8.
20. " Vus peevals voas uraigl a mi "
(a 6). By the same. f. 8b.
21. " Mieu areef, 0 Segnor." Anony-
mous, f . 8b.
22. " II Segnor a mieu Segnor cert "
(4 6). "Sweling." f. 9.
23. " Gesus bum us muossa." "Andr.
Schmau." f. 9b.
24. "Mieu areef, 6 Segnor" (a 8).
"Sweling." f. 10.
25. " Perchie us hest usche " (a 4). By
the same, f . 10b.
*26. "Noassas uraglas jmlegaixen "
(44). f. 10b.
27. "Da cormaing ludde " (a 6).
"Sweling." f. 11.
28. "Eau m'voalv ve a Dieu" (4 6).
By the same. f. lib.
*29. " Pur su chantain." f. lib.
30. "Nunsescha." "Bachofen." f. 12b.
31. "Eau am, mieu Dieu" (4 5).
"Sweling." f. 13."
32. "0 oarma mia l'Segnar benede-
scha." " Anda Schmau." f. 12.
33. " Gni pur vo tuots "(4 6). " Swe-
ling." f. 13b.
34. " Sinpisse pur." " Bachofen."
f. 13b.
35. " Credain pur tuots." "Sweling."
f . 14b.
36. "Mieu cour ais appino " (4 6). By
the same. f. 15.
37. "0 Raig il Domini." "Peidar
Anose." f. 15.
38. "Chante da noev al Segnar" (4 5).
"Sweling." f.l5b.
39. " Da cormaing Lude." Anonymous,
f. 15b.
40. "Dom victorga." "Bachofen."
f. 16.
*41. " Perchiera me." f. 16b.
42. "Tuots vus payaums pur Dieu
lude "(4 6). "Sweling." f. 17.
43. " Tuots Leidamaing da cour chan-
tain." " Gio. Atschel." f. 17.
44. " Vuschi Servis a Dieu" (a 8).
"Sweling." f . 17b.
45. Chiesbutamainthest." "Smitlin."
f. 18.
46. " lis eels gugiend." "Bachofen."
f. 18b.
47. "II Segnar regna" (a 6). "Swe-
ling." f. 19.
48. "Scodun Dieu lod" (4 6). By the
same. f. 19b.
49. "0 Gesu, tu vest." "Bachofen."
f.20.
50. " Eau tarn Segnar." By the same,
f. 20b.
51. "O tii Sgrischus." By the same.
f. 21.
52. " Sayast tii mieu Spiiert." By the
same, f . 21b.
53. "Ludo Dieu sai " (4 6). "Swe-
ling." i. 22.
54. " D' las melasouvras" (a 6). By
the same, f . 22b.
55. "0 Gesu, chiera vetta." "Bacho-
fen." f. 23.
56. "Chie t' stanglaumtast tii." By
the same. f. 23b.
57. "Triumf, victoria." By the same.
f. 23b.
58. "0 Dieu, ferm in eel de L5d"
(4 8). "Sweling." f . 24.
59. "Cort ch' Israel" (4 5). By the
same, f . 24.
60. "Beo et venturaivel." " Godau."
f. 24b.
*61. Another tune to the same psalm
(violin part), f. 24b.
62. Another (trumpet part). " A.
Schmau." f. 24b.
*63. Another, f. 25.
64. Another. "Smithin." f. 25.
65. Another. "Broquis." f. 25.
66. 67. " Lodda l'Segnar oarma mia."
Two settings. "Ex Gusto." f. 25b.
68, 69. Two other tunes to the same
psalm (fugues a 3). "Bachofen."
ff. 25b, 26.
*70. Another, f. 26.
71. Another. "Bachofen." f. 26.
72. "Te ludeins nus, Dieu." "Ex
Gusto." f. 20b.
73. "Dieu, fatscha chia que nus chan-
tain." By the same. f. 26b.
74. Another (a 4). Anonymous, f. 26b.
13
168
VOCAL MUSIC— SACRED.
75. Another (a 4). "And" Schmau."
f . 26b.
76. Another. Anonymous, f. 27.
77. "Chi in Guvan." "Ex Gusto."
f. 27.
78. " Sco ziev ova fraischa gira." By
the same. f. 27.
79. "0 paum 6V la vitta." "And8
Schmau." f. 27b.
80. " L' eis chiosa bain." (New French
melody), f. 29.
81. "In lod da Criste." " Godeaux."
f. 29.
82. "0 Spuert senchischem." "And*
Schmau." f.29.
83. "Intraumbe Ills Redschaduors."
"Broquis." f.29b.
84. Another tune to the same psalm,
from Celcrine. f. 29b.
*85. Another. f.29b.
86. " Chie t' stanglaumtast " (1st part
like no. 56). " Bachofen." f. 30.
*87. " Che che voul gner salv." f. 30b.
*88. Another tune to the same. Partly
from Selemusic and partly from
"Smidlin." f. 30b.
*89-*91. Three other tunes to the same.
f. 31.
92. Another. Anonymous, f. 31.
*93. Another, f. 31b.
94. Another. " Solicofar." f. 31b.
95. Another. "Broquis." f. 31b.
*96. Another, f . 31b.
97. Another. "And" Schmau." f. 32.
*98, *99. Two others, f. 32.
100. Another. "Schmau." f . 32.
*101. " Talegra eel et tearra." f. 32b.
102. "Ilmeiscour." " Simler." f.32b.
103. "Dieuregna." By the same. f. 33.
104. "Mieu cour na chanzum bella
meditescha." Anonymous, f. 33.
105. " De dalls maums." Anonymous,
f. 33b.
106. "Credain pur tuots." "And*
Schmau." f. 34.
107. "Mieu Dieu, mieu Dieu." By
the same, f . 34.
108. "Vid t'voalva 1' oarma." "Ba-
chofan." f. 34b.
109. " Venderdi Sench," from Celerine
Nouv[elle]. f. 34b.
110. "O Deis, ma vit." "Simler."
f. 34b.
111. "0 Perdum da mieu zuond."
Anonymous, f. 35.
112. "Eauotz ma vusch" (fugue a 2).
Anonymous, f . 35.
113. "Muvus glund dal muond."
" Broquis." f. 35b.
114. " Dieu, fatscha chia que nus chan-
tain." " Egli." f. 35b.
115. " Eau otz ma vusch. "Ex Gusto."
f. 35b.
116. " Muvus cusgliers chis dais." By
the same. f. 36.
117. 118. "Halleluyal veilg eau chan-
ter" (2 tunes). "And* Schmau."
f.36.
119. "Moart eis la mort," from L' Ce-
lerine. f. 36b.
120. Another. " Bachofan." f. 36b.
121. 122. " Da vestimainta " (2 tunes).
Anonymous, f. 36b.
123. " Ach fo tu cha ta Iustia." Ano-
nymous, f. 37.
124. "Eau clam te" (fugue). "Ba-
chofan." f. 37.
125. " Dieu lode con devotiun." Ano-
nymous, f. 37b.
126. "0 Bap etern." Anonymous,
f. 37b.
127. " Chante da niief al Segner " (a 5).
" Sveling." f. 37b.
128. " Te retira." "Bachofen." f. 38.
129,130. "Sco zieuv ova fraischia."
Two settings — both different from
no. 78. "Gustus." f. 38b.
131. " Eau na canzum " (a 4). " Swe-
ling." f. 39.
132. " L's Payannis antros sum " (a 5).
By the same. f. 39b.
133. "ODieu, da tempe in tempe "
(a 4). By the same. f. 40.
134. " Lagrazia stessa e l'amur." " Ex
Gusto." f. 40.
135. " 0 poevel mieu baintaid " (a 5).
" Sweling." f . 40b.
136. " Dentaunt chia nus sezaivans "
(a 5). By the same. f. 41.
137. " Da cour voelg Eau te celebrer "
(a 4). By the same. f. 41b.
138. " Loda L' Segner oarma mia "
(a 7). By the same. f. 41b.
139. " Dieu ho 1' Reginam " (a 6). By
the same, f . 42.
140. "Lode pur tuots sun sieu ot
thrun" (a 7). By the same. f. 42b.
141. " 0 Dieu, chi hest l'hundrenscha
CHORUSES.
169
mia " (a 6). By the same. f. 43.
142. " Cante na chanzum nov" (a 4).
By the same. f. 43.
143. "Bed quel in Cussailg cun ills"
(a 4). By the same. f. 43b.
144. " Quels chi vaun chesas fabri-
chand " (a 4). By the same. f. 44.
145. " Beo quel in cusailg cun ils "
(a 4). By the same. f. 44.
146. " Oarma mia il Segner benedes-
cha." French air. f. 44b.
147. " 0 Dieu, cun zel." "Egli." f.44b.
148. " Seumbod cert dit " (a 4). " Swe-
ling." f. 45.
149. " In oth he veurs ils munts " (a 4).
" Sweling." f. 45b.
150. " Tres gratz." f . 46.
151. " Al Segner Dieu pusaunt."
French air. f . 46b.
152. " Dieu fatscha chia que ch' nus
cantain." " Nageli." f. 46b.
153. 154. " Beo et venturaivel " (2
tunes). " Schmidlin." f. 47.
155. "Lquel t' hest als puer " (a 6).
"Sveling." f.47b.
156-160. "Da vestimainta naira" (5
tunes), from Cellerina. "Nageli."
i. 48.
161, 162. " In lod da Criste" (2 tunes).
" Nageli." f. 48b.
163, 164. " II Segner a mieu Segner "
(2 tunes). By the same. f. 48b.
165. "Dieu ho 1' reginam." By the
same (?). f. 48b.
166. " In schiura tomba." Anonymous,
f. 49.
167. "Gesu Crist ais resiisto." "Na-
geli." f. 49b.
168. " Cristanted t' allegra," from Cel-
lerina. By the same, f . 49b.
169. "Mort ais la mort," from the
same. By the same. f. 50.
170. " Mi 'arm' il Segner loda." By the
same (?). f. 50.
171. "Sco ziev' ova fraischia gira." By
the same (?). f . 50.
172. "Sco dun Dieu lod." By the
same (?). f. 50.
Additional 19569, ff. 34-37.
Paper ; about 1819. Oblong folio. See also under Songs (1817-1826).
" Lord, who shall bear that day " ; for 4 voices, with pianoforte
accompaniment, in score. The words are by Thomas Moore, in whose
hand is the second stanza. The music is adapted by Sir John
Stevenson from a march by Dr. [William] Boyce.
Additional 14341, f. 27b.
" A Dirge," by Samuel Wesley. See under Part-songs (before
1843).
Additional 32017, passim.
Paper; a.d. 1843. Oblong duodecimo. Presented by Arthur Miles, son of
the composer. The same MS. contains also some Part-songs, described elsewhere.
Sacred songs for 3 voices, in score, without accompaniment, by
Thomas Miles. Autograph. The words are by Dr. Isaac Watts.
1. "My God, who makes the sun to
know." f. 1.
2. " Whene'er I take my walks abroad."
f. lb.
3. "Our tongues were made to bless
the Lord." f. 3.
4. "And now another day is gone."
f.3b.
5. "Lord, how delightful 'tis to see."
f. 4.
6. " This is the day when Christ arose."
f. 5b.
7. "Let children that would fear the
Lord." f.6.
170
VOCAL MUSIC— SACRED.
8. " Why should I love my sports."
f. 8.
9. " Great God, to thee my voice I
raise." f. 8b.
10. "How glorious is our heav'nly
king." f. 9.
11. "Hush, my dear, lie still and slum-
ber " : a cradle hymn. f. 9b.
12. "I sing th' Almighty pow'r of God."
f. 10.
13. "Blest be the wisdom and the
pow'r." f. 12b.
14. "Lord, I ascribe it to thy grace."
f . 13b.
15. " Great God, with wonder and with
praise." f. 14.
16. " The praises of my tongue."
f . 14b.
17. " There is a God that reigns above."
f. 16.
18. " There is beyond the sky." f. 16b.
19. "Happy the child whose tender
years." f. 17.
20. " What bless'd examples do I fk>d."
f. 17b.
21. "Almighty God, thy piercing eye."
f. 19.
22. "Why should I say 'tis yet too
soon." f. 19b.
23. " Angels that high in glory dwell."
f. 20b.
Additional 34182, ff. 106-111.
Paper ; about 1866 (date of publication). Folio.
Inno del Papa [Pio IX], beginning " Dall' alma Roma sommo
Pastore " ; for 8 voices, with organ accompaniment, in score, by
F. Liszt. Printed at Rome in 1866, with autograph alterations by
the composer. The melody is taken from the " Tu es Petrus " on f. 37
of the same volume (see Oratorios, 1863-1866).
Additional 31903.
Paper ; ff . 10. 19th cent. Quarto.
Psalm xxvii, " Gott ist mein Licht " ; for a chorus of 4 voices, with
solos, in score, by C[arl F. A.] Billert (op. 15). Autograph. Dedicated
to W. Dankberg (?).
SECTION VIII.— DUETS.
Additional 36881, passim.
Vellum ; 12th cent. 6| X 4^ in.
Proses, etc., harmonized for 2 voices. See under Miracle-plays.
Additional 16975, ff. 166-192 passim.
Vellum ; 13th-14th cent, llf x 8 in. The MS. also contains a Treatise, etc.
A Hymnal of the Abbey of Lire, in Normandy, accompanied
throughout by square or diamond-shaped notes, on two staves of 4 or 5
DUETS.
171
red lines with the C, CB, or F signatures, containing, among other
hymns, the following set for 2 voices, in quasi-score : — " Conditor
alme syderum " (f. 166) ; " Veni, creator spiritus " (f. 188b) ; and " Ave,
maris stella" (f. 192).
Additional 36579, f. lb.
Vellum ; 14th cent. 13 x 8 in.
" [Gloria in excelsis Deo] et in terra pax " ; for 2 voices, written
on 2 staves of 5 lines each, with square and diamond-shaped black
notes.
The page on which the above is written forms the inside of the
upper cover of a Chartulary of Selby Abbey, cq. York.
Additional 5665, ff. 4b-52 passim.
Paper ; 15th-16th cent. Large octavo. For a further description of the MS.,
see under Motets.
Sacred compositions for 2 voices, in parts, written in England.
They each end in a refrain, which, unless the contrary is stated, is set
for a chorus of 3 voices. Most of them are anonymous.
1. "Syng we to this mery companey."
(In J. Stafford Smith's Musica
Antiqua). f. 4b.
2. "Johannes assecretis divine sophie."
f.5b.
3. " Sonet laus per secula." f. 6b.
4. "Make us meri this new yere."
f. 12b.
5. " Salue, sancta parens." f. 13b.
6. " Aue, decus seculi." " Ric. Smert."
f. 15b.
7. " Pray for vs that we saued be."
f. 22b.
8. " Psallite gaudentes." f.23b.
9. " Worcepe we this holy day." f. 24b.
10. ' ' Te deum laudamus . . . Syng we
to God " ; with 2-part chorus, f. 25b.
11. " Letare cantuaria." f. 27b.
12. " Spes mea in deo . . . When
maystery." f. 30b.
13. "I pray 3eu alle with on tho3t."
f . 31b.
14. "Pray for vs, thow prince of pes."
f. 38.
15. " Jhesus autem hodie"; with
second verse, " There were thre per-
sons and oo lorde." " John Trouluff e "
and " Smert." f. 40b.
16. " Clangat tuba martir thomas."
f. 41b.
17. " Man asay and axe mercy." f. 42b.
18. " Jhesu, for thy mercy." f. 44b.
19. " The beste song as hit semeth me."
f. 45b.
20. "To many a wille have y go."
f . 46b.
21. "Pray for us, }>" prince of pes."
Different from no. 14. f. 48b.
22. "O blessed lord, fulle of pete";
with 4-part chorus, f. 49b.
23. " The beste rede that I can." f. 50b.
24. "For all cristen saulys pray we."
f. 51b.
25. "0 blessed lord, how may this be " ;
for 2 voices, in parts. Anonymous.
f. 69b.
Additional 4900, ff. 64b, 65.
Paper ; after 1600. Small folio. For a further description of the MS., see
under Songs (sacred).
" What man is he that feareth ye Lorde " : a composition apparently
for 2 treble voices, with lute accompaniment, which is written above
172 VOCAL MUSIC— SACRED.
one of the vocal parts. Nearly three quarters of the leaf havp been
torn off. Anonymous.
Printed Book, D. 212. c. (vol. i, f. 61b ; ii, f. 59).
Paper ; after 1613. Small quarto. For a further description of the volumes,
see uuder Motets.
" Ich freue mich im Herrn," described as a " concerto " ; for 2
voices, with symphonies apparently for 2 strings, in parts, by
N. Hennicey (?).
Additional 4388, f. 53b.
Paper ; a.d. 1635 (see f. 45). Folio. See also under Songs (1653).
The first few notes of the basses to Orlando Gibbons' settings of
George Withers' Hymns and Songs of the Church, 1622.
Additional 11608, ffi 30b, 31b.
Paper; a.d. 1656-1659. Small folio. See also under Songs (secular).
Two duets, with bass for harpsichord or organ, generally in unison
with the vocal bass, in score, by Rich[ard] Deeringe.
1. " Justus cor suum tradidit." f. 30b. | 2. " Ardens est cor meum." f. 31b.
Egerton 2013, ffi 7, 8.
Paper ; after 1669 (?). Folio. For a further description of the MS., see under
Songs.
The treble part of what appear to be two duets, the first with an
accompaniment for the lute, in tablature ; the second with harpsichord
accompaniment, in score.
1. "Ardens est cor meum." By
Richard Dering, [published posthu-
mously in his Cantica Sacra, 1662.]
f.7.
2. " 0 nomen Jesu." Anonymous, f. 8.
Additional 10338, f . 80b.
Paper; after 1669. Small folio. For a further description of the MS., see
under Motets.
" Heu me misera, tulerunt Dominum meum " : a Dialogue between
Mary Magdalene and the Angels at the Sepulchre (basses, in unison),
with a figured bass for organ, in score. By George Jeffreys. Autograph.
Additional 29282, ff. 2, 14b, 25.
Paper; after 1669. Small folio. For a further description of the MS., see
under Motets.
Another copy of the same, in parts.
DUETS. 173
Additional 22100, f. 115b.
Paper ; about 1682. Folio. For a further description of the MS., see above,
p. 28.
" The Passion," beginning " Enough, my muse, of earthly things " ;
with a bass, in score. By Dr. Blow.
Harley 1863, ff. 172b-161b (reversed).
Paper ; late 17th cent. Oblong octavo. See also under Songs (secular).
" LiETA dies " ; with a figured bass, in score. Anonymous.
Apparently in the hand of B. M. Berenclow.
Additional 29291, ff. 54, 55.
Paper ; 17th-18th cent. Narrow oblong octavo. For a further description of
the MS., see above, p. 123.
[Invocabo Dominum] ; for 2 voices, with a figured bass, in score.
Anonymous. Imperfect. From " Job Strollger's book."
Additional 32137, ff. 139, 1 89-29 lb passim.
Paper ; 17th-18th cent. Duodecimo. For a further description of the MS.,
see above, p. 153.
Sacred compositions for 2 voices, apparently by Martin Gobelius
(f. 1). Unless the contrary is stated, they are unaccompanied.
1. " Dein Trost, Herr Christe." f. 139.
2. "Sey willkommen aus den from-
men " ; with symphony and ritour-
nelle for 3 strings, f. 189.
3. " Jesus, meine liebes-flamme " : aria
with figured bass. f. 193.
4. "Jesus, der vor dieser Zeit"; also
with figured bass, f . 193b.
5. " Ich komme eingeladen." f. 255.
6. "0 welt, ich muss dich lassen."
f. 260.
7. "Hertzlich liebe nab' ich dich."
f . 262b.
8,9. "Mitten wir in Leben sind."
ff . 267b, 268.
10. "Keinen hat Gott verlassen."
f. 273.
11. " Seele, was ist schemers doch."
f. 291b.
Additional 22099, f. 17b.
Paper ; about 1704-1707. Folio. For a further description of the MS., see
under Operas.
" Dialogo per la B. Virgine. Christiano e Turco," beg. " Ad arma
gigantes." By [Giovanni Battista] Bassani.
174 VOCAL MUSIC— SACRED.
Additional 34056, ff. 164-181b.
Paper; a.d. 1709. Oblong folio. For a further description of the MS., see
under Songs (secular).
Dialogue (Giesu, Maria) beg. " Madre vicina e 1' hora " ; with
violins and a figured bass for harpsichord or organ, in score, by
[Antonio] Biffi.
Additional 31491, ff. 125-14 lb.
Paper ; first half of 18th cent. Oblong folio. See also under Duets (secular).
Four Duets with a bass (partly figured) for harpsichord or organ,
in score. Nos. 2 and 4 are by Gio. Batta Zunica ; and probably also
the other two, as they are in the same hand and of a similar
character.
1. " Se mai pace ": motet, f. 125.
2. " Se viue quest' alma." f. 129.
3. "Trionpha (sic) victorise." f. 134.
4. "Fra gl' orridi silenzi": cantata.
f. 138.
Additional 14221, ff. 75-85.
Paper; a.d. 1760 (?). Oblong folio. See also under Operas (2nd half of
18th cent.).
" Giudice ingiusto " ; with a figured bass for harpsichord or organ,
in score : " Duetto tra L' Anima e Gesu-Cristo, con Violino Del . . .
Padre D. Alfonso di Liquori Rettor maggiore del santissimo Redentore.
a.d. 1760 "
Additional 34998, f. 5b.
Paper ; about 1774-1775. Oblong folio. See also above, p. 70.
" Come, Lord, from above " ; for 2 trebles, with a bass, in score, by
Samuel Wesley.
Additional 32173, f. 144.
Paper ; 1798. Oblong folio. See also above, p. 130.
" Glorreiche himmels konigin " : " Regina coeli laetare " ; with a
figured bass, in score, in the band of Johann Michael Haydn, who is
evidently the composer of it. It is followed by the first few bars of an
" Alleluja," for 2 voices, with horns and figured bass.
Additional 14148, ff. 104-281 passim.
Paper; 18th cent. Oblong quarto. See also under sacred Songs (1725-1738).
Cantatas, etc., for 2 voices, with a figured bass for harpsichord or
organ, most of them in parts, by Fran[ces]co Feo.
1. "Figlio d' eterno Padre" : Dialogue
between Mary Magdalene and St.
John. Partly autograph. Written
for Giuseppe Guerra. ff. 104-110b.
2. "II Peccato dell' Angeli e'l Peccato
dell' Vorao," beg. "Chi mi esilia dal
DUETS. 175
Cielo?" Partly autograph. fE. Ill- i 5. "II Giudizio Vniuersale," beg.
130. "Avvezze a inorridirvi." ff.216-
3. "La morte del Giusto e del Pecca- : 233b.
tore," beginning "Importuna e j 6. "II Fine Dell' Vomo," beg. " Su la
spaventosa." ff. 167-184. florida sponda." fE. 234-245.
4. "II Padre del Vangelo e'l Figliuol 7. Dialogue between David and Natban.
Prodigo," beg. " Padre pur non so." j Imperfect at tbe beginning. Auto-
ff. 201-209b. ' graph, ff. 275-281.
Additional 31497, f. 24b.
Paper ; 18th cent. Oblong quarto. See also under Songs.
" 0 all ye nations, O be joyful " ; with a figured bass, in score,
adapted from the 2-part Madrigal, Musa, tu vuoi, by Gio. Carlo Maria
Clari, 1747 [1746].
Additional 32160, ff. 52-50b (reversed).
Paper; 18th cent. Oblong folio. See also under String Trios (about 1747).
" And with songs I will celebrate the name of Jehovah " : Duet,
with a bass, in score. Unfinished. Anonymous. Inserted in a
volume of original compositions by Dr. Boyce.
Additional 31590.
Paper; ff. 24. Late 18th cent. Oblong folio.
Six Duets, with figured bass for harpsichord, in score, by Nicola
Porpora. There is another copy in Add. 14130 (see below, p. 176).
1. "Crimen Adse." f.lb.
2. "Rigate lacrimis facies populi."
4. "In hoc vexillo crucis." f. lib.
5. " Tanquam agnus immolatur." f. 16.
f. 5. j 6. "Ab imo pectore ede suspiria."
3. " Mortis causa.tu fuisti." f.8b. f.20b.
Additional 31819, f. 61.
Paper ; late 18th cent. Oblong folio. See also under Hymns.
" Ye Saints and Servants of the Lord " ; with a figured bass. By
[John] Travers. Transcribed by R. J. S. Stevens.
Additional 14144, ff. 49-69.
Paper ; 18th-19th cent. Folio. See also under Motets.
" Tirza ed Abel " : cantata, beg. " Gia in ciel spunta 1' Aurora " ;
for 2 sopranos, with symphonies and accompaniments for strings, in
score, by Niccolo Zingarelli. Autograph (?).
176 VOCAL MUSIC— SACRED.
Additional 30953, f. 110b.
Paper ; 18th-19th cent. Quarto. See also under Operas.
" The King shall rejoice " ; with a bass for harpsichord or piano-
forte, in score, by Charles Dibdin. Autograph.
Additional 31581, 31583, 31584, passim.
Paper; 18th-19th cent. Quarto. For a further description of the MSS., see
above, p. 164.
Psalms for 2 voices, with a bass for harpsichord or organ, in score,
from the Estro Poetico-Harmonico, by Benedetto Marcello.
Vol. I. 1. "Deh! fino a quando o
Dio." f. 141.
2. "L' uomo cui cieca passion." f. 151.
Vol.11. " A te, Signor." f. 23.
Vol. III. " Qual anellante cervo."
f. 28.
Additional 14130, ff. 71-107.
Paper ; early 19th cent. Oblong quarto. The MS. also contains sacred Songs
and a Motet, described elsewhere.
"VI Duetti Del Sigr Niccolo Porpora, Maestro di Cappella
Napolitano per la Imperial Cappella di Carlo VI. in Vienna,"
with a figured bass for organ, in score. In the hand of G. Sigismondo.
1. " Crimen Adse." f. 72.
2. "Rigatelacrimisfaciespopuli." f. 78.
3. "Mortis causa tu fuisti." f. 84.
4. " In hoc vexillo crucis." f. 89.
5. " Tanquam Agnus immolatur." f. 96.
6. " Ab imo pectore ede suspiria." f. 102.
Additional 31821, f. 66.
Paper; early 19th cent. Oblong folio. For a further description of the MS.,
see above, p. 94.
" Dorinda, weep no more " : hymn by Jeremiah Clarke, with a
figured bass, in score. Transcribed by R. J. S. Stevens.
Additional 35039, f. 75.
Paper ; early 19th cent. Oblong folio. See also above, p. 73.
" Ye who the widow's griefs have cheer'd " ; with pianoforte or
organ accompaniment, in score, by Samuel Wesley. In the hand of
R. Glenn, whose signature is at the end.
Additional 36871.
Paper ; ff . 34. About 1800. Oblong octavo.
Arrangements of English hymn tunes, chiefly for 2 solo voices
with chorus. See under Hymns.
GRACES. 177
Additional 9077, ff. 14b, 29b.
Paper; about 1832. Oblong folio. For a further description of the MS., see
above, p. 105.
Sacred Duets, with organ accompaniment, in score, by Henry
Purcell, transcribed from Playford's Harmonia Sacra.
1. "Close thine eyes and sleep secure."
The words by Charles I. f. 14b.
2. " Awake, awake, ye dead ; the Trum-
pet calls." f. 29b.
Additional 32018, ff. 30b-92 passim.
Paper; about 1844-1845 (watermarks). Folio. For a further description of
the MS., see under Hymns (1806-1852).
Sacred Duets, with accompaniment for pianoforte (unless the con-
trary is stated), by Thomas Miles. Autograph. The words of nos. 1, 3,
4, and 7 are taken from " [Hon. Baptist W.] Noel's Selection [of Psalms
and Hymns, 1838]."
1. "Not in ourselves, O Lord." f.30b.
2. " 0 Thou whose tender mercy hears."
f. 36.
3. " The years roll round and steal
away." f. 41b.
4. "We will not doubt thee, gracious
Lord." f. 45b.
5. "Holy Nature, heav'nly fair" ; with
seraphine or pianoforte accompani-
ment, f. 54b.
6. " Tell me, my soul." f. 55b.
7. " On thee alone, 0 God." f. 72.
8. "Pray'r is the soul's sincere desire."
f.78.
9. "With what delight, great God."
f.91b.
10. ' ' The glorious hopes that cheer the
just " (duet or trio), f. 92.
Additional 32152, ff. 62-63b.
Paper ; 19th cent. Oblong folio. Presented by the composer to Fraulein J.
Milders. See also under Litanies.
" Benedictus qui venit " ; for 2 tenors with a figured bass, in score,
by C. F. Rungenhagen. Autograph.
SECTION IX.— GRACES
AS SUNG BEFORE AND AFTER MEALS.
Royal Appendix 31-35, passim.
Paper ; lGth cent. Oblong octavo. For a further description of the MS., see
under Motets.
Two Graces, for 5 voices, in parts, apparently by Derick Gerard.
1. " Pere eternel, qui nous ordonnes."
Vols, i-iii, v, f . 29b ; iv, f . 27b.
2. " O souverain Pasteur." i-iii, v,
f. 36 ; iv, f . 34.
178 VOCAL MUSIC— SACRED.
Additional 5054, f. 62.
Paper; before 1760. Quarto. For a further description of the MS., see above,
p. 68.
" Priere devant le repas," beg. " O Souverain Pasteur et Maistre " ;
for 4 voices, in score, by Clemens non Papa.
Additional 11585, ff. 42, 42b.
Paper; before 1782. Oblong quarto. For a description of the MS., see under
Motets.
Two Graces (before and after meals), for 4 voices, in score, by
Tylman Susato. Taken from the 11th book of his Chansons a 4 . . .
An vers, 1549.
1. " 0 souverain Pasteur et Maistre.
f.42.
2. "Pere eternel, qui vous (i.e. nous)
ordonnes." f. 42b.
Additional 27645, ff. 6, 6b.
Paper ; a.d. 1785. Oblong quarto. See also above, p.
Graces before and after meat, for 3 voices, in score, by J. W.
Callcott. Autograph.
1. "Agimus tibi gratias." f. 6. | 2. " Benedic nobis, Domine." f. 6b.
Additional 32138, f. 299b.
Paper ; about 1785. Oblong octavo. See also above, p. 160.
" Dank dem Geber "; for 4 voices, in score, without accompaniment,
by — Andre.
Additional 30952, f. 87 b.
Paper ; about 1803 (watermark). Quarto. See also under Operas.
" A LOUD thanksgiving let us pay " : Grace after dinner, for 2 voices,
with a bass for harpsichord or pianoforte, in score, by Charles Dibdin.
Autograph.
Additional 14340, ff. 28, 28b.
Paper ; a.d. 1813 ? (see f. 27b). Quarto. See also under Motets (1798-1814).
" Benedicamus Domino " (for 3 solo voices), followed by " Deo
Gratias " (for a 2-part chorus), in score, by S[amuel] Wesley.
Additional 32383, f. 94.
Paper ; 19th cent. Oblong folio. See also above, p. 113.
"For all thy mercies, Lord"; for alto, tenor, and bass, in score,
without accompaniment, by M. [afterwards Sir Michael] Costa. Auto-
graph.
HYMNS.
179
SECTION X.— HYMNS
AS SUNG IN THE CHURCH OF ENGLAND.
Royal Appendix 74-76, ff. 6b-24b passim.
Paper ; a.d. 1547-1548. Large oblong octavo. See also above, p. 1.
Metrical Psalms or Hymns, in parts. In three volumes ; vol. i
containing, unless the contrary is stated, a single triplex part ; vol. ii,
a contra-tenor part ; and vol. iii, a tenor. They are all signed
1. "Jubilate Deo," beg. "All men
reioyse and prayse p* Lord." i, f. 13b :
ii, f. 6b ; iii, f. 15b.
2. " Benedicite," beg. "Praise ye j>°
Lorde, bis woorkes all." ii, f. 7b
(2 contra-tenors) ; iii, f. 16b (2 tenors).
The triplex parts are wanting.
3. " Benedictus," beg. "Praysid be
thalmigbtie lord." i, f. 14; ii, f. 9b; ; 7. "0 Lord, wbom wilt tbou count
iii, f. 18b. wortbie " (Ps. xv). i, f. 20 ; ii, f. 18b ;
4. " 0 lorde, our lord, how marvellous " I iii, f. 26b.
Additional 15166, passim.
Paper; probably after 1567 (see below). Oblong octavo. The MS. also
contains Anthems (see above, p. 2) and Madrigals (described elsewhere).
The treble part of a collection of Psalms, etc., apparently written
for 4 voices.
The following forty-eight, which are set as Hymns, are by [John]
Sheperd ; and the words are taken, with slight variations, from the
Sternhold and Hopkin3 version.
(Ps. viii). i, f.l5b; ii, f.l2b; iii,
f . 20b.
5. "The heuens in ther excellence"
(Ps. xix). i, f. 17b; ii, f. 16b; iii,
f. 24b.
6. "How long, 0 lord, wilt me forget"
(Ps. xiii). i, f. 19b; ii, f. 14b; iii,
f . 22b.
1. "The man is blest that hath not
gone." f. 1.
2. " Whie did the Gentills frett and
fume." f. 2b.
3. " 0 Lorde, how many doo increase."
f.4.
4. " 0 God, that art my righteousnes."
f.5b.
5. "Ponder my woordes, 0 lorde."
f.7b.
6. "Lord, in thie wrath reproue me
not." f. 9.
7. "0 Lord my God, I put my truste."
f.12.
8. "In earth, O Lord, how wonder-
full." f. 14.
9. "0 Lord, with all my harte and
mynde." f. 15b.
10. " What is the cause that thou,
O Lorde." f. 17.
11. "I truste in God; how dare ye
then." f. 18.
12. "Helpe, lorde, for good and godlie
men." f. 19.
13. "How longe wilt thou f orgeat me,
lord." f. 20b.
14. " There is no God." f. 21b.
15. "0 Lorde, within thie tabernacle."
f. 22b.
16. "Lorde, kepe me, for I truste in
the." f. 24.
17. "0 Lorde, heare oute my right
request." f . 25.
18. " The heuens and the firmamente."
f . 26b.
19. "In trouble and ad uersitie." f. 27b.
180
VOCAL MUSIC— SACRED.
20. " 0 lord, howe ioyfull is the kinge."
f . 28b.
21. "I lifte my harte to the, my god."
f.30.
22. "0 Lorde, I calle to the for helpe."
f.32.
23. " Geue to the Lorde, ye potentates."
f. 33b.
24. "The man is bleste whose wicked-
nes." f. 34.
25. "I will geue laude and honour
both." f. 35b.
26. "The man is bleste that carefull
is." f. 36b.
27. "Judge and defend my cause."
f. 38.
28. "Our eares haue hard." f. 39.
29. "All people barken and geaue
eare." f. 40b.
30. "Howe good is God to such as be."
f. 41b.
31. "O God, my God, I watche."
f . 42b.
32. "Let God arise and then." f. 44.
33. "Attend, my people, to my lawe."
i. 45.
34. "My soule geaueth laude." f. 46b.
35. " In trouble and thrall." f. 47b.
36. "O Lord, that heauen doeste pos-
sesse." f. 49.
37. "Blessed art thou that feareste
God." f. 50.
38. " All laud and praise with harte
and voice." f. 51.
39. "Ye righteous, in the lord reioyce."
f . 52b.
40. " Like as the harte doth breath
and bray." f. 53b.
41. " Whie doeste thou, tirante, boaste
abroade." f. 55.
42. "Whie did the Gentils fret." f. 56.
43. "O Loorde, how manie doo in-
crease." f. 58.
44. "0 God, that art my righteouses
Lord." f. 59b.
45. "Ponder my wordes, 0 Lord."
f.61.
46. " I lifte my harte to the." f . 62b.
47. " O lorde, I call to the." f. 64.
48. " The man is bleste whose wicked-
nes." f. 65.
The following nine numbers (49-57) by Tallys are those given at the
end of Archbishop Parker's Whole Psalter, which, according to a MS.
title-page to one of the copies in the library of the British Museum
(C. 24. a. 5), was " Imprinted by John Daye, 1567 " [but never issued].
The date is omitted in all the known printed copies extant.
49. " Man['s] blest no doubte." f. 67b.
50. " Let God arise in maiestie."
f. 67b.
51. "Why fumith in sight y* gentills
spight." f. 68.
52. "0 come in one to praise the
lorde." f. 68b.
53. " Even like y° hunted hinde."
f . 68b.
54. "Expende, 0 Lorde, my plainte."
f. 69.
55. "Why bragst in malice hie, 0
thow." f . 69.
56. "God graunte with grace." f. 69b.
57. " Come, holy Ghost, eternall God."
f . 69b.
58. "In God alone is all my trust."
" Mundye." f. 72.
59. "0 God, my strength and forti-
tude." By W. Parsons, f. 73b.
60. " Oure eares have harde." Anony-
mous. (Different from no. 28.) f. 74.
61. " Now Israeli may saie." " Roberte
Hasiltoune." f. 74b.
62. "Lorde, haue mercie vppon vs
sinners." By the same. f. 75.
Additional 33933, ff. 1-48 passim.
Paper ; about 1575-1578. Octavo. For a further description of the MS., see
aoove, p. 2.
Thk contra-tenor part of the Scottish Psalter of 15GG. Several
of the leaves have been torn out. Those which remain contain the first
HYMNS.
181
verses (with hymn-tunes) of the following psalms, canticles, etc. The
music to the psalms — with two exceptions, noted below — was written
in 4 parts by David Peables. It is in the hand of Thomas Wode, vicar
of St. Andrews.
1. ["0 God, my Strength and Forti-
tude "]. The beginning is lost. f. 1.
2. "Theheauens and the firmament."
f. 1.
3. " In trouble and aduersitie." f. 2.
4. "0 Lord, how ioyful is y" King."
f. 2b.
5. "The Lord is only my support."
f.3.
6. "I lift mine hart to thee, my God."
f.3.
7. " Lord, be my Judge." f. 3b.
8. "Thou art, 0 Lord, my strength and
stay." f . 4.
9. "Giue to the Lord, ye potentates."
Imperfect at the end. f. 4b.
10. ["Ye righteous, in the Lord re-
joice "]. Imperfect at the beginning.
f.5.
11. "I will giue laude and honour."
f.5.
12. " Lord, plead [my] cause against
my foes." f. 5b.
13. "The wick[ed deedjes of the ill
man." f.6.
14. "Gr[udg]e not to see the wicked
men." f . 6b.
.15. " The man is blest thatcarefull is."
f.7.
16. " Jvdge and reuenge my cause, 0
Lorde." f.7b.
17. " Ovr eares haue heard." f. 8.
18. " The Lord is our defence and aide."
f.8b.
19. "Let all folke with ioy clape hands."
f.9.
20. " All people, hearken and giue
eare." Beginning only, f . 9b.
21. " 0 Lord, consider my distresse."
f.10.
22. "Why dost thou, tyrant, boast
abrod." f. 10b.
23. "Bot is it true, o froward folke."
f. 11.
24. "Deliuer me, my God of might."
f . lib.
25. " Regard (o Lord) for I complayne."
f.12.
26. " Althoght my soule hath sharply
beine assalted." f. 12b.
27. " Ye men on earth, in God reioyce."
f. 13.
28. "Ovr God, that is lord." "Jhone
Bughen." f . 13b.
29. "The Lord, my light and health."
f.14.
30. " Let God arise, and then." Begin-
ning only, f . 14b.
31. ["Make haste, 0 God, to set me]
free." First line wanting, f. 15.
32. "My trust, o Lord, in thee."
f . 15b.
33. "Lord, giue thy iudgements to the
King." f. 16.
34. " Howeuer it be, yet God is good."
f. 16b.
35. " In Iury land God is wel knowne."
f. 17.
36. " I with my voyce to God do crye."
f . 17b.
37. "Attend [my people, to my law]."
f. 18.
38. [' 4 0 Lor]d, the Gentiles do inuade."
f . 18b.
39. [" O Pastor of Israel "]. Imperfect
at the beginning, f. 19.
40. " To God, our strength." f. 19.
41. " Amid the [press, with men] of
might." f. 20.
42. " God, for thy grace." f. 20b.
43. "O Lord, thou loued hast thy
land." f. 21.
44. " Lord, bowe thyne eare." f. 21b.
45. "That citie shall ful wel endure."
f.22.
46. " 0 God of my saluation." f. 22b.
47. "To sing the mercies of the Lord."
f. 23.
48. "Whoso with full intent and
mynde." f. 23b.
49. "0 come, let vs lift vp our voyce."
f.24.
50. "Sing ye with praise unto the
Lord." f.24b.
51. "All poeple, that on earth do dwell."
f. 25.
52. "Of mercye and of iudgement
bothe." f. 25b.
53. "Lord, to myne humble sute giue
eare." f . 26.
182
VOCAL MUSIC— SACRED.
54. "My soule, give laude vnto the
Lord." f . 26b.
55. " My soule, praise the Lord." f. 27.
56. " Giue thankes vnto the Lord, our
God." f. 28.
57. "0 God, beholde, my heart."
f . 28b.
58. " In speacheles silence." f. 28b.
59. "The Lord rnoste high vnto my
Lord." f. 29.
60. " With heart I do accorde." f. 29b.
61. "The man is blest that God doth
feare." f. 30.
62. "Ye children, which do serue the
Lord." f . 30b.
63. "Vhen Israel by Gods addresse."
f. 31b.
64. "0 Praise the Lord, ye nations all."
f. 32.
65. " Giue to the Lord all praise."
f. 32b.
66. " Blessed are they that perfect are."
f. 33.
67. "In trouble and in thrall." f. 33.
68. "I lift myne eyes to Sion Hill."
f . 33b.
69. "I did in heart reioyce." f. 34.
70. "0 Lord, that heauen dost pos-
sesse." f. 34b.
71. " Now Israel may say." f. 35.
72. "Svche as in God the Lord do
trust." f. 35b.
73. "Vhen that the Lord againe."
f . 35b.
74. "Except yc Lord the house do
make." f. 36b.
75. ' ' Blessed art thou that fearest God."
" Jhone Bughen." f. 37.
76. "Of Israel this may now be the
song." f.37b.
77. Lord, to thee I make my mone."
f. 38.
78. "Of David, Lord, in mynde re-
corde." f . 38b.
79. "0 how happy a thing it is."
f. 39.
80. "Beholde and haue regarde."
f. 39b.
81. " Vnto the name of God." f. 39b.
82. "When as we sate in Babilon."
f. 40.
83. " Vith my whole heart." f. 40b.
84. "From the peruerse and wicked
wight." f. 41.
85. "On thee I call, o Lord." Imper-
fect at the end. f . 41b.
86. ["Give laud unto the Lord."] The
beginning wanting, f . 42.
87. "Sing vnto yc Lord, with hearty
accord." f . 42.
88. " Yeld vnto God, yc mightie Lord."
f. 42.
" Heire endes the Psalmes and fol[loweth certain Canticles]."
89. "Cvm, Holy Ghost, eternall God."
Imperfect at the end. By Andrew
Kemp. f. 42b.
90. ["My soul doth magnify the
Lord"]. The beginning wanting.
By J. Angus, f. 43.
91. "0 Lord, because my harts desire."
[By the same], f. 43.
92. "What man soeuer he be." [By
the same], f. 43b.
93. "[0] Lord, turne not awaye thy
face." Anonymous, f. 44.
94. "Harke Israeli, and what I saye."
Anonymous, f. 45.
95. " Where righteousnes doth say."
By A. Kemp. f. 45b.
96. " Att[end my] people and giue eare."
By J. Angus, f. 46.
97. "Now suffer me, 0 Lord." By the
same, f . 46b.
98. " Our Father, which in heauen art
and makst vs." [By the same],
f . 46b.
99. "Al my beliefe and confidence."
[By the same], f. 47.
100. " Giue peace in these our dayes."
[By the same]. f.47b.
101. ["Preserve us, Lord, by thy] deere
worde." Imperfect at the beginning.
By A. Blackhall. f . 48.
Harley 987.
See under sacred Songs (1586).
HYMNS. 183
Additional 36526, A, passim.
Paper ; after 1597. Oblong octavo. For a further description of the MS., see
under Madrigals.
Tenor and bass parts of the following compositions : —
1,2. "Two psalmes." Anonymous.
ff. 1, 5.
3. "Preserve us, Lord, by thy dear
wourd." By R. Parsons, as har-
monized in the Psalter of 1563, etc.
ff.2, 8 (top).
Additional 15117, f. 24.
Paper ; after 1599. Small folio. See also above, p. 10.
Index to Tlie Psalmes of David in Meter, published by Richard
Allison in 1599. The MS. evidently once contained the psalms
themselves, as appears from the inscription on the original cover (f. 25).
Harley 7578, ff. 95b, 103b.
Paper ; temp. Queen Elizabeth. Oblong octavo. For a further description of
the MS., see Partsongs.
Single part of two hymns, written at, or near, Durham.
1. "I, wofull, wretchyd wight" (for 3
voices, tenor part), f. 95b.
2. " Reioyse, 0 prysoners " (words only) .
f . 103b.
Additional 36484, ff. 2b, 54.
Paper ; after 1604. Small oblong folio. For a further description of the MS.,
see under Madrigals.
Bass part of two Scottish sacred compositions for 4 voices.
Anonymous.
1. " Thy mercie will I sing and justice
eik." f. 2b.
2. "Who on the highest will depend."
f. 54.
Additional 4388, ff. 100b, 101.
Paper ; 17th cent. Quarto. See also under Songs.
1 . The beginning of an index to the tunes of the " Psalms in 4
parts " [i.e. The Whole Booh of Psalms, published by Thomas Este in
1592]. Only the first two are given, namely, the " Veni Creator" and
the " Humble sute of a Sinner," by J. Farmer, f. 100b.
2. " Psalme 100," by John Dowland, " Doctor (sic) of Musicke."
The 4 parts in score, probably from one of Ravenscroft's editions of the
Psalter (1621 or 1633). f. 101.
14
184 VOCAL MUSIC— SACRED.
Additional 17850, ff. 32, 32b.
Paper; early 18th cent. Large folio. The MS. also contains Catches,
Instrumental music, etc., described elsewhere ; for later additions see under
Anthems (above, p. 46).
Three hymn-tunes, without words, written in score on two staves,
of which the upper contains the melody, and the lower a figured bass.
Apparently in the hand of William Gorton, organist of Greenwich.
1. " The 100 Psalm tune." f. 32.
2. " St. Clements Eastcheip Psl. Tune."
f. 32.
3. "St. Martins Orgars Ps. Tune."
f . 32b.
Additional 22099, ff. 55, 78.
Paper; about 1704-1707. Folio. For a further description of the MS., see
under Operas.
Hymns, for 3 and four voices, in score.
1. "Awake my soul, awake my eyes " ;
for 3 voices. Ascribed in the index
to " Croft." The name of " Clark"
[? Jeremiah] is given at the end of
the words of the 2nd verse, probably
as that of the transcriber, f . 55.
2. "O all ye [heathen ?]" (Ps. cxvii),
in compressed score. Anonymous,
f. 78.
3. " All peo[ple that on earth do dwell] "
in compressed score. Anonymous,
f. 78.
Additional 27932, f. 2.
Paper ; after 1762 (being in the same hand as the composition at the top of
f. 26b, which was published in 1762). Octavo. See also under Operas (1st half of
18th cent.).
The melodies of the following anonymous hymns : —
3. "Hymn 15."
1. " Psalm 104 " [" My soul, praise the
Lord"].
2. "Hymn 1st."
4. "Hymn 25.
Additional 27750, ff. 60b, 61b.
Paper ; after 1765 (see below). Quarto. For a further description of the MS.,
see above, p. 66.
Two hymns, in score, by Dr. Thomas Sanders Dupuis, the words
being taken "from Mr. [Christopher] Smart's new version [of the
Psalms, 1765]." Autograph.
1. " Be thou my judge, O Lord of all,"
with figured bass. f. 60b.
2. "Bless thou the Lord, my soul;
how great." f. 61b.
Additional 33568, ff. 5b, 11.
Paper; about 1768 (see f. 1). For a description of the MS., see above, p. 69.
Hymns, without accompaniment.
1. "TheL[or]d my pasture shall pre-
pare : a Pastoral hymn .... by
Mr. Addison, set to music by Mr.
Purcell." Generally attributed to
HYMNS. 185
Henry Carey. Only the tenor and
bass parts, f. 5b.
2. "My soul give laud unto the Lord."
" [J- (?)] Smith." Written for 4 voices,
of which only the treble and bass are
given here. f. 11.
Additional 35040, ff. 10, 26b.
Paper ; about 1773. Oblong folio. See also under Pianoforte Solos.
Hymns, in score.
D[owager] of Wales," beg. "Faint is
my head." For 4 voices. " Dr.
Boyce." f. 26b.
1. "Psalm cviii, Combe's": melody
with bass, in score, without words,
f. 10.
2. "A funeral hymn on the P[rincess]
Additional 34998, ff. 5, 6, 8, 9, 44, 79.
Paper ; about 1774-1775. Oblong folio. See also above, p. 70
Hymns, in score, by Samuel Wesley.
1. "Shepherd of souls": the melody
with bass, f . 5.
2. "Lord, if with thee part I bear"
(for 3 voices), f. 6.
3. "In dreary waste" (for 3 voices).
f.8.
4. "Hark! In the wilderness a cry " j with bass, f.79
(for 3 voices), f. 9.
5. "And now another day is gone":
the melody with bass. f. 44.
6. "To God the father, God the son "
(for 3 voices). "October the 29th,
1774." f. 44.
7. " God of Almighty love " : the melody
Additional 11587, ff. 18, 18b.
Paper; before 1782. Oblong quarto. For a further description of the MS.,
see above, p. 72.
Three settings of the tune known as the " Old 100th," which is
supposed to be the composition of Louis Bourgeois, 1551. The last two
appear to have been sung to Ps. cxxxiv. Nos. 1 and 2 are in 4 parts,
the melody being in the tenor ; no. 3 is in 2 parts.
1. "By Dr. [John] Dowland, from
Thomas Ravenscroft's Psalms, 2d
Edit., 1633," and from the composer's
" own notation." ff. 18, 18b.
2. By " Claude Le Jeune." f. 18.
3. By " von (?) Miiller." f. 18.
Additional 34608, f. 16b (reversed).
Paper ; about 1785-1789. Oblong octavo. For a further description of the
MS., see above, p. 74.
" Best instructor " : an " inversion of the German hymn " taken
from Ps. xix, in the hand of J. Stafford Smith. Melody and bass only.
Additional 27685, ff. 4b, 5b, 6b, 7b.
Paper ; after 1792. Small quarto. See also under Dictionaries (1797-1807).
The hundredth psalm, for 4 voices, in score, harmonized by John
Dowland. In the hand of Dr. John Wall Callcott. The words [" All
people that on earth do dwell "] are omitted.
186
VOCAL MUSIC— SACRED.
Additional 14340, ff. 37, 38.
Paper; a.d. 1792, 1798. Quarto. See also under Motets (1798-1814).
Two hymns for 4 voices, in score, by S[amuel] Wesley. Autograph.
1. "Thou, Jesu, art our King," 1798.
f. 37.
2. "Far above their noblest Songs";
about 1792. f. 38.
Additional 28864, ff. 51-64.
Paper ; 18th cent. Small octavo. The first 50 folios of the MS. are occupied
by Dr. Isaac Watts' Psalms of David (1719) and Hymns and Spiritual Songs, in
shorthand.
The melody and bass, chiefly in score, of a collection of hymn-
tunes, of which the following are the names : —
1-3. " St. Ann's," " St. David's," and
"York." f.51.
4-6. "Windsor," "Hackney or Low
Dutch," and " Martyrs." f. 51b.
7, 8. "London, New," and "Work-
sop." f. 52.
9-11. "Litchfield, New," "Bedford,"
and " Manchester." f. 52b.
12, 13. "St. George's" and "Wan-
tage." f. 53.
14-16. " Stroudwater," "Cowbridge,"
and " Wixworth " [i.e. Wirksworth].
f. 53b.
17-19. "Walsal," "St. James's," and
"Southwell." f.54.
20-22. "Crowle," "St. Mary's," and
"Farnham." f.54b.
23,24. "Colchester" and "Walney."
f. 55.
25, 26. " Weston Favel" (sic) and
"Blewberry." f.55b.
27, 28. "Rochester" and "St. Mat-
thews." f. 56.
29-31. "Old 100," "Winchester," and
"Burford." f.56b.
32,33. "Wells "and "Angels' Song."
f.57.
34,35. "Green's 100" and "Isling-
ton." f. 57b.
3G, 37. " Rochford " and "Brentwood."
f. 58.
38, 39. " Babylon Streams " and " Spa-
cious Firmament " (or Kettering),
f . 58b.
40. "Ayliff Street." f.59.
41, 42. "Jenning's 113th" and [the
Old] "148." f. 59b.
43. "Bethesda." f.60.
44, 45. "Old 50th" and "Sutton."
f.60b.
46,47. "Irish" and another (in F— j]
time), f.61.
48,49. "Queen Street" and another
(in G— g time). f.Glb.
50, 51. "Bramcoate" and "Portugal."
f.62.
52. "Abridge." f.62b.
Additional 31821, ff. 41b, 42.
Paper ; 18th cent. Oblong folio. For a further description of the MS., see
above, p. 94.
Two Psalms, with symphonies and accompaniments for horns, etc.,
by Thomas Cam. Autograph (?).
1. " Praise ye the Lord, for it is good,"
Ps. cxlvii. f. 41b.
2. "Sing ye unto the Lord, our God,"
Ps. cxlix. f. 42.
HYMNS.
187
Additional 31819, ff. 52-79 passim.
Paper : late 18th cent. Oblong folio. See also above, pp. 118, 149, 175, under
Canons, Chants, Duets ; and elsewhere.
Hymns for 4 voices (unless the contrary is stated) with a bass, in
score. Nos. 1, 8-16 are in the hand of R. J. S. Stevens.
1. "National Hymn in honour of the
Emperor of Germany," beg. "Lord
of Heav'n and earth and ocean."
"Haydn." f . 52.
2, 3. The melody of two hymns, " Jesus
Christ is risen to-day" and "Glory
to the[e], my God, this night," with
a bass. ff . 63b, 66b.
The four following Hymns (4-7) have notes for the accompaniment
added to the tenor part : —
4. " My God, my everlasting hope" ; for
6 voices." "Jer. Clarke." f . 68.
5. "When I survey the wondrous
cross " ; for 3 voices. Anonymous,
f . 68b.
6. "With earnest longings." "Lu-
theran Tune." f. 69.
7. " How sad our state." Anonymous.
f . 69b.
8. "All people that on earth do dwell."
"The 100th Psalm Tune." Probably
Harmonized by R. J. S. Steven.?,
f.70.
9. "Ye children, which do serve the
Lord " ; the 113th Psalm. Two ver-
sions, followed by the separate vocal
parts of the second one. " [T.]
Ravenscroft " (from the Whole Booke
of Psalmes). ff. 71-77.
The six following numbers (10-15) consist of the melody (with
figured bass) of Six Psalm Tunes in 3 parts, by " Peter Valton " : —
10. " Let all the just." f. 78.
11. "When we our weary limbs."
f. 78.
12. "The Lord hath spoke, f. 78.
13. "Of mercy's never failing spring."
f. 78b.
14. "When I pour out my soul."
f.78b.
15. "No change of times." f. 78b.
16. "Jesus shall reign" (melody, with
bass). Anonymous, f. 79.
Additional 34609, f. 74b.
Paper; late 18th cent. Octavo. For a description of the MS., see above,
p. 92.
The melody with figured bass, in score, of a " Mich8 Hymn ;
German — 1765," being the Old 100th altered into triple time, and set
to the words " To God let all ye human race."
Printed Book, A. 621, between pages 90 and 91.
Paper ; 18th-19th cent. Oblong octavo.
Hymn-tunes, most of them arranged for 4 voices and in score,
inserted immediately before the supplement in the printed copy of A
Collection of Psalm Tunes in three Parts . ... by Is\aac\ Smith.
1. " Chelsea." Treble, counter-tenor
and part of bass (different from the
setting on p. 55). p. 90(a).
2. "Cambridge, New " [from S. Major's
edition of the above work — 1780?].
pp. 90(b), 90(f).
188
VOCAL MUSIC— SACRED.
3. "Derby" or "Darby." By " [C.
John ?] Stanley " (different from the
tune on p. 120). pp. 90(b), 90(c).
4. "Coventry — out of Cuzen'a Collec-
tion." In 3 parts, p. 90(c).
5. "Milbank." By "C. Burney."
From William Dixon's Collection,
p. 90(d).
6. " Swanick." By " Jno. Lucas."
pp. 90(d), 90(e).
7. "Milton." By "M. P. King." p.
90(e).
8. "How blest are they who always
keep." In 3 parts. By "Wm Jack-
son of Exeter." From his Hymns
in three parts [1770 ?]. pp. 90(f), 90(g).
9. "Lord, hear the voice of my com-
plaint." From the same work, p
90(h).
10. "Sonnet." Treble and bass. p.90(j).
11. "Acton." Treble and counter-
tenor (different from the tune on
p. 37). p.90(j).
12. "Dorset." In 3 parts. From
Major's edition of Smith's Collection,
p. 90(k).
13. "Pelham." In 3 parts. From
the same work. p. 90(1).
14. " Petersfield." From Dixon's Col-
lection, p. 90(m).
15. "Brampton." By "[John?] Wain-
wright." p. 90(n).
16. Tune without name. By " [? Peter
von] Winter." p. 90(p).
Additional 31822, ff. 5, 80, 80b.
Paper; early 19th cent. Quarto. For a description of the MS., see above,
p. 96.
Hymns for 4 voices, in compressed score, except no. 1, which con-
sists of the melody with a figured bass.
1. " From lowest depths of woe " ; to the
tune of " Newbold." By " Tho- Kil-
lick," adapted (?) " From Mr Callde-
cott." In the hand of R. J. S.
Stevens, f. 5.
2. "Hear what God, the Lord, hath
spoken"; to the tune of " Tantum
ergo." f. 80.
3. The tune known as " Spanish chant,"
without the words, f. 80.
4,5. Two tunes, called "Russian,"
without words, ff . 80, 80b.
Additional 36871.
Paper ; ff. 34. About 1800. Oblong octavo.
A collection of hymn-tunes by various composers, mostly English,
and many of them anonymous. They were originally bound up
with a printed copy of Sacred Music by G[abriel] Davis, of Portsea
[1800], and as the watermark is 1798, the collection was probably
commenced by him in or shortly after the former year. The tunes
appear to be arranged for 2 voices, with chorus and symphonies and
accompaniments for organ, and sometimes other instruments as well.
In score, most of them taken from collections of the second half of the
18th century.
1. "Eton." By"[Zerubbabel]Wyvill."
f.l.
2, 3. " Wakefield " and " Doncaster."
By " [William (?)] Dixon." f. lb.
4. " Orange Street." f. 2b.
5. " Wooburn." By " B[enjamin] Cu-
zens." f. 2b.
6. " Melcuizedech." By " B[enjamin]
Milgrove." f. 3b.
7, 8. " Blendworth," beg. "Day of
judgment," and " Compassion." f. 4b.
9. "Cranbrook." By "Clark." f . 5b.
10. " Shore Cottage." f.6.
11. " Denmark, New." f. 6b.
HYMNS.
189
12. "Egham." f. 7.
13, 14. " Eden," beg. " Come we that" ;
and " Marlow or Mr [ J. (?)] French's
81st." f. 7b.
15. "Dunstable." f. 8b.
16. "Hampton." f. 9.
17. " Resur[r]ection." f. 9b.
18. "Admiration."' f . 10b.
19. "Adoration." f. lib.
20. "Damascus." f. 12b.
21. "Gratitude." f. 13b.
22. "Justification." f. 14.
23, 24. " Burnham " and " Farringdon."
f . 14b.
25, 26. " Kimbolton " and "Down-
ham." f. 15b.
27. "Pelham." By " F. Giardini."
f . 16b.
28. "Hedley." f. 17.
29. 30. "Jordan" and "Auburn."
f. 17b.
31. "Colyers." f. 18b.
32. "Dayspring." f. 19b.
33. " Dependence," beg. " Who is this
Fair one." By " [C. W.] Banister."
f . 19b.
34. "Nativity," beg. "Hark! the he-
rald Angels sing." By " C[harles
Burney." f. 20b.
35. " Messina." By " E[dward] Wood-
ward." f.21b.
36, 37. " Chichester," by " R[ichard]
Cudmore"; and "Bethel," by " C.
W. Banister." f. 22b.
38. " Union Street," beg. " Now let our
souls On Wings sublime." f. 23b.
39. "Victory." f. 24.
40. "Trumpet," beg. " Let ev'ry mortal
ear attend." f. 24b.
41. " Fountain." From the " Rev. J.
Griffin's selection." f. 25b.
42. " Anniversary." f. 26.
43. " Cranbook, New." f. 26b.
44. "Tuckers." f . 27b.
45. " Majesty," beg. " Dismiss Us With
Thy Blesseing, Lord." By " H[ugh]
Bond." From the " Rev. [J.] Grif-
fin's Collection]. " f. 28b.
46. Another in common time, appa-
rently in C. Imperfect, f. 30.
47. "Andantino." By " Hugh Bond."
f . 30b.
48. 49. " Canticles," beg. " My soul
now arise," by " [C. W.] Banister " ;
and " Let God be the object." f. 31b.
50. " Sweet Home," beg. " Mid scenes
of confusion." f. 32b.
Additional 32013, passim ■ 32014 ; 32015, 32016, and 32018, passim.
Paper ; 1806-1852. Oblong quarto and folio. See also under Anthems (above,
p. 98), Canons (above, p. 127), Duets (above, p. 177), Services, sacred Songs, sacred
Trios, etc.
Hymns, in score, by Thomas Miles. Autograph. Many of them
do not follow strictly the usual form of the English hymn, the parts
being sometimes written independently of each other, and occasionally
even solo parts being introduced. Most of them are for 4 voices, and
without accompaniment ; but in many instances the bass-part has been
figured.
The words of the Hymns in vols, i and ii are taken from various
collections of metrical psalms, etc., including Christian Psalmody [1st
edition, 1837], " [Rev. William John] Hall's Ps[alms] and Hy[mns]
of the Church "[? an early edition of his Psa'm and Hymn Tunes],
" [Hon. Baptist Wriothesley] Noel's Selection [of Psalms and Hymns,
1838]," " [Rev. William] Goode['s An Entire New Version of the . . .
Psalms, 1811, etc.]"; and from other works by [Isaac] Watts, Dr.
[Philip] Doddridge, Charles and John Wesley, Rev. J[ohn] Newton,
[Bishop] Heber, Mrs. [Anne] Steele, [James] Montgomery, etc. Those
in vol. iii are taken from James Merrick's metrical version of The
Psalms [1766, etc.], and have an accompaniment for organ; th^se in
190
VOCAL MUSIC— SACRED.
vol. iv were "composed [in 1849-1852] to the version of Tate and
Brady " ; and those in vol. v are taken from various collections, and
are mostly undated and accompanied by pianoforte or organ.
Egerton 2512.
Paper ; ff. 8. a.d. 1812, etc. Oblong octavo. The MS. appears to have been
presented by M. Cooke to J. Stafford Smith, whose name he has written at the
beginning.
Hymns in the hand of Matthew Cooke, " Organist of St. George's
Church, Bloomsbury ; and formerly one of the children of His Majesty's
Chapel Royal." The names of the tunes are added in brackets.
Nos. 1-6 are chorales adapted by Cooke from " The Disciples at Em-
maus," by Michael Christian Bach, and are written in compressed
score with a figured bass ; nos. 7-12 consist only of the melody with a
figured bass.
1. "How long wilt thou forget me,
Lord "(Hamburg), f . lb.
2. "My soul for help on God relies"
(Berlin), f. 2.
3. " To thee, my God and Saviour, I "
(Leipsic). f. 2b.
4. " With glory clad " (Halle), f. 3.
5. " 0 come ! loud anthems let us sing "
(Dresden). f.3b.
6. " Thou, Lord, by strictest search hast
known " (Zurich), f. 4.
7. "Lord, save me for thy glorious
name " (Arundel). " Charles Wesley."
f.4b.
8. " Jehovah reigns ; let all the earth "
(St. Alban's). By the same. f. 5.
9. "0 Lord, my rock" (Hertford).
" Samuel Wesley." f. 5b.
10. " He's blest whose sins have pardon
gain'd " (Bristol). By the same. f. 6.
11. " Reproachand grief " (Crucifixion).
" M. Cooke." f. 6b.
12. " 0 all ye people, clap your hands "
(Oakhampton). By the same. f. 7.
13. " When rising from the bed of
Death " : described as "an hymn by
Addison. The Music Adapted from
an Ode to Shakespeare ; Composed
by the late Mr. Thomas Linley,
Junior." With organ accompani-
ment, in score, f. 7b.
Additional 31239, f. lb.
Paper; about 1825-1829. Oblong duodecimo. For a description of the MS.,
see under Harmony.
" Faint is my head " : 4-part Hymn, in score, the melody being in
the tenor; the music by Dr. William Boyce, the words by. ^he Rev.
C[harles] Wesley.
Additional 31420.
Paper ; ff. 63. a.d. 1826. Narrow oblong duodecimo.
"Psalm Tunes," i.e. Hymns, collected and copied by R. J. S.
Stevens, from T. Ravenscroft's Bool- of Psalms, William Riley's
Parochial Music (1762), etc. The melodies with figured basses.
croft, 1611 " (1621 ?). f. 5.
1. "St. David's." By " Ravenscroft,
1611." f.4.
2. "Southwell." By " Martin Pierson."
f.4b.
3. " Windsor or Eaton." By " Ravens-
4. "Cambridge." By the same. f. 5b.
5. "York." By "John Milton "[senr.].
f. 6.
6. "The 81st Psalm." By "Richard
HYMNS.
191
Allison." f. 6b.
7. "The 100th Psalm." By "Luther."
f. 7b.
8. "Manchester." By " Ravenscroft,
1611 " (1621 ?). f. 8.
9. "The 113th Psalm." By the same,
f. 8b.
10. " St. Mary's." Anonymous, f. 9b.
11. " St. Bride's." By " Dr. Howard."
f.10.
12. "The 104th Psalm." By "Dr.
Croft." f. 10b.
13. " St. James's." By " Courteville."
f.ll.
14. " London, New." By " Dr. Croft."
f. lib.
15. " Canterbury." By " E. Blancks."
f.12.
16. "St. Ann's." By "Dr. Croft."
f. 12b.
17. " Bedford." By " William Wheall,
M.B." f. 13.
18. " St. Matthew's." By " Dr. Croft."
f . 13b.
19. "Angels' Hymn." Anonymous.
f. 14b.
20. "St. Clement's, New." By "Dr.
Howard." f. 15.
21. "Burford." By " Henry Purcell."
f. 15b.
22. "Evangelists." By "Dr. Blow."
f. 16.
23. "St. Magnus." By "Jeremiah
Clark." f. 16b.
24. " St. Nicholas." Anonymous, f. 17.
25. " St. Gregory's." By " Dr. Croft."
f. 17b.
26. "Trinity." By the same. f. 18.
27. "St. Patrick." By "Jeremiah
Clarke." f. 18b.
28. "Kingston." By the same. f. 19.
29. "St. Chad's." By "Dr. Nares."
f. 19b.
30. "St. Mark." By "Dr. Croft."
f.20.
31. "Eversley." By "Dr. Nares."
f. 20b.
32. "Westminster, New." By the
same. f. 21.
33. "St. Barnabas." By "John
Soaper." f. 21b.
34. "Apostles." By "Dr. Worgan."
f.22.
35. "St. John's." By the same.
f. 22b.
36. "Southgate." By " John Soaper."
f.23.
37. "Mecklenburg." By "Samuel
Long." f. 23b.
38. "St. Peter's." By the same.
f. 24b.
39. "St. Martin's." By "Edmund
Gilding." f. 25.
40. "St. Luke's." By "Joseph Bail-
don." f. 25b.
41. "St. Edmund's." By "Edmund
Gilding." f. 26.
42. "Fulham." By " Joseph Baildon."
f . 26b.
43. " St. Giles's, New." By " Thomas
Wood." f. 27.
44. "St. George's." By the same,
f . 27b.
45. "St. Catherine's." By the same.
f.28.
46. "Norfolk." By "Dr. Howard."
f. 28b.
47. "St. Pancras." By "Jonathan
Battishill." f. 29.
48. "St. Michael." By " Mathew
Hussey." f. 29b.
49. "St. Thomas." By "Thomas
Wood." f. 30.
50. " St. Clement's." By " Dr.
Howard." f. 30b.
51. "Ewel." By " Henry Heron." f. 31.
52. "Winchester." Anonymous, f. 31b.
53. "St. Alphage." By "Matthew
Hussey." f. 32.
54. "Yarmouth." Anonymous, f . 32b.
55. "Bexley." Anonymous, f. 33b.
56. "Sheldon." By " Whitton." f.34.
57. "Islington." Anonymous, f. 34b.
58. "Evening Hymn." Anonymous,
f. 35b.
59. "Sutton." Anonymous, f. 36.
60. "Weston Favell." Anonymous,
f . 36b.
61. "St. John's." By " Lockhart."
f. 37b.
62. "Anniversary" (Psalm cxiii).
"Ganthony." f. 38b.
63.- "Acton." Anonymous, f. 39b.
64. "Burton." Anonymous, f. 40.
65. "Abingdon." By "Dr. Heighing-
ton." f. 40b.
66. "Wareham." By "W. Knapp."
f. 41.
192
VOCAL MUSIC— SACRED.
G7. "St. Olave." " By Robert Hudson,
M.B." f.41b.
68. "Irish." Anonymous, f. 42.
69. "Great Milton." Anonymous.
f. 42b.
70. "St. George's." Anonymous.
f. 43b.
71. St. Andrew Undershaft." By "Dr.
Worgan." f. 44.
72. "Abridge." By "Isaac Smith."
f. 44b.
73. Morning Hymn, beg. " Awake, my
Soul." "Brighton 1817." Anony-
mous, f . 45.
74. One without title. " Brighton,
1817." Anonymous, f. 45b.
75. " Inner Temple." By "John Stan-
ley." f. 46.
76. "St. Clement Danes." By
" Thomas Smart." f. 46b.
77. "Funeral Melody." By "Dr.
Howard." f. 47.
78. "St. Augustin." By "Joseph
Olive." f. 47b.
79. "Westham." By "Dr. Howard."
f. 48.
80. "St. Patrick's, New." By "Jona-
than Battishill." f. 48b.
81. "St. Luke's, New." By "Joseph
Baildon." f. 49.
82. "Southwell, New." By "Samuel
Jarvis." f. 49b.
83. "Trentham." By " Jonathan Batti-
shill." f. 50.
84. "St. Bridget, New." By "Dr.
Howard." f. 50b.
85. "Middlesex." By the same. f.51.
86. "Psalm 136, 0[ld] Version; or 148
New Version." By " Jonathan Batti-
shill." f. 52.
87. "Cambridge, New." By "Dr.
Randall." f. 52b.
88. "Long Measure" [tune]. By
" Joseph Olive." f . 53.
89. "Luther's Hymn." By "Martin
Luther." f. 53b.
90. " King's Norton." By " Jer.
Clarke." f. 54.
91. "Compton." By "Dr. Croft."
f. 54b.
92. "Aldermary." By " W. Russell,
M.B." f. 55.
93. Morning Hymn, beg. "Awake, my
soul." By " F. Barthelemon." f. 55b.
94. "Eltham." By "Green, Junr."
f. 56.
95. "St. Sepulchre." By " Selby."
f. 56b.
96. "Alhallows." By the same. f. 57.
97. " Deptford." By the same. f. 57b.
98. "St. Bartholomew's." By "Dun-
calf." f. 58.
99. "St. Helen's." By "Green, Junr."
f. 58b.
100. "Richmond." By "Percy." f. 59.
101. "Tunbridge." By "Thomas
Smart." f. 59b.
102. "St. Catharine's." By " Moze."
f.60.
103. "St. Bennett's." By "Joseph
Olive." f. 60b.
104. " St. George's, New." By " Batti-
shill." f. 61.
105. "St. Margaret's." By "Samuel
Long." f. 61b.
106. "St. Stephen's." By the same.
f.62.
107. " Poplar." Anonymous, f. 62b.
108. " St. Saviour's, New." By "Moze."
f.63.
109. "St. Faith's." By "Battishill."
f. 63b.
Additional 31421.
Paper; ff. 20. About 1826 (compare Add. 31420). Narrow oblong folio.
Hymns for 4 voices with figured bass, in score, collected and
transcribed by R. J. S. Stevens. The melody of most of them is in the
tenor. Most of them are dated "1633," and evidently all are taken
from the 2nd edition of Thomas Ravenscroft's Whole Booke of
Psalmcs.
1. "Norwich." By "John Milton."
f.lb.
2. "Oxford." By "Ravenscrcft." f.lb.
3. "Lincoln." By "William Harri-
HYMNS.
193
son." f. 2.
4. " Peterborough." By " Thomas
Ravenscroft." f. 2.
5. "Litchfield." By the same. f. 2b.
6. "Glocester." By "John Tomkins,
B.M." f. 2b.
7. "Hereford." By "Thomas Ravens-
croft." f. 3.
8. " Low Dutch." By " Edward
Blancks." f. 3.
9. "Worcester." By "Thomas Tom-
kins, M.B." f. 3b.
10. "Bristol." By "Thomas Ravens-
croft." f. 3b.
11. "Psalm 14," beg. "There is no
God." By " Tho* Morley." f. 4.
12. "Exeter." By "Tho* Ravens-
croft." f. 4b.
13. "Salisbury." By the same. f.4b.
U. "Wells" or " Glasenbury." By the
same. f. 5.
15. "Ely." By "William Cranfield."
f.5.
16. " Winchester." By "Tho* Ravens-
croft." f. 5b.
17. "Rochester." By "Richard Alli-
son." f. 5b.
18. "Canterbury." By " John Ward."
f.6.
19. "Wolverhampton." By "Thomas
Ravenscroft." f.6.
20. "York." By "John Milton."
f.6b.
21. "Durham." By " Thomas Ravens-
croft." f. 6b.
22. "Carlyle." By the same. f.7.
23. "Cheshire." By "John Bennet."
f.7.
24. "The King's." By " Tho' Ravens-
croft." f.7b.
25. "The Duke's." By the same.
f.7b.
26. "Abby." By the same. f.8.
27. " Dumferling." By " Thomas Tom-
kins." f. 8.
28. " Dundee." By ' ' Thomas Ravens-
croft." f.8b.
29. "Glasgow." By the same. f. 8b.
30. "Martyrs." By "Simon Stubbs."
i. 9.
31. "Landaff." By " Thomas Ravens-
croft." f. 9.'
32. "Bangor." By the same. f.9b.
33. "St. David's." By the same.
f.9b.
34. "Ludlow." By the same. f. 10.
35. "Southwell." By "Martin Pier-
son." f . 10.
36. "Chichester." By "Thomas
Ravenscroft." f. 10b.
37. "Windsor or Eaton." By the
same, f . 10b.
38. "London" (? Southwell, New). By
the same. f. 11.
39. "Christ's Hospital." By the same.
f. 11.
40. "Cambridge." By the same,
f. lib.
41. "French." By "John Dowland."
f.llb.
42. "Proper tune to the 81st Psalm."
By " Richard Allison." f. 12.
43. "York." By "Simon Stubbs."
f . 12b.
44. "Italian." By "Thomas Ravens-
croft:" f.l2b.
45. "Manchester." By the same.
f. 13.
46. "French." By the same. f. 13.
47. "113th Proper." By the same,
f . 13b.
48. "119th Proper." By "Giles Far-
naby." f. 14.
49. "148th Proper." By "George
Kirby." f. 14b.
50. "Come, Holy Ghost." By "Tho*
Ravenscroft." f. 14b.
51. "O Lord, of whom I do depend."
By " Robert Palmer." f. 15.
52. "O come and let us now rejoice."
By " John Farmer." f. 15b.
53. "Our father, which in Heaven art."
By the same. f. 16.
54. "Hark, Israel, and what I say"
(Ten Commandments). By the
same. f. 16b.
55. "My soul doth magnify the Lord."
By the same. f. 17.
56. "O Lord, because my heart's de-
sire" (Nunc Dimittis). By "Thomas
Ravenscroft." f. 17b.
57. "O Lord, turn not away." By
" William Parsons." f. 18.
58. "When righteousness doth say."
By "Thomas Ravenscroft." f. 18b.
59. "The man is blest" (Psalm i).
By "Thomas Morley." f. 19.
60. "O Lord, how are my foes in-
194
VOCAL MUSIC— SACRED.
creasd" (Psalm iii). By " Kavens-
croft." f. 19b.
61. "Lord, in thy wrath" (Psalm vi).
By"G. Kirby." f.20.
62. "0 God, my strength and forti-
tude " (Psalm xviii). By " Wm Cob-
bold." i. 20b.
Additional 34999, ff. 126-176.
Paper; about 1830-1836 (watermarks). Quarto. For a description of other
portions of the MS., see under Anthems (above, p. 98), Cantatas (p. 135), Chants
(p. 151) ; also under Services, Songs (sacred and secular), etc.
A collection of Hymn-tunes, almost all of them in the hand of
Samuel Wesley. Nos. 1-8 and 46-75 are in score, with organ
accompaniment.
x. "Watson's." f. 126.
2. The melody of "Luther's hymn."
f. 126b.
3. "Happy the souls to Jesus joined."
f. 127.
4. "My God, the Spring of all my
Joys." f. 128.
5. 6. "0 for a shout" and " To all the
list'ning Tribes." f. 129.
7,8. "The Lord of Glory" and "O
Lord, our Lord." f. 129b.
9. "O thou, to whom our lips are
taught " ; in compressed score, f. 130.
10. "Awake, my soul, and with the
Sun" ; in score, f. 131.
11. "No more to Earth's low scenes
confined " ; in score, f. 132.
The following numbers (12-45) are in compressed score, with
interludes for the organ, evidently composed by Samuel Wesley.
12. "Chiswick." f . 133.
13. " Advent Hymn." f.l33b.
14. "Devizes." f.134.
15. "Miles'slane." f. 134.
16. "Cambridge, New."- f. 134b.
17. " Darwell's " or " Darwell." 11.135-
147.
18. "Wareham." f . 135b.
19. "Burford." f. 136.
20. "Mount Ephraim." ff. 137, 138.
21. " St. David's." ff. 137, 139, 149b.
22. " Morning Hymn." ff. 137, 140.
23. "Abingdon." ff. 137b, 141.
24. "Windsor." ff. 137b, 149b.
25. "York." ff. 137b, 142.
26. "London, New." ff. 143, 160.
27. "Oxford." ff.143, 155.
28. "Newcourt." f . 143b.
29. "Hotham." f. 145.
30. "Carey's." f.l45b.
31. "Irish." f. 146.
32. "Sheldon." f.l46b.
33. "Howard." f. 147b.
34. "Hanover." f . 148.
35. "Bedford." f. 149.
36. "St. Ann's." ff.149, 156, 158.
37. " Westminster, New." f.150.
38. " S' Matthew's." f. 150b.
39. "Portugal." ff. 151b, 176.
40. "Angels Hymn." f. 154.
41. " S' George's." ff. 156, 157.
42. " Evening Hymn." ff. 156b, 159.
43. " S' Bride's." ff. 156b, 159.
44. "Islington." f. 159b.
45. "Old 100th." f.162.
Of the remaining Hymns, nos. 46-61, 74 and 75 are for 4 voices;
the others apparently for contralto and tenor only.
46, 47. In Btr and G. " L. M." ff. 163,
163b.
48. InD. "C. M." f. 164.
49-51. In C, A, and EO. "L. M."
ff. 164b-165b.
52, 53. In D and A. " S. M." ff. 166,
166b.
54. In P. "L. M." f.167.
HYMNS.
195
55. In C. " S. M." f. 167b.
56-62. In G minor, G, C, F, A, B|j, and
E. "CM." ff. 168-171.
63-65. In F, and 2 in G. "C. M."
ff. 171b, 172.
66, 67. In D and B1?. " L. M." ff. 172,
172b.
68-73. In F, Efr, C, A, C, and F.
"CM." ff.l73-174b.
74. "Jesus, at thy command," stated
by Miss Eliza Wesley to have been
written a few days before her father's
death, in 1837. f . 175.
75. "From Egypt lately. . . ." Un-
finished, f. 175b.
Additional 9073, f. 51b ; 9074, f. 34.
Paper; about 1831. Oblong folio. For a further description of the MSS., see
above, pp. 104, 105.
Hymn-tunes, in score, apparently by Henry Purcell. Transcribed
by Vincent Novello.
1, 2. In C and A. "L.M." Add. 9073, I 3. " Burford." Add. 9074, f. 34.
f. 51b. I
Additional 33568, f. 94b.
Paper; after 1834 (see f. 93b). Quarto. For a description of the MS., see
above, p. 69.
Three Hymns, the melody and bass only, apparently arranged as
lessons for a beginner on the pianoforte.
1. Tune, described as "Lesson I,"
without the words.
2. "Guide me, O thou great Jehovah,"
to the tune of " [Sicilian] Mariners."
3. " When all thy mercies, O my God,"
to " Arlington."
Additional 35027, f. 3b.
Paper; [a.d. 1836]. Small octavo. See also under Songs (1835).
"The 100th Psalm harmonised .... by Thomas Adams," in
ridicule of what he considered the " unnatural modulations and
extravagant discords " then beginning to be prevalent. In compressed
score. Printed. From the Musical World, 1836.
Additional 14341, ff*. 19b, 30b.
Paper; before 1843. Oblong folio. For a further description of the MS., see
above, p. 107.
The melody, with figured bass, of four Hymn-tunes by Samuel
Wesley.
1. "Hertford," bog. " 0 Lord my Rock,
to thee I cry." f. 19b.
2. "Bristol," beg. "He's blest whose
sins have pardon gain'd." "1806."
f. 19b.
3. " Supremely good, supremely great."
"1807." f.30b.
4. "When shall the poor." "1807."
f. 30b.
196 VOCAL MUSIC— SACRED.
Additional 31855.
Paper ; ff. 125. a.d. 1870-1871. Oblong folio.
" The whole psalmes in four partes, tohiche may be song to al
musicall instrumentes .... Imprinted at London by John Day ....
1563. Scored by Joseph Warren [from the original parts at Brase-
nose College]." For a further account of the work, see the preface at
the beginning' of the present MS. and Grove's Dictionary of Music
and Musicians," vol. iv, pp. 757-759. In spite of the title, not half of
the 150 psalms are included, and there is a large amount of extraneous
matter. The parts do not always move together, as is usually the
case with the hymns of the Anglican church, and some of the
compositions have been described under Anthems (see above, p. 1 1 2).
The organ part appears to be merely a compressed score of the vocal
parts. Only the first verses of the psalms, etc., are set to music.
Additional 35026, ff. 72b, 73b.
Paper ; 1870, 1886. Quarto. For a description of the MS., see under Albums
(1836-1895).
Hymns for 4 voices, in compressed score. Autograph.
1. "Feniton Court," set to the words,
"Lead us, Heavenly Father." By
" Ed\vd J. Hopkins. A memento of
Nov' 21, 1886, in the Temple Church."
f. 72b.
2. "Celestia," to the words, "Hark!
hark my soul." By "S. S. Wesley,
1870." f . 73b.
Additional 34267, C, f . 43.
Paper ; 19th cent. Quarto. See also above, p. 152.
" When troubles sore beset my way " : hymn for 4 voices.
Anonymous.
IMPROPERLY.
See under Passion Music.
LAMENTATIONS. 197
SECTION XI.— LAMENTATIONS.
Harmonized Settings to Latin Words op the whole, or part, op
the portions op the lamentations op jeremiah sung in the
Roman Church during Holy Week.
Additional 32377, ff. 26b, 27, 62b, 69b.
Paper ; about 1584. Oblong octavo. See also under Motets.
Single parts (1st contra-tenor, etc.) of the following; of which the
first three (for 5 voices), and probably also the last, are by Tallis : —
1. " Plorans plorauit." f . 26b.
2. "Incipit lamentacio .... Aleph."
f. 27.
3. " De lamentacione hieremie ....
Gimel." f.62b.
4. "De Lamentatione Jeremie
Beth." f. 69b.
Royal Appendix 12-16, passim.
Paper ; late 16th cent. Quarto. On the fly-leaf at the beginning of each part
is the name of [John, Baron] Lumley (ob. 1609).
Cantus, altus, tenor, bassus, and quintus parts of the Lamentations
for Holy Week, the portion for each of the three days being divided
into three lessons. Anonymous. At the end of each day there is an
" Antiphona ad Benedictus," described under Motets.
Additional 29388-29392, ff. 19b-33 ^aomn.
Paper ; early 17th cent. Oblong octavo. See also under Motets.
Fragments of longer works, of which the words are taken from the
Lamentations. They are written for 6 voices, of which the cantus part
is missing. In parts. Anonymous.
1. " Incipit lamentatio Jeremie." f. 19b. 3. " Jod. 0 vos omnes qui transitis."
2. "Jerusalem, conuerte ad dominum." f. 33.
f. 21.
Additional 34000, f. 14b; 34001, f. 13b ■ 34002, f. 13b.
Paper ; early 17th cent. Oblong octavo. For a further description of the MSS.,
see under Motets.
" Incipit oratio Jerenria) Prophetre," followed by " ^Egypto dedimus
manum," and " Hierusalem conuertere," for 8 voices (1st and 2nd
cantus and tenor parts only), probably by G. Gabrieli.
198 VOCAL MUSIC— SACRED.
Additional 17792-17796, ff.l62b-178|ww»»».
Paper ; after 1624. Small obloDg quarto. For a further list of the contents of
the MSS., see above, p. 13.
Portions of the lessons from the book of Lamentations, set for 5
voices, in parts.
1. "Incipit lamentaoio Jeremise pro-
phetae . . . Aleph." "Tallis." i,
f . 169 ; ii, iii, f. 174 ; iv, f. 162b ; v,
f . 166b.
2. "Heth " "[Robert?]
White." i, f. 170b ; ii, iii, f. 175b
iv, f . 163b ; v, f . 167b.
Additional 5059, ff.71, 77.
Paper ; middle of the 18th cent. Quarto. See also under Motets.
Two motets, for 5 voices, in score, set to a shortened version of the
Lamentations, by Thomas Tally s or Tallis.
1. "Incipit lamentatio Hieremise." I 2. " De lamentatione Hieremiae." f. 77.
f. 71. I
Additional 31412.
See under sacred Songs (1798).
Additional 31506, f. 153.
See under sacred Songs (18th cent.).
Additional 31683.
Paper ; ff . 104. 18th cent. Oblong quarto.
Portions of the Lamentations, written for voices, with symphonies
and accompaniments for oboes or trombe da caccia, horns, and strings,
in score, by [Nicolo] Jumelli, i.e. Jommelli.
1. "Vau. EtegressussstaFilia Sion" ;
for treble and alto. f. 1.
2. "Incipit oratio Jeremie" ; for solo
voices and quartet or chorus, f. 47.
Additional 31684, f. 1.
See under sacred Songs (18th cent.).
Additional 34726, f. 19.
Paper ; 18th cent. Quarto. See also under Motets.
" Incipit Lamentatio Hieremiai" ; for 5 voices, in score. By Tallis.
In the hand of Barrow, a pupil of John Travers. A compressed
form of the Lamentations sung during Holy Week.
LAMENTATIONS. 199
Additional 24291, £. 1.
Paper ; late 18th cent. Oblong octavo. See also under Misereres.
" Lamentazione Prima che si canta il Mercoldi [sic] Santo,"
beginning " Incipit Lamentatio Jeremie," for 2 trebles, alto, and tenor,
with pianoforte accompaniment, in score, by Gregorio Allegri.
Additional 31486.
See under sacred Songs (late 18th cent.).
Additional 31612, ff. 11, 17, 59.
Paper ; late 18th cent. Oblong quarto. See also under Songs (sacred).
Harmonized settings of the three following, in score, by
Francesco Durante : —
1. " De Lamentatione Jeremise" (for
3 voices, with figured bass for organ).
f. 11.
2. "Incipit Lamentatio Jeremiae" (for
2 and 3 voices, with ditto), f. 17.
3. "Incipit Oratio Jerernioe" (for 4
voices, with strings, etc.). f. 59.
Egerton 2450, f. 40b.
Paper ; early 19th cent. Oblong octavo. See also under Motets.
" Lamentazioni del Mercoldi (sic) Santo," in D minor, for 4 voices,
in score. Said here to be by Tomaso Baij, but ascribed in Add. 24291,
f. 1 (see above), to Gregorio Allegri.
Additional 14108, ff. 1-76.
Paper ; early 19th cent. Oblong quarto. See also under Motets.
"Incipit Oratio Jeremise Proplieta;"; for 4 voices, with strings
and a figured bass for organ, in score, by Francesco Durante.
Additional 14112 ; 14130.
See under sacred Songs (early 19th cent.).
Egerton 2464, f. 20.
Paper ; a.d. 1834. Oblong folio. The MS. also contains a Mass (about 1841),
Motets (19th cent.), and secular Songs (1712).
" Lamentationes," beg. " Teth. Manus mulierum." After a few
pages comes the " Incipit Lamentatio," followed by the greater part of
what is usually sung as the 1st lesson on Thursday in Holy Week.
Written for 4 voices, in score, by Carpentras. Scored by Abbate
Fortunato Santini, from the parts published by Adriaan Le Roi and
Robert Ballard at Paris in 1557, and apparently presented by him to
the Rev. E. Goddard.
15
200 VOCAL MUSIC— SACRED.
Additional 34070, f. 3.
Paper ; about 1839 (watermark). Oblong folio. The MS. also contains a
Motet, described elsewhere.
A Setting of one of the Lamentations [" Incipit Lamentatio
Hieremia;"] for 5 voices, in score, without the words. By Thomas
Tallys.
Egerton 2457, ff. 2-45b.
Paper ; 19th cent. Oblong quarto. See also under Magnificats.
Book I of the Lamentations for Holy Week, published by Giovanni
Pier Luigi Palestrina, in 1588. They are for 4 voices, except the
" Jerusalem convertere," which is for 5 voices. Transcribed, from the
copy at the Lateran, by Abbate Santini.
Egerton 2466.
See under sacred Songs (19th cent.).
SECTION XII.— LITANIES
AS SUNG IN THE ROMAN CHURCH.
I. Litanies op the Virgin Mary, consisting, unless the contrary
is stated, of " Kyrie . . . Sancta Maria " and " Agnus Dei."
II. Litanies op the name op Jesus.
III. Litanies of the Venerable Sacrament.
LITANIES. I.
Harley 4899, ff. 35-38.
Paper ; about 1G97. Folio. See also under Masses.
" Officium B. V. Marine musicis aptatum concentibus a Joanne
Baptista Bassano," beg. with the " Kyrie . . . Christe, audi nos " ; for
4 voices, with strings, in score. Incomplete at the end.
Additional 14107, ff. 17 1-1 96b.
Paper ; a. d. 1750. Oblong quarto. See also under Motets (1731).
Litany in F minor, for 4 voices, with symphony and accompani-
ments for strings, and a figured bass for organ [by Francesco Durante].
Autograph.
LITANIES. 201
Additional 14111, ff. 85, 102.
Paper ; a.d. 1750 (?), etc. Quarto. See also under Motets (18th cent.).
Organ and 1st violin part (and, in no. 2, the 4 vocal parts also)
of the following " Litanie " by Francesco Durante : —
1. In F minor. (For the original score, I In the hand of Durante's pupil, Car-
see Add. 14107, f. 171). f. 85.
2. In A minor (see Add. 14108, f. 77).
mine Speranza. f. 102.
Additional 5054, f. 110.
Paper; before 1760. Quarto. For a further description of the MS., see
above, p. 68.
" Letanie B. Maria? Virginis," beg. with the " Kyrie . . . Christe
audi nos " and ending with the " Agnus Dei " ; for 5 voices, with
figured bass for the organ, in score, by Francisco Foggia (op. 4).
Additional 14201, ff. 62-7 lb.
Paper ; a.d. 1786-1787. Large quarto. See also under Motets.
A Short Litany, beg. with the " Kyrie . . . Christe audi nos "
and ending with the " Agnus Dei " ; written for 4 choirs of 4 voices
each, with figured bass, in score, by Erasmo di Bartolo, " detto P.
Rairuo."
Additional 14105, ff. 77, 178.
Paper ; 18th cent. Oblong quarto. The MS. contains also a Mass (18th cent.),
and some Motets (1743), described elsewhere.
Two Litanies, in G minor, and E minor ; for 4 voices, with
symphonies and accompaniments for strings, and a figured bass for
organ, in score, by Francesco Durante, the first of them autograph.
Additional 14106, ff. 154-1 73b.
Paper ; 18th cent. Oblong quarto. See also under Masses (1749).
Litany in E minor ; for treble and alto, with accompaniments for
strings, and a figured bass for organ, in score and in parts, by
[Francesco] Durante. Autograph.
Additional 31614, ff. 57-74.
Paper ; 18th cent. Oblong quarto. See also under Masses.
"Litanie della B. V[irgine]"; for 4 voices, with symphonies and
accompaniments for strings and a figured bass for organ, in score, by
Giambattista Fenoglio. Autograph.
202 VOCAL MUSIC— SACRED.
Additional 14179, ff. 87-1 55b.
Paper; late 18th cent. Oblong quarto. The MS. also contains an Oratorio
by Hasse, described elsewhere.
11 Kyrie . . . Sancta Maria," " Agnus Dei," and " Sub tuum pre-
sidium " ; for 4 voices, with symphonies and accompaniments for
trumpets, trombones, and strings, in score, by Giovanni Andolfo (sir.)
Hasse " d[ett]o il Sassone."
Additional 32393, ff. l-14b.
Paper ; late 18th cent. Oblong folio. From the library of Otto Jahn. Sec
also under Motets.
Litany in A minor ; for 4 voices, with accompaniments for strings
and a figured bass for organ, in score, by Francesco Feo.
Additional 14161, ff. 210-230.
Paper ; 18th-19th cent. Oblong quarto. See also under Magnificats (1809).
Litany for 4 voices with figured bass for organ, in score, with a
set of vocal parts. Supposed to be by Nicola Fago.
Additional 14108, ff. 77-106.
Paper ; early 19th cent. Oblong quarto. See also under Motets.
Litany in A minor ; for 4 voices, with strings and a figured bass
for organ, by Francesco Durante.
Additional 32184, ff. 15-44.
Paper ; early 19th cent. Oblong folio. See also under Motets (1805-180G).
" Litanle B.V.M. Lauretante," in A minor ; for 4 voices, with flutes,
oboes, clarinets, horns, trumpets, bassoons, and strings, and a figured
bass for organ, in score. By J. N. Hummel. Autograph. Some
German words, beg. " Vater im Himmel, huldreich und mikle," have
been written over the Latin text.
Additional 31526, ff. 3-27.
Paper ; after 1810 (watermark). Oblong folio. See also under Motets (after
1825).
" Lktanie della B[eat]a V[ergin]e," in G minor ; for 4 voices, with
accompaniments for strings, in score, by Francesco Durante.
LITANIES. 203
Additional 34607, ff. 29, 202b, etc.
Paper ; a.d. 1855. Oblong folio. For a further description of the MS., see
under Motets.
" Litani^e B[ea]tre Virginis," in F, in parts.
2. "Kirie .... Santa Maria" and
"Agnus Dei" (3 voices?). Anony-
mous, ff. 202b, 209, 215.
1. "Kirie .... Sancta Maria" (4
voices). " Felix Anerio." ff. 29, G2,
95, 127b.
Additional 32152, ff. 25-58.
Paper ; 19th cent. Oblong folio. The MS. also contains a Magnificat and a
Motet (late 18th cent.) ; and a sacred Duet (19th cent.).
" Lytani/e Lauretanee " ; for 4 voices, with accompaniments for
strings and a figured bass for organ, in score, by Leopoldo Mozart.
LITANIES. II.
Additional 32073, ft. 159, 165.
Paper; 18th cent. Folio. See also under sacred Cantatas (18th-19th cent.).
Two short " Litanie del santo nome di Giesii," consisting of " Kyrie
eleison . . . Jesu exaudi nos " ; for solo voices and 4-part chorus, with
symphonies and accompaniments for trumpets or horns and strings,
and a figured bass for organ, in score, by Ceslaus Wanjura, 1731.
Autograph (?).
1. In E. f. 159. | 2. In Bb. f. 165.
LITANIES. III.
Additional 32401, ff. 11 8-1 67b.
Paper ; a.d. 18G1. Oblong folio. The MS. also contains an Oratorio, described
elsewhere.
"Lytania: dk Venrrabili Sacram[ento]," consisting of "Kyrie . . .
Panis vivus " and "Agnus Dei"; for 4 voices with symphonies and
accompaniments for oboes, flutes, horns, trumpets, trombones, drums,
and strings, and a figured bass for organ, in full score, by Gaetano
Adlgasser. Transcribed at Salzburg, where the composer was court-
organist, by F. H
204 VOCAL MUSIC— SACRED.
SECTION XIII.— MADRIGALS.
Additional 29987, f. 37b.
Vellum ; 15th-16th cent. Quarto. See also under secular Madrigals.
" Cantano gli angioletti Santus," etc. ; apparently for 2 voices, in
parts, by an anonymous Italian composer.
Royal Appendix 58, f. 23.
Paper; early 16th cent. Oblong octavo. See also under Madrigals
(secular).
" Now marcy, Jhesus " : the tenor part, apparently of a composition
for several voices. Anonymous.
Additional 31398, ff. 38-51.
Paper ; a.d. 1759-1761. Oblong quarto. See also above, p. 67 ; and under
Motets (1759), secular Madrigals (1761), and Songs (after 1760).
Seven of the Madrigali Spiritual!, Bk. ii, by Giovanni Pietro Luigi
Palestrina, for 5 voices, in score (1594). The whole volume was
transcribed by W. C[ole] in 1759-1761.
1. "Figliolmmortale." f.39.
2. "Hdrtu sol." f. 41.
3. " E se il pensier." f.43.
4. " Se amarissimo." f. 44b.
5. " E se nel foco." f.46.
6. "Velio di Gedeon." f. 48.
7. "Regina delle Vergini." f. 49b.
Additional 5039, ff. 66.
Paper ; before 1760 (see below). Quarto.
A Score of the complete work from which the preceding madrigals
are taken. In the hand of Henry Needier (d. 1760).
Additional 5054, f. 162b.
Paper ; before 1760. Quarto. For a further description of the contents of
the MS., see above, p. 68.
" Citta di Dio"; for 5 voices, in score, from the same work, by
Palestrina. In the same hand.
MAGNIFICAT. 205
Additional 31408.
Paper; ff. 44. 18th cent. Oblong folio. Bookplates of Thomas Bever, LL.D.,
1787 ; and of William Charlton Frampton.
Another score of the complete work from which the preceding
madrigal is taken. Said to be transcribed by Henry Needier, but does
not resemble the copy by him in Add. 5039 (see above, p. 204).
Additional 31441, ff. 96b-98.
Paper ; 18th cent. Oblong quarto. For a further description of the MS., see
under Motets.
" Signor, non mi riprender," described as " II prirao Sonetto Peni-
tentiale a 6 voci di Giovanni Croce." In score.
Additional 31397, ff. 35b-98.
Paper ; 18th-19th cent. Oblong quarto. The MS. also contains Motets
described elsewhere.
Another score of the Madrigali Spirituali a cinque voci, Bk. ii,
by Palestrina. The first lines of the compositions in this MS., and
of those in the preceding MSS. of the same work, are given in the
Index to the present Catalogue.
SECTION XIV.— MAGNIFICAT.
Musical Settings of the Latin Words, as sung in the Roman
Church.
Lansdowne 462, f. 152.
Vellum ; early 16th cent. Folio. See also under Masses.
Alto part of a " Magnificat," beg. " Exultauit spiritus meus in deo
salutari meo." A composition by [John] Dunstaple, i.e. Dunstable,
immediately precedes it. Forms the fly-leaf at the end of a 15th-
century Sarum Gradual.
Royal Appendix 56, ff. 22b-28b.
Paper; 16th cent. Oblong octavo. For other contents, see under Te Deum,
Organ Solos, and Treatises.
The plainsong of some settings of the " Magnificat " in each of the
8 ecclesiastical tones, each of them ending with a pneuma (or coda) in
its proper tone. Anonymous.
206 VOCAL MUSIC— SACRED.
Additional 17802-17805, ff. 1 87-21 9b passim.
Paper; late 16th cent. Octavo. For a further description of the MS., see
under Motets.
Settings of the " Magnificat " in Latin, for 4 voices, in parts, by
the following composers : —
hi, f. 203b; iv, f. 192.
4. " [J.] Taucrner." i, f. 213 ; ii, f. 212 ;
hi, f.206b; iv, f. 195.
1. " [W. (?)] Mundy." Vol. i, f. 204
ii, f. 203; iii, f.198; iv, f. 187.
2. "[T.] Talles." i, f.206b; ii, f . 206
iii, f.200; iv, f. 189.
3. " [J.] Sheperd." i, f. 210; ii, f. 209
5. " Stcnings " or " Stonings." i, f . 216b ;
ii, f. 215; iii, f. 208b; iv, f. 198.
Additional 18936-18939 (i, ii, iv, f. 45 ; iii, f. 27).
Paper ; after 1612. Oblong octavo. For a further description of the MS., see
under Masses.
" Sicut loquutus " ; from a " Magnificat," apparently for 5 voices, in
parts, by R. (?) Parsons.
Printed Book, D. 212. c. (vol. i, f. 58b ; ii, f. 56b ; iii, f. 65b).
Paper; after 1613. Small quarto. For a further description, see under
Motets.
" Magnificat " with " Gloria Patri," in G minor ; for 4 voices, by
Jacobus Moms Viadana. Altus, tenor, and bassus parts only.
Additional 34898, f. 35b.
Paper ; about 1628. Small folio. See also under Masses.
" Magnificat " without accompaniment ; for 4 voices, in score.
Anonymous.
Additional 31485.
Paper; ff. 27. 17th-18th cent. Small quarto. Belonged successively to
John Keeble, organist of St. George's, Hanover Square; his daughter, Mrs.
Hamilton ; Dr. Thomas Beever (bookplate, 1787) ; C. B. Wollaston, 1798 ; and
William Charlton Frampton (bookplate).
" Magnificat " with " Gloria Patri," in G minor ; for 4 solo voices
and 4-part chorus (generally in unison with the solos), interspersed
with treble solos, with a figured bass for organ, in score, by Collona
[i.e. G. P. Colonna].
Additional 14191, ff. 125-137.
Paper; early 18th cent. Oblong quarto. See also under Motets (1757).
" Magnificat a 8 voci [divided into 2 choirs] in canone all'
Vnisono . . . con Instrumenti ad libitum," in score, by Domenico
MAGNIFICAT. 207
Zanatta. Dedicated to Padre Giacinto Rubesti, of S. Domenico
Maggiore, Naples. Apparently autograph.
Additional 14128, ff. 1-39.
Paper ; a.d. 1742. Folio. See also under Motets.
" Magnificat " with " Gloria Patri " in G minor ; for solo voices and
2 choirs of 5 and 4 voices, with symphonies and accompaniments for
strings and figured basses for organ, in- score, composed by Nicola
Porpora in 1742, for the " Pieta " at Venice, of which he was then
chorus-master. Autograph.
Additional 14188, f. 192.
Paper; about 1745 (sec below). Quarto. See also under Motets (1752).
" Magnificat " ; for 4 voices with violins and organ, in parts, by
Francesco Mancini or Magini (see f. 198). The figured bass for the
organ is probably autograph. The parts are in several hands, those
named being — Quercio, 1745 (f. 201), and D. Mauro (f. 202b). The
names of most of the (original ?) singers are also given, namely,
Giouannino, Germano, and Palleschi ; and of the violinists, Derek and
Cane (?) minor.
Additional 14101, ff. 137-159.
Paper; a.d. 1752. Folio. See also under Motets (1753).
" Magnificat" with " Gloria Patri"; for 5 solo voices and 3-part
chorus, with accompaniments for strings, and a figured bass for organ,
in score, by [Francesco] Durante. Autograph.
Additional 11584, f. 10.
Paper ; before 1782. Oblong quarto. For a further description of the MS., see
under Motets.
" Deposuit potentes" ; for 3 voices, scored by Dr. Charles Burney
from the " Magnificat " in the second tone by Palestrina.
Additional 14104, ff. 208-219.
Taper ; 18th cent. Largo octavo. See also under Motets (1751).
Canto, alto, tenor and bass chorus parts, and 1st and 2nd violin
and violoncello parts, of a " Magnificat " in A minor, by F. Durante,
in the hand of his pupil, Carmine Speranza.
Additional 24298, ff. 182-1 99b.
Paper ; 18th cent. Oblong quarto.
" Magnificat " with " Gloria Patri," in Bt? ; for 4 voices, with
accompaniments for strings, in score, presumably by Giuseppe Valente,
some of whose Motets (q.v.) occupy the preceding portion of the MS.
208 VOCAL MUSIC— SACRED.
Additional 24300, ff. 98-137.
Paper ; 18th cent. Oblong quarto. The MS. also contains Motets.
" Magnificat " in A minor, with " Gloria Patri " in F ; for 4 voices,
with accompaniments for horns, oboes, and strings, and a figured bass
for organ, in score, by Giuseppe Valente. Different from the setting
in the" preceding MS., Add. 24298.
Additional 29483, ff 1-1 6b.
Paper ; 18th cent. Oblong quarto. See also under Motets.
" Magnificat" in D ; for 4 voices, with symphonies and accompani-
ments for horns and strings and a figured bass for organ, in score, by
Giambattista Fenoglio. Autograph. Ends with an elaborate " Gloria
Patri."
Additional 31310, ff. 1-20.
Paper; 18th cent. Oblong folio. For other contents see above, p. 132, and
elsewhere.
"Magnificat" with " Gloria Patri," in F ; for 2 choirs of 4 voices
each, with accompaniments for 2 orchestras, consisting of trumpets,
oboes, and strings, in score, by [G. A.] Fioroni. Apparently
autograph.
Additional 31474, ff. l-38b.
Paper ; 18th cent. Oblong folio. The MS. belonged at one time to Robert
Cooke, the composer (1768-1814), and afterwards to Joseph Warren. Contains
also Motets (1698).
" Magnificat " with " Gloria Patri," in G ; for 4 voices, with
accompaniments for strings and a figured bass for organ, in score, here
attributed to Carissimi, but probably by a much later composer.
Additional 31478, ff 30b-40b.
Paper ; 18th cent. Oblong folio. Belonged apparently to Joseph Warren (see
fly-leaf at beginning). Contains also a Mass in the same hand, and a Te Deum
(1781).
" Magnificat " with " Gloria Patri," in A minor ; for 2 choirs of
4 voices each, with a figured bass for organ, in score, by Giacomo
Carissimi.
Additional 31550, ff l-8b.
Paper ; 18th cent. Oblong folio. The first part, if not all, of the volume
belonged at one time to Edward F. Rimbault, who presented it in 1840 to
Joseph Warren. The MS. also contains a Motet and a Chamber Quartet.
" Short Magnificat " with "Gloria Patri," in the first ecclesiastical
tone ; for 2 choirs of 4 voices each, with a figured bass for organ, in
score, by Antonio Caldara.
MAGNIFICAT. 209
Additional 11586, f. 12b.
Paper; late 18th cent. Oblong folio. For other contents of the MS., see
above, p. 71.
" Esurientes implevit " ; for 5 voices, in score, from the " Mag-
nificat" by John Shephard (see Add. 17802, f. 210).
Additional 32152, ff. 2-24b.
Paper ; late 18th cent. Oblong folio. See also above, p. 203.
" Magnificat " (canon) with " Gloria Patri " ; for 2 choirs of 4
voices each, with accompaniments for strings and a figured bass for
organ, in score, by Domenico Zanatta.
Additional 14142, ff. 52-87.
Paper ; early 19th cent. Oblong quarto. See also undor Motets.
" Magnificat " with " Gloria Patri " ; for 2 choirs of 4 voices each,
with a figured bass for the organ, in score, by [Nicolo] Jommelli.
Additional 14161, ff. 1, 21.
Paper; a.d. 1809, etc. Oblong quarto. For other portions of the MS., see
above, p. 202, Masses (below, p. 232), Motets, etc.
Two settings of the " Magnificat," in score, by Nicola Fago, " detto
il Tarantino." In the hand of Giuseppe Sigismondo.
1. In F minor; for 5 solo voices and
5-pait chorus, with symphonies and
accompaniments for horns, oboes,
strings, and organ. Scored in 1809.
f.l.
2. In D minor, " alia Palest[r]ina " ;
for 4 voices, without accompaniment,
f. 21.
Additional 33312, f. 161.
Paper; before 1844 (when the composer became Earl of Westmorland). Oblong
folio. The MS. also contains an Anthem (sec above, p. 100) and a Mass (below,
p. 236).
" Magnificat a 4° voci composto da Lord Burghersh," with accom-
paniments for flute, oboe, clarinets, horns, trumpets, bassoons, trom-
bones, drums, and strings, in full score.
Additional 34607, ff. 24, 33b, 36b, 199, 200b, etc.
Paper; a.d. 1855. Oblong folio. For a further description of the MS., see
under Motets.
Five settings of the " Magnificat," in parts.
1. For 4 voices. " Felix Anorio." ff. 24, I ff. 33b, 67, 100, 132.
57b, 90b, 123. 3. For 5 voices. By the same. ff. 36b,
2. Another for 4 voices. By the same. 70, 103, 134b, 150b.
Formerly attributed to " Ruggiero." I 4. For 8 voices. Anonymous, ff. 199,
210
VOCAL MUSIC -SACKED.
205b, 211b, 217b, 221, 223b, 225b,
227b.
5. For 4 voices (?). Anonymous,
fl. 200b, 207, 213, 219.
Additional 36490, f. 6.
Paper; a.d. 1892. Quarto. For a further description of the MS., see under
Motets.
" Magnificat" for cantus, tenor, and contratenor, in parts, by [John]
Dunstaple, i.e. Dunstable. Transcribed in 1892 by William Barclay
Squire, from a MS. in the " Biblioteca Estense " at Modena, written
after 1471.
Egerton 2453, ff. 1-13.
Paper ; 19th cent. Oblong quarto. See also under Masses (below, p. 237).
"Magnificat anima mea Dominum"; for 4 voices, with a figured
bass for organ, in score, by Francesco Durante. In the hand of Abbate
Fortunato Santini.
Egerton 2457, ff. 65b, 78b, 89b, 102.
Paper ; 19th cent. Oblong quarto. Belonged to Itcv. E[dward] Goddard.
The MS. also contains Lamentations (see above, p.. 200), Motets, and a Stabat
Mater.
Four settings of the " Magnificat," for 5 voices, in score, by
Joannes Petrus Aloysius Prtenestinus, published by him in his 3rd
book of Magnificats, 1585. Transcribed by the Abbate F. Santini from
the Lateran and Corsini libraries. In each setting two short movements
are for 4 voices, and the last (" Sicut erat in j>rincipio ") is for 6
voices.
Egerton 2460, ff. 57-Glb.
Paper ; 19th cent. Oblong quarto. For a further description of the MS., sec
under Motets.
"Magnificat"; for 4 voices, in score, by Cristoforo Morales, as
sung in the Sistine chapel on the eve of the Epiphany.
Egerton 2463, ff. 34-47.
Paper ; 19th cent. Oblong quarto. The MS. also contains Motets in the
same hand, a Miserere (below, p. 251), and Passion Music (early 19th cent.).
" Magnificat anima mea Dominum," for 1, 2, 3, and 4 voices, with
a figured bass, in score, by Nicolo Jommelli.
Additional 31573, ff l-32b.
Paper ; 19th cent. Quarto. See also under Oratorios.
" Magnificat" in A minor ; for 2 choirs, with accompaniments for
oboes, strings, and organ, in score. Transcribed by Michael Rophino
Lacy from the Sacred Harmonic Society's copy (now in the possession
MASSES. 211
of the Royal College of Music). At the tup of this copy is written
" Del I.td Sig' Erba," in the face of which inscription it is generally
ascribed to Handel, though not included in the Handel-Gesellschaft's
edition of that composer's works. (See Grove's Dictionary of Music
and Musicians, i, 651a ; ii, 197a ; iv, 664b, etc.). Lacy has added notes
of collation with the copy in Handel's writing at Buckingham Palace.
SECTION XV.— MASSES.
See also under Requiems.
Arundel 14, ff. 34-36b.
Vellum; 13th-14th cent. 10J x 7| in. (reduced in binding). For a descrip-
tion of the principal part of the MS., see under Histories.
" Kyrie," for 3 voices, in score, from a Mass ; followed by a
" Gloria in excelsis " of which only the words have been filled in.
Written in England. Anonymous.
Sloane 1313, f. 1.
Vellum ; 15th cent. 5£ x 8| in. (mutilated). Forms the fly-leaf of an
English Herbary of the 15th or 16th century.
Fragment of the altus part of the " Gloria in excelsis Deo," beg.
" Laudamus te." Anonymous.
Additional 29987, ff. 82b-86.
Vellum ; 15th-16th cent. Octavo. For a list of the contents of the MS., see
under Madrigals.
" Kyrie," in plainsong, followed by " [Gloria in excelsis Deo] et
in terra pax " and " Credo " ; for 3 voices, in parts, by an anonymous
Italian composer.
Lansdowne 462, ff. lb, 151b, 152.
Vellum ; early 16th cent. Folio. From a 15th cent. Sarum Gradual. The
MS. also contains portions of a Magnificat (see above, p. 205), and Motets
(below, p. 258).
Tenor, or contra-tenor, part of the following fragments of Masses,
which were probably harmonized for 4 voices : —
1-7. " Sanctus" and " Benedictus."
Seven settings, f. lb.
8-16. " Kyrie." Nine settings, includ-
ing single ones for Feriae ii-vi, two
for Sunday, and two for days not
specified, the latter of the two — the
212
VOCAL MUSIC— SACRED.
last on the page — being apparently
by " Martyn." f. 151b.
17. Another " Kyrie," for Saturday.
"Lyonel" Power (?). f. 152.
18. Another, for Sunday. John " Dun-
staple." f. 152.
l'J. "Sanctus" and " Bencdictus," in
a rather later hand, at the end of
which is written "qd h." f. 152.
Royal Appendix 58, ff. 33b-38b.
Paper ; early 16th cent. Oblong octavo. See also under Madrigals.
Mass, beg. " Et in terra pax." Anonymous.
Royal Appendix 45-48.
Paper; ff . 62, 69, 68, 27. Before 153f, (date of the death of Katharine of
Arragon, whose arms appear along with those of Henry VIII on the binding).
Oblong octavo.
Masses for each day of the week, in parts, by Nicolas Ludford.
They appear to be for tenor, contra- tenor, treble and 2nd tenor voices ;
but the part contained in vol. iv is apparently incomplete. For the
" offertoria," etc., introduced before and after the " Credo," see under
Motets.
Additional 5665, passim.
Paper ; ieinp. He/iFy VIII. Large octavo. For a further description of the
MS., see under Motets (below, p. 260).
Masses for 3 voices, in parts.
1. "Rex Summe." "[Sir] Thomas
Packe." f. 73b.
2. " Gaudete in Domino," described as
" pro hominibus xii notis cumpas."*
By the same. f. 84b.
3. "Kyrie" and "Gloria." "Edmund
Sturges." f. 109b.
4. Mass, wanting the " Kyrie." "Hen-
ricus Petyre." f. 113b.
Additional 34191, ff. l-16b.
Paper ; temp. Henry VIII. Small quarto. The MS. also contains Motets
(below, p. 261), and parts of Services, described elsewhere.
Tenoii part of Masses by English composers, consisting of the
" Gloria in Excelsis," " Credo," " Sanctus," and " Agnus Dei." The
notes employed are either diamond-shaped or quasi-square, on a 5-line
stave.
1. " Spes nostra." " Robard Joonys."
Imperfect at the beginning, f. 1.
2. " Veni, Sancte Spiritus." " Ricar- 3. A Mass without a name. Anony-
mous, f. 12.
dus Pygott." f. 4b. Wanting a leaf
after f. 7.
* N.D. — This use of the word "compass" is a century earlier than the
earliest quotation in Murray's New Englislt, Dictionary.
MASSES.
213
Additional 33933, f. 7Gb.
Paper; about 1575-1578. Octavo. For a further description of the MS., see
above, p. 2.
Contra tenor part of " the Osanna of ane Italian messe, iiii parts."
Anonymous.
Additional 29996, f. 33.
See under Organ Solos (16th cent.).
Additional 30520, ff. 2, 3.
Vellum ; 16th cent. Large folio.
Two leaves — the first greatly mutilated — from an English choral
book, containing originally Masses in 4 parts, of which 2 (? treble and
1st tenor) appear to have been written on the left-hand page, and the
others (? 2nd tenor and bass) on the right-hand page.
1. "Le Roy." 2nd tenor and bass (?)
of the "Benedictus" and treble and
1st tenor of the " Agnus Dei."
"Ludford." f. 2.
2. "Sancte Cuthberte." 2nd tenor I
and bass (?) of the "Gloria in
Excelsis" and treble and 1st tenor
of part of the " Credo," etc. "T. Ash-
well." f. 3.
Additional 17802-17805, passi
m.
Paper; late 16th cent. Octavo. For a further description of the MS., see
under Motets (below, p. 271).
Masses, or portions of Masses, for 4 voices, in parts.
1-15. Settings of the "Kyrie," or
"Alleluia," or both, by the following
composers : —
" [J.] Taverner," " Tavernor," or
" Tavernar." i, f. 15 ; ii-iv, f. 13.
" Hyett." i, f. 16 ; ii, f. 13b ; iii, f. 14 ;
iv, f. 14.
"[J.] Tavernar." i, ff . 16b, 17; ii,
ff. 14, 14b; iii, iv, ff . 14b, 15.
"Doctor Tye." i, ff.l8b, 19b; ii, iii,
ff . 16b, 17 ; iv, ff . 16b, 17b.
"Wyllyam Mondy." i, ff.20, 20b;
ii, iii, ff. 17b, 18b ; iv, ff . 18, 18b.
"[J.] Hake" or " Hacke." i, f. 21 ;
ii-iv, f . 19.
"[W. ?] Mondy." i, f. 21b ; ii-iv,
f . 19b.
"[Christopher?] Okeland" or "Oc-
land." i, f . 22 ; ii-iv, f . 20.
" Knighte." i, f. 22b ; ii-iv, f. 20b.
" [T.] Talles." i, f. 23 ; ii-iv, f. 21.
" [J.] Sheperde," " Sheperd," or " Shep-
ard." i, ff.23b-24b; ii, iii, ff . 21b,
22b ; iv, ff . 21b, 22.
The following 7 Masses are without a " Kyrie " : —
16. " The western wynde." " John
Taverner." i, f. 25b; ii, iii, f.23b;
iv, f . 23.
17, 18. Two without names. " Doctor
Tye." i, f . 35b ; ii, iii, f . 34 ; iv,
f. 33 ; -and " [J.] Sheperde." i, f. 46 ;
ii, f. 44 ; iii, f . 44b ; iv, f . 42.
19. "French Masse." By the same,
i, f . 54 ; ii, f. 51 ; iii, f. 53b ; iv, f. 50.
20. "Be not afraide." By the same,
i, f. 63 ; ii, f. 59 ; iii, f. 62 ; iv, f. 57b.
21. A Mass without a name. " [T.]
214
VOCAL MUSIC— SACRED.
Talles." i, f. 72b ; ii, f. 68b; iii,
f. 71 ; iv, f. 06b.
22. " Playnsong Masse." " [J.] Taver-
ner." i, f. 81 ; ii, f.76b; iii, f.80;
iv, f. 74b.
The remaining Masses follow the usual order : —
23. "Playnsong Masse for a Mene"
[i.e. tenor]. "Jhon Sheperde."
i, iii, f.88b; ii, f.85; iv, f.82b.
24. "For a Mene." "Tbomas Apple-
bye" or "Appelbye." i, f.93; ii,
f.89; iii, f. 92b; iv, f. 86b.
25-27. Tbree Masses " Apon ye square,"
viz., one by " [W.] Whitbroke." i,
f. 170b; ii, f . 169b ; iii, f. 162b ; iv,
f. 157 b ; — and two by " Wyllyam
Mondye," " Mundaye," or "Mon-
day." i, ff. 183, 194b; ii, ff. 181b,
193; iii, ff . 174b, 187b; iv, ff. 165b,
176.
Additional 34700, ff. lb-12b.
Paper; 16th-17th cent. Small quarto. The MS. also contains some Passion
Music, described elsewhere.
Short Mass to the "Laudate" [in F?], consisting of " Kyrie,"
" Gloria in Excelsis," and " Agnus Dei," with an " Amen " at the end ;
for 4 voices, in parts, by Joannes Steuerlin, " Schmalcaldensis."
Probably Autograph.
Additional 34000-34002, passim.
Paper; early 17th cent. Oblong octavo. For a further description of the
MSS., see under Motets (below, p. 276).
Cantus (I and II) and tenor parts of the following compositions,
probably by G. Gabrieli : —
1. Mass (8 voices), without "Credo"
or " Benedictus." i, ff.8b-12; ii, iii,
ff.8b-ll.
2. "Agnus Dei" (8 voices), i, f. 18b ;
ii, iii, f. 25b.
3. "Et in terra pax," "Benedictus"
and " Pleni sunt cceli " (7 voices).
i, ff . 22b-25b.
4. " Sanctus " and "Agnus Dei"
(? from same Mass as No. 3). ii, iii,
ff . 33b, 34.
5. "Et in terra pax" and "Agnus
Dei." ii, iii, ff . 39b, 40.
Additional 34049, ff 25b-32b.
Paper ; early 17th cent. Oblong octavo. See also under Motets (below, p. 278).
Cantus part of an anonymous Mn s. probably written for 5 voices,
beginning " Et in [terra pax]."
Additional 29246, ff 49b, 56b, etc.
Paper; after 1611. Oblong quarto.
Masses by Dr. Fairfax and [J.] Taverner ; and portions of Masses
by the same, Tallis, Tye, etc. See under Lute Music.
MASSES.
:15
Additional 18936-18939, passim.
Paper; after 1612 (latest known date of compositions contained in the MS.).
Oblong octavo. Belonged in 1670 to "St. Aldus "or "Aldhouse." For other
portions of the MS., see under Anthems (above, p. 8), Magnificat (p. 206), Motets
(below, p. 279), Madrigals, etc.
Portions of Masses, in parts. Nos. 1-19 are for 3 voices, nos.
20-28 for 9 voices, nos. 29-58 for 4, nos. 61-76 for 5.
1. "Benedictus." "[J.] Taverner."
Vols, i, ii, iv, f. 10.
2. "Qui tollis peccata." " Tallys."
i, ii, iv, f. 10b.
3. "Domine Deus." By the same.
i, ii, iv, f. 10b.
4. "Sanctus." " [J.] Taverner." i, ii,
iv, f. 11.
6. "Agnus Dei." "[J.] Shepheard."
i, ii, iv, f. lib.
7. "Et in terra pax." Anonymous,
i, ii, iv, f. 12b.
8. " Laudamus te." Anonymous, i, ii,
iv, f. 13.
9-11. "Christeeleison." Three settings.
" [J.] Taverner." i, ii, iv, f. 13b.
5. Another setting. Anonymous, i, ii, 12. " Osanna in excelsis." By the
iv, f. 11. same, i, ii, iv, f. 14.
Probably all of the following sixty-three numbers (13-75) are by
Toinmaso Lodovico da Vittoria, but only those to which an asterisk is
prefixed are marked with his name (" Victoria ") in the MS.
***13-15. "Benedictus." Three settings.
i, ii, iv, f. 14b.
*16. " Domine Deus." i, ii, iv, f. 15.
***17-19. "Christe eleison." Three
settings, i, ii, iv, ff. 15, 15b.
*20. " Agnus Dei." i, ii, iv, f. 15b.
21. "Kyrie." i, ii, iv, f. 15b.
*22. " Etin terra pax." i, ii, iv, f. 16b.
23. " Qui tollis." i, ii, iv, f. 16b.
*24. "Kyrie." i, ii, iv, f. 16b.
25. " Patrem omnipotentem." i, ii, iv,
f. 7b.
26. " Sanctus." i, ii, iv, f. 18b.
*27. "Agnus Dei" (with canon), i, ii,
iv, f. 18b.
28. "Osanna in excelsis." i, ii, iv, f. 18b.
29. "Agnus Dei." i, ii, iv, f. 20b ;
iii, f . 3b.
*30, *31. "Benedictus." Two settings.
i, ii, iv, f. 25; iii,f. 7.
32. "Benedictus." i, ii, iv, f. 25b;
iii, f. 7b.
*33, *34. " Sanctus." Two settings, i,
ii, iv, f. 25b; iii, f . 7b.
*35, *36. " Domine Deus." Two set-
tings, i, ii, iv, f. 26 ; iii, f. 8.
37. "Quoniam." i, ii, iv, f . 26b ; iii,
f.8b.
*38. "Kyrie." i, ii, iv, f. 26b; iii, f. 8b.
39,40. "Et in terra pax" and "Qui
tollis peccata." i, ii, iv, f. 27; iii,
f.9.
♦41, *42. " Et in terra pax " and "Qui
tollis." i, ii, iv, f.27b; iii, f . 9b.
♦43, *44. "Agnus Dei." Two settings
(with canons), i, ii, iv, f. 28 ; iii, f. 10.
45. "Kyrie eleison." i, ii, iv, f. 28 ;
iii, f. 10.
****46-49. "Christe eleison." Four
settings, i, ii, iv, ff. 28, 28b; iii,
ff . 10, 10b.
*50, *51. "Osanna in excelsis." Two
settings, i, ii, iv, f. 28b ; iii, f. 10b.
*52. "Patrem omnipotentem." i, ii,
iv, f.29; iii, f. 11.
♦53. "Crucifixus." i, ii, iv, f. 29b ; iii,
f.llb.
54,55. "Crucifixus." Two settings.
i, ii, iv, f. 30; iii, f. 12.
56. " Patrem omnipotentem." i, ii, iv,
f.30b; iii, f. 12b.
57,58. " Crucifixus " and " Kyrie." i,
ii, iv, f. 31 ; iii, f. 13.
♦59. Mass (8 voices), i, ii, iv, f. 33b;
iii, 15b.
*60. "Kyrie " (4 voices) i, ii, iv, f. 30 ;
iii, f. 18.
*61. "Osanna in excelsis." i, ii, iv
f.40; iii, f. 22.
***62-64. "Et in terra pax," "Qui
16
•216 VOCAL MUSIC— SACRED.
tollis," and " Osanna in cxcelsis."
i, ii, iv, f. 40b ; iii, f. 22b.
*G5, *GG. " Sanctus " and " Agnus Dei."
i, ii, iv, f. 41; iii, f.23.
*G7. " Et in terra pax." i, ii, iv, f. 41b;
iii, f. 23b.
G8, G9. "Qui tollis peccata" and
" Kyrie." i, ii, iv, f. 41b ; iii, f. 23b.
*70,*71. "Sanctus" and " Patrem
omnipotentem." i, ii, iv, f. 42 ; iii,
f.24.
*72. " Patrem omnipotentem." i, ii,
iv, f . 42b ; iii, f . 24b.
***73-75. "Kyrie." Three settings.
i, ii, iv, ff. 43, 43b ; iii, ff . 25, 25b.
76. "Agnus Dei." " Alphonso [Ferra-
bosco]." i, ii, iv, f. 45 ; iii, f. 27.
Additional 34898, passim.
Paper; about 1628 (f. 33). Small folio. Originally bound up with J. U.
Steigleder's Tabulatur-Buch, Strassburg, 1627. The MS. also contains a Magni-
ficat (above, p. 206), a Miserere (below, p. 244), Motets (p. 283), and Organ solos,
described elsewhere.
Masses, with figured basses, in score ; sc. two without names, for
3 voices, by Vincentius de Tutiis (ff. 16b— 21) and Gio. Vincenzo Zarti
(ft". 21-23, 70-72); and a " Missa. Dixit Dominus," for 6 voices, by
Pietro Lappi (ff. 56b-69b).
Additional 14151, ff. 1-54.
Paper; a.d. 1679, etc. Large octavo. The MS. also contains a Motet
(below, p. 293) and some Passion Music (1721), described elsewhere.
Two masses, with symphoLies and accompaniments for strings, etc.,
in score, by Orazio Beneuoli. Autograph.
1. "Kyrie," "Gloria," and "Credo,"
in Bfr, for 2 choirs of 5 and 4 voices.
f. 1.
2. Mass in C, for 4 voices; "1679."
f.35.
Additional 38234, f. 175b.
Paper ; after 1687 (see f. 172b). Folio. For a description of the MS., see
under Songs.
" Missa a quinque et a novem, authore Jacobo Carissimi. Anno
mdclxvi "; with symphonies for strings, in score. Unfinished from the
" Agnus Dei " (of which the bass only is given) to the end.
Harley 4899, ff. 15-34b.
Paper; about 1697 (in December of which year it belonged to Humfrey
Wanley — see f. 1*). Folio. The MS. also contains a Litany (above, p. 200),
Songs, etc.
Part of a Mass in C, for 3 voices, with accompaniments for strings,
in score, by Giacomo Charissimi. Imperfect, beg. with the words
" [Et in terra] pax hominibus.'
MASSES. 217
Additional 17835, ff. 49-86b.
Paper ; early 18th cent. Folio. For a further description of the MS., see
under Motets (below, p. 294).
" Missa a 5 con ripieni e Sinfonia, Intitolata Sciolto havean dall'
alte Sponde. Del Signr. Jacomo Carissimi," i.e. Mass for 2 choruses,
of 5 and 4 voices, with accompaniments and symphonies for strings, in
score. Some leaves are missing after f. 59, including the end of the
" Kyrie " and the beginning of the " Gloria," and also a leaf after f. 84,
containing part of the " Pleni sunt cceli."
Additional 31458, ff. 6-36.
Paper; early 18th cent. Large folio. The MS. also contains an Anthem
(see above, p. 37).
" Mess a prima," in C, for 5 voices, with accompaniment for
strings, in score. Anonymous. The first leaf is wanting. The Mass
ends with the " Credo."
Additional 31476, ff. 48, 52.
Paper ; early 18th cent. Quarto. See also under Motets (below, p. 336).
The 2nd treble and 1st violin part of a Mass for 5 voices, by
Carmine Giordano. Begins with the " Credo."
Additional 34005, ff. 18-40b.
Paper; early 18th cent. Oblong folio. See also under Requiems (late 18th).
Mass in D minor, for 4 voices, in score, without accompaniment.
Anonymous.
Additional 32389, ff. 1-1 6b.
Paper ; a.d. 1702. Folio. Belonged to Otto Jahn. See also under Cantatas
(above, p. 132).
" Missa Iriidentium," for 5 voices, with symphonies and accom-
paniments for trumpets, trombones, and strings, and a figured bass for
organ, in score, by [Matthias ?] Thalman.
Additional 14334, ff. 3, 41.
Paper ; a.d. 1739, etc. Oblong quarto. Belonged successively to — Giordani,
Dr. Arnold, William Russell, organist of the Foundling Hospital, Rev. W. V.
Fryer, and Vincent Novello. The MS. also contains a Stabat Mater (early 18th
cent.).
Two settings of the " Kyrie " and " Gloria," for 5 voices ; with
accompaniments for oboes, horns, strings, and a figured bass for organ,
in score.
1. Setting with accompaniments for
trumpets, as well as the above-
mentioned instruments. " Leonardo
Leo." "1739." Autograph, f.3.
2. Another. " Nicolo Sabatino."
"1749." f. 41.
218 VOCAL MUSIC- SACRED.
Additional 14188, ff. 1-20.
Paper ; a.d. 1740. Quarto. See also under Motets (below, p. 297).
" Johannis Petri Aloysij Pramestini .... Missa Iste Confessor
Quatuor [et quinque] Vocibus cum Organo superaddito," in parts, the
organ-part consisting of a figured bass.
Additional 14111, ff. 1-57.
Paper; a.d. 1742. Quarto. See also, under Motets (below, p. 320).
The 1st and 2nd violin, violetta, contrabasso, canto solo, canto
terzo, and 2nd alto, tenor, and bass, parts of a " K.yrie " and " Gloria,"
in D, by Francesco Durante, composed in 1742.
Additional 31519, ff. l-20b.
Paper; a.d. 1747 (f. 8). Oblong octavo. The MS. also contains a Motet
(below, p. 328).
Mass in E minor, for 4 voices, with figured bass for organ, in
parts, by Alessandro Scarlatti. Transcribed by an Italian (see f . 6b).
Additional 14132, ff. 48.
Paper ; after 1747. Folio.
Mass for 4 voices, with symphonies and accompaniments for strings,
etc., and a figured bass for organ, in score, by Nicola Porpora.
Composed in 1747. The " Kyrie " and " Gloria" are in C ; the other
movements in F.
Additional 14106, ff. 1, 71.
Paper ; a.d. 1749, etc. Oblong quarto. The MS. also contains a Litany
(see above, p. 201), Motets (below, p. 320), and a sacred Song of the 18th century.
Two short Masses (" Kyrie " and " Gloria ") for 5 voices, with
symphonies and accompaniments for oboes (or trumpets) and strings,
and a figured bass for organ, in score, by Francesco Durante. Auto-
graph,
1. In D. f. 1. I "1749." f. 71.
2. " In Afflictionis tempore," in P. |
Additional 14102, ff. 1-84.
Paper; a.d. 1753. Folio. See also under Motets (p. 320).
Short Mass (" Kyrie " and " Gloria ") in A, for 2 choirs (of 5 and
3 voices), with symphonies and accompaniments for trumpets, oboes,
and strings, and a figured bass for organ, in score, by Francesco
Durante. Autograph.
MASSES.
219
Additional 5036, ff. 77, 81.
Paper; before 17G0. Quarto. For a further description of the MS., see
under Motets (below, p. 303).
Two fragments of Masses for 6 voices in score, by Andrea
Pevernagio, transcribed from a MS. at Christ Church, Oxford, by
Henry Needier (d. 1760).
1. "Kyrie." f . 77.
2. Another setting of the same words,
followed by " Sanctus" and " Agnus
Dei." £.81.
Additional 5037, ff. 137-143b.
Paper; before 1760. Quarto. The MS. also contains Motets (below, p. 304).
Fragments for 3 voices (unless the contrary is stated), from Masses
by Palestrina. In the same hand.
1. " Domino, Fili," " Benedictus qui
venit," and " Et resurrexit tertia
die," from the " Missa Primi Toni,"
otherwise known as " Io mi son
giovinetta " (according to Baini).
ff. 137, 139, 140.
2. "Pleni sunt cceli," from " Missa ad
fugam." f. 138.
3. The same and " Benedictus " from
" Missa, Gabriel Archangelus."
f. 141.
4. "Crucifixus" and "Benedictus"
(2 voices), ff. 143, 143b.
Additional 5038, ff. 70-78.
Paper ; before 17G0. Quarto. The MS. also contains Motets (below, p. 305).
" Messa in canone " ; consisting of " Kyrie," " Gloria " and
" Credo," for 4 voices, in score, apparently by Palestrina. In the same
hand.
Additional 5040.
Paper; ff.G8. Before 17G0. Quarto. For a further description of the
contents of the MS., see Add. 503G, described under Motets (below, p. 303).
" Messe A Quattro Voci .... Con il Basso Continuo per
l'organo di novo diligentemente corretta Da Francesco Gannini. In
Roma, Per il Mascardi, 1689." In score. In the same hand. The
four Masses were published together in 1635. The first three are
by Palestrina.
1. " Messa di Papa Marcello," reduced
to 4 voices by " Gio. Francesco
Anerio." f. 3.
2. " Missa, Iste confessor," with
" Benedictus " for 3 voices, and
" Agnus Dei " for 5 voices, f. 19.
3. " Missa sine nomine " (see also
Add. 14149, f. 1). The " Agnus Dei "
is for 7 voices, the cantus, altus,
and tenor parts being each followed
by a Resolutio. Apparently un-
published, f . 34b.
4. " Messa della Battaglia," with
"Benedictus" for 3 voices. " [Gio-
vanni] Franc. Anerio." f. 55b.
220 VOCAL MUSIC- SACRED.
Additional 5041.
Paper ; ff . 146. Before 1760. Quarto.
Masses, in score, by Abbate Domenico Dal Pane, op. v ; published
at Rome, in 1687. In the same hand.
Additional 5044, ff. 107-1 55b.
Paper ; before 1760. Quarto. Bookplate of James Mathias. The MS. also
contains Motets (below, p. 305), a Song (sacred), and a Stabat Mater.
A short Mass in D, consisting of a " Kyrie " and the famous
" Gloria in excelsis," for 5 voices, with symphonies and accompaniments
for oboes, horns, and strings, and a figured bass for organ in score,
by Giovanni Battista Pergolesi (d. 1736). Said to be his last work,
composed in 1737(!). Published in Latrobe. In the same hand.
Additional 5045.
Paper ; ff . 124. Before 1760. Quarto.
" Joannis Petri Loysij Pnenestini .... Missarum Liber Primus
.... 1572. (The 1st edition appeared in 1554.) In the same hand.
They are for 4 voices (except the last, which is for 5 voices), and in
score.
Additional 5046, ff. 8-117.
Paper ; before 1760. Quarto. The MS. also contains Motets (below, p. 306)
and a Requiem, described elsewhere.
"Edvardi Lupi [i.e. Lopez] Lusitani Civis Olisiponensis, in
Metropolitana ejusdem urbis Ecclesia Beneficiarij et Musices prsefecti.
Liber Missarum .... Antverpise . . . . 1621," with a copy of the
original dedication prefixed, in which the composer styles himself
" archiphonascus." In score. In the same hand. Nos. 1-4 are for
4 voices, with a 5th voice, and in no. 2 a 6th, introduced in the
" Agnus Dei."
1. " De Beata Virgine." f. 8.
2. " Sancta Maria." f. 20.
3. " Dicebat Jesus." f. 31b.
4. " Valde Honorandus est." f. 42b.
5. " Elisabeth Zachariae " (5 voices).
f . 54b.
6. " Veni Domine " (6 voices), f. 71b.
7. " Cantate Domino" (2 choirs of 4
voices each), f . 90.
Additional 5047, ff 5-1 72b.
Paper; before 1760. Quarto. Bookplate of James Mathias. The MS. also
contains a Requiem, described elsewhere.
" Liber Missarum . . . Thomas Ludovicus a Victoria . . . Roma?
Apud Alexandrum Gardanum. 1583," with a copy of the original
dedication to Philip II. prefixed. In score. In the same
hand. Unless the contrary is stated, they are for 4 voices. In
MASSES. 221
nos. 4, 5, 7, 8, an additional voice has been introduced in the " Agnus
Dei " ; in nos. 1 and 6 there are 2 additional voices ; and in no. 3
there are 4.
1. " Quam pulchri sunt." f. 5.
2. " 0 quam Gloriosum est Regnum."
f.23.
3. " Simile est Regnum Ccelorum."
f.35.
4. " Ave, Mari[s] steUa." f. 51b.
5. " Surge, Propera" (5 voices), f. 69.
6. " De Beata Maria Virgine " (5 voices),
f . 94b.
7. "Dum complerentur " (6 voices),
f. 120b.
8. "Gaudeamus" (6 voices), f. 146b.
Additional 5054, ff. 70, 102.
Paper ; before 1760. Quarto. For a further description of the MS., see above,
p. 68.
Portions of Masses, in score. In the same hand.
1. " Crucifixus," for 4 voices, from the 2. " Kyrie," for 2 choirs of 4 and 5
" Credo " of the 6-part Mass, " Gau- j voices, from the Mass, " Corre la Nave
deamus." " Ludovico a Victoria." j mia"; with a figured bass for the
f. 70. organ. " Silvestro Durante." f . 102.
Additional 31661.
Paper ; ff. 101. a.d. 1765 (?). Folio. Presented by the transcriber in 1804 to
Dr. William Crotch, who has added some notes on the composer and his music at
the beginning.
" Kyrie " and " Gloria " in F, for 2 choirs of 5 voices each, with
symphonies and accompaniments for oboes, horns, trumpets, and
strings, and basses for 2 organs^ in score, by Gio[vanni] Batt[ist]a
Pergolesi, as sung at the church of S. Lorenzo in Lucina, at Rome.
Transcribed by J. Malchair, of Cologne, and afterwards of Oxford,
apparently in 1765 (see ff. lb, 2).
Additional 14398, ff. 130-131b.
Paper ; a.d. 1770. Quarto. For a further description of the MS., see under
Motets (below, p. 310).
" Kyrie," from the Mass " L' oinme Anue," by Jotlocus Pratensis,
alias Josquin [des Pres], published by O. Petrucci.
Additional 11581, passim.
Paper ; about 1780. Quarto. For a further description of the MS., see
above, p. 71.
Portions of Masses, for 4 voices (unless the contrary is stated), in
score, transcribed by Dr. Charles Burney.
1. " Messa chiamata L' Homme arme, of the " Kyrie, eleison," " Gloria in
del Palestrina, messa in partitura dal Excelsis," "Osanna," and "Agnus
Zacconi," for 5 voices. It consists Dei." f. 14b.
222
VOCAL MUSIC— SACRED.
.2. " Et vitam venturi," from the
"Credo" of a Mass. "Ant. Fevin
or Feum." Printed in 1515. f. 22.
3. Portions of the Mass," Pater Patris,"
consisting of " Pleni sunt coeli," for
2 voices ; " Osanna," " Benedictus,"
for 2 voices; and "Agnus Dei," for
4, 2, and 5 voices. "Josquin [des
Pres]." f.22b.
4. First movement of Mass " La, Sol,
fa, re, mi." By the same. f. 27b.
" Kyrie," for 4 voices, and frag-
ments of the " Benedictus " and
" Agnus Dei," set as 2-part Canons.
From the " Missa super Gaudeamus."
By the same. f. 29.
. "Kyrie" and "Qui Tollis." From
the Mass " Per Fortuna desperata."
By the same. f. 31.
Additional 31222, £. 2b.
Paper ; about 1780. Oblong quarto. For a further description of the MS.,
see under Motets (below, p. 312).
" Kyrie," for 4 voices, with a bass for organ, in score, intended for
a Mass, " De Sancta Cruce," by Samuel Wesley. Autograph.
Additional 11582, fl'. 2b, 12-59 passim, and 95.
Paper ; before 1782 (see below). Quarto. The MS. also contains Madrigals,
sacred Motets (below, p. 312), secular Motets, a Miserere (p. 246), and a Stabat
Mater.
Masses, or portions of Masses, for 4 voices (unless the contrary is
stated), scored by Dr. Charles Burney. Some of them appear in
vol. ii of his History of Music, 1782. The names of the Masses and
of their composers are : —
1. " L' Ommo Arme." "Josquin [des
Pres]." There are 3 settings of the
" Agnus Dei," the melody to the last
of which is taken from the air, " Cla-
ma, ne cesses." From Liber Primus
Missamm Josquini. ff. 2b-llb.
2-4. Part of the Kyries in the same
composer's Masses, " La, sol, fa, re,
mi," " Gaudeamus," and " Fortuna
Desperata." From the same work.
f. 12.
5. " Kyrie," "Et incamatus," " Sanc-
tus," "Pleni sunt coeli," "Osanna,"
and " Benedictus," in the Mass,
" Faysans regres." From Book iii of
the same work. ff. 12b-15.
6. "Pleni sunt [coeli]," and "Agnus
Dei" (3 voices), in the Mass, "Ad
Fugam." From the same. ff. 15b,
16b.
7. "Kyrie," " Sanctus," and "Bene-
dictus " (2 voices), in the Mass, " Di
dadi supra naragie." From the same,
ff. 17, 17b.
8. " De beata Virgine " (4 and 5 voices).
There are 3 settings of the " Agnus
Dei," the second for 2 voices, and the
third for 5 voices, to the air, " Vous
jeuneres." From the same. ff. 18-
25.
9. " Missa Sine Nomine." From the
same, ff . 25b-31b.
The four following (nos. 10-13) are from the Misse Petri de la Rue,
1503 ; nos. 14-16 were published in 1513 :—
12. " Kyrie," " Gloria," "Benedictus"
10. "Kyrie," "Gloria," "Sanctus,"
and " Benedictus," from the " Missa
Beate Virginis." ff. 32b-34b.
11. " Kyrie," " Gloria," part of " Credo,"
and " Sanctus," from " Puer natus."
ff. 34b-37b.
(2 voices), and "Agnus Dei," from
" Missa Sexti ut, fa." ff. 38-40.
13. "Kyrie," from " Nunqua fue."
ff. 40b, 41.
14. " Kyrie," " Gloria," and "Credo,"
MASSES.
223
from " Sancta Trinitas." " Antonius duced in a Mass by — Pierzon [? de
de Fevin, seu Peum." ff. 41b-44. la Rue], f. 44.
15. A few notes of the melody which 17. " Kyrie " and " Gloria" of a Mass,
gives its name to the Mass, " Le vi- "Sine Nomine." " Joannes Mouton."
layn jaloys." " Robertus de Fevin." From Book i of his Masses, published
f.44. in 1515. ff. 45-4Gb.
16. A few notes of the melody intro-
The remaining numbers are from a collection of Masses published
in 1508 :—
18. "Kyrie," "Gloria," and part of
" Credo," from " Si dedero." " Ja-
cobus Obreth, seu Obrecht." ff . 47b-
51b.
19. "Kyrie," and parts of "Gloria"
and "Credo," from " Messa de
Franza." "Philippus Basiron." ff. 52,
53.
20. " Missa De Dringis." " Antonius
Brumel." ff. 53b-58.
21. Part of "Credo," from the Mass,
"N'astupas." " Gaspar." ff . 58b,
59.
22. " Christe.eleison" [from a Mass?].
" Petrus Platensis." f. 95.
Additional 11585, ff. 38, 44.
Paper ; before 1782. Oblong quarto. For a description of the MS., see under
Motets (below, p. 314).
" Pleni sunt cceli " (2 voices) and " Agnus Dei " (3 vuices), from
the Mass " Hercules," by Jodocus Pratensis. From Glarean.
Additional 11586, ff. 18b-28.
Paper ; before 1782. Oblong folio. For a further description of the MS., see
above, p. 71.
Extracts from Masses, made by Dr. Burney, in score.
Fayifax." f. 21b.
3. " [Pleni sunt cceli] Gloria tua"
(verse, for 3 voices), from a Mass.
1. "Et in terra pax," "Pleni sunt
coeli," and " Benedictus," from the
Mass, " Per arma justitiae " (5 voices).
"John Marbeck" (apparently copied
from the MS. at Corpus Christi Col-
lege, Oxford), f. 18b.
2. " Gloria in excelsis," from the Mass,
"Albanus" (5 voices). "Doctor
By the same. f. 26b.
4. "Qui tollis peccata," "[Pleni sunt
coeli] Gloria tua," and " Benedictus,"
from the Mass, "O Michael" (4
voices). "Taverner." ff . 26b-28.
Additional 11587, ff. 2-17.
Paper; before 1782 (see below). Oblong quarto. For a further description
of the MS., see above, p. 72.
Fragments of Masses, in score, in the hand of Dr. Charles
Burney : —
1. "Visibiiium omnium" and "Et in
terra pax" (6 voices), from the Mass,
" Gloria tibi, Trinitas." " Johannes
Taverner." Copied " from the Oxford
Music-School set of Books, which
.... belonged tc the Chapel lloyal
in the time of Henry VII." ff. 2, 3.
2. Part of the Mass, " Euge, bone."
from the "Et in terra pax" to the
end. " Dr. Tye." (Inserted in Bur-
ney's History of Music, vol. ii, 1782).
f.7b.
224 VOCAL MUSIC -SACRED.
Additional 35000.
Paper ; ff . 234. a.d. 1784. Quarto.
" Missa de Spiritu Sancto," in C, by S[amuel] Wesley. Autograph.
Written for solo voices and chorus, with symphonies and accompani-
ments for strings, oboes, horns, trumpets, and drums, in full score.
The date at the end is May 22, 1784, in which year the Mass was
presented to Pope Pius VI.
Additional 14155.
Paper ; ft*. 87. a.d. 1786. Oblong quarto.
Mass in C (" Kyrie" and " Gloria"), for 5 voices, with symphonies
and accompaniments for oboes, trumpets, and strings, and a figured
bass for organ, in score, by [Pasquale] Cafaro. Autograph.
Additional 6324, ff. 145-1 46b.
Paper ; after 1789 (see f. 145). Folio. The MS. also contains Services,
described elsewhere.
" Sanctus," for 6 voices, in score, from the " Mass of Pope Mar-
cellus." By Joannes Petrus Aloysius Prsenestinus [i.e. Palestrina].
Additional 34007, ff. 33-37.
Paper ; a.d. 1789. Oblong folio. The MS. also contains Songs (1804).
" Missa in Duplicibus " — the plainsong with figured bass, in score,
by S[amuel] Wesley. Autograph.
Additional 31725.
Paper ; ff. 80. a.d. 1796 (or 1790). Oblong folio.
" Kyrie " and " Gloria," in P>|?, for treble solo and 4-part chorus,
with symphonies and accompaniments for oboes, clarinets, bassoons,
horns, and strings, and a figured bass for organ, in score, by Giovanni
Paisiello. Composed for the monasteiy of SS. Severinus and Sossius
at Naples. Autograph, with the exception of the " Qui tollis peccata,"
supplied in a later hand by the then owner, who had sent the original
of that movement to Luigi Fuchs, the Viennese collector of music.
Egerton 2468, ff. 35b-58 passim.
Paper ; 18th cent. Oblong folio. The MS. also contains a Miserere (below,
p. 247), Motets (p. 319), etc.
Massks, or fragments of Masses, in score, written, unless the
contrary is stated, for 4 voices and unaccompanied.
1. " Agnus Dei," in G minor. Anony- I 2. " Kyrie della Messa della Muta-
mous. f. 35b. zione." "John Joseph Feux" [i.e.
MASSES.
225
Fux], taken from his Gradus ad Par-
nassuvi, where it is called " Missa
vicissitudinis." f. 37.
3. " Kyrio." By the same. From the
Mass, " In fletu solatium " (quoted in
the same work), f. 43.
4. " Kyrie," for 5 voices, with a figured
bass. " Gulielmus Mossaus, 1633 " ;
from the Mass " Sonna (sic) Scendisti
in Terra." In a later hand than no. 3.
f. 47.
Additional 14105, ff. 1-55.
Paper ; 18th cent. Oblong quarto. See also under Litanies (above, p. 201).
Shout Mass in A, consisting of " Kyrie " and " Gloria," for 4 voices,
with symphonies and accompaniments for strings, and a figured bass
for organ, in score, by [Francesco] Durante. Autograph.
Additional 14107, ff. l-39b.
Paper; 18th cent. Oblong quarto. See also under Motets (below, p. 297).
A short Mass, consisting of "Kyrie" and ''Gloria," "a Prames-
tina " [i.e. alia Palestrina], in D minor, for 4 voices, in score, without
accompaniment, by Francesco Durante.
Additional 14134, ff. 53-1 67b.
Paper; 18th cent. Quarto. See also undei Motets (below, p. 321).
" Kyrie " and "Gloria" in F, for 2 choirs of 4 voices each, with
symphonies ami accompaniments for oboes, trumpets, and strings, and
figured basses for organ, in score, by Giovanni Battista Pergolesi.
Additional 14158, ff 105-1 65b.
Paper; 18th cent. Oblong quarto. Sec also under sacred Songs (late 18th
cent.).
" Kyrie" and "Gloria," for 5 voices, with symphonies and accom-
paniments for oboes, horns, strings, and organ, in score, by Seppo [i.e.
Giuseppe] de Majo. Autograph.
Additional 14198, ff. 21-68.
Paper ; 18th cent. Oblong folio. The MS. also contains a Motet (below, p. 344).
" Kyrie " in P>|? and " Gloria " in G, for 4 voices, with accompani-
ments for strings and a figured bass for organ, in score. The " Gloria " is
preceded by a symphony in which oboes and horns are also introduced
Anonymous.
Additional 14400.
Paper ; ff . 121. 18th cent. Oblong quarto.
Mass in A, consisting of " Kyrie," " Gloria," and " Credo," for 4
voices, with symphonies and accompaniments for strings, and a figured
bass for organ, in score, by Giovanni Porta.
226 VOCAL MUSIC— SACRED.
Additional 24296, ff. 9-73.
Paper ; 18th cent. Oblong quarto. Belonged to Dr. Henry John Gauntlctt.
The MS. also contains Motets (below, p. 322).
Mass in F, for 2 choirs of 4 voices each, with symphonies and
accompaniments for oboes, trumpets, and strings, and a figured bass
for organ, in score, by Carlo Cotumacci. Autograph. It consists (if
" Kyrie " and " Gloria " only.
Additional 24297, ff. 1-40.
Paper ; 18th cent. Oblong folio. See also under Operas.
"Kyrie" and "Gloria" in G minor; for 4 voices, with symphonies
and accompaniments for strings, etc., and a figured bass for organ, in
score, by Antonio Lotti.
Additional 29382, f. 19 ; 29384, f. 17b; 29385, f. 16b.
Paper ; ISth cent. Narrow oblong duodecimo. For a further description of
the MSS., sec under Motets (below, p. 323).
Mass for canto, tenor, and bass voices, in parts, by \V[illiam] Byrd.
Additional 31226, ff. 62b-65.
Paper ; 18tb cent. Oblong quarto. The MS. also contains Anthems (above,
p. 85), and Cantatas (secular), described elsewhere.
" Kyuik," from a Mass in A minor, for 6 voices, in score, by [John]
Sheppard.
Additional 31307, ff 62-77.
Paper; 18th cent. Folio. Belonged to — Biichncr. The MS. also contains
a secular Cantata (178G) and some instrumental music, described elsewhere.
" Kyrik " and " Gloria " in C, for 4 voices, with symphonies and
accompaniments for trumpets, drums, horns, oboes, bassoon, and strings,
and a figured bass for organ, in score, by [Heinrich] Stolzel.
Additional 31395, ft". 3, 28, 33.
Paper; 18th cent. Oblong folio. The MS. also contains a Miserere (below,
p. 249), and a Motet (below, p. 335).
The " Kyuik " and " Gloria " of three Masses, in score.
1. Mass for 4 voices, by " Prenestini "
[i.e. Palestrina] ; transcribed at
Naples in the first half of the 18th
century, f. 3.
2, 3. Two Masses, " Si Deus pro nobis "
and " In diluvio aquarum," for 1G
voices, by " Orazio Benevoli, Maestro
della Patriarchale Vaticana"; tran-
scribed about the end of the 18th
century, ff. 28, 33.
MASSES. 227
Additional 31469, 31470.
Paper; ff. 25, 19. 18th cent. Quarto and folio.
Two MASSES for 4 voices, with symphonies and accompaniments for
strings, and a figured bass for organ, in score, by Allessandro Grancli.
They both end with the "Credo."'
31469. 1. In G, [1G19]. | 31470. 2. In D, op. 3, Bologna.
Additional 31471, ff. 13b, 60b, 92b, 119b.
Paper ; 18th cent. Oblong folio. The MS. also contains Canons (above, p. 123).
Transcript of " Motecta Et Missa? Octonis et Duodenis Vocibus
cum Basso Ad Organum Avctore Vincentio Voglino [i.e. Ugolini]
Pervsino . . . Vaticanre Cappelhe Magistro. Liber Secundus. Roma?.
. . - m.d.C.xxii." The Motets are described separately. Tlie Masses
(with the exception of no. 1) are named after the Motets which
precede them (see f. 1-1 lb). They are written for 2 or 3 choirs of 4
voices each.
Additional 31478, ff. 1-30.
Paper ; 18th cent. Oblong folio. Sec also above, p. 208.
Mass in C minor, for 2 choirs of f» and 4 voices, with accompaniments
for strings, and a figured bass for organ, in score, by Giacomo
Carissimi.
Additional 31484.
Paper ; ff. 107. 18th cent. Oblong quarto. Belonged successively to John
Keeble, organist of St. George's, Hanover Square ; his daughter, Mrs. Hamilton ;
Dr. Thomas Bcever (bookplate, 1787-1798) ; C. B. Wollaston, of the Inner
Temple ; and William Charlton Frampton (bookplate).
" MisSjE Plenae Octo Vocmn cum Uno, vel Duobus Organis," in
score, by Giovanni Paolo Colonna.
1. In G minor, f. 2.
2. In A minor, f. 1Gb.
3. In C minor, f. 36.
4. In G. f . 66.
Additional 31610, ff. 1-68.
Paper ; 18th cent. Oblong folio. Sec also under Motets (below, p. 328).
Mass, consisting of " Kyrie " and " Gloria," in G ; for 5 voices, with
accompaniments for trumpets, oboes, flutes, horns, and strings, and a
figured bass for organ, in score, by Francesco Durante. Autograph (?).
228 VOCAL MUSIC- SACRED.
Additional 31614, ff. 75-154.
Paper ; 18th cent. Oblong quarto. Belonged to Joseph Warren and to
G. L. Benson, of Salisbury. The MS. also contains a Litany (above, p. 201). a
Miserere (below, p. 247), and a Motet (p. 329).
Short Mass, consisting of " Kyrie " and " Gloria " ; for 4 voices,
with symphonies and accompaniments for oboes, trumpets, bassoons,
strings, and organ, in score, by Giambattista Fenoglio. Autograph.
Additional 31637, ff. 27-73b.
Paper; 18th cent. Oblong folio. The MS. also contains numbers from
Operas, Songs (secular), etc., described elsewhere.
Mass in C, for 4 voices, with symphonies and accompaniments for
oboes and strings, in score, by Francesco Feo. It consists of " Kyrie "
and " Gloria " only.
Additional 31702, ff. 10-2 lb.
Paper ; 18th cent. Folio.
" Kyrie" from a Mass in D, for 5 voices, with strings and a figured
bass for organ, in score, by B'1 Clark or Clack.
Additional 32141, ff. 1-2 2b.
Paper ; 18th cent. Folio. Bookplate of Otto Jahn. The MS. also contains
Motet (below, p. 297).
Mass in D, with symphonies and accompaniments for trumpets,
kettledrum, horns, oboes, and strings, in score, by [J. D.j Zelenka. It
ends with the " Sanctus."
Additional 32394, ff. 24-48.
Paper ; 18th cent. Folio. The MS. contains another Mass (below, p. 239) and
a Song (19th cent.).
" Kyrie " and " Gloria" in Bt? ; for 4 voices, with symphonies and
accompaniments for oboes, horns, strings, harpsichord, and organ, in
parts, by [Karl Heinrich] Graun. In a German hand (? that of —
Korner, see f. 24).
Additional 14138, ff. 54-1 05b.
Paper ; lato 18th cont. Oblong folio. The MS. also contains a Requiem.
Mass in D, for 4 voices, with symphonies and accompaniments for
oboes, horns, and strings, and a figured bass for organ, in score ;
composed for the opening of the new Ducal Chapel at Wittemberg, in
1766, by Nicolo Jommelli.
MASSES. 229
Additional 14149, ff. 1, 15, 56.
Paper; late 18th cent. Oblong quarto. See also under Motets (below, p. 333).
Masses, in score, by Pier Luigi Palestrina.
2. " Laudate Dominum " (8 voices).
f.15.
3. " Dilexi quoniam " (5 voices), f. 5G.
1. ["Sine nomine"] (4 voices). In
the 4th mode. (See also Add. 5040,
f. 34b. above, p. 219). f. 1.
Additional 31220.
Paper ; ff. 155. Late 18th cent. Duodecimo.
Mass (" Kyrie " and " Gloria ") in C ; for 4 voices, with symphonies
and accompaniments for horns, oboes, and strings, and a figured bass
for organ, in score, by Pasquale Anfossi.
Additional 31400, ff. 28, 46.
Paper; late 18th cent. Quarto. Belonged to Joseph Warren. The MS.
also contains a Miserere (below, p. 246).
Two Masses for 4 voices, in score, by Thomas Ludovicus de
Victoria.
1. " Quam pulchri sunt." The "Agnus
Dei " is for 5 and G voices, f . 28.
2. "O quam gloriosum est Regnum "
[1583]. f. 46.
Additional 31670, ff. 50-59b.
Paper ; late 18th cent. Oblong folio. The MS. also contains Anthems (above,
p. 92).
"Anthem Mass" (short), for 4 voices, in score, by S[amuel] Webbe
[senior].
Additional 32034.
Paper ; ff . 92. Late 18th cent. Quarto. Belonged to Miss — Hudson.
" Kyrie " and " Gloria " in D, for solo voices and 4-part chorus,
with symphonies and accompaniments for trumpets, oboes, and strings,
and a figured bass for organ, in score, by [Domenico Francesco?]
Negri (see Add. 5048, below, p. 306).
Additional 32393, ff 15-67.
Paper ; late 18th cent. Oblong folio. From the library of Otto Jahn. See
also under Motets (below, p. 337).
Mass in D minor for 4 voices, with symphonies and accompaniments
for oboes and strings, and a figured bass for organ, in score, by [J. A.]
Hasse. The original MS. is at Dresden.
230 VOCAL MUSIC— SACRED.
Additional 32399, ff. 1-H7b.
Paper; late 18th cent. Oblong folio. The MS. also contains a Te Deuni,
described elsewhere.
"Messa solenne in C," for 4 voices, with symphonies and accom-
paniments for oboes, flutes, bassoons, horns, trumpets, trombones,
drums, strings, and organ, in score ; and additional bassoon and trom-
bone parts at the end. By Wenceslao Pichl.
Additional 35024, f. 16.
Paper ; late 18th cent. Oblong folio. See also above, p. 93.
"Credo" for 3 voices, in score; said by V. Novello to be "a very
early composition by Samuel Wesley," in whose hand it appears to be,
but the name at the end seems to point to [Pietro] Guglielmi as the
composer.
Additional 36874.
Paper ; ff. 98. Late 18th cent. Quarto. Presented by Richard A. Strea't-
feild, Esq.
Mass in D, for 5 voices, with symphonies and accompaniments for
oboes, horns, and strings, and a figured bass for harpsichord, in score,
by Giovanni Battista Pergolesi. Transcribed by the Rev. Charles
Hayward, who gave it to his wife, Francessa (sic).
Additional 14189, f. 123.
Paper ; 18th-19th cent. Oblong quarto. The MS. also contains a Canon
(secular), a Miserere (below, p. 249), Motets (below, p. 338), sacred Songs, etc.
Mass for 2 tenors and bass, with a bass for the organ, in score, by
Pjadre?] M[artino?] Martini.
Additional 14195, ff. l-59b.
Paper ; 18th-19th cent. Oblong quarto. The MS. also contains a Miserere
(below, p. 249).
Portions of Masses, with symphonies and accompaniments for
strings and a bass for organ, in score, by Giacomo Antonio Perti. In
the hand of G. Sieismondo.
1. "Kyrie," for 5 voices; followed by
"Gloria," for 2 choirs of 4 voices
each. In F. ff. 1, 14.
2. "Credo" for 4 voices, in A minor,
f. 42.
Additional 31761, ff. 24b-63.
Paper; lSth-19th cent. Oblong octavo. Belonged apparently to CheruLini.
The MS. also contains Motets (below, p. 339).
"Kyrie" in E minor, for solo voices and 4-part chorus, with
symphonies and accompaniments for flutes, oboes, clarinets, bassoons,
MASSES. 231
horns, trombones, trumpets, drums, strings, and organ, in score,
apparently by Giovanni Simone Mayr. Autograph.
Additional 32183, ff. 106-153.
Paper ; 18th-19th cent. Oblong folio. The MS. belonged to J. N. Hummel.
It also contains a Cantata (secular), numbers from Operas, etc., described
elsewhere.
Mass in E[7, for 4 voices, with symphonies and accompaniments for
oboes, trumpets, drums, bassoons, and strings, and a figured bass for
organ, in score, by Giorgio Lickl.
Additional 32398, ff. 1-12.
Paper ; 18th-19th cent. Octavo. The MS. also contains Motets (below, p. 338).
"KvRiE"and "Gloria" in G, for 2 voices, with figured bass for
organ, in score, by Antonio Conforti, " Maestro di Cappella del la
Metropolitana di Fermo."
Additional 32432, ff. 1-14.
Paper; 18th-19th cent. Oblong folio. Presented by Ferdinand Schubert, in
1824, to Ambros Rieder. See also under Stabat Mater (19th cent.).
" Messa Canonica. Cioe Tutta in Canone," for 4 voices, in score,
without accompaniment, composed by Giovanni Giuseppe Fux, in 1718.
Additional 14109, ff. 111-174.
Paper; early 19th cent. Oblong quarto. See also under Motets (below, p. 312).
Short Mass ("Kyrie" and "Gloria") in D, for 4 voices, with
symphonies and accompaniments for oboes, trumpets, and strings, and
a figured bass for organ, in score, by Francesco Durante.
Additional 14139, ff. 1-7G.
Paper ; early 19th cent. Oblong quarto. See also under Miserere (below, p. 250).
" Kyrie " and " Gloria " in F, for 2 trebles and 2 altos, with
accompaniments for oboes and strings, and a figured bass for the organ,
in score, written by Nicolo Jommelli, in 1745, for the Conservatoire
at Venice.
Additional 14150.
Paper ; ff. 49. Early 19th cent. Folio.
Mass in A minor, for 1G voices, with a basso continuo, in score, by
Orazio Benevoli.
17
232 VOCAL MUSIC— SACRED.
Additional 14161, ff. 56-85b.
Paper ; early 19th cent. Oblong quarto. See also above, p. 209.
"Credo," " Sanctus," " Benedictus," and "Agnus Dei," in C, for
5 voices with strings and figured bass for organ, in score, by Nicolo
Pago, " detto Tarantino." In the hand of F. Santini.
Additional 14166, ff. 44b-68.
Paper ; early 19th cent. Oblong quarto. See also under Motets (below, p. 343).
Mass for 4 voices, in score, " alia Palest[r]ina," composed by
[Alessandro ?] Scarlatti in 1710. In the hand of G. Sigismondo.
Begins with the " Gloria in Excelsis " and ends with the " Hosanna in
Excelsis."
Additional 14174, ff. 21b, 75.
Paper; early 19th cent. Oblong quarto. The MS. also contains Motets
(below, p. 349).
Masses for several voices, with figured bass for organ, in score, by
Pasquale Anfossi. In the hand of the Abbate Fortunato Santini.
1. "Kyrie" and "Gloria," in B? and I f.21b.
D, for 2 choirs of 4 voices each. | 2. Mass in D, for 4 voices, f. 75.
Additional 14176.
Paper ; ff . 113. Early 19th cent. Quarto.
" Kyrie " and " Gloria " in C minor, for 4 voices, with symphonies
and accompaniments for trumpets, horns, oboes, and strings, in score,
by Antonio Lotti.
Additional 14177, ff. 1, 62.
Paper; early 19th cent. Oblong quarto. Tbe MS. also contains a Miserere
(below, p. 250) and a Motet (below, p. 344).
Portions of Masses for 4 to 9 (or 10) voices, with accompani-
ments for strings, etc., in score, by the same. In the hand of
G. Sigismondo.
1. "Credo," in D minor, f. 1.
2. " Gloria in Excelsis," in C, with
accompaniments for trumpets, oboes,
bombardon or bassoon, and figured
bass for the organ, etc. f. 62.
Additional 24289.
Paper ; ff. 204. Early 19th cent. Folio. Belonged to Dr. Henry John
Gauntlett.
"Kyrie" in F and "(iloria" in C, for 2 choirs of 4 voices each,
with symphonies and accompaniments for oboes, horns, trumpets, and
MASSES. 233
strings, and basses for 2 organs, in score, by Angiolo Tarchi. Tran-
scribed at Rome (see f. 1).
Additional 31818, f. 27.
Paper ; early 19th cent. Oblong folio. For a fuller description of the MS.,
see above, p. 95.
" Christe, Eleison," from a Mass, in score, by Francesco Turini,
1643. A note in the hand of the transcriber, R. J. S. Stevens, says
" Handel adopted."
Additional 33310, ff. 84b-88.
Paper ; early 19th cent. Oblong folio. See also under Songs.
" Gloria in excelsis Deo " ; for 4 voices with pianoforte accom-
paniment, in score, apparently by John Fane, Lord Burghersh,
afterwards (1844-1859) 11th Earl of Westmorland.
Additional 34804, ff. 13-1 9b.
Paper ; early 19th cent. Oblong folio. See also under Songs (1820-4).
Part of a Mass in C, for 4 voices, with accompaniment for piano-
forte or organ, which is evidently compressed from an orchestral
accompaniment (see f. 16). In score, apparently by John Lodge
Ellerton, in whose hand it is. The first part (as far as the " Cruci-
fixus") is lost, and also the latter part of the "Agnus Dei."
Additional 31522.
Vellum; ff. 108. a.d. 1800 (f. 99b). Large folio.
" Misas del M. R, P. F. Martin Francisco de Cruzelaegui Religioso
Francisc[a]no " (called " Franco del Nino Jesus " on f. 99b).
The Masses are six in number and are written in the ecclesiastical
modes, the only harmonized portions being the " Et incarnatus," to
which a 2nd part (generally in thirds) has been added on the opposite
page in the same hand as the body of the MS.
Additional 31711.
Paper; ff . 57. After 1802 (see f. 1). Oblong folio. Belonged to Fr[iedrich
von?] Amerling [the painter?] in 1865.
" Messa Solenne in D [minore] per Soprano vivo, Alto, Tenore,
Basso, et quatro Voci concertanti ripienni, Violino primo, et Secondo,
Viola da Braccio obligato, due oboe, Fagotto, flauto, Clarino Principals,
due Clarini, Timpani, Violoncello Obligato, et Violone con Organo " ;
in full score, by Joseph Haydn, 1798. In the hand of his amanuensis,
Johannes Elssler. Signed by the composer.
234 VOCAL MUSIC— SACRED.
Additional 32186.
Paper ; ff. 174. a.d. 1804, 1808. Oblong folio.
" Miss,e solemnes " (two in number) for 4 voices (solo and chorus),
with symphonies and accompaniments for flutes, oboes, clarinets, horns,
trumpets, drums, bassoons, and strings, and a figured bass for organ,
in score, by Giovanni Nepomuk Hummel. Autograph.
1. In E? (op. 80), " [1]804." ff. l-88b. I bones in a separate score at the end.
2. In D minor (op. Ill), " [1]808." ff. 89-174.
With additional parts for 3 trom- I
Additional 32185.
Paper ; ff. 138. a.d. 1806. Oblong folio.
" Missa solemnis" in C, for solo voices and 4-part chorus, with
symphonies and accompaniments, for flutes, oboes, clarinets, horns,
bassoons, trumpets, drums (the last three in a separate score), and
strings, in score, by Johann Nepomuk Hummel. Autograph. Composed
on the occasion of the marriage of Princess Leopoldina Eszterhazy.
Additional 31041.
Paper ; ff . 90. a.d. 1809, 1810. Oblong folio.
" Missa solemnis," in D ; for solo voices and 4-part chorus, with
symphonies and accompaniments for horns, flutes, clarinets, bassoons,
and strings, and a figured bass for organ, in score, by Sigismundo
Neukomn, " fratrum Michaelis et Josephi Haydn discipuli." Autograph.
It was originally written at Montbeliard, on 11 March, 1809, but the
instrumental parts were altered on 31 December, 1809, and 3 additional
trombone parts (see f. 87b) added on 1 January, 1810.
Additional 14342, ff. 2, 18, 53-55.
Paper ; a.d. 1810, etc. Oblong folio. The MS. also contains a Chant (above,
p. 150), Madrigals (1812), Requiems (1800), etc., described elsewhere.
Masses and portions of Masses, in score, harmonized by S. Wesley ;
from a volume of his compositions collected, and in many cases tran-
scribed, by Vincent Novello, by whom it was presented to the British
Museum in 1843.
1. The Gregorian Mass "Pro Angelis,"
for 4 voices, with organ part. f. 2.
2. " Christe, eleyson." "1810." Organ
part. Autograph, f. 53.
Additional 17731, ff. 2-25b.
Paper; a.d. 1812. Quarto. Belonged to Charles Stokes, whose widow pre-
sented it to Vincent Novello in 1839. The MS. also contains a Motet (below,
p. 345), etc., described elsewhere.
Mass, " Pro Angelis," arranged and harmonized for solo voices and
4-part chorus, with accompaniment for organ, in score, by S. Wesley.
MASSES. 235
Autograph. Novello, in a note dated 1848, alludes to the missing
" Kyrie " as having been published in his Sacred Music.
Additional 35001, ff. 1-14.
Paper ; a.d. 1812, etc. Quarto. For a further description of the MS., see under
Motets (below, p. 345).
Fragments from Masses, in score, apparently all by Samuel Wesley,
in whose hand they are written.
1. "Agnus Dei" in D, for 2 and 4
voices. "1812." f. 1.
2. "Missa de Sanctissima Trinitate.
Tono Quinto," consisting of "Kyrie,"
"Gloria," and "Credo" in D, for 4
voices, with figured bass for the organ.
f. 3.
3. "Missa," consisting of very short
"Kyrie," "Gloria," and "Hosanna
in Excelsis," for 3 voices, with the
plainsong for the priest, f. 13.
Additional 32411, f. 29b.
Paper ; about 1818. Oblong octavo. See also above, p. 157, under Chorales.
" Gedanken zu einer Misse " : sketch of the opening bars of a
" Kyrie," for 4 voices, in score, apparently by Johann Christian Lobe,
in whose hand it is written.
Additional 14190, ff. 1-1 3b.
Paper; a.d. 1820. Oblong folio. The MS. contains also a Miserere (below,
p. 248), a secular Motet (17G2), and a secular Song (18th cent.).
" Missa Papi Marcello" (sic), for 6 voices, in score, by Palestrina.
Additional 31239, f. 10b.
Paper; a.d. 1825. Oblong duodecimo. Presented by the transcriber to
William Horsley, "catcher in ordinary" to the Royal Society of Musicians,
1825. For a further description of the volume, see under Harmony (1825-1829).
" Kyrie eleison," described as " Litanife," for 4 voices, with a com-
pressed score for organ below, in score. Anonymous. In the hand of
Samuel Wesley.
Additional 31526, ff. 49, 56, 60.
Paper; after 1825 (watermark). Oblong folio. See also under Motets (below,
p. 349).
Fragments of Masses, unaccompanied, in score, by Leonardo Leo,
in the hand of J. P. Street.
1. "Cum sancto Spiritu " (5-part
chorus), in G. f. 49.
2. " Qui tollis peccata " (quintet), in D
minor; and "Cum sancto Spiritu"
(5-part chorus) in F. f. 56.
3. "Qui tollis peccata" (quintet), in F
minor., f. GO.
236 VOCAL MUSIC— SACRED.
Additional 32071.
Paper ; ff. 30. a.d. 1834. Oblong quarto.
" Missa Clementina " : a short Mass in C, for 5 voices, with 7-part
" Agnus Dei," by Alessandro Scarlatti, who wrote it and dedicated it
to Clement XI in 1703. Copied in 1834 by J. Mayer from the
original, then in possession of the Crown Prince Max of Bavaria at
Munich.
Additional 35026, f. 27.
Paper; a.d. 1839. Quarto. For a description of the MS., see under Albums
(1836-1895).
Beginning of "Kyrie" in F, for bass, with pianoforte accompani-
ment ; in the hand of H. Phillips, the singer.
Egerton 2464, ff. 5G-88.
Paper; about 1841 (see below). Oblong folio. See also under Lamentations
(above, p. 199).
Mass in E minor, for 4 voices, without accompaniment, in score, by
Alessandro Scarlatti, who dedicated it to Cardinal Pietro Otthoboni.
Scored by Karl Proske [published in 1841] from the MS. in the
Altaemps-Otthoboni collection at the Vatican (no. 2925). This tran-
script is in the hand of the Abbate Fortunato Santini, who apparently
presented it to Rev. E. Goddard.
Additional 32082.
Paper ; ff. 84. a.d. 1842. Quarto.
" Messe solennelle sous le titre distinctif ' das Chagas ' (des 5
plaies) composee pour la chapelle Royale a Queluz (pres Lisbonne)
par le Chevalier Sigismond Neukomm." Autograph. For solo voices
and 4-part chorus, with symphonies and accompaniments for oboes,
clarinets, bassoons, and strings, and a figured bass for organ, in score ;
originally written (in 1823) with organ accompaniment only. An
alternative setting of the " Benedictus " has been added at f. 79b.
■•->
Additional 33312, ff. 1-1 60b.
Paper ; before 1844 (when the composer became Earl "of Westmorland).
Oblong folio. The MS. also contains an Anthem (above, p. 106) and a Magnificat
(p. 209).
" Messa a quattro voci a Piena orcchestiva (sic) (flute, oboe,
clarinets, horns, trumpets, bassoons, trombones, drums, strings, and
organ) di Lord Burghersh. Originale." Only partially autograph,
most of the words and many <>f the notes, especially in the vocal parts,
being in the hand of an amanuensis. The parts for the 2nd horns are
added at the end of eacli division of the Mass.
MASSES. 237
Egerton 2456.
Paper; ff. 129. Before 1819 (see below). Belonged to Rev. E. Goddard.
Obloug quarto.
Shout Mass in F, consisting of the " Kyrie " and "Gloria"; for
4 voices, with symphonies and accompaniments for trumpets, oboes,
horns, and strings, and a figured bass for organ, in score, by Giovanni
Paisiello. At the end (f. 129b) are the first G bars of the "subject
of adagio in Beethoven's Posthumous Quartet, B fiat, op. 130 (Ella's
concert, June 12th, 1849)."
Egerton 2564.
Paper; ff. 81. Before 1850 (see below). Quarto.
" Missa solemnis in Festo Paschali, in D," op. 30, composed and
dedicated to King Louis Philippe (d. 1850) by Franciscus Commer.
Written for solo voices and 4-part chorus, with symphonies and accom-
paniments for trumpets, horns, flutes, oboes, clarinets, bassoons, and
strings, in full score.
im.
Additional 34607, passu
Paper ; a.d. 1855. Oblong folio. See also under Motets (below, p. 353).
Masses, in parts, by Felice Anerio.
1. "Hok le tue forze adopra" (4 l 2. "Vestiva i colli" (8 voices), ff.38,
voioes). ff . 18, 51, 84, 117. 71b, 104b, 136, 152, 164, 175, 186.
Egerton 2448, ff. 3-137.
Paper ; 19th cent. Small oblong folio. The MS. also contains Motets (below,
p. 357).
Massks, for several voices, with figured basses for organ, in score.
The first two are for two choirs of 4 voices each, the others for 4
voices.
1. In D, " in Pastorale " (without
" Benedictus " ). "Pompeo Cani-
ciari." f. 3.
2. "Kyrie" and "Gloria" in F.
"Pietro Paolo Bencini, Romano."
f.45.
3. In D minor (without "Benedictus").
" Gio. Batt" Pergolese." f . 77.
4. In C (ending with "Credo").
" Leonardo Leo." Written for the
Royal Chapel at Naples, i . 99.
5. "Kyrie " and " Gloria " id D minor.
"Andrea Basilj." f . 122.
Egerton 2453, ff. 43, 51.
Paper ; 19th cent. Oblong quarto. The MS. belonged to the Rev. Edward
Goddard. It also contains a Magnificat (see above, p. 210) and a Motet (below,
p. 358).
Portions of Masses for 4 choirs of 4 voices each, in score.
1. "Amen" to the Credo, from the
Mass " In diluvio aquarum mul-
tarum." "OrazioBenevoli, Romano."
f. 43.
238
VOCAL MUSIC— SACRED.
2. Mass (without " Benedictus ") called
"La Cenesa" (?), in G minor, with
a figured bass for organ. " Alesandro
Melani." f. 51.
Egerton 2459, ff. 77-1 36b.
Paper ; 19th cent. Oblong quarto. Apparently given to the Ilev. Edward
Goddard by the transcriber. The MS. also contains a Madrigal, a Miserere
(below, p. 251), Motets (p. 359) and secular Trios.
"Kyrie" and "Gloria," for 5 voices, with accompaniments for
oboes, horns, strings and organ, in score, by Leonardo Leo. In the
hand of Abbate Fortunato Santini.
Egerton 2460, ff. 77-132.
Paper ; 19th cent. Oblong quarto. For a further description of the MS., see
under Motets (below, p. 359).
Masses, in score : — -
1. "Messa detta Papao Marcelli," for
6 voices, by " Gio. Pier Luigi Pales-
trina." With a list of the days on
which it is sung in the Sistine
chapel, f. 77.
2. Mass in D minor, for 2 choirs of 4
voices each, by "Filippo Siciliani";
to be sung when the Pope officiates
in person, f . 96b.
Egerton 2462, f. 11.
Paper ; 19th cent. Oblong quarto. See also under Songs (sacred).
" Messa a Cappella . . . sul v Tono," for 4 voices, in score, by
Antonio Lotti, 1700.
Additional 14149, ff. 106-141.
Paper ; 19th cent. Oblong quarto. See also under Motets (below, p. 333).
" Eterna Christi munera," for 4 voices, in score, by Petrus Aloysius
P[r]enestine. Described as "in Libro Primo Impressa " [? Alfieri's
Baccolta di Musica Sacra, vol. i].
Additional 14194, ff. 1-39.
Paper ; 19th cent. Oblong quarto. See also under Motets (below, p. 362).
" Missa in Ccena Domini," for 4 voices, in score, by Ludovicus
Vittoria.
Additional 29275.
Paper ; ff . 124. 19th cent. Folio.
Mass in Et>, for 4 voices, with symphonies and accompaniments
for trumpets, clarinets, flutes, horns, and strings, and a figured bass
for organ, in score, by Domenico Cimarosa. Transcribed with the
MIRACLE-PLAYS. 239
permission of the Abbe de Sambucy from a copy made at Paris.
Probably the Mass mentioned by Fetis as composed in 1784.
Additional 31615, ff. 104-132.
Paper; 19th cent. Oblong folio. See also under Motets (below, p. 329).
Short Mass in G, consisting of " Kyrie " and " Gloria " ; for
2 trebles, with symphonies and accompaniments for strings, and a
figured bass for organ, in score, by Giovanni Battista Fenoglio.
Transcribed by G. L. Benson, of Salisbury.
Additional 32394, ff. 49-84b.
Paper ; 19th cent. Large quarto. See also above, p. 228.
Mass in C, for 4 voices, with symphonies and accompaniments for
trumpets, horns, drums, and strings, and a figured bass for organ, in
score, by Leopold Mozart. Transcribed for Otto Jahn from a con-
temporary copy now in the Royal Library at Munich.
Additional 33444, ff. l-28b.
Paper ; 19th cent. Polio. The MS. also contains a Motet (below, p. 364).
Mass in A (No. 1), for 4 voices, with accompaniments for horns
and strings, and a figured bass for organ, in parts (several of them in
duplicate), by P[ater] Kajetan Vogler [Vogel].
SECTION XVI.— MIRACLE-PLAYS,
including Moralities, Mysteries, Passion-Plays, etc.
Cotton, Vespasian D. vi, f. 77b.
Vellum ; 11th cent. 1\ x h\ in. The MS. belonged to St. Augustine's Abbey,
Canterbury.
Dialogue between the Chorus and Cantor, beginning with the
words " Venite, filii eue, uenite ad filium Marie." With neums. The
Chorus is represented as demanding why the Saviour hangs on a male-
factor's cross. Having heard the Cantor's explanation of the reason,
they break out into a song of praise " Aue, rex noster," etc.
The dialogue immediately follows some short extracts from the
Gradual, which have been added to a miscellaneous collection of theo-
logical and moral tracts written in the Anglo-Saxon character about
the 10th cent.
240
VOCAL MUSIC— SACKED.
Additional 36881.
Vellum; ff. 28. 12th cont. GJ x 4J in.
Collkction of Sequences, Tropes, and other CantioncSj with music,
many of them having two or three verses set, like hymns, to the same
music, which is, unless where the contrary is stated, in two parts,
written on 4 lines scratched on the vellum, but not coloured, and
preceded by the C, P, and G signatures. They appear to be arranged
in series ; and the harmonized ones, at least, were probably intended
for performance at Christmas and other feasts in the so-called Mysteries
(see below). The pieces marked with an asterisk occur also in the
12th cent. MS. Fonds lat. 292 (formerly 3719) in the Bibliotheque
Nationale at Paris.
The first series (nos. 1—15) refers to the Nativity, with which the
cult of St. Nicholas is apparently combined (see no. 13) : —
13. " *Cantumiro summa laude summo
uiro uir aplaude" (Dreves, xxi, p. 85,
among the hymns in honour of St.
Nicholas), f. 12b.
14. "Prima mundi seducta sobole":
1. "Per letalis pomi pastum." f. 1.
2. " *Omnis curet homo promere can-
tica " (in Dreves' Analecta Hymnica,
xx, p. 67). f. 2b.
3. " *Noster cetus psallat letus":
trope to the " Benedicamus Domino "
(Dreves, xx, p. 116). f. 3.
4. " *Per partum uirginis" (Dreves,
xx, p. 87). f.4.
5. "*Veri solis radius" (Dreves, xx,
p. 45. Also in Add. 15722, f.49, a
French MS., early 13th cent.), f. 5b.
6. "O! primus homo corruit in fraude
feminea." f. 7b.
7. "*Lux refulget de supernis edita."
f.8b.
8. " *Vellus rore celesti maduit."
f.9b.
9. "Bex omnia tenens imperio " : trope
to the " Benedicamus Domino "
(Gautier, Histoire de la Poisie Litur-
giqite, p. 172). f.lOb.
10. " Dulci dignum melodia." f. 11.
11. Congaudet hodie celestis curia."
1. 12.
12. "Patris ingeniti filius" : originally
an Advent hymn (Wackernagel, Das
DciUsclie Kirchenlied, i, 232). f. 12.
The four following (also unharmonized) are closely connected with
the preceding number and are in honour of the Virgin and (no. 19) St.
John the Baptist : —
trope to the " Benedicamus Domino "
(in Bibliothe'qiic dc V facole des Chartcs,
1868, p. 108). f. 13b.
15. " Catholicorum concio": trope to
the "Benedicamus Domino" (Gau-
tier, p. 172). f. 13b.
16. "Gregis pastor titirus asinorum
dominus," with allusions to the
"festa . . . baculi " and the " epulum "
given on that occasion, generally on
the first day of the year (see
Chambers' Mediaeval Stage, i,pp. 319,
320, etc.). Published by Dreves, xx,
p. 110, from a Mosbach Gradual of
1360; he gives (p. 254) the musical
notes also, which are very similar to
the lower part of the present setting,
f 13b.
17. Unharmonized tropes to the
" Sanctus," including one, "Sanctus
Fons uiuus," printed by Gautier (p.
163). f. 14.
18. " Clangat hodie uox nostra melo-
dum." f. 15.
19. " Sollempnia presentia con (sic)
nimia leticia ecclesia extollat pre-
cursoris." f. 15b.
20. " Aue, Mater saluatoris nostri ter-
minus doloris." f. 16b.
21. "Virga iesse floruit, virgo deum
genuit " : the first words only of a
prose of the Virgin (Milcbsack,
Hymni ct Sequential, i, 208, from a
15th cent. Jumieges MS.), f. 16b.
MIRACLE-PLAYS.
241
Here there is a gap of at least eight leaves. Of the following six
numbers, the first and the last four seem to refer to the Feast of the
Annunciation (25 March) rather than to the Nativity : —
22. A sequence of which the beginning
is lost. The first verse preserved in
its entirety begins " Hanc prophete
priscis a seculis signauere." f. 17.
23. " *Orienti oriens stella noua claruit
. . . balaam presagiens ut olim edo-
cuit " (Epiphany), f. 17b.
24. " Delictis hominis subintrat uir-
ginem . . . regis potencia." f. 18b.
25. "De monte lapis scinditur " (dif-
ferent from the one beginning with
the same words in the Bibliotheca
Laurenziana at Florence, Plut. xxix,
cod. i, f.204). f. 19b.
26. "Chorus noster recolat sancti uiri
[? St. Nicholas] festum," with a verse
"Quam felix cubiculum," referring
to the Annunciation, f. 20b.
27. " Res iocosa quod hec rosa sine
succo floruit" ; followed by a musical
setting of the words " Ora pro nobis,
beate Nicolae." f. 21b.
28. "Ad honorem sempiterni regis"
(Pentecost?). f.22b.
The remaining pieces are unharmonized. Between nos. 29 and 30
are " Letetur orbis," with the refrain " fulget dies ista " (Pentecost),
and " Dum annua recolitur dies redempcionis," without music (ff. 23,
23b).
29. "Regi nato gloria" (Holy Inno-
cents). f.23.
30. " Gaudet chorus celestis hodie nobis
Christo nato de uirgine," with a re-
ference to the visit of the Magi,
f. 23b.
31. "Beuedicamus. Angelus sedens ad
sepulcrum " : Easter trope to the
" Benedicamus " (Gautier, p. 172).
f. 24.
32. "Eya, pueri, uoce precelsa benedi-
camus regi magno olim nato domino."
f.24.
Some charms are inserted on the next page, and then follows in a
different hand and on smaller leaves : —
33. " Planctus ante nescia planctu
lassor anxia," known as the "Planc-
tus Mariae," and as such introduced
in Passion-plays (published by Du
Meril, Origincs Latincs, p. 143). f. 25.
Additional 23922, ff. 8b-ll.
Vellum ; 12th-13th cent. 5f x 4 in. For a further description of the MS.,
see Catalogue of Additions, 18S2-1887.
Miracle-Play of " The Three Kings,'* or " The Adoration of the
Magi," introduced in an Office for the Octave of the Epiphany, which
forms part uf a Processional written for Strassburg Cathedral. It
begins abruptly — without any heading — after the " Magnificat/' with
the words " Stella fulgore nimio rutilat," assigned to one of the Magi.
The other characters are the other two Magi, the King (Herod), a
Messenger, an Armour-bearer, Scribes, a Chorus, Shepherds, Midwives,
and an Angel. The Play ends where the Armour-bearer announces to
Herod that the Magi have deceived him and gone home another way,
the King thereupon exclaiming, " Incendium meum ruina extinguam."
These words are immediately followed by the Office for S. Hilary's
day.
The Play has a considerable resemblance to the one in the Orleans
242 VOCAL MUSIC— SACRED.
Library (no. 178), though the latter begins differently — with the
appearance of the Angel and the heavenly hosts to the Shepherds.
The MS. in the Bibliotheque Nationale (no. 904) commences in the
same way as the present MS., but has otherwise very little in common
with it (see Coussemaker's Drames Liturgiques, pp. 143, 243).
The greater part of the text is accompanied by musical notes or
neums of the early Gothic form.
Harley 978, ff. 2-4b.
Vellum; after 1226. 7£ x 5 in. For a further description of the MS., see
under Catches.
"Samson, dux fortissime" : chiefly a monologue, with a few words
put into the mouth of Dalilah and another. The musical notes, with
which the text is accompanied throughout, are square and diamond-
shaped, on a stave of 5 red lines, with the C signature.
Egerton 2615, ff. 1-108.
Vellum; about 1227-1234. 8;] x 5 in. For a further description of the MS.,
see Catalogue of Additions, 1882-1887.
1. Office for the Circumcision, commonly^ known as the Fete des
Fous, containing the celebrated Prose de l'Ane, " Orientis partibus
aduentauit asinus," with musical notes throughout, those to the above
prose being given in plainsong (f. 1) and in a 3-part setting (f. 43).
f. 1.
2. " Danielis Ludus," beginning with the short prologue, " Ad
honorem tui, Christe, Danielis ludus iste. In Beluaco [Beauvais] est
inuentus Et inuenit hunc iuuentus," followed by the prose " Astra
tenenti cunctipotenti turba uirilis et puerilis contio plaudit." The
principal characters represented are King Belshazzar and his princes
and satraps, magicians, the Queen, King Darius and his princes and
musicians (cythariste), and Daniel. The choruses which introduce the
leading characters — somewhat resembling the ancient Greek choruses
— are called " conductus," but it does not appear whether they were
intended to be sung in harmony or with instrumental accompaniments.
In the chorus of princes, " Vir propheta Dei Daniel " (f. 98b), there is
a mixture of Latin and French, f. 95.
The text is accompanied throughout by quasi-square and diamond-
shaped notes on a stave of 4 red lines, with the F, C, and G signatures.
Additional 15102, ff. 207-221.
Paper; a.d. 14S7. 10£ x 1\ in. The principal contents of the MS. are the
Life and Epistles of St. Hildegard. It belonged to the monastery of S. Jacobus
Scotorum at Wiirzburg, and later to that of Lampspringc, Hanover.
" Ordo Virtutum de patriarchis et prophetis " ; written in long
lines, with red initials, by order of the Abbot of Spanheim, from a MS.
said to be in the autograph of St. Hildegard, Abbess of St. Rupert's at
MIRACLE-PLAYS. 243
Bingen (ji. 1 1 63). Begins with the words " Qvi sunt hi." The cha-
racters represented are "Patriarche et Prophete," " Virtutes," " Anima,"
" Scientia Dei," " Strepitus Diaboli," " Humilitas," " Karitas," " Timor
Dei," " Diabolus," " Obediencia," " Fides," " Spes," " Castitas," " Inno-
cencia," " Conteniptus Mundi," " Amor celestis," " Verecundia,"
" Misericordia/' " Victoria," " Discretio," " Patientia," etc.
The notes used are of the Gothic form on a stave of 5 lines, of
which the F and sometimes also the C line are coloured red.
Additional 35290, ff. 234-241b.
Vellum ; late 15th cent. 11 x 8 in. For an analysis of the contents of the
MS. in the hand of Joseph Hunter, see Add. 24480, ff . 159-161b.
" The Wepferes," i.e. Weavers, being no. 46 of a series of mystery
plays performed by the crafts of York on Corpus Christi Day. The
principal characters are thirteen Angels, the Virgin, and the five
leading Disciples.
Music for 2 voices, in quasi-score, is given to the words " Surge,
propera, Columba mea " (f. 235b), " Veni de libano, sponsa " (f. 236),
and " Veni, electa mea " (f. 238) ; and at ff. 241, 241b, there are alter-
native settings of the two former, in parts. The notes, black and
occasionally red, are either diamond-shaped or square in form, written
on a stave of 5 red lines.
Harley 2124.
Paper; If. 144. a. u. 1607. Small folio.
The Chester Mysteries, divided into 24 pageants, with directions
for their acting by the guilds of that city, copied by James Miller, in
July and August, 1607. The 7th pageant, " De pastoribus gregem
pascentibus," assigned to the Painters and Glaziers, contains a few
notes of music to the " Gloria in excelsis Deo," expressed by quasi-
diamond-shaped notes on a stave of 4 red lines, with the F signature.
The Chester Mysteries are supposed to have originated with Sir
John Arnway, whose mayoralty is given in Harl. 2013, f. 1*, as
occurring in a.d. 1327, 1328.
Additional 27945, f. 51b.
Paper ; late 18th cent. Narrow oblong duodecimo.
Thk Chester Mysteries : another copy transcribed by George
Steevens from George' Bellin's MS., dated 1600 (Harl. 2013), itself a
copy of the hitter's earlier MS. (Add. 10305), which is dated 1592.
The musical notes to the "Gloria" do not occur in Bellin's MSS., but
have been supplied from Harley 2124, above.
244 VOCAL MUSIC— SACRED.
SECTION XVI I .- -MISERERE.
Settings of Psalm LI, with Latin Words, as performed in
the Church of Home.
Additional 19583, ft'. 33b-36.
Vellum ; first half of 16th cent. Oblong octavo. For the further contents of
the MS., see under Motets (below, p. 2G1).
Altus part of " Miserere mei, Deus " [fur 5 voices], by Josquin
[des Pres] ; divided into 3 parts.
Royal Appendix 23, 24, f. 10b ; 25, f. 9b.
Paper; 16th cent. Oblong octavo. Sec also under Motets (below, p. '267).
" Miserere mei, Deus " ; apparently by Dyricke Gerarde. Superius,
contra-tenor and tenor parts.
Additional 31992, f. 84.
Paper; after 1611 (?). Oblong quarto.
"Miserere mei, Deus"; iu lute tablature, by George Formellis.
See under Lute Solos.
Printed Book, D. 212. c. (vol. i, f. 52 ; vol. iii, f. 59).
Paper ; after 1613. Small quarto. See also under Motets (below, p. 280).
"Miserere mei, Deus"; for 2 voices (cantos or tenors), in parts,
from Jacob i Mori Viaflame Concerti Ecclesiastici, sc. Motets by Giacopo
Mori of Viadana, published at Antwerp, in 1613, by Pierre Phalese of
Louvain, the younger (see below, p. 280).
Royal Appendix 64, f. 10b.
See under sacred Canons (above, p. 115).
Additional 34898, f. 53b.
Paper ; about 1628 (see f. 33). Small folio. For contents of the MS., see
under Masses (above, p. 216).
" Miserere mei, Deus " ; for 6 voices in score, by Andreas Repgin.
MISERERE. 245
Additional 30382, ff. 23-28.
Paper; a.d. 1678-1682. Folio. For a further description of the MS., see
under Motets (below, p. 285).
" Miserere mei, Deus " ; for 2 trebles and bass, with a figured
bass, in score. By H. B[owmanJ. Imperfect at the end.
Additional 33234, ff. 61-69b.
Paper; a.d. 1680-1682. Folio. For a further description of the MS., see
under Songs.
Another copy of the same work. By H. Bowman.
Additional 31479 (four parts, i, f . 57b; ii,f.51; iii, f.46b; iv,f.44).
Paper ; 17th cent. Folio. See also under Motets (below, p. 289).
" Miserere mei, Deus " ; for 3 voices, with a figured bass, in parts.
A " Gloria Patri " is added at the end. Anonymous.
Additional 31403, f. 31.
Paper ; about 1700. Folio. See also under Organ Solos.
" Miserere mei, Deus " ; in compressed score, by Byrd.
Additional 31608.
Paper; ff. 30. a.d. 1714. Oblong folio. Belonged, in 1863, to Joseph
Warren.
" Miserere mei, Deus " ; for solo voices and 5-part chorus, in
score, with accompaniments for strings and a figured bass for organ, by
Francesco Scarlatti. Autograph.
Additional 14107, ff. 69-88b.
Paper ; a.d. 1754. Oblong quarto. For the contents of the MS., see under
Motets (below, p. 297).
" Miserere mei, Deus " (omitting the last three verses of the psalm) ;
for 5 voices, with a figured bass for organ, in score, composed by
Francesco Durante for the church of San Nicole- at Bari, 1754.
Apparently autograph.
Additional 24295, If. 1, 53.
Paper; a.d. 1754, etc. Oblong folio. The MS. also contains a " Dies irae " by
the same composer (see under Motets, below, p. 322). It appears to have belonged
to Domenico Dragonetti, Vincent Novello, and Dr. Henry John Gauntlett.
Two settings, in D minor and C minor, of the " Miserere mei,
Deus, .... A quatro voci con Stromenti Concertato .... Ferdi-
246 VOCAL MUSIC— SACRED.
nando Bertoni," in full score. Autograph. The names of the female
soloists are added throughout.
Additional 5054, ff. 40-53b.
Paper; before 1760. Quarto. For a further description of the MS., see
under Anthems (above, p. 68).
" Miserere mei, Deus " ; for 5 voices, in score, divided into three
parts, of which the second (f. 45b) begins " Auditui meo dabis gau-
dium," and the third (f. 49), " Domine, labia mea aperies." By
Josquin a Prato.
Additional 31720.
Paper ; ff . 63. [A.D. 1772 ?] Oblong folio.
"Miserere mei, Deus"; for 1, 2, and 3 solo voices, and 3-part
chorus (2 trebles and alto), with accompaniments for strings, and figured
bass for organ, in score, by Sacchini, against whose signature (f. 1)
is put, in pencil, the date 1772. Probably written for a convent. The
surnames of nine of the singers are given, and in the case of two
(Madalena and Teresa Raffiaelle) the Christian names also.
Additional 11582, ff. 69-72b.
Paper; before 1782. Quarto. For the contents of the MS., see under Masses
(above, p. 222).
" Miserere mei, Deus " ; in 3 parts, for 5 voices, in score, by
Jusquin [des Pres]. It is scored from no. vii in Book 3 of the Motetti
de la Corona, published by Ottavio Petrucci in 1519.
Additional 14342, ff. 30-38.
Paper; a.d. 1792. Oblong folio. For other contents of the MS., see under
Masses (above, p. 234).
" Miserere mei, Deus " ; for alto and bass, with a bass for harpsi-
chord, in score, by S. Wesley. Autograph.
Additional 31400, ff. i-27b.
Paper ; 18th cent. Quarto. The MS. also contains some Masses (above, p. 229).
" Miserere mei, Deus " ; in F, for 2 choirs of 4 voices each, with
accompaniments for violin, viola, and bass, and a figured bass for organ,
in parts, by — Bore.
Additional 31525.
Paper ; ff . 39. 18th cent. Oblong folio.
" Miserere del Sige Mro Baj. Come si eseguisce nella Cappella
Pontificia Di Roma," for 2 choirs of 4 and 9 voices respectively. Two
copies, of which the second (f. 21) contains directions for singing.
MISERERE. 247
Additional 31614, ff. 26-56.
Paper; 18th cent. Oblong quarto. For the contents of the MS., see under
Masses (above, p. 228).
" Misereke mei, Deus" ; for 4 voices, with symphonies and accom-
paniments for strings, and a figured bass for organ, in score, by
Giambattista Fenoglio. Autograph.
Additional 31615, ff. 34-66.
Paper; 18th cent. Oblong folio. For the contents of the MS., see under
Motets (below, p. 329).
" Miserere mei, Deus " ; for 4 voices, with symphonies and accom-
paniments for trumpets and strings, and a figured bass for organ, in
score, by the same. Autograph. A " Gloria Patri " is added.
Additional 31616.
Paper ; ff . 40. 18th cent. Oblong folio.
:' Miserere mei, Deus " ; for 2 choirs of 4 voices each, with a bass
for the organ, in score, by Leonardo Leo.
Egerton 2468, f. 59.
Paper; late 18th cent. Oblong folio. For other contents of the MS., see
under Masses (above, p. 224).
" Miserere mei, Deus " ; for 4 voices, in score, said to be an in-
correct copy of that by Allegri (see note at beginning).
Additional 14133, ff. 104-216.
Paper ; late 18th cent. Oblong quarto. The MS. also contains Motets (below,
p. 321).
" Miserere mei, Deus" ; in C minor, for 4 voices, with symphonies
and accompaniments for strings, and a bass for organ, in score, by
Giovanni Battista Pergolesi.
Additional 14137, ff. 145-156.
Paper ; late 18th cent. Oblong folio. For the contents of the MS., see under
Motets (below, p. 332).
" Miserere mei, Deus " ; for 4 voices, with a figured bass for organ,
in score, by Nicolo Jommelli (see f. 76). In the hand of Giuseppe
Sigismondo (see f. 170).
18
248 VOCAL MUSIC— SACRED.
Additional 14141, ff. 145, 161.
Paper ; late 18th cent. Oblong quarto. For the contents of the MS., see
under Motets (below, p. 332).
Two settings of the psalm " Miserere ruei, Deus," for 4 voices, with
a figured bass for organ, in score, by the same.
1. In G minor, as sung at the church
of SS. Severino and Sossio at Naples.
f. 145.
2. In the same key, " alia Palest[r]ina."
In the hand of Giuseppe Sigismondo.
f.161.
Additional 14190, ff. 46-59.
Paper; late 18th cent. Oblong folio. For the contents of the MS., see under
Masses (above, p. 235).
" Miserere mei, Deus " ; for 3 and 4 voices, with a figured bass for
the organ, in score, by David Perez.
Additional 14402.
Paper ; ff. 61. Late 18th cent. Folio. Belonged in 1843 to Vincent Novello.
" Miserere mei, Deus" ; for 2 choirs of 4 voices each, with accom-
paniments for horns and strings, in score, by Baldassar Galuppi detto
Buranello. Described at the beginning as " Miserere . . . che segue
subito doppo 1' Oratorio."
Additional 24290, ff. 37-100.
Paper; late 18th cent. Oblong folio. The MS. also contains a Motet (below,
p. 362) by the same composer. It belonged to Vincent Novello.
" Miserere mei, Deus " ; for 1, 2, 3, and 4 solo voices, and 4- part
chorus, with accompaniments for horns, flutes, and strings, in score, by
Gaetano Latilla. Apparently autograph. Evidently written for a
nunnery, the solo parts being sung by some of the leading pupils
(whose Christian names are given) assisted by Signora Gregoria and
Anna Maria Filippi.
Additional 24291, passim.
Paper ; late 18th cent. Oblong octavo. The MS. also contains Lamentations
(above, p. 199) and two Motets (below, p. 335).
" Musica Clas[s]ica," by several " Maestri Delia Venerabile
Cappella Vaticana," copied by or for Giovanni Jubilli, " Professore
della sud[ett]a Cappella." Included are the following settings of the
" Miserere mei, Deus," which have pianoforte accompaniments, in
score : —
1. For two choirs (a chorus of 5 voices
— 2 cantos, contralto and tenor, or
2 tenors, and bass — and a quartet
or concertino, consisting of 2 cantos,
contralto, and barytone or bass).
"G. Allegri." f . 24b.
MISERERE.
249
2. For 5 voices (soli or chorus), with
the exception of the " Redde mihi
letitiam," which is written for 3
voices. " Pietro Guglielmi." f. 39.
3. For 4 voices (soli and chorus), except
the "Amplius lava me," which is
written for 3 voices. "G. Costanzi."
f. 73.
4. For 4 voices (soli and chorus). "Nic-
colo Zingarelli." f. 105.
Additional 31395, ff. 19-27b.
Paper; late 18th cent. Oblong folio. " Bought by me at Rome in the Corso,
a.d. 1841. Fred. Blaydes, Oh. Ch. Oxon." For the contents of the MS., see
under Masses (above, p. 226).
" Miserere mei, Deus"; for 2 choirs, as described in Add. 24291,
art. 1 (above), by Gregorio Allegri. In score.
Additional 31525, ft*. 1, 21.
Paper ; late 18th cent. Oblong folio. Belonged to Joseph Warren.
"Miserere mei, Deus"; for a double choir of 4 and 5 voices, in
score, by [Tommaso] Baj, as sung in the Sistine chapel. Copied by or
for Benedetto Morganti, of Rome. Two copies. Different from the
version published by Dr. Burney.
Additional 14189, f. 1-27.
Paper; 18th-19th cent. Oblong quarto. For other contents of the MS., see
under Masses (above, p. 230).
" Miserere mei, Deus " ; for 2 choirs of 4 voices each, with a figured
bass for the organ, in score, by Leonardo Leo. Said to be in the hand
of Giuseppe Sigismondo.
Additional 14195, ff. 60-1 18b.
Paper; 18th-19th cent. Oblong quarto. The MS. also contains a Mass, in
the same hand (above, p. 230).
" Miserere mei, Deus " ; for 4 voices, with symphonies and accom-
paniments for 3 violas and violoncello, and a bass for the organ, in
score, by Giuseppe Sarti. In the hand of Giuseppe Sigismondo.
Additional 31762, ff. 44b-50b.
Paper ; 18th-19th cent. Oblong folio. The MS. also contains Motets (below,
p. 339).
" Misererk mei, Deus"; for 3 and 4 solo voices, with 4-part chorus,
in score. Unaccompanied. By Pasquale Antonio Basilij.
250 VOCAL MUSIC - SACRED.
Additional 32429, passim.
Paper; I8th-19th cent. Oblong duodecimo. See also under Motets (below,
p. 340).
"Miserere mei, Deus": four settings by anonymous composers, in
parts. Imperfect, consisting of bass part only, except in no. 1, for
which the soprano and 2nd tenor parts are given as well ; and no. 3,
which consists of G contralto and 2 tenor parts. Nos. 1, 3 and 4
end with the " Gloria Patri."
1. In F, omitting the "Tunc accepta- bileo." The 1st tenor and contralto
bis." ff. 23b, 30b, 47
2. In D minor. Beginning only. f. 29
3. In F (a 4), described as "del Giu
parts are in duplicate, ff. 58-72b.
4. In C minor, f. 91.
Egerton2450, ft. 51b, 112.
Paper; early 19th cent. Oblong octavo. For the contents of the MS., see
under Motets (below, p. 341).
Two settings of the " Miserere mei, Deus," in score.
1. Beginning " Tunc imponet super
altare tuum " ; for 2 choirs of 5 and
4 voices, by Gregorio Allegri. f. 51b.
2. For 5 voices. " Pietro Guglielmi."
f. 112.
Additional 14139, ff. 77, 104.
Paper ; early 19th cent. Oblong quarto. The MS. also contains part of a Mass
(above, p. 231) and a Motet (below, p. 342).
Two settings of the psalm, " Miserere mei, Deus," in score, by
Nicolo Jommelli, composed in 1751.
1. In D minor, for 4 solo voices and a I 2. In A minor, for 2 choirs of 4 voices
4 -part chorus, f. 77. each. f. 104.
Additional 14177, ff 36-51.
Paper ; early 19th cent. Oblong quarto. For the contents of the MS., see
under Masses (above, p. 232).
" Miserere mei, Deus " ; for 4 voices, in score, by Antonio Lotti.
Additional 35134, ft'. 24-29b.
Paper ; a.d. 1832. Oblong folio. For other contents of the MS., see under
Stabat Mater.
" Miserere mei, Deus " ; for 2 choirs of 5 and 4 voices, in score, by
Tommaso Baj.
MISERERE. 251
Additional 34607, ff. 6-1 6b passim.
Paper ; a.d. 1855. Oblong folio. For a further description of the MS., see
under Motets (below, p. 353).
" Miserere mei, Deus " ; for 3 choirs of 4 voices each, in parts
(wanting the alto of the 3rd choir), by " Pramestina " («c. Palestrina).
Egerton 2454, ft*. 41-92.
Paper ; 19th cent. Oblong quarto. The MS. appears to have been presented
by the transcriber to the Rev. Edward Goddard. It also contains Motets (below,
p. 358) and a sacred Song.
" Miserere mei, Deus " ; for from 2 to 6 voices, with accompani-
ments for violoncelli and contrabassi, and a figured bass for the organ,
in score, by Giovanni Paesiello. Preceded by a " Christus factus est,"
for which see under Motets. The whole MS. is in the hand of the
Abbate Fortunato Santini.
Egerton 2459, ff. 2-31.
Paper; 19th cent. Oblong quarto. For the contents of the MS., see under
Masses (above, p. 238).
" Miserere mei, Deus " ; for 2 choirs of 4 voices each, with a figured
bass for the organ, in score, " con una ideale cantilena Gregoriana
Riportata al commodo del tuono del Salmo" ; by Leonardo Leo, March,
1739.
Egerton 2462, ff. 62-77b.
Paper ; 19th cent. Oblong quarto. For other contents of the MS., see under
Songs (sacred).
" Miserere mei, Deus " ; for 4 voices, in score, by Nicolo
Zingarelli.
Egerton 2463, ft'. 66-1 05b.
Paper ; 19th cent. Oblong quarto. For the contents of the MS., see under
Magnificat (above, p. 210).
" Miserere mei, Deus " ; for 2 trebles and 2 altos, with accompani-
ments for strings, in score, by Adolfo Hasse. In the hand of the
Abbate F. Santini.
Egerton 2470, ff. 33, 52.
Paper ; 19th cent. Oblong folio. The MS. belonged to the Rev. Edward
Goddard. It also contains part of a Requiem, some Motets (below, p. 361),
Passion Music, and a sacred Song, in the same hand.
Collection of compositions, written for the Church of Rome, in
the same hand, including settings of the " Miserere mei, Deus," for
252 VOCAL MUSIC— SACRED.
2 choirs of 5 and 4 voices, in score, as sung in the Sistine chapel (a),
by Gregorio Allegri (ff. 33-41b), and (b) by Tommaso Bai (ff. 52-59).
Egerton2571, ff. 12-23b.
Paper; 19th cent. Oblong folio. For a further description of the MS., see
under Motets (below, p. 3G2).
"Miserere mei, Deus," and "Gloria Patri " ; for 2 voices, with a
bass for organ, in score, by S. Wesley.
Additional 14194, ft". 163-2101..
Paper; 19th cent. Oblong quarto. For the contents of the MS., see under
Motets (below, p. 362).
" Miserere mei, Deus," in C minor ; for 4 voices, with symphonies
and accompaniments for strings and a figured bass for the organ, in
score, by Ferdinando Bertoni. In the hand of the Abbate Santini.
SECTION XVJ II.— MOTETS,
INCLUDING, BESIDES MOTETS PROPERLY SO-CALLED, SOME OTHER COMPOSI-
TIONS FOR TWO OR MORE VOICES WITH SACRED L.ATIN WORDS WHICH
IT HAS BEEN FOUND DIFFICULT TO ASSION TO ANY OTHER CLASS.
Burney 357, ff. 15b, 1G.
Vellum; 12th 13th cent. Octavo. The complete MS. contains a miscel-
laneous collection of short theological and other pieces. It belonged to Thame
Abbey, and afterwards to William Forrest.
Sequence, " Amor Pafcris et Filii," apparently for Whit-Sunday ;
followed by a " Benedicamus Domino." It is set for 2 voices, the
music being expressed by roughly written square and diamond-shaped
notes on a double stave of 8 lines with the C signature.
Cotton, Titus A. xxi, f. 90b.
Vellum; early 13th cent. Octavo. At the end of a MS. containing a
Virginale and part of a Psalter in a 12th-13th cent. hand.
Sequence, " Virtute numinis, non natura dei et hominis, mater
pura"; for 3 voices, written in England. Square and diamond-shaped
notes, with the C and C W signatures, on a triple stave of i lines
each, with quasi-bars.
MOTETS.
253
Harley 978, ff. 8b, 9b, lib.
Vellum ; after 1226. Octavo. See also under Catches.
Motets, written at Reading Abbey, in square and diamond-shaped
notes, with the C, C B1?, and F signatures. At the end are some lists
of Motets.
-3. Three compositions written for
cantus superior and inferior, in parts,
without words. On a stave of 5 red
lines, ff. 8b, 9.
, " Ave, gloriosa mater"; with alter-
native French words, " Duce creature
Uirgine Marie," written underneath ;
composed for 3 voices, in quasi-score,
on a stave of 12 to 15 lines, with
what looks like a fourth part added
at the end, in a contemporary, if not
the same, hand. f. 9b.
"Perspice, Christicola" : adaptation
to Latin words of " Svmer is
icumen in." f. lib.
Egerton 2615, ff. 43, 69-94.
Vellum; about 1227-1231. Octavo. See also the Catalogue of Additions,
1882-1887.
Motets, in score, introduced in an Office for the Circumcision — the
Fete des Fous — at Beau va is. They are, unless the contrary is stated,
for 3 voices. The notes which accompany the text throughout are
quasi-square on staves uf 4 red lines, of which that for the lowest voice
is occasionally placed below the text. There are others without words
at ff. 74, 76.
1. " Orientis partibus aduentauit
asinus " (Prose de l'ane). f. 43.
2. "Veni, doctor preuie." ff.69, 84b.
3. " Christus manens." ff. 71b, 83b.
4. " Confirma nos " (for 2 voices), f. 73.
5. " Quern tremit infernus." ff. 73 (for
2 voices), 77b.
6. " . . .t honore uirginali." f.73b.
7. " [Serena virgo (?)]." f. 74b.
8. " Sanctorum meritis." f . 76b.
9. " [V]id°runt omnes" (for 4 voices).
f.79.
10. " Notum fecit Dominus " (for 4
voices), f. 80.
11. "Descendit de celis." f. 82.
12. " [Salv]atoris hodie sanguis."
f . 86b.
13. " [Prjesul nostri temporis." f. 87b.
14. "Die, Christi Veritas." f . 88b.
15. "... legentur ab area." f. 89b.
16. "Transgressus legem." f. 90.
17. "Agmina milicie." Words by
Philippe de Greve, music perhaps by
Henricus de Pisis (see Eg. 274,
ff. 3, 4b, etc.). f.91.
18. " [? Mar]ia, uirginum lux." f. 92.
19. "[G]aude, Maria, Gabrielem."
f. 94.
Additional 30091, ff. 1-7 passi
m.
Vellum ; 13th cent. Duodecimo. The MS. also contains two secular com-
positions (see under Duets).
Motets, mostly in praise of the Virgin, written in France in long
lines with alternate blue and red initials. Only 2 parts are given, the
2nd (or ground bass) being generally sung to different words. The
notes are written on a 4-line stave.
254
VOCAL MUSIC— SACRED.
7. " Virgo, decus castitatis." f . 5b.
8. "0 felix puerpera, flos virginum."
f.6.
9. " Hac in die dulce melos assumpte
matris." f.6.
10. " Balaam prophetanti." f. 6b.
11. " Cruci Domini sit cunctis boris
laus parata." f. 7.
12. " Eva, quid deciperis." f. 7b.
The words of nos. 3 and 6 appear to be by Philippe de Greve (see
Eg. 274, ff. 3, 54b, 56b, described below).
1. " 0 maria, decus angelorum." f. 1.
2. "Candida virginitas ut lilium." f. 1.
3. "Venditores labiorum fleant aduo-
cati." By H. de Pisis (?). f. 2.
4. "Tedet intueri me, quod uita cleri
multo peior uult haberi." f. 3b.
5. "O quam sancta, quam benigna,
fulget mater saluatoris." f. 3b.
6. "In omni fratre tuo non habeas
fidutiam." By H. de Pisis (?). f . 4b.
Each motet is accompanied by musical notes and has what appears
to be a pes or burden, in which the same melody is generally repeated
twice, and in one instance five times, to words which have no connec-
tion with the text, but are probably those of well-known songs.
Egerton 274, ff. 7b, 43-56b passim.
Vellum ; late 13th cent. Duodecimo. See also under sacred Songs.
Six of the " Dicta magistri Ph. (sc. Philippe de Greve), quondam
Cancellarij Parisiensis," set for 2 voices. The music is probably by
Henricus de Pisis. In nos. 2-6 the 2nd part consists of a bass added
at the end of each.
1. "0 Maria, uirginei flos honoris";
in quasi-score. f. 7b.
2. " Laqueus conteritur." f. 43.
3. "Agmina milicie " ; on S. Katha-
rine. (In Eg. 2615, f. 91, an upper
part is added), f. 45.
4. " In saluatoris nomine." f. 50.
5. "In ueritate comperi." f. 52b.
6. " In omni fratre tuo." f. 54b.
Harley 524, f. 63.
Paper ; 13th-14th cent. Octavo.
Hymn, " Veri floris sub figura " ; for two voices, written in England,
with black notes on 2 staves of 4 red lines each. Divided into bars of
irregular length by a rather later hand. Preceded by an incomplete
sermon De institutione Misse in a late 13th cent, hand, and followed
by a Commemoracio de Trinitate in an early 14th cent, hand, with
neither of which it appears to have any connection.
Additional 25031, ff. l-4b.
Vellum ; 13th-14th cent. Octavo. Fly-leaves of a MS. containing medical
treatises, etc., and apparently connected [in 1350] with Worcester (sec f. 9).
MoticTs, written in England, in long lines with large initials.
Imperfect. Square and diamond-shaped notes on a stave of 5 red
lines, with the C signature.
1. "Felix namque Maria." One part. mittitur ad salutem Virginis." Three
f. 1. parts, a fourth being probably lost.
2. " De supernis sedibus fortitudo f. lb.
MOTETS. 255
3. " Prolis cterne genitor." One part,
f. 2b.
4. " Quem non capit fabricamagnifica."
One part, witb a pes. f . 3. On f. 4b
is what appears to be a fragment of
another part.
5. " Psallat mater gracie ; gaudet
ecclcsia." One part, with pes. f. 3b.
6. Fragments of other motets, f. 4.
Additional 28598, f. 14.
Vellum; 13th-14th cent. Small folio. From a Sarum Antiphonal.
" Primo tempore alleuiata est. terra Zabulon " : a Christmas antiphon
for 2 voices.
Arundel 248, ft". 153, 155, 200b, 201b.
Vellum ; early 14th cent. Octavo.
Sequences and a Hymn, in a collection of theological and moral
pieces written in England, with small square notes, the 2 part com-
positions on staves of 8 or 10 lines, and the 3-part ones on staves
of 12 or 15 lines, with the C or W marked.
1. Sequence, "0 labilis, O flebilis
hominis conditio" (2 voices), f. 153.
2. Hymn, " Saluc, uirgo uirginum " (3
voices), f. 155.
3. Beginning of a sequence, ' ' [A]lleluia !
virga ferax Aaron " (2 voices), f . 200b.
4. Sequence to the Virgin, "Risum
..." (2 voices), f. 201b.
Cotton, Appendix xxix, f. 36b.
Vellum; early 11th cent. Quarto. Apparently from a Sequentiale connected
with the church of Addle, co. York (see obits, f. 36).
" Angelus ad uirginem subintrans in conclaue " : sequence for 2
voices, written on a double stave of 9 (?) lines, with the F and B!?
signatures.
Egerton 945, IF. 288-321 passim.
Vellum ; early 14th cent. Duodecimo. From a Book of Hours, written
(see f. 234b) apparently at Perigueux.
Am ens and Alleluias in 2 or 3 parts, added at the end of some
Sequences. Square and diamond-shaped notes on a stave of 5 red
lines with the C Bi? signature.
Sloane 1210, ft'. 1, 1*, 138-140.
Vellum; 14th-15th cent. Octavo. Fly-leaves of a MS. containing a treatise on
grammar dated 1420. Belonged (15th cent. ?) successively to Dom. John Palmer,
John Gigur, "magister in collegio do Tateshale" [Tattershall, co. Line], and
Dom. William Stokes.
HYiMNS, Sequences, etc., written in England. Unless the contrary
is stated, they are for 3 voices, and in score. In a mutilated form.
1. "Credo." Imperfect at the beginning,
f. 1.
2. " Triumphus patet hodie leticie"
(Exaltation of Cross). One part only,
f. lb.
3. The end of another sequence. One
256 VOCAL MUSIC— SACRED.
part only. f. 1*.
4. " Veni, mi dilecte" (2 voices), f. 1*.
5. "Arbor Ade" (2 voices). In honour
of the Virgin, f. l*b.
6. " Et in terra pax." f. 138.
7. " [KJyria, christifera." f. 139.
8. " Virgo salvavit hominem " (2 voices),
f. 139b.
9. "0 lux, beata trinitas." f. 140.
10. " Quare fremuerunt gentes " (2
voices, in parts), f. 140b.
The remaining sequences, etc., are addressed to the Virgin.
11. " Omnes in domino." f. 141b.
12. " [Alle]luya ! 0 miranda domina "
(2 voices), f. 141b.
13. "In rosa primula." f. 142.
14. " langueo, virgo regia." One
part only. f. 142b.
15. " [R]eor ncscia que sit sapientia."
One part only. f. 143.
1G. " . . . . Nuncius a summo patre
mittitur." f. 143b.
Additional 24198, ff. 1, 132, 133.
Vellum; 14th-15th cent. Folio. Fly-leaves from an Augustinian Missal,
which apparently belonged to the Abbey of St. Thomas the Martyr at Dublin. The
first fly-leaf also contains a secular composition (see under Madrigals).
Fragments of what appear to be motets, arranged in alphabetical
order, written in long lines with illuminated initials on a 5-line stave.
1. " R[— ] " (St. Katharine). Appa-
rently two parts, f. 132.
2, 3. " Rosa mundi " and the beginning
of another, " Regis aula." f. 132b.
4. " Surge ; jam est hora." f. 133.
5-7. "Trinitatem ueneremur," "Trini-
tatis uox," and " Te, Domina regina."
f. 133b.
8,9. "Trinitas et deitas" and " Te,
domina Maria." f. 1.
10. "Triumphat hodie Christi miles"
(St. Laurence), f. lb.
Cotton, Titus D. xxiv, ff. 1 -4.
Vellum ; 15th cent. Octavo. Fly-leaves at the beginning of a Chronicon
Angliae.
Two 3-part settings of a " Gloria in excelsis," in score, with notes
on a 5-line stave. The proper order is ff. 2b, 3b, 2, 3 ; 4, lb, 4b, 1.
Harley 2942, ff. 121, 121b.
Vellum; 15th cent. Octavo. From a Processional, apparently written at St.
Neots. On f. 2 is written " De la chapelle Thomas fitz au Roy, Due de Glouc'
[d. 1397], achete de Sr Henry Wynchestre " (see also f. 121).
"Salue festa dies" ; apparently harmonized for 2 (or more) voices,
the 2nd part (on f. 121b) being headed " medium."
Additional 27630, ff. 2b-6 7 passim j 106b-108b.
Vellum ; 15th cent. Duodecimo.
A teopary, probably written in Bavaria [1 Unterdorf on the Glon],
for the Hermits of St. Augustine (f. 88, etc.), from whose possession
it passed into that of a Benedictine monastery (f. 101b, etc.). It
MOTETS.
257
contains the following troped introits, proses, cantica, etc., for 2 voices.
Nos. 1-53 are written in quasi-score.
1. " Flos de spina procreatur." f. 2b.
2. "Maria, degenti confer solamina
genti." f. 4.
3. " Salva, Christe, te querentes."
i. 4b.
4. "Ave, decus angelorum, salus vera
fidelium." f.5.
5. " Audi, virgo virginum." f. 6.
6. " Gaude, virgo virginem " (sic), f. 6b.
7. " Salue, virgo speciosa." f. 7.
8. " 0 virgo mitis." f.7b.
9. " Tu, norma pudicicie." f . 8.
10. "Ad laudes Marie cantemus."
ff. 9b, 45.
11. " Ostende nobis, O Maria." f. 10.
12. "Gloriosa mater dei." f . 10b.
13. " Aue, fulgens stella maris." f. 11.
14. " Aue, speculum candoris." f . 12.
15. " Ad laudem virginis cantemus."
f. 13.
16. " Fulcite me floribus." f. 13b.
17. " Candor lucis." f. 13b.
18. " Virgo, tronus glorie." f. 15.
19. " Hec est rosa venustatis." f. 15b.
20. " Letare, en ! milicia." f. 16.
21. " Nos respectu gracie." f . 17.
22. " Chorus nove iherusalem." f. 18.
23. " Salua, Christe, te querentes " (dif-
ferent from no. 3). f. 19b.
24. " Leccio libri apokalipsis ....
Vidi civitatem." f . 27.
25. 26. "Leccio libri sapiencie . . . .
In omnibus requiem quesiui." Two
settings, ff . 28b, 30b.
27. "Kyrie, magne deus potencie."
f. 32.
28. " Kyrie, homo natus." f. 32b.
29. "Kyrie, fons bonitatis." f . 33.
30. " Kyrie, ignis diuine." f. 33b.
31. "In ny[m]pha regia." f. 34.
32. " Salutemus dominum." f. 34b.
33. "Qui de carne puellari." f. 35.
34. " Summe deus, rex celorum." f. 36.
35. " Ab hac familia." f. 36.
36. "O vera, o pia." f.36b.
37. " Quern ethera et terra." f. 37b.
38. " Constantes estote." f.38.
39. " Vidit Jacob in sompnis." f. 38.
40. " Patris ingeniti [unigeniti] filius."
f.39.
41. "Sanctus. Rector celi immortalis."
f.39.
42. " Psallat Augustino mater ecclesia."
f . 40b.
43. " Ecce dies triumphalis gaudet"
(i.e. gaude). f. 41.
44. "Flos vt rosa floruit." f. 42.
45. "Ad cantus leticie." f. 43b.
46. " Ah homo perpende." f . 43b.
47. " Hec festiua accio." f . 44b.
48. "Hec est sancta sollempnitas in
qua." f. 45b.
49. "Ecclesiam de regum stirpe na-
tum" (sic), f. 46b.
50. " Alleluia. Dies sanctificatus."
f . 47b.
51. " Ascende, benedicte." f. 48b.
52. " A[ll]e[l]uia. Surrexit pastor bo-
nus." f . 49.
53. "Alleluia. Veni, sancte spiritus;
reple." f . 50.
In nos. 54-70, the mutetus (or medius) part is followed by a sort
of ground tenor, the words of which are generally different.
54. " Angelus apparuit." f. 51b.
55. " Dum crumena plena tumet ere."
(Tenor sings " Kyrie eleison.") f. 52.
56. "O nacio nephandi generis."
f . 52b.
57. ' 'Ave, Jhesu Christe, verbum patris."
f. 53b.
58. "Veste vili." f.54.
59. "Veni, sancte spiritus, et emitte
celitus." f . 54b.
60. " Descendi in ortum meum."
f. 55b.
61. "Rer[um] omnium dominus."
f . 55b.
62. " Salue, Maria regia." f. 56b.
63. " Dat superis inferis gaudia." f. 57.
64. " Rosula fructu perfulcitur." f . 57b.
65. " Salue, pater luminum." f. 58b.
66. "Mulierum hodie Maior natus."
f. 59b.
67. " Anima mea liquefacta est."
f . 59b.
68. "Alleluia. Jhesu. nos livore sana."
f . 60b.
258
VOCAL MUSIC— SACRED.
69. " Aue, tronus trinitatis." f. 61.
70. " 0 Inestimabile triclinium." f.61b.
71. "Consolare, virgo." f.62b.
72. "Tota pulchra es, arnica mea."
f . 63b.
3. " Aue, virgo gloriosa ; aue parens."
i. 64.
| 74. " Hec est domus domini." f.64b.
75. "Benedicamus Domino" (in quasi-
score). f. 65.
76. " Adam cum uiragine." f. 65b.
77. "0 primarium ueri sacrarium cor-
dis armarium." f. 66b.
The following are in a different hand, in Gothic notation : —
78. "Jam candor celorum." f. 106b.
79. "Pater noster, qui es in celis."
f. 108.
80. " Non est fides in bohemo " (tenor
sings "Alleluia"), f. 108b.
Additional 5665, f. 58b.
Paper ; 15th-16th cent. Large octavo. See also below, p. 260.
" Aue, regina celorum " : Motet, in 4 parts, by an English
composer.
Lansdowne 462, ff. lb, 152b.
Vellum; early 16tb cent. Folio. From a 15tb cent. Sarum Gradual. See
also under Masses, above, p. 211.
The tenor, or contra-tenor, parts of the following antiphons, etc.,
probably written for 4 voices : —
1. " [Asperges me,] Domine." f. lb.
2-5. "Stella celi," "O gloriosa stella
maris," " Salua nos, Jhesu," and
"[Vidi aquam] egredientem de tem-
plo." f.l52b.
Royal Appendix 58, passim.
Paper ; early 16th cent. Oblong octavo. See also under Madrigals.
Single parts (chiefly tenor) of sacred vocal compositions to Latin
words.
1. "Spem in alium nunquam babui."
f. lib.
2. "Stella celi extripauit [i.e. extir-
pavit]." i. 26.
3. " 0 gloriosa stella maris." "Doctor
Coper [i.e. Cooper]." f. 26b.
4. "Egredientem de templo"; with
"Gloria Patri." f.27.
5. " Sancta Maria virgo, intercede"
(crossed out), f. 31b.
6. " Sabatum Maria." f. 32b.
7. "Salue, festa dies." f . 33.
8. " Jacob autem genuit Joseph."
f. 39b.
9. "Gloria sanctorum." Imperfect at
the end. f. 58b.
10. The end of a " Gloria Patri."
"J.Cole." i. 59.
11. " Adesto nunc propicius." f. 59b.
Additional 33989, ff. 128, 142b.
Paper ; early 16th cent. Large folio. A large leaf folded in two and forming
tho wrapper to accounts of St. Mary's College, Mettingham, co. Suffolk, for 1515.
Bass part of the first of a collection of harmonized Latin hymns,
of which the others are lost. Begins " Sepe precinebant patres et
prophete." The notes are white or black, mostly round, on a 5-line
stave, the bass-clef and the key of F indicated in the modern way.
MOTETS.
259
Royal 11 E. xi, ff. 10b-17.
Vellum ; about 1516 (see below). Large Folio. At tbe beginning is -written
*
"Me fieri ac componi fecit P.O. 1516" [? William Peto, afterwards tutor of
Princess Mary, the arms of whose mother, Katharine of Aragon, as a Princess of
Castile, are introduced on f. 2],
Motets in parts, written early in the reign of Henry VIII
(see f. 2). Nos. 3—5 are anonymous.
1. "Svb tuum presidium" (4 voices). f. 13b.
" Benedictus de Opiciis." f. 10b. 4. " Beati omnes qui timent Dominum"
2. "Qvam pulcra es, arnica" (5 voices). (3 voices), f. 15b.
"Sampson." f. lib. 5. " Ecce, sic benedicetur homo" (3
3. " Hec est preclarum vas " (4 voices). voices), f. 16b.
Royal 8 G. vii, passim.
Vellum;, a.d. 1519-1533 (see below). Folio. With an illuminated border
and initials of Flemish style. Probably written for Henry VIII and Katharine
of Aragon (divorced 1533), whose badge, the pomegranate, appears in the
decoration (see also ff. 5, 6). The MS. also contains a Carol (see above, p. 140),
some secular Motets in the same hand, and a secular Canon (after 1544).
Motets for 4 voices, in parts.
1. " Celeste beneficium." f.2b.
2. "Adiutorium nostrum," with a
prayer for Katharine [of Aragon].
f.4b.
3. " Ave, Eegina celorum." f. 8b.
4. " Descendi in ortum meum." f. 10b.
5. " Sancta trinitas, vnus Deus."
f. 12b.
6. "Vexilla Regis prodeunt." The
contra-tenor is sung to the words
"Passio Domini .... secundum Jo-
hannem," etc. i. 14b.
7. " Doleo super te." f. 17b.
8. " 0 Domine, Jhesu Criste." f. 18b.
9. " Maxsimilla, Cristo amabilis."
f. 20b.
10. " Sancta Maria, succurre miseris."
The air is apparently founded on
that of a song which begins "O
werder mondt" (see tenor part).
f. 21b.
11. " Sancta et immaculata." f. 22b.
12. " Missus est Gabriel." f. 23b.
13. " 0 dulcissima Virgo." f.25b.
14. "Salve" (in treble and contra-
tenor); "Tota pulcra es " (in tenor
and bass), f. 26b.
15. "O pulcherrima mulierum,"
f. 27b.
16. "0 Sancta Maria Virg_ with a
prayer for [the Emperor?] Charles,
elected in 1519. f. 28b.
17. " Verbum bonum." f . 30b.
18. " Recordamini quomodo." f . 32b.
19. "0 beatissime Domine." f. 34b.
20. " Fac me de tua gracia." f. 36b.
21. " Ave, sanctissima Maria." f. 38b.
22. " Ecce, Maria genuit nobis."
f . 40b.
23. " Congratulamini michi omnes."
f. 42b.
24. "Egregie Christi Martir, Christo-
phore." f. 44b.
25. " Ecce enim, festus." f.46b.
26. " Alma redemptoris mater." f . 48b.
27. " Absalon, fili mi." f. 56b.
28. " Jhesus autem transiens." f. 58b.
29. "Anima mea liquefacta est." By
Henry Isaac (see Add. 11585, f. 39).
f. 59b.
30. " Inuenerunt me custodes." f. 60b.
31. "Filie Jherusalem." f.61b.
32. " Tribulatio et angustia." f. 62b.
260
VOCAL MUSIC— SACRED.
Royal Appendix 45-48, passim.
Paper; before 1536, Oblong octavo. See also under Masses (above, p. 212).
Offertokia, etc., introduced in some Masses by Nicolas Ludford.
In parts. The first seven are sequences, following the Alleluia cum
versibus, and are inserted before the " Credo."
i, f.28b; ii, iii, f.31b; iv, f. 14b.
5. "Hac clara [die?]." i, f.38; ii,
f.42b; iii, f. 41b ; iv, f. 17.
G. "Ave, virgo singularis." i, f. 46b ;
ii, f.52b; iii, f.51b; iv, f.20.
7. "Hodierni lux diei." i, f. 56b; ii,
f. 63b ; iii, f. 62 ; iv, f. 23.
Vol. iv contains only the " Kyrie," " Gloria in Excelsis " (wanting
however in nos. I and 6), and " Credo " ; and in place of the missing
portions of the Masses is a single part of the following Offertoria and
Communiones : —
1. "Ave, preclara maris stella." i, f. 3;
ii, iii, f. 3b; iv, f. 3.
2. "Post partum virgo." i, f. 12b; ii,
iii, f. 13b; iv, f . 8.
3. " Ave, Maria, gratia plena." i,
f. 19b ; ii, f. 22 ; iii, f. 22b ; iv, f . lib.
4. " Letabundus exultct fidelis chorus."
8. " Felix namque." ft". 5b, 25.
9. " Beata viscera." ff. 6, 25b.
10. " Vera fides " (for Easter), f. 25b.
11,12. " Aue, Maria, [gratia plena]'
and "Ecco, Virgo" (for Advent), ff. 26,
26b.
13, 14. "Offerentur" and "Diffusa
est " (for Christmas), f. 27.
Additional 5665, ff. 55b, 59b-65, 106b-145 passim.
Paper and vellum; t.mp. Heu-ry VIII, ..V. Large octavo. The MS.
belonged to Joseph Ritson, who introduced some of the contents into his Ancient
Songs, 1790. J. Stafford Smith also made use of it in his Musica Antiqua.
Certain deeds written on ff. 61, 69b, 70 appear to connect it with Devonshire.
The rest of its contents appear elsewhere in this Catalogue.
Motkts, in parts, by English composers. Unless the contrary is
stated, they are for 3 voices.
1. " Beata dei genetrix." "Ric.Mower."
f. 55b.
2. " Regina celi, letare." By the same,
f. 59b.
3. "[O] lux, beata trinitas." For 2
voices. Anonymous, f. 60b.
4,5. "Lumen ad revelacioncm " and
"Secundum verbum tuum " ; from
the "Nunc dimittis." For 5 voices.
" Sir T. Packe." ff. 62b, 63b.
6. "Stellaceli." " Syr William Hawte,
miles." (There were two knights of
this name, one of whom flourished
in 1473, and the other about 1530.)
f . 64b.
7. "Salve, festa dies toto venerabilis
evo." Anonymous, f. 106b.
8. "Gaude, virgo, mater cristi" (" xii
notiscumpas"). Anonymous, f. 107b.
9. " Gaude, sancta Magdalena." "Sir
Thomas Packe." f. 112b.
10. " Dicant nunc Judei." For 2 voices.
" Johannes Cornysche." f. 120b.
11. " Benedicamus Domino." For 2
voices. Anonymous, f. 121b.
12. "Deo gracias." For 3 voices.
Anonymous, f. 121b.
13. "Salve, festa dies" (different from
no. 7). Anonymous, f. 122.
14. "Maria virgo, intercede." Anony-
mous, f. 122b.
15. "Salve, regina misericordie."
"W.P." [i.e. William Parsons?],
f. 124b.
16. "Anima mea liquefacta est." By
the same. f. 129b.
17. " Nunc, Jhesu, te petimus." Anony-
mous, f. 131b.
MOTETS.
261
18. " Dicant nunc Judei." For 2 voices.
(Different from no. 10). Anonymous,
f. 142b.
19. "Miserere michi, Domine." "J.
Norma[n]." f. 145.
Additional 31922, f. 88b.
Vellum ; temp. Henry VIII. Small folio. See also under Madrigals.
" Dulcis arnica," without the words ; for 3 voices, in parts.
Anonymous.
Additional 34191, ff. 17-35, 44-6.
Paper ; temp. Henry VIII. Small quarto. See also under Masses (above, p. 212).
Tenor, or Bass, part of Motets by English composers.
1. " Salve, Regina." Wanting the
last part. Anonymous, f . 17.
2. " Gaude plurimum." " John Taver-
ner." f. 18.
3. "Virgo templum." Wanting the
beginning. " Richard Davy." f . 20.
4. "Gaude, pastore." "Richard Py-
gott." f. 23.
5. " Gaude, Virgo." " Hugh Asheton."
f. 25b.
6. "0 Maria." " Doctour Fayrefax."
f.28.
7. " Sancta Maria." "Thomas Asshe-
well." f.31b.
8. "Potencia Patris"; containing a
prayer for Henry VIII. Anonymous,
f. 34.
9. " Asperges." Wanting the end.
Anonymous, f. 44.
10. "Regali exultauit." "Doctour
Fayrefax." f. 45.
Additional 19583, ff. lb-45 passim.
Vellum; first half of 16th cent. Oblong octavo. The MS. also contains
Madrigals and a Miserere (above, p. 244).
Single vocal parts (1st or 2nd treble, or tenor) of compositions
for several voices by French and Flemish composers of the 15th-16th
cent.
1. " Confitemini Domino, quoniam
bonus." " Andreas [Silvanus ?]." In
3 parts, f. lb.
2. " 0 sancte seraphice." " [Pierre] de
la fage." f. 6b.
3. Noe t noe 1 noe ! puer nobis nasci-
tur"; with second part, "Tunc
Herodes." " Jo. Mouton." f . 7b.
4. "Osculetur me osculo oris sui " ;
with second part, "Nigra sum."
" [Mathieu ?] Gascongne." f. 8b.
5. "Exaudiat te Dominus"; with
second part, " Impleat Dominus."
"[J.] Richafort" [rl. 1519-1547].
f. 10b.
6. "Emendemus in melius"; with
second part, " Peccavimus." By the
same. f. 13b.
7. "Congaudentes exultemus"; with
second part, "O beate Nicolae."
"Thomas Martini." f. 15b.
8. " Deduc me, Domine " ; with second
part, "Et respondebo." "Con-
[stanzo] Festa." f. 17b.
9. "Domine, ne in furore"; in two
parts. " Josquin[des Pres]." f . 20b.
10. Quampulchra es et quam decora " ;
with second part, "Veni dilecta."
Anonymous, f . 22b.
11. " Sancta Maria, sucoiuLLjcmi8eris."
" [J.] Richafort." f . 23b.
12. " Adiutor in tribulationibus " ; with
second part, " Deus in medio."
" Maitre Jan [de Gero]." f. 24b.
13. "Salue, Regina misericordie " ; in
two parts. " Carpentras." f. 27b.
262
VOCAL MUSIC— SACRED.
14. " Intercessio, quesumus." "A.
Wilaert." f. 29b.
15. "0 benignissime." " Maitre Jan
[de Gero]." Published in 1519.
f. 30b.
1G. " Svfficiebat nobis paupertas nos-
tra." <l[J.]Richafort." f. 31b.
17. Inuiolata, integra " ; with second
part, "Qve nunc flagitant," and
third part, "0 benigna." " Josquin
[des Pres]." f. 36b.
18. "Da pacem, Domine " (canon).
" Antho. Divitis." f. 38.
19. "0 dulcis arnica." Anonymous.
f . 38b.
20. " Svb tuum presidium." Anony-
mous, f. 39b.
21. "Veni, sponsa Christi." Anony-
mous, f . 40.
! 22. " Peccantem me quottidie." "Jo.
Mouton." f. 40b.
23. "Moriens lux." By the same,
f. 41b.
24. " Pater noster " ; with second part,
"Panem nostrum." " [J.] Richa-
fort." f. 42b.
25. "Veni, sancte spiritus, et emitte ";
with second part, " Sine tuo numine."
Anonymous, f. 43b.
Additional 35087, passim.
Vellum ; 1st half of 16th cent. Large octavo. The MS. appears to have
belonged originally to Hieronymus Laurinus (f. 1), but to have passed not long
afterwards into English hands (f. 75b). It also contains many Chansons (see
under Madrigals).
Motets, etc., for 3 voices, in parts, by Flemish composers, mostly
anonymous.
1. " 0 vos omnes qui transitis." f. lb.
2. " Erubescat Judeus infelix." f. 2b.
3. "Miserere mihi, Domine." f. 3b.
The leaf containing the tenor of this
number, and the contra-tonor and
bass of the following one, has been
torn out.
4. "Parce, Domine, populo tuo." f . 4.
5. " Tristis est anima mea." f. 10b.
6. " Pauper sum ego." f. 16b.
7. " Peccantem me quotidie." f. 17b.
8. " Ut queant laxis." f . 34b.
9. "Da pacem, Domine." "[Alexan-
der ?] Agricola." f. 39b.
10. " Dulcis arnica Dei." f. 61b.
11. " Viuo ego, dicit Dominus." f. 75b.
12. " [S]ancta Maria, piarum piissima."
f . 76b.
13. " Salue, mater Saluatoris." A
prayer for the Emperor Charles V
(1519-1556). The bass appears to be
founded on the melody, "Qui se
exaltat humiliabitur." f. 83b.
14. " Dicant nunc Judej." In a rather
later hand. f. 94b.
Additional 31438, ff. 2-17.
Paper ; a.d. 1553. Oblong octavo. The MS. also contains printed Madrigals
of the same date, and later compositions (after 1660), described elsewhere. On
f. 1 is a table of lessons drawn up in Dutch for Aurelia Aitsma.
Tenor part of Liber Quartus Cantionvm Sacrarvm . . . qvinqve et
sex Vocvm. . .Lovanii. Excudebat Petrus Phalesius. . .mdliii. Printed.
Unless the contrary is stated, they are by Clemens non Papa. The
first eleven are for 5 voices, the others for 6.
1. "Ego me diligentes diligo." f. 3.
2. "Concussum est mare"; with
second part, ' ' Factum est silentium."
f.3b.
3. "Tves Petrus"; with second part,
"Qvodcunque ligaueris." "Simon
Moreau." f. 4b.
4. "Deus virtutum " ; with second
MOTETS.
263
part, "Et perfice." " Crequillon."
f. 5b.
5. "Misit me viuens pater"; with
second part, "Cibauit me Dominus."
f.Gb.
6. "Expurgate vetus fermentum";
with second part, "Itaque epule-
mur.
Crequillon." f . 7b.
7. " 0 quarn mcesta dies " ; with second
part, " Hec lugenda dies." f. 8b.
8. " Svrge, aquilo" ; with second part,
" Soror mea, veni." " Benedictus."
i. 9b.
9. "Dixerunt discipuli " ; with second
part, " Domine, si adhuc." f. 10b.
10. " Qvo abijt dilectus " ; with second
part, "Qvalis est dilectus." "Man-
chicourt." f. lib.
11. " Plaude, superna Syon " ; with
second part, " Ecce, tabernaculum."
f. 12b.
12. "Ave, martyr gloriosa"; with
second part, "Ave, Barbara." f. 13b.
13. "0 Domine, multi dicunt." f. 14b.
14. "Vigilate et orate." " Barbion."
f. 15.
15. "Clemens et benigna"; with
second part, "Nos a miseria perdue."
f. 15b.
16. " Qve estista"; with second part,
" Sicut dies verni." " N. Vuismes."
f. 16b.
Additional 33933, ff. 56b-76 passim.
Paper ; about 1575-1578. Octavo. See also under Anthems (above, p. 2).
Contra-tenor part of vocal compositions with Latin words, for
5 voices, unless the contrary is stated.
1. " Aspice, Domine" (the beginning
and middle torn off). By an Italian,
f. 56b.
2. " Quam multi, Domine" (a 4),
"geuin be my Lord of Marche to
David Pables," who set it to music
(beginning torn off). Two copies,
the last dated " 1576." ff. 57b, 63.
3. "Domine, in uirtute tua" — "set in
Ingland be ane Scottis preist . . .
ane heretyke." f. 66.
4. " Omnes gentes, attendite " — set in
England, f. 69.
5. " Deus miseriatur (sic) nostri " (a 4).
By R. Johnson, f. 70.
6. "Qui consolabatur " (sic). Anony-
mous, f. 74.
7. "Si quis diligit me."— " David
Pables set it in 4 parts, 1530, and
ane noveice [Francis Heagy] maid
the 5." i. 75.
8. " Descendi in ortum " (a 4). Anony-
mous, f . 76.
Printed Book, K. i. c. 23 (xxi-xxvii).
Paper ; after 1580. Oblong octavo.
Altus and tenor parts, and in the case of no. xxi the sexta vox
also, of some motets added in MS. at the end of the three remaining
volumes of the printed edition of the Sex vocum cantiones Orlandi di
Lasso, 1580. The numbers follow on as if forming a supplement to
the collection. Only one of them, however (no. xxv), is to be found
among the numerous collections of his works. They are, unless the
contrary is stated, for 5 voices.
1. "Susanna se uidens" (? a 6 — dif-
ferent from "Suzanne un jour").
No. xxi.
2. "Ecce nunc, benedicite Domino."
No. xxii.
3. " Euge, serue bone"; with second
part, "Domine quincque talenta."
No. xxiii.
4. " Hasc est uoluntas eius." No. xxiv.
5. " Cantate Domino canticum nou-
19
264
VOCAL MUSIC— SACRED.
urn"; with second part, " Viderunt
omnes termini." No. xxv.
6. "Maria Magdalena"; with second
part, "Cito euntes dicite discipulis"
(?a 5). No. xxvi.
7. " Domine Jesu Christe, non sum
dignus" (? a 5). No. xxvii.
In the volume containing the altus part an unnumbered 5-part
composition without words is inserted between nos. xxii and xxiv,
no. xxiii being placed after no. xxv.
Additional 32377, ff. 2 6-7 6b passim.
Paper ; about 1584 (f. 80b). Oblong octavo. The MS. appears to have belonged
to Hugh Geare in 1585 (f. 79b). The rest of its contents are described elsewhere.
One or two vocal parts of the following compositions. Of the first
five numbers only one part is given.
1. "Precamur, sancte domine" (a 5).
ByW. Byrd. Two copies, ff . 26, 72b.
2. " Deus misereator (sic) nostri " (a 5).
Anonymous, f. 27b.
3. "Scandens" (a 5). Anonymous.
f . 28b.
4. "Sive vigilem sive dormiam."
Anonymous, f . 29b.
5. "Ne irascaris, Domine" (a 5) ; with
second part, " Ciuitas san[c]ti tui."
By W. Byrd. f. 30b.
6. "Cunctis diebus" (a 6). Medius
and superius. By the same. f. 32b.
7. " Sponsus amat sponsam" (a 5).
By the same. f. 35b.
Of the following ten numbers 2 parts are given (either 1st and 2nd
triplex ; 1st and 2nd medius ; or medius with superius, triplex,
or altus) : —
8. " Domine, quis habitabit." Anony-
mous, f. 36b.
9. " Beati omnes " (a 6). At the end is
written "Demand" [? name of
copyist], f. 40b.
10. "Domine, quis habitabit" (a 6 —
different from no. 8). " William
Mundye." f. 41b.
11. "Da pacem, Domine" (a 6).
Anonymous, f . 46b.
12. "Credo quod redemptor" (a 6).
"Parsons." f. 47b.
13. "Hec dies es[t] quam fecit
Dominus" (a 6). "Shepeard."
f . 48b.
14. " Solemnis vrgebat dies" (a 6).
Anonymous, f. 49b.
15. " Deus misereatnr" (a 6). Anony-
mous, f. 51b.
16. "In te, domine, speravi " (a 6).
" Orlando Di Lasso." f. 55b.
17. "Spiritus vbi vult, spirat" (a 6).
Anonymous, f . 59b.
Of nos. 18-27 only one part is given ; nos. 19-26 are anonymous.
"B.
18. "Betribue servo tuo."
Parsons." f . 60b.
19. "O rex glorise " (bassus). f. 65.
20. "Omnia que fecisti" (a 5).
ff. 66, 74b.
21. " Libera me, Domine." / f. 66b.
22. " Confitemini." f.68b.
23. " Sabatum Maria" (plainsong).
f. 71b.
24. "Domine, non est exaltatum cor."
f. 73.
25. " Hierusalem." f. 73b.
26. "Gaude et latare (sic), Jacob."
f.74.
27. "Dommine (sic), prestolamur "
(a 5). "Bird." f. 76b.
MOTETS.
265
Additional 31992, ff. 38, 55b-y8.
Paper ; after 1589. Oblong quarto
Motets for 5 and 6 voices, by composers, chiefly foreign, of the 2nd
half of the 1 6th century. See under Lute Solos.
Harley 7578, ff. 86b, 104-105.
Paper ; temp. Elizabeth. Oblong octavo. See also under Madrigals.
Single Part of Motets written at, or near, Durham.
1. " Er[r]avi sicut oves " (contra-tenor
part). Anonymous, f. 104.
2. "Jesus Nazarenus." "Clemens
[? non Papa]." ib.
3. "Ad Dominum, cum tribularer "
(5 voices). " — More." f. 104b.
4. "Sagitte potentes." Anonymous.
f. 105.
Additional 30480-30484, passim.
Paper ; temp. Elizabeth. Oblong octavo. See also under Anthems (above, p. 3).
Motets by English composers, in parts.
1. "Jesum Nazarenum" (a 3). By
Dr. Tyc. i, f. 58b ; ii, f . 65 ; iii, f. 61.
2. "Facti sunt Nazarei." By Tallis.
i, f. 63b; ii, f. 68b ; iii, f.63b; iv,
i. 65b; v, til.
3. "Osalutarishostia"(a5). "Tallis."
i, f.74; ii, f. 79 ; iii, f. 73; iv, f.76;
v, f. 12b.
4. "Cor mundum crea " (a 4). Anony-
mous, i, f. 75; ii, f. 80; iii, f.74;
iv, f. 76b.
5. "Deus, in nomine tuo " ; with
second part, " Averte mala." Anony-
mous, i, f. 76 ; ii, f . 81 ; iii, f. 75 ;
iv, f.77b; v, f. 12b.
6. "Domine, in vertute tua"; with
second part, "Magna [est] Gloria
eius" (a 5). "Johnson." i, f. 76b;
ii, f. 81b; iii, f. 75b ; iv, f . 78b ;
v, f. 13.
7. " Venit vox de coelo," with second
part, " Respondit miles" (a 5).
Anonymous. i, f. 79b; ii, f. 84b;
iii, f . 78b ; iv, f . 82 ; v, f . 15.
8. "Dum transisset sabatum " (a 5).
By Sebastian Holland, i, f . 80b ; ii,
f . 85b ; iii, f . 79 ; iv, f. 83 ; v, f . 15b.
9. "Cecilia Virgo" (a 4). Anonymous,
i, f.81b; ii, f. 86b; iii, f.80b; iv,
f.84.
10. "Domine, in virtute tua." By
Johnson. Differs but slightly from
no. 6. i, f. 82b ; ii, f. 88 ; iii, f. 81b :
iv, f . 85 ; v, f . 16b.
Cotton, Nero E. viii, f. 55b.
Vellum ; 16th cent. Large quarto.
Two settings of the Amen, for 3 voices. Inserted at the end of the
Ordinary of the Mass in a 15th cent. Sarum Gradual. The parts are
written one above the other on staves of 5 lines, but not scored.
266
VOCAL MUSIC- SACRED.
Harley 1709, ff. 1-57 passim.
Paper; 16th cent. Quarto. The MS. is said to have belonged to Henry VIl's
Chapel. See also below, under Stabat Mater.
Medius part of some " anteinns " (i.e. Motets) by English composers
of the beginning of the 16th century. More than half of them are
anonymous.
1. " Gaude plurimum." By J.
Taverner. f. 1.
2. " Aue, dei patris filia." f. 3b.
3. " Adoro te, domine." f. 5.
4. " Salue, regina, pudica mater."
"Ludford." f.9.
5. "Aue, Maria, ancilla trinitatis."
f . lib.
6. " Sancta Maria, Mater Dei." f. 13b.
7,8. "Salue, regina, mater miseri-
cordie." Two settings, ft. 15b, 18.
9. " O domine celi et terre." f. 22.
10. "Tota pulcra es, arnica."
" Thomas Hyllary." f. 24b.
11. "Salue, regina, mater miseri-
cordie " (different from nos. 7, 8).
" Pygott." f. 26.
12. "0 regina..." f. 29.
13. "Salve, Jhesu..." f.31.
14. "Aue, dei patris filia" (different
from no. 2). f. 33.
15. "Virgo templum." " R. Davy."
f. 35.
16. "Gloria sanctorum." f.37.
17. "Te matrem dei laudamus."
"Asshwelle." f.39b.
18. " Ave, Cuius concepcio." f . 42b.
19. "Gaude, virgo, mater Cristi."
f. 44b.
20. " Salue, intemerata." f. 46b.
21. "Salue, regina, mater miseri-
cordie." " Ludford " (different from
nos. 7, 8). f. 49b.
22. Another setting. " W. Corny sshe."
f . 51b.
23. "0 bone Jhesu." f. 53b.
24. "Lauda, vivi alpha et 0 filia."
"Fairfax." f . 55.
Royal Appendix 17-22, passi
itt.
Paper ; 16th cent. Oblong quarto. The MS. belonged to [John, 6th Baron]
Lumley (d. 1609). It also contains some Latin Carols (above, p. 141).
Motets for 6 to 10 voices, in parts, apparently by [John] Dyricke
[ = Theodoricusj Gerarde, whose name is found in most of the volumes.
Unless the contrary is stated, each volume contains one part, vol. i
containing the superius ; vol. ii, contra-tenor ; vol. iii, tenor ; vol. iv,
bass ; vol. v, quintus ; and vol. vi, sextus. Nos. 1-22 are for 6 voices ;
in nos. 2-6 the sextus part is wanting.
1. "Derelinquat Impius viara." i— lii,
v.f.l.
2. " Gloria tibi, trinitas." i-v, f. 2.
3. "Nunquid adheret tibi"; with
second part, "Et factus est." i-v,
ff. 2b, 3b.
4. " Puer, qui natus. est " ; with second
part, "Hie precursor." i-v,
ff . 4b, 5b.
5. "Domine, clamaui " ; with second
part, "Vide humilitatem." i-v,
ff. 6b, 7b.
part, " Congregamini." i-v, ff. 8b, 9b.
7. "Aspice, domine." i-v, f. 10b; vi,
f. 1 {imperfect).
8. "Lsetare, Jherusalem." i-v, f. lib ;
vi,f. lb.
9. " Quare tristis es." i-v, f. 12b ; vi ,
f.2b.
10. "Versa est in luctum"; with
second part, "Cutis mea." i-v,
ff. 13b, 14b; vi, ff. 3b, 4b.
11. "Da mihi, Domine." i-v, f . 15b ;
vi, f. 5b.
6. "Aniniam meam " ; with second I 12. " Occurrerunt Maria et Martha";
MOTETS.
267
with second part, "Videns Jesus."
i, iii-v, ff. 16b, 17b; ii, f. 16; vi,
ff . 6b, 7b.
13. " Dum transsisset sabatum " ; with
second part, " Et valde mane." i,
iii-v, ff. 18b, 19b; ii, ff. 16b, 17b;
vi, ft. 8b, 9b.
14. " Tribulationem nostram." i, iii-v,
f.20b; ii, f. 18b; vi, f. 10b.
15. "Sic Deus dilexit"; with second
part, "Venite ad me." i, iii-v,
ff.21b, 22b; ii, ff. 19b, 20b; vi,
ff. lib, 12b.
16. "Peccantem me"; with second
part, "Deus, In nomine tuo." i,
iii-v, ff. 23b, 24b; ii, ff. 21b, 22b;
vi, ff. 13b, 14b.
17. " Domine, ne memineris" ; in two
parts, i, iii-v, ff. 25b, 26b; ii, ff. 23b,
Nos. 23-27 are for 7 voices, the
the contrary is stated) in vol. iii.
23. " Domine, da mihi animum
puruin." i, iii-v, f. 36b ; ii, f. 34b ;
vi, f. 26b.
24. " Honor, virtus " ; with second part,
" Trinitati lux." i, iv (with extra
tenor part), v, ff. 37b, 38b ; ii, ff. 35b,
36b ; iii, ff. 38b, 39 ; vi, ff. 27b, 28b.
25. "In monte Oliueti " ; with second
24b ; vi, ff. 15b, 16b.
18. "Ad te leuaui oculos " ; with second
part, "Miserere nostri." i, iii-v,
ff . 27b, 28b; ii, ff. 25b, 26b; vi,
ff. 17b, 18b.
19. "Viri galilei " ; with second part,
" Cumque intuerentur." i, iii-v,
ff.29b, 30b; ii, ff. 27b, 28b; vi,
ff. 19b, 20b.
20. " Non me vincat Deus." i, iii-v,
f.31b; ii, f.29b; vi, f. 21b.
21. "Omnis caro"; with second part,
" Vere fcenum est." i, iii-v, ff. 32b,
33b ; ii-, ff. 30b, 31b ; vi, ff. 22b, 23b.
22. " Magi veniunt " ; with second part,
" Interrogabat magos." i, iii-v,
ff. 34b, 35b; ii, ff . 32b, 33b; vi,
ff. 24b, 25b.
7th part being contained (unless
part, " Verumptamen non sicutego."
i, iii-v, ff. 39b, 40b; ii, ff . 37b, 38b;
vi, ff. 29b, 30b.
26. "Deus, qui superbis." i, iv, v,
f.41; ii, 39; iii, f. 42b; vi, 31.
27. "Ego autem cantabo." i, iv, v,
f . 41b ; ii, f. 39b ; iii, f. 44b ; vi, f . 31b.
Nos. 28-34 are for 8 voices, the 7th and 8th parts being contained
in vols, iii and v.
28. " Timor et tremor" ; in two parts,
i, iv, v, f. 42b ; ii, f. 40b ; iii, f. 45b ;
vi, f. 32b.
29. " Murus teneus." i, iv, f. 46b ; ii,
f. 44b ; iii, f. 53b ; v, f. 50b ; vi, f. 36b.
30. "In tribulatione mea." i, iv,
f. 47b ; ii, f . 45b ; iii, f. 55b ; v, f . 52b ;
vi, f . 37b.
31. "Laudate eum." i, iv, f. 48; ii,
f. 46 ; iii, f. 56b ; v, f. 53b ; vi, f. 38.
32. "Laudemus omnes." i, iv, f. 49;
ii, f. 47; iii, f. 58b; v. f. 55b; vi,
f. 39.
33. "Illuminare, Jerusalem." i, iv,
f . 49b ; ii, f . 47b ; iii, f. 59b ; v, f . 56b ;
vi, f. 39b.
34. "Cognoui, Domine"; with second
part, " Veniant mihi." i, iv, ff.50,
50b; ii, ff . 48, 48b; iii, ff . 60b, 61b;
v, ff. 57b, 58b ; vi, ff. 40, 40b.
35. "Gratia vobis " (for 9 voices, the
2nd contra-tenor being contained
in vol. ii). i, iv, f . 51 ; ii, f. 49; iii,
f. 62b; v, i. 59b; vi, f. 41.
36. "Laus Deo" (for 10 voices— the
extra parts in vols, ii, iii, v, vi).
i, iv, f. 51b; ii, f. 50b; iii, f . 63b ;
v, f. 60b ; vi, f. 41b.
Royal Appendix 23-25, passim.
Paper ; 16th cent. Oblong octavo. The MS. appears to have belonged to
— Crouder of Crouder's Hill (vol. iii, f. 43), and afterwards to [John, 6th Baron]
268
VOCAL MUSIC— SACRED.
Lumley (d. 1609). It also contains an Anthem (above, p. 4), a Carol (p. 141),
a Miserere (p. 244), Madrigals, etc.
Superius, contra-tenor, and tenor parts of a collection of Motets, etc.,
made, if not composed, by Dyricke Gerarde, whose name occurs (in
that form) at the end of vol. i, and the beginning of vol. ii. The folios
are the same in each volume, unless the contrary is stated.
1. " Angelas Domini descendit." i, ii,
f. 3b ; iii, f . 2b.
2. " Ego, Dominus." i, ii, f. 4b; iii, f. 4.
3. " Peccata mea." i, ii, f. 8b; iii, f. 7b.
4. "Misit me viuens pater." i, f. 12b;
ii, f. 16b ; iii, f. lib.
5. " Proba me, domine." i, f. 13b; ii,
f. 17b ; iii, f. 12b.
6. " Si bona suscepimus." f. 26b.
7. " Dominus dedit." f.27b.
8. " Fremuit spiritus Jhesus." f. 29b.
9. " Leuaui oculos." f. 30b.
10. "Viastuas." f.31b.
11. "Ego, flos campi." f. 33b.
12. " Heu michi, domine." f. 38b.
13. " Anima mea turbata est " (? part 2
of the preceding), f. 39b.
14. " Creator Omnium." f.40b.
Royal Appendix 26-30, passim.
Paper ; 16th cent. Oblong octavo. The MS. also contains a Carol (above,
p. 141), Madrigals and a secular Motet.
Motets for several voices, in parts, apparently all by Derick
Gerarde, though only nos. 4 and 5 have his name or initials (auto-
graph 1) appended. The name is given as Dyricke Gerard at the end
of each volume by [John, 6th Baron] Lumley [d. 1609], a rather later
owner. Unless the contrary is stated, they are for 5 voices, and the
folios are the same in each volume. The five volumes contain respec-
tively superius (and 2nd bassus), contra-tenor (and medius), tenor (and
sextus), bassus (and 2nd superius), and quintus (and 2nd superius).
1. " Quare fremuerunt gentes." f. 4.
2. " Egrediente domino." f. 4b.
3. " Multiplicati sunt qui tribulant."
f.6.
4. " Ne quando dicat Inimicus." f. 6b.
5. "Timor et tremor" (a 8); with
second part, "Exaudi, deus, depreca-
tionem." (2 vocal parts each are con-
tained in vols, ii, iii, and v.) ff. 7, 7b.
6. " Ascendens christus " ; with second
part, " Ascendo ad patrem." fi. 10b, 11.
7. " Fidem refondens (sic) " (a 4) ; with
second part, ' ' Opus stupent angelli
(sic)." i,iv, v, f. lib, 12 ; iii, f. 12.
8. "Puer qui natus est " (a 6) ; in two
parts, i, ii, iv (2 voices), v, f. 13 ; iii,
f. 13b.
9. " Animam meam dilectam" (a 6);
with second part, " Congregamini."
i, ii (2 voices), iv, f. 17b, 18 ; iii, v,
f . 18b.
10. "Illuminare, Jerusalem" (a 8 —
2 vocal parts each are contained in
vols, i, iv, and v). i, iv, f. 18b; ii,
iii, v, f. 19b.
11. " Cognoui, Domine" (a 8); with
second part, " Veniant mihi." (2 vocal
parts in each volume.) i, iv, ff. 19b,
20b; ii, iii, ff. 20, 20b; v, f. 20b.
12. "Da pacem, domine." i, f. 21 ;
ii-iv, f . 21b ; v, f . 22.
13. "Quare tristis es " (a 6). i, f. 22 ;
ii-iv, f. 22b ; v, f. 23b (2 parts).
14. " Occurrerunt Maria et Martha"
(a 6); with second part, "Videns
Jhesus." (2 vocal parts each in
vols, ii and iii.) i, ff . 22b, 23; ii-v,
ff . 23, 23b.
15. "Ad te levaui oculos" (a 6);
with second part, "Miserere nostri,
domine." i, ff. 23b, 24b; ii, iii, v,
ff . 24b, 25 ; iv, ff. 24, 24b.
MOTETS.
269
Royal Appendix 31-35, passim.
Paper; 16th cent. Oblong octavo. The MS. belonged to [Henry Fitzalan,
18th Earl of] Arundel (d. 1580). It also contains Carols (above, p. 142), Graces
(p. 177), Madrigals and secular Motets.
Motets for 4, 5, 6, 7, and 8 voices, in parts, apparently all by
Derick Gerarde, though his initials are only appended to a few of
them. The MS. certainly belonged to him (see vol. i, f. 1, etc.) ; and,
though the words of most of the pieces have been set to music by
many of the French and Flemish composers of the second quarter of
the 16th century, none of the present settings have been found among
their works. In vol. iii, f.67b, occur the two following inscriptions :—
(1) " John Theodoricu[s Gerarde ?]," and (2) " hnis qd master Redford."
[John?] Redford, though apparently a contemporary of Derick
Gerarde, could hardly have been the composer of the works in this
MS., as some of them are evidently autograph and in a hand quite
different from Redford's (cf. Add. 29996, passim) ; moreover, the
only composition to English words would appear to be set by a
foreigner (see vols, i-iii of the present MS., f. 27b). The five volumes
contain respectively the cantus, altus, tenor, bassus, and quintus (with
sextus also generally, where there are 6 or more parts). The other
extra parts (2nd cantus, 2nd bassus, etc.) are scattered over the first
three volumes. Except where the contrary is stated, nos. 1-19 are for
5 voices ; nos. 20-24 are for 6 voices ; nos. 26-29 for 4 voices ; and
nos. 30-32 for 8 voices.
1. "Christ us f actus est" ; with second
part, "Propter quod es Deus." i-iii,
ff.2b, 3b; iv, v, ff. lb, 2b.
2. " Benedictus dominus deus israel " ;
with second part, "Honor, virtus."
i-iii, ff. 9b, 10b ; iv, v, ff. 8b, 9b.
3. " Miserere mei, domine " ; with
second part, " Convertere, domine."
i-iii, ff. lib, 12 ; iv, v, ff . 10b, 11.
4. "O Maria, vernans rosa." i-iii,
f. 12b ; iv, v, f . lib.
5. "Leuaui oculos." i-iii, f. 13b; iv,
f . 12b ; v, f . lib.
6. " Aspice, domine " (a 6). i-iii, f. 16 ;
iv, f . 15 ; v, f . 27b.
7. " Hodie nobis de celo." i-iii, f. 16b ;
iv, f. 15b ; v, f. 15.
8. "Viuere vis recte " (? a 6). i-iii,
f. 17 ; iv, f . 16 ; v, f. 15b.
9. " Egoautemcantabo." i-iii, f. 17b;
iv, f . 16b ; v, f . 16.
10. " Tu Bethleem." i-iii, f. 19 ; iv, v,
f.18.
11. " Congregati sunt inimichi." i-iii,
f . 21 ; iv, v, f . 20.
12. "Tua est potentia." i, iii, f.21b;
ii, f. 22 ; iv, v, f . 20b.
13. " Misericordia et Veritas" (a 6).
i-iii, f . 22b ; iv, v, f . 21b.
14. " Derelinquat impius viam " (a 6).
i-iii, v, f. 32 ; iv, f. 29b (2 parts).
15. " Adhesit pavimento anima " ; with
second part, " Dormitauit anima."
i-iii, v, ff. 32b, 33 ; iv, ff. 30b, 31.
16. "Laudate Dominum, omnes
gentes." i, f . 34 ; ii, iii, v, f.33b;
iv, f.31b.
17. " Voce mea ad Dominum clamaui";
with second part, "In die tribula-
tionis." i-iii, v, ff . 35, 35b ; iv, f . 33.
18. "Sic Deus dilexit mundum" (a 6).
i-iii, v, f . 37b ; iv, f . 35b.
19. " Beati omnes qui timent"; with
second part, " Ecce sic benedicetur."
i-iii, v, ff . 38b, 39b ; iv, ff . 36b, 37b.
20. "Domine, clamaui ad te"; with
second part, "Vide humilitatem "
(quasi-canon). i-iii, v, ff . 40, 41;
iv, ff. 38b, 39.
21. "Peccantem me quotidie " ; with
second part, " Deus, in nomine tuo."
i-iii, ff. 41b, 42; iv, ff . 39b, 40; v,
ff . 42b, 43b.
22. "Domine, ne memineris " ; with
270
VOCAL MUSIC— SACRED,
second part, " Adjuvanos." " D. G."
i, fi. 47b, 48; ii, iii, ft. 48b, 49; iv,
ft. 46b, 47 ; v, ft. 56b, 57b.
23. " Venite ad me " (? part ii of no. 18).
i, f.48b; ii, iii, f . 47b ; iv, f.45b;
v, f. 54b.
24. " Tribulationem nostram." i, f. 49;
ii, iii, f. 48 ; iv, f. 46 ; v, f. 55b.
25. "Laudemus omnes Dominum"
(a 8). i, ii, f. 53b ; iii, f. 53 ; iv, f. 57 ;
v, f . 63b.
26. " Laudate Dominum, omnes
gentes." i, f. 55b ; ii, f. 54b ; iii, f . 53b ;
iv, f. 51b.
27. "Respice in me." i, f. 56b; ii,
f. 55b ; iii, f. 54b ; iv, f . 52b.
28. "Deus,. in nomine tuo"; with
second part, " Ecce enim Deus."
i, ft. 57b, 58b; ii, ft. 56b, 57b; iii,
f . 55b ; iv, f. 53b.
29. "In patientia vestra." i, f. 60b;
ii, f . 59b ; iii, f. 58b; iv, f.56b.
30. "Laudate dominum in Sanctis."
i, f. 61b; ii, f . 60b ; iii, f.59b; iv,
f . 58b ; v, f . 65b.
31. "In tribulatione mea." i, f. 62b ;
ii, f. 61 ; iii, f. 60b ; iv, f. 59 ; v, f. 66b.
32. "Murus eneus." i, f. 64b; ii, iii,
f. 62b ; iv, f . 60b ; v, f . 69b.
33. "Ego autem cantabo" (a 7).
i, f. 66b; ii, iii, f.66 ; iv, f. 62b;
v, f . 72b.
Royal Appendix 49-54, passim.
Paper ; 16th cent. Oblong octavo. The MS. belonged to [John, 6th Baron]
Lumley (d. 1609). It also contains a Carol (above, p. 142) and Madrigals.
Motets for 6, 7, 8, and 10 voices, in parts, apparently in the hand
of Derick Gerarde. Unless the contrary is stated, they are for 6
voices, the six volumes containing respectively 1st and 2nd superius,
contra-tenor, tenor, and 1st and 2nd bassus. Where they are for more
than 6 voices, the additional parts are generally contained in vols, i,
iii, iv, and vi.
1. "Domine, quinque talenta" (a 10).
"George Paon." i, iii, iv, vi, f. 3b;
ii, f. 4b ; v, f. 2b.
2. " Laudem dicite deo " ; with second
part, "Memores nostri estote" (a 7).
Anonymous, i, iii, iv, vi, f . 4b ; ii,
f. 5 ; v, ft. 5b, 6.
3. " Sancta trinitas" (a 8). " Phinot."
i, iii, vi, f. 5b ; ii, f . 6 ; iv, v, f. 6b.
4. " Sancta Maria virgo." Anonymous,
i-iii, f. 6b ; iv, f . 7 ; v, f. 3 ; vi, f. 6.
5. " Estote fortes " ; with second part,
"Vos, amici." Anonymous, i-iii,
v, ff. 7, 7b ; iv, ff. 7b, 8 ; vi, ff. 6b, 7.
6. "Stella ista"; with second part,
"Apertis thesauris." Anonymous.
i-iii, v, ft. 8, 8b; iv, ff. 8b, 9; vi,
fi.7b, 8.
7. " Gabriel angelus " ; with second
part, " Erit enim magnus " (? a 6).
" Latfeur." i-iii, v, ff. 9, 9b ; vi, f. 8b.
8. ' ' Dum transisset sabathum " ; in two
parts. "D. Gerarde." i, ii, v, ff. 17,
17b ; iii, ff. 17b, 18 ; iv, vi, ff. 16b, 17.
9. " Magi veniunt " ; in two parts. By
the same, i, ii, v, ff. 18b, 19; iii,
ff.19, 19b; iv, vi, ff . 18, 18b.
10. ' ' Versa est in luctum " ; in two parts.
By the same, i, ii, v, ft. 19b, 20 ; iii,
ff. 20, 20b ; iv, ff. 19, 20b ; vi, ft. 19,
19b.
11. " Letare, Jerusalem." Anonymous,
i, ii, v, f. 23 ; iii, f. 23b ; iv, vi, f. 22b.
12. "Deus, quisuperbis"(a7). "Dericke
Gerarde." i-iii, v, f. 23b ; iv, vi, f. 23.
Royal Appendix 57, ff. lb, 4b.
Paper ; 16th cent. Oblong octavo. The MS. also contains some Madrigals.
Bass part of two Motets.
1. "Jesu, corona virginum " ; with
second part, " Quoqunque (sic)
pergis"; and fourth part, " Laus,
honor, virtus" (a 6). "Orlando di
Lassus." ft. lb-4.
2. "Vrbs beata, Jherusalem"; with
MOTETS.
271
second part, " Noua veniens e celo"
(a 6); fourth part, "Tonsionibus
pressuris" (a G) ; and fifth part,
" Gloria et honor " (a 7, including a
tenor part, inserted at f. 7b). "Theo-
doricus Gerardi." ff. 4b-8b.
Additional 17001, f. 175b.
Vellum ; 16th cent. Large folio.
" Deo gratias," for 3 voices. Inserted at the end of a Sarum gradual,
written about 1440. Anonymous. The parts are written one above
the other on staves of 5 lines, but not scored.
Royal Appendix 12-15, passim.
Paper ; late 16th cent. Quarto.
Three Antiphons to the " Benedictus," added at the end of each
of the Lamentations (see above, p. 197) for the last three days in Holy
Week. For 4 voices, in parts.
1. " Traditor autem dedit eis signum." 3. "Mulieres sedentes ad monumen-
i, f.4b; ii, iii, f.5; iv, f. 10. turn." i, f. 13 ; ii, f. 12b; iii, f. 14b;
2. " Posuerunt super caput eius causam iv, f. 10.
ipsius." i, ii, f. 8b; iii, f. 9b; iv, f . 10.
Additional 17802-17805. passim.
Paper; late 16th cent. Octavo. The MS. appears to have belonged at an
early period to Dr. Philip Gyfiard (see ii, ff. 112, 213). It also contains a Carol
(above, p. 142), Masses (p. 213), Passion Music, and a Te Deum.
Collection of Motets, etc., all of which appear to be for 4 voices,
by English composers, most of whom nourished about 1554-1565, which
latter is the probable date of the first parts of the volumes. The second
parts may have been written a few years later, including as they do at
least one composition by John Munday, who is not known to have
flourished before 1585.
1. " Asparges (sic) me, Domine." Anony-
mous, i, f. 5b; ii, iii, iv, f. 4.
2. Another setting. Anonymous, i,
f . 6b ; ii, f. 5 ; iii, f . 6 ; iv, f. 5b.
3. Another setting. Anonymous, i,
• f. 8b ; ii, f. 7 ; iii, iv, f. 8.
4. Another setting. Anonymous, i,
f. 11 ; ii, iii, f. 9b ; iv, f. 10.
5. "Paternoster." " Master Philippcs
van Wilder." i, f. 13 ; ii, f. 10b ; iii,
iv, f. 11.
6-8. "Audiui media nocte." Three
settings :— (1) "[J.] Tauerner." i,
f. 105b ; ii, f . 101 ; iii, f. 103b (where
the "pars ad placitum" is said to be
by " W. Whitbroke ") ; iv, f. 97;— (2)
"[T.J Talles." i, f. 106; ii, f.lOlb;
iii, f. 104b; iv, f . 98 ;— and (3) "[J.]
Sheperde." i, f. 107 ; ii, f. 102b; iii,
f. 105b ; iv, f. 98b.
9-12. Four settings of the "Gloria in
Excolsis " :— (1) " Docter Cooper." i,
f. 10S ; ii, f. 103b ; iii, f. 106b; iv, f.99b ;
—(2) " [J.] Taverner." i, f. 108b ; ii,
f. 104b ; iii, f. 107b ; iv, f. 100 ;— (3)
" [T.] Talles " or " Tallis." i, f. 109b ;
ii, f. 105b ; iii, f. 108 ; iv, f. 101 ;— and
(4) " [J.] Sheperde." i, f.110; ii, f.106;
iii, f. 108b ; iv, f. 101b. The setting
by Tallis commences with "Hodie"
[? " Christus natus est"].
13-17. Five settings of "In pace si
272
VOCAL MUSIC— SACRED.
dedero":— (1) "[J.] Tauerner." i,
f.lll; ii,f.l07; iii,£.109; iv,f.l02;—
(2) "[T.]Talles." i,f.H3; ii,f.l07b;
iii, f. Ill ; iv, f. 103b ;— (3) " [J.]
Sheperde." i, f.lUb; ii, f. 109; iii,
f. 112b ; iv, f. 105 ;— (4) " Master [W.]
Blytheman." i, f.ll5b; ii, f.110; iii,
f. 113b ; iv, f. 106b ;— and (5) " Docter
Tye." i, f. 116b ; ii, f. Ill ; iii,
f. 114b ; iv, f. 107b.
18. "In manus tuas." " [J.] Sheperde."
i, f. 117b; ii, f. 112; iii, f. 115b; iv,
f. 108.
19. "Domine, commendo." By the
same, i, f. 118b ; ii, f . 112b ; iii, f . 116 ;
iv, f. 108b.
20. Another setting. By the same.
Contra-tenor part wanting, ii, f. 113 ;
iii, f. 116b; iv, f. 109.
21. '" Exurge, Christe." " [W. ?] Mon-
dy." ii, f. 113b ; iii, f. 117 ; iv, f. 109b.
The contra-tenor part of this and the
next two compositions is wanting.
22. "Nos alium Deum nescimus."
Anonymous, ii, f. 114; iii, f. 117b;
iv, f . 110b.
23. " 0 salutaris hostia." Anonymous.
ii, f. 116; iii, f. 119; iv, f. 111b.
24. "Libera me, Domine." " [R.]
White." i, f. 119 ; ii, f. 117 ; iii, f. 120 ;
iv, f. 113.
25. " Gloria, laus et honor." "Doctor
Pye." i, iii, f. 121b; ii, f. 118b; iv,
f. 115.
26. 27. Two other settings of the same,
by "[W.] Blitheman" or "Blythe-
man." (1) i, iii, f . 130 ; ii, f. 128 ; iv,
f. 123 ;— and (2) i, iii, f. 132 ; ii, f. 130 ;
iv, f. 125.
28. "Alleluia. Confitemini Domino."
" [J.] Sheperde." i, f. 133 ; ii, f. 131 ;
iii, f. 134 ; iv, f. 126b.
29. " Ex mortuis jam non moritur."
"— Knyght." i, f. 134; ii, f. 132 ;
iii, f. 135 ; iv, f. 127b.
30. "Christus resurgens." "[J.] Red-
furde " or " Redforde." i, iii, f. 136b;
ii, f . 134b ; iv, f . 129b.
31-33. " Dum transisset Sabatum."
Three settings :— (1) "Robarte Bar-
bar" or "Barber." i, f.l40b; ii, iii,
f.!38b; iv,f.l33;— (2) " [R.] Johnson"
or"Jhonson." i,f.l42; ii,f.l40; iii,
f.139; iv, f. 134b;— and (3) "John
Taverner." i, f . 143b ; ii, f . 141b ; iii,
f. 139b ; iv, f . 135b.
34. "Vidiaquamegredientem." Anony-
mous, i, f . 144b ; ii, f . 143 ; iii, f . 140b ;
iv, f . 136b.
35. "Salve, festadies." "[J.] Sheperde."
i, f. 146b; ii, f. 145; iii, f.Ulb; iv,
f. 139.
36. " Sedit angelus ad sepulcrum." i,
f . 147b ; ii, f . 146 ; iii, f . 142 ; iv, f. 139b.
This and the next four compositions
are anonymous.
37. " Viri galilei." i, f. 149b ; ii, f. 148 ;
iii, f. 144 ; iv, f. 140b.
38. "Spiritus sanctus procedens a
throno." i, f . 151 ; ii, f . 149b ; iii,
f . 146 ; iv, f . 141b.
39. "Alma chorus domini." i, f. 153;
ii, f. 151b ; iii, f. 147b; iv, f. 142b.
40. "Kyrie." "John Mundye." i,
f . 154b ; ii, f . 153b ; iii, f . 149b ; iv,
f . 143b.
41. "Hec dies, quam fecit dominus."
"John Ensdale" or "Ensdall." i,
f. 155b; ii, f.154; iii, f.150; iv,
f.144.
42. "Laudate, pueri," beginning " Sit
nomen domini." " [J.] Sheparde."
i, f. 157 ; ii, f . 156 ; iii, f. 151 ; iv,
f. 145.
43. "Facta est iudea." By the same,
i, f. 158b; ii, f. 157b; iii, f. 152b; iv,
f. 146.
44. "Similis (sic) illis fiant." " [W.]
Birde." i, f. 161; ii, f. 159b; iii,
f . 154b ; iv, f. 148.
45. "Benedixit omnibus qui timent."
" [W. ?] Mundye." i, f. 162 ; ii, f. 160b ;
iii, f . 156 ; iv, f . 149.
46. " In nomine Jhesu." Anonymous,
i, f. 164 ; ii, f. 163 ; iii, f. 158 ; iv, f. 151.
47,48. " Sancte Deus, sancte fortis."
Two settings: — (1) "Master Phillippes
van Wilder." i, f. 220; ii, f. 218b;
iii, f. 210b; iv, f. 201;— and (2) " [T.]
Tallis." i, f. 223 ; ii, f. 222 ; iii, f . 214 ;
iv, f. 203.
49. "Recordare, Domine, testamenti."
"Master Bramston." i, f. 225; ii,
f. 224 ; iii, f. 215b ; iv, f. 204b.
50. "Subtuam proteccionem." "Doctor
Tye." i, f. 226 ; ii, f. 225 ; iii, f. 216b ;
iv, f. 205b.
51. "Gaude, Maria virgo." " [R.]
MOTETS.
273
Johnson, pryste." i, f. 227 ; ii, f. 226 ;
iii, f. 218 ; iv, f . 207.
52. " Salve, regina." "P[h]ilip Alcoke."
i, f. 229; ii, f. 227b; iii, f. 220; iv,
f.209.
53. "Sancta Maria, virgo." Anonymous,
i, f. 231; ii, f. 229b; iii, f . 222 ; iv,
f. 211.
54. "Gaudete, celicole." "[J.] Shep-
erde." i, f . 232 ; ii, f. 230b ; iii, f. 223 ;
iv, f. 212.
55. " Et porte inferi." Anonymous, i,
A
f . 234b; ii, f . 232b; iii, f. 225 ; iv, f. 214.
56. "Sancta Maria, virgo." " —
Knyghte " or " Knighte." i, f. 236 ;
ii, f. 233b ; iii, f . 226 ; iv, f. 215.
57. " Speciosa facta es." " Cristofer
Hoskins." i, f. 237 ; ii, f. 235 ; iii,
f . 227 ; iv, f. 216b.
58. "Ave, Maria." Anonymous, i,
f. 239b; ii, f. 237b; iii, f. 228; iv,
f . 218b.
59. "0 bone Jesu." Anonymous, i,
f. 240 ; ii, f. 238 ; iii, f . 228b ; iv, f . 21$.
Additional 22597, ff. 17, 22b.
Paper; late 16th cent. Oblong octavo. See also under Anthems (above, p. 4).
Tenor part of two anonymous Motets, probably by English
composers.
1. "Vbiest Abell." f. l*i | 2. "SaluatorMundi" (in5parts). f.22b.
Additional 30361-30366, passim.
Paper ; 16th-17th cent. Oblong octavo. The MS. also contains some Carols
(above, p. 142) and a secular Motet.
Collection of Motets, etc., for 6 voices (unless the contrary is
stated), in parts. The names of the composers are not given, but, from
the few which have been identified, they evidently all belong to the
second half of the 1 6th century. The contents are in the same hand as
Add. 30810-30815. The six volumes contain respectively the cantus,
altus, tenor, bassus, quintus, and sextus parts.
1. " O quam gloriosum." f. 1.
2. "In dedicatione templi " ; with
second part, " Hsec est domus
domini." ff . 2b, 3b.
3. "Adauge nobis, domine, fidem."
f.4b.
4. " Laudem dicite Deo " ; with second
part, "Gaudeamus et exultemus."
ff . 5b, 6b.
5. " Gaudebunt labia mea." f. 7b.
6. " Ne derelinquas nos." f . 8b.
7. " Salue, Regiua . in four parts. By
\V. Byrd. f. 9b.
8. "Plangent eum"; with second
part, "Mulieres stantes et flentes."
ff. lib, 12b.
9. " Aduenisti tandem." f. 13b.
10. " O vos omnes qui transitis." f. 18b.
11. "Dixit ergo Jesus ad duodecim."
f. 20b.
12. "Sint lumbi vestri prsecincti "
(a 4). f. 21b.
13. " Sancti martires"; with second
part, " Vnus spiritus." ff. 22b, 23b.
14. " Zachee, festinans descende"; in
two parts. . ff. 24b, 25b.
15. " Extollens vocem." f. 27b.
16. " Illumina oculos meos." f. 28b.
17. "Domine, Deus meus"; with
second part, " Et cum defecerit
virtus." ff . 29b, 30b.
18. " Domine, Iesu Christe." f. 31b.
19. "Gloria, laus et honor"; with
second part, "PlebsHebraea." ff.32b,
33b.
20. " Ave, gratia plena." f. 36b.
21. " Domine, ante te." f. 37b.
23. "Credo quod Redemptor." f. 38b.
24. " Morti tuse tarn amaro?." f. 39b.
274
VOCAL MUSIC— SACRED.
Of the remaining compositions, nos. 25-28 are by Orlando di Lasso,
published in 1568.
25. "Locutus sum in lingua mea " ; in
two parts, f. 41.
26. " Veni, creator spiritus." f. 42b.
27. " Tristis est anima" (a 5). f. 45b.
28. " In monte Oliveti." f. 46b.
29. Another setting. By (?) A. Ferra-
bosco, Sen. f . 47b.
30. "Ovos omnes qui transitis." By
A. Ferrabosco (Jun. ?). f. 48b.
31. "Surrexit pastor bonus." f . 50b.
32. "Angelus Domini descendit de
ccelo."/ f.51b.
33. "SanctelohannesBaptista." f.52b.
34. "Ofilidei.'V f.53b.
35. " Hierusalem, cito veniet salus tua " ;
with second part, "Ego enim sum
Dominus." By Palestrina. ft". 54b,
55b.
Additional 30810-30815.
Paper ; ff. 40. 16th-17th cent. Oblong duodecimo.
Motets for 6 voices, with one apparent exception, in parts. The
names of the composers are not given. The six volumes contain
respectively the cantus, altus, tenor, bass, quintus, and sextus parts.
1. " Salue, Regina " ; with second part,
" Et Jesum benedictnm " ; and third
part, "Opia." By W. Byi-d. ff.l,
lb, 2.
2. " Egressus Jesus." ' f. 2b.
3. " Laudem dicite Deo." f. 3b.
4. " Ne derelinquas nos." f. 4b.
5. " Zache, festinans descende"; with
second part, " Hodie huic domui."
ff. 5b, 6b.
6. " Sancti martires." f. 7b.
7. "O vos omnes"; with second part,
' ' Attendite, vniuorsi." ff. 8b, 9b.
8,. "Agnus dei." f. 10b.
9. " Viri galilei.'V f. lib.
10. " 0 pastor optime." f. 12b.
11. "Salue, Regina" (different from
no. 1). f. 13b.
12. "Virgo per incertos casus." By
A. Ferrabosco (Jun. ?). f. 14b.
13. " Dum complerentur dies " ; in two
parts. (Also in Add. 29388-29392,
f . 1, below, p. 275.) ff . 15b, 16b.
14. "Letentur cceli"; with second
part, "Tunc exultabunt." ff . 17b,
18b.
15. "In Monte Oliueti." By 0. di
Lasso (see Add. 30361-30366, f. 46b,
above), f. 19b.
16. Another setting. By A. Ferrabosco
(Jun. ?). f. 20b.
17. " Aspice, Domine " ; with second
part, " Plorans ploiavit." /\ ff. 21b,
22b.
18. " Saluatorem expectamus " ; with
second part, " Sobrie et juste."
ff. 23b, 24b.
19. " Tristis est anima " (for 5 voices).
By Orlando di Lasso, f. 25b.
20. " Aue, Regina." f. 26b.
21. " Gloria Patri, qui creauit." f. 27b.
22. " Infelix ego"; with second part,
"Quid igitur"; and third part,
" Ad Te, igitur." By W. Byrd, 1591.
ff. 28b, 29b, 30b.
23. "Attollite portas " (in 2 keys).
[By the same.] ff . 31b, 35b.
24. " Memento, homo." [By the same.]
f. 33.
25. "0 Lux, Beata Trinitas " ; in two
parts. [By the same.] f. 33b.
26. " Aspice, Domine." [By the same.]
f . 34b.
27. " Domine, non sum dignus." [By
the same.] f. 36b.
28. " Domine, salua nos." [By the
same.] f. 37b.
29. " Deus miseriatur (sic) nostri " ;
with second part, " Letentur et exul-
tent gentes." ff. 38b, 39b.
MOTETS.
275
Additional 17786-17789, f. 33b ; 17790, f. 16b ; 17791, f. 33b.
Paper ; early 17th cent. Oblong octavo. See also under Madrigals.
" Laudate, pueri," for 6 voices (including 2 basses), in parts, by
William Byrd.
Additional 29366-29368, passim.
Paper ; early 17th cent. Oblong folio. See also under Anthems (above, p. 5).
Cantus, bassus, and quintus parts of Motets, most, if not all, of
them in 5 parts.
1. " Ne reminiscaris, Domine." " Wil-
bye." i, f. 5; ii, iii, f . 3.
2. "Egosumresur[r]ectio." "A. F[erra-
bosco, the grandfather]." i, f. 37b;
ii, f . 36b ; iii, f . 24b.
3. " 0 nomen Jesu." By the same,
i, f. 38; ii, f.37b; iii, ff. 25b, 26.
4. "Ego dixi, Domine, miserere";
with second part, " Convertere, Do-
mine." By the same, i, ff . 38b, 39 ;
ii, ff . 38, 38b ; iii, f. 26b.
5. "Domine, Deus meus " ; with
second part, "Noli me proijcere."
By the same, i, ff. 39b, 40 ; ii, ff. 39,
39b; iii (second part only), f. 27b.
6. "Vbi duo vel tres " ; with second
part, "Libera me, Domine." By
the same, i, ff.40b,41; ii, ff. 40, 40b ;
iii, f. 28.
7. "Cantate Domino can ticumnouum"
(bassus and quintus parts). "Jo.
Tomkins." ii, f. 32b ; iii, f. 33b.
8. "Quare dereliquerunt me vires"
(bassus and quintus parts). "A.
F[errabosco, the grandfather]." ii,
f. 37 ; iii, f. 25.
Additional 29388-29392, passim.
Paper; early 17th cent. Oblong octavo. The MSS. also contain Lamen-
tations (above, p. 197) and a secular Motet.
Motets for 6 voices, namely cantus (wanting), altus, tenor, bassus,
quintus, and sextus, in parts. Anonymous.
1. " Dum complerentur dies Pente-
costes" ; with second part, "Dum ergo
essent in vnum." ff. 1, 2b.
2. "Benedicamdominum"; with second
part, " Gustate et videte." ff. 3b, 4b.
3. " Surrexit Pastor bonus." f. 5b.
4. " Expecta Dominum " ; with second
part, " Confundantur." ff. 6b, 7.
5. "Beata viscera." f . 8.
6. "Exaltabo te, Deus." f.8b.
7. " Jam non estis hospites " ; with
second part, "In quo omnis sedifi-
catio." ff. 9b, 10b.
8. "Peccaui; quid faciani ? " f. lib.
9. "Timor et tremor"; with second
part, ' ' Exaudi, Deus, deprecationem."
By A. Ferrabosco. ff. 12b, 13b.
10. " Mater ergo pietatis." f. 14b.
11. " Dicamus ergo gratias." f. 15.
12. " Hodie natus est Christus." f. 15b.
13. "Timor et tremor"; with second
part, "Exaudi, Deus, deprecatio-
nem." ff. 17, 17b.
14. "In monte Oliveti." By O. di
Lasso, f . 18.
15. Another setting. Apparently by
A. Ferrabosco (see Add. 31992, f/80b).
f . 18b.
16. " Justus est Dominus." f. 20.
17. " Virgines mee." f. 20b.
18. "Vide, domine." f. 20b.
19. " Ne derelinquas me." f. 21b.
20. "Inclina, domine, aurem." By
A. Ferrabosco. f. 22b.
21. " Surrexit pastor bonus." f. 23b.
22. "0 vos omnes qui transitis." By
A. Ferrabosco. f. 24.
23. " Inter[r]ogabat mages (sc. Magos)
Herodes." f. 26b.
24. " Aue, salutis Janua " ; with second
276
VOCAL MUSIC— SACRED.
part, "Misterium mirabile." ff. 27b,
28b.
25. " Peccata mea " ; with second part,
" Quoniam iniquitatem." By N.
Gombert(?). ff. 29b, 30b.
26. " Sancta et immaculata " ; with
second part, "Benedicta tu in muli-
eribus." ff. 31b, 32.
27. " Surrexit pastor bonus." f.33b.
28. "0 admirabile commercium."
f . 34b.
29. "Credo quod redemtor." By A.
Ferrabosco. f . 35b.
30. "Veni, Creator, spiritus." By 0.
di Lasso, f . 36b.
31. "Locutus sum in lingua mea";
with second part, "Facmecum sig-
num." [By the same.] ff. 37b, 38b.
32. " Salue, Kegina, vita, dulcedo";
with second part, " Et Jesum Bene-
dictum"; and third part, "0 pia."
By W. Byrd. ff. 39b, 40, 41b.
Additional 29427, ff.31, 38, 73.
Paper ; early 17th cent. Small folio. See also under Anthems (above, p. 6)
Altus part of the following 5-part Motets : —
" W
1. " In resurrectione tua."
Birde." f . 81.
2. "O vos omnesqui transitis." "Tho.
Lupo." i. 88.
3. " Salua nos, Domine." By the same,
f. 73.
4. " Heu mihi, Domine." By the
same. f. 73b.
Additional 31417, Vols. I and IT.
Paper ; ff. 12, 12. Early 17th cent. Quarto.
Altus and tenor parts (or one of those parts) of 21 Motets by
Alfonso Ferrabosco (Jun. ?). Unless the contrary is stated, they are
for 6 voices. The folios are the same in both volumes.
1. " Da pacem, Domine." f. 1.
2. " Virgo per incertos casus." f. lb.
3. " Salua nos, Domine." f. 2.
4. " Hierusalem, plantabis vineam "
(a 7). f. 2b.
5. "Inclina, Domine, aurem"; with
second part, " Miserere mei, Domine "
(a 3) ; third part, " Quoniam tu,
Domine " (a 4) ; fourth part, " In die
tribulationis " (a 5) ; fifth part, "Quo-
niam magnus cs ; and sixth part,
" Fac mecum signum." ff. 3b-6.
6. " Plorans plorauit." f.7.
7. " Exaudi, Deus, orationem " ; with
second part, "Quoniam declinave-
runt." ff . 7b, 8.
8. "Deus misereatur nostri"; with
second part, " Confiteantur tibi."
ff. 8b, 9.
9. " Credo quod redemptor." f. 9b.
10. "0 uos omnes qui transitis." f. 10.
11. " Heu mihi, Domine." f. 11.
12. " Timor et tremor " ; with second
part, "Exaudi, Deus, depreciati-
onem." ff. lib, 12.
Additional 34000-34002, passim.
Paper ; early 17th cent. Oblong octavo. The MS. appears to havo belonged
to Thomas Oliphant and John Hullah. It also contains Carols (above, p. 143),
Lamentations (p. 197), Masses (p. 214), and secular Motets.
First and second cantus and tenor parts of a collection of Motets,
Masses, etc., probably by a composer, or composers, of the last quarter
of the 16th cent. One of the pieces (vols, ii, iii, f. 17b) is addressed to
Albert [in], Duke of Bavaria (d. 1579) ; another (vols, ii, iii, f. 18b)
MOTETS.
277
to one of the Fuggers [of Augsburg], evidently the secular Motet
by Giovanni Gabrieli alluded to in Grove's Dictionary (i, p. 572) as
included in Gabrieli's Sacrse Symphonise, part i, 1597. Two or three of
the Motets enumerated below were certainly composed by G. Gabrieli,
and others have a considerable resemblance to compositions by his
father, Andrea Gabrieli.
The sacred Motets include the following, of which nos. 1-10, 13-24,
are for 8 voices, only the cantus part (vol. i) being left of the latter
group.
1. " Beata es, Virgo Maria." i-iii, f. 2.
2. " [Salve,] Regina, mater miseri-
cordie." i-iii, f. 2b.
3. "Domine, Dominus [noster]." By
G. Gabrieli, 1597. i, f. 3b ; ii, iii, f.6b.
4. "Deus noster, Refugium." i, f. 4b;
ii, iii, f. 22b.
5. " Ecce, tu pulchra." i, f. 5b ; ii, iii,
f . 34b.
6. " Paratum cor." i, f. 6b; ii, iii, f. 4b.
7. " Aue, stella matutina." i, f. 7b;
ii, iii, f. 5b.
8. "Ecce, dominus veniet " ; with
second part, " Et regnabit." i, ff. 12b,
13b; ii, iii, S. lib, 12b.
9. " Gaudeamus." i, f . 17b ; ii, iii,
f . 32b.
10. " Jam non dicam vos servos."
i, f . 19b.
11. "Decantabat populus" (a 7). i,
f. 20b.
12. "Maria Magdalena " (a 7). i, f. 21b.
13. "Aue, Regina Ccelorum"; with
second part, " Gaude, Gloriosa."
ff. 26, 26b.
14. " Pater, peccaui " ; with second
part, " Quanti mercenarii." ff. 27b,
28b.
15. "Andreas, Christi famulus"; with
second part, " Dilexit Andream."
ff. 29b, 30b.
16. " Tulerunt Dominum meum " ;
with second part, " Cum ergo fleret."
ff. 32b, 33b.
17. "Aue, Maria." f. 34b.
18. "Alma Redemptoris Mater " ; with
second part, " Tu, quae genuisti."
ff . 35b, 36b.
19. " Quomodo cantabimus " ; with
second part, " Si non proposuero."
ff. 37b, 38b.
20. " Misericordias Domini." f . 39b.
21. " Peccantem me quotidie." f. 40b.
22. " O Domine, Jesu Christe." f . 41b.
23. " Jubilate Deo." f. 42b.
24. " Salue, Regina " ; with third part,
" Ad te clarnamus " ; fifth part, " Eia
ergo Aduocata " ; sixth part, ' ' Et
Jesum benedictum " ; and seventh
part, " O clemens, O pia." (Different
from nos. 2 and 39.) ff. 43b-46b.
The following are contained in vols, ii and iii only, in which the
number of voices is not indicated : —
25. " Sic deus dilexit mundum." f.3b.
26. " Sancta et immaculata." f. 7b.
27. " Laudans exultet gaudio." f. 16b.
28. "Te Deum patrem ingenitum."
f. 19b.
29. " Deus, deus meus, respice in me."
f.20b.
30. " Ite in vniversum mundum."
f.21b.
31. " Gabriel angelus." f. 23b.
32. " Jesu, dulcis memoria." f. 24b.
33. "O Jesu mi." By G. Gabrieli, 1597.
f.26.
34. " Incipite Domino in tympanis."
f . 28b.
35. « Victimae [paschali]." f. 29b.
36. " Deus, Canticum nouum cantabo
tibi." f. 31b.
37. " Hie est vere martir " ; with second
part, " Justum deduxit." ff. 35b, 36.
38. " Exiui a patre." f. 36b.
39. " [Salve,] Regina, mater miseri-
cordiae." (Different from nos. 2 and
24.) f. 38b.
40. " Apparuerunt apostolis." f. 40b.
278
VOCAL MUSIC -SACRED.
Additional 34049, passim.
Paper ; early 17th cent. Oblong octavo. The MS. also contains a Mass
(above, p. 214) and some In-nomines (see under String Quintets).
Cantus part of a collection of Motets, etc., mostly in honour of the
Virgin. All the compositions are anonymous ; from the character of
those which have been identified, it appears probable that they were
all written for 5 voices.
1. "Et exultauit." In 2 keys. This
does not appear to be a setting of the
entire " Magnificat." ft*. 1, 23b.
2. "Aue, dei patris filia." By Robert
Johnson, f . 2.
3. Another setting of the same words.
f.6b.
4. " Tui filij " ; followed by " Dominus
tecum," " Mater intacta," and " Esto
nobis," which probably form part of
the same Motet, f. 9b.
5. " Per pregustum." f. lib.
6. "Maria stella, tuo natus" {sic);
with "Gratia plena," and "0 quam
dulcis." f. 12b.
7. " Sospitati olei " ; " Baptizatur " ;
"0 quam probatum " ; "Ergo
Laudes " ; "Nam qui [in] corde"
(without music) ; and " Sospes."
By John Taverner, Sen. (?). f. 14.
8. "Peccatum peccauit Jerusalem."
By R. White (?). f. 17.
9. "0 gloriosissima semper Virgo."
f. 17b.
10. " Gaude plurimum " (without
music) ; " Gaude, Maria " ; " Gaude,
sacratissima virgo " ; "Gaude, Maria,
Jesu mater" ; "Gaudeamus Itaque " ;
and "Eundtim igitur Jesum." By
J. Taverner (?). f. 18.
11. "Ave, Jesu Tui filii dulcis filia
christi"; and "O gloriosissima
semper Virgo." ft. 22b-23.
12. " Domine, Labia." f.25.
13. "Salve, intemerata " (without
music); "Ave, mulieris (sic) sanc-
tissima"; "Et dum eum conci-
peres"; " Tu nimirum " (without
music) ; " Per haec nos " ; . " Te
praecamur " (sic); and "Secundum
humanitatem." By Tallis. f. 33.
14. " Mater christi sanctissima " ;
"Ergo, fili"; . . . "Tibi consecra-
tos"; " Quin et nostros"; "Dona
no[bis?]"; "Euge, cceli"; and a
piece without title, f. 39b.
15. "0 salutaris hostia." By Tallis.
f . 43b.
16. " Domine, quis hab[itabit]." f. 44b.
17. "Quia fecit." f . 45.
18. " Beata es, Virgo Maria." f . 48b.
Additional 17797, ff. 2b, 20b, 38b, 56b, 74b.
Paper ; after 1600. Small oblong quarto. See also under Anthems
(above, p. 7).
"Cantate Domino canticum novum"; for 5 voices, in parts.
Probably by Richard Nicholson, the composer of most of the pieces in
the volume.
Additional 34050, ff. 14b, 17b.
Paper ; after 1604. Oblong octavo. See also under Madrigals.
Tenor part of two anonymous compositions inserted in a collection
of Madrigals by Italian and English composers of the end of the
16th cent. Probably for 5 voices.
1. " Laudate Dominum." f. 14b.
2. "Venite, filij." f. 17b.
MOTETS.
279
Additional 36484, ff. 7-56b passim.
Paper; after 1604. Small oblong folio. See also under Madrigals.
Bass part of some Latin sacred compositions, a few of which appear
to have originally formed part of Masses. Unless the contrary is
stated, they are for 4 voices. The names of the composers are not
given. Possibly some of the works are by the original owner — and
probable transcriber — David Melville.
domine." ff. 16, 16b.
10. "Surge, Illuminare, Jerusalem."
f.19.
1. "Ascendo [ad Patrem] " (a 5). By
Dr. Christopber Tye. f. 7.
2. " Peccaui, pater." f . 9b.
3. " Miserere mej." f. 10.
4. 5. " Sharp's Miserere," and an
"Agnus Dei." f.lOb.
6. "Media vitse"; in three parts. f.l3b.
7. " Ecce, quam bonum." f. 14.
8. "Deus misereatur nostri"; in two
parts. By R. Johnson, f . 15.
9. "Inclina, domine, aurem " ; with
second part, " Auribus percipe,
11. "Vitam quae faciunt beatiorem."
f.20.
12. " Laudamus te." f. 20b.
13. "Ad televaui." f.47.
14. " Da pacem, domine." f. 49b.
15. "Qui tollis." f. 51.
16. 17. "Benedicemus te " and " . . .
Wisibilium omnium." f. 53b.
18. "Triasunt munera" (a 3). f. 56b.
Egerton 2009, 2011, 2012, f. 1.
Paper; after 1611, etc. Oblong duodecimo. See also under Madrigals.
"Benedictus." Superius, medius, and tenor parts. Anonymous.
The majority of the compositions in the MS. are by William Byrd.
Additional 29246, 29247, passim.
Paper ; after 1611. Oblong quarto.
Motets, by English and foreign composers of the 16th century.
See under Lute Music.
Additional 18936-18939, passim.
Paper; after 1612. Oblong octavo. See also under Masses (above, p. 215).
Latin sacred compositions, in parts. Nos. 1-15 are for 3 voices.
9. "Exaudiat te Dominus." " [R. ?]
Whyte." i, ii, iv, f. 13.
10. "Et nunc et semper." "[J.]
1. " Saluator Mundi." "Byrd." i, ii,
iv, f. 6b.
2. " Gaude plurimum Seruatoris."
" [J.] Taverner." i, ii, iv, f. 10.
3,4. "Aue, mulierum sanctissima"
and "Rex sanctorum." "Tallis."
i, ii, iv, f. lib.
5. "Manus tuae fecerunt me." " [R.?]
Whyte." i, ii, iv, f. 12.
6. "Surge, propera, Arnica." "[J.?]
Mundye." i, ii, iv, f. 12.
7. "Sicut erat in principio." "Shep-
herd." i, ii, iv, f. 12b.
8. Another setting. "[J.?] Mundye."
i, ii, iv, f.l2b.
Tauerner." i, ii, iv, f. 13.
11. "Miserere." Anonymous, i, ii, iv,
f. 13b.
12. Another setting. Anonymous, i,
ii, iv, f. 14.
13. "Alleluia. Confitemini." "Byrd."
i, ii, iv, f. 14.
14. " Alleluia." Anonymous, i, ii, iv,
f. 14.
15. "Deus, in nomine tuo." "Vic-
toria." i, ii, iv, f. 15b.
20
280
VOCAL MUSIC— SACRED.
Nos. 16-24 appear to be all for 4 voices.
16. " Misere[rej." "Byrd." i, ii, iv,
f. 20b ; iii, f . 3b.
17. "Aue, verum corpus"; with an
English version, " O Lord, God of
Israeli." By the same, i, ii, iv,
f.24b; iii, ff. 6b, 21b.
18. " Christe, qui lux." " [R. ?]
Whyte." i, ii, iv, f . 25 ; iii, f. 7.
19,20. " Sicut erat" and " Asperges
me." "Victoria." i, ii, iv, f.26;
iii, f. 8.
21. "Vidi aquam." By the same,
i, ii, iv, f . 26b ; iii, f . 8b.
22. " Quern visurus sum ego." Anony-
mous, i, ii, iv, f. 30b ; iii, f. 12b.
23. " Peccantem me quotidie." "Vic-
toria." i, ii, iv, f . 35b ; iii, f . 17b.
24. "Miserere." "Byrd." Different
from no. 16. i, ii, iv, f. 36 ; iii, f . 18.
All the remaining numbers (with two exceptions noted below)
appear to be for 5 voices, though only 4 remain.
25. "Deus, qui beatam Mariam."
" Pietro Philippi." [1612.] i, ii, iv,
f. 36b ; iii, f. 18b.
26. " Ut la[n]terna." " Gregorio Lan-
guio." i, ii, iv, f. 38b ; iii, f . 20b.
27. "Adoramus Te." "Byrd." i, ii,
iv, f. 39 ; iii, f. 21.
28. "Gaude, Maria" (with canon).
" Victoria." i, ii, iv, f. 40; iii, f. 22.
29. " Credo quod Redemptor." Anony-
mous, i, ii, iv, f. 41 ; iii, f. 23.
30. " Miserecordias (sic) Domini."
" Horat. Vecchi." i, ii, iv, f. 44 ; iii,
f.26.
31. "Ad te suspiramus" (a 4). "Vic-
toria." i, ii, iv, f. 45b ; iii, f. 27b.
32. " Laudate." " Francisci Bian-
chardi." i, ii, iv, f . 52 ; iii, f. 34.
33. "O lux." "Victoria." i, ii, iv,
f.52b; iii, f. 34b.
34. "Ignis crux bestiae." By the same.
i, ii, iv, f. 52b; iii, f. 34b.
35. " De excelso misit ignem." " [R. ?]
Whyghte." i, f. 65 ; ii, iv, f. 63 ; iii,
f.45.
36. " Caatate Domino canticum no-
vum." "[J.] Tomkins." i, f.65b;
ii, iv, f . 63b ; iii, f. 45b.
37. " Ne reminiscaris, Domine." "John
Wilbye." i, f . 66 ; ii, iv, f . 64 ; iii, f . 46.
38. A medley, beginning "Miserere"
(for 6 voices, of which only 4 are
given, with the plainsong in the
tenor). " Dr. Steuenson." i, f. 66b ;
ii, iv, f. 64b; iii, f. 46b.
39. " Heu mihi, Domine." " Tho.
Morley." i, f . 70b ; ii, iv, f . 68b ; iii,
f . 50b.
40. "Emendemus in melius"; with
second part, "Adjuua nos, Deus."
" Wm Byrd." i, f. 71b ; ii, iv, f. 69b ;
iii, f . 51b.
Printed Book, D. 212. c. (3 vols.), passim.
Paper ; after 1613. Small quarto. The first part of the volumes contains the
printed Sacri Concertus of Ludovicus Viadana, which belonged to Andreas
Cruciger in 1620. They also contain in MS. a Cantata (above, p. 129), a sacred
Duet (p. 172), a Magnificat (p. 206), a Miserere (p. 244), and other vocal
compositions, described elsewhere.
Cantus, altus, and bassus parts (unless the contrary is stated) of a
collection of Motets. Nos. 1-17 are from the Concerti Ecclesiastici of
Jacopo Mori of Viadana, published at Antwerp, by Pierre Phalese,
in 1613. The volumes containing the tenor and basso continuo are
wanting. Nos. 1-9 are for 2 voices, and nos. 10-17 for 3 voices.
1. "In te, Domine, speravi." i, f. 50;
iii, f. 57.
2. "O benodicta super mulieres." i,
f. 50b ; iii, f. 57b.
3. "O magnum mysterium." i, f. 51;
iii, f. 58.
4. " Exurgat Deus." i, f. 51b ; iii, f. 58b.
5. " Mater et Virgo." i, f. 52b; iii, f. 59b.
MOTETS.
281
6. "Nonvos relinquam." i, f. 53; Hi,
f.60.
7. " Surge, propera, arnica." i, f. 53b;
iii, f . 60b.
8. "Surge, Petre." i, f. 54 ; iii, f. 61.
9. " Veni, sponsa Cbristi." i, f. 54b; ii,
f . 52 ; iii, f. 61b.
10. "Alleluja. Gaudeamus omnes." i,
f. 55 ; ii, f. 52b ; iii, f . 62.
11. "Venite et videte." i, f.55b; ii,
f. 53 ; iii, f. 62b.
12. "Flores apparuerunt- in terra." i,
f. 56 ; ii, f. 54 ; iii, f. 63.
13. " Kyrie, eleyson." i, f. 57 ; ii, f. 55 ;
iii, f.64.
14. "Agnus Dei." i, f.57b; ii, f.55b;
iii, f. 64b.
15. "OsanctissimeDeus"(a4). i,f. 58 ;
ii, f . 56 ; iii, f . 64b.
16. "Laudate, pueri, Dominum " (a 4).
i, f . 58b ; ii, f . 56b ; iii, f . 65.
17. "Super flumina Babylonis" (a 2).
Anonymous, i, f . 59b.
18. " Misericordias Domini " (trombone
parts only). " Viadana." i, f. 64b;
iii, f. 67b.
19. " Cantate Domino canticum no-
vum" (a 2). Anonymous, ii, f. 57b.
20. " Multiplicati sunt " (a 2). Anony-
mous, ii, f . 58.
21. " Indica mihi quern diligit anima "
(a 2). iii, f. 66.
Additional 29372-29377, passim.
Paper ; a.d. 1616. Small folio. See also under Anthems (above, p. 10).
Motets, in parts, nos. 1-4 being for 4 voices, nos. 5-17 for
o voices, and nos. 18-20 for 6 voices.
1. "Pverunt mihi lachrymae mese."
"Alfonso Ferabosco." i-iv, f. 7b.
2. " Eheu ! sustulerunt Dominum
meum." " Thomas Morley." i-iv,
f.8.
3. "Nolo mortem peccatoris." hat.
and Engl. By the same, i-iv, f . 8b.
4. " Qvare dereliquerunt me vires
meae?" " Alfonso Ferabosco." i-iv,
f . 10b.
5. "Ne reminiscaris, Domine, delicta
nostra." " JohnWilby." i-iv, f. 14b;
v, f. 2b.
6. "Nelseteris,inimicamea." "Thomas
Rauenscrof t." i-iv, f . 25 ; v, f . 13.
7. " O vos omnes qui transitis" (in 2
keys). " Thomas Lupo." i-iv,
ff . 26b, 17b ; v, ff . 14b, 64b.
8. " Miserere nostri, Domine." "Wil-
liam Damon." i-iv, f. 31b ; v, f. 19b.
9. " O arnica mea " ; with second part,
' ' Dentes tui sicut greges." ' ' Thomas
Morley." i-iv, ff. 35b, 36 ; v, ff . 22b,
23.
10. "Miserere mei, Domine" (in 2
keys). "Tho. Lupo." i-iv, ff . 49, 78 ;
v, ff . 36, 65.
11. "In resurrectione tua, Domine."
"William Byrd." i-iv, f . 49b ; v,
f . 36b.
12. "Ne irascaris, Domine" (see also
"0 Lord, turne thy wrath," i-iv,
f. 97b ; v, f. 84b) ; with second part,
" Ciuitas Sancti tui " (see also " Bowe
thine eare," i-iv, f.98b; v, f. 85b).
By the same, i-iv, ff . 74b, 75 ; v,
ff. 61b, 62.
13. " Peccantem me quotidie." " Al-
fonso Ferabosco." i-iv, f . 82 ; v, f . 69.
14. "0 Nomen Jesu." By the same,
i-iv, f.90b; v, f. 77b.
15. " Ego dixi, Domine, miserere mei."
By the same, i-iv, f . 91 ; v, f . 78.
16. " Salua nos, Domine." " Tho.
Lupo." i-iv, f. 92 ; v, f. 79.
17. " Heu mihi, Domine, quia peccaui."
By the same, i-iv, f . 100 ; v, f . 87.
18. " De profundis clamavi." "Thomas
Morley." i-iv, f . 120b ; v, f.l07b;
vi, f. 2b.
19. "Precamur, Sancte Domine."
" John Milton [sen']." i-iv, f. 135b ;
v, f. 122b ; vi, f . 17b.
20. " Laboraui in gemitu meo." "Tho.
Morley." i-iv, f. 153b; v, f. 140b;
vi, f. 35b.
282
VOCAL MUSIC— SACRED.
Additional 34800, A, ff. 16-22b ; B, C, ff. 18-24b.
Paper ; after 1618 (see f. 51b). Small octavo. The MS. belonged to William
King (? organist of Winchester, etc.) in the 17th cent., and to Vincent Novello in
the 19th cent. It also contains Anthems (above, p. 13), and other compositions,
described elsewhere.
Extracts from Oradualia ac Cantiones Sacrge, by William Byrd,
1607, comprising the following 3-part compositions in parts : —
1. "Ave, Maris [stella] " ; with second
part, "Sumens [illud Ave]"; third
part, "Solve [vincla reis]"; fourth
part, "Monstra [te esse matrem] " ;
fifth part, " Virgo [singularis] " ; sixth
part, " Vitam praesta " ; and seventh
part, "Sit laus Deo." A, ff. 16-19;
B, C, ff. 18-21.
2. "0 Gloriosa [Domina]," for Lauds;
with second part, ' ' Quod Eva [tristis
abstulit]"; third part, "Tu regis
[alti janua] " ; and fourth part,
"Gloria tibi, Domine." A, ff.l9b,
20; B, C, ff.21b, 22.
3. "Quern terra, pontus," for Matins;
with second part, "Cui luna, sol et
omnia"; third part, "Beata mater,
munera"; fourth part, "Beata coeli
nuncio" ; and fifth part, " Gloria tibi,
domine." A, ff . 20b-21b ; B, C, ff. 22b-
23b.
4. "Memento, salutis [auctor]," for
Complines; with second part, "Maria,
mater [gratis] " ; and third part,
' ' Gloria tibi, domine." A, ff . 22, 22b ;
B, C, ff. 24, 24b.
Additional 17792-17796, ff. 1 53-1 79b passim.
Paper; after 1624. Small oblong quarto. See also under Anthems (above,
p. 13).
Motets, for 5 voices (except where the contrary is stated), in
parts. Vols, i-v contain the cantus, altus, tenor, quintus, and bassus
respectively. The sextus is wanting. Nos. 2-8 and 1 1 are anonymous.
1. "In resurrectione tua." "Will.
Bird " [1589]. i, f . 160 ; ii, iii, f. 163 ;
iv, f . 153 ; v, ff . 156, 157.
2. "Dum transisset Sabbatum." i,
f.l60b; ii, iii, f. 163b; iv, f.l53b;
v, f. 157b.
3. " Cantate domino." i, f. 161b ;
ii, iii, f. 164b; iv, f. 154b ; v, f. 158b.
4. " Veni in hortum meum." i, f. 162;
ii, iii, f . 165b ; iv, f. 155 ; v, f. 159.
5. " Angelusad pastores" (also in Add.
22597, f.l6b). i, f. 162b; ii, iii,
f . 166b ; iv, f . 155b ; v, f . 159b.
6. "Deus misereatur nostri"; with
second part, "Letentur" (also in
Add. 32377, f.27b). i, ff. 163, 163b;
ii, ff.l67b, 168; iii, ff. 167, 167b;
iv, ff . 156, 156b ; v, ff . 160, 160b.
7. Another setting (a 6 — also in Add.
32377, f. 51b). i, ff. 164b, 165 ;
ii, ff.169, 169b; iii, ff . 168b, 169b;
iv, ff . 157b, 158 ; v, ff . 161b, 162.
8. " Adolescentulus sum " (a 6).
i, f.166; ii, iii, f.l70b; iv, f. 159 ;
v, f . 162b.
9. "Laudate, pueri, Dominum" (a 6).
" Will. Bird " [1575]. i, f. 167 ;
ii, iii, f. 171b ; iv, f. 160 ; v, f. 163b.
10. "Domine, non exaltatum cor"
(a 6). By — Mundy. i, f. 168 ; ii, iii,
f . 172b ; iv, f . 161 ; v, f . 164b.
11. "Jerusalem, plantabis vineam"
(a 8). i, f.l68b; ii, iii, f.l73b;
iv, f. 162 ; v, f. 165b.
12. " 0 quam gloriosum " ; with second
part, " Benedictio." "Will. Bird"
[1589]. i, ff. 173b, 174 ; ii, iii, ff. 178,
178b ; iv, ff . 166b, 167 ; v, f. 170b.
13. " Tristitia " ; with second part,
"Sed tu, Domine." By the same
[1589]. i, ff. 174b, 175; ii, ff. 179b,
180 ; iii, ff . 179, 180 ; iv, ff . 167b, 108b ;
v, ff . 171, 172.
MOTETS.
283
Additional 34898, ff. 32b-56 passim.
Paper; a.d. 1628 (f. 33). Small folio. See also under Masses (above, p. 216).
Motets, in score, unaccompanied ; for 4 voices, and anonymous,
unless the contrary is stated.
1. "Regina cceli " (a 3, with a figured
bass at the end). "1628." f . 32b.
2. "Fac ea quae moriens facta fuisse
velis " (a 3). f. 33b.
3. " Regina cceli." f. 34b.
4. "Salue, Regina"; with a figured
bass at the end. f. 39b.
5. "Iste est Ioannes" (for 2 choirs of
4 voices each), f. 41b.
6. " Hie est vere Martyr Placitus " (for
the same), f. 43.
7. "Iste cognouit iustitiam" (for the
same. f. 44b.
8. " Cum peruenisset beatus Andreas"
(for the same). "Andreas Repgin."
f. 46b.
9. "Ave, Maria"; with a figured bass
at the end. f. 49b.
10. Another setting (a 5). "Andreas
Repgin." f. 50b.
11. Another (a 6). f. 51b.
12. "Natiuitas tua, Dei genitrix " (for
2 tenors) ; with a figured bass. f. 52b.
13. " Rerina cceli." f. 55b.
Additional 11608, f. 46b.
Paper ; a.d. 1656-1659. Small folio. See also under secular Songs.
" Gloria Patri " • for 3 voices, in parts, by Richard Deeringe.
Additional 31438, ff. 53b-60.
Paper ; after 1660 (f. 75b). Oblong octavo. See also above, p. 262.
Altus or tenor parts of Motets, of which the first two are for
6 voices, the others (with the possible exception of no. 6) for 5 voices.
Nos. 1, 4-7 are by Orlando di Lasso ; the rest by Conradus Sylvius.
1. " Lauda, iherusalem " ; with second
part, " Qui emittet (sic) eloquium" ;
third part, "Emittet (sic) verbum " ;
and fourth part, " Non fecit" [1568].
ff . 53b-55.
2. "Qui de terra est." f. 55b.
3. " Clamauerunt iusti." f. 56b.
4. " Heu mihi, domine " [1556]. f. 57b.
5. "Veni in hortum meum " [1569].
£.58.
6. A piece without words, f. 58b.
7. "Ad te, domine, leuaui " ; with
second part, "Vias tuas" [1556].
ff . 59b, 60.
Additional 10338, ff. 57b-270 passim.
Paper ; after 1669. Small folio. The MS. also contains Anthems (above, p. 23),
a Carol (p. 144), a sacred Duet (p. 172), and other compositions described else-
where.
Collection of musical compositions of various styles, in score, copied
in, or after, 1669 (see f. 274b) from earlier works written by George
Jeffreys, who is evidently the composer of most, if not all, of the works
(cf. 17816, f. 8, below, p. 285). The Motets included are accompanied
by a basso continuo ; nos. 1, 2, 15-45 being for 3 voices; nos. 3-14,
46-57 for 4 voices ; nos. 58, 59 for 5 voices ; and no. 60 for 6 voices.
1. "O tu, vnus Deus." Unfinished.
t. 57b.
2. "Quid mihi est in ccelo.
posed in 1661. f. 64b.
Com-
284
VOCAL MUSIC— SACRED.
3. " Timor et tremor." f. 73b.
4. " Audiui vocem de coelo." f. 74b.
5. "Si diligitis me." f. 75b.
6. "Siuevigilem.siuedormiam." f. 76b.
7. " Erit gloria Domini." f. 77b.
8. " Domine Deus salutis meae." f. 78b.
9. " Et ingrediar ad altare Dei." f . 79b.
10. "O Quam dulcis, quam suauis."
f.83.
11. " O Panis Angelorum." f.84b.
12. " 0 nomen Iesu." f.85b.
13. "0 Pretiosum et admirandum con-
uiuium." f. 86b.
14. " Jesu, Rex admirabilis." f. 87b.
15. "Audite, gentes, et narrabo." f. 91b.
16. "Gloria tua manet in eternum."
Composed in 1658-1659. f. 94.
17. " Gloria Patri." f.96b.
18. " Florete, flores." f.97.
19. "0 piissime Domine." f. 99b.
20. "Salue, ccelestis curiae triumphale
Decus." f. 101b.
21. " Exurge ! quare obdormis." f. 114b.
22. " 0 quam gloriosum est Regnum."
f. 116.
23. " Lapidabant Stephanum." f. 117b.
24. " Et recordatus est Petrus." f . 119.
25. " Beatus Author seculi." f. 120.
26. " Jesu mi Dulcissime." f. 121b.
27. " Vere languores nostros ipse tulit."
f. 123b.
28. " Nescio quid Amore maius."
f. 124b.
29. " Vtinam concessa mihi." f. 125b.
30. " Nil Canitur suauius." f. 126b.
31. "Ecce, Dilectus meus." f. 127b.
32. "Prior Christus dilexit nos."
f. 128b.
33. "Domine Jesu, dilexisti me."
f. 129b.
34. "Christo Jesu debes omnem vitam
tuam." f. 131.
35. " Hosanna filio Dauid." f. 132.
36. " Heu mihi I Domine, miserere
mei." f. 133b.
37. " Visa vrbe, fleuit super ea."
f. 134b.
38. " Inuocaui nomen tuum." f . 135b.
39. "Jerusalem, quae occidis pro-
phetas." f. 138.
40. " Domine, Dominus noster." f. 139.
41. " Caro mea vere est cibus." f. 141.
42. " Paratum cor meum." Composed
in 1657. f. 142b.
43. " Quando natus es." Composed in
1657. f. 145b.
44. "0 Deus meus." f. 148.
45. "O quam iucundum, 0 quam
suaue." f. 150b.
46. " 0 Domine deus." f . 165b.
47. " Quid com[mjisisti, Jesu." f. 181.
48. " Ego sum Panis." f. 183.
49. " Jubilate Deo." f. 186b.
50. "Amor Jesu." f . 190b.
51. "0 Bone Jesu." f . 193.
52. "Audite Celi." f . 196b.
53. " Jesu, Dulcedo Cordium." f . 199b.
54. " Te Deum Laudamus." Composed
in 1649. f. 204.
55. " Gloria Patri et Filio." f. 215b.
56. "0 quam iucundum." Composed
in 1651. f. 217.
57. " Gloria Patri qui creauit." Com-
posed in 1651. f. 221b.
58. " Gloria in Excelsis." f. 226.
59. " Bone Jesu, Verbum Patiis."
f. 230b.
60. " Hcsanna Filio Dauid." f. 266b.
The Index at the beginning and many critical notes interspersed
throughout the MS. are in the hand of E. T. Warren, Secretary of the
Catch Club.
Additional 29282, passim.
Paper ; after 1669 (?). Small folio. The MS. also contains a sacred Duet
(above, p. 172).
Motets for 2 and 3 voices, with a figured bass for organ, in parts.
Probably by George Jeffreys — ef. Add. 10338 (above, p. 283), which
was written about the same time as the present MS. Nos. 1, 2 are
for 2 voices ; the rest for 3.
1. " 0 quam dulcis." ff. 1, 9, 24.
2. "Jesu, Rex admirabilis." ff. lb,
17, 24b.
3. "Florete, flores."
ff. 3, 10, 18, 25b.
MOTETS.
285
4. " Gloria Patri." ff. 3b, 10b, 18b, 26.
5. "Gloria tua manet." ff.4, 11, 19,
26b.
6. "Inuocaui nomen tuum." ff. 4b,
lib, 19b, 27b.
7. "Salue, Ccelestis Curiae triumphale
Decus." ff . 5b, 12b, 20b, 28b.
8. "Quid mini est in Ccelo." ff.6b,
13b, 21b, 29.
9. "Quando natus es ineffabiliter."
ff. 7b, 15b, 22b, 29b.
Additional 30829, 30830, 17816, passim.
Paper; after 1669 (cf. 30829, f. 34, with 10338, f.274b). Quarto. The
signature of the composer occurs in 17816, f. 8, and there are a few later
corrections, also in his hand. Vol. iii belonged to Thomas Oliphant, who
presented it to the British Museum in 1849. The MSS, also contain some
Anthems (above, p. 24) and a Carol (p. 144).
Collection of compositions in the autograph of George Jeffreys,
steward to Lord Hatton, organist to Charles I, etc. Vol. i (30829)
contains the altus part, vol. ii (30830) the tenor, and vol. iii (17816)
the bassus. For a collection containing most of the same and many
other compositions in score by the same composer and also in his
autograph, see Add. 10338 (above, p. 283). The Motets are for 4
voices, unless the contrary is stated.
1. " Quid com[m]isisti, Jesu." i, ii,f. 1;
iii, f . 2.
2. "O Bone Jesu." i, ii, f.lb; iii,
f.2b.
3. "Amor, Jesu Dulcis." i, ii, f. 2b;
iii, f. 3b.
4. "Ego sum Panis." i, ii, f. 3; iii,
f.4.
5. "Jubilate Deo." i, ii, f. 4b; iii,
f.5.
6. "Audite, cceli." i, ii, f. 5b; iii,
f.6b.
7. "Jesu, dulcedo cordium." i, ii,
i. 6b; iii, f. 7b.
8. " Te Deum Laudamus." i, ii, f. 7b ;
iii, f. 8b.
9. "Gloria Patri." i, ii, f . lob ; iii,
f. lib.
10. "O quam iucundum." i, ii, f. 11;
iii, f. 12.
11. "Gloria Patri, qui creauit." i, ii,
f. 12 ; iii, f. 13.
12. " O Domine Deus." i, ii, f. 14 ; iii,
f.15.
13. " Credo in vnum Deum." i, f. 19b ;
ii, f. 19 ; iii, f . 20b.
14. "Jubilate Deo" (different from
no. 5). i, f . 21b ; ii, f . 21 ; iii, f. 22b.
15. "Gloria in Excelsis" (for 5 voices),
i, ii, f. 24b ; iii, f. 25b.
16. "Bone Jesu" (for 5 voices), i,
f. 25 ; ii, f. 25b ; iii, f. 26b.
17. "Hosanna Filio Dauid " (for 6
voices), i, f.33b; ii, ff.35b, 36; iii,
f. 37b.
Additional 30382, passim.
Paper; a.d. 1680-1686 (see f. 1). Folio. The MS. belonged to Katharine
Sedley [1657-1692 ?], daughter of Sir Charles Sedley, Bart, (see bookplate, with
arms, at the beginning). She was created Countess of Dorchester in 1686. It
also contains Anthems (above, p. 27), a secular Cantata, secular Duets, etc., all
described elsewhere.
A collection of Motets, etc., for 2 or 3 voices, generally with a
bass, in score ; in the hand of Henry Bowman, who was also the
composer of many of them, taking the words in several instances
286
VOCAL MUSIC— SACRED.
evidently from Add. 33234 (below). Nos. 1-9 are for 3 voices ;
nos. 10, 12-28 for 2 voices.
1. " Plagse tuse, Domine." " Felice
Sances." f.2b.
2. "0 Domine, guttae tui sanguinis.'
Imperfect at the end. By the same
f.6b.
3. "Salve, Regina" (beginning lost)
" Monferrato." f. 7.
4. "In te, Domine, speravi." "H
B[owman]." f. 10.
5. "Gloria Patri." "Richard Deer
ing." f. 13.
6. "Audite, sancti." " Charissimi.'
£. 13b.
7. " Anima mea liquefacta est." "Maria
Marini." f. 16.
8. "0 vos omnes qui transitis." By
the same. f. 18.
9. " Tribularer ego." Imperfect at the
end. By H. Bowman (?). f. 19b.
10. "Omnes gentes, plaudite" (for 2
voices). "Cassati." f. 29b.
11. "Usque quo, Domine, oblivisceris
me" (for 3 voices). "H. B[owman]."
f.46.
12. "Regina cceli, lsetare." " Mon-
ferrati." f. 48b.
13. "Exultate, justi, in Domino."
" Cassati." f. 52b.
14. "Alleluia I jubilat ccclesia." By
the same, f . 54b.
15. "Cantemus Deo adjutori nostro."
By the same, f . 56b.
16. "Bone Jesu, verbum Patris." By
the same. f. 59.
17. " Anima mea in aeterna dulcedine."
"Charissimi." f.62b.
18. "Tota pulchra es." Anonymous,
f . 64b.
19. "Judica me, Deus." Anonymous,
f. 66.
20. " Magnificate, cceli." "Cassati."
f.68.
21. "Lsetentur cceli." "Natal Mon-
ferratto." f.70b.
22. " Congratulamini mihi, fideles."
"Cassati." f . 71b.
23. "Jesu, amor dulcissime." By the
same. f. 73b.
24. " Quam suavis es, bone Jesu." By
the same, f . 75b.
25. "Dulces (sic) Christe, ad te venio."
By the same. f. 77.
26. "0 cceli gloria." "Monferrato."
f . 78b.
27. "Cantate Domino canticum no
vum.
Silvestro." f. 80b.
28. "0 Jesu, mea vita." "Cassati."
f. 82b.
Additional 30930, ff. 8b, 11.
Paper ; about 1680. Polio. See also under Anthems (above, p. 27).
Motets, in score, by Henry Purcell. Autograph.
1. "Jehova! quam multi sunt hostes " I 2. "Beati omnes, qui timent Domi-
(a 5). f. 8b. | num" (a 4, with a bass), f. 11.
Additional 33234, passim.
Paper ; a.d. 1680-1682. Folio. See also under Songs.
Motets, most of them with a figured bass, in score.
1. "Alleluja! jubilat ecclesia" (a 3).
"Cassati." f.41.
2. "Anima mea liquefacta est" (a 3).
" Maria Marini." f. 44.
3. "Anima mea in aeterna dulcedine "
(a 2). "Charissimi." f.70.
4. "PlagaB tuae, Domine" (a 3). "Fe-
lice Sances." f. 85.
5. "Salve, Regina" (a 3). "Monfer-
ratto." f. 89b.
6. "0 Domine, guttae tui sanguinis"
(a 3). " Felice Sances." f.92b.
7. "Bone Jesu, Verbum Patris" (a 2).
"Cassati." f.96.
MOTETS.
287
8. " Magnificate, coeli " (a 2). By the
same, f . 100.
9. "Exultate, justi" (a 2). By the
same, f . 103.
10. "0 dulce nomen " (a 2). " Caspari
Cassati." f. 105.
11. "Tota pulchra es" (a 2). Anony-
mous, f. 107b.
12. "Regina coeli" (a 2). " Monfer-
ratto." f. 110.
13. "Audite, sancti '
(a 3). "Charis-
14. " Cantate Domino canticum no-
vum" (a 2). "Silvestro." f. 132b.
15. "Post haec audivi" (a 2). "John
Blow." f. 136b.
16. "In lectulo meo" (a 2). By tbe
same. f. 139.
Harley 1501, f. 48.
Paper ; a.d. 1681. Folio. See also under Songs.
" Audite, sancti " ; for 3 voices, with a figured bass for harpsichord,
in score, by Giacomo Carissimi.
Additional 31440, ff. 67b-73, 102b-179b passim.
Paper; before 1685 (see below). Folio. The MS. also contains a sacred Canon
(above, p. 116), secular Duets, Madrigals, a sacred Quintet (below, p. 391), etc.
Motets with a bass (except the last) for harpsichord or organ, in
score, by Pietro Reggio (d. 1685). Autograph; signed by the com-
poser on f. 157. Nos. 1-4 are for 2 voices; nos. 5-15 for 3 voices;
and the rest for an uncertain number.
1. " Domine, inclina ccelos." f. 67b.
2. " Hodie nobis de ccelo." f. 70b.
3. " Quasi cedrus exaltata sum." f. 71b.
4. " Fontes et omnia quae mouentur."
f. 73b.
5. " Dulcis Jesu." f.l02b.
6. " Tollite iugum meum." f. 104b.
7. " Surgamus, eamus." f. 106b.
8. " Aue, Jesu, quem vocaui." f. 109b.
9. "Jesu, Rex admirabilis." f. 111b.
10. " Canite tuba in Sion." f. 117b.
11. " 0 Domine, Jesu Christe." f. 119b.
12. " Deus, canticum nouum cantabo."
f. 120b.
13. " Sat est, Domine." f. 122b.
14. " 0 quam dulcis es tu." f. 124b.
15. " O panis mellifluus." f. 128b.
16. "Nigra sum." f. 150b.
17. "Anima mea Angelorum pane."
f. 152b.
18. "Cum complerentur dies Pente-
costes." f. 153b.
19. "Jesu dulcissime." f. 155b.
20. " 0 pretiosum." f. 161b.
21. "Venioad te." f. 165b.
22. "Apollinaris incliti"; with a sin-
fonia for 3 strings, f. 168b.
23. "Hoc tegitur sacro quisnam vela-
mine." f. 179b.
Additional 31475, ff. 39-56b.
Paper; a.d. 1686. Quarto. The MS. belonged to Joseph Warren. It also
contains some Motets of the early 18th cent, (below, p. 295).
"Victims Paschali"; for 8 voices, with a figured bass, in score,
written by G[iovanni] P[aolo] C[olon]na for the church of S. Petronio
[at Bologna] in 1686. Autograph.
288
VOCAL MUSIC— SACRED.
Additional 24309, ff. 23-57.
Paper; a.d. 1698. Small folio. The MS. belonged to Edmund Thomas
Warren Home (bookplate) and to Charles Hatchett (see f. 2b). It also contains
two sacred Songs (17th-18th cent.).
" Dixit Dominus," with "Gloria Patri " (the "Amen" to which is
omitted) ; for 5 voices with symphonies, ritournelles, and accompani-
ments, for strings, and a figured bass for organ, in score, by Giovanni
Paolo Colonna, 1698. Autograph.
Additional 31474, ff. 39-63b.
Paper; a.d. 1698 (?). Small oblong folio. See also under Magnificat (above,
p. 208).
" Libro spartito di Motetti A Dve et A Tre Voci, di Gio. Paolo
Colonna, organista in San Petronio, di Bologna." The opus number
has been crossed out, but appears to be 3, which corresponds with the
one given by Fetis. The latter, however, gives the date as 1 698, while
the present MS. is dated 1681, the date of op. 1. The following are
for 2 voices with a figured bass for harpsichord or organ. They were
written for certain Saints' days. Nos. 1-3 are evidently autograph,
the composer's initials being inscribed at the top of f. 40.
1. "Jubilet coelum" (St. Petronius).
f.40.
2. " Pulcra es, arnica mea" (the Virgin),
f . 46b.
3. "0 splendida dies" (St. Ursula?).
Unfinished, f . 54b.
4. "Aduolate, fideles" (St. Andrew).
Imperfect at the end. f. 61b.
Additional 29987, f. 87.
Vellum ; 17th cent. Octavo. See also under Madrigals.
" Tibi, Christe, splendor Patris " ; apparently for 3 voices, in quasi-
score. Anonymous. Probably by an Italian composer.
Additional 31434, passim.
Paper ; 17th cent. Small folio. The MS. belonged at one time to Joseph
Warren. It also contains Carols (above, p. 144), sacred Choruses (p. 158), and
Madrigals.
Motets, etc., for 5 voices, with a figured bass for harpsichord or
organ, in parts, by Henry Lawes. Autograph.
1. " Aue, 0 gloriosa virgo." ff. 5b, 17b,
29b, 41b, 54b, 65b.
2. " En ! morior." ff . 6, 18, 30, 42, 55,
66.
3. " Exurgat Deus." ff. 10, 22, 34, 46,
59, 70.
4. "O dulcis virgo." ff . 10b, 22b, 35b,
46b, 59b, 70b.
5. " Vocem iocunditatis." ff. lib, 23b,
35b, 47b, 60, 71.
6. "Benedictus tu es inter homines."
ff . 12b, 24b, 36b, 48b, 61, 71b.
7. " Benignissime Jesu." ff. 13, 25, 37,
49, 61b, 72.
MOTETS.
289
Additional 31479, passim.
Paper ; 17th cent. Folio. The MS. also contains a Miserere (above, p. 245),
and sacred Songs.
Motets for 2 and 3 voices, with a figured bass, in parts. Unless
the contrary is stated, they are anonymous. In the hand of George
Jeffreys (cf. Add. 10338, above, p. 283). In four parts, or volumes.
Nos. 1-49 and 85-96 are for 2 voices ; the others for 3 voices.
1. " Hodie nobis de ccelo" (different
from no. 10). i, f.5b ; ii, f. 1 ; iv, f. 10.
2. "Jesu noster." By A. Grandi.
i, i. 6; ii, f . lb ; iv, f . 10b.
3. "Venite, filii ; audite." i, f.6b;
ii, f.2; iv, til.
4. "Bonum est confiteri Domino."
i, i. 7; ii, f.2b; iv, til.
5. "Quid timidi estis?" i, f. 7b; ii,
f. 3 ; iv, f. lib.
6. " 0 dulce numen." i, f. 8b ; ii, f. 4
iv, f. 12.
7. "Saluum me fac." i, f. 9; ii, f. 4b
iv, f . 12b.
8. " 0 quam gloriosus." i, f. 9b; ii, f. 5
iv, f. 12b.
9. " 0 quam suaue est nomen." i, f. 10
ii, f. 5b; iv, f . 13.
10. "Hodie nobis de ccelo." By P
Reggio. i, f. 10b ; ii, f. 6 ; iv, f. 13b.
11. " O magnum misterium." i, f. 11
ii, f . 6b ; iv, f. 13b.
12. " O nomen Jesu." i, f. lib ; ii, f . 7
iv, f. 14.
13. "Jesu dulcis, memoria." i, f. 12
ii, f. 7b; iv, f. 14.
14. "Fulcite me floribus." i, f. 12b
ii, f. 8 ; iv, f. 14b.
15. "Omni die die Mariae." i, f . 13
ii, f. 8b ; iv, f. 14b.
16. " Qui laudes tuas cantat." i, f.l3b
ii, f. 9 ; iv, f . 15.
17. "O Beatum virum." i, f.14
ii, f. 9b ; iv, f. 15b.
18. " O Admirabile comercium." i
f. 14b ; ii, f . 10 ; iv, f . 15b.
19. " Indica mihi, quern diligit.'
i, 1. 15; ii, f.lOb; iv, f.16.
20. " Aue, sanctissime Messia." i, f.l5b ;
ii, f. 11 ; iv, f. 16.
21. " Ecce, fideles." i, iv, f. 16b ; ii, f. 12.
22. "Saluum me fac" (different from
no. 7). i, f. 17 ; ii, f . 12b ; iv, f. 16b.
23. "Jubilent in celis." i, f. 17b;
ii, f. 13 ; iv, f. 17.
24. "Egredimini.charissimi." i, f. 18b;
ii, f. 14 ; iv, f. 17b.
25. "0 Im[m]aculate." i, f.19; ii,
f. 14b ; iv, f. 17b.
26. "Amorelangueo." i, f. 19b; ii,f.l5;
iv, f. 18.
27. "Veni, O sanctissima." i, f.20;
ii, f.l5b; iv, f. 18.
28. "Tu Dulcis es, Messia." i, f.20b;
ii, f. 16; iv, f. 18b.
29. "Luce serena lucent." i, f. 21 ;
ii, f. 16b ; iv, f . 18b.
30. " Misericordias Domini." i, f. 21b;
ii, f. 17 ; iv, f. 19.
31. "Aue, Maria, gratia plena." i, f. 22 ;
ii, f. 17b ; iv, f. 19b.
32. "Quern terra, pontus." i, f. 23;
ii, f. 18b ; iv, f. 20.
33. "Tota pulchra es." i, 1 23b;
ii, f.19; iv, f. 20.
34. " Gaudete, omnes." i, f. 24b; ii,
f. 19b ; iv, f. 20b.
35. "Sicut lillium." i, iv, f.25; iii,
f.16.
36. "Peccaui super numerum." i, iv,
f. 25b ; iii, f. 16b.
37. " Et introeuntes." i, f. 26 ; iii, f. 17 ;
iv, f . 25b.
38. "Consolare, 0 mater." i, f . 26b ;
iii, f. 17b ; iv, f . 26.
39. " O Jesu, vita mea." i, f. 27 ;
iii, f . 18 ; iv, f. 26b.
40. " Quemadmodum desiderat." i,
f.27b; iii, f. 18b; iv, f . 26b.
41. "Confitemini Domino." i, f.28;
iii, f. 19b ; iv, f. 27b.
42. "Dominus in igne veniet." i, f.28b;
iii, f. 20; iv, f.28.
43. "Saluum me fac " (different from
nos. 7 and 22). i, f.29b; iii, f.20b;
iv, f. 28b.
44. "0 Pulcher[r]ima." i, f.30; iii,
f . 21b ; iv, f . 29.
45. "Sancti tui, Domine." i, f.30b;
iii, f . 22 ; iv, f . 29b.
290
VOCAL MUSIC— SACRED.
46. "In convertendo." i, f. 31 ; iii,
f . 22b ; iv, f . 29b.
47. " Anima mea in seterna dulcedine."
By G. Carissimi. i, £. 31b ; iii, f. 23 ;
iv, f . 30.
48. "0 Bone Jesu." i, f. 32b ; iii, f. 23b ;
iv, f . 30b.
49. " Fontes et omnia." By P. Reggio.
i, f. 33 ; iii, f. 24 ; iv, f. 30b.
50. " Sicut oculi seruorum." i, f. 34;
ii, f. 29 ; iii, f. 25 ; iv, f. 32.
51. "O Quam tu pulchraes." i, f. 34b;
ii, f. 29b ; iii, f. 25b ; iv, f. 32.
52. " Salue, mundi gloria ; salue, radix
sancta." i, f. 35 ; ii, f. 30 ; iii, f. 26b ;
iv, f . 32b.
53. " O Magnum Sacramentmn." i,
f. 35b ; ii, f. 30b ; iii, f . 26b ; iv, f. 32b.
54. "O Lux, splendidior." i, f. 36;
ii, f. 31 ; iii, f. 27 ; iv, f. 33.
55. "Hymnum cantemus Domino."
i, f. 36b ; ii, f. 31b ; iii, f. 27b ; iv, f. 33.
56. " Hsec est vera Ecclesia." i, f. 37;
ii, f. 32 ; iii, f. 28 ; iv, f. 33b.
57. "Benedicta sit Sancta Trinitas."
i, f. 37b; ii, f. 32b; iii, f. 28b ; iv, f. 33b.
58. "Tota pulchra es." i, f . 38 ; ii,
f. 32b ; iii, f. 29 ; iv, f. 34.
59. " Exurgat Deus." i, f. 38b ; ii, f.33b;
iii, f . 29b ; iv, f . 34.
60. "O Gloriosa Domina." i, f.39;
ii, f. 34 ; iii, f. 30 ; iv, f . 34b.
61. "0 Domine, gutte." By Felice
Sances. i, f . 39b ; ii, f. 34b ; iii, f. 30b ;
iv, f . 35.
62. "Salve, Regina." i, f. 40b; ii, iv,
f.35b; iii, f. 31b.
63. "Plage tue, Domine." By F.
Sances. i, f. 41 ; ii, f. 36b ; iii, f. 32b ;
iv, f . 35b.
64. "0 Crux benedicta." i, f . 42b ;
ii, f . 37b ; iii, f . 33b ; iv, f . 36.
65. "0 Im[m]aculate." i, f . 43 ; ii,
f . 38 ; iii, f . 34 ; iv, f . 36b.
66. " 0 quam dulcis es." By P. Reggio.
i, f . 43b ; ii, f . 38b ; iii, f. 34b ; iv, f . 37.
67. "Aue, Regina." i, f. 44 ; ii, f. 39 ;
iii, f. 35; iv, f.37.
68. " Quid rnihi est in Celo " (different
from no. 70). i, f.44b; ii, f. 39b ;
iii, f.35b; iv, f. 37b.
69. "0 Sacrum Conuiuium." i, f. 45;
ii, f.40; iii, f . 36 ; iv, f . 37b.
70. " Quid mihi est in Celo." "Hennio"
[? Gilles Hennius, who published in
1640 Motctta sacra 2. 3. 4 . . . vocvvi
. . . cum basso continuo, in which
probably this and other numbers in
the MS. are contained], i, f. 45b ;
ii, f.40b; iii, f.36b; iv, f.38.
71. " Anima mea liquefacta est." ByM.
Marini. i, f. 46b ; ii, f. 41b ; iii, f . 37b ;
iv, f. 38b.
72. "Magnum hereditatis misterium."
i, f. 47; ii, f. 42 ; iii, iv, f. 38b.
73. "O vos omnes." By M. Marini.
i, f. 47b ; ii, f. 43 ; iii, iv, f. 39.
74. " Benignissime Jesu." i, f. 48; ii,
f.43b; iii, iv, f . 39b.
75. "O quam Jucundum." i, f. 49;
ii, f. 44 ; iii, f. 40 ; iv, f. 39b.
76. "0 Domine Deus, O Amabile." i,
f . 49b ; ii, f. 44b ; iii, f . 40b ; iv, f. 40.
77. " Audite, Celi." i, f.50b; ii, f . 45b ;
iii, f. 41b ; iv, f . 40b.
78. "Aue, Regina" (different from
no. 67). i, f.51; ii, f . 46 ; iii, f.42
iv, f. 40b.
79. "Sat est, Domine." i, f. 51b
ii, f.46b; iii, f. 42b ; iv, f. 41.
80. " Dulcissima Maria." i, f . 52
ii, f. 47 ; iii, f. 43 ; iv, f . 41b.
81. " Insurrexerunt in nos." "Cards
simi." i, f. 52b; ii, f.47b; iii, f. 43b
iv, f. 42.
82. " Desiderata nobis." By the same
i, f. 54 ; ir, f . 48b ; iii, f . 44b ; iv, f . 42b
83. " Quam pulchra es." By the same
i, f.54b; ii, f.49b; iii, f.45b; iv
f.43.
84. " Audite, sancti." By the same
i, f. 55b ; ii, f . 50 ; iii, f . 46 ; iv, f. 43b
85. "Domine, Inclyna Ccelos." By
P. Reggio. ii, f. 21b ; iii, f. 9 ; iv, f . 21
86. " Domine, Dominus noster.'
ii, f. 22 ; iii, f. 9b; iv, f. 21.
87. "Trahe me post te." ii, f. 22b
iii, f. 10 ; iv, f. 21b.
88. "Exulta et lsetare." ii, f. 23
iii, f . 10b ; iv, f. 21b.
89. " Sub tuum presidium." ii, f. 23b
iii, f. 11 ; iv, f. 22.
90. "Anima Christi." ii, f.24; iii, f. lib
iv, f . 22.
91. "Deus meus, ad te." ii, f. 24b
iii, f. 12; iv, f . 22b.
92. "Tota pulchra es." ii, f. 25
iii, f. 12b ; iv, f. 22b.
MOTETS.
291
93. " Deus, in adjutoriuin." ii, f. 25b ;
iii, f. 13 ; iv, f. 23b.
94. " 0 dulcis Jesu." ii, f. 26b ;
iii, f. 14 ; iv, f. 24.
95. " Salue, Regina." ii, f . 27 ; iii, f. 14b;
iv, f . 24b.
96. " Inclyna, Domine, aurem." ii, f. 23;
iii, f. 15 ; iv, f. 24b.
Additional 35084.
Paper ; ff . 25. 17tb cent. Octavo.
Figured bass to the Offertoria for 5 voices published by Palestrina
in 1593, in 2 sets. Nos. 1, 2, and 9 of the first set, and nos. 54-68 of
the second set, are wanting. The first lines are given in the Index
to the present Catalogue.
Additional 31437, ff. 20-41.
Paper ; second half of the 17th cent. Folio. See also under Anthems
(above, p. 37).
Motets for 3 voices, unless the contrary is stated, in score, in the
hand of Matthew Lock. The heading on f. 29b, " A Collection of
Songs when I was in the Low-Countrys, 1648," seems to apply only
to nos. 5-9, which appear to be by " Galeatius Sabbatinus " (op. iii,
book i).
1. " Agnosce, O Christiane, dignitatem
tuam"(a2). "M[atthew] L[ock]."
f.20.
2. "Jubilate Deo, omnis terra" (a 2).
By the same. f. 22.
8. " Domini est terra" ; with symphony
and chorus, etc. By the same, f . 24b.
4. " Jesu, auctor Clementie." By the
same, f . 27b.
5. " Jesu, Domine pie " (a 2). f. 29b.
6. "0 verum Christi corpus" (ft 2).
f.SOb.
7. "Dominus Jesus, in qua nocte
tradebatur." f . 30b.
8. " 0 nomen Jesu, nomen dulce."
f.32.
9. " 0 Glementissime Domine." f. 32b.
10. " Salve, meum salutare " (ft 2).
"Galeatius Sabbatinus " (op. vii,
book ii). f.34b.
11. "Dulcis Christe, ad te venio."
"Joannes Rovetta" (book iv). f . 35b.
12. " Peccaui grauiter coram te." By
the same (op. v). f. 36b.
13. "Ecce, Dominus posuit mensam."
By the same. f. 38.
14. " Salue, Regina, Mater miseri-
cordie." Apparently by the same.
f. 38b.
15. " Anima mea liquefacta est." "F.
Buonaventura di Rogliano alias
Francesco Costanzo" (book ii). f.39b.
16. " 0 Jesu mi dulcissime." Headed
" Frottule " (sc. Frottola ?), and ap-
parently taken from a piece of that
description [? by the same], f. 40b.
Additional 14336, ff. 21-72b.
Paper; late 17th cent. Folio. The MS. also contains secular Duets,
Madrigals, and sacred and secular Songs.
Motets (for 3 voices, unless the contrary is stated), with a bass
for organ, in score. The inscription at the end, " Motets de M. [Henri]
Du Mont (sc. Dumont)," appears to apply to all of them. The first two
numbers are attributed in Add. 17835 (below, p. 294) to [G. B.] Bassani.
1. "0 nomen Jesu" (a 2). f.21. | 3. " In te, domine, credimus." f. 25.
2. "Duo Seraphim" (a 2). f . 22. | 4. "0 bone Jesu, 0 dulcis Jesu." f. 26b.
292
VOCAL MUSIC— SACRED.
5. "Regina cceli, lastare." f. 27b.
6. " Doleo super te." f. 29b,
7. "Jubilate Deo" (a 2, with violin),
f. 31b.
8. " Sit gloria domini" (a 2, with violin),
f . 35b.
9. "Benedicite deum, cceli" (a 2, with
violin), f. 38b.
10. "OPraecelsumetvenerabile." f. 41.
11. " Adoro te deuote." f. 42b.
12. " Jesu, Rex admirabilis." f. 45b.
13. " Jesu, dulcedo cordium." f . 48b.
14. " O quam suavis es." f. 51b.
The remaining numbers are for 4 voices.
15. " Cantate domine (sic) canticum
nouum." f. 54b.
16. " Desidero te millies." f. 59.
17. " Sancta et immaculata." f. 61.
18. " Panis Angelicus." f. 64b.
19. " Salue, Maria Virgo." f. 66b.
20. " Domine, saluam (sic) fac Regem."
f.69.
21. " Ad te leuaui oculos." f. 70.
Additional 24293, ff. 2-6 lb passim.
Paper; late 17th cent. Polio. The MS. belonged to Richard Henman,
Rev. John Parker (bookplate with arms, f. 1), and Dr. Henry Gauntlett. It also
contains secular Duets, Madrigals, and sacred and secular Songs.
Motets, with a bass for organ, and in most cases also symphonies
for violins, in score. On f. 24 is the name of H. Du Mont, who is
probably the composer of them all. Nos. 1 and 3 are attributed in
Add. 17835 (below, p. 294) to [G. B.] Bassani. Nos. 1-5, 15 are for
2 voices, the others for 3.
1. "O nomen Jesu." f.2.
2. "Benedicite Deum, cceli."
3. " Duo Seraphin." f. 5b.
4. " Jubilate Deo." f.8.
5. " Set (sic) gloria domini."
6. " In te, domine, credimus."
7. " Doleo super te." f. 19.
8. "Ecce, firculum (sic) charitatis."
f.3b.
£.12.
f. 17b.
f . 20b.
9. " Regina cceli." f. 24b.
10. "Aue, Regina." f. 26b.
11. " Quid commisisti." f.29b.
12. " Stella cceli." f. 32b.
13. " Consurge, domine." f.36.
14. " Per Fceminam mors." f.39.
15. " O gloriosa domina." f. 58.
Additional 31480, ff. 1-79.
Paper; late 17th cent. Octavo. The MS. also contains a sacred Song and a
Chamber Quartet.
Imperfect parts of some Motets for several voices, apparently
transcribed in Italy. Anonymous, unless the contrary is stated.
1. " Filia3 Hierusalem " (a 4; organ and
bass voice part). "Cesti." ff. 1, 11.
2. " Exurgat Deus " (a 8, with instru-
ments; organ part). " Innoc0 Fede."
f. 15.
3. "Ego, flos campi" (a 2; organ and
vocal parts), ff. 19, 21, 25.
4. " Laudate, pueri, Dominum" ; in F
(a 9 in 2 choirs; organ part and 3
vocal parts in each choir), ff. 27-48.
5. Another setting in C (4 9; 2 violin
and archlute parts, organ part of the
2nd choir, and 7 vocal parts).
ff . 49-72.
6. "Vexilla Regis" (a 4; the 4 vocal
parts), f. 73.
7. "Inter sponsasAltissimi" (a 2; tenor
part), f. 77.
MOTETS.
293
Additional 33235, passim.
Paper ; late 17th cent. Folio. See also under Anthems (above, p. 38).
Motets, with a thorough-bass (unless the contrary is stated), in
score.
1. "Militia est vita" (a 3). "Charis-
sime." f. 4.
2. " Plage tue, Domine" (a 3). By F.
Sances. f. 26b.
3. " Suscitavit Dominus " (a 3).
"Charissime." f.30b.
4. "Surgamus, eamus" (a 3). By the
same. f. 33.
5. "Tota pulchra es" (a 2). Anony-
mous. £. 36b.
6. " Paratum cor meum " (4 2). " Dr.
Blow." f. 70.
7. "Laudate nomen Domini" (4 2).
By the same. f. 71b.
8. "Bone Jesu, Verbum Patris" (a 2).
By Gasp. Casati. f. 87b.
9. "Omnes gentes, plaudite." By the
same, but attributed here by P. Hayes
to"Bassani." f.89b.
10. "Anima mea in seterna dulcedine"
(4 2). "Charissime." f. 92.
11. " Regina coeli " (a 2). By N. Mon-
ferrato, but attributed by P. Hayes
to"Bassani." f . 94.
12. "Salue, Regina" (a 3). By the
same, f . 96.
13. "0 bone Jesu" (a 4, without a
bass). "Dr. Child." f. 100b.
14. "Post haec audivi " (4 2). By Dr
Blow. f. 135b.
Additional 14151, ff. 55-60b.
Paper ; 17th-18th cent. Large octavo. See also under Masses (above, p. 216).
" Pange, lingua " ; for 2 choirs, of 4 and 5 voices, with accompani-
ments for strings, in score, by an anonymous composer, but evidently
autograph.
Additional 31503, ff. 60-128.
Paper; 17th-18th cent. Oblong folio. The MS. belonged to James Kent
(bookplate). It also eon tains some Songs.
Motets for several voices, with a bass (generally figured), in score,
by Italian composers of the end of the 17th century.
1. "Laudate, pueri, nomen domini"
(4 2). " N. C[herubino ?]." f. 60.
2. " Dixit Dominus " (4 6, with strings,
etc.). "[G. F.?] Grossi [Siface]."
f. 67.
3. " Regina Coeli "(4 3). " Carlo Fran™
Cane." f. 81.
4. " Cum Invocarem " (4 5, with strings,
etc.). Anonymous, f. 84.
5. "Vir iste Custodiuit in saeculum "
(a 4). Anonymous, f. 104b.
6. " Lastare, jubila" (4 3, with strings,
etc.). Anonymous, f. 106.
The imperfect index in pencil is in the hand of James Bartleman,
the singer.
Additional 32137, ff. 144b-236b passim.
Paper ; 17th-18th cent. Duodecimo.
A few sacred compositions to Latin words. See under Chorales
(above, p. 153).
294 VOCAL MUSIC— SACRED.
Additional 14203.
Paper ; ff. 70. Early 18th cent. Oblong Quarto. A list of the contents of the
MS. is given in the description of Add. 14137 (below, p. 332).
Conductor's copy of " Responsorij di Settimana Santa," for 2
choirs of 4 voices each, with figured basses for organ, in score,
apparently by [Scipione ?] Dentice (see f. 70b). The first lines are
given in the Index.
6
Additional 17835, ff. 2-45 passim, 87.
Paper ; early 18th cent. Folio. The MS. belonged to Domenico Dragonetti
and (1846-1849) to Vincent Novello. It also contains Italian Duets, a Mass
(above, p. 217), Odes, a sacred Song, and a Service, all described elsewhere.
Motets for 2 voices (unless the contrary is stated), with figured
bass, in score. Numbers 9 and 10 are attributed to H. Dumont in
Add. 14336 (above, p. 291).
1. "Quo tam laetus progrederis."
" Charissime." f.2.
2. " Laudemus virum gloriosum." By
the same. f. 5b.
3. "Hodie Simon Petrus." Anony-
mous, f. 7 b.
4. "Dicite nobis, sanctorum civium
Faelices (sic) Animae" (for 1, 2 and
4 voices). "Carissime." f. 13.
5. "Annunciate, gentes" (5 voices).
By the same. f. 18.
6. " Cantabo Domino in vita mea."
By the same. f. 30b.
7. "Exulta, gaude, filia Sion." By
the same, f . 33b.
8. " Esurientes, venite ad Regales cceli
nuptias." "Bassani." f. 36b.
9. "O nomen Jesu." By the same(?).
f.40.
10. " Duo Seraphin clamabant." By
the same (?). f. 41.
11. " Alleluja ! jubilat ecclesia." By
Gasparo Casati. f. 43.
12. " Anima mea in aeterna dulcedine."
"Carissimi." f. 87.
Additional 17850, f. 207b.
Paper ; early 18th cent. Large folio.
" Gloria in Excelsis " ; for 4 voices in score, by [Dr. Maurice]
Green[e]. Added at the end of a volume of Anthems (see above,
p. 46) by the same composer.
Additional 31444, ff. 136-145.
Paper; early 18th cent. Folio. See also under Anthems (above, p. 49).
" Quark fremuerunt gentes " : Motet, or rather Latin verse Anthem,
with 5-part chorus, symphonies, etc., in score. By Tudway. " Per-
form'd for his Bachelour of Musick's Act, in St. Maries in Cambridge,
Commencement, 1681."
Additional 31461, ff. 2-5.
Paper ; early 18th cent. Quarto. See also under Anthems (above, p. 50).
" Bone Jesu, verbum Patris " ; for 2 voices, with a figured bass, by
Cassati. In the hand of James Kent.
MOTETS.
295
Additional 31472, passim.
Paper ; early 18th cent. Folio. The MS. belonged at one time to
Mat[thew] Woodford of Southampton, and afterwards to Joseph Warren. It also
contains a short Oratorio, part of a secular Cantata, and a few sacred Songs.
Motets with a figured bass for harpsichord or organ, in score, by
Giacomo Carissimi. Nos. 1-5 are for 2 voices, the others for 3.
1. "Can tabo Domino." f. 12b.
2. " Exulta, gaude." f. 15b.
3. " Quo tarn lsetus." f. 18b.
4. "Laudemus virum gloriosum."
f. 22b.
5. " Hodie Simon Petrus." f. 25b.
6. "Audite, sancti." f. 27.
7. "Egredimini, ccelestes curiae."
f.30b.
8. " Quis est hie." f.34.
9. "Militia est vita." f. 38b.
10. " Exultabunt justi." f . 42b.
11. " Cum reverteretur David." f. 49b.
12. " Suscitavit Dominus." f . 53b.
13. " Prsevaluerunt in nos inimici."
f . 56b.
14. " Domine, quis habitet " (sic).
f. 60b.
15. "Vidi impium." f.65.
16. "Surgamus." f.68b.
17. " Turbabuntur impii." f . 73b.
18. " Dicite nobis " (a 4). f . 79.
19. "Annunciate, gentes " (a5), f. 91 .
Additional 31475, ff. l-38b.
Paper ; early 18th cent. Quarto. See also above, p. 287.
Motets for 2 voices, without a bass, in score, by Carissimi.
1. "[0] Quam Pulchra et casta es."
f.l.
2. " [D]ulcis amor, Jesu." f. 5b.
3. " Regina cceli, Porta." f. 8b.
4. " 0 Anima mea, suspira." f. 14b.
5. " [Mjagniflcat anima mea Mariam."
f. 21b.
6. " [Cjantemus, jubilemus." f. 27b.
7. " [0] crux nobilitata." f. 33b.
j 8. " [A]ve, dulcissima Maria." First
9 bars only. f. 38b.
Additional 34054, ff. 1-9.
Paper ; a.d. 1708, etc. Octavo. The MS. also contains a vocal Duet (secular)
and a Pianoforte Duet (early 19th cent.).
Two Motets for 4 voices.
1. " Com[m]issa mea pavesco " ; in
score. " Matthei Simonelli." Auto-
graph, f. 1.
2. " Adorna thalamum " ; in parts.
"Alessandro Scarlatti, 1708." Attto-
graph. Apparently acquired by the
Abbate Fortunato Santini from a
library at Frascati, and presented
by him to the Rev. Edward Goddard.
f.4.
Additional 31455, parts i-iv passim.
Paper ; after 1713. Small folio. See also under Operas.
Motets, in parts. Part i contains the tenor, part ii the contra-
tenor, part iii the bass, and part iv the thorough-bass. Nos. 1, 2
and 7 are for 3 voices, the others for 2. Nos. 2 and 4-7 are probably
21
296
VOCAL MUSIC- SACRED.
by H. Du Mont (see Add. 14336 and 24293, above, pp. 291, 292).
Nos. 4-6 have accompaniments for a violin.
1. " Salve, Itegina, mater misericor-
dise." " [N.] Monferratta." i, f. 15 ;
ii, f. 19b ; iii, f. 29 ; iv, f. 66b.
2. "Josu, Rex admirabilis." i, f. 16;
ii, f . 20b ; iii, f. 32; iv, f.75.
3. " Esurientes, venite " (attributed to
Bassani in Add. 17835). iii, f. 24b;
iv, f . 46.
4. " Jubilate Deo." iii, f. 27b; iv, f.61b.
5. "Sit gloria Domini." iii, f.30;
iv, f . 69.
6. " Benedicite Deum, coeli." iii, f. 31 ;
iv, f.72b.
7. " Jesu, dulcedo." iii, f. 33; iv, f.77b.
8. "Bide, tellus"; in a later hand.
Anonymous, iv, f . 80b.
Harley 7338, f. 244b.
Paper; a.d. 1716. Quarto. See also under Anthems (above, p. 53).
" Quare f reinuerunt gentes " : so-called Anthem with Latin words,
by Dr. [Thomas] Tudway.
Additional 29379, passim.
Paper; before 1719 (see f. lb). Small folio. The MS. was presented by the
transcriber to John Alcock [sen.] in 1730, and afterwards passed through the hands
of J[ohn] P[arker, Minor Canon of St. Paul's]. It also contains a sacred Song.
Motets for 2, 3, and 4 voices, with a bass for organ, in score,
attributed (with the exception noted below) to Henri Du Mont.
They are said to be transcribed by Charles King, M.B. Nos. 1, 2, 6
are for 2 voices ; nos. 3, 4 for 3 ; nos. 5, 7 for 4.
1. "Duo Seraphim"; with "Gloria
Patri." Attributed in Add. 17835,
(above, p. 294) to "Bassani." f. 3.
2. "Jubilate Deo" ; with a violin part,
f. 5.
3. " 0 Bone Jesu, 0 dulcis Jesu." f. 8.
4. " Quid com[m]isisti." f. 9.
5. " Desidero te millies." f. 14.
6. " Cantabo Domino in vita mea.
"Carissimi." f. 16.
7. " Panis Angelicus." f. 18b.
Additional 14126.
Paper; ff. 186. a.d. 1726, etc. Folio.
Motets for solo voices and 4-part chorus (except no. l),with strings
and figured bass for organ, in score, written for the female pupils of the
choir of the " Ospedaletto," etc. [at Venice], by Nicole- Porpora. All
(except the first) are autograph and end with the " Gloria Patri."
Nos. 2, 3, are dated 1744 ; nos. 4-8, 1745.
1. " Turba in motu procedit " (a 5, with
trumpets, horns, flutes, oboes, etc.).
f. 1.
2. "Nisi Dominus." f. 57.
3. "Laetatus sum." f. 73.
4. "Qui habitat in adiutorium Altis-
simi." f. 92.
5. "In te, Domine." f. 106.
6. " In conuertendo." f. 124.
7. " Domine, probasti me." f. 146.
8. "Nunc dimittis." f. 159.
9. " Beatus vir qui timet Dominum " ;
written for the " Ospedalo degl' In-
curabili, 4 Agosto 1726." f. 170.
MOTETS.
29;
Additional 14107, ff. 4 1-1 70b passim.
Paper; a.d. 1731, etc. Oblong quarto. The MS. also contains a Litany
(above, p. 200), a Miserere (p. 245), a Mass (p. 225), and a Te Deum, by the same
composer.
Motets, etc., for several voices, in score, by Francesco Durante.
Unless the contrary is stated, they are for 4 voices, with symphonies
and accompaniments for strings and a figured bass for organ.
5. " Protexisti me, Deus " ; for 5 voices,
unaccompanied, written on a plain-
song (which is given in full at the
beginning and forms the bass of the
motet), for the Royal Chapel at
Naples, 21 April, 1745. f. 111.
G. "Laudate, pueri,Dominum"; 7 Dec.
1731. Autograph, f. 159.
1. "Iste confessor Domini": hymn,
f. 40.
2. "Nunc dimittis" ; for 5 voices, etc.
"1749." f. 46.
3. " Misericordias Domini"; for 2
choirs of 4 voices each, without
accompaniment, f. 89.
4. "Beatus uir qui timet Dominum."
f. 95.
Additional 32141, f. 23.
Paper; a.d. 1731. Folio. The MS. also contains a Mass (above, p. 228).
" In omnem terram exivit sonus eorum " : " offertorium de apostolis,"
for 4 voices, with symphony and accompaniments for trumpets and
strings, and a figured bass for organ, in score, by Ceslav Waniura.
Apparently autograph.
Additional 32389, ff. 27-34b.
Paper ; a.d. 173G (see end). Folio. The MS. appears to have been presented
to Otto Jahn, in 1842, by H. Becker. See also under Cantatas (above, p. 132).
" Crucifixus " ; for 16 voices, with a figured bass for organ, in score,
by Caldara. Published in 1840.
Additional 31666, ff. l-47b.
Paper ; a.d. 1739, etc. Oblong folio. See also below, p. 351.
Motets, in score.
1. " Confitebor tibi, Domine " (a 5);
with strings and figured bass for
organ. "Gio.BattistaPergolese." f. 2.
2. "Oh bone Jesu" (a 4). "Joannes
Petrus Aloysius Praenestinus." f. 35.
3. "Jube, Domne, benedicere " ; for a
treble and 4-part chorus, with strings.
"Gio. Batt[ist]a Costanzi, 1739."
Autograph. Presented to Dr. Gassner,
" Hofmusikdirektor " to the Grand
Duke of Baden, by Aloys Fuchs in
1842. f. 36.
Additional 14188, ff. 21-76.
Paper ; a.d. 1740-1752. Quarto. The MS. also contains a Magnificat (above,
p. 207), a Mass (p. 218), a Motet (below, p. 362), and some Passion Music
(18th-19th cent.).
Psalms, etc., in score.
1. "Dixit Dominus," ending with
" Gloria Patri," in C ; for 2 choirs of
4 voices each, with accompaniments 2.
for oboes, horns, and strings. "Leo-
nardo Leo, 1742." f. 21.
"In co[n]vertendo " ; for 2 choirs of
298 VOCAL MUSIC— SACRED.
4 and 6 voices, with a figured bass I figured bass. In the same hand, but
for the organ, by "Nicola Jommelli,
Per la Basilica di S. Pietro [Rome],
1752." f.59.
3. "Antifone. Domus mea domus
orationis, 1750" ; for 2 voices, with a
originally tied up with some of N.
Fago's works, f. 75.
4. "Antifone. Haec est domus domini" ;
for 4 voices, with figured bass. In
the same hand. f. 75b.
Additional 14128, ff. 40-176.
Paper; a.d. 1742, etc. Folio. The MS. also contains a Magnificat (above,
p. 207).
Motets, with " Gloria Patri," for solo voices and chorus, with
symphonies and accompaniments for strings, and a figured bass for
organ, in score, composed by Nicolo Porpora for public institutions of
which he was chorus-master at Venice. Autograph. The first and
last were written for the " Ospedale della Pieta " in 1742, the others
for the " Ospedaletto " in 1744 and 1745. The chorus in nos. 2-5 is
written in 4 parts.
1. "Lsetatus sum"; for double choir
of 5 and 4 voices, f. 40.
2. " De profundis." f. 83.
3. "Laudate, pueri, Dominum." f. 106.
4. Another setting of the same words,
f. 129.
5. A third setting, f. 144.
Additional 14129, ff. 56-159.
Paper ; a.d. 1742, etc. Folio. The MS. also contains some sacred Songs and
a Te Deum.
Motets, written, with exceptions indicated below, for solo voices
and 4-part chorus, with symphonies and accompaniments for strings
and a figured bass for organ, in score, by Nicolo Porpora, for the
" Ospedaletto" at Venice. Autograph.
1. "Confitebor." "1745." f. 56.
2. "In te, Domine, speravi" (a 5) ; for
the "Ospedale della Pieta, 1742."
f. 73.
3. " Laudate, pueri, Dominum."
"1746." f.97.
4-6. Three settings of the " Lauda,
Jerusalem" (the first a copy). "1745,"
f.118; "1744," f. 126; and "1742,"
f. 144.
Additional 14105, ff. 56-222 passim.
Paper ; about 1743 (f. 205b), etc. Oblong quarto. See also under Litanies
(above, p. 201).
Motets for several voices, with symphonies and accompaniments for
strings, in score, chiefly by Francesco Duranti (sc. Durante). Autograph.
Unless the contrary is stated, they are for 4 voices, and have also a
figured bass for organ.
1. " Cito, Pastores, venite" (pastorale).
f.56.
with horns, oboes, etc., but no figured
bass. f. 95.
2. "Surge, Aurora, triumphis ornata" ; | 3. " Pange, lingua"; for 5 voices.
MOTETS.
29D
"1744." f.127.
4. "Inter cceli delitias " ; with trum-
pets, oboes, etc. "1743." f. 192.
5. "Inter choros virginales"; for 5
voices, with trumpets, horns, oboes,
etc. f . 206.
Additional 32170, ff. l-33b.
Paper ; a.d. 1744. Oblong quarto. The MS. also contains some numbers
from Operas (18th cent.).
Four Services, consisting of Introit, Gradual, and Communion (or
Offertory), for the first, second, and fourth Sundays in Lent, and Passion
Sunday ; written for 4 voices with a figured bass for organ, in score,
by L. Leo, for the royal chapel at Naples.
1. " Reminiscere miserationum tua-
rum." f. lb.
2. " Tribulationes cordis mei." f . 3.
3. " Intellige clamorem meum " ; with
an additional treble solo. f. 4b.
4. "Judicame, Deus." f.10.
5. " Eripe me, Domine." f. 12.
6. " Hoc corpus quod pro vobis tra-
detur " ; with additional parts for
2 treble voices, f . 13b.
7. " Invocabit me." f. 20b.
8. " Angelis suis Deus mandavit."
f.21b.
9. " Scapulis suis obumbrabit tibi."
f . 23b.
10. " Lsetare, Jerusalem." f. 26.
11. " Laetatus sum in his." f. 28b.
12. " Laudate Dominum " ; with addi-
tional parts for 2 treble voices.
f. 30b.
Additional 14125, ff. 144-154.
Paper; a.d. 1745. Oblong folio. See also under sacred Songs (1728-1745).
" In exitu Israel " : Motet for two choirs of 3 voices each, with
accompaniments for strings and a figured bass for organ, in score, by
Nicolo Porpora. Autograph.
Additional 14127, ff. 29-38b.
Paper; a.d. 1745. Folio. The MS. also contains some sacred Cantatas
(above, p. 129).
" Credidi propter quod locutus sum " ; for 4 female voices, with
accompaniments for strings and a figured bass for organ, in score,
composed by Nicolo Porpora, while " Maestro delle Figlie del Coro
dell' Ospedaletto " [at Venice]. Autograph. (For parts, see Add. 14131,
f. 101, below, p. 321).
Additional 34279, B, ff. l-39b.
Paper; a.d. 1749, etc. Quarto. The MS. also contains parts of an Opera
(1837) and an Oratorio (1821), and a Song (about 1790).
The vocal and string parts of the following Motets : —
1. " Dixit Dominus " (a 4). The treble
part is in Add. 34279, A (see below,
p. 330). "Battista Mazzaferrata."
f.l.
2. "Nisi Dominus " (a 3). " Bassani."
Transcribed in 1749. f. 27.
300
VOCAL MUSIC— SACRED.
Additional 14193, f. 1.
Paper ; middle 18th cent. Oblong quarto. See also below, p. 317.
" Mistkbium ecclesite " : hymn for 2 choirs of 4 voices each, with a
bass for the organ, in score, by [G. Andrea] Fioroni, "con il concorso
della metropolitana di Milano, 1747."
Additional 34726, passim.
Paper; middle 18th cent. Folio. The MS. belonged at various times to
Dr. Philip Hayes, J. W. Windsor of Bath (1797 ?-1848), Vincent Novello, and
the "Musical Antiquarian Society," and contains several notes by William
Jackson of Exeter, who has certified the writing of his master Travers and his
fellow-pupil Barrow (f. 19). It also contains an Anthem (above, p. 66), a Lamen-
tation (p. 198), Songs, and examples of Harmony by Travers, described elsewhere.
Motets, in score, in the hand of John Travers.
1. " Conserva me, Domine" (3 voices).
"Parsley." f. 17.
2. "Exurge, Domine" (3 voices).
"Woods." f. 17b.
3. " Singularis privelegii " (3 voices).
Imperfect at the end. Anonymous,
f. 18b.
4. "Soli Deo gloria" (3 voices).
Anonymous. The lower half of the
first leaf is lost. f. 37.
The following 5-part Motets, though here anonymous, are probably,
most of them, by Palestrina, or imitations of similar works by that
composer ; the name has, however, been appended below only to those
works which are known to be by him.
5. " Anima mea liquefacta est." f. 51.
6. "Hodiebeata virgo Maria" (Qrstpart
only). By Palestrina. f. 53b.
7. " Domine, ne in furore." f . 50.
8. " Ut leterna (sc. lanterna) pedes."
By Gregorio Languio. f. 58.
9. "Ave, tementes (.sc. A vote mentes)
lucide." f.59.
10. "Veni, Domine, et noli tardare."
f. 61.
11. " Hierusalem cito veniet." f.62b.
12. "En, dilectus meus loquitur."
f . 64b.
13. "Anima mea liquefacta est"
(different from no. 6). f . 60b.
14. "Pater, peccavi in Ccelum."
f. 08b.
15. "Ego sum panis vivus." By
Palestrina. f . 70.
16. "Miserere nostri, Domine." f . 72b.
17. " Delectare in Domino." f. 74.
18. " Laudans invocabo Dominum."
f. 75b.
19. "Pacem relinquo vobis." By
Palestrina. f . 76b.
20. "Unusexduobus." By Palestrina.
f. 78b.
21. " Cum pervenisset beatus Andreas."
By Palestrina. f. 80b.
22. " Dum complerentur dies Pentc-
costes." f. 82b.
23. "O beata et benedicta et gloriosa
Trinitas" ; with second part," O vera
summa sempiterna Trinitas." By
Palestrina. ft 84b, 86b.
24. "Cum beatus Ignatius"; with
second part, "Ignis crux." By
Vittoria. ff. 88, 89b.
25. " Descendit Angelus Domini";
with second part, "Ne timeas." By
the same, ff . 90b, 92.
26. " Hoc est preceptum meum " ; with
second part, "Vos, amici mei."
ff . 93b, 95.
27. "Dum complerentur dies Pente-
costes"; with second part, "Dum
ergo essent in vnura." By Vittoria.
ff. 96b, 98b.
28. " AscendensChristus": with second
part, "Ascendit Deus." it 100b, 102.
MOTETS.
301
29. " Osculetur me "; with second part, 34. " Diligite inimicos vestros."
" Introduxit me Rex." ff. 104, 106. f. 115.
30. "Venite, filij, audite." f. 107b. j 35. "Veni, Redemptor gentium."
31. "Hodiede Virgine." f . 109. f.117.
32. " Ascendo ad Patrem." By — 36. " Angelus Domini locutus est."
Maillart. f. 111b. f. 118b.
33. " Euge, serve bone." f. 114. ! 37. " Adesto vnus Deus." f. 120.
Additional 14152.
Paper ; ff. 48. a.d. 1750. Oblong quarto.
" Fulgete, sydera ; Mottetto a 2e cori obligati con Violini, Trombe,
ed Oboe," in score, by [Pasquale] Cafaro, Naples, 1750. Autograph.
Additional X4160.
Paper ; ff. 74. About 1750 (see above, Add. 14152, f . 1). Quarto.
"Fulgete, sydera": Motet for 2 choirs, with symphonies and
accompaniments for oboes, trumpets, and strings, wrongly attributed
to De Majo, but really by Pasquale Cafaro (see the preceding MS.).
The opening chorus is autograph, and in score ; the rest in parts.
Imperfect.
Additional 14104, ff. 1-207 b passim.
Paper; a.d. 1751, etc. Oblong quarto. The MS. also contains a Magnificat
(above, p. 207) and a sacred Song (18th cent.).
Motets for several voices, in score, by [Francesco] Durante. Auto-
graph. The first has no accompaniment ; the others have symphonies
and accompaniments for trumpets, oboes, and strings, and a figured
bass for organ .
1. "Salue, Regina"; for 2 basses.
"1753." f.l.
2. "Surge, fama" ; for solo voices and
5-part chorus, f. 7.
3. "Dixit Dominus"; for solo voices
and 5-part chorus. "1751." f.91.
4. "Tacete, Sonata"; for solo voices and
4-part chorus, f. 161.
Additional 31499.
Paper; ff. 47. About 1751 (see below). Quarto. Belonged to R. J. S. Stevens,
[organist of the] Charterhouse, in 1817.
Motets for several voices, with a figured bass for organ, in score,
by Abbate [Agostino] Stephani, under the name of Gregorio Piva [his
secretary], apparently transcribed by William Savage in 175£. No. 1
is for 5 voices, the others for solo voices with 3-part chorus.
1. " Qui diligit Mariam." f. lb.
2. ' ' Reginam nostram formosissimam."
f. lib.
3. " Qui Pacem amatis." f. 17b.
4. " Felices Adae filii." f. 23b.
5. " Sonitus a[r]morum." f . 30.
6. " Flores argi (sc. agri)." f. 36b.
7. " Tandem adest clara dies." f. 42.
302 VOCAL MUSIC— SACRED.
Additional 14101, ff. 1, 75.
Paper; a.d. 1753, etc. Folio. The MS. also contains a Magnificat (above,
p. 207) and a sacred Song (18th cent.) by the same composer.
Two settings in D of the psalm " Dixit Dominus " ; for 8 voices,
with symphonies and accompaniments for trumpets, oboes, and strings,
and a figured bass for organ, in score, by [Francesco] Durante.
1. "1753." For 5 solo (?) voices, with j 2. For 2 choirs of 4 voices each. f. 75.
3-part chorus, f. 1.
Additional 14156.
Paper ; ff. 32. a.d. 1756. Folio.
" Surge, arnica " : " mottetto a due cori obligati," with symphonies
and accompaniments, for oboes, horns, trumpets and strings, and a
figured bass for organ, in score, by [Pasquale] Cafaro.
Additional 14191, ff. 11 4-1 95b passim.
Paper ; a.d. 1757, etc. Oblong quarto. The MS. also contains a Magnificat
(above, p. 206) and some sacred Songs (18th cent.).
Motets for 4 voices, with accompaniments for strings, and a
figured bass for the organ, in score.
1. "Alma Redemptoris Mater."
"F[rancesco] M[aria] F[rezza],
1757." Autograph, i. 114.
2. "Aue, Maria"; without strings.
" Andrea Basilj." f . 158.
3. "Domine, ad adjuvandum me."
"Giac. Ant0 Perti." Two settings,
the latter apparently autograph.
ff . 188, 192.
Additional 14153, 14154, passim.
Paper ; a.d. 1759, etc. Oblong folio. See also under sacred Songs.
Motets for several voices, with symphonies and accompaniments
for trumpets, oboes, and strings, and a figured bass for organ, by
[Pasquale] Cafaro. Mostly autograph. Unless the contrary is stated,
the scores are in vol. i, and the parts in vol. ii.
1. "Confitebor" (a 4). "1759." The i 3. "Nunc dimittis" (bass solo and
parts are chiefly in the hand of Camillo
Franco, i, f. 1 ; ii, f. 23.
2. "Cadant arma" (a 5). i, £.37.
3-part chorus) ; in parts, i, f. 172.
4. "Salue, Regina" (a 4). i, f.214:
ii, f. 96.
Additional 31398, ff. l-34b.
Paper ; a.d. 1759. Oblong quarto. See also under secular Madrigals.
Motets, for 5 voices, in score, by Palestrina. The first nine are
from the Offertoria, 1593; the others from the 5th book of Motets
(1584).
1. "Ad Te levaui." f.4.
2. "Deus, Tu con versos" (sic), f. 7.
3. " Benedixisti, Domine." f.9.
4. "Ave, Maria." f. 12.
MOTETS.
303
5. "Tui sunt Coeli." f. 14b.
6. "Elegerunt Apostoli." f. 17.
7. " Exaltabo Te." f. 19b.
8. " Angelus Domini." f. 21b.
9. " Illumina oculos meos." f. 24b.
10. "Tempus est ut revertar"; with
second part, "Nisi ego abiero." ff. 27,
30.
11. " Domine, secundum Actum
meum." f. 32.
The following twelve MSS., to Add. 5059, are in the hand of Henry
Needier (d. 1760), by whose widow, Hester Needier, they were presented
to James Mathias, merchant, of London, who bequeathed them to the
Hritish Museum in 1 872.
Additional 5036, passim.
Paper ; before 1760 (see above). Quarto. The MS. also contains Madrigals,
parts of Masses (above, p. 219), and a secular Motet.
Collection of Motets, etc., for several voices, in score, from MSS.
in the Music School and in Bodley's and Christ Church Libraries,
Oxford (see index at beginning). Unless the contrary is stated, they
are by Palestrina, and for 5 voices. Nos. 1-6, 11-16, 20-31 are
from his Offertoria, 1593 ; nos. 17-19 from his Motettorum liber V, 1584 ;
nos. 32-45, from Book iv (Ex Canticis Canticorum) of the same
work, 1584.
1. " Ad te levavi animam." f . 5.
2. "Deus, tu conversus." f. 8.
3. "Benedixisti, Domine." f . lib.
4. " Ave, Maria, gratia plena." f . 14b.
5. "Tui sunt cceli." f. 17.
6. " Elegerunt Apostoli." f. 20.
7. " Ascendens Christus " ; with second
part, "Ascendit Deus." "Thomas
Ludovici de Victoria Abulensis."
ff. 22b, 25b.
8. "Vidi aquam egredientem de
templo " (a 4). " Edwardus Lupus."
f.40.
9. " Audivi vocem de Ccelo " (a 6). By
the same, f . 42.
10. "Pater, peccavi." By the same.
f.44.
11. "Justus utpalma." f.46.
12. "Anima nostra sicut passer."
f . 48b.
13. " Posuisti, Domine, in capita ejus."
f.51b.
14. " Deus enim firmavit orbem." f. 54.
15. "Inveni David." f.57.
16. " Reges Tarsis." f . 59b.
17. "Parcemihi, Domine"; with second
part, "Peccavi ; quid faciam." ff. 62,
65b.
18. "Tempus est ut revertar"; with
second part, "Nisi ego abiero."
ff.68, 71.
19. "Domine, secundum actum
meum." f. 73b.
20. "Jubilate Deo, omnis terra." f. 89.
21. "Jubilate Deo, universa terra."
f.92.
22. " Dextera Domini." f.95.
23. "Bonum est confiteri." f.97b.
24. "Perfice gressus meos." f. 100.
25. " Benedictus es, Domine." f. 103.
26. "Scapulis suis obumbrabit tibi."
f.106.
27. "Meditabar in mandatis tuis."
f. 108b.
28. " Justitiae Domini." f. 111b.
29. " Laudate Dominum." f. 114b.
30. " Confitebor tibi, Domine." f. 117b.
31. "Improperium expectavit cor
meum." f. 120.
32. " Osculetur me." f. 123b.
33. " Trahe me post te." f. 126.
34. "Nigra sum." f . 129.
35. "Vineam meam non custodivi."
f. 132.
36. " Si ignoras tu, O pulchra." f. 134b.
37. " Fasciculus Myrrhse." f. 137b.
38. " Pulchrae sunt gense tuae." f. 140.
39. " Ecce, tu pulcher es." f. 143.
40. " Tota pulchra es." f. 145b.
41. " Vulnerasti cor meum." f. 148.
304
VOCAL MUSIC— SACRED.
42. " Sicut lilium." f. 151.
43. " Introduxit me Rex." f. 154b.
44. "Adjuro vos, filise Jerusalem."
f. 157.
45. "Caput
f. 160.
ejus aurum optimum."
Additional 5037, ff. 3-1 36b.
Paper; before 1760. Quarto. Tbe MS. also contains portions of Masses
(above, p. 219).
Motets, in score, by Palestrina. Unless the contrary is stated,
they are for 5 voices. Nos. 1-13 and 15-17 are from the Offertoria,
1593.
1. " Terra tremuit." f . 3.
2. " Angelus Domini descendit." f. 5b.
3. " Deus, Deus meus, ad te." f. 8b.
4. " Lauda, anima mea." f. lib.
5. " Benedicite, gentes, Dominum."
f. 14.
6. " Ascendit Deus." f. 17b.
7. " Confirma hoc, Deus." f.20.
8. "Benedictus sit Deus." f . 22b.
9. " Sacerdotes Domini." f. 25b.
10. " Domine, convertere." f . 28b.
11. "Sperent in Te." f. 31b.
12. " Illumina oculos meos." f. 34b.
13. " Exaltabo Te, Domine." f . 38.
14. "Manus tuse, Domine," part of
"Paucitas dierum" (from Motets,
Book v, 1584). f.40b.
15. " Benedicam Dominum." f. 43.
16. " Sicut in holocaustis." f. 45b.
17. " Populum humilem." f. 48b.
18. "Pacem relinquo vobis " [?unpub-
The following nine Motets for 4 voices (nos. 26-34) are from
Motecta Festorum, Book i, 1590.
lished]. i, 51b.
19. "OAdmirabilecommercium" (from
Motets, Book i, 1569). f. 54b.
20. "Stella quam viderant Magi"
(from the same), f. 58.
21. "Senex puerum portabat " ; with
second part, "Hodie Beata Virgo-
Maria " (from the same), ff. 61b, 65.
22. "Angelus Domini"; with second
part, " Et introeuntes " (from Motets,
iii, 1575). ff. 69, 73b.
23. "Ascendo ad Patrem " ; with
second part, "Ego rogabo Patrem"
(from Motets, ii, 1572). ff . 78b, 82b.
24. " Canite tuba " ; with second part,
" Borate, cceli" (from the same).
ff . 85b, 88b.
25. "Corona aurea " ; with second part,
"Domine, praevenisti eum" (from
the same), ff. 92b, 96.
26. " Dies sanctificatus." f. 102.
27. " Lapidabant Stephanum." f. 104.
28. " Valde honorandus est." f. 106b.
29. "Magnum hereditatis misterium."
f.109.
30. "Tribus miraculis ornatum."
i. 111b.
31. "Salvator mundi." f. 114b.
32. " Gaudent in Ccelis." f. 117.
33. "Hodie Beata Virgo Maria." f. 120.
34. "Isti sunt viri." f. 122b.
Nos. 35-37 appear to be altered from hymns published in 1589.
With the exception of the last verse of no. 36, they are for 4 voices.
35. "O Lux, Beata Primitus (sc.
Trinitas) " ; divided into three parts,
"Te (sc. Tu) lux perennis," "Te
manelaudum," and " Patri simulque
filio." ff . 125, 125b, 126b.
36. "Iste confessor"; divided into
"Domini sacratus," ["Ad sacrum
cujus tumulum"] and "Sit salus."
ff. 128, 129, 130.
37. "Vexilla Regis"; divided into
"Fulget crucis," "Impleta sunt,"
and " Beata cujus." ff. 132, 133, 134.
38. A Motet or Madrigal, at the begin-
ning of which is written " Legature."
f. 135.
MOTETS. 305
Additional 5038, ff. 2-69b.
Paper ; before 1760. Quarto. The MS. also contains a Mass (above, p. 219).
[" Motecta Festorura," Book i, 1590], for 4 voices, in score, by
Palestrina. The nine missing numbers are given in the preceding
volume (ff. 102-1 22b).
Additional 5042, passim.
Paper ; before 1760. Quarto. The MS. also contains a secular Motet.
Sacred Latin compositions, scored by Needier from the following
printed works by Orlando di Lasso.
I. " Novae Aliquot .... ad Duas Voces Cantiones .... Londini.
Excudebat Thomas Este. 1598." These are 24 in all, for cantus and
bassiis, the last 12 being without words, ff. 1— 19b.
II. " Moduli Nondum prius editi, Monachii Boioariae Ternis
Vocibus .... Lutetiae Parisiorum. Apud Adrianum le Roy et
Robertum Ballard .... 1576." ff. 20-50.
III. " Sacrae Lectiones Novem ex Propheta Job Quatuor Vocum
. . . . Noribergae. In Officina Theodorici Gerlachii. 1575." ff. 51-
87b. A list of the contents of this work is given in the description
of Add. 31394 (see below, p. 324).
As this and the next MS. are mere transcripts of printed works,
it is unnecessary to specify each composition, but the first lines are
given in the Index.
Additional 5043, passim.
Paper; before 1760. Quarto. The MS. also contains a few Carols (above,
p. 144).
" JoANNis Mouton Sameracensis (sic). . . .Moduli. . . .4, 5, 6 et 8
vocum. . . .Liber Primus. Parisiis. . . . 1555." Scored by Needier.
Additional 5044, ff. 2, 36, 61b.
Paper ; before 1760. Quarto. See also under Masses (above, p. 220).
Motets, the first two with " Gloria Patri," for 5 voices, with
symphonies and accompaniments for strings, and a figured bass for
organ, in score, by G. B. Pergolesi. Nos. 1 and 3 have also oboes and
trumpets.
1. " Laudate, pueri." f.2. | 3. " Domine, ad adjuvandum." f. 61b.
2. " Confitebor." f.36.
306
VOCAL MUSIC— SACRED.
Additional 5046, ff. 4, 6, 147b, 149b.
Paper; before 1760. Quarto. See also under Masses (above, p. 220).
Motets, in score, by Edvardus Lupus (sc. Lopn-^), 1621.
1. " Asperges me"; with "Gloria
Patri " (a 4). f. 4.
2. "Vidi aquam egredientem de tem-
plo"; with "Gloria Patri" (a 4).
f.6.
3. "Pater, peccavi " (a 5). f. 147b.
4. "Audivi vocem de coelo " (a G).
f. 149b.
Additional 5048.
Paper; ff. 51. Before 1760. Quarto. Bookplate of James Mathias.
" Gloria in excelsis Deo " ; for solo voices and 4-part chorus, with
symphonies and accompaniments for trumpets, oboes, and strings, and
a figured bass for organ, in score, by — Negri. Evidently the same
setting of these words as that contained in the Royal College of Music
(No. 1759 in the catalogue of the Sacred Harmonic Society, where it
is attributed to Domenico Francesco Negri).
Additional 5051, ff. ll-89b.
Paper ; before 1760. Quarto. The MS. also contains a secular Motet.
" Liber Primus Sacrarum Cantionum Quinque Vocum ....
Antwerphe. Apud Tilemannum Susato. Anno 1546." Scored by
Needier.
1. " Tulerunt Dominum meum " ; with
second part, " Et dum ergo fleret."
"Cadeac." ff . 12, 15b.
2. "In illo tempore quum audissent " ;
with second part, "Nondum enim in
quempiam." "Tilemannus Susato."
ff . 19, 23.
3. "Amen, amen, dico vobis"; with
second part, "Qui manducat meam
carnem." "Jo. Castileti." ff . 26b,
29b.
4. " Ite in orbem " ; with second part,
"Signa eos." "Petrus de Manchi-
court." ff. 32, 35.
5. " Emitte, Domine, sapientiam " ;
with second part, "Da mihi, Do-
mine." Anonymous, ff. 39, 42.
6. " Super flumina Babilonis " ; with i
second part, " Adhereat lingua mea
faucibus." " Benedictus [von Ap-
penzell?]." ff . 45b, 52.
7. " O stupor et gaudium " ; with
second part, "Te igitur obsecramus."
Anonymous, ff . 58b, 63.
8. "Non conturbetur cor vestrum";
with second part, "Ite in orbem."
Anonymous, ff . 66b, 70.
9. "Verbum iniquum"; with second
part, " Duo rogavi te." Anonymous,
ff . 73b, 76.
10. "Adjuva nos, Deus." "Thomas
Crecquillon." f.80b.
11. "Domine, ne memineris"; with
second part, "Adjuva nos, Deus."
By the same (?). ff . 84, 88.
Additional 5054, passim.
Paper; before 1760. Quarto. See also under Anthems (above, p. 68).
Motets for 4 voices (unless the contrary is stated), in score.
1. "Qui diligit Mariam " (for 1, 2 and
R voices). " Agostino Steffani." f. 8b.
2. "Miserere nostri, Domine" (a 5).
" Wm Damon." f. 25b.
MOTETS.
307
3. " Quem dicunt homines." By Ma-
renzio. f . 28.
4,5. "Vobis datum est" (2 settings).
"Constanza (sic) Porta." ff. 64, 66.
6. "Senex puerum portabat" [from
Cantiones Sacrm, 1589, by Vittoria].
f.68.
7. "0 Domine, Jesu Christe." Anony-
mous, f. 71b.
8. " Domine, quando veneris"; with
second part, "Hei mihi, Domine"
(a 5). "Bonus." ff. 73b, 76b.
9. " Benedictus Qui venit." "Orlande
de Lassus." f. 79.
10. "Miserere nostri, Domine" (a 7).
" Wm Bird and'Tho. Tallis." f . 81b.
11. A 4-part composition, without
words. Anonymous, f . 89.
12. "Ave, lumen gratie." " Robertus
Fairfax." f. 93.
13. "Per illud ave prolatum" (a 2).
Attributed here to ' ' Josquin de Prez,"
but, according to Glarean, the work
of Johannes Mouton. f. 97.
14. "0 Maria, mater pia" (a 2). Anony-
mous, f . 98.
15. " Perfice gressus meos " ; with parts
for 3 strings and a figured bass, in
score. " Hercole Bernabei." f. 120.
16. " Miseremini mei saltern, vos
amici " ; with second part, " Cutis
mea aruit." "Johannes Mouton"
(from Glarean). ff. 134, 135b.
17. "Vox in Rama audita est." " Cle-
mens non Papa." f. 137.
18. " Beatus vir qui non abiit." " Dr
Pepusch." f. 139.
19. "0 sacrum convivium" (a5). "Tho.
Tallis." f.l42b.
20. " Sicut cervus desiderat." "Pales-
t[r]ina." f. 165.
Additional 5058, passim.
Paper; before 1760. Quarto. Bookplate, with arms, of James Mathias.
The MS. also contains a secular Motet.
Motets for 5 voices, in score. Most of them are known to have
been composed by William Byrd in 1589; the others are therefore
presumably also by him (see f. 2).
1. "Gaudeamus omnes in Domino."
f. 3b.
2. Another setting of the same words.
f.5b.
3. " Precamur, Sancte Domine." f. 7b.
4. " Tristitia et anxietas " ; with second
part, " Sed tu, Domine, qui non dere-
linquis." ff . 10, 14b.
5. " De Lamentatione Hieremiae."
f. 17b.
6. " Defecit in dolore vita mea" ; with
second part, " Sed tu, Domine, refu-
gium." ff . 20, 23.
7. " Sordes ejus." f . 25b.
8. " Laudate Dominum, omnes." f. 28.
9. " 0 vos omnes, qui transitis." f. 32b.
10. " Domine, tu jurasti." f. 35b.
11. " Audivi vocem." f . 39b.
12. "Defixse sunt in terram portse ejus."
f.42b.
13. " Apparebit in finem." f.47.
14. " Vigilate, nescitis enim." f. 50.
15. " In resurrectione tua." f.54b.
16. " Respice, Domine, de Sanatuario
tuo." f. 56b.
17. " Lsetentur cceli." f . 58.
18. " Fac cum servo tuo." f . 60.
19. " Domine, secundum multitudinem
dolorum meorum." f. 64.
20. " Tribulationes civitatum audivi-
mus" ; with second part, " Timor et
hebetudo"; and third part, "Nos-
enim pro peccatis nostris." ff. 67, 69,
72.
21. "Plorans plorabit"; with second
part, " Die Regi." ff. 76b, 78b.
22. " Mirabile misterium." f.80b.
308
VOCAL MUSIC— SACRED.
Additional 5059, passim.
Paper ; before 1760. Quarto. Bookplate, with arms, of James Mathias.
The MS. also contains some Lamentations (above, p. 198).
Motets, in score, by English composers of the 16th century.
With one exception, they are for 5 voices.
1. " Domine, prestolamur Adventum
tuum"; with a second part, "Veni,
Domine ; noli tardare." " Wm Bird."
ff. 3, 6.
2. "Salvator mundi." " Thomas Tal-
lis." f.9.
3. "Ave, Dei Patris filia." "Robert
Johnson." f. 11.
4. " Attollite portas principes vestras,"
with "Gloria Patri," for 6 voices.
"WmBird." f. 27.
5. " Aspice, Domine." "rLP 1 Phillips "
f. 31b.
6. "Miserere mei, Deus, quoniam in te
confidit anima mea." " Dr Tye."
f.38.
7. "0 splendor glorise." "JohnTaver-
ner." f . 48.
8. " Domine, quis habitabit." "Thomas
Tallys." f. 63.
9. " Absterge, Domine." By the same,
f. 87.
10. " Sabatum dum transisset." By
the same. f. 92.
Additional 31396.
Paper; ff. 96. a. d. 1762. Oblong quarto.
"Pr^enestini Mottecta cjuinis vocibus ex Libris sex [especially
from Book i] eiusdem Auctoris elaborata, et in hanc formam a Joanne
Celij Pontiticife Cappelhe Cantore redacta pro faciliore studentium
intelligentia. . . 1762." In score. The original number of voices is
adhered to, and in many cases the alteration to which the Motets
have been subjected is very slight.
1. " Laudate, coeli." Ascribed to Pales-
trina, but doubtfully, f. 2.
2. "Joseph fili, David " (unpublished?).
f.3b.
3. "Surge, Petre." f.5b.
4. " Sancte Paule Apostole." f. 7b.
5. " Petrus Apostolus " (unpublished ?).
f. 9b.
6. " O admirabile comercium." f. lib.
7. " Stella quam viderant Magi." f. 13.
8. " Senex puerum portabat " ; with
second part, " Hodie beata Virgo."
ff. 15, 19.
9. " O Antoni eremita." f. 17.
10. " Suscipe verbum " ; with second
part, "Paries quidem Filium."
ff . 21, 22b.
11. "Alleluia I tulerunt Dominum."
f. 24b.
12. "Crucem sanctam." f . 26b.
13. "Ego sum panis vivus " ; with
second part, " Panis quern ego dabo."
ff. 28, 30.
14. "Puer, qui natus est." f. 32.
15. "Beatae Maris Magdalenae." f.33b.
16. " Beatus Laurentius." f. 35b.
17. " Hodie nata est beata Virgo."
f. 37.
18. "O beatum virum." f. 39.
19. " Venit Michael Archangelus."
f. 41.
20. " O beatum Pontificem." f. 42b.
21. "Deus, qui dedisti legem." f. 45.
22. " Lapidabant Stephanum." f. 47.
23. " Hie est discipulus." f. 49b.
24. " Sicut lilium." f. 51.
25. "Quam pulchri sunt gressus tui,
filia." f. 53.
26. " Vnus ex duobus." f . 55.
27. "Cum pervenisset Beatus An-
dreas." f. 56b.
28. " Jubilate Deo, omnis terra " ; with
second part, "Laudate nomen."
ff. 59, 60b.
29. " Peccantem me quotidie." f. 62b.
30. "Cantantibus organis " ; with sec-
MOTETS.
309
ond part, "Biduanis ac triduanis
jejuniis." ff. 64, 65b.
31. "Caromea vere est cibus." f. 67.
32. " Sanctificavit Dominus tabernacu-
lum." f. 68b.
33. " 0 quam metuendus." f. 7Ub.
34. " Exultate Deo." f. 72.
35. " Parce mibi, Domine " ; witb sec-
ond part, " Peccavi." ff. 73b, 75.
36. "Domine, secundum actum meum."
Imperfect at tbe end. f. 76b.
37. " [Salve] Regina, Mater miseri-
cordiae"; with second part, " Eia
ergo, Advocata." ff. 77, 78.
38. " Ave, Regina ccelorum " ; with
second part, " Gaude, Virgo." ff. 79,
80b.
39. " O Beata et benedicta . . . Trini-
tas " ; with second part, " 0 vera
summa sempiterna Trinitas." ff. 82,
83b.
40. " Memor esto verbi tui." In a dif-
ferent hand. f. 86.
41. " Canite tuba in Syon"; with
second part, " Rorate coeli." ff. 90,
91b.
42. " Qui manducat meam carnem."
Attributed to Palestrina, but doubt-
fully, f. 94.
43. "Ne reminiscaris, Domine, delicta
nostra." Attributed to the same,
but doubtfully, f. 95.
Additional 23624, ff. 5-1 16b pa&si
m.
Paper ; about 1763 (see f. lb). Small folio. See also under Anthems
(above, p. 68.)
" Cantiones qua? ab argumento sacra? vocantur quinque et sex
partium. Autoribus Thoma Tallisio et Guilielmo Birdo .... Reginae
a privato sacello generosis et organistis, 1575." Scored by John
Alcock.
Nos. 1-15 are by Tallis, and are written for 5 voices (unless the
contrary is stated), with figured bass.
1. " In manus tuas." f. 5.
2. " Mihi autem nimis honorati sunt
amici." f. 6.
3. Hymn, "0 nata lux de lumine."
f.7b.
4. "O sacrum convivium"; published
in Boyce's Cathedral Music, vol. ii, as
an anthem to the words " I call and
cry." f. 8b.
5. " Derelinquit impius viam suam."
f. 11.
6. " Sabbathum dum transisset." f. 14.
7. "Virtus, Honor." f. 16b.
8. Hymn, "Illse dum pergunt"; with
second part, " Rex Christe clementis-
sime." ff. 18b, 20.
9. Hymn, " Procul recedant somnia."
f. 21.
10. "Salvator mundi"; containing a
canon, f. 22.
11. "Facti sunt Nazare[ni]." f . 23.
12. " In iejunio et fletu." f. 24b.
13. "Suscipe, quaeso, Domine" (a 7).
f. 27.
14. " Miserere nostri, Domine " (a 7,
with canons), f. 36b.
15. " 0 salutaris hostia." f. 38b.
Nos. 16-32, by Byrd, are for 6 voices, unless the contrary is
stated.
16. " Libera me, Domine "; with second j 20. Hymn, "0 Lux, beata trinitas."
part, "Dies mei transierunt" (a 5). I f. 60b.
ff.45, 46b. I 21. Hymn, "Deo Patri sit gloria";
17. "Peccantem me quotidie" (a 5). | containing a canon, f. 62.
f. 49. i 22. " Laudate, pueri, Dominum."
18. "Aspice, Domine, quia facta est j f. 63b.
desolata." f. 53. 23. "Memento, homo, quod cinis es."
19. " Attol[l]ite portas." f. 56b. | f . 68.
310
VOCAL MUSIC— SACRED.
24. " Siderum rector " (a 5). f. 69b.
25. " Da mihi auxilium." f. 71b.
26. "Domine, secundum actum meum " ;
witb second part, " Ideo deprecor
majestatem tuam." ff. 75, 77.
27. "Miserere mihi, Domine," con-
taining two canons, f . 82.
28. "Tribue, Domine, ut donee." f. 83.
29. "Te deprecor, supplico et rogo."
f. 85b.
30. "Libera me, Domine, de morte"
(a 5). f. 91b.
31. "Domine, tu jurasti " (a 5). f. 96.
32. "Vide, Domine, quoniam tribulor "
(a 5). f. 99.
33. "Super flumina Babilonis " (a 8).
"Phillip de Monte" .... "Sent
by him to Mr. Bird, 1583." f. 101.
34. " Quomodo cantabimus " (a 8, with
canons), "made by Mr Wm Byrd to
send unto Mr. Phillip de Monte,
1584." f. 107.
Additional 14398, ff. 5-1 26b, 134b.
Paper ; a.d. 1770. Quarto. Presented by Vincent Novello in 1843. The MS.
also contains sacred Canons (above, p. 118), Madrigals, part of a Mass (p. 221)
and a Secular Motet.
" A collection of Motetts .... chiefly selected from the Original
parts and put into score, 1770," by Edmund T. Warren Home, whose
bookplate with arms is prefixed. Unless the contrary is stated, they
are for 5 voices.
Nos. 1-12 are from William Bird's Liber primus Sacrarum
Cantionum, 1589.
1. "Defecit in dolore " ; with second I
part, " Sed tu, Domine, refugium." j
ft. 5, 6b.
2. "Domine, praestolamur " ; with
second part, "Veni, Domine; noli
tardare." ff. 8, 9b.
3. " O Domine, adjuva me." f. lib.
4. "Trstitiaet anxietas" ; with second
part, " Sed tu, Domine, qui non."
ff.l3b, 17.
5. " Memento, Domine." f. 18b.
6. " Vide, Domine, afmctionem " ; with
second part, "Sed Veni, Domine."
ff. 21, 23.
7. " Deus, venerunt gentes"; with
second part, "Possuerunt morti-
cinia"; third part, " Effuderunt
sanguinem " ; and fourth part,
" Facti sumus opprobrium." ff. 24b,
26, 28, 30.
8. " Domine, tu jurasti." f. 32b.
9. " Vigilate, nescitis enim." f. 35.
10. " In resurrectione tua." f . 38.
11. "Aspice, Domine"; with second
part, "Respice, Domine." ff. 39b,
41b.
12. "Ne irascaris, Domine"; with
second part, "Civitas sancti tui."
ff. 42b, 44b.
Nos. 13-28 are by Palestrina, nos. 13-21 being from the 5th
book of Motets, published in 1584, and nos. 22-28 from the 3rd book,
1575; nos. 32-34, by " Petrus Philippi " (sc. Philips), are for two
choirs of 4 voices each.
13. " Tempusestut revertar." f. 46b.
14. " Exultate Deo." f.48b.
15. "Domine, secundum actum."
f . 50b.
16. "Parce mihi, Domine"; with
second part, "Peccavi." ff. 52b,
54b.
17. " Orietur Stella." f. 56.
18. " Ardens est cor meum." f. 58b.
19. "Surge, Petre." f. 60b.
20. " Ecce, merces sanctorum." f. 63.
21. "Videns secundus Salvatorem."
f . 65b.
22. " Omnipotens, sempiterne Deus."
f. 67b.
23. "O sancte presul Nicolae." f. 69b.
24. "Manifesto vobis"; with second
part, " Pax vobis." ff. 72, 74b.
MOTETS.
311
25. "Domine Deus, qui conteris
bella"; •with second part, " Tu,
Domine, cui humilium." ff. 77, 79.
26. " Sanctificavit Dominus"; with
second part, "0 quam metuendus."
ff. 81, 83.
27. " Quid habes, Hester." f. 85b.
28. "Veni, sancte spiritus " (a 8).
f . 87b.
29. "Domine, exaudi orationem " (a 8).
" Horatii Vecchie (sc. Vecchii), 1590."
f . 91b.
30. "Dixit Dominus Domino meo."
" Gio. Battista Cesati, 1655." f . 94.
31. "Domine, ad adjuvandum." By
the same. f. 99b.
32. " 0 Pastor seterne." "1613."
f. 101b.
33. "Beata Dei genetrix." f. 105.
34. " Hodie nobis de coelo." f. 109.
35. "Sancte Martine " ; with second
part, " O magnum virum." "Clemens
non Papa, 1545." ff. 115, 116b.
36. "Quem vidistis, pastores " ; with
second part, "Angelus ad pastores."
" A. Tubal, 1545." ff. 118b, 120b.
37. " Per lignum salvi." "Jho. Mouton,
1545." f. 122b.
38. "0 Arnica mea " ; with second part,
" Dentes tui." " Tho" Morley, 1600 "
(sc. 1597). ff. 124, 125b.
39. " Confitebor tibi " (a 3, with figured
bass). "Ab[b]ate Steffani, 1709."
f . 134b.
Additional 31643.
Paper ; ff . 52. a.d. 1770, etc. Oblong folio.
Two Motets, with " Gloria Patri," for 4 voices, with symphonies
and accompaniments for strings and a bass (figured or expanded) for
organ, in score, by Baldassar Galuppi, " d[et]to il Buranello." Autograph.
1. " Credidi, propter quod locutus I 2. "Laudate, pueri " ; with horns, etc.
sum"; with trumpets, etc., written " 1773." Presented to Vincent Novello
for " la Cappella di S. Marco [Venice], by [Domenico] Dragonetti. f. 12.
1770." f. 2.
Additional 31748, ff. l-2b.
Paper; a.d. 1770 (?). Oblong folio. The MS. also contains instrumental
music, described elsewhere.
" De profundis " ; for 4 voices, with a figured bass for organ, in
score, by J. C. W. A. Mozart. Autograph. The top stave is marked
at the beginning " Violino i, ii," but the music for those instruments
has not been filled in.
Additional 33240, ff. 11, 21.
Paper; a.d. 1770, 1799. Quarto. Presented by Vincent Novello to the
Musical Antiquarian Society in 1849 and 1843 respectively. The second article
belonged to Samuel Webbe, sen., at the time of his death, when it was purchased
by Novello. See also under Anthems (above, p. 98).
Two sacred compositions, in score.
1. "Libera me, Domine, de morte";
consisting of 5-part choruses inter-
spersed with solos, by Dr. Arne, 1770.
The concluding chorus appears to 2.
have been sung as a quintet [? at
the Portuguese Chapel], the names
Swiney (superius), Fitz (altus), Lanza
(contra-tenor), Gulch* (tenor), and
Novello (bassus) being written in
pencil at the beginning, f. 11.
" Salve, Regina, mater misericor-
dise " : motet for alto, tenor, and
bass (figured), by " S. Wesley, 10
Sept. 1799." Autograph, f. 21.
312
VOCAL MUSIC— SACRED.
Additional 31658, ff. 7-39.
Paper; a.d. 1776. Oblong folio. The MS. also contains a sacred Song (1754).
" Salve, regina " ; for soprano solo and 3-part chorus, with sym-
phonies and accompaniments for horns and strings, in score, by
[Pasquale] Anfossi. Apparently autograph.
Additional 31222, ff. 3b-26.
Paper ; a.d. 1780, 1781. Small quarto. The MS. also contains part of a Mass
(above, p. 222), Catches (about 1781), Glees (1781, 1782), and a Duet and secular
Songs (about 1782).
Antiphons, etc., with a bass for organ (unless the contrary is
stated), in score, by Samuel Wesley. Autograph.
1. " Sacerdos et Pontifex" (a 4, with-
out accompaniment), f. 3b.
2. " Gloria Patri " (a 4). f. 4b.
3. "Hodie,BeataVirgo"(a3). "1780."
f. 6b.
4. "Ecce,Mariagenuit"(a3). "1780."
f. lib.
5. "Domine, salvum fac regem" (a 3).
f. 13b.
The remaining numbers are for 2 voices
De-
6. Another setting of the last.
cember 24th, 1780." f. 16b.
7. "Gloria Patri." "December 14th,
1780." f. 18b.
8. Another setting of the last. f. 20b.
9. " Ave, Regina ccelorum." f. 21b.
10. " Amavit eum Dominus." f. 22b.
11. " Emitte lucem tuam." f. 24b.
12. "Ave, verum Corpus." "1781."
f. 26.
Additional 11582, ff. Slb-9ib passim.
Paper; before 1782 (see below). Quarto. See also under Masses (above,
p. 222).
Motets for 4 voices (unless the contrary is stated), scored by Dr.
Charles Burney.
1. "Diligebat autem eum Jhesus" (a
5). "Certon" (from the 1st book of
Motets by Cipriano di Rore, etc.,
1544). f. 31b.
2. "Usquequo, Domine, oblivisceris
me" (4 5). " Ferabosco " (from the
same work), f. 47.
3. "Non nobis, Domine"; with a second
part, "LaudaDeum,ORenata." "Jo.
Mouton" (from Book ii of Motctti
de la Corona, 1519). "Composed in
1509 for the birth of Renee, Louis
XII's second daughter." ff. 59b, 60.
4. "Quis dabit oculis nostris" ; with a
second part, " Heu nobis, Domine " ;
andathirdpart,"Ergoejulate, pueri."
By the same (from Book iii of the
same work). " Composed in 1514 on
the death of Queen Anne de Bre-
tagne." ff. 61, 61b.
5. "Hue me sydereo"; with second
part, " Felle sitim magni regis" (a 6).
" Jusquin [des Pres] " (from Book iii
of the same work), ff. 62b, 64.
6. " Prseter rerum seriem" (a 6). Im-
perfect. By the same (from Book iii
of the same work), f. 65b.
7. "Alma redemptoris " ; with second
part, "Tu, quae genuisti." By the
same (from the same work), ff. 73,
73b.
8. "Verbum bonum et suave"; with
second part, "Ave ! Solem genuisti "
(a 6). " Adrianus [Willaert] " (from
MOTETS.
313
Book iv of the same work), ft. 74b,
75b.
9. "Quam pulchra es, arnica"; with
second part, " Labia tua lilia." " Jo.
Mouton " (from Book iii of the same
work). Inserted in vol. ii of Burney's
History, 1782. ff. 77, 77b.
10. " Domine, ne in furore tuo " ; with
second part, "Cor aaeum contur-
batum est." "Jusquin" (from the
same work), ff. 78b, 80.
11. "Ave, Sanctissima Maria" (a 3).
Only 8 bars. Anonymous, f. 92b.
12. "Ave, verum corpus" (a 2). "Jodoci
Pratensis." f. 93.
13. "Vere passum" (a 3). By the
same, f . 93.
14. "Tota pulchra ea." "Henrici
Isaac." f. 94.
The last three numbers are taken from Book iii of Glarean's
Dodecachordon.
Additional 11583, ff. lib, 20b.
Paper; before 1782 (see f. 4b).
Madrigals and a secular Motet.
Oblong quarto. The MS. also contains
Two Motets for 7 voices, containing canons, " Dalla Musica nova
di Adriano " [Willaert, 1559], scored by Dr. Charles Burney, and
forming part of vol. iii of his " Musical Extracts," many of which are
published in his History of Music.
1. "Praeter rerum seriem." f. 14b. | 2. " Inviolata integra et casta." f. 20b.
Additional 11584, ff. 9-46 passim.
Paper ; before 1782 (see under secular Canons). Oblong quarto. The MS.
also contains secular Canons, sacred Canons (above, p. 120), Madrigals, part of a
Magnificat (p. 207), and secular Motets.
Motets, etc., for 4 voices (unless the contrary is stated), scored by
Dr. Burney from early printed editions of the parts.
4.
"Pro sancta pace." " Adrianus
Willaert" (from Book ii of the Eccle-
siastics Cantiones quatuor vocum,
published by Tylman Susato, at
Antwerp, in 1553). f. 9.
"Domine, quid multiplicati sunt."
" Goudimel " (from Book iv of the
same series, 1554). f. 10b.
Ave, Maria." " Claudin de [Ser-
misy ?] " (from Book ii of Motctti a
trc voci, Venice, 1549). f. 13.
"Domine Deus, Agnus Dei."
"Morales" (from the same work).
f. 30.
" Heu mihi, Domine " ; with second
part, "Anima mea turbata est."
"Jacob Clemens non Papa" (from
Book i of the above - mentioned
Ecclesiastical Cantiones). ff. 30b, 31b.
. " O Lux et decus Hispanise " ; with
second part, "0 singulare pre-
sidium." By the same (from the
same work), ff. 32b, 33.
, " Adjuro vos, Filise Jerusalem";
with second part, " Dilecte mi, ap-
prehendam te." By the same (from
Book ii of the same work), ff. 34,
34b.
. " Pater noster." " Philippe de
Wildre " (from Book iv of the same
work, 1554). Dr. Burney has added,
on f. 36, some notes relating to Philip
and Peter Van Wilder, f. 35b.
. " Congratulaminimihi." "Claudin
[de Sermisy?]" (from Motctti del
Frutto, published by Antonio Gar-
dano, at Venice, in 1539). f. 36b.
314
VOCAL MUSIC— SACRED.
Nos. 10-12 are from Motetta trium vocum, Venice, 1543.
10. Puer natus est nobis." "Morales."
f . 37b.
11. " Quam pulchraes." " Constantius
Festa." f. 38b.
12. " Sancta Maria, succurre miseris.
By the same, f . 39b.
Nos. 13, 14, 6-part Motets by Adrianus "Willaert, are from his
Musica Nova, published at Venice, 1558, by his pupil Francesco Viola.
13. "0 Lux beatissima." f. 40b. | 14. " Aspice, Domine " : canon, f. 45.
Additional 11585, ff. 27b-47 passim.
Paper ; before 1782 (see below). Oblong quarto. The MS. also contains
sacred Canons (above, p. 170), secular Canons, Carols (p. 145), Madrigals, etc.,
described elsewhere.
Motets, for 4 voices (unless the contrary is stated), in score. In
the hand of Dr. Charles Burney, who inserted some of them in vol ii
(1782) of his History of Music.
1. " Deus, in adjutorium." " Litavius
(sc. Ludovicus) Senflius Tigurinus "
(copied from Glarean). f. 27b.
2. " Misericordias Domini." "Jos-
quinus" (from the Motetti delta
Corona, 1519). f. 29.
3. " Inviolata integra et casta es " (a 5).
By the same (from the above work).
f.30b.
4. " Kyrie, eleison." " Okenheim "
(from Glarean). f. 37.
5. "Per illud ave" (a 2). "Johannes
Mouton " (from the same), f. 38b.
6. "Animamea liquefacta est " ; with
figured bass. "Henricus Isaac"
(from the same), f. 39.
7. "Loquebar de testimoniis tuis";
with figured bass. By the same
(from the same), f. 40.
8. " Tulerunt Dominum." Attributed
to the same (from the same), f. 40b.
9. "Conceptio Mariae." By the same.
f. 41b.
10. " Salve, sancta parens " (canon a 6).
" Adriano [Willaert]" (from his
Musica Nova). f. 44b.
Additional 11586, passim.
Paper; before 1782 (see below). Oblong folio. See also under Anthems
(above, p. 71).
Motets, in score, for 5 voices. In the hand of Dr. Charles Burney.
Nos. 2, 3 are inserted in vol. ii of his History of Music, 1782. Leaves
are missing after ff. 15, 37 and 38.
1. "O sacrum con vivium." "Thomas
Tallis " (from a MS. copy, dated 1581,
at C. C. C, Oxford. Printed in 1575
among the Cantiones Sacrx). f. 3b.
2. " DumtransissetSabbatum." "John
Taverner." f. 5b.
3. " Sabatum Maria Magdalene."
" Robert Johnson." f. 7.
4. " Ave, Maria, gratia plena." "Robert
Parsons." f . 10b.
5. " Precamur, Sancte Domine."
" Rob. White." f. 32.
Additional 11587, f. 36.
Paper; before 1782. Oblong quarto. See also under Anthems (above, p. 72).
" Gloria Patri " ; for 3 voices with a figured bass for the organ, by
Richard Dering. Taken from Cantica Sacra, 1662; it had, however,
appeared before in John Hilton's Catch that catch can, 1652.
MOTETS.
315
Additional 11588, f. 41.
Paper ; about 1783. Oblong quarto. See also under Madrigals.
A short composition in two parts without words, described by
Dr. Burney, the transcriber, as " Ancient Chant, sung at Venice, to
the Benedictus, communicated by Bertoni, 1783."
Additional 14145, 14146, passim.
Paper ; a.d. 1783, etc. Oblong quarto. Tbe MSS. also contain a Te Deum.
Motets, etc., for 4 voices with instruments, in score, by Giovanni
Battista de Orchis. Autograph. "Where other instruments beside
strings and organ are employed, it is indicated below. Vol. ii contains
parts also of the first and third numbers.
1. "Dixit Dominus"; with horns,
oboes, etc. i, f. 1 ; ii, f. 35.
2. "Veni, sponsa Christi " ; with
trumpets, oboes, etc. i, f. 57.
3. " Laudate, pueri, Dominum " ; with
horns, oboes, etc. i, f. 92 ; ii, f. 108.
Nos. 4-12 are ". Noue responsorij de tre primi Notturni del
Mercordi, Giouedi, e Venerdi Santo la sera. .. 1783." The folios
refer to vol. i.
4. " In monte oliveti." f. 115b.
5. " Tristis est anima." f. 118.
6. " Ecce, vidimus eum." f. 120.
7. " Omnes amici mei." f. 123.
8. "Velum templi." f . 125.
9. " Vinea mea dilecta." f. 126b.
10. " Sicut ouis ad occisionem.
f. 128b.
11. " Jerusalem, surge." f. 130b.
12. " Plange quasi virgo." f. 132b.
Additional 31401.
Paper ; ft". 96. Before 1784 (see bookplate of Dr. Thomas Bever at beginning).
Quarto. The MS. belonged successively to Dr. Bever (1784), C. B. Wollaston
(1798), and William Charlton Frampton.
Twelve Motets for 2 choirs of 4 voices each, in parts, by Tommaso
Lodovico da Vittoria.
1. " Kyrie, eleison. Christe, audi
nos. Pater de ccelis." Followed by
"Agnus Dei" (Litany?), ff. 2, 14,
26, 38, 50, 62, 74, 87.
2. "Alma Redemptoris Mater." ff. 3,
15, 27, 39, 51, 63, 75, 88.
3. "Ave, Regina Coelorum." ff . 4, 16,
28, 40, 52, 64, 76, 88b.
4. " Regina cceli." ff. 4b, 17, 28b, 40b,
52b, 64b, 76b, 89b.
5. "Salve, Regina." ff . 5b, 18, 29b,
41b, 53b, 65, 77b, 90.
6. "Dixit Dominus Domino." ff. 6b,
19, 30b, 42b, 54b, 66, 78b, 91.
7. " Laudate, pueri, Dominum." ff . 8,
20, 32, 44, 60, 68, 80, 92.
8. " Nisi Dominus." ff . 9, 21, 33, 45,
55b, 69, 81, 93.
9. "Laudate Dominum." ff. 10, 21b,
33b, 45b, 56b, 70, 82, 94.
10. "Ave, Maria." ff. 10b, 22b, 34b,
46b, 57b, 70b, 82b, 94b.
11. "Lauda, Syon." ff . lib, 23, 35,
47, 58, 71b, 83b, 95.
12. " Super flumina Babilonis." ff. 12,
23b, 36, 47b, 59, 72, 84, 96.
316 VOCAL MUSIC— SACRED.
Additional 32138, f. 266.
Paper ; about 1786. Oblong octavo. The MS. also contains numerous Motets
with German words by [G. P.] Weimar and others (see under Choruses,
ibove, p. 160).
" Peccavi " ; for 3 voices, in score, by Caldara. Last five
bars only.
Additional 27645, ff. 35, 48.
Paper; a.d. 1785, 1786. Oblong quarto. See also under Canons (above,
p. 122).
Motets for 4 voices, in score, by J. W. Callcott. Autograph.
1. " Dixit Dominus Domino meo "
(in imitation of Palestrina). " 1785."
i. 35.
2. "Expectans expectavi Dominum "
(with figured bass). " 1786." f . 48.
Additional 34608, f. 21b.
Paper ; about 1785-1789. Oblong octavo. See ' also under Anthems
(above, p. 74).
The first few bars of the melody of the following Motets by
Orlandus Lassus, 1571 : —
1. ''Confide et ama." I 3. " Vanitas vanitatum."
2. " Lazare, veni foras." |
Additional 27642, ff. 111-112.
Paper; a.d. 1786. Oblong quarto. See also under Canons (above, p. 120).
"Eleva te, judex terrse " ; for 5 voices, in score, by Dr. J. W.
Callcott, 10 Nov. 1786. Autograph.
Additional 14201, passim.
Paper ; a.d. 1786. Large quarto. The MS. also contains a Litany (above,
p. 201), and a Stabat Mater.
A collection of elaborate Motets, etc., for 4 choirs of 4 voices
each, with figured bass for organ, in score, by Erasmo di Bartolo,
" detto P[adre] Raimo, della Congregazione dell' Oratorio" (1606-1656) ;
copied in 1786 by Camillo Franco, " Soprano della Cappella dell'
Oratorio dei Filippini," at Naples. Prefixed is a short account of the
composer.
1. " Veni, Creator Spiritus." f. 5.
2. " O Gloriosa Domina." f. 10.
3. " Christum Regem adoremus."
f . 24b.
4. " O sacrum convivium." f. 30b.
5. " Ave, maris stella." f. 44b.
7. "Cantate Domino cauticum novum."
f.72.
8. "In ilia die erit planctus." f. 82b.
9. " Saucta Maria, succurre miseris."
f . 92b.
10. " Salvum me fac." f. 102b.
6. " Omnes gentes, plaudite." f. 53. 11. " Salve, Regina." f. 113b.
MOTETS.
317
12. " Exaltabo te, Deus." f. 123b.
13. " Super fluminaBabylonis." f.l45b.
14. " Sitivit anima mea." f. 164.
15. " 0 quam suavis." f. 174b.
16. " Ave, Regina." f. 186b.
17. " Pater noster." f.200.
Additional 35001, ff. 15-41b.
Paper ; a.d. 1786-1798. Quarto. See also below, p. 345.
Sacred Latin compositions by Samuel Wesley.
1. Hymn, "Ave, Maris Stella." "1786."
For two voices, witb accompani-
ments for strings, in score, fi". 15-36b.
2. Antipbon, "Deus Majestatis in-
tonuit " ; about 1798 (watermark).
First and second alto, tenor, and
violin parts, ff. 38-41b.
Additional 31309, ff. 61-69b.
Paper ; a.d. 179*. Oblong folio. Tbe MS. also contains a Stabat Mater
(after 1780).
" Ave, Maria " : offertorium for 4 voices (solo and chorus), with
accompaniments for horns, flutes, oboes, bassoons, and strings, and a
figured bass for organ, in score, by Francesco Seydelmann, 1790. In
the same hand as Add. 32432, ff. 63-79 (see below, p. 341), and
therefore presumably autograph.
Additional 35024, ff. 18-20.
Paper; about 1794 (watermark). Oblong folio. See also under Anthems
(above, p. 93).
" Lauda, Jerusalem " ; for treble voice and chorus, with organ
accompaniment, in score, said to be " the composition of a French
Priest."
Additional 11589, ff. 19b-24b.
Paper ; after 1794. Oblong folio. The MS. also contains parts of a thematic
Catalogue of the works in the Tudway Collection, and of a musical treatise.
"Chants from the Studij di Palestrina": short pieces of
harmonized plain-song, transcribed by Dr. Charles Burney. The
following are the names of the composers : —
" [? Giovanni Bernardino] Nanino,"
f. 19b ; " Gio. Maria Nanino," f. 20 ;
" Belandino [? = Bernardino] Na-
nino," f. 21; "Felice Anerio,"
ff.21b, 22; "Antonio Cifra," f. 22 ;
"Rug[g]iero Giovanelli," f.22; "Ora-
zio Benevoli," ff. 22, 24 ; " Pier Luigi
Palestrina," ff. 22b, 23b; "Rubino,"
f.23; "Tomasso,"f.23b; "Gio.Todi,"
f.23b; " Magiorana," f. 24 ; Gius-
quino," f. 24b; "Marcello Tortora,"
f. 24b.
The above are all, with a single exception by Anerio (f. 22), in
4 parts, and in score.
318
VOCAL MUSIC— SACRED.
Additional 31412, ff. 59b, 71, 72b.
Paper ; about 1798. Oblong quarto. See also under Oratorios.
Madrigals, with figured basses, in score. In the hand of Dr.
Crotch.
1. "Hodie Simon Petrus" (a 2).
" Giacomo Carissimi." f. 59b.
2. " Domine, quinque talenta tradidisti
mibi" (a 4). From tbe Cbrist Cburch
collection. " Luigi Rossi, Neapoli-
tano." f. 71.
3. "Peccantem me quotidie" (a 3).
By the same, f . 72b.
Additional 31642, ff. 4, 38, 48.
Paper; a.d. 1798, etc. Oblong folio. The MS. also contains some sacred
Songs (1776, etc).
Motets for several voices, in score. Autograph. Except where
the contrary is stated, they are accompanied by bass, for organ or
harpsichord, only.
1. "Credo" (a 4); with trumpets,
drums, oboes, etc. "M. Haydn."
At the end are additional vocal parts
in duplicate, f . 4.
2. "Kyrie" (a 3); with horns, oboes,
strings, etc. " Antonio Bianchi,
Accad[emic]o Filarm[onio]o, 1798."
f.38.
3. "Domine, ne in furore" (a 3). By
the same. Presented by Dragonetti
to Vincent Novello. f. 48.
Additional 31822, ff. 75-79b.
Paper ; a.d. 1798. Quarto. See also under Anthems (above, p. 96).
" Adeste, fideles " ; described as " A Portugueze Hymn on the
Nativity," 8C. a hymn sung at the Portuguese Chapel. Vincent
Novello, who was organist there at the time the hymn was transcribed
by "G. M. [17]98," afterwards published it as the work of John
Reading (d. 1692). It is not a Motet proper, but is written for solos
and 5-part chorus.
Additional 14340, ff. 2-36 passim.
Paper ; a.d. 1798-1814. Quarto. The MS. was presented by Vincent Novello
to the British Museum in 1843. It also contains a Grace (above, p. 178), Hymns
(p. 187), Glees (1807), etc., described elsewhere.
Motets, etc., for 4 voices (unless the contrary is stated), in score,
by S[amuel] Wesley. Autograph.
1. " Anima nostra erepta est": anti-
phon for 5 voices, with ad libitum
accompaniment for the organ, f . 2.
2. "Levate capita vestra." "1798."
f.7.
3. " Constitues eos principes " (a 5).
"1814." f.9.
4. " Ave, Regina coelorum " : antiphon
for 5 voices, "composed originally as
a duet only, about. . .1781 " (water-
mark 1810). f. 13.
5. " Hymnus Matutinus e Breviario
Romano. . .1808," beg. " Ecce jam
noctis tenuatur Umbra " (a 5). f. 17.
MOTETS.
319
6. "Pro peccatis suae gentis " (a 3).
f.20b.
7. " Tu es Sacerdos." "1814." f. 22.
8. "Dixit Dominus Domino meo " (a 3).
"Performed at the Society of Con-
centores, Dec. 27, 1806." f.24.
9. " Ecce, Panis Angelorum": se-
quence for Corpus Christi Day.
"1813." f.27.
10. " Ave, verum corpus" (a3). "1812."
f . 29b.
11. "Tota pulchra es, Maria": prose
for 2 voices (solo and chorus). "1812."
ff . 33, 35.
12. " Responsorium breve. Ad com-
pletorium," beg. "In Manus tuas,
Domine " (watermark 1810). f. 36.
Additional 35002.
Paper ; ff . 186. a.d. 1799. Quarto.
" Confitebor " : a work of some magnitude by S[amuel] Wesley,
consisting of solos and choruses of 4 and 5 voices, with instrumental
symphonies for an orchestra of horns, trumpets, flutes, oboes, bassoons,
strings, and drums, in full score. Completed on " Aug. 14, 1799."
On f. 1 is a copy of Dr. Burney's opinion on the work.
Egerton 2451, ff. 39-43b.
Paper; 18th cent. Oblong octavo. See also below, p. 319.
" Hmc dies quam fecit Dominus " ; for 2 choruses of 4 voices each,
with a figured bass for organ, in score, by David Perez. Sung at St.
Peter's, Rome, on Easter Sunday. Copied by, or for, — Jubilli.
Egerton 2458, ff. 80-99.
Paper; 18th cent. Oblong quarto. The MS. also contains a Stabat Mater,
etc., described elsewhere.
" Nisi Dominus " : psalm for 5 voices, with symphonies and
accompaniments for strings, in score, by Hendel (sc. Handel). Belonged
to the Rev. E. Goddard, who appears to have bought it at the sale
of the Colonna Library. He declares it (f. 80) to have been written
for the festival of Madonna del Carmine. The second part (from f. 88)
is in the same hand as the " motetto a canto solo " at the beginning of
the volume (see under sacred Songs).
Egerton 2468, ff. 3-46b passim.
Paper ; 18th cent. Oblong folio. See also under Masses (above, p. 224).
Motets, etc., in score. Unless the contrary is stated, they are for
4 voices without accompaniment.
1, 2. Two settings (a 8 and 5, with
figured basses) of " Beatus vir qui
timet Dominum " ; each of them
followed by a " Gloria Patri." Anony-
mous, ff. 3, 11.
Nos. 3-6 (in a different hand from nos. 1, 2) are nos. 17-20 of the
320
VOCAL MUSIC— SACRED.
1st book of Palestrina's Motecta Festorum, 1563; nos. 7-9 (in a
third hand) are from the Gradus ad Parnassum of J. J. Fux.
3. "In diebus illis mulier." f. 19.
4. " Beatus Laurentius." f.23b.
5. " Quae est ista quae processit." f.27b.
6. " Misso Herodes spiculatore." f. 31b.
7. "Ad te, Domine, levavi Animam" :
offertorium. f . 38.
8. ' ' Ave, Maria " : offertorium with
" canto fermo." i. 41.
9. " Domine, fac mecum miser icordiam
tuam." f . 45b.
Additional 12532, ff. 35, 62b, 66, 68, 82, 91.
Paper ; 18th cent. Quarto. See also under Madrigals.
Motets, for 2 voices, unless the contrary is stated, in score.
1. "Domine, non secundum peccata."
"Vacqueras." f.35.
2. "Pleni sunt cceli." "Orlando di
Lassus." f . &b.
3. " Benedictus qui venit." ' ' Antonius
Brumel." f. 66.
4. " Exaltabo te, Domine " (5 voices).
"J. P. A. Prenestini" (from the
Offertoria, 1593). f.68.
5. "Quem dicunt homines" (4 voices).
" Luca Marenzio." f. 82.
6. Two settings of the "Benedictus."
" Iodoci Pratensis." f. 91.
Additional 14102, ff. 85-163 passim.
Paper; 18th cent. Folio. The MS. also contains a sacred Cantata (above,
p. 131), a Mass (p. 218), and a sacred Song (18th cent).
Motets, etc., for several voices, with symphonies and accompani-
ments, in score. In the hand of Francesco Durante, whose compositions
they evidently are. Strings and organ are employed in all of them ;
and in nos. 1 and 2 trumpets and oboes as well.
1. "Jam, si redit luminosa clara dies "
(for two choirs of 5 and 3 voices). In
honour of St. Laurence, f. 85.
2. " Veni, Sponsa Christi " (a 5). f.130.
3. " Vexilla P*egis " (a 4). f. 138.
4. Hymn of St. Francis, beg. "O Diui
amoris uictima " (a 4). f. 153.
Additional 14106, ff. 174, 202.
Paper; 18th cent. Oblong quarto. See also under Masses (above, p. 218).
Motets for several voices, with symphonies and accompaniments
for strings and figured bass for organ, in score, by [F.] Durante.
Autograph.
1. Credo, in G(a5). f.174.
2. "Ad presepe venite, pastores"
(pastorale a 4, with horns, oboes,
etc.). i. 202.
Additional 14111, ff. 58-1 27 passim.
Paper; 18th cent. Quarto. The MS. also contains two Litanies (above,
p. 201), a Mass (p. 218), and a Requiem (1746), by the same composer.
Separate parts of Motets, etc., by Francesco Durante. No. 1
consists of 2nd treble, tenor and bass ; the others are for 4 voices, and
MOTETS. 321
in the hand of Carmine Speranza. (For the scores see Add. 14108,
ff. 183, 163, 107, below, p. 342).
1. "Dixit Dominus." f. 58.
2. "Lsetatus sum" (organ, 2 violin,
and 4 vocal parts), f. 71.
3. "Confitebor" (3 string and 4 vocal
parts), f.88.
4. "Beatus vir qui timet Dominum"
(a similar setting), f. 115.
Additional 14130, ff. 108-1 27b.
Paper; 18th cent. Oblong quarto. See also under sacred Duets (above,
p. 17G).
" Ad astra in cantu et plausu ascendant uota " ; for 4 voices, with
symphonies and accompaniments for horns, trumpets, oboes, and
strings, and a figured bass for the organ, in score, by Nicolo Porpora.
Apparently autograph.
Additional 14131, ff. 1-114.
Paper ; 18th cent. Quarto. The MS. also contains some sacred Songs by
the same composer.
Motets, in parts, by Nicolo Porpora. Unless the contrary is
stated, they consist of the vocal, string and organ parts.
1. " Siste gradus, ingrata"; for 4
voices, with horn and oboe parts, etc.
f.l.
2. " Turba in motu." The string parts
for 2nd orchestra only (for score, see
Add. 14126, f. 1, above, p. 296). f. 42.
3. "Laudate, laudate." Of the vocal
parts only the 3rd canto and the 2nd
tenor and basso are given, f. 61.
4. " Credidi " ; for 4 voices (for score,
see Add. 14127, f. 29, above, p. 299).
f.101.
Additional 14133, ff. l-103b.
Paper; 18th cent. Oblong quarto. The MS. also contains a Miserere
(above, p. 247).
Motets for 5 voices, with symphonies and accompaniments for
strings and a figured bass for organ, in score, by Giambattista
Pergolesi.
oboes, trumpets, etc. f . 29.
3. "In hac die tarn decora " ; with the
same instruments, f. 71.
1. " Confitebor," with "Gloria Patri."
f.l.
2. " Laudate, pueri, Dominum1' ; with
Additional 14134, ff. 1, 168.
Paper ; 18th cent. Quarto. The MS. also contains a Mass (above, p. 225).
Motets, followed by "Gloria Patri"; for several voices, with
symphonies and accompaniments for oboes, trumpets, and strings,
and figured basses for organ, in score, by the same.
1. " Dixit Dominus " (for two choirs of 2. " Domine ad adjuvandum" (a 5).
5 voices each), f. 1. f- 168.
322 VOCAL MUSIC— SACRED
Additional 14161, ff. 203-209b.
Paper ; 18th cent. Oblong quarto. See also under Magnificat (above, p. 209).
" Sacrificium Deo spiritus contribulatus " ; for 5 voices, with a
figured bass for organ, in score. Supposed to be by Nicolo Fago.
Additional 14162, ff. 193-204b.
Paper; 18th cent. Oblong quarto. See also below, p. 334.
" Ave, Maris stella " ; for 5 voices, with accompaniments for
strings and organ, in score, by Pietro Auletta. Said to be autograph.
Additional 24295, ff. 11 3-1 54b.
Paper ; 18th cent. Oblong folio. See also under Miserere (above, p. 245).
" Dies irse, a quatro Concertato con s[tromen]ti e Trombe " ; by
[Ferdinando] Bertoni, in full score. Among other instruments
employed are horns ; there is also a figured bass for organ. The
composition is divided into several distinct movements and is rather
of the nature of a Mass than of a Motet.
Additional 24296, ff. 1, 75, 92.
Paper ; 18th cent. Oblong quarto. See also under Masses (above, p. 226).
Motets, in score.
1. " Beatus vir qui timet Dominum " ;
for 4 voices, with accompaniments
for trumpets, oboes, and strings, and
a figured bass for organ. Written
"Alia Palest[r]ina." "Carlo Cotu-
macci." Autograph, ff . l-7b.
2. " Cantemus Domino gloriose " ; for
6 voices. " [Matteo] Simonelli."
f. 75.
3. " Victimse Pascali " ; for 4 voices.
By the same. f. 92.
Additional 24298, ff. 2-1 80b.
Paper; 18th cent. Oblong quarto.
Motets for 4 voices (except no. 5, for 8 voices), with symphonies
and accompaniments for strings, and generally also wind instruments,
in score, by Giuseppe Valente. They each end with the " Gloria
Patri."
1. " Domine, ad adjuvandum " ; with
horns, oboes, etc. i. 2.
2. "Dixit Dominus"; with tbe same
instruments, f. 16.
3. " Laudate, Pueri " ; with flutes also.
f . 110.
4. " Laetatus sum." f. 140.
5. "Nisi Dominus"; with horns, etc.
f. 156.
These numbers, with the Magnificat (above, p. 207), though in
different keys, may have been intended originally to form Vespers of
the Virgin.
MOTETS.
323
Additional 24300, ff. 2-96.
Paper; 18th cent. Oblong quarto. See also under Magnificat (above, p. 208).
Motets for several voices, with symphonies and accompaniments
for instruments, in score, by Giuseppe Valente.
1. "Dixit Dominus"; for 5 voices,
with oboes, horns, and strings, and a
bass (? for organ), f. 2.
2. "Nisi Dominus " ; for 4 voices, with
strings, and a figured bass for organ.
f. 42.
3. "Confitebor"; for 2 choirs of 4
voices each, with horns and strings,
and a " Guida," or bass (? for organ).
f.62.
Additional 29380, f. 6b.
Paper ; 18th cent. Narrow oblong duodecimo. See also under Madrigals.
" Solomon autem genuit Roboam " ; for 3 voices, in score, by
Josquin des Pres.
Additional 29382-29385, passim.
Paper; 18th cent. Narrow oblong duodecimo. The MSS. also contain a
secular Canon, sacred Choruses (above, p. 162), a Mass (p. 226), etc., described
elsewhere.
Motets for 2 voices (except where the contrary is stated), without
accompaniment, in parts. In the hand of John Immyns. The four
volumes contain respectively the canto, alto, tenor, and bass parts.
1. "Qvi scquitur me." "Orlando di
Lassus." i, f. 16 ; iv, f . 14.
2. "Jesu noster dignissimus " ; with
basso continuo. " Aless. Grandi."
i, f.30b; ii, f.26; iii, f.28b.
3. " Trahe me post te " ; with basso con-
tinuo. "Biasio Tomasi." i, f. 32;
ii, f.30; iv, f. 29b.
4. "Ecce, Dominus veniet" (a 5).
"Ludovic Victoria." i, f . 36 ; ii,
f. 37 ; iii, ff. 37b, 38 ; iv, f. 34b.
5. "In pace si dedero " (a 4). " [Wil-
liam] Blythman." i, f. 39 ; ii, f. 46b ;
iv, ff . 45b, 46.
6. "Haec Dies quam fecit Dominus"
"(a 3) ; in score. " John Ensdale."
i, f. 44b.
7. "Crucifixus." " Orlando di Lassus."
ii, f. 18 ; iv, f. 24b.
8. "Benedictus qui venit." By the
same, ii, f . 19 ; iv, f . 25b.
9. " Pleni sunt coeli." "Josquin de
Prez." ii, f. 19b ; iv, f. 26.
10. " Fontes et omnia"; with basso
continuo. "Tarquinio Merula." ii,
f. 27b ; iii, f. 30 ; iv, f. 27.
11. " Tota pulchra es " ; with basso
continuo. " Gio. Baptista Cima."
ii, iii, f.32; iv, f. 31.
12. " Per illud ave." " Jno. Mouton."
iii, f. 13b ; iv, f. 12.
Additional 29482 ; 29483, ff. 49, 51.
Paper ; 18th cent. Oblong quarto. The MSS. belonged to G. L. Benson of
Salisbury, and (1864) to Joseph Warren. Vol. ii also contains a Magnificat
(above, p. 208), a Requiem, a sacred Song, and a Stabat Mater, described
elsewhere.
Motets by Giambattista Fenoglio. Mostly autograph. Two
volumes. Nos. 1, 5-9 are for 4 voices, with symphonies and accom-
324
VOCAL MUSIC— SACRED.
paninients for strings, horns (in no. 5), trumpets (in no. 9), and a
figured bass for organ, in score. Nos. 2-4 are for 8 voices, without
accompaniment, in parts (cantus lateralis), and dn not appear to be in
the same hand as no. 1, though they are probably the composition of
G. B. Fenoglio. All (except no. 4) end with the " Gloria Patri."
Vol. I. 1. " Si queris miracula." f. 1.
2. " Dixit Dominus." f. 5b.
3. "Laudate, pueri, Dominum." f. 9b.
4. " Salve, Regina." f . 13b.
5. " Dixit Dominus," in C. Imperfect
at tbe end. f. 20.
6. " Letatus sum." f. 31.
7. "Confitebor." f . 42.
8. "Laudate Dominum, omnes po-
puli." f. 49.
9. "Beatus vir qui timet Dominum."
f. 50.
Vol. II. " Vixi jam, Jesu"; for 4
voices, with violoncello obbligato and
figured bass for organ, in score.
There are two settings of the first
verse, ff. 49, 51.
Additional 31226, ff. 97b, 103.
Paper ; 18th cent. Oblong quarto. The latter part of the MS. also contains
a few Anthems (above, p. 85), Songs, etc.
Motets, in score.
1. "Jesum Nazaremus (sc. Nazare-
num)"; for 3 voices. " Dr Tye."
f . 97b.
2. " Levavi occulose (sc. oculos) " ; with
figured bass. " Wyllyam More."
f. 103.
Additional 31394.
Paper ; ff. 34. 18th cent. Oblong quarto. Belonged to James Wetenhall
and W. Cole (see below).
A series of three Nocturns, divided into three sections each, for
4 voices, by Orlando di Lasso [1565], probably scored by W. Cole, who
owned the MS. in 1761 (see fly-leaf). They form the following
nine Motets : —
1. " Parce mihi, Domine " ; with second
part, " Peccavi ; quid faciam." ff . 2, 4.
2. " Tsedet animam"; with second
part, "Indicamihi" ; and third part,
" Numquid sicut dies hominis."
ff . 6, 7b, 8b.
3. "Manustuae, Domine"; with second
part, "Nonne sicut lac." ff. 10, 11.
4. " Responde mihi"; with second
part, "Scribis enim contra me."
ff . 12b, 13b.
5. "Homo natus de muliere"; with
second part, "Et dignum ducis";
and third part, " Constituisti termi-
nos." ff. 15b, 17, 18.
6. "Quis mihi hoc tribuat"; with
second part, "Vocabis me." ff. 20,
21b.
7. "Spiritus meus attenuabitur " ; with
second part, " Libera me, Domine " ;
and third part, "Si sustinuero."
ff . 23, 24, 26.
8. "Pelli meae"; with second part,
" Quare persequimini " ; and third
part, "Quod Redemptor." ff . 27b,
29, 30.
9. "Quare de vulva"; with second
part, " Dimitte me ergo." ff. 32, 33b.
MOTETS.
325
Additional 31402.
Paper ; ff. 122. 18th cent. Oblong quarto. Belonged successively to Dr.
Thomas Bever (bookplate), C. B. Wollaston of the Inner Temple, and William
Charlton Frampton (bookplate).
Motets for 5 and 8 voices, by Tornmaso Lodovico da Vittoria,
scored by William Walond from a copy (now at Christ Church,
Oxford) of the work published by the composer in 1585. Nos. 1-13
are for 5 voices.
1. " AscendensChristus"; in two parts,
ff . 2, 4b.
2. "Dum complerentur dies" ; in two
parts, ff . 7, 10.
3. " Tantum e[r]go." f. 12b.
4. " Descendit angelus " ; in two parts,
ff. 14, 16.
5. " 0 lux et decus Dispanie (sc. His-
paniEe)." f. 17b.
G. " Gaude, Maria virgo." f. 20.
7. "Resplenduit facies ejus." f. 21b.
8. " Ecce, Dominus veniet"; with
second part, "Ecce, apparebit."
If. 23b, 25b.
9. "Alma Redemptoris mater"; in
two parts, ff . 28, 29b.
10. "Ave, Regina " ; with second part,
" Gaude, gloriosa." ff . 31, 32.
11. " Regina cceli " ; with second part,
" Resurrexit sicut dixit." ff. 33b, 35b.
12. " Salve, Regina," in two parts.
ff. 36, 37b.
13. "Cum beatus Ignatius," in two
parts, ff. 38b, 40.
The remaining numbers are for 2 choirs of 4 voices each, and are
the same as those contained in Add. 31401 (see above, p. 315). The
first lines are given in the Index.
Additional 31406, f. 18b.
Paper; 18th cent. Oblong duodecimo. See also under Madrigals.
" Viri Galilei " ; for 2 voices, in score, in the hand of John
Immyns. Anonymous.
Additional 31407, ff. 9-47.
Paper; 18th cent. Oblong duodecimo. The MS. also contains a sacred
Chorus (above, p. 162), a secular Duet, and some Madrigals, described elsewhere.
Motets, in score, in the hand of John Immyns. Nos. 1, 2 are for
4 voices; nos. 3-14 are described as "Nova1 Aliquot ... ad Duas
Voces Cantiones , . . Authore Orlando di Lasso . . . Composite Cor-
rects et nunc primum in Lucem edits Londini. Excudebat Thomas
Este, 1598."
1. " Dies sanctincatus." " I. P. A.
Prenestini " (from Motecta Festorum,
Book I, 1563). f.9.
2. " O quam gloriosum." Anonymous,
f. 18.
3. "Beatus Vir qui in Sapientia." f . 29.
4. " Beatus homo qui invenit." f. 30b.
5. " Oculus non vidit." f. 32.
6. " Justus cor suum tradet." f . 33b.
7. " Exspectatio justorum." f. 35.
8. " Qui sequitur me." f . 36b.
9. " Justi tulerunt spolia." f . 38.
10. "Sancti mei." f. 39b.
11. " Qui vult venire post me." f. 41.
12. " Serve bouse (sc. bone) et fidelis."
f. 42b.
13. " Fulgebant Iusti." f.44.
14. "Sicut Rosa inter spinas." f. 45b.
326 VOCAL MUSIC— SACRED.
Additional 31409, ff. 4-57 passim.
Paper ; 18th cent. Oblong quarto. The MS. belonged to James Bartleman,
the singer, and has the bookplate, with arms, of Edmund T. Warren Home. It
also contains a secular Canon and Madrigals.
"A collection of . . . Motetts for 5, 6 and 8 voices," scored by
Edmund T. Warren Home. Unless the contrary is stated, they are
for 5 voices (solo and chorus). Nos. 1—3 and 5 have also a figured
bass for organ.
1. " Tribulationes cordis mei." " Her-
cole Barnabei." f. 4.
2. "Qui diligit Mariam" " Abbate
Steffani." f. 12.
3. "Victime Paschali" (a 8, without
solos). " G. P. Colonna, 1686." f . 39.
4. "Audivi vocem de ccelo." " Ed-
wardi Lupi." f. 45.
5. " Annunciate, gentes." "Giro [? =
Giacomo] Carissimi." f. 46b.
6. " Cantantibus organis," described as
" Antienne de S. Cecile " (a 6). " H.
Dumont, 1657." f. 57.
Additional 31413, f. 72.
Paper ; 18th cent. Oblong quarto. See also under Madrigals.
" O amica mea " ; in two parts, for 5 voices, in score, by Thomas
Morley, from " The Treatise " [i.e. A Plain and Easie Introduction . . .
1597].
Additional 31441, ff. 3-26b.
Paper ; 18th cent. Oblong quarto. The MS. belonged to H. Sikes and to
John Keeble (d. 1786), whose daughter, Mrs. Hamilton, presented it to Thomas
Bever, LL.D., Fellow of All Souls, in 1787. It also contains a Canon (above,
p. 123), sacred Madrigals (p. 205), etc.
Motets for 5 voices, in score, by G. P. L. Palestrina. Nos. 1-9
are from the Offertoria (1593) ; nos. 10, 11 from the Motecta Festorum.
1. " Ad Te levavi animam." f. 3.
2. " Deus, Tu Conversus." f.5.
3. " Benedixisti, Domine." f. 7.
4. "Ave, Maria." f.8b.
5. " Tui sunt Cceli." f. 10b.
6. " Elegerunt Apostoli." f . 12b.
7. " Exaltabo Te, Domine." f . 14b.
8. " Angelus Domini descendit." f. 16.
9. " Illumina oculos meos." f . 18.
10. "Tempus est ut revertar." f. 20b.
11. "Domine, secundum actum."
f . 24b.
Additional 31442, passim.
Paper; 18th cent. Oblong octavo. The MS. belonged to [J — ?] Horsfall in
1817. It also contains Madrigals.
Four volumes, in an Italian hand, containing respectively the
canto, alto, tenor, and bass parts of the following 4-part Motets : —
1. "O salutaris hostia"; with second
part, " Bella fremunt (sc. premunt)
hostilia " ; and third part, " Da robur,
fer auzilium " (sic). Anonymous,
i, ff . 63, 64, 64b ; ii, iii, ff . 61b, 62, 63 ;
iv, ff . 54, 54b, 55.
MOTETS.
327
2. "Magnum haereditatis misterium."
By Palestrina. i, f. 65b; ii, iii, f. 63b;
iv, f . 55b.
3. " Salvator mundi." Anonymous.
i, f.66b; ii, iii, f.64b; iv, f.56b.
4. "Magi viderunt stellam." Anony-
mous, i, f. 68 ; ii, iii, f. 66 ; iv, f. 57b.
Additional 31471, ff. 3, 56, 86b, 113, 142.
Paper ; 18th cent. Folio. See also under Masses (above, p. 227).
Motets, with a bass for organ, in score, by Vincentius Voglinus,
i.e. Vincenzo Ugolini. Unless the contrary is stated, they are for
3 choirs of 4 voices each.
1. "Exultate, omnes, et congratula-
mini mihi." f. 3.
2. "Perfice gressus meos" (for 2 choirs
of 4 voices each), f. 56.
3. " Beata es, Virgo Maria." f. 86b.
4. "Ave, Maria, gratia plena ; Dominus
tecum " (for 6 voices), f. 89b.
5. "Quse est ista que (sic) processit."
f. 113.
6. A composition apparently for 12
voices, in parts, made up of Canons,
f. 142.
Additional 31477, passim.
Paper; 18th cent. Oblong folio. The MS. belonged to Thomas Bever,
Fellow of All Souls College, Oxford (1777), Thomas Greatorex, Mrs. William
Taylor, and Vincent Novello (1834). It also contains an Oratorio.
Motets for several voices, in score. Unless the contrary is stated,
they are for 3 voices and are accompanied by basses (occasionally
figured) for harpsichord or organ. In the hand of William Gostling,
Minor Canon of Canterbury. At his death the MS. passed into the
hands of Dr. Thomas Bever, who throughout the text of the first
Motet altered " Mariam" into "Filium." Nos. 2-5 (a 2), by Campra,
were published in Paris in 1710 ; their basses are figured throughout.
1. " Qui diligit Filium " (a 5). " Stef-
fani." f . 3.
2. " Laudabit usque ad mortem."
f.9b.
3. " Diligam te, Domine." f.llb.
4. " Tota Pulchra es." f . 13b.
5. " In Domino Gaudebo." f . 16.
6. "O quam suave." By Carissimi.
f . 18b.
7. " Exultabunt justi." By the same.
f.21b.
8. "Quemadmodum desiderat" (a 2,
with symphony and accompaniments
for instruments). " Hercole Berna-
bei." f. 26b.
9. "Reginam nostram." "Stefani."
f.33.
10. "Qui pacem amatis." By the
same. f. 37.
11. "Venite, exultemus." By the
same, f . 41b.
12. "Cingite noribus." By the same,
f . 46b.
13. "Pro Christo amigimur" (chorus).
By the same. f. 53.
14. "Salve, Regina." "Carissimi."
f . 54b.
15. "Confitebor tibi, Domine." By
the same. f. 57.
16. "Anima nostra sustinet Dominum"
(a 2). By the same. f. 63.
17. " O quam mirabilia " (a 2). By the
same. f. 65.
18. " Ego sum pauper." " Or. Lasso."
f.68.
23
328 VOCAL MUSIC— SACRED.
Additional 31506, ff. 38b, 46, 135.
Paper ; 18th cent. Oblong folio. See also under secular Songs.
Sacred compositions for solo voices and chorus, with accompani-
ments for strings and a figured bass for organ, etc., in score.
1. " De profundis clamavi " (a 4).
" Francesco Monarino." f. 38b.
2. "Omni tempore benedic Deum "
(a 3). "Francesco Grassi, detto il
Bassetto, 1687." f. 46.
3. " Exaltare super celos, Deus" (a 5,
with trumpets, etc.). Anonymous,
f. 135.
Additional 31519, ff. 21 -38b.
Paper; 18th cent. Oblong octavo. Belonged to Dr. Henry Harrington of
Bath, and (1816) to Dr. Essex. See also under Masses (above, p. 218).
" In convertendo Dominus " ; for solos and 3-part chorus, with 2
violins and a figured bass for organ, in score, by Giacomo Cesare
Predieri.
Additional 31550, ff. 9-57b.
Paper; 18th cent. Oblong folio. See also under Magnificat (above, p. 208).
" Confitebor," with " Gloria Patri " ; for a treble voice and 4-part
chorus, accompanied by oboes and strings, with a figured bass for organ,
in score, by Antonio Caldara.
Additional 31554.
Paper ; ff . 42. 18th cent. Oblong folio.
" Responsori Per la Settimana Santa " ; for 3 and 4 (and once for 2)
voices, in score, by Pompeo Cannicciari, 1709. The contents are the
same as those of Add. 14137, ff. 76b-158b (see below, p. 332). The
folios are given in the Index to the present Catalogue.
Additional 31559, f. 74.
Paper ; 18th cent. Large folio. See also under Anthems (above, p. 86).
"Prose des Morts,"«c. the Sequence "Dies Irse," set for 10 voices,
with accompaniments for instruments, in full score, by Jean Baptiste
De Lully. Transcribed by J. Christopher Smith, the elder.
Additional 31610, ff. 69, 89, 106.
Paper ; 18th cent. Oblong folio. See also under Masses (above, p. 227).
Motets, with figured bass for organ, in score.
1. "Dixit Dominus"; with "Gloria I luia" (offertory for 5 solo voices).
Patri" (for 3 voices). "[F.] Durante." " Niccolo Jommelli." Two copies.
Autograph, f. 69.
2. " Confirma hoc, Deus " ; with"Alle-
ff . 89, 106.
MOTETS.
329
Additional 31614, ff. 1-25.
Paper; 18th cent. Oblong quarto. See also under Masses (above, p. 228).
" Confitebor tibi, Domine " ; for 4 voices, with symphonies and
accompaniments for strings, and a figured bass for organ, in score, by
Giambattista Fenoglio. Autograph.
Additional 31615, ff. 1, 67, 97.
Paper ; 18th cent. Oblong folio. The MS. belonged to Joseph Warren and to
G. L. Benson, of Salisbury. It also contains a Miserere (above, p. 247) and a Mass
(above, p. 239).
Motets in full score, by Giovanni Battista Fenoglio. Autograph.
Unless the contrary is stated, they are for 4 voices, with symphonies
and accompaniments for horns and strings, and a figured bass for
the organ.
1. " Gloria in Excelsis." f. 1.
2. " Laudate Dominum, omnes gentes ";
for 5 voices, with oboes, horns, etc.
At the end is a " Gloria Patri." f. 67.
3. "Laudate, pueri, Dominum" ; with
a " Gloria Patri." f.97.
Additional 31684, ft. 26-45b.
Paper ; 18th cent. Oblong folio. The MS. also contains a sacred Song.
" Confirma hoc, D%eus " : offertorium for 5 solo voices, followed by
" Alleluia " for 4-part chorus, with a figured bass for organ, in score,
by Nicolo Jommelli.
Additional 32169, ff. 136-142.
Paper; 18th cent. Oblong folio. Belonged to Baron Du Beine. See also
imder Oratorios (about 1726).
" Exaltate Dominum " ; for 4 voices, with a bass, in score and
separate string parts, by [G. Andrea 1] Fioroni.
Additional 32392.
Paper; ff.146. 18th cent. Oblong quarto.
Motets, with a bass for organ, in score.
1-27. "Responsorj a 4 : voci. Per la Settimana Santa . . . [Giovanni?]
Salvatore." For a list of the first lines see Add. 14137 (below, p. 332)
and the Index, ff. l-42b.
28. " Dies irae " ; for canto and alto voices, with strings, etc., by
Salvatore Pazzaglia, in the service of the Grand Duke of Tuscany,
ff. 43-146.
330
VOCAL MUSIC— SACRED.
Additional 32436, ff. 1, 3, 20.
Paper; 18th cent. Folio. The MS. also contains sacred Cantatas (above,
p. 134), a Motet (below, p. 363), etc.
Sacred Latin compositions, with a figured bass for organ, in score
(except no. 2, which is in parts).
1. "Salve, Regina" (a 5). " Giov.
Battista Rovetta." f. 1.
2. "Domine, ad adjuvandum" (a 4,
with trumpets, strings, etc.). " [L. A.]
Predieri." f. 3.
3. "Cum Inuocarem," with "Gloria
Patri " (a 4, with strings, etc.). "Giu-
seppe Mm Carcano." Autograph, f . 20»
Additional 33598.
Paper ; ff. 188. 18th cent. Large folio.
Nottorni " a cinque concertati con strumenti " (flutes, oboes, horns,
bassoons, strings and organ), in score, being the Responsorij dei Morti,
by David Perez. Each nocturn is divided into three Responsorij,
each of which is subdivided into several movements. The first lines of
the nocturns are : —
1. " Credo quod Redemptor." f. 1. | 3. " Peccantem me quotidie." f. 118.
2. " Memento mei, Deus." f.62.
Egerton 2462 contains the principal solos in the above, with
pianoforte accompaniment by Abbate Santini (see under sacred Songs,
19th cent.).
Additional 33952.
Paper ; ff. 67. 18th cent. Folio.
" Dies irae " ; for 5 voices, with trumpets and strings, in parts, by
Padre Francescantonio Vallotti.
Additional 34073, ff. l-6b.
Paper ; 18th cent. Oblong octavo. See also under Anthems (above, p. 97).
" Dixit Dominus " ; for 2 choirs of 4 voices each, with a figured
bass for organ, in score. Anonymous.
Additional 34279, A.
Paper ; ff . 20. 18th cent. Oblong folio.
Sacred Latin works by Italian composers.
1. " Cbedo," for 3 voices, with accom-
paniment for horns, oboes, and
strings, and a figured bass for organ,
in score, followed by a separate
soprano part. " Giovanni Bat[t]ista
Zingoni." f.l.
2. The principal treble part of a " Dixit
Dominus" (a 4). "Gio. Battista
Mazzaferrata." Sung by "Ma[ste]r
[? afterwards Sir William] Parsons."
For the other parts, see Add. 34279, B,
f. 1 (above, p. 299). f. 18.
MOTETS. 331
Additional 34297.
Paper ; ff. 22. 18th cent. Oblong folio.
" Dixit Dominus " ; for solo voices and 4-part chorus, with horns,
oboes, and strings, and a figured bass for organ, in score, by [N.] PiccinnL
Autograph (?).
Additional 34610, ff. 2-1 4b.
Paper ; 18th cent. Quarto. See also under Anthems (above, p. 93).
Three Motets for 2 voices, the first two with accompaniments for
2 violins and bassetto, and a figured bass, the third with figured bass
only, in score, by Giacomo Battistini (op. 2).
1. " Coeli stellae Juminosae." f . 2.
2. " Durse spinae, de terra perite." f. 7.
3. " 0 Maria, nomen gra turn." f. 12.
Additional 14175, ff. 130-14%.
Paper; second half of 18th cent. Oblong quarto. See also under sacred
Songs.
Two settings of the "Salue, Regina"; for 4 voices, with symphonies
and accompaniments for strings and a figured bass for organ, in score,
by Michele Gabellone.
1. In B minor, f. 130. | 2. In C minor, f. 140.
Additional 34071, ff. 24b-39b passim.
Paper; second half of 18th cent. Oblong folio. The MS. belonged to
Charles Hatchett and is copiously annotated by L. Dewar (1873-1879). It also
contains a Catch, secular Trios, and Madrigals.
Motets, for 3 voices (unless the contrary is stated), in score.
1. "TuesPetrus." "Christopr Morales,
1543." f. 24b.
2. "Puer natus est nobis." By the
same, "1543." f.25.
3. "Alma redemptoris mater" (a 5).
" Leritier, 1539." f. 25b.
4. Another setting (a 5). "Andreas de
Silva," [1539]. f. 26b.
5. "Jerusalem, luge" (a 5). "Richa-
fort," [1539]. f. 28b.
6. " Sancta Maria, succurre misoris."
"Pe. Certon." f. 33b.
7. " Viderunt omnes termini terre."
"Claudin [de Sermisy ?], 1549."
f.34.
8. "Que est ista que progreditur"
(a 4). "Loyset Pieton, 1539."
f. 34b.
9. " Ecce enim, Deus adjuvat me."
" Verdelotto, 1549." f. 35b.
10. "Dum complerentur dies" (a 5);
with second part, "Facta autem hac
voce." "Antonius Gardane, 1537."
ff . 36, 36b.
11. "In illo tempore dixit Jesus....
Modicum " (a 4). " Jachet Berchem,
1539." f. 38.
12. " In die tribulationis." "Damianus
a Goes, 1549." f. 39.
13. "Sancta Maria, mater Dei." "Gosse
[Junckers, 1549]." f. 39b.
332
VOCAL MUSIC— SACRED.
f. 121.
f. 123.
Egerton 2566.
Paper ; ff . 5. Late 18th cent. Folio.
" Heu niihi, Doniine, quia peccavi " ; for 5 voices, in score, by
Fabricio Dentici.
Additional 14137, ff. 36-1 58b.
Paper; late 18th cent. Oblong folio. The MS. also contains a Miserere
(above, p. 247), a sacred Song, and a Te Deum.
Motets, with figured basses for organ, in score, by Nicolo Jommelli.
Nos. 3-29, in the hand of Giuseppe Sigismondo, are described as
" Responsorij per la Settimana Santa a 4° Voci Per la Capella llomana
In S. Pie[t]ro in Vaticano," each day being divided into 3 nocturns of 3
responses each.
1. " Laudate, pueri, Dominum " ;
written "a otto parti e quattro Canti
di Concerto," for St. Peter's, at Rome,
in 1752. f. 36.
2. " Confirma hoc, Deus " : offertorium
for 5 solo voices, 1752. f. 64.
3. "In Monte Oliveti oravit." f.76b.
4. " Tristis est anima mea." f. 78.
5. " Ecce, vidimus eum." f. 80b.
6. "Amicus meus osculi me tradidit
signo." f. 84b.
7. " Judas mercator." f. 87.
8. " Unus ex discipulis." f.89.
9. "Eram quasi agnus." f. 91b.
10. "Unahoranon potuistis vigilare."
f . 94b.
11. "Seniores populi." f. 97.
12. " Omnes amici mei." f. 101.
13. "Velum templi scissum est." f . 103.
14. " Vinea mea electa." f . 105.
15. "Tanquam ad latronem existis."
f. 107b.
16. " Tenebrae factse sunt." f. 110.
17. " Animam meam dilectam tradidi."
f. 112.
18. "Tradiderunt me." f. 117.
19. " Jesum tradidit." f . 119.
20. " Caligaverunt oculi mei."
21. " Sicut ovis ad occisionem."
22. " Jerusalem, luge." f. 125.
23. " Plange quasi virgo." f. 127.
24. " Recessit Pastor." f. 129b.
25. "O vos omnes qui transitis." f. 132.
26. "Ecce, quomodo moritur Justus."
f. 134b.
27. " Astiterunt Reges." f. 137.
28. " Extimatus sum cum descenden-
tibus." f. 138b.
29. " Sepulto Domino." f. 140b.
30. "Christus factus est," intended,
with its continuations, for Wednes-
day, Thursday and Friday in Holy
Week, and sung immediately before
the Miserere, f. 143.
31,32. "Hosanna Filio David": anti-
phon for Palm Sunday, followed by
the graduale, "In Monte Oliveti
oravit " ; for 4 voices (solo and
chorus), ff. 157, 157b.
Additional 14141, ff. 1-1 44b.
Paper; late 18th cent. Oblong quarto. The MS. also contains two settings
of the Miserere (above, p. 248).
Motets, in score, by Nicolo Jommelli. Unless the contrary is
stated, they all have a figured bass for the organ. Nos. 3-5 are
described as " Graduali e Sequentia per le 3 Feste di Pentecoste," and
consist of a verse, or solo, for a treble or alto voice, followed by
Alleluias (for 4 voices), and ending with the sequence, " Veni, Sancte
Spiritus," for 3 solo voices and chorus.
1. "Laudate, pueri, Dominum" : psalm
for 2 large and small choirs of 4
female voices each, with strings, etc.,
composed for the Venice Conversa-
MOTETS.
333
toire in 1746. In the hand of G.
Sigismondo. f. 1.
2. "Victimae Paschali": sequence for
6 voices, composed for St. Peter's at
Rome, in 1752. f . 87.
3. " Emitte Spiritum tuum." f. 102.
4. " Loquebantur variis linguis."
f . 107b.
5. "Spiritus Sanctus docebit vos."
f. 108.
6. 7. Graduale, "Oculi omnium in te,"
and sequence, "Lauda, Sion," for 4
voices ; written for the Feast of
Corpus Domini, 1751. ft. 109b, 111.
, "Urbs Jerusalem": hymn for the
Dedication of a Church ; written for
solo voices and 4-part chorus, f . 120b.
, Graduale for the Nativity of the
Virgin, divided into 3 versets, " Bene-
dicta et Venerabilis es," for a treble
voice; "Virgo Dei Genetrix," for an
alto ; and " Felix es, sacra virgo," for
3 voices ; each of them with accom-
paniments for strings, etc. Written
for St. Peter's, at Rome, in 1752. In
the hand of G. Sigismondo. f. 124.
Additional 14143.
Paper ; ff . 55. Late 18th cent. Large oblong quarto.
" Dixit Dominus Domino meo " ; for 2 choirs of 4 voices each, with
symphonies and accompaniments for strings and a figured bass for the
organ, in score ; composed by Nicolo Joinmelli, in 1751, for St. Peter's,
at Rome.
Additional 14149, ff. 53, 72-l05b.
Paper ; late 18th cent. Oblong quarto. The MS. also contains Masses (above,
p. 229) in the same hand, and one written in the 19th cent. (p. 238).
Motets for 5 voices, in score, by Pier Luigi Palestrina, taken from
the Offertoria totius anni, 1593. Most of them have a figured bass.
f. 87.
10. " Sicut in holocaustis." f.89.
11. " Populum humilem." f. 91.
12. " Immittit angelus Domini." f . 93.
13. "Oraviad Dominum." f.95b.
14. "Si ambulavero." f. 97b.
15. " Super flumina Babilonis." f . 99b.
16. " Vir erat in terra Hus (sc. Uz)."
f. 101b.
17. " De profundis." f . 103b.
1. "Exaltabo te, Domine" (Ash Wed-
nesday), f. 53.
2. "Deus, tu conversus." f. 72b.
3. " Benedixisti, Domine." f. 75.
4. "Jubilate Deo." f. 77.
5. " Bonum est confiteri." f. 79.
6. " Perfice gressus meos." f. 81.
7. " Benedictus es, Domine." f . 83.
8. " Confitebor tibi, Domine." f . 85.
9. "Benedicite, gentes, Dominum."
Additional 14158, ff. 44-104.
Paper ; late 18th cent. Oblong quarto. See also under sacred Songs.
" Dixit Dominus " ; for 5 voices, with symphonies and accompani-
ments for horns, oboes, strings, and organ, in score, by Francesco de
Majo.
Additional 14161, ff. 36, 44.
Paper ; late 18th cent. Oblong quarto. See also under Magnificat (above,
p. 209).
" LiETATUS sum," immediately followed by " Beatus vir qui timet
Dominum," for 4 voices, in score, by Nicolo Fago. Apparently in the
hand of Abbate F. Santini.
334 VOCAL MUSIC— SACRED.
Additional 14162, ff. 47-1 40b passim.
Paper; late 18th cent. Oblong quarto. The MS. also contains another
Motet (above, p. 322), a secular Cantata (1768), a fragment of an Opera (1752),
some sacred Songs (late 18th cent.), and Vespers (1809).
Motets for several voices, with instrumental symphonies and
accompaniments, in score, by Domenico Auletta. Autograph. The
first three are for 5 voices, with strings and organ ; the last is for
4 voices, with oboes, trumpets, strings, and organ.
1-3. " Salve, Regina." Three settings,
one in F, and two in D. tl. 47, 67,
101.
4. " Dixit Dominus." f.118.
Additional 14192, f. 55.
Paper; late 18th cent. Oblong quarto. See also under sacred Songs (18th cent).
" Et in ssecula saeculorum " ; for two choirs of 4 voices each, with
a bass for the organ, in score, by Giacomo Insanguine [detto Monopoli].
Autograph, (?).
Additional 14200, passim.
Paper ; late 18th cent. Quarto. The MS. also contains Passion Music and
sacred Songs.
Separate parts of Motets, etc. Anonymous.
1. Treble chorus and solo part of a
motet". . . . Mandavit in aeternum."
ff. 12, 29.
2. "In Armonico concentu" (2 canto
and 2 alto, tenor and bass parts).
f. 31.
3. "Laudes coelo nunc canendo" (2nd
canto, alto, tenor and bass parts).
f. 90.
4. String parts and figured bass of a
4-part motet, without name, f . 94.
Additional 14401.
Paper; ff. 61. Late 18th cent. Oblong folio. Presented by Vincent Novello,
in 1843.
" Dixit ' Dominus," in A ; for 6 voices, with symphonies and
accompaniments for trumpets and strings, and a figured bass for
organ, in score, composed by Padre [Diogenis] Bigaglia, 1690.
Additional 24287.
Paper ; ff . 82. Late 18th cent. Oblong quarto. Belonged to Ludwig Gaulter
of London, in 1845, and afterwards to Dr. Henry Gauntlett.
" Beatus vir " ; for solo voices and 5-part chorus, with oboes, horns,
and strings, and a figured bass for organ, in score, by Nicol6 Piccinni.
In a German hand.
MOTETS. 335
Additional 24291, ff. 68, 98b.
Paper ; late 18th cent. Oblong Octavo.
Two settings of the Motet " Christus factus est pro nobis obediens,"
sung in the Sistine Chapel immediately after the " Miserere " (see
above, p. 248). They both have pianoforte accompaniments, in score.
1. For 5 voices, apparently by " Pietro
Guglielmi." f. 68.
2. For 4 voices, apparently by "G.
Costanzi." f. 98b.
Additional 24299.
Paper ; ff . 75. Late 18th cent. Oblong quarto. Belonged to Dr. Henry
Gauntlett.
" Cum invocarem," with " Gloria Patri " ; for solo voices and 4-part
chorus, with symphonies and accompaniments for horns, oboes, and
strings, and a figured bass for organ, in score, by Giuseppe Valenti,
" Maestro di Capella Napolitano."
Additional 29509.
Paper ; ff. 112. Late 18th cent. Quarto. Belonged to M. Dugrosprez, of
Compiegne.
Five " Motets a grand choeurs " (of 4 or 5 voices), with symphonies
and accompaniments for instruments (generally flutes, bassoons, and
strings), in score, by Mondonville.
1. "Venite, exultemus"; with oboes,
etc. f. 3.
2. "Jubilate Deo, omnis terra." f. 24.
3. "Nisi Dominus." f. 42.
4. "Coeli enarrant." f.64.
5. " De profundis." f . 89.
Additional 31395, f. 1.
Paper ; late 18th cent. Oblong folio. See also under Masses (above, p. 226).
Graduale for 4 voices, in score, beg. " Domine, convertere." By
Orlando di Lasso.
Additional 31399, ff. l-35b, 39-94b.
Paper; late 18th cent. Oblong quarto. The MS. also contains an Anthem
(above, p. 90), a Cantata (p. 133), and some Madrigals.
Motets, in score. Nos. 1-27 are by Palestrina, nos. 1-9 being
taken from the Offertoria (1593), nos. 10 and 11 from the Motettorum
liber F(1584), and the remainder from the Motecta Festorum (1590), of
which they form the first sixteen. Nos. 1-11 are for 5 voices, the bass
part being figured.
1. " Ad Te levavi Animam." f. lb. I 3. "Benedixisti, Domine." f. 7.
2. "Deus, Tu con versus." f. 4b. | 4. " Ave, Maria." f. 10.
336
VOCAL MUSIC— SACRED.
5. " Tui sunt cceli." f. 13.
6. " Elegerunt Apostoli." f. 16.
7. " Exaltabo te, Domine." f. 19.
8. " Angelus Domini descendit." f. 21b.
9. " Illumina oculos meos." f. 24b.
10. " Tempus est ut revertar." f. 27b.
11. "Domine, secundum actum meum."
f. 33.
Nos. 12-27 are for 4 voices ; the words have been omitted.
12. " Dies sanctificatus." f.39.
13. " Lapidabant Stephanum." f. 41.
14. " Valde honorandus." f. 44.
15. "Magnum haereditatis mysterium."
f . 46b.
16. " Tribus miraculis." f. 49b.
17. " Hodie beata virgo." f. 53b.
18. "Ave, Maria." f. 56b.
19. "Jesus junxit se discipulis."
f . 58b.
Nos. 28-30 are for 3 voices, with
last two have been omitted.
28. "Anima mea liquefacta est." By
M. Marini. f. 81b.
29. "Plagae tuse." By Felice Sances.
20. " 0 Rex glorise." f.62.
21. " Loquebantur variis linguis."
f.64b.
22. "Benedicta sit Sancta Trinitas."
f.67.
23. "Lauda, Sion." f.69b.
24. " Fuit homo missus a Deo." f. 71b.
25. " Tu es pastor." f . 74.
26. " Magnus sanctus Paulus." f. 76.
27. " Surge, propera." f.78b.
a figured bass ; the words of the
f. 84b.
30. "0 Domine, guttse." By the same,
f . 90b.
Additional 31476, ff. 1-47.
Paper; late 18th cent., etc.
p. 217).
Motets by Italian composers,
basso continuo, in score.
1. "Surgamus." " Charissimi." f. 1.
2. " Salve, Regina." By the same (?).
i. 4b.
3. "Qui pacem ainatis." " Abbate
Steffani." In the hand of Samuel
Wesley. Recitatives and arias are
interspersed among the choruses in
this composition, which is evidently
Quarto. The MS. also contains a Mass (above,
Nos. 1-3 are for 3 voices, with
taken from the XII Mottetta, referred
to by Hawkins and others, f . 9.
4. " Laudate, pueri, Dominum " ; for
4 choirs of 4 voices each, with double
bass and basso continuo (the latter
in triplicate), in score. " Innocentio
Fede." Apparently early 18th cent,
ff . 26-47.
Additional 31482.
Paper ; ff . 89. Late 18th cent. Quarto. Belonged in 1817 to R. J. S. Stevens,
under whose conductorship the first two articles were performed at the Charter-
house in 1819, 1820.
Psalms cxii, cxvii, cxxii, and cxiii, set for solo voices and chorus,
with symphonies and accompaniments for strings and a figured bass
for organ, in score, by [G. P.] Colonna. Apparently transcribed by
[William] Savage. The chorus in nos. 2, 3 is for 5 voices. Each of
the psalms ends with the " Gloria Patri."
1. "Beatus vir qui timet Dominum."
f.l.
2. "Laudate Dominum, omnesgentes."
f.29.
3. " Laetatus sum." f.45.
4. " Laudate, pueri, Dominum.
£.71.
MOTETS. 337
Additional 31483.
Paper ; ff. 52. Late 18th cent. Quarto. Belonged to Joseph Warren.
" Dixit Dominus," with " Gloria Patri " ; for solo voices and
5-part chorus, with symphonies and accompaniments for strings, in
score, by G. Paolo Colonna.
Additional 31806, ff. 73, 85.
Paper ; late 18th cent. Oblong folio. See also under Catches (1774).
Motets, in score.
1. "0 Salutaris Hostia" (a 4). "Dr.
Arne." f. 73.
2. "Laudate Deum, omnes gentes'
(a 3). Anonymous, f. 85.
Additional 31811, f. 18.
Paper ; late 18th cent. Oblong folio. See also under Catches.
"Exaltabo te, Domine"; for 5 voices, in score, by G. P. A.
Palestrina, 1 580. In the hand of — Foulis.
Additional 31819, ff. 53b, 58, 60.
Paper ; late 18th cent. Oblong folio. See also under Hymns (above, p. 187).
Latin hymns harmonized by R. J. S. Stevens, in whose hand they
are written. In score.
1. " Adeste, fideles " ; for 5 voices, with
figured bass. f. 53.
2. "0 Sanctissima, 0 Piissima"; for
5 voices, with accompaniments for
flutes, horns and strings, and a
duplicate vocal score, ff. 58, 60.
Additional 32152, ff. 59-61.
Paper ; late 18th cent. Oblong folio. See also under Litanies (above, p. 203).
"Salve, Regina"; for 4 voices, in score, without accompaniment,
by J. Amadeus Naumann. Autograph.
Additional 32393, ff. 68, 86.
Paper ; late 18th cent. Oblong folio. From the library of Otto Jahn. The MS.
also contains a Litany (above, p. 202), and a Mass (p. 229).
Motets for several voices, with symphonies and accompaniments for
strings, and a figured bass for organ, in score, by Padre Giovanni
Battista Martini.
1. "Kyrie," in G; for 2 choirs of 4
voices each. "1743." f.68.
2. "Dixit Dominus," with "Gloria
Patri "; for 5 voices. "1768." f.86.
338 VOCAL MUSIC— SACRED.
Additional 32398, ff. 13, 26.
Paper ; late 18th cent. Octavo. The MS. also contains a Mass (above, p. 231).
Graduale and Offertorium for the Sunday after Epiphany, with a
figured bass for organ, in parts, by Valentino Fioravanti.
1. " Omnes de Saba venient " (a 3, with
4-part chorus), f. 13.
2. "Reges Tharsis " (a 2) ; with dupli-
cate basso parts, apparently for a
double-bass. f. 26.
Additional 32400.
Paper ; ff. 141. Late 18th cent. Oblong folio. Bookplate of Otto Jahn.
" Dixit Dominus," with " Gloria Patri " ; for 5 voices, with
symphonies and accompaniments for oboes, horns, and strings, in score,
by Giacomo Tritto.
Egerton 2471.
Paper ; ff . 15. 18th-19th cent. Oblong quarto. Presented [? by the Abbate
F. Santini] to Rev. Edward Goddard.
" Tedet animam meam vite mee : Lezione 2d* di Giobbe " ; for 3
voices with symphonies and accompaniments for strings, in score, by
Ambrogio Minoja.
Additional 14144, ff. 19-48b.
Paper ; 18th-19th cent. Folio. The MS. also contains a sacred Duet (above,
p. 175), and a sacred Song.
" Lauda, Jerusalem " ; for solo voices and 4-part chorus, with a
figured bass for organ, in score, by Zingarelli. Autograph (?).
Additional 14189, ff. 29-122 passim.
Paper; 18th-19th cent. Oblong quarto. See also under Masses (above, p. 230).
Motets, in score. Unless the contrary is stated, they are for 4
voices and have a figured bass. They appear, with the exception of
the last, to be in the same hand as the Miserere (above, p. 249) at the
beginning of the volume.
1. " Lsetatus sum in his quaa dicta
sunt," with "Gloria Patri"; for 5
voices. "Zingarelli." f.29.
2. "Heu mihi, quia incolatus meus " ;
without figured bass. By the same.
f.39.
3. Another setting of the same for 5
voices, without figured bass. By the
same, f . 39b.
4. "Dixit Dominus," with "Gloria
Patri." By the same. f. 43.
5. " Laudate, pueri, Dominum," with
"Gloria Patri." By the same,
f. 54b.
6. " Credo" ; for 4 voices, with accom-
paniments for strings and a figured
bass for the organ, in score. " Gio.
Carlo M' Clari." f. 95.
MOTETS.
339
Additional 31397, ff. 3-34.
Paper ; 18th-19th cent. Oblong quarto. See also under Madrigals (above,
p. 205).
Motets for 5 voices, in score, by Palestrina. Nos. 1-9 are from the
Offer toria, 1593 ; nos. 10, 11, from Motet torum liber V, 1584.
1. " Ad Te levavi Animam." f. 3.
2. " Deus, Tu conversus." f. 6.
3. " Benedixisti, Domine." f.8b.
4. " Ave, Maria, gratia plena." f. 11.
5. " Tui sunt cceli." f . 13b.
6. " Elegerunt Apostoli." f . 16b.
7. " Exaltabo Te, Domine." f . 19.
8. " Angelus Domini Descendit." f.21b.
9. " Illumina Oculos meos." f. 24.
10. "Tempus est ut revertar"; with
second part, "Nisi ego abiero."
ff. 26b, 29.
11. "Domine, secundum actum meum."
f . 31b.
Additional 31752.
Paper ; ff. 64. 18th-19th cent. Oblong folio.
" Salve, Regina " ; for solo voices and 4-part chorus, with
symphonies and accompaniments for oboes, horns, and strings, and a
figured bass for organ, in score, composed by Pietro Persichini for the
use of Cavaliere — Ottilij.
Additional 31761, ff. 1, 5, 15.
Paper ; 18th-19th cent. Oblong octavo. The MS. also contains part of a
Mass (above, p. 230).
Motets for several voices, with instrumental symphonies and
accompaniments, in score, by Giovanni Simone Mayr. Autograph.
Nos. 2, 3 have accompaniments for flutes, oboes, clarinets, bassoons,
horns, and strings, in score, with a separate part at the end for
trombones.
1. " 0 Salutaria hostia " ; for 4 so-
pranos, with horns, trumpets, trom-
bones, ophicleide, and organ, f. 1.
2. "Salve, Regina"; for bass solo and
3-part chorus, f. 5.
3. " Sancta Maria, succurre miseris " ;
for alto, 2 tenors, and 2 basses, f . 15.
Additional 31762, ff. 1-44.
Paper; 18th-19th cent. Oblong folio. The MS. also contains a Miserere
(above, p. 249).
Responsoria for Thursday, Friday, and Saturday in Holy Week,
by Pasquale Antonio Basilij. Each day has three Nocturns, for each
of which there are Responsoria, divided into three movements, of which
the first two are for 4 voices and the last for 3 or 4 solo voices.
1. "In Monte Oliveti." f. lb.
2. " Tristis est anima mea." f. 3.
3. " Ecce, vidimus eum." f. 4b.
4. "Amicus meus osculi me tradidit
signo." f. 6.
5. " Judas mercator pessimus." f. 7b.
6. " Unus ex discipulis meis." f. 8b.
7. " Eram quasi Agnus innocens." f. 10.
8. "Una ora non potuistis vigilare."
f. lib.
340
V^OCAL MUSIC— SACRED.
9. " Seniores populi consilium fece-
runt." f. 13.
10. " Omnes amici mei derelinquerunt
(sic) me." f. 14.
11. "Velum templi scissum est." f. 15b.
12. "Vineamea." f. 17.
13. "Tanquam ad latronem existis."
f. 19b.
14. " Tenebre (sic) factae sunt." f. 20.
15. " Animam meam dilectam tradidi."
f.22.
16. " Tradiderunt me." f. 24.
17. " Jesum tradidit Impius." f. 25b.
18. " Caligaverunt oculi mei." f. 27.
19. " Sicut ovis ad occisionem." f . 28.
20. " Jerusalem, surge." f. 29.
21. " Plauge quasi virgo." f. 30.
22. " Recessit Pastor noster." f. 31.
23. "0 vos omnes qui transitis." f. 32b.
24. " Ecce, quomodo moritur Justus."
f . 33b.
25. " Astiterunt Reges." f. 35.
26. "Estimatus sum cum descenden-
tibus in lacum." f. 36.
27. " Sepulto Domino." f. 37.
28. ' ' Benedictus Dominus Deus Israel ."
f.38b.
29. "Christus factus est pro nobis
obediens." f. 42b.
Additional 31899.
Paper ; ff. 9. 18tb-19th cent. Oblong folio.
"Cum sancto spiritu in gloria Dei Patris. Amen"; for 4 voices,
with accompaniments for oboes, horns, and strings, in score, by —
Buonarie. Possibly part of a Mass in G.
Additional 32237, f. 68.
Paper ; 18tb-19tb cent. Oblong folio. See also under Operas (about 1797-1828).
Fragment, apparently of a Motet with instrumental accompaniment,
containing the words . . . "in corde nostro tu inspira." In the hand,
and apparently the composition, of J. N. Hummel.
Additional 32429, ff. 9-101 passim.
Paper ; 18th-19th cent. Oblong duodecimo. Tbe MS. also contains sacred
Choruses (above, p. 165), settings of the Miserere (p. 250), a Te Deum, etc.
Motets, in parts, written in Italy, most of them by anonymous
composers. Unless the contrary is stated, only the bass part is given.
Most of them end with the " Gloria Patri."
1. End of a " Benedictus" (1st tenor).
f.9.
2. " Laudate, pueri " ; in F (1st and 2nd
tenor). Described as "della Rossa."
ff.9, 11.
3. " Gloria Patri " ; in F. f. 14.
4. 'Laudate, pueri"; in F (bass and
1st tenor), ff. 14b, 40.
5. " Pange, lingua " (contralto, 2 tenors,
and bass). Described as "della
Volata." ff . 16b, 52, 54, 56.
6. " Lauda, Jerusalem" (2nd tenor and
bass), ff. 21b, 37b.
7. " Benedictus " ; in G. f. 27.
8. Another; in El? (soprano, 2 tenors,
bass), ff. 34b, 40b, 43, 47b.
9. Beginning of a " Virgo predicanda" ;
for 4 voices, in score, f . 42b.
10. "Pater de Ccelis " (soprano, con-
tralto, tenor, bass), ff. 49-51.
11. "Letatus sum in [hjis que dicta
sunt michi " (2 tenors). At the
beginning are the initials R. B., but
whether those of composer or singer
does not appear, ff . 73, 75.
12. "Exultet orbis"; apparently by
Giuseppe Pai (see f. 103b). f. 76.
MOTETS.
341
Nos. 13-15 are described as " Salmi cla cantarsi il Giorno di S.
Tom[mas]o."
13. "Credidi propter quod locutus sum."
f. 78.
14. " In convertendo." f. 80b.
15. " Domine, probasti me." f. 82.
16-19. " Litanie del Ghida (sic)," begin-
ning "Mater cristi, mater divine
gratie." Four settings, two of whicb
are apparently by Giuseppe Pai (see
f. 103b). ft. 86b, 87, 88, 88b.
20. " Laudate, pueri " ; in Bb. f. 89.
21. " Tantum ergo." f. 90b.
22. " Jesu, Redemptor omnium." Du-
plicate parts, ft". 95, 96.
23. " Laudate, pueri " ; in D. f. 97.
24. [" Mater cbristi, mater divinse gra-
tia; "] (c/. nos. 16-19). f. 101.
The names " della Rossa," " della Volata," etc., are suggestive of
the collections of Motets which appeared in the first half of the lGth
century.
Additional 32432, ff. 28-43, 63.
Paper ; 18th-19tb cent. Oblong folio. See also under Stabat Mater.
Sacred Latin compositions, in score. Nos. 1-7 are " Inni e
Benedizioni," with a figured bass for organ, by Padre [G. B.] Martini,
" M. di Cap[pella] a Bologna." They are in a German hand, and for
3 voices, unless the contrary is stated.
1. "Oquamsuavis est, Domine." f . 28b.
2. " O salutaris Hostia." f. 30b.
8. "Ave, verum." f.34.
4. " Benedicat nos Deus." f. 37b.
5. "O Sacrum convivium " (2 voices).
f. 38b.
6, 7. " Adoramus te " (2 and 3 voices).
ft. 39b, 41b.
8. " Salve, Regina " (for 4 voices, witb
symphonies and accompaniments for
horns, oboes, bassoons, and strings).
" Francesco Seydelman." f. 63.
Egerton 2450, ff. 1-40, 124-1 50b.
Paper; early 19th cent. Oblong octavo. The MS. also contains a sacred
Cantata (above, p. 135), Lamentations (p. 199), and settings of the Miserere
(p. 250).
Collection of Motets, in score, which belonged to the Rev. Edward
Goddard. They are, with one exception, unaccompanied, and (unless
the contrary is stated) for 4 voices. Nos. 1-1 1 are " A.ntifone e
Responsori a 4 e a 5 voci. . . .di Tomaso Baij." The " Lanientazione "
at f. 40b, which, as wrell as the above, is here said to be by the same
composer, is attributed in Add. 24291, f. 1, to Gregorio Allegri. If
that assumption be correct, it is possible therefore that the Antiphons,
etc., may also be the latter's composition.
1. " Serve bone et fidelis." f. lb.
2. " Virgo gloriosa." f. 5.
3. "Salvanos, Do[mine]." f. 9.
4. " Tridua nos (sc. Triduanas) a Domino
[poposci inducias]." f. lib.
5. "Cum jucunditateNativitatembeate
Marie." f. 15.
6. " Beatus Laurentius." f. 18b.
7. " Domine, quando veneris." f. 22.
8. " Mulier que erat in civitate " (a 5).
f. 26.
9. "Juste (sic) est Joannes" (a 5). f. 31.
10. " Christe, eleison." f. 35b.
11. "[P]eccante[m] me quotidie" (a 5).
f. 37b.
12. " Ohristus factus est pro nobis
obediens"(a5).
f. 124.
Allesandro Melani."
342
VOCAL MUSIC— SACRED.
13. " Dies ilia" ; for 2 choirs of 3 voices
each, with organ accompaniments.
"Ottavio Pitoni." f. 126.
14. " Mottetto per L'Elevazione," beg.
" Adoramus te, Christe." " Claudio
Casciolini." f. 147.
Egerton 2565, ff. 32-55b.
Paper ; early 19th cent. Oblong folio. The MS. appears to have belonged to
Dr. [George French] Flowers (see ff. 1, 22). It also contains Pianoforte Duets
and Solos.
" Confitebor " ; for 4 solo voices and 4-part chorus, with a figured
bass for organ, in score, by Giovanni Battista Casali.
Additional 14108, ff. 107-200.
Paper ; early 19th cent. Oblong quarto. The MS. also contains Lamenta-
tions (above, p. 199), a Litany (p. 202) and a Requiem (described below).
Motets for 4 voices, with accompaniments for strings, in score, by
Francesco Durante. Nos. 2 and 4 have also a figured bass for organ.
They all end with the " Gloria Patri."
1. " Beatus vir qui timet Dominum."
f. 107.
2. "Dixit Dominus," in D; with
additional accompaniments for
trumpets, f . 130.
3. "Confitebor," in D. f. 163.
4. "Lsetatus sum," written "a stile
breve." f. 183.
Additional 14109, ff. 1-97.
Paper ; early 19th cent. Oblong quarto. The MS. also contains a Mass
(above, p. 231) and a sacred Song.
Motets for 4 and (in the case of no. 3) 5 voices, with symphonies
and accompaniments for strings and a bass for organ, in score, by
the same.
1. "Beatus vir qui timet Dominum."
f.l.
2. "Credo." f. 29.
3. "O gloriosa Domino (sc. Domina)."
f. 56.
Additional 14112, ff. 1, 9.
Paper ; early 19th cent. Oblong quarto. See also under sacred Songs (18th cent.).
Two Compositions, with a figured bass for the organ, in score, by
Leonardo Leo. In the hand of Giuseppe Sigismondo.
1. "Misereris omnium, Domine " (for
4 voices) : introit for Ash-Wednesday,
written for the Royal Chapel at
Naples, 1744. f. 1.
2. " Heu ! nos miseros dolentes" (for
2 choirs of 5 and 4 voices), f. 9.
Additional 14139, ff. 132-1 53b.
Paper ; early 19th cent. Oblong quarto. See also under Miserere (above,
p. 250).
" Credidi " : psalm for 4 voices, with a figured bass for the organ,
composed by Nicolo Jommelli, for St. Peter's at Rome, in 1751.
MOTETS. 343
Additional 14140, ff. 36, 65.
" Paper ; early 19th cent. Oblong quarto. The MS. also contains some sacred
Songs and a Te Deum.
Motets, with a figured bass for organ, in score, by the same.
1. "Beatus vir qui timet Dominum,"
for 4 voices. Written for St. Peter's
at Rome, in 1750. f . 36.
2. "Confitebor tibi, Domine"; for 3
voices, with a chorus for 2 choirs of
4 voices each, f . 65.
Additional 14142, passim.
Paper ; early 19th cent. Oblong quarto. The MS. also contains a Magnificat
(above, p. 209).
Sacred Latin Compositions, in score, by the same. Unless the
contrary is stated, they are written for solo voices and 4-part chorus,
with symphonies and accompaniments for strings and a figured bass
for the organ. Nos 1, 2, 5, 6 are in the hand of G. Sigismondo;
nos. 3, 4 in that of the Abbate Fortunato Santini.
1. " Graduale," beg. " Locus iste a Deo f. 101), and Oflertorium, beg. "Con-
factus est " ; for 5 voices, without
strings. Written for St. Peter's at
Rome, in 1752. f. 1.
2. " Discernecausammeam." Written
for the same church, f. 20.
3, 4. " Graduale," beg. "Alleluia.
Emitte Spiritum" (see Add. 14141,
firma hoc, Deus " (for 5 voices). Both
without strings, ff . 38, 45b.
5. Psalm, "Beatus vir qui timet";
1751. f. 88.
6. "Responsorio," beg. " Regnum
mundi"; for St. Peter's, 1752.
f. 152.
Additional 14161, ff. 116, 167.
Paper; early 19th cent. Oblong quarto. See also under Magnificat
(above, p. 209).
Motets, in score, by Nicolo Fago, " detto il Tarentino." In the
hand of Abbate F. Santini.
1. "Credidi" ; for 2 choirs of 5 and 4
voices, with strings and figured bass
for organ, f . 116.
2. "Credo"; for 2 choirs of 4 voices
each, with oboes, trumpets, horns,
strings, and organ, f. 167.
Additional 14166, ff. 1, 25, 68b.
Paper; early 19th cent. Oblong quarto. The MS. also contains a Mass
(above, p. 232), secular Songs (18th cent.), etc., described elsewhere.
Sacred Latin compositions, in score, by Alessandro Scarlatti.
Nos. 2, 3 are in the hand of G. Sigismondo.
1. "Memento, Domine, David," with I 3. " Laetatus sum"; described as
" Gloria Patri " (4 voices), f. 1. "modulatio sexti toni. Tres cogita-
2. Tues Petrus' : antiphon (8 voices, tiones unaque Armonia." f. 68b.
with figured bass), f. 25.
24
344 VOCAL MUSIC— 8 ACRED.
Additional 14177, f. 52.
Paper; early 19th cent. Oblong quarto. See also under Masses (above, p. 232).
" Ad Dominura cum tribularer " ; for 4 voices, in score, by
Antonio Lotti.
Additional 14198, ff. 1-20.
Paper; early 19th cent. Oblong folio. The MS. also contains a Mass
(above, p. 225).
" Laudate, pueri, Dominuin"; for 2 choirs of 4 voices each, with
symphony and accompaniments for oboes and strings, in score.
Anonymous. Probably Italian.
Additional 31818, passim.
Paper; early 19th cent. Oblong folio. See also under Anthems (above, p. 95).
Motets, or portions of Motets, in score.
1. " Exultate Deo" (for 5 voices).
" Palestrina." From Dr. Philip
Hayes's MS. f. lb.
2. " Rogate quae ad pacem sunt"
(3 voices). "Thomas Ludovici de Vic-
toria." f. 5.
3. " Audivi vocem " (6 voices). "Ed-
ward Lupi " [1605]. Two copies, f. G.
Nos. 4- 6, with figured bass, are by Stettard
4. "Diligam Te, Domino" (2 voices,
with solo), f. 28.
5. " Reginam nostram formosissimam"
(3 voices, with solo), f. 31b.
6. "Pro Christo affligimur" (3 voices).
f. 38b.
7. " Domine, ad adjuvandum Me"
(3 or 4 voices — of which the 4th is
added at the end — with solo). " Per-
golesi." f. 74.
Additional 31822, ff. 1-3.
Paper; early 19th cent. Quarto. See also under Anthems (above, p. 9G).
Sacred Latin compositions, of which nos. 1 and 2 are anonymous.
1. " Adjutorium nostrum"; in score.
"From the fine Manuscript in the
Kings Library " (? Royal 8 G. vii).
f. 1.
2. "Quern dicunt homines esse"; in
score. From the same source.
Imperfect at the end. f. 2b.
3. Motet for 5 voices, without words ■
m parts. "Tallis." f. 3.
Additional 32432, ff. 15-26b.
Paper ; early 19th cent., etc. Oblong octavo and oblong folio. See also
below, under Stabat Mater.
Sacred Latin compositions, with instrumental accompaniments.
Nos. 2, 3 for 3 voices, with an organ accompaniment, in score, are in
a later hand than no. 1.
1. "Avo, maris Stella": hymn, for i strings and organ, in parts. " [J. J.]
4 voices, with accompaniments for | Fux." Apparently in the hand of
MOTETS.
345
[Ambros] Rieder. f. 15.
2. "Crucifixus."
Perti." f. 24.
" Giacomo Antonio
3. "Peccavi."
f.25.
"Antonio Caldara."
Additional 17731, ff. 26-35.
Paper; a.d. 1800. Quarto. The MS. belonged to Charles Stones, whose
widow presented it to Vincent Novello. See also under Masses (above, p. 234).
" Exultate Deo adjutori nostro": antiphon for 5 voices, with a
bass (partly figured) for organ, in score, by Samuel Wesley, 28 June,
1800. Autograph.
Additional 14342, f. 40.
Paper ; after 1800 (watermark). Oblong folio. See under Masses (above,
p. 234).
" Ave, Maris Stella " ; for 2 trebles, with accompaniments for
strings, in score, by S. Wesley, 1786.
Additional 35001, ff. 42-154.
Paper ; about 1801-1825. Quarto. The MS. also contains parts of Masses
<above, p. 235) and Motets (p. 317).
Antiphons, etc., in Latin, by Samuel Wesley. Autograph.
1. Alto part of the Prose, " Ecce, panis
angeloium." About 1801 (water-
mark), f. 42.
2. " Dixit Dominus." Alto, tenor, and
bass parts. About 1808 (watermark).
f.43.
3. " Exultate Deo." It consists of parts I
Nos. 4-21 form part of a series of Latin Antiphons, etc., for the
ecclesiastical year, written about 1824 (watermark), for 3 or 4 voices,
with organ accompaniment. The first two are lost.
for organ (?), 2 cantos, alto, tenor,
bass, 2 horns, 2 oboes, bassoon,
2 trumpets, 4 trombones, 2 violins
(no. 1, F. Cramer), 2 violas, a violon-
cello or double bass, and a drum.
About 1810 (watermark), ff . 49-85b.
4. "Notum fecit Dominus" (a 3).
Wants the beginning, f . 86.
5. "Dies sanctificatus illuxit nobis."
f.87.
6. "Tui sunt cceli." Beginning and
end only. f. 89.
7. " Viderunt omnes fines terrse." f. 90b.
8. " Hodie Christus natus est." f. 92.
9. " O admirabile Commercium."
f. 95b.
10. "O magnum Mysterium"; with
second part, " Beata Virgo"; and
third part, " Ave, Maria, gratia
plena." ff. 100, 103, 104.
11. "Ecce, advenit Dominator." f. 105.
12. "Regis (sc. Reges) Tharsis efc
Insula." f. 107b.
13. " Vidimus Stellam." f. 111.
14. "Ab ortu Solis " ; with second
part, " Venite, comedite." A leaf is
wanting near the end. ff. 113b, 118.
15. "Surge, illuminare, Jerusalem."
The end is wanting, f. 121.
16. "[Allejluja! Cognoverunt disci-
puli." The beginning is wanting,
f. 122.
17. " Ego sum panis vivus." f. 126.
18. "O quam suavis est, Domine."
f. 128b.
19. Hymn, " Jesu, nostra Redemptio."
f. 133.
20. "Versus 3 de Psalmo cxxxvi," beg.
346
VOCAL MUSIC— SACRED.
" Quia illic interrogaverunt." f. 139.
21. " Quotiescumque manducabitis."
f. 139b.
22. "Magna opera Domini"; witb
accompaniments for bassoons, etc.,
in score. About 1825 (watermark),
f. 145.
23. "Regina, salue, mater miseri-
cordise." First treble and tenor
parts, ff . 148, 152.
Additional 14202.
Paper ; ff . 112. a.d. 1802. Folio.
" Introiti Delle Messe di tutto 1' Anno. Musica di varii Eccellenti
Autori [Anonymous] per uso della Cappella . . . dell' Oratorio di
Napoli" ; scored by Camillo Franco, 1802. They consist in most cases
of the Intonation sung by a solo voice, the lntroit proper arranged for
a 4-part chorus, and the introductory notes of the Psalm sung by a
solo voice. The music is probably by obscure Neapolitan composers
of the 18th cent. The whole is accompanied by a figured bass for
organ.
1. "Ad te levavi animam." f. 5b.
2. " Populus Sion." f.6b.
3. "Gaudete in Domino." f.7b.
4. "Rorate, cceli." f.8b.
5. " Hodie scietis." f. 9.
6. "Dominus dixit ad me, Filius."
f.9b.
7. " Lux fulgebit." f. 10b.
8. " Puer natus est nobis." f. lib.
9. " Sederunt principes." f . 12b.
10. "Ex ore infantium." f. 13b.
11. "Dum medium silentium tenerent
omnia." f. 14b.
12. " Ecce, advenit Dominator." f . 15b.
13. " In excelso throno." f. 16b.
14. " Omnis terra adoret te." f. 17b.
15. " Adorate Deum." f.l8b.
16. " Circumdederunt me." f. 19b.
17. " Exurge ! Quare obdormis." f.20b.
18. " Esto mihi in Deum." f. 21b.
19. "Misereris omnium, Doinine."
f. 22b.
20. " Invocabit me." f.23b.
21. " Reminiscere miserationum."
f . 24b.
22. "Oculimei." f . 25b.
23. " Laetare, Jerusalem." f . 26b.
24. " Judica me, Deus." f. 27b.
25. " Domine, nelongefaciasauxilium."
f.28b.
26. "Judica, Domine, nocentes me."
f . 29b.
27. "In nomine Jesu." f.30b.
28. "Nos autem gloriari oportet."
f. 31b.
29. "Resurrexi et adbuc tecum sum."
f . 32b.
30. " Introduxit vos Dominus." f. 33b.
31. " Aqua sapientiae." f. 34b.
32. "Quasi modo geniti infantes."
f . 35b.
33. " Misericordia Domini." f. 36b.
34. " Adjutor et protector." f. 37.
35. "Jubilate Deo, omnis terra."
f.37b.
36. ' ' Cantate Domino canticum no-
vum." f. 38b.
37. "Vocem jucunditatis." f . 39b.
38. "ViriGalilaei." f. 40b.
39. "Exaudi, Domine, vocem meam."
f.41b.
40. " Cum sanctificatus fuero." f. 42b.
41. " Spiritus Domini." f . 43b.
42. " Cibavit eos." f.44b.
43. " Accipite jucunditatem." f. 45b.
44. "Benedicta sit sancta Trinitas."
f . 46b.
45. "Domine, in tua misericordia."
f. 47b.
46. " Factus est Dominus." f. 48b.
47. "Respice in me et miserere."
f . 49b.
48. "Dominus illuminatio mea."
f . 50b.
49. " Exaudi, Doinine, vocem." f. 51b.
50. "Dominus, fortitudo plebis suae."
f. 52b.
51. " Omnes gentes, plaudite." f. 53b.
52. "Suscepimus, Deus, misericor-
diam." f. 54b.
MOTETS.
347
53. "Ecce, Deus adjuvat me." f. 55b.
54. "Cum clamarem ad Dominum,
exaudivit." f . 56b.
55. "Deus in loco sancto." f. 57b.
56. " Deus, in adjutorium." f . 58b.
57. "Respioe, Domine, in testa-
mentum." f . 59b.
58. " Protector noster." f.60b.
59. " Inclina, Domine." f.61b.
60. " Miserere mihi, Domine." f. 62b.
61. "Justuses, Domine." f.63b.
62. " Da pacem, Domine." f. 64b.
63. "Saluspopuli." f . 65b.
64. " Omnia quae fecisti." f. 66b.
65. " In voluntate tua." f. 67b.
66. "Si iniquitates observaveris."
f . 68b.
67. "Dicit Dominus, Ego Cogito."
f . 69b.
68. "In nomine Je3u." f. 70b.
69. " Scio cui credidi." f. 71b.
70. " Mibi autem absit gloriari." f.72b.
71. "Suscepimus, Deus, misericor-
diam." f. 73b.
72. "Gaudeamus omnes in Domino."
f. 74b.
73. " Clamaverunt ad te." f.75b.
74. "Ecce, oculi Domini." f.76b.
75. " Charitas Dei diffusa est." f. 77.
76. "Minuisti eum " (S. Aloysius
Gonzaga). f. 77b.
77. " De ventre matris." f. 78b.
78. " Multae tribulationes." f. 79b.
79. " Nunc scio vere." f.80b.
80. "Majorem hac dilectionem " (S.
Camillus de Lellis). f. 81b.
81. "Effusum est in terra" (S. Hiero-
nimus Emilianus). f. 82.
82. "Gaudeamus omnes in Domino."
f. 82b.
83. " Illuxerunt coruscationes tuse."
f. 83b.
84. "Mibi autem adbaerere Deo"
(S. Cajetan). f.84.
85. " Confessio et pulcbritudo." f. 84b.
86. " Dispersit, dedit pauperibus."
f. 85b.
87. " Probasti, Domine." f. 86b.
88. " Venite, filii ; audite " (S. Josepbus
Calasautius). f. 87b.
89. " Stabant juxta Crucem." f. 88b.
90. " Narrate in gentibus." f.89.
91. "Benedicite Dominum, omnes."
f . 89b.
92. " Salve, sancta parens." f . 90b.
93. "Mibi autem nimis bonorati sunt."
f . 91b.
94. " Statuit ei Dominus." f. 92b.
95. " Sacerdotes Dei." f. 93b.
96. " In virtute tua." f.94b.
97. " Lsetabitur Justus." f.95b.
98. "Protexisti me, Deus." f. 96b.
99. " Sancti tui, Domine." f.97b.
100. " Intret in conspectu tuo." f. 98b.
101. " Sapientiam sanctorum." f. 99b.
102. " Salus autem justorum." f. 100b.
103. " Sacerdotes tui." f . 101b.
104. " In medio ecclesise." f.l02b.
105. "Osjusti." f. 103b.
106. " Justus ut palma." f. 104b.
107. "Loquebar de testimoniis tuis."
f . 105b.
108. " Me expectaverunt." f. 106b.
109. " Dilexisti justitiam." f. 107b.
110. " Vultum tuum." f . 108b.
111. " Cognoui, Domine." f. 109b.
112. " Terribilis est locus." f. 110b.
113. "Gaudens gaudebo." ("Pro eli-
gendo Summo Pontifice.") f. 111b.
Additional 14193, ff. 3 1-7 lb.
Paper; a.d. 1803. Oblong quarto. Tbe MS. also contains another Motet
(above, p. 300), some sacred Songs (1769), and Vespers of tbe Virgin (18th-19th
cent.).
Hymns for the year, composed by Erasmo di Bartolo, " detto il
Padre Raimo della Congregazione [dell' Oratorio]," in 1643 ; for 4 voices,
transcribed (with some alterations) by Camillo Franco at Naples in
1803, from the score which he made in 1780 from a copy of the parts
dated 1689, and supplied by Franco with the corresponding canti fermi,
and a figured bass for the organ. In score.
1. " Creator alme siderum." f. 32b.
2. " Jesu, Redemptor omnium." f. 33b.
3. " Salvete, flores Martyrum."
4. " Crudelis Herodes." f.35b.
f . 34b.
348
VOCAL MUSIC— SACRED.
5. " Lucis Creator optime." f. 36b.
6. " Audi, benigne Conditor." f. 37b.
7. " Vexilla Regis." f. 38b.
8. " Ad regias Agni dapes." f. 39b.
9. " Salutis hurnause Sator." f . 40b.
10. " Veni, Creator Spiritus." f.41b.
11. "Jam Sol recedit." f. 42b.
12. " Pange, lingua, gloriosi Corporis."
f. 43b.
13. "Quodcumque in orbe nexibus
revinxeris." f. 44b.
14. " Egregie Doctor Paule." f.45b.
15. " Ave, maris stella." f. 4Gb.
16. " Jesu, dulcis memoria." f. 47b.
17. "Christe, sanctorum decus ange-
lorum." f. 48b.
18. " Te, Joseph, celebrent agmina."
f . 49b.
19. " Ut queant laxis." f. 50b.
20. "Decora lux ^Eternitatis." f. 51b.
21. " Pater superni luminis, cum Mag-
dalenam respicis." f. 52b.
22. " Miris modis reponte liber." f. 53b.
23. "Quicumque Christum quseritis."
f . 54b.
24. "Oquotundislacrymarum." f. 55b.
25. "Te splendor et virtus Patris."
f. 56b.
26. " Custodes hominum psallimus."
f. 57b.
27. "Tibi, Christe, splendor Patris"
(St. Raphael), f. 58b.
28. "Placare, Christe, servulis " (All
Saints), f. 59b.
29. " Exultet Orbis gaudiis." f.60b.
30. " Tristes erant Apostoli." f. 61b.
31. " Deus tuorum militum." f. 62b.
32. " Sanctorum meritis." f.63b.
33. "Rex gloriose Martyrum." f. 64b.
34. " Iste confessor." f.65b.
35. " Jesu, corona Virginum." f. G6b.
36. " Fortem virili pectore" ("In corn-
muni non Virginum "). f. 67b.
37. " Ccelestis Urbs, Jerusalem." f.68b.
38. " Hsec dies, quam fecit Dominus."
f. 69b.
At f. 71 there is an alphabetical list of the hymns.
Additional 32184, ff. 1, 83-1 G4.
Paper ; a.d. 1805-1806, etc. Oblong folio. The MS. also contains a Cantata
(above, p. 135), a Litany (p. 202), and a Te Deum (1806).
Offertoria and other sacred Latin compositions, by J. N. Hummel.
Unless the contrary is stated, they are written for solo voices and 4-part
chorus, with symphonies and accompaniments for flutes, oboes, horns,
trumpets, bassoons, drums, and strings, in score. Most of the wind
instruments are generally added in a separate score, after the vocal
score.
1. "Graduale," beg. " Quodquod in
orbe" (German words "Christus
schenkt Frieden"). Op. 88. With
a figured bass for organ, but no
trumpets, ff. 1-14.
2. " Offertoriuni," beg. "Alma virgo"
("Holde Jungfrau"). Op. 89, 1805.
This also has a figured bass. Sung
The remaining numbers are for
5. " Salve, Regina " (" Herr unser Hei-
land"). f. 132.
6. "Sub tuum praesidium" (" Kein
sterbliches Aug' ") ; with figured bass
for organ, but without drums, f. 143.
by Mme. Schmidt-Dollinger. f. 83.
3. " In aeternum jubilantes " ; with
clarinets, etc. Sung by Signora Mar-
coni at Eisenstadt in 1806. f. 101.
4. "Offertoriuni," beg. "Pro te re-
spiro"; preceded by a recitative,
"Plus non timet cor." With clari-
nets, etc. ff. 109, 111.
4 voices only : —
7. "Tantum ergo"; arranged in 1806
from the Priests' March in Gluck's
" Alceste." With figured bass for
organ, but without trumpets, f. 151.
MOTETS.
349
Additional 35003, ff. 1-3 lb passi
m.
Paper; a.d. 1807, etc. Oblong folio and quarto. The MS. also contains
secular Duets (1792, 1809), Glees (1791, 1811), etc., described elsewhere.
Antiphons, etc., by Samuel Wesley, mostly autograph. Nos. 1-20
are " Antiphona? communes ad Magnificat in utrisque Vesperis," for the
principal festivals. The melody with figured bass.
1. " Tradent enim vos." f. 1.
2. " Estote fortes in bello." f. 1.
3. " Lux perpetua lucebit." f. lb.
4. " Sancti et justi in Domino." f. lb.
5. " Iste Sanctus pro lege Dei." f. lb.
6. " Qui vult venire post me." f. 2.
7. "Isti sunt sancti." f. 2b.
8. " Gaudent in ccelis." f. 2b.
9. " Sacerdos et Pontifex." f. 3.
10. " Amavit eum Dominus." f. 3.
11. "O Doctor optime." f. 3b.
12. "Dum esset summus Pontifex."
f. 3b.
18. " Similabo eum." f.3b.
14. "Hie vir despiciens mundum."
f.4.
15. " Veni, Sponsa Christi." f.4.
16. " Prudentes Virgines." f. 4b.
17. "Simile est regnum ccelorum."
f.4b.
18. " Manum suam aperuit." f. 5.
19. " Sane tificavit Dominus." f. 5b.
20. "O quam metuendus est locus."
f.6.
21. Canto (2nd choir) and principal
alto and bass parts of the Antiphon,
" Salue, Regina, mater misericordise."
Copies. (There are 2 other parts in
Add. 35001, ff. 148, 152.) f. 11.
22. Another setting of the same words,
for 2 voices, with accompaniments
for strings, in score. Imperfect at
the end. f. 19.
23. "Omnes gentes, plaudite"; for 3
voices, with a bass for organ, in score.
f. 23.
24. "Carmen Funebre," beg. "Omnia
vanitas"; for 5 voices and organ,
in score, followed by 3 of the vocal
parts, f. 25.
Additional 14174, passim.
Paper ; a.d. 1808, etc. Oblong quarto. The MS. also contains two Masses
(above, p. 273).
Psalms, etc., for several voices, with a figured bass for organ, in score.
In the hand of Abbate Fortunato Santini. Nos. 1, 2, and 4 end with
the " Gloria Patri."
1. " Dixit Dominus," in C ; for 2 choirs
of 4 voices each. " Pasquale Anfossi."
Copied in 1808. f. 1.
2. " Laudate, pueri " ; for 5 and 7 voices.
By the same. f. 51.
3. " Bone Pastor" ; for 2 trebles with
4-part chorus. " Pietro Guglielmi."
f. 102.
4. "Dixit Dominus," in D ; for 2 choirs
of 4 voices each. " Anfossi." f. 108b.
Additional 31526, ff. 38-63b passim.
Paper; after 1825 (watermark). Oblong folio. The MS. also contains some
fragments of Masses in the same hand (above, p. 235), a Litany (p. 202), parts
of a Requiem (after 1808), and a Stabat Mater (after 1837).
Choruses, in score, from Latin sacred works by Leonardo Leo, in
the hand of J. P. Street. Unless the contrary is stated, they are
350
VOCAL MUSIC— SACRED.
taken from settings of the psalm " Dixit Dominus," and are for 5
voices.
1. " Sicut erat" (5 voices) and "Tu
es sacerdos" (4 voices), in A.
ff. 38,42.
2. "Kyrie," with fugue, in F; appar-
ently from a mass. f. 45.
3. " Tu es sacerdos" (4 voices), in C.
f. 52b.
4. The same, in F, from the " Dixit
Dominus" (10 voices and 2 orches-
tras), f. 61b.
Additional 31481, passim.
Paper; about 1826 (watermarks). Oblong folio. The MS. also contains a
Madrigal (about 1826), and a Stabat Mater (about 1825).
Motets for solo voices and chorus, in score. Unless the contrary
is stated, they are for 5 voices. Nos. 3-7, by Agostino Steffani, have
a figured bass.
1. " Domine, ad adjuvandum." " Co-
lonna." f. 1.
2. " Paratum cor"; from the psalm,
"Beatus vir qui timet" (a 4). By
the same. f. 5b.
3. " Sperate in Deo." f. 8.
4. "Beatus vir qui timet" (a 3, with
strings, etc.). f. 20.
5. " Qui diligit Mariam." f. 32.
6. "Videte gentes" (a 3, with strings,
etc.). f. 41.
7. " Cingite floribus " (a 3, with strings,
etc.). i. 62.
8. "Sicut erat in principio": fugue
from " Domine, [ad] adjuvandum."
Unaccompanied. "Clari." f. 88b.
9. "Tu es Petrus" (for 2 choirs of 4
voices each, with figured bass).
"Alessandro Scarlatti." Belonged to
W. Haygarth. f. 91.
Additional 31821, f. 126.
Paper ; after a.d. 1827 (?). Oblong folio. See also under Anthems (above, p. 94).
" Requiem aeternam " ; for 6 voices, in score, by John Goss,
" organist of Chelsea new church." Inscribed to the memory of
H.R.H. the Duke of York (d. 1827).
Additional 9074, ff. 17-25.
Paper ; about 1831. Oblong folio. See also under Anthems (above, p. 103).
Purcell, transcribed by Vincent
Motets, in score, by Henry
Novello.
1. " Jehova, quam multi sunt hostes "
(a 5). From a MS. belonging to Mr.
Hawes, "gentleman of his Majestys
Chapel Royal." f. 17.
2. "Beati omnes qui timent." From
a MS. belonging to the Revd James
Pears, of Bath. f. 22.
Additional 14395, ff. 77-7%.
Paper ; after 1831 (watermark). Folio. The MS. also contains Trios.
" Qui diligit Mariam " ; for 5 voices with figured bass, in score, by
Steffani, about 171-.
MOTETS. 351
Additional 23909, 23911.
Paper ; ff. 20, 34. After 1831 (watermark), 1834. Quarto. Presented by
Elizabeth Horsley, the composer's widow.
Motets for solo voices and choruses, with accompaniments for wind
and string instruments, in full score, by William Horsley. Two
volumes.
Vol.1. "Gloria in excelsis"; with5-part
chorus.
Vol. II. "Exaltabo Te, Deus"; with
6-part chorus.
Additional 31666, ff. 50-59b.
Paper ; a.d. 1832. Oblong folio. The MS. belonged to Joseph Warren. See
also above, p. 297.
Three Motets, in score, by [Giuseppe] Baini, transcribed at Rome
in 1832, by Ed. Cox.
1. " Lauda, Sion " (a 4, with figured
bass for organ), f. 51.
2. " Panis Angelicus " (a 3). f. 57b.
3. " Caro mea" (a 3, with figured bass
for organ), f. 58b.
Additional 35134, ff. 14-23b.
Paper ; a.d. 1832. Oblong folio. See also under Stabat Mater.
" Fratres, ego enim accepi " ; for 2 choirs of 4 voices each, in score,
by Palestrina.
Additional 32383, ff. 3l-51b.
Paper ; a.d. 1834 (see f. 51b). Oblong folio. See also under Anthems (above,
p. 113).
"Date sonitum " : offertorium for a bass voice and chorus, with
accompaniments for ottavino, flute, oboes, clarinets, horns, trumpets,
bassoons, and strings, in full score, and a separate score at the end
(f. 50b) for 3 trombones, serpent, and drums, by M. [afterwards Sir
Michael] Costa. Transcribed in 1834, with a few corrections apparently
in the composer's hand.
Additional 34051.
Paper; ff. 112. a.d. 1835. Oblong quarto.
" Motectorum quae in Sacello Summi Pontificis . . . concinuntur
. . Pars I"," scored by Abbate Fortunato Santini for the Rev. Edward
Goddard, a Latin dedication to whom is prefixed. All of them, except
nos. 7, 10 and 13, occur also in Eg. 2460 (below, p. 359). Unless the
contrary is stated, they are by Palestrina, and for 6 voices.
1. "Salvatorem expectamus." "Gre-
gorii Allegri." f. 2b.
2. "Jerusalem, cito veniet salus." f. 5b.
3. "Veni, Domine, et noli tardare."
f.14.
4. " Canite tuba in Sion " (a 5). f. 21b.
352
VOCAL MUSIC— SACRED.
5. " Quem vidistis, pastores." "Gio-
vanni Maria Nanini " (attributed to
Vittoria in Eg. 2460, f. 25b). f. 30.
6. " Hodie nobis coelorum rex." By
the same. f. 38.
7. "Hodie Christus natus est" (a 4).
By the same. f. 45.
8. " Cum autem esset Stephanus."
f . 48b.
9. "Hie est beatissimus Evangelista."
f. 55b.
10. " Magnum hsereditatismysterium"
(a 4). f. 62b.
11. "0 admirabile commercium " (a 5).
f. 65b.
12. "Surge, illuminarc " (for 2 choirs
of 4 voices each), f. 69b.
13. " Tribus muneribus (sc. miraculis) "
(a 4). f. 85b.
14. "Tues Petrus." f.89b.
15. "Tu es Petrus." " Thomae Ludo-
vici Vittoria (sic)." f. 94.
16. " Hodie beata Virgo " (a 5). First
part wanting, f. 100b.
17. " Responsum accepit Simeon";
with second part, "Cum inducerent
puerum Jesum." ff. 105, 108.
Additional 31415 (part i, f.l9b; iii, f.l7b; iv, f. 21 ; vi, f. 19b).
Paper ; after 1835. Oblong octavo. See also under Madrigals.
La o date nornen Domini " ; for 4 voices, in parts. By Dr. C. Tye,
it
1553
Additional 34070, ff. 1-3.
Paper; about 1839 (watermark). Oblong folio. See also under Lamentations
(above, p. 200).
" Lamentabatur Jacob " ; for 5 voices, in score, described as " The
Lamentations of Jacob. Sung in the Popes Chapel on the 4 Sunday
in Lent. D. Cristoforo Moralis, Sivigliano. From an ancient manu-
script formerly in D1 Pepusch's Library." A compressed score has
been added in pencil below the first part of the Motet, by way of
accompaniment.
Additional 14341, ff. 4-47 passim.
Paper ; before 1843. Oblong folio. See also under Anthems (above, p. 107).
Motets, in score, by Samuel Wesley, for 3 voices and unaccom-
panied, unless the contrary is stated.
1. " Deus, noster refugium," 1807. f. 4.
2. " De profundis clamavi" (with a
duet in the middle), f. 5b.
3. " Gloria Patri." f. 13b.
4. "Sit nomen Domini benedictum."
"June 12, 1801." f . 15b.
" Ecce, sic benedicetur Homo."
"19th Aug' 1801." f. 16b.
" Nocte surgentes " : hymn from the
Breviary. " 10th Sepr 1801." f. 18b.
7. "Justus ut palma"; from a MS.
belonging to Charles Stokes, with an
organ accompaniment added by Vin-
5.
6
cent Novello. f . 26b.
8. " Credo in unum Deum " : the Apos-
tles' Creed; "a very early compo-
sition from the original MS." f. 31.
9. " Antiphona," beg. "Dixit Domi-
nus " (for 2 choirs of 4 voices each,
with organ accompaniment). 1800.
f.34.
10. "Antiphona in Festo S.S. Corporis
Christi," beg. " Exultate Deo" (for
5 \ voices, with organ accompaniment).
1800. f. 41.
MOTETS.
353
Additional 32595, ff. 7-19.
Paper ; a.d. 1849, etc. Oblong folio and folio. The MS. also contains a
sacred Cantata (above, p. 137).
Motets for 4 voices.
1. " Christus factus est " ; in score and
in parts. "Josef Kumlik." Auto-
graph . f . 7.
2. " Libera me, Domine " ; in parts. By
the same. Autograph (?). f. 14.
3. " Ave, Maria "; in score. "J. Rietz."
f.18.
Additional 29968, ff. 1-142.
Paper ; about 1850 (watermark of score), etc. Folio, etc. The MS. also
contains some Chants (above, p. 152), part of a Service (below, p. 421), and a
Madrigal.
[" Spem in alium non habui"] ; for 40 voices, by [Thomas] Tallis,
adapted about 1630 to the words "Sing and glorify Heav'n's high
Majesty." Originally written for 8 first trebles, 8 second trebles,
8 contra-tenors, 8 tenors and 8 basses, but divided by Thomas Oliphant
into 8 choirs of 5 voices each and scored accordingly by him (ff. 2-46).
The score is followed by several imperfect sets of parts in var-ious
hands, with occasionally the name of the singer or copyist. At the
beginning is a reprint of an account of the work taken from Burney's
History of Music.
Additional 34607, passim.
Paper ; a.d. 1855 (see f. 4). Oblong folio. The MS. also contains Litanies
(above, p. 203), a Madrigal, Masses (p. 237), Passion Music and settings of the
Magnificat (p. 209), Miserere (p. 251), Stabat Mater, and Te Deum ; all described
elsewhere.
Motets, in parts, transcribed by Theodor de Witt from MSS. at the
Vatican which had been previously corrected for publication by the
Abbate Fortunato Santini (see ff. 4, 4b). Unless the contrary is stated,
they are by Felice Anerio and for 4 voices.
10. "Jubilate Deo, omnis terra."
ff . 20b, 54, 87, 119b.
11. " Crux fidelis." ff. 21, 54, 87, 120.
1. "O gloriosa Domina" (for three
choirs of 4 voices each, wanting the
3rd alto). " Prsenestini." ff. 6-16b.
2. "Regina celi " (for three choirs of
4 voices each ; 1st treble and 3rd
alto parts). " Anib. Zoilo." ff. 17,
17b.
3. "Area Domini." ff. 18, 51, 84, 117.
4,5. " Quesivi " and "Factum est
silentium." ff . 19b, 52b, 85b, 118b.
6, 7. " Nos auteni gloriari oportet " and
"Mihi autem absit." ff.20, 53, 86,
119.
8,9. " Regnum mundi " and " Dulcis
Jesu, pie Deus." ff. 20b, 53b, 86b,
119.
12. "Panis sancte." ff. 21, 54, 87b,
120.
13, 14. " Lux perpetua " and " Gaudens
gaudebo." ff. 21b, 54b, 87b, 120.
15. " Super flumina Babilonis." ff . 21b,
55, 88, 120b.
16,17. " Ardens ergo est cor rneum"
and "Dulcis amor, Jesu." ff. 22,
55, 88, 121.
18. "Ego dixi, Domine." ff. 22, 55b,
88b, 121.
19. "Alleluia! Christus surrexit."
ff . 22b, 55b, 88b, 121b.
354
VOCAL MUSIC-. SACRED.
20. " Dum torqueretur beata Agatha."
ff. 22b, 56, 89, 121b.
21. "Deus, qui ecclesiam." fE. 23, 56,
89, 121b.
22. "Dixit Dominus." ff. 23, 56b, 89,
122.
23. " Confitebor." ff. 23, 56b, 89b, 122.
24. " Beatus vir qui timet Dominum."
ff . 23b, 56b, 89b, 122b.
25. " Laudate, pueri." ff. 23b, 57, 90,
122b.
26. "Laudate Dominum, omnes gentes."
ff . 24, 57, 90, 123.
27. "Cuminvocarem,exaudivit." ff.24b,
58, 91, 123b.
28. " Memento, Domine, David." ff. 25,
58, 91, 124.
29. " Misericordias Domini." ff . 25b,
58b, 91b, 124.
30. " Lucis creator optime." ff.26b,
59b, 92b, 125.
31. " Conditor [alme siderum]." ff. 27,
Nos. 42-52 are for 5 voices : —
42,43. "Hie est vere Martyr" and
"Ecce, merces sanctorum." ff. 34,
67b, 100b, 132b, 148.
44. "Ego flos campi." ff . 34b, 67b,
101, 133, 148.
45. "Oravit Jonas." ff. 34b, 68, 101,
133, 148b.
46. "Estote fortis {sic) in bello." ff. 35,
68b, 101b, 133, 149.
47. "Vulnerasti cor meum." ff. 35,
68b, 101b, 133b, 149.
Nos. 53-56 are for 6 voices : —
53. "Florete, justi." ff. 37, 70b, 103b,
135b, 151, 163.
54. "Egredimini, amatores." ff. 37b,
71, 104, 135b, 151b, 163.
Nos. 57-100 are for 8 voices :—
57. "Veni, Sponsa Christi." ff.39b,
73, 106, 137, 153, 165, 176, 186b.
58. "Angelus ad pastores." ff. 39b,
73, 106, 137b, 153b, 165, 176, 187.
59. "In dedicatione templi." ff . 40,
73b, 106, 137b, 153b, 165b, 176, 187.
60. "Pastores loquebantur." ff . 40,
73b, 106b, 138, 154, 165b, 176b, 187b.
61. " Responsum accepit Simeon."
ff. 40b, 74, 107, 138, 154, 166, 176b,
187b.
60, 93, 125b.
32. " Christe, redemptor omnium."
ff . 27, 60, 93b, 126.
33. "Pater superni luminis." ff. 27b,
60b, 94, 126b.
34. 35. " Alma redemptoris mater " and
"Salve, regina." ff . 28b, 61b, 95,
127b.
36. " Improperium," beg. " Popule
meus, quid feci tibi." ff. 29, 62, 95b,
128.
37. " Angelus autem Domini descendit."
ff . 29b, 63, 96, 128b.
38. "Dum transisset Sabbathum."
ff. 30, 63, 96b, 128b.
39. "Beatus vir qui metuit." ff. 30,
63, 96b, 129.
40. "Iste sanctus pro lege." ff. 31,
64b, 97b, 130.
41. " Vide speciosam sicut columbam."
ff. 32, 65b, 99, 131.
48. "Veni, sancte spiritus." ff. 35,
68b, 102, 133b, 149.
49. "Lauda, Sion." ff . 35b, 69, 102,
134, 149b.
50. " Beatus vir [qui timet Dominum]."
ff. 36, 69b, 102b, 134, 150.
51. "Hodie Simon Petrus." ff. 36,
69b, 102b, 134b, 150.
52. " Canite tuba in Sion." ff. 37, 70b,
103, 135, 150b.
55. " Emitte agnum, Domine." ff. 37b,
71, 104, 136, 151b, 163b.
56. "Adoramus te, Domine." ff. 38,
71b, 104b, 136, 152, 163b.
62. "Factum est silentium." ff.40b
74b, 107, 138b, 154b, 166, 177, 188.
63. "Vidi turbam magnain." ff. 41,
74b, 107b, 139, 154b, 166b, 177b, 188.
64. "Filie hierusalem." ff. 41 , 75,
107b, 139, 155, 166b, 177b, 188b.
65. "Nato Domino." ff. 41b, 75,108,
139b, 155, 167, 178, 188b.
66. "Jubilate Deo, omnis terra."
ff. 41b, 75b, 108, 139b, 155b, 167, 178,
189.
MOTETS.
355
67. "Laudcmus Dominum." ff. 42,
75b, 108b, 140, 155b, 167b, 178b,
189.
68. "Hie est filius meus." ff . 42, 76,
108b, 140, 156, 167b, 178b, 189b.
69. "Archa Domini." ff . 42b, 76, 109,
140b, 156, 168, 178b, 189b.
70. "Venite ad me." ff. 42b, 76b, 109,
140b, 156, 168, 179, 189b.
71. "Beata es, virgo Maria." ff . 42b,
76b, 109b, 140b, 156b, 168, 179, 190.
72. "Dixit Dominus Domino meo."
ff. 43, 76b, 109b, 141, 156b, 168b, 179b,
190.
73. "Laudate, pueri, Dominum."
ff.43, 77, 110, 141, 157, 168b, 179b,
190b.
74. "Credidi [propter quod locutus
sum]." ff. 43b, 77, 110, 141b, 157,
169, 180, 190b.
75. "Letatus sum." ff. 44, 77b, 110b,
141b, 157b, 169, 180, 191.
76. " Libera me, Domine." ff. 44, 78,
111, 142, 157b, 169b, 180b, 191.
77. "Lux perfecta." ff . 44b, 78, 111,
142b, 157b, 169b, 180b, 191.
78. "Tota pulchra es." ff. 44b, 78b,
111, 142b, 158, 169b, 180b, 191b.
79. "Lauda, Sion." ff. 45, 78b, 111b,
142b, 158, 170, 181, 191b.
80. " Cum invocarem, exaudivit."
ff.45, 79, 111b, 143, 158, 170, 181,
192.
81. " Te lucis ante terminum." ff. 45b,
79, 112, 143, 158b, 170b, 181b, 192.
82. "Nunc dimittis." ff. 45b, 79b, 112,
143b, 158b, 170b, 181b, 192b.
83. "Factum est silentium " (different
from No. 62). ff. 45b, 79b, 112b, 143b,
159, 170b, 181b, 192b.
Nos. 102-106 are for 8 voices :—
102. "Alma redemptoris mater." By
tbe same, ff . 198, 205, 210b, 216b,
220, 223, 225, 227.
103. "Borate celi." Anonymous,
ff. 198, 205, 211, 217, 220b, 223, 225,
227.
104. " Te matrem Dei laudamus."
Anonymous, ff. 198b, 205, 211, 217,
220b, 223, 225, 227.
105. " Confitebor." Anonymous, ff. 199,
206, 212, 218, 221, 224, 225b, 227b.
106. "Letentur Celi." Anonymous.
84. "Priusquamte formarem." ff. 46,
79b, 112b, 143b, 159, 171, 182, 192b.
85. " Isti sunt agni." ff. 46b, 80b, 113,
144, 159b, 171b, 182b, 193.
86. "Canite, arcbangeli." ff. 47, 80b,
113b, 144b, 160, 171b, 182b, 193b.
87. " Aurora lucis rutilat." ff. 47, 80b,
113b, 144b, 160, 172, 183, 193b.
88. "Candidi facti sunt." ff.47, 81,
113b, 145, 160b, 172, 183, 193b.
89. "Bidet celum." ff.47b, 81, 114,
145, 160b, 172, 183b, 194.
90. " Confirma hoc, Deus." ff. 47b, 81b,
114, 145, 160b, 172b, 183b, 194.
91. " Iste confessor." ff. 48, 81b, 114b,
145b, 161, 172b, 183b, 194b.
92. " O pretiosum et admirandum con-
vivium." ff. 48, 81b, 114b, 145b, 161,
173, 184, 194b.
93. "Qui enim voluerit." ff. 48b, 82,
114b, 146, 161b, 173, 184, 194b.
94. " Iste est qui ante Deum." ff.48b,
82, 115, 146, 161b: 173, 184, 195.
95. "Ave, sanctissima." ff. 48b, 82b,
115, 146, 161b, 173b, 184b, 195.
96. " Beata es, virgo" (see also no. 71).
ff. 49, 82b, 115b, 146b, 162, 173b, 184b.
195.
97. " Ave, quam colunt angeli." ff. 49,
83, 115b, 146b, 162, 174, 185, 195b.
98. " Ecce nunc, benedicite Dominum."
ff. 49b, 83, 115b, 146b, 162, 174, 185,
195b.
99. "Benedicam Dominum." ff. 49b,
83, 116, 147, 162b, 174b, 185, 196.
100. "Inclina, Domine, aurem." ff . 49b,
83b, 116, 147, 162b, 174b, 185b, 196.
101. "Fit porta Christi " (a 5). " Gio.
Fr. Anerio." ff. 197b, 204b, 210b,
216b, 220.
ff.l99b, 206b, 212, 218, 221b, 224,
226, 228.
107. "Hec dies quam fecit Dominus "
(a 5). "Gio. Maria Nannini." ff.200,
206b, 212b, 218b, 222.
108. "Domine, Dominus noster " (a 8).
By the same. ff. 200, 207, 213, 219,
222 (cantus only of 2nd chorus).
109. " Benedictus Dominus Deus
Israel" (only 3 parts). Anonymous,
ff. 201, 207b, 213b.
110. " Hodie nobis celorum rex " (only
356
VOCAL MUSIC— SACRED.
3 parts). Anonymous, ff. 201,207b,
213b.
111. " Sancta et immaculata virginitas "
(a 8; only 3 parts). Anonymous.
ff. 201b, 208, 214.
112. "Verbum caro factum est" (a 8 ;
only 3 parts). Anonymous, ff. 202,
208b, 214b.
Additional 36490.
Paper ; ff . 49. a.d. 1892. Quarto. Presented by the transcriber in 1900.
Thirty-three motets, in parts, most of them complete, by [John]
Dunstaple {i.e. Dunstable), transcribed (with the exception of the last)
in April, 1892, from MS. vi. h. 5 in the Biblioteca Estense at Modena,
and in several cases collated with copies of others in the Liceo
Comunale at Bologna and the Tmyerial Library at Vienna (formerly
in the Capitular archives at Trent), by W. Barclay Squire.
The Motets are preceded (ff. 2-5) by an Introductory Note by the
transcriber, and are followed (ff. 45, 45b) by a thematic catalogue of
motets by other contemporary English composers whose works are con-
tained in the Modenese MS., and (f. 48) by an article on the present
MS. contributed by Mr. Squire to the Times of 21 Feb. 1893.
Except where the contrary is stated, the motets are for 3 voices
(cantus, tenor and contra-tenor). The tenor usually consists of the
plainsong, which appears to be used as a ground-tenor.
1. " Magnificat " ; in the second mode.
f.6.
2. "Salve, Regina." First few notes
only — number of voices uncertain.
f. 7b.
3. " Specialis virgo." f. 8.
4. " Gaude, virgo Katerina." f. 8b.
5. " Ave, regina celorum." f. 9b.
6. ' ' Albanus roseo rutilat semper (sc.
super) astra decore." f. 10b.
7. " Sancta Dei genetrix." f. lib.
8. " Beata et enupta virgo." f. 13.
9. "Salve, regina" (different from
no. 2). f. 13b.
10. " Dies dignus decorari." f. 14b.
11. " Christe, sanctorum decus angelo-
rum." f. 15b.
12. "Ascendit Christus super celos."
f. 16b.
13. " Speciosa facta es." f. 17b.
14. " Alma redemptoris mater." f . 18.
15. " Regina celorum, ave." f. 19b.
16. " Gloria. sanctorum." f. 20b.
17. "Gaude, virgo, salutata angelico
ul[ul]atu " (cantus i and ii, tenor, and
contra- tenor), f. 21b.
18. ' ' Sancta Maria, non est tibi similis."
f. 23.
19. " Salve, mater salvatoris." f. 23b.
20. " Salve, scema sanctitatis " (cantus,
altus, tenor i and ii). f. 24b.
21. " Preco preheminencie " (cantus
i and ii, tenor, contra-tenor), f. 26b.
22. "Gaude, felix Anna." f. 28b.
23. " Beata Dei genitrix." f. 30b.
24. "Alma redemptoris mater" (dif-
ferent from no. 14). f. 31b.
25. "Sancta Maria, succurre miseris."
First few notes only — number of
voices uncertain, f . 32b.
26. " Quam pulcra es." f. 32b.
27. " Crux fidelis." f. 34b.
28. "Veni, sancte spiritus " (cantus
i and ii, tenor, contra-tenor), f. 36b.
29. "Sub tuam protectionem." f. 38b.
30. "O crux gloriosa." f. 39b.
31. "Veni, sancte spiritus" (different
from no. 28). f.40b.
32. "[Credo in unum Deum] Patrem
omnipotentem." f . 41b.
33. "Regina coeli, letare." From the
Bologna MS. f . 42b.
Of nos. 34-50 only the first few notes are given,
on f. 45, the rest on f. 45b.
34. "Gloriose virginis Marie" (a 4).
"Leonel [Power?]."
Nos. 34-45 are
35. " Salve, Regina." By the same.
36. " Alma Redemptoris." "Forest.'
MOTETS.
357
37. "Ibo ?.:ichi (sic) ad montem.''
"Leonel."
38. " Tota pulcra es." "Forest."
39. "Tota pulcra est." "Stove"
(sc. Stowe ?).
40. "Ibo Michi (sic) ad montem." By I
the same.
41. " Salve, sancta parens." "Leonel." j
42. "Mater, ora filium." By the same. I
43. "Animamea . . ." By the same.
44. " Quam pulcra es." By the same.
45. " Anima mea liquefacta est." By
the same.
46. " Ave, regina celorum." "Forest."
47. "Tel[l]us purpur[e]um genuit bri-
tannica florem " (in honour of St.
Alban). " Jo. Benet."
.48. "Gaude, martir, cum triumpho."
"Forest."
49. " Virgo prefulgens." " Sandley."
50. " Lux fulget ex AngUa." "Benet."
Egerton 2448, ff. 138-149.
Paper; 19th cent. Small oblong folio. The MS. belonged to the Rev. E.
Goddard. See also under Masses (above, p. 237).
" Teezettini Per II Servizio delle Domeniche dell' Avvento.
Scritti espressamente per li Ragazzi del Seninario Vaticano. Da Pier
Luigi da Palestrina." Unaccompanied. They consist of Graduals,
Offertories, and Post-communions for the 1st, 2nd, and 4th Sundays.
1. "Vias tuas, Domine." f.l38b.
2. " Ad te levavi animam meam."
f . 139b.
3. "Dominus dabit benignitatem."
f. 140b.
4. " Letatus sum." f . 141b.
5. "Deus, tu convertens." f. 142b.
6. " Jerusalem, surge." f. 144.
7. "Laudem Domini loquetur os
meum." f. 145.
8. "Ave, Maria." f. 146.
9. " Ecce, virgo concipiet." f. 148.
Egerton 2449.
Paper ; ff . 116. 19th cent. Oblong quarto.
Motets, chiefly for solo voices and (with one exception) 4-part
chorus, with a bass, generally figured, in score ; transcribed by Abbate
F. Santini for the Rev. Edward Goddard.
1. "Salve, Regina" (in canon).
" Andrea Basili." f. 1.
2. " In virtute tua." " Giovanni Masi,
Romano." f. 5b.
3. " Ego sum panis." " Francesco
Durante." f . 9b.
4. " Salve, Regina." "Luigi Vergelli."
f. 14.
5. "Ave, Maris stella" (with strings,
etc.). " Carlo M' Clari." ff. 21, 21b.
6. "Dextera Domini." By the same.
ff.21,33.
7. "In virtute tua." By the same,
ff . 21, 38b.
8. "Salvanos, Domine" (a3). "Ottavio
Pitoni." f. 43.
Nos. 9-16 are described at f. 46 as " Responsorj Per la notte di
Natale, di David Perez."
9. " Hodie nobis coelorum Rex." f.46b. ] 14. " Sancta et immaculata Virginitas."
10. "Hodie nobis de coelo." f. 55b. f. 91.
11. " Quern vidistis, Pastores ? " f. 62b. j 15. " Beata viscera." f. 98b.
12. " 0 Magnum misterium." f. 76. 16. " Verbum caro factum est." f. 107b.
13. "Beata Dei Genetrix." f.85.
358
VOCAL MUSIC— SACRED.
Egerton 2451, ff. 1-92 passim.
Paper ; 19th cent. Oblong octavo. The MS. also contains a Fugue (see
under Harmony) and a Madrigal, of about the same date ; another Motet (above,
p. 319) ; and a Eequiem (p. 395).
Motets for several voices, with a figured bass for organ (unless the
contrary is stated), in score. Apparently transcribed by Abbate F.
Santini for Rev. E. Goddard, to whom the whole volume afterwards
belonged.
1. " Benedictus " (for two choirs of 4
voices each). "Alessandro Melani."
f.l.
2. " Dixit Dominus" (in the 8 modes).
" Giovanni Molinari, Romano." f. 14.
3. " Aurea luce" (hymn for 2 solo
voices, with two choirs of 4 voices
each). " Nicolaus Jommelli, 1750."
f. 23.
4. " Tu es sacerdos": fugue from the
"Dixit" (in the 8th mode, for two
choirs of 4 voices each). "Giuseppe
Jannacconi." f. 45.
5. "Memento, Domine, David" (for 4
voices, without accompaniment).
" Domenico Scarlatti." f. 65.
6. "Protexisti me, Deus"; described
as "II concorso" (for 5 voices,
without accompaniment). "Dur-
ante." f. 86b.
Egerton 2453, ff. 14-42.
Paper ; 19th cent. Oblong quarto. See also under Masses (above, p. 237).
" Credo," for 4 voices, with violins and a figured bass for organ, in
score, by Leonardo Leo. In the hand of Abbate Fortunato Santini.
Egerton 2454, ff. 30, 93, 101.
Paper; 19th cent. Oblong quarto. See also under Miserere (above, p. 251).
Sacred Latin works by Italian composers, in score.
2. "Benedictus Dominus Deus Israel "
for 2 choirs of 4 voices each, with a
figured bass. "Gio. Carlo Maria
Clari." f . 93.
3. " Tu es Petrus " ; a similar setting.
" Alessandro Scarlatti." f. 101.
1. " Christus factus est pro nobis obe-
diens " ; for 5 voices, with accom-
paniments for violoncellos, contra-
basso, and organ, by "Giovanni Pae-
siello, compositore delle LL. Maesta
Siciliane." Followed by a Miserere.
f.30.
Egerton 2457, ff. 44-64.
Paper; 19th cent. Oblong quarto. See also under Magnificat (above, p. 210).
Motets for 4 voices (unless the contrary is stated), in score, tran-
scribed by Abbate F. Santini [at the Lateran ?] and apparently all of
them ascribed by him to Palestrina. The first and last numbers appear
to be unpublished.
1. " Christus factus est" ; added at the
end of the Lamentations (see above,
p. 200). f.44.
2. "Gloria, laus, et honor." f. 46b.
3. " Pueri hebreorum vestimenta pro-
sternebant." f . 47b.
4. " Ingrediente Deo." f . 50b.
5. "Laudate, cceli" (5 voices), f. 54.
6. "Libera me, Domine" (3 and 4
voices), f. 57.
7. "Jerusalem, convertere " (8 voices).
From Lamentations (?). f. 62.
MOTETS.
359
Egerton 2459, ff. 32-218 passim.
Paper; 19th cent. Oblong quarto. See also under Masses (above, p. 238).
Motets, in score, by Italian composers. Nos. 1—3 are in the hand
of Abbate Fortunato Santini.
1. "Dixit Dominus " with "Gloria
Patri " ; for 2 choirs of 4 voices each,
with accompaniments for oboes,
horns, and strings. ' ' Leonardo Leo."
f. 32.
2. "Tu es Petrus"; for 2 choirs of 4
voices each, with a figured bass for
organ. " Alessandro Scarlatti."
f. 137.
3. " Domine, ad adjuvandum" with
"Gloria Patri"; for 5 voices, with
accompaniments for trumpets and
strings, and a figured bass for the
organ. " Gio. Carlo Maria Clari."
f. 155.
, "Dixit Dominus" with "Gloria
Patri " ; for 4 choirs of 4 voices each,
with a bass for the organ. " Pitoni."
f. 202.
Egerton 2460, 2461, passim.
Paper ; 19th cent. Oblong quarto. The MSS. also contain a Magnificat
(above, p. 210), Masses (p. 238), a Stabat Mater, and a Te Deum.
Collection of Motets, etc., in score, made by Abbate Fortunato
Santini (in whose hand Eg. 2461 is), and presented by him to the Rev.
Edward Goddard. They are given as sung in the Sistine Chapel or St.
Peter's, and to most of them is appended a note of the festival for
which they were written.
Vol. I. Fifteen Motets, for 6 voices, unless the contrary is stated.
All of them, except no. 11, are in Add. 34051 (above, p. 351).
1. "Salvatorem expectamus." " Gre-
gorio Allegri." f. 2b.
2. "Hierusalem, cito veniet salus tua."
" Palestrina." f. 4b.
3. " Veni, Domine " ; with second part,
" Excita, Domine." By the same.
ff. 10b, 13b.
4. " Canite tuba in Sion" (5 voices);
with second part, " Rorate, coeli."
By the same. ff. 16b, 19b.
5. "Dies sanctificatus " (4 voices). By
the same. f. 23b.
G. "Quern vidistis, pastores." "Tom-
maso Ludovico Vittoria " (attributed
to G. M. Nanini in Add. 34051, f.30).
f. 25b.
7. " Hodie nobis ccelorum rex." "Gio-
vanni Maria Nanini." f. 32b.
8. "Cum autem esset Stephanus."
Vol. II. Twenty-two Motets, for 5 voices, unless the contrary is
stated.
2. " Emendemus in melius" (4 voices).
" Gabrielis Calvez." f. 9.
"Giovanni Pier Luigi Palestrina."
f. 38.
9. " Hie est beatissimus Evangelista."
By the same. f. 43.
10. "O admirabile commercium " (5
voices). By the same. f. 48.
11. "O magnum mysterium"; with
second part, "Quern vidistis, pas-
tores." By the same. ff. 51, 54.
12. "Surge, illuminare" (2 choirs of 4
voices each). By the same. f. 62.
13. "Tu es Petrus." By the same.
f.67.
14. "Hodie beata virgo Maria" (5
voices). By the same, f . 70.
15. " Responsum accepit Simeon"
with second part, "Cum inducerent
puerum." By the same, ff . 73, 75.
1. "Derelinquat impius viam suam.'
"Joannis Petri Aloysii Prrenestini.'
f.4b.
3. " Ecce, odor filii mei " (6 voices).
25
360
VOCAL MUSIC— SACRED.
"Arcangeli Cribelli (sc. Crivelli)."
f.14.
4. " Lamentabatur Jacob." " Cristo-
pbori Morales." f. 18b.
5. " Cantemus Domino gloriose " (6
voices). " Matteo Simonelli." f. 29.
6. " Peccavimus." " Joannis Petri
Aloysii Praenestini." f. 33b.
7. " Fratres, ego enim accepi " (2 choirs
of 4 voices). By the same. f. 43b.
8. "Victimae paschali " (4 voices).
«« Mathaei Simonelli." f. Si.
9. Another setting (2 choirs of 4 voices).
" Joannis Baptistae Fazzini." f. 54.
10. " Angelas Domini descendit." "Jo-
annis Petri Aloysii Praenestini."
f . 66b.
11. Another setting (2 choirs of 4
voices). " Claudii Casciolini." f. 78b.
12. "Jesus junxit se discipulis" (a
similar setting). " Praenestini."
f.90b.
13. " Surrexit pastor bonus " (6 voices).
"Thomae Ludovici [de] Victoria."
f. 105.
14. " 0 rex glorise " (4 voices). "Prae-
nestini." f. 109.
15. "Cum complerentur dies Pente-
costes " (6 voices). By the same,
f. 112.
16. " 0 beata et gloriosa Trinitas." By
the same. f. 116.
17. "0 Salutaris hostia." "Giovanni
Biordi." f. 120b.
18. " Fuit homo missus a Deo." "Pa-
lestrina." f. 132.
19. " Quae est ista quae processit." By
the same. f. 136b.
20. " Hodie nata est beata virgo." By
the same. f. 141b.
21. "Vidi turbam magnam" (2 choirs
of 4 voices). " Francisci Sudani."
f . 146.
22. "Inlectulomeo"(a similar setting).
"Petri Bonomi." f . 155.
Egerton 2462, ft 2, 32.
Paper ; 19th cent. Oblong quarto. See also below, under sacred Songs.
Motets for 4 voices, in score.
1. " Alleluja ! Veni, Sancte Spiritus";
with a figured bass for the organ.
"Nicola Jommelli " (see also Add.
14141, f. 102). f.2.
2. "Libera me, Domine.
Casciolini." f. 32.
"Claudio
Egerton 2463, ff. 22, 48.
Paper; 19th cent. Oblong quarto. See also under Magnificat (above, p. 210).
Two Motets for 5 voices, in score, in the hand of Abbate Fortunato
Santini, who appears to have given them to the Rev. Edward
Goddard.
1. " Justorum Animae" ; with a figured
bass. " Andrea Basili." f. 22.
2. "Surrexit Dominus. Alleluia";
with accompaniments for strings and
figured bass for organ. "Adolfo
Hasse." f.48.
Egerton 2464, ff. 37-55.
Paper ; 19th cent. Oblong folio. See also under Lamentations (above, p. 199).
" Responsorj a Tenore e Basso e Christus factus est a 3 . . . per
il Mercoldi, Giovedi e Venerdi Santo . . . di Giovanni Bononcini " ;
with figured basses, in score. Copied by Abbate Santini for the
MOTETS.
361
Rev. E. Goddard. Only the first nocturns are set to music (cf. Add.
14137, above, p. 332).
1. " In Monte Oliveti." f. 37b.
2. " Tristis est anima mea." f. 39b.
3. " Ecce, vidimus eum." f . 41b.
4. " Omnes amici mei dereliquerunt
me." f. 43b.
5. " Velum templi scissum est." f. 45b.
6. " Vinea mea electa." f.47b.
7. " Sicut ovis ad occisionem." f. 49b.
8. " Jerusalem, surge." f. 51.
9. " Plange quasi virgo, plebs mea."
f . 52b.
10. "Christus factus est pro nobis
obediens." f. 54.
Egerton 2466, ff. 43-70.
Paper ; 19tb cent. Oblong folio. Tbe MS. was presented by Abbate Santini
to Rev. Edward Goddard. It also contains "Lamentations" (see below, under
sacred Songs).
Tntboits and gradualia for Sundays in Lent, for 4 voices, with a
figured bass, in score, by Leonardo Leo, 1744.
1. " Judicame, Deus." f.43b.
2. " Eripe me, Domine." f. 47.
8. " Invocabit me." f. 49b.
4. "Angelus (sc. Angelis) suis Deus
mandavit." f. 51b.
5. "Scapulis suis obumbrabit tibi."
f. 54.
6. " Jerusalem, laetare." f.56b.
7. " Laetatus sum." f. 61.
8. " Misereris omnium, Domine." f. 64.
9. " Miserere mei, Deus " ; with second
part, " Misit de coelo." fi. 66, 67.
10. " Adjuva nos, Deus." f.68b.
Egerton 2467.
Paper ; fi. 65. 19th cent. Oblong quarto.
" Responsorj a quattro voci con Violoncello e Organo ad libitum
per il Giovedi, Venerdi e Sabato Santo . . . di Leonardo Leo " ; in score.
Transcribed by Abbate Santini for the Rev. E. Goddard. The contents
are the same as those of Add. 14137 (see above, p. 332) ; for first lines,
see the Index to the present Catalogue.
Egerton 2470, ff. 17-48b passim.
Paper ; 19th cent. Oblong folio. See also under Miserere (above, p. 251).
Motets, in score, in the hand of Abbate Fortunato Santini. Except
where the contrary is stated, they are for 4 voices and unaccompanied.
1. "0 Crux, ave, spes unica."
"Thomae Ludovici [de] Victoria
Abulensis." f. 17.
2. "OboneJesu." "Palestrina." f . 19b.
3. "Sicut cervus desiderat " (no. 1 of
the 2nd book of Motets for 4 voices,
1604). By the same, f . 24.
4. " Exaltabo te, Domine " ; for 5 voices.
By the same. f. 30.
5. " Adoramus te, Christe " ; with a
figured bass. "GiacomoPerti." f. 43.
6. " Caligaverunt oculi mei " ; with a
figured bass. By the same. f. 44b.
7,8. Two settings of "Adoramus te,
Christe." In F and G minor. " An-
tonio Lotti." fE. 46b, 48.
362 VOCAL MUSIC— SACRED.
Egerton 2571, ff. 8b-33 passim.
Paper ; 19th cent. Oblong folio. The MS. also contains Glees, Madrigals,
and a Miserere (above, p. 252).
Antiphons, etc., in score ; by Samuel Wesley. Transcribed by
J. P. Street.
1. " Dixit Dominus " (a 3). f. 8b.
2. " Salve, Regina " (a 3). f. 24.
3. "Levate capita vestra" (a 4).
f . 27b.
4. " Ecce, jam noctis tenuatur umbra."
f. 31b.
5. " Anima nostra erepta est" (a 5).
f. 33.
Additional 14188, f. 78.
Paper ; 19th cent. Quarto. See also above, p. 297.
" Dixit Dominus " : psalm for 2 choirs of 4 voices each, with
accompaniments for strings and organ, in score, by Antonio Sacchini.
In the hand of Abbate Fortunato Santini. It ends with the " Gloria
Patri."
Additional 14194, ff. 40-162.
Paper; 19th cent. Oblong quarto. The MS. also contains a Mass (above,
p. 238), and a Miserere (p. 252).
Motets, with a figured bass for the organ, in score. In the hand
of Abbate Fortunato Santini.
1. "Terra tremuit " (a 6). "Pietro
Paolo Bencini, maestro della Cappella
Giulia al Vaticano." f. 40b.
2. " Ave, Maria, gratia plena " (a 3).
" Giovan. Battista Costanzi." f. 46.
3. " Intonuit de coelo Dominus" (a 4).
By the same, f . 48.
4. "Hsec dies quam fecit Dominus"
(a 8). "David Perez." f.50b.
Nos. 5-10 are for 2 choirs of 4 voices each.
5. "Dixit Dominus Domino meo."
" Gio. Batf Costanzi." f. 58.
6. Another setting of the same words.
By the same. f. 77.
7. " Memento, Domine, David." " Da-
vid Perez." f. 89.
8. "In Exitu Israel." By the same.
f. 104b.
9. " Credo." " Pietro Paolo Bencini."
f. 119.
10. "Dixit Dominus." By the same,
f. 137.
Additional 24290, ff. l-34b.
Paper ; 19th cent. Oblong folio. The MS. belonged successively to Domenico
Dragonetti, Vincent Novello, and Dr. Henry Gauntletfc. It also contains a
Miserere (above, p. 248).
" Salve, Regina " ; for 2 voices, with accompaniments for strings
(etc. 1), in score, by Gaetano Latilla.
Additional 31493, f. 95.
Paper; 19th cent. Oblong folio. See also under secular Duets (18th cent.).
" Qui diligit Mariam " ; for 5 voices, with a figured bass for organ,
in score, by Agostino Steffani.
MOTETS. 363
Additional 32312.
Paper ; ff . 7. 19th cent. Folio.
Motets, in score, by Costanzo Porta.
1. " 0 sacrum convivium" (a 4). f. 1. | 2. " Regina cceli " (a 5). f. 4.
Additional 32391, ff. 101-148b.
Paper ; 19th cent. Oblong folio. From the library of Otto Jahn. The MS.
also contains a Cantata, a Madrigal, and parts of a Requiem (below, p. 395).
Motets, etc., for 4 voices, with symphonies and accompaniments for
strings, and a figured bass for organ, in score. Where other instru-
ments are employed in addition to these, mention is made below.
Nos. 1-3 are " offertoria," by Ernest Eberlin.
1. " Benedixisti, Domine " ; with 3
trombones, etc. f. 101.
2. " Ab ortu solia " ; a similar setting,
f. 113.
3. " 0 Jesu, cibus dulcis." f. 126.
4. "Kyrie"; with oboes, etc. "[J. D.]
Zelenka." f. 139.
Additional 32395, ff. 1-17.
Paper ; 19th cent. Oblong folio. The MS. also contains a Te Deum and
Vespers of about the same date, and a sacred Song (below, p. 448).
"Terra tremuit," ending with "Alleluia"; for 4 voices, with
symphonies and accompaniments for oboes, horns, trumpets, drums,
bassoons, and strings, with a figured bass for organ, in score, by Luigi
Gatti.
Additional 32436, ff. 65-90b.
Paper; 19th cent. Quarto. See also above, p. 330.
" Inclina aurem, Domine" : a setting of Psalm lxxxvi for 2 choirs
of 4 voices each, with organ accompaniment (in pencil) in score, by C.
[F. A.] Billert (not Hermann Billert, as he is described in the German
newspaper cutting on f. 65). Autograph. Dedicated to Queen Elizabeth
[wife of Frederic William IV of Prussia].
Additional 32594, ff. 1-7, 45-84.
Paper ; 19th cent. Folio. The MS. also contains some secular Cantatas
(18th cent.) and sacred Songs (19th cent.).
Sacred Latin compositions for 4 voices ; the first by Johannes
Fuss, the others (antiphons or offertoria for solo voices and chorus)
by " Professor" Josef Kumlik.
1. "0 mi Deus"; without accompa-
niments, in score. In the hand of
Carli Zoeller. f. 1.
2. "Asperges me"; with strings and
organ, in parts, f. 45.
3. Another setting; with violoncello
(in duplicate) and a figured bass for
organ, in parts, f. 57.
4. "Pater noster " ; without accom-
paniments, f. 70.
5. "Per signum crucis " ; for 2 tenors
and 2 basses, in score and in parts.
f. 73.
364 VOCAL MUSIC— SACRED.
Additional 33444, ff. 29-46.
Paper ; 19th cent. Polio. The MS. belonged to — Signiund, apparently in
1853. It also contains a Mass (above, p. 239).
" Vrni, Sancte Spiritus," in Bt?, for 4 voices, with accompaniments
for oboes, horns, and strings, and a figured bass for organ, in parts, by
[Abbe Georg Joseph 1] Vogler.
SECTION XIX.— ORATORIOS.
Additional 31472, ff. 84-90b.
Paper ; early 18th cent. Folio. See also under Motets (above, p. 295).
" A sous urtu " : sc. the short Oratorio " Judicium Salomonis," for
solo voices and 4-part chorus, with a figured bass for organ, in score,
here said to be by " Carissime," but possibly by M. A. Cesti. The
introductory symphony, published by F. Chrysander in the Denkmaler
der Tonkumt, 1869, is not included.
Additional 34264.
Paper ; ff. 62. Early 18th cent. Oblong folio.
" II Martirio di Santa Cecilia " : short Oratorio in two parts, for
solo voices, with symphonies and accompaniments for strings, in score,
by Quirino Colombani. The characters are Sta. Cecilia, Valeriano,
Tiburtio, and Amalchio.
Additional 14123.
Paper ; ff. 142. a.d. 1721. Oblong quarto.
ii
S. Evgenia " : Oratorio in 3 acts, for solo voices and 4-part chorus,
with symphonies and accompaniments for trumpets, oboes, strings, etc.,
in score, by Porpora, 1721. Autograph. The characters are S. Phil-
ippo, Claudia, Gian Cola, Bubbo, Sergio, Melanzia, Sta. Eugenia,
Valerio the prefect of Alexandria, Filareto his counsellor, and a
Chorus of Priests.
Additional 32169, ff. 61-73b.
Paper ; about 1726 (date of composition). Oblong folio. The MS. belonged
to Johann Nepomuk Hummel. It also contains a Motet (above, p. 329), Duets,
portions of Operas, etc., described elsewhere.
Four arias with accompaniments for strings and a figured bass for
organ, in score, [from " II testamento di nostro Siguor Gesii Cristo sul
ORATORIOS.
365
Calvario"], by Giovanni Giuseppe Fux. The first two are followed by
ritournelles.
1. "Al tuo pie,miofiglio e Dio." f.61.
2. "Dammi de le mie colpe un pien
dolore." f.62b.
3. " Vederl'eterno verbomorir." f. 65b.
4. " Si tempra il mio martir." f. 70b.
Additional 28172.
Paper; ff. 90. a.d. 1731. Oblong quarto.
" Il Pianto e il Riso delle Quattro Stagioni dell' Anno per la Morte,
Esaltazione, e Coronazione di Maria sempre Vergine Assunta in Cielo" :
Oratorio in two parts, for solo voices and chorus, with symphonies and
accompaniments for strings and harpsichord, in score, by Benedetto
Marcello, 1731. Autograph. The name of the librettist (now ob-
literated) appears to have been Giulio Vitelleschi, a Jesuit. The
characters are the Four Seasons.
Additional 31870.
Paper ; ff. 126. About 1733 (date of composition). Large folio.
" Deborah " : Oratorio in three parts, for solo voices and 8-part
chorus, with symphonies and accompaniments for trumpets, horns,
flutes, oboes, bassoons, drums, strings, organ, and harpsichord, in score,
by George Frederic Handel. It is said to be transcribed by [John]
Christopher Smith, the elder, and is evidently taken from the original
score before the revival of the work in 1744, in which year certain
alterations (noted in the Handel-Gesellschaft's edition) were made.
The present copy closely corresponds with the same edition, but omits
the overture and the 1 744 additions and the four choruses borrowed
from the Coronation Anthems. The names of three of the original
singers, — Senesino, [Anna] Strada [del Po] and — Montaimana, are
given at ff. 26b, 27.
Additional 34006.
Paper ; ff . 163. About 1733 (date of composition). Large folio. Bookplate
with arms of Thomas Chilcot, organist of Bath, 1757.
The same work, in score, by Handel, transcribed by [John Christo-
pher] Smith from the original. It corresponds very closely with the
preceding MS., which appears to be in the same hand, the only
variation of importance being that the present MS. contains the four
choruses borrowed from the Coronation Anthems, which are omitted
in the other.
Additional 31489, f. 54b.
Paper ; after 1733 (date of composition). Oblong folio. See also below, under
Songs (18th cent.).
" Cease thy anguish " ; with a figured bass for harpsichord, in
score, being the first portion of the duet in " Athaliah," by Handel,
transposed from the original key.
366 VOCAL MUSIC— SACRED.
Kings 317, ff. 33-37.
Paper ; a.d. 1735. Quarto. See also under Organ Concertos.
An " allelujah " chorus tacked on by Handel at the end of his
organ concerto in F (op. 4) — upon a theme in which it is founded—
and performed along with the concerto at the end of the oratorio, " II
trionfo del tempo e della verita" (composed in 1708), on the occasion
of its revival in 1737 (see Add. 31568, below). Holograph. Signed
"G. F. H., March 25. 1735."
Additional 31568.
Paper; ff. 131. About 1737 (see below). Oblong folio. For a further description
of the MS., see the Catalogue of Additions, 1876-1881.
[" II Trionfo] del Tempo e della Verita " : Oratorio in three parts,
for solo voices and chorus, with symphonies and accompaniments for
flutes, oboes, horns, trumpets, drums, strings and organ, in score, by
Handel. The words (as far as they go) and a considerable portion of
the music are the same as those in the 1708 version. The numbers
written for the present version [1737], but not incorporated in the
English work of 1757, are printed at the end of vol. xxiv of the
Handel-Gesellschaft's publications, with the exception of the sinfonia
at the beginning of part ii, the air "Folle dunque tu sola presumi" in
part ii, and some of the recitatives. The first 93 folios appear to be in
the hand of John Christopher Smith. In some numbers the words
used in the English work are inserted over the Italian text.
'.-i
Additional 5319.
Paper; ff. 131, About 1738 (date of composition). Large folio. Belonged to
Sir John Hawkins.
" Saul : Oratorio," in three parts, for solo voices and chorus, with
symphonies and accompaniments for trumpets, flutes, bassoons,
trombones, carillon, drums, strings (including " teorba," sc. theorbo),
harp, harpsichord, and organ, in score, by Handel. The trombone
parts are written out separately at the end. The whole is in the same
hand as Add. 34006 [? that of John Christopher Smith, see above, p. 365].
Several of the numbers, which in the Handel-Gesellschaft's edition are
relegated to the Appendix, are given here in the body of the work, as
is also the quasi-ritournelle for the harp, which follows David's air,
" 0 Lord, whose Mercies." The scenes are indicated throughout, the
famous Dead March being here styled " Elegy on the death of Saul and
Jonathan."
Additional 31504, ff. 115b-120b.
Paper; after 1740. Folio. See also below, under sacred Songs (p. 43G).
Five numbers sung by Signora Strada, Signor Carestini and Miss
Young, in the Oratorio " Athaliah " [1733], by Handel. They are all
ORATORIOS. 367
airs except no. 3, which is a duet, and are written with a bass, in
score.
1. "Will God, whose raercys everflow."
f. 115b.
!. " Soothing Tyrant, falsely smiling."
f. 116.
3. "Cease thy anguish." f. 116b.
4. " Thro' the land so lovely blooming."
f. 118b.
5. " Softest sounds no more can ease
me." With a part marked for 1st
violin, f. 120.
Additional 14136.
Paper ; ff. 184. After 1742 (watermark). Oblong folio.
" La Passione di Gesu Christo " : Oratorio, in two parts, for solo
voices and chorus, with symphonies and accompaniments for oboes,
horns, flutes, and strings, in score ; the words by Abbate Pietro
Metastasio, the music by Nicole- Jommelli. The characters are Saints
Pietro, Mad[d]alena, Giovanni, and Giuseppe d Arimatea, and a Chorus
of Disciples.
Additional 31687.
Paper ; ff. 208. After 1742. Oblong folio.
Another copy of the same work. It closely resembles the
preceding MS.
Additional 5337, ff. oi-oj.
Paper; about 1743 (date of production). Quarto. The contents of this MS.
are in different hands, including a sacred Canon (above, p. 122), portions
of Operas (early 18th cent.), and Catches, Glees, and Madrigals (18th cent.),
described elsewhere.
"Thou soft invader of my soul " : duet with accompaniments for
strings and figured bass, in score, from " Solomon," by Dr. Boyce.
Additional 33351, ff. lb, 5b, 6.
Paper; about 1743 (date of production). Oblong octavo. See also under
secular Songs.
Three numbers from Dr. William Boyce's "Solomon"; without
accompaniment.
1. Recit. and air, "How lovely art
thou." f. lb.
2. "Air, "On his Face the vernal
Rose." f. 5b.
3. "Recit. and air, "Who quits the
Lilly's fleecy white." f . 6.
Additional 14124.
Paper ; ff . 132. a.d. 1748. Oblong folio.
"Oratorio per la Nascita di Gesu Cristo" (sc." II Verboincarnato"?),
in two parts, for 3 solo voices (Peace, Justice, and Truth), with
symphonies and accompaniments for psaltery, horns (hunting and
368 VOCAL MUSIC— SACRED.
otherwise), flutes, bassoons, and strings, in score, by Nicolo Porpora,
1748. Autograph.
Additional 14245, ff. 30-33.
Paper ; first half of 18th cent. Oblong folio. See also under Pianoforte Solos.
Portions of several melodies, most of them with a bass for
harpsichord, in score. The last two are partly supplied with words,
for a bass voice, beginning apparently " Seppe lo Antonio " (f. 32), and
" D' ogni fedele il Core " (f. 32b), evidently intended to form part of an
Oratorio, possibly " Santo Antonio," by Michele Falco, about 1730.
Additional 30798, f. 71.
Paper ; first half of the 18th cent. Oblong folio. See under Operas.
Duet [from the Oratorio "San Guglielmo d' Aquitania," 1731], by
Giovanni Battista Pergolese, introduced by him into his opera
" Olimpiade," to the words " Ne' giorni tuoi felici."
Additional 31491, ff. 62-65.
Paper; first half of the 18th cent. Oblong duodecimo. For other contents
of the MS., see under secular Duets.
Duet (David and Bathsheba), " Care gioie," with a bass for
harpsichord, in score, apparently from an Oratorio, by Giovanni
Buzzoleni.
Additional 32024.
Paper ; ff. 77. After 1751 (see f. 1). Folio.
Two Oratorios for solo voices and chorus, with symphonies and
accompaniments for flutes, chalumeau (in no. 2 only), oboes, bassoons,
strings, and harpsichord, in score, composed by Giovanni Adolfo Hasse,
for the Electoral chapel at Dresden.
1. " I Pellegrini al Sepolcro di nostro
Salvatore " ; in two parts, 1751.
The characters are Albino, Eugeuio,
Teotimo, Agapito, a Guide, and a
Chorus of 5 voices, f. 1.
2. " Le Virtu a pie della Croce " ; 1737.
The characters are Carita, Fede,
Speranza and Inferno, f. 52.
Additional 14147.
Paper ; ff . 279. a.d. 1755, etc. Oblong quarto.
Two Oratorios in two parts, written for solo voices with instru-
mental accompaniment, in score, by Giovanni Battista de Orchis.
Autograph.
1. "Oratorio sacro del Glorioso S. . sacra della Reggina Esdor,. . .1755 " ;
Gaetano " ; with trumpets, oboes-, etc. I with hunting trumpets, horns, oboes,
The characters are : — Genio Celeste, etc. There are separate parts for the
Speranza, Roma, S. Gaetano, and , horns, strings, and voices. The
Genio Maligno. f. 1. characters are Assuero, Edisa, Mardo-
2. " Oratorio ... in lode della Vergine cheo, and Amanno. f. 95.
SSm* Maria, figurata nell' Istoria I
ORATORIOS. 369
Additional 34267, B, f. 25.
Paper ; about 1755 (see below). Quarto. The MS. also contains a sacred
Song (below, p. 438), Harpsichord Solos, etc., described elsewhere.
The Hymn of Eve, beginning " How chearful along the gay mead,"
from " Abel" [by Dr. Arne, 1755]. The melody with a bass.
Additional 5062.
Paper ; ff . 154. Before 1760 (date of transcriber's death). Oblong quarto.
Bookplate, with arms, of James Mathias.
" Messiah " ; in score, by Handel, transcribed by Henry Needier,
evidently from a very early copy taken before the alterations in the
modern editions (dating from 1744?). The present MS. corresponds
closely with Arnold's edition, omitting the alterations referred to above.
The appearance of the word " Pif." [ = Pifferari] at the beginning of the
pastoral symphony would seem to show that the MS. was transcribed
from the original ; but on the other hand the settings of " Why do the
nations " and " O death, where is thy sting," mentioned in the intro-
duction to the English Handel Society's edition (q. v.) and given as
alternatives in Arnold's edition, do not appear here.
Additional 29386, ff. 70, 73 (reversed).
Paper ; about 1762. Quarto. See also under Catches.
Arrangement for harpsichord of the following fragments from
oratorios by Handel : —
March in Judas Maccabeus." f. 73.
2. "Slow movement in overture of
Esther." f.70.
Additional 27932, f. 26b.
Paper; after 1762 (the date of the other composition on the same page).
Octavo. See also under Operas.
An air without words or accompaniment, headed " Susanna."
Possibly from the oratorio of that name, by Handel, but not recog-
nizable in its present form.
Additional 11515-11517.
Paper ; ff. 91, 70, 73. About 1764 (date of performance). Oblong quarto.
Belonged to [James] Bartleman, and afterwards to William Brown Kitchiner
(bookplate with arms).
" Judith " : Oratorio in three acts, for solo voices and chorus, with
symphonies and accompaniments for trumpets, horns, flutes, oboes,
bassoons, strings, harpsichord and organ, in score, composed by Dr.
370 VOCAL MUSIC— SACRED.
[Thomas Augustine] Arne. In three volumes. The greater part of
it is autograph. A few leaves (ff. 33— 41b) in vol. ii are in the hand of
Dr. [Samuel] Arnold, who seems to have re-set the scene in which
they are interpolated. One or two numbers given in Walsh's edition
are omitted here ; but on the other hand the recitatives and choruses,
left out in the published edition, appear in full. The characters are
Judith, Holofernes, Ozias, Abra, and Charmis.
Among the singers indicated as taking part in various performances
of the work are [Giusto Ferdinando] Tenducci, [Charlotte] Brent, [Mary
Barthelemon, [Joseph] Vernon, [Theresa] Cornelys and [Samuel
Champness.
The air "How chearful along the gay plain" (vol. iii, f. 4) is the
well-known "Hymn of Eve," from the same composer's "Abel," 1755,
adapted for the present work.
Additional 33568, ff. 78b, 88, 88b.
Paper ; about 1768. Quarto. See also above, p. 69.
Fragments of the " Messiah " [1741], by Handel.
1. " Allelujah " : the " Hallelujah "
chorus. Vocal score, without ac-
companiment, f. 78b.
2. The treble part of the chorus,
" Worthy is the Lamb." f. 88.
3. The treble part of the "Amen"
chorus, f . 88b.
Additional 5320.
Paper ; ff. 189. After 1769 (see f. 80b, etc.). Large quarto. Presented by Sir
John Hawkins in 1789.
" Israel in Egypt " : Oratorio in two parts, for solo voices and
double choir, with symphonies and accompaniments for oboes, trumpets,
bassoons, drums, strings, harpsichord, and organ, in score, by Handel
[1738]. Apparently transcribed for Dr. [Samuel] Howard (d. 1782)
with a view to engraving, and collated with two other scores. It
corresponds very closely with the Handel-Gesellschaft's edition, except
that the trombone parts are not included.
Additional 34997.
Paper ; ff . 89. a.d. 1774. Oblong folio.
"Ruth," by S[amuel] \V[esley]. Autograph. The MS. bears
various dates between 8 Sept. and 26 Oct. 1774 (when the composer
was only eight years old) ; and the airs are said to have been composed
before he was six. In score, the accompaniments written for trumpets,
drums, oboes, violins, violas, violoncello, and organ.
ORATORIOS.
371
Additional 34998, ff. 21-48b passim.
Paper ; about 1774-1775. Oblong folio. See also above, p. 70.
Fragments and sketches of oratorios, chiefly by S[amuel] Wesley.
1. Part of scene from "Ruth," begin-
ning "Naomi, dry those tears."
ff. 21-22.
2. "If God be for us " [from the " Mes-
siah"]. "Handel." f . 22b.
3. "With pleasure I obey": air, fol-
lowed by duet between Hephzibah
and Manasseh. ff. 29-30.
4. Scene between Gideon, Oreb, and an
Israelite, beginning "Like a bright
cherub" : apparently from an oratorio
called ' ' Gideon." ff . 41-43b.
5. Airs from "Ruth." ff. 46-48b.
For the extracts from "Ruth," com-
pare the preceding MS.
Additional 17855, ff. 3, 6, 86.
Paper ; before 177G. Oblong folio. See also above, p. 70.
Three numbers from Handel's " Messiah," consisting of the voice-
part, or parts, with figured bass in score.
1. Air, " Comfort ye, my people." f. 3.
2. Chorus, "And the Glory of the
Lord." f.6.
3. Chorus, "Worthy is the Lamb."
f.86.
Additional 15996.
Paper; ff. 229. About 1779 (date of production). Oblong quarto. Belonged
to Domenico Dragonetti.
" L'Assalonne " : Oratorio in two parts, for solo voices, with
symphonies and accompaniments for trumpets, horns, oboes, flutes, and
strings, in score, by Domenico Cimarosa. Copied at Bologna. The
characters are David, Assalonne, Ahisai, and Gioabbo.
Additional 34999, ff. l-80b.
Paper ; a.d. 1779, etc. Quarto. The MS. appears to have belonged at one
time to Vincent Novello (see f. 12). For other contents, see under Hymns (above,
p. 194).
Act ii and part of act iii of " The Death of Abel," in full score,
followed by the parts of the overture to act ii, by S[amuel] Wesley.
Autoyraph. Said to have been composed when Wesley was eleven, but
apparently a rather later copy. The overture bears the date 1779.
The instruments employed are oboes, bassoons, strings, and organ ;
and occasionally also horns, trumpets, and drums.
Additional 16021.
Paper; ff . 186. About 1780 (supposed date of production). Oblong folio. The
name of Walker, of 13 St. Martin's Street, occurs on f. 140, but whether as owner
or copyist does not appear.
" La Distruzzione di Gerusalemme " : Oratorio in two acts, for
solo voices and 3-part chorus, with symphonies and accompaniments.
372 VOCAL MUSIC— SACRED.
for flutes, oboes, clarinets, horns, trumpets, bassoons, strings, and
drums, in score, by Pietro Carlo Guglielmi. Both Fetis (Biographie
Vniverselle) and Riemann (Opern-Handbuch) attributed this composi-
tion to Pietro Guglielmi the father, Riemann even giving the date as
about 1780, in which year the younger Guglielmi was only about 17.
Possibly the corrections and additions are in the hand of the latter.
The characters are Semira, Nabucco, Almansor, Naballe, Manasse,
Sedecia (alias Sidagero), Rabsace (alias Darbaces), and Geremia.
Additional 32174, ff. 36-7 9b passim.
Paper ; before 1784 (see C. F. Pohl's Joseph Haydn, vol. ii, p. 283). Oblong
octavo. Ses also under Operas (17S2).
[The overture to "II Ritorno di Tobia," 1775, published by
Artaria as the last of a set of " Sei Sinfonie a grand orchestra,
opera xxxv," by Franz Joseph Haydn.] Written for 2 oboes, flutes,
bassoons, 2 horns, and strings, in parts.
Additional 27634.
Paper ; ff . 165. a.d. 1785. Oblong quarto. Belonged to William Hutchins
Callcott.
" Elijah " : Oratorio in three parts, for solo voices and chorus, with
symphonies and accompaniments for trumpets, horns, oboes, bassoons,
strings, drums, and figured bass for harpsichord or organ, in score, by
John Wjall] Callcott, M.B., 1785; the words by Thomas Skelton
Dupuis of Christ Church, Oxford. Composed in August— November,
1785. The characters are Elijah, Ahab, Jezebel, Obadiah, a Messenger,
an Israelitish man and woman, a Priest of Baal, and Choruses of
Priests of God and of Baal, etc. The principal singers named are
Miss Harwood, [Vincenzo] Bartolini, Signor Tasca, [John] Dyne,
[John] Hindle, and [John] Sale [Jun. ?].
Additional 30388.
Paper; ff. 221. a.d. 1786, 1789. Quarto.
" The Captivity of Judah " : Oratorio in three parts, for solo
voices and chorus (single and double), with symphonies and accompani-
ments for oboes, trumpets, bassoons, strings, drums, and organ, in
score, by William Crotch. Autograph. The words were selected by
the Rev. A.'C. Schomberg, Fellow of Magdalen College, Oxford (to
whom the work was dedicated in 1790), and the Rev. J. Owen, of
" Bene't" (Corpus Christi) College, Cambridge. It was begun in 1786
(when the composer was eleven years old), the last part and the
entr'actes being written in 1789.
ORATORIOS. 373
Additional 24285.
Paper ; ff . 216. About 1790 (supposed date of production). Oblong quarto.
Belonged to Charles Hatchett, and afterwards to Dr. Henry Gauntlett.
" S. Elena al Calvario " : Oratorio in two acts, for solo voices and
4-part chorus, with symphonies and accompaniments for horns, flutes,
oboes and strings, in score ; the words by Pietro Metastasio, the music
by Pasquale Anfossi. The characters are S. Helena, S. Macario,
Draciliano, Eudossa, and Eustatiu.
Additional 28613, ff. 2, 3.
Paper ; before 1798. Oblong folio. Sec also under secular Songs.
Sketches, in the hand of Joseph Haydn, of the choruses, " Awake
the harp," and " The heav'ns are telling," in his Oratorio, " The
Creation."
Additional 31412, ff.61-70b.
Paper ; about 1798 (see below). Oblong quarto. The SIS. also contains
Motets (above, p. 318), sacred Songs (below, p. 440), and various secular composi-
tions, described elsewhere.
" Jephta " : Oratorio, for solo voices and 4-part and 6-part chorus,
with a figured bass for organ, in score, by Carissimi. The characters
are Historicus (i.e. the Sacred Historian), Jephthah and his Daughter,
and a Chorus. The whole is in the hand of Dr. Crotch, who has
noted many of the passages borrowed by Handel. The MS. was
acquired by the annotator at the sale of Dr. Philip Hayes' library
in 1798, and many of the compositions (chiefly at the end of the
volume) are in the hand of the later owner, who has also added a few
remarks at the beginning on the styles of the chief composers whose
works are contained in the volume.
Additional 31815, ff. l-53b.
Paper ; a.d. 1798. Oblong folio. The volume also contains a secular Chorus
(1795), Glees (1800), and part of an Opera (1803), described elsewhere.
Portions of the Oratorio, " The Captivity," in three acts, by
R. J. S. Stevens, including the duet, " As panting flies the hunted
hind " (with violin obligato, and figured bass for pianoforte, in score),
and most of the choruses in acts i and iii (in parts). Autograph. At
the beginning is Dr. Goldsmith's libretto in the composer's hand, with
numerous alterations by him, preceded by a fair copy.
Printed Book, A. 909, p. 115.
Paper; 18th cent. Oblong octavo. See also under sacred Songs (below, p. 440).
" Total Eclipse " : air from " Sampson," [by Handel]. The melody
only.
374 VOCAL MUSIC— SACRED.
Additional 14112, f. 92.
Paper ; 18th cent. Oblong quarto. See also under sacred Songs (below, p. 442).
Aria, " Con miglior Duce " ; with oboes, horns, and strings [from
" La Morte d' Abele," 1732], by Leonardo Leo.
Additional 14157, ff. 48-52.
Paper ; 18th cent. Oblong folio. See also under Operas.
Aria, " Ah ! se macchiar quest' anima douesse " ; with accompani-
ments for strings, in score [from " Isacco "], by Nicolo Jommelli.
Additional 15984.
Paper ; ff. 121. 18th cent. Oblong folio. Bequeathed by Domenico Dragonetti,
in 1846.
Part i of " Ninive Conversa " : Oratorio in two parts, with Latin
words, for solo voices and 3-part chorus, with symphonies and
accompaniments for horns, oboes, bassoons, and strings, in score, by
Pasquale Anfossi. The characters are Jonas, Abiathar, Abner, Jaconias,
Abra, and Rex.
Additional 16029.
Paper ; ff . 131. 18th cent. Oblong quarto. Bequeathed by Domenico
Dragonetti.
" Bettulia Liberata " : Oratorio in two parts, for solo voices and
chorus, with symphonies and accompaniments for oboes, horns, and
strings, and a figured bass for harpsichord or organ, in score ; the
words by Pietro Metastasio, the music by Nicolo "Jommelli. The
characters are Ozia, Giuditta, Charmi, and Achior.
Additional 29382, ff. 40b-44.
Paper; 18th cent. Narrow oblong duodecimo. See also under Motets (above,
p. 323).
" O Death, where is thy sting" ; for alto and tenor, with a bass
for organ, in score, by Hendel (sc. Handel, from the " Messiah").
Additional 31477, ff. 66b-67, 69-77b.
Paper; 18th cent. Oblong folio. See also under Motets (above, p. 327).
" Jephtha " : Oratorio for solo voices with 4-part and 6-part choruses,
and a bass for organ, in score, by Carissimi. The last chorus (f. 66b)
was transcribed by Rev. William Gostling, the remaining part of the
work being added afterwards.
ORATORIOS. 375
Additional 31560.
Paper ; ff. 110. 18th cent. Oblong folio.
" Esther, an Oratorio," or more properly speaking, " Haman and
Mordecai, a masque " ; for solo voices and 8-part chorus, with symphonies
and accompaniments for trumpets, horns, oboes, bassoons, harp, and
strings, in full score, by Handel. It is a transcript of the earlier form
of the work, which was performed at Cannons in 1720 under the latter
title. The chief variations from the edition published by the Handel
Gesellschaft are (1) the transposition of the order of the numbers " Ye
Sons of Israel " and " O Jordan "; (2) the transposition of the numbers
" Save us, O Lord " and " How can I stay " ; (3) the substitution of
the words " Tyrants may awhile presume," etc., for those of the chorus
published as " Virtue, truth and innocence " ; and (4) the omission in
the present copy of the scene which concludes the Hiindel-Gesellschaft's
edition, beginning " Let Israel songs of joy repeat."
The MS. is said to be in the hand of [John] C[hristopher] Smith
[? the younger], Handel's amanuensis.
Additional 31570.
Paper ; ff. 225. 18th cent. Folio.
" Jephtha " : Oratorio in three acts, for solo voices and chorus,
with symphonies and accompaniments for horns, oboes, flutes, strings,
and harpsichord or organ, in score, by Handel ; being the copy used
by Dr. Samuel Arnold in the preparation of his edition of the work
[after 1786]. He has taken Walsh's printed edition as the basis of
the new one, the choruses and recitatives being added in MS. The
arrangement of the numbers exactly corresponds with that followed in
the Handel-Gesellschaf t's edition.
Additional 31635, 31636.
Paper ; ff . 85, 188. 18th cent. Oblong folio.
" S. Francesco di Sales " : Oratorio in two parts, for solo voices,
with symphonies and accompaniments for trumpets, flutes, hunting
trumpets, oboes, psaltery, strings, and harpsichord, in score, by
Francesco Feo. The characters are Angelo, S. Francesco, Inganno,
and Eresia. Vol. i contains part ii only ; vol. ii the complete work.
Additional 31660.
Paper ; ff . 93. 18th cent. Oblong folio.
" La Conuerzione di S. Guglielmo " : Oratorio in two parts, for 4
solo voices, with symphonies and accompaniments for strings, in score,
by Giovanni Battista Pergolesi. The characters are Angelo, S.
Guglielmo, S. Bernardo, and Demonio.
26
376 VOCAL MUSIC— SACRED.
Additional 31676, ff. 29-32.
Paper ; 18th cent. Quarto. See also under Operas.
Arias, with a figured bass for harpsichord, in score.
1. "Deh! parlate" [from " Isacco,"
probably by L. A. Predieri, 1740].
f. 29.
2. " Voi, se pieta provatej" [from " Giu-
seppe riconosciuto "]. Anonymous,
f. 30b.
Additional 34996, f. 14b.
Paper ; 18th cent. Oblong duodecimo.
March in "Judas Maccabajus" [1746], by Handel. See under
Pianoforte Solos.
Additional 14175, ff. 60b-70.
Paper ; second half of 18th cent. Oblong quarto. See also under sacred Songs
(below, p. 446).
Bass solo part [that of II Guida, from the Oratorio, " I Pellegrini
al sepolcro di nostro Signore," by J. A. Hasse], with symphonies and
accompaniments for strings, in score.
Additional 14179, ff. 1-86.
Paper ; late 18th cent. Oblong quarto. The MS. also contains a Litany
(above, p. 202).
" I Pellegrini Al Sepolcro di nostro Signore." For >& description
of the Oratorio, see Add. 32024, f. 1 (above, p. 368).
Additional 24286.
Paper; ff . 182. Late 18th cent. Oblong quarto. Belonged to Charles
Hatchett, and afterwards to Dr. Henry Gauntlett.
" La Madre de' Maccabei " : Oratorio in two acts, for solo voices,
with symphonies and accompaniments for trumpets, horns, flutes,
oboes and strings, in score, by [Pasquale] Anfossi. The characters
are Anna, Giacobbe, Antioco, Apollino, and Consigliero.
Additional 25076, f. 12.
Paper ; late 18th cent. Oblong folio. See also under Operas (1799).
" See, the conquering Hero comes " ; in compressed score, from
" Joshua," by Handel.
Additional 31629.
Paper ; ff . 90. Late 18th cent. Oblong folio.
"I Pellegrini Al Sepolcro di N[ostro] S[ignore]," with the
German title, " Passions Oratorium. Die Pilgrimme auf Golgatha,"
ORATORIOS. 377
by Hasse. For a description of the work, see Add. 32024, f. 1 (above,
p. 368). The German words are added under the Italian ones in the
arias, etc. ; but the German version of the recitatives has been written
out separately, and added at the end, with a few slight alterations
in the music. In this latter version (f. 77) the name of Balvvin is used
instead of Theotimus.
Additional 31709, ff. 72-85.
Paper ; late 18th cent. Oblong quarto.
Overture to " II ritorno di Tobia." See under Overtures
(Orchestral Music).
Additional 31723, ff. 44, 45.
Paper ; late 18th cent. Folio. The MS. also contains fragments from Operas,
and various secular compositions, described elsewhere.
Fragments from Oratorios, by Handel.
1. March from the Occasional oratorio,
arranged for harpsichord, f. 44.
2. "The smiling dawn": air with
harpsichord accompaniment [from
"Jephthah," 1751]. f. 45.
Additional 31817, f. 7b.
Paper ; late 18th cent. Oblong folio. See also under Operas.
" Nel seren de tuoi contenti " : duet with a figured bass for harp-
sichord, in score [from " San Giovanni Battista," 1676], by Stradella.
Additional 32039, ff. 25-66b.
Paper; late 18th cent. Oblong folio. The MS. also contains a sacred Can-
tata (above, p. 133).
" Die Kindheit Jesu. Ein biblisches Gemahlde " ; the words by
Herder, the music by W[ilhelm Friedrich Ernst] Bach. Autograph.
Written for solo voices (an Angel, Mary, two Shepherds, and Simeon),
and a Chorus of Shepherds, with accompaniments for horns, flutes,
oboes, bassoons, and strings, in score.
Additional 34074 and 34075, f. 19b.
Paper ; late 18th cent. Quarto. See also under secular Songs.
First and second treble parts of " See, the conquering Hero comes,"
from "Joshua" [1747], by Handel, here spelt Handell.
378 VOCAL MUSIC— SACRED.
Additional 32677, ff. 10-1 lb.
Paper ; 18th-19th cent. Oblong folio. See also under sacred Cantatas (above,
p. 133).
Melody with figured bass, in score, of the overture to " Solomon "
by Dr. [William] Boyce. In the hand of Dr. [J. W.] Callcott, as
certified by his son, William Hutchins Callcott, in 1860.
Additional 36652, ff. 17, 17b.
Paper ; 18th-19tb cent. Oblong folio. Tbe MS. also contains a Glee (beg.
of 19tb cent.), and fragments of Operas (1804), etc., described elsewhere.
Air, " He was despised," with a figured bass for harpsichord or
pianoforte, in score, from the '"Messiah," by Handel. It follows
closely the version published by Dr. Samuel Arnold in his edition of
Handel's works.
Additional 32675, ff. 1, 46.
Paper ; beginning of 19th cent. Oblong folio. See also under Operas.
Single numbers from two Oratorios, with symphonies and accom-
paniments for oboes, horns, bassoons, strings, and other instruments
mentioned below.
1. Duettino, "Si, mia vita"; with | 2. Scena and aria, " Io cedo " ; from
clarinets, harpsichord or pianoforte,
etc., from " Saulle " [1790]. " Gae-
tano Andreozzi." ff. 1-llb.
" Debora e Sissara" [1789]. "Pietro
Guglielmi." ff. 46-103b.
Printed Book, C. 42. i. 12 (3 vols.).
Paper; early 19th cent. Folio. Given by Sir George Smart's daughter in
1872 to William Hutchins Callcott.
" Messiah, An Oratorio. In score. As it was Originally Perform'd.
Composed by Mr. Handel. To which are added His additional Alter-
ations. London : Printed and Sold by H. Wright [1770?]." The copy
which Sir George Smart " conducted from at the Oratorios and many
Festivals," as stated by him at the beginning. It contains numerous
additions and alterations made by him from various sources, including
Mozart's additional accompaniments.
Egerton 2447.
Paper ; ff . 87. Early 19th cent. Oblong folio. For a description of the work,
see Add. 32024 (above, p. 368).
" Li Pellegrini " : Oratorio, by [Giovanni] Adolfo Hasse ; tran-
scribed by Abbate F. Santini, who appears to have presented it to the
Rev. E. Goddard.
ORATORIOS.
379
Paper; ff. 124. Early 19th cent
Edward Goddard.
Egerton 2452.
Oblong quarto.
Belonged to the Rev.
" Santa Elena al Calvario " : Oratorio in two parts, for solo voices
and chorus, with symphonies and accompaniments for oboes, horns, and
strings, and a figured bass for harpsichord or organ, in score, by
Leonardo Leo, [1732]. The characters are S. Elena, S. Macario,
Draciliano, Eudossia, and Eustazio.
Additional 31818, f. 22.
Paper ; early 19th cent. Oblong folio. See also under Anthems (above,
p. 95).
" Plorate, Filiaj Israel " : chorus, in score, from " Jephtha," by
Carissimi. Apparently copied by R. J. S. Stevens.
Additional 31820, ff. l-4b.
Paper ; early 19th cent. Oblong folio. See also under Anthems (above,
p. 96).
Fragments of Oratorios by Handel : transcribed by R. J. S.
Stevens.
1. Chorus of soldiers, "The glorious
field is won," said by the transcriber
to be from " Israel in Babylon." f. 1.
2. " Part of a chorus [" 0 God, Who in
Thy heavenly hand "] from " Joseph "
[1743]. f. 3b.
3. " Humble, patient, bear the rod " :
trio for soprano, alto, and bass, from
" Israel in Babylon." f. 4b.
Additional 32187.
Paper ; ff . 125. Early 19th cent. Oblong folio.
Oratorio [" Der Durchzug clurch's rothe Meer "], in two parts, for
solo voices and chorus, with symphonies and accompaniments for
trumpets, horns, flutes, oboes, clarinets, bassoons, guitar, harp, strings,
and drums, in score [by J. N. Hummel]. Autograph. The principal
characters are Moses, Aaron, the Destroying Angel, and an Israelite.
The choruses are divided between Israelites and Heavenly Spirits.
Additional 32401, ff. 1-1 17b.
Paper ; early 19th cent. Oblong folio. The MS. belonged to L. Sigismund.
It also contains a Litany (above, p. 203).
" Isacco " : Oratorio in two parts, with an introduction, symphonies,
and accompaniments for horns (occasionally flutes), oboes, bassoons,
and strings, in score, and a figured bass in the recitatives, by [Johann
Gottlieb] Naumann. The characters are Abramo, Isacco, L'Angelo,
380
VOCAL MUSIC— SACRED.
Sara, Gamari, and some Shepherds, who occasionally sing in unison
with the latter, but have two short choruses assigned to them (for 4
mixed voices). The servants of Abramo and Isacco occasionally
mentioned appear to be mute, unless the)' take part in the concluding
4-part chorus. The original MS. is said to be at Dresden.
Additional 34725, ff. 142-1 46b.
Paper; early 19th cent. Oblong folio. For a further description of the MS.,
see under Operas.
Fragments of Oratorios, with accompaniments for pianoforte or
strings, in score. By [Sir] Henry R. Bishop. Autograph.
1. Accompanied recitative, "Hear, 0
my people " (f. 142) ; recitative, "And
God saw that the wickedness of man "
(f. 143); and air, "Tremble at the
mighty pow'r of him" (f. 144) ; from
" The Deluge."
2. "Nor did revenge"; from another
oratorio, possibly " The fallen angel."
f. 146.
Egerton 2727.
Paper ; ff. 155. After 1800 (date of composition). Oblong folio.
" Christus am Oelberge " : a short Oratorio, for 3 solo voices
(Christ, a Seraph, and Peter), and Choruses of Disciples and Soldiers,
with symphonies and accompaniments for flutes, oboes, clarinets, horns,
bassoons, trombones, drums and strings, in score, by Ludwig van
Beethoven, in whose hand are a considerable number of alterations and
corrections. Under the original text a second is written in red ink,
and in some passages a further alternative is given. The whole of
this last and a few sentences from the second version (as indicated in
the present MS.) have been embodied in Breitkopf and Hartel's
modern edition of this Oratorio. The present copy was probably used
either at the first performance at Vienna (in 1803) or at the original
publication of the work by the above-mentioned firm in 1811. The
concluding chorus is wanting.
Additional 28743.
Paper ; ff. 58. About 1804 (date of publication). Oblong folio.
Four Recitatives with arias from " II Trionfo della chiesa " ; for
solo voices and chorus, with accompaniments for flutes, oboes, clarinets,
horns, trumpets, bassoons, drums, harp and strings, in score, by
Ferdinando Paer. The only characters named are Abraham and an
Angel.
f.l.
1. "Tremeranno i venti irati.
2. "Delia magion di morte." f. 15.
3. " Sull' innocente petto." f. 27.
4. "Dio Pietoso, Dio Clemente" (with
chorus), f. 37.
ORATORIOS. 381
Additional 30390, 30391.
Paper ; ff. 180, 155. a.d. 1805-1811. Oblong folio and folio.
" Palestine " : Oratorio, in two parts, for solo voices and chorus,
with symphonies and accompaniments for flutes, oboes, clarinets, horns,
trumpets, cymbal, trombones, bassoons, drums, strings, organ, and
pianoforte or harp, in score, by William Crotch, " Mus. Doc, Professor
of music in the University of Oxford." Autograph. The words were
selected from Reginald Heber's prize poem of the same title. The
names of the singers at the first performance were Mrs. Vaughan (nee
Tennant), Mrs. Ashe (nee Comer), Miss Darby ; W. Knyvett ; [Samuel]
Harrison and [Thomas] Vaughan; [James] Bartleman, [William?!
Beale, [T. Ludford 1] Bellamy, and J. B. Sale.
Vol. i contains the original score ; vol. ii is a transcript made by
the composer in December, 1811, immediately after the completion of
the work.
Additional 16139, 16140.
Paper; ff. 169, 154. About 1810 (date of production). Oblong quarto. Be-
queathed by Domenico Dragonetti in 1846.
" La Distruzione di Gerusalemme " or " La Gerusalem[m]e dis-
trutta," described as " azzione sacra," in two acts ; written for solo
voices and choruses of 3 or 4 voices, with symphonies and accompani-
ments for trumpets, horns, flutes, oboes, clarinets, bassoons, harp (once),
and strings, in score, by Nicolo Zingarelli.
The characters are Marianne, Agar, Giovanni, Mannasse, Gio-
seffo, Fanano or Fananne, and Choruses of Israelites, Soldiers, Levites,
Ladies, etc.
Additional 29997, ff. 25, 26b.
Paper; about 1811 (the date of the other sketches on the same folios). Oblong
folio. For a further description of the MS., see under String Quartets (1826).
Sketches, in the hand of Ludwig van Beethoven, of arrangements
of, or additional accompaniments to, portions of Handel's " Messiah."
The instruments indicated are flutes, clarinets, horns, and bassoons.
1. " He shall feed his flock." f. 25. | 2. " And the glory of the Lord." f. 26b.
Egerton 2512, ff. 1-1.
Paper; a.d. 1812. Oblong octavo.
" Chorales " adapted from Michael Christian Bach's " Disciples at
Emmaus." See under Hymns (above, p. 190).
Additional 27741-27744.
Paper; ff. 167, 139, 298, 259. a.d. 1812-1813 (see below). Folio and quarto.
The separate instrumental parts of the " Messiah," by Handel.
Vols, i-iii contain the string parts (7 first violins, 7 second violins, 4
382 VOCAL MUSIC— SACRED.
violas, 6 violoncellos and basses), printed ; with MS. additions and
corrections by Sir George T. Smart. Vol. iv contains the wind parts
(1st and 2nd flutes, 1st, 2nd, 3rd, and 4th oboes, clarinets, horns, and
bassoons : 1st and 2nd trumpets ; 1st, 2nd, and 3rd trombones), and
parts for small and large drums ; including Mozart's additional accom-
paniments. The whole was prepared by Sir George for the first
performance in England of these accompaniments (30th Jan. 18)3),
and was bequeathed by him to the British Museum in 1867.
Additional 30389, ff. 1-H4b.
Paper ; a.d. 1812-1828. Folio. The MS. also contains an Ode (1834).
" The Captivity of Judah " : Oratorio in two parts, for solo voices
and chorus, with symphonies and accompaniments for trumpets, drums,
clarinets, flutes, oboes, horns, bassoons, trombones, strings, and organ,
in score, by William Crotch, Mus. Doc. Autograph. Quite different
from his earlier composition of the same title. The present work was
begun in 1812 and completed in its first form in 1815 ; but it did not
receive the finishing touches till 1828. It was performed on 10th
June, 1834, at the installation of the Duke of Wellington as Chancellor
of the University of Oxford, when the solo parts were taken by Mme.
Caradori[-Allan], Miss [Elizabeth] Masson, William Knyvett, [John]
Braham, [Thomas] Vaughan, and [Henry] Phillips.
Additional 29906.
Paper : ff. 347. About 1813 (supposed date of first performance). Folio.
" Jephta's Geliibde," described as a "serious opera," in three acts,
for solo voices and chorus, with symphonies and accompaniments for
trumpets, horns, flutes, oboes, clarinets, chalumeaux, trombones, bas-
soons, guitars, harp, strings, drums (Turkish, etc.), cymbals and
triangles, in score, by J. Meyerbeer. Folios 320b, 321, as well as some
of the marks of expression, etc., throughout the work, appear to be
autograph. The text is by Aloysius Schreiber. The characters are
Jephthah, Suleima, Thyrza, Asmaweth, Abdon, three Messengers, three
Leaders of a tribe, the High Priest, and Choruses of People, Priests,
Levites, Warriors, Ammonite Prisoners, Maidens, and Youths.
Additional 31796, 31797.
Paper; ff. 229, 251. After 1818 (see below). Oblong folio. Purchased by the
Society of British Musicians in 1841.
" Mose in Egitto " : Oratorio in three acts, for solo voices and
chorus, with symphonies and accompaniments for flutes (ottavino,
quartino, etc.), oboes, clarinets, trumpets, horns, bassoons, trombones,
serpents, harp, strings, drums (small and large), and cymbals, in score,
by Rossini [1818]. Where there is no room on the page, the drums
and some of the wind parts are added in a separate score at the end of
the number or of the volume. The characters are Mose, Aronne,
ORATORIOS. 383
Fa. -one, Mambre, Amenosi, Osiride, Elcia, and Amaltea. Evidently
a copy of the original score of the first version of the opera, having
been made for Violante Comparete Giustiniani.
Additional 34279, B, ff. 40-55b.
Paper ; about 1821 (watermark). Quarto. See also under Motets (above,
p. 299).
First and 2nd oboe, principal violin, 1st and 2nd violin and vio-
loncello, and bassoon parts, of the air " Softly rise," with the following
chorus " Ye Southern Breezes," [from " Solomon "], by Dr. Boyce ; pre-
ceded by the 4 vocal parts of that chorus.
Additional 34610, f. 41b.
Paper ; a.d. 1827. Quarto. See also under Anthems (above, p. 93).
Arrangement for pianoforte (or compressed score), of the solo and
chorus, " Holy, Holy, Holy," from " The Last Judgment," by Louis
Spohr. Dated Cassel, 11 Jan., 1827. Autograph.
Additional 31821, ff. 123-125.
Paper; a.d. 1831 (?). Oblong folio. See also under Anthems (above, p. 94).
Three fragments from "The Last Judgment" [1826], by Spohr.
In score. Copied [by R. J. S. Stevens] from the Harmonicon for
June, 1831.
1. "The grave gives up its dead."
f. 123.
2. " Holy, Holy, Holy, Lord God of
Hosts." f. 123b.
3. "Blessed are the dead." f. 124.
Additional 31415 (part i, ff. 22b, 23 ; ii, ff. 19b, 20 ; hi, ff. 21, 21b ;
iv, ff. 26, 26b ; v, f. 10 ; vi, 24, 24b).
Paper ; after 1835. Oblong octavo. See also under Madrigals.
Two numbers, in parts, from " The Last Judgment," by Spohr.
1. "All glory to the Lamb"; for 5
solo voices, with chorus.
2. "Blest are the departed"; for 4
solo voices, with chorus.
Additional 32318.
Paper; ff. 137. a.d. 1841. Folio.
" Tobias " : Oratorio in three parts, for solo voices and chorus, with
an introduction (depicting the character of Tobit), symphonies, and
accompaniments for flutes, oboes, clarinets, horns, trumpets, bassoons,
trombones, drums, and strings, in score, by C. Th. W. Herzberg, 1841.
Autograph. The libretto is by A. Kahlert. The characters are Tobit
(called here the elder Tobias), Tobias his son, Anna, Sarah, and
Azariah or Raphael.
384 VOCAL MUSIC— SACRED.
Additional 32423, 32424.
Paper; ff. 106, 159. a.d. 1817. Folio. Belonged at various times to Z. T.
Purday, owner of the copyright, and to — Laidlaw, of Liverpool (see vol i, f. 7).
" Daniel's Prediction," or " The Vision of Belshazzar " : Oratorio
in two parts, for solo voices and chorus of from 4 to 8 voices, with
symphonies and accompaniments for flutes, oboes, clarinets, horns,
trumpets, trombones, bassoons, strings, drums, and organ or pianoforte,
in full score, by Charles Edward Horn. The pianoforte part has been
cut from the printed score and pasted on at the bottom of each page.
The words were principally selected from Hannah More's work (see
the printed libretto at the beginning) by Charles H. Purday, who is
the composer of the air, " For the homes of our Fathers " (vol. i, f. 94b).
The score is said to be autograph Vol. ii, f. 39, is in a different hand
from the rest. In vol. i, f. 6b, is a printed sketch of the life of the
composer.
Additional 32384.
Paper ; ff. 181. a.d. 1854, 1855. Oblong folio. Bequeathed by the
composer (d. 1884).
" Eli " : Oratorio in two parts, for solo voices and chorus, with
symphonies and accompaniments for flutes, oboes, clarinets, horns,
cornets, trumpets, trombones, bassoons, ophicleides, serpents, harp,
strings, organ, tabret and drums, in full score, by [Sir] Michael Costa.
Composed between 20 September, 1854, and 31 July, 1855. Autograph.
The characters are Eli, Hannah, Samuel, Elkanah, Hophni, Phineas,
a Man of God and a Messenger, besides Choruses of the People, Levites,
and Philistines.
Additional 30925.
Paper ; ff. 158. a.d. 1856. Oblong folio. Bookplate, with arms, of the
composer. Presented by A. Lodge Ellerton, Esq., in 1878.
"Paradise Lost": Oratorio in four parts, for solo voices and
chorus, with symphonies and accompaniments for flutes (ottavino, etc.),
oboes, clarinets, horns (English, etc.), bassoons, trumpets, trombones,
ophicleides, cymbals, drums, harp, strings, and harmonium, in full
score, by J[ohn] L[odge] Ellerton, 20 Dec. 1856. Autograph. The
characters are Adam, Eve, Michael, Zephon, Ithuriel, Uzziel, Raphael,
Beelzebub, Satan, and Choruses of Angels and of Fallen Spirits.
Additional 32386.
Paper ; ff. 192. a.d. 1862-1864. Oblong folio. Bequeathed by the
composer.
" Naaman " : Oratorio in two parts, for solo voices and chorus of
from 4 to 8 voices, with symphonies and accompaniments for flutes,
oboes, clarinets, cornets, horns, trumpets, trombones, bassoons, ophi-
cleides, serpents, strings, organ, cymbals, and drums, in full score,
by [Sir] Michael Costa, composed between 15 Oct. 1862, and 29 Feb.
ORATORIOS. 385
1864. The words by W. Bartholomew. The characters are Naaman,
Elisha, the Shunamite and her child, Gehazi, the Widow, Timna, Adah,
Zillah, Tamar, and Choruses of People, Sons of the Prophets, etc.
Additional 34182, ff. 1-105.
Paper; a.d. 1863-1866. Large folio, etc. The MS. also contains a sacred
Chorus (above, p. 170) and a Pianoforte Solo (1877).
"Christus": Oratorio in three parts, for solo voices (Christus, Mary
Magdalene, etc.), and choruses of from 4 to 10 voices (Disciples, Women
of Jerusalem, etc.), with symphonies and accompaniments for flutes
(piccolo, etc.), oboes, clarinets, horns (English, etc.), trumpets, trombones,
bassoons, tuba, drums, cymbals, strings, harp, harmonium and organ,
in score, by F. Liszt. Autograph. At f. 83 follows a pianoforte
accompaniment, which appears to have been missing till 1886, when
it was discovered by Fraulein Lina Schmalhausen (afterwards the
possessor of the score) and presented to her by the composer. The
principal variations from the score published at Leipzig by Schuberth
are the transposition of the order of the Shepherds' song and the
" Stabat Mater Speciosa " ; and the omission in the present MS. of the
Beatitudes (for which reference is made to the work of that name
previously published by Kahnt), and also of the instrumental accom-
paniments to the " Tu es Petrus" and of the Easter hymn, "O Filii
et Filial," which should precede the final scene " Resurrexit."
Additional 32139.
Paper ; ff . 109. a.d. 1864. Oblong octavo. Bookplate of Otto Jahu.
Oratorio [" Die Schuldigkeit des ersten Gebotes "], composed by
Wolfgang Mozart in March, 1766. It is written for solo voices, with
symphonies and accompaniments for oboes, flutes, horns, bassoons,
trombones, and strings, in score. The characters are Christianity,
Worldliness, Righteousness, and Mercy. Facsimile, made by Carl
Ferdinand Pohl in 1864 from the original at Windsor Castle.
Additional 34541.
Paper ; ff . 151. a.d. 1871. Folio. The MS. was presented by the composer's
widow in 1894.
" Gideon " : Oratorio for solo voices and chorus, with symphonies
and accompaniments for flutes (piccolo, etc.), oboes, clarinets, bassoons,
horns, trumpets, trombones, bass tuba, drums (large and small),
cymbals, harp, strings, and organ, in full score, by [Sir] W. G. Cu»ins.
Autograph. The characters are Gideon, the Angel, an Israelitish
woman, a Prophet, an Israelite, and Choruses of Israelites and
Midianites. The work was first performed at the Gloucester Festival
(for which it was written) in 1871.
386 VOCAL MUSIC— SACRED.
Additional 33229.
Paper; ff. 54. a. d. 1886 (see below). Folio. Presented by Augustus Hughes-
Hughes, Esq.
" Rappresentazione di Anima e di Corpo nuovamente posta in
Musica dal Sige Emilio del Cavalliere per recitar cantando ; data in
Nice da Alessandro Guidotti Bolognese . . . Roma. Appresso Nicolo
Mutij . . . mdc." Transcribed, together with the dedication, proemio,
etc., in 1886, for the donor, from the unique copy in the Brussels
Conservatoire, made in 1842 from the original edition. The earlier
transcript is responsible for the modern spelling.
This earliest specimen of Oratorio was composed for solo voices and
4-part or 8-part chorus, with shor-t symphonies and accompaniments, in
score. The instrumental parts do not appear to have been written for
any special instruments ; but in the general instructions to the Reader,
in which the editor professes to follow the lines indicated by the
composer, the following instruments are suggested : — " Lira doppia,"
" clavicembalo," " chitarrone o tiorba," and an " organo soave." In the
dedication 2 flutes or " tibie all'antica" are also specified for use in the
" Festa " or ballet which is added, for optional performance, at the end
of the work. In this the music is accompanied by words which are
directed to be sung by the dancers.
The Dramatis persona*, or " Interlocutori che intervengono," are
Tempo, Intelletto, Corpo, Anima, Consiglio, Piacere " con due com-
pagni," Angelo Custode, Mondo and Vita Mondana, with Choruses of
Angels, Condemned Spirits, etc. The whole is divided into three acts,
of which the first consists of five scenes, the others of nine each.
Additional 31573, ff. 55-83 passim.
Paper ; 19th cent. Quarto. The MS. also contains transcripts in the same
hand of sketches of Anthems (above, p. 113), a Magnificat (p. 210), and other
secular and instrumental compositions, described elsewhere.
Sketches by Handel of numbers intended for insertion in the
following Oratorios, transcribed by M[ichael] Rophino Lacy, most of
them, if not all, at Buckingham Palace : —
1-4. "Occasional" oratorio. Drum and of " Un pensiero nemico." f. 75.
trumpet parts of four numbers, ff. 55, 11, 12. "[La] Resurrezione." Frag-
56. ments of "Viva e trionfi"; with
5. Unnamed. Soprano solo of "The j accompaniments for oboes, strings,
Lord hath given strength"; with j etc., in score, ff. 76, 77b.
accompaniments for flutes, oboes, I 13-15. "Messiah." Three fragments,
etc. ff. 60, 61. apparently connected with "How
5-9. [" Athaliah," or the " Occasional"
oratorio.] Four fragments to the
words "Amen," "Hallelujah," etc.
Only a few bars of the melodies with
figured bass, written in the original
immediately after the alto solo, " May
beautiful are the feet." Among other
instruments indicated are (in the last
fragment) harps, f. 80.
16-18. "[La] Passione." Three frag-
ments, with accompaniments for
oboes and strings, in score, ff. 83,
God, from whom all mercies." Two | 83b.
copies, ff. 74b, 75b. | 19. "Messiah." The pastoral sym-
10. "II Trionfo del Tempo." Melody \ phony. f.83b.
PASSION MUSIC. 387
Additional 33571.
Paper ; ff. 20. 19th cent. Quarto.
Overture to " Paulus " (ac. " St. Paul "), for flutes, oboes, clarinets,
bassoons, horns, trumpets, trombones, serpent, drums, and strings, in
full score. Composed [in 1836] by F. M[endelssohn]-Bartholdy.
Additional 35026, f. 64b.
Paper; 19th cent. Quarto. For a description of the MS., see under Albums
(1836-1895), in vol. iii.
" And God said ! Be fruitful all and multiply, ye winged tribes " :
the first few bars of the air, with bass, in score, from the " Creation "
[1798] by Haydn. In the hand of Carl Formes, the singer.
SECTION XX.— PASSION MUSIC
with Latin words, including the " Improperia," * as sung
in the Church of Rome during Holy Week.
Additional 17802-17805 (vol. i, f. 123 ; ii, f. 120b ; iii, f. 122b ;
iv, f. 117).
Paper ; late 16th cent. Octavo. See also under Motets (above, p. 271).
" Passio Domini nostri Jesu cristi secundum Matheum. Non in
die festo " ; for 4 voices, in parts. Anonymous.
Additional 34700, ff. 13-32.
Paper ; 16th-17th cent. Small quarto.
" Passio Domini nostri Jesu Christi Secundum Matthaeum " ; for
4 voices, in parts, by Jacobus Obrecht. In each part the Latin text
was originally followed immediately by a German version, with a
different setting, possibly by Johann Steuerlein of Schmalkalden, being
in the same hand as the Mass by that author at the beginning of the
volume, which appears to be autograph (see above, p. 214). Of the
Latin version there remain the first contra- tenor part, the second
contra-tenor (wanting the last leaf), and the bass part ; of the German
version, the altus, second contra-tenor (wanting the first leaf), and
bass parts. The Latin version is divided into three parts, of which
the first begins " Passio Domini . . . Scitis quia post biduum Pascha
* For Passion Music with German words, etc., see under Cantatas (above,
pp. 129-136).
388 VOCAL MUSIC— SACRED.
fiet " ; the second part, " Apprehendit ergo Jesum Pilatus " ; and the
third part, " Orabat autem Jesus."
Additional 14203.
See under Motets (above, p. 294).
Additional 14151, ff. 61-74.
Paper; a.d. 1721. Large octavo. See also under Masses (above, p. 216).
" Quatuor Evangelia Passionis D. N. J. C. quoad Turbam " ; for
4 voices, in score. Composed in April, 1721. Anonymous.
1. " Secundum Mattheum "; beg. " Non 3. "Secundum Lucam"; beg. " Ubi
in die festo." f. 62. j vis paremus, Domine." f. 67b.
2. "Secundum Marcum"; beg. "Non 4. "Secundum Joannem"; beg. "Jo-
in die festo." f. 65b. | sum Nazarenum." f. 72.
Egerton 2463, f. 2.
See under Plainsong Melodies (below, p. 390).
Additional 14145.
See under Motets (above, p. 315).
Additional 14206, ff. 79-80b.
Paper ; 18th cent. Oblong folio. See also under secular Duets.
" Letioni della Settimana santa," beginning " Quoniam vidi
iniquitatem " ; for a treble voice, with a bass for harpsichord or organ,
in score. There are also short symphonies and ritournelles, apparently
for a violin. Anonymous.
Additional 31554.
See under Motets (above, p. 328).
Additional 32392, f. 1.
See under Motets (above, i. 329).
Additional 14200 ff. 1-1 lb.
Paper; late 18th cent. Quarto. See also under Motets (above, p. 334).
" Improperie . . . Per il Venerdi Santo," beginning " Popule meus,
quid feci tibi." The complete set of 4 vocal parts, with figured bass.
Anonymous.
PASSION MUSIC. 389
Additional 14137, ff. 76b-140.
See under Motets (above, p. 332).
Additional 14188, ff. 170-191.
Paper; 18th-19th cent. Quarto. See also under Motets (above, p. 297).
" Passio, secundum Joannem. Per il Venerdi Santo ; A 4° uoci
con Violini," with a figured bass for the organ, in parts, by Pietro
Antonio Gallo. The vocal parts appear to be autograph. There are
solos for the doorkeeper, [Peter], and Pilate ; and Choruses of Priests
and Jews. Begins with the words " Jesum Nazarenum."
-el
Additional 31762.
See under Motets (above, p. 339).
Additional 35134, ff. 30-33.
Paper ; a.d. 1832. Oblong folio. See also below, under Stabat Mater.
" Lmproperia," beginning " Popule meus, quid feci tibi," and ending
"Miserere nobis" ; for 2 choirs of 4 voices each, in score, by Pales-
trina.
Additional 34607, ff. 29, 62, 95b, 128.
Paper; a.d. 1855. Oblong folio. See also under Motets (above, p. 353).
"Improperium," beginning "Popule meus, quid feci tibi"; for 4
voices, in parts, by Felice Anerio.
Egerton 2464.
See under Motets (above, p. 360).
Egerton 2467.
See under Motets (above, p. 361).
Egerton 2470, ff.3-16b.
Paper; 19th cent. Oblong folio. See also under Miserere (above, p. 251).
" Responsiones populi In Passione Domini . . . auctore Thoma
Ludovico de Victoria ... Romae, 1585," namely, " Non in die festo "
(f. 3b), " Jesum Nazarenum" (f. 11), and "Popule meus, quid feci
tibi" (f. 15).
390 VOCAL MUSIC— SACRED
SECTION XXI.— PLAINSONG MELODIES
AS SUNG IN THE CHURCH OF ROME.*
Additional 14342, ff. 26, 28, 39, 56.
Paper ; a.d. 1782, etc. Oblong folio. See also under Masses (above, p. 234).
Plainsong melodies from the following portions of the Roman
Liturgy, with a figured bass added by S[amuel] Wesley : —
1. "Antiphons ad Magnificat"; from
the Commune Sanctorum, f. 26.
2. "Suffragia"; for various festivals.
f.28.
3. Responses, " Dominus Vobiscum," '
etc. Autograph, f. 39.
4. " Oratio in Feria Sexta in Parasceve.
Anno 1781 vel 1782." Autograph.
f.56.
Egerton 2463, ff. 2-21.
Paper ; early 19th cent. Oblong quarto. See also under Magnificat (above,
p. 210).
" Cantus in Passione Domini Nostri J. C. secundum Mathaeum.
Mutinae, ex Typographia haeredum Cassiani, 1788." Anonymous.
Additional 35024, f. 13.
Paper; early 19th cent. Oblong quarto. See also under Anthems (above, p. 93).
" Custodes hominum psallimus : hymnus 6 toni. In Festo SS.
Angelorum Custodum." In the hand of Samuel Wesley.
Additional 35003, f. 10.
Paper; about 1811. Quarto. See also under Motets (above, p. 349).
" Pro Virginibus " ; without the words. In pencil. In the hand
of Samuel Wesley.
* Those contained in Liturgies are omitted here.
QUARTETS— QUINTETS— REQUIEMS. 391
SECTION" XXII.— QUARTETS.
Additional 32021, f. 42.
Paper; about 1823-1824 (see ff. 38b, 43b). Oblong quarto. See also under
Glees (1806-1850).
" Dust unto dust, To this all must " : the Requiem from " Ivanhoe,"
by Thomas Miles. Autograph. Unaccompanied, but preceded by 4 bars
of symphony for pianoforte or organ.
Additional 14343, f. 14.
Paper ; about 1839. Oblong folio. See also under Glees.
" Father of Light " : unaccompanied Quartet, intended for repetition
in chorus, in score, by Samuel Wesley, 1801. In the hand of Vincent
Novello.
SECTION XXIII.— QUINTETS.
Additional 31440, ff. 131b-140b.
Paper; before 1685 (?). Folio. See also under Motets (above, p. 287).
Dialogue for 5 voices (Abraham, Isaac, Angel, etc.), beginning
" Splendea qual viuo sole," by P. Reggio. Autograph (?). Accompanied
by a bass for harpsichord or organ, in score.
SECTION XXIV.— REQUIEMS.
Additional 18936-18939, passim.
Paper; after 1612. Oblong octavo. See also under Masses (above, p. 215...
Portions of Requiem-Masses, in parts, probably all by Vittoria,
his name being affixed at the end of most of them. In four volumes.
Nos. 1 and 2 are for 3 voices ; the others apparently for 4.
1,2. " Tremens factus sum " and " Dies i " Kyrie." i, ii, iv, f. 3lb ; iii, f. 13b.
ilia, dies ira?." i, ii, iv, f. 15. j 7. " Libera animas." i, ii, iv, f. 32 ; iii,
3-6. "Dona eis, Domine "' (two set- ; f. 14.
tings), "Et tibi reddetur," and j 8-12. " Erit iustus," "Sanctus,'- "Pleni
27
392 VOCAL MUSIC— SACRED.
sunt coeli," " Benedictus," and " Ag- | i, ii, iv, f. 33; iii, f. 15.
nus Dei." i, ii, iv, f. 32b; iii, f. 14b. < 18. "Requiem eternam." i, ii, iv, f. 35b;
13-17. "Agnus Dei" (2)," Luceateis," j iii, f. 17b.
" Et lux perpetua," and " Libera me."
Additional 31580.
Paper ; fl. 65. Early 18th cent. Oblong folio. Belonged to Charles Hatchett,
Joseph Warren, etc.
" Messa da morto," in G minor ; for 2 choirs of 4 voices each —
generally in unison — and a figured bass for organ, in score, by
Benedetto Marcello. Probably autograph. Ends with the " Domine,
Jesu Christe."
Additional 14111, ff. 128-234b.
Paper; [a. d. 1746]. Quarto. See also under Motets (above, p. 320).
" Messa de' Morti " : the vocal and instrumental parts of a Requiem
in C minor, for 8 voices with strings and organ, by Francesco Durante.
The instrumental parts are autograph. For a score, see Add. 14103,
f. 19 (below, p. 394).
Additional 5046, ff. 117b-147.
Paper; before 1760. Quarto. See also under Masses (above, p. 220).
" Missa Pro Defunctis," omitting the " Dies irse " ; for 2 choirs of
4 voices each, in score, by Edvardus Lupus (sc. Lopez), 1621.
Additional 5047, ff. 172b-190.
Paper; before 1760. Quarto. See also under Masses (above, p. 220).
" Missa pro defunctis," omitting the " Dies irse," and ending with
the " Libera me " ; for 4 voices, in score, by Tommaso Lodovico da
Vittoria, 1583.
»j
Additional 31681, 31682.
Paper ; ff . 43, 82. Before 1792. Vol. i is in the hand of Hugh Bond of Exeter
(d. 1792), and belonged afterwards to P. Salter; vol. ii is in an Italian hand, and
belonged to W. B. Earle in 1792 (see cover). Folio, oblong folio.
" Messa per i Morti " : two copies of the Requiem in E?, composed
for the Duchess of "Wurtemburg by Nicolo Jommelli. Written for 4
voices, with symphonies and accompaniments for strings, and a figured
bass for organ, in score. The contents are as usual (with the omission
of the Graduale and Tractus), ending with the " Lux seterna."
Additional 14189, ff. 64-94.
Paper; 18th cent. Oblong quarto. See also under Masses (above, p. 230).
" Missa Defunctorum," in D minor ; for 5 voices, with strings,
etc., in score, by Francesco Feo. Apparently autograph.
REQUIEMS. 393
Additional 29483, ff. 25-32b.
Paper ; 18th cent. Oblong quarto. See also under Motets (above, p. 323).
" Messa da Requiem," in F ; for a tenor and bass, with a figured
bass for organ, in score, in the hand of G. B. Fenoglio, and probably
his composition. The " Rex tremende " and " Lacrimosae," which are
added at the end, are for 4 voices.
Additional 14138, ff. 1-53.
Paper ; late 18th cent. Oblong folio. The MS. also contains another Maes
(see above, p. 228).
" Messa per i Defonti," in E^ ; for 4 voices, with symphonies and
accompaniments for strings, and a figured bass for organ, in score,
composed at Wittemberg in 1756 by Nicolo Jommelli.
Additional 32181, f. 3.
Paper ; late 18th cent. Oblong folio. See also under Operas (1796).
Organ part of the first 31 bars of the " Dies irse," in the Requiem
by Mozart, written on the back of a song which is in the hand of F.
X. Siissmayr. It corresponds exactly with the published bass, which
Sussmayr claimed to have received from Mozart ; but is without the
figuring.
Additional 32391, ff. 149-167
Paper; late 18th cent. Oblong folio. Belonged to Otto Jahn. See also under
Motets (above, p. 363).
" Offektorium per li Defonti " : part of a Requiem-Mass in C
minor, for 4 voices, with accompaniments for flutes, oboes and strings,
and a figured bass for organ, in score, by [J. D.] Zelenka. It begins
with the offertorium and ends with the " Lux ?eterna."
Additional 34005, ft'. 43-121.
Paper ; late 18th cent. Oblong folio. The MS. was presented to the Rev.
Edward Goddard by the Abbate F. Santini. It also contains a Mass (above,
p. 217) and a sacred Chorus (p. 158).
" Messa Defunta," in D minor, for 4 voices, with strings, and a
bass (not figured) for organ, in score, by Francesco Durante. It ends
with " Libera me/' immediately followed by a short " Kyrie."
Additional 14199.
Paper ; ff . 76. 18th-19th cent. Oblong quarto.
" Messa de' Morti," in D minor, for 4 voices, with accompaniments
for strings and a figured bass for organ, in score. Anonymous. Pro-
bablv in an Italian hand.
394 VOCAL MUSIC— SACRED.
Additional 31611.
Paper; ff. 95. 18th -19th cent. Oblong quarto. The MS. belonged at one
time to Joseph Warren.
" Missa Pro Defunctis," in C minor, for 2 choirs, of 5 and 3 voices,
with symphonies and accompaniments for strings and a bass (not
figured) for organ, in score, by Francesco Durante. It ends with the
" Libera me," immediately followed by a short " Kyrie," without
strings.
Additional 14103, ff. 19-1 29b.
Paper; early 19th cent. Oblong quarto. The MS. also contains a sacred
Song (below, p. 436), and Vespers (p. 465).
" Messa di Morti," in C minor, for 8 voices, with accompaniments
for strings and a figured bass for organ, in score, by Francesco Durante.
It ends with the responsorium, " Libera me."
Additional 14108, ff. 201-212.
Paper; early 19th cent. Oblong quarto. See also under Motets (above, p. 342).
" Messa piccola di requie," in G, consisting of " Requiem eternam,"
" Te decet hymnus," " Kyrie," " In memoria eterna," " Absolve,
Domine," " Dies irae " (which is named, but omitted), and the offer-
toi'ium, "Domine Jesu Christe " ; for 3 voices, with strings, in score,
by Francesco Durante.
Additional 14342, ff. 18, 54, 55.
Paper; a. d. 1800. Oblong folio. See also under Masses (above, p. 234).
Requiems, or portions of Requiems, in score, by S[amuel] Wesley.
1. "Missa Defunctorum — proOrgano,"
sc. the organ part, consisting of the
plainsong with a figured bass, of a
Mass, in various keys, ending with
the "Libera me, Domine." Auto-
graph, f. 18.
2. "Introitus in Missa pro Defunctis."
Treble and alto, with figured bass,
f. 54.
3. Another setting of the same, for 4
voices. -'1800." f. 55.
Additional 33569, ff. 57-1 25b.
Paper; after 1807 (watermark). Oblong folio. See also under sacred Songs
(below, p. 448).
Requiem-Mass, in C minor, omitting the graduale and tractus, and
ending with the "Lux eterna"; by M. Haydn. Written for 4 voices,
with symphonies and accompaniments for drums, trumpets, and strings,
and a figured bass for organ, in score.
REQUIEMS. 395
Additional 31526, ff. 28-37b.
Paper; after 1808 (watermark). Oblong folio. See also under Motets
(above, p. 349).
First movement of Jommelli's Requiem in E7, of which there are
copies in Add. 31681, 31682 (above, p. 392). The present MS. contains
only the vocal score, with the bass partly filled in. At f. 33 is added
a " Libera me, Domine," etc., for 2 sopranos with 4-part chorus, which
is not given in the other MS.
Egerton 2451, ff. 100-141.
Paper; about 1830 (see below). Oblong octavo. See also under Motets
(above, p. 358).
" Missa pro Defuntis," in F, for 4 voices, in score, by Claudio Cascio-
linio, " Romano." It ends with the " Libera me,*' followed by a short
" Kyrie." The first words of each movement are sung in plainsong.
Belonged to the Rev. E. Goddard, who states in a note at the begin-
ning that he heard it performed at St. Peter's, on the anniversary of
the death of Leo XII (in 1830).
Additional 35134, ff. 36, 37.
Paper; a. d. 1832. Oblong folic. See also under Stabat Mater (below, p. 459).
" Requiem aeternam dona eis," in El?, for 4 voices, in score.
Anonymous. Apparently the last movement of a Requiem- Mass.
Egerton 2470, ff. 21-23.
Paper; 19th cent. Oblong folio. See also under Miserere (above, p. 251).
" Kyhie " in F, for 5 voices, in score, from a Mass for the Dead, by
Palestrina.
Additional 32391, ff. 168-180.
Paper ; 19th cent. Oblong folio. Belonged to Otto Jahn. See also under
Motets (above, p. 363).
"Requiem aeternam" and "Kyrie," in D, for 4 voices, with
symphonies and accompaniments for trumpets, drums, horns, flutes,
oboes (chalumeaux), and strings, with a figured bass for organ, in
score, by [J. D.] Zelenka.
ROUNDS.
See under Canons (above, pp. 113-129).
396 VOCAL MUSIC— SACRED.
SECTION XXV.— SERVICES
AS USED IN THE CHURCH OF ENGLAND.
In describing these, the expression Whole Service has been taken to include
Te Deum, Benedictus, Kyrie, Creed, Magnificat and Nunc Dimittis ; Morning
Service, to include Te Deum and Benedictus ; and Evening Service, Magnificat
and Nunc Dimittis. Any variations from these definitions are indicated. Each
Service is understood to be written for 4 voices, unless the contrary is stated.
For Burial Services, see above, under Anthems.
Additional 5665, ff. 95b-106.
Paper and vellum ; temp. Henry VIII. Octavo. See also under Motets
(above, p. 260).
Te Deum, in parts, by " Syr " Thomas Packe. The words " Te
Deum laudamus" are first sung by a solo voice, being immediately
followed by the " Te Dominum confitemur," sung by a chorus of
5 voices. The Te Deum proper then begins with the words " We
prayse the, almy3ty god ; we knowlych the oure mercyfulle lord."
This and the following verses (in which Latin words are occasionally
introduced), as far as " We synners laude and prayse y euyr all and
summe," are sung by 3 solo voices, the refrain " Te Dominum
confitemur " being repeated by the chorus after each verse. For the
remaining verses there is an alternative setting for a solo voice.
Additional 34191, ff. 35b-43, 47b-50b.
Paper; temp. Henry VIII, etc. Small quarto. See also under Masses
(above, p. 212).
Portions of early Services in English, the words possibly by
Cranmer. Anonymous.
1. The Litany, Te Deum, Com- . VIII. f. 35b.
munion Service (consisting of Gloria ; 2. Communion Service, beginning with
in Excelsis, Offertory Sentence "Lett the Gloria in Excelsis, followed by
your lyght so schyne," Sanctus, \ the Creed, which is imperfect at the
Agnus Dei, and " Sursum corda"), i end. Rather later than the above,
and the Kyrie. Apparently for 3 i f. 47b.
voices. Tenor part. Temp. Henry
Royal Appendix 74-76, passim.
Paper; a.d. 1547-8. Large oblong octavo. See also under Anthems
(above, p. 1).
Portions of Church Services, in parts, in three volumes; vol. i
SERVICES.
397
containing (unless the contrary is stated) a single triplex part ; vol. ii
a contra-tenor part ; and vol. iii a tenor part.
1. "Litania," beg. "0 Lord, arise
helpe vs and delyver vs," etc. i, f. 2 ;
iii, i. 2 (beg. " 0 God, the father of
heauen").
2. Te Deum, beg. "We praise the, o
god ; we knowledge {/ to be the Lord.
All the erth might worship j>c." i,
f.2b; iii, f. 3b.
3. Deus Misereatur, beg. "0 God, be
mercifull vnto vs. . .and shew ]>* light
of thy countenaunce." i, f. 10b ; ii,
f. 3; iii, f. 12b.
4. Magnificat, beg. " My soule
magnifyjje the Lord and my sprite
reioysith." i, f. lib ; ii, f. 4 ; iii,
f. 13b.
5. [Benedicite], beg. "Prayse ye the
lorde, all the workes of the Lorde."
i, f.25b; ii, f. 25b; iii, f. 33b.
6. "Lord, haue merchi vpon vs and
encline our harts to kipe this lawe."
i, f. 27 ; iii, f. 35.
7. A Doxology, beg. "Blesse we the
father, the sonne, and the holy
gost"; said to be in " foure parts,"
but only 3 given, i, f. 27b ; ii, f. 27b ;
iii, f. 35b.
8. [Nunc Dimittis], beg. " Lorde, now
let thow." i, f. 27b; ii, f. 27b; iii,
f. 35b.
9. Benedictus, beg. " Blessyd be the
lord god of israell, for he hathe...
lyftyd vp ane home of Saluation."
" Tallis." ii, f. 29b (2 contra-tenors) ;
iii, f. 37b (tenor and bass).
10. [Te Deum] . ..." We knowledge
thee too be the lorde .... heauen and
earthe are replenyshed." i, f. 28b
(2 triplex parts) ; ii, f. 32b (2 contra-
tenors) ; iii, f. 40b (2 tenors).
11. [Nunc dimittis.] Words as in no. 8.
i, f. 30b (tenor and bass) ; ii, f . 34b ;
iii, f. 42b (tenor, and what appears
to be altus).
Additional 33933, f. 48b.
Paper; about 1575-1578. Octavo. See also under Anthems (above, p. 2).
"The Sang of Ambrose, set in 4 partis voluntary ... be Andro
Kemp, sumtyme maister of the sang scule in sanctandrous (sc.
St. Andrews)." The contra-tenor part of the Te Deum. The first
two lines are torn off.
Harley 7578, ft". 94, 98.
Paper ; temp. Queen Elizabeth. Oblong octavo. See also under Part-songs.
Single part of portions of two Church Services written at, or near,
Durham.
1. "0 come, let us synge unto the
Lord " (? contra-tenor part), f. 94.
2. "We knowleg thee to be the Lord."
f. 98.
Additional 30480-30483, ff. 2-10b pas iim.
Paper; temp. Queen Elizabeth. Oblong octavo. See also under Anthems
(above, p. 3).
Services, most of them for 4 voices, by English composers, in
parts.
1. Evening Service, in F. The Nunc from vols, i and iv ; the tenor part to
Dimittis has been removed from vol. i, both is wanting. " Partyne." i, f. 2;
and the beginning of the Magnificat ii, f. 2; iv, f. 4.
398
VOCAL MUSIC— SACRED.
2. Te Deum, in F. " Parcele." i, f. 4 ;
ii, f. 5; iii, f. 2; iv, f. 5.
3. Venite, in D minor (a 4). " Robart
Adorns" or " Adames." i, f. 7b
(where it is said to be in "3 parts") ;
ii, f. 8b ; iii, f. 5b ; iv, f. 8b.
4. Benedictus, beg. "Blessed be the
Lord. . . .for he hath. . . .raysed vp a
myghty saluation." In F. Anony-
mous, i, f . 9b ; ii, f . 10b ; iii, f. 7b ;
iv, f. 10b.
5. Benedictus, beg. "Blessed be y*
Lord,... for he hath. .. .raysed vp
an home of salvation." " Parseley."
i, f. lib; ii, f. 12b; iii, f. 9b: iv,
f. 12b.
6. Te Deum, in F. " Moondaye " or
"Mundye." i, f. 13b; ii, f. 14b ; iii,
f. lib ; iv, f. 14b.
7. Deus misereatur, in F. "Doctor
Tye." i, f. 16 ; ii, f. 17b ; iii, f . 16 ;
iv, f.l7b.
8. Jubilate. Anonymous. Described
by J. Stafford Smith as "Probably
the earliest ever set to music in
parts." i, f. 17b ; ii, f. 19 ; iii, f. 14b ;
iv, f. 19.
9. Nunc Dimittis, in G minor. " R.
Adams." i, f. 19 ; ii, f . 20 ; iii, f. 17b ;
iv, f. 20b.
10. Nunc Dimittis, in F. "Doctor
Tye." i, f. 19b; ii, f. 21 ; hi, f. 18b;
iv, f. 21b.
11. Magnificat. " Whitbroke." i,
f. 20b ; ii, f. 22 ; iii, f. 19b ; iv, f. 22b.
12. Offertory Sentence in F, beg.
' ' Geue almes of thy goodes." Anony-
mous, i, f. 22 ; ii, f. 24 ; iii, f. 21b ;
iv, f. 24.
13. Morning Service (Venite, Te Deum,
Benedictus, and Gloria in Excelsis).
" Thamas Caustun." (See John
Day's Certaine notes . ... to be
sung at the Morning, Communion
and Evcniyig Prayer, 1560.) i,
ff . 31-37b ; ii, ff . 33b-40 ; iii, ff . 31-38 ;
iv, ff. 33b-40b.
Additional 22597, f. 23b.
Paper; late 16th cent. Oblong octavo. See also under Anthems (above, p. 4).
Tenor part of Deus Misereatur, beg. " O God be mercifull vnto vs
. . .and shewe the light of thy countenance vpon vs, that we maye
knowe thy waye vpon earth, thy saluation amonge all heathen." For
5 voices. Anonymous.
Additional 17792-17796, pa
ssim.
Paper ; after 1624. Small oblong quarto. See also under Anthems (above,
p. 13).
Services, in parts. Vols, i-v contain respectively cantus, altus,
tenor, quintus, and bassus.
1. Short Service (Venite, Te Deum,
Magnificat, and Nunc dimittis) ; for
4 voices. "[John?] Lugg." i, v,
f.46b; ii, f.49b; iii, f. 51b.
2. Te Deum; for 5 voices. " Birde."
i, f. 157b; ii, f. 160b ; iii, f. 159b; iv,
f. 150b; v, f. 154.
Additional 29289, ft". 1-1 19b passim.
Paper ; about 1629 (f. 110). Folio. The MS. appears to have belonged to
Edward Newton in 1732 (f. 120) ; and other members of the same family are
mentioned on f. l*b. Other owners were R. Wa[r]d and — Wasbouruc (f. 120).
See also under Anthems (above, p. 15).
Single parts of Church Services (altus, unless the contrary is
SERVICES.
399
stated). The number of voices for which they are written is not
generally indicated.
1. Morning Service. Imperfect at the
beginning. " [Robert] Parsons." f. 1.
2. Second evening Service, apparently
in F. By the same. f. 4.
3. Morning Service (including Venite,
Kyrie, and Creed), apparently in the
same key. "[William?] Mundie."
f.6.
4. Third evening Service. By the same,
f. 12.
5. First morning Service (including
Venite). By the same. f. 14.
6. Fourth evening Service. By the
same. f. 18b.
7. First evening Service. By the same,
f. 21.
8. Second evening Service. By the
same. f. 22b.
9. First morning Service (including
Venite) and evening Service. Tenor
part. " [John] Shephard." f. 24.
10. Second Service, similar to the last.
By the same. f. 29b.
11. "Short Creed"; preceded by a
. Kyrie and followed by the Offertory
Sentence, "Lay not vp for your
selves." By the same. f. 36.
12. Te Deum, apparently in D minor.
"Woodson." f. 37.
13. First verse evening Service. " Mor-
leie." f. 39.
14. First whole Service (including
Venite). " Tallis." f. 40b.
15. First whole Service (including
Venite). " Strogers." f. 46.
16. First whole Service (including
Venite). "Birde." f. 51b.
17. First whole Service (including
Venite). " [Elway] Beuin." f.57.
18. Morning Service (Venite, Te Deum,
and Jubilate). " Weelkes." f . 62.
19. Te Deum, apparently in A minor.
" [Robert] Ramsey." f . 66.
20. Te Deum, apparently in D minor.
"Farrant." f. 67b.
21. Whole Service (including Venite),
apparently in C. " [Thomas] Tom-
kins." f.68b.
22. Second contra-tenor part of a Te
Deum for 5 male voices. " Mundie."
f . 73b.
23. Te Deum, apparently in C minor.
"Shepharde." Tenor part, f . 74b.
24. Te Deum and Magnificat in
" Elami " (sc. E minor). Tenor part.
By the same. ff. 76, 77.
25. Te Deum and Magnificat; for 4
voices. By the same. ff. 78b, 79b.
26. Te Deum and evening Service.
" Merricock." f. 80b.
27. Benedicite (in the form of a series
of Chants); for male voices. " [R.]
Farrant." f. 99b.
28. Second and third Creeds. Tenor
part of the latter. "Shephard."
ff. 100, 100b.
29. Verse Te Deum, by "[John]
Warde"; followed by a Kyrie and
Creed, apparently by the same,
f. 107b.
30. " Preces " ; for 4 voices. Anony-
mous, f . 109b.
31. The Creed ; for 4 and 5 male voices.
Signed "A [drian] Batten, 1629" and
probably holograph. f. 109b.
32. Litany. Anonymous, f. 110b.
33. First whole Service (including
Venite). " Orlando Gibbons." f. 111.
34. Whole Service (with Jubilate in-
stead of Benedictus). " W[illia]m
Childe." f. 115b.
Additional 30478, ff. 194b-205.
Paper ; a.d. 1664. Folio. See also under Anthems (above, p. 16).
" A Booke of selected Chvrch Mvsick . . . used in the Cathedrall
Chvrch of Dvrham," containing the tenor (Cantoris) part of the
following Services : —
1. Whole Service in D (containing the
Jubilate instead of the Benedictus).
"Dr. Child." f. 194b.
2. Whole Service in F (consisting of
400
VOCAL MUSIC— SACRED.
Benedicite, Jubilate, Kyrie, Creed,
Magnificat, and Nunc Dimittis).
"Tucker." f. 198b.
3. Whole Service in C (consisting of
Te Deum, Jubilate, Sanctus, Kyrie,
Creed, Magnificat and Nunc Dimittis.
" Dr Child." In a rather later hand
than the last. f. 202.
Additional 10338, ff. 223b-225.
Paper ; after 1669. Small folio. See also under Motets (above, p. 283).
Gloria in Excelsis, and Sanctus ; followed by the two Communion
responses, " We lift them up unto the Lord," and " It is meet and
right so to do " ; for 4 voices in score. [By George Jeffreys.]
Autograph.
Additional 17784, ff. 84b-176b (reversed).
Paper ; a.d. 1676. Small folio. The MS. (reversed) also contains Anthems
(above, p. 24).
The bass part of a collection of Services by English composers.
Nos. 1-10 are by Dr. [William] Child.
1. Whole Service in G (Venite, Bene-
dicite, Jubilate, Creed, Sanctus,
Gloria in Excelsis, Magnificat, Nunc
Dimittis, Cantate, Deus Misereatur).
f.l76b.
2. Whole Service in-A minor (including
Jubilate and Sanctus, the latter
inserted at f. 92). f. 168.
3. Verse evening Service in A. f. 163.
4. Verse evening Service in Bfc>. f. 162.
5. " Flatt Service in C fa ut," i.e. verse
evening Service in C minor, f. 161.
6. Short Service (Jubilate, Sanctus,
Gloria in Excelsis) in D sol re, i.e.
D minor, f. 160.
7. "Sharpe Service in D sol re," i.e.
whole Service in D minor (with
Jubilate instead of Benedictus).
f . 153b.
8. Whole service in Eb (with Jubilate
instead of Benedictus, and including
the Sanctus). f. 148.
9. "Service in E sharpe," i.e. whole
Service in E (with Jubilate instead
of Benedictus). f. 144b.
10. "Service in F fa ut, i.e. whole
Service in F (Te Deum, Jubilate,
Kyrie, Creed, Sanctus added at f. 92,
Cantate, and Deus Misereatur).
f. 141.
11. Whole Service in D (including
Venite). •' Elway Bevin." f. 135b.
12. "Birds short Service," i.e. whole
Service in D minor (including
Venite). f. 129b.
13. Verse evening Service in G minor.
By the same, f . 123.
14. "Orlando Gibbons his short Ser-
vice," i.e. whole Service in F (in-
cluding Venite). f. 122.
15. Verse evening Service in D minor.
By the same. f. 115.
16. Evening Service in C. " Dr. Giles."
f. 113b.
17. "Dr. Giles new Service," i.e.
evening Service in A minor, f. 111b.
18. "Greenwood Randall, his short
Service," i.e. whole Service in G
(with Jubilate instead of Benedictus).
f. 110.
19. Whole Service in D. "Strogers."
f. 105.
20. Whole Service in D "Dorian"
(including Sanctus and Gloria in
Excelsis). "Tallis." f. 98b.
21. Whole Service in E minor (Bene-
dicite, Te Deum, Jubilate, Kyrie,
Creed, Cantate and Deus Misereatur),
with separate Decani and Cantoris
parts in the Benedicite. "Blow."
f.92.
SERVICES.
401
Additional 17839, ff. 18-28.
Paper; a.d. 1683 (see cover). Large folio. See also under Anthems (above,
p. 88).
Morning Service in G, consisting of Te Deum, Jubilate, Kyrie, and
Creed, in score, by Dr. [John] Blow, the last three pages being added
in the hand of Dr. Philip Hayes.
Additional 17853, ff. 12, 19.
Paper ; a.d. 1694 (?). Folio. See also under Violin Solos.
Tenor part of two fragments of Services. Inserted in a different
hand, among some instrumental compositions copied by Sir William
Blakeston.
1. Benedictus. " Strogers." f. 12.
2. Magnificat and Nunc Dimittis.
"Read." f. 19.
Additional 31446, ff. 43b-45b.
Paper ; about 1698 (?). Oblong folio. The MS. is supposed to have belonged
to George Holmes, a pupil of Dr. Blow. See also under Organ Solos.
Organ part of Tallis's Morning Service in D (Dorian).
Additional 29430, ff. l-58b.
Paper ; 17th cent. Small folio. The MS. also contains an Anthem (above,
p. 47) and a sacred Song (below, p. 433).
Whole Services, in parts; ff. 34-41 are in a different — probably
earlier — hand from the rest of the MS.
1. In D. (Te Deum, Jubilate, Kyrie,
Creed, Sanctus, Magnificat, and
Nunc Dimittis.) For 8 voices (4
Decani and 4 Cantoris). " Ben.
Rogers." ff . l-33b.
2. In F. Two tenor (Decani) parts,
tenor (Cantoris), and bass. "[Or-
lando] Gibbons." ff. 34, 42, 46, 50.
3. In A minor. Tenor part (Decani ?),
wanting the end of the Magnificat
and the whole of the Nunc Dimittis.
" [Elway] Bevin." ff. 38-41b.
Additional 30831-30834, passim.
Paper; 17th cent. Small folio. See also under Anthems (above, p. 37).
Medius, tenor, and bassus Cantoris parts, and organ score (apparently
autograph) of Services by Dr. [Benjamin] Rogers. In four volumes.
1. Evening Service in "A re" (sc. A
minor), i -iv, f. 1.
2. Whole Service in "E la mi" (Te
Deum, Jubilate, Sanctus, Kyrie,
Creed, Magnificat, and Nunc Dimit-
tis). i-iii, f. 2b; iv, f. 3.
3. Evening Service in G. i, f. 7 ; ii.
f.6; iii, f.6b; iv, f . 10.
402
VOCAL MUSIC— SACRED.
Additional 31457, ff. 45-84b.
Paper ; late 17th cent. Folio. The MS. also contains Odes and a secular
Song, described In vol. ii.
Two Services, of which the first is by Dr. [John] Blow, and
presumably also the second. In score.
1. Morning Service in D (Te Deum
and Jubilate) ; with instrumental
accompaniments. "1695." Partly
autograph. The names of the
original singers are given, f. 45.
2. Evening Service in Bfr, with organ
accompaniment, f. 76.
Additional 34203, passim.
Paper ; late 17th cent. Oblong octavo. See also under Anthems (above, p. 38).
Organ-score of Church Services.
1. Morning Service in D minor.
"Bird." f.9.
2. " Christ our Passover." Anony-
mous, f. 16b.
3. Evening Service in F. "Tucker."
f.19.
4. Morning Service in Bfr (Te Deum,
Jubilate, Litany, etc.). " [W.] King."
f. 31.
5. Whole Service in G (Te Deum,
Jubilate, Sanctus, etc.). "Amner."
f. 45b.
6. Whole Service in E minor (Bene-
dicite, Jubilate, Kyrie, Creed, Can-
tate, and Deus Misereatur). "Dr.
Blow." f.54b.
7. The Athanasian Creed. "G. L[oose-
more?]." f. 74b.
8. Evening Service in G. The end of
the Nunc Dimittis is lost. "Orlando
Gibbons." f. 86b.
Printed Book, K. 9. b. 9. (5), ff. l-42b passim.
Paper; 17th-18th cent. Folio. See also under Anthems (above, p. 39).
Services, or portions of services, in score. [By Dr. John Blow.]
1. "Glory be to the Father" (Canon 2
in one), from full Service in G. f. 1.
2. Communion Service (Kyrie, Creed,
Sanctus, Gloria in Excelsis) and
Evening' Service, in G ; for 6 solo
voices and chorus, ff . 6-13b.
3. Morning Service (with Jubilate),
and Evening Service (Cantate and
Deus misereatur), in A ; for 3 or 4
solo voices and chorus, ff . 19b-30b.
, Full Service (with Jubilate, Sanctus,
Gloria in Excelsis), and Evening
Service, in G ; for 3 or 4 solo voices
and chorus. Different from No. 2,
though the "Magnificat" closely
resembles the one in that Service,
ff . 31-43.
Additional 17835, f. 110b.
Paper ; early 18th cent. Folio. See also under Motets (above, p. 294).
Te Deum and Jubilate, in D ; with accompaniments for trumpets
and violins, in full score. By Dr. Blow.
SERVICES.
403
Additional 17852, ff. 92, 94b.
Paper ; early 18th cent. Folio. Belonged to Thomas Brignell in 1712. See
also under Anthems (above, p. 63).
Organ score of portions of two Services.
1. Te Deum in D (Dorian). "Tallis."
f.92.
2. Kyrie and Creed in G minor. Anony-
mous, f . 94b.
Additional 28969.
Paper ; ff. 92. Early 18th cent. Quarto. Belonged to Joseph Warren.
Morning Service in A, consisting of Te Deum and Jubilate, for
solo voices and chorus of from 4 to 8 voices, with accompaniments for
oboes, bassoons, strings, and organ, in full score, by Dr. Maurice
Greene. Stated by Joseph Warren to be in the composer's hand (cf
Add. 17850, ff. 38b-141, above, p. 46).
Additional 30933, ff. 3-133.
Paper ; early 18th cent. Folio. The MS. apparently belonged about 1832 to
the Rev. Joshua Dix, of Faversham (see Add. 33239, ff. 48, 49, 51), whose initials
are on f. 1. It also contains Anthems (above, p. 48), Canons (p. 116), and portions
of Treatises, described in vol. iii.
"Services collected by W[illia]m Flackton, Vol. 3d" (see
above, p. 41). Many of them in the hand of Daniel Henstridge,
organist of Canterbury cathedral. In score. The Canon formed
by the Gloria Patri to the Jubilate in no. 1 is inscribed on the
composer's monument at Westminster Abbey (see f. 122).
1. Whole Service in " Gamut," i.e. G
(with Jubilate instead of Benedictus) ;
followed by the organ part of the
" Tripla Creed." "Dr. Blow." ff . 3,
12, 15b, 123b (Gloria Patri to Mag-
nificat).
2. Morning and evening Service in " A
re" (Te Deum, Jubilate, Cantate,
Deus Misereatur). By the same.
f. 17.
3. Whole Service in " D sol re" (with
Jubilate instead of Benedictus).
"Dr. Child." f. 26.
4. Verse evening Service in "E la
mi," i.e. E minor. By the same.
f.40.
5. Whole Service in "F fa ut " (Te
Deum, Jubilate, Kyrie, Creed, Can-
tate, Deus misereatur). By the
same. f. 42.
6. Whole Service in G (6 voices).
"[Valentine?] Nalson, the chanter
of York." f. 51.
7. Morning Service in "Be mi," i.e.
B (Te Deum, Jubilate, Sanc'tus,
Kyrie, Creed). " W» King." f. 71.
8. Morning Service (Te Deum and
Jubilate) and evening Service, in
D. "Wise." f. 77.
9. Morning Service in & (Te Deum
and Jubilate). "Ant* Walkly."
f.85.
10. Magnificat in "Gamut." "Dr.
Will. Child." f.93.
11. Evening Service in D minor. By
M. Lock. (For the Gloria Patri to
the Nunc Dimittis, see also f. 134).
f.95.
12. Te Deum in D (Dorian). Organ
part with variations. " Tallis."
f. 97.
13. Whole Service in F. Organ part.
404
VOCAL MUSIC— SACRED.
"Orlando Gibbons." (For tbe score
of the Gloria Patri to the Nunc
Dimittis, see f. 125). f. 99.
14. Whole Service in F. A variant of
no. 5. "Dr. Child." f. 105.
15. Morning Service (with Kyrie and
unfinished Creed, varied for the
organ. "0. Gibbons." f. 109.
16. Whole Service in E minor (Bene-
dicite, Jubilate, Kyrie, Creed, Can-
tate, and Deus misereatur). Organ
part. "Dr. Blow." f. 114.
17. Verse morning Service in D minor
(Te Deum, Jubilate, and Kyrie).
Organ part. " [Daniel] Henstridge."
f. 117.
18. Canon, beginning " He hath
shewed," from a Magnificat in D
minor. "Blow." (A copy of this,
made by Vincent Novello, is in
33239, f. 146.) f. 122b.
Additional 31444, f. 3 ; 31445, f. 106.
Paper; early 18th cent. Folio. See also under Anthems (above, p. 49).
Services in score.
Te Deum and Jubilate, with instru-
mental prelude, etc. ; written for
St. Cecilia's Day, 1694. "Henry
Purcell." Printed by J. Heptinstall,
in 1697, with a dedication to the
Bishop of Durham, by F. Purcell,
the composer's widow. 31444, ff . 3-
28b.
2. A "chanting evening Service," i.e.
a verse Service with choruses sung
to a chant. " Ja[mes] Hawkins."
31445, ff . 106-108b.
Additional 34072, ff. 6-37b.
Paper ; early 18th cent. Folio. See also under Treatises (late 17th cent.).
Magnificat, for solo voices and chorus, with introduction and
accompaniments for trumpet, oboes, bassoon, strings, and organ, in full
score, by Dr. Johann Christoph Pepusch. Apparently autograph (but
utterly unlike his supposed autograph treatise in Add. 29429).
Additional 31403, ff. 44b-45b.
Paper ; about 1700. Folio. See also under Organ Solos.
Service in F, consisting of Venite, Te Deum, Benedictus, Magnificat,
and Nunc Dimittis. Anonymous.
Additional 31443, ff. 2-1 34b passim.
Paper; about 1700. Small folio. See also under Anthems (above, p. 51).
Services and Anthems, in score. The Services are : —
1. Morning Service (Te Deum and Jubi-
late) and Evening Service, in "D sol
re." For 5 voices. " [O.] Gybbons."
f.2.
2. Whole Service in D (Dorian), with
Jubilate instead of Benedictus.
"Batten." f. 28.
3. Whole Service in G (as above).
"Bryne." f. 41.
4. Morning Service (Te Deum and
Jubilate) and Evening Service, in G.
"Child." f.54.
5. Whole Service in A, with Jubilate
instead of Benedictus. For 7 voices.
"Dr. Turner." f. 70.
6. Whole Service in C, wanting the last
part — from the middle of the Mag-
nificat. For 7 voices. "William
Bird." f. 98.
SERVICES.
405
Additional 17845.
Paper; ff. 80. Temp. Queen Anne (f. 80b). Quarto. Belonged to James
Bartleman, the singer, and (1822-49) to Vincent Novello.
Morning Service, consisting of Te Deum and Jubilate, with
symphony and accompaniments for trumpets, violins, etc., in full score,
by Dr. William Croft. There are three leaves (ff. 37, 38, 61) and
numerous notes in the hand of the composer, who has written at the
end " Performd twice before Queen Ann. . ,att St. James's on
Thanksgiving days and thrice att St. Pauls." The names of the soloists
— apparently on two different occasions are inserted in pencil.
Harley 7337-7342, passim.
Paper; a.d. 1715-1720. Quarto. See also under Anthems (above, p. 53).
" A collection of the most celebrated Services and Anthems used
in the Church of England from the Reformation collected by
Thomas Tudway, D.M., Musick-Professor to the University of Cam-
bridge." The Services included are : —
Harley 7337. Vol. I.
1. Whole Service in D (Dorian), followed
by Responses to the Litany. "An-
ciently sung to yc Organ." "Tho.
Tallis." ff. 5b-25.
2. Whole Service in D minor, followed
by the Responses to the Suffrages
after the Lord's Prayer and Apostles'
Creed. " Sung to yc organ on y"
great festivals of the year." " Will™
Bird." (Printed by Boyce for 4, 5,
and 6 voices.) f. 37b.
3. Evening Service in G minor. " Dr.
Tye, 1545." f. 72b.
4. Evening Service in the same key (5
voices). " Tho. Morley." f.81.
5. Morning Service in G. " [T.] Bar-
croft, 1532 " (probably adapted from
the Latin), f . 89b.
G. "Evening Service in C (5 voices).
" Compos'd by Mr. Stonard in . .
1558." (If the date given is right,
he can hardly be the William Stonard
who took his Mus. Doc. degree in
1608 and died in 1030.) f. 96b.
Harley 7338. Vol. II.
1. Whole Service in D, with Jubilate
instead of Benedictus. " Compos'd
by Dr. Child, Organist to. . . .Charles
the 2d, commonly call'd his Sharp
7. "Caesar's in D," i.e. Whole Service
in D minor. "John Amner, 1630."
f. 101.
8. Whole Service in F, preceded by the
Venitc. "Orlando Gibbons," from a
copy dated " 1635." f. 122.
9. Evening Service in D. " Mr. [Henry]
Molle, 1630. [Afterwards] Publick
Orator to yr University of Cambridge."
f. 139b.
10. Whole Seivice in G, preceded by
the Venite. " Mr. Portman, Serv[an]t
to... Charles ye 1" and Organist of
Westminster." f. 142b.
11. Evening Service in F. "Henry
Molle .... 1639. Commonly call'd
Molles 2d Service." f. 154.
12. Whole Service in G minor. " Pat-
trick." f. 157.
13. Whole Service in A minor. "Far-
rant." " Commonly call'd Farrants
High." (Printed by Boyce in G.)
f. 166 (for the Kyrie and Creed, see
vol. ii, f. 73b).
Service." ff. 4b -16b.
2. Morning and evening Service in F,
consisting of Te Deum, Jubilate,
Sanctus (" commonly sung heretofore
406
VOCAL MUSIC— SACRED.
at yp Communion Service '), Cantate
Domino, and Deus Misereatur. By
the same. f. 30b.
3. A verse evening Service in A, with
6-part chorus. By the same. f. 37.
4. A verse evening service in I) minor,
with 5-part chorus. By the same.
f.42.
5. Evening Service in E minor. " Pel-
ham Humfreys, Servant to . . . Charles
the 2d, and Master of yc Childern of
the Chappell Royall." ff . 45b-48b.
6. Kyrie and Creed, from " Farrants
High " (see above, vol. i, f. 166). f. 73b.
7. Whole verse Service in E, with
Jubilate instead of Benedictus. " Dr.
Child." ff. 76-85.
8. Evening Service in F. By the same,
ff. 87-89b.
9. Morning Service (Te Deum and Jubi-
late) and evening Service, in D. " Dr.
Rogers, Organist of Magdalen College,
in Oxford." f. 106b.
10. Whole Service in D minor, with
Jubilate instead of Benedictus (4, 5,
and 6 voices). "Henry Loosemore,
Organist of Kings College Chappell
in Cambridg." f. 113.
Harley 7339. Vol. III.
1. Whole Service in D (4 and 5 voices).
" Elway Bevin, Organist of y" Cathe-
dral at Bristol, 1620." ff. 5b-15b.
2. Whole Service in Efr, with Jubilate
instead of Benedictus, and with the
Sanctus also included. " Creighton."
ff. 51-61.
3. Whole Service in G, with Jubilate
instead of Benedictus, and Cantate
with Misereatur instead of Magnificat
with Nunc Dimittis. " Aldrich."
ff. 63-72.
4. Whole Service in G, "commonly
call'd Caesars," with Jubilate instead
of Benedictus. " Amner." f. 76b.
Harley 7340. Vol. IV.
1. " The 2d Whole Service . . . commonly
call'd Caesars in D." " Amner."
ff . 4b-17b.
2. Whole Service in D, with Jubilate
instead of Benedictus. " Composed
by Mr. John Lugg in King James ye
11. Morning Service (Te Deum and
Jubilate) and evening Service, in D
minor. "Mr. Wise, Gentleman of y'
Chappell to King Charles ye 2d, And
Organist of the Cathedrall Church at
Salisbury." ff . 125-132.
12. Verse evening Service in C. " Dr.
Holder. . . .Residentiary of St. Pauls."
ff . 137b-141.
13. Whole Service in C, with Jubilate
instead of Benedictus, aud including
also the Sanctus. " Creyghton."
ff . 143-153b.
14. Whole Service in G, with Jubilate
instead of Benedictus. " Albertus
Bryan, Organist of St. Pauls, till ye
fire of London, And Afterwards
Organist of St. Peters, Westminster."
f. 189b.
15. Morning Service in Bj? (Te Deum
and Jubilate). "[William?] King,
Organist of Christ Church, Oxon."
f . 198b.
16. Evening Service in BIT. " Ferabosco,
Organist of Ely." ff . 202-204b.
17. Verse evening Service in E minor
(Cantate and Deus Misereatur).
" Blow." ff. 206-210b.
5. Verse evening Service in Eb. " Wise."
ff. 94-96.
6. Whole verse Service in A, with Jubi-
late instead of Benedictus (3 to 7
voices). " Dr. Will"1 Turner." ff. 105b-
121b.
7. Whole Service in G, with Jubilate
instead of Benedictus. " Blow."
ff. 154-164.
8. Verse evening Service in F, with
5-part chorus and organ part. "Al-
drich." ff. 184-190.
9. Morning and evening Service in Bb
(Benedicite, Jubilate, Cantate, and
Deus Misereatur). " Henry Purcell."
ff . 205b-216b.
1"'' time." ff. 46-53b.
3. Whole Service in F, with Jubilate
instead of Benedictus. "Ramsey,
Organist of Trinity College in Cam-
bridg, 1639." ff. 65-75.
1. Whole Service in A (Te Deum, Jubi-
SERVICES.
407
late, Kyrie, Creed, Cantate, and Deus
Misereatur. "Blow." ff. 93-104b.
5. Whole Service in Bfr. " Henry Pur-
cell." ff. 140b-152.
6. Morning and evening Service in A
(Te Deum, Jubilate, Cantate, and
Deus Misereatur). " Aldrich." ff. 166-
174b.
Harley 7341. Vol. V.
1. Morning Service in D (Te Deum and
Jubilate), with symphony, etc., for
instruments. " Compos'd against y*
opening of St. Pauls Church by Mr.
Henry Purcell." f. 3b.
2. Verse evening Service in Bb. " Tud-
way." ff . 28-35.
3. Morning Service (Te Deum and Jubi-
late) and evening Service, in E. " Dr.
Willm Turner." ff. 67-76b.
4. Whole Service in A (Te Deum, Jubi-
late, Kyrie, Creed, Cantate, and Deus
Misereatur). " James Hawkins."
ff. 88-101b.
5. Morning Service in D. "John
Bishop." ff. 136b-144b.
6.. Evening Service in G, with 6-part
chorus. " Compos'd by the Revd Mr.
Valentine Nalson, Subchanter of y*
Cathedral Church at York." ff. 150-
158.
7. Verse evening Service in E minor
(Cantate and Deus Misereatur).
Harley 7342. Vol. VI.
1. Te Deum in D, with symphony, etc.,
for instruments. " Perform'd twice
before . . Queen Anne ... at St.
James's . . . and ... at St. Pauls."
" Dr. Crofts." The Jubilate is want-
ing, ff. 14b-47b.
2. Morning Service in G (6 voices).
" On ye Thanksgiving for ye Peace,
1713." "Valentine Nalson." ff. 123b-
136.
3. Te Deum in G minor (5 voices).
"Hon"'0 and Revd Edward Finch."
ff. 167-171.
4. Whole Service in G, with Jubilate
instead of Benedictus, and including
the Sanctus. " James Hawkins."
ff. 172b-184.
5. Evening Service in C (Cantate and
Deus Misereatur), with verse for 6
7. Morning and evening Service in E*>
(Te Deum, Benedicite, Cantate, and
Deus Misereatur). "Henry Hall."
ff. 206-219b.
8. Morning Service in G minor. " Will'"
Norris. . . .vicar choiral of the Cathe-
drall Church at Lincoln." ff.229b-
233.
" Benjamin Lamb." ff. 168b-17Gb.
8. Whole Service in F, with Jubilate
instead of Benedictus, and including
the Sanctus. " John Goldwin."
ff . 183b-196b.
9. Morning Service (Te Deum and
Jubilate) and evening Service, with
occasionally 5-part chorus. In F.
" Charles King." ff. 209b-217b.
10. Verse evening Service in A minor
(3 voices). " Tho. Williams, one of
y* choirs of Kings and Trinity, And
Organist of St. Johns College, Cam-
bridge." f. 235.
11. Morning Service in G (Te Deum,
Jubilate, Commandments). " Charles
Woolcot, one of ye choirs of Kings,
Trinity, and St. Johns College in
Cambridge." Only the Te Deum
remains, ff. 239b-242b.
12. WThole Service in F, with Jubilate
instead of Benedictus. " John
Church." ff. 263-276.
voices. " Composed on ye Peace,
1713." " Vaughan Richardson."
ff. 197-204b.
6. Verse morning Service (Te Deum
and Jubilate) and evening Service,
inD. " Willm Broderip." ff. 214-223.
7. Evening Service in F. "Revd Mr.
[Charles] Jones, Rector of Nettle-
combe in Somersetshire." ff. 232-
234b.
8. Evening Service in Bb (Cantate and
Deus Misereatur). " Charles King."
ff. 244-249.
9. Morning Service in E|? (Te Deum
and Jubilate). "Anthony Walkly,
late Organist of ye Cathedrall Church
in Salisbury." f. 259b.
10. Whole Service in E minor. "John
Church." ff.208b-287b.
408
VOCAL MUSIC— SACRED.
11. Morning Service in D (Te Deum Thanksgiving On y* Peace, 1713, And
and Jubilate), with symphony, etc., perform'd in St. Pauls Church."
for strings. " Compos'd by Mr. Hen- f. 309b.
dale by the Queens Order for ye
A thematic catalogue of the Anthems and Services is given in vols,
vii and ix of Burney's extracts (Add. 11587, f. 37b-end, and 11589,
ff. 1-19). See under Thematic Catalogues.
Additional 36268, ff. 3b-52b, 62-68.
Paper; a.d. 1721. Quarto. The MS. also contains Anthems (above, p. 03),
and Chants (p. 147).
Morning Service (Te Deum, Jubilate, and Kyrie) and Evening
Service, in B!?, in score, from music composed by Dr. Thomas Tudway
for the consecration of Lord Harley's chapel at Wimpole, in 1721.
The symphonies and accompaniments of the morning Service are
written for oboes and strings, with a figured bass for organ ; the
evening Service is accompanied by the organ only.
Harley 7343, ff. 2-8, 12-14.
Paper ; a.d. 1724. Small quarto. See also under Anthems (above, p. 63).
Words of the preceding Service.
Additional 31504, ff. 149, 149b.
Paper ; after 1740. Folio. See also under secular Songs, in vol. ii.
Portions of services by " Signor Handle," i.e. Handel, with
accompaniments for 2 violins, in score.
1. "When thou tookest upon thee": ! 2. "Be ye sure y* the Lord": duet
treble solo from the Chandos Te Deum
in Bt>. f . 149.
from the Utrecht Jubilate, f. 149b.
Additional 27745.
Paper; ff. 31. About 1743. Quarto. Belonged successively to Dr. Bernard
Gates (1759), Dr. T. S. Dupuis (1796), Charles Dupuis, his son (1796 1797), Joseph
Harrington (1797), George Allenby [of Hull?], his brother-in-law (1834), Daniel
Carnley [of Hull?] (1834), and Sir George Thomas Smart, who bequeathed it to
the British Museum in 1867.
Organ-part of Handel's Dettingen Te Deum and Jubilate, here
said to be the copy from which he conducted.
Additional 17854.
Paper ; ff . 79. Middle 18th cent. Oblong folio. The MS. was purchased at
James Bartleman's sale by Vincent Novello, who presented it to the British
Museum in 1849.
Morning Service in D, consisting of Te Deum and Jubilate, for solo
voices and chorus in 4 and 5 parts, with accompaniment for trumpets,
SERVICES. 409
oboes, bassoons, violins, violetta, violoncellos, double basses, and organ,
in full score, by Dr. [Maurice] Greene. Possibly autograph (compare
f. 3 with 17851, f. 40). Supposed to have been composed in 1745.
Additional 27750, ff. 3, 19, 51b, 74b.
Paper ; about 1753-1766 (see ft. 35, 74). Quarto. See also under Anthems
(above, p. 66).
Four Services, the first three with a figured bass, in score, by
Dr. Thomas Sanders Dupuis. Only the last appears to be holograph,
but the others have numerous autograph corrections and alterations.
1. "Morning Service (Te Deum and
Jubilate) and evening Service (verse,
with 6-part chorus), in G minor, f. 3.
2. Morning Service in Et? (Te Deum
and Jubilate), ff. 19- 25b.
3. Morning Service (Te Deum and Ju-
bilate) and evening Service, in D.
ff. 51b-60b.
4. Evening Service in Eb (Cantate and
Deus misereatur). ff. 74b-81b.
Additional 5054, ff. 3-5b.
Paper ; before 1760. Quarto. See also under Anthems (above, p. 68).
Sanctus and Gloria in Excelsis, in B minor, for 3 solo voices and
4-part chorus, in score, by Dr. Croft.
Additional 23624, ff. 117, 134, 155.
Paper; about 1763. Small folio. See also under Anthems (above, p. 68).
Three Whole Services, in score. In the hand of John Alcock.
1. Transposed from D (Dorian) a note I tions from the version published by
higher. "Tallis." f. 117. Boyce. f. 134.
2. In E minor (4, 5, and 6 voices). 3. In G. "Orlando Gibbons, 1639."
" William Byrd," with slight varia- | f. 155.
Additional 33568, f. 75.
Paper; about 1768. Quarto. See also under Anthems (above, p. 69).
Jubilate in D, in score, without accompaniment, by Henry Purcell.
Additional 34998, ff. 30b-39 passim.
Paper; about 1774-1775. Oblong folio. See also under Anthems (above, p. 70).
Fragments of Services, in score, by Samuel Wesley. Autograph.
The melody and bass only, unless the contrary is stated. Only in no. 2
is the number of voices (4) indicated
1. Gloria Patri, in G. f. 30b.
2. Nunc Dimittis, in the same key.
Imperfect at the end. f. 33.
3. The beginning of a Magnificat, in A.
f.36.
4. Kyrie, Doxology, and Nunc Dimittis,
in different keys. f. 39.
410
VOCAL MUSIC— SACRED.
Additional 35039, f. 7b.
Paper ; a.d. 1778. Oblong folio. See also under Anthems (above, p. 73).
Sanctus in Et>, by C[harles] W[esley], 1778. Autograph.
Additional 32584, ff. l-54b.
Paper ; about 1778-1827. Polio. See also under Anthems (above, p. 76).
Services by William Jackson [of Exeter]. Unless the contrary is
stated, they are full Services for 4 voices, with accompaniment for
organ, in score, and autograph.
1. In C (Te Deum, Jubilate, Sanctus,
Kyrie, Doxology, Creed, "Hallelu-
jah" before the sermon, Magnificat
and Nunc Dimittis). The Decani
and Cantoris treble parts only. Copies,
ff . 1, 9.
2. Service in E (Te Deum, Jubilate,
Sanctus, Kyrie, Doxology, Creed,
Cantate, Deus misereatur, and ' ' Hal-
lelujah "). Composed in 1778 (see
f.34). f. 17.
3. A resetting of the above with an ad-
ditional counter-tenor part, written
in 1799 (see f. 17). f. 34.
4. Sanctus, Kyrie, Doxology, Creed,
and "Hallelujah," in E!r. Tran-
scribed about 1827 (see watermark).
f.50.
Additional 31670, f. 25.
Paper ; a.d. 1779. Oblong folio. See also under Anthems (above, p. 92).
Morning Service (Te Deum and Jubilate) and Evening Service, by
Dr. T. S. Dupuis, 1779. Autograph.
Additional 31753, f. 27b.
Paper ; about 1781 (see f. 27). Oblong folio. See also under Duets (secular).
" Lord, have mercy upon us and incline our hearts to keep this
law " : response to the Commandments, by C[harles] W[esley]. In C
minor. Autograph.
Additional 27636, f. 26.
Paper; a.d. 1784. Oblong quarto. See also under Anthems (above, p. 73).
Jubilate in A, for bass solo and chorus, with accompaniments for
oboes, flutes, 2 violins, viola, violoncello, contrabasso, and harpsichord,
organ and bassoon in unison, by John Wall Callcott, 1784. In score.
Autograph. " Perform 'd ... at Mi's. Watts's . . . Chelsea, August 29,
1784," when M[ichael] Rock played the 1st violin, W[ilHani] Rock the
bass, and the vocal parts were taken by Messrs. [Charles] Dignum,
Cox, [John ?] Danby, and [John] Sale, and the " Abbey boys."
SERVICES.
411
Additional 27749, ff. 2-67b.
Paper ; a.d. 1784, 1787. Quarto. See also under Anthems (above, p. 75).
Services, with figured bass, in score, by Dr. T. S. Dupuis.
Autograph.
1. Morning Service in Btr (Te Deum
and Jubilate). " Composed at the
request of Robert [Lowth], Lord
Bishop of London, Dean of his
Majesty's Chapels, upon a plan sug-
gested by his Lordship, 1784." Two
copies, the second of which, finished
in 1787, is preceded by a short organ
symphony and varies in many respects
from the earlier version, ff. 2, 37.
2. Morning Service in C (Te Deum and
Jubilate). "1784." Two copies,
ff . 23, 54b.
3. Evening Service in C. "1787." Two
copies, the first of which is written
on oblong folio paper and inserted
between the first and second leaves of
the Te Deum in C (No. 2). ff. 24, 63.
Additional 34608, passim.
Paper; about 1785-1789. Oblong octavo. See also under Anthems (above,
p. 74).
Fragments of Services in the hand of John Stafford Smith, probably
intended as sketches for larger works. They consist of the melody
only, except in no. 1, where a figured bass has been added.
1. "Lord have mercy upon us," in Et\ 3. Another, apparently in D. ff . 30b-
f. 14b. 29b (reversed).
2. Magnificat in C. f. 15.
Additional 6324, ff. 147-1 50b.
Paper; after 1789 (see f. 145). Small folio. See also under Masses (above,
p. 224).
Settings of the Sanctus, with a figured bass, in score, by English
composers. No. 1 is for 4 voices; of nos. 2-13, taken from " Psalms,
Hymns, and Sanctus's, for the use of Wheatfield church [co. Oxford],"
only the treble part is given.
" Dupuis." f. 149.
"Gibbons." f . 149.
"Weldon." f . 149b.
"Child." f.l49b.
. "[W.]King." f.150.
"Gold win." f.150.
"Travers." f. 150b.
" [W. ?] King." f.l50b.
1.
"The first Sanctus set to
English
6. In D.
words." Taken from Boyce'
s Cathe-
7. In P.
dral Mtisic, 1760. ' ' Thomas Tallis."
8. In El?.
f. 147.
9. In El?.
2.
InC. "Savage." f. 148.
10. In B(?
3.
In E|?. "Nares." f. 148.
11. In F.
4.
InC. "Arnold." f . 148b.
12. In F.
5.
InG. "Boyce." f . 148b.
13. In A.
Additional 30392, ff. 17b-19b.
Paper ; a.d. 1790. Quarto. See also under Anthems (above, p. 75).
Te Deum, for 4 voices, with figured bass, in score, by Dr. William
Crotch, 1790. Autograph. Imperfect at the end.
412 VOCAL MUSIC— SACRED.
Additional 27752, ff. 2, 10b.
Paper; after 1796 (see f. 8b). Quarto. The MS. belonged to Daniel Carnley
in 1834, and afterwards to Sir George T. Smart, who bequeathed it to the British
Museum in 1867. See also under Anthems (above, p. 77).
Services, in score, by Dr. T. S. Dupuis.
1. Verse morning Service in E minor
(Te Deum and Jubilate), ff. 2-8.
2. Full Service in F (Te Deum, Jubilate,
Cantata, Deus misereatur, Kyrie,
Creed, and Sanctus) ; with figured
bass. f. 10b.
Additional 5323.
Paper ; ff. 96. 18th cent. Quarto. Presented by Sir John Hawkins in 1789.
Utrecht Te Deum and Jubilate, composed by George Frederic
Handel in 1713. "Written for solo voices and chorus of from 4 to 7
voices, with accompaniments for trumpets, oboes, bassoon, flutes
(occasionally), and strings, in full score.
Additional 17819, ff. 19, 118b.
Paper ; 18th cent. Folio. See also under Anthems (above, p. 78).
Collection of Anthems and Services, in score. The latter are : —
1. Morning and evening Service in
" B mi " (Te Deum, Jubilate, Cantate,
and Deus misereatur). " Chas. King."
ff . 19-34.
2. Whole Service in the same key.
" H. Purcell." ff . 118b-138b.
Additional 17820, f. 2.
Paper; 18th cent. Folio. See also under Anthems (above, p. 79).
Whole Service in " Bmi," consisting of Te Deum, Benedicite, Bene-
dictus, Jubilate, Kyrie, Creed, Magnificat, Cantate, Nunc Dimittis,
and Deus misereatur, in score, by Henry Purcell. ff. 2-36.
Additional 17840, ff. 79-102b.
Paper ; 18th cent. Large folio. See also under Anthems (above, p. 80).
Collection of Anthems and Services, in score. ' The latter are : —
1. Whole Service in A (Te Deum, Jubi-
late, Kyrie, Creed, Cantate, and Deus
misereatur). "Dr. Blow." f . 79.
2. Morning and evening Service in the
same key (Te Deum, Jubilate, Can-
tate, and Deus misereatur). "Dr.
Aldrich." f.85.
3. Morning Service in D (Te Deum and
Jubilate) ; with instrumental sym-
phonies. " Hen. Purcell." f.90b.
Additional 17841, ff. 106-1 12b.
Paper ; 18th cent. Small folio. See also under Anthems (above, p. 39).
Te Deum in D, in score, by John Bishop.
SERVICES. 413
Additional 17848, ff. 9-51.
Paper; 18th cent. Oblong folio. See also under Anthems (above, p. 46).
Two morning Services, by Dr. William Croft, in score.
1. Te Deum, Jubilate, Sanctus, and
Gloria, in B minor, f . 9.
12. Te Deum and Jubilate, in Eb (for
3, 4, 5, and 6 voices). The verse, " O
go your way," was composed by
" Dr. William Hayes." f. 32b.
Additional 29291, ff. 58, 60.
Paper ; 18th cent. Octavo. See also under Canons (above, p. 123).
Fragments of a Service in Efr, by [Robert] Creyghton.
1. Magnificat, from ... "all genera-
tions" to . . . "sent empty away."
f.58.
2. Nunc dimittis, from "people to be
a light" to the end of the Gloria
Patri. f.60.
Additional 29416.
Paper; ff. 76. 18th cent. Oblong quarto. See also under Anthems (above,
p. 84).
Chandos Te Deum, in B!?, written for solo voices and 5-part chorus,
with accompaniments for 2 violins, oboe, and double bass, in full score,
by Handel.
Additional 29998, ff. 2-29.
Paper; 18th cent. Folio. See also under Anthems (above, p. 84).
Te Deum, for solo voices and chorus of 4 and 5 voices, with accom-
paniments for 2 violins, viola, oboe, bassoon and double bass, in full
score, by Handel. It is published in the Handel-Gesellschaft's edition
as Te Deum, No. iii, and is an arrangement for the King's Chapel of
the earlier Chandos Te Deum, No. ii. In the present copy the names
of the principal soloists who originally (?) took the parts are given, viz.
Hughs, Gething and Whele.
Additional 30931, f. 41.
Paper; 18th cent. Folio. See also under Anthems (above, p. 41).
Part of the Communion Service, beginning with the Sursum corda
and ending with the Sanctus, by William Railton.
Additional 31209, ff. l-102b ; 31210, ff. 2-82b.
Paper ; 18th cent. Quarto. For Anthems in vol. ii, see above, p. 84.
Services, with figured bass, in score, by Charles King, Mus. Bac.
31209. Vol. I.
1 . Verse morning Service in A (Te Deum
and Jubilate) and evening Service.
For 4 and 5 voices, f . 2.
2. Full morning and evening Service
in D. f . 39.
3. Verse whole Service in Bfr, consisting
414
VOCAL MUSIC— SACRED.
of Te Deum, Jubilate, Kyrie, Credo,
Sanctus (by "Will. King, late or-
31210. Vol. II.
1. Full wbole Service in F (Te Deum,
Jubilate, Kyrie, etc.). "1706." f. 2.
2. Verse morning Service (Te Deum
and " Jubilate ") and evening Service
ganist of New Coll."), Cantate, and
Deus misereatur. f . 72b.
(Cantate and Deus misereatur), in B
minor, f. 27.
3. Te Deum in E minor, f. 66.
4. Gloria in Excelsis, in A. f. 78.
Additional 31226, f. 70b.
Paper ; 18th cent. Oblong quarto. The MS. also contains Anthems (above,
p. S5) and secular Songs.
Morning Service, beginning " Wee knowledge thee to be the Lord,"
with figured bass, in score, by Thomas Causton. It differs slightly
from the versions in both the Prayer Books of Edward VI, and was
probably composed after the First and before the Second Prayer Book.
Additional 31404, ff. 1-79.
Paper ; 18th cent. Oblong folio. See also under Anthems (above, p. 85).
Organ part of a collection of Anthems and Services. The latter
are :-
D solre."
1. Whole Service in
"Tallis." ff. 2, 18b.
2. Morning and evening Service in
" D solre flat," i.e. D minor. "Bird."
ff . 6b, 13b.
3. Morning Service, in "F fa ut,"
(Te Deum, Jubilate, Cantate and
Deus Misereatur). "Child." ff . 10b,
16.
4. Whole Service in " D sharp," i.e. D
(with Jubilate instead of Benedictus).
"Dr. Rogers." f. 23.
5. Whole Service in F. "Dr. Orlando
Gibbons." f. 30.
6. Morning and evening Service, in
"Gamut" (with Jubilate instead of
Benedictus). "Dr. Child." f. 38b.
7. Whole Service in G (similar to the
preceding). " Dr. Aldrich." f. 43b.
8. Morning and evening Service in
"Bmi" (Te Deum, Jubilate, Can-
tate and Deus Misereatur). "King."
f.50.
9. Morning and evening Service in
"A re" (similar to the preceding).
"Dr. Blow." f.60.
10. Morning and evening Service in G
(with Jubilate instead of Benedictus).
"Dr. Blow." f.67b.
11. Morning and evening Service in D
(similar t'o the preceding). " Batten."
f.75.
Additional 31559, ff. 39-73.
Paper; 18th cent. Large folio. See also under Anthems (above, p. 86).
Four full morning and evening Services, in score, by Dr. Blow ;
each accompanied by a single chant for the Venite. In nos. 1 and 3
the Jubilate is substituted for the Benedictus. In the hand of
J. Christopher Smith, the elder.
1. In D (Dorian), f. 39.
2. In G minor, f. 46b.
3. In A minor, f. 55b.
4. InF. f.63b.
SERVICES. 415
Additional 32588, ff. l-36b.
Paper ; 18th cent. Oblong folio. See also under secular Songs, etc.
Te Deum " No. 5," in D, in full score, by Dr. William Boyce.
Autograph.
Additional 17844, ff. 95-148.
Paper; late 18th cent. Quarto. See also under Anthems (above, p. 89).
Morning Services in score, by Dr. Crofts, sc. William Croft.
1. Te Deum and Jubilate in Efr. ■ f. 95.
2. Te Deum, Jubilate, Sanctus and
Gloria in Excelsis, in B minor.
f. 113.
3. Te Deum, Jubilate, Kyrie, Creed
and Sanctus, in A. f. 131.
Additional 17849, ff 1-18.
Paper ; late 18th cent. Quarto. The MS. belonged in 1821 to James Bartleman.
See also under Anthems (above, p. 89).
Evening Service, consisting of Cantate and Deus misereatur in Et>,
in score, by Dr. [William] Croft. A note on f. 1 in the hand of
Vincent Novello says " I lent this copy to Mr. Hawes who has since
published it" (1849?).
Additional 27751.
Paper ; ff. 97. Late 18th cent. Quarto. Bequeathed by Sir George T. Smart
in 1867.
Morning Services (Te Deum and Jubilate) and evening Services,
with figured basses, in score. By [Dr. Thomas Sanders] Dupuis.
1. Verse morning Service and evening
Service (Cantate and Deus Misere-
atur) in Eb ; with an alteration
(f. 12b) apparently in the hand of the
composer, f. 3.
2. Verse morning and evening Service
in G minor; with 6-part chorus.
f.31.
3. Full morning and evening Service
in D. f. 59b.
4. Full short Service in A, with Kyrie
and unfinished Creed at f. 93b,
apparently in the composer's hand,
f . 76b.
Additional 27753, ff. 7-1 6b.
Paper; late 18th cent. Oblong folio. See also under Anthems (above, p. 76).
Morning Service in El7, consisting of Te Deum and Jubilate, with
figured bass, in score. By [Dr. Thomas Sanders] Dupuis.
Additional 31820, ff. 94-97.
Paper; late 18th cent. Oblong folio. See also under Anthems (above, p. 96).
Portions of Services, in score, by W[illiam] S[avage].
1. Nunc dimittis in C, which completes
the Service in Add. 31821, ff. 137-
152b (below, p. 417). "1767." f. 94.
2. Kyrie in F. In duplicate. "1755."
ff . 96, 97.
416
VOCAL MUSIC— SACRED.
Additional 34609, ff. 16-7 8b passim.
Paper ; late 18th cent. Folio. See also under Anthems (above, p. 92).
Organ score of Services, most of which are in the hand of
J. Stafford Smith.
1. Sanctus, Kyrie and evening Service
in A. " A Continuation of Dr. Boyces
Full Service" in that key. "Dr
Arnold." f. 16.
2. Sketch of a Te Deum in C. The two
upper parts only. By J. S. Smith (?).
f. 19b.
3. 4. Two sketches of a Sanctus. [By
the same ?] f . 20.
5. Verse Service in F (Te Deum and
Jubilate). "Arnold." f . 20b.
6. Te Deum and Jubilate in E.
"Guise." f.24b.
7. Short Service in El> (Te Deum,
Jubilate and Magnificat). "Dr. E.
Ayrton, 1796." f . 28.
8. Te Deum and Jubilate in Bjj.
" Dupuis." Composed "upon a plan
suggested by . . . . the Bishop of
London" [Robert Lowth, 1777-1787].
f. 33b.
9. Te Deum and Jubilate in D.
" [C] King." f. 43b.
10. Te Deum and Jubilate in G.
" Dr. [B.] Cooke." f . 48b.
11. Te Deum, Jubilate, Kyrie, and
evening Service in F. "T. Atwood."
f.60.
12. "The difficult part" of the Magni-
ficat in C. "Dupuis." f.74.
13. Sketch of a Magnificat in C. By
J. S. Smith (?). f. 78b (reversed).
Additional 31587.
Paper ; ff . 25. Early 19th cent. Oblong folio.
Settings of the Te Deum and Jubilate, by Charles King, Mus. Bac,
in score, without words.
1. InF. f.l.
2. The same, arranged with accompani-
ments for a full orchestra, possibly
by Thomas Attwood (see the letter
atf.24). f.5.
3. In C, also in full score, f. 14.
Additional 31818, ff. 16, 20.
Paper ; early 19th cent. Oblong folio. See also under Anthems (above, p. 95).
Fragments of two sacred compositions by Carissimi, adapted as
portions of church Services.
1. Sanctus, with figured bass (two
copiesj, adapted by R. J. S. Stevens,
of the Charterhouse, in 1807, for the
Revd William Holmes, Subdean of
the Chapel Royal, f. 16.
2. Gloria Patri (for 2 sopranos and
bass). In the same hand. f. 20.
Additional 34999, ff. 108-124, 176b.
Paper ; a.d. 1806-1823 (watermark). Quarto. See also under Hymns (above,
p. 194).
Fragments of Services, mostly by S[amuel] WJesley] and in his
hand.
1. Jubilate in D, for solo voices and
chorus, with violins and organ, in
score. The name of the composer is
written at the beginning by Vincent
SERVICES.
417
Novello. Imperfect at the end.
f. 108.
2. Alto solo part (sung by Rev. Mr.
Webb) of a Litany in F minor.
"1806." f. 117.
3. Gloria Patri in C (4 voices), in score.
Belonged to V. Novello. f. 119.
4. Te Deum in F. "[Charles] King."
Melody with figured bass. f. 121.
5. Kyrie and Sanctus in F (4 voices
with organ), in score. (Watermark,
1821). f. 122.
6. Sketch of an Evening Service in F.
Imperfect at the beginning. Water-
mark, 1823. f . 123.
7. Nunc dimittis in G, in compressed
score, f.124.
8. "Glory be to thee, 0 Lord" ; in C.
Possibly by Burrows, f. 176b.
Additional 31821, ff. 44, 112, 137.
Paper; a.d. 1807, etc. Oblong folio. See also under Anthems (above, p. 94).
Services, or portions of Services, in score. In the hand of R. J. S.
Stevens.
1. Sanctus. " [R.] Creyghton, D.D."
f. 44.
2. Sanctus. " Arranged from Carissimi
by R. J. S. Stevens, 1807,. . .for the
Chapel Royal." f. 112.
3. Service in C (Te Deum, Jubilate,
Anthem, " Behold now praise the
Lord," Sanctus, Kyrie, Creed and
Magnificat). Probably by William
Savage (cf. 31820, ff. 94-95b, above,
p. 415), 1767, and copied by Stevens,
when a boy.
Additional 14342, ff. 57-62b.
Paper; after 1808 (watermark). Oblong folio. See also under Masses (above,
p. 234).
Te Deum and Jubilate, for 4 voices, in score, without accom-
paniment, by Samuel Wesley, 1808.
Additional 32018, ff. l-25b.
Paper; a.d. 1808, 1847 (? — see f. 2). Quarto. See also under Hymns (above,
p. 189).
Morning Service in G, consisting of Te Deum, Jubilate, Kyrie, and
Creed ; for 4 and 5 voices, with accompaniment for organ, in score, by
Thomas Miles. Autograph.
Additional 35007, f. 88b.
Paper; about 1822 (see f. 88). Quarto. See also under Pianoforte Solos (1777-
1797).
Kyrie in F, by Samuel Wesley. Autograph.
Additional 35038, ff. 4, 5.
Paper ; a.d. 1822. Quarto. See also under Anthems (above, p. 100).
Melody, with bass, in score, of the following Services : —
1. Evening Service in D (preceded by
the last few bars of a morning Ser-
vice). Anonymous, f. 4.
2. Te Deum and Jubilate in F.
' ' [Charles] King, 1822." In the hand
of S. S. Wesley, ff. 5-8b.
418
VOCAL MUSIC— SACRED.
Additional 17857.
Paper ; ff. 95. About 1825. Oblong folio.
Services in score, by Dr. [Maurice] Greene, copied by Vincent
Novello from the originals formerly belonging to James Bartleman.
1. Morning Service (Te Deum and
Jubilate) and evening Service, in C.
"Begun at Farnham Castle in May
1737, and finished in London in June
following." f. 2.
2. Morning Service in D (Te Deum
and Jubilate) ; with accompaniments
for trumpets, oboes, bassoons, and
strings, in full score. (Copied from
Add. 17854, above, p. 408.) f. 36.
Additional 9072, ff. 14-34 ; 9073, ff. 34-40b ; 9075, ff. l-45b.
Paper; about 1829-1831. Oblong folio. See also under Anthems (above,
p. 103).
Services, in score, by Henry Purcell, transcribed by Vincent
Novello.
1. Second Service in Bb, consisting of
Benedicite, Jubilate, Cantate, and
Deus misereatur (from Harl. 7339,
f.205b, above, p. 406). Add. 9072,
f. 14.
2. First whole Service in B1?. Organ
part (from Boyce's Cathedral Music).
Add. 9073, f. 34.
3. Te Deum and Jubilate in D, in
full score. ' ' Composed for S' Cecilia's
day, 1692." (From a MS. belonging
to Joseph Moore of Birmingham.)
Add. 9075, f. 1.
Additional 33239, passim.
Paper ; a.d. 1830-1832. Oblong folio. See also under Anthems (above,
p. 102).
Services, mostly in score ; copied by Vincent Novello.
1. [Second ?] Preces, Responses and
Litany, witb figured bass. "Thomas
Tallis." Different from those in
Boyce's Cathedral Music. From an
old organ-book at Westminster Abbey.
Followed by a copy in a later hand,
in which the harmonies are filled in.
f. 7.
2. The Psalms, "Wherewithal shall a
young man," "O do well unto thy
servant," and " My soul cleaveth
unto the dust." By the same. They
immediately follow his "First
Preces " in Add. 30087, f. 2 (below, p.
420). (From Fitzwilliam MS. x. 3.
17). f. 10.
3. Verse evening Service in D minor
(5 voices). " Orlando Gibbons."
(From the same MS.) f. 16.
4. VeniteinF. By the same. "1635."
(From Harley 7337, above, p. 405.)
f.34.
5. Nicene Creed in F. "MathewLock,
1666." (From Fitzwilliam x. 3. 17.)
f. 52.
6. Evening Service in E minor. " Pel-
ham Humfreys." (From Harl. 7338,
above, p. 405.) f. 64.
Nos. 7-11, which are canons by Dr. Blow, were copied from what
is now Add. 30933 (above, p. 403).
7. "He hath shewed strength"; from
Magnificat in D minor, f. 146.
8. "Glory be to the Father"; from
Magnificat in G. f. 146b.
SERVICES.
419
9. "Glory be to the Father"; from
Nunc Dimittis in G. f. 147b.
10. "0 go your way into his gates";
from Jubilate in G. f . 149b.
11. "Glory be to the Father " ; from the
same. f. 150b.
12. Morning Service in G (Te Deum
and Jubilate). " Dr. [Benjamin]
Cooke." (From a MS. at Westminster
Abbey.) f. 196.
Additional 31822, ff. 33, 50.
Paper ; after 1831. Quarto. See also under Anthems (above, p. 96).
Numbers 1 and 4 from The Gresham Sacred Music, 1831, for
4 voices in score. Anonymous, but with the mottos of the candidates.
1. Jubilate in C. f. 33. | 2. Magnificat in C. f. 50.
Additional 35134, ff. 37b-40.
Paper ; a.d. 1832. Oblong folio. See also under Stabat Mater.
Te Deum and Jubilate in A, by Dr. William Boyce.
melody and figured bass, in score.
The
Additional 31415 (i, f. 24b ; iii, f. 23 ; iv, f. 28b ; vi, f. 25b).
Paper ; after 1835. Oblong octavo. See also under Madrigals.
Sanctus, for 4 voices, in parts, from a Service in F, by Orlando
Gibbons.
Additional 33240, ff. 6-10.
Paper; about 1837 (watermark). Quarto. Presented in 1839 by C. Clarke,
organist of Worcester Cathedral, to Vincent Novello, who presented it to the
Musical Antiquarian Society in 1843. See also under Anthems (above, p. 98).
" Litany in G as performed at the Chapel Royal, Windsor, said
(traditionally) to have been composed by [John] Soaper, vicar-choral of
St. Paul's Cathedral." In score.
Egerton 2462, ff. 78-88.
Paper; a.d. 1842. Oblong quarto. See also under sacred Songs (19th cent).
Te Deum, for 4 voices, " with an accompaniment for the Organ or
Piano Forte. Composed in the year 1842 for the Peace of China, and
inscribed to his friend the Rnd Edward Goddard by Fortunato
Santini."
Additional 14341, ff. 2b, 20.
Paper ; before 1843. Oblong folio. See also under Anthems (above, p. 107).
Portions of Services, in score, by Samuel Wesley.
1. Responses to the Litany composed
in 1806 (Add. 34999, f. 117— above,
p. 416) ; the first part consisting of
the melody with figured bass ; the
420
VOCAL MUSIC— SACRED.
second part beginning "From our
enemies defend us," and written for
4 voices, in score, the bass part being
figured. It contains a reference to
the manner in which it is sung at
St. Paul's Cathedral, f. 2b.
2. Magnificat for 4 voices, with accom-
paniment for pianoforte or organ, in
score, composed in 1822. f. 20.
Additional 30085-30087, f. 40b.
Paper ; a.d. 1844-1863, with later additions in pencil down to 1876. Oblong
folio. See also under Anthems (above, p. 108).
Services in score, transcribed from J. Barnard's Selected Church
Music, 1641.
30085. Vol. I. Nos. 1-4 are in D minor. All the Services in
this volume include the Venite.
1. " First Service," including Sanctus,
Gloria in Excelsis, etc. "Thomas
Tallis." f. 13.
2. "Whole Service of 4 parts," includ-
ing Deus Misereatur, etc. "Nicholas
Strogers." f. 41.
3. "First Service of 4 and 5 parts."
30086. Vol. II.
1. " First Service of 4,5, 6, and 7 parts,"
in F ; with the Venite. "Rob. Par-
sons." f. 2.
2. "First Service of 4 and 5 parts to
the Organs," in D minor ; with the
Venite. " Tho. Morley." f. 48.
3. "First Service of 1, 2, 3, 4, 5 and
6 parts to the Organs," in C ; with
Jubilate instead of Benedictus. " Dr.
Gyles." f. 88.
4. "First Service [evening] of 1, 2, 3,
4 and 5 parts to the Organs," in
G minor. "Ward." f. 120.
5. Te Deum in D minor. "Woodson."
" Elway Bevin." f . 74.
4. " First Service [of] 4, 5, and 6 parts."
"Will. Bird." f.101.
5. "First Service of 4 parts," in F.
" Orla[ndo] Gibbons." f. 129.
6. "First Service of 4, 5, and 6 parts."
" Will. Mundy." f. 156.
f. 133.
6. "Second Service [evening, of
5 parts], with verses to the Organs,"
in G minor. " William Bird."
f . 140b.
7. "Third Service [evening] of 5 parts,"
in C. By the same. f. ;S7.
8. "Second Service [evening] of
5 parts," in G. "Thomas Morley."
f . 152.
9. Second Service of 1, in D minor,
including morning Service (Te Deum
and Jubilate) and evening Service.
" Orlando Gibbons." f . 159.
30087. Vol. III. The so-called Preces which follow are the
Responses (" O Lord, open thou our lips," etc.) which precede the
Psalms, as they were sung before the Revision of the Prayer-Book
in 1662.
1. "First Preces," followed by the
Psalms, " Wherewithal shall a young
man," " O do well unto thy servant,"
and " My soul cleaveth to the dust."
" Thomas Tallis." f . 2.
2. "First Preces," followed by the
Psalms, "O clap your hands," and
"Save mo, O God, for thy name's
sake." " William Bird." f. lib.
3. "Second Preces," followed by the
Psalms, "When Israel," "Hear my
prayer, O God," and "Teach me,
O Lord, the way." By the same.
f. 19b.
4. "First Pieces," followed by the
Psalm, " The eyes of all." " Orlando
Gibbons." f. 28b.
5. Responses ("The Lord be with you,"
etc.) and Litany. " Thomas Tallis."
f . 33b.
SERVICES.
421
Additional 33288.
Paper; ff. 112. a.d. 1846. Quarto. See also under Anthems (above, p. 109).
Services, in score, by Dr. John Blow, transcribed by William
Henry Husk, librarian of the Sacred Harmonic Society.
1
Verse Service in A, containing Te
Deum, Jubilate, Kyrie, Creed, Can-
tate, and Deus misereatur. Copied
from Boyce's Cathedral Music, f. 5.
2. Verse Service in G, containing Te
Deum, Jubilate, Kyrie, Creed, Mag-
nificat, and Nunc dimittis. Copied
from the same work. f. 20b.
3. Verse Service in E minor, containing
Te Deum, Benedicite, Jubilate,
Kyrie, Creed, Cant'ate, and Deus
misereatur. Copied from a MS.
then belonging to Joseph Warren.
f. 35.
4. Kyrie and Creed in G. From
Boyce's Cathedral Music, f . 59.
5. Versicles, Sanctus, and Gloria in
Excelsis, from the Communion Ser-
vice in D. Copied from the Durham
choir-books and Marbeck's Book of
Common Prayer, noted, f . 62.
6. Morning Service in D (Te Deum and
Jubilate), with accompaniments for
trumpets, violins, etc., in full score.
From the autograph MS. formerly
belonging to William Hawes, and
dated " [16]95." The names of the
original singers are given, f. 65.
7. Evening Service in B^. From the
same MS. f. 104.
Additional 33292, ff. 5-46b.
Paper; a.d. 1865. Quarto. See also under Anthems (above, p. 111).
Full Services, in score, by Dr. John Blow, copied by W. H. Husk
(who has added notes at f. 2), from a MS. in the hand of John
Christopher Smith (now Add. 31559, above, p. 414). Each of them is
preceded by a chant, in the same key, for the Psalms.
1. Morning Service (Te Deum and
Jubilate) and Evening Service in D
(Dorian), f. 5.
2. Morning and Evening Service in
G minor, f. 15.
3. Morning Service (Te Deum and
Jubilate) and Evening Service in
A minor, f. 26b.
4. Morning and Evening Service in F.
f. 35.
Paper; a.d. 1881,
described elsewhere.
Additional 34542, ff. 31-5%.
Folio. The MS. also contains Instrumental Music,
Te Deum, for solo voices and 8-part chorus, with accompaniments
for flutes, oboes, clarinet, bassoons, horns, trumpets, trombones, bass
tuba or saxhorn, drums, harp and strings, in full score, by [Sir]
W. G. Cusins. Autograph.
Additional 29968, f. 145.
Paper; 19th cent. Oblong folio. See also under Motets (above, p. 353).
Alto part of a Te Deum (in G ?). Anonymous.
422
VOCAL MUSIC— SACRED.
SECTION XXVI.— SONGS.
Arundel 44, f. 1.
Vellum ; 12th cent. Small folio.
" Audite, o lucis filie " : verses prefixed to a German MS. of the
Speculum Virginum. The musical notes which accompany the text
throughout are in the form of neums on a stave of four lines, with the
C and F signatures, the C line being coloured yellow (?) and the
F line red ; the B rotundum is also occasionally indicated.
Arundel 501, ff. 16, 16b.
Vellum ; 12th cent. Small folio. In a MS. of miscellaneous pieces, mostly-
connected with western Germany.
Fragment, of 138 lines (of which the initial letters form an
anagram on the Church), from a Latin poem apparently founded on
the Apocalypse. The beginning is lost. Musical notes, expressed by
neums, are given to the eight lines commencing " Quenam hec tarn
mirificis ornanda tunc induviis," and to the first part of what remains
of the anagram as written out in the margin.
Royal 5. F. vii, f. 85.
Vellum ; 12th-13th cent. Octavo.
Four short poems inserted at the beginning of a life of St. Godric
the hermit, of Finchale ; accompanied by small square and diamond-
shaped black notes on a stave of four red lines, with the C or BP
signature. Nos. 2 and 3 are described as " Cantus beati Godrici de
sancta maria."
1. "Crist and sainte marie," sung by
" Soror," sc. the sister of Saint
Godric ; with a refrain " Kyrieleyson,
Christe eleyson," sung by the two
angels who supported her on either
side of the altar when she appeared
to the Saint (see f. 96).
2. "Sainte marie uirgine"; with a Latin
translation "Sancta maria uirgo"
(see also Harley 322, f. 74b, below).
3. "Sainte marie christes bur."
4. " Cantus eiusdein do Sancto
Nicholao," beg. "Sainte Nicholaes
godes drud."
Harley 1717, f. 251b.
Vellum ; early 13th cent. Small folio. Part of the fly-leaf of a volume
containing " L'estoire e la Genealogie des dux qui unt este par ordre en
Normendie."
" Parti de mal e a bien aturne " : Song of six verses, with music to
the first, written in a French hand. The notes are quasi-square on a
stave of four red lines, with the C signature.
SONGS.
423
Harley 978, ff. 4b-13b.
Vellum ; after 1226. Octavo. See also under Catches.
Sacred Songs or Sequences.
1. "Regina clemencie, Maria " ; ending
with the Seven Gaudia. f . 4b.
2. " Dvm Maria credidit." f. 6.
3. "Ave, gloriosa uirginum regina";
the words by Philippe de Greve, the
music possibly by H. de Pisis (cf.
Egerton 274, f. 3, etc., below), f. 7.
4. "Felix sanctorum chorus eximius
apostolorum." f. 10b.
5. " Eterni numinis mater." f. 12.
6. " [A]nte thronum regentis"; in
honour of St. Thomas of Canterbury.
f. 13.
7. " [G]aude, salutata uirgo." f. 13b.
Harley 4401, ff. 3b-5b, 106b-108.
Vellum ; mid. 13th cent. Folio. For a further description of the MS., see
Catalogue of Romances, vol. ii, p. 717.
Hymns to the Virgin in French, introduced, after the prologues, at
the beginning of the two books of Miracles of the Virgin by Gautier de
Quensi (sc. de Coincy), a monk, afterwards Prior, of St. Medard at
Soissons. The musical notes which accompany all the hymns are
quasi-square or diamond-shaped on staves of four red lines with the
C or F signatures and quasi-bars.
1. "Amors, qui bien set anchanter."
f. 3b.
2. " Qui que face retruenge nouuelle."
f.3b.
3. " Roine celestre, buer fussiez vous
nee." f. 4.
4. " Talant me prent or androit." f . 4b.
5. " Esforcier mestuet ma uoiz." f. 5.
6. "Quant ces floretes florir voi." f . 5.
7. "Por conforter mon cuer et mon
coraige." f. 5b.
8. "Por la pucelle anchantant me
deport." f. 106b.
9. " Mere deu, uirge senee." f. 107.
10. "Lamor dont ie sui espris." f. 107.
11. "A vne amor eore et sene." 107b.
12. " Qui matin a ma iornee." f. 107b.
Harley 322, f. 74b.
Vellum ; 13th cent. Quarto.
Fragment of a Song to the Virgin, in English. It begins, " Seinte
Marie, uirgine moder," and is accompanied by small square and diamond-
shaped notes on a stave of four red lines with the C B signature.
The words are introduced in a life of St. Godric epitomized at the
request of iEthelred, Abbot of Rievaulx, and are supposed to be by
the Saint (see Royal 5. F. vii, f. 85, above, p. 422).
Egerton 274, ff. 3-56b passi
in.
Vellum; late 13th cent. Duodecimo. For a further description of the MS.,
see under secular Songs.
" Dicta Magistri Ph[ilippi de Grevia] quondam cancellarij
Parisiensis " ; probably written in France. The music to no. 6 appears
29
424 VOCAL MUSIC- SACRED.
to be by Henry of Pisa, Friar Minor, who is therefore possibly
responsible for the rest. (See Paul Meyer, Documents manuscrits de
I'ancienne Litterature de la France, part i, pp. 7-12.) All the sacred
compositions in this MS. set for 1 voice are described under the
present heading for the sake of uniformity, though some are liturgical
in form (Sequences and Hymns).
1. "Aue, gloriosa uirginurn regina."
f.3.
2. " Inter membra singula." f. 12.
3. "Homo, uide que pro te patior."
f. 20.
4. " 0 mens, cogita." f. 20b.
5. " Homo, considera." f. 22b.
6. "Quisquis cordis et oculi." f. 24b.
7. "Nitimurin uetitum." f. 25b.
8. " Pater sancte, dictus Lotharius."
f. 26b.
9. " Cum sit omnis caro fenum."
f. 27b.
10. "Veritas, equitas " (De prelatis).
f. 28b.
11. " Minor natu filius." f. 36.
12. " Vitia virtutibus obuia." f. 37b.
13. " Bulla fulminante " (De curia
Romana). f. 38b.
14. " Suspirat Spiritus." f.39b.
15. "Homo natus ad laborem." f. 42.
16. " Pesta dies agitur." f. 47.
17. " Sol est in meridie." f. 47b.
18. " Luto carens et latere." f. 48.
19. " Tempus est gratie." f. 48b.
20. " Veni, sancte spiritus, spes
omnium." f. 49.
21. "Venditores labiarum " (De advo-
catis). In Add. 30091, f. 2b, there is
a ground bass to this (see above,
p.x253). f. 56b.
Royal 12. E. i, ff. 193-195.
Vellum; late 13th cent. Duodecimo. The MS. contains a miscellaneous
collection of prayers, lives of Saints, etc., in various hands, and (at the end) a
" Narratio [Roberti Grossetete, episcopi] Lincolniensis pro collectione
elemosine."
" Stond wel moder vnder rode " : a sacred Song, the music to
which resembles in form that of the Latin Sequence. It is followed by
a semi -religious French Song, the first few words of which are lost.
The notes used are square and diamond-shaped on a stave of four red
lines, with the C, £!?, and C P>(? signatures.
Arundel 248, ff. 154, 155.
Vellum; early 14th cent. Octavo. In a collection of miscellaneous
theological and moral pieces.
Hymns, " The Milde Lomb " (on the crucifixion), " Worldes blis,"
and " Bien deust chanter" (to the Virgin); written in long lines, in
England, with small square musical notes on staves of four or five
lines, on which the C or Bi7, or both, are indicated.
Royal 6. E. ix, f. 29.
Vellum; about 1334-1342. Folio. In an Italian MS. of the poems of Con-
venevole da Prato.
Hymn, "pro pace Roberti Regis (sc. Robert of Anjou, King of
Naples)," beginning " Spiritus alme, ueni."
SONGS. 425
Additional 28550, ff. 43b-44b.
Vellum ; 14th cent. Octavo. From a MS. containing part of a Register of
Robertsbridge Abbey, co. Sussex. See also under Organ Solos.
Portions of' three musical pieces, consisting of the melody written on
a single stave of 5 lines, in square and diamond notes — mostly black —
under which small letters (from a to g) are marked, apparently for an
organ accompaniment.
1. "Ades . . . firmissime fidem tenea-
mus Trinitatis." f. 43b.
2. "Tribum quern non abhorruit."
f.44.
3. " Flos vernalis, stirps regalia." Im-
perfect at the end. f. 44b.
Additional 29987, ff. 56, 64b, 67.
Vellum ; 15th-16th cent. Octavo. See also under Madrigals.
The plainsong of the following proses or sequences, etc.
1. " [DJiligenter aduertant cantores":
antiphon, " Ser Lorerenzo " (sc. Lo-
renzo), f. 56.
2. "Dies ire." Anonymous, f. 64b.
3. . " Surgit Cristus cum tropheo " ; the
second part, consisting of a dialogue,
" Die, Maria, quid uidisti." Anony-
mous, f. 67.
Additional 5665, f. 47b.
Paper; iw»p. HesiryVIH. Large octavo. See also under Motets (above, p. 260).
" Salve, Regina misericordie " ; apparently for one voice, without
accompaniment. Anonymous.
Cotton, Vespasian A. xxv, f. 163b.
Vellum and paper; a.d. 1576. Octavo. The MS. was presented by John
Anstis to Henry Savill. Its principal contents are English ballads and carols,
without music.
A Song which appears to begin with the words, " God ys the cheffest
vnizon " ; ascribed in a note at the end to Sir Peter Harf urth (called
Hartforth on f. 153), ''curat of Hoveden [? Howden, co. York]. Died
1577 att Lamas." At the side are a few bars of music expressed by
round open notes on a stave of 5 lines with bars marked.
Additional 4900, ff. 54b-6?.b passim.
Paper; after 1600. The first part of the MS., which is written on similar
paper, contains an account of various English and Welsh bishops, down to 1600
— see f. 41b. Small folio. The names of Richard and Ellis Bradgate (ff . 8, 58)
and Martha and William Jennings (ff. 10b, 66) occur, apparently as owners.
The MS. also contains Canons (above, p. 114), Duets (p. 171), etc.
Songs, original or arranged, with lute accompaniment in tablature,
in separate parts. Several leaves are missing. Unless the contrary is
stated, they are anonymous.
1. "Alleluya." "Taverner." f.58b. 2. "Igitur.OJhesubone." "Sheperde."
f . 59b.
426
VOCAL MUSIC-SACRED.
3. " Benedicam Domino in omni tem-
pore ... 0 lorde, with all my harte
and mynde." "Jhonson." f . 60b.
4. "In nomine domini." The lute
part is lost. " Taverner." f . 61b.
5. " Come, holy ghoste, eternall god."
The lute part is lost. Anonymous,
f. 63b.
6. "For he y' is myghtie." The vocal
part is lost. Anonymous, f. 64.
7. "Tu nimirum." The lute part is
lost. "Tal[l]is." f.66b.
Printed Book, D. 212. c (3 vols.), passim.
Paper ; after 1613. Small quarto. See also under Motets (above, p. 280)
Vocal parts of some sacred compositions for one voice.
Jaco-
1. " Subito sagittabunt eum."
bi Mori Viadanae." i, f. 49.
2. " Misisti iram tuam." By the same,
i, f. 49b.
3. " Collaudabit te, Deus." Anony-
mous, i, f. 60.
4. " Gaudent in ccelis." Anonymous,
i, f. 61.
5. " Dum natus esset Jesus." Anony-
mous, iii, 66b.
Additional 15117, ff. 4-6b, 19b.
Paper ; after 1614. Small folio. See also under Anthems (above, p. 10).
Melody, with lute accompaniment, in tablature, of the following
songs. Anonymous, unless the contrary is stated.
1. " 0 heavenlye god, 0 father deare."
f. 4.
2. "O Lord, whos grace no lymites
comprehende " ; the words by [Mary]
Countess of Pembroke (d. 1621). The
signature at the end, "Jam. Ha."
may possibly be that of James Hard-
ing, a composition by whom (about
1612) occurs in the Fitzwilliam Vir-
ginal Book. f. 4b.
3. "From depth of greife." f. 5b.
4. " Miserere, my maker." f. 6.
5. "Alack! when I look back"; pos-
sibly from an anthem by W. Byrd.
f. 6b.
6. "Ogod! But god how dare I name."
"Birde." f . 19b.
Royal 14. A. xxii.
Paper; ff. 61. Temp. James I. Small quarto.
" Cinquenta Psalmos del Psalterio. En Rima y Canto segun se
cantan en las Iglezias Reformadas de Francia y Germania, compuestos en
lengua castellana por Pedro de Coster Vander Ven, Natural d' Emberes
[? Antwerp]. Dedicados al . . . Rey Don Jacobo, Rey de Ingalatierra " ;
with a long introduction in Spanish. They consist of a series of me-
lodies of chants set to the first two or three verses of a Spanish metrical
version of fifty of the Psalms, written on a 5-line stave, with white
diamond-shaped notes, in the C clef.
1. " Varon bendito es el que no siguio."
f. 15.
2. " Porque braman las gentes." f. 15b.
3. " Que multitud, 0 Dios." f. 17.
4. " Quando llamo, oyd mis clamores."
f.18.
5. "0 sefior, al Razonamiento." f. 19.
6. "No sea yo Abattido." f. 20.
7. " 0 Dios mio, mi Esperanca." f. 21.
8. " 0 nuestro Dios, quan grand' y
ineffable." f. 22b.
9. " Alabar t' he d' Affection." f. 23b.
SONGS.
427
10. "Porque te has apartado, Seiior."
f. 25.
11. " Pues qu'en mio Dios confyo."
f. 26.
12. " Salva, senor, que ya no queda
bueno." f. 27.
13. " Hasta quando in' olvidaras."
f. 27b.
14. " Dixo el peruerso." f. 28.
15. " Quien es el que habitara." f. 29.
16. "Guardame, o Dios." f. 29b.
17. " Oye mi justicia, seiior." f. 30b.
18. " Amarte he, senor, mi fortaleza."
f. 31b.
19. " Los cielos con su voz." f. 34.
20. " Dios t' oyga, quando 1' invocares."
f. 35b.
21. "Dios, gran pastor." f. 36b.
22. "Toda la tierra esdel senor." f. 37.
23. "Dios, m' es salud." f. 38.
24. "O Dios, fuerca y castillo mio."
f. 39.
25. " Vos Reys y principes dad." f. 40.
26. " Siempre alabare." f. 40b.
27. "Del impio la Rebelion." f. 42.
28. " Bendito es el que juzga en equi-
dad." i. 43.
29. "Haz me justicia; da sentencia."
f. 44.
30. "Mi coracon Rebossa buenas co-
sas." f. 44b.
31. "Pueblos, oyd, todos/' f. 46.
32. " Dios, gran Seiior." f. 47.
33. " Ave piedad, ten manzilla." f. 48b.
34. " Tenga piedad el Dios." f. 50.
35. "Dios es en cabildo Assentado."
f . 50b.
36. " Sobre Montes sanctos." f. 51.
37. "DiosReyna." f . 51b.
38. " Anima mia A tu, Dios." f. 52.
39. " Estando yo mucho Angustiado."
f. 53b.
40. "Mis ojos Alco (sc. alzo) al cielo."
f. 54.
41. "Si no que Dios (diga Aora Israel)."
f. 54b.
42. " Los qu' en Dios tienen confianea."
i. 55.
43. " En vano es edificar." f. 55b.
44. " Es bien aventurado el qu' ha de
Dios temor." f. 56.
45. ' ' Muchas vezes desde mi mocedad."
i. 57.
46. " En Abismo Inundado." f. 57b.
47. " No s' ensobervescio, senor, Mi
coracon." f. 58.
48. "Mirad quan bueno y dulce."
f. 58b.
49. " Ea sus, siervos del senor." f. 59.
50. " Sentavamos tristes par delos-
Ryos." f. 59b.
51. "Los Dies Mandamientos," begin-
ning "Oyd mi voz." f. 60b.
52. "Elcanticode Simeon," beginning
" Dios, dexa Aora en paz." f. 61b.
Additional 29481, ff. 3, 4, 5, 17.
Paper ; about 1630. Small oblong folio. See also under Anthems (above, p. 40;
and secular Songs.
Sacked Songs, with a bass, in score, possibly arrangements from
anthems. Anonymous.
1. "The man is blest that hathe not
bent." f. 3.
2. "O Lord, Consider my distresse."
i. 4.
3. " Put me not to rebuke." f. 5.
4. " Heare my praier, O God, and let
thine eare." f. 17.
Additional 11608, f. 45b.
Paper ; a.d. 1656-1659. Small folio. See also under secular Songs.
" O that mine eyes could melt " ; with a bass, in score.
Thomas Brewer.
By
428 VOCAL MUSIC-SACRED.
Egerton 2013, ff. 42, 49b-52, 57b.
Paper; after 1669 (?). Folio. See also under secular Songs.
Three Songs, with accompaniment for harpsichord (no. 1) or lute,
in tablature. Anonymous.
1. "Tenellemi." f. 42.
2. "In the subtraction of my yeares."
f. 49b.
3. "Out of the horror of the Deepe."
f . 50b.
4. " With expectation faint." f . 52.
5. " Heare me, 0 God, a broaken hart."
f . 57b.
Additional 10338, ff. 60-63b.
Paper ; a.d. 1669 (see f. 274b). Small folio. See also under Motets (above, p. 283).
Three solos for a bass voice, with a basso continuo, by George
Jeffreys. Autograph.
1. "0 quam suave"; described as a
"Mottect," or motet, f. 60.
2. " Spetiosus forma pne filijs homi-
num." f. 61b.
3. "Prayse the Lord, O my Soule.'
f . 62b.
Additional 29396, f. 73.
Paper; aboi i 1678-1682. Folio. See also under secular Songs.
" Sleep, downy sleep, come close mine eyes " ; with a bass for
harpsichord or organ, in score. By Pelham Humfrey.
Additional 33234, passim.
Paper ; a.d. 1680-1682. Folio. See also under secular Songs.
Sacred Songs ; with a bass, except in no. 2.
1. "Lucifer coelestis olim hierarchae "
(bass solo). " Charissimi." f. 13.
2. "Morning Song," beg. "Awake, my
soul; awake, mine eyes." "Captain
Cook." f. 32.
3. " Evening Song," beg. "Sleep, downy
sleep." By the same. f. 33.
4. "Velufc Palma." " Gratiana " (sc.
Bonifazio Graziani ?). f. 163.
Harley 1501, ff. 52, 54b.
Paper ; a.d. 1681. Folio. See also under secular Songs.
Two motets for one voice, with a bass for harpsichord, in score.
1. "O bone Jesu, O soauis (sic) amor." I 2. "Gaudia Pastores optate." " Boni-
"Cassati." f.52. I facio Gratiani." f . 54b.
Additional 19759, ff. 5b, 38.
Paper ; about 1681. Small folio. See also under secular Songs.
Songs, without accompaniment.
1. " Sleep, downy sleep, come close my
eyes." "Pell. Humphries." f.5b.
2. "When death shall knock." Anony-
mous, f . 38.
SONGS. 429
Additional 22100, ff. 56b, 81b, 100b.
Paper; about 1682. Folio. See also under Anthems (above, p. 28).
Songs, with a bass, in score.
1. "Lucifer celestis, olim Hiera[r]chie
princeps " : motet for one voice.
"Carissimo." f. 56b.
2. "Then from a whirlwind oracle."
"Lock." f.81b.
3. "Awake, my lute; but first awake,
my heart." " Wm Turner." f . 100b.
Additional 29397, f. 50.
Paper; about 1682-1690. Narrow oblong duodecimo. See also under secular
Songs.
" The ground and song to O ! solitude, my sweetest choice " ; the
words by K. Phillips, the music by [Henry] Purcell.
Additional 31440, f. 13b.
Paper ; before 1685 (?). Folio. See also under Motets (above, p. 287).
" Quesiui quern diligit anima mea " : treble song, with a bass for
harpsichord or organ, in score, by P. Reggio. Autograph (?).
Harley 7549, ff.8b, 14, 16, 43b-46 (reversed).
Paper ; 17th cent. Oblong octavo. See also under secular Songs.
Melodies to Psalms of the Sternhold and Hopkins version. The
tunes to the first three are the same as those given in the various
editions of the Whole BooTce of Psalmes. Nos. 4 and 6 have second
verses, in the music to which short cadenzas are added.
1. "Our eares haue heard." f. 8b.
2. "Blessed are they that perfect are."
1. 14.
3. "Ye children, which doe serue the
Lord." f. 16.
4. " Yee men on earth, in God reioyce."
f.46.
5. "All people that on earth doe
dwell." f.45.
6. "Sing yee with praise vnto the
Lord " (New tune), f. 44.
Additional 31479 (parts i, iii, iv, ff. 1 -9b passim).
Paper; 17th cent. Folio. See also under Motets (above, p. 289).
Compositions for. one voice, with figured bass, in parts.. They are,
with the exception of the last, anonymous.
1. " Gaudeamus omnes." i, f. 1 ; iv,
f.5.
2. Cantate Domino canticum nouum."
i, f.lb; iv, f.5b.
3. " Saluator mundi." i, f. 2b ; iv, f. 6.
4. " O Maria, quam pulchra es."
i, f . 3 ; iv, f . 6.
5. "Ave, maris stel[l]a." i, f. 3b; iv,
f.6b.
6. "Dulcis Amor, Jesu." iii, f. 1 ;
iv, f.2.
7. "Jubilate Deo." iii, f. lb ; iv, f. 2b.
8. " Saluum me fac, Deus." iii, f. 2b;
iv, f . 3.
430 VOCAL MUSIC— SACRED.
9. " Audite me, divini fructus." iii, iv,
f. 3b.
10. " Exultate Deo." iii, £. 4b; iv, f. 4.
11. " Anima mea desiderat te." iii, f . 5b;
iv, f . 4b.
12. "Dominus, Illuminatio mea";
with 2 violins, etc. iii, f. 6b ; iv, f. 7.
13. "Lucifer, Ccelestis olim Haerar-
chife" (sic). " Carissimo." iii, f. 7 ;
iv, f. 8b.
Additional 10337, ff. 50b-52, 54, 59b.
Paper; second half of the 17th century. Small folio. See also under
Pianoforte Solos (before 1656).
Melody, with a bass, in score, of the following Songs : —
[By the same.] Similarly arranged,
f. 52.
4. "0 that myne eyes could melt."
" Tho. Breuer." f. 54.
5. "Lord, as the hart Jmbost with
heate." By W. Lawes. Arranged
from a 3-part anthem, f . 59b.
1. "When man ffor sinne Thy judg-
ments feeles." "W. L[awes?]."
f.- 50b.
2. " Sing to the King of Kings." [By
the same.] Arranged from a 3-part
anthem, f . 51b.
3. " Let god, the god of Battaile, Rize."
Additional 14399, ff. 6, 17b.
Paper ; second half of 17th cent. Folio. See under secular Songs.
Two compositions for a treble voice, with a figured bass for
harpsichord or organ, in score.
1. "Bone Jesu." "Mw Lock." Auto-
graph, f . 6.
2. "I said, I will take heed to my
wayes." Anonymous, ff. 17b-19.
Additional 31437, ff 41b-43.
Paper ; second half of 17th cent. Folio. See also under Anthems (above, p. 37).
Three solos with a figured bass, in score, transcribed by Matthew
Lock from Galeazzo Sabatino's Mottetti a voce sola, op. 9.
1. " Congregauit Dominus Aquas.
f.41b.
2. "O Bone Jesu." f. 41b.
3. " Jesum quseram in lectulo clause "
f. 42b.
Harley 1863, ff. 161-156b (reversed).
Paper ; late 17th cent. Oblong octavo. See also under secular Songs.
" Vidi Luciferum " ; with a figured bass, in score, by [Bonifazio ?]
Gratiani. Apparently in the hand of B. M. Berenclow.
Additional 14336, f. 19.
Paper ; late 17th cent. Folio. See also under Motets (above, p. 291).
"In lectulo meo" ; with a figured bass, in score, apparently by
Henri Du Mont (cf. Add. 29379, above, p. 296).
SONGS. 431
Additional 24293, ff. 15, 43b-53b, 62.
Paper ; late 17th cent. Folio. See also under Motets (above, p. 292).
Compositions for a single voice, with symphonies and accompani-
ments fo rstrings (except in no. 1), and a bass for organ, in score,
apparently all by Henri Du Mont (cf. Add. 29379, above, p. 296).
1. "Inlectulomeo." f . 15.
2. " Sub umbra noctis." f. 43b.
3. "Venite ad me." f. 45b.
4. " Regina diuina." f. 47b.
5. " Aue, virgo gratiosa." f . 50.
6. " Unde tibi, o rationalis anima."
f . 53b.
7. Nil canitur suauius." f. 62.
Additional 31480, ff. 80-84b.
Paper ; late 17th cent. Octavo. See also under Motets (above, p. 292).
The cantds, two violin, and lute parts of " Portas cceli." Anony-
mous. Apparently Italian.
Additional 33235, ff. 39b-51b jjcwmwi, and f. 103.
Paper ; late 17th cent. Folio. See also under Anthems (above, p. 38).
Sacred Songs, with a figured bass, in score.
1. " Velut Palma." "Gratiani." f. 39b.
2. "0 dulcis Jesu." By the same,
i. 42.
3. "Per asperos mundi errores." By
the same. f. 44.
4. "Arise, my darkned melancholy
soul." " Henry Purcell." f. 47b.
5. " The Aspiration," beg. " How long,
great God." By the same. The
words by — Norris, of Wadham
College, Oxford, f. 51b.
6. " Lucifer, ccelestis olim hierarchise."
By Carissimi. f. 103.
7. "Oh solitude, my sweetest choice."
"[Henry] Purcell." f. 145.
Additional 33236, ff. 70, 71, 71b.
Paper ; late 17th cent. Folio. The MS. was purchased in 1829 of — Hamil-
ton, Jun., by Vincent Novello, who presented it in 1845 to the Musical Antiquarian
Society, with remainder to the British Museum. It also contains part* of an
Opera, Songs, and Instrumental Music, described elsewhere.
Three sacred Songs, by Henry Purcell, with a figured bass, in
score.
1. "With sick and famish'd Eyes." I mur'd in this dark prison lie." (In
(In Playford's Harmonia Sacra, j the same work.) f. 71.
1688.) f.70. I 3. "O sollitude, my sweetest choice."
2. "How long, great God, must I im- f . 71b.
Additional 24309, ff. 3-22b.
Paper ; 17th-18th cent. Small folio. See also under Motets (above, p. 288).
Two " Motetti " for a bass voice, with ritournelles and accompani-
ments for strings, in score, by G. P. Colonna.
1. " Sacri Amoris ad ardores." f. 3. | 2. " Triumphate, fideles." f. 11.
432
VOCAL MUSIC— SACRED.
Additional 29292.
Paper ; ff. 81. 17th-18th cent. Octavo. The MS. belonged to Joseph Kelway
(d. 1782), Thomas Bever, LL.D., Fellow of All Souls' College, Oxford (bookplate,
d. 1791), and Joseph Warren.
Solos for a treble voice, with a figured bass for organ, in score.
same. f. 36.
6. "0 quam pulchra es." " Jacomo
Caris[si]mi." f.46.
7. " Elevamini, portae Sion." "Fran"
Foggia." f. 58.
8. "Spirate, O venti." By the same.
f.66.
9. "Dicite, mortales." "Domco Pel-
legrini." f.74.
1. " Quando uidebo dilectum meum ? "
" Ercole Bernabei." f . 2.
2. " Heu me miseram ! " By the same.
f. 10.
3. "Salve, puellule." " Jacomo Caris-
simi." f. 16.
4. "In himnis et canticis." "Ercole
Barnabei." f. 26.
5. "Cum audisset Gedeon." By the
Additional 30932, ff. 146, 152.
Paper ; 17th-18th cent. Folio. See also under Anthems (above, p. 42).
Sacred Songs, in score, with a figured bass.
Song on the conversion of St. Paul,
beg. "Full of wrath his threatning
breath." "Hen. Purcell." f.46.
Unharmonized hymn, divided into
four parts, addressed to the Three
Persons of the Trinity separately and
in conjunction. It begins, "Thou
God, the Father, hid from Mortal
sight." "Dan'Henstridge." f. 152.
Additional 31460, ff. 5-54, 7 lb-9 7b passim.
Paper ; 17th-16th cent. Oblong folio. See also under Anthems (above, p. 44).
Sacred solos, with a figured bass, of which those with Latin words
are so-called motets.
Nos. 1-12 and 24 are anonymous.
1. " Lucifer, coelestis olim hierarchiae."
By Carissimi. f . 5.
2. " Sic ergo, bone Jesu." f. 8.
3. " Benedicam Dominum." f. lib.
4. "Laetamini in Domino." f. 14b.
5. " Ardet cor meum." f. 18.
6. " Conditor cceli." f. 21b.
7. " Audite me, divini fructus." f. 24b.
8. " Dulcis amor, Jesu." f. 28.
9. " Solvatur lingua mea." f. 30.
10. " O quam speciosa." f. 32.
11. " Quernadmodum desiderat Cer-
vus." f. 34b.
12. " Anima mea, suspira." f. 36b.
13. " O dulcis Jesu." " Bonifacio
Gratiani." f. 40b.
14. "Perasperos mundi errores." By
the same. f. 44.
15. "Vsquequo, Doniine, oblivisceris
me." " Desgranges." f. 47b.
16. "Velut palma." By B. Graziani.
f. 49b.
Nos. 17-20 are in a different hand from the preceding numbers.
17. " Awake, awake, and with attention
hear." By H. Purcell. The words
by Cowley. . f. 71b.
18. "The Aspiration," beg. " How long,
great God." "H. P[urcell]." f. 77.
19. "Arise, my darkn'd melancholy
soul." [By the same.] ff . 80b, 85b
(where, as well as in the index, it is
ascribed to Dr. Blow).
20. "Sleep, downy Sleep." By H.
Cooke. In 2 keys, ff . 82b, 84b.
21. " Awake, my soul ; awake, mine
eyes." [By the same.] f. 83b.
SONGS.
433
The remaining pieces are in a third hand.
22. "Hear God's Almighty voice."
" Dr. John Blow." f. 90.
23. " Then from a whirlwind." " Mat-
thew Lock." f.91.
24. " There's no disturbance " (for 1 or
2 voices). "The words made by a
lady." f. 93.
25. Evening hymn, beg. " Now that
the Sun." "Henry Purcell." The
words by Dr. Wm. Fuller, Bishop
of Lincoln (1667-1675). f. 93b.
26. Morning hymn, beg. " Thou wakeful
Shepherd." By the same. Words
by the same. f. 95b.
27. "In the black dismal Dungeon of
Dispair." By the same. Words by
the same. f. 97b.
Additional 32137, ff. 211-285 passim.
Paper ; 17th-18th cent. Duodecimo. See also under Chorales (above, p. 153).
Sacred compositions, apparently for one voice only, by Martin
Gobelius. With the exception of nos. 14-19, which are unaccompanied,
they have a bass, generally figured, in score.
1. " Wie bin ich doch so hertzlich
froh " ; without a bass. f. 211.
2. ["0 liebes quell'."] Imperfect at
beginning, f. 212.
3. " Auf, auf , mein Geist." f . 212b.
4. " Jesu, liebste Seele " : aria, with
ritournelle for 4 violas and a figured
bass. ff. 220b, 225b.
5. Another melody to the same words,
with symphony for 5 instruments,
f. 225.
6. " Welt, ade ! Ich habe lust." f. 245.
7. " Mein schonster und liebster
Freund." f. 246b.
8. " Hier lieg ich nun, mein Gott."
f . 248b.
9. "Wer nurden liebenGott"; with-
out bass, f . 253.
10. "So wunsch ich nun"; without i
bass, f . 253b.
11. "0 Gott, du frommer Gott."
f. 276b.
12. " Liebster Immanuel " ; without
bass, f . 278.
13. " Meines lebens beste freude."
f. 279.
14. "Wies Gott gefallt." " Joh[ann]
Friedr[ich], Hertzog zu Sachsen."
f.280.
15. " Herr Jesu Christ, wahr Mensch
und gott." " Paul Eber " (ft. 1548-
1604). f. 281b.
16. Another tune, to the same words.
"Joh.'ivist." f.282b.
17. "Herr Jesu Christ, mein Trost.'*
f. 283.
18. "Leb' ich, oder leb' ich nicht."
f . 284.
19. " Jesus, du schonster lust meiner
begier." f. 285.
Additional 17835, ff. 9-1 2b.
Paper ; early 18th cent. Folio. See also under Motets (above, p. 294).
" Domine, Deus meus " ; for one voice, with figured bass, by
Giacomo Carissimi.
Additional 29430, f. 59.
Paper ; early 18th cent. Folio. See also under Services (above, p. 401).
" O Tubse clangentes, ad arma sonate " ; described as " Mottetto a
voce sola con Tromba et Instrumenti." In score. Anonymous.
434 VOCAL MUSIC— SACRED.
Additional 31472, ff. 2-12.
Paper; early 18th cent. Folio. See also under Motets (above, p. 295).
Compositions for one voice, with a figured bass for harpsichord or
organ, in score, by Carissimi.
1. " 0 vulnera doloris." f. 2.
2. " Domine, Deus meus." f. 4.
3. " Sicut Stella." f . 8.
Additional 31508, ff. 66-81.
Paper ; early 18th cent. Oblong folio. See also under secular Songs (18th cent.).
" De tenebroso lacu " : solo for a contralto voice, with symphonies
and accompaniments for strings and a figured bass for organ, in score,
by Alessandro Scarlatti.
Additional 22099, ff. 19-26, 28b, 57b, 90.
Paper ; about 1704-1706. Folio. See also under Operas.
Sacked Songs, with a bass, in score. Nos. 1-6 are styled Motets ;
and nos. 8, 9, Hymns.
1. "Tu mini gaudium." " Bonifatio
Gratiani." f. 19.
2. " Aligeri amores." "Bassani." f. 19b.
3. "Stellse lucidae serenae." By the
same. f. 21b.
4. "Chari Zephiri." By the same,
f. 23b.
5. " Dedit Abyssus vocem suam."
" Bon. Gratiani." f . 28b.
6. "O vulnera doloris." " Charis-
simi." f. 57b.
7. " O solitude, my sweetest choice."
" H. P[urcell]." f. 63.
8. "Sleep, downy sleep, come close
mine eyes." "Weld[on]." f . 90.
9. " Dear Saviour, oh what ails this
heart." " [Samuel] Akeroyde." f. 90.
Additional 29379, ff. 12-1 3b.
Paper ; before 1719. Small folio. See also under Motets (above, p. 296).
" In lectulo meo " : solo for a treble voice, with a figured bass for
organ, in score, attributed to Henri Du Mont.
Additional 14225, f. 89.
Paper ; 1st quarter of 18th cent. Oblong folio. See also under secular Songs
(1715-1724).
" Pange, lingua"; with a bass (occasionally figured) for harpsi-
chord, in score. Anonymous. Probably autograph.
Additional 14165, ff. 202-2 17b.
Paper ; about 1725 (?). Oblong folio. See also under secular Songs.
" Cantata Pastorale a solo [di contralto] con violin : per la
nascita di N. S." ; with a figured bass for harpsichord, in score. By
Alessandro Scarlatti. Begins, " Oh di Betlemme altera Pouerta."
SONGS.
435
Additional 14197, ff. 1 -13 3b passim.
Paper; about 1725, etc. Oblong folio. The MS. also contains sacred Cantatas
(above, p. 133), secular Cantatas (late 18th cent.), etc.
Sacred compositions for one voice. Unless the contrary is stated,
they are only accompanied by a bass (generally figured) for harpsichord
or organ, in score, and are anonymous.
1. " Salve, Regina," in F ; with separate
violin, horn, and trumpet parts. In
the hand of Camillo Franco, f. 1.
2. Another, in D. f. 25.
3. " Del Mondo il Regno " : cantata
with accompaniment for psaltery,
etc., in score. Written for Signora
Nicoletta Cesare. f. 33.
4. " Cuor humane" "1725." f.41.
5. "Dunque verra quel giorno." By
N. Cecca. Autograph, f. 44.
6. " Che pensi tu." f. 50.
7. " L'Anima del epulone parlante
nell' Inferno," beg. " Doue, infelice."
Sketch of Italian cantata. By F.
Durante. Autograph, f. 54.
8. " Peccator Raweduto": sacred
cantata, beg. "E questo, si, quel
memorando giorno." f . 60.
9. "Fra le spine." By N. Cecca.
Autograph, with numerous correc-
tions. Preceded by a copy of the
vocal part without the bass (in the
same hand as Add. 14191, f. 61,
below, p. 442). ff . 65, 69.
10. "Turbatur Maris unda"; the in-
strumental bass part. By Gioacchino
Rossi (see Add. 14191, f. 174). f. 73.
11. Instrumental bass part to a motet
beginning "Cessate." "Nicolo Conti."
" 1729." f. 131.
Additional 14148, passim.
Paper ; a.d. 1725-1738. Oblong quarto. See also under Cantatas (above,
p. 131), and Duets (p. 174).
Sacred cantatas, etc., with a figured bass for harpsichord or organ
(unless the contrary is stated), in score, by Francesco Feo.
1. "Manus tuae fecerunt me"; with
psaltery and harpsichord, f. 1.
2. "Confitebor tibi, Domine " ; with
horns, oboes, strings, and organ, in
parts, f. 13.
3. "In un mar tempestoso " ; with
strings, etc. f. 37.
4. "Ti lascio omai." Autograph.
f.49.
5. " Sorgea quantunque in sogno di
Nabucco." Autograph, f. 54.
6. "Meditatione della Morte," beg.
"Di quanti come di te " ; with
strings, etc. "1725." f . 57.
7. "L'Eternita," beginning " Pensier,
doue t' ingolfi." In two keys. Partly
autograph, ff . 65, 70.
8. " Crocifisso amor mio." In two
keys. ff. 74, 78.
9. "La Sinderesi," beg. "Verme cru-
del." In two keys. Partly autograph.
ff . 82, 86.
10. "[II] Peccato," beg. "Interni
Sibili." In two keys. At the end is
the name of " — Mattia, P[adro ?]ne,
1726." ff. 90, 98-103.
11. "Tutto il Mondo e bugiardo."
Autograph. f. 131.
12. " L'Inferno," beg. " Cauerne spa-
uentose." Autograph. 1. 134.
13. "Mira, ingrato mortal." f. 139.
14. " Su la sterile. . .Ripa." Autograph.
f. 145.
15. "La doue lusinghiero." In two
keys. Autograph, ff. 149, 153.
16. " Servire Deo regnare est," beg.
"A mio Signore io servo." Auto-
graph, ff. 154.
17. "Lasciato in Abandono." Auto-
graph, f. 160.
18. " Signor, su questo Legno." Auto-
graph, ff. 164-166b.
19. "La morte," beg. "Son desto 6
pur tra sogno." f. 185.
436
VOCAL MUSIC— SACRED.
20. "Giudizio," beg. " Qual suono
orribile." f. 191.
21. "L'Inferno," beg. "Deh rivestite
omai." At the end is the name of
"— Manceri P[adro?]ne, 1738."
ff. 195-200.
22. " Piangete, alme." ff. 210-215.
23. First and second violin parts,
probably of a sacred song, ff . 282-
285.
Additional 14229, f. 82b.
Paper ; after 1727. Oblong folio. See also under secular Songs (1723-1732).
Sketches of a sacred Song, beginning " Sancta Maria dei genitrix."
The melody only. Anonymous.
Additional 14125, ff. 2-138.
Paper ; a.d. 1728-1745. Oblong folio. The MS. also contains a Motet (above,
p. 299), a secular Song (18th cent.), and Orchestral Music, described elsewhere.
Sacred Songs, with accompaniments for strings and a figured bass
for harpsichord or organ, in score, by Nicolo [Antonio] Porpora ;
apparently written for his pupils (Angiola Moro, etc.). Nos. 1-7, 9,
10, and 12 are autograph.
1. " In coelo stellse clarse fulgescant":
"mottetto...l744." f. 1.
2. "Placida surge, Aurora": "mot-
tetto...l744." f. 14.
3. "Clad splendete, 0 cceli " : "mot-
tetto...l744." f. 26.
4. " Qualis avis." "1745." f. 38.
5-9. Five settings of the "Salve,
Regina," dated 1745, 1744 (2), ,
and 1728. ff . 49, 60, 73, 86, 99.
10. "O quanti contra nos hostes ap-
parent." f. 110.
11. " Salue, Regina." f. 117.
12. " Recitative and aria, " Clamat
Sponsus." f. 133.
Additional 31659.
Paper ; ff . 10. About 1736 (?). Folio.
" Salve, Regina " ; for alto voice, with symphonies and accompani-
ments for strings and a figured bass for organ, in score, by Giovanni
Battista Pergolesi. Said to be autograph. It is divided into the
usual four parts.
Additional 14103, ff. 1-18.
Paper ; a.d. 1739. Oblong quarto. See also under Requiems (above, p. 394).
"Salve, Regina" ; for a bass voice, with symphony and accompani-
ments for bassoons and strings, and a figured bass for organ, in score,
composed by Francesco Durante, for Signor Praun. Autograph.
Additional 31504, ff. 23, 24b, 130b-145 passim.
Paper ; after 1740. Folio. See also under secular Songs, in vol. ii.
" Motets " for a single voice, with figured bass, in score.
1. " Tantum ergo." " Boni." f.23. I 2. " Tantum ergo." " P[adre ?] Urio."
I f. 24b.
SONGS.
437
3. " Carae rosae, respirate " ; with
strings. " Anth. Vivaldi." f. 130b.
4. "Dicite, Fontes." " Gasperini."
f. 133b.
5. " Flam[m]83, fulmina." "Vignati."
f. 136b.
6. " Fera turbida." " Gasperini."
f. 137b.
7. " Columbse innocentes " ; with 2
violins. " Lotti." f. 140b.
8. " Tonent in alto mari densae pro-
cellse " ; for a bass voice, with violin
and tenor accompaniment. "Gas-
pirini." f. 144b.
9. " Et egressus est a fillia (sic) Sion " ;
for treble voice, with 2 violins.
" Fago." f. 147b.
Additional 14129, ff. 30, 39, 46.
Paper ; a.d. 1742. Folio. See also under Motets (above, p. 298).
Three settings of the " Regina cceli " ; for female voices, with
symphonies and accompaniments for strings, and a figured bass for
organ, in score, by Nicolo Porpora, 1742. Autograph.
Additional 14159, ff. 1-218.
Paper ; a.d. 1752-1763. Oblong quarto. See also under Operas (1759) and
secular Songs (18th cent.).
Compositions for a treble or an alto voice, by Gianfrancesco di
Majo. The accompaniments are for horns, strings, and organ only,
unless the contrary is stated. Nos. 8-11 are in parts.
1. "Salue, Regina," in E. In auto-
graph score and parts, f. 1.
2. "Salue, Regina," in G. In score.
Composed in 1754. f. 41.
3. "Salue, Regina," in G minor; with-
out horns. In autograph score and
parts. Written in 1753 for Giacomo
Catalini, "Romano." f. 49.
4. " Fremit procella " ; with alternative
Italian words, "Tremo fra dubbij."
In autograph score. Written for
Domenico Megalli in 1755. f. 72.
5. "Salue, Regina," in Et?. In score.
Apparently begun in 1755, and ended
in 1763. Partly autograph, f. 89.
6. "Fremit procella" (different from
no. 4). In autograph score and parts.
Written for Salvatore Consorti, in
1758. f. 104.
7. "In procelloso mari." lnautograph
score and parts. Written for Antonio
Maggiotti, in 1752. (From the char-
acter of the hand, this " mottetto "
must have been written after the com-
poser's eighth year, so that the date,
1745, usually given for his birth, must
be wrong), f. 132.
8. "Maredat in navi horrores"; with
oboes, etc. f. 142.
9. "Per te sum in procella"; without
horns, f. 166.
10. " Superba in mare irato " ; without
horns, f. 184.
11. " Et Jesum benedictum " ; with
trumpets, oboes, bassoon (solo), horns,
and a bass for organ, f. 204.
Additional 31658, ff. lb-5b.
Paper; a.d. 1754. Oblong folio. The MS. belonged formerly to Cherubini.
It also contains a Motet (above, p. 312).
" Te lucis ante terminum " : hymn for a bass voice, with symphony
and accompaniments for strings, and a figured bass for harpsichord or
organ, in score; by Padre G. B. Martini, 1754. Autograph. The
dates at the end appear to be those of its performance.
438
VOCAL MUSIC— SACRED.
Additional 34267, B, f. 29.
Paper ; after 1755. Quarto. See also under Oratorios (above, p. 369).
"Oh my God, accept my praise": Hymn for Easter Day. The
melody and bass for the harpsichord, in score. Anonymous.
Additional 14153, 14154, passim.
Paper; a.d. 1759-1780. Oblong folio, quarto. The MSS. also contain Motets
(above, p. 302), a Stabat Mater (p. 458), secular Songs (late 18th cent.), etc.
Compositions for one voice, with instrumental accompaniments, by
Pasquale Cnfaro. Chiefly autograph. They all have symphonies and
accompaniments for strings, and (except in nos. 1 and 4) a figured
bass for organ also, in the recitatives. Unless the contrary is stated,
vol. i contains the scores and vol. ii the parts, which in the latter
volume are in the hand of Camillo Franco.
1. ''Gloria Patri"; with horns, oboes,
and strings. " 1780." i, f. 80 ; ii, f. 72.
2. "Recede, turba maligna": aria, in
score, followed by parts in the hand
of C. Franco. "1778." i, ff. 91, 102.
3. "Plena letitijs": aria, with trum-
pets, oboes, etc. "1777." i, f. 110;
ii, f.60.
4. " Gloria Patri." Written for the
celebrated singer Cafarelli [(?) in 1759
— see margin], i, f. 149.
5. " Regina cceli " ; in parts, i, f. 167.
6. "In te, Domine, speraui " ; with
flutes, etc., in parts, i, f. 192.
7. " Solis ardente face." Written for
Signor Fabrici (?). "1768." i, f.240;
ii, f. 88.
Additional 14193, ff. 9, 21, 72, 161.
Paper; a.d. 1769, 1795, etc. Oblong quarto. See also under Motets (above,
p. 347).
" Mottetti " for one voice, in score, unless the contrary is stated.
1. "Serena cceli imago." The vocal
part, with a bass, in score; followed
by parts for 2 violins, in the band of
Camillo Franco. " Gio. Batt[ist]a
Mancini." f. 9.
2. " Surgit horrida tempestas " ; with
accompaniments for strings and a
figured bass for organ. " Antonio
Cipolla, 1795," written for "Camillo
[Franco?]." Autograph, ff. 21-30.
3. " Placidi venti " ; with accompani-
ments for horns, flutes, etc., in score,
followed by the parts. "Giuseppe
Aprile, 1787." Partly in the hand
of Franco, ff . 72-89b.
4. " Fremo miser in furore " ; with
accompaniments for oboes, trumpets,
etc., in score, composed by " Michele
Nasci . . . 1769," for Gaetano Ma-
jorano detto Cafarelli. Autograph.
Followed by transcripts of the vocal
and string parts, ff. 161-198.
Additional 35040, ff 25b, 28b.
Paper ; about 1773. Oblong folio. See also under Pianoforto Solos.
The melody, with bass, of the following solos : —
1. "Let Earth and hell their powers
employ " ; with a short symphony,
the bass of which is for bassoon and
violoncello. "S.Wesley." Autogj-aph.
f. 25b.
2. " O God, who dost for ever live "
described as a " hymn on his m[a-
jesty]." "Dr. Boyce." f.28b.
SONGS. 439
Additional 34998, ff. 26-55 passim.
Paper; about 1774-1775. Oblong folio. See also under Anthems (above, p. 70).
The .melody of some hymns, with a bass, in score. They are,
unless the contrary is stated, by Samuel Wesley.
1. "'Tis done— the Sovereign will's , 3. " The Sacred Minstrel plays " ; with
obey'd." " S. Arnold, 1774." f. 26b.
similar symphonies, f. 38.
2. " Music, as first by heaven desighn'd 4. " Praise God from whom all blessings
(sic) " ; with violoncello accompani-
ment, and (?) orchestral symphonies,
f. 37.
flow." f . 45b.
5. " Praise the father for his love.'
f.55.
Additional 31642, ff. 2, 25.
Paper; a.d. 177G. Oblong folio. See also under Motets (above, p. 318).
with symphonies and accompani-
1. " Salvum fac populum " ; for a bass
voice with basso continuo, in score.
" Graun." Belonged to — Sale in
1787. ff. l-3b.
2. " Salve, Regina " ; for a treble voice,
ments for strings, in score. " F[erdi-
nando] B[ertoni], 1776." Autograph.
Dedicated to Signora Vicenza Mar-
chetti. f. 25.
Additional 34999, ff. 124b, 125b, 182, 183.
Paper; a.d. 1777. Quarto. See also under Hymns (above, p. 194).
Hymns for one voice, by Samuel Wesley. Autograph.
1. "Father, I know my day is nigh"; i pianoforte accompaniment. In the
with figured bass. f. 124b. hand of S. S. Wesley, f. 181.
2. "0 Jesus, our King"; for Easter | 4. Fragment: — " .... whose spirit
Day. "1777." f. 125b. bows before thee." The melody only.
3. "A Morning Song, by Dr. Watts," i Imperfect at the beginning and end.
beg. " Once more my soul"; with \ f. 183.
Additional 27641.
Paper; ff. 27. a.d. 1791. Oblong folio. Belonged to William Hutchins
Callcott (bookplate).
"These, as they change" : soena written for a bass voice (that of
James Bartleman), with symphony and accompaniments for horns,
oboes, bassoons, and strings, in score, by J[ohn] W[all] Callcott, 1791.
Autograph. As Callcott was at the time studying under Haydn, it
has been conjectured that the few pencil corrections are in that
composer's hand.
Additional 34279, B, ff. 56-57.
Paper; about 1791-1792 (date of composition). Quarto. See also under
Motets, (above, p. 299).
First and Second violin and violoncello parts of the above Scena,
transcribed by John Marsden.
30
440 VOCAL MUSIC— SACRED.
Additional 27645, ff. 54-55b.
Paper; a.d. 1792. Oblong quarto. See also under Canons (above, p. 122).
" Propter Sion non tacebo " ; with pianoforte accompaniment, in
compressed score, by J. W. Callcott, 1792. Autograph. Afterwards
worked into the cantata to the same words (see Add. 27639, above,
p. 135).
Additional 31412, f. 74b.
Paper ; about 1798. Oblong quarto. See also under Oratorios (above, p. 373).
" Migravit Juda " ; for one voice with a ground bass, in score, from
the Lamentations of Jeremiah. Anonymous. " Sung at St. Apol-
linaris, Rome." In the hand of Dr. Crotch.
Additional 14340, ff. 31b, 39.
Paper; a.d. 1798, 1807. Quarto. See also under Motets (above, p. 318).
Sacred Songs, with a figured bass, in score, by Samuel Wesley.
Autograph.
1. "In te, Domine, speravi." "1798."
f. 31b.
2. "Might I in thy sight appear."
" 1807." f. 39.
Printed Book, A. 909, pp. 105-121 passim.
Paper ; 18th cent. Oblong octavo. The volume also contains MS. airs from
an Oratorio (above, p. 373), a secular Duet, National Music (English, French,
Irish, and Scotch), airs from Operas, and secular Songs, etc., described in vol. ii.
A Collection of tunes bound up with a printed copy of A Select
Collection of Psalm and Hymn Tunes ... By ... Henry Boyd [1793].
The following are of a sacred character, and, with the exception of the
last, unaccompanied and anonymous. The names given in brackets to
the first four, after the manner of hymn-tunes, are misleading, as they
bear no resemblance to that class of composition.
1. " O Thou to whom all Creatures I " Hallelujah," at the end. p. 109.
bow." ("Cheshire,") p. 105.
2. " Thrice happy he that does refuse."
("Oxford.") p. 107.
3. "O render thanks to God above."
("Shropshire.") This has a chorus
(apparently in unison) to the words,
4. "Hymn to Charity," beg. "Hail,
fairest Daughter of the Sky." p. 113.
5. "Ye happy sinners"; with a bass
for harpsichord or organ, in score.
" Fenick '" (sc. Fenwick?). p. 121.
Egerton 2458, ff. 2-39.
Paper; 18th cent. Oblong quarto. See also under Motets (above, p. 319).
" Seuiat tellus " : " mottetto" for a treble voice, with symphonies and
accompaniments for oboes and strings, in score, written by G. F. Hendel
(sc. Handel). According to a note on f. 2 in the hand of the Rev. E.
SONGS. 441
Goddard, a later possessor, the MS. formerly belonged to the Colonna
family and was probably ordered by them for performance at the
church of Madonna di Monte Santo at Rome, on occasion of the
festival of Madonna del Carmine. The air, "O nox dulcis" (f. 19),
was subsequently introduced by Handel into his opera " Ottone," to
the words " Vieni, 0 figlio" (see flyleaf at beginning).
Egerton 2468, ff. 45, 46b.
Paper ; 18th cent. Oblong folio. See also under Masses (above, p. 224).
" Domine, ne in furore " ; with instrumental accompaniment and
figured bass, in score, apparently by J. J. Fux, who has inserted it in
his Gradus ad Parnaswm, 1725, as a specimen of a Recitative.
Additional 5044, ff. 98b-106b.
Paper ; 18th cent. Quarto. See also under Masses (above, p. 220).
" Salve, Regina " ; for a treble voice, with symphony and accom-
paniments for strings, and a figured bass, for organ, in score, by
Giovanni Battista Pergolesi.
Additional 14101, ff. 70-74b.
Paper ; 18th cent. Quarto. See also under Motets (above, p. 302).
" Qui tollis peccata mundi " ; for a treble voice, with accompani-
ments for strings and a figured bass for organ, in score, probably by
Francesco Durante. Autograph.
Additional 14102, ff. 143-1 52b.
Paper ; 18th cent. Folio. See also under Motets (above, p. 320).
" Responsorio di S. Antonio," beginning "Si quseris miracula";
for a treble voice, with symphonies and accompaniments, for strings
and a figured bass for organ, in score, [by Francesco Durante].
Autograph.
Additional 14104, ff. 57-90.
Paper ; 18th cent* Oblong quarto. See also under Motets (above, p. 301).
" Laudate, pueri, Dominum " : solo for a treble voice, with sym-
phonies and accompaniments for strings and a figured bass for organ,
by the same. Autograph.
Additional 14106, f. 194.
Paper ; 18th cent. Oblong quarto. See also under Masses (above, p. 218).
" Ace, Virgo Sancti amoris " ; for a treble voice, with symphony
and accompaniments for strings and a figured bass for organ, in score,
composed by the same for Carlo Matteo Granozzi. Autograph.
442
VOCAL MUSIC— SACREL
Additional 14112, ff. 54-91.
Paper; 18th cent. Oblong quarto. The MS. also contains Motets (above,
p. 342), part of an Oratorio (p. 374), some other sacred Songs (below, p. 450), and
secular vocal music, described in vol. ii.
Sacred Songs by Leonardo Leo, in score. Nos. 2-7 are " Cantate
Spirituali," accompanied by a figured bass.
4. " Tremolanti d' intorno." f. 74.
1. " Signor, de' falli nostri " : recitative
and aria, with accompaniments for
oboes, trombe da caccia, strings, etc.,
in score, f . 54.
2. " Adorato Giesu mio." f. 66.
3. " Doue fuggo, a che penso." f. 70.
5. " Vissi nol niego." f. 80.
6. " S' offendesti il mio Signor." f. 84.
7. "Sono piene di serene queste
spiagge." f. 88.
Additional 14131, ff. 115-160.
Paper; 18th cent. Quarto. See also under Motets (above, p. 321).
Settings for one voice, with string accompaniment, of most of the
lessons from the Lamentations of Jeremiah sung on Wednesday,
Thursday, and Friday in Holy Week. Composed by Nicolo Porpora.
There is no score, and, unless the contrary is stated, only the vocal
and violoncello parts are given.
1. The 1st and 2nd violin and violon-
cello parts of the second lesson for
Holy Thursday [" Lamed. Matribus
suis"?]. f.115.
2. " Lamed. Matribus suis." Different
from No. 1. ff. 127, 134.
3. " Incipit lamentatio Jeremise." f. 130.
4. "Vau. Et egressus est." f. 137.
5. "Aleph. Ego uir uidens." f. 143.
6. "Aleph. Quomodo obscuratum est."
f. 149.
7. " Incipit Oratio Jeremiae." f. 155.
Additional 14161, ff. 201, 202.
Paper; 18th cent. Oblong quarto. See also under Magnificat (above, p. 209).
" Tantum ergo " ; with a figured bass for Organ, in score. Supposed
to be by N. Fago. Autograph (?).
Additional 14183, ff. 91-119.
Paper ; 18th cent. Oblong folio. See also under Operas, in vol. ii.
" Si nocte tenebrosa " ; for soprano voice, with accompaniments for
2 violins, viola obbligata, 2 oboes, 2 horns, and a bass, in parts, by
Giovanni (sc. Johann Christian ?) Bach.
Additional 14191, passim.
Paper ; 18th cent. Oblong quarto. See also under Motets (above, p. 302).
Compositions for one voice, with a figured bass and in score, unless
the contrary is stated. Nos. 8 and 13 are described as " Mottetti.1'
1. " Salue, Begina" ; with strings, etc., parts in the hand of Camillo Franco.
in score, followed by the instrumental " Gio. Battista Pergolesi." f. 1.
SONGS.
443
2. " Salue, Regina " ; followed by the
parts in another hand. This and
nos. 3-6 are by " Tomaso Prota";
most of them having accompaniments
for strings, etc., in score. Autograph.
f. 21.
3. The vocal part of a " Salve, Regina,"
for a bass voice ; preceded by what
appears to be a sketch of the same.
f.45.
4-6. " Meditazioni del Giudizio," " Dell'
Inferno" and "Del Paradiso," beg.
with the words, "Al Giudizio, o
Christiano" (f. 49), " Doue andar' ti
credi" (f. 54), and " Se '1 natural di
Dio " (f. 58b), the last being imperfect
at the end.
7. "Dunque uerra quel giorno " : aria
without a bass. " Nicola Cecca,
1705" (? copy), f. 61.
8. " Matutino dum surgit Aurora";
with strings, etc., in score. " Gaet0
Latilla." Written for O. Vicenzino.
Apparently autograph, f. 64.
9. " Salue, Regina " ; with accompani-
ments for horns, oboes, strings, etc.,
in score. " Giuseppe Geremia." f. 78.
10. " In sacra cceli rlamma " ; with
similar accompaniments, in score.
" Fedele Fenaroli." Apparently auto-
graph, f. 106.
11. Sketch of what appears to be a
motet for 1 voice, with string accom-
paniment, in score. In the hand of
D. Zanatta. The only words given
are "... non pepercerunt." f. 137b.
12. "Salue, Regina"; with a bass, in
score, followed by horn, string, and
organ parts. " Ant° Catena." In
the hand of Camillo Franco, f. 139.
13. "Turbatur Maris vnda"; with a
bass, followed by the string parts.
"Gioacchino Rossi." In the same
hand. f. 164.
14. "Salue, Regina"; with accom-
paniments for strings, etc., in score.
" Gregorio Sciroli." Written for
Mattia Mariotti. Apparently auto-
graph, f. 176.
Additional 14192, passim.
Paper ; 18th cent. Oblong quarto. The MS. also contains a Motet (above,
p. 334), and part of an Opera (late 18th cent.).
" Mottetti," etc., for one voice, with accompaniments for strings
and organ. Unless the contrary is stated, they are in parts.
1. " Tonant irato ccelo " ; with oboes,
horns, etc. " Pascale Anfossi." f. 1.
2. " In tarn fera et rea procella " ; with
accompaniments for oboes, trumpets,
etc. " Giacomo Insanguine, detto
Monopoli." f. 27.
3. " Aure placide " ; with trumpets, etc.,
in score. By " Giuseppe d' Auossa "
of Naples, and in his hand. Followed
by a separate organ part, copied by
Camillo Franco, for whom the
motet appears to have been com-
posed, f. 75.
4. " Fremit procella " ; by the same.
The instrumental parts in the hand
of Franco, f. 95.
5. "Salue, Regina"; with horns, etc.,
in score, by the same. In the hand
of "Giorgio" (?). f. 109.
6. Another setting of the same words,
in score, apparently also by d' Avossa,
and in the same hand. f. 124.
7. "Larva insana"; with horns, etc.
" Giuseppe d' Avossa." Partly in the
same hand as no. 2. f. 137.
8. "Sicutin silva." " Onofrio Lorello."
Chiefly in the same hands as the
last, the organ part in that of
Camillo Franco, f. 159.
9. " Demptus crudeli morte " ; in score,
with additional string parts. " Gug-
lielmo Ludovici." Autograph, i. 179.
10. "La pieta " : cantata, beg. " Gia
scarco hauea lasciato." In score.
" Giuseppe Vignola." Autograph (?).
The words are by Marini. f. 191.
444 VOCAL MUSIC— SACRED.
Additional 24307, ff. 102, 103, 109.
Paper ; 18th cent. Oblong folio. See also under Operas, in vol. ii.
Three anonymous melodies, with a bass (figured in the case of
no. 3), in score.
1, 2. Two settings of the words " Alle-
luja. Amen." ff. 102, 103.
3. " O God, my Heart is fix'd." From
it is possible that this was intended
for a hymn as sung in the Anglican
Church, the lower parts being sup-
the heading, "A sacred Hymn. A. P.," plied from the figured bass. f. 109.
Additional 29483, ff. 17-24.
Paper; 18th cent. Oblong quarto. See also under Motets (above, p. 323).
" Et incarnatus est " ; for a treble voice, with symphony and
accompaniments for oboes, horns, and strings, and a figured bass for
organ, in score, in the hand of Giambattista Fenoglio, probably its
composer.
Additional 31490, ff. 74-8 lb.
Paper ; 18th cent. Oblong quarto. See also under Madrigals, in vol. ii.
" Salve, Regina " ; for an alto voice, with accompaniments for
strings and a figured bass for harpsichord or organ, in score, by
Giovanni Battista Pergolesi.
Additional 31506, ff. 153, 159.
Paper ; 18th cent. Oblong folio. See also under secular Songs, in vol. ii.
Two sacred solos, with accompaniments for strings and a bass
(figured in no. 2) for organ, in score.
1. "De lamentatione Jeremie." " Se- I 2. " Tantum ergo." "Franc0 Mona-
uerio di Luca." f. 153. I rino." f. 159.
Additional 31625, ff. 1-17.
Paper ; 18th cent. Oblong folio. See also under Operas.
" Cessate, mundi cure moleste " : motet for soprano, with violins
and violetta, in score, by Leonardo Leo, apparently transcribed by
" A. R."
Additional 31627.
Paper ; ff . 12. 18th cent. Oblong folio.
" Scintillando Celestes ardores " ; for a soprano voice, with sym-
phonies and accompaniments for strings and a figured bass for harpsi-
chord or organ, in score, by Hasse. Said to be autograph.
SONGS.
445
Additional 31628.
Paper ; ff . 178. 18th cent. Oblong quarto.
" Mottetti . . . per lo spedale degli Incurabili a Venezia " ; for
female voices with symphonies and accompaniments for 4 instruments,
in score, by [J. A.] Hasse, " [il] Sassone." The names of those for
whom they were written are given.
1. " Salue, Regina." f. 1.
2. " In carcere horrendo." f. 16.
3. " Vt sole fulgenti." f. 35.
4. "Gaude, 6 cor." f. 53.
5. " Prata, colles, plantae, flores." f. 77.
6. "Inter undas agitatus." Attention
is called in a note to the likeness
between this air and Bishop's "Bid
me discourse." f. 98b.
7. " Chori aDgelici laetantes." f. 121b.
8. " Timida [hjirundo gemit." f. 143.
9. "Cessate, 6 [h]armonici concentus."
f. 159b.
Additional 31684, ff. l-25b.
Paper ; 18th cent. Oblong folio. The MS. also contains a Motet (see above,
p. 329).
" Aleph. Ego vir videns " : the third lesson for Holy Thursday, set
for an alto voice, with symphonies and accompaniments for flutes,
horns, and strings, and a figured bass for organ, in score, by Nicolo
Jommelli.
Additional 32160, ff. 55b-56 (reversed).
Paper; 18th cent. Oblong folio. See also under String Trios (1747), in vol. iii.
" Domine Deus, Rex ccelestis " ; for a bass voice, with organ accom-
paniment, in score. Unfinished. Anonymous. Inserted in a volume
of original compositions by Dr. Boyce.
Additional 32389, ff. 45, 51.
Paper ; 18th cent. Folio. See also under sacred Cantatas (above, p. 132).
Two church cantatas for a solo voice with symphonies and accom-
paniments for strings and organ, in score, by [Georg Philipp]
Telemann.
1. " Wie lieblich, wie schone, ist dieses
zuhoren." Belonged to — Frohbach.
f.45.
2. " Jauchzet, frohlocket I der Himmel
ist off en." f. 51.
Additional 34610, f. 15.
Paper; 18th cent. Quarto. See also under Anthems (above, p. 93).
"Quasi Rosa in Aprile ridens": motet for treble voice, with
accompaniments for 2 violins and a figured bass, in score, by Giacoino
Battistini (op. 2).
446 VOCAL MUSIC— SACRED.
Additional 14175, ff. 1-172 passim.
Paper ; second half of 18th cent. Oblong quarto. The MS. also contains
Motets (above, p. 331) and parts of an Oratorio (p. 376) and of an Opera, described
in vol. ii.
" Mottetti," etc., for one voice, with symphonies and accompani-
ments for strings and a bass for harpsichord or organ, in score (unless
the contrary is stated). Nos. 1-5 are by Letterio Ferrari and in
his autograph.
1. " Ardet coelesti face." f. 1.
2. " Salue, Regina." f. 5.
3. " Rident in campo flores." f. 13.
4. " Quasi Navis in procella " ; with
separate vocal and string parts (copies).
f. 23.
5. " Nova luce Hec dies ornata" ; with
separate parts, f . 47.
6. "Ludit tranquillo in mare"; with
horns, etc., and additional instru-
mental parts. " Gasparo Gabellone."
i. 71.
7. "Mater amoris"; without strings.
[By the same (?).] f. 102.
8. " Lsetare tuo valore " : organ part
with words of recitatives. By the
same. Belonged to Camillo Franchi.
f. 110.
9. " Fere procelle " ; with horns, etc.
In parts only. By the same. ff. 113—
129b.
10. " Sicut sol lucente mane." In parts
(wrong order). " Tomasso Traetta."
Belonged to Vincenzo Torretti.
ff. 151-172.
Additional 14110, ff. 182-204.
Paper ; late 18th cent. Oblong quarto. See also under secular Duets, in vol. ii.
" Cantate spirituali," for a contralto voice, with a figured bass for
harpsichord, in score, by Francesco Durante.
1. " Dove, infelice." f. 182.
2. " Lascia alfin, mio cor." f. 185b.
4. " Chi per pieta mi rende." f. 193.
5. " Al risuonar di spaventose Trombe."
3. " Dunque fra pochi istanti." f. 189b. f . 200.
Additional 14137, ff. 159-170.
Paper; late 18th cent. Oblong folio. See also under Motets (above, p. 332).
" Justus ut palrna " : graduate for a treble voice, ending with
" Alleluia " for 3 voices, with accompaniments for strings and a
figured bass for organ, in score, by Nicolo Jommelli, 1751. Tran-
scribed by Giuseppe Sigismondo.
Additional 14158, passim.
Paper ; late 18th cent. Oblong quarto. The MS. also contains a Mass (above,
p. 225) and a Motet (p. 333).
" Mottetti," etc., for a treble or alto voice, by Francesco di Majo.
No. 1 is in score ; the others, in parts.
1,2. "Salve, Regina." Two settings paniments for horns, oboes (in no. 2),
in F, with symphonies and accom-
and strings, ff . 1, 27.
SONGS.
447
3. "Quasi a procella"; with horns,
strings, and organ. Belonged to
Vincenzo Torretti. f . 16?.
4. " Arma pone " ; with strings and
organ, f. 189.
5. " Plausus dare ne cesses " ; with
horns, oboes, and strings, f. 207.
Additional 14162, ff. 85, 97, 141.
Paper; late 18th cent. Oblong quarto. See also under Motets (above, p. 334).
Solos for a soprano voice, with symphonies and accompaniments
for horns, strings, and organ, in score, by Domenico Auletta. Autograph.
1. " De profundis." f.85.
2. "Requiem eternam." f . 97.
3. " De profundis " (different from
no. 1). f.141.
Additional 14200, ff. 14, 25, 38.
Paper ; late 18th cent. Quarto. See also under Motets (above, p. 334).
Separate parts of sacred solos. Anonymous.
1. " Gloria Patri." Vocal part with
bass for organ, strings, and duplicate
bass. f. 14.
2. " Vt det illis hsereditatem." Vocal
part with bass. In two keys. ff. 25, 27.
3. " Cessate." Trumpets, oboes, strings,
and bass. At the end of the 1st
violin part is written " 646. P. R."
(? = 1646. Pietro Reggio). f . 38.
Additional 29293.
Paper ; ff. 19. Late 18th cent. Oblong folio. Belonged in 1818 to H. Cooke.
" Salve, Regina " ; for a treble voice, with symphonies and
accompaniments for oboes, horns, and strings, in -score, by Johann
Christian Bach. Autograph, as attested by F[rederic] N[icholai].
Additional 31486.
Paper ; ff. 18. Late 18th cent. Oblong folio.
" Lamentazione 3za del Giovedi Sto," i.e. the third lesson for Holy
Thursday (or rather Good Friday 1), taken from the Lamentations of
Jeremiah, beginning with the words " Aleph. Ego vir videns pauper-
tatem meam." Written for a bass voice (? the Giuseppe Cecchi whose
name is given on f. 1), with accompaniments for strings, clarinets, and
bassoon, in score, by Francesco Rossi.
Additional 31612, passim.
Paper ; late 18th cent. Obloug quarto. See also under Lamentations (above,
p. 199).
Settings of three of the Lessons for Holy Week taken from the
Lamentations of Jeremiah ; for a treble, with accompaniments, in score.
448 VOCAL MUSIC— SACRED.
By Francesco Durante. Nos. 1 and 2 have only a figured bass for the
organ.
1. " De Lamentations Jeremise," beg.
" Heth. Misericordise." f. 3.
2. "Jod. Manet (sc. Manum) suam
misit hostis." f. 7.
8. "Lamed. Matribus suis dixerunt " ;
for treble, with 2 violoncellos, etc.
f.24.
4. " De lamentatione Jeremiae," beg.
" Hetb. Misericordiae " ; for treble,
witb flutes, borns, strings, etc. (dif-
ferent from no. 1). f. 31.
Additional 31754, ff. 135b, 136b.
Paper ; late 18th cent. Oblong folio. See also under Anthems (above, p. 70)
Sacred Songs by Charles Wesley. Autograph.
1. "Hark, hark, the sacred minstrel
plays " : hymn with harpsichord ac-
companiment. " From the Sacred
Poems of the Rev. Mr. Charles
Wesley." f. 135b.
2. " To God our strength sing loud and
clear " : melody with figured bass,
possibly intended for a hymn in 4
parts, f. 136b.
Additional 32181, f. 10.
Paper ; late 18th cent. Oblong folio. See also under Operas (1796), in vol. ii.
Sketches of the melody and figured bass of a prayer, beginning
" Heiliger Geist, breiten tiber uns dein Gnaden-licht," by Franz Xaver
Siissmayr. Autograph.
Additional 32395, ff. 18-29.
Paper ; late 18th cent. Small oblong folio. See also under Motets (above,
p. 363).
" Salve, Regina " ; for a treble voice, with symphony and
accompaniments for horns and strings, in score, by Francesco di Majo.
Additional 32596, passim.
Paper ; late 18th cent. Polio.
Songs of a more or less sacred character, contained in a collection
of " Freimauer-Lieder." See under secular Songs, in vol. ii.
Additional 33569, ff. 1-28.
Paper ; late 18th cent. Oblong folio. The MS. -also contains a sacred Cantata
(above, p. 134), and a Requiem (p. 394).
" Professor Gellerts Geistliche Oden und Lieder, mit Melodien
von Carl Philip Emmanuel Bach. Berlin, 1758": a MS. copy of an
early edition of that work, first published in 1754. They all appear,
in slightly different order, in the 1771 edition. The melody and piano-
SONGS. 449
forte accompaniment are in compressed score. The first lines of the
Songs are given in the Index to the present Catalogue.
Additional 34609, f. 76b (reversed).
Paper ; late 18th cent. Folio. See also under Anthems (ahove, p. 92).
" Orientis partibus Adventavit Asinus " : the original melody with
an added bass, preceded by an account of the MS. from which it
is taken.
Additional 14144, ff. 1-18.
Paper ; 18th-19th cent. Folio. See also under Motets (above, p. 338).
" Beatus vir qui timet Dominum " ; for contralto and 4-part chorus,
with a figured bass for organ, by Zingarelli. Autograph (?).
Additional 14189, fl. 27b, 28.
Paper; 18th-19th cent. Oblong quarto. The MS. also contains a Miserere
(above, p. 249), Masses (p. 230), etc.
Melody, with figured bass, of the antiphon, " Christus f actus est
pro nobis obediens usque ad mortem," for Holy Wednesday, with the
words " Mortem autem crucis " added for Holy Thursday. By
Leonardo Leo.
Additional 30954, f. 28.
Paper ; 18th-19th cent. Quarto. See also under Operas, in vol. ii.
" Except the Lord the house erect," with a bass for pianoforte, in
score, by Charles Dibdin. Autograph.
Additional 31581, 31582, 31584, passim.
Paper ; 18th-19th cent. Quarto. See also under Choruses (above, p. 176).
Psalms for a solo voice, with a bass for harpsichord or organ, in
score, from the Estro Poetico-Armonico, published in four volumes,
1724-1727, by Benedetto Marcello.
31581. 1. "0 di che Lode"; with
chorus in unison, f . 84.
2. " 0 Signor, chi sara mai." f. 163.
3. "Signor, dell' empia gente"; with
violoncello, f. 169.
31582. " Volgi, volgi, mio Dio"; with
violettas and violoncello. £. 102.
31584. 1. " In mezzo alle miserie." 1.2.
2. " Dal Tribunal' augusto." f. 38.
3. " O genti tutte." f.84.
Additional 32173, ff. 135-141b.
Paper ; 18th-19th cent. Oblong folio. See also under Cantatas (above, p. 130).
Metrical versions of portions of the Psalms, etc., in German, set to
music by J. Michael Haydn. Autograph. They consist of melodies
(two verses of each) in the ecclesiastical tones, with accompaniments
450 VOCAL MUSIC— SACRED.
for trumpets or horns, and a figured bass for organ, in score. Nos. 1-4
are J. B. Depisch's Clioral-Vcspern, each of which is divided into three
psalms ; nos. 6-10 appear to be from " Davids Psahnen und Biblischen
Gesangen" by Franz Karl Kirnle.
1. "Kommt ihr, Christen" (f. 135),
" 0 Ew'ger " and " Auf dieser Welt "
(f. 135b).
2. "Warm ich von Zerstieuung fern"
(f. 136), "Der Erdkreis" and "Geh,
Mensch " (f. 136b).
3. "0 grosser Gott" (f. 137), "Gott
sorgt fur mich" and "Heilig ist, 0
Herr, dein Wesen" (f. 137b).
i. " Vor dir ist alles offenbar " (f. 138),
" Herr ! Dir kann ich sicher glauben "
and "Du strafest und belohnst"
(f.l38b).
5. A version of the Magnificat, beg.
"In dir ruht, Herr, mein ganz
Gemuthe." f . 139.
6. Another, beg. "Ganz vom Dank-
gefiihl geruhret." f. 139b.
7. "Wer dahier in seinen Plagen."
From Ps. xc. f. 140.
8. "Lasst uns dem Hochsten singen."
Prom the Song of Moses, f. 140b.
9. " Wie selig ist dor Mensch." From
Ps. cxviii. f. 141.
10. " Der Herr bekam ein Konigreich."
From Ps. xcii. f . 141b.
Additional 32178, ff. 52-54 ; 32179, ff. 9-1 7b.
Paper; 18th-19th cent. Oblong folio and folio. For the contents of vol. i,
see under Choruses (above, p. 166) ; and for vol. ii, under secular Songs (1831).
" Exultkt orbis " : aria for soprano, by [Francesco di] Majo. Vol. i
contains the melody with harpsichord accompaniment, in score ; vol. ii,
separate parts for flute, 2 horns, 2 violins, viola, violoncello, and bass.
Additional 14109, ff. 98-110.
Paper ; early 19th cent. Oblong quarto. See also under Motets (above, p. 342).
" Alma Redemptoris mater " ; for a bass voice, with symphony and
accompaniments for strings, and a figured bass for organ, in score,
composed by Francesco Durante, 1739.
Additional 14112, ff. 15-53b.
Paper ; early 19th cent. Oblong quarto. See also above, p. 442.
" IX Lezioni per la Settimana Santa a voci sole e Basso " ; in
score, beginning " lncipit lamentatio Jeremia?," composed by Leonardo
Leo "per la Real capella di Napoli ... 1744." In the hand of G.
Sigismondo.
Additional 14130, ff. 1-70.
Paper ; early 19th cent. Oblong quarto. See also under Duets (above, p. 176).
Four of the Lessons for Holy Wednesday and Holy Thursday,
taken from the Lamentations of Jeremiah, set for a treble or alto voice,
with symphonies and accompaniments for strings, and a figured bass
for the organ, in score, by Nicolo Porpora.
1. " lncipit lamentatio Jeremie." f. 1.
2. " Vav. Et egressus est." f. 19.
3. " De lamentatione Jeremise." f. 34.
4. " Aleph. Ego uir uidens." f. 51.
SONGS. 451
Additional 14140, ff. 1, 8b.
Paper ; early 19th cent. Oblong quarto. See also under Motets (above, p. 343).
Two Solos for a treble voice, with symphonies and accompaniments
for strings and a figured bass for organ, in score, by Nicolo Jommelli.
1. " Veni, Sponsa Christi." " 1751." I 2. " Veni, Creator Spiritus " ; with
f . 1. 4-part chorus, etc. f. 8b.
Additional 31818, f. 80.
Paper ; early 19th cent. Oblong folio. See also under Anthems (above, p. 95).
" O Lord, our God, tremendous rise " ; with instrumental sym-
phonies and accompaniments, in full score, by Jommelli. Described
as " Mr Doyle's song."
Additional 31821, f. 155.
Paper; early 19th cent. Oblong folio. See also under Anthems (above, p. 94).
" Happy the man whose tender care " : solo for a soprano voice,
with figured bass. Anonymous. In the hand of R. J. S. Stevens.
Additional 35024, f. 14.
Paper; early 19th cent. Oblong quarto. See also under Anthems (above, p. 93).
A Gregorian " Tantum Ergo" ; with a figured bass for organ, by
V[incent] Novello. Autograph.
Additional 35038, f . 44.
Paper; a.d. 1802. Quarto. See also under Anthems (above, p. 100).
" The Lord my Pasture shall prepare " ; with figured bass (partly
expanded), for organ, by C[harles] W[esley]. Autograph.
Additional 27643, ff. 22, 22b.
Paper ; a.d. 1809. Quarto. See also under Glees (1803-1812), in vol. ii.
" Our Father, who art in Heav'n " and " I believe in God, the
Father almighty " ; with a bass for pianoforte, in score, by Dr. J. W.
Callcott, 1809. Autograph.
Additional 35003, ff. 7, 9.
Paper; a.d. 1811. Oblong quarto. See also under Motets (above, p. 349).
" Introitus, atque Alleluia, Ad tertiam Missam, in Die Nativitatis
Domini," beginning " Puer natus est nobis " and " Dies sanctificatus
illuxit nobis " : specimens of plainsong, with organ accompaniment by,
and in the hand of, S[amuel] W[esley], 1811.
452
VOCAL MUSIC— SACRED.
Additional 27640, ff. 2-14b.
Paper; about 1812 (watermark). Oblong folio. See also under secular Songs
(1786-1815), in vol. ii.
[" The Seasons," beginning] " These as they change " ; with instru-
mental accompaniment, in score, by Dr. [John Wall] Callcott, said
to have been composed while he was studying under Haydn, during
the latter's visit to London in 1791-1792. Autograph. The orchestra
for which the symphonies and accompaniments were written consisted
of horns, oboes, flutes, bassoons, trumpets, drums, and strings.
Additional 19569, ff. 23-33.
Paper ; a.d. 1819, etc. Oblong folio. See also under secular Songs (1817-1826).
Tiiree sacred songs ; the words by Thomas Moore. They appeared
in A Series of Sacred Songs, 1816-1824, published by James Power.
1. " Is it not sweet to think " ; melody
and words. Two copies, the first in
Moore's hand. ff. 23, 26.
2. Another setting of the same,
adapted from Haydn, with pianoforte
accompaniment by Sir John Steven-
son and in his hand. The air and
part of the words are in Moore's
hand, followed by a copy, ff . 24, 25.
With another copy of the words at
f. 27.
3. " Like morning, when her early
breeze" ; with pianoforte accompani-
ment, in score. Words in Moore's
hand, the music in that of Stevenson,
who received the song after 20 Oct.
1816. Followed by another copy of
the words, of which the last two verses
are also in Moore's hand, ff . 28-30.
4. " Lord, who shall bear that day ' ' ;
with pianoforte accompaniment, in
score, in the hand of Moore, who
adapted the song to music from a
" March by Dr. [William] Boyce.
Recd [for publication] March 16th,
1819." Followed by a copy of the
words and melody, and another of
the words only, at the end of which
are added, in Moore's hand, references
to Scripture authorities, ff . 31-33.
On f. 22 are given the words of another Song,
mounts " ; air by Stevenson.
How lightly
Additional 32013, ff. 17b, 30, 60b, 110; 32018, ff. 26-90 passim.
Paper : a.d. 1830-1849. Oblong quarto ; folio. See also under Hymns (above,
p. 189). '
Sacred Songs, mostly with pianoforte accompaniment, by Thomas
Miles. Autograph. The names of the authors of the words are given
in brackets.
32013.
1. "Is there ambition in my heart?"
Psalm (Watts). " 1830." f. 17b.
2. " See the leaves around us falling " :
recit. and air (Bp. Home). " 1835."
f.30.
3. " To Thee, my God, to Thee alone " :
psalm (Merrick), with figured bass.
"1847." f.60b.
4. " Supreme and universal light ! "
Hymn (Moore). "1849." It is not
certain whether the verse which
follows, " O Father t grace and virtue
grant," belongs to it. f. 110.
SONGS.
453
32018. The work referred to below as " Noel," is the Hon. B. W.
Noel's Selection of Psalms and Hymns, 1838.
1. " There's not a bird with lonely
nest " (Noel) ; with chorus and sera-
phine accompaniment, f. 26.
2. " 0 shame upon thee, listless heart " :
hymn (Noel), f. 32.
3. "The wand" ring star, the fleeting
wind " : hymn. (From the same.)
f. 33b.
4. "Dies Irse," beg. "That day of
wrath " (Sir Walter Scott), f. 38.
5. " Do not I love thee, 0 my Lord ? "
Hymn (Doddridge), f. 44.
6. " Friend after friend departs " (Noel).
f. 62.
7. " When the spark of life is waning "
(Rev. T. Dale), f . 68.
8. " With kind compassion hear my
cry " (Parnell). f. 74.
9. "Shout, 0 earth, for God is king"
(Noel) : solo with chorus, f . 84b.
10. " Father, in all my comforts here."
(From the same.) f . 86.
11. " Faith, 'tis a precious grace."
(From the same.) f. 89b.
Additional 9077, passim.
Paper ; about 1832. Oblong folio. See also under Anthems (above, p. 103).
Sacred Songs, with organ accompaniments, in score, by Henry
Purcell. Transcribed by Vincent Novello from Playford's Harmonia
Sacra, unless the contrary is stated.
1. " Now that the Sun." f. 1.
2. " Thou wakeful shepherd." f.3.
3. "In the black dismal Dungeon of
Despair." f. 4.
4. " Awake ! awake I and with attention
hear." f. 7b.
5. " With sick and famished eyes."
f. 15b.
6. " Begin the song and strike the
living Lyre." f. 22b.
7. " How long, great God." f. 26.
8. " Tell me, some pitying angel." f. 32.
9. " 0 solitude." From a MS. belong-
ing to V. Novello. f . 35b.
10. " My op'ning eyes are purg'd."
f . 37b.
11. "Lord, what is man, lost man."
f . 39b.
12. " Arise, my darkned melancholy
soul." f. 47.
13. "Full of wrath." From a MS.
belonging to Rev. Joshua Dix. f . 49.
Additional 33568, ff. 93, 94.
Paper ; after 1834 (see f. 93b). Quarto. See also under Anthems (above, p. 69).
" 'Mid scenes of confusion and creature complaints " ; altered from
Bishop's " Home, Sweet Home." Apparently intended for a treble solo,
with a refrain to the words " Home, sweet Home," to be sung in
chorus.
Additional 35026, f. 26.
Paper ; a.d. 1837. Quarto, See also under Albums (1836-1895), in vol. iii.
" Domine, dimitte illis qui nesciunt quid faciunt " ; for a treble or
tenor voice, with bass. Only four bars (? imperfect). By M. (after-
wards Sir Michael) Costa.
454 VOCAL MUSIC— SACRED.
Additional 14341, f. 28b.
Paper ; before 1843. Oblong folio. See also under Anthems (above, p. 107).
"Gentle Jesus, meek and mild"; composed in 1808 by Samue
Wesley, with an accompaniment for pianoforte or organ, in score.
Additional 34803, f. 79,
Paper ; mid. 19th cent. Quarto. See also under secular Songs (1820-1824).
" Ave, verum Corpus " ; for tenor voice, with accompaniments for
oboes, clarinets, bassoons, horns, violins, violas, violoncello, and bass,
in full score, by E[douard] Silas. Dedicated to T. Swift.
Additional 34804, f. 1.
Paper; a. d. 1852. Oblong folio. See also under secular Songs (1820-1824).
" There are who sigh " : hymn for one voice, with pianoforte accom-
paniment. Composed for Miss Bowles by John Lodge Ellerton.
Additional 31897, D, f. 8.
Paper; before 1882 (see below). Quarto. Presented to the British Museum,
in 18S2, by Mrs. M. Elizabeth Douglas.
Melody with a bass for the pianoforte, in score, of the " Hymne
a l'Etre Supreme," beginning " Pere de l'univers," by Mehul. Pro-
bably in the hand of the donor.
Egerton 2454, ff. l-29b.
Paper ; 19th cent. Oblong quarto. See also under Miserere (above, p. 251).
Il pianto di Maria : Cantata Sacra a Soprano da eseguirsi avanti
il Santo Sepolcro. Musica di Giorgio Federico Handel." Begins
" Giunta 1' ora fatal." The recitatives have only a figured bass, but in
the other portions of the cantata there are symphonies and accom-
paniments, in score, for 3, 4, or 5 instruments. Not yet (1905)
published by the Handel-Gesellschaft.
Egerton 2462, ff. 29, 35, 46.
Paper; 19th cent. Oblong quarto. The MS. also contains a Mass (above,
p. 238), a Miserere (p. 251), Motets (p. 360), part of a Service (above, p. 419), and
a secular Song (19th cent.).
Sacred Songs, from a collection of vocal music, in score, almost
entirely in the hand of the Abbate Fortunato Santini, who dedicated
most of it to his friend, the Rev. Edward Goddard. Nos. 2-9 are
" Versetti scelti dall' Opera li Responsorj de' Morti a piena Orchestra
. . . di David Perez. Riduzione per Piano Forte . . . da . . . Santini."
SONGS.
455
For a copy of the work in its original form see Add. 33598 (above,
p. 330).
1. " Dabit percutienti se " ; with piano-
forte accompaniment by the tran-
scriber. " Francesco Durante." f. 29.
2. "Quern visurus sum." f. 35b.
3. " Qui venturus es." f. 36b.
4. " Commissa mea." f. 38b.
5. " Anima nostra turbata est." f. 39.
6. "Dirige, Domine, Deus meus."
f . 40b.
7. " Tremens f actus sum." f. 41b.
8. " Qui Lazarum resuscitasti." f. 42b.
9. " De profundis clamavi." f. 43b.
10. " Pater Noster " ; for soprano, with
accompaniments for strings, in score,
composed for Queen Marie Antoinette
by " Nicola Piccini." f. 46.
Egerton 2466, ff. 2-42.
Paper ; 19th cent. Oblong folio. See also under Motets (above, p. 361).
" Le Lamentazioni per il Mercoldi, Giovedi e Venerdi Santo, a
sola voce con Basso numerato," in score, by Leonardo Leo.
6. "Aleph. Ego vir videns." f. 24b.
7. " De lamentatione Jeremise. Heth.
1. " Incipit lamentatio Jeremise." f . 2b.
2. " Vau. Et egressus est." f . 6b.
3. " Manum suam misit hostis." f. lib.
4. "De lamentatione Jeremise. Heth.
Cogitavit Dominus." f. 16b.
5. "Lamed. Matribua suis dixerunt."
f . 20b.
Misericordise Domini." f. 29b.
8. "Aleph. Quomodo obscuratum est."
f. 34.
9. " Inoipit oratio Jeremise." f. 37b.
Egerton 2470, f. 49.
Paper; 19th cent. Oblong folio. See also under Miserere (above, p. 251).
" De profundis clamavi ; a Basso solo con piccolo P[iano] F[orte].
Musica di David Perez . . . Estratto dall' Opera, Li Responsorj de'
Morti, cosi ridotto da F. S[antini]," by whom it appears to have been
presented to the Rev. Edward Goddard. Compare Egerton 2462,
f. 43b (above, p. 454).
Additional 32594, ff. 33, 39.
Paper ; 19th cent. Folio. See also under Motets (above, p. 363).
Two offertoria for a tenor voice, with accompaniments for a string
quartet and a bass for harpsichord or organ, in score, by Johann
Krall.
1. " Felix est qui lseto corde." f . 33. | 2. " O salutaris Hostia." f . 39.
Additional 36740, f. 85.
Paper ; 19th cent. Folio. See also under Authems (vol. i, p. 112).
" JEPHTiiAn's Daughter " : scene for mezzo soprano, with accompani-
ment for strings and harp. December, 1880. Words by Lord Byron.
31
456 VOCAL MUSIC— SACRED.
SECTION XXVII.— STABAT MATER.
Harley 1709, ff. 7, 20.
Paper ; 16th cent. Quarto. See also under Motets (above, p. 266).
Two settings of the hymn, " Stabat Mater," by English composers,
the first (ff. 7-9) by [Thomas?] Asshwelle and the other (ff. 20-2 lb)
anonymous. Medius part. The text varies considerably from that in
common use.
Additional 14334, ff. 90r97b.
Paper ; early 18th cent. Oblong quarto. See also under Masses (above, p. 217).
" Stabat Mater " ; for 4 voices, with accompaniments for strings
and an occasional figured bass for the organ, in score, by [Nicolo?]
Fago. Possibly autograph.
Additional 5044, ff. 73-98.
Paper ; before 1760. Quarto. See also under Masses (above, p. 220).
" Stabat Mater " ; in C minor, for soprano and alto voices, with
symphonies and accompaniments for strings, and a figured bass for
organ, in score, by G. B. Pergolesi.
Additional 5049, fi. 1, 34.
Paper ; before 1760. Quarto. Bookplate of James Mathias.
Two settings of the " Stabat Mater " for solo voices and chorus,
with symphonies and accompaniments for strings, and a figured bass
for organ, in score. In the hand of Henry Needier.
1. In G minor, with 4-part chorus, etc. I 2. In G minor, with 6-part chorus, etc.
" Baron d' Astorga." f. 1. " Abbate Steffani." f. 34.
Additional 5054, ff. 54-61b.
Paper ; before 1760. Quarto. See also under Anthems (above, p. 68).
" Stabat Mater " ; for 5 voices, in score. [By Josquin des Pres.]
Divided into two parts, the second beg. " Eya Mater, fons amoris."
Additional 31668.
Paper ; ff . 13. a.d. 1770. Oblong folio.
" Stabat Mater " ; in C minor, for 4 voices, with a figured bass for
organ, in score, by [Davidde] Perez, 1770. Autograph.
STABAT MATER. 457
Additional 31309, ff. 1-60.
Paper; after 1780. Oblong folio. See also under Motets (above, p, 317).
" Stabat Mater " ; in C minor, for 2 soprano voices, with sym
phonies and accompaniments for flutes, horns, and strings, in score ; by
Carl Rodewald. Written at Cassel, about 1780.
Additional 11582, ff. 66b-68b.
Paper ; before 1782. Quarto. See also under Masses (above, p. 222).
" Stabat Mater " ; for 5 voices, in score, by Josquin [des Pres].
Scored from the Motetti de la Corona, published by Ottavio Petrucci in
1519. It is divided into two parts and ends, " Paradisi gloria."
Additional 14201, ff.l32b-145.
Paper ; a.d. 1786-1787. Large folio. See also under Motets (above, p. 316).
" Stabat Mater " ; for 4 choirs of 4 voices each, with a figured bass,
in score, by Erasmo di Bartolo, " detto P[adre] Raimo."
Egerton 2458, ff. 40-79b.
Paper ; 18th cent. Oblong quarto. See also under Motets (above, p. 319).
" Stabat Mater " j in G minor, for solos and 4-part chorus, with
symphonies and accompaniments for strings, and a figured bass for
organ, in score, by Baron d' Astorga,
Additional 14245, f. 60b.
Paper ; 18th cent. Oblong folio. See also under Pianoforte Solos, in vol. iii.
Mklody of the fifteen opening bars of a " Stabat Mater," in an
Italian hand.
Additional 29483, ff. 33-48b.
Paper ; 18th cent. Oblong quarto. See also under Motets (above, p. 323).
"Stabat Mater"; in F, for 2 contra-tenors and a bass, with a
figured bass for organ, in score, by Giambattista Fenoglio. Autograph.
Additional 31498.
Paper ; ff. 50. 18th cent. Quarto. Belonged to P. Salter.
" Stabat Mater " ; in G minor, with accompaniments for strings
(3 violas, etc.), and a figured bass for organ, in score, by Steffani.
458 VOCAL MUSIC— SACRED.
Additional 31662, 31663.
Paper ; ff . 30, 75. 18th cent. Oblong folio. The first copy belonged
originally to G. M. (see initials on cover) and afterwards to "M°" Bettini,
Venice (1771).
Two copies of the " Stabat Mater " in C minor, for treble and alto,
with symphonies and accompaniments for strings, and a bass (figured
in the first copy for organ), in score, by Pergolesi.
Additional 14154, ff. l-22b.
Paper ; late 18th cent. Quarto. See also under sacred Songs (above, p. 438).
" Stabat Mater " ; in G minor, for treble and alto, with symphonies
and accompaniments for strings, and a figured bass for organ, in parts,
by Pasquale Cafaro. Autograph.
Additional 14161, ff. 86-115.
Paper ; early 19th cent. Oblong quarto. See also under Magnificat (above,
p. 209).
" Stabat Mater "; in F minor, for 4 voices, with symphonies and
accompaniments for strings and a figured bass for organ, in score, by
Nicolo Fago, " detto Tarentino." In the hand of Abbate F. Santini.
Additional 14196.
Paper ; ff . 122. Early 19th cent. Quarto.
" Stabat Mater " ; in G minor, for 4 solo voices and 4-part chorus,
with symphonies and accompaniments for oboes and strings, and a bass
(not figured) for organ, in score, by Hay den (sc. F. J. Haydn). Copied
in a French hand.
Additional 24292.
Paper ; ff . 60. After 1820 (watermark). Oblong folio. Belonged, in 1861, to
Dr. H. Gauntlett.
" Stabat Mater " ; in F minor, for 2 trebles and 4-part chorus,
with symphonies and accompaniments for strings, in score, by Pasquale
Cafaro. At the beginning (f. 2b) is a copy of the dedication to the
King of Naples [Ferdinand IV.].
Additional 31481, ff. 86-88.
Paper; about 1825 (watermark). Oblong folio. See also under Motets
(above, p. 350).
" Quando corpus": from a transcript made in 1753 of a "Stabat
Mater," in E minor, by Clari.
STABAT MATER. 459
Additional 33239, ff. 166-195.
Paper ; about 1832. Oblong folio.
"Stabat Mater"; for 4 voices, with strings, in full score, by
Baron Emanuele d'Astorga. Copied by Vincent Novello from a MS.
in the possession of the Rev. C. J. Latrobe.
Additional 35134, ff. 1-1 3b.
Paper; a.d. 1832 (see f . 43). Oblong folio. The MS. belonged to Edward
Tucker. It also contains Chants (above, p. 151), a Miserere (p. 250), a Motet
(p. 351), Passion Music (p. 389), part of a Eequiem (p. 395), and a Service (p. 419).
" Stabat Mater " ; for 2 choirs of 4 voices each, in score, by
Palest rina, transcribed by R. G.
Additional 31526, f. 1.
Paper ; after 1837 (watermark). Oblong folio. See also under Motets (above,
p. 349).
" 0 quam tristis " ; for soprano voice, arranged with accompaniment
for organ by Vincent Novello (in whose hand it is) from the " Stabat
Mater," in C minor, by Clari, 1753 (see Egerton 2455, f. 6, below).
Additional 34607, ff. 17, 46, etc.
Paper ; a.d. 1855. Oblong folio. See also under Motets (above, p. 353).
Two settings of the " Stabat Mater," by Felice Anerio.
1. For 3 choirs, apparently of 4 voices 17b.
each. The first few bars, in score, 2. For 2 choirs of 8 voices each, in
and the alto part of the 3rd choir, parts, ff . 46, 80, 112b, 144, 159b, 171,
from " Dum pendebat Alius." ff. 17, 182, 193.
Egerton 2455, ff. 1, 55.
Paper ; 19th cent. Oblong folio.
Two settings of the " Stabat Mater," with symphonies and accom-
paniments for strings, and a figured bass for organ, in score, transcribed
by the Abbate F. Santini for the Rev. Edward Goddard.
1. In C minor (4 voices). "Gio. Carlo
Maria Clari." Composed in 1753
(see Add. 31526, f. 1, above), f. 1.
2. In G minor (3 voices). "Girolamo
Abos, 1750." ff . 55-98.
Egerton 2457, ff 114-129.
Paper ; 19th cent. Oblong quarto. See also under Magnificat (above, p. 210).
" Stabat Mater " ; for 2 choirs of 4 voices each, in score, as sung
in the Sistine Chapel on Palm Sunday. By Giovanni Pier Luigi
Palestrina.
460 VOCAL MUSIC— SACRED.
Egerton 2461, ff. 37-43.
Paper; 19th cent. Oblong quarto. See also under Motets (above, p. 359).
" Stabat mater " ; for 2 choirs of 4 voices each, in score, by Giovanni
Pier Luigi Palestrina. In the hand of Abbate F. Santini.
*&
Additional 32432, ff. 26b, 44.
Paper; 19th cent. Oblong folio. The MS. also contains a Mass (above,
p. 231), Motets (pp. 341, 344), a Harpsichord Duet, etc.
Compositions for 3 voices, in score.
1. " O quam tristis " ; in G minor, with I organ accompaniment. "Gerolamo
organ accompaniment. " Eman. d' Abos." Composed in 1750 (see above,
Astorga." From the famous " Stabat | Egerton 2455, f. 55, where there are
Mater." f. 26b.
2. " Stabat Mater " ; in F minor, with
also accompaniments for strings).
<f . 44-62.
SECTION XXVIII.— TE DEUM
with Latin words.
Royal Appendix 56, f. 30b.
Paper; 16th cent. Oblong octavo. See also under Magnificat (above, p. 205).
Plainsong of a " Te Deum," beginning " Te eternum patrem " ;
apparently written in England.
Additional 17802-17805, vol. i, ff. 2-5b ; ii, iii, ff. 1-4 ; iv, ff. 2-4.
Paper; late 16th cent, Octavo. See also under Motets (above, p. 271).
" Te Deum " ; for 4 voices, in parts. Anonymous.
Additional 10338, ff. 204-215.
Paper ; after 1669. Small folio. See also under Motets (above, p. 283).
" Te Deum " ; ending with an " Alleluia," for 4 voices, with a basso
continuo, in score, by George Jeffreys. Autograph. Apparently com-
posed in 1649.
Additional 30829, 30830, ff. 7b-10 ; 17816, ff. 8b-ll.
Paper; after 1669. Quarto. See also under Motets (above, p. 285).
Altus, tenor, and bassus parts of a Latin " Te Deum," by George
Jeffreys.
TE DEUM. 461
Additional 14129, ff. l-29b.
Paper; about 1756. Folio. The MS. belonged to Giuseppe Sigismondo in
1780. I* also contains Motets (above, p. 298).
" Tb Deum " ; in, C, for 4 voices, with symphonies and accom-
paniments for trumpets, oboes, and strings, and a figured bass for
organ, in score, by Nicolo Porpora, 1756. With autograph title.
Additional 31478, ff. 41-96b.
Paper ; a.d. 1781. Oblong folio. See also under Magnificat (above, p. 208).
" Te Deum " ; for 5 voices, with symphonies and accompaniments
for trumpets, oboes, and strings, and a bass (not figured — for organ ?),
in D, in full score, by Padre Francesco Uria, of Bologna. Said to
have been composed in 1661. Transcribed by John Anderson, a
chorister of St. Paul's, 1781, from Dr. Samuel Howard's copy, which
formerly belonged to Handel, according to T. B., sc. Dr. Thomas
Bever (see Add. 31485, fly-leaf).
Additional 14107, ff. 125-1 58b.
Paper ; 18th cent. Oblong quarto See also under Motets (above, p. 297).
" Te Deum " ; in C, for 5 voices, with accompaniments for 2 violins,
and a figured bass for the organ, in score, by Francesco Durante.
Additional 14137, ff. 1-35.
Paper; late 18th cent. Oblong folio. See also under Motets (above, p. 332).
" Te Deum " ; for solo voices and 4-part chorus, with symphonies
and accompaniments for oboes, horns, trumpets, and strings, and a
figured bass for the organ, in score, by Nicolo Jommelli, 1746.
Additional 14145, ff. 64-9 lb ; 14146, ff. l-34b.
Paper; late 18th cent. Oblong quarto. See also under Motets (above, p. 315).
" Te Deum " ; for 4 voices, with symphonies and accompaniments
for trumpets, oboes, and strings, and a basso continue) for organ, in
score and parts, by Giovanni Battista de Orchis. Autograph.
Additional 32399, ff. 148-253b.
Paper ; late 18th cent. Oblong folio. See also under Masses (above, p. 230).
" Te Deum " ; for 4 voices, with symphonies and accompaniments
for clarinets, oboes, flutes, horns, trumpets, drums, bassoons, strings,
and organ, in score, with separate parts at the end for 1st flute and
drums. By Wenzel Pichl. " Composito in Occasione della Ricuperazione
della Pace."
462 VOCAL MUSIC— SACRED.
Additional 32429, ff. l-7b.
Paper; 18th-19th cent. Oblong duodecimo. See also under Motets (above, p. 340).
Second tenor and bass parts of a " Te Deum," in A. Anonymous.
Additional 14140, ff. 103-161.
Paper; early 19th cent. Oblong quarto. See also under Motets (above, p. 343).
" Te Deum " ; for 4 voices, with accompaniments for horns and
strings, in score, by Nicolo Jommelli.
Additional 14161, ff. 139-166.
Paper ; early 19th cent. Oblong quarto. See also under Magnificat (above,
p. 209).
" Te Deum " ; in F, for 2 choirs of 10 voices each, with symphonies
and accompaniments for trumpets, oboes, horns, and strings, and a
figured bass for organ, in score, by Nicolo Fago. In the hand of
Abbate F. Santini.
Additional 34724.
Paper; ff. 97. a.d. 1801. Quarto.
" Te Deum " : described as " Hymnus octo vocibus humanis in duos
chorus (sic) nunc alternantes nunc concertantes distributis et sedecim
instrumentis musicis canendus " ; dedicated to the Emperor Francis II
and Napoleon Bonaparte, First Consul of the French Republic, at the
conclusion of peace in 1801, by the composer Justinus Henricus Knecht,
" Musices Director Biberaci." In full score. Apparently the copy
prepared for publication by Johann Andre of Offenbach.
Additional 32184, ff. 165-212.
Paper; a.d. 1806. Oblong folio. See also under Motets (above, p. 348).
" Te Deum " ; in D, for 4 voices, with symphonies and accom-
paniments for oboes, trumpets, and strings, in score, and a separate
score at the end (f. 201) for flutes, clarinets, bassoons, horns, and
drums. By Johann Nepomuk Hummel, 1806. Autograph.
Egerton 2465, ff 15b, 20b.
Paper ; after 1840 (?). Oblong quarto. The MS. also contains specimens of
Harmony, described in vol. iii.
Two settings of the " Te Deum," in which the verses are alternately
in plainsong and harmonised. The first setting appears to be by
Giuseppe Baini ; the second by the Abbate Fortunato Santini, the
writer of the whole MS.
TRIOS. 463
Additional 34607, ff. 28, 202, etc.
Paper; a.d. 1855. Oblong folio. See also under Motets (above, p. 353).
Two settings of the " Te Deum," in parts ; the first for 4 voices, by
Felix Anerio (ff. 28, 61, 94b, 127), the other for 3 voices (?), anonymous
(ff. 202, 208b, 215).
Egerton 2461, ff. 122-132.
Paper ; 19th cent. Oblong quarto. See also under Motets (above, p. 359).
" Te Deum " ; for 4 voices, in score, by Costanzo Festa.
Egerton 2469.
Paper ; ft*. 35. 19th cent. Oblong quarto.
" Te Deum " ; in D, for 4 voices, with symphonies and accom-
paniments for horns, oboes, and strings, and a figured bass for organ,
in score, by Johann Adolf Hasse. In the hand of Abbate F. Santini.
Additional 32395, ff. 62-99.
Paper; 19th cent. Oblong folio. See also under Motets (above, p. 363).
" Te Deum " ; in B!?, for male voices, with symphonies and accom-
paniments for horns, ti'umpets, trombones, ophicleide, and drums, in
score ; composed by Julius Rietz, op. 50, for the first German
" Bundes-Sangerfest." Apparently copied at Stuttgart.
SECTION XXIX.— TRIOS.
Additional 5665, f. 70b.
Vellum and paper ; temp. Henry VIII. Large octavo. Sec also under Motets
(above, p. 2G0).
" Thow man envred with temptacion " ; for 3 voices, in parts.
Anonymous.
Harley 7578, ff. 86b-89.
Paper; temp. Queen Elizabeth. Oblong octavo. See also under Madrigals,
in vol. ii.
" Ave, Domyna, Sancta Marya " ; for 3 voices, by H[ugh] Astone.
Treble part only.
464 VOCAL MUSIC— SACRED.
Additional 29396, f. 86b.
Paper ; about 1678-1682. Folio. See also under secular Songs, in vol. ii.
" The Hower is come " : dialogue between a dying man, the devil,
and an angel, with a bass for harpsichord or organ, in score, by
Dr. [John] Wilson. The date at the end appears to have been altered
from 1649 (that of the composition) to 1679 (that of the transcript).
Additional 34608, f. 24 (reversed).
Paper; about 1785-1789. Oblong octavo. See also under Anthems (above,
p. 74).
" O Love, beseeming well " ; for 3 voices, in score, by John
Amner. From Sacred Hymns, 1615.
Additional 31804, f. 104b.
Paper ; late 18th cent. Oblong folio. See also under Glees (1771-1803).
" In te, Domine, speravi " ; in score. Anonymous.
Additional 31817, f. 5b.
Paper ; late 18th cent. Oblong folio. See also under Operas, in vol. ii.
" Ante oculos tuos, Domine " ; with bass figured for harpsichord, in
score, by Pietro Torri. In the hand of R. J. S. Stevens.
Additional 17829, f. 71.
Paper; 18th-19th cent. Polio. The MS. also contains secular Duets and
Songs, and instrumental music, described in vols, ii and iii.
" In omnem terram exivit Sonus eorum " ; in score, in the hand,
and apparently the composition, of Domenico Dragonetti. It appears
to have been originally intended as a Round.
Additional 31583, ff. 56-71.
Paper ; 18th- 19th cent. Quarto. See also under Choruses (above, p. 176).
" Sic.nor, se fosti ogn' ora " : psalm for 3 solo voices, with a bass for
harpsichord or organ, in score, from the Estro Poetico-Harmonico, by
Benedetto Marcello, 1724-1727.
Additional 31732, ff. 14-2 lb.
Paper ; 18th-19th cent. Oblong folio. The MS. also contains secular Duets
(2nd half of 18th cent.), and Pianoforte Solos (1803).
" Danck Gebeth nach den Kirchengang Ihro Majestat der
Koniginn von Preussen," beginning " Wenn fiir Sie von tausend
Zungen " ; with pianoforte accompaniment, in score. By [F. H.]
Himmel. Autograph.
VESPERS.
465
Additional 14396, ff. 35-37b.
Paper; before 1843 (see below). Octavo. Presented by Vincent Novello in
1843. Tbe MS. also contains numbers from Operas (1786 and 1808), and instru-
mental music, etc., described in vols, ii and iii.
" Ave Maria " ; for 2 sopranos and a bass, with symphonies and
accompaniments for flute and pianoforte, in score, by the Chevalier
Sigismund Neukomm.
Additional 32018, f. 92b.
Paper ; a.d. 1847. Folio. See also under Hymns (above, p. 189).
" Lord, when my thoughts delighted rove " ; for 3 voices, with
pianoforte accompaniment, in score, the words by Mrs. Steele, the
music by Thomas Miles. Autograph.
SECTION XXX.— VESPERS
AS SUNG IN THE CHURCH OP ROME.
Additional 31613, ff. 8b-44.
Paper ; after 1734. Small quarto.
Short Vespers (or portions of several Vespers) for solo voices and
4-part chorus, with symphonies and accompaniments for strings, and a
figured bass for the organ, in score. Apparently by J. B. Fenolius
or Giovanni Baptista Fenoglio, who has prefixed a short musical
treatise, dated 1734. Both works are evidently autograph, but the
treatise appears to be the earlier. Each number ends with a " Gloria
Patri."
1. " Dixit Dominus," iu Bfr (4 voices).
i. 8b.
2. " Magnificat," in C (4 voices), f. 19b.
3. " Laudate Dominum," in A (for a
treble voice), f. 31.
Additional 14193, ff. 128-160.
Paper; 18th-19th cent. Oblong quarto. See also under Motets (above, p. 347).
" Vespro della Beata Vergine," omitting the " Lauda, Jerusalem " ;
for 4 voices with a figured bass, in score, by Giacomo Sarcuni. In the
hand of Giuseppe Sigismondo.
466 VOCAL MUSIC— SACRED.
Additional 14103, ff. 130-180.
Paper; early 19th cent. Oblong quarto. See also under Requiems (above,
p. 394).
" Vespro breve " (omitting the " Laudate Dominum ") ; for 4 voices,
with accompaniments for strings and a figured bass for organ, in score,
by Francesco Durante. In the hand of Giuseppe Sigismondo.
Additional 14162, ff. l-46b.
Paper ; a.d. 1809. Oblong quarto. See also under Motets (above, p. 334).
" Salmi brevij," i.e. Vespers of the Virgin (omitting the " Lauda,
Jerusalem ") ; for 4 voices, with accompaniments for strings and organ,
by Domenico Auletta. Scored by Giuseppe Sigismondo, in 1809.
Additional 31307, ff. 1-1 2b.
Paper ; a.d. 1835. Oblong octavo. See also under Masses (above, p. 226).
" Psalmi Vespertini," consisting of " Domine, ad adjuvandum,"
" Dixit Dominus," " Beatus vir qui timet," " Laudate, pueri," " Laudate
Dominum," and " Magnificat," each of them ending with the " Gloria
Patri." They are written for 3 voices, with symphonies and accom-
paniments for oboes, trumpets, and strings, and a figured bass for
organ, in score. By — Schobacher (op. 10). Autograph (?).
Additional 32395, ff. 30-61.
Paper; 19th cent. Oblong folio. See also under Motets (above, p. 363).
Vespers, in G, etc., consisting of " Dixit Dominus," " Confitebor "
and "Lauda, Jerusalem" (to the same music), "Beatus vir" and
" Lsetatus sum" (to the same music), "Laudate pueri" and " Beati
omnes " (to the same music), "Nisi Dominus "and " Credidi " (to the
same music), " Laudate Dominum," and " Magnificat," each number
ending with the " Gloria Patri." By Abt Vogler. Apparently
transcribed at Stuttgart. Written in score, for soprano and alto voices
in unison, alternating with tenor and bass voices in unison, the parts
generally overlapping for a bar or two. The instruments employed in
the accompaniments are flutes, horns, trumpets, drums, and strings,
the double bass part being figured.
( 467 )
INDEX I.
INITIAL WORDS AND TITLES.
A broken heart, my God : hymn by
T. Miles. 189.
A Fruitful Branch of Jesse's blissful
stem : anthem by [E.?] Hooper.
33 (words).
A fruitful land : hymn by T. Miles.
189-90.
A heart that's broken : anthem by
J. Dowland. 9, 10, 91, 106.
A hymn, 0 God, becometh Thee :
anthem by M. Lock*. 37.
A loud thanksgiving : grace by C.
Dibdin. 178.
A mio Signore io servo : song by F. Feo.
435.
A music strange : anthem by G.
Jeffreys. 24 (2 copies).
A new commandment give I : anthem
by Tallis. 2, 16.
A solis ortu. v. Judicium Salomonis.
A Te, Signor : duet by B. Marcello.
176
A Toi, mon Dieu : chorus by C. Le
Jeune. 159, 161, 162.
chorus by C. Sylvius. 158.
A tuot alaig: chorus (late 18th cent.).
164.
chorus by [? J. B.] Lully. 164.
A un amour: song (mid. 13th cent.).
anthem by J.
(15th cent.),
duet by
423.
A winged harbinger :
Blow. 28.
Ab hac familia : motet
256-7.
Ab imo pectore ede suspma :
N. A. Porpora. 175, 176.
Ab ortu solis : motet by J. E. Eberlin.
363.
motet by S. Wesley. 345.
"Abbey": hymn-tune bv T. Ravens-
croft. 192-3.
"Abel": oratorio by T. A. Arne. v.
How cheerful along the gav mead.
" Abingdon " : hymn - tune " by [M.?]
Heighington. 190-1, 194.
Above the stars : anthem by R. Par-
sons. 20.
anthem by [T.] Tomkins. 20, 26,
29 and 33 (words).
"Abridge": hymn-tune by I. Smith.
186, 192.
Absalon, fill mi: motet (1519-1533).
259.
Absolve, Domine. v. under Requiems,
391-5.
Absterge, Domine : motet by Tallis. 308.
v. also Wipe away my sins.
Absurd and vain attempt : hvmn by
T. Miles. 189.
Accipite jucunditatem : motet (1802).
gracious word :
189-90 (two set-
346
According to Thy
hymn by T. Miles.
tings).
According to Thy promis'd Grace : hymn
by T. Miles. 189-90.
Ach, bleib' bei uns : chorale by M.
Gobel (?). 156.
Ach, dass doch mochte kommen :
chorale by M. Gobel (?). 156.
Ach, dass ich horen sollte : chorale by
M. Gobel (?). 155.
Ach, fo Tu : chorus (1817). 168.
Ach, Gott in hochsten Throne : chorale
by M. Gobel (?). 156.
Ach, Gott und Herr : canon (late 18th
cent.). 126.
chorale by M. Gobel (?). 154.
Ach, Gott ! Wie manches Herzeleid :
chorale by M. Gobel (?). 153.
Ach, Herr, mich armen Sunder : chorale
by M. Gobel (?). 154.
Ach, Jesu, Tu glusch : chorus by
J. Schmidlin. 166.
Ach, Liebster Gott : chorale by M.
Gobel (?). 154.
Ach, mein Herz, Liebes Jesulein :
chorale by M. Gobel (?). 156.
Ach, sagt wir nicht von Gold : chorale
by M. Gobel (?). 153.
468
INDEX I
motet by Porpora.
motet (15th cent.).
: mass by Palestrina.
Ach, spoardsch, o Dieu : chorus by
[? J. B.] Lully. 163.
Ach, was soil ich, Sunder, machen :
chorale by M. Gobel (?). 154.
Ach, wie fliichtig : chorale by M.
Gobel (?). 154.
Acquaint thyself with God : anthem
by M. Greene. 41, 45, 47, 69, 70.
" Acton " : hymn- tune (18th-19th cent.,
etc.). 188, 190-1.
Ad arma gigantes : duet by G. B. Bas-
sani. 173.
Ad astra in cantu:
321.
Ad cantus laetitiae :
256-7.
" Ad ccenam Agni "
220.
Ad Dominum cum tribuiarer : motet
by A. Lotti. 344.
motet by [W.] More. 265.
canon by S. Rahel (Roy. App. 64,
f. 22b). 115.
"Ad fugam": mass by Palestrina.
219.
mass by Josquin des Pres. 222.
Ad honorem Sempiterni Regis : part (?)
of Miracle-play (12th cent.). 240-1.
Ad honorem tui, Christe, Danielis :
Miracle-play (about 1227-1234). 242.
Ad laudem Virginis cantemus : motet
(15th cent.). 256-7.
Ad laudes Mariae cantemus : motet
(15th cent.). 256-7.
Ad praesepe venite, pastores : motet by
[F.] Durante. 320.
Ad regias Agni dapes : motet by E. di
Bartolo. 347-8.
Ad sacrum cujus tumulum. v. Iste con-
fessor.
Ad Te clamamus. v. Salve, Regina,
mater.
Ad Te, Domine, clamabo : canon by S.
Rahel (Roy. App. 64, f. 6b). 115.
Ad Te, Domine, levavi animarn : motet
by J. J. Fux. 319-20.
motet by 0. di Lasso. 283.
canon by S. Rahel (Roy. App. 64,
f.6b). 115.
Ad Te, igitur. v. Infelix ego.
Ad Te levavi : motet (after 1604).
279.
Ad Te levavi animam: motet (1802).
346.
motet by Palestrina. 302, 303,
Palestrina
326, 335, 339, 357.
Ad Te levavi oculos : motet
Dumont. 291-2.
motet by J. T. Gerarde (?).
by H.
266-7,
268.
canon by S. Rahel (Roy. App. 64,
f.22b). 115.
Ad Te suspiramus : motet by T. L. da
Vittoria. 279-80.
v. also Salve, Regina.
Adam cum viragine : motet (15th cent.).
258.
Adauge nobis, Domine, fidem : motet
(16th-17th cent.). 273.
Ades ! Firmissime fidem teneamus
Trinitatis : song (14th cent.). 425.
Adeste ! Cantemus Domino : canon by
[M.] Greene. 125..
Adeste, fideles : motet by J. Reading (?).
318, 337 (arrangement).
Adesto nunc propitius : motet (early
16th cent.). 258.
Adesto unus Deus : motet (mid. 18th
cent.). 300-1.
Adhsereat lingua mea. v. Super flu-
mina Babylonis.
Adhaesit pavimento: motet by J. T.
Gerarde (?). 269.
Adjuro vos, filiae Jerusalem: motet by
J. Clemens non Papa. 313.
motet by Palestrina. 303-4.
Adjutor et Protector : motet (1802) .
346.
Adjutor in tribulationibus : motet by
Jan [de Gero]. 261.
Adjutorium nostrum : motet (1519-1533,
etc.). 259, 344.
Adjuva nos, Deus : canon (late 18th
cent.). 119.
motet by T. Crequillon. 306.
motet by L. Leo. 361.
v. also Domine, ne memineris;
Emendemus in melius.
"Admiration": hymn-tune (about
1800). 189.
Adolescentulus sum : motet (after 1624).
282.
Adoramus Te : motet by [ W.] Byrd.
279-80.
Adoramus Te, Christe : motet by C.
Casciolini. 341-2.
motet by A. Lotti. 361 (two
settings).
motet by G. B. Martini. 341 (two
settings).
motet by G. A. Perti. 361.
Adoramus Te, Domine : motet by Fel.
Anerio. 354.
Adorate Deum : motet (1802). 346.
" Adoration" : hymn-tune (about 1800).
189.
Adorato Gesu mio : song by L. Leo.
442.
Adorna thalamum : motet by A. Scar-
latti. 295.
Adoro Te devote : motet by H. Dumont.
291-2.
Adoro Te, Domine: motet (beginning
of 16th cent.) 266.
Advenisti tandem : motet (16th-17th
cent.). 273.
Advolate, fideles : motet by G. P.
Colonna. 288.
JEgypto dedimus manum : Lamenta-
tions by G. Gabrieli (?). 197.
INITIAL WORDS AND TITLES.
469
328.
294.
332.
329.
Mass
by
(after
iEstimatus sum cum descendentibus ad
lacum : motet by P. A. Basilij.
339-40.
motet by P. Canniciari.
motet by [S. ?] Dentice.
motet by N. Jommelli.
motet by L. Leo. 361.
motet by [G.] Salvatore
"iEterna Cbristi munera " :
Palestrina. 238.
jEterni Numinis mater : song
1226). 423.
Afferte Domiuo, filii : canon by S. Rahel
(Roy. App. 64, f.6b). 115.
Affliction is a stormy deep : hymn by
T. Miles. 189.
Afraid, alas: carol (early 16th cent.).
140.
Again our earthly cares we leave :
hymn by T. Miles. 189.
Again the Lord of life : hymn by T.
Miles. 189.
Against all those that strive with me :
hymn by T. Miles. 189-90.
Against Thee, Lord,
T. Miles. 189-90.
Against Thee only :
1785-1789). 74.
Agimus Tibi gratias
Callcott. 178.
canon by V. Ugolini (?). 123.
Agmina militiae : motet by H. de
Pisis (?). 253, 254.
Agnosce, 0 Christiane, dignitatem
tuam : motet by M. Lock. 291.
Agnus Dei : motet (16th-17th cent.).
274.
motet (after 1604). 279.
canon (1785). 119.
motet by G. Mori, of Viadana.
280-1.
by T. L. da Vittoria. v. Kyrie,
alone : hymn by
anthem (about
grace by J. W.
eleison.
— v. also
under Masses (211-239),
Requiems (391-5), and Services (396-
421).
Ah, Blessed Jesu : carol by R. Davy.
140.
Ah, few and full of sorrow : anthem by
H. Purcell. 28, 105.
Ah, Gentle Jesu : carol by — Shering-
ham. 140.
Ah, helpless wretch : anthem by W.
Mundy. 19, 33 (words). 109.
anthem by T. Ravenscroft. 6, 11.
Ah, homo, perpende : motet (15th cent.).
256-7.
Ah, Jesu, why sufler'dst Thou. v.
Jesu, Mercy ! How may this be.
Ah, man, I have giv'n. v . Be it known
to all.
Ah, my Dear Son, said Mary : carol
(early 16th cent.). 140.
Ah, my heart, remember : carol by
R. Davy. 140.
Ah, my soul ! Why so dismay'd :
anthem by [O. ?] Gibbons. 28.
Ah ! Se macchiar quest' anima dovesse ;
fr. oratorio by Jommelli. 374.
Al giudizio, o Cristiano : song by T.
Prota. 442-3.
Al risuonar : song by F. Durante. 446.
Al Segner Dieu puissaunt : chorus
(1817). 169.
Al Signor in ogni tempo : chorus by
B. Marcello. 164-5.
Al Tuo pie ; fr. oratorio by J. J. Fux.
364-5.
Alabart' he d' afeccion : song by P. de
Coster Vanderven (?) 426.
Alack, when I look back : anthem by
W. Byrd. 33 (words), 426 (arrangemt.).
Alas, that I offended ever : anthem by
E. Hooper. 9, 91.
" Albanus" : mass by R. Fayrfax. 223.
Albanus roseo rutilat : motet by Dun-
stable. 356.
" Alceste," march from Gluck's. v.
Tantum ergo.
"Aldermary": hymn-tune by W.
Russell. 192.
Aleph. Ego virvidens. v. Ego vir videns.
Aleph. Quomodo obscuratum est. v.
Quomodo obscuratum est.
Alfin, madre di Dio : madrigal by Pales-
trina (Add. 5039, f.62 b; 31397, f.
93 b ; 31408, f. 41). 204, 205 (2).
Aligeri amores : song by G. B. Bassani.
434.
All Glory be to God on high : anthem
by T. Ford. 32 (words).
All Glory to the Lamb ; fr. oratorio by
Spohr. 383.
All go to one place : anthem by S.
Wesley. 98.
"All Hallows": hymn-tune by J. Sel-
by. 192.
All laud and praise : anthem (temp.
Charles II.) 32 (words).
hymn by T. Causton. 196.
hymn by W. Parsons. 196.
anthem by M. Pearson. 6.
anthem by T. Ravenscroft. 11.
hymn by J. Shepherd. 180.
All men, rejoice : hymn (1547-8). 179.
All my belief : hymn by J. Angus.
182.
hymn by R. Brimle. 196.
hymn by W. Parsons. 196.
All nature dies : hymn by T. Miles.
189.
All people, clap your hands for joy:
anthem (late 16th cent.). 4.
All people, clap your hands ; sing loud :
anthem (after 1624). 14.
anthem by M. Lock. 48.
anthem by T. Weelkes. 29 (words).
All people, bearken and give ear : hymn
by J. Hake. 196.
hymn by D. Peebles. 181.
470
INDEX I.
All people, hearken and give ear : hymn
by J. Shepherd. 180.
All people that on earth do dwell : song,
arranged from the melody attributed
to L. Bourgeois (17th cent.). 429.
anthem by W. Pole. 112.
anthem by Tallis. 81.
v. also " The old hundredth."
All sons of Adam : carol (early 17th
cent.). 143.
All the earth doth worship Thee: an-
them by S. Wesley. 107.
All the kings of the earth : anthem by
[M.] Greene. 97.
All Thv works praise Thee : anthem by
M. Greene. 47, 101.
Alle eu're Sorgen werfet : chorus by
[?T. C] Rcinhold. 161.
Alle Menschen mussen sterben : chorale
by M. Gobel (?). 156.
Allcin Gott in der Hoh' : chorale by
J. C. Lobe (?). 157 (two settings).
Alleluia, v. also Hallelujah.
motets (early 14th cent.). 255.
motet (after 1612). 279.
song (18th cent.). 444 (two
settings).
canon by J. S. Bach. 128.
- duet by J. M. Haydn. 174.
song by [J.?] Taverner [sen.]. 425.
Alleluia ! Christus surrexit : motet by
Fel. Anerio. 353.
Alleluia ! Cognoverunt discipuli : motet
by S. Wesley. 345.
Alleluia! Confitemini Domino: motet
by J. Mouton. 305.
v. also Confitemini Domino.
Alleluia ! Dies sanctificatus. v. Dies
sanctificatus.
Alleluia ! Emitte Spiritum : motet by
N. Jommelli. 332-3, 343.
Alleluia ! Gaudeamus. v. Gaudeamus
omnes.
Alleluia 1 Jesu, nos livore sana. v.
Jesu, nos livore sana.
Alleluia ! Jubilat ecclesia : motet by
G. Casati. 285-6 (2), 294.
Alleluia ! O miranda Domina. v. O
miranda Domina.
Alleluia ! Surrexit Pastor Bonus, v.
Surrexit Pastor Bonus.
Alleluia ! Tulerunt Dominum : motet
by Palestrina. 308.
Alleluia ! Vcni, Sancte Spiritus. v.
Veni, Sancte Spiritus.
Alleluia! Virga ferax : motet (13th-
14th cent,). 255.
A lies Fleisch ist wie Gras : chorus by
[?J. A.jHiller. 161.
Alles was in dieser Welt : chorale by
M. Gobel (?). 155.
All-gracious Father : hymn by T. Miles.
189.
All-seeing God, 'tis Thine to know :
hymn by T. Miles. 189.
Alma chorus Domini : motet (late 16th
cent.). 271-2.
Alma Redemptoris mater : motet (1519-
1533). 259.
motet by Fel. Anerio. 354.
motet by G. F. Anerio. 355.
motet by Dunstable. 356 (two
settings).
song by F. Durante. 450.
motet by — Forest. 356.
motet by F. M. Frezza. 302.
motet by G. Gabrieli (?). 276-7.
motet by [J.] L'Heritier. 331.
- motet by Josquin des Pres.
312.
motet by A. de Silva. 331.
motet (a 5) by T. L. da Vittoria.
325.
motet (a 8) by T. L. da Vittoria.
315, 325.
Alma Virgo : motet by J. N. Hum-
mel. 348.
Alme giuste : chorus by B. Marcello.
164-5.
Almighty and Eternal King : hymn by
T. Miles. 189.
Almighty and Everlasting God, merci-
fully look : anthem by O. Gibbons.
16, 17, 25, 32 (words), 40, 48, 108.
anthem by W. Savage. 96.
Almighty and Everlasting God, we
humbly beseech Thy Majesty : an-
them by H. Palmer. 21.
anthem bv W. Smith. 21.
anthem by [T.] Tomkius. -21, 32
and 33 (words).
Almighty and Everlasting God, Who
art always : anthem by J. Foster.
18.
Almighty and Everlasting God, Who
dost : anthem by — Yarrow. 18.
Almighty and Everlasting God, Who for
the more confirmation : anthem by
G. L[oosemore ?]. 39.
Almighty and Everlasting God, Who
hast given : anthem by R. Wildbore.
59.
Almighty and Everlasting God, Who
hatest : anthem by [H. ?] Palmer.
20.
Almighty and Everlasting God, Who
of : anthem by [H. ?] Palmer. 23.
Almighty and Everliving God, we
humble beseech Thee. v. Almighty
and everlasting God, we humbly
beseech Thy Majesty.
Almighty Father, Gracious Lord :
hymn by T. Miles. 189.
Almighty Father of mankind : hymn
by T. Miles. 189.
Almighty Father, save the king : canon
by T. Miles. 127.
Almighty Father, Who didst give :
anthem (temp. Charles II). 33
(words).
INITIAL WORDS AND TITLES.
471
Almighty Father, Who hast given :
anthem by C. Evans. 102.
Almighty God, before Thy Throne :
hymn by T. Miles. 189.
Almighty God, give us grace : anthem
by R. J. S. Stevens. 95, 102.
Almighty God in heav'n above : hymn
by T. Miles. 189.
Almighty God, the Fountain : anthem
by T. Tomkins. 14, 17, 29 and 32
(words), 51, 54.
Almighty God, Thy piercing eye :
chorus by T. Miles. 170.
Almighty God, Who by the leading:
anthem by J. Bull. 6, 12 (2 copies),
23, 2G, 29 and 34 (words), 48, 53.
Almighty God, Who by Thy Son :
anthem by [0.] Gibbons. 22, 33
(words).
Almighty God, Who didst manifest :
anthem by J. Bull. 21.
Almighty God, Who hast given : an-
them by E. Hooper. 18, 32 (words),
58. '
anthem by W. Porter. 32 (words).
anthem by C. Wesley. 101.
Almighty God, Who hast knit : anthem
bv W. Child. 29 (words).
anthem by [T.] Tomkins. 22, 33
(words).
Almighty God, Who hast made. v.
Almighty God, Who madest.
Almighty God, Who hast me brought :
anthem by T. Ford. 9, 91, 106.
anthem by Sir W. Leighton.
9, 91.
Almighty God, Who in Thy Wrath:
anthem by A. Batten. 18.
Almighty God, Who madest Thy
blessed Son : anthem by E. Hooper.
23, 33 (words).
anthem by G. Jeffreys. 24.
Almighty God, Who out of the mouths :
anthem by H. Palmer. 21.
Almighty God, Who seest : anthem by
[J. ?] Foster. 22.
Almighty God, Who through : anthem
by [R.] Dering. 21.
Almighty God, Whose kingdom is ever-
lasting : anthem by W. Parsons.
4, 112.
Almighty Lord and God of love : an-
them by N. Giles. 9, 91.
Almightv Lord, Whose Love : anthem
by W. White. 13.
Almighty Maker, Lord of all : hymn by
T. Miles. 189.
Almighty Maker of my frame : hymn
by T. Miles. 189.
Alone . . . here I sit alone : carol (early
16th cent.). 140.
Although my soul hath sharply been
assaulted : hymn by D. Peebles. 181.
Amarte he, Senor, mi Fortaleza : song
by P. de Coster Vandcrven (?). 426-7.
Amavit eum Dominus : motet (a 2) by
S. Wesley. 312.
motet (a 3 or 4) by S. Wesley. 349.
Amen: motets (early 14th cent.). 255.
motet (16th cent.). 265 (two
settings).
canons (about 1833). 128 (two
settings).
— canon by T. Attwood. 128
(2, autogr.).
— canon by B. Cooke. 124.
— from oratorio (" Athaliah ") by
Handel, v. Hallelujah.
from oratorio ("Messiah") by
Handel. 370.
twenty-three canons by N. Sala
(11589, ff. 104b-120 passim; 11590,
ff. 2-97 passim; 11591, ff. 14b, 19).
122.
Amen, amen! dico vobis : motet by J.
Castileti. 306.
Amen, Gott Vater : chorale by M.
Gobel (?). 155.
Amen. Hallelujah : canon by H. Pur-
cell. 127.
Amicus Meus osculi Me tradidit signo :
motet by P. A. Basilij. 339.
motet by P. Cannicciari. 328.
motet by [S. ?] Dentice. 294.
motet by N. Jommelli. 332.
motet by L. Leo. 361.
motet by [G.] Salvatore. 329.
Amidst the press with men of might :
hymn by D. Peebles. 181.
Amo Christum : canon by R. Micheli.
120.
Among My children dares the fiend
appear : anthem by J. Hilton. 16.
Amor, Jesu : motet by G. Jeffreys.
283-5 (2).
Amor Patris : motet (12th-13th cent.).
252.
Amore langueo : motet (17th cent.).
289.
Amour, qui bien sait enchanter : song
(mid. 13th cent.). 423.
An Dir allein : song by K. P. E. Bach.
448-9.
An earthly tree : carol by W. Byrd. 145.
And am I only born to die : hymn by
T. Miles. 189.
And as the pleasant morning, v. Be-
hold, how good a thing it is.
And God said, Be fruitful ; fr. oratorio
by F. J. Haydn. 387.
And God saw that the wickedness ; fr.
oratorio by Sir H. R. Bishop. 380.
And I heard a great voice : anthem by
J. Blow. 26, 38, 57, 88, 109. v. also
I was in the spirit.
And mine eyes have seen : canon by
H. Purcell. 127.
v. also " Save me, 0 God."
And now another day is gone : chorus
by T. Miles. 169.
M
472
INDEX I.
And now another day is gone : hymn
by S. Wesley. 185.
And the glory of the Lord ; fr. oratorio
by Handel. 371, 381 (arranged by
Beethoven).
And the king was moved : anthem by
R. Dering. 6, 11.
And will the Great Eternal God :
hymn by T. Miles. 189.
And will the Judge descend : hymn by
T. Miles. 189.
And with songs I will celebrate : duet
(18th cent.). 175.
Andreas Christi famulus : motet by
G. Gabrieli (?). 276-7.
Angelis suis Deus mandavit : motet by
L. Leo. 299, 361.
Angels from the realms of glory :
anthem by T. Miles. 99.
"Angels' song": hymn-tune (18th
cent., etc.). 186, 194.
Angels that high in glory dwell : chorus
by T. Miles. 170.
Angelus ad pastores : carol {16th-17th
cent.). 142.
carol (after 1624). 142, 143, 282.
carol by Fel. Anerio. 146, 354.
carol by G. Gabrieli (?). 143.
carol by J. T. Gerarde (?). 141.
carol by H. Lawes* 144.
carol by A. Tubal, v. Quern vi-
distis, pastores.
Angelus ad Virginem : motet (early
14th cent.). 255.
Angelus apparuit : motet (15th cent.).
256-7.
Angelus autem Domini descendit :
motet by Pel. Anerio. 354.
Angelus Domini descendit : motet
(16*h-Wfefe.-oent.). 273-4.
motet by C. Casciolini. 360.
motet by J. T. Gerarde (?).
267-8.
motet by Palestrina. 291. 302-3,
304, 326, 335-6, 339.
motet by Palestrina (another
setting). 304,360.
Angelus Domini locutus est : motet
(mid. 18th cent.). 300-1.
Angelus sedens ad sepulcrum : part (?)
of Miracle-play (12th cent.). 240-1.
Anima Christi : motet (17th cent.).
289-90.
Anima mea angelorum pane : motet by
P. Reggio. 287.
Anima mea desiderat : song (17th
cent.). 429-30.
Anima mea in seterna dulcedine : motet
by Carissimi. 285-6 (2), 289-90, 293,
294.
Anima mea liquefacta est : motet (15th
cent.). 256-7.
motet (mid. 18th cent.). 300.
motet by F. Costanzo. 291.
motet by H. Isaak. 259, 314.
Anima mea liquefacta est : motet by
M. Marini. 285-6 (2), 289-90, 335-6.
motet by W. P[arsons?]. 260.
motet by Lionel [Power ?]. 356-7
(imperf.).
Anima mea, suspira : song (17th-18th
cent.). 432.
Anima mea turbata est. v. Heu mihi,
Domine, quia peccavi.
Anima mia a Te, Dios : song by P. de
Coster Vanderven (?). 426-7.
Anima nostra erepta est : motet by
S. Wesley. 318, 362.
Anima nostra sicut passer : motet by
Palestrina. 291, 303.
Anima nostra sustinet Dominum :
motet by Carissimi. 327.
Anima nostra turbata est : song by
D. Perez. 454-5.
Animam meam dilectam tradidi : motet
by P. A. Basilij. 339-40.
motet by P. Cannicciari. 328.
motet by [S.?] Dentice. 294.
motet by J. T. Gerarde. 266, 268.
motet by N. Jommelli. 332.
motet by L. Leo. 361.
motet by [G.] Salvatore. 329.
"Anniversary": hymn-tune by [J.?]
Ganthony. 189, 190-1.
Annunciate, gentes : motet by Caris-
simi. 294, 295, 326.
Ante oculos Tuos : trio by P. Torri. 464.
Ante thronum regentis omnia: song
(after 1226). 423.
Antequam comedam : motet by J.
Mouton. 305.
Anzi se fuoco : madrigal by Palestrina.
(Add. 5039, f. 56 ; 31397, f. 87 ; 31408,
f. 36b). 204, 205 (2).
Apertis thesauris. v. Stella ista.
Apollinaris inclyti : motet by P. Reggio.
287.
" Apostles " : hymn-tune by J. Worgan.
190-1.
Apparebit in finem : motet by W. Byrd.
307.
Apparuerunt apostolis : motet by G.
Gabrieli (?). 276-7.
Apprehendit ergo eum. v. Passio
Domini Nostri.
Aqua sapientiee : motet (1802). 346.
Arbor Adae : motet (14th-15th cent.).
255-6.
Area Domini : motet (a 4) by Fel.
Anerio. 353.
motet (a 8) by Fel. Anerio. 355.
Ardens ergo est cor meum : motet by
Fel. Anerio. 353.
Ardens est cor meum : duet by R. Der-
ing. 172 (2).
motet by Palestrina. 310.
Ardet coelesti face : song by L. Ferrari.
446.
Ardet cor meum : song (17th-18th cent.) .
432.
INITIAL WORDS AND TITLES.
473
Arise : anthem by W. Sims. 6.
Arise and shine : anthem by G. Holmes.
60.
Arise, Eternal God, arise : hymn by T.
Miles. 189.
Arise, Great God : hymn by T. Miles.
189.
Arise, my darkened melancholy soul :
song by H. Purcell. 431, 432, 453.
Arise, O Lord, and be not absent :
anthem by M. Lock. 37.
Arise, 0 Lord, and hear : anthem by
O. Gibbons. 18.
anthem by Talks. 18.
Arise, 0 [Lord] God : anthem by 0.
Gibbons. 23.
Arise, O Lord, into Thy resting-place :
anthem by [J.] Alcock. 97.
anthem by J. Blow. 88.
anthem by [James] Hawkins
[sen.]. 69.
anthem by T.Tomkins. 32(words).
anthem by M. Wise. 42.
Arise, O Lord! Why sleepest Thou:
anthem by W. Byrd. 8, 18, 25, 29
and 31 (words), 68.
Arise, shine, for Thy Light is come :
anthem (temp. Charles II). 35
(words).
anthem by T. S. Dupuis. 75.
anthem by T. Roseingrave. 61.
anthem by T. Tudway. 61.
Arise, shine, O Zion : anthem by
[Aaron ?] Williams. 69.
Arise, Thou Judge of the world : anthem
by J. Nares. 67.
Arise ! Thy Light is come : anthem by
W. Turner. 52.
Arise, ye saints : hymn by T. Miles.
189.
" Arlington" : hymn-tune. v. " When
all Thy mercies."
Arma pone : song by G. P. di
446-7.
"Arundel": hymn-tune. v. Lord, save
me.
As for sinners, v. 1 will sing unto the
Lord as long,
As I am thine : hymn by T. Miles.
189-90.
As on Euphrates' shady bank : anthem
by J. Blow. 29, 38, 49.
As panting flies the hunted hind
The Captivity.
As pants the hart : anthem (a 3,
by Handel. 84, 86 (2), 90, 113.
anthem (a 5, etc.) by Handel
113.
anthem (a 6, etc.) by Handel
Majo.
6, 113.
— anthem by C. King.
— anthem by T. Miles.
canon by S„ Wesley.
85.
99.
126.
v.
etc.)
62,
85-
As the waters fail from the sea : anthem
(after 1831). 97.
As they departed : anthem by [M. ?]
Este. 22.
As various as the moon : hymn by T.
Miles. 189.
As when the weary trav'ler : hymn by
T. Miles. 189.
Ascende, Benedicte : motet (15th cent.).
256-7.
Ascendens Christus : motet by J. T.
Gerarde. 268.
motet by T. L. da Vittoria. 300,
303, 325.
Ascendit Christus : motet by Dun-
stable. 356.
Ascendit Deus : motet by Palestrina.
291, 304.
v. also Ascendens Christus.
Ascendo ad Patrem : motet by Mail-
lart. 300-1.
motet by Palestrina. 304.
motet by Tye. 279.
v. also Ascendens Christus.
Ascribe unto the Lord : anthem by J.
Blow. 88.
anthem by J. Goldwin. 62.
Asperges me : motet (early 16th cent.).
258.
- motet (temp. Hen. VIII). 261.
motet (late 16th cent.). 271 (four
settings).
— motet by
As the hart panteth : anthem adapted
from Marcello. 96.
J. Kumlik. 363 (two
settings).
motet by E. Lopez. 306.
motet by T.L. da Vittoria. 279-80.
Aspice, Domino : motet (1575-1578).
263.
motet (16th-17th cent.). 274.
motet by W. Byrd. 274, 309, 310.
motet by J. T. Gerarde (?). 266,
269.
motet by [P.] Philips. 308.
motet by A. Willaert. 313-14.
" Assalone " : oratorio by D. Cimarosa.
371.
Assert Thy just dominion, Lord : hymn
by T. Miles. 189.
Astiterunt reges : motet by P. A. Basilij.
339-40.
motet by P. Cannicciari. 328.
motet by [S. ? ] Dentice. 294.
motet by N. Jommelli. 332.
motet by L. Leo. 361.
motet by [G.] Salvatore. 329.
Astra tenenti ; fr. miracle-play (about
1227-1234). 242.
At length by certain proofs : hymn by
T. Miles. 189-90.
At length to Christ, v. Saint Mary now.
" Athaliah " : oratorio by Handel.
v. Cease thy anguish ; Hallelujah (?) ;
May God from whom ; Softest sounds ;
Soothing tyrant ; Through the land ;
Will God.
474
INDEX I.
Attend my humble prayer : anthem by
W. Byrd. 83.
Attend, my people, and give ear : hymn
by J. Angus. 182.
hymn by T. Causton. 196.
hymn by J. Hake. 196.
hymn by W. Parsons. 196.
canon by T. Ravenscroft. 124.
Attend, my people, to my law : hymn
by J. Hake. 196.
hymn by W. Parsons. 196.
hymn by D. Peebles. 181.
hymn by J. Shepherd. 180.
Attend unto my tears, O Lord : anthem
(a 4) by J. Bull. 9, 10, 91.
anthem (a 5) by J. Bull. 9, 91.
Attend, ye princes, v. "The Song of
Deborah."
Attendite, popule meus: canon by S.
Rahel (Roy. App. 64, f. 15). 115.
Attendite, universi. v. 0 vos omnes.
Attollite portas : motet by W. Byrd.
274, 308, 309.
"Auburn": hymn-tune (about 1800).
189.
Audi, Benigne Conditor : motet by E.
di Bartolo. 347-8.
Audi, Virgo virginum : motet (15th
cent.). 256-7.
Audite, cceli : motet (17th cent.). 289-
90.
motet by G. Jeffreys. 283-5 (2).
Audite, gentes, et narrabo : motet by
G. Jeffreys. 283-4.
Audite haec, omnes gentes : canon
by S. Rahel (Roy. App. 64, f. 10b).
115.
Audite me, divini fructus : song (17th
cent., etc.). 429-30, 432.
Audite, O lucis filiae : song (12th cent.).
German (?). 422.
Audite, sancti : motet by Carissimi.
285-7 (2), 289-90, 295.
Auditui meo ; by Josquin des Pres. v.
Miserere mei, Deus, secundum.
Audivi media nocte : motet by [J.]
Shepherd. 271.
motet by Tallis. 271.
motet by [J.] Taverner and W.
Whitbroke. 271.
Audivi vocem : motet by W. Byrd.
307.
motet by G. Jeffreys,
motet by E. Lopez.
283-4.
303, 306,
326, 344.
Auf, auf ! Die rechte Zeit ist hie :
chorale by M. Gobel (?). 154.
Auf, auf, mein Geist : song by M.
Gobel (?). 433.
Auf, auf, mit Freud' : chorale by M
Gobel (?). 155.
Auf Deine Zukunft hoffen wir : chorale
by M. Gobel (?). 155.
Auf Dich allein : chorale by M. Gobel (?).
155.
Auf diesen Tag bedenken wir : chorale
by M. Gobel (?). 155.
Auf dieser Welt : song by J. M. Havdn.
449-50.
Auf Erden bin ich nur ein Gast :
chorale by M. Gobel (?). 154.
Auf Gott und nicht auf meinen Rath :
song by K. P. E. Bach. 448-9.
Auf, mein Geist : chorale bv M. Gobel (?).
154.
Auf ! Schicke dich recht feierlich : song
by K. P. E. Bach. 448-9.
Aure placide, spirate : song by G.
d' Avossa. 443.
Aurea, luce : motet by N. Jommelli.
358.
Auribus percipe, Domine. v. Inclina,
Domine, aurem.
Aurora lucis rutilat : motet by Fel.
Anerio. 355.
Aus der Tiefen : chorus by [J.] E. Bach.
160.
Author of Good: hymn bv T. Miles.
189-90.
Ave, aeternse caritatis filia ; by R.
Johnson, v. Ave, Dei Patris.
Ave, cujus conceptio : motet (beginning
of 16th cent.). 266.
Ave, decus Angelorum : motet (15th
cent.). 256-7.
Ave, decus saaculi : duet by R. Smart.
171.
Ave, Dei Patris filia : motet (beginning
of 16th cent.). 266 (two settings).
motet (early 17th cent.). 278 (two
settings).
motet by R. Johnson. 278, 308.
Ave, Domina, sancta Maria : trio by
Hugh Aston. 463.
Ave, Domini filia ; by R. Johnson, v.
Ave, Dei Patris.
Ave, dulcissima Maria : motet by Caris-
simi. 295.
Ave, fulgens stella maris : motet (15th
cent.). 256-7.
Ave, gloriosa Mater : motet (after 1226) .
253.
Ave, gloriosa virginum regina : song by
H. de Pisis (?). 423, 424.
Ave, gratia plena : motet (16th-17th
cent.). 273.
Ave, Jesu Christe, Verbum Patris :
motet (15th cent.). 256-7.
Ave, Jesu, Quern vocavi : motet by P.
Reggio. 287.
Ave, Jesu, Summe Bonus (sic), v. Sei
gegriisset, Jesu.
Ave, Jesu, Tui Filii : motet (early 17th
cent.). 278.
Ave, lumen gratiae : motet by R. Fair-
fax. 306-7.
Ave, Maria, ancilla Trinitatis : motet
(beginning of 16th cent.). 266.
Ave, Maria, gratia plena (a 4) : motet
(late 16th cent.). 273.
INITIAL WORDS AND TITLES.
475
Ave, Maria, gratia plena (a 4 — another
setting) : motet (1628). 283.
(a 6) : motet (1628). 283.
■ (a 2) : motet (17th cent.). 289.
canon (late 18th cent.). 124.
motet by D. A. Basilij. 302.
motet by G. B. Costanzi. 362.
motet by J. J. Fux. 319-20.
motet by G. Gabrieli (?). 276-7.
motet by N. Ludford. 260 (two
settings).
trio by S. Neukomm. 465.
motet (a 3) by Palestrina. 357.
motet (a 4) by Palestrina. 305,
335-6. v. also Why art thou so vexed.
motet (a 5) by Palestrina. 291,
302, 303, 326, 335, 339.
motet by R. Parsons. 314.
motet by A. Repgin. 283.
- motet by J. Rietz. 353.
motet by Claudin [de Sermisy ?].
313.
' motet by F. Seydelmann. 317.
motet by V. Ugolini. 327.
motet by T. L. da Vittoria. 315,
325.
v. also O magnum mysterium.
Ave, maris stella : duet (13th-14th
cent.). 170-1.
song (17th cent.). 429.
motet by P. Auletta. 322.
motet by E. di Bartolo. 316,
347-8.
motet by W. Byrd. 282.
motet by Clari. 357.
motet by [J. J.] Fux. 344.
mass by T. L. da Vittoria.
220-1.
motet by S. Wesley. 317, 345.
Ave, mater Salvatoris : part (?) of mir-
acle-play (12th cent.). 240.
Ave, mulierum sanctissima. v. Salve,
intemerata, by Tallis.
Ave, O gloriosa Virgo : motet by H.
Lawcs. 288.
Ave, plena gratia, poli regina ; by R.
Johnson, v. Ave, Dei Patris.
Ave, prasclara maris stella : motet by
N. Ludford. 260.
Ave, quam colunt angeli : motet by
Fel. Anerio. 355.
Ave, Regina : motet (15th-16th cent.).
258.
motet (1519-1533). 259.
motet (16th-17th cent.). 274.
motet (17th cent.). 289-90 (two
settings).
motet by E. di Bartolo. 316-17.
- motet by H. Dumont(?). 292.
— motet by Dunstable. 356.
— motet by — Forest. 356-7 (im-
perf.).
— motet by G. Gabrieli (?). 276-7.
— motet by 0. di Lasso. 305.
— motet by Palestrina. 308-9.
Ave, Regina : motet (a 5) by T. L. da
Vittoria. 325.
motet (a 8) by T. L. da Vittoria.
315 325
motet (a 2) by S. Wesley. 312.
motet (a 5) by S. Wesley. 318.
Ave, Rex noster : part of miracle-play
(11th cent.). 239.
Ave, salutis janua : motet (early 17th
cent.). 275-6.
Ave, sanctissima Maria : motet (1519-
1533). 259.
motet (before 1782). 312-13.
motet by Fel. Anerio. 355.
motet by J. Mouton. 305.
Ave, Sanctissime Messia : motet (17th
cent.). 289.
Ave ! Solem genuisti. v. Verbum bo-
num et suave.
Ave, speculum candoris : motet (15th
cent.). 256-7.
Ave, stella matutina : motet by G.
Gabrieli (?). 276-7.
Ave, thronus Trinitatis : motet (15th
cent.). 258.
Ave, Verum Christi Corpus : motet by
G. B. Martini. 341.
Ave, Verum Corpus : motet by [W.]
Byrd. 279-80.
motet by Josquin des Pres. 312-
13.
song by E. Silas. 454.
motet (a 2) by S. Wesley. 312.
motet (a 3) by S. Wesley. 318-19.
Ave, Virgo fceta. v. Ave, Dei Patris ; by
R. Johnson.
Ave, Virgo gloriosa : motet (15th cent.).
258.
Ave, Virgo gratiosa : song by H.
Dumont. 431.
Ave, Virgo sancti amoris : song by [F.]
Durante. 441.
Ave, Virgo singularis : motet by N.
Ludford. 260.
Averte mala. v. Deus, in nomine Tuo
(temp. Elizabeth).
Avete, mentes lucidse : motet (mid.
18th cent.). 300.
Avvezze a inorridirvi : duet by F. Feo.
174-5.
Awake, awake, and with attention hear:
song by H. Purcell. 432.
Awake, awake ; put on thy strength :
anthem by W. Jackson [of Exeter].
75.
Awake, awake ; utter a song : anthem
by J. Blow. 111.
Awake, awake, ye dead : duet by H.
Purcell. 177.
Awake, my lute ; but first awake, my
heart : song by W. Turner. 429.
Awake, my soul, and with the sun :
hymn (1817). 192 (no. 73).
hvmn byF.H. Barthelemon. 192,
194/
476
INDEX I.
Awake, my soul, and with the sun :
hymn by S. Wesley (?). 194.
Awake, my soul ; awake mine eyes :
song by H. Cooke. 428, 432.
hymn by W. Croft. 184.
Awake, my soul ! Thou too securely
sleepst : anthem by G. Jeffreys. 24.
Awake I Put on thy strength : anthem
by M.Wise. 26,55,80.
Awake the harp ; fr. oratorio by Haydn.
373.
Awake, thou lute and harp : anthem
by W. Porter. 35 (words).
Awake up, my glory: anthem (after
1624). 15.
antbem by T. Wanless. 60.
anthem by M. Wise. 26, 27, 42,
85.
Away with our sorrow: hymn by T.
Miles. 189.
"Ayliff Street": hymn-tune (18th
cent.). 186.
"Babylon streams " : hymn-tune (18th
cent.). 186.
Balaam prophetanti : motet (13th cent.).
253-4.
Bald, bald erscheint das Heil der
Frommen : cantata by G. Benda.
132.
"Bangor": hymn-tune by T. Ravens-
croft. 192-3.
Baptizatur; by J. Taverner (?). v.
Sospitati olei.
Barmherzig ist der Herr : cantata by
J. G. Krebs. 130.
Be glad, lordings : carol (1456). 138
(words).
Be glad, O ye righteous: anthem by
- anthem by S. Wesley (?). 69.
Be gracious to Thy servant, Lord : hymn
by T. Miles. 189-90.
Be it known to all : carol (early 16th
cent.). 140.
Be light and glad : hymn by W. Par-
sons. 196.
Be merciful unto me, O God : anthem
by W. Croft. 89.
• anthem by H. Purcell. 41, 59,
78 (2), 81, 104.
Be merciful unto me, O Lord : anthem
by J. Blow. 112.
" Be not afraid " : mass by J. Shepherd.
213.
Be not thou afraid : anthem (early 18th
cent.). 48.
Be not wroth : anthem by W. Byrd.
81(2).
Be peace by each implor'd : hymn by
T. Miles. 189.
Be pleased, O Lord, to deliver me :
anthem by S. Wesley. 98.
Be Thou exalted, Lord : canon by T.
Miles. 127.
Be Thou my Judge, O Lord, for I:
canon by J. W. Callcott. 121.
anthem by T. S. Dupuis. 66.
Be thou my Judge, O Lord of all :
hymn by T. S. Dupuis. 184.
Be Thou my Judge ; Thy searching eyes :
hymn by T. Miles. 189.
Be Thou, O God, exalted high ; anthem
(a 3) by T. Miles. 100.
anthem (a 4) by T. Miles. 99.
Be unto me, O Lord, a tower : anthem
by W. Byrd. 9, 91.
Be wise now therefore : anthem adapted
from Steffani. 96.
Beata cceli nuntio. v. Quern terra,
pontus.
Beata cujus. v. Vexilla Regis.
Beata Dei genetrix : motet by Dun-
stable. 356.
motet by R. Mower. 260.
motet by D. Perez. 357.
motet by P. Philips. 310-11.
Beata es, Virgo Maria : motet (early
17th cent.). 278.
motet by Fel. Anerio. 355 (two
copies).
motet by G. Gabrieli (?). 276-7.
mass and motet by V. Ugolini.
227, 327.
Beata et enupta Virgo : motet by Dun-
stable. 356.
Beata Mater, munere. v. Quem terra,
pontus.
Beata Virgo, v. O magnum mysterium.
Beata viscera : motet (early 17th cent.).
275.
motet by N. Ludford. 260.
motet by D. Perez. 357.
Beatse Mariae Magdalenae : motet by
Palestrina. 308.
" Beatae Virginis " : mass by P. de la
Rue. 222.
Beati immaculati : canon by S. Rahel
(Roy. App. 64, f. 22b). 115.
Beati omnes qui timent : motet (about
1516). 259.
motet (about 1584). 264.
motet by J. T. Gerarde(?). 269.
motet by O. di Lasso. 305.
motet by H. Purcell. 286, 350.
canon by S. Rahel (Roy. App. 64,
f. 23b). 115.
Beati quorum remissae sunt iniquitates :
canon by S. Rahel (Roy. App. 64,
f. 7b). 115.
Beato 1' uom che dietro : chorus by
B. Marcello. 164.
Beatus Author sseculi : motet by G.
Jeffreys. 283-4.
Beatus homo qui invenit: motet by
O. di Lasso. 305, 325.
Beatus Laurentius : motet by P. Bai.
341.
motet by Palestrina. 305, 308,
319-20.
INITIAL WORDS AND TITLES.
477
Beatus vir qui in sapientia : motet by
0. di Lasso. 305, 325.
Beatus vir qui intelligit : canon by S.
Rahel (Roy. App. 64, f. 8b). 115.
Beatus vir qui metuit : motet by Fel.
Anerio. 354.
Beatus vir qui non abiit : motet by
J. C. Pepusch. 306-7.
canon by S. Rahel (Roy. App. 64,
f. 3b). 115.
Beatus vir qui suffert
tentationem :
305.
(a 5):
motet
motet by Palestrina.
Beatus vir qui timet
(18tb cent.). 319.
(a 8) : motet (18th cent.). 319.
motet (a 4) by Fel. Anerio. 354.
motet (a 5) by Fel. Anerio. 354.
motet by [G. P.] Colonna. 336.
motet by C. Cotumacci. 322.
motet (a 4) by F. Durante. 297.
motet (a 4 — another setting) by
F. Durante. 320, 342.
motet (a 4 — a third setting) by F.
Durante. 342.
motet by N. Fago. 333.
motet by G. B. Fenoglio. 323-4.
- motet by N. Jommelli. 343 (2,
two settings)
— motet by N
— motet by N
— canon by S.
f.20). 115.
— motet by A. Steffani
— song by Zingarelli.
— v. also Paratum cor
Behold, how good and joyful : anthem
by M. Lock. 37.
anthem by J. Lugg. 29 (words),
57.
anthem by J. Nares. 67.
anthem by W. Norris. 81.
anthem by R. Portman. 20, 34
(words).
anthem by B. Rogers. 37.
anthem by W. Stonard, 7.
anthem by T. Tudway. 61.
- anthem by S. Wesley. 70, 98,
Piccinni. 334.
A. Porpora. 296.
Rahel (Roy. App. 64,
350.
449.
and under
Vespers.
"Bedford" : hymn-tune by W. Weale.
186, 194.
Before the mountains were brought
forth: anthem by W. Lawes. 35
(words).
Begin the song : song by H. Purcell. 453.
Behold and have regard : hymn by W.
Parsons. 196.
hymn by D. Peebles. 182.
Behold, brethren, how good : anthem
(1547-1548). 1.
Benold, God is my salvation : anthem
by W. Croft. 46.
anthem by T. Tudway. 39, 49.
Behold, He comes : hymn by T. Miles.
189.
Behold, He said. v. In a slumber.
Behold He that keepeth Israel, v. I
will lift up mine eyes.
Behold, His wondrous Grace : hymn by
T. Miles. 189.
Behold, how good a thing it is : an-
them by W. Byrd. 83.
Behold, how good and joyful : anthem
by J. Baildon. 94.
anthem by J. Blow. 88, 110.
anthem by W. Child. 25.
anthem by J. Hutchinson. 18,
38, 58, 79.
107.
anthem by M. Wise. 57.
Behold, I bring you glad tidings :
them by [0.] Gibbons. 21, 26,
and 34 (words), 51.
anthem by M. Greene. 47.
anthem by H. Purcell. 44,
an-
29
59,
78, 103.
anthem by W. Raylton. 41.
anthem by B. Rogers. 37.
anthem by [Jos.?] Stephenson. 69.
anthem by C. Wesley. 101.
Behold, I send unto you prophets : an-
them by G. L[oosemore?]. 39.
Behold, I was shapen in wickedness :
anthem by S. Wesley. 70.
Behold in heaven : anthem by H.
Aldrich, from Carissimi. 80.
Behold, it is Christ : anthem by E.
Hooper. 12, 14, 17, 25, 29 and 31
(words), 48, 54, 108.
anthem by [W. ?] Mundy. 2, 16.
anthem by W. Savage. 96.
Behold me, I pray. v. Woefully
array'd.
Behold, my God, what numerous foes :
hymn by T. Miles. 189.
Behold now, praise the Lord : an-
them (temp. Charles II). 29 (words).
anthem adapted by H. Aldrich.
55, 80, 81.
anthem by [R.] Allison. 18.
anthem by W. Croft. 45, 46.
anthem by H. Purcell. 43, 104.
anthem by B. Rogers. 43.
anthem by W. Savage (?). 95, 417.
anthem by W. Turner. 60.
anthem by [W. ?] White. 18.
Behold, O God : anthem by [W.] Bvrd.
22.
Behold, O God, how heathen hosts :
hymn by T. Miles. 189-90.
Behold, 0 God, our Defender : anthem
(two versions) by Blow. 110, 112.
anthem byH. Cooke. 32 (words).
anthem by J. Nares. 67.
anthem by W. Raylton. 41.
Behold, O God, the sad and heavy
case : anthem by Byrd. 32 (words).
Behold, 0 God, with Thy all-prosp'ring
eye: anthem by Byrd. 34 (words).
Behold, 0 Lord: anthem by T. Wil-
kinson. 20.
478
INDEX I.
Behold, the fool whose heart denies :
hymn by T. Miles. 189.
Behold the gloomy vale : hymn by T.
Miles. 189.
Behold, the hour cometh : anthem by
O. Gibbons. 21.
Behold, the morning sun : hymn by T.
Miles. 189.
Behold the path which mortals tread :
hymn by T. Miles. 189.
Behold, the vast unfathom'd main:
hymn by T. Miles. 189-90.
Behold the wicked : hymn by T. Miles.
189-90.
Behold, Thou hast made : anthem by
0. Gibbons. 19, 26, 29 and 33 (words),
40, 44, 54, 81, 102, 109.
"Bell" anthem. v. Rejoice in the
Lord always; by H. Purcell.
Bella premunt hostilia. v. 0 Salutaris
Hostia.
Below perpetual change appears : hymn
by T. Miles. 189.
Bend down, 0 Lord. v. Almighty
Lord, Whose love.
Bendito es El que juzga enequidad : song
by P. de Coster Vanderven (?). 426-7.
Beneath our feet and o'er our head :
hymn by T. Miles. 189.
Benedic, anima mea, Domino ; Do-
mine : canon by S. Rahel (Roy.
App. 64, f. 19). 115.
Benedic, anima mea, Domino, et omnia :
canon by S. Rahel (Roy. App. 64,
f.19). 115.
Benedic nobis, Domine : grace by J. W.
Callcott. 178.
Benedicam Domino : motet (early 17th
cent.). 275.
song (17th-18th cent.). 432.
motet by Pel. Anerio. 355.
song by [R.] Johnson [sen. ?].
425-6.
motet by Palestrina. 291, 304.
canon by S. Rahel (Roy. App. 64,
f. 7b). 115/
Benedicamus Domino (12th cent.).
v. Angelus sedens ; Catholicorum
concio ; Noster ccetus ; Prima, mundi
seducta subole ; Rex omnia tenens.
motet (12th-13th cent.). 252.
motet (15th cent.). 258.
motet {temp. Hen. VIII). 260.
chorale by M. Gobel (?). 155.
grace by S. Wesley. 178.
Benedicat nos Deus: motet by G. B.
Martini. 341.
Benedicemus Te : motet (after 1604).
279.
Benedicite Deo cceli : motet by H. Du-
mont. 291-2 (2), 295-6.
Benedicite Domino. Amen : canon by
[W. ?] Hayes. 124.
Benedicite Domino, omnes : motet
(1802). 347.
Benedicite, gentes, Domino : motet by
Palestrina. 291, 304, 333.
Benedicite, omnia opera, v. Praise ye
the Lord, his workes all. v. also
under Services, 397-421 passim.
Benedicta es, ccelorum regina : motet
by J. Mouton. 305.
Benedicta et venerabilis es : motet by
N. Jommelli. 332T3.
Benedicta sit Sancta Trinitas : motet
(17th cent.). 289-90.
motet (1802). 346.
motet by Palestrina. 305, 335-6.
Benedicta tu in mulieribus. v. Sancta
et immaculata.
Benedictio. v. 0 quam gloriosum.
Benedictus : motet (after 1611). 279.
motet (1783). 315.
motet by Josquin des Pres. 320
(two settings).
Benedictus Dominus Deus Israel :
hymn (1547-1548). v. Praised be th'
Almighty Lord. v. also under Ser-
vices, 397-421 passim.
motet (18th-19th cent.). 340
(three settings).
motet (1855). 355.
motet by P. A. Basilij. 339-40.
motet by Clari. 358.
motet by J. T. Gerarde (?).
motet by A. Melani. 358.
motet by J. Mouton. 305.
v. also under Services, 396-421
269.
Benedictus Dominus Deus meus : canon
by S. Rahel (Roy. App. 64, f. 26b). 115.
Benedictus es, Domine : motet by Pales-
trina. 291, 303, 333.
Benedictus qui venit : canon by Sir
H. R. Bishop. 128.
canon by [A.] Brumel. 120.
motet by A. Brumel. 320.
motet by 0. di Lasso. 306-7, 323.
duet by K. F. Rungenhagen. 177.
v. also under Masses, 211-239
passim ; and Requiems, 391-5 pas-
sim.
Benedictus sit Deus : motet by Pales-
trina. 291, 304.
Benedictus tu es inter homines : motet
by H. Lawes. 288.
Benedixisti, Domine : motet by J. E.
Eberlin. 363.
motet by Palestrina. 291, 302,
303, 326, 333, 335, 339.
canon by S. Rahel (Roy. App. 64,
f. 16) 115.
Benedixit omnibus qui timent : motet
by [W. ?] Mundy. 271-2.
Benignissime Jesu : motet (17th cent.).
289-90.
i motet by H. Lawes. 288.
Beo et venturaivel : chorus (1817).
167 (two settings).
chorus by B. H. Brockes (?). 167.
chorus by A. Godeau. 167.
INITIAL WORDS AND TITLES.
479
Beo et venturaivel : chorus by [? J. B.]
Lully. 163.
chorus by A. Schmau. 167.
chorus by J. Schmidlin. 167 and
169 (two settings).
Beo quel in cusailg cun ils : chorus by
J. P. Sweelinck. 169 (two settings).
"Berlin": hymn-tune. v. My soul
for help.
Beschliesset einen Rath : chorus by
G. P. Weimar. 160.
Besitz' ich nur ein ruhiges Gewissen :
song by K. P. E. Bach. 448-9.
Best Instructor: hymn (about 1785-9).
185.
hymn by T. Miles. 189.
"Bethel " : hymn-tune by C. W. Banis-
ter. 189.
"Bettulia liberata" : oratorio by Jom-
melli. 374.
"Bethesda": hymn-tune (18th cent.).
186.
" Bexley " : hymn-tune (1826). 190-1.
Beyond the limits of the sky : hymn
by T. Miles. 189.
Biduanis ac triduanis jejuniis : motet
by Palestrina. 308.
Bien dut chanter : song (early 14th
cent.). 424.
Bitter is the orphan's tear : anthem by
C. Wesley. 101.
Bleiben bei uns : chorus by Standfuss.
160.
" Blendworth " : hymn-tune. v. Day
of judgment.
Bless God, my soul : hymn by T. Miles.
189-90.
Bless thou the Lord, my soul ; how
great : hymn by T. S. Dupuis. 184.
Bless'd are the departed ; fr. oratorio
by Spohr. 383 (2).
Bless'd be the tie that binds our hearts :
hymn by T. Miles. 189.
Bless'd be the Wisdom : chorus by
T. Miles. 170.
Bless'd is the man whom Thou, O
Lord : hymn by T. Miles. 189-90.
Bless'd is the man whose virtuous
steps : hymn by T. Miles. 189.
Bless'd object of my soul's desire :
anthem by T. Miles. 99.
Blessed are all they that fear the Lord :
anthem (early 18th cent.). 39.
anthem (about 1768). 69.
anthem by T. S. Dupuis. 77.
- anthem by [O.] Gibbons. 20, 29
and 33 (words), 51, 94.
anthem by [N.] Giles.
29 and 33
(words).
antnem by M. Greene. 65.
anthem by — Poynt. 2.
Blessed are the dead ; by Spohr. v.
Bless'd are the departed.
Blessed are they that dwell in Thy
house : anthem by [M.] Greene. 97.
Blessed are they that fear : anthem bv
H. Purcell. 41, 104.
Blessed are they that keep His testi-
monies : anthem by A. Batten. 20.
v. also Blessed are those that
are undefiled.
Blessed are they that perfect are : song
(17th cent.). 429.
hymn by W. Parsons. 196 (two
settings).
hymn by D. Peebles.
Blessed are those that are
chant by W. Child. 148.
- anthem by J. Church,
anthem by W. Norris.
182.
undefiled :
62.
50, 59, 81.
- anthem by Tallis. 4, 8, 33 (words),
68.
Blessed art thou that fearest God :
anthem (after 1624). 14.
anthem by A. Blackhall. 2.
hymn by J. Bughen. 182.
anthem by [N.] Giles. 32 (words).
hymn by J. Hake. 196.
anthem by J. Mundy. 19, 29
(words).
anthem by P. Philips. 3, 4, 7, 12.
hymn by J. Shepherd. 180.
Blessed be the Lord God, even the God
of Israel : anthem by W. Child. 22, 25.
anthem by R. Tomkins. 32 (words) .
Blessed be the Lord God of Israel :
canon (late 18th cent.). 119.
anthem by W. Savage. 96.
anthem by [T.] Tomkins. 19, 29
and 32 (words).
v. also Deliver us, O Lord.
Blessed be the Lord my strength :
anthem by J. Blow. 111.
anthem by W. Croft. 90.
— — anthem by T. Ford. 35 (words).
anthem by H. Hall. 42, 81.
anthem by H. Purcell. 39, 44,
79, 104.
anthem by J. Weldon. 40, 92.
Blessed be the Lord who hath pleasure :
anthem, adapted from Steffani. 96.
Blessed be Thou, Lord God : canon by
J. W. Callcott. 121.
anthem by J. Hawkins of Ely. 62.
Blessed be Thy name : anthem by Tallis.
14, 15, 17, 31 (words), 42, 51, 79, 108.
Blessed is every one that feareth :
anthem by H. Lawes. 36 (words).
Blessed is he that considereth : anthem
by W. Boyce. 83.
canon by J. W. Callcott. 119, 121.
anthem by Jer. Clark. 69.
anthem by J. Hawkins, sen. 62.
anthem by T. Miles. 99.
anthem by H. Purcell. 104.
anthem by M. Wise. 25, 79.
Blessed is he that fears : anthem by
W. Byrd (?). 8.
Blessed is he whose unrighteousness :
anthem by D. Purcell (?). 51.
480
INDEX I.
Blessed is he whose unrighteousness :
anthem by H. Purcell. 103.
Blessed is the man, 0 Lord : anthem
by W. Croft. 89.
Blessed is the man that feareth :
anthem by J. Blow. 49, 109.
anthem by H. Purcell. 50, 59, 103.
anthem by — Rutter. 18.
Blessed is the man that hath not gone :
anthem by M. Lock. 37.
Blessed is the man that hath not walked :
anthem (in C) by J. Blow. 49, 88, 109.
anthem (in D minor) by J. Blow.
88, 110.
anthem by W. Child. 87.
Blessed is the man whom Thou
choosest : canon (late 18th cent.). 119.
Blessed is the people : anthem by
W. Croft. 40, 45, 46, 90.
anthem by T. Tudway. 43.
Blessed Lord, Who hast caused : anthem
by W. Russell. 102.
Blessed must Thou be, sweet Jesus :
carol by R. Smart. 139.
Blest, v. Bless'd.
" Blewbury " : hymn-tune (18th cent.).
186.
Blow out the trumpet, v. Blow up
the trumpet.
Blow up the trumpet : anthem by M.
Pearson. 7, 11, 18.
anthem by H. Purcell. 105.
Blow ye the trumpet : anthem by W.
Jackson [of Exeter]. 76.
Bone Jesu : motet by G. Casati. 285-6
(2), 293, 294.
motet by G. Jeffreys. 283-5 (2).
song by M. Lock. 430.
Bone Pastor : motet by P. Guglielmi.
349.
Bonum est confidere. v. Confitemini
Domino.
Bonum est confiteri : motet (17th cent.).
289.
motet by Palestrina. 291,303,333.
canon by S. Rahel (Roy. App. 64,
f. 17). 115.
canon by S. Rahel. v. also Deus,
laudem meam.
Born is the babe: carol (early 17th cent.).
142.
Both night and day. v. Deliver us, Lord.
Bow down Thine ear : anthem (late
17th cent.). 39.
anthem by E. Bevin. 34 (words).
anthem by J. Blow. 112.
canon by J. W. Callcott. 121.
anthem by W. Child. 29 (words).
anthem by Jer. Clark. 59, 94.
anthem by M. Greene. 62.
anthem by J. Hawkins, of Ely. 60.
canon by [W. ?] Hayes. 124.
anthem by T. Miles. 99.
anthem by P. Philips. 5.
anthem by H. Purcell. 104.
Bow down Thine ear : anthem by B.
Rogers. 37, 43.
anthem by [J. ?] Smith. 69.
v. also 0 Lord, turn Thy wrath.
Bow Thine ear : anthem by W. Byrd.
25, 48, 53, 94.
v. also Be not wrath ; Bow down
Thine ear ; 0 Lord, turn Thy wrath.
"Bramcote" : hymn-tune (18th cent.).
186.
"Brampton": hymn-tune by J. (?)
Wainwright. 188.
Bread of the world : hymn by T. Miles.
189.
" Brentwood " : hymn-tune (18th cent.).
186.
Brightest and Best of the sons of the
morning : hymn by T. Miles. 189.
Brightest of days : anthem by G.
Jeffreys. 23, 24.
Brightest sun : anthem by G. Jeffreys.
23.
Bring unto the Lord, 0 ye mighty :
anthem by J. Blow. 49, 110.
anthem by [J. ?] Smith. 69.
anthem by C. Wesley. 70-1.
"Bristol": hymn-tune by T. Ravens-
croft. 192-3.
hymn-tune by S. Wesley, v. He's
blest whose sins.
Brother, thou art gone to rest : anthem
by T. Miles. 100.
Brought for Thy sake to low estate :
hymn by T. Miles. 189-90.
Brought to the font with holy care :
hymn by T. Miles. 189.
Bulla, fulminante : song by H. de
Pisis (?). 423-4.
" Burford " : hymn-tune by H. Purcell.
186, 194, 195.
" Burnham " : hymn-tune (about 1800).
189.
" Burton" : hymn tune (1826). 190-1.
Busy time : anthem by G. Jeffreys.
23, 24.
But feebly can a mortal string : hymn
by T. Miles. 189.
But He, the God of love. v. Saint
Mary now.
But I Thy statutes and decrees : hymn
by T. Miles. 189-90.
But is it true, a froward folk : hymn by
D. Peebles. 181.
But let all those, v. Haste Thee, 0 God.
But my trust is in Thy mercy, v. How
long wilt Thou forget.
But when I said. v. Who will rise up.
By all the hosts of heav'n : hymn by
T. Miles. 189.
By Euphrates : anthem by M. Pear-
son. 6.
By faith I mount : hymn by T. Miles.
189.
By the rivers of Babylon : anthem by
[R.?] Barber. 69.
INITIAL WORDS AND TITLES.
481
By the waters of Babylon : canon by
[M.] Greene. 119, 124 (2).
anthem by H. Hall. 49, 59.
anthem by P. Humfrey. 54.
anthem by J. Nares. 67.
anthem adapted by H. Purcell
from P. Humfrey. 43, 103.
anthem by W. Turner. 27.
anthem by T. Wilson. 18.
anthem by M. Wise. 22, 25,
42.
By Thy birth and early years : hymn
by T. Miles. 189.
By Thy unwearied strength upheld :
hymn by T. Miles. 189.
Cadant arma : motet by P. Cafaro.
302.
Csecilia virgo : motet (temp. Elizabeth).
265.
Caligaverunt oculi mei : motet bv P. A.
Basilij. 339-40.
motet by P. Cannicciari. 328.
motet by [S.?] Dentice. 294.
motet by N. Jommelli. 332.
motet by L. Leo. 361.
motet by G. A. Perti. 361.
motet by [G.] Salvatore. 329.
Call to remembrance : anthem (temp.
Charles II). 29 (words).
anthem by B. Cooke. 87.
anthem by R. Farrant. 15, 16,
25, 79 (adaptation), 108.
anthem by [J.] Hilton. 18.
anthem by W. Savage. 96.
"Cambridge": hymn-tune by T.
Ravenscroft. 190, 192-3.
" Cambridge, New " : hymn-tune by J.
Randall. 187, 192, 194.
Candida virginitas: motet (13th cent.).
253-4.
Candidi facti • sunt : motet by Fel.
Anerio. 355.
Candor lucis : motet (15th cent.).
256-7.
Canite.archangeli : motet by Fel. Anerio.
355.
Canite tuba in Sion : motet by Fel.
Anerio. 354.
motet bv Palestrina. 304, 308-9,
351, 359.
mass by D. dal Pane. 220.
motet by P. Reggio. 287.
Cantabimus canticum novum : canon
(19th cent.). 129.
Cantabo Domino in vita mea : motet
by Carissimi. 294, 295, 296.
Cantano gli angioletti : madrigal (15th-
16th cent.). 204.
Cantantibus organis : motet by H.
Dumont. 326.
motet by Palestrina. 308.
Cantate Domino : motet (after 1624).
282.
mass by E. Lopez. 220.
"Cantate Domino": v. also under
Services, 396-421.
Cantate Domino canticum novum :
motet (after 1613). 280-1.
song (17th cent.). 429.
motet (1802). 346.
motet by E. di Bartolo. 316.
motet by H. Dumont. 291-2.
motet by 0. di Lasso. 263, 305.
motet by R. Nicholson (?). 278.
three canons by S. Rahel (Roy.
App. 64, ff . 17, 18, 27b). 115.
motet bv — Silvestro. 285-7 (2).
motet by [J.] Tomkins. 275,
279-80.
Cantemus Deo adjutori : motet by G.
Casati. '285-6.
Cantemus Domino cum primis vocibus :
canon by V. Ugolini (?). 124.
Cantemus Domino gloriose : motet by
M. Simonelli. 322, 360.
Cantemus ; jubilemus : motet by Caris-
simi. 295.
" Canterbury" : chant (1676). 146.
hymn-tune by E. Blancks. 190-1.
hymn-tune by J. Ward. 192-3.
Cantiamo su, cantiamo inni : chorus
(18th-19th cent.). 165.
"Canticles": hymn-tune. v. My soul,
now arise.
Cantu miro ; part (?) of Miracle-play
(12th cent.). 240.
Caput ejus aurum optimum : motet by
Palestrina. 303-4.
Carse rosae, respirate : song by A. Vivaldi.
436-7.
Care gioje ; fr. Oratorio (?) bv G. Buzzo-
leni. 368.
" Carey's " : hymn-tune arranged (?) by
S. Wesley. 194.
Cari Zephyri : song by G. B. Bassani.
434.
Caritas Dei diffusa est: motet (1802).
347.
"Carlisle" : hymn-tune by T. Ravens-
croft. 192-3.
Caro Mea : motet by [G.] Baini. 351.
motet by G. Jeffreys. 283-4.
motet by Palestrina. 808-9.
Cast off all doubtful care. v. Rejoioe,
rejoice with heart.
Catholicorum concio ; part(?) of miracle-
play (12th cent.). 240.
Caverne spaventose : song by F. Feo.
435.
Cease thy anguish ; from oratorio by
Handel. 365, 366-7.
Cedro gentil : madrigal by Palestrina
(Add. 5039, f. 20 ; 31397, f. 52 ; 31408,
f. 13b). 204, 205 (2).
"Celestia": hymn-tune. v. Hark!
hark, my soul.
Cessate : song by N. Conti. 435.
song by Pfietro ?] R[eggio ?}*
447.
482
INDEX I.
chorus by J. P.
Segnor : chorus by
167 and 168 (two
chorus by
chorus by — Gustus (?).
Cessate, mundi curse : song by L. Leo.
444.
Cessate, O harmonici concentus : song
by J. A. Hasse. 445.
Cessent corda lamenta : by F. Du-
rante (?). 131.
Chante a Dieu :
Sweelinck. 167.
Chante da noev al
J. P. Sweelinck.
settings).
Chante na canzum nov
J. P. Sweelinck. 169.
Chastis'd, O Lord : hymn by T. Miles.
189.
Che che voul gner salv: chorus (1817).
168 (nine settings).
chorus by B. H. Brockes (?). 168.
■ chorus by A. Schmau. 168.
chorus by [J.] Schmidlin. 168.
chorus by G. J. Zollicofen. 168.
Che pensi tu : song (late 18th cent.). 435.
"Chelsea": hymn-tune (18th-19th
cent.). 187.
"Cheshire " : hymn-tune by J. Bennet.
192-3.
song by H. Boyd (?). v. 0 Thou,
to Whom.
Chi in guvan
168.
Chi mi esilia dal cielo : duet byF. Feo.
174.
Chi per pieta mi rende : song by F.
Durante. 446.
"Chichester" : hymn-tune by R. Cud-
more. 189.
hymn-tune by T. Ravenscroft.
192-3.
Chie Christ sco hoatz a ccftl : chorus
(late 18th cent.). 163.
Chie sbutamaint hest : chorus by J.
Schmidlin. 167.
Chie t' stanglauntest tu : chorus by J.
K. Bachofen. 167, 168.
Child of sorrow, cease repining: anthem
by C. Wesley. 73.
Children of the heav'nlv King ; hymn
by T. Miles. 189.
Children, ye whose hearts are tender :
hymn by T. Miles. 189.
" Chiswick " : hymn-tune arranged (?)
by S. Wesley. 194.
Chori angelici lsetantes : song by J. A.
Hasse. 445.
Chorus noster recolat : part (?) of Mi-
racle-play (12th cent.). 240-1.
Chorus novae Hierusalem : motet (15th
cent.). 256-7.
Christ and Saint Mary : song (12th-
13th cent.). 422.
Christ being raised : anthem by J. Blow.
88, 110.
Christ is risen, v. Christ rising again.
Christ ist crstanden : canon (late 18th
cent.). 126.
Christ lag in Todes Bandera : canon
(late 18th cent.). 126.
chorale by M. Gobel (?). 155.
Christ, our Paschal Lamb : anthem by
[J. ?] Shepherd. 2.
Christ, our Passover ; fr. service (late
17th cent.). 402.
anthem (early 19th cent.). 95.
Christ rising again : anthem (after 1624).
14.
anthem by J. Amner. 54.
anthem by Byrd. 12, 19, 26, 29
and 33 (words), 83, 109.
anthem by H. Cooke. 36 (words).
anthem by — Juxon. 21.
- anthem by [J. ?] Shepherd. 3, 16.
anthem by M. Wise. 79.
Christ That was. v. Jesu, mercy I How
may this be.
Christ, the Lord, is ris'n to-day: hymn
by T. Miles. 189.
Christe, audi nos. v. Sancti Dei.
Christe, eleison: motet by T. Bai.
341.
canon by [M.] Greene. 125.
nine canons by N. Sala (Add. 11589,
ff . 102, 103, 107b ; 11590, ff. 14b, 16b,
25b, 49b, 61, 93). 122.
v. also under Masses, 211-239
passim.
Christe, qui Lux es : motet by [R. ?]
Whyte. 279-80.
Christe, Redemptor omnium : motet
by Fel. Anerio. 354.
Christe, sanctorum Decus angelorum:
motet by E. di Bartolo. 347-8.
motet by Dunstable. 356.
Christe, Tuus sanguis : ohorale by M.
Gobel (?). 156.
Christo Jesu debes omnem vitam : mo-
tet by G. Jeffreys. 283-4.
" Christ's Hospital " : hymn-tune by T.
Ravenscroft. 192-3.
Christum Regem adoremus : motet by
E. di Bartolo. 316.
" Christus" : oratorio by Liszt. 385.
"Christus am Oelberge": oratorio by
Beethoven. 380.
Christus, Der ist mein Leben : chorale
by J. C. Lobe (?). 157.
Christus eis per noas grand pchio :
chorus by [A.] Musculus. 163.
Christus factus est: motet bv P. A.
Basilij. 339-40.
motet by G. [B.] Buononcini.
360-1.
motet by G. B. Costanzi. 335.
motet by J. T. Gerarde (?). 269.
motet by P. Guglielmi. 335.
motet by N. Jommelli. 332.
motet by J. Kumlik. 353.
song by L. Leo. 449.
motet by A. Melani. 341.
motet by G. Paisiello. 358.
motet by Palestrina. 358.
INITIAL WORDS AND TITLES.
483
Christus ist erstanden : chorale by M.
Gobel (?). 155.
Christus kommt her : cantata by J. G.
Krebs. 130.
Christus la moart ho supero : chorus by
[A.] Musculus. 163.
Christus manens : motet (1227-1234).
253.
Christus resurgens : motet by O. di
Lasso. 305.
motet by [J.] Redford. 271-2.
Christus schenkt Frieden. v. Quod-
quod in orbe. .
Cibavit eos: motet (1802). 346.
Cingite floribus : motet by A. Steffani.
327, 350.
Circumdederunt me : motet (1802). 346.
Cito euntes, dicite. v. Maria Magda-
lena et altera.
Cito, pastores, venite : motet by F.
Durante (?). 298.
Citta di Dio : madrigal by Palestrina
(Add. 5039, f . 32b ; 31397, f. 64 ; 31408,
f. 21, etc.). 204 (2), 205 (2).
Civitas sancti tui. v. Ne irascaris,
Domine.
"Clama; ne cesses": mass by Jos-
quin des Pres. 222 (imperf.).
Clamat Sponsus : song by Porpora.
436.
Clamaverunt ad Te : motet (1802). 347.
Clamaverunt justi : motet by Conrad
Sylvius. 283.
Clamavi in toto corde meo : canon (late
18th cent.). 124.
Clangat hodie vox nostra; part (?) of
Miracle-play (12th cent.). 240.
Clangat tuba, martyr Thoma : duet
(15th-16th cent.). 171.
Clap your hands: anthem by [? V.
Nalson from P. A. (?)] Fiocco. 48.
Clari splendete, O coeli : song by Por-
pora. 436.
Close thine eyes : anthem by H. Bow-
man. 27.
duet by H. Purcell. 177.
" Club " anthem, v. I will always give
thanks . . . My soul shall make her
boast ; by Blow, etc.
Coeleste beneficium : motet (1519-1533).
259.
Coelestis urbs, Jerusalem : motet by E.
di Bartolo. 347-8.
Coeli enarrant : motet by J. J. C. de
Mondonville. 335.
canon by S. Rahel (Roy. App. 64,
f. 5b). 115.
Coeli stellse luminosse : motet by G.
Battistini. 331.
Cognovi, Domine : motet (1802). 347.
motetbyJ.T.Gerarde. 266-7,268. !
" Colchester " : hymn-tune (18th cent.).
186.
Colla stagion novella :
Porpora. 130.
cantata by N.
Collaudabit Te, Deus : song (after 1613).
426.
Collaudate Dominum Deum : canon by
S. Wesley (?). 126.
Columbae innocentes : song by Lotti
436-7.
"Colyers": hymn-tune (about 1800).
189.
"Combe's": hymn-tune. 185.
Come, come ; help, help, O God, O
God : anthem by W. Byrd. 10, 11, 92.
Come forth and hearken here : hymn
by T. Miles. 189.
Come, Holy Ghost : an them (about 1700) .
93.
Come, Holy Ghost ; Creator, come :
hymn by T. Miles. 189.
Come, Holy Ghost, Eternal God : song
(after 1600). 425-6.
hymn by R. Brimle. 196.
hymn by J. Farmer. 183.
hymn by A. Kempe. 182.
anthem by R. Nicholson (?). 7.
hymn by W. Parsons. 196.
hymn by T. Ravenscroft. 192-3.
hymn by Tallis. 179-80.
Come, Holy Spirit ; calm our minds :
hymn by T. Miles. 189.
Come, Holy Spirit, come : hymn by T.
Miles. 189.
Come, let's rejoice : anthem by [J.]
Amner. 13.
Come, let us all unite our joys : anthem
by T. Miles. 99.
Come, let us sing to God : anthem by
Sir W. Leighton. 9, 10, 91.
Come, let us strive : canon (late 18th
cent.). 119.
Come, Lord, from above : duet by S.
Wesley. 174 (autogr.).
Come, said Jesus' sacred voice : hymn
by T. Miles. 189.
Come, sing the Great Jehovah's praise :
anthem by W. Lawes. 72.
Come, Thou soul-transforming Spirit :
hymn by T. Miles. 189.
Come we that: hymn (about 1800). 189.
Come, ye children, and hearken : an-
them by P. Falle. 53.
Come, ye that fear the Lord : hymn by
T. Miles. 189.
Comfort the soul of Thy servant : an-
them (about 1785-1789). 74.
Comfort us again, O Lord: canon by J.
W. Callcott. 121.
Comfort ye, My people : anthem by H.
Aldrich. 57, 80.
anthem by H. Hall. 62.
fr. oratorio by Handel. 371.
anthem by [W.] Tucke-. 21, 43.
Command Thy blessing from above :
hymn by T. Miles. 189.
Commenda Domino vias tuas : chorale
by M. Gobel (?). 155.
Commissamea: song bv D.Perez. 454-5.
484
INDEX I.
motet by M. Simonelli.
thy ways : hymn by
hymn-tune (about
Commissa mea :
295.
Commit thou all
T. Miles. 189.
'Compassion " :
1800). 188.
•' Compton " : hymn-tune by W. Croft.
192.
Con miglior duce ; fr. oratorio by L.
Leo. 374.
Conceptio Mariae: motet by H. Isaak.
314.
Condi tor Alme siderum : duet (13th-
14th cent.). 170-1.
motet by Fel. Anerio. 354.
Conditor cceli : song (17th-18th cent.).
432.
Conduct me by Thy righteous laws :
hymn by T. Miles. 189.
Confessio et pulchritudo : motet (1802).
347.
Confide et ama : motet by 0. di Lasso.
316.
Confirma hoc, Deus : motet by Fel.
Anerio. 355.
motet by N. Jommelli. 328, 329,
332, 343.
motet by Palestrina. 291, 30i.
Confirma nos : motet (1227-1234). 253.
Confiteantur Tibi. v. Deus misereatur
nostri.
Confitebimur Tibi : canon by S. Rahel
(Roy. App. 64, f. 14). 115.
Confitebor Tibi, Domine : motet (1855).
355.
motet by Fel. Anerio. 354.
motet by P. Cafaro. 302.
— - motet by A. Caldara. 328.
canon by J. W. Callcott. 121.
motet by Carissimi. 327.
motet by G. B. Casali. 342.
motet by F. Durante. 320, 342.
motet by G. B. Fenogiio. 323-4.
motet (another setting) by G. B.
Fenogiio. 329.
.song by F. Feo. 435.
motet by N. Jommelli. 343.
motet by Palestrina. 291,303,333.
motet by Pergolesi. 297, 305, 321.
motet by N. A. Porpora. 298.
three canons by S. Rahel (Roy.
App. 64, ff. 4b, 20, 25b). 115.
motet by A. Steffani. 310-11.
motet by G. Valente. 323.
motet by S. Wesley. 319.
v. also under Vespers, 465-6.
Confitemini ; motet (about 1584).
264.
Confitemini Domino : motet by [W.]
Byrd. 279.
Confitemini Domino,
nomen : canon by S
App. 64, f. 19). 115.
Confitemini Domino, quoniam
motet (17th cent.). 289.
et invocate
Rahel (Roy.
Bonus :
by
Confitemini Domino, quoniam Bonus :
motet by J. Mouton. 305.
four canons by S. Rahel (Roy.
App 64, ff . 19, 21, 24b). 115.
motet by [J.] Shepherd. 271-2.
motet by Andreas [Silvan us?].
261.
Confundantur. v. Exspecta Dominum.
Congaudentes exsultemus : motet by
T. Martini. 261.
Congaudet hodie ccelestis curia : part (?)
of Miracle-play (12th cent.). 240.
Congratulamini mihi, fideles : motet
by G. Casati. 285-6.
Congratulamini mihi, omnes : motet
(1519-1533). 259.
motet by Palestrina. 305.
motet by Claudin [de Sermisy ?].
313.
Congregamini ; by J. T. Gerarde. r.
Animam meam.
Congregati sunt inimici : motet
J. T. Gerarde. 269.
Congregavit Dominus aquas : song by
Gal. Sabbatino. 430.
Conserva me, Domine : motet by [O. ?]
Parsley. 300.
canon by S. Rahel (Roy. App. 04,
f. 5b). 115.
Consider, Lord, my foes : hvmn by T.
Miles. 189-90.
Consider mine affliction, Lord : hymn
by T. Miles. 189-90.
Consider mine enemies : anthem bv
W. Porter. 32 (words).
Consolare, O Mater : motet (17th cent.).
289.
Consolare, Virgo: motet (15th cent.).
258.
Constantes estote : motet (15th cent.).
256-7.
Constitues eos principes : motet by S.
Wesley. 318.
Constituisti terminos. v. Homo natus
de muliere.
Consurge, Domine : motet by H. Du-
mont (?). 292.
Continue, Lord, to
hymn by T. Miles.
Contristatus sum :
Lasso. 305.
Convertere, Domine
Lasso. 305.
v. also Ego dixi, Domine, miserere ;
Miserere mei, Domine, quoniam.
Cor meum conturbatum est. v. Do-
mine, ne in furore.
Cor mundum crea : motet (temp. Eliza-
beth). 265.
Core humano : song (1725). 435.
Corona aurea : motet by Palestrina. 304.
" Corre la nave mia": mass by S.
Durante. 221.
Cort ch' Israel : chorus by J. P. Swee-
linck. 167.
hear my
189 -90.
motet by
voice
O. di
motet by O. di
INITIAL WORDS AND TITLES.
485
Could we possess a kingly throne :
hymn by T. Miles. 189.
Courage, my soul : hymn by T. Miles.
189.
"Coventry": hymn-tune by B. Cu-
zens (?). 188.
" Cowbridge " : hymn-tune (18th cent.).
186.
" Cranbrook " : hymn-tune by — Clark.
188.
" Cranbrook, New " : hymn-tune (about
1800). 189.
Creator Alme siderum : motet by E. di
Bartolo. 347.
Creator omnium : motet by J. T.
Gerarde (?). 267-8.
Credain pur tuots : chorus by A. Schmau.
168.
chorus by J. P. Sweelinck. 167.
Credidi propter quod locutus sum :
motet (18th-19th cent.). 340-1.
motet by Fel. Anerio. 355.
motet by N. Fago. 343.
motet by B. Galuppi. 311.
motet by N. Jommelli. 342.
motet by Porpora. 299, 321.
canon by S. Rahel (Roy. App. 64,
f. 21). 115.
v. also under Vespers, 465-6.
Credo : motet (14th-15th cent.). 255.
motet by P. P. Bencini. 362.
motet by Clari. 338.
motet by Dunstable. 356.
motet (a 4) by P. Durante. 342.
motet (a 5) by [F.] Durante. 320.
- motet by N. Fago. 343.
" Haydn. 318.
Jeffreys. 285.
Leo. 358.
Wesley (?). 230, 352.
B. Zingoni. 330.
motet by M.
motet by G.
motet by L.
motet by S.
motet by G.
v.
also under Masses, 211-239
passim. For settings of the English
words, v. under Services, 396-421
passim.
Credo in unum Deum. v. Credo.
Credo quod Redemptor : motet (16th-
17th cent.). 273.
motet (after 1612). 279-80.
motet by A. Ferrabosco [III ?].
275-6 (2).
motet by [R.?] Parsons. 264.
motet by D. Perez. 330.
Crimen Adae : duet by N. A. Porpora.
175, 176.
Cristanted, t' allogra : chorus by H. G.
Nageli. 169.
Crocifisso amor mio : song by F. Feo.
435.
"Crowle": hymn-tune (18th cent.).
186.
Crucem sanctam : motet by Palestrina.
308.
Cruci Domini : motet (13th cent.).
253-4.
"Crucifixion": hymn-tune. v. Re-
proach and grief.
Crucifixus : motet by A. Caldara. 297.
motet by O. di Lasso. 323.
motet by G. A. Perti. 344-5.
v. also Credo.
Crudelis Herodes : motet by E. di
Bartolo. 347.
Crux fidelis : motet by Fel. Anerio. 353.
motet by Dunstable. 356.
Cry aloud and spare not : anthem by
J. Blow. 49, 88, 109, 111.
Cuando llamo, oid : song by P. de
Coster Vanderven (?). 426.
Cui luna, sol, et omnia, v. Quem
terra, pontus.
Cum audisset Gedeon : song bv E. G.
Bernabei (?). 432.
Cum autem esset Stephanus : motet by
Palestrina. 351-2, 359.
Cum beatus Ignatius : motet by T. L.
da Vittoria. 300, 325.
Cum clamarem, exaudivit : motet (1802).
347.
Cum complerentur dies Pentecostes :
motet by Palestrina. 360.
motet by P. Reggio. 287.
Cum ergo fleret. v. Tulerunt Do-
minum.
Cum inducerent Puerum Jesum. v.
Responsum accepit Simeon.
Cum invocarem : motet (17th-18th
cent.). 293.
motet (a 4) by Fel. Anerio. 354.
motet (a 8) by Fel. Anerio. 355.
motet by G. Carcano. 330.
cantata by N. A. Porpora. 129.
canon by S. Rahel. (Roy. App.
64, f. 3b). 115.
motet by G. Valente. 335.
Cum jucunditate Nativitatem beatse
Mariae : motet by T. Bai. 341.
Cum natus esset Jesus : carol by 0. di
Lasso. 142.
Cum pervenisset beatus Andreas : motet
by Palestrina. 300, 308.
motet by A. Repgin. 283.
Cum reverteretur David : motet by
Carissimi. 295.
Cum sanctificatus fuero : motet (1802).
346.
Cum Sancto Spiritu : motet by —
Buonarie. 340.
canons by N. Sala. (Add. 11589,
f. 109b ; 11590, ft. 46, 80). 122.
Cum sit omnis caro fcenum : song by
H. de Pisis (?). 423-4.
Cumque intuerentur. v. Viri Galilsei.
Cunctis diebus : motet by W. Byrd.
264.
Cur chia Dieu turnanttet : chorus (late
18th cent.). 163.
Custodes hominum psallimus : plain-
song melody (early 19th cent.).
390.
486
INDEX I.
Custodes hominum psallimus : motet
by E. di Bartolo. 347-8.
Cutis mea aruit : v. Miseremini mei
saltern ; Versa est in luctum.
chorus (late
by J. P.
D' allegrezza pur cantain
18th cent.). 163.
D' las melas ouvras : chorus
Sweelinck. 167.
D' ogni fedele il core ; fr. oratorio by
M. Falco (?). 368.
D' tlascha gner : chorus by J. P. Swee-
linck. 166.
Da cor voelg eau Te celebrer : chorus
by J. P. Sweelinck. 168.
Da cormaing lode Dieu : chorus (late
18th cent., etc.). 163, 167.
chorus by J. P. Sweelinck. 167.
Da raihi auxilium : motet by W. Byrd.
309-10.
Da mihi, Domine : motet by J. T.
Gerarde (?). 266.
v. also Emitte, Domine, sapientiam.
Da pacem, Domine : motet (about
1584). 264.
motet (after 1604). 279.
motet (1802). 347.
motet by [A. ?] Agricola. 262.
motet by A. Divitis. 261-2.
motet bv A. Ferrabosco [III?].
276.
motet by J. T. Gerarde. 268.
motet by J. Mouton. 305.
Da robur. v. O Salutaris Hostia.
Da vestimainta naira : chorus (1817).
168.
chorus by H. G. Nageli. 169.
Dabit percutienti Se : song by F.
Durante. 454-5.
Dal cor ripieno : chorus by B. Marcello.
164-5.
Dal tribunale augusto : song by B.
Marcello. 449.
Dall' alma Roma sommo pastore :
chorus by F. Liszt. 170.
" Damascus " : hymn-tune (about 1800).
189.
Dammi delle mie colpe un pien dolore ;
fr. oratorio by J. J. Fux. 364-5.
32169, f . 62b.
Dammi, scala del ciel : madrigal by
Palestrina (Add. 5039, f.9b; 31397,
f.42; 31408, f.7). 204,205(2).
Dammi, vermiglia rosa : madrigal by
Palestrina (Add. 5039, f. 13b ; 31397,
f. 45b ; 31408, f. 9b). 204, 205 (2).
" Danielis ludus." v. Ad honorem tui.
"Daniel's prediction": oratorio by
C. E. Horn. 384.
Dank dem Geber: grace by — Andre.
178.
Da"hket dem Herren alle Zeit : chorale
byM. Gobel(?). 153.
Danket dem Herrn, denn Er ist freund-
lioh : cantata by C. G. A. Bergt. 136.
"Darby." v. " Derby."
Dark was the night : hymn by T. Miles.
189.
"Darwell's": hymn- tune arranged (?)
by S. Wesley. 194.
Das alte Jahr : chorale by M. Gobel (?).
154.
" Das Ghagas " : mass by S. Neukomm.
236.
Das Jesulein soil doch mein Trost :
chorale by M. Gobel (?). 154.
"Das Leiden und der Tod Jesu":
cantata by J. H. Rolle. 134.
"Das Leiden und Sterben unsern
Herrn " : cantata (1688). 129.
Das neugeborne Kindelein : chorale by
M. Gobel (?). 154.
Das weiss ich fiirwahr : cantata by
[G. P.] Telemann. 132-3 (two set-
tings).
Dat superis, inferis, gaudia : motet
" (15th cent.). 256-7.
Date sonitum : motet by Sir M. Costa.
351.
Daughter of Zion, from the dust : hymn
by T. Miles. 189.
Day of judgment: hymn (about 1800).
188.
" Davspring " : hymn-tune (about 1800).
189.
" De beata Maria Virgine " : mass by
T. L. da Vittoria. 220-1.
" De beata Virgine": mass by E.
Lopez. 220.
mass by Josquin des Pres. 222.
De dais maums : chorus (1817). 168.
" De Dringis " (sic) : mass by A. Brumel.
222-3.
De excelso misit ignem : motet by
[R. ?] Whyte. 279-80.
" De Franza " (?) : mass by P. Bassiron.
222-3.
De larnentatione Hieremise. v. also
Incipit lamentatio Hieremise.
De larnentatione Hieremise . . . Beth :
Lamentations (late 16th cent.).
197.
Lamentations by Tallis (?). 197.
De larnentatione Hieremise . . . Gimel :
Lamentations by — Tallis. 197, 198.
De larnentatione Hieremise . . . Heth :
Lamentations (late 16th cent.).
197.
De larnentatione Hieremise . . . Heth.
Cogitavit : Lamentations by F.
Durante. 199.
song by L. Leo. 450, 455.
song by S. di Luc[c ?]a. 444.
song by Porpora. 450.
De larnentatione Hieremise . . . Heth.
Misericordise : song by F. Durante.
447-8 (two settings).
song by L. Leo. 450, 455.
De larnentatione Hieremise . . . Viae
Sion : motet by W. Byrd (?). 307.
INITIAL WORDS AND TITLES.
487
De lamentationibus. v. De lamenta-
tione.
De monte lapis scinditur: part (?) of
Miracle-play (12th cent.). 240-1.
De profundis : song by D. Auletta.
447 (two settings).
canon by J. W. Callcott. 121.
motet by F. Monarino. 328.
motet by J. J. C. de Mondonville.
335.
motet by T. Morley. 281.
motet by J. C. W. A. Mozart. 311.
motet by Palestrina. 291, 333.
song by D. Perez. 454-5 (2).
motet by N. A. Porpora. 298.
canon by S. Rahel (Roy. App. 64,
f. 23b). 115.
motet by S. Wesley. 352. "De
SanctissimS, Trinitate " : mass by S.
Wesley. 235.
"De Spiritu Sancto " : mass by S.
Wesley. 224.
De supernis sedibus : motet (13th-14th
cent.). 254.
De tenebroso lacu : song by A. Scar-
latti. 434.
De ventre raatris : motet (1802). 347.
Dear Saviour ! Oh, what ails this
heart: song by S. Akeroyd. 434.
Death is a path that must be trod :
hymn by T. Miles. 189.
Death may dissolve my body now :
hymn by T. Miles. 189.
Deathless principle, arise : hymn by
T. Miles. 189.
" Debora e Sisara": oratorio by P.
Guglielmi. v. Io cedo.
"Deborah": oratorio by Handel.
365 (2).
Debout, Seigneur: chorus (18th cent.).
162.
Decantabat populus : motet by G.
Gabrieli(?). 276-7.
Deceitful thoughts and practices : hynm
by T. Miles. 189-90.
Decora lux : motet by E. di Bartolo.
347-8.
Dedit abyssus vocem suam : song by
B. Graziani. 434.
Deduc me, Domine : motet by C. Festa.
261.
Deep with sin and sorrow stricken :
hymn by T. Miles. 189.
Defeat the proud : hymn by T. Miles.
189- 90.
Defecit in dolore : motet by W. Byrd.
307, 310.
Defend me, Lord, from shame : hymn
by T. Miles. 189-90.
Defender of my rightful cause : hymn
by T. Miles. 189.
Defixse sunt in terram porta? ejus :
motet by W. Byrd (?). 307.
Deh, fi.no a quando, O Dio : duet by
B. Marcello. 176.
Deh, parlate ; fr. oratorio by L. A.
Predieri (?). 376.
Deh, rivestite omai : song by F. Feo.
435-6.
Deh, siegui i passi miei : cantata by
F. Feo. 131.
Dein Heil, 0 Christ : song by K. P. E.
Bach. 448-9.
Dein Trost, Herr Ghriste : duet by M.
Gobel (?). 173.
Dein Wort, 0 Hochster: cantata by
[J. G.] Vierling. 134.
Dein Zorn, Du Allmachtiger : cantata
by J. G. Krebs. 130.
Del impio la rebelion ; song by P. de
Coster Vanderven (?). 426-7.
Del mondo il regno: song (late 18th
cent.). 435.
Delectare in Domino : motet (mid. 18th
cent.). 300.
Delictis hominis subintrat virginem :
part(?) of Miracle-play (12th cent.).
240-1.
Deliver me from mine enemies : anthem
by R. Parsons. 4, 10, 12, 17, 31
(words), 48, 56, 108.
anthem by [T.?J Tomkins. 19.
anthem by W. Turner. 50.
Deliver me, my God of might : hymn
by D. Peebles. 181.
Deliver me not over : anthem by W.
Porter. 32 (words).
Deliver me, O God, from all my foes :
anthem by J. Bull. 19, 29 and 34
(words), 109.
Deliver me, O Lord, from lying lips :
anthem by T. Wilkinson. 5, 20.
Deliver me, O Lord, my God : hymn
by T. Miles. 189-90.
Deliver us, Good Lord, from eternal
death : anthem by Tye. 4.
Deliver us, Lord : anthem [temp. Eliza-
beth). 4.
Deliver us, O Lord : anthem (after
1624). 14.
anthem by A. Batten. 93.
- anthem by W Croft. 45, 71, 89.
anthem by O. Gibbons. 17, 51,
108.
anthem by W. Savage. 96.
Delia magion di morte ; f r. oratorio by
F. Paer. 380.
"Delia mutazione": mass by J. J.
Fux. 224-5.
Delia terra: chorus by B. Marcello.
164-5.
Demptus crudeli morte : song by G.
Ludovici. 443.
"Denmark, New" : hymn-tune (about
1800). 188.
Dentaunt chia nous sezaivains : chorus
by J. P. Sweelinck. 168.
Dentes tui sicut greges. v. O arnica mea.
Deo gratias : motet (temp. Hen. Y1II).
260.
33
488
INDEX I.
Deo gratias: motet (16th cent.). 271.
grace by S. Wesley. 178.
Deo Patri sit gloria : motet by W. Byrd.
309.
"Dependence": hymn-tune. v. Who
is this fair one.
Deposuit potentes. v. Magnificat.
"Deptford": hymn-tune by J. Selby.
192.
Der Du bist Drei : chorale by M.
Gobel (?). 155.
" Der Durchzug durch's rothe Meer " :
oratorio by J. N. Hummel. 379.
Der Engel des Herrn : chorus by G. P.
Weimar. 160.
Der Erdkreis : song by J. M. Haydn.
449-50.
"Der Fall Adams": cantata by J. P.
Kirnberger. 134.
Der Geist des Herrn ist liber mir :
cantata by [G. P.] Telemann. 132-3.
Der Herr behiite dich : chorus by
[? C. K.] Rolle. 160.
Der Herr bekam ein Konigreich : song
by J. M. Haydn. 449-50.
Dor Herr ist Kbnig : chorus by [? C. K.]
Rolle. 160.
Der Herr ist mein Hirte : chorus by
G. A. Homilius. 161.
chorus by — Standfuss. 160.
Der Herr ist nahe : chorus by G. P.
Weimar. 161.
Der Himmel majestat'sche Lieder :
cantata by J. G. Krebs. 130.
Der Hirten sanfte Flotc : cantata by
J. G. Krebs. 130.
Der Mensch lebt : chorus by J. F.
Reichardt. 161.
Der Sohn Gottes hat mich geliebet :
cantata by [G. P.] Telemann. 132-3.
Der Tag ist wiederhin : song by K. P. E.
Bach. 448-9.
"Der Tod Jesu": cantata by C. E.
Giaaf. 136.
"Der Todestag der Erlosers." v. Geist
der Andacht.
Der Wollust Reiz : song by K. P. E.
Bach. 448-9.
" Derby " : hymn-tune by T? C. J.] Stan-
ley. 188.
Derelinquat impius viam suam : motet
by J. T. Gerarde (?). 266,269.
motet by Palestrina, 309, 359.
Des Heil'gen Geistes reicbe Gnad' :
chorale by M. Gobel (?). 155.
Descendi in hortum Meum : motet
(15th cent.). 256-7.
- motet (1519-1533). 259.
motet (1575-1578). 263.
Descendit Angelus Domini : motet by
T. L. da Vittoria. 300, 325.
Descendit de coelis : motet (1227-1234).
Desidero Te millies : motet bv H. Du-
mont. 291-2, 296.
Deus, auribus nostris audivimus : canon
byS. Rahel (Roy. App. 64, f. 9b). 115.
Deus, canticum novum cantabo : motet
by G. Gabrieli (?). 276-7.
motet by P. Reggio. 287.
Deus deorum, Dominus: canon by S.
Rahel (Roy. App. 64, f. 10b). 115.
Deus, Deus Meus, ad Te : motet (17th
cent.). 289-90.
motet by Palestrina. 291, 304.
canon by S. Rahel (Roy. App. 64,
f. 12b). 115.
Deus, Deus meus, respiee : motet by
G. Gabrieli (?). 276-7.
canon bv S. Rahel (Rov. App. 64.
f. 5b). 115.'
Deus enim firmavit orbem : motet bv
Palestrina. 291, 303.
Deus, in adjutorium: motet(17thcent.).
289-91 .
motet (1802). 347.
canon by S. Rahel (Roy. App. 64,
f. 13). 115.
canon by N. Sala (11590, f. 66).
122.
253.
Desiderata
289-90.
nobis : motet by Carissimi.
motet by L. Senfl. 314.
Deus in loco sancto : motet (1802).
347.
Deus in medio, v. Adjutor in tribula-
tionibus.
Deus, in nomine Tuo : motet (temp.
Elizabeth). 265.
motet by J. T. Gerarde (?). 270.
canon by S. Rahel (Roy. App. 64,
f. 10b). 115.
motet by T. L. da Vittoria. 279.
v. also Peccantem me.
Deus, judicium Tuum regi : canon bv fe.
Rahel (Roy. App. 64, f. 14). 115.'
Deus, laudem meam : canon by S.
Rahel (Roy. App. 64, f. 20). 115.
Deus majestatis intonuit : motet by S.
Wesley. 317.
Deus meus, ad Te. v. Deus, Deus
meus.
Deus misereatur nostri (a 5 and a 6) :
motets (about 15S4, etc.). 264 (two
settings), 274, 282 (two settings).
motet by A. Ferraboseo [III?].
276.
motet by R. Johnson, sen. (?).
263, 279.
canon by S. Rahel (Rov. App. 64,
f. 13). 115.
v. also under Services, 396-421
passim.
Deus noster, Refugium : cantata by G.
G. A. Bergt. v. Selig sind die reines
Herzens.
motet by G. Gabrieli ('?). 276-7.
canon by S. Rahel (Roy. App. 64,
f. 9b). 115.
motet by S. Wesley. 352.
INITIAL WORDS AND TITLES.
489
Deus, Qui beatam Mariana; motet bv
P. Philipps. 279-80.
Deus, Qui dedisti legem ; motet by Pa-
lestrina. 308.
Deus, Qui ecclesiam : motet by Fel.
Anerio. 354.
Deus, Qui superbis : motet by J. T.
Gerarde. 266-7, 270.
Deus, quis similis erit Tibi : canon by
S. Rabel (Roy. App. 64, f. 15). 115.
Deus, repulisti nos : canon by S. Rabel
(Roy. App. 64, f. lib). 115.
Deus stetit in synagoga : canon by S.
Rahel (Roy. App. 64, f. 15). 115.
Deus, Tu conversus : motet (a 3) by
Palestrina. 357.
motet (a 5) by Palestrina. 302,
303, 326, 333, 335, 339.
Deus, Tu convertens. v. Deus, Tu con-
versus.
Deus, Tu scis : motet by O. di Lasso. 305.
Deus Tuorum militum : motet by E. di
Bartolo. 347-8.
Deus ultionum : canon by S. Rahel
(Roy. App. 64, f. 17). 115.
Deus, venerunt gentes : motet by W.
Byrd. 310.
canon by S. Rahel (Roy. App. 64,
f. 15). 115.
" Devizes " : hymn-tune arranged (?) by
S. Wesley. 194.
Dextera Domini : motet by Clari. 357.
motet by Palestrina. 291, 303.
" Di dadi " : mass by Josquin de Pres.
222.
Di quanti come di te :
435.
Die, Christi Veritas : motet (1227-
253.
Die, Maria, quid vidisti.
Christus.
Die Regi. v. Plorans ploravit.
Dicamus ergo gratias : motet
17th cent.). 275.
Dicant nunc Judaei : motet (temp. Hen.
VIII). 260-1.
motet (1st half of 16th cent.).
262.
motet by J. Cornish. 260.
" Dicebat Jesus " : mass by E. Lopez.
song by F. Feo.
-1234).
Surgit
(early
220.
mo-
Dicit Dominus, cogitationes pacis
tet (1802). 347.
Dicite, fontes : song by [F.] Gasparini.
436-7.
Dicite, mortales : song by D. Pelle-
grini. 432.
Dicite nobis : motet by Carissimi. 294,
295.
Die bestimmten Jahre : chorus by —
Voigtlander. 160.
" Die christlichen Feste " : a collection
of cantatas by C. G. A. Bergt. 136.
Die Friihling lockt uns ins Gefilde :
cantata by J. G. Krebs. 130.
Die Giite des Herrn : chorus by [? C.
K.] Rolle. 160.
Die Himmol riihmen des Ewigen Ehre :
song by K. P. E. Bach. 448-9.
" Die Kindheit Jesu": oratorio by W.
[F. E.] Bach. 377.
"Die Pilgrimme auf Golgotha." v. " I
Pellegrini."
" Die Schuldigkeit des ersten Gebotes " :
oratorio by J. C. W. A. Mozart. 385.
" Die Sieben Worte " : cantata by F. J.
Haydn. 131.
Die Sternlein in der Nacht : cantata by
C. G. A. Bergt. 136.
Dies dignus decorari : motet by Dun-
stable. 356.
Dies ilia : motet by G. O. Pitoni.
341-2.
v. also Requiems, 391-5.
Dies irse : song (15th-16th cent.). 425.
motet by F. Bertoni. 322.
motet by G. B. Lully. 328.
by T. Miles. v. That day of
wrath.
fr. requiem by J. C. W. A. Mozart.
393.
motet by S. Pazzaglia. 329.
motet by F. A. Vallotti. 330.
v. also Requiems, 391-5.
Dies' ist der Tag: song by K. P. E.
Bach. 448-9.
Dies mei transierunt. v. Libera me,
Domine.
Dies sanctificatus : motet (15th cent.).
256-7.
motet by Palestrina. 304, 325,
335-6, 359.
motet by S. Wesley. 345.
song by S. Wesley. 451.
Dies' sind die heil'gen zehn Gebot' :
canon (late 18th cent.). 126.
Dieu, fatscha chia que che nous chan-
tain : chorus (late 18th cent.). 163.
chorus (1817). 167, 168.
chorus by J. H. Egli. 168.
chorus by — Gustus (?). 167.
chorus by H. G. Nageli. 169.
chorus by A. Schmau. 168.
Dieu ho 1' reginam : chorus by H. G.
Nageli. 109.
chorus by J. P. Sweelinck. 168.
Dieu lode con devotion : chorus (late
18th cent.). 163 and 168 (two set-
tings).
Dieu nous soit Doux : chorus by C. Le
Jeune. 158.
Dieu regna taunt : chorus by [J. W.]
Simler. 163, 168.
Diffusa est : motet by N. Ludford. 260.
Dijo el perverso : song by iJ. de Coster
Vanderven(?). 426-7.
Dilectemi, apprehendam Te. v. Adjuro
vos, filiae.
" Dilexi quoniam" : mass bv Palestrina.
229.
490
INDEX I.
Dilexi, quoniam exaudiet : canon by
S. Rahel (Roy. App. 64, f. 21).
115.
Dilexisti justitiam: motet (1802). 347.
Dilexit Andream. v. Andreas, Christi
famulus.
Diligam Te, Domine : motet by [A.]
Campra. 327, 344. .
canon by S. Rahel (Roy. App. 64,
f. 5b). 115.
canon by S. Wesley (?). 127.
Diligebat autem eum Jesus : motet by
[P.] Certon. 312.
Diligenter advertant cantores : song by
Lorenzo [? da Firenze]. 425.
Diliges Dominum : canon by W. Byrd.
118 (2).
Diligite iuimicos meos : motet (mid.
18th cent.). 300-1.
Dimitte me ergo. v. Quare de vulva.
Dio Pietoso; fr. oratorio by F. Paer.
380.
Dios, deja ahora en paz : song by P. de
Coster Vanderven (?). 426-7.
Dios es en cabildo asentado : song by
P. de Coster Vanderven (?). 426-7.
Dios, Gran Pastor : song by P. de Coster
Vanderven (?). 426-7.
Dios, Gran Sefior : song by P. de Coster
Vanderven (?). 426-7.
Dios m' es Salud : song by P. de Coster
Vanderven (?). 426-7.
Dios reina: song by P. de Coster
Vanderven (?). 426-7.
Dios t' oiga cuando L' invocares : song
by P. de Coster Vanderven (?). 426-7.
Dir dank' ich heute fur mein Leben :
song by K. P. E. Bach. 448-9.
Dirige, Domine, Deus meus : song by
D. Perez. 454-5.
Discerne causam meam : motet by N.
Jommelli. 343.
Discomfit them, O Lord: anthem by
Tallis. 53.
Diseases are Thy servants, Lord : hymn
by T. Miles. 189.
Dismiss us with Thy blessing, Lord :
hymn by H. Bond. 189.
Dispersit, dedit pauperibus : motet
(1802). 347.
Dixi, custodiam vias : canon by S.
Rahel (Roy. App. 64, f. 8b). 115.
Dixit Dominus : motet (IRth cent.).
330.
motet (a 4) by Fel. Anerio. 354.
motet (a 8) by Fel. Anerio. 354.
motet (in C) by P. Anfossi. 349.
motet (in D) by P. Anfossi. 349.
motet by D. Auletta. 334.
motet by P. P. Bencini. 362.
motet by D. Bigaglia. 334.
canon by J. W. Callcott. 121.
motet by J. W. Callcott. 316.
motet by G. B. Cesati. 310-11.
motet by G. P. Colonna, 288, 337.
Dixit Dominus : motet by G. B. Cos-
tanzi. 362 (two settings).
motet (a 3, etc.) by F. Durante.
320.
motet (a 3) by F. Durante. 328.
motet (a 4, etc.) by F. Durante.
320-1, 342.
motet (a 5, etc.) by F. Durante.
301.
— motet (another setting a 5, etc.)
by F. Durante. 302.
— motet (a 8) by F. Durante (?). 302.
— motet (a 4) by G. B. Fenoglio.
323-4.
— motet (a 8) by G. B. Fenoglio (?).
323-4.
— motet by [G. F. ?] Grossi, detto
Siface(?). 293.
— motet by G. Jannaconi. 358.
— motet by N. Jommelli. 333.
— mass by P. Lappi. 216.
— part of motet (a 5) in C, by L. Leo.
349-50.
— part of motet (a 5) in A, by L. Leo.
349-50.
— motet (a 8) by L. Leo. 297, 359.
— part of motet (a 10) by L. Leo.
349-50.
motet by G. F. de Majo. 333.
— motet by G. B. Martini. 337.
- motet by G. B. Mazzaferrato.
f
299, 330
— motet by G. Molinari. 358.
— motet by G. B. de Orchis. 315.
— motet by Pergolesi. 321.
— motet by [N.] Piccinni. 331.
— motet by G. O. Pitoni. 359.
— canon by S. Rahel (Roy. App. 64,
f.20). 115.
— motet by Sacchini. 362.
— canon by N. Sala (Add. 11590.
76b). 122.
— motet by G. Tritto. 338.
motet (a 4) by G. Valente.
motet (a 5) by G. Valente.
motet by T. L. da Vittoria
325
motet (a 3) by S. Wesley. 318-19,
345, 362.
motet (a 8) by S. Wesley.
motet by Zingarelli. 338.
v. also under Vespers.
Dixit ergo Jesus : motet (16th-
cent.). 273.
Dixit injustus : canon by S. Rahel
(Roy. App. 64, f. 7b). 115.
Dixit insipiens in corde: two canons
by S. Rahel (Roy. App. 64, ff . 4b, 10b).
115.
Do not I love Thee : song by T. Miles.
453.
Do parents for their children feel :
hymn by T. Miles. 189.
Do thou, my soul, on God rely : hymn
by T. Miles. 189-90.
322.
323.
315,
352.
-17th
INITIAL WORDS AND TITLES.
491
Do Thou, 0 God, in mercy help : hymn
by T. Miles. 189-90.
Do Thou, 0 Lord, from all my foes:
hymn by T. Miles. 189-90.
Do Thou, O Lord, from heav'n engage :
hymn by T. Miles. 189-90.
Do well and dread no man : carol
(16th-16th cent.). 139.
Do well, O Lord, unto those that are
good : anthem by J. Nares. 67.
Doctor bonus : motet by Palestrina.
305. v. also We have heard.
mass by D. dal Pane. 220.
Doleo super te: motet (1519-1533).
259.
motet by H. Dumont. 291-2 (2).
Dom victorga : chorus by J. K. Baclo-
fen. 167
Domine, ad adjuvandum : motet by
G. B. Cesati. 310-11.
motet by Clari. 350, 359.
motet by [G. P.] Colonna. 350.
motet by Pergolesi. 305, 321,
344.
motet by G. A. Perti. 302 (two
settings).
motet by [L. A.] Predieri. 330.
motet by G. Valente. 322.
v. also under Vespers.
Domine, ante Te : motet (16th-17th
cent.). 273.
Domine, clamavi ad Te : motet by
J. T. Gerarde (?). 266, 269.
canon by S. Rahel (Rov. App. 64,
f. 25b). 115.
Domine, commendo : motet by [J.]
Shepherd. 271-2 (two settings).
Domine, convertere : motet by O. di
Lasso. 335.
motet by Palestrina. 291, 304.
Domine, da mihi animum purum :
motet by J. T. Gerarde (?). 266-7.
Domine Deus, Agnus Dei : motet by
[C] Morales. 313.
v. also under Masses, 211-239
passim.
Domine, Deus meus : motet (16th-17th
cent.). 273.
song by Carissimi. 433, 434.
motet by A. Ferrabosco (I). 275.
canon by S. Rahel (Roy. App. 64,
f. 4b). 115.
Domine Deus, Qui conteris bella : motet
by Palestrina. 310-11.
Domine Deus, Rex coelestis : song (18th
cent.). 445.
Domine, Deus salutis meae : motet by
G. Jeffreys. 283-4.
canon by S. Rahel (Roy. App. 64,
f. 16). 115.
Domine, dimitte illis : song by Sir M.
Costa. 453.
Domine, Dominus noster : motet (17th
cent.). 289-90.
motet by G. Gabrieli. 276-7.
Domine, Dominus noster : motet by G.
Jeffreys. 283-4.
motet by G. M. Nanini. 355.
canon by S. Rahel (Roy. App. 64,
f.4b). 115.
Domine, exaudi orationem meani auri-
bus : canon by S. Rahel (Roy. App.
64, f. 25b). 115.
Domine, exaudi orationem ineam, et
clamor : canon by T. Miles. 127.
canon by S. Rahel (Roy. App. 64,
f. 18). 115.
motet by O. Vecchi. 310-11.
Domine, fac mecum misericordiam :
motet by J. J. Fux. 319-20.
Domine, in auxilium : motet by Pales-
trina. 291.
Domine, in Tua misericordia : motet
(1802). 346.
Domine, in virtute Tua : motet (1575-
1578). 263.
motet by [R. ?] Johnson. 265
(two settings).
canon by S. Rahel (Roy. App. 64,
f.5b). 115.
Domine, inclina ccelos : motet by P.
Reggio. 287, 289-90.
Domine, Jesu Christe, miserere mei :
canon by M. Lock. 117, 128.
Domine, Jesu Christe, non sum dignus :
motet by O. di Lasso (?). 263-4.
Domine, Jesu Christe, respicere dig-
neris : motet (16th-17th cent.). 273.
Domine, Jesu Christe, Rex Glorise. v.
also under Requiems, 391-5.
Domine Jesu, dilexisti nos : motet by
G. Jeffreys. 283-4.
Domine, labia : motet (early 17th cent.).
278.
by Josquin des Pres. v. also
Miserere mei, Deus, secundum.
Domine, ne in furore : motet (mid. 18th
cent.). 300.
motet by A. Bianchi. 318.
song by J. J. Fux. 441.
motet by Josquin des Pres. 261,
312-13.
two canons by S. Rahel (Roy. App.
64, ff. 3b, 8b). 115.
Domine, ne longe : motet (1802). 346.
Domine, ne memineris : motet by T.
Crequillon (?). 306.
motet by J. T. Gerarde. 266-7,
269-70.
Domine, non est exaltatum cor : motet
(about 1584). 264.
motet by 0. di Lasso. 305.
motet by [W.?] Mundy. 282.
canon by H. Purcell. 116.
canon by S. Rahel (Roy. App. 64,
f.24b). 115.
Domine, non secundum peccata : motet
by [B.] Vaqueras. 320.
Domine, non sum dignus : motet bv W.
Byrd. 274.
492
INDEX I.
Doinine,pra?stolaniurAdventumTuum:
motet by W. Byrd. 264, 308, 310.
Domine, praevenisti eum. v. Corona
aurca.
Domine, probasti me : motet (18th-19th
cent.). 340-1.
motet by N. A. Porpora. 296.
canon by S. Rahel (Row App. 64,
f.25b). 115.
Domine, quando veneris : motet by T.
Bai. 341.
motet by [Gabriele?] Boni. 306-7.
mass by D. dal Pane. 220.
Domine, quid multiplicati sunt : motet
by C. Goudimel. 313.
canon by S. Rahel (Roy. App. 64,
f.3b). 115.
Domino, quinque talenta; by 0. di
Lasso (?). v. Euge, serve bone.
motet by G. Paon. 270.
motet by L. Rossi. 318.
Domine, quis habitabit : motet (about
1584). 264.
motet (early 17th cent.). 278.
motet by W. Mundy. 264.
canon by S. Rahel (Roy. App. 64,
f. 4b). 115.
motet by Tallis. 308.
Domine, quis habitet : motet by Caris-
simi. 295.
Domine, refugium factus es : canon by
S. Rahel (Roy. App. 64, f. 16). 115.
Domine, salva nos : motet by W. Byrd.
274.
Domine, salvum fac regem : motet by
H. Dumont. 291-2.
motet (a 2) by S. Wesley. 312.
motet (a 3) by S. Wesley. 312.
Domine, secundum actum meum :
motet by W. Byrd. 309-10.
motet by Palestrina. 302-3 (2),
308-9, 310, 326, 335-6, 339.
Domine, secundum multitudinem do-
lorum : motet by W. Byrd. 307.
Domine, Tu jurasti : motet by W. Byrd.
307, 309-10(2).
Domini est terra : motet by M. Lock.
291.
canon by S. Rahel (Roy. App. 64,
f.6b). 115.
Domini sacratus. v. Iste confessor.
Dominus dabit benignitatem : motet
by Palestrina. 357.
Dominus dedit : motet by J. T.
Gerarde(?). 267-8.
Dominus dixit ad me : motet
346.
Dominus,
(1802).
Dominus,
cent.).
(1802).
Fortitudo plebis : motet
346.
illuminatio mea : song (17th
429-30.
motet (1802). 346.
- chorale by M. Gobel (?). 155.
canon by S. Rahel (Roy. App. 64,
f.6b). 115.
Dominus in igne veniet : motet (17th
cent.). 289.
Dominus Jesus, in qua nocte trade-
batur : motet by Galeazzo Sabbatino.
291.
Dominus regit me : canon by 8. Rahel
(Roy. App. 64, f. 5b). 115.
Dominus regnat: canon by J. W. Call-
cott. 119, 121.
Dominus regnavit decore indutus :
canon by S. Rahel (Roy. App. 64,
f. 17). 115.
Dominus regnavit ; exsultet terra :
canon by S. Rahel (Roy. App. 64,
f. 18). 115.
Dominus regnavit; irascantur populi :
canon by S. Rahel (Roy. App. 64,
f. 18). 115.
Dominus tecum (early 17th cent.), v.
Ave, Dei Patris.
Domus mea, domus orationis : motet by
N. Fago(?). 297-8.
Dona eis. v. under Requiems, 391-5.
Dona nobis (early 17th cent.), v. Mater
Christi ; and also under Masses, 211-
239 passim.
"Doncaster": hymn-tune by W.(?)
Dixon. 188.
Donde cotanto fremito : chorus by B.
MarceUo. 164.
Dorinda, weep no more : duet by Jer.
Clark. 176.
Dormitavit anima. v. Adhsesit pavi-
mento.
" Dorset" : hymn-tune by I. Smith (?).
188.
Douce creature, v. Ave, gloriosa mater.
Dove andar ti credi : song by T. Prota.
442-3.
Dove fuggo ; a che penso : song by L.
Leo. 442.
Dove, infelice : song by F. Durante.
435, 446.
Down, caitiff wretch: anthem by J.
Ward. 6, 11.
Down fell the Glorious mystic Flame :
anthem by H. Cooke. 36 (words).
" Downham" : hymn-tune (about 1800).
189.
Draw nigh unto my soul : anthem by
T. Miles. 100.
"Dresden": hymn-tune. v. 0 come!
loud anthems.
Du bist dem Ruhm und Ehre gebiihret :
song by K. P. E. Bach. 448-9.
Du dessen Augen flossen. v. Der Tod
Jesu.
Du Friede-furst : chorale by M. Go-
bel (?). 155.
Du hast deine Saule aufgebaut : cantata
by W. [F. E.] Bach. 133.
Du klagst, O Christ : song by K. P. E.
Bach. 448-9.
Du klagst und fuhlest die Beschwer-
den : song by K. P. E. Bach. 448-9.
INITIAL WORDS AND TITLES.
493
Du strafest und belolmst : song by J.
M. Haydn. 449-50.
Du Tocbter Zion : cantata by [G. P.]
Telemann. 133.
chorus by G. P. Weimar. 160.
Dulci dignum melodia : part (?) of
Miracle-play (12th cent.). 240.
Dulcis arnica Dei : motet (temp. Hen.
VIII., etc.). 261, 262.
Dulcis Amor, Jesu : song (17th cent..
etc.). 429, 432.
motet by Fel. Anerio. 353.
motet by Carissimi. 295.
Dulcis Christe, ad Te venio : motet by
Gasp. Casati. 285-6.
motet by G. Rovetta. 291.
Dulcis Jesu, Pie Deus : motet by Fel.
Anerio. 353.
motet by P. Iteggio. 287.
Dulcissima Maria: motet (17th cent.).
289-90.
Dum Aurora finem daret : motet by
Palestrina. 306.
" Dum complerentur " : mass by T. L.
da Vittoria. 220-1.
Dum complerentur dies Pentecostes :
motet (16th-17th cent., etc.). 274,
275.
motet (mid. 18th cent.). 300.
motet by A. Gardano. 331.
motet by P. Roggio. 287.
motet by T. L. da Vittoria. 300,
325.
Dum crumeua plena tumetnere : motet
(15th cent.). 256-7.
Dum ergo essent in unum. v. Dum
complerentur dies.
Dum esset summus pontifex : motet by
S. Wesley. 349.
Dum Maria credidit : song (after 1226).
423.
Dum medium silentium : motet (1802).
346.
Dum natus esset Jesus : song (after
1613). 426.
Dum torqueretur beata Agatha : motet
by Fel. Anerio. 354.
Dum transisset Sabbatum : motet (early
16th cent., etc.). 258, 264.
motet (after 1624). 282.
motot by Fel. Anerio. 354.
motet by R. Barber. 271-2.
■ motet by J. T. Gerarde. 266-7,270.
motet by S. Hollander. 265.
motet by R. Johnson, sen. 271-2,
314.
motet by J. Taverner. 271-2, 314.
v. also Sabbatum dum transisset.
" Dumferling." v. "Dunfermline."
" Dundee " : hymn-tune by T. Ravens-
croft. 192-3.
"Dunfermline": hymn-tune by T.
Tomkins. 192-3.
Dunque fra pochi istanti : song by F.
Durante. 446.
Dunque verra quel . giorno : song by
N. Cecca. 435, 442-3.
" Dunstable" : hymn-tune (about 1800).
189.
Duo rogavi te. v. Verbum iniquum.
Duo Seraphim clamabant : motet by
G. B. Bassani or H. Dumont. 291,
292, 294, 296.
Duisr spinas, de terra perite : motet by
G. Battistini 331.
" Durham " : hymn-tune by T. Ravens-
croft. 192-3.
Dust uuto dust: quartet by T. Miles.
391.
Dwells there in scenes of grief : anthem
by C. Wesley. 73.
E con i raggi tuoi : madrigal by Pales-
trina (Add. 5039, f. 58 ; 31397, f. 89 ;
31,408, f. 38). 204,205(2).
E dal letto: madrigal by Palestrina
(Add. 5039, f. 47b ; 31397, f.78b;
31408, f. 31). 204,205(2).
E quella certa speme : madrigal by
Palestrina (Add. 5039, f.53b; 31397.
f. 84b; 31408, f. 35). 204,205(2).
E questo quel memorando giorno : song
(18th cent. '?). 435.
E questo spirto : madrigal by Pales-
trina (Add. 5039, f. 45b ; 31397, f. 76b ;
31408, f. 291)). 204, 205 (2).
E se fur gia : madrigal by Palestrina
(Add. 5039, f. lib ; 31397, f. 44 ;
31408, f. 8). 204,205(2).
E se il pensier : madrigal by Palestrina
(Add. 5039, f. 16 ; 31397, f. 48 ; 31408,
Ml; etc.). 204 (2), 205(2).
E se mai voci : madrigal by Palestrina
(Add. 5039, f . 5b ; 31397, f . 37b ; 31408,
f. 4b). 204,205(2).
E se nel fuoco : madrigal by Palestrina
(Add. 5039, f. 28b; 31397, f.60; 31408.
M8b; etc.). 204 (2), 205 (2).
E Tu, Signor : madrigal by Palestrina
(Add. 5039, f.64b; 31397, f. 96 ;
31403, f. 42b). 204, 205 (2).
E tua merce: madrigal by Palestrina
(Add. 5039, f. 51b ; 31397, f.82b;
31408, f. 33b). 204,205(2).
Ea sus, siervos del Seiior : song by P.
de Coster Vanderven (?). 426-7.
Early, O Lord, my fainting soul :
anthem by H. Purcell. 28, 38, 105.
Earth, big with empires : anthem by
T. Miles. 99.
Earth on her centre God did set :
hymn by T. Miles. 189-90.
"Eaton" : hymn-tune. v. "Windsor."
Eau am mieu Dieu : chorus by J. P.
Sweelinck. 164, 167.
Eau clam te : chorus (late 18th cent.).
164.
cborus by J. K. Bachofen. 1(18.
Eau crai in Dieu: chorus by [J. K.J
Bachofen : 164.
494
INDEX I.
Eau in meis bscengs : chorus (late 18th
cent.). 164.
Eau m' voalv vi a Dieu : chorus by
[J. W.] Simler. 163.
chorus by J. P. Sweelinck. 167.
Eau na canzum : chorus by J. P.
Sweelinck. 168.
Eau otz ma vusch : chorus (1817).
168.
chorus by — Gustus (?). 168.
Eau tam Segner : chorus by J. K.
Bachofen. 167.
Eau voelg te exaltar : chorus by [? J. B.]
Lully. 163.
Ecce, advenit Dominator : motet (1802).
346.
motet by S. Wesley. 345.
Ecce, apparebit. v. Ecce, Dominus
veniet.
Ecce, Deus adjuvat me: motet (1802).
347.
Ecce, dies triumphalis, gaude : motet
(15th cent.). 256-7.
Ecce, Dilectus meus: motet by G.
Jeffreys. 283-4.
Ecce, Dominus posuit mensam : motet
by G. Rovetta. 291.
Ecce, Dominus veniet : motet by G.
Gabrieli (?). 276-7.
motet by T. L. da Vittoria. 323,
325.
Ecce enim, Deus: motet by [P.]
Verdelot. 331.
v. also Deus, in nomine Tuo.
Ecce enim, festus: motet (1519-1533).
259.
Ecce, ferculum caritatis : motet by H.
Dumont. 292.
Ecce, fideles : motet (17th cent.).
289.
Ecce, jam noctis : motet by S. Wesley.
318, 362.
Ecce, Maria genuit : motet (1519-1533).
259.
motet by S. Wesley. 312.
Ecce, merces sanctorum : motet by
Fel. Ancrio. 354.
motet by Palestrina. 310.
Ecce, non est auxilium. v. Antequam
comedam.
Ecce, nunc benedicite Domino : motet
by Fel. Anerio. 355.
- motet by O. di Lasso (?). 263.
canon by S. Rahel (Roy. App. 64,
f. 24b). 115.
Ecce, oculi Domini : motet (1802).
347.
Ecce, odor filii mei : motet by A.
Crivelli. 359-60.
Ecce, panis angelorum : motet by S.
Wesley. 318-19, 345.
Ecce, quam bonum : motet (after 1604).
279.
canon by S. Rahel (Roy. App. 64,
f. 24b). 115.
Ecce, quomodo moritur Justus : motet
by P. A. Basilij. 339-40.
motet by P. Cannicciari. 328.
motet by [S.?] Dentice. 294.
motet by N. Jommelli. 332.
motet by L. Leo. 361.
motet by [G.] Salvatore. 329.
v. also Siehe, wie zeitlich stirbt.
"Ecce, sacerdos magnus " : mass by
Palestrina. 220.
Ecce, sic benedicetur : motet (about
1516). 259.
motet by O. di Lasso. 305.
motet by S. Wesley. 352.
v. also Beati omnes qui timent.
Ecce, tu pulcher es : motet by Pales-
trina. 303.
Ecce, tu pulchra : motet by G. Ga-
brieli (?). 276-7.
Ecce, vidimus Eum : motet by P. A.
Basilij. 339.
motet by G. [B.] Buononcini.
360-1.
motet by P. Cannicciari. 328.
motet by [S.?] Dentice. 294.
motet by N. Jommelli. 332.
motet by L. Leo. 361.
motet by G. B. de Orchis. 315.
motet by [G.] Salvatore. 329.
Ecce, virgo concipiet : motet by N.
Ludford. 260.
motet by Palestrina. 357.
Ecclesiam de regum stirpe natam :
motet (15th cent.). 256-7.
Ed arda ognor : madrigal by Palestrina
(Add. 5039, f.49b; 31397, f . 80b ;
31408, f. 32b). 204,205(2).
"Eden" : hymn-tune. v. Come, we that.
E'en from the depth : anthem by Byrd.
8, 29 (words).
E'en like the hunted hind : hymn by
Tallis. 180.
Efforcer m'estuet ma voiz : song (mid.
13th cent.). 423.
Effuderunt sanguinem. v. Deus, vene-
runt gentes.
Effusum est in terra: motet (1802). 347.
"Egham": hymn-tune (about 1800).
189.
Ego autem cantabo : motet (a 5) by
J. T. Gerarde (?). 269.
motet (a 7) by J. T. Gerarde (?).
266-7, 269-70.
Ego dixi, Domine, miserere: motet by
Fel. Anerio. 353.
motet by A. Ferrabosco (I). 275,
281.
motet by 0. di Lasso. 305 (Add.
5042, f. 44).
Ego, Dominus : motet by J. T.
Gerarde (?). 267-8.
Ego enim sum Dominus. v. Jerusalem,
cito veniet.
Ego, Floscampi : motet (late 17th cent.).
292.
INITIAL WORDS AND TITLES.
495
Ego, Flos campi : motet by Fel. Anerio.
354.
motet by J. T. Gerarde (?). 267-8.
Ego in justitia videbo faciem Tuam :
cborale by M. Gobel (?). 155.
Ego rogabo Patrem. v. Ascendo ad
Patrem.
Ego sum Panis : motet by P. Durante.
357.
motet by G. Jeffreys. 283-5 (2).
motet by Palestrina. 300, 308.
motet by S. Wesley. 345.
Ego sum pauper : motet by 0. di
Lasso. 305 (Add. 5042, f. 34b), 327.
Ego sum Eesurrectio : motet by A.
Ferrabosco (I). 275.
motet by 0. di Lasso. 305 (Add.
5042, f. 27).
Ego vir videns paupertatem meam :
song by N. Jommelli. 445.
song by L. Leo. 450, 455.
- song by Porpora. 442.
song (another setting) by Porpora.
450.
song by F. Rossi. 447.
T.
Egrediente Domino : motet by J
Gerarde. 268.
Egredientem de templo. v. Vidi aquam.
Egredimini, amatores : motet by Fel.
Anerio. 354.
Egredimini, carissimi : motet (17th
cent.). 289.
Egredimini, ccelestes curiae : motet by
Carissimi. 295.
Egregie Christi martyr, Christophore :
motet (1519-1533). 259.
Egregie doctor, Paule : motet by E. di
Bartolo. 347-8.
Egressus Jesus: motet (16th-17th cent.).
274.
Eheu ! Sustulerunt Dominum : motet
by T. Morley. 281.
Ehre sei Gott in der Hohe : cantata by
C. G. A. Bergt. 136.
chorus by [C. K. ?] Rolle. 160.
Ein ander suche Freude : chorale by
M. Gobel (?). 154.
Ein Herz, 0 Gott : song by K. P. E.
Bach. 448-9.
Ein Kind geboren : chorale by M.
Gobel (?). 154.
Ein Lammlein geht. v. Trostvolle
Gedanken.
Eins bitt' ich Dich : chorale by M.
Gobel (?). 154.
Eitelkeit, Eitelkeit, Vieler Verderben :
chorale by M. Gobel (?). 153.
Eja, ergo, advocata. v. Salve, Regina,
mater misencordise.
Eja, pueri ! Voce praecelsa benedicamus
Regi : part (?) of Miracle-play (12th
cent.). 240-1.
Elegerunt apostoli : motet by Pales-
trina. 291 (Add. 35084, f. 2b), 302-3 (2),
326, 335-6, 339.
Eletta mirra: madrigal by Palestrina.
204 (Add. 5039, f. 19), 205 (Add. 31397,
f.50; 31408, f. 12).
Eleva Te, Judex terras : motet by J. W.
Callcott. 316.
•Elevamini, portae Sio'n: song by F.
Foggia. 432.
"Eli " : oratorio by Sir M. Costa. 384.
"Elijah": oratorio by J. W. Callcott.
372.
"Elizabeth Zacharise": mass by E.
Lopez. 220.
Elpino, ah, come : cantata by G. B.
Costanzi. 132.
"Eltham": hymn-tune by — Green.
192.
"Ely": hymn-time by W. Cranford.
192-3.
Emendemus in melius : motet by W.
Byrd. 279-80.
motet by G. Calvez. 359.
motet by [J.] Richafort. 261.
Emitte agnum, Domine : motet by Fel.
Anerio. 354.
Emitte, Domine, sapientiam : motet
(before 1760). 306.
Emitte lucem : motet by S. Wesley.
312.
Emitte Spiritum. v. Alleluia ! Emitte
Spiritum.
Emittit verbum. v. Lauda, Jerusalem.
En abismo inundado : song by P. de
Coster Vanderven (?) . 426 -7 .
En, Dilectus meus loquitur : motet
(mid. 18th cent.). 300.
En, morior : motet by H. Lawes. 288.
En registre sera mise : chorus by C. Le
Jeune. 161.
En vano es edificar : song by P. de
Coster Vanderven (?). 426-7.
Enough, my muse, of earthly things :
duet by J. Blow. 173.
Enter not into judgment: canon by T.
Miles. 127.
Er ist um unserer Siinde willen : chorus
by [K. H.] Graun. 160.
Er ruft der Sonn' : song by K. P. E.
Bach. 448-9.
Er war Der Allerverachteste : chorus by
[K. H.] Graun. 160.
Eram quasi agnus : motet by P. A.
Basilij. 339.
motet by P. Cannicciari. 328
(Add. 31554, f. 10b).
motet by [S. ?] Dentice. 294 (Add.
14203, f. 17b).
— motet by N. Jommelli. 332.
— motet by L. Leo. 361 (Eg. 2467,
f. 19).
motet by [G.] Salvatore. 329 (Add.
32392, f. 12b).
Erbarm' Dich unser Gott : cantata by
J. P. Kirnberger. 134.
Ere another Sabbath's close : hymn by
T. Miles. 189.
496
INDEX I.
Ere long I trust to walk at large :
hymn by T. Miles. 189-90.
Erect your heads, eternal gates : hymn
by T. Miles. 189-90.
Erforsche mich : song by K. P. E. Bach.
448-9.
Ergo ejulate, pueri. v. Quis dabit
oculis.
Ergo, Fili. v. Mater Christi.
Ergo laudes; by J. Taverner(?). v.
Sospitati olei.
Erheb' uns zu Dir : cantata by C. G. A.
Bergt. 136.
Erhebt den Herrn; chorus by [C. G.]
Tag. 161.
Erhebt Euch, Christen : chorus by
J. M. Haydn. 159.
Erinn're dich, mein Geist : song by
K. P. E. Bach. 448-9.
Eripe me de inimicis: canon by S.
Rahel (Roy. App. 64, ff. lib, 25b).
115 (two settings).
Eripe me, Domine : motet by L. Leo.
299, 361.
Erit enim magnus. v. Gabriel angelus.
Erit gloria Domini : motet by G. Jef-
freys. 283-4.
Erit Justus, v. Requiems. 391-5.
Eroffne dich, mein schwacher Mund :
chorale by M. Gobel (?). 155.
Eroffnet euch, ihr Thranen-quellen :
chorale by M. Gobel (?). 155.
Erravi sicut ovis : motet (temp. Eliza-
beth). 265.
Erschienen ist der herrlich' Tag : canon
(late 18th cent.). 125.
chorale by M. Gobel (?). 155.
Erstanden ist der Heil'ge Christ : canon
(late 18th cent.). 126.
Erstanden ist der Herre Christ : chorale
by M. Gobel (?). 155.
Erubescat Judaeus infelix : motet (1st
half of 16th cent.). 262.
Eructavit cor meum : canon bv S.
Rahel (Roy. App. 64, f. 9b). 115.
Es bien aventurado : song by P. de
Coster Vanderven (?). 426-7.
Es ist das Heil uns 'kommen : canon
(late 18th cent.). 126.
Es ist gevvisslich an der Zeit : chorale
by M. Gobel (?). 154.
Es sind mancherlei Gaben : cantata by
[G. P.] Telemann. 132-3.
Es werden nicht alle : cantata by [G.
P.] Telemann. 132.
Estando yo mucho angustiado : song
by P. de Coster Vanderven (?). 426-7.
" Ester "(?): oratorio by G. B. de
Orchis. 368.
"Esther": oratorio by Handel. 369
(fragment), 375.
Esto mihi in Deum : motet (1802). 346.
Esto nobis (early 17th cent.), v. Tui
Filii.
Estote fortes: motet (16th cent.). 270.
Estote fortes: motet by Fel. Anerio.
354.
motet by S. Wesley. 349.
Esurientes implevit : part of magnificat
by J. Shepherd. 209.
Esurientes, venite : motet by G. B.
Bassani (?). 294, 295-6.
Et cum defecerit virtus, v. Domine,
Deus meus.
Et dignum ducis. v. Homo natus de
muliere.
Et dum ergo fleret. v. Tulerunt Domi-
num.
Et dum Eum conciperes. v. Salve,
intemerata ; by Tallis.
Et ecce, stella. v. Cum natus esset.
Et egressus est : song by [N.] Fago.
436-7.
Lamentations by N. Jommelli.
198.
song by L. Leo. 450, 455.
song by Porpora. 442.
song (another setting) by Porpora.
also Incipit Lamentatio Hiere-
450.
miae.
Et exsultavit spiritus ; fr. magnificat
(early 16th cent.). 205.
motet (early 17th cent.). 278.
Et factus est. v. Numquid adhaeret
tibi.
Et in saecula saeculorum : motet by G.
Insanguine. 334.
Et in terra pax. v. Gloria in Excelsis.
Et incarnatus est : song by G. B. Feno-
glio (?). 444.
Et ingrediar ad altare Dei : motet by
G. Jeffreys. 283-4.
Et introeuntes : motet (17th cent.). 289.
v. also Angelus Domini descendit.
Et Jesum Benedictum : song by G. F.
di Majo. 437.
v. also Salve, Regina, mater.
Et lux perpetua. v. Requiems, 391-5.
Et nunc et semper : motet by [J.]
Taverner. 279.
Et portae inferi : motet (late 16th cent.).
273.
Et recordatus est Petrus : motet by G.
Jeffreys. 283-4.
Et regnabit. v. Ecce, Dominus veniet.
Et respondebo. v. Deduc me, Domine.
Et Tibi reddetur. v. Requiems. 391-5.
Et Tu, Puer. ». Benedictus Dominu6,
Deus.
Et valde mane. v. Dum transisset Sab-
batum.
Et venientes invenerunt Puerum. v.
Reges terrae.
Eternal God, how frail is man : hymn
by T. Miles. 189.
Eternal God, our humbled souls : hymn
by T. Miles. 189.
Eternal God, we look to Thee : hymn
by T. Miles. 189.
INITIAL WORDS AND TITLES.
497
Eternal Source of ev'ry joy : hymn by
T. Miles. 189.
Eternal Source of life : hymn by T.
Miles. 189 (two settings).
Eternal Spirit, God of truth : hymn bv
T. Miles. 189.
Eternal Spirit, we confess : hymn by T.
Miles. 189.
Eternal Sun of righteousness : hymn by
T. Miles. 189.
"Eton": hymn-tune by Z. Wyvill.
188.
v. also •' Windsor."
"Euge, bone": mass by Tye. 223
(fragment).
Euge, cceli. v. Mater Christi sanctis-
sima (early 17th cent.).
Euge, serve bone : motet (mid. 18th
cent.). 300-1.
motet by 0. di Lasso (?). 263.
Eundem igitur Jesum ; by J. Taverner
(?). v. Gaude plurimum.
Eva, quid deciperis : motet (13th cent.).
253-4.
" Evangelists " : hymn-tune by J. Blow.
190-1.,
"Evening hymn" (1826, etc.). 190-1,
194.
Ever-blessed Lord: anthem by R.
Parsons. 18.
Everlasting God : anthem by [N.] Giles.
22, 29 and 33 (words).
"Eversley": hymn-tune by J. Nares.
190-1.
"Ewell": hymn-tune by H. Heron.
190-1.
Ewiger Gott, wir bitten Dich : chorale
by M. Gobel (?). 156.
Ex mortuis jam non moritur : motet by
— Knight. 271-2.
Ex ore infantium : motet (1802). 346.
Exalt Thyself, O God : anthem by Byrd.
29 (words).
Exaltabo Te, Deus : motet (early 17th
cent.). 275.
motet by E. di Bartolo. 316-17.
motet by W. Horsley. 351.
canon by S. Rahel (Roy. App. 64,
f. 26b). 115.
Exaltabo Te, Domine : motet by Pales-
trina. 291 (Add. 35084, f. 19b),
302-4 (2), 320, 32G, 333, 335-6, 337,
339, 361.
canon by S. Rahel (Roy. App. 64,
f. 7 b). 115.
Exaltaie super ccelos : motet (18th
cent.). 328.
Exaltate Dominum : motet by [G. A.]
Fioroni. 329.
Exauce, 0 mon Dieu : chorus by C. Le
Jeune. 161.
Exaudi, Deus, deprecationem : canon
by S. Rahel (Roy. App. 64, f. 12b).
115.
v. also Timor et tremor.
Exaudi, Deus, orationem meam, cum
deprecor : canon by S. Rahel (Roy.
App. 64, f. 12b). 115.
Exaudi, Deus, orationem meam, et ne :
motet by A. Ferrabosco [III ?]. 276.
motet by O. di Lasso. 305 (Add.
5042, f. 48).
canon by S. Rahel (Roy. App. 64,
f. lib). 115.
Exaudi, Domine, justitiam : canon (late
18th cent.). 125.
canon by S. Rahel (Roy. App. 64,
f. 5b). 115.
Exaudi, Domine, preces : motet by
Palestrina. 305 (Add. 5038, f. 67b).
Exaudi, Domine, vocem : motet (1802).
346 (two settings).
Exaudi me, Domine : motet by O. di
Lasso. 305 (Add. 5042, f . 33b).
Exaudiat te Dominus : canon by S.
Rahel (Roy. App. 64, f. 5b). 115.
motet by [J.] Richafort. 261.
motet by [R.?] Whyte. 279.
Exaudivit Dominus deprecationem
meam : chorale by M. Gobel (?)
156.
Except the Lord build : anthem by —
Harris. 43.
Except the Lord had helped us : anthem
by N. Giles. 33 (words).
Except the Lord our labours bless :
hymn by T. Miles. 189.
Except the Lord the house do make :
hymn by D. Peebles. 182.
Except the Lord the house erect : song
by C. Dibdin. 449.
Excess of wealth : anthem (after 1618).
13.
Excita, Domine, corda nostra : cnorale
by M. Gobel (?). 156.
Excita, Domine, potentiam Tuam. v.
Veni, Domine.
"Exeter": hymn-tune by T. Ravens-
croft. 192-3.
Exivi a Patre : motet by G. Gabrieli (?).
276-7.
Expend, O Lord, my plaint : hymn by
Tallis. 180.
Exspecta Dominum : motet (early 17th
cent.). 275.
Exspectans exspectavi : motet by J. W.
Callcott. 316.
motet by Palestrina. 291 (Add.
35084, f. 21b).
Exspectans exspectavit cor meum :
canon by S. Rahel (Roy. App. 64,
f.8b). 115.
Exspectatio justorum ; motet by O. di
Lasso. 305 (Add. 5042, f. 5), 325.
Exsulta et lsetare : motet (17th cent.).
289-90.
Exsulta, gaude: motet by Carissimi.
294, 295.
Exsultabunt justi : motet by Carissimi.
295, 327.
498
INDEX I.
Exsultate Deo: song (17th cent.).
429-30.
motet by Palestrina. 308-9, 310,
344.
canon by S. Rahel (Roy. App. 64.
f. 15). 115.
motet by S. Wesley. 345 (2), 352.
Exsultate, justi : motet by G. Casati.
285-7 (2).
chorale by M. Gobel(?). 156.
canon by S. Rahel (Roy. App. 64,
f . 7b). 115.
Exsultate, omnes : mass and motet by
V. Ugolini. 227, 327.
Exsultavit cor meum : chorale by
M. Gobel (?). 155.
Exsultet conjubilando : motet by J.
Mouton. 305 (Add. 5043, f. 87b).
Exsultet orbis : motet by E. di Bartolo.
347-8.
song by [G. F. di] Majo. 450.
motet by Giuseppe Pai (?). 340.
Exsurgat Deus: motet (17th cent.).
289-90.
motet by I. Fede. 292.
motet by H. Lawes. 288.
motet by G.Mori, of Viadana. 280.
canon by S. Rahel (Roy. App. 64,
f. 13). 115.
canon by S. Webbe, sen. 119.
Exsurge, Christe : motet by [W.?]
Mundy. 271-2.
Exsurgo, Dominc : motet by - - Woods.
300.
Exsurge ! Quare obdormis : motet
(1802). 346.
motet by G. Jeffreys. 283-4.
Extollens vocem : motet (16th-17th
cent.). 273.
Fa che con 1' acque Tue : madrigal by
Palestrina. 204 (Add. 5039, £.22),
205 (Add. 31397, f. 54 ; 31408, f. 15).
Fac cum servo Tuo : motet by W. Byrd.
307.
Fac ea quae moriens facta fuisse velis :
motet (1628). 283.
Fac me de Tua gratia: motet (1519-
1533). 259.
Fac mecum signum. v. Inclina,
Domine, aurem ; Locutus sum.
Facta autem hac voce. v. Dum com-
plerentur dies.
Facta est Judaea : motet by [J.] Shep-
herd. 271-2.
Facti sumus opprobrium, v. Deus,
venerunt gentes.
Facti sunt Nazareni : motet by Tallis.
265, 309.
Factum est silentium : motet (a 4) by
Fel. Anerio. 353.
motet (a 8) by Fel. Anerio.
354-5 (two settings).
Factus est Dominus : motet (1802).
346.
Factus est Dominus: chorale bv M.
Gobel (?). 155.
Fahr' hin, du schnode Welt : chorale
by M. Gobel (?). 153.
Faint is my head : hymn by W. Bovce.
185, 190.
"Faisons regrets": mass by Josquin
des Pres. 222.
Faith, 'tis a precious grace : song by
T. Miles. 453.
Fame, let thy trumpet sound, v. God
save great George.
Far above their noblest songs : hymn
by S. Wesley. 186.
Far, far from me be all false ways :
hymn by T. Miles. 189-90.
Far from the world, O Lord : anthem
by T. Miles. 100.
Far from these narrow scenes of night:
hymn by T. Miles. 189 (two set-
tings).
"Farnham": hymn-tune (18th cent.).
186.
" Farringdon " : hymn-tune (about
1800). 189.
Fasciculus myrrhse : motet by Pales-
trina. 303.
Father, again in Jesus' name : hymn
by T. Miles. 189.
Father, I bless Thy gentle hand : hymn
by T. Miles. 189.
Father, I know my day is nigh : song
by S. Wesley. 439.
Father, in all my comforts here : song
by T. Miles. 453.
Father of all, my soul defend : anthem
by T. Miles. 99.
Father of all, Whose tender Love : hymn
by T. Miles. 189.
Father of heav'n, Whose love: hymn
by T. Miles. 189.
Father of light : quartet by S. Wesley.
391.
Father of love, pure Fountain : anthem
by S. Stubbs. 12.
Father, whate'er of earthly bliss : hymn
by T. Miles. 189.
Fear not, shepherds: anthem by [H.
Loosemore. 21.
Felices Adas filii : motet by A. Steffani.
301.
Felix es, sacra Virgo, v. Benedicta et
venerabilis es.
Felix est qui laeto corde : song by J.
Krall. 454-5.
Felix ille animi : chorale by M. Gobel (?).
155.
Felix namque es : motet by N. Ludford.
260.
Felix namque Maria : motet (13th -
14th cent.). 254.
Felix sanctorum chorus apostolorum :
song (after 1226). 423.
Felle sitim Magni Regis, v. Hue me
sidereo.
INITIAL WORDS AND TITLES.
499
"Feniton court": hymn-tune. v.
Lead us, Heav'nly Father.
Fera turbida : song by [F.] Gasparini.
436-7.
Ferae procellse : song by G. Gabellone.
446.
Festa dies agitur : song by H. de
Pisis (?). 423-4.
Fidem refundens : motet by J. T.
Gerarde. 268.
Figlio d' Eterno Padre : duet by F. Feo.
174.
Figlio Immortale : madrigal by Pales-
trina. 204 (Add. 5039, f. 3 ; etc.), 205
(Add. 31397, f. 35b ; 31408, f. 3).
Filiae Jerusalem: motet (1519-1533).
259.
motet by Fel. Anerio. 354.
motet by M. A. Cesti. 292.
Firm was my health : hymn by T.
Miles. 189.
Fit porta Chriuti : motet by G. F.
Anerio. 355.
Flammse fulmina : song by [G.] Vignati.
436-7.
Flores agri : motet by A. Steffani.
301.
Flores apparuerunt : motet by G. Mori,
of Viadana. 280-1.
Florete, flores : motet by G. Jeffreys.
283-4 (2).
Florete, justi : motet by Fel. Anerio.
354.
Flos de spina procreatur : motet (15th
cent.). 256-7.
Flos ut rosa floruit: motet (15th cent.).
256-7.
Flos vernalis, stirps regalis : song (14th
cent. 425.
Fly, ravished soul : anthem by M.
Pearson. 11.
Follow my path : canon by [T. A.]
Arne. 118.
Fous bonitatis : motet (15th cent.).
256-7.
Fons Vivus : part (?) of miracle-play
(12th cent.). 240.
Fontes et omnia : motet by T. Morula.
323.
motet by P. Jteggio. 287, 289-
90.
For all Christian souls pray we : duet
(15th-16th cent.). 171.
For all Thy mercies, Lord : grace by
Sir M. Costa. 178.
For blessings numberless : hymn by T.
Miles. 189.
For ever and for ever, Lord : hymn by
T. Miles. 189-90.
For He that is Mighty: song (after
1600). 425-6.
v. also My soul doth magnify ;
and under Services, 396-421.
For mercies countless as the sands :
hymn by T. Miles. 189.
For the homes of our fathers ; fr.
oratorio by C. H. Purday. 384.
For Thee, O God, our constant praise :
hymn by T. Miles. 189.
For, though they be punished, v. The
souls of the righteous.
For Thy salvation I have hop'd : hymn
by T. Miles. 189-90.
For Zion's sake : anthem adapted by
H. Aldrich from Carissimi. 55, 80.
Forgive me, Lord, my sin : anthem by
Tallis. 29 (words).
Fortem virili pectore : motet by B. di
Bartolo. 347-8.
' ' Fortuna disperata " ; mass by Josquin
des Pres. 222 (fragment).
" Fountain " : hymn-tune (about 1800).
189.
Fra gli orridi silenzi : duet by G. B.
Zuniga. 174.
Fra le spine : song by N. Cecca. 435.
Frail man, despise the treasures: an-
them by J. Bull. 7, 10.
" Fratres ego" : mass by D. dal Pane.
220 (Add. 5041, f. 111b).
Fratres, ego enim accepi : motet by
Palestrina. 351, 360.
Freiwillig hab' ich 's dargebracht : song
by K. P. E. Bach. 448-9.
Fremit procella : song by G. d' Avossa.
443.
song by G. F. di Majo. 437 (two
settings).
Fremo miser in furore: song by M.
Nasci. 438.
Fremuit spiritu Jesus : motet by J. T.
Gerarde (?). 267-8.
"French": hymn-tune. i>. " The old
hundredth."
Freud' iiber alle Freude : chorale by
M. Gobel (?). 156.
Freuet euch, ihr Christen alle : chorale
by M. Gobel (?). 155.
Freu't euch zugleich, arme und reich :
chorale by M. Gobel (?). 156.
Friend after friend departs : song by T.
Miles. 453.
Frohlich soil mein Herze : chorale by
M. Gobel (?). 154.
Frohlock' du, Tochter Zion : chorale by
M. Gobel (?). 154.
From all that dwell below the skies :
hymn by T. Miles. 189.
From deepest horror : anthem by T.
Tomkins. 13.
From depth of grief: song (after 1614).
426.
From depth of sin : anthem by W.
Byrd. 71, 83.
From Egypt lately : hymn by S. Wes-
ley (?). 194-5.
From ev'ry stormy wind : hymn by T.
Miles. 189.
From foes that would the land devour :
hymn by T. Miles. 189.
500
INDEX I.
From heav'n the Mighty Lord look'd
down : hymn by T. Miles. 189.
From lowest depths of woe : hymn by
T. Killick. 188.
From our enemies defend us ; fr. Ser-
vice by S. Wesley. 419-20.
From the depth I called : anthem by
Tye. 3.
From the depths I have called : anthem
by M. Lock. 37.
From the first dawn of infant life :
hymn by T. Miles. 189.
From the perverse and wicked wight :
hymn by D. Peebles. 182.
From Thee, Supreme and Omnipresent
Lord : hymn by T. Miles. 189.
From this world's joys : hymn by T.
Miles. 189.
From those vain objects : hymn by T.
Miles. 189-90.
From virgin's womb : carol by W. Byrd.
145.
Friih Morgens, da die Sonn' aufgoht :
chorale by M. Gobel (?). 155.
Fur alle Giite aei gepreist : song by
K. P. E. Bach. 448-9.
Fiirchte dich nicht : chorus by [J. F.]
Doles. 160 (two settings).
Fuerunt mihi lacrymse : motet by A.
Ferrabosco (I?). 281.
Fiirwahr, Br trug uns're Krankheit :
chorus by [J.] Bindernagel. 161.
cantata by K. H. Graun. v.
Trostvolle Gedanken.
chorus by G. P. Weimar. 160
(two settings).
Fuit homo missus a Deo : motet by
Palestrina. 305 (Add. 5038, f. 17),
335-6, 360.
Fulcite me floribus : motet (15th cent.).
256-7.
motet (17th cent.). 289.
Fulgebant justi : motet by O. di Lasso.
305 (Add. 5042, f.8), 325.
Fulget crucis. V. Vexilla Regis.
Fulgete, sidera: motet by P. Cafaro.
301 (2).
"Fulham " : hymn-tune bv J. Baildon.
190-1.
Full of wrath : song by H. Purcell.
432, 453.
Fundamenta ejus in montibus : canon
by S. Rahel (Roy. App. 64, f. 16).
115.
"Funeral melody": hymn-tune by
S. Howard. 192.
^Gabriel angelus apparuit : motet by
— Latfeur. 270.
Gabriel angelus locutus est : motet by
G. Gabrieli(?). 276-7.
" Gabriel archangelus " : mass by
Palestrina. 219, 220.
Oanz vom Dank-gefiihl gcriihret : song
by J. M. Haydn. 449-50.
Gaude et lsetare, Jacob : motet (about
1584). 264.
Gaude, felix Anna : motet by Dun-
stable. 356.
Gaude, gloriosa. v. Ave, Regina ccelo-
rum.
Gaude, Maria ; by J. Taverner (?). v.
Gaude plurimum.
Gaude, Maria, Gabrielem : motet (1227-
1234). 253.
Gaude, Maria, Jesu mater ; by
J. Taverner (?). v. Gaude pluri-
mum.
Gaude, Maria Virgo : motet by R.
Johnson, sen. 272-3.
motet by T. L. da Vittoria. 279-
80, 325.
Gaude, martyr, oum triumpho : motet
by — Forest. 356-7.
Gaude, 0 cor: song by J. A. Hasse.
445.
Gaude, pas tore : motet by R. Pygott.
261.
Gaude plurimum : motet by J.
Taverner. 261,266,278,279.
Gaude, sacratissima Virgo ; by J.
Taverner (?). v. Gaude plurimum.
Gaude, salutata Virgo : song (after 1226).
423.
Gaude, sancta Magdalena : motet by
Sir T. Packe. 260.
Gaude, Virgo gloriosa. v. Ave, Regina
ccelorum.
Gaude, virgo Katherina : motet by
Dunstable. 356.
Gaude, Virgo, Mater Christi : motet
(beg. of 16th cent.). 266.
motet (temp. Hen. VIII). 260.
motet by H. Ashton. 261.
Gaude, Virgo salutata : motet by
Dunstable. 356.
Gaude, Virgo virginum : motet (15th
cent.). 256-7.
"Gaudeamus": mass by Josquin des
Pres. 221-2 (2).
mass by T. L. da Vittoria. 220-1
(2).
Gaudeamus et exsultemus. v. Laudem
dicite Deo.
Gaudeamus itaque; by J. Taverner (?).
v. Gaude plurimum.
Gaudeamus omnes : song (17th cent.).
429.
motet (1802). 347 (two settings).
motet by W. Byrd(?). 307 (two
settings).
motet by G. Gabrieli (?). 276-7.
motet by G. Mori, of Viadana.
280-1.
Gaudebunt labia : motet (16th -17th
cent.). 273.
Gaudens gaudcbo : motet (1802). 347.
motet by Fel. Anerio. 353.
Gaudent in coelis : song (after 1613).
426.
INITIAL WORDS AND TITLES.
501
Gaudent in ccelis : motet by Palestrina.
304.
motet by S. Wesley. 349.
Gaudet chorus ccelestis hodie : part (?)
of Miracle-play (12th cent.). 240-1.
Gaudete, ccelicolse : motet by [J.]
Shepherd. 273.
Gaudete in Domirio: motet (1802).
346.
mass by Sir T. Packe. 212.
Gaudete, omnes: motet (17th cent.).
289.
Gaudia, pastores, optate : song by B.
Graziani. 428.
Gedanke Der una Leben gibt : song by
K. P. E. Bach. 448-9.
Geh', Mensch : song by J. M. Haydn.
449-50.
Geist der Andacht : cantata by C. G. A.
Bergt. 136.
Gelobet sei Gott : cantata by [J. F.]
Agricola. 132.
Gelobet seist Du, Jesu Christ : chorale
by M. Gobel (?). 154.
Gen Himmel aufgefahren ist : chorale
by M. Gobel (?). 155.
Gens cuncta voce crebra. v. Lobet den
Herren, alle.
Gentle Jesus, Meek and Mild : song by
S. Wesley. 454.
Gently glides the stream of life : hymn
by T. Miles. 189.
Gern ich habe missgehandelt : chorale
by M. Gobel (?). 153.
Gewonnen, gewonnen der Satanas
lieget : chorale by M. Gobel (?). 156.
Gia in ciel : duet by N. Zingarelli. 175.
Gia scarco avea lasciato : song by G.
Vignola. 443.
Gia trafitto in duro legno : cantata by
N. Zingarelli. 135.
" Gideon " : oratorio by Sir W. G.
Cusins. 385.
" Gideon " (?) ; by S. Wesley, v. Like
a bright cherub.
Giudice ingiusto : duet by A. di Liquori.
174.
Giunta 1' ora fatal : song by Handel.
454.
"Giuseppe riconosciuto." v. Vqi, se
pieta.
Give alms of thy goods ; fr. Service
(temp. Eliz.). 397-8.
Give ear, O God : anthem by T.
Weelkes. 12.
Give ear, O Lord : anthem adapted by
H. Aldrich. 42, 55.
" Give ear, O ye heavens " : anthem by
N. Wootton. 43.
Give ear, Thou Judge of all : hymn by
T. Miles. 189-90.
Give Glory to God, ye children of men :
hymn by T. Miles. 189.
Give laud unto the Lord : anthem by
— Mundy. 18.
Give laud unto the Lord : hymn by
W. Parsons. 196 (Add. 31855, f. 105b).
hymn by D. Peebles. 182.
Give me a clean heart, v. Show mercy,
Lord, on me.
Give me neither poverty nor riches :
anthem by P. Falle. 52.
Give peace in these our days : hymn by
J. Angus. 182.
hymn by W. Parsons. 196 (Add.
31855, f. 113).
Give sentence with me : anthem (1547-
1548). 1.
anthem by [W.?] Randall. 14.
anthem by [T.] Tomkins. 23, 33
(words).
Give thanks to God most high : hymn
by T. Miles. 189.
Give thanks unto God, our Creator
and Lord : hymn by T. Miles. 189.
Give thanks unto the Lord : anthem
by [?P. A.]Fiocco. 48.
hymn by D. Peebles. 182.
Give the King Thy judgments : anthem
by H. Aldrich. 28, 42, 49, 59, 80.
anthem by [W.] Boyce. 97.
anthem 'by W. Child. 25, 29
(words).
anthem by J. Cobb. 36 (words).
anthem by W. Croft. 51,82,89,90.
anthem by [W. ?] Knapp. 69.
anthem by H. Loosemore. 22.
anthem by T. Weelkes. 22.
Give the Lord the honour due : anthem
by T. Tudway. 61.
Give to the Lord all praise : hymn by
D. Peebles. 182.
Give to the Lord, ye potentates : hymn
by D. Peebles. 181.
anthem by J. Shepherd. 3. v.
also under Hymns, 180.
Give unto the Lord, O ye mighty :
anthem by W. Boyce (?). 82.
" Glasenbury." v. "Glastonbury."
"Glasgow" : hymn-tune by T. Ravens-
croft. 192-3.
"Glastonbury": v. "Wells."
Gloria et honor. t\ Urbs beata, Jeru-
salem.
Gloria in excelsis : canon by J. Travers.
117.
Gloria in excelsis Deo, et in terra pax :
duet (14th cent.). 171.
motet (14th-15th cent.). 255-6.
motet (15th cent.). 256.
fr. Miracle-play (1607). 243(2).
motet by Dr. Cooper. 271.
motet by G. B. Fenoglio. 329.
carol by J. T. Gerarde. V. Hodie
nobis.
motet by M. Greene. 294.
motet by W. Horsley. 351.
motet by G. Jeffreys. 283-5 (2).
motet by [? D. F.] Negri. 306.
motet by [J.] Shepherd. 271.
502
INDEX I.
Gloria in excelsis Deo, et in terra pax :
by Tallis. v. Hodie nobis ; also under
Masses, 211-239 passim.
motet by [J.] Taverner. 271.
by N. Truie. v. Hodie nobis.
v. also under Services, 396-421
2>assim.
Gloria in excelsis Deo ; pax aurea
terris : chorale by M. Gobel (?). 155.
Gloria in excelsis Deo. Sing, my soul :
carol by T. Weelkes. 143.
Gloria in excelsis . . . ecce Maria:
carol (16th-17th cent.). 142.
Gloria, laus, et honor: motet (16th-
17th cent.). 273.
motet by [W.] Blitheman. 271-2
(two settings).
motet by Palestrina. 358.
motet by Tye. 271-2.
Gloria Patri et Filio: song (late 18th
cent.). 447.
motet (18th-19th cent.). 340.
song by P. Cafaro. 438 (two set-
tings).
- motet by J. Cole. 258.
motet by R. Dering. 283, 285-6,
314.
(2)
motet (a 3) by G. Jeffreys. 283-5
motet (a 4) by G. Jeffreys. 283-4,
285
— canon (a 3) by H. Purcell. 116
(Add. 30933, f. 128b), 127 (Add. 9074,
f.
32b).
canon
(a 4) by H. Purcell. 116
(Add. 30930, f.7b), 127 (Add. 9074,
f. 26).
canon (a 4 — another setting) by
H. Purcell. 116 (Add. 30933, f. 128),
127 (Add. 9074, f.30b).
motet (a 2) by S. Wesley. 312
(two settings).
motet (a 3) by S. Wesley. 352.
motet (a 4) by S. Wesley. 312.
v. also Et in ssecula ; Et nunc et
semper ; Sicut erat in principio ; and
under Services, 396-421 passim.
Gloria Patri, Qui creavit : motet (16th-
17th cent.). 274.
motet by G. Jeffreys. 283-5 (2).
Gloria sanctorum : motet (beginning of
16th cent.). 266.
motet (early 16th cent.). 258.
motet by Dunstable. 356.
Gloria Tibi, Doniine; by W. Byrd. v.
Memento, salutis Auctor ; 0 Gloriosa
Domina ; Quern terra, pontus.
canon by T. Miles. 127.
Gloria Tibi, Trinitas : motet by J. T.
Gerarde (?). 266.
mass by J. Taverner. 223 (frag-
ments).
Gloria Tua. v. Pleni sunt cceli.
Gloria Tua manet : motet
Jeffreys. 283-5 (2).
by G.
Gloriam Christo canamus. v. Exsultet
conjubilando.
Gloriosa mater Dei : motet (15th cent.).
256-7.
Gloriosae Virginis Marise : motet by
Lionel [Power?]. 356.
Gloriosi principes : motet by J. Mouton.
305 (Add. 5043, f.73b).
Glorious and Powerful God : anthem by
[0.] Gibbons. 19, 26, 29 and 34 (words).
Glorious Lady, of heav'n high Queen.
v. Afraid, alas.
Glorreiche Himmels Konigin : duet by
J. M. Haydn. 174.
Glory be to God in the highest : anthem
by T. Tomkins. 56.
Glory be to God on high : anthem by
W. Child. 22, 102.
canon by [B.] Cooke. 118.
anthem by J. Foster. 18.
anthem by G. Loosemore. 56.
anthem by H. Loosemore. 21.
Glory be to the Father : canon (about
1775-1787). 119.
chant by J. F. Burrowes. 151.
canon by J. W. Callcott. 121.
canon by D. Henstridge. 116.
canon by M. Lock. 116.
canon by H. Purcell. 116, 127.
canon by S. Webbe, sen. 119.
chants by S. Wesley (three set-
tings). 148.
v. also under Services, 396-421
passim.
Glory be to the Lamb. v. See, see, the
Word is incarnate.
Glory be to Thee, O Lord : canon by J.
Warren. 128.
Glory to God most High : hymn by T.
Miles. 189.
Glory to God on high : anthem by G.
Jeffreys. 23.
Glory to God, Whose Grace : hymn by
T. Miles. 189.
Glory to Thee, Almighty God: hymn
by T. Miles. 189.
Glory to Thee, my God, this night :
hymn (late 18th cent.). 187.
" Gloucester" : hymn-tune by J. Tom-
kins. 192-3.
Gni pur vo tuots: chorus by J. P.
Sweelinck. 167.
Go not far from me, O God : anthem
by S. Wesley. 102.
Go to the ant : canon (late 18th cent.).
119.
Go ye into all the world : anthem (late
17th cent.). 38.
God, be merciful : anthem by [W. ?]
Mundy. 15.
anthem by C. Wesley. 70-1.
God bless our noble king : anthem by
T. A. Arne. 65.
God by His Strength : hymn by T.
Miles. 189.
INITIAL WORDS AND TITLES.
503
God does his saving health dispense :
hymn by T. Miles. 189-90.
3rod, for Thy grace : hvmn by D.
Peebles. 181.
God grant with grace : hymn by Tallis.
180.
God has releas'd my soul : hymn by T.
Miles. 189.
God in his temple : hymn by T. Miles.
189.
God in the Gospel of His Son : hymn
by T. Miles. 189.
God in the great assembly stands:
hymn by T. Miles. 189-90.
God is a Spirit just and wise : hymn by
T. Miles. 189.
God is gone, up: anthem by W. Croft.
81, 89.
v. also O clap your hands.
God is goodness, wisdom, pow'r : hymn
by T. Miles. 189.
God is my Shepherd : hymn by T.
Miles. 189.
God is our hope : anthem by H. Aldrich.
80.
anthem (a 4) by J. Blow. 49, 110.
anthem (a 4 — another setting) by
J. Blow. 88, 110.
anthem (a 8) by 3. Blow. 27, 42,
48, 59, 110.
anthem by W. Broderip. 62.
canon by J. W. Callcott. 121.
anthem by W. Crotch. 76.
anthem by M. Greene. 45,47, 64.
anthem by W. Horsley. 100.
anthem by C. Wesley. 70-1.
God is our refuge : hymn by T. Miles.
189-90.
chorus by Mozart. 159.
God is the chiefest unison : song by Sir
Peter Hartforth (?). 425.
God me protects : hymn by T. Miles.
189-90.
God moves in a mysterious way : hymn
by T. Miles. 189.
God, my rock : hyuin by T. Miles.
189.
God, my strength, to Thee I pray :
hymn by T. Miles. 189.
God of all power and might : anthem
(after 1604). 7.
God of almighty love : hymn by S.
Wesley. 185.
God of my life, through all my days :
hymn by T. Miles. 189.
God of rny strength, how long shall I :
hymn by T. Miles. 189.
God of our life : hymn by T. Miles.
189.
God of our lives : hymn by T. Miles.
189.
God, our kind Master : hymn by T.
Miles. 189.
God save great George our King : an-
them (18th cent.). 87.
God save our gracious King William :
anthem (1830-1837). 103.
God save the Queen : national anthem
arranged by Sir M. Costa. 113.
God shall bless us : canon by S. Wesley.
118.
God sheweth me His goodness : anthem
by W. Norris. 50.
anthem by W. Turner. 50.
God spake sometimes in visions : an-
them by J. Blow. 50, 110.
God standeth in the congregation : an-
them by — Bead. 18.
God the Father, God the Son : anthem
by J. Bull. 32 (words).
God the heav'ns aloud proclaim : an-
them by T. Miles. 99.
God, Who as at this time : anthem by
[N.] Giles. 21, 29.
God, Who hast prepared : anthem by
[T.] Mudd. 18, 58.
God, Who hast taught : anthem by W.
Smith. 22.
God, Who is Just : hymn by T. Miles.
189.
God, Who on this day. v. God, Who as
at this time.
God will not suffer me to fall : hymn
by T. Miles. 189-90.
God's bounty like a flowing tide : hymn
by T. Miles. 189-90.
God's faithful promise : hymn by T.
Miles. 189.
God's perfect law converts the soul :
hymn by T. Miles. 189.
God's temple crowns the Holy Mount :
hymn by T. Miles. 189-90.
God's truth and justice : hymn by T.
Miles. 189-90.
Gott, Dein Weg ist heilig : chorus (18th
cent.). 162.
Gott, Deine Giite : song by K. P. E.
Bach. 448-9.
Gott, der Herr, ist Sonn' : chorus by
[? C. K.] Rolle. 160.
Gott, Der wird 's wohl machen. v. Jesu,
meine Preude.
Gott, Du bleibest; chorus by [E. G.]
Fischer. 160.
Gott hat den Herrn auferwecken : can-
tata by [? K. P. E.] Bach. 134.
Gott ist mein Hort : song by K. P. E.
Bach. 448-9.
Gott ist mein Licht : chorus by K. F.
A. Billert. 170.
Gott ist mein Lied : song by K. P. E.
Bach. 448-9.
Gott is unser Zuversicht, darum :
chorus by J. G. Schicht. 166.
Gott ist unsre Zuversicht und Starke :
chorus (18th cent.). 162.
Gott lob, nun setz' ich abermals :
chorale by M. Gobel (?). 155.
Gott ruft der Sonn' : cantata by C. G.
A. Bergt. 136.
34
504
INDEX I.
Gott sei gelobet : canon (late 18th
cent.). 126.
Gott sorgt fiir mich : song by J. M.
Haydn. 449-50.
Gott unser Zuversicht : chorale by M.
Gobel (?). 153.
Gott Vater, nimm mich in dein' Hut :
chorale by M. Gobel (?). 155.
Gott Vater, nimm mich mir : chorale
by M. Gobel (?). 153.
Gott Vater uns sein Sohn : chorale by
M. Gobel (?). 154.
Gracious Spirit, Love Divine : hymn
by T. Miles. 189.
' ' Grand " chant ; bv P. Humf rey. 146,
147, 149.
Grant, Holy Trinity: anthem by [0.]
Gibbons. 21, 33 (words).
Grant, O Holy and Blessed Trinity:
anthem (temp. Charles II). 36
(words).
Grant, O Holy Trinity, v. Grant, Holy
Trinity.
Grant us, Gracious Lord, so to eat :
anthem by T. Tomkins. 32 (words).
Grant, we beseech Thee, Almighty God :
anthem by W. Smith. 21.
Grant, we beseech Thee, merciful Lord :
anthem by T. Attwood. 102.
anthem by E. Finch. 62.
anthem by J. Hutchinson. 18.
anthem by R. J. S. Stevens. 95.
Gratia plena, v. Maria stella.
Gratia vobis : motet by J. T. Gerarde (?).
266-7.
"Gratitude": hymn-tune (1800). 189.
Great and marvellous : anthem by W.
Croft. 90.
Great God and just: anthem by H.
Purcell. 105.
Great God, as seasons disappear : hymn
by T. Miles. 189.
Great God, if nature : hymn by T.
Miles. 189.
Great God, in vain men's narrow
views : hymn by T. Miles. 189.
Great God, let Thy constraining Pow'r :
hymn by T. Miles. 189.
Great God of Abra'am: hymn by T.
Miles. 189.
Great God of heav'n : anthem by C.
Wesley. 73.
Great God, to Thee my voice I raise :
chorus by T. Miles. 170.
Great God, what do I see and hear :
hymn by M. Luther. 192, 194.
Great God, when on a guilty land:
anthem by C. Wesley. 101.
Great God, with heart and tongue:
hymn by T. Miles. 189.
Great God, with wonder and with
praise : chorus by T. Miles. 170.
Great is the Lord and great His Pow'r :
hymn by T. Miles. 189-90.
anthem by W. Raylton. 41.
Great is the Lord and highly to be
praised: canon (early 19th cent.). 126.
Great is the Lord and Marvellous :
anthem by [T.] Roseingrave. 65.
Great Judge of heav'n : hymn by T.
Miles. 189-90.
Great King of Gods : anthem by O.
Gibbons. 34 (words), 94.
Great Lord of all things : anthem by
T. S. Dupuis. 77.
"Great Milton" : hymn-tune (1826).
192.
" Green's hundred " : hymn-tune. 186.
Gregis pastor, Tityrus : part (?) of
Miracle-play (12th cent.). 240.
Gross ist der Herr : cantata by J. Kum-
lik. 137.
chorus by J. G. Schicht. 166.
Gross ist die Menge falscher Christen :
cantata by J. G. Krebs. 130.
Grudge not to see the wicked men :
hymn by D. Peebles. 181.
Guardame, 0 Dios : song by P. de
Coster Vanderven (?). 426-7.
Guide me, O Thou Great Jehovah :
hymn (after 1834). 195.
Gustate et videte. v. Benedicam Do-
mino.
Gute Nacht, ihr meine Lieben. v.
Seliges Erwagen.
Habe piedad, ten mancilla, Sefior : song
by P. de Coster Vanderven .(?). 426-7.
Hac clara die : motet by N. Ludford.
260.
Hac in die dulce melos : motet (13th
cent.). 253-4.
"Hackney": hymn-tune (18th cent.).
186.
Hsec dies quam fecit Dominus : motet
by E. di Bartolo. 347-8.
motet by J. Ensdale. 271-2, 323.
motet by G. M. Nanini. 355.
motet by D. Perez. 319, 362.
motet by [J. ?] Shepherd. 264.
Hsec est domus Domini : motet (15th
cent.). 258.
motet by N. Fago (?). 297-8.
v. also In dedicatione.
Hsec est prseclarum vas : motet (about
1516). 259.
Hsec est rosa venustatis : motet (15th
cent.). 256-7.
Hsec est sancta solemnitas : motet (loth
cent.). 256-7.
Hsec est vera ecclesia: motet (17th
cent.). 289-90.
Hsec est voluntas Ejus : motet by
O. di Lasso (?). 263.
Hsec festiva actio : motet (15th cent.).
256-7.
Hsec quse ter triplici : motet by 0. di
Lasso. 305 (Add. 5042, f. 23).
Hail, fairest daughter : song by H.
Boyd(?). 440.
INITIAL WORDS AND TITLES.
505
Hail the day that sees Him rise : hymn
by T. Miles. 189.
•'Halle": hymn-tune. v. With glory
clad.
Halleluja ! Bringet Ehre : chorale (18th
cent.). 157.
Halleluja ! voelg eau chanter : chorus
by A. Sohmau. 168.
Hallelujah: canon (late 18th cent.).
119 (two settings).
fr. Service by Blow (?). 402.
fr. oratorio (" Athaliah " ?) by
Handel. 386.
fr. oratorio (" H trionfo ")by Han-
del. 366.
fr. oratorio (" Messiah ") by Han-
del. 370.
canon by J. W. Holder. 126.
fr. Service by W. Jackson of
Exeter. 410 (three settings).
canon by T. Miles. 127 (two
settings).
— canon by H. Purcell.
— anthem adapted by
from A. Corelli. 101.
— canon by S. Wesley,
settings).
— v. also Alleluia.
127.
C. Wesley
118 (two
Hallelujah ! Now may we mirthes make :
carol (15th-16th cent.). 139.
Hallelujah ! Salvation and Glory :
anthem by T. Weelkes. 12, 22.
"Hainan and Mordecai": oratorio by
Handel, v. Esther.
"Hamburg": hymn-tune. v. How
long wilt Thou forget.
"Hampton " : hymn-tune (about 1800).
189.
"Hanover": hymn-tune arranged (?)
by S. Wesley. 194.
Happy sons of Israel : canon by W.
Lawes. 123.
Happy soul, thy days are ended : hymn
by T. Miles. 189.
Happy the child whose tender years :
chorus by T. Miles. 170.
Happy the man whose tender care :
song (early 19th cent.). 451.
anthem by T. Miles. 99.
Happy the meek : hymn by T. Miles.
189.
Happy the souls to Jesus join'd : hymn
by S. Wesley (?). 194.
Hark, hark, my soul : hymn by S. S.
Wesley. 196.
Hark, hark! The sacred minstrel plays:
song by C. Wesley. 448.
Hark I In the wilderness a cry : hymn
by S. Wesley. 185.
Hark, Israel : hymn (1575-1578). 182.
hymn by R. Brimle. 196 (Add.
31855, f. 26b).
hymn by J. Farmer. 192-3.
hymn by W. Parsons. 196 (Add.
31855, f. 27).
Hark, shepherd swains : carol by G.
Jeffreys. 144(2).
carol by H. Lawes. 144.
Hark I The herald angels sing : hymn
by C. Burney. 189.
hymn by T. Miles. 189.
Hark ! What mean those heav'nly
voices : hymn by T. Miles. 189.
Has God for ever cast us off : hymn by
T. Miles. 189-90.
Hast Du denn, Jesu: chorale by M.
Gobel(?). 156.
Hasta cuanuo m' olvidaras : song by
P. de Coster Vanderven (?). 426-7.
Haste Thee, O God: anthem by A.
Batten.' 17, 108.
anthem by M. Este. 5.
anthem by P. Humfrey. 24, 44,
54, 81.
anthem by H. Lawes. 34 (words).
anthem by D. Roseingrave. 41.
- anthem by [J.] Shepherd (?). 15,
16, 58, 108.
anthem by W. Sims.
5.
Haste Thee, O Lord : anthem adapted
by H. Aldrich from Carissimi. 55, 80.
canon by T. Ford (?). 116, 117 (2),
119, 123-6.
Have mercy, God : anthem by A.
Kempe. 2.
Have mercy, Lord, on me : hymn by
T. Miles. 189.
Have mercy of me, King of bliss : carol
by R. Smart. 139.
Have mercy on me, God : hymn by
T. Causton. 196 (Add. 31855, f . 55b)
Have mercy on me, O God : anthem
(temp. Charles II). 30 (words).
Have mercy on us, Lord: anthem by
[W.] Byrd. 8.
anthem by [N.?] Giles. 34 (words).
hymn by T. Miles. 189.
Have mercy upon me, O God : anthem
by P. Falle. 53.
anthem by Richard or John Gibbs.
58.
anthem by O. Gibbons,
anthem by [N.] Giles.
21.
20, 33
(words).
— anthem
(with 4-part chorus) by
M. Greene. 45, 47, 64.
anthem (with 5-part chorus) by
M. Greene. 64.
anthem by Handel. 83, 84, 90.
anthem by P. Humfrey. 25, 38,
43, 54, 81, 102.
anthem by T. Miles. 98.
anthem by J. Nares. 67.
anthem by D. Purcell (?). 51.
anthem by S. Stubbs. 12.
anthem by J. Tomkins. 34 (words).
Have mercy upon me, 0 Lord : anthem
by H. Aldrich. 42, 57.
Have pity upon me, O God : anthem by
[C] Gibbons. 21, 35 (words).
506
INDEX I.
Have pity upon me, 0 ye: anthem
(about 1785-1789). 74.
anthem by M. Wise. 22, 25.
Have ye no regard : anthem by A.
Ferrabosco, jun. (?). 33 (words).
anthem by H. Oxford. 35 (words).
Haz me justicia : song by P. de Coster
Vanderven (?). 426-7.
He hath shewed strength ; fr. Service
by Blow. 418.
He maketh peace, v. This is the day
which the Lord.
He maketh the barren woman to keep
house : canon by S. Wesley. 118.
He's blest whose sins have pardon
gain'd : hymn by T. Miles. 189.
hymn by S. Wesley. 190, 195.
He shall feed His flock ; fr. oratorio by
Handel, altered by Beethoven. 381.
He that descended : anthem by J.
Amner. 14.
He that has God : hymn by T. Miles.
189-90.
He that hath my commandments :
anthem by [T.] Coste. 16.
anthem by [N.] Giles. 19.
anthem by — Mundy. 19.
He That wrought, v. Jesu, Mercy!
How may this be.
He was despised ; fr. oratorio by Handel.
378.
Head of Thy Church Triumphant :
hymn by T. Miles. 189.
Hear God's Almighty voice : song by
Blow. 432-3.
Hear, Gracious Lord, my earnest cry :
hymn by T. Miles. 189.
Hear me, 0 God ; a broken heart : song
(after 1669?). 428.
anthem by W. Cross. 34 (words).
anthem by A. Ferrabosco. 7, 12.
Hear me, 0 God, in the multitude of
Thy mercy : anthem by J. Gold win. 60.
anthem by R.Tomkins. 35 (words).
Hear me, 0 Lord, and that soon :
anthem by W. Cross. 35 (words).
anthem by [J.] Fido. 19.
anthem by H. Purcell. 28, 78, 104.
Hear me, O Lord, the Great Support :
anthem by H. Purcell. 28, 105.
Hear me when I call : anthem (temp.
Charles II). 36 (words).
anthem by W. Child. 25, 87.
anthem by W. Cross. 34 (words).
anthem by D. Hens t ridge. 44.
Hear my cry. v. Hear my crying.
Hoar my crying, O God : anthem (after
1624). 14.
anthem by E. Bevin. 34 (words).
anthem by W. Boyce. 82.
anthem by H. Cooke. 36 (words).
anthem by M. Greene. 47, 64, 113.
anthem by J. Hilton. 20.
canon by [? J. W.] Holder. 118.
anthem by C. King. 61.
Hear my crying, O God : anthem by
Giles Tomkins. 35 (words).
anthem by J. Weldon. 41, 61.
Hear my prayer, O God, and consider.
v. Hear my prayer, O Lord.
Hear my prayer, O God, and hide not :
anthem (about 1768). 69.
anthem by [A.] Batten. 20, 35
(words), 39, 54.
fr. Service by W. Byrd. 420.
canon by J. W. Callcott. 120
and 126 (two settings), 121 (a third
setting).
antnem by M. Greene. 45, 47, 64.
anthem by P. Henley. 83.
anthem by H. Purcell. 79.
anthem by W. Savage. 96.
Hear my prayer, O God, and let : song
(about 1630). 427.
v. Hear my prayer, O Lord.
Hear my jjrayer, O Lord, and consider :
anthem (1664). 20.
anthem by Byrd. 19, 29 and 33
(words).
anthem (another setting) by W.
Byrd. 109.
anthem by T. Lupo. 6, 7.
anthem by D. Purcell. 40.
anthem by R. Ramsey. 5.
Hear my prayer, O Lord, and let :
anthem by J. Mundy (?). 8.
anthem by H. Purcell. 104.
anthem by [T.] Wilkinson. 12,
26, 38.
Hear my prayer, O Lord, and with
Thine ears : anthem by A. Batten.
20.
anthem by W. Cross. 29 (words),
32 and 34 (words).
— anthem by G. Jeffreys. 23.
- anthem by T. Tomkins. 29
and
35 (words).
anthem by C. Wesley. 73.
anthem by T. Wilkinson. 20.
Hear my voice, O God : anthem by
J. Blow. 88, 111.
canon by J. W. Callcott. 121.
Hear, O Heavens : anthem (temp.
Charles II). 35 (words).
anthem by P. Humfrey. 26, 50, 55.
Hear, O Lord, and consider : anthem
by M. Greene. 44, 47, 64, 70.
anthem by W. Savage. 96.
Hear, O Lord, and have mercy : anthem
by M. Greene. 82.
anthem by C. King. 61.
anthem by R. Tomkins. 36
(words).
Hear, O Lord God : anthem (late 16th
cent.). 4.
Hear, O my people, and I will assure.
thee : anthem by [W.] Stonard. 22.
Hear, O my people, and I will speak ;
fr. oratorio by Sir H. R. Bishop.
380.
INITIAL WORDS AND TITLES.
507
Hear, O my people, saith the Lo*d :
anthem by W. Child. 20, 29.
Hear, 0 my people, to my law : hymn
by T. Miles. 189-90.
Hear, O Thou Shepherd : anthem by
P. Palle. 53.
anthem by [J.] Sheeles. 87.
anthem by S. Wesley. 98.
Hear the prayers, 0 our God : anthem
(temp. Charles II). 29 (words).
Hear the voice : anthem by — Mundy.
19.
anthem by Tallis. 2, 16.
Hear what God, the Lord, hath spoken :
hymn (early 19th cent.). 188.
Hear what the voice from heav'n pro-
claims : hymn by T. Miles. 189.
Hearken, all ye people : anthem by W.
Stonard. 7.
Hearken, O daughter, and consider :
anthem by H. Lawes (?). 36 (words).
Hearken, O God, unto a wretch'3 cries :
anthem (temp. Charles II). 32 (words.)
Hearken unto Me : anthem by M.
Greene. 75.
Hearken unto my voice, O Lord :
anthem by T. S. Dupuis. 75.
anthem by H. Lawes. 35 (words),
37 (words, autogr.).
anthem by W. Savage. 96.
Hearken, you nations : anthem by E.
Hooper. 30 and 34 (words).
Hear'st Thou, my soul: anthem by H.
Cooke. 32 (words).
Heav'n has confirm'd the great decree :
hymn by T. Miles. 189.
Heav'n is a place of rest : hymn by T.
Miles. 189.
Heav'nly Father, God of Love : hymn
by T. Miles. 189.
"Hedley": hymn-tune (about 1800).
189.
Heilig ist, O Herr, Dein Wesen : song
by J. M. Haydn. 449-50.
Heiliger Geist, breiten uber uns : song
by F. X. Siissmayr. 448.
Helas, Seigneur : chorus by C. Le
Jeune. 158.
Help, Lord : anthem by W. Byrd. 8.
Help, Lord, for good and godly men :
hymn by J. Shepherd. 179.
Help, Lord, for the godly man ceaseth :
anthem by W. Croft. 46.
anthem by T. Wilkinson. 5, 20.
Help me, Lord, for there is no one :
anthem by W. Child. 88.
Help me now, O Lord : anthem by W.
Croft. 40.
Help me, O Lord ; extend Thine arm :
canon by [T. A.] Arne. 118.
Help me, O Lord, mv Saviour : anthem
(after ,1612). 8.
Help us, O God of our salvation : an-
them by Byrd. 30 (words), v. also
Arise, O Lord ! why sleepest Thou.
Help us, O God of our salvation :
anthem by W. Croft. 46.
canon by [W. ?] Hayes. 124, 126.
Help us, 0 God ; on Thee we call :
canon by S. Webbe, sen. 119.
Helpless and lost : hymn by T. Miles.
189.
"Hercules": mass by Josquin des
Pres. 223 (fragments).
"Hereford " : hymn-tune by T. Ravens-
croft. 192-3.
Herr, Deinen Leiden : chorus by G. P.
Weimar. 161.
Herr, Der Du mir das Leben : song by
K. P. E. Bach. 448-9.
Herr, Dir kann ich sicher glauben :
song by J. M. Haydn. 449-50.
Herr, gehe nicht ins Gericht : chorus
(about 1785). 160.
Herr, Grosser Gott : chorus by J. M.
Haydn. 159.
Herr, ich habe lieb : chorus by [K. H.]
Graun. 160.
Herr Jesu Christ, Dein theu'res Blut
chorale by M. Gobel (?). 156.
Herr, Jesu Christ, Dich zu uns wend'
canon (late 18th cent.). 126.
Herr Jesu Christ, Du Hochstes Gut
chorale by M. Gobel (?). 154.
Herr Jesu Christ, mein Trost Du bist
chorale by M. Gobel (?). 155.
Herr Jesu Christ, mein Trost und
Licht : song by M. Gobel (?). 433.
Herr Jesu Christ, Wahr Mensch und
Gott: song by M. Gobel (?) fr. P.
Eber. 433.
song by M. Gobel (?), fr. J. Kist.
433.
Herr Jesu, Deinen Handen : chorale by
M. Gobel (?). 154.
Herr, lehre mich : song by K. P. E.
Bach. 448-9.
chorus by [? J. G.] Weiske. 161.
Herr, starke mich : song by K. P. E.
Bach. 448-9.
Herr, unser Heiland. v. Salve, Regina ;
by J. N. Hummel.
"Hertford" : hymn-tune by S. Wesley.
v. O Lord, my rock.
Herzlich liebe hab' ich Dich : duet by
M. Gobel (?). 173.
Heth : Lamentations by [R. ?] White.
198.
Heu me misera ! Tulerunt Dominum :
duet by G. Jeffreys. 172 (2).
Heu me miseram : song by E. G. Ber-
nabei (?). 432.
Heu mihi, Doniine 1 Miserere : motet
by G. Jeffreys. 283-4.
Heu mihi, Domine, quia incolatus
meus : motet (a 4) by Zingarelli.
338.
motet (a 5) by Zingarelli. 338.
Heu mihi, Domine, quia peccavi : motet
by J. Clemens non Papa. 313.
508
INDEX I.
Heu mihi, Domine, quiapeccavi : motet
by F. Dentice. 332.
motet by A. Ferrabosco [III?].
276.
motet by J. T. Gerarde (?). 267-8.
motet by O, di Lasso. 283.
motet by T. Lupo. 276, 281.
motet by T. Morley. 279-80.
v. also Domine, quando veneris.
Heu nobis, Domine. v. Quis dabit
oculis.
Heu, nos miseros dolentes : motet by
L. Leo. 342.
Heut sind die lieben Engelein : chorale
by M. Gobel (?). 154.
Hie est beatissimus evangelista : motet
by Palestrina. 351-2, 359.
Hie est discipulus : motet by Palestrina.
308.
Hie est Filius Meus: motet by Fel.
Anerio. 355.
Hie est vere martyr : motet (1628). 283.
motet by Fel. Anerio. 354.
motet by G. Gabrieli (?). 276-7.
motet by Palestrina. 305 (Add.
5038, f. 57b).
Hie praecursor; by J. T. Gerarde. v.
Puer qui natus.
Hie vir, despiciens mundum : motet by
S. Wesley. 349.
Hidden, O Lord : anthem by F. Pilking-
ton. 9, 91.
Hide not Thou Thy face : anthem (temp.
Charles II). 30 (words).
anthem adapted by H. Aldrich
from R. Farrant. 55, 80.
anthem by A. Batten. 17, 108.
- anthem by R. Farrant. 15, 16,
25, 108.
anthem by W.
Savage. 96.
Hide Thy face from my sins : anthem
by S. Wesley. 70..
Hier lieg' ich nun, mein Geist : song by
M. Gobel. 433.
Hierusalem. v. Jerusalem.
High as the arch'd and starry skies :
hymn by T. Miles. 189.
High let us swell our tuneful notes :
anthem by T. Miles. 99.
High, mighty God of righteousness :
unthem by F. Pilkington. 9, 91.
High o'er the heav'ns : hymn by T.
Miles. 189.
Hilf , Herr I Die Heiligen : chorus by G.
A. Homilius. 160.
His grievous death, v. My fearful
dream.
His mercy and His truth : hymn by T.
Miles. 189.
His throne of Holiness : anthem adapted
from Marcello. 96.
Hither all that glads the mind : anthem
by C. Wesley. 101.
Hoatz ais a nus : chorus by F. K. von
Baer. 163.
Hoc Corpus Quod pro vobis : motet by
L. Leo. 299.
Hoc est prseceptum meum : motet (mid.
18th cent.). 300.
Hoc tegitur saoro : motet by P. Reggio
287.
Hodie beata Virgo: motet (a 4) by
Palestrina. 304, 335-6.
motet (a 5) by Palestrina. 300,
304, 351-2, 359.
motet by S. Wesley. 312.
v . also Senex puerum portabat.
Hodie Christus natus est : carol (16th-
17th cent.). 142.
carol by J. T. Gerarde (?). 141,
142.
carol by G. M. Nanini. 146, 351-2.
carol by S. Wesley. 145, 345.
Hodie de Virgine : motet (mid. 18th
cent.). 300-1.
Hodie huic domui. v. Zachee, festi-
nans.
Hodie nata est beata Virgo : motet by
Palestrina. 308, 360.
Hodie natus est Christus : motet (early
17th cent.). 275.
Hodie nobis ccelorum Rex : carol (1855).
146, 355.
carol by J. T. Gerarde (?). 141 (2).
carol by G. M. Nanini. 146 (2),
351-2, 359.
motet by D. Perez. 357.
motet by Tallis. 271.
carol by N. Truie. 142.
Hodie nobis de ccelo : motet (17th cent.).
289.
motet by J. T. Gerarde (?). 269.
motet by D. Perez. 357.
motet by P. Philips. 310-11.
motet by P. Reggio. 287, 289.
Hodie scietis: motet (1802). 346.
Hodie Simon Petrus: motet by Fel.
Anerio. 354.
motet by Carissimi. 294, 295, 318.
Hodiernse lux diei : motet by N. Lud-
ford. 260.
Hort, ihr blumenreiche Matten : chorale
by M. Gobel (?). 156.
Hold not Thy peace : hymn by T. Miles.
189-90.
Hold not Thy tongue : anthem (about
1785-1789. 74.
anthem adapted by H. Aldrich
from" Palestrina. 55, 80. v. also
Nativitas tua.
anthem by W. Turner. 50.
Holde Jungfrau. v. Alma virgo.
Holy . . . ; by Byrd. v. Like as the
hart desireth ^1664).
Holy Father, Holy Son: hymn by T.
Miles. 189.
Holy Ghost, inspire our praises : hymn
by T. Miles. 189.
Holy, Holy, Holy, Lord ; be Thy glorious
name ador'd : hymn byT. Miles. 189.
INITIAL WORDS AND TITLES.
509
Holy, Holy, Holy ! Lord God Almighty :
anthem (temp. Charles II). 35 (words).
anthem by [T.] Bateson. 15.
anthem by A. Batten. 21, 35
(words).
anthem by [J.] Bishop.
anthem by R. Parsons.
69.
14, 17, 29
(words). 31 (words).
Holy, Holy, Holy I Lord God of hosts :
anthem by W. Child. 29 (words).
fr. oratorio by Spohr. 383 (2).
Holy nature, heav'nly fair : duet by T.
Miles. 177.
Home, sweet home. v. Mid scenes of
confusion.
Homo, considera : song by H. de
Pisis(?). 423-4.
Homo natus ad laborem : song by H. de
Pisis (?). 423-4.
Homo natus de muliere : motet by O. di
Lasso. 305 (Add. 5042, f. 67b), 324.
Homo natus, Emmanuel : motet (15th
cent.). 256-7.
Homo quidam fecit coenam : motet by
J. Mouton. 305 (Add. 5043, f. 38b).
Homo, vide quae pro te patior : song by
H. de Pisis (?). 423-4.
Honor, virtus : motet by J. T. Gerarde
(?). 266-7. For another setting v.
Benedictus Dominus.
Honour and glory be to the Lord :
anthem by M. (?) Forster. 97.
Hosanna Filio David : motet (a 3) by
G. Jeffreys. 283-4.
motet (a 6) by G.Jeffreys. 283-5(2).
motet by N. Jommelli. 332.
Hosanna to the living Lord : hymn by
T. Miles. 189.
Hosanna to the Son of David : anthem
by O. Gibbons 17, 26, 31 (words),
48, 57, 93, 108.
anthem by W. Horsley. 106.
hymn by T. Miles. 189.
anthem by T. Weelkes. 5.
Hosianna dem Sohne David : cantata
by J. G. Krebs. 130.
''Hotham": hymn-tune arranged (?)
by S. Wesley. 194.
How are the mighty fallen : anthem by
M. Wise. 22, 25, 27, 39, 40, 49, 57.
How are Thy servants blest, 0 Lord :
anthem by S. Wesley. 95.
How beauteous are their feet : hymn
by T. Miles. 189-90.
How beautiful are the feet ; fr. oratorio
by Handel. 386.
How beautiful the sight : hymn by T.
Miles. 189.
How bless'd are they who always keep :
hvmn by W. Jackson of Exeter. 188.
1 hymn by T. Miles. 189-90.
How bless'd is he who ne'er consents :
hymn by T. Miles. 189.
How bless'd of God : hymn by T. Miles.
189.
King:
66.
Shep-
How cheerful along the gay mead ;
fr. oratorio by T. A. Arne. 369-70 (2).
How doth the city sit solitary : anthem
by J. Blow. 38, 49, 110.
anthem by M. Lock (?). 38.
anthem by G. L[oosemore ?]. 39.
How doth the Holy City : anthem by
J. Milton. 7, 12.
How dreadful are the sacred courts :
anthem by T. Miles. 99.
How gentle God's commands : hymn by
T. Miles. 189.
How glorious is our heav'nly
chorus by T. Miles. 170.
How good and pleasant must it be :
hymn by T. Miles. 189.
anthem by Hester Needier,
How good is God : hymn by J
herd. 180.
How hath Jehovah's wrath : anthem by
W. Lawes. 72.
How hath the city sat solitary : anthem
by E. Gibbons. 59.
How have I strayed : anthem by H.
Purcell. 105.
How highly bless'd are they : hymn bv
T. Miles. 189.
How Holy is the Lord : hymn by T.
Miles. 189-90.
How is the gold become dim : anthem
by Elias Smith. 21.
How joyful and how glad a thing :
anthem by J. Bull. 34 (words).
How lightly mounts : song by Sir J.
Stevenson. 452 (words).
How long, Great God : song by H.
Purcell. 431 (2), 432, 453.
How long, 0 Lord, wilt me forget :
hymn (1547-1548). 179.
How long, 0 Lord, wilt Thou in wrath :
hymn by T. Miles. 189.
How long shall I my God in vain :
hymn by T. Miles. 189.
How long shall I seek counsel : anthem
by T. Morley. 19.
■ anthem by J. Ward. 6.
How long shall mine enemies : anthem
by Byrd. 4, 14, 18, 30 and 31 (words).
How long shall we Thy absence mourn
hymn by T. Miles. 189-90.
How long will ye imagine mischief
anthem by Hester Needier. 66.
How long wilt Thou be angry, Lord
hymn by T. Miles. 189.
How long wilt Thou forget me, Lord
hymn by M. Cooke from M. C. Bacb.
190.
hymn by J. Shepherd. 179.
How long wilt Thou forget me, 0 Lord :
anthem by W. Boyce (?). 82.
anthem by W. Child. 88.
anthem by T. S. Dupuis. 66.
anthem by C. Gibbons. 44, 58,
79, 80.
anthem by [M.] Greene. 94.
510
INDEX I.
How long wilt Thou forget me, O Lord :
anthem by J. Ward. 12.
How lost and helpless is our state :
hymn by T. Miles. 189.
How lovely art thou; fr. oratorio by
Boyce. 367.
How many hired servants : anthem by
K. Parsons. 19.
anthem by R. Portman. 34
(words).
How many kindred souls : hymn by T.
Miles. 189.
How may earth and heav'n unite :
hymn by T. Miles. 189.
How num'rous, Lord, of late are grown :
hymn by T. Miles. 189.
How pleasant is Thy dwelling-place :
hymn by T. Miles. 189.
How sad our state : hymn (late 18th
cent.). 187.
How shall the young preserve their
ways : hymn by T. Miles. 189-90.
How still and peaceful is the grave :
hymn by T. Miles. 189.
How sweet are Thy words : anthem by
W. Crotch from H. Harrington (?).
76.
How sweet the name of Jesus sounds :
hymn by T. Miles. 189.
How swift the torrent rolls : hymn by
T. Miles. 189.
How vain is grandeur's purple pride :
hymn by T. Miles. 189.
How various, Lord, Thy works : hymn
by T. Miles. 189-90.
How vast must their advantage be :
hymn by T. Miles. 189-90.
How wondrous are Thy works : hymn
by T. Miles. 189-90.
How wretched is the state : anthem by
G. Jeffreys. 24.
' ' Howard " : hymn-tune arranged (?) by
S. Wesley. 194.
Howe'er it be, yet God is good : hymn
by D. Peebles. 181.
Hue me sidereo : motet by Josquin
[des Pres]. 812.
Humble, patient, bear the rod ; fr.
oratorio by Handel. 379.
Hush, my dear ; lie still and slumber :
chorus by T. Miles. 170.
Hymnum cantemus : motet (17th cent.).
289-90.
I am brought into so great trouble :
anthem by M. Pearson. 11.
I am come into my garden : anthem by
H. Aldrich. 28.
I am quite tired with my groans :
anthem by J. Wilbye. 9, 10, 91.
I am the Resurrection : anthem (early
17th cent.). 6.
anthem (about 1768). 69.
anthem by J. Ferrabosco. 39, 51.
anthem by J. Foster. 18.
I am the Resurrection : anthem by O.
Gibbons. 5.
authem by [J. ?] Holmes. 79.
anthem by [J.] Lugg. 30 (words).
anthem by J. Milton. 6, 11.
anthem by T. Morley. 54, 68, 82.
anthem by W. Raylton. 41, 103.
anthem by T. Tudway. 43, 49, 60.
anthem by [T.] Wanless. 79.
anthem by T. Wilkinson. 6, 58.
I am weary of my groaning : canon by
E. Nelham. 117.
I am well pleased : anthem (temp.
Charles II). 30 (words).
anthem adapted by H. Aldrich
from G. Carissimi. 80.
canon by J. W. Callcott. 121 (two
settings).
anthem by J. E. Galliard. 90.
anthem by D. Purcell. 50.
I beheld, and lo ! A great multitude :
anthem by J. Blow. 58, 109.
anthem by B. Rogers. 37, 43.
I beheld, and lo t In the midst-: anthem
by J. Blow. 88.
I believe in God, the Father : song by
J. W. Callcott. 451.
v. also under Services, 396-421
passim.
I call and cry ; anthem by Tallis. 4, 6,-
10, 17, 25, 30 and 31 (words), 39, 53,
81, 108.
v. also 0 sacred and Holy Ban-
quet ; 0 sacrum convivium.
I call upon Thee, 0 Lord : anthem
adapted from Marcello. 96.
I cannot bear Thine absence, Lord :
hymn by T. Miles. 189 (two settings).
I cannot, Lord, excuse my sin : anthem
by Sir W. Leighton. 9, 91.
I charge you, O daughters of Jerusalem :
canon by J. Hilton. 125 (2).
anthem by M. Wise. 27, 29, 44.
I charge you, O ye daughters : canon by
J. Church. 124.
I cieli immensi : chorus by B. Mai-
cello. 164-5.
I cried unto the Lord : anthem (1547-
1548). 1.
anthem by W. Boyce. ^2.
anthem by W. Croft. 62.
anthem by T. S. Dupuis. 66.
anthem by T. Miles. 99.
I cried unto Thee, O Lord : canon by S.
W[ebbe, sen.?]. 118.
I cried unto Thee, save me : canon by
S. W[ebbe, sen. ?]. 118.
I did call upon the Lord : anthem by
[M.] Greene. 97.
I did in heart rejoice : hymn by W.
Parsons. 196 (Add. 31855, f. 83b).
hymn by D. Peebles. 182.
I fly the world : hymn by T. Miles. 189.
I give you a new commandment : an-
them by [J.J Shepherd. 3, 15.
INITIAL WORDS AND TITLES.
511
I go mourning; by M. Greene, v. Put
me not to rebuke.
I had on Peter . . . pity. v. Ah,
Gentle Jesu.
I had rather be a doorkeeper : anthem
(17th-18th cent.). 43.
I have been young: anthem bv W.
Byrd. 77.
I have long'd for Thy saving health :
canon by T. Miles. 127.
I have loved : anthem by Tye. 4, 15.
I have set God always before me :
anthem by W. Boyce. 78.
I heard a great voice : anthem by [W. ?]
Knapp. 69.
I heard a mass of merry shepherds :
carol (after 1611). 143.
I heard a voice from heaven : anthem
by J. W. Callcott. 95.
anthem by W. Croft.fc8,104.
anthem by J. Perrabosco. 38-9,
51.
anthem by [J.] Foster. 22.
anthem by [? R.] Jewett. 56.
anthem by T. Tudway. 60.
— — v. also I am the Resurrection.
I heard a voice in heaven : anthem by
A. Bryiie. 21, 42.
I heard a voice saying : anthem by
J. (?) Batten. 22.
I know that my Redeemer, v. I am
the Resurrection.
I laid me down and slept : canon bv
[R. ?] Savage. 119.
canon by S. Webbe, sen. 125.
also Lord, how are they in-
creased.
I laid me down to rest : anthem by
W. Byrd. 9, 11, 91.
I lift mine eyes to Zion's hill : hymn
by W. Parsons. 196 (Add. 31855,
f.82b).
hymn by D. Peebles. 182.
I lift mine eyes up to the hills : anthem
by T. Warwick. 32 (words).
I lift my heart to Thee, my God and
guide : hymn by T. Miles. 189.
■ ■ hvmn by W. Parsons. 196 (Add.
31855, f. 38).
hymn by D. Peebles. 181.
hymns by J. Shepherd. 180 (two
settings).
I lift my heart to Thee, my God,
most just : anthem by Tye. 12, 17,
32 (words), 51, 108.
I lift my heart up : anthem by T.
Warwick. 5.
I'll celebrate Thy praises, Lord : hymn
by T. Miles. 189-90.
I'll lay me down to sleep : anthem by
J. Cooper. 9, 72, 91.
I'll praise Thee, from Whose hands I
came : hymn by T. Miles. 189-90.
I look for the Lord : anthem adapted
by H. Aldrich. 81.
hymn
by H.
I look for the Lord ; by Croft, v. also
Out of the deep.
I looked, and behold, a door : anthem
by W. Jackson [of Exeter]. 76.
I mean this by Mary. v. Quid petis.
"I pellegrini al sepolcro" : oratorio by
J. A. Hasse. 368, 376 (3, the first a
fragment), 378.
I pray you all with one thought : duet
(15th-16th cent.). 171.
I said, I will take heed : song (2nd half
of 17th cent.). 430.
I said, in the cutting off of my days :
anthem by J. Blow. 38, 55, 88, 109.
I saw a sweet seemly sight : carol (14th-
15th cent.). 137-8.
I saw the Lord sitting upon a throne :
anthem by P. Falle. 52.
I shame at my unworthiness : anthem
by J. Douland. 10, 91.
I sing th' Almighty pow'r of God :
chorus by T. Miles. 170.
I trust in God ; how dare ye then :
hymn by J. Shepherd. 179.
I waited meekly for the Lord
by T. Miles. 189-90.
I waited patiently : anthem
Aldrich. 28, 44, 52, 80.
anthem by J. Blow. 49, 88, 110,
111.
anthem by James Cooper. 60.
anthem by W. Croft. 45, 89.
I was glad when they said : anthem
(about 1768). 69.
anthem by J. Blow. 50, 88, 110.
anthem by T. S. Dupuis. 75.
anthem by H.Purcell. 57,85,104.
I was in the Spirit ; anthem by
H. Aldrich from J. Blow. 80.
I will always give great thanks :
anthem adapted from Marcello. 96.
I will always give thanks : anthem by
[W.] King. 22.
anthem by [T. ?] Mudd. 21.
I will always give thanks . . . my soul :
anthem (1664). 22.
— — anthem by J. Blow, P. Humfrey
and W. Turner. 57, 102, 109.
anthem by H. Cooke. 36 (words.)
anthem by W. Croft. 40, 45, 61,
82.
anthem by M. Greene. 45, 47, 64,
anthem by R. Portman. 20, 34
(words) .
I will always give thanks . . . Thou art
my God : anthem by M. Greene. 82.
I will arise : anthem (early 18th cent.).
40.
anthem by [R.] Creighton. 55, 94.
anthem by S. Wesley. 106.
anthem by M. Wise. 42.
I will be glad : anthem by W. Child. 25.
I will call upon the Lord : anthem bv
J. Blow. 111.
82.
512
IftDEX I.
I will cry unto God : anthem by
J. Blow. 44, 111.
anthem by J. W. Oallcott. 74.
I will exalt Thee : anthem (18th cent.).
80.
anthem by W. Savage. 96.
anthem by Tye. 15, 17, 108.
I will give laud and honour : anthem
(temp. Charles II). 30 (words).
hymn by D. Peebles. 181.
hymn by J. Shepherd. 180.
I will give thanks to the Lord : anthem
by B. Lamb. 61.
I will give" thanks unto the Lord :
anthem (temp. Eliz.). 4.
anthem by H. Purcell. 104.
I will give thanks unto Thee, 0 Lord :
anthem (temp. Charles II). 36
(words).
anthem by W. Child. 87.
anthem by J. Church. 43.
anthem by W. Croft. 79, 82, 89.
v. also Help me now, O Lord.
anthem by M. Greene. 45, 47, 64.
anthem by P. Hart. 60.
anthem by [H.] Loosemore. 21.
anthem by T. Miles. 100.
anthem by J. Nichols. 21.
anthem by W. Norris. 50, 59.
I will lift up mine eyes : anthem by
W. Croft. 40, 89, 90.
anthem by T. Tudway. 52, 60.
anthem by J. Weldon. 49, 52, 69.
anthem by C. Wesley. 70-1.
I will love Thee, O Lord : anthem by
H. Aldrich, 59, 80.
anthem by Jer. Clark. 42, 59, 81,
82, 94.
anthem by [W.] Cranford. 20, 34
(words).
— anthem by G. Holmes. 61.
— anthem by B. Isaack. 80.
— anthem by [C] Quailes. 52.
- anthem adapted from Steffani.
96.
I will magnify Thee, 0 God : anthem
(18th cent.). 81.
anthem by W. Boyce. 82.
- anthem by [J.] Church. 69.
anthem by R. Glenn or C. Wesley.
101.
47.
of
anthem by M. Greene. 45,
anthem by Handel. 84.
anthem by James Hawkins
Ely. 44.
anthem by D. Purcell. 40.
anthem by W. Tucker. 22, 39,
56, 85.
I will magnify Thee, O Lord, for Thou :
canon by J. W. Callcott. 121.
verse anthem by W. Croft. 45, 46.
solo anthem by W. Croft. 46.
anthem by [N.] Giles. 20, 24, 30
and 33 (words), 57, 79.
anthem by T. Holmes. 35 (words).
I will magnifyiThee, O Lord, for Thou :
anthem by M. Pearson. 5, 20.
I will magnify Thee, O Lord, my king :
anthem by [E. ?] Hooper. 18, 31
(words).
I will praise the Lord with my whole
heart : anthem by J. Ward. 19, 109.
I will praise the name of God : anthem
by J. Blow. 111.
I will preach Thy law : anthem by W.
Smith. 21.
I will seek unto God : anthem by M.
Greene. 45, 47, 64.
I will sing a new song ;
Wise. 49, 57.
I will sing of the Lord :
T. S. Dupuis. 66.
I will sing of Thy power :
[G. or J.] Holmes. 44.
I will sing unto the Lord :
J. Amner. 14, 20, 106.
anthem by W. Croft.
anthem by J. Goldwin.
anthem by D. Purcell
anthem by H. Purcell.
anthem by T. Tudway.
anthem by M.
anthem by
anthem by
anthem by
40, 45,61.
62.
(?). 50-1.
79, 103.
39, 43, 60.
I will thank Thee: anthem, adapted
from Marcello. 96.
v. O that my ways.
I will wash my hands in innocency :
canon by J. W. Callcott. 121.
anthem by W. Smith. 19.
I with my voice to God do cry : hymn bv
W. Parsons. 196 (Add. 31855, f. 65).
hymn by D. Peebles. 181.
I, woeful, wretched wight: hymn (temp.
Elizabeth). 183.
Ibo michi (?) ad montem : motet by
Lionel [Power?]. 356-7 (imperf.).
motet by
(imperf.).
Ich danke Dir,
cent.). 162.
Ich freue mich
Hennicey (?).
Stowe (?). 356-7
Gott:
chorus (18th
duet by N.
im Herrn
172.
Ich glaube am Jesum Christum : can-
tata by [G. P.] Telemann. 132.
Ich hab' der Welt : chorale by M. Go-
bel (?). 154.
Ich hab' in guten Stunden : song by K.
P. E. Bach. 448-9.
Ich habe mir die Welt so gross ge-
macht : chorale by M. Gobel (?). 156.
Ich hatte viel Bekummerniss : chorus
by — Fehre. 161.
Ich, Ich bin euer Troster : chorale by
M. Gobel (?). 154.
Ieh komme eingeladen : duet by M.
Gobel (?). 173.
Ich komme, Herr : song by K. P. E.
Bach. 448-9.
Ich komme vor Dein Angesicht: song
by K. P. E. Bach. 448-9.
Ich schreie mit meiner Stimme : chorus
by [C. G.] Neefe. 161.
INITIAL WORDS AND TITLES.
513
Ideo deprecor Majestatem Tuam. v.
Domine .secundum actum meum.
If any man will say. v. Be it known
to all.
If God be for us ; f r. oratorio by
Handel. 371.
If God but in displeasure frown : hymn
by T. Miles. 189.
If God succeed not : hymn by T. Miles.
189.
If human kindness meets return : hymn
by T. Miles. 189.
If solid happiness we prize : hymn by
T. Miles. 189.
If that a sinner's sighs : anthem by W.
Byrd. 8.
anthem by J. Milton. 6, 10, 11,
71, 92.
If the Lord had not helped me : anthem
by P. Falle. 53.
If the Lord himself : anthem (1676).
26.
anthem by H. Aldrich. 59.
■ anthem by W. Child. 25, 44, 54.
anthem by T. S. Dupuis. 75.
anthem by J. Foster. 18.
anthem by M. Jefieries. 13.
anthem by B. Lamb. 61.
anthem by VV. Randall. 34
(words).
anthem by B. Rogers. 37.
- anthem by Edw. Smith. 19.
If Thou, Lord, wilt be extreme : anthem
by P. Falle. 53.
If ye be risen : anthem by [0.] Gibbons.
21, 33 (words), 51.
If ye love Me : anthem by — Mundy.
19.
anthem by Tallis. 2, 15.
anthem by [M. ?] White. 16.
Igitur, 0 Jesu Bone : song by [J. ?]
Shepherd. 425.
Ignis, crux bestiae : motet by T. L. da
Vittoria. 279-80.
v. also Cum beatus Ignatius.
Ignis Divine: motet (15th cent.). 256-7.
Ihr Augen, wein't : chorus by — Penzel.
161.
Ihr Hirten, in Hiirden nun machet
euch auf: chorale by M. Gobel(?).
156.
Ihr lieben Christen, freu't euch nun:
chorale by M. Gobel (?). 154.
Ihr lieben Kinder, f reuet euch : chorale
by M. Gobel (?). 156.
"II fine dell' uomo." v. Sulla fl or ida
sponda.
"II giudizio universale." v. Awezze a
inorridirvi.
"II glorioso San Gaetano." v. "San
Gaetano."
II Grande Iddio : chorus by B. Mar-
cello. 164-5.
" II martirio di santa Cecilia " : oratorio
by Q. Colombani. 364.
"II Martirio di Santa Eugenia " : ora-
torio by Porpora. 364.
II mieu cor : chorus by J. W. Simler.
168.
II nar in sieu cor disch : chorus by
J. P. Sweelinck. 166.
"II Padre del vangelo ed il figliuol
prodigo." v. Padre, pur non so.
"II peccato degl' Angeli." v. Chi mi
esilia.
" II pianto ed il riso delle quattro
stagioni " : oratorio by B. Marcello.
365.
II raig se tain : chorus by J. P. Swee-
linck. 166.
"II ritorno di Tobia": overt, to ora-
torio by F. J. Haydn. 372, 377.
II Ssench Spiert : chorus by [F. K. von]
Baer. 164.
II Segner a mieu Segner: chorus by
H. G. Nageli. 169.
chorus by J. P. Sweelinck. 164,
167.
II Segner eis mieu bum pastur : chorus
by [A.] Musculus. 163.
II Segner regna : chorus by [J. W.]
Simler. 163.
chorus by J. P. Sweelinck. 167.
II Signor s' e la mia luce : chorus by
B. Marcello. 164-5.
"II testamento di nostro Signor. v.
Al tuo pie ; Dammi delle mie colpe ;
Si tempra il mio rnartir ; Veder
1' Eterno Verbo.
"II trionfo del tempo e della verita " :
oratorio by Handel. 366. v. also
Hallelujah ; Un pensiero.
"II trionfo della Chiesa" : oratorio by
F. Paer. v. Della magion ; Dio
Pietoso ; Sull' innocente petto ; Tre-
meranno i venti.
"II vago Esquilino " : mass by V.
Ugolini. 227.
"II Verbo Incarnato (?) " : oratorio by
Porpora. 367-8.
Illae dum pergunt: motet by Tallis.
309.
Illumina oculos meos : motet (16th-
17th cent.). 273.
motet by Palestrina. 291 (Add.
35084, f. 17), 302-4 (2), 326, 335-6,
339.
Illuminare, Jerusalem : motet by J. T.
Gerarde. 266-7, 268.
Illuxerunt coruscationes tuae : motet
(1802). 347.
lis eels gugiend : chorus by J. K.
Bachofen. 167.
Immittet angelus Domini : motet by
Palestrina. 291 (Add. 35084, f. 21),
333.
Immortal King, through earth's wide
frame : anthem by T. Miles. 99.
Impleat Dominus. v. Exaudiat te
Dominus.
514
INDEX I.
Impleta sunt. v. Vexilla Eegis.
Importuna e spaventosa : duet by F.
Feo. 174-5.
Imposture shrinks from light : hymn
by T. Miles. 189.
Improperium exspectavit cor meum :
motet by Palestrina. 291 (Add.
35084, f. 11), 303.
In a land of strange delight : canon by
T. Miles. 127.
In a slumber : carol (early 16th cent.).
140.
In seternum jubilantes : motet by J. N.
Hummel. 348.
"In afflictiohis tempore'': mass by
F. Durante. 218.
In all thy ways trust thou the Lord :
hymn by T. Miles. 189.
In Aurorens goldner Stunde : cantata
by J. N. Hummel. 135.
In Britain God is known : hymn by
T. Miles. 189.
"In canone " : mass by Palestrina.
219.
In carcere horrendo : song by J. A.
Hasse. 445.
In ccelo stellse clane : song by Porpora.
436.
In convertendo : motet (17th cent.).
289-90.
■ motet (18th-19th cent.). 340-1.
motet by N. Jommelli. 297-8.
motet by N. A. Porpora. 296.
motet by G. C. Predieri. 328.
Rahel (Roy. App.
canon by S.
64, f. 23b). 115.
In death no man rememb'reth Thee :
anthem by A. Ferrabosco. 10, 92.
In dedicatione templi : motet (16th-
17th cent.). 273.
motet by Fel. Anerio. 354.
In deep distress to God I cried : hymn
by T. Miles. 189.
In deep distress to God I pour'd my
care : hymn by T. Miles. 189.
In Deinem grossen Zorne : chorale
(about 1640). 153.
In die tribulationis : motet by Damiao
a Goes. 331.
v. also Inclina, Domine, aurem ;
Voce mea.
In diebus illis mulier : motet by Pales-
trina. 305 (Add. 5038, f. 27), 319-20.
"In diluvio aquarum": mass by O.
Benevoli. 226, 237.
In Dir ruht, Herr, mein ganz Gemuthe :
song by J. M. Haydn. 449-50.
in Domino confido : canon by S. Rahel
(Roy. App. 64, f. 4b). 115.
In Domino gaudebo : motet by A.
Campra. 327.
In dreary waste : hymn by S. Wesley.
185.
In dulci jubilo nun singet : chorale by
M. Gobel (?). 154.
In duty and in suff'ring too : hymn by
T. Miles. 189.
In earth, O Lord, how wonderful : hymn
by J. Shepherd. 179.
In emigratione nostra : cantata by J.
M. Haydn. 130.
In excelso throno : motet (1802) . 346.
In exitu Israel : motet by D. Perez.
362.
motet by N. A. Porpora. 299.
canon by S. Rahel (Roy. App.
64, f.21). 115.
In expectation sweet we'll wait : hymn
by T. Miles. 189.
"In fletu solatium": mass by J. J.
Fux. 224-5.
In God alone is all my trust : hymn by
W. Mundy. 180.
In guilty night : anthem by B. Lamb.
50.
anthem by [N. ?] Laniere. 29, 44.
anthem by H. Purcell. 52, 104.
anthem by R. Ramsey. 16, 27.
In hac die tarn decora : motet by
Pergolesi. 321.
In harmonico concentu : motet (late
18th cent.). 334.
In hoc vexillo crucis : duet by N. A.
Porpora. 175, 176.
In hymnis et canticis : song by E.
Bernabei. 432.
In ilia die erit planctus : motet by E.
di Bartolo. 316.
In illo tempore accesserunt : motet by
J. Mouton. 305 (Add. 5043, f. 3).
In illo tempore, cum audissent : motet
by T. Susato. 306.
In illo tempore dixit Jesus : motet by
J. van Berghem. 331.
In jejunio et fletu : motet by Tallis.
309.
In Jewry is God known : anthem by
W. Norris. 81.
In Jewry land God is well-known :
hymn by D. Peebles. 181.
In Judah the Almighty's known : bymn
by T. Miles. 189-90.
In judgment, Lord : anthem (temp.
Elizabeth). 3.
In lectulo meo : motet by Blow. 286-7.
motet by P. Bonomi. 360.
song by H. Dumont (?). 430, 431,
434.
In lod da Criste : chorus (late 18th
cent.). 164.
chorus by [A.?] Godeau. 168.
chorus by H. G. Nageli. 169.
chorus by [G. J.] Zollikofer. 164.
In manus tuas : motet by [J.] Shepherd.
271-2.
motet by Tallis. 309.
motet by S. Wesley. 318-19.
In medio ecclesiae : motet (1802). 347.
In memoria seterna. v. Requiems,
391-5.
INITIAL WORDS AND TITLES.
515
In mezzo ai tristi affanni : chorus by
B. Marcello. 164-5.
In mezzo alle miserie : song by B.
Marcello. 449.
In monte Oliveti : motet by P. A.
Basilij. 339.
motet by G. [B.] Buononcini.
360-1.
— motet by P.
(Add. 31554, f. lb).
motet by [S. ?] Dentice.
Cannicciari. 328
14203, f. 2).
— motet by
294 (Add.
Ferrabosco (II?).
273-4 (2), 275.
— motet by J. T. Gerarde (?). 266-7.
motet by N. Jommelli. 332 (two
settings)
motet by O. di Lasso.
275.
motet by L. Leo.
273-4 (2),
361 (Eg. 2467,
f. 3b).
— motet by G. B. de Orchis. 315.
motet by [G.] Salvatore. 329 (Add.
32392, f. 3).
In my distress I called upon the Lord :
anthem adapted from Marcello. 96.
In nomine Domini : song by [J.]
Taverner [sen.]. 425-6.
In nomine Jesu : motet (late 16th
cent.). 271-2.
motet (1802).
motet (1802).
In nympha regia :
346.
347.
motet (15th cent.).
256-7
In omnem terram : trio by D. Drago-
netti (?). 464.
motet by W. Wanjura. 297.
In omni fratre tuo : motet by H. de
Pisis (?). 253-4 (2).
In omni tempore tribulationis : canon
(late 18th cent.). 119.
In omnibus requiem quaesivi : motet
(15th cent.). 256-7 (two settings).
In oth he veurs ils munts : chorus by
J. P. Sweelinck. 169.
In pace si dedero : motet by W. Blithe-
man. 271-2, 323.
motet by [J.] Shepherd. 271-2.
moijet by Tallis. 271-2.
motet by [J.] Taverner. 271-2.
motet by Tye. 271-2.
In patientia vestra : motet by J. T.
Gerarde (?). 270.
In praising God : hymn by T. Miles.
189-90.
In procelloso mari : song bv G. F. di
Majo. 437.
In quo ononis sedificatio. v. Jam non
estis hospites.
In resurrectione Tua : motet by W.
Byrd. 276, 281, 282, 307, 310.
In rosa primula : motet (14th-15th
cent.). 255-6.
In sacra cceli flamma : song by F.
Fenaroli. 442-3.
In Salvatoris nomine : motet by H. de
Pisis (?). 254.
In schiura tomba: chorus (1817). 169.
In Sion cert vain celebreeda : chorus
(late 18th cent.). 16?
In sleep's serene oblivion laid : hymn
by T. Miles. 189.
In solemn state : hymn by T. Miles.
189-90.
In speechless silence : hymn by D.
Peebles. 182.
In tam fera et rea procella : song by
G. Insanguine. 443.
In Te, Domine, credimus: motet by
H. Dumont (?). 291, 292.
In Te, Domine, speravi : canon (about
1762). 117.
trio (late 18th cent.). 464.
motet by H. Bowman. 285-6.
song by P. Cafaro. 438.
canon by J. W. Callcott. 121.
chorale by M. Gobel (?). 155.
motet by 0. di Lasso. 264.
motet by G. Mori, of Viadana.
280.
motet by N. A. Porpora. 296, 298.
two canons by S. Rahel (Roy. App.
64, ff. 7b, 13). 115.
song by S. Wesley. 440.
In Te speravi : motet by Palestrina
(Add. 35084, f. 20b). 291.
In the beginning, O Lord : anthem by
M. Lock. 37.
In the black dismal dungeon of despair :
song by H. Purcell. 432-3, 453.
In the day of prosperity: canon by
J. W. Callcott. 122.
In the departure of the Lord : anthem
by J. Bull. 9, 10, 91.
In the Lord put I my trust : canon by
J. W. Callcott. 121.
anthem by W. Child. 87.
anthem by P. Falle. 53.
anthem by Handel. 84.
In the midst of life : anthem bv G.
Jeffreys. 23, 24.
anthem by H. Purcell. 41.
v. also Man that is born.
In the multitude of the sorrows :
anthem by S. Wesley. 107.
In the subtraction of my years : song
(after 1669?). 428.
In the sun and moon : hymn by T.
Miles. 189.
In the time of trouble : anthem by
J. Blow. 112.
In Thee I put my steadfast trust :
hymn by T. Miles. 189.
In Thee, 0 Lord, do I put my trust :
anthem by H. Purcell. 78, 104.
In Thee, O Lord, do I trust : anthem
by M. Jefferies. 13.
In Thee, 0 Lord, have I put my trust :
anthem by J. Bull. 19, 33 (words).
anthem by J. Carr. 22.
516
INDEX I.
In thee, O Lord, have I put my trust :
anthem by H. Hall. 42.
anthem by [James] Hawkins. 43.
anthem by D. Purcell. 51.
anthem by Giles Tomkins. 34
(words).
anthem by T. Weelkes. 20.
In Thee, O Lord, I put my trust:
anthem by A. Ferrabosco. 9, 91.
anthem by Sir W. Leighton. 9,91.
In Thee, 0 Lord, put I my trust, v. In
Thee, 0 Lord, have I put.
In tribulatione mea: motet by J. T.
Gerarde (?). 266-7, 270.
In trouble and adversity: hymn bv
D. Peebles. 181.
hymn by J. Shepherd. 179.
anthem by Taverner. 2.
In trouble and in thrall : hymn by W.
Parsons. 196 (Add. 31855, f. 82).
hymn by D. Peebles. 182.
hymn by J. Shepherd. 180.
In un mar tempestoso : song by P. Feo.
435.
In vain, alas, from shore to shore :
hymn by T. Miles. 189.
In vain, 0 man : hymn by T. Miles.
189-90.
In vain opposing nations rage : hymn
by T. Miles. 189 (Add. 32014, f . 117b).
In vain while dark affliction spreads :
hymn by T. Miles. 189.
In veritafce comperi : motet by H. de
Pisis (?). 254.
In virtute Tua : motet (1802). 347.
motet by Clari. 357.
motet by G. Masi. 357.
In voluntate Tua : motet (1802). 347.
In wait the watchful sinner lies : hymn
by T. Miles. 189-90.
Incipit lamentatio Hieremise : Lamen-
tations (late 16th cent.). 197.
Lamentations (early 17th cent.).
197.
— LamentationsbyG. Allegri. 199(2).
— Lamentations by F. Durante. 199.
— Lamentations by E. Genet, dit Car-
pentras. v. Teth. Manus mulierum.
— song by L. Leo. 450, 455.
— Lamentations by Palestrina. 200.
— song by Porpora. 442.
song (another setting) by Porpora.
450.
Lamentations by Tallis. 197, 198
(3), 200.
Incipit oratio Hieremise : Lamentations
by F. Durante. 199 (2).
Lamentations by G. Gabrieli(?).
197.
198.
Lamentations by [N.] Jommelli.
song by L. Leo. 455.
song by Porpora. 442.
motet by C. F. A. Billert.
motet (after
289-91.
Inclina aurem :
363.
Inclina, Domine, aurem :
1604). 279.
motet (17th cent.).
motet (1802). 347.
motet by Fel. Anerio. 355.
motet by A. Ferrabosco [III ?1 .
275, 276.
canon by S. Eahel (Roy. App. 64,
f. 16). 115.
Increase my
{temp.
paths, 0 Lord:
189.
statutes, Lord :
189-90.
us, Lord : hymn by T. Miles.
nos : motet by Caris-
Incipite Domino in tympanis : motet
by G. Gabrieli(?). 276-7.
joy : anthem
Charles II). 30 (words).
Indica mihi cur me ita judices ; by 0.
di Lasso, v. Tsedet animam.
Indica mihi quern diligit anima : motet
(after 1613). 280-1.
motet (17th cent.). 289.
Indulgent God : hymn by T. Miles. 189.
Infelix ego : motet by W. Byrd. 274.
Ingrediente Deo : motet by Palestrina.
358.
" Inner Temple " : hymn-tune by C. J.
Stanley. 192.
Instruct me in Thy
hymn by T. Miles.
Instruct me in Thy
hymn by T. Miles.
Instruct
189.
Insurrexerunt in
simi. 289-90.
Intellige clamorem meum : motet by
L. Leo. 299.
Inter choros virginales : motet by F.
Durante. 298-9.
Inter coeli delicias: motet by F. Du-
rante. 298-9.
Inter membra singula : song by H. de
Pisis (?). 423-4.
Inter sponsas : motet (late 17th cent.).
292.
Inter undas agitatus : song by J. A.
Hasse. 445.
Intercessio, qusesumus : motet by A.
Willaert. 261-2.
Interni sibili : song by F. Feo. 435.
Interrogabat Magos : motet (early 17th
cent.). . 275.
v. also Magi veniunt.
Interval of grateful shade : hymn by
T. Miles. 189.
Intonuit de ccelo Dominus : motet by
G. B. Costanzi. 362.
Intrambe ils redschaduors : chorus
(1817). 168 (two settings).
chorus by B. H. Brockes (?). 168.
Intret in conspectu : motet (1802). 347.
Introduxit me Rex : motet by Pales-
trina. 303-4.
v. also Osculetur me.
Introduxit vos Dominus : motet (1802).
346.
Invenerunt me custodes : motet (1519-
1533). 259.
INITIAL WORDS AND TITLES.
517
Inveni David: motet by Palestrina.
291 (Add. 35084, f. 4b), 303.
Inviolata, integra, et casta : motet by
Josquin des Pres. 261-2, 314.
motet by A. Willaert. 313.
Invocabit me : motet (1802). 346.
motet by L. Leo. 299, 361.
Invocabo Dominum : duet (17th-18tb
cent.). 173.
"Invocation to tbe Deity": cantata
by S. Wesley. 135.
Invocavi nomen Tuum : motet by G.
JeSreys. 283-5 (2).
Io cedo ; fr. oratorio by P. Guglielmi.
378.
" Io mi son giovinetta " : mass by Pales-
trina. 219.
Io sempre T" amero : chorus by B. Mar-
cello. 164-5.
Ipsi gloria et imperium : canon by V.
Ugolini(?). 123.
"Irish": hymn-tune, by J. Smith (?).
186, 192, 194.
" Irridentium " : mass by [M.?] Thai-
man. 217.
Is it not sweet : song adapted by Sir
J. A. Stevenson, from Haydn. 452.
Is it true that God: anthem by T.
Tudway. 43, 49, 52, 59, 63 (2 copies).
Is there ambition in my heart : song
by T. Miles. 452.
Is there no kind, no lenient art : hymn
by T. Miles. 189.
"Isacco": oratorio by Jommelli. v.
Ah ! Se macchiar.
oratorio by [J. G.] Naumann. 379.
oratorio by L. A. Predieri (?). v.
Deh, parlate.
"Islington": hymn-tune (18th cent.,
etc.). 186, 194.
"Israel in Babylon": oratorio by
Handel, v. Humble, patient ; The
glorious field.
"Israel in Egypt : " oratorio by Handel.
370.
Israel's Shepherd, guide me, feed me :
hymn by T. Miles. 189.
1st dies' der Held aus Davids Samen :
cantata by J. G. Kiebs. 130.
1st nicht der MenscheuLeben : chorale
by M. Gobel (?). 154.
Iste cognovit justiciam: motet (1628).
283.
Iste confessor: motet by Pel. Anerio. 355.
motet by E. di Bartolo. 347-8.
motet by F. Durante. 297.
mass by Palestrina. 218, 219.
motet by Palestrina (?). 304.
Iste est Johannes: motet (1628). 283.
Iste est qui ante Deum : motet by Fel.
Anerio. 355.
motet by Palestrina. 305 (Add.
5038, f.60b).
Iste sanctus pro lege Dei : motet by
Fel. Anerio. 354.
Iste sanctus pro lege Dei : motet by
S. Wesley. 349.
Isti sunt agni : motet by Fel. Anerio.
355.
Isti sunt sancti : motet by S. Wesley.
349.
Isti sunt viri : motet by Palestrina.
304.
It is a good thing to give thanks :
anthem (late 17th cent.). 38.
anthem (18th-19th cent.). 95.
anthem by T. S. Dupuis. 75.
anthem by J. Lugg. 12.
anthem by J. Nares. 67.
anthem by D. Purcell (?). 51.
anthem by H. Purcell. 79, 104.
It is a thing both good and meet :
hymn by T. Causton. 196 (Add. 31855,
f.70).
It is finish'd I Shall we raise : hymn by
T. Miles. 189.
It is My well- beloved's voice : anthem
by T. Tomkins. 7, 13.
"Italian": hymn-tune by T. Ravens-
croft. 192-3.
Ite in orbem : motet by P. Manchi-
court. 306.
v. also Non conturbetur cor.
Ite in universum mundum : motet by
G. Gabrieli (?). 276-7.
J'ai de ma voix : chorus by C. Le Jeune.
158.
Jacob autem genuit Joseph : motet
(early 16th cent.). 258.
Jam candor ccelorum : motet (15th
cent.). 258.
Jam non dicam vos servos : motet by
G. Gabrieli (?). 276-7.
Jam non estis hospites : motet (early
17th cent.). 275.
Jam si redit luminosa : motet by F.
Durante (?). 320.
Jam sol recedit : motet by E. di Bartolo.
347-8.
Jauchzet dem Herrn : chorus (18th
cent.). 162.
cantata by C. G. A. Bergt. 136.
cantata by J. A. Hiller. 131.
Jauchzet, frohlocket : song by [G. P.]
Telemann. 445.
Jauchz't, ihr Erlosten : song by K. P. E.
Bach. 448-9.
Jehova, quam multi sunt hostes : motet
by H. Purcell. 286, 350.
Jehovah reigns ; let all the earth :
hymn by T. Miles. 189-90.
hymn by C. Wesley. 190.
Jehovah reigns ; let ev'ry nation hear :
canon (late 18th cent.). 119.
Jehovah reigns ; the King of Kings :
hymn by T, Miles. 189.
Jehovah spake the word : hymn by
T. Miles. 189.
" Jennings' 113th " : hymn-tune. 186.
518
INDEX I.
" Jephta's Geliibde": oratorio by
Meyerbeer. 382.
"Jephtha": oratorio by Carissimi.
373, 374. v. also Haste, 0 Lord;
Plorate, filiae ; Tbe smiling dawn.
"Jephthah": oratorio by Handel.
375, 377 (fragment).
"Jephthah's daughter": by A. G.
Thomas, v. Since our country.
Jerusalem : motet (about 1584). 264.
Jerusalem, cito veniet salus : motet
(mid. 18th cent.). 300.
motet by Palestrina. 273-4, 351,
359.
Jerusalem, convertere : Lamentations
(early 17th cent.). 197.
Lamentations by G. Gabrieli (?).
197.
motet by Palestrina. 358.
Jerusalem, lsetare. v. Lsetare, Jeru-
salem.
Jerusalem, luge : motet by [J.] Richa-
fort. 331.
v. also Jerusalem, surge ; Sicut
ovis.
Jerusalem, 0 that thou hadst known :
canon by J. Kent (?). 117, 123,
125 (2).
canon by [T. ?] Roseingrave. 125.
Jerusalem, plantabis vineam : motet
(after 1624). 282.
motet byA.Ferrabosco [III?]. 276.
Jerusalem, quae sedificatur ut civitas.
v. Lsetatus sum ; by 0. di Lasso.
Jerusalem, quae occidis prophetas :
motet by G. Jeffreys. 283-4.
Jerusalem, surge : motet by P. A.
Basilij. 339-40.
motet by G. [B.] Buononcini.
360-1.
motet
by P. Cannicciari. 328
(Add. 31554, f. 33b).
motet by [S. ?] Dentice. 294 (Add.
14203, f. 50b).
— motet by N. Jommelli. 332.
— motet by L. Leo. 361 (Eg. 2467,
f.47b).
— motet by G. B. de Orchis.
— motet by Palestrina. 357.
- motet by [G.] Salvatore.
315.
329
(Add. 32392, f.32b).
v. also Sicut ovis.
Jesu, amor dulcissime : motet by G.
Gasati. 285-6.
Jesu, Auctor clementise : motet by
M. Lock. 291.
Jesu Christ's mild mother : chorus
(13th-14th cent.). 157.
Jesu, Corona virginum : motet by E. di
Bartolo. 347-8.
motet by O. di Lasso. 270.
Jesu Crist ais resiisto : chorus by
H. G. Nageli. 169.
Jesu, das Zarte Kindelein : chorale by
M. Gobel (?). 156.
Jesu, Dein Seel' lass heil'gen mich :
chorale by M. Gobel (?). 154.
Jesu, Domine Pie : motet by Galeazzo
Sabbatino. 291.
Jesu, dulcedo cordium : motet by
H. Dumont. 291-2, 295-6.
motet by G. Jeffreys. 283-5 (2).
Jesu, dulcis memoria : motet (17th
cent.). 289.
motet by E. di Bartolo. 347-8.
motet by G. Gabrieli (?). 276-7.
Jesu Dulcissime : motet by P. Reggio.
287.
Jesu, Fili Dei : carol by R. Smart and
J. Truelove. 139.
canon by J. Travers. 123.
Jesu, Fili Virginis : carol (15th-16th
cent.). 139.
carol by R. Smart. 139.
Jesu, for Thy mercy : duet (15th-16th
cent.). 171.
Jesu, Jesu, Du Mein Leben : chorale by
M. Gobel (?). 153.
Jesu, Jesu, meine Freude : chorale by
M. Gobel (?). 156.
Jesu, Leiden, Pein und Tod : chorale
by M. Gobel (?). 154.
Jesu, Liebste Seele : song by M. Go-
bel (?). 433.
Jesu, meine Freude : chorale by M.
Gobel (?). 154.
Jesu, meine Freuden Freude : chorale
by M. Gobel (?). 153.
Jesu, meine Liebes-flamme : duet by M.
Gobel (?). 173.
Jesu, mercy ! How may this be : carol
by — Browne. 140.
Jesu mi dulcissime : motet by G.
Jeffreys. 283-4.
Jesu, nos livore sana : motet (15th
cent.). 256-7.
Jesu noster : motet by A. Grandi.
289, 323.
Jesu, nostra Redemptio : motet by S.
Wesley. 345.
Jesu, 0 Du Lebens-quell' : chorale by
M. Gobel (?). 156.
Jesu, Quell' verlangte Freuden : chorale
by M. Gobel (?). 156.
Jesu, Redemptor omnium : motet (18th-
19th cent.). 340-1.
motet by E. di Bartolo. 347.
Jesu, Rex Admirabilis : motet by H.
Dumont. 291-2, 295-6.
motet by G. Jeffreys. 283-4 (2).
motet by P. Reggio. 287.
Jesu, Siisser Morgen-sterne : chorale by
M. Gobel (?). 153.
Jesum Nazarenum : Passion Music
(1721). 388.
Passion Music by P. A. Galli. 389.
motet by Tye. 265, 324.
motet by T. L. da Vittoria. 389.
Jesum quaeram: song by Gal. Sab-
batino. 430.
INITIAL WORDS AND TITLES.
519
Jesum tradidit impius : motet by P. A.
Basilij. 339-40.
motet by P. Cannicciari. 328
(Add. 31554,129).
— motet by [S. ?] Dentice. 294
(Add. 14203, f.43b).
— motet by N. Jommelli. 332.
— motet by L. Leo. 361 (Eg. 2467,
f. 41b).
— motet by [G.] Salvatore. 329
(Add. 32392, f.28).
— v. also Tradiderunt.
Jesus, at Tby command : hymn by S.
Wesley (?). 194-5.
Jesus autem hodie : duet by R. Smart
and J. Truelove. 171.
Jesus autem transiens : motet (1519-
1533). 259.
Jesus bum, us muossa : chorus by A.
Schmau. 167.
Jesus, by Thy Spirit seal'd : hymn by
T. Miles. 189.
Jesus came, when the doors were shut :
anthem by [T.] Tomkins. 22, 34
(words).
Jesus Christ is ris'n to-day : hymn
(late 18th cent.). 187.
Jesus Christus, unser Heiland : canon
(late 18th cent.). 125.
Jesus, Der von dieser Zeit : duet by M.
Gobel (?). 173.
Jesus, Du schonster Lust meiner Be-
gier : song by M. Gobel (?). 433.
Jesus invites his saints : hymn by T.
Miles. 189 (two settings).
Jesus is Harmonious : canon by W.
Lawes. 124.
Jesus ist und bleibt mein Leben :
chorale by M. Gobel (?). 153.
Jesus junxit se discipulis : motet by
Palestrina. 305 (Add. 5038, f . 4) , 335-6,
360. v. also The eye of the Lord.
Jesus lebt : song by K. P. E. Bach.
448-9.
Jesus, meine Zuversicht : chorale by
M. Gobel (?). 154.
Jesus Nazarenus : motet by Clemens
[?non Papa]. 265.
Jesus, refuge of Thy people : hymn by
T. Miles. 189.
Jesus, seeing the multitude : anthem by
J. Blow. 38, 39, 88, 110.
Jesus shall reign : hymn (late 18th
cent.). 187.
Jesus, sola hsereditas : canon by J. S.
Hager. 115.
Jetzt sprost herfur aus Davids Starn-
melein: chorale by M. Gobel (?). 156.
"Job's Curse." v. Let the night
perish.
Jod. Manum suam. v. Manum suam
misit.
Jod. 0 vos omnes. v. 0 vos omnes.
Johannes assecretis divines sophiae :
duet (15th-16th cent.). 171.
"Jordan": hymn-tune (about 1800)
189.
"Joseph": oratorio by Handel, v. O
God, Who in Thy heavenly hand.
Joseph, fili David : motet by Pales-
trina (?). 308.
"Joshua": oratorio by Handel, v.
See, the conquering hero comes.
Joy, mirth ; by Purcell. v. Hallelujah.
Joy to the world : hymn by T. Miles.
189.
Joy we all now in this feast : carol
(15th cent.). 138.
Jube, Domine, benedicere : motet by
G. B. Costanzi. 297.
Jubilate Deo, omnis terra : hymn
(1547-1548). v. All men, rejoice ; and
also under Services, 398-421 passim.
song (17th cent.). 429.
motet (1802). 346.
motet (a 4) by Fel. Anerio. 353.
motet (a 8) by Fel. Anerio. 353-4.
motet by H. Dumont. 291-2 (2),
295-6 (2).
- motet by G. Gabrieli (?). 276-7.
motet by G. Jeffreys. 283-5 (2,
three settings).
- motet by M. Lock. 291.
motet by J. J. C. de Mondonville.
335.
motet by Palestrina. 291 (Add.
35084, f. 5b), 303, 308.
two canons by S. Rahel (Roy.
App. 64, ff. 12b, 18). 115.
v. also under Services, 398-421.
Jubilate Deo, uni versa terra : motet by
Palestrina. 291 (Add. 35084, f.6),
303 333.
mass by D. dal Pane. 220 (Add.
5041, f. 68b).
Jubilent in ccelis : motet (17th cent.).
289.
Jubilet ccelum : motet by G. P. Co-
lonna. 288.
Judas Maccabaeus : arrangements fr.
the oratorio by Handel. 369, 376.
Judas mercator: motet by P. A. Ba-
silij. 339.
motet by P. Cannicciari. 328
(Add. 31554, f. 7b).
motet by [S. ?] Dentice. 294
(Add. 14203, f. 12b).
— motet by N. Jommelli. 332.
— motet by L. Leo. 361 (Eg. 2467,
f. 15).
motet by [G.] Salvatore. 329
(Add. 32392, f. 10).
v. also Amicus meus.
Judge and defend my cause : hymn by
J. Shepherd. 180.
Judge and revenge my cause : anthem
by A. Blackhall. 2.
hymn by J. Hake. 196 (Add.
31855, f. 44).
hymn by D. Peebles. 181.
35
520
INDEX I.
Judge me, 0 Lord : hymn by T. Miles.
189-90.
Judge them, 0 Lord, who me pursue :
anthem by R. Kindersley. 10, 11,
92.
Judgment and justice : hymn by T.
Miles. 189-90.
Judica, Domine, nocentes me : motet
(1802). 346.
adapted fr. anthem by Lord
Burghersh. v. Plead Thou my cause.
canon by S. Rahel (Roy. App. 64,
f. 7b). 115.
Judica me, Deus : motet (1678-1686).
285-6.
motet (1802). 346.
motet by L. Leo. 299, 361.
canon by S. Rahel (Roy. App. 64,
f. 8b). 115.
Judica me, Domine, quoniam : canon
by S. Rahel (Roy. App. 64, f.6b).
115.
" Judicium Salomonis " :
oratorio by G.
Carissimi or M. A. Cesti. 364.
"Judith": oratorio by T. A. Arne.
369-70.
Jusjurandum quod juravit. v. Bene-
dictus Dominus, Deus.
Jusqu'a quand as etabli : chorus by
C. Le Jeune. 161.
Justi tulerunt : motet by O. di Lasso.
305 (Add. 5042, f. 6), 325.
" Justification " : hymn-tune (about
1800). 189.
Justitise Domini : motet by Palestrina.
291 (Add. 35084, f. 9b), 303.
motet (another setting) by Pales-
trina. 291 (Add. 35084, f. 19).
Justorum animse : motet by D. A. Ba-
silij. 360.
Justum deduxit. v. Hie est vere
. martyr.
Justus cor suum tradet : motet by O.
di Lasso. 305 (Add. 5042, f. 4b), 325.
duet by R. Dering. 172.
Justus es, Domine : motet (1802). 347.
Justus est Dominus : motet (early 17th
cent.). 275.
Justus est Johannes : motet by T. Bai.
341.
Justus ut palma : motet (1802). 347.
song by N. Jommelli. 446.
cantata by J. Kumlik. v.
ist der Herr. 137.
motet by Palestrina. 291
35084, f . 3), 303.
canon by N. Sala. 122.
motet by S. Wesley. 352.
Gross
(Add.
Keep silence, all created things : hymn
by T. Miles. 189.
Keep, we beseech Thee, O good Lord :
anthem by — Heardson. 18.
Keep, we beseech Thee, O Lord : anthem
by [J.] Lugg. 30 (words).
Kein sterbliches Aug', v. Sub tuum
prsesidium.
Kein Stiindlein geht : chorale by M.
Gobel (?). 153.
Keinen hat Gott verlassen : duet by
M. Gobel (?). 173.
"Kettering." v. The Spacious firma-
ment.
' ' Kimbolton " : hymn-tune (about 1800) .
189.
"King's Norton": hymn-tune by Jer.
Clark. 192.
" Kingston " : hymn-tune by Jer. Clark.
190-L
Komm, Gott Schopfer: chorale by M.
Gobel (?). 155.
Komm, heil'ger Geist : canon (late 18th
cent.). 126.
Komm herein, du Gesegneter : chorus
by G. P. Weimar. 160.
Kommet, lasset uns anbeten : chorus by
[C. K. ?] Rolle. 160.
Kommt, Ihr Christen : song by J. M.
Haydn. 449-50.
Kommt wieder aus der finster'n Gruft :
chorus by G. P. Weimar. 161.
Kiindlich gross ist das gottselige
Geheimniss : chorus by — Kayser.
160.
Kurz ist die Zeit: chorale byM. Gobel.
154.
[K]yria Christifera : motet (14th- 15th
cent.). 255-6.
Kyrie, eleison : motet (15th cent.) v.
Dum crumena.
canon by J. W. Callcott. 121.
canon by [M.] Greene. 125.
motet (?) by L. Leo. 349-50.
motet by [J.] Okeghem. 314.
canon by S. Wesley. 128.
Kyrie, eleison ; Christe, audi nos :
motet by T. L. da Vittoria. 315,
325.
also under Litanies. I.
Kyrie, eleison ; Christe, eleison : motet
by A. Bianchi. 318.
motet by G. B. Martini. 337.
motet by G. Mori, of Viadana.
280-1.
motet by J. Mundy. 271-2.
motet by J. D. Zelenka. 363.
v. also under Masses (211-239
passim), Requiems (391-5 passim), and
Services (396-421 passim).
Kyrie, eleison ; Jesu, exaudi nos. v.
under Litanies. II.
Kyrie, eleison. Panis Vivus. v. under
Litanies. III.
Kyrie, eleison. Sancta Maria, v. under
Litanies. I.
Kyrie. Fons bonitatis. v. Fons boni-
tatis.
Kyrie. Homo natus. v. Homo natus.
Kyrie. Ignis Divine, v. Ignis Divine.
Kyrie. Magne Deus. v. Magne Deus.
INITIAL WORDS AND TITLES.
521
L'amour dont je suis epris : song (mid.
13th cent.). 423.
" L' anima ed il corpo." v. "La rap-
presentazione di anima e di corpo."
L' eis chiosa bain : chorus (1817). 168.
L' eis nat un filg : chorus by [? J. B.]
Lully. 163.
"L'homme arme": mass by Pales-
trina. 221.
mass by Josquin des Pres. 221
(Kyrie), 222.
L'quel t' hest als puer : chorus by J. P.
Sweelinck. 169.
L's payannis antros sum : chorus by
J. P. Sweelinck. 168.
L' uomo colle opre sus : chorus by B.
Marcello. 164-6.
L' uomo cui cieca passion : duet by B.
Marcello. 176.
"Labattaglia" : mass by [G.] F. Anerio.
219.
"La Cenesa(?)": mass by A. Melani.
237-8.
" La converzione di San Guglielmo " :
oratorio by Pergolesi. 375.
"La distruzione di Gerusalemme " :
oratorio by P. C. (?) Guglielmi. 371-2.
v. also La Gerusalemme distrutta.
La, dove lusinghiero : song by F. Feo.
435.
"La Gerusalemme distrutta " : oratorio
by Zingarelli. 381.
La grazia stessa e l'amor : chorus by
— Gustus(?J. 168.
" La madre de' Maccabei " : oratorio
by Anfossi. 376.
" La morte d' Abele " : oratorio by L.
Leo. v. Con miglior duce.
"La morte del giusto." v. Importuna
e spaventosa.
" La Passione" : fragments of oratorio
by Handel. 386.
"La Passione di Gesu Cristo": ora-
torio by Jommelli. 367 (2).
"La rappresentazione di anima e di
corpo" : oratorio by E. del Cavaliere.
386.
"La regina Esder(?)": oratorio by
G. B. de Orchis. 368.
"La Resurrezione " : oratorio by Han-
del, v. Viva e trionfi.
"La sol fa re mi " : mass by Josquin
des Pres. 221-2 (2).
Labia tua lilia. v. Quam pulchra es,
arnica.
Laboravi in gemitu meo : motet by T.
Morley. 281.
Lacrymosa dies ilia. v. Requiems,
391-5.
Laden with guiit : hymn by T. Miles.
189.
Lasta dies : duet (late 17th cent.). 173.
Lsetabitur Justus : motet (1802). 347.
Lsetabundus exsultet fidelis chorus :
motet by N. Ludford. 260.
Lsetamini in Domino : song (17th-18th
cent.). 432.
Lsetare, Cantuaria : duet (15th-16th
cent.). 171.
Lsetare, en, militia: motet (15th cent.).
256-7.
Lsetare, Jerusalem: motet (1802). 346.
motet by J. T. Gerarde. 266, 270.
j motet by L. Leo. 299, 361.
Lsetare, jubila : motet (17th-18th cent.).
293.
I Lsetare tuo valore : song by G. Gabel-
lone. 446.
I Lsetatus sum : motet by Fel. Anerio.
355.
motet apparently by R. B. (18th-
19th cent.). 340.
i motet by [G. P.] Colonna. 336.
I motet by F. Durante. 320, 342.
| motet by N. Fago. . 333.
motet by G. B. Fenoglio. 323-4.
— motet by O. di Lasso. 305 (Add.
5042, f. 28b).
— motet by L. Leo. 299, 361.
— motet by Palestrina. 357.
— motet by N. A. Porpora. 296, 298.
— canon by S. Rahel (Roy. App. 64,
•f. 22b). 115.
— motet by A. Scarlatti (?). 343.
— motet by G. Valente. 322.
— motet by Zingarelli. 338.
v. also under Vespers.
Lsetentur coeli : motet (16th-17th cent.).
274.
motet (1855). 355.
motet by W. Byrd. 307.
motet by N. Monferrato. 285-6.
Lsetentur et exsultent gentes. v. Deus
misereatur nostri.
Lamb of God, That in the bosom of the
Father : hymn by T. Miles. . 189.
Lamb of God, we fall before Thee :
hymn by T. Miles. 189.
Lamed. Matribus suis. v. Matribus
suis dixerunt.
Lament, lament, my soul : anthem by
R. Jones. 10, 91.
Lamentabatur Jacob : motet by C.
Morales. 352, 360.
Lapidabant Stephanum : motet by G.
Jeffreys. 283-4.
motet by Palestrina. 804, 308,
335-6.
Laqueus conteritur : motet by H. de
Pisis (?). 254.
Larva insana: song by G. d' Avossa.
443.
Lascia alfin, mio cor
Durante. 446.
Lasoiato in abandono :
435.
Lass sich freuen alle :
A. ?] Hiller. 160.
Lasset Klag' und trauern fahren : cho-
rale by K. Metzger (?). 156.
song by F.
song by F. Feo.
; chorus by [J.
522
INDEX I.
Lasset uns aufsehen : chorus by [K. H.]
Graun. 160.
Lasset uns freuen : chorus by [K. H.]
Graun. 161.
Lasst uns dem Hochsten singen : song
by J. M. Haydn. 449-50.
Lauda, anima mea, Dominum : motet by
Palestrina. 291 (Add. 35084, f . 13), 304.
canon by S. Rahel (Roy. App. 64,
f. 26b). 115.
Lauda Deum, 0 Renata : motet by
J. Mouton. v. Non nobis, Domine.
Lauda, Jerusalem : motet (1794). 317.
motet (18th-19th cent.). 340.
motet by 0. di Lasso. 283.
motet by N. A. Porpora. 298
(three settings).
canon by S. Rahel (Roy. App. 64,
f. 26b). 115.
motet by Zingarelli. 338.
v. also under Vespers.
Lauda, Sion : motet (a 5) by Fel.
Anerio. 354.
motet (a 8) by Fel. Anerio. 355.
motet by [G.] Baini. 351.
- motet by N. Jommelli. 332-3.
motet by Palestrina. 305 (Add.
5038, f. 15), 335-6.
motet by T. L. da Vittoria.
325.
315,
Lauda, vivi Alpha et 0 filia : motet by
[R.] Fairfax. 266.
Laudabit usque ad mortem : motet by
A. Campra. 327.
Laudabo nomen Dei : motet by 0. di
Lasso. 305.
Laudamus Te : motet (after 1604). 279.
v. also under Masses, 211-239
passim.
Laudans exsultet gaudio : motet by
G. Gabrieli (?). 276-7.
Laudans invocabo Dominum : motet
(mid. 18th cent.). 300.
Laudate : motet by F. Bianciardi.
279-80.
Laudate, cceli : motet by Palestrina (?).
308, 358.
Laudate Deum in Sanctis : motet by
J. Mouton. 305 (Add. 5043, f. 56b).
Laudate Deum, omnes : motet (late
18th cent.). 337.
Laudate Dominum : motet (after 1604).
278.
mass by Palestrina. 229.
Laudate Dominum de ccelis : canon
(18th cent.). 123.
canon by S. Rahel (Roy. App. 64,
f. 26b). 115.
Laudate Dominum in Sanctis : motet
by J. T. Gerarde (?). 269-70.
canon by S. Rahel (Roy. App.
64, f. 27b). 115.
Laudate Dominum, omnes gentes :
motet by Fel. Anerio. 354.
motet by W. Byrd (?). 307.
Laudate Dominum, omnes gentes :
motet by [G. P.] Colonna. 336.
motet (a 4) by G. B. Fenoglio.
323-4.
motet (a 5) by G. B. Fenoglio. 329.
- motet (a 4) by J. T. Gerarde (?).
270.
269.
motet (a 5) by J. T. Gerarde (?).
— canon by H. Purcell. 127.
— canon by S. Rahel (Roy. App. 64,
f. 21). 115.
motet by T. L. da Vittoria. 315,
325.
v. also under Vespers.
Laudate Dominum, quia Benignus est :
motet by L. Leo. 299.
motet by Palestrina. 291 (Add.
35084, f. 10), 303.
Laudate Dominum, quia rsonus est :
canon by W. Croft. 116.
Laudate Dominum, quoniam Bonus :
canon by S. Rahel (Roy. App. 64,
f. 26b). 115.
Laudate E um : motet by J . T . Gerarde (?) .
266-7.
Laudate, laudate: motet by Porpora.
321.
Laudate nomen Domini : canon (late
18th cent.). 119.
motet by Blow. 293.
canon by S. Rahel (Roy. App. 64,
f. 24b). 115.
canon by N. Sala. 122.
- - motet by Tye. 352.
Laudate nomen Ejus. v. Jubilate Deo,
omnis terra.
Laudate, pueri. v. Sit nomen Domini ;
by J. Shepherd.
Laudate, pueri, Dominum (a 9) : motet
(late 17th cent.). 292 (two settings).
motet (18th-19th cent.). 340-1
(three settings).
motet (early 19th cent.). 344.
motet (a 4) by Fel. Anerio. 354.
motet (a 8) by Fel. Anerio. 355.
motet by P. Anfossi. 349.
motet by W. Byrd. 275, 282, 309.
motet by [G. P.] Colonna. 336.
motet by F. Durante. 297.
song by F. Durante. 441.
motet by I. Fede. 336.
motet (a 4) by G. B. Fenoglio.
329.
motet (a 8) by G. B. Fenoglio (?).
323-4.
motet by B. Galuppi. 311.
motet by N. Jommelli. 332-3
(two settings).
— motet by G. Mori, of Viadana.
280-1.
— motet by G. B. de Orchis. 315.
— motet by Pergolesi. 305, 321.
— motet by Porpora. 298 (2, four
settings).
INITIAL WORDS AND TITLES.
523
Laudate, pueri, Dominum : canon
by S. Rahel (Roy. App. 64, f. 20).
115.
motet by G. Valente. 322.
— motet by T. L. da Vittoria. 315,
325.
motet by Zingarelli. 338.
v, also under Vespers.
Laudate, pueri, nomen Domini : motet
by. N. C[herubino ?]. 293.
Laudem dicite Deo : motet (16th cent.).
270.
motet (16th-17th cent.). 273, 274.
canon by V. Ugolini (?). 124.
Laudem Domini : motet by Palestrina.
357.
Laudemus Dominum : motet by Fel.
Anerio. 355.
Laudemus omnes : motet by J. T.
Gerarde (?). 266-7, 270.
Laudemus virum gloriosum : motet by
Carissimi. 294, 295.
Laudes ccelo : motet (late 18th cent.).
334.
Laus Deo : motet by J. T. Gerarde (?).
266-7.
Laus, honor, virtus : canon by V. Ugo-
lini (?). 124.
v. also Jesu, corona.
Laus Tua, Deus : canon by V. Ugo-
lini (?). 124.
Lay not up to yourselves; fr. Service
by J. Shepherd. 398-9.
Lazare, veni foras : motet by 0. di
Lasso. 316.
" Le roi " : mass by N. Ludford. 213. •
"Le tre ore dell' agonia di . . . . Gesu
Cristo." v. Gia trafitto in duro
legno.
"Le vilain jaloux": mass by R. de
Fevin. 222-3.
*' Le virtu al pie della Croce " : oratorio
by J. A. Hasse. 368.
Le voci querule : chorus by B. Marcello.
164.
Lead me, 0 Providence Divine : anthem
(17th-18th cent.). 41.
Lead us, Heav'nly Father : hymn by
E. J. Hopkins. 196.
Leb' ich, oder leb' ich nicht : song by
M. Gobel (?). 433.
Lectio libri Apocalypsis. v. Vidi civi-
tatem.
Lectio libri Sapientiae. v. In omnibus.
"Leipsic": hymn tune. v. To Thee,
my God.
Let all folk with joy clap hands : hymn
by D. Peebles. 181.
Let all in sweet accord clap hands :
anthem by W. Lawes. 72.
Let all the just : hymn by T. Miles.
189-90.
hymn by P. Valton. 187.
Let all the lands with shouts of joy :
hymn by T. Miles. 189-90.
Let all the list'ning world : hymn by
T. Miles. 189-90.
Let all those that love Thy name
canon by W. Crotch. 122.
Let children who would fear the Lord :
chorus by T. Miles. 169.
Let coward guilt : hymn by T. Miles. 189.
Let diff'ring nations join : hymn by T.
Miles. 189-90.
Let earth and hell their pow'rs employ :
song by S. Wesley. 438.
Let everlasting glories crown : hymn
by T. Miles. 189.
Let ev'ry mortal ear attend : hymn
(about 1800). 189.
Let ev'ry voice Jehovah's glory show :
canon by S. Webbe, sen. 119, 125.
Let God arise, and his foes : anthem
by W. Lawes. 24, 44.
Let God arise and let His enemies be
scattered: anthem (after 1624). 14.
anthem (after 1831). 97.
anthem by W. Child. 25.
anthem by M. Greene. 45, 47, 64.
anthem by H. Hall. 59.
anthem (a 4) by Handel. 84, 113.
anthem (a 6) by Handel. 84.
anthem by J. Jackson. 27.
anthem by M. Lock. 37.
anthem by H. Purcell. 79, 104.
anthem by T. A. Walmisley. 105.
anthem by J. Ward. 12, 19, 30
(words), 109.
Let God arise, and then his foes : hymn
by J. Hake. 196 (Add. 31855, f.61).
hymn by W. Parsons. 196 (Add.
31855, f. 62).
hymn by D. Peebles. 181.
hymn by J. Shepherd. 180.
Let God arise in majesty : hymn by
Tallis. 180.
Let God be the object : hymn (about
1800). 189.
Let God, the God of battle, rise : song
by W. Lawes. 430.
hymn by T. Miles. 189-90.
Let God, the Maker's name : hymn by
T. Miles. 189.
Let heav'n and all that dwell on high :
hymn by T. Miles. 189.
Let him fly from evil : anthem by W .
Croft. 46.
Let him who length of life desires :
hymn by T. Miles. 189-90.
Let Israel rejoice in Him that made
him : anthem by C. Wesley. 70-1.
Let justice and judgment, v. Let Thy
hand ; by Handel.
Let me die the death of the righteous :
canon by J. W. Callcott. 122.
Let mine eyes run down : anthem by
H. Purcell. 105.
Let my complaint come before Thee :
anthem by W. Croft. 46.
anthem by M. Greene. 70.
524
INDEX I.
Let my complaint come before Thee :
anthem by [J.] Lugg. 30 (words).
anthem by T. Miles. 99.
anthem by [J.] Shepherd. 15.
Let my prayer come up into Thy
presence : anthem by J. Blow. 112.
Let my prayers be set forth : anthem
by H. Cooke. 36 (words).
Let not the sluggish sleep : anthem by
W. Byrd. 77.
Let not Thy wrath, v. O Lord, turn
Thy wrath.
Let others, confident and vain : hymn
by T. Miles. 189.
Let party names no more : hymn by
T. Miles. 189.
Let songs of endless praise : hymn by
T. Miles. 189.
Let sorrow, Lord, my bosom fill : hymn
by T. Miles. 189.
Let tears fall down over the dead :
anthem by Hester Needier. 66.
Let th' eternal Lord be prais'd : hymn
by T. Miles. 189-90.
Let the night perish: anthem by H.
Purcell. 38, 44, 105.
Let the righteous be glad : anthem by
T. Miles. 98.
Let the righteous rejoice : anthem by
Jos. Stephenson. 69.
Let the whole race of creatures lie :
hymn by T. Miles. 189.
Let the words of my mouth : anthem
(after 1831). 97.
Let Thy hand be strengthened : anthem
by J. Blow. 110.
anthem by Handel. 65.
Let Thy merciful ears : anthem by
[W. ?] Mudd. 19.
anthem by J. Sargenson. 44.
anthem by — White. 30 (words).
Let Thy salvation be my joy : anthem
by R. Jones. 9, 91.
Let us be glad and clap our hands :
anthem by Byrd. 34 (words).
Let us give thanks with grateful soul :
hymn by T. Miles. 189.
Let us lift up our eyes : anthem by T.
Weelkes. 30 (words).
Let us now laud and magnify : anthem
(temp. Charles II). 30 (words).
anthem by [W. ?] Mundy. 16, 18.
Let us praise the name of the Lord :
canon (late 18th cent.). 119.
Let us with a gladsome mind : hymn
by T. Miles. 189.
Let us with loud and cheerful voice :
anthem by T. Ford. 35 (words).
Let Zion and Jerusalem: hymn by
T. Miles. 189-90.
Levate capita vestra : motet by S.
Wesley. 318, 362.
Levavi ooulos : motet by J. T. Ge-
rarde (?). 267-8 and 269 (two ver-
sions).
Levavi oculos : motet by W. More.
324.
canon by S. Rahel (Roy. App. 64,
ff.3, 22b). 115.
Libera animas. v. Requiems, 391-5.
Libera me, Domine, de morte aeterna :
motet (about 1584). 284.
motet by Fel. Anerio. 355.
motet by [T. A.] Arne. 311.
motet by W. Byrd. 309-10.
motet by 0. Casciolini. 360.
motet by A. Ferrabosco (I), v.
Ubi duo vel tres.
motet by J. Kumlik. 353.
motet by Palest rina. 358.
motet by [R.] White. 271-2.
Libera me, Domine, et pone me :
motet by W. Byrd. 309.
v. also Spiritus meus.
Libera me, Domine, in die ilia. v.
Requiems, 391-5.
"Lichfield " : hymn-tune by T. Ravens-
croft. 192-3.
"Lichfield, New": hymn-tune. 186.
Liebster Emanuel : song by M. Gobel (?).
433.
Liebster Gott, wenn mein Gemiith :
chorale by M. Gobel (?). 154.
Life is a span : hymn by T. Miles.
189.
Life, like a vain amusement, flies :
hymn by T. Miles. 189.
Lift up to God the voice of praise :
hymn by T. Miles. 189.
Lift up your heads and rejoice : canon
(late 18th cent.). 124.
Lift up your heads, O ye gates : anthem
(temp. Charles H). 36 (words).
anthem by J. Blow. 111.
anthem by T. S. Dupuis. 66, 92.
anthem by O. Gibbons. 17, 26,
32 (words), 48, 58, 109.
anthem by [J.] Hutchinson. 22.
Light of those whose dreary dwelling :
hymn by T. Miles. 189.
Like a bright cherub; fr. oratorio by
S. Wesley. 371.
Like as my heart, v. Like as the hart
desireth.
Like as the hart: anthem by Byrd (?).
38.
Like as the hart desireth : anthem
(1664). 22.
anthem by W. Boyce. 79, 82.
anthem by M. Greene. 47.
anthem by P. Humfrey. 27, 54,
79, 80.
— anthem
by R. Tomkins. 35
Like as the hart doth breathe and bray :
hvmn by J. Hake. 196 (Add. 31855,
f."43b).
hymn by J. Shepherd. 180.
Like morning: song by Sir J. A.
Stevenson, etc. 452.
INITIAL WORDS AND TITLES.
525
Lincoln": hymn-tune by W.Harri-
son. 192-3.
" Llandaff " : hymn-tune by T. Ravens-
croft. 192-3.
Lo, he comes : hymn arranged by S.
Wesley (?). 194.
Lo, man, for thee. v. Jesu, mercy !
How may this be.
Lo, my Shepherd's hand divine : hymn
by T. Miles. 189.
Lo, the Lord Jehovah liveth : hymn by
T. Miles. 189.
Lo, the Mighty God appearing : hymn
by T. Miles. 189.
Lobe den Herrn, meine Seele : chorus
by [F. W. ?] Rust. 160.
Lobet den Herren, alle : chorale by M.
Gobel (?). 155.
cantata by [G. P.] Telemann.
132-3.
Lobet den Herren, denn Er ist Freund-
lich : chorale by M. Gobel (?). 153.
Lobet den Herrn in Seinen Heiligthum :
-~Hta by J. G. Krebs. 130.
chorus by J. G. Schicht. 166.
Lobet Gott, denn Jesus lebet : cantata
by C. G. A. Bergt. 136.
Lob't Gott, ihr Christen : chorale bv
M. Gobel (?). 154.
Lobsinget Gott : cantata by F. G.
Starck. 134.
Locus iste a Deo factus est : motet by
N. Jommelli. 343.
Locutus sum in lingua mea : motet by
O. di Lasso. 273-4, 275-6.
Loda Dieu: chorus (late 18th cent.). 163.
Loda 1' Segner : chorus (late 18th cent.,
etc.). 164 (two settings), 167.
chorus by [J. K.] Bachofer. 167
(three settings).
chorus by — Gustus (?). 167 (two
settings).
chorus by J. P. Sweelinck. 168.
Lodate Maria : chorus by Giuseppe
Pai (?). 165.
Lodato sempre sia il nome : canon by
V. Ugolini (?). 124.
Lode pur tuots : chorus by J. P. Swee-
linck. 168.
Lode tuots la Diving Ezenza: chorus
by J. P. Sweelinck. 166.
Lodo Dieu sai : chorus by J. P. Swee-
linck. 167.
Lodotu saiest : chorus (late 18th cent.).
163.
" London " : hymn-tune by T. Ravens-
croft. 192-3.
"London, New": hymn-tune by W.
Croft. 186, 194.
Long and mournful is the night : hvmn
by T. Miles. 189.
Long have I languished, v. Lord, in
Thy wrath.
Long have I lifted up my voice : anthem
by G. Handford. 6, 12.
Long have I listen'd : hymn by T.
Miles. 189.
"Long Measure": hymn-tune by J.
Olive. 192.
Look down, 0 Lord, on me : anthem
by Byrd. 9, 91.
Look, shepherds, look : anthem by T.
Ford. 34 (words).
Look up, all eyes : anthem by G.
Jeffreys. 24 (two copies).
Look up, languishing soul : anthem by
H. Cooke. 36 (words).
Loquebantur variis Unguis : motet by
Palestrina. 305 (Add. 5038, f.9b),
335-6.
v. also Alleluia 1 Emitte Spiritum.
Loquebar de testimoniis Tuis : motet
(1802). 347.
motet by H. Isaak. 314.
Lord, as my heart has upright been :
hymn by T. Miles. 189-90.
Lord, as the hart, embossed with heat :
anthem by W. Lawes. 72, 430
(arranged).
Lord, at Thy feet we sinners lie : hymn
by T. Miles. 189.
Lord, be my Judge: anthem (16th cent.).
4.
hymn by D. Peebles. 181.
Lord, bend Thy righteous ears : anthem
(1616). 13.
Lord, bow down Thine ear. v. Lord,
bow Thine ear.
Lord, bow Thine ear : hymn by T.
Causton. 196 (Add. 31855, f. 68b).
canon by T. S. Dupuis. 118.
hymn by D. Peebles. 181.
Lord, call to mind that love : hymn by
T. Miles. 189.
Lord, comfort [them] that lie sick :
anthem by R. Parsons. 30 (words).
Lord, enter not into judgment : anthem
(after 1624). 14.
Lord, ever bridle my desires : anthem
by M. Pearson. 10, 91.
Lord, for ever at Thy side : hymn by
T. Miles. 189.
Lord, for Thy tender mercy's sake : an-
them (temp. Charles II). 30 (words).
anthem by J. Hilton (? adapted
from R. Farrant). 58.
Lord, give Thy judgments to the King :
hymn by W. Parsons. 196 (Add.
31855, f. 64).
hymn by D. Peebles. 181.
Lord God of armies : hymn by T. Miles.
189.
anthem by C. Wesley. 73.
Lord God, of health the hope and stay :
hymn by W. Parsons. 196 (Add.
31855, f. 69).
Lord God, the Holy Ghost : hymn by
T. Miles. 189.
Lord, grant grace : anthem by O.
Gibbons. 94.
526
INDEX I.
Lord, have mercy upon sinners : hymn
by R. Hasilton. 180.
Lord, have mercy upon us ; fr. Service
by J. S. Smith (?). 411.
fr. Service by C. Wesley. 410.
Lord, hear my cry : hymn by T. Miles.
189-90.
Lord, hear my prayer ; hark the plaint :
hymn by T. Causton. 196 (Add.
31855, ft". 100, 100b).
Lord, hear my prayer instantly : anthem
by W. Byrd. 68, 83.
Lord, hear my pray'r, and to my cry :
hymn by T. Miles. 189-90.
Lord, hear my supplicating voice :
hymn by T. Miles. 189-90.
Lord, hear my voice : anthem by T.
Mudd. 35 (words).
Lord, hear the humble pray'r : hymn
by T. Miles. 189-90.
Lord, hear the poor : canon by T.
Ravenscroft. 117.
Lord, hear the voice of my complaint :
hymn by W. Jackson of Exeter. 188.
hymn by T. Miles. 189-90 (two
settings).
Lord, how are they increased : anthem
by J. Blow. 39, 88, 110.
anthem by W. Child. 87.
anthem by M. Greene. 41, 45, 47,
64, 70.
- anthem by [W.] King. 22, 40.
anthem by T. Wilkinson. 5, 20.
Lord, how delightful 'tis to see : chorus
by T. Miles. 169.
Lord, how long wilt Thou be angry :
anthem by W. Child. 26.
anthem by [M.] Greene. 97.
anthem by J. Nares. 67.
anthem by H. Purcell. 57, 78,
104.
Lord, how mysterious are Thy ways :
hymn by T. Miles. 189.
Lord, I am not highminded : anthem
by J. Amner. 58.
Lord, I ascribe it to Thy grace : chorus
by T. Miles. 170.
Lord, I can suffer Thy rebukes : anthem
by H. Purcell. 28, 105.
Lord, I confess : anthem by J. Walter.
28.
Lord, if with Thee part I bear : hymn
by S. Wesley. 185.
Lord, in Thee have I trusted: canon
by J. W. Callcott. 121.
Lord, in Thine anger : anthem by
G. Croce. 13.
Lord, in Thy rage rebuke me not :
anthem by W. Byrd. 51, 68, 83.
Lord, in Thy wrath correct me not :
anthem by W. Byrd. 83.
Lord, in Thy wrath reprove me not :
anthem by J. Amner. 30 and 33
(words).
anthem by W. Byrd. 8.
Lord, in Thy wrath, reprove me not :
anthem by G. Croce. 12.
hymn by G. Kirby. 194.
hymn by W. Parsons. 196 (Add.
31855, f. 33).
hymn by J. Shepherd. 179.
Lord Jesus, let Thy kingdom come :
hymn by T. Miles. 189.
Lord, judge my cause : anthem by
H. Lawes. 72.
Lord, keep me, for I trust in Thee :
hymn by J. Shepherd. 179.
Lord, let me know my end : anthem by
M. Greene. 45, 47.
anthem by M. Lock. 59, 81.
anthem by D. Purcell (?). 51.
Lord, let me know my term of days :
hymn by T. Miles. 189.
Lord, let Thy just decrees : hymn by
T. Miles. 189-90.
Lord, look on all assembled here :
hymn by T. Miles. 189.
Lord, my strength, to Thee I pray :
hymn by T. Miles. 189.
Lord, not to us : anthem by H. Purcell.
28, 105.
Lord, now lettest Thou : canon by
J. W. Callcott. 121.
anthem by M. Lock: 37.
chant by S. Wesley. 152.
Lord of all life: hymn by T. Miles.
189.
Lord of all power: anthem by W.
Mason. 86.
Lord of heav'n and all creation : hymn
by T. Miles. 189.
Lord of heav'n and earth : hymn by
F. J. Haydn. 187.
Lord of hosts and God of might :
anthem by C. Wesley from J. Battis-
hill. 73.
Lord of life, Thine ear inclining:
anthem by C. Wesley. 73.
Lord of mercy, just and kind : hymn by
T. Miles. 189.
Lord of nature: hymn by T. Miles.
189.
Lord of the earth and heav'ns : anthem
by S. Wesley. 73.
Lord of the worlds above : anthem by
T. Miles. 99.
Lord, on all sinful, v. Ah I Gentle
Jesu.
Lord, plead my cause : hymn by W.
Parsons. 196 (Add. 31855, ff. 40b, 41).
hymn by D. Peebles. 181.
Lord, rebuke me not: ant.bem by
M. Lock. 37.
anthem by D. Purcell. 51.
Lord, remember David : anthem by
J. Blow. 49, 110.
anthem by M. Jefferies. 13.
anthem by C. King. 85.
Lord, save me for Thy glorious name :
hymn by T. Miles. 189-90.
INITIAL WORDS AND TITLES.
527
Lord, save me for Thy glorious name :
hymn by C. Wesley. 190.
Lord, shower on us Thy grace : anthem
by H. Lawes. 72.
Lord, suffer not my causeless foes :
hymn by T. Miles. 189-90.
Lord, teach us to number our days :
anthem by W. Boyce. 82.
anthem by T. S. Dupuis. 66.
anthem by P. Humfrey. 55, 79.
Lord, that I may learn of Thee : hymn
by T. Miles. 189.
Lord, Thou art become Gracious :
anthem by J. Blow. 112.
anthem by J. Church. 44, 61.
anthem by J. Hawkins, sen. 60.
anthem by J. Smith. 69.
anthem by C. Wesley. 70-1.
Lord, Thou art still the Righteous
Judge : hymn by T. Miles. 189-90.
Lord, Thou hast been Favourable :
canon by W. Lawes. 123.
Lord, Thou hast been Gracious : anthem
by J. Blow. 49, 109.
Lord, Thou hast been our refuge :
canon by J. W. Callcott. 121.
anthem by W. Turner. 48, 60, 79.
anthem by J. Worgan. 92.
Lord, Thou hast commanded : anthem
by B. Bullman. 4, 85.
Lord, Thou hast granted : hymn by
T. Miles. 189-90.
Lord, Thou hast searched me : anthem
by D. Purcell. 51.
Lord, Thou knowest all my desire :
anthem by J. Blow. 112.
Lord, Thy deserved wrath assuage :
anthem by W. Lawes. 72.
Lord, to my humble suit give ear :
hymn by D. Peebles. 181.
Lord, to Thee I make my moan :
anthem by [W.] Bvrd. 8.
hymn by J. Hake. 196 (Add. 31855,
f . 87b).
hymn by W. Parsons. 196 (Add.
31855, f.88b).
hymn by D. Peebles. 182.
Lord, we beseech Thee : anthem by
A. Batten. 17, 108.
Lord, what frail man observes : hymn
by T. Miles. 189-90.
Lord, what is man: anthem by-W.
Boyce. 79, 82.
anthem by T. S. Dupuis. 66.
anthem by [J.?] Foster. 20.
song by H. Purcell. 453.
anthem by [W.] Turner. 26, 43.
Lord, what love have I unto Thy law :
anthem by T. S. Dupuis. 66.
Lord, when I lift my voice : hymn by
T. Miles. 189.
Lord, when my raptur'd thought :
hymn by T. Miles. 189.
Lord, when my thoughts delighted
rove : trio by T. Miles. 465.
Lord, when Thv face Thou hid'st :
hymn by T. Miles. 189-90.
Lord, when we bend before Thy throne :
hymn by T. Miles. 189.
Lord, who can tell : anthem by H.
Purcell. 103.
Lord, who's the happy man that may :
hymn by T. Miles. 189-90.
anthem by Hester Needier. 66.
Lord, who shall bear that day : song
adapted by T. Moore (?) from Boyce.
452.
chorus adapted by Sir J. A.
Stevenson from Boyce. 169.
Lord, who shall dwell : anthem by W.
Child. 30 (words), 88.
anthem by J. Davy. 100, 103.
anthem by J. Hawkins, of Ely.
60.
anthem by R. Portman. 34
(words).
anthem adapted from Steffani. 96.
anthem by R. White. 71.
Lors seulement : chorus by C. Le
Jeune. 162.
Los cielos con su voz : song by P. de
426-7.
con su voz:
Coster Vanderven(?).
Los qu'en Dios tienen confianza : song
by P. de Coster Vanderven (?) . 426-7 .
"Low Dutch": hymn-tune by E.
Blancks. 192-3.
v. also " Hackney."
Luce serena lucent : motet (17th cent.).
289.
Luceat eis. v. Requiems.
Lucifer, coelestis olim hierarchiae : song
by Carissimi. 428, 429-30 (2), 431,
432.
Lucis Creator Optime : motet by Fel.
Anerio. 354.
motet by E. di Bartolo. 347-8.
Ludit tranquillo in mari : song by G.
Gabellone. 446.
" Ludlow" : hymn-tune by T. Ravens-
croft. 192-3.
Lullay, lullow . . . my bairn, sleep
softly now: carol (14th-15th cent.).
138.
Lullay, my child, and weep no more :
carol (14th-15th cent.). 138.
Lumen ad revelationem : motet by Sir
T. Packe. 260.
Luto carens et latere : song bv H. de
Pisis(?). 423-4.
Lux seterna. v. Requiems, 391-5.
Lux fulgebit : motet (1802). 346.
Lux fulget ex Anglia : motet by J.
Benet. 356-7 (imperf.).
Lux perfecta : motet by Fel. Anerio.
355.
Lux perpetua lucebit : motet by Fel.
Anerio. 353.
motet by S. Wesley. 349.
Lux refulget de supernis edita : part (?)
of Miracle-play (12th cent.). 240.
528
INDEX I.
Machet die Thore weit : chorus (about
1785). 160.
cantata by J. H. Rolle. 134.
chorus by G. P. Weimar. 160
(two settings).
Madre, vicina e 1' hora : duet by [A.]
Biffi. 174.
Magi veniunt : motet by J. T. Gerarde.
266-7, 270.
Magi viderunt stellam : motet (18th
cent.). 326-7.
Magna est gloria, by [R. ?] Johnson.
v. Domine, in virtute.
Magna opera Domini : motet by S.
Wesley. 345-6.
Magne Deus potentise : motet (15th
cent.). 256-7.
Magnificat anima mea Dominum. v.
under Magnificat, 205-11; v. also
Deposuit potentes; Esurientes im-
plevit ; Et exsultavit ; Sicut locutus ;
and under Vespers. For settings of
the English words v. under Hymns
(192-3, 196) and Services (396-421
passim).
Magnificat anima mea Mariam : motet
by Carissimi. 295.
Magnificate, coeli : motet by G. Casati.
285-7 (2).
Magnum hsereditatis mysterium : motet
(17th cent.). 289-90.
motet by Palestrina. 304, 326-7,
335-6, 351-2.
Magnus Dominus et Laudabilis : canon
by S. Rahel (Roy. App. 64, f.9b).
115.
Magnus sanctus Paulus: motet by
Palestrina. 305 (Add. 5038, f. 22),
335-6.
" Majesty " : hymn-tune. v. Dismiss us.
Majorem hac dilectionem : motet (1802).
347.
Make haste, O God, to set me free :
hymn by D. Peebles. 181.
Make the Great God thy fort : anthem
(temp. Charles II). 36 (words).
anthem by H. Lawes. 33 (words).
Make us merry this new year : duet
(15th-16th cent.). 171.
Man, assay and ask mercy : duet (15th-
16th cent.). 171.
Man, be joyful : carol by R. Smart.
139.
Man's blest no doubt : hymn by Tallis.
180.
Man that is born : anthem (early 18th
cent.). 40.
anthem (about 1785-1789). 74.
anthem by J. Blow. 88.
anthem by J. Ferrabosco. 38-9, 51.
anthem by T. Tudway. 49, 60.
v. also I am the Resurrection ; In
the midst of life.
"Manchester": hymn-tune by T.
Ravenscroft. 186, 190-1, 192-3.
Manifesto nobis : motet by Palestrina.
310.
Mansions of heav'n : anthem by S.
Wesley. 73.
Manum suam aperuit : motet by S.
Wesley. 349.
Manum suam misit hostis : song by
F. Durante. 447-8.
song by L. Leo.' 450, 455.
v. also Incipit lamentatio Hiere-
mise.
Manus mulierum : Lamentations by E.
Genet dit Carpentras. 199.
Manus Tuae, Domine : motet by O. di
Lasso. 305 (Add. 5042, f. 61b), 324.
motet by Palestrina. 304.
Manus Tuae fecerunt me : song by F.
Feo. 435.
motet by [R. ?] Whyte. 279.
Mare dat in navi horrores : song by
G. F. di Majo. 437.
Maria degenti : motet (15th cent.).
256-7.
Maria Magdalena et altera Maria :
motet by O. di Lasso (?). 263-4.
Maria Magdalena et Salome : motet by
G. Gabrieli (?). 276-7.
Maria, mater gratias. v. Memento,
salutis Auctar.
Maria, sei giglio : chorus (18th-19th
cent.). 165.
Maria, stella : motet (early 17th cent.).
278.
[Mar]ia, virginum lux : motet (1227-
1234). 253.
Maria Virgo, intercede : motet (temp.
Hen. VIII). 260.
"Mariners " : hymn-tune. v. " Sicilian
Mariners."
Mark the soft falling snow : anthem by
T. Miles. 100.
' ' Marlow " : hymn-tune by [J. ?] French.
189.
"Martyrs": hymn-tune (18th cent.).
186.
hymn-tune by S. Stubbs. 192-3.
Marvel not, Joseph : carol (15th-16th
cent.). 139.
Mater amoris : song by G. Gabellone (?).
446.
Mater Christi, Mater Divinas Gratiae :
motet (18th - 19th cent.). 340-1
(three settings).
motet by Gius. Pai (?). 340-1
(two settings).
Mater Christi sanctissirna : motet (early
17th cent.). 278.
Mater ergo pietatis : motet (early 17 th
cent.). 275.
Mater et Virgo : motet by G. Mori, of
Viadana. 280.
Mater intacta (early 17th cent.), v.
Ave, Dei Patris.
Mater, ora Filium : motet by Lionel
[Power?]. 356-7 (imperf.).
INITIAL WORDS AND TITLES.
529
Matribus suis dixerunt : song by F.
Durante. 447-8.
song by L. Leo. 450, 456.
song by Porpora. 442 (two set-
tings).
v. also Incipit lamentatio Hiere-
miae.
Matutino dum surgit Aurora : song by
G. Latilla. 442-3.
Maximilla, Cbristo amabilis : motet
(1519-1533). 259.
May God, from Wbom all mercies ; f r.
oratorio by Handel. 386.
May He Whom heav'n and earth obey :
hymn by T. Miles. 189.
May the Grace of Christ our Saviour :
anthem by T. Miles. 99.
Me exspectaverunt: motet (1802). 347.
"Mecklenburg": hymn-tune by S.
Long. 190-1.
Media (?) vitae : motet (after 1604). 279.
Meditabor in mandatis tuis : motet by
Palestrina. 291 (Add. 35084, f.9),
303.
Mein erst' Gefvihl : song by K. P. E.
Bach. 448-9.
Mein' Hofrnung und mein' Zuversicht :
chorale by M. Gobel (?). 155.
Mein Hiiter und mein Hirt : chorale
(about 1640). 153.
Mein Lebenszeit verstreicht : song by
K. P. E. Bach. 448-9.
Mein Odem ist schwach : cantata by J.
E. Bach. 132.
Mein Schonster und Liebster Freund :
song byM. Gobel (?). 433.
Mein' Seel', dich freu'st : chorale by M.
Gobel (?). 154.
Meine Seele erhebt den Herm : can-
tata by [G. P.] Telemann. 132-3.
Meinen Jesum lass ich nicht : chorale
by M. Gobel (?). 155.
Meines Lebens beste Freude : song by
M. Gobel (?). 433.
" Melchizedech " : hymn-tune by B.
Milgrove. 188.
Memento, Domine, congregationis :
motet by W. Byrd. 310.
Memento, Domine, David : motet by
Fel. Anerio. 354.
motet by D. Perez. 362.
canon by S. Rahel (Roy. App. 64,
f. 24b). 115.
motet by A. or D. Scarlatti. 343,
358.
Memento, homo, mori : canon by [J.]
Travers. 123.
Memento, homo, quod cinis es : motet
by W. Byrd. 274, 309.
Memento mei, Deus : motet by D.
Perez. 330.
Memento, salutis Auctor : motet by W.
Byrd. 282.
Memor esto verbi Tui : motet by Pa-
lestrina. 308-9.
Memores nostri estote. v. Laudem di-
cite.
Mentre io tutta ripongo in Dio : chorus
by B. Marcello. 164-5.
Merciful Lord, we beseech Thee :
anthem by [J.] Geeres. 21.
anthem by J. Hawkins, of Ely. 62.
Mere de Dieu, vierge sensee : song (mid.
13th cent.). 423.
"Messina": hymn-tune by E. Wood-
ward. 189.
Methinketh in my reason, v. Afraid,
alas.
Mi corazon rebosa buenas cosas : song
by P. de Coster Vanderven (?). 426-7.
Mi oarm', il Segner loda : chorus by [F.
K. von] Baer. 163.
chorus by H. G. Nageli. 169.
'Mid scenes of confusion : hymn
adapted from Sir H. R. Bishop. 189.
song adapted from Sir H. R.
Bishop. 453.
"Middlesex": hymn-tune by S. How-
ard. 192.
Mieu aroef et mia domanda : chorus
(late 18th cent.). 163.
Mieu aroef, O Segner: chorus (1817).
167.
167.
J. P.
S.
by
by
chorus by J. P. Sweelinck.
Mieu cor eis appino : chorus by
Sweelinck. 163, 167.
Mieu cor na canzum bella meditescha
chorus (1817). 168.
Mieu Dieu, Mieu Dieu: chorus by
Schmau. 168.
Mieu Segner, huossa pur : chorus
[J. P.] Sweelinck. 166.
Might I inThy sight appear : song
S. Wesley. 440.
Migravit Juda: song (1798). 440.
Mini autem absit gloriari : motet (1802).
347.
motet by Fel. Anerio. 353.
Mihi autem adhaerere Deo : motet
(1802). 347.
Mihi autem nimis honorati : motet
(1802). 347.
motet by Tallis. 309.
Mihi sacellum ccelicum. v. Mir ist ein
Christlich Kirchelein.
" Milbank " : hymn-tune by C. Burney.
188.
" Miles' lane" : hymn-tune arranged (?)
by S. Wesley. 194.
Militia est vita : motet by Carissimi.
293, 295.
"Milton " : hymn-tune by M. P. King.
188.
Mine eyes are ever looking : anthem by
W. Cross. 34 (words).
Mine eyes with fervency of spirit :
anthem by W. Byrd. 11.
Minor natu fiJius: song by H. de
Pisis (?). 423-4.
Minuisti eum: motet (1802). 347.
530
INDEX I.
Mir hast du Arbeit gemacht : chorus
by G. P. Weimar. 160.
Mir ist ein Christlich Kirchelein :
chorale by M. Gobel (?). 155.
Mir ist, Jesu, der Name Dein : chorale
by M. Gobel (?). 155.
Mint, ingrato mortal : song by F. Feo.
435.
Mirabile mysterium declaratur hodie :
motet by W. Byrd (?). 307.
Mirabile mysterium I The Son of God :
carol (15th-16th cent.). 138 (words).
Mirad, cuan bueno y dulce : song by P.
de Coster Vanderven (?). 426-7.
Miris modis repente liber : motet by E.
di Bartolo. 347-8.
Mis ojos alzo al cielo : song by P. de
Coster Vanderven (?). 426-7.
Miseremini mei saltern, vos, amici :
motet by J. Mouton. 306-7.
Miserere : canon (16th-17th cent.). 114.
motet (after 1612). 279 (two set-
tings).
motet by [W.] Byrd. 279-80
(two settings).
motet by — Sharp. 279.
motet by [R. ?] Stevenson. 279-80.
Miserere mei: motet (after 1604). 279.
Miserere mei, Deus, quoniam concul-
cavit me : canon by S. Rahel (Roy.
App. 64, f. lib). 115.
Miserere mei, Deus, quoniam in Te :
motet by L. Leo. 361.
canon by S. Rahel (Roy. App. 64,
f.llb). 115.
motet by Tye. 308.
Miserere mei, Deus, secundum magnam
misericordiam : canon by S. Rahel
(Roy. App. 64, f. 10b). 115.
v. also under Miserere. 244-52.
Miserere mei, Domine : canon (1715).
117.
motet by T. Lupo. 281.
Miserere mei, Domine, et exaudi : motet
(1st half of 16th cent.). 262.
canons by W. B[yrd]. 114.
motet by W. Byrd. 309-10.
motet by J. Norman. 260-1.
Miserere mei, Domine, quoniam : motet
(1802). 347.
motet by J. T. Gerarde (?). 269.
v. also Inclina, Domine, aurem.
Miserere mei, Domine, secundum :
canon by W. Byrd. 117, 119, 123.
Miserere mei, O Jesu : canon by J.
Blow. 116, 128.
Miserere mihi. v. Miserere mei.
Miserere, my Maker: song (after 1614).
426.
Miserere nostri, Domine : motet (mid.
18th cent.). 300.
canon by W. Byrd. 117.
motet by W. Damon. 281, 306.
canon by T. Ravenscroft. 124.
canon by Tallis. 118, 306-7, 309.
Miserere nostri, Domine. v. also Ad
Te levavi.
Misereris omnium, Domine : motet
(1802). 346.
motet by L. Leo. 342, 361.
Misericorde au pauvre vicieux : chorus
by C. Le Jeune. 158.
Misericordia Domini : motet (1802).
346.
Misericordia et Veritas : motet by J. T.
Gerarde (?). 269.
Misericordiam et judicium : canon by
S. Rahel (Roy. App. 64, f. 18). 115.
Misericordias Domini : motet (17th
cent.). 289.
■ motet by Fel. Anerio. 354.
motet by [F. ?] Durante. 297.
motet by G. Gabrieli (?). 276-7,
motet by [? L. Grossi, of] Viadana.
280-1.
motet by Josquin des Pres. 3i4.
canon by S. Rahel (Roy. App. 64,
f. 16). 115.
motet by O. Vecchi. 279-80.
Misisti iram Tuam : song by G. Mori,
of Viadana. 426.
Misit de coelo. v. Miserere mei, Deus.
Misit me Vivens Pater : motet by J. T.
Gerarde (?). 267-8.
Misso Herodes spiculatore : motet by
Palestrina. 305 (Add. 5038, f.35b),
319-20.
Missus est Gabriel : motet (1519-1533).
259.
Mitten wir in Leben sind : duet by M.
Gobel (?). 173.
Moart eis la mort : chorus (1817). 168.
chorus by J. K. Bachofen. 168.
chorus by H. G. Nageli. 169.
Monstra te esse matrem. v. Ave Maris
stella ; by ,W. Byrd.
" Morgenopfer." v. In Aurorens gold-
ner Stunde.
Moriens lux : motet by [J.] Mouton.
261-2.
"Morning hymn." v. Awake, my soul,
and with the sun.
Mortem autem crucis. v. Christus fac-
tus est ; by L. Leo.
Morti Tuse : motet (16th-17th cent.).
273.
Mortis causa tu fuisti : duet by N. A.
Porpora. 175, 176.
" Mose in Egitto " : oratorio by G. A.
Rossini. 382-3.
Most Gracious God and Loving Father :
anthem (temp. Charles II). 35
(words).
Most Gracious God and Merciful
Father : anthem by R. Portman. 35
(words).
Most Mighty and All-knowing Lord .
anthem by T. Weelkes. 9, 91.
"Mount Ephraim": hymn-tune ar-
ranged (?) by S. Wesley. 194.
INITIAL WORDS AND TITLES.
531
Muchas vezes desde mi mocedad : song
by P. de Coster Vanderven (?). 426-7.
Mulier quae erat in civitate : motet by
T. Bai. 341.
Mulieres sedentes ad monumentum :
motet (late 16th cent.). 271.
Mulieres stantes. v. Plangent Eum.
Mulierum hodie major natus : motet
(15th cent.). 256-7.
Multse tribulationes: motet (1802). 347.
Multiplicati sunt : motet (after 1613).
280-1.
motet by J. T. Gerarde. 268.
Muond, adhe : chorus by J. K. Bachofen.
167.
Murus aheneus : motet by J. T. Gerarde.
266-7, 270.
Musa, tu vuoi. v. O all ye nations, 0
be joyful.
Muse still thereon, v. Fly, ravished
soul.
Music, as first by heav'n design'd : song
by S. Wesley. 439.
Music divine : canon (1715). 117.
Musing on her manners, v. Quid petis.
Muvus cus gliers chis dais : chorus by
— Gustus (?). 168.
chorus by J. P. Sweelinck. 166.
Muvus glund dal muond : chorus by B.
H. Brockes (?). 168.
My Beloved spake : anthem by H.
Purcell. 43, 55, 79, 104, 105.
anthem by J. Thamer. 39.
anthem by [TJ Tomkins. 30 and
35 (words).
My bloody wounds, v. Ah, gentle Jesu.
My crafty foe : hymn by T. Miles.
189-90.
My cruel foes: hymn by T. Miles.
189-90.
My days are gone : anthem by J. Blow.
111.
anthem by — Cutts. 20, 38.
My days, just hast'ning to their end :
hymn by T. Miles. 189-90.
My delight shall be in Thy statutes:
anthem by S. Wesley. 98.
My dwelling is above : anthem by T.
Tomkins. 35 (words).
My fearful dream : carol by G. Banister.
140.
My feet, with care I have refrain'd :
hymn by T. Miles. 189-90.
My few revolving years : hymn by T.
Miles. 189-90.
My former hopes are dead: hymn by
T. Miles. 189.
My God, and is Thy table spread :
hymn by T. Miles. 189.
My God, how. endless is Thy love:
hymn by T. Miles. 189.
My God, I am wounded with my sin :
anthem by J. Tomkins. 35 (words).
My God, my everlasting hope : hymn
by J. Clark. 187.
My God, my God, look upon me :
anthem by J. Blow. 42, 43, 110.
anthem by J. Cobb. 35 (words).
anthem by W. Crotch. 76.
anthem by T. S. Dupuis. 75.
anthem by J. Hawkins, of Ely. 60.
anthem by [W.] King or [W.]
Stonard. 22.
anthem by D. Purcell. 50.
anthem by T. Tudway. 60.
My God, my God, O tell me why :
hymn by T. Miles. 189.
My God, my God, why hast Thou
forsaken me : anthem by H. Cooke.
36 (words).
My God, my God, why leav'st Thou
me : hymn by T. Miles. 189-90.
My God, my King, Thy various praise :
hymn by T. Miles. 189.
Mv God, my King, to Thee I'll raise :
hymn by T. Miles. 189.
My God, my soul is vexed : anthem by
J. Blow(?). 39.
My God, the cov'nant of Thy Love
hymn by T. Miles. 189.
My God, the Spring of all my joys :
hymn by S. Wesley (?). 194.
My God, Who mak'st the sun to know :
chorus by T. Miles. 169.
My heart is fixed : anthem adapted by
H. Aldrich from Palestrina. 55, 81.
v. also Nos autem gloriari.
anthem by W. Child. 26.
anthem by T. S. Dupuis. 66.
anthem by H. Purcell. 78, 10*.
anthem by [W.] Tucker. 21.
My heart is inditing : anthem by
Handel. 65.
anthem by H. Purcell. 103.
My heart is set : anthem by W. Smith.
20.
My heart its confidence repos'd : bymn
by T. Miles. 189-90.
My heart panteth. v. I am brought
into so great trouble.
My heart rejoiceth : anthem by W.
Norris. 49.
anthem by T. Tudway. 43, 61,
63 (2 copies).
My help cometh even from the Lord :
anthem (temp. Charles II). 34 (words).
My help cometh from the Lord : anthem
by T. Tomkins. 20, 34 (words).
My help cometh of the Lord. v. My
help cometh from the Lord.
My life, while I that life enjoy : hymn
by T. Miles. 189-90.
My lips, unlock'd by pious zeal : hymn
by T. Miles. 189-90.
My Lord, my God : anthem by [N.]
Giles. 19.
My Maker and my King : hymn by T.
Miles. 189.
My mother dear, amend your cheer.
v. Ah, my dear Son, said Mary.
532
INDEX I.
My opening eyes are purged : song by
H. Purcell. 453.
My ravished soul : anthem by H. Cooke.
36 (words).
My Shepherd is the living Lord : anthem
by [T. ?] Tomkins. 30 (words).
My sight faileth. v. 0 Lord God of my
salvation.
My song shall be always : anthem (18th
cent.). 87 (words).
anthem by H. Cooke. 36 (words).
anthem by W. Croft. 52.
anthem by Handel. 84, 86 (2).
anthem by H. Purcell. 41, 47,
51, 56, 80, 104.
My song shall be of mercy : anthem by
J. Foster. 18.
anthem by H. Lawes. 22, 36
(words).
anthem by [W. ?] Mundy. 15.
My soul, be joyful : anthem by W.
Croft. 89, 90.
My soul cleaveth to the dust : chant by
Tallis. 148 (Add. 17841, f.52b). v.
also under Services, 418, 420.
My soul doth long : anthem by Sir W.
Leighton. 9, 91.
My soul doth magnify the Lord : hymn
by J. Angus. 182.
hymn by R. Brimle. 196 (Add.
31855, f. 20b).
hymn by T. Causton. 196 (Add.
31855, f. 19b).
hymn by J. Farmer. 192-3.
hymn by W. Parsons. 196 (Add.
31855, f.21b).
My soul for help on God relies : hymn
by M. Cooke from M. C. Bach. 190.
My soul, give laud unto the Lord :
anthem (late 16th cent.).
- hymn by T. Causton.
4.
196
(Add.
196 (Add.
31855, f. 72).
— hymn by J. Hake.
31855, f. 72b).
— hymn by W. Parsons. 196 (Add.
31855, f. 73b).
— hymn by D. Peebles,
hymn by J. Shepherd,
hymn by [J. ?] Smith.
182.
180.
185.
My soul giveth laud. v. My soul, give
laud.
My soul has waited long : hymn by T.
Miles. 189-90.
My soul, how lovely is the place :
anthem by W. Savage. 96.
My soul is weary : anthem by H. Hall,
sen. 25.
My soul, now arise : hymn by [C. W.]
Banister. 189.
My soul, O Lord, shall trust in Thee :
canon by J. Hilton. 116, 117, 123.
My soul oppressed with care : anthem
by VV. Byrd. 11.
My soul, oppress'd with deadly care :
hymn by T. Miles. 189-90.
My soul, praise the Lord : hymn (after
1762). 184.
hymn by W. Parsons. 196 (Add.
31855, f.75).
hymn by D. Peebles. 182.
My soul, praise thou the Lord : hymn
by R. Brimle. 196 (Add. 31855,
f
102b).
hymn
by J. Hake. 196 (Add.
31855, f. 103b).
My soul, repeat His praise : hymn by
T. Miles. 189.
My soul's cast down : hymn by
T. Miles. 189-90.
My soul shall make her boast, v. I
will always give thanks unto the
Lord ; .His praise ....
My soul shall praise Thee : hymn by
T. Miles. 189.
My soul, the Great God's praises sing :
chorus by H. Lawes. 158.
My soul truly waiteth : anthem by
— Bold. 2.
. anthem by W. Child. 30 (words).
anthem by M. Greene. 45, 47,
64, 94.
anthem by R. Hasilton. 2.
My soul with grateful thoughts of love :
anthem by T. Miles. 99.
My soul with long expectance waits :
hymn by T. Miles. 189-90.
My soul with patience waits : hymn by
T. Miles. 189-90.
My strength e'en fails me : anthem by
G. Croce. 13.
My trust, O Lord, in Thee : hymn by
D. Peebles. 181.
anthem by Tye. 3.
My voice is so troubled. v. Ah,
blessed Jesu.
Mysterium ecclesise : motet by [G. A.]
Fioroni. 300.
Mysterium mirabile. v. Ave, salutis
janua.
"N'as tu pas" ; mass by — Gaspard.
222-3.
"Naaman" : oratorio by Sir M. Costa.
384-5.
Nach Dir, Herr, verlanget : chorus bv
J. F. Doles. 160.
Nach einer Priifung: song by K. P. E.
Bach. 448-9.
Nam qui in corde. v. Sospitati olei.
Naomi, dry thy tears; fr. oratorio by
S. Wesley. 371.
Narrate in gentibus : motet (1802). 347.
Nascitur Emanuel : chorale by M.
Gobel (?). 155.
Nascitur ex Virgine : carol by R. Smart.
139.
"National Anthem." v. Fame, let
thy trumpet sound ; God save great
George ; God save our gracious king ;
God save the Queen.
INITIAL WORDS AND TITLES.
533
Nativitas tua : motet (1628). 283.
motet by Palestrina. 305 (Add.
5038, f.38). v. also Hold not thy
tongue.
"Nativity": hymn-tune. v. Hark I
The herald angels.
Nato Domino : carol by Fel. Anerio.
146, 354.
Ne derelinquas me : motet (early 17th
cent.). 275,
Ne derelinquas nos : motet (16th-17th
cent.). 273, 274.
Ne' giorni tuoi felici; fr. oratorio by
Pergolesi. 368.
Ne ■ irascaris, Domine :
Byrd. 264,281,310.
turn Thy wrath.
Ne lseteris, inimica :
Ravenscroft. 281.
Ne otverzhi menevo :
Berezovsky. 163.
Ne reminiscaris, Domine, delicta :
motet by Palestrina. 308-9.
motet by J. Wilbye. 275, 279-80,
motet by W.
v. also 0 Lord,
motet by T.
chorus by M.
v. Descendit Angelus
oratorio by Stradella.
chorus by B. Marcello.
chorus by B. Marcello.
motet by
281.
Ne timeas.
Domini.
Nel seren; fr.
377.
Nel Tuo potere
164-5.
Nell' invocarti
164.
Ne quando dicat inimicus
J. T. Gerarde. 268.
Nesciens mater : carol (1519-1533). 140.
carol {temp. He/j. VIIJ). 140.
carol by G. Gabrieli (?). 143.
carol by J. Mouton. 144.
carol by R. Smart and J. Truelove.
139.
carol by J. Truelove. 139 (two
settings).
carol by [T. ?] Wright. 142.
Nescio quid amore majus : motet by
G. Jeffreys. 283-4.
"Newbold": hymn-tune. v. From
lowest depths
'"Newcourt " : hymn-time arranged (?)
by S. Wesley. 194.
Nicht dass ich's schon ergriffen hatte :
song by K. P. E. Bach. 448-9.
Nicht so traurig : chorale by M. Gobel (?).
156.
Nichts soil uns scheiden : chorus by
G. P. Weimar. 160.
Nie will ich Dem zu schaden lassen :
song by K. P. E. Bach. 448-9.
Niet malquiter : chorus by J. P.
Sweelinck. 166.
Nigra sum : motet by Palestrina. 303.
. motet by P. Reggio. 287.
v. also Osculetur me.
Nil canitur suavius : song by H.
Dumont(?). 431.
Nil canitur suavius : motet by G.
Jeffreys. 283-4.
" Nineve conversa " : oratorio by
Anfossi. 374.
Nisi Dominus : motet by [G. B. ?]
Bassani. 299.
motet by Handel. 319.
- motet by J. J. C. de Mondonville.
335.
64
325.
motet by N. A. Porpora. 296.
canon by S. Rahel. (Roy. App.
f. 23b). 115.
cantata by A. Scarlatti. 135.
motet (a 4) by G. Valente. 322.
motet (a 8) by G. Valente. 323.
motet by T. L. da Vittoria. 315,
v. also under Vespers.
ego abiero. v. Tempus est ut
Nisi
revertar.
Nisi quia Dominus : canon by S. Rahel
(Roy. App. 64, f. 22b). 115.
Nitimur in vetitum : song by H. de
Pisis (?). 423-4.
No change of times : hymn by T. Miles.
189-90.
hymn by P. Valton. 187.
No more to earth's low scenes confin'd :
hymn by S. Wesley (?). 194.
No s'ensoberbescio, senor, mi corazon :
song by P. de Coster Vanderven (?).
426-7.
No sea yo abattido : song by P. de
Coster Vanderven (?) . 426.
Noas Dieu tuot pusant lode : chorus
(late 18th cent.). 164.
Noas ferm castelg; chorus (late 18th
cent.). 164.
Noassas uraglas imlegaixen : chorus
(1817). 167.
Nocte surgentes : motet by S. Wesley.
352.
Noe ! Noe ! . . . cxsultemus : carol by
J. T. Gerarde (?). 141,142.
Noe! Noe! Noe! Psallite : carol by J.
Mouton. 144.
Noe ! noe ! noe ! Puer nobis nascitur :
motet by J. Mouton. 261.
Noel ! Sors de ton lit : carol by E. du
Caurroy. 145.
Noel ! Voici l'heureuse nuit : carol by
E. du Caurroy. 145.
Noli aemulari : canon by S. Rahel (Roy.
App. 64, f. 7b). 115.
Noli me projicere. v. Domine, Deus
meus; by A. Ferrabosco (I).
Nolo mortem peccatoris : motet by T.
Morley. 281.
Non conturbetur cor vestrum : motet
(before 1760). 306.
Non est fides in Bohemo : motet (15th
cent.). 258.
Non fecit, v. Lauda, Jerusalem.
Non in die festo : Passion music (1721).
388 (two settings).
534
INDEX I.
Non in die festo : Passion music by T.
L. da Vittoria. 389.
v. also Passio Domini nostri.
Non me vincat, Deus : motet by J. T.
Gerarde (?). 266-7.
Non nobis, Domine : canon by W.
Byrd (?). 117 (3), 120, 123, 124, 128.
motet by J. Mouton. 312.
canon by P. Reggio. 116.
Non ti contristi : chorus by B. Mar-
cello. 158-9, 164-5.
Non vos relinquam : motet by G. Mori,
of Viadana. 280-1.
Nondum enim in quempiam. v. In illo
tempore, cum audissent.
Nonne Deo subjecta erit : canon by S.
Rahel (Roy. App. 64, f. 12b). 115.
Nonne sicut lac. v. Manus Tuse.
Nor did revenge ; fr. oratorio by Sir H.
R. Bishop. 380.
Nor the rapt Seraph's harp : anthem by
C. Wesley. 73.
Nor wealth nor plenty : hymn by T.
Miles. 189.
"Norfolk" : hymn-tune by S. Howard.
190-1.
"Norwich " : hymn-tune by J. Milton.
192.
Nos alium Deum nescimus : motet
(late 16th cent.). 271-2.
Nos autem gloriari oportet : canon
(1775). 119.
motet (1802). 346.
motet by Fel. Anerio. 353.
motet by Palestrina. 305 (Add.
5038, f. 41). v. also My heart is
fixed.
Nos enim pro peccatis. v. Tribulationes
civitatum.
Nos respectu gratire : motet (15th cent.).
256-7.
Noster ccetus psallat lsetus : part (?) of
Miracle-play (12th cent.). 240.
Not every one that saith : anthem by
[J.] Lugg. 30 (words).
Not from relentless fate's dark womb :
hymn by T. Miles. 189.
Not in ourselves, O Lord : duet by T.
Miles. 177.
Not unto us, but to Thy name : anthem
by T. Ford. 9, 11, 91.
Not unto us, Lord : anthem (18th-19th
cent.). 94.
anthem by J. Nares. 67.
Not unto us, O Lord : anthem (1547-
1548). 1.
canon by J. W. Callcott. 119, 120.
canons (two other settings) by J.
W. Callcott. 121.
- canon by W. Crotch. 122 (two
settings).
— anthem by T. S. Dupuis.
— anthem by M. Lock. 59.
75.
Nothing know we of the season : hymn I
by T. Miles. 189.
Notum fecit Dominus : motet (1227-
1234). 253.
motet by S. Wesley. 345.
Notus in Judaea Deus : canon by S.
Rahel (Roy. App. 64, f. 14). 115.
Nova, luce : song by L. Ferrari. 446.
Nova veniens e ccelo. v. Urbs beata,
Jerusalem.
Novella Aurora : madrigal by Pales-
trina. 204 (Add. 5039, f.44), 205
(31397, f. 74b ; 31408, f. 28).
Now, Gracious Lord, Thine arm reveal :
hymn by T. Miles. 189.
Now has Mary borne a flow'r : carol
(14th-15th cent.). 138.
Now is mercy's work completed : an-
them by C. Wesley. 73.
Now Israel may say : hymn by R.
Hasilton. 180.
hymn by W. Parsons. 196 (Add.
31855, f. 84b).
hymn by D. Peebles. 182.
Now know I. v. O praise the Lord,
ye that fear.
Now let our souls : hymn (about 1800).
189.
Now let thy servant die : hymn by T.
Miles. 189.
Now let us be merry
138 (words).
Now let us raise our
hymn by T. Miles.
Now make we joy :
cent.). 139.
Now, merciful Jesu. v. Ah, blessed Jesu.
Now mercy, Jesu : madrigal (early 16th
cent.). 204.
Now my fix'd resolve is taken : hymn
by T. Miles. 189.
Now suffer me, O Lord : hymn by
J. Angus. 182.
Now that* the Lord : anthem by W.
King. 40.
Now that the sun : song by H. Purcell.
432-3, 453.
Nowoll . . . tidings good I think to
tell : carol by R. Smart. 139.
Nowell . . . who is there that singeth
so : carol by R. Smart. 139.
Numquid adhaeret tibi : motet by J. T.
Gerarde (?). 266.
Numquid sicut dies hominis. v. Taedet
animam.
Nun bitten wir den Herre Christ :
canon (late 18th cent.). 126.
Nun danket, all' : chorale by M. Gobel.
153.
Nun, Gott lob', es ist vollbracht :
chorale by M. Gobel (?). 154.
Nun komm, der Heiden Heiland :
chorale by M. Gobel (?). 154.
Nun se scha : chorus by J. K. Bachofen.
167.
Nun so will ich mich der Welt entschla-
gen : chorale by M. Gobel (?). 153.
carol (15th cent.).
cheerful strains :
189.
carol (15th-16th
INITIAL WORDS AND TITLES.
535
Nunc dimittis : motet by Fel. Anerio.
355.
motet by P. Cafaro. 302.
motet by F. Durante. 297.
motet by N. A. Porpora. 296.
v. also Lumen ad revelationem ;
0 Lord, because ; Secundum verbum ;
and under Services, 396-421 passim.
Nunc, Jesu, Te petimus : motet {kmp.
Hen. VIII). 260.
Nunc, Sancte nobis Spiritus : canon
(early 14th cent.). 113.
Nunc scio vere : motet (1802). 347.
"Nunquam fuit " : mass by P. de la
Rue. 222.
0 Absalom, my son : canon by C. King.
119, 125.
canon by H. Lawes. 123, 125.
0 admira,bile commercium : motet
(early 17th cent.). 275-6.
- motet (17th cent.). 289.
motet by Palestrina. 304, 308,
351-2, 359.
motet by S. Weslo*
345.
O all true British hearts : anthem
(temp. Charles II). 34 (words).
O all true faithful hearts : anthem by
O. Gibbons.
0 all ye heathen : hymn (about 1704-
1707). 184.
O all ye nations, bless our God : hymn
by T. Miles. 189-90.
0 all ye nations, 0 be joyful : duet by
G. C. M. Clari. 175.
0 all ye nations of the earth : anthem
by J. Smith. 69.
0 all ye nations of the world : canon
(early 17th cent.). 114.
0 all ye people, clap your hands : hymn
by M. Cooke. 190.
hymn by T. Miles. 189-90.
anthem by H. Purcell. 28 (2), 38,
105.
O all ye works of God : hymn by
T. Causton. 196 (Add. 31855, f. 9).
hymn by W. Parsons. 196 (Add.
31855, f.9b).
O all ye works of the Lord : canon by
[M.] Greene. 119,125(2).
O Alma, Sancta Trinitas. v. O Heiligste
Dreifaltigkeit.
O Almighty God, mercifully hear :
anthem by T. Barcroft. 58.
O arnica mea, sunt capilli : motet by
T. Morley. 281, 310-11, 326.
O anima mea, suspira : motet by
Carissimi. 295.
O Antoni eremita : motet by Palestrina.
308.
O Bap Etern : chorus (1817). 168.
O be joyful in God : anthem (18th
cent.). 82.
anthem by W. Boyce. 92.
anthem by Jer. Clark. 78, 94.
O be joyful in God : anthem by J.
Goldwin. 62.
O be joyful in the Lord : anthem by
Byrd. 34 (words).
canon by J. W. Callcott. 121.
anthem by P. Humfrey. 25, 55,
80, 102.
anthem by W. Jackson [of Exeter].
76.
anthem by W. Savage.
O Beata et Benedicta et
96.
Gloriosa
Trinitas : motet by Palestrina. 300,
Congaudentes
chorus by
: motet (1519-
chorus by B.
motet by Pales-
308-9, 360.
O beate Nicholae. v.
exsultemus.
O beati color' cui 1' opre :
B. Marcello. 164-5.
O Beatissime Domine :
1533). 259.
O beato chi pietoso :
Marcello. 164-5.
O beatum pontificem
trina. 308.
O Beatum Virum : motet (17th cent.).
289.
motet by Palestrina. 308.
mass by D. dal Pane. 220 (Add.
5041, f. 46b).
O benedicta super mulieres : motet by
G. Mori, of Viadana. 280.
O benigna. v. Inviolata, integra.
O Benignissime Domine: motet by
Jan [de Gero]. 261-2.
O bless'dfor ever : anthem by L. Spohr.
107.
O Blessed Lord, full of pity : duet
(15th-16th cent.). 171.
O Blessed Lord, how may this be : duet
(temp. Hen. VIII). 171.
O Bone Jesu, Fili Marise : song by Gal.
Sabbatino. 430.
O Bone Jesu, miserere mei : canon by
J. Blow. 116, 128.
O Bone Jesu, miserere nostri : motet
by Palestrina. 297, 361.
O Bone Jesu, O Dulcis : motet (late
16th cent.). 273.
motet by H. Dumont. 291, 296.
O Bone Jesu, O Dulcissime : motet by
W. Child. 293.
O Bone Jesu, O Piissime : motet (begin-
ning of 16th cent.). 266.
motet (17th cent.). 289-90.
O Bone Jesu, O suavis amor : song by
[Gasparo ?] Casati. 428.
O Bone Jesu, per piissimam passionem
motet by G. Jeffreys. 283-5 (2).
O Christ, vair Dieu : chorus (late 18th
cent.). 164.
O clap your hands: anthem (1547-
1548). 1.
fr. Service by W. Byrd. 420.
anthem by W. Child. 22, 25, 26.
anthem by H. Cooke. 36 (words).
anthem by W. Croft. 45, 46.
36
536
INDEX I.
0 clap your hands : anthem by M. Este.
12, 21.
anthem by 0. Gibbons. 15.
anthem by H. Hall. 42, 59.
anthem by J. Nares. 67.
0 Clavis David : carol by R. Smart.
139.
0 clemens, 0 pia : motet by G.
Gabrieli (?). 276-7.
0 Clementissime Domine : motet by
Galeazzo Sabbatino (?). 291.
0 coeli gloria : motet by N. Monferrato.
285-6.
0 combien est plaisant : chorus by C.
Le Jeune. 161, 162.
0 come, all ye that fear the Lord :
hymn by T. Miles. 189.
O come and let us now rejoice : hymn
by T. Causton. 196 (Add. 31855, f. 6b).
hymn by J. Farmer. 192-3.
0 come hither and hearken : anthem
(17th-18th cent.). 43.
anthem by J. Amner. 54.
anthem by — Bower. 44.
O come in one to praise the Lord :
hymn by Tallis. 180.
0 come, let us lift up our voice : hymn
by T. Miles. 189.
hymn by W. Parsons. 196 (Add.
31855, f.71).
hymn by D. Peebles. 181.
0 come let us sing : chant by J. Blow.
148.
anthem by J. W. Callcott. 74.
canon by J. W. Callcott. 119,
121.
canon (another setting) by J. W.
Callcott. 121.
anthem by W. Croft. 45, 89.
anthem by T. S. Dupuis. 75.
canon by James Elliott. 119.
anthem by Handel. 84, 90.
anthem bv [J.] Sheeles. 87.
- chant by J. S. Smith (?). 149.
anthem adapted from Steffani.
96.
chant by T. Tudway. 147.
v. also under Services, 396-421
2)assim.
O come, loud anthems let us sing :
hymn by M. Cooke from M. C. Bach.
190.
0 come, loud anthems raise : hymn by
T. Miles. 189-90.
0 consider mine adversity : anthem by
— Malory. 4.
anthem by H. Purcell. 104.
0 crux, ave, spes unica : motet by T. L.
da Vittoria. 361.
0 crux benedicta: motet (17th cent.).
289-90.
0 crux gloriosa : motet by Dunstable.
356.
0 crux nobilitata : motet by Carissimi.
295.
0 d' immensa pieta Fonte : chorus by
B. Marcello. 162, 164-5.
0 David, thou noble key : carol by R.
Smart and J. Truelove. 139.
0 death, how bitter is the remem-
brance : anthem by P. Falle. 53.
0 death, where is thy sting ; fr. oratorio
by Handel. 374.
0 Deus meus : motet by G. Jeffreys.
283-4.
O di Betlemme altera poverta : song by
A. Scarlatti. 434.
0 di che lode : song by B. Marcello.
449.
0 Dieu, chi hest : chorus by J. P. Swee-
linck. 168-9.
0 Dieu, con zel : chorus by J. H. Egli.
169.
0 Dieu, da tempe in tempe : chorus by
J. P. Sweelinck. 168.
0 Dieu des armees : chorus by C. Lo
Jeune. 162.
O Dieu Etern: chorus (1817). 167.
0 Dieu, ferm in eel : chorus by J. P.
Sweelinck. 167.
0 Dieu, ma vitt' : chorus by J. W.
Simler. 168.
O Dio, perche : chorus by B. Marcello.
164.
0 Dios, fuerca y castillo mio : song
by P. de Coster Vanderven (?).
426-7.
0 Dios mio, mi esperanza : song by
P. de Coster Vanderven (?). 426.
0 divi amoris victima: motet by F.
Durante (?). 320.
0 do well unto Thy servant : chant by
Tallis. 148 (Add. 17841, f.49b). v.
also under Services, 418, 420.
0 doctor optime : motet by S. Wesley.
349.
O Domine, adjuva me : motet by W.
Byrd. 310.
0 Domine coeli et terrse : motet (be-
ginning of 16th cent.). 266.
0 Domine, Deus : motet (17th cent.).
289-90.
motet by G. Jeffreys. 283-5 (2).
O Domine, guttse Tui sanguinis : motet
by F. Sances. 285-6 (2), 289-90,
335-6.
0 Domine, Jesu Christe : motet (1519-
1533). 259.
motet (before 1760). 306-7.
motet by G. Gabrieli (?). 276-7.
motet by P. Reggio. 287.
0 dulce nomen : motet by G. Casati,
286-7.
0 Dulce Numen numinum ; motet,
(17th cent.). 289.
0 dulcis arnica : motet (1st half of 16th
cent.). 261-2.
0 Dulcis Jesu: motet (17th cent.).
289-91.
song by B. Graziani. 431, 432.
INITIAL WORDS AND TITLES.
537
0 dulcis Virgo : motet by H. Lawes.
288.
0 dulcissima Virgo : motet (1519-1533).
259.
O Eternal God Almighty : anthem by
[R.] Johnson. 15.
O Eternal God and Merciful Father :
anthem by W. Cranford. 35 (words).
0 Ew'ger: song by J. M. Haydn.
449-50.
0 Father Dear, 0 Son most Clear:
anthem by W. Randall. 34 (words).
0 Father, grace and virtue grant : song
by T. Miles. 452.
0 felix puerpera: motet (13th cent.).
253-4.
0 Fili Dei: motet (16th-17th cent.).
273-4.
0 for a shout: hymn by S. Wesley (?).
194.
0 genti tutte festose : song by B.
Marcello. 449.
0 genti tutte voi : chorus by B.
Marcello. 164-5.
0 give thanks : canon by J. W. Callcott.
121.
O give thanks to the God of Heav'n :
anthem by J. Nares. 67.
0 give thanks unto the Lord : anthem
(18th cent.). 82.
0 give thanks unto the Lord, and call :
anthem by J. Blow. 49, 109.
anthem by — Bower, 44.
anthem by W. Croft. 46, 67, 89.
anthem by M. Greene. 45, 47,
62, 64, 113.
anthem by W. Porter. 35 (words).
- anthem by W. Tucker. 56, 85.
anthem by S. Wesley. 73.
0 give thanks unto the Lord, because
His mercy, v. 0 give thanks unto the
Lord, for He ; by P. Humfrey.
0 give thanks unto the Lord ; call
upon His name : anthem by W.
Crotch. 101.
0 give thanks unto the Lord, for He is
Gracious : anthem (late 18th cent.).
93.
anthem by H. Aldrich. 42, 48,
52.
anthem by J. Blow. Ill (two
settings).
anthem by W. Boyce. 41.
canon by J. W. Callcott. 121.
anthem by N. Giles. 14, }7, 26,
30 and 31 (words), 54, 79, 108.
anthem bv P. Humfrey. 27, 54,
102.
anthem by C. King. 85.
anthem by E. Lowe. 56.
anthem by J. Mundy. 12, 14, 17,
30 (words).
anthem
59, 80, 92-3, 104
— anthem by B
by H. Purcell. 41, 50,
Rogers. 40, 43.
O give thanks unto the Lord, for He is
Gracious : anthem by [J.] Taverner. 4.
anthem by [W.] Tucker. 21, 79.
anthem by J. Walter. 27.
O give thanks unto the Lord, for His
mercy: canon by J. W. Callcott. 121.
O give thanks unto the Lord ; let them
give thanks: anthem by M. Greene.
47, 64, 94.
O gloriosa Domina: motet (17th cent.).
289-90.
motet by E. di Bartolo. 316.
motet by W. Byrd. 282.
motet by H. Dumont (?). 292.
motet by F. Durante. 342.
motet by Palestrina. 353.
O gloriosa stella. v. Stella cceli.
O gloriosissima semper virgo : motet
(early 17th cent.). 278 (two copies).
O go not from me : anthem by [H. ?]
Palmer or M. Pearson. 11, 14.
O go your way into His gates ; fr.
Service by Blow. 418-19.
fr. Service by W. Hayes. 413.
canon by H. Purcell. 123.
O God above : anthem by Sir J.
Futhy. 2.
O God, be merciful ; fr. Service (late
16th cent.). 398.
anthem by [J. ?] Shepherd. 15.
anthem by N. Strogers. 15, 18.
anthem by Tye. 2, 15, 17, 58, 108.
v. also God, be merciful.
0 God, behold my heart : hymn by
D. Peebles. 182.
0 God, best Guide, sure Guard : anthem
by J. Bull. 34 (words).
0 God I But God how dare I name :
song by [W.] Byrd. 426.
0 God, by Whom the seed is giv'n :
hymn by T. Miles. 189.
0 God, confound the proud, v. 0
merciful Father, we beseech Thee.
O God, for Thy name's sake : anthem
by J. Franctyne. 3, 85.
0 God, give ear : anthem by W. Byrd.
8 (2), 10.
0 God, my God, I watch betimes :
hymn by J. Hake. 196 (Add. 31855,
f.60b).
0 God, my God, I watch to come to
Thee : hymn by J. Shepherd. 180.
0 God, my God, wherefore dost Thou :
hymn by W. Parsons. 196 (Add.
31855, f. 37b).
O God, my Gracious God: hymn by
T. Miles. 189-90.
O God, my heart is fix'd : song (18th
cent.). 444.
O God, my heart is fully bent : hymn
by T. Miles. 189-90.
O God, my heart is ready : anthem by
J. Blow. 57, 102, 110.
O God, my heart prepared is : anthem
by R. Hutchinson. 19.
538
INDEX I.
0 God, my Saviour: hymn by T.
Miles. 189.
0 God, my strength and fortitude :
hymn by T. Causton. 196 (Add. 31855,
f. 35b).
hymn by W. Cobbold. 194.
anthem by — Mundy. 19.
hymn by W. Parsons. 180, 196
(Add. 31855, f. 36).
hymn by D. Peebles. 181.
0 God of Gods : anthem by J. Bennet.
12.
anthem by E. Hooper. 19, 30 and
33 (words).
0 God of my righteousness : anthem by
M. Greene. 47, 70.
O God of my salvation : hymn by D.
Peebles. 181.
anthem by T. Warwick. 18, 32
(words).
0 God, on Whom my hopes rely : hymn
by T. Miles. 189.
0 God, our Saviour : hymn by T. Miles.
189-90.
O God, That art. v. 0 God, Who.
0 God the Father of heaven : chant by
V. Novello. 151.
0 God, the King of Glory : anthem
adapted by H. Aldrich from Pa-
lestrina. 55, 67, 81. v. also O Rex
glorise.
anthem by 0. Gibbons. 21, 33
anthem by W. Horsley. 100.
anthem by H. Purcell. 105.
God, the proud : anthem by Byrd.
O
17, 30 and 32 (words).
— anthem by [J. ?] Hutchinson.
— anthem by T. Tomkins.
(words). 56.
22.
31
O God, the rock of my whole strength :
anthem by J. Wilbye. 10, 91.
O God, the Spring of all my joys : hymn
by T. Miles. 189.
O God, the strength of all : anthem by
C. Evans. 102.
anthem by J. Sargenson. 43.
O God, Thou art my God alone : hymn
by T. Miles. 189.
O God, Thou art my God ; early will I
seek Thee : anthem (about 1785-1789).
74.
anthem by H: Aldrich. 44, 57.
verse anthem by M. Greene. 45,
47, 64, 70.
solo anthem by M. Greene. 62.
anthem by [T. ?] Mudd. 22.
anthem by D. Purcell. 40.
anthem by H. Purcell. 48, 57,
78, 81, 104.
anthem by J. Walter. 26, 43.
O God, Thou hast cast us out ; anthem
by M. Greene. 82.
anthem by H. Purcell. 48, 57, 78,
81, 104.
O God, Thou hast searched me : canon
by J. W. Callcott. 121.
O God, to earth incline : hymn by T.
Miles. 189.
O God, to Whom all hearts are seen :
anthem by R. Kindersley. 9,91.
O God, to Whom revenge belongs :
hymn by T. Miles. 189-90.
O God, unseen yet ever near : hymn by
T. Miles. 189.
O God, when Thou wentest forth :
anthem by R. Tomkins. 35 (words).
O God, wherefore art Thou absent :
anthem by J. Blow. 22, 39, 42, 48,
59, 110.
anthem by W. Child. 22, 30
(words).
— anthem
by R. Portman.
35
(words).
O God, Which art. v. O God, Who.
O God, Who art most merciful : anthem
by W. Byrd. 83.
O God, Who art my Righteousness :
hymn by J. Shepherd. 179 and 180
(two settings).
O God, Who as on this day : anthem by
N. Giles. 33 (words).
O God, Who by the leading: anthem
by T. Attwood. 103.
O God, Who dost for ever live : song by
Boyce. 438.
O God, Who hast our troops dispers'd :
hymn by T. Miles. 189-90.
O God, Who hast prepared : anthem by
T. Miles. 100.
O God, Who in Thy heavenly hand :
fr. oratorio by Handel. 379.
O God, Who no time dost despise :
anthem byM. Pearson. 9, 91.
O God, Who through : anthem by W.
Smith. 21.
O God, Whom our offences : anthem by
[W.] Byrd. 14, 17, 30 and 32 (words),
108.
O God, Whose former mercies make :
hymn by T. Miles. 189-90.
O God, Whose nature: anthem by H.
Palmer. 18.
O God, Whose thunder shakes the sky :
hymn by T. Miles. 189.
O Gott, du Frommer Gott : song by
M. Gobel(?). 433.
O Gott, Du Schopfer : chorale by M.
Gobel (?). 156.
O Gottes Sohn : chorale by M. Gobel (?):
155.
O gracious Lord, now let my cries :
hymn by T. Miles. 189.
O Grosser Gott : chorale by M. Gobel (?).
156.
song by J. M. Haydn. 449-50.
O had I wings like to a dove : anthem
by J. Milton. 6, 10, 71, 91.
O happiness, thou pleasing dream :
hymn by T. Miles. 189.
INITIAL WORDS AND TITLES.
539
0 happy he whom Thou protect'st:
anthem by T. Weelkes. 9, 11, 91.
0 happy man if thou repent : anthem
by [E. ?] Johnson. 2.
O happy man that fears the Lord :
anthem by H. Purcell. 105.
0 happy they who know the Lord :
hymn by T. Miles. 189.
0 hear me, Lord : anthem by H. Lawes.
72.
0 hear my humble prayer, Lord .
anthem by [N.] Giles. 30 (words).
0 hear my prayer, Lord : anthem by
[NJ Giles. 20, 33 (words).
0 hear ye this : anthem (after 1612). 8.
0 Heavenly God, 0 Father Dear : song
(after 1614). 426.
anthem by W. Damon. 11.
0 Heiligste Dreifaltigkeit : chorale by
M. Gobel (?). 156.
O help me, Lord : anthem by T. Miles.
song by K. P. E.
99.
0 Herr, mein Gott
Bach. 448-9.
0 Herre Christ, Du Gottlich Feu'r :
chorale by M. Gobel (?). 155.
0 Herre Gott, begnade mich: canon
(late 18th cent.). 126.
0 Herre Gott, in meinem Noth : chorale
by M. Gobel (?}. 154.
0 hide me with Thy tend'rest care :
hymn by T. Miles. 189-90.
0 Holy, Holy, Holy Lord : hymn by T.
Miles. 189.
0 how amiable are Thy dwellings : an-
them adapted by H. Aldrich. 52,
55, 80.
anthem by [S.] Arnold. 93.
anthem by J. Blow. 88.
anthem by W. Child. 26.
canon by J. W. Callcott.
121.
119,
66.
anthem by T. S. Dupuis.
anthem by — Gale. 21.
anthem by M. Greene. 45, 47, 64,
70, 95.
anthem by T. Tudway. 63 (two
copies).
anthem by T. Weelkes. 17.
O how blest the man whose ear : hymn
by T. Miles. 189.
0 how delightful is the road : hymn by
T. Miles. 189.
0 how Glorious art Thou : anthem by
E. Hooper. 31 (words).
anthem by [R. ?] White. 17.
0 how happy a thing it is : anthem by
[N.] Giles. 19, 32 (words).
hymn by J. Hake. 196 (Add.
31855, f. 91).
hymn by D. Peebles. 182.
0 how sweet are Thy words : anthem
by T. Miles. 100.
0, I am sick of life : anthem by H.
Purcell. 28, 105.
0 Immaculate : motet (17th cent.).
289-90 (two settings).
O inestimabile triclinium : motet (15th
cent.). 258.
0 Israel, return unto the Lord : canon
by J. W. Callcott. 122.
0 Israel's Shepherd : hymn by T. Miles.
189-90.
0 Jesu, chera vitta: chorus by J. K.
Bachofen. 167.
0 Jesu Christ, Dein: chorale by M.
Gobel (?). 156.
0 Jesu Christ, mein Lebens-licht :
chorale by M. Gobel (?). 154.
0 Jesu Christ, Thou art the Light: an-
them by H. Loosemore. 30 (words).
0 Jesu, Cibus Dulcis : motet by J. E.
Eberlin. 363.
0 Jesu, look : anthem by G. Kirby. 12.
0 Jesu, mea vita : motet by G. Casati.
285-6.
O Jesu meek : anthem by T. Ravens-
croft. 6, 11.
0 Jesu, mein herzes Brautigam : chorale
by M. Gobel (?). 154.
0 Jesu mi : motet by F. Costanzo.
291.
motet by G. Gabrieli. 276-7.
0 Jesu suss, wer Dein gedenkt : chorale
by M. Gobel (?). 156.
0 Jesu sweet, v. 0 Jesu meek.
O Jesu, tu vest:- chorus by J. K.
Bachofen. 167.
0 Jesu, vita mea : motet (17th cent.).
289.
O Jesu, wie ist Dein Gestalt : chorale
by M. Gobel (?). 154.
0 Jesus, our King : song by S. Wesley.
439.
O join ye the anthems of triumph :
hymn by T. Miles. 189.
0 Jonathan, woe is me : anthem by T.
Weelkes. 5, 6, 12.
0 Jova, Domine noster : canon (late
18th cent.). 119.
O King of Kings, Thy blessing shed:
hymn by T. Miles. 189.
O labilis, 0 flebilis: motet (13th-14th
cent.). 255.
0 Lamb of God : anthem by R. Port-
man. 32 (words).
O Lamm Gottes, im Staube : chorus
(about 1785). 161.
0 let me at Thy footstool fall : anthem
by M. Pearson. 9, 11, 91.
0 let me hear Thy loving-kindness:
anthem by T. Ravenscroft. 20.
anthem by R. Tomkins. 35
(words).
0 let me tread in the right path : an-
them by J. Ward. 9, 10, 91.
0 let my mouth be filled : canon (late
18th cent.). 119.
anthem by W. Child. 22, 25, 30,
and 35 (words).
540
INDEX I.
O let my mouth be filled : anthem by
D. Purcell. 51.
0 let the people rejoice, v. 0 God, be
merciful unto us.
0 let the wickedness of the ungodly :
anthem (1833). 95.
0 let us to His courts repair : hymn by
T. Miles. 189-90.
O Liebes-quell' : song by M. Gobel (?).
433.
0 Light, 0 Blessed Trinity : anthem by
T. Hunt. 35 (words). '
O Lord Almighty, 0 God : canon by J.
Hilton. 117.
0 Lord Almighty, Thou God of Israel :
anthem by [John] Farrant. 58.
0 Lord, arise : anthem by [T.l Weelkes.
5, 15.
0 Lord, because my heart's desire :
hymn by J. Angus. 182.
hymn by R. Brirnle. 196 (Add.
31855, f. 22b).
hymn by J. Farmer. 192-3.
■ hymn by W. Parsons. 196 (Add.
31855, f. 23b).
0 Lord, behold my miseries : anthem
by J. Milton. 6, 9, 11, 71, 91.
0 Lord, bow down Thy heav'nly eyes :
anthem by [W.] Byrd. 8.
O Lord, Christ Jesu: anthem (1547-
1548). 1.
O Lord, come, pity my complaint : an-
them bv "Thimolphus Thopul." 10,
92.
0 Lord, come, pity my distress : anthem
by A. Ferrabosco. 9, 91.
0 Lord, consider my distress : song
(about 1630). 427.
hymn by T. Causton. 196 (Add.
31855, f. 52b).
hymn by J. Hake. 196 (Add.
31855, f. 53b).
hymn by T. Miles. 189.
hymn by W. Parsons. 196 (Add.
31855, f. 54b).
hymn by D. Peebles. 181.
anthem by Edw. Smith. 23.
anthem by T. Wilkinson. 5, 20.
O Lord, consider my great moans :
anthem by J. Ward. 10, 11, 91.
O Lord, deliver me : anthem by Tye. 58.
O Lord, for Thy great mercies' sake :
hymn by T. Miles. 189-90.
O Lord, give ear to my complaint :
anthem by T. Lupo. 9, 10, 91.
O Lord, give ear to the prayers of Thy
servants : anthem by Byrd. 17.
O Lord, give ear unto my prayer :
anthem by M. Greene. 45, 47, 64, 70.
O Lord, give Thy Holy Spirit : anthem
by Tallis. 2, 15, 16, 42, 51, 53, 108.
O Lord God Almighty, we humbly
beseech Thee to bless our noble
King: anthem by T. Weelkes. 31
(words).
O Lord, God Almighty, we humbly
beseech Thee to bless our Sovereign :
anthem by T. Weelkes. 30 and 32
(words).
O Lord God most Holy: anthem by
S. Wesley. 107.
O Lord God, O God of our salvation :
anthem adapted by H. Aldrich from
Palestrina (?). 90.
O Lord God of hosts: anthem by J.
Goldwin. 60.
anthem by [M.] Greene. 97.
anthem by H. Purcell. 78, 104.
anthem by Tallis. 15.
O Lord God of Israel, v. Ave, Verum
Corpus ; by W. Byrd.
Q Lord God of my salvation : anthem
by J. Blow. 39, 57, 88, 102, 110.
anthem by W. Croft. 40 (imper-
fect), 45.
anthem (another setting) by W.
Croft. 45.
anthem by W. Horsley. 113.
- anthem by R. Portman.
(words).
— anthem by [W.l Richardson.
94.
34
60.
anthem by T. Wilkinson. 58.
O Lord God, the heathen : anthem by
W. Child. 26, 30 (words), 54.
O Lord God, to Whom vengeance
belongeth : anthem by J. Blow. 112.
O Lord, grant the King: anthem by
H. Aldrich. 52, 57, 81.
full anthem by W. Child. 18, 25,
54, 93.
verse anthem by W. Child. 26,
30 (words).
anthem by W. Croft. 41.
anthem by H. Purcell. 103.
anthem by R. Tomkins. 35
(words).
anthem by [T.] Weelkes. 17, 31
(words), 56, 109.
v. also O Lord, grant the Queen.
O Lord, grant the Queen ; by Aldrich.
v. also O Lord, grant the King.
— anthem by J. Church. 61 .
- anthem by J. Hawkins, of
Ely.
my
60.
O Lord, hear my prayer, and let
cry : anthem by M. Lock. 37.
O Lord, hear out my right request :
hymn by J. Shepherd. 179.
O Lord, how are my foes increas'd :
hymn by T. Causton. 196 (Add.
31855, f. 31b).
hymn by W. Parsons. 196 (Add.
31855, f. 32b).
hymn by T. Ravenscroft. 192-3.
O Lord, how do my woes increase :
anthem by J. Cooper. 9, 11, 91.
anthem by O. Gibbons. 9, 91.
O Lord, how excellent Thy Grace :
hymn by T. Miles. 189.
INITIAL WORDS AND TITLES.
541
O Lord, how joyful is the King : hymn
by W. Parsons. 196 (Add. 31855,
f. 36b).
hymn by D. Peebles. 181.
hymn by J. Shepherd. 180.
anthem by T. Weelkes. 23.
0 Lord, how long: anthem by W.
Byrd. 8.
hymn by T. Miles. 189-90.
0 Lord, how manifold; by Croft, v.
Praise the Lord, 0 my soul ; 0 Lord.
— anthem by T. S. Dupuis. 75.
O Lord, how many do increase : hymn
by J. Shepherd. 179 and 180 (two
settings).
0 Lord, how many enemies : anthem
(after 1604). 7.
O Lord how vain : anthem by W.
Byrd(?). 8.
0 Lord, I am not high-minded :
anthem by [J.] Hutchinson. 19.
0 Lord, I bow the knees : anthem by
W. Mundy. 4, 14, 17, 25, 30 and 31
(words), 48, 54, 68, 108.
O Lord, I call to Thee for help : hymns
by J. Shepherd. 180 (two settings).
O Lord, I have heard: anthem by H.
Aldrich. 59, 80.
O Lord, I have loved the habitation:
anthem by T. Tomkins. 32 (words).
O Lord, I have sinned : anthem (temp.
Charles II). 35 (words).
anthem by Blow. 25, 55, 81, 102,
110.
anthem by J. S. Smith. 93.
0 Lord, I lift my heart: canon (late
18th cent.). 118.
anthem by O. Gibbons. 9, 32
(words), 91.
O Lord, I will praise Thee : canon
(18th cent.). 123.
O Lord, in Thee have I trusted : canon
by W. Crotch. 122.
canon by James Elliott. 118.
0 Lord, in Thee is all my trust : anthem
by N. Giles. 33 (words).
anthem by E. Hooper. 20.
anthem by T. Ravenscroft. 6.
canon by T. Ravenscroft. 124.
hymn by Tallis. 33 (words), 196
(Add. 31855, f. 117).
O Lord, increase my faith : anthem by
O. Gibbons. 54, 102.
O Lord, let it be Thy pleasure : anthem
by J. Hutchinson. 18.
0 Lord, let me know mine end : anthem
(late 17th cent.). 38.
anthem by T. Tomkins. 5, 6, 20,
30 and 33 (words).
anthem by S. Tozer. 20.
O Lord, look down from heaven :
anthem by M. Greene (?). 82.
O Lord, make Thy servant: anthem
by W. Byrd. 17, 26, 30 and 31
(words), 79, 97, 108.
O Lord, make Thy servant : anthem
by [W.] Cranford. 22, 24, 34 (words).
O Lord, my God, I have cried : anthem
by J. Hawkins, of Ely. 62.
O Lord, my God, I put my trust : hymn
by J. Shepherd. 179.
O Lord my God, in all distress : anthem
by N. Giles. 33 (words).
O Lord, my God, in Thee have I put
my trust : anthem by W. Child. 87.
anthem by T. Wilkinson. 5, 20.
O Lord, my God, let flesh and blood :
anthem by W. Byrd. 68, 83.
O Lord, my God, my portion Thou:
hymn by T. Miles. 189-90.
O Lord, my God, since I have plac'd :
hymn by T. Miles. 189-90.
O Lord, my God, why hast Thou :
anthem by P. Humfrey. 27, 38, 51,
54, 81.
O Lord, my rock : hymn by T. Miles.
189-90.
hymn by S. Wesley. 190, 195.
O Lord of hosts, my King : hymn by T.
Miles. 189-90.
O Lord of hosts, Thou God of Israel :
anthem by J. Shepherd. 112, 196
(Add. 31855, f. 118).
anthem by Tye. 2, 15.
O Lord of hosts, Thou God of peace :
anthem by N. Giles. 33 (words).
O Lord of hosts, to me give ear : hymn
by T. Miles. 189.
O Lord, of Whom I do depend, v. O
Lord, on Whom.
O Lord, on Whom I do depend : hymn
by T. Causton. 196 (Add. 31855, f. 14).
hymn by J. Farmer. 183.
anthem by N. Giles. 30 and 33
(words).
anthem by R. Nicholson (?). 7.
hymn by R. Palmer. 192-3.
hymn by W. Parsons. 196 (Add.
31855, f. 15).
O Lord, open Thou our lips. v. under
Services (Preces), 396-421 passim.
O Lord, our fathers oft have told :
hymn by T. Miles. 189-90.
O Lord, our God, Tremendous rise :
song by Jommelli. 451.
O Lord, our Governor, how excellent :
anthem (1629). 15.
anthem by H. Aldrich. 57.
anthem by J. Bishop. 60.
anthem by W. Child. 87.
anthem by W. Croft. 89.
anthem by M. Greene. 45, 47, 64.
anthem by G. King. 43.
anthem by [W. ?] Mundy. 21.
anthem by H. Purcell. 78, 104.
O Lord, our Governor, on earth : anthem
by H. Purcell. 28, 105.
O Lord, our Lord: hymn (1547-1548).
179.
anthem by M. Lock. 37.
542
INDEX I.
0 Lord, our Lord : hymn by S. Wes-
ley (?). 194.
0 Lord, raise up, we pray Thee : anthem
by R. J. S. Stevens. 95.
O Lord, rebuke me not : anthem
(1547-1548). 1.
anthem (temp. Elizabeth). 4.
anthem (after 1624). 14.
anthem adapted by H. Aldrich
or — Husbands from R. White (?).
55, 81.
anthem by W. Bvrd. 19, 109.
anthem by W. Child. 24, 87.
anthem by W. Croft. 41, 49, 82.
- anthem by W. Cross. 34 (words).
anthem by 0. Gibbons. 32
(words).
anthem by J. Weldon. 40, 41, 43.
0 Lord, send us : anthem by W.
Tucker. 23.
0 Lord, that. v. 0 Lord, Who.
0 Lord, the Gentiles do invade : hymn
by D. Peebles. 181.
0 Lord, the Maker : anthem (temp.
Charles II). 30 (words).
anthem by W. Mundy. 15, 17,
56, 108.
0 Lord, the Mighty God : hymn by T.
Miles. 189-90.
0 Lord, the Saviour and Defence : hymn
by T. Miles. 189-90.
0 Lord, the world's Saviour : anthem
(temp. Charles II). 30 (words).
anthem by W. Mundy. 15, 17,
51, 108.
anthem by [J.] Wood [? from W.
Mundy]. 18.
0 Lord, Thou art my God : anthem by
W. Croft. 89.
anthem by H. Purcell. 103.
anthem by C. Wesley. 73 (no. 18,
autogr.).
0 Lord, Thou hast cast us out : anthem
by C. Woolcot. 61.
0 Lord, Thou hast me tried : hymn
by T. Causton. 196 (Add. 31855,
ff. 97b, 9S).
0 Lord, Thou hast searched me out:
anthem by A. Batten. 20.
anthem by J. Blow. 27, 49, 58,
79, 81, 110.
anthem by J. Cobb. 35 (words).
anthem by W. Croft. 41, 48.
anthem by [N.?] Giles. 21.
anthem by M. Pearson. 11.
anthem by W. Porter. 35 (words).
- anthem by [J.] Sheeles. 87.
0 Lord, Thou loved hast my land :
hymn by D. Peebles. 181.
0 Lord, Thy mercy : hymn by T.
Miles. 189.
0 Lord, Thy name's most excellent :
anthem by Sir W. Leighton. 9, 91.
0 Lord, to my relief draw near : hymn
by T. Miles. 189-90 (two settings).
0 Lord, turn not away Thy face : hymn
(1575-1578). 182.
hymn by [R.] Brimle. 196 (Add.
31855, f. 16b).
hymn by T. Causton. 196 (Add.
31855, f. 15b).
- anthem by [N.] Giles. 20,
30
and 33 (words).
— anthem by R. Nicholson (?). 7.
— hymn by W. Parsons. 192-3, 196
(Add. 31855, f. 18b).
— hymn by W. Parsons (another
setting). 196 (Add. 31855, f. 17b).
canon by T. Ravenscroft. 124.
0 Lord, turn not Thy face away : hymn
by T. Miles. 189.
0 Lord, turn Thy wrath away : anthem
by Byrd. 7, 12, 14, 17, 25, 30 and
32 (words), 49, 53, 108. v. also Ne
irascaris.
0 Lord, upon Thee do I call : hymn
by W. Parsons. 196 (Add. 31855,
f. 99b).
hymn by N. Southerton. 196
(Add. 31855, f. 99).
0 Lord, we beseech Thee, mercifully
to receive : anthem by T. Attwood.
102.
O Lord, what love and favour: hymn
by T. Miles. 189.
O Lord, Who art my Righteous Judge:
hymn by T. Miles. 189.
O Lord, Who for our sake : anthem by
W. Smith. 20.
O Lord, Who heaven dost possess :
hymn by D. Peebles. 182.
hymn by J. Shepherd. 180.
O Lord, Who in Thy sacred tent :
anthem by W. Byrd. 8.
O Lord, whom wilt Thou count worthy :
hymn (1547-1548). 179.
O Lord, Whose Grace no limits com-
prehend : song by Jam. Ha[rding?].
426.
O Lord, with all my heart : hymn by
J. Shepherd. 179.
v. also Benodicam Domino.
O Lord, within Thy tabernacle : hymn
by J. Shepherd. 179.
O love beseeming well : trio by J.
Amner. 464.
O love the Lord, all ye his saints :
anthem by J. Goldwin. 78.
O loving God and Father dear : anthem
by Sir W. Leighton. 9, 10, 91.
O Lux : motet by T. L. da Vittoria.
279-80.
O Lux, Beata Trinitas : motet (14th-
15th cent.). 255-6.
motet {tc.np. Hon. V.IIT). 260.
canon (after 1600). 114.
canons by W. B[yrd]. 114.
motet by W. Byrd. 274, 309.
by T. Hunt. v. 0 Light, 0
blessed Trinity.
INITIAL WORDS AND TITLES.
543
0 Lux, Beata Trinitas : motet by Pales-
trina(?). 304.
v. also Der Du bist Drei.
0 Lux Beatissima : motet by A. Wil-
laert. 313-14.
0 lux et decus Hispanise : motet by
J. Clemens non Papa. 313.
motet by T. L. da Vittoria. 325.
O Lux Splendidior: motet (17tb cent.).
289-90.
0 Madre di Dio : chorus (18th-19th
cent.). 165.
0, magnify the Lord : anthem by W.
Savage (?). 95.
0 magnum mysterium : motet by G.
Mori, of Viadana. 280.
motet by Palestrina. 359.
motet by D. Perez. 357.
motet by S. Wesley. 345.
0 magnum Sacramentum : motet (17th
cent.). 289-90 (two settings).
0 magnum virum. v. Sancte Martine.
0 Maria : motet by R. Fayrfax. 261.
0 Maria, clausus hortus : motet by O.
di Lasso. 305 (Add. 5042, f. 45b).
0 Maria, decus Angelorum : motet
(13th cent.). 253-4.
0 Maria, Mater pia : motet (before
1760). 306-7.
0 Maria, nomen gratum : motet by G.
Battistini. 331.
0 Maria piissima : motet by J. Mouton.
305 (Add. 5043, f. 48b).
0 Maria, quam pulchra es : song (17th
cent.). 429.
0 Maria, vernans rosa : motet by J. T.
Gerarde (?). 269. .
0 Maria, virginei flos honoris : motet
by H. de Pisis (?). 254.
0, may I worthy prove : anthem by
T. Miles. 99.
0 mens, cogita : song by H. de Pisis (?).
423-4.
0 Mensch, nun deines Lebens : chorale
by M. Gobel (?). 155.
O merciful Father, we beseech Thee:
anthem by — Feryng. 3, 85.
0 mi Deus : motet by J. Fuss. 363.
" 0 Michael " : mass by [J.] Taverner.
223.
0 miranda Domina : motet (14th-15th
cent.). 255-6.
0 most Gracious God, look upon us :
anthem by J. Cobb. 35 (words).
0 most High and Eternal King : hymn
by T. Causton. 196 (Add. 31855,
f.l21b).
0 my Best, my only Friend : hymn by
T. Miles. 189.
0 my God, accept my praise : song
(after 1755). 438.
0 my God, by Thee forsaken: hymn
by T. Miles. 189.
0 my son Absalom : anthem by J.
Farnaby. 6.
O my son Absalom : anthem by T.
Weelkes. 5, 6, 12.
0 my soul, what means this sadness :
hymn by T. Miles. 189.
0 nata lux de lumine : motet by Tallis.
309.
0 natio nefandi generis : motet (15th
cent.). 256-7.
0 noebla Christantsed : chorus by F. K.
von Baer. 163.
0 nomen Jesu: duet (after 1669?).
172.
motet (17th cent.). 289.
motet by G. B. Bassani or H.
Dumont. 291, 292, 294.
motet by A. Ferrabosco (I). 275,
281.
- motet by G. Jeffreys. 283-4.
motet by Galeazzo Sabbatino (?).
291.
0 nuestro Dios, cuan grand' : song by
P. de Coster Vanderven (?). 426.
0 oarma mia, 1' Segner benedescha :
chorus (late 18th cent.). 164 (two
settings).
chorus (1817). 169.
chorus by A. Schmau. 167.
0 Pane del Cielo : ' chorus (18th-19th
cent.). 165.
0 Panis Angelorum : motet by G.
Jeffreys. 283-4.
0 Panis Mellifluus : motet by P. Reggio.
287.
0 Pastor Sterne : motet by P. Philips.
310-11.
0 Pastor of Israel : hymn by D. Peebles.
181.
0 pastor optime : motet (16th-17th
cent.). 274.
0 paum d' la vitta : chorus by A.
Schmau. 168.
0 perdum da mieu zuond : chorus
(1817). 168.
0 pia. v. Salve, Regina.
O piissime Domine: motet oy G.
Jeffreys. 283-4.
0 poevel mieu : chorus by J. P. Swee-
linck. 168.
0 Prsecelsum et Venerabile : motet by
H. Dumont. 291-2.
O praise God in His Holiness : anthem
(temp. Charles II). 30 (words).
anthem (18th cent.). 41.
anthem (early 19th cent.). 95.
anthem by J. Goldwin. 62.
anthem by H. Purcell. 78.
anthem by Edw. Smith. 20.
- anthem by J. Weldon. 52.
anthem by [R.] White. 3, 18,
32 (words), 56.
anthem by M. Wise.
25, 57.
0 praise our God, ye people : anthem by
W. Holder. 56.
0 praise our Lord, ye saints : anthems
by Byrd. 7.
544
INDEX I.
0 praise the Lord : anthem (early 19th
cent.). 95.
0 praise the Lord, all ye heathen :
anthem by H. Aldrich. 57, 80, 85.
anthem by [S.] Arnold. 93.
anthem by A. Batten. 17, 25, 108.
anthem by W. Croft. 45, 85, 89,
lJ0.
— anthem by T. Miles. 99.
— anthem by [H. ?] Purcell. 22, 103.
— anthem by [T. ?] Tomkins. 30
(words), 56.
— anthem by S. Wesley. 70.
— anthem by [Aaron ?] Williams.
69.
O praise the Lord, and thou, my soul :
hymn by T. Miles. 189-90.
O praise the Lord, for it is a good
thing: anthem (17th-18th cent.).
43.
anthem by J. Hawkins, jun. 62.
anthem by W. Porter. 35 (words).
anthem by [J. ?] Smith. 69.
anthem by T. Tudway. 61.
anthem by W. Turner. 50, 57.
anthem by J. Weldon. 52.
O praise the Lord, for the Lord is
Gracious : anthem by P. Hayes. 72.
O praise the Lord ; laud ye : anthem
(late 17th cent.). 39.
anthem by W. Child. 22, 25, 30
(words), 54.
■ anthem by P. Humfrey. 26, 43,
55, 81, 102.
anthem by J. Nares. 67.
O praise the Lord of heaven : anthem
by J. Blow. 112.
anthem by [J.] Geeres. 19.
anthem by M. Greene. 82.
anthem by S. Wesley. 70.
O praise the Lord, praise Him in the
height : anthem by J. Smith. 69.
O praise the Lord, praise Him with one
accord : hymn by W. Parsons. 196
(Add. 31855, f.92).
O praise the Lord with hymns of joy :
hymn by T. Miles. 189-90.
O praise the Lord with one consent :
anthem by Handel. 84.
O praise the Lord, ye angels : anthem
by — Cutts. 20.
O praise the Lord, ye nations all : hymn
by D. Peebles. 182.
O praise the Lord, ye that fear : anthem
by W. Croft. 40.
O pray for the peace of Jerusalem :
anthem adapted by H. Aldrich from
Carissimi. 55, 80.
anthem by J. Blow. 110.
anthem by W. Child. 22, 25.
anthem by C. King. 85.
anthem by J. Nichols. 18.
anthem by B. Rogers. 37.
anthem by [T.] Tomkins. 20, 30
and 35 (words).
O pretiosum et admirabile Sacramen-
tum : motet by P. Reggio. 287.
O pretiosum etadmirandum Convivium :
motet by Fel. Anerio. 355.
motet by G. Jeffreys. 283-4.
O primarium veri sacrarium cordis :
motet (15th cent.). 258.
O ! primus homo corruit in fraude :
part (?) of Miracle-play (12th cent.).
240.
O prole nobile : chorus by B. Marcello.
164-5.
O pulcherrima mulierum : motet (1519-
1533). 259.
motet (17th cent.). 289.
O put your trust in Him. v. My soul,
be joyful.
O quam dulcis .... (early 17th cent.).
v. Maria, stella.
O quam dulcis es : motet by P. Reggio.
287, 289-90.
O quam dulcis, quam suavis : motet by
G. Jeffreys. 283-4 (2).
O quam gloriosum est Kegnum : motet
(16th-17th cent.). 273.
motet by W. Byrd. 282.
motet by G. Jeffreys. 283-4.
motet by Palestrina. 325.
mass by T. L. da Vittoria, 220-1,
229.
O quam Gloriosus : motet (17th cent.).
289.
O quam jucundum : motet (17th cent.).
289-90.
motet (a 3) by G. Jeffreys. 283-4.
motet (a 4) by G.Jeffreys. 283-5(2).
O quam metuendus est locus ; by
Palestrina. v. Sanctificavit Dominus.
motet by S. Wesley. 349.
O quam mirabilia : motet by Carissimi.
327.
O quam probatum ; by J. Taverner ("?).
v. Sospitati olei.
O quam pulchra es : song by Carissimi.
432.
O quam pulchra et casta : motet by
Carissimi. '295.
O quam sancta, quam benigna : motet
(13th cent.). 253-4.
O quam speciosa : song (17th-18th
cent.). 432.
O quam suave est nomen : motet (17th
cent.). 289.
song by G. Jeffreys. 428.
O quam suave est Regnum coelorum :
cantata by G. B. Bassani. 133.
motet by Carissimi. 327.
O quam Suavis es : motet by H.
Dumont. 291-2.
O quam suavis est, Domine : motet by
E. di Bartolo. 316-17.
motet by G. B. Martini. 341.
motet by S. Wesley. 345.
O quam tu pulchra es : motet (17th
cent.). 289-90.
INITIAL WORDS AND TITLES.
545
O quanti contra nos hostes : song by
Porpora. 436.
0, quantus luctus : motet by Palestrina.
305 (Add. 5038, f.43b).
O que c'est chose belle : canon by Claude
Le Jeune. 117.
0 quot undis : motet by E. di Bartolo.
347-8.
O radix Jesse : carol (15th-16th cent.) .
139.
chorus by P. Anose.
mass by Palestrina.
(beginning of 16th
anthem
(17th
316.
341.
309, 314.
O sacred
motet (late 16th
O Raig, il Domini
167.
"O Regem cceli" :
220.
0 Regina : motet
cent.). 266.
O render thanks and bless the Lord :
hymn by T. Miles. 189-90.
O render thanks to God : song (18th
cent.). 440.
hymn by T. Miles. 189-90.
0 Rex gloriae : motet (about 1584). 264.
motet by Palestrina. 305 (Add.
5038, f. 6b), 335-6, 360.
0 Righteous God : hymn by T. Miles.
189.
0 sacred and holy Banquet
by T. Tallis. 11.
0 sacrum Convivium : motet
cent.). 289-90.
motet by E. di Bartolo.
motet by G. B. Martini.
motet by C. Porta. 363.
motet by Tallis. 306-7,
v. also, I call and cry ;
and holy Banquet.
0 Salutaris Hostia :
cent.). 271-2.
motet (18th cent.). 326.
motet by [T. A.] Arne. 337.
motet by G. Biordi. 360.
— - song by J. Krall. 454-5.
motet by G. B. Martini. 341.
motet by J. S. Mayr. 339.
motet by Tallis. 265, 278, 309.
0 sancta Maria Virgo : motet (1519-
1533). 259.
0 sancte praesul Nicholae : motet by
Palestrina. 310.
0 sancte seraphice : motet by [P. ?] de
La Fage. 261.
0 sanctissima, 0 piissima : motet
harmonized by R. J. S. Stevens.
337.
O Sanctissime Deus : motet by G.
Mori, of Viadana. 280-1.
O save me, Lord : hymn by T. Miles.
189.
0 Saviour, Whom this joyful morn :
hymn by T. Miles. 189.
0 say, in heav'n's capacious round :
hymn by T. Miles. 189.
O Segner, num arprender : chorus by
F. K. von Baer. 163.
1 chorus by J. P. Sweelinck. 166.
0 Seigneur, que de gens: chorus by
C. Le Jeune. 158, 159, 162.
O Self-existent One in Three : hymn
by T. Miles. 189.
0, selig ist der Mann : chorale by
M. Gobel(?). 153.
0 Senor, al razonamiento :. song by
. P. de Coster Vanderven(?). 426.
0 set me up upon the Rock : anthem
by [J.] Weldon. 94.
0 shame upon thee : song bv T. Miles.
453.
O Signor, chi sara mai : song by B.
Marcello. 449.
0 sing praises : anthem by W. Turner.
50.
0 sing to the Lord : hymn by T. Miles.
189.
0 sing unto God, and sing praises:
anthem by J. Blow. 50, 51, 58, 110.
O sing unto God ; sing praises : anthem
by M. Greene. 70.
0 sing unto the Lord a new song, all :
anthem by J. Blow. 88.
anthem by W. Croft. 39, 46, 81.
anthem by W. Crotch. 76.
anthem by M. Greene. 47, 62, 97.
anthem by Handel. 84, 90.
anthem by \V. Norris. 43.
anthem by H. Purcell. 78, 104.
O sing unto the Lord a new song, for
He: anthem by J. Blow. 37, 111.
anthem by W. Child. 22, 25.
anthem by J. Church. 78.
anthem by Coates. 69.
anthem by H. Cooke. 36 (words).
anthem by R. Hinde. 19.
0 sing unto the Lord a new song ; let :
anthem (after 1624). 15.
anthem by J. Amner. 58.
anthem by N. Giles. 34 (words).
anthem by M. Greene. 82.
anthem by H. Lawes. 36 (words).
anthem by R. Portman. 36
(words).
anthem by T. Tomkins. 5, 6, 18,
32 (words).
anthem by C.
Wesley. 70-1.
0 sing unto the Lord a song : canon by
J. W. Callcott. 120.
O sing unto the Lord and worship :
anthem adapted by J. H. Short from
0. Gibbons. 102.
0 sing unto the Lord, for He : canon
by S. Wesley. 118.
0 sing unto the Lord with thanks-
giving: anthem by M. Greene. 97,
100.
0 singulare prsesidium. v. O lux et
decus.
0 solitude, my sweetest choice : song
by H. Purcell. 429, 431 (2), 434,
453.
O source of uncreated light : hymn by
T. Miles. 189.
546
INDEX I.
0 Souverain Pasteur : grace by Clemens
non Papa. 178.
grace by J. T. Gerarde (?). 177.
grace by T. Susato. 178.
0 spare me, Lord : antbem by T. Miles.
99.
0 speak tbat gracious word again :
hymn by T. Miles. 189.
0 Spiert Santissem : chorus by [J. B. ?]
Lully. 163.
chorus by A. Schmau. 168.
0 splendida dies : motet by G. P.
Colonna. 288.
0 splendor glorite : motet by J. Taverner.
308.
0 stupor et gaudium : motet (before
1760). 306.
0 taste and see : anthem adapted from
Marcello. 96.
0 that I had wings : canon by J. W.
Callcott. 121.
0 that men would therefore praise the
Lord : canon by T. Morley. 117.
0 that mine eyes : anthem by H.
Bowman. 27.
■ song by T. Brewer. 427, 430.
anthem by H. Loosemore. 28, 44.
0 that my head were waters : anthem
by C. Wesley. 70-1.
0 that my people wisely would : hymn
by T. Miles. 189-90.
0 that my ways : anthem by W. Child.
88.
anthem by M. Pearson. 6, 11, 13.
0 that the salvation were given :
anthem by \V. Child. 30 (words),
88.
O the abundance of Thy house : hymn
by T. Miles. 189.
0 Theu'res Blut : chorale by M.
Gobel (?). 156.
0 think upon Thy servant : anthem by
T. Tomkins. 35 (words).
0 Thou, from Whom all goodness
flows : hymn by T. Miles. 189-90.
0 Thou from Whom all mercy springs :
anthem by H. Lawes. 72.
0 Thou God Almighty : anthem by
E. Hooper. 15, 17, 32 (words), 51,
79, 108.
O Thou Great Being : hymn by T.
Miles. 189.
O Thou Great Source of ev'ry good :
chorus by C. Wesley. 165.
0 Thou, That in the Heavens dost
dwell : anthem by J. Travers. 66.
O Thou, to Whom all creatures bow :
song (18th cent.). 440.
hymn by T. Miles. 189-90.
0 Thou, to Whom in ancient time :
hymn by T. Miles. 189.
0 Thou, to Whom our lips are taught :
hymn by S. Wesley (?). 194.
O Thou unknown, Almighty Cause :
hymn by T. Miles. 189.
0 Thou, Whom heav'nly hosts obey :
hymn by T. Miles. 189.
0 Thou, Whom heav'n's high hosts
revere : hymn by T. Miles. 189.
O Thou, Whose Grace : hymn by T.
Miles. 189.
0 Thou, Whose name too often is
profan'd : chorus by T. Miles. 166.
O Thou, Whose Pow'r : hymn by T.
Miles. 189.
O Thou, Whose scales the mountains
weigh : hymn by T. Miles. 189.
0 Thou, Whose tender mercy : duet by
T. Miles. 177.
O, 'tis a lovely thing to see : hymn by
T. Miles. 189.
0, to Thy servant, Lord, return: hymn
by T. Miles. 189-90.
0 Traurigkeit : chorale by M. Gobel (?).
154.
0 Trautes, Liebes Jesulein : chorale by
M. Gobel (?). 154.
0 tu sgrischus : chorus by J. K. Bach-
ofen. 167.
0 Tu, unus Deus : motet by G. Jeffreys.
283.
0 Tubse, ad arma sonate : song (early
18th cent.). 433.
0 turn and all my griefs : hymn by
T. Miles. 189-90.
0 vera, 0 pia : motet (15th cent.).
256-7.
0 Vera, Summa, Sempiterna Trinitas.
v. 0 Beataet Benedicta . . . Trinitas.
0 Verum Christi Corpus : motet by
Galeazzo Sabbatino (?). 291.
0 Virgo rnitis : motet (15th cent.).
256-7.
0 vos omnes qui transitis : motet (1st
half of 16th cent.). 262.
motet (16th-17th cent.). 273,
274.
Lamentations (early 17th cent.).
197.
motet by P. A. Basilij. 339-40.
motet by W. Byrd (?). 307.
- motet by P. Cannicciari. 328
(Add. 31554, f. 37b).
- motet by [S. ?]
Dentice. 294
(Add. 14203, f.58).
— motet by A. Ferrabosco (III ?).
273-6 (2).
- motet by N. Jommelli. 332.
motet by L. Leo. 361 (Eg. 2467,
f.55b).
— motet by T. Lupo. 276, 281.
- motet by M. Marini. 285-6,
289-90.
— motet
by [G.] Salvatore. 329
(Add. 32392, f. 37b).
v. also Recessit Pastor.
O vulnera doloris : song by Carissimi.
434 (2).
0 waarder mond : motet (1519-1533).
259.
INITIAL WORDS AND TITLES.
547
O Welt, ich muss dich lassen : duet by
M. Gobel (?). 173.
O what shall we do our Saviour to
praise : hymn by T. Miles. 189.
0 why should Israel's sons : hymn by
T. Miles. 189.
0 wie so gar selig ist doch der Christ :
chorale by M. Gobel (?). 156.
O woe is me for thee : anthem by J.
Milton. 6, 11.
0 worship the King : hymn by T. Miles.
189.
O worship the Lord : anthem by W.
Child. 30 (words).
anthem by [William?] Cole. 69.
anthem by B. Lamb. 60.
0 Wunder-grosse Treu' : chorale by M.
Gobel (?). 154.
O ye that love the Lord : anthem by S.
Wesley. 70.
" Oakhampton ": hymn-tune. v. 0 all
ye people, clap your hands.
Occurrerunt Maria et Martha : motet
by J. T. Gerarde. 266, 268.
Oculi mei: motet (1802). 346.
Oculi omnium : motet by N. Jommelli.
332-3.
Oculus non vidit : motet by 0. di Lasso.
305 (Add. 5042, f. 4), 325.
Of David, Lord, in mind record : hymn
by D. Peebles. 182.
Of Israel this may now be the song :
hymn by D. Peebles. 182.
Of mercy and of judgment: anthem by
A. Blackhall. 2, 7.
hymn by D. Peebles. 181.
Of mercy's never-failing Spring : hymn
by T. Miles. 189-90.
hymn by P. Valton. 187.
Of mortal life how short the date :
hymn by T. Miles. 189.
Of sharp thorn, v. Woefully array'd.
Offer the sacrifice of righteousness :
anthem by W. Croft. 62, 89.
anthem by [M.] Greene. 97.
Offerentur: motet by N. Ludford. 260.
Oft in danger : hymn by T. Miles. 189.
Oft klagt dein Herz : song by K. P. E.
Bach. 448-9.
Oid mi voz : song by P. de Coster Van-
derven (?). 426-7.
"Old hundredth." v. "The old hun-
dredth."
Omnes amici mei dereliquerunt me :
motet by P. A. Basilij. 339-40.
motet by G. [B.] Buononcini.
360-1.
motet by P. Cannicciari. 328
(Add. 31554, f. 16).
motet by [S. ?] Dentice. 294
(Add. 14203, f. 26).
- motet by N. Jommelli. 332.
motet by L. Leo. 361 (Eg. 2467,
Omnes amici mei dereliquerunt me :
motet by [G.] Salvatore. 329 (Add.
32392, f. 17).
Omnes de Saba venient : motet by V.
Fiorovanti. 338.
Omnes gentes, attendite : motet
(1575-1578). 263.
Omnes gentes, plaudite : motet (1802).
346.
motet by E. di Bartolo. 316.
motet by G. Casati. 285-6, 293.
canon by S. Rahel (Boy. App. 64,
f. 9b). 115.
motet by S. Wesley. 349.
Omnes in Domino: motet (14th-15th
cent.). 255-6.
Omni die die Marise : motet (17th
cent.). 289.
Omni tempore benedic Deum : motet
by F. Grassi. 328.
Omnia quae fecisti : motet (about 1584).
264.
■ motet (1802). 347.
Omnia vanitas : motet by S. Wesley.
349.
Omnipotens, sempiterne Deus : motet
by Palestrina. 310.
Omnis caro : motet by J. T. Gerarde (?).
266-7.
Omnis curet homo : part of Miracle-
play (12th cent.). 240.
Omnis spiritus laudet Dominum : canon
by [M.] Greene. 116, 119, 125.
Omnis terra adoret Te : motet (1802).
346.
On God my steadfast hopes rely : hymn
by T. Miles. 189.
On God we build our sme defence :
hymn by T. Miles. 189.
On his face the vernal rose ; f r. oratorio
by Boyce. 367.
On Thee alone, 0 God: duet by T.
Miles. 177.
On Thee I call, O Lord : hymn by D.
Peebles. 182.
wait : hymn by T. Miles.
On Thee I
189.
Once more
T. Miles.
f.25b).
— motet by G. B. de Orchis.
315.
before we part : hymn by
189.
Once more, my soul : song by S. Wesley.
439.
Open, Lord, my lips : hymn by T. Miles.
189.
Open me the gates : anthem by M.
Wise. 80.
Open the gates of righteousness : an-
them by M. Greene. 64, 101.
Oppress'd with guilt : hymn by T.
Miles. 189.
Opus stupent angeli. v. Fidem re-
fundens.
Or che condannami : chorus by B. Mar-
cello. 164-5.
Or che m' assale : chorus by B. Mar-
cello. 164.
548
INDEX I.
" Or le tue forze adopra " : mass by F.
Anerio. 237.
Or tu sol : madrigal by Palestrina (Add.
5039, f. 7b ; 31397, f. 39b; 31408, f. 5b;
etc.). 204 (2), 205 (2).
Oraetlabora: canon by J. Hilton. 116.
Ora pro nobis: canon by [M.] Greene.
125(2).
• canon by J. Travels. 117.
Orabat autem Jesus, v. Passio Domini
nostri.
"Orange Street": hymn-tune (about
1800). 188.
Oravi ad Dominum : motet by Pales-
trina. 291 (Add. 35084, f. 22b), 333.
Oravi ad Patrem. v. Oravi ad Do-
minum.
Oravit Jonas: motet by Fel. Anerio.
354.
" Ordo virtutum " : Miracle-play (1487).
242-3.
Orienti oriens stolla nova claruit :
part (?) of Miracle-play (12th cent.).
240-1.
Orientis partibus ; from Miracle-play
(about 1227-1234). 242, 253.
song (late 18th cent.). 449.
Orietur stella : motet bv Palestrina.
310.
Orto che sei si chiuso : madrigal by
Palestrina (Add. 5039, f. 26b ; 31397,
f. 58 ; 31408, f. 17b). 204, 205 (2).
Os justi : motet (1802). 347.
Osculetur me : motet (mid. 18th cent.).
300-1.
- motet by [M. ?] Gascogne. 261.
motet by Palestrina. 303.
Ostende nobis, Domine : canon by T.
Miles. 127.
Ostende nobis, O Maria : motet (15th
cent.). 256-7.
Our children, Lord, in faith : hymn by
T. Miles. 189.
Our day declines : hymn by T. Miles.
189.
Our days are like the flowr's : hymn by
T. Miles. 189.
Our ears have heard : hymn (after
1567). 180.
— song (17tli cent.). 429.
hymn by R. Brimle. 196 (Add.
31855, f. 45b).
hymn by T. Causton.
31855, f.45).
— hymn by J. Hake.
31855, f.48).
hymn by W. Parsons.
196 (Add.
196 (Add.
196 (Add.
181.
180.
anthem
31855, ff. 46b, 47)
hymn by D. Peebles.
hyrnn by J. Shepherd.
Our Father, God Celestial
(after 1604). 7.
Our Father, Who art in heaven : anthem
(temp. Elizabeth). 4.
— song by J. W. Callcott. 451.
Our Father, Who art in Heaven : an-
them by [J.] Shepherd. 4.
Our Father, Who in heaven art and
mak'st us : hymn by J. Angus. 182.
__ hymn by T. Causton. 196 (Add.
31855, f. 107b).
hymn by R. Edwards. 196 (Add.
31855, f. 109).
hvmn by W. Parsons. 196 (Add.
31855, f. 108b).
Our Father, Who in heav'n art Lord :
anthem (1575-1578). 2.
hymn by J. Farmer. 192-3.
— hymn by W. Parsons. 196 (Add.
31855, f. 24b).
Our Father, Who in heaven art, Thy
name : hymn by T. Miles. 189.
Our God is love : hymn by T. Miles.
189.
Our God is our Defender : anthem
(after 1604). 7.
Our God that is Lord : hymn by J.
Bughen. 181.
Our hiding-place, our tow'r of strength :
anthem by T. Miles. 100.
Our life, advancing to its close : hymn
by T. Miles. 189.
Our souls on God with patience wait :
hymn by T. Miles. 189.
Our term of life is seventy years : hymn
by T. Miles. 189-90.
Our tongues were made to bless the
Lord : chorus by T. Miles. 169.
Out of the deep have I called ... I
have lifted : anthem by T. Morlcy.
17, 48, 51.
Out of the deep have I called ... O let :
anthem (1547-1548). 1.
anthem (after 1624). 14.
anthem (late 17th cent.). 39.
— — anthem by H. Aldrich. 42, 48,
56, 85.
anthem by A. Batten. 19, 109.
- anthem by Byrd. 31 (words).
- anthem by W. Croft. 40, 41.
anthem by [N.] Giles. 30 (words).
canon by [M.] Greene. 119,
125.
anthem by [J.] Hutchinson. 18.
anthem by T. Lupo. 6, 7, 11.
anthem by T. Morley. 19, 26, 33
(words), 109.
anthem by H. Purcell. 41, 104.
anthem by A. G. Thomas. 112.
anthem by [T.] Tomkins. 20.
Out of the deep have I cried : canon by
J. W. Callcott. 121.
Out of the deep to Thee I cried : anthem
by N. Giles. 9, 21, 91.
Out of the depth of sad distress : hymn
by T. Miles. 189.
Out of the horror of the deep : song
(after 1669?). 428.
Out of the Orient: carol (after 1611).
143 (2).
INITIAL WORDS AND TITLES.
549
Ovunque il guardo io giro : chorus by
F. X. Siissmayr. 164.
"Oxford": song by H. Boyd (?). v.
Thrice happy be.
hymn-tune by T. Ravenscroft.
192.
hymn-tune arranged (?) by S.
Wesley. 194.
Oye mi justicia, Sefior : song by P. de
Coster Vanderven (?) . 426-7 .
Pacem relinquo vobis : motet by Pa-
lestrina. 300, 304.
Padre, pur non so : duet by F. Feo.
174-5.
"Palestine": oratorio by Crotch. 381.
Panem nostrum, v. Pater noster.
Pange, lingua : motet (17th-18th cent.).
293.
song (1st quarter of 18th cent.).
434.
motet (18th- 19th cent.). 340.
motet by E. di Bartolo. 347-8.
motet by F. Durante. 298.
Panis angelicus : motet by [G.] Baini.
351.
motet by H. Dumont. 291-2,
296.
Panis quern Ego dabo. v. Ego sum
Panis.
Panis Sancte: motet by Fel. Anerio.
353.
" Papse Marcelli " : mass by Palestrina.
219, 224, 235, 238.
"Paradise lost" : oratorio by J. Lodge-
Ellerton. 384.
Paratum cor : motet by Blow. 293.
motet by [G. P.] Colonna. 350.
motet by G. Gabrieli (?). 276-7.
motet by G. Jeffreys. 283-4.
canon by S. Rahel (Roy. App. 64,
f. 19). 115.
Parce, Domine, populo Tuo : motet (1st
half of 16th cent.). 262.
Parce mihi, Domine : cantata (18th
cent.). 133.
motet by O. di Lasso. 305 (Add.
Nazarenum ; Non in die festo ; Popule
Quoniam vidi ; Ubi vis pare-
5042, f. 53), 324.
motet by Palestrina.
310.
303, 308-9,
Paries quidem Filium : motet by Pa-
lestrina. 308.
Parti de mal est a bien tourne : song
(early 13th cent.). 422.
Parvulus Filius : carol (16th cent.).
141.
carol (16th-17th cent.). 142.
Passio Domini nostri : Passion music
(late 15th cent.). 387.
(1519-1533). v. Vexilla Regis.
plainsong melody (Modena, 1788).
390.
Passion music
by J. Obrecht.
387-8.
— Passion music, v. also Jesum
meus ;
mus.
Pastores,
143.
Pastores
Anerio
dicite : carol by G. Gabrieli (?).
carol by Fel.
loquebantur
146, 354.
Pater de coelis : motet (18th-19thcent.).
340.
Pater noster : motet (15th cent.). 258.
motet by E. di Bartolo. 316-17.
motet by J. Kumlik. 363.
motet by P. [Philip;} van Wilder.
271, 313.
song by N. Piccinni. 454-5.
canon by S. Rahel. 115.
motet by [J.] Richafort. 261-2.
"Pater Patris " : mass by Josquin des
Pres. 221-2.
Pater, peccavi : motet (mid. 18th cent.).
300.
motet by G. Gabrieli (?). 276-7.
motet by E. Lopez. 303, 306.
Pater sancte, dictus Lotharius : song
by H. de Pisis (?). 423-4.
Pater superni. luminis : motet by Fel.
Anerio. 354.
motet by E. di Bartolo. 347-8.
Patrem omnipotentem. v. Credo.
Patri simulque Filio. v. 0 Lux, Beata
Trinitas.
Patris Ingeniti Filius: part (?) of Mi-
racle-play (12th cent.). 240.
motet (15th cent.). 256-7.
Paucitas dierum. v. Manus tuae, Do-
to oratorio by Men-
motet (1st half of
mine.
"Paulus" : overt.
delssohn. 387.
Pauper sum ego :
16th cent.). 262.
Pax vobis. v. Manifesto vobis.
Peace to the man, wise, just and gcod :
hymn by T. Miles. 189.
Peccantem me quotidie : motet (1st
half of 16th cent.). 262.
motet by T. Bai. 341.
motet by W. Byrd. 309.
motet by A. Ferrabosco (I ?). 281.
motet by G. Gabrieli (?). 276-7.
motet by J. T. Gerarde (?). 266-7,
269.
motet by J. Mouton.
(Add. 5043, f. 68).
motet by Palestrina. 308.
motet by D. Perez. 330.
motet by L. Rossi. 318.
motet by T. L. da Vittoria. 279-
280.
Peccata mea : motet by J. T. Gerarde (?).
267-8.
motet by N. Gombert (?). 275-6.
motet by J. Mouton. 305 (Add.
261-2, 305
5043, f. 78b).
Peccatum peccavit
White (?). 278.
motet by R.
550
INDEX I.
Peccavi graviter coram Te : motet by
G. Rovetta. 291.
Peccavi, Pater : motet (after 1604). 279.
Peccavi. Quid faciam : motet (early
17th cent.). 275.
v. also Parce mihi, Domine.
Peccavi super numerum arena; : motet
(17th cent.). 289.
motet by A. Caldara. 310, 344-5.
Peccavimus : motet by Palestrina. 360.
v. also Emendemus in melius.
" Pelham " : hymn-tune by F. Giardini.
189.
hymn-tune by I. Smith (?). 188.
Pelli mere : motet by 0. di Lasso. 305
(Add. 5042, f. 80), 324.
Pensier, dove t' ingolfi : song by F. Feo.
435.
" Per arma justitise " : mass bv J. Mar-
beck. 223.
Per asperos mundi errores : song by B.
Graziani. 431, 432.
Per feminam mors : motet by H. Du-
mont(?). 292.
"Per fortuna disperata": mass by
Josquin des Pres. 221-2 (2).
Per h?ec nos. v. Salve, intemerata ; by
Tallis.
Per illud ave prolatum : motet by J.
Mouton. 307, 314, 323. v. also Be-
nedicta es, coelorum regina.
Per letalis pomi pastum : part (?) of
Miracle-play (12th cent.). 240.
Per lignum salvi : motet by J. Mouton.
305 (Add. 5043, f. 71), 310-11.
Per naturam: canons by W. B[yrd].
114.
Per partum virginis : part (?) of Miracle-
play (12th cent.). 240.
Per prsegustuni : motet (early 17th
cent.). 278.
Per signum crucis : motet by J. Kumlik.
363.
Per Te ccepta finiatur : canon by V.
Ugolini (?). 124.
Per te sum in procella : song bv G. F.
di Majo. 437.
Perchie us hest usche : chorus by J. P.
Sweelinck. 167.
Perchiera me : chorus (1817). 167.
Pere de l'univers : song by E. N.
Mehul. 454.
Pere Eternel : grace by J. T. Gerarde (?).
177.
grace by T. Susato. 178.
Perfice gressus meos : motet by E. G.
Bernabei. 306-7.
motet by Palestrina. 291 (Add.
35084, f. 7b), 303, 333.
mass and motet by V. Ugolini.
227, 327.
Perspice, christicola: motet (after 1226).
253.
"Peterborough": hymn-tune by T.
Ravenscroft. 192-3.
" Petersfield " : hymn-tune by W.
Dixon (?). 188.
Petrus apostolus : motet by Palestrina.
308.
Piangete, alme : song byF. Feo. 435-6.
Pieta, mio Dio : canon by — Gampani.
129.
Pieta, Signore, se grande e il fallo mio :
cantata by N. Jommelli. 132.
Pillow'd on earth : anthem by C.
Wesley. 73.
Piu d'un giorno : canon by J. W.
Callcott. 122.
Placare, Christe, servulis : motet by E.
di Bartolo. 347-8.
Placida surge, Aurora : song by Porpora.
436.
Placidi venti : song by G. Aprile. 43S.
Plagae tuse, Domine : motet by F.
Sances. 285-6 (2), 289-90, 293, 335-6.
Planctus ante nescia : part (?) of
Miracle-play (12th cent.). 240-1.
Plange quasi virgo : motet by P. A.
Basilij. 339-40.
motet by G. [B.] Buoiioncini.
360-1.
motet by P. Cannicciari.
329
(Add. 31554," f. 34b).
— motet by [S. ?] Dentice. 294
(Add. 14203, f. 52b).
— ■ motet by N. Jommelli. 332.
motet by L. Leo. 361 (Eg. 2467,
f. 50).
— motet by G. B. de Orchis. 315.
— motet by [G.] Salvatore. 329
(Add. 32392, f. 34b).
v. also Sicut ovis.
Plangent Eum : motet (16th-17th
cent.). 273.
Plausus dare ne cesses : song by G. F.
di Majo. 446-7.
Plead Thou my cause, 0 Lord : anthem
by Lord Burghersh. 106.
■ anthem by M. Pearson. 6, 11.
anthem by T. Tudway. 61.
Plebs Hebrjea. v. Gloria, laus.
Plena laetitiis : song by P. Cafaro. 438.
Pleni sunt cceli : motet by 0. di Lasso.
320.
motet by Josquin des Pres. 323.
by [J.] Taverner. v. 0 Michael.
v. also under Masses, 211-239 pas-
sim ; and Requiems, 391-395 passim.
Plorans ploravit : motet by W. Byrd (?).
307.
motet by A. Ferrabosco [III?].
276.
Lamentations by Tallis. 197.
v. also Aspice, Domine.
Ploratc, filiffi Israel ; fr. oratorio by
Carissimi. 379.
Plung'd in the confines of despair : an-
them by H. Purcell. 28 (2), 105.
Plus non timet cor meuni. v. Pro te
respiro.
INITIAL WORDS AND TITLES.
551
Pomiluy, mya Bozhe : chorus by G.
Sarti. 163.
Ponder my words, 0 Lord above : an-
them by J. Shepherd. 3. v. also
under Hymns, 180.
hymn by J. Shepherd. 179.
Ponder my words, O Lord, and con-
sider : anthem by A. Batten. 20.
Ponder my words, 0 Lord ; consider :
anthem (after 1G12). 8.
anthem by J. Blow. 78, 111.
- anthem by W. Child. 87.
anthem by J. Davy. 100, 103.
anthem by J. Golding. 27.
- anthem by W. Porter. 32 and 35
(words).
— anthem
49.
by C. Shode or Shoele.
"Poplar " : hymn-tune (1826). 192.
Popule meus, quid feci tibi ; fr. Passion
music (late 18th cent.). 388.
fr. Passion music by Fel. Anerio.
389.
fr. Passion music by Palestrina.
389.
v. also Non in die festo.
Populum humilem: motet by Pales-
trina. 291 (Add. 35084, f. 18b), 304,
333.
Populus Sion: motet (1802). 346.
Porque braman las gentes : song by P.
de Coster Vanderven (?). 426.
Porque te has apartado, Sefior : song by
P. de Coster Vanderven (?). 426-7.
Portas cceli : song (late 17th cent.).
431.
"Portugal": hymn-tune (18th cent.).
186, 194.
Post haec audivi : motet by Blow.
286-7, 293.
Post par turn virgo : motet by N. Lud-
ford. 260.
Postquam consummati sunt. v. Puer
natus est nobis.
Posuerunt morticinia. v. Deus, vene-
runt gentes.
caput Ejus : motet
. 271.
: motet by Palestrina.
motet (temp. Hen.
song (mid.
Praise God, from Whom all blessings
flow : song by S. Wesley. 439.
Praise God in his sanctuary : anthem
by W. Croft. 89.
Praise God upon the lute : canon by J.
Dowland. 122, 123.
Praise Him on tube : anthem by Alfonso
[Ferrabosco]. 8.
Praise Him upon the well-tun'd cym-
bals : canon by S. Wesley. 118.
Praise our Lord, all ye Gentiles :
anthem by M. Lock. 37.
Praise the Father for His love : song by
S. Wesley. 439.
Praise the Lord enthron'd on high :
anthem by W. Lawes. 72.
Praise the Lord, O Jerusalem :
by Jer. Clark. 43, 59.
canon by T. Miles. 127.
Praise the Lord, O my soul,
Posuerunt super
(late 16th cent.)
Posuisti, Domine
303.
Potentia Patris :
VIII). 261.
Pour conforter mon cceur
13th cent.). 423.
Pour la pucelle : song (mid. 13th cent.).
423.
Prseco preeminent ise : motet by Dun-
stable. 356.
Prssul nostri temporis : motet (1227-
1234). 253.
Prreter rerum seriem : motet by Josquin
des Pres. 312.
motet by A. Willaert. 312-13.
Prsevaluerunt in nos inimici : motet by
Carissimi. 295.
anthem
anthem (early 18th cent.)
— anthem by [A.] Batten.
and
40.
19.
all
110.
anthem by J. Blow. 49, 57, 102,
- canon by J. W. Callcott. 121.
full anthem by W. Child. 25, 54,
85, 93.
verse anthem by W. Child. 26.
anthem by J. Church. 61.
solo anthem by W. Croft. 89.
verse anthem by W. Croft. 89.
anthem by M. Greene. 64, 70.
anthem by — Laud. 58.
anthem by D. Purcell. 50.
anthem by H. Purcell. 104.
anthem [by B. Rogers]. 41, 43.
anthem by W. Savage. 95.
anthem by T. Tomkins. 34 (words).
Praise the Lord, O my soul ; O Lord :
anthem by R. Creighton. 56, 102.
anthem by W. Croft. 40, 45, 46, 61.
anthem by J. Green. 69.
• anthem by G. Jeffreys. 23.
song by G. Jeffreys. 428.
■ — — anthem by Hester Needier. 6b.
- anthem by H. Purcell. 50, 57, 103.
Praise the Lord, O my soul ; while I
live: anthem by J. Blow. 111.
anthem by W. Child. 88.
anthem by M. Greene. 82.
■ anthem by W. Jackson [of Exeter] .
76.
anthem by [H.] Loosemore. 18, 39.
: anthem by J. Mundy. 72.
Praise the Lord, O ye his servants :
anthem by H. Aldrich. 52, 80.
Praise the Lord, O ye servants : anthem
by [W. ?] Mundy. 2, 16.
anthem by S. Wesley. 70.
anthem by T. Wilkinson. 6, 20.
Praise the Lord, the God of might :
anthem by W. Jeffry. 30 and 33
(words).
Praise the Lord with hallow'd
hymn by T. Miles. 189.
mirth
37
552
INDEX I.
Praise the Lord ; ye heav'ns, adore
him : hymn by T. Miles. 189.
Praise the Lord, ye servants : anthem
(1547-1548). 1.
anthem by J. Blow. 44, 88, 102,
110.
anthem by P. Hart. 50, 60.
anthem by [M. ?] Jeffries. 18.
Praise to Thee, Thou Great Creator:
hymn by T. Miles. 189.
Praise we the Lord at all times :
anthem by R. Hasilton. 2.
Praise we the Lord our God : anthem
by J. Bull. 34 (words).
Praise ye the Lord, for He is Good :
hymn by T. Causton. 196 (Add. 31855,
f. 92b).
— — hymn by W. Parsons. 196 (Add.
31855, i. 93b).
Praise ye the Lord, for it is. . . : anthem
by [W.] King. 23.
Praise ye the Lord, for it is good : hymn
by T. Cam. 186.
■ hymn by W. Parsons. 196 (Add.
31855, f.l04b).
hymn by N. Southerton. 196
(Add. 31855, f. 104).
Praise ye the Lord, for it is pleasant :
anthem by [W.] King. 23.
Praise ye the Lord, his workes all:
hymn (1547-1548). 179.
Praise ye the Lord, immortal choirs :
anthem by S. Wesley. 70.
Praise ye the Lord, our God : hymn by
T. Miles. 189-90.
Praise ye the Lord ; praise ye the name :
cantata by Sir M. Costa. 137.
Praise ye the Lord, ye children : anthem
by Tye. 3.
Praise ye the Strength of Britain's
hope: anthem by W. Child. 32
(words).
Praised be God, our Father : anthem
(1547-1548). 1.
Praised be th' Almighty Lord : hvmn
(1547-1548). 179.
Praised be the Lord, Who helpeth us :
anthem by C. Wesley. 70-1.
Prata, colles, plantse, rlores: song by
J. A. Hasse. 445.
Pray for us, that we saved be : duet
(15th-16th cent.). 171.
Pray for us, thou prince of peace :
duet (15th-16th cent.). 171 (two
settings).
Pray'r is an endless chain, v. Down,
caitiff wretch.
Pray'r is the soul's sincere desire : duet
by T. Miles. 177.
Precamur, Sancte Domine : motet by
W. Byrd. 264,307.
motet by J. Milton. 281.
motet by R. White. 314.
Precatus est Moyses : motet by Pales-
trina. 291 (Add. 35084, f. 20).
Predgain oura : chorus by J. K. Bac-
hofen and A. Schmau. 166.
Preface, welcome ! This time is born :
carol (15th-16th cent.). 139.
Prepare ye, prepare ye : anthem by
[W.?]Mundy. 3(2).
Prepare ve the way : anthem by M.
Wise. "79.
Preserve me, Jehovah : hymn by T.
Miles. 189.
Preserve me, Lord, from crafty foes :
hymn by T. Miles. 189-90.
Preserve me, Lord, from wicked hands :
hymn by T. Miles. 189-90.
Preserve me, O God : anthem by W.
Child. 88.
anthem by W. Croft. 46.
Preserve me, O Lord : anthem by T.
Wilkinson. 5, 12, 20.
Preserve, most mighty God : anthem
by J. Bull. 34 (words).
Preserve us, Lord : hymn by A. Black-
hall. 182.
hymn by W. Parsons. 183, 196
(Add. 31855, f. 114b).
hymn (another setting) by W.
Parsons. 196 (Add. 31855, f. 114).
Prevent us, O Lord : anthem by W.
Byrd. 12, 17, 26, 31 (words), 48, 53,
102, 108.
Prima mundi seducta sobole : part (?)
of Miracle-play (12th cent.). 240.
" Primi toni": mass by Palestrina.
v. Io mi son giovinetta.
Primo tempore alleviata est terra :
motet (13th-14th cent.). 255.
Prior Christus diiexit nos : motet by
G. Jeffreys. 283-4.
Priusquam te forrnarem : motet by Fel.
Anerio. 355.
"Pro angelis": mass by S. Wesley.
234-5 (2).
Pro Christo afnigimur : motet by A.
Steffani. 327, 344 (adapted).
Pro peccatis suie gentis : motet by S.
Wesley. 318-19.
Pro sancta, pace : motet by A. Willaert.
313.
Pro tantis meritis : chorale by M.
Gobel(?). 156.
Pro te respiro : motet by J. N. Hummel.
348.
Proba me, Domine: motet by J. T.
Gerarde(?). 267-8.
Probasti, Domine : motet (1802). 347.
Proclaim aloud, Jehovah reigns: an-
them by T. Miles. 99.
Procul recedant somnia : motet by
Tallis. 309.
Prolis /Eterna: Ciuiiitor : motet (13th-
14th cent.). 254-5.
Propter fratres mcos. v. Lsetatus sum ;
by O. di Lasso.
Propter hoc dimittet homo patrem. v.
In illo tempore accesserunt.
INITIAL WORDS AND TITLES.
553
Propter quod es Deus. v. Christus
factus est.
Propter Sion non tacebo : cantata by
J. W. Callcott. 135-6.
song by J. W. Callcott. 440.
"Prose de l'ane." v. Orientis partibus.
Prostrate before th' eternal throne :
hymn by T. Miles. 189.
Prostrate on my knees : canon by J.
Hilton. 117.
Protect me from my cruel foes : hymn
by T. Miles. 189-90.
Protector noster : motet (1802). 347.
Protexisti me, Deus : motet (1802).
347.
motet by [F.] Durante. 297, 358.
canon by N. Sala. 122 (Add.
11590, f. 69b).
Prudentes virgines : motet by S. Wesley.
349.
Psallat Augustino mater ecclesia : motet
(15th cent.). 256-7.
Psallat mater gratiae : motet (13th-
14th cent.). 254-5.
Psallite Domino: chorale by M.Gobel(?).
155.
Psallite gaudentes : duet (15th-16th
cent.). 171.
Pueblos, oid todos : song by P. de
Coster Vanderven (?) . 426-7 .
"Puer natus" : mass by P. de la Rue.
222.
Puer natus est nobis : carol (16th-17th
cent.). 142.
motet (1802). 346.
motet by C. Morales. 313-14,
331.
song by S. Wesley. 451.
Puer natus in Bethlehem : carol (14th-
15th cent.). 138.
v
also Ein Kind geboren.
Puer qui natus est : motet by J. T.
Gerarde. 266, 268.
motet by Palestrina. 308.
Pueri Hebraeorum vestimenta proster-
nebant : motet by Palestrina. 353.
Pues qu'en mi Dios confio : song by
P. de Coster Vanderven (?). 426-7.
Pulchra es, arnica mea : motet by G. P.
Colonna. 288.
Pulchrce sunt genae tuae : motet by
Palestrina. 303.
Pur su chantain : chorus (1817). 167.
Pur taid la mieu aroef : chorus by
J. P. Sweelinck. 166.
Purge me, O Lord : anthem by Tallis.
4.
Put me not to rebuke : song (about
1630). 427.
anthem by J. Blow. 112.
anthem by W. Croft. 82, 89.
anthem by T. S. Dupuis.- 76.
anthem by H. Loosemore. 54.
anthem adapted by J. Nares from
M. Greene. 83.
Put me not to rebuke : anthem by
D. Purcell. 40.
anthem by T. Wilkinson. 5, 12,
20.
Quae est ista quae processit : motet by
Palestrina. 305 (Add. 5038, f. 33),
319-20, 360.
mass and motet by V. Ugolini.
227, 327.
Quae est ista quae progreditur : motet by
L. Pieton. 331.
Quae nunc flagitant. v. Inviolata, in-
tegra.
Quaenam haec tarn mirificis ornanda
tunc induviis : song (12th cent.).
422.
Quaeramus cum pastoribus : carol by
J. Mouton. 144.
Quaesivi quern diligit anima : motet by
Fel. Anerio. 353.
song by P. Reggio. 429.
Quaist di eis bain : chorus (late 18th
cent.). 163.
Qual suono orribile : song by F. Feo.
435-6.
Quale anelante cervo : duet by B.
Marcello. 176.
Qualis avis : song by Porpora. 436.
Quam bonus Israel Deus : canon by
S. Rahel (Roy. App. 64, f. 14). 115.
Quam dilecta tabernacula : canon by
S. Rahel (Roy. App. 64, ff. 3, 16). 115.
Quam multi, Domine : motet by D.
Peebles. 263.
Quam pulchra es : motet (1st half of
16th cent.). 261.
motet by Carissimi. 289-90.
motet by Dunstable. 356.
motet by C. Festa. 313-14.
motet by J. Mouton. 312-13.
motet by Lionel [Power ?]. 356-7
(imperf.).
motet by — Sampson. 259.
" Quam pulchri sunt " : mass by T. L.
da Vittoria. 220-1, 229.
Quam pulchri sunt gressus tui : motet
by Palestrina. 305 (Add. 5038, f . 53b) ,
308.
Quam suavis es, Bone Jesu : motet by
G. Casati. 285-6.
Quand ces fleurettes : song (mid. 13th
cent.). 423.
Quando d' ogni piu grave e duro
affanno : chorus by B. Marcello.
164-5.
Quando natus es : motet by G. Jeffreys.
283-5 (2).
Quando, O Re, cinto sarai : chorus by
B. Marcello. 164-5.
Quando videbo Dilectum meum: song
by E. Bernabei. 432.
Quanti mercenarii. v. Pater, peccavi.
Quanto di spirto : chorus by B.
Marcello. 164-5.
554
INDEX I.
Quare de vulva : motet by 0. di Lasso.
305 (Add. 5042, f. 85), 324.
Quare dereliquerunt me vires : motet
by A. Fcrrabosco (I). 275, 281.
Quare fremuerunt gentes : motet (14th-
15th cent.). 255-6.
motet by J. T. Gerarde. 268.
canon by S. Rahel (Roy. App. 64,
f.3b). 115.
motet by T. Tudway. 294, 296.
Quare persequimini. v. Pelli mese.
Quare tristis es : motet by J. T. Gerarde.
266, 268.
canon by T. Miles. 127.
Quasi a procella : song by G. F. di
Majo. 446-7.
Quasi cedrus exaltata : motet by P.
Reggio. 287.
Quasi modo geniti infantes : motet
(1802). 346.
Quasi navis in procella : song by L.
Ferrari. 446.
Quasi rosa in Aprile ridens : song by
G. Battistini. 445.
Que multitud, 0 Dios : song by P. de
Coster Vanderven(?). 426.
"Queen Street": hymn-tune (18th
cent.). 186.
Quel eis zuond venturaivel : chorus
(late 18th cent.). 164.
Quels che vaun : chorus (late 18th
cent.). 163.
chorus by J. P. Sweelinck. 169.
Quern sethera et terra : motet (15th
cent.). 256-7.
Quern dicunt homines : motet (early
19th cent.). 344.
motet by L. Marenzio. 306-7,320.
Quern non capit : motet (13th-14th
cent.). 254-5.
Quern terra, pontus : motet (17th cent.).
289.
motet by W. Byrd. 282.
Quern tremit infernus : motet (1227-
1234). 253.
Quem vidistis, pastores : carol by G.
Gabrieli (?). 143.
carol by G. M. Nanini or T. L. da
Vittoria. 146, 351-2, 359.
motet by D. Perez. 357.
- carol by A. Tubal. 145, 310-11.
v. also O magnum mysterium.
Quem visurus sum: motet (after 1612).
279-80.
song by D. Perez. 454-5.
Quemadmodum desiderat : motet (17th
cent.). 289.
song (17th-18th cent.). 432.
motet by E. G. Bernabei. 327.
canon by S. Rahel (Roy. App. 64,
f. 8b). 115.
Questa che al ciel : chorus by B.
Marcello. 164-5.
Qui confidunt in Domino : canon by
S. Rahel (Roy. App. 64, f. 23b). 115.
Qui consolabitur : motet (1575-1578).
263.
Qui de carne puellari : motet (15th
cent.). 256-7.
Qui de terra, est : motet by Conrad
Sylvius. 283.
Qui diligit Filium. v. Qui diligit
Mariam.
Qui diligit Mariam : motet by A. Stef-
fani. 301, 306, 326, 327, 350 (2), 362.
Qui emittit eloquium. v. Lauda,
Jerusalem.
Qui enim voluerit : motet by Fel.
Anerio. 355.
Qui est-ce qui conversera : chorus by
C. Le Jeune. 161.
Qui habitat in adjutorio : motet by
N. A. Porpora. 296.
canon by S. Rahel (Roy. App. 64,
f. 17). 115.
Qui laudes tuas cantat : motet (17th
cent.). 289.
Qui Lazarum resuscitasti : song by
D. Perez. 454-5.
Qui manducat Meam Carnem : motet
by Palestrina. 308-9.
v. also Amen, amen ! dico vobis.
Qui matin a ma journ6e : song (mid.
13th cent.). 423.
Qui non est mecum : canon by J.
Stobaeus. 115.
Qui pacem amatis : motet by A. Stef-
fani. 301, 327, 336.
Qui regis Israel : canon by S. Rahel
(Roy. App. 64, f. 15). 115.
Qui se exaltat. v. Salve, mater Salva-
toris.
Qui sequitur me : motet by O. di Lasso.
305 (Add. 5042, f. 5b), 323, 325.
Qui sunt hi : part of Miracle-play
(1487). 242-3.
Qui tollis peccata : motet (after 1604).
279.
song by F. Durante (?). 441.
v. also under Masses, 211-239
passim.
Qui venturus es: song by D. Perez.
454-5.
Qui vult venire post Me : motet by O.
di Lasso. 305 (Add. 5042, f. 7), 325.
motet by S. Wesley. 349.
Quia, cum clamarem. v. Laudate Deum
in Sanctis.
Quia fecit : motet (early 17th cent.).
278.
Quia illic interrogaverunt : motet by
S. Wesley. 345-6.
Quia illic sederunt, v. Lsetatus sum ;
by 0. di Lasso.
Quicken me, O Lord. v. Thy word is
a lantern.
Quiconque fasse : song (mid. 13th
cent.). 423.
Quicunque Christum quseritis : motet
by E. di Bartolo. 347-8.
INITIAL WORDS AND TITLES.
555
Quid commisisti : motet by H. Du-
mont (?). 292, 296.
motet by G. Jeffreys. 283-5 (2).
Quid gloriaris in malicia : canon by S.
Rahel (Roy. App. 64, f. 10b). 115.
Quid babes, Hester : motet by Pales-
trina. 310-11.
Quid, igitur. v. Infelix ego.
Quid mibi est in coelo: motet (17th
cent.). 289-90.
motet by [Gilles ?] Hennius.
289-90.
motet by G. Jeffreys. 283, 284-5.
Quid petis, 0 Fili : carol by [Richard ?]
Pigott. 141.
Quid timidi estis : motet (17th cent.).
289.
Quien es el que habitara : song by P.
de Coster Vanderven (?). 426-7.
Quiet, Lord, my froward heart : hymn
by T. Miles. 189-90.
Quin et nostros (early 17th cent.), v.
Mater Christi.
Quis dabit ex Sion salutare : chorale by
M. Gobel(?). 155.
Quis dabit oculis nostris : motet by
J. Mouton. 305 (Add. 5043, f.7),
312.
Quis est hie vir beatissimus : motet by
Carissimi. 295.
Quis mihi hoc tribuat : motet by O. di
Lasso. 305 (Add. 5042, f. 72), 324.
Quis puer hie novus est : chorale by
M. Gobel (?). 155.
Quisquis cordis et oculi : song by H. de
Pisis. 423-4.
Quo tarn lsetus : motet by Carissimi.
294, 295.
Quocunque pergis. v. Jesu, corona.
Quod Eva tristis abstulit. v. 0 Gloriosa
Domina.
Quod Redemptor. v. Pelli meae.
Quodcunque in orbe : motet by E. di
Bartolo. 347-8.
Quodquod in orbe : motet by J. N.
Hummel. 348.
Quomodo cantabimus : motet by W.
Byrd. 309-10.
motet by G. Gabrieli (?). 276-7.
Quomodo obscuratum : song by L. Leo.
450, 455.
song by Porpora. 442.
v. also Incipit lamentatio Hiere-
miae.
Quoniam declinaverunt. v. Exaudi,
Deus, orationem.
Quoniam iniquitatem. v. Peccata mea.
Quoniam magnus es. v. Inclina, Do-
mine, aurem.
Quoniam Tu, Domine. v. Inclina,
Doniine, aurem.
Quoniam vidi iniquitatem ; fr. Passion
music (18th cent.). 388.
Quotiescunque manducabitis : motet
by S. Wesley. 345-6.
Raig dels raigs : chorus by [B. H.]
Brockes. 164.
Rain, eyes, in tender memory : anthem
by M. Pearson. 11.
Recede, turba maligna : song by P.
Cafaro. 438.
Recessit Pastor noster : motet by P. A.
Basilij. 339-40.
- motet by P. Cannicciari. 328
(Add. 31554, f. 36).
- motet by [S.?]
Dentice.
294
(Add. 14203, f.55b).
- motet by N. Jommelli. 332.
motet by L. Leo. 361 (Eg. 2467,
f . 52b).
— motet
by [G.] Salvatore. 329
(Add. 32392, f.35b).
Recordamini quomodo : motet (1519-
1533). 259.
Recordare, Domine, testamenti : motet
by — Bramston. 271-2.
Recordare mei, Domine : motet v by
Palestrina. 291 (Add. 35084, f. 25).
Rector cceli Immortalis : motet (15th
cent.) 256-7.
Refrain from your sorrow : hymn by
T. Miles. 189.
Regali exsultavit : motet by R. Fayrfax.
261.
Regard, 0 Lord, for I complain : hymn
by W. Parsons. 196 (Add. 31855,
f. 59b).
hymn by D. Peebles. 181.
Regard the fervent pray'rs I make :
hymn by T. Miles. 189-90.
Reges terra? congregati sunt : motet by
J. Mouton. 305 (Add. 5043, f. 41).
Reges Tharsis : motet by V. Fioravanti.
338.
motet by Palestrina. 291 (Add.
35084, f. 5), 303.
motet by S. Wesley.
345.
Regi canamus gloria? : carol (15th-16th
cent.). 139.
Regi nato gloria : part (?) of Miracle-
play (12th cent.). 240-1.
Regi Regis regum arcana cano : canon
by H. Lawes. 120.
Regina dementia?, Maria : song (after
1226). 423.
Regina cceli, laetare : motet (1628).
283 (three settings).
song by P. Cafaro. 438.
motet by C. F. Cane. 293.
motet by H. Dumont. 291-2 (2).
motet by Dunstable. 356.
- duet by J. M. Haydn, v. Glor-
reiche Himmels Konigin.
- motet by N. Monferrato.
285-7
(2), 293.
— motet by R. Mower. 260.
— song by N. A. Porpora. 437 (three
settings).
— motet by C. Porta. 363.
— motet(a5)byT.L.daVittoria. 325.
556
INDEX I.
Regina coeli, laetare : motet (a 8) by
T. L. da Vittoria. 315, 325.
motet by A. Zoilo. 353.
Regina coeli, porta : motet by G. Caris-
simi. 295.
Regina ccelorum, ave : motet by Dun-
stable. 356.
Regina delle vergini : madrigal by Pales-
trina (Add. 5039, f.60; 31397, f. 91 ;
31408, f. 39b ; etc.). 204 (2), 205 (2).
Regina divina: song by H. Dumont (?).
431.
Regina, salve, v. Salve, Regina.
Reginam nostram formosissimam : mo-
tet by A. Steffani. 301, 327, 344.
Regis aula: motet (14th-15th cent.).
256.
Regnum mundi : motet by Fel. Anerio.
353.
motet by Jommelli. 343.
Reine celeste: song (mid. 13tb cent.).
423.
Reine, pleine de douceur, v. Salve,
virgo virginum.
Rejoice in tbe Lord always : anthem by
— Mundy. 18.
- anthem by H. Purcell. 50, 57,
73, 78, 81, 104.
anthem by [J.] Shepherd.
16.
Rejoice in the Lord, and again I say :
anthem (temp. Charles II). 31
(words).
Rejoice in the Lord ; let -your songs :
canon (late 18th cent.). 119.
Rejoice in the Lord, O ye righteous :
anthem (after 1624). 14.
anthem by T. S. Dupuis. 72.
anthem by B. Gates. 74.
anthem by M. Greene. 64, 79,
113.
anthem by P. Humfrey. 26, 39.
anthem by [M.] Jefferies. 15, 18.
anthem by G. L[oosemore?]. 39.
- anthem by R. Portman. 35
(words).
Rejoice, O prisoners : hymn (temp.
Elizabeth). 183.
Rejoice, rejoice with heart and voice :
carol by W. Byrd. 145(2).
Rejoice ; sing and rejoice : anthem by
T. Tomkins. 14.
Rejoice ! The Lord is King : hymn by
T. Miles. 189.
Rejoice unto the Lord with mirth :
anthem (after 1613). 8.
Remember . . . : canon by E. Bevin.
114.
Remember David's trouble, Lord :
hymn by W. Parsons. 196 (Add.
31855, ff. 89, 90).
Remember not, Lord, our offences :
anthem by J. Amner. 14, 58.
anthem by H. Purcell. 78, 104.
anthem by J. Tomkins. 34
(words).
Remember not, O Lord: anthem (temp.
Charles II). 31 (words).
anthem by Tallis. 1, 15, 112.
Remember, O thou man : carol by T.
Ravenscroft. 143, 145.
Remember us, we pray Thee, Lord :
hymn by T. Miles. 189.
Reminiscere miserationum Tuarum :
motet (1802). 346.
motet by L. Leo. 299.
Remorseless wretches, void of sense :
hymn by T. Miles. 189-90.
Reor, nescia qua sit sapientia : motet
(14th-15th cent.). 255-6.
Reproach and grief : hymn by M. Cooke.
190.
Requiem' seternam ; fr. Requiem (?)
(1832). 395.
song by D. Auletta. 447.
motet by Sir J. Goss. 350.
v. also Requiems, 391-5.
Rerum omnium Dominus : motet (15th
cent.). 256-7.
Res jocosa quod htec Rosa sine succo
floruit : part (?) of Miracle-play (12th
cent.). 240-1.
Respice, Domine, de sanctuario Tuo :
motet by W. Byrd (?). 307.
Respice, Domine, in testamentum: mo-
tet (1802). 347.
Respice, Domine, quia facta est. v. As-
pice, Domine.
Respice in me : motet (1802). 346.
motet by J. T. Gerarde (?). 270.
Resplendet facies Ejus : motet by T. L.
da Vittoria. 325.
Resplendet novo solo nox : cantata by
N. Porpora. 129.
Responde mihi : motet by O. di Lasso.
305 (Add. 5042, f.64b), 324.
Respondit miles, v. Venit vox.
Responsum accepit Simeon : motet by
Fel. Anerio. 354.
motet by Palestrina. 351-2, 359.
Rest there awhile, v. Fly, ravished
soul.
" Resurrection '
1800). 189.
Resurrexi et adhuc :
346.
Resurrexit sicut dixit, v. Regina cceli.
Retribue servo tuo : motet by R. Par-
sons. 264.
Return and come to God : hymn by T.
Miles. 189.
Return, my roving heart: hymn by T.
Miles. 189.
Return, O wanderer : hymn by T. Miles.
189.
Reveillez vous : chorus by J. P. Swee-
linck. 159.
Rex Christe Clementissime. v. Illse
dum pergunt.
Rex gloriose martyrum : motet by E. di
Bartolo. 347-8.
hymn-tune (about
motet (1802).
INITIAL WORDS AND TITLES.
557
Rex omnia tenens imperio : part (?) of
Miracle-play (12th cent.). 240.
Rex sanctorum : motet by Tallis.
279.
" Rex Summe " : mass by Sir -T. Packe.
212.
v. Requiems, 391-5.
hymn-tune by [J. ?]
motet (after 1713).
Rex Tremende.
"Richmond":
Percy. 192.
Ride, tellus :
295-6.
Rident in campo flores : song by L.
Ferrari. 446.
Ridet ccelum : motet bj Fel. Anerio.
355.
Rigate lacrymis facies populi : duet by
N. A. Porpora. 175, 176.
Right blest are they : anthem by W.
Byrd. 83.
Righteous art Thou : anthem by J.
Church. 61.
Rise, heart : anthem by G. Jeffreys.
23, 24.
Rise, O my soul : anthem by [M. ?]
Este. 13.
anthem by W. Sims. 5, 11.
Rise, rise, my soul : hymn by T. Miles.
189.
Risum: motet (early 14th cent.). 255.
Robed in pow'r Jehovah reigneth :
anthem by I. Moscheles. 107.
" Rochester " : hymn-tune (18th cent.).
186.
■ — — hymn-tune by R. Allison. 192-3.
" Rochford " : hymn-tune (18th cent.).
186.
Rock of ages, cleft for me : hymn by
T. Miles. 189.
Rogate qufe ad pacem sunt : motet by
T. L. da Vittoria. 344.
Roll on, thou mighty ocean : hymn by
T. Miles. 189.
Rorate, cceli: motet (1802). 346.
— motet (1855). 355.
v. also Canite tuba.
Rosa mundi : motet (14th-15th cent.).
256.
Rosula fructu perfulcitur : motet (15th
cent.). 256-7.
" Ruth " : oratorio by S. Wesley. 370,
371 (sketches).
S'allegrebain zuond : chorus (late 18th
cent.). 164.
Sabbatum dum transisset : motet by
Tallis. 308, 309.
Sabbatum Maria, v. Dum transisset.
Sacerdos et Pontifex : motets by S.
Wesley. 312, 349.
Sacerdotes Dei : motet (1802). 347.
Sacerdotes Domini : motet by Pales-
trina. 291 (Add. 35034, f. 15b), 304.
Sacerdotes Tui : motet (1802). 347.
Sacram sumentes lyram : cantata by
N. A. Porpora. 129.
Sacri amoris ad ardores : song by
G. P. Colonna. 431.
Sacrificium Deo : motet by N. Fago.
322.
Ssepe expugnaverunt me : canon by
S. Rahel (Roy. App. 64, f. 23b).
115.
Saepe prsecinebant patres : motet (early
16th cent.). 258.
Sseviat tellus : song by Handel. 440.
Safe lodg'd from human search : hymn
by T. Miles. 189-90.
Sag', was hilfet alle Welt : chorale by
M. Gobel (?). 155.
Sagittae potentes : motet (temp. Eliza-
beth). 265.
Saiest tu, mieu spiert : chorus by
J. K. Bachofen. 167.
"Saint Alban's": hymn-tune. v.
Jehovah reigns.
" Saint Alphage's " : hymn-tune by
M. Hussey. 190-1.
" Saint Andrew Undershaft's " : hymn-
tune by J. Worgan. 192.
" Saint Ann's " : hymn-tune by W.
Croft. 186, 194.
" Saint Augustine's " : hymn-tune by
J. Olive. 192.
"Saint Barnabas'": hymn-tune by
J. Soaper. 190-1.
"Saint Bartholomew's": hymn-tune
by — Duncalf. 192.
"Saint Bonnet's": hymn-tune by
J. Olive. 192.
"Saint Bride's": hymn-tune bv S.
Howard. 190-1, 194.
" Saint Bridget's, New " : hvmn-tuue
by S. Howard. 192.
"Saint Catharine's": hymn-tune bv
J. H. Moze. 192.
hymn-tune by T. Wood. 190-1.
"Saint Chad's": hymn-tune by J.
Nares. 190-1.
" Saint Clement's " : hymn-tune bv
S. Howard. 190-1.
"Saint Clement Dane's": hymn-tune
by T. Smart. 192.
" Saint Clement's, Eastcheap " : hymn-
tune (early 18th cent.). 184.
"Saint Clement's, JMew": hymn-tune
by S. Howard. 190-1.
"Saint David's": hymn-tune by T.
Ravenscroft. 186, 190, 192-3, 194.
"Saint Edmund's": hymn-tune bv
E. Gilding. 190-1.
"Saint Frith's": hymn-tune by J.
Battishill. 192.
"Saint George's": hymn-tune (1826).
192.
hymn-tune by T. Wood. 186,
194.
"Saint George's, New": hymn-tune
by J. Battishill. 192.
"Saint Giles', New": hymn-tune by
T. Wood. 190-1.
558
INDEX I.
"Saint Gregory's": hvmn-tune by
W. Croft. 190-1.
"Saint Helen's": hymn-tune by —
Green. 192.
"Saint James'": hymn-tune by R.
Courteville. 186.
Saint John then said. v. My fearful
dream.
"Saint John's": hymn-tune by [C. ?]
Lockhart. 190-1.
hymn-tune by J. Worgan. 190-1.
"Saint Luke's": hymn-tune by J.
Baildon. 190-1.
"Saint Luke's, New": hvmn-tune by
J. Baildon. 192.
"Saint Magnus'": hymn-tune by J.
Clark. 190-1.
" Saint Margaret's " : hyrnn-tune by
S. Long. 192.
"Saint Mark's": hvmn-tune by W.
Croft. 190-1.
"Saint Martin's": hymn-time by E.
Gilding. 190-1.
" Saint Martin's, Orgars" : hymn-tune
(early 18th cent.). 184.
Saint Mary, Christ's bow'r : song (13th
cent.). 422.
Saint Mary now : anthem by [J.]
Amner. 13.
Saint Mary, virgin : song (12th-13th
cent., etc.). 422, 423.
"Saint Mary's": hymn-tune (18th
cent.). 186.
"Saint Matthew's": hymn-tune by
W. Croft. 186, 194.
"Saint Michael's": hymn-tune by
M. Hussey. 190-1.
" Saint Nicholas' " : hymn-tune (1826).
190-1.
Saint Nicholas, God's druS : song (12th-
13th cent.). 422.
"Saint Olave's": hvmn-tune by R.
Hudson. 192.
"Saint Pancras' " : hymn-tune by J.
Battishill. 190-1.
"Saint Patrick's": hvmn-tune bv J.
Clark. 190-1.
"Saint Patrick's, New": hymn-tune
by J. Battishill. 192.
"Saint Paul": oratorio by Mendels-
sohn, v. Paulus.
"Saint Peter's": hymn-tune by S.
Long. 190-1.
"Saint Saviour's, New": hymn-tune
by — Moze. 192.
"Saint Sepulchre's": hymn-tune by
J. Selby. 192.
"Saint Stephen's": hymn-tune by
S. Long. 192.
"Saint Thomas'": hymn-tune by T.
Wood. 190-1.
" Salisbury " : hymn-tune by T. Ravens-
croft. 192-3.
Salomon autem genuit Roboam : motet
by Josquin des Pres. 323.
Salus autem justorum : motet (1802).
347.
Salus populi : motet (1802). 347.
Salutemus Dominum : motet (15th
cent.). 256-7.
Salutis humange Sator : motet by E. di
Bartolo. 347-8.
Salva, Christe, Te quserentes : motet
(15th cent.). 256-7 (two settings).
Salva, Maria : cantata by N. Conti.
133.
Salva nos, Domine : motet by T. Bai.
341.
motet by A. Ferrabosco [III?].
276.
motet by T. Lupo. 276, 281.
motet by G. O. Pitoni. 357.
Salva nos, Jesu. v. Stella coeli.
Salva, Senor, que ya no queda bueno :
song by P. de Coster Vanderven (?).
426-7.
Salvation from our God descends :
hymn by T. Miles. 189-90.
Salvator mundi : motet (late 16th
cent.). 273.
song (17th cent.). 429.
motet by [W.] Byrd. 279.
motet by Palestrina. 304, 326-7.
motet by Tallis. 308, 309.
Salvatorem exspectamus : motet (16th-
17th cent.). 274.
motet by G. Allegri. 351, 359.
Salvatoris hodie Sanguis : motet
(1227-1234). 253.
Salve . . . (1519-1534). v. Tota pul-
chra es.
Salve ccelestis curiae triumphale decus :
motet by G. Jeffreys. 283-5 (2).
Salve, cordis gaudium. v. Sei gegriisst
ins Himmels Saal.
Salve, festa dies : motet (15th cent»).
256.
motet (early 16th cent.). 258.
motet (temp. Hen. VIII). 260
(two settings).
motet by [J.] Shepherd. 271-2.
Salve, intemerata : motet by Tallis.
266, 278, 279.
Salve, Jesu : motet (beginning of 16th
cent.). 266.
Salve, Maria regia: motet (15th cent.).
256-7.
Salve, Maria Virgo : motet by H.
Dumont. 291-2.
Salve, mater Salvatoris : motet (1st half
of 16th cent.). 262.
motet by Dunstable. 356.
Salve, meum salutare : motet by
Galeazzo Sabbatino (?). 291.
Salve, mundi gloria : motet (17th cent.).
289-90.
Salve, Pater luminum : motet (loth
cent.). 256-7.
Salve, puellule : song by Carissiini.
432.
INITIAL WORDS AND TITLES.
559
Salve, Regina: motet by Dunstable.
356.
■ motet by Lionel [Power?]. 356.
Salve, Regina, dulcedo : motet (1628).
283.
Salve, Regina, mater misericordiae :
motet (beginning of 16th cent.).
266 (two settings).
motet (temp. Hen. VIII). 261.
— motet (16th-17th cent.). 274.
2) : motet (17th cent.). 289-91.
3) : motet (17th cent.). 289-90.
— song (late 18th cent.). 435 (two
settings).
— ■ motet by P. Alcock. 273.
— motet by Pel. Anerio. 354.
— motet by P. Anfossi. 312.
- motet by D. Auletta. 334 (three
(two ?) by G. d'Avossa.
settings).
— songs
443.
— song by J. C. Bach. 447.
— motet by E. di Bartolo. 316.
— motet by A. Basilij. 357.
— song by P. Bertoni. 439.
— motet by W. Byrd.' 273, 274,
275-6.
— motet by M. Cabalone. 331 (two
settings).
— motet by P. Cafaro. 302.
— motet by Carissimi. 327, 336.
song by A. Catena. 442-3.
— - motet by W. Cornish. 266.
— motet by Dunstable. 356.
— motet by F. Durante. 301.
— song by P. Durante. 436.
- — motet by G. B. Fenoglio (?).
323-4.
— song by L.
— motet by
Ferrari. 446.
G. Gabrieli(?).
276-7
(three settings).
— song by G. Geremia. 442-3.
— song by J. A. Hasse. 445.
— motet by J. N. Hummel. 348.
— motet by G. Latilla. 362.
— motet by [N.j Ludford. 266.
— song by G. F. di Majo (seven
settings). 437, 446, 448.
— motet by J. S. Mayr. 339.
■ — motet by N.Monferrato. 285-6(2),
293, 295-6.
— motet by J. G. Naumann. 337.
- motet by Palestrina. 308-9.
song by Pergolesi. 436, 441, 442,
444.
— motet by P. Persichini. 339.
— songs by Porpora. 436 (six
set-
tings).
— song by T. Prota. 442-3.
- motet by [R.] Pygott. 266.
— motet by G. Rovetta. 291.
— motet by G. B. Rovetta. 330.
— - song by G. Sciroli. 442-3.
— ■ motet by F. Seydelmann. 341.
— motet by L. Vergelli. 357.
Salve, Regina, mater misericordiae :
motet (a 5) by T. L. da Vittoria.
325.
motet (a 8) by T. L. da Vittoria.
315, 325.
motet (a 2) by S. Wesley.
349.
motet (a 3) by S. Wesley. 311, 362.
motet (for solo voices with chorus)
by S. Wesley. 345-6, 349.
Salve, regina misericordise : song (temp.
Hen. VIII). 425.
motet by [E. Genet dit] Carpen-
tras. 261.
motet by W. Pfarsons?]. 260.
Salve, Regina, pudica mater : motet
by [N.] Ludford. 266.
Salve, Regina, vita, dulcedo : motet
(early 17th cent.). 275-6.
Salve, sancta parens : duet (15th-16th
cent.). 171.
motet (1802). 347.
motet by Lionel [Power?]. 356-7
(imperf.).
motet by Adrian [Willaert]. 314.
Salve, schema sanctitatis : motet by
Dunstable. 356.
Salve, virgo speciosa : motet (15th
cent.). 256-7.
Salve, virgo virginum : motet (early 14th
cent.). 255.
Salvete, flores martyrum : motet by
E. di Bartolo. 347.
Salvum fac populum : song by [K. H.]
Graun. 439.
Salvum me fac, Deus : song (17th cent.).
429.
■ motet by E. di Bartolo. 316.
canon by S. Rahel (Rov. App. 64,
f. 13). 115.
Salvum me fac, Domine : motet (17th
cent.). 289 (three settings).
canon by S. Rahel (Roy. App. 64,
f. 4b). 115.
"Samson": oratorio by Handel, v.
Total eclipse.
Samson, dux fortissime : part of
Miracle-play (after 1226). 242.
" San Francesco di Sales " : oratorio by
F. Feo. 375.
" San Gaetano " (?) : oratorio by G. B.
de Orchis. 368.
" San Giovanni Battista" : oratorio by
Stradella. v. Nel seren.
" San Guglielmo d' Aquitania." v. Ne'
giorni.
Sancta Dei genetrix : motet by
Dunstable. 356.
Sancta et immaculata : motet (1519-
1533). 259.
motet (early 17th cent.). 275-6.
motet (1855). 356.
motet by H. Dumont. 291-2.
motet by G. Gabrieli (?). 276-7.
motet by O. di Lasso. 305 (Add.
5042, f. 47).
560
INDEX I.
Sancta et immaculata : motet by D.
Perez. 357.
"Sancta Maria": mass by E. Lopez.
220.
Sancta Maria, Dei genitrix : song (after
1727). 436.
Sancta Maria, Mater Dei : motet
(beginning of lGth cent.). 26G.
motet by T. Ashwell. 261.
motet by Gosse [Junckers]. 331.
Sancta Maria, non est tibi similis :
motet by Dunstable. 356.
Sancta Maria, piarum piissima : motet
(1st half of 16th cent.). 262.
Sancta Maria, succurre miseris : motet
(1519-1533). 259.
motet by E. di Bartolo. 316.
motet by P. Certon. 331.
motet by Dunstable. 356.
- motet by C. Festa. 313-14.
motet by J. S. Mayr. 339.
■ motet by [J.] Richafort. 261.
Sancta Maria, virgo et mater : motet
(late 16th cent.). 273.
Sancta Maria virgo, intercede : motet
(early 16th cent.). 258.
motet by — Knight. 273.
Sancta Maria virgo, mater, v. Saint
Mary, virgin.
Sancta Maria, virgo
(16th cent.). 270.
" Sancta Trinitas" :
de Fevin. 222-3.
Sancta Trinitas, unus
(1519-1533). 259.
motet by [D. ?] Phinot. 270.
" Sancte Cuthberte": mass by
Ashwell. 213.
Sancte Deus, Sancte Fortis : motet by
[P.] Philips van Wilder. 271-2.
motet by Tallis. 271-2.
Sancte Johannes: motet (16th -17th
cent.). 273-4.
Sancte Martine : motet by Clemens non
Papa. 310-11.
Sancte Paule, apostole : motet by
Palestrina. 308.
Sancti Dei: motet by J. Mouton. 305
(Add. 5043, f. 82).
Sancti et justi in Domino : motet by
S. Wesley. 349.
Sancti martyres : motet (16th-17th
cent.). 273, 274.
Sancti mei : motet bv 0. di Lasso.
305 (Add. 5042, f. 6b)," 325.
Sancti tui, Domine : motet (17th cent.).
289.
motet (1802). 347.
Sanctificavit Dominus : motet by
Palestrina. 308-9, 310-11.
motet by S. Wesley. 349.
Sanctificavit Moyses : motet bv Pa-
lestrina. 291 (Add. 35084, f. 23 ).
Sanctorum meritis : motet (1227-1234).
253.
virginum : motet
mass by Antoine
Deus : motet
T.
Sanctorum meritis : motet by E. di
Bartolo. 347-8.
Sanctus. Fons Vivus. v. Fons Vivus.
Sanctus. Rector cceli. v. Rector cceli.
Sanctus, Sanctus, Sanctus : canon by
M. Lock. 116, 128.
v. also under Masses (211-239
passim), Requiems (391-395), and
Services (396-421 jyassim).
"Santa Elena al Calvario": oratorio
by P. Anfossi. 373.
oratorio by L. Leo. 379.
" Santa Eugenia." ^."11 martirio di
Santa Eugenia."
Santo altare : madrigal by Palestrina
(Add. 5039, f. 35 ; 31397, f.66 ; 31408,
f.22b). 204,205(2).
" Santo Antonio " (?) : oratorio by M.
Falco (?). v. D' ogni fedele ; Seppe lo.
Sapientiam sanctorum: motet (1802).
347.
Sat est, Domine : motet by P. Reggio.
287, 289-90.
" Saul " : oratorio by Handel. 366.
Saul and Jonathan ; anthem (early 17th
cent.). 6.
"Saulle": oratorio by Andreozzi. v.
Si, mia vita.
Save me, O God, and that with speed :
hymn by T. Causton. 196 (Add.
31855, f. 62b).
hymn by W. Parsons. 196 (Add.
31855, f. 63b).
Save me, O God, for the waters : an-
them by J. Blow. 57, 110.
anthem by [J.] Hilton. 20.
anthem by T. Miles. 99.
Save me, O God, for Thy name's sake :
anthem (1547-1548). ,1.
anthem (late 16th cent.). 4.
anthem by Byrd. 18, 25, 31
(words), 42, 53, 79, 420 (pt. of Service).
anthem by J. W. Callcott. 74.
anthem by W. Child. 25, 88.
anthem by T. Coste. 12.
anthem by T. S. Dupuis. 66.
anthem by W. Mundy. 31
(words).
anthem by H. Purcell. 48, 51, 57,
78, 104.
anthem by B. Rogers. 37.
anthem by Tye. 4, 15.
Save me, O God, from waves that roll :
hymn by T. Miles. 189-90.
Save me, O God, O King : anthem by
R. Portman. 19.
Save me, O Lord, for righteous men :
anthem by R. Johnson. 9, 91.
Save us, O King : canon by J. W. Call-
cott. 121.
Say, Lord, why thus Thy aiding pow'r :
hymn by T. Miles. 189.
Scandens : motet (about 1584). 264.
Scapulis suis obumbrabit tibi : motet
by L. Leo. 299, 361.
INITIAL WORDS AND TITLES.
561
Scapulissuisobumbrabit tibi : motet by
Palestrina. 291 (Add. 35084, f. 8b),
303.
Schmucke dich, 0 liebe Seele : chorale
by M. Gobel (?). 156.
v. also Seliges Erwagen.
Schonste der Schopfung. v. l)er Fall
Adams.
Schonster Jesu : chorale by M. Go-
^ bel (?). 153.
Scintillando coelestes ardores: song by
[J. A.] Hasse. 444.
Scio cui credidi : motet (1802). 347.
"Sciolto avevan": mass by Carissimi.
217.
Scitis quia post biduum : Passion music
by J. Obrecht. v. Passio Domini
Nostri.
Sco ziev ova fraischia gira : chorus
(late 18th cent.). 163.
chorus by — Gustus (?). 168 (two
settings).
chorus by H.
chorus by J.
167.
Scodun Dieu lod'
Bachofen. 163.
chorus by H
G. Nageli. 169.
P. Sweelinck. 164,
: chorus by [J. K.]
G. Nageli. 169.
chorus by J. P. Sweelinck. 167.
Scribis enim contra me. v. Responde
mihi.
Se amarissimo : madrigal by Palestrina
(Add. 5039, f. 24; 31397, f . 56 ; 31408,
f. 16; etc.). 204 (2), 205 (2).
Se e il Signore mio Pastore : chorus by
B. Marcello. 164-5.
Se il natural di Dio : song by T. Prota.
442-3.
Se mai pace : duet by G. B. Zuniga (?).
174.
Se offendesti il mio Signor : song by L.
Leo. 442.
Se vive quest' alma : duet by G. B.
Zuniga. 174.
Secundum humanitatem, by Tallis. v.
Salve intemerata.
Secundum verbum Tuum : motet by
Sir T. Packe. 260.
Sed Tu, Domine, qui non derelinquis.
v. Tristitia et anxietas.
Sed Tu, Domine, refugium. v. Defecit
in dolore.
Sed veni, Domine. v. Vide, Domine,
aftiictionem.
Sedenti in throno : canon by V. Ugo-
lini (?). 123.
Sederunt principes : motet (1802).
346.
Sedit angelus ad sepulcrum : motet
(late 16th cent.). 271-2.
See, brethren, what a pleasing bliss :
anthem by W. Porter. 32 (words).
See, see ! The Word is Incarnate : an-
them by 0. Gibbons. 11, 31 (words).
anthem by G. Jeffreys. 23.
See, sinful soul : anthem by [R.] Gibbs.
22.
See that glory, how resplendent : hymn
by T. Miles. 189.
See, the conquering hero comes ; fr.
oratorio by Handel. 376 (arrange-
ment), 377.
See the leaves around us falling : song
by T. Miles. 452.
Seek ye the Lord : hymn by T. Miles.
189-90.
Seele, was ist schoner's doch : duet by
M. Gobel (?). 173.
Sei gegrusset, Jesu : chorale by M.
Gobel (?). 153.
Sei gegriisst ins Himmels Saal : choral-?
by M. Gobel (?). 154.
Sei Gott getreu : chorale by M. Gobel (?).
154.
Sei willkommen aus den frommen :
duet by M. Gobel (?). 173.
Sei Wohlgemuth : chorale by M. Gobel (?) .
154.
Seigneur, garde mon droit : chorus by
C. Le Jeune. 159.
Selig, ja, selig wer willig ertraget : chorale
by M. Gobel (?). 156.
Selig sind die reines Herzens : cantata
by C. G. A. Bergt. 136.
Selig sind die Todten : chorus (about
1785). 160.
Selig sind die zu dem Abendmahl :
chorus (about 1785). 161.
Seliges Erwagen : cantata by [G. P.]
Telemann. 134.
Send aid : anthem by J. Mundy. 22.
hymns by W. Parsons. 196 (Add.
31855, ff.58, 59).
Send' uns, Herr Christ : chorale by M.
Gobel (?). 154.
Senex puerum portabat : motet by
Palestrina. 304, 308.
motet by T. L.da Vittoria. 306-7.
Seniores populi consilium fecerunt :
motet by P. A. Basilij. 339-40.
motet by P. Cannicciari. 328
(Add. 31554, f. 14).
motet by [S. ?] Dentice. 294 (Add.
14203, f. 23).
motet by N. Jommelli. 332.
motet by L. Leo. 361 (Eg. 2467,
f.23b).
— motet by [G.] Salvatore. 329
(Add. 32392, f. 15b).
v. also Eram quasi agnus.
Sentavamos tristes par de los rios : song
by P. de Coster Vanderven (?). 426-7.
Seppe lo Antonio ; fr. oratorio by M.
Falco (?). 368.
Sepulto Domino :
Basilij. 339-40.
motet by P.
motet by P. A.
Cannicciari. 328
(Add. 31554, f. 41b).
— motet by [S. ?] Dentice. 294 (Add.
14203, f. 67b).
562
INDEX I.
Sepulto Domino : motet by N. Jom-
melli. 332.
motet by L. Leo. 361 (Eg. 2467,
f.63b).
motet by [G.] Salvatore. 329
(Add. 32392, f. 42).
v. also Astiterunt.
Serena cceli imago : song by G. B.
Mancini. 438.
Serena Virgo: motet (1227-1234). 253.
Serve bone et fidelis : motet by T. Bai.
341.
motet by 0. di Lasso. 305 (Add.
5042, f.7b), 325.
Set up Thyself, 0 God : anthem by
[J. ?J Poster. 22.
anthem by J. Jackson. 27.
anthem by [J. ?] Smith. 69.
Seumbod cert dit : chorus by J. P.
Sweelinck. 169.
" Sexti ut fa'' : mass bv I*. de la Rue.
222.
W.
She weepeth sore : canon bv
Lawes(?). 117 (2), 123.
v. also How doth the Holy City.
"Sheldon" : hymn-tune by — Whitton.
190-1, 194.
Shepherd of souls : hymn bv S. Wesley.
185.
" Shore Cottage " : hymn-tune (about
1800). 188.
Shout, 0 earth, for God is King : song
by T. Miles. 453.
Shout, sons of heaven : anthem by S.
Wesley. 101.
Show me Thy ways, O Lord. v. Unto
Thee, O Lord, will I lift up.
Show mercy, Lord, on me : anthem by
G. Croce.' 12.
Show pity, Lord: hvmn by T. Miles.
189.
Show yourselves joyful : anthem by J.
Bowman. 61.
" Shropshire." v. O render thanks.
Si ambulavero : motet by Palestrina.
291 (Add. 35084, f.23b), 333.
Si bona suscepimus : motet bv J. T.
Gerarde(?) 267-8.
"Si dedero " : mass by J. Obrecht.
222-3.
"Si Deus pro nobis": mass by O.
Benevoli. 226.
Si diligitis me : motet by G. Jeffreys.
283-4.
Si ignoras tu, O pulchra : motet by
Palestrina. 303.
Si iniquitates observaveris : motet
(1802). 347.
Si, mia vita ; fr. oratorio by Andreozzi.
378.
Si no que Dios, diga ahora Israel ; song
by P. de Coster Vanderven (?).
426-7.
Si nocte tenebrosa : song by J. [C. ?]
Bach. 442.
Si non proposuero. v. Quomodo canta-
bimus.
Si quseris miracula : song by F. Du-
rante. 441.
motet by G. B. Fenoglio. 323-4.
Si quis diligit Me : motet by D. Peebles
and P. Heagy. 263.
Si sustinuero. v. Spiritus meus.
Si tempra il mio martir ; fr. oratorio by
J. J. Fux. 364-5.
Si vere utique justitiam loquimini :
canon by S. Rahel (Roy. App. 64,
f. lib). 115.
Sic Deus dilexit : motet by J. T.
Gerarde(?). 266-7,269.
Sic Deus diligit mundum : motet by
G. Gabrieli (?). 276-7.
Sic ergo, Bone Jesu : song (17th-18th
cent.). 432.
"Sicilian Mariners." v. Guide me, O
Thou Great Jehovah.
Sicut ablactatus est : motet by 0. di
Lasso. 305.
v. also Domine, non est exalta-
tum.
Sicut cervus desiderat : motet by Pales-
trina. 306-7, 361.
Sicut erat in principio. v. Domine, ad
adjuvandum.
by L. Leo. ?\ Dixit Dominus
(a 5).
motet by [J. ?]_ Mundy. 279.
motet by [J.] Shepherd. 279.
motet by T. L. da Vittoria.
279-80.
Sicut in holocaustis : motet by Pales-
trina. 291 (Add. 35084, f. IS), 304,
333.
Sicut in silva, : song by 0. Lorello.
443.
Sicut lilium: motet (17tli cent.). 289.
motet by Palestrina. 303-4, 308.
Sicut locutus : part of Magnificat by
[R. ?] Parsons. 206.
Sicut oculi servorum : motet (17th
cent.). 289-90.
Sicut ovis ad occisionem : motet by
P. A. Basilij. 339-40.
motet by G. [B.] Buononcini.
360-1.
motet
by P. Cannicciari. 328
(Add. 31554, f.32b).
motet by [S. ?] Dentice. 294
(Add. 14203, f. 49).
— motet by N. Jommelli. 332.
— motet by L. Leo. 361 (Eg. 2467,
f.45b).
— motet by G. B. de Orchis. 315.
- motet by [G.] Salvatore. 329
(Add. 32392, f. 31b).
Sicut rosa inter spinas : motet by 0.
di Lasso. 305 (Add. 5042, f. 8b),
325.
Sicut sol : song by T. Traetta. 446.
Sicut stella : song by Carissimi. 434.
INITIAL WORDS AND TITLES.
563
Siderum rector: motet by W. Byrd.
309-10.
Sieh', 0 Mensch : chorus by G. A.
Homilius. 161.
Siehe, das ist Gottes Lamm : chorus
(about 1785). 161.
chorus by G. P. Weimar. 160.
Siehe, des Herrn Auge : chorus by
G. A. Homilius. 161.
Siehe, eine Jungfrau ist schwanger :
cantata by [G. P.] Telemann. 132-3.
Siehe, es hat uberwunden : chorus by
[G. P.] Telemann. 161.
Siehe, ich verkiindige euch : chorus by
G. P. Weimar. 160.
Siehe, wie zeitlich stirbt : chorale by
M. Gobel(?). 154.
Siempre alabare : song by P. de Coster
Vanderven(?). 426-7.
Signa eos. v. Ite in orbem.
Signor, de' falli nostri : song by L.
Leo. 442.
Signor, dell' empia gente : song by B.
Marcello. 449.
Signor, non mi riprender : madrigal by
G. Croce. 205.
Signor, poiche Ti piacque : chorus by
B. Marcello. 164-5.
Signor, quando arde il fuoco : chorus
by B. Marcello. 164.
Signor, quando la fiamma : chorus by
B. Marcello. 164-5.
Signor, se fosti ognora : trio by B.
Marcello. 464.
Signor, su questo legno : song by F.
Feo. 435.
Signor, tu dammi aita : chorus by B.
Marcello. 164-5.
Similabo eum : motet by S. Wesley.
349.
"Simile est regnum ccelorum": mass
by T. L. da Vittoria. 220-1.
motet by S. Wesley. 349.
Similes illis fiant : motet by [W.] Byrd.
271-2.
Simpisse pur : chorus by J. K. Bacl-
ofen. 167.
Since God Himself has said the word :
anthem by T. Miles. 99.
Since God so tender a regard : anthem
by H. Purcell. 28, 38, 105.
Since godly men decay : hymn by T.
Miles. 189.
Since great Thy tender mercies : hymn
by T. Miles. 189-90.
Since heretofore I ne'er in vain : hymn
by T. Miles. 189.
Since I have plac'd my trust in God :
hymn by T. Miles. 189-90.
Since it concluded was. v. Afraid,
alas.
Since Jesus freely did appear : hymn
by T. Miles. 189.
Since our country : song by A. G.
Thomas. 455.
Sine Tuo Numine. v. Veni, Sancte
Spiritus, et emitte.
Sing aloud unto God : anthem (late
17th cent.). 39.
Sing and glorify, v. Spem in alium.
Sing and rejoice in the Lord : anthem
by H. Cooke. 36 (words).
Sing joyfully : anthem (early 17th
cent.). 6.
anthem by Byrd. 5, 13, 15, 17,
26, 31 (words— 2 copies), 39, 53, 108.
anthem by J. Mundy. 12.
Sing, O daughter of Zion : anthem by
W. Norris. 43.
Sing, O Heavens : anthem by J. Amner.
58.
anthem by T. Tudway. 52, 60.
Sing, O ye heavens : anthem (about
1768). 69.
Sing praises to the Lord : anthem by
Croft. 97.
Sing praises unto the Lord, O ye
saints : anthem by M. Greene. 47,
101.
Sing to our God in loudest strain :
hymn by T. Miles. 189.
Sing to the King of kings : anthem by
W. Lawes. 72, 430 (arrangement).
Sing to the Lord a new-made song :
hymn by T. Miles. 189 (two set-
tings).
Sing unto God . . . : anthem (early 19th
cent.). 95.
Sing unto God, all ye kingdoms : an-
them by T. Tomkins. 13.
Sing unto God, O ye kingdoms : an-
them by W. Child. 31 (words).
anthem by Croft. 41, 50.
anthem by T. S. Dupuis. 75.
anthem by C. King. 61.
anthem by [E.] Miller. 97.
anthem by H. Purcell. 103.
anthem by J. S. Smith (?). 93
(words).
Sing unto the Lord a new song : an-
them by [J.] Church. 52.
anthem by M. Lock. 37.
Sing unto the Lord, all : canon by
J. W. Calcott. 121.
Sing unto the Lord, and praise : an-
them by Croft. 40, 45, 82.
Sing unto the Lord, O ye kingdoms :
anthem by Croft. 41.
Sing unto the Lord, O ye saints : an-
them- by H. Aldrich. 57.
anthem by J. Blow. 111.
anthem by H. Bowman. 27.
anthem by C. Gibbons. 38, 80.
anthem by O. Gibbons. 19, 80.
anthem by G. Jeffreys. 23.
anthem by M. Lock. 58.
Sing unto the Lord with hearty accord :
hymn by D. Peebles. 182.
Sing unto the Lord, ye that are his
saints, v. I will exalt Thee.
564
INDEX I.
Sing we merrily: anthem by J. Alcock.
86.
anthem by J. Blow. 27, 38 (2),
42, 79, 111 (2).
anthem by \V. Child. 25, 31
(words), 54.
anthem by [M.] Este. 13.
anthem by M. Greene. 47, 101.
anthem by [M. ?] Jeffries. 19.
anthem by D. Taylor. 19.
anthem by T. Tudway. 39, 50,
60.
Sing we to this merry company : duet
(15th-16th cent.). 171.
Sing, ye sons of might : anthem by T.
Miles. 99.
Sing ye to our Lord : anthem by Byrd.
34 (words), 77.
Sing ye unto the Lord, our God : hymn
by T. Cam. 186.
Sing ye with praise unto the Lord :
song (17th cent.). 429.
hymn by D. Peebles. 181.
Singet dem Herrn ; lobet Ihn : cantata
by J. G. Krebs. 130.
Sing't Jesu Dank : cantata by C. G. A.
Bergt. 136.
Singularis privilegii : motet (mid. 18th
cent,). 300.
Sint lumbi vestri prsecincti : motet
(16th-17th cent.). 273.
Siste gradus, ingrata : motet by Por-
pora. 321.
Sit gloria Domini : motet (after 1713).
291-2 (2), 295-6.
Sit laus Deo ; by W. Byrd. v. Ave,
maris stella.
Sit nomen Domini benedictum : motet
by [J.] Shepherd. 271-2.
motet by S. Wesley. 352.
Sit salus. v. Iste confessor.
Sith. v. Since.
Sitivit anima mea : motet by E. di
Bartolo. 316-17.
Sitting alone I did lament : anthem
(after 1618). 13.
Sitting by the streams : chorus by H.
Lawes. 158.
Sive vigilem, sive dormiam : motet
(about 1584). 264.
motet by G. Jeffreys. 283-4.
Sleep, downy sleep : song by H. Cooke.
428, 432.
- — song by P. Humfrey. 428 (2).
song by J. Weldon. 434.
So gehst Du nun : chorus by G. E .
Weimar. 161.
So God loved the world : anthem by O.
Gibbons. 31 and 34 (words).
So hoff' ich denn mit festen Muth :
song by K. P. E. Bach. 448-9.
So jemand spricht : song by K. P. E.
Bach. 448-9.
So sehr hat Gott die Welt geliebt :
chorale by M. Gobel (?). 154.
So will He hear me : anthem by [M.j
Greene. 97.
So wiinsch ich nun : song by M.
Gobel (?). 433.
Sobre montes sanctos : song by P. de
Coster Vanderven (?). 426-7.
Sobrie et juste, v. Salvatorem ex-
spectamus.
Softest sounds no more can ease me ;
from oratorio by Handel. 366-7.
Softly rise ; f r. oratorio by Boyce. 383.
Sois ententif, Mon peuple : chorus by
C. Le Jeune. 159.
Sol est in meridie : song by H. de
Pisis (?). 423-4.
Solemnia pra?sentia : part (?) of Miracle-
play (12th cent.). 240.
dies : motet (about
motet (mid. 18th
Solemnis urgebat
1584). 264.
Soli Deo gloria :
cent.). 300.
Soli Deo honor : canon by V. Ugolini (?).
124.
Soli Deo sit laudum gloria : carol by
R. Smart and J. Truelove. 139.
Solis ardente face : song by P. Cafaro.
438.
Soil dein verderbtes Herz : song by K.
P. E. Bach. 448-9.
"Solomon": oratorio by Boyce. 378
(arrangement of overture.) v. also
How lovely ; On his face ; Softly
rise ; Thou soft invader ; Who quits ;
Ye southern breezes.
Solvatur lingua mea : song (17th-18th
cent.). 432.
Solve vincla rcis. v. Ave, maris stella ;
by W. Byrd.
Some lie with darkness compass'd
round : hymn by T. Miles. 189-90.
Sometimes a light surprises : hymn by
T. Miles. 189.
Sommo ben, mio Signor : choruses by
— Arici, — Fanetti, and — Majer.
165.
Son desto : song by F. Feo. 435.
Son, she said, I have Thee borne, v.
Alone . . . here I sit.
Sonet laus per ssecula : duet (15th-16th
cent.). 171.
Sonitus armorum : motet by A. Steffani.
301.
"Sonnet": hymn-tune (18th-19th
cent.). 188.
"Sonno, scendesti in terra" : mass by
G. Messaus. 224-5.
Sono piene di serene queste spiagge :
song by L. Leo. 442.
Soothing tyrant, falsely smiling; fr.
oratorio by Handel. 366-7.
Sopra i nemici miei : chorus by B.
Marcello. 164-5.
Sondes ejus: motet by W. Byrd (?). 307.
Sorgeva quantunque in sogno di
Nabucco : song by F. Feo. 435.
INITIAL WORDS AND TITLES.
565
Sorgi sereno il ciglio : cantata by N.
Porpora. 130.
Sospes. v. Sospitati olei.
Sospitati olei : motet by J. Taverner (?).
278.
"Soutbgate" : bymn-tune by J. Soaper.
190-1.
" Southwell" : hymn-tune, by M. Pear-
son. 186, 190," 192-3.
" Southwell, New " : hymn-tune by S.
Jarvis. 192.
Sovra. v. Sopra.
Sov'reign of life: hymn by T. Miles.
189.
Speak, 0 ve judges of the earth : hymn
by T. Miles. 189-90.
Specchio che fosti si polito : madrigal
by Palestrina. (Add. 5039, f.39;
31397, f. 70b; 31408, f. 25b). 204,
205 (2).
Specialis virgo : motet by Dunstable.
356.
Speciosa facta es : motet bv Dunstable.
356.
motet by 0. Hoskins. 273.
Speciosus forma : song bv G. Jeffreys.
428.
Spem in alium : motet (early 16th
cent.). 258.
motet by Tallis. 353.
Spera in Deo : canon by T. Miles. 127.
Sperate in Deo : motet by A. Steffani.
350.
Sperent in Te : motet by Palestrina.
291 (Add. 35084, f . 16b), 304.
Spes mea in Deo . . . when masterv :
duet (15th-16th cent.). 171.
" Spes nostra " : mass by R. Jones. 21 2.
Spirate, O cceli : song by F. Foggia(?).
432.
Spirit, leave thy house of clay: hymn
by T. Miles. 189-90.
Spirit of mercy, truth and love : hymn
by T. Miles. 189.
Spirit of truth on this Thy day : hymn
by T. Miles. 189.
Spiritus alme, veni : song (1334-1342).
424.
Spiritus Domini : motet (1802). 346.
Spiritus meus attenuabitur : motet by
O. di Lasso. 305 (Add. 5042, f. 75),
324.
Spiritus Sancti Gratia, v. Des Heil'gen
Geistes reiche Gnad'.
Spiritus Sanctus docebit vos. v. Alle-
luia 1 Emitte Spiritum.
Spiritus Sanctus procedens a throno :
motet (late 16th cent.). 271-2.
Spiritus ubi vult spirat': motet (about
1584). 264.
Splendeva qual vivo sole : chorus by
H. Lawes. 158.
quintet by P. Reggio. 391.
Sponsus amat sponsam : motet by W.
Byrd. 264.
Stabant juxta crucem : motet (1802).
347.
Stabat Mater. For settings of this
hymn, v. pp. 456-60.
Stand up and bless the Lord : hymn by
T. Miles. 189.
Statuit ei Dominus : motet (1802). 347.
Steig auf, mein Dank : chorale (18th
cent.). 157.
Stein der uber alle Schatze : part of
cantata by J. S. Bach. 137.
Stella coeli : motet (early 16th cent.).
258.
motet by Dr. — Cooper. 258.
motet by H. Dumont (?). 292.
motet by Sir W. Hawte. 260.
Stella fulgore nimio rutilat : part of
Miracle-play (12th-13th cent.). 241.
Stella ista : motet (16th cent.). 270.
Stella quam viderant Magi : motet by
Palestrina, 304, 308.
mass by D. dal Pane. 220. (Add.
5041, f. 28).
Stellce lucidse, serense : song by G. B.
Bassani. 434.
Stephen, being fall of the Holy Ghost :
arthein by T. Tomkins. 21, 31 and
33 (words).
Stern winter: hymn by T. Miles. 189.
Stetit Jesus in medio, v. Alleluia !
ConiUemini.
Stille Feier : cantata (early 19th cent.).
135.
Stir up, we beseech Thee : anthem
(after 1624). 14.
anthem by [J.] Sugg. 31 (words).
Stood well mother under rood : song
(late 13th cent.). 424.
" Stroudwater " : hymn-tune (18th
cent.). 186.
Sub Tuam protectionem : motet by
Dunstable, 356.
motet by Tye. 271-2.
Sub Tuum presidium : motet (1st half
of 16th cent.). 261-2.
motet (17th cent.). 289-90.
motet by J. N. Hummel. 348.
motet by B. de Opiciis. 259.
Sub umbra noctis : song by H. Du-
mont (?). 431.
Subito sagittabunt Eum: song by G.
Mori, of Viadana. 426.
Submit yourselves : anthem by — Shep-
herd. 2, 15, 19.
Such a lady seek I : carol (15th cent.).
138 (words).
Such as in God, the Lord, do trust :
hymn by W. Parsons. 196 (Add.
31855, f. 85b).
hymn by D. Peebles. 182.
Such then, Jehovah, is Thy Grace :
hymn by T. Miles. 189.
Siisser Christ, Du, Du bist meine
Wonne : chorale by M. Gobel (?).
154.
566
INDEX I.
Sufficiebat nobis paupertas : motet by
[J.] Richafort. 261-2.
Sull' innocente petto ; fr. oratorio by
F. Paer. 380.
Sulla florida sponda : duet by F. Feo.
174-5.
Sulla sterile . . . ripa : song by F. Feo.
435.
Sumens illud ave. v. Ave, maris stella ;
by W. Byrd.
Summe Deus, Rex coelorum : motet
(15th cent.). 256-7.
Sun of mv soul : anthem by T. Miles.
100.
Super flumina, etc. : motet (after 1613).
280-1.
motet by Fel. Anerio. 353.
motet by Benedictus [? von
Appenzell]. 306.
motet bv E. di Bartolo. 316-17.
canon bv J. W. Callcott. 121.
— motet by F. di Monte. 309-10.
motet by Palestrina. 291 (Add.
35084, f. 24), 333.
— canon by S. Rahel (Roy. App. 64,
f. 24b). 115.
motet by T. L. da Vittoria. 315,
325.
Superba in mari irato : song by G. F.
di Majo. 437.
Supreme and Universal Light : song
by T. Miles. 452.
Supremely Good : hymn by S. Wesley.
195.
Surgamus ; eamus : motet by Carissimi.
293, 295, 336.
motet by P. Reggio. 287.
Surge, arnica : motet by P. Cafaro.
302.
Surge, Aurora, triumphis ornata :
motet by F. Durante (?). 298.
Surge, fama : motet by F. Durante (?).
301.
Surge, illuminare, Jerusalem : motet
(after 1604). 279.
motet by Palestrina, 351-2, 359.
motet by S. Wesley. 345.
Surge ! Jam est hora : motet (14th-
15th cent.). 256.
Surge, Petre : motet by G. Mori, of
Viadana. 280-1.
motet by Palestrina. 308, 310.
"Surge, propera " : mass by T. L. da
Vittoria. 220-1.
Surge, propera, arnica : motet by G.
Mori, of Viadana. 280-1.
motet by [J.?] Mundy. 279.
motet by Palestrina. 305 (Add.
5038, f. 24b), 335-6.
Surge, propera,- columba : part of
Miracle-play (late 15th cent.). 243.
Suigit Christus cum trophseo : song
(15th-16th cent.). 425.
Suigit horrida tempestas : song by A.
C'ipolla. 438.
Surrexit Dominus : motet by J. A.
Hasse. 360.
Surrexit Pastor Bonus : motet (15th
cent.). 256-7.
motet (16th-17th cent.). 273-4.
motet (early 17th cent.). 275-6
(three settings).
motet by T. L. da Vittoria. 360.
Sursum corda ; fr. Service (temp.
Henry VIII). 396.
fr. Service by W. Raylton. 413.
"Susanna": fragment of oratorio by
Handel (?). 369.
Susanna se videns : motet by O. di
Lasso (»). 263.
Suscepimus, Deus, misericordiam :
motets (1802). 346, 347.
Suscipe, quajso, Domine : motet by
Tallis. 309.
Suscipe verbum : motet by Palestrina.
308.
Suscitavit Dominus : motet by
Carissimi. 293, 295.
Suspirat spiritus : song by H. de
Pisis(?). 423-4.
"Sutton": hymn-tune (18th cent.). 186.
" Swanwick" : hvmn-tune by J. Lucas.
188.
Sweet are the notes : anthem by
G. Wesley. 73.
Sweet are the thoughts : anthem by
[J.] Amner. 13.
Sweet are thy pleasures : anthem by
C. Wesley. 73.
"Sweet home": hymn-tune. v. 'Mid
scenes.
Sweet was the song : carol (early
17th cent.). 142.
Sweet were the sounds : anthem by
S. Wesley. 73.
T" allegra eel et tearra : chorus (1817).
168.
Tacete ; sonate : motet by F. Durante (?).
301.
Taedet animam meam : motet by 0. di
Lasso. 305 (Add. 5042, f. 57), 324.
motet by A. Minoja, 338.
Taedet intueri : motet (13th cent.).
253-4.
Take pity on my troubles, Lord : hvmn
by T. Miles. 189-90.
Talent me prend : song (mid. 13th cent.).
423.
Tandem adest clara dies : motet bv A.
SterTani. 301.
Tanquam ad latronem existis : motet
by P. A. Basilij. 339-40.
motet by P. Cannicciari. 328
(Add. 31554, f. 21b).
- motet by [S. ?] Dentice. 294
(Add. 14203, f. 33).
— motet by N. Jommelli. 332.
— motet by L. Leo. 361 (Eg. 2467,
f. 31b).
INITIAL WORDS AND TITLES.
567
Tanquam ad latronem existis : motet
by [G.] Salvatore. 329 (Add. 32392,
£.21).
Tanquam agnus immolatus : duet by
N. A. Porpora. 175, 176.
Tantum ergo : motet (18th-19th cent.).
340-1.
(early 19th cent.), v. Hear what
God, the Lord.
song by [Gaetano?] Boni. 436.
song by N. Fago. 442.
motet by J. N. Hummel. 348.
song by F. Monarino. 444.
- song arranged by V. Novello.
451.
song by [F. A. ?] Urio. 436.
motet by T. L. da Vittoria. 325.
Te iEternurn Patrem. v. Te Deum.
Te decet hymnus : canon by S. Rahel.
(Roy. App. 64, f. 12b). 115.
v. also Requiems, 391-5.
Te deprecor, supplico, et rogo : motet
by W. Byrd. 309-10.
Te Deum laudamus : canon by [M.]
Greene. 116, 119, 125.
For other settings of the Latin
words, v. under Te Deum, 460-3 ;
for settings of the English words,
v. under Services, 396-421.
Te Deum laudamus . . . sing we to
God : duet (15th-16th cent.). 171.
Te Deum Patrem ingenitum: motet
by G. Gabrieli (?). 276-7.
Te, Domina regina : motet (14th-15th
cent.). 256 (two settings).
Te, igitur, obsecramus. v. 0 stupor et
gaudium.
Te, Joseph, celebrent aguiina : motet
by E. di Bartolo. 347-8.
Te lucis ante terminum : motet by Fel.
Anerio. 355.
song by [G. B.] Martini. 437.
Te ludains nous, Dieu : chorus by —
Gustus (?) . 167.
chorus by J. P. Sweelinck. 167.
Te mane laudum. v. 0 Lux, Beata
Trinitas.
Te matrem Dei laudamus : motet (1855).
355.
motet by [T.] Ashwell. 266.
Te precamur, by Tallis. v. Salve, in-
temerata.
Te Regem Dominumque canam : chorale
by M. Gobel (?). 155.
Te retira : chorus by J. K. Bachofen.
168.
Te, splendor et virtus Patris : motet by
E. di Bartolo. 347-8.
Teach me, 0 Lord : anthem by W.
Boyce. 82.
anthem by Byrd. 3i and 33
(words), 420 (pt. of Service).
anthem by Croft. 46, 89.
anthem by T. S. Dupuis. 92.
anthem by C. Gibbons. 22, 79.
Teach me, O Lord : anthem by [W.]
Mundy. 15.
anthem by B. Rogers. 41, 43.
Teach me Thy way, O Lord, and I:
anthem by J. Blow. 111.
antheii by W. Fox. 58.
anthem by [E.] Hooper. 15, 16,
25, 32 (words), 108.
hymn by T. Miles. 189-90.
anthem by Tallis. 2.
Teach me Thy way, O Lord, and lead
me : anthem (about 1768). 69.
Teach us by his example, Lord : anthem
by O. Gibbons. 32 (words).
Teach us, O Lord, with cheerful heart :
hymn by T. Miles. 189.
Tears are my constant food : hymn by
T. Miles. 189-90.
Tell me, my soul : duet by T. Miles.
177.
Tell me, some pitying angel : song by
H. Purcell. 453.
Tell ye the daughter of Zion : anthem
(about 1785-1789). 74.
anthem by P. Falle. 53.
Tellus purpureum genuit : motet by J.
Benet. 356-7.
Temporis ad punctum : chorale by M.
Gobel (?). 155.
Tempus est gratiae : song by H. de
Pisis (?). 423-4.
Tempus est ut revertar : motet by
Palestrina. 302-3 (2), 310, 326, 335-6,
339.
Tenebrse factte sunt : motet by P. A.
Basilij. 339-40.
motet by P. Cannicciari. 328
(Add. 31554, f. 23b).
motet by [S.?] Dentice. 294 (Add.
14203, f. 35b).
motet by N. Jommelli. 332.
motet by L. Leo. 361 (Eg. 2467,
f. 34).
motet by [G.] Salvatore. 329
(Add. 32392, f. 22b).
v. also Tanquam ad latronem.
Tenelle mi : song (after 1669 ?). 428.
Tenga piedad el Dios : song by P. de
Coster Vanderven (?). 426-7.
Terra tremuit : motet by P. P. Bencini.
362.
motet by L. Gatti. 363.
motet by Palestrina. 291 (Add.
35084, f. lib), 304.
Terribilis est locus : motet (1802). 347.
Teth. Manus mulierum. v. Manus mu-
lierum.
Th' Eternal God in thunder speaks :
hymn by T. Miles. 189.
Th' uplifted eye: hymn by T. Miles.
189.
That awful hour : hymn by T. Miles.
189.
That city shall full well endure : hymn
by D. Peebles. 181.
38
568
INDEX I.
That day of wrath : song by T. Miles.
453.
That God is great : hymn by T. Miles.
189-90.
That man is blest who stands in awe :
hymn by T. Miles. 189-90.
That man is truly blest who never
strays : anthem by H. Lawes. 72.
That we may know Thy way. v. 0 God,
be merciful unto us.
" The Adoration of the Magi." v. " The
three Kings."
" The Aspiration." v. How long, Great
God.
The beauty of Israel : anthem by J.
Walter. 29 (title only).
The best rede that I can : duet (15th-
16th cent.). 171.
The best song, as it seemeth me : duet
(15th-16th cent.). 171.
The Blessed Lamb : anthem by E.
Hooper. 21, 33 (words).
The breath of our nostrils : anthem by
J. Hilton. 16.
The brightness of Thy face : hymn by
T. Miles. 189.
"The captivity" : oratorio by R. J. S.
Stevens. 373.
" The captivity of Judah " : two oratorios
by Crotch. 372 and 382.
The cause of death : anthem by T.
Lupo. 9, 91.
"The Creation": oratorio by F. J.
Haydn, v. And God said, Be fruitful ;
Awake the harp ; The heavens are
telling.
The days of man : anthem by J. Blow.
111.
"The dead man's chant" (about 1887).
152.
"The death of Abel" : oratorio by S.
Wesley. 371.
"The Deluge: oratorio by Sir H. R.
Bishop, v. And God saw ; Hear, O
my people ; Tremble at the mighty
pow'r.
" The Disciples at Emmaus " : oratorio
by M. C. Bach. 190, 381.
The dreadful burden of Thy wrath :
hymn by T. Miles. 189-90.
" The Duke's " : hymn-tune by T.
Ravenscroft. 192-3.
The earth is the Lord's : anthem by
W. Child. 25, 79.
anthem by Jer. Clark. 59.
anthem by W. Croft. 41, 45.
anthem by J. Hilton. 31 (words).
The eye of the Lord : anthem adapted
by H. Aldrich from Palestrina. 55,
81. v. also Jesus junxit se.
The eyes of all : anthem by [J.]
Geeres. 18.
fr. Service by O. Gibbons. 420.
"The Fallen Angel." V. Nor did re-
venge.
The fool hath said in his heart : an-
them by W. Child. 88.
The Gentiles shall come to Thy light :
anthem by [M. Greene]. 97.
The gladsome sound, v. Praise Him
on the tube.
The glorious field is won ; fr. oratorio
by Handel. 379.
The glorious hopes that cheer the just :
duet by T. Miles. 177.
The God of Gods : hymns by W . Parsons.
196 (Add. 31855, ft 51, 51b).
The God of heav'n is kind : hymn by T.
Miles. 189.
The God of thy father : anthem by S.
von Neukomm. 107.
The good man's way : hymn by T.
Miles. 189-90.
The grace of our Lord : anthem by R.
J. S. Stevens. 95.
The grass and flow'rs : hymn by T.
Miles. 189.
The grave gives up its dead ; fr. oratorio
by Spohr. 383.
The happy morn is come : hymn by T.
Miles. 189.
The heavens and the firmament : hvmn
by D. Peebles. 181.
hymn by J. Shepherd. 179.
The heavens are telling; fr. oratorio by
Haydn. 373.
The heavens declare : anthem by R.
Portman. 35 (words).
The heavens in their excellence : hymn
(1547-1548). 179.
The hour is come : trio by J. Wilson.
464.
"The humble suit of a sinner." v. O
Lord, of Whom I do depend.
" The Imperial " : chant (1676).
14G.
The King, 0 Lord, with songs of praise :
hymn by T. Miles. 189-90.
The King shall rejoice : anthem by W.
Child. 26, 31 (words).
duet by C. Dibdin. 176.
anthem by M. Greene. 47, 64.
anthem by Handel. 65, 90.
- anthem by P. Humfrey. 27, 55,
102.
anthem by T. Miles. 98.
anthem by J. Tomkins.
32
(words).
anthem by W. Turner. 57.
"The King's": hymn-tune by
Ravenscroft. 192-3.
The Kings of Tharsis : anthem by
Blow. 57, 88, 102, 109.
"The Last Judgment": oratorio
by
Spohr. v. All glory to the Lamb ;
Bless'd are the departed ; Holy, Holy,
Holy, Lord God ; The grave gives up
its dead.
The Lord abounds with tender love :
hymn by T. Miles. 189.
INITIAL WORDS AND TITLES.
569
anthem by
—2 copies).
White. 4, 17,
J. [?]
31
The Lord be with you ; fr. Service by
Tallis. 420.
The Lord bless us :
White. 31 (words
anthem by R.
(words), 56, 108.
The Lord did on my side engage : hymn
by T. Miles. 189-90.
The Lord doth my desire regard : hymn
by T. Miles. 189.
The Lord, even the most Mighty God ;
chant by J. Beckwith. 149.
anthem by T. S. Dupuis. 75.
anthem by M. Greene. 47, 64.
anthem by H. Hall. 42.
anthem by G. L[oosemore ?]. 39.
The Lord for ever lives : hymn by T.
Miles. 189.
The Lord from heav'n beholds : hymn
by T. Miles. 189-90.
The Lord God is a Sun : anthem by J.
Blow. 111.
The Lord hath appeared for us : an-
them by W. Croft. 46.
The Lord hath declared His salvation :
anthem by T. Tudway. 49, 59.
The Lord hath done great things :
anthem by H. L[oosemore?]. 39.
The Lord hath given strength ; fr.
oratorio (?) by Handel. 386.
The Lord hath prepar'd His throne :
canon (late 18th cent.).
The Lord hath spok'n:
Miles. 180-90.
hymn by P. Valton. 187.
The Lord hear me : anthem
Nares. 67.
The Lord hear thee : anthem
Blow. 110.
anthem by J. Cobb. 35 (words).
anthem by [W.] Greggs. 22.
119.
hymn
by T.
by J.
by J.
by
by
T. Holmes. 34
J. Tomkins. 35
Tudway. 49, 56.
the Mighty Lord :
anthem
(words).
anthem
(words).
anthem by T.
The Lord himself,
hymn by T. Miles. 189-90.
The Lord in thine adversity : anthem
by G. Jeffreys. 24 (2 copies).
The Lord is a Sun and Shield : anthem
by W. Croft. 49, 89.
The Lord is full of compassion : anthem
by W. Boyce. 82.
anthem by Jer. Clark. 43, 94.
The Lord is good : hymn by T. Miles.
189-90.
The Lord is gracious : anthem by P.
Falle. 53.
The Lord is King, and hath put on :
anthem by H. Aldrich. 52, 59, 80.
anthem by J. Blow. 109, 111.
anthem by W. Boyce (?). 82.
The Lord is King, be the people : an-
them by W. Ci oft. 48.
The Lord is King, be the people : an-
them by D. Henstridge. 48.
anthem by G. King. 43.
The Lord is King ; the earth : anthem
by J. Blow. 111.
anthem by W. Croft. 46.
anthem by H. Lawes. 34 (words).
anthem by H. Purcell. 41, 81.
The Lord is my Light : anthem by W,
Boyce. 78.
anthem by W. Croft. 45, 46.
anthem by T. S. Dupuis. 75.
anthem by Handel. 84.
anthem by W. Lawes. 21, 24, 27,
54, 80.
anthem by H. Purcell. 78, 104.
The Lord is my Shepherd : anthem by
J. Blow. 55, 88, 102, 109.
anthem by H. Cooke. 36 (words).
anthem by T. S. Dupuis. 75.
- anthems by [M.] Greene. 70,
94 (?).
— anthem by J. J. Harris (?).
— anthem by C. King. 85.
— hynm by T. Miles. 189.
93.
anthem by W. Savage. 94, 96.
- anthem by S. Wesley. 70, 73.
anthem by M. Wise. 43.
The Lord is my strength : anthem by
T. Cam. 94.
anthem by M. Greene. 45, 47.
anthem by J. Nares. 67.
The Lord is only my support : anthem
by [W.] Byrd. 8.
anthem by W. Child. 31 (words).
hymn by D. Peebles. 181.
The Lord is our defence and aid :
hymns by W. Parsons. 196 (Add.
31855, ff. 48b, 49b).
hymn by D. Peebles. 181.
The Lord is righteous : anthem by
W. Croft. 89 (2).
anthem by J. Nares. 67.
anthem by W. Turner. 43, 60.
The Lord Jehovah reigns : hymn by
T. Miles. 189.
The Lord liveth and blessed be my
Rock : anthem (temp. Charles II).
36 (words).
The Lord look'd down from heav'n :
hymn by T. Miles. 189.
The Lord most High unto my Lord :
hymn by D. Peebles. 182.
The Lord, my Light and Health : hymn
by D. Peebles. 181.
The Lord my pasture shall prepare :
hymn by [H.] Purcell (?). 184-5.
song by C. Wesley. 451.
The Lord of Glory : hymn by S.
Wesley (?). 194.
The Lord of Might from Sinai's brow :
hymn by T. Miles. 189.
The Lord said unto my Lord : anthem
by C. Gibbons. 80. "
anthem bv J. Jackson. 55.
570
INDEX I.
The Lord shall go forth : anthem by
[M.] Greene. 97.
The Lord shall preserve thy going out :
anthem by C. Wesley. 70-1.
The Lord, the only God : hymn by T.
Miles. 189-90.
The Lord, the universal King : hymn
by T. Miles. 189-90.
The Lord to thy request attend : hymn
by T. Miles. 189-90.
The Lord unto my Lord thus spake :
hymn by T. Miles. 189-90.
The Lord, Who all our frame surveys :
hymn by T. Miles. 189-90.
The Lord, Who made both heav'n and
earth : hymn by T. Miles. 189-90.
The Lord will deliver the righteous :
anthem by [M.] Greene. 97.
The Lord will not forget : hymn by
T. Miles. 189.
The love that to Thy laws I bear :
hymn by T. Miles. 189-90.
The man is blest that careful is :
hymn by J. Hake. 196 (Add. 31855,
f. 42b).
hymn by W. Parsons. 196 (Add.
31855, f. 42).
hymn by D. Peebles. 181.
hymn by J. Shepherd. 180.
The man is blest that God doth fear :
anthem by W. Byrd (?). 8.
hymn by D. Peebles. 182.
The man is blest that hath not bent :
song (about 1630). 427.
hymn by T. Causton. 196 (Add.
31855, f. 29b).
hymn by T. Morley. 192-3.
■ hymn by W. Parsons. 196 (Add.
31855, f. 30b).
The man is blest that hath not gone :
hymn by J. Shepherd. 179.
The man is blest whose wickedness:
hymn by J. Shepherd. 180 (two
settings).
The man that fears the Lord is blest :
anthem by J. Bull. 32 (words).
"The Messiah" : cantata by W. Crotch.
131.
oratorio by Handel. 369, 370,
371, 378, 381-2, 386. v. also Amen ;
And the glory of the Lord ; Comfort
ye ; Hallelujah ; He shall feed ; He
was despised; How beautiful ; If God
be for us ; O death, where is thy
sting; Worthy is the Lamb.
The mighty God, th' Eternal : hymn
by W. Parsons. 196 (Add. 31855,
f."ll2).
The mild Lamb : song (early 14th
cent.). 424.
The mother full mannerly, v. The
mother so mannerly.
The mother so mannerly, v. Quid petis.
The name and glory of the Lord : hvmn
bv T. Miles. 189-90.
The night is come : anthem by H.
Purcell. 105.
The "Occasional" oratorio; by Han-
del. 377 (arrangement), 386 (frag-
ments).
"The old hundredth" ; harmonised as
a hymn from the melody attributed
to L. Bourgeois.
Anonymous (early 18th cent.). 184.
(1704-1707). 184.
(1765). 186 (melody and bass).
(late 18th cent.). 187.
(1826). 190-1.
By T. Adams. 195.
— J. Dowland. 183, 185 (2), 192-3
(called "French").
— C. Le Jeune. 185.
Miiller. 185.
— W. Parsons. 196.
— D. Peebles. 180-1.
— T. Ravenscroft. 187, 192-3
(called "French").
— S. Wesley. 194 (organ Inter-
ludes).
The only Lord of Israel : hymn by
W. Parsons. 196 (Add. 31855,
f- 11).
hymn by N. Southerton. 196
(Add. 31855, f. 10b).
" The Passion." v. Enough, my muse,
of earthly things.
The peace which God alone reveals :
hymn by T. Miles. 189.
The poor committeth himself unto
Thee : anthem adapted from Mar-
cello. 96.
The praises due to Thee: hymn by
T. Miles. 189.
The praises of my tongue : chorus by
T. Miles. 170.
The precious sons of Zion : anthem by
J. HiltoD. 16.
The promis'd land of peace : hymn by
T. Miles. 189.
The promises I sing : hymn by T. Miles.
189.
The proud have digg'd a pit : hymn by
T. Miles. 189-90.
The proud have forg'd : hymn by T.
Miles. 189-90.
The queen shall rejoice ; anthem by
W. Turner. 60.
The rose is the fairest flower of all :
carol (15th cent.). 138 (words).
The sacred minstrel plays : song by
S. Wesley. 439.
The saints on earth : hymn by T. Miles.
189.
"The seasons": by J. W. Callcott. v.
These, as they change.
The secret sins : anthem by O. Gibbons.
22.
anthem by W. Mundy. 33 (words).
The simple sheep : anthem by Tallis.
34 (words).
INITIAL WORDS AND TITLES.
571
The smiling dawn ; f r. oratorio by
Handel. 377.
"The song of Deborah and Barak":
cantata by M. Greene. 130.
The sorrows of death : canon by J. W.
Callcott. 121.
The soul that's rilled with virtue's
light: hymn by T. Miles. 189-90
(two settings).
The souls of the righteous : anthem by
W. Croft. 40, 89.
anthem by T. S. Dupuis. 75.
anthem by H. Hall. 62, 81.
anthem by T. Miles. 99.
anthem by J. Nares. 67.
The spacious firmament : hvmn (18th
cent.). 186.
The spirit of grace : anthem (about
1700). 93.
anthem byW. Child. 31 (words).
The starry hosts in order move : hymn
by T. Miles. 189.
"The tears or lamentations of a
sorrowful soul " ; by W. Leighton,
etc. 9-10, 90-92.
"The three kings": Miracle-play
(12th-13th cent.). 241-2.
The trees of God : hvmn by T. Miles.
189-90.
The twelve Apostles in a ring : anthem
by H. Cooke. 32 (words).
"The vision of Belshazzar." v. "Da-
niel's prediction."
The wand'ring star, the fleeting wind:
-song by T. Miles. 453.
The way of God : anthem by H. Purcell.
48.
The ways cf Zion : anthem by Handel.
68.
anthem by J. Hilton. 16.
anthem by M. Wise. 49, 55.
"The weavers": Miracle-play (late
15th cent.). 243.
"The western wind": mass by [J.]
Shepherd. 213.
mass by J. Taverner. 213.
mass by Tye. 213.
The wicked deeds of the ill man : hymn
by D. Peebles. 181.
The wonder which Thy laws contain :
hymn by T. Miles. 189-90.
The words that from my lips proceed :
hymn by T. Miles. 189.
The years roll round : duet by T. Miles.
177.
Thee, Almighty Lord, we own : hymn
by T. Miles. 189.
Thee and Thy wondrous deeds : chorus
by H. Lawes. 158.
Thee, Lord, my thankful soul would
bless: hymn by T. Miles. 189.
Thee, Sovereign Lord : canon (late 18th
cent.). 119.
Thee will I laud, my God : hymn by
W. Parsons. 196 (Add. 31855, f. 101b).
Thee will I laud, my God: hymn by
N. Southerton. 196. (Add. 31855,
f. 102).
Their delight shall be. v. Blessed is
the people.
Then from a whirlwind : song by M.
Lock. 429, 432-3.
There are who sigh : song by J. Lodge-
EUerton. 454.
There is a Fountain : hymn by T. Miles.
189.
There is a God : chorus by T. Miles.
170.
There is a land of pure delight : hymn
by T. Miles. 189.
There is a Righteous God : hymn by
T. Miles. 189.
There is a river : anthem adapted from
Marcello. 96.
There is beyond the sky : chorus by T.
Miles. 170.
There is forgiveness, Lord : hymn by
T. Miles. 189.
There is no God : hymn by T. Causton.
196. (Add. 31855, f. 34).
hymn by T. Morley. 193.
hymn by W. Parsons. 196 (Add.
31855, f. 34b).
hymn by J. Shepherd. 179.
There's no disturbance : song (17th-
18th cent.). 432-3.
There's not a bird with lonely nest:
song by T. Miles. 453.
There shall be signs in the sun : anthem
by W. Jackson [of Exeter]. 76 (two
settings).
There were shepherds : anthem by [W.]
Tucker. 2i.
There were three Persons, v. Jesus
autem hodie.
Therefore rejoice : anthem by A. Bat-
ten. 22.
These, as they change : song by [J. W.]
Callcott. 439, 452.
They looked unto Him : anthem adapted
from Marcello. 96.
They that go down to the sea : anthem
by [B.] Graziani. 97.
anthem by H. Purcell. 48, 50, 56,
78, 79, 103, 104 (slightly different).
They that in ships : hymn by T. Miles.
189-90 (two settings).
They that put their trust in the Lord :
anthem by H. Lawes (?). 36 (words).
Think again, pride, v. Ah, Gentle
Jesu.
This ender night. . .a maid. v. Lullay,
my child.
This ender night. . .a star : carol (early
16th cent.). 139.
This ender night. . .all in my sleep, v.
Ah, My dear Son, said Mary.
This is My commandment : anthem by
[R.] Johnson. 16.
anthem by [J.] Mundy. 19.
572
INDEX I.
This is the day that. v. This is the day
which.
This is the day when Christ arose :
chorus by T. Miles. 169.
This is the day wherein the Lord : an-
them by 0. Gibbons. 34 (words).
This ia the day which the Lord hath
made : anthem by W. Croft. 40, 48,
90.
anthem by T. S. Dupuis. 75.
anthem by [W.] Tucker. 21, 26.
This is the joyful day indeed : anthem
by T. Cam. 94.
This is the record : anthem by [0.] Gib-
bons. 19, 33 (words), 94.
This shall be my rest : anthem by S.
Wesley. 98.
This spacious earth : hymn by T. Miles.
189-90.
This virgin clear, v. This ender night
. . .a star.
Those men that all their hope and
trust : hymn by T. Miles. 189.
Thou art about my path. v. 0 Lord,
Thou hast searched.
Thou art fairer than the children of
men : anthem by R. Tomkins. 34
(words).
Thou art gone to the grave : hymn by
T. Miles. 189.
Thou art my God ; my help's at hand :
anthem by Sir W. Leighton. 9, 91.
Thou art my King: anthem by W.
Child. 22, 25, 36 (words).
anthem bv P. Humfrey. 42, 54.
anthem by T. Tomkins. 13, 19,
26, 81 and 33 (words).
Thou art my portion : anthem by T.
Miles. 99.
Thou art, 0 Lord, my strength and
stay : hymn by D. Peebles. 181.
Thou art the righteous Lord : hymn by
T. Miles. 189-90.
Thou art the Way : hymn by T. Miles.
189.
Thou deckest Thyself ; by Croft, v.
Praise the Lord, 0 my soul ; 0 Lord.
Thou God of might : anthem by J.
Milton. 9, 10, 91.
Thou God of wisdom : anthem by 0.
Gibbons. 34 (words).
Thou God, That guid'st : anthem by
Byrd. 19, 22, 31 and 33 (words), 109.
Thou God, the Father : song by D.
Henstridge. 432.
Thou hast been our succour, v. Sing
unto the Lord, and praise.
Thou hast fashioned me. v. 0 Lord,
Thou hast searched.
Thou hast girded me with strength :
anthem by C. Wesley. 70-1.
Thou, Jesu, art our King : hvmn by
S. Wesley. 186.
Thou, Judge of quick and dead : hymn
bv T. Mil os. 189.
Thou knowest, Lord, the secrets : an-
them by H. Purcell (two settings).
41 ; 49, 59, 68, 104.
v. also I am the Resurrection.
Thou, Lord, art full of grace : hymn by
T. Miles. 189.
Thou, Lord, by strictest search : hymn
by M. Cooke from M. C. Bach. 190.
anthem by T. Miles. 100.
Thou, Lord, hast been a defence :
canon by J. W. Callcott. 121.
Thou, Lord, hast made us glad. v.
Sing unto the Lord, and praise.
Thou, Lord, hast taught me : hymn by
T. Miles. 189.
Thou, Lord, my safety : hymn by T.
Miles. 189.
Thou, man, inured with temptation :
trio (temp. Hen. VIII). 463.
Thou, 0 God, art praised : anthem
(18th cent.). 39.
canon (late 18th cent.). 119.
canon bv J. W. Callcott. 119,
121, 122.
anthem by J. Cobb. 36 (words).
anthem by M. Greene. 47, 64,
70, 94.
anthem by W. Holder.
55.
22.
jov : an-
70.
the path : canon
121.
anthem by M. Wise (?).
Thou, 0 Lord, hast heard : anthem by
T. Tudway. 60.
Thou, O Lord, hast known : canon by
J. W. Callcott. 121.
Thou, Pow'r Supreme : hymn by T.
Miles. 189 (two settings).
Thou, Righteous Judge of all the world :
hymn by T. Miles. 189.
Thou shalt have none other gods : canon
by J. W. Callcott. 122.
Thou shalt make me hear of
them by S. Wesley.
Thou shalt show me
by J. W. Callcott.
Thou showest us wonderful things :
anthem by P. Falle. 53.
Thou soft invader ; fr. oratorio by
Boyce. 367.
Thou strictlv hast enjoin'd us, Lord :
hymn by T. Miles. 189-90.
Thou suit'st, 0 Lord, Thy righteous
ways : hymn by T. Miles. 189.
Thou That hearest the prayer : anthem
by P. Falle. 53.
Thou turnest man, 0 Lord, to dust :
hymn by T. Miles. 189-90.
Thou visitest the earth, v. Thou, 0
God, art praised.
Thou wakeful Shepherd : song bv H.
Purcell. 432-3, 453.
Thou Who sitt'st enthron'd above :
hymn by T. Miles. 189.
Thou, Whose almightv word : hvmn
by T. Miles. 189.
Though a host of men : canon (late
IRth cent.). 119.
INITIAL WORDS AND TITLES.
573
Though ghastly dangers me surround :
hymn hy T. Miles. 189-90.
Though I speak with the tongues of
men and angels : anthem by P.
Falle. 53.
Though I walk in the midst of trouble :
anthem by W. Croft. 40.
Though mighty tyrants : hymn by T.
Miles. 189.
Though num'rous troops of sinful men :
hymn by T. Miles. 189-90.
Though round Thy radiant throne :
anthem by S. S. Wesley. 73.
Though wicked men grow rich : hymn
by T. Miles. 189-90.
Though ve have lien among the pots :
anthem by J. S. Smith (?). 92.
Thousand chariots God attending :
hymn by T. Miles. 189.
Thrice happy he that does refuse :
song (18th cent.). 440.
Through all the changing scenes of life :
hymn by T. Miles. 189.
Through all the various shifting scene :
hymn by T. Miles. 189.
Through endless years Thou art the
same : hymn by T. Miles. 189.
Through ev'ry age, Eternal God : hymn
by T. Miles. 189.
Through the day Thy love has spar'd
us : hymn by T. Miles. 189.
Through the land so lovely-blooming;
fr. oratorio by Handel. 366-7.
Thus naked am I nail'd. v. Woefully
array'd.
Thus saith the preacher : canon by E.
Nelham. 123 (2).
Thy ancient cov'nant, Lord, regard :
hymn by T. Miles. 189-90.
Thv arm is mighty : hymn by T. Miles.
189-90.
Thy beauty, O Israel : anthem by H.
Aldrich from M. Wise. 80.
Thy chast'ning wrath, O Lord : hymn
by T. Miles. 189.
Thy constant blessing, Lord, bestow :
hymn by T. Miles. 189-90.
Thy dreadful anger, Lord, restrain:
hymn by T. Miles. 189.
Thv favour, Lord, in all distress : hymn
by T. Miles. 189.
Thy goodness does the circling year :
anthem by T. Miles. 100.
Thy goodness, Lord, while
hymn by T. Miles.
Thy gracious favour,
hymn by T. Miles.
Thy hands have made me:
J. Blow. 112.
Thv Holy City. v. Bow Thine ear ;
by Byrd.
Thv mercies, Lord, all praise surmount :
hymn by T. Miles. 189.
Thv mercies, Lord, shall be my song :
hymn by T. Miles. 189-90.
I survey :
189.
Lord, display :
189-90.
anthem by
Thy mercy, Lord, display : hymn by T.
Miles. 189-90.
Thy mercv, Lord, to me extend : hymn
by T. Miles. 189-90.
Thy mercy, O Lord : anthem by J.
Blow. 111.
Thy mercy will I sing : hvmn (after
1604). 183.
Thy paths, blest Source of light : hvmn
by T. Miles. 189.
Thy piercing eye, O God : hymn by T.
Miles. 189.
Thy presence why withdraw'st Thou,
Lord : hymn by T. Miles. 189-90.
Thy Bighteousness, O God : anthem by
[E.] Ayrton. 93.
anthem by J. Blow. 49, 59, 110.
Thy sharp rebuke : hymn by T. Miles.
189-90.
Thy way, O God, is holy : anthem by J.
Blow. 110.
anthem by J. Goldwin. 62.
anthem by H. Purcell. 52, 104.
Thy wonted goodness, Lord, prepare :
hymn by T. Miles. 189.
Thy word is a lantern : anthem by [H.]
Purcell. 94.
Thy word is to my feet a lamp : hymn
by T. Miles. 189-90.
Ti lascio omai : song by F. Feo. 435.
Tibi, Christe, Splendor Patris : motet
(17th cent.). 288.
motet by E. di Bartolo. 347-8.
Tibi consecratos (early 17th cent.), v.
Mater Christi sanctissima.
Tidings, tidings that be true : carol
(15th-16th cent.). 138 (words).
Tidings true : carol (15th-16th cent.).
139.
Time by moments steals away : hymn
by T. Miles. 189.
Time with an unwearied hand : hymn
by T. Miles. 189.
Timida hirundo gemit : song by J. A.
Hasse. 445.
Timor et hebetude v. Tribulationes
civitatum.
Timor et tremor : motet (early 17th
cent.). 275.
- motet by A. Ferrabosco (III?).
275, 276.
motet by J. T. Gerarde.
268.
266-7,
motet by G. Jeffreys. 283-4.
" Tirza ed Abel." v. Gia in ciel.
'Tis by the faith of joys to come : hymn
by T. Miles. 189.
'Tis done — the Sovereign will's obey'd :
song by S. Arnold. 439.
'Tis God Who from a foreign soil : hymn
by T. Miles. 189-90.
'Tis joy to see : canon by W. Lawes.
115.
'Tis religion that can give : canon by T.
Miles. 127.
574
INDEX I.
'Tis time, high time : hymn by T. Miles.
189-90.
To all His works through Nature's
boundless space : anthem by C. Wes-
ley. 73.
To all the list'ning tribes : hymn by S.
Wesley (?). 194.
To Calvary, v. My fearful dream.
To celebrate Thy praise : hymn by T.
Miles. 189-90.
To God belong th' eternal sway : an-
them by W. Walond. 93.
To God I cried, Who to my help : hymn
by T. Miles. 189-90.
To God I make my humble moan :
hymn by T. Miles. 189-90.
To God in Whom I trust : hymn by T.
Miles. 189-90.
To God let all the human race. v.
" The old hundredth " (1765).
To God most High : hymn by T. Miles.
189.
To God, our never-failing Strength :
hymn by T. Miles. 189-90.
To God, our Strength : hymn by D.
Peebles. 181.
song by C. Wesley. 448.
To God the Father, God the Son :
hymn by T. Miles. 189.
hymn by S. Wesley. 185.
To God, the Lord, a hymn of praise :
hymn by T. Miles. 189-90.
To God, the Mighty Lord : hymn by T.
Miles. 189.
To God, the only Wise : hymn by T.
Miles. 189 (two settings)"
To God, Whose glories are display'd :
hymn by T. Miles. 189.
To God your grateful voices raise :
hymn by T. Miles. 189-90.
To heav'n, my longing soul, aspire :
hymn by T. Miles. 189.
To keep the lamp alive : hymn by T.
Miles. 189.
To many a well have I gone : duet
(15th-16th cent.). 171.
To me, who am the workmanship :
hymn by T. Miles. 189-90.
To my complaint, O Lord : hymn by
T. Miles. 189-90.
To my just plea : hymn by T. Miles.
189-90.
■ anthem by Hester Needier. 66.
To mv repeated, humble prav'r : hymn
by T. Miles. 189-90.
To my request and earnest crv : hvmn
by T. Miles. 189-90.
To sing the mercies of the Lord : hymn
by D. Peebles. 181.
To the Almighty Trinity, v. O God of
Gods.
To Thee, Great God, my knees I bend :
hymn by T. Miles. 189.
To Thee, Great God, my soul shall
rise : hymn by T. Miles. 189.
To Thee, Lord, I cry forlorn : hymn by
T. Miles. 189-90.
To Thee, my God and Saviour : hymn
bv M. Cooke from M. C. Bach. 190.
- hymn by T. Miles. 189-90.
To Thee, mv God, to Thee alone : song
by T. Miles. 452.
To Thee, O God, we render praise :
hymn by T. Miles. 189-90.
To Thee, the God of truth : hymn by
T. Miles. 189.
To Thee, the Judge enthron'd on high :
hymn by T. Miles. 189.
To Thy salvation, Lord : hymn by T.
Miles. 189.
To Thy temple I repair : hymn bv T.
Miles. 189.
To visit Salem, Lord, descend : hymn
by T. Miles. 189-90.
" Tobias " : oratorio by Haydn, v. " II
ritorno di Tobia."
oratorio by C. T. W. Herzberg.
383.
Tod, wo ist dein Stachel : chorus by G.
P. Weimar. 161.
Todo la tierra es del Senor : song by P.
de Coster Vanderven (?). 426-7.
Tollite jugum Meuni : motet bv Pales-
trina. 305 (Add. 5038, f. 56).
motet by P. Reggio. 287.
To-morrow, Lord, is Thine : hymn by
T. Miles. 189.
Tonant irato coelo : song by P. Anfossi.
443.
" Tonbridge ": hvmn-tune by T. Smart.
192.
Tonent in alto mari : song by [F.]
Gasparini. 436-7.
Tonsionibus pressuris. v. Urbs beata,
Jerusalem.
Tota pulchra es : motet by — Forest.
356-7.
Tota pulchra es, arnica: motet (15th
cent.). 258.
motet (1519-1533). 259.
motet (1680-2), etc.). 286-7, 293.
motet (1680-6), etc.). 285-6, 289.
motets (a 2 and a 3, 17th cent.).
289-90.
motet by Fel. Anerio. 355.
motet by A. Campra. 327.
motet by G. B. Cima. 323.
motet by T. Hilary. 266.
- motet by H. Isaak. 312-13.
motet by Palestrina. 303.
Tota pulchra es, Maria : motet by S.
Wesley. 318-19.
Tota pulchra est (?) : motet by —
Stowe (?). 356-7.
Total eclipse; fr. oratorio by Handel.
373.
Tra le aspre e rie miserie : chorus by B.
Marcello. 164-5.
Tradent enim vos : motet by S. Wesley.
349.
INITIAL WORDS AND TITLES.
Oi o
Tradiderunt me : motet bv P. A. Basi-
lij. 339-40.
motet by P. Cannicciari. 328
(Add. 31554," f. 27b).
motet by [S. ?] Dentice. 294
(Add. 14203, f.42).
motet by N. Jommelli. 332.
motet byL. Leo. 361 (Eg. 2467,
Salvatore. 329
f.39).
motet by [G.]
(Add. 32392, f. 26b).
Traditor autem dedit eis signurn : motet
(late 16th cent.). 271.
Trahe me post te : motet (17th cent.).
289-90.
motet by Palestrina. 303.
motet by B. Tommasi. 323.
Transgressus legem : motet (1227-1234).
253.
Trau auf Gott in alien Sachen : chorale
by M. Gobel (?). 153.
Tre dolci e cari nomi : canon (19th
cent.). 129.
Tremble at the mighty Pow'r of Him ;
fr. oratorio by Sir H. R. Bishop. 380.
Tremens factus sum : song by D. Perez.
454-5.
v. Requiems, 391-5.
Tremeranno i venti ; fr. oratorio by F.
Paer. 380.
Tremolanti d' intorno : song by L. Leo.
442.
" Trentham " : hymn-tune by J. Bat-
tishill. 192.
Tres gratz et agiud da noas : chorus
(late 18th cent.). 164.
chorus (1817). 169.
Tria sunt munera : motet (after 1604).
279.
Tribue, Domine, ut donee : motet by
W. Byrd. 309-10.
Tribularer ego : motet by H. Bow-
man (?). 285-6.
Tribulatio et angustia: motet
1533). 259.
Tribulationem
T. Gerarde.
Tribulationes
(1519-
by J.
nostram : motet
266-7, 270.
civitatum audivimus :
motet by W. Byrd. 307.
Tribulationes cordis mei: motet by E.
G. Bernabei. 326.
motet by L. Leo. 299.
Tribum quern non abhorruit : song
(14th cent.). 425.
Tribus honor unus : canon by V. Ugo-
lini (?). 124.
Tribus miraculis : motet by Palestrina.
304, 335-6, 351-2.
Triduanas a Domino poposci inducias :
motet by T. Bai. 341.
Trinitas et Deitas : motet (14th-15th
cent.). 256.
Trinitatem veneremur : motet (14th-
15th cent.). 246.
Trinitati lux. v. Honor, virtus.
Trinitatis vox : motet (14th-15th cent.).
256.
"Trinity": hymn-tune by W. Croft.
190-1.
Trionpha (sic) victorise : duet by G. B.
Zuniga (?). 174.
Tristes erant apostoli : motet by E. di
Bartolo. 347-8.
Tristis est anima Mea : motet (1st half
of 16th cent.). 262.
motet by P. A. Basilij. 339.
motet bv G. [B.] Buononcini.
360-1.
-- motet by P. Cannicciari. 32S
(Add. 31554, f.2b).
- motet by [S. ?]
Dentice. 294
(Add. 14203," f. 4).
— motet by N. Jommelli. 332.
— motet bv O. di Lasso. 273-4 (2).
— motet by L. Leo. 361 (Eg. 2467,
f. 7b).
- motet by G. B. de Orchis. 315.
motet by [G.] Salvatore. 329 (Add.
by W.
32392, f. 5).
v. also In monte Oliveti.
Tristitia et anxietas : motet
Byrd. 282, 307, 310.
" Tristitiee remedium " : anthems, etc.,
collected by T. Myriell, 1616. 10-13.
Tritt auf die Glaubensbahn. v. Stein,
der iiber alle Scbatze.
Triumf, tiiumf ! Victoria : chorus bv
J. K. Bacbofen. 167.
Triumphat hodie Christi miles : motet
(14th-15th cent.). 256.
Triumphate, fideles : song by G. P. Co-
lonna. 431.
Triumphus patet hodie: motet (lith-
15th cent.). 255.
" Trostvolle Gedanken iiber das Leiden
. . .Jesu Christi" : cantata by K. H.
Graun. 131-2.
"Trumpet": hymn-tune. v. Letev'ry
mortal ear.
Trust ye in tbe Lord : canon bv J. \V.
Callcott. 121.
Try me, O God : anthem by W. Croft.
90.
Tu, Bethlehem : motet by J. T. Ge-
rarde (?). 269.
Tu ch' ins hest deres 6s : chorus by J.
P. Sweelinck. 167.
Tu Che sai : chorus by B. Marcello.
164-5.
Tu, di fortezza torre : madrigal by Pa-
lestrina (Add. 5039, f. 37b ; 31397,
f. 68b ; 3140S, f. 24). 204, 205 (2).
Tu dorninaris omnium : canon bv V.
Ugolini (?). 123.
Tu, Domine, Cui humilium. v. Do-
mine Deus, Qui conteris bella.
Tu Dulcis cs, Messia : motet (17th
cent.). 289.
Tu es pastor : motet by Palestrina. 305
(Add. 5038, f. 19b), 335-6.
576
INDEX I.
Tu es Petrus: canon (1783). 120.
motet by C. Morales. 331.
motet by Palestrina. 351-2, 359.
- motet by A. Scarlatti. 343, 350,
by T. L. da Vittoria.
five canons by N. Sala
117 ; 11590, ff. 22, 38b,
358, 359.
motet
351-2.
Tu es sacerdos
(Add. 11589, f.
97; 11591, f. 9). 122.
motet by S. Wesley. 318-19.
v. also Dixit Dominus.
Tu, Lux Perennis. v. 0 Lux, Beata
Trinitas.
Tu mihi gaudium : song by B. Graziani.
434.
Tu nimirum : song by Tallis. 425-6.
i'. also Salve, intemerata.
Tu, norma pudicitise : motet (15th
cent.). 256-7.
Tu nostros animos : chorale by M.
Gobel (?). 155.
Tuquse genuisti. v. Alma Redemptoris.
Tu, Regis Alti janua. v. O Gloriosa
Domina.
Tua est potentia : motet by J. T. Ge-
rarde (?). 269.
"Tucker's": hymn-tune. 189.
Tui Filii. v. Ave, Dei Patris.
Tui sunt cceli : motet by Palestrina.
291 (Add. 35084, f. 2), 302-3 (2), 326,
335-6, 339.
motet by S. Wesley. 345.
Tulerunt Dominum meum : motet by
[P.] Cadeac. 306.
motet by G. Gabrieli (?). 276-7.
motet by H. Isaak (?). 314.
Tunc exsultabunt. v. Lsetentur coeli.
Tunc Herodes. v. Noe ! noe ! noe I
Tunc imponent super altare. v. Miserere
mei, Deus, secundum.
Tuorblas niivlas d' 1' oarma mia : chorus
by J. Schmidlin. 166.
Tuots leidamaing, da cor chantain :
chorus (late 18th cent.). 163.
chorus by G. Atschel. 167.
Tuots vous payannis, pur Dieu lode :
chorus by J. P. Sweelinck. 167.
Turba in motu : motet by Porpora. 296,
321.
Turbabuntur impii : motet by Carissimi.
295.
Turbatur maris unda : song by Gioac-
chino Rossi. 435, 442-3.
Turn again then. v. O give thanks
unto the Lord, for He.
Turn Thee again at the last : canon by
J. W. Callcott. 121.
Turn Thee again, O Lord, at the last :
anthem by J. Nares. 67.
Turn Thee again, O Lord God : anthem
by G. Jeffreys. 23, 24.
anthem by H. Purcell. 105.
Turn Thee unto me and have mercy :
canon by J. W. Callcott. 121.
Turn Thee unto me, O Lord : anthem
by J. Blow. 28, 39, 44, 49; 52, 110.
Turn Thou Thy face from my sins :
anthem by C. King. 85.
Turn Thou us : anthem by A. Batten.
21.
anthem by W. Child. 26, 31
(words).
- anthem by G. Jeffreys. 23, 24.
anthems by H. Purcell. 41, 104 ;
105.
anthem by [J. or T.] Tomkins. 21,
34 (words), 56.
anthem by M. Wise. 94.
Turn Thy face : anthem (early 17th
cent.). 6.
anthem by J. Church. 62.
anthem by M. Greene. 79.
Turn unto the Lord : anthem by T.
Tomkins. 15.
Turn us again, O God : anthem by J.
Blow. 50, 110.
Tutto '1 mondo e bugiardo : song by F.
Feo. 435.
'Twas in the watches of the night :
hymn by T. Miles. 189.
Ubi deficit auxilium humanum : canon
by J. A. Herbst. 115.
Ubi duo vel tres : motet by A. Ferra-
bosco (I). 275.
Ubi est Abel: motet (late 16th cent.).
273.
Ubi pascas. v. Quaeramus cum pas-
toribus.
Ubi tua, O mors, victoria: canon by J.
W. Callcott. 121.
Ubi vis, paremus : Passion music (1721).
388.
Udir le orecchie nostre : chorus by B.
Marcello. 164-5.
Un pensiero nemico ; fr. oratorio by
Handel. 386.
Una hora, non potuistis vigilare : motet
by P. A. Basilij. 339.
motet by P. Cannicciari. 328
(Add. 31554, f. 12b).
motet by [S. ?] Dentice 294 (Add.
14203, f.20).
motet by N. Jommelli. 332.
- motet by L. Leo. 361 (Eg. 2467,
f. 22).
motet bv [G.] Salvatore. 329 (Add.
32392, f.l4b).
v. also Eram quasi agnus.
Und die Apostel sprachen : cantata by
[G. P.] Telemann. 132-3.
Unde tibi, O rationalis anima: song by
H. Dumont (?). 431.
Unendlicher Gott : chorus by [E. G. ?]
Fischer. 160.
"Union" anthem, The. v. Let him
fly from evil.
"Union Street" : hymn-tune. v. Now
let our souls.
INITIAL WORDS AND TITLES.
577
Uns ist ein Kind geboren : chorale by
M. Gobel (?). 156.
chorus by G. P. Weimar. 160.
Unser Geist soil Dich erheben : cantata
by C. G. A. Bergt. 136.
Unser Leben wahret siebenzig Jahr :
chorale by M. Gobel (?). 155.
Unser Vater : chorus by G. A. Hornilius.
160.
Unto Him That loved us ; anthem (after
1831). 97.
v. My fearful dream,
anthem by W. Byrd.
Unto the cross.
Unto the hills :
83.
Unto the name
Peebles. 182.
Unto Thee have I cried
Lamb. 60.
Unto Thee, 0 God, do we give thanks
anthem by [P.] Hayes. 92.
anthem by J. Nares
Unto Thee, 0 Lord, do
soul : anthem by H.
of God : hymn by D.
anthem by B.
. 67.
I lift up
Cooke.
my
36
(words).
Unto Thee, 0 Lord, will I lift up : an-
them (late 17th cent.). 39.
canon (late 18th cent.), 119.
anthem by [0.] Gibbons. 31
(words).
anthem by G. Jeffreys. 23.
anthem by C. King. 85.
anthem by [W. ?] King. 39, 44.
anthem by T. Wilkinson. 20.
Unto Thee will I cry : anthem by J.
Heseltine. 52.
anthem by H. Purcell. 104.
Unus ex discipulis : motet by P. A.
Basilij. 339.
motet by P. Cannicciari. 328
(Add. 31554, f. 9).
motet by [S. ?] Dentice. 294
(Add. 14203, f. 14b).
motet by N. Jommelli. 332.
- motet by L. Leo. 361 (Eg. 2467,
£.17).
— motet
Salvatore. 329
by [G.]
(Add. 32392, f. lib).
v. also Amicus meus.
Unus ex duobus : motet by Palestrina.
300, 308.
Unus Spiritus. v. Sancti Martyres.
Upon the cross nailed, v. Ah, Gentle
Jesu.
Upon Thy right hand.
inditing ; by Handel.
Urbs beata, Jerusalem :
Gerarde. 270-1.
Urbs Jerusalem : motet by N. Jommelli.
332-3.
Usquequo, Domine, oblivisceris me :
motet by H. Bowman. 285-6.
song by — Desgranges. 432.
motet by[A.]Ferrabosco [I]. 312.
canon by S. Rahel (Roy. App. 64,
f. 4b). 115.
v. My heart is
motet by J. T.
Ut det illis hfereditatem : song (late
18th cent.). 447.
Ut lanterna pedes: motet bv G. Lan-
guio. 279-80, 300.
Ut queant laxis : motet (1st half of
16th cent.). 262.
motet by E. di Bartolo. 347-8.
Ut quid, Deus, repulisti : canon by S.
Rahel (Roy. App. 64, f. 14). 115.
Ut sole fulgenti : song by J. A. Hasse.
445.
Utinam concessa mihi : motet by G.
Jeffreys. 283-4.
" Valde honorandus est " : mass by E.
Lopez. 220.
motet by Palestrina. 304, 335-6.
Vanitas vanitatum : motet by 0. di
Lasso. 316.
Varon bendito es el que no siguid :
song by P. de Coster Vanderven (?).
426.
Vater, also leb' ich wieder : chorale
(18th cent.). 157.
Vater, Den uns Jesus offenbaret : chorus
by J. G. Schicht. 166.
Vater, hilf mir. v. Selig sind die reinea
Herzens.
Vater im Himmel : litany by J. N.
Hummel. 202.
Vater unser. v. Du hast deine Saule
aufgebaut.
Vau. Et egressus est. v. Et egressus
est.
Veder l'Eterno Verbo morir ; fr. oratorio
by J. J. Fux. 364-5.
Velio di Gedeon: madrigal by Pales-
trina. (Add. 5039, f. 41 ; 31397,
f.72b; 31408, f . 27 ; etc.) 204 (2),
205 (2).
Vellus rore ccelesti maduit : part (?) of
Miracle-play (12th cent.). 240.
Velum templi scissum est : motet by P.
A. Basilij. 339-40.
motet by G. [B.] Buononoinu
360-1.
motet by P. Cannicciari. 32S
(Add. 31554, f. 17b).
motet by [S. ?] Dentice. 294 (Add.
14203, f. 28b).
motet by N. Jommelli. 332.
motet by L. Leo. 361 (Eg. 2467,
f. 27b).
motet by G. B. de Orchis. 315.
motet by [G.] Salvatore. 329
(Add. 32392, f. 18b).
v. Omnes amici.
Velutpalma: song by B. Graziani. 428,
431, 432.
Venderdi sant : chorus (1817). 168.
Venditores labiorum : motet by H. de
Pisis(?). 253-4. v. also under Songs,
423-4.
Veni, Creator, Spiritus: duet (13th-
14th cent.). 170-1.
578
INDEX I.
Veni, Creator, Spiritus : motet by E.
di Bartolo. 316,347-8.
song by Jommelli. 451.
motet by 0. di Lasso. 273-4,
275-6.
canon by [G.] Zarlino. 120.
v. also Come, Holy Ghost.
Veni de Libano : part of Miracle-play
(late 15th cent.). 243.
Veni, dilecta. v. Quam pulchra es, et
quam decora.
Veni, doctor : motet (1227-1234). 253.
"Veni, Domine" : mass by E. Lopez.
220.
Veni, Domine, et noli tardare : motet
(mid. 18th cent.). 300.
motet by Palestrina. 351, 359.
v. also Domine, prsestolamur Ad-
ventum Tuum.
Veni, Electa mea : part of Miracle-play
(late 15th cent.). 243.
Veni in hortum meum : motet by O. di
Lasso. 282, 283.
Veni, mi dilecte : motet (14th-15th
cent.). 255-6.
Veni, O sanctissima : motet (17th cent.).
289.
Veni, Redemptor gentium : motet (mid.
18th cent.). 300-1.
"Veni, Sancte Spiritus": mass by R.
Pygott. 212.
Veni, Sancte Spiritus, et emitte cceli-
tus : motet (15th cent.). 256-7.
motet (1st half of 16th cent.).
261-2.
motet by Fel. Anerio. 354.
motets (a 3 and a 4) by Dunstable.
356.
motet (a 4) by Dunstable. 356.
motet by N. Jommelli. 360. v.
also Alleluia t Emitte Spiritum.
motet by Palestrina. 310-11.
Veni, Sancte Spiritus; reple : motet
(15th cent.). 256-7.
motet by [G. J. ?] Vogler. 364.
Veni, Sancte Spiritus, spes omnium :
song by H. de Pisis (?). 423-4.
Veni, Sponsa Christi : motet (1st half
of 16th cent.). 261-2.
motet by Fel. Anerio. 354.
motet by F. Durante (?). 320.
song by N. Jommelli. 451.
motet by G. Mori, of Viadana.
280-1.
motet by G. B. de Orchis. 315.
motet by Palestrina. 305 (Add.
5038, f.65b).
motet by S. Wesley. 349.
Veniant mihi. v. Cognovi, Domine.
Venio ad Te: motet by P. Reggio.
287.
Venit Michael archangelus : motet by
Palestrina. 308.
Venit vox de ccelo : motet {temp. Eliza-
beth). 265.
Venite ad Me : motet by Fel. Anerio.
355.
song by H. Dumont. 431.
motet by J. T. Gerarde (?). 270.
v. also Sic Deus dilexit.
Venite, comedite. v. also Ab ortu solis ;
by S. Wesley.
Venite et videte : motet by G. Mori, of
Viadana. 280-1.
Venite, exsultemus : motet by J. J. C.
de Mondonville. 335.
canon by S. Rahel (Roy. App. 64,
f. 17). 115.
canon by J. Schedlich. 115.
motet by A. Steffani. 327.
v. also 0 come and let us now
rejoice ; and under Services, 396-
421.
Venite, filii ; audite : motet (after 1604,
etc.). 278, 300-1.
motet (17th cent.). 289.
motet (1802). 347.
Venite filii Evse : part (?) of Miracle-
play (11th cent.). 239.
Vera fides : motet by N. Ludford. 260.
Verba mea auribus percipe : canon by
S. Rahel (Roy. App. 64, f. 3b). 115.
Verbum bonum : motet (1519-1533).
259.
motet by Adrian [Willaert]. 312.
Verbum caro factum est : canon (after
1600). 114.
motet (1855). 356.
motet by D. Perez. 357.
Verbum iniquum : motet (before 1760).
306.
Vere fcenum est. v. Omnis caro.
Vere languores nostros Ipse tulit : mo-
tet by G. Jeffreys. 283-4.
Vere passum : motet by Josquin des
Pres. 312-13.
Veri floris sub figura, : motet (13th-14th
cent.). 254.
Veri solis radius : part (?) of Miracle-
play (12th cent.). 240.
Verily, verily, I say unto you : anthem
by Tallis. 2.
Veritas, sequitas : song by H. de Pisis (?).
423-4.
Verme crudel : song by F. Feo. 435.
Versa est in luctum : motet by J. T.
Gerarde. 266, 270.
Verumtamen, non sicut Ego. v. In
monte Oliveti.
Verzage nicht, du Hiiuflein klein :
chorale by M. Gobel (?). 156.
Vespera jam venit : chorale by M.
Gobel (?). 156.
Veste vili: motet (15th cent.). 256-7.
" Vestiva i colli" : mass by F. Anerio.
237.
Vexilla Regis : motet (1519-1533). 259.
motet (late 17th cent.). 292.
motet by E. di Bartolo. 347-8.
motet by F. Durante (?). 320.
INITIAL WORDS AND TITLES.
579
Vexilla Regis : motet bv Palestrina (?).
304.
Vias Tuas : motet bv J. T. Gerarde(?).
267-8.
motet by Palestrina. 357.
v. also Ad Te, Domino, levavi.
" Vicissitudinis missa." v. "Delia
mutazione."
Victimae Paschali : motet by G. P.
Colonna. 287, 326.
motet by G. B. Pazzini. 360.
motet by G. Gabrieli (?). 276-7.
motet by N. Jommelh. 332-3.
motet by M. Simonelli. 322,
360.
"Victory": hymn-tune (about 1800).
189.
Vid te s'voalva 1'oarma mia: chorus
(late 18th cent.). 163.
chorus (late 18th cent.). 164.
chorus by J. K. Bachofen. 168.
Vide, Domine, afflictionem : motet by
W. Byrd. 310.
Vide, Domine, quoniam tribulor : motet
(early 17th cent.). 275.
motet by W. Byrd. 309-10.
Vide humilitatem. v. Domine,
clamavi.
Videns Jesus, v. Occurrerunt.
Videns Secundus Salvatorem : motet
by Palestrina. 310.
Viderunt omnes : motet (1227-1234).
253.
Viderunt omnes fines terrse : motet by
S. Wesley. 345.
Viderunt omnes termini ; by 0. di
La«so. v. Haec est voluntas.
motet by Glaudin [de Sermisy ?].
331.
Videte, gentes
350.
Vidi aquam egredientem
motet (early 16th cent.)
settings).
motet (late 16th cent.). 271-2.
motet by E. Lopez. 303, 306.
motet by T. L. da Vittoria.
279-80.
Vidi civitatem : motet (15th cent.).
256-7.
Vidi impium :
295.
Vidi Luciferum
Graziani. 480.
Vidi speciosam sicut columbam : motet
by Fel. Anerio. 354.
Vidi turbam magnam : motet by Fel.
Anerio. 354.
motet by F. Soriano. 360.
Vidimus stellam : carol by S. Wesley.
motet by A. Steffani.
de templo :
258 (2, two
motet by Carissimi.
song by [B. ?]
345.
Vidit Jacob in
cent.). 256-7
Vigilate, nescitis enim
Byrd. 307, 310.
somnis : motet (15th
motet bv W.
Vincitrice del empia idra : madrigal by
Palestrina (Add. 5039, f. 30b ; 31397,
f. 62 ; 31408, f. 20). 204, 205 (2).
Vinea mea dilecta. v. Vinea mea
electa.
Vinea mea electa: motet by P. A.
Basilij. 339-40.
motet by G. [B.] Buononcini.
360-1.
motet
by P. Cannicciari. 328
(Add. 31554, f. 19b).
— motet by [S. ?] Dentice. 294
(Add. 14203, f. 30b).
— motet by N. Jommelli. 332.
motet by L. Leo. 361 (Eg. 2467,
315.
329
motet
f.29b).
motet by G. B. de Orchis.
motet by [G.] Salvatore
(Add. 32392, f. 40).
v. Omnes amici.
Vineam meam non custodivi
by Palestrina. 303.
Vir erat in terra Hus : motet by
Palestrina. 291 (Add. 35084, f. 24b),
333.
Vir iste custodivit : motet (17th-18th
cent.). 293.
Vir, propheta Dei, Daniel ; fr. Miracle-
play (1227-1234). 242.
Virga Jesse floruit ; part (?) of Miracle-
play (12th cent.). 240.
Virgines mete : motet (early 17th cent.).
275.
Virgo, decus castitatis : motet (13th
cent.). 253-4.
Virgo Dei genetrix. v. Benedicta ot
venerabilis.
Virgo gloriosa: motet by T. Bai. 341.
Virgo per incertos casus: motet by A.
Ferrabosco [III?]. 274, 276.
Virgo prredicanda: motet (18th-19th
cent.). 340.
Virgo prsefulgens : motet by — Sandley.
356-7.
Virgo salvavit hominem : motet (14th-
15th cent.). 255-6.
Virgo singularis. v. Ave, maris stella ;
by W. Byrd.
Virgo templum : motet by R. Davy.
261, 266.
Virgo, thronus glorise : motet (15th
cent,). 256-7.
Viri Galilsei : motet a 4 (late 16th cent.).
271-2.
motet a 6 (16th-17th cent.). 274.
motet a 2 (18th cent.). 325.
motet (1802). 346.
motet by J. T. Gerarde (?). 266-7.
Virtus, honor : motet by Tallis. 309.
" Virtute magna" : mass by Palestrina.
220.
Virtute uuminis : motet (early 13th
cent.). 252.
Visa, urbe, flevit super ea : motet by
G. Jeffreys. 283-4.
580
INDEX I.
Visibiliuin omnium : motet (after 1604).
279.
Visit, Lord, Thy habitation : hymn by
T. Miles. 189.
Vissi, nol niego : song byL. Leo. 442.
Vitam pra?sta. v. Ave, maris stella;
by W. Byrd.
Vitam qufe faciunt beatiorem : motet
(after 1604). 279.
Vitia virtutibus obvia : song bv H. de
Pisis(?). 423-4
Viva e trionfi ; fr. oratorio by Handel.
386.
Vivat Jacobus primus : canon by S.
Rahel. 115.
Vivere vis rtcte: motet by J. T.
Gerarde(?). 269.
Vivit ovans Christus : chorale by M.
Gobel (?). 155.
Vivo ego, dicit Dominus : motet (1st
half of 16th cent.). 262.
Vixi jam, Jesu : motet by G. B.
Fenoglio. 323-4.
Vobis datum est : motet by C. Porta.
306-7.
Vocabis me. v. Quis mihi hoc tribuat.
Voce mea, ad Dominum clamavi :
motet by J. T. Gerarde (?). 269.
two canons by S. Rahel (Rov.
App. 64, ff. 14, 25b). 115.
Vocem jucunditatis : motet (1802).
346.
motet by H. Lawes. 288.
Voi, se pieta provate ; fr. oratorio (18th
cent.). 376.
Volgi, mio Dio : song bv B. Marcello.
449.
Vom Himmel hoch da komm' ich her :
chorale by M. Gobel (?). 154.
Vom Himmel kam die Engel-schaar :
chorale by M. Gobel (?). 154.
Vom Tod wieder erstanden ist : chorale
by M. Gobel (?). 156.
Von Adams Zeiten : chorale bv M.
Gobel (?). 155.
Vor Dir ist Alios offenbar : song by
J. M. Haydn. 449-50.
Vor Dir, O Ewiger : chorus (18th cent.).
162.
Vor solche grosser Gute : chorale by
M. Gobel (?). 155.
Vos, amici mei. v. Estote fortes; Hoc
est prseceptum.
Vos, reyes y principes : song by P. do
Coster Vanderven (?). 426-7.
Vouloir m'est pris : chorus by C. Le
Joune. 161.
Vous che servis a Dieu : chorus by J. P.
Svvcelinck. 167.
Vous che sur tearra s'tais: chorus by
J. P. Sweelinck. 166.
"Vous jeiinerez " : part of mass by
Josquin des Pres. 222.
Vous poevels, voas uraigl a mi : chorus
by J. P. Sweelinck. 167.
Vox elamantis in deserto ; canon by
J. W. Callcott. 121.
Vox in Rama : motet by Clemens non
Papa. 306-7.
Vulnerasti cor meum : motet by Fel.
Anerio. 354.
motet by Palestrina. 303.
Vultum Tuum : motet (1802). 347.
Wach't auf, ihr Christen alio : chorale
by M. Gobel (?). 154.
Wake, sleeping ones : anthem by H.
Bowman. 27.
"Wakefield": hymn-tune by W. (?)
Dixon. 188.
"Walney".: hymn-tune (18th cent.).
186.
"Walsall": hymn-tune (18th cent.).
186.
Wann ich von Zerstreuung fern : song
by J. M. Haydn. 449-50.
"Wantage": hymn-tune (18th cent.).
186.
"Wareham": hymn-tune by W.
Knapp. 190-1, 194.
Warm'd to its inmost depth : hymn by
T. Miles. 189.
Warmth and lifo each thankful heart :
hymn by T. Miles. 189.
Warum betriibst du dich : chorale by
M. Gobel (?). 153.
Warum ist der Mensch erschaffen :
chorale by M. Gobel (?). 154.
Was Gott bescheret : chorale by M.
Gobel (?). 156.
Was ist hier fiir ein Kindelein : chorale
by M. Gobel (?). 155.
Was ist mein Stand : song bv K. P. E.
Bach. 448-9.
Was ist's dass ich mich quale : song by
K. P. E. Bach. 448-9.
Was kiimmerst du dich, liebes Herz-
chen : chorale by M. Gobel (?).
155.
Was mag auf diesen Erden : chorale by
M. Gobel (?). 155.
Was mag doch diese Welt : chorale by
M. Gobel (?). 155.
Was qualet mein Herz : chorale bv M.
Gobel (?). 156.
Was sorgst du : song by K. P. E. Bach.
448-9.
"Watson's": hymn-tune arranged (?)
by S. Wesley. 194.
We are strangers here below : hymn by
T. Miles. 189.
We beseech Thee, O Lord, pour Thy
grace : anthem by J. Tomkins. 34
(words).
We brought nothing into this world.
v. I am the Resurrection.
We have heard with our ears : anthem
adapted by H. Aldrich from Pales-
trina and Carissimi. 42, 55, 80, 81,
85. v. also Doctor bonus.
INITIAL AVORDS AND TITLES.
581
We praise Thee, Almighty God ; fr.
Service by Sir T. Packe. ' 396.
Wo praise Thee, God ; we 'knowledge
Thee: hvmn by R. Brirale. 196
(Add. 31855, f. 7b).
hymn by W. Parsons. 196 (Add.
31855, f.8).
We praise Thee, 0 Father : anthem by
[0.] Gibbons. 19, 31, and 33 (words).
We praise Thee, O God : canon (1785).
119.
chant (late 18th cent.). 149.
canon by [M.] Greene. 125.
v. also under Services, 396-421.
We sing to Him : anthem by {H. ?]
Purcell. 28, 105.
We wait for Thy loving-kindness : an-
them by W. Croft. 48.
We will not doubt Thee : duet by T.
Miles. 177.
We will rejoice in Thy salvation : an-
them by J. Blow. 49, 51, 58, 88, 110.
anthem by W. Croft. 41, 60, 82,
85, 97.
Weak and irresolute is man : hymn bv
T. Miles. 189.
Weinet, weinet heil'ge Thriinen. v.
Das Leiden und der Tod Jesu.
Welcome the glorious morn : anthem
by J. Worgan. 101.
Well I remember His wounds. v.
Afraid, alas.
" Wells" : hymn-tune (18th cent.). 186.
hymn-tune by T. Ravenscroft.
192-3.
Well-spring of bounty: anthem by E.
Hooper. 9, 91.
Welt, adieu ! Ich bin dein miide :
chorale by M. Gobel (?). 154.
Welt, adieu ! Ich habe Lust : song by
M. Gobel (?). 433.
Welt, gute Nacht : chorale bv M. Gobel
(?). 154.
Wrelt, packe dich : chorale by M. Gobel
(?). 156.
Welt-Schopfer : chorale by M. Gobel (?).
154.
Wenn Christus seine Kirche schiitzt :
song by K. P. E. Bach. 448-9.
Wenn dich Ungliick thut : chorale by
M. Gobel (?). 154.
Wenn fur Sie von tausend Zung'en : trio
by F. H. Himmel. 464.
Wenn ich Deine SchSpfung seh' :
chorale (18th cent.). 157.
Wenn ich in Todes Nothen bin : chorale
by M. Gobel (?). 155.
Wenn ich, O Schopfer : song by K. P.
E. Bach. 448-9.
Wenn zur Vollfuhrung deiner Pflicht:
song by K. P. E. Bach. 448-9.
Wer bin ich, Herr : chorus by J. F.
Doles. 160.
Wer bin ich von Natur : song bv K. P.
E. Bach. 448-9.
Wer dahier in seinen Plagen : song by
J. M. Haydn. 449-50.
Wer Gottes Wege geht : song by K. P.
E. Bach. 448-9.
Wer Gottes Wort nicht halt : song by
K. P. E. Bach. 448-9.
Wer nur den lieben Gott : song by M.
Gobel (?). 433.
" Westham " : hvmn - tune by S.
Howard. 192.
" Westminster, New " : hymn-tune by
J. Nares. 190-1, 194.
"Weston Favell": hymn-tune (18th
cent.). 186.
What aileth thee. v. When Israel came
out.
What bless'd examples do I find : chorus
by T. Miles. 170.
What child was He : anthem bv [N.]
Giles. 31 and 33 (words).
What foe shall e'er my terror raise :
hymn by T. Miles. 189.
What glory gilds the sacred page : hymn
by T. Miles. 189.
What hymns, O Lord : anthem by S.
Wesley. 73.
What is the cause that Thou, O Lord :
hymn by J. Shepherd. 179.
What is the life of man : anthem bv C.
Wesley. 73.
What man is he that feareth the Lord :
duet (after 1600). 171.
What man soe'er he be : hymn by J.
Angus. 182.
hymn by R. Brimle.
31855, f. 1'..-!.
hymn by T. Cau.-,ton.
196 (Add.
196 (Add.
196 (Add.
31355, f. 12).
hymn by W. Parsons.
31855, f. 13b).
What praise : anthem bv G. Jeffreys.
23, 24.
What reward : anthem bv J. Foster.
20.
What seraph of celestial birth : hvmn
by T. Miles. 189-90.
What shall I render unto the Lord :
anthem by [W.] Child. 31 (words).
anthem by R. Jones. 9, 91.
What trembling awe : hymn bv T.
Miles. 189.
Whate'er events betide : hvmn by T.
Miles. 189-90.
Whate'er the mighty God decrees:
hymn by T. Miles. 189.
When all Thy mercies : hymn (after
1834). 195.
hymn by T. Miles. 189.
When as we sat in Babvlon : hvmn bv
J. Hake. 19C (Add. 31855, f. 94b).
hvmn by W. Parsons. 196 (Add.
31855, ff.95b, 96, 97).
hymn by D. Peebles. 182.
When beautv clothes the fertile vale :
hymn by T. Miles. 1S9.
582
INDEX I.
When Christ was born : carol (1456).
138 (words).
When David heard that Absalom : an-
them (late 17th cent.). 38.
anthem by W. Bearsley. 5, 6.
anthem by J. Milton. 6, 11.
anthem by R. Ramsey. 6.
anthem by T. Tomkins. 12.
anthem by T. Weelkes. 13, 68.
When David heard that Jonathan : an-
them by W. Bearsley. 5.
When death appears : hymn by T.
Miles. 189.
When death shall knock : song (about
1681). 428.
When earthly joys glide fast away :
hymn by T. Miles. 189.
When first Jehovah : anthem by C.
Wesley. 73.
When gath'ring clouds around I view :
hymn by T. Miles. 189.
When gloomy thoughts and boding
fears : hymn by T. Miles. 189.
When God enquiry makes : hymn by T.
Miles. 189-90.
When God from sin's captivity : hymn
by T. Miles. 189.
When grov'ling on the ground I lie :
hymn by T. Miles. 189-90.
When health recedes : hymn by T.
Miles. 189.
When I pour out my soul : hymn by T.
Miles. 189-90.
hymn by P. Valton. 187.
When I survey the wondrous cross :
hymn (late 18th cent.). 187.
When I was in tribulation : anthem by
M. Lock. 37.
When Israel, by God's address : hymn
by J. Hake. 196 (Add. 31855, f. 80).
hymn by D. Peebles. 182.
When Israel, by th' Almighty led : an-
them by T. Miles. 99.
When Israel came out of Egypt : an-
them by J. Blow. 26, 42, 88, 109.
fr. Service by W. Byrd. 420.
anthem by [M.] Este. 6, 11, 13, 19.
When Israel's sweet singer slept : an-
them by J. Hilton. 16.
When Jesus left the glorious sky : hymn
by T. Miles. 189.
When Jesus went : anthem by Tallis.
3,85.
When, Lord, our meditations rove :
hymn by T. Miles. 189-90.
When man for guilty gain : hymn by
T. Miles. 189.
When man for sin : song by W.
L[awes?]. 430.
When my cries ascend to Thee : hymn
by T. Miles. 189.
When our heads are bow'd with woe :
hymn by T. Miles. 189.
When overwhelmed with grief : hymn
by T. Miles. 189.
When righteousness doth say : hymn
by T. Ravenscroft. 192-3.
When rising from the bed of death :
hymn by M. Cooke from T. Linley.
190.
hymn by T. Miles. 189.
When shall the poor : hymn by S.
Wesley. 195.
When sickness shakes the languid
frame : hymn by T. Miles. 189.
When sorrows vex : hymn by T. Miles.
189.
When that the Lord again : hymn by
W. Parsons. 196 (Add. 31855, f. 86).
hymn by D. Peebles. 182.
When' the Lord turned again: anthem
by A. Batten. 17, 108.
anthem by J. Blow. 88, 110.
anthem by J. Foster. 18.
anthem by J. Nares. 67.
anthem by [R. ?] Stevenson. 18,
When the Son of man : anthem by M.
Lock. 58.
When the spark of life is waning : song
by T. Miles. 453.
When those we love are snatch'd away :
hymn by T. Miles. 189.
When to the throne of heav'n's Almighty
Lord: anthem by C. Wesley. 73.
When troubles sore beset my way :
hymn (19th cent.). 196.
When we our weary limbs : hymn by
P. Valton. 187.
When we pass through yonder river :
hymn by T. Miles. 189.
Whence do our mournful thoughts
arise : hymn by T. Miles. 189.
Whene'er I take my walks abroad :
chorus by T. Miles. 169.
Where art thou, nature, v. Ah, blessed
Jesu.
Where, in what hallow'd spot : anthem
by C. Wesley. 73.
Where love and all the graces reign :
hymn by T. Miles. 189.
Where righteousness doth say : hymn
by R. Brimle. 196 (Add. .31855,
f.28b).
hymn by T. Causton. 196 (Add.
31855, f. 28).
hymn by A. Kemp. 182.
hymns by W. Parson3. 196 (Add.
31855, ff. 115, 115b, 116b).
Wherefore should man : hymn by T.
Miles. 189.
Wherewithal shall a young man :
anthem by [S.] Arnold. 92.
chant by Tallis. 148 (Add. 17841,
f. 47). v. also under Services, 418,
420.
anthem by [W.] Tucker. 21, 79.
While God vouchsafes me His support :
hymn by T. Miles. 189-90.
While I the King's loud praise rehearse :
hymn by T. Miles. 189-90.
INITIAL WORDS AND TITLES.
583
While shepherds watch'd their flocks :
hymn by T. Miles. 189.
While this earth is our abode : hymn
by T. Miles. 189.
While through our guilty land, 0 Lord :
hymn by T. Miles. 189.
While worldly minds impatient grow :
hymn by T. Miles. 189.
Whisper it : anthem by G. Jeffreys.
23, 24.
Whither shall I go. v. 0 Lord, Thou
hast searched.
Who can tell how oft he offendeth :
anthem by S. Wesley. 98.
Who can the wondrous works recount :
hymn by T. Miles. 189-90.
Who, Great God, with favour blest :
hymn by T. Miles. 189.
Who hath believed our report : anthem
by H. Purcell. 43, 103.
Who is He that cometh. v. Who is this.
Who is that blest of Heaven : anthem
by C. Wesley. 101.
Who is the King of Glory : canon by
[W. ?] Hayes. 122.
Who is this fair one : hvmn by [C. W.]
Banister. 189.
Who is this that cometh from Edom :
anthem by H. Aldrich. 57.
anthem by [S.] Arnold. 93.
Who is this that cometh out of the
wilderness : anthem by W. Lawes.
35 (words).
anthem by T. Tomkins. 33 (words).
Who know not Thee, Great God : hymn
by T. Miles. 189.
Who on the Highest will depend : hymn
(after 1604). 183.
Who quits the lily's fleecy white ; fr.
oratorio by Boyce. 367.
Who shall give salvation : anthem (17th-
18th cent.). 44.
Who shall tow'rd Thy chosen seat :
hymn by T. Miles. 189.
Who trusts in Thee 0 let not shame
deject : anthem by H. Lawes. 72.
Who will appear in my behalf: hymn
by T. Miles. 189-90.
Who will rise up with me : anthem by
M. Pearson. 11.
Whoe'er with humble fear : hymn by
T. Miles. 189-90.
Whom have we, Lord : hymn
Miles. 189.
Whom should I fear : hymn
Miles. 189-90.
Whoso with full intent and mind :
hymn by D. Peebles. 181.
Whosoever will be saved ; fr. service by
G. L[oosemore ?] 402.
Why art thou so heavy: anthem by
O. Gibbons. 54, 102.
Why art thou so vexed : anthem adapted
by H. Aldrich from Palestrina. 55, 81.
v. also Ave Maria gratia plena (a 4).
by T.
by T.
Why art thou so vexed : anthem by R.
Shenton. 93.
Why bragg'st in malice high, O thou:
hymn by Tallis. 180.
Why did the Gentiles fret : anthem
by J. Shepherd. 3. v. also under
Hymns, 180.
hymn by J. Shepherd. 179.
Why do the heathen so furiouslv rage :
anthem by J. Blow. 50, 58, 110.
anthem b> W. Child. 87.
anthem by H. Hall. 42.
anthem by H. Purcell. 104.
Why dost thou, tyrant, boast abroad :
hymn by J. Hake. 196 (Add. 31855,
f. 56).
hymns by W. Parsons. 196 (Add.
31855, ff.57, 57b).
hymn by D. Peebles. 181.
hymn by J. Shepherd. 180.
Why fumeth in sight the Gentiles'
spite : hymn by Tallis. 180.
Why has my God my soul forsook :
hymn by T. Miles. 189.
Why, O Lord, delay for ever : anthem
by Mendelssohn. 106-7.
Why, O mv soul, thus sunk in woe :
hymn by*T. Miles. 189.
WThy on the bending willows hung:
hymn by T. Miles. 189.
Why should I love my sports : chorus
by T. Miles. 170.
Why should I say 'tis yet too soon :
chorus by T. Miles. 170.
Why should this earth delight us so :
anthem by T. Miles. 99.
Why should we thus perplex our life :
hymn by T. Miles. 189.
Why standest Thou so far off : anthem
by W. Child. 87.
Why thus enrag'd, ye tribes profane :
anthem by T. Miles. 99.
Wie bang hat Dich mein Lied beweint :
chorus by G. P. Weimar. 161.
Wie bin ich doch so herzlich froh : song
by M. Gobel (?). 433.
Wie ein Nebel : chorale by M. Gobel (?),
154.
Wie gross ist des Allmacht'gen Giite :
song by K. P. E. Bach. 448-9.
Wie ich zu Dir : chorus by — Penzel.
161.
Wie in der herrlicher Natur: cantata
by C. G. A. Bergt. 136.
Wie kommt's dass auf dem schonen
Saal : cantata by J. A. Herbst. 129.
Wie lieblich, wie schone : song by
[G. P.] Telemann. 445.
Wie nach einer Wasser-quelle : chorale
(about 1640). 153.
Wie's Gott gefallt : song adapted by
M. Gobel from Johann Friedrichv
Duke of Saxony. 433.
Wie selig is der Mensch : song by
J. M. Haydn. 449-50.
584
INDEX I.
Wie sicher lebt der Mensch : song by
K. P. E. Bach. 448-9.
Wie soil ich Dich empfangen : chorale
by M. Gobel (?). 156.
Will God, Whose mercies ever flow ; fr.
oratorio by Handel. 366-7.
Willkommen sei die Frohlichkeit :
chorale by M. Gobel (?). 155.
Willst du die Busse noch : song by
K. P. E. Bach. 448-9.
" Winchester " : hymn-tune. (18th
cent., etc.). 186, 190-1.
hymn-tune by T. Ravenscroft.
192-3.
"Windsor": chant by W. Child.
146
hymn-tune by T. Ravenscroft.
186, 190, 192-3, 194.
Wipe away my sins: anthem by Tallis.
3, 14, 17, 42, 51, 53, 108.
Wir, Christen leut' : chorale by M.
Gobel (?). 154.
Wir danken Dir, Herr Jesu Christ,
dass Du fur uns : chorale by M.
Gobel (?). 155.
Wir danken Dir, Herr Jesu Christ,
dass Du von Himmel : chorale by
M. Gobel (?). 154.
Wir haben ein prophetisches Wort :
cantata by [J. G.] Vierling. 134.
Wir leben wie ein Wandersmann :
chorale by M. Gobel (?). 154.
Wir nahen uns von heisser Dankbegier ;
chorus by J. G. Schicht. 166.
" Wirksworth " : hymn - tune (18th
cent.). 186.
With all our hearts : anthem by Tallis.
4, 12, 14, 15, 17, 26, 31 (words— 2
copies), 42, 44, 51, 53, 79, 81, 108.
With angels and archangels : anthem
(after 1624). 15.
With earnest longings : hymn (late
18th cent.). 187.
With expectation faint: song (after
1669?). 428.
With favour, Lord, look down : hymn
by T. Miles. 189-90.
With glory clad : hymn by M. Cooke
from M. C. Bach. 190.
hymn by T. Miles. 189-90.
With God my friend : hymn by T.
Miles. 189.
With harp and hymn's soft melody :
hymn by T. Miles. 189-90.
With heart I do accord : hymn by W.
Parsons. 190 (Add. 31855, f. 77b).
— — hymn by D. Peebles. 182.
With kind compassion hear my cry:
song by T. Miles. 453.
With me, Thy servant : hymn by T.
Miles. 189-90.
With mind oppress'd : anthem (after
1604). 7.
With my whole heart: hymn by T.
Miles. 189-90.
With my whole heart : hymn by D.
Peebles. 182.
With notes that are both loud and
sweet : anthem by G. Jeffreys. 23.
With one consent let all the earth ;
hymn by T. Miles. 189-90.
With pleasure I obey ; fr. oratorio by
S. Wesley. 371.
With restless and ungovern'd rage :
hymn by T. Miles. 189.
With sick and famish'd eyes : song by
H. Purcell. 431, 453.
With trembling heart : hymn by T.
Miles. 189.
With weeping tears, v. Ah, my heart,
remember.
With what delight, great God : duet by
T. Miles. 177.
Withdraw not Thou Thy mercy: an-
them by T. Tomkins. 35 (words).
Within these walls be peace : hymn by
T. Miles. 189.
Witness the earth, v. Be it known to
all.
"Wixworth." v. "Wirksworth."
Wo hast Du Dich hin verborgen : chorale
by M. Gobel (?). 156.
" Woburn" : hymn-tune by B. Cuzens.
188.
Woe is me : anthem by T. Tomkins.
15.
Woefully array'd : carol by — Browne.
140.
carol by W. Cornish, jun. 140.
Wohl dem der bess're Schatze liebt :
song by K. P. E. Bach. 448-9.
Wohl dem der nicht wandelt : cantata
by J. G. Krebs. 130.
Wohl dem der sich bei Zeit : chorale
by M. Gobel (?). 156.
Wohl mir, Jesus, meine Freude : chorale
by M. Gobel (?). 154.
Wohlauf, mein ganzes ich : chorale by
M. Gobel (?). 155.
"Wolverhampton": hymn-tune by T.
Ravenscroft. 192-3.
Wondrous Saviour, Mighty Lord : hymn
by T. Miles. 189.
" Wooburn." v. " Woburn."
"Worcester": hymn-tune by T. Tom-
kins. 192-3.
"Worksop": hymn-tune (18th cent.).
186.
World's bliss : song (early 14th cent.).
424.
Worship we this holy day : duet (15th-
16th cent.). 171.
Worthy is the Lamb ; fr. oratorio by
Handel. .370, 371.
Would you behold the works of God :
hymn by T. Miles. 189.
Wounded with sin : anthem (early 17th
cent.). 5.
Wretched, helpless and distress'd .
hymn by T. Miles. 189.
INITIAL WORDS AND TITLES.
585
"Yarmouth": hymn-tune (1826). 190-1.
Ye boundless realms of joy : hymn by
T. Miles. 189-90.
Ye children which do serve the Lord :
song (17th cent.). 429.
hymn by W. Parsons. 196 (Add.
31855, f. 78b).
hymn by D. Peebles. 182.
hymn by T. Ravenscroft. 187.
Ye followers of the Prince of Peace :
hymn by T. Miles. 189.
Ye happy sinners : song by — Fen wick (?) .
440.
Ye men on earth, in God rejoice : song
(17th cent.). 429.
hymn by D. Peebles. 181.
Ye nymphs of Solyma : cantata by W.
Crotch, v. The Messiah.
Ye princes that in might excel : hvmu
by T. Miles. 189.
Ye righteous, in the Lord rejoice : hymn
by T. Miles. 189.
hymn by D. Peebles. 181.
hymn by J. Shepherd. 180.
Ye saints and servants of the Lord :
duet by [J.] Travers. 175.
Ye southern breezes, v. Softly rise.
Ye that fear the Lord : anthem by [J.]
Hutchinson. 18.
Ye verdant hills : hymn by T. Miles.
189.
Ye who the widows' grief have cheer'd :
duet by S. Wesley. 176.
Ye worshippers of Jacob's God : anthem
by T. Miles. 99.
Yes, since God himself has said it :
hyrnn by T. Miles. 189.
Yes, the Redeemer rose : hymn by T.
Miles. 189.
Yet a few years or days : hymn by T.
Miles. 189.
Yield unto God, the Lord : anthem by
R. Johnson. 9, 10, 91.
Yield unto God, the Mighty Lord :
hymn by D. Peebles. 182.
"York": hymn-tune by J. Milton,
sen. 186, 190, 192-3, 194.
hymn - tune by S. Stubbs.
192-3.
You who to serve the Lord aspire :
hymn by T. Miles. 189-90.
Zachee, festinans descende : motet
(16th-17th cent.). 273, 274.
Zadok, the priest : anthem (temp.
Charles II). 32 (words).
anthem by Handel. 69.
anthem by T. Tomkins. 32
(words).
Zag' nicht, O Christ : song by K. P. E.
Bach. 448-9.
Ziehet an die Liebe : chorus by J. F.
Doles. 160.
Ziou die werthe Gottes Stadt : chorale
by M. Gobel (?). 154.
Zion klagt mit Angst : cantata by J. P.
Kirnberger. 134.
Zion's King shall reign victorious :
hymn by T. Miles. 189.
Zu Dir hab' ich gehoffet : chorale by
M. Gobel (?). 154.
Zu Dir vom herzens Grunde: chorale
(about 1640). 15S.
Zum lieben, neuen Jahre : chorale by
M. Gobel (?). 155.
" Zurich " : hymn-tune. v. Thou, Lord,
by strictest search.
39*
INDEX II
NAMES AND SUBJECTS.
A (W— )• Words of carols, 1632.
144.
Abos (Girolamo). Stabat Mater. 459
and 4G0 (two keys).
Acheson ( — ), of Gosford. Bookplate
of arms, 19th cent. 24.
Adams (Robert). Portions of Services.
397-8.
Adams (Thomas). Hymn adapted by.
' 195.
Addle, co. York. MS. connected with,
in 14th cent. 255.
Adlgasser (Anton Cajetan). Litany.
203.
Agricola (Alexander ?). Motet. 2G2.
Agricola (Johann Fiiedrich). Can-
tata. 132.
Aitsma (Aurelia). Owned (?), in 17th
cent., Add. 31438.
Akeroyde (Samuel). Song. 434.
Albemarle, Duke of. v. Monok
(George).
Alcock (John), sen. Anthems. 86,97.
Chants. 149, 150.
Owned, in 1730, Add. 29379.
Alcock (John), sen. (?). Scored, about
1763, Add. 23624. 68, 309-10, 409.
Alcock (Philip). Motet. 273.
Aldhocse, co. . Owned, in 1670-
1671, Add. 18936-9.
Aldrich (Henry), Dean of Christ
Church, Oxford. Anthems. 28, 42
(no. 48 autogr.), 44, 48, 49, 56, 67,
80, 81, 85.
Anthems adapted by. 42, 43, 52,
55, 59, 67, 79, 80, 81, 85, 90.
• Chant. 149.
Services. 406, 407, 412, 414.
Short account of. 56.
Allegri (Gregorio). Lamentations.
199 (2), 341.
Miserere. 247-252 (5).
Motet. 351, 359.
Allenby (George), of Hull (?). Owned,
in 1834, Add. 27745.
Allinson (Richard), v. Allison.
Allison (Richard). Anthem. 18.
Hymns. 190-1, 192-3.
Index to The Psalmes of David in
Meter, 1599. 183.
Altus. U sc of word, early 16th cent. 6.
Amerling (Friedrich von), the painter.
Owned, in 1865, Add. 31711.
Amner (John). Anthems. 13, 14, 20,
30 and 33 (words), 54, 58, 106.
Services. 402, 405, 406 (2).
Trio. 464.
Anderson (John), chorister of St.
Paul's. Transcribed, in 1781," Add.
31478, f. 41. 461.
Andre ( — ). Grace. 178.
Andreozzi (Gaotano). Duet from ora-
torio. 378.
Anerio (Felice). Carols. 146.
Litany. 203.
Magnificat. 209 (three settings).
Mass. 237.
Motets. 317, 353-5.
Passion Music. 389.
Stabat Mater. 459 (two settings).
Te Deum. 463.
Anerio (Giovanni Francesco). Mass.
219.
Motets. 355.
Anfossi (Pasquale). Masses. 229,232.
Motets. 312 (autogr.?), 349.
Oratorios. 373,374,376.
Song. 44H.
Angl's (John). Hymns. 182.
Anjou, Robert of, King of Naples, v.
Naples and Sicily.
Anose (Peidax), pseudonym (?). Chorus.
166-7.
Anstis (John). Owned, 17th-18th
cent., Cotton MS., Vesp. A. xxv.
Antifhons. v. under Motets. 341,
845-6, 349, etc.
Appelbye (Tbomas). v. Appleby.
[Appeis'zf.ll?] (Benedictus [von]). Mo-
tet. 306.
ArPLEKY (Thomas). Mas,. 213-14.
Aprile (Giuseppe). Song. 438.
Arcu-lute. Accompaniment for. 292.
Arici ( — ). Chorus. 165.
Arne (Thomas Augustine). Anthem.
65 (autogr.).
Canon. 118.
Motets. 311, 337.
Oratorios. 369-70 (2, partly
autogr.).^
NAMES AND SUBJECTS.
587
Arnold (Samuel). Anthems. 92, 93.
Services. 411 (Sanctus), 416.
Song. 439.
Anthem performed at his funeral,
1802. 95.
Owned, in 1791-1802, etc., Add.
14334, 17818, 17850, 17861.
Transcribed part of Add. 11516.
869-70.
Arundel, Earls of. v. Fitzalan
(Henry).
Ashley (Sir Francis), Serjeant-at-Law.
Carols, etc., dedicated to, 1632. 144.
Ashton (Hugh). Motet. 261.
Trio. 463.
Ashwell (Thomas). Mass. 213.
Motets. 261, 266.
Stabat Mater. 456.
Aston (Hugh), v. Ashton.
Astorga (Baron Emanueled'). Stabat
Mater. 456, 457, 459, 460 (O quam
tristis).
Atschel (Giovanni). Chorus.
Attwood (Thomas). Anthems.
Canons. 128.
Chants. 149, 150.
Service. 416.
Auletta (Pietro). Motets.
(?autogr.), 334 (autogr.).
— — Songs. 447 (autogr.).
— — Vespers. 466.
Avossa (Giuseppe d'). Songs. 443
(partly autogr.).
Ayrton (Edmund)
Service. 416,
Ayrton (William).
Add. 29387.
166-7.
102-3.
322
Anthem. 93.
Owned, 19th cent.,
B (R— ) ? Motet. 340.
Bach (Johann Christian). Song. 447
(autogr.).
Bach (? Johann Christian). Song. 442.
Bach (? Johann Ernst). Cantata. 132.
Chorus. 160.
Bach (Johann Sebastian). Canon. 128.
Cantata (part). 137.
Bach (? Karl Philipp Emmanuel). Can-
tata. 134.
Songs. 448-9.
Bach (Michael Christian). Hymns
adapted from his works. 190, 881.
Bach (Wilhelm Priedrich Ernst). Can-
tata. 133 (autogr.).
Oratorio. 377 (autogr.).
Bachofen (Johann Kaspar). Choruses.
163-4, 166-8.
Bachovius. v. Bachofen (J. K.).
Baculi, Festa. Allusions to, 12th cent.
240.
Baden, Friedrich, Margrave of. Can-
tata on his marriage, 1627. 129.
Baer (Friedrich Karl von). Choruses.
163-4.
Bai (Tommaso). Lamentations attri-
buted to. 199.
Bai (Tommaso) (continued). Miserere.
249, 250, 251-2.
Motets. 341.
Baildon (Joseph). Anthem. 94.
Hymns. 190-2.
Baini (Giuseppe). Motets. 351.
Ballet, introduced in oratorio. 386.
Banister (Charles William). Hymns.
189.
Banisteb (Gilbert). Carol. 140.
Barber (Robert). Motet. 271-2.
Barber (Robert ?). Anthem. 69.
Barcropt (Thomas). Anthem. 58.
Service. 405.
Barker (Richard), of Bury. Owned,
in 1768, Add. 33568.
Barnabei (Ercole Giuseppe), v. Berna-
bei.
Barnard (Rev. John). First Book of
Selected Church Music, 1641. 16,
17, 19.
Transcripts from the same. 42,
108-9, 419.
Barnard (Thomas). Transcribed (?)
Add. 29998. 84.
Barrow (Thomas ?). Transcribed, mid.
18th cent., part of Add. 34726. 198,
300.
Barthelemon (Francois Hippolyte).
Hymn. 192, 194.
Babtleman (James). Song written for,
1791. 439.
Owned, in 1818-1821, etc., Add.
17819, 17840-1, 17843-5,17849,17852-
17854, 31409.
Bartolo (Erasmo di), detto P. Raimo.
Litany. 201.
Motets. 316-17, 347-8.
Short account of. 316.
Basilij (Domenico Andrea). Mass.
237
Motets. 302, 357, 360.
Basilij (Pasquale Antonio). Miserere.
249.
Motets. 339-40.
Basire (Rev. Isaac),
Durham Catlwdral.
1670, Add. 30479.
Basiron (Philippe), v. Bassiron.
Bassani (Giovanni Battista). Cantata.
133.
Duet. 173.
Litany. 200.
Motets. 291-2 (2), 293, 294,
295-6 (2), 299.
Songs. 434.
Bassetto, II. v. Grassi (Francesco).
Bassiron (Philippe). Mass. 222-3.
Basso continuo. Early specimen of,
1656-1659. 16.
Bassoon. Use of, in orchestra, 1733.
365.
Bassoon, Double. Use of, in orchestra,
19th cent. 137.
Bateson (Thomas). Anthem. 15.
Prebendary of
Owned (?), in
588
INDEX II.
Bath, co. Somerset. Thomas Chilcot,
organist of (1757). 365.
B[atten?] (A — ). Owned, 17th cent.,
Add. 29481.
Batten (Adrian). Anthems. 17-22,
25, 35 (words), 39, 54, 93, 108,
109.
Services. 398-9 (Creed, autogr. ?),
404, 414.
Batten (Jo. . . .). Anthem. 22.
Battishill (Jonathan). Anthem
(adapted). 73.
Chants. 149, 150, 152 (2).
Hymns. 190-2.
Battistini (Giacomo). Motets. 331.
Song. 445.
Bavaria, Albert III,, Duke of. Dedi-
cation to. 276.
Bearsley (William). Anthems. 5, 6.
Beaumont (Rev. Joseph), Regius Pro-
fessor of Divinity at Cambridge. An-
them composed for his funeral, 1699.
60.
Beauvais. Miracle-play performed
there. 242, 253.
Becker (H- ). Owned, in 1842, Add.
32389.
Beck with (John " Christmas ").
Chants. 149, 150.
Beer (Julius), of Berlin. Owned, be-
fore 1866, Add. 31004.
Beethoven (Ludwig van). Oratorio
(with autogr. corrections). 380.
Sketches of additional accompani-
ments (?) to Handel's "Messiah."
381.
Beever (Thomas).
Beine (Baron du).
Add. 32169.
Bencini (Pietro Paolo).
Motets. 362.
Benda (Georg). Cantata. 132 (autogr.).
Benedictus. v. Appenzell (Benedictus
von).
Benet (John). Motets. 356-7.
Benevoli (Orazio). Masses. 216
(autogr.), 226, 231, 237.
Motets. 317.
Bennet (John). Anthem. 12.
■ Hymn. 192-3.
Bennett (Sir William Sterndale).
Owned, 19th cent., Add. 31800.
Benson (G — L — ), of Salisbury.
Owned, 19th cent , Add. 29482-3 and
31014-15.
Berchem (Jachet). v. Berghem.
Berenclow (Bernard Martin). Tran-
scribed (?), late 17th cent., part of
Had. 1863. 173, 430.
Behkzowsky (Maximus), Sazonovii.
Chorus. 163.
Berghem (Jacob van). Motet. 331.
Beegt (Christian Gottgift August).
Cantatas. 136 (mostly autogr.).
Bfiut'S. v. Baer (F. K. von).
v. Bever.
Owned, 19th cent.
Mass. 237.
Bernabei (Ercole Giuseppe). Motets.
306-7, 326-7 (2).
Songs. 432.
Bernabei (Giuseppe). Canon. 120.
Bertoni (Ferdinando). Miserere. 245
(two settings, autogr.), 252.
Motet. 322.
Song. 439 (autogr.).
Bettini ( — ), of Venice. Owned, in
1771, Add. 31662-3.
Bever (Thomas), LL.D., Fclloio of All
Souls' College, Oxford. Memorandum
by. 461.
Bookplates of arms, 1777-1787, etc.
81, 205, 206, 227, 325-7, 432.
Bevin (Elway). Anthem (words). 34.
Canons. 114, 117.
Services. 398-9,400,401,406,420.
Bianchi (Antonio), Accademico Filar-
monico. Motets. 318.
Bianciardi (Francesco). Motet. 279-80.
Biffi (Antonio). Duet. 174.
Bigaglia (Diogenio). Motet. 334.
Biggs (E — S — ), of Cambridge. Owned,
in 1783, Add. 31404.
Billert (Karl Friedrich August).
Chorus. 170 (autogr.).
Motet. 363 (autogr.).
Bindernagel (Joseph). Chorus. 161.
Bingen, on the Rhine. Reference to
the abbess of St. Rupert's, 1487.
242-3.
Biordi (Giovanni). Motet. 859-60.
Birde (William), v. Byrd.
Bishop (Sir Henry Rowley). Canon.
128 (autogr.).
Oratorios (fragments, autogr.). 380.
Song adapted from his "Home,
Sweet Home." 453.
Bishop (John), of Cheltenham. Tran-
script of Barnard's First Book of
Selected Church Music. 108-9, 419.
Bishop (John), Organist of Winchester
Cathedral. Anthems. 60, 69.
Services. 407, 412 (Te Deum).
Blackhall (Andrew). Anthems. 2, 7.
Hymn. 182.
Blakehall (Andrew), v. Blackhall.
Blakeston (Sir William). Owned,
about 1730, Add. 17853.
Blancks (Edward). Hymns. 190-1,
192-3.
Blaydes (Frederick). Owned, in 1841,
Add. 31395.
Blitheman (William). Motets. 271-2,
323.
Blow' (John). Anthems. 22, 25-29,
37 (autogr.), 38, 39, 42 (autogr.), 43, 44,
48-52, 55, 57-59, 78, 79, 80 (adapta-
tion), 81, 88, 102, 109-112.
Canons. 116, 117, 128, 418-19.
Chants. 146, 148, 149, 152 (2).
Duet. 173.
Hymn. 190-1.
Motets. 286-7, 293.
NAMES AND SUBJECTS.
589
Blow (John) (continued). Services.
400, 401, 402 (4, the first partly
autogr.), 403-4, 406-7 (3), 412. 414 (2),
418-19 (fragments), 421 (2).
Songs. 432, 433.
Bold ( — ). Anthem. 2,
Bond (Hugh), of Exeter. Hymns.
189.
Transcribed, before 1792, Add.
31681. 392.
Boni (Gabriele?). Motet, 306-7.
Boni (Gaetano?). Song. 436.
Bonomi (Pietro). Motet. 359-60.
Bononcini. v. Buononcini.
Bonus, v. Boni (Gabriele).
Bookplates. Acheson (— ), of Gosford,
19th cent. 24.
■ Bever (Thomas), 1777-87, etc. 81,
205, 206, 227, 315, 325, 327, 432.
Callcott (William Hutchins), 19th
cent. 439.
Chilcot (Thomas), 1757. 365.
■ Clarke (Thomas), 18th cent. 85.
Fisher (James), 19th cent. 70.
Frampton (William Charlton),
19th cent. 206, 227, 315, 325.
Groombridge (Stephen), after 1812.
38.
Hatchett (Charles), early 19th
cent. 163.
Jahn (Otto), 19th cent. 134, 228,
338, 385.
Kent (James), before 1737, etc.
39, 41, 50, 293.
Kitchiner (William Brown), early
19th cent. 369.
Lodge-Ellerton (John), 19th cent.
384.
66,
— Mathias (James), 18th cent
68, 220, 369.
Moseley (Walter Michael), 1877
90.
— Nares (James), 1757-1769. 66.
— Parker {Rev. John), 18th-19th
cent. 27, 38, 68, 80, 292.
Sedley (Katharine), before 1686.
285.
Sharp (Messrs. — ), of Old Jewry,
18th-19th cent. 16, 64, 67, 83.
Smith (Robert), of St. Paul's
Churchyard, 1813, etc. 28, 44, 64.
Stanley (Charles John), 18th cent.
130.
Warren-Home (Edmund Thomas),
18th cent. 27, 90, 288, 310, 326.
Bobk ( — ). Miserere. 246.
Bourgeois (Louis). Settings of " The
Old hundredth," the melody of which
is attributed to him. 180-1, 183-7,
190-4, 196.
Song adapted from the same.
429.
Bourne (Nicholas). Owned Roy. App.
74-76.
Bower ( — ). Anthems. 44.
Bowman (Henry). Anthems. 27
(autogr.).
Miserere. 245 (2).
Motets. 285-6.
Bowman (John). Anthem. 61.
Boyce (William). Anthems. 41, 78,
79, 82 (partly autogr.), 83 (autogr.),
92 (mostly autogr.). 97.
Chorus (adapted). 169.
Duet, 175.
Hymn. 185, 190.
Portions of Oratorio (Solomon).
367 (2), 378, 383.
Services. 411 (Sanctus), 415 (Te
Deuin, autogr.), 419.
— Songs. 438, 445, 452 (adapted).
— Transcribed, about 1732, Add.
5326, f. 63. 130;— and, in 1734, Add.
17859. 65.
— Owned Add. 17850.
Boyd (Henry), author of A Select Col-
lection of Psalm . . . Tunes. Songs
apparently7 by. 440.
Brackley (John), friar minor, of Noi--
urich. Transcribed (?), 14th-15th
cent., Add. 5666. 137-8.
Bradgate (Ellis). Owned (?), after
1600, Add. 4900.
Bradgate (Richard). Owned (?), after
1600, Add. 4900.
Bramston (— ). Motet. 271-2.
Brewer (Thomas). Song. 427, 430.
Brignell (Thomas). Owned, in 1712.
Add. 17852.
Brimle (Richard). Hymns. 196.
Broadley (Charles Bayles). Letter to
— Goodwin, 1848. 107.
Brockes (Barthold Heinrich). Chorus.
163-4, 166-8.
Broderip (William). Anthem. 62.
Service. 407.
Broquis. v. Brockes (B. H.).
Browne ( — ). Carols. 140.
Browne (John). Owned, in 1609, Add.
29366-29368.
Brumel (Antoine). Canon. 120.
Mass. 222-3.
Motet. 320.
Bryan (Albert). Anthem. 21, 42.
Service. 404, 406.
Bryne (Albert), v. Bryan.
Buchner ( — ). Owned, 18th cent.,
Add. 31307.
Bughen (John). Hymns. 180-2.
Bull (John). Anthems. 6, 7, 9, 10, 12,
19, 21, 23, 26, 29 and 32-34 (words),
42, 48, 53, 54, 91, 109.
Bullman (Baruch). Anthem. 4, 85.
Buonarie (— ). Motet. 340.
Buononcini (Giovanni Battista). Mo-
tets. 360-1.
Buranello, II. v. Galuppi (Baldassare).
Burghersh, Baron, v. Fane (John).
Burlyson (Thomas). Owned, 18th
cent. (?), Add. 31586.
590
INDEX II.
Burnky (Charles), Mus. Doc. " Musical
Extracts," about 1780-1782. 71 (2),
72, 120, 148, 207, 221-3, 312-15, 317.
Hymns. 188, 189.
Burrowes (? John Freckleton). Chant.
151.
Fragment of Service. 416-17.
Buswell (John), Mus. Doc. Owned,
after 1758, Add. 17820.
Butler ( — ). Arms, about 1676. 24.
Buzzoleni (Giovanni). Part of oratorio.
368.
Byrd (Thomas), of Stondon Place, co.
Essex. Pedigree. 97.
Byrd (William). Anthems. 3-5, 7-15,
17-19, 22, 25, 26, 29-34 (words). 38,
39, 42, 48, 49, 51, 53, 68, 71, 79, 81,
83, 91, 92, 94, 97, 102, 108, 109.
Canons (including the doubtful
" Non nobis "). 114, 117-20 (8), 123,
124, 128.
Carols. 145 (2).
Mass. 226.
Miserere. 245.
Motets. 264, 271-6 (2), 279-80,
281, 282 (2), 306-7 (2), 308,309-11 (2),
Services. 398 (Te Deum), 400,
402, 404, 405, 409, 414, 420 (3).
Songs. 426.
Arms. 97.
Short account of. 53.
Byron (George Gordon Noel), 6th
Baron Byron. Musical setting of
his "Jephthah's Daughter," 1880.
455.
Cabalone (Michele?). Motet. 331.
Cadeac (Pierre). Motet. 306.
" Cesar's [service] in D." v. Services,
405.
Cafaro (Pasquale). Mass. 224 (autogr.).
Motets. 301 (2, autogr.), 302 (2,
mostly autogr.).
Song. 438 (mostly autogr.).
Stabat Mater. 458 (two settings,
the first autogr.).
Caffarelli (Gaetano). v. Majorano.
Caffaro (Pasquale). v. Cafaro.
Caldara (Antonio). Magnificat. 208.
Motets. 297, 316, 328, 344-5.
Callcott (John Wall). Anthems. 74
(3, autogr.), 95.
Canons. 118-22 (mostly autogr.).
Cantata. 135-6 {autogr.).
Graces. 178 (autogr.).
Motets (2, autogr.). 316.
Oratorio. 372.
Service. 410 (Jubilate, autogr.).
Songs. 439 (2, the first autogr.),
440 (autogr.), 451 (autogr.), 452
(autogr.).
Exercise for his Mus. Doc. degree,
1800. 135-6.
Transcribed Add. 27685. 185; —
and Add. 32677. 378.
Callcott (William Hutchins). Book-
plate, 19th cent. 439.
Owned (in 1867) Add. 27633-
27645 passivi, 27685; and (in 1872)
Printed Book, c. 42. i. 12.
Calvez (Gabriel). Motet. 359.
Cam (Thomas). Anthems. 94 (autogr. ?).
Hymns. 186 (autogr. ?).
Cambridge, University of. Music Pro-
fessors. Thomas Tudway (1715). 53.
St. John's College. Organists.
James Hawkins, sen. 62 ; — Thomas
Williams. 407.
Trinity College. Organists. John
Bowman. 61 ; — Robert Ramsey
(1639). 406 ;— Robert Wildbore (1683).
59.
Camporese - GiufeTiNiANi (Violante).
MS. transcribed for, after 1818. 383.
Campra (Andre). Motets. 327, 344.
Cane (Carlo Francesco). Motet. 293.
Cannicciari (Pompeo). Mass. 237.
Motets. 328.
Canterbury, co. Kent. St. Augustine's
Abbey. Owned Cotton MS., Vesp.
D. vi.
Christ Church Cathedral. Nicholas
Wootton, Organist of. 43.
Canticles, v. under Anthems and
Hymns, passim.
Cantoris. Use of word, 1664. 16.
Cantus, sc. Treble. Use of word, about
1226. 253.
Carcano (Giuseppe). Motet. 330.
Carey (Henry). Hymn attributed to,
about 1768. 184-5.
Carillon. Use of, in orchestra, 1738.
366.
Carissimi (Giacomo). Anthems adapted
from. 42, 43, 55, 80, 81, 85.
Magnificat. 208 (2).
Masses. 216 (2), 217, 227.
Motets. 285-7 (3), 289-90, 293,
294, 295 (2), 296, 318, 326-7 (2), 336.
Oratorios. 364, 373, 374, 379 (a
chorus).
— Fragments of Services (adapta-
tions). 416, 417.
Songs. 428, 429-30, 431, 432 (2),
433, 434 (2).
Carkley (Daniel), of Hull (?). Owned,
in 1834, Add. 27745, 27752, 27754.
CARrENTRAS. v. Genet (Eliazar).
Carr (James). Anthem. 22.
Casali (Giovanni Battista). Motet.
342.
Casati (Gasparo). Motets. 285-7 (2),
293, 294.
Song. 428.
Casciolini (Claudio). Motet. 341-2,
359-60 (2).
Requiem. 395.
Cassati (Gasparo). v. Casati.
Castileti (Jo — ). Motet. 306.
Catena (Antonio). Song. 442-3.
NAMES AND SUBJECTS.
591
Causton (Thomas). Hymns. 196.
Service. 397-8, 418 (Te Deum).
Cavaliere (Eniilio del). Oratorio.
386.
Cave (Mrs. — ). Owned, late 17th
cent., Add. 33235.
Cecca (Nicold). Songs. 435 (autogr.).
442-3.
Cecchi (Giuseppe) ?. Song written for,
late 18th cent. 447.
Celius (Johannes), Cantor of tlw Papal
Chapel. Motets arranged by. 308-9.
Cellerina. v. La Celerine.
Certon (Pierre). Motets. 312, 331.
Cesare (Nicoletta). Song written for.
435.
Cesati (Giovanni Battista). Motets.
310-11.
Cesti (Marcantonio). Motet. 292.
Oratorio. 364.
Chalumeau. Use of, 19th cent. 395.
Champnes (Thomas). Owned, 18th
cent., Add. 17818.
"Chandos" Anthems; by Handel.
62-3, 65, 83-86, 90, 113.
Te Deums ; by Handel. 408, 413,
(2).
Chappell (William). Owned, before
1839, Add. 11589-11591 ; and, in
1860, Add. 23624.
Charissime (Giacomo). v. Carissimi.
Cherubini (Luigi). Owned, in 1879,
Add. 31581-4.
Cherubini (Maria Luigi Carlo Zenobi
Salvatore). Transcribed (?), 18th-
19th cent., Add. 31581-4. 164-5.
Owned, 18th-19th cent., Add.
31658, 31761.
Cherubino? (N— ). Motet. 293.
Chester Mysteries. 243 (2).
Chilcot (Thomas), organist of Bath
Abbey Church. Bookplate of arms,
1757. 365.
Child (Simon), organist of New College,
Oxford. Owned, 17th-18th cent.,
Add. 33235.
Child (Simon or William). Owned,
late 17th cent., Add. 31460.
Child (William). Anthems. 18, 20,
22, 24-26, 29-32 (words), 35 and 3G
(words), 44, 54, 79, 85, 87-8, 93, 102.
Chants. 146, 148.
Motet. 293.
Services. 398-400 (3), 403-4 (2),
405-6, 411 (Sanctus), 414.
Exercise for his Mus. Bac. degree,
1639. 54.
Chitarrone. v. Theorbo.
Christmas, Music performed at, 12th
cent. 240-1 ;— 13th-14th cent. 255.
v. also under Carols, 137-146 passim.
Church (John). Anthems. 43,44,52,
61, 62, 69, 78.
Canon. 124.
Services. 407 (2).
Cifra (Antonio). Motet. 317.
Cima (Giovanni Battista). Motet. 323.
Cimarosa (Domenico). Mass. 238-9.
Oratorio. 371.
Cipolla (Antonio). Song. 438.
Clack (Richard). Part of Mass.
228.
Clari (Giovanni Carlo Maria). Duet.
175.
Motets. 338, 350, 357-9
359.
— Stabat
corpus, in
(3),
Mater. 458 (Quando
E minor), 459 (2, in
C minor).
Clarinets. Use of, in orchestra, 1790.
378.
Clark ( — ). Hymn-tune. 188.
Clark (Jeremiah). Anthems. 42, 43,
59, 69, 78, 81, 82, 94.
Canon. 117.
Duet. 176.
Hymns. 187, 190-2.
Transcribed (?), in 1704-7, part of
Add. 22099. 184.
Clark (Richard). Transcribed (?), early
19th cent., Add. 33274a. 97.
Owned, 19th cent., Add. 19570.
Clarke (Charles E — J — ), organist
of Worcester Catlwdral. Owned, in
1839, Add. 33240.
Clarke (Thomas). Bookplate, 18th
cent. 85.
Claudin. v. Sermisy.
Clayton (Rev. — ). Chant. 150.
Clemens (Jacob), non Papa. Grace.
178.
Motets. 265, 306-7, 310-11, 313.
Coates ( — ). Anthem. 69.
Cobb (John). Anthems (words). 35,
36.
Cobbold (William). Hymn. 194.
Coincy (Gautierde ?). Songs in praise
of the Virgin. 423.
Coldingham Priory, co. Berioick. MS.
written for (?). 113.
Cole (J—). Motet. 258.
Cole (W — ). Transcribed, in 1759-
1761, etc., Add. 31394, 31398. 324,
204.
Cole (William?). Anthem. 69.
Collects, v. under Anthems, passim.
Collier (John Payne). Owned, 19th
cent., Add. 32343.
Collona (Giovanni Paolo), v. Colonna.
Colombani (Quirino). Oratorio. 364.
Colonna Family. Owned, 19th cent.,
Eg. 2458.
Colonna (Giovanni Paolo). Magnificat.
206.
Mass. 227.
Motets. 287-8 (3, autogr.), 326,
336, 337, 350.
Songs. 431.
Combe ( — ) ? Hymn-tune. 185.
Commer (Franz). Mass. 237.
592
INDEX II.
Cooke (Hobert),
18th-19th cent.,
Cooper (Dr. — ).
Cooper (James).
Concerto, sc. Duet. Use of word, after
1613. 172.
Conductus. Use of word, 1227-1234.
242.
Conforto (Antonio), Maestro di Cap-
pella . . . di Fcrmo. Mass. 231.
Conti (Nicole). Cantata. 133.
Song. 435.
Contra-tenor. Use of word, about
1547-1548. 1.
Cooke (Benjamin). Anthem. 87.
Canons. 118, 124.
Chants. 149.
Service. 416, 418-19.
Cooke (H— ). Owned, in 1818, Add.
29293.
Cooke (Capt. Henry). Anthems. 32
and 36 (words).
Songs. 428, 432.
Cooke (Matthew). Hymns (mostly
adapted). 190.
composer. Owned,
Add. 31474.
Motets. 258, 271.
Anthem. 60.
Cooper (John). Anthems. 9, 11, 72, 91.
Coperario (Giovanni), v. Cooper
(John).
Corelli (Arcangelo). Anthems adapted
from. 93, 101.
Corfe (Joseph), of Salisbury. Owned,
in 1791, Add. 17850.
Corfe (S — ). Transcribed (?) part of
Add. 31403. 93.
Cornish (John). Motet. 260.
Cornish (William), jun. Carol. 140.
Motet. 266.
Cornopean. Use of, in orchestra, 1842.
107.
Coronation Anthems, v. under Eng-
land.
Costa (Sir Michael Andrew Agnus).
Arrangement of the National Anthem.
118.
Cantata. 137 (autogr.).
Grace. 178 (autogr.).
Motet. 351.
Oratorios. 384-5 (2, autogr.).
Song. 453 (autogr.).
Bequeathed, in 1884, Add. 32384,
32386. 384.
Costanzi (Giovanni Battista). Cantata.
132.
Miserere. 248-9.
Motets. 297 (autogr.), 335, 362.
Costanzo (Francesco). Motets. 291.
Coste (Thomas). Anthems. 12, 16.
Coster Vanderven (Pedro de). Words
of psalms. 426-7.
Cotton (H— ). Chant. 149.
Cotumacci (Carlo). Mass. 226(autogr.).
Motet. 322.
Courteville (Ralph). Hymn. 190-1.
Cox (Ed—). Transcribed, in 1832,
Add. 31666. 351.
Crampton (Thomas). Owned, in 1878,
Add. 30860.
Crane (Ralph). Transcribed, in 1632,
Harley 3357. 144.
Cranfield (William), v. Cranford.
Cranford (William). Anthems. 20,
22, 24, 34 and 35 (words).
Hymn. 192-3.
Cranmer (Thomas), Archbishop of Can-
terbury. Words of Services attributed
to. 396.
Creighton (Rev. Robert). Anthems.
55, 56, 94, 102.
Services. 406 (2), 413, 417
(Sanctus).
Short account of. 56.
Crequillon (Thomas). Motets. 306.
Cribelli (Arcangelo). v. Crivelli.
Crivelli (Arcangelo). Motet. 359-60.
Croce (Giovanni). Anthems. 12, 13.
Madrigal. 205.
Croft (William). Anthems. 39 (au-
togr.), 41, 45, 46 (partly autogr.), 48,
49-52, 60-62, 67, 68, 71, 79, 81, 82
(partly autogr.), 85, 89-90, 97, 104.
Canons. 116 (autogr.).
Hymns. 184, 190-2, 194.
Services. 405 (partly autogr.), 407
(Te Deum), 409 (Sanctus, etc.), 413,
415 (2).
Crofts (William), v. Croft.
Cross (William). Words of Anthems
by. 29, 32, 34, 35.
Crotch (William). Anthems. 76 (au-
togr.), 101 (autogr.).
Canons. 122 (autogr).
Cantata. 131 (autogr.).
Chants. 148 (autogr.).
Oratorios. 372 (autogr.), 381 (au-
togr.), 382 (autogr.).
Service. 411 (Te Deum, autogr.).
Transcribed, about 1798, Add.
31412. 318, 373, 440.
Pencil notes, early 19th cent.
135-6
Owned, in 1804, Add. 31661.
Crotch, Family of. Owned, 1791-
1877, Add. 30392.
Crouder (— ), of Crouder's Hill.
Owned, 16th cent., Roy. App. 23-25.
Cruciger (Andreas). Owned, in 1620,
Printed Book, D. 212. c.
Cruzelaegui (Martin Francisco de).
Masses. 233.
Cudmore (Richard). Hymn-tune. 189.
Cuperario (Giovanni). v. Cooper
(John).
Cusins (Sir William George). Oratorio.
385 (autogr.).
Te Deum, from Service.
(autogr.)
Cutts (— ). Anthems. 20, 38.
Cuzens (Benjamin). Hymn-tunes
Cymbals. Use of, in orchestra,
382-3.
421
188.
1818.
NAMES AND SUBJECTS.
59*
Cytharistve, sc. Musicians. Reference
to, about 1227-1234. 242.
Damon (William). Anthem, 1G16. 11.
Motet. 281, 306.
Davenport (George), Chaplain to the
Bishop of Durham. Owned, in 1664,
Add. 30478.
Dams (Gabriel), of Portsca. Hymns
collected by, about 1800. 188-9.
Davy (John). Anthems. 100, 103
(autogr.).
Chants. 150 (autogr.).
Davy (Richard). Carols. 140.
Motet. 266.
Dayvland (Jos.), v. Dow land (John).
Day (John). Tlie Whole Psalmes (1563),
transcribed in 1871. 112.
Extracts from his Psalter, 1567.
180.
Deeringe (Richard), v. Dering.
De la Page (Pierre ?). Motet. 261.
De la Rue (Pierre). Masses. 222-3.
Destice (Fabrizio). Motet. 332.
Dentice (Scipione ?) ?. Motets. 294.
Depisch (Johann Baptist). " Choral-
Vespern." 449-50.
Dering (Richard). Anthems. 6, 11, 21.
- — Duets. 172 (2).
— - Motet. 283, 285-6, 314.
Desgranges ( — ). Song. 432.
"Dettingen" Anthem, r. England,
Sovereigns of. George II.
Dewar (L — ). Annotations by, 1873-
1879. 331.
Dibdin (Charles). Duet. 176 (aittogr.).
Grace. 178 (autogr.).
Song. 449 (autogr.).
Divitis (Antoiue). v. Le Riche.
Dix (Rev. Joshua). Owned, about 1832,
Add. 30933, 33239.
Dixon (William)? Hymn-tunes. 188.
Dodd (Bev. James William?). Owned,
in 1795, Add. 17860.
Dolbin (— ). Owned, in 16S2, Add.
22100.
Doles (Johann Friedrich). Choruses.
160.
Douglas (Mrs. M— Elizabeth). Pre-
sented, in 1882, Add. 31897, f. 8.
Dowland ^John). Anthems. 9, 10,
91, 106.
Canon. 122, 123.
Hymn (adaptation). 183, 185 (2),
192-3.
Dragonetti (Domenico). Trio in his
hand. 404.
Owned, early 19th cent., Add.
17835, 24290, 24295, 31642 (f. 48),
31613 (f. 12), 34998.
Bequeathed, in 1846, Add. 15984,
15996, 16029, 16139-40.
Drums. Use of, in orchestra, 1733.
365.
Du Peine (Baron — ). v. Bcine.
Du Caurroy (Eustache). Carols. 145.
Dublin. MS. belonging to St. Thomas
the Martyr's Abbey. 256.
Dugrosprez (? M — ), of Compiegne.
Owned Add. 29509.
Dumont (Henri). Motets. 291-2 (2),
294, 295-6, 326.
Songs. 430, 431, 434.
Duncalf (— ). Hymn. 192.
Dunstable (John). Magnificat. 210.
Part of Mass. 211-12.
Motets. 356-7.
Dunstaple (John), v. Dunstable.
Dupuis (Charles). Owned, in 1790 7,
Add. 27745.
Dupuis (Thomas Sanders). Anthems.
66, 72, 75-77, 92, 118 (all autogr.).
Chants. 147, 148 (autogr.), 150.
Hymns. 184 (autogr.).
Services. 409 (partly autogr.), 410
(autogr.), 411 (2, the first autoar.),
412, 415 (2), 416 (fragment).
Owned, in 1796, Add. 27745.
Durante (Francesco). Cantata. 131
(antogr.).
Lamentations. 199 (2).
• Litanies. 200 (autogr.), 201 (3,
partly autogr.), 202 (2).
— Magnificat. 207 (two
settings
the first autogr.), 210 (a third setting).
— Masses. 218 (3, mostly autogr.),
225 (2, the first autogr.), 227 (au-
togr.'?), 231.
— Miserere. 245 (autogr. ?).
- Motets. 297 (partly autogr.), 29s
(autogr.).
301 (autogr.), 302.
- 320-1 (3, mostly autogr.), 328
(autogr.), 342 (2), 357, 358.
Requiems. 392 (partly autogr.),
393, 394 (3).
Songs. 435 (autogr.), 436 (autogr.),
441 (4, autogr.), 446, 447-8, 450,
454-5.
- Te Deum. 461.
Vespers. 466.
Durante (Silvestro). Part of Mass.
221.
Durham, City of. MS. originating
there, temp. Eliz. 3, 183, 265, 397.
Cathedral. Anthems and Services
used there, 1664, 1670. 16-23,
399-400.
Organists. James Heseltine
(1707). 52 ;— John Hutchinson (tevip.
James I.). 58.
Reference to Durham use.
113.
Earle (William Benson). Owned, in
1792, Add. 31682.
East (Michael), v. Este.
Eber (Paul). Words (?) of song. 433.
Eberlin (Johann Ernst). Motets. 363.
Edwards (Richard). Hymn. 196.
594
INDEX II.
Egi.i (Johann Heinrich). Choruses.
168-9.
Elkord (Richard). Anthems composed
for. 45, 46.
ELLEnTON(John). r. Lodge-Ellerton
(John).
Elliott (James). Canon. 118 and 119
(antogr.).
Elliott (Richard). Owned, in 1655,
Add. 29481.
Elssler (Johannes). Transcribed,
after 1802, Add. 31711. 283.
Ely Catiiedbal. John Amner, or-
ganist of, 1609. 58.
England, Sovereigns of
etc.
MS. belonging to his
Henry
chapel.
VII.
266.
— Henry VIII. Anthem attributed
to. 56 (cf. 15, 17, 108).
Short account of, as a mu-
sician, etc. 56.
Arms of him and Katharine
of Arragon. 212, 259 (2).
Prayer for Katharine of
Arragon. 259.
Edward VI. Prayer for. 1547-
1548. 1.
— James
I. Canons dedicated to.
115.
— Charles I. Words of duet. 177.
Anthem on the abolishing
of the Common Prayer, 1644. 54.
Prayer for King Charles,
"the Martyr," about 1664, etc. 21
(no. 210), 30 (no. 67).
(or Charles II). Prayer for
the Queen's safe delivery. 35 (no. 192).
— Charles II. Words of anthem at
his baptism, 1630. 36.
• Prayer for his Restoration.
40.
Anthems composed on the
Restoration, 1660. 54.
Words of anthem sung at
his Coronation, 1661. 32 (no. 65).
— References to the Plague of
1665. 18 (no. 47), 34 (no. 123).
Anthems on the occasion of
the Rye-house Plot, 1683. 58, 59.
— James II. Anthem performed at
his Coronation. 103.
Thanksgiving anthem for the
Queen being with child, 1687/8. 41.
— William HI. (and Mary). Anthem
composed for their Coronation [16891.
111.
Anthem sung at the Queen's
funeral, 1695. 49, 59.
Anthem on the occasion of
the Assassination Plot, 1696. 49.
Anthem to celebrate tho
Peace of Ryswyk, 1697. 49, 57.
Anne. Thanksgiving anthem for
the victory at Blenheim, 1704. 79,
89, 111.
England, Sovereigns of, etc. Anne.
Anthem " on . . . the success of our
navy in 1708." 41.
Music for the Thanksgiving
on the Union with Scotland [1707],
and for the victory at Oudenardo
[1708]. 61.
Music composed on the
Peace of Utrecht 1713, 61, 407, 40S,
412.
Anthem sung at the Queen's
funeral, 1714. 40, 89.
George I. Anthem performed at
his Coronation, 1714. 49, 89.
Anthem composed on the
suppression of the Rebellion, 1715.
67, 89.
George II. Anthems for his Coro-
nation, and for the marriage of Ann,
Princess Royal [1734]. 65.
Anthem performed at the
funeral of Queen Caroline, 1737. 68.
Thanksgiving Anthem, etc.,
for the victory at Dettingen, 1743.
65, 90, 408 (organ part).
Anthem on the taking of
Montreal, 1760. 67.
George III. Anthem " for his
Majesty's Inauguration Day, 1761."
67.
Anthems on the birth of
Frederick, Duke of York, 1763. 67.
George IV. Anthem on his birth,
1762.
67.
Anthem
1795. 77.
— Victoria.
on bis marriage,
Te Deum for the Peace
with China, 1842. 419.
Edward VII. Anthem on his
birth, 1841. 107.
English Music, Anonymous, v. An-
thems. 1-113 jxissim.
v. Carols. 137-145 passim.
i?. Chants. 146-152 passiyn.
v. Choruses. 157.
v. Hymns. 179-196 passim.
p. Masses. 211.
i:. Miracle-Plays. 239-243 passim.
. D. Motets. 252-256 passim, 258,
260, 261, 265, 266, 271-3 (2).
i;. Services. 396-421 passim.
v. Songs. 424 (2), 425 (2), 426 (2),
427, 428 (2), 429, 430.
v. Stabat Mater. 456.
v. Te Deum. 460.
v. Trios. 463.
Ensdale (John). Motet. 271-2, 323.
Erba (Dionigi?). Magnificat attribu-
ted to. 210-11.
Ehfurt. L. E. Gebhardi, Musik-di-
rektor at, 19th cent. 160.
Essex (Timothy), Mus. Doc. Owned,
in 1816, Add. 31519.
Este (Michael). Anthems. 5,6,11-13,
19, 21, 22.
NAMES AND SUBJECTS.
595
Este (Thomas). Beginning of Index ,
to The Whole Book of Psalms, 1592.
183.
Eszterhazy (Princess Leopoldina).
Music composed on her marriage,
180G. 234.
Evans (Charles). Anthems. 102.
Exeter, co. Devon. Edward Gibbons,
custos of the College of Priests-
vicars in 1611. 59.
F (C — ). Owned, temp. Charlo3 II,
Harley 4142. 29.
Fago (Nicolo), detto II Tarantino. Li-
tany. 202.
Magnificat (two settings). 209.
Mass. 232.
Motets. 322, 333, 343.
Songs. 436-7, 442.
Stabat Mater. 456, 458.
Te Deum. 462.
Fairfax (Hon. Charles). Owned, in
1618, Add. 5465.
Fairfax (Robert), Mus. Doc. Carols.
139-40.
Masses. 214, 223.
Motets. 261, 266, 306, 307.
Arms. 139.
Falco (Michele) ? Part of oratorio.
368.
Falee (Rev. Philip), Prebendary of
Durham. Anthems. 52-3 (autogr.).
Fane (John), Baron Burghersh, and
(1841) llth Earl of Westmorland.
Anthem. 106 (partly autogr.).
Magnificat. 209.
Masses. 233, 236 (partly autogr.).
Fanetti ( — ). Chorus. 165.
Farmer (John). Hymns. 183 (begin-
nings only), 192-3.
Farnaby (Giles). Anthem. 6.
Hymn. 192-3.
Farrant (John). Anthem. 58.
F arrant (Richard). Anthems. 15,16,
25, 55, 58, 79, 80, 108.
Services. 398-9 (Te Deum), 405,
406.
Fayrefax (Robert), v. Fairfax.
Fazzini (Giovanni Battista). Motet.
359-60.
Fede (Innocenzo). Motets. 292, 336.
Fehre ( — ). Chorus. 161.
Felton (Rev. William), -Organist of
Hereford. Owned, 18th cent., Add.
28967 and Add. 31670, ff. 2, 12, 13.
Fenaroli (Fedele). Song. 442-3 (au-
togr. ?).
Fenick. v. Fenwick.
Fenoglio (Giambattista). Litany. 201
(autogr.).
Magnificat. 208 (autogr.).
Masses. 228 (autogr.), 239.
Miserere. 247 (2, autogr.).
Motets. 323-4 (mostly autogr.),
329 (2, autogr.).
Fknoglio (Giambattista) (continued).
Requiem (?). 3U3 (autogr.).
Song(?). 444 (autogr.).
Stabat Mater. 457 (autogr.).
Vespers. 465 (autogr.)
Fenolius (J. B.). !>. Fenoglio.
Fenwick ( — ). Song. 440.
Feo (Francesco). Cantata. 131.
Duets. 174-5 (partly autogr.).
Litany. 202.
Mass. 228.
Oratorio. 375.
■ Requiem. 392 (autogr. ?).
Songs. 435-6 (mostly autogr.).
Fermo, in Italy. Antonio Conforto,
Maestro di Cappella at, late 18th
cent. 231.
Ferrabosco (Alfonso), I. Motets. 275,
281, 312.
Ferrabosco (Alfonso), II. Anthems.
7-10, 12, 91, 92.
Motet. 273-4, 275.
Ferrabosco (Alfonso), III(?). Anthem
(words). 33.
Part of Mass. 215-16.
Motets. 273-6 (2).
Ferrabosco (John). Anthems. 30,51.
Service. 406.
Ferrari (Letterio). Songs. 446 (au-
togr.).
Feryng ( — ). Anthem. 3, 85.
" Festa." v. Ballet.
Festa (Costanzo). Motets. 261,313-14.
Te Deum. 463.
•'Fete des Fous." Music performed
at that festival. 242, 253.
Feum (Antonius). v. Fevin.
Feux (Johann Joseph), v. Fux.
Fevin (Antoine de). Mass. 222-3.
Fevin (Robert de). Part of Mass.
222-3.
Fido (John). Anthem. 19.
Fidor (John), v. Fido.
Figured bass. Early specimen, late
17th cent. 173.
Finch (Hon. and Rev. FJward). An-
them. 62.
Service. 407.
Fiocco (Pietro Antonio). Anthems. 48.
Fioravanti (Valentino). Motets. 338.
Fioroni (Giovanni Andrea). Magnificat.
208 (autogr. ?).
Motets. 300, 329.
Firenze (Lorenzo di), " prcte." Song.
425.
Fischer (? Ernst Gottfried). Choruses.
160.
Fisher (James). Bookplate. 70.
Fitzaean (Henrv), Earl of Arundel (d.
1580). Owned Roy, App. 31-35 and
74-76.
Fi-ackton (William), bookseller, of Can-
terbury. Collected, about 1776, Add.
30931-30933. 41, 42, 48, 116-17,
403-4.
596
INDEX II.
Flemish Music, Anonymous, v. Mo-
tets. 261, 262, 306 (?).
Flintoft (? Rev. Luke). Chant. 149.
Flowers (George French). Owned,
19th cent., Eg. 2565.
Floyd (Hugh). Owned, in 1630, Add.
15117.
Flutes. Use of, in orchestra, 1713.
412.
v. also Quartino.
Foggia (Francesco). Litany. 201.
Songs. 432.
Foorde (Thomas), v. Ford.
Ford (Thomas). Anthems. 9, 11, 32
(words), 34 and 35 (words), 91, 106.
Canon attributed to. 116, 117 (2),
119, 123-126.
Forest (— ). Motets. 356-7.
Formellis (Georges?). Miserere. 244.
Formes (Karl). Transcribed, 19th cent.,
Add. 35026, f. 64b. 387.
Forrest (William). Owned Burney
Anthem. 97.
Anthems. 18,
20,
18th
357.
FORSTER (M — ).
Foster (John).
22.
Foulis ( — ). Transcribed, late
cent., Add. 31811, f. 18. 337.
Fox (William). Anthem. 58.
Frampton (William Charlton). Book-
plate, 19th cent. 205, 206, 227, 315,
325.
Fisance, Sovereigns of. Charles VIII.
Ref. to the death of his wife, Anne
de Bretagne. 312.
Louis XII. Ref. to the birth of
his daughter, Renee. 312.
Louis XVI. Song composed for
Queen Marie Antoinette. 454-5.
Napoleon I. Dedication to, 1801.
462.
Louis Philippe. Dedication to.
237.
Franchi (Camillo). v. Franco.
Franco (Camillo), u delta Cappella . . .
dci Filippini," at Naples. Scored,
in 1802, Add. 14202. 310-7.
Transcribed, 1759-1787, etc., por-
tions of Add. 14153-4, 14191-3, 14197,
and 14201.
Owned, late 18th cent., Add.
14175, f. 110.
Franco del Nino Jesus, v. Cruze-
laegui.
Franctyne (John). Anthem. 3, 85.
Frankfort-on-the-Main. J. A. Herbst,
Musik-Direktor at, 1627. 129.
French Music, Anonymous, v. Cho-
ruses. 168, 169.
v. Masses. 213.
v. Miracle-Plays. 240, 242.
v. Motets. 253 (2), 255, 261,
317.
v. Songs. 422, 423.
French (? John). Hymn-tune. 189.
Frezza (Francesco Maria). Motet. 302
(autogr.).
Frohbacii (— ). Owned Add. 32389,
f. 45.
Frottola (?). Motet adapted from.
291.
Fryer (Rev. W— V—). Owned, 1st
half of 19th cent., Add. 14334.
Fuchs (Aloys), of Vienna. Reference
to. 224.
Fugger ( — ), of Augsburg. Dedication
to. 276-7.
Fuss (Johann). Motet. 363.
Futhy (Sir John). Anthem. 2.
Fux (Johann Joseph). Masses. 224-5,
231.
Motets. 319-20, 344.
Arias from oratorio. 364-5.
Song. 441.
G-
- (R— ). Chants. 151.
Transcribed, in 1832, Add. 35134.
459.
Gabellone (Gasparo). Songs. 4 16.
Gabellone (M.). v. Cabalone.
Gabrieli (Andrea). Reference to.
276-7.
Gabrieli (Giovanni) ? Carols. 113.
Lamentations. 197.
Masses. 214.
Motets. 276-7.
Gale ( — ). Anthem. 21.
Galle ( — ). v. Gale.
Galli (Pietro Antonio). Passion Music.
389 (autogr. ?).
Galli ard (Johann Ernst). Anthem.
90.
Galuppi (Baldassare),de/fo il Buranello.
Miserere. 248.
Motet. 311 (autogr.).
Gampani (— ). Canon. 129.
Gannini (Francesco). Corrections by.
219.
Ganthony (Joseph ?). Hymn. 190-1.
Gardano (Antonio). Motet. 331.
Garland (Thomas). Chant. 149.
Gascogne (Mathieu ?). Motet. 261.
Gaspard (— ). Mass. 222-3.
Gasparini (Francesco). Songs. 436-7.
Gassner (Ferdinand Simon), Hofmnnih-
dircktor in the Grand Duke of Baden.
Owned, in 1842, Add. 31666, f. 36.
Gates (Bernard). Anthem. 74.
Owned, in 1759, Add. 27745.
Gatti (Luigi). Motet. 363.
Gaulter (Ludwig), of London. Owned,
in 1845, Add. 24287.
Gauntlett (Henry John). Owned, in
1861, etc., Add. 24285-300, 24307,
24309.
Geare (Hugh). Owned (?), in 1585,
Add. 32377.
Gebhardi (Ludwig Ernst), of Erfurt.
Owned, 19th cent., Add. 32138.
Geeres (John). Anthems. 18, 19, 21.
NAMES AND SUBJECTS.
59;
Geissler (Karl). Owned, 19th cent.,
Add. 32314.
Gellert (Christian Fiirchtegott).
Musical settings of his " Geistliche
Oden und Lieder." 448-9.
Genet (Eliazar), dit Carpentras.
Lamentations. 199.
Motet. 261.
Gerarde (John Theodoricus). Carols.
141, 142.
Graces. 177.
Miserere. 244.
Motets. 266-271.
Gekemia (Giuseppe). Song. 442-3.
German Music, Anonymous, v. Can-
tatas. 129, 135.
v. Chorales. 153-7 passim.
v. Hymns. 185, 187.
v. Miracle-Plays. 241, 242.
v. Motets. 256-7.
v. Songs. 422 (?).
Germany, Emperors of. Charles V.
Prayers for. 259, 262.
Leopold I. Short account of, as
Musician, etc. 56.
Francis II. Hymn in honour of,
[1797]. 187.
- Dedication to, in 1801.
462.
Gero (Jan de). Motets. 261-2.
Gethin (Thomas), of Her Majesty's
Chapel. Reference to, early 18th
cent. 45.
Getting ( — ). v. Gethin (Thomas).
Giardlni (Felice). Hymn-tune. 189.
Gibbons (Christopher). Anthems. 21,
22, 35 (words), 38, 44, 58, 79, 80.
Gibbons (Edward). Anthem. 59.
Gibbons (Orlando). Anthems. 5, 9,
11, 15-23, 25, 26, 28, 29 and 31-34
(words), 40, 44, 48, 51, 54, 57, 80, 81,
91, 93, 94, 102, 108, 109.
Duets. 172.
Services. 398-9, 400, 401 limperf.),
402, 403-4 (2), 405, 409, 411 (Sanctus),
414, 418, 419 (Sanctus), 420 (3).
Short account of. 53.
Gibbs (John ?). Anthem. 58.
Gibbs (Richard). Anthems. 22, 58.
Gigur (John), Master of Tatter shall
College, co. Line. Owned, 15th
cent. (?), Sloane 1210.
Gilding (Edmund). Hymns. 190-1.
Giles (Nathaniel). Anthems. 9, 14,
17, 19-22, 24, 26, 29-34 (words), 54,
57, 79, 91, 108.
Services. 400, 420.
Gilles (Nathaniel), v. Giles.
Gillinqham ( — ), violinist. Reference
to, in 1784. 74.
Giordani (— ). Owned, 18th cent.,
Add. 14334.
Giordano (Carmine). Mass. 217.
Giorgio ( — ). Transcribed (?), 18th
cent., Add. 14192, f. 109. 443.
Giovanelli (Ruggiero). Motet. 317.
Givsquino. v. Pres (Josquin des).
Giustiniani (Violante). v. Camporeso.
Glenn (Robert), organist of Christ's
Hospital. Anthem attributed to.
101.
Anthems written for, 1815-182S.
73, 101.
Transcribed, early 19th cent.,
part of Add. 35039. 176.
Gloucester. Edward Jackson, Or-
ganist (?) of the Cathedral. 43.
Tho Music Club at, owned Add.
31694.
Gloucester, Duke of. v. Thomas of
Woodstock.
Gluck (Christoph Willibald von),
Bitter. Arrangement from the march
in his " Alceste." 348.
Gobel (Martin). " Liber Cantionum "
v. Chorales. 153-6.
v. Duets. 173.
v. Songs. 433.
Godau. v. Godeau (Antoine).
Goddard (Rev. Edward). Owned, 19th
cent., Egerton 2447-2472, Add. 34005
34051, and 34054, f. 4.
Godeau (Antoine). Choruses. 166-8.
Godric of Finchale.iS. Songs. 422.
Goes (Damiao a). Motet. 331.
Golding (John), v. Goldwin.
Goldwin (John). Anthems. 27, 60,
62, 78.
Service. 407, 411 (Sanctus).
Gombert (Nikolaas). Motet. 275-6.
Gorton (William). Transcribed (?),
early 18th cent., part of Add. 17850.
184.
Owned, early 18th cent., Add.
17850.
Goss (Sir John), " Organist of Chelsea
new church." Motet. 350.
Gosse. v. Junckers.
Gostling (Rev. William), Minor Canon
of Canterbury. Memoranda, 1770.
41.
Transcribed, 18th cent., Add.
31477. 327, 374.
Goudimel (Claude). Motet. 313.
Graaf (Christian Ernst), Kapellmeister
to tfie Prince of Orange. Cantata.
136 (autogr.).
Gradualia. v. under Motets, pp. 299,
361, etc.
Grandi (Alessandro). Masses. 227.
Motet. 289, 323.
Granozzi (Carlo Matteo). Song com-
posed for, 18th cent. 441.
Grassi (Francesco), detto il Bassetto.
Motet. 328.
Gratiana, Gratiani. v. Graziani.
Graun (Karl Heinrich). Cantata.
131.
Choruses. 160-1.
Part of Mass. 228.
i9«
INDEX II.
Grain (Karl Heinrich) {continued).
Song. 439.
Graziani (Bonifazio), Anthem adapted
from a work by. 97.
Songs. 428 (2), 430, 431, 432, 434.
Greatorex (Thomas). Owned, 18th-
19th cent., Add. 31477.
Greek Music, v. Choruses. 165.
Green (— ). Hymn. 186.
Green (James). Anthem. 69.
Green (James?), jun. Hymn-tunes.
192.
Greene (Maurice). Anthems. 41,44,
45 (autogr.), 47 (mostly autogr.), 62,
64 (? partly autogr.), 65, 69, 70, 75,
79, 82 (mostly autogr.), 83, 94-97,
100, 101, 112.
Canons. 116, 119, 125.
Cantata. 130.
Chants. 147 (autogr.?), 149.
Motet. 294.
Services. 403 (autogr.?), 408-9
(autogr.?), 418.
Owned, 18th cent., Add. 17850.
Greenwich, co. Kent. William Gorton,
organist at, early 18th cent. 184.
Greggs (William). Anthem. 22.
Gkeve (Philippe de). Words to Motets.
253, 254 (2), 423-4 (2).
Grimes (Robert). Owned Roy. App.
74-76.
Grisons, Switzerland. Psalms, etc., in
dialect of, la^e 18th cent. 163.
Gboomrridge (Stephen), F.R.S. Book-
plate of arms, alter 1812. 38.
Grossi (? Giovanni Francesco), detto
Siface (?). Motet. 293.
Grossi (Lodovico) ?, of Viadana. Motet.
280-1.
Guglielmi (Pietro). Miserere. 248-9,
250.
Motets. 335, 349.
Oratorios. 371-2, 878 (scena).
Guglielmi (Pietro ?). Name appended
to composition. 230.
Guglielmi (Pietro Carlo) ?. Oratorio.
371-2.
" Guida," sc. Bass. Use of the term.
323.
GuinoTTi (Alessandro), of Bologna.
Edited, in 1600, the original of Add.
33229. 386.
Guise (Richard). Owned, in 1762, etc.,
Add. 17819, 29291.
Guise (Richard ?). Service. 416.
Gunning (Peter), afterwards Bishop of
Ely (!). Anthem written for, in
1652. 23.
Gustus. Choruses, described as "ex
Gusto." 166-8.
Gwilt (George). Owned, in 1814, etc.,
Add. 17846, 17850, 17861.
H (P-). Transcribed, in 1861,
Add. 32401, f. 118. 203.
Hacke (J — ). v. Hake.
Hager (Johann Sigismund). Canon.
115 (autogr.).
Hake (J — ). Hymns. 196.
Mass. 213.
Hall (Henry), sen. Anthems. 25,42,
49, 59, 62, 81.
Service. 407.
Hamilton ( — ), jun. Owned, in 1829,
Add. 33236.
Hamilton (Mrs. — ), ne'e Keeble.
Owned, 18th cent., Add. 31441,
31484-5.
Hamond (Thomas), of Hawkdon, co.
Su(f. Owned, in 1615, Add. 30480
30484.
Handel (George Frederick). Anthems.
62 (autogr.), 65 (autogr.), 63, 69,
83-86, 90.
Magnificat. 210-11.
Motet. 319.
Oratorios. 365 (3), 366-7 (4, tho
first autogr.), 369 (3), 370 (2), 371,
373, 374, 375 (2), 376 (2), 377 (2),
878 (2), 379, 381-2 (2), 386.
Services. 408 (3), 412, 413 (2,
Chandos Te Deums).
Songs. 440-1, 454.
Notes of passages borrowed by.
6,12.
233, 373.
Handford (George). Anthem.
Handle (G. F.). v. Handel.
Ha[rding?] (James). Song. 426.
Harfgrth (Sir Peter), v. Hartforth.
Harington (Henry), of Bath, M.D.
Anthem adapted from a work by.
76.
Owned, 18th-19th cent., Add.
31519.
Harley (Edward), Earl of Oxford.
Anthems, etc., transcribed for, 1715-
1720. 53-62.
Owned, before 1741, Add. 36268.
Harley (Henrietta Cavendish), v.
Holies.
Harmonia
Printed.
Sacra, by
[1730?] 77.
H. Purcell.
Harmonium. Use of, in orchestra, 1856.
384.
Harp. Use of, in orchestra, 1738.
366.
Harpsichord. Use of, in orchestra,
1600. 386.
Harrington (Henry), v. Harington.
Harrington (Joseph). Owned, in 1797,
Add. 27745.
Harris (— ). Anthem (? 17th -18th
cent.). 43.
Harris (Joseph John). Anthem. 93.
Harrison (William). Hymn. 192.
Hart (James). Owned (?) Add. 22100.
Hart (Philip). Anthems. 50, 00.
Hartforth (Sir Peter), " curat[e] of
Hoveden [? Howden, co. Ycolc]."
Song. 425.
NAMES AND SUBJECTS.
599
Hasilton (Robert). Anthems. 2.
Hymns. 180.
Hasse (Johann Adolf), dctto il Sassone.
Litany. 202.
Mass. 229.
Miserere. 251.
Motet. 860.
Oratorio (I Pellegrini). 368, 376
(3), 378.
Songs. 444 (aittogr. ?), 445.
Te Deum. 463.
Hatchett (Charles). Bookplate of
arms, early 19th cent. 163.
Owned, early 19th cent.. Add.
24285-6, 31580, and 34071.
I [awes (William?). Chant. 149.
Hawkins (James), sen. Anthem. 43,
44, 60, 62, 69.
Services. 404, 407 (2).
Hawkins (Sir John). Presented, in
1789, Add. 5319-20, 5323, 5826-7.
Hawte (Sir William). Motet. 260.
Hayden (F. J.), v. Haydn.
Haydn (Franz Joseph). Cantata. 131.
Hymn to the Emperor. 187.
Mass. 233 (signed).
Oratorios. 372, 373, 377, 387,
Stabat Mater. 458.
Pencil notes possibly by. 439.
Haydn (Johann Michael). Cantatas
130-1 (autogr.).
Choruses. 159 (autogr.).
Duet. 174 (autogr.).
Motet. 318 (autogr.).
- — - Requiem. 394.
Songs. 449-50.
Hayes (Philip). Anthems. 72 (autogr.),
92 (autogr.?).
Memoranda, 1784-5. 41, 42.
Transcribed, late 18th cent., parts
of Add. 17839 and 31412.
Owned, in 1757, etc., Add. 31437,
31443, 31460, 33235, 34726.
Hayes (Philip or William). Chants.
147, 150.
Hayes (William). Part of Jubilate
from Service. 413.
Owned, 18th cent., Add. 31460.
Hayes (William ?). Canons. 122, 124,
Owned, 18th cent.,
126.
Haygarth (W — ).
Add. 31481, f. 91.
Hayward (Rev. Charles). Transcribed,
late 18th cent., Add. 36874. 230.
Hayward (Francesca), wife of Rev.
Charles Hayward. Owned, late 18th
cent., Add. 36874.
Heagy (Francis). Motet. 263.
Heardson ( — ). Anthem. 18.
Hebrew Music, v. Choruses.
Heighington (?Musgrave).
190-1, 194.
Hendale (G. F.). v. Handel.
Hendel (G. F.). v. Handel.
Henley (Rev. Phocion). Anthem.
165.
Hymn.
83.
Henley (Rev. Phocion) (continued).
Chant. 150.
Henman (Richard). Owned Add. 24293.
Hennicey ? (N— ). Duet. 172.
Hennio ( — ). v. Hennius (Gilles).
Hennius (Gilles) ?. Motet. 289-90.
Henstridge (Daniel). Anthems. 44,
48 (autogr.).
Canons. 117.
Service. 403-4.
Song. 432.
Transcribed, 17th-18th cent.,
parts of Add. 30931-3.
Herbert (Mary), wife of Henry, 2wd
Earl of Pembroke. Words of song.
420.
Herbst (Johann Andreas). Canon.
115 (autogr.).
Hereford Cathedral. William Felton,
organist of. 92.
Heron (Henry). Hymn. 190-1.
Herzberg (C— Th— Wilhelm). Ora-
torio. 383 (autogr.).
Hehkltine (James), organist of Durham
Cathedral. Anthem. 52.
Hilary (Thomas). Motet. 266.
Hill ( — ), double bassplayer. Reference
to, in 1784. 74.
Hiller (Johann Adam). Cantata.
131 (autogr.).
Choruses. 160-1.
Hilton (John). Anthems. 16, 18, 20,
31 (words), 58 (adaptation).
Canons. 116, 117, 125 (2).
Himmel (Fricdrieh Heinrich). Trio.
464 (autogr.).
Hinde (Richard). Anthem. 19.
Hirdson. v. Heardson.
Hobler (J — Paul). Transcribed, before
1776, Add. 17855. 70.
HOckett (Miss — ). Owned, early
19th cent., Add. 33274a.
Holder (Joseph William). Canon.
118, 126.
HoLDER(i?cu. William), D.D. Anthems.
55, 56.
Service. 406.
Short account of. 56.
Holland (Sebastian), v. Hollander.
Hollander (Sebastian). Motet. 265.
Holles (Lady Henrietta Cavendish),
afterw. wife of Edward Harley, Earl
of Oxford. Owned, in 1708, Harley
3357.
Holles (John), Duke of Newcastle.
Owned, in 1708, Harley 3357.
Holmes ( — ). Anthem. 44.
Holmes (George). Anthem. 60, 61.
Owned (?), 17th-18th cent., Add.
31446.
Holmes (John?).
Holmes (Thomas)
34, 35.
Holmes (Rev. William), Sub-dean of th <;
Chapel Royal. Reference to. 416.
Anthem. 79.
Words of anthems.
600
INDEX II.
Homilius (Gottfried August). Choruses.
160-1.
Homophonia, Example of. 120.
Hooper (Edmund). Anthems. 9, 12,
14-21, 23, 25, 29-34 (words), 48, 51,
54, 58, 79, 91, 108.
Hopkins (Edmund John). Hymn.
196 (autogr.).
Horn (Charles Edward). Oratorio.
384 (autogr.).
Horne (Edmund Thomas), formerly
Warren, v. Warren-Horne.
Horns. Use of, in orchestra, 1733. 365.
Use of " Comctto di postiglione,"
in 1778. 130-1.
Use of, in orchestra,
Horns, Hunting.
1748. 367.
Hornsaye (John)
74-76.
HORSFALL (J — ).
Owned Roy.
A pp.
1817,
Owned, befort
Add. 17851 and Add. 31442.
Horsley (Elizabeth Hutchins), widow
of William Horsley. Presented, in
1860, Add. 23909-23914.
Horsley (William). Anthems. 100
(partly autogr.), 106 (autogr.).
Motets. 351.
Owned, in 1S25, etc., Add. 31239
(f. 10b), and Add. 31143.
Hoskins (Christopher). Motet. 273.
Howard (Samuel). Hymns. 190-2,
194.
Howden, co. York. Sir Peter Hartforth,
Curate of, 1570. 425.
Hudson (Miss — ). Owned Add. 32034.
Hudson (Robert). Hymn. 192.
Hudson (Robert?). Chant. 149.
Hughes-Hughes (Augustus). Pre-
sented, in 1886, Add. 33229.
Hullah (John). Owned, 19th cent.,
Add. 34000-2.
Humfrey (Pelham). Anthems. 24-27,
38, 39, 42-44, 50, 51, 54, 55, 57, 79-81,
102, 103, 109.
Chants. 140, 147 (2), 149, 152.
Service. 400, 418.
Song. 428 (2).
Hummel (Johann Nepomuk). Cantata.
135 (autogr.).
Litany. 202 (autogr.).
Masses. 234 (2, autogr.).
Motets. 340 (autogr.), 34S.
Oratorio. 379 (autogr.).
Te Deums. 462 (autogr.).
Owned, 18th-19th cent., Add.
32169, 32173, 32178, 32181, 32183-4.
Humphreys (Pelham). v. Humfrey.
Humpris (Pelham). v. Humfrey.
Hunt (Thomas). Anthem (words). 35.
Husbands ( — ). Anthem attributed to.
55, 81.
Husk (William Henry), Librarian to
the Sacred Harmonic Society. Tran-
scribed, in 1846, etc., Add. 33288-
33292.
Hussey (Matthew). Hymns. 190-1.
Hutchinson (John). Anthems. 18, 1'.',
22, 38, 58, 79.
Hutchinson (John?). Anthem. 22.
Hutchinson (Richard). Anthems. 19.
Hyett (— ). Mass 213.
Hyllary (Thomas), v. Hilary.
"Hymns and Songs of the Church,"
1622, by O. Gibbons. First few notes
of the basses. 172.
Immyns (John). Transcribed, 18th cent.,
Add. 29382-5, 29393-5, 31406-7.
Insanguine (Giacomo), detto Monopoli.
Motet. 334.
Song. 443.
Introits. v. under Motets, 346-7, 361.
Isaack (Bartholomew). Anthem. 80.
Isaak (Heinrich). Motets. 259, 313,
314.
Italian Music. Anonymous, v. Masses.
211, 213.
v. Motets. 263, 292, 293,
315 (Venice), 326-7 (?), 340-1, 346-7
(Naples).
V. Songs. 424, 425, 431, 440.
v. Stabat Mater. 457.
Jackson (Edward). Owned, before 1700,
Add. 30932.
Jackson (John). Anthems. 27, Do.
Jackson (William), of Exeter. Anthems.
75 (autogr.), 76 (autogr.).
Hymn-tunes. 188.
Services. 410 (mostly autogr.).
Memoranda. 300.
Jahn (Otto). Bookplate, 19th cent.
134, 228, 338, 385.
Owned, in 1842, etc., Add. 32389,
32391, 32393, and 32394.
James (John). Anthem. 92.
Jannaconi (Giuseppe). Motet. 358.
Jarvis (Samuel). Hymn. 192.
Jefferies (Matthew), v. Jeffreys.
Jeffery (Miss A — M — ). Owned,
about 1807, Add. 31821, f. 109.
Jeffreys (George), Steward to Lord
Hatton. Anthems. Autogr. 23, 24.
Carol (two copies). 144 (autogr.).
Duet (two copies). 172 (autogr.).
Motets. 283-5 (3, mostly autogr.),
289-91 (?) passim (autogr.).
Portion of Service. 400 (autogr.).
- Songs. 428 (autogr.).
Te Deura. 400 (2, autogr.).
Jeffreys (Matthew). Anthems. 13, 15,
18, 19.
Jeffry (Matthew), v. Jeffreys.
Jeffry (W — ). Anthem. 30 and 33
(words).
Jekyll (Sir Joseph). Owned, before
1738, Lansd. 379.
Jenner (Robert). Owned Roy. App.
23-25.
Jennings ( — ) ? Hymn. 186.
NAMES AND SUBJECTS.
601
■Jjonnings (Martha). Owned (?), after
1G00, Add. 4900.
Jennings (William). Owned (?), after
1600, Add. 4900.
Jewett (Randall ?), of Exeter. Anthem.
56.
Jodocus Pratensis. v. Pres (Josquin
des).
Johnson (Robert), I. Anthem. 2.
Johnson (Robert), I (?). Motets.' 263,
265, 271-2, 278, 308, 314.
Song. 425-6.
Johnson (Robert), II. Anthems. 9, 10,
15, 16, 91.
Jommelli (Nicold). Lamentations. 198.
Magnificat. 209, 210.
Masses. 228, 231.
Miserere (five settings). 247, 248
(two), 250 (two).
Motets. 297-8, 328, 329, 332-3
(3), 342-3 (3), 358, 360.
— Oratorio. 367 (2), 374 (2).
— Requiem. 392, 393, 395.
— Songs. 445, 446, 451 (2).
— Te Deum. 461, 462.
King (Charles) (continued). Chant.
149.
Services. 407 (2), 412, 413-14 (2),
416-17 (4).
Transcribed, before 1719, Add.
29379. 296.
King (George). Anthems. 43.
King (Matthew Peter). Hymn. 188.
King (William). Anthems. 22, 23, 40.
Services. 402, 403, 411 (Sanctus),
413-14.
Owned, 17th cent., Add. 34800.
Jones (Rev. Charles), Rector of Nettle-
combe, co. Som. Service. 407.
Jones (John ?). Chants. 149.
Jones (Robert), I. Mass. 212.
Jones (Robert), II. Anthems. 9,10,91.
Jones (Thomas). Owned, before 1826,
Add. 30930.
Joonys (Robert), v. Jones (Robert), I.
Jubilli (Giovanni), professore delta
Cappella Vaticana. Transcribed (?)
Add. 24291, Eg. 2451. 248-9, 319.
Jumelli (Nicolo). v. Jommelli.
Junckebs (Gosse). Motet. 331.
Juxon ( — ). Anthem. 21.
Kayser ( — ). Chorus. 160.
Keeble (John), organist of St. George's,
Hanover Sq. Owned, 18th cent.,
Add. 31441, 31484-5.
Kelway (Joseph). Owned, 18th cent.,
Add. 29292.
Kempe (Andrew), " Maister of 'the Sang-
scule in Sanctandrou's." Anthem. 2.
Hymns. 182.
Portion of Service. 397.
Kent (James). Canon in his hand.
117.
Transcribed, early 18th cent., part
of Add. 31461. 50-1, 294.
Bookplates, before 1737, etc. 39,
41, 50, 293.
Kettle-drums. Use of, in orchestra,
about 1772. 130.
Kiesewetter (Raphael Georg). Owned,
before 1850, Add. 34118.
Killick (Thomas). Hymn. 188.
Kindersley (Robert). Anthems. 9, 10,
11, 91, 92.
King (Charles). Anthems. 61, 84-5.
Canon. 119, 125.
King (William ?). Anthems. 22, 39, 44.
Services. 406, 411 (Sanctus).
Kirby (George). Anthem. 12.
! Hymn. 194.
Kirnberger (Johann Philipp). Can-
tatas. 134.
Kirnle (Frank Karl). Musical set-
tings of part of his " Davids
Psalmen." 449-50.
Kist (Johann) Wot^s (?) of Song, i 33
Kitchiner (William Brown). Book-
plate of arms, early 19th cent. 369.
Knapp (William). Hymn. 190-1,194.
Knapp (William?). Anthems. 69.
Knecht (Justin Heinrich). Te Deum.
462.
Knight (— ). Mass. 213.
Motet. 271-3.
Konigsberg. J. Stobceus, Kapell-
meister at. 115.
Korner ( — ) ? Transcribed, 18th cent.,
Add. 32394, f. 24. 228.
Krall (Johann). Songs. 455.
Krebs (Johanu Gottfried). Cantatas.
130.
Kuster ( — ). Transcribed, in 1772,
part of Add. 32080. 130.
Kumlik (Joseph). Cantata. 137
(autogr.).
Motets. 353 (autogr.), 363.
La Cklerine. v. Choruses, 166-9.
Lacy (Michael Rophino). Notes by. 85.
Transcribed, 19th cent., Add.
31573. 210, 386.
Ladine Dialect. MSS. in (late 18th
cent., 1817). 163, 166-9.
Laidlaw ( — ), of Liverpool. Owned,
19th cent., Add. 32423-4.
Lamb (Benjamin). Anthems. 50, 60,
61.
Service. 407.
Lamspringe Abbey, in Hanover.
Owned Add. 15102.
Languio (Gregorio). Motet. 279-80,
300.
Laniere (Nicholas). Anthems. 29,44.
Lappi (Pietro). Mass. 216.
Lasso (Orlando di). Carol. 142.
Motets. 263-4, 270-1, 273-4,
275-6, 282, 283, 305, 306-7, 316, 320,
323-5 (3k 327, 335
Latfeor ( — ).
Motet. 270.
G02
INDEX II.
Latilla (Gaetano). Miserere. 248
(autogr. ?).
Motet. 362.
Song. 442-3 {autogr. ?).
Laud ( — ). Anthem. 58.
Laurinus (Hieronymus). Owned, 16th
cent., Add. 35087.
Lawes (Henry). Anthems. 22, 33-36
(words), 37 (autogr.), 72.
Canons. 120, 123, 125.
Carols. 144 (autogr. ?).
Choruses. 158 (autogr.?).
Motets. 288 (autogr.).
Lawes (William). Anthems. 21, 24,
27, 35 (words), 44, 54, 72, 80, 430
(arrangements).
Canons. 115 (autogr.), 117 (2),
123, 124.
Song.
430.
Le Jeune (Claude). Canon. 117.
Choruses. 158, 159 (2), 161 (2),
162 (2).
Hymn (adaptation). 185.
Le Riche fAntoine). Motet. 261-2.
Leighton (Sir William). "ThcTeares
or Lamentations of a Sorrowful
Soule" (1614), including anthems by
himself. 9, 90-92.
Leo (Leonardo). Masses. 217 (autogr.),
235, 237, 238.
Miserere. 247, 249, 251.
Motets. 297, 299, 342, 349-50,
358, 359, 361 (2).
Oratorios. 374, 379.
Songs. 442, 444, 449, 450, 455.
Leonel. v. Power (Lionel).
L'Heritier (Jean). Motet. 331.
Lickl (Johann Georg). Mass. 231.
Lincoln Cathedral. Master of the
Children. William Norris. 59.
Vicar choral. William Norris.
407.
Lindner (Ernst Otto). Owned, in
1866, Add. 31004.
Linley (Thomas), jun. Hymn adapted
from an ode by. 190.
Lionel, v. Power (Lionel).
Liquori (Don Alfonso di), " Bettor
maggiore del santissimo Bedentore."
Duet. 174.
"Lira doppia." Use of, in orchestra,
1600. 386.
Lire Abbey, in Normandy. Hymnal.
170-1.
Liszt (Ferencz). Chorus. 170 (partly
autogr.).
Oratorio. 385 (autogr.).
Liturgies, Latin. Antiphonal of
Sarum use, 13th-14th cent. 255.
Graduals of Sarum use, 15th
cent. 258, 265.
Hymnal of Durham use,
early 14th cent. 113.
Hymnal, 13th-14th cent.
170.
Liturgies, Latin (continued). Proces-
sional, 12th-13th cent. 241-2.
English. Reference to the Prymer
of 1544. 1.
Extracts from the Psalter
of 1567. 180.
Russian. Sticherarion, 17th cent.
158.
Choral Book, late 17th cent.
158.
Scottish. Metrical Psalter of
1566. 2, 180-2.
Lobe (Johann Christian) ? Chorales.
157.
Part of Mass. 235.
Lock (Matthew). Anthems. 37
(autogr.), 38, 48, 58, 59, 81.
Canons. 116, 117, 128.
Motets. 291 (autogr.).
Service. 403, 418 (Nicene creed).
Songs. 429, 430 (autogr.), 432-3.
Transcribed, late 17th cent., part
of Add. 31437. 430.
Lockh art (Charles?). Hymn. 190-1.
Lodge (John), v. Lodge-Ellerton.
Lodge-Ellerton (A — ). Presented,
in 1878, Add. 30925.
Lodge-Ellerton (John). Mass. 238
(autogr.).
Oratorio. 384 (autogr.).
Song. 454 (autogr.).
Bookplate of arms, 19th cent.
384.
London, Bishops of. v. Lowth (Robert).
Churches, etc. Christ's Hospital.
Robert Glenn, organist of, 1817-1822.
73.
St. George's, Bloomsbury.
Matthew Cooke, organist of. 190.
St. Mary Axe. Philip Hart,
organist of. 60.
St. Paul's Cathedral. Music
composed for its opening, 1697. 50,
110, 407.
St. Paul's, Covent Garden.
Anthem composed for its opening,
1789. 75.
Whitehall. Anthem for the
opening of the new chapel, 1698. 49,
110.
Long (Samuel). Hymns. 190-2.
Loosemore (George). Anthem. 50.
L[oosemore] (G[eorge?]). Anthems.
39.
Service. 402 (Athanasian creed).
Loosemore (Henry). Anthems. 18,21,
22, 28, 30 (words), 39, 44, 54.
Service. 406.
Lopez (Eduardo). Masses. 220.
Motets. 303, 306, 326, 344.
Requiem. 392.
Lorello (Onofrio). Song. 443.
Lorerenzo. v. Firenze (Lorenzo d;i).
Lotti (Antonio). Masses. 226, 232 (2),
238.
NAMES AND SUBJECTS.
603
Lotti (Antonio) {continued). Miserere.
Two versions (?), the first (Add. 14139,
f. 77) adapted by Jommelli. 250.
Motets. 344, 361.
Song. 436-7.
Lowe (Edward). Anthem. 56.
Lowth (Robert), Bislwp of London.
Suggestion for the composition of a
Service. 411, 416.
Anthem composed on his death,
1787. 75.
Loyset. v. Pieton.
Lucas (John). Hymn-tune. 188.
Luc[c?]a (Severo di). Song. 444.
Ludford (Nicholas). Masses. 212, 213.
Motets. 260, 266.
Ludovici (Guglielmo). Song. 443
(autogr).
Lugg (John). Anthems. 12, 29-31
(words), 57.
Service. 406.
Lugg (John ?). Service. 398.
Lulu. v. Lully (J. B.).
Lully (Jean Baptiste). Choruses.
163-4.
Motet. 328.
Lumley (John), Baron Lumley (d. 1609).
Owned Roy. App. 12-30, 49-54, 74-6.
Lupi (Edvardus). v. Lopez.
Lupo (Thomas). Anthems. 6,7,9-11,
91.
Motets. 276, 281.
Lute accompaniment, after 1600. 171,
425 ;— after 1614. 9, 10, 426 ;—tcmp.
James I. 115 ;— after 1669. 172, 428.
Lute tablature. v. under Tablature.
Luther (Martin). Hymn-tune attri-
buted to. 192, 194.
Lyllingworth (Christopher). Owned
Roy. App. 74-76.
M-
(G— ). Transcribed, in 1798,
Add. 31822, f. 75. 318.
Owned, 18th cent., Add. 31662-3.
M (I— or J—). Owned, after 1624,
Add. 17792-17796.
Mackworth (Mathilde Eleanor Eliza),
wife of Digby Francis Mackworth,
afterw. 5th baronet. Transcribed,
Add. 30392, fi 1, lb. 75.
Maelzel (Johann Nepumuk). Early
use of his metronome. 101.
Magini (Francesco), v. Mancini.
MaGiorana ( — ). Motet. 317.
Maillart (— ). Motet. 300 1.
Majer (— ). Chorus. 165.
Majo (Giovanni Francesco di). Motet.
333.
Songs. 437 (mostly autogr.), 446,
448, 450.
Note aa to date of his birth.
437.
Majo (Giuseppe di). Part of Mass.
225 (autogr.).
Motet attributed to. 301.
Majorano (Gaetano), detto Caffarelli.
Songs composed for. 438 (2).
Malchair (J — ), of Cologne and Ox-
ford. Transcribed, in 1765 (?), Add.
31661. 221.
Malory ( — ). Anthem. 4.
Manceri (— ). Owned (?), in 1738, Add.
14148, f. 195.
Manchicourt (Pierre). Motet. 306.
Mancini (Francesco). Magnificat. 207
(? partly autogr.).
Mancini (Giovanni Battista). Song.
438.
Marbeck (John). Mass. 223.
Marcello (Benedetto). Choruses, etc.,
from his Parafrasi sopra li . . . Salmi.
95-6, 158-9 (partly autogr.), 162,
164-5, 176, 449, 464.
Oratorio. 365 (autogr.).
— - — Requiem. 392 (autogr. ?).
Marenzio (Luca). Motet. 306-7,
320.
Marini (Maria). Motets. 285-6,289-90,
335-6.
Marjotti (Mattia). Song written for,
18th cent. 442-3.
Marsden (John). Transcribed, about
1791-2, part of Add. 34279 b. 439.
Marshall (Julian). Owned, before
1879, Add. 3138A -31823.
Martin (Thomas), of Palgrave, co. Suff
Owned, 18th cent., Add. 5666.
Martini (Giovanni Battista). Motets.
337, 341.
Song. 437 (autogr.).
Martini (Martino?). Mass. 230.
Martini (Thomas). Motet. 261.
Martyn ( — ). Portions of Masses.
211-12.
Mascardi ( — ). Reference to. 219.
Masi (Giovanni), " Bomano." Motet.
357.
Mason (Bcv. William). Anthem. 86.
Mathias (James), of London. Be-
queathed, in 1782 (bookplates passim),
Add. 5036-49, 5051, 5053, 5054, 5058,
5059, 5061, 5062.
Mattia (— ). Owned (?), in 1726, Add.
14148, f . 90.
Mauro (? D — ). Transcribed, in
1745 (?), part of Add. 14188. 207.
Mayer (J — ). Transcribed, in 1834,
Add. 32071. 236.
Mayr (Johann Simon). Part of Mass
230-1 (autogr.).
Motets. 339 (autogr.).
Mazzaferrato (Giovanni Battista).
Motet. 299, 330.
Mepius, sc. Pars media. Use of word,
15th cent. 256.
Mehul (Etienne Nicolas). Song. 454.
Melani (Alessandro). Mass. 237-8.
Motets. 341, 358.
Melville (David). Transcribed (?),
after 1604, Add. 36484. 279.
40
G04
INDEX II.
Mendelssohn-Bartholdy (Jakob Lud-
wig Felix). Anthem. 106 {autogr.).
— — Oratorio (overture). 387.
Merricock ( — ). Services. 398-9.
Merula (Tarquinio). Motet. 323.
Messaus (Guillaumo ?). Part of Mass.
224-5.
Metronome, v. under Maelzel (J. N.).
Mkttingham, co. Suff. MS. belonging
to St. Mary's College, 1515. 258.
Metzger (Kilian) ?. Chorale. 156.
Meyerbeer (Jakob). Oratorio. 382.
Micheli (Romano). Canon. 120.
Milders (Fraulein J — ). Owned, 19th
cent., part of Add. 32152.
Miles (Thomas). Anthems. 98-100
(autogr.).
Canons. 127 (autogr.).
Choruses. 166 (autogr.), 169-70
(autogr.).
Duets. 177 (autogr.).
Hymns. 189-90 (autogr.).
Quartet. 391 (autogr.).
Service. 417 (autogr.).
Songs, 452-3 (autogr.).
Trio. 465 (autogr.).
Milgrove (Benjamin). Hymn-tune.
188.
Miller (Edward), of Doncaster. An-
them. 97.
Miller (James), of Chester (?). Tran-
scribed, in 1607, Harley 2124. 243.
Milton (John), sen. Anthems. 6, 7,
9-12 71 91 92.
Hymn. ' 186, 190, 192-3, 194.
■ Motet. 281.
Minoja (Ambrogio). Motet. 338.
Molinari (Giovanni), " Iio-mano."
Motet. 358.
Molle (Henry), Public Orator to Cain-
bridge University. Services. 405.
Monarino (Francesco). Motet. 328.
Song. 444.
Monck (George), Duke of Albrmarle.
Anthem composed for his funeral,
1670. 55.
Mondaye. v. Mundy.
Mondonville (Jean Joseph Cassanea
de). Motets. 335.
Monperrato (Nadal). Motets. 2S5-7
(2), 293, 295-6.
Monopoli. v. Insanguine (Giacomo).
Mont (Henri Du). v. Dumont.
Monte (Filippo di). Motet. 309-10.
Reference to, 1584. 310.
Moondaye (— ). v. Mundy (William?).
Moore (Thomas) ? Chorus. 169 (partly
autogr.).
Songs. 452 (partly autogr.).
Morales (Cristofero). Magnificat. 210.
Motets. 313-14, 331, 352, 360.
More (William). Motet, 324.
More (William?). Motet. 265.
Morganti (Benedetto). Transcribed (?),
late 18th cent., Add. 31525. 249.
Mori (Giacopo), of Viadana. Magni-
ficat. 206.
Miserere. 244.
Motets. 280-1.
Songs. 426.
Morley (Thomas). Anthems. 17, 19,
26, 33 (words), 48, 51, 54, 68, 82, 109.
Canons. 117.
Hymns. 192-3.
Motets. 279-80, 281, 310-11, 326.
Services. 398-9, 405, 420.
Mornington, Earl of. v. Wellesley
(Garrett).
Moscheles (Ignaz). Anthem. 107
(autogr.).
Mosf.ley (Miss Lucy). Owned, about
1812, part of Add. 33239.
Moseley (Walter Michael), of Glas-
liampton. Bookplate of arms, 1877.
90.
Owned, in 1877, Add. 30308,
30310.
"Motet," sc. Medius part. v. Mutetus.
Mouton (Jean). Carols. 144.
Mass. 222-3.
Motets. 261-2, 305, 306--7, 310-
11, 312-13, 314, 323.
Mower (Richard). Motets. 260.
Mozart (Johann Chrysostom Wolfgang
Gottlieb). Chorus. 159 (autogr.).
Motet. 311 (autogr.).
Oratorio. 385.
Requiem. 393.
Additional accompaniments to
Handel's " Messiah." 378, 381-2.
Mozart (Johann Georg Leopold).
Litany. 203.
Mass. 239.
Moze (J— H— ). Hymns. 192.
Mudd (Thomas?) Anthems. 18, 19,
21, 22, 35 (words), 58.
Mudes (Thomas), v. Mudd.
Muds (Thomas), v. Mudd.
Muller (— ). Hymn (adaptation).
185.
Mundy ( — ). Anthems. 18, 19.
Motet. 282.
Mundy (John). Anthems. 8, 12, 14,
17, 19, 22, 29 (words), 30 (words), 72.
Motets. 271-2.
Mundy (John?). Motets. 279.
Mundy (William). Anthems. 3, 4, 14-
17, 19, 21, 25, 30 and 31 (words), 33
(words), 48, 51, 54, 56, 68, 108, 109.
Hymn. 180.
Masses. 213-14.
Motet. 264.
Service. 420.
Mundy (William?). Anthem. 2,3,16.
Magnificat. 206.
Mass. 213.
Motets. 271-2.
Services. 397-8 (Te Deum), 398-9.
Muscil. v. Musculus (Andreas).
Musculus (? Andreas). Choruses. 163.
NAMES AND SUBJECTS.
60.">
Mutetus, sc. Medius part. Use of
word, 15th cent. 257.
Myriell (Thomas). Compiled, in 161G,
Add. 29372-29377. 10-13.
Nageli (HansGeorg). Choruses. 169.
Nalson (Rev. Valentine). Anthem
adapted by (?). 48.
Chant. 149.
Service. 403, 407 (2).
Nanini (Giovanni Bernardino). Motet.
317.
Nanini (Giovanni Maria). Carols.
146 (2).
Motets. 317, 351-2, 355, 359.
Naples. Introits composed for "la
Cappella . . . dell' Oratorio," 1802.
346.
Naples and Sicily, Kings of. Ref.
to Robert of Anjou, in a song, 1334-
1342. 424.
Ferdinand IV. Dedication
to, after 1820. 458.
Naees (James). Anthems. 66-7
(autogr.), 83.
Chant. 149.
Hymns. 190-1, 194.
Service. 411 (Sanctus).
Anecdote referring to. 93.
Bookplate of arms, 1757-1769. 66.
Nasci (Michele). Song. 438.
Naumann (Johann Gottlieb). Motet.
337 [autogr.).
Oratorio. 379-80.
Needler (Henry). Transcribed, before
1760, and in part scored, Add. 5036-
5049, 5051, 5053-4, 5058-9, 5061-2.
Needler (Hester). Anthems. 66
(autogr.).
Owned, before 1760, Add. 5030-49,
5051, 5053-4, 5058-9, 5061-2.
Neefe (Christian Gottlob). Chorus.
161.
Negri (?Domenico Francesco). Mass.
229.
Motet. 306.
Nelham (Edmund). Canons. 117,
123 (2).
Nettlecombe, co. Som. Charles Jones,
rector of. 407.
Neukomm (Sigismund von). Anthem.
107 (autogr.).
Masses. 234 and 236 (autogr).
Trio. 465.
New Year's Day. Music performed
on, 12th cent., etc. 240, 242, 253.
Newcastle, Duke of. v. Holies (John).
Newton (Edward). Owned, in 1730,
Add. 29289.
Newton Family. Owned, 18th cent.,
Add. 29289.
Nicholai (Frederic). Attestation of
autograph. 447.
Nicholas, S. Cult of, 12th cent.
240-1.
Nichols (John). Anthems. 18, 21.
Nicholson (Richard). Anthems. 7,21.
Nicholson (Richard) ? Motet. 278.
Niethe ( — ), Secretary (?) to the King
of Prussia. Letter, 1802. 136.
Norman (John). Motet. 260-1.
Norris (William). Anthems. 43, 49,
50, 59, 81.
Service. 407.
North (William), of York. Owned,
15th cent. (?), Harley 5390.
Norwich Cathedral. — Gibbs, or-
ganist of, 1635. 58.
Novello (Vincent). Chant. 151
(autogr.).
Organ voluntaries adapted by.
101.
— Organ accompaniments. 101
(autogr.), 112-13, 352, 451 (autogr.),
459 (autogr.).
Transcripts for PurcelVs Sacred
Music, 1829-1832. 103-5, 151, 195,
350, 418, 453.
— Transcribed, about 1810-1843,
Add. 14341-3 (parts), 17857, 31526
(f. 1), 33239, and 34073.
- Memoranda, about 1830. 41.
Presented, in 1843 and 1849, Add.
14334, 14340, 14396, 14398, 14401-2,
17731, 17818-20, 17829, 17835, 17837,
17839-61.
Owned, in 1822-1849, etc., Add.
24290, 24295, 28967, 31477, 31642-3,
33235-6, 33240, 34726, 34800, 34998-9.
Nuremberg. J. A. Herbst, Musik-
direktor at. 115.
Oboe. Use of, in orchestra, 1721. 364.
Oboe d' amore. Use of, 18th cent.
131-2.
Obrecht (Jakob). Mass. 222-3.
Passion Music. 387-8.
Obreth (Jacobus), v. Obrecht.
Ocland (Christopher ?). Mass. 213.
Offertoria. v. under Motets, 2G0,
291, 299, 326, 339.
Okeghkm (Jean). Motet. 314.
Okeland (Christopher ?). v. Ocland.
Okenheim (Jan), v. Okeghem.
Oliphant (Thomas). Scored, about
1850, Add. 29968. 353.
Presented, in 1849, Add. 17816.
Owned, 19th cent., Add. 34000-2.
Olive (Joseph). Hymns. 192.
Oliver (Richard). Owned Roy. App.
74-76.
Ophicleide. Use of, in orchestra,
18th-19th cent. 339.
Opiciis (Benedictus de). Motet. 259.
Opitz von Boberfeld (Martin)
Chorales. 153.
Opitzer (Martin), v. Opitz von Bober-
feld.
Orchis (Giovanni Battista de). Motets
315 (autogr.).
606
INDEX II.
Orchis (Giovanni Battista de) (con-
tinued). Oratorios. 368 (2, autogr.).
Te Deum. 461 (autogr.).
Ospedaletto. v. Venice.
Otthoboni (Pietro), Cardinal. Dedi-
cation to. 236.
Ottilij ( — ), Cavaliere. Reference to.
339.
Ouvry (Frederick). Owned, 19th cent.,
Egerton 2603.
Overend (Marmaduke). Owned, in
1779, Add. 17850, 17859.
Oxford, City of. Note rel. to the
spire of St. Mary's, 1840-1847. 75.
University of. Music School.
Owned (?), 17th cent., Add. 31437.
Christ's Church. — King,
organist of. 406.
New College. Simon Child,
organist of, 17th-18th cent. 38.
Oxford (Henry). Anthem (words).
35.
P (A—). Song (18th cent.). 444.
Packe (Sir Thomas). Masses. 212.
Motets. 260.
Portions of Services. 396.
Paer (Ferdinando). Arias fr. Oratorio.
380.
Pai (Giuseppe) ? Choruses. 165.
Motets. 340-1.
Paibiello (Giovanni). Mass. 224
(mostly autogr.). 237.
Miserere. 251.
Palestrina (Giovanni Pierluigi da).
Anthems adapted from his motets.
42, 55, 67, 80, 81, 85, 90.
Lamentations. 199.
Madrigals 204 (3), 205 (2).
Magnificat. 207, 210 (four set-
tings).
Masses. 218, 219 (3)-221, 224,
226, 229, 235, 237 (2).
Miserere. 251.
Motets. 273-4, 291, 297, 300-1,
302-5 (4), 306-7, 308-9, 310-11, 317,
319-20 (2), 325, 326-7 (2), 333, 335-6,
337, 339, 344, 351-2 (2), 353, 357-
60 (3), 361.
Passion Music. 389.
Requiem. 395.
Stabat Mater. 459 (2), 460.
" Studij " in imitation of works
by. 317.
Palmer (Henry). Anthems. 14, 18,
20, 21, 23.
Palmer (Dow. John). Owned, 15th
cent. (?), Sloane 1210.
Palmer (Robert). Hymn. 192-3.
Pane (Domenico del). Masses. 220.
Paon (Georges). Motet. 270.
Parcele. v. Parsley.
Parker (Rev. John). Bookplates of
arms, 18th-19th cent. 27, 38, 68,
80, 292.
Parker (Rev. John), Minor Canon of
St. Paul's. Owned, 18th-19th cent.,
Add. 29379.
Parker (Matthew), Archbishop of
Canterbury. Extracts from his
WJiole Psalter, 15G7. 180.
"Pars ad Placitum." Use of term,
late 16th cent. 271.
Parsley (Osbert?). Motet. 300.
Portions of Services. 397-8.
Parsons (Robert). Anthems. 4, 10,
12, 14, 17-20, 29-31 (words), 48, 56,
108, 112.
Hymn. 183.
Motets. 264, 314.
Services. 398-9, 420.
(?) Part of Magnificat. 206.
Parsons (William). Hymns. 180, 192-
193, 196.
Motets. 260 (?).
Partyne ( — ). Service. 397.
Paston (William), Justice of the Com-
mon Pleas. Reference to, 18th cent.
137-8.
Patrick (Nathaniel). Service. 405.
Pazzaglia (Salvatore). Motet. 329.
Peablkr (David), v. Peebles.
Pearson (Martin). Anthem. 5-7,9-11,
13, 18, 20, 91.
Hymn. 186, 190, 192-3.
Peebles (David). Hymns. 180-2.
Motets. 263.
Pellegrini (Domenico). Song. 432.
Penzel ( — ). Choruses. 161.
Pepusch (Johann Christoph). Anthem.
78.
Motet. 306-7.
Portion of Service (Magnificat).
404 (autogr. ?).
Percy (John?). Hymn. 192.
Perez (Davide). Miserere. 248.
Motets. 319, 330, 357, 362.
Songs. 454-5.
Stabat Mater. 456 (autogr.).
Pergolesi (Giovanni Battista).
Masses. 220, 221, 225, 230, 237.
Miserere. 247.
Motets. 297, 305, 321 (2).
Oratorios. 368, 375.
Songs. 436 (autogr. ?), 441, 442,
444.
Stabat Mater. 456, 458.
Perigueux, in France. MS. connected
with, 14th cent. 255.
Persichini (Pietro). Motet. 339.
Persone (Martin), v. Pearson.
Persone (Robert), v. Parsons.
Perti (Giacomo Antonio). Masses.
230.
Motets. 302 (partly autogr. ?),
344-5, 361.
Peterborough Cathedral. James
Hawkins, jun., organist of. 62.
Peto (William) ? Owned, in 1516, Royal
11 E. xi.
NAMES AND SUBJECTS.
607
Petyr (Henry). Mass. 212.
Pevernage (Andreas). Mass. 219.
Philips (Peter), van Wilder. Anthems.
3 5, 7, 12. .
Motets. 271 2, 270 80, 308, 310-
311, 313.
Phillips (Henry), the singer. Tran-
scribed, in 1839, Add. 35026, f. 27.
236.
Phinot (Dominique?). Motet. 270.
Picart (Rev. Samuel), Prebendary of
Hereford. Owned, in 1835, Add.
17839.
Piccinni (Nicol6). Motets. 331 (au-
togr. ?), 334.
Song. 454-5.
Pichl (Wenzl). Mass. 230.
Te Deum. 461.
Pierson (Martin), v. Pearson.
Pierzon. v. De la Rue (Pierre).
Pieton (Loyset). Motet. 331.
Pilkington (Francis). Anthems.
91.
9,
253 (2),
Motets.
Pisis (Henricus de) ?. Motets
254, 423-4 (2).
Pitoni (Giuseppe Ottavio).
341-2, 357, 359.
Piva (Gregorio). v. Steffani (Agostino).
Platensis (Potrus). v. De la Rue.
Pohl (Karl Ferdinand). Transcribed,
in 1864, Add. 32139. 385.
Pole (William). Part of anthem. 112
(antogr. ?).
I'orpora (Nicol6 Antonio). Cantatas.
129-30 (mostly autogr.).
Duets. 175, 176.
Magnificat. 207 (autogr.).
Mass. 218.
Motets. 296 (mostly atitogr.), 298
(2, autogr.), 299 (2, autogr.), 321
(partly autogr. ?).
Oratorios. 361 (autogr.), 367-8
(autogr.).
Songs.
436 (mostly autogr.), 437
autogr.), 442, 450.
Te Deum. 461.
Porta (Gostanzo). Motets. 306-7, 363.
Porta (Giovanni). Mass. 225.
Porter (Samuel). Transcribed, 18th
cent., Add. 17861. 82.
Porter (Walter). Anthems. 32 and
35 (words).
Porter (William James). Owned, in
1844, part of Add. 31670.
Portman (Richard). Anthems. 19, 20,
32 and 34-36 (words).
Service. 405.
Power? (Lionel). Part of Mass. 211-
212.
Motets. 356-7.
Poynt ( — ). Anthem. 2.
Pr.enestinus (Johannes Petrus Aloy-
sius). v. Palestrina.
Praun ( — ). Song written for, 1739.
436.
Predieri (Giacomo Gesare). Motets.
328, 330.
Aria from oratorio. 376.
Pres (Josquin des). Masses. 221-223.
Miserere. 244, 246 (2).
Motets. 261-2, 306-7, 312-13,
314, 317, 320, 323 (2).
Stabat Mater. 456, 457.
Prota (Tommaso). Song. 442-3
(autogr.).
Prussia, Kings of. Frederick William
III. Dedication to, 1802. 136.
Frederick William IV. Dedica-
tion to Elizabeth, his Queen. 363.
Psalms, v. under Anthems, Chants,
Choruses, and Hymns, passim; also
under Songs, 426-7, 429.
Psaltery. Use of, in orchestra, 1748.
367.
Accompaniment on, to a Song, late
18th cent. 435.
Purcell (Daniel). Anthems. 40
(autogr.), 43 (autogr.), 50 and 51
(mostly autogr.).
Purcell (Henry). Anthems. 22 (?),
28 (mostly autogr. ),3S, 39, 41 (mostly
autogr.), 43 (aidogr.), 44, 47-52, 55-
57, 59, 68, 73, 78-81, 85, 92, 94, 103-5.
Canons. 116 (2), 123, 127.
Chants. 150 (2), 151.
Duets. 177.
Hymns (" Burford," etc.). 184-
5 (?), 186, 190-1, 194, 195.
Motets. 285-6, 350.
Services. 406, 407 (2), 409 (Jubi-
late), 412 (3), 418.
Songs. 429, 431 (2), 432-3 (2),
434, 453.
Purcell (Thomas). Chants. 146,151,
152.
Purday (Charles Henry). Air in ora-
torio. 384.
Purday (Zenas Trivett). Owned copy-
right of Add. 32423-4. 384.
Pursol (Henry), v. Purcell.
Pygott (Richard). Carol. 141.
Mass. 212.
Motets. 261, 266.
Quarles (Charles). Anthem. 52.
Quartino. Use of, in orchestra, 1818.
382-3.
Quensi (Gautier de). v. Coincy.
Quercio ( — ). Transcribed, in 1745,
part of Add. 14188. 207.
Quintus, sc. Pars quinta. Use of word,
temp. Eliz. (?). 3.
R (A — ). Transcribed, 18th ce^it.,
Add. 31625, f. 1. 444.
Rahel (Sydrach). Canons. 115.
Raimo, Padre, v. Bartolo (Erasmo di).
Ramsey (Robert). Anthems. 5, 6, 16,
27.
Canons attributed to. 117.
608
INDEX IT.
Ramsey (Robert) (continued). Services.
398-9 (Te Deum), 406.
Randall (Greenwood). Service. 400.
Randall (John). Hymns. 190-2,
194.
Randall (William). Anthems. 14,34
(words).
Ravenscroft (Thomas). Anthems. G
11, 20.
Canons. 117, 123.
Carol. 143, 145.
Hymns. 187, 190-4.
Motet. 281.
Extracts from TJw Whole Booke
of Psalmes, 1033. 192-4.
Raylton (William). Anthems. 41
(autogr.), 103-4.
Service (Communion). 413.
Transcribed Add. 30931, ft 162-179.
42.
Read ( — ). Anthem. 18.
Service. 401.
Reading Abbey, co. Berks. MS. written
there, after 1226. 242, 253.
Reading (John), sen. Motet. 318.
Redford (John). Motets. 269-70 (?),
271-2.
Reggio (Pietro). Canon. 116 (autogr.).
Motets. 287 (autogr.), 289-90.
Quintet. 391 (autogr. ?).
Song. 429 (autogr. ?).
R[eggio?] (P[ietro?J). Song. 447.
Reichardt (Johann Friedrich). Chorus.
161.
Reinhold (? Theodor Christoph).
Chorus. 161.
Repgin (Andreas). Miserere. 244.
Motets. 283.
"Responsorij di Settimana Santa."
v. under Motets. 294, 315, 328, 3z9,
332, 339, 360-1 (2).
Rich afort (Jean). Motets. 261-2,331.
Richardson (Vaughan). Anthems. 60,
80 (?), 94.
Service. 407.
Rieder (Ambros). Transcribed (?),
early 19th cent., Add. 32432, f. 15.
344-5.
Owned, in 1824, Add. 32432, ft 1-
14.
Rietz (Julius). Motet. 353.
Te Deum. 463.
Rimbault (Edward Francis). Owned,
in 1840, Add. 31550.
Ritson (Joseph). Owned, before 1790,
Add. 5665.
Ritter (August Gottfried). Owned,
1856-1864, Add. 34118.
Robert of Anjou, King of Naples, v.
Naples and Sicily.
ROBERTSBRIDGE ABBEY, CO. SuSS.
Owned (?), 14th cent., Add. 28550.
Robinson (John). Chant. 150.
Rochester Cathedral. Daniel Hen-
stridgc, organist of. 43.
Karl).
Anthems.
37
(2, the second
v. Cos-
Rodewald (Joseph Karl). Stabat
Mater. 458.
Rogers (Benjamin).
(autogr), 40, 41, 43.
Services. 401
autogr. ?), 406, 414.
Rogliano (Buonaventura di)
tanzo (Francesco).
Rolle (Christian Karl). Choruses.
160.
Rolle (Johann Heinrich). Cantatas.
134.
Rome. Music sung in the Sistine
Chapel. 210, 238, 244-252 passim,
332, 351-2, 359.
Roseingrave (Daniel). Anthem. 41.
Roseingrave (Thomas). Anthems. CI,
65.
Roseingrave (Thomas?). Canon. 125.
Rossi (Francesco ). Song. 447.
Rossi (Gioachino). Song. 435, 443.
Rossi (Luigi), of Naples. Motets.
318.
Rossini (Gioachino Antonio). Oratorio.
382-3.
Rovetta (Giovanni). Motets. 291.
Rovetta (Giovanni Battista). Motet.
330.
Rovettino (Giovanni Battista). v. Ro-
vetta (G. B.).
Rubesti (Padre Giacinto), of Naples.
Dedication to, earlv 18th cent. 206-7.
Rubino (— ). Motet*. 317.
Rde (Pierre de la), v. De la Rue.
Ruggiero ( — ) ? Magnificat attributed
to. 209.
Rcngenhagen (Karl Friedrich). Duet.
177 (autogr.).
Rupert, of Salzburg, S. Cantata in
honour of, 1778. 130-1.
Russell (William). Anthems. 102.
Hymn. 192.
Owned, in 1803-1813, etc., Add.
14334, 17818, 17850, 17859, 178G1.
Russian Music, Anonymous. v.
Choruses. 158 (2).
v. Hymns. 188.
Rust (? Friedrich Wilhelm). Chorus.
160.
Rutter (-
-). Anthem. 18.
291.
Sabbatini (Galeazzo). Motets.
Songs. 430.
Sabbatino (Nicold). Mass. 217.
Sacchini (Antonio Maria Gasparo).
Miserere. 246.
Motet. 362.
Sachevkrell (Rev. Henry), D.D. An-
them upon the occasion of his trial,
1710. 53.
St. Neots, co. Hunt. (?). MS. origi-
nating (?) there, 15th cent. 138.
Sala (Nicold). Canons. 122.
Sale (John?). Owned, in 1787, Add.
31642, f. 1.
NAMES AND SUBJECTS.
609
Salter (P — ). Owned, 19th cent.,
Add. 31498, 31681.
Salvatore (Giovanni ?). Motets. 329.
Sambucy ( — de), Abbe". Reference to.
238-9.
Sampson (—). Motet. 259.
Sampson (Thomas). Owned Roy. App.
74-76.
Sances (Felice). Motets. 285-6 (2),
289-90, 293, 335-6.
Sandley (— ). Motet. 356-7.
Santini (Fortunato), Abbatc. Service
(Te Deum). 419.
Te Deum (Latin). 462 (autogr.).
Scored, in 1835, Add. 34051.
351-2.
Transcribed, in 1808-1834, etc.,
Add. 14161, 14166, 14174, 14188,
14194 ; Egerton 2447-9, 2451, 2453-5,
2457, 2459-63, 2467, 2470.
Owned, 19th cent., Egerton 2471 ;
Add. 34005, f. 4, and 34054.
Sarcuni (Giacomo). Vespers. 465.
Sargenson (John). Anthems. 43, 44
(autogr.).
Sarti (Giuseppe). Chorus. 163.
Miserere. 249.
Sassone, II. v. Hasse (J. A.).
Savage (William), sen. Anthems.
94-96.
Canon. 119.
Services. 411 (Sanctus), 415
(Nunc dimittis and Kyrie), 417.
Transcribed (?),in 1751, Add.31499.
301.
Savage (William), jun. Transcribed,
18th-19th cent., part of Add. 31820.
96, 415.
Owned (?) Add. 31482.
Savill (Henry). Owned, 17th-18th
cent., Cotton, Vesp. A. xxv.
Sax-horn. Use of, in orchestra, 1881.
421.
Saxony. Johann Friedrich, Duke of.
Words (?) of Song. 433.
Scarlatti (Alessandro). Cantata.
Masses. 218, 236 (2).
Motets. 295 (autogr.), 343.
135.
350,
1, 358 (2), 359.
Songs. 434 (2).
Scarlatti (Alessandro?). Mass.
Sca-rtattt (Domenico?). Motet.
Qvy.
Scarlatti (Francesco). Miserere.
(autogr.).
Schechi (Gian G — ). Psalms,
232.
343,
245
etc.,
in the Ladine dialect, 1817. v.
Choruses, 166-9.
Schedlich (Jakob). Canon. 115
(autogr.).
Scheeles (John), v. Sheeles.
Schicht (Johann Gottfried). Choruses.
166 (autogr.).
Transcribed (?), late 18th cent.,
Add. 33569. 134.
Schlemmer (Dr. — \. Transcribed, in
1838, part of Add. 35026. 128.
Schmalhausen (Fraulein Lina).
Owned, after 1886, Add. 14182.
Schmau (Andreas). Choruses. 166-8.
Schmidlin (Johann). Choruses. 166-9.
Schobacher ( — ). Vespers. 466
(autogr. ?).
Schubert (Ferdinand). Owned, in
1824, Add. 32431, ff. 1-14.
Sciroli (Gregorio). Song. 442-3
(autogr. ?).
Score. Early specimen of, after 1614.
9.
Score, Full. Early specimen of, late
17th cent. 37.
Score, Quasi-. Specimen of early 13th
cent. 252.
Scotland. Scottish Metrical Psalter
of 1566, etc. 2, 4 and 7 (references),
143, 180-2.
Scottish Metrical Psalms, after
1604. 7, 183.
Scottish Music, Anonymous. v.
Motets. 263.
Scroggs (William). Owned, before
1777, Add. 17842.
Secchi (Barbla and Chiatrina), of Zutz,
in the Grisons. Choruses collected
for, 1817. 166-9.
Sedley (Katharine), afterw. Countess
of Dorchester. Bookplate of arms,
before 1686. 285.
Seelen-Musik [1694, etc.]. Extracts
from, late 18th cent, and 1817. 163-4,
166-8.
Selby Abbey, co. York. Reference to
the Chartulary, 14th cent. 171.
Selby (? John). Hymns. 192.
Senfl (Ludwig). Motet. 314.
Sermisy ? (Claudin de ?). Motets. 313,
331.
Serpent. Use of, in orchestra, 1818.
382-3.
Sextus, sc. Pars sexta. Use of word,
after 1580. 263.
Seydelmann (Franz). Motets. 317
(autogr. ?), 341.
Sharp (Messrs. — ), of Old Jewry
Bookplate, 18th-19th cent. 16, 64,
67, 83, 87.
Sheeles (John). Anthems. 87
(autogr. ?). •
Shenton (Robert). Anthem. 93.
Sheparde. v. Shepherd.
Shepherd ( — ). Anthem. 19.
Shepherd (John). Anthems. 2, 3, 4,
15, 16, 56, 58, 108, 112.
Hymns. 179-80.
Magnificat. 206, 209 (Esurientes).
Masses. 213-15, 226.
Motets. 271-3, 27S.
Services. 398-9.
Shepherd (John or Thomas). Anthems.
2, 3, 15-17, 58.
610
INDEX II.
Shepherd
tinued).
Song.
(John
Motet.
425.
or Thomas)
264.
(con-
Sheringham ( — ). Carol. 140.
Shode or Shoele (C — ). Anthem. 49.
Short (J — H — ). Anthem adapted by.
102.
Siciliani (Filippo). Mass. 238.
Siface. v. Grossi (G. F.).
Sigismondo (Giuseppe). Scored, in
1809, 14162, f. 1. 466.
Transcribed, 18th-19th cent., Add.
14103 (f.130), 14112, 14130, 14137,
14141, 14161, 14166, 14177, 14193,
14195.
Owned, in 1780, Add. 14129.
Sigismund (L — ). Owned, 19th cent.,
Add. 32401.
Sigmund (— ). Owned, in 1853 (?),
Add. 33444.
Sikes (H— ). Owned Add. 31441.
Sir,AS(Edouard). Song. 454 (autogr. ?).
Silva (Andreas do), v. Silvanus.
Silv anus (Andreas). Motets. 261,331.
Silvestro (— ). Motet. 285-7 (2).
Simes (William), v. Sims.
Simler (Johann Wilhelm). Choruses.
163, 168.
Simmes (William), v. Sims.
Simonelli (Matteo). Motets, 295
(autogr.), 322, 360.
Sims (William). Anthems. 5, 6, 11.
Smart (Miss — ), dau. of Sir George
T. Smart. Owned, in 1872, Printed
Book, C. 42. i. 12.
Smart (Sir George Thomas). Memo-
randa by. 378, 381-2.
Bequeathed, in 1867, Add. 27741-5,
27749-54, 27757.
Smart (Richard), of Plymtree, co.
Devon. Carol. 139.
Duets. 171.
Smart (Thomas). Hymns. 192.
Smert (Richard), v. Smart.
Smidlin. v. Schmidlin (Johann).
Smith (Edward). Anthems. 19, 20,
23.
Smith (Eliasl.
Smith (Isaac) ?
187-8, 192(?),
Smith (J — )
before 1832, Add. 33235.
Smith (John). Anthems.
Hymn. 184-5.
Smith (John Christopher), sen. (?).
Transcribed, about 1733-1738, Add.
5319, 28968, 31557 (part), 31559 (part),
31568 (part), 31870, 34006.
Smith (John Christopher), jun. (?).
Transcribed, 18th oent., Add. 31560.
375.
Smith (John Stafford). Anthem. 92-3
(autogr.).
Chants. 149.
Services. 411 (autogr.), 416.
Anthem. 21.
Hymn-tunes.
194 (?).
of Deptford.
186 (?),
Owned,
69.
Smith (John Stafford) (continued).
Common-place Book, 1785-1789. 74.
MS. used by, in Musica Antigua.
260-1.
Transcribed, in 1785-1789, etc.,
Add. 31418, 34608-9.
- Owned, 1776-1812, Add. 29481,
30480-30484, Egerton 2512.
Smith (Robert), of St. Paul's Church-
yard. Bookplates, 1813, etc. 28, 44,
65.
Smith (Thomas). Owned, in 1662,
Sloane 1335.
Smith (William). Anthems. 19-22.
Smitlin. v. Schmidlin (Johann).
Soaper (John). Chant. 149.
Hymns. 190-1.
(?) Service (Litany). 419.
Societies, Musical. English. Catch
Club. Compositions for the prize
medal, 1775-1787. 118.
ConcentoresSodales. Owned,
in 1800, Add. 27642.
Musical Antiquarian Society.
Owned, 1845-1895, Add. 33236, 33239,
33240, 34726.
Royal Society of Musicians.
William Horsley, " Catcher in
ordinary," 1825. 235.
Sacred Harmonic. Owned,
in 1848, Add. 17839.
Society of British Musicians.
Owned, in 1841, Add. 31796-7.
German. "Bundes-Sangerfest."
Music composed for its first meeting,
19th cent. 463.
Soissons, in France. Gautier de
Coincy, Prior of St. Medard. 423.
Solicopar. v. Zollicofer (Kaspar).
Solms (Eleonora zu), Countess. Can-
tata on her marriage, 1627. 129.
Somers (John), Baron Somers. Owned,
17th-18th cent., Lansd. 379.
Soriano (Francesco). Motet. 359-60.
Southerton (Nicholas). Hymns. 196.
Spanheim Abbey, in Rhenish Prussia.
Miracle-play written there, 1487.
242-3.
Spamish metrical version of the Psalms,
temp. James II. 426-7.
Spanish Music, Anonymous, v. Hymns,
188.
Speranza (Carmine). Transcribed,
18th cent., parts of Add. 14104 and
14111.
Spohr (Ludwig). Anthem. 107
(autogr.).
Oratorio (Last Judgment). 383(3).
Squire (William Barclay). Tran-
scribed in 1892, and presented in
1900, Add. 36490. 210, 356-7.
Stade (— ), jun., Cantor. Owned,
19th cent., Add. 32138.
;Stade (Wilhelm ?). Owned, 19th cent.,
part of Add. 32080.
NAMES AND SUBJECTS.
611
Standfuss (— ). Choruses. 160.
Stanley (Charles John). Hymn-tune.
188(?), 192.
Bookplate of arms, 18th cent.
130.
Starck (Friedrich Gottlob). Cantata.
134.
Steele (N— ). Owned, in 1782, Add.
^ 17818.
Steeven8 (George). Transcribed, late
18th cent., Add. 27945, f. 51b. 243.
Steffani (Agostino), Bishop of Spiga.
Anthems adapted from. 95-6.
Motets. 301,306,310-11,326-7(2),
336, 344, 350 (2), 362.
Stabat Mater. 456, 457.
Stenings (— ). Magnificat. 206.
Stephani ( — ), Abbate. v. Steffani
(Agostino).
Stephenson (Jos . . .). Anthems. 69.
Stephenson (Robert), v. Stevenson.
Steuerlin (Johann), of Schmalkalden.
Mass. 214 (autogr.?).
Passion Music. 387-8.
Stevens (Richard John Samuel). An-
thems. 95-7 (mostly autogr.), 102.
Oratorio. 373 (autogr.).
Latin hymns harmonized by. 337.
Sanctus adapted by. 416, 417.
Transcribed, 18th-19th cent.,
parts of Add. 31817-22.
Owned, in 1817, Add. 31482,
31499.
Stevenson (Sir John)
by. 169.
Songs adapted by
Chorus adapted
452 (partly
autogr.).
Stevenson (Robert?). Anthem. 18.
Motet. 279-80.
Stob^us (Johann). Canon. 115
(autogr.).
Stolzel (Heinrich). Mass. 226.
Stokes (Charles). Owned, in 1839,
Add. 17731.
Stokes (Dom. William). Owned, 15th
cent. (?), Sloane 1210.
Stonard (— ). Service. 405.
Stonard (William). Anthems. 7, 22.
Stonings (— ). v. Stenings.
Stonnard (William), v. Stonard.
Stove or Stowe ? (— ). Motets. 356-7.
Stradella (Alessandro). Duet from
oratorio. 377.
Strassburg Cathedral. Processional,
12th-13th cent. 241-2.
Streatfeild (Richard Alexander).
Presented, in 1903, Add. 36874. 230.
Street (J— P— ). Transcribed, 19th
cent., Add. 31526, Eg. 2571. 235,
349-50, 362.
Strings, Accompaniments for. Use of,
after 1613. 172.
Strogers (Nicholas). Anthem. 15.
Services. 398-9, 400, 401 (Bene-
dictus), 420.
Strollger (Job). Extract from his
book, 17th-18th cent. 173.
Stubbs (Simon). Anthems. 12.
Hymns. 192-3.
Sturges (Edmund). Part of Mass
212.
Sussmayr (Franz Xaver). Chorus. 164
(autogr.).
Song. 448 (autogr.).
Superius, sc. Treble. Use of word, 16th
cent. 4.
Suriani (Francesco), v. Soriano.
Susato (Tylman). Graces. 178.
Motet. 306.
Swarland (John). Owned, Add. 15117.
Sweelinck (Jan Pieterszoon). Cho-
ruses. 159, 163-4, 166-9.
Sweling. v. Sweelinck (J. P.).
Sylvius (Conrad). Chorus. 158.
Motets. 283.
Tablature for lute. Early specimen,
after 1600. 171, 425-6.
for treble viol. Early specimen,
after 1614. 9.
Tag (Christian Gotthilf). Chorus. 161.
Taler (Daniel), v. Taylor.
Tallis (Thomas). Anthems. 1-4,6,8,
10-12, 14-18, 25, 26, 29-31 (words),
33 and 34 (words), 39, 42, 44, 51, 53.
68, 79, 81, 85, 108, 112.
Canon. 118.
Chants. 148, 152.
Hymns. 180, 196.
Lamentations. 197, 198 (3), 200.
Magnificat. 206.
Masses. 213-14 (?.), 215.
Motets. 265, 271-2, 278, 279,
306-7, 308, 309, 314, 344, 353 (a 40).
Services. 396-7 (Benedictus),
398-9, 400, 401 (organ part), 403 (2,
organ parts of Te Deum), 405, 409,
411 (Sanctus), 414, 418 (Preces, etc.),
420 (2).
Song. 425-6.
Short account of, 1715-1720. 53.
Talys (Thomas), v. Tallis.
Tarchi (Angiolo). Mass. 232-3.
Tateshale College, v. Tattershall,
co. Line.
Tattershall, co. Line. John Gigur,
Master of the College. 255.
Taverner (John), sen. Anthems.
2,4.
Magnificat. 206.
Masses. 213-14 (2), 215, 223 (2).
Motets. 261, 266, 271-2, 278, 279,
308, 314.
Songs. 425-6.
Taylor (Mrs. — ), wife of William
Taylor. Owned, 18th-19th cent.,
Add. 31477.
Taylor (Daniel). Anthem. 19.
Telemann (Georg Philipp). Cantatas.
132-3 (autogr.), 134.
612
INDEX II.
Telemann (Georg Philipp) (continued).
Chorus. 161.
Songs. 445.
Thalman (Matthias?). Mass. 217.
Thame Abbey, co. Oxon. Owned
Burney 357.
Thamer (J — ). Anthem. 39.
Theorbo. Use of, in orchestra, 1600.
386 ;— 1738. 366.
Thomas op Canterbdry, S. Song in
his honour, after 1226. 423.
Thomas op Woodstock, Duke of
Gloucester (d. 1397). Owned Harley
2942.
Thomas (Arthur Goring). Anthem.
112 (autogr.).
Song. 455 (autogr.)
Thopul (Thimolphus), pseudonym
(?Thomas_Lupo). Anthem. 10,92.
Owned, late 17th
Words of carol,
5-7,
29-35
Thoresby (Ralph),
cent., Add. 5465.
Thornton (Robert).
15th cent. 138.
Thorough-bass. v. Basso continue
Tibia " all'antica." Use of, in or-
chestra, 1600. 386.
Tocker (William), v. Tucker.
Todi (Giovanni). Motet. 317.
Tomasso ( — ). v. Tommasi (Biagio?).
Tomkins (Giles). Anthems. 34 and
35 (words).
Tomkins (John). Anthems. 21 (?), 32
and 34 (words), 35 (words), 56 (?).
Hymn. 192-3.
Motet. 275, 279-80.
Tomkins (Robert). Anthems. 32
(words), 34-36 (words).
Tomkins (Thomas). Anthems.
12, 13, 14, 15, 17-23, 26,
(words), 51, 54, 56.
Hymns. 192-3.
Service. 398-9.
Tommasi (Biagio). Motet. 323.
Tommasi (Biagio?). Motet. 317.
Torretti (Vincenzo). Owned Add.
14175, f. 151.
Torri (Pietro). Trio. 464.
Tortora (Marcello). Motet. 317.
Tozer (Solomon). Anthem. 20.
Traetta (Tommaso). Song. 446.
Travers (John). Anthem. 66 (autogr.).
Canons. 117, 123.
Duet. 175.
Service. 411 (Sanctus).
Transcribed, mid. 18th cent., most
of Add. 34726. 300-1.
Trevor ( — ). v. Travers (John).
Triplex, sc. Treble. Use of word, about
1584. 264.
Tritto (Giacomo). Motet. 338.
Trombone. Use of, in orchestra, after
1613. 281.
Tropes. v. Miracle - Plays, 240-1 ;
Truelove (John). Carol. 139.
Duet. 171.
TRUiE(Noe). Carol. 142.
Trumpet. Use of, in orchestra, 1695
59.
Tuba. Use of, in orchestra, 1863-6,
1871. 385 (2).
Tuba, Bass. v. Sax-horn.
Tubal (A—). Carol. 145, 311.
Tucker (Edward). Owned, 19th cent.,
Add. 35134.
Tucker (William). Anthems. 21-23,
26, 39, 43, 56, 79, 85.
Hymn tune. 189 (?).
Services. 399-400, 402.
Tudway (Thomas). Anthems. 39, 43,
49, 50, 52, 56 (autogr.), 59-61 (autogr.),
63 (2 copies).
Chants. 147.
Motet. 294, 296.
Services. 407, 408 (2).
Exercises for his Mus. Bac.
degree, 1681. 56, 294.
Collected, 1715-1720, Harley7337-
7342. 53-62, 405-8.
Sketch of history of Music. 61.
Turini (Francesco). Part of Mass.
233.
Turner (William). Anthems. 26, 27,
43, 48, 50, 52, 57 ("Club"), 60, 79,
102 ("Club"), 109.
Chants. 146, 149.
Services. 404, 406, 407.
Song. 429.
Tutus (Vincentius de). Mass. 216.
Tye (Christopher). Anthems. 2-4,
12, 15, 17, 32 (words), 51, 58, 108.
Masses 213, 214, 223.
Motets. 265, 271-2, 279, 308,
324, 352.
Services. 397-8, 405.
Motets, 256-7.
Trouluffe (John).
v. Truelove.
Ugolini (Vincenzo). Canons arranged
by. 123-4.
Masses. 227.
Motets. 327.
Underwood (R — ), of Hereford.
Owned, in 1835, Add. 17839.
Unterdorf(?), on the Glon, in Bavaria.
MS. belonging to the Hermits of St.
Augustine there, 15th cent. 256.
Urio (? Padre Francesco Antonio).
Song. 436.
Te Deum. 461.
Utrecht Te Deum, etc. v. England,
Sovereigns of. Anne.
Valente (Giuseppe), "Maestro di Cap-
pella Napolitajw." Magnificat. 207,
208 (two settings).
Motets. 322-3 (2), 335.
Vallotti (Francescantonio). Motet.
330.
Valton (Peter). Hymns. 187.
Vanderven (Pedro de). v. Coster.
NAMES AND SUBJECTS.
613
Vaquebas (Bernardo). Motet. 320.
Vecchi (Orazio). Motets. 279-80,
310-11.
Venice. Music written for the Ospe-
dale degl' Incurabili, 1726-1744. 296,
298 (2).
Music written for the Ospedale
della Pieta, 1742. 298 (2).
Verdelot (Philipp). Motet. 331.
Vergelli (Luigi). Motet. 357.
Viadana (G. M.). v. Mori (Giacopo).
(Lodovico). v. Grossi (Lodovico).
Vierlinq (Johann Gottfried). Can-
tatas. 134.
Vignati (Giuseppe). Song. 436-7.
Vignola (Giuseppe). Song. 443
(autogr. ?).
Viol, Treble, v. under Tablature.
Vittoria (Tommaso Lodovico da).
Carol attributed to. 146 (2), 351-2,
359.
Masses, 215-16 passim, 220, 221,
229 238.
Motets. 279-80, 300, 303, 306-7,
315, 323, 325, 344, 351-2, 359-60,
361.
Passion Music. 389.
Requiems. 391, 392.
Vivaldi (Antonio). Song. 436-7.
Vogel (Pater Kajetan). Mass. 239.
Vogler (Georg Joseph). Vespers. 466.
Vogler (? Georg Joseph). Motet. 364.
Vogler (Kajetan). v. Vogel.
Voglino (Vincenzo). v. Ugolini.
Voigtlander ( — ). Chorus. 160.
Voluntaries, sc. Anthems. 2.
Vuismes (Nicholas), v. Wismes.
Wainwright (John ?). Hymn-tune.
188.
Wainwright (Robert). Chants. 150.
Walkeley (Anthony). Service. 403,
407.
Walmisley (Thomas Attwood). An-
them. 105 (autogr.).
Exercise for his Mus. Bac. degree,
1833. 105.
Walond (William), Organist of Chi-
chester CaUiedral. Anthem. 93
(autogr.).
Chant. 149-50 (autogr.).
Walond (William), of Oxford, Mies.
Bac. Transcribed, 18th cent., Add.
17842. 81-2.
Scored Add. 31402. 325.
Walter (John). Anthems. 26-28,29,
43.
Wanjdra (Wenceslav). Litanies. 203
(autogr. ?).
Motet. 297 (autogr.?).
Wanless (Thomas). Anthems. 60, 79.
Exercise for his Mus. Bac. degree.
60.
Wanley (Humphrey). Owned, in 1697,
Harley 4899.
Ward (John). Anthems. 6, 9-12, 19,
30 (words), 91, 109.
Hymn. 192-3.
Services. 398-9 (Te Deum, etc.),
420.
Ward (R— ). Owned Add. 29289.
Warren (Joseph). Canon. 128 (au-
togr.).
i Owned, 1840-1864, etc., Add. 28968-
9, 29292, 29480, 29482-3, 31400, 31434,
31472, 31474-5, 31478, 31483, 31550,
31580, 31608, 31611, 31614, 31615,
31666, 31754.
Warren-Hornh (Edmund Thomas).
Notes by. 283-4.
! Scored, 18th cent., Add. 31409.
326.
I Transcribed parts of Add. 30309,
31418, 31462-3.
Bookplate of arms. 27, 90, 288,
310, 326.
Warrock (Thomas), v. Warwick.
Warwick (Thomas). Anthems. 5, 18,
32 (words).
Wasbourne (— ). Owned Add. 29289.
Watts (John). Owned, in 1822, Add.
17819.
Weale (William). Hymn. 186, 190-1,
194.
Webbe (Samuel), sen. Canons. 119,
125.
Mass 229.
Owned, in 1816, Add. 33240, f. 21.
W[ebbe] (S[amuel]) ? [sen.,]. Canons.
118.
Weelkes (Thomas). Anthems. 5, 6,
9, 11-13, 15, 17, 20, 22, 23, 29-32
(words), 56, 68, 91, 109.
Carol. 143.
Service. 398-9.
Weilks (Thomas), v. Weelkes.
Weimar (Georg Peter). Choruses.
160-1 (autogr. ?).
Weiske (Johann Gottfried). Chorus.
161.
Weldon (John). Anthems. 40, 41,
43, 49, 52, 61, 69, 92, 94.
Chant. 149.
Service. 411 (Sanctus).
Song. 434.
Wellesley (Arthur), Duke of Welling-
ton. Music at his installation as
Chancellor of Oxford University,
1834. 382.
Wellesley (Garrett), Earl of Morning-
ton. Chant. 152.
Wellington, Duke of. v. Wellesley
(Arthur).
Wells Cathedral. William Broderip,
organist of. 62.
Wesley (Charles). Anthems. 70-1
(autogr.), 73 (autogr.), 100-1 (autogr.).
Chant. 148 (?) and 150 (autogr).
Chorus. 165 (autogr.).
Hymns. 190.
614
INDEX II.
Wesley (Charles) (contimied). Ser-
vices. 410 (autogr.).
Songs. 448 (autogr.), 451 (autogr.).
Transcribed part of Add. 35038.
100-1.
Wesley (Samuel). Anthems. 69, 70,
73, 95, 98, 101, 102, 106 (all autogr.),
107.
Canons. 118, 126 (2), 127, 128
(all autogr.).
Cantata. 135 (autogr.).
Carols. 145.
Chants. 147 (2), 148, 150 (copy),
151 (2), 152 (all but one autogr).
Duets. 174, 176.
Graces. 178 (autogr.).
Hymns. 185, 186, 190, 194-5
passim (all autogr.).
Masses. 222 (autogr.), 224 (2,
autogr.), 230, 234-5 (4, autogr.), 352.
Miserere. 246 (autogr.), 252.
Motets. 311, 312, 317-19 (3), 319,
345-6 (all autogr.), 349 (mostly
autogr.), 352, 362.
Oratorio. 370-1 (3, autogr.).
Bass to plainsong melodies. 390
(partly autogr.).
Quartet. 391.
Bequiems. 394 (partly autogr.).
Services. 409, 416-17 (all autogr.),
417 (2, the second autogr.), 419
(Litany and Magnificat).
Songs. 438, 439 (2), 440, 451 (all
autogr.), 454.
Beference to, 1836. 112.
Transcribed, 18th-19th cent. , parts
of 31239, 31476, 35003, 35023, 35024.
Wesley (Samuel Sebastian). Anthem.
73, 196 (both autogr.).
Transcribed, in 1822, etc., parts of
Add. 34999, 35038.
West (James), Antiquary. Owned, in
1738, Lansd. 379.
Westmorland, Earl of. v. Fane (John).
Wetenhall (James). Owned Add.
31394.
Wheall (William), v. Weale.
Wheatfield, co. Oxon. Settings of
the Sanctus for the church. 411.
Whitbroke (W— ). Mass. 213-14.
Motet. 271.
Portion of Service. 397-8.
White ( — ). Anthem. 30 (words).
White (? J — ). Anthem. 31 (words).
White (Matthew). Anthems attributed
to. 16, 55, 56.
White (Bobert). Anthems. 3, 4, 17,
18, 31 and 32 (words), 55, 56, 71,
81 (?), 108.
Lamentations. 198 (?).
Motets. 271-2, 278 (?), 279-80 (?),
314.
White (William). Anthems. 13, 18.
Whitton (— ). Hymn. 190-1, 194.
Whyghte (Bobert?). v. White.
WHYTE(John). Memoranda, 14th-l 5th
cent. 137-8.
Wilbye (John). Anthems. 9, 10, 91.
Motets. 275, 279-80, 281.
Wildbore (Bobert). Anthem. 59.
Wilder (Peter van), v. Philips (Peter).
Wildroe (Philip de). v. Philips (Peter).
Wilkins (William). Owned, in 1743,
Add. 29481.
Wilkinson (Thomas). Anthems. 5,
6, 12, 20, 26, 38, 58.
Wilks (Thomas), v. Weelkea.
Willaert (Adrien). Motets. 261-2,
312-14 (4).
Williams (Aaron ?). Anthems. 69.
Williams (Thomas), Organist of St.
John's College, Cambridge. Service.
407.
Owned (?), late 17th cent., Add.
34203.
Wilson (John). Trio. 464.
Wimpole, co. Cambr. Music for the
consecration of the chapel, 1721. 63,
147, 408 (2).
Winchester (Sir Henry). Bought,
14th cent., Harley 2942.
Windsor, co. Berks. Anthem sung at
the opening of the Queen's Chapel,
1702. 43, 49, 52.
Windsor (James W — ), of Bath.
Owned, 1797 (?)-1848, Add. 34726.
Winter (Peter von?). Hymn-tune.
188.
Wise (Michael). Anthems. 22, 25-27,
29, 39, 40, 42-44, 49, 55, 57, 79, 80,
85, 94.
Service. 403, 406 (2).
Wismes (Nicholas). Motet. 262-3.
Withers (George). "Hymns and
Songs of the Church." v. under
Duets, 172.
Witt (Theodor de). Transcribed, in
1855, Add. 34607. 353.
Wittenberg, in Prussian Saxony.
Music for the opening of the Ducal
chapel, 1766. 228.
Wode (Thomas), v. Wood.
Wollaston (Charlton Byam), of the
Inner Temple. Owned, in 1798, et •.,
Add. 31401-2, 31485.
Wood (John). Anthem. 18.
Wood (Thomas). Hymns. 186, 190-1,
194.
Transcript of Scottish metrical
Psalter of 1566. 2, 180-2.
Woodford (Matthew), of Sotdhampton.
Owned Add. 31472.
Woods (— ). Motet. 300.
Woodson (Thomas). Te Deum. 398-9,
420.
Woodward (Edward). Hymn-tune. 189..
Woolcot (Charles). Anthem. 61.
Service. 407.
Wootton (Nicholas). Anthem. 43
(autogr.).
NAMES AND SUBJECTS.
615
Worcester, MS. connected with, in.
1350. 254.
Worgan (John). Anthems. 92, 101.
Hymns. 190-2.
Wright (Thomas?). Carol. 142.
Wryghte ( — ). v. Wright (Thomas ?).
WiiRZBURG, in Bavaria. Abbey of
S. Jacobus Scotorum owned Add.
15102.
Wyvill (Zerubbabel). Hymn-tune.
188.
Yarnold (B— ). Owned, 18th-19th
cent., Add. 17820.
Yarrow ( — ). Anthem. 18.
York. Mystery performed at, late 15th
cent. 243.
Yorke (Philip), Earl of Hardwicke.
Owned, in 1745, Add. 36268.
Zanatta (Domenico). Magnificat.
206-7 (antogr.?), 209.
Transcribed Add. 14191, f. 137b.
442-3.
Zarlino (Giuseppe). Canon. 120.
Zarti (Giovanni Vincenzo). Mass.
216.
Zelenka (Johann Dismas). Mass.
228.
Motet. 363.
Requiems. 393 (imperf.), 395.
Zingarelli (Nicold Antonio). Can-
tata. 135.
Duet. 175 {autogr. ?) .
Miserere. 248-9, 251.
Motets. 338 (2, partly autogr. ?).
Oratorio. 381.
Song. 449 (autogr. ?).
Zingoni (Giovanni Battista). Motet.
330.
Zoeller (Carli), bandmaster. Tran-
scribed, in 1882, etc., Add. 31998,
32594, f. 1.
Zoilo (Annibale). Motet. 353.
Zollicofer (Georg Joachim).
Choruses. 163-4, 168.
Zuniga (Giovanni Battista). Duets.
174.
ML
3 9097 00303678 8
British museum.Dept. I3UD U3-
Catalogue of manuscript music in
Musio
a£i63o
v..
stSp
Live Music Archive
Librivox Free Audio
Metropolitan Museum
Cleveland Museum of Art
Internet Arcade
Console Living Room
Books to Borrow
Open Library
TV News
Understanding 9/11