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\ 



toGO MUSeUM USflAMV 
HARVARD ONIVEIWTY 



January, 1907 

Changes in the Arrangement of 
THE Collection of Paintings. — Look- 
ing toward a more sequent and 
comprehensive grouping of pictures, 
certain changes are now being made 
in the picture galleries. Gallery 20 
contains as far as possible all the 
British pictures in the collections. 
Gallery 21 will eventually become the 
Modern French room. To that end 
the ** Horse Fair," by Rosa Bonheur, 
has already been placed here, as will 
several of the French paintings from 
Gallery 20. This has been made 
possible by the removal of certain 
American pictures to Gallery 12, 
which will hereafter be devoted en- 
tirely to our own painters. 

A start was made last spring toward 
making Gallery 1 1 the Primitive room 
by placing there the great *'St. Chris- 
topher," by Pollajuolo, *'Two Saints," 
by Giovanni di Paolo, and the early 
Austrian altar-piece. To these will 
be added, when possible, certain early 
works now hanging in Gallery 24, 
and the new acquisitions that would, 
in classification, come under this type. 

As the Dutch and Flemish pictures 
predominate in the Marquand collec- 
tion, the Marquand Gallery, Room 14, 
will house the Dutch pictures, re- 
moved from Gallery 1 1. Place will be 
made for these by removing the Eng- 
lish Masters of the Marquand collection 
to the new British room. Gallery 20. 



CATALOGUE 



OF THE 



PAINTINGS 



IN THB 



METROPOLITAN MUSEUM OF ART 



NEW YORK 

PUBLISHED BY THE MUSEUM 



\ , 



HARVARO UNiVfMffV ^ 



r^-^^ 

A/^^^ 





THK METROPOLITAN MUSEUM OF AWt 

, SECOND ruooe 



%oti 



tee 

The galleries are open every day in the week until as follows: 
February 16 to April 1, 5:30 p.m. 
April 1 to September 1, 6:00 p.m. 
September 1 to October 15, 5:30 p.m. 
October 15 to February 15, 5:00 p.m. 



On Sundays the Museum is opened at 1 o'clock, p.m.; on all 
other days at 10 o'clock, a.m. 



The copying of all pictures belonging to the Museum is allowed 
on every day except Saturdays, Sundays, and Legal Holidays. 



On Mondays and Fridays an entrance fee of 25 cents is charged. 
Members and Copyists are admitted free on these days. 



The Museum is open to the public on Monday and Friday 
evenings only, from 8 to 10 o'clock ; admission free. 



In the descriptions of the paintings the words "right" and 
"left" always mean right and left of the spectator, except where 
they obviously apply (as his or her right or left hand) to a figure 
in a picture. _^ 

The Index by numbers, consecutive, is to be found on pages 
XXV to xlii. 

Every work in the galleries is distinctly labeled with the name 
of the artist and the number of the picture. (See insert at iitle- 

pageO 

The size given is of the sight measure or visible painted sur- 
face ; and in every instance the first number indicates the height. 



The measurements are given in inches. 



The Artists' names attached to donations and loans are, as a 
rule, those given by the donors or lenders. 



As a rule pictured which are lent are not described. 



Ill 




^fc 



terace. 



The Metropolitan Mnsenm of Art is a private corporation, 
managed and controlled by a Board of Trustees^ chosen from its 
members. 

At a public meeting, held on the 23rd day of November, 1869, 
a Provisional Conunittee of Fifty cultured and public-spirited 
citizens were appointed to organize the Association. 

On the 31st day of January, 1870, at a meeting of this Com- 
mittee, the Officers and Trustees were elected, consisting of a 
President (John Taylor Johnston), two Vice-Presidents, a Treas- 
urer, Secretary and twenty-one Trustees. 

On the 13th day of April, 1870, a Charter was granted by the 
Legislature of the State of New York, and at a meeting of the 
Trustees, held on April 27th, 1870, a Constitution was adopted. 

Soon after, negotiations were entered into which consummated 
in the purchase of a collection of pictures, consisting chfefly of 
specimens of the Dutch and Flemish Schools, but containing also 
important works of Italian, French, Spanish and English masters. 

It became necessary to make immediate preparation for the 
custody and exhibition of these paintings. The Trustees took 
accordingly a lease for two years from May, 1871, of the building 
known as No. 681 Fifth Avenue, which, although too small for 
their purpose, was the most available habitation they could find. 

In 1872, The Metropolitan Museum of Art was removed from 
its temporary quarters at 681 Fifth Avenue to 128 West Fourteenth 
Street. This large, double house, known as the Cruger Mansion, 
was leased for a number of years by the Trustees. The greenhouses 
and conservatories were fitted up for the exhibition of sculptures, 
and in one of its courtyards the Trustees built a picture-gallery. 
This gallery, lighted from the roof, had five times as much wall 
space as the old quarters on Fifth Avenue, and enabled the Trus- 
tees to extend the interest of the Museum by loan exhibitions of 
paintings, and the display of the Cesnola Collection of antiquities 
from Cyprus, a portion of which had already arrived in this coun- 
try. The Museum remained in this building until the last days 
of 1879, and was daily open to the public from 10 o'clock a.m. 
until 6 o'clock p.m. ^ 

On the 5th of April, 1871, the- State Legislature, at the request 
of the Municipal Authorities of this City, passed an act appropriat 
ing the sum of $500,000, with which to erect a building in the Cen* 



tral Park^ ^^ for the purpose of establishing and maintaining therein 
a Museum and G^ery of Arf 

On April 22d> 1876> the Legislature authorized and directed the 
Department of Public Parks to make and enter into a contract with 
The Metropolitan Museum of Art, for the occupation by it of the 
building which was then being erected, and such other additions as 
may be made to it from time to time. 

On the 24th day of December, 1878, the Park Department exe- 
cuted a written agreement with The Metropolitan Museum of Art, 
by yirtue of which the Trustees took possession of the building iu 
Central Park, which was then^nished; and during the year 1879 
all the collections of the Museum were remoyed from the building 
on Fourteenth Street and transferred to their new home in Cen- 
tral Park. Up to this date the Museum was managed, and its work 
done, by different Committees of Trustees; but it now became evi- 
dent that the daily work had grown far beyond the possibility of 
being inanaged through the personal superyision of committees, and 
in 1879, General Louis Palma di Cesnola, who was then Secretary of 
the Board, was chosen Director and placed in charge of the Mu- 
seum, in which capacity he remained until his death (Noyember 
20th, 1904). 

The new building in Central Park was formally inaugurated by 
President Hayes, on March 30th, 1880. The first exhibition of the 
Catharine Lorillard Wolfe Collection took place in one of the old 
Eastern galleries. Soon after it was found necessary to add two 
wings: the South and the iN'orth. The first was inaugurated 
December 18th, 1888; the second, Noyember 4th, 1894; in both 
cases with appropriate ceremonies. 

Plans were then formed by President Henry G. Marquand, 
General di Cesnola, and the Board of Trustees, and designs made by 
the architect, Eichard M. Hunt, for the creation of a new building 
which would more appropriately house the art treasures confided 
to their care, and the City promptly made the necessary appropria- 
tion of one million two hundred thousand dollars for immediate 
use in the furtherance of the project. On December 22d, 1902, the 
center portion of the east front of this new building was completed 
and formally placed in the hands of the Trustees by the Mayor, the 
Hon. Seth Ix)W, and the doors were then opened to the public. In 
1904 the City made another appropriation of one million two hun- 
dred and fifty thousand dollars for extending the new building down 
Fifth Ayenue about three hundred and fifty feet, the working plane 

yi 



for which are now being perfected by the architects^ McElim^ Mead 
& White> and the construction will be commenced at as early a date 
as is practicable. 

The building is of light gray stone, classical in design, and 
will, when completed, form a hollow square with the old structures 
enclosed in a grand court. The estimate of the total cost is twenty- 
two million dollars. 

The chair of the President, made vacant by the death of Mr. 
Henry Q. Marquand on February 26th, 1902, was filled by Mr. F. 
W. Bhinelander, who died September 24th, 1904. On November 
2lBt, 1904, Mr. J. Pierponfc Morgan was unanimously elected Presi- 
dent, and on January 21st, 1905, Sir Caspar Purdon Clarke was 
elected Director, of the Museum. 

The Board of Trustees have absolute control of all the funds 
donated and bequeathed to the Institution for its enrichment, and 
Buch other funds as are or may be appropriated by the City for its 
maintenance. 

♦ ♦♦♦♦♦ ♦ 

This hand-book embraces all the pictures which are con- 
tained in the galleries, staircases, and the Grand Hall. Of 
the pictures herein catalogued, some are lent, a large num- 
ber have been purchased by the Trustees, and the others have 
been acquired either by gift or bequest. The larger portion of 
them are accompanied by conditions which render impossible a 
proper classification of the pictures in the galleries of the Museum, 
and, while the Trustees fully recognize the logical, historical and 
aesthetic reasons for such a classification of their exhibits, they do 
not think it of greater moment (at least for the present) than their 
acquisition. Miss Catharine Lorillard Wolfe bequeathed in 1887 
her entire collection of oil paintings and water-color drawings to 
the Museum, accompanied by an endowment of $200,000. The 
income of this fund to be used for the preservation and increase 
of the collection, which by the terms of the will must be kept 
together or be forfeited to the legal heirs of the donor. 

Other donations and bequests of great value, both in objects of 
art and money, have from time to time augmented the wealth and 
the treasures of the Museum: the first being the munificent gift 
of Mr. Henry O. Marquand, embracing 53 oil paintings by Old 
Masters, and pictures of the English School; the last, in impor- 
tance, that of Mr. Jacob S. Rogers, who at his death (July, 1901) 
bequeathed to the Institution his whole fortune, amounting to 
several millions of dollars. 

• • 

vu 



The ^* Horse Fair," by Rosa Bonhear, was given by Mr. 
Cornelius VanderbiU; then followed the gifts of Judge Henry 
Hilton, '^Friedland, 1807/' by Meissonier, and the "Defense 
of Champigny," by Detaille. Mr. George I. Seney also gave 
twenty oil paintings, containing yaluable examples of the Mod- 
ern Dutch, French, and other Schools. "A Quartette,'^ by Will- 
iam T. Dannat, was the gift of Mrs. Wm. H. Dannat. 

The Museum contains examples of nearly all the leading and 
world-famed schools of paintings, from Jan Van Eyck (1390-1440) 
to the latest and most interesting of the modern painters. In 
Gallery No. 11 may be seen the first acquisition of the Museum by 
purchase, in 1871, a collection of pictures comprised of works by 
the early Dutch and Flemish painters. 

In the southeast staircase there is a group of eight pictures of 
the Eenaissance period, purchased at Florence, and given to the 
Museum by Mr. Cornelius Vanderbilt in 1880. 

Gallery No. 15 is occupied with pictures from the collection of 
Mr. George A. Hearn, twenty-four of which he has given to the 
the Museum. 

A remarkable work by Eugene Delacroix, " L'Enlfivement de 
E6becca," has been added to the Catharine Lorillard Wolfe Collec- 
tion, also a landscape by Roueseau and " Boats on the Shore,'' by 
Daubigny. And "The Whale Ship," by Joseph Mallord William 
Turner. 

"The Portrait of the Princesse de Conde," by Jean Marc 
Nattier, " Marie Marguerite Lambert de Thorigny," by Nicolas de 
Largillierre, and "The Emperor Joseph II. of Austria," by 
Frangois Hubert Drouais and "VoluptS," by Jean Baptiste 
Greuze, were purchased by the Museum, and have been placed in 
Gallery No. 19. Among the most recent acquisitions by gift and 
bequest are: "Washington Crossing the Delaware," by Emanuel 
Leutze, gift of Mr. John S.Kennedy; "Portrait of George 
Washington," by Charles Wilson Peale, gift of Mr. C. P. 
Huntington; Portrait of President Henry G. Marquand, by John 
^ S. Sargent, given by the Trustees of the Museum; "The Grand 
Canal at Venice," by J. M. W. Turner, the bequest of Mr. Cor- 
nelius Vanderbilt; " Christopher Columbus," by Sebastiano del 
Piombo, gift of Mr. J. Pierpont Morgan; "The JSgean Sea," 
by F. E. Church, gift of Mr. Wm. Church Osborn and Prof. 
Henry F. Osborn; " Cambyses' Punishment of an Unjust Judge," 
by Peter Paul Eubens, gift of Mr. Wm. E. Dodge, and '' The 
Holy Family," also by Peter Paul Eubens, gift of Mr. J. Henry 

• • • 

vm 



Smith in 1902. And '' The Portrait of Baron Arnold De Roy/' 
by Van Dyck, the gift of Mr. George A. Hearn, 1905. 

The most important loan in the year 1902 was that of Mr. George 
W. Vanderbilt, who lent for one year one hundred and thirty-five 
pictures from the collection formed by his father, Mr. William H. 
Vanderbilt. The term of this loan has now been extended in- 
definitely. 

All the paintings in Galleries Ifos. 11, 13, 14, 17, 18, 20 and 21, 
including those in the staircases, are the property of the Museum, 
as well as a large number of those in Galleries Nos. 12, 15, 19 and 25. 

* 4c i|c 4e 3|e 4s 4c 

The biographical matter has been obtained through an extensive 
and exhaustive correspondence with all the living, and with the 
relatives, intimate friends and pupils of the deceased artists, who 
are represented in the Museum; and also from the most recent and 
authoritative encyclopedias, biographies and continental Museums 
Catalogues. 



ix 



ibamed of the Chztidtd 
(oktonoiogicaUy Gbttanged, and in 

^ckooid 



AMERICAN SCHOOL 

PRATT, Matthew llSJk, 1805 

WEST, Benjamin 1738, 1820 

PBALE, Charles Wilson 1741, 1827 

STUART, GUhert 1755, 1828 

TRUMBULL, Colonel John 1756, 1843 

VANDERLYN, John 1776, 1852 

PEALE, Rembrandt 1778, 1860 

ALLSTON. Washington 1779, 1843 

JOUETT, Matthew Harris 1783, 1827 

WALDO, Samuel L 1783, 1861 

SULLY, Thomas 1783, 1872 

DOUGHTY, Thomas 1793, 1856 

JEWETT, William 8 1795, 1873 

INGHAM, Charles Cromwell 1796, 1863 

DURAND, Asher Brown 1796, 1886 

COLE, Thomas 1801, 1848 

INMAN, Henry 1801, 1846 

MOUNT, William 8..* 1806, 1868 

PAGE, William : 1811, 1885 

CASILEAR, John W 1811, 189S 

ELLIOTT, Charles LoHng 1812, 1868 

HEALY, George Peter Alexander 1813, 1894 

BROWN, George LoHng 1814, 1889 

LANG, Louis 1814, 1893 

KYLE, Joseph 1815, 1863 

HUNTINGTON, Daniel : 1816, 190n 

LEUTZE, Emanuel 1816, 1868 

WHITE, Edwin 1817, 1877 

KENSETT, John Frederick 1818, 1872 

FAGNANI, Giusseppe 1819, 1873 

GRAY, Henry Peters 1819, 1877 

BAKER, George A 1821, 1880 

FULLER,Georfire 1822, 1884 

PEELE, John T 1822, 1897 

GIFFORD, 8. R 1823, 1880 

LAZARUS, Jacoh H 1823, 1891 

HART, William 1823, 1894 

CROPSEY, Jasper Francis 1823, 1900 

WOOD, Thomas W , 1828, 1903 

MAY, Edward Harrison 1824, 1887 

JOHNSON, Eastman 1824, 1906 

GUY, Seymour Joseph 1824, 

zi 



INNESS, George 1825, 1894 

CHURCH, Frederic E 1826, 1900 

JOHNSON, David 1827, 

HtA-RT, James MoDougal .1828, 1901 

KRUSEMAN VAN ELTBN, H. D 1829, 1904 

JEFFERSON, Joseph 1829, 1905 

YEWELL, George H 18S0, 

LOOP, Henry A 18S1, 1895 

DANA, William P, W 183S, 

COLMAN, Samuel 18SS, 

RICHARDS, William Trost 18SS, 1905 

STORY, George H 18S5, 

WYANT, Alexander H 18S6, 1892 

MARTIN, Homer D 18S6, 1897 

VEDDER, Elihu 18S6, 

GAY, Edioard 18S7, 

MAGRATH, William 18S8, 

WARD, Edgar M 18S9, 

WYLIE, Robert 18S9, ISTT 

HOVEND'EN, Thomas • 1840, 1895 

THOMPSON, A. Wordsworth 1840, 1896 

IRWIN, Benoni 1840, 1896 

GIFFORD, R, Swain 1840, 1905 

MOSLER, Henry 1841, 

WEIR, John F 1841, 

SHURTLEFF, Roswell Morse 184U 

PARTON, Arthur 1842, 

MAYNARD, George W 184S, 

EAKINS, Thomas 1844, 

MILLET, Francis D 1846, 

BLAKELOCK, Ralph Albert 1847, 

JONES, H. Bolton 1848, 

WIGGINS, Carlton 1848, 

CHASE, William M 1849, 

TRYON. Dwight W 1849, 

PEARCE, Charles Spfague T 1851, 

PICKNELL, WUliam Lamb. 1852, 1897 

WEIR, Julian Alden 1852, 

LOW, Will H 1853, 

ROBINSON, Theodore 1854, 1896 

COFFIN, William Anderson 1855, 

FITZ, Rutherford Benjamin 1855, 1891 

ALEXANDER, John W 1856, 

BLUM, Robert F 1857, 190S 

ULRICH, Charles F i858, 

DAVIS, Charles H i858, 

BUNKER, Dennis Miller 1861, 1890 

BROWN, William L 

RICHARDS, Samuel 

COLLINS, Alfred Quinton 1862, 190S 



BELGIAN SCHOOL 

DBFRANOB, Leonard de 17S5, 1805 

VERBOECKHOVEN, Eugine Joseph 1799, 1881 

HAGUE, Louis 1806, 188li 

GALLAIT, Louis 1810, 1887 

OLAYS, PaulrJean 1819, 1900 

zu 



WINNE3, lAMn de tSBl, 1880 

BOBIE, Jean 1821, 

STEVENS, Edouard Joseph 1822, 1892 

COL, David. 1822, 

COCK, 04sar de 1823, 

WILLEMS, Florent .1828, 1906 

STEVENS, Alfred 1828, 1906 

ROLLER, ChiUlaume 1829, 1885 

HAGELSTEIN, Paul 

GUILLAUME, E 

YRlWSiyT, Julien de 



DUTCH SCHOOL 

MOSTERT, or MOSTAERT, Jan im^ after 1549 

LEYDEN, Lucas van; real name Lucas HUYGENSZ, or Lucas 

JACOBSZ im, 1583 

VEEN, Martin van 1498, 1514 

HALS, Frans 1580 or 1581, 1666 

POELENBURG (POELENBORCH), Cornelius van 1586, 1661 

MYTENS, Daniel 1590, 1656 

JANSEN (JANSSENS), real name CORNELIS-JANSON VAN 

CEULEN 1594, 1664if) 

GOYEN, Jan (Josephsz) van 1596, 1656 

MOLYN, Pieter, fhe EUer 1600, 1661 

RUYSDAEL (RUISDAEL), Salomon van about 1600, 1610 

VRIES, Adrian {Adriaan) de 1601, after 1643 

NEER, Aert van der 1608, 1611 

REMBRANDT VAN RUN (Rembrandt Harmensz van Rijn) . . .1606, 1669 

HEEM, Jan Davidsz de 1606, 1688-4 

BOTH, Jan, called the Italian 1610, 1652 

OSTADE, Adriaen van 1610, 1685 

80RG (SORGH), Hendrick Maertensz 1611, 1669 or 1610 

HELST, Bartholomeus van der 1613, 1610 

BORCH, Gerard ter (TERBURG) 1618-1611, 1681 

LELY, Sir Peter; real name Peter van der FAES 1618, 1680 

BERCHEM (BERGHEM) Glaes NicoJaes 1620, 1683 

CUYP, Aelhert 1620, 1691 

BEYEREN, Abraham Hendricksz van 1620 or 1621, after 1614 

OSTADE, Isack van 1621, 1649 

WEENIX, Jan Baptista 162t, 1660 

EECKHOUT, Gerhrand van den 1621, 1674 

KALF (KALFF), Willem 1621 or 1622, 1693 

MURANT, Emanuel 1622, 1100 

LINGELBACH, Johannes 1628, 1614 

ROMEYN, Willem about 1624, after 1698 

STEEN, Jan Havicksz 1626, 1679 

HOOGSTRATEN Samuel van 1627, 1618 

RUISDAEL (RUYSDAEL), Jacob Isaacksz van 1628 or 1629, 1682 

METSU, GahHel 1680, 1661 

HOOCH (HOOGH), Pieter de 1680, after 1611 

STORK (STORCK), Abraham the Elder 1680, about 1110 

VBRMEER (VAN DER MEER VAN DELFT), Johannes 1682, 1615 

MAES, Nicolaes 1632, 1693 

HONDIUS, Abraham boforo 16S8, 1695 

NETSCHER, Caspar 1639, 1684 

LORME, Ati^on de flourished 1640, was living in t666 

SLINGBLAND, Pieter van ..^. 1640, 1691 

• • • '' 



KESSEL Jan (Johan) Van Wil or 16Ji2, 1680 

(iELDER, Arent (Aert) de 1645, 1727 

KNELLER, 8ir Godfrey, Bart 1646, 172S 

HUGHTENBURGH (UUGTENBURCH), Jan van 1646, 17SS 

MOOR, Karel van 1656, 17S8 

RUYSCH, Rachel 1664. 1750 

JONGKIND, Johan Barthold 18Z2, 1891 

ISRAELS, Jozef 1824, 

BAKKER-KORFF, Alexander Hugo 1824, 1882 

BISSCHOP, Christoffel 1828, 1904 

MESDAG, Hendrik Willem 18S1, 

MARIS, Matthys 18S5, 

MAUVE, Anton 18S8, 1888 

MARIS, Jacob 1838, 1899 

NEUHUYS, Albert 1844f 

ENGLISH SCHOOL 

WALKER, Robert , 1658 

THORNHILL, Sir James 1676, 17S4 

HOGARTH, William 1697, 1764 

WILSON, Richard, R.A 171S, 1782 

REYNOLDS, Sir Joshua, P.R.A 172S, 1792 

GAINSBOROUGH, Thomas, R.A 1727, 1788 

ZOFFANY, Johann, R.A 173S, 1810 

PINE, Robert Edge 1742, 1790 

RUSSELL, John, R.A 1745, 1806 

WHEATLEY, Francis 1747, 1801 

BEECHEY, Sir William, R.A 1758, 1839 

RAEBURN, Sir Henry 1756, 1823 

HOPPNBR, John, R.A 1758, 1810 

MORLAND, George 1763, 1804 

CROME, John, called Old Crome 1769, 1821 

LAWRENCE. Sir Thomas, P.R.A 1769, 1830 

SHEE, Sir Martin Archer 1769, 1850 

TURNER, Joseph Mallord William 1775, 1851 

CONSTABLE, John, R.A 1776, 1837 

CALLCOTT, Sir August Wall, R.A 1779, 1844 

COTMAN, John Sell 1782, 1842 

HAYDON, Benjamin Robert 1786, 1846 

HARLOW, George Henry 1787, 1819 

NASMYTH, Peter, called Patrick 1787, 1831 

LESLIE, Charles Robert 1794, 1859 

STARK, James 1794, 1859 

NEWTON, Gilbert Stuart 1795, 1835 

VINCENT, George (1)1796, 1832 

BONINGTON, Richard Parkes 1801, 1828 

LINEN, George 1802, 1888 

LUCY, Charles 1814, 1873 

PHILLIP, John, R.A 1817, 1867 

LEIGHTON, Frederick Lord 1830, 1896 

BOUGHTON, George H., R.A 1834, 1905 

BROWNING, Robert Barrett about 1848, 

MACLAREN, Walter 1848, 

FLEMISH SCHOOL 

EYCK, Jan van 1380 to 1390, 1440 

CRISTUS, Petrus (Pieter CHRISTOPHESEN) about 1400, W3 

xiv 



METSYS (op MASSYS or MATSYS) , Quentin I466, 1530 

BREUGHEL (BRUEGHEL), Jan, the Elder, called Fluweelen 

(Velvet) Breughel 1568, 1625 

WILLAERTS, Adam i577, 1664 

RUBENS, Peter Paul 1577, 1640 

SNIJDERS, Frans 1579, 1657 

TENIERS, David, the Elder 1582, 1649 

GRAYER (ORAEYER), Gaspard de 1584, 1669 

VOS, Cornells de, the Elder 1585, 1651 

JORDAENS, Jacoh 159S, 1678 

DUCK, Sir Anthony (Antoon) van 1599, I64I 

OOST, Jakoh van, the Elder 1600, 1671 

TENIERS, David, the Younger 1610, 1690 

FYT, Jan 1611, 1661 

RYCKART (R^KART), David 1612, 1661 

TILBORGH, Qillis (Aegidius) van 1625, about 1678 

MEULEN, Adam Frans van der 16S2, 1690 

VERENDAEL ( VEERENDAEL) , Nicolas van. 1640, 1691 

HUYSMANS, Cornelis, called Huysmans of Mechlin 1648, 1727 

HOREMANS, Jan Jozef, the Younger 1714, after 1790 

OMMEGANCK, Balthazar Paulwel ,1755, 1826 

ASSOHE, Henri van. ..: 1774, 184t 

WAPPERS, Gustaaf, Baron 1803, 1874 

SCHAEFELS, HendHk F 

FRENCH SCHOOL 

LB NAIN, Antoine 1588, 1648 

LB NAIN, Louis .1593, 1648 

POUSSIN, Nicolas 1594, 1665 

LB NAIN, Mathieu 1600, 1677 

LiORRAlN^^ Claude (Lorraine) (Le Lorrain) ; real name Claude 

GELLEB 1600, 168M 

BLANCHARD, Jacques 1600, 1638 

POUSSIN, Gaspard; real name, Gaspard DUGHET 1613, 1675 

LARGILLIBRRE, Nicolas de 1656, 1746 

NATTIER, Jean Marc 1685, 1766 

OUDRY, Jean Baptiste 1686, 1755 

COYPEL, Noel Nicolas 1692, 1734 

PATER, Jean Baptiste Joseph 1696, 1736 

BOUCHER, Francois 1704, 1770 

DUPLESSIS, Joseph Silfr^de 1725, 1802 

GREUZE, JeanrBaptiste 1725, 1805 

DROUAIS, Francois Hubert 1727, 1775 

BLARENBERGHE, Henri Joseph van I74I, 1826 

MARNE, Jean Louis de; called de Marnette 1744, 1829 

PRUD'HON, Pierre 1758, 1823 

MICHEL, Georges about 1763, 1843 

GRANET, Francois Marius 1775, 1849 

VERNET, Emile Jean Horace 1789, 1863 

SCHEFFER, Ary 1795, 1858 

DELACROIX, Ferdinand Victor Eugene 1798, 1863 

BARGUE, Charles 18—-, 1883 

LAML Louis Eugene 1800, 1890 

MARBCHAL, Charles Laurent .1801, 1887 

DECAMPS, Aleitandre GahHel 1803, 1860 

ISABEY, Eugene Louis Gabriel I8O4, 1886 

WINTERHALTER. Franz Xavier. 1806, 1873 

JACQUE, Charles EmUe 1813, 1894 

BIDA, Alexandre 1813, 1895 

DELORT, Charles 6douard I8I4, 1894 

XV 



FRANCAIS, Frangoi8 Louis 18H, 1897 

COUTURE, Thomas 1815i 1879 

FRERE, Charles Theodore 1815, 1888 

MEISSONIER, Jean Louis Ernest 1815, 1891 

MtJLLER, Charles Louis ^ 1815, 1892 

HEBERT, Antoine Auguste Ernest 1817, 

PLASSAN, Antoine Emile 1817, 

COURBET, Oustave 1819, 1877 

FRERE, Pierre Edouard. 1819, 1886 

HARPIGNIES, HenH 1819, 

DEVEDEUX, Louis 1820, 1875 

FROMENTIN, Eugene 1820, 1876 

HAMON, Jean Louis 1821, 187% 

LUMINAIS, Evariste Vital 1821, 1896 

DUVERGER, Th^ophile Emmanuel 1821, 

ZIEM, F^lix 1821, 

BONHEUR, Marie Rosa 1822, 1899 

CHAVET, Victor 1822, 

MERLE, Hugues 1823, 1881 

CABANEL, Alexandre 1823, 1889 

COMTE, Pierre Charles 1823, 1895 

BRION, Qustave 1824, 1877 

BONHEUR, Franqois Auguste 1824, 1884 

GER6mE, Jean Lion 1824, 1904 

TRAYER, Jean Baptiste Jules 1824, 

MARCHAL, Charles Frangois 1825, 1877 

CHAPLIN, Charles Joshua 1825, 1891 

LAMBERT, Louis Eugene 1825, 

BOUGUEREAU, William Adolphe .1825, 1905 

FIOHEL, Benjamin Eugine 1826, 1895 

MARCKE, Emile van 1827, 1890 

BRETON, Jules Adolphe 1827, 1906 

SOHENCB:, Auguste Fr4d6rio Alhrecht 1828, 

CONINCK, Pierre Louis Joseph de 1828, 

TOULMOUOHE, Auguste 1829, 1890 

BROWN, John Lewis 1829, 1890 

HENNER, Jean Jacques 1829, 1905 

LE ROUX, Hector 1829, 

LEOLAIRE, Victor 1830, 1885 

KAEMMERER, FredeHk HendHk 1830, 1892 

DESGOFFE, Blaise Alexandre 1830, 

MANET, Edouard 1832, 1883 

WORMS, Jules 1832, 

DORE, Gustave Paul 1833, 1883 

VOLLON, Antoine 1833, 1900 

BONNAT, L4on Joseph Florentin 1833, 

LE FEBVRE, Jules 1834, 

MESGRINY, Frank de 1836, 1884 

COT, Pierre Auguste 1837, 1883 

GIRARD, Firmin 1838, 

ROBERT-FLEURY, Tonu 1838, 

BERNE-BELLECOUR, Etienne Prosper 1838, 

GOUPIL, Jules 1839, 1873 

CAZIN, Jean Charles » 1840, 1900 

VIBERT, Jehan Georges 1840, 1902 

ROYBET, Ferdinand L6on Victor 1840, 

MADRAZO, Raymundo de 1841, 

GLAIZE, Pierre Paul Lion 1842, 

LELOIR, Alexandre Louis 1843, 1884 

CLAIRIN, Georges Jules Victor 18^4 

xvi 



DUEZ, Ernest Ange l^^S, 

HERJIMANN-LBON, Charles IBU. 

LHBRMITTD, lAon Augustin ..ISH 

MAIGNAN, Albert I&45. 

BENJAMIN-OONSTANT, Jean Joseph 1845, 1902 

JAOQUBT, (Jean) Gustave 1846, 

BASTIEN-LEPAGE, Jules 1848, 1885 

GROLLERON, Paul Louis Narcisse 1848, 1901 

DBTAILLE, Jean Baptiste Edouard 1848, 

WEEKS, Edwin Lord 1849, 1903 

FALERO, Luis 1851, 1901 

DEMONT, Adrien Louis 1851, 

DUPRfi, JuUen 1851, 

L.ELOIR, Maurice 1855, 

DANNAT, WUliam T 1858, 

JAN-MONCHABLON, Ferdinand 1855, 

SARGENT, John Singer 1856, 

GAY, Walter 1856^ 

PBLOUSB, L4on Germain , 1890 

RBNOUF, 6mile , 1894 

BOILVIN, 6mil€ , 1899 

HOFFER, F 

LiBROLLE, Henri 

WBNTWORTH, CecUia E 

BSCALLIER, EUonore 

DEFAUX, Alexandre 

NOTER, David de 

POKITONOW, J. 

BOUTIGNY, Paul Smile 

DAWANT, Albert Pierre 

BARBIZON SCHOOL 

COROT, Jean Baptiste CamUle. 1796, 1875 

DIAZ DE LA PENA, Narciso Virgilio 1809, 1860 

TROYON, Constant 1810, 1865 

DUPRE, Jules 1811, 1889 

ROUSSEAU, Pierre Etienne Thdodore 1812, 1867 

DAUBIGNY, Charles Frangois 1817, 1878 



GERMAN SCHOOL , 

STRIGBL^ Bemhard 1460, before 1528 

DttRER, Alhrecht 1471, 1523 

HOLBEIN, Hans the Younger Probably 1497, 154S 

ORANAOH, Lucas, the Younger. Family name SUNDER 1515, 1586 

OUENS, Jurian 1623, 1678 

DIETRICH, Christian Wilhelm Ernst 1712, 1774 

KOEK-KOEK, Barend Cornells, 1803, 1862 

MEYER, Johann Qeorg, called Meyer von Bremen 1815, 1886 

PECHT, August Friedrich I8I4, 

SOHRADER, Julius 1815, 

GRABB, Karl Georg Anton 1816, 1884 

HILDBBBANDT, Eduard 1818, 1898 

BECKER, Carl 1820, 

RICHTER, Gustav Karl Ludwig 182S, J8B4 

KRAUS, Friedrich 1826, 

RIEFSTAHL, Wilhelm Ludwig Friedrich :i827, 1888 

SGHRBYBR, Adolphe 1828, 1899 

xvii 



KXAUS, Ludwig 1829, 

SEITZ, Anton 1829, 

SCHAUSa, Ferdinand 1832, 

KAULBACH, Friedrich August von 1850, 

GLISENTI, A 

VELTBN, W 

AUSTRIAN SCHOOL 

RAMBERG, Arthur Georg von, Baron 1819, 1875 

DEFREGGER, Franz von 1835, 

MAX, Gabriel 1840, 

MAKART, Han8 1840, 1884 

JETTEL, Eugene 1845, 1901 

BROZIK, Vacalav von 1852, 1901 

D^SSELDORF SCHOOL 

PREYBR, Johann WUhelm 1803, 1889 

HUBNER, Karl Wilhelm 1814, 1879 

ACHENBAOH, Andreas - 1815, 

MULLER, Karl 1818, (?) 

ACHENBACH, Oswald 1827, 1905 

PREYER, Emilie 1849, 

WEBB, C, M 

JANSEN, Joseph 

MUNICH SCHOOL 

KAULBACH, Wilhelm von 1805, 1874 

VOLTZ, Friedrich 1817, 1886 

PILOTY, Carl Theodor von 1826, 1886 

LINDENSCHMIT, Wilhelm, the Younger 1829, 

HBNNINGS, J,F ' 1839, 

GYSIS. Jl7»coZa« 1842, 1901 

MUNKACSY, Mihdly de; real name Michael LIEB 1844, 1900 

GABL, Alois 1845, 

MARR, Carl 1858, 

SPRING 

ITALIAN SCHOOL 

PASINI, Alberto 1826, 1899 

BOLDINI, Giovanni 1844^ 

SIMONBTTI, Cavaliere Attilio 



BOLOGNESE SCHOOL 

ALBANI, Francesco 15K8, 1660 

SASSOFERRATO, II 1605, 1685 

FLORENTINE SCHOOL 

MASACCIO, Tommaso Guidi 1401, 1428 or 1429 

POLLAJUOLO, Antonio del 1429, 1498 

GHIRLANDAJO ; real name Domenico di Tommaso Curradi di 

Doffo Bigordi 1449, 1494 

VINCI, Leonardo da 1452, 1519 

COSIMO, Piero di 1462, 1521 

xyiii 



BARTOLOMMEO, Fra, Baccio delta Porta lJf75, 1511 

ALLORI, Cristoforo; called II Bronzino ..1577, 1621 

MANNOZZI, Giovanni 1590, 1636 

FRANOESOHINI, Baldassare; called II Volterrano 1611, 1689 

MILANESE SCHOOL 
BISI, Cavaliere Luigi 18U, 1886 

PARMESAN SCHOOL 
ALLEGRI, Antonio; called IL CORREGGIO 1494, 1534 

ROMAN SCHOOL 

CERQUOZZI, Michelangelo 1602, 1660 

MARATTA, Carlo 1625, 1713 

PANINI, Giovanni Paolo 1695, 1768 

JORIS, Cavaliere Pio 1843, 

RINALf)I, of Rome (Mosaic). 

VENETIAN SCHOOL 

PIOMBO, Fra Sehastiano del; real name Sebastiano LUCIANI. ,1485, 1547 

MORONI, CHovanni Battista about 1520, 1578 

RICCI (or RIZZI) Sehastiano 1662, 1734 

TIEPOLO, Giovanni Battista 1696, 1770 

GUARDI, Francesco ....*. 1712, 1793 

NORWEGIAN SCHOOL 
WUST, Alexander .1837, 1876 

SPANISH SCHOOL 

GRECO, m 1548, 1625 

ZURBARAN, Francisco de 1598, 1662 

VELAZQUEZ, Diego Rodriguez de Silva y 1599, 1660 

LUCIENTES, Goya y; Francisco Jos§ 1746, 1828 

ESCOSURA, Ldon y 1834, 1901 

FORTUNY Y CARBO, Mariano-Jos^-Maria-Bernado I84I, 1874 

ZAMACOIS, Eduardo 1842, 1871 

DOMINGO, Franqois (Don Francisco Domingo y Marqu6s) . . . .i845, 

VILLEGAS, Jos4 184S, 

RICO, Martin 1850^ 

BAIXERAS, Verdaguer Dionisio 1862, 

SANCHEZ-PERRIER, Emilio 

SWEDISH SCHOOL 

WAHLBERG, Alfred 1834, 

HELLQUIST, C, G 1851, 1890 



XIX 



\ 



% 



umeztca 



I QJndi 



ex 



^o the Ibamed of the (jhztidtd and to 

ohe ^uh/ectd. 



Note: 

Nos. 187, 188, 147, 180, 695, 889, 667, «68 Withdrawn. 

No. 146 Transferred from Gallery 18 to Gallery 20. 

No. 166 ... ^ ... . *• " " 12 ♦* " 21. 

No. 197 " ** "18 »* '* 12. 

No. 209 •' •' '* 18«* " 24. 

Nob. 641, 649, 661, 674, 677, 684, 686 . . " " " 20 " " 12. 

Noe. 586, 687, 640. 678 •* •• •* 20 »• *• 18. 

Nob. 626, 628 *• " " 21 •* •* 12. 

Nob. 601, 608 •* " •♦ 21 " ♦' la 

No. 648 •••••• Transferred from Northwest Staircase to Gallery 24. 



GALLERY 11 



NO. NAME OP ARTIST. 

1 Vries, Adrian (Adriaan) de . . . . 

2 Goyen, Jan Van 

3 Meulen, Adam Frans van der . . 

4 Hughtaiburgh (Hugtenburch) 
5^ Kafi (Kalfif), WUlem 

6 Teniers, David (the Younger). . 

7 Teniers, David (the Elder) 

8 Neer, Aert Vander 

9 Maes, Nicolaes 

10 Stork (Storck), Abraham (the 

Elder) 

11 Steen, Jan Havicksz 

12 Ruysdael (Rulsdael), Salomon 

van 



SUBJECT. PAGE. 

Portrait of a Dutch Gentleman 182 

The Moerdyck 61 

A Combat of Cavaby 121 

Repose after the Hunt 80 

Interior of a Dutch Cottage. ... 90 
Judith with the Head of Holo- 

femes 168 

A Dutch Kitchen 166 

Sunset 128 

Portrait of the Duchesse de 

Mazarin 110 

ASeaport 163 

The Old Rat Comes to the Trap 

at Last 162 

A Dutch Kermess 154 



SOUTHEAST STAIRCASfi 

13 Romeyn, Willem Cattle in Repose 149 

14 Horemana, Jan Jozef (the 

Younger) TLo Fish Market 78 

15 Rinaldi, of Rome 'me Ruins of Paestum (Mo- 

saic) 148 

16 Defrance, Leonard The Forge 36 



NO. 

17 



NAME OP ARTIST. 



SUBJECT. 



PAGE. 



Horemans, Jan Jozef (the 
Younger) 

18 Horemans, Jan Jozef (the 

Younger) 

19 Mannozzi (?), Giovanni 

20 Bartolommeo, Fra (or II Frate) 

Baccio della Porta (?) 

21 Allegri, Antonio, called II CJor- 

reggio(?) 

22 PoUajuolo, Antonio del 

23 Mannozzi (?), Giovanni 

24 Allori, Christoforo 

25 Franceschini, Baldassare (called 

II Volterrano) 

26 Dilrer, Albrecht (?) 

27 Ghirlaiidajo (in Florentine dia- 

lect Grillandajo), real name 
Domenico di Tommaso Cur- 
radi di Doffo Bigordi 

28 Horemans, Jan Jozef (the 

Younger) 

29 Horemans, Jan Jozef (the 

Younger) 



Spring. 



77 



Summer 78 

Venus and Cupid 112 



The Virgin and Child. 



5 

Head of a Cherub and Angel. . . 3 
St. Christopher and the liifant 

Christ 139 

Manr Magdalen 112 

St. Agatha 3 

Head of an Angel 53 

Head of an Apostle 46 



St. Anthony 59 

Autumn 78 

Winter 78 



GALLERY 11 



30 Heist, Bartholomeus van der. . 

31 Ommeganck, Balthazao Paul- 

wel 

32 Verendael ( Veerendael) , Nicolas 

van 

33 Rubens, Peter Paul 

34 Fyt, Jan 

35 Both, Jan (called the Italian) 

36 Vos, Cornells de (the Elder) . . 

37 Huysmans, Comelis (called 

Huysmans of Mechlin) .... 

38 Breughel (Brueghel), Jan (the 

Elder). Called Fluweelen 
(Velvet) Breughel 

39 Breughel (Brueghel) Jan (the 

Elder). Called Fluweelen 
(Velvet) BreugheL 

40 Ruysdael (Ruisdael), Salomon 

van 

41 Berchem (Berghem), Claes 

Nicholas (Nicolaes) 

42 Mame, Jean Louis de (called 

De Mamette) 

43 Jordaens, Jacob 

44 Poelenburg (Poelenborch), Cor- 

nelis van 

45 Heem, Jan Davidsz de 

46 Dijck, Sir Anthony (Antoon) 



The Guitarist. 



Flemish Pasture. 



A Bouquet of Flowers 

Cambyses' Punishment of an 

Unjust Judge 

Dead Game 

Italian Landscape 

Portrait of a Young Lady 



72 
130 
178 

153 
55 
15 

182 



Italian Landscape 82 



TheHiU 18 



The Windmill 



Marine. 
Rest. . . 



A Gust of Wind., 
The Philosophers. 



van 



Fauns and Nymphs Bathing. . 

Still-Life 

St. Martha Interceding with 
God for a Cessation of the 
Plague of Tarascon 



18 

155 

8 

114 
89 

139 
70 

. 47 



XXVI 



NO. NAME OP ARTIST. 

47 Jordaens, Jacob 

48 Rubens, Peter Paul 

49 Rubens, Peter Paul. , 

50 Fyt, Jan 

51 lyt, Jan 

52 Lingelbach, Johannes 

53 Hughtenburgh (Hugtenburch) 

Jan van 

54 Heist, Bartholomeus van der 

55 Ryckart (Rykart), David 

56 Moor, Karel van 

57 Gelder, Arent (Aert) de 

58 Hals, Frans 

59 Ostade, Adriaen van 

60 Ryckart (Rykart), David 



SUBJBCTT. PAGE* 

The Visit of St. John to the In- 
fant Jesus 89 

Return of the Holy Family 

from Egypt 151 

The Holy FamUy 152 

Dead Game 55 

Dead Grame 55 

Sobieski Defeating the Turks 

before Vienna 107 

ASiege 80 

Portrait of a Dutch Buigo- 

master 71 

TheStowage 155 

A Burgomaster of Leyden and 

his Wife A23 

Portrait of a Dutch Admiral ... 68 

Hille Bobbe von Haarlem 66 

The Old Fiddler 131 

The Farm House 155 



NORTHEAST STAIRCASE 



61 Horemans, Jan Jozef (the 

Younger) 

62 Horemans, Jan Jozef (the 

Younger) 

63 Albani, Francesco 

64 Snijders, Frans 

65 Kessel, Jan (Johan) van 

66 Grayer (Craeyer) , Gaspard de . . 

67 Cranach, Lucas (the Younger) 

(Family name Sunder), at- 
tributed to. 

68 Veen, Martin van 



69 



Strigel, Bemhard, 



Returning from the Hunt 77 

The Horse Pond 78 

Children's Games, The Maze, 

Kate, etc 51 

Lions Chasing Deer >. . 161 

Canal at Haarlem 93 

Alexander and Diogenes SiA 



Madonna and Child Ql 

Portrait of His Father, Jacob 

Willems van Veen 175 

Portrait of a German Lady .... 164 



GALLERY U 



70 Metsys (or Massys, or Matsys), 

Quentin(Quinten). School of 

71 Ruysch, Rachel 

72 Assche, Henri van 

73 Weenix, Jan Baptista 

74 Lin^elbach^ Johannes 

75 Temers, David (the Younger) 

76 Steen, Jan Havicksz 

77 Teniers. David (the Younger) . 

78 Tilborgn, Gillis (Aegidius) van. 

79 Beyeren, Abraham Hendricksz 

van 

80 Lorme, Anton de; and ter 

Borch, Gerard- 

81 Netscher, Caspar 

82 Slingeland, Pieter van 



The Crown of Thorns 121 

Plants, Flowers and Fruit 154 

Landscape with Waterfall. ... 3 

An Italiah Seaport 186 

Dance of Peasants 108 

The Temptation of St. Anthony 167 

A Dutch Kermess 162 

A Marriage Festival 167 

Visit of a Landlord to a Tenant 170 



A Study of Fish. 



Interior of a Protestant Church 

Portrait of a Dutch Lady 

Portrait of a Dutch Burgo- 
master 



8 

108 
129 

161 



xxvu 



NO. NAMB OF ABTIST. SUBJECT. PAGK. 

83 Oo6t, Jakob van (The Elder).. Portrait of a Man 131 

84 Goyen, Jan Joe^hsz van Panoramic View of the £n- 

vircMisofHaariem. 61 

85 H<Hidiu0, Abraham Wild Boar Hunting 76 

8&A. Mostert (or Mostaert), Jan. .. Ecce Homo — ^Mater Doloroea. 125 

GALLERY 12 

86 Piombo, Fra Sebastiano del. . . Christopher Gohunbus 138 

87 Unknown Spanish Fruits. 174 

88 Tiepolo, Giovanni Battista. . . . Tne Crowning withThomq. . . . 169 

89 Guardi, Francesco TheRialto 64 

90 Maratta, Carlo Portrait of Qement DC 112 

91 Panini, Giovanni Paolo Cardinal Polignac Visiting the 

Interior of St. Peter's 133 

92 Codmo, Piero di Hunting Scene 29 

93 Cosimo, Piero di Retummg from the Chase.. . . 29 

94 Unknown Virgin and Child 174 

95 Guardi, Francesco Santa Maria della Salute (Ven- 

ice) 64 

96 Tiepolo, Giovanni Battista Triumph of Ferdinand IIL .... 170 

97 Jolmson, Eastman Sanford R. Giifford 88 

98 FuUer, George "Nydia" 54 

99 Story, George H The Young Mother. 164 

100 Linen, Geoige Portrait of Colonel Popluun. . . 107 

101 Kyle, Joseph Portrait of a Lady 97 

102 Leslie, Charles Robert Portrait of Dr. John Wakefield 

Francb 104 

103 Lazarus, Jacob H Portrait of Henry Inman 99 

104 Guy, Seymour Joseph Portrait of Charles Loring 

Elliott 65 

105 Tiepolo, Giovanni Battista. . . . The Sacrifice of Abraham 170 

106 Sassoferato, IL TheMadonna. 156 

107 Greco, El The Nativity 63 

108 Goya y Lucientes, Francisco 

Jos6 Jewess of Tangier 60 

109 Goya y Lucientes. Caprichoe, 1799: Study 60 

110 Vedder, Elihu. ... The African Sentinel 175 

111 Plassan. Antoine Emile Landscape 138 

112 Du verger, Theophile Emanuel Threading Grandmother's 

Needle 46 

113 Cole, Thomas Titan's Goblet, 1833 26 

114 Mount, William S Rafllingfor the Goose 125 

115 Wiggins, Carleton Young Holstein Bull 188 

116 Wood. Thomas W War Episodes: The Contra- 

band; The Volunteer; The 

Veteran 191 

117 Brown, George Loring View at Amalfi Bay of Salerno 19 

118 Yewell, George H Interior of St. Mark's, Venice . . 193 

119 Millet, Francis D A Cosy Comer 122 

120 Inness, Geoige Pine Grove of the Barberini 

Villa, Albano. Italy 84 

121 Jones, H. Bolton 9P™? • 88 

122 Ward, Edgar M Tne Coppersmith 185 

123 Pearce. Charles Sprague Meditation 135 

124 ^ Weir. John F Forging the Shaft 186 

125 Cole Thomas Valley of the Vaucluse 26 

126 Dannat, William T Portrait of Theodore Child. .. . 34 

xxviii 



NO. NAME OF ARTIST. 

127 Coffin, William Anderson 

128 Hart, William 

129 Church, Frederic E. 

130 Picknell, William Lamb 

131 Chase, William M 

132 Inness, George 

133 Hosier, Henry 

134 Gay, Edward 

135 Marr, Carl 

136 Blum, Robert. 

137 Inness, George 

138 Tnron, Dwight W 

139 Johnson, David 

140 Low,WiUH 

141 Colman, Samuel 

142 Shurtleff, Roswell Morse . . . . 

143 Martin, Homer D 

144 Gifford.S.R 

145 Gifford,S.R 

146 Scheffer, Ary 

147 Hart, James McDougal 

148 Johnson, Eastman 

149 Wentworth, Mrs. C. E 

150 Inness, Greorge 

151 Walker, Robert ,. . . 

152 Jefferson, Joseph 

153 Wheatley, Francis 

154 Wheatley, Francis 

155 Jones, H. Bolton 

156 G^r6me, Jean L6on 

157 Haydon, Benjamin Robert 

158 Hart, James McDougal 

159 Weir, Julian Alden ; 

160 Beechey, Sir William, R.A 

161 Maynard, George W 

162 Lely, Sir Peter (Real name, 

Peter van der Faes) 

163 Reynolds, Sir Joshua, P.R.A. 

164 Stuart, Gilbert 

165 Turner, Joseph Mallord Wil- 

liam 

166 Reynolds, Sir Joshua, P.R.A. 

167 Lucy, Charles 

168 Shee, Sir Martin Archer 

169 Revnolds, Sir Joshua, P.R.A. 

(copy) 

169a Kruaeman van Elten, H. D. . . 



SUBJECT. PAGX. 

TheRain 25 

Scene at Napanoch 68 

The iEgean Sea 23 

"Bleak December" 136 

Portrait of a Ladv in Black. . . 23 

The Delaware Valley 83 

A Wedding Feast in Brittany . . 124 

Broadacres 57 

The Mystery of Life 114 

The Ameya, or Candy Vender. . 10 

A Passing Storm 83 

Evening, Early Spring 172 

Monarch of the Meadow 88 

Aurora 109 

Spanish Peaks, Southern Colo- 
rado 27 

A Mountain Stream 160 

View on the Seine 115 

Near Palermo 59 

Lake George 59 

Christ on the Mount 157 

Landscape with Cattle 68 

Two Men 88 

Portrait of Maior-General 

George B. McClellan 187 

Autumn Oaks 83 

Portrait of General Ireton 184 

Ideal Landscape 87 

View in Wales 187 

Viewin Wales .\ 187 

Autumn. 88 

Prayer in Desert 58 

Napoleon at St. Helena 69 

The Adirondacks 68 

Idle Hours. ., 186 

H. R. H., Duke of York 6 

In Strange Seas 117 

Portrait of a Lady 102 

Portrait of Sir Edward Hughes 146 

Portrait of John Jay 165 

The Grand Canal, Venice 173 

Portraits of the Hon. Henry 

Fane and his Guardians, 

Inigo Jones and Charles Blair 145 
Lord Nelson in the Cabin of the 

"Victory" 109 

Portrait of Daniel O'Connell. . 160 
Portrait of Mr. John Hawk»- 

worth 146 

Autumn 96 



GALLERY 18 



170 Durand, Asher Brown Ariadne (after Vand«rihni) .... 45 

171 Trumbull, Colonel John Portrait of Alexander Hamilton 172 

172 Gray, Henry Peters (Heopatra Dissolving the Pearl 62 

xxix 



NO. NAME OF ABTI8T. 

173 Waldo, Samuel LJ 
Jewett, William S.) 

174 Stuart, GUbert 

175 AUston, Washington 

176 Peale, Charles Wilson 

177 Sully, Thomas 

178 Stuart, Gilbert 

179 Bunker, Dennis Miller. 

180 Waldo, Samuel L . ) 
Jewett, WiUiam S. f * ' 

181 Jouett, Matthew Harris 

182 Doughty, Thomas 

183 Peele, JohnT 

184 Waldo, Samuel L. ) 

Jewett, WiUiam S. ) 

185 Durand, Asher Brown 

186 Leutze, Emanuel 

187 Vanderlyn, John 

188 Elliott, Charles Loring 

190 Leutze, Emanuel 

191 Waldo, Samuel L 

192 May, Edward Harrison 

193 Hovenden, Thomas 

194 Elliott, Charies Loring 

195 Fitz, Rutherford Benjamin 

196 Gray, Henry Peters 

197 Cole, Thomas 

198 Inman, Henry 

199 Stuart, Gilbert 

200 Healy, Georjare Peter Alexander 

201 Elliot. Charles Loring 

202 Huntington, Daniel 

203 Gray, Henry Peters 

204 West, Benjamm 

205 Ingham, Charles Cromwell .... 

206 Pratt, Matthew 

207 Page, WiUiam 

208 Loop, Henry A 

209 Brozik, Vacslav von 

210 Cole, Thomas 

211 White, Edwin 

212 Huntington, Daniel 

213 Fuller, George 

214 CasUear, John W 

215 Doughty, Thomas *. . . . 

216 Peale, Rembrandt 

217 Healy, George Peter Alexander 

218 Inman, Henry 

219 Durand, Asher Brown 

220 West, Benjamin 

221 Irwin, Benoni 

222 SuUy, Thomas 

223 Vanderlyn, John 



BUBJSCr. PAGE. 

Portrait of Mr. Edward KeUogg 183 

Portrait of Captain Heniy Rice 165 

A Spanish Girl 3 

George Washington 134 

Portrait of Mr. William Gynn . • 166 

Portrait of Mr David Sears. . . . 165 

Portrait of the Artist's Wife ... 20 
Portrait of Rev'd Gardiner 

Spring, D.D 184 

Portrait of John Grimes 90 

On the Hudson 42 

Spring Flowers 135 

Portrait of Mrs. Edwud Kel- 
logg 184 

Judgment of Gog 45 

Washington Crossing the Dela- 
ware 104 

Portrait of the Artist 175 

Portrait of M. B. Brady 19 

Portrait of Wortlungton Whit- 

tredge 105 

"Old Pat the Independent 

Beggar " 184 

Mary Magdalen 116 

I^ast Moments of John Brown . 79 

Portrait of a Gentleman 49 

Marie 52 

Greek Lovers 62 

In theCatskUls 26 

Portrait of Martin van Buren . . 83 

Portrait of George Washington 165 

Count of Paris 69 

Portrait of a Lady 49 

" Mercy's Dream" 81 

Wagesof War 62 

Triumph of Love 187 

The Flower Giri 82 

The American School 141 

Ideal Head of Shakespeare. . . . 133 

Love's Crown 108 

Christopher Columbus at the 
Court of Ferdinand The Cath- 
olic and IsabeUa of CastUe. . 20 

Roman Aqueduct 26 

The Antiquary 188 

Portrait of Cyrus W. Field 82 

Ideal Head of a Boy 54 

In the Pasture 22 

A River Glimpse » 42 

Portrait of Mr. John Finley. . . 134 

Portrait of the Artist 69 

Young Fisherman 83 

In the Woods 45 

Hagar and Ishmael 187 

Portrait of Mr. Charles H. Fam- 

ham 84 

Portrait of the Artist 166 

Portrait of Mr. John A. SideU . . 175 

XXX 



NO. NAME OF AKTIST. 

224 Newton, Gilbert Stuart. . 

225 CasUear, John W 

225a Collins, Alfred Quinton. . 
225b Saigent, John Singer. . . . 

225c Stuart, Gilbert 

225d Stuart, Gilbert 

225b Weeks, Edwin Lord . . . . 



SUBJECT. PAGE* 

TheDeserted 130 

Distant View of the Catskills . . 22 

Portrait of the Artist's Wife . . 26 

Portrait of W. M. Chase 156 

Portrait of Judge Anthony . . . 165 

Portrait of Mrs. Juc^e Anthony 1 65 
The Last Voyage — Souvenir of 

the Ganges— -Benares 185 



GALLERY 14 
The Henry G. Marquand Collection 



226 Rubens, Peter Paul (School of) 

227 Hogarth, WiUiam 



228 Hoogstrat^n, Samuel van. 



229 Ricci (orRizzi), Sebastiano. . . 

230 Moroni, Giovanni Battista 

231 Holbein, Hans (the Younger) 

232 Dijck, Sir Anthony (Antoon) 

van (School of) 

233 Vinci, Leonardo da (School of) 

234 Hals, Frans 

235 Rulsdael (Ruysdael) Jacob 

Isaacksz van 

236 Heist, Bartholomeus van der 

237 Rembrandt van Rijn (Rem- 

brandt Harmensz van Rijn). 

238 Netscher, Caspar 

239 Rembrandt van Rijn (Rem- 

brandt Harmensz van Rijn, . 

240 Rembrandt van Rijn (Rem- 

brandt Harmensz van Rijn) . 

241 Rembrandt van Rijn (Rem- 

brandt Harmensz van Rijn) . 

242 Sorg (Sorgh), Hendrick Maer- 

tensz 

243 Gainsborough, Thomas R. A. . . 

244 Turner, Joseph Mallord William 

245 Bonington, Richard Parkes. . . 

246 Reynolds, Sir Joshua, P.R.A. . . 



Susannah and tl^ Elders 152 

Miss Rich Buildmg a House of 

Cards 74 

Portraits of a Gentleman and a 

Lady 76 

Esther before Ahasuerus 147 

Portrait of a Man 124 

Portrait of Archbishop Cran- 

mer 75 

Portrait of a Lady 47 

Portrait of a Lady 181 

The Smoker 66 

Landscape 154 

Portrait of Jean van Male 72 

TheMiUs 144 

TheCardParty 129 

Portrait of a Man 143 

Portrait of a Man 143 

The Adoration of the Shep- 
herds 144 

AKitchen 161 

A Girl with a Cat 56 

Saltash 173 

SeaCoast 13 

Portrait of Lady Carew 146 



Portrait of aMan 47 

Pyramus and Thisbe 153 



247 Molyn, Pieter (the Elder) Landscape with Cottage 123 

248 Dijck, Sir Anthony (Antoon) 

van 

249 Rubens, Peter Paul 

250 Leyden, Lucas van (real name 

Lucas Huygensz, or Lucas 
Jacobsz) 

25 1 Crome, John (called Old Crome) 

252 Constable, John, R.A 

253 Dijck, Sir Anthony (Antoon) 

van 
^54 Constable, John, R.A 



Christ Presented to the People . 

Hautbois Common 

A Lock on the Stour 

James Stuart, Duke of Rich- 
mond and Lenox 



105 
32 

28 

48 



The VaUey Farm 28 



XXXI 



NO. NAME OF AKTIST. 

255 Velazquez, Diego Rodriguez de 

Silvay 

256 Masaccio, Tommaso Guidi 

(School of) 

257 Leyden, Lucas van (real name 

Lucas Huygensz, or Lucas 
Jacobsz) 

258 Venneer (Vander Meer van 

Delft); Johannes 

259 Teniers, David (the Younger) 

260 Cuyp, Aelbert 

261 Unknown 

262 Eyck, Jan van 

263 Teniers, David (the Younger) . 

264 Hals Frans 

265 Velazquez, Diego Rodriguez de 

Silva y (School of) 

266 SargcHt, John S 

267 Hals, Frans (School of) 

268 Jansen (Janssens), real name 

Ck)melis-Janson van Ceulen 

269 Hals, Frans 

270 Velazquez, Diego Rodriguez de 

Silvay 

271 Oiiens, Jurian 

272 Velazquez, Diego Rodriguez de 

Silvay 

273 Metsu, Gabriel 

274 Teniers, David (the Younger) 

275 Cristus, Petrus (Pieter Christo- 

phesen) 

276 Porch, Gerard ter (Terburg) 

(Terbprch), Gerard 

277 Zurbaran, Francisco de ...... . 

278 Gainsborough, Thomas, R.A. . . 

279 Prud'hon, Pierre 



SUBJECT. PAGE. 

Mariana of Austria, Queen of 

Spain 177 

A Man and a Woman at a Case- 
ment 115 

Joseph's Coat 105 

A Young Woman Opening a 

Casement 178 

Landscape 168 

Landscape with Cattle 33 

A Burgomaster. 174 

Virgin and Child 50 

The Good Samaritan 168 

Portrait of a Man 66 

Olivares 177 

Portrait of Mr. Heniy G. Mar- 

quand 156 

Portrait of Two Gentlemen 67 

Portrait of a Lady 87 

The Wife of Frans Hals 66 

Portrait of the Artist 176 

Portrait of a Lady 132 

Balthazar Carlos 176 

The Music Lesson 120 

Landscape 168 

The Deposition from the Cross 32 

Portrait of a gentleman 15 

St. Michael the Archangel 194. 

Landscape ' 56 

Assumption of the Virgin 142 



GALLERY 15 
The George A. Hearn Collection 



280 Inness, George 

281 Gainsborough, Thomas, R.A. . 

282 Bonington, Richard Parkes. . . 

283 Stark, James 

284 Wilson, Richard, R. A 

285 Callcott, Sir Augustus Wall, 

R.A 

286 Harlow, George Henry 

287 Reynolds, Sir Joshua. P.R.A. . 

288 Constable, John, R.A 

289 Pine, Robert Edge 



Peace and Plenty 

Portrait of Rev. Humphrey 

Burroughs 

Coast Scene, Normandy 

Willows by the Water Courses 
The Storm 



Landscape 

Portrait of the Artist 

Portrait of MrsT Arnold 

Bridge on the Stour 

Portrait of Mrs. Reid, in 
Cb:a.racter of a Sultana. . . 



the 



83 

56 

14 
162^ 
189 

22 

67 

146 

28 

137 



xxxn 



NO. NAME OP ARTIST. 

290 Hoppner, John, R.A 



SUBJECT. 



PAGE. 



201 Le]y, Sir Peter (real name, 

reter van der Faes) 

292 Thomhill, Sir James 

293 Kneller, Sir Godfrey, Bart 

294 Raebum, Sir Henry 

295 Reynolds, Sir Joshua, P. R.A. . 

296 Morland, George 

297 Cotman. John Sell 

298 Beechy; Sir William, R.A 

299 Claude Lorrain (Lorraine) (Le 

Lorrain), real name Claude 

300 Wilson, Richard* '. * * * ' * '. *. * '. '. *. 

301 Ostade, Isack van 

302 Hooch (Hoogh), Pieter de 

303 Willaerts, Adam 

304 Eeckhout, Gerbrand van den 

305 Murant, Emanuel 

306 Poussin, Gaspard (real name. 

Gaspard Dughet) 

307 Cuyp, Aelbert 

308 Reynolds, Sir Joshua, P. R.A. . 

309 Vincent, George 

310 RusseU, John, K.A 

311 dome, John (called Old 

Crome) 

312 Cotman, John SeU 

313 Nasmyth, Peter(called Patrick) 

314 Dijck, Sir Anthony (Antoon) 



van. 



315 Wilson, Richard, R.A 

316 Jongkind, Johan Barthold .... 

317 Zofifany, Johann 

318 Reynolds, f^ Joshua, P.R.A. . . 

319 Blanchard, Jacques 

320 Huysmans, Cornells (called 

Huysmans of Mechlin; also 
Houseman) .... 

321 Constable, John, R.A 

322 Lawrence, Sir Thomas, P.R.A . 

323 Gainsborough, Thomas, R.A. . . 

324 Phillip, John, R.A 

325 Mvtens, Daniel 

326 Bfakelock, Ralph A 

327 Martin, Homer D 

328 Wyant, Alexander H 

329 Wyant, Alexander H 

330 Wyant, Alexander H 



Portrait of a Ladv (known as 
The Lady with the Coral 

Necklace) 77 

Portrait of Sir William Temple. 102 

Portrait of Mrs. Benson 169 

Portrait of Lady Mary Berke- 
ley 95 

Portrait of Mr. William Forsyth 142 

The Duke of Cumberland 146 

Midday Meal 123 

Coast Scene 30 

Portrait of a Lady 6 



A Seaport 24 

Landscape and Figures 190 

Winter in Holland 131 

Dutch Interior 76 

River Scene with Boats 189 

Destruction of Sodom and Go^ 

morrah 48 

The Farm 127 



liandscape and Figures, 
Landscape with Cattle . 

Portrait of a Lady 

Landscape 

Lady Beaumont 



The Landing. . . 
English Village. 
Landscape. . . . , 



Baron Arnold de Roy of Zui- 



derwyn 

lion T.Qi 



Italian Landscape 

Sunset Oxi the Scheldt 

Portrait of Ozias Humphrey, 

R.A 

Portrait of Mrs. Angelo 

Venus and Adonis 



Landscape with Figures 

Portrait of George Gerrard, 
A R A 

Lady Ellenborough 

English Landscape 

Gossips at the Well 

Portrait of Charles I 

Indian Encanapment 

Sand Dunes (Lake Ontario) . . . 

A Glimpse of the Sea 

Landscape in the Adirondacks 
Broad, Silent Valley 



139 
33 
146 
180 
154 

3'i 

30 

127 



48 
190 

88 

193 

146 

10 



82 

28 

99 

56 

136 

127 

9 

115 

19? 

192 

192 



Gallery i6, see Vanderbilt Collection, page 195 



xxxm 



GALLERY 17 
Catharine Lorillard Wolfe Collection 



I/O. 



NAME OP ARTIST. 



SUBJECT. 



331 Duez, Ernest Ange The Bouquet 

332 Neuhuys, Albert Dutch Interior with Figure. . . 

333 Jons, Cavaliere Pio Italian Courtyard and Figures 



334 Falero, Luis 

335 Leloir, Maurice 

336 Hoppner, John, R^A 

337 Rousseau, Pien^ E tienne Theo- 

dore 

338 Bida, Alexandre 

339 Richards, William Trost 

340 Leighton, Frederick, Lord 

341 Turner, Joseph Mallord Wil- 

liam 

342 Bisschop, Christoflfel 

343 Vibert, Jehan Georges 

344 Leloir, Maurice 



Twin Stars. 

The Drink of Milk.... 

Sarah Franklin Bache. 



PAGE. 

43 
129 

89 

51 
102 

77 



345 Vibert, Jehan Georges The First Babe 

346 Maris, Jacob 

347 Simonetti, Cavaliere Attilio. . . 

348 Schreyer, Adolphe 

349 Dor4, Gustave Paul 

350 Meissonier, Jean Louis Ernest 

351 Berne - Bellecour, E tienne 

Prosper. 

352 Leloir, Alexandre Louis 

353 Meissonier, Jean Louis Ernest 



Edge of the Woods 150 

Massacre of the Mamelukes. ... 9 

A Rocky Coast ^ 147 

Lachrymae 100 

The Whale Ship 173 

The Sunbeam 9 

Palm Sunday in Spain 179 

" Opportunity Makes the Thief " 102 

179 



354 G^rdme, Jean L^on 

355 Kaulbach.Friedrich August von 

356 Delort, Charles fidouard The Casque 



Canal in Holland 114 

The Rendezvous 160 

"Abandoned" 159 

The Retreat from Moscow. .... 42 

The Sign Pamter. 118 

Soldier in the Trenches 8 

Female Figure 101 

The Brothers Adrien and Wil- 
liam Van de Velde 118 

Boy of the Bischari Tribe 58 

Giri's Head 



357 Gallait, Louis, 

358 Breton, Jules Adolphe , 

359 Couture, Thomas 

360 Achenbach, Andreas. . 



91 
38 
57 
17 



361 Jacquet (Jean), Gustave, 



The Minstrel Boy 

Peasant Girl Knitting , 

Day Dreams 31 

Sunset after a Storm: Coast of 

SicUy 1 

„c«^ v-^ ,y — ««-,v, Female Head 86 

362 Hamon, Jean Louis An Etruscan Vase Seller 67 

363 Preyer, Johann Wilhelm Grapes, Plums, Nuts, etc 141 

T> ^ „ T. -1 A J _ i_ I- . Rehgious Procession in Brit- 
tany. 17 

Evening in Alsace 113 

German Peasant Girl 37 

, Winter Landscape, HoUand. . . 95 

358 Fr^re, Pierre Edouard Visit of a Sister of Charity 54 

369 Bouguereau. William Adolphe Brother and Sister *. . . . . 16 

370 Graeb, Karl Georg Anton Interior of the Cathednd of Fri- 

bourg^ Germany 61 

371 ViUegas, Jos6 Examimng Arms 180 

372 Toulmouche, Auguste Homage to Beauty 170 

373 Haghe, Louis Guard Room; the Toast 65 

374 Meissonier, Jean Louis Ernest A General and Adjutant 

(Shores of Antibes) 119 

376 Diaz De La Pefia, Narciso Vu^ 

gil io The Holy Family 40 

zxxiy 



364 Breton, Jules Adolphe 

365 MarchaJ, Charles Fran9ois. 

366 Defregger, Franz von 

367 Koek-Koek, Barend Cornells. . 



NO. NAME OF ARTIST. 

376 Comte, Pierre Charles 

377 Fichel, Benjamin Eugene 

378 Koek-Koek, Barend Comelis. . 

379 Hennings, J. F 

380 Vibert, Jehan Georges 

381 Dupr6, Jules 

382 Delacroix, Ferdinand Victor 

Eugene 

383 Vernet, fimile Jean Horace .... 

384 Seitz, Anton 

385 VoUon, Antoine 

386 Trayer, Jean Baptiste Jules. . . 

387 Daubigny, Charles Fran9ois. . . 

388 Worms, Jules , 

389 Detaille, Jean Baptiste £dou- 

ard 

390 Henner, Jean Jacques 

391 Ledaire, Victor 

392 Stevens, Alfred 

393 Rico, Martin 

394 Max, Gabriel 

395 Wahlberg, Alfred 

396 Schenck, Auguste Fr^^ric Al- 

brecht 

397 Isabey, Euc^ne Louis Gabriel 

398 Riefstahl, ^Wilhekn Ludwig 

Friedrich 

399 Cabanel, Alexandre 

400 Cock, C6sarde 

401 Hubert, Antoine AugusteEmest 

402 Meyer, Johann Georg (called 

Meyer von Bremen) 

403 Fromentin, Eugene 

404 ^laus, Ludwig 

405 Ziem,F^Ux 

406 Mesgriny, Frank de 

407 Willems, Florent 

408 Hoybet, Ferdinand L^n Victor 



SUBJECT. PAaa 

Lady at her Toilet; XVI Cto- 

tupr 27 

Awaiting an Audience 51 

Sunset on the Rhine . .< 95 

Heidelberg by Moonlight 73 

The Startled Confessor 179 

The Old Oak 41 

L' Enlevement de Rebecca 37 

Preparing for a Race 179 

The Discussion 159 

A Farm Yard 181 

Ribbon Peddler 170 

On the River Oise; Evening . . 35 

The Letter of Recommendation 191 
Skirmish between Cossacks and 
the Imperial Body-Guard, 

1814 39 

ABather 73 

Apple Blossoms in a Vase 100 

Tne Japanese Robe 163 

Canal of Venice 148 

The Last Token: A Christian 

Martyr 116 

Port of Waxholm, near Stock- 
holm, Sweden; Moonlight.. . 183 

"Lost.^' Souvenir of Auvergne 157 

ABanauetHall 84 

A Wedding Procession in the 

Bavarian Tyrol 148 

TheShuamite 21 

Landscape; Spring. 25 

A Girl's Head 70 

The Letter 121 

Arabs Crossing a Ford 64 

The Holy Family. (Repose in 

Egypt) 94 

Inundation of the Piazza of St. 

Mark, Venice 193 

River Scene 120 

Preparing for the Promenade . . 189 

The Game of Cards. 151 



GALLERY 18 

Catharine Lorillard Wolfe Collection 



409 Simonetti, Cavaliere Attilio. . . 

410 Simonetti, Cavaliere Attilio . . 

411 Lami, Louis Eugene 

412 Olaize, Pierre Paul L6on 

418 Leloir, Alexandre Louis 

414 Fortuny jr Carb6, Mariano- 

Jos6-Maria-Bemado 

415 Boldini, Giovanni 



Amateur of Paintings. 

The Flower 

Interior of a Museum. 

Before the Mirror 

In His Cups 



Camel's Reposing; Tangier.. . . 
Female Figures; Gossip 



160 

160 

97 

60 

101 

52 
11 



XXXV 



NO. 

416 
417 

418 

419 



SUBJECT. 

Boats QQ Shore 




NAME OP ARTIST. 

Daubigny, Chaii^ Francois . . . 
EoQSseau, Pierre Btienne Th6o- 

dore 

Huntington, Daniel 

Kaemmerer, Frederik Hen- 

drik 

Leighton, Frederick Lord Head of a Woman, " Lucia" . . . 



PAGE. 
35 



Landscape 150 

Portrait of Mr. John David 
Wolfe- 



Study of a Girr 8 Head. 



81 

90 
101 



422 

423 
424 
425 
426 

427 
428 

429 

430 

431 
432 
433 
434 
435 
436 
437 

438 
439 

440 
441 
442 
443 

444 
445 
446 
447 
448 

449 
450 
451 
452 
453 
454 

455 
456 

457 
458 
459 



Cabanel, Alexandre 

Diaz De La Pefia, Narciso Vir- 

gilio 

Boughton, George H., RA. . . . 
Voltz. Friedrich 



Portrait of Miss Catharine 

Lorillard Wolfe 21 

Landscape 41 

A Puritan Girl 16 

Landscape and Cattle 181 



Bonneur, Marie Rosa ^. ^..^v.^« ^ 

Preyer, Emilie Fruits, Flowers, etc 

Dete,ille, Jean Baptiste 

Edouard 

Leloir, Alexandre Louis 



Coninck, Pierre Louis Joseph 

de 

Leloir, Alexandre Louis 

Dupr6, Jules 

Decamps, Alexandre Gabriel. . 

Knaus, Ludwig 

Marcke, Bmile van « ^ — 

FrSre, Charles Theodore Cairo, Evening 

Bonnat, L^on Joseph Floren- 

tin 

Brion, Gustave 

Wahlberg, Alfred 



French Cuirassier 

Wandering Minstrel, Old Nu- 
remberg 



ChapUn, Charles Joshua " Haidee " (Byron) 22 

A Limier-Briquet Hound ..... 12 

141 

39 

101 

Italian Children at a Fountain . 27 

Choosing the Dinner. 101 

The Hay Wagon 44 

The Night Patrol at Smyrna. . 36 

Old Woman and Cats 94 

TheMiU 113 

53 
Egyptian Fellah Woman and 

ChUd 14 

Return from the Christening. . 18 
A Day in October, near Wax- 
holm, Sweden 183 

A Pawnbroker's Shop 126 



Munkacsy, Mih41y de 

Vibert, Jehan Georges The Reprimand . 

Bargue, Charles . ^. A Bashi Bazouk. 

Beme-Bellecour, Etienne Pros- 
per 

Troyon, Constant 

Achenbach, Oswald 

Fr^re, Charles Theodore 

Merle, Hugues 

Worms, Jules 



179 
4 



The Intended 8 

Holland Cattle 171 

Near Naples; Moonrise 1 

Jerusalem from the Environs . . 53 

Falling Leaves 119 

The Fountain of the Bulls, 

Granada 191 

.i^»xx*v,«x, ..^«a.^ -.*v.«« Weaning the Calves 12 

Kaulbach, Wilhelm von Crusaders before Jerusalem. ... 91 

Lef^bvre, Jules "Graziella," A Girl of Capri. . . 100 

Bakker-Korff, Alexander Hugo Bric-^Brac 4 

Jacque, Charles Emile The Sheepfold 85 

Domingo, Fran<jois (Don Fran- 



Bonheur, Marie Rosa. 



Cisco Domingo y Marques) . . 

Trovon, Constant 

Verooeckhoven, Eugene Joseph 



Marchal, Charles Fran<jois .... 

Lambert, Louis Eugene 

X)esfirofife, Blaise Alexandre. . . 



Interior with Figures 42 

Study of a White Cow 171 

Interior of a Stable with Sheep 

and Poultry 177 

Morning in Alsacew 113 

Cat and Kittens 97 

Objects of Art; Vase in Rock 
Crystal (XVI Century) ; Agate 

and Enamel, etc., etc 38 



zxxvi 



KO. NAME OF ASTUT. 

460 Piloty, Carl Theodort von 

461 Chavet, Victor . . : 

462 Robert-Fleury, Tony. 

463 Daubigny, Charles Fran<jois. . . 

464 Diaz Be La Pe!la, Narciso Vir- 

gilio 

465 Brown, John Lewis 

466 Zamacois, Eduardo 

467 Duverger,Th6ophileEmnianud 

468 Schreyer, Adolphe 

469 LeRoux, Hector 

470 EscaJlier, El^nore 

471 Madrazo, Raymundo de 

472 G^r6me, Jean L^n. 

473 Makart, Hans 

474 Ramberg, Arthur Georg von. 

Baron. 3j^ 

475 Stevens, lidouard Joseph 

476 Cot, Pierre Auguste 

477 Bonnat, L^n Joseph Floren- 

tin 

478 Wappers, Gustaaf, Baron 

479 Devedeux, Lbuis 

480 Pasini, Alberto 

481 Diaz De La Pefia, Narciso Vir- 

gilio > 

482 Rousseau, Pierre Etienne Theo- 

dore 

483 Corot. Jean Baptiste Camille. . 

484 EscaUier, El^nore 



SUBJECT. ^AOE. 

The Parable of the Wise and 

Foolish Virgins 136 

In FuU Dress 23 

A Musical Cardinal 149 

On the Seine; Morning 35 

Study of Trees 41 

Fox Hunters 19 

Sleeping Hunter 193 

Feeding the Bird 46 

Arabs on the March 159 

Roman Ladies at the Tomb of 

their Ancestors 103 

A Pannier of Flowers 49 

Girls at a Window 109 

Prayer in a Mosque; Old 

Cairo 58 

The Dream after the Ball Ill 

Meeting on the Lake. 142 

Surprise 163 

TheStorm 30 

Roman Girl at a Fountain 14 

Confidences 184 

The Pride of the Harem 40 

Entrance to a Mosque 133 

Edge of a Forest 41 

River Landscape 150 

Ville d^ Avray, near Paris 29 

Chrysanthemums 49 



485 
486 
487 

488 
489 
490 
491 
492 



493 
494 
495 
496 
497 
498 

499 
500 
501 



GALLERY 19 

Merle, Hugues * The Spinner- 119 

Merle, Hugues Italy, Past and Present 119 

Diaz De La Petia, Narciso Vir- 

^o Forest of Fontainebleau 41 



Meissonier, Jean Louis Ernest 

Robie, Jean 

Winterhalter, Franz Xavier. . . 

Unknown 

Cabanel, Alexandre 



Vibert, Jehan Georges 

Gallait, Louis 

Winne, Li^vin de. . . . 
Bonheur, Marie Rosa. 
Mimkao^ Mih41y de. 



Man Reading 119 

Flowers 149 

Florinda 190 

Portrait of Mr. WiUiam F.Coles 174 
Queen Vashti Refuses to Come 

at the Command of King 

Ahasuerus 22 

"Le Cordon Bleu" 180 

Portrait of a Lady 57 

Portrait of a Gentleman 190 

Deer in Forest; Twilight 13 

« ^«^jr , *-*--v x*^ The Death of Mozart 127 

Boucher, Francois The Rescue of Arion from the 

Waves 15 

Mythological Subject 140 

Landscape with Figures 140 

Marie Marguerite Lambert de 

Thorigny 98 

xxxvii 



Poussin, Nicolas. . . . . . 

Poussin, Nicolas ....._. 

Largillierre, Nicolas de. 



NO. NAME OF ABTIST. 

502 Oudiy, Jean Baptiste 

503 Drouais, Fran<jois Hubert 

504 Nattier, Jean Marc 

505 Oudry, Jean Baptiste 

506 Poussin, Nicolas 

507 Pater, Jean Baptiste Joseph . . . 

508 Grenze, Jean Baptiste 

509 Le Nain (the Brothers) , Antoine 

Louis (called the Roman) 
and Mathieu 

510 Greuze, Jean Baptiste 

511 Velten, W 

512 BlarenDerghe,Henri Joseph van 

513 Coypel, NoSi Nicolas 

514 Mar6chal, Charles Laurent. . . . 

515 Kraus, Friedrich 

516 Pasini, Alberto 

517 Gazin. Jean Charles 

518 Hildebrandt, Eduard 

519 Duplessis, Joseph Silf r^de 

520 MUller, Charles Louis 

521 Knaus, Ludwig 

522 Guillaume, E 

523 Greuze, Jean Baptiste (attrib* 

uted to) 

524 Luminals, Evariste VitaL 

525 Scheffer, Aiy 

526 Hag;elstein, Paul 

527 Maris, Matthys 

528 Defaux^ Alexandre 

529 Frangais^ Francois Louis 

530 Dupr?, Jules 

531 Greuze, Jean Baptiste 

532 Verboeckhoven, Eugene Joseph 



SUBJECT. page:. 

Ducks. 132 

Portrait of the Emperor Joseph 

II of Austria 43 

Princesse de Cond4 as Diana. . . 128 

Dog Guarding Dead Game 132 

Landscape with Figures, Fauns 

and Nymphs 140 

The Comical March 134 

Study of a Girl's Head 63 

Mendicants 103 

Study for a Head in " The Fath- 
er's Curse" (Louvre) 63 

Halt of Cavaliers 177 

Fete of the Tunny Fishers at 

Marseilles 10 

Venus with Sea Nymphs and 

Cupids 31 

GaHleo in VeUetri 113 

Peasants Going to Church 96 

TheLove Token 134 

Early Morning 22 

The Bay of Naples. 74 

Portrait of Benjamin Franklin 43 

The Honeymoon 126 

Female Head 94 

Le Vocero, Corsican Scene. ... 64 

Portrait of a Boy 64 

The Wreckers 109 

Study of aHead 157 

Street Musicians 65 

Reverie 114 

Apple Blossoms 36 

Gathering Olives 53 

Landscape; Summer 44 

Volupt^ 64 

Cattle with Landscape 177 



GALLERY 20 



593 Demont, Adrien Louis. . 

594 Rico, Martin 

595 Kensett, John Frederick . 

696 Courbet, Gustavo , 

597 Escosura, L^n y 



698 Piloty, Call Theodor von. 



599 Glisenti, A 

600 Kensett, John Frederick 

601 Wyant, Alexander H 

602 Boilvin, fimile 

603 Alexander, John W 

604 Dietrich, Christian Wilhebn 

Ernst 



The Old Man's Garden 38 

An Italian Garden 148 

View on Long Island Sound. . . 92 

Coast Scene 30 

An Auction Sale in Clinton Hall, 

N. Y., 1876 50 

Thusnelda at the Triumphal 
Entry of Germanicus into 

Rome 136 

The Hunter's Story 60 

Lake Geor^ 93 

View in County Kerry, Ireland 192 

Louis XI at Prayer 11 

Portrait of WaJt Whitman .... 2 

Surprised 41 



xxxvui 



NO. 



NAME OP ARTIST. 



605 Kensett, John Frederick 

606 Kensett, John Frederick 

607 Kensett, John Frederick 



SUBJECT. PAGE. 

On the Coast 93 

Coast Scene 92 

. Landscape Study 92 



608 Kensett, John Frederick Sunset on Long Island Sound . . 93 



SOUTHWEST STAIRCASE 



609 Fagnani, Giuseppe 

610 Fagnani, Giuseppe 

611 Fagnani, Giuseppe 

612 Fagnani, Gius^pe 

613 Fagnani, Giuseppe 

614 Fagnani, Giuseppe •. . . 

615 Fagnani, Giuseppe 

616 Fagnani, Giuseppe 

617 Fagnani, Giuseppe 

618 Poussin, Nicolas, and Cer- 

quozzi, Michelangelo 

619 Kensett, John Frederick 

620 Kensett, John Frederick 

621 Kensett, John Frederick 

622 Kensett, John Frederick 

623 Kensett, John Frederick 

624 Kensett, John Frederick 

625 Mimer,Kari 



Euterpe; the Muse of Music . . 50 

Clio; the Muse of Histoiy 50 

Terpsichore ; the Muse of Dance 50 
Thalia; the Muse of Comedy. . 50 
Urania ; the Muse of Astronomy 50 
Calliope; the Muse of Elo- 
quence ' 51 

Ponmmia; the Muse of Lyric 

roetry 51 

Melpomene; the Muse of Trag- 
edy 51 

Erato; the Muse of Poetry ... 51 

Italian Landscape and Figures 140 

Passing away of the Storm 92 

Early Autunm 92 

Scene on the Connecticut Shore 

of Long Island Sound 92 

Coast Scene, near Darien, Conn. 92 

Cedars in the Twilight 92 

Evening ^tConten&ent Island, 

Darien, Conn 92 

The Holy Family 126 



GALLERY 20 



626 Thompson, A. Wordsworth. . . 



627 
628 
629 
630 

631 
632 

633 
634 

635 
636 

637 
638 



639 
640 
641 



Gvsis, Nicolas 

Magrath, William 

Httbner, Karl Wilhelm. 
Schreyer, Adolphe. ... 



Cropsey, Jasper Francis 

Bonnat, L^n Joseph Floren- 

tin 

LeroUe, Henri 

Huntington, Daniel 

Durand, Asher Brown 

Noter, David de, and Goupil, 

Jules 

Israels, Jozef 

Hellquist, C. G 



Kensett, John Frederick 

Maclaren, Walter 

Pecht, August Friedrich ... 



Old Bruton Church^irginia, in 

the Time of Lord Dunmore . . 169 

Charity 65 

OntheOldSod 110 

The Poacher's Death 80 

Battle Scene; Arabs Making a 

Detour 159 

Landscape 33 

Portrait of Mr. John Taylor 

Johnston 14 

The Organ Rehearsal 103 

Portrait of Mr. William C. 

Prime 81 

Landscape 45 

A Dining Room 130 

Expectation 85 

Peter Sonn&vater and Master 
Kjiut's Opprobrious Entry 

into Stockholm m 1526 71 

Eaton's Neck, L. I. 93 

Capri Life. The Embroiderers 109 

Portrait of Richard Wagner ... 135 



zxxix 



NORTHWEST STAIRCASE 



1 



NO. NAME OF ABTI8T. 

642 Kensett. John Frederick 

643 Brion, Qustave 

644 Browning, Robert Barrett. . . 

645 Jansen, Joseph 

646 Kensett, Jonn Frederick 

647 Unknown 

648 Wust, Alexander 

649 Colus, Alphonse 



SUBJECT. PAGE. 

Twilight in the Cedani 93 

A RsJt on the Rhme 19 

The Meuse from Bouvigne 

(Belgium) 19 

Lands^pe : 87 

Scene on Lake George 93 

Eunrdice 174 

A Mountain Torrent in Norway 19 1 

The Entombment 27 



GALLERY 20 



650 Bonheur, Marie Rosa. 

651 Manet, £douard 

652 Hoffer.F 

653 Clays, Faul-Jean 

654 Webb,C.M 

655 Gay, Walter 

656 Dannat, William T 

657 Kensett, John Frederick 

658 Kensett, John Frederick 

659 Baixeras, Verdaguer Dionisio. 

660 Jettel, Eugene 

661 Gabl, Alois *. 

661a Col, David 

66lB Riefstahl, Wilhehn Ludwig 
Friedrich 



TheHorseFair 12 

Girl with a Parrot. Ill 

Decadence of Rome 74 

Celebration of the Freedom of the 

Port of Antwerp, 1863 24 

IntheStudy 185 

"LesFUeuses" 57 

AQuartette 34 

After Sunset 93 

Rocks at Darien 93 

Boatmen at Barcelona 3 

A Marsh in North Holland 87 

A Recruiting Scene in the Aus- 
trian Tyrol 55 

Compulsory Education 25 

A Religious Procession in the 

Bavarian Ty^ol 148 



GALLERY 21 



533 

534 

535 

536 
537 
538 
539 
540 
541 
542 
543 
544 
545 
546 



547 

548 
549 



Marr, Carl 

Schrader, Julius 

Baker, George A 

Davis, Charles H 

Elliott, Charles Lorin^ 

Meissonier, Jean Louis Ernest 

Israels. Jozef 

Giflfora, R. Swain 

Fuller, George 

Colman, Samuel 

Mauve, Anton 

Cabanel, Alexandre 

MaUnan, Albert 

Becker, Carl 

Kensett, John Frederick 

Robinson, Theodore 

Martin, Homer D 



Gossip 115 

Baron Alexander von Himi- 

boldt 158 

Portrait of John F. Kensett, 

N.A 4 

Evening 35 

Portrait of the Artist 49 

" Friedland. 1807" , 118 

The Bashful Suitor. 85 

Near the Coast 59 

"And She Was a Witch" 54 

Venice; Moonrise 27 

Autunm 116 

Birthof Venus 21 

" L'attentat d'Anagni " 110 

Adelheid and the Bishop of 
Bambei^ (a Scene in Goethe's 
Play "-GStz von Berlichinr 

gen" 6 

View on Long Island Sound ... 93 

A Winter Landscape 149 

Madison and Jefferson 115 



NO. NAME OF ARTIST. 

550 Bastien-Lepage, Jules 

551 Dana, WiUiam P. W 

552 Bisi, Cavaliere Luigi 

553 Pelouse, L^n Gennain 

554 Renouf, £inile 

555 Schauss, Ferdinand 

556 Desgoffe^ Blaise Alexandre 

557 Harpignies, Henri 

558 Bonneur, Fran9ois Auguste. . . . 

559 Fortuny y CaA6, Mariano- 

Jos6-Maria-Bemado 

560 Schrader, Julius 

561 Inness, George 

562 Detail^JeanBaptisteEdouard 

563 Manet, Edouard 

564 May, Edward Harrison 

565 Lhermitte, L^n Augustin .... 

566 Henner, Jean Jacques 

567 Richards, Samuel 

568 Scheflfer, Ary 

569 Meyer, Johann Georg (called 

Meyer von Bremen) 

570 Jacque, Charles 6mile 

571 Bargue, Charles 

672 Escosura, L^n y 

673 Hovenden, Thomas 

674 Ulrich, Charles F 

575 Frire, Charles Theodore 

676 Meyer, Johann Georg (caUed 

Meyer von Bremen) 

577 Lang, Louis 

578 KoUer, Gmllaume 

579 Clairin, Georges Jules Victor. . 

580 Vriendt, Julien d^ 

581 Plassan, Antoine Emile 

582 Dupr6, Julien 

583 Fichel, Benjamin Eugene 

584 Eakins, Thomas 

585 Kensett, John Frederick 

586 Wylie, Robert 

587 Stevens, Alfred 

588 Mauve, Anton 

589 Hamon, Jean Louis 

590 Granet, Fran<jois Marius 

591 Herrmann-L^n, Charles 

592 Michel, Georges 

592a Marcke, Emile van 

592b Meyer, Johann Georg (called 

Meyer von Bremen) 

592c Verboeckhoven, Eugene Joseph 



SUBJECT. PAGE. 

Joan of Arc 5 

Heartsease 34 

Cathedral of Milan 9 

"January" (Scene at Cemay, 

near RambouUlet) 135 

After a Storm 145 

Resignation 156 

Objects of Art 38 

Moonrise 68 

Woodland and Cattle 11 

A Spanish Lady 52 

Queen Elizabeth Signine the 
Death Warrant of Marie 

Stuart 168 

Evening 83 

The Defense of Champigny .... 39 

Boy with a Sword Ill 

The Brigand 117 

The Vintage 106 

Mary Magdalen at the Tomb of 

Our Saviour 73 

Hour of Prayer 147 

Peter's Repentance 157 

The Grandmother. 122 

Landscape with Sheep 85 

Footman Sleeping 4 

King Philip Presenting Rubens 
to Velazquez in the Studio of 

the Latter 50 

" Jerusalem the Golden " 79 

Glass Blowers of Murano 174 

Departure from Jerusalem for 

Jaffa 63 

Evening Prayer 122 

ACountry Girl 97 

Hugo van der Goes Painting 
the Portrait of the Infant 

Mary of Burgundy 96 

Moorisn Sentinel 24 

A Chapel Scene; Old Antwerp. 182 

Table Supplies 138 

The Balloon 44 

A Violin Player 61 

The Chess Players 48 

The Old Pine; Darien, Conn. . 92 

The Death of a Vendean Chief 192 

After the Ball 163 

Spring 116 

Among the Flowers 67 

Benedictines in the Oratory. . . 61 

The Hunter 73 

The Old Ch&teau 122 

Farm Scene with Cattle 113 

Baby Brother Sleeping 122 

Cattle with Lands^mpe 177 



xli 



GALLERY 24 



NO. NAME OF ARTIST. 

662 Enaus, Ludwig. 

663 Makart, Hans 

664 Richter, Gustav Karl Ludwig 
664a Dawant, Albert Pierre 



SUBJECT. PAOB. 

Peace 94 

Diana's Hunting Party Ill 

Victory 147 

Departure of Emigrants ftom 

Havre 35 



GRAND HALL 



665 Benjamin-Constant, Jean Jo- 
seph. 



Justinian in Coundl 



GALLERY 25 



666 Schaef els. Hendrik F 

667 Brown, William L 

668 Schreyer, Adolphe 

669 Mauve, Anton. 

670 Jac(}ue, Charles Emile 

671 Pokitonow, J 

672 Jan-Monchablon^ Ferdinand. . 

673 Girard, Firmin 

674 • Pasini, Alberto 

675 Jacquet (Jean), Gustavo 

676 Mesdag, Hendrik Willem 

677 Merle, Hugues 

678 Parton, Arthur 

679 Boutigny, Paul £mile 

680 Becker, Carl 

681 Lindenschmit, Wilhelm (the 

Younger) 

682 Sanchez-Perrier, Emilio 

683 Jacquet (Jean) , Gustave 

684 Huntington, Daniel 

685 Koek-Koek, Barend Comelis. . 

686 Preyer, ^milie 

687 Spnng 

688 Gfrolleron, P 

689 Becker, Carl 



690 Desgoff e, Blaise Alexandre .... 



Rubens at the Court of Spain. . 156 

Fruit 19 

Arab Scout 159 

Driving Cows to Pasture 116 

Sheep 85 

Pasture Scene 139 

Summer Landsci4)e 86 

A Rainy Day in Paris. 59 

Halt at a Mosque 134 

Reverie 86 

The Lone Sea. 120 

The Old Man's Story 119 

Evening: Harlem River 133 

The Revolt at Pavia. 17 

The Rivals 6 

The Protest of Luther 106 

Lagoon near Venice , . 155 

Study of aHead 86 

Portrait of Mrs. Elizabeth U. 

Coles 82 

Winter Scene in Holland 95 

Fruit 141 

Trial of Strength. 162 

Soldier at Rest 64 

The Emperor Maximilian Re- 
ceiving the Venetian Em- 

basi^ 6 

ObjectBof Art 38 



ilU 



(oatalogue 

GbLpkabeticaLLy (jDttanged ; with 

(zBio^zaphied and <Jjedcziptiond. 



ACHENBACH, Andreas. DUsseldorf School 

Bom at Hesse Cassel, 1815. Landscape and marine painter; pupil 
of Dlisseldorf Academy, 1827-1835, under Schirmer, and one -of the most 
distinguished painters of the school. He visited Holland in 1832-33; Nor- 
way, 1835; the Bavarian Tyrol, 1836, and Italy, 1843. He painted land- 
scapes, mountain, forest, and sea, with like ability and power. Member of 
the Berlin, Amsterdam, and Antwerp Academies. Paris Salon. Medals: 
third class, 1839; first class, 1855; third class, 1867. Legion of Honor, 1864. 

360 SUNSET AFTER A STORM; COAST OF SICILY. 

The sun bursting thro' the broken stormclouds is setting behind a dark 
ru^ed cliff at the right. At the left the sea lashed into foam by the wind has 
dnven to the rocky coast the wreckage of a ship, and a boat, in which the 
sailors are trying to make a landing. 

Bequeathed by Miss Cathabinb Loriijabd Wolfs, 1887. On canvas, 32 H.; 42 W. 

ACHENBACH, Oswald, msseldorf School. 

Bom at Dlisseldorf, 1827; died, February 1, 1905; brother and pupil of 
Andreas. Visited the Bavarian Alps at an early period, and went to Switzer- 
land and Italy in 1845, 1850, and 1851. His representations of Southern 
scenery and of peculiar atmospheric effects are of rare excellence. Medals: 
Paris, third class, 1859; second class, 1861, 1863. Legion of Honor, 1863. 

446 NEAR NAPLES; MOONRISE. 

The full moon is seen rising thro' the dull haze of a hot Sunmier evening. 
Smoking Vesuvius is at the left and the creamy white City of Naples lies in 
the middle distance. A row of tall trees in the foreground line down a dusty 
roadway crowded with peajsants who gather about an old stone foimtain at 
the right to refresh themselves. 

Bequeathed by Miss Catharine Lorillard Wolfe, 1887. 

Purchased in Berlin. Signed On canvas, 39 H.; 55 W. 

1 



ALBANI, Francesco. Bolognese School 

Bom at Bologna, 1578; died there, 1660. Soii^f a silk merchant. Hia 
father desired to bring him up to his own profession, but his decided art genius 
so asserted itself that he was placed in the academy of Denys Calvaert, where 
Quido Reni was a pupil. Albani and Guido became friends, and when the 
latter went to Rome and entered the school of Garracci, Albani quickly fol- 
lowed. When Annibale Garracci was employed on the frescos of St. Giacomo 
degli Spagnuoli he fell sick, and by his reconmiendation Albani was selected 
to finish them. He also painted the mythological frescos in the VerosfH (now i 
Torlonia) Palace. In the Borghese Gallery and at Turin are his famous 
pictures of the '' Four Elements.'' He also painted for the Duke of Mantua 
the stories of "Diana and Act»on" and "Venus and Cupid." Ks best 
pictures are those of mythological and fanciful subjects. 

CHILDREN'S GAMES— THE MAZE, KITE, ETC. 



A group of eight nude children, two of whom are engaged in drawing 
figures upon a slab of stone, the others in flying kites. 

Purchased by the Museum, 1871. On canvas. 25 H.; 53 W. 

ALEXANDER, John W. American School 

Bom at Pittsburg, 1856. Studied at Munich, Paris, and in Italy. Medal 
at Munich. 

603 PORTRAIT OF WALT WHITMAN, 

Three-quarters length, life-size, seated with the face and figure turned 
to the left of the spectator. The ruddy face is framed in silvery gray hair 
and a long flowing beard. The dress is black with white collar and cuffs. The 
background is a dull warm gray. 

Gift of Mrs. Jbrsmiah Milbank. 1891. 

Signed and dated, 1889. On canvas. 49^ H. ; 80} W. 

ALLEGRI, Antonio (called II Correggio) (?). Parmesan School 

Bom at Correggio in 1494 ; died there, March 5, 1534. Son of Pel- 
legrino Allegri. Probably pupil of his father's brother, Lorenzo, and of 
Antonio Bartolotti, both second-rate painters of his native town. At Modena 
he is said to have found a better master in Francesco Bianchi, called Ferrari, 
who belonged to the school of Francia; but as Bianchi died in 1510, this, 
like aU that concerns Correggio's training, is uncertain. "Correggio looked 
at the world in a single mood of sensuous joy," as a place in which every- 
thing is full of happy life and soft pleasure. A poetic ideality untrammeled 
by the conventionality of schools, systems, or methods other than his 
own, found fullest expression in an all-pervading sweetness which charac- 
terizes his works. "The Madonna of St. Francis" (1514), "Madonna of St. 
George," "Madonna of St. Sebastian," "La Notte" (1522 or 1528), Dresden 
Gallery; "Rape of Ganymede," "Jupiter and lo," Vienna Museum; "Madonna 
Adoring Jesus," UflSzi, Florence; "Marriage of St. Catherine," Louvre, Paris. 
Other works may be seen in St. Petersburg, London, Naples, Venice, and other 
(ralleries, notably that of Parma. 

2 



21 HEAD OF A CHERUB, AND ANGEL. 

An Angel with outstretched wings is looking down affectionately into 
the face of a cherub. 

Gift of Mr. Cornxuus VANDBRsn/r. 1880. On plaster, 20 H.; 17i W. 

ALLORI^ Cristoforo (called II Bronzino). Florentine School, 

Bom at Florence, 1577; died there, 1621. Pupil of his father, and 
afterwards of Santo di Tito, whose style Cristoforo at first followed, but 
abandoned for the new Florentine eclectic manner based on that of Correggio. 
He became one of the best artists in Florence of his time, but his habits 
were irregular, and he left but few pictures. He excelled in portrait 
painting. 

24 ST. AGATHA. 

Head and bust, with the face three-quarters to the left; the eyes are 
drooped as if in meaitation : a slight piece of drapery falls from the head and 
a blue mantle covers the shoulders. 

Gift of Mr. Corneltds Vandbrbil/t, 1880. On plaster, 18 H.; 13 W. 

ALLSTON, Washington. American School. 

Bom at Waccamaw, South Carolina, 1779; died at Cambridgeport, 
Mass., 1843. 

1 75 A SPANISH GIRL. 

She is seated in the foreground of a warm sunny landscape with moss- 
grown ruins in the middle distance, and mountain peaks in the background. 
Gift of Mr. Ltman G. BLooiaNGDALE, 1901. On canvas, 29^ H.; 24i W. 

ASSCHE, Henri van. Flemish School. 

Bom at Brussels, 1774; died there, 1841. Landscape painter; first 
instructed by his father, an amateur artist, then pupil of J. B. de Roy. Visited 
Italy, Holland, Germany, and Switzerland. Painted waterfalls with great 
skill. Member of Ghent, Brussels, Antwerp, and Amsterdam Academies. 
Several medals. Order of Leopold, 1836. 

72 LANDSCAPE, WITH WATERFALL. 

There is a deep rich brown foreground with a waterfall and a rocky, 
hillside at the left. Two tall trees are in the center of the picture and in 
the roadway beyond is a group of peasants, and some buildings are on an 
elevation. The sky is silvery ^ay with light fleecy clouds. 
Purchased by the Museum, 1871. ' On canvas, 15 H.; 13^ W. 

BAIXERAS, Verdaguer Dionisio. Spanish School. 

Bom at Barcelona, Spain, 1862. Pupil of the official school of Beaux' 
Arts of Barcelona. Medal, third class, Madrid, 1884; Honorable Mention, 
Paris, 1886; gold medal. Exposition UniverseUe of Barcelona, 1888. Won 
several prizes at official competitions. 

659 BOATMEN AT BARCELONA. 

Three boatmen are sittine in the stem of a boat in the harbor of Barcelona. 
The one at the left with his oack to the spectator wears a knit wool oap, a 

8 



large scarf about his neck, a checked shirt, and a li^t yellow sash about 
his waist; both hands are raised with the forefinger of the n^ht resting on the 
little fiboger of the left. The center figure to whom he is talking sits squardy 
to the front with both hands resting m his li^ : he has on a cap and wears 
a dark blue shirt. The third figure sittinj; at the right, with face and figure 
in profile to the left, has both hands raised and is lighting a cigarette; a 
brown coat hangs loosely about his shoulders and a brown cap is <m his head. 
AU three figures are in shadow relieved against a background of water and 
tky a^ow with sunshine; steamers and ships line the wfaarves on the harbor 
line -mdch reaches across the picture in the middle distance. 

Gift of BiR. Gkobgb I. Sbnst. 1887. 

Sicned and dated. 1886. OaeaiiTM.60H.; 82W. 

BAKER, George A. American School 

Bom at New York, 1821; died there April 2, 1880. Pupil of his father, 
who was a miniature painter. Studied in Europe, 1844-46. NA., 1851. 

686 PORTRAIT OF JOHN F. KENSETT. NJL. 
Bust, life-size, three-quarter to the right. 
Gift of an AflsociatioD of Gentlemen. 1881. Oneaitva8,27H.S 22 W. 

B AKKER-KORFF, Alexander Hugo. Ihdch School 

Bom at The Hague, 1824; died at Leyden, 1882. Pupil at The Hague 
Academy of Kruseman and J. E. J. Van den Beig. He was one of the best 
modem Dutch painters. 

462 BRIC-X-BRAC. 

An old woman with a white cap on her head is sitting by a table loaded 
with bric-S-brac. OhjeU d^Art are on the floor and draperies hang about the 
room in artistic confusion. 

Bequeathed by Miss Cathabini: Lorillard Wolfb, 1887. 

From the John Wolfe collection. Signed and dated, 1868. On wood, 8 H.; 6 W* 

BARGUE, Charles. French School 

Bom at Paris (18—?); died there, 1883. Pupil of G^p6me. Hepmnted 
but few pictures, but they were of exceptional excellence, both in technical 
execution and color. " Playing Chess on the Terrace," his last and perhaps 
his best work, is in the William H. Vanderbilt collection, New York. He did 
not exhibit at the Salon; but received medals for lithography in 1867^ '68. 

442 A BASHI BAZOUK, 

Dressed in barbaric splendor, he is seated upon a li^t-gray rock at the 
entrance to a cave. In his left hand is a large ornate pipe, and a bejeweled 
ivory-handled sword and pistol are thrust into his belt. 
Purchased in Paris, 1875. 

Bequeathed by Mns Gathabine Lorillard Wolfb, 1887. 

Signed and dated, 1875. On canvas, 18 H.; 12 W. 

571 FOOTMAN SLEEPING. 

A liveried footman in a eaily trimmed^ dark-blue ooat, cananr-ooloTed 
waistcoat and breeches, and white silk stockings tied with bright rea ribbons, 
is sitting upon a richly carved wooden settee in a hallway. He leans heavily 
over the arm of the seat and his head, crowned with a luxuriant crop of red 



tialFj droops forward, crowding his chin into his bosom. His right arm rests 
at his side by the grand chapeau trimmed with broad silver braid, and one of 
his white gloves has fallen to the floor. At his left are a large umbrella, a brass 
brazier^ and a larj^e armchair with some books on the seat; and on the wall 
above is a piece of Gobelin tapestry. 

Bequeathed by Mr. Stsphsn WmrNXT Phoenix, 1881. 

Signed and dated.1871. On wood. 13i H.; 10 W. 

BARTOLOMMEO, Fra (or II Prate) (?). Baccio, della 

Porta. Florentine School. 

Bom at Soffignano, near Prato, 1475; died at Florence, 1517. He was 
a pupil of Cosimo Rosselli in Florence, and lived near the gate of St. Piero, 
from which circmnstance was derived his name of della Porta. He was the 
intimate friend of Mariotto Albertinelli. He had acquired great fame for 
the beauty of his Madonnas, and had been commissioned to execute a 
fresco of the "Last Judgment" in the Convent of St. Marco, about the time 
when Savonarola went to Florence to preach against the sinfulness of the city. 
Bartolommeo became the earnest friend of the preacher, and was so carried 
away by his influence that he burned all his studies and drawings of profane 
subjects and those which represented nude figures. When Savonarola was 
seized, tortured, and burned, Bartolommeo took the vows of a Dominican 
friar, and left the unfinbhed pictures to be completed by Albertinelli. During 
four years he led a most austere life, never touching his pencil. About this 
time Raphael arrived in Florence. He was but twenty-one, but already a 
great painter. He visited the friar's cell, and a deep friendship between the 
two was the consequence. To this we owe the after works of Fra Barto- 
lommeo. About 1513 he visited Rome. After his return to Florence he 
executed the "Madonna della Misericordia," now at Lucca, and the "St. 
Mark," which is in the Pitti Palace. His boy angels are beautifully painted. 
His works are seen in the Louvre, Vienna Gallery, and the Berlin Museum, 
but he is best studied in Florence. 

20 THE VIRGIN AND CHILD {School of Fra Bartolommeo). 

The Virgin full-len^h, seated, holding the Divine Infant in her arms, is 
clad in a dull-red dress with green drapery folded loosely about her figure. 

Gift of Mr. Corneltds Vanderbilt, 1880. On plaster, 24 H. ; 49^ W. 

B ASTIEN-LEPAGE^ Jules. French School. 

Bom at Damvillers, 1848 ; died at Paris, 1885. Pupil of Cabanel. At the 
Paris Sahn of 1877 he exhibited a portrait of Lady L., and "Mes Parents"; 
1875, "The Communicant" and a portrait; in 1874, the "Song of Spring" and 
a portrait of "Mon Grand-Pere"; in 1878, "Les Foins" and a portrait of M. 
Andr6 Theuriet. Medals in 1874 and '75. 

60O JOAN OF ARC. 

"The Maid of Orleans" in peasant garb stands in the garden of her cottage 
home surroimded by shrubs and small trees; her outstretched left hand toys 
meaninglessly with the leaves of a young fruit tree as she gazes fixedly before 
her, at the vision which appears by reflection in the shrubbery behmd her. 

Salon, 1880. Bought from the artist for Mr. Erwin Davis, and given by him te the 
Museum, 1889. Lent to the Bxpoaition Universelle, Paris, 1889. 
3igned and dated, 1879. On cauvas, 98 H.; 109 W. 

6 



BECKER, Carl. German School. 

Born at Berlin, 1820. Member and Vice-PresideoLt of the Academy of 
Berlin; member of the Academy of Vienna, and of the Royal Society of Letters 
and Fine Arts of Belgium. Officer of the Order of Leopold. MedaLs at Berlin, 
Vienna, and Mimich, and other honors and decorations. 

646 ADELHEID AND THE BISHOP OF BAMBERG (A Scene 

in Goethe* 8 Play, **G9tz von Berlichingen"). 

In a sumptuous apartment seated at a table and playing chess with Adel- 
heid is the Bishop of Bamberg; at the left a page stoops to kiss his band, and 
in the shadow behind this group are ladies and gentlemen one of whom is play- 
ing on a guitar. 

Gift of Mbb. Anna Wosrishoitsb, 1899. Signed. On canvas, 49 H.; 66 W. 



THE RIVALS. 
Lent by the Estate of W. H. Haix. On canvas, 26i H.; 45 W. 

689 THE EMPEROR MAXIMILIAN RECEIVING THE VE- 
NETIAN EMBASSY. 

After the capture of Verona, Senator Antonio Giustiniani, at th^ head of 
the Embassy, threw himself at the feet of the Emperor in order to make his 
address. Immediately a blank sheet of paper was handed to him to be filled 
up with the conditions of peace. (Schlosser's History of the World.) 

Bequeathed by Mrs. Elizabbth U. Coles, 1892. 

Signed and dated, 1877. On canvas, 60i H. ; 94iW. 

BEECHEY, Sir William, R.A. Engluh School 

Bom at Burford, Oxfordshire, 1753. Died at Hampstead, 1839. Admit- 
ted a student of the Royal Academy, London, in 1772, and after painting 
portraits and pictures in Hogarth's manner several years in Norwich, returned 
to London, where he long enjoyed uninterrupted favor with the fashionable 
world. In 1793 he painted a portrait of Queen Charlotte, and was appointed 
by her royal portrait painter, and became A.R.A. Li 1798 he painted the 
large equestrian picture, now at Hampton Court, of George III at a Review in 
Hyde Park, and in the same year became R.A. and was knighted. 

160 H. R. H, DUKE OF YORK. 

Three-quarters length, lifensize. Standing upon a balcony, the face 
turned to tne left of the spectator, fi^re to the front. He is dressed in a 
scarlet coat richly decorated with gold braids. A black cloak hangs loosely 
over his shoulders enveloping the ngure below and floating out on the back- 
ground of sky. 

Gift of Mb. T. J. BLAKiSLBft, 1895. On canvas, 61 H. ; 51 W. 

206 PORTRAIT OF A LADY. 

Half length. Seated in the open air with the left hand restins easily over 
the arm of a garden seat, the right holding a closed sun shade which lies m her 
lap. The figure is turned three-quarters to the right; the face is nearly in 
profile with curly blonde hair about the forehead; and a blaipk band passes 



ovej the tead. A red mantle b around the tigure. Herd^oUet^ go wo b of 
thin white muslin with heavy bands at the shoulders. A tree &unk and 
foliage are at the left and a vista b at the risht where a church spire rises from 
among the trees into a sky streaked with clouds. 

Gift of BIr. Gbobob A. Hbarn, 1905. On canvas, 40 H.; 30 W. 

BENJAMIN-CONSTANT, Jean Joseph. French School 

Bom at Paris, June 10, 1845; died at Parb, May 26, 1902. Pupil o! 
Cabanel. Five Medab, Salon of 1875; two in 1876; three at the Exposition 
Universelle, Paris, 1878; Gold Medal, Exposition Univeraelle, Paris, 1889; 
Medal of Honor, Salon of 1895. Member of the Institute of France; Officer 
of the Legion of Honor, and of several other foreign orders. 



JUSTINIAN IN COUNCIL. 

Paris Salon, 1888. 

Justinian I (Flavins Anicius Justinianus), sumamed the Great, a Byzan- 
tine Emperor, bom at Tauresium, a village near Sardica (now oophia), in 
Bulgaria, in 482^or 483 ; died, 565. He was the son of a poor barbarian family, 
but nb elevation was promoted by hb imcle, Justin I^ who, shortly before hb 
death in 527, adopted him as Co-Emperor. The pohtical events of hb reini 
may be simmied up in the wars of Belisarius and the eunuch Narses, who 
obtained successes over the Persians in the East, and the Vandab and Goths 
in Italy, and in the terrible sedition which broke out at Constantinople in 532. 
The glor^ of hb reign b the famous digest of Roman law^ known generally as 
the Justinian Code, which was compiled out of the Gre^onan, The<xiosian, and 
Hermo^enian codes^ by the ablest lawyers of the empire, imder the genius of 
the jurisconsult, Tnbonian. Their labors consbt — I, of the " Statute Law," 
or Justinian Code, properlv so called. II, ''The Pandects," a digest of the 
decisions and opinions of former magbtrates and lawyers. These two cmn- 
pilations consisted of matter that lay scattered through more than two thou- 
sand volumes, now reduced to fifty. Ill, ''The Institutes," an abridgment in 
four books, containing the substance of all the laws in elementary form. 
IV, The laws of modem date, including Justinian's own edicte, collected into 
one volume and called, "The New Code." These labors, which a Csesar had 
not been able to accomplish, were completed by the year 541. Besides this 
important work of imperial reform, Justinian was a great builder and engineer, 
and works of public utility were kept constantly in progress in all parte of the 
empire. He was remarkable for his temperance and chastity, ana not less for 
his great learning and diligent application to the duties of ms high office. 

Gift of Mr. G. Mannhbuckr, 1890. 

Signed and dated. 1886. On canvas. 12 ft. 2 in. H.; 21 ft. 6 in. W. 

BERCHEM (Berghem), Claes (Nicholas), (Nicolaes). 

DtUch School. 

Bom at Haarlem, 1620; died at Amsterdam, 1683. Son of Pieter 
Klaasze. The reason for his being called Berchem, or Berghem, is not known, 
but he usually signed his works by that name. He studied with his father, 
Van Goyen, J. B. Weenix, and Jan Wils, and married the daughter of the latter. 
It is evident from his works that he went to Italy, although no account of his 
having done so is given. He painted genre, battles, landscapes, cattle, and 
portraits. His best works are his small landscapes with figures and cattle. 
Berchem is the most celebrated of the group of painters to which he belongs^ 

7 



Smith describes 417 of his works, and he left besides more than fifty etchings. 
The galleries of Munich, Dresden, Vienna, Berlin, St. Petersburg, and the 
Louvre contain the largest number of his works. Some am also iu Englcuid, 
in the National Gallery, and at Dulwich, and Lord Ashburton has one of his 
best productions, called '^Le Fagot.'' He seldom made large pictures. 

41 REST. 

Beneath a group of trees at the right of the spectator a woman is sitting 
with a babe in her arms; a man and dog are by her side and sheep and cattle 
are nearby. The sky is silvery gray with Ught fleecy clouds. 

Purchased by the Museum. 1871. On canvas, 16i H.; 13 W. 

BERNE-BELLECOUR, fitienne Prosper. French School 

Resides at Gh&teau d'Egreville (Seine et Mame), France. Bom at 
Boulogne, 1838. Genre j landscape, and portrait painter; pupil of Picot and 
of F. Barrias. Medals: 1869; first class, 1872; third class, 1878; L^on of 
Honor, 1878. 

361 SOLDIER IN THE TRENCHES. 

Sitting behind the earthwork with a ready rifle in hand is a dngle French 
soldier on the alert for a shot at the enemy. 

Bequeathed by Miss Catharine Lorillaro Wolfe, 1887. 

Signed and dated, 1872. Water Color, 6 H.*, 4 W. 

443 THE INTENDED. 

Seated upon green wooden seats in the garden of a chateau are four per- 
sons dressed in the costume of the early Empire. ''The Intended " is winaing 
from a skein held by the hands of a general who dts stifily at the other end (h 
the seat. Back of the "Intended is the father wearing an expression of 
intense satisfaction, and the mother leans over his shoulder in an approving 
manner. 

Bequeathed by Miss Catharine Lorillard Wolfe, 1887. 

Painted to order. Salon, 1874. Signed and dated, 1874. On canvas, 20 H.^ 31 W. 

BEYEREN, Abraham Hendricksz van. DtUch School. 

Bom at The Hague in 1620 or 1621 ; died after 1674. A painter of still- 
life. Master of the Guild at The Hague m 1640, at Delft in 1657. Works in 
Amsterdam, Rotterdam, Lille, Frankfort, Berlin, Vienna, Pesth, and St. 
Petersburg. 

79 A STUDY OF FISH. 

Purchaaed l^ the Museum, 1871. On canvas, 24^ H. ; 31 W. 

BIDA, Alexandre. French School. 

Bom at Toulouse, 1813; died, 1895. Pupil of Eugene Delacroix. Bida 
is best known through his exquisite designs for the illustrations of the Gospels, 
exhibited in 1867. He has at times painted portraits, but he represents with 
exceptional force and grace the life and scenery of Oriental countries, with 
which he made himself familiar during his visits to the East. Chevalier of the 
Legion of Honor, 1855; Officer, 1870. Order of Leopold. 

8 



THE MASSACRE OF THE MAMELUKES. 

"The Viceroy of Egypt, wishing to crush at one blow the warlike Mame- 
lukes who were making havoc amon^ his people, on the first day of May, 181 1. 
convened, under a false pretext, their leaders. 

"They were to meet in the old Palace of Cairo, and these proud Mame- 
lukes in gorgeous robes, and golden helmets shining in the sun, rode up the 
Strang, narrow street, cut out of the solid rock, where, in this narrow defile, 
conscienceless Mehemet had laid his trap. When the brilliant procession 
arrived at the gate *E1 Azale,' the soldiers cried * Treason I' as they saw each 
house filled with Albanians, armed with long guns. The Mamelukes, sur- 
rounded by impassable walls, fell like ripe com, under a hail of bullets, a con- 
fused mass of men and beasts; the horses, neighing in their fright, bounded 
through pools of blood over the bodies of the wounded, while the conquerors 
of a himored battles, now conquered, shook their clenched fists at the terrible 
walls. Death passed over them like a whirlwind, not sparing one out of the 
five hundred horsemen.'' 

Bequeathed by Miss Catharine Lobillard Wolfe, 1887. 

Signed. Water Color. 37 H. ; 2i5W. 

BISI, Cavaliere Luigi. Milanese School 

Bom at Milan, 1814; died there, 1886. Pupil of F. Durelli at Milan 
Academy, of which he became professor of perspective and, later, President. 

662 CATHEDRAL OF MILAN 

Interior view of the cathedral with its high towering arches. In the 
nave are gathered together in worship a large congregation of people. 

Bequeathed by Mr. Stephen Whitney Phojnix. 1881. 

Signed and dated, 1871. On canvas, 61 H. ; 48^ W. 

BISSCHOP, Christoflfel. Dutch School 

Bom at Leeuwarden, 1828. Died, October, 1904, at his Villa " Frisia," 
near The Hague. Genre painter; pupil in Paris of Comte and Gleyre. 
Medals at Amsterdam, The Hague, Rotterdam, Paris, Brussels, and Munich. 
Knight of the Orders of the Dutch Lion; Francis Joseph, of Austria; Leo- 
pold of Belgium; Commander of the Orders of St. Michael of Bavaria, and of 
Friedrich of WUrtemberg. 

342 THE SUNBEAM. 

"The Sunbeam" lies in a richly decorated cradle with a dark blue canopy 
which stands bv an old Dutch enclosed bed where the fond young mother is 
cauchle. Her delicate right hand is raised to the paneled door and her head 
is turned in affection to her child. A large illustrated open Bible rests on a 
li^ht-stand near the head of the bed. 

Purcha^d from the income of the Catharine Lorillard Wolfe Endowment Ptind for her 
collection, New York, 1895. 

Signed. Water Color, 33 H. ; 40i W. 

BLAKELOCK, Ralph Albert American School 

Bom at New York, 1847; self taught. Honorable mention, Paris Ex» 
position, 1900. 

326 INDIAN ENCAMPMENT. 

Lent by Mr. Gbobob A. Hearn. Signed. On canvas, 37 H.; 40 W. 

9 



1 



BLANCHARD, Jacques. French School. 

Bom at Paris, 1600; died there, 1638. Pupil of hb uncle J6rdme Bolley; 
went to Lyons in 1620 and spent four years in studying with and assisting 
Horace Le Blanc. He was called the French Titian. 

319 VENUS AND ADONIS. 

Lont by Mr. Gborgb A. Hbarn On oanrrns, 47 H.; 68 W. 



BLARENBERGHE, Henri Joseph Van. French School 
Bom, 1741 ; died, 1826. LiUe. 

612 FSTE of the tunny FISHERS AT MARSEILLES. 

The shore in the foreground is filled with groups of people in gala dress to 
witness the dashing feats of the fishermen who on this day indulge in aquatic 
sports in the port of Marseilles. The boats in the harbor are filled with meny 
makers and divers plunge into the water or swim about at ease. The massive 

fray waJls of the fortress is at the left and windmills crown the hills beyond, 
'he sky is golden flecked with sunlit clouds. 

Purchased by the Museum. 1871. On canvas, 32i H. ; 47 W. 



BLUM, Robert F. American School. 

Bom at Cincinnati, Ohio, 1857; died, 1903. At the age of sixteen he 
entered a lithographic establishment, but soon came to New York and gave a 
number of years to illustrative work. From 1880 to 1889 he made several trips 
abroad. In 1890 he went to Japan, conmiissioned by the Scribners to work 
conjointly with Sir Edwin Arnold. In the mean time his paintings had 
brought recognition and he was awarded bronze, silver and gold medals. The 
''Bead Stringers," a Venetian subject, occasioned his election as associate 
member of the Academy of Design, and "The Ameya" brought him into full 
membership. Upon his return from Japan in the faU of 1892, after writing and 
illustrating articles on Japan, and completing several easel pictures, Mr. Blum 
made an entirely new departure, taking up mural decoration. The " Moods of 
Music'' in Mendelssohn Hall, begun in 1893, is his first serious effort along the 
new lines and is an initial proof, as later productions bear witness, that the 
artist was well qualified to exeicise his powers in the broad field of mural 
painting. 



136 THE AMEYA, OR ITINERANT CANDY VENDER. 

In the foreground at the left, " The Candy Peddler '* habited in a light blue 
Japanese robe and with a kerchief of the same color about his head sits upon a 
brown paper box before a stand of highly decorated, grotesaue confections. 
He is surrounded by a group of girls, all of whom carry upon tneir shoulders a 
cluld gaily dressed in the most brilliant colors. Beyond this group in the 
middle of the road is a man wearing a white hat. He is seated on the shafts of 
a jinrikisha, smoking. The farther side of the street from right to left is lined 
with low shops where trade is gning on. 

Gift of the Estate ef Alfred Ck>RNiNO Clark, 1904. On canvas, 25i H.; 30i W. 

10 



BOILVIN, Emile. French Sohool. 

BnnAtMtts, ; dMat Paris, 1800. Pupl of PMb. iDgirnvw and 

pMnter. 

602 LOUIS XI AT PRAYER. 

The King is kneeling before a crucifix which is on a tapestiy-oovered 
table in the center of his private chapel; a black skull-cap is on his head and 
a voluminous black fur-trinuned gown covers the figure. His barber with a 
white napkin over his arm stands by holding with both hands a silver salver. 
Two hounds at the right are closely regarding a man who is making his exit 
through an open door. At the left is a stained-glass window; a trip^ch, and 
decorations are over the mantelpiece. 

Bequeathed by Mb. Stephen Whitnbt Phobnix. 1881. 

Sicned. On canvas, 34 H.: 46 W. 

BOLDINI, Giovanni. Italian School 

Bom at Ferrara, Italy, 1844. Resides at Paris. 

41 6 FEMALE FIGURES ; GOSSIP. 

Three ladies, in the "dress of the Empire, are seated in a highly ornate 
chamber in animated conversation. One at the left in an arm chair is address- 
ing the other two who rest upon a yellow damask sofa. A large mahogany 
Empire table stands prominently in the foreground of the picture. 

Bequeathed by Miss Catharine Lorillard Wolfe, 1887. 

Signed and dated. 1873. On wood. 7 H. ; 9 W. 

BONHEUR, Francois Auguste. French School 

Bom at Bordeaux, 1824; died 18S4. Son and pupil of Raymond Bon- 
heur (died, 1853). Brother of Rosa Bonheur. Medals: third class, 1852^' 
1857; second class, 1859; first class, 1861, 1863. Legion of Honor, 1867. 

668 WOODLAND AND CATTLE. 

A herd of cattle are grouped about in the shade of a grove of old oak trees 
illuminated with bright sunlight which shimmers in spots over the field and 
on the catUe which fle at rest in the foreground. Others stroll about or are 
gathered at a pool of water in the middle distance, where one white cow stands 
prominently forth as a leader of the herd. The cowherd leans lazily against 
the trunk of a tree at the right. 

From the A. T. Stewart Collection, 1887. Signed. On canvaa, 104^ H. ; 157 W. 

Gift of Mr. James Cunch Smith and sisters. 1800. 

BONHEUR, Marie Rosa. French School 

Bom at Bordeaux, March 22, 1822; died, 1899. Pupil of her father, 
Raymond B. Bonheur. At the age of 4 years commenced to show a passion 
for drawing. Began by copying in the Louvre; afterwards made studies and 
sketches near Paris. Her first two pictures exhibited at Bordeaux, 1841, 
attracted much attention, and were followed by others which established her 
world-wide fame. First exhibited at the Salon in 1845. Her painting, 
"Boeufs Rouges du Cantal," won her her first reward, a gold medal of the 
third class, 1847. During the Franco-Prussian War, her studio and residence 
at By, adjoining the Forest of Fontainebleau, were respected by special order ol 

11 



the Crown Prince of Prussia Since 1848 she had been Director of the Paris 
Free School of Design for Young Girls, which she founded. "Exempt" from 
Juiy of Admission by special decree, July 27, 1853. In 1865, Maximilian and 
Carlotta sent her the Cross of San Carlos. Elected member of the Academy 
of Fme Arts of Antwerp, 1867. Medals: 1845, '48, '55, '67 (Exposition Uni- 
verseUe). Legion of Honor, 1865, personally delivered by the Empress Eugenie; 
Leopold Cross, 1880; Commander's Cross of Royal Order of Isabella the 
Catholic, 1880. President Camot, of France, visited her several times in 
1893, and prevailed upon her to send some of her work to the Columbian 
Exhibition. Her exhibit there was the occasion of her being named Officer 
of the Legion of Honor (1894). Officer of the Most Noble Ord^ of Santo 
Jacobo, 1894. 

426 A LIMIER'BRIQUET HOUND. 

Bequeathed by Miss Catharinb Loriixard Wolfe, 1887. 

From the H. D. Newcomb collection. 1877. Signed. On canvas, 16 H.; 18 W. 

440 WEANING THE CALVES. 

An unhappy mother stands looking demurely over the bars which separate 
her from her offspring. The poor calf looks up pleadingly for an explanation ; 
four companions in misery are there waiting for the return of the mothers 
which are seen wending their way slowly down the side of the hill toward the 
pen in which they are confined. A range of mountains streaked with snow 
rises over the hills into a clear blue and cloudless sky. 

Bequeathed by Miss Catharine Lorillard Wolfe, 1887. 

Signed and dated, 1879. On canvas, 25 H. ; 32 W. 

660 THE HORSE FAIR, 

Rosa Bonheur made her delmt at the Paris Salon of 1841, to which 
she sent two small pictures of sheep, goats, and rabbits. She exhibited each 
following year except 1851-52. In 1853 she exhibited her masterpiece, the 
now famous " Horse Pair." The subse<quent history of this painting is given in 
the following extract from a letter written to Mr. S. P. Avery bv Mr. Ernest 
Gambart, the original purchaser of the picture, formerly of London, and now 
retired from business and living at Nice: *' I will give you the real story of the 
* Horse Fair^ now in New York. It was painted in 1852 by Rosa Bonheur, 
then in her thirtieth year, and exhibited in the next Salon. Though much 
admired, it did not find a purchaser. It was soon after exhibited at Ghent, 
meeting again with much appreciation, but was not sold, as art did not flourish 
at the time. In 1855, the picture was sent by Rosa Bonheur to her 
native town of Bordeaux, and exhibited there. She offered to sell it to the 
town at the verv low price of 12,000 francs ($2,400). While there I asked her 
if she would sell it to me, and allow me to take it to England and have it en- 
graved. She said: * I wish my picture to remain in France. I will once more 
impress on my countrymen my wish to sell it to them for 12,000 francs. If 
they refuse, you can nave it^ but if you take it abroad, you must pay me 
40,000 francs.' The town failing to make the purchase, I at once accepted 
these terms, and Rosa Bonheur then placed the picture at nw disposal. 
I tendered her the 40,000 francs, and she said: 'I am much gratified at your 
giving me such a noble price, but T do not like to feel that I have taken advan- 
tage of your liberality. Let us see how we can combine in the matter. You 
wm not be able to have an engraving made from so large a canvas. Suppose I 

Saint you a small one of the same subject, of which I will make you a present.' 
>f course I accepted the gift, and thus it happened that the large work went 

12 



traveling over the kingdom on exhibition, while Thomas Landseer was making 
an engraving from the quarter-size replica. 

"After some time, m 1857 (I thmk), I sold the ori^nal picture to Mr. 
Wm. P. Wright, New York (whose picture gallery and residence were at W«e- 
hawken, N. J,), for the sum of 30,000 francs, but as he claimed a share of tb» 
profits of its ^diibition in New York and other cities, he reallv paid me only 
22,000 francs for it. I offered to repurchase the pictiure in 1870 for 50,000 
francs, but ultimately I understood that Mr. Stewart paid a much lai|^r price 
for it on the dispersion of Mr. Wright's gallery. The auarter-size rephca, from 
which the engraving was made, I finally sold to Mr. Jacob Bell, who be- 
queathed it, in 1859, to the nation, and it is now in the National GaUeiy in 
London. A second, still smaller, replica was painted a few years later, and 
was resold some time ago in liOndon for £4,000 ($20,000). There is aJso a 
smaller water-color drawing, which was sold to Mr. Bolckow for 2,500 guineas 
($12,000), and is now an heirloom belonging to the town of Miadleborough. 
That is the whole history of this grand work. The Stewart canvas is the real 
and true ori^al, and only large size * Horse Fair.' 

"Once m Mr. Stewart's possession, it never left his gallery until the 
auction sale of his collection, March 25, 1887, when it was purchased by Mr. 
Cornelius Vanderbilt for the sum of $55,500, and presented to the Metropolitan 
Museum of Art. Hamerton calls Rosa Bonheur *the most accomplished 
female painter who ever lived,' and adds: *She is a pure and generous 
woman as well, and can hardly be too much admired, whether we regard her 
as a woman or artist. She is simple in her tastes and habits of life, and many 
stories are told of her generosity to others.^ " 

Gift of Mr. Ck^BNEuns Vanderbilt, 1887. 

Signed and dated. 1853-5. On canvas. 93iH.: 197 W. 

496 DEER IN THE FOREST— TWILIGHT. 

The twilight gleams through a forest of trees from whose intertwining 
branches the Autumn leaves have fallen, scattering their purple tints over the 
moss grown rocks and uneven soil. In the center of the wood are three deer 
at rest; two are lying down, the other stands on the alert; a feeling of silence 
pervades the scene. 

Bequeathed by Mrs. Elizabeth U. Coles, 1892. 

Signed and dated, 1883. On canvas, 26i H. ; 31i W. 



BONINGTON, Richard Parkes. English School 

Bom at Arnold near Nottingham, 1801; died at London, 1828. His 
grandfather, and afterward his father, was governor at the gaol of Northamp* 
ton, but the father, having been displaced for irregularities, set up as a portrait 
painter in Paris. At the age of fifteen, Richard was a student at the Louvre, 
and received lessons from Baron Gros. Li 1822 he went to Italy. Returning 
to Paris, he became a victim of consumption, from which he died in London 
in his twenty-seventh year. 

248 SEA COAST. 

In the foreground is a pool, on the borders of which are two groups of 
peasants; among them two men in long cloaks, facing the spectator and con- 
versing. In the distance the sea is seen extending across the picture, with 
fishing boats under sail, Exhibited at the International Exhibition at London 
in 1862. Purchased from M. Sedelmeyer m 1888. 

Gift of Mr. Henrt G. Mabquand, 1888. On canvas, 16 H.; 23iW. 

18 



i6± COASt SCENE, NORMANDY. 

On the beach, at the landing plaoe of the fishing boats, is a gioiQ) of people 
buylfiigaiui aeU^ fish* At the right a man Is standing in a heavy wagcm over 
wmenis a canvas oanopy: Uie boat aailt rising above are relieved against a 
mass of li^ht clouds in a silvery gray sky. The man wearing a high hat who 
is seated m the center of the group of figures is said to be William Cook, the 
engraver. This picture was exhibited in the special loan collection at Not- 
tingham Castle Museum Art Galleiy, October, 1893. 

Gift of Mr. Georos A. Hbarn, ISM. On canvas, 31 H.^ 47f W. 

BONNAT, L6on Joseph Florentin. French School 

Bom at Bayonne, 1833. Pupil in Madrid of F. de Madrazo, and of Co- 
gniet, in Paris. Studio in Paris. Second Grand Prix, 1858; then studied three 
years in Italy. Medals: second class, 1861, 1863, and 1869; of Honor, 1869. 
Legion of Honor, 1867; Officer, 1874; Commander, 1882. Grand Officer, 
1897. Member of the Institute of France. 

437 EGYPTIAN FELLAH WOMAN AND CHILD. 

From studies made at the opening of the Suez Canal. Salon, 1870. 

Purchased from the John Wolfe collection, 1882. 

Standing at full length on the border of the Suez Canal is a Fellah woman- 
habited in a loose^ black gown, open at the neck^ who bears upon her shoulders 
a nude, sleeping mfant whose head, enveloped m a black hood, rests with its 
chubby little folded arms upon the head of its mother. The mother's right 
hand clasps one leg of the chUd and the other is raised to its support above. 

Bequeathed by Miss CAT^ARINB Lorjllaro Wolfb, 1887. 

Signed and dated, 1870. On canvas, 72 H.* 39 W. 

477 ROMAN GIRL AT A FOUNTAIN. 

A Roman girl, in peasant costume, about twelve years of age, stands on 
one foot and leans forward, resting both hands on the rim of an old, stone basin ; 
with upturned face and open mouth she is ready to catch the water which falls 
from a projecting pipe in the wall above. At the left is a deep-blue sky. 

Painted to order, 1875. 

Bequeathed by Miss Catharine Lorillard Woltb, 1887. 

Signed and dated. 1875. On canvas. 65i H.: 38i W. 



PORTRAIT OF JOHN TAYLOR JOHNSTON, First Pres- 
ideal of the Mttseum ; from 1870 to February, 1890. 

Sitting in a laige armchair with the face and figure turned slightly to the 
left of the spectator. The large, dark eyes look forward from beneath the 
heavy brows, and the vigorous face, fresh and florid in color, b framed, with 
the exception of a clean shaven chin, in iron-gray hair and beard. His hands 
are brought together and rest on his lap; he wears a black velvet coat and 
nray trousers. The background is dark brown shaded to light at the right. 
Three-quarters length, life-size. 

Gift of the Trustees, 1880. Signed and dated, 1880. On canvas, 50i H.; 42 W. 

BORCH, Gerard ter (Tcrburg). Duich School. 

Bom at Zwolle probably between 1613 and 1617; died at Deventer, 1681. 
A contemporary of Teniers, and, like him, a painter of genre subjects, but of the 
higher ranks in life. He usually represented but few figures, and such scenes 



as ladies at their toilets, musical parties, conversations, etc. He excelled in 
painting elegant costumes, and bis white satin dresses are especially remaric- 
able. The general tone of bis pictures is cool, his heads being warmly colored. 
He painted small portraits, but these are rare in public galleries. His own 
portrait is at The Hague. His works number a little more than one hundred, 
and are of enormous value. 

276 PORTRAIT OF A GENTLEMAN. 

Standing beside a table which is covered with a red cloth, the right 
hand is held before his breast, the left rests upon the table, the face and 
figure are to the front; his long brown hair falls over a large square linen 
collar. 

Purchased in London in 1888. 

GSftofMB.HBMBTG.MARQnAin>. 1888. OnfMtnel, 13i H.8 lliW. 

BOTH, Jan (called the Italian). Dutch School, 

Jan bom at Utrecht about 1610; died there, 1652. Jan and his blather 
Andries having learned the elements of painting from their father, Dirck, 
glass painter, were apprenticed by him to Abraham Bloemaert. The brothers 
traveled in France and Italy. At Rome, Jan imitated the style of Claude 
Lorrain and pfunted some excellent landscapes. He returned to Utrecht in 
1640. Andries was drowned at Venice, 1650, and it is said that Jan died of 
grief at the loss of his brother. 

36 ITALIAN LANDSCAPE. 

A warm, sunny sky, and wooded landscape, in the foreground of which 
there are two horsemen, one mounted on a light gray which is at rest, and the 
other dressed in a scarlet cloak and riding a light bay at full gallop with his 
hand raised in salutation to a man whom he approaches; another man on foot 
and two dogs belong to this group, and a woman and child are crossing the 
field beyond. Five large trees in the center with another at the right donunate 
the landsci^ which has two large boulders at the right of the for^round. 
The middle distance is undulating, and a lake lies at the base of the blue hills 
tar away. 

Purehased by the Huseum, 1871. On canvas, 50 H.: 62 W. 

BOUCHER, Francois. French School. 

Bom at Paris, 1704; died there, 1770. Attended for a short time the 
school of Le Moine, then drew from his own compositions or Watteau's for 
engravers. In 1723 he took the first prize at the AcadhrvUf and later went to 
Rome with Carle Van Loo. Returning to Paris in 1731, was received into the 
Academy in 1734; Professor in 1737; Director in 1765, and after the death of 
Carle Van Loo was appointed first painter to the king. He painted mytho- 
logical, pastoral and decorative subjects. 

THE RESCUE OF ARION FROM THE WAVES. 



According to the legjend the Greek poet. Anon, while returning from a 
musioal contest in Sicily m which he had been victor, was thrown into the sea 
by the sailors, but was saved and carried to Taenarus by dolphins which had 
gathered about the ship. Arion playing Upon a lyre is seated on the back of a 

16 



dolphin m the center of the picture. Bright red drapeiy floats about the 
figure, anH sea ^ods, nym^hsj and dolphins are gathered about to listen to the 
music. At the lef t are a sinkmg ship and storm clouds, and above b the bright 
blue sky. 

Gift of Mr. Lbon Gauchbz, 1875. Sicned. On oanvas, 46 H.; 62^ W. 

BOUGHTON, George H., R.A. EnQliOiSehMl. 

Botu in England, 1834; died at London, January, 19, 1905. His family 
went to Albany, N. Y., 1837. Studied at Albany. First exhibited at the 
National Academy of Design, New York, in 1858. Made an Academician, 
1871. Associate Member of the Royal Academy, 1870, and of the Royal 
Institute of Painters in Water Colors, London, 1887, R.A., 1896. 

423 A PURITAN GIRL, 

Three-quarters length, cabinet size. She is standing in an open wood 
hoLdine a bunch of wild flowers in her hands. Her dress is light fawn color 
with a olack sash about the waist and a broad-brimmed hat is on her head. 

Bequeathed by Miss Catharinis Lorillard Wolfe, 1887. 

Signed. On wood, 16 H.; 11 W. 



BOUGUEREAU, William Adolphe. Frmch School 

Bom at La Rochelle, France, 1825 ; died there, August 19, 1905, at 
midnight. History and genre painter; pupil of Picot, and from 1843 of jScole 
des Beaiix-Arts, Won the Grand Prix de Rome in 1850. On his return to 
Paris he was entrusted with important decorative works in public buildings, 
and in 1866 painted Apollo and the Muses in the foyer of the theatre at 
Bordeaux. Medals: second class, 1855; first class, 1857; third dass, 1867; 
Legion of Honor, 1859; Officer, 1876; Member of Institute, 1876; Medal of 
Honor, Exposition UniverseUef 1878; Knight of the Order of Leopold, 1881; 
Grand Medal of Honor, 1885; Medal of Honor, Antwerp, 1885; Commander 
of the Legion of Honor, 1885. 

860 BROTHER AND SISTER, 

A Brittany peasant girl about sixteen years old, wearing a white head- 
dress and cape, striped apron and short red skirt, is sitting with bare feet in 
the edge of a wood holding her little brother in her lap ; both arms are around 
the chubby little fellow with the fingers interlocked. The boy is cuddled con- 
fidently and contentedly in his sister's arms with one bare leg crossing her lap, 
the other hanging by her side. An apple is in each hand, a red oap is on his 
head and a blue dress with purple sleeves covers the figure. 

Purchased by Miss Wolfe's father. 

BequMfUMd by Mim Cathaiuns Lorillard Woltb. 1887. 

iiCMd Md daled. 1971. Oa omivm* 50 ■•$ U W. 

16 



BOUTIGNY, Paul llmile. French School 

Bom at Paris. Contemponuy. Pupil of GabaneL Medal, third class, 
1884. 

679 THE REVOLT AT PAVIA. 

The scene represented shows the recapture of the town by Napoleon in 
1796, and the assemblage of church and municipid dietaries who have come 
to the walls to implore the conqueror's clemency. 

Gift of the liwpool and London and Globe Insuranoe Co., 1901. 

On canvas. 118 H.; 158 W. 

BRETON, Jules Adolphe. French School 

Bom at Courridres (Pas-de<!alai8), May 1, 1827. Died at Paris, July 
5, 1906. Pupil of Drolling and of Felix de Vigne, whose daughter he married 
in 1858. Medals: third class, 1855, Expomiion Univeraelle; second class, 1857; 
first class, 1859, 1861, 1867, Exposition UniverseOe. Medal of Honor, 1872. 
Cheyalier, Legion of Honor, 1861; Officer, 1867; Commander, 1889. Officer 
of the Order of Leopold of Belgium. Conunander of St. Stanislas of Russia, 
and of St. Michael of Bavaria. Member of the Listitute, 1886. Member 
€i the Academies of Milan, Vienna, Madrid, Stockholm, Antwerp and Brus- 
sels. Author of several books: ''Les Champs et la Mer," poems, 1875; 
''Jeanne," poem (Monthyon prize), 1880; ''La Vie d'un Artiste," 1890; 
"Un Peintre Paysan," 1895; "Le Roman des Artistes." 

868 PEASANT GIRL KNITTING. 

Sitting on the bent trunk of an old appletree, the broad shadow of which 
covers theforeground of the picture, is a French peasant nrl knitting. Bright 
sunshine lies on the grass beyond and a deep wood is in the distance. 

Bequeathed by tiias Cathabimb Lobili<abd Wolis, 1887. 

Purohaaed in Paris. Signed. On canvas. 22 H.; 18 W. 

RELIGIOUS PROCESSION IN BRITTANY. 



Purchased in 1873 from the collection of the late Baron Str6\isberg, 
Berlin. The Brittany peasantiy are very quaint in their costume, wearing 
broad-brimmed hats and flowing hidr and in some districts trunk hose of the 
sixteenth century. They are usually spare and wiry in their persons, almost 
unchuiged in their manners, ciistoms, and habits, and old l^ends and super- 
stitions stiU retain their hold on the popular mind. Of ancient moninnents of 
different ages there is no lack in Brittanv, and above all, of Celtic remains; 
those extraordinary masses of rough imhewn stones are supposed to be in 
some way connected with the religion of the Druids. Brittan^r appears to 
have be^ the sacred land of the Qauls. the center of their worship to which 
the various nations and taribes repairea on pilgrimages at stated tunes to pay 
their devotions. Their mysterious influence b not yet by any means effaced 
from the minds of the lower orders of Brittany. Almost everjr church has its 
strange legend, and every saint his special patronage, and on his f Ste day a pil- 
grim^ or pardon is celebrated. The pardon of St. Mathurin held at Lamballe 
on Whitsunday is much frequented by pUgrims, who dance the old Breton 
dances. The pardon celebrated four times ayear at Rumegol. near Le Faou, is 
attended with very curious ceremonies. These pardons take place at fixed 

17 



periods around about certain churches, but often in uncultivated fields, where 
tents are erected, and where the fete continues for several days, and is attended 
by thousands of the peasantry of both sexes. The most important of these 
pardons are those of Ste. Anne d' Auray, and of Ste. Anne de P&lud. which last is 
the most picturesque of all, and takes place at the seaside. The one rei)re- 
sented in M. Breton's picture is held at Kergoat, near Douamenes and Quim- 
per. 

Bequeathed by Miss Cathxrinb LoRiUiABO Wolis, 1887. 

Signed and dated. 1869. On eanvas. 51 H.; 72 W. 

BREUGHEL (Brueghel), Jan (the Elder), called Fluweelen 
(Velvet) Breughel. Flemish School 

Bom at Brussels, 1568; died at Antwerp, 1625. The most gifted of his 
family. He had versatility of talent, and painted landscapes, peasants, and 
scriptural scenes. He often painted festoons and garlands of flowers around 
the figure subjects of Rubens and other eminent masters, in which he intro- 
duced butterflies and bright-colored insects in a profuse, delicate, and most 
skillful manner. 

38 THE HILL. 

A roadway in the center of the picture leads to the top of the hiU which is 
crowned with a group of trees; three horsemen are ascending, and some cows 
have descended on tneir homeward way; at the right a group of peasants are 
resting by the roadside. The sky is deep blue streaked with light. 

Purchased by the Museum, 1871. On panel. 7 H.; 10 W. 

30 THE WINDMILL. 

In the middle distance at the left on a slight elevation stands an old mill. 
At the base of the hill there is a roadway leadmg down into the foreground of 
the picture where some men are detaching horses from market wagons, and a 
man is seen at the left descending the hill with a sack of grain upon his back. 
The sky is dark blue with a gleam of golden light. 

Purchased by the Museum, 1871. On copper* 7 H.; 10^ W. 



BRION, Gustave. French School. 

Bom at Rothau, Alsace, 1824; died in Paris, 1877. Pupil of Grabriel 
Gu^rin in Strasburg. Medals: second class, 1853, '59, '61, '67; first class, 
1863; Medal of Honor, 1868; Legion of Honor, 1863. Order of Leopold of 
Belgium. 

438 RETURN FROM THE CHRISTENING. 

The Christening party are just emergiuj^ from the portals of a church 
where the proud young mother steps to the front with the babe lying asleep 
upon a white cushion m her arms; following is the father who is dispensing 
alms to some poor p>eople who have gatherSi at the church door. A stout 
maiden at the left is scattering confections among the children, and below, at 
their right, the tops of the houses in the village are seen in bright sunlight. 

Bequeathed by Miss Catbatunb LoRxiiLARD Wolvb, 1887. 

Piunted to order. 1874. Signed and dated. 1874. On canvas. 48 H. ; 02 W. 

18 



A RAFT ON THE RHINE, 

On the rear pf the raft which nearly crosses the fore^und of the picture 
are two men in white shirts vigorously working the steenng paddles; another 
is bent over hauling in a boat which is in tow; and others walk along the edge 
of the raft with the ends of long poles pressed against their breasts pushing 
with all their mi^ht. Near by a group of women surround a big kettle in 
which a meal is being cooked. In the center are an improvised tent and a tall 
pole which floats a red banner. Other groups of figures are scattered along 
the whole line of the raft which swerves to the left in mid-stream. The shore is 
veiled in mist and vapory clouds rise into a duU gray sky. 

Gift of Mr. Gborobs Pbtit, of Paris. 1881. Signed. On canvas, 61 H. ; 96 W. 

BROWN, George Loring. American School. 

Bom at Boston, 1814; died, 1889. Pupil of Washington Allston, and in 
Paris of Eugene Isabey. Visited Europe in 1840. Painted in Antwerp, 
Florence, Rome, Paris and London. Returned to America in 1860. 

117 VIEW AT AMALFI (Bay of Salerno). 

In the foreground, on a sandy beach, the fishing boats are crowded 
together in the strong sunlight. Some white buildings in shadow are at the 
base of a cliff that rises into the sunny sky and stretches away on the crescent 
line of the shore of the bay into the extreme distance. 

Gift of Mr. William Church Obborn, 1003. 

Signed and dated, 1857. On canvas, 33 H. ; 62 W. 

BROWN, John Lewis. French School 

Bom at Bordeaux, 1829; died at Paris, 1890. Painter of military and 
hunting scenes; pupil of C. Roqueplan and of Belloc. Medals in 1865, 1866, 
and 1867; Legion of Honor, 1870. 

466 FOX HUNTERS. 

A group of mounted fox hunters are starting out for the chase with a pack 
of hounds in the lead. The country is open and a brilliant cloudy sky is above. 

Bequeathed by Miss Catharink Lorillard Wolfb. 1887. 

Dated, 1866. On wood, 6 H. ; 4 W. 

BROWN, William L. American School 

667 FRUIT. 

Lent by Mr. Thobias P. Salter. On canvas. 16i H. ; 15^ W. 

BROWNING, Robert Barrett. English School 

Son of Robert and Elizabeth Barrett Browning. Studied at Antwerp, 
first exhibited at the Royal Academy in 1878. 

644 THE MEUSE FROM BOUVIGNE (BELGIUM). 

High green hills rise on either side of the river, and nestled down on its 
bank at the right is a group of houses and a floating barge is near the shore. 

Gift of Mrs. Bloomfibld Moorb. 1882. 

Signed and dated. 1879. On canvas. 57i H. : 102i W. 

10 



BROZIK, Vacslav Von. Austnan School 

Bom at PUflen, Bohemia, March 6, 1852; died at Paris, April 16, 1901. 
Director (and Member) of the Imperial and Royal Academy of the Beaux- 
Arts, of Prague, Bohemia. After preliminary studies, entered the schools of 
the Beaux-Arts of Prague and of Dresden, in 1870; and of Munich in 1873, 
where he remained untU 1876. Studied under Piloty and Munkacsy. Went 
to Paris in 1876, where he exhibited for twenty years. Crrand gold medals: 
Paris, 1878; Brusseb, 1879; also at Berlin, Munich, and Antwerp. Medals 
of Honor at Antwerp and Chicago. Medal of the Second Class, Salon of 1878, 
for his great picture, ''The Embassy of the King of Bohemia and Hungaiy at 
the Court of Charles VII of France" (now in the Berlin Museimi), and at the 
Paris National Exhibition, 1883, the Cross of the Legion of Honor, for the 
''Condemnation of John Huss by the Council of Constance," purchased by 
national subscription for the Prague Museum. Most of his smaller pictures 
are in private American collections. Member of the Royal Academy of Ant- 
werp; Officer, Legion of Honor; Member of the Institute of France, 1897. 
Orders of licopold of Belgiiun, and of Francis Joseph of Austria; also, the 
Austrian Order for Arts and Sciences. Officer of the Bavarian Order of St. 
MichaeL Ennobled, June, 1897. 

200 CHRISTOPHER COLUMBUS AT THE COURT ^OF 
FERDINAND THE CATHOLIC AND ISABELLA OF CASTILE. 

The moment chosen in the painting is the beginning of American history. 
After his repulse by other European States. Colimibus has resorted for assist- 
ance to the Court of Spain. The Spanish Treasuiy has been exhausted in the 
Moorish wars, and Isabella offers her jewels to defrav the exp>enses of the 
expedition. The contract between Ferainand and Colimibus is about to be 
signed, and the discovery of the New World is assured. (April 17th, 1492.) 

Gift of Mr. Morbis K. Jssttp. 1886. 

and dated, 1884. Onoanvaa, 12 ft. lOH.; l>tft.7 W. 



BUNKER, Dennis Miller. American /School. 
Bom at New York, 1861; died at Boston, 1890. 

1 79 PORTRAIT OF THE ARTISTS WIFE. 

Bust, lifensize, face three quarters to the right. The head is thrown back 
and the e^es are turned full to the front with an expression of disdain. The 
hair is light and the gown, black. The face is lighted from the left. 

Oift of several fentlemen, 1893. On oanvaa, 28i H.; 20i W. 

CABANELy Alexandre. French School 

Bom at MontpeUier, September 28, 1823; died, Paris, January 23, 1889. 
Pupil of Picot; won the Grand Prix de Rome in 1845; Medal, second dass, 
1852; first elass, 1855; Grand Medals of Honor, 1865, 1867, 1878. Legion of 
Hcmor, 1855; Officer, 1864; Ck>nmiander, 1884; Member of the Institute of 
France, 1863. Professcur in the jStcole des Beaux-Arts* 

90 



399 THE SHULAMITE. 

She is seated upon a delicate blue rug in the inner court of an E^^tian 
palace and is dressed in the gauzy costume of the Orient with a gold-tnmmed 
scarlet mantle about her loins. A peacock-feather fan lies at her feet and rich 
damask drapery is about her figure. The face is uptxuned, and the dark 
eyes are raised as though listening to 

"The voice of my beloved! behold, he cometh leaping upon the moun- 
tains, skipping upon the hills. . . . He standeth bemndour wall. . . . 
My beloved spake, and said unto me: Rise up, my love, my fair one, and com« 
away." — Song of Solomon, 2d chap., verses 8-10. 

Painted to order. Scion, 1876. 

Bequeathed by Miss Cathaiunb Lobillabd Wolfe, 1887. 

Signed and dated, 1875. On canvas, 56 H.; 42 W. 

42 1 PORTRAIT OF MISS CA THARINE LORILLARD WOLFE. 

Painted from sittings at Paris, 1876. 

Life-size, nearly full-lencth, standing in front of a table which is cov- 
ered with a dark-green cloth embroidered with gold. Her figure is three- 
quarters to the left, and the face to the front. The deep-brown eyes look 
kindly forward at the spectator, the fingers of the right hand rest lightly upon 
the table and the left arm crosses the fi^iu'e. She has dark hair, ana her white 
satin gown which hangs in rich folds is trimmed with dark fur. The back- 
groima is a brownish ml. 

Bequeathed by Miss Cathabinu Lorillabd Wolfb, 1887. 

Signed and dated, 1876. On canvas, 67 H.; 42 W. 

644 BIRTH OF VENUS. 

Venus lies at full length upon a curling wave of the sea with its foamy crest 
breaking from beneath her luxurious light-brown hair which floats on the 
water before her. Her left arm is extended at full-length, the right is curved 
above the face to shade her new-bom sight; five loves, two of whom are blow- 
ing upon sea shells, hover in the air above. 

Gift of Mr. John Wolfe, 1898. Signed. On canvas, 40 H. ; 68 W. 

402 QUEEN VASHTI REFUSES TO COME AT THE COM^ 

MAND OF KINO AHASUERUS. 

She is seated a little to the left, looking sadlv but firmly at the spectator, 
in her raised right hand is a feather fan, and her left hand rests by her side on 
the blue cushioned seat of the chair. She wears a blue and gold headdress set 
with pearls. Heavy gold ornaments are in her ears, and her coal black hair 
hangs loosely about the shoulders which are covered with diaphanous drapery. 
About her waist is a jeweled blue girdle with heavy bands rising over the 
shoulders, while delicate light drapery covers the figure below the waist. The 
head and hand of the slave who brings the message from the King, projects 
into the picture at her left. The background is a deep purple red. 

Bequeathed by Mrs. Elizabeth U. Coles, 1892. 

Signed and dated, 1880. On canvas, 50^ H.* 38i W. 

CALLCOTT, Sir Augustus Wall, R. A. English School 

Bom at Kensington, 1779; died there, 1844. A pupil of Hoppner. He 
at first practiced portrait painting, but later devoted himself to landscapes. 
09 has been called the English Claude. In 1837 he exhibited a picture of 

dl 



'' Raphael and the Fomarina/' which was quite out of his usual style. " Ifiiton 
and His Daughters" followed in 1840. T1m» Queen conferred knighthood upon 
him in 1837, and (n 1844 he was appointed Conservator of the Royal PIctoiee. 

286 LANDSCAPE. 

Two men lie on the cround in a rustic gateway, the entrance to a group of 
cottages. On either slew are trees relieved agamst a sky filled with silvery 
gray clouds. 

GiftofHB.QiOBOBA.HxARif, 1896. On eanvas. 27i H.; 8(}W. 

CASILEAR, John W. American School 

Bom at New York, 1811; died at Saratoga Springs, N. Y., 1893. Land- 
scape painter. Studied in Europe in 1840, and in 1857. Elected an A.N.A. 
in 1835, and NA. m 1851. 

214 IN THE PASTURE. 

Qreen pasture land in the foreground with cattle grazing; two laige trees 
at the right; a lake and farm-lands beyond reaching to a range ef mountains; 
light fleecy clouds and blue sky. 

Gift of Mbs. Rbbbcca A. OoLMmTHt nieoe of the artist. 1807. 

On canvM, 24 H.; 49 W. 

226 DISTANT VIEW OF THE CAT SKILLS. 

Two large trees are on the left bank of a stream of water where some 4^wa 
are grasinA;; the broad green farmrlands extend to the mountains beyond; 
the dcy is flecked with mite fleecy clouds. 

Gift of Mrs. Rebeooa A. Goldsmith, nieoe of the artist, 1897. 

Aigned and dated, 1891. On canvas, 29^ H. ; 44^ W. 

CAZIN, Jean Charles. French SchooL 

517 EARLY MORNING. 

Bern at Samers (Pas^le-Oalids) 1840; died, 1900. 
Lent by Mbs. Febdibick BtnTSBFixLD. On oanvaa, 28| H.: 33 W. 

CHAPLIN, Charles Joshua. French School 

Bom at Les Andelsrs (Eure), 1825; died, Paris, 1891. Pupil of the £cole 
dee BeauX'Arte, In 1860 he was ^nployed in decorating the Tuileries, after- 
wards the rooms of the Empress in the ElyaSe. He was successful as a teacher 
and as a portrait painter. Medals: third class, 1851; second class, 1852 and 
1865; Lesion of Honor, 1865; Officer, 1877. 

426 "HAIDEE" (BYRON). 

Half-length, standing with her figure turned to the right, face to the front. 
Her luxuriant blonde hair bedecked with flowers falls down to her shoulders. 
In her right hand she holds a tambourine, and with her left clasps a laige string 
of pearls which is about her neck. Diaphanous drapeiy covers her arms and 
breast and a blue band encircles her waist. The background is warm gray. 

Purchased in Paris, 1873. 

B«Quaath«d by Mibs Catharins Lorillard Woltb, 1887. 

mvkbd and cUtea, 1873. On canvfts, 39 H. ; 25 W. 

22 



CHASE, ^V^l. M. American School, 

Bom in Fr^ikliu Towxiship, Indiana, 1849. Fupil of B. F. Hayes, at 
Indianapolis; J. O. Eaton, New York; Wagner and PUoty, at Munich. 
Medal at the Exposition UniverBdle, Paris, 18S9. Member of the National 
Academy of Design. 

131 PORTRAIT OF A LADY IN BLACK. 

Full-leD^h, front view, lifensize. The right hand rests upon a table upon 
which there is a full-blown rose, the left upon the hip. 

Qift of Mu. WII.LIAM M. Chase, 1891. On canvas, 73 H. ; 35 W. 

CHAVET, Victor. French School. 

Bom at Aix (Bouches du Rhone), 1822. Pupil of P. R^voil and C. 
Roqu^lan. Medals: third class, 1853; second class, 1855 and 1857. Legion 
of Honor, 1859. 

461 IN FULL DRESS. 

A lady in an elaborate white dress is sitting upon a red sofa which stands 
before an ornate screen of gold and white. 

Bequeathed by Miss Catharine Lorillabd Wolfb, 1887. 

Signed and dated, 1873. On canvas, 9 H.; 7 W« 

CHURCH, Frederic E. American School, 

Bom at Hartford, CJonn., 1826; died at New York, April 2, 1900. Pupil 
of Thomas Cole, at CatskiU, where he Uved and painted for some years. In 
1849 he was elected a member of the N.A.D. Went to South America in 1853, 
and again in 1857. A few years later he made studies on the Coast fo Labrador 
for his '^ Icebergs/' which was exhibited in London, 1863; he made studies in 
Jamaica, 1866; in 1868 he went to Palestine, Greece, and Jerusalem. 

129 THE MGEAN SEA. 

In the middle distance of the picture lies the sea in the glow of a rainbow, 
which appears in the skv above and curves down to the waters below. The 
distant storm clouds ana islands crowned with classic ruins are beyond, and a 
city borders the sea at the right. Ruined palaces are on the shore at tne foot 
of the hill which ascends to the immediate foreground broken with rocks and 
shrubbeiy. Two large olive trees stand at the left by which is a winding path- 
way down the hill to the entrance of a tomb built m the solid rock towering 
above. 

Gift of Mr. Wif . Church Osborn and Prof. Hbnrt F. Osborn, 1002, by request of 
IfRS. WiujAM H. GsBORN, in her will. Signed. On canvas, 64 H.; 84 W. 

CLAIRIN, Georges Jules Victor. French School. 

Bom at Paris, September 11, 1843. History pfunter. Pupil of Picot 
and Pils and of the i!cole d^s Beaux- Arts. Studied in Paris. Medal, 1882. 
Among hb works are: " Incident of the Conscription of 1813 " (1866) ; " Burn- 
ing Varech in Brittany/' "Robbers of Bay of TWpass^s in Brittany" (1868); 
"Volunteers of liiberty in* Spain, 1868" (1869); "Massacre of the Abencer- 
rages hi Granada," "Moses the Sheik's Son" (1878); "Entering the Harem,*' 
in the collection of Mr^W. C Walters, Baltimore. 

^3 



1 



679 MOORISH SENTINEL, 

The sentinel stands on the marble stairs before the entrance to a palace 
/loldinff across his shoulders with both hands, a Igng, Moorish gun. He is 
habited in an orange-colored ^own with black drapery crossing the breast and 
fallinff back of anasilhouetting his fi^ire to his bare feet. A white turban is 
uponnis head, and behind him is a deep, rich red curtain. Moorish carvings 
are on the doorway at the right. 

Bequeathed by Mr. Stephen Whitnbt Phobnix, 1881. 

Signed. OncaiiTas,27#H.; 19 W. 

CLAUDE LORRAIN (Lorraine) (Le Lorrain), Attributed 
to. (Real name, Claude Gellie.) French School 

Bom at the Oh&teau de Chamagne (near Toul), 1600; died at Rome, 1682. 
Pupil of his brother, of Geoffroy Walls, and of Agostino Tassi. 

299 A SEA-PORT. 

There are two large columns which support the massive architecture that 
juts out at the right over a clear blue sky; oeyond is a ship being hauled into 
port, and on the quay in the foreground some fishermen are drawing a net. 
At the left is a tall square tower and the ancient city with ships lying at the 
docks which curve around the water front to a high cliff and a lighthouse on a 
point at the entrance to the harbor, over which is the declining sun in a golden 
haze casting a glint of light over the surface of the water to the imno^diate 
foreground of the picture. 

Gift of Mr. Gborob A. Hbarn. 1905. On canvas, 37i H.; 47i W. 

CLAYS, Paul- Jean. Belgian School 

Bom at Bruges, Belgium, 1819; died at Brussels, 1900. Medal, Brussels, 
1851. Medals: Paris, 1867, Exposition Universelle, Legion of Honor, 1875. 
Medal, 1878, Exposition Universelle. Officer of the Legion of Honor, 1881. 
Commander of the Order of Charles III, of Leopold, and of St. Michael of 
Bavaria. Member Royal Academy of Belgium, and of the Academy of Fine 
Arts of Antwerp. 

663 CELEBRATION OF THE FREEDOM OF THE PORT OF 

ANTWERP, 1863. 

In the middle of the river is a large white float carrying a statue of Lib- 
erty which holds high above its head a scroll bearing the inscription " Scheldt 
Vry." The river is dotted with small boats filled with people who are taking 
part in the celebration of this important national event. All the ships in 
port are flying the national flag of Belgium in addition to their own. The 
cathedral tower rises high above the city of Antwerp into a sky of bright, sunlit 
clouds. 

Gift of the Artist and an Association of Gentlemen, 1881. 

Signed. On canvas, 48i H.; 78 W. 

COCK, C£sar de. Belgian School 

Bom at Ghent, Belgium, 1823, where he now reddes. Medals: 1667, 
Exposition UniveraeUe, Paris, 1869. Diploma of Honor, Amiens, 1868. 
Grand madali: International Exposition, Havre, 1868, and at Munich, 1869. 



Diploma of Honor, International Exhibition, London, 1872. Grand Medal, 
International Exposition, Amsterdam, 1883. Medal at Ghent, 1883. Officer 
of the Order of Leopold of Belgium, 1883. 

400 LANDSCAPE; SPRING, 

On the bank of a stream, which pa^ises from the immediate foregromid 
through the center of the picture, is a boy fishing; above, there is abundant 
bright green foliage, and a bit of sky. 

Painted to order, 1878. 

Bequeathed by Miss Catharine Lorillard Wolfb. 1887. 

Signed. On canvas. 33 H.* 52 W. 



COFFIN, William Anderson. American School 

Bom at Allegheny, Penn., in 1855. Graduated at Yale College, 1874. 
Pupil of Bonnat, Paris, 1877-1882. Member of the Society of American 
Artists. Bronze Medal, Paris Exposition, 1889. Webb Prize for Landscape 
(awarded for "The Rain")» Society of American Artists, 1891. Second Hall- 
garten prize, N.A.D., 1886. 

1 27 THE RAIN. 

The heavy storm clouds sweep over the waternsoaked hillside and meadow 
lands, enveloping^the whole scene in an atmosphere of rain. 

Gift of Several Gentlemen. 1892. Signed. On canvas. 39 H. ; 29 W. 



COLy David. Belgian School 

Bom at Antwerp, 1822. Genre painter. PupQ of Antwerp Academy. 
EBs pictures, mostly on a small scale, are to be found in nearly all the Museums 
and private collections of Belgium. Order of Leopold, 1875. 

661 A COMPULSORY EDUCATION, 

Lent by Mrs. W. J. Stms. On canvas, 27i H.*. 21i W. 



COLE, Thomas. American School 

Bom at Bolton le Moor, England, February 1, 1801; died near Catskill, 
N. Y., February 11, 1848. Landscape painter. In 1819 his father emigrated 
to America and settled in Ohio, where Thomas first learned the rudiments of 
his art from a portrait painter named Stein. After studying nature under 
great difficulties, he went in 1825 to New York, and was first brought into 
notice by his "Views on the Hudson." He made several visits to England, 
France, and Italy, but passed the greater portion of his professional life in 
New York. Exhibited at Royal Academy, London, ''View in New Hamp- 
shire," "Tomb of General Brock" (1830), and "View in United States" (1831). 
Two of his allegorical series, "The Course of Empire" (owned by the New 
York Historical Society) and "Voyage of Life," were very popular. 

35 



126 THE VALLEY OF VAUCLUSE. 

On the towering cliffs over which the clouds are breaking, stands an old 
feudal oafltle. A pinnacled rock is at the left, and at its base is the i>athway 
to the sunny foregroimd of broken rocks where an old sentinel pine is seem- 
ingly keeping guard over the rushing waters which pour down throu^ the 
vdley below. 

Gift of Mr. William E. Dodge. 1903. Signed. On eanras. 68| H. ; 49 W. 

197 IN THE CAT SKILLS. 

A thickly wooded landscape showing the broad farm lands extending to 
the base of the distant Catskilt mountain range, which rises into a dear and 
cloudless sky. 

Gift to the Mufleum in memory of Jonathan Sturohs by his childrm, 1895. 
Signed and dated, 1837. On eanvae, 38 H.; 62 W. 

210 BOM AN AQUEDUCT. 

An old ruin b in the immediate foregroimd. and the aqueduct passes 
from left to right through the middle distam^. Tlie low hills and mountains 
over which the light clouds are breaking rise into a dear, bright and luminous 

sky. 

Purchased by the Musemn from income of the Jacob S. Rogers Fund, at the Henry G. 
Marquand Sale, 1903. 

Signed and dated on the back, 1832. On canvas. 14 H. ; 22^ W. 

113 "TIT AN* S GOBLET, 1833." 

A remarkable Gfymbolic painting by the distinguished American painter, 
influenced by the Norse Legend of the Tree of Life. The rugged moimtains 
catching the departing eleams of the setting sun form the background for a 
gigantic cup placed on the projectii]^ point of a rocky headland jutting into a 
sea, on the shore of which is seen an Eastern City, in the inunediate foreground 
verdure-clad cliffs glowing in the setting sun, an extensive landscape spreading 
^ut to the left. The spintual idea in the center of the painting conveying the 
beautiful Norse theory that Life and the World is but as a tree with ramifying 
branches, is carefully carried out by the painter, the stem of the goblet being a 
massive tree-trunk^ the branches of which spread out and hold lietween them 
an ocean dotted with sails, surrounded by dense forests and plains, in which 
appear Greek ruins and a modem Italian building, lypical of ancient and 
modem civilization. The painting has been exhibited at the Pennsylvania 
Academy of Fine Arts, 1842, and many later exhibitions. 

Gift of Mb8. S. p. Avbrt, 1904. Signed and dated, 1833. On canvas, 18i H. ; 16 W. 

COLLINS, Alfred Quinton. American School. 

Bom at Boston, 1862; died at Cambridge, Mass., 1903. Pupil of Bonnat 
at Paris. Among Ms best known works are the portraits of the Rev. Dr. 
Rainsford and Hon. John Jay. 

226 A PORTRAIT OF THE ARTISTS WIFE. 

Bust, lifcHsize, face said figure to the front; ihe deep blue eves look directlv 
from the pale interesting face into those of the spectator; her hair is dark 
brown and the dress a delicate sage green cut low at the neck. The back- 
ground is silvery gray and mysticsd. 

Gift of his frienda. 1005. On canvas, 26i H.; 21i W. 

26 



COLMAN, Samuel. American School. 

Bom at Portland, Maine, 1833. After 1860, studied two years at Paris 
and in Spain. Subsequently at Paris, Rome, and Dresden. N.A., 1862. 
First President of the American Society of Water Colors. 

141 SPANISH PEAKS, SOUTHERN COLORADO. 

There is a stream of water running from the center of the picture to the 
rijght of the shadowy foreground with arid plains on either side. In the middle 
distance is a fort in subdued sunlight and beyond are the ''Spanish Peaks'' 
which rise into a late afternoon sky. Some cattle and horses are on the bank 
of the river. 

Gift of Mb. H. O. Hayeiieybb. 1893. 

Signed and dated. 1887. On canvas, 30 H. ; 71^ W. 

642 VENICE; MOONRISK 

The full moon rising out of the clouds above the city, illumines the waters 
of the Giudecca. The shipping, and the domes of Santa Maria della Salute, 
the Campanile, and the rows of palaces with their glitter of lights are veiled 
in the mystery of night. In the distance at the right is San Giorgio Maggiore 
and the entrance to the Grand Canal. 

Gift of BfR. Gborgb I. Sbnet. 1888. On canvas, 24 H.; 30 W. 

COLUS, Alphonse. 

640 THE ENTOMBMENT. 

Gift of BfR. L. A. Lanthier, 1884. On canvas, 42 H.; 75 W. 

COMTE, Pierre Charles. French School. 

Bom at Lyons, 1823; died 1895. Genre and history painter; pupil oC 
Paul Delaroche, Horace Vemet, and Robert Fleury. Medals: third class, 
1852; second class, 1853, 1855, and 1857, and third class, 1867. Legion of 
Honor, 1857. 

376 LADY AT HER TOILET, XVI CENTURY. 

From the John Wolfe Collection, 1882. 

She is seated with her back to the spectator, before a table which is cov- 
ered with a green cloth with a wide border. Upon the table are a casket of 
jewels and a mirror which reflects the face of the lady as she raises her hands 
to arrange a string of pearls in her light-brown hair. 
Bequeathed by Miss Catharinb Lortllard Wolfe, 1887. 
Signed. On wood. 16 H.; 12 W. 

CONINCK, Pierre Louis Joseph de. French School. 

Bom at Meteren (Nord), France, 1828. Pupil of Cogniet. Medals: 
1866, '68, 73, '89 (Exposition Universelle). Legion of Honor, 1889. Medals: 
Centennial Exhibition, Philadelphia, 1876; and at International Exposition 
of Vienna, Amsterdam, and at Moscow. 

430 ITALIAN CHILDREN AT A FOUNTAIN. 

Two Italian children are standing by an old well. One of them is spin- 
ning a thread from a distaff which she holds under her arm. The other leans 
over the curb and looks smilingly out of the picture. A water jug stands on 
the ground by their side. The figures are life-size. 
Bequeathed by Miss Catharine Lorillard Wolfe, 1887. 

Painted to order. Signed. On canvas. 60 H.: 42 W. 

27 



CONSTABLE, John, R.A. EnglUh School 

Bom at East Bergholt, June 11th, 1776; died suddenly, at London, 1837. 
His style was veiy broad and powerful, and his landscapes are possessed of a 
noble quality which reveals the beauty of English cultivated scenery in the 
most charming manner, and his landscapes, in which mills, weirs, and dykes 
are prominent features, often glisten with the early morning dew, or, wet 
with rain, sparkle in the sunlight bursting through the storm clouds in the 
sky. He was both vigorous and realistic; strong in his originality, yet refined 
and cultivated in his mind. His pictures possess a quality which fill a place 
imoccupied by any other Englbh landscape painter, and they have done much 
to form the style of the modem French landscape schooL 

262 A LOCK ON THE STOUR. 

An old timber lock, throu]g;h which a boat is passing from the higher to 
the lower level, occupies the middle foreground of the picture. In the dow of 
the boat one man is tugging at a rope, and two other men are engaged openii^ 
the gate of the lock; on the left the country is flat, bounded by low hills which 
encircle the church the square tower of which marks the place where the village 
stands. Chmiulus clouds fill the sky, and a group of old oaks with their massive 
folia^ shadow the canal which passes underneath their branches. 

Exhibited at the Royal Academy in 1824, and sold on the finst day of the 
exhibition for £157 10s. It is engraved in Constable's Works, idso on wood in 
Brock-Arnold, Life of Constable^ p. 78. This picture was in the possession of 
Lucas, who engraved the 22 i>rints in Various Subjects of Landscapes • • • 
by Jonn Constable, London, in 1833, and was purchased from Alfred Lucas, 
brother of the en^ver. 

Gift of Mb. Hbnbt O. Mabquand, 1888. On canvas, 61 H.| 40i W* 

264 THE VALLEY FARM. 

Copy of the picture in the National Oallery, London. 

Situated on the bank of the Stour, and known as "Willy Lott's House.'' 
The house occupies the center of the pictiu^ and is illumined onlv by a elint of 
light which penetrates the group of heavy, dark, oak trees which overSiadow 
the whole place. Some cows have wandered down into the stream, and two 
boats are there ccmtaining figures. At the left are some rocks and heavy 
timbers with brush, which boraer the stream and lead on to a hill in the middle 
distance. The sky is filled with silvery-gray clouds. '*Flatford Mill," the 
property of the pamter's father in East Bergholt, Suffolk, was near this place. 

Constable painted this subiect several times. The one in the National 
Gallery in London was in the Vernon collection, and was engraved by J. C. 
Bentiey. 

Gift of Mb. Hbmbt O. Mabquand, 1888. On canvas. 5di H.; 45i W. 

288 BRIDGE ON THE STOUR. 

An arched stone bridge with three smaller arches at the right crosses the 
center of the picture. Small trees rise above and at the right in the immediate 
foreground is a steep bank topped with trees of larger growth. The placid 
water clearly reflects the objects above, and the sky is filled with silveiy-gray 
douds. 

Gift of Mb. Gbobob A. Hbabn. 1897. On canvas, 21 H.; 32i W. 

321 PORTRAIT OF OEOROE OERRARD, A.RA. 

Leat by Mb. GsoBaB A. Hbabn. On canvas, 27^ E.S 22^ W* 

26 



COROT, Jean Baptiste Camille. BarUzon School 

^ Bom at Paris, 1796; died there, 1875; pupil of Michallon and Victor 
Bertin. Visited Italy in 1826, and on his return from this first tour he brought 
those admirable studies which established him as one of the pathfinders in the 
development of the modem French School of landscape art. Corot was gifted 
with a highly poetical temperament, and rendered in the most charming and 
alluring manner the serene aspects of nature, with an intelligence replete with 
appreciation, and knowledge of the most beautiful truths. Medals: second 
class, 1833; first class, 1848 and 1855; second class, 1867; Legion of Honor, 
1846; Ofl&cer, 1867. Diploma to the Memory of Deceased Artists, Exposition 
UniverseUe, 1878. 

VILLE lyAVRAY, NEAR PARIS. 



Is seen through the shimmering idlvery gray foliage which borders the 
banks of the river. 

Bequeathed by Miss Catharinb Lorillabd Woltb, 1887. 

Sii^. On canvas. 20 H.; 31 W. 

COSIMO, Piero di. Florentine School. 

Real name, Piero di Lorenzo, called COSIMO from his master, COSIMO 

ROSSELLI. 

Bom at Florence, 1462 ; died there, 1521 (?) . Pupil of Cosimo Rossell] , but 
was influenced by the work of FUippino Lippi and afterwards by the Milanese 
School. He accompanied Rosselli to Rome when the latter went, about 1480, 
to decorate the new Chapel of the Vatican for Sixtus FV. Cosimo was the 
master of Andrea del Sarto. 

RETURNING FROM THE CHASE. 



Clouds of smoke rise from the distant hills into a bright, luminous sky 
above; beneath is a lake or bay, upon the border of which in the immediate 
foreground are boats laden with game. Men and women with skins about 
their loins are disembarking on the shore where prominently at the right is a 
centaur with a nude female sitting on his back. Upon the branch ofan old 
tree trunk above, a man waves his hand in welcome to those below^ where a 
woman is springing from the bow of a boat, and two others are holdmg a live 
ape between them. A faun is carrying a deer ashore upon his back and a 
man at the left is in the act of swinging a boar from his back to the ground. 
In tl^e middle distance at the left, the woods are on fire and the himters are 
busy with their prey. 

Gift of Mr. Robert Gordon. On panel. 28 H.; 66 W. 

02 HUNTING SCENE. 

A thickly wooded landscape with tail tree trunks in the foregroimd and 
an opening over the fields on either side to the hill and sky beyond, tlie fore- 
groimd is crowded with fauns, satyrs, men and centaurs^ with huge knotted 
clubs, who are slaying the animals which have been driven from the thick 
woods by fire. The fight is fierce to the death and extends to all parts of the 
picture: at the right lies the dead body of a man with his club beside him, and 
near by an animal has sprung from a tree and fastened his teeth in the neck of 
a centaur; prominently at the left, two men attack a lion who is biting a boar, 
and another holds a stmggling bear in his arms; other animals flee up the hiU 
only to meet the slayers there. 

Gift of Mb. RoBurr Gobdon. On panel, 28 H.; 66 W. 

d9 



Cot, Pierre AugUSte. French School. 

Bom at Bedaheux (Heraiilt), 1837; died, 1883. Pupil, in Paris, of 
CSabaod, Ugd. Cogniet, and Bouguereau. Medals: 1870; second class, 1872; 
LegicHi of Honor, 1874. 

476 THE STORM. 

A youth, with a horn at his side, whose loins are girt about with the skin 
.of a bo»t, and a maiden oiveloped in white diaphanous drapery are fleeing 
down a shadowy glen before the coming storm. They hold ballooned above 
their heads a piece of yellow drapery. 

Painted to order. /Solon, 1880. 

Beqnemthed by Mns CATHABnrx Lorillakd Wolr, 1887. 

aDd dated, 1880. On eanvu. 90 H.; 60 W. 



COTMAN, John SelL EngUsh School 

Bom at Norwich, Jime 11, 1782; died at London, July 28, 1842. Land- 
scape and marine painter. Drawing master of King's College School, 1834. 
His water colors were considered more successful than his oils. 

COAST SCENE. 



A fishing boat is hauled up on a wet beach; two seagulls are flying over 
the water; the sky is filled with cool gray clouds. 

Gift of Mr. Geobob A. Hkarn. 1896. 

®«°«*- On panel, 1^ H.; 17f W. 

312 ENGLISH VILLAGE. 

Lent by Mb. Geobob A. Hbabn. On canvas, 15i H.; 19i W. 

COURBET, Gustave. French School 

Bom at Omans (Doubs), 1819; died at La Tour-de-Peilz, near Vevay, 
1877. Genre, landsc2q)e, and portrait painter. Sent to school at BesanQon, 
and then to study law at Paris in 1839. Studied chiefly with David d' Angers. 
Began at an early age to paint caricatures, especially of priests; but did not 
treat landscapes until 1841, at Fontainebleau. He exhibited in 1844, though it 
was not un^ 1849 that he first attracted attention. Chaiged with being the 
chief instigator of the overthrow of the Colonne Venddme, May 16, 1871, he 
was sentenced to six month's imprisonment, and to bear the cost of its 
restoration. It is claimed by his friends that he was innocent of the charge. 
After bis release he retired to Switzerland. 

006 COAST SCENE, 

A desolate part of a coast where a fishing boat with bedra^led sails lies 
high up on the beach among the scattered boulders. The unc^met sea rolls to 
the shore beneath a clearing sky with a mellow sunlight breaking through the 
clouds above. 

Gift of Mbs. Mart Goldenbebg, 1899. 

Signed. On canvas. 25 H.; 81 W. 

COUTURE, Thomas. French School 

Bom at'Senlis (Oise), 1815; died at Villiers-le-Bel (Seine-et-Oise), 1879. 
History and genre painter; pupil of Gros, and of Paul Delaroche. Won the 



Grand Prix in 1837. In 1847 Couture became celebrated by his "Romans of 
the Decadence" (Louvre), a picture which, in the united qualities of concep- 
tion, composition, drawing, and color, has few, if any, rivals in modem art. 
Medals, 1844, '47, '55. Legion of Honor, 1848. 

360 DAY DREAMS, 

Sitting, full length, leaning back in a chair richly upholstered with tapes- 
try, is a greaceful youth dressed in black velvet; a small white collar is at the 
neck and white cuffs are at the wrists. His ideal head leans against the back 
of the chair as he watches with a dreamy expression two soap bubbles which 
float in the air before him. Relaxation from study is expressed in every line 
of the figure and the hands which lie listlessly by his side, one of whiclys resting 
upon the seat of the chair, the other holds the straw with which the bubbles 
were blown. On a table before him are a spinning top, a glass of froth, a 
bunch of school books, and a mirror in which is a paper with the inscription 
" Immortality de I'Art"; and above the youth's head, on the wall, is a wreath 
of laurel. The background is warm gray. 

Bequeathed by Miss Catharine Loiiillard Wolfe, 1887. 

About 1855. Signed. On canvas, 50 H.; 88 W. 

COYPEL, Noel Nicolas. French School 
Bom, 1692; died, 1734. 

613 VENUS WITH SEA NYMPHS AND AMOURS. 

Aphrodite raised from the sea by sea ^ods and nymphs sits upon a huge 
sea shell beneath a drapery canopy. She is surrounded by sea gods, nymphs 
and dolphins who sport in the water of the sea. Above are cupids bearing 
flowers and zephyrs receiving two white doves which have been brought by 
Love in a golden chariot. 

Gift of Mrs. Elizabeth W. Chapman, 1903. On canvas. 31^ H.; 25 W. 

CRANACH, Lucas (the Younger), (family name Sunder) 

(MuUer?), attributed to. German School. 

Bom at Wittenberg, 1515; died there, 1586. Pupil of his father, Lucas 
the Elder, whom he succeeded in his studio at Wittenberg and as Burgomaster. 
He formed his style after his father and Albrecht Durer. In the principal 
church of Wittenberg there are several of his works, and they are also in the 
Galleries at Munich, Dresden, etc. 

67 MADONNA AND CHILD. 

The Madonna seated, is nursing the nude Infant whom she holds to her 
right breast, the left hand being raised and pressed against it. She wears a 
black waist and a red mantle which covers her shoulders. Two cherubs are 
above, one at each side, holding suspended a piece of black drapery with an 
embroidered border. 

Gift of Mr. Louis Ehrich, 1895. On canvas, 19 H. ; 14 W. 

CRAYER (Craeyer), Gaspard de. Flemish School. 

Bom at Antwerp, 1584; died at Ghent, 1669. Pupil of Raphael Van 
Coxcyen, in Brussels, a contemporary of Rubens, who, it is said, admired his 
works. He was also the friend of Van Dyf'k, who painted his portrait. 
Crayer's pictures were mostly of biblical subjects. His color was subdued, but 
truthful; he had a free, masterly touch, and his feeling for beauty sometimes 

81 



borders on the ideal. "The Coronation of St. Rosalie by the Infant Christ," 
in the Museum at Ghent, is one of his finest works; this picture was carried 
away by the French, but returned. The "Martyrdom of St. Blasius,'' in the 
same museiun, was his last work, executed when he was over eighfy years old. 
In the Munich Galleiy there is an inmiense enthroned Madonna with Angels, 
surrounded by Saints; the lower figures are portraits of himself, his brother, 
sister, and nephew. Works of his are also in the Louvre, Brussels Gallery, etc. 

66 ALEXANDER AND DIOGENES, 

Alexander clad in armor, with a richlv embroidered red mantle knotted 
and falling over the right shoulder into the nands of a page, is standing before 
Diogenes with his right hand extended and resting upon his unsheathed sword. 
Soldiers clad in armor and holding spears surround the tub in which Diogenes 
is seated. At the right of the picture an equerry, with a dog at his feet, is 
holding a dapple-gray horse from which the King has dismounted. 
Purchased by the Museum, 1871. On canvas, 87^ H.; 127 W. 

CRISTUS, Petrus (Pieter Christophesen). Flemish School 

Bom at Baerle near Deynze, Belgium, about 1400; died at Bruges, 
1473. Probably pupil of Jan Van Eyck, whose style he imitated. Bought 
freedom of Bruges, July 6, 1444, registered in guild of St. Luke in 1450, and 
1469 was one of the notables. In March, 1472, he officiated as umpire for the 
guild in a dispute with Pierre Constain, the ducal painter. 

27B THE DEPOSITION FROM THE CROSS. 

Composition of six figures. The body of our Saviour extended on a 
shroud or wincUng-sheet, held at the end by Nicodemus and Josei>h of Arima- 
thea, occupies the foreground. In the center the fainting Virgin is upheld by 
St. John, on the left. Maiy Magdalen is seen advancing towfurds them. 
Gift of Mr. Hbnrt Q. Marquand, 1890. On panel. 13f H. ; 9i W. 

CROME, John (called Old Crome). English School 

Bom at Norwich, 1769; died there, 1821. He began life as a doctor's 
boy, and afterwards was apprenticed to a coach-painter. He took to land- 
scape-painting without having had any professional training, and settled at 
Norwich, where in 1805 he founded the Norwich Society of Artists. He was 
never in London except on hasty visits, spending his entire life in his native 
town. He had a son and a brother, both artists. 

261 HAUTBOIS COMMON. 

In the center of the picture is a group of trees with a winding roadway 
beneath, reaching from the immediate forei^und to the middle distance 
where there are cottages and farm lands in a bright simlight. On the conmion 
at the left cattle are grazing, and a team of horses drawing a loaded cart are 
on the road beneath the trees; near by are two asses standing in the shade. 
The sky is filled with cumulus clouds brilliantly illumined above the tops or 
the trees. 

From the Sherington, Ellison, and Albert Levy collections. Exhibited at the Inter- 
national Exhibition, London, 1862, by Mrs. Ellison. Purchased from M. Sedehneya^. in 
1888. 

Gift of Mr. Hbnrt G. Marquand. 1888. On panel. 21^ H.; 34 W. 

31 1 THE LANDING. ^ 

Lent by Mr. Gsorob A. Hkarn. On canvas, 23 H.! 19 W. 

32 



CROPSEY, Jasper Francis. American Schtxa. 

Bom at Rossville, N. Y., 1823; died, 1900. Pupil of Edward Mauiy. 
Vinted England, France, Switzerland, and Italy, in 1847. Went abroad 
again in 1855, and spent seven years in London. Elected NA. in 1851. 

631 LANDSCAPE. 

An open landscape with a lake and broad farm lands, and wooded hills at 
the left. The sun is setting in a clear blue sky with a few flickering sunlit 
clouds above. 

Bequeathed by Mrs. Sabah Ann Ludlum, 1877. 

Signed and dated, 1853. On canvas, 82^ H.; 47^ W. 

CU YP, Aclbert Dutch School 

Bom at Dortrecht, 1620; died there, 1691. This highly gifted painter 
was from early infancy associated with, and attracted by, the beauties of 
graphic imitation. His father, Jacob Gerritz Cuyp, an artist of no inconad- 
erable talent both in portraiture and landscape, was one of the founders of the 
Academy of Fainting at Dort, and it was from him that Aelbert received his 
first instructions, and in his ^rly works may be traced the style of his father. 
England appreciated and purchased his works long before his own country- 
men recognized his ability. 

260 LANDSCAPE WITH CATTLE. 

In the immediate foreground, beneath a flowing sunset sky. a large group 
of cattle is watched over by a cowherd and his dog, both stretcned out upon 
the meadow grass near by. At the right, and beyond, a man is leading a 
horse, and a soldier stands watching some fishermen drag their net upon the 
bank of the stream on which are two boats, one with the sail spread. Upon 
the opposite bank are two mansions. At the left of the spectator the nver 
fades away and there are vapory indications of a distant town near the 
horizon. 

Gift of Mr. Hbnbt O. Marquand, 1890. 

Signed. On panel, 81 H.; 41f W. 



^xnlji 



f- 



807 LANDSCAPE WITH CATTLE. 

Described in the Supplement to Smith's Catalogue Raisonn^, page 661^ 
as follows: 

'* A woman milking. A landscape composed on the left of a hilly country, 
adorned with a few light trees, and boundea in the opposite side by a stream, 
on the margin of wmch lies an old eel basket among bulrushes and other 
aquatic weeds; a stork and some ducks are here seen in their element. Three 
cows are in the meadow, one of which a woman in a red dress is milking; and 
another is lying down. A dog is crouched near a brass can on the foreground. 
At some distance off are four cows slaking their thirst in the stream." 

88 



Fonnerlv in the collection of R. R. Renaigle, Esq., afterwards in the 

possession of Rickets, Esq., Bristol 

Lent by Ma. Oborob A. Hbahn. 

Signed. On oanTss, 43 H.; TOW. 

DANA, William P. W. American School. 

Bom at Boston, 1833. He was a student at the £coU des Becmx-Arts at 
Paris, a pupil of Picot and of Le Poitevin. Elected N.A.D. 1863. 

661 HEARTSEASE. 

An invalid child with a bouquet of heartsease in her hands is lying in bed 
beneath a blue canopy. On the bed and on the table are flowers in profusion. 

Gift of Hr. S. Howland Russsll, 1891. On oanvM. 37 H.; ^ W. 

DANNAT, William T. French School 

Bom at New York, 1853. Resides in Paris. Educated at the Royal 
Academy, Munich, and at Paris. Pupil of Munkacsy. Medal Salon, 1883. 
Hora Concoura, Exposition UniveraeUe, 1889. Member International Jury. 
Legion of Honor, 1889; Officer, 1897; Commander, 1901; Commander of the 
Portuguese Order of the Immaculate Conception; Grand Officer of The Order 
of the Crown of Italy, 1907; President of the Paris Society of American 
Painters. His "A Woman in Red " and "Aragonese Smuggler " are in the 
Mua^e National du Luxembourg. 

666 A QUARTETTE. 

Three of the four strolling musicians are seated on a wooden bench in a 
bare room with an entrance door at the left, and at the ri^ht a window screened 
with a rickety old ffreen blind through wliich the sunlight breaks in streaks 
across the broken jslats. At the left of the group is a burly Spaniard sitting 
squarely to the front with his large mouth wide open, sinemg. His face 
except for a glint of light on his temple is in deep shadow. He wears a white 
coat trimmed with black cloth and gold buttons, a sash and breeches of daik 
blue, a dark 'kerchief is bound closely about his head, and sandals are on his 
feet. At his left, the center of the group, is a young woman playing the 
castanets. Her face and figure are to the front in deep shadow; she wears a 
black dress relieved by two bright red bows; her bare shoulders are visible 
through a heavy, coarse knit shoulder cape; and a high shell comb rises above 
her coal-black hair. Sitting by her side with his back to the spectator is a 
man leaning over to the right, smoking a cigarette and playing upon a guitar. 
Behind this group is another man who stands leaning against the wall by the 
window with his nead thrown back and his face animate by the song he sings 
and the mandolin he plays. 

Gift of Mrs. Wm. H. Dannat, 1886. • 

Signed and dated. 1884. On canvas, 92i H.; 90^ W. 

126 PORTRAIT OF THEODORE CHILD. 

Bust, life-size. In profile. 
Gift of Mrs. Thbodorb Haviland, 1893. On canvas. 18i H.; 15 W. 

DAUBIGNY, Charles Francois. BarUzon School. 

Bom at Paris, 1817; died there, 1878. Son and pupil of the distinguished 
miniature painter of the French Restoration, Edm6 Fran<joia Daubigny, 1789- 
1843. He visited Italy, and returning in 1836, studied under Paul Delaroche. 
Daubigny was, with Rousseau, Corot, and Jules Dupr6, a lover of the banks of 
the Oise. On a boat arranged with all necessary equipments for a house and 

34 



studio combined, he made long excursions on the Oise and Seine. A dweller 
in the open air, he rendered with all the freshness of springtime, the tender 
accuracy of color, which contact with nature alone made possible, and brought 
to landscape painting an unusual grace. Medals: 1848, '53, '55, '57, '59, '67. 
Legion of Honor, 1859. Officer of the Legion of Honor, 1874. Diploma to 
the Memory ot Deceased Artists, Exposition UniveraeUey 1878. 

387 ON THE RIVER OISE ; EVENING, 

Near the shadowy bank of a river where the pond lilies grow are two 
women in a boat; other figures are on the bank of the stream beyond; the 
deep green trees bordering the river are relieved against a sunset sky. 

Bequeathed by Miss Catharinb Lorillard Wolfs, 1887. 

Painted to order. Signed and dated, 1874. On wood, 15 H.; 27 W. 

4 1 6 BOA TS ON SHORE, 

Fishing boats line the sandy shore of a stream that leads out to the sea. 
A few huts are seen at the horizon. The sky is dull and heavy. 

Purchased from the income of the Catharine Lorillard Wolfe Endowment Fund for her 
collection at the Mrs. S. D. Warren Sale, 1903. 

Signed and dated, 1871. On panel, 13 H.; 22^ W. 

463 ON THE SEINE ; MORNING. 

Bequeathed by Miss Catharine Lorillard Wolfe, 1887. 

Painted to order, 1871. Signed and dated, 1871. On wood, 16 H.; 27 W. - 

DAVIS, Charles H. American School 

Bom at Amesbury, Mass., 1858. Studied at Boston and Paris. Studio 
fn Paris. 

EVENING, 



A tall leafless oak stands at the right, and the evening star glinuners in a 
cloudless sky above the broad meadowland over which the misty haze of early 
evening gatners. 

Gift of Mr. Gborgb I. Senet, 1887. Signed. On canvas, 38 H.; 57 W. 

DA WANT, Albert Pierre. French School 

Bom at Paris; contemporary. Pupil of J. P. Laurens. Medals: third 
class, 1880; second class, 1885, Paris; first class, 1888, Universal Exposition, 
Barcelona. Gold Medal, Exposition Universelle, Paris, 1889. Medal of 
Honor, Exposition, Budapest, 1889. Chevalier, Lc^on of Hoiior. Important 
works by this artist are in the museums of Rochefort, Havre, Toulouse, 
Amiens, Nantes etc., and in the Luxembourg, Paris. 

664A 

DEPARTURE OF EMIGRANTS FROM HAVRE, 

A steamship lies at the wharf where are gathered a multitude of emi- 

f rants, mostly of German origin, who are about to embark for a foreign land, 
n the foreground at the right, among the crowd and yet a little apart, is a 
family group. The mother is nursing her infant, while an older child, fast 
asleep, leans heavily against her shoulder. The father is stretched out at 
full length, with his head resting upon his left hand; and a cloud of blue 
smoke curls upward from a pijje which he is smoking. His son sits idly by, 
gazing at his mother and the infant. An older sister with very blond hair 
stands by, holding a child in her arms. In the center of the picture is an old 

85 



<4foman with a large bundle; her right hand is extended to recdve from a 
fldil who sits at her side a piece of bread, which has been taken from a basket. 
Behind these stand three men in conversation, one of whom with an Alsatl^ui 
air is smoking a large German pipe. Sitting at the left is a man, tired and 
listless, with a hat in his right himd, and by nim is a young German gid in a 
taU hat, who holds with bow hands a large black bag. ^yond are a masii 
of people huddled together, and the steamer, broadside on, with its gan^- 
^anks out. receiving both human freight and baggage. The picture is 
gray, coloness, and depressing both in subject and treatment. 

Gift of Mb. Thomab Achbus* 1897* 

Signed and dated, 1887. On oanras, 118 H.S 181 W. 

DECAMPS, Alexandre GabrieL French School 

Bom at Paris, 1803; died at Fontunebleau, 1860. Pupil of Abel de 
Pujol, David, and Ingres. He freed himself frcmi the classical style of his 
masters, and early placed himself with Delacroix, as a [leader of the modem 
romantic French schooL In 1827 he visited Greece, Constantinople, and Asia 
Minor, and conceived a lasting predilection for Oriental subjects, which he 
treated with consummate skill and power. 

THE NIGHT PATROL AT SMYRNA. 



The captain of the Patrol, mounted on a richly caparisoned white horse, 
is in the center of a group ot native soldiers who are running through the 
streets of Smyrna. £i ornate Moorish balcony is above and down a narrow 
street at the left is an arch through which the blue sky is visible. 

Bequeathed by Mibb Catharinb Lorxllard Woune, 1887. 

From the collection of Mr. John Taylor Johnston, 1876. 

Signed. On oanyaa, 20 H.: 86 W, 

DEFAUX, Alexandre, French School 

Bom at Bercy. Medals in 1874, '75. 

628 APPLE BLOSSOMS. 

Lent by the M188B8 Hall. On oanvas, 25i H.; 17iW. 

DEFRANCE, Leonard. Belgian School 

Bom at Li^ge, 1735; died, 1805. A painter of historical pieces, land- 
scapes, game, fmit, flowers, and architecture. He was the first professor of 
design to the Academy at Li^ge. 

16 THE FOROE. 

Partitioned off midway of the picture are two smiths, one blowing the bd- 
lows, the other at the anvil; at the left of the spectator tnree others are stand- 
ing at full-length, illuminated by the light^from the forge; one is fondling a 
babe held in its mother's arms. 

Purchased by the Muaeum, 1871. 

Signed. On oanvas. 13 H.; 16 W. 






86 



DEFREGGER, Franz von. Austrian School. 

Bom at Stronach, Tyrol (Austria), 1835. Pupil of Munich Academy under 
Piloty, 1860. Gold Medals: Munich, Vienna, Berlin, Paris. Professor of 
Munich Academy. Orders of St. Michael; of FraMcis Joseph; of Isabella the 
Catholic. Honorary Member of the Berlin, Vienna, and Amsterdam Academ- 
ies. Ennobled in 1880. 

366 GERMAN PEASANT GIRL. 

' She has dark hair and eyes and her dress b that of a German peasant. 
Bust, lifendze. 

Bequeathed by Bfiss Catrabinis Lorillard Wolvb, 1887. 

Purchased from the artist. 1880. Signed. ^ On wood, 21 H.* 16 W. 

DELACROIX, Ferdinand Victor Eugene. French School, 

Bom at Charenton St. Maurice, near Paris, 1798; died at Paris, 1863. 
PupU of Gu^rin. Exhibited in 1822 his " Dante and Virgil," which won him 
reputation, and he might have received high academic honors if he had not 
diverged from the prevalent classicism of the school of David and joined the 
romantic school, of which he became one of the leaders. He traveled in Spain 
and North Africa in 1831, and between that and 1855 executed important 
public commissions, decorating the Chamber of Deputies, the Library of the 
Luxembourg, the Church of St. Sulpice, and galleries in the Louvre and the 
Hdtel de Ville. Legion of Honor, 1831; Officer, 1846; Commander, 1855; 
Member of the Listitute, 1857. 

382 UENLiJVEMENT DE REBECCA. 

Rebecca, a character in Sir Walter Scott's novel "Ivanhoe," was the 
daughter of Isaac of York. She secretly loves Ivanhoe whom she cures of a 
woimd, and repulses at the peril of her fife the criminal love of De Bob Guil- 
bert, on account of whose mfatuation she is condemned as a witch, but is 
saved by the sudden death of her accuser. In the for^round, Bois Uuilbert, 
moimted on a restless dapple gray horse, has turned in the saddle and is reach- 
ing out to receive the limp form of the swooning maiden from the hands of a 
kmght, who has borne her in his arms from the burning Ch&teau Front de 
Boeuf , which is in flames on the crest of a hiU. A cavalier at fuU gallop, fol- 
lowed by others, is about to arrive from the scene of the abduction. 

CEuvre de Delacroix par A. Robaut, page 255, No. 974. (Euvre de Ddacroix par A. 

Moreau. pages 181, 245. 1846, Salon; 1852. CpUot Sale; 1856, M. T , Brusaels; 1870, 

Edwards Sale; 1874. Exposition, Alsace-Lorraine; 1883. Sabatier Sale; 1888, Goldschmidt 
Sale; 1903, Lyall Sale. Purchased by the Museum from M. Enoedler & Ck>.. 1903, from 
the income of the Catharine Lorillard Wolfe Endowment Fund for her collection. 
Engraved by Hedouin for the Artist, 7^ x 5i. Engraved by Ramus for Catalogue 
Sabatier, 5i x 4f . Photographed by Braun. 

Signed and dated, 1846. On canvas, 46 H.; ZU W. 

DELORT, Charles Edouard. French School 

Bom at Nimes, 1814. Died, 1894. Genre painter, pupil of Gl^yre and ef 
G^rdmei Medals: third class, 1875; second class, 1882. 

87 



THE CASQUE. 

A man dressed in the costume of the fifteenth centuiy and holdii^ a steel 
casque contemplativelv in his hands, is stranding by a table against which leans 
two heavy swoids and a crossbow. On the floor at his feet are a breas^late 
and other pieces of armor. 

Bequeathed by Mns Catharinb Lorilulbd Wolvb, 1887. 

Purchased in Paris. 1872. Signed and dated, 1872. On oanvas, 20 H.; 14 W. 

DEMONT, Adrien Louis. French School 

Bom at Douai (Nord), France, 1851. Studied at "r£cole de Droit," but 
in 1874 abandoned the law for the fine arts. First exhibited at the "Exposi- 
tion dea Amis dea Arts,*' of Douai, of which society he is now president. Re- 
ceived valuable advice of Emile Breton. Went to Paris in 1875, where he 
studied with Joseph Blanc. In 1880 married the daughter of Jules Breton, 
niece of his instructor, Emile Breton. Medals: third class, 1879; second 
class, 1882, Hora Concurs; gold medal, first class, 1889, Exposition UniverseUe, 
Paris; gold medals, Munich, 1890, Exposition UniverseUe, and Antwerp, 1894. 
Member of the Society of French Artists, 1890. L^on of Honor, 1891. 
Chevalier, Order of St. Michael, of Bavaria, 1892. Officer of Order of San 
lago, of Portugal, 1893, and of Nichan Iftikhar, 1895. 

THE OLD MAN'S GARDEN. 



In the rear of a long row of cotta^, the red tiled roofs of which are dimly 
seen through the dark green trees and thick shrubbery, is a garden overgrown 
with flowering plants. A cluster of bright red poppies is in the for^round, 
and by a cleanngat the left are three hives of bees which an old man is lowing 
to a little girl. The sky is filled with vaporous clouds. 

Gift of Mr. Gboros I. Ssnet. 1887. 

From the Salon of 1884. Signed and dated. 1884. On canvas, 45 H.; 69 W. 

DESGOFFE, Blaise Alexandre. French School 

Bom at Paris, 1830. Pupil of Flandrian and Bouguereau. Medals: 
1861, '63. L^on of Honor, 1878. A most skillful imitator of objects of art. 
He considers himself the never-tiring pupil, by observation, of the old Dutch 
and Flemish Masters, and by dint of perseverance has fathomed some of the 
secrets of their technique. 

460 OBJECTS OF ART: VASE IN ROCK CRYSTAL, XVI 
CENTURY; AGATES AND ENAMELS, PONIARD OF 
PHILIPPE II, COLLARETTE OF WUIS XIII, ETC., ETC. 

Salon, 1874. (The original objects are in the collection at the Louvre, and 
were selected for the artist by Miss Wolfe.) 1874. 

Bequeathed by Miss Catharink Lorxllard Wolfb, 1887. 

Signed and dated, 1875. On canvas. 28 H.; 36 W. 

556 OBJECTS OF ART. 

Gift of Frau Rittmsibtbr Kobhlbr, nie Maroarxt Conoter Scratb, 1887. 
Signed and dated, 1880. On canvas. 34 H.: 2H W. 

600 OBJECTS OF ART. 

Bequeathed by Mrs. Eloabvtb U. Colm. 1892. 

Ob eaavas. 381 H.*. 31iW< 

38 



DET AILLE, Jean Baptiste Edouard. French School 

Paris. Bom at Paris, 1848. Favorite pupil of Meiasonier. Bzhibited 
at Salon, in 1868, his "Halt of Infantry/' which received much praise, and in 
1869 the ''Rest During the Drill at Camp St. Maur," which won for him a 
medal, and which established his reputation as one of the most popular mili- 
tary painters of the day. Member of the Institute, 1892. He served upon 
the Staff in the Timisian Campaign, 1881. Visited and painted in England 
and Austria, and in Russia he executed many important works for the personal 
collection of the Czar. President of the Society of French Artists, 1895 
(Champs ElysSes). Medals, Paris, 1869, 70, 72. Medal of Honor, 1888. 
L^on of Honor, 1873: Officer, 1881; Commander, 1897. Grand Medal of 
Honor, 1897. Grand Cordon of the Order of St. Stanislas of Russia, 1897; 
Military Medal of England (Queen's Jubilee), 1897; Colonial Medal (Tunisian 
Expedition). 



SKIRMISH BETWEEN COSSACKS AND THE IMPE- 
RIAL BODY-GUARD, 1814. 

Tearing down a muddy roadway through a wood of leafless trees are a 
squad of bngandish looking Cossacks, pursued and overtaken by Napoleon's 
Imperial Guard, who rush upon them with overwhelming force, cutting right 
ana left with their curved swords. The leader of the Coasack band, moimted 
on a light horse loaded with plunder, turns in his saddle with a ready pistol 
raised to shoot. Others are scattering through the woods, and at the left, one 
has clutched a soldier to drag him ofiThis horse. The long spears of the Cos- 
sacks in a conffict like this are of little use and there is safety* only in flight. 

Salen, 1870. Purchased from the collection of the late Edward Matthews, Esq. 

Bequeathed by Miss Cathabins Lobillaro Wolfs, 1887. 

Signed and dated, 1870. On canvas, 39 H.; 32 W. 

428 FRENCH CUIRASSIER. 

Mounted on a heavy, dark bay horse the cuirassier fuUy equipped stands 
at rest. A troop of cuirassiers is in the background. 

Bequeathed by Miss Catharinx T^OBn.TMBn Woltb, 1887. 

Signed and dated, 1872. Water Color, 13 H.; 10 W. 

662 THE DEFENSE OF CHAMPIONY. 

Pabis, May 29, 1897. 
Mr. Henrt Hilton. 

Mt Dear Sir: I have learned with great pleasure that you have become 
the purchaser of my painting, exhibited this year in our Art Salon, and I am 
happy that it finds a place in your gallery, which enjoys a vexy great reputation 
in France. I know that I shall be '' in good company'' with you/ and it is so 
much the more gratifying to me, as I consider this last painting the most im- 
portant work I have ever produced. 

The episode which I have chosen gives scope for a great development of 
subject. It is the moment when the division of General Faron (now inspector 
of Mcune), after having taken Champigny, situated above the Mame, fortified 
itself in the village and defended, foot by foot, the house and enclosures against 
the return attack of the Saxony and Wtirtemberg divisions, in the battle of 2d 
Decemb^, 1870. The chftteau which I have shown is one of those which are 
found at the fork of the two roads at Chennevi^res — a plaoe well known to 
those ParisiaDB who took part in the scenes of the siege of Paris. The officer 

89 



shown in the center of the picture b General Farcm, who was i^pointed Gen- 
eral of Division on the field of battle. The foot soldiers belong to the 113th 
Regiment of the Line, who lost a great number in the three davs of fight. The 
Sappers, who are making the embrasures in the wall to i^ow the sharpshooters 
to nre imder protection, and are barricading the opening; with aH kinds of 
material; the artillerists, who are placing the battery suns m position; all like- 
wise were imder the orders of General Faron, who at tnis time conmianded the 
right wing of the French army. 

I have endeavored to pprtra^, i^ the most exact manner possible, the vari- 
ous scenes of which I was a witness, having been mysdfa soldier in tb« 
** Garde Mobile** durine the si^ of Paris: and in painting this work I have 
had the advantage of being able to reproduce some souvenirs absolutely per- 
sonaL I attach, therefore, much importance to this painting, and am specially 
desirous — outside of the Paris Exhibition — ^f or permission to exhibit it in Gei> 
many, where I have been verv particularly soUcited to show my military worioi 

1 particularly desire to be represented at this international gathering, and 
I have selected naturally this my most important work. It is the first time 
since the war of 1870 that French art has been exhibited in Germany^ and the 
presence of nilitaiy paintings recalling souvenirs of the late war will add a 
pecidiar piquancy. 

I have always been very sensible of the favors shown me in America, and 
I am happy to be able to testify this to you especially. 

Receive, sir, the expression of my dustinguished regards, etc. 

]6D0UARD DETAILLE. 

Gift of JuDOB Hbnbt Hilton, 1887. 

Signed aad dated, 1879. On eanvas. 48 H.; 85 W. 

DEVEDEUX, Louis. French School. 

Bom at Clermont-Ferrand, Puy-de-Dome, 1820; died at Paris, 1875. 
Pupil of Delaroche and Decamps. 

479 - THE PRIDE OF THE HAREM. 

Bequeathed by Mus Cathabinb Lorillabd Wolfs, 1887. 

PurohMed from the artist. Signed. On canvas, 30 H.; 26 W. 

DIAZ DE LA PENA, Narciso Virgilio. Barhizon School. 

Bom at Bordeaux, of Spanish parents, 1809; died at Mentone, 1860. Dias 
was one of those who gave celebrity to the village of Barbizon, in the forest of 
Fontainebleau. Anything served him as a pretext for bringing to light his 
marvelous aptitude as a colorist. He rendered with equal facility the enchant- 
ments of the landscape flooded with sunshine, and the deep forest in luminous 
twilight, or nymphs with flesh of exquisite tone; and dazzled the eye with all 
the seductions of a grand colorist. Medals: third class, 1844; second class, 
1846; first class, 1848. Legion of Honor, 1851. 

37B THE HOLY FAMILY. 

The Virgin clad in a pink dress with a dark blue mantle crossing her figure 
is seated with the Infant and St. John on either side. Her left hand is resting 
on the shoulder of the Child who is leaning upon her lap. A woody landscape 
forms the backgroimd. 

Bequeathed by Mzas Catharinb Lorillabd WoLni, 1887. 

From the collection of the late Baron Strousberg, Berlin, 1873. 

Signed and dated, 1850. On wood. 12 H. ; W. 

40 



422 LANDSCAPE. 

A roadway passes through an open field with trees in the middle distant 
and low hills beycmd. The Bky is filled with cool gray, moving, clouds. 

Bequeathed by Miss Catharine Lorillard Wolfe, 1887. 

Purchased in Paris. Sisned. On wood, 9i H.; 13| W. 

464 STUDY OF TREES, 

Bequeathed by Miss Catharine Lorillard Wolfe, 1887. 

Purchased in Paris. Signed. On wood, 14 H.^ 10 W 

481 EDGE OF A FOREST. 

Bequeathed by Miss Catharine Lorillard Wolfe, 1887. 

Purchased in Paris. Signed. On wood. 9 H.; 11 W. 



FOREST OF FONTAINEBLEA U, 

There is a deep, rich brown wood with li^ht tree trunks at the right. In 
the foreground are pools of water and an openmg to a denser forest, and above 
is a patch of blue sky. 

Bequeathed by Mrs. Elizabeth U. Coles, 1892. 

Signed and dated, 1872. On panel, 16| H.; 13iW. 



DIETRICH, Christian Wilhelm Ernst German School 

Bom at Weimar, 1712; died at Dresden, 1774. Pupil of his father and 
Alexander Thiele, and succeeded well in copying the works of Rembrandt, 
Everdingen, Ostade, Poelemberg, Heinrich Roos and Salvator Rosa. He 
had no originality, and his color and execution were subject to much criti- 
cism, yet he had great popularity, and his works are numerous. The 
Dresden Gallery has fifty-one, and all the German Galleries have specimens 
of his works. In the National Gallery the "Wandering Musicians'' is an 
unusually good work of this artist. 

ea4 SURPRISED, 

Two lovers secreted with a Love at their side, in the shade of some 
laree trees in the garden of a chfiteau, have been surprised by a party of ladies 
and gentlemen who have been led to the scene by Cupid who bears a flaming 
torch in his right hand. 

Purchased by the Museum, 1871. On canvas, 28 H. ; 28 W. 

DOMINGO, Francois (Don Francisco Domingo y Marqu6s.) 

Spanish SchooL 

Bom at Valencia, Spain, 1843. Pupil of the Royal Academies of Sa» 
Carlos, of Valencia, and of San Fernando, of Madrid. Prize of Rome, 1867. 
Received a first-class medal at the National Exhibition of Fine Arts, Madrid. 
1871. Was appointed Professor in the Academy of Valencia; made Com- 
mander of the Order of Don Carlos III, 1876; and received the Grand Cross of 
the Order of Isabella the Catholic, 1883. Conmiander of the Golden Crown of 
Bavaria. The municipality of Valencia named a street after him in 1887. 
Member of the Royal Academy of Antwerp, 1888. Has resided for several 
years in Paris. 

41 



464 INTERIOR WITH FIGURES, 

The light f^om a casement window at the left center falls full upon a group 
of soldiers who surround a small table and are pla^ring at cards. One man 
with a pitcher in his hand stands leaning over watchmg the ^ame, and anothei 
who is standing behind the table is smoking a long clay pipe. Behind this 
group is a large chimney-piece and in the shadow beyona at the end of the 
room is a balcony beneath which there is another table where other soldiers 
are intent upon the game. A wine cask and other objects are in the foreground 
at the left; and a lueeping dog, a drum, and a broken pitcher are on iSe floor 
at the right. 

Fainted to order. 

Bequeathed by Miss Cathabins Lobillabd Worn. 1887. On wood, 6 H.^ 8 W. 



DORE, Gustave Paul. French School. 

Original name Dorrer, but changed by him to French fonn. Bom at 
Strasburg, 1833; died at Paris, 1883. Illustrated periodicals when fifteen 
years of age. Exhibited in Salon, 1848, pen and ink landscape drawings, and 
in 1855 his first oil picture, " Battle of the Alma,'' which was followed in 1857 
by the '^ Battle of Inkerman." The great wealth of his imagination, and 
wonderful facility of execution, led him into exaggerations which deprived 
him of fame as an historical painter. 

340 THE RETREAT FROM MOSCOW. 

Napoleon's army is in full retreat over a frozen waste. In the foreground 
a wagon-load of soldiers are being ridden down by a sauadron of Russian 
cavafv who mercilessly slay both man and horse. Dead norses and an oveiv 
turned army wagon are at the left, and a group of Russian soldiers appear in 
the middle disttmce. A cold, leaden sky overhangs the scene, and viiltures 
flock in swarms above the field. 

Bequeathed by Miss Cathabine Lorillabd WoLns, 1887. 

From the Jolm Taylor Johnston collection, 1876. 

Signed and dated, 1865. Water Color, 28 H.S 38 W. 



DOUGHTY, Thomas. American School 

Bom at Philadelphia, 1793; died, 1856. Spent his youth in mercantile 
pursuits, painting in his leisure moments. He finally adopted art as a prof es- 
non about 1820, painting at London, Paris, and in the United States. 

182 ON THE HUDSON, 

A brown, woody foreground with the Hudson River in the middle distance, 
imd the hills of West Point beyond. The sky is filled with bright silvery 
clouds. 

Gift of Mb. S. p. Avert, 1894. 

Signed. On canvas, IS H.; 18 W. 

216 A RIVER GLIMPSE. 

A woody landscape with a glimpse of the river in the middle distance. 

Gift of Mr. S. p. Avbrt, 1895. ^ 

Signed. On eanyas, 291 H.; 24iW. 

42 



DROUAIS, Francois Hubert. French School. 

Bom at Paris, 1727; died there, 1775. Portrait painter. Son and 
pupil of Hubert Drouais: continued his studies under Nonnotte, Carle van 
Loo, Natoire and Boucher; received in the Academy in 1758 and later became 
court painter. 

603 PORTRAIT OF THE EMPEROR JOSEPH II OF A U STRIA . 

Brother of Marie Antoinette, called "King of the Romans." Painted in 
Paris in 1770. From the collection of the Marquis de Foz, Portugal. Joseph 
II of Austria, "Emperor of the West" and King of Germany, waa the son of 
Francis I of Lorrame, and the celebrated Marie Th6r^se, daughter of Charles 
VI. Bom, 1741; succeeded his father, 1765; died, 1790. 

The youthful emperor, life-size, with his head thrown back and his 
eyes confidently to the front, stands at full length in the center of the picture. 
He is dressed in a scarlet velvet coat and a waistcoat of white satin richljr em- 
broidered with gold lace; his right hand is extended over a massive and highly 
ornate gilt table upon which are books,' a medallion and a figure of Mars; 
between the columns and beneath a curtain is the blue sky and the landscape; 
at the right is a chair covered with green tapestry and at the left on the floor 
at his feet is a pet dog. 

Purchased by the Museum from Dowdeswell and Dowdeswells, L't'd, 1903, from In- 
come of the Jacob S. Rogers Fund. On canvas, 96 H. ; 67^ W. 

DUEZ, Ernest Ange. French School. 

Bom at Paris, 1843. Genre painter; pupil of Carolus Diu-an. Medals 
third class, 1874; first class, 1879; Legion of Honor, 1880. 

331 THE BOUQUET. 

A lady in a black walking costume is stepping daintily forward with a 
bouquet in her left hand. 

Bequeathed by Miss Cathabinb Lorillard Wolfe, 1887. 

Signed. Water Color, 12 H. 5 8 W. 

« 

DUPLESSIS, Joseph Silfrede. French School. 

Bom at Carpentras, France, 1725; died at Versailles, 1802. 

610 PORTRAIT OF BENJAMIN FRANKLIN. 

On the back of the canvas is written in the handwriting of the artist, 
"Peint par Duplessis, pour obliger le Vicomte De Buissy." 

Head and bust me-size. The face and figure are three-quarters to the 
ri^ht, the eyes to the front. His long, gray hair falls down over his shoulders 
mmgling with the fur collar on his dml-red coat. The backgroimd is a brown 
gray. 

Gift of Mb. Geo. A. Lucas, of Paris. 

^ On canvas (oval), 27i H.S 22i W. 

DUPRE, Jules. Barbizon School. 

Bom at Nantes, 1811 ; died at L 'Isle-Adam, 1889. One of the most original 
and powerful painters of the modem French School. At twelve years of age he 
was the principal decorator in his father's porcelain factory on the banks of the 
Oise. ''It was in the contemplation of nature, in his isolation amidst her 

48 



influences, that the mind of the lad wa& opened to her beauty, and that her 
mysteiy was sounded by his thought. In his hours of freedom the boy used 
to wander over the fields with sketch-book and pencil. No professor inter- 
poiod himsfilf between this talent in its birth and what it portrayed. What 
he wii ignorant of he asked but of her; what he learned was from her teaching. 
At eighteen the little china painter had become a young master. At sixty, he 
was the illustrious, respected, veteran of the School of 1830 — Delacroix, Rous- 
seau, Diaz, Corot, Baiye, Millet, Decamps, and Troyon." Medals: second 
dass, 1833 and 1867. Legion of Honor, 1849; Officer, 1870. 

381 THE OLD OAK, 

The old oak stands boldly out against a brilliant sky of cumulus clouds; 
below there is a dark pool of water and meadow-lands where two cows are 
feeding; beyond, a low hill with a glint of light at the horizon. 

Bequeathed by Mns Catharinb Lorillard Wolfe. 1887. 

Signed. OiicMMra8,32H.: 25 W. 

482 THE HAY WAGON. 

Climbing a low, sand^, hill in the center of the oicture is a team of horses 
attached to a hay w«^on in which are a woman ana child. A man behind is 
pushinff and another is walking by the team; a group of dark trees at the 
right, the limbs of which overreach the roadway are relieved against a mass of 
light clouds and a blue sky. 

Bequeathed by Miss Catharine Lorillard Wolfe, 1887. 

From the late Wm. T. Blodgett coUeotion. 1876. 

Signed. On canvas, 14 H.; 18 W. 

830 LANDSCAPE— SUMMER, 

In the foregroimd a ^voup of cattle are standing in the water; at the 
ieft is an old oak tree with its sturdy branches stretching out over a sky 
that is filled with brilliant clouds. 

Bequeathed by Mrs. Elueabbth U. Coles, 1892. 

Signed. On canvas. 6iH.; lliW. 

DUPREy Julien. French School. 

Bom at Paris, 1851, where he now resides. Pupil of Pils« Laug6e and 
Lehmann. Honorable mention, 1879. Medals: third class, 1880; second 
class, 1881; Hora Concoura. Silver Medal, 1889, Exposition Universelle; 
Qold Medals, 1890, Munich and at Antwerp, 1894. Legion of Honor, 1892. 

THE BALLOON. 



In a bright green field of new-mown hay are a group of French peasants 
who have suddenly ceased work and are gazm^ intently at a balloon which is 
floating along in a midday aky. All have their backs to the spectator. One 
stalwart woman with a rake m her hands stands in the center of the picture. 
At tfa« right, is an old woman with a red kerchief on her head and a boy is 
in the grass at her feet. Standinjg by the bo;^ is an old man with a straw 
hat upKm his head and further on is a young girl. At the left, a man on his 
knees in the grass with his arms full of the new-mown hay is looking up at 
the novel sight. There are a few tall trees scattered about and a hill boraeiB 
the fields at the right. 

Gift of Mr. Qborqe I. Senst, 1887. 

Siinad and dated. 188d. On canvas. 96 H.« 78 W. 

44 



DURAND, Asher Brown. American School 

Bom at South Orange, N. J., August 21, 1796; died there, 1886. He 
studied engraving with his father and with Peter Maverick, whose partner 
he became ia 1817. His ''Declaration of Independence," after Trumbull, 
first brought him into prominent notice as an engraver. He was one of the 
original members of the National Academy of Design, organized in 1826, 
and was elected president at the resignation of Professor Morse in 1845, a 
position he held until 1861. About 1835 he resolved to become a piunter, 
and imtil the time of his death devoted himself to that branch of the pro- 
fession. Among the better known of his earlier works are: ''Harvey Birch 
and Washington," "The Wrath of Peter Stuyvesant," "The Capture of 
Andr^," "Dance on the Battery," "The Forest Primeval," afl* "Franconia 
Mountains." * 

Many of his pictures have been engraved. 

1 ro ARIADNE (after Vanderlyn). 

dying at full length, nude, in the broad light of dav, with white and 
red drapery on the ground beneath, Ariadne sleeps. The dark brown, woody 
landscape and open sea beyond give no sign of her truant lover, Theseus. 
The original picture is life-size, and is now in the Penneylvania Academy 
of Fine Arts, Philadelphia. 

Gift of IfR. S. P. Aykbt. 1897. On canvas, 14 H.; 18 W. 

210 IN THE WOODS. 

A thick wood in mid-summer with large beech and birch trees on either 
side, the over-reachine branches arch a winding brook which finds its way to 
an opening beyond. There is a glint of blue sl^ above. 

Gift to the Museum in memory of Jonathan Sturges, by his children, 1895. 

Sisned and dated. 1855. On canvas, 58 H.; 47 W. 

18B JUDGMENT OF 000. 

The fulfillment of the judgment of Goff, in the vaUey of Hamon-gog 
where the troops of the Chief Prince of Mesnech and Tubal are being over*- 
thrown. On either side the dark towering mountidn peaks are enveloped 
in storm clouds and the forked lightning is splitting the rocks asunder. 
Ezekiel, 39th chapter, fourth verse: "Thou shall fall upon the moimtains of 
Israel, thou, and all thy bands, and the people that b with thee: I will sive 
thee unto tne ravenous birds of eveiy sort, and to the beasts oi the field to 
be devoured." 

Gift to the Museum in memory of Jonathan Sturges, by his children, 1895. 

On canvas, 50 H.; 49 W. 
LANDSCAPE. 



A stream of water runs from the foreground through the (Ustant fields 
and woodlands to a blue mountain from which the clouds float upward into 
a blue sky. 

Bequeathed by Mbs. Sarah Ann Ludluic, 1877. On canvas, Z2^ H.; 48 W. 

DURER, Albrecht (?). OermanSchooL 

Bom at Nuremberg, 1471; died there, 1528. This artist, if not really 
the founder of the German school, perfected the art which already existed 
in his coimtry. He was a sculptor, architect, and painter. His drawing 

45 



was rich in life and expression; his coloring very unequal; his nude figures 
ugly and vulgar, and his love for the fantastic prevented him from becoming 
what he might otherwise have been. He became a disciple of Michael Wolge- 
muth, in whose atelier he remained three years. In 1490 he set out on his 
travels, and in 1494 returned to Nuremberg and settled himself as a painter. 
He remained there ten years. In 1505 he went to Venice, Padua and Bo- 
logna. The following year he returned to Nuremberg, where he remained till 
1520, and executed an immense number of paintings, drawings, engravings, 
and some carved works in boxwood and steatite. He then made a journey 
into the Netherlands, was absent about a year, and returned to his native 
city, never to leave it again. Although his pictures are scarce, the large Ger- 
man Galleries have specimens of his work. "The Four Temperaments" are 
now in the Pinakothek at Munich, thb Gallery has also five large pictures 
of the life of Christ. The Virgin holding the naked Child in her arms is now 
in the Belvedere at Vienna. These are but a small part of the important 
works of Dttrer; the Berlin Gallery has several, and the Dresden Gallery four. 

26 HEAD OF AN APOSTLE. 

The head is of heroic size with long gray hair and beard; the right hand 
is raised and the forefinger is extendea as if in admonition. 

Gif t of Mr. Ck>RNELin8 Vanderbilt, 1880. On plaster, 17^ H.; 13 W. 

DU VERGER, Theophile Emmanuel. French School. 

Bom at Bordeaux, 1821. Medals: third claas^ 1861, 1863; Medal, 1865. 
467 * FEEDING THE BIRD. 

The interior of a kitchen in which a child wearing a black hood and cape 
is kneeling on the floor before a bird-cage into which she is putting some food 
for the bird. The mother wearing a brown dress and blue apron, and holding 
a roll of white cotton cloth on her lap, sits by regarding the child. 

Purchased in Paris. 

Bequeathed by Miss Catharine Lorillard Wolfe, 1887. 

Signed. On wood, 12 H.; 9 W. 

1 1 2 THREADING GRANDMOTHER'S NEEDLE. 

Lent by Mrs. Israel Ck)R8B. On panel, 12^ H.| 9^ W. 

DIJCK, Sir Anthony (Antoon) van. Flemish School 

Bom at Antwerp, 1599; died at London, 1641. The most distinguished 
of Rubens' pupils. One of the many great artists whose gifts showed them- 
selves almost from birth. He was the son of a glass painter. At ten he had 
already begun to paint; at fifteen he had entered Rubens' studio; and at 
nineteen he was himself a "master." 

For five years (1620-25) he was traveling and painting in Italy, with 
letters of introduction from Rubens, and on his return to Antwerp he at once 
became the court painter of his time. Queens visited him in his studio, and 
the nobility of three nations considered it an honor to be painted by him. 

He twice visited London, in 1620 and in 1627, before he finally settled 

theie in 1632. 

46 



On his first presentation to Charles I, he obtained pennission to paint 
the king and queen. He was appointed painter to the court, was knighted, 
and received a pension of £200. A town house was given him at Black- 
friars and a country house at Eltham. 

He always went magnificently dressed, had a numerous and gallant 
equipage, and kept so good a table in his apartment that few princes were 
more visited or better served. 

For seven years Van Dyck worked at the portraits of the English aris- 
tocracy with indefatigable industry. Nearly half of all his known pictures 
are in England (a large collection of them was brought together at the Gros- 
venor Gallery in 1887), but in the National Gallery he is at present incom- 
pletely ^presented. There are no pictures there either of women or of children 
in both of which he excelled. 

The last two years of his life were mainly spent in traveling with his 
yoimg wife, the granddaughter of Lord Ruthven. He died when only forty- 
two, and was buried in the old Church of St. Paul's. 

Van Dyck was essentially the painter of princes, distinguished by the 
indelible mark of courtly grace and refinement which he gave to all his sitters. 

46 ST. MARTHA INTERCEDING WITH GOD FOR A CES- 
SATION OF THE PLAGUE AT TAR A SCON, 

St. Martha, full-length, clad in a brown habit, with a halo about her 
head, and face upturned and arms extended downwards in an attitude of 
supplication is being upborn on a white cloud by a group of cherubs. At 
the extreme left, one of these bearing a death's head in his hands, and another 
clasping his nostrils, represents the plague. A third is lifting the mantle 
callmg the attention of the Saint to the distress below. At the left hand 
upper comer another cherub is seen crowning the Saint with a wreath of 
roses. Beneath the group far awav under the horizon are vapory indica- 
tions of the plague stricken city. An early work painted under Venetian in- 
fluence. ^ 

Purchased by the Museum, 1871. On canvas, 38* H.? 28* W. 



PORTRAIT OF A LADY— School of Van Dyck, 

Three-quarters length, standing, with the face and figure turned to 
the right. Her dark eyes are looking at the spectator, a large fluted ruff is 
about the neck, and her black gown is richly embroidered with black and gold 
lace. The dark brown hair is dressed with pearls and a triple string of pearls 
is looped across the breast and falls below. The right hand rests upon the 
arm of a chair and the left holds a black feather fan. Two colmnns, a red 
turtsmj a bit of sky, and the red back of an arm-chair form the backgroimd. 
Exhibited by P. P. Koupell at the Royal Academy in 1875, purchased by Mr. 
Henry G. Marquand, 1888. 
Gift of Mr. Hbnbt G. Marquand. 1888. On panel, 48* H. ; 37^ W, 

248 PORTRAIT OF A MAN, ^ 

Half length, standing; three-quarters to the right; hair light brown; 
pointed beard. He wears a black dress with a large-fluted ruff about his 
neck ; the right hand, falling naturally, holds his gloves; the left rests on the 
back of a chair near which he stands. This picture belonged to Lord 
Methuen, and is mentioned in The English Connoisseur, London, 1766, 
Exhibited at the Royal Academy in 1877. Purchased from Lord Methuen 
in 1886. Half length. Formerly attributed to Rubens. 
Gift of Mr. Henrt G. Marquand, 1888. On panel, 41 H.; 28i W. 

47 



JAMES STUART, DUKE OF RICHMOND AND LENOX. 

He ia repretented standing in an easy attitude, with the left hand restinf 
on his hip, and the right hand on the upturned head of a large greyhouna! 
The figure is three-qiuirters to the left, with face turned to the front^ his 
long blond hair falls in curls over his sloping shoulders, and the large pointed 
lace coUar, which is about his neck, partially conceals a broad blue ribbcm, 
from which is suspended a «)ld locket. The dress is of rich figured blacd: silk, 
with the ''crachat" of the Order of ''Saint Esprit" upon the left side. The 
stockings are white and the shoes daric, with large ornamental roeettes. En- 
graved, 1773, in mezzotint, by R. Earlom, and in line, by Houbraken. 

Purchased, in 1886, from Lord Methuen. Smith, Cat. Red., HI, No. 594. 
Mentioned in The English Connoisseur, London, 1766, n, 20, as belonging to 
Paul Methuen. 

Gift of Mb. Hxnrt Q. IfABQUAMD. 1888. On canvas. 83| H.f 48f W. 

314 PORTRAIT OF BARON ARNOLD DE ROT OF 

ZUIDERWYN. 

Full length, lif ensize. standing squarely to the front with the eyes looking 
directly forward. The face is lighted from the left and the warm flesh tints 
are in pleasant contrast with the broad white fluted coUar which is about his 
neck. His habit is black and a black cloak is thrown over the left arm, the 
hand is raised and rests upon the hip. The right fore arm is over the back of 
an antique chair and in the hand is a large luit. The back-groimd is warm 
gray. 

Purchased by Stefan Bourgeois, Paris, from the Chiteau Zuyder Wyn; 
sold to' Laurie & Co. of London, from Laurie & Co. to Blakeafee of New 
York, 1905. 

Gift of Mr. Gborob A. Hxabn, 1905. On eanvM. 76 H4 41 W. 

EAKINS, Thomas. American School . 

Bom at Philadelphia, 1844. Pupil of G^r6me and the Beaux-Arts at 
Paris. Professor at the Academy of Fine Arts, Philadelphia, and Philadelphia 
Artists' League.# 



THE CHESS PLAYERS. 

Two men are seated at a table in the center of a room playing chess; a 
third man stands behind the table overlooking the game. On a small side 
table at the left are decanters of wine, etc. 

Gift of the artist. 1881. On cftnvas. Hi H.; 15iW. 

EECKHOUT, Gerbrand Van Den. DuUh School. 

Bom at Amsterdam, 1621; died there, 1674. Pupil of Rembrandt 

304 DESTRUCTION OF SODOM AND GOMORRAH. 
Lent by Mb. Gborob A. Hbarn. On panel, 13i H. ; 19^ W. 

ELLIOTT, Charles Loring. American School. 

Bom at Scipio, New York, 1812; died at Albany, 1868. Son of an 
architect; pupil of Col. John Trumbull and Quidor. He painted portraits 
in the western part of the State while still a yoimg man, and opened a studio 
in New York City early in his career. He was elected Associate of the N. A. D. 
in 1845, and Academician in 1846. He is said to have painted more thap 

48 



seven hundred portraits of eminent people, among them Fletcher Harper, 
Fitz-Greene Halleck, W. W. Corcoran, Fenimore Cooper, Gov. Seymour, 
and Erastus Coming. ''The vigor and truth of his best likenesses, the char- 
acter and color which distinguished them, are such as to win the respect and 
interest due to a master.'' 

537 PORTRAIT OF THE ARTIST. 

Bust, lifcHsize, face turned to the left of the spectator. His black hair 
fails down nearly to the shoulders, and the dark eyes look steadily forward. 

Gift of Mr. Robert Hob. 1888. On canvas. 29 H.] 24 W. 

188 PORTRAIT OF M. B, BRADY, 1857. 

M. B. Brady's fame as a historical photographer rests upon his standard 
portraits of the great men of the period, and as author and originator of 
War Series and Battle Scenes, the excellence of which have been so fully recog- 
nized that they have been almost universally used as illustrations for maga- 
zines and periodicals when treating of historical men and events. Died, 1896. 

Face slightly to the right, eyes looking forward at the spectator. Hair 
and beard black; background ohve gray. Bust, life-size. 

Gift of his friends, 1896. On canvas, 24 H.; 20 W. 

104 PORTRAIT OF A GENTLEMAN, 

Full-face, the figure turned slightlv to the right. The hair is dark and 
curly. Coat dark brown. Background gray. Bust, life-size. 

Gift of Mrs. Henrt Marquand, 1900. On canvas (oval). 29 H.; 24 W* 

201 PORTRAIT OF A LADY, 

Seated, with both hands folded across her lap and the fi{;ure inclined 
forward, she i£# looking intently to the rieht. Her black hair and white 
dress are relieved against a dark woody landscape backgroimd. 

Gift of Mrs. Henrt BIarquand, 1900. On canvas, 35i H.* 28i W. 

ESCALLIER, Mme. E16onore. French School, 

Bom at Poligny (Yura) ; contemporary. Pupil of Ziegler. Medal, 1868. 

470 A PANNIER OF FLOWERS. 

Painted to order. Salon, 1873. 

Bequeathed by Mies Catharinb Lorillard Wolfb, 1887. 

Signed. On canvas, 28 H.; 22 W. 

484 CHRYSANTHEMUMS, 

Painted to order. 

Bequeathed by Miss Catharins Lorillard Wolfs, 1887. 

Signed. On canvas, 27 H.*, 23 W. 

ESCOSURA, L6on y. Spanish School, 

Bom at Oviedo, the capital of the Asturias, Spain, 1834; died suddenly 
at Toledo, Spain, May, 1901. Studied at the Royal Museum at Madrid, 
and with G^rdme, at Paris. King Amadeus of Spain conferred upon him 
the Cross of Commander of the Order of Isabella the Catholic, and Commander 
of the Order of Charles in. Chevalier of the Order of Christ, of Portugal. 

49 



672 KING PHILIP PRESENTING RUBENS TO VELAZ- 
QUEZ IN THE STUDIO OF THE LATTER. 

The King has advanced to the center of the studio with Rubens by his 
side and is presenting him to Velazquez who, costumed in black velvet, 
stands with palette in hand before an unfinished portrait of the Infanta 
and bows a welcome to the great Flemish painter. At the right are the 
Infanta and her maid, and at the left the court Jester is seated in an arm- 
chair with a greyhoimd at his feet. 

Gift of Mr. Frsdbrick Lobsbr, 1891. 

From the oolleotion of King Ludwig. Signed. On canvas, 50iH.i COW. 

607 AN AUCTION SALE IN CLINTON HALL, NEW YORK 

CITY, 1876. 

This old auction room which is now onl^ a memory is here faithfully 
portrayed with the auctioneer in the act of giving the last call on a couple 
of plaques which the man in front of the desk holds before the audience. 

Gift of the Artist. 1881. 

Signed and dated, 1876. On canvas. 2li H. ; 31 W. 

EYCK, Jan van. (?) Flemish School 

Bom at Maeseyck, Eyck-sur-Meuse 1380 to 1390(?); died at Bruges, 
1440. The brothers Hubert and Jan van Eyck are distinguished as being 
the inventors (or improvers) of Oil Painting. The chief credit is usually 
given to Jan, but probably Hubert has the better claim. Jan was by 24 years 
the younger of the two. They resided chiefly at Ghent and Bruges. 

262 VIRGIN AND CHILD, 

The Virgin, dressed in a long scarlet robe, stands in a'^niche of richly 
sculptured gotmc architecture, looking tenderly down upon the Child which 
she holds against her breast. On a oaldachin over her head is inscribed, 
"DOMUS DEI ESTJET PORTA CELl;" beneath is "IPSA EST QUAM 

PREPARAVIT DOMS FILIO DNI MEI." King of Holland sale, 1850. 
Exhibited at Manchester. 1857, and at the Royal Academy in 1871, by A. J. 
Beresford Hope. Described in Waagen Art Treasures, IV, 190. 

The figures of the Virgin and Child are copied from a signed picture by Jan van Eyck, the 
*^yirffin by a Foantain,*' at Antwerp. The arcnitectural backerronnd is^siinilar to that in one 
of Hobert van Byck's miniatures at Torin (now destroyed). Bverything, therefore, points to 
the picture being done in Jan van Eyck^s studio by a close follower. 

Gift of Mr. Hbnrt G. Marquand, 1888. On panel, 22 H. ; 1 li W. 

FAGNANI, Giuseppe. American School. 

Bom, Naples, December 24, 1819; died. New York, May 22, 1873. 
Studied at the Royal Academy. Elected an Academician, 18^. Painted 
portraits of the Sultan and Ministers at Constantinople, Presidents Taylor, 
Fillmore, and many other eminent statesmen in America. 

600 EUTERPE; THE MUSE OF MUSIC. 

610 CLIO; THE MUSE OF HISTORY. 

61 1 TERPSICHORE; THE MUSE OF THE DANCE. 

612 THALIA; THE MUSE OF COMEDY. 

613 URANIA; THE MUSE OF ASTRONOMY. 

50 



614 CALLIOPE; THE MUSE OF ELOQUENCE. 

616 POLYMNIA; THE MUSE OF LYRIC POETRY. 

616 MELPOMENE; THE MUSE OF TRAGEDY. 

617 ERATO; THE MUSE OF POETRY. 

Nos. 609 to 617 inclusive, represent types of American beauty; being portraits 
of Society Women from different parts of the Union. 

Gift by an Association of Gentlemen, 1873. 

Signed. On canvas, 43i H. ; 33iW. 

FALERO, Luis. French School. 

Bom at Granada, Spain, May 23, 1851, of rich parents. Died, 1901. 
In 1860 he went to Paris, where he studied until 1866, when he entered the 
Spanish Navy; this he soon abandoned for art, and imaided, he made his 
way to Paris, where he supported himself by painting portraits. Self-taught. 
Rarely exhibited at the Salons. Gold medal, 1889, Exposition UniverseUe 
(Section of Guatemala), Mention Honorable (Section of Spain), Diploma 
(Section of France). 

334 TWIN STARS. 

Suspended in mid-air among the celestial bodies are two nude female 
fibres clinging to each other with their hands raised toward twin stars which 
flitter above them. Diaphanous black drapeiy falls about their limbs and 
droops down into the night. 

Bequeathed by Miss Cathabinb Lorillard Wolfe, 1887. 

Signed and dated. 1881. Water Color, 16 H.^ 9 W. 

FICHEL, Benjamin Eugene. French School. 

Bom at Paris, 1826; died there, 1895. Pupil of Paul Delaroche, but 
preferred to devote himself to genre, taking Meissonier as his model in man- 
ner. Subjects and style somewhat in the manner of Meissonier, but in 
execution he lacked those vital qualities which gave to Meissonier's works 
their peculiar charm. Medals: third class, 1857, 1861, 1869. Legion of 
Honor, 1870. 

377 AWAITING AN AUDIENCE. 

The reception-room in the palace of a King of France with a cardinal and 
courtiers standing about awaitmg an audience. 

Bequeathed by Miss Catharine Lorillard Wolfe, 1887. 

Purchased in Paris, 1873. On wood, 19 H.; 31 W. 



^ A VIOLIN PLAYER. 

A man in a red coat is standing before a piece of mume and playing upon 
a violin. 

Bequeathed by Mr. Stephen Whitnet P6<znix. 1881. 

Signed and dated. 1871. On wood, 8i H.; 4^ W. 

51 



PITZ, Rutherford Benjamin. ' American School 

Bom at New York, 1855; died there, 1891. Student at the National 
Academy of Design, 1878. In 1879 he went to Munich, where he remained 
four years, returning to New York in 1883. His principal pictures are " Marie," 
"Reflection," "ToUere of the Field," "Autumnal Showers," and "Modem 
Cmderella." 

106 MARIE. 

Face nearlv front; the eyes are slightly drooping; loose light drapeiy 
falls over the shoulders. 
Bust life-sue. 
Gift of several gentlemen, 1892. On canvas, 15 H. ; 22 W. 

FORTUNY Y CARBO, Mariano-Josi-Maria-Bemado. Span 

iah School. 

Bom at Reus, Catalonia, Spain, 1841; died at Rome, 1874. His 
parents were poor. Drawing was his absorbing passion. In 1847 he 
attended a public course in drawing in his native town. At 12 years of age 
he began the study of painting, and while so engaged he lost both of his 
parents, which intensified his unfortunate lot. In 1857 he won the Prix 
de Rome from Spain, and from that time he quickly rose to fame. His career 
was as brilliant as it was short. In 1867, already celebrated among painters, 
he married M'Ue Cecilia de Madrazo, the sister of the celebrated artist Ray- 
mundo de Madrazo. Chevalier of the Order of Charles IH. Diploma to 
the Memory of Deceased Artists, Exposition UniverseUef 1878. 

414 CAMELS REPOSING; TANGIER. 

A group of camels lie on the ground in the bright sunlight. Their keeper 
is reclimng over the back of one with its neck stretched out at full length on 
the groima. Small light arches of masoniy are behind the group. 

From the collection of the artist, M. G^rdme. Purchased in Paris. 

Bequeathed by Miss Catharine Lorhxard Wolfe, 1887. 

Signed and dated, 1865. Water Color, 8 H. ; 14 W. 

609 A SPANISH LADY. 

Three-quarters length, standing with the face and figure turned to the 
right of the spectator. Ttie poise of the head and the gentle expression of 
tlSd eyes ^ve to it an air of elegance which bespeaks a lady of rank. Her 
delicate nght hand clasps the folds of a black silk dress trimmed with lace, 
and the left toys with a jewel attached to a gold chain. A crisp white linen 
collar is about the neck and a coral pin and buttons adorn the dress. The 
background is deep olive in interesting harmony with her gown. She was 
the wife of a Secretary of the Spanish L^ation at Rome. 

Gift of Mr. Alfred Corning Clark, 1889. 

Signed and dated, 1865. On canvas, 63 H.; 38i W. 

FRANQAIS, Fran9ois Louis. French School 

Bom at Plombi^res (Vosges), November 17, 1814; died at Paris, May 
28, 1897. Pupil of Gigoux and Corot. He painty French and Italian 
scenes. In 1829 he went to Paris and became a bookseller's clerk. He 
exhibited his first landscape in 1841. Medals: Third Class, 1841 ; First Class, 
1848, '55, '67. Medal of Honor, 1878. Legion of Honor, 1853; Officer, 1867. 

52 



GATHERING OLIVES, 

In the for^TOund by a path leading up a steep hill stands a tall young 
tree from which a bov with a long pole is thrashing olives; three eirls are 
below, one pulling a branch of the tree, and the others gathering the fruit. 
On the path above is a man with a donkey, and beyond are the heights 
and waterfalls of Hvoli. 

Gift of Mb. J. MoMTAiGNAC, 1897. 

and dated, 1865. On canvas, 82 H. ; 61 W. 



FRANCESCHINI, Baldassare (called II Volterrano). Fhr- 
entine School. 

Bom at Volterra, 1611; died at Florence, 1689. He was dbtinguished 
as a freoco painter, but his oil pictures were also very commendable. His 
knowledge of foreshortening was exceptional; his color harmonious. The 
worics of this artist, both in fresco and oil, may be seen in Florence and 
Volterra. 

26 HEAD OF AN ANGEL. 

A colossal head with open mouth and upturned eyes as if in adoration. 
Gift of Mb. Cobnsijus Yandsbbilt, 1880. On plastor, 19 H. ; 13i W. 

FRERE^ Charles Th£odore. French School 

Bom at Paris, 1815; died, 1888. Pupil of Cogniet and Roqueplan. 
Medals: 1848, 1865. 

436 CAIRO, EVENING. 

The city is dimly se^i in the distance. Tall palmsjise above the horizon 
into a clear blue evening sky, and a drove of camels cross a bridee in single 
file on their way down to the foreground where the Arabs are filling their 
water jars at the river. 

Bequeathed by Bfns Cathabinb Lobiixabix Wolfb, 1887. 

Signed. On canvas, 29 H.; 42 W. 

446 JERUSALEM FROM THE ENVIRONS. 

Prominently on a hiU in the distance, beneath a clear blue sky is the 
city of Jerusalem encircled by a great wall. The middle distance is dotted 
with olive trees, and in the foregroimd are groups of Arabs, camels and tents. 

Bequeathed by Miss Cathabinb LoBniLABD Wolfb, 1887. 

Painted to ordar. Signed. On canvas, 29 H. ; 42 W. 

676 DEPARTURE FROM JERUSALEM FOR JAFFA, . 

At the right a {px>up of camels are striding over a dusty road and beyond 
are the creamy-white buildings of the city rdieved against a cloudless blue 
sky. 

Bequeathed by Mb. Stephen WmTNST Pho<bnix, 1881. 

Sig^. On wood, 9 H.: 14iW. 

FREREy Pierre Edouard. Frmch School 

Bom at Paris, 1819; died, 1886. Genre painter; pupil of Paul Delaroche 
and of £cole de9 Beaux-ArU. He gained his first success in 1843. Medals: 
third class, 1850, and in 1855; second class, 1852; Legion of Honor, 1855. 

68 



VISIT OF A SISTER OF CHARITY, 

The Sister is sittine in the middle of a room in a poor cottage, ^ving 
medicine to a sick child which she holds on her lap; kneeling at her side is 
the anxious mother with a bottle in her hand. £(ehind her stands a girl 
about ten yaars old looking fondly and sadly upon the baby. 

Bequeathed by Miss Catharinb Lorillard Wolfe, 1887. 

Signed and dated. 1877. On wood, 19 H.; 16 W. 

FROMENTIN, Eugene. French School 

Bom at La Rochelle (Charente'Inferieure), 1820; died at St. Maurice, 
near La Rochelle, 1876. Pupil of Esmond and Cabat; visited Algiers in 
1846-48 and in 1852-53. Brought home many sketches, from which he 
painted his characteristic pictures of Oriental life. He was the author of a 
successful romance, " Dominique," 1863, and of admirable works on art and 
travel. Medals: second class, 1849, 1857; first class, 1859. Legion of 
Honor, 1859; Officer, 1869. 

403 ARABS CROSSING A FORD, 

A landscape with a bright blue sky, fleecy clouds and a rocky gorge 
through which passes a stream of water. A company of Arabs, some of whom 
are mounted, are crossing the ford and climbing out on the left bank of the 
stream. 

Purchased from the Artist. 
Bequeathed by Miss Catharine Lorillard Wolfb, 1887. 
Siffned and dated, 1873. On panel, 19 H.; 24 W. 

FULLER, George. American School. 

Bom at Deerfield, Mass., 1822; died in Boston, 1884. Studied in Boston, 
New York, London, and on the continent of Europe. A.N. A., 1857. Me- 
morial Exhibition of his works at Museum of Fine Arts, Boston, 1884. 

218 IDEAL HEAD OF A BOY. 

Study of a Boy's Head. 
Bust, lifensize, face to the front. 
Gift of Mr. Gborge I. Sbnbt, 1887. On canvas, 26 H.; 22 W. 



it 



NYDIA ." (Bulwer's "Last Days of Pompeii.") 
Lifensize, three-quarters length, with the face turned to the right of 




spectral figui 
of the picture. 

Gift of Mr. George I Senbt, 1887. Signed. On canvas, 49 H. ; 31 W. 

641 **AND SHE WAS A WITCH J' 

In a shadowy landscape in the late evening light a woman stands leaning 
against the doorway of her cottage. Staiiding suoof, at the right are three 
other figures, one of whom with raised right nand pointing directly at the 
woman proclaims her a witch. 

Gift of Mr. Gxobqb I. Senbt, 1887. On eanvas, 29i H.; 30i W. 

54 



F YT, Jan. Flemish School 

Bom at Antwerp, 1611; died there, 1661. .mimal and still-life painter; 
pupil of Jan van Goyen and of Frans Snyders, next to whom he was the 
greatest animal painter of the Flemish school. Master of the Guild in 1629; 
visited Italy and France (1633-'34 in Paris), and he often worked conjointly 
with Jordaens and Van Dyck. 

34 DEAD GAME. 

A group of game composed of partridges and woodcock are lying upon 
the ground. A flattened basket yrith a protruding bird forms part of the 
deep rich background. 

Purchaaed by the Museum, 1871. Oa canvas, 17| H.; 13i W. 

60 DEAD GAME. 

A dead hare lies at full length over a flattened wicker basket, on the 
g»oimd below are a number of birds, and above a brace of woodcock are sus- 
pended agamst a wall. 

Purchased by the Museum. 1871. On canvas, 23 H.; 29i W. 

61 DEAD GAME. 

A partridge and a bimch of small birds are lying on the groimd at the 
foot of an old tree trunk. 

Purchased by the Museum, 1871. Signed. On canvas, 23 H.; 29i W 




oaimas^ t/yt 



GABL, Alois. Munich School, 

Bom at Wies, Tyrol, 1845. Pupil of the Munich Academy under Schrau- 
dolph and Ramberg, then under Piloty; was professor at Munich Academy 
from 1878 to 1882. Gold Medal, 1884. 

661 A RECRUITING SCENE IN THE AUSTRIAN TYROL. 

At the end of a hall on a dais is the recruiting officer seated at a table 
covered with red cloth. A thin, lank cavalry veteran sits at his left and an 
entry clerk is at the right making out the enlistment papers for a new recruit 
who stands diffidently before the officer. In the front of a throng of people 
who crowd the place are an old woman leaning upon a staff, a young girl, 
and a maiden waiting with intense interest the close of the scene. Two 
boys with wooden weapons stand in the foreground at the left. 

Gift of Mbssrs. Wimmer & Co., of Munich. 1882. Signed. On canvas, 47 H. ; 75 W. 

55 



GAINSBOROUGH* Thomas, S^ BnthASehML 

Born mt Siidbtixy, in Suffolk, 1727; died »t London, 1788. At fomteeo 
yean of age be left Sodboiy for Loodon, where be studied ander Hajman, 
one of the companioaa of Hogarth. He remained in London loor Tean, 
acquiring much skill, and returned to his father's house a confirmed painter. 
In 1761 he made his d^ut at the Academy, and from this time untQ near 
the dose of his life be was a regular contributor to the Academy Ezhibitiona. 
The combined grace and degance of his portraits soon bioa^ii him into 
petition with Sir Joshua Rcynokls. 

278 LANDSCAPE. 



The Hght from a bri^t tky with creamy-white doods iDranines the 
centre foreground of the picture. At the left of the spectator there is a groiq> 
of donkeys in deep shactow. On the bank at the n^t a man and woman 
f^ow a tandem toun of lueses, one white, and a maiket cart, in which there 
are a woman and child. Larro beech trees rise over all on both sides, and In 
an opening beyond a shepherd tends his flock. 

Gift of Mr. Hbhkt G. Uamqvamd, 188a 

From the eoUeetion of the late Sir Frsneia Boltoo. (>iesBTaa.56(H.: 74|W. 

243 A GIRL WITH A CAT. 

IXessed in white, witii the left hand raised to her head, a diild about 
ten y&us of age, with a large cat for her con^Munion, is standing by a pool of 
water. The back^tmd is a dark rich brown wood^ with a stnmg rieam 
of light at the horizon. Full-4ength, about the half sise of life. Puienased 
in 18S7 from the executors of & Francis Bolton. 

GiftofMR.HKinnrG.MABQUAifD.1888. On esBTsa. 58| H.; 46|W. 



281 PORTRAIT OP REV. HUMPHREY BURROUGHS. 



Bust, life-size. He is seated witii his face turned to the ri|^t of the 
spectator. The eyes are looking out of the picture. Bm hair is powdered, 
and he wears a blue coat trinmied with gold braid. 

Gift of Mr. Gborob A. Hrabn. 1896. On osaraf. 281 H.: SHW. 



ENOUSH LANDSCAPE. 
Lent by Mr. Gborob A. Hbabn. Oneanvaa. 46H.t 88 W. 

GALLAIT, Louis. Belgian School 

Bom at Toumay, 1810; died, 1887. Histoiy, genre, and portrait paintor. 
Pupil of Tournay, Academy under Hennequin. Obtained the first prise at 
Ghent in 1831. Studied at the Antwerp Academy, and in 1834 went to Paris. 
His ''Abdication of Charles V/' painted at Brussels in 1841, placed him at 
once at the head of Belgian historical painters, and won for him the Belgian 
Order of Leopold, and the Fr^ch L^on of Honor. The City of Brussels 
struck a medal in his honor. Member of Brussels, Antwerp, Paris, Berlin, 
and Munich Academies. Prussian Order of Merit; Order of Oaken Crown ol 
Holland. 



867 THE MINSTREL BOY. 

An old mendicant dressed in rags is seated on a bank holding a minstral 
boy in his lap; with his left hand he presses the bandaged head of the worn- 
out child to his own breast; the right hand is resting upon a cane at his mde. 
A faithful dog affectionately licks the drooping hand of the boy whose bare 
limbs and shoulders, and silent violin which he liolds in his lap tell the stoiy 
of patient suffering and weariness. 

Bequeathed by Miss Cathabins Lorillard Wolpb, 1887. 

Signed and dated. 1867. On canvas. 18 H.; 16 W. 

4M PORTRAIT OF A LADY. 

Lent by a Friend. Signed. On canvas, 52 H.; 35i W. 

GAY, EklwarcL American School. 

Bom in Ireland, 1837. Pupil of James M. Hart, at Albany, N. Y. After 
1862 studied in Germany under Schirmer and Lessing. In 1867, opened a 
studio at New York. A. N. A., 1870, Prize of $2,000 m the Competitive 
Exhibition of the American Art Association, 1887, for the landscape ''Broad 
Acres." 

134 BROAD ACRES. 

Broad acres of ripe grain sweep across the entire field from left to right, 
beyond, there are a few trees and an old sta^e coach on a road that crosses 
the miadle distance of the picture : and an old white gabled house stands in 
the fields in the diE^ance. Light, luminous clouds in apparent motion fill the 
mid-day sky. 

Gift of an Association of Gentlemen, 1887. 

Signed and dated. 1887. ^ On canvas. 46^ H.; 70i W. 

GAY, Walter. French School. 

Bom at Hingham, Mass., U. S. A., 1856. Pupil of Bonnat. Gold medal 
Paris, 1888; silver medal. Exposition UniverseUe, Paris, 1889. Hors Con- 
cours, 1889. Gold medab: Vienna, 1894; Antwerp, 1895; Berlin, 1896; 
Mtmich, 1897. Honorary Member, Society of the Secession, Munich. Legion 
of Honor, 1895. Represented at the Luxembourg Gallery, Paris, by two 
pictures, the ''Benedicite" and '^Las Cigareras"; also in the Tate collection, 
London, Boston, etc. 

666 "LES FILEUSES:' 

In the interior of an old kitchen where the fire bums low are two women 
clad in dull brown dresses and blue ai)rons, with blue 'kerchiefs on their heads. 
One is at a spinning wheel, the other is by her side. A small crucifix is on the 
light gray wall behmd them, and there is a cheeriess brick floor beneath their 
feet. 

Gift of a IViend, 1880. Signed and dated. On canvas, 41 H. ; 41 W. 

GELDBR, Arent ( Aert) de. Dutch School. 

Bom at Dordrecht, 1645, where he was buried in 1727. Pupil of 
Rembrandt, and a good imitator of his style, though not equal to him in 
imjHuto and tranapartncy of color. Many of hb pictures pass for those of 

57 



«it» master. His works are not numerous m public Galleries. The Amstei- 
dam Museum has a portrait of Peter the Great, and the Dresden Gallery 
a man's portrait and an '^Ecce Homo/' by de Gelder. 

67 PORTRAIT OF A DUTCH ADMIRAL. 

Half length, seated, face turned to the left of the spectators. His right 
arm is extended, the hand grasping the arm of the chaur. He is dreeBsed in 
a scarlet coat with a head-piece and breast-plate of steel. A wooden hand 
and liook are attached to the stub of his left arm. 

Purchased by the Museum. 1871. On canvas, 40 H.; 34i W. 

GEROME, Jean Leon. French School 

Bom at Vesoul, 1824. Died, suddenly, at Paris, January 10th, 1904. 
Pupil of Paul Delaroche, whom he accompanied to Rome, and of Gleyre 
after his return from Italy. G6r6me is one of the best-known modem French 
painters, and has executed several sculptured groups. His subjects are 
chiefly characteristic of life in the East. Medals: third class, 1847; second 
class, 1848, 1855; of Honor, 1867, 1874-1878; for Sculpture, 1878; L^onof 
Honor, 1855; Oflacer, 1867; Commander, 1878; Member of Institute, 1865. 
Professor in the -feofe dea Beaux-Arts, 1863. 

364 BOY OF THE BISCHARI TRIBE, 

Sitting naked to the hips with his back turned to the spectator and the 
face nearly in profile he is looking steadily to the front, his right arm is over 
a polished, shield, and he grasps the handle of a sword with his h^id. The 
background is cold gray. 

Bequeathed by Miss Cathabinb Lorillard Wolfe, 1887. 
Signed. On canvas. 10 H.; 8 W. 

472 PRAYER IN A MOSQUE; OLD CAIRO, 

The prayerful Mohammedans in their richest dress stand in line beneath 
the old Moorish arches offering up their orisons, while the pigeons fly about 
and gather in groups upon the old stone-paved floor. In the immediate 
foreground at the right three Mussulmans gorgeously arrayed in silks and 
velvet, with their belts stuffed out with weapons, offer up their devotion. 

Purchased in Paris. 

Bequeathed by Miss Catharine Lorillard Wolfe, 1887. 

On canvas, 34 H.; 29 W. 

156 PRAYER IN THE DESERT. 

Lent by Mrs. Israel Corse. On panel, 13 H. ; 21 W. 

GHIRLANDAJO (in Florentine dialect, Grillandajo)? (Real 
name, Domenico di Tommaso Curradi di Doffo Bigordi.) 

Florentine School. 

Bom at Florence, 1449; died there, 1494. It is said that hb father 
was a goldsmith, who made such exquisite garlands for the hair that he 
was called Ghirlandajo (the garland-twiner), which name descended to his 
children. Vasari says he studied under Fra Bartolommeo. He became a 
mosaic-worker and celebrated painter. He introduced in his picture the por- 

58 



traits of celebrated and important personages of his time, and was original in 
many ways. His life is a landmark in the history of Florentine art. In the 
technicalities of fresco painting he excelled. His works are highly finished, 
and may be seen in the Louvre; six pictures in the Berlin Museum, and others 
in the Dresden, Munich and National Galleries. Ghirlandajo was the master 
of Michelangelo. 

27 ST, ANTHONY. 

St. Anthony in monk's attire wearing a full gray beard; face and figure 
to the left of the spectator in profile. 

Gift of Mr. Cornbliub VANDBBBiiyr, 1880. 0&. plaster, 19 H.; 13i W. 

GIFFORD, R. Swain. American School 

Bom in 1840. Died January, 15th, 1905. Passed his youth at New Bed- 
ford; studied under AJbert van Beest, the Dutch marine painter, and opened 
a studio in Boston in 1864. Came to New York in 1866. Was elected an 
associate of the National Academy in 1867, N. A. in 1878. "Near the 
Coast^' was one of the four prize paintings at the Competitive Exhibition 
of the American Art Association, 1885. 

640 NEAR THE COAST. 

Near the center of the picture a time worn water willow stands sentiy- 
like relieved against a mass of clouds. A glint of light reveals the distant sea, 
and the hardy brakes and ferns cover the low land of the coast. 

Gift of an Association of Gentlemen, 1885. 

Signed. On canvas, 31 H.; SOW. 

GIPPORD, S. R. American School. ' 

Bom at Greenfield, Saratoga County, N. Y., 1823; died at New York, 
1880. Was made an Academician in 1857. 

144 NEAR PALERMO. 

Lent by Mr. Thomas P. Sai/tbr. On canvas, 8 H.; 16 W. 

146 LAKE GEORGE. 

Lent by a Friend. On canvas, 9i H.^ 15 W. 

GIRARD, Firmin. French School. 

Bom at Poucin, Ain, France, May 31, 1838. PupU of Gleyre. Medals 
in 1863, 1874, 1889. Legion of Honor, 1896. Resides at Paris. 

673 A RAINY DAY IN PARIS. 

Lent by Mr. Thomas P. Salter. On canvas, 9^ H. d^W. 

GLAIZE, Pierre Paul Leon. French School 

Bom at Paris, 1842. Pupil of his father and of G6r6me. D6but at the 
Salon of 1859. Medals in 1864, '66, '68. Medal, first class, 1878, Exposition 
Universelle. Legion of Honor, 1877. He has received various public com- 
missions from the French Government and municipalities. Gold medal, 
1889, Ex'positUm Universelle. 

09 



412 BEFORE THE MIRROR. 

A ladv in her' boudoir stands at full length posing with self admiration 
b«ftyre a cneval glass. A fur-trimmed white satm robe is wound about her 
figure; the low white chemise, bare neck and arms, and abundant blonde 
hair are relieved against a red ground. 

B«qu«aib«d by Miss Cathakinv Lobillabd Woltc. 1887. 

Purehased in Paris. 1873. Signed and dated, 1873. On canyaf, 80 H.; 29 W. 

GLISENTI, A. Oerman School 

THE HUNTER'S STORY. 



The picture represents one of the peculiar customs of a certain part 
of Italy — ^the collection of a bounty of eggs from neighbors keeping hens, 
by one who has killed a fox. 

Gift of Mb8. Emma Kbbp Scmirr, 1887. Signed. On canvas, 45 H.; 74 W. 



GOYA Y LUCIENTES, Francisco Jos6. Spanish School. 

Bom at Fuendetodos (Aragon) 1746; died at Bordeaux 1828. Studied 
first imder Joa6 Luxan Martinez and, after, some years in Rome. In 1774 re- 
turned to Spain and settled in Madrid. Painted pictures of religious subjects 
and portraits, and found continual employment among the nobility; but his 
chief excellence was that of a satirist with the pencil. He may be called the 
Hogarth in Spain. He parodied the religious pictures and painted priests in 
the form of asses and apes, and was never weaiy of making the Hierosnymite 
and Franciscan friars ridiculous. He painted with dashing boldness, some- 
times executing an entire piece with his palette knife and put in the delicate 
touches of sentiment with his thumb. 

109 "CAPRICHOS'* 1799. 

Original Study for the Etchmg No. 60 in " Caprichos " 1799. 
Gift of Mr. S. P. Aybrt, 1894. On metal. H H.; Hi W. 

106 A JEWESS OF TANGIERS. 

She b standing at fulllenffth in a loose fitting ^own of dark green brocaded 
with gold, a heavv medallion belt is about her waist and medamon ornaments 
dei>end from gold chains about her neck, a jeweled tiara amid a profusion of 
wmte lace is upon her head, the lace falling to the shoulders and about the 
neck. The rignt hand is raised to the waist and in the left is a fan at her side. 
A deep rich red dn^iy forms the background. 

Purohaaed by the Museum, 1871. On canvas, 20 H.; 13 W. 



GO YEN, Jan (Josephsz) van. Dutch School. 

Bom at Leyden, 1596; died at The Hague, 1656. He studied under 
various artists of no great repute, and made a tour through France. In 
1618, settled at Leyden and married; in 1631, removed to The Hague, where 
in 1640 he was president of the Guild. 

60 



2 THE MOERDYCK, 

A tender blue skv covered with cumulus clouds which rise from a low 
horizon over the dyck are reflected in the waters beneath. Distant ships 
are dimly seen and some fishing boats are in the middle distance. A dark 
line of shore with two boats bemg beached and a group of fishermen are in 
the immediate foreground. 

Purchased by the Museum, 1871. 

Signed and dated, 1654. On canvas, lif H.; 23i W. 



^^ Jff4- 



84 PANORAMIC VIEW OF THE ENVIRONS OF HAARLEM, 

The flat meadow lands and stretches of water lead to a low horizon 
from which float a mass of vapory cumulus clouds over a tender blue sky. 
A distant town, the scattered windmills, a few boats, and two small figures 
m the immediate foreground are the only indications of human life in the 
scene. 

Purchased by the Museum, 1871. 

Signed and dated. 1646. On panel, 13i H.; lOi W. 



^c y^^ 



GRAEB, Karl Georg Anton. German School 

Bom at Berlin, 1816; died there, 1884. Architecture and landscape 
painter; pupil of Gerst and of Berlin Academy. Visited Switzerland, South- 
em France, and Paris, and in 1843 Italy. Was made Court painter in 1851, 
professor in 1855, and Member of the Berlin Academy in 1860. Grand gold 
medal in 1854. Member of Amsterdam and Vienna Academies. 

370 INTERIOR Of THE CATHEDRAL OF FRIBOURG, 

GERMANY. 

View down the central nave with mortuary tablets and sculptures on 
either side. 

Bequeathed by Miss Catharine Lorillard Wolfb. 1887. 

Painted to order. Signed and dated, 1874. On canvas, 31 H.^ 40 W. 

GRANET, Francois Marius. French School 

Bom at Aix, 1775; died there, 1849. Pupil of Constantino and David. 
Refflded many years at Rome. 

600 BENEDICTINES IN THE ORATORY. 

The light enters the oratory from a single window beneath an arch at 
the end of the chapter and falls directly upon a cardinal, a priest, and two 
acolytes bearing lighted candles. Their shadows fall over the polished floor 

ei 



towards the spectator. At the right a kneeling monk is bowed in prayer, 
and at the left another b seated by his crutches; on either side, and at the 
end of tlie room, the monks have risen from their seats in the choir and stand 
with bowed heads and folded hands. The wood paneled wainscoa>ting and 
pictures of scriptural scenes line the walls, and a nigh arched Gothic ceiling 
IS over all. 

Formerly in the collection of Napoleon III. 

Gift of Mbs. I. P. Eybrard. of Paris, 1880. 

Signed and dated, 1815. On canvas, 77 H. ; 58 W. 

GRAY, Henry Peters. American School 

Bom at New York, 1819; died in Florence, 1877. Began the study of art 
under Huntington in 1839; afterwards went to Rome and Venice. He 
painted portraits and genre subjects. 

172 CLEOPATRA DISSOLVING THE PEARL. 

Half-length, standing, figure nearly front, the face turned to the right 
of the spectator. On her h^id is a turban, heavy pearl ornaments depend 
from her ears, a necklace encircles her throat, and clasped about her shoulders 
is a red mantle. With bare arms raised she is dropping the pearl into a metal 
dish. 

Gift of Mr. Ck>RTLANDT DB PsTSTER FiELD, in memory of his father, Benjamin Hazard 
Field, 1894. Signed and dated. 1868. On canvas, 40 H. ; 28 W. 

203 WAGES OF WAR. 

A symbolic work, in the center of which lies a woimded Roman soldier 
holding in his upraised right hand a broken sword, and in the left a broken 
dart. At the right, with a woman clinging to him, a soldier bearing standards 
is pressing forward. Opposite, leaning over a sarcophagus is a woman with 
a nude child standing by her side, and a plumed helmet lying at her feet. 
A large tree, blue hills, and a sunset sky, complete the picture. 

Gift of Several dentlemen, 1874. Signed and dated, 1848. On canvas, 47 H.; 75 W. 

106 GREEK LOVERS. 

The maiden sitting at the right of the spectator touches lightly the 
strings of a mandolin which she holds in her left hand. Her companion stand- 
ing at the left in a pensive attitude with his left hand resting high upon his 
breast is a thoughtful listener. The dark olive tree, the blue sky, and the 
circling clouds over the blue hills and distant landscape form the background. 

Gift of Mr. William Church Osborn. 1902. 

Signed and dated, 1846. On canvas. 38 H.^. 50f W. 

GRECO, El. Spanish School. 

Bom in Greece (or in Venice of Greek parents ?) about 1548 ; died in 
Toledo, 1625. Real name Domenico Theotocopuli (Teoscopoli) ; sumamed 
in Venice, where he is said to have studied in the school of Titian, II Greco 
(The Greek). Settled in Toledo about 1577, and became known by an 
altarpiece, **The Stripping of Christ before Crucifixion," in the sacristy of 
the cathedral, quite in Titian^s style. Called to Madrid to paint at the Escorial 
by Philip II. His best work is the ' ' Burial of Gonzales Ruis, Count of Or- 
gaza'' in the Church of S. Tom6, at Toledo. Later he adopted a grayish 
style of coloring and greatly deteriorated. 

63 



107 THE NATIVITY. 

Mary, the Mother, clad in a crimson robe with a blue mantle over her 
shoulders, sits in the center of the picture and holds with both hands a white 
drapery upon which lies the Infant from whom emanates the celestial light 
which illumines the place. Joseph is at the right with arms outstretched in 
grand dilection: while adoring shepherds are at the left where one kneels with 
Folded arms across his breast; another in a coat of golden hue bends forward 
with clasped hands as he looks down in adoration of the Infant before him; 
and another dressed all in white, and standing in the full glow of light, with 
outstretched arms proclaims through the arcned doorway to those outside 
the glad tidings, ** Unto us a Child is bom." Above are three cherubs bearing 
a scroll with the inscription: 

• LAUDAMUS • TE • ET • BENEDICIMUS • 
• GLORIA • IN • EXCELSIS • DEO • 
• ET • IN • TERRA • 
• HOMINIBUS • PAX • 

On canvas, 63 H.: 41 W. 

Purchased by the Museum from Eugene Glaenzer <fe Co., 1905, from income of the Jacob 
S. Rogers Fund. 

GREUZE, Jean-Baptiste. French School. V 

Bom at Tourmia, near MScon, August 21, 1725; di^dat the Louvre, in 
Paris, March 21, 1805. Genre and portrait painter. Pupil at Lyons of 
Gromdon; he studied afterwards in the Academy at Paris and at Rome. His 
first picture, " A Father Explaining the Bible to His Children," seemed to 
exceed anything that was expected of Greuze. He was elected an a^grie or 
Associate of the French Academy of Painting, in 1755, when his picture, 
^^UAveugle trompe," was exhibited, and in the same year he went to Italy 
with the Abb6 Gougenot. In 1761 his "UAccordie de Village^* (Louvre) 
excited the greatest enthusiasm. Angry at being received into the Academy 
(1769) as a genre and not as a history painter, Greuze retired for a time to 
Anjou whence he returned to exhibit pictures which attracted all Paris. Ex- 
hibited at the Salons of 1755, 1757, 1759, 1761, 1763, 1765, 1769, 1800, 1801, 
1804. He amassed a large fortime, but lost it during the Revolution. Neg- 
lected by the public, which admired only the new school of David, Greuze passed 
his last years in misery and regret. His wife, who was Mile. Barbuty, whose 
charming face appears in so many of his pictures, was an extravagant and 
worthless woman, from whom he was separated long before his death. 

510 STUDY FOR A HEAD IN ''THE FATHER'S CURSE'' 

(Louvre). 

Head and bust, life-size, with the face in profile to the right of the spec- 
tator. The rich luminous brown hair sweeps back from her distressed face 
beneath a dull lavender 'kerchief; black drapery covers her shoulders and 
the white sleeves of the n6glig6 dress disclose the bare throat and bust. 

Purchased by the Museum, 1871. Signed. On panel, 18^ K.\ 16 W. 

608 STUDY OF A GIRUS HEAD. 

Head and shoulders, life-size. The face is to her left and the eyes are 
turned upward. The bright figured drapery which covers the shoulders 
is partly concealed by a green apron; a white cap is upon her head. 

Gift of Mr. Ernest Gimpel. 1903. On canvas, 18 H.; 14f W. 

63 



631 V0LVPT6. 

An ideal head of a young girl with blue eyes, and blonde hair which falls 
about her shoulders which are partially concealed with thin white dn^iy. 
Bust cabinet size. 

PurohMed from income. Rogers Fund, 1004. On canvas, 8i H.; 6i W. 



PORTRAIT OF A BOY. 
Lent by Mb. Abraham G. Fonda. Signed. On canvas, 18 H.; 14^ W. 

GROLLERON, Paul Louis Narcisse. French School 

Bom at Seignelay (Yonne), 1848. Died at Paris, 1901. 



SOLDIER AT REST. 
Lent by Mb. Thomab P. Sai/ter. On canvas, 8 H.; 6 W. 

GUARDI, Francesco. Venetian School 

Bom at Venice, 1712; died there, 1793. Pupil of Canaletto. He painted 
the same class of subjects as his master, and the works of the two are some- 
times confounded; but those of Guardi are more sketchy than Canaletto's. 
They are spirited and lifelike, have countless figures, gondolas^ etc., all of 
which show a freedom of execution; while his sharp touches of light and 
bright colors give spirit and sparkling effect. 

06 SANTA MARIA BELLA SALUTE (Venice). 

Looking across the Grand Canal at Venice the Church with its splendid 
domes and towers rises against a clear blue sky. A few scattering clouds 
are at the right and on either side are the old palaces with a portion of the 
Dogana at the left of the spectator. Some fishing boats and gondoUs are on 
the Canal. 

Purchased by the Museum, 1871. On canvas, 20 H.] 32i W. 

80 THE RIALTO, 

The Grand Canal at Venice is spanned by the famous bridge of Rialto at 
the left center of the picture. Marble palaces are on every side, out at the left 
they sweep aroimd in a semi-circle to the immediate foreground. The sky is 
blue with few clouds. 

Purchased by the Museum, 1871. On canvas, 23 H.; 29i W. 

GUILLAUME, E. Belgian School 

622 LE VOCERO—CORSICAN SCENE. 

Lent by a Friend. On canvas. 20iH.: SlfW. 

GUY, Seymour Joseph. American School 

Bom at Greenwich, England, 1824. Genre painter, pupil of Ambrose 
Jerome and Buttersworth in England. Came to New York in 1854. Elected 
A.N.A. in 1861, and N.A. in 1865. 

64 



104 PORTRAIT OF CHARLES WRING ELLIOTT. 

An eminent American portrait painter, who died in 1868. Bust, cabinet 
(Size, face threeKjuarters to the left of the spectator* in the backgrouna a mahl- 
stick leans against a canvas upon which is an unfinished portrait of the sub* 
ject of the picture. 

Gift of Mb8. Robebt W. db Fobest, 1903. 

Signed and dated. 1868. On oanvas, 12 H.: 10 W. 

GYSIS, Nicolas. Munich School 

Bom at Tinos, Greece, 1842; died at Athens, 1901. Studied in the 
School of Arts at Athens, and afterwards at Munich, under Piloty. Medals 
of the Academy, 1870, 71. Medals^ 1875, 76, 77, 78, '82, '83, '88, '90, 
'92, '93. Honorary Member and Professor, Academy Fine Arts, Munich. 
Officer, Legion of Honor of Greece, and of the Order of St. Michael (Bavaria), 
second class. 

e27 CHARITY. 

Seated by a doorway in the comer of a bare room is a young mother 
wearing a red sacque and black skirt. She is nursing the child of a poor 
feeble woman Who sits at her rieht dressed in black. Another child stimding 
in a low chair reaches her little hand up jealously watching the tiny straneer 
who has taken her place. A streak of sunlight creeps through the side of a 
rustic door. * 

Gift of Mb. E. a. Fleischmann, of Munich, 1884. Signed. On canvas. 40 H.; 28 W. 

HAGELSTEIN, Paul. Belgian School. 
Pupil of Gallait. 

626 STREET MUSICIANS. 

Lent by a Friend. On canvas, 66f H.; 43 W. 

HAGHE, Louis. Belgian School 

Bom at Toumay, Belgium, 1806; died at Stockwell, England, 1885. 
History and genre painter; pupil of Chevalier de la Barri^re, a French imigri, 
whom he afterwards assisted in the publication of views in Belgium. Went 
to London in 1823; took up painting in water colors; in 1835 became Mem- 
ber of the Institute of Painters in Water Colors, and afterwards its President. 
Member of Antwerp Academy; Order of Leopold. Medab: 1834, 1855. 

373 GUARD ROOM; THE TOAST. 

A group of soldiers in the imiform of the sixteenth century are seated 
around a table in the "Guard Room." One who has risen and raised his 
glass high in air, is giving to the beat of the drums a toast. 

Bequeathed by Miss Catharinb LoRiLiiARD Wolfe. 1887. 

From the John Wolfe collection. 1863. On wood, 16 H.; 21 W. 

HALS, Frans (The Elder). Dutch School. 

Bom at Antwerp (?) 1584 (?), (exact date not known); buried at Haarlem, 
1st of September, 1666 (confirmed by Dr. Bredius, July, 1907). Pupil of Carel 
(Karl) Van Mander. One of the merriest and brightest-witted of all the Dutch 
portrait pamters. He was the founder of a National style, and was one of the 
greatest masters in portraiture of his own or of any time. Of the host of dis- 
tinguished painters in that branch of art who practised in the Netherlands in 

66 



the first half of the XVII century, he stands forth as the first — ^Rembrandt only 
excepted. His unusual talent excited the admiration of Van Dijck. He was 
twice married, and left four sons, all painters. He led an irregular and improvi- 
dent life, but he left as a l^acy to the world an imperishable name. 1^ flesh 
coloring is vital; handling broad, masterly, and vigorous. He painted large pic- 
tures of archers and civic guards. The best of these may be seen at Haarlem 
in the RdteL-de-VilU, In an apartment of the Oude Man Httys, a benevolent 
institution, there are two other fine works of this class. The Museimis at 
Amsterdam have 7 pictures by him, The ELague 2, the Louvre 1, the Na- 
tional Gallery 2. 

OS HILLEBOBBE VAN HAARLEM. 

An old woman in a dark brown dress, seated, leans forward resting her 
arms and crossed hands upon a table. Face three-quarters to left of the 
spectator in full light. A white cap is on her head and a loose fluted collar 
is about the neck. A screech owl stands erect upon the right should^. 

Eneraved by Coder's about 1775. 

Etched by Jules Jacquemart, 1871. 

Purehased by the Museum, 1871. Signed. On oanvaa. 29i H.| 23^ W« 




260 THE WIFE OF FRAN8 HALS. 

Half-length, seated, with the figure turned three-quarters to her rights 
the folded hands resting in her lap. The face is full to the spectator, eyes 
looking straight before her; a broad lace collar covers the shoulders and 
broad lace cuffs are on the sleeves of the black silk dress, which is richly 
trimmed, the front of the skirt being a light colored silk; a black cap, pointed 
front, trimmed with a gold band set with pearls is on her head, from beneath 
which the frizzly yellowish brown hair falls to her shoulders. The Cathedral 
spire, distant city, and two large columns form the background. 

Gift of Mr, Hbnrt G. Marquand, 1890. 

From the coUection of the Earl of Besborough. Sold, 1848, to Lewis Jarvis Banker, 
King's Lynn, Norfolk; then to Colnaghi, from whom the picture was purchased. 

On canvas. 381 H. ; 30f W. 

264 PORTRAIT OF A MAN. 

Figure and face a little to the left.the right hand resting upon the hip, 
the left holding a broad-brimmed felt hat. From the collection of the late 
Earl of Buckinghamshire. 

Gift of Mr. Henry G. Marquand, 1800. Signed. On canvas, 42f H.; 3di W. 

234 THE SMOKER. 

A young peasant negligently dressed in brown jacket, with disordered 
hair, and smoking a long clay pipe; turned three-quarters left, looking to 
the front; two women in the background are laughing, and one of them 
rests her hand upon the man's shoulder. Exhibited by R. G. Wilberforce, 
Esq., at the Royal Academy, 1887. 

Gift of Mr. Hbnrt G. Marquand. 1888. On panel (octagon), 17} H.; 181 W. 

66 



(School of Hals.) 

267 PORTRAITS OF TWO GENTLEMEN. 

They are about 40 years of age, and are seen at half length, standing, 
vrith bare heads and long, flowing hair; thev are similarly dressed, having 
linen collars, with embroiaered edges and tied with a cord, the tassels falling 
over their black habits; black mantles cover their shoulders; the one on 
the left is turned to the right, his head slightly to the left; the other holds 
gloves in his right hand^with the left he is making a slight gesture; both hands 
are before his breast. Formerly in the Gsells coUection. 

Gift of Mr. Henry Q. Marquand. 1888. On canvas, 42^ H. ; 35| W. 

HAMON, Jean Louis. French School 

Bom at St. Loup, near Plouha (C6tes-du-Nord), 1821 ; died at St. Raphael 
(Var), 1874. Genre painter; pupil of Delaroche and of Gleyre; exhibited 
in 1848 with little success. Gleyre then obtained him employment at Sevres, 
where he designed and painted a nimiber of vases, among them one for Queen 
Victoria (1851), and another for the Empress. Lived in Capri after 1865. 
Many of his highly poetical pictures have been engraved. Medals: third 
class, 1853; second class, 1855; Legion of Honor, 1855. 



AN ETRUSCAN VASE SELLER, 

Standing behind a counter filled with specimens of his ware is the vase 
seller. Before him are two women; the one dressed in a loose white chemise 
and dull golden drapery below the waist is examining a vase which she holds 
in her hands, the other in shadow wears a dress of olive green. 

Bequeathed by Miss Catharine Lorillard Woltb, 1887. 

From the coUection of Hr. John Wolfe, 1863. Signed. On canvas, 19 H.; 16 W. 

680 AMONG THE FLOWERS, 

Standing in a garden among the growing plants and flowers is a young 
lady with her hands folded before her, pakns downwards; her gown is white 
ana light yellow drapery is about her figure. There is a blue sky above, and 
at the right is a cottage on a hill across the river. 

Bequeathed by Mr. Benjamin L. Ludlum, 1877. 

Signed and dated, On canvas, 15 H.; 9 W. 

HARLOW, George Henry. English School 

Bom at London, 1787; died there, 1819. Portrait painter. Pupil of 
De Cort, Drummond, and Sir Thomas Lawrence; first exhibited at Royal 
Academy in 1805. In 1818 he visited Rome; was introduced to the Pope 
by Canova, and through him made a member of the Academy of St. Luke. 
Best known work, "Trial of Queen Catherine," with Kemble portraits. 



PORTRAIT OF THE ARTIST, 

He is seated at a table, holding a letter in his hand. The figure is turned 
to the left, the face three-quarters to the right. The droopmg eyes look 
forward at the spectator. He wears a red jacket over which is thrown a black 
cloak. Red drapeiy and dark sky form the backgroimd. 

Gift of Mr. George A. Hearn, 1895. On canvas. 29 H. ; 24 W. 

67 



HARPIGNIES, Henri. French School 

Bom at Valenciennes, France^ July, 1819. At 27 yeara of Ige became 
pupil of Achard for two years ; studied in Italy two years. On his return 
to Frapce he became one amongst a set of men devoted to the cult of a new 
kind of beauty, and to the revivication of the elements of pictorial style. After 
his first visit to Rome in 1850, his manner became stronger, more individual; 
of later years his pictures are imbued with an increasing poetical feeling. 
Considered the greatest landscape painter in water colors. He first attracted 
attention by his "La lisi^re de bois sur les bords de TAiUer," in 1861; which 
made his reputation. Medals; 1866, '68, '69; second class, 1878, Expontion 
UniverseUe; Hors Concours, 1889, Exposition UniverseUe; Legion of Honor, 
1875; Officer, 1883. In 1866 the French Government bought the first of 
three pictures of his for the Luxembourg, "Evening on the Roman Camr 
pagna." Medal of Honor, Paris, 1897. 

667 MOONRISE. 

To illustrate the lines by Victor Hugo: 

**La campagne^ les bois, les ombrages charmantSf 
Les larges clairs de lune au bord des flots dormants.'* 
The full moon is rising over a shadowy landscape expressive of solitude. 
In the foreground is a stream of water bordered by marshy banks and low 
hills covered with trees and shrubs. 
Painted by order of Messrs. Arnold and Tripp, of Paris, and given by them in 1886. 
Signed and dated, 1885. On canvas, 33 H. ; eS^W. 

HART, James McDougal. American School 

Bom at Kilmarnock, Scotland, 1828; died at New York, 1901; taken 
to America in 1831. Pupil of his brother, William Hart, and in 1851 of 
Schirmer, in DQsseldorf; A. N. A. in 1857; N..A. in 1859. 

168 THE ADIRON BACKS. 

Lent by Mr. J. L. Crawford. Signed. On canvas. 41^ H. ; 67 W. 

147 LANDSCAPE WITH CATTLE, 

Lent by the Mibsbs Hall. On oanvas, 28 H.; 80 W. 

HART, William. American School 

Bom at Paisley, Scotland, 1823; died, Jime 17, 1894. Landscape and 
animal painter. Self-taught. Taken to America in early youth. In 1844 
he visited Scotland, where he studied and painted for three years. Elected 
A. N. A., 1857 and N. A., 1858. 

128 SCENE AT NAPANOCH. 

At the right of the spectator there is a group of cattle standing by somt 
tall trees which overhang a stream of water that flows through the center of 
the picture; beyond are meadow lands, distant hills, and a cloudy sky. 

Gilt of the children and grandchildren of the Artist, 1897. 

Signed and dated, 1883. On canvas, 23 H.; 33i W. 

68 



HAYDON, Benjamin Robert. English School 

Bom at Plymouth, 1786; died at London, 1846. Student at the Royal 
Academy in 1805; exhibited in 1809 his "Dentatus Murdered by His Own 
Soldiers/' but, dissatisfied with the position assigned it, refused to contrib- 
ute any more. After painting portraits in Plymouth, he won a considerable 
reputation in 1814 by his ''Judgment of Solomon." In 1820 he produced 
"Christ's Triimiphant Entry into Jerusalem,*' the exhibition of which, in 
London, brought him three thousand guineas; but it procured him no com- 
missions, and was finally sold for two hundred and forty pounds and sent 
to America. It is now in Cincinnati. Though in great pecuniary difficulties, 
and several times in the debtor's prison, he still clung to the belief that he 
was the great historical painter of the age, and that in time his efforts would 
be appreciated. But he was at last overwhelmed by his disappointments 
and troubles and committed suicide. Haydon's lectures on Paintings were 
published in 1844-46, and his life, from his autobiography and journals, 
edited and compiled by Tom Taylor, in 1853. 

157 NAPOLEON AT ST. HELENA. 

The lone figure of Napoleon in the uniform worn at the battle of Waterloo 
stands statue-lQce on the brow of a cliff overlooking the broad ocean with 
his imperturbable gaze fixed on the declining sun. His figure is turned 
from the spectator and his arms are folded across his breast. 

Painted for Su* Robert Peel in 1830-31. 

Gift of Mr. J. PiBBPOMT Morgan, 1900. 

Signed and dated. On canvas, 108 H.i; 06 W. 

MEALY, George Peter Alexander. American School, 

^ Bom at Boston, Mass., July 15, 1813; died at Chicago, 1894. Portrait 
and history painter; studied in Paris from 1836; went to Chicago about 
1858, and painted portraits; revisited Europe in 1869, and readed long in 
Rome. His portraits of distinguished people are niunerous, among whom 
are Lord Lyons, Thiers, E. B. Washburn, General Grant, 1878; Webster, 
Clay, Calhoun, Guizot, Pr^dents John Tyler (2), John Quincy Adams, 
Jackson, Van Buren, Taylor, Fillmore, Polk, Pierce, Buchanan and Lincoln. 

217 PORTRAIT OF THE ARTIST. 

Bust, life-fflze. The head is inclined forward and turned to the left fuU 
into the light; the eyes are looking out of the picture. Hair and drapery 
black; background gray. 

Gift of B(r. S. p. Avert, 1891. Signed and dated, 1850. On canvas, 24 H.; 20 W. 
200 COMTE DE PARIS. 

Bust, lifcHsize; figure and face nearly in profile; the coat is black; and 
the background red. 

Signed. On canvas. 24 H.; 20 W. 

HEBERT, Antoine Auguste Ernest. French School 

Bom at Grenoble, 1817. Pupil of David d' Angers and Paul Delarocbe. 
After winning the Prix de Rome in 1839, his father consented to his following 
an artistic career. He made repeated visits to Italy His style is poetical| 

69 



buv often too sentimental. Medals: first class, 1851 and 1855 ; seccmd clasB, 
1867. Legion of Honor, 1853; Officer, 1867; Commander, 1874; M^nber 
ot the Institute of France, 1874; Director of the French School of Art in 
Borne from 1867 to 1873, and again in 1885 to 1892. Medal of H<mor, 1895. 

401 A GIRL'S HEAD. 

A classical shadowy head of a giii in profile is relieved against a back- 
leround of green foliage. 
PoreluMed in Park. 
Baqneathad by Mim Cathabink Lobuxard WoLra. 18S7. On eanms. 18 H.; 14 W. 

HEEMy Jan Davidsz de. Dutch School. 

Bom at Utrecht, 1606; died at Antwerp, 1683-84. The best painter of 
flowers and fruits, etc., of the school to which he belonged. He also excelled 
m representing glass or crystal. His works are very valuable. The two 
finest are in the Berlin and Vienna Galleries. Others are at The Hague and 
Amsterdam Museiuns, and in the Louvre. The Dresden and Cassel Galleries 
also have fine pictures by de Heem. 

46 STILL-LIFE. 

A table is partially covered with dark olive green dn4>ery on which are 
a large elass of white wine with some curled lemon-peel drooping over the 
edge of me glass, oysters opened in their shells, pieces of lemon, and a bimch 
of white grapes. 

ParehMed by the Huaeum, 1871. Signed. On panel, 9i H. ; 7i W. 




ser/C 



HELLQUIST, C. G. Swedish School. 

Bom at Kungsdr, 1851 ; died in the Bavarian Highlands, Nov. 20, 1890- 
He was the son of a poor shoemaker at Kungsdr, on Lake Malar. In the 
eleventh year of his age he was sent to Stockholm and apprenticed to a scene 
painter, Ahlgrenson, and in 1864 entered a class in the Royal Academy, sup- 
porting himself by illustrating while pursuipg his studies; meanwhile he 
pidnted several pictures representing mythological and historical subjects, 
such as "Asa Thor's Contest with the Giants," "The Finding of Moses," 
and "The Finding of the Body of Gustavus Adolphus." In 1875, for his 
painting " Gustavus Vasa Discovers the Treason of the Bishops," he received 
the Academical prize, the great medal and a traveling stipend extending 
over five years. He made a journey through Sweden, Norway, and CJoth- 
land, on foot, filling his sketch-book with materials for future use. He 
then visited Paris and the principal cities of Germany, settling down at 
Munich as the pupil of Wilhelm Diez. Returning to Paris, he painted im- 
portant works which were exhibited at the Munich International Exhibition 
of 1879. In all of his historical and genre pictures he adhered to the style 
and mannerisms illustrated in the example of his work here exhibited. 

70 



PETER SONNAVATER AND MASTER KNUT'S OP- 
PROBRIOUS ENTRY INTO STOCKHOLM, IN 1525. 

(These two Swedish Bishops had sought refuge after their unsuccessful 
rebellion in Delame, against Gustavus I, with the Archbishop Olaf, in Tron^ 
heim; but the latter treacherously betrayed them to the Kin^e rcrvants. 
who. dressing them in rags, and putting a crown of straw on Sonn&vater'n 
head, and a mitre of birch-bark on Knurs, mounted them on starving horses 
and brought them through Upsala to Stockholm in a Shrove-tide procession, 
amidst jeers and insults, liiey were led to the market-place, and, aft« 
drinking to the executioner's health, were broken on the wheel). Dacect, 1870 

Gift of BfR. W. H. QsBOBN. 1880. Signed and dated. 1879. On canvas, 6^ H. ; 92 W. 

HELST, Bartholomeus van der. DuUh School 

Bom at Haarlem, 1613; died at Amsterdam, 1670. One of the most 
renowned Dutch portrait painters. Sir Joshua Reynolds said of his picture 
painted to celebrate the peace of Westphalia, and representing an Archery 
Festival, '*This is, perhaps^ the first picture of portraits in the worm, com- 
prehending more of those qualities which make a perfect portrait tnan any 
other I have ever seen." His principal works are in the Gallery ana in the 
new Hdielrde-Ville, at Amsterdam. In the Louvre, is a small replica of one 
of his finest works, and is considered superior to the large picture, which is 
in Amsterdam. 

64 PORTRAIT OF A DUTCH BURGOMASTER, 

Bust, life-size, face three-auarters to the right, dark brown hair, slight 
mustache and goatee. He is dressed in a black coat buttoned close, and a 
broad white linen collar. 

Purohaaed by the Museum, 1871. 

Signed and dated. 1647. On canvas. 25i H.; 20i W. 




71 



30 



THE GUITARIST. 



A lady Btanding behind a table in d^coUet^ gown with looae white sleeves 
and flowing dn^^eiy is tuning a guitar. On the table are a violoncello, slMeti 
of musio, books, and a red velvet cushion; in the background at the right 
of the spectator is a bit of landscape with a sunny eky and architecture at 
the left, 

Fiitdiaatdbyth*MiiMum.l871. Signed and dated. 1002. On eanvas. 53i H.^ 48 W. 



ffm 



'mtrhw 



i6C^ 



PORTRAIT OF JEAN VAN MALE. 

Half-length, standing with the face and figure turned to the right. In 
the left hand pendant at nis side, is a pair of ^oves; the right rests upon a 
table and is toying with the chain of a watch. His gown is of black silk 
with white sleeves, and fluted lace cuffs; a white lace collar with tassels is 
at the neck, and abundant dark hair falls over his shoulders. A brilliant 
gray sky, a heavy landscape, and a large column form the backgroimd. 

A nobleman and " 6chevin de Bruges." This picture is a precious record 
of the best period of this master's gemus. It was painted for, and belonged 
to, the Van Male family up to 1878, from whom it passed into the possession 
of M. J. L. Menke, of Antwerp, and was purchasea from Mr. Menke by Mr. 
Hennr G. Marquand in 1900. 

Liscription on the back of the canvas: 

** Portrait de Jean Van Male qui ipousa le 4 juin 1637 Jasine de But fiOe 
d^Armond et Josine de But, petite-fUle de GuiUaume 4chevin de Bruges n£ en 
1670 et de Ldvia Breydel arriere-petite-fiUe de GuiUaume aueei^chevindeBruq^ 
et d^Ag de MeU. . . .gand qu*il &pou8a en 1569." 

Gift of IfR. Hbnbt G. Mabquamd, 1900. 

Signed and dated. 1654. On canvaa, 50 H.S 41 W« 

72 



HENNER, Jean Jacques. French School 

Bom at Bemwiller, 1829; died at Paris, July 23, 1905. Pupil of Dr6lling 
andPicot. Prize of Rome, 1858. Medals: 1863, '65, '66. Legion of Honor, 
1873. . Officer of the Legion of Honor, 1878. Medal, Exposition Universelle 
1878. Member of the Institute, 1889. 

800 A BATHER. 

Sitting on the bank of a stream with her back to the spectator, is a young 
girl with bright auburn hair; her nude figure in strong light b relieved against 
a group of trees. 

Bequeathed by Miss Catharinx Lorillabd Wolfb, 1887. 

Painted to order. SignecL On canyas, 37 H.; 28 W. 

MARY MAGDALEN AT THE TOMB OF OUR SAVIOUR. 



She is kneeling at the entrance to the tomb with her face turned from 
the spectator. The semi-nude figure reclines against the rocky entrance to 
the cave and the folded hands rest upon her lap, light blue drapery coven 
the lower limbs, but not the bare feet. 

Bequeathed by Miss S. M. HrrcHCOGK, 1891. 

Signed and dated, 1880. On canvas. 47 H.; 86 W. 

HENNINGS, J. F. Munich School. 

Bom in Prussia, 1839. Pupil of Oswald Achenbach, at Ddsseldorf. 
He has resided at Munich since 1857. Traveled through Italy, the Tyrol, 
and Bavaria. His picture, "A Mopnlight Night" (Salzburg and Regens- 
burg), was sold at the Paris Salon; others of his paintings are in public and 
private galleries at Rome, Dresden, and New York. 

379 HEIDELBERG BY MOONLIGHT. 

The full moon in a mass of light fleecv clouds has risen over the city of 
Heidelberg illuminating the river below, wnere fishermen in a boat are draw- 
ing a net; the glimmer of lights comes from the houses, and horses and men 
are moving mysteriously about in the shadowy foreground. 

Bequeathed by Miss Cathasinb Loriuard Wolfb, 1887. 

Purchaaed in Berlin. Sicned. . On oanvas, 40 H.; 70 W. 

HERRMANN-LEON, Charles. French School 

Bom at Havre, France, 1844. Pupil of Theodore Rousseau and Eugdne 
Fromentin. Medab: third class, 1873; second class, 1879; Legion of Honor, 
1897. The Hunter is a portrait of the artist painted at the age of thirty-four, 
and, as stated by himself, a very exact likeness. 

601 THE HUNTER. 

"The Hunter'' stands at full length ^th his left gloved hand restine 
upon hb hip, and his right arm outstretched, the hand clasping the barrel 
of a lonff gun the butt of which rests upon the groimd. He weara a cavalier's 
hat with plumes, a gray doublet, sleeves of purple silk, and high top gray 
hunting boots. Two white spotted hoimds stand before him, and another 
fies on the ground by his ade. The figure is relieved against a group of dark 
trees, a cloudy sky and shadowy distcmt landscape. 

Gift of Mbs. Edwabd P. Kxnnabd, nie Wilhslmina Schaus. 1887. 

Bigned and dated. 1877. On oanvaa, 84 H.s 68 W. 

78 



HILDEBRANDT, Eduard. German School 

Bom at Dantzic, 1818; died at Berlin, 1868. Landscape and marine 
painter. Pupil, in Berlin, of Krause, and in 1841-43, in Paris, of Isabey. 
Visited, in 1840, Denmark, Norway, and Great Britain; in 1843-44, Brazil; 
in 1847-49, England, Scotland, Spain, and the Canary Islands; in 1851, 
Italy, Egypt, Palestine, Turkey, Greece, and the Sahara ; in 1853, Switzer- 
land, Tyrol, and Upper Italy; and in 1856, the Arctic Ocean. Went around 
the world in 1862-64, and brought home 400 water colors, which, when 
exhibited in London in 1866, attracted much attention. In 1853 he was 
made professor, and in 1855 member of the Berlin Academy. 

618 THE BAY OF NAPLES. 

Lent by Mrs. Israel Corsb. On canvas, 20 H.; 26 W. 

HOFFER, F. French School 
Pupil of Thos. Couture. 

602 DECADENCE OF ROME. 

A copy of the large picture by Couture now in the Louvre, in Paris; 
painted about 1850, and retouched by Couture himself. 

Gift of Mr. L. p. Etxrard. 1880. On canvas, 50 H. ; 83i W. 

HOGARTH, William. English School 

Bom at London, 1697; died there, 1764. He was apprenticed at an 
early age to a silver plate engraver, and when twenty-three years old set 
up in business on his own account. Amongst other works of the kind he 
engraved twelve plates for Butler's "Hudibras." He entered the school of 
Sir James Thomhill, Serjeant-painter to the king, whose daughter he married 
clandestinely in 1729. The work which first established his fame was the 
series of the "Harlot's Progress," which was immediately followed by the 
"Rake's Progress," now in the Soane Museum. These works are similar in 
scope and design to the "Marriage k la Mode" series purchased from the 
Angerstein collection by the National Gallery, London, 1824. The engrav- 
ings made by Hogarth from these pictures brought him both money and 
fame. 

227 MISS RICH BUILDING A HOUSE OF CARDS. 

Seated at a table^ building a house of cards, is a girl about ten years of 
age. She is dressed m white and wears a white cap upon her head. The 
background is light ^ay. 

From the collection of C. H. Hawkins; engraved in 1786 by M. Knight. 

Gift of Mr. Hbnrt G. Marquand, 1890. On canvas, 29i H. ; 24^ W. 

HOLBEIN, Hans (the Younger). (?) German School 

Bom at Augsburg, probably in the year 1497; died at London « 1543. 
A drawing of the year 1509 is the earliest known work of this painter. 
He was instructed by his father. About 1516 he removed to Basle. The 

74 



works which have been ascribed to him in that city are innumerable. In 
1517 he was called to Lucerne to decorate a house, which was still in existence 
in 1S24; in 1519 he entered the Guild of Painters at Basle, and formed his 
friendship with Boniface Amerbach. Holbein's portrait of this friend is one 
of his very best; the " Fountain of Life," now at Lisbon, in the palace of the 
King of Portugal, was also painted this year. In 1521 he decorated the 
Ratha^ or Town Hall. It was at this time that he painted a portrait of 
Erasmus; a lifensize picture of "Christ lying in the Tomb," and '* Holbein's 
wife and children," representing Franz, the son of the widow Schmid, whom 
he married, and his own son Philip. The mother is a coarse-looking, un- 
attractive woman. It is said that Holbein was driven from Basle by hb 
wife's temper, but that he contributed to her support at all times. 

His "Madonna," at Darmstadt (the better known copy of which is at 
Dresden), is one of the great religious pictures of the world. Soon after its 
completion Holbein went to England, bearing a letter of introduction from 
Erasmus to Sir Thomas More, who at once received him with kindness. 
1527 was the year in which Henry VIII fell in love with Anne Boleyn. This 
was the first year of Holbein's occupation in England, but he does not appear 
to have entered the King's service until after 1530. In the meantime he 
painted Sir Thomas More's family and friends, among them. Archbishop 
Warham and Sir Henry Gilford both fine and important pictures. In 1628 
he painted Sir Thomas and John Godsalve, on the same panel, now at Dresden; 
and the astronomer, Kratzer, now in the Louvre. Holbein returned to 
Basle in 1530, and completed the frescos in the Town House. This being 
done, he returned to England. The superb portrait of George Gyzen, at 
Berlin, was painted in 1532. After 1533 Holbein rarely dated his pictures, 
and there is no authentic portrait by him of Anne Boleyn, or her daughter, 
the Princess Elizabeth, although Holbein painted many portraits of the 
Royal family. 

231 PORTRAIT OF ARCHBISHOP CRANMER. 

Wearing a long forked beard, and clad in a black fur-trimmed gown, 
with a black cap on his head, he is standing behind a table covered with 
^reen cloth, on which are an hour glass, a book, and a sheet of paper on which 
IS inscribed in finely formed characters the Latin version of the fifth chapter 
of 2d Corinthians. On the seal is a coat-of-arms, with a Bishop's or Arch- 
bishop's crozier; behind it, the armorial bearings, although somewhat indis- 
tinct from the small size of the seal, are obviously those of Cranmer^ impaling 
the Episcopal Arms of the See of Canterbury. The date, 1539, is painted 
in the left-hand lower comer of the picture. From the collection of Mr. 
Jesse of Bathofam Park, Ruthin, North Wales. 

Gift of BfR. Henbt G. Marquand, 1890. Dated, 1539. On panel, 401 H.; 34i W. 

75 



HONDIUS, Abraham. Dutch School 

Bom at Rotterdam, before 1638; died at London, 1695. He lived many 
years in England. His favorite subjects were dogs. He acquired a good 
reputation, but his pictures are open to grave criticism. His drawing is 
incorrect, and his color not pleasing. His veiy rare etchings do him more 
honor as an artist than his paintings. 

86 WILD BOAR HUNTING. 

Beneath a clear sky in a thickly wooded landscape a wild boar at the 
end of the chase is malcing its last effort to escape. The huntsmen, one 
mounted, the other afoot, are urging the pack of hoimds which surround 
their victim to complete their task; two of the hoimds have been killed and 
lie dead at the feet of the boar. 

Purchased by the Museum. 1871. On canvas, 12^ H.; 17^ W. 

HOOCH (Hoogh), Pieter de. Dutch School 

Bom at Utrecht, 1630; died at Ainsterdam, probably shortly after 1677. 
Genre painter. Formed himself under the influence of Karel Fabritius and 
Rembrandt. Worked at Delft, where he entered the Guild in 1655, perhaps 
also at Haarlem. 

One of the most original artists of the Dutch SchooL He pidnted court- 
yard scenes and interiors with figures; in the latter he usually represented 
two rooms, one of which was flooded with sunlight; in these effects he is 
unequaled. 

302 DUTCH INTERIOR. 

A woman with a dish of fruit in her lap is seated by an open casement 
window. At the left, b a child dressed in a dark skirt and red waist who 
has just entered the room through a doorway and bears in her right hand a 
flagon of wine, and in her left an empty glass on a salver. 

Gift of IfR. Gborgs a. Hkarn. 1893. On panel, 21 H.; 26 W. 

HOOGSTRATEN, Samuel van. Dutch School 

Bom at Dordrecht, 1627; died there, 1678. He was a pupil of his father, 
Theodore van Hoogstraaten, and afterwards of Rembrandt, at Amsterdam. 
He occasionally painted landscapes and still-life, but his greatest successes 
were in portraits, which he at first executed in the dark and vigorous style 
of Rembrandt, but afterwards changed to a more clear and agreeable manner, 
much to the advantage of his immediate popularity, but not of his permanent 
fame. 

PORTRAIT OF A GENTLEMAN AND LADY. 



Each about thirty-five years of age, seated at a table covered with red 
tapestry. The man, wearing a soft ruff and black habit, is turned to the 
left, looking to the front, his left arm thrown over the back of hds chair. The 
right hand resting on the table holds a string of pearls; head uncovered, 
hur light brown, with close cut beard. The lady is seen in front view, wearing 
a close white linen cap, a stiff ruff, cuffs, and brown dress; her hands hold 
an open book which rests upon the table. Purchased from M. Sedelmeyer. 
Paris. 

Gift of If R. Hbnbt G. Marquans, 1888. 

fligiiMi and dated. 1642. OBeanva«,46f H.; SSfW. 



HOPPNER, John, R.A. English School 

Bom ^t Whitechapel, London, April 4, 1758; died there, January 23, 
1810. When young was a chorister in the Royal Chapel, but in 1775 oecame 
a pupil of the Royal Academy, and, by the patronage of the Prince of Wales, 
became a fashionable portrait painter, finding a rival only in Lawrence. 
The Prince and the Duke and Duchess of York were among his sitters. Be- 
ciune in 1793 an A.R.A., and in 1795 R.A. 

290 PORTRAIT OF A LADY. (Known as the Lady with the 

Coral Necklace). 

Bust, life-size. Portrait of a lady, front view, she wears a white d^coUet^ 
eown, and a turban wound loosely about her head falls over her right shoulder. 
A cond necklace is about her t}m)at, and a black lace mantle lies across her 
lap. The backgroimd is a golden brown. 

Gift of Mr. George A. Hearn. 1896. On canvas, 28^ H. ; 23i W. 

SARAH FRANKLIN BACHE. 



Daughter of Benjamin Franklin and wife of Richard Bache, the first 
Postmaster-General of the United States. 

The head is turned slightly to the left and her blonde hair mixed with 
grajr falls back in waves U> the white head dress, and down to the broad 
white scarf about her shoulders. Her large dark eyes look complacently 
out of the picture. The background is warm gray. 

Purchased from tHe income of the Catharine LoRiLZiARD Wolfe Endowment Fund fol 
her collection, 1901. On canvas, 29i H.; 24i W. 

HOREMANS, Jan Jozef (the Younger). Flemish School 

Bom at Antwerp, 1714; died after 1790. There were two artists by 
this name, father and son. They painted similar subjects, conversation 
pieces. The characters in the pictures of the father were usually peasants, 
while those of the son were from the higher walks of life. Their works are 
not imcommon in England, and are in the Antwerp Museum, and the Cassel 
and Dresden Galleries. 

61' RETURNING FROM THE HUNT. 

At the left of the picture there are some small trees, near which a group 
of ladies and gentlemen with flowers and fruit are welcoming a friend who 
has just ridden up; further on a falconer holds his bird, and another man 
ia watering some plants; in the middle ground a merry group are blowing 
soap bubbles. Hawks and falcons are flying over an undulating country 
with a castle and mountains in the distance. 

Purchased by the Musemn, 1871. 

Signed and dated, 1761. On canvas, llli H.; 97f W. 

1 7 SPRING. 

At the stoop of a tall ^y mansion is a group of ladies and gentlemen, 
two- of whom are engaged with flageolet and violoncello; others have bouquets 
of spring flowers; at the left in the shadow of some cottages a merry d!ance 
aroimd a May-pole is going on; the tea-table at the ri^ht bespeaks the hos- 

Eitality of the host; and at the left an old hen in a wicker basket with her 
rood of chickens, and birds mating on the gabled roofs tell the story ol 
spring. 

Piffohased by the Museum. 1871. Sicned. Cm caaras, 112 H.; 60 W. 

77 



18 SUMMER. 

Seated around a table in the open air at the base of a tall brick house 
the landlord of the manor and his fnends are being served with refreshments; 
a farmer with a pitchfork over his shoulder stands near the group. In the 
middle distance two reapers are cutting the rich, ripe, grain and a loaded 
wagon is being drawn from the field with a^man astride the horse; a woman 
staUcs aJong the road beside the man. The village chiurch stands prominently 
in view and three small trees rise against a sunmier sky. A strutting turkey- 
gobbler is in the right-hand lower comer and, above, the pigeons are flying 
about. 

Purchased by the Museum, 1871. Siir^ed. On canvas, llli H.; 70i W. 

28 AUTUMN. 

Grouped at the side of a cottage are three men, two of whom have just 
returned from the hunt, and two ladies, one stooping over a basket of grouse, 
the other turned admiringly to the men who have bagged the game which 
lies at their feet; at a short distance to the left a yoimg man in a red coat is 
endeavoring to embrace a not too willing maid ; in the field beyond harvesters 
are at work; and a deer-hound is a prominent figure in the lower left-han'^ 
comer of the picture. 

Purchased by the Museum, 1871. Signed and dated. On canvas, 112 H.; 65i W. 

29 WINTER, 

Near the entrance to an old gabled brick house hangs a dressed hog 
which haa been hune up to dry. Tne master stands viewing it with evident 
satisfaction while a boy is blowing up the bladder and a woman at the left 
is washing the liver in a pail of water. Other figures are there, and a leafless 
tree stands at the comer of the house beyond which is a frozen canal where 
people are enjoying the winter sport. 

Purchased by the Museum, 1871. On canvas, 112 H.; 65 W. 

62 THE HORSE POND. 

Three horses on the brink of a pond are about to enter the water, but 
one of them rears and curves to the right. Two other horses are swimming 
about in the pond. 

Purchased by the Museum, 1871. On canvas, 59 H. ; 44i W. 

14 THE FISH MARKET. 

Scattered upon the sandy beach with their fish about them the market- 
men and women are plying their vocation. Tents with flying flags, buildings, 
and a lighthouse tower are at the right of the spectator, and beyond are some 
shipping and headlands which encircle a harbor that reflects the light stratus 
clouds and tints of blue from the sky above. 

Purchased by the Museum, 1871. 

Signed and dated, 1762. On canvas. Ill H.; 106 W. 






17 (TL 



78 



HOVENDEN, Thomas. American School 

Bom at Dunmanway, County Cork, Ireland, December 28, 1840; died, 
1895. Studied in the Cork School of Design. Came to New York in 1863, 
and entered the school of the N.A.D. In 1874 went to Paris, where he 
studied under Cabanel, returning to the United States in 1880. Elected 
A.N.A.. 1881 ; N.A. in 1882. He was also a member of the Philadelphia 
Society of Artists, American Water Color, American Artists' Societies, and 
the Artists' Fund. Mr. Hovenden was run over and instantly killed by a 
railway train while he was endeavoring to save a child, at the town of Ply- 
mouth Meeting, Pa., where he lived. 

1 93 LAST MOMENTS OF JOHN BROWN 

A distinguished champion of liberty; bom at Torrington, Conn., in May, 
1800. His father removed to Ohio in 1805. From the age of fifteen to twenty 
he worked at the trade of tanner and currier. According to Redpath, he con- 
ceived in 1839 the idea of becoming a liberator of the Southern slaves. He 
was a devout member of the Congregational Church, and a man of strict moral 
character, imflinching courage, and intense earnestness. He emigrated to 
Kansas in 1855, where he took an active part in the contest with the pro- 
slavery party. In Au^st, 1856, he gained some advantages at Ossawatomie 
over a band of Missounans who had invaded Kansas, and were ten times more 
numerous than his own company. In Maj^ 1859, he called a secret convention 
of the friends of freedom, which met at Uhatham, in Canada, organized an 
invasion of Virginia for the purpose of liberating the slaves, and adopted a con- 
stitution. In the following July he rented a farmhouse aoout six miles from 
Harper's Ferry, and collected there a supply of pikes, guns, etc. On the night 
of October 16, 1859, aided by about twenty men, he surprised Harper's Ferry, 
seized the arsenal and armory, and took over forty prisoners. About noon on 
the 17th the party of Brown was attacked by the Virginia militia. After two 
of his sons and nearly all of his men had been killed, and he himself had been 
wounded in several places, he was captured. "Enemies and friends," says 
Redpath, "were equally amazed at the carriage and sayings of the wounded 
warrior." He was tried in November, and hung at Charleston, Virginia, on 
the 2d of December, 1859. He met his death with serene composure. He was 
twice married, and had twenty children. 

Painted to the Order of Mr. Robins Battell, 1881. 

Gift of his daughter and her husband, Mr. and Mrs. Carl Stoeckle, 1897. 
Signed and dated, 1881. On canvas, 76 H.; 62 W. 

673 ''JERUSALEM THE GOLDEN." 

The light from a lamp standing on a table faUs full upon the face and 
figure of a convalescent young lady who, dressed in light fabrics, reclines in 
a large armchair upholstered with red tapestry. Her right hand is upon 
the arm of the chair, and the other which holds a handkerchief, rests ui)on 
a table at the left. A young man sits by her side with folded hands listening 
to the hymn "Jerusalem the Golden," which a young lady who is sitting in 
deep shadow at the right is playing upon the piano. 

Gift of Mrs. Helen G. Hovenden. 1895. On canvas, 29 H.; 39^ W. 

HUBNER, Karl Wilhelm. Dnsseldorf School 

Bom at Kdnigsberg, 1814; died at Dtisseldorf, 1879. Pupil in Konigs- 
berg, of I. Wolf, and from 1839-41, at Dtisseldorf Academy, under Sohn 
and Schadow. Established his reputation by painting subjects relating to 

79 



the social problems of the day. Member of the Amsterdam and Philadelphia 
Academies. Visited America ia 1874-75. He vma one of the most active 
founders, in 1844, of the DUsseldorf Union of Artists for Mutual Aid, and in 
1848, of the Malkasten, to which he gave his name. 

029 THE POACHER'S DEATH. 

The wounded poacher and his son are in the immediate for^;round 
mak»T^g a superhuman effort to reach their cabin which is built in the side 
of a limestone ledge. The terrified son with his ri^ht arm supporting his 
father and his left extended to the latch of the door is straining every nerve 
and muscle to drag his father to safety; but the waning strenffui, pcmid face 
and glassy eyes denote a fatal woimd. The father presses his nght hand 
to the back of his neck where the bullet entered, and with his left grasps the 
shoulder of his son for support. Upon a white horse, at the e&e of the 
wood, with the game-keeper who fired the fatal shot, is the lord of the estate. 
A large hoimd is springing up in a field of ripe grain, and nearby lie a dead 
boar and the poacher's gun. 

Gift of Mr. D. H. McAlpin, 1888. 

Signed and dated, 1846. On canvaa. 38 H. ; 53 W. 



HUGHTENBURGH (Hugtenburch), Jan van. Dutch School 

Bom at Haarlem, 1646; died at Amsterdam, 1733. He studied under 
Thomas Wijck, but especially under Van der Meulen at Paris. Vinted Rome 
and returned to Holland in 1670. He painted landscapes, hunts, and battle 
pieces. The latter are his best works. About 1708 he received commisaons 
from Duke Eugene de Savoie, and an excellent picture of Hendrik Casimir II, 
Prince of Nassau, on horseback, is in The Hague Galleiy; others are in the 
Louvre and Amsterdam Museums, ffis chef-d^auvre, the ''Siege of Namur," 
is in the Vienna Gallery. He had good inventive powers, drew correctly, 
and had facility of execution, but his color was not equal to his other quaUties. 

4 REPOSE AFTER THE HUNT. 

There is a broad open landscape with small trees. The spoils of the 
chase lie in the immediate foreground, and standing near by are three horses 
with a groom at their heads; one is white, the others dark bay. Beyond at 
the left are a group of merry people and a couple leading off in a dance; near 
these are two mounted hunters, a coach, and a table where refreshments are 
being served. At the right are other figures and in the middle distance is a 
field of ripe grain being harvested. Be^rond this are the rolling hills and 
farm-lands; above is a oright blue sky with light floating clouds. 

Purchased by the Museum, 1871. On canvas, 20| H. ; 2tti W. 

68 A SIEGE. 

Beneath a tree at the right in front of a tent from which a banner is 
floating, are some horsemen, four of whom are mounted^ while three others 
are in the act of moimting. One soldier is sounding his trumpet, another 
beats the kettle drums, a third standing vigorouslv sounds his horn, while 
the fourth listlessly holds his horn in his lap. A white horse is in the center 
of the group. At the left a mother sits nursing her babe, while two men at 
a cask are orinking wine, and a third stands near by smoking a long clav pipe. 
Tents and portions of an army lead off into the middle groimd, ana from 

80 



- / 

out the distant smoke of battle rises a hill with vapoiy indications of a ram- 
part and outlying forts. 

PurcluuMd by the Museum, 1871. Signed. Oncanyas, 23H.; 33 W. 



Jr/tly/ifmStt^ 



HUNTINGTON, Daniel. American School. 

Bom at New York, 1816; died there, 1906. Educated at Hamilton College. 
Pupil of Prof. S. F. B. Morse, and of G. P. Ferrero, Rome. Exhibited first in 
1836, at the National Academy of Design N. Y. Elected Associatein 1838, and 
Academician in 1840. President from 1862 to 1869, and from 1877 to 1891. 

202 ''MERCY'S DREAM:' 

"Christiana said to Mercy: — What was the matter that you did laugh 
in your edeep to-night? I suppose you were in a dream. 

"Mercy — I was a-dreamed that I sat all alone in a solitary place, and 
was bemoaning of the hardness of my heart .... Methought I looked 
up, and saw one coming with wings towards me. So he came directly to me, 
ana said, 'Mercy, what aileth thee?' Now when he had heard me make 
my complaint, he said, * Peace be to thee ';.... and he put a beautiful 
crown upon my heaa. Then he took me by the hand, and said, 'Mercy, 
come after me.' So he went up. and I followed, till we came to a golden 
Gate. Then he knocked; and wnen they within had opened, the Man went 
in, and I followed him up to a throne upon which One sat; and he said to me, 
'Welcome, daughter J The place looked bright and twinkling like stars, or 
rather like the sun. . . . " — (Bunyan's Pilgrim's Progress,) 

Painted in London in 1858. Signed and dated, 1858. On canvas, 83 H. ; 65 W. 

Gift of the Artist, 1897. 

418 PORTRAIT OF JOHN DAVID WOLFE. 

The father of Miss Catharine Lorillard Wolfe. He is seated in a Iaw 
arm-chair with the figure turned to the left and the face to the front. The 
dark eyes look steadily forward from beneath a heavy brow. His dark 
brown hair, silvery beard and olive complexion are relieved against a cool 

ly groimd. He is dressed in black and holds an open book in his right 

nd. 

Bequeathed by Miss Cathabinb Lobillard Wolfs, 1887. 

Signed and dated, 1876. On canvas, 43 H.; 37 W. 




PORTRAIT OF WILLIAM C. PRIME, First Vice-President of 

the Museum. 

Seated in a laj^e arm-chair with the face and figure turned to the left 
of the spectator. Tne eyes look frankly and pleasantly out of the picture. 
He has sUffht gray hair and a full gray beard. Before him is a table with 
papers and two large volumes, one lying upon the other: the thumb and 
forefinger of the right hand hold the upturned comer of a leaf of the open book. 
The left hand reste upon an arm of the chair. His coat is brown velvet and 
the trousers are gray. The background is gray and warm in tone shading te 
light on the panels at the left. 

Ghren by the Trustees, 1892. Signed and dated, 1892. On canvas. 53 H. ; 43 W. 

81 



212 PORTRAIT OF CYRUS W. FIELD. 

Dressed in a heavy fur-trimmed coat with the head turned sharply to 
the right. His clear gray eyes, gray beard, and iron-gray hair indicate great 
individuality and strength of character. The backgroimd is gray and cloudy. 

Gift of Mr. Cyrus W. Field, 1892. 

Signed and dated. 1879. On canvas. 30 H.« 25 W. 

e84 PORTRAIT OF MRS, ELIZABETH U. COLES, 

Standing, with the figure turned to the left, and the face to the front. 
The fingers of the right hand touch lightly the back of a chair, the left clasps 
the folds of her white silk gown. The background is cool gray. 

Bequeathed by Mrs. Euzabbth U. Colks. 1892. 

Signed and dated. 1872. On canvas. 63i H.'. 37^ W. 

HUYSMANS, Comelis. (Called Huysmans of Mechlin, also 

Houseman.) Flemish School 

Bom at Antwerp, 1648; died at Mechlin, 1727. Landscape painter. 
Pupil of Kasper de Witte, at Antwerp, and of Jacques d*Arthois, at Brussels, 
whence he went to Mechlin. Van der Meulen tried in vain to attract him 
to the Court of Louis XIV, but persuaded him to paint backgrounds for his 
"Environs of Luxembourg and Dinant," now in the Louvre. 

37 ITALIAN LANDSCAPE. 

View down the glen of a thickly wooded landscape, in the foreground of 
which at the left there are some cattle grazing attended by a little girl. A 
woman and three men are at the right. There are some large trees which 
overhang a blue sky flecked with light fleecy clouds. 
Purchased by the Museum. 1871. On canvas, 24f H.; 30i W. 

320 LANDSCAPE WITH FIGURES, 

Lent by Mb. George A. Hearn. On canvas. 21^ H.; 30i W. 

INGHAM, Charles CromwelL American School. 

Bom at Dublin, Ireland, 1796; died at New York, 1863. Pupil of 
Dublin Academy. Figure and portrait painter. He came to th United 
States in 1817. 

206 ' THE FLOWER GIRL. 

Half-lengthy standing, face and figure to the front. She holds a potted 
fuchsia in her right hand, and a basket full of flowers on her left arm. On 
her head is a black hood, and the dress is light yellowish gray. Landscape 
background. 

Gift of Mr. Wiluam Chxtrch Osborn, 1902. 

Signed and dated. 1846. On panel. 35i H.; 28iW. 

INMAN, HENRY. Am^can School. 

Bom atUtica,N.Y., October 20, 1801; died, NewYork, January 17, 1846. 
Portrait, landscape, and genre painter; pupil of John W. Jarvis. In 1844 
visited England, where he painted the portraits of Wadsworth, Dr. John 
Chalmers, Lord Ch^cellor Cottenham, Macaulay, and other noted men; 
among his American portraits are Bishop White and Chief Justice Marshall. 
At the time of his death, Inman was engaged on a series of historical picturei 
for the Capitol at Washington. 

82 



108 PORTRAIT OF MARTIN VAN BUREN. Eighth Presi- 
dent of the United States. 

Bust, life-size, face and figure slightly to the left; the eves, clear and 
bright, look directly into those of the spectator. Costume black, background 
dark gray. 

Gift of Ms8. Jacob H. Lazabus, 1893. On canTaB.89| H. ; 24} W. 

218 THE YOUNG FISHERMAN. 

Barefooted and bareheaded, with a white shirt thrown open at the 
chest, stands the young fisherman with a fishpole in his ri^ht hand, and the 
other raised to the branch of a tree. Thick woods are behmd, and a glint of 
water on a stream, with a streak of blue sky make the backgroimd of the 
picture. 

Gift of Mr. S. p. Aybrt. 1895. On panel. 13 H.; 9i W. 

INNESS, George. American School. 

Bom at Newburg, N. Y., 1825; died, 1894. Pupil of Regis Gignoux. 
1868. In Italy, 1871-75. His pictures resemble the works of other artists 
in nothing. He was erratic, but possessed with a deep love and devotion 
to nature. The ideal and poetic sentiment was ever uppermost in his mind, 
and no creation of his was without the stamp of his remarkable individuality. 
In his later works he attained an excellence which placed him in the front 
rank of the best landscape painters of the world. Member of the National 
Academy of Design. 

280 PEACE AND PLENTY. 

In the foreground a field of grain is being harvested; skirting this is a 

g'oup of New England elms, and beyond in the middle distance broad farm- 
nds spread out on either side of a river which flows through the center of 
the picture to the long low-lying hill where farm houses dot the way. The 
^ow of the declining sun fills the air with sunshine. 

Gift of Mr. Gborgb A. Heark. 1894. 

Signed and dst«d, 1865. On canvas, 77 H.; 112 W. 

661 EVENING. 

A New England farm with a fip*owth of large oak trees at the left and 
open fields at the risht. In the middle distance there is a farm house and 
blue hills are beyond. Sheep and cattle wend their homeward way over a 
small stone bridge in the foreground. 

Gift of Mr. Georqb I. Sbnet, 1887. 

Signed and dated, 1863. On canvas, 48 H.^ 78 W. 

137 A PASSING STORM. 

Lent by Mrs. Frederick Buttbrfield. On canvas, 28 H.; 43 W. 

160 AUTUMN OAKS. 

A dark shadow crosses the foreground; and at the right, nearby, there 
are a group of large, red oaks and some cattle, and beyond, the open fields 
and woody landscape, with a cold, cloudy sky above. 

Gift of Mr. George I. Sbnet. 1887. Signed. On canvas, 20 H.; 29^ W. 

132 THE DELAWARE VALLEY. 

Beyond a verdant valley a passing shower leaves its straggling clouds 
over the distant hills, at whose base is a stream of water which flows down 

88 



through the center of the picture in a windmg course. Trees and farm-lands 
border the stream on either side, where there are houses and outbuildins^s, 
and rich ripe fields of grain being harvested. Near a cluster of trees at the 
left there b a load of grain being drawn by horses up the road into the fore- 
ground of the picture. 

Purohased at the T. B. Oarke lale. February 17. 1899. On canvas. 21 H.; 30 W. 

Gift of Several Gentlemen. Signed and dated, 1867. 

120 PINE GROVE OF THE BARBERINI VILLA, ALBANO. 

ITALY. 

A group of tall stone pines rises above an olive grove and reaches down 
the hUl to the Villa Barberini; beyond is the broad Campagna fading away 
into the distant hills. 

Gift of Mr. Ltman G. Bloominqdalk, 1898. 

Signed and dated, X876.- On canvas, 77} H.; 115} W. 

IRWIN, BenonL American School. 

Bom at Newmarket, Canada, Jime 29, 1840; died at South Coventry, 
Conn., August 25, 1896. Pupil of the N.A.D. and of Carolus Duran. 

221 PORTRAIT OF CHARLES H. FARNHAM. 
Bust, life-size. Face in profile. 

Gift of Mrs. Bbnont Irwin, 1897. 

Signed and dated, 1882. On canvas, 23| H.; 17f W. 

ISABEY, Eugene Louis Gabriel. French School 

Bom at Paris, 1804; died there, 1886. Landscape and marine painter; 
son and pupil of Jean Baptiste Isabey. In 1830 he accompanied the ex- 
pedition to Algiers as royal marine painter. Medab: first class, 1824, 1827, 
1855; Legion of Honor, 1832; Officer, 1852. 

397 A BANQUET HALL. 

At the close of a feast where costly viands and choicest wines wete served, 
the richly costumed host and guests are engaged in conversation; some still 
linger at the table, while others form in groups about the hall and enter the 
ante-chiunber. where a lar^e latticed window admits the golden light of the 
sun; upon all sides are rich tapestries, pictures, and ornate decorations, 
indications of the princely character of tne feast. 

Bequeathed by Miss Oatharins Lorillard Wolfs, 1887. 

Purchased in Paris. Signed and dated, 1873. On canvas, 28 H.; 86 W. 

ISRAELS, Jozef . Dutch School 

Bom at Gr5ningen, 1824. Studied at Amsterdam and imder Picot, 
at Paris. Resident of Amsterdam, and subsequently of The Hague, where 
he is now living. Medals at several exhibitions in Holland and other coun- 
tries. Corresponding Member of the French Institute. Honorary Member 
pf the Academies at The Hague, Antwerp, Edinburgh, and Munich. Knight 
pf the Orders of the Dutch Lion, Francis Joseph of Austria, and Leopold of 
Belgium. Officer, Legion of Honor, Commander of the Orders of Orange, 
{^faasau of Holland, of the Crown of Italy, of St. Michaiel of Qfkvari&i and oC 
Friedrieh of WiLrtemberg. 

84 



THE BASHFUL SUITOR. 

A bashful youth and maiden are walking side by dde over the cool damp 
meadow where the cattle graze. Gows are in the distant fields, and above 
are flickering silvery clouds which fill the evening sky. 

Gift of BfR. Qborgb I. Sbnbt, 1887. Signed. On canvas, 46 H.; 67 W. 

637 EXPECTATION. 

A young Holland woman lypical of her class is sitting at fuU length with 
the face and figure turned sligntly to the right. Her blonde hair creeps from 
beneath the friOs of her close-fitting white cap down to her broad shoulders. 
Her head is inclined forward as she presses a needle through the linen garment 
folded over the forefinger of the left hand. The sturdy weather-beaten arms 
bare to the elbows and the warm violet gray ideeves melt into the subdued 
tone of the white 'kerchief which covers her bosom. The skirt is black and 
her bare feet are thrust into a pair of low wooden shoes. On a table at the 
right is a potted plant, and at the left are a large wicker bajsdcet, a workbox 
and some yam. 

Gift of Mb. Gborgb I. Sxnst, 1887. Signed. On canvas. 70i H.] 52i W. 

JACQUE, Charles Emile. French School 

Bom at Paris, 1813; died, 1894. Animal and landscape pfunter, en« 
graver, and etcher. When seventeen years old, he studied with a geographical 
engraver, but later on enlisted as a soldier and remained seven years in the 
army. He then resumed his engraving, and worked two years in England 
85 a draughtsman on wood. He may be characterized as a rustic artist. He 
paints farmyard scenes with vigor, and excels in accurate knowledge of sheep 
and poultry, of which he is a fancier. By his truthful pictures of pigs he 
has eamed the soubriquet of Le Raphael des Porceaux. Medals: third class, 
1861, 1863; Medal, 1864; Legion of Honor, 1867. 

463 THE SHEEPFOLD. 

The bright simlight breaks through a crude latticed gate illuminating 
a straw-covered floor. All around the shadowy »des of the fold are racks 
filled with grain upon which the sheep are feeding. At the right the sheep 
crowd aroimd a boy in a blue blouse who is putting a bundle of grain into a 
rack, and overhead are the rough wooden beams which support the floor 
above. 

Purchased from the income of the Catharine Lorillard Wolfe endowment fund, for her 
oolleotion, from Mr. S. P. Avery, Jr., 1897. 

Signed and dated, 1857. On panel, 18 H. ; 36 W. 

670 SHEEP. 

Lent by Mr. Thomas P. Sai/ibr. On canvas, 4 H. ; 6 W. 

570 LANDSCAPE WITH SHEEP. 

A sh^berd in a blue blouse and his dog, accompanving a flock of sheep, 
are descending a low hill, a sturdy oak stands at the right beneath which are 
two sheep in Uie shadow. Beyond, over the hillside at the left, the dull gray 
cloudy sky breaks through a group of trees. The picture is gray and monoto- 
nous m color. 

Gtft of Km. Mart GoLDBNBBBG, 1899. Signed. On panel, 13 H.; 10 W. 

85 



JACQtJET (Jean), Gustave. Frtnek School 

Bom at Paris, 1846. Genre and portrait painter; piq)il of Bouguereaa 
Medals: 1868; first class, 1875; third class, 1878; Le^on of Honor, 1879. 
He began by painting military subjects of the sixteenth century. In 1867, 
his "Can To Arms" was purchased by Princess Mathikle, and in 1868, his 
"Sortie of the Army" was purchased by the Museum of Blois. During the 
Franco-German War, 1870, he served as **franctireur" in the Army of Paris. 
At the conclusion of that war he adopted a different style in Art, painting 
such subjects as the "Young Woman with the Sword," "Reverie," "The 
Firet Arrival." The "Mmuet," 1880, was purchased by the Count of Fitz- 
kievich. At that time he painted portraits of the Duchesses d'Uz^ and 
de la Tr^mouille, and of many others of the nobility and society of France 
and England. Many of his more recent and better pictures are in New York 
and in Pittsburgh. He is especially known for his exquisite little heads at 
women, in the fashion of the dghteenth century. 

361 FEMALE HEAD. 

Bust, life-dze. The face is turned sharply to the left, and the figure 
dightlv to the right. She has blonde hair and wears white lace over her 
ihoulders. 

Bequeathed by Miss CtATHABimB Lobillard Wolfe, 1887. 

Sicned. On canvas, 21 H. ; 17 W. 

675 REVERIE. 

Lent by Mb. Thomas P. Saltkr. On panel, 12iH.; OW. 

683 STUDY OF A HEAD. 

lent by Mas. Frbdbrick Butterfikld. On panel, 12f H.; 9 W. 

jAN-MONCHABLON, Ferdinand. French School. 

Chatillon-sur-Sadne, Vosges. Bom in 1855. Pupil of Cabanel and 
of J. P. Laurens. Chevalier, Le^on of Honor. A painter of landscape, 
mostly of the Vosges district, where he was bom. In the earlier works of 
/an-Monchablon there is a subtle delicacy of treatment and a completeness of 
inish, in which realism is carried to its extremest point; but in his more 
recent productions he retains his deep feeling for nature, and cdms at a broader 
technique, a more intense coloring, and is striving to attam those qualities 
which give to the pictures of the old Dutch masters their peculiar charm. 

672 SUMMER LANDSCAPE. 

Lent by Mr. Thomas P. Salter. On canvas, 19 H. ; 25 W. 

JANSEN (Janssens) ; real name Comelis-Janson van Ceulen. 

DtUch School. 

Bom at Amsterdam (?) 1594 (accepted date); died 1664 (?). First style 

thoroughly Dutch, afterwards mingled with Flemish influence, through Van 

Dyck, with whom he painted for eight years at Court of Charles I. Went to 

England in 1618, reign of James I, and remained until 1648, when he settled 

at Utrecht. 

86 



PORTRAIT OF A LADY. 

She is looking directly at the spectator with the face and figure turned 
three-quarters to the right. Her luxuriant golden-brown hair is trimmed 
with pearls, and a double row of pearls encircles her neck. A dose-fitting 
broad lace collar covers the shoulders, and the right hand is brought forwiu^ 
against the figure with the forefinger and thumb clasping a bit of ribbon 
attached to her black dress. 

Gift of Mr. Hbnrt G. Marquand, 1888. 

Purchased in London in 1883. Bust. Signed. On canvas, 30|H.; 24iW. 

JANSEN, Joseph. Dnsseldorf School. 

645 LANDSCAPE. 

A rocky foregroimd with moimtain pines are at the left of a glader which 
reaches up the mountain gorge. Bare verdureless ledges on the moimtain 
jside rise into a cloudy sky. 

Bequeathed by Mrs. Elizabbth U. Coles, 1892. Signed. On oanvu, 52 H.; 73 W. 

JEFFERSON, Joseph. American School. 

A distinguished comedian. Bom at Philadelphia, of a family of actors, 
1829. Died at Pahn Beach, Florida, April 24, 1905. In early youth he went 
upon the stage, and rapidly rose to a very high rank in his profession. Mr. 
Jefferson had devoted much of his leisure to the study of landscape paint- 
ing, displaying marked ideality and sympathy with nature, and a brilliant 
individuality in technique. 

152 IDEAL LANDSCAPE. 

A thickly wooded landscape with tall trees at the left, and a rocky fore- 
groimd through which the " silver brook pours the white cascade." 

Gift of the Artist, 1897. Signed and dated, 1896. On canvas. 35 H. ; 49 W. 

JETTEL, Eugene. Austrian School. 

Bom March 20, 1845, at Janowitz (Moravia). Died at Trieste, 1901. 
Entered the Academy of Vienna and studied imder Zimmerman. He traveled 
in Holland, in Italy, and in Himgary, and in 1873 went to Paris. Member of 
the Jury of Painting, Exposition UniverseUe, 1889. Grold Medal, first class, 
Munich, 1875; GrandGoldMedal, Vienna, 1877; Gold Medal, World's Colum- 
bia Exposition, Chicago, 1893; Gold Medals, Antwerp, 1893; and Dresden. 
1897. Legion of Honor, 1889. 

660 A MARSH IN NORTH HOLLAND. 

The landscape is saturated with the moisture of the sea from the wet 
boggy foregroimd, where the water stands in pools to the small group of trees 
by a white cottage, near where the cattle graze on the border of a stream. 
The flat lands beyond are dotted with windmills which break the horizon 
Une. The sxmshine, in the bright clouds there, does not appear in the darker 
ones above, which give portent of coming rain. 

Purchased by Prince DemidofF at the International Paris Exhibition of 1878. Pur- 
chased at th» San Donato Sale of the Demidoff Collection. Gift of Mr. Charlbs Ssdsl- 
METBR, of Paris, 1883. 

Signed and dated. 1877. On canvas, 43 H.; 48 W. 

87 



JOHNSON, David. American School 

Bora, New York, May 10, 1827. Landsc^^e painter. Studied with 
J. F. Oropsey. Chiefly self-taught. Elected A.N.A., 1860; N.A., 1861. 

139 MONARCH OF THE MEADOW. 

Lent by Mb. Thomas P. Saltkr. On eanYU, 18 H.; 25 W. 

JOHNSON^ Eastman. American School 

Born at Lovell, Maine, 1824. Died suddenly at New York, April 5, 1906. 
Studied at Dttsseldorf, 1849-1851. Resided at The Hague four years. Re- 
turned from Europe and settled in New York, 1860. Member of the National 
Academy of Design, 1860. 

148 TWO MEN. 

LifeHsize, seated. Both figures are to the front with their faces turned 
towards each other in profile as if in animated conversation. The one at the 
right of the spectator resting his chin upon his right hand is Samuel W. Rowse, 
an a^ist of distinction, best known through his crayon portraits of children, 
although he painted in oil colors. The other man has his left hand extended 
with open palm, and his right, thrown back upon the hip. The backgroimd 
is a warm brown tone, with a cabinet in the center upon which is a small 
vase of flowers and other objects. The light enters the room from the left, 
illuminating the figures and nch oriental rugs which are upon the floor. 

Gift of Mr. Robsrt Gordon, formerly a Trustee of the Museum, 1898. 

Signed and dated, 1881. On canvas, 59i H. ; 77i W. 

97 PORTRAIT OF SANFORD R. GIFFORD. 

A contemporaneous landscape painter whose works possess great delicacy 
in gradation, and loveliness in sentiment and color. Head and bust. The 
face is to the front with one half in deep shadow. 

Gift of Mr. Richard Bxttlbr, 1888. 

Signed and dated, 1880. On millboard, 32 H.; 26 W. 

JONESy H. Bolton. American School 

Bom at Baltimore, Maryland, 1848. Studied at Paris, 1876-'80. N.A., 
1883. Bronze Medal, Exposition Universelle, Paris, 1889. Medal at World's 
Columbian Exposition, Chicago, 1893. Member of the Societies of American 
Artists and Painters in Pastel, and of the American Water-Color Society. 

121 SPRING. 

A stream of water reflecting the early budding trees which border its 
moss-covered banks flows through the right center of the picture to the 
immediate foregroimd. Over the meadows beyond is the bright green of 
springtime. The sky is a tender blue, flecked with light fleecy clouds. 
Gift of Mr. Georor I. Senet, 1887. Signed. On canvas, 24 H.; 40 W. 

165 AUTUMN. 

Lent by Mr. Thom AS P. Sai/tbr. On canvas, H H.; 14 W. 

JONGKIND, Johan Barthold. Dutch School 

Bom at Latrop, Holland, 1822. Died, 1891. Marine and Landscape 
painter. Pupil in Paris of Isabey. Medal, third class, Paris, 1852. 

816 SUNSET ON THE SCHELDT. 

Lent by Mr. George A. Hearn. On canvas, 20^ H.; 28f W. 

88 



JORDAENS, Jacob. Flemish School 

Bom at Antwerp, 1593; died there, 1678. Pupil of Adam Van Noort, 
as was Rubens, he became the follower and half assistant of the latter. He 
married early in life the daughter of Van Noort, and never visited Italy. 
He was a master of great power. He painted a variet|y of subjects. 
Many of his sacred pictures are in the churches of Flanders aild Brabant, 
hut they are not his best works. His pictiures vary much, according as he 
was interested or not in his subject. His color was fine, his impasto some- 
what imequal, but he excelled in depth of chiaroscuro, and a " certain 
golden glow," in which he sometimes surpassed even Rubens. The " Ho*'' 
Family,'' in this Gallery, is one of his best sacred pictures. 

47 THE VISIT OF ST. JOHN TO THE INFANT JESUS. 

In the center of the picture, with one foot resting upon the globe and 
the other upon the head of a seipent, which encircles the world, stands the 
Child Christ, supported by Mary, who extends her right hand to the infant 
St. John^ who is seated upon the back of a lamb. St. Joseph, with one hand 
resting hghtly over the back of a wicker chair, in which is seated St. Anne, 
leans gently forward in rapt attention. St. Elisabeth, a black mantle cover- 
ing her head and draping her figure, supports the infant St. John, and back of 
this group stands St. Zacharias and the guardian angle with outspread wings. 

Purohased by the Museum, 1871. On panel, 66 H.; 58i W. 

43 THE PHILOSOPHERS. 

Two men, heroic in size, three-quarters length, stand behind a large 
^lobe; the one at the left of the spectator has his right hand extended as if 
in argument, the left being on the shoulder of his companion who is leaning 
t)rw£xl with his right elbow on the globe and his hand to his cheek. 

Gift of Mas. Janb L. Mbltills, 1884. On canvas, 50 H.; 38 W. 

JORIS, Cavaliere Pio. Roman School. 

Bom at Rome, 1843. Resides there. Genre and landscape painter; 
pupil of Academy of San Luca and of Fortimy. Visited Venice, Munich, 
and Paris in 1S69, London in 1870, and Spain in 1871-72. President of the 
Societd di AcquaretlisH in Rome, Honorary Member of SocUti Beige des Aqua- 
reUisteSf and of the SocUti des AqwareUistes of The Hague. Order of the Crown 
of Italy, Bavarian Order of St. Michael. Gold Medal, Munich, 1869; twelve 
medals m 1878, '81. Gold medal, Milan, 1893. The National Galleries of 
Rome, Budapest, and Stuttgart have pictures by this artist. 

ITALIAN COURTYARD AND FIGURES. 



Three women are sifting grain beneath a auaint wooden bridge whick 
crosses the court above. A youth sits listlessly by in the warm sunshine. 

Bequeathed by Miss Catharinb Lorillabd Woltb, 1887. 

Signed. Water Colon ai H.; 14 W. 

JOUETT, Matthew Harris. American School 

Bom in Fayette County, Ky., 1783. Died, Lexington, Ky., August 10, 
1827. Portrait painter; educated a lawyer; served in the war of 1812, and at 
its close opened a itudio in Lexington. In 1816, studied six months in Boston 
under Gilbert Stutft. He painted during his short cWeer more than 300 por- 

89 



traits, including among his sitters many distinguished persons. His full- 
length portrait of Lafayette is in the Capitol at Frankfort, and a bust portrait 
of this illustrious man is owned by Mrs. Pauline Rhodes, Richmond, Ky. 

181 PORTRAIT OF JOHN GRIMES, 1812. 

All that is known of the subject of this picture is that, when a boy, he 
appeared in the city of Lexington, Ky., in search of employment, found it 
in a paint store, where he met Jouett, who first employed him to grind his 
colors, and subsequently took him to his studio and taught him to paint. 
About 1826, he went to Nashville, and opened a studio, painting many of the 
best citizens of that place, but went'back to Lexington to die, in 1837. 

Bust, life-size, face three-quarters to the right, eyes looking steadily 
to the front; hair light brown shading into a warm backgroimd; gray-brown 
coat with velvet coUar. 

Gift of Mas. Sarah Bell Mensfkb, daughter of M. H. Jouett, Louisville, Ky., 1896. 

On panel, 26 H.; 21i W. 



KAEMMERER, Frederik Hendnk. French School 

Bom at The Hague, in 1839; died at Paris, 1892. In 1865 he went to 
Paris but he always remained a Hollander. Landscape and genre painter; 
pupil of G^r6me, and the £cole des Beaux- Art^. Medal: second class, Paris 
SaUm, 1874; Legion of Honor, 1889. 

410 STUDY OF A GIRVS HEAD. 

Small cabinet size. The face is to the left in profile. A broad brimmed 
violet colored hat with a blue rosette adorns her head and a dull red cape is 
about her shoulders. Li her right hand is an ivory fan. 

Bequeathed by Miss Cathabinb Lorillard Wolfe, 1887. 

Signed. On canvas, 9 H.; 6W. 



KALF (KalfF), Willcm. Dutch School 

Bom at Amsterdam, 162 1 or 1622 ; died there, 1693. A painter of still-life. 
Pupil of Hendrick Pot. He especially excelled in the representation of elegant 
vases and porcelain vessels. Hd sometimes painted kitchen pieces, with vege^ 
tables and cooking utensils aa prominent features. The Louvre and the 
Amsterdam Museum have one picture each by this master. 

5 INTERIOR Olf A DUTCH COTTAGE. 

An old woman holding the half of a pumpkin in her lap is seated in front 
of a fireplace where a few embers are smoldering on the hearth; upon an old 
chest at her side rest two dishes; and a basket mU of vegetables and a group 
of the same are on the floor at her feet. A man in an obscure comer at the 
left is bending over a piece of furniture. 

Purchased by the Museum, 1871. Sig&id. On canvas, lOi H.2 12iW. 



If A LP 



9t 



KAULBACH, .Friedrich August von. German School 

Bom at Hanover, 1850. Genre and portrait painter. Son and pupU 
of Friedrich Kaulbach, then pupil at Nuremberg of Kreling; settled in Munich 
in 1872. Director of the Munich Academy, 1886. Member of Berlin Acad- 
emy^ Gold medal, Berlin, 1884; Bavarian Crown Order, 1885. 

366 GIRUS HEAD. 

Bust, cabinet dze. A German peasant girl with blonde hair; the figure 
is turned to the right and the face slightly to the left. 
Purchased in Mimich. 

Bequeaihtd by Miss Cathabink Lorillard Woltb. 1887. 

Sicned. On wood, 12 H.; W. 



KAULB ACH, Wilhclm von. Munich School 

Bom at Arolsen, Westphalia, 1805; died at Munich, 1874. Pupil of 
Dflsseldorf Academy under Cornelius whom he followed in 1825 to Munich, 
and continued his studies in the Academy there. Went to Rome in 1839, 
where he learned to paint. Was called to Berlin in 1847 to decorate the 
Treppenhaus (Staircase Hall) of the new Museum. Medal, 1855; Legion of 
Honor, 1835; Officer, 1867; Commander of the Order of Francis Joseph; 
Grand Commander of the Order of St. Michael; Director of the Munich Acad- 
emy; Corresponding Member of the Institute of France. 

460 CRUSADERS BEFORE JERUSALEM. 

The intention of the artist was to express symbolically the idea that 
Christianity has become the triumphant religion of the universe. In the 
middle and extreme distance can be seen the city of Jerusalem with its domes 
and palaces, the crusaders' coveted ^oal; somewhat removed, some soldiers, 
a group of eminent knights, ecclesiastics, bishops, and crusade preachers 
contemplate the city from a hill-top; on another hill to the right can be seen 
the army of crusaders conunanded by Godfrey of Bouillon, who holds uplifted 
in both hands a crown, symborbf the divine right of the Kings of Jerusalem; 
near him are Boemond and Tancredi, soldiers who had distinguished them^ 
selves in the memorable battle the crusaders fought with the Saracens. The 
groimd is covered with the enemy's dead. On the foreground in the middle 
18 Peter of Amiens on his knees, with eyes turned towards the Holy City, 
and offering to God prayers of thanksgiving. Behind him a group of penitents 
are lying on the groimd or scourging themselves; above, borne on clouds, 
is seen the divine apparition of the Redeemer accompanied by the Holy 
Virgin, and surroimaed by the Saints and Martyrs. Godfrey of Bouillon, 
beiuring on his head a crown of thorns, offers the crown of the Holy Land to 
the Saviour, the real King of Jerusalem. Near Peter of Amiens is a group 
of fervent psalmists of the Christian faith, followed by the knights ih magm- 
ficent armor. The troubadour of the middle aees, so closely associated 
with romances of the crusaders, here also finds nis place. The beautiful 
Armida, borne seated on a litter draped with laurel branches, is carried by 
Moors, while her knight, Rinaldo, leads the way to the city, as, pious and 
beautiful, she lifts her gaze to the heavenly apparition. 

Bequeathed by Bius Catharinb Lobillabd Wolfs, 1887. On canvas, 61 H.; 74 W« 



KENSETT» John Frederick. American School. 

Bom at Cheshire, Ccnm., 1818; died at New York, 1872. Landscape 
painter. After studying engraving under ^ Dagget, he spent seven yean 
abroad, p^M^tipg fn England, Rome, Naples, Switzerland, on the Rhine, 
and among the Italian Lakes. First exhibited at the Royal Academy, Lon- 
don, in 1845. Elected N.A. in New Yoik, in 1849. In 1859 appointed 
member of the Commiasion to superintend the decoration ol the C^t(d at 
Washingtcm. 



THE OLD PINE. DARIEN, CONN. 

The old pine relieved against a cool gray sky stands on the rocks border- 
ing the Sound. 

Gift of Mb. Thomas Kbnbbtt. 1874. On canvas. 34 H.; 27 W. 



VIEW ON LONG ISLAND SOUND. 
Gift of Mb. Thomas KsHBXTT, 1874. On canvas, 12 H.; 24 W. 

620 EARLY A UTUMN. 

Gift of Mb. Thomas Kbnsbtt. 1874. On millboard, ISf H.; 17f W. 



COAST SCENE, NEAR DARIEN. 

CUft of Mb. Thomas Kbnsbtt, 1874. On canvas, 30^ H.; 48 W. 

621 SCENE ON THE CONNECTICUT SHORE OF LONG 

ISLAND SOUND. 
Gift of Mb. Thomas Kbnsbtt, 1874. On canvas, 30| H.; 48 W. 

624 EVENING AT CONTENTMENT ISLAND, DARIEN 

CONN. 
Gift of Mb. Thomas Kbnsbtt, 1874. On canvas, 17 H.; 30 W. 



CEDARS IN THE TWILIGHT. 
Gift of Mb. Thomas Kbnsbtt, 1874. On millboard, 17i H.; 13f W. 

619 PASSING AWAY OF THE STORM. 

Overlooking a dark-brown woody landscape with a deep pool of water 
in the foregroimd is a brilliant evening sky flushed at the horizon with a 
crimson tone which breaks into ^old. The clouds which cross the sky are 
streaked with the warm flowing light of a low sun and reflect the olive tone 
of the blue sky upon which they break in flickering patches above. 

Gift of Mb. Thomas Kbnsbtt. 1874. On canvas, 28 H. ; 421 W. 

607 LANDSCAPE STUDY. 

Gift of Mb. Thomas Kbnsbtt, 1874. On canvas, 18 H.: 29 i W. 

606 COAST SCENE. 

Gift of Mb. Thomas Kbnsbtt, 1874. On canvas, llf H.; 191 W. 

92 



600 LAKE GEORGE. 

At the right there is a low hill jutting out into the lake and across the 
water the farm-lands stretch back to the nills and distant mount-ains. The 
sky is doudless. 

Gift of Mr. Thohab Kbnsbtt. 1874. On canvas. 17f H. ; 35^ W. 



EATON'S NECK. 

Gift of Mr. Thomas Kenbett, 1874. On canvas, 18 H. ; 86 W. 

608 SUNSET ON LONG ISLAND SOUND 

Gift of BfR. Thohab KBNSETr, 1874. On millboard, 13f H.; 18 W. 

605 ON THE COAST. 

Gift of Mr. Thoiiab Kenbbtt, 1874. On canvas, 2H H.; 44i W. 

657 AFTER SUNSET. 

Gift of Mr. Thohab Kenbett, 1874. On canvas, 17 H4 20 W. 



ROCKS AT DARIEN. 
Gift of Mr. Thohab Kenbett, 1874. On canvas. 12 H.: 19i W. 

547 VIEW ON LONG ISLAND SOUND. 

In the foreground are a few trees, and beyond is a rocky shore which 
curves around to the right and juts out into the sound. The norizon line is 
dotted with white sails, and above is a cloudy showery sky. 

Gift of Mr. Thohab Kenbett. 1874. On canvas, 18 H.; 13| W. 

642 TWILIGHT IN THE CEDARS. 

Gift of Mr. Thomas Kenbett. 1874. On canvas. 28 H. ; 41 W. 

646 SCENE ON LAKE GEORGE. 

Gift of Mr. Thohab Kenbett, 1874. On canvas, 17f H.; 35^ W. 

KESSEL, Jan (Johan) van. Dutch School 

Bom at Amsterdam, 1641 or 1642; died there, December 24, 1680. 
Landscape painter. Said to have been a pupil of Jacob Ruisda6l, bit lack- 
ing in many of the finer qualities which this artist possessed. 

65 CANAL AT HAARLEM. 

There is an old three-arched bridge over a canal. A row of brick build- 
ings line the walk at the left and a church spire rises into a dcy filled with 
dark floating clouds. 

Purchased by the Museum, 1871. Signed. On canvas, 40f : H. ^ W. 




rcf/e 




KNAUS, Ludwig. German School 

Bom at Wiesbaden, 1829. PupU of Dasseldorf Academy under Sohn 
and Schadow in 1846-52, then studied in Paris imtil 1860; visited Italy in 
1857-58; lived in Berlin, 1861-66, and at Dasseldorf from 1866 to 1874. 
Professor at the Berlin Academy from 1874 to 1884. He is the forwnost 
genre painter in Germany. Member of the Vienna, Berlin, Mimich, Amster- 
dam, Antwerp, and Christiania Academies. Medals: Paris, second class, 
1853; Gist class, 1855, 1857, 1859; Legion of Honor, 1859; Officer, 1867; 
Grand Medal of Honor, 1867; Knight of Prussian Order of Merit, etc., and 
many medals. 

404 THE HOLY FAMILY. {REPOSE IN EGYPT). 

The Madonna with the Infant in her arms is seated in the center of the 
picture with a gray scarf about her head and shoulders: she wears a loose 
scarlet robe and a blue mantle is across her lap. Before her stands a cherub 
with clasped hands and face upturned in aaoration of the Infant; other 
cherubs are hovering in the atmosphere above. At the right is Joseph hold- 
inff^by the bridle an ass; and above him is the crescent moon. 

Purchased by Miss Catharine Lorillard Wolfe from the artist in Berlin, 
1876. 

Bequeathed by Bfus Catharinb Lorillard Woltb, 1887. 

Signed and dated, 1876. On wood. 43 H.; 31 W. 

434 OLD WOMAN AND CATS. 

Sitting by a stone fireplace in a cavern-like kitchen is an old woman 
leaning on a cane and holding in her lap a pet cat. On the floor before her 
are another cat and five frolicking kittens. A glint of light is visible through 
a small grated window at the nght. The picture is nch golden brown in 
tone. 
From the collection of the late Baron Strousberg, Berlin, 1873. 

Bequeathed by Miss Catharinb Lorillard Wolfe, 1887. 

Signed and dated, 1868. On canvas, 26 H. ; 30 W. 

662 PEACE. 

A female figure with wings of gold is scattering flowers in the air; two 
loves catch them in their han& as uiey fall. The figures are life-size. 

Gift of Mr. Jacob H. Schiff, 1888. Signed. On canvas. 136 H. ; 68 W. 

521 FEMALE HEAD. 

Cabinet size, head and shoulders. The figure is in profile to the right, 
the face turned nearly to the front. The light falls full upon the face from 
the left and the girlish eyes look directly at the spectator. A black ribbon 
is about her throat and light figured drapery is over the shoulders. 

Bequeathed by Mrs. Elizabeth U. Coles, 1892. 

Signed and dated, 1875. On panel, 8f H.; §i W. 

KNELLER, Sir Godfrey, Bart. Dutch School 

Bom at Lilbeck, August 8, 1646; died at Twickenham, November 7, 
1723. Portrait painter; reported to have studied under Rembrandt and Fer- 
dinand Bol, at Amsterdam, and in Rome (1672-74) under Carlo MarattL 
Afterwards went to Venice, where he was well received by the leading families^ 

H 



wfiose portraits he painted. He was induced to go to England in 1674, and 
received such a flattering reception from Charles II that he determined to 
remain there. After the death of Sir Peter Lely he was made Court painter. 
He received equal favor from James II, William III, who knighted him (1692), 
Queen Anne, and George I, who made him a baronet (1715). 



PORTRAIT OF LADY MARY BERKELEY. 

''Wife to Thomas Chamber, Esq." 

Bust, life-size. The figure is turned slightly to the right, the face to 
the left; she has warm brown hair and dark blue eyes. BLer dress is olive 
gray cut low at the neck and trimmed with white lace. The picture is painted 
m an oval with a dark warm background. 

Gift of Mr. Gborge a. Hearn, 1896. 

Signed and dated. 1700. On canvas, 28i H.; 24 W* 

KOEK-KOEK, Barend Cornells. German School 

Bom at Middleburg, Zeeland, 1803; died at Cleves, 1862. Son and 
pupil of Johannes Hermanus Koek-Koek, and student of Amsterdam Acad- 
emy imder Schelfhout and Van Oos; traveled in Belgium, in the Ardennes, 
on the Rhine and Moselle; visited Paris. Afterwards^ settled at Beck, in 
Gelderland, and in 1841 founded an Academy of Design at Geves. Member 
of Rotterdam and St. Petersburg Academies in 1840. Orders of the Lion 
(1839), and of Leopold (1842). Legion of Honor. Gold medals in Amster- 
dam (1840), Paris (1840 and 1843), and The Hague. 

367 WINTER LANDSCAPE; HOLLAND. 

At the right is a frozen canal spanned by a bridge in the middle distance 
where there are a group of buildings among the trees; at the left is a hillside 
with a roadway covered with snow leading to a wood from which a man and 
woman are approaching. Cumulus clouds float in the sky. 

Bequeathed by Miss Catharine Lorillard Wolfb, 1887. 

Signed and dated, 1833. On wood, 14 H. ; 17 W. 



SUNSET ON THE RHINE, 

Painted to the order of Mr. John Wolfe. Purchased at the sale of his 
collection, in 1863, by Mr. John Taylor Johnston, and at the sale of his gallery, 
in 1876, was bought by Miss Wolfe. 

Prominently in the center of the picture on an elevation is a chSteau, 
and in the shadow below, and beyond, is a city bordering the Rhine which 
flows by to the distant hills. In the middle of the immediate foreground 
a road passes over a rustic bridge where are peasants mounted, and on foot, 
further on, a group of cattle are coming down the hill. In the foreground 
at the right are two trees, and at the left there is a group of large trees beneath 
whose branches we view the distant valley; the sky is clear, with delicate 
clouds in an atmosphere of sunshine. 

Bequeathed l>y Mias Catharine Lorillard Wolfe, 1887. 
. Signed and dated, 1853. On canvas. 31 H.1 41 W. 



WINTER SCENE IN HOLLAND. 

Lent by Mr. Thomas P. Salter. On panel, 15 H.; 20 W. 

95 



KOLLER, Guillaume. Belgian School 

Bom at Vienna, 1829; died in Crermany, 1885. Pupil of Vienna and 
Dtlss^dorf Academies, 1851-55. Lived in 1856-59 at Antwerp, then settled 
at Brussels. Afterwards removed to Germany. 

678 HUGO VAN DER GOES PAINTING THE PORTRAIT OF 
MARY OF BURGUNDY, INFANT DAUGHTER OF 
CHARLES THE BOLD, DUKE OF BURGUNDY, AND 
ISABELLA OF BOURBON. 

The painter sits at the right of the picture with his face and figure in 

Erofile to the left. A red cap is on his head and a black gown covers the 
cure. In the right hand he holds a pencil raised as if directing the pose 
of the sitters. The left rests upon a drawing which lies upon a redsketcning 
stand over which the artist leans. Upon a ught wooden settee in the center 
of the picture is the mother (the first wife of Charles the Bold), robed in a 
lavender velvet gown trimmed with ermine. Her right arm supports the 
infant upon her lap who is holding out a dainty bit to a pet hound by their 
side. A man is leaning over the back of the seat with his face turned to 
the artist. Behind him is an arched doorway through which the sky is 
visible. A table at the right is set with refreshments. The interior and 
furnishings are Flemish of tne fourteenth century. 

Bequeathed by Mr. Stephen Whttnet Phcbnix, 1881. 

Signed. On wood. 23 H.* 34 W. 

KRAUS, Friedrich- German School 

Bom at Krottingen, East Prussia, 1826. Genre and portrait painter. 
Pupil of Kdnigsberg Academy. Studied in Paris, 1852-54. and in Rome, 
1855, and settled in Berlin in 1855. 

516 PEASANTS GOING TO CHURCH. 

Lent by Mrs. Israel Corse. On canvas, 20 H.; 33 W. 



KRUSEMAN VAN ELTEN, H. D. American School 

Bom at Alkmaar, Holland, 1829 ; died at Paris, 1904. Landscape painter, 
;>upil in Haarlem of Lieste, and student of nature in Germany, Switzerland 
and Tyrol. Continued his studies in Brussels, and settled in Amsterdam, 
whence he moved to New York in 1865, since which time he was identified 
with American art. Late in life he returned to Holland. 

160 A AUTUMN. 

In the immediate foreground is a stream of water which reflects some tall 
^iark tree trunks and their scanty foliage among the lily pads which float 
upon the glassy surface of the water; the border on either side of the stream 
is heavy with the dull brown grasses which grow rank along the banks, and 
two figures stroll about over the meadow-lands beyond. Above is a light, 
cool and cloudy sky. 

Gift of Mrs. Kruseman van Eltbn, 1905. 

Sicned. On eanvaa, 37^ H.; 30 W. 

96 



KYLE, Joseph. American School. 

Bom in Ohio, 1816; died at New York, 1863. Spent his cluldhood In 
Ohio and Kentucky. At the age of twenty he went to Philadelphia 
and entered the stucco of Thomas Sully, afterward with Bass Otis. Later 
he established a studio in the Quaker City; afterwards he removed to New 
York, where he painted portraits and historical pictures, and was soon 
elected Associate of the National Academy of Design. 

101 PORTRAIT OF A LADY. 1861. 

Bust, cabinet dze. In a black dress, with the face three-quarters front 
Gift of Mr. WiLLZAif Magrath, 1895. On canvas. 12i H.; lOi W. 

LAMBERT, Louis Eugene. French School 

Bom at Paris, 1825. Pupil of Delacroix. Medals: 1865, 1866, 1870; 
third class, 1878; Legion of Honor, 1874. 

468 CAT AND KITTENS. 

The old cat lies at full length upon a rich Turkish rug with a white kitten 
cuddled up against her, another clambers over the mother to meet her sister 
who is peeping over the top of a ladies' work-basket, the contents of which she 
has been inv^igating; heavy red-figured drapery forms the background. 

Painted to order. 

Bequeathed by Miss Catharinb Lorillard Wolfe, 1887. 

Signed. On canvas, 34 H.] 28 W. 

LAMI, Louis Eugene. French School. 

Bom at Paris, 1800; died there 1890. Pupil of Gros and Horace Vemet. 
Medal, second class, 1865; Legion of Honor, 1837; Officer, 1862. 

41 1 INTERIOR OF A MUSEUM. 

A portion of a room in which visitors are examing objects of art. 

Bequeathed by Miss Catbarinb Lorillard Wolfs, 1887. 

Dated, 1853. Water Color, 20 H. ; 14 W. 

LANG, Louis. American School. 

Bom at Wttrtemberg, 1814; died at New York, 1893. Went to Paris 
for study in 1834; came to America in 1838; spent some years in Philadelphia; 
returned to Europe and spent six years in Venice, Rome, Florence, and Paris, 
returned to New York, and^ in 1852 was made a Member of the Natic* :. 1 
Academy of Design. 

577 A COUNTRY GIRL. 

Sitting in the shadow of the trees weaving a basket. A child in a blue 
dress lies at full length on the ground by her side, and in the middle distance 
At the right is a cottage. 

Bequeathed by Mas. Sarah Ann Ludlum . 1877. On canvas, 36i H.; 33i W. 

97 



LARGILLIERRE, Nicolas de. French School 

Bom at Paris, 1656; died there, 1746. History and portndt painter, 
pupil of Antoine Goubeau, at Antwerp, and at London of Lely;' received 
into St. Luke's Guild in 1672. Went to England in 1674, where he remained 
four years. Li 1678 he went to Pans and gained great reputation as a portrait 
piunter during the next six years, after which he returned to Phigland, whert 
he painted James II and his queen. Member of the Academy in 1686, pro- 
fessor in 1705j rector in 1722, and chancellor in 1743. 

601 MARIE MARGUERITE LAMBERT DE THORIGNY. 

'N6e Marie Marguerite Bontemps, bom 1668, died at Tile N6tre-Dame, 
August 6, 1701, daughter of Alexander Bontemps, intendant and governor of 
the Ch&teaux of Versailles. On the 9th of June, 1682, she married in the 
chapel oi Saint Frambourg, Claude Jean Baptiste Lambert de Thorigny, 
Pr&ident de la Chambre dea Comptes, Her mother was Marguerite Bosc, 
daughter of Claude Bosc. Counsellor to the King. Saint-Simon, the eminent 
writer of chronicles, said of Marie Marguerite Lambert de Thorigny: ''£lle 
est belle comme le jour." 

Life-size, three-quarters length, standing with the face slightly to the 
right and the figure to the left. Her right hand is extended to a fountain 
from which the water trickles down over her open palm; the left, daintly 
holds the skirt of her bright red gown. A brilliant green parrot at her side 
is cracking a nut and in shadow at the left a negro boy holds a spaniel in his 
arms. 

From the Collection of the Marquis d'Ussel, Chateau d'Oscamp, Bel^um. 
Exhibited at Guildhall, London, 1902. Purchased by the Museum, 1903, 
from Mr. Emest Gimpel, from income of the Jacob S. Rogers Fund. 

SigiMNd and dated, 1696, On canvas, 53 H.; 40iW. 





i€rre 



9S 



LAWRENCE, Sir Thomas, P.R. A. English School 

Bom at Bristol, 1769. Died at London, 1830. He early distinguished 
himself for his ability in drawing. His father was landlord of the Black Bear 
Inn, Devizes, and the first efforts of the young painter which attracted notic« 
were some portraits in chalk of his father's customers. At the early age of 
ten years he set up as a portrait painter in crayons, at Oxford; but he soon 
afterwards ventured to take a house at Bath, where he immediately met 
with much employment and extraordinary success. In his seventeenth year 
he commenced oil painting; in 1787, twelve months afterwards, he settled 
in London, and entered himself as a student in the Royal Academy. His 
success in London was as great as it had been in the Provinces. In 1791, 
though under the age required by the laws (twenty-four), he was elected an 
associate of the Academy, and after the death of Sir Joshua Reynolds, in the 
following year, he succeeded him as painter to the King. He painted at 
this time, in hb twenty-third year, the portraits of the King and Queen, 
which were presented by Lord Macartney to the Emperor of China. In 1794, 
he was elected a Royal Academician; he was knighted by the Prince Regent 
in 1815; and at the death of Benjamin West, in 1820, he was imanimously 
elected president of the Academy. From the time of his election as a mem** 
ber of the Academy, to his death. Sir Thomas's career as a portrait painter 
was imrivaled; he contributed, from 1787 to 1830, inclusive, 311 pictures 
to the exhibitions of the Royal Academy. He died in London, at his house 
in Russell Square, January 7, 1830. He was never married. Shortly after 
his death, a selection of ninety-one of his works was exhibited at the British 
Institution. He was a member of St. Luke at Rome, and of many other 
foreign academies; and in 1825 he was created a Chevalier of the Legion 
of Honor. 

322 LADY ELLENBOROUGH. 

lisnt by Mr. Geobgb A. Hearn. On canvas, 29 H.; 24i W. 

LAZARUS, Jacob H« American School, 

Bom at New York, October 4, 1823; died, New York, January 1, 1891. 
Son of Zipporah and Eleazar Lazarus. When quite yoimg he manifested a 
desire to study art, and became a student of the famous artist, Heniy Inman, 
in 1843; was made an Associate of the National Academy of Design, 1849. 
He had a long and successful career as a portrait painter in his native city. 

103 PORTRAIT OF HENRY INMAN, 

An eminent portrait painter of the last century, who died in 1846. Bust, 
cabinet size, half length, sitting three-quarters face, looking over his left 
shoulder, figure to the right. 

Gift of Mrs. Jacob H. Lazarus, 1893. Signed. On panel. 10 H. ; 8i W. 

LECLAIRE, Victor. French School. 

Bom at Paris, 1830; died there, 1885. Landscape and flower psunter. 
Pupil of his brother, L^on Louis Leclaire. Medals: third class, 1879; second 
class, 1881. 

99 



391 APPLE BLOSSOMS IN A VASE. 

Bequeathed by Miu Catharins Lorillarb Wolfs, 1887. 

Signed and dated, 1875. On wood. 25 H.; 15 W. 

LEFEB VRE, Jules. French School 

Bora at Touraan, Seine, France, 1834. Pupil of Cogniet. Won the 
Grand Prix de Rome in 1861 for his " Death of Priam." Medala: 1865, '67, 
70; Legion of Honor, 1870; Officer, 1878. Medal, first class, 1878 (Ex- 
position UniveraeUe). Orand Prix, 1889 (Exposition UmverseUe). Member 
of the Institute of France, 1891. Member of Royal Acad^nies of Belgium 
and of Vienna. Officer of the Order of Leopold, 1885. Conmiander of the 
Orders of Francis Joseph, and of Isabella the Catholic, etc. 

461 *'QRAZIELLA;' a OIRL of CAPRI. 

Sitting upon the edge of a cliff overlooking the Bav of Naples, with 
smoking Vesuvius in the distance, is "A Girl of Capri": the figure and face 
are turned to the left nearly in profile and her abundant black hair falls down 
over her right shoulder; the oare right arm crosses the pearly-blue skirt, 
the hand resting with the left on the rock and the fish net wnich she has beoi 
knitting. 

Pamted to order, 1878. 

Bequeathed by Miaa Catharins Lorillard Woltb, 1887. 

Sicned and dated. 1878. On canvas, 78 H.; 43 W. 

LEIGHTON, Frederick Lor A English School 

Bora at Scarborough in 1830; died at London, January 25, 1896. No 
painter since the days of Sir Joshua Reynolds has more worthily filled the 
presidential chair of the Royal Academy. He was passionately fond of draw- 
ing when a child, and in 1842 he was taken to Rome, where he studied drawing 
under Francesco Meli. He next became a student of the Royal Academy 
of Beriin, thence to Florence Academy, under E. Steinle; thence to Frank- 
fort, Brassels, and the Louvre Life School, Paris; then, until 1853, again imder 
Professor Steinle; and, finally, for three years, in Rome. Sent to the Royal 
Academy in 1855, "The Procession of Cimabue's Madonna carried through 
Florence,** which created a profound sensation in the art world of London, 
and was purchased by the Queen; now in Buckingham Palace. After this 
success he resided four years in Paris, studying part of the time under Aiy 
Scheffer, and sending pictures nearly every year to the Royal Academy. 
He was elected A.R.A. in 1864, R.A. in 1869, and President in 1878, when 
he was knighted. Created a baron of the United Kingdom in 1885. Medal, 
second class, Paris, 1859. Officer of the Legion of Honor, 1878. Corre- 
sponding member of the institute of France; Member of Academies of St. 
Luke and Florence. Medal of Honor, Antwerp Exposition, 1885. Elevated 
to the Peerage (Lord Leighton), January 1, 1896. He traveled extensively 
in Europe, Egypt, and the East. He was a good linguist, a fine sculptor, and 
musician. 

340 LACHRYMAE, 

A female figure draped in black with her head bowed in grief stands 
with her right arm over a fluted marble coliunn. A mortuary urn crownaA 

100 



with a laurel wreath rests on the column and another is at the base; behind 
the figure are the trunk of a tree and a flash of golden light. 

One of the last pictures painted by this artist. Exhibited at the Royal Academy in 
1895. Purchased from the income of the Catharine LoriMard Wolfe Endowment Fund, 
for her collection, from Arthur Tooth A Son, April 6, 1896. On canvas, 62 H.; 24i W. 

420 HEAD OF A WOMAN, *'LUCIA." 

Bust, cabinet size. The face is turned to the left in profile. Her dress 
b pale rose color and of the oriental type. 
Purchased in London. 

Bequeathed by Miss Cathabinb Lorillabd Wolfb, 1887. 

On canvas, 14 H.; 10 W. 

LELOIR, Alexandre Louis. French School 

Bom at Paris, 1843; died, 1884. Genre painter; son and pupil of J. B. 
Auguste Leloir. Composition ingenuous, and coloring agreeable. Style 
decorative. Medals: 1864, 1868, 1870; second class, 1878; Legion of Honor, 
1876. 

FEMALE FIGURE. 



Sitting on a bank in the open air surrounded with wild flowers and butter- 
flies is a delicate female figure with loose light drapery fallen from her shoul- 
ders, and red and brown velvet entwined about her figure, her left hand 
holding a bunch of daisies rests in her lap. 

Pamted to order, 1882. 

Bequeathed by Miss Catharine Lorillard Wolfs, 1887. 

Signed and dated, 1882. Water Color, 13 H.; W. 

429 WANDERING MINSTREL; OLD NUREMBERG. 

He is standing before the door of an inn in the old town of Nuremberg, 
holding his 'cello over his left shoulder. In his right hand are a few coins 
which he is contemplating. His dress is of the picturesque seventeenth 
century. 

Painted to order, 1873. 

Bequeathed by Miss Catharine Lorillard Wolfe, 1887. 

Signed and dated, 1873. Water Color, 20 H.; 14 W. 

431 CHOOSING THE DINNER. 

In the courtjrard of an old house, a chef quaintly dressed in white, 
stands leaning against the doorway with both hands thrust into his big apron. 
He is looking down at a pheasant which the gamekeeper, who sits before 
him in a great scarlet cloak, holds out for his approval. Scattered about on 
the stone-paved yard, are ducks, pheasants, a hare, and a heron. 

Purchased in Paris, 1872. 

Bequeathed by Miss Catharine Lorillard Wolfe, 1887. 

Signed and dated. 1872. On canvas, 12 H.; 18 W. 

413 IN HIS CUPS. 

In the courtyard of an inn, a guardsman of the seventeenth century, 
dressed in red velvet, is seated with one foot on a table, an empty wine glass 
in one hand, and an emptv bottle in the other, which he is in the act of oash- 
ing in pieces, as he has others which lie on the brick-tiled floor at his feet. 

Bequeathed by Miss Catharine Lorillard Wolfe, 1887. 

Signed and dated, 1872. Water Color, 20 H.S 14 W. 

101 



LELOIR» Maurice. French School 

Bom at Paris, 1853. Genre painter; pupil of his father, J. B. Auguste, 
and of his brother, Louis Leloir. Medal, third class, 1878. Chevalier, 
Lesion of Honor, 1895. 

836 THE DRINK OF MILK. 

Standing in front of a vine-covered stable is an old man in a dark blue 
coat and bighat, holdine an earthen bowl of milk for a dainty lass to drink. 
She wears a light thin dn^s looped up with many folds, and a black dlk 
mantle over her shoulders. On a rustic wooden bench at the left are a blue 
pitcher and two earthen bowls. 
Painted to order, 1882. 
Bequeathed by Miss Catharins Lorillard Wolfb, 1887. 
Signed and dated. 1882. Water Color, 12 H.; 18 W. 

344 ''OPPORTUNITY MAKES THE THIEF.'' 

An obliging old gentleman has mounted a ladder by a garden wall at the 
ri^ht to pick a rose for a young lady whom he has left with a young K&llant, 
with the usual result, a stolen kiss. A flight of steps at the left leads to a 
garden and a fount^n in the distance. 
Painted to order. 
Bequeathed by Miss Cathabinb Lobillabd Wolfb» 1887. 
Signed and dated, 1882. Water Ck>lor, 12 H. ; 18 W. 

LELY, Sir Peter (real name, Peter van der Faes; called Lely 
from the fleur-de-lys ornamentations on a sign of a perfum- 
* er*s shop where his father lodged). Dvich School 

Bom at Soest, in Westphalia, 1618; died at London, 1680. Dutch by 
family. Pupil of Pieter de Grebber in Haarlem, but on coming to England 
with William, Prince of Orange, in 1641, he so closely studied the manner of 
Van Dyck, who had just died, that his earlier portraits often approach the 
great master's style. For thirty years he was the most popular portrait painter 
in England and amassed a laige fortune. Nominated court painter and 
knighted by Charles II. 

162 PORTRAIT OF A LADY. 

Bust, life-size, face three-quarters to the left, d6collet^ gown. 
Purchased by the Museum, 1871. On canvas, 23^ H.S 18f W. 

291 PORTRAIT OF SIR WILLIAM TEMPLE. 

Half-length, standing, three-quarters to the right of the spectator. His 
left arm rests on the back of a chair and the right crosses the figure. Long, 
light brown hair falls in waves about his shoulders and over a broad lace 
collar; the sleeves of his black gown are white, with cuffs turned back from 
the wrists. A dark, olive-green curtain forms the background. 
Gift of Mr. QBORoa A. Hbarn. 1897. On canvas, 38 H.; 47 W. 

LE NAIN (the Brothers), Antoine, Louis (called the Ro- 
man), and Mathieu. French School 

Bom at Laon (Aisne) about 1588, 1593, 1600, respectively. They pamted 
domestic and rural scenes. When Antoine became master in St. Germain 
des Pr^s, his brothers were his apprentices. In 1633, Mathieu came to Paris, 
where the three brothers lived together for many years. 

102 



Ii» 1648, they were all received into the Academy. Antoine and Loiiia 
died two months later, May 23d and May 26th. 

Mathieu, who especially excelled in portraiture, died April 20, 1677. 

600 MENDICANTS. 

At the entrance to an arched court is a man in a black habit from whom 
on either side mendicants are asking alms. A kneeling priest with a rosary 
in his hands is at the right. 

Purohaaed by the Museum, 1871. On oanvas, 20 H.: 23f W. 

LEROLLE, Henri. French School, 

Bom at Paris. Contemporary. Pupil of Lamothe. Medab: third 
class, 1879; first class, 1880. Chevalier Legion of Honor, 1889. 

THE ORGAN REHEARSAL. 



A yoimg lady in an olive-^reen habit and with a tall hat upon her head 
stands at the front of the chou: holding a sheet of music in both hands and 
magp a solo. Before her is the spacious church in diffused sunlight, and 
behind are the organist and five members of the choir. All the figures 
are life-size and fuS-length. 

Gift of Mb. Gbobgb I. Sbnbt, 1887. Sig:iied. On canvas, 91 H.| 141 W. 

LE ROUX, Hector. French School. 

Bom at Verdun (Meuse), France, 1829. Pupil of Picot, and of the 
jfjcole dee Beaux- Arte, Won the second Grand Prix de Rome in 1857. Medals: 
Paris, 1863, 1864, 1874 ; at Expoeition UniverseUe of Paris, 1878 and 1889; 
of Vienna, 1873; of Amsterdam, 1883; of the Argentine Republic, 1889. 
Legion of Honor, 1877; Officer of the Academy (France), 1889; Officer of 
Public Instruction, Paris, 1896; Chevalier of the Order of Isabella the Catholic, 
1893. 

409 ROMAN LADIES AT THE TOMB OF THEIR ANCES- 
TORS, 

A feeble light enters the crypt through the stairway bjr which the ladies 
descended to the tomb of their ancestors. One of the ladies is seated in an old 
Roman chair in the middle of the roon., the other, robed in loose white drapery, 
stands behind her companion; both are regarding fixedly two busts which 
occupy a niche above a mortuaiy tablet which is illumined by the ffickering 
light of a lamp which stands by me tomb. 

Purchased from the Artist. 

Bequeathed by Miss Cathabinb Lorillabd Wolfs, 1887. 

Signed. On canvas, 1^ H. ; 85| W. 

LESLIE, Charles Robert. English School. 

Bom of American parents, at Clerkenwell, London, October 11, 1794; 
died, London, May, 1859. His father, a watchmaker of Philadelphia, re- 
turned to America in 1800, and on his death, 1804, Charles was apprenticed 
to a bookseller, but in a few years he was enabled to return to London, where 
he became a student at the Royal Academy (1813) . Although his first pictures 
were meritorious, it was not imtil his return from the Continent, in 1817, that 
he displayed his special talent in the picture of ''Slender, and Anne Page." 

108 



Two yean later he exhibited his ''Sir Roger de Coverley" (Marquis of Lans- 
downe), which left him without a rival in this class of subjects. He became 
an A.R.A. in 1821, and R.A. in 1826. In 1833 he accepted the professorship 
of drawing at West Point, but held the position only a few months. Return- 
ing to England, he ptdnted two historical pieces for the Queen, "The Coro- 
nation,'' 1838, and "The Baptism of the Princess Royal." He was professor 
of pmnting at the Rpyal Academy from 1847 to 1852. 

102 PORTRAIT OF DR. JOHN WAKEFIELD FRANCIS. 

Bom, 1789; died, 1861. His father was a German, who came to this 
coimtiy after the close of the Revolution and settled in New York, where 
his son was bom and died He was apprenticed to a printer, but subsequently 
entered Colimibia in 1807, and was graduated 1809. He soon began the 
study of medicine in the office of Dr. Hosack, whose partner he was until 
1820. He visited Europe in 1816, and durine his stay he studied imder 
Abemethy. On his return he devoted himself to the practice of his pro- 
fession and to literature. He was active in the interests of the New York 
Historical Society, the Lyceimi of Natural Histoiy, the Woman's Hospital, 
the State Inebriate Asymm, the TVpographical Society, and other pubUc 
institutions. His taste in art was fine, and young artists always found in 
him a friend. He was the first President of the New York Academy of Medicine, 
the author of many professional works and ** Old New York, or Keminiscenses 
of Sixty Years," and was looked upon as an oracle in matters relating to his 
native city. 

Gift of the Hon. John L. Cadwaladbr, 1896. Signed. On panel, 151 H. ; 11^ W, 

LEUTZ£y Emanuel. American School, 

Bom at Gmund, Wiirtemberg, May 24, 1816. Died at Washington, 
July 18, 1868. History painter. Taken to America as a child, by his parents, 
who settled in Philaddphia, where he was first instructed by John A. Smith; 
went in 1841 to Dtlsseldorf, and studied under Lessing; also studied in Munich, 
Venice, and Rome; visited America in 1851, and settled there permanently 
in 1859, living alternately in New York and Washington. Elected N.A. 
in 1860. He was an indefatigable worker. Among the most impoi^tant 
of his works are: "Washington Crossing the Delaware," "Defeat of General 
Braddock," "John Knox and Mary Stuart" (1845), "Maid of Saragossa," 
"Venetian Masqueraders" (1860), "Lafayette in Prison at Olmutz visited 
by his Relatives," "The Iconoclast," "Landing of the Norsemen in America," 
"The Court of Queen Elizabeth," "The Flight of the Puritans," "Heniy 
Vni and Anne Boleyn." 

186 WASHINGTON CROSSING THE DELAWARE. 

"December 25, 1776, the Commander-in-chiefs headquarters were at 
Newtown, a little village on a small branch of the Neshaming, two miles north- 
east from Bristol. There were about 1,500 Hessians and a troop of British 
light horse at Trenton; these Washington determined to surprise. The posts 
at Mount Holly, Burlington, Black Horse, and Bordentown were to be at- 
tacked, at the same time, by the Pennsylvania militia under Grenerals Cad- 
wallader and Ewin§, the former to cross near Bristol, the latter below Trenton 
Falls; while Washington leading the main body of the Continental troops 
(in all about 2,400 men, and twenty pieces of artillery) was to march down 
upon the enemy at Trenton. Christmas night was selected by Washington 
for the <^ecution of his enterprise. The cold weather of the twenty-four 



hours preceding put serious obstacles in the way. The river was so full of 
floating ice that at first it was doubtful whether a crossing could be effected 
at all. A storm of sleet and snow had just commenced, and the niglit 
became excessively dark and dreary. The perilous voyage began early in 
the evening in boats and bateaux, but it was nearly four in the morning 
before the Sttle army was musterea on the Jersey shore. The victory of the 
Americans at Trenton was complete." 

Gift of Mb. John S. Kennbdt, 1897. 

Signed and dated, 1851. On canvas, 147 H.« 252 W. 

100 PORTRAIT OF WORTHINGTON WHITTREDQE. 

Three-quarters length, standing, in the costume of a Spanish gentleman; 
face and figure a Utile to the right. The left-hand is resting upon the hilt 
of a sword: the right, which holds a black hat with a white plume, is upon 
the hip; a lace run encircles his neck, and a gold chain with a medallion falls 
on his oreast ; the eyes look steadily forward from beneath dropping lids. The 
dress is black against a warm dark ground. 

Painted at Dtisseldorf, 1856. 

Gift of Several Gentlemen, 1903. 

Signed and dated, 1856. On canvas, 57 H.; 40 W. 

LEYDENy Lucas van. (Real name Lucas Huygensz or 

Lucas Jacobsz.) Dutch School 

Bom at Leyden in 1494; died there, 1533. Pupil of his father Hugo 
Jacob, and of Comelis Enghelbrechtsen. He was remarkably precocious, 
having etched plates from Ms own designs at the age of 8 or 9 years; at 
12 to 14 he produced works that are still highly esteemed. A warm friend- 
ship existed between him and Albert Dlirer, which was never interrupted 
by professional jealousy. He painted in oil, distemper, and on glass, suc- 
ceeding equally well in historical subjects, landscape, and portraits. His en- 
gravings on copper gave hun a rank besides his great contemporaries, DUrer 
and Marcantonio. 

260 CHRIST PRESENTED TO THE PEOPLE. 

In a public scjuare of the city of Jerusalem is a raised scaffold or platform, 
on which the Saviour is seen in a group of six persons, two of whom draw aside 
the purple robe and show Him to the people. In the foreground, groups of 
persons in richly colored costumes fill the street below, witnessing and com- 
menting on the scene. The windows of the houses which surround the square 
are filled with spectators. It was formerly in the possession of Baron Caron- 
delet, Spanish Governor of the province of Louisiana, and was purchased from 
a descendant of the family. It would seem from an ancient document accom- 
panying the picture that it was from the sale of the Prince de Conti, and that it 
IS the original of the picture in the Belvedere Gallery, Vienna, which in the old 
catalogues was attributed to this artist, and in the more recent catalogues is 
called a Copy, There is an old engraving of this picture by Lucas van Leyden 
himself, dated 1510. 

Gift of IfR. Hbnrt G. Mabquand, 1888. On canvas, lOf H. ; 17i W. 

257 JOSEPH'S COAT. 

This is one of a series of tempera paintings on linen, illustrating the history 
of Joseph, which was seen by Van Mander in a house at Delft, as is specially 
recorded oy him in his life of the Dutch Master CHet Leven der 'Scnilders, 
etc.). He there notes the injury to the set of decorative canvases as baini; 

105 



caused by the. damp atmosphere of Holland. This picture is of peculiai 
interest, as being one of the very few among his paintings that are authenti- 
cated by documentary evidence. 

Jacob, the Ruler, and father of Joseph, with a sceptre in his ri^t hand is 
seated in an open court beneath a red canopy. Surrounded by soldiers, coun- 
cHors, and friends, he is receiving the news of Joseph's death. Standing before 
him is one of the brothers the olood-stained coat of many colors^ ''And he 
knew it, and sidd. It is my son's coat: an evil beast hath devoured hun; Joseph 
is without doubt rent in pieces.'' Tne impressive and ornate character of tne 
furrounding architecture conve3rs the feelmg of royal association rather than 
that of claanc accuracy. 

This picture belong in 1766 to Lord Methuen, and in 1886 passed from 
Lord Metnuen's collection to Corsham, into that of Mr. Marquand, of New 
York.^ Mentioned in The English Cannoiaseurf London, 1766, 11, 36, apd 
formerly catalogued under the title of ''Our Saviour carried before Pontius 
Pilate.'*^ 
Gift of IfR. Hbnrt G. Mabquand, 1888. On linen, 67i H.; 66^ W. 

LHERMITTE, L6on Augustin. French School 

Bom at Mont-Siunt-Pdre (Aisne), 1844. Pupil of Lecoq de Boisbaudran. 
Medals: third class, 1874; second class, 1880; Medal of Honor, ExposiHon 
UniveraeUe, 1889. Chevalier, Legion of Honor, 1884; Officer, 1894. Cheva- 
lier of St. Michael of Bavaria. 

THE VINTAGE. 



A younff woman in the garb of a peasant stands upright holding a basket 
of grapes in her right hand, and resting the left upon her nip. She is looking 
down to a bo^ who sits at her feet munching grapes. At the left are an old 
woman standing beneath a tree and a young man who is stooping to clip the 
ripe fruit from the vines. 

From the Paris Salon of 1884. 
Gift of IfR. William Schaub, 1887. 
Signed and dated, 1884. On canvas, 08 H.S 81 W. 

UNDENSCHMIT, WUhelm (the Younger). Munich School. 

Bom at Munich, 1829. History painter. Pupil of Munich Academy, 
then of Stftdel Listitute in Frankfort and of Antwerp Academy. Continued 
hk studies in Paris, 1875. Professor at the Academy, Munich; member 
Berlin Academy. Gold medal, Berlin, 1870. 

681 THE PROTEST OP LUTHER. 

Gift of Mr. William E. Dodge. 1903, Signed. On canvas. 24 H.} 30| W. 

LINEN, George. English School. 

Bom at Greenlaw, Scotland, 1802; died, New York, 1888. Student of 
the Royal Scottish Academy in Edinburgh. Afterwards he spent some years 
in the successful practice of his profession in England, coming to America in 
1843, settling in New York. He excelled in psunting cabinet portrsdts in oil, 
and his ability was soon recognized. Added to his facilty in securing a like- 
ness, he finished his pictures with extreme delicacy, without in the least rob- 
bing them of their force and character. He painted Henry Clay and Daniel 
Webster. In 1839 the National Academy of Design awarded him the medal 
offered for the best specimen of portrait painting exhibited. 

106 



100 PORTRAIT OF COLONEL POPHAM. 

Cabinet size, three-quarters length, sitting, figure to the left of the spec- 
tator, face nearly front with both hands resting on the arms of the chair, and an 
open book on the table. 

Majpr William Popham was bom in Ireland, 1752, and came to America 
in 1761. He entered the U. S. Army when the revolution broke out, accepted 
a commission and rendered distingmshed services at the battles of Lon^ Island 
and White Plains, and afterward acted as aid to General Clinton, remaming in 
the army until the close of the war. At the age of ninety-two he was elected 
President of the Cincinnati Society in place of the late General Morgan Lewis. 
At that time he was the only living officer of Washington's army which had 
bc^n disbanded and dismissed without pay, or emolument of any kind, the 
army then lywig in detachments in the vicinity of Fishkill, Newburgh, New 
Windsor and Vfe&i Point, with headquarters at New Windsor. 

Gift of Mb. S. p. Avery. 1897. On panel. 11* H.5 9* W. 

LINGELBACH, Johannes. Dutch School. 

Bom at Frankfort-on-the-Main, 1623; died at Amsterdam, 1674. Bb 
went to Italy, but returned, and settled in Amsterdam, painting chiefly fain, 
market-scenes, and battle-pieces. 

62 BATTLE SCENE. 

In the inmiediate foreground of the picture there is a furious cavalry 
charge where the men and horses are being overthrown and driven from the 
field. Upon another hill bejrond, the old round fort floats its banner high up 
amid the smoke of battle dnf ting to the cumulous clouds. The arched brid^ 
leading to a city is crowded with the contending soldiers, and reserves are 
seen coming up the hill at the left in support of the successful troops. 

Pnichaaed by the Mnsenm. 1871. Signed and dated, 167-. On canyas, 44 H. ; 68 W. 



r 

XlNGELjaACH 




107 



74 DANCE OF PEASANTS 

Merry-making peasants fill the foreground of the picture. In the middle 
of the group one man b amusine himself and others by dancing to the mu^c 
of a bagpipe. An old house with rickety looking stairs is at the left and the 
trunk of a large tree with slight foliage against a bright sky is in the center of 
the canvas. 
Purchased by the Museum. 1871. Signed and dated. 165-. On canvas, 26 H.; 28i W. 



c/7^<v/^c^(>> 



LOOP, Henry A. American School 

Bom at Hillsdale, N. Y., 1831 ; died at Lake George, 1895. Came to New 
York in 1850. Studied with Henry Peters Gray one year. In 1856 he went 
to Paris and entered the atelier of Couture, subsequently visiting Rome, Venice, 
and Florence. He went abroad again in 1867, visiting the Continental art 
cities and remaining about dghteen months. He was elected N.A. in 1861. 

208 LOVE'S CROWN. 

Clad in loose, flowing white drapery, with her hands folded about her 
up-raised knee, and with one foot in a pool of water, a female figure is being 
crowned with a flowery wreath by a nude child who stands on the bank by her 
side. Light fleecy clouds, distant hills, and a lake form the background of the 
picture. 
Gift of Mrs. Hbnrt A. Loop, 1898. Signed. On canvas, 28 H. ; 18i W. 

LORME, Anton de, and ter Borch, Gerard. Dutch School 

Anton de Lorme flourished at Rotterdam about 1640. Was living in 
1660. A painter of the interior of Dutch churches. His works are rare, and 
monotonous in tone, but his perspective and his light and shade are excellent. 
His best works have figures by Terburg (ter Borch) and other artists. 

80 INTERIOR OF A PROTESTANT CHURCH. 

A church with plain Gothic arches, tall columns, and windows which flood 
the place with a warm silvery light is filled with a large congregation who are 
listening to a sermon from a preacher whose pulpit stands near the center. 
Most of them are dressed in warm brown clothing and the men wear their old 
Dutch broad-brimmed hats. An hour-glass stands on the pulpit in front of 
the preacher. 

Purohaaed by the MuBOum, 1871. On caavas, 25i H.S SOW. 

LOW, Will H. American School 

Bom at Albany, N. Y., in 1853. Figure and genre painter. Pupil of 
G^rAme and Carolus Duran, in Paris, in 1873-77. Member of the National 

Academy of Design. 

108 






140 AURORA. 

Standing in transparent drapery with both hands raised to the righ* 
shoulder, a female figure with auburn hair is looking down into the basin of $ 
fountain. Some shrubbery and a bit of sky form the background. 

Gift of Mr. Wm. T. Evans, 1895. Signed and dated. 1894. On canvas, 51 H. ; 32^ W. 

LUCY, Charles. English School. 

Bom at Hereford, 1814; died at London, 1873. Hbtory psunter* 
He studied at the Beaux-Arts and also under Paul Delaroche; afterwards h« 
became a pupil of the Royal Academy, London. His works are important on 
account of their subject and the scale on which they are painted, rather than 
for their originality. Many of his pictures have been engraved. 

167 LORD NELSON IN THE CABIN OF THE ''VICTORY:' 

Li the full dress of an English Admiral, he is seated in a chair in front of 
his desk in an attitude of deep thought, his bowed head resting iipon his closed 
left hand with the empty right sleeve folded across his breast. Before him on 
the desk are an open oook and a letter which he has just written, dated Oct. 
21st, 1805; other books, a telescope and his chapeau are there slIso, and his 
unsheathed sword leai)s against a locker at the left. An oriental rug is upon 
the floor. The light enters the cabin from a slanting window through which 
are seen bits of sky. 

Gift of Mr. J. PiERPONT Morgan, 1900. 

Signed and dated. 1858. On canvas, 79 H. ; 60 W. 

LUMINAIS, Evariste Vital. Frmch School 

Bom at Nantes, 1821 ; died, Paris, 1896. Pupil of Cogniet and Troyon. 
Medals: third class, 1852, 1855, 1857, 1861; Legion of Honor, 1869. 

624 THE WRECKERS. 

Lent by Mr. Gborgb H. Stort. On canvas. 71i H.; 109i W. 

MACLAREN, Walter. English School. 

640 CAPRI LIFE; THE EMBROIDERERS. 

A group of women embroidering are seated between two large columns; 
another woman stands at the right holding a nude babe in her arms. The 
green hills and a soft gray sky are beyond. 

Gift of Mr. George Hatward, 1876. Signed. On canvas, 21 H.; 32 W. 

MADRAZOy Raymundo de. French School. 

Bom at Rome, 1841. Son and pupil of Federico (who was psunter to the 
Court of Spain), and student in Paris at the £cole des Beaux-Arts, and later of 
L^on Cogniet. Medals: first class, 1878, 1889, Exposition UniverseUe, Legion 
of Honor, 1878; Officer, 1889. Gold Medals, 1889. Visited America in X896, 
and is at present in this countiy. An art collector of rare judgment. Brother- 
in-law of Fortimy. 

471 GIRLS AT A WINDOW. 

Purchased in Paris. 

Bequeathed by Ifxss Catharini] Lorillard Wolfe, 1887. 

Signed. On canvas, 28 H.; 23 W. 

109 



MAES, Nicolaes. Dutch School 

Born at Dordrecht, 1632; died at AmBterdam, 1693. Pupil of Rem- 
brandt, and distinguished from most of the Dutch genre painters by his richer 
coloring. In the latter years of his life he seems to have become chiefly a por- 
trait painter. The Amsterdam Gallery has twelve, the National Gallery 
five, and the Berlin Gallery, the Uffizi, and the Van der Hoop Collection have 
♦each one of his pictures, but most of them are in private collections. Smith 
mentions only forty-five of his works in all. 

9 PORTRAIT OF THE DUCHESSE DE MAZARIN. 

Standing, three-quarters length, face and figure three-quarters to the ri^ht 
of the spectator, wearing a white satin d^coUet^ gown richly embroidered with 
gold. A red mantle draped over her raised left arm falls loosely around the 
figure; the folds of her dress skirt are clasped by the right hand at hsr side. 
Surmounting her abundant brown hair is a rich turban-shaped head-dress of 
red and white feathers. The background is sombre "with a bit of sky. 

Purchased by the Museum, 1871. On canvas, 48 H. ; 34 W. 

MAGRATH, William. American School, 

Bom in Ireland, 1838. Associate National Academy of Design, 1874. 
Elected N.A.D. in 1876. Member Society of Painters in Water Colors. 

628 ON THE OLD SOD, (IRISH FARMER IN CONTEM- 
PLATION,) 

Paddy with both hands folded behind his back and his face turned in pro- 
file to the left, is standing contentedly on a ^reen hillside. A short clay pipe 
is in his mouth, a stick under his arm; a high felt hat adorns his head, and 
heavy brogans his feet, from which blue stockings rise to hb short gray 
breeches \mich button at the knee. A group of trees are in the middle dis- 
tance where sheep are grazing and a flock of geese are waddling about on the 
side of the hill. On the distant fields at the left is a white thatched cabin. 
The sky is light, liuninous, and cloudy. 

Gift of Mb. WiLUAM Carr. 1887. Signed. On canvas, 37i H.; 27iW. 

MAIGNAN, Albert. French School 

Bom at Beaumont, France, 1845. Pupil of Luminals. Medal, third class, 
1874; second class, 1876; first class, 1879. Legion of Honor, 1883. Gold 
medal, 1889 (Exposition UniverseUe), Grand Medal of Honor, 1892. Oflficer, 
Legion of Honor, 1895. 

646 U ATTENTAT D'ANAGNI. 

Boniface VIII, a native of Anagni, was elected Pope in 1294. Philip the 
Fair, of France, resisted his authority in spiritual matters, and, aid^ by 
Italian enemies of the Pope, compelled him to take refuge in his native town. 
Hither he was pursued by Sciarra Colonna, at that time head of the most cele- 
brated and powerful of the Roman aristocratic families. The picture repre- ^ 
^nts the moment when Boniface says to his assailants, " Here is my neck; here 
IS my head; strike 1 but I will die rope." Boniface was thrown into prison, 
and though liberated by the people of Anagni, died within a month. 

Gift of Messrs. Wallis & Son, London, 1883. 

Signed and dated. 1877. On canvas, 114 H.; 88 W. 

110 



MAKART, Hans. Austrian School 

Bom at Salzburg, 1840; died at Vienna, 1884. Pupil in 1858, of Vienna 
Academy, under Ruben, and in 1861-65 at the Academy in Munich, under 
Piloty. Visited London and Paris in 1863, Italy in 1866, 1868, 1869, Vienna, 
1868, 1869; in 1869 settled in Vienna at the invitation of Emperor Francis 
Joseph, who in 1876 conferred on him the title of professor. The winter of 
1875-76 he spent in Egypt, then visited Antwerp, and in 1877, Spain. Pro- 
fessor at Vienna Academy from 1879; Honorary Member of Vienna, Berlin, 
and Munich Academies. Gold Medals in Vienna, 1857, 1882 ; Medal of Honor, 
Paris, and Legion of Honor, 1878; Officer, 1884. In August, 1884, he became 
insane. 

473 THE DREAM AFTER THE BALL. 

After anight at the ball a young girl in deshabille sits with bowed head 
and folded hands, dreaming of her future. By her side among the rich dra- 
peries are two loves playing with hearts. 

Pamted to order, 1882. 

Bequeathed by Miss Catharine Lorillard Wolfe, 1887. 

Signed. On canvas, 60 H. ;137iW. 

DIANA'S HUNTING PARTY. 



Diana with her hunting party has just emerged from a dense primeval 
forest bordering a lake. She stands in flowing cnmson drapery with a dart 
poised in her right hand ready to hurl at a fleeing stag who has plunged into 
the water. By her side is a nymph in the act of drawing a bow, and at her 
right crowding the bank are five others in hot pursuit of the game, one of 
whom is holding by a leash two straining hounds. In the immediate fore- 
ground are a group of bathers who have been surprised and startled by the 
-oncident; one nas caught the stag by its horns, another with uplifted nands 
pleads for its life, and a swan at the left with outspread wings and violent 
action resents the intrusion of the hounds. 

Gift of Mrs. Ellen Josephine Banker, 1888. Signed. On canvas, 168 H.; 372 W. 

MANET, Edouard. French School 

Bom at Paris, 1832; died there, April 30, 1883. Genre painter. Pupil 
of Couture, with whom he studied six years. He was the founder of the school 
of ** Impressionistes." His pictures were several times rejected at the Salon. 
But later he was better understood and received. Medals, second class, 1881. 
Legion of Honor, 1882. 

BOY WITH A SWORD. 



A boy habited in a dull black suit wearing a broad white linen collar and 
blue stockings stands at full length life-size in the center of the picture and 
holds with both hands a heavy sword whose broad leather strap depends 
below the knees. His dull, heavy eyes look directly at the spectator. The 
background is dark gray, and warm in tone. 

Gift of Mr. Erwin Davis, 1889. Signed and dated, 1860. On canvai, 50 H. ; 35 W. 

661 GIRL WITH A PARROT. 

Full-length, standing, life-size, with the face tupied slightly to the left of 
the spectator and the figure to the right. The eyes are looking directly for- 
ward; she holds a bunch of violets in her raised right hand, and the left toys 

111 



with the string attached to a monocle. Her loose fitting gown in light and 
creamy-gray in color shades to violet in the shadows. A large parrot is on 
a stand by her side and below is a clever piece of still-life in a cut lemon. The 
background is cool gray shading to light at the bottom of the canvas. 

Gift of Mr. Erwin Davis, 1889. Signed. On canvas, 83 H. ; 61 W. 

MANNOZZI(?), Giovanni. Florentine School 

Bom at San Giovanni in 1590; died at Florence, 1636. Sometimes 
called Giovanni da San Giovanni. Pupil of Matteo Rosselli, whose finbhed 
style was not suited to the capricious imagination and facile execution of his 
pupil. Though he often fell into extravagance, Mannozzi was capable of 
serious work. Works: "Portrait of a Cook," "Reunion of Huntsmen," 
"Madonna," Pitti, Florence; "Venus and Cupid," "Marriage of St. Cath- 
erine," "Jesus Served by Angels," "Madonna," Uffizi, Florence. 

10 VENUS AND CUPID. 

Venus slightly draped is seated with Cupid standing before her with out- 
stretched arms; a dull reddish gray drapery and bit of sky form the back- 
ground. 

Gift of Mb. Corneuus Vanderbilt, 1880. On plaster, 13 H. ; 25^ W. 

23 ^ MARY MAGDALEN, 

The nude figure with light drapery across the loins is seated in an open 
landscape at the entrance to a cave with both hands folded across her breast, 
the head is tinned over her right shoulder to a crucifix and on the ground at 
her side is a skull. 

Gift of Mr. CJornelius Vanderbilt, 1880. On plaster, 14 H.; 19 W. , 

MAR ATT A, Carlo. Roman School 

Bom at Camerano, 1625; died at Rome, 1713. (Called also Carluccio 
dalle Madonne, from the large number of Madonna pictures that he painted.) 
Was an imitator of Raphael, and for nearly half a century the most eminent 
painter in Rome. The portrait of a Pope or Cardinal should have come kindly 
to him, for he was in the service of several Popes, and was appointed Superin- 
tendent of the Vatican Chambers by Innocent XI. Clement XI entrusted to 
him the complete restoration of the frescos of Raphael, and gave him the 
insignia of the " Order of Christ" for his labor upon them. He was President 
of the Academy of St. Luke at the time of his death. 

OO PORTRAIT OF CLEMENT IX, 

Seated with face and figure three quarters to the left of the spectator, clad 
in pontifical robes and cap. His right hand is raised and rests firmly upon a 
closed book; he has iron gray hair, slight mustache and a goatee. 

Gift of Mr. Archer M. Huntinqton, 1894. On canvas, 36^ H. ; 29^- W. 

MARCHAL, Charles Francois. French School 

Bom at Paris, 1825; died there, 1877. Genre painter, pupil of DrSlling 
and Dubois. Improved and prospered until 1876, when he lost his eyesight, 
and in despair committed suicide. Medals: 1864, 1866, and 1873. 

113 



366 EVENING IN ALSACE. 

A tired old man is sitting on a machine drawn by a yoke of oxen over a 
ploughed field. Tlie group is relieved against a bright evening sky in which 
the new moon and the evening star appear. 

Purchased from the Artist. Salon, 1873. 

Bequeathed by Miss Catharinb Lorillard Wolfb, 1887. 

Signed and dated, 1873. On eanvas, 36 H.; 57 W. 

467 MORNING IN ALSACE. 

A man and a heavy yoke of oxen with which he is ploughing a field are 
relieved against a bright morning sky. Black birds hover about the newly 
turned furrow. 

Purchased from the Artist. Salon , 1873. 

Bequeathed by Miss Catharine Lorillard Wolfb, 1887. 

Signed, 1873. On eanvas. 36 H.; 67 W. 

MARCKE, Emile van. French School. 

Bom at Sevres, 1827; died suddenly at Hy^res, 1890, The most dis- 
tinguished pupil of Troyon, whose attention he attracted while employed in 
the porcelain works as a decorator, and through whose influence he began the 
study of nature, and subsequently abandoned the pottery at Sevres for a 
studio in Paris. The influence of Troyon is evident in all of Van Marcke's 
earlier works. But he was a consummate draughtsman, and soon developed 
a style of his own, displaying marked ability and freedom in composition, 
individuality of touch, and a quality of color differing from that of his mas- 
ter. His works sparkle with sunlight, and beneath the showery skies there i:, 
a freshness of verdure replete with the charm of midsummer days. Medals: 
1867, 1869, 1870. Legion of Honor, 1872. First class medal, 1878. 

436 THE MILL. 

A broad breezy landscape with an old mill at the left and a group of trees 
at the right. A white cow stands prominently in the foreground and two otlu r 
cows lie on the luxuriant green meadow-grass by her side; a bull is at the left, 
and a dun-colored cow is drinking from a brook at the right. 

Painted to order, 1875. 

Bequeathed by Miss Catharine Lorillard Wolfe, 1887. 

Signed and dated, 1875. On canvas, 59 H.; 78 W. 

602 A FARM SCENE, WITH CATTLE. 

Lent by Mrs. L. V. Brioht. On canvas, 35i H.] 51f W. 

lA'ARECHAL, Charles Laurent. French School 

Bom at Metz, 1801. Died, 1887. Pupil of Regnault. Usually painted 
in water color or on porcelain and glass. Medals: Third Class, 1840; Sec- 
ond Qass, 1841; First aass, 1826, 1842, and 1855; Legion of Honor, 1846. 
Officer, 1855. 

614 GALILEO IN VELLETRI. 

L«nt by Mrs. J. W. Botls. Signed and dated. 1853. l>astel. 50 H.^ 80 W. 

118 



MARIS, Jacob. DiUch School 

Bom at The Hague, August 25, 1838; died, 1899. Pupil of Van Hove 
Strobel and of the Antwerp Academy. Medals at Amsterdam, Paris, and 
Munich. Knight of the Orders of the Dutch Lion and St. Michael of Bavaria. 

846 CANAL IN HOLLAND. 

A canal in the center of the picture b spanned by a rustic bridge beneath 
which a boat is passing. An old woman carrying pails of milk is walking on 
the footpath to the viUage where cottages are clustered on either side of the 
canal, light luminous douds fill the sky. 

Purduwed from the income of the Catharine Lorillard Wolff Endowment Fund for her 
collection, 18ML 

Signed. Water Color, 18 H.; WW. 

MARIS, Matthys. Dutch School 

Bom at The Hague in 1835. Genre painter, pupil of The Hague and 
Antwerp Academies, where he was specially attracted by Leys; returned to 
The Hague, went to Paris in 1869, and, influenced by Hamon, completely 
changed his style, which found favor in England, in the private galleries of 
which most of his pictures, bought at high prices, are to be found. 

527 REVERIE. 

In a low-toned, olive-colored dress, a young girl with abundant blonde 
hair streaming down over her shoulders, is seated with a distaff on her lap. 
Her figure and face are turned towards a cat on the floor at her right. 
Bequeathed by Mbs. Elizabbth U. Colbs, 1892. On canvas, 12 H.; 9i W. 

MARNE, Jean Louis de (called De Mamette). French School 

Bom at Brussels, 1744; died, BatignoUes, Paris, 1829. Pupil of Gabriel 
Briard. His love for the old Dutch masters is made evident in his own works, 
where may be seen reflected many of their fine qualities of color and exquisite 
technique. Works: "Road with Diligence," "Fair at the Door of an Inn," 
" Starting for a Wedding in a Village," Louvre ; " Halt of Travelers," Bordeaux 
Museum. His pictures are seen in all of the larger Galleries. 

42 A GUST OF WIND. 

On the border of a brook which winds down through the center of the 
picture stands a large tree with its branches waving in the wind, and at its base 
IS a small field of golden grain. Close by, the white cover of a wagon is flap- 
pine in the breeze and around a small chapel in the winding roadway sheep 
anacattle wend their homeward way. The sky is blue with gathering storm- 
clouds rising over the hills. 
Purchased by the Museum, 1871. On canvas, 14i H.; 17i W. 

MARR, Carl. Munich School 

Bom at Milwaukee^ 1858. Now at Munich. Pupil of Dietz. 

136 THE MYSTERY OF LIFE. 

An old man tired of life, having courted death in every form without 
avail, discovers the lifeless form of a beautiful young girl on the shore, and 
cries in the agony and pity of his heart to his Maker to know why one so 
young and beautiful should be lost, and he, worn, weary, and bad, allowed to 
live. 

Gift of Mr. Gkobqk I. Sbnbt, 1887. Signed and dated, ->84. On canvas, 64^ H. ; 94^ W. 

114 



GOSSIP. 

In a room with a Iom low window curtained with gauzy white are two 
peasant girls spinning. Thev wear white aprons, shoulder capes and white 
caps. The one at the right has on a black dress; the other, a blue one. A 
kitten is playing upon the floor and potted plants are on the window sill be- 
neath which IS a table spread with a white cloth and set for lunch. The picture 
is silvery gray in tone. 

Gift of Mr. Gborgb I. Sbnxt, 1887. 

Signed and dated, 1884. On canvas, 41 H. ; 65^ W. 

MARTIN, Homer D. American School 

Bom at Albany, N. Y., 1836 ; died, 1897. Pupil of William Hart. Land- 
scape painter. Elected A.N.A., 1868, and N.A., 1875. Member of the 
Society of American Artbts. 

143 VIEW ON THE SEINE. 

The limpid water of the Seine reflects a group of tall slim trees which are 
on its right bank; and at the left is a rocky embankment and sandy shore 
which lead off to a distant town. The sky is blue, streaked with light clouds. 

Gift of Several Gentlemen, 1897. 

Signed and dated, 1895. On canvas, 28i H.; 40 W. 

640 MADISON AND JEFFERSON. 

Two snow-capped mountains rising into a cold cloudy sky. From Ran- 
dolph Hill, White Mountains. 

Gift of Mr. William T. Evans, 1891. On canvas, 30 H. ; 40 W. 

327 SAND DUNES {Lake Ontario). 

Lent by Mr. Georob A. Hearn. On canvas, 36 H.; 69 W. 

MASACCIO, Tommaso Guidi. (School of.) Florentine School. 

Bom at Castel San Giovanni, 1401; died at Rome about 1428 or '29. 
He is supposed to have been the pupil of Masolino da Panicale, at Flor- 
ence, and to have assisted that master in his works. He went to Rome, 
where he died in about his 27th year. 

266 A MAN AND A WOMAN AT A CASEMENT. 

The woman is in the comer of a room before a window, at which the face 
of a man b seen looking in; her dress consists of a crimson velvet bodice with 
brown sleeves, and a quaint headdress of crimson stuffs; her hands are clasped 
before her body; both faces are in profile. The coat-of-arms is that of Porti- 
nari, founder of the Hospital at Florence. Purchased in Florence about 1829 
by Thomas J. Sanford, who bequeathed his fine collection of Itsdian pictures 
to Lord Methuen. Purchased in 1883 from Lord Methuen. 
Gift of Mr. Hbnrt G. Marquand. 1888. On panel, 24i H. ; 16i W. 

MAUVE, Anton. Dutch School. 

Bom at Zaandam, Holland, 1838; died at Amhem, 1888. Pupil of 
Pieter Frederick Van Os. Was a member of the Dutch. Society of Arts and 
Sciences and the SociU4 des Aquarellistes Beiges y and a Knight of the Order 
of Leopold. He received medals at Philadelphia, Amsterdam, Vienna, Ant- 
werp, and Paris. His works are in the Museum at Amsterdam and The 
Jlague^ and i^ many of the leading private collections of modem pictures. 

115 



SPRING. 

A shepherd and his dog stand in the foreground facing a flock of sheep 
who are feeding down the meadow. There are some small trees at the right 
which extend down the field to a distant erove which breaks the horizon line. 
The sky is filled with gray clouds charged with rain. 

Gift of Mr. George I. Senbt, 1887. Signed. •On canvas, 22 H. ; 35 W. 

648 A UTUMN. 

A large flock of sheep moving slowly over a heavy road on their way to 
the fold are followed by a faithful dog and a good shepherd who is carrying a 
lamb under his arm. The tints of autumn are on every side, and a cool gray 
cloudy evening sky is above. 

Gift of Mr. George I. Senet, 1887. Signed. On eanvas, 25i H. ; 37 W. 

660 DRIVING COWS TO PASTURE. 

Lent by the Misses Stokes. Water color, 6 H. ; 12 W. 

MAX, Gabriel. A tistrian School, 

Bom at Prague, 1840. Pupil of his father, the sculptor Joseph Max, and 
of Piloty. First exhibited in 1867. Gold Medals at Berlin, Vienna, Mimich, 
Sydney, etc. Honorary Member of the Munich, Prague, Amsterdam, and 
other academies. Chevalier of the Bavarian Order of St. Michael, of Maxi- 
milian's Order for Arts and Sciences, and of the Spanish Order of Carlos III. 

394 THE LAST TOKEN— A CHRISTIAN MARTYR, 

Clad in a white dress with a black mantle wrapt about her head and 
shoulders, the Christian n^artyr stands in the arena with one hand raised, 
touching the high wall which makes secure the throng above. Her colorless 
face gives no sign of fear as it looks up in reco^ition of "The Last Token," a 
rose dropped from the hand of a faithful fnend. A fierce leopard creeps 
through the wall beneath the raised iron grating at her left, and a hyena and 
leopard tumble about on the ground at the right of the victim. 

Purchased at Munich. 

Bequeathed by Miss Catharine Lorillard Wolfe, 1887. 

Signed. On canvas, 66 H.; 46 W. 

MAY, Edward Harrison. American School 

Bom in England, 1824; died at Paris, 1887. Taken to America when a 
child; pupil of Daniel Huntington in New York, and of Couture in Paris in 
1851. Elected A.N. A. in 1876, but rarely exhibited in New York. His pro- 
fessional life was spent chiefly in Europe. Medal, third class, Paris, 1855. 

192 MARY MAGDALEN, 

Lying at full length upon the ground, with her right arm omtstretched 
over a rough stone, Magdalen pillows her head upon the mass of golden hair 
which falls loosely over her bare shoulders to the ground. The left arm lies 
nervelessly with upturned palm before her, and the agony of despair is in her 
face. Three crosses relieved against a blood-stained sky at the distant 
horizon tell the sad story. 

Gift of the artist's sister, Miss Caroline Mat, 1884. 

Signed. On canvas. 46 H. ; 76 Wi 

11« 



664 THE BRIGAND. 

An Italian brigand, life-size, three-quarters length, stands with his left 
hand raised to his ear as if listening for a signal. With his right hand he grasps 
a rifle. A pistol is thrust in his belt and a haversack hangs at his side. He 
wears a blue coat, scarlet waistcoat, and buff trousers. 

Gift of Several Gentlemen, 1887. Signed. On canvas, 51 H. ; 38 W. 

MAYNARD, George W. Amencan School 

Bom at Washington, D. C, 1843. Pupil of Royal Academy, Antwerp, 
painted on the Continent in 1874, and again in 1877-1878. Elected A.N.A., 
1882; N.A., 1885. Studio m New York. 

161 IN STRANGE SEAS, 

A broad, open, sunny sea with curling waves where sporting mermaids are 
at play, one of whom on the crest of a wave is pointing to a distant ship. 

Gift of Mr. Wm. F. Havembter, 1901. 

Signed and dated. 1889. On canvas, 36 H. ; 50 W. 

MEISSONIER, Jean Louis Ernest. French School 

Born at Lyons, France, February 21, 1815; died at Paris, 1891. He 
went to Paris when quite young, and was, for a time, a pupil of L^on Cogniet. 
First exhibited at the Salon in 1836. His picture, "La Rixe" (1855), was 
purchased by Napoleon III, and presented to the late Prince Albert, of Eng- 
land. 1846, Chevalier Legion of Honor; 1855, Officer; 1867, Commander; 
1880, Grand Officer; 1889, "Grand-Croix"; 1861, Member of the Institute of 
France; 1876 and 1891, President of the Institute; 1878, Vice-President 
International Jury, Exposition Universelle; 1883, President Section of Paint- 
ings, National Exposition, Beaux-Arts; 1889, President International Jury of 
the Fine Arts, Exposition UniverseUe; Member of the Academy of Lyons. 
Medals, 1840, third class; 1841, second class; 1813, first class; 1848, first 
class; 1855, Grand Medal of Honor, Exposition Universelle; 1867, Grand 
Medal of Honor, voted by the International jury, Exposition Universelle; 
1878, "Rappel" of Medal of Honor, Exposition UniverseUe; 1883, "Rappel" 
of Medal of Honor, National Exposition; 1889, " Rappel '* of Grand Medal of 
Honor, Exposition UniverseUe; 1848, Captain of Artillery, National Guard; 
1870-71 (Siege of Paris), Lieutenant-Colonel of Infantry, National Guard, 
Staff. Grand Officer, Order of Leopold of Belgium ; Commander of the Orders 
of: Saints Maurice and Lazare, of Italy; Francis Joseph, of Austria; North 
Star, of Sweden; Medjidieh, of Turkey; Order of the Golden Lion (Nassau). 
Member of the Royal Academies of: Beaux- Arts ^ Munich, 1867; Beaux- Arts ^ 
Brussels, 1869; London, 1869; Beaux- Arts j San Fernando, Madrid, 1872; 
Accademia di San Luca, Rome, 1875; Beaux- Arts, Venice, 1879, ^^Membre 
d*Honneur**; of the French University, Boston, 1886; of the Royal Academy, 
Accademia Albertina of Turin, and "President d'Honneur" of the Kunst- 
club of Rotterdam, 1888; Vice-President of the Intornational Jury, Exposition 
UniverseUe, Vienna, Austria, 1873; President of the International Jury, 
Exposition UniverseUe , Antwerp, 1885; Expositions Universelles, Austria, 
"Rappel" of Medal of Honor, 1873, and Belgium, 1885. 

117 



360 THE SIGN PAINTER. 

In the court-yard of an inn, the painter and his patron stand side by side 
before an easel upon which is the portrait of a man holding a glass of wine. 
Purchased in Paris, 1872. 

Bequeathed by Mns Catharxnb Lorillard Woltb, 1887. 

Signed and dated, 1872. Water Color. 9 H.; 7 W. 



'*FRIEDLAND, 1807." 
Extract from the Artisfa Letter to Mr. A. T. Stewart, dated January 27 th^ 1876. 

"I did not intend to paint a battle — I wanted to paint Napoleon at the 
zenith of his glory; I wanted to paint the love, the adoration of the soldiers 
for the great Captain in whom they had faith, and for whom they were ready 
to die. 

" I previoudy had represented, in the picture ' 1814,' the heartrending end 
of the Imperial Dream — ^those men only recently intoxicated with glory, now 
shown exhausted, and no longer beheving in their invincible chief. My 
palette then did not have colors sad enough for the purpose; but to-day, in 
' Friedland, 1807,' wishing everything to appear brilliant at this triumphant 
moment, it seemed to me I was unable to find ccJors sufficiently dazzling. No 
shade should be upon the Imperial face, to take from him the epic character I 
wished to ^ve him. The battle, already commenced, was necessary to add to 
the enthusiasm of the soldiers, and make the subject stand forth, but not to 
diminish it by saddening details. All such shadows I avoided, and presented 
nothing but a dismounted cannon, and some growing wheat which would 
never ripen. 

" This was enough. 

" The men and the Emperor are in the presence of each other. The soldiers 
cry to him that they are his, and the impressive Chief, whose Imperial will 
directs the masses that move around, salutes his devoted army. He and they 
plainly comprehend each other, and absolute confidence is expressed in every 
face. 

" Such was the idea as it leaped from my brain the first instant when I em- 
bodied the picture in thought; and which, in spite of the long time I have 
taken to put it on canvas, has always remained with me so clear and plain that 
I have never in any manner modified it.'' 

"Friedland, 1807" was sold at auction at the sale of the Stewart Collec- 
tion, March 25, 1887, and purchased by Judge Henry Hilton for $66,000, and 
by him given to the Museum in 1887. 

Napoleon mounted on his famous white horse and surrounded by his 
generals and aides is upon a slight eminence in the center of the picture. In 
wild enthusiasm the Cuirassiers are charging before him through a field of 
unripe wheat, every soldier rising in his stirrups and shouting "Vive I'Em- 
pereur" as he raises his sword flashing in the light of a midday sun. The bat- 
tle rages in the distance and above is a clear blue sky with light floating clouds. 

Signed and dated, 1875. On canvas. 52i H. ; 95i W. 

363 THE BROTHERS ADRIEN AND WILLIAM VAN 

DE VELDE. 

From the Laurent-Richard collection, Paris, 1878. 

The Van de Velde brothers, dressed in gray doublets and white shirts 
with full sleeves, are in the studio looking at a picture which is on an easel 
before them. Tne one wearing a bright red cloak over his shoulders is sitting 
bent forward looking intently at the picture, his ri^ht foot is on a bar of the 
easel; his right arm is resting across his knee; and in his left hand he holds a 
large straw hat. The other stands with his figure thrown back and the head 
to one side. His right hand is raised to his breast and in his left he holds his 
palette and brushes. Behind this group, on the top of a large old oak cabinet 

118 



are a steel helmet, a mandolin and other objects o^ art. Sketches and tap- 
estry are on the walls, and an open folio of drawings lies on the floor at the left. 

Bequeathed by Miss Catharinb Lorjllard Wolfe, 1887. 

Signed and dated. 1856. On wood, 10 H.; 8 W. 

374 A GENERAL AND ADJUTANT {SHORES OF ANTIBES), 

From the collection of the late Baron Strousberg, Berlin, 1873. 

Over a dry sunburnt road that borders the harbor of Antibes are two 
ofiicers apparently in motion, one mounted on a gray, the other on a bav 
horse. There are some low buildings at the left, but there is no sign of life 
other than that seen in the moving figures. The outlying forts and low hills 
in the distance rise into an almost cloudless sky. 

Bequeathed by Miss Catkajiinb Lorillard Wolfe, 1887. 

Signed and dated. 1869. On wood, 8 H. ; 10 W. 

MAN READING. 



A man habited in black is sitting in a large armchair with his right foot 
across the left knee. He is reading from an open book which he holds in both 
hands. A low latticed window is at his left from which the light enters the 
room crossing the figure which is turned slightly towards the wmdow. A dark, 
warm brown tone pervades the room. 

Bequeathed by Mrs. Elizabeth U. Coles, 1892. 

Signed and dated, 1850. On panel, 8i H.^ 6 W. 

MERLE, Hugues. French School 

Bom at St. Marcellin (Is^re), March 1, 1823; died at Paris, March 26, 
1881. G«nrc painter. Pupil of L. Cogniet. His pictures are carefully drawn, 
cool and gray in color, and often dramatically treated. Medals: 1861, 1863. 
Legion of Honor, 1866. 

447 FALLING LEAVES. 

Autunm is represented by a female figure, life-size, full-length, standing 
in a wood with her face turned over her left shoulder and the eyes looking 
upward. Covering the figure and clasped in the folded hands resting upon 
her breast is a diaphanous mantle of black striped with gold. The autiunn 
leaves shimmer in the sunlit air as they fall from the trees about her, and a 
figure of Love is stealing awav into the shadowy grove. 

Purchased by Miss Wolfe's father, 1872. 

Bequeathed by Miss Catharine Lobillabd Wolfe, 1887. 

Signed and dated. 1872. On canvas, 68 H.* 40 W. 

677 THE OLD MAN'S STORY. 

Lent by Mr. George A. Adbe. On canvas, 37i H.; 49i W. 

486 ITALY, PAST AND PRESENT. 

Lent by Mrs. Israel Ck>R6E. On canvas, 29 H.; 36 W. 

486 THE SPINNER. 

A French peasant girl is seated by a spinning-wheel with her left hand 
resting lightly over the wheel; with the right hand she holds a distaff. The 
figure is turned slightly to the right of the spectator; the face squarelv to the 
front. Her long black hair falls about her shoulders, and her dark full eyes 
look intently out of the picture. An old bronze lamp is suspended from the 
light gray wall which forms the background. Three-quarter length, life-size. 
Bequeathed by Mrs. Elizabeth U. Ck>LES, 1892. 

Signed and dated, 1874. On canvas, 50} H.; 34i W. 

119 



MESDAG, Hendrik Willem. Dutch School. 

Bom at Gr5ningen in 1831. Pupil of Alma-Tadema; resides at The 
Hague. Medals, Paris, 1870; third class, 1878. 

676 THE LONE SEA. 

Lent by the Artist. On canvas, 70 H.; 55 W. 

WESGRINY, Frank de. French School 

Bom at Paris 1836: died 1884. Pupil of Worms and Lalanne. 

406 RIVER SCENE, 

Bordering the river in the middle distance are a row of trees and a shed 
where washerwomen are at work. The sky is filled with light fleecy clouds. 
Painted to order. 

Bequeathed by Miss Cathabinb Lorillaro Wolfe. 1887. 

Signed. On canvas, 14 H. ; 22 W. 

METSU, Gabriel. DtUch School 

Bom at Leyden, towards 1630 ; died at Amsterdam, 1667. The gentleman- 
ly portrait of this artist, now in the Queen of England's collection, represents 
him to have been a man of a naturally delicate frame and of a sensitive mind ; he 
unquestionably formed his style from the study of works by such distinguished 
men as Gerard Dou, Frans Van Mieris, Terburg, and Jan Steen, who were all 
superior to him in invention and the delineation of character; but Metsu 
obtained a grace of expression and an elegance in demeanor wliich left him 
without a rival in the old Dutch School. 

273 THE MUSIC LESSON, 

Seated near the center of a room is a lady in a golden brown dress, with 
her face upturned to a man who is standing behind her to whom she is showing 
a sheet of music which she holds in her right hand, her left hand rests upon a 
guitar which lies upon a red tapestry-covered table by her side. At the lady's 
left is a man playing a violoncello, and behind this group is an open case- 
mented window, and a door through which a servant approaches with refresh- 
ments. In the foreground at the left is an open case, and sheets of music are 
on the floor, and at the right is the cloak and trappings of a cavalier. 

From the Perkins Collection. 




Gift of Mb. Hbnrt Q. Mabquanq. 1890. 

Signed and dated. 1669. On canvas, 24 H.; 21 W. 

120 



METSYS (or Massys or Matsys), Quentin (Quinten). (school 

of.) Flemish School, 

Bom, according to the Eoyal Museum of Belgium, at Louvain, Belgium, 
1466; died at Antwerp, 1530; the National Gallery and the Louvre have 
it: bom at Antwerp before 1460; died there 1530-31. Early in life he 
was a blacksmith, and, it is said, became a painter for the sake of an artist's 
daughter, whom he loved, and whose father was determined she should 
marry none but a painter. Metsys, the first of the great Antwerp painters, 
was the last who remained faithful to the traditions of the early Flemish 
School. His most important work was an altar-piece in three parts, now in 
the Museum of Antwerp. " The Misers," at Windsor Castle, is a notable work 
by this Master. His pictures are seen in all large European Galleries. He 
is buried in front of the Cathedral in Antwerp, and the inamediate spot is 
marked with the simple inscription, " M. Q. M., obiit 1529." 

70 THE CROWN OF THORNS. 

The head of the Saviour. Front view. The hair and beard are of a red- 
dish brown. The brow is bleeding from the cruel thorns and the expression 
of the eyes and face is one of great agony, but noble patience and endurance. 

Gift of Mr. S. p. Avery, 1884. On panel, 10 H. ; 7 W. 

MEULEN, Adam Frans van der. Flemish School " 

Bom at Brussels, Jan. 11, 1632 (1634 — Louvre); died at Paris, Oct. 15, 
1690. Pupil of Peeter Snayers. Became court painter to Louis XIV, was 
lodged at the Gobelins, had a pension of 6,000 livres, and accompanied the King 
to Flanders to paint his battles. Member of the Academy of Painting, 1673; 
Councellor, 1681 ; first Councellor, 1686. Genre, landscape and battle painter. 

3 A COMBAT OF CAVALRY. 

The foreground of the picture is completely occupied with the contending 
forces, and at the right of the spectator the troops press forward in fierce 
encounter to the base of a small hill. 

Purchased by the Museum, 1871. Signed. On canvas, 18 H. ; 24 W. 

MEYER, Johann Georg (called Meyer Von Bremen). 

German School, 

Bom at Bremen, 1813; died at Beriin, 1886. Pupil of Dttsseldorf 
Academy under Karl Sohn and Schadow. Painted at first Biblical subjects, 
afterwards genre. Repeatedly visited Belgium, and in 1852 moved to Berlin, 
where he was made professor in 1863. Member of Amsterdam Academy; 
Order of Leopold: medal in Philadelphia, 1876. 

402 THE LETTER. 

Standing in the court-yard of a cottage are two German peasant women, 
the elder having left her washtubs to overlook a missive just received by the 
^rl from the hand of a boy messenger who stands by with a bouquet of flowers 
m his hand. 

Purchased in Berlin, 1873. 
Bequeathed by Mibs Catharine Lorillard Wolfb, 1887. 

Signed. On canvius, 25 H. ; 19 W. 

121 



569 THE GRANDMOTHER. 

The grandmother is sitting with a babe in her arms, its mother by her side, 
and a boy and a girl on the floor at her feet. All are illumined by a lamp 
which stands on a round table.' 

Bequeathed by Mr. Stephen Whitney Phoenix, 1881. 

Signed and dated. 1858. - On canvas, 15 H.; 12i W. 

676 EVENING PRAYER, 

In the kitchen of a German peasant cottage are an old woman with a girl 
upon her lap and a boy sitting on a bench at her feet. All are engagea in 
prayer. 

Bequeathed by Mr. Stephen Whitnbt Phoenix, 1881. 

Signed. Water Color. 4i H.; S^W. 

602 B BABY BROTHER SLEEPING. 

Lent by Mrs. W. J. Stms. On panel. 21i H. ; -16 W. 

MICHEL, Georges. French School 

Bom at Paris, about 1763; died, Paris, 1843. In his style, he reverted 
to the sincerity and simpUcity of the old Dutch landscapists Hobbema and 
Ruisda^l. His favorite subject was the plain of Montmartre, with its 
receding distance and large skies. 

692 THE OLD CHATEAU. 

There is a level country extending from the foreground of the picture to 
the extreme distance. At the right is the ch&teau standing near a grove of 
trees. The sky is filled with rolling clouds. 

Gift of Mr. Durand-Ruel, of Paris, 1881. On canvas, 20 H. ; 27 W. 

MILLET, Francis D. American School 

Bom at Mattapoisett, Mass., 1846. Pupil of the Royal Academy at 
Antwerp, gaining the silver and gold medals of Honor in 1872 and 1875. Has 
painted in the United States, Belgium, England, Italy, France, and Austria. 
Was the American Art-Juror at the Paris Exposition of 1878, and has dis- 
tinction as a journalist in America and Europe. 

110 A COSY CORNER. 

By a latticed window in an old kitchen with its huge fire place, iron dogs, 
and smouldering fire, sits a young maiden of the '* Dolly Varden" type reading 
from a book which she holds in the right hand, while with the left she folds back 
a thin curtain to admit the hght. 

Gift of Mr. George I. Senet, 1887. 

Signed and dated, 1884. On canvas. 36i H.*, 22i W. 

MOLYN, Pieter (the Elder). Dutch School 

Bom at London before 1600; died at Haarlem, March 23, 1661. Land- 
scape painter. Entered Haarlem Guild in 1616, dean in 1633. Painted flat 
and hilly landscapes, with great truth ; colored warm and forcible; skies of 
great transparency. He also painted military scenes. 

A good picture by him of two cottages with rich woods is in the Berlin 
Museum. 

12d 



247 LANDSCAPE WITH COTTAGE. 

A cottage with a group of trees is on a slight elevation in tho Boiddle dis- 
tance. A r^ulway from tne fields beyond passes by and down into the fore- 
ground over which there is a deep brown shadow. 

Gift of Mr. Hbnrt Q. Mabquand. 1895. 

Signed and dated, 1820. On panel, 14^ H.; Sli W. 






MOOR, Karel van. Dutch School 

Bom at Leyden, 1656; died at Warmond, 1738. Pupil of Geran^ 0ou, 
Abraham van den Tempel, and Frans van Miens. He pfdnted sacred and 
profane history in large and small pictures, but his portraits were his best 
works. He imitated Gerard Dou in his small pictures, and etched a few por- 
traits from his own designs, among which were those of Dou and Mieris. 

06 A BURGOMASTER OF LEYDEN AND HIS WIFE, 

Oval, half-length, the man's head is turned to the spectator's left, that of 
the lady three-quarters to the front; both have dark brown hair and brown 
eycB, The Bum^master wears a dark coat open at the neck showing a white 
frilled collar. The wife in a warm brown d^ollet^ gown, has large pearl ear 
ornaments and a string of pearls about her neck; the rieht hand, ^oved, rests 
in her husband's left, the other at her side clasps the folds of her gown. The 
back-ground is warm, deep, and luminous. 

Purchased by the Miueum, 1873. On oanvaa, 44 H.; 33i W. 



MORLANDy George. English School 

Bom at London, 1763; died there, 1804. Was the son of Henry Robert 
Morland, a portrait piunter in crayons, and an engraver in mezzotint. He 
married the sister of James Ward, R.A., who was afterwards united to Maria 
Morland, the pfdnter's sister. Morland exhibited altogether, at the Royal 
\cademy, between 1779 and 1804, thirty-six pictures. The first is called in 
the catalogue "A Drawing with a Poker." The last, in 1804, is termed, "A 
Landscape with Hounds in full Chase." ''The Liside of a Stable," exhibited 
at the Royal Academy in 1791, was purchased from the exhibition by the Rev. 
Sir Henry Bate Dudley, Bart., and was presented to the National Gallery by 
his nepheWi Mr. Thomas Birch Wolfe, in 1877. 

206 MIDDAY MEAL. 

At the left of the picture there is a pig-sty sheltered by a group of large 
trees which shadow the foreground; a ^oung farm hand approaches with a 
pail of feed followed by three nungry swme; beyond are the open fields where 

123 



the ripe grain and homely cottage are all aglow in the warm sunlight; above> 
the golden clouds float over a deep blue sky. 

QiftGflfR.Q«>BaBA.HiBAair. 1805. On oaavas, 27i H.; 35 W. 

OgMd and dfttod. 17(M(. 




Ill 




MORONI, Giovanni Battista. Venetian School. Berenson attributes 
this picture to Savoldo. 

Bom at Bondio, near Albino, Province of Bergamo, about 1520; died at 
Bergamo, 1578. Pupil of Alessandro Bonvicino called II Moretto. Giovanni 
Battista Moroni was a painter without honor in his own country, and when 
the people from Bergamo came to Titian to be painted, he used to refer them 
to their own countrjrman. No better face painter, he would tell them, ex- 
isted. Mofoni was not a poet in the true sense of the word, but a consum- 
mate painter. Yet, now and then, he surpassed himself and pierced the 
surface till he reached the soul of the sitter. 

230 PORTRAIT OF A MAN. 

Standing, half-length, nearly front view, he is gloved, and clad in a fur- 
trimmed coat, in his left hand is an open letter. 
Gift of Mr. Hbnrt G. Marquand, 1890. On canvas. 37i H.; 29 W. 

MOSLBR, Henry. American School, 

Bom at New York, June 6, 1841, of German parents; went to Cincinnati 
in the fifties. Began his art studies under J. H. Beard. During the Civil War 
acted as special artist for " Harper's Weekly," and served as volunteer atde-^te- 
camp to Gen. R. W. Johnson; in 1863 went to Dtlsseldorf, studied under 
Profs. H. Mencke and Kindler; later with A. E. Hubert in Paris. Returned 
to the United States in 1866; went to Europe in 1874, spent three years in 
Munich, and seventeen in Paris, where he received complimentary recognition 
by the purchase of his Salon picture, " Le Retour/* in 1879, for the Luxembourg 
Museum, this being the first picture purchased from an American artist by the 
French Government. Medal, Royal Academy, Miuuch, 1874; Honorable 
mention. Salon, 1879; Gold Medal, International Exposition, Nice, 1884; won 
the $2,500 prize at the Prize Fund Exhibition, New York, 1885; Gold Medal, 
Salon, 1888; Silver Medal, Exposition UniverseUe, Paris, 1889; Hors Concours, 
Paris, 1890; Officier d^Acadhnie, France, 1892; Chevalier Ugion d^Honneur, 
1892; Archduke Carl Ludwig of Austria Gold Medal, 1893; A.N.A., New 
York, 1895; Grand Gold Medal and Diploma of Honor, Atlanta, Ga., 1895; 
Thos. B. Clarke Prize, National Academy, 1896; Gold Medal, Philadelphia Art 
Club, 1897. Paintings by this artist are in the Museums of Sydney; Grenoble; 
Loukville, Ky.; Pennsylvania Academy; Cincinnati; Springfidd, Mass. 

183 A WEDDING FEAST IN BRITTANY. 

At the right of the picture standing behind a lon^ table set with the wed- 
ding feast, surrounded oy his family and intimate f nends, the bridegroom is 

124 



giving a toast, the well filled glajsses raised in jovial response indicating the 
state of the feast. The white sheet which adorns the background is one of 
those of the *' trousseau" spun and woven by the bride, to be used on aJl 
festive occasions, and in sorrow as welL 
Gift of Mr. Jacob H. Schiff, 1898. Signed. On canvas* 50i H. ; 72i W. 

MOSTERT (or Mostaert), Jan. DiUch School 

Bom at Haarlem, 1474; died there, 1555. Pupil of Jacob Janszen van 
Haarlem. He was for eighteen years painter to Margaret of Austria, Regent of 
the Netherlands, and during that period resided at the Court, to which he 
was attached also as a Gentleman. Mostert paid much attention to landscape 
and was also a good portrait painter; his ecclesiastical works have mostly per- 
ished, but a very delicate picture ascribed to him of the Virgin, with smaller 
representations of her seven sorrows, is still preserved in the church of N6tre- 
Dame at Bruges, but no known picture bears the signature of Mostert. The 
Antwerp Museum has three, the Vienna & Brussels Galleries have one each, 
and the Old Pinakothek, Munich, has three pictures by this artist. The 
National Gallery in London has a ''Virgin and Child in a Garden" conjectur- 
ally assigned to him, as is the" Ecce Homo — Mater Dolorosa" in this Museum. 

86 A ECCE HOMO— MATER DOLOROSA. 

Life-size, three-quarter length. Both figures are standing in a highly- 
ornate Gothic window with a double arch. The Saviour is at the left, witn 
the crown of thorns pressed upon His brow; from which the blood trickles 
down over His pale face, which is profoundly eloquent in its expression of 
resignation. His hands are bound with a cord, and in the right He holds 
the reed. A dark green mantle, tied in a knot at the breast, covers the 
shoulders and falls at each side of the figure. The sorrowing Mother is at 
the right with bowed head, and hands across her breast; the delicate pale 
face, with its exquisite expression of the most profound grief, is framed m a 
white head-dress severe in its lines but chaste and pure in color. A dark 
green mantle falls from the head and envelopes Her figure. In the back- 
ground are highly ornate buildings which, with a distant hill and blue moim- 
tains, are seen beneath the arch of the window. A scourge is attached to the 
marble column which separates the figures. 

Purchased from Dowdeswell & Dowdeswells, L't'd, London, from income of the Rogers 
Fund. 1904. 41 H. ; 35^ W. 

This picture was transferred from wood to canvas in 1905. 

MOUNT, William S. American School 

Bom, Long Island, 1806; died at Setanket, 1868. Began the practice 
of his profession in New York, 1829. Elected member of the N.A.D., 
1832. He early turned his attention to the representation of negro characters^ 
in which he was very successful, in a quaintly humorous way. 

1 14 RAFFLING FOR THE GOOSE, 

A ^up of six Long Island farmers are standing around a table in an old 
kitchen in happy anticipation of winning the coveted plucked goose which lies 
on the table before them. One man in his shirt sleeves is shaking up the 
nimibers in an old battered black silk hat, and another leans over the table 
with one hand on the goose. In the background at the leift, a boy with a pipe 
in his mouth and a red cap on his head is engaged in opening a closet door. 
Gift of Mr. John D. Crimmins, 1897. 

Signed and dated. 1837. On panel. 17 H.; 23 W. 

125 



MULLER, Charles Louis. French School 

Bom at Paris, 1815; died, 1892. Pupil of Cogniet, Gros, and of the £cole 
des BeatuD-ArU. Medals: 1838, 1846, 1848, 1855. Legion of Honor, 1849; 
officer, 1859. 

620 THE HONEYMOON. 

Dressed in the costume of the Empire, a groom and his bride, with full 
blown roses and ribbons upon their breasts, stand in a thick wood. They 
have clasped hands and are gazing into each other's eyes in the full ecstasy of 
their young honeymoon. 

Gift of the FamUy, at the request of Mr. Richard Butler, 1902. 

Sicned. On canvas, 48fH.; 38 W. 

M LLER, KarL Dilsseldorf School 

Bom at Darmstadt, 1818; died — (?). Son and pupil of Franz Hubert 
MttUer, then of Dtlsseldorf Academy under Karl Sohn and Schadow; went to 
Italy in 1839, returned in 1843, and painted some of the frescos in the ApoUin- 
aris Church at Remagen. Professor at Dtlsseldorf Academy. 

626 THE HOLY FAMILY. 

The Virgin Mother with both hands folded about the Infant on her lap is 
seated in an open landscape with her face and figure in profile to the left of the 
spectator. Her long blond hair falls in waves down her back and the loose 
orapeiy hangs in graceful folds about her figure. The face of the Child is 
turned ui>waid and a flower is in the huid which rests upon its Mother's arm. St. 
Josj^h with bowed head stands behind the group, his left hand resting upon a 
Stan and his right extended towards an angel with outstretched wings who 
kneels before the Virgin and is playing upon a Rebec Lyre. A lake and moun- 
tains are in the distant landscape. 

Gift of Mr. William Schaus, 1884. 

Sicned and dated, 1872. Pencil drawing (round). 41 H.; 41 W. 

MUNKACSY, Mihaly de. Munich School 

Real name, Michael Lieb. Bom at Munk&cs, Himgaiy, February 20, 
1844 ; died at Bonn, 1900. Apprenticed with a carpenter for six years at Arad, 
then studied under a portrait painter at Gyula; pupil of Vienna Academy, then 
in Munich of Franz Adam; went in 1867 to Dtlsseldorf, and incited by Knaus 
and Vautier, devoted himself to genre painting, and in 1869 established his fame 
with the ''Last Days of a Condemned Man." In 1872 he removed to Paris. 
Medals: Paris, 1870; second class, 1874; of Honor, 1878; Vienna, 1882; 
Legion of Honor, 1877; Officer, 1878; Member of Munich Academy, 1881. 

440 A PAWNBROKER'S SHOP. 

Among the wretched people gathered together in this picture is a woman 
who stands with a babe in her arms and a child by her side and waits to receive 
a small loan on a garment which the broker is folding in a piece of white linen. 
At her right, sitting on a bench, is a young woman looking vacantly and hope- 
lessly before her. One man is here to pawn his violin; a woman, her folio of 
drawing^; and a young smithy at the left whose hand is in a sling, his watch 
and chain. A boy in the center foreground is striding away with a redeemed 
folio of drawings under his arm. 

Painted to order. Salon, 1874. 
Bequeathed by Miss Catharinb Lorillabd Wolfb, 1887. 

allied and dated. 1874. Ob wood, 62 H.; 86 W. 

126 



407 THE DEATH OF MOZART. 

The dyin^ Mozart having fragments of his unfinished Requiem performed 
by a few of his friends in his presence. Sussmayer, a friend and pupil^ who 
afterwards completed the Requiem, sits at the harpsichord; three friends, 
members of the Imperial Opera, Hofer the tenor, in a suit of lilac-^^olored silk; 
Qerl the bass, clad in a black habit, and Benedickt Schack the soprano are 
dnffing. The gentleman leaning over the harpsichord Is Roser, Mozart's pupil 
and b^t friena. His wife and eldest son, Charles, are at the right, and in tne 
background are two friends, Van Sweiten and Schikaneder, idso the doctor 
who attended the great composer during his last illness. 

Lent by Gbnbral R. A. Alger. Signed. On canvas, 101 H. ; 144 W. 

MURANT, Emanuel. Dutch School 

Bom at Amsterdam, 1622; died at Leuwarden, 1700. 

306 THE FARM. 

Lent by Ifn. George A. Hearn. On canvas, 18 H.; 18^ W. 

MYTENS, Daniel. Dutch School 

Bom at The Hague about 1590; died there about 1656. He entered the 
Guild of The Hague in 1610, and in 1618 went to England and established him- 
self at the Court of James I, and was appointed Court painter to Charles I in 
1625. On the arrival of Vandyck he wished to retire from the Court, but was 
persuaded by the King, and by Vandyck himself, to remain. Said to have re- 
turned to The Hague about 1630. The portrait shown here must have been 
painted during the year prior to the return of Myi«ns to Holland. His picture 
of Charles I with Henrietta Maria and Child is in Buckingham Palace; Charles 
I and Henrietta Maria, Earl of Dunmore's Collection; Charles I and Henrietta 
Maria (1637), Dresden Gallery; Charles I as Prince of Wales (1624), Copen- 
hagen Gallery; Charles I (1627), Turin Gallery. 

PORTRAIT OF CHARLES I. 



Inscribed. Carolus DG MDCXXIX. Britannise, Franciae, et Hibemise 
Rex. Fidei Defensor, ^tat. 29. Anno 1629. 

Lent by Mr. George A. Hearn. On canvas, 77i H.* 53iW. 

NASMYTH, Peter (called Patrick). English School 

Bom at Edinburgh, 1787; died at Lambeth, 1831. Son and pupil of 
Alexander Nasmyth, a mediocre landscape painter; went to London in 1807, 
and two years later exhibited his first picture in the Royal Academy. Painted 
simple landscapes, with much detail in execution, in imitation of the Dutch 
School, but with great force. 

313 LANDSCAPE. 

Lent by Mr. Gborob A Hearn. On eanvas* 14 H.t 181 W« 

Signed. 

NATTIER, Jean Marc. French School 

Bom at Paris, 1685; died there, 1766. History and portrait painter. 
Son and pupil of Marc Nattier. Won the first prize of the Academy in 1700. 

127 



Was employed to copy the Rubens pictures in the Luxembourg to be engraved. 
Member of the Academy in 1718, adjunct professor in 1746, and professor in 
1752. In 1715 he painted, at Amsterdam, Pet^ the Great, his wife Catharine 
I, and many of his courtiers; also a picture of the Battle of Pultowa, for 
the Czar. Associate member of the Copenhagen Academy. 

604 PRINCE88E DE CONDJ^ AS DIANA. 

Portrait of Charlotte Godefride Elisabeth de Rohan-Soubise, Princesse 
de Cond4; bom in 1737, died in March, 1760, first wife of Prince Louis Joseph 
de Bourbon-Cond4. This picture was formerly in the possession of the Queen 
Marie Antoinette (Salon de Musique) at Trianon, Versailles; later the prop- 
erty of the Comte de Montd^r in his Chateau near Cherbourg. It is imlikely 
that this picture was ever engraved as it was given by the Queen to the Mont- 
d^ir family. 

LifcHsize, three-quarters length, sitting. The figure is tmned to the left 
and the face, with its large dark eyes, to the right of the spectator. In her 
left hand she holds a bow with one end resting by her side on a piece of dull 
red drapery which infolds her fi^re. Over a pearly-wMte d6collet^ dress is a 
leopara skm knotted at the rignt shoulder. The ngure is relieved against a 
clear sky. 

Porohased by the Museum from Mr. Ernest Gimple, 1903, from income of the Rogers Fund. 
Signed and dated, 1756. On canvas. 53 H. ; 40i W. 




17^6 



r - ^ 



NEER, Aert van der. Dutch School 

Bom at Amsterdam, 1603; died there, 1677. An eminent landscape 
painter, whose representations of the setting sun are marked by a poetic feel- 
ing, and who especially exceUed in rendering "The Penetrating Melancholy 
of Moonlight." The National Gallery has a fine example of iAm master, with 
animals and figures by Cuyp. 

8 SUNSET. 

The low setting sun bathes the scene in a tender luminous liffht. In the 
center of the picture a lake which extends to the horizon is dotted with water 
fowl, and long reaches of meadow-grass; there is a distant group of trees, and 
a churchspire rises into the sky, and the sunny hillside at tte left is marked at 
the water's edge by slender trunks of trees which shadow a single boatman 
and his tiny craft. The tree in the foreground at the left, majestic in its pro- 
portions, has abundant leafy foliage which reaches out to catch the fadkig 

128 



light. Two huntsmen, onfe sitting, the other standing with his gun at rest, 
are in the immediate foreground of the picture. 

Purchased by the Museum, 1871. Signed. On OBnvas, 81 H.; 42^ W. 



'-^^^ 



NETSCHER, Caspar. Dutch School 

Bom at Heidelberg, 1639; died at The Hague, 1684. One of the chief 
painters of Dutch " high life." His mother, after seeing her two elder children 
die of himger, escaped with Ca^ar through the investing lines of besieged 
Heidelberg to Amheim. He studied under Koster at Amheim, and Terburg 
at DevCTfter. In 1659 he started on a tour to Italy, but fell in love with a girl 
from Lilge at Bordeaux, married and settled there, but soon returned to Hol- 
land and rapidly acquired fame as a portrait painter. 

81 PORTRAIT OF A DUTCH LADY. 

Face and figure three-quarters to the left in full light. A spaniel is 
seated on a table which is covered with a dark reddish cloth or rug, upon which 
the lady rests her left arm. The dress is of white satin and a dark mantle 
which passes over the right shoulder comes to the front and is held lightly with 
both hands. The background is dark, with sky and trees at the left of the 
spectator. 

Purchased by the Museum, 1871. On canvas, 12 H.; 10^ W. 

THE CARD PARTY. 



In a handsome apartment are two gentlemen and two ladies at a table 
which is covered with red tapestry. A laidy, seated at the right, in a red dress, 
is sorting her cards, while a gentleman standing behind her watches her hand; 
at the left stands another lady in a rich yellowish brown dress, playing with a 
little spaniel which lies on a chair. Engraved hy Lepici^, entitled Le Jeu de 
Piquet. From Julienne sale, 1767, Randon de Boisset sale, 1777, Montribloud 
sale, 1784, Colonel Hugh Baillie sale, 1858. Purchased from M. Sedelmeyer. 
Smith, Catalogue Raisonni, IV, No. 10. 

Gift of IfR. Henrt G. Mabquand, 1888. On canvas. 19 H.; 17i W. 

NEUHUYS, Albert. Dutch School. 

Bom at Utrecht, Jime 10, 1844. Resides at Laren, Holland. Pupil of 
the Academy at Antwerp. Officer of the Order of St. Michael of Bavai^a. 
Gold medal, Vienna, and two medals of the first class. World's Columbian 
Exposition, Chicago, 1893. Honorary Member of the Academy of Sciences 
and Fine Arts, of Rotterdam, and of the Society of Aquarellists, of Bross'^l'? 

DUTCH INTERIOR WITH FIGURE, 



A homely old woman with folded hands sits alone in the center of an old 
Dutch kitchen with her figure relieved against a red curtain. At the left is a 
small window through wnich the light enterj diffusing a soft and tender 
atmosphere of peace. 

Purcbased from the income of the Catharine Lorillard Wolfe Endowment Fund tor her 
eoUeotion, 1895. 

Signed. Water Color. 23 H.; 20 W. 

128 



NEWTON, Gilbert Stuart. English School 

Bom at Halifax, Nova Scotia, September 2, 1795; died, Chelsea, Eng« 
land, August 5, 1835. Son of a royalist officer driven from Boston wh^i 
Washington occupied it. On the death of his father, his mother returned 
(1803) to Boston, where he had some instruction from his uncle, Gilbert 
Stuart. In 1817 he went to Italy and to Paris, where he met Charles Robert 
Leslie, and returning with him to London, became a student at the Royal 
Academy, and was soon recognised as an agreeable subject painter. Elected 
an A.R.A. in 1828, and R.A. in 1832, in which year he revisited America and 
married. On his return his mind became so seriously affected that he had to 
be taken to a private asylum at Chelsea, where he died. 

224 THE DESERTED. 

Dressed in a white d^collet^ gown, with a large white veil covering her 
head and fi^re, she is seated with her face and figiu*e in profile. Both hands 
are resting m her lap. The background is gray. 

Was painted for John Goldie Walker, London. Purchased at the sale of 
the Viscount Clifden, 1893. Engraved in mezzotint, 1836, by James Scott, 
and in line by S. Sangster, 1853. 

Qift of Mr. S. p. Aybrt, New York, 1895. On panel, 10 H. ; 7i W. 



NOTER (David dc), and Goupil (Jules). French School 

Noter, bom at Ghent; still-life painter. Medals: 1845, 1852. Goupil, 
bom at Paris, 1839; died at Neuilly, 1873. Pupil of Ary Scheffer. 
Medals: third class, 1873, 1874; first class, 1875; second class, 1878. Legion 
of Honor, 1881. 

636 A DININO ROOM. 

A lady in a blue dress stands in the center of the picture and looks down 
at a pet dog; behind her is a table set with flowers and fruit. A jar containing 
vegetables, and boiled lobsters are on the floor at her feet. 

Bequeathed by Mr. Stbphbn Whitnbt Phosnix, 1881. 

Signed. On canvas. 25 H.; 35 W. 

UMMEGANCK, Balthazar Paulwcl. Flemish School 

Bom at Antwerp, 1755; died there, 1826. Pupil of Antonissen. An 
admirable painter of landscapes and animals, especially sheep and goats. His 
works were much sought during his life. His color was rather cold, but he 
depicted nature with great truthfulness. Many of his works are in private 
galleries, but examples are seen in the Louvre, Brussels and Cassel Galleries. 

31 FLEMISH PASTURE. 

A landscape with trees at the left and some distant hills. At the right a 
horse is standing in shadow with a woman at his head. A cow in repose, a girl 
standing beneath a tree, some sheep and a goat are in the foreground. The 
sky is a deep cloudless blue. 

Parohased by the Museum, 1871. On canvas, 19i H.; 27 Tl. 

130 



OOST, JAKOB van (the Elder) . Flemish School 

Bom at Bruges about 1600; died there in 1671. History, genre, and 
portnut painter; pupil of his brother Frans; Master of the Guild in 1621; 
visited Italy, where he took for his model Annibale Garracci. Returned to 
Bruges in 1629. 

PORTRAIT OF A MAN. 



Bust, life-size, face turned three-quarters to the left of the spectator. His 
long dark hair falls over the shoulders and a slight mustache darkens the 
upper lip. The right hand is pressed against the left breast in a Vandyck 
manner and a lo<X9e white collar is seen at the neck. The figure is enveloped 
in a dark cloak, which gives to the picture a somber appearance. 

Purchased by the Museum, 1871. On canvas, 25i H. ; 20i W. 

OSTADE, Adriaen van. Dutch School 

Bom at Haarlem, 1610; died there, 1685. Pupil of Frans Hals. An 
inimitable painter of rustic scenes and an excellent etcher. He had many 
pupils, one of whom was the famous Jan Steen. 

69 THE OLD FIDDLER, 

A luminous golden light floods the center of this canvas where an old man 
fiddler stands before the door of a farmer's cottage surrounded by the family 
and friends who are listening to the music of a violin; an old woman with a 
babe in her arms leans from the half open door, and a boy clings to the frame 
of a shed roof above, while a number of smaller children cluster close about tho 
old man, one being seated on a wicker basket at his feet. At the left of this 
group playing at dice are three men with a dog by their side, and poultry are 
scattered about. In the shadow of the building at the right, a man seated on a 
bench is smoking and an old woman and man await in Imppy anticipation the 
expected draught of wine which is being poured from a flagon by the man wh'o 
is standing in ironic of them. Two figures, an old pump, and other objects in 
obscure light occupy the extreme right of the picture, and at the left is a bam^ 
like structure in oeep shadow which extends upward and to the other side of 
the canvas. 

Purchased by the Museum, 1871. Signed and dated, 1641. On canvas, 2^ H.; 33 W. 




OSTADE, Isack van. Dvich School 

Bom at Haarlem, 1621; died there, 1649. Brother and pupil of Adrian. 
He adopted a little different class of subjects, and represented travelers halting 
at inns, village scenes with animated figures, etc., and imitated Adrian in many 
ways. His pictures are eagerly sought by collectors. His best works were 
executed from 1644 to 1649. 

301 WINTER IN HOLLAND. 

Prominently upon a broad frozen river where the skaters are enjo^ine the 
'winter sport is a white horse being fed while he is attached to a slea m wnich 
are a man and woman, and two children. Above, at the left, is an embank- 
ment where there are a signal station and some houses. At the left is a distant 

131 



city. Floating vaporous clouds penneated with a glow of light rise from the 
low horizon into the sky above. 
out of Me. Qbobob A. Hbarn, 1893. On omnvas. 40 H.; 60 W. 



^v\a^ 



t 



OUDRY, Jean Baptiste. French School 

Bom at Paris, 1686; died at Beauvais, 1755. He especially excelled m 
painting hunting pieces and animals, and many of his works are seen in the 
royal palaces of France. 

602 DUCKS. 

Under the shade of the trees, ducks are floating upon and drinking in a 
clear brook; a large drake stands high in the center lapping his wings. 
Purehased by the Museum, 1871. On canvas. 26 H.; 81 W. 

606 DOG GUARDING DEAD GAME. 

The dead fox and birds are suspended from the branch of a tree, and a 
white dog is oveivzealously guarding the game. 
Purchased by the Museum, 1871. On oanras, 25 H.; 81 W. 

OUENS, Jurian. German School. 

Bom at TSnningen in Holstein, 1623; died at Friedrichstadt, 1678. 
Pupil of Rembrandt, and was skilled chiefly in ni^t scenes and in portraits. 

271 PORTRAIT OF A LADY. 

Three-quarters length, standing by a table covered .with red tapestry. 
The face and figure are turned to her right, the eyes are looking pleasantly 
forward. On her head is a Dutch lace cap and about her neck is a roimd, 
stiff fluted collar. The raised right hand holds a pair of gloves, and the left 
rests upon a closed book which lies upon the table where there is also an 
open watch. The dress is black, the background dark and warm. 

Purchased in Holland about 1838, by Mr. Brinley, of Philadelphia, 
from whose family it was acquired in 1883. 

Gift of Mr. Hbnrt O. Marquand, 1888. 

Signed and dated. 1650. On canvas. 49i H.: 87f W. 

J J I lOlVffr 



? ivav. 



PAGE, William. American School. 

Bom at Albany, N. Y., January 3, 1811; died at Tottc»ville, Staten 
Island, October 1, 1885. Portrait and history painter. Student of the 
N^D., and pupil of Professor Morse. Elected N.A. in 1836; lived in 

132 



Rome and Florence in 1849-60; President of the National Academy, 1871-73. 
In 1874 he visited Germany. Page held very peculiar theories derived tnm 
studies of the old masters. 

20t IDEAL HEAD OF SHAKESPEARE. 

The artist's third representation of the same subject. 

Gift of the danchter of Mrs. Frakcu Okorob Shaw, 1903. 

Sicned and dated. 1873. On canvas. 27^ H.; 21 W. 

PANINI fPannini), Cavali&re Giovanni Paolo. Roman School. 

Bom at Piacenza about 1695; died at Rome, 1768. Pupil in Rome of 
Benedetto Luti and of Andrea Locatelli. He painted chiefly picturesque 
ruins of ancient edifices in and around Rome, in a most interesting and charm- 
ing manner, often embdlishing his landsci4>e accessories with figures and 
cattle. His works have been engraved by a number of excellent engravers, 
such as Lempereur, Le Bas, Bartolozzi, and others. 

91 CARDINAL POLIGNAC VISITING THE INTERIOR OF 

ST. PETER* S. 

Down the long vista of the central nave is seen the altar beneath the great 
dome executed by Michelangelo. The small figures of the Cardinal, his suite, 
and others, reveal by contrast the grandeiur of the architectural proportions 
of the Basilica. 

Purohased by the Museum. 1871. On eanvas, 38i H.; 88i W. 

PARTON, Arthur. American School. 

Bom at Hudson,^ N. Y., 1842. Pupil of Wm. T. Richards. Member of 
the National Academy of Design. 

678 EVENING— HARLEM RIVER. 

The glowing light on the clouds from the low setting sun is reflected in the 
water of the river spanned by a bridge beneath which boats are passkig. 
Above on the heights is a portion of the town where the lights glinmier from 
the windows. 
Gift of Mr. Wm. T. Evans. 1892. Signed and dated, 1886. On canvas. 88 H. ; 25 W. 

PASINI, Alberto. ItaLim SchooL 

Bom at Busseto, 1826; died at Cavoretto, 1899. Pupil of Ciceri. Medals, 
1859, '63, '64, '68. Legion of Honor, 1868. Officer of the Le^on of Honor, 
1878. Medal of Honor, Exposition UniverseUe, 1S7S. Honorary Professor at 
Parma and Turin Academies. 

480 ENTRANCE TO A MOSQUE. 

In the center of the picture is a luminous deep red curtain which conceals 
the entrance to the mosque. By the doorway where the gray walls are 
bordered with blue tiles stands a man in the bright sunlight with two dogs at 
his feet. In the shadow at the left are two horses; a bay, with trapping and a 
saddle of blue trimmed with brass, and a gray, with a saddle of bnght red 
leather with silver mountings. 

Purchased in Paris, 1873. 

Bequeathed by Miss Cathabinb Lorillard Wolr, 1887. 

Bigned and dated. 1873. On canvas. 84 H.; 37 W. 



674 HALT AT A MOSQUE. 

Lent by Mr. Thomas P. Saiavb. On oanvaa. 16 H.; 13 W. 

616 THE LOVE TOKEN. 

Lent by Mrs. Friobbiok BuTTUunaLD. On eamrss, 12 H.| 16fW. 

PATER, Jean Baptiste Joseph. French School. 

Bom at Valenciennes, 1696; died there, 1736. This painter chose the 
same subjects as Watteau; namely, fStes chan^)Stres and other merry scenes. 
The Wallace Collection, London, has fourteen pictures by him. 

607 THE COMICAL MARCH. 

At the entrance to a town are a ^up of strolling players. One dressed 
in black with a mask on his face and sitting on a donkey, led by a bo^, is play- 
ing upon a kettle-drum; at his right is another actor dressed all in wmte with a 
straw hat in his hand, saluting. Three rollicking girls at the left are seated 
beneath a bust of the god Pan. 
Purchased by the Museum, 1871. On canvse. 28| H.; 23i W. 

PE ALE, Charles Willson. American School. 

Bom at " St. Paul's Parish," in Queen Anne CJounty, Eastern Shore of 
Maryland, April 15, 1741, and, while an infant, was taken by his parents to 
Chestertown, Md. ; died at Philadelphia, Pennsylvania, 1827. Pupil of Benjamin 
West. To Peale belongs the honor of having painted more portraits of Wash- 
ington from life than any other artist. In 1772 he drew a half-length portrait of 
Washington at Moimt Vernon (painting also three miniatures "for Mrs. Wash- 
ington '' and the Custis children), and making at the same time the "bust 
study," which he kept for many years. For other portraits, Washington gave 
him sittmgs in 1776, 1778, 1779, 1781, 1783, 1786, 1787, and finally in 1795, 
enabling Peale to paint in all fourteen portraits from life. 

1 76 GEORGE WASHINGTON. 

Pull-length, life-size, standing in the uniform of a general. The right 
hand resting upon the hip holds his hat; the left is upon a cannon. The broad 
blue sash whicn he prescribed for himself in General Orders, "Cambridge, July 
14, 1775," to designate the Commander-in-chief, passes diskconally across the 
breast over the right shoulder beneath the coat. This mark of (ustinction is 
onutted from several of the pictures painted by Peale. The picture was piu^ 
chased by Mr. S. P. Avery. Jr., from Miss Bell, of Tooting. Surrey. England, in 
whose family it had been tor several generations, and by nim sola to Mr. C. P. 
Huntington. 

Gift of Mb. C. p. Huntinoton. 1897. On canvas, 94 H.; 61 W. 

PEALE, Rembrandt. American School 

Bom in Penn£fylvania, 1778; died, 1860. He studied in the studio of his 
father, Charles Willson Peale, one of the early American portnut painters in 
Philadelphia. In 1796 he opened a studio of his own in Charleston, S. C. In 
1801 he went to London, where he was a pupil of Benjamin West until 1804. 
He lived for three years in Paris, returning to America in 1809. Among the 
better known of his portraits are those of Washington, Jefferson, Mrs. Mad- 
ison, Commodores Bainbridge, Perry, and Decatur. 

216 PORTRAIT OF MR. JOHN FIN LEY, 

Bust, Ufe-size; front face with the eyes looking steadily forward. White 
neckcloth crisply painted, dark hair, and gray background. 

Gift of Mitfl. Ro^A C. Stanfxsld, 1894. On canvas. 16^ H.! 131 W. 

134 



PEARCE» Charles Sprague. American School 

Bom at Boston, Mass., 1851. He has resided in Europe since 1866 
Studio in Paris. Portrait and figure painter; pupil of L^on Bonnat. Hon- 
orable Mention, Paris, 1881; Medal, 3d class, Paris, 1883; Medals in Boston, 
1878, 1881; Philadelphia, 1881. 

123 MEDITATION. 

Bust, life-dize. Profile view of a nun contemplating a sheet of music. 
Gift of Several Gentlemen, 1899. Signed. OncanvM. 20H.; 18 W. 

PECHT, August Friedrich. German School 

Bom at Ck)nstance,. 1814. Pupil of Munich Academy; then in Paris of 
Delaroche. Lived alternately in Munich, Leipsic, and Dresden, painting 
chiefly portraits. Visited England in 1848, Italy in 1851-1854, then settled in 
Munich. Ck)urt painter to Grand Duke of Baden. Medal, Vienna. Well 
known as a writer on art. 

641 PORTRAIT OF RICHARD WAGNER. 

He is sitting in a large arm chair with his figure and face turned nearly in 
profile to the left. His abundant brown hair is combed back in waves from 
nis forehead and the clear eves are looking forward; the right hand is throm 
over an arm of the chair and the left rests upon an open folio of music which is 
on a table before him. A bust of Mozart is in the back^und at the right, 
and green drapery b at the left. His habit is black. Life-size, three-quar- 
ters tength. 
Painted to order for the late King Louis II, of Bavaria. 

Gift of Mb. Frbobbick Lobsbr, 1889. On canvas, 61 H.; 44i W. 

PEELEy John T. American School 

Bomat Peterborough, England, April 11, 1822; died May 19, 1897. Genre 
painter; self-taught. Taken to America in hb second year, settled in New 
York in 1846 and turned hb attention to the painting of children; returned to 
England in 1851. A.N.A., and member Society of British Artists. 

SPRING FLOWERS. 



A child about five years of age dressed in white with her lap filled with 
wild flowers, is sitting in an open field. Her face is turned in profile to the 
right; behind her b a deep wood with an opening at the left to the farm lands 
beyond. 

Gift of Mb. S. p. Avbbt, December, 1904. 

Signed and dated, 1860. On canvas (oval), 29i H.; 24 W. 

PELOUSE, Leon Germain. French School 

Bom at Pierrelaye (Seine-et-Oise), France; died, 1890. Medals: second 
class, 1873; first class, 1876; second class, 1878; Legion of Honor, 1878. 

663 "JANUARY.** {SCENE AT CERNAY, NEAR RAM- 

BOUILLET.) 

A groiq) of cottages at the left and a wood beyond. The sunset dnr above 
reflects no ray of light or warmth upon a dreary landscape covered with snow. 

Gift of Mns Mabbl Schaus, 1888. Signed. On canvas, 34| H. ; 44i W. 

185 



PHILLIP, John, R.A. English School, 

Bom at Aberdeen, 1817; died at Kensington, 1867. History and por- 
trait painter; pupil in London of T. M. Joy in 1836, and of the Royal Academy 
in 1837; exhibited portraits in 1838-39, and " Tasso in Disguise," in 1&40. 
During the next ten years he painted many clever Scotch subjects. He viuted 
Spain in 1852 and 1856, after which his style changed, and his art and subjects 
became Spanish. Elected A.ILA. in 1857, andILA.in 1859; went to Spain 
again in 1860, and to Rome in 1866. Phillip was one of the best colorists 
of the British School. 

324 GOSSIPS AT THE WELL. 

Lent by Mb. QaoRGS A. Heabn. On canvas, 18 H. ; 26 W. 

PICKNELL, Willuun Lamb. American School 

Bom in Vermont, 1852; died at Marblehead, Mass., August, 1897. Went 
to Europe in 1874, studying with George Inness in Rome two years; later, for 
a few months, under G^r6me in Paris. From France he went to England, and 
for a niunber of years was an exhibitor at the Royal Academy. He has lived 
and painted in Brittany, working imder Robert Wylie imtil the time of that 
artist's death. 

130 ''BLEAK DECEMBER," 

In the center of the picture are a large group of sturdy, leafless oaks re- 
lieved against a cold cloudy wintry sky; beneath the trees are a horse and cart 
on a ro^ which leads down to the rignt of a foreground which is covered with 
scrub oaks and wild grass. 

New Forest; Brockenhurst, Hampshire, England. Exhibited at the 
Royal Academy, London, 1888, and at Leeds, 1888. 

Gift of Mb. S. p. Ayebt. Jb., 1890. Signed and dated, 1887. On canvas, 56 H. ; 80 W. 

PILOTY, Carl Theodor von. Munich School 

Bom at Munich, October 1, 1826; died there, July 21, 1886. ,, Son of, and 
first instructed by, the lithographer Ferdinand Piloty; then, pupil of Mimich 
Academy under Schnorr, and later imder his brother-in-law, Karl Schom. 
In 1856, became Professor of the Mtmich Academy, and from 1874, its Director. 
Medal, Exposition UniverseUe, Paris, 1S67, etc., etc. 

460 THE PARABLE OF THE WISE AND FOOLISH VIRGINS. 

Book of Matthew, Chapter 25. 

Painted to order, 1^4. 
Bequeathed by Miss Cathabinb Lorillard Wolfe, 1887. 
Signed. On canvas. 40 H. ; 70 W. 

006 THUSNELDA AT THE TRIUMPHAL ENTRY OF GER- 

MANICUS INTO ROME. 

Painted to order for the late A. T. Stewart, Esq. At the request of 
Emperor William, was exhibited in Berlin before being sent to this country. 
The large painting now in the Munich Gallery was painted subsequently to the 
above. 

The following description is by the artist himself: 

The Emperor Tibenus, surrounded by his Courtiers (Favorites, Coun- 
cilors, Lictors, Senators, and Roman Women), has taken his place upon » 

186 



tribune under a spread oanopjr, in order that the triumphal prooes^on of 
Gennanicus may pass before mm. 

Germanicus appears in the background upon a triumphal car^ accom- 
panied by his five sons, surrounded by Trophies of Victory, and is ereeted by 
the applause and acclamations of the people, who are to be seen at the Arch of 
Triumph. 

In front of the car, reaching from the middle distance to the foreground 
of the picture, are the German captives being led in chains. As prmcipal 
figure in l^is group and of the picture, walks Thusnelda, in the costume of the 
C^rmans, with her son, Tumehcus (a child of three years), accompanied by a 
nurse anjd an attendant. Before her is the priest, Libes, coupl^ (cliained) 
together with warriors, escorted by Roman soldiers. Behind Thusnelda are to 
be seen her brothers, leaders of the Cherusci, chained together, with bears, 
etc., etc. The foregroimd to the left is occupied by the populace of Rome, who 
mock and insult Thusnelda. 

Thusnelda having been forcibly carried away from her husband, Armin- 
ius, a German Prince, oy her father Segestes, was, from reasons which appeared 
to him advantageous for his own personal interests and the condition of the 
Germans, betrayed and deUvered into the hands of the Romans. 

In the picture, Tiberius has selected Segestes to stand before the step» of 
his throne, and has forced him to witness the shame of his own daughter: ne is 
mocked by the Senators sitting near him, as they point to the prisoners below. 

Strabo describes, as an eye-witness, this event; he, as well as Tacitus, 
although Romans, express plainly their sympathy for the devotion and love of 
country exhibitea by Thusnelda, whose personality will ever be a poetical 
subject for an artist. 
Gift of Mr. Hobacb Russell, 1887. Signed. On canvas, 52 H. ; 77 W. 

PINE, Robert Edge. English School 

Bom at London, 1742; died at Philadelphia, 1790. He was the son 
of Mr. John Pine, the engraver, and was established in London as early as 
1761-62. For his picture ''The Surrender of Calais," 1760, he received the 
first prize of one hundred guineas from the Society for the Encouragement of 
Art. In 1762 he obtained the first prize for "Canute on the Sea Shore, Re- 
proving his Courtiers for Flattery." In 1772 he went to Bath, remaining until 
1779, when he returned to Loi^ion. In 1784 he came to America, settling in 
Philadelphia with the avowed object of painting the distinguished persons and 
events of our Revolution, but met with so little encouragement that he 
devoted his time to portrait painting. His first portrait was that of the Hon. 
Francis Hopkinson, and bears the date of 1785. Washington, in a note dated 
Mount Vernon, 16th of May, 1785, to the Hon. Francis Hopkinson, consents to 
give sittmgs to Pine for a portrait, to be introduced with other .people of dis- 
tinction in a large historical picture, contemplated by the artist. But his ideal 
was never realized, as he died, without having made much progress with 
his collection of material for his grand historical picture. He was small of 
stature, and morbidly irritable. After his death his wife and children opened 
a school, but soon returned to England. 

289 PORTRAIT OF MRS, REID, IN THE CHARACTER OF 

A SULTANA. 

She is seated at a table with a cup in her raised right hand. The face is 
turned toihe 1^ nearly in profile. A slave wearing a turban is dimly Men in 
the background. 

Butt, life nie. On oanvM, 36 H. ; 27i W. 

Qift of Mr. daoROB A. Hbarn , 1896. 

137 



PIOMBO» Fra Sebastiano deL (Real name Sebastiano Lu- 

ciani. ) Venetian School. 

Bom at Venice, 1485; died at Rome, 1547. Sebastiano Luciani, called 
del Piombo, from his holding the office of Keeper of the Lead^i Seal, was 
originally a painter and musician at Venice, where he studied successively under 
Bellini and Giorgione. His portraits in oil had won him fame before he was 
invited to Rome by the famous banker, Agostino Chigi, in 1512. At this 
time the papal court was divided into two strong parties, one led by Raphael, 
the other by Michelangelo, and the latter, feeling his own defects as a oolorist, 
courted Sebastiano, in hope that, by uniting Venetian color with his own grand 
design, Raphael could be outdone. When Cardinal Giulio de Medici com- 
missioned Raphael to paint the ''Transfiguration," he also conmiissioned 
del Piombo to paint ** Raising of Lazarus,'^ now in the National GaUeiy, Lon- 
don. The pictures, when finished, were exhibited side by side. 

86 CHRISTOPHER COLUMBUS. 

LifcHsize, seen to the waist. Standing, the face and figure three-quarters 
to the right of the spectator. The left hand is raised to nis breast and the 
right is extended in front of the figure. He wears a black gown cut low at the 
neck, with a broad collar thrown back on his shoulders, and a cornered hat 
widen does not conceal the luxuriant reddish brown hair. His complexion is 
olive^ and a white fine fluted collar is about his neck. The following inscri]>- 
tion IS on the canvas: Hsec Est . Efi^es . Liguris . Miranda . Columbi . Anti- 
podum . Primus . Rate . Qui . Penetravit . in . Orbem . 1519. 

This portrait comes from the Collection of the Due de Talleyrand Valencey 
et Sagan, 1899. 

Qift of Mb. J. I^VRPONT MoBOAN, 1900. Signed. On canvas, 41 H.; 34 W. 

S tBASTlAHVS 
ViNETVS TACIT' 



PL ASS AN, Antoine Emile. French School. 

Bom at Bordeaux, December 31, 1817. Genre pamter. Medals, third 
class, 1852, '57, '59. Legion of Honor, 1859; medal. Centennial Exposition, 
Philadelphia, 1776. He became blind in 1889. 

881 TABLE SUPPLIES. 

A lady in a d^coUet^ blue dress has just risen from an easy chsur by a 
table to look at game and vegetables which have been left with a maid who is 
dressed in Italian costume and is kneeling on the floor and holding up a hare 
for inspection. A boy with a basket over his arm b making his exit from a 
door at the right and whispering to a servant as he passes out. 

Bequeathed by Mb. Stvphbn Whttnet Phcxnix, 1881. 

£Hgned and dated, 1871. On wood, 6 H.] 8i W. 

1 1 1 LANDSCAPE. 

UntbyMB.THOiiAaP.SAi;raB. On canvas, 6 H.; lOJW. 

188 



POELENBURG (Poelenborch), Comelis van. Dutch School 
Bom at Utrecht, 1586; died there, 1667. Pupil of Abraham Bloemaert 

44 FAUNS AND NYMPHS BATHING. 

A thickly wooded landscape with the bathers in the immediate foreground. 
Purchased by the Museum, 1871. On canvas, 8i H.; 10| W. 

POKITONOW, J. Contemporary. French SchooL 
Bom in Poland. Studio in Paris. 
671 PASTURE SCENE. 

Lent by Mr. Thomas P. SAiyrsR. On panel, 4iH.; 6W. 

POLLAJUOLO, Antonio deL Florentine School 

Bom at Florence, 1429; died at Rome, 1498. Antonio and his brother 
Pietro were workers in bronze and silver ornaments, and also painters. It is 
said that Antonio was the first artist who dissected the human body in order 
to know how to represent it. Their most excellent productions represented 
contests of strength and muscular action, such as '^ Hercules and Hydra/' and 
the '' Death of AntsBus.^' In painting, their model was Andrea del Castagno. 
Their masterpiece is, without doubt, " St. Sebastian," in the National Gallery. 
'*The Archangel and Tobit" b in the Gallery of Turin. Other examples are 
seen in the Galleries of Florence, Berlin, Munich, and Modena. 

22 ST. CHRISTOPHER AND THE INFANT CHRIST. 

Cut from the walls of the Chapel of the Michelozzi Villa in Florence. 
The colossal figure of the legendary Canaanitish giant, Offero, St. Chris- 
topher, with a halo about his head and a palm-tipped staff in his right hand, 
is crossing the dangerous stream with the Divine Infant on his shoulder. The 
Infant upholds the globe with His left hand and His right arm encircles the 
neck of the saint. The distant shores are seen on either side and the blue sky 
is above. 
Gift of IfR. CoBKBuus VANDBRBiur. 1880. On plaster, 112 H.; 59 W. 

POUSSIN, Gaspard. (Real name, Gaspard Dughet.) French 

School 

Bom at Rome, 1613; died there, 1675. Landscape painter. Pupil 
and follower of his brother-in-law, Nicolas Poussin, whose name he adopted. 
Later he became more individual in style. He worked very rapidly, swne- 
times painting a large picture in a single day. In the Palazzo Borghese, 
Rome, are walls entirely painted by him, and in the Palazzo Colonna are 
several friezes by this artist 

306 LANDSCAPE AND FIGURES. 

Lent by Mr. Gborgb A. Hearn. On canvas, 35 H.; 57 W. 

POUSSIN, Nicolas. French School 

Bom at Villeres, District of les Andelys, Normandy, 1594, died at Rome 
1665. History and landscape painter. Pupil of Quentin Varin in Andelys, 
and of Ne5l, Jouvenet, Ferdinand Elle, and Lallemont, in Paris. Went to 
Rome in 1624, where he studied with Duquesnay; married the daughter of 

139 



Jacques Dughet, and adopted his two sons, Jean and Gas^ard, the latter took 
his name and afterwards rivalled him in fame as a painter. 

In 1640, Louis XIII sent M. de Chanteloup to bring him back to France. 
Although the King made him his first painter, and show^^ honors upon him, 
Pousain found his position so intolerable on account of the jealous intrigues of 
Vouet, Fouqui^res, and Mercier that he returned to Rome on leave of absence. 
The death of Cardinal Richelieu, in 1642, and of the King in the following year, 
left him free to remain in Rome the remainder of his life. 

His noble style, his skill in composition, his elegance in the grouping and 
disposition of figures, and his truly grand and poetic feeling in landscape, 
entitle him to the first place among painters of the French schooL 

499 MYTHOLOGICAL SUBJECT, 

The figure of Bacchus lies at full length beneath the trees which border a 
stream where a faim is bathing; at the right, two chubby bacchanalian 
youngsters are playing over a vase or jar from wMch the water is flowing. 

Purchased by the Muaeum. 1871. Signed. On canvas, 88 H. ; 28 W. 

tK>6 LANDSCAPE WITH FIGURES-^FAUN AND NYMPH, 

A classical landscape, in which loves are leading a goat ridden by a 
nymph, above whose head a faun holds a floating piece of r«i drapery. 

Gift of Mr. George H. Boughton, 1892. On canvas, 25 H. ; 29f W. 

600 LANDSCAPE WITH FIGURES, 

A faun is bringing fruit and flowers to a nymph who lies on the bank of a 
stream. Cupid reclines on the groimd near by at the right. 

Gift of Mr. George H. Boughton, 1892. On canvas, 25 H.; 29f W. 

POUSSIN, Nicolas and 

CERQUOZZI, Michelangelo. Roman School, 

Cerquozzi bom at Rome, 1602; died, 1660. 

618 ITALIAN LANDSCAPE (POUSSIN) ANIMALS AND 

FIGURES BY (CERQUOZZI), 
Lent by Princess Brancaccio. On canvas, 69 H. j 97 W. 

PRATT, Matthew. American School, 

Bom at Philadelphia, September 23, 1734; died in his native city, Janu- 
ary 6, 1805. His first instructor in art was his maternal imcle, James Clay- 
poole, whose works unfortunately cannot be identified; that he possessed no 
inconsiderable skill and knowledge in his profession is attested by the thorough 
grounding of his pupil. Pratt, after doing considerable work in Philadelphia, 
sailed for London, in Jime, 1764, accompanying Miss Shewell (whose uncle 
had married Pratt's aunt), and on September 2, 1764, he gave her in marriage 
to the future President of the Royal Academy. After a residence of two years 
and a half with West, in London, whose first American pupil he was, he spent 
eighteen months in Bristol, and shortly after returned to Philadelphia, where 
he set up his easel in the spring of 1768. In 1770, he made a brief visit to Ire- 
land, and painted several important pictures, among which was a whole length 

140 



portrait of Archdeacon Isaac Mann, in his robes, which was exhibited in Dublin 
at the Irish Academy. He passed a portion of the year 1772 in New York, 
during which time he painted a full-length portrait of Cadwalader Golden for 
the Chamber of Commerce, which is still in possession of that body. About the 
same period he painted the portraits of several members of the Walton family. 
His portrait of West and wife are in the Pwmsylvania Academy of Fine Arts, 
Philadelphia, and that city also boasts of the earliest authenticated likeness of 
the great American philosopher, Franklin, which is his work. 

206 THE AMERICAN SCHOOL. 

This interesting picture represents West's painting room in London. To 
the left, Westj with nat on, stands by Pratt, correcting a drawing. At the 
right of the painting, with palette and brushes in hand, is another student who 
has turned to listen to the words of the master. In the center are two younger 
students, one of whom is supposed to be Abraham Delanoy, of New York, wo 
was studying with West at that time, and whoseportrait by West was recently 
in the possession of the De Peyster family. The picture was exhibited by 
Pratt, at the Old Spring Gardens, in London, in 1766, under the title still 
preserved. 

This picture shows Pratt to have been an artist of no ordinary ability, as 
it is a remarkable composition to have been executed at so early a day by an 
American artist, and its color, scheme, and detail are worthy of special notice. 

Gift of Mr. S. p. Avert, 1897. Signed and dated. 1768. Qn canvas. 50 H,; 36 W. 

PRE YER, Emilie. Dasseldorf School 

Bom at DUsseldorf, 1849. Daughter and pupil of Johann Wilhelm 
Preyer. Visited and studied in Cassel, 1880; Dresden and Berlin, 1881; 
Brussels and Antwerp, 1883; and Holland, 1885. 

427 FRUITSy FLOWERS^ ETC. 

Bequeathed by Miss Catharine Lorillard Wolfb, 1887. 

Signed. On canvas, 11 H. ; 16 W. 

686 FRUIT. 

A glass of sparkling wine surrounded with fruit and flowers, stands upon a 
salver on a white marble top table. 

Lent by Mr. Thomas P. Salter. On canvas, 7i H.; 10 W. 



PREYER, Johann Wilhelm. Dilsseldorf School. 

Bom at Rheydt, near Dllsseldorf, 1803; died, 1889. Pupil of Dtisseldorf 
Academy, 1822-27. Visited Holland m 1835; Munich, 1837 and 1842; 
Venice, Milan, and Switzerland, in 1840; Tyrol and Venice, in 1843. Settled 
in Dllsseldorf. 



GRAPES, PLUMS, NUTS, ETC. 

A bird is perched on a \'ine above the fruit where he is eating a piece of 
the nut taken from the broken shell which lies in the foreground. 
Painted to order, 1874. 

Bequeathed by Miss Catharine Lorillard Wolfe. 1887. 

Signed. On canvas, 13 H.; 16 W, 

141 



PRUD'HON, Pierre. French School 

Bom at Cluny (Sadne-et-Loire), 1758; died at Paris, 1823. After study- 
ing a short time at Paris, he went, in 1782, to Rome, where he remained seven 
years. Success being slow after his return, he was obliged to spend several 
years in work for engravers and book publishers; but good fortune arrived at 
last. He was chosen as instructor to the Empress Marie Louise, and about the 
same time was elected a member of the Institute of France. 

270 ASSUMPTION OF THE VIRGIN, 

The Virgin clad in a pink robe with a dark blue mantle around her figure, 
supported by three cherubs, is ascending to heaven. Her arms are out- 
stretched and the face upturned into a golden light which breaks through the 
clouds above. St. Paul holding the key in one hand and pointing upward 
with the other kneels on the ground below. Another saint kneels prostrate, 
and Mary Magdalen looks up m solemn wonder. 

Gift of Mr. Henry G. Marquand, 1888. 

Signed and dated. 1816. On canvas, 8| H. ; ITf W. 

RAEBURN, Sir Henry. English School 

Bom at Stockbridge, near Edinburgh, March 4, 1756; died near there, 
July 8, 1823. Apprenticed to a goldsmith in Edinburgh; tried miniature 
then portrait painting. A fortunate marriage enabled him to visit (1778) 
London and Italy. On his return, in 1780, he set up as a portrait painter in 
Edinburgh. He soon won high rank in his art; was elected, in 1812, President 
of the Society of Artists in Scotland, and in 1822 was knighted, and the next 
year was appointed His Majesty's limner for Scotland. Nine of his portraits 
are in the National Gallery, Edinburgh, and two in the Lenox Library, New 
York. 

294 , PORTRAIT OF MR. WILLIAM FORSYTH, an eminent 
horticulturist and the author of a work upon Horticulture, 

Bust, life-size. The face and figure are turned three-quarters to the 
right. The dark eyes look fixedly at the spectator; he has gray hair, a florid 
complexion, and wears a dark ouve colored coat with a velvet collar. The 
background is gray. 

Gift of Mr. Gborgb A. Hbarn, 1896. On canvas, 291 H. ; 24^ W. 

RAMBERG, Arthur Georg Von, Baron. Austrian School 

Bom at Vienna, 1819; died at Munich, 1875. Pupil of Prague and 
Dresden Academies and of Julius Hlibner. Went in 1850 to Mimich, in 1860 
became professor at the Weimar Art School, and in 1866 at the Munich Acad- 
emy. Member of Vienna and Berlin Academies. Order of St. Michael. 

474 MEETING ON THE LAKE, 

Purchased in Munich, 1869. 

Bequeathed by Miss Catharine Lorillard Wolfe, 1887. 

On canvas, 44 H.: aeW* 

142 



REMBRANDT VAN RIJN (Rembrandt Harmensz Van 

Rijn). Dutch School 

Bom at Leyden, July 15, 1606. Buried in the Westerkerk (Church of 
the West) at Amsterdam, October 8, 1669. He was the son of a pros- 
perous miller of Leyden whose ambition was to see him in one of the learned 
professions. But the boy's love for art overcame aU difficulties and oppo- 
sitions, and he entered the studio of Van Swanenburg as a pupil, and 
later that of Pieter Lastman. The bold strong features of old age had a fas- 
cination for Rembrandt, the bold markings, broad planes, and vigorous lines 
easily gave him that clue to a mastery of expression which is so characteristic 
of all his works. In 1631 he opened a studio in Amsterdam, and resided 
there until his death. In 1634 he married Saskia Van Uylenborch, whose 
fair face and form are seen in many of his portraits, biblical and historical 
pictures. For eight years fortune smiled upon him; his studio was crowded 
with pupils and he had patronage far beyond his needs. But Saskia died 
in 1642 and a gloom was cast over the life of the young painter. In the 
development of his art he left not only the impress of his own individuality 
upon each work by his hand, but recorded the characteristics of the peo- 
ple among whom he Uved with a vigor and vital force which has never been 
equaled and is well illustrated in his portrait groups, especially that of the 
Sjrndics in the Rycks Museum at Amsterdam. In 1650, Hendrikje StofPels, 
a beautiful young girl from the country, came to live in his home as house- 
keeper, where she remained during the remainder of his Ufe the devoted and 
loving friend, watching over, and caring for him tenderly during his last 
days of poverty and misfortune until the end came. Unfortimately, Rem- 
brandt had been too lavish in his expenditures, fashion changed and under the 
influence of French tastes for the lighter, smoother, and more elegant and 
decorative pictures, Rembrandt was neglected and his more robust art found 
little favor; debts accmnulated, commissions were few, and at last he was 
declared a bankrupt and his whole e£fects were sold by auction. But the 
artist knew his powers, and the most splendid achievements of his life were 
accomplished when he waa in direst poverty and extreme want. 

240 PORTRAIT OF A MAN. 

A man about forty years of age wearing a high crown, broad brim, black 
hat, a wide, white linen collar and black habit, is seated a little to the right 
witn the face framed in long, dark-brown hair; looking out of the canvas 
the grave eyes meet yours with the sedate but kindly look of one who in- 
vites acquaintance. The left hand partially concealed by his dress and a 
lace ruff at the wrist are seen in shadow at the bottom of the canvas. 

Painted according to Dr. Bode, about 1640. Purchased from the Marquis 
of Lansdowne in 1883. Bust. Life-size. 
Gift of Mr. Hbnrt G. Marquand, 1890. 

^ On canvas, 30f H.», 24| W. 

230 PORTRAIT OF A MAN, 

He is seen standing, wearing a large black hat, which casts a deep shadow 
over the upper portion of his countenance, from which his melancholy eyes 
look at the spectator with an intense dreamy expression. A rich golden 
brown gaberdine covers his figure, which has but little relief from a back- 
ground of a similar tone. 
^ 143 



This picture came from the collection fonned by Sir William Knighton, 
Bart., physician to King George IV. 

Sir William Knigh^n, besides being a very eminent medical man, was an 
accomplished amateur artist. He was a personal friend of George IV , whilst 
Prince Regent, and his principal adviser in the formation of the collection of 
Dutch pictures at Buckmgham Palace, now the property of the Crown. 

His own collection was kept intact imtil within a few years, when it was 
sold at the death of his son, who left no successor; the baronetcy b»x)ming 
Ktinct. 

Gift of Mr. Henbt G. Marquand, 1888. 

Signed and dat«d. 1665. OneanTa8,27f H.; 24|W. 



lUs 




241 THE ADORATION OF THE SHEPHERDS. 

The shepherds are kneeling around the Infant Saviotir Who lies upon & 
couch of straw in the interior of a stable, wrapt in the darkness and mystery 
of night. As in the " Notte " of Correggio, a supernatural light emanates from 
the Infant, illuminating the surrounding figures. The one in deep shadow, 
kneeling, in the foreground, is forcibly relieved against the principal group. 
A man bearing a lantern wluch glimmers in the darkness has just entered the 
stable from the right followed by another group of figures, one of whom bears 
another lantern. 

This picture is a replica or copy of the one in the National Gallery in 
London. 

Purchased in London in 1888. 



Gift of Mr. Hbnrt G. Marquand, 1888. 
Signed and dated, 1641. 



237 



On panel, 24f H.: 20AW. 



THE MIIJjS. 

A sombre landscape of a warm, brownish tone, heavy with rain, the dull 
gray clouds are reflected in the waters of the canal, and hang over the distant 
landscape, shadowing almost to obscurity the long line of mills that border 
the artificial stream. But the old red mill, which stands in the foreground 
with its tiled roof, massive walls, and archea gateway, the moving figures, the 
quay, and the boats which drift upon the waters of the canal, are in a perpetual 



144 



golden glow, despite the heavy atmosphere of the low lands of Holland. " The 
old mill, in which Rembrandt was bom," is inscribed upon the back of this 

Eicture. Formerly in the Cartright collection; described by Vosmaer in his 
8t of Rembrandt s effects: "A picture of houses." 

Gift of Mr. Hbnrt G. Marquand, 1890. Signed. On canvas, 2di H. ; 21^ W. 

RENOUF, EmUe. French School 

Bom at Paris; died, 1894. Pupil of Boulanger, Jules Lef^bvre and of 
Carolus Duran. Medal, second class, 1880. Gold Medal, and Legion of 
Honor, 1889 (Exposition UniverseUe), 

664 AFTER A STORM. 

A surf-beaten, sandy beach where the black fishing boats are hauled out 
and stretch down the bleak shore to meet a dull gray, cloudy sky at the 
horizon. 

Gift of Mr. William ScHAUs, Jr., 1887. Signed. On canvas, 45 H.* 79 W. 

REYNOLDS, Sir Joshua, P.R.A. English School 

First President of the Royal Academy. Bom in Devonshire, at Plympton 
Earl 1723, where his father was a schoolmaster. Died at London, 1792. 
**Done by Joshua out of pure idleness," wrote his father over a drawing which 
the boy had done in his exercise-book. '* While I am doing this," wrote 
Joshua himself of his drawing, a few years later, " I am the happiest creature 
alive." When He was eighteen he was sent to London to study under Hudson. 
After two years he had made such good progress as to estrange his master. 
After a year spent at Plymouth he went to London again; but upon his 
father's death he returned, in 1746, to Plymouth, where he won the friend- 
ship of Lord Edgcumbe, who introduced him to Captain Keppel, who 
offered to take him to Italy on board his own ship, the "Centurion." In 
May, 1749, they set sail, and till the end of the year Reynolds stayed with the 
Governor of Minorca, painting portraits. For two years he studied in 
Rome. From Rome he went to Parma, Florence, and Venice. At Parma 
he came under Correggio's influence; at Venice he studied Titian. "To 
possess a real, fine picture by that great master," he once said, "I would will- 
ingly ruin myself." 

Reynolds returned to London in 1752. He settled first in St. Martin's 
Lane; afterwards in Great Newport Street, and finally (from 1760 onward) 
in Leicester Square, where his house (No. 47) may still be seen — ^nearly oppo- 
site to the site of Hogarth's. From this time forward Reynold's life was one 
unbroken success. Other painters arose from time to time to divide his popu- 
larity. Opie, Gainsborough, and Hoppner; but Reynolds' supremacy was 
never seriously threatened. In 1768, when the Royal Academy was founded, 
he was elected President by acclamation, and was knighted by the king — an 
honor which has ever since been offered to the holder of that office. 

lee PORTRAITS OF THE HON. HENRY FANE AND HIS 

GUARDIANS, INIGO JONES AND CHARLES BLAIR. 

Gift to tb« Museum by Mr. Junius S. Morgan, of London, 1887. This picture was 
purchased by Mr. Morgan from the Earl of Westmoreland. It had been in the GaUwy 

145 



of the Earls of Westmoreland, at Apsthorpe, in Northamptonshire, since it was painted, 
about 1774. The Hon. Henry Fane, the central figure of the group, was second son of the 
8th "Eaxi of Weetmoreland. and succeeded to the title at the age of fifteen. On either side 
are his two guardians; the one seated at his right being his brother-in-law. Inigo Jones, 
and the other, standing at his left, Charles Blair. The picture is engraved in vol. 3d of th« 
publiahed engravings of works by Sir Joshua Res^olds. 

On canvas. 100 H. ; 142 W. 

163 PORTRAIT OF SIR EDWARD HUGHES. 

Bust, life-size. Face three-quarters to the left, figure front, blue coat 
trimmed with gold lace. He has a silver star on his left breast, and a red sash 
crosdng on the right shoulder. 

Purchased by the Museum. 1871. On canvas. 29 H. ; 24 W. 

246 PORTRAIT OF LADY CAREW (Daughter of Lord Carew). 

Bust, life-size. The head turned to her left. She is dressed in a white 
linen robe, open at the neck. Round her waist is a oik sash of pale blue. 
The background is sky, with light, silvery-gray, clouds. 

Gift of Mr. Henbt G. Marquand. 1888. On canvas. 29 H. ; 24| W. 

318 PORTRAIT OF MRS, ANGELO. 

Lent by Mr. Gborob A. Hearn. On canvas. 29 H.; 24|W. 

287 PORTRAIT OF MRS. ARNOLD, 

Bust, life-size. Front view of the figure, the face being turned three 
quarters to the left. She is dressed in a white d6collet6 gown with a red rose 
and a string of pearls at the bust. A pink, fur-trimmed mantle covers the 
shoulders. The background is a cloudy sky with a column at the left. 

Gift of Mr. Gborob A. Hearn, 1896. On canvas. 28i H. ; 24 W. 

296 THE DUKE OF CUMBERLAND. 

Uncle of George III, second son of King George II. CJommander-in-chief 
at the battles of Fontenoy and CuUoden. 

Half-lengthy standing three-quarters to the left; his right hand rests upon 
a helmet and with the left he gi^isps the handle of a sword at his side. He 
wears an armored breastplate, and a scarlet coat trimmed with gold lace. 

Gift of Mr. Gborob A. Hearn. 1888. On canvas, 49 H. ; 39 W. 



PORTRAIT OF A LADY. 
Lent by Mr. Geoiige A. Hearn. On Canvas. 29 H.; 24 W. 

Copy 

169 PORTRAIT OF MR. JOHN HAWKSWORTH. 

Extract from a Catalogtie Raisonne of the engraved works of Sir Joshua 
K^-nolds from 1755 to 1820, by Ed. Hamilton, London, Colnaghi & Co., 1874: 
"Hawksworth, John, LL.D., bom 1715, son of a watchmaker at Bromley; 
died 1773, it is said, from elation at being offered £6,000 (an immense sum at 
that time) for the nistory of Cook's voyages, with illustrations engraved in 
mezzotint, by James Watson." The portrait was painted in 1773, and waa 
in the possession of Mr. Graves, Pall Mall. Bought by Mr. D. F. Appleton. 
N. Y., 1892. Sold by Mr. S. P. Avery, Jr., to Mr. Jacob H. Schiff, 1893. 

Gift of Mr. Jacob H. Schiff, 1893. On canvas. 29i H. ; 24^ W. 

146 



RICCI (or Rizzi), Sebastiano. Venetian School 

Bom at Cividale di Belluno in 1662; died at the same City, 1734. With a 
fertile invention and great faciUty of execution, he excelled in imitating the 
great masters of the Venetian school. 

229 ESTHER BEFORE AHASUERUS, 

"And it was so, when the King saw Esther the Queen standing in the 
court, that she obtained favor in his sight; and the King held out to Esther the 
golden sceptre that was in his hand." — Esther v. 2. 

Gift of Mr. Henrt G. Marquand, 1894. On canvas, 17^ H. ; 50i W. 

RICHARDS, Samuel. American School. 

667 HOUR OF PRAYER. 

Lent by Mbs. Samuel Richards. On canvas, 41 H.; 34 W. 

RICHARDS, William Trost. American School p, 

Bom at Philadelphia, Pa., 1833. Died at Newport, R. I., Nov. 8, 1905. 
Landscape and marine painter; pupil of Paul Weber. In 1855 visited Flor- 
ence; in 1866-67, France and Germany; and in 1878-79-80. London and the 
coast of England. Exhibits at the Royal Academy, L ndon, in 1869 and 
1878-81; Paris Salon, 1873. Honorary Member of National Academy. 
Medals: Philadelphia, 1876; (Temple) 1885. 

380 A ROCKY COAST, 

Masses of dark rocks are piled up on the foregroimd at the left; and at the 
right, the surf beats against the cliff sending the spray over its jagged surface. 
The sky is murky with rainclouds broken by a gleam of light at the horizon. 

Bequeathed by Miss Catharine Lorillard Wolfe, 1887. 

Signed and dated, 1877. Water Color, 22 H. ; 36 W. 

RICHTER, Gustav Karl Ludwig. Germain School 

Bom at Berlin, 1823; died there, 1884. Pupil of Berlin Academy under 
Eduard Holbein, and in Paris (1844r-46) of Cogniet; studied in Rome in 1847- 
49; visited afterwards France and Italy repeatedly, Egypt in 1861, and 
Crimea in 1873. . Member of, and professor in, Berlin Academy; honorary 
member of Munich and Vienna Academies. Medals: Berlin, Paris (1855, 
1857, 1859), Brussels, Vienna (1873), Philadelphia (1876), Munich (1883); 

664 VICTORY. 

The figure of Victory with pink wings, a breastplate of gilt armor, and 
accompanied by the angel of peace beanng a palm, is trumpeting the ^ad 
news to the world. Below are two loves, one upholding a shield filled with 
laurel leaves, the other holding a laurel wreath in his outstretched hands 
The figures are life-size. 

Gift of Mr. Jacob H. Schiff. 1888. Signed. . On canvas, 136 H. ; 68 W. 

147 



RICO, Martin. Spanish School 

Born at Madrid, Spain. Contemporary. Received his first instructioD 
in drawing from a good-hearted cavalry captain who practised art as an ama- 
teur. Pupil of Federico de Madrazo; then studied in Paris and in Rome. In 
1862, \he secured the first Prix de Rome ever given at Madrid for landscape^ 
and, as the four years' pension involved by the prize may be used by the winner 
in either Rome or Paris, he chose the latter, and there Zamacois took him in 
hand; Meissonier and Daubigny gave him advice. Medals: Paris, third class, 
1878; second class, 1889; Exposition Universelle. Legion of Honor, 1878. 



CANAL OF VENICE. 

A canal bordered with marble buildings that rise out of the water on 
either side. At the left is a boat landing where a boy with his feet in the 
water is sitting on the steps which lead to the garden of a palace where there 
are trees, and a summer house decorated with marble figures. A bridge 
crosses the canal in the distance. The sky is clear blue and cloudless. 

Bequeathed by Mies Catharine Lorillard Wolfs, 1887. 

Signed. On canvas. 19 H.; 26 W. 

604 AN ITALIAN GARDEN, 

On a terrace in the center of the garden is a marble fountain reeved 
against green foliage and a tall tree wnich rises above the light buildings 
beyond. The sky is deep blue with light fleecy clouds. 

Bequeathed by Mr. Stephen Whitney Phobnix. 1881. On canvas, 23i H.; 14| W. 

RIEFSTAHL, Wilhelm Ludwig Friedrich. German School 

Born at Neustrelitz, Germany, 1827; died at Mimich, 1888; pupil of 
Berlin Academy under F. W. Schirmer; professor at the Carlsruhe Art School 
in 1870-73, and director in 1875-77; settled in Munich, 1878. Member of, 
and professor in, Berlin Academy; honorary member, Munich Academy, 1881. 
Gold Medal, Berlin, 1864; Vienna, 1873. 

306 A WEDDING PROCESSION IN THE BAVARIAN TYROL. 

The procession on its way from the church has reached the Hobz Kiel 
(Inn) witn its swinging sign emblazoned with the double eacle of Austria: the 
balcony, where musicians are stationed to play the wedmng march on the 
violin, zither and flute, is trinuned with Rose Marie, and a girl at the left with 
a Maas Krug and glasses well filled with wine awaits the approach of the bridal 
party to tender them refreshments and good wishes. 

Purchased in Berlin, 1866. 

Bequeathed by Mies Catharine Lorillard Wolfe, 1887. 

Signed. On canvas, 27 H.) 43 W. 

661 B 

A RELIGIOUS PROCESSION IN THE BAVARIAN TYROL. 
Lent by Mrs. Israel Corse. On canvas, 21 H.; 42 W. 

RINALDI, of Rome. 

16 THE RUINS OF PAESTUM. (Mosaic.) 

Lent by Dr. J. W. AuBOP. 22 H.; 65^ W, 

148 



ROBERT-FLEURY, Tony. French School 

Bom at Paris, 1838. Pupil of Paul Delaroche and Cogniet. Medals: 
1866, '67, 70; first class, Exposition UniverseUe, Paris, 1878. Medal of 
Honor, 1870. Medal, first class, Exposition UniverseUef 1878. Legion of 
Honor, 1873. Officer, Legion of Honor, 1884. Gold Medal, 1889, Exposition 
UniverseUe, 

462 A MUSICAL CARDINAL. 

The Cardinal absorbed in rendering the music which rests on a chair in 
front of Mm, is drawing the bow vigorously over the strings of a bass-viol. 
The figure in a scarlet robe is relieved against a gray tapestry background. 

Bequeathed by Miss Catharine Lorillard Wolfe, 1887. 

Signed. On panel, 21 H. ; 17 W. 

ROBIE, Jean. Belgian School. 

Brussels, Belgium. Painter and author. Bom at Brussels, 1821. 
Member of the Royal Academy of Belgium, and of the Commission in charge 
of the Royal Museums. Commander of the Order of Leopold. Chevalier 
Legion of Honor, and the Order of Francis Joseph, of Austria. In the Mus^e 
of Brussels are his "The Raisins," "Flowers, Fruits, and Accessories," "Sum- 
mer," and "The Burning of the Jungle — ^Tiger Hunt," all presented by the 
artist. 

FLOWERS. 



A group of roses and pansies topped out with daisies and wild grasses lie 
on the border of pool of water where they are reflected among the petals which 
float on the surface. 

Bequeathed by Mrs. Elizabeth U. Ck)LES, 1892. On panel, 23f H.; 18i W. 

ROBINSON, Theodore. American School. 

Bom at Irasburg, Vermont, 1854; died at New York, April 1, 1896. 
Pupil of Carolus Duran and J. L. G4r6me, Paris. Webb Prize, Society of 
American Artists, 1890. Shaw Fund Prize, same society, 1892. Medal, 
World's CJolumbian Exposition, Chicago, 1893. Member of the Society of 
American Artists. 

648 A WINTER LANDSCAPE. 

Lent by Mr. J. M. Lichtenauer. On canvas, 18 H.; 22 W. 

ROMEYN, Willem. Dutch School. 

Bom at Haarlem about 1624; died after 1698. Pupil of Berchem in 
1642. Master of Haarlem Guild in 1646. A painter of landscapes with ani- 
mals, who imitated Du Jardin successfully. His love of nature was pure, his 
drawing good, and his composition picturesque. His works are in the Munich, 
Dresden, Berlin, and Amsterdam Galleries. 

tS CATTLE IN REPOSE. 

A sombre picture with a group of cattle at the base of a small hill topped 
with a willow and other trees against a dull sky. 

Purchased by the Museum, 1871. On canvas, 13i H. ; 16 W. 

149 



ROUSSEAU, Pierre Etienne Thiodore. Barbizan School 

Bom at Paris, April 15, 1812; died at Barbizon, near Fontainebleau, 
December 22, 1867. Landscape painter; pupil of R^mond (1826) and of 
Lethi^re. Showed himself a true ''naturalist'' in his first picture (1826), and 
up to 1848 — ^when his works, after being for thirteen years excluded from the 
Salon by the Academical Jury, then abolished, were readmitted — fought the 
battle of natiualism with varying success, and foimded the modem French 
school of landscape painting, of which he was one of the chief glories. Albert 
Wolfe said of Rousseau: ''He occupied the highest place, because he was the 
most perfect master. The grand aspect of landscape and its tenderness are 
equally familiar to him. He renders with the same mastery the smile of 
creation and its terrors, the broad open plain and the mysterious forest; the 
limpid, sunbright sky or the heaping of the clouds put to flight by storms; 
the terrible aspect of landscape or those replete with grace. He has under- 
stood all, rendered all, wit^ equal genius. The great contemporary painters 
have each a particular stamp, Corot painting the grace; Millet the hidden 
voice; Jules Dupr^, the majestic strength. Theodore Rousseau has been by 
turns as much a poet as Corot, as melancholy as Millet, as awful as Dupr^; he 
is the most complete, for he embraces landscape art absolutely.'' 

Medals: tUrd class, 1834; first class, 1849, 1855; Medal of Honor, 1867. 
Legion of Honor, 1852. 



EDGE OF THE WOODS, 

A small path leads up the side of a low hill which is surmoimted b^r a 
group of large and sturdy oaks. Above is a brilliant blue sky flecked with 
white clouds. 

Purchased from the ineome of the Catharine Lorillard Wolfe Endowment Fund, for her 
collection, at the William Schaua sale, Febraary 28, 1896. 

Signed at the left. On panel. 31 H. ; 48 W. 

417 LANDSCAPE. 

A woody landscape overlooking a plain; amonjg a ^roup of trees at the 
left are two dwellings. The sky is peariy gray ^th light clouds. 

Purehased from the income of the Catharine Lorillard Wolfe Endowment Fund, for her 
oollection, at the* Henry G. Marquand sale, 1903. 
Signed. On panel, 91 H. : 12^ W. 

482 RIVER LANDSCAPE. 

A cluster of trees with a cottage nestling beneath borders the river; 
beyond, are meadow lands, a few trees, and a luminous sky with light clouds. 
Purchased in Paris, 1852. 

Bequeathed by Mns Cathabinb liORiLLARD Wolfs, 1887. 

Signed. On canvas, 8 H. ; 10 W. 

RO YBET, Ferdinand L6on Victor. French School 

Paris. Bom at Vzha (Gard), France, 1840. Pupil of Vibert. Professor 
£cole des Beaux-Arts, Lyons. Medal, 1866. Legion of Honor, 1892. Medal 
of Honor, Paris, 1893. Grand Medal, Munich, 1894. Medal of Honor, 
BerUn, 1895. 

150 



406 THE GAME OF CARDS, 

Three guardsmen in the ornate costume of the XVII century, two of 
whom are seated at a table covered with rich red tapestry, are playins at 
cards. The other, with his right hand resting upon a tall beaker of wme^ 
stands behind the table watching the game. 
Painted to order. 
Bequeathed by Miss Catharine Lorillard Wolfb, 1887. 
Signed. On canvas, 18 H.; 22 W. 

RUBENS, Peter Paul. Flemish School 

Bom at Si^en, June 28, 1577, baptized (the day after his birth) on 
the festival of Saints Peter and Paul (hence his Christian name), is the chief 
glory of the Flemish school, and one of the great masters of tile world. This 
remarkable man, scholar, painter and diplomatist, was descended from two 
good families. His father, Jan Rubens, was an Alderman of Antwerp, and 
his mother, Maria Pypelinckx, belonged to a distinguished family of the 
same city. Rubens' talent for drawing early led him to decide upon paint- 
ing as a profession. He entered the school of Adam Van Noort, with whom he 
remained four years. Another four years was passed in the studio of Otto 
or Otho Vaenius, whose cultivation of mind and taste was of more advan- 
tage to Rubens than his instruction in painting. In 1598 he was admitted 
to the Guild of Painters in Antwerp; his father had died, and his mother 
had returned to that city. In 1600 he went to Venice and studied the 
works of Titian and Paul Veronese. For eight years Rubens was in the 
service of the Duke of Mantua. An excellent Latin scholar, he was also 
proficient in French, Italian, English, German, and Dutch. These gifts pro- 
cured him diplomatic employment. In 1603 he was sent on a mission to 
Spain. In 1608 news of his mother's iUness reached him, and he hastened 
home, when he was appointed Coiui; painter to the Archduke Albert, then 
Governor of the Netherlands. In 1622 he visited Paris at the invitation of 
Marie de' Medici (a sister of the Duchess of Mantua). In 1628 he was sent on 
a mission to Philip IV of Spain, and in the following year he was sent to 
Charles I of England. Here he was knighted, and was given an honorary 
degree by the University of Cambridge. But wherever he went, Rubens con- 
tinued to paint, and his diplomacy he considered as a mere recreation. ''The 
painter Rubens," he is reported to have said of himself, ''amuses himself with 
being ambassador." How hard he labored is known by the enormous number 
of his works — between 2,000 and 3,000. In 1609 Rubens married his first wife, 
Isabella Brant, who died in 1626, leaving two sons, to whom Gevartius was 
tutor. It was in 1630 that he married Helena Fourment, who was at that 
time but sixteen years old. She bore him five children, survived him, and 
married again. Both his wives so often served him for models that their 
forms and faces are familiar to the world. He died May 30, 1640, and was 
buried in his private chapel in the Church of St. Jacques, at Antwerp, which 
is decorated with a magnificent work of his own. 

48 RETURN OF THE HOLY FAMILY FROM EGYPT. 

This admirable picture was painted for the Church of the Jesuits at Ant- 
werp prior to 1620, after Rubens' return from Italy, and before he had called in 
the aid of assistants. It was done immediately after finishing the famous 

151 



"Crucifixion *' in the Cathedral of Antwerp, and before the execution of its com- 
panion picture, that other masterpiece, ** The Descent from the Cross;" or, in 
other words, at the period when this prince of painters produced his greatest 
works. Grandeur of sUrle and power of coloring are equally the characteristics 
of "The Return from Egypt." Reference is made to it in the catalogue of a 
sale, May 20, 1777, of the pictures tiikon from churches and convents of the 
Jesuits, at Antwerp^suppressed by the decree of the Emperor Joseph II: * * Re- 
turn from Egypt. The Infant Jesus, the Holy Virgin, and St. Joseph. The 
Eternal Father is seen in the upper part of the picture, enveloped in clouds. 
Well grouped. Painted on wood. H., 7 ft. 9 in. ; B., 5 ft. 4 in." It was bought 
at this sale by the rich banker Dannoot, and is thus described in the catalogue of 
the Dannoot sale (page 27, No. 61), held at Brussels in 1829, when it was bought 
by Mr. Buchanan, one of the most skillful London en>ert8: ''The Return from 
Egypt. The Holy Virgin and St. Jos^h hold by the hand the Redeemer of 
the World. The mother looks with solicitude on the Divine Infant. The 
Child raises His eyes to her, and seems to announce to her a happier destiny. 
The Father from heaven contemplates this scene with tenoemess. An 
admirable picture, well composed, and painted with decision. It cannot be 
seen without exciting a sentiment of respect and devotion." It is also men- 
tioned in Smith's Cataloj^ue, Vol. 2, page 21, No. 71. Smith's description is 
from Bolswert's engraving, where the engraver has introduced the Holy 
Spirit, and an aureole around the head of St. Joseph, which never existed in 
the original; and is described in the Life of P. P. Rubens, by I. F. Michel, 
Brussels, 1771 : "At the end of the small nave at the right is another piece by 
the same master, representing the Virgin and St. Joseph leading the Infant 
Jesus by the hand. Although the composition is unpretentious, the feeling in 
the heads and the beauty of the flesh tints cause it to be much admired." It 
is also mentioned in all the other guide-books for amateurs in Belgium, etc., 
and in the " Histoire de P. P. Rubens," by Andrew Van Hasselt, page 248, 
No. 214, and in the '' Dictionary of Painters," by A. Siret, page 787, 2d edition. 
This picture was transferred from wood to canvas between 1879 and 1882 and 
was seriously injured at that time in an attempt at restoration. 

Purchased by the Museum, 1871. - 98f H. ; 60 W. 

226 SUSANNAH AND THE ELDERS. (School Copy.) 

On the left, in a crouching attitude, is the startled Susannah, about 
whose figure is draped a fur-trinmied mantle. On the ri^ht the two Elders; 
one in the act of stepping over a balustrade, the other reaching eagerly forward 
grasps the branch of a small tree, from which is suspended a black gown. A 
pet si^aniel bounding up the steps sounds the note of alarm. Kvery object in 
the picture is finished with exquisite care, and the whole surface is glowing 
with color. 

There is no record of the provenance of this picture. 

Gift of Mr. Henrt G. Mabquand, 1800. On panel, 18i H.] 2fti W. 

49 THE HOLY FAMILY. 

The Virgin is seated at the right dressed in a red robe, with an under-skirt 
of a deeper tone which is folded across her lap: from underneath, the white 
drapery falls to her feet. Her left arm is extended and rests grac^ully on the 
folds of a dark green mantle which has been laid over the back of her seat. 
The Infant Christ standing upon His mother's knee, with one arm thrown 
about Her neck and the other extended downwards, turns His head in loving 
greeting to St. John. Behind the Mother and Child is St. Elizabeth, her right 
hand gently touching the Infant's arm, and above, at the right, St. Joseph 
contemplates the scene. At the left of the composition, St. Francis d'Assisi 
in the brown habit of the Franciscan order with his arms crossed over hi^ 
breast, bends forward with an expression of rapt devotion. At his feet is the 

152 



Lamb. Beyond, a background of glowing color, brilliant cumulus clouds 
streaked with crimson at the horizon, a tree with luxuriant foliage, a build- 
ing in the middle distance, and an architectural ruin in the foreground, 
complete the composition. 

Engraved by John Young in the '* Miles Gallery," in 1822. Exhibited at 
Burlington House, 1870. Described in Smith's Catalogue Rai^onrd, Vol. II, 
p. 221, No. 784; Waacen's "Art Treasures," VoL III, p. 182; Max Rooses' 
VCEuvre de Rubens, Vol. I, p. 309, No. 325. From the collection of Sir Phillip 
Miles, Leigh Court. From the collection of Sir Cecil Miles, Leigh Court. 
From the collection of Mr. F. O. Matthiessen, 1902. 

Gift of Mr. J. Henrt Smith, 1902. On canvas. 68^ H. ; 81| W. 

33 CAMBYSES' PUNISHMENT OF AN UNJUST JUDGE. 

It is a tradition that the Persian king, Cambyses, caused an \mjust and 
prevaricating judge to be skinned alive, and then appointed his son to fill the 
chair made vacant by the death of his father, and obliged him to sit upon a 
cushion made of his father's skin. Over the judge's seat the painter has dis- 
played the face and hands of the victim. A finished study for the painting 
made for the Ma^strates' Hall at the city of Brussels, and Which was destroyed 
in the conflagration caused by the bombardment in 1695. 

Described and illustrated in UCEuvre de P, P. RubenSy par Max Rooses, 
Vol. IV, p. 8. 

Gift of Mr. Wm. E. Dodge. 1900. On panel, 17 H. ; 17 W. 

249 PY RAMUS AND THISBE. School of Rubens. 

Thisbe, discovering her lover lying dead, attempts to take her own life by 
falling on a sword. Cupid hastens away, horrified at the sight. Above are 
three JiOves in the branches of a tree; on the left is a monument, with a 
sculptured lion on a pedestal. Purchased through Eugene Benson, from a 
private collection, near Venice. 

Gift of Mr. Henrt G. Marquand, 1888. Signed. On canvas, 50i H. ; 38i W. 




RUISDAEL (RUYSDAEL), Jacob Isaacksz Van. Dutch 

School. (See page 164.) 

Bom at Haariem, 1628 or 1629; died there, 1682. Son and pupil of 
Izack Van Bn&dael; probably also pupil of his uncle Salomon Van Ruysdael. 
Became the greatest landscape painter of the Dutch School. 

In 1048 he joined the Guild of St. Luke, at Haarlem, and in 1659 obtained 
th^ rights of citizenship at Amsterdam. He was little appreciated by his con- 
temporaries, and gained but a scant maintenance by his ^rt. The figures 
introduced in his landscapes are by Berchem, Adrian Van de Velde, Wouwer- 
man, Lingelbach, Venneer, and Eglin Van der Neer. Ruisdael was an 
admirable etcher. 

168 



LANDSCAPE, 

A p€M>I surrounded by a rocky margin, from which the water has found a 
ehannel, throUt,h which it pat^ses away to the left; iu the center, on the bank 
of the pool, are two men dri ln|BC sheep; on th» right and left are sroups of 
trees, and above, a bright sky with fleecy clouds. Purchased from M. Sedel* 
meyer in 1886. 

Gift of Mr. Hknrt Q. Masquand. 1888. Sipiad. On ouitm. 38i H.; 0O| W* 




RUSSELL, John, R. A. English School 

Bom Guildford, Surrey, 1745; died at London, 1806. 

310 LADY BEAUMONT. 

Lent by Mr. QBoaan A. Hbabn. Onoattnw»29H*| Si W» 

RU YSCH, RacheL Dulch School 

Bom at Amsterdam, 1664; died there, 1750. Daughter of a celebrated 
professor of anatomy, and pupil of Willem van Aelst.' She devoted heiself to 
flower painting until she was eighty years old. She married, but always 
signed her works with her maiden name. 

71 PLANTS, FLOWERS, AND FRUIT. 

There is a single butterfly at the bottom of the picture, and two others at 
the top are hovenng about a small bimch of flowers and vines wWch twine 
arouna a cluster of brilliant red mushrooms. At the left, below, there is a 
creeping snail. 

Purchased by the Muaeum, 1871* Od pmid, tt H.} H W* 



RUYSDAEL (RUISDAEL), Salomon van. Dutch School 

(See page 153.) 



Bom at Haarlem (?) about 1600; died there, 1670. Pupil of Esaias Van 
de Velde and Jan Van Goyen. Entered the Haarlem Guild in 1623, and was 
its president in 1648. His pictures are usually views of canals, bordered with 
trees and houses, monotonous and thinly painted. Some of his best works 
are in Munich, Dresden, and Berlin Galleries. 

12 A DUTCH KERMESSE. 

A winter scene with a group of buildings at the right of the spectator. In 
the >^way, crowds of people, some on foot, others mounted with their frauen 
on norses, all *n gay attire, are in quiet enjoyment of the day. Leafless trees 
rise from th- sombre ground into a clear bluo sky streaked with light stratus 
clouds, and a lake at the left is dotted with sleighs, ideds, and skaters. 

Purchaaed by the Mnwum. 1871. OnoanvM, 80 H.: 41i W. 

154 



40 MARINE. 

A few fishing boats and a long stretch of low land dotted with buildings 
line the horizon. A gray sky with its floating clouds is reflected in the 
water beneath. 

Purohased by the Muaeum, 1871. On canvas, 13 H.s 17 W. 

RYCKART (Rykart), David. Flemish School 

Bom at Antwerp, 1612; died there, 1661. The third punter of his name. 
He was instructed by his father, and devoted himself to interiors with peas- 
ants, fairs, etc. His coloring is clear and golden, his heads are animated, and 
although inferior to Teniers, he often approaches him in excellence. The 
Vienna and Dresden Galleries have fine examples of his works. In 1652, this 
master was Dean of the Guild of St. Luke, at Antwerp. 

66 THE STOWAGE. 

In the center of a spacious, <Ksorderly store-room contiumng everything 
pertiuning to kitchen furniture and use piled head high, is a man and woman. 
The man lias on a ereenish blue coat and is in the act of turning a cask. A 
barking dog is in the left lower comer and some sheep are seen through an 
opening to the outer world. 

Purchased by the Museum, 1871. On canvas, 86 H. ; 45 W* 

60 THE FARM-HOUSE. 

In the center of the picture, outside of a farm-house, an old man is carry- 
ing a small cask of wine. At the right oi the spectator is a heterogeneous mass 
of kitchen utensUs, ca^, jugs, kettles, vegetables, etc., piled up in artistic 
confufflon. At the left are some swin^^ a sheep, and the distant town over- 
shadowed by heavy clouds, through which the sun breaks near the horizon. 

Purohaaed by the Museum. 1871* ffigned. On canvas, 86 H.; 45 W. 



■2)Kv- 




SANCHEZ-PERRIER, Emilio. Spanish School 

Bom at Seville, Spun. Pupil of Cano. Honorable mention, Paris, 1866. 
Silver medal. Exposition UniverseUe, Paris, 1889. 



LAOOON NEAR VENICE. 
Lent by Mb. Thomas P. Bjoirmsu On canvas, 16 H.: 21 W. 

SARGENT, John Singer. French School 

Bom at Florence, of American parents, in 1856. Portrait and genre 
painter; pupil of Carolus Duran. Has lived and painted many years in 
Europe. Honorable mention, Salon, 1879; Medal, second class, 1881. Medal 

155 



of Honor, ExponHon UniveraeUe, Paris, 1880; Le^on of Honor, 188^; Officer 
of th« same, 1897. Medal, World's Columbian Exhibition, 1893. Studio in 
London since 1886. Elected A.R.A. in 1894; R.A. in 1897; N.A. in 1897. 

266 PORTRAIT OF HENRY G. M A RQU AND, Second President 
of ^ Museum; from Fd)ruary, 1890, to F^ntiary, 1902. 

He is sittini^ by a table in an attitude of repose with the head resting 
lightly against his left hand. His right arm is over the back of the chair the 
hand fallmg by his side; the figure and face are to the front, illumined by a 
strong liffht from the left. His dress is black relieved against a gray ground 
and an otive-colored drapery. Three-quarters length. 
Gift of Um Trustees. 1897. Signed. On canvas, «| H.; 8Qi W. 

226 B PORTRAIT OF W. M. CHASE. 

Standing in a characteristic pose, the fi^re, slightly relieved against a 
dark nay background, faces the spectator; m his left hand are a cluster of 
paint-brushes, a mahlstick, and a large palette smudged with paints. In the 
extended right hand he holds a brush; the eves look confidently out of the 
picture from behhid eye-glasses from which aepends a broad black ribbon. 

Gift of his pupils, 1905. 

Signed. On canvas, 62 H.; 41 W. 

SASSOPERRATO, II. Bolognese School. 

Bom at Sassoferrato, 1605; died at Rome, 1685. Real name Giovanni 
Battista Salvi. Son and pupil of Tarquinio Salvi. About 1629 he went to 
Naples, where he is supposed to have studied with Domenichino. He after- 
wards studied ahd copied the works of the great masters in Rome. He de- 
voted himself chiefly to painting Madonnas and devotional pictures. 

^ 106 MADONNA. 

The face and figure are to the front. The head and eyes upturned in 
adoration. Over the head is a light drapery which falls about the shoulders 
over a dull red robe. The hands are raised and a blue mantle which is about 
the figure folds over the arms. 
Purchased by the Museum, 1871. On canvas, 17 H.; 13i W. 

SCHAEFELS» Hendrik P. Flemish School. 

Bom at Antwerp. Contemporary, 

M6 RUBENS AT THE COURT OF SPAIN. 
Lent by the Miaus Hall. On canvas, 27^ H.; 22iW. 

SCHAUSS, Ferdinand. German School. 

Bom at Berlin, 1832 ; resides there. Pupil of C. Steffeck, at Berlin, and of 
L^n Cogniet, at Paris, where he lived from 1856 to 1862. Studied in Italy, 
18$3-64; visited Spain, England, Holland, etc. Professor of the Weimar 
Academy, 1874-76. Medals at Munich, Vienna, Philadelphia, etc. 

RESIGNATION. 



Bowed before a crucifix and resting her head upon both hands is a womsm 
with a pale, sorrowful face and dark brown hair, which falls about her shoul- 
ders over a dull red dress. Head and shoulders, life-size. 
Gift of Mr. Wxluam Schaub, in tnemoriam of Catharine Denioe Bchaus, 1887. 
Signed. On canvas, 28i H.; 23 W. 

166 



SCHEFFER, Ary. French School. 

Bom at Dordrecht, Feb. 10, 1795; died at Argenteuil, Jun« 15, 183^, 
History and portrait painter; son of Johann Baptist Scheffer; pupil of 
Gu^rin. Sympathizing neither with the classic school represented by his 
master, nor the romantic led by G^ricault and Delacroix, Scheffer took up a 
class of subjects which showed his sympathy with the cause of freedom, such 
as the Suliote women, an episode of the Greek war, and the Battle of Morat. 
Influenced by Ingres, he sought and obtained greater purity of form, and 
painted subjects from Goethe and Byron. In 1836 he was appointed art 
instructor to the Orl^ns family, and directed the studies of Princess Marie 
in sculpture. In 1836 he accompanied the Due d'Orl^ns and General Bau- 
brand, whose widow he afterwards married, to the siege of Antwerp, and after 
his return painted several military episodes for Versailles. Between 1835 and 
1848 he produced his greatest works, the "Christus CJonsolator and Judex," 
the "Francesca" and the "Mignon." When the Revolution broke out, 
Scheffer assisted the King and his family in their escape from Paris, and then 
went to Holland and England for rest. The coup cPitat of 1852, which gave 
Louis Napoleon the throne, was a blow to his hopes which finally disgusted him 
with politics, from which he withdrew altogether. Five years later, after a last 
visit to England, he lost his friends Manin and the Duchesse d'Orl^ns, to 
whom he was much attached. After attending the funeral of the latter, he 
returned much broken to France, and shortly after died. 

66B PETER'S REPENTANCE, 

At the right of the picture is the figure of Our -Saviour in a white habit» 
his hands are bound with a heavv cord and his face is turned to the left looking 
reproachfully at Peter who witn his hands clasped and raised before him is 
fieeing from the place; a soldier in a steel helmet stands behind the figure of 
Christ, and his disciples crowd forward raising their hands in indignation. 
Large columns and a piece of sky form the backgroimd. The figures are life • 
size seen to the knees 

Gift of Mr. Edwabd Brandub, 1899. 

Signed and dated, 1855. On canvas, 59 H. ; 73 W. 

626 STUDY OF A HEAD. 

Lent by a Friend. On canvas, 25iH.; 20iW. 

146 CHRIST ON THE MOUNT. 

Lent by Mb8. Ibrael CoRBB. On canvas, 6 H.; 6W« 

SCHENCK, Augustc Frederic Albrccht. French School 

Bom in the Duchy of Holstein, 1828. Resides at Ecouen (Seine-et-Oise), 
France. Pupil of Cogniet. Medal, 1865. Chevalieir of the Order of Christ, 
of Portugal; Commander of the Order of Isabella the Catholic. Legion of 
Honor, 1887. 

306 "LOSr'—SOUVENIR OF AUVERGNE. 

Huddled together on a mountain side swept by a blinding storm of snow 
are a flock of sheep in distress. Their faithful ^ardian, a shepherd dog, is at 
the left, and high above in a whirl of snow a misty figure is seen clinging to a 
wooden cross. 

Painted to order. Salon, 1873. 
Bequeathed by Mias Catharxnb LiORillard Woliv» 1887. 

Signed. On canvas, 60 H.; Ot W. 

167 



SCHRADER, Julius. German School 

Bom at Berlin, 1815; resided near there. Pupil of the Berlin and Diissel- 
dorf Academies; studied in Italy, 1845-47; Professor at Berlin Academy in 
1848; a Senator and a Corporate Member of the Royal Academies of Berlin 
and of Vienna; Honorary Member of the Academy of Dresden, etc. Gold 
Medal, Berlin and Weimar; Medals at Vienna, Paris and London. 

B84 BARON ALEXANDER VON HUMBOLDT. 
Painted from life at the age of 89 years. 

In the year 1857, the late Mr. Albert Havemeyer, of this city, beiuj^ then 
in Berlin, called on Baron von Humboldt and requested him to sit tor his 
portrait to the eminent artist, Julius Schrader. The Baron was obliged to 
decline the frec]|uent and urgent solicitations of his many admirers for a similar 
favor, but having in the United States many personal friends and acquaint- 
ances whom he thought would be gratified to see a good portrait of him, 
cheerfully consented to sit; and taking from his table a number of sketches 
made of himself, he selected one having in the background Chimborazo, and 
said, ** 1 will be painted sitting here,'' designating the spot with Chimborazo 
in the distance. The artist commenced the picture at once, and at its com- 
pletion the Baron expressed himself as delighted with it. This was the last 
portrait, from life, of Humboldt. 

Gift of Mr. H. O. Haybmeter, April 17, 1889. 

Signed and dated, 1859. On canvas, 62 H. ; 62 W. 

660 QUEEN ELIZABETH SIGNING THE DEA TH WARRANT 

OF MARIE STUART. 

Queen Elizabeth robed in a green velvet gown with slashed sleeves is 
seated at a table covered with rich tapestry listening to Sir Walter Raleigh 
who leans forward to present the death warrant of Marie Stuart for the Queen 
to sign. Her Titian red hair is in strong contrast to the pale face, drooping 
head, and listless hand which holds the pen at her side. 

Given in memory of Mrs. William F. DoimncK, by her eons, November 15, 1892. 
Signed and dated, 1876. On canvas. 61 H.; 48 W. 



SCHREYER, Adolphc. German School 

Bom at Frankfort-on-the-Mam, 1828; died, 1899. Pupil of St&del Insti- 
tute, Frankfort, studied the horse in the riding school and anatomically, then 
in Stuttgart, Munich, and Dttsseldorf; traveled in 1848 with Prince Thum 
and Taxis through Himgary, Wallachia, and Southern Russia; accompanied 
the Austrians on the march through the Danubian principalities in 1854; 
visited Syria and Egypt in 1856, Algiers in 1861, and resided in Paris until 
1870, when he settled at Kronberg, near Frankfort; lived alternately there 
and in Paris. Member of Antwerp and Rotterdam Academies. Medals: 
Brussels, 1863; Paris, 1864, 1865, 1867; Munich, 1876; Order of Leopold, 
1866; Honorary Member of the Deutsches Nochstift; court painter to Grand 
Duke of Mecklenburg, 1862; officer of the Star of Roumania, 1888. 

158 



"ABANDONED'' {ON THE MARSHES OF THE 

DANUBE). 

A single horse attached to a wagon which has been wrecked stands over 
tihe bodies of his mate and his master, who lie stark and stiff on a desolate 
piain soaked with the waters of a recent storm. 

Purchased in Paris. 

Bequeathed by Afiss Cathasinb Lorillard Wolfe, 1887. 

Signed.- Water Color, 11 H.; 22 W. 



ARABS ON THE MARCH, 

A troop of mounted Arabs are passing slowly over a rocky verdureless 
ground into the middle distance towards a wallea city; prominently in the 
center foreground are two of the number, one on a white horse, the other upon 
a bay. A range of low^ills is at the right and a deep blue sky is above all. 

Bequeath^ by Miss Catharine Lorillard Wolfe. 1887. 

Signed. On canvas. 22 H.; 37 W. 

630 BATTLE SCENE, ARABS MAKING A DETOUR, 

An Arab chief, leader of a troop, is mounted on a li^ht dapple gray horse 
wWch, having been startled by the bursting of a shell, springs forward over the 
rocky foreground; with him is the standard bearer on a white horse which has 
swerved to the right: their followers come rushing on at full gallop. Smoke 
from the enemy's guns near the horizon at the left rises into a deep blue and 
cloudy sky. 

Gift of Mb. John Wolfe. 1893. Signed. On canvas, 59 H. ; 96 W. 



ARAB SCOUT. 
Lent by Mr. Thomas P. Sai/ter. On panel, 7^^ H.; 9^ W. 

SEITZ, Anton. German School, 

Bom at Roth-am-Sand, near Nuremberg, 1829. ^pil of Friederich 
Wagner and Reindel, in Nuremberg, and in 1853-1863 of Fltiggen, in Munich, 
Professor and honorary member of the Royal Academy of Munich. Gold 
medals at Munich and Vienna. ChevaUer of the Bavarian Order of St. 
Michael. 

THE DISCUSSION, 



In the courtyard of a peasant's home two men are encaged in argimient; 
one in his shirtsleeves and with a pipe in his hand is seated on an old wooden 
bench; the other stands before him gesticulating; a German peasant girl by 
his side is listening to the argument. 

Purchased in Munich. 

Bequeathed by Miss Catharine Lorillard Wolfe. 1887. 

Signed and dated. 1869. On wood, 11 H.* lHW, 

SHEE, Sir Martin Archer. English School 

Bom at Dublin, 1769; died at Brighton, 1850. He came from an old 
Irish family, and it was Burke who introduced him, when he came from Dublin 
to London in 1789, to Reynolds. His own suavity and good manners were 
even better introductions to the portrait painter's clientele, and he soon met 
with distinguished patrons. In 1789 he was elected A.R.A.^ and having mar^ 

159 



ried, moved into Romney*s old house in Caven^Gsh Square. In 1800 he be- 
came R.A., and upon the death of Sir Thomas Lawrence, in 1830, he was 
elected to the presidency of the Royal Academy. In 1805 he published a 
volume of verse (followed in 1809 and 1814 by others), which called fortii 
praise from Byron in his ''English Bards and Scotch Reviewers": 

*' And here let Shoe and geniua find a place. 
Whose pen and pencil srield an equal crace: 
While honors, doubly merited « attend 
The poet's rival, but the painter's friend." 



PORTRAIT OF DANIEL O'CONNELL. 

Half len^h, sitting with the left arm resting on a table and the right at 
his side holding a quill pen; face to the front, with eyes looking out of the 
picture. He is dressed m a black coat and red vest, with a black silk scarf 
about the neck. 

Gift of Bill. John D. Crimmins, 1890. On canvas, 36 H. ; 28 W. 

SHURTLEFF, Roswell Morse. American School. 

Bom at Rindge, N. H., 1841. Studied at Lowell Institute, Boston, and at 
National Academy of Design, New York, 1863. Elected N.A., 1890. Mem- 
ber of the Water Color Society. 

142 A MOUNTAIN STREAM. 

The stream flows down through the center of the picture forming a pool 
in the foreground; at the left the K)rest trees crowd the bank; at the right of 
the gorge is a wooded cliff and above, a moimtain range from which the light 
clouds are lifting into a blue sky. 

Gift of Mr. Wm. F. Havembtbr, 1891. Signed. On canvas 38 H. ; 50 W. 

SIMONETTI, Cavaliere Attilio. Italian School. 

V 

Bom at Rome; contemporary. Genre painter; pupil of Fortuny. Pro- 
fessor in Naples. 

347 THE RENDEZVOUS. 

A woman dressed in pink and canary colored silk and holding a fan in her 
hands is standing in front of a Ught wall; she has powdered hidr, adorned witii 
high feathers and a blush rose. 

Bequeathed by Miss Catharinb Lorillard Wolfe, 1887. 

Signed and dated, 1874. Water Ck>lor, 13 H. ; 9 W. 

410 THE FLOWER. 

A Spanish lady standing in her boudoir is seen at full-length holding a 
white roise in her hand; a green mantle covers her head and shoulders. 

Bequeathed by Miss Catharinb Lorillard Wolfs, 1887. 

Signed and dated. 1872. Water Color, 14 H.; 10 W. 

400 AMATEUR OF PAINTINGS. 

Seen a^ full-length, standing, dressed in the costume of a Spanish gentle- 
man of the XVIII century. He is examining a small picture which he holds 
before him with both hand!9. 

Bequeathed by Miss Catharine Lorillard Wolfe, 1887. 

SigMd and dated. 1872. Water Color, 18 H.; 9 W, 

160 



SLINGELAND, Pieter van. DtUch School 

Bom at Leyden, 1640; died there, 1691. Pupil of Gerard Dou. He 
devoted himself chiefly to genre subjects, homely scenes. His execution waa 
labored, and his composition without grace. 

82 PORTRAIT OF A DUTCH BURGOMASTER. 

FuU-length, cabinet-size, face slightljr to the left, figure to the right. The 
right hand rests upon the hip and the left is suspended over a stone base at the 
entrance to the house. In the background are a bit of sky and a garden with 
statuary. 

Purchased by the Museum. 1871. 
Signed. On canvM, 14 H.; IHW. 



SNIJDERS, Frans. Flemish School 

Bom at Antwerp, 1579; died there, 1657. This great animal painter was 
the pupil of Pieter Brueghel and Van Balen, the friend and co-worker of 
Rubens and Jordaens, and closely allied in friendship to Van Dyck, who 
painted his portraits. He executed animals in the landscapes of Rubens, and 
the latter painted figures in the works of Snyders. PhiUp V of Spain gave him 
large commissions. His works are in the principal European galleries and in 
private collections in England. 

64 LIONS CHASING DEER. 

Two lions in the chase; one springing forward, has his paw on the haimch 
of a roebuck. 

Purchased by the Museum, 1871. 

On canvas, 54 H.; 82^ W. 

SORG (Sorgh), Hendrick Macrtensz. Dutch School 

Bom at Rotterdam, 1611; died there between 1669 and 1670. Real 
name, Hendrick Maertensz Rokes. Genre painter; pupil of WiUem Buytewech ; 
formed his manner after the works of Brouwer, though more dull and heavy in 
color. He represented peasant scenes, conversations, and kitchen interiors, 
with genuine feeling for nature, good drawing, and careful execution. 

242 A KITCHEN. 

The room is lighted from a high window at the left of the spectator. One 
woman standing at a table is peaung apples; another kneeling upon the floor 
and dressing a fish has turned her head to watch a kitten which is investigating 
the contents of a basket. On the floor are many kitchen utensils and a group 
of fish. 

From the W. H. Aspinwall Sale, 1886. 

Gift of Mb. fisNRT G. BfARQUAND. 1888. On panel. 201 H. ; 17i W. 

161 



SPRING. Munich School 
Munich. Contemporaiy. 

687 TRIAL OF STRENGTH. # 

LmtbytheMnsssHAix. On'canyas, 12i H.; 10| W. 

STARK, James. English School 

Bom at Norwich, 1794; died at London, 1859. He was for three years 
a pupil of " Old Crome," and then went to London and exhibited his first pic- 
ture at the Royal Academy in 1817. Returned to Norwich, and took a promi- 
nent part in the exhibitions there. Contributed to the Royal Academy and 
British Institutions, where in 1818 he won a premiiun of £50. In 1821 he 
removed to Yarmouth, but soon returned to Norwich, and in 1827 he pub- 
lished there his " Scenery of the Rivers of Norfolk." He removed to London, 
and in 1839 to Windsor. In 1849 he returned to London* His masterpiece, 
"The Valley of the Yare," is in the National Gallery. 

283 WILLOWS BY THE WATER COURSES. 

A group of scragly willows beneath which a flock of sheep are grazing. 
The sky is blue with floating clouds. 

Gift of Mb. Geobos A. Hbabn. 1897. On oanvM, 17^ H. ; 23 W. 

STEEN, Jan Havicksz. Dutch School 

Bom at Leyden about 1626; died there, 1679. He loved a jovial, roister- 
ing life, and as a tavern keeper was able to indulge himself. It is remarkable 
that in his half drunken state he could have executed two hundred works of so 
much merit. He studied first with Nicholas Knupfer, and Van Goyen, whose 
daughter he married in 1649, and developed under the influence of Frans Hals 
and Adrian Van Ostade. He was fond of r^resenting the hiunorous and 
ludicrous scenes incident to the life which he led, degenerating often into 
vulgarity. His pictures may be seen in neariy all of the large Continental 
Galleries. 

76 A DUTCH KERMESSE, 

Near the entrance to an old tavern where the sign of an elephant hangs 
over the door and a banner is flung to the breeze from a window above, happy 
people look down upon a young man standing upon a tub fiddling for tne 
dancers in their merry sport, and a boatload of Hilarious souls are just pushing 
from the shore, bidding adieu to a friend who raises his cap with his right hand 
and extends his left with a full mug of beer in a parting salute. A cool, cloudy 
sky, an arched bridge over a stream of water, a group of trees in the center, 
with the old tavern at the left, form the landscape; and in the immediate 
middle foreground is a family group with a basket of refreshments, and a 
black dog in repose. 

Purchased by the Museum, 1871. Signed. On canvas, 24 H. ; 29i W. 



cMta 



11 THE OLD RAT COMES TO THE TRAP AT LAST, 

Purchased by the Museum, 1871, On canvas, 31 H. ; 26 W. 

162 



STEVENS, Alfred. Belgian School 

Bora at Brussels, 1828; died at Paris, August 24, 1906. Genre painter, 
pupil of the ^cole dee Beaux-Arts^ in Brussels of Navez, and in Paris of 
Roqueplan; has acquired great fame with his graceful representations of ele- 
gant modem interiors, enlivened with figures. Medals: Brussels, 1851; Paris, 
third class, 1853; second class, 1855; first class, 1867, 1878. Order of Leopold, 
1855; Officer, 1863, afterward Commander, then Grand Officer. Legion of 
Honor, 1863; Officer, 1867- Commander, 1878. Commander of Austrian 
Order of Francis Joseph, and of Bavarian Order of St. Michael. Grand 
Medals of Honor: for Brussels at Paris, 1889; at Amsterdam; at the Uni- 
versal Exposition of Berlin, 1894; and of Austria. The Cross of the Lion of 
the Netheilands, and of the Order of Merit from Bavaria. Grand Officer Order 
of Compbodge as a result of his historical panorama of the century, by the 
Minister of the Colonies, at Paris. 

302 THE JAPANESE ROBE, 

A yoimg lady dressed in a blue Japanese robe, richly embroidered, stands 
before a mirror wnich reflects her face, a portion of her figure and objects in the 
room. The figure is three-quarters length with her back to the spectator. 

Painted to order. 

Bequeathed by Miss Catharine Lorillabd Wolfe » 1887. 

Signed. On canvas, 30 H. ; 25 W. 

B87 AFTER THE BALL, 

A lady standing in her boudoir at full length, facing the spectator, and 
wearing a canary colored ball dress, is removing from her arms long-sleeved, 
white ^oves. A golden arm-chair covered with red tapestry and a Japanese 
cabinet are at her left. 

Gift of Mrs. Mart Goldenbbrg, 1899. Signed. On panel, 12 H.; 8 W. 

STEVENS, Edouard Joseph. Belgian School 

Bom at Brussels, 1822; died there, 1892. (Brother of Alfred Stevens.) 
Self-taught. Exhibited in Brussels in 1844; in Paris, 1847. Medals: Paris, 
second class, 1852, 1855, 1857; Order of Leopold, 1851; Officer, 1862; Legion 
of Honor, 1861. One of the streets of Brussels was named after him. An 
expert swordsman and sportsman. 

475 SURPRISE, 

A dog suddenly appearing before a mirror is surprised at his own reflec- 
tion. 

Bequeathed by Miss Catharine Lorillard Wolfe, 1887. 

Signed. On canvas, 27 H. ; 30 W. 

STORK (Storck), Abraham the Elder. DtUch School. 

Bom at Amsterdam about 1630, where he died about 1710. Marine 
planter. Imitator of Backhuysen. 

10 A SEAPORT, 

Prominently at the right is a large gray building standing at the en- 
trance to a canal, opposite at the left is a dock where boats are moored and 

108 



merchandise is landed; beyond, laying at anchor in the harbor are^ips of the 

old Dutch type with hi^h poop decks and ornate hulls. The sky is cletu* with 

cumulus clouds lifting into the blue above. 

Purohaaed by the Miueum, 1871. 

OneaaTu20H.: 26 W. 

STORY, George H. American School. 

Bom at New Haven, Conn., 1835. After studsring with Charles Hine 

for two years in his native town, he went to Portland, Maine, and opened a 

studio where he remained one year, going to Washington in 1859; in 1862 he 

went to Cuba and spent one year in Santo Espiritu and Trinidad, returning to 

New York in 1863. He afterwards spent two years in study on the Continent. 

Elected A.N.A., 1875. Medal at the Centennial Exposilion, Philadelphia, 
1876. 

90 THE YOUNG MOTHER. 

Lent by Mrs. Qbobos H. Stort. Signed. On millboard. 12 H.; 19W. 

STRIGEL, Bernhard. German School. 

Bom at Memmingen, 1460; died there before 1528. History and por« 
trait painter, mentioned in documents as living in Memmingea between 1516 
and 1528. 

60 PORTRAIT OF A GERMAN LADY. 

A young lady wearing an elaborate head dress with lace falling down over 
her right shoulder is sitting by an open window through which are seen the vil- 
lage and a mountain range beyond. Her dress is dark red, trimmed with 
richly embroidered bands which pass over her bare neck ana shoulders. A 
necklace of pearls with pendant point is about her throat. Tlie right hand 
rests in her lap. 

Purchased by the Museum, 1871. 

On panel, 13f H.| 0| W. 

STUART, Gilbert. Am^erican School 

Bom at Narragansett, Rhode Island, December 3, 1755; died Boston, 
July 27, 1828. After some unaided efforts he received instruction from 
Cosmo Alexander, a Scotch portrait painter, whom he accompanied to Scot- 
land in 1772. The death of his master left Stuart to shift for himself, and 
after struggling a while at the University of Glasgow, he returned home. In 
1775 he went again to England, where he found a friend in Benjamin "West, 
whose studio he entered as a pupil, but soon became an assistant to his master. 
In 1785 he set up a studio of his own in London, achieving marked popularity 
and financial success. He visited Ireland in 1788, where he was received with 
great favor, and painted the portraits of many distinguished persons, and 
returned to America in 1792. Soon after his arrival in New York the Duke of 
Kent offered to send a ship of war for him if he would go to Nova Scotia and 
paint his portrait, but he declined the offer. Among his sitters in Europe 
were three Kings: Louis XVI, George III, and George IV while Prince of 
Wales. He painted also Alderman Boydell, John Kemble, Sir Joshua Rey- 
nolds, Benjamin West, and many other distinguished artists. Six 

164 



of the United States sat to him for their portraits, viz.: George Washingtoiv, 
John Adapis, Thomas Jefferson, James Madison, James Monroe, and John 
Quincy Adams. After working two years in New York, Philadelphia, and 
Washington, Stuart settled in Boston, where he resided the remainder of his 
life. Stuart was gifted with a perception which enabled him to select the true 
lines of thought and character of his sitter, which he rendered without hesits^ 
tion. A collection of two hundred and fifteen of his works was exhibited in 
the Boston Athenseim:! soon after his decease, for the benefit of his family, 
which realized a considerable sum. 

164 PORTRAIT OF JOHN JAY. 

Lent by Mb. Auoxtstus Jay. On canvas, 53 H.^ 40 W. 

178 PORTRAIT OF MR. DAVID SEARS. 

Bust, lifcHsize; face three-quarters to his right; light brown hair, white 
neckcloth, black coat relieved on a gray ground. 

Gift of Several Gentlemen. 1881. On canvas. 27 H. ; 23 W. 

1 74 PORTRAIT OF CAPTAIN HENRY RICE. 

Bust, lifcHsize; face three-quarters to the left, eyes looking to the front; 
light brown hair, full white neck-cloth, tied in a bow; dark brown coat; gray 
background. 

Captain Rice served in the war of 1812. 
Purchased by the Museum. 1897. On panel, 2&f H. ; 21 W. 

199 PORTRAIT OF GEORGE WASHINGTON. 

The face is strcmgly illumined from the left; the dark gray eyes look 
calmly and steadily to the front. The coat is black and a white lace ruff and 
^tie are at the neck; his powdered hair and florid complexion are strongly re- 
lieved against a dark olive background. Bust, life-size, v 

Painted at Washington, D. C, 1803, for Daniel Carroll, of Duddington 
Manor, D. C, cousin of Charles Carroll, of Carrollton. Purchased from the 
Carroll family and given to the Museum by Mr. Harry O. Havemeyer, 1888. 

On canvas, 28iH.; 23iW. 

226 C PORTRAIT OF JUDGE JOSEPH ANTHONY, JR., 

First Cousin of Gilbert Stuart. 

Bust life-size. Sitting with the face and figure turned three-quarters 
to the left. He has a florid complexion, iron-gray hair and wears a dark 
blue coat with brass buttons. In the background is a dark crimson curtain 
illumined at the lower left-hand comer with a bit of bright blue sky. 

On canvas, 29iH.; 23|W. 

226 D PORTRAIT OF MRS. JUDGE JOSEPH ANTHONY, JR., 

N^e Henrietta Hillegas, daughter of Michael HiUegas the first Treasurer 

of the United States. 

Bust, life-size. She is wtting with her face and figure turned three-quarters 
to the right. The clear blue eyes are looking directly at the spectator | her 
fair face, abundant powdered ^y hair and white d^llet^ dress are relieved 
against a dark crimson curtam which blends into a deep blue sky at the 
bottom of the canvas. 

This portrait, and that of Judge Joseph Anthony, Jr., were inherited by 
Elizabeth T. Clement, of Huntingdon, Pennsylvania, from her mother, Hen- 
rietta Hillegas Anthony Clement, who was the daughter of Judge and Mrs. 
Joseph Anthony, Jr. Elizabeth T. Clement disposed of these two portraits 
to the Ehrich Galleries, and from the latter they were purchased by the Museum 
in 1905, from income of the Rogers Fund. On canvas, 29i H.; 23| W. 

165 



SULLYy Thomas. American School. 

Bom at Homcaatley Lincolnshire, England, June 8, 1783; died, Philadel- 
phia, November 5, 1872. Portrait painter. Taken to Charleston, S. C, by his 
parents, who were comedians, in 1792; was first instructed by M. Belzons, a 
French miniature painter, in Richmond, Va., and painted there, and at, Nor- 
folk until his brother Lawrence's death, in 1804. In 1806, having married his 
brother's widow, he removed to New York, and lived there, excepting a short 
visit to Boston for instruction from Gilbert Stuart, until 1808, when he 
removed to Philadelphia. In 1809 he went to London, studied several 
months under Benjamin West, and coming back in 1810, settled permanently 
in Philadelphia. He again visited England in 1837-38, and in the latter year 
painted from life a portrait of Queen Victoria, from which he painted a full- 
length portrait of this Queen arrayed in robes of state. Between 1820 and 
1840, he exhibited ten portraits at the Royal Academy. 

1 77 PORTRAIT OF MR. WILLIAM GYNN. 

Bust, lifennze; head inclined forward with face to the front; eyes looking 
out of the picture; dark curly hair, black coat, and gray background. 

Gift of Mbs. Rosa C. Stanfudld, Philadelphia. 1894. Onoanvas, 23H.; 19 W. 

222 PORTRAIT OF THE ARTIST. 

The figure is in profile to the left, and the face is turned three-quarters to 
the front; the eyes look steadily forward at the spectator. A portion of the 
right hand is seen holding a pencil. 

Gift of Mrs. Rosa C. Staniibld, 1894. On canvas, 16i H.^ 13i W. 



TENTERS, David (the Elder). Flemish School 

Bom at Antwerp, 1682; died there, 1649. Pupil of his elder brother 
Juliaen, of Rubens, and in Rome of Adam Elsheimer. Master of Antwerp 
Guild in lfi06; painted chiefiy peasant scenes, but occasionally biblical and 
mythological subjects. 

7 A DUTCH KITCHEN. 

Before this picture came into the possession of the Museum, the beef, 
which is now seen suspended at the right, was completely obliterated by a 
dark-gray cloth and other objects, which had been pidnted over it in an 
attempt to conceal or repair an injury to the canvas. The painting has 
recently been cleaned ana these objects removed, leaving the composition 
the same as when the picture left the easel of the artist. 

In a spacious old kitchen with heavy oak beams, at the right a newly 
dressed beef is suspended with a bowl beneath to catch the drippings; be- 
liind a man and a woman are eneaped in conversation. In the center above 
there is a window and underneath it a door, through which a man is stepping 
with a bowl in his outstretched hands. At the left a woman in a bright red 
waist, white apron, and dark green skirt, stands by an open weU with an 
earthen pitcher resting on the curb. She is surrounded with kitchen uten- 
nls, a shming brass kettle, jars, and a small table, covered with vegetables. 
A white spotted dog stands in the near foregroimd, and a bright red liver, 

16« 



which hangs from a beam near the nuddle center of the picture, strikes a 
high color note. 

CMt of Mb. WtLUAit fl. Wbbb, 1874. ' Sisned. On canvas, 45^ H.; 39 W. 

LTeNkR 5" £ 



TENIERS, David (the Younger). Flemish School. 

Bom at Antwerp, 1610; died at Perck, near Brussels, 1690. The most 
eminent genre painter of Belgiiun. He was instAicted by his father, but 
was very much influenced by Rubens. His first wife was the daughter 
of Jan Brueghel, and the second, Isabelle de Fren, a daughter of the Secre- 
tary of State for Brabant. He was much favored by the Archduke Leopold 
William, and by Don Juan, of Austria; he excelled in representations of the 
alchemist, fairs, and festivals of all sorts. His touch was light and brilliant, 
his coloring exquisitely beautiful. 

Teniers, though a Fleming by birth, belongs rather to the Dutch schod 
in style, being one of the principal genre painters, of whom most of the other 
leadbig masters are Dutch. The place of Teniers in art history is that he 
was jMT excellence the painter of the pleasinres of the ale-house and card- 
table. He was refined in person, enjoyed the highest patronage, and was 
the friend of courtiers and princes. Yet he remained throughout his life 
the painter of the pot-house. 

77 A MARRIAGE FESTIVAL. 

The foreground is occupied with peasants who are dancing to the music 
of a bagpipe. At the right and behind under the trees a multitude of people, 
in hilanous enjoyment of the wedding feast, are seated at tables which ex- 
tend to the door of the farm-house. In the middle distance at the left two 
men are quarreling and friends of each are seen cominjg to the rescue. Public 
buildings and a church-spire rise from the village in the distance into a 
sunny evening sky. ' 

Purchased by the Museum, 1871. 

Signed. On canvas, 25 H.; 28iW. 



^I^K*e^ 



76 THE TEMPTATION OF ST. ANTHONY. 

St. Anthony, seated at a table in the center of a spacious cave, lighted 
from an opening to the sky at the left of the spectator, in rapt devotion, 
with his open Bible resting on a skull^ a jar of water, and the exalted cross 
before him, turns his head at the insti^tion of a fiend in monkish garb to 
a beautiful woman, led by an imp in numan shape into h^" 'Presence. At 
the right, a group of gnomes with monstrous forms and maeous mien, sur- 
round a woman who sleeps; one is mounted on a boar; others are in th* 

167 



\ 



form of bats, frogs, and flyinj; fish, and two mounted elves float in the air 
above. St. Anthony clasps his hands in agony of spirit. 

PurchMed by th« Museum. 1871. •b eoppw. 22 M.; 2^ W. 




^^7S^/£RS. 



6 JUDITH WITH THE HEAD OF H0L0FERNE8. 

Judith, standing in the center of the picture, three-quarters length, 
clad in a dark ereen dress, open at the neck, holds in her left hsmd the dis- 
severed head of Holof ernes which she is in the act of dropping into a sack 
held at her left by an old woman. In her right hand is the falchion, and in 
a tent behind the headless trunk of the victim of her reli^ous patriotism 
and insidious wiles is seen lying upon a couch. 

Gift of Mb. OouYSBNsnR Ebmblb, 1872. On panel, 14 H.; 10 W. 

259 LANDSCAPE. 

On the right, near the edge of a wood, two men stand by a rocky ledge; 
the one leaning upon a stick has a brown dress and red cap, the other wears 
a blue coat. In the distance, at the left, a church-spire is seen above the 
trees : the sky is gray and cloudy. 

Formerly owned by E. Smith, Esq., of Canterbury. Exhibited at the 
Royal Academy, 1888, by J. Humphrey Ward, Esq. 

Gift of Mb. Hbmbt G. Mabquand, 1888. On panel, 6| H. ; 8f W. 



THE GOOD SAMARITAN, 

Copy after Jacopo da Ponte, called II Bassano. Landscape. The 
wounded man lies prostrate, while ms limbs are bound with a long bandage 
by the Samaritan. Engraved by Q. Boel in Tenters Gallery, The Duke of 
Marlborough sale, 1886. 

Gift of Mb. Hbnbt G. Mabquand, 1888. On panel, 6^ H. ; 8iW. 

274 LANDSCAPE. 

Copy after Jacopo da Ponte, called II Bassano. In the foreground is a 
flock of sheep with a ^oat; on the left, a man resting with his dog: on the ri^t, 
a boy in red dress with three lambs; a cottage in the middle aistance. En- 
graved by Q. Boel, in Teniers GaUery, Duke of Marlborough sale, 1886. 

Gift of Mb. Hsnbt G. Mabquand, 1888. On panel. 6^ H. ; 8i W. 

THOMPSON, A. Wordsworth. American School, 

Bom at Baltimore, Md., 1840; died at Summit, N. J., 1896. Genre 
and landscape p^dnter. During the Civil War he was employed by Harper 
Bros, and the ''London News,'' to illustrate scenes and incidents of the 

168 



war; at its close he went to Paris and entered the Jkole des Beaux-Arts f 
and also studied with Barye at the Jardin des PlarUes; and with Gleyre, 
Lambinet, and Pasini. He first exhibited at the Salon in 1865. After 
spending eight years on the Continent, in Spain, and Algiers, he returned 
to New York and was elected A.N.A. in 1873, and N.A. in 1875. Medal 
of Honor at the Exposition Universelle, Paris, 1889. 

026 OLD BRUTON CHURCH, VA., IN THE TIME OF LORD 

DUNMORE, 

The old chtirch stands in the center of the picture with its historic sur- 
roundings as in the old Colonial days. At the right two men mounted 
on white horses are passing the comphments of the (my with their neighbors 
and friends; others have dismounted and gallantly address themselves 
to the ladies. An empty calash stands by the walk and a negro holds a 
horse near by. At the len the citizens stroll leisurely up the walk and through 
the gate to the open door of the church. 

Gift of Mrs. A. Wordsworth Thompson, 1809. 

Signed. On oaoTM. 18 H.; 26i W. 

THORNHILL, Sir James. English School. 

Bom at Weymouth, in 1676; died, 1734. Pupil in London of Thomai 
Highmore; was patronized by Queen Anne, who made him her Sergeant 
painter. He decorated eight compartments of the Cupola of St. Paul's, 
the great hall at Blenheim, the ceilings and walls of the hall at Greenwich 
Hospital, and a salon and hall at Moor Park, Herts. He was knighted 
by George I, the first native painter, it is said, to receive that distinction. 
In 1724 he endeavored to found a Royal Academy of Art, and failing, opened 
a drawing academy in his own house. 

PORTRAIT OF MRS. BENSON, 



Bust, lifcHsize. Three-quarters to the left. The smiling face and 
brown hair are relieved against a dark cray background. The eyes look 
directly at the spectator. She wears a decoilet<5 dress of blue velvet. 

Gift of Mr. Gborgb A. Hsarn, 1889. On canvas, 29i H. ; 24i W. 

TIEPOLO, Giovanni Battista. Venetian School 

Bom at Venice, April 16, 1696. Died at Madrid, March 27, 1770. 
Pupil of Gregorio Lazzarini, afterwards influenced by Giovanni Battista Piaz- 
zetta, and still more by Paolo Veronese, whose equal he was reputed to be, in 
the decadence of Venetian Art, though he was far from being so as a colorist. 
He has been rightly called the last decorative paioter of the Venetian School. 

THE CROWNING WITH THORNS. 



Sitting upon a gray stone base beneath a vaulted archway with a crown 
of thorns upon his head and the tender of a scourge for a scepter, our Saviour 
meekly bears the taunts of the soldiers and fhe mad populace who surround 
him; at the left of the spectator, banners upheld by cruel hands wave over 
the restless horses and brutal soldiers. 

Purchased by the Museum, 1871. 

SiflDed. On canvas, 30 H.; 34 W. 

169 



TRIUMPH OF FERDINAND III. 

The laurel-crowned king is seated upon a throne beneath a vaulted 
archway, with an openine to the sky beyond; the statues of Hercules and 
Minerva are at either side, and at the right of the throne are his officers 
of State; at the left a figure dressed in black, bearing a standard, and at- 
tended by nobles, courtiers, soldiers and a Bishop is kneeling on the steps 
of the throne at the feet of the King. 

Purohaaed by the Museum. 1871. On canvas, 27^ H.; 19| W. 

106 THE SACRIFICE OF ABRAHAM. 

Kneeling on the brow of a cliff, Abraham, with a weapon in his raised 
riffht hand, is about to strike his son, who, blindfolded, stoops before him, 
when an angel appears on a cloud at his right and stays his nand. 

Purchased by the Museum, 1871. On canvas, 16| H.; 20| W. 

TILBORGH, Gillis (Aegidius) Van. Flemish School 

Bom at Brussels, 1625; died, about 1678 (?). Supposed pupil of David 
Teniers, the younger. Master of the Brussels Guild in 1654; its President 
in 1663-1664. 

78 VISIT OF A LANDLORD TO A TENANT. 

In the center of the picture there are gathered together tenants of the 
houses which are seen at the right. The landlord-guest is sitting at the left 
of a table which has been prepared with refreshments, and the most dis- 
tinguished lady among the tenants is seated at the other end to do the honors 
of the occasion. A little girl is dancing in front of the company to the music 
of a violin in the hands of a youn^ man who stands behind the table. The 
rest of the company are standing m the most decorous restnunt. In a tub 
in the immediate foregroimd are a bottle and a flagon of wine. 

Purchased by the Museum, 1871. 

Signed and dated, 1661? On canvas, 45 H.; 62^ W. 

TOULMOUCHE, AugUSte. French School 

Bom at Nantes, 1829; died at Paris, 1890. Pupil of Did and Gleyre. 
Medals, 1852, '59, '61, '78. Legion of Honor, 1870. 

HOMAGE TO BEAUTY. 



A lady in a pinkish-white flounced dress is stooping f orwa <:d to look at 
a bouqnet which has been tossed over a balcony through a casement window, 
and now lies on the floor before her. 

Painted to order. 

Bequeathed by Miss Gatharinb Loriliard Wolfe, 1887. 

Signed and dated, 1874. On canvas, 24 H.; 18 W. 

TRA YER, Jean Baptiste Jules. French School 

Bom at Paris, 1824. Genre painter; pupil of his father and Lequien. 
Medals: 1853, '55, '69. 

386 RIBBON PEDDLER. 

Sitting on a chest by a window in an old Dutch kitchen is the "Ribbon 
Peddler," a girl about eighteen years old, dressed in a white lace-winged cap, 
a broad white collar, and a large pink apron over her brown skirt. By 
her side is a basket of ribbons, and seated oelow with their backs to a fire* 

170 



place are two girls examining the bright-colored ribbons which they hold 
in their hands. 

Purchased in Paris. 

Bequeathed by Miss Cathabine Lobillabd Woliv, 1887. 

Signed and dated, 1873. ^ On canvas, 29 H.S 23 W. 

TROYON, Constant French School 

Bom at Sevres, 1810; died in Paris, 1865. Pupil of Riocreux and 
Poupart, and influenced by Roqueplan to study nature, for which he showed 
an individual feeling in first exhibited works, 1836. A visit to Holland » 
in 1847 revealed to Troyon his true mission, that of an animal painter. His 
great technical skiU and inexhaustible resoiu'ces as a colorist, and other 
rare endowments, enabled him to grapple with all the varying moods and 
effects of nature, and in this new line of cattle and landscape painter he 
soon became illustrious. Medals: third class, 1838; second class, 1840; 
first class, 1846, 1848, 1855; Legion of Honor, 1849. Member of the Amster- 
dam Academy. Diploma to the Memory of Deceased Artists, Exposition 
UniverseUe, 1878. 

HOLLAND CATTLE. 



A large group of cattle are gathered on the left bank of a river; some 
are walking about and others are drinking. Three who have waded out 
into the stream are being watched by a black dog who stands at the right 
Above and beyond, at the left, is a fine grove of trees, and in the dist^ce 
are broad meadow-lands dotted with wind-mills; boats and a city 
are seen in the distance. 

Purchased by Mr. John Wolfe, out of E. Gambart's exhibition in New 
York, 1860. Purchased by Mr. Wm. T. Sanford from the John Wolfe col- 
lection in 1863, and at the sale of Mr. Sanford's pictures, 1876, ptirchased 
by Miss Wolfe. 

Bequeathed by Miss Catharine Lorillard Wolfe, 1887. 

Signed. On canvas. 89 H.; 58 W. 

466 STUDY OF A WHITE COW. 

The light from a late afternoon sun glints across the back of a large 
white cow as she ascends a steep incline on her way out from her pasturage. 
A deep shadow is upon her side and the fields beyond are unilluminated. 
A dark blue cloudless sky is above all. 

From Troyon's sale. 

Bequeathed by Miss Catharine Lorillard Wolfe, 1887. 

Signed. On canvas, 23 H.; 29 W. 

TRUMBULL, Col. John. American School 

Bom at Lebanon, Conn., Jime 6, 1756; died, New York, November 10, 
1843. History and portrait painter. Served in the War of Independence, 
in 1775, as aide-de-camp to Washington, and in 1776 as deputy Adjutant- 
General under Gates; retired from service in 1777 with rank of Colonel. 
Went to London in 1780 to study under Benjamin West, but was imprisoned 
eight months, and returned home in 1782; went again on the conclusion 
of peace, and resumed his studies. His "Battle of Bunker Hill" (1786, 
engraved by J. G. MUller) was the first of a series of historical works illus- 
trating the war of the Revolution. It was followed by the "Death of Mont- 

171 



gomeiy'' (engraved bj F. Clements), and the ''Sortie from Gibraltar'* 
(•Dgraved bj Sharp). Returned to Anterica in 1789, accompanied Mr. 
Jay to England in 1794 as Secretary of L^ation, and was engaged several 
years in diplomatic work; painted in England in 180S-15, and was engaged 
in 1817-24 in painting four pictures for the rotunda of the Ci^itol at Wash- 
ington, for which he received $32,000. Trumbull was president of the ' 
Academy of Fine Arts in New York from 1816 to 1825. Most of his {aoturae 
are in the Art Gallery of Yale College. 

171 PORTRAIT OF ALEXANDER HAMILTON. 

The figure is to the front, the face nearly in profile to the right. The 
elear oomplexion. white tie, and silvery gray hair are relieved against a dark- 
gray ground. Tne coat is black velvet. 

Gift of Mr. Hbnrt G. Mabquand. 1881. On canvas, 29 H.; 23^ W. 

TRYON, Dwight W. American School 

Bom at New York, 1849. Landscape psunter, made his d^but at the 
National Academy of Design in 1872. In 1876 he went abroad, sketching in 
Holland, Italy, and the Cluinnel Islands, studying under Jacquesson de Che- 
vreuse, Guillemette, and Daubigny in Paris. In 1881 he returned to New Yoric. 
Ballgarten Prize at the N.A.D., 1887; Webb Prize, Society of American 
Artists, 1889. Studio in New York. 

188 EVENING, EARLY SPRING. 

Lent by Mr. N. E. Montross, On Canvas, 13^ H. ; 23 W. 

TURNER, Joseph Mallord William. English School 

Bom in Maiden Lane, Covent Garden, London, 1775; died, 1851. He 
was the son of a barber, and his father intended him for his own profession. 
Of his earlier sketches, made in pencil and india ink when he was a boy, a 
large proportion consists of careful studies of stranded boats, and different 
parts of old Dutch shipping. He hired himself out every evening to wash 
in skies in india ink in other people's drawings, at half a crown a night, get- 
ting his supper into the bargain. It was in water color that Turner first 
painted. By 1789 he began to paint in oils, and this great genius, who now 
holds the first place in English landsc£4)e art, entered the Royal Academy 
as a student at the age of thirteen, and under the prevailing influence of th^ 
day studied the works of Claude Lorrain, the Foussins, Salvator Rosa, and 
other classical painters. A close observer and diligent student, nature 
early revealed to his mind an illimitable source of glorious truths, which 
left no room for influences, methods, or conceits, other than those which 
his unerring accuracy of perception led him to formulate for the perfect 
rendering of material loveliness with imrivaled precision. Rui&in says: 
''The great distinctive passion of Turner's nature — that which separates 
him from all other modem landscape painters — ^is his sympathy with sorrow, 
deepened by his continual sense of the power of death. Colossal in power, 
he was also tender and delicate in harmony of tint and subtlety of drawing. 
He had a perfect grasp of English scenery, and shrank from no labor in 
ezpresnng details. His Yorkshire drawings are peculiariy rich and varied 
In composition, the rock and hill forms being marvelously accurate, while 

172 



his skies and effects of mist are exquisitely rendered. Glorious in conception 
— ^unfathomable in knowledge — solitary in power — ^with the elements waiting 
upon his will, and the night and morning obedient to his call, sent as a prophet 
of God to reveal to men the mysteries of a universe; standing like the great 
angel of the Apocalypse, clothed with a cloud, and with a rainbow upon his 
head, and with the sun and stars given into his hand.'' 

244 SALTASH. 

The river Tamar in the foreground, with a barge at a dock onr the left, 
and on the right a boat half drawn on shore. A large building extends across 
the canvas baring the sign '^ Beer House;'' on the wall at the right is scrawled, 
'^England expects everv man to do his duty." Through a square opening; 
or gateway in the building are seen a street, market, etc. The scene is 
enUvened hy groups of men, women, sailors, and horses. Painted about 
1812-14. !rurchased in 1851 by John Miller, of Liverpool, for' 300 guineas. 
A letter from John Ruskin, dated November 22, 1852, says: **I once bid 
up to £300 for it, but it went higher, and I had no more to give." Mr. 
Miller exhibited it at Manchester in 1857, and at his sale in 1858 it was bought 
in at £430 by his daughter, who exhibited it in 1885 at the Royal Academy. 
Purchased in 1886. 
Gift of Mr. Hbnrt G. Marquand. 1888. Signed. On canvas, 35i H. ; 47| W^ 

166 THE GRAND CANAL, VENICE, 

The entrance to the Grand Canal with gondolas, fishing boats and 
barges decked in brilliant colors, resting in the broad light of a sunny day in 
Venice. Santa Maria della Salute, ana the Dogana Vecchia are at the right, 
and a long row of buildings which extend to the Doge's Palace and the Cam** 

E anile, are at the left. The waters reflect the glittering surfaces from the 
oats and figures in the foregroimd to the old city in the dim distance which 
mineles in a mysterious way with the Ught stratus clouds which rise from 
the horizon to nil the center of the sky and drift up into the clear deep blue 
above. 
Bequeathed by Mr. Cornbuus VANDERBii/r, 1899. On canvas, 85i H. ; 47^ W. 

341 THE WHALE SHIP. 

*' Hurrah for the good ship Erebus I 
Another Fish." 

(Vide Beale's Voyage,) 

A white, phantom-like ship, under full sail, is seen emer^n^ through 
the misty atmosphere into view, and a large whale, which 1ms just been 
harpooned, reaiis its huge head from the sea in the foreground and is spouting 
water stained with bl^xl; with its tail it has overturned one of tne four 
boats put out for its capture. The picture is luminous and lovely in color, 
with a variety of hues in both sky and water which are infinitely beautiful. 
This painting was purchased by Dr. Munro, of Novar, one of Turner's earliest 
patrons, at the R. A. Exhibition in 1846. Re-sold^ Sir Francis Seymour 
Haden, 1884, from whom it was acquired by the Museum for the Wolfe 
Gallery in 1896. (It was exhibited at the Royal Academy Exhibition of 
Masters in 1892.) It has never been engraved. 

Purchased from the income of the Catharine Lorillard Wolfb Endowment Fumd for 
her collection, 1896. 

Signed. On canvas. 42 H. ; 56 W. 

ULRICH, Charles F. American School. 

Bom at New York, 1858. Pupil of Loefftz and of Lindenschmidt, at 
Munich. A.N.A. ''Glass Blowers of Murano" received a prize of $2,500 
in the Competitive Exhibition of the American Art Association, 1886. 

173 



574 GLASS BLOWERS OF MURANO. ' 

In the center of the picture is a furnace with the flames at white heat, 
the light from which glows on the faces and forms of the woriancn who 
are blowing the liquefied glass. Two unoccupied maidens who are sitting 
at the right have brought a flagon of wine and a package of food for the 
workmen which they have plac^ on a bench before them. A large apple- 
green vase stands on the floor. 

Gift by an Asaociation of Gentlemen, 1886. 

Signed and dated. 1886. On oanTBS. 2H H.; 20^ W. 

UNKNOWN 

87 SPANISH FRUIT. 

Purchased by the Museum. 1871. On canvAS. 23| H.; 28^ W. 

UNKNOWN. DiUch School 

261 A BURGOMASTER. 

With short gray hair, beard, and mustache, seated three-quarters right, 
at a table, writing. He wears a narrow ruff, with a fur tippet crossing his 
breast ana falling over his knees on the left; his gloves are m his left hand, 
and writing implements on the table. Purchasedf from the Brinley family, 
Philadelphia. Kneepiece. 

Gift of Mr. Henrt G. Marquano. 1888. On panel, 41i H. ; 29i W. 

UNKNOWN. German School. 

647 EURYDICE. 

A semi-nude female figure with white drapery about the loins is startled 
by a snake in the grass and springs across a ledge of rocks for safety. 

Gift of Messrs. Gat <k Ck>., of Paris, 1885. On canvas, 76 H.; 67 W. 

UNKNOWN. American School 

491 PORTRAIT OF MR. WM. F. COLES (son of Mrs. Eliza- 
beth U. Coles). 
Bequeathed by Mrs. Elizabeth U. Coles, 1892. On canvas, 2Si H.; 23f W. 

UNKNOWN. 

04 VIRGIN AND CHILD. 

Jjent by a Friend. Oval, on canvas, 19 H.; 23i W. 

VANDERLYN, John. American School 

Bom at Kingston, Ulster County, New York, 1776; died there, Sept. 23, 
1852. Pupil of Gilbert Stuart, friend and protigS of Aaron Burr, whose 
portrait he painted. Studied in 1796-1801 in Paris, where he painted from 
1803 to 1815. Medal at Paris, 1808, for his "Marius Among the Ruins at 
Carthage." "Ariadne in Naxos'* is a beautiful ideal and is now in the 
Pennsylvania Academy of Fine Arts. Washington, Monroe, Madison, 
Calhoun, Qmton, Zachary Taylor, and many other distinguished men 
sat to him for their portraits. But he made unfortunate ventures late in 
life; poverty and discouragement oppressed him, and the autumn of 1852 

174 



he went to his birthplace so poor that he begged a shilling with which to 
transport his baggage to the town. Upon reaching the hotel his only re- 
quest was for a bed, and to be left alone, and there the next morning he was 
found dead. 

187 PORTRAIT OF THE ARTIST. 

Painted by himself, and presented by him to Aaron Burr. 
Lent by Bfns Ann S. Stb'v;b:n8. New York. On canvas, 24^ H.; 20iW. 

223 PORTRAIT OF MR. JOHN A. SWELL. 

Seated, the left arm resting upon a table covered with papers. The 
face is turned slightly to the right and full into the light; the coat is black. 
A bit of red drapeiy and gray panel form the background. 

Bequeathed by Mb. C. V. Sidell, 1902. On canvas, 29i H. ; 23i W. 

VEDDER, Elihu. American School 

Bom at New York, 1836. Pupil of T. H. Matteson, New York, and of 
Picot, in Paris. Worked in Italy, 1857-1861, when he returned to America, 
and remained here imtil 1865. Since 1892 he has been occupied with deco- 
rative work, much of which is in the New Congressional library at Washington. 
Occasionally exhibits at the National Academy; elected N.A. in 1865. Studio 
in Rome. 

1 1 THE AFRICAN SENTINEL. 

An alert African sentinel, with a ready pistol in his right hand and a 
musket over the left shoulder, is standing in the pathway at the foot of a 
rugged hill. 

Bequeathed by Mr. Stephen Whitnbt Phcbnix, 1881. 

Signed and dated, 1865. On canvas, 14 H.; 8 W. 

VEEN, Martin van. DtUch School 

Bom at Heemskerk, 1498; died at Haarlem, 1574. (Called Martin 
Heemskerk.) His works are not numerous. His manner was hard, dry 
and unattractive. Examples of his works may be seen at Delft and at Haar- 
lem. There is also one of his pictures in the Berlin Museum, and another in 
the Vienna Galleiy. 

68 PORTRAIT OF HIS FATHER, JACOB WILLEMS VAN 

VEEN. 

A realistic work, in which is portrayed with ^reat force the character 
of the individual. His habit is black and upon his head is a large black 
hat. The face is turned slightly to the left into a full broad li^ht, and the 
deep dark eyes look directly into those of the spectator. The fle& is leatheiy 
in quality, but it is boldly modeled and full of vital energy. 

Head and shoulders. Life-size. 

Purchased by the Museum, 1871. On wood, 20 H.; 13i W. 

VELAZQUEZ, Diego Rodriguez de Silva y. Spanish School 

Bom at Seville, 1599; died at Madrid, 1660. Both his parents were 
of noble blo«d — ^his father's name being Silva, his mother's Velazquez. His 

175 



talent for drawing quickly showed itself. He studied first with Herrera 
el Viejo, a painter of Seville, his second master being Pacheco^whose daughter 
he married in 1618, and whose house, says one of the Spanish historians, 
was 'Hhe golden prison of painting''; and it was here that Velazquez niet 
Cervantes and obtained his first introduction to the brilliant circle in which 
he himself was to shine. In Pacheco's company he went, in 1622, to Madrid, 
returning one year later at the request of Olivares, who persuaded the King 
to sit to Velazquez for his portrait. The portrait was a complete success, 
and the painter stepped at once into fame and favor. From the time of 
this first portrait of Philip IV onward, the life of Velazquez was one of 
long triiunph. He was made in succession Painter to the King, Keeper 
of the Wardrobe, Usher of the Royal Chamber, and Chamberlain; and 
offices were also found for his friends and relations. When Charles I, 
then Prince of Wales, visited Madrid, in 1623, Velazquez painted his 
portrait. The Duke of Buckingham was also his friend, and Velazquez 
saw something too of Rubens, when the latter came on his diplomatic 
mission to Madrid. In 1629 he traveled with recommendations from 
the King, and wherever he went — Venice, Ferrara, Rome, Naples — he was 
received with all the honors accorded to princes. His second visit to Italy 
was in 1649. At Rome he painted the portrait of the Pope (Innocent X), 
which made so great a mark that it was carried in triumphal procession, 
like Cimabue's picture of old. His royal master, however, became im- 
patient for his return, and he hurried back to Madrid in 1651. On his 
return he was given fresh honors and offices — especiaUy that of Quarter 
Master, whose duty it was to superintend the personal lodgement of the 
King during excursions. It was the duties of this office which were the 
immediate cause of his death. He accompanied the King to the conference 
at the " Island of Pheasants,*' which led to the marriage of Louis XFV with 
the Infanta Maria Teresa. There is a picture of him at Versailles by the 
French artist Lebnm, which was painted on this occasion. The portrait, 
somber and cadaverous-looking, was, no doubt, true to life; and when 
Velazquez returned to Madrid it was found that his exertions in arranging 
the royal journey had sown the seeds of a fever, from which, after a week's 
illness, he died. Seven days later his wife died of grief, and was buried at 
his side. ' 

270 VELAZQUEZ. 

He is between thirty and forty years old, the face is turned three-quarters 
to the left of the spectator, the eyes looking to the front. He has abundant 
black hair and mustache and a serious expression of the face. His habit is 
black and he wears a stiff linen collar close about the neck. The background 
is warm gray. From one of the royal palaces of Spain. 

Purchased from the Prince of Peace. Brought to London by Mr. 
Buchanan, who sold it in 1814 to the Marquis of Lai^owne. 

Bust, Life-size. 

Gift of Mr. Hbnrt G. Marquand, 1888. On canvas. 26f H.* 20i W. 

272 BALTHAZAR CARLOS. 

Eldest son of Philip IV. A boy ten years of ace, turned three-quarters 
to the left, head uncovered, hair dressed smooth ana falling on bis goUUa^ or 
wide stiff linen collar; his black dress is richly embroidered with sdlvcr, 

176 



and a scarf crosses his breast. Photographed by Caldesi in Art Treantres 
of the Manchester ExhMtion, From Colonel Hugh Baillie sale, 1868. Charles 
SackviUe Bale sale, 1881. Purchased in London in 1883. It was probably 
in the sale of the Count de Altamira, London, 1827. Exhibited at Man- 
chester in 1857 

Gift of Mr. Henrt G. Marquand, 1888. On canvas, 20f H.; 15| W. 

266 MARIANA OF AUSTRIA, QUEEN OF SPAIN. 

Second wife of Philip IV. She had been betrothed to Don Balthazar 
Carlos, son of Philip IV, whose portrait is described above: but after 
the death of the son she married his father, who was also her imcle. She 
is about 24 years of age, and is seen nearly in front, with an enormous head- 
dress composed of her own hair, arranged in ringlets, the ends of which are 
tied with red ribbon; over the ringlets on her left falls a red and white plume; 
her dress is court mourning, consisting of black silk, with silver ornaments 
arranged in stripes, the skirts distended by enormous hoops; her right hand 
is on the back of a chair. A similar i)ortrait, but full length, is in the Bel- 
vedere Gallery at Vienna. Formerly in the Duncan collection. Purchased 
through Marnn Colnaghi, London. 

Gift of Mr. Hknrt G. Marquand, 1888. On canvas, 29^ H.* 38^ W. 

266 OLIV ARES— {School of Velazquez) 

Three-quarters left, wearing a goUUa or stiff linen collar, and a black 
dress, over which is a cloak partly concealing the green cross of Alcantara 
on his breast. From the gallery of the Pnnce of Peace. Brought from 
Spain in 1813. Sold by Mr. Buchanan to the Marquis of liansdowne. 

Gift of Mr. Henrt G. Marquand. 1888. On canvas, 26i H.] 20f W. 

VELTEN, W. German School. 

61 1 HALT OF CAVALIERS. 

Lent by Mr. Thomas P. Salter. On canvas, 9 H.* 12^ W. 

VERBOECKHOVEN, Eugfene Joseph. Belgian School 

Bom at Wameton, West Flanders, June 9, 1799; died at Brussels, 
January 19, 1881. Son and pupil of the sculptor, Barth616my Verboeck* 
hoven. Visited England in 18'?6, France and Italy in 1841, and settled in 
Brussels. Member of Brussels, Antwerp, Ghent, Amsterdam, and St. Peters^ 
burg Academies. Legion of Honor; Commander of Orders of Leopold and 
Francis Joseph; Bavarian Order of St. Michael; Portuguese Order of Christ; 
Order of Iron Cross, 1830. 

466 INTERIOR OF A STABLE WITH SHEEP AND POULTRY. 

A warm light enters the stable from the left, spreading sunshine over 
three sheep ana a lamb lying contentedly b}r its mother's si<fe on the straw<» 
covered floor. At the right, a cock is strutting about among the poultry. 

Bequeathed by Miee Catharine Lorxllard Wolfe, 1887. 

Signed and dated. 1860. On wood, 23 H.* 32 W. 

682 CATTLE WITH LANDSCAPE. 

Lent by Mr. Thomas P. Saltbr. On panel. 12 H.; 10 W, 

6MC CATTLE WITH LANDSCAPE. 

Lent by Mrs. W. J. Stics. On canvas, 29 H.; 43iW. 

177 



VERENDAEL (Veerendael), Nicolas Van. Flemish School. 

Bom at Antwerp, 1640; died there, 1691. Still-life painter. Son and 
pupil of Willem Van Verendael; Master of Antwerp Guild in 1656. 



A BOUQUET OF FLOWERS. 

Composed of roses, sweet peas, fleur de 13^8, blue hyacinths, camatioitf^ 
tulips, etc., on a dark gray ground. 

Purohftsed by the Museum, 1871. 

Sisned and dated, 1662. On canvas. 19 H.; 15* W. 

VERMEER (Van der Meer van Delft), Johannes. Dutch School 

Bom at Delft, 1632; died there, 1675. Portrait, genre, landscape, and 
BtiU-life pamter. Pupil of Karel Fabritius, and further developed \mder the 
influence of Rembrandt. Master of the Guild of Delft in 1653, and was its 
Dean m 1662, '63, and 1670, 71. One of the greatest colorists, excelling in 
admirable light effects. 

208 A YOUNO WOMAN OPENING A CASEMENT. 

She is standing by a window, with one hand raised, opening a casement, 
and the other restmg upon the handle of a brass pitcher. A large white 
hood and a broad linen collar cover her head and shoulders; the waist of her 
dress is buff, with slashed sleeves, and the skirt is dark blue. Upon a table 
covered with an Oriental cloth, are an open iewel casket and a large metal 
plaque, in which stands a pitcher. In the background upon a gray wall 
IS a large map. 

Purchased, in 1887, from M. PiDet, Paris, who had if from an Irish 
nobleman. 

Gift of Mr. Hbnrt Q. BIabquand, 1888. On canvas, 17i H. ; 15f W. 

VERNET, Emile Jean Horace. French School 

Bom at Paris, 1789; died there, 1863. Son and pupil of Carle Vemet, 
and pupil of Moreau and Vincent. In 1810 he exhibited his "Capture of a 
Redoubt." In 1812 he won a first medal by his "Taking of an Intrenched 
Camp." In 1814 Napoleon decorated him with the cross of the Legion of 
Honor for gallant conduct at the defence of the Barriere de Clichy, wh3<5h 
he subsequently depicted in 1820. In 1826 he became a member of the 
Institute; in 1828-1839 he was director of the French Academy in Rome. 
Visited Algeria in 1833-1835; St. Petersburg m 1836, 1838, and 1842; Algeria 
again in 1837, 1845, and 1853, and Egypt, Syria, Palestine, and Turkey in 
1839-40. Officer, Legion of Honor, 1825; Commander, 1842; Grand Officer, 
1862; Medal of Honor, Paris Exhibition, 1855. Vemet painted success- 
fully military. Oriental and Biblical scenes, but after 1836 he devoted him* 
eelf chiefly to battle pieces. 

178 



PREPARING FOR A RACE. 

Study for large picture, "Roman Corso." 

A group of horses and men are preparing for a race. A light gray and 
a sorrel horse are plunging about to the immment peril of a dark horse who 
has fallen with his master beneath him; other horses are being brought 
in from the left and above are the royal box, and the populace. 

Bequeathed by Miss Catharine Lorillard Wolfe, 1887. 

Signed. On canvas. 19 H.; 21 W. 

VIBERT, Jehan Georges. French School 

Bom at Paris, 1840; died at Paris, July 27, 1902. Genre painter; 
pupil of Picot and Barrias. Medals: 1864, 1867, 1868; third class, 1878; 
Legion of Honor, 1870. 

346 THE FIRST BABE. 

In a sumptuous apartment, lying upon a yellow sofa, and partially 
covert with a blue silk damask cjuilt, is "The First Babe." At the right, 
the fond mother stands over the child in adoration, and the father with folded 
huids sits meekly by its side at the left. 

Purchased from the artist. 

Bequeathed by Miss Catharine Lorillard Wolfe, 1887. 

Signed and dated, 1872. Water Color, 14 H. ; 17 W. 

343 PALM SUNDAY IN SPAIN. 

Leaning against the newel post at the foot of a massive stone stairway 
is a woman in the brilliant costume of old Spain. She holds a pahnleaf in 
her hands. Behind her and hanging over the balustrade is a pannier filled 
with palm leaves. 

Painted to order, 1873. 

Bequeathed by Miss Catharine Lorillard Wolfe, 1887. 

Signed and dated, 1873. Water Color, 20 H.; 14 W. 

380 THE STARTLED CONFESSOR. 

In the inner court of a parish house with a brick tiled floor is a young 
priest seated in a red chair. A table with writing materials, a prayer-book, 
and a glass of water are by his side; and on the floor is an apple-green por- 
celain vase. He is in a black habit, with a black beretta upon his head and 
with open mouth he leans forward nervously clasping his knees witi both 
hands, the astonished recipient of the secrets of a Spanish girl, who in a bright 
red dress and black veil stands by his side. 

Bequeathed by Miss Catharine Lorillard Wolfe, 1887. 

Signed. On canvas, 32 H.; 25 W. 

44 1 THE REPRIMAND. 

An anxious mother and her gaily dressed and wayward daughter are 
seated on a stone bench in the garden of the Vicarage. The mother in an 
ecstasy of passionate grief reproves her daughter and appeals to a priest who 
is sittm^ in an easy chair at the right, partaking of a luxurious repast, for 
counsel m her extremity. The priest looks nonchalantly up with well-feigned 
surprise at the erring one, and a sleepy old tomcat is curled up on the ground 
by his side. «> 

Painted to order. Salon, 1874. 

Bequeathed by Miss Catharine Lorillard Wolfe, 1887. 

Signed and dated, 1874. On canvas, 20 H.; 32 W. 

179 



403 "LE CORDON BLEU J* 

Lent by Mr». Frbdbrick Buttskfibld. On eanvM, 34 H.; 46^ W. 

VILLEGAS, Jos£. Spanish School 

Bom at Seville, Spwn, August, 1848; began the study of painting at 
the age of 16. In 1867 went to Madrid to study the great masters in the 
Museum of " El Prado." Went to Rome in 1868-1892; exhibited at Munich, 
Berlin, Vienna, Barcelona, and Venice. Received Four Grand Medals at Ber- 
lin, Munich, Vienna, and Barcelona. Officer of the Crown of Italy, 1893. 
Commander of the Order of Frederick of Wiirtemberg, 1892. Made Acade- 
mician de mirUe of the Academies of Berlin, Munich, and Vienna, 1893; and in 
1894, of San Luca, of Rome, and of Acireale, and of Cararra, 1895. Com- 
mander of the Crown of Italy, 1894. "Virtuoso al Pantheon," 1896; Acade" 
mician of Perugia, 1897. Resides at Rome. 

371 EXAMINING ARMS. 

In the interior of a guard room there are four men examining arms 
and armor. The two central figures are standing. The one leaning against 
a table is contemplating a sitting figure at the right who is polishing a piece 
of armor. 

Purchased in Paris. 

Bequeathed by Miss Catharine Lorillard Wolfe^ 1887. 

Signed and dated, 1870. On wood. 14 H.; 12 W. 

VINCENT, George. English School 

Bom at Norwich, England, 1796; died 1832 (?). Pupil of "Old Crome." 
Removed to London in 1819. 

809 LANDSCAPE. 

Lent by Mr. George A. Hbarn. On canvas, 25 H.; 34i> W. 

VINCI, Leonardo da School of. Florentine School 

Bom at Vinci, Val d'Amo, near Florence, in 1452; died at the Chfiteau 
de Clot, or Cloux, near Ambroise, May 2, 1519. Florentine School, pupil 
of Andrea del Verrocchio, with whom he was associated as late as 1476. The 
bright angel which he painted in hb master's picture of the ''Baptism of 
Christ," Florence Academy, and the ''Medusa Head'' at the Uffizi attributed 
to him, are the only extant works of the earlier period of his style, which closed 
in 1483. Lodovico Sforza, Duke of Milan, appointed him court painter, 
director of the newly founded Academy of Arts, general organizer ol fetes in 
which art played a conspicuous part, and manager of all enterprises in which 
a knowledge of hydraulics engineering and general science was necessary. 
For the Duke he executed the famous wall painting 6f the "Last Supper" 
(1495-98), in Santa Maria delle Grazie, and modeled an equestrian statue, 
never cast, of his father, Francesco Sforza. When Lodovico was overthrown 
l^ the French (1499), and sent to France to die in a dungeon ai the Castie of 
Loches, Leonardo returned to Florence, thence to Venice, and (in 1502) he 
visited the fortress of the principal cities of Romagna as miUtaiy^en^eer tQ 

180 



CsBsar Borgia. Between 1503 and 1505 he produced the famous Cartoon of the 
"Battle of the Standard," from which he was to have painted a fresco in the 
great hall of the Palazzo Vecchio, at Florence. In October, 1507, Leonardo 
once more established himself in Milan, until 1514, when he accompanied 
Giuliano de' Medici to Rome to assist at the Coronation of Leo X. In 1516 he 
went to France, at the invitation of Francis I, and spcAb the last three years of 
hb life in the King's service. 

PORTRAIT OF A LADY. 



Half-length, full-face portrait of a young lady, with a wreath of foliage 
round her head, and holdmg in her hands a salver of fruit. She has long, 
flowing golden hair, and is attired in a rich dress of Italian fifteenth century 
fashion. Sir Charles Robinson says: 

"There can be no doubt that this most admirable and unique picture 
should be referred to Leonardo's early period; i.e., that it was executed at 
Florence before his removal to Milan, consequently anterior to 1483^5 " 
It was formerly in the possession of Lord de Ros, and afterward in that of 
Lord St. Leonard, at Boyle Farm, Thames Ditton, near London; Boyle 
Farm, with its furniture and collections complete, having been purchased 
by the latter from Lord de Ros about 1830-40. 

Gift of Mr. Henrt G. Marquand, 1890. On panel, 181 H.; 14^ W. 

VOLLON, Antoine. French School 

Bom at Lyons, 1833; died, 1900. Pupil of the Lyons Academy and of 
Kibot. He went to Paris and made his debut at the Scdon of 1864. His 
subjects were mostly still-life, kitchen interiors, sea-fish, and occasionally 
portraits. Medals: 1865, 1868, 1869; first class, 1878; Legion of Honor, 
1870; Officer, 1878. Member of the Beaux-Arts, 1897. 

A FARM y [RD. 



A cart and some chickens are in the ;, ard. and three horses are standing 
by a stable with a heavily thatched roof, wnich is relieved against a cold 
cfoudv sky. 

Purchased in Paris. 

Bequeathed by Miss Catharins Lorillard Wolfb, 1887. 

Signed. On canvas, 37 H.; 45 W. 

VOLTZ, Friedrich. Munich School 

Bom at Nordlingen, 1817; died at Munich, 1886. Son and pupil of 
Johann Michael Voltz (1784-1858); then studied at the Munich Academy, 
and from nature in fhe Bavarian Alps. Visited Italy in 1843—45 and in 
1872, and the Netherlands in 1846. Professor at Munich Academy. Member 
of Munich, 1863, Berlin, 1869, and Vienna, 1870, Academies. Gold Medals: 
Berlin, 1856, 1861 ; WUrtemburg Medal for Art, Orders of the Red Eagle and 
of St. Michael, 1867. 

424 LANDSCAPE AND CATTLE. 

Two cows standing in the shadow of some large trees are drinking at a 
pool of water. Beyond, a girl pulling the limbs of a tree is silhouetted against 
the distant landscape where there is a cottage among the trees. 

Purchased in Munich, 1868. 

Bequeathed by Miss Catharinb Lorillard Wolfe, 1887. 

Signed. On wood, 10 H.; 13 W. 

181 



VOS, Cornelia dc (the Elder) . Flemish School. 

Bom at Hulst, 1585; died at Antwerp, 1651. Pupil of David Remeeus; 
Master of the Guild of Antwerp in 1608; its Dean in 1619-20. Belongs to 
the school of Van Dyck, whose friend he was, and who painted his portrait. 
His works are in most of the Continental Galleries. 

36 PORTRAIT OF A YOUNG LADY. 

Full lenffth, seated, face and figure to the left, three-quarters front. 
She has golden-brown nair and a dress of amilar color; both hands are 
resting on her lap and in her right she holds a feather fan; a string of pearls 
encircles and depends from the left wrist; a bunch of bright flowers is in 
her hair. 

Purchaied by th« Mnwum, 1871. 

On oanvas, 46 H.> 36^ W. 

VRIENDT, Julien Dc. Belgian School 

Julien De Vriendt; history painter in Brussels, with an archaic tendency 
in opposition to the realism of the day. Order of Leopold. His brother, 
Albert, was also a painter and a contemporary. 

680 A CHAPEL SCENE, OLD ANTWERP. 

Under the gray stone arched entrance to the chapel is a priest holding 
an ornate crucifec before a }roung lady who wears a scariet gown and hat <3 
the same color, trimmed with peacock feathers. Following are two other 
ladies, one of wnom wears a hat and cloak of blue, and a gown of rich brocade 
in blue and gold. The other leads by the hand a child who is dressed in 
white. At the right, sitting on a stone bench, is a young woman wearing 
a blue cloak and a voluminous headdress of white linen. In the shadowy 
interior of the chapel are a man and woman at worship. 

Bequeathed by Mr. Stephen Whttnet Phgbnix, 1881. 

Signed and dated, 1868. On canvas. 32i H. ; 32 W. 

VRIE^, Adrian ( Adriaan) de. Dutch School. 

Bom at The Hague, 1601 ; died after 1643. He was the friend of Rubens 
and Van Dyek, and was highly esteemed by them as a portrtut painter. 
His portraits are seen at Leyden, Dresden, and other large Galleries. 

1 PORTRAIT OF A DUTCH GENTLEMAN. 

Bust, life-size; face in full light three-quarters to the left of the spec- 
tator. Hair dark brown, with mustache and goatee. Broad white Imen 
collar at the neck. Dress black, melting into a warm dark ground. 

Purchased by the Museum, 187L 

Sijsned and dated. 1643. On canvas. 24| H.; 20| W. 

yzcitHaodComlHs 



A^aQ 






182 



WAHLBERG, Alfred. Swedish School 

Bom at Stockholm, 1834. Pupil of Diisseldorf Academy, and in Paris 
of Cor6t and Daubigny. Member of the Stockholm Academy. Medals: 
Paris, 1870; second class, 1872; first class, 1878. Legion of Honor, 1874; 
Officer, 1878. Order of Vasa. 

805 PORT OF WAXHOLM {MOONLIGHT\, NEAR STOCK- 
HOLM, SWEDEN, 

At the right are fishing boats, some shipping, and a portion of the town. 
Above the aky is filled with flickering siiveiy clouds illumined by a full 
moon, the light from which glints over the surface of the water below. 

Painted to order. Salon, 1873. 

Bequeathed by Miss Catharine Lorillard Wolfe, 1887. 

Signed. On canvas, 32 H. ; 54 W. 

430 A DAY IN OCTOBER, NEAR WAXHOLM, SWEDEN. 

The gloom of a wet day hangs over the landscape. At the ri^t, a 
muddy road leads up to an old mill in the center of the picture; and m the 
distance at the left, is a lake reflecting a dull heavy sky illumined near the 
horizon. 

Painted to order. Salon, 1873. 

Bequeathed by Miss Catharine Lorillard Wolfe, 1887. 

Sicned and dated, 1873. On canvas, 89 H. ; 62 W. 

WALDO and JEWETT. American School 

Waldo, Samuel L. — Bom in Connecticut, 1783; died at New York, 
1861. He received his flrst instructions in art in his native State, but 
painted for some time in Charleston, S. C. In 1806 he went to London, 
and was admitted into the small but select circle of American artists then 
in the English metropolis. After painting portraits in London for three 
years, he returned to the United States in 1809, and opened a studio in New 
York, where the balance of his professional life was spent. He devoted 
himself to portrait painting with marked success. 

Jewett, William S.— Bom, Febmaiy 14, 1795, at East Haddam, 
Conn.; died, 1873. At the age of sixteen years he was apprenticed to a 
coachmaker in New London. Soon after, Samuel L. Waldo came there and 
painted several portraits, the sight of which fascinated young Jewett so 
much that he offered to grind the colors for Mr. Waldo that he might be 
near and see him at his work: later followed him to New York, and became 
his assistant: veiy many portraits bear the impress of the two men who 
worked together in perfect harmony for eighteen consecutive years. 

1 73 PORTRAIT OF MR, EDWARD KELLOGG. 

Bom at Northfield, Conn., 1790; died at Brooklyn, N. Y., 1858. A 
man of literary tastes and writer upon financial questions; late in life hr 
published a revised edition .of "A New Monetary System, the only means of 
securinfi; the respective rights of labor and property and of protecting the 
public from financial revufeions.'* 

Seated in an arm-chair, holding a glove in his right hand, face three- 
quarters to the left, the eyes looking forward at the spectator; daik-brown 
hair, white neck-cloth; background, dark gray. 

Gift of Mrs. Mart £. Kelloog Pittnam, 1899. On panel, 82 H.; 25 W. 

183 



184 PORTRAIT OF MRS. EDWARD KELLOQG. 

Sitting with a small book in her hands, the face and figure turned to the 
right, the eyes looking pleasantly forward. She is downed in black silk with 
a ruffed lace coiffure, and collar. Her hair is dark orown. 

Gift of Mk8. Mabt £. Kbllooo Putnam. 1899. On panel, 32 H. ; 25 W. 

180 PORTRAIT OF REV. GARDINER SPRING, D.D., 1832. 

Bom, 1785; died, 1873. Pastor of the Old Brick Presbyterian Church, 

N. Y., 1810-1873. 

Bust, life-size, showing the right-hand resting on a book; face three- 
quarters to the right, eves looking to the front; white necktie, black coat; 
nd drapery back^una, with a glimpse of the sky below. 

Gift of Mb. S. p. Aybbt. 1896. On panel. 32^ H. ; 25 W. 

WALDO, Samuel L. American School 

191 "OLD PAT, THE INDEPENDENT BEGGAR.** 

Gift of Mr. Samubl iP. Aybrt. December, 1904. On panel. 19i H.; 14 W. 

WALKER, Robert English School. 

Bom (?) ; died in 1658. An English portnut painter of great 

merit, under the Commonwealth. An imitator of Van Dyck. He painted 
the Protector, Admiral Blake, Sir Thomas Browne, and other notables, and 
i» known as ''Cromwell's portrait painter." His works are in the principal 
English galleries. 

161 PORTRAIT OF GENERAL IRETON. 

Bom near Nottingham, 1611; married Cromwell's daughter, Bridget; 
commanded the left wing at the battle of Naseby; wounded and made 
prisoner. He accompanied Cromwell to Ireland m 1649; and crowned 
his military career by the takine of Limerick, where he died of the pestilence 
in 1651. From the collection of the late Jacob H. Lazarus. 

Bust, lifeHsize, three-auarters to the left of the spectator; his eyes look 
frankly to the front; his nair is a warm brown; slight mustache and beard 
he is dressed in black, with a broad Cromwellian coUar. The background b 
a warm brown tone. 

Gift of Mr. S. p. Aybrt. 1894. On canvas. 21i H.; 17i W. 

WAPPERS, Gustaaf, Baron. Flemish School. 

Bom at Antwerp, 1803; died at Paris, 1874. Pupil, at Antwerp Acad- 
emy, of I. J. Van Regemorter, then of Van Bree and of Herrejms; professor 
at the Antwerp Academy, 1832, and its director in 1840-^53; made court 
painter and baron in 1845; settled in Paris in 1853. Many medals. Legion 
of Honor, 1842; Officer, 1855; Order of Red Eagle, 1847; Officer, Order of 
Leopold, 1855. 

478 CONFIDENCES. 

Painted from the daughters of the artist, for Mr. John Wolfe; sold from 
his collection, in 1863, to Mr. William T. Sanford, and repurchased from his 
sale, 1876, for Miss Wolfe. 

Two girls sitting at the feet of a statue of Cupid in the gardsQ of a ckftteau 

184 



BTe ftxchangin^ confidences. Both are in n6^1ig6 costume; one holds a didi^, 
the other has Tier folded hands around her knee. The figures are life-Mze, 
4hree-quarter length. 

Bequeathed by Miss Catharine Lorillard Wolfe, 1887. 

Signed and dated, 1853. On canvas, 44 H.; 37 W. 

V/ARD, Edgar M. American School 

Bom at XJrbana, Ohio. Contemporary. Genre painter. Pupil N.A.D., 
^w York, Beaux-Arts and Cabanel at Paris. 

122 THE COPPERSMITH. 

Standing by his bench, surrounded with the implements of his trade, 
lie is eyamimng a small copper kettle. The figure is lighted from a window 
at the side. 

Gift of Several Gentlemen, 1900. Signed. . On canvas, 24 H.; 20 Wi 



WEBB, C. M. maseldarf School. 

664 IN THE STUDY. 

An old man in a cap and fur-trimmed gown is sitting at a desk writing 
in a l^ree book. Papers and books are pUed up and scattered about the 
floor of uie room and from a latticed window at tne left, the light illuminates 
the wall. A clock, and other objects at the back of the room. 

Bequeathed by Mr. Stephen Whitney Phcbnix, 1881. 

Signed and dated. 1863. On canvas, 22i H. ; 20 W. 



WEEKS, Edwin Lord. French School 

Bom at Boston, 1849; died November 17, 1903. Landscape and figure 
painter; pupil in Paris of the rJcole des Beaux- Arts, Bonnat and G6r6me. 
Sketched and painted in Cairo, Jerusalem, Damascus and Tangier, and is 
particularly noted for pictures of Elastem life. Member of the Boston Art 
Club. Honorable Mention, Paris Salon, 1885. 

226 E 

THE LAST VOYAGE— SOUVENIR OF THE GANGES— BENARES. 

A superstition exists among the pious Hindus that the souls of the faith- 
ful who die on the left bank of the Ganges Hiver are blessed, and enter directly 
into Paradise, while those who pass away on the opposite shores are cursedL 
and their souls are changed into long-suffering donkeys or other beasts of 
burden. So the boy rows lustily, while a comrade fans the old Fakir in order 
that he may arrive soon enough to draw his last breath in the shadow of some 
temple and pass directly into peace. The background shows a line of temple 
steps, and wooden platforms, built out over the stream to facilitate bathing 
and washing in the waters of the sacred river, as weU as for meditation. The 
devout sit ror hours sheltered under their straw umbrellas dotted like mush- 
rooms along the shore. In the centre of the background is the burning ghat, 
where after death the bodies of the better classes aro burned in the open. 

Gift of Mhb. Edwin Lord Weeks, 1905. 

Signed. On oanvas, 77 H.; 116|W. 

185 



WEENIX, Jan Baptista. DtUch School 

Bom at Amsterdam, 1621 ; died at Huys-Termey, near Utrecht, 1660. 
Genre, landsca(>e, and animal painter, pupil of Jan Micker, then of Abraham 
Bloemart in Utrecht, and of Nicolaas Moeyaert, whom he closely imitated; 
went to Rome in 1643, and was employed by Cardinal Pamphili, afterwards 
Pope Innocent X. After his return in 1647 he lived in Amsterdam, then at 
Utrecht, where he appears among the Managers of the Guild in 1649. 

73 AN ITALIAN SEAPORT, 

In the immediate foreground at the left of the spectator two men seated 
are in earnest conversation; behind them is an architectural ruin which 
leads off into the middle distance where ships are at anchor, or unloading at a 
Quayj groups of figures and a horseman are in the middle foreground at 
tne right. 

Purohased by the Museum, 1871. On panel, 21 H.; 15 W. 




WEIR» John F. American School, 

Bom at West Point, 1841. Pupil of his father Robert W. Weir. Came 
to New York in 1861. Elected N.A. in 1866. In 1869 he was elected by 
the Corporation of Yale College to fill the chair of Director of the Yale School 
of Fine Arts, a position which he still holds. 

1 24 FORGING THE SHAFT. 

In the left center of a foundry with its huge oaken beams and sky- 
lighted roof a shaft at white heat is being withdrawn from the furnace; the 
workmen shield their faces with their aprons and the heavy chains are strained 
under the weight they carry. The entire structure is glowing with light and 
heat. 

Gift of Mr. Ltman G. Bloominqdalb, 1901. On canvas, 51 H. ; 72 W. 

WEIR, Julian Alden. Amencan School. 

Bom at West Point, N. Y., 1852. Son and pupil of Prof. R. W. Weir, 
and studied with G6r6me at Paris, 1872-76. Honorable mention, Paris 
Salon. Associate of National Academy of Design, 1885. Academician 
1886. "Idle Hours" was one of the prize paintings at the Competitive Ex- 
hibition of the American Art Association, 1888. 

IDLE HOURS. 



Figures, Life-size. An oblong latticed window at the top of the picture 
with its gauzy curtain diffuses the light over a mother ana child who are 
seated upon a sofa piled with cushions. Both figures are dressed in white, 
and are in shadow, except for a glint of light here and there. The chUa 
listlessly holds a guitar in her lap, and the mother is gazing reflectively out 
of the picture. 

Gift of an Association of Grentlemen, 1888. 

Signed and dated. 1888. On canvas, 50 H.; 71 W. 

186 



WENT WORTH, Cecelia E. French School 

149 PORTRAIT OF MAJOR-GENERAL GEORGE B. 

MC CLELLAN. 

Head and bust, life-size. Face turned to the right of the spectator. 
Nearly in profile. The eyes look directly forward. He has iron-gray nair, 
mustache and goatee. The coat is black and the background a dull red tone. 

Gift of Several Gentlemen, 1887. Signed. On canvas, 21 ^.; 16 W. 

WEST, Benjamin. American School, 

Bom at Springfield, Penn., October 10, 1738; xiied in London, March 
11, 1820. He began to draw when seven years old and took his first lessons 
in preparing colors from Cherokee Indians. After a little instruction from 
a painter named Williams, he set up, when eighteen years old, in Philadel- 
phia, as a portrait painter; thence removed to New York, and in 1760 went 
to Italy, where he remained until 1763, when he settled in London. His 
pictures of "Agrippina bringing home the ashes of Germanicus," painted 
for the Archbishop of York, and the "Departure of Regulus," bought by 
George III, won him royal patronage and favor, which he long enjoyed. 
From 1769 to 1801, during which time he received all orders from the King, 
who made him his historical painter, 1772, West gained £34,187. The 
seven pictures illustrating revealed religion, which he painted for the Oratory 
at Windsor, brought him in £20,705, and his many portrait!^ of members of 
the Royal family were highly remunerative. On the death of Sir Joshua 
Reynolds, 1792, West succeeded him as President of the Royal Academy, 
of which he had been one of the founders in 1768, and with the exception 
of a few months, held that ofiice until his death, in 1820. 

204 TRIUMPH OF LOVE. 

A youth, bearing in his right hand a flaming torch and holding with his 
left the guidmg reins of a lion and a horse, is preceded in the journey over 
the world by two amours, one of whom is mounted upon a flying eagle. 
Following this group is a female figure, hoMing in her hand a pair of snow- 
white doves, while Cupid clings to her garments, as they all float along on 
a cloud, dispelling the darkness by the hght of love. 

Signed. On canvas, 79 H. ; 69 W. 

220 HAGAR AND ISHMAEL. 

Genesis 21st; 17th and 18th verses: "And God heard the voice of the 
lad; and the angel of God called to Hagar out of heaven, and said unto her. 
What aileth thee^ Ha^ar? fear not: for God hath heard the voice of the laa 
where he is. Anse, lift up the lad, and hold him in thine hand; for I will 
make him a great nation/' 

On canvas, 74iH.; 62iW. 

WHEATLEY, Francis. English School 

Bom at London, 1747; died there, 1801. He received his early art 
education at Shipley's drawing school, and obtained several premimns from 
the Society for the Encouragement of Arts. He assisted Mr. Mortimer in 
painting the ceiling of Brocket Hall and in the decorations at Vauxhall. 
His inclination appeared to lead him equally to figures and landscape, but 

187 



meeting with conMderable success in painting small whole length portraits^ 
he for some time made that his pursuit; after practising some years in London 
he visited Ireland, where he pmnted a large pictiure of the Irish House of 
Commons, which gave him great reputation. Returning to London about 
1780, he was invited to contribute twelve pictures for Boydell's Shakespeare. 
A.R.A., in 1790. RA., 1791. 

1 63 VIEW IN WALES. 

At the base of a mountain there are a group of trees, a cottage, and a 
stream of water, bv which a shepherd is tending his flock. Some women 
with fagots and a dog are in the foreground. 

Gift of MB88R8. DowDSSWBLL AND DowDBSWBLLfl, Limited, 1903. 

On cftnvas, 11^ H.; 13i W. 

164 VIEW IN WALES. 

A wooded hill landscape with a small lake in the for^round, and a 
group of figures and three cows on the bank. 

Gift of MB88R8. DowDSSWBLL AND DowDBSWBLLfl, Limited, 1903. 

Oncftnvas. lUH.; 13iW. 

WHITE, Edwin. American School, 

Bom at South Hadley, Mass., 1817; died at Saratoga Springs, N. Y. 
June 7, 1877. History and genre painter. Elected N.A., 1849. Studied 
in Paris, Rome,^Florence, and DOsseldorf in 1850, and in 1869. Returned 
in 1875, and opened a studio in New York. Among his important works 
are "Pocahontas informing Smith of the Conspiracy of the Indians," "Wash- 
ington resigning his Conmiission," now in Annapolis; "Age's Reverie," 
Military Academy, West Point; "Death-bed of Luther," "Requiem of 
De Soto," "Old Age of Milton." 

211 THE ANTIQUARY. 

In the costume of the early Florentines, sitting at a table upon which 
there are a book and a silver casket, the antiquary is examining a coin 
which he holds in his ri^ht hand. The red cap, black coat, red tights, and 
tapestiy at the left, are in beautiful harmony with the gray wall of the room. 

Gift of Mrs. Edwin Whttb, 1877. 

Signed and dated, 1855. On canvas, 26i H.; 21i W. 



WIGGINS, Carlton. American School. 

Bom at Turners, N. Y., 1848. Landscape and cattle painter. Pupil 
of the National Academy, N. Y. Studied in France, 1880, '81. Studio in 
New York. 

115 YOUNG HOLSTEIN BULL. 

Standing in an open field in the bright sunlight, his white skin being in 
strong contrast to the blue sky overhead and the green pasture lands below. 
About one-half the size of life. 

Gift of Mr. Joseph Gratton, 1895. Signed. On canvas, 53 H. ; 45 W. 

188 



WILLAERTS, Adam. Flemish School 

Bom at Antwerp, 1677; died at Utrecht, April 4, 1664. Landscape, 
marine, and genre painter, especially of coast and harbor scenes, enlivened with 
numerous characteristic figures; also burning ships, houses and villages, 
markets and festive scenes. Mentioned as Member of the Guild at Utrecht in 
1611, among the Managers in 1620-37, as still living in 1649, as dead in 1662. 

303 RIVER SCENE'WITH BOATS. 

Lent by Mr. George A. Hbarn. 

Signed and dated^ 1646. On panel, 19i H. ; 33 W. 

WILLEMS, Florcnt Belgian School ' 

Bom at Li^ge, Belgium, 1823; died at Neuilly, Oct. 22, 1905. Pupil of 
Mechlin Academy; studied especially the old Dutch Masters, and attracted 
attention as early as 1840. The great success of his picture exhibited in 
Paris in 1844 induced him to settle there. Medals: Paris, third class, 1844; 
second class, 1846; first class, 1855, 1867, 1878; Legion of Honor, 1853; 
Officer^ 1864; Commander, 1878; Officer of the Order of Leopold, 1851. 

407 PREPARING FOR THE PROMENADE. 

A lady standing, dressed in white satin with a light cape over her shoulders 
and a light felt hat on her head, is putting on her gloves. By her side is a 
page holdingback a portiere. 

Vienna Exhibition, 1873. Purchased from the artist. 

Bequeathed by Mibs Catharine Lorillard Wolfe, 1887. 

Signed. On wood, 25 H.; 19 W. 

WILSON, Richard, R.A. English School 

Bom at Pinegas, Montgomeryshire, 1713; died at Llanberris, Carnar- 
vonshire, 1782. An eminent English landscape painter. He early mani^ 
fested a taste for drawing, and gave such promise that his relative. Sir George 
Wynne, took him to London, and placed him under an obscure portrait 
psunter, Thomas Wright, where he made rapid progress. In 1748 he painted 
a large picture of the Prince of Wales, and his brother the Duke of York, 
In 1749 he went to Italy. While stopping at Venice, he paid a visit to 
Zuccarelli, who happened to be from home, and Wilson, to pass the time, 
made a sketch in oils, of the view from the painter's window. ' Zuccarelli 
thought so highly of this sketch that he recommended Wilson to relinquish 
portrait and take to landscape painting. A similar experience with Vemet, 
in Rome, caused Wilson to devote himself to landscape painting. 

284 THE STORM. 

, A classic landscape, over which a storm is breaking. Forked lightning 
shoots across the sky, illuminating a distant town at the foot of a hill. In 
the middle distance there is a wooded plain with ancient ruins, and on a 
cliff at the right is an old castle. By a roadway in the immediate foreground 
is a large tree split and swaying in the wind, and a shepherd with his flock 
are making their way to a cottage near the base of the cliff. 

Gift of Mb. Gbobgb A. Hbarn, 189b. On oanvas. 41 H.; 52f W. 

180 



3 1 6 ITALIAN LANDSCAPE. 

L«nt hj Mr. Gbobsb A. Hkarn. On canvas. 34 H.; SOi W. 

300 LANDSCAPE AND FIGURES. 

In the foreground there are figures promenading on an esplanade which 
leads to a group of trees where there is a chateau on a cliff; at the left is a lake 
bordered by hills and beyond in the distance is a plain and a glimpse of the 
sea. The sky is clear and cloudless. 

Gift of Mr. George A. Hbarn. 1905. On canvas, 16i H. ; 20i W. 

WINNE, Lievin de. Belgian School 

Bom at Ghent, 1821. Died a* Brussels, 1880. Portrait painter. Pupil 
of F61ix Delvigne. Legion of Honor, 1865; Officer, 1878. 

496 PORTRAIT OF A GENTLEMAN. 

Lent by a Friend. On canvas, 52 H.^ 35 W. 

WINTERHALTER, Franz Xavicr. French School 

Bom at Mengenschwand, in the Black Forest, 1806; died at Frankfort, 
1873. Portrait and genre painter; pupil of Munich Academy and of Stieler. 
Went in 1828 to Carlsruhe, where he was made court painter; spent several 
years traveling in Italy, Spain, Belgium, and England, and in 1834 settled 
in Paris, where for more than thirty years he was regarded as the portrait 
painter par excellence of royalty and of the aristocracy, especially of women. 
Medals: Paris, 1836, 1837, 1865; Legion of Honor, 1839; Officer, 1857; Order 
of Red Eagle, 1861 ; Wiirtemberg Crown Order, and many others. 

400 FLORIN DA. 

The Maids of Honor of Roderick, King of the Spanish Visigoths, about 
A.p. 700. The king, wishing to determine which of their number was the 
fairest, retired to a lonely spot, where, in concealment, he was a witness of the 
scene, and awarded the prize of beauty to Florinda, whom he afterwards made, 
the object of his love. Her father, in revenge, called the Arabs into Spain and 
brought about the Arab Conquest. 

The Empress Eugenie and her Maids of Honor were said to have been the 
models for the painter. 

In a thickly wooded glen twelve maids of honor, semi-nude, ready for a 
bath, are gathered together in a semi-circle around a pool of water, all uncon- 
scious of tne presence of the king who is peering through an opening in the 
wood at the left. The castle is seen above in the distance. 

Bequeathed by Mr. William H. Webb, 1901. Signed. On canvas, 70 H. ; 86 W. 

WOOD, Thomas W. American School 

Bom at Montpelier, Vt., 1823. Died at New York, April 14, 1903. 
Studied from nature, and painted portraits in his native city until 1857. He 
went to Boston and entered the studio of Chester Harding, where he remained 
but a few months before going to Paris, where he opened a studio. He made 
short trips to Italy and Switzerland, returning to America in 1860. He 
painted portraits in Louisville, Ky., and Nashville, Tenn., until 1867, when he 

190 



settled in New York. He was made an associate of the National Academy, 
1867, Academician in 1871, President of Water Color Society, and President 
of the National Academy of Design from 1891 to 1899 ; founded an Art Gallery 
at Montpelier, Vt., in 1895, now known as the Wood Memorial. 

lie WAR EPISODES: THE CONTRABAND; THE VOLUN- 
TEER; THE VETERAN. 

"The Contraband." A plantation negro, with a walking stick and ban- 
danna bundle in his left hanci, raises his li^t felt hat with the right in saluta- 
tion. The edge of an army tent is seen at the left and a musket and trappings 
are at the right, above wmch is the sipi of the provost marshal's office where 
the negro has come to enlist as a soldier. On the second panel "The Volun- 
teer" has just stepped out of the office dressed in the uniform of a Union soldier 
bearing a musket over his right shoulder. The third panel represents "The 
Veteran," returned disabled and on crutches, in the act of giving a military 
salute. 

Gift of Mr. Charles Stewart SifiTH, 1884. 

Signed and dated, 1865. On canvas, 28 H.; 60 W. 

■WORMS, Jules. French School 

Bom at Paris, 1832. Resides there. Genre painter; pupil of Lafosse. 
He has traveled extensively, especially in Spain, and many of his besi works 
are illustrative of Spanish life. Medals: Paris, 1867, 1868, 1869; third class, 
. Hxponition UniverseUe, 1878; first class, Madrid, 1869; Legion of Honor, 1876. 

388 LETTER OF RECOMMENDATION. 

Sitting in the middle of a Spanish courtyard is an old man wearing a fur- 
tiimmed cap and reading a letter of introduction which has been handed him 
by a young girl who stands at the right; leaning over the old gentleman's 
shoulaer and scanning the letter is a priest, and behind is a young man intently 
regarding the girl. A housemaid at the left is drawing water from a well, and 
another is seated by a column at the right. Painted to order. 

Bequeathed by Miss Catharine Lorillard Wolfe, 1887. 

Sicned. On canvas, 19 H. ; 28 W. 

448 THE FOUNTAIN OF THE BULLS; GRANADA. 

Sitting astride a dark bay horse which is drinking at the fountain is a cava- 
lier chatting with two gaily dressed ^irls, one of whom is petting the horse. 
At the right a boy and girl are beanng away between them a heavy jar of 
water, and in the doorway of a barbershop are two men in conversation. In 
the foregroimd at the left is a dog, and beyond, a peddler is selling trinkets to 
two womeQ who stand in a doorway. Painted to order. Salon, 1877. 

Bequeathed by Miss Catharine Lorillard Woij'e, 1887. 

Signed and dated, 1877. On canvas, 22^ H.; 31 W. 

WUST, Alexander. Norwegian School. 
Bom, 1837; died, 1876. 

•48 A MOUNTAIN TORRENT IN NORWAY. 

Gift of Mrs. Henry G. Norton, 1882 

Signed and dated, 1867. On canvas, 43 H.; 93 W. 

191 



WYANT, Alexander H. American Schod. 

Bom, Port Washington, Ohio, 1836; died at New York, 1892. Pupil of Hans 
Gude at Karlsruhe, Germany. He devoted himself in ej^ly life to painting pho- 
tographs and portraits in Cincinnati. At the age of 21 years he made a journey 
to New York to visit George Inness, by whom he was received most kindly. The 
impression made upon Wyant at this meeting was lasting, and the influence of 
that masterful painter may be traced in many of his most important works. He 
spent some years at DCisseldorf ; subsequently at London ; settled at New York 
after 1864. He was one of the founders of the Water Color Society, and a mem- 
ber of the National Academy of Design. Honorable Mention, Exposition Unir 
verseUe, Paris, 1889. 

eoi VIEW IN COUNTY KERRY, IRELAND. 

A large pool of water with its grassy border occupies the center of a land- 
scape saturated with the moisture of continuous rains. At the right is a 
whitewashed cabin snuggled against a rocky led^e from which a footpath leads 
down to the foregrounoT An atmosphere of mist envelops the low hills and 
plains beyond, and the distant mountains rise into a clearing sky where the 
vapory clouds are slowly lifting. 

Gift of Mr. Gborqb I. Sbnbt, 1887. Signed. On canvas, 26 H. ; 40 W. 



A GLIMPSE OF THE SEA. 

Lent by Mu. Gkobgk A. Hbarn. On canvas, 17J H.; 29i W. 

320 LANDSCAPE IN THE ADIRONDACKS. 
Lent by Mr. Gborqb A. Hearn. On oanvas, 20 H. ; 29| W. 

330 BROAD, SILENT VALLEY. 

Lent by Mr. Gborob A. Hbarn. On canvas. 60i H.; 50 W. 

WYLIE, Robert. American School, 

Bom at the Isle of Man, 1839; died in Brittany, 1877. Brought to 
America when a child. Pupil of the Pennsylvania Academy, Philadelphia. 
Went to Paris for study, 1863; settled in Brittany in 1865. Medal, second 
class; Paris Salon, 1872. 

686 THE DEATH OF A V EN DEAN CHIEF. 

This picture was nearly finished at the artist's death. It depicts an inci- 
dent in the romantic insurrection of the inhabitants of La Fend^, March, 1793, 
to March, 1796, against the over-harsh interference of the revolutionists with 
the rights of their simple community. 

The wounded chief siuroimded by his family and followers is lying upon a 
litter of straw in the crypt where he has been taken, fatally woimded alter a 
desperate conflict. A priest kneels by his side administering the last rites of 
the church, and his grief-stricken wife leans over the prostrate form, covering 
her face with one hand while she holds out the crucifix before his face with the 
other. Two women at the left have thrown themselves into each other's arms, 
and two men kneel at the right where the lighted candles shine upon them. 
Above is a Vendean soldier holding a blunderbuss under his arm and in the 
center of the picture is another leanmg upon his weapon. On the stone stairs 
at the right, m deep shadow, is a captive soldier. 

Gift of Mbsbrs. Qoupil &, Co., 1880. On canvas, 77 H. ; 86 W. 

192 i; 



YEWELL, George H. American School. 

Bom at Havre-de-Grace, Md., January 20, 1830. Portrait and still-life 
painter. Pupil of Thomas Hicks in New York and of Couture in Paris. 
Lived several years in Rome. Elected N.A. in 1880. Exhibitor at the Paris 
Exposition of 1878. 

1 18 INTERIOR OF ST. MARK'S, VENICE. 

The pulpit stands in the center of the picture, and the steps at the right of 
the spectator lead to the oratory 

Gift of the Artist, 1890. Signed. On oanvaa, 21 H.: 12iW. 

ZAMACOIS, Eduardo. Spanish School 

Bom at Bilboa, 1842; died at Madrid, 1871. Pupil, at Bilboa, of Balaco, 
then of Madrid Academy under Federico de Madrazo, and in Paris of Meis- 
sonier. Medals: Paris, 1867; Munich, 1870. 

466 SLEEPING HUNTER. 

Bequeathed by Miss Catbabinb Lorillard Wolfb, 1887. 

Signed. Onwood.fiH.; 6^ 

ZIEM, Felix. French School. 

Bom at Beaime (Cote-d'Or), 1821. Pupil of Art School of Dijon. 
Traveled in 1845-48 in southern France, Italy, and the East. His views of 
Venice have won him world-wide fame. Medals: third class, 1853, 1855; first 
class, 1852. Legion of Honor, 1857; Officer, 1878. 

405 INUNDA TION OF THE PIAZZA OF ST. MARK, VENICE. 

.Purchased in Paris. 

Bequeathed by Bliss Catharine Lorillard Wolfb, 1887. 

On canvas, 32 H.; 26 W. 

ZOFFANY, Johann, R.A. English School. 

Bom at Ratbbon about 1733; died at London, 1810. Real name 
Zauffely. Portrait painter; pupil in Katisbon of Speer; went to Rome, where 
he remained twelve years. Went to England 1758, where he attracted the 
notice of Lord Bute by a portrait of Garrick, and soon acquired reputation; 
he was sent to Italy by the King in 1775, and there painted his famous picture, 
"The Tribime of Florence," and in 1778, for the Empress Maria Theresa, the 
** Imperial Family of Tuscany," for which picture he was made a baron. After 
his return to England, he went to India, in 1783, and amassed a great fortune. 
Member of London, Bologna, Florence, and Panama Academies. 

317 PORTRAIT OF OZIAS HUMPHREY, R.A. 
Lent by Mr. Gborqb A. Hbarn. On canvas, 25 H.S 20 W. 

ZURBARAN, Francisco de. Spanish School. 

Bom at Fuente de Cantos, Estremadura, 1598; died at Madrid, 1662. 
Pupil of Juan de las Roelas, afterward imitated style of Caravaggio. In 1625 

193 



he painted a series of scenes from the life of St. Peter for the chapel of Sim 
Pedro, Cathedral of Seville, and about the same time his " Glory of St. Thomas 
Aquinas,'' his best work, now in the Seville Museum. 

277 ST. MICHAEL, THE ARCHANGEL. 

Clad in a blue tunic^ red mantle, plumed helmet, and girt with a jeweled 
belt, he is seen in front view holding aloft in his right hand a flaming sword, in 
his left is the palm of peace. His left foot is upon the shoulder of a prostrate 
demon whom he is drivmg to the infernal regions below. 

Purchased in 1887, from Mr. Bensusan, of Cadiz. 

Gift of Mb. HuntT Q. Mabquand, 1888. On canvas, 63^ H.; 42i W. 

194 



cFindlng Joldto 

Qjoelattfig to the oToontliLy Sqcf^en^a 

(2)ecetnbex, tgoS, to Gctobet, iQoy incLodi^e) 

cFoUov:>ing Joage fp4f 

(i^he Saintin£d en this jSidt ate not jGumhettdm) 

NOTE: 

yulie yyitkdtavoal of ^aintingd Jocnt fot a 

(SXliott ^ime id not juoted in the 

oToontkLv (Addenda. ) 



Addenda of: 

ATTRIBUTIONS, Changes in July, 1906. 

AUSTRIAN SCHOOL.— 15th Century.— ^Scen^s from the ) a™-i ,nA« 

Uvea of Two Saints \ ^P"^' ^^^' 

BAROCCIO, ¥edengo.—Holy Family July, 1906. 

BEECBEY , &ii Wm.. R.JL-'The Duke of Gloucester ] ^^J^' ^?^}v^ 

' ' J March, 1907. 

BENSON, Frank Weston.— Portmi^ of a Lady | ^^''/^\^^ 

BIERSTADT, Albert.— 7*6 Rocky Mountains | ^^^'iggy ^**' 

BLAKE, William— r^ Flightinto Egypt ) ,„,„ .^^ 

" —She shSl he CaMedWaman [ ^^^^ ^^^• 

" —The Good and Eva AngeU -K^^^r^^^ 

BOCCATIS, Qiovanni di. — God the Father. Madonna and l a„«.,-^ ion'» 

ChildwUh Angels [ August, 1907. 

BOGERT, George H.—Chale Church, IsU of Wight I j .^^ 

— October Moonlight j^ June, ivuo. 



« « 



BOILVIN, fenile.— LouM Z/ a< Pmyer | ^^March^iw7 

BORRASSj/L, Luis (attributed to). — AUarpiece dedicated [ » :i ihat 

toSt Andrew. \ April, 1907. 

BOSCH, Hieronymus.— Adoroeum of Christ | ^°M'aJ^h^i907 

I 

BREUGHEL, Jan (the Younger).— A Flemish Village, . . April, 1907. 



BOUCHER, Francois. — La Fontaine d^ Amour ) ^r^ -^^ . 

" —Les D^icheurs d'Oiseaux I iJ'' Jr^Wrr 

" —La Toilette de V^us f ^^^^* ^^^' 



BREUGHEL, Peter (the Elder) t—GawibUn QvaireUng,, . July, 1906. 
BRUSH, George de Foreet.—Jn the Garden | ^^*'j^i907. 

BUGIARDINI,Giuliano.— AfoAmna and CWWicOfc/n/orU ) . -, .^L 

St. John \ ^ * 

BUNCE, Wm. Gedney.— Mormrw View in Venice April, 1907. 

BURGKMAIR, HBna,— Patriarch Saint of Augtburg and } Nov. 1906, to 

St. Aphra.. ) March, 1907. 

CAGUAM, CBdo.—AUegarical Figwrea April, 1906. 

CARLSEN, Emil.-^«tt Life ) 

CEREZO, U&teo.—Portrait of a Cardinal .^ \ July, 1906. 

CERMiK. Jarodav.— r^ Slave. 



CHASE, ^'(rilliam M. —CarmencUa ) Dec., 1906, and 

" " —Seventeenth Century Lady f Jan., 1907. 

CIMA DA CX)NEGLIANO.— Aftarpiecc | Sept. ^^ Oct., 

CONSTABLE, John, R.A. —On the River Stovr Jan.. 1906. 

" " " —PoHrait of Mrs. Ptdham June, 1906. 

COURBET, Gwst&ye.— Landscape— ** Effet de Neige" . . . . | ^^'j^i^^ 

CRIVELU, Cario.— 5<. Dominic ) r>^ tQo'e 

" —St. George in Armor ^ liec., iw&. 

DAGNAN-BOUVERET, P. A. J.— The Madonna of the ) j^ jgQg 

Rose ) ^' 

DAINGERFIELD, Elliott.-— iSZwmfcmn^ Fog June, 1906. 

DARET, Jacques (Mattre de Fltoalle).— FtT^n and Child April, 1906. 

DESSAR. Louis Paul.— Evening June, 1906. 

DROUAIS, Francois Hubert.— Xo Comtesse d^Homoy de ) Nov., 1906, to 

Fontaines ) March, 1907. 

DUCK, Antoon ysai.—Neptune Nov., 1906. 

" " — Henrietta Maria, Queen to Charles I \ March 1907 

EARL, R^h.— Porfmi^ of Lady WiUiams July, 1906. 

EARLY FRENCH SCHOOL(?)— Part o/ a Po/wp«yc^ ) A^„n ^q^a 

ENGELBRECHTSEN, Comelis.— Cruci/man f ^P™' ^^^• 

ETTY, William.— r/i6 Three Graces July, 1906. 

FIORENZO DI LORENZO.— J\ra«it% | ^®^- ^1^7^*^^ 

FLEMISH SCHOOL.— FiT^n and Child | ^°March^907* 

G AINSBOROUGH,Thomas, R. A.— Portrait of the Artist . . Jan., 1906. 

" " " —Portrait of the Hon. } May and June, 

, ^ Mrs. Hamilton f 1907. 

GEROME, J. L.— Coffee-House at Cairo July, 1906. 

GHIRLANDAJO.— iSf. Anthony.— Fresco April, 1907. 

GIAMBONO, Michele.— Pic^A April, 1906. 

GIORDANO, Luca.— Prc«cnto<ion in the Temple July, 1906. 

GIOVANNI DI PAOLO.— Parto/anAftarpiece April, 1906. 

" " -Paradise j Feb.andMarch, 

GOYA Y LUCIENTES.— Poreraie of Don Sebastian Mar- 
tinez * 

GOYEN, Jan van. — A View of Rheuen 

GU ARDI, Francesco. — F^ upon the Grand Canal, Venice, 

with View of the Rialto 

HALL, €reorge Heniy. — Arabian Bazaar l^cene 

HALS, Frans.— Porerai* of Heer Bodolvhe ) Nov., 1906. to 

" " —Portraitof Vrouw Bodolphe f March, 1907 

" " (?) ) Meeting of the Trained Bands to Cde- ) 
" Du-k(?) V hraU the Conclusion of the Peace of \ July, 1906. 
\ Munster I 



April, 1906. 
July, 1906. 



HALS, Note on August, 1907. 

HEARN COLLECTION.— Note on the numbers of the ) 

pamtii^ withdrawn and given > June, 1906. 

HOGARTH, William.— Peg WoffingUm ) 

HOLBEIN, Hans.— Portmito/ a Man Nov., 1906. 

" ^PartraU of Ixidy Chddefard { ^"^MkrcWw?! 

HOMER, Wmslow.— Cannon Rock / 

" " —Searchlight,— Harbor Entrance, San- > June, 1906. 

Hago de Cvba ) 

« -TkeOulf stream 1 ""'jlTilo' 

HUNT, William Morris.— Lan<fecaiw July, 1906. 

—TheBathers April, 1907. 

INMAN, Hewry,— Portrait of Macready July, 1906. 

" —The Young Fisherman i Nov., 1906, to 

ISABEY, E. L. G.— Street Scene.-Old Town f March, 1907. 

ITALIAN SCHOOL.— 15th Century.— Madonna and \ Feb. and March, 

Chad \ 1907. 

" —About 1420.— Ca«8one Pron<. ... . | Sept. ^and Oct., 

JOHNSON, Eastman.— Porfmit. ) 

—ComHusking I April, 1907. 

JORDAENS, J&coh.—Sketch from Sacred History ) 

KENDALL, Wm. Sergeant.— T/ie Seer | ^^' J^i90r 

KENSETT, John Frederick.— Landscape | ^^^'igoy. ^^**' 

KYLE, Joseph.— Poftmi^ o/ «^« Ar^M/ April, 1907. 

LABILLE-GUIARD, Mme. Ad^aide.— Portmite of the ) j^^^ ^^qq ^ 

Artist, and of Miles, GaJbrieUe > March 1907 
Capet and Rosemond ) ' 

LA FAROE, John.— "/n Front of Our House, Vaiala"— ) ^ ^^ j^^ 

Samoa V ^i q^^ ' 

LANDSEER, Sir Edwin, R. A.— Afea»ncfor and Diwenea.. ) '* 

LAWRENCE, Sir Thomas.— Portrait of Rev. WiUiam ) n^ iqaa o«^ 

Pennicott [ ^^'\^^\^^ 

LELY, Sir Peter.— i\r««Gtin/nne ) '*^^'' ^^^* 

LHERMITTE, L^n Augustin.— Amon^ the Lowly Dec., 1905. 

LOEB, Louis.— Tempteo/^^ Winds July, 1906. 

LOMBARD SCHOOL.— Par* of Frieze from CasOe of San '] 

Martina 

LOTTO, Lorenzo. — Portrait of a Young Man 

MAES, Nicholas. — Portrait of a Woman 

MANET, ^douard.- T/ie Guitarist | ^^^ ^907^^^' 

MAR^ICHAL, Chas. Laurent. — Columbus Brought Back ] Sept. and Oct., 

in Chains j 1907. 

MARR, Carl.— r^ie Mystery of Life. | ^^^'i^. ^**' 

MEULEN, Adam Frans van der. — A Combat of Cavalry. . August, 1907. 

MEYER VON BREMEN.— iJc^wm Home July, 1906. 

MIEREVELT, Michael.— Portrait of a Lady April, 1906. 

MILLAIS, Sir J. E.— Portia July, 1906. 

MILLER, Charies H.— Bouquet of Oaks | ^^^'j^iqo^ 

MONET, aaude.— Pommi«r« en Flewrs ) Nov., 1906, to 

— Landscape f March, 1907. 



April, 1906. 



« 


tl 


« 


It 


<l 


tl 



— Pointe Ste. Adresse i May and June, 

— Champ de Coguelicots J 1907. 

MURILLO, B. E.— iSt. John the Evangelist April, 1906. 






y[UmLU),B.E.— Portrait of a Man | ^^M^hfigo^ 

MURPHY, John Francis.— T^ Old Bam July, 1907. 

NEEFS, Pieter (the Younger).— /nterior of a Church April, 1907. 

NEER, Aert van deT.—The Farrier August, 1907. 

NEHLIG, VictoT.—StroUing Players July, 1906. 

NKXJOLO DA FOUGNO.— Af on* Reading April. 1906 

OSTADE, Adriaen van. — The Smokers. ) * ^ ^ •hat 

« " —A Smoker f ^P"^' ^^7- 

PAINTINGS. —Changes in Attributions.— See under A. 
— ^Temporarily Withdrawn. — See under T. 

— ^Transferred from Gallery 24 to Galleries J. t„i ^qt.^ 

11, 14, 19, 20, 21 ) •'^y' ^^^• 

•• — ^Withdrawn rermanently. — See under W. 

PAINTINGS formeriy lent by Mr. Thomas P. Salter, { ..^ lon^ 

and bequeath^ 1907.— Note J ^P™' ^^^• 

PALMAROLI, Don Vicente.— TTomen Fishing July, 1906. 

PEALE, Charles Willson.- Note on July, 1907. 

PIETRO DI DOMENICX).— Ftrytn and Child, St, Joseph ^ 

and St. Peter I Feb. andMarch, 

PESELLINO, Francesco.- Mckionna with SS. John the \ 1907. 

Baptist and Evangelist J 

PUVIS DE CHAVANNES, Pierre C^cile.— Le Chant du { , n .onu 

Berger... \ April, 1906. 

RANGER,Heniy W.— jSpringr Woods June, 1906. 

" " —Highbridge | ^^1^^ ^"^' 

REID, Robert.— Ffeur«-de-Ly« July, 1907. 

REMBRANDT VAN RIJN.— Portrait ) Nov., 1906, to 

" --ASibyl f March,1907. 

" " " —Portrait of the Artist July, 1907. 

RENOIR, Pierre Auguste. — Mme. Charpentier and Her ( May and June, 

Children ( 1907. 

REYNOLDS, Sir Joshua, P.R. A.— Poftmit of Mrs. Bald- ) j -^^ 

vrin. .! f Jan.. 1906. 

" " " " —PortraU of Master Hare June, 1906. 

" " " —PortraUofWm.RobeH, 



ortrait of Wm. Robert, ) ^, , , 

Second Duke of Lein- I ^y fS^^*^^®' 
ster ) ^^'• 






ROBINSON, Theodore.— OirZ and Cow July, 1906. 

ROMNEY, George.— Porerai* of Mrs. Fitzherbert January, 1906. 

" '^ —Lady Hamilton as " Daphne " June, 1906. 

" —Portrait ) . - , - 

" —PortraU of Lady Hamilton V ^^ t^t ^^^' 

" —Lady Hamilton as* 'Ariadne'' ) ^^^• 

RUYSDAEL, Salomon yan.—Landscape i ^^'/^mi^ 

SARGENT John Singer.— iSfcete^ of Edwin Booth ) . ., t^^ 

u "IT ^PortraU of R. L. Stevenson. ...\ April, 1907. 
" " " — PortraU of a Lady.— Lent by & 

friend; not in Addenda. . . . Gallery 12. 

SART, Comelis d\x.— Under the Trellis April, 1907. 

SASSOFERRATO, n.— Madonna \ Nov.,' 1906, to 

j March, 1907. 

SIMONE DI MARTINI.— 5«. Paw/ i Feb. and March, 

I lvU7. 

SMILLIE, George H. — Autumn Afternoon Aug, 1907. 

SPANISH SCHOOL.— Aftarpiccc Representing Six Scenes ) May and June, 

from the Passion I" 1907. 

STARNINA, Gherardo (attributed to).— Fir^n and Child [ Sept. and Oct., 

with Donors... ) 1907. 



STEEN, Jsji.— Kitchen Interior April, 1906. 

STORY. George 11,—PoHraU of the AHist July, 1906. 

STUART, Gilbert.— *Portmi< of George Washington | ^^March^bo?! 

" — Portrait of the First Minister from ] 

Spain to the United States I a^^i lon^ 

" —PoHraU of the Wife of the First Minr ( ^P"*' ^^'• 

ister from Spain to the United States J 
" — *The Cfibbs-Channing-Avery Portrait ) • , -qq- 

of Washington f •'^y» a^^'* 

SULLY, Thomas. — Portrait of a Man ) 

" " —Portrait of Mrs. Katherine Mathews. . V July, 1906. 

TEMPORARILY WITHDRAWN.— List of Paintings. . . \ 



n 



tl tt 



u 



it (( tt 



tt 

tt 

tt 

tt tt tt 



tt 


tt 


tt 


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• • • 



Nov., 1906, to 

March, 1907. 
April, 1907. 
July, 1907. 
August, 1907. 
Sept. and Oct., 
1907. 
THAYER, Abbott H,— Young Woman June, 1906. 

TINTORETTO, U.—The Last Supper. ] ^^**1907. ^^**' 

TRYON, Dwight W.— JIf ooTi/igr^ June, 1906. 

TURNER, C. Y.— T^ Bridal Procession July, 1906. 

VEDDER, Elihu.— r^ Questioner of the Sphinx April,. 1907. 

VERNET, Antoine Charies Horace. — A Roman Triumph. . I t„i„ ^q^ws 

VERSCHUUR, Wouterus.— Worses in a Stable f Juiy, iwo. 

VLIEGER, Simon de.—Calm Sea l Dec., 1906, and 

VOLK, Douglas.— r/i6 Young Pioneer ) Jan., 1907. 

WALDO, Samuel L. — Portrait, of General Jackson July, 1906. 

WALKER, Horatio.— /S/ieep/oW June, 1906. 

WATTEAU, Antoine.— Portrait \ ^^^ 1*^7/^^®' 

WATTS, George Frederick.— Ariadne in Naxos April, 1906. 

WEIR, Jidian Alden.— (rreen Bodice June, 1906. 

WEYDEN, Roger van der. — The Descent from the Cross. . 
WHISTLER, James Abbott McNeill.— A^oc^ume in Green 

and Gold 

" " " " —A Lady in Gray . . 

" " " " —Nocturne in Black , 

and Gold.— The [ April, 1907. 

FaHino Rocket \ 
WHITTREDGE, Worthington.— jE7rening in the Woods . '. July, 1906. 
WILLIAMS, Fred'k Ballard.— Ptwsaic River June, 1906. 

" -L^AUegro | ^^an^,%7'!^'^ 

WITHDRAWN PERMANENTLY.— List of Paintings . . July, 1906. 
WOUWERMAN, Philips.— r/ie HaU August, 1907. 

* The same portrait. 



July, 1906. 



(A^ddenda. 



DECEMBER, 1905. 



GALLERY 12. 

CRIVELLIy Carlo. SchooU of Padua and Murano. 

1480?-1495?, By descent, and probably by birth, a Venetian. Bom early 
in the XV. Century (1430?). Little is known of his history, but marked 
affinities of style connect him with the Schools of Padua and Murano. He 
settled, perhaps, a little before 1468, at Ascoli, in the Marches of Ancona, and 
in that neighborhood he seems to have spent the rest of his lifetime. The 
obaracteristic features of his art are sharpness, not to say hardness, of outline, 
oombined with exact modelling, color resplendent and diverse, from the 
primary tints to the most delicate tertiaries supported and harmonized by the 
use of gold and the introduction of gilt and silvered ornaments in high relief. 
Of his dated works, the earliest (1468) is the altar-piece in 8. Silvestro at 
Massa, near Fermo. ^His great altar-piece of 1476 is in the National Gallery, 
London; two exquisite pictures of the ** Enthroned Madonna and Infant" 
are in the Lateran Gallery, Rome, dated respectively 1481 and 1482. A 
superb triptych, also one of his finer works, a "Coronation of the Virgin'* 
(date 1493), and four other works by him, are in the Brera at Milan ; his 
splendid ** Annunciation " (1486) is in the National Gallery. The Vatican 
has a passionately conceived '' Pietft/' and the Berlin Gallery has an important 
** Madonna" and a ** Magdalen." There are many other works by this artist. 
In 1490, Crivelli was knighted by Ferdinand of Capua. 

ST. DOMINIC. 

Parchaeed from Bowdetwell & Dowdeswells, Ltd., from income of the Jacob S. Kogers 
Pnnd, 1905. On panel, 87| H. ; 11| W. 

ST. GEORGE IN ARMOR. 

Porchased from Dowdeswell & Dowdeswells, Ltd., from income of the Jacob S. Bogen 
Pimd, 1906. On panel, 87* H.; 12| W. 



GALLERY 19. 

LHBRMITTE, L<on Augustin. French SdhooL (gMptgeiOBw) 

AMONG THE LOWLY. 
The following is a translfttion of a letter written by the artist : 

WissANT, Pas db Calais, August 11, 19(^. 

Qkntlemen : To succinctly repl^ to the question that 70U have asked me 
concerning the Salon painting of which jou have just become the possessors, I 
will say to you that I have wished to depict the Christ, the friend of the 
humble folk, eternal consoler of the poor for whom life is a burden. 

He brings to them, in coming into their midst, the comforting and helpful 
words which engender hope. 

A large part of the interest in my painting centres upon the young mother 
surrounded by her children. She is wholly absorbed in the contemplation of 
the divine visitor, to whose exhortations she is listening in rapt devotion. 

I have endeavored to bring to all of the figures in this scene the varieties 
of emotions proper to each, but united as one in the expression of confidence — 
respectful in the old, searchingly so in the young. 

To better convey the feeling, I have placed in the light, in this sombre hut, 
the principal actors of the scene, taking advantage of that privilege which 
nature placed at my service to help me in my artistic intentions. 

It IS thus that the effect of the concentrated light has seemed to me to 
contribute to the expression of the feeling, the emotion, sought. 

I am happy to see that you have not been insensible to these researches in 
art, and charmed that this picture, the execution of which has occupied nearly 
all of last year, goes to America as a specimen of my work. 

I do not forget that it is to you that I owe this honor, which I fully appre- 
ciate. 

Permit me, therefore, Gentlemen, to offer to you in this regard, with 
feelings of gratitude, the expression of my most distinguished sentiments and 
entire devotion. . 

l:6on lhermittr 

Pinehased from Hr. William Schans from income of the Catharine Lorillard Wolfe Fund, 
IMS. Signed, and dated lOOS. On canvas, lOH H.; 89i W. 



G^ddenda. 



JANUARY, 1900. 

CONSTABLE^ John, R.A. English School 

ON THE RIVER STOUR. 

The scene, which is overlooked from a slight elevation on the bank of the 
river, extends down through a picturesque valley in the County of Suffolk, 
where Constable lived and loved so well to paint. The low-lying, deep blue 
hills which skirt the horizon rise into a sky filled with broken, heavy, watery 
clouds, which shadow the broad meadowlands beneath ; gleams of sunlight 
illumine the broad acres and glint over the surface of the stream which winds 
down beneath a rustic bridge, in the middle distance, to the foreground of the 

Sicture, where two clumsy boats, with figures, are drawn up near the left 
ankof the river. Above the boats is a large group of sturdy oaks; at the 
right, a cottage snuggled down among a cluster of small trees and bushes 
which creep along the bank of the stream to the immediate foreground, where 
two boys are seated on the bank fishing. 

Gift of Mr. William T. Blodgett and his lister, Miss Eleanor Blodgett, in memory of their 
father, 100ft On canvas, 87 H.; 63 W. 



GAINSBOROUGH, Thomas, R.A. English School 

PORTRAIT OF THE ARTIST BY HIMSELF, when about 40 years 

of age. 

Seated sideways to the left with his arms folded across his breast; he 
wears a reddish-brown coat and white neckcloth. The face is nearly in profile 
and the soft grayjayes look directly out of the picture at the spectator. His 
hair is a chestnut'brown, and melts off from the face into a warm, dark back- 
ground. The portrait is of a man of a highly sensitive, impressionable, and 
emotional nature. 

Gift of Mr. William T. Blodgett and his sister. Miss Bleanor Blodgett, in memory of their 
father, 1908. ^^_ On canvas. «9 H.; 84 W. 



REYNOLDS, Sir Joshua, P.R.A. English School 

PORTRAIT OF MRS^ BALDWIN, Wife of the BrUUh Minider PJem- 

poUrUiary to the Court of Teheran. 

Seated upon a dull red cushioned divan, vrith the figure to the front, the 
face turned &> the left in profile. She wears a Persian costume with an old 

fold and white turban head-dress, topped with a bunch of red flowers. Her 
air is black and falls in small braids over her left shoulder; depending from a 
black ribbon about her neck are strings of fine pearls; the gown is striped silk, 
golden brown in color, with broad sash and buckle at the d^coUet^ waist, with 
a white chemise; a broad ermine cape covers the shoulders, faUing gracefully 
down into her lap. The background is deep and rich in its warm brown 
tones, and has a dull red curtain at the left drawn up, showing a gleam of light 
from a window. 

Gift of Mr. WillUm T. Blodgett and his sifter, MIm Bleanor Blod^ett, hi memoir of their 
father, 1906. On canTas, 86 H.; S7 W. 



ROMNBY, George. English School 

Bom at Furness, Lancashire, 1734; died at Kendal, 1802. Apprenticed 
to a cabinet-maker. After residing at Kendal and York, Romney established 
himself in London, 1762, where he obtained a premium from the Society of 
Arts for a picture of the "Death of General Wolfe," and a second for an 
historical painting in 17((5. He accompanied Ozias Humphry to Rome, and 
on his return in 1775 became established as a favorite portrait painter in Caven- 
dish Square; he afterwards removed to Hampstead, and finally retired to Ken- 
dal, where he died. He executed many portraits of Lady Hamilton. 

PORTRAIT OF MRS, FITZHERBERT. 

Painted for George IV. when Prince Regent. Seated with the fig^ure to 
the front, her face turned to the right, nearly in profile, the eves looking in 
the same direction. She wears a wnit« dress, open at the neck, with a sash 
around her waist, her abundant blond hair, bound with a i)ale blue ribbon, 
falls about her face and shoulders in a charming and artistic manner. The 
background is warm gray and cloudy in effect. 

Gift of Mr. William T. Blodgett and his sister, Miia Eleanor Blodgett, in memory of thei» 
father, 1906. On canvas, 99 H. ; M W. 



(%ddendi 



€U 



APRIL, igOG. 

GALLERY xx. 

GIOVANNI, Di Paolo. Sumne^e School. 

Bom, circa 1400; died, 1481. Pupil of Sassetta; went to Fbience and 
was influenced by Fra Angelico. 

PART OF AN ALTARPIECE. 

AjKainst a ^old background and beneath a Gothic framework stand to 
light St. Francis, to left St. Matthew. Upon the halos is inscribed; sangttb 
MAcnnrB apostolvb and sanctvb fr . . . vb sbrapicv. 

Purchased, 1871. Tempenu Panel, 68^ H.; 88f W. 

AUSTRIAN SCHOOL, 15th Century. 

SCENES FROM THE LIVES OF TWO SAINTS. 

Two panels, probably wings of an altiupiece, painted on both sides. On 
the left wing is seen (1) a young Saint sitting unharmed among wild beasts; 
(2) Tlie Beheading of tiie Saint. On the right wing, a Saint in Bishop's mitre 
p^orming a miracle with a barrel of wine ; (2) Tlie Saint Resuscitating a child. 

Pnrchased, 1871. Oil. Gold background. Panels, 54 H.; 81 W. 

Hitherto no clue has been found as to the names or historijes of the 
Saints represented. 

EARLY FRENCH SCHOOL ? 

PART OF A POLYPTYCH, 

consisting of three panels of unequal size, representing, to the 1^ ExpuUion 
of Devils from Heaven, The Mission of the Apo^s, to the right, St C/ues, 

Purchased, 1871. Panel, 60| H. ; 89| W. 

Painted in Tempera npon gold background, with gilded Gothic framework (partlj restored). 

The painting shows strong traces of Siennese influence, but the types are 

r non-Italian, and probably the picture is an example of the little known 

Avignonese School. The confinement of the Popes at Avignon^ 1309 to 1377, 

led to an immigration of Italian artists, of whom the chief was Simone Martini. 

. The native school must have felt the influence of this, with the result of 

* producing such a variation from the Siennese style as this pand displays. 

The fact that the Saint represented is St. Giles, indicates a French rather than 

an Italian origin, and this view is borne out by the misspelling hiU for ite, in 

the picture of tne Mission of the AposOes. This was a Fr^eh provincial 

solecism. 



GALLERY 24. 

BUGIARDINI, Giuliano. FhrenHne School 

Bom, 1475; died, 1554. Fellow student with Michaelangelo in CHiir- 
landajo's studio. 

MADONNA AND CHILD WITH INFANT ST, JOHN 

The Virgin is seated turned to right, the child upon her knees turns 
towards the upturned face of the Infant St. John. Lanoscape background. 

Purchased, Bogen Fand, 1906, from E. Fischofl. Oil. Panel, S8| H. ; 17| W. 

The picture shows the influence of Lorenzo di Credi and the study of 
Raphael. 

CAGLIARI, Carlo. Venetian School. 

' Bom, 1570; died, 1596. Son and pupil of Paolo Veronese. 

ALLEGORICAL FIGURES, 

Two female figures, one seated to left, with back turned to spectator, 
the other to right, and behind, facing spectator, holds a vase in either hand. 

Gift of Mr. Louis Bhrich, 1906. Oil. Canvas, 40} H. ; 30 W. 

DARET, Jacques (Maitre de Flemalle). Early Flemish School 

Bom, circa 1410; died after 1468. Fellow pupil with Rogier van der 
Weyden under Robert Campin. 

VIRGIN AND CHILD, 

The Virgin stands with music-making angels on either side, in the apse 
of a Gothic church. 

Parchased, Rogers Fond, 1906, from Messrs. Dowdeswell A Dowdeswells, Wd, 

Oil. Canyas, transferred from panel, 1905, 17J H.; 13J W. 

The picture was bought by Sir Charles Robinson in Spain. The church 
is said to be that of Salamanca. The picture was frequently copied, some- 
times with variations, during the 15th centuiy. See ''Burlington Magazine," 
Vol. VII, p. 238. 

Giambono, Michele. Early Venetian School 

Flourished in the first half of the 15th century. Soon after 1430 he 
began the mosaic decoration of the Capella de' Mascoli in St. Mark's, Venice. 
In 1441 he contracted to paint an altarpiece at Udine. 

pietX. 

The dead Christ is seen half length in the tomb, behind is the cross, to 
the left kneels St. Francis in prayer; background of blue and gold brocade. 
In original frame. 
PuchaMd, Bog«T8 Fond, 1906, from Signora Barbato, of Naples. 

Tempera. Panel, 21| H. ; 16| W . 

2 



GOYA Y LUCIENTES, Francisco Jose de. Svaniah School 

(See page 60.) 
PORTRAIT OF DON SEBASTIAN MATlTINEZ 




trousers. 



Rogers Fund, 1906, from Messrs. Enoedler. Oil. Canvas, 36 H.; 96i W. 

Signed and dated, 1792. 

The picture came from Bilbao, and belonged to a descendant of Don 
Sebastian Martinez, iiccording to whom Martinez was a lawyer and art 
patron in Cadiz. 



GU ARDI, Francesco. Venetian School, (See page 64.) 

fStE upon the grand CANAL, VENICE, 
WITH VIEW OF THE RIALTO. 

Purchased, Rogers Fund, 1906. Oil. Canvas, 29 J H.; 48| W. 



ENGELBRECHTSEN (or Engelbertsz), Cornells. 

Dutch School, 
Bom at Leyden, 1468; died there, 1533. 

CRUCIFIXION. 

The three crosses are set in an open landscape. To the right of Christ 
is St. John in a red robe, further to tne ri^ht St. Margaret, witu the dragon 
at her feet. To the left of Christ the Virgm in deep green xobe and further 
to left St. Peter. In front, on either hand, kneel to left the donor, to right 
the donatress, in prayer, each before a small prie-Dieu. At the root, and 
beneath either arm of the cross, are weeping angels represented in blue mono- 
chrome. 

Purchased, 1871. OU. Panel, 25i H.; 83i W. 



LOMBARD SCHOOL. 

PART OF FRIEZE FROM CASTLE OF SAN MARTINO. 

Over each doorway are three panels, from a series which originally 
decorated a room in the castle of San Martino di Guznago, near Mantua, 
which belonged to the Gonzagas. Thir^nsix parts of this frieze existed in 
Mr. Willett's collection. Some are now m the Victoria and Albert Museum, 
London. They consist of heads of celebrated persons, mostly seen in profile, 
within an archway, the perspective of which shows that they were to be seen 
from below. ,They are nere replaced in a position similar to that for which 
they were originally intended. Some of uiese heads are described by Mr. 
Herbert F. Cook, in his ^'Catalogue to the Exhibition of Milanese Masters, 
at the Burlington Fine Arts Club, 1899." He attributes them to Bramantino. 

Purchased, Rogers Fund, 1906. Tempera. Panels, 18 H. ; 18 W. 



LOTTO, Lorenzo. Venetian SchooL 

Bom, 1480; died, 1556. Studied under Alvise Vivarini, influenced by 
Bellini and Giorgione. 

PORTRAIT OF A YOUNG MAN. 

^ Half length, figure slightly to left, dressed in black with black o^ and 
white linen collar, stands oeside a table on which is a skull, with a greoi 
curtain behind. 

Porchased, Rogers Fond, 1906, from Messrs. DowdesweU A Dowdeswells, LTd 

OU. Pmm1,96H.; WW. 

The indications of style would point to an early date for this woric, 
circa 1520. 

MAES, Nicholas (Nicolaes). Dutch SchooL (See iMge uo.) 

PORTRAIT OF A WOMAN. 

Seated, head and figure three-quarters to right, eyes casing directly at 
spectator. The hands are resting one upon the other, the left one holding a 
closed fan. She wears a small black cap, and a black dress with broad linen 
collar to the shoulders, and full white undersleeves. In the background a 
drawn curtain shows a landscape to the right. 

Purchased, Rogers Fond, 1906, from Mr. Louis Ehrich. Oil. CnTM, 44 H.; SH W. 

MIEREVELT, Michael. Dutch SchooL 
Bom, 1567; died, 1641. 

PORTRAIT OF A LADY. 

Half length, turned slightly to left. 
Purchased, Rogers Fand, 1906, from Mr. B. Fischoff. Oil. Panel, 86 H.; S7 W. 

MURILLO, Bartolome Esteban. Spanish SchooL 
Bom, 1617 ; died, 1682. PupU of Velasquez. 

ST. JOHN THE EVANGELIST. 

The Saint is seated on a rock, turned shghtlv to left ffis eyes are 
upraised. He holds a pen in his outstretched right hand, and a book in hti 
lelt To the left is an eagle holding in his beak the ink-botUe. Full length. 

Purchased, Rogers Fund, 1906, from Mr. B. Fischoff. Oil Oanvas, 60 H. ; 47^ W. 

The picture was in the Robit Collection: Paris: sold 1801 ; Biyan Collection: 
London: sold 1801; Henry Hope Collection: sold 1884; etched bv J. Young in 
Leigh Court Galleiy. Described Waagen, voL in. 184; CurtisVi "Velasques 
& Murillo," p. 251; Buchanan's "Memoirs of Paris,*' voL 11, 51. 

NICCOLO DA FOLIGNO (Niccolo di Liberatore) (called 

Niccolo Alunno). Umbrian SchooL 
Bom, circa 1490; died, 1502. 



i 



MONK READING. 

Half knffth of a Franciscan monk, turned three-quariers toward the left 
Part of P^dla of an altarpieoe, arched top. 

Counnv gift, 1888. Tempers. Panel, 8i H.; 4| W. 



PUVISDECHAVANNES. French SchooL 
Bom, 1824; died, 1898. 

LE CHANT DU BEROER. * 

An idyllic landscape, with three figures of women in the foreground, one 
seated, one half kneeling, while a third to right is carrying a bucket of water 
from a pooL To the Im, in the distance, a shepherd playing tlie flute, and 
goats. In the center distance an inlet of the sea. 

Pnrchaaed, Bogen Fond, 1808, ttom M. Durand-Bael. Oil. Canyas, 41 H.; 48 W. 

Signed and dated, 1891. 

A r^>etition of part of the decorative designs, " Vision antiqtie,^* at Lyons, 
Paiais des ArU. 



STEEN, Jan. Dutch School. (See i>age 168.) 

KITCHEN INTERIOR. 

Kitchen maid to center, dressed in lace cap and frilled collar, holds up in . 
both hands a dressed chicken and joint of beef. She turns sharply to nght 
towaids a boy who brings in a dead duck, a basket of eggs and a pot. To 
left kitdien table, with implements, meat and game. 

Paicbaaed, Bogers Fond, 1906, from Collection of Baron Van Loo. 

Oil. Canvas, 46 H.; 64 W. 

VAN GOYEN, Jan. Dutch SchooL (See i>age 60.) 

A VIEW OF RHEUEN. 

A tranquil view of a river valley. Low horizon line, expanse of sky 
thinly vdled with slowfy moving douds. Groups of people along the road. 

Pnieliaied, Bogers Fond, 1006, from Messrs. P. & D. Colnaghi, London. 

Signed, '' V. Goyen, 1686.** OU. Canvas, 8gt H. ; 68} W. 

V^ATTS, George Frederick. EnglUh School 
Bom, 1817; died, 1004. 

ARIADNE IN NAXOS. 

Ariadne is seated by the seashore, turned slightly to left. At her feet 
a satyr is playing with a panther; mountainous landscape. 

Porehased, Bogers Fand, 1906, from Messrs. Dowdeswell & Dowdeswells, L*t*d. 

Signed and dated, 1894. Oil. Canvas, 84 H.; 90 W. 

Watts repeated this subject with marked variations in idea and deeogn 
more than once. 

5 



THE GEORGE A. HEARN COLLECTION. 
GALLERY 15, AND IN GALLERY 13. 



Ubddenda. 



JUNE, 1906. 

Notb: 

Nos. 292, 310, 317, 321, withdrawn. 

Nos. 303, 304, 305, 306, 307, 308, 309, 311, 312, 313, 315, 316^ 318, 319, 
320, 322, 323, 324, 325, 326, 327, 328, 329, 330, formerly lent by 
Mr. Hearn, were given by him in 1906. 



HOGARTH, William. English School (See page 74.) 

PEG WOFFimtTON. 
Signed. Oncanya8,29iH.; 241 W. 

CONSTABLE, John, R. A. English School, (See page 28.) 

PORTRAIT OF MRS. PULRAM. 

On canvas, 29 H.; 24iW. 

REYNOLDS, Sir Joshua, P. R. A. English School (See page 145.) 

PORTRAIT OF MASTER HARE, 

On canyas, 28} H. ; 231 W. 

ROMNEYy George. (See January, lOOe, Addenda.) 

LADY HAMILTON AS '* DAPHNE,*' 

On canyas, 2tu| H.; 27 W. 

BOGERT, George H. American School 

Bom, 1864. 

CHALE CHURCH, ISLE OF WIGHT, ENGLAND, 
Signed. On canyas, 27^ H.; 85} W. 

OCTOBER MOONLIGHT 

Signed and dated, 1898. On canvas, 18 H.; 30 W. 

DAINGERFIELD, ELLIOTT. American School 
Bom, 1859. 

SLUMBERING FOG. 
Signed- On canvas, 29| H. ; 85* W. 



DESSAR, Louis Paul. American School, 

Bom. 1867. 

EVENING. 

Signed. On ctnyas, 88| H. ; 85J W. 

HOMER, Winslow. Ameriea/n School, 

Bom, 1836. 

CANNON BOCK, 

Signed and dated, 1896. » On canyas, 88f H.; 88} W 

SEARCHLIGHT, HARBOR ENTRANCE, SANTIAGO DE CUBA. 
Signed. On canvaa, 80 H.; 49i W 

RANGER, Henry W. American School, 

Bom, 1858. 

SPRING WOODS, 

On canyaa. 87i H.; 8H W. 

THAYER, Abbott H. American School. 

Bom, 1849. 

YOUNG WOMAN. 

On canvas, 86|H.; S8| W. 

TRYON, Dwight W. American School (See page m.) 

MOONLIGHT. 
Signed and dated, 8. On canvas, ji2i H. ; 21} W. 

WALKER, Horatio. American School, 

Bom, 1858. 

SHEEPFOLD. 

Signed and dated, 1890. On canvas, 19* H.; 27i W. 

WEIR, Julian Alden. American School (See page 186.) 

GREEN BODICE, 

On canvas, 83} H.; 23|W 

WILLIAMS, Frederick Ballard. Amencan School 

Bom, 1871. 

PASSAIC RIVER. 
Signed and dated, 190S. On canvas, 28} H. ; 29iW 



2 



Chddefidaf 

JULY, 1906. 

GALLERY 12. 

WHISTjltER, James Abbott McNeill. Americcm School. 

Bom, 1834; died, 1903. 

NOCTURNE IN GREEN AND GOLD, 
Gift of Mb. Habbu C. Fahhistocx, 1906. On canvas, 34| H.; 891 W. 

A LADY IN GRAY. 
Pnrchaaed fsom Income of the Rogers FnDd, 1906. Water Color, 10} H. ; 6 W. 

HUNT, William Morris. American JSohool 

Bom, 1824; died, 1879. 

LANDSCAPE. 
Purchased from Income of the Rogers Fond, 1906. On canyas* IH H.; 19 W. 



ROBINSON, Theodore. American School. 
Bom, 1854; died, 1896. 

GIRL AND COW. 

Gift of Mb. Wiluax T. Evans, 1906. 
Signed and dated, 1888. 

Replaced in 

GALLERY 12. 



On canvas, 86^ H.; H| W. 



TURNER, C.Y. American School. 

Bom at Baltimore, Md., 1850. Figure painter; pupil of National Acad- 
emy. Studied in Paris; elected A. N. A., 1884. N. A., 1886. 

THE BRIDAL PROCESSION 



Gift of Mr. Wm. T. Evans, 1891. 
Signed and dated, 1886. 



On canvas, 47^ H«, 98 W. 



GALLERY 13. 
INMAN, Henry. (Seepi«e88.) 

PORTRAIT OF MACREADY. 
PmchMed tram Income of the Bogert Fond, 1906. On canTM, 29^ H.; 9li W. 

STORY, George H. (Seepageiew.) 

PORTRAIT OF THE ARTIST. 

Gift of Mb8. Obobob H. Stobt, 1908. 

Signed and dated, 1908. On canyas, S8i H. ; 19| W.' 

S U LL Y, Thomas. (See pai^e 106.) 

PORTRAIT OF A MAN. 
Gift of Mb. Gbobob H. Stobt, 1906. On canvaa , 29) H.; 9H W. 

PORTRAIT OF MRS. KATHERINE MATHEWS. 
Porchaaed ftam Income of the Bogen Fond, 1906. On canyaa, 27 H.; SH W. 

EARL, Ralph. Ameriean School. 
Bom, 1761; died, 1801. 

PORTRAIT OF LADY WILLIAMS. 
Poichased from Income of the Bogert Fond, 1906. On canTaa, 41^ H. ; 89| W. 

WALDO, Samuel. L. (See page iss.) 

PORTRAIT OF GENERAL JACKSON. 
Purchased from Income of the Bogers Fnnd, 1906. On cantaa, 26| H.; 90| W. 

GALLERY 14. 

CEREZO, Mateo. Spanish School. 
Bom, 1635; died, 1685. 

PORTRAIT OF A CARDINAL. 
Gift of Mb. Stabtobd Whitb, 1906. On canTas, S8 H.; 21i W. 

GALLERY 18. 

DAGNAN-BOUVERET, Pascale Adolphe Jean. French 
School, 

Bom, 1852. • 

THE MADONNA OF THE ROSE. 

Pnrchaaed from Income of the Catharine Lorillard Wolfe Fnnd, 1906. 

Signed and dated, 1886. On canyaa, 88| H. ; 26| W. 

2 



GALLERY 19. 

BAROCCIO (Barocci), Federigo. Halian School, 
Bom, 1528; died, 1612. 

HOLY FAMILY. 

Purchased from Income of the Rogers Fond, 1908. On canvas, 2T| H. ; 2^ W. 

GIORDANO, Luca. Neapolitan School, 
Bom, 1632; died, 1705. 

PRESENTATION IN THE TEMPLE, 
Purchased from Income of the Rogers Fand, 1906. On canvas, 78} H.; 66^ W . 

GALLERY 20. 

ETTY, William. E?igliah School. 
Bom, 1787; died, 1849. 

THE THREE GRACES, 
Purchased from Income of the Rogers Fund, 1906. On canvas, 2Si H.; 18^ W. 

MILLAIS, Sir J. E., R.A. EnglUh School, 

Bom, 1829; died, 1896. 

*' PORTIA.'' 

Purchased from Income of the Catharine Lorillard Wolfe Fund, 1906. 

Signed, monogram, and dated, 1886. On canvas, 48 H.; 32 W. 

GALLERY 23. 

LOEB, Louis. American School. 

Bom, 1866. 

TEMPLE OF THE WINDS, 

Gift of Mb. Daniel Guggenheim, 1905. 

Signed and dated, 1897-05. On canvas, 861 H. ; 117i W. 

GALLERY 24.— Entrance. 

BLAKE, William. English School, 
Bom, 1757; died, 1827. 

THE FLIGHT INTO EGYPT. Dated, I8O6. ) rr- ^ ^ j • 
SHE SHALL BE CALLED WOMAN. ) ^'""^ <lrawm -^s 

Purchased from Income of the Rogers Fund, 1906. 2HH.; 19} W., l-egoecHveiv 

Both signed, monogram. aOjH.; 17W., S ^^ ^' 

8 



GALLERY 25. 

C ARLSEN, EMIL. American School. 

Bom, 1848. 

STILL-LIFE. 

Gift of Mb. WiLliAX A. Read, 1905. 

Signed. On canvas, 33} H.; 88 W. 

£ERMAK (CZERM AK), Jaroslav. Flemish School 

Bom, 1831; died, 1878. 

THE SLAVE. 

Bequeathed by Mit. Hbnbt H. Cook, 1906. 

Signed and dated, 1878. On canyas, 57i H. ; 38} W. 

G]§^R6ME, Jean L^on. (See page 58.) 

COFFEE HOUSE AT CAIRO. 

Bequeathed by Mb. Henry H. Cook, 1905. 

Signed. On canvas, 20^ H.; 25} W. 



HALL, George Henry. American School. 

Bom, 1825. 

ARABIAN BAZAAR SCENE. 

Bequeathed by Mr. Henrt H. Cook, 1905. 

Signed and dated, 1877. On canvas, 84^ H. ; 46} W. 



NEHLIG, Victor. French School. 

Bom, 1830. 

STROLLING PLAYERS. 

Bequeathed by Mr. Henrt H. Cook, 1905. 

Signed and dated, 1861. ^ On canvas, 19^ H.; 30 W. 



MEYER, Johann Georg (called Meyer von Bremen). 

(See page 121.) 
RETURN HOME. (Water Color.) 

Bequeathed by Mr. Heniiy H. Cook, 1905. 

Signed. 5}H.;4tW. 



PALMAROLI, Don Vicente. Spanish School. 

' WOMEN FISHING. 

Bequeathed by Mb. Henrt H. Cook, 1905. 

Signed. On canvas, 27^ H. ; 35 J W. 

4 



VERNET, Antoine Charles Horace. French Sehoci. 
Bom, 1758; died, 1836. 

A ROMAN TRIUMPH. 

Gift of Mb. Darius O. Mills, 1906. 

Signed and dated, 1789. On canyas, 49| H. ; ITli W. 

VERSCHUUR, Woutcrus. Dutch School. 
Bom, 1821; died, 1874. 

HORSES IN A STABLE. 

Beqaeathed by Mb. Hbnbt H. Cook, 1906. 

Signed. On cauTaa, 16 H.; IH W. 

WHITTREDGE, Worthington. American School. 

Bom, 1820. 

EVENING IN THE WOODS. 

Bequeathed by Mb. Hbmbt H. Cook, 1906. 

Signed. OncanTaa,41iH.; 88|W. 

Beplaced in 

NORTHWEST STAIRCASE. 

WE YDEN, van der, Roger. Flemish School, {Copp after.) 

Bom, 1399; died, 1464. 

THE DESCENT FROM THE CROSS. 

On canvaa, 46^ H.; 40| W. 

HALS, FranS (?) (see page 66). 

HALS, Dirk (?). ^ ^^^* ^*^' 

Bom, 1600; died, 1656. 



\ 



MEETING OF THE TRAINED BANDS TO CBLEBRATB THE 
CONCLUSION OF THE PEACE OF MUNSTER. 

On canvas, 96 H.; 89^ W. 

BRUEGHEL, Pieter the Elder (?). FlmMh Sdiool. 
Bom, 1510; died, 1569. 

GAMBLERS QUARRELING. 

On panel, 96 H.; 40| W. 



THE FOLLOWING ARE TEMPORARILY WITHDRAWN: 



21 Allegri, Antonio 



23 Mannozzi^ (7) Giovanni 

24 Alloii, Cnstoforo 

27 Ghirlandajo ,.., 

106 Sassoferrato, II 

116 Wiggins, Carleton 

116 Wood, Thomas W 

126 Dannat, W. T 

135 Marr.Carl r. . 

158 Hart, Jas. McDougal . . . 

172 Gray, Henry Peters 

190 Leutze, Emanuel 



192 May, Edward Harrison 

200 Healy, G. P. A. 

203 Gray, Henry Peters 

207 Page, William 

218 Inman, H^iry. 

499 Pouflsin, Nicolas. 

514 Marlchal, C. L 

561 Inness, Geo 

577 Langy Louis 

686 WyGe, Robert 

590 Granet,F. M 

591 Herrmann-L^n C 

592b Meyer von Bremen 

593 Demont,A. L 

594 Rico, Ms^in 

602 BoQvin, &nUe 

629 Hubner, K.W 

633 LeroUe, Henri 

636 Noter, David de, and Goupil, 

Jules 

640 Maclaren, W 

641 Pecht,A.F 

652 Hoflfer, F 

654 Webb, CM 

660 Jettel, Eugene 

661 Gabl, Alois. 



664a Dawant. A. P... . 
667 Brown, W. L. . . . 



• • • • • 



Head of a Cherub, and Angel 
(fresco) 

Mary Magdalen (fresco) 

St. Agatha (fresco) 

St. ^thony (fresco) 

Madonna. 

Young Holstein Bull 

War Episodes 

Portrait of Theodore Child 

The Mystery of Life 

The Adirondacks 

Cleopatra Dissolving the Pearl , . . 

Portrait of Wortfington Whitt- 
redge 

Mary Magdalen 

Comte de Paris 

Wages of War 

Ideal fiead of Shakespeare 

The Young Fisherman 

Mythologi(»tl Subject 

Galileo in Velletri (pastel) 

Evening 

A Country Girl 

The Death of a Vendean Chief 

B^n^ctines in the Oratory 

The Hunter 

Baby Brotlier Sleeping 

The Old Man's Garden 

An Italian Garden 

Louis XI at Prayer 

The Poacher's Death : 

The Organ Rehearsed 

A Dining Room 

Capri Life. The Embroiderers. . . . 

Portrait of Richard Wagner 

Decadence of Rome 

In the Study 

A Marsh in North Holland 

A Recruiting Scene in the Austrian 

Tyrol 

Departure of Emigrants from Havre 
Fruit 



(FROM KORTHW£ST STAIB0A8B.) 

639 Kensetti John Frederick Eaton's Neck, L. I 

657 " " " After Sunset 

658 " " " Rocks at Darien 

642 " " " T^idlight in the Cedars 

643 Brion, Gustave. . . . ^ A Rsdrt on the Rhine 

644 Browning, Robert Barrett The Meuse from Bouvigne (Bd- 

gium) 

645 Jansen, Joseph Landscape 

646 Eensett, John Frederick Scene on Lake George 

647 Unknown Eurydice 

648 Wust, Alexander A Mountain Torrent in Norway. . 

649 Colus, Alphonse The Entombment 

6 



WITHDRAWN PERMANENTLY: 



94 Artist Unknown 

112 Duverger, T. E 

137 Inness, George 

138 Tryon, Dwight W 

145 Gifford, S. R 

146 Schefifer, Ary 

147 Hart, James McDougal 

156 G6r6me, J. L 

486 Merle, Hugues 

494 Gallait, Louis 

495 Winne, Li^vin de 

497 Munkac^, Mih^ly 

515 Kraus, Friedrich 

518 Hildebrandt, Eduard 

522 Guillaume, E 

524 Luminals, E. V 

525 Scheffer, Ary 

526 Hagelstein, Taul 

66lA Col, David 

661b Riefstahl, W. L. F 



Virgin and Child 

Threading Grandmother's Needle. . 

A Passing Storm 

Evening, Early Spring 

Lake George 

Christ on the Momit 

Landscape, with Cattle 

Prayer in the Desert 

Italy, Past and Present. 

Portrait of a Lady 

Portrait of a Gentleman 

The Death of Mozart 

Peasants Going to Church 

The Bay of Naples 

Le Vocero 

The Wreckers 

Study of a Heed 

Street Musicians 

Compulsory Education. 

A Religious Procession in the Ba- 
varian Tyrol 



Note: 

No. 22 transferred to Gallery 11. 

No. 48 transferred to Southeast Staircase. 

No. 209 transferred to Grand Hall. 

Nos. 662 and 664 transferred to Grand Hall. 

No. 663 transferred to Entrance Hall (Fifth Avenue). 



Note: 

The foUowing paintings have, temporarily, been transferred to Gallery 24: 
43 - 49 - 58 - 85a - 86-90-92-93-96-107-225D-230-233-239-240-244-253-256- 
258-262-269-275-563, and two panels by Crivelli from Gallery 12. 



Note : 

No. 233, Vinci, Leonardo da, read: De Predis, Ambrogio. Lombard 
School. Bom circa 1450-1460; died after 1506. Was court painter 
to Ludovico il Moro; painted, under Leonardo da Vinci's direction, 
the replica of the " Virgin of the Rocks " in the National Gallery. 

No. 256, Masaccio, Tommaso Guidi (School of), read: Florentine School. 
The peculiar fashion of the headdress dates the picture before 1460. 
The painter was probably of Filippo Lippi's School. 

No. 85a, Mostert (or Mostaert), Jan, read: Isenbrant, Adrian. Flemish 
School. Bom, 14 — ; died, 1557. He settled at Bruges in 1510, and 
worked under Gerard David. 

No. 230, Moroni, Giovanni Battista, read: Torbido, Veronese School. 
Bom, 1486; died after 1546. 

7 



Cvddendaf 



NOVEMBER, 1906. 



GALLERY 24. 

HOLBEIN, Hans. School of Basel 
Bom, 1497; died, 1543. 

PORTRAIT OF A MAN. 

Purchased from Income of the Jacob 9. Rogers Fond, aided by Private Sabscribera, 1906. 
Inscribed:' Da, ich bet die Qestalt was ich 22 Jar alt, 1517. H. H. pingebat. 

Oil. Paper on Panel, S0| H. ; 15^ W. 

DIJCK, Sir Anthony (Antoon) van. Flemish School (See page y.) 

NEPTUNE, 
Purchased from Income of the Henry O. Marquand Fand, 1906. Oil. Canyas, 60^ H. ; 44| W. 



Chddenda, 



DBCBMBER, 1906, and JANUARY, 1907. 



GALLERY 12. 

HOMER, Winslow. American School (See Jane, 190S, Addenda.) 

Born, 1886. 

THE GULF STREAM. 

" PorchMed from Income of the Catharine LoriUard Wolfe Fond, tW7. 

Signed and dated, 1899. On canvaa, S8| H.; 4H W. 

CHASE, William M. American School (See page 88.) 

CARMENCITA. 

Gift of Sir William tan Horns, 1906. 

Signed. On canTaa, 09^ H.; 8H W. 

MILLER, Charles H. American School 

Born, 1842. 

BOUQUET OF OAKS. 

Gift of Mr. Whjjam T. Btani, 1906. 

Signed. On canTaa, 41i H.; 6>A W. 

GALLERY 13. 

KENDALL, William Sergeant. American School 

Bom, 1869. 

THE SEER. 

Porchaaed from Income of the Heam Fond, 1907. 

Signed. OncanTaa,87ifi.; 80 W 

CHASE^ William M. American School (See page <8.) 

SEVENTEENTH CENTURY LADY. 

Pnrehaied from Income of the Heam Fond, 1907. 

Signed. On canvat, 86 H. ; 84f W. 

VOLK, Douglas: American School 

Bom, 1856. 

THE YOUNG PIONEER. 

Porchaaed from Income of the Heam Fnnd, 1907. 

Signed and dated, 1906. On canvaa, 84| H., mW. 

1 



WILLIAMS, Frederick Ballard. American School 

Born, 1871. 

L'ALLEGRO. 

Parcbaeed ^m Income of the Heam Fund, 1907. 

Signed and dated, 03. On canvas, 11| H. ; 15 W. 

BENSON, Frank Weston. American School 

Bom, 1862. 

PORTRAIT OF A LADY. 

Pnrchaied from Income Of the Heam Fund, 1907. 

Signed and dated, 1901. On canvas, 40i H. ; 82^ W 

BRUSH, George De Forest. American School 

Born, 1855. 

IN THE GARDEN. 

Gift of Mb. Gbobgb A. Hbabn, 1907. 

Signed and dated, 1906. On canvas, 87i H. ; 16| W 

GALLERY 14. 

VLIEGER, Simon de. Dutch School 
Bom, circa 1600; died, circa 1660. 

CALM SEA. 
Purchased from Income of Rogers Fund, 1906. On panel, 14^ H. ; 17 W. 

GALLERY 20. 

LAWRENCE, Sir Thomas. English School (See page 00.) 

PORTRAIT OF REV. WILLIAM PENNICOTT. 
Purchased from Income of the Rogers Fund, 1906. On canvas, 29| H. ; 24^ W. 

LELY, Sir Peter. Dutch School (See page 102.) 

NELL GWYNNE. 
Purchased from Income of the Rogers Fond, 1906. On canvas, 25i H. ; 2Q| W. 

GALLERY 21. 

COURBET, Gustave. French School (See page 80.) 

LANDSCAPE^'' EFFET DE NEIGE.'* 

Purchased from Income of the Rogers Fund, 1906. 

Signed. On canvas, 19| H. ; 28^ W. 

GALLERY 24. 

RUYSDAEL, Salomon van. Dutch School (See page 154.) 

LANDSCAPE. 

Purchased from Income of the Rogers Fund, 1906. 

Signed and dated, 1648. On canvas, d7| H. ; 51^ W. 

2 



Chddenda, 



FEBRUARY and MARCH, 1907. 



GALLERY ii. 



FIORENZO DI LORENZO. Umbrian SchooL 
Bom, 1440; died, after 1521. 

NATIVITY. 
Purchased from Income Rogers Fund, 1906. On panel, lU H.; 2B|W. 

GIOVANNI DI PAOLO. (See page l,AprU,1908, Addenda.) 

PARADISE. 
Pnrehaaed from Income Rogers Fand, 1906. On panel, 17i H. ; IH W. 

ITALIAN SCHOOL, 15th Century. 

MADONNA AND CHILD. 

Gift of Babon Lazzaroki, 1906. On panel, 24 H. ; 14^ W. 

PESELLINO, Francesco. FlorenUne Schod. 

Bom, 1422; died, 1457. 
MADONNA WITH 88. JOHN THE BAPTI8T AND EVAN0ELI8T. 

Gift of Mb. G. Bbaueb, 1906. On panel, 17i H. ; 14^ W. 

PIETRO DI DOMENICO. 8iennese 8chod. 
Bom, 1457; died, 1501. 

VIRGIN AND CHILD, 8T. JOSEPH, ST. PETER. 
Porchased by the Maseam, 1871. Tempera on panel, 20^ H. ; 18^ W. 

SIMONE DI MARTINI (called Simone Memmi). 

Bom, 1285?; died, 1344. Sienneae School. 

ST. PAUL. 

Purchased by the Maseam, 1871. Tempera on panel, S5i H. ; 16^ W. 



(%>ddendai 



NOVEMBER, 1906, TO filARCH, 1907. 




aintingd Jhent 



GALLERY lo. 

BOUCHER, Francois. (See page 15.) 

LA FONTAINE D' AMOUR. 

Lent l>7 Mb. Ebnsbt Gn pbl, 1906. 

Signed and dated, 1748. On canvas, 118 H.; 182| W. 

LES D^NICHEURS DVI8EAUX. 
Lent by Mb. Bbnbbt Gimpel, 1906. 
Signed and dated, 1748. On canyaa, 116 H.; 188^ W. 

GALLERY 11. 

FLEMISH SCHOOL. 

VIRGIN AND CHILD. 
Lent by Hon. Robbbt W. db Fobbbt, 1907. On panel, 14| H. ; 1S| W. 

GALLERY 13. 

STUART, Gilbert. (See page 164.) 

PORTRAIT OF OEOROE WASHINGTON, 
(Known as the Gibbs Channing Portrait of Washington.) 

Painted at Philadelphia in 1795. On canyaa, 99 H. ; 24 W. 

Purchased from Income of the Rogers Fund, 1907. 

GALLERY 19. 
BOUCHER, Francois. (See page 15.) 

LA TOILETTE DE VENUS. 

Lent by Mb. WnxiAM K. Vandikbilt, 1907. 

Signed and dated, 1751. On canvas, 40| H. ; 80^ W. 

GUIARD, Madame Labille. French School. 
Bom, 1749; died, 1803. 

PORTRAITS OF THE ARTIST, AND OF MMES. CAPET AND ROSE^ 

MONDE. 
Lent by Mb. Ebnbst Gihpbl, 1906. 

Signed and dated, 1786. On cany^ 811 H.; 59i W. 



X 



DROUAIS, Francois Hubert. (8eeiMce48.) 

LA C0MTES8E D'HORNOY DB FONTAINES. 
Lent by Mb. Bbnist Qdcpbl, 1906. On caarM, IHH.; tt W 

GALLERY 20. 

BEECHEY, Sir William, R.A. (8eepi«e«.) 

THE DUKE OF GLOUCESTER. 

LentbyMB. KiinnTHFBAziiB,1907. OncanTas,99H.; S3|W. 

GALLERY 24. 

REMBRANDT VAN RIJN. C3eepi«ei48.) 

PORTRAIT. 

Lent by Mb. William E. Yaitdbbbilt, 1907. 

Signed and dated, 1688. On canTaa, 50| H.; 47| W. 

HOLBEIN, Hans. (8ee Norember.lSOO. Addenda; alao page 74.) 

''LADY OULDEFORD, WIFE OF SIR HENRY OULDEFORD, OF 
HEM8TED—KENT, COMPTROLLER OF THE 
HOUSEHOLD TO HENRY VIII.'* 
Lent by Mb. Williaie K. Yandbbbilt, 1907. On pand, 8Si H. ; 86^ W. 

inacribed: Anno MDXXVII MTATIB QYM 27. 

DIJCK, Sir Anthony (Antoon) van. (See page 46.) 

HENRIETTA MARIA, QUEEN TO CHARLES L 
Lent by Mb. William K. Yavdbbbilt, 1907. On canvaa, 49 H.; 40 W. 

HALS, Frans. (See page 66.) 

PORTRAIT OF HEER BODOLPHE. 

Lent by Mb. J. Pibbpont Mobgak, 1907. 

Signed and dated, 1648. On canvaa, 48 H. ; 87i W. 

PORTRAIT OF VROUW BODOLPHE. 

Lent by Mb. J. Pibbfobt Moboab, 1907. 

Signed and dated, 1648. On canvaa, 471 H. ; 87i W. 

REMBRANDT VAN RIJN. (Seepagel48.) 

A SYBIL. 

Lent by Mb. Thbodobb M. Datis, 1906. On canvaa, 88^ H.; S9| W. 

MURILLO, Bartolom6 Esteban. (See page 4, April, I9O6, Addenda.) 

PORTRAIT OF A MAN. 
Lent by Mb. William T. Dabbat, 1907. ^ On canvaa, 77f H.; 49* W 






crheplaced* 



GALLERY 12. 

INMAN, Henry. (Seepage 88.) 

218 THE YOUNG FISHERMAN. 

(Formerly in Gallery 18.) 

GALLERY 19. 
SASSOFERRATO, IK (Seepageise.) 
106 MADONNA. 

(Formerly in Gallery 18.) 

GALLERY 21. 

BOILVIN, ^mile. (See page 11.) 

•02 LOUIS XI AT PRAYER. 

(Formerly in QaUMry 20.) 



Q^ddendcL^ 



APRIL, 1907. 

SOUTHEAST STAIRCASE. 

BREUGHEL, Jan (The Younger). FUmiah School. 

Bom at Antwerp, 1601; died after 1677. Son and pupil of Jan the Elder, 
who was called Fluweelen or Velvet Breughel, it is said, on account of his par- 
tiality for dressing in velvet. 

A FLEMISH VILLAGE. 

Purchased by the Muaeum, 1871. On panel, 9iH.; 12i W. 

OSTADE, Adriaen van. (See page isi.) 

THE SMOKERS. 

Purchased from income of the Rogers Fund, 1906. 

Signed. On panel, 7| H.; 6f W. 

A SMOKER 
Purchased by the Museum, 1871 . On panel, 1 li H. ; 9f W. 

JORDAENS, Jacob. (See page 89.) 

SKETCH FROM SACRED HISTORY. 

Purchased by the Museum, 1871. On canvas, 9iH.;lliW. 

GALLERY ii. 

BORRASSA, Luis. (Attributed to.) SpanUh School, Early 16th 
Century. 

ALTARPIECE DEDICATED TO SAINT ANDREW. 

Purchased from income of the Rogers Fund, 1906. 124 H. ; 124i W. 

GHIRLANDAJO. (See page 58.) 

27 ST. ANTHONY— FRESCO. (Replaced.) 

(Formerly in Southeast Staircase.) 

GALLERY I2.- 

KYLE, Joseph. (Seepages?.) 

PORTRAIT OF THE ARTIST. 
Gift of Mi88 Louna Shsrman Ktia, 1906. On oanvaa, ofval, lOi H. ; 13 W. 

SARGENT, John Singer. (See page i66.) 

SKETCH OF EDWIN BOOTH. 

Lent by Mr. Charubs Faucbild, 1906. 

Signed. On canvas. 23i H. : 19i W. 



PORTRAIT OF R. L. STEVENSON. 

x^ent by Mr. Charles Fairchild, 1906. 

Signed. On oanvmfl, lOi H. ; 23i W. 

JOHNSON, Eastman. (See page 88.) 

PORTRAIT. 

* 

Lent by Mr. Gharlss Fairchild, 1906. 

Signed, and dated 1856. On eanTM, 23i H.; 19i W 

VEDDER, Elihu. (See page m.) 

THE QUESTIONER OF THE SPHINX. 

Lent by Mr. (Dharles Fairchili>, 1906. , 

Signed. On canvas, lOi H.; 12 W. 

HUNT, William Morris. (See July, I9O6, Addenda.) 

THE BATHERS, 

Lent by Mr. Charles FAiRCHiiiD, 1906. 

Signed by monogram ; dated 1877. On canvas, 23i H.; 15i W. 

WHISTLER, James Abbott McNeill. (See Jaiy.igos, Addenda.) 

NOCTURNE IN BLACK AND GOLD— THE FALLING ROCKET, 
Lent by Mrs. Samuel Untebmtir, 1907. On canvas, 23i H. ; 17i W. 

JOHNSON, Eastman. (See page 88.) 

CORN HUSKING. 

Purchased at the Eastman Johnson sale, 1907, from income of the Rogers Fund. 
Signed. On canvas, 26i H. ; 64 W. 

GALLERY 13. ^ 

STUART, Gilbert. (See page 164.) 

PORTRAIT OF THE FIRST MINISTER FROM SPAIN TO THE 

UNITED STATES. 

Purchased of Enoedler & Co., 1907, from Income of the Rogers Fimd. 

On canvas, 49i H. ; 39i W. 

Inscribed: Don Josef de Jaudenes y Nebot Comisario Ordenador de los 
Reales Exercitos y Ministro Embiado de Su Magestad Catholica cerca de los 
Estados Unidos ae America. Naci6 en la Ciudad de Valencia. Reyno de 
Espafia el 25 de Marzo de 1764. — 

Also marked with Stuart's name, and dated 1794. 

PORTRAIT OF THE WIFE OF THE FIRST MINISTER FROM SPAIN 

TO THE UNITED STATES, 

Purchased of Knoedler & Co., 1907, from Income of the Rogers Fund. 

On canvas, 49 H. ; 39i W. 

Inscribed: DofLa Matilde Stoughton de Jaudenes-Esposa deDon Josef de 
Jaudenes y Nebot Comisario Ordenador de los Reales Exercitos de Su Magestad 
Catholica y su Ministro Embiado cerca de los Estados Unidos de America. 
Nacio en fa (Diudad de Nueva-York en los Estados Unidos el- 11 deEnerode 
1778.— 

Also marked with Stuart's name, and dated 1794. 



BUNCE, William Gedney. American School. 

Bom, 1840. 

MORNING VIEW IN VENICE. 

Purchased of Cottier ^ Ck>., from Income of the Heam Fund, 1907. 

Signed. On canTAs, 35 H.; 55| W. 

GALLERY 14. 

SART, Cornelis du (Dusart). Dutch School. 

Bom at Haarlem, 1660; died 1704. Little is known of this artist, or of his 
works, which are not numerous. 

UNDER THE TRELLIS. 
Purchased by the Museum, 1871. On panel, 7 H.; 6 W. 

NEEFS, Pieter (The Younger). Flemish School. 

Bom at Antwerp, 1601; died there 1675 (?) He painted the same daas 
of subjects as his father, of whom he was the pupil — ^namely church interiors — 
but his work was inferior to that of his father. 

INTERIOR OF A CHURCH. 
Purchased by the Museum, 1871. On canvaa, 10 H.; 7f W. 



FEBRUARY TO APRIL, 1907. 
THE FOLLOWING ARE TEMPORARILY WITHDRAWN: 

3 Meulen, Adam Frans van der. . . A Combat of Cavalry. 

4 Hughtenbur^h, Jan van Repose after the Hunt. 

6 Teniers, David (the Younger) Judith with the Head of Holof ernes. 

10 Stork, Abraham (the Elder) A Seaport. 

31 Ommeganck, B. P Flemish Pasture. 

41 Berchem, Claes Nicholas Rest. 

42 Mame, Jean Louis de A Gust of Wind. 

70 Metsys, Quentin, School of The Crown of Thorns. 

72 Afische, Henri van Landscape with WaterfalL 

74 Lingelbach, Johannes Dance of Peasants. 

85 Hondius, Abraham Wild Boar Hunting. 

162 Lely, Sir Peter Portrait of a Ladv. 

168 Shee, Sir Martin Archer Portrait of Daniel O'Connell. 

204 West, Benjamin Triumph of Love. 

247 Molyn, Pieter (the Elder) Landscape with Cottage. 

489 Robie, Jean Flowers. 

491 Unknown Artist Portrait of Mr. Wm. F. Coles. 

611 Velten, W Halt of Cavaliers. 

628 Defaux, Alexandre Apple Blossoms. 

532 Verboeckhoven, E. J Cattle with Landscape. 

560 Schrader, Julius Queen Elizabeth Signing the Death 

Warrant of Mane Stuart. 

5B7 Richards, Samuel Hour of Prayer. 

592c Verboeckhoven, E. J Cattle With Landscape. 

611 Fagnani, Giusseppe Terpsichore. 

612 " " ThaUa. 

613 " " Urania. 

614 " " CaUiope. 

615 " " Polymnia. 

Note: Nos. 111^ 139, 144, 155, 511, 532, 667, 668, 670, 671, 672. 673, 674, 

675, 682, 685, 686, 688, formerly lent by Mr. Thomas P. Salter, were 
' bequeathed by him, 1907. 



i^ddenda* 



MAY AND JUNE, 1907 



GALLERY ii. 

SPANISH SCHOOL. 

ALTARPIECE REPRESENTim SIX SCENES FROM THE PASSION. 
Lent by Mr. Whjjam M. Laffan, 1907. 64| H. ; 121i W. 

GALLERY 12. 

LA FARGE, John. American School. 
Bom 1835. 

*'in front of our house, vaiala (samoa), young girl 

weeding:' 

Lent by Mr. August F. Jaccaci, 1907. On panel, 19 H.; 18 W. 

Signed and dated, 1890. 

RANGER, Henry Ward. American Schod. 
Bom, 1858; resides at New York. 

highbridge. 

Gift of Mb. William T. Eyanb, 1907. On canvas, 40i H.; 50} W. 

Signed and dated, 1905. 

GALLERY 19. 

WATTEAU, Antoine. French School. 

Bom, 1684; died, 1721. 

PORTRAIT. 
Lent by Mrs. PATjras Whitney, 1907. On canvas, 21 i H. ; 16i W. 

GALLERY 20. 
GAINSBOROUGH, Thomas, R.A. (see page 56.) 

PORTRAIT OF THE HON. MRS. HAMILTON, DAUGHTER OF J, 
WILLIAMS, ESQ., OF COUNTY PEMBROKE. 

Lent by Mr. Thatcher Adabis, 1907. On canvas. 75i H.; 59i W. 

LANDSEER, Sir Edwin, R.A. English School. 
Bom, 1802; died, 1873. 

ALEXANDER AND DIOGENES. 
Lent by Mr. Thatcher Adams, 1907. On canvas. 43i H. ; 55| W. 



REYNOLDS, Sir Joshua, P.R.A. (see page 145 ) 

PORTRAIT OF WILLIAM ROBERT, SECOND DUKE OF LEINSTER. 

Lent by Mr. Thatchkr Adams, 1907. On oanvaB, 28i H. ; 35i W. 

ROMNEY, George, (see January, ISOO, Addenda.) 

PORTRAIT. 
Lent by Mbs. Patms Whitney, 1907. On canvas, 29i H,; 2H W. 

PORTRAIT OF LADY HAMILTON. 
Lent by Mrs. Payne Whitney, 1907. On canvas, 59i H. ; 47i W. 

LADY HAMILTON AS ARIADNE. 
Lent by Mr. Thatcher Adams, 1907. On canvas, 48i H. ; 39i W. 

GALLERY 21. 

MANET, Edouard. (Seepage 111.) 

THE GUITARIST. 
Lent by Mr. William Church Osborn, 1907. On canvas, 56i H.; 44} W. 

Signed and dated, 1860. 

MONET, Claude Oscar. French ShooL 
Born, 1840; resides at Paris. 

POINTE STE. ADRESSE. 

Lent by Mr. William Chxtrch Osborn, 1907. On canvas, 28f H. ; 39} W. 

Signed. 

CHAMP DE COQUELICOTS. 

Lent by Mrs. Samxtel Untermyer, 1907. On canvas, 23i H. ; 39i W. 

Signed and dated, -90. 

RENOIR, Pierre Auguste. French School. 
Bom, 1841. 

MM3. CHARPENTIER AND HER CHILDREN. 

C'LA FAMILLE CHARPENTIER.-") 

Purchased 1907, at the Charpentier Sale, Paris, through Durand-Ruel, from income of the 
Catharine Lorillard Wolfe Fund. 
Signed and dated, -78. On canvas, 69i H. ; 74f W. 

GALLERY 22. 

BLAKE, William. (see July, I9O6, Addenda.) 

THE GOOD A ND EVIL A NGELS. {Colored PrirU.) 
Lent by Mrs. Payne Whitney, 1907. 17 H. ; 23i W. 



247. Molyn, Pieter (the Elder). Landscape with (3ottage. Replaced in Galleiy 14. 



^^ddenda. 



JULY, 1907. 



GALLERY 12. 

MURPHY, John Francis. Amencan Schod. 

Bom, 1853. 

THE OLD BARN, 
Signed and dated, 1906. 

Purchased from income of the Heam Fund, 1007. On canTas, 2ii H.'; 961 W. 

R£ID, Robert. American School. 

Bom, 1863. 

FLEURS'DE-LYS. 

Signed. 

Purchased from income of the Hearn Fund. 1907, On oaDvat, 44 H.; 42i W 



GALLERY 24. 

REMBRANDT VAN RIJN. (See page 143.) 

PORTRAIT OF THE ARTIST. 

Signed and dated. 1658. 

Lent by Mr. Hbnrt C. Frick. 1907. On oanvat, 51f H. ; 40 W . 

NOTE. 

For all paintings not numbered, refer to the monthly Addenda 
follo¥ring page 194. 



The following have been transferred from GALLERY 24 (April to July, 1907). 

TO GALLERY 11. 

Bugiardini, Giuliano Madonna and Chilpl with Infant St. 

John 

Cristus, Petrus The Deposition 

CriveUi, Carlo St. Geor^. 



" " St. Dominic 

Daret, Jacques Virgin and Child 



De Predis, Ambrogio Portrait of a Lady. (See page 7, July, 

1906, Addenda) 

Florentine School Profile Portraits of a Man and Woman. 

(See page 1, July, 1906, Addenda). 

Giambono, Michele Piet)^ 

Isenbrant, Adrian Ecce Homo and Mater Dolorosa. (See 

pajse 7, July, 1906, Addenda) 

Leyden School Crucifixion 

Lotto, Lorenzo Portrait of a Young Man 

Niccolo da Foligno Monk Reading 

Piero di Cosimo (2) Scenes in the Life of Primitive 

Man 

Van Eyck, Jan.(?) The Virgin and Child 

TO GALLERY 14. 

Hals, Frans Hillebobbe van Haari^n 

Mierevelt, Michael Portrait of a Lady 



TO GALLERY 19. 

Maratta, Carlo Portrait of Clement IX. . . 

Murillo, Bartolom^ Esteban St. John the Evangdist. . . 

Tiepolo, Giovanni Battbta Triumph of Ferdinand III. 

TO GALLERY 20. 

Turner, Joseph Mallord William Saltash 

Watts, George Frederick Ariadne in Naxos , 



TO GALLERY 21. 
Puvis de Chavannes Le Chant du Beiger. 



Peale, Charles Wilson. Read: Peale, Charles Willson; bom at "St. 
Paul's Parish '' in Queen Anne County, Eastern Shore of Maryland, April 15, , 
1741, and, while an infant, was taken by his parents to Chestertown, Md. 
Died at Philadelphia, Pa., 1827. 



THE FOLLOWING ARE TEMPORARILY WITHDRAWN: 



100 Linen, George Portrait of Colonel Popham 

542 Colman, Samuel Venice — ^Moonrise , 

575 Fr^re, Charles Th^ore Departure from Jerusalem for Jaffa. 

581 Plassan, Antoine Emile Table Supplies 

583 Fichel, Benjamin Eugene A Violin Player < 



AUGUST, 1907 



NOTE: 

^fie i/Oitkdtawal of paifUingd Lent fot a dkott time id 
not noted in tke c/TQontklt/ Coddenda, 

FRANS HALS (The Elder). 

The foUewing communication has just been received from Dr. Bredius: 

The Hague, July 24, 1907. 

(Translation): The exact date of birth of Hals is not known — hvt it approaches 
nearest to 1584. / am working among the archives of Harlem and already find 
something that is new. *The date of burial at Harlem is exact. 

GALLERY 11. 

BOCCATIS, Giovanni di Umbrian School— 16th Century. 

GOD THE FATHER, MADONNA AND CHILD, WITH ANGELS. 
Lent by Mb. J. Pibbpomt Moboan, 1907. On paneU 34^ H. ; 16^ W. 

GALLERY 12. 
SMILLnS, George Henry. American School. 
Bom 1840. Resides at New York City. 

AUTUMN AFTERNOON. 
LCMf t of Xb. Chabz^b F. Sxillib, 1907. Signed. On canyas, 86i H. ; 00 W. 

GALLERY 14. 
NEERy Aert van der. (see page i28.) 

THE FARRIER. 
Porchaaed by the Moaenm, 1871. On panel, 19 H. ; 9H W. 

(REPLACED.) 
3. Metilen, Adam Frans van der. — A Combat of Cavalry, 

WOUWERMAN, PhiHps. Dutch School. 

Bom at Haarlem, and baptized there May 24, 1619; died there 1668. 
Son of Paulus Joosten Wouwennan. He learnt the practice of his art from 
his father, and studied landscape painting under Jan Wijnants, but he is 
supposed to have also profited by tne examples of Andries Both and Pieter 
van Laer. Landscape always played a prominent part in his compositions. 
Horses were his favorite study and he generally found reason to introduce at 
least one of those animals into his pictures: a white horse often serves as his 
principal mass of light. Few galleries are without specimens of his work; 
m many he is abundantly represented; the Amsterdam Museum has 13, 
Museum at The Hague 9, the National GaJlery 9. 

THE HALT. 
Purchased by the Mnaeam, 1871. On panel, 28 H. ; 29i W . 

THE FOLLOWING ARE TEMPORARILY WITHDRAWN: 

52. Lingelbach, Johannes. — BatUe Scene. 

78. Tilboigh, Gillis (Aegidius) y&n.— Visit of a Landlord to a Tenant. 

* Bef en to the date given in this catalogue. 



^qddenda, 



SEPTEBiBER AND OCTOBER, 1907. 



NOTE: 

^ke witlidxai/oal of paintingA lent for a dkott time id 
not noted in the oTBonthlif Gbddenda* 



GALLERY ii. 



CONEGLIANO, Giovanni Battista da (called Oma da ConegH- 
ano). Venetian School. 
Bom, middle 15th century; died about 1517? 

ALTARPIECE; ST. BOCH, ST. ANTHONY AND ST. LUCY. 

Purchased from Income of Sogers Fond, 1907. On canvas, 50| H.; 47| W. 

STARNINA, Gherardo. (Attributed to.) Florentine School. 
Born, 1354? died, 1408? 

VIROIN AND CHILD WITH DONORS. 

Parchased from Income of Hogers Fand, 1907. Tempera on panel, Sti H.; 58 W. 

CASSONE, Front : Italian School. 

About 1420. 

THE TAKING OF SALERNO. 

Purchased from Income of Rogers Fnnd, 1906. Wood, 18 H.; 47 W. 

GALLERY 12. 

KENSETT, John Frederick. (Seepages*.) 

LANDSCAPE. 

Gift of Mr. H. D. Baboook in memory of S. B. Babcoclc, 1907. On canvas, 81| H.; 46f W. 

GALLERY 19. 

IL TINTORETTO. (Real name Jacopo RobustL) Venetian School. 
Bom, 1518; died, 1594. 

THE LAST SUPPER. 

Purchased from Income of Rogers Fond, 1907. On canvas, 96| H.; 87| W. 



GALLERY 39. 

BIERSTADT, Albert Ammrican 8du»L 
Bom, 1830; died, 1002. 

THB ROCKY MOUNTAINS. 

Pnidiaaed from Inoome of Tbe Catharine Lorillaid Wolfe Fond, 1007. 

Signed and dated, 1868. Oncanvaa, 74iH.; 1S8 W. 



Replaced in 

GALLERY 12. 



Chase, William M Oannendta. 

GALLERY 23. 
135 Marr, Carl The Mystery of life. 

SOUTHWEST STAIRCASE. 

614 Marshal, Chariea Laurent. (See Page 1 13.) Galileo in Velletri. 

'* ** " Columbus Brought Back in 

Chains. 



rn 



THE FOLLOWmO ARE TEMPORARILY WITHDRAWN: 



(S29 Fran^ais, Francois Loius Gktthering Olives. 

547 Kensett, John Frederick View on Long Island Sound. 

585 " " " The Old Pine, Darien, Conn. 

605 " " " On the Coast 

606 " " " Coast Scene 



607 " " " Landscape Study 

608 '' " " Sunset on Long Island Sound. 

619 " " " Passing Away of the Storm... 

620 " " " Early Autumn 



621 " " " Scene on Connecticut Shore of Long 

Island Sound 

622 " " " Coast Scene, near Darien, Conn 

623 " " " Cedars in the TwiUght. 



624 *' *' " Evening at Contentment Island, 

Darien, Conn. 



GALLERY 1 6 

THE WILLIAM H. VANDERBILT 
a)LLECTION OF MODERN PAINTINGS 

LENT BY 

MR. GEORGE W. VANDERBILT 



THE WILLIAM H. VANDERBILT COLLECTION 

OF 

MODERN PAINTINGS 

LENT BY 

MR. GEORGE W. VANDERBILT 



The Catalogue of this loan is a reprint from that of Mr. William 
H. Vanderbilt, published in 1886, with a prefatory note by Mr* S. P. 
Avery. ...«_«^_«.^ 

NOTE. 

Mr, William H. Vanderbilt was born in the year 182 1. In 
1854 he accompanied his father, Commodore Cornelius Vander- 
bilt, and other members of his family, on his steamship the 
" White Star," during the famous trip to notable parts of Europe, 
It was the desire to visit Rome, but on account of the cholera 
then raging there they could only land at Civita Vecchia, where 
Mr. W. H. Vanderbilt purchased his first painting. Later on, in 
the early *6o's, he began to purchase and commission pictures 
from a number of our native artists. This experience did much 
to interest him in collecting works of art. His first purchases were 
distributed throughout his residence on Fifth Avenue, southeast 
corner of Fortieth Street. During 1868 and succeeding years he 
began to purchase works by foreign artists. On the death of his 
father in 1877 his increasing means enabled Mr. Vanderbilt to 
purchase ejcamples of the celebrated living and recently deceased 
painters, which at that time had not become common in this 
country. Frequently going to Europe, he visited the national 
and private galleries, attended notable public sales, conferred 

197 



THE WILLIAM H. VANDERBILT COLLECTION. 

with reliable experts, made extensive purchases, and gave com- 
missions to several prominent artists of the time. 

In course of events and with many art accumulations Ifi; 

Yanderbilt found that he required more extensive premises. He 
then built his final residence at 640 Fifth Avenue^ with adjoining 
picture galleries, to which he removed in 1881, and where he 
continually added to his collection up to the time of his death in 
1885. Since then no paintings have been added, neither have 
any of them ever been exhibited outside the residence, where for 
several years it has not been convenient to admit visitors. la 
consideration of the many applications to see the paintings, Mr. 
George Vanderbilt, having planned to be absent from the city for 
the most of the coming year, has in the most generous manner 
loaned this portion of his father's collection to the Metropolitan 
Museum of Art, where it can be freely enjoyed by the public. 



198 



_j I 



GALLERY 16. 

CATALOGUE OF PAINTINGS FROM THE 

W. H. VANDERBILT COLLECTION 
LENT BY MR. GEORGE W. VANDERBILT. 

%* The measurements represent the '* sight" or painted surface — in 
inches — ^and in every case the first figures indicate the width. For Index, 
see page 331. 



MEISSONIER (J. L. E.). 
A Portrait. 

10x13 

Dated 1880. 



2 

MULLER (Leopold Carl). 
Street Scene, Cairo. 

26x35 

Dated 1880. 



3 

DIAZ (N., DE LA PeSTa). 

" Blind Man's Buff." 

19x16 

Dated 1852. From the Spencer Collection, 1878. 

199 



Y 16. 



4 

BOLDINI (G,). 
Ladies of the First Empire. 

Its 13 
Dited t87S. 

ft 

BOUGUEREAU (W. A.). 

Goinff to the Bath. 
90x40 

ilMliS '96^ FiQo the John Taylor Johnston Conectioii« I09ik 

6 

LEIGHTON (Sir Frederic). 

An Odalisque. 
17x35 

7 
COROT (J. B. C). 

Classical Landscape. 

8AX t6 

8 
ALMA-TADEMA (L.). 

The Sculpture Gallery. 

23x30 

This subject depicts visitors In a Roman Sculpture GaHery, the specimens 
being taken irom some celebrated antique works : the Vase In the center from 
that in the Naples Museum; the portrait of **Agrippina** from that !n the 
Capitol at Rome ; the Bronze Horse from that In the Naples Museum ; the por- 
trait of '• Pericles" from that In the Vatican ; the Silver Dish upon the Table 
from that In the Berlin Museum ; the Table from that in the Casa Rufi at Pom* 
peil ; and the " Hercules Strangling the Serpents •* is also well known to archse* 
ologists. The room in the background is an emponum for minor works, when 
customers may be seen purchasing LamJ3s, etc. 

200 



GALLERY 16. 

t 

g^rOme (J. L.y. 

Louis XIV. and the Grand Cond& 

54x37 

Painted to order, 1878. 

(Extract of Letter from the Artist.) 

** In order to deliver your picture of the * Reception of the Prince of Cond^ 
by Louis XIV./ 1 have worked upon it without intermission to reach the desired 
end, and I hope that I have succeeded, I hope also that you will be satisfied, for 
I have done my best to arrive at this result. A few lines about the subject will 
make you understand it in its details. The reception takes place on the grand 
staircase at Versailles. This staircase no longer exists. It was destroyed under 
Louis XV., but there remains an engraving of it at that time, very well executed, 
which has enabled me to reconstruct it with truth. In the year 1674 Conde had 
returned to Court, where he was received in triumph. The King came forward 
to meet him on the grand staircase, which was not his usual habit. The Prince 
was going up slowly, on account of the gout, which made him almost helpless. 
At soon as he saw the monarch, * Sire,' said he, * I beg Your Ma}esty*s pardon 
to make you wait so long.* * My cousin,' answered the King, * do not hurry. 
When one is so loaded with laurels as you are, it is difficult to walk quickly.* 
Louis XIV. pressed him in his arms, and embraced him repeatedly. By the 
side of Louis XIV. stands his son, the Duke of Burgundy, whom they called 
the Great Dauphin, at that time thirteen years old. He died while young, with- 
out having reigned, and was the father of Louis XV. Behind him is his pre- 
ceptor Bossuet, Bishop of Meaux. On the right and on the left are members 
of the Court* 

10 

DfeTAILLE (£douard). 
Ambulance Corps. 

46 X 32 
Painted to order, 1878. 

(Extract of a Letter from the Artist.) 

* The title of my picture is * The Arrest of an Ambulance, Eastern Part of 
France, January, 1871,* They are civil Ambulanciers, who have been taken by 
a Prussian patrol in a village where a battle has taken place. When their papers 
have been examined and recognized in order by the Prussian general, they will 
be released and authorized to collect the wounded and assist in the German in* 
firmaries. The spot where the scene is laid is a village in Franche-Comt^ ; they 
have fought there ; the Germans occupy it. The foot-soldiers who surround 
the ambulances are Prussian Chastcon (Rheimsches Jagers, Battalioa K9, 9). 

201 



I 



GALLERY 16. 

The Prasska fenenl b accompanied hf an oflScer of tbe Hnasars (Ldbhisaren, 
Re^ment No. 2), and by an officer of the staff ; his cap and cloth-facini^ of 
amaranth. The two other officers are : the one in blue tunic and yellow cellar, 
an officer of the Dragoons ; the other, an officer of the Cuirassiers (Branden- 
burgisches Cuirassiers, Regiment No. 6, Kaiser Nicholas I. Ton Russland). 
The dead body in the foreground is that of a Bavarian foot-soldier. Those are 
also Bavarians who are at the end of the street, and at the entrance of the house 
under the fa9ade, and pierced by bullets. Here are very minute explanations, 
but I thought that Mr. Vanderbilt would be pleased to have all possible details 
about his picture. I hope that he may be satisfied with it« and that It will 
receive many compliments.*^ 

11 

coROT (J. B. ay 

Road Near Paris. 

ALMA-TADEMA (L). 
The Picture Gallery. 

23 X 30 

This represents a Gallery of Antique Paintings. Several visitors are mak- 
ing good use of the catalogues and references which they have found in the 
boxes on the tables. On the easel is a Monochrome by ** Apelles**; above 
which appears part of a large picture, taken from the great Mosaic in the Naples 
Museum, which is probably a copy of the painting ** The Battle of Issus,** by 
Philoxenos of Eretria. The picture over the doorway might be attributed to 
Marcus Ludius, the inventor of that most charming and well-known architectural 
decoration in which Pompeii abounds. Through the doorway is seen another 
work, taken from a Mosaic in the Naples Museum, representing ** Strength 
Captivated by Love." The life-size figure is, by some archaeologists, believed 
to be the '• Medea *• by Timomachos of Byzantium, which picture Julius Caesar 
bought from the artist for 40 talents 0^8 ,000) for his collection in the gardens 
on the Tiber, and left by will to the Roman people. Next to this, " The 
Sacrifice of Iphigenia," by Timanthes, is a picture much praised by ancient 
writers ; to the right appears a foreshortened Lion, which there is reason to 
believe is the work of Pausias, who is said to have been the first to paint objects 
in foreshortening, and never to have been surpassed in that branch of art. The 
picture above it represents *' A Theatrical Rehearsal,** taken from a Mosaic in 
.he Naples Museum. 

This pair of pictures (8 and 12) have been engraved by A. Blanchard of 
Paris. « 

202 



GALLERY 16. 

18 

B ARGUE (Charles). 

Playing Chess on the Terrace. 

17 X II 

The last and most important work of the artist, l9Bi% 



14 

TROYON (Constant). 
Autumn Woods, with Cattle. 

MX 15 



15 

LEFEBVRE (Jules Joseph). 

Mignon. 
36x60 

Bated 1878. Purchased from the Salon, 1878. Engrared by A. Lamotte. 



16 

KNAUS (LuDWio). 
The Road to Ruin. 

43x33 

Dated 1876 From the Wallis *• French Gallery, •* London, 1877. 



17 

LEYS (Baron Henri). 

Lucas Cranach Taking the Portrait of Martin Luthei 

36 X2t 

Dated 1863. Exhibited at the Universal Exhibition, Paris, 1867 

208 



GALLERY 16. 
IB 

FORTUNY (Mariano). 
Arab Fantasia at Tangiers. 

^X20 

1866, From the M. Foil Collection, Room, it|i 

19 

TROYON (Constant). 
Group of Cattle, etc 

152 la 
Fkom tho W. Wilson Collection, Fuis, iSSl. 

20 

MILLET (J. R). 
Shepherdess (Plains of Barbizoa). 

11x16 

21 

MILLAIS (Sir John Everett). 

The Bride of Lammermoon 

29x40 

Datecr ihjtk The original of the well known engraving by T. Oldham Bailow. 

Lucy, mrcely yet recovered from the bewilderment of her terror and the 
faintness of her swoon, clings with all her light weight to the stranger*s arm, 
while yet she seems to be urging him onward. There Is a look of entreaty 
blended with trust and helplessness, in the beseeching blue eyes and in the 
wistful face. The plaid, which she wears in the graceful old Scottish fashion, 
folded mantillawise over her head and shoulders, still wet with the water he has 
used to restore her to consciousness, clings closely round the fair face and neck 
and slender figure. Her small gloved hands are clasped clingingly round his 
strong arm. He, with knit brow and dark eyes fixed in a far-off look — it may 
be that he now first sees the enemy of his house, the author of his father's ruin 
and death, the usurper of his birthright ; or that he already reads, as in a vision, 
the mysterious interweaving Of his fate with that of the innocent daughter of his 
and his house's enemy, who clings to his arm, with dreamy eyes, that seem, like 
his own, to see far into the future. 

204 



GALLERY 16. 



NICOL (Erskinb). 

Paying the Rent. 
64x46 

dated t866^ Exhibited at the Royal Academy, 1866, and Uidvenal Bxldb^ 

tlon, Paris, 1867. From the collection of the lat« 

Mr. F. O. Day, St. Louis. 

(Extract of Letter from the Artist.) 

** The subject is a representation of what is usually to be seen in the busi* 
ness-room of an * agent,' where, as our Scottish Bums expresses It, ' Pair tenant 
bodies, scant o* cash,' drop in one after the other to pay rents and arrears ; often 
with great difficulty to themselves, and sometimes not without unwillingness, 
even when they can, from a failing not uncommon in frail human nature, viz.: 
a distaste to part with the cash. The agent, accustomed to the work, and used 
to the many complaints of 'high rents, hard times, failure of crops,' etc., takes 
h all as a philosopher, and quietly listens, chats, and nibs his pen, having but 
one point in view — ^getting the cash. The particular incident illustrates what 
is not uncommon — a difficulty in arranging contra>accounts, and for work * done 
for his Honor, and for which his Honor said himself was to be deducted from 
the rint.* The Lady, who is sometimes the better man of the two, b active and 
looking after their interests, knowing that a mistake might be made ; while the 
clerk, likely to be more sharp than polite, feels that in his, for the day, imposing 
and responsible position, he is called upon to look closely into such charges— 
if a mistake exists, it may be in tkeir favoT'-^s^nd^ in all probability, will in the 
end have to refer the matter to his superior. The other figures are all acces* 
sories of the sam^ story : The man coming in warm, rubbing his Jiead with his 
kerchief, chatting to the old man of the weather, and the hard run he has had 
to be in time before his Honor got busy, as he had to go look after some heifers 
in the field beyant Patsy Conroy's after he had done his business; another 
stooping to pick up some papers he has dropped out of his hat ; while the 
agent's 'own man' is seen coming in at the door with some books which will b% 
required in the course of the day. This is lomething like what I intended. 
After the warm reception the picture has met with in Paris, I think I may veOi 
ture to hope it will still add to my reputation," 

23 

MEISSONIER (J L. R). 

Artist at Work (Time of Boucher* 1703-1770) 

10 X 13 

Dated 185$. From the G. Morris " Allerton Priory "" Collectiaii. 

Liverpool, 1883. 

:d06 



GALLERY 16. 

U 

DUPRfi (Jules) 

Riyer Scene, Boats, etc 

15 X 10 
Oalcd 1834 

29 

BONHEUR (Mlle. Rosa) 

The Old Monarch. 
50x36 

XS79. En^praved bf W. H. ^mi 



DECAMPS (A. G.). 
An Italian Family. 

lasiS 

Dated 183$. 

W 

KNAUS (LuDwiG). 

Female Head. 
6 s 10 

Dated 1870^ 

88 

MEISSONIER (J. L. E.y 

Information. 

Qf.tf«ri» "Avals, of the Army o! the Rhine. x8l3» and the Captured Peasant 

i6zi2 

Exhibited at the Universal Exhibition, Paris, 1867. Purchased frotr* the Col 

lection of M. MejCTt Dresden, t88o 

208 



GALLERY 16. 



DECAMPS (A. G.y 
A Bashi-Bazouk. 

IkM iMka 



ROTTA (ANTomo). 
The Lucky Lottery4icket 

IOSI9 

n 

UNNELL (JomX 
The Monarch Oak. 

S8»f7 

0lMdt8^ 



>. 



LELOIR (Loon). 
The Portrait 

$8Bfl6 

ftrfntffd to oidef t 187^ 

(Bitnct of ft Letter from the Artiit) 

'^ BeBeve me, lGon8ideritafi:reathonortohave<meof mypletaralii 
eonection. Yoa may be assured that I will take every pains with your picture 
••not only for myself, but for you — to make it one of my best works. Nothing 
shall be neglected In the finishing of it, as I wish with all my heart to give you 
satisfaction . . The subject of the painting Is ' The Portrait' Ayouif 
lady of noble birth Is having her portrait painted. She is sitting on a stairway 
covered with rich tapestries. An attendant amuses her with some mti^ A 
young man near her is held by her conversation and the anmnatlon of her faoi. 
In the foreground Is the artist with his easel and canvas. While he woHs a 
group of lords eontemplate the picture. At the left a page prepares 
frestwawifa Tha oostuoMS are of Holland, aarly la ffaa W f aa t asatl i 

d07 



GALLERY 16. 

83 
BARGUE (Charles). 

The Artist and His Modd» 

8x10 

Dated tSTt. 

M 

MILLET (J. P.y 

At the WeU. 

85 

ROUSSEAU (THtoDORB> 

Autumn (River Scene). 

ios8 

86 

ROUSSEAU (Theodore) 

inUage of Barbizon (with House of MiDot^ 

ar 

VILLEGAS (JosiX 

A Spanish Christening. 

66x35 

DMad 188a Purchased from tho AxtkfL 

88 
ALMA-TADEMA (U). 

Down the River. 
68x39 

l» cnler and ezbibited at the Royal Academf, LondcMl, lil^ 

208 



GALLERY 16. 
89 

DUPR1& (Jules). 

Autumn Sunset. 

51x30 

Date about 1840. From the Collection of Mr. F. Barbedi«nne» Pkrii, 1885 

40 

MIILET (J F) 
The Knitting Lesson. 

\2 X 16 

41 

BAEGUE (CharlesV. 

The Almee 

10 X 16 
Dated 187^ 



42 

BOLDINI (G.)- 
Des Parisiennes. 

10 X 12 
1873. From the Spencer Collection, iStII 



43 
PETTENKOFEN (A.) 

Ambulance Wagon. 
14x9 

ISSS From the Laurent Richard Collection, Parliw tH/fB 

44 

VAN MARCKE (fi.) 

Cows in a PooL 

209 



i5 

COUTURE (Thomas) 
Volunteers of the French Revolution, 1789. 

Stady ior • Large Work Commissioned by the French Government 

but never finished. 

30x22 

FrMi Hm CoBecdon of Mr. F. Barbedienne, Fult, t88^ 

49 

ROUSSEAU (Theodore). 
Gorges d'Apremont (Evening). 

Forest of Fontainebteao. 
39x26 

Exhibited In the Pkris Salon of 1859, and the Universal Exhibition, Paris, 1867^ 

Purchased 1882. 

** The Salon of 18^59 contained five compositions ; one was a chef d'oeuvre, 
the Gorg^es d'Apremont, in the evening when the sun sets behind the mountains 
of Rochefort. It is the hour when the cool air touches the earth and strilces 
the trees, prognosticating the arrival of night The circle is vast, the roclics 
which tower above it have a dry and primitive look, making a fitting place for 
a nocturnal visit of Macbethian witches. Nothing is exaggerated or too nervous 
in this picture, which is painted with a light touch, perfectly representing g^reat 
calm and serenity of the atmosphere.**— Alfred Sensier'a ** life of Rousseau*' 
1872. 

47 

STEVENS (Alfred). 

Ready for the Fancy BalL 

45x35 

Falnled to order, 187^ 
48 

ISRAELS (Josef). 
A Frugal MeaL 

8««36 

210 



OALLERY IB. 

49 
KNAUS (LUDWIO). 

A Germafl Village Fgte 

57x40 

Painted to order 1881 

50 
DUPR^ (JULESV 

Mid-Day. 

22 X 24 
From the Laurent Richard Collection, Burii^ tS9% 

51 

JACQUE (Charles). 
The Sheep Stable. 

18 X 13 

P ^0m the Laarent Richard Collection, Paris, 1878. The Original of tbt wtft 

known Etching by Jacque. 

52 

BONNAT (L^ON). 

An Arab Plucking a Thorn from His Foot 

41x55 

Painted to order, 1880. 



52a 
CABANEL (Alex.). 

Pia de Tolomei. 
39x56 

Dated 1876. Painted to order. 

(Extract of a Letter from the Artist.) 

• I have received with great pleasure your obliging letter No one can be 
sensible than I to the expressions of sympathy which it contains. Yoa 

211 



GALLERY 16. 

mnat hKf% alreadj lecdred the picture of ^Pia de Tolomei,* wlilcli I luive 
patnted for you. I will give you the passage of history which inspired nqf 
work.* Pia, of the noble family of the Tolomei, of Siena, was shut, up in a 
castle of the Maremma, by her husband, Nello della Pietra, who accuse her of 
infidelity. The poisoned air of this region killed her. I have, then, imagined 
her upon tb: terrace of the castle, strong in her innocence, and defying her evil 
destiny. Pia has been for many years a favorite subject with Italian pMnters 
and poets. Her story is a mysterious one, and her personality has alwa^ at- 
tracted a noble 83rmpathy, Dante, who places her in his * Purgatory,* de^^^tes 
to her only a few fines of the Fifth Canto, but these few lines are a poem <n 

themselves s 

* Ah I when thoc hast returned onto the worid* 

And rested there from thy long joomej^og; 
• t • • • • • 

Do thoo remember me, who am the Pla f 

Sieda made me ; unmade me, Maremma | 

He knoweth it who has encircled first, 

B^ixmsing me, my tnger with his gem.* 

" Aliieri has written a fine tragedy, and many poets have sung the beauty 
and the sad fate of Pia de TolomeL You know my aspirations. I do not need, 
therefore, to tell you what an attraction this noble and touching figure must 
have for me. I have exerted myself, therefore, to the utmost to paint the sub- 
ject as it presents itself to my imagination. My artist friends, and others in 
whom I place great confidence, have praised the picture very highly ; aad, for 
my own part, I am well pleased that this picture is to go to you, for I consider 
it not only one of my very best works* but also one of the most affecting that I 
liaTtt painted." 



DOMINGO (J,). 
Halt at the Intu 

21 X25 

OMad 187S. From the Collection of the Vicomte IXAupias, Lisboa 

U 
BRfiTON (Jules). 

The Rainbow (Coast of Brittany). 

60x43 

Dated 1883, and purchased from the Paris Salon, t99% 



• The death of Pia d* Tolomd occurred In the year X295, or thirty years before the 
Mrth of Dante ; so that at the epoch at which Dante wrote his poem, the event must have 
been fresh In memory of men of TmcMif • 

2X2 



GALLERY 16. 

65 
LEYS (Baron Henri). 

Education of Charles the Fifth. 

45x36 

Dated 1861. 

The picture represents Erasmus giving a lesson to the young king. He is 
av -sted by two deacons, who are seated at his right ; in front of the professor 
is Ideated Charles in the attitude of an attentive pupil ; at his side is Jane 
(Jwnne La FoUe), his demented mother. This scene takes place in the nave 
of «Ae Cathedral of Ghent ; through the open door can be seen some ci the 
ba «es of the city. 

g^rCme (J. L.). 

The Sword Dance. 

42x25 

The original picture of the subject, from the Collection of the latt Mm. 

Robertson, London, l88a 



»7 

ROUSSEAU (TH^ODORBy. 

Landscape (Morning). 

21 X la 

Prom the Laurent Richard Collection, Paris, 1878^ 

S8 
DELACROIX (EuGfeNE). 

MtUeir-Abd-Err-Rahmann. Sultan of Morocco, with his 
OAicers and Guard of Honor, March, 1832. 

22x27 

Dated 1862. 

On hean*^«e news of the arrival of the French envoys, the Sultan of 
Morocco came «mts!de of the gates of Mequinez^ whose walls occupy the back- 
ground of the composition. At the right of the prince are two of his ministers 

213 



GALLERY 16. 

the nearest to him is Muchtar^ his favorite ; the other, L'Amyn-Bias, custom- 
hodse collector ; the officer at his extreme left, seen nearly in profile, is Le Kaid, 
M^hammttUBen^Abou^ one of the most eminent military chiefs ; at his side is a 
page who keeps off insects vHth a scarf ; and behind him a slave holds a parasol. 



59 

FAED (Thomas). 
Rest by the Stile. 

39x54 

Dated 1869, and Exhibited at the Rojral Academy. 

60 
DIAZ (N., DE LA PeUTa). 

Forest of Fontainebleu. 

43x31 

Dated 1868. 

61 
DE NEUVILLE (A.). 

Le Bourget. 

99x68 

Dated 1878. 

" Le Bourget, riddled with shell and assailed by an entire division of the 
Prussian guards, had for the second time fallen into the enemy's possession. 
Everything appeared ended. But in the village church eight French officers 
and about' twenty men still resisted ; they defended themselves to the last ex- 
tremity, and it became necessary to fire musketry through the windows and 
bring cannon before the remnant of this heroic band would surrender.'' — 
GiNSRAL DuotOT (*' The Defense of Paris "). 

62 

LANDSEER (Sir Edwin). 

Trophies of the Chase. 

44x56 
314 



OALLERYlft. 

68 

TROYON (Constant). 

On the Road. 

46 X 31 
Dttad 1856. From the Collection of Vicomte D'Aupias of LisbiMi, 



64 
MEISSONIER (J. L. E.). 

An Artist and His Wife« 

itx 15 
Mated to order, 1878. 



66 

STEVENS (Alfred). 

The Morning: Call 
19x25 

B»Mbiln<l and purdttsed at the Universal ExhIUtloa, Pisria, s87k 



ROUSSEAU (THtoDORB). 
Study from Nature (Edge of a Forest). 

19x13 

Wwm ttm CoOectioQ of Mr. Vanderdonck of FminU 



67 

DIAZ (N., DE LA PeKTaV 

Cupid's Whisper. 

35x35 
Diit«!xl8a 

216 



GALLERY 16. 



ICADRAZO (RAUfONm> db). 
A FSte Dunns the CiurnhraL 

40S1B 

Mnted to order, t87^ 

(Extnu:! of Ijrmr (rtrtt tbt AxtblL) 

* i lia?« recdTed your amiaole letter and tliaiik yoo for ]roar compliments 
. , . 1 continue to work on your picture, * A F^te during the Camival 
wbfch, as you have seen in my sketch, is a fancy dress ball -, it interests me 
greatly to paint It. because of the movement and the variety of persons repre 
sented, and I li0ff» > iprfii '0^ fio2sUd to your taste." 



^MINGO {j.y 

Card Players. 
6x4 



79 

DOMINGO (J.y. 
Interior of a Stabtoi 

7x5 

Dated l67ib 



n 

meisson;er (j. l. rv 

Arrival at the ChftteatL 

Oeted 1883, and received direct from the A*iii^ 

216 



GALLERY 16. 

72 

ZAMAQOIS (£douard). 

The King's Favorite 
17x23 

A Buffoon of the XVL century, courtiers, etc., among^ whom the artist 
Introduced portraits of Berne-Bellecour, Worms, and other artists DateA 
1867. Exhibited at the Salon of 1867, and at the Universal Exhibition, ParllL 
1878. From the Collection of Mr. \Vm. H. Stewart, Paris, 1S79. 

73 

ROYBET (P.). 

A Musical Party. 

46 JL 58 

Mated for the late P. L. Everani d Pmta, i i )y^ | » 

74 
MEISSONIER (J. L. E.), 

The Ordinance* 

15 X 18 

Dated 1866 Exhibited at the Universal ExhIbltSoa Taxh, 1867. Ttam 
tiie Prosper Crabbe Collection, Brussels, 1878. 

75 

KNAUS (LuDWio). 

The Rag Baby. 

17x24 

Dated 1 88& 

n 

MERLE (Hughes) 

Maternal Love. 
20X 24 

OMed l86> Prom the Edward Matthews Collection. 

247 



GALLERY 16. 

77 

MILLBT (J. F.). 

Tbe Water Carrier. 

9tx99 

From the Hartmann CoUectioiit Puis, l88t. 

la • letter addressed to hb friend Thor^ in z86o, Millet refers to tUs pit. 
tort ai foUowa ^ la the woman coming from drawing water, I did not try to 
l^rtray a servant* but a wife who had just drawn water for her household needs 
«-the water with which she makes her husband's soup — and that she should 
appear to be carrying neither more nor less than the weight of the full pails ; 
that through the kind of grimace that is forced on her by the dragging down of 
the arms and the half-closed eyes, that just allow her to see, one could divine 
mi her visage an air of rustic goodness. I have avoided, as I always do, with 
a sort of horror, anjrthing that turned towards the sentimental ; I wished, on 
the contrary, to show her accomplishing with simplicity and willingness an act 
wblcb ii, idth tbt other household datiei» ao everyday part of her life. ** 



78 
IIUNKACSY (MiBilLT). 

The Two Families. 

58x4t 

Peiil tMo^ wd eshiUted the same year at the Rograt Acadengr, Loodou^ 

Etched by Lagaillermie. 



7t 

MILLET a '•). 
The Sower. 

39X4t 

'* While petlentiy studying the action of his rsape n , Mfllsl predttced a 
tfgers wliieh had long occupied his thoughts. We know wliat a seriooe affair 
the lowing is to an agricultural people. Plowing, manuring, and harrowfag 
art done with comparative indifference, at any rate without herole paseiea | but 
when a man puts on the white grain-bag, rolls it around his left arm, fiOfl It with 
seed, the hope of the coming year, that man exercises a sort of sacred miabtry. 
He says nothing, looks straight before him, measures the furrow, asd, with a 
a»ovement cadenced like the rhythm of a mysterious song threws the grain 

918 



GALLERY 16. 

which falls to the earth and will soon be covered bj the harrow. The rhythmk 
walk of the sower and his action are superb. The importance of the deed is 
real, and he feels his responsibility. If he is a good laborer he will know hew 
mack seed to throw with eyeiy fling of his hand« adjusting the amount sown to 
the nature of the soiL I have seen sowers who, before they put foot upon the 
field, would toss a handful of grain into the air in the sig^ of a cross ; thea, 
stepping upon the field, they would pronounce. In a low voice, some iadiitiaet 
words which sounded like a prayer." ** The Sower" was sent to the Saloa of 
1850, then held at the Palais Royal. It made some noise ; the young school 
talked about it, reproduced it in lithography, and It has remained In the mem- 
ory of artists as Millet's €hef'd*€tuvre» Th^phile Gautler was touched by It. 
In the following quotation we see the Impression made by this vhrfle work : 

** * The Sower,* by M. J. F. Millet, impresses us as the first pages of ' Mare 
au Diable ' of Geoiges Sand, which are about labor and rustic to^L The alght 
is coming, spreading its gray wings over the earth ; the sower marches with a 
rhythmic step, flinging the grain in the furrow ; he Is followed by a cloud ^ 
pecking birds ; he is covered with dark rags, his head by a curious cap. He 
k bony, swart, meager, under this livery of poverty, yet It Is life which his large 
hands sheds \ he who has nothing pours upon the earth, with a superb gesture, 
the bread of the future. On the other side of the slope a last ray of the sua 
shows a pair of oxen at the end of their furrow, strong and gentle companions 
of man, whose recompense will one day be the slaughter-house. This is the 
only light of the picture, which is bathed !n shadow, and presents to the eye, 
under a cloudy sky, nothing but newly ploughed earth. Of all the peasants 
sent to the Salon this year, we much prefer * The Sower.* There Is something 
great and of the grand style in ^he figure, with its violent gesture. Its proud 
raggedness, which seems to be painted with the Teiy earth (hat tht tower it 
planting.**— (Scnsler't ** Life of Millet.^ 



HBISSONIER (J. L. B.). 
Man Reading (Interior). 

OMad tSs6w Prom tht CoUectlott €f M. Stcrelaa, fMk 



81 
DUPR6 (JWLW) 

Shepherci Boy. 

»1§ 



<SALLERY 16. 



IT AN MARCKE (tmLB\ 

Cattle Resting. 
63x47 

VmoA 1880, and purchased from the Pans Soloo oi that 



83 
WILLEMS (Florent) 

The Dance, "La Pavane^" 

30x49 

with portraits of the artist himself, G^rftme and other friendly 
Hated 1878, and parchased from the Universal Exhibition. Faris. iS^ii 



84 
FRfeRE (feDOUARD) 

Street in l&couen (Winter) 

15 X 18 
tiated f Snu 



88 

FROMENTIN (Euo-». 

Arabs Watering Horses. 

i8 ati| 



GALLATT rLouirt 
The Prisoner. 

94 X '-^ 



GALLERY 16. 

87 
80NHEUR (Mlle. Rosa) 

Ready for the Hunt* 

35 X 26 
Fainted to order, 1879^ 

88 
FORTUNY (MarianoV. 

A Court FooL 

89 
DOMINGO (I > 

The Guard Room. 

4x6 

Dated 1877 

90 
VIBERT (J. G.) 

Committee on Moral Books. 

26 X IQ 

Frxh the Gov. Latham (of California) Collection. i87t 

91 

PETTENKOFEN (A.), 

Hungarian Volunteers. 

13 ac 10 

Dated 1853. From the San-Donato Gallery of Prince Demldoff, Florence* iS77. 

On a road that crosses one of the vast plains of Hungary, appears in the 
midst of a cloud of dust a wagon filled with young men and drawn by three 
spirited horses at full gallop. The enthusiasm of the young volunteers Is at its 
highest pitch ; they seem to be exciting each other by their shouts ; one of 
fhem, standing in the middle of the wagon, Is beating a drum ; a second is 
waving his hat in the air ; others are smoking or singing ; the wagon Is hung 
with nurious trophies* 

221 



GALLERY 16. 

D^TAILLE (Edouard). 

Skirmishing near Paris, 1876L 

7x6 

Dated 1875. 



t3 
FROMENTIN (Euo.>. 

Crossing a Ford. 

55»40 



U 

DIAZ (N., DE LA PeHa). 

The Bathers. 

27 X 19 
Dated x866. 



95 
DIAZ (N^ DE LA PeJTa) 

Boy and Dogs. 

29X 20 

flftt«d Ils6. From tke Collection of M. Caslmir Peririe, IViris, tSlt. 



N 

GRISON (F. A.). 

The Happy Omen. 

A W«ddlii|^ and a Christening meeting at a Churoli Domt 

20X25 

Fufchased at the Paris Salon, i%7%. 



GALLERV 16. 
97 

ROUSSEAU (Theodore) 

Scene. 
i|xii 



ROUSSEAU (ThAodom). 
Farm on the Oise. 

jSxhibited In the Universal Exhibition, Paris. 1867 Formerly in the Gal- 
lery of the Vicomte d*Aqaila. Purchased from the CoUtction ot Mr. E. Bruga* 
man of Brussels, 1882. 



TURNER (J. M- W,)- 

The Fountain of Indolence. 

44x42 

This important and hif^hlj characteristic work was first exhibited at the 
Royal Academy, London, 1834. It never changed ownership until purchased 
from Messrs. Agnew kr Sons tf L«adon, 188s. The pictui» has never been 
•ngiayed. 

109 

DAUBIGNY (C F,). 

Landscape (Evening). 

56x31 

Dated 187a 



101 

BONHEUR (Mlul Ro8A> 

A Flock of Sheep 

36 X 2t> 

fainter to ordM* ItTl^ 
d28 



GALLERY 16. 
102 

« 

SCHREYER (Abolphe) 

Arabs Retreating^. 
67x44 

Oftted 1863. From the John Taylor Johnston CoUectioii, l876ii 



103 

COUTURE (Thomas), 

The Realist 
15x18 



104 
VILLEGAS (Jos^). 

A Dream of the Arabian Nights. 

25x41 

Dated 1879k Painted for the Comte D'Epinay, and purchased from him. 



105 
DIAZ (N^ DE LA ?E$iA). 

Eastern Bazaar. 

10 z X6 



106 

MILLET (J. F.)- 

Hunting in Winter. 

14 X j8 
224 



GALLERY 16 



WATER-COLOR DRAWINGS, ETC 

107 
BARGUE (Charles). 
An Algerian Guard. 

8 X 12 

Anted 187a. From the Collection of Mr. J Abner HAiptr» tlto 

108 

BARRET (Georgk). 

Landscape (Sunset). 

ioz7 

109 

TAPIRO (T.). 

A Turkish Harem. 

aozsS 



no 

GILBERT (Sir Johh). 

Rubens in his Studio. 

14x29 

Dated S869. 

Ill 

TURNER (J. M. W.). 

Norham Castle. 

Cai^Ttd hj W. Miller for the Abbotsford edition of the WaiFtriigr K«vik 

2&0 



GALLERY 16. 
lli» 

g£rOme (J. U). 

4skiii|^ Alms in a Mosque 

ittt 



118 
MILLET (J. F.). 

Shepherd and Dog; 
* ti z 13 



m 

JACQUEMART (Jules). 
Japanese Objects (Design for a Fan). 

2azxz 
Dated x87^ 



lis 

PASSINI (LuDWiG), 
Mass fo an Italian Churchi at Chioggia, near Venice. 

4XZ2X 

Dated 1879. Exhibited at Paris Saton, sSt^ 



11» 

ALMA-TADEMA (L\ 
A Roman Garden. 

21 X 6 

Pancil drawiaf^ 

286 



GALLERY 16. 

117 

ALMA-TADEMA (L.). 

After the Bath. 

6x II 

118 

DfeTAILLE (Edouard). 

Band Practice, Tower of London. 

36x25 

painted to order, i88a 
119 

DUPRE (Jules). 
Illustration to Walter Scott. 

21 X 14 
Dated 1836. 

120 

JACQUEMART (Jules). 
Landscape near Nice. 

17 X 12 

121 
GALLAIT (Louis). 

St. Augustine Preaching. 

iaxi6 

JACQUEMART (Jules). 
Flowers (Desiij^n for a Fan). 

SOX 10 

Dated x88a 

337 



• r 



16. 



MILLET (J. F ) 
Girl Raklns: Hay. 

II X 13 
ItasldimwiBg 



12ft 
TURNER (J. M. W.X 

Harlech Castle. 
19 «M 

Muted ftbcmt the year 183a Engraved by W. R. Smith, and pahBA^ 
tiie *' England and Wales'* series. From the CdOection of Mr. Ritskfai. 



PORTUNY (MARiAifoX 

Birth of the Butterfly. 
14x29 

1lMeis86l. flwiitfitColleetloBoCM. Foil, Room. Etdwdbyl "MmpMm 



TAPIRO (T.) 

Moorish Interior. 



m 

VIBERT (J O.) 
The House-top and the Bath<^rooA 

Two pictures in one, 2t x 15 and 89 x 9& 
Fainted to order, 1I80 

228 



GALLERY 16. 

LELOIR (Maurice). 

The Recruit. 
90 sat 

Hhom tlie PMrte ExhibiHon Societr oT Water Ooiori, ilit* 

129 

TURNER (J M. W| 

Hastings. 

a6zi8 

&gncd Jf M W Turner R.A 1824. ^ Presented by Tamer to fali 

physician, Sit Anthony Carlisle. After his death it was sold at aaction and 
passed into the collection of Colone! Holdsmith from whom it was acquired bf 
Messrs Thoa. Agnew & Sena. London, 1888. It liaa never been engraved 

IM 

DETTI (C.) 

Tht Golden Wedding 

Hated i88a 

181 

•ONHBUR (Mlls RmA^ 

Bulls Fighting 

QMid iMi. CimyoQ dntwii^ 



■ONHEUR (Mllb. Rtm^^. 

Italian Cattle 

S3«ai 

Dated 1868 Crayon drawit^^, 
229 



GALLERY 16 



TAPIRO (T) 
Chinese Garden ^XJoiversal Exhibition Oroonds. Pari% tS^9^ 

tBum 



m 

6ALLAIT (Louis) 
Baudoin, Comte de Flanders^ 

Oiowned Emperor at ConsUntiiiople. itQ^ 



US 

LELOIR (Louis) 

The Game of Che96> 

96 s 18 

i'h^Plid to ontor, tUSb 
230 



INDEX TO W. H. VANDERBILT 

COLLECTION 

TO THE NAMES OF ARTISTS REPRESENTJtD 

in the collection, and the number in the Cata- 
logue of each picture. 

Nos. 8, 12, 88, 116, 117. 
ALMA-TADEMA (Laurenz), r. a. , , . . London 

Born at Dronryn, West Friesland, Holland, 1836. First 
studied in the Gymnasium of Leinwarden, where he devoted 
much of his time to the study of Roman and Egyptian an* 
tiquities. Entered the Academy at Antwerp in 1852^ and 
studied under Leys. In 1870 fixed his residence in London^ 
Medals, Paris, 1864-1867 and 1878, (Universal Exhibitions). 
Grand Gold Medal, Berlin, 1874, Legion of Honor, 1873; 
Officer qf the same, 1878. Order of Merit, Berlin, j88i. 
Knight of the Order of Leopold; of the Order of the Dutch 
Lion; of the Order of St, Michael of Bavaria; of the Gold Lion 
of the House of Nassau; of the Konigliche Kroneft-Orden of 
Prussia* Member of the Royal Academy of Amsterdam; of 
the Royal Academy of Munich; of the Royal Academy of 
Berlin, and of the Royal Academy of London, Member of 
the English Society of Painters in Water Colors, Honorary 
Professor of the Royal Institute of Fine Arts, Naples, and Cor-- 
responding Member of the Academy of the Beaux Arts, 
France. 

381 



GALLERY 16. 

N08. 18. SS, 41. 107< 
3ARGUE (Charles), deceased 

Born at Paris. Pupil of Gerome. Medal (for Lithoi" 
raphy), 1867, 1868, Died, 1883. 

No. loa 

BARRET (George), deceased . London. 

Born about J780. Pupil of his father. Died, 1842. 

No8.4,4& 
BOLDINI (G ) , , Pteit. 

Born at Ferrara, Italy. 

Nos. 26, 87, 101, 181, 131^ 
BONHEUR (Mile Marie Rosa) . : - = Park 

Born at Bordeaux, 1822. Pupil of her father, Raymond B^ 
Bonheur. Began by copying in the Louvre; afterwards made 
studies and sketches near Paris. Her first two pictures, ex- 
hibited at Bordeaux, 1841, attracted much attention. During 
the Franco-Prussian War her studio and residence at By, ad- 
joining the Forest of Fontainebleau, were respected by special 
order of the Crown Prince of Prussia. Since 1849 she has 
been director of the Paris Free School of Design for Young 
Girls, which she founded. ^Exempt*' from Jury of Admis- 
sion by special decree, July 2ph, 1853. Elected Member of 
Antwerp Institute, 1878. Medals, 1845, '48, '55; Universal 
Exhibition, Paris, 1867. Legion of Honor, 1865, personaHy 
delivered by the Empress Eugenie. Leopold Cross, 1S80. 
Commande/s Cross of Royal Order of IsabeUn the CaihaliCt 
1880 

282 



GALLERY 16. 

t 

NaSt. 
BONNAT (LtfOK Joseph Florentin) c . . Paria 

Born at Bayonne, 1833. Stu'died under Madrono, at 
Madrid, and afterward under Leon Cogniet, in Paris. He took 
the second grand Prix de Rome, which did not entitle him to 
enter the Villa Medicis; but by the aid of friends in Bayonne he 
was able to spend four years in study in Italy, Medals, Paris, 
x86X''i863-i86/. Medal of Honor, i86p. Paris, Legion of 
Honor, 18 6p; Ofiicer of the same, 1874; Commander, 1882, 
Knight of the Order of Leopold, and Member of the Institute 
of France. 

No, 5. 
BOUGUEREAU (William Adolphe) . . r . . Paria. 

Born at La Rochelle, 1825. Pupil of Picot. Prize of Rome, 
1850. Medals, Paris, 1855-18 57-1867 (Universal Exhibition). 
Legion of Honor, 1859. Member of the Institute of France, 
1876. Officer of the Legion of Honor, 1876. Medal of 
Honor, Universal Exhibition, Paris, 1878. Knight of the 
Order of Leopold, 1881, Grand Medal of Honor, Paris, 1883. 
Commander of the Legion of Honor, 1885. Medal of Honor, 
Antwerp, 1885. 

Na54. 
BRl&TON (JuLKS Adolphe) • . . Courri^res 

Born at Courriires, France, 1827. Pupil of Drolling and of 
Devigne. Medals, London, Vienna, and Brussels, and at Paris 
i^ J855'i857'j85p-i86i. Legion of Honor, 1861. Medal of 
the First Class, and ofUcer of the Legion of Honor, at Uni" 
versal Exhibition, Paris, 1867. Medal of Honor, Salon, 1872. 
Knight of the Order of Leopold, 1881. Member of the In- 
stitute of France, t886. Ribbon of St. Stanislaus of Russia, 
Corresponding Member of the Academies of Vienna, Stock- 
holm, and Madrid 

d88 



GALLERY 16. 

No. BSii 
CABANEL (Alexandre) . Pyuria 

Born at Montpellier, 1823. Pupil of Picot Prix de Rome, 
1845, Medals, Paris, 1852-1855 (Universal Exhibition). 
Legion of Honor, 1855, Member of the Institute of Fra^tce, 
1863, Officer of the Legion of Honor, 1864. Medals of 
Honor, 1865-186/ (Universal Exhibition), Medal of Honor, 
1868 (Universal Exhibition). Professor in VEcole des Beaux 
Arts. Medal of Honor, Salon, 1878. Commander of thi 
Legion of Honor, 1884. 

Nos. 7, IL 
COROT (Jean Baptiste Camille), deceased Paris. 

Born at Paris, 1796. Instructed first by Michallon, after* 
ward by Victor Bertin, and then spent sezferal years in Italy, 
Medals, Paris, 1838-1848-1855-1867 (Universal Exhibition). 
Legion of Honor, 1846; officer of the same, 1867. Died, 1875. 
Diploma to the Memory of Deceased Artists, Universal Ex-- 
hibition, 1878. 

Nos. 45, 103. 
COUTURE (Thomas), deceased . , , , . Paris 

Born at Senlis, 1815. Pupil of Gros and Paul Delaroche. 
Medals, 1844, 1847, 1855. Legion of Honor, 1848. Died, 
1879. 

No. 100. 
DAUBIGNY (Charles Francois), deceased . Paris. 

Born at Paris, 1817. Pupil of his father and Paul Dela- 
roche, and for three years studied in Italy, Medals, 1848- 
1853-1855-1857-J859-1867. Legion of Honor, 1859; officer of 
the same, 1874. Died, 1878, Diploma to the Mem^ory of 
Deceased Artists, Universal Exhibition, 1878, 

284 



GALLERV 16. 
N08. 26, 29. 

DECAMPS (Alexandre Gabriel), deceased ?arift» 

Born at Paris, i8dj. Pupil of Abel de Pujol. Medals, 
Paris, 1831-1834. Legion of Honor, 1839; officer of the same, 
1851. Died, i860. 

No. 58. 
DELACROIX (Fbrd'd Victor EucfeNEj, deceased Paris: 

Born at Charenton Saint Meurice, near Paris, J/pS. Pupil 
of Guerin. Medals, Paris, 1824-1848. Legion of Honor, 
1831; officer of the same, 1846; commander of the same, 1855. 
Medal of Honor, Universal Exhibition, 1855. Member of the 
Institute of France, 1857. Died, 1863. 

Na 61. 
DE NEUVILLE (Alphonse Marie), deceased . . Parte. 

Born at St. Omer, 1836. Pupil of Picot. Medals, 1859* 
1861. Legion of Honor, 1873. Officer of the Legion of 
Honor, 1881. Died, 1885. 

Nos. 10, 92, lia 
DETAILLE (^douard Jean Baptiste) , , . , Pari& 

Born at Paris, 1848. Pupil of Meissonier. Medals, Paris, 
1869-1870-1872. Legion of Honor, 1873; officer of the same, 
188 J. Medal of Honor, Salon, 1888. 

\ 

Nal9Qi 
DETTT (Cesare) , Paris 

Born m Italy. Pupil of Academy at Rome. 

285 



OAiXERlr 16. 



Not. 8, 60, 07, H 95, 108. 
0(AZ (Narcisse Virgile, de la PeFTa), deceased . Paris 

Born at Bordeaux, 1807. His parents were banished from 
Spain on account of political troubles, and at ten years of age 
piaz was left an orphan in a strange country. At fifteen 
years of age he was apprenticed to a maker of porcelain, where 
his talent first displayed itself. Studied with Sigalon. 
Medals, 1844-1846-1848. Legion of Honor, 1851. Died, 
1876. Diploma to the Memory of Deceased Artists, Universal 
Exhibition, 1878. 



Nos. 63, 69, 70, 89. 
DOMINGO y MARQUES (D. Francisco). 

Born at Valencia, Spain, 1843. Pupil of the Royal Academy 
San Carlos, of Valencia. Pensioned by his native town, he 
studied at Rome, 1868-69. Received a first-class medal at the 
National Exhibition of the Fine Arts, Madrid, 1871. Was 
appointed Professor in the Academy at Valencia; made Com- 
mander of the Order of Don Carlos HI., 1876, and received 
the Grand Cross of the Order of Isabella the Catholic, t88^. 
The municipality of Valencia named a street after him in 188/. 
Member of the Royal Academy at Antwerp, 1888. Has 
resided for several years in Paris. 



2J6 



GALL£K% 16. 
Not. 24, 89. 50, 8t lit 

DUPR£ (Jules) ... , . Partt 

Born in Nantes, 1812. As a boy he studied design in thi 
porcelain manufactory of his father, but soon turned his atten- 
tion to landscape painting, and made his debut in the Salon of 
1831. Medals, Paris, 1833. Legion of Honor, 1849. Medals, 
Universal Exhibition, 1867. Officer of the Legion of Honor, 
1870. 

No. 59. 

FAED (Thomas)^ R^ . . . „ r . r ^ LondoiL 

Born in Scotland, 1826. Studied with his brother John, 
md in the School of Design, Edinburgh, under Sir William 
Allan. Was made an Associate of the Royal Scottish Academy 
in 1849. Went to London in 1852, and was made an Asso^ 
date of the Royal Academy in 1861, and an Academician in 
1866. 

Noa. 18, 88, 125 
FORTUNY (Mariano), deceased ,,,.., Rome 

Born in Reus, Catalonia, Spain, 1839. Pupil of the Barce* 
lona Academy. Chevalier of the Order of Charles HL Prise 
pf Rome from Spain, 1858. Died in Rome, 1874. Diploma 
Jo the Memory of Deceased Artists, Universal Exhibition, 
1878. 

Na84. 
FRfeRE (^douard). deceased ... Furii 

Born at Paris, i8ip. Pupil of Paul Delaroche. Medals, 
at Paris, i8^i'i852'i855. Legion of Honor, 1855, ^^^^ 
1886. 

287 



aAUL£RY 16. 

No&8ft.fla 
FROMENTIN (luckNE) deceased . , Ptot 

Born at La Rochelle, France, 1820. Studied landscape 
painting under Cabat, and traveled in the East from 1842 to 
1846, making many studies of Oriental subjects. Medals, 
Paris, 1849-1857-1859. Legion of Honor, 1859. Medal, 
Universal Exhibition, 1867. Officer of the Legion of Honor, 
1869. Died, 1876. Diploma to the Memory of Deceased 
Artists, 1878. 

Nob. 86, 121, 134 
GALLAIT (Louis), deceased . . firussels. 

Born at Tournat, Belgium^ 1810 Pupil of Celothue and 
Hennequin. Medals, 1825-1848. Legion of Honor, 18 41. 
Chevalier of the Order of the Oak Cross of Holland. Grand 
Commander of the Order of Leopold, 1881. Honorary Mem' 
ber of the Royal Academy, London and Antwerp. Died, 
1887. 

Nos. 9. 66. 112 
G]£r6ME (Twan LfioN) Paris 

Born at Vesoul, France, 1824. Went to Paris in 1841, and 
entered the studio of Paul Delaroche, at the same time follow- 
ing the course of study at the schools of Fine Arts. In 1844 
he accompanied Delaroche to Italy, He made his debut at the 
Salon of 1847. In 1853 and 1856 he traveled in Egypt andy 
Turkey, studying closely the history and customs of those 
countries. Medals, Paris, 1847-1848-1855 (Universal Exhibi- 
tion), Medal of the Institute, 1865. Medal of Honor, Uni* 
versal Exhibition, 1867. Medals of Honor, 1874, Medal for 
Sculpture, and one of the eight Grand Medals of Honor, Uni- 
versal Exhibition, 1878. Legion of Honor, 1855; OMcer of 
the same, 1867; Commander, 1878. Chevalier ^f the Order of 
the Red BagU, and member of the Institute of France, iSji. 
Professor in the S^%0ol of the Beaux Arts 

296 



GrAULERIf 16. 

Na im 
GILBERT (Sis John) . , . ^ London 

Born at Blackheath, j8i/. Medal at Paris, 1878, and Legion 
of Honor, 1878. Member of the Royal Academy, and Presi' 
dent of the Society of Painters in Water Colors 

No. 96. 
GRISON (Frawcots Adolphe) Strasbourg 

Born at Bordeaux, Pupil of Lequien. • 

Na4a 
ISRAELS (JosEP) ...,,,. Hague 

Born at Gromngen, Holland, 1824. Pupil of Kruseman and 
Picot. Medals, 1867-1878. Legion of Honor, 1867. OMcer, 
1878 

No. 61 

JACQUE (Charles Emile) Parte. 

Born at Paris, 181^, Studied engraving, and drawing on 
wood; is celebrated for his etchings. Medals, 1861-1862- 
1864-1867. Legion of Honor, 1867, 

Nos. 114, 120, 122. 

JACQUEMART (Jules Ferdinand), deceased Paris. 

Born at Paris, 1837, Pupil of his father. Medals, 1864- 
1866-1867. Legion of Honor, i86g. Medal of Honor, Salon, 
1878, Died, 1880 

Nos 16. 27. 49, 75 
KNAUS (Professor Ludwig) Berlin 

Born at Wiesbaden, 182^ Pupil of Jacobi, and the Academy 
of Diisseldorf under Sohn and Schadow. Member of the 
Academies of Berlin, Vienna, Munich, Amsterdam, Antwerp, 
ana Christiama, and Knight of the Order of Merit. Medals, 



GALLERY i6. 

Paris, J853-1855 (Universal Exhibition) -1859. Medal &f 
Honor, 1867 (Universal Exhibition). Legion of Honor, 185^; 
Officer of the same, 1867. Medals, Vienna, 1882; Munich, 
1883. Professor in the Academy at Berlin. Medal of Honor, 
Antwerp, 1885. 

LANDSEER (Sir Edwin), deceased . . . Londoa 

Born at London, 1802. Studied with his father. Member 
of the Royal Academy. Medal of Honor at the Universal 
Exhibition, Paris, 1855. Died, 1873. 

Nal8. 

LEFEBVRE (Jules Joseph) Paris. 

Bom at Tournan (Seine and Marne), 1836. PupU of 
Cogniet. Prize of Rome, 1861. Medals, i865'i868'i870. 
Legion of Honor, 1870. Medal, Universal Exhibition, 1878. 
Officer Legion of Honor, 1878. Medal of Honor, Salon, 1886. 

NaU 
LEIGHTON (Sir Frederic) ... . London, 

Born at Scarborough, England, 1830. Pupil of Berlin and 
Florence Academies. Studied at Rome in 1842-43, under 
Filippo Mali. Medal, iS^q* Associate of Royal Academy, 
1864. Royal Academician, i86p. President of Royal Acad- 
emy, 1878. Officer of the Legion of Honor, 1878, Baronet of 
the United Kingdom, 1885, Corresponding Member of the 
Institute of France. Medal of Honor, Antwerp Exhibition, 
1885. Member of the Academies of St. Luke and Florence. 

Nos. 82, 135. 
LELOIR (Louis Alexandre), deceased , . Paris. 

Born at Paris, 1843, Pupil of his father. Medals, 1864* 
.^68-1870-1878. Legion of Honor, 1S76. Died. 1883. 

240 



GALLERY 16. 
No. 128. 

LELOIR (Maurice) 'Paris. 

■ 

Born at Par is ^ ^^53* Pupil of his father and brother Louis. 
Medal, 1878. 

NOS. 17, 55. 

LEYS (Baron Henri Jean Augustin), deceased, Antwerp 

Born at Antwerp, 181 5. Entered the studio of his brother* 
in-law, F. de Braekeleer, in i8jo, and came into prominent 
notice by a picture painted in his eighteenth year. Medal, 
Paris, 1846. Legion of Honor, 184.7. Grand Medal of 
Honor, 1855 (Universal Exhibition). One of the eight Grand 
Medals of Honor, Universal Exhibition, i86y. Created Baron, 
1862. Knight of the Order of Leopold. Died, i86g. 
Diploma to the Memory of Deceased Artists, i8j8. 

No. 81. 

LINNELL (John), deceased London. 

Born at London, 1792, Pupil of Benjamin West and John 
Varley. Exhibited at R. A., i8oy. Member of the Royal 
Academy, Died, 1882. 

No. 68. 
MADRAZO (Raimondo De) Paris. 

Born at Rome, 184.1. Pupil of his father. Medal at the 
Universal Exhibition, Paris, j8j8. Legion of Honor, i8y8. 

Nos. 1, 28, 28, 64, 71, 74, 80. 
MEISSONIER (Jean Louis Ernest) Paris. 

Born at Lyons, 1813. He went to Paris when quite youngs 
and was, for a time^ a pupil of Ldon Cogniet, First exhibited 
at the Salon in J8j6. His picture, ''A DueV^ (1S55), 
was purchased by Napoleon HI, and presented to the late 
Prince Albert of England. Medals, Paris, 1840-1841-184,3-- 
J 848, Grand Medal of Honor, 1855 ( Universal Exhibition). 

241 



GADLERY 16. 

One of the eight Grand Medals of Honor, Universal Exhibition^ 
1867. Grand Medal of Honor, Universal Exhibilion, 1878. 
Legion of Honor, 1846; Officer of the same, 1856; Commander, 
1867; Grand Officer of the Legion, 1878. Member of the In- 
stitute of France, 1861. Honorary Member of the Royal 
Academy, London. 

No, 76. 
MERLE (Hughes), deceased . . • Pans. 

Born at Saint Marcellin, 1822. Pupil of Lion Cogniet. 
Medals, 1861-1862. Legion of Honor, j866. Died, i88i» 

Na21. 

MILLAIS (Sir John Everett) . , , , London. 

Born at Southampton, j82p. Pupil and Member of the 
Royal Academy. Medal at Paris, 1855. Medal of Honor, 
and Legion of Honor at Universal Exhibition, Paris, j8/8. 

Nos. 20, 84, 40, 77, 79, 106, 113, 123 
MILLET (Jean Francois), deceased Pans. 

Born at Greville, France, 1814, Pupil of Langlois, at Cher 
bourg. His progress there zvas so remarkable that the Munici 
polity of Cherbourg gave him a small pension that he might 
go to study in Paris, In 1837 he became a pupil of Paul Dcla- 
roche and the friend of Caret, Theodore Rousseau, Dupre, 
and Dia:z. Medals^ Paris, 1853-186 ^{.'1867 (Universal Exhibi- 
tion), Legion of Honor, 1868. Died, 1875, Diploma to the 
Memory of Deceased Artists, Universal Exhibition, 1878. 

No. t 
MULLER (Leopold Carl) , c . . = = . Vienna. 

Bom at Dresden, 1834, Pupil of Karl Blctas, Medal at 
Munich, 1883. Professor at the Academy of Fine Arts, 
Vienna, 

24S 



GALLERY 16. 

No. 78 
MUNKACSY (MihAlv De) Pans. 

Bom at Munkacs, Hungary, 1846, Studied at Vienna and 
Dusseldorf, Medals at Paris, 18/0-18/4, Legion of Honor, 
18/7. Officer of the Legion of Honor, 18/8. Grand Medal of 
Honor at the Universal Exhibition, 1878, Made an Austrian 
Baron, 1882. Member of the new Austrian Order, " Litteris 
et Artibus/* 188/. 

Na23. 
NICOL (Erskine), a. R. a. . , , Londoa 

Born at Edinburgh, Scotland, 182^. Was apprenticed to a 
house-painter in his native city, but studied art in his leisure 
hours in the " Trustees' Academy." Afterward taught draw- 
ing in the High School at Leith, and later in Dublin. Member 
of the Royal Scottish Academy, and Associate Member of the 
Royal Academy of England, Many of his paintings, cleverly 
depicting Scotch or Irish character, have been engraved. 
Medal, Universal Exhibition, Paris, j86/* 

No. lift. 
PASSINI (Ludwig) . , , . Venice. 

Born at Vienna, 18^2. Pupil of the Academy at Vienna, 
Medal at Paris, i8yo. Legion of Honor, 1878. Medals, Ber* 
lin and Munich. 



Nos. 43, 91. 
PETTENKOFEN (August von) Vienna. 

Born in Vienna, 1832. Pupil of the Academy at Vienna, 
Mfmber of the Vienna Academy, 1866; Munich Academy, 
T867, Chevalier of the Crown of Oak, 1873. Knighted, 1876, 
"^rofe^o^. z88o. Has traveled much in Hungary 

248 



GALLERY 16. 

Not. 35, 36, 46, 57, 66, 97« 9a 
ROUSSEAU (TntoDORE), deceased , . Park 

Born at Paris, j8i2. Pupil of GuUlon-Lethiere. First ex* 
hibited. Salon, 1834. Medals, 1834-1849-1855. Legion of 
Honor, 1852. One of the eight Grand Medals of Honor, Uni- 
versal Exhibition, Paris, 1867, Died, 1867. Diploma to the 
Memory of Deceased Artists, Universal Exhibition, 1878. 

No. 80. 
R6TTA (Antokio) . . . , Venice 

Sorn at Gorits, Austria, 1828. Medal, Paris, 1878. Mem- 
ber of the Academy at Venice^ 

NaTs. 
ROYBET (Ferdinand) . \ . , . Paris 

Born at Uzis, Gard, France, 1840, Pupil of Lyons School 
of Fine Arts and of Vibert. Medal, 1886. 

No. 102. 
SCHREYER (Adolphe) c • . Paris. 

Born at Frankfort-on-the-Main, 1828. Belonging to a dis- 
tinguished family, this artist enjoyed every advantage of travel 
and instruction. In 1855 he followed the regiment commanded 
by Prince Taxis to the Crimea. Medals, Paris, 1864-1865- 
1867 (Universal Exhibition) ; Brussels Exposition, 1863, and 
Vienna Exposition, 1873. In 1862 he was made Painter to 
the Court of the Grand Duke of Mecklenbjirg-Schwerin. 
Cross of the Order of Leopold, 1864, Member of the Acad- 
emies of Antwerp and Rotterdam, and Honorary Member of 
the Deutsches Nochstift. Officer of the Star of Roumania, 
1888 

244 



GALLERY 1(5. 
« 

Nos. 47, 6ft. 

STEVENS (Alfred) ........... Pans. 

Born at Brussels, 1824. Pupil of Navez in Belgium, and 
Roqueplan at Paris. Medal, Brussels, 1851. Medals, Paris, 
J85S, and at the Universal Exhibitions of 1855-1867 and 1878. 
Legion of Honor, 1863; Officer of same, 1867; Commander, 
1878. Officer of the Order of Leopold, Commander of the 
Order of St, Michael, of Bavaria. Commander of the Order of 
Ferdinand, of Austria. 

Noa 109, 126, 133. 
TAPIRO (T.) ..... . Rome. 

Born in Spain. 

Noe. 14, 19, 63. 
TROYON (Constantine), deceased .•••.♦ Pans 

Born at Shares, 1810. His parents wished him to be a 
painter of porcelain; but after a time spent in the manufactory 
at Sivres, he studied under Riocreux, and became a painter of 
landscapes and animals. Medals, Paris, j838-i840'I846'I848- 
1855. Legion of Honor, 1849, Member of the Amsterdcbin 
Academy, Died, 1865, Diploma to the Memory of Deceased 
Artists, Universal Exhibition, 1878. 



Nos. 99, 111, 124, 129. 
TURNER (J. M. W.), deceased Londop 

Born at London, 1775. Pupil of Thos. Girtin, and the 
Royal Academy, Member of the Royal Academy, 1801. Pro- 
fessor of Perspective there, 1807, Trofveled extensively, visit- 
ing Italy three times. Died, 18 51. 

245 



GALLERY 16. 

Nos.44,88. 
VAN MARCKE (^mile) Tarn 

Born at Sivres, 182^. Pupil of Troyon. Medals, iSd/- 
1869-1870. Legion of Honor, i8j2. Medal, Universal Exhi- 
bition, Paris, 1878. 

Kos. 90^ 127. 
VIBERT (Jean Georges) Paria 

Born at Paris, 1840. Pupil of the School of Fine Arts, and 
of Barrias. Medals, 1864-1867-1868' 1878. Legion of Honor, 
1870. Officer of Legion of Honor, 1882. 



VILLEGAS (Jo8<) Roma 

Born in Spain. PupU of Fortuny, 



WILLEMS (Florent) . • Paris. 

Born at Liege, Belgium, 1824. Medal, Brussels, 1843. At 
Paris, 1844-1846-1855, Legion of Honor, 1853. Officer, 
1864. Commander, 1878. Medals, 1867-1878, Universal Ex- 
hibition, at Paris. Chevalier and Officer of the Order of Leo- 
pold. Commander of the Order of Francis Joseph of AustricL 



No. 71. 
ZAMAQOIS (^DouARD% deceased • , PMs. 

Born at BUboa, Spain, 1843. Pupil of Meissonier. Dibut 
mt Salon, 1863. Medal, Paris, 1867. Died in Spain, 1871. 

246 



Press of J. J. Little &. Co. 
New York, U.S. A. 



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