Digitized by the Internet Archive
in 2016
https://archive.org/details/greenscene3516edpr
Growingnn^ m ™
CHESTER COUNTY
page 28
Cathedral
Village
Above photo shows our latest
amenities to support resident
activities: Surrounding a new
professional, six-hole putting
green is this butterfly garden
complete with a natural rock
waterfall and shaded seating
area. The putting green is
maintained daily so that it is
always ready for residents and
their guests.
600 East Cathedral Road
Philadelphia, PA 19128
(215) 984-8622
www.cathedralvillage.com
1979 - 2006
Twenty-seven Years . . .
and the Vision Continues . . .
Cathedral Village still offers the traditional CCRC contract, the
most extensive available in the retirement industry. The contract
provides a Value to our residents, measured in the number and
quality of services received for the monthly fee, that is
unparalleled and ... it covers more today than it did 27 years ago.
Years of Innovative planning by the Board of Directors and
Management have gone into Cathedral Village. The outstanding
array of services and quality of care provided by all departments,
including Dining, Health Care with Outpatient Services and
Unlimited Nursing Care, Health Club fitness and exercise
programs, Horticultural activities and workshops, Village
College classes, and Art and Music facilities have resulted in
unusually high Resident Satisfaction.
The Vision of Cathedral Village continues. It is an on-going
process that accommodates changes in cultural trends and in
residents’ lifestyles.
We invite you to visit, question, and compare!
Come in Monday through Friday between 9 and 4.
Appointments are necessary on weekends.
A Nonprofit, Nondenominational CCRC • Accredited since 1983
Affiliated with the Jefferson Health System
Table of Contents
GREEN SCENE (USPS 955580),
Volume 35, No.1, is published bi-monthly
(February, April, June, August, October,
December) by The Pennsylvania Horticultural
Society, a non-profit member organization at
100 N. 20th St„ Philadelphia, PA 19103-1495.
Single Copy: $5.00 (plus $2.00 shipping).
Second-class postage paid at
Philadelphia, PA 19103.
POSTMASTER: Send address change to GREEN
SCENE, 100 N. 20th St., Philadelphia, PA 19103.
© Pennsylvania Horticultural Society, 2007
GREEN SCENE subscriptions are part
of the membership benefits for:
Frelinghuysen Arboretum, Morristown, NJ
Horticultural Society of New York
Phipps Conservatory, Inc., Pittsburgh, PA
Staten Island Botanical Garden, Inc, New York
PHS Membership Information
Linda Davis, 215-988-8776
Display Ads
Manzo Communications, LLC
610-527-7047 manzocomm@aol.com
Classified Ads
Joe Soprani, 215-988-8809
gsads@pennhort. org
Ask A Gardener Phone Line
215-988-8777, Monday through Friday,
9:30 to 12 [closed in December]
askagardener@pennhort. org
FEATURES
28 Native Beauties
Jane G. Pepper takes us out to bucolic
Chester County to visit Yellow Springs
Farm, where you’ll find native plants
galore. In 2000, owners Catherine and
Al Renzi bought this plot of land in the
country and proceeded to launch a
native-plant nursery. Seven years later,
they now sell about 5,000 plants a year
to a growing list of happy customers.
OLUMN
The Potting Shed
34 Show Plants
Springing Back to Life
38 The Backyard
The Pennsylvania Horticultural Society motivates people to
improve the quality of life and create a sense of community
through horticulture.
PRINTED ON RECYCLED PAPER
Pete Prown
Associate Editor
Jane Carroll
Assistant Editor
Daniel Moise
The Pennsylvania
Horticultural Society
Web Site
www.pennsylvaniahorticulturalsociety.org
President
Jane G. Pepper
22
32
Botanical Bouquets
One Dozen Roses
Advertising Coordinator
Joe Soprani
Art Design
Baxendells’ Graphic
Publications Committee
Rob Cardillo
Stephanie Cohen
Joe Henderson
Harry E. Hill, ex officio
Anne Kellett
Adam Levine
Jennifer Lin
Rhoda Maurer
llene Sternberg
Printer
ALCOM
10 The Glass Garden
Many of us marvel at those elegant
Wardian Cases at the Flower Show, each
brimming with exotic hot-house plants
and foliage. In this piece, Elise du Pont
shows us how to create these magical
“gardens under glass,” whether for the
Show or simply for your own personal
enjoyment.
16 It’s a Snap!
We re happy to bring you the winners of
this year’s Green Scene Garden Photo
Contest. From exuberant flower beds to
smiling faces, these images deftly capture
the work, passion, and joy of gardening.
Work in the Winter Garden
Even when cold weather sets in, there’s
much to do in the winter landscape. In
this story, llene Sternberg talks to the
hard-working professional gardeners at
Chanticleer (in Wayne, PA) and learns
what tasks they tackle in the so-called
“off season.” From tool repairs to
grounds cleanup, their work will give
you fresh ideas for your own winter
projects.
100 N. 20th St.
Philadelphia, PA 19103-1495
215-988-8800
Chair
Harry E. Hill
Executive Vice President
J. Blaine Bonham, Jr.
Letter from the Editor
What's an
EXPERT GARDENER?”
eing at the helm of a gardening magazine, I meet “expert
gardeners all the time. Tall ones, short ones, degreed ones,
amateur ones. This line of thought emerged recently when
I was outside planting shrubs and was greeted by a new neighbor. We
chatted a bit and, as is often the case when I divulge the name of the
organization for which I work, 1 was greeted by oobs and ahs, as well as
the inevitable comment, “Golly, you must be an expert gardener.”
Alas — I’m not. While 1 know a goodly amount of botanical Latin
(thanks to my Green Scene labors) and have gardened for many years,
I’m far from an expert. The real experts, I’ve found, are a more varied
and interesting lot. For example, there are the official experts, including
horticulturists and botanists bearing degrees from institutions of high-
er learning. They are the scholars of the gardening world, dedicated to
the mastery of academic gardening knowledge. They eat Latin nomen-
clature for breakfast and try to stay current with the never-ending name
changes that occur in the plant world (as well as having to remember
the myriad new varieties introduced each spring). These professionals
attempt to blend the best of garden knowledge and garden practice into
one skill set.
Another schooled variety of gardener I sometimes encounter is the
arborist. This is a person who has devoted his or herself to the care and
cultivation of trees, whether it’s planting the right tree on someone’s
property or removing a 100-year-old giant whose best days are behind
it. In the latter case, being an arborist can be a dangerous line of work.
When scaling a 70-foot tree with ropes, it’s good to be an expert.
There are many other fields of professional horticulture I could men-
tion for their expertise (such as landscape architecture, forestry, and
public-garden management), but there are plenty — and I mean,
plenty — of top-notch gardeners who hold no degrees. Take, for exam-
ple, a professional landscaper. Granted, some land-
scapers know only how to mow grass and fire
up a gas-powered weed whacker, but good
ones are also knowledgeable
about planting trees and
shrubs, weeding beds,
and applying the correct
amount of mulch to woody
NEW COVER DATES
What happened to the December
issue of Green Scene ? No, you
didn’t miss an issue. We’re
“re-serializing” the magazine,
starting with the January/February
2007 issue you’re holding right
now (formerly known as the
December ‘06 issue). Henceforth,
Green Scene will bear the follow-
ing cover dates: January/February,
March/April, May/June,
July/August, September/October,
and November/December.
If you have questions, please call
215-988-8767 or email
greenscene@pennhort.org.
Photo by Dori O '
plants (as opposed to
those who build
unsightly and harmful
“mulch mountains”).
To home and business
owners, as well as
landscape architects
and designers, good
landscapers are worth
their weight in gold.
Another group of pros who may or may not have degrees are nursery
owners and members of their staff. (I say “may not” because it’s not a
professional requirement — unlike landscape architects who need a
degree to legally practice their craft.) Fortunately, in the nursery world,
a degree is not necessary to successfully earn the mantle of expert gar-
dener. In my experience, many of the nursery owners and employees
I’ve met over the years are bona fide experts who are learned about both
plants and the art of placing them in the best spot. I’m generally pleased
with the advice I receive from nursery staff; they’re usually knowledge-
able, well-meaning people who can help you find the right plant.
Perhaps I’m biased, but some of my favorite garden experts show up
each March in Hall B at the Philadelphia Flower Show. Many of these
people are just regular folks with a deep passion for plants. Some of
them are business men and women, others are city folk and country
folk, and many just grow flowers for fun. But in their free time, they
voraciously read books and journals about specific plant genera and join
relevant plant societies. Many are what I’d call the “black belt” experts
of horticulture, and I learned long ago not to underestimate them. They
know more about plants than I mrwill and can cite reference books on
their chosen subjects until the sun goes down. Trust me — those plants
you see in Hall B are grown by many of the best “garden experts” in the
region and beyond. It’s definitely one of my favorite spots at the Flower
Show each year.
The gardeners who impress me the most, however, may not be pro-
fessionals or Show exhibitors. They are home gardeners who have
taken their tiny plots to new creative heights. Each spring and
^ summer, I drive to various gardens in the city and suburbs, fol-
lowing a “hot tip” from another gardener or a PHS colleague.
There’s always a thrill when I discover a secret garden created by a
skilled amateur, someone who just loves the process of gardening,
understands plants, and has a highly developed artistic eye. Admiring
their horticultural feats, I often say, “You should write a book!” to which
they return a shy smile and politely decline. But while they’d disagree, I
count these quiet masters among the finest garden experts I’ve ever
encountered.
And who knows? Maybe you, too, are one of them. As I’ve
learned over the years, garden experts sometimes appear where I
least expect to find them.
email: greenscene@pennhort.org
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Martina Martin
Phlox (Phlox
paniculata) with
black swallowtaj
butterfly. I
Agastache
foeniculum with
Coreopsis .
verticillata, and
various
Solidago sp.
MARTINA’S GARDEN
J rilliant bluebirds and noisy
I a Carolina wrens eagerly swoop to
I </ feeders perched on the railing of
Martina Martin’s deck. Hummingbirds
hover, sipping rhe nectar that helps meet
their ravenous need for energy. Amid the
lively chatter and flapping wings, Martina
and her big cat Harley settle into their
morning routine of welcoming these daily
visitors.
Martina’s lifelong interest in nature
inspired her to volunteer at the Schuylkill
Wildlife Rehabilitation Clinic 15 years ago.
Later, a class at the Cape May Bird
Observatory sparked her desire to create a
backyard habitat. Retired from a busy
career as a rheumatologist, Martina finally
was able to begin work on this project
when she and husband John settled into a
new Media, PA, home in 2002.
Limited gardening experience didn’t stop
Martina from thinking big. She knew the
essentials of creating a beneficial habitat
and the importance of indigenous plants in
sustaining local wildlife. When a friend
told her about Redbud Native Plant
Nursery in Glen Mills, PA, Martina con-
tacted owner Catherine Smith, who
designed a habitat garden for her incorpo-
rating fruiting trees and shrubs as well as
flowers that provide nectar and seeds.
The cranberry viburnum ( Viburnum
trilobum) is one of Martina’s favorites:
“The flowers are beautiful, and the berries
are outstanding. I’ve seen cedar waxwings
on them; they are one of my favorite birds.”
Another shrub chosen for its tasty fruit is
elderberry (Sam bums canadensis ), which
attracts more than 40 bird species. “It was a
huge surprise to find how fragrant the
milkweed ( Asclepias syriaca) blossoms are;
they’re heavenly,” she says. “And the butter-
fly weed (Asclepias tuberosa) is just so lovely
in July with its orange flowers, but in addi-
tion, it hosts my monarch caterpillars.”
Martina’s meadow hums with life as
asters, coreopsis, and towering ironweed
sway in the breeze. “When I moved here
this was just dirt, dust, and mud,” she
recalls.
A wildlife habitat doesn’t have to be as
ambitious as Martina’s garden, as long as it
includes five key elements: food, water,
shelter, places to raise young, and earth-
friendly landscaping practices. “You can
start small and add as much as you want,”
says Martina. Any outdoor space, from a
small city balcony to a suburban property,
can provide the basic necessities for
wildlife. For example, a water source can be
as simple as a birdbath or shallow dish.
Decide what critters you want to attract
and select plants that help create the envi-
ronment they need. “Goldfinches love pur-
ple coneflower (Echinacea purpurea) and
Joe-Pye weed (Eupatorium sp.). Phlox
(Phlox paniculata), which are just so gor-
geous, are great for butterflies,” Martina
says.
Restoring biodiversity to our own back-
yards is critical for wildlife survival in urban
and suburban settings where development
has eliminated most natural areas. “I’m sad
that we re destroying so much of the natu-
ral ecosystem,” says Martina. Then, enjoy-
ing the abundant display of colorful
winged creatures that flutter by, flourishing
in the haven she created, she adds, “This is
my contribution.”
The National Wildlife Federation’s
“Backyard Wildlife Habitat Program” offers
tips on gardening for wildlife. You can
even have your property certified as a
Backyard Wildlife Habitat site. Visit
www.rtwf. org/backyard/.
GREEN SCENE • january/february 2007
7
Photo by Kirill Rozhdestvenskiy, Dreamstime.com
The Potting Shed
FLORAL ARRANGEMENTS
from the
PHILADELPHIA
FLOWER SHOW
Class: Defined Space
Title Theme: Runway
Arrangers: Karen Milbourne-Messer and
Booker Messer
Plants: Anthurium
Ribbon: Blue
Judges’ Comment: “A powerful and
energetic design.”
For information about entering the 2007
Philadelphia Flower Show, visit
www. theflowershow. com
Coming to Dinner
Set another place at your yuletide table,
because Rudolph might be coming this
year! Each December at PHS, staff assem-
ble for a holiday workshop to create
wreaths and centerpieces for their domestic
holiday decorations. We couldn’t help but
grin at this clever reindeer centerpiece cre-
ated last year by senior project coordinator
Margaret Funderburg and thought we’d
share the fun.
Margaret took a shallow plastic, rectan-
gular container and fitted a block of Oasis
in the center. Then she covered it densely
with freshly cut yew tips. Other materials
included saucer magnolia branches for the
antlers, a pair of magnolia leaves for the
ears, pinecones for the eyes, and a red plas-
tic ball for the nose.
What could be easier.. .or more festive?
The Gardener’s Bookshelf
By Daniel Moise
The Life Cycles of Butterflies
By Judy Burris & Wayne Richards
(151 pp., $16.95)
The brother-sister team of
Richards and Burris presents a
detailed look at 23 commonly found
butterflies at each phase of develop-
ment, from egg to winged wonder.
Readers will benefit from the full-
color photos that handsomely display
the intricate distinctions among the
species. Also of use are the field notes,
breeding-range maps, and gallery of
host plants.
Closely Observed
By Andrea Baldeck
(176 pp., $49.95)
A collection of 178 black-and-white
photos, Closely Observed asks readers
to slow down for a moment and
appreciate the delicate details of the
botanical world. Photographer and
Judy Burn* & Wayne Richards
Wildflowers in the Field
and Forest
By Steven Clemants and
Carol Gracie (445 pp., $35)
The latest addition to the Field
Guide series (past editions featured
caterpillars and dragonflies) is a
dense but user-friendly directory of
1,450 species of wildflowers.
Extensive information is provided
for each variety, including color-
coded maps that indicate where and
when a flower best blooms. Note:
this guide is Northeast specific.
PHS member Andrea Baldeck has an
eye for detail, and common flora
seen through her lens appear in a
whole new light. It’s no surprise that
roses and orchids make for beautiful
muses, but even cabbage is captivat-
ing in this coffee-table tome.
Living Monet —
The Artist’s Gardens
By Doris Kutschbach
(144 pp., $35)
From water lilies to wheat stacks,
Claude Monet’s paintings of nature
are among his best-known works.
Art historian and author Doris
Kutschbach explores and celebrates
the artist’s outdoor interests with her
new book, Living Monet. Featuring
reproductions of his paintings, an
abundance of photos, and even
recipes from his kitchen, readers will
acquire a fuller perspective of Monet’s
daily life and of the gardens at
Giverny.
native
plants
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hillsides
redbud native p!ant nursery
www.redbudnativeplantnursery.com
GREEN SCENE • january/february 2007
9
THE ELUSIVE
WARDIAN
CASE
Growing Under Glass with Elise du Pont
Story by Daniel Moise
Photography by Pete Prown
n Victorian-era America, no parlor or
drawing room was complete without a
Wardian case, commonly called a terrar-
ium. Named for their inventor, Nathaniel
Ward, the ornate glass cases, often shaped
as houses, were used to create controlled
environments for plants. And though they
might not be as much in vogue now as they
once were, many people still find great joy
in designing their own tabletop greenhous-
es. One such enthusiast is Elise du Pont,
wife of former Delaware governor Pete du
Pont. She’s devoted much time, effort, and
energy to creating these cases and tests her
mettle each March at the Philadelphia
Flower Show.
Planning for the Flower Show is a
process that requires several months of
work at Patterns, her home near
Wilmington, Delaware. After nurturing a
host of miniature plants through the spring
and summer, Elise gathers together her
most trusted advisors to discuss the layout
and design of her entries. Although the end
results vary greatly from year to year, Elise
operates by a certain set of criteria. She
says, “We always try to incorporate a good
mix of plants, but we’re careful to adhere to
a particular culture. After all, you don’t
want a desert plant next to a jungle plant.”
Construction of the display typically
starts with a rare, standout species. “I per-
sonally believe that each case should have a
clear focal point, something that will catch
the judges’ eyes and set the tone,” says
Elise. Then, other specimens follow suit.
Her overall objective is to construct a dis-
play that appears refined and harmonious,
yet lush and dynamic — not an easy balance
to master. “The whole thing is very artistic,
so there’s really no one way to go about it.
Different sets of judges look at things dif-
ferently, so you never know what the reac-
tion will be,” she adds.
In the weeks before the big show, cases
may be reconfigured multiple times. Since
the growth or bloom of a certain species
may not be up to snuff, Elise plans ahead
and has alternates in reserve to call upon.
Once the roster is finalized, the plants
undergo a rigorous grooming regimen.
Elise’s experiences have shown that good
grooming can make the difference between
a blue ribbon and a “better luck next year.”
The majority of the grooming occurs in the
du Pont home prior to transporting the
entries to the Show floor. There, unruly
branches are gently snipped away, unattrac-
tive leaves are tweezed, and every inch of
the plants are scrutinized for imperfections.
“I appreciate as much feedback as possi-
ble,” Elise says, “So I'll grab anyone within
five miles and ask for their input.”
But when it comes to Wardian cases,
grooming extends beyond the plants them-
selves. Each glass pane of the mini-green-
houses must be thoroughly washed and
rinsed — luckily, they’re removable. Soap
and water is usually sufficient to keep the
glass spotless and shiny; Elise is wary of
10
GREEN SCENE • january/february 2007
Wardian Cases
harsher chemical cleaners for fear the
residue could harm the plants. She also
stays away from lint-leaving paper towels.
Instead, she uses a squeegee for scrubbing
and a razorblade for removing stubborn
spots.
The week of the Show is always a high-
light of Elise’s year. Not only can she share
her hard work with thousands of people,
but it also gives her the opportunity to
observe the competition. “Once they estab-
lished a special class for Wardian cases, we
really had to step it up. More people enter
now than before, so it’s always exciting to
see who’ll come out on top she says.
And though you can’t win them all, Elise
certainly has a fair share ol blue ribbons to
her name. In fact, a small partition adjacent
to her greenhouse is seemingly wallpapered
with primary-colored ribbons — a testa-
ment to her labor of love. While the major-
ity of this collection comes courtesy of PHS
and the Philadelphia Flower Show, several
represent distinction from other horticul-
tural organizations.
Still, all the accolades haven’t lessened
Elise’s drive. She often tries new sorts of
soil, experiments with drainage techniques,
and takes classes at Longwood Gardens to
keep on her toes. “What can I say?” she
adds with a shrug. “I’m a plantaholic.”
Elise du Pont at home.
12
Left One of Elise’s entries at
the Flower Show.
Below The greenhouse at Patterns, the home of
Elise and Pete du Pont.
Wardian Cases
www.Aston-Simms.com
Quality
products and
services for
the home
and garden.
YOUR OWN HOUSE
If you’d like to enter the world of Wardian cases, allow
Jessica Story to impart advice from her many years of experi-
ence. Jessica is head grower at Meadowbrook Farm
(www.gotomeadowbrook.com), a garden center in Abington
Township, PA, and a nonprofit affiliate of the Pennsylvania
Horticultural Society.
• Select the right case for your home. Meadowbrook Farm
offers a variety of Wardian cases ranging from $25 to $300.
For a less formal look, fishbowls or glass globes work just
as well.
• To plant, put a 3/4-inch layer of gravel in the bottom of your
case or terrarium. Add a layer of chipped charcoal to keep
the soil sweet, and top it off with about two inches of sterile
potting soil.
www.Aston-Simms.com
Above: Wardian cases in Elise’s living room.
GF GLASS
• Choosing the right plants is extremely important. Be sure to
select species that thrive in moist, closed conditions. Ferns
and houseplants such as peperomias, fittonias, marantas,
and begonias do well. Avoid the cactus and other such
species that do poorly in high humidity.
• Arrange your specimens as though in a landscape, using
rocks or pieces of wood if desired. Be mindful of proportions
to obtain the best appearance.
• Since the glass covering traps so much moisture, water
lightly. You may go for weeks without watering.
• Place your case in bright shade, not in direct
sunlight.
• Overall, terrariums require relatively little maintenance, but
make sure the more vigorous species do not overtake the
others in mixed plantings. ^
i
I
i
The Barnes Foundation
X V<'Y
m
■ f ■
Paul Cezanne, Terracotta Pols and Flowers,
1891-1892, BF235.
Visit the Barnes Foundation this winter
and enjoy an unparalleled aesthetic
experience inside the Gallery and
outside in the Arboretum.
The Barnes Foundation's collection of French
Impressionist, Post-Impressionist, and early Modem
paintings is unsurpassed in breadth, quality, and depth.
The collection also includes important examples of African
sculpture, American paintings and decorative arts. Old
Master paintings. Native American art, Asian art, and
ancient artifacts, which provide a rich context for the study
of art and aesthetics.
The Arboretum, which features an exceptional collection
of rare trees and woody plants from all over the world, a
fem collection, formal gardens, and a lilac grove, provides
an unparalleled environment for horticulture education.
The 12-acre Arboretum, which surrounds the gallery
building, reflects and enhances the beauty of the art inside.
For information on visiting the Barnes Foundation please call 610-667-0290.
To learn about art and horticulture classes and workshops ottered at the Barnes,
please contact the Education Department at 610-667-0290, ext. 2259, or the Arboretum at 610-667-0290, ext. 1071.
THE BARNES FOUNDATION
300 North Latch's Lane, Merion, PA 19066 610-667-0290 www.barnestoundation.org
Potted Amaryllis
Exquisite and Foolproof
Amaryllis are tropical bulbs that open
their large, trumpet-shaped blooms in
lustrous colors during the dreariest days
of winter. Our huge, healthy bulbs are
guaranteed to produce at least 2 stems,
each with no less than 4 blooms, for a
ravishing display (as shown above by the
Nymph Amaryllis Trio). Best of all, these
carefully prepared giants require only
light and water to perform, making
them the ideal gift for anyone who
enjoys beautiful flowers.
Our holiday gift selection includes
more than 200 items of comparable
quality and charm — fragrant wreaths,
greens, and trees cut and shipped at the
last minute to assure freshness, spring-
flowering bulb collections prepared for
forcing, Paperwhite Narcissus, unusual
houseplants such as Jasmine, Abutilon,
and Olivia, plus other attractive gifts
with natural beauty and simplicity.
Gardeners appreciate our gift certifi-
cates, which provide access to a vast
offering and a compelling discount.
To review our holiday catalogue,
please visit whiteflowerfarm.com. Your
selections will be delivered with complete
instructions and your greetings enclosed.
Satisfaction is guaranteed. Kindly
mention Source Code 63050. We look
forward to serving you.
White Flower Farm
whiteflowerfarm.com
GREEN SCENE • january/february 2007
15
PHOTO FINISH
Winners of the 2006 Green Scene “Garden Photo Contest”
Shutters were
snapping madly this
summer as Green
Scene readers
prepared for the
2006 Garden Photo
Contest. Friends,
family, and flowers
were all part of our
“People in the
Garden” theme,
bringing the
welcome addition
of smiling faces to
the competition.
As usual, the quality
of the images was
uniformly excellent,
proving that our
entrants certainly
know how to
handle their digital
cameras, film SLRs
and friendly
“point ‘n’ shoot”
models. Now... off to
the winner’s circle!
; ■ ityFiMlf 'T' '* w'
tom* tv *'■%* ’
, . .f -
• • -i
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16
GREEN SCENE • january/february 2007
1st Prize courtesy of:
◄ 1st PLACE winner
NAME: Diana Keat
PRIZES: Nikon Coolpix L4 Digital Camera (courtesy of Ritz Camera)
SHOOTER’S COMMENTS: “Chinese gardeners are both meticulous and
tenacious. I photographed this man working hard in 107° temperatures in a public garden
near l-Cheng, on the property of the Three Gorges Dam."
LTHA
QfJTTUT
& IMAGE
2nd PLACE
WINNER
NAME: Patricia Danzon
PRIZES: The Philadelphia
Flower Show coffee table
book
SHOOTER’S
COMMENTS:
“This photo shows a little
cottage garden set within
the larger, grander gardens
of St. James’s Park in
Central London. I took
many pictures of the wider
vistas, impeccable
flowerbeds, ducks, and
pelicans that inhabit this
park, but this cottage
garden is my favorite
image.”
3*o PLACE WINNER
NAME: James Creighton
PRIZES: A one-year PHS
Membership
SHOOTER’S COMMENTS:
“It took three nights of shooting to
get just the right image of the frog.
It looks so surreal.”
17
Photo Contest
HONORABLE MENTION WINNERS
HONORABLE ►
MENTION
Fanny Lynn Esh
HONORABLE
MENTION
Brian Wengenroth
18
GREEN SCENE • january/february 2007
◄ HONORABLE
MENTION
Jane Irvin-Klotz
HONORABLE MENTION ▲
Mary Ann Watson
GREEN SCENE • january/february 2007
19
Photo Contest
HONORABLE MENTION Y
Laurie Van Sant
HONORABLE MENTION A
June McKenney
20 ! GREEN SCENE • january/february 2007
HONORABLE MENTION A Ar
Gene Castellano, Jr.
AMERICAN PHILOSOPHICAL SOCIETY
Scholarly Publishing Since 1771
THE LIBRARY
OF
^BENJAMIN FRANKLIN
Edwin \ Volt 2nd oo Kevin J. Hi)t»
The Library of Benjamin Franklin
EDWIN WOLF 2nd and KEVIN J. HAYES
Memoirs of the American Philosophical Society — Vol. 257
ISBN: 978-0-87169-257-3, $100.00
Beginning in the late 1950s, Edwin Wolf 2nd embarked on a bibliographic odyssey to reconstruct the
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his death in 1790, was sold by his grandson in the last eighteenth century to Robert Morris Jr., who
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and the contents of the library were virtually unknown until 1956, when Wolf discovered the unique shelf-
marks Franklin used to identify his books. Wolf’s work to reconstruct a catalogue of the library continued
for the next thirty years but was unfinished at the time of his death. As the tercentenary of Franklin’s birth
approached, Kevin J. Flayes took up the work and has continued to discover titles that were part of the
library. Everything found to date, close to 4,000 entries, has been compiled here.
The Temple of Night at Schonau
JOHN A. RICE
Memoirs of the American Philosophical Society — Vol. 258
ISBN: 978-0-87169-258-0, $70.00
Between 1796 and 1800 Baron Peter von Braun, a rich businessman and manager of Vienna’s court
theaters, transformed his estate at Schonau into an English-style landscape park. Among several buildings
with which he embellished his garden, the most remarkable and celebrated was the Temple of Night, a
domed rotunda accessible only through a meandering rockwork grotto that led visitors to believe that their
destination lay somewhere deep underground. A life-size statue of the goddess Night on a chariot pulled by
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of a mechanical musical instrument that visitors likened to music of the spheres.
Only the ruins of the Temple of Night survive, and it has received little scholarly attention. This book
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Placing the Temple within the context of the eighteenth-century English landscape park and of Viennese
culture in the fascinating period of transition between Enlightenment and Biedermeier, Rice’s book will
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Portrait of Elizabeth Willing Powel
DAVID MAXEY
Transactions of the American Philosophical Society — Vol. 96, Part 4
ISBN: 978-0-87169-964-0, $24.00
Drawing on original manuscript sources, David Maxey has produced a persuasive study of a late
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remained undeservedly obscure.
Elizabeth Willing Powel occupied an influential position in Philadelphia society during and after the
Revolution. She presided over a salon; spoke her mind freely; and maintained, for a period of forty years,
an extensive, illuminating correspondence. She was the trusted confidante of the country’s first president,
whom she did not hesitate to instruct on where duty summoned him.
Personal loss touched her deeply, and at a critical moment, the Philadelphia limner and sign painter,
Matthew Pratt, was commissioned to capture on canvas the grief she experienced. What happened
thereafter to the portrait Pratt painted becomes an essential part of the mystery that David Maxey has
successfully undertaken to solve.
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WINTER CHORES in a
PLEASURE GARDEN
22
GREEN SCENE • january/february 2007
Chanticleer, the secret treasure
tucked away on a quiet road in
Wayne, PA, closes at the end of
October and doesn’t unveil its glories to the
public again until April 1. But does that mean
the worker bees are asleep in the hive for five
fallow months? Hardly. There’s more industri-
ous buzzing around in this 35-acre “pleasure
garden” than one could possibly imagine. The
staff is variously planting and moving bulbs,
zipping around on wheeled vehicles, mowing,
weeding, clipping, cleaning, and mulching, all
amid the emerging sweeps of daffodils and
greening lawn, babbling stream, and tranquil
pond. And that’s not counting the hammering,
sawing, painting, and paving!
The four office people and eleven gardeners
(more during spring and summer) at
Chanticleer take enormous pride in their
efforts and are always eager to show-and-tell
their handiwork. Whether working independ-
ently or as a team, “Chanticleerians” are some
of the most motivated, diligent, and multi-tal-
ented gardeners around. This is largely because
the 1913 Thomas Sears-designed Adolph
Rosengarten estate has undergone a major ren-
ovation since the Chanticleer Foundation was
established in 1993, and directors (first Chris
Woods and now Bill Thomas) have allowed the
staff to exercise their genius and imaginations
to create a romantic, one-of-kind garden.
1 asked these gardeners to tell me what they
did on their winter “vacation” last year, and I
was stunned by how much they accomplished
while I lolled around watching Dr. Phil, wait-
ing for spring to return.
Jonathan Wright, one of four gifted flower
arrangers (Lisa Roper, Doug Croft, and Laurel
Voran being the others), worked on curly wil-
low twig sculptures and other container dis-
plays for the courtyards. He used cold frames
to warm up blue Himalayan poppies (you
know, that flower none of us mere mortals can
grow here), bringing these heat-sensitive plants
into bloom while the weather was still cool. He
also spent hours sorting, identifying, and cap-
tioning over 6,000 images of Chanticleer taken
by photographer Andrea Jones over the past
three seasons, and visited London to study
form and structure of gardens in winter and
consult an authority on cyclamen at Wisley.
Horticulturists Przemek Walczak and Joe
Henderson designed and crafted a new iron
fence for the front gate. “It is a magnificent
metal meadow,” says Joe. “I’m also working on
a bench for the wildflower slope and a gateway
to the walkway along the creek. The walk,
which I’m going to line with some native azal-
eas, will connect to the Asian woods across
from Lisa’s path that now ends at the water.”
Przemek also tends the stream garden, does
stonework, woodwork, and tree care — and
tutors others in pronouncing his name.
Dan Benarcik made picnic tables. “We
picked up and moved our woodworking facili-
ty, packing and hauling large pieces of equip-
ment, determining the layout of dust-
collection systems, wiring, lighting and all that
technical stuff you don’t think about before a
piece of garden furniture comes out the door,”
he says. He made new chairs, built a bamboo
fence, and helped plan the national meeting of
the Garden Writers Association. “Aside from
that, plant orders occupy a big part of the win-
ter time,” he says. Grounds manager Peter
Brindle and Dan are state-licensed pesticide
applicators and held their annual staff training.
There were also pruning and tree workshops.
Benarcik attended the Tropical Plant Industry
Expo in Florida, returning to volunteer, as
many staffers do, at the Philadelphia Flower
Show.
Among other deeds, Laura Aiken planted
thousands of bulbs. Laurel Voran tucked
40,000 bulbs in among the winter shrubs,
painted an “underground world of chipmunks”
mural in the Apple House, and designed and
built a new plant list box that looks like a
mushroom. She’s also in charge of a propaga-
tion greenhouse and overall pest control.
Last winter, facilities manager Ed Hincken
and groundskeeper Bryan Christ helped design
the new Asian Woods restroom, a masterpiece
of craftsmanship debuted at a gala heralded by
Story by llene Sternberg
GREEN SCENE • jcmuary/february 2007
23
Winter
an invitation asking attendees to “please help
Chanticleer welcome the first flush of spring.
The Asian Woods is Lisa Roper’s domain. She
built a stone terrace and curved retaining wall
overlooking the stream and designed and laid
the path and bamboo fence for the new privy.
(She visited Kyoto, Japan for inspiration.) In a
spare moment or two she planted 20,000 Scilla
and Chionodoxa in the Orchard Lawn to add to
the 100,000 already there. Craftsman Doug
Randolph, who designed and built the Asian
Woods bridge and the stone couch and chairs
near the ruins, finished, refinished, and rebuilt
other furniture, including two masterfully con-
structed wood benches outside the new rest-
room, so guests can wait their turn in style.
Doug Croft manages Chanticleer’s website
and tends the cut-flower and “Tennis Court”
gardens. He also redesigned the vegetable gar-
den. “As soon as the gates close at the end of
October, I start cleaning the beds,” he says. “I
lift any tubers that I want to keep, then start
planting bulbs for the following year and hope
to get them in before the ground gets too wet
or freezes, at which time I start on my dormant
and formative pruning.
“On horribly cold or wet days, I peruse the
seed catalogs, deciding what we’ll grow next
year," Doug adds. “I try to squeeze in some
time to prepare the trellises. As soon as the
seeds arrive, I spend time in the greenhouse
sowing our cool-season vegetables and some of
the easy annuals. Most of our seed will be
grown at Meadowbrook Farm. Oh, and those
darn leaves that keep blowing in... well, I keep
on raking them.”
Ilene Sternberg is the co-author of Best
Garden Plants for Pennsylvania (with Alison
Beck) and a frequent contributor to Green
Scene.
Chanticleer is located at 786 Church Road
in Wayne, PA (phone: 610-687-4163, web:
chanticleergarden.org). PHS members receive
reduced admission to the gardens with their
membership card.
24 GREEN SCENE • januory/february 2007
Above: The pond.
Right: Laurel Voran
and Janet Hall
working on leaf
cleanup and fall
cutbacks in the
Gravel Garden.
Below: View of Chanticleer
House from Pond Garden.
Left Lisa Roper laying new pathway
to the Asian Woods restroom.
Above: Dan Benarcik
building chairs in the
woodshop.
Left: Laurel Voran modifying
bed lines and amending soil
at the Ruin and Gravel
Garden.
gr j i
b.- . Mi m
'' 1 IB
Left: Joe Henderson
building frames for
the Meadow Fence.
25
Winter
1 2 THINGS TO DO IN YOUR WINTER GARDEN
Here are just a few things you could be doing while waiting
for spring to arrive (aside from watching Dr. Phil):
1. Move leaf debris (preferably
chopped) from lawn to flower
beds.
2. Reassess and, perhaps, redesign
your garden when all the “bones”
are most apparent in winter. If
massing and spacing are badly
arranged, or if the ground forms
and general proportions are
wrong, winter will expose the
mistakes. Move rocks and
garden ornaments to more
aesthetically pleasing locations if
necessary.
3. Prune suckers, water sprouts,
and crossing branches from
trees. Prune or cut back late-
blooming shrubs that form buds
on new wood. Avoid trimming
spring-flowering plants, such as
azaleas, Pieris, forsythia,
viburnum, weigela, and lilacs
until after flowering, or you may
sacrifice bloom.
4. Submit catalog and web orders
early while the choices abound.
5. Read. Research the histories and
natural habitats of plants you
have or are considering to help
you discern their optimum
growing conditions.
6. Plant a pot of grass seed for
indoor cats to nibble. (Give them
tiny mowers and instruct them to
keep their lawn edges well
trimmed.)
7. Clean, sharpen, oil, and organize
hand tools. Paint handles a
bright color so you can find them
in the garden.
8. Have machines repaired now to
spare you spring headaches or
being on a waiting list at the
shop for mower, chainsaw, or
other power-tool repairs.
9. Dig up and compost plants that
were ghastly choices — a good
way to bury your mistakes (and
so much kinder to kill them in
their sleep).
10. Conduct a bagworm check. The
pointy 1 -to-2-inch cocoons of
these destructive moth larvae
may be dangling merrily from
your arborvitae right now, ready
to devour host plants in late
spring. Although they are fond of
evergreens, search for them also
on beech, maples, lindens,
locusts, sycamores, and even
roses. Pick off and destroy them
now before an infestation war-
rants spraying.
11. Get at those persistent weeds
that are still active in winter. While
the ground is moist and still soft,
uproot them before they spread,
but avoid walking over the same
areas of frozen or wet lawn or
you may find bald spots in
spring. (I think it’s called grass
pattern baldness.)
12. Volunteer to help at the
Philadelphia Flower Show! ^
26
GREEN SCENE • january/february 2007
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CHESTER COUNTY
CHARM
Growing Native Plants at Yellow Springs Farm
Salamander studies in the spring
house, Nubian goats in the
front field, and an array of
native plants are a few of the pleasures I
found one hot August day at Yellow Springs
Farm.
Owners Catherine and A1 Renzi are ded-
icated conservationists, and together they
are pursuing their passions on eight acres in
Chester County. Catherine took a cir-
cuitous route to her present activities.
Trained in art and architecture, she has
worked in an architectural firm, run a small
gift business, and before she and A1 pur-
chased Yellow Springs Farm, she was a
financial planner. Al trained as a biologist
and thought he would become a scientist.
With business school degree in hand, he
decided to join a growing local company
and was in the biotech field for two
decades. Today he has a “day job” in health
care consulting.
When she was a kid, Catherine loved rid-
ing and always appreciated the opportuni-
ties she had to roam through open country
on her horse.
When she was
12, she remem-
bers saying to
herself as she
rode in Chester
County, “This is
a place I would
like to return to
one day.” After
she and Al mar-
Story by Jane G. Pepper r‘e^ 'n 2000,
they decided to look for a property in
Chester County. Their criteria for this new
home included historic buildings and land
they could protect from development with
a conservation easement. After searching
for more than a year, they found a proper-
ty with eight acres, a house built in 1851,
and a former dairy barn of a similar age.
The house was not “a disaster,” but follow-
ing the house inspection they did receive a
sixteen-page report of issues “to be
addressed sooner rather than later.” The
former owners, Catherine said gratefully,
had done some of the behind-the-scenes
work, such as repairing the roof and chim-
neys and replacing the heating and septic
systems.
The Renzis knew from their research that
their property was smaller than their local
conservation organization, the French and
Pickering Creeks Conservation Trust,
would usually accept for a conservation
easement, but they decided to make their
pitch to the Trust based on the diversity of
habitats on the property. Over two seasons,
botanists from the Trust surveyed their
land, which includes a meadow, pond, and
woodland, and indeed, they found a signif-
icant diversity of flora and fauna, including
more than 300 plant species.
The total watershed area for the French
and Pickering Creeks is 69,770 acres, of
which 21,000 have been protected, 8,250
by the Conservation Trust through pur-
chases, conservation easements, and pub-
lic/private partnerships. Part of the Trust’s
mission is to monitor and maintain the
28
GREEN SCENE • jonuary/february 2007
Native Plants
stewardship of 120 easements on preserved
land. By donating a conservation easement
on their property to the Conservation
Trust, Catherine and Al have given up in
perpetuity the right to divide the property
or place any kind of development on it.
“This kind of easement,” says Catherine,
“is the strongest land protection tool we
have available as homeowners. " Most of the
land in their section of Chester County is
of “exceptional value” as a watershed, giv-
ing it the highest amount of protection
from degradation. This designation raises
the bar for developers and builders, accord-
ing to Catherine, ensuring that they have to
meet higher standards for issues such as
water discharge.
When they bought the farm, Catherine
and Al alternated between fixing the house
and clearing the vines and brush that
surrounded it. With some of the clearing
complete, it was time to start planting.
That is when they discovered it was harder
than they had expected to find the native
plants they wanted to increase the diversity
on the property. Hence the birth of Yellow
Springs Farm Native Plant Nursery in
2002.
That first winter, when the hoop house
collapsed to the ground after a heavy snow
storm, they doubted the wisdom of their
decision. They had selected a Canadian
manufacturer for the greenhouse, figuring
their product would withstand hard win-
ters, but the combination of snow followed
by an ice storm was too much for the struc-
ture. Subsequent winters have been kinder,
and now the Renzis offer more than 200
native species to customers, who last year
purchased approximately 5,000 plants on
location and by mail-order. “We are
surprised and delighted by the demand,”
Below: Hibiscus coccineus (Swamp hibiscus)
Below: A Springhouse on the property.
P
Right: A walled garden with pasture beyond it.
says Catherine. Customers find their
way to Yellow Springs Farm by appoint-
ment, when the Renzis hold an Open Day
(listed on their website www.yellowsprings
farm.com), or through mail-order (also
available through the website, where you
will find native wildflowers, grasses and
ferns, trees and shrubs, as well as plugs for
meadow installations).
Besides running the nursery, Catherine’s
interests lie in communicating to others the
passion she and Al share for native plants.
She offers design and consulting services to
homeowners and community groups, to
Scout troops embarking on conservation
projects, and to members of garden clubs
and organizations such as the Morris
Arboretum of the University of
Pennsylvania.
On Yellow Springs Farm, Catherine and
Al garden almost completely organically.
Pesticides are not on their shopping list, the
fertilizers they use in the nursery are envi-
ronmentally friendly, and they use herbi-
cides only very carefully, with a paint
brush, when the need is extreme. Recently,
they received certification by the National
Wildlife Federation as a Backyard Wildlife
Habitat ( www.nwf.org/backyardwildlife-
habitatt).
I didn t see the salamanders, which are the
subject of a University of Delaware census,
but 1 did meet Dora, Rosebud, Rebecca, and
Rena, the wonderfully noisy Nubian goats
that clamor for attention when you wander
down from the barn. The older goats, Dora
and Rosebud, were gifts from a friend.
When they were ready to breed Rosebud,
the Renzis hired the services of a buck for
$25 in the Lehigh Valley. That weekend was
unproductive but after spending another
$25 and the next weekend driving back to
the buck’s farm, the mating worked, and sev-
eral months later Rebecca and Rena were
added to the family.
In keeping with the Renzis’ tradition of
experimentation, there may be a new busi-
ness in the offing once the goats are in full
milk production. Apparently goat’s milk
can be valuable to premature babies that are
allergic to cow’s milk. Next time you visit
the neo-natal unit at your local hospital,
you may find Al and Catherine making a
milk delivery.
Right: A view of the nursery area.
-4*
Botanical Bouquets
By Jane Godshalk
DESIGNING with ONE
DOZEN ROSES
God gave us memories so we might have roses in December" — J.M. Barrie
It’s easy to find a dozen roses at your local grocer
or produce market, even at this chilly time of year.
Here’s a floral design you can make with roses and
greens from your garden, using a wooden clemen-
tine box.
You will need:
• Scissors or clippers
• 1 clementine box (Paint it dark brown or dark
green. Those colors will make the box recede
and flowers dominate.)
• 1 large plastic bag
• 2 blocks of floral foam
• 10 clementines
• 5 skewers (cut in half)
• 12 roses
• 6 stems hypericum or other berries
• Your choice of greens such as boxwood, pine,
laurel, skimmia, pachysandra, galex
Variation:
Another way to use your clementine box
with greens is to place your rose stems a
little higher and add pine cones and
winterberry holly ( Ilex verticillata) .
Step 3: Cut large plastic bag in half and line the box
with it. Place the soaked foam in the lined box.
Step 6: Group clementines in threes around the base
of the design.
32
Step 1 : Gather the necessary supplies.
Step 2: Soak floral foam by placing it on top of a
bucket of water and letting the water gradually soak in.
Do not push the foam or dry pockets will be created.
Step 4: Cut the greens to 4- to 6-inch lengths and Step 5: Put skewers into the clementines.
place in the foam. Group the foliage to create textural
contrast.
Photography by Margaret Funderburg
Photos by Ken Selody & Ray Rogers
By Ray Rogers
The Ugly Ducklings
I _L mid-December, and my potted clumps of
miniature-flowered amaryllis (Hippeastrum
L. cvs.) look like abandoned heaps of brown-
skinned onions. Their dead and dying leaves offer no indica-
tion of the happy, strappy foliage and masses of eye-catching
flowers that will emerge in late February and early March, just
in time for the Philadelphia Flower Show. Right now they
look, to put it diplomatically, unpromising.
How did they arrive at this sad state? Very deliberately, fol-
lowing a cultural regimen that has taken me 20 years of exper-
imentation and dumb mistakes to master. At the close of the
Show in March, I return the pots to the greenhouse and enjoy
the remaining flower display. Liberal watering in a sunny spot
through the end of April maintains abundant foliage, and then
it’s time to begin my fertilizer routine. On paper it prescribes
a weekly drenching of water-soluble Miracle Gro 10-52-10,
but in practice it probably averages a big dose every 10 days to
two weeks.
Around the end of May, heat and strong light make the
foliage look stressed (because I can’t keep up with the water
needs of the plants, whose roots completely fill the pots).
Then it’s time to move them to a shadier but still bright spot.
Notice I didn't say “move them outside.” Long ago, in my pre-
greenhouse days, I learned the pitfalls of growing amaryllis
outdoors during frost-free weather, namely an erratic water
supply, leaf-shredding hailstorms, battalions of hungry slugs,
and Narcissus bulb flies, whose larvae tunnel out the insides of
the bulbs and turn them into to slimy, disgusting goo. This
fate befell my now-venerable pot of ’Pamela’, which was
reduced to a sad clump of three puny bulbs (it recovered and
has been enlarging ever since). “Never again,” I vowed. The
systemic insecticide I now use sees to that (and to those infer-
nal mealybugs, seething masses of which terminated my
prizewinning pot of ‘Pamela’ X ‘Scarlet Baby’).
Throughout summer and into early fall, the clumps pro-
duce an exuberant mass of foliage and sometimes a bloomstalk
or two. I stop fertilizing in September, and in early October I
begin to reduce their water. By mid-November I place the pots
in my cool, dark basement, where they remain, unwatered,
until late January, when it’s time to pull off the dead leaves and
take the pots back to the greenhouses for resumption of heat,
light, and moisture. Then the clumps explode into renewed
growth in the race to bloom in time for the Show. Of course,
the timing isn't guaranteed, so February will see me (some say
obsessively) shuttling the pots between more or less heat and
light, depending on how poky or precocious they are this time
around.
Here’s what else is happening with my showplants in mid-December:
• The pots of daffodils have rooted in and are biding their time under my front
porch. Routine checks of their watering needs keep them happy — and me bent
over and cold.
• My cacti and deciduous succulents are either fully or nearly dormant or are in
surprisingly active growth (especially Haworthia sp.). Dormant plants need
only a once-monthly dribble of water, while active growth requires regular but
judicious watering.
• My hardy herbaceous perennial and woody plants are now quite dormant and
sit forgotten either under the front porch or outside in a cold frame. Their
wake-up calls will begin in a few weeks.
• The geraniums ( Pelargonium sp.) are in active growth and will remain
so until the heat of late spring arrives. Determined pinching should produce
dense, symmetrical mounds of foliage.
Left Top: After a few months of dormancy and a thorough removal of
dead and tired leaves, it’s time to wake up the amaryllis.
Left Middle: Amaryllis grow quickly when given appropriate levels of
heat, light, and moisture. It’s up to the exhibitor to get things just right.
Left Bottom The author is not infallible: here’s what the big pot of the
intrepid ‘Pamela’ looked like soon after the 2006 Philadelphia Flower
Show closed (it should have bloomed during the Show).
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2007 PHILADELPHIA
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SHOW
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• Shopper’s Delight discount card
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• Celebrity Flower Arrangement
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• Goody Bag PLUS extra
Flower Show admission ticket
• $85 per member
Tours available March 5—9 . Deadline
for reservations is January 20, 2007.
Send name and mailing address to
earlymorningtours@pennhort.org;
call 215-988-8775 or
go to www.theflowershow.com
to download an order form.
Reservations are limited.
Produced by Presenting Sponsor
■ X TaB PENNSYLVANIA AIVIV
HORTICULTURAL socibtt ■ I M V — D/AI\llX
GREEN SCENE • january/february 2007
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Statement of Ownership Management and Circulation (Act of October 23, 1962; Section 4369. Title 39, United States Code)
1 . Date of Filing; September 26, 2006. 2. Title of Publication: The Green Scene. 3. Frequency of issue: bimonthly.
4-5. Location of Known Office of Publication and Headquarters: 100 N. 20th Street, 5th floor, Philadelphia, Pa 19103-
1495. 6. Names and Addresses of Publisher and Editor: Publisher - The Pennsylvania Horticultural Society, Philadelphia,
Pa 19103-1495; Editor: Pete Prown, 100 N. 20th Street, 5th floor, Philadelphia, Pa. 19103-1495. 7. Owner: The
Pennsylvania Horticultural Society, Philadelphia, Pa. 19103. 8. Known bondholders, mortgages and other security
holders holding one percent or more of total amount of bonds, mortgages or other securities: None. 9. Extent and
Nature of Circulation:
A. Total No. Copies Printed
Average No. Copies
Each Issue
Preceding 1 2 Months
12,575
Single Issue
During Nearest to
Filing Date
12,505
(net press run)
B. Paid Circulation:
1 . Sales through dealers and
carriers, street vendors and counter sales
50
50
2. Mail subscription
12,064
12,081
C. Total Paid Circulation
12,114
12,131
D. Free Distribution by mail, carrier or
Other means, samples, complimentary
And other free copies
18
16
E. Free Distribution outside the mail
(carriers or other means)
3
2
F. Total Free Distribution (sum of D and E)
21
18
G. Total Distribution (sum of C and F)
12,135
12,197
H. Copies not distributed:
1 . Office use, left over, unaccounted,
spoiled after printing
380
242
2. Return from news agents
0
0
Total (sum of G, Hi and H2)
12.515
12,149
Percent Paid and/or Requested
(C divided by G times 100)
96.50%
97.15%
I certify that the statements made by me above
Pete Prown. Editor
are correct and complete.
NURSERY
Triple Oaks Nursery & Herb Garden
• Great Plants • Display Gardens • Programs
Franklinville, New Jersey
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greatplants@tripleoaks. com
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RARE & UNUSUAL PLANTS
• Specimen plants • Pond plants • Bonsai
• Orchids • Hardy cacti • Tropicals
• Sculptured trees and shrubs • Perennials
• Unique Flower and gift shop.
MUTSCHLERS’ FLORIST & RARE PLANTS
1-800-242-9438
www.mutschlers.com
CLASSIFIED RATES
Base Rate $3.00 per word
(without formatting)
1 Line $15.00 per line
Formatted Words $5.00
(ex. Bold, Italic or ALL CAPS)
Minimum Charge $60.00
Discount 10% off the second
consecutive ad, using the same copy
Please note: Green Scene does not guarantee
advertisement position, and we reserve the right to
edit copy to fit available space. Green Scene ads are
scheduled on a first-come, first-served basis until
space is filled for a particular issue.
Please calculate your ad cost based on number and
formatting of words, and enclose a check along with
your copy (call for assistance). Green Scene will bill
any difference or credit upon publication of your
advertisement. If your new ad arrives very close to
deadline, we may deposit your check until ad is
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will be returned. Make checks payable to the
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Green Scene
The Pennsylvania Horticultural Society
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Philadelphia, PA 19103 -1495.
If you have any questions, please call 215-988-8809.
The Backyard
PAINTINGTHECITY
GREEN
by Jane G. Pepper
project. Each region choos-
es its own project. In past
years, employees have
worked at food distribu-
When the alarm went off last October 7, I just
wanted to snuggle under the covers. It was cold
and wet and windy, hardly the perfect condi-
tions for a large volunteer tree planting scheduled to start at
8:30 am at 471*1 & Aspen Streets in West Philadelphia.
It turned out to be a memorable day. Several months previ-
ously, Pennsylvania Department of Conservation & Natural
Resources (DCNR) Secretary Michael DiBerardinis had
secured a commitment from Comcast to support the
Commonwealth’s TreeVitalize program as part of Comcast’s
national day of caring. Philadelphia Green director Maitreyi
Roy and associate director Bob Grossmann started discussions
with several of our partners about the possibility of reclaiming
a weed-infested, debris-strewn site in the Mill Creek section of
West Philadelphia. Located between the Sulzberger Middle
School and the beautiful new Philadelphia Housing Authority
Lucien Blackwell Homes, this one-block site was a communi-
tion centers and painted
school classrooms. In the
Philadelphia region this
year, Comcast employees
planted approximately 300
trees in five counties as
their contribution to their
communities and also to
further the goals of
TreeVitalize to restore tree
cover in Southeastern
Pennsylvania. By the end
of the morning at the Mill
Creek site, 200 volunteers
had planted 73 trees. After
heavy rain the night before,
the ground could only be
described as soggy, and 1 was full of admiration for the cheery
enthusiasm and hard work of the volunteers as they slogged
through the mud carrying trees and shovels and pushing
wheelbarrows full of mulch.
At a ceremony to commemorate the planting, Amy Smith,
Comcast’s regional senior vice president of operations for the
Philadelphia Metro area, presented me with what looked like a
can of paint, but inside was
a $25,000 donation from
the Comcast Foundation
to the Pennsylvania
Horticultural Society.
Some days it really
pays to get out of
bed — for both emo-
tional and financial
reasons. Our thanks
to Comcast, the
Pennsylvania DCNR,
and all the other part-
ners who made this day
such a success.
ty eyesore.
The Philadelphia Housing Authority agreed to clear the site,
and DCNR was ready to contribute trees through TreeVitalize,
including flowering cherries, red maples, and tulip poplars.
Volunteers from the Urban League and Comcast supplied the
labor to plant the trees.
Now in its sixth year, Comcast Cares Day is a nationwide
initiative, held on the first Saturday of October, to enable
Comcast employees to volunteer together on a community
GREEN SCENE • january/february 2007
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2007 Philadelphia Flower Show
live Irish Dancing
at the Show! page 16
THE PENNSYLVANIA HORTICULTURAL SOCIETY
ft 1
| 1 ll i
PilIiTR
indoor &
Waterloo gardens
waterloogardens.com
200 N. Whitford Road
Exton, PA 19341
610.363.0800
136 Lancaster Avenue
Devon, PA 19333
610.293.0800
Nursery | Greenhouse | Perennials
Garden Accents | Gardening Supplies
Gift & Gourmet Shop | Flower Shop
Patio & Garden Furniture
Seasonal Christmas Shop
Professional Landscaping Services
When You Move to
Cathedral Village
Leave Your Rocking Chair Behind -Along With...
Your worries about current and future medical care and
where you will go if you ever need nursing care
The difficulty and cost of going to and ffom physicians’ offices
The frustration of dealing with medical insurance claims
Twenty-seven years ago Cathedral Village’s Board of Directors and
Management addressed these concerns with programs and services to assure that
you would have the security of immediate and full access to 24-hour medical care. As a result:
♦ Our Outpatient Department is staffed with professional nurses 24-hours daily including
weekends and holidays. Our staff Physicians are here five days a week and always on call.
♦ A signal from one of your apartment pull cords or a telephone call to the front desk
at any time of the day or night brings response from our 24-hour Security staff and a
Registered Nurse. If a situation needs close monitoring, the Outpatient Department and
Bishop White Lodge are always available.
♦ Your extensive resident contract guarantees an unlimited number of days of nursing care
in Bishop White Lodge, our exceptional skilled nursing facility.
♦ Residents who are referred to specialists or hospitals for medical treatments are transported
to and from their appointments by our uniformed Security personnel at no additional charge.
It is all included in the monthly fee.
♦ At the end of the day, our Health Insurance staff takes care of all the details of submitting
or questioning insurance claims, relieving you of that frustration!
Now What About That Rocking Chair ?
With so much more leisure time, residents can enjoy our Pool and Fitness Center, Village
College Classes, Horticultural Programs in our nationally recognized Greenhouse, Painting
and Sculpting in the Art Studios, Woodworking, Bridge, our professional Putting Green,
Concerts, Lectures and much more.
That Doesn’t Leave Much Time for Your Rocking Chair!
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(215) 984-8622
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EQUAL HOUSING
OPPORTUNITY
GREEN SCENE subscriptions are part
of the membership benefits for:
Frelinghuysen Arboretum, Morristown. NJ
Horticultural Society of New York
Phipps Conservatory, Inc., Pittsburgh, PA
Staten Island Botanical Garden, Inc, New York
Ask A Gardener Phone Line
215-988-8777, Monday through Friday,
9:30 to 12 [closed in December]
askagardener@pennhort. org
GREEN SCENE (USPS 955580),
Volume 35, No.2, is published bi-monthly
(January, March. May, July, September. November)
by The Pennsylvania Horticultural
Society, a non-profit member organization at
100 N, 20th St., Philadelphia, PA 19103-1495.
Single Copy: $5.00 (plus $2.00 shipping).
Second-class postage paid at
Philadelphia, PA 1 91 03.
POSTMASTER: Send address change to GREEN
SCENE, 100 N. 20th St„ Philadelphia, PA 19103.
© Pennsylvania Horticultural Society, 2007
100 N. 20th St.
Philadelphia, PA 19103-1495
215-988-8800
Chair
Harry E. Hill
President
Jane G. Pepper
Executive Vice President
J. Blaine Bonham, Jr.
PHS Membership Information
Linda Davis, 215-988-8776
Display Ads
Manzo Communications, LLC
610-527-7047 manzocomm@aol.com
Classified Ads
Joe Soprani, 215-988-8809
gsads@pennhort. org
12
Legends Come to Life
Whether you’re Irish or not, you’ll love
the 2007 Philadelphia Flower Show with
its colorful theme “Legends of Ireland.”
From castles to knot gardens to daring
plantings, the upcoming Show comes
alive in this exciting preview.
The Irish Ideal
UK garden expert Michael Warren is
well-versed in the ways of Irish gardens
and is always pleased to reminisce about
his favorites places. Learn more about the
stunning properties he describes as “inspi-
rational’’ and the hard-working, innova-
tive Celtic caretakers that nurture them.
COLUMNS
20
46 The Backyard
The Pennsylvania Horticultural Society motivates people to
improve the quality of life and create a sense of community
through horticulture.
Main cover photo by the
Pennsylvania Horticultural Society
f j PRINTED ON RECYCLED PAPER
The Potting Shed
42
Show Plants
Entering "Show Mode”
38
Botanical Bouquets
Branching Out
30 The Clivia Craze
From South Africa to the Slovak
Republic, Mike Riska has been across the
globe to observe his favorite flowering
plant — the clivia — in its native setting.
Here, writer Betsie Blodgett sits down
with Riska to learn about his travels, as
well as more about these hot-colored
flowers. If you want to see some clivias
yourself, stop by the Flower Show’s
“Grow It” section (located in Hall B)
and thrill at their magic.
Editor
Pete Prown
Associate Editor
Jane Carroll
Assistant Editor
Daniel Moise
Advertising Coordinator
Joe Soprani
Art Design
Baxendells’ Graphic
Printer
ALCOM Printing Group, Inc.
FEATURES
The Pennsylvania
Horticultural Society
Web Site
www.pennsylvaniahorticulturalsociety.org
Letter from the President
we plan each
Flower Show,
we seek the
perfect balance between the beau-
ty of flowers, plants and gardens
combined with a little whimsy
and a whole wheelbarrow full of
practical information. This year, I
believe we have hit the perfect
combination on all counts! The
displays will be lush and beauti-
ful, and full of great ideas for gar-
deners.
If you thought Ireland was all
about green, just wait until you
see what Show designer Sam
Lemheney and guest designer
Chris Woods have in store for
you in this year’s themed exhibits.
The gorgeous castles, knots and
spirals of Ireland will definitely be
on display combined with the
splendid plant palette our
exhibitors will offer, from rhodo-
dendrons to Irish-bred daffodils
and delphiniums, not to mention
roses, daylilies and all kinds of cut flowers.
For those who love the whimsical side of life, there will be sprites
and faeries hanging out in the sculptural forest known as the Ealain
Wood and legends galore throughout the displays. And, Flower
Show visitors will enjoy a dazzling spectacle of entertainment. This
year, along with live music and cocktails in The Flive lounge, our
partner Tourism Ireland has brought Ragus, one of Ireland’s hottest
artistic troupes, whose performances will be interspersed by those
of local Irish groups, all taking place daily on the Castle Stage.
Practical information on gardening will be at an all time high.
Garden creators are planning to offer a special how-to-do-it tidbit
at each display for visitors to try at home. Look for these nuggets
at each garden display.
The Philadelphia Flower Show is a spring extravaganza with a
great cause. Once it’s gone from the Convention Center, we return
to our offices at 20lh & Arch Streets to plan a host of activities for
the whole year. Proceeds from the Show are combined with rev-
enues from government contracts and contributions from founda-
tions, corporations and individ-
uals to fund PHS’s Philadelphia
Green program, the nation’s
most ambitious urban greening
program. Through Philadelphia
Green, PHS has been working
for more than three decades with
hundreds of organizations and
thousands of people throughout
the city to transform derelict
land into beautiful spaces, to
restore parks and to plant trees,
bringing a renewed sense of
hope and a healthy dose of reli-
able gardening advice to resi-
dents throughout Philadelphia
and the region.
Ir is rewarding work and
we invite you join our efforts.
To learn more, please visit
www.pennsylvaniahorticultural-
society. org.
A hearty thanks to our
delightful corps of volunteers,
members, exhibitors and part-
ners. We are grateful for the sup-
port of so many who make the Show a success. At the top of the
list of Show supporters is PNC Bank, the Show’s Presenting
Sponsor. For 16 years, we have benefited greatly from the produc-
tive relationships that develop with such a longstanding partner-
ship. Many thanks to our Premier Sponsors'. Subaru of America,
Inc. who has served in this capacity since 2001, and Tourism
Ireland for its creative participation in the development of this
year’s presentation. Special thanks also to our Official Sponsors:
Acme Markets, Bartlett Tree Experts, EP Henry, Fiskars,
Monrovia, Philadelphia International Airport, and Smith &
Nephew; to our Media Partners: WPVI-TV 6ABC and
Philadelphia Newspapers, Inc., and Caterer: ARAMARK for their
generous support.
Best wishes and please enjoy the Show.
Jane G. Pepper
PHS President
©PNCBANK
2007 PHILADELPHIA
> %
f -W -'PS
- i ' 5‘*
Produced by WWW. t h ef lO WC TS h O W. CO CTl Premier Spomori
Pennsylvania Convention Center
IIORTICl LTl'H \L snuru SUBARU Inland
6
GREEN SCENE • march/april 2007
' ' f '
Sfwf robert
n^ontgomery
v-/ annsranpn in
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I
the ANTIQUE
SECRETS
of SKELETON
LEAVES
Story by Francine Kirsch
While it’s hard to believe that skeleton leaves
could be anything but artificial, especially
given all the colors they come in today, these
gauzy — and natural — delights were first used for flower
arranging 1 50 years ago. Dried foliage, from which all but
the veining and ribs have been removed, were sometimes
also called “phantom leaves” in the 19th century. But
Victorian ladies could not buy them in cellophane pack-
ages— they had to make them.
First the leaves were gathered, preferably in June or July.
Among those most recommended were the leaves of ivy,
holly, ferns, orange or lemon trees, wisteria, lilacs, and
honeysuckle. As one book of the period noted, they should
ideally “be at once laid between the leaves of a book; and,
as soon as possible after, subjected to a certain amount of
pressure.”
When dry and flat, the leaves were submerged in a pan
of rainwater by placing a china plate on top of them. The
pan was left outdoors, preferably in sunlight, for two
weeks. Then the leaves were removed individually for
“cleaning.” Everyone agreed that this was the worst part of
the process. Warned one writer, “The stench is often
unbearable. Wrote a second, “The leaves themselves are
absolutely so disgusting in their filthy sliminess, that if it
were not for the exquisitely beautiful results one would
determine at once to have done with it.”
Working gingerly with a soft brush on a pane of glass,
the lady removed all the green matter from both sides of
the leaf. Then she bleached it by brushing on buttermilk
or chloride of lime. Once the excess moisture was pressed
out, the skeleton leaves were made ready for arranging by
“graceful curling."
A finished arrangement might be placed under the ubiq-
uitous Victorian glass dome or in a “recessed frame" (shad-
ow box). In a frame “the recess should be lined with dark-
colored velvet” to contrast with the leaves. So many sup-
plies for arranging and mounting were available that S.J.
Pardessus & Co., a New York City retailer of glass Wardian
cases, even offered an entire catalog of them in the 1870s.
Much artistic inspiration could be gleaned from
the fabulous skeleton leaf arrangements shown in
stereoscopic (three-dimensional) photographs. Famous
Americans — like Admiral Dewey, Charles Seward,
Civil War generals, and Presidents Garfield and
McKinley — made favorite centerpieces for them.
In Britain, Lady Dorothy Nevill applied isinglass (a
transparent gelatin derived Irom fish bladders) to skeleton
leaves to make them “paintable." She recalled that “one of
the best skeleton leaves I illuminated was for Lord
Beaconsfield ( aka Prime Minister Benjamin Disraeli).”
And as late as 1934, lamed English flower arranger
Constance Spry mounted skeleton magnolia leaves onto bare
branches for an unusual — and sophisticated — touch.
m
8
GREEN SCENE • march/april 2007
The Potting Shed
78% of all cut flowers sold in
the US are imported, primari-
ly from Latin America, mostly
from Colombia and Ecuador.
Americans buy about 1 0 mil-
lion cut flowers per day.
Americans buy more roses,
carnations, and chrysanthe-
mums than they do all other
flowers combined.
‘Star Gazer is the most popu-
lar lily ever to hit the cut-
flower market. Last year,
13.8 million stems were sold
through Dutch auction hous-
es. However, the man who
hybridized it, Leslie Woodriff,
never made a dime for his cre-
ation.
the BAD
AND THE
BEAUTIFUL
Amy Stewart nips
a few buds in her
new book
Flower Confidential is a new
“tell-all book about the flower
business — a global, $40 billion-
per-year mega-industry. In its
pages, author Amy Stewart tells
the tale of how that demure pack
of posies at your florist or super-
market actually got there.
As these “fast facts” from the
book reveal, these flowers have
often traveled thousands of miles
and passed through many
hands to reach that vase on
your dining room table.
• Rose breeders spend seven
years developing a new variety
for market. An Australian
team has been working for 1 0
years on a blue rose, using a
pigment gene from petunias.
• Since 1997, almost 3,500
flower shops have closed.
Only 21 percent of flower
purchases are now made at a
florist; roughly half are now
made at supermarkets.
• During the two weeks leading
up to Valentine’s Day, 12 to
15 million stems of Latin
American flowers will arrive
each day at Miami
International Airport.
• Americans buy 180 million
roses on Valentine’s Day. Over
a third of orders will be placed
on February 13th... and anoth-
er 22 percent — that’s 39.6
million roses — are called in on
the holiday itself!
FLORAL
ARRANGEMENTS
5388
from the
PHILADELPHIA
FLOWER SHOW
Class: 1 25
Title Theme: Treasures from the Deep
Arranger: Pamela Danner (Four Lanes
End Garden Club)
Plants: Mums, begonia, protea,
eucalyptus seeds, thistle, foxtail lily
Ribbon: Blue
Judges’ Comment: “A delightful
representation of the deep.”
Some of the world’s most
were discovered here this
evening by TOM and HELEN
from Philadelphia.
Oh look, some Indian Rhubarb.
Mount Stewart House in County Down. Anyone arriving here, or at any
of our hundreds of great stately homes and gardens, will soon discover
that Ireland possesses many, many more colors than just green. To find
out more call 1800 SHAMROCK or visit www.discoverireland.com
Your very own Ireland £
Discover it at discoverireland.com
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II
r
'i
i
L
THE
COLORS
OF IRELAND
Come Take an Irish
Journey at the 2007
Philadelphia Flower
Show
shopping experience. “Being the nation’s
premier flower show is a distinction we take
very seriously,’’ says Show design director
Sam Lemheney.
Not willing to rest on well-earned laurels,
Sam and his team have spent countless
hours to ensure that this Show will soar. By
teaming up with Tourism Ireland and guest
landscape designer Chris Woods (director
of the VanDusen Botanical Garden in
Vancouver, Canada), Sam was able to make
the “Legends” theme come to life. He says,
“More than ever before, this year’s collabo-
rative effort has allowed us to think bigger
and be more ambitious.”
Visitors to the Show will enter a vast,
four-part display with a Celtic theme. The
inspiration for these exhibits largely stems
from Sam’s journey to Ireland in the spring
of 2006. Camera and notepad in hand,
Sam trekked around the green isle hoping
to find his muse. “When most people think
of Ireland, they think green — I did too
before I visited,” he says. “And while the
green countryside is stunning, there’s also a
remarkable amount of color. I'll never
forget the fields of light and airy
Queen Anne’s lace or the hills of heather
just waiting to bloom."
The shades and hues Sam spotted will be
present throughout the Show. Rather than
emulate one particular garden or site, how-
Visitors to the Philadelphia
Flower Show have been trans-
ported to some pretty fantastic
places through the years. From the shores
of Puerto Rico to the streets of Paris, the
Show prides itself on exploring the culture
(and horticulture) of the world’s most
dynamic locales. The tradition continues
this year with “Legends of Ireland.” From
March 4 through 1 1 , the Pennsylvania
Convention Center will be transformed
into Tir-Na-nOg (pronounced teer-nah-
noag), the mythical land of the young.
In addition to the world-class horticul-
ture for which it’s known, this year’s Show
will welcome several first-time exhibitors,
expanded individual entries, and a
Marketplace providing a one-of-a-kind
By Daniel Moise
ever, the displays borrow from a diverse
assembly of sources. “Were essentially illus-
trating 400 years of Irish garden
design — both traditional and contempo-
rary,” says Chris Woods. “Meshing them
together will be the fun part."
The first component is the Living Wall,
which serves as the entryway to the Show.
By using ivy, moss, and other greens in
ancient Celtic knot patterns — a common
element of the exhibits — the design team
has set the stage for what’s to come.
Thematically, the giant gateway serves as a
portal to a world of mystery and wonder.
Once on the other side, visitors will find
themselves in a towering forest — quite a
feat for an indoor event. The Ealain Wood
(pronounced ell-ee-enn, the Irish word for
art) is one ol the tallest Flower Show attrac-
tions in recent years. Trees made of
muslin will rise into the Convention
Center rafters, while real specimens of lin-
dens and smoke trees line the path. Six vari-
eties of daffodils will be peppered about the
wood, each of which was bred in Ireland.
Above:
Tollymore
Forest Park
Left:
Powerscourt
13
The Flower Show
i
i
The uncommon beauties
boast memorable cultivar
names like ‘Verona’,
‘Tibet’, ‘Broughshane’, and
‘Birthday Girl’. Adding to
the illusion of otherworld-
liness will be the “surpris-
es” lurking in the shadowy
canopy. “I’d tell you
more,” Sam says with a
smile, “but why spoil the
fun?”
The final two por-
tions of the main dis-
play will embrace the more
formal settings Sam discov-
ered on his trip to the
Emerald Isle. The Spiral
Knot Garden will be a
60-inch conical planter
with full-blossomed flowers
arranged in iconic Irish
symbols. At the structure’s
peak, a large fountain in
the shape of a harp will
send water cascading down
the sides. Two additional
fountains, inspired by
GREEN SCENE • march/april 2007
Celtic illuminated manuscripts, will flank
the garden and be covered with lavender
and pink and white roses. “I think this gar-
den is sure to elicit an emotional response,
Woods says. “I want it to make people’s
hearts sing."
The centerpiece of the Show will be the
Castle of the Emerald Kingdom. Staying
true to Irish architecture, the stately struc-
ture isn’t boxy and fortress-
14
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The Flower Show
like; rather there are many dimensions,
angles, and shapes in play. The tiered
landscaping surrounding the castle will
consist of linden and willow trees, daf-
fodils, rhododendrons, fuchsia, dichon-
dras, persimmons, and more.
While the displays may seem larger
than life, Sam firmly believes that people
can look to the Flower Show for inspira-
tion for their own gardens. “1 don’t expect
anyone to build a castle in the backyard,
but there are valuable techniques and tricks
to be garnered in terms of balance, color,
and arrangement,” he says.
PHS president Jane Pepper, a native of
the U.K., couldn’t be more excited about
this year’s Show. She says, "It’s been
thrilling to watch ’Legends of Ireland blos-
som into something so extraordinary. As
we’ve started to say around the office, ‘Erin
go Bragh /”’
I
Great Ways to Spend Your Day
To get the most out of your day at the
Flower Show, it pays to plan ahead. First,
scope out the week’s myriad events and
presentations on the Flower Show website,
www. theflowershow.com.
You won’t want to miss the Irish
entertainers that have been recruited to
regale Show visitors. Every hour on the
hour, catch mini-concerts at the Castle’s
rear courtyard stage. The popular per-
forming group Ragus will cross the
Atlantic to showcase the traditional music,
dance, and song of their native land.
Additional acts can be seen and heard
each evening in The Hive lounge.
Located off the Grand Hall Concourse,
the cozy cranny will also offer food
samplings from local restaurants and a
cash bar.
So, start planning
your itinerary now to
fully experience all that
the Flower Show has
to offer.
Back on the Show floor, the Gardener’s
Studio returns this year with free demon-
strations presented by regional gardening
experts. This is the perfect place to learn
something new and rest those tired feet.
The Gardener’s Studio is located in the
center of the exhibition halls.
Another can’t-miss educational opportuni-
ty is the Lectures & Demonstrations
series. Celebrated speakers will tackle a
spectrum of horticultural topics including
flower arranging, container gar-
dening, pest control,
Ikebana, growing
orchids, and much,
much more. Country
Gardens magazine is
hosting a full day of
lectures on Sunday,
March 4, and, in recogni-
tion of the “Legends”
theme, Irish speakers will
be on hand on Saturday,
March 1 0. There are 8 to
1 2 lectures each day in
Rooms 201 B and 201 C
(located on the Grand
Hall Concourse), all of
which are listed online.
AMERICAN PHILOSOPHICAL SOCIETY
Scholarly Publishing Since 1771
THE LIBRARY
OF
«■ BENJAMIN fRANKLIN
Edwin Wolf 2nd and Kevin J. Hayes
The Library of Benjamin Franklin
EDWIN WOLF 2nd and KEVIN J. HAYES
Memoirs of the American Philosophical Society — Vol. 257
ISBN: 978-0-87169-257-3, $100.00
Beginning in the late 1950s, Edwin Wolf 2nd embarked on a bibliographic odyssey to reconstruct the
“lost” library of Benjamin Franklin. Franklins library, the largest and best private library at the time of
his death in 1790, was sold by his grandson in the last eighteenth century to Robert Morris Jr., who
subsequently sold it in the early nineteenth century. None of the catalogues of the collection survive,
and the contents of the library were virtually unknown until 1956, when Wolf discovered the unique shelf-
marks Franklin used to identify his books. Wolf’s work to reconstruct a catalogue of the library continued
for the next thirty years but was unfinished at the time of his death. As the tercentenary of Franklin’s birth
approached, Kevin J. Hayes took up the work and has continued to discover titles that were part of the
library. Everything found to date, close to 4,000 entries, has been compiled here.
The
Temple of Night
at Schcimu
ARCHITECTURE. MUSIC. AND THEATER II
LATE EIGHTEENTH -CENTURY VIENNESE G A
The Temple of Night at Schonau
JOHN A. RICE
Memoirs of the American Philosophical Society — Vol. 258
ISBN: 978-0-87169-258-0, $70.00
Between 1796 and 1800 Baron Peter von Braun, a rich businessman and manager of Vienna’s court
theaters, transformed his estate at Schonau into an English-style landscape park. Among several buildings
with which he embellished his garden, the most remarkable and celebrated was the Temple of Night, a
domed rotunda accessible only through a meandering rockwork grotto that led visitors to believe that their
destination lay somewhere deep underground. A life-size statue of the goddess Night on a chariot pulled by
two horses presided over the Temple, while from the dome, which depicted the night sky, came the sounds
of a mechanical musical instrument that visitors likened to music of the spheres.
Only the ruins of the Temple of Night survive, and it has received little scholarly attention. This book
brings it back to life by assembling the many descriptions of it by early nineteenth-century eyewitnesses.
Placing the Temple within the context of the eighteenth-century English landscape park and of Viennese
culture in the fascinating period of transition between Enlightenment and Biedermeier, Rice’s book will
appeal to anyone interested in the history of garden design, architecture, theater, and music.
Portrait of Elizabeth Willing Powel
DAVID MAXEY
Transactions of the American Philosophical Society — Vol. 96, Part 4
ISBN. 978-0-87169-964-0, $24.00
Drawing on original manuscript sources, David Maxey has produced a persuasive study of a late
eighteenth-century portrait and its subject. He has focused attention on an enigmatic painting that has
long puzzled art historians, and the person portrayed in it — a woman of talent and verve, whose life has
remained undeservedly obscure.
Elizabeth Willing Powel occupied an influential position in Philadelphia society during and after the
Revolution. She presided over a salon; spoke her mind freely; and maintained, for a period of forty years,
an extensive, illuminating correspondence. She was the trusted confidante of the country’s first president,
whom she did not hesitate to instruct on where duty summoned him.
Personal loss touched her deeply, and at a critical moment, the Philadelphia limner and sign painter,
Matthew Pratt, was commissioned to capture on canvas the grief she experienced. What happened
thereafter to the portrait Pratt painted becomes an essential part of the mystery that David Maxey has
successfully undertaken to solve.
Send Orders To:
AMERICAN PHILOSOPHICAL SOCIETY FULFILLMENT
DIANE PUBLISHING COMPANY
330 PUSEY AVENUE, UNIT #3 REAR
COLLINGDALE, PA 19023
Phone: 800-782-3833 or 610-461-6200
Fax: 610-461-6130
E-mail: fulfillment@amphihoc.org
Shipping Information: All orders must be prepaid. We accept checks and money orders and all major credit cards: VISA, MasterCard,
American Express, and the Discover Card. Foreign checks and money orders must be in U.S. dollars drawn on a U.S. bank. Make all
checks and money orders payable to: DIANE Publishing Co.; credit card receipts will indicate DIANE Pub. Co. as the processor.
Domestic orders are shipped by U.S. Postal Service Media Mail. The charge is $4.00 for the first book and $1.50 for each additional
book. Please add $1.00/book extra for shipping by FedEx Ground or UPS Ground. Expedited shipping (next day or 2nd day) is available;
please inquire. All foreign orders arc shipped by U.S. Postal Service Global Priority; please add $7.00/book for shipping.
The Flower Show
■
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Show Information
Dates: March 4 - 11, 2007
Theme: Legends of Ireland
Website:
www. theflowershow. com
Phone Information:
215-988-8899
(recorded info)
LOCATION
Pennsylvania Convention
Center
1 2th & Arch Streets
Philadelphia, PA 19107
HOURS
Sundays, March 4 & March 11
8 am - 6 pm
Monday, March 5 through
Friday, March 9
10 am - 9:30 pm
Saturday, March 10
8 am - 9:30 pm
Best viewing hours are after
4 pm. Box Office closes one
hour before Show closing on
all days.
PRODUCER
The Pennsylvania Horticultural
Society
PRESENTING SPONSOR
PNC Bank
TICKETS
Tickets may be
purchased online
until March 1st
Purchased in Advance
(good any day, available online
and at Sales Outlets *)
• Adults $22
• Children (ages 2-12) $12
Purchased at the Door
Adults
• Sunday, March 4
(Opening Day) $28
• Monday, March 5 through
Friday, March 9 $24
• Saturday, March 1 0 &
Sunday, March 1 1 $26
Children (ages 2-12)
• March 4 - 11 $13
Family Fun Pak
The Family Fun Pak ($13 sav-
ings off regular admission) is
available for $55 and includes
2 adult and 2 child (2-12 years)
tickets plus a year-round mem-
bership in the Pennsylvania
Horticultural Society. This
offer is available only at
www. theflowershow. com.
*Sales Outlets: Flower Show
tickets are available at partici-
pating PNC Bank branches;
AAA Mid-Atlantic braches;
Acme Markets; Philadelphia-
area Borders Books & Music;
Giant Food Stores; SEPTA tick-
et-sales outlets; and participat-
ing garden centers, nurseries
and florists. Check availability
with individual outlets; service
charges may apply.
Show revenues support the
Pennsylvania Horticultural
Society’s outreach efforts,
including its acclaimed
greening program,
Philadelphia Green. Visit
www.philadelphiagreen.org.
©PNCBANK
Official Sponsors
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WINTERTHUR
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Winterthur Museum & Country Estate is an American
treasure inside and out, home to Henry Francis du Pont’s fabulous
175-room mansion furnished with elegant antiques and surrounded by
1,000 acres of spectacular grounds and ever-changing gardens. Nestled
in the beautiful Brandywine Valley, Winterthur is located on Route 52,
less than an hour south of Philadelphia.
800.448.3883 • winterthur.org
“One of the 1 0 great places
to inhale the flower scents
of Spring”— USA Today
WY
Story & Photography
by Michael Warren
One Englishman's View
of Ireland’s Garden Style
and Unique Plant Palette
When I think of Irish gardeners, the term
“plantaholic” comes to mind, though I mean that
in the nicest way. The introduction of so many
new plants onto the market seems to have bred a race of Celtic
gardeners who delight in having the latest introductions for
their own gardens and who take great pleasure in introducing
them to their friends. Of course, there are still a few Englishmen
who believe they are the only people who can garden properly,
but that perception is wrong. Not only are the Irish keen on
their new plants, but they skillfully arrange their plantings to
display them in the most tasteful manner.
I always consider it a great privilege to visit and enjoy other
people’s gardens, and I have visited many charming gardens in
Ireland. They are created with much toil and care, lovingly nur-
tured to perfection over a long period. When I visited the fol-
lowing gardens, I found them full of interesting plants but
Below: Mount Usher Gardens is a
“Robinsonian” garden of 20 acres.
Five thousands different species
of plants enjoy this garden in
a valley along the Varty river.
Right: The grand gardens
of Powerscourt have an
impressive traditional,
double-herbaceous border.
Here is a portion with stat-
uesque deep blue Aconitum,
peony, golden daylilies,
Phlomis , and popular
Persicaria ‘Red Dragon’.
designed and landscaped in different ways, as
the owners saw fit.
First was Carmel Duigan’s “cottage gar-
den in Shankill (Co. Dublin), which has a
patio area at the rear of her bungalow and
steps leading up to a higher garden. A seat on
the patio offers an unusual perspective, as
normally one would look down on a garden
from a standing position. I describe it as a
cottage garden because of its informal
design, with opium poppies ( Papavar som-
niferum) adding colour here and there where
they have chosen to grow, no doubt left in
strategic positions to best effect amongst
perennials and shrubs.
Anna Nolan’s garden in Cabinteely (Co.
Dublin), on a sloping site with different lev-
els, is packed full of perennials, grasses,
clematis and shrubs. The spectacular grass
Hakonechloa, undulating in the breeze,
contrasts beautifully with a crimson Acer
palmatum 'Dissectum Atropurpureum’.
Agapanthus and Verbena bonariensis, blue
and mauve, grows in a bed with a see-
through effect, whilst Dierama Angels
Fishing Rods’ waves its delicate pink bells as
it moves on the slightest breeze. The shel-
tered sitting area is a clever design, with a
series of walls softened everywhere with
plants — a great joy to see.
Dublin’s Airfield Garden, an urban farm
and garden with a learning center for chil-
dren and adults, incorporates many styles of
gardening. There is a formal garden, with
vegetables and herbs in raised beds, and
informal ornamental borders full of colour,
including perennials, grasses and summer
bulbs such as Crocosmia against a backdrop
of an ornamental greenhouse.
Right: Anna Nolan’s secluded
back garden slopes, so sunken
gardens of alpines are at the top
on the patio edge. The sloping
bed is filled with these contrast-
ing foliage plants, grasses and
lady’s mantle.
The garden of Helen Dillon in Ranelagh
has to be described as inspirational. All the
gardens I visited in Ireland were tended by
practical, ‘hands-on’ gardeners, and Helen’s
is no exception. I sat transfixed on the edge
of my chair at the presentation she gave,
detailing how, over the years, she has
changed her gardening style many times. As
it is now, it is hard to imagine how it could
be improved, but I can envisage changes
in the vears to come. A knowledgeable
plantswoman and designer, Helen is full of
ideas and is not shy to make changes, to
experiment, to admit when an idea does not
work, and to abandon a scheme and the
plants, too. “Try them, like them, keep
them, dislike them, discard!’’ is her motto.
The patio area adjacent to her house in a
warm sheltered pocket has many containers
grouped together to good effect. Many are
filled with succulents and tender plants that
need to be taken inside for winter protec-
tion. From here, steps lead up to two long
borders divided by a small brook, edged
with splendid limestone paving. The source
of water is a shallow pool at the far end.
Beyond this feature, there are other interest-
ing areas of mixed planting, but for me
the fiery border full of cannas, dahlias,
lythrums, knautia, helenium, persicaria and
lilies was just stunning in the sunshine.
Finally, a visit to Belvedere in Mullingar
(Co. Westmeath), an old, established estate
with a traditional walled garden on a sunny,
sloping site, evoked memories of country
house parties of centuries past. Renovated
some years previously, the garden is quietly
maturing again under the hands of a new
Ireland’s Gardens
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GREEN SCENE • march/april 2007
Above: Helen Dillon is not only an entertaining
writer and lecturer, but an extremely talented
gardener. Here is a hot, fiery border of hers,
nicely tiered with the lower knautia and
lythrums, then dahlias, bold cannas and lilies
for height.
generation of gardeners. New young trees
were planted amongst mature material, but
at the time ot my visit in summer, the tradi-
tional herbaceous borders were still the best
feature. Familiar old perennials, such as ligu-
larias, miscanthus, dahlias, echinops and
achillea, are still being grown to good effect.
The gardens of Ireland have always been a
haven for plants more tender than we are
able to grow in England; that has not
changed. What has changed is that we have
both moved up the temperature scale. We
hear so much about global warming these
days. This subject can be controversial, but I
myself am convinced that something is
changing in our weather patterns. Today, we
here in England can grow more tender
plants than we could, say, 30 years ago, and
Irish gardeners can now grow even more
tender plants than before. Through the
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visit Historic Lewes, ’Delaware and tour our
"hidden" private gardens at the
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the Lewes Chamber of Corvcmerce on
saturdayjuwe ±£>th from id AM to 5 PM.
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For vuort Information contact the
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Mediterranean Garden Society, I see such
gardens being created in the most unlike-
ly places on the globe.
Ultimately, keen gardeners will always
adapt to changing conditions. Like many
Irish gardeners I’ve met, we should
learn to face any challenge, overcome it,
and next year will always bring even
more promise of the ‘best year yet’ for
your garden.
Since 1968. Michael Warren has worked
with many well-known figures in the
horticultural world and, with his wife
Lois, established the Photos
Horticultural Picture Library. He is
currently the national president of the
Garden Writers Guild and is a Fellow of
the Institute of Horticulture in Great
Britain.
Helen Dillon
Lecture at the
Flower Show
You can read more about several of the
gardens featured in this article at
www. dublingardens. com .
Considered one of Ireland’s most
famous gardeners and an expert on
gardening in small spaces, lecturer
Helen Dillon will present “An Irish
Garden” at the 2007 Philadelphia
Flower Show, “Legends of Ireland.”
This special event will be held
Friday, March 9, 2007 from 5 to
7:30 pm at the Pennsylvania
Convention Center, 12th & Arch
streets, Room 1 03-A and B, West
Entrance. The lecture will be fol-
lowed by a wine reception and musi-
cal entertainment. The cost is $65
and includes Flower Show admis-
sion ($55 for PHS members). Hand-
stamped Show re-entry will be
issued at the reception upon
request.
Advance reservations are required and can be made by calling Betsy Gullen
at 215-988-8778 or via email at bgullen@pennhort.org.
Below Belvedere is a large estate with yet
another walled garden, common on many
larger gardens in Ireland. The herbaceous
border within its walls skillfully places
purple Verbena bonariensis and red
Dahlia ‘Bishop of Llandaff’ against
Miscanthus sinensis ‘Variegatus’.
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Come visit us in the Marketplace, Booth 718 at the
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I J
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P.O. Box 1780, Ogdensburg , N.Y. 13669
Lee Valley offers a complete range of high-quality, ergonomically designed
tools for digging, planting, watering, weeding, pruning and harvesting.
Stop by booth 604 for more information and pick up our new
free 172-page 2007 Garden Tools catalog.
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Con te see our new- prints.
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And please visit our website www.lynsnow.com
‘Exhibiting in the EhiCadeCphia
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Come see us in the Marketplace (“Booth 421)
Visit our new Web site and online store:
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GREEN SCENE • march/april 2007
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OLIVIAS
Wherever clivias
grow, so goes
Mike Riska.
Riska’s clivia expeditions
have taken him to South Africa
to see them growing in the
wild and to conferences in
California. But he also has a
knack for finding them in
unexpected places, like his
second cousin’s home in the
Slovak Republic.
“There was a Clivia craze in
Europe in the 1800s, and these
are plants that have been
passed on through families,” he
explains. “1 saw them in restau-
rants and all over the place.”
A founding member and
director of the North American
Clivia Society, Riska is crazy
about the genus discovered in
South Africa nearly 200 years
ago. “I got started with clivias
about 1999, says Riska, who is
also executive director of the
Delaware Nature Society.
“After that, I went all out."
“All out” for Riska means
maintaining a collection of
about 3,000 clivias (including
seedlings) and developing a
finely tuned system of moving,
fertilizing, and watering the
plants for peak bloom — hope-
fully to coincide with the
Philadelphia Flower Show. “I
take pride in being able to
make them flower every year,
because it doesn’t happen all
the time,” he says of his blue-
ribbon specimens.
Riska’s fascination with
clivias has grown steadily over
the years, although he insists
it’s nowhere near the fever level
attributed to Dendrobium and
Cattleya orchid enthusiasts.
“I’m glad I didn’t get involved
with orchids, he says. “Where
do you start and where do you
stop?”
■I
30
GREEN SCENE • march/april 2007
His wife Angie might dis-
agree. “She supports me, but
she thinks I’m a little out of
control,' he laughs. His collec-
tion has taken over the porch,
most available windowsills, and
the attic of their 1790s home
in Delaware, as well as a garage
and an unheated pit house.
Riska even collects Clivia
memorabilia and has framed
floral stamps from other coun-
tries, including South Africa,
China, and North Korea.
Riska claims that despite
their reputation for being fussy
and demanding, clivias are
remarkably foolproof. A win-
dowsill and some basic knowl-
edge about their cultivation — a
cool temperature, light and
fluffy growing medium, a light
hand with water, and some bal-
anced liquid fertilizer — is all
you need to get started. Riska’s
clivias even spend their sum-
mer outside where they thrive
in bright shade.
“Once you know how to
grow them, they’re easy,’ he
insists. “You can't kill them. In
fact, the more you fuss over
them, the worse they do. The
orange-flowered Clivia miniata
is the most commonly available
species. (Meadowbrook Farm
has a number in stock starting
at a reasonable $18; rarer
species, however, can cost $500
and up.) Riska advises buying
clivias from a trusted source
and avoiding online auction
sites.
Beyond keeping them alive,
Riska admits there is a knack to
getting clivias to flower on
demand. (Clivias do not flower
every year under normal
household growing condi-
tions.) When he decided to
enter the Philadelphia Flower
Show four years ago, he knew
A Visit with
Clivia Aficionado
Mike Riska
Photography by Pete Prown
‘Victorian Peach’
he needed a plan to coax them into
peak bloom the first week in March.
He hit the right combination of light
exposure, moisture, fertilizer and tem-
perature the first time out. He entered
two clivias in the 2004 Show and both
won blue ribbons. The next year, he
rented a panel van to transport eight
plants, and last year he entered 13.
Others have been following his lead;
the 2007 Show will feature nine more
Clivia classes to accommodate the
growing number of entries.
Riska can speak at great length
about Clivia lovers around the
world — Japanese growers perfecting
miniature clivias; Chinese hybridizers
growing them exclusively for their var-
iegated leaves; and Belgian nurseries,
where they’re trying to develop clivias
that can reliably flower from seed
in three years rather than the usual five
or so. He foresees clivias becoming
disposable, like the ubiquitous
Phalaenopsis orchid that’s now avail-
able everywhere from Trader Joe’s to
Home Depot. “They will be like
orchids — buy them, enjoy them, and
then toss them after they’ve finished
flowering,’’ he says.
Riska has even ventured into grow-
ing his own plants from seed. “If you
have the time in your life and you have
the room, you’re going to get some
nice mutations,” he says. “And it’s
always a surprise, because you never
know what you’re going to get.”
And after that? “Hybridizing
— I think that’s where I’m headed,” he
says. “Hybridizing them, enjoying
them, and passing them on to others.”
He pauses. “Maybe I need a summer
shade house, too.”
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RESOURCES
Mike recommends the book
OLIVIAS, by Harold Koopowitz (2002,
Timber Press, Inc.), which he says
“changed everything” for clivia neo-
phytes and experts alike. A copy
is available for loan in the
PHS McLean Library.
The Clivia Society, based in
South Africa, has an annual member-
ship fee of $25. “You get a yearbook
that’s worth every penny,” Mike says.
(www. cliviasociety. org)
Closer to home, there’s the North
American Clivia Society
based in California
(www. northamericancliviasociety. org).
Mike would like to start a local clivia
group to meet informally, encourage
members to enter the Flower Show,
and exchange plants. If
interested, please contact Mike at
mike@delawarenaturesociety. org. ^
34
GREEN SCENE
THE
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GREEN SCENE • march/april 2007
A summer home for the Robin family. A little shade for
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GREEN SCENE • march/april 2007
37
Botanical Bouquets
By Jane Godshalk
Beauty
From Branches
"If flowers bring
us joy, trees give us strength"
FLOWER
ARRANGING
TIP
Open lilies contain
pollen, which is beautiful
when fresh on the
blossom. Once it
matures, however, it can
stain the flower’s petals
and also your clothes
and tablecloths. It is a
good idea to remove
the pollen with a damp
paper towel as soon
as possible.
In the long winter season, a pleasing floral arrangement
can bring us both the joy of flowers and the strength of bare
branches.
ARRANGEMENT 1:
You will need:
• Scissors or clippers
• Twine, raffia or string
• Branches, 6 to 8 stems of birch, willow or other
branches, fewer stems if larger branches
• 1 to 2 stems of winter foliage, magnolia, rhododendron
or other evergreen leaves
• 1 to 2 stems of large, showy flowers, such as lilies
• Vase with a neck or collar
Step 1 : Collect your materials and bunch the branches
together, trimming ends so that all branches are about the
same length — 24 inches should be a good length depend-
ing on the size of your vase.
Step 2: Tie your branches into a bundle in two places near
the center at about the distance of the vase opening.
Step 3: Attach your branches to the lip of the vase by tying
two more strings around the branches and then wrapping
them around the top of the container. Make sure to leave
enough space on at least one side of the bundle for your
foliage and flowers.
Step 4: Insert your foliage into the vase and trim any leaves
that seem too big, in poor condition, or in the wrong place.
Step 5: Add your blossom or blossoms, placing them to
their best advantage. Pay attention to where you will view
the design.
ARRANGEMENT 2:
A stem of magnolia is cut at the end of a branching point
and is placed in a glass cylinder to support the addition of
one lily. The lily is tied to the branch to keep it
upright — simple!
Select from 800 Dutch flower bulb varieties for
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Buy where the professionals buy.
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to provide students of horticulture, botany, and landscape
architecture the opportunity to work under professional
guidance.
The Arboretum School of the Barnes Foundation offers
one and two-day workshops during the summer. Each fall
the Foundation accepts twenty-five new students for its
three-year program in ornamental horticulture which offers
a comprehensive curriculum of botany, plant propagation,
practical horticulture techniques, and landscape design.
A well-trained faculty provides expert instruction
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GREEN SCENE • march/april 2007
39
Quality
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GREEN SCENE • march/april 2007
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Show Plants
By Ray Rogers
Rush Hour!
Final Preparations for the Flower Show
With only a few weeks remaining until the opening day of
the Philadelphia Flower Show, most exhibitors are in full-
blown “Show mode.”
As opening day approaches, I’m concentrating on two
major aspects of preparing my entries: cajoling them into per-
forming at just the right time (in other words, growing them)
and making them look their very best [grooming them). So
exactly what is happening now? In a word, everything.
ALL IN THE TIMING
Because hardy bulbs often look their best for only a day or
two at the Show, timing is critical. After removing the pots
front winter storage — not all at once, since there are three sep-
arate judging days and 1 like to have some pots available for all
of them — and gradually exposing them to increased
light, heat, and water, the plants are now growing strongly and
flower buds are beginning to appear.
However, if the greenhouses have been running cooler or
warmer than usual, it the days have been notably sunny or
dark, or if I’ve forgotten to water the bulbs, then the bulbs
could bloom too soon, too late, or never. Fortunately, I have a
bag of tricks at my disposal, gleaned from years of successes
and failures and from conversations with other exhibitors. The
tricks work for most of my plant entries, not just the bulbs.
The author’s plants being prepped forjudging.
SLOWING BLOOMS DOWN
If a potential entry is coming along too quickly, moving it to
a cooler spot should slow it down. Possible sites include areas of
a greenhouse farthest from the heater or on the north side;
under a greenhouse bench or large, leafy plant; on the cold
gravel floor in a cooler greenhouse; outside under cover (for
hardy plants, providing the weather is not severe); or in my
refrigerator. Yes, I don't eat at home much the week before the
Show, because bulbs and other cold-tolerant plants consume
just about every possible cubic inch of space in the fridge.
SPEEDING BLOOMS UP
Some plants move along too slowly, requiring the opposite
approach (along with calming potions for me). Warm,
growth-accelerating spots for them include areas downwind
from the greenhouse heaters, along the south or southwest
sides of the greenhouses, suspended close to the top of the
greenhouses where warmer air collects, on heat mats normally
used for rooting cuttings, in the warmest greenhouse at the
nursery, and sometimes in my home (no, not in the oven).
WATERING TO CONTROL BLOOM TIME
It’s fairly easy to control watering needs: since I may not be
able to get over to the nursery every day, roomy saucers and
the occasional frantic call to
water the big pots of amaryl-
lis help a great deal. Standing
plants in saucers of cold
water can hold back growth
and bloom, and frequent
applications of warm water
might encourage the tight
flower buds on a particularly
promising entry to open just
in time.
THE FINAL
COUNTDOWN
If you’re thinking that I
run around frantically at the
nursery for several weeks
ahead of the Show, you're
overestimating my passion;
my “rush hour' spans only
the two weeks before the
Show. Not only do I move
plants repeatedly from warm,
sunny spots to cooler, shadier
places or vice versa, but I also
need to scrub or replace dirty
42
GREEN SCENE • march/april 2007
pots, choose more attractive show pots for
my best entries and carefully move the
plants into them, stake formal plants and
pots of bulbs, and top-dress the potting mix.
The night before each of the three entry
days, I pack everything in boxes for trans-
porting to the Show. Then I return home to
prepare the white entry cards and organize
my bag of pens, grooming tools, Exhibitor’s
Guide, and other necessary items. After a
few hours’ sleep I head back to the nursery,
pack the van (sometimes in subfreezing
weather or pouring rain), drive to the
Pennsylvania Convention Center, unpack
the van, cart the entries upstairs, perform
last-minute grooming, and submit the
entries — all during those few hours that feel
like minutes. Then, I await the results.
Call me crazy, but I hope to find myself
stuck in this kind of rush hour for many
years to come.
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GREEN SCENE • march/april 2007
43
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GARDEN GIFTS
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GARDEN STRUCTURES
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• Greenhouse Sales: Residential, Commercial
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LANDSCAPE DESIGN
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GREEN SCENE • march/april 2007
UNUSUAL SPECIMENS
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• Specimen plants • Pond plants • Bonsai
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• Sculptured trees and shrubs • Perennials
• Unique Flower and gift shop.
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CLASSIFIED RATES
Base Rate $3.00 per word
(without formatting)
1 Line $15.00 per line
Formatted Words $5.00
(ex. Bold, Italic or ALL CAPS)
Minimum Charge $60.00
Discount 10% off the second
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Deadlines
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PLEASE NOTE: Green Scene does not guarantee
advertisement position, and we reserve the right
to edit copy to fit available space. Green Scene
ads are scheduled on a first-come, first-served
basis until space is filled for a particular issue.
Please calculate your ad cost based on number
and formatting of words, and enclose a check
along with your copy (call for assistance).
Green Scene will bill any difference or credit
upon publication of your advertisement.
It your new ad arrives very close to deadline,
we may deposit your check until ad is sched-
uled. If we can’t schedule your ad, your check
will be returned. Make checks payable to the
Pennsylvania Horticultural Society.
Send all advertising correspondence to:
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Green Scene
The Pennsylvania Horticultural Society
100 N. 20th Street, 5th Floor
Philadelphia, PA 19103 -1495.
If you have any questions, please call
215-988-8809.
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45
The Backyard
A LETTER FROM THE GARDEN
For more than three decades, PHS’s Philadelphia
Green program has been helping Philadelphia resi-
dents turn neglected vacant lots into beautiful com-
munity gardens brimming with vegetables, flowers, and neigh-
borhood pride. Of its many initiatives, the Garden Tenders
“Basic Training” course was created in 1995 to teach groups of
gardeners how to create and maintain their own gardens.
Community' gardens are often catalysts for revitalization in
urban neighborhoods. Research has revealed the many benefits
of these gardens, including increased property values of sur-
rounding homes.
But for PHS project coordinator Sally McCabe, head instruc-
tor of Garden Tenders, all the research in the world could not
be more gratifying than a recent email she received from a
Garden Tenders graduate. “When an email like this pops up in
your inbox, it can really re-charge your professional battery',’
says Sally. “It reminds us why we do what we do.”
Sally McCabe
Garden Tenders
delpbi-0
. onliZed I bad never
r. * T r— =- -• ; :r: -RE
, One issue was a . . times to cie market, auc
dren there, une We tried a tew house on tne
It «s discing «> ^ wwtuaUy decided to «« « R „ot quite sure t«
borhood-it rea V unrelated
en —
se it sold in wo «eeks.
tx. c0\d in two
our house. It whtch we’ve now
In We or^ ^ e.9ht years, „e
been WW ptanting street
“re ^ ToreTorkin, your Tree
trees and are s0 great.
Tenders. Both PHS Pr°^ ^ ^ s0 much
They are part of w a fortunate
ubout Philo***10' L ire
t0 be raising «y ,0" >'
) uc 1 ^ ^
Belatedly, thanks for ail Your
Charlie Cooper
Sally
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1979 - 2007
Twenty-eight Years . . .
and the Vision Continues . . .
Cathedral
Village
Photo shows residents' six-hole
putting green surrounded by
this comfortable pergola, a
rock waterfall, and butterfly
garden. The state-of-the-art
greenhouse is the center for
personal and group horticul-
tural activities, seminars and
classes.
600 East Cathedral Road
Philadelphia, PA 19128
(215) 984-8622
www.cathedralvillage.com
Cathedral Village still offers the traditional CCRC contract, the
most extensive available in the retirement industry. It provides a
Value to our residents in quantity and quality of services received
that is unparalleled and ... it covers more today than it did 28 years ago.
Years of Innovative planning by the Board of Directors and
Management have resulted in an outstanding array of services and
quality of care. This includes 12-hour a day Dining Services,
24-hour Outpatient Services including weekends and holidays,
free medical transportation, unlimited days of Nursing Care,
Health Club fitness and exercise programs, Horticultural activities
and workshops, Village College classes, and Art and Music pro-
grams. All have resulted in unusually high Resident Satisfaction.
The Vision of Cathedral Village continues. It is an on-going
process that accommodates changes in cultural trends and in
residents' lifestyles.
We invite you to visit, question, and compare!
Come in Monday through Friday between 9 and 3.
Appointments are necessary on weekends.
A Nonprofit, Nondenominational CCRC • Accredited Since 1983
Affiliated With the Jefferson Health System
Getting Lil* Jimmy Outdoors
With the proliieration of electronic
entertainment and the Internet, today’s
kids are simply not going outside
enough. Jane Carroll explains how our
environmental future depends on getting
kids motivated to care for and protect
our outdoor spaces.
F
EATURES
Petunia Fever!
Today’s petunias bloom more
abundantly and lushly than ever. Join
Jo Ann Gardner as she shows us some
of the latest petunia cultivars and
innovations, and shares growing tips.
32
Summer can be brutal on flowering
plants in containers. In this article, Ellen
Spector Platt shares her knowledge about
low-water, “xeric” container gardens, all
of which can stand the heat ...and then
some.
18 Come See Beautiful
Gardens
Each spring, PHS sponsors its annual
Garden Visits around the region. This
year, the tours will occur in Bucks
County and northern Chester County.
As a preview, read about a few of the
great gardens you’ll see in Doylestown,
COLUMNS
8 Potting Shed
36 Botanical Bouquets
PA.
Pete Prown
Associate Editor
Jane Carroll
Assistant Editor
Daniel Moise
Advertising Coordinator
Joe Soprani
Art Design
Baxendells' Graphic
Printer
ALCOM
Tlie Pennsylvania
Horticultural Society
Web Site
www.pennsylvaniahorticulturalsociety.org
100 N. 20th St.
Philadelphia, PA 19103-1495
215-988-8800
Chair
Harry E. Hill
President
Jane G. Pepper
Executive Vice President
J. Blaine Bonham, Jr.
PHS Membership Information
Linda Davis, 215-988-8776
Display Ads
Manzo Communications, LLC
610-527-7047 manzocomm@aol.com
Classified Ads
Joe Soprani, 215-988-8809
gsads@pennhort. org
Ask A Gardener Phone Line
215-988-8777, Monday through Friday,
9:30 to 12 [closed in December]
askagardener@pennhort. org
GREEN SCENE (USPS 955580),
Volume 35, No.3, is published bi-monthly
38 Show Plants
Growing Zonal Geraniums
The Pennsylvania Horticultural Society motivates people to
improve the quality of life and create a sense of community
through horticulture.
Main cover photo by Pennsylvania
Horticultural Society (P. Verin)
£*» PRINTED ON RECYCLED PAPER
(January, March, May, July, September, November)
by The Pennsylvania Horticultural
Society, a non-profit member organization at
100 N. 20th St.. Philadelphia, PA 19103-1495.
Single Copy: $5.00 (plus $2.00 shipping).
Second-class postage paid at
Philadelphia, PA 19103.
POSTMASTER: Send address change to GREEN
SCENE, 100 N. 20th St., Philadelphia, PA 19103.
© Pennsylvania Horticultural Society, 2007
GREEN SCENE subscriptions are part
of the membership benefits for:
Frelinghuysen Arboretum, Morristown, NJ
Horticultural Society of New York
Phipps Conservatory. Inc., Pittsburgh. PA
Staten Island Botanical Garden, Inc, New York
GETTING KIDS
OUTSIDE
Many of us have fond memories of spending time outdoors
as a child. Before it was politically incorrect to play “army,”
my childhood pal Andrew and I used to conduct military
maneuvers in the woods behind my house. Armed with stick rifles, we'd
dive behind rocks, leap over logs and do anything to avoid “enemy fire.”
Heck, we were only 10 years old, but we were outdoors, running
around, and having a great time in nature’s vast playground.
Thirty years later, I take my kids out behind my Delaware County
house for more politically correct activities, such as heading down
toward Ridley Creek to skip stones, watch the deer, and generally have
fun (though I must confess to the occasional bamboo-stick sword
fight). My children love these adventures and, more importantly, it
helps balance out the remainder of their electronic lives, which are
crammed with cable TV, video games, and the ubiquitous computer.
In this issue, you can read Jane Carroll’s insightful article on the cri-
sis facing today’s
children, many of
whom have little
or no concept of
the natural world
waiting beyond
their Nintendo
consoles. Beyond
highlighting how
important out-
door time is for a
child’s develop-
ment, this article
talks about devel-
oping children’s
sense of nature’s
“value.” Indeed, how will young people
eventually take care of our environment,
both locally and globally, if they don’t even
know about it?
It should come as no surprise that my co-
workers at the Pennsylvania Horticultural
Society share this ideology. Each of the par-
ents I spoke with tries to buck the trend
and provide their children with an infor-
mal, hands-on environmental education.
For example, author Jane Carroll (also
Green Scene associate editor) recruits her
four-year-old daughter, Mae, pictured
below, to help plant seeds in their backyard
garden. Jane notes, “Now that she’s getting
older, Mae is starting to see the connection
between the seeds we plant and the flowers
that bloom a few weeks later. We also go on
walks through the woods near our house,
and she likes lifting rocks and watching all
the bugs crawl around underneath. It’s a
learning experience in many ways.”
As part of her work for Philadelphia
Green, landscape architect Lisa Hanes
spends a good deal of the work day at dif-
ferent gardens, parks, and public spaces
throughout the city. That doesn’t stop her,
however, from spending Saturday after-
noons at the Green Thumb community garden in University City’ with
her five-year-old son, Isaac. “Beyond physical activity, I think the time
he spends outside is good for his mental health,” she says. “It’s calming,
freeing, and introduces a lot of life lessons.”
As the proud parent of two young boys (pictured above),
Philadelphia Green program manager Claire Baker doesn’t always find
family time outdoors calming, but she assures me it’s never dull. “My
sons like to help pick tomatoes from our garden — even the ones that
aren’t ripe yet. Once they get started they don’t want to stop. And when
I ask them to water the garden, they usually end up wetter than the
flowers. But the important thing is that they’re outside and having fun;
they value this outdoor time.”
Environmental Initiatives program manager Michael Leflf says that
some of his fondest memories are of the times he and his three sons have
gone hiking, biking, and camping. “All the distractions and obligations
of everyday life fade away when you’re in the middle of the forest, so the
time we spend there is really special,” he says. Although it is important
to Michael that he passes on an appreciation of nature, he may have
gotten more than he bargained for. “My 13-year-old son, Alex, recent-
ly suggested that our family backpack across the entire Appalachian
Trail!” Michael says. “I told him that while I appreciate his enthusiasm,
we should probably stick to something a bit more moderate."
Michael adds, “We’ve recently made it a family tradition to spend
Martin Luther King Day cleaning up a creek not too far from our
home — in a way we’ve adopted the land as our own. I think it’s taught
my sons the importance of stewardship. They’ve even started to invite
other families and friends to join us."
Now that’s a good message.
email: greenscene@pennhort.org
GREEN SCENE • may/june 2007
ROBERT MONTGOMERY LANDSCAPES
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Koi Story
By
0 I t’s a brisk morning in
I October, and were
I standing amid green-
houses and several acres of
open ponds ar the Nisei
Koi Farm in South Jersey.
Even though big trucks rumble by on the nearby New Jersey
Turnpike, you wouldn’t know it by looking at the contented koi
swimming in their giant indoor tanks, some of which hold 85,000
gallons of clear water. Always hungry, they eagerly follow visitors
from one end of the tank to the other, hoping for a quick snack
from above.
“Nisei means ‘second generation’ in Japanese,” says farm owner
Joe Zuritsky, who is also Chairman and CEO of Parkway
Corporation, which owns and operates parking facilities in
Philadelphia and other cities. “Our koi are all grown from pure
Japanese parentage, so ours are the ‘second generation’ and are of
very high quality. Last year, we bred about 20,000 koi. This year, it
might be more like 25,000.”
Joe has been fascinated by this water-garden favorite for almost
four decades, first as a hobbyist, then as an amateur, and now as a
GREEN SCENE • may/june 2007
professional breeder and seller. He’s visited Japan — the mecca for
koi breeding — about 40 times and has many close contacts over
there, including his mentor, Toshio Sakai. Says Joe, “Mr. Sakai won
the Grand Champion Award at the combined All-Japan show a
couple of years ago for a koi he produced that was one meter long
(40 inches).” He achieved that size by cross-breeding koi, which is
itself a carp, with a huge common carp ( Cyprinus carpio ) from
which koi originated about 200 years ago."
Joe’s koi begin their lives in vast “mud ponds" on the 43-acre
farm. These clay-lined ponds average 150 x 50 feet in size and are
8
fenced in and covered with wires to prevent attacks from hungry
birds, such as the notorious great blue heron. The fish breed and
live in these ponds, often growing dramatically in size over the
course of a single season. During a few festive days each fall, the koi
are harvested from the ponds with seine nets and sold to collectors
from across the country. “We ship koi to our customers by cargo
plane, using cardboard boxes lined with Styrofoam,” says Joe.
Koi are specifically bred to highlight certain ornamental colors,
shapes, and even scale patterns, all of which can affect a fish’s mar-
ket value. “A small koi might sell for $50 or $100, but one that’s
two feet long or larger and is elegantly patterned and colored can
command tens of thousands of dollars in Japan,” says Joe.
“Japanese buyers often prefer the traditional red and white fish,
while Americans might go for the interesting metallic pale yellow
ones or those with sparkly scales that glitter in the sun — that vari-
ety is called gin-rin."
Joe and his team keep their koi in top condition by running
their indoor water supplies through enormous “bio-filters” that
clean the water, in one tank pumping about 144,000 gallons of
water per hour. Koi are also susceptible to invisible-to-the-eye par-
asites, so they are examined and treated to eliminate them.
Properly cared for, these fish can live for an extraordinary length of
time. “In the best conditions,” says Joe, “koi can live to be 50 years
old and sometimes much older.”
“They’re just wonderful creatures,” he adds. “They will swim to
you when you approach the pond and some even like to be petted.
I find them endlessly fascinating, especially the amazing but pre-
dictable changes in color, pattern, and body shape that occur over
the first 5 to 10 years of a koi’s life.”
For more information, contact: Nisei Koi Farm
104 East Quillytown Road
Carneys Point, New Jersey 08069
phone: 856-299-7564
www. quality koi. com
The Potting Shed
i
Phyllis Williams knows a thing or
two about potted plants. In fact,
sitting by the window in her
Gladwyne kitchen is a 40-year-old
Confederate jasmine ( Trachelospermum jas-
minoides) that she first entered in the
Philadelphia Flower Show in 1965.
For the past 12 years or so, however,
Phyllis has devoted most of her horticultur-
al energies to growing orchids. Why
orchids? “Well, I’ve tried everything else,”
she quips. To fuel her passion, she had a
small greenhouse built right off her bed-
room. There, Phyllis houses her collection of
several hundred specimens, which she sprays
with water regularly to keep the humidity
levels up. The greenhouse has its own hot-
water heater and high-powered lights to
help her orchids get through the winter in
the tropical conditions they prefer.
Phyllis grows a variety of orchids, includ-
ing some that are more difficult to
grow, such as dendrobiums, epidendrums,
and oncidium. Many of her prize treasures
were originally purchased from Flower Show
exhibitor Waldor Orchids in South Jersey, as
well as Stewart Orchids (now located
in Mississippi). When
asked which species is
her favorite, she says, “Whichever orchid is
in bloom is my favorite, but I do enjoy the
fragrant ones, like Oncidium ‘Sharry Baby’.”
Phyllis’ top piece of advice for new orchid
growers is to “see the flower in full bloom
before buying the plant; otherwise you
might end up with something you didn’t
expect.” She also recommends getting a
good, thorough book from PHS’s McLean
Library or taking a class before attempting
orchid-growing. She’s taken many classes at
Longwood Gardens through the years, par-
ticularly enjoying those taught by Mike
Owens.
Beyond her beloved orchids, Phyllis has a
long history with the Pennsylvania
Horticultural Society, as did her husband
John G. Williams, who was president of the
PHS Council in the mid 1960s. “My hus-
band was a leader at PHS when it took con-
trol of the Flower Show in 1964,” she says,
proudly. “He was very skilled at getting
everyone to work together.”
Phyllis is also a three-time sweepstakes
winner at the Philadelphia Flower Show: “I
love everything about the Show — the plants
and especially the people. I guess some folks
are born with the plant gene. I just got a big
dose of it.” *Ay
Quietly
Growing
Orchids in
Gladwyne
By Daniel Moise
I've been visiting Bartram's
for more than 20 years and
it has never looked better.
Adam Levine. Author
A Guide to the Great Gardens
of the Philadelphia Region
Philadelphia, PA 215.729.5281
www.bartramsgarden.org
Bartram’s Garden
Radnor, Pa.
(T.E. Schools)
4 BR, 2 bath
contemporary
1 plus acre Sylvan retreat at end of
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Southern exposure
Large living room
Full deck and patio overlooking
mature, low-maintenance garden
with a canopy of mature trees
Native plants, wildflowers and
uncommon rhododendrons/azaleas
along paths. High 500s.
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The
PETUNIA
Since their introduction in the
late 1 800s, petunias have been a
mainstay of the summer garden,
appearing in bright displays with marigolds
and other common annuals. By the 1950s
they were synonymous with summer bed-
ding plants, the sort you picked up at the
local nursery, pushed out of their contain-
ers, plunked into the ground, and forgot
about, except for some tiresome deadhead-
ing and trimming. They were limp in rain,
melted in humid conditions, and became
sprawly by mid to late summer, but that
was to be expected.
Then in the 1970s, the petunia image
began to change with the introduction
of the ‘Madness’ series, large-flowered
Grandiflora types that were significantly
Petunia ‘Purple Wave’
and Zinnia ‘Profusion Orange'
DEVOLUTION
more weather tolerant and bloomed more
prolifically than others in this class. ‘Sheer
Madness’, an especially abundant bloomer,
produced large, show-stopping, dark-veined
pink flowers. Some credit these introduc-
tions with launching a plant breeding fren-
zy that continues to give us ever more per-
fect plants that can take heat and humidity,
are disease resistant and self-cleaning, and
need little if any trimming. Not “just petu-
nias” anymore, these summer standards
have been reinvented as choice plants for
landscaping and containers.
Petunia hybrids are thought to be
descended from two South American wild-
flowers: Petunia axillaris from Brazil with
2-inch-wide, softly waved and nocturnally
fragrant, white or buff trumpets on lax
stems; and the Argentina native P. integrifo-
lia with smaller, more tailored, star-like
flowers, 1 1/2 inches wide and deep on
spreading stems to about 10 inches. Short-
lived perennials in their native habitat,
these are usually grown as annuals in
North America.
Until recently petunias were divided into
two classes — grandifloras and multifloras.
Grandifloras bear up to 5-inch-wide, single
or double, frilled, fringed, veined, striped
or starred flowers in shades of red, pink,
blue, purple, a few yellows, and white on
sprawling stems. The ‘Supercascades’, an
improvement over the earlier ‘Cascades’,
are still popular for hanging baskets.
Color range includes ‘Blush’, ‘Salmon’,
‘Burgundy’, bi-colored, and veined ‘Daddy’
types as well as pure white.
Multifloras have single or double flowers
on more compact plants. Their smaller
blooms are tightly massed and are not as
affected by adverse weather as the showier
grandifloras. The bushy ‘Primetime and
‘Celebrity’ series are improved multifloras
known as Floribundas, whose larger flowers
are often starred, ruffled, veined, or have
cream or white throats. The pink, cream-
throated ‘Celebrity Chiffon Morn’ was a
1995 AAS winner. The ‘Primetime
Buttercream’ I grew last summer had great
color — soft cream with a yellow
throat — and was striking combined with
purples, but as the season advanced it lost
its compact form without trimming.
Milliflora or miniature-flowered petunias,
such as ‘Fantasy’, bear masses of attractive
| 1- to 1 1 /4-inch-wide flowers on bushy
° plants and also require trimming.
* These advances set the stage for the dra-
g matic appearance in the mid 1990s
c of the ‘Wave’ petunias from Ball
| FForticultural — the first seed-grown pros-
trate petunia — and the vegetatively propa-
gated Proven Winners ‘Supertunias’. In a
class of their own, these plants incorporate
previous breeding improvements, such as
early and prolific bloom on weather- and
disease-resistant plants in a steadily improv-
ing range of colors. Flowers never need
deadheading or trimming, except to limit
spread if desired, and plants take not only
heat and rain in stride but humidity as well
(an important point for southern growers).
Of course, they must be grown in sun to
By Jo Ann Gardner
GREEN SCENE • may/june 2007
13
Petunias
Lush, Low-Maintenance
Container Plantings
Many of the new vigorous trailing
petunias are most beautiful grown
alone in containers. A favorable
location, fertilizer-amended soil, and
steady moisture at the plant’s roots
will assure lush growth throughout
the season. You can spend more
time enjoying them if you follow this
guide.
1. Choose a container with proper
drainage holes (omit standard
drainage material such as pottery
shards) and place it in partial shade
where plants will receive at least
five hours of sun. In such a protect-
ed site, self-watering containers
that hold at least a gallon of water
can reduce watering to once a
week.
2. Fill containers with pre-mois-
tened potting soil that includes fer-
tilizer, including some slow-release
fertilizer.
3. Make a planting hole and add
one teaspoon of potassium-based
water granules. These take up
water in a few seconds, providing
an immediate reservoir that roots
can draw on for moisture. Water
never has time to leach through the
soil as may happen with sodium-
based granules. Remember, gran-
ules reduce rather than eliminate
the need for watering.
4. Lightly fork in slow-release fertil-
izer like Osmocote around the plant,
according to directions, then water
in with a water-soluble fertilizer like
Miracle Grow.
5. Halfway through the summer —
and later, too, where summers are
long and hot — water again with
water-soluble fertilizer. ^
14
The Perfect Touch
For Spring
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GREEN SCENE • may/june 2007
15
partial shade and watered and fertilized reg-
ularly.
^XTiat are the best of the best? That
depends on their uses. The 'Waves’ are hard
to beat for tight, packed bloom even as
stems spread over the summer. Showy
masses of bright (perhaps too bright) pinks,
rose, blue, and purple precision-cut flowers
are riveting as they spill over window boxes
and containers. The aptly named 2002
AAS winner 'Tidal Wave’, with looser,
more graceful silver-white to silver-lilac
trumpets on long spreading stems to 4 feet,
represents a new class, the Hedgifloras,
which if spaced 1 8 to 24 inches apart rap-
idly cover the ground with mounds of
bloom that don't open up in the center. If
spaced 12 inches apart, plants grow upward
from 2 to 3 feet to create an astonishing
wall of bloom. 'Easy Waves’ are more
upright and bushy. The mounding ‘Easy
Wave Salmon’ is a striking border plant.
'Double Waves’, actually semi-double but
full in appearance and like the Multiflora in
size, are improvements over other doubles
for their self-cleaning habit. 'Double Wave
Blue Velvet’ blooms profusely along cascad-
ing stems and looks smashing in an urn.
The major trend in petunia breeding
favors smaller-flowered trailing types for
containers. The 'Supertunia Minis’ are
among the best for maintaining form and
flower production. Irresistible flower colors
include 'Mini Appleblossom’, 'Mini Rose
Veined’ and the ethereal 'Mini Silver’.
Some of my favorite Supertunias have larg-
er, looser flowers. Bred by a hobby breeder
in Nova Scotia, ‘Supertunia Bordeaux’ is
one of the finest petunias I have grown over
the past 30 years. Its ruffled Grandiflora-
type flowers are 2 1/2 inches wide and have
dark purple veins over warm lilac; they
grow on stems that spread with undimin-
ished vigor all summer without trimming.
This plant was stunning in a large tub in
my silver herb garden. The semi-double
veined lilac-rose 'Supertunia Priscilla’ has
a branching habit that shows off well in
a hanging basket. ‘Supertunia Vista
Bubblegum’ (a precise color description)
produces endless 2-inch blooms on plants
less tightly packed than ‘Waves’. It created
a graceful curtain of bloom scrambling up
a chicken-wire support against my house.
Gardeners have rediscovered the charm
of wild and semi-wild petunias whose more
widely spaced flowers and lax habit give
them an unsophisticated cottage garden air.
These are more easygoing in terms of
watering and fertilizing than fancy petu-
nias, but they do need midsummer shear-
ing. Older ‘Balcony’ and 'Old-fashioned
Vining’ petunias (still available from spe-
cialty seed sources) are close to the wild P.
axillaris. Two- to nearly 3-inch-wide fluted
trumpets self sow with abandon even in
Zone 4, returning every year in window-
boxes, in the ground, even between bricks.
Their silky, blowsy, fragrant flowers bloom
in every hue of purple and from bright pur-
ple-rose through pastel pinks and white
flushed purple. ‘Rainmaster’ is a desirable
white selection. P. integrifolia is a more
refined, vegetatively propagated selection
of the species. This high-fashion container
plant is favored for its smaller, pert star
flowers in white or deep rose on vining
stems.
What do we want in petunias? Neatly
tailored flower machines or more relaxed
plants with a looser, more lissome habit, or
something in between? The petunia race is
on and all gardeners have to do is wait for
the latest introductions. I await the day
when the new captures the simple beauty of
the old without sacrificing the strides
breeders have made in updating an old gar-
den favorite. 'A#'
Jo Ann Gardner and her husband Jigs
operate a small farm with extensive gar-
dens in the Adirondacks. Her latest book,
with Karen Bussolini, is Elegant Silvers:
Striking Plants for Every Garden (Timber
Press).
'# -
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Horticultural Classes
2007-2008
The Barnes Foundation
ARBORETUM SCHOOL
OPEN ENROLLMENT FOR 2007 CLASSES AND WORKSHOPS
In 1940, Laura Barnes established the Arboretum School
to provide students of horticulture, botany, and landscape
architecture the opportunity to work under professional
guidance.
The Arboretum School of the Barnes Foundation offers
one and two-day workshops during the summer. Each fall
the Foundation accepts twenty-five new students for its
three-year program in ornamental horticulture which offers
a comprehensive curriculum of botany, plant propagation,
practical horticulture techniques, and landscape design.
A well-trained faculty provides expert instruction
and guidance in the horticultural arts and sciences.
Students learn and practice in the 12-acre arboretum and
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The curriculum develops skilled horticulturalists through
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16
GREEN SCENE • may/june 2007
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Come to the
2007 PHS
Garden Visits
By Daniel Moise
II there’s anything more fun than tending a garden, it’s
I getting the chance to tour someone else’s
garden — even better if it’s a private garden that only a
few lucky souls get to see. That’s part of the fun of the PHS Garden
Visits. Each year, PHS organizes these self-guided tours through
impressive gardens in the Philadelphia region.
This spring, PHS members and their friends can tour gardens in
the rolling hills of northern Chester County (May 20) and in
Doylestown in Bucks County (June 3). As a tempting teaser, here
is a preview of a few garden gems in Doylestown. Enjoy.
Photographs by Margaret Funderburg
and Pete Prown
18
GREEN SCENE • moy/june 2007
THE BARTELL GARDEN
There’s a lot ol history at Sycamore
Spring, the verdant three-acre proper-
ty that the Bartell family has called
home for the past 25 years. Dating
back to 1733 when the land was
deeded to one of William Penn’s sons,
the wooded estate has many charm-
ing fixtures that evoke a different era.
The stone bridge over the brook, the
rustic dinner bell out back, and the
antique cars that reside in a hand-
some three-story barn all contribute
to the enduring legacy Doris and
Michael Bartell are thrilled to be a
part of.
Of course, preserving history takes
a lot of hard work, and the intrepid
couple always seems to have a project
in the works. Putting together a free-
standing stone wall — easily 12 feet
long by 4 feet high — was a particular-
ly daunting undertaking and resulted
in a trip to the arthritis specialist for
Michael. “It wasn’t easy, but building
that wall was certainly rewarding,’’ he
says.
As for the horticulture, Sycamore
Spring’s gardens are certainly note-
worthy. Most impressive is the herb
garden. With a selection that includes
basil, dill, tarragon, parsley, rosemary,
LEF I ! Bartell Garden
CENTER: Van Dyke Garden
RIGHT Bean garden
GREEN SCENE • may/june 2007
19
1
I
I
BARTELL GARDEN (RIGHT & ABOVE)
Doris and Michael Bartell and their beautifully landscaped
pool area. Also, a lovely garden view from indoors.
BEAN GARDEN (LEFT & BELOW)
Enjoy a classic formal style at the Bean garden.
thyme, and more, the culinary possi-
bilities are just about endless.
But one word of caution: beware of
the dog, or in this case, dogs. Visitors
must be sure to show affection to
Bumble and Cricket, the exceptional-
ly friendly Welsh Pembroke Corgis
that reign over Sycamore Spring. As
natural herders, the cuddly canines
will be glad to usher you about the
lawn.
THE BEAN GARDEN
In contrast to the sprawling woods
of the Bartell backyard, the cozy and
carefully planned courtyard of the
Bean family includes rows of
boxwood flanking the graveled path-
ways that lead to a tasteful fountain.
Edged with a white post fence, the
courtyard is a secluded spot well-suit-
ed for reading or quiet reflection. The
beauty doesn’t end there though;
around back is deep-set lawn that has
hosted a fair share of croquet games
and Easter-egg hunts (for the Bean’s
brood of 14 grandchildren).
Although she tends to alternate her
attention between the two sections of
the property, Gisela Bean confesses
that the backyard has slightly more
appeal for her. “The trees out back
are so colorful and varied, I enjoy
coming out here with a cup of coffee
to sit down and take it all in.”
THE VAN DYKE GARDEN
When visiting the garden of a well-
known landscape architect, expecta-
tions tend to run a bit high.
Fortunately, the garden of Carter Van
Dyke does not disappoint. Blending
traditional New England style with
modern rwists, the multifaceted gar-
den has something for all sensibilities.
In both my practice and personal
gardening, I try to create something
contextual with the landscape and the
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GREEN SCENE • may/june 2007
21
VAN DYKE:
Spring splendor in
Carter Van Dyke’s
stylish garden. Note
the vintage
“one-room library” in
the upper right, now a
focal point in
Carter’s design.
architecture. The goal is to have the
garden look as though it’s always been
there,” Carter says.
Indeed the house, lawn, and all the
various nooks and features of the
property seem well-coordinated yet
distinct. Each step offers new vantage
points to appreciate the incredible
variety of flowers, including peonies,
cleomes, and stunning poppies.
But while most gardens have flow-
ers, how many have a library? The
charming one-room Dolington
Library served the people of Upper
Makefield, PA, for several decades,
but by the late 1920s it was eclipsed
by a newer building. After serving a
number of purposes for nearly 75
years, the small cottage-like building
was moved to its permanent home in
the Van Dyke garden. “It’s something
I’m very proud of — it adds a real focal
point to the plantings,” Carter says
with a smile,
To learn more about the PHS Garden
Visits, check out upcoming issues of
PHS News , or visit the website at
www.pennsylvaniahorticulturalsoci-
ety.org/ Calendar. Click on May 20th
and June 3rd for specific tour details.
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I
Contain Your
Thirst
Save Water by
Planting Succulents
& Other Xeric Plants
have lived under water rationing, and it’s scary. When drought hits, the water
commission first outlaws sprinkling lawns, then flower beds, and finally pro-
hibits all outdoor watering. Household water use must also be curtailed or
heavy fines are imposed. Rationing reminds us that water is a limited resource.
When I was looking for a theme for the garden I tend on the 18th floor of my
apartment building, I decided to plant succulents and other “xeric” plants that can
thrive with very little water. It’s an all-container garden, so my goal was to design
an eye-catching space to break up the empty middle of a 100-by-50-foot terrace. I
wanted containers that could withstand the freezing winter (Zone 6 with heavy
winds) and some perennials that will return each year. I’m the laziest gardener
around and reject unessential chores like dragging big containers to storage because
they can’t winter over.
Containers. The hunt was on! I searched and found low bowls made of iron-
stone pottery that suited my needs: three different sized bowls (22-, 24-, and 26-
inch diameter) plus a tall barrel, all in the same high-fired clay with drainage holes
in the bottom. But I wanted different height levels to add interest to the design,
and the three sizes did not vary quite enough. (See tip #1 for my solution.)
Photography by Alan & Linda Detrick
Author photo by Ellen Zachos
Tip #1: To vary the height of containers, simply pile
Whence Cometh the Plants. With water conserva-
tion in mind, I scoured plant catalogs and garden cen-
ters for succulents and found a nice variety. From my
own living room windowsills, I grabbed a pencil cactus
(. Euphorbia tirucalli) and carrion flower (Stapellia gigan-
tea) to summer outdoors. My friend Ann needed to
divide her Montauk daisy ( Nipponanthemum nippon-
icum), so I was happy to provide a new home for some
of her divisions. My friend Ellen offered the climbing
hoya ( Hoya kerry), extracting the promise that 1 would
take it in for the winter and not treat it as an annual.
Planting. When positioning the containers, I
looked at the placement from all angles of the patio. I
assembled the plants and a sandy potting soil, like cac-
tus mix or other potting soil, to which I added
builder’s sand. Excellent drainage is important here, so
in the bottom of each container I placed an inch or so
of pebbles, pot shards or Styrofoam popcorn covered
with a piece of porous black garden cloth. Then I
added the soil and plants and watered them in.
The plants tell me how much water they need. New
plantings always need some help until they root well
them on top of something else. In this small garden I
had seven containers to start with, but inverted one of
the 22-inch pots to use as a base for another of the
same size. A trash-picked seatless chair gave me a
framework to raise another container and at the same
time provided a trellis for a climbing hoya in the contain-
er at back. Containers can also stand on flat rocks, a
few bricks, unused birdbaths, or any other secure
pedestal.
Use small stones or broken pot shards to
create good drainage. -s
Tip #2: If a plant has been growing
indoors under relatively low light condi-
tions, when you take it outdoors let it
acclimate to the intense sun by putting
it in a semi-shade location for the first
week or so. Most garden-center plants
have already made that adjustment,
but plants from your living room defi-
nitely have not.
HHI
Xeric Containers
and then require watering only once a week or every
10 days depending on rain and temperatures. I allow
the natural elements to take over, watering only when
plants show the first signs of leaf shrinkage.
I dug in the plants with the soil balls almost touch-
ing so the containers would look full from the begin-
ning. Bv the end of the season the portulacas had over-
grown some of the hens and chicks, and the large
sedums had almost crowded out some of the shorter
plants. I’d do it all the same way again, because the
grouping looked fabulous for five months.
WINTER VACATION
As frost approached, I gave the hardy plants no extra
care; I left them to fend for themselves and they did
just fine. By the second year they had spread to crowd
the room devoted to some of the portulacas. But I
wasn’t eager to lose my tender succulents, so I dug
them up and repotted them in terracotta containers to
spend their winter vacation indoors near a south-fac-
ing window. Come spring, the agave and the pencil
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GREEN SCENE • may/june 2007
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light from summering on the terrace.
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GREEN SCENE • may/june 2007
27
Xeric Containers
cactus had grown too big to re-plant in the shallow
bowls, so they went out on the terrace in their own
terracotta pots. But I returned the wax plant, the
thorny aloe, the carrion plant, and the kalanchoes
to the ironstone bowls. The second-year design
looks quite different as plants grow and spread and
crowd out the space for annuals.
I thrill to find single portulaca plants that have
reseeded from last year’s display between the
pavers, sometimes 30 to 40 feet away from the
succulent garden. I leave them as a reminder that
nature has its own gardening plan and point them
out to the children who play on the roof and ask
me questions as I garden there.
Ellen Spector Platt is editor of Container Gardens
magazine and author of nine books on flowers
and herbs. Her website is
www. ellenspectorpla tt.com.
MY PLANTS
Annuals and tender plants:
1. agave (Agave desmettlana)
2. thorny aloe (Aloe marlothii)
3. pencil cactus (Euphorbia tirucalli)
4. rope hoya (Hoya carnosa)
5. wax plant (Hoya kerry)
6. kalanchoe (Kalanchoe daigremontiana)
7. kalanchoe (Kalanchoe thrysiflora)
8. portulaca (Portulaca grandiflora ‘Sundial Yellow’ and
‘Margarita Strawberry’)
9. apricot purslane (Portulaca grandiflora)
10. carrion flower (Stapelia gigantea)
11. carrion flower (Stapelia variegata)
Hardy plants:
12. ice plant (Delosperma nubigenum)
13. Montauk daisy (Nipponanthemum nipponicum)
14. sedum (Sedum cauticola)
15. sedum (Sedum ‘Autumn Fire’)
16. sedum (Sedum ‘Vera Jamison’)
17. sedum (Sedum ‘Frosty Morn’)
18. dragon’s blood (Sedum spurium)
19. sedum (Sedum makioni ‘Ogon’)
20. hens and chicks (Sempervivum sp.)
28
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29
AMERICAN PHILOSOPHICAL SOCIETY
Scholarly Publishing Since 1771
The Library of Benjamin Franklin
EDWIN WOLF 2nd and KEVIN J. HAYES
Memoirs of the American Philosophical Society — Vol. 257
ISBN: 978-0-87169-257-3, $100.00
Beginning in the late 1950s, Edwin Wolf 2nd embarked on a bibliographic odyssey to reconstruct the
“lost” library of Benjamin Franklin. Franklin’s library, the largest and best private library at the time of
his death in 1790, was sold by his grandson in the last eighteenth century to Robert Morris Jr., who
subsequently sold it in the early nineteenth century. None of the catalogues of the collection survive,
and the contents of the library were virtually unknown until 1956, when Wolf discovered the unique shelf-
marks Franklin used to identify his books. Wolf’s work to reconstruct a catalogue of the library continued
for the next thirty years but was unfinished at the time of his death. As the tercentenary of Franklin’s birth
approached, Kevin J. Hayes took up the work and has continued to discover titles that were part of the
library. Everything found to date, close to 4,000 entries, has been compiled here.
The
Temple of Night
at Schonau
ARCHITECTURE. MUSIC AND THEATER IMA
LATE EIGHTEENTH-CENTURY VIENNESE G/VEN
The Temple of Night at Schonau
JOHN A. RICE
Memoirs of the American Philosophical Society — Vol. 258
ISBN: 978-0-87169-258-0, $70.00
Between 1796 and 1800 Baron Peter von Braun, a rich businessman and manager of Vienna’s court
theaters, transformed his estate at Schonau into an English-style landscape park. Among several buildings
with which he embellished his garden, the most remarkable and celebrated was the Temple of Night, a
domed rotunda accessible only through a meandering rockwork grotto that led visitors to believe that their
destination lay somewhere deep underground. A life-size statue of the goddess Night on a chariot pulled by
two horses presided over the Temple, while from the dome, which depicted the night sky, came the sounds
of a mechanical musical instrument that visitors likened to music of the spheres.
Only the ruins of the Temple of Night survive, and it has received little scholarly attention. This book
brings it back to life by assembling the many descriptions of it by early nineteenth-century eyewitnesses.
Placing the Temple within the context of the eighteenth-century English landscape park and of Viennese
culture in the fascinating period of transition between Enlightenment and Biedermeier, Rice’s book will
appeal to anyone interested in the history of garden design, architecture, theater, and music.
Portrait of Elizabeth Willing Powel
DAVID MAXEY
Transactions of the American Philosophical Society — Vol. 96, Part 4
ISBN 978-0-87169-964-0, $24.00
Drawing on original manuscript sources, David Maxey has produced a persuasive study of a late
eighteenth-century portrait and its subject. He has focused attention on an enigmatic painting that has
long puzzled art historians, and the person portrayed in it — a woman of talent and verve, whose life has
remained undeservedly obscure.
Elizabeth Willing Powel occupied an influential position in Philadelphia society during and after the
Revolution. She presided over a salon; spoke her mind freely; and maintained, for a period of forty years,
an extensive, illuminating correspondence. She was the trusted confidante of the country’s first president,
whom she did not hesitate to instruct on where duty summoned him.
Personal loss touched her deeply, and at a critical moment, the Philadelphia limner and sign painter,
Matthew Pratt, was commissioned to capture on canvas the grief she experienced. What happened
thereafter to the portrait Pratt painted becomes an essential part of the mystery that David Maxey has
successfully undertaken to solve.
Send Orders To:
AMERICAN PHILOSOPHICAL SOCIETY FULFILLMENT Phone: 800-782-3833 or 610-461-6200
DIANE PUBLISHING COMPANY Fax: 610-461-6130
330 PUSEY AVENUE, UNIT #3 REAR E-mail: fulfiUment@amphiboc.org
COLLINGDALE, PA 19023
Shipping Information: All orders must be prepaid. We accept checks and money orders and all major credit cards: VISA, MasterCard,
American Express, and the Discover Card. Foreign checks and money orders must be in U.S. dollars drawn on a U.S. bank. Make all
checks and money orders payable to: DIANE Publishing Co.; credit card receipts will indicate DIANE Pub. Co. as the processor.
Domestic orders are shipped by U.S. Postal Service Media Mail. The charge is $4.00 for the first book and $1.50 for each additional
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GREEN SCENE • may/june 2007
31
"When I planted the flowers, I loved the feeling.”
The quote above is from a student reflecting on his first year with Green
City Youth, one of the Pennsylvania Horticultural Society’s newest pro-
grams serving Philadelphia children. Richard Louv, author of the influen-
tial 2005 book Last Child in the Woods , no doubt would approve.
YOUTH m, he GARDEN
I Cultivating the Environmental Stewards of Tomorrow
A LOST CONNECTION
As Louv contends, today’s American
children spend significantly less time expe-
riencing nature than any previous genera-
tion in the country’s history. Louv writes
that baby boomers “may constitute the last
generation of Americans to share an inti-
mate, familial attachment to the land and
water.” Most adults now in their forties and
older, he explains, had relatives with some
connection to farming, or they played near
farmlands or in woodlands at the suburban
rim, but many children growing up today
lack this proximity to nature.
There are numerous reasons for this dis-
turbing trend. For starters, about 80 per-
cent of Americans now live in metropolitan
areas, too many of which lack sufficient
park space. Development in outer-ring sub-
urbs, where population is surging, is rapid-
ly eating up woodlands and farmlands.
Time is another factor. More children are
growing up in single-parent households or
in homes where both parents work, so
instead of going outside to play near their
homes, they are enrolled in daycare or
after-school programs that keep them
indoors or in enclosed play areas. Today’s
children also spend large amounts of time
playing with computers, video games, and
other electronic gadgets. At the same time,
kids are under more pressure to excel aca-
demically and to fill their “free time” with
extra-curricular activities.
WHY KIDS NEED NATURE
AND NATURE NEEDS KIDS
Aside from a nostalgic wish for our chil-
dren to be able to meander across meadows
or swing from the branches of a tree, what
are the consequences of this lost connection
to nature?
The future stewardship of our planet is
literally in the hands of the next generation,
and children exposed to nature from an
early age are more likely to grow into adults
who care about the environment. But the
relationship is a two-way street, for kids
need nature, too.
Physical health is a major concern, espe-
cially regarding the epidemic of obesity
among today’s kids. Overweight children
are at greater risk for diabetes and other
serious conditions, and physical activity is
one way to prevent those outcomes. But
Louv points out that, ironically, children’s
girth is expanding despite the fact that
more kids than ever before are enrolled in
organized sports. He says one possible
explanation is that “the physical and emo-
tional exercise that children enjoy when
they play in nature is more varied and less
time-bound than organized sports.”
Children out of touch with the natural
world also suffer emotionally. Several stud-
ies suggest that contact with nature may
help prevent or lessen the symptoms of
attention-deficit disorder, reduce stress, and
guard against depression.
PHS: REACHING OUT
TO YOUTH
Recognizing the breach between today’s
youth and the natural world, PHS recently
developed a five-year strategic plan that
includes the goal of reaching out to
younger audiences, including school-age
children. “It is vital that PHS have a mean-
ingful youth program that connects to its
mission,” says PHS education director Eva
Ray. “We want children to understand that
they have an impact on their green envi-
ronment, now and in the future.”
PHS’s Kids Grow Expo has been engag-
ing young children in the joys of gardening
and nature since 1975. The annual event
promotes environmental awareness with
activities and interactive displays, service-
learning projects, and a horticultural com-
petition. Kids Grow Expo attracts hun-
dreds of school groups from Philadelphia
and the surrounding region.
Schools are an obvious place where more
can be done to engage children with
nature, but time and resources are often in
“Studies suggest
that contact with
nature may
help prevent or
lessen the symptoms
of attention-deficit
disorder, reduce stress,
and guard against
depression.”
Youth in the Garden
FUNDERS & PARTNERS
PHS is grateful to the following funders and
partners of its youth programs:
Burpee Foundation
Delaware Valley Earth Force
Fairmount Park Commission
Hamilton Family Foundation
Lincoln Financial Group Foundation
National Recreation Foundation
Pennsylvania Dept, of Conservation &
Natural Resources
Philadelphia Dept, of Recreation
William Penn Foundation
Temple University Ambler College EarthFest
Youth Works
WEBSITES
• AHS Children & Youth Gardening
Symposium
www. ahs. org/youth_gardening
• Children & Nature Network
www. cnaturenet. org
• Cornell University Garden-Based
Learning Program
www. hort. Cornell, edu/gbl/
• Pennsylvania Assoc, of
Environmental Educators
www.paee.net/
BOOKS (in the PHS McLean Library)
• Cornell, Joseph Bharat, Sharing Nature
with Children: A Parents' and Teachers’
Nature-Awareness Guidebook
• Kiefer, Joseph & Martin Kemple
Digging Deeper: Integrating Youth
Gardens into Schools & Communities
• Louv, Richard, Last Child in the Woods:
Saving our Children from Nature- Deficit
Disorder
short supply. PHS’s Green City Youth pro-
gram helps fill the gap. Working with five
Philadelphia schools, Green City Youth
brings teachers, students, and community
greening activists (associated with PHS’s
Philadelphia Green program) together and
engages them in horticultural activities.
The hands-on, service-learning curriculum
encourages students to conceive and devel-
op greening projects in their own neigh-
borhoods.
About 150 students took part in Green
City Youth during its first year. Projects
included habitat gardens, tree plantings,
and a self-made video promoting the
importance of community greening.
Sulzberger Middle School science teacher
Crystal Martin is participating in Green
City Youth for the second year. “My stu-
dents have really learned what greening
is — that it’s more than just potted flowers,”
she says. “They’ve taken ownership of their
community and how it looks.
PHS has designed a complementary pro-
gram called Green City Teachers. Through
workshops and seminars, the program
helps give Philadelphia educators the tools
to incorporate horticulture and environ-
mental education into their classroom cur-
riculums. “We had teachers calling wanting
to get involved with Green City Youth,”
says PHS community education manager
Patricia Schrieber. “We can’t accommodate
all the schools at that level, but by reaching
out to teachers, we can serve more chil-
dren.”
For teenagers, PHS created the Summer
Youth Environmental Stewardship
Program. An offshoot of Philadelphia
Green’s successful Parks Revitalization
Project, the program provides six weeks of
paid employment to youth in Philadelphia
who take part in stewardship activities in
parks and recreation centers. It has a special
focus on environmental education, service-
learning, job readiness, and leadership
development.
Going forward, the program will develop
a health component called the Youth
Environmental Health Corps. Project coor-
dinator Takkeem Morgan worked with the
young people during the first year and pro-
posed the idea. “The kids were excited to
be working for positive change,” he says,
“but some had trouble seeing the connec-
tion to their own lives. We want them to
grasp the link between, for example, clean
air and asthma, to help them see the impact
on their own health and the health of their
neighborhood.”
Gardening is another way to get kids
interested in nature. It gives them direct,
hands-on experience and helps them
understand where their food comes from.
PHS has helped many Philadelphia teach-
ers develop school gardens. Kindergarten
teacher Chuck Lafferty is a graduate of the
PHS training programs Tree Tenders and
Garden Tenders. In 1998, he helped start a
community garden adjacent to his school,
Longstreth Elementary School in
Southwest Philadelphia. When he began to
integrate gardening into his classroom cur-
riculum, it was an instant hit with the stu-
dents. “In other schools, students might
grow a potted plant on a windowsill,” says
Chuck. “Here, we allow them to plant it in
the garden, see how it grows, and watch it
change with the seasons.”
Philadelphia is home to some 500
community gardens. In an effort to culti-
vate younger gardeners and provide oppor-
tunities for outdoor learning, several PHS-
supported community gardens have created
partnerships with nearby public schools.
“The key to the future of our commu-
nity gardens and other green spaces," says
PHS executive vice president J. Blaine
Bonham, Jr., “is to engage young people in
taking an active role. By working now to
get them involved in horticulture, we hope
to not only build a long-lasting constitu-
ency, but also to ensure that the natural
resources of our region will have cham-
pions to protect them far into the
future.”
34
GREEN SCENE • may/june 2007
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Botanical Bouquets
By Jane Godshalk
Arranging with Tu
ins
3. Wrap stems in damp newspaper and
place in container with water up to
necks for at least 3 hours.
1. The tulip is great for cutting and
comes in many colors.
2. Cut stem at a sharp angle to
increase the surface area of the stem,
which then allows more water to be
absorbed.
The first tulips were discovered in Turkey in the
16th century, but the Netherlands made them
famous a century later. During the “tulip mania”
craze in ly^-century Holland, a single blossom could cost
as much as a house. In The Botany of Desire, Michael Pollan
suggests that the tulip uses its great beauty to seduce us into
propagating and planting it, thus encouraging the continu-
ation and improvement of its species. Whatever the reason,
tulips have become one of the most popular garden flowers.
Many varieties can now be purchased as cut flowers or
planted as bulbs to be cut from your garden.
TULIPS FROM THE GARDEN
Picking and conditioning tulips
• Cut your tulips in the early morning or evening to ensure
the longest life. Cut the stems at an angle and leave at
least one set of leaves to produce a bloom next year.
• Re-cut the stems, again at an angle, 1 to 2 inches and
roll them carefully in damp newspaper to keep the
stems straight.
• Place in a bucket or container filled with tepid water
(about 1 00 degrees) up to their heads for at least 2 to 3
hours.
5. The petals of one or
more tulips may be
reflexed (i.e., its petals
opened by hand) to create
a dramatic effect and give
variation in form. Try this
when the flower is
warmed, either by light or
by hand, and gently
turn each petal backward
to create an open flower.
H4. In a square glass
vase, tulip foliage
can support the
stems in a design.
Grouping colors
makes an appealing
display.
6. A series of vases creates a simple and easy way to decorate a long table.
TULIPS FROM THE STORE
• Tulips are available from stores from late autumn
through late spring.
• Look for good-sized blossoms that are upright, not
droopy, in form.
• If stems are drooping, follow conditioning instructions
for garden tulips.
TIPS FOR DESIGNING WITH TULIPS
Tulips are heavy-drinking flowers. Make sure to check
their water daily and add more if needed. They will last in
a vase from 3 to 7 days depending on the freshness, variety,
and conditions of the room. Flowers prefer a cool temper-
ature with not too much direct sunlight.
Tulips will continue to grow after arranged, sometimes
up to 2 inches over a three- to four-day period. They are
heliotropic and will follow the light, so a strong light over-
head will encourage upright stems and blossoms, a light
source from the side will attract the stems toward it. Enjoy
this magic!
7. Branches make a good support for longer tulips or in a vase with a wide
opening. Here are Bradford pear branches cut into 24-inch stems. (Shorter tulips will
need shorter branches.) If a stem is still drooping, tie the flower head to one
of the branches with string or raffia.
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Show Plants
By Ray Rogers
Geraniums: Ribbons & Recollections
really like geraniums (Pelargonium sp.), and have known
and grown them for a long time. Some of my earliest mem-
ories recall planting neatly spaced trios of pungently scent-
ed, bright red-flowered young plants in front of family head-
stones in observation of what was once commonly known as
Decoration Day (now widely called Memorial Day).
Those resilient plants were selections of large-growing zonal
geraniums, reliable workhorses that still play a worthy role in
summer bedding. However, they are not the sorts that captured
my exhibitor’s eye several years ago and still figure into my
entries for the Philadelphia Flower Show. What I dote on are
the miniature and dwarf zonals (which grow from three inches
to about a foot tall), the intriguing scented-leaved species and
their kin, and the sometimes difficult succulent species. One
reason for their popularity as Philadelphia Flower Show plants
boils down to one shared trait: they grow and bloom more
readily in the cooler weather of the fall and winter months pre-
ceding the Show than during the advancing heat of spring and
summer.
So now that May is here, instead of lavishing water and fer-
tilizer on my geraniums over the next few months. I’ll be drag-
ging the hose around less for them and easing up on applying
fertilizer. They’ll be kept growing, of course, but not vigorous-
ly, partially to avoid the stem and root rot that can terminate
them in the doldrums of July and August. But come
September, as day length wanes and the nights turn cool, my
geraniums will rev up and grow strongly for several months.
Frequent watering — three times weekly — and generous
biweekly or weekly doses of fertilizer will support lush growth.
OK, of course it’s not quite that simple. Not all of them
require the same amount of water (some of the succulent
species do quite well with a drink every 10 days or so, if that),
and the fertilizer they receive depends on whether they are
grown for flowers, attractively variegated foliage, or simply
their abundant leaves. Flowering types bloom heavily and most
variegation patterns develop best when given plenty of phos-
phorus, so I mix up batches of Miracle Gro 10-52-10 for those.
Geraniums prized primarily for less-colorful foliage grow lush-
ly when given plenty of nitrogen, so they receive Miracle Gro
lawn food (having an analysis of 36-10-10).
With ample water and fertilizer, plenty of sunny days (not
always the case, though) and cool nights (the greenhouses run
at 50° to 55°F at night), by Show time my geraniums look lush
and robust. ..but not simply as a result of being allowed to grow
as they will. Almost any geranium grown for competition ben-
‘Bird Dancer’ ranks at the top of the
author’s list of favorite geraniums because
it can be grown as an impressive little
standard (as shown here) or as a perfectly
shaped mound of foliage.
efits from some timely and considered pinching of the shoots.
While many of the species may need only a wayward shoot or
two cut back to prevent lopsidedness, the scented-leaved types
and fancy-leaved dwarf and miniature zonals look their best
when presented as compact mounds, so they require more
attention. Standards must be routinely pinched and turned to
produce an impressively rounded head of foliage. To compli-
cate matters, pinching of flowering pelargoniums must be
timed to produce the maximum number of flowers: too-early
pinching often results in flowers past their peak at Show time,
while shoots pinched too late might bear promising buds but
few or no flowers.
Like people, my geraniums can have a run of nasty luck or a
bad day, so over the years some of my favorites have died in the
middle of summer or yellowed a few weeks before the Show
opened, perfectly timed flowers have been ruined by hungry
thrips, and major branches have been broken off while being
stripped of their dead leaves during grooming sessions. But
others have stayed the course over a year or 10 and have been
awarded those colorful pieces of ribbon that I and every other
dyed-in-the-wool exhibitor covet.
GREEN SCENE • may/june 2007
Rob Cardillo
3 you Ira
Hii*J U'l/d?}/) pk]/)&, u/ov>jr) $d lhr)v$ ]/) you/* ya/i].
Participating PA Preferred Nurseries,
Garden Centers and Landscape Contractors...
Baker Creative, Inc. Wyncote
Hanover Nursery Hanover Township Plantique, Inc. Allentown
Cedar Run Landscapes, Inc.
North Wales
Creative Landscapes, Inc. Bethlehem
Dallas Nurseries & Landscape, Inc.
Dallas
Derstine Landscaping & Turf Care
Souderton
Dundee Gardens Wilkes-Barre
Edge of the Woods Native Plant
Nursery Fogelsville
Edward’s Landscaping Service, Inc.
Forty Fort
Elk Landscape Management, Inc.
Pineville
Huntsville Nursery, Inc. Dallas
J.S. Cuthbert Company Yeadon
Joanne Kostecky Garden Design, Inc.
Allentown
Martin Brooks, Inc. Doylestown
Mostardi Nursery Newtown Square
Nature’s Accents Landscape
Services, Inc. Hamburg
O’Brien Landscapes Unlimited &
H20 Systems Morrisville
L.S. Perennial Landscapes Churchville
Palazzi Landscape Gardening
“Since 1921” Newfoundland
ProMark Landscaping, Inc.
Zieglerville
Realty Landscaping Corporation
Newtown
Shearon Environmental Design
Company, Inc. Plymouth Meeting
Tall Timbers Nursery, Inc.
Allentown
The Rhoads Garden, Inc.
North Wales
Jim Walck Lawn & Shrub
Drums
W.D. Wells & Associates, Inc.
West Grove
Garrett Churchill, Inc. Willow Grove Pharo Garden Centre Bethlehem
For more information about this program or participating companies, visit www.GardenPA.com.
'PA Preferred and the PA Preferred logo are registered trademarks of the Pennsylvania Department of Agriculture
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ANTIQUE BOOKS
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ON HORTICULTURE & BOTANICAL
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37 Lochwood Lane
West Chester, PA 19380
610-436-9796
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Specializing in tasteful
architectural and landscape lighting.
Please view our on-line gallery:
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Serving: Pennsylvania • New Jersey • Boston
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GARDEN STRUCTURES
HERITAGE STONE & MARBLE
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GREENHOUSE AND CONSERVATORY
CONSTRUCTION
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Call Robert J. LaRouche at
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THE SUNWORKS CORPORATION
• Greenhouse Sales: Residential, Commercial
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• Installations: Of greenhouses from any man-
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PATIOS & WALKWAYS
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Landscape Design & Construction
610-259-6106
See our work online • 100’s of pictures at
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LANDSCAPE DESIGN
company who emphasizes long lasting
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LINDA CORSON
LANDSCAPE DESIGN
• Consulting
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Registered Landscape Architect
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CLASSIFIED RATES
Base Rate $3.00 per word
(without formatting)
1 Line $15.00 per line
Formatted Words $5.00
(ex. Bold, Italic or ALL CAPS)
Minimum Charge $60.00
Discount 10% off the second
consecutive ad, using the same copy
Deadlines
January Issue (by November 1)
March Issue (by January 1)
May Issue (by March 1 )
July Issue (by May 1)
September Issue (by July 1)
November Issue (by September 1)
David Brothers Landscape Services
Bean Road Nursery
Architects. Builders and Nurserymen
Providing the Fine Art of
Garden Construction and
Landscape Restoration
215-247-2992 610-584-1550
610-525-3232
DONALD PELL GARDENS
Creating & maintaining gardens with expert
horticultural craftsmanship.
View our portfolio of landscape designs online
at www.donaldpell.com or call
610-917-1385 for a brochure and consultation.
SED design
LANDSCAPE ARCHITECTS
Master Plans and Garden Design,
Water Gardens, Pools & Lighting
610-584-5941
seddesignstudio.com
LARGE SPECIMEN TREES
Large Specimen Trees
20’ American Holly and Colorado Blue Spruce
Delicious Homegrown Fruits and Vegetables
Mid-June through October
INDIAN ORCHARDS
610-565-8387
LARGE TREES
Tree Transfers Inc.
Large Tree Transplanting and Sales
Large Screening & Specimen Plant Material
Garden Restoration. Ponds, Waterfalls & Patios
215-635-2310
Serving the Delaware Valley since 1987
MISCELLANEOUS
Green Team Gardeners
Assurance of Fine Gardens
Landscape Design, Installation, & Maintenance
Vicki Fox: 215-482-1058
VickBrick@mac.com
PLEASE note: Green Scene does not guarantee advertisement position, and we reserve the right to
edit copy to fit available space. Green Scene ads are scheduled on a first-come, first-served basis until
space is filled for a particular issue.
Please calculate your ad cost based on number and formatting of words, and enclose a check along
with your copy (call for assistance). Green Scene will bill any difference or credit upon publication
of your advertisement. If your new ad arrives very close to deadline, we may deposit your check
until ad is scheduled. If we can’t schedule your ad, your check will be returned.
Make checks payable to the Pennsylvania Horticultural Society.
Send all advertising correspondence to: Joe Soprani, Green Scene
The Pennsylvania Horticultural Society, 100 N. 20th Street, 5th Floor, Philadelphia, PA
19103-1495.
If you have any questions, please call 215-988-8809.
MULCH
PINE NEEDLE MULCH
Won’t change soil pH
Wholesale and retail
FLOWERS AND MORE, INC.
610-701-9283
renee52@comcast.net
BALED PINE NEEDLE MULCH
Pick up/Delivery/Spreading service
Cedar Run Landscapes
Call for brochure
1 -800-LANDSCAPE
www.CedarRunLandscapes.com
NURSERY
Triple Oaks Nursery & Herb Garden
• Great Plants • Display Gardens • Programs
Franklinville, New Jersey
www.tripleoaks.com
856-694-4272
greatplants@tripleoaks.com
PONDS
PONDS AND WATERFALLS
Design/Installation/Maintenance
View our pond video at www.YourPond.com
Cedar Run Landscapes
1 -800-LANDSCAPE
UNUSUAL SPECIMENS
RARE & UNUSUAL PLANTS
• Specimen plants • Pond plants • Bonsai
• Orchids • Hardy cacti • Tropicals
• Sculptured trees and shrubs • Perennials
• Unique Flower and gift shop.
MUTSCHLERS’ FLORIST & RARE PLANTS
1-800-242-9438
www.mutschiers.com
Select from 800 varieties of the finest Dutch
bulbs for your family's garden at the best prices.
Visit www.johnscheepers.com for our
84-page color catalog and website specials.
I John Scheepers
V - 23 Tulip Drive • PO Box 638
Ban Lam. CT 06750
(860) 567-0838 PA9i
www.johnscheepers.com
Serving America’s finest gardens for over 90 years.
The Plants of
Pennsylvania
For your reference
THE PUNTS OF PENNSYLVANIA
An Illustrated Manual
Second Edition
Ann Fowler Rhoads and Timothy A. Block
Illustrations by Anna Aniiko
"Finally, an illustrated guide to the flora of Pennsylvania written by highly
respected authorities! A highly technical but user-friendly manual; every seri-
ous amateur and professional naturalist in Pennsylvania will want a copy."
— Larry J. Schweiger, President, Western Pennsylvania Conservancy
2007 | 1,088 pages | 2,645 line drawings, 4 maps | Cloth | $69.95
TREES OF PENNSYLVANIA
A Complete Reference Guide
Ann Fowler Rhoads and Timothy A. Block
Illustrations by Anna Anisko
“An authoritative and accessible guide." — Journal of the Torrey Botanical
Society
2004 I 416 pages | 247 color, 521 b/willus. | Cloth | $49.95
UNIVERSITY OF PENNSYLVANIA www.pennpress.org
PRESS 800-537-5487
GREEN SCENE • may/june 2007
41
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it’s easy to take your garden to
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Startling results. All the elements for a truly
successful garden. Choose from countless
combinations of amazing annuals, all from
" one simple resource: Garden Elements.”
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Host of “Rebecca’s Garden’
Simple Solutions for Garden Success.
mygardenelements.
.com
AMERICAN PLANT FOOD CO., INC.
(301) 469-7690
BLOOMERS HOME & GARDEN
(856) 589-0200
BLUE MOUNT NURSERY, INC.
(703) 729 6600
BRU-MAR NURSERY & GIFTS
(410) 990-9898
BUCKS COUNTRY GARDENS, LTD.
(215) 766 7800
CAROUSEL GARDENS NURSERY
(215) 598-0202
CHAPON'S GREENHOUSES
(412) 881-1520
CORKY'S GARDEN PATH
(570) 586-9563
DAMBLY'S GARDEN CENTER
(856) 767 6883
DUNDEE GARDENS
(570) 735-5452
ESBEN SHADE'S GARDEN CENTERS
(717) 626-7000
GARY'S GARDEN MART
(410) 544-8787
GLYNDON GARDENS, LLC
(410) 833-2791
GOOD EARTH
(301) 774-2631
JOHNSON'S FLORIST &
GARDEN CENTERS
(301) 946-6704
MARTIN'S FLOWERS & SHRUBS, INC.
(724) 379-4684
MOSTARDI NURSERY &
GREENHOUSE, INC.
(610) 356-8035
PRIMEX CENTERS, INC.
(215) 887-7500
SHILOH NURSERIES, INC.
(717) 767-6738
STONY BRIDGE LANDSCAPING 4
GARDEN CENTER
(717) 274-3595
TILLEY'S NURSERY, INC.
(610) 282-4784
WINTERTHUR
Photography by Russ Kennedy and Jeannette Lindvig
^^ednesdays
at ^^^lnterthur
Demonstrations, Talks
& Guided Walks in the
Winterthur Garden
vJow through October 31, 2007
1 1:30 am
Hone your gardening skills with Winterthur’s expert horticulture
staff! Weekly workshops include tips on rhododendrons, garden
pest identification, ferns, attracting wildlife to your garden, hikes
through a great American garden in bloom, and so much more.
For a complete list of topics, visit winterthur.org/wednesdays
or call 800.448.3883.
Included with admission. Members free. No Wednesday programs in August.
Winterthur Museum & Country Estate is nestled in the
beautiful Brandywine Valley on Route 52, less than onep
hour south of Philadelphia.
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JULY /AUGUST 2007 • $5.00
W CITY PARKS
sterious
Garden
THE PENNSYLVANIA HORTICULTURAL SOCIETY
1979 - 2007
Twenty-eight Years . . .
and the Vision Continues . . .
Cathedral
Village
Photo shows residents’ six-hole
putting green surrounded by
this comfortable pergola, a
rock waterfall, and butterfly
garden. The state-of-the-art
greenhouse is the center for
personal and group horticul-
tural activities, seminars and
classes.
600 East Cathedral Road
Philadelphia, PA 19128
(215) 984-8622
www.cathedralvillage.com
Cathedral Village still offers the traditional CCRC contract, the
most extensive available in the retirement industry. It provides a
Value to our residents in quantity and quality of services received
that is unparalleled and ... it covers more today than it did 28 years ago.
Years of Innovative planning by the Board of Directors and
Management have resulted in an outstanding array of services and
quality of care. This includes 12-hour a day Dining Services,
24-hour Outpatient Services including weekends and holidays,
free medical transportation, unlimited days of Nursing Care,
Health Club fitness and exercise programs. Horticultural activities
and workshops, Village College classes, and Art and Music pro-
grams. All have resulted in unusually high Resident Satisfaction.
The Vision of Cathedral Village continues. It is an on-going
process that accommodates changes in cultural trends and in
residents' lifestyles.
We invite you to visit, question, and compare!
Come in Monday through Friday between 9 and 3.
Appointments are necessary on weekends.
A Nonprofit, Nondenominational CCRC • Accredited Since 1983
Affiliated With the Jefferson Health System
Editor
Pete Prown
Associate Editor
Jane Carroll
Assistant Editor
Daniel Moise
Advertising Coordinator
Joe Soprani
Art Design
Baxendells’ Graphic
Printer
ALCOM Printing Group, Inc.
The Pennsylvania
Horticultural Society
10
A Backyard Bog
If you’re looking to add excitement to
your garden, transform a portion of your
property into a bog garden. Joe
Henderson describes some eccentric and
exotic plants, including carnivorous
species that are guaranteed to intrigue
your horticultural palette.
F
EATURES
Web Site
www.pennsylvaniahorticulturalsociety.org
100 N. 20th St.
Philadelphia, PA 19103-1495
215-988-8800
Chair
Harry E. Hill
22
26
Birds and Boxes
Tucked away on a quiet street in
Northwoods, PA, is the property of
Howard and D-J Brosius. Daniel Moise
showcases the couple’s inventive garden
accessories, including raised planters and
“living” birdhouses that make this back-
yard garden one-of-a-kind.
Edible and Beautiful
Sure they taste good, but vegetables have
ornamental merits as well. Learn how
sweet potatoes, kale, and Swiss chard can
give gardens newfound flair, as Eric Hsu
reveals his recipe for success.
President
Jane G. Pepper
Executive Vice President
J. Blaine Bonham, Jr.
PHS Membership Information
Linda Davis, 215-988-8776
Display Ads
Manzo Communications, LLC
610-527-7047 manzocomm@aoi.com
16 Spider Sense
Daylilies are divine, but why not spice
up your garden with daring “spider”
varieties? As author Jessie Keith tells us,
these long-petaled flowers offer great col-
ors, shapes, and even an air of mystery.
COLUMNS
6 The Potting Shed
32 Botanical Bouquets
Classified Ads
Joe Soprani, 215-988-8809
gsadsQpennhort. org
Ask A Gardener Phone Line
215-988-8777, Monday through Friday,
9:30 to 12 [closed in December]
Parallel Designs
34 Show Plants
Spotlight on Hardy Plants
38 The Backyard
A Riverside Ramble
The Pennsylvania Horticultural Society motivates people to
improve the quality of life and create a sense of community
through horticulture.
Main cover photo by Rob Cardillo
PRINTED ON RECYCLED PAPER
askagardener@pennhort. org
GREEN SCENE (USPS 955580),
Volume 35, No.4, is published bi-monthly
(January, March, May, July, September, November)
by The Pennsylvania Horticultural
Society, a non-profit member organization at
100 N. 20th St., Philadelphia, PA 19103-1495.
Single Copy: $5.00 (plus $2.00 shipping).
Second-class postage paid at
Philadelphia, PA 19103.
POSTMASTER: Send address change to GREEN
SCENE, 100 N. 20th St., Philadelphia, PA 19103.
© Pennsylvania Horticultural Society, 2007
GREEN SCENE subscriptions are part
of the membership benefits for:
Frelinghuysen Arboretum, Morristown, NJ
Horticultural Society of New York
Phipps Conservatory, Inc., Pittsburgh, PA
Staten Island Botanical Garden, Inc, New York
-rom Park to Park
I
I
Every year, PHS’s Philadelphia Green
program sponsors a wonderful citywide
event called Spring into Your Park.
This day brings together hundreds of volunteers in
62 parks across the city to revitalize their neighbor-
hood parks. The cleanup was held on April 21st,
and the weather was perfect — a far cry from last
year’s rainy deluge.
Philadelphia Mayor John Street made an appear-
ance in Nicetown Park and noted, “My fourth
grandchild was just born and it made me think,
‘What kind of world are we going to leave for him?’
So we need to do the right thing today. Our goal is
not just to clean up this park, but to educate anoth-
er generation of children at the same time.”
For me. Spring into Your Park is a chance to get
out from behind my desk and spend time touring
Philadelphia with my camera. That day, I stopped
at several West Philadelphia parks (Conshohocken-
Windemere, Carroll, Cedar, Muhammed, and
Morris), capturing enthusiastic volunteers planting
trees and annual flowers, picking up litter, and hav-
ing a great time engaging with their community.
But instead of writing about my experiences, I
thought I’d let my camera do the talking. Here are
a few snapshots from this inspiring event.
email: greenscene@pennhort.org
4
GREEN SCENE • july/august 2007
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Left: A restored 1940 playhouse by the bay
A quick fix for sandy soil is to take cheap
bags of potting soil and add composted veg-
etable scraps, eelgrass, and 2 cups of Espoma’s
Plant-Tone to each bag. Another is a spring
“tonic” at planting time consisting of 4 cups
soy meal, 2 cups blood meal (nitrogen), 3
cups bone meal (phosphorus), 2 cups kelp
meal, and 4 cups green sand (potassium).
This mixture decomposes slowly and does
not deposit excessive amounts of nitrogen in
the water.
Sandy seashore soils usually tend to be slight-
ly alkaline. However, Japanese pines growing all
around continually blow acidic needles into our
6 i GREEN SCENE • july/august 2007
ardening in
shore loca-
From
SAND
»SOIL
Improving
Growing Conditions
in Shore
Gardens
By Gretchen F. Coyle
tions requires
special attention to the soil
because, in general, there’s
very little of it. Instead,
gardeners are faced with
fast-draining, nutrient-
poor sand by the bucket-
ful. When visitors ask
about our bay-front prop-
erty and garden in New
Jersey, I smile and say,
“Here, there is only
sand — our soil must be
made." As such, secret
recipes for good soil in
coastal areas are as varied as
the gardeners themselves.
On a sandy peninsula
in Beach Haven 23 years
ago, we dumped nearly 3
feet of commercial topsoil
into raised beds for grow-
ing vegetables and non-
native flowers. Lacking in
nutrients, the soil did not
hold water, which imme-
diately leached through
the sand. So we imported
a few truckloads of mush-
room soil and mixed it in for “body.” Within
a few weeks our beds changed color, and
earthworms protruded from every shovelful.
Seashore gardeners have to find creative
ways to enrich the soil, continually adding
natural ingredients. A “beach mixture” wash-
es up on our bay beach, consisting of eel
grass, seaweed, reeds, dead crabs, and fish car-
casses. Used as mulch, it protects seedlings
from strong wind, retains moisture, and pro-
tects clematis roots from the strong sun. It
takes about two years, however, for this mix-
ture to fully break down.
Grass clippings from non-chemically treat-
ed lawns are another welcome addition, as are
leaves from the mainland, which are mixed in
and left to decay, forming a rich humus. Farm
manure has been used sparingly.
Our spring ritual is adding “beach mix-
ture” and lime. Friends tie up plastic bags of
leaves and leave them to warm on the ground,
producing soil faster than compost. We use
salt hay, regular hay, peat moss, pine needles,
and coffee grounds.
raised beds. Lacking the patience to conduct
yearly soil tests, we live by the “bird rule”: if
birds pull out large earthworms and scatter
mulch all over, the soil is good.
Most seashore gardeners are also concerned
about the environment, especially about
water quality, so we try to avoid using chem-
icals that might run off gardens and pollute
the water. Natural ingredients are abundant
on the beaches, so we happily fill trash cans
with whatever washes ashore.
Seashore soil needs yearly care and upgrad-
ing, but with a little extra effort, coastal gar-
deners can experience the beauty of the bay
and ocean — and beauti-
ful gardens, too!
Gretchen F. Coyle
gardens in Beach
Haven, NJ, and
has contributed to
Green Scene
since 1995.
Left: Gardening in
raised beds at
the shore
Below: Our backyard
protected from
the salt air and wind
Heat-Loving SunPatiens
By Jo Ann Gardner
What are we to think of an
oversized impatien that
grows best in sun and sulks
in shade? When we add a preference for
extreme heat and humidity to its profile, we
know we are in the presence of an extraor-
dinary new garden plant.
SunPatiens are the result of painstaking
work by plant breeders at Sakata Seed to
produce a flowering plant that would stand
up to Japan’s hot, humid summers— hotter
even than Florida’s.
A cross between New Guinea impatiens
and a wild species, SunPatiens have more
vigor than either parent. Growing 1 8 to 30
inches tall, they are shrubby with glossy,
sharply pointed green leaves. But
flowers — an abundance of them all summer
without interruption — are what SunPatiens
are all about. The first colors, introduced in
2006, were mostly hot: ‘Tropical Mango’
(red), Tropical Punch’ (magenta), and
‘Tropical Orange’ (bright orange). Tropical
Ice' is a clean white; its flowers are out-
standing against arching, dark green foliage.
Gentler colors have been introduced this
year: ‘Vigorous Lavender’ (soft lavender) and
‘Spreading Salmon Variegated’ (light
salmon), which has the bonus of chartreuse-
and-green variegated foliage and a more
compact habit suitable for a hanging basket.
Sold only through Home Depot stores,
SunPatiens can be grown as annuals in all
but the hottest regions of the country
(mature plants survive light frosts). Site
plants where they receive morning or after-
noon sun, or sun all day. A little too much
shade and they will stretch, so it’s better to
err on the sunny side. Mulch and potassium-
based water crystals, or Zeba, a cornstarch-
based product, will help maintain soil mois-
ture and reduce the need for watering.
In the ground, use SunPatiens as a focal
point among other sun and heat lovers such
as marigolds, petunias, portulacas, and zin-
nias. Or grow them as a striking hedge along
a sunny path. SunPatiens offer many design
possibilities for container gardens, where
plants of different heights, forms, textures,
and colors are put together as if they were
growing in beds or borders. Before the first
hard frost, pot up a few to winter over on the
windowsill. SunPatiens thrive indoors.
Yet no matter how temperatures soar or
humid conditions prevail, these heat-lovers
keep on producing a massed display of
blooms. In return they ask to be watered
regularly (SunPatiens
are not as demanding
as New Guinea
impatiens in this
regard), pruned
only when needed
for shapeliness, and
given a light application of
all-purpose fertilizer once a
season. These are modest
requests for such a dazzling
summer flower. ^
Jo Ann Gardner also wrote the article on
new petunia varieties in the May issue.
GREEN SCENE • july/august 2007
7
Enter the 2007
GREEN *
Enter the Green Scene
“Garden Photo Contest”
and win this Nikon Coolpix L10
digital camera, provided by
Ritz Camera.
%
V. nTLAOCLTHIvCiHA
'< rBtLiDcrrauni^onKin
mi loonuon run
We want to see your best Garden shots, Flower close-ups, and other Nature and Landscape shots! The contest’s judges — all
professional photographers and gardeners from the Delaware Valley— will be looking for knock-out images that capture the
essence of gardening and the beauty of nature. Winning photos will be published in the January/February 2008 issue of Green
Scene magazine and on the PHS website.
Photos can be shot in any format, but must be submitted as 4 x 6 or 5 x 7-inch prints with your name and phone/email
address on the back. No submissions by email or on CD will be accepted. The deadline for entries is September 15, 2007.
For more information, please visit the PPIS website at
www.pennsylvaniahorticulturalsociety.org or email greenscene@pennhort.org with questions.
SEE PAGE 37 FOR CONTEST RULES! A
—
ENTRY FORM (please fill out completely)
Name:
Address:
City: State: Zip:
Phone: Email:
ENTRY FEES
Amount (check one):
1 photo ($15) □ 2-5 photos ($25) □ 6-10 photos ($40) □
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Printed Name
Signature
Find Big Daddy and
Lemon Daddy™ at
These Fine Independent
Garden Centers:
Brock Farms
4189 Route 9
Freehold, NJ 07728
732-308-0498
DiSabatino Landscaping
471 B & O Lane
Wilmington, DE 19804
302-764-0408
Distinctive Gardens LLC
1531 Telegraph Road Marshallton
West Chester, PA 19380
610-436-4511
The Farm at Green Village
403 Green Village Road
Green Village, NJ 07935
973-377-8703
Gateway Garden Center
7277 Lancaster Pike
Hockessin, DE 19707
302-239-2727
J. Franklin Styer Nurseries
914 Baltimore Pike
Concord, PA 19331
610-459-2400
Waterloo Gardens
200 N. Whitford Road
Exton, PA 19341
610-363-0800
Waterloo Gardens
1 36 Lancaster Avenue
Devon , PA 19333
610-293-0800
For a List of All Participating
Plants that Work® Garden
Centers Near You, Visit:
www.plantsthatwork.com
Big Daddy Hydrangea Lemon Daddy™ Hydrangea
When it Comes to the Garden
Father Grows Best
Always pay attention to Daddy. Especially when
it comes to the robust garden performance of Big
Daddy Hydrangea and Lemon Daddy™ Hydrangea
from Novalis® Plants that Work®.
Reliable even in the heat and humidity of the
South, these hydrangeas make handsome additions to any
garden with sturdy branches and thick shiny leaves. Once
established, they need no special care.
With his amazing good looks, Big Daddy sports
gigantic 12-14” flowerheads, blooming pink in
alkaline soil and blue in acidic soil.
Lemon Daddy™, a brand new plant introduction for
spring 2007, provides a shocking contrast in your shade
garden with glowing lemon-yellow foliage. And he’s a real
show-off with the same huge flowers as Big Daddy.
So keep it all in the family this spring. Take
your Daddy home from fine independent
garden centers everywhere.
4
*
V c X,
v
ANOVAtlS
Where Color Comes to Life
For a complete list of participating independent garden centers close to you, visit
www.nlantsthatwork.com
Story by
Joe Henderson
Photography by Rob Cardillo
Spiranthes cernua var. adorata
mj
M
r
BEAUTIFUL
BOG
GARDENS
My love of bog and water-loving plants began when
I was young. My parents were avid gardeners who
wanted a farmstead but ended up with a house full
of children. Nevertheless, they instilled a life-long interest in
horticulture in all of us Henderson kids.
Grueling outings were mandatory. On one occasion, my
brothers came back from the Pine Barrens of New Jersey with
great tales of the ‘pygmy forest” and carnivorous pitcher plants
growing amid thick sphagnum moss that could swallow me
whole. I was entranced.
A CHILD IN THE BOG
Despite growing up in urban Wilmington, Delaware, images of that
New Jersey swamp stayed with me. I imagined screaming insects being
plucked from the air by adept hunters, dare I say, on the fly. I fantasized
wild scenes of wanton destruction with carnivorous plants waging war
against insidious mosquitoes, yellow jackets, deer flies, and other blood-
thirsty vermin. When time permitted, my family took me to see bog
plants in the wild, and, though it was not as fraught with fantastical may-
hem as I had imagined, 1 was infatuated with the wet, sloshy landscape
of the Pine Barrens.
To my child’s mind, it was akin to a lost, prehistoric land: bracken and
dense scrub on the forest floor and dwarfish-looking pine and oak trees
overhead. On family hikes, we would come upon tannin-stained water,
deep cinnamon in color, where tributaries splayed out to meet the river.
There I first found my love — the pitcher plant. Its modified, deep bur-
gundy leaves were standing at attention, looking eerily like insatiable
gaping mouths waiting to be fed. That was enough for me.
GREEN SCENE • july/august 2007 11
RESOURCES
Lilypons
www. lilypons. com
800-999-5459
Meadowbrook Farm
www.gotomeadowbrook.com
215-887-5900
Plant Ideas
www.plantideas.com/bog/
Van Ness Water Gardens
www.vnwg.com
800-205-2425
Left: A pitcher plant in a
container with moss
Below: Springtime blooms of
pitcher plants brighten this
small, home-made bog garden
lined with native rocks.
Right: Sarracenia
‘Judith Hindle’
Pitcher plants and other bog plants, of
which there are many, grow in special
places with other special plants. In the Pine
Barrens youll find purple pitcher plant
( Sarracenia purpurea), sundew ( Drosera
sp.), bladderworts (Utricularia sp.), sphag-
num mosses, orchids ( Pogonia ophioglos-
soides and Cypripedium sp.), cranberry
( Vaccinium macrocarpon ), and blueberry
( Vaccinum corymbosuni). Listening to all
the names makes you feel kind of dizzy
with anticipation.
BOG IN A POT
Recreating a slice of this environment on
your own property is surprisingly easy. If
you are more ambitious, think of creating
an entire garden that calls to mind your
idea of a primeval bog, complete with all
the accoutrements — stumps, ferns, mosses,
pitchers, and reflective water. Voila!
The first step in developing a bog is to do
a bit of research. The first question is how
big can I make id Working at Chanticleer
in Wayne, PA, I have had the good fortune
to plant a rather large bog garden: 60 feet
by 30 feet. Having a large area allows room
for many challenging and fantastic plants
that highlight and accent the pitcher
plants.
For home gardeners, I suggest starting
out small.
For starters, a shallow pot about 1 8 to 24
inches across will do nicely. Create a list of
favorite plants that might like this environ-
ment. My list starts with pitcher plants,
botanically known as Sarracenia, named by
an early plant explorer after Dr. Sarrazin, a
noted French-Canadian physician. There
are many species as well as cultivated forms
of Sarracenia.
Another New Jersey favorite is American
cranberry (or craneberry, so called because
the flower looks like a crane’s head). It has
fine, dark green foliage that turns a deep
burgundy color in the fall and wiry, run-
ning stems. It makes a nice contrast to the
coarse leaves of Sarracenia. When pollinat-
GREEN SCENE • july/august 2007
13
J
ed, its small white flowers give rise to
the familiar fruit. Another easy and
very satisfying plant is ladies’ tresses
(Spiranthes cernua var. odorata ), of which
a good cultivar is Spiranthes ‘Chadds
Ford’. Patrol for excessive growth with
the cranberry and Spiranthes , as they can
be a bit rambunctious.
THE PERFECT PEAT
The next step is to gather your grow-
ing medium. Bog plants like moist
roots, so the potting mixture must never
dry out. In the wild, Sarracenia grows on
hummocks of moss and roots, with the
crown of the plant above the water, not
in the water. In the Pine Barrens, the
water table is quite high, which keeps
low-lying parts of the barrens wet. These
are the conditions in which bog plants
thrive — wet, acidic, sandy soils with a
good amount of organic material.
The growing medium should have a
mix of peat moss and sand. A ratio of 2
parts peat to 3 parts sand is ideal. Use
builders’ sand as it is coarser than other
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types. Place a tray of water underneath
your bog container to keep the mix
moist but not sodden. The tray should
be deep, rising to a third of the way up
the side of the pot. Alternatively, put a
liner in the bottom of the pot to hold
in the water, keeping the water level
approximately 2 inches from the rim of
the planter.
My friend Carol Lim, who has sever-
al container bogs, suggests adding a
few handfuls of charcoal in the bottom
of the container. Protect the plants
from winter extremes and place in full
sun during the growing season.
DO YOU WATER
BOG PLANTS?
Yes, indeed you do! For watering,
Carol uses a tonic of oak leaves steeped
in rain water until the water turns dark,
but not foul. Tap water can be alkaline
and full of minerals, but if you fear
mosquitoes breeding in your rain bar-
rel, let tap water sit a day or two to let
chlorine dissipate. If you can get it, live
sphagnum moss is a good indicator of
the conditions in your bog. If it lives,
conditions are good; if not, well, there’s
your answer. Dried, long-fiber sphag-
num is a good substitute. You can use
it to top dress and if conditions are
right, it may sprout from dormant
spores.
For me, bogs conjure all sorts of asso-
ciations and emotions, from my earliest
childhood memories of fantastic land-
scapes to the intrigue of their singular
growing environment. Bogs are also a
very special community of plants. I
hope that by helping gardeners under-
stand the needs and requirements of
mini bogs, I’ll also help them under-
stand the larger picture of the rare plant
communities that grow around us. 'A*'
Joe Henderson is a horticulturist and
gardener at Chanticleer in Wayne, PA
(www. chan ticleergarden. org) .
Photos taken at Aquascapes
Unlimited, Bedminster Organics, Culp
garden, and the Mt. Cuba Center.
14
GREEN SCENE • july/august 2007
WINTERTHUR
Gardenfair
Save the date! September 14-16, 2007
A spectacular autumn sale featuring everything from one-of-a-kind selections of unique plants to
antiques, expert gardening information, celebrity lecturers, demonstrations, entertainment, and more.
This event benefits educational programming at Winterthur.
WINTERTHUR
MUSEUM & COUNTRY ESTATE
Located in Delaware’s beautiful Brandywine Valley on Route 52, less than an hour south of Philadelphia.
For more information, please visit winterthur.org or call 800.448.3883.
SuDernatura
With over 40,000 registered
daylilies, the genus Hemerocallis
is a veritable cornucopia of
cultivars. So, why not reach beyond the
confines of ditch lilies ( Hemerocallis
fulva ), lemon lilies ( Hemerocallis lilioas-
phodelus), and the ubiquitous, ever-
blooming ‘Stella D'oro? There are plenty
of unusual forms and variants of
Hemerocallis that break the mold. Some
flowers are circular in circumference, star-
like, or triangular in shape, but for me,
the creme de la creme of visual elegance
and beauty are spider daylilies.
AMAZING
ARACHNID-LIKE
ANGIOSPERMS
Spider daylilies have an almost ethereal
floral form. Their flowers are divinely
sinewy because their petals are four to five
times as long as they are wide (from the
widest point on the petal). They look like
they’ve been worked through a taffy pull.
Some cultivars have the added appeal of
petals that recurve back, curl, or cascade
down into flirtatious curlicues. Two beau-
ties with curled tips are the golden yellow
‘Dancing in the Sunlight’ — a new intro-
duction from Lancaster, Pennsylvania,
hybridizer Don Herr — and the award-
winning ‘Yabba Dabba Doo’, which has
lightly curled petal tips, a chartreuse-yel-
low throat, and medium-purple petals.
Some spider cultivars fit the visual
ideal more than others. Lean, linear, rib-
bon-like petals are the most stylish,
while wider petals give flowers a heavier
appearance comparable to the difference
between a graceful garden spider and the
goliath tarantula. ‘Kindly Light’, an old-
fashioned lemon-yellow spider with 9-
inch blooms, has the most classically
lithe spider form. The rich scarlet and
gold ‘Scarlett’s Web’ and spring green
and pale lavender ‘Skinwalker’ are also
svelte selections.
Size matters with these flowers, and
bigger blossoms are certainly more
arresting. Many gardeners enjoy the
creamy lavender, burgundy, and butter-
cup yellow of ‘Tennessee Flycatcher',
whose flowers can span 10 inches or
more. ‘Pink Super Spider' is also a mon-
strous 10 inches across and has wide
pink petals and a creamy green throat.
Believe me, when these colossal flowers
make their garden debut, your friends
will want them, too. One flower will
make any vase shine for a day. Talk about
impressive!
Spider colors cover the full daylily
palette of burgundies, yellows, oranges,
reds, pinks and purples, with petals and
throats displaying various bi-colored pat-
terns. Theoretically, any funky color
combination can arise if you get the
genetics right. One of the more uncom-
mon color variants is ‘Grey Witch ,
16
GREEN SCENE • july/august 2007
Top left:
‘Grey Witch’
Top right: Unnamed spider lily
among other variants
Left:
‘Scarlett’s Web’
Bottom left:
‘Dancing in the Sunlight’
Bottom right:
‘Summer Fireworks’
which has petals of cool lavender, a dark
purple eye and yellow-green rhroat. The
curious color of the super-skinny 8 1/2-
inch ‘Skinwalker’ also represents a stark
change from the norm. Technically its
petals are creamy bright green and pale
lavender, but they also have plenty of
peachy skin tones.
BLOOM TIME
Hemerocallis can bloom in early to late
summer depending on the cultivar, so
one can design a plan with spiders
blooming throughout much of the sea-
son. For example, in our area the tanger-
ine ‘Orangeman’ can bloom as early as
late May, while the orange and red
‘Stoplight flowers into late summer.
Remontant (re-blooming) varieties like
the pale pink and yellow ‘Ouachita
Beauty’ and dark red ‘Aabachee’ are also
available and worth seeking out.
If buying for continued floral display,
look for cultivars that bloom heavily.
These make the season extra bright.
Vigorous selections like the prolific
crimson and yellow ‘Summer Fireworks’,
another Don Herr hybrid, have masses
of blooms and extended bloom times.
AWARD WINNERS
Since 1989 the American
Hemerocallis Society has honored a sin-
gle registered spider daylily with a special
award called the Harris Olson Spider
Award. Winners are trialed and voted
upon by a large panel of judges, so only
the best of the best win. Plants are
judged on floral form, color, vigor, and
floriferousness, among other criteria.
The 2006 winner (the most recent) is
‘Holly Dancer’, which has rich crimson
flowers with a green throat.
SPIDER IMPERSONATORS
Many spider-like daylilies are catego-
rized as “unusual forms rather than spi-
ders because their petal length does not
quite make the cut, and they have strik-
ing petal abnormalities like cascading
curls and quill-like petals. Two outstand-
ing unusual forms are ‘Thin Man’, with
bold red and yellow flowers that are both
r
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GREEN SCENE • july/august 2007
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curled and slightly pinched, and ‘Desert
Icicle’, which has refreshing curly petals of
lemon cream and mint. The giant, 13-inch
spider-like blooms of ‘Webster’s Pink
Wonder’ are also highly garden worthy for
their luscious pink lemonade color and
grand size.
New and unusual spider daylilies can be
very costly because they tend to be bred by
select nurseries and propagated in small
quantities, but not all will break the bank.
Cultivars that have been around for a few
years are usually reasonable. So, find a
sunny well-drained spot in your garden and
plant a few spiders this season. ^
Special thanks to Don Herr for letting
the author waddle through his garden
taking daylily photos while seven
months pregnant.
For more information on daylilies, contact
the American Hemerocalis Society
at www.daylilies.org or the
Delaware Valley Daylily Society at
http: //daylily. net/ gardens/ dvds. htm .
20
GREEN SCENE • july/august 2007
Home of the Lewis W. Barton Arboretum and Nature Preserve
Member, Greater Philadelphia Gardens
Spring is a great time to visit Medford Leas
beautiful arboretum settings
wide choice of home designs
dynamic community life
ideal locations for culture and recreation
superior health and wellness services
A nationally accredited, Quaker-
related, not-for-profit community
for adults age 55+, with campuses
in Medford and Lumberton, NJ
For more information: 800. 33i. 4802 or www.medfordleas.org
GREEN SCENE • july/august 2007
21
22
GREEN SCENE • july/august 2007
Building
GARDENO
BOXES O l
BIRDHOUSES
“The fun of garden accessorizing is the element of surprise,” says D-J Brosius. “You
walk along and come upon something that’s completely unexpected.” D-J and her
husband Howard have clearly adopted this philosophy at Chipping Hill, their
Northwoods, PA, property. Perhaps the most arresting objects found there are those
that Howard and D-J have created with their own hands, such as garden boxes, bird-
houses, and clever wall sculptures made from old garden tools.
Left: A funky yet functioning birdhouse made from recycled materials Center: Howard and D-J
Right: Another “bird condominium”
BUILDING A BETTER BOX
Of particular interest are their “gar-
den boxes.” In a garden that’s wood-
ed and dense, it was all too easy for
some of the couple’s favorite
species — such as dwarf hostas — to be
overshadowed by larger plants that
were unwilling to share root-space
and sunlight, hence the idea for
boxes. When placed in a sunny spot
and filled with nutrient-rich soil,
these garden boxes make for perfect
planters, giving prominence to the
diminutive plants.
To build the planters, the couple
buys lumber from a local home-supply
store. The dimensions can vary
depending upon space constraints, but
Howard says, “The key is to buy
enough to create two boxes, not one.”
Although it’s not immediately notice-
able, the planter is actually tiered, with
the larger of the two boxes resting atop
the other. Howard uses an electric
screwdriver (to avoid splintering) and
deck screws to fasten them together.
Drainage is extremely important.
Howard recommends providing 1/4-
inch-thick spaces between the bot-
tom boards of both boxes to allow
water to drain. For the summer
months, he places the completed
planter on blocks or bricks to encour-
age greater drainage. In winter, the
planters sit directly on the ground to
minimize exposure to the cold.
Once the basic structure of the
GREEN SCENE • july/august 2007
23
I
f
;
planter is complete, Howard likes to add
some decorative touches, such as finial balls
at each of the four corners. Although he
could leave it bare, he likes to paint his
planters a mixture of brown and gray; a
shade that blends with the landscape.
Vibrant colors would work as well, but the
couple feels it would take focus away from
the plants.
Through the years Howard has devised a
formula for what he considers the perfect
soil. It’s a three-part blend of standard
store-bought potting soil, composted
mushroom soil substrate (a type of fertile,
post-harvest mushroom soil), and a sam-
pling from the compost pile. This hardy
humus guarantees good growing.
While the boxes can host a wide range of
species, the Brosius family gravitates
toward miniature hostas. Howard can easi-
ly rattle off a list of his favorite varieties,
many of which boast memorable names
such as “Radio Waves” and “Spilt Milk.”
He says, “Many people are reluctant to buy
hosta because you invariably lose some to
pests. Frankly, I enjoy the challenge.”
Before he knew it, boxes were peppered
throughout the property — lining pathways,
framing benches, and adding newfound
depth and contrast. Plants that might oth-
erwise be overlooked receive a second
glance simply by being two feet off the
ground, and the many shades of green
come together nicely. Says D-J, “I love the
fact that so many of the items in the back-
yard are of our own design and device. It
really makes the property an extension of
our home.”
Top to bottom:
The early stages of box assembly
D-J’s wall sculpture adds flourish
to the side of a tool shed
A “living birdhouse” with moss
and sedums growing on the roof
A homemade planter featuring
miniature hostas
24
any pre-made or store-bought model with a
pitched roof will suffice. Howard first
applies “mud pies” of compost and wet soil
across the roof and layers the sheet moss on
top. To secure it, he pulls plastic deer net-
ting tightly across the roof and staples it
under the eaves. He then cuts tiny holes
into the netting and gently affixes the small
succulents in the hole. Given the nature of
sedums, the plants quickly take root and
send out offshoots in all directions (hence
the name “hens and chicks”).
No two birdhouses look quite the same;
in fact, each one takes on a new appearance
daily as the plants thrive and bloom. D-J
says, “Lots of people have birdhouses in
their gardens, I just think we’ve put a new
spin on an old classic.”
The birds seem to approve as well. Each
of the existing establishments is quite pop-
ular among the winged warblers, inspiring
Howard to make each subsequent bird-
house larger than the one before. D-J jokes
that Howard no longer builds birdhouses,
but bird condominiums.
BUILDING A GARDEN
BIRDHOUSE
One of the appealing attributes of a
woodland garden is the wildlife it invites.
And although the deer and chipmunks
sometimes view the Brosius backyard as
their own buffet, Howard and D-J are very
welcoming of all sorts of critters. In fact,
their property has been certified by the
National Wildlife Federation as a wildlife
habitat.
Chief among the animals found on their
property are birds. With nearly a dozen
birdhouses around the grounds, it’s the
avian equivalent to a major metropolis.
What set the dwellings apart from the stan-
dard mold are their roofs. Adorned with
golden sphagnum peat moss, the birdhous-
es appear to have thatched roofs, like nurs-
ery-rhyme cottages. Rising from the moss
are thick and fleshy succulents known as
“hens and chicks”, a species of sedum
( Sempervivum sp.).
The look is distinctive, and recreating it
is surprisingly easy to do. Although
Howard prefers to assemble his own bird-
houses (usually with leftover lumber from
his other gardening projects), practically
Mill/
F'V
jy£4»
Barnes Foundation
Horticultural Classes
2007-2008
The Barnes Foundation
ARBORETUM SCHOOL
OPEN ENROLLMENT FOR 2007 CLASSES AND WORKSHOPS
In 1940, Laura Barnes established the Arboretum School
to provide students of horticulture, botany, and landscape
architecture the opportunity to work under professional
guidance.
The Arboretum School of the Barnes Foundation offers
one and two-day workshops during the summer. Each fall
the Foundation accepts twenty-five new students for its
three-year program in ornamental horticulture which offers
a comprehensive curriculum of botany, plant propagation,
practical horticulture techniques, and landscape design.
A well-trained faculty provides expert instruction
and guidance in the horticultural arts and sciences.
Students learn and practice in the 12-acre arboretum and
in the state-of-the-art greenhouse in Merion.
The curriculum develops skilled horticulturalists through
a combination of classroom lecture, self-directed learning,
and hands-on practice.
For more information, a full course description, and registration, please call 610-667-0290, ext. 3S25 or ext. 1071.
THE BARNES FOUNDATION
300 North Latch’s Lane, Merion, PA 19066 www.barnesfoundation.org
GREEN SCENE • july/august 2007
25
ORNAMENTAL
Momordica charantia ‘Palee’ (green gourd)
Cucumis sativus ‘Diva’ (cucumber)
Cucumis melo ‘Savor’ (melon)
Capsicum annuum ‘Ancho 21 1 ’ (pablano pepper)
Lycopersicon esculentum ‘Wonder Light’ (yellow tomato)
In May 1917, an editorial entitled “A Vegetable Year” in House Beautiful urged the inclusion of vegetables in
ornamental gardens, coyly suggesting:
There is no reason why a suitor should not bring to his lady-love a wonderful bouquet
of tender, pearly scallions, ruby radishes, and lettuce leaves in various shades of buttery
yellow and glossy green, except that after presenting it to her, and after her admiration
had subsided a little, they could fashion the bouquet into a salad and eat it together,
which would be... a material symbol of their unity of heart.
Still, vegetables have not received their due and for too long have
been relegated to military rows in a separate plot — far from color-
ful flowers and shrubs. But vegetables can be striking additions to
gardens and containers. Rosalind Creasy’s Edible Landscaping, cou-
pled with the slow food movement (which combats the spread of
fast food and promotes local cuisines), has broadened the choices.
A visit to the long border flanking the Robison York State Herb
Garden at Cornell Plantations, designed by curator Diane Miske,
would convert any naysayer. At Chanticleer, a pleasure garden in
Wayne, PA, where visual theatrics are all-important, the vegetable
garden meshes together the geometry of the French potager with
the casual playfulness of American gardens.
Purple sets the tone for many vegetables: think purple cauli-
flower, tomato ‘Krim’s Black’, blue potatoes, and of course, egg-
plants. With their purple flowers, lacquered black fruits, and dark
foliage, eggplants are splendid in containers. Enhance their appeal
by potting them in glazed violet urns with good drainage.
Generous fertilizing for container plants is a must for these heavy
feeders. Be vigilant for flea beetles whose telltale symptoms are pin-
sized holes in the leaves.
Kales can provide that regal purple, too, but some gardeners
overlook them, more likely to plant them with chrysanthemums in
autumn. Doug Croft, who oversees the vegetable garden at
Chanticleer, loves them for their early spring color and texture. He
is particularly keen on 'Redbor’, pairing it with the crinkled, blue-
green leaves of ‘Lacinato’ (‘Nero di Toscano’). The appeal of this
cultivar lies in its frilly leaves arranged like a vegetable pagoda.
Vdien nights begin to cool, the leaves, dew with morning mois-
ture, turn a delicious plum color. In one container at the Scott
Arboretum, this kale is mixed with Colocasia esculenta ‘Illustris’,
Plectranthus ‘Mona Lavender , and Strobilanthes dyeranius , for a
lovely study in purple. In fertile soil, these plants may grow rapid-
ly to more than 2 feet high and will require staking.
William Woys Weaver speaks highly of ‘Lacinato’ (listed as Black
Tuscan Palm Tree Kale) in his tome Heirloom Vegetable Gardening,
calling it “truly one of the most beautiful kales to grace any kitchen
garden.... There is probably no more spectacular combination than
to see this gray-black kale inter-planted with vivid green Silesia let-
tuce.” ‘Redbor’ and ‘Lacinato’ can be harvested and prepared in the
same manner as broccoli, cauliflower, and Brussels sprouts. Those
who are not keen on the purple leaves of ‘Redbor’ should try
‘Winterbor instead.
Salad greens are wonderfully versatile, fitting just as easily on the
city dweller’s balcony as in the sprawling vegetable gardens of large
estates. They can be grown in containers near the kitchen door,
where the gardener-cook can snip leaves for salads or cooking.
Their colorful foliage and variable heights make them interesting
partners for other plants. Chanticleer horticulturist Jon Wright has
deftly combined salad crops with cool-season annuals in hanging
spheres. In urns, sweet peas twirl around loosely spaced willow
branches under-planted with salad crops. Croft is enthusiastic
about the lettuces ‘Merlot and ‘Revolution’, which always draw
visitors’ attention for their deep red leaves.
If you can prevent cabbage moth larvae from skeletonizing the
leaves (try using a fleece cover over young plants), cabbages can be
wonderful garden centerpieces. Amy Goldman, who gardens in
Rhinebeck, New York, particularly likes Savoy types for their frost
hardiness and cool, sunset hues. Her sentiments were shared by a
writer in the American Agriculturist in May 1 882: “Savoy cabbage
is as much superior to the common hardheaded kinds as the least
cultivated grape is superior to the ornamental fox-grape of the
woods. ‘January King’ not only has superb, crisp flavor, but also a
blue violet leafy color with pink veins. Deeply crimped leaves are
Photography by Rhoda Maurer
GREEN SCENE • july/august 2007
27
Gt&isv*
the hallmark of ‘Ormskirk’, which can be
harvested as late as Christmas. Once
known as large drumhead savoy, ‘Des
Vertus’ is a French variety that produces
green, 4- to 6-pound heads and has a mild,
sweet taste.
The once unassuming Swiss chard ( Beta
vulgaris Cicla Group) has undergone a col-
orful metamorphosis; new strains like
‘Bright Lights’ have vivid stems and veins.
In a private suburban Chicago garden,
‘Bright Lights’ was cleverly paired with
Asiatic lilies of various hues. ‘Ruby Red'
seems to pulse with life as the veins appear
to course through the leaves like blood.
Unfortunately, the stems do not retain their
color when cooked. Upon first glance, beets
look unassuming, but they are as vibrant as
Swiss chard. I like to dress up salads with
the young leaves of ‘Bull’s Blood’, an heir-
loom variety with metallic, garnet foliage.
Many gardeners grow the Malabar
spinach ( Basella rubra) as an ornamental
vine. Growing as fast as one foot a day in
hot climates, this plant (unrelated to true
spinach) revels in the tropical summers of
the Mid-Atlantic region. ‘Rubra’ has thick
red stems that recall pokeweed ( Phytolacca
americand), but none of the latter’s poison-
ous tendencies. The insignificant white
flowers eventually give way to inky black
berries used for food coloring. Malabar
spinach makes a great cascade plant in con-
tainers, but its unruly growth necessitates a
trellis or an upright support. Harvest the
leaves, rich in vitamins A and C, to eat
either raw or cooked.
Another ornamental edible with kudzu-
like tendencies is sweet potato ( Ipomoea
batatas) — no stranger to anyone who has
relied on ‘Margarita’, ‘Sweet Blackie’, or
‘Sweet Caroline’ for trailing accents in con-
tainers. Although my mother’s appraisal of
the tuberous roots from these cultivars was
not positive, the leaves, rich in vitamins A,
C, and B6 and often boiled with garlic in
Taiwanese cuisine, are delicious.
Classified as neither a salad nor a fruit
crop, cardoon ( Cynara cardunculus) is usu-
ally grown for its filigreed silver leaves and
extraordinary thistle-like flowers. Victorian
gardeners used to blanch and harvest the
stems for cooking with white wine, garlic,
olive oil, and butter. (Handle with care as
cardoon stalks can have small, nearly invisi-
IJhh
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GREEN SCENE • july/august 2007
29
THE MORRIS ARBORETUM GARDEN RAILWAY
GREAT AMERICAN
TRAIN STATIONS
MAY 26 - OCTOBER 8
Miniature replicas of original railroad stations
Model trains on a 1/4 mile track
running through the summer garden
FREE with general admission
100 Northwestern Avenue in Chestnut Hill, PA • 215.247.5777 • www.morrisarboretum.org
ble spines.) Okra is another vegetable worth
welcoming into the flower border. Its pale
yellow flowers sometimes blushed with rose,
deeply incised leaves, and willowy stems are
outstanding attributes. It is unfazed by the
hot, humid summers of our region and
remains relatively free of pests and diseases
though crop rotation can be helpful. Croft
recommends under-planting okra with pars-
ley for foliar texture.
Peppers are overlooked for their showy
merits. Some, particularly chili peppers,
make perfect potted plants that last all sum-
mer, since they require a long growing sea-
son to produce and ripen fruit. The petite
‘Aurora (10 to 12 inches), with its profuse
quantities of yellow, orange, red, and purple
fruits that look like blinking Christmas
lights, makes a stunning statement in a con-
tainer or as an edging plant. ‘Bellingrath
Gardens’, named in honor of a famous
Alabama garden, has striking dark purple
stems and satin-like leaves tinged with
green, purple, and cream. The combination
becomes provocative when the small scarlet
fruits appear later. ‘Orozco’ has black-purple
foliage and multi-colored fruits. ‘Poinsettia’,
a Japanese cultivar of compact size, has 3-
inch-long red fruits held upright in clusters.
‘Trifetti’ (‘Purple Tiger’ and ‘Variegata’) has
the same tricolor foliage as 'Bellingrath
Gardens’, but produces 1 -inch-long purple
fruits that eventually turn red. I like to use
peppers for their piquant flavors in stir-fry
dishes; chopped pieces go well with
Sichuan-style tofu and peppercorns. Their
spiciness also complements the sweet, milk)"
aroma of coconut milk in curry dishes.
With so many stunning vegetables to
choose from, there is no reason why garden-
ers cannot indulge their eyes and taste buds
simultaneously. Rather than limit your gar-
den palette to impatiens, petunias, or gera-
niums, why not add eggplants, peppers,
salad greens, and herbs? Your garden will
turn into an edible potpourri, and you can
offer your loved ones a nourishing
“vegetable bouquet.”
Formerly with the Scott Arboretum, Eric is
now the RHS Fellow pursuing a Master of
Science in Taxonomy at University of
Reading, UK. He used to grow vegetables
extensively during his youth, and now misses
the opportunity to harvest them fresh for
cooking.
30
GREEN SCENE • july/august 2007
SOURCES
Johnny’s Selected Seeds
www.johnnyseeds.com
207-861-3999
Tomato Growers Supply
Company
www. tomatogrowers. com
888-478-7333
Territorial Seed Company
www. territorial-seed, com
541-942-9547
Seeds from Italy
www. growitalian. com
781-721-5904
Renee’s Garden Seeds
www. reneesgarden
888-880-7228
Bay Flora
www. bayflora. com
fax: 888-549-2969
The Scott Associates’
2007 Plant Sale
Fri . . Sept. 7
4 -8 pm Special
Friends Preview
Donor Passes Req’d .
Sat. , Sept. 8
10 am — 1 pm
Members Only
must show card
1 -3 pm
General Admission
Sun.. Sept. 9
10 am — 3 pm
General Admission
Assnri/V i s m-
• Choose from hundreds of varieties of
perennials, trees, shrubs and vines -
many unusual species or hard to find
• 2007 Plant Sale Feature - Hydrangeas
in all of their glorious variety' and
splendor
• Wide choice of exotic houseplants and
tropicals.
• Many' plant experts on hand and all
eager to assist you
• Proceeds will help build the new
Education Center and Greenhouse
• Visit our website for Plant Sale news
and dates of lectures and arboretum
tours highlighting our Plant Sale
offerings.
• Free parking and general admission
• VISA and MasterCard accepted
• Ruin or shine!
The Sale will be held on the
Swarthmore College Cunningham Field
on College Avenue. Follow signs on
Rt. 320 in Swarthmore, PA For info, call
610-328-8025. For recorded directions,
call 610-328-8001
Gateway Garden Center
invites you to our
Annual Water Garden Tour
Saturday, July 28 ~ 9 am to 4 pm
Join us on this self-guided tour of the area's premier
water gardens. Visit Certified Backyard Habitats and
enjoy learning of water 's role in bringing life to your
garden. Be inspired to create your own dream garden!
Proceeds benefit Delaware Center for Horticulture
and Delaware Nature Society
Gateway Garden Center: 7277 Lancaster Pk., Hockessin, Del.
Information: 302-239-2727
www.gatewaygardens.com
GREEN SCENE • july/august 2007
31
32 GREEN SCENE • july/august 2007
The “parallel style” of design
uses stems placed at right
angles to the container and in
groups to create the feeling of grow-
ing in a garden. This differs from the
traditional flower arrangement,
which uses flowers placed with stems
radiating from a central point.
STEP 1 : Materials
Select a low container.
• Use a rectangular clay pot or
wooden box lined with heavy
plastic.
• Cut and soak floral foam to fit
snugly into the pot and cut to
top of rim.
Select four or five kinds of flowers
and/or branches with linear form.
• Suggestions: larkspur, liatris,
delphinium, bamboo, birch
branches.
Botanical Bouquets
By Jane Godshalk
A Parallel Design
"If you are seeking
creative ideas, go
out walking. Angels
whisper to a man
when he goes
for a walk."
—Raymond Inman
Select a few flowers for your main
color.
• Tulips, narcissus, astilbe, lilies,
phlox, zinnia, cosmos (just about
any garden flowers will do).
Select a variety of low plants and
flowers for color at the base of your
design.
• Pachysandra, galax, scented
geranium, Dusty Miller,
boxwood, succulents.
STEP 2: Org anize flowers into
groups. Make sure that stems are free
from foliage and side branches.
Here, you see tall stems of delphini-
um, liatris, and birch branches.
• Medium stems of lily, astilbe and
freesia.
• Short stems of pachysandra,
scented geranium. Dusty Miller,
small roses, and one succulent.
STEP 3: Arrange
Place linear flowers into the con-
tainer at right angles to the rim of
the container.
• Place the two tallest groups on
the outside of the arrangement to
give a feeling of stability.
Follow with the medium-height
flowers. Add your low material in
groups at the base.
• Colored flowers clustered togeth-
er will create a visual interest and
some smooth green leaves or a
succulent plant will give a visual
resting place.
STEP 4: Walk through your gar-
den and see what plants and flowers
you have to use in your own parallel
design. Don’t forget to look at
groundcovers for interesting color
and texture at the base of your design.
A few blossoms from the store are a
hne addition, too. For best results,
remember to cut your garden materi-
als in the early morning or evening,
and give them a few hours to harden
in a bucket of water in a cool, dark
place. ^
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GREEN SCENE • july/august 2007
33
By Ray Rogers
Hardy Plants for the Flower
Show
Right:
Solomon in all its
splendor at the
2007 Flower Show.
Below:
At season’s end,
the big pot of
Solomon's seal is
anything but regal.
The top growth is
dead, and soon the
plant will be
reduced to a mass
of caterpillar-like
rhizomes.
When it comes to growing for the
Philadelphia Flower Show, I’m something
of an omnivore: during the past 18 years
my eclectic mix has included herbs, begonias, various
types of ivy, gesneriads, pelargoniums, and even a few
memorable vegetables.
Although cacti, other succulents, and hardy bulbs
(especially daffodils) are the principal players in my cur-
rent repertoire, I confess a longing to return more hardy
plants to the lineup. Past favorites included a formally
trained, richly scented clove currant (Ribes odoratum ) and
an exuberantly cascading, snowy Deutzia ‘Nikko’ (a PHS
Gold Medal Plant), as well as woodland gems including
the umbrella-like Asian Syneilesis palmata and lavender-
misty Thalictrum kiusianum. Alas, most of them are gone,
including the Boehmeria megaphylla, Houttynia cordata
‘Chameleon’, and Persicaria virginiana ‘Painter’s Palette’,
all of which noted horticulturist Charles Cresson amus-
ingly (and fittingly) dubbed “Ray’s weeds.”
But one trouper has survived, namely my super-sized
and cumbersomely named Polygonatum odoratum pluri-
florum ‘Variegatum’, familiarly known as variegated
Solomon’s seal. It’s been with me for a while now, in spite
of repeated pronouncements that I didn’t want it any-
more (I once offered it to Ken Selody at Atlock Farm, his
nursery where I grow all of my show plants) and that it
had grown too large to manage.
Fortunately, Ken knew I didn’t really want to part with
it, so over the years it grew unhindered from a small divi-
sion to today’s tangle of rhizomes and crowd of foliage in
a 1 4-inch pot. And what a workhorse it has become: over
the past seven Shows, it has won several blue ribbons as a
hardy herbaceous perennial in bloom, and as an herb, it
took two rosettes from the Philadelphia Unit of the Herb
Society of America.
Why do I enjoy growing the Solomon’s seal and other
hardy plants as show plants? Basically, they offer a chance
to start over each year with a potentially better plant. The
perennials die back to their rootstocks at the end of the
growing season, and the woody plants drop their foliage,
offering a clean slate for the next Show. Despite their con-
finement to pots, they perform much like their compan-
ions in the open ground, and their terra cotta quarters
allow me to control the moisture, fertilizer, light, and
winter cold they require to thrive. The Solomon’s seal
grows from late winter to fall in a shady spot outdoors or
in a greenhouse, and then a shady spot outdoors (alter-
nating between the two Miracle Gro products with analy-
ses of 10-52-10 and 36-10-10). Before cool fall tempera-
s’ tures induce the top growth to die down as the plant goes
o dormant, I stop fertilizing and reduce watering.
| By November the big pot is moved to the space under
° my front porch — where my daffodils also spend the win-
ter— and sleeps unfrozen and lightly watered until late
January, when I heed the call to prepare for another Show.
It spends a few weeks gathering itself in a greenhouse and
then seemingly erupts almost overnight into a mass of
foliage and flowers. Soon thereafter judges hopefully
swoon, and, similarly seduced, I reconsider my previous
vows to split up the big clump and make life a little easi-
er for me and my back.
But this year I think I will finally bite the bullet: this
big Solomon will fall under the blades of my trusty prun-
ing shears and be divided into several smaller pieces. It’s
the sensible thing to do. ^
34
GREEN SCENE • july/august 2007
Ray Rogers
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GREENHOUSE AND CONSERVATORY
CONSTRUCTION
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Call Robert J. LaRouche at
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THE SUNWORKS CORPORATION
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• Installations: Of greenhouses from
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• Maintenance: Reglazing, reskinning,
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Call 302-655-5772, ask for John Klein
PATIOS & WALKWAYS
Flagstone - Pavers - Brick
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610-259-6106
See our work online
1 00’s of pictures at
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LANDSCAPE DESIGN
LINDA CORSON
LANDSCAPE DESIGN
• Consulting
• Plans
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Registered Landscape Architect
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CLASSIFIED RATES
Base Rate $3.00 per word
(without formatting)
1 LINE $15.00 per line
Formatted Words $5.00
(ex. Bold. Italic or ALL CAPS)
Minimum Charge $60.00
Discount 10% off the second
consecutive ad, using the same copy
Deadlines
January Issue (by November 1)
March Issue (by January 1)
May Issue (by March 1)
July Issue (by May 1 )
September Issue (by July 1)
November Issue (by September 1)
PLEASE NOTE: Green Scene does not guarantee advertisement position, and we reserve the right to
edit copy to fit available space. Green Scene ads are scheduled on a first-come, first-served basis until
space is filled for a particular issue.
Please calculate your ad cost based on number and formatting of words, and enclose a check along
with your copy (call for assistance). Green Scene will bill any difference or credit upon publication
of your advertisement. If your new ad arrives very close to deadline, we may deposit your check
until ad is scheduled. If we can’t schedule your ad, your check will be returned.
Make checks payable to the Pennsylvania Horticultural Society.
Send all advertising correspondence to: Joe Soprani, Green Scene
The Pennsylvania Horticultural Society, 100 N. 20th Street, 5th Floor, Philadelphia, PA
19103-1495.
If you have any questions, please call 215-988-8809.
David Brothers Landscape Services
Bean Road Nursery
Architects, Builders and Nurserymen
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215-247-2992 610-584-1550
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View our portfolio of landscape designs
online at www.donaldpell.com or call
61 0-91 7-1 385 for a brochure
and consultation.
SED design
LANDSCAPE ARCHITECTS
Master Plans and Garden Design,
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610-584-5941
seddesignstudio.com
LARGE SPECIMEN TREES
Large Specimen Trees
20’ American Holly and
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Delicious Homegrown Fruits and Vegetables
Mid-June through October
INDIAN ORCHARDS
610-565-8387
LARGE TREES
Tree Transfers Inc.
Large Tree Transplanting and Sales
Large Screening & Specimen Plant Material
Garden Restoration, Ponds,
Waterfalls & Patios
215-635-2310
Serving the Delaware Valley since 1987
MULCH
PINE NEEDLE MULCH
Won’t change soil pH
Wholesale and retail
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610-701-9283
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BALED PINE NEEDLE MULCH
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NURSERY
800 varieties of Perennials
150 varieties of Annual flats &
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856-767-3343
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Triple Oaks Nursery & Herb Garden
• Great Plants • Display Gardens • Programs
Franklinville, New Jersey
www.tripleoaks.com
856-694-4272
greatplants@trip/eoaks. com
OFFICIAL
PHOTO CONTEST RULES
(See page 8 for details)
WHO MAY ENTER
• Amateur* photographers ages 18 and over (‘those who earn less than 1/4 of their
annual income from photography).
• Employees of the Pennsylvania Horticultural Society and its affiliates are not eligible.
SUBMISSIONS
• Photographers may only enter images as 4x6-inch or 5x7-inch prints, either in
color or black-and-white.
• IMPORTANT: On the back of each image, you must write your name, address, email
and/or phone. Optional: You may also include technical information about the photograph
(camera type, f-stop, speed, film type, etc.), as well as background information.
• Original images may be shot on print film, slides, or digital cameras, but all submissions
must prints as stated above (no slides or CDs accepted).
• All photographs must be previously unpublished.
• All photos must have been taken within the past three years (since August 1 , 2004).
• Photos may eventually be mounted on cardboard if we choose to display them.
• If you’d like your images returned, please enclose a SASE with your submission.
• Photos that violate or infringe upon another photographer’s copyright are not
eligible for entry.
• The Pennsylvania Horticultural Society is not responsible for loss of or damage to any
photographs submitted for the contest.
ENTRY FEES
• Photographers may enter 1 photo for a fee of $1 5; 2 to 5 photos for a fee of $25;
or 6 to 10 photos for a fee of $40. Fees are non-refundable.
PRIZES
1st Nikon Coolpix L10 digital camera & publication of your photo*.
2nd 100 free photo DigiPrints** & publication of your photo.
3rd One-year PHS Membership & publication of your photo.
Honorable Mentions (10) ....Publication of your photo.
‘Publication will occur in PHS’s Green Scene magazine (Jan/Feb ‘08 issue) and
on the PHS website.
"From your Digital Camera, Media Card or CD
IMPORTANT DATES
• All entries must be postmarked by September 15, 2007.
• All winners will be notified by November 1 5, 2007.
FOR MORE INFORMATION:
For questions about the contest, please
email greenscene@pennhort.org for fastest response.
You can also call 215-988-8871 .
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Design/lnstallation/Maintenance
View our pond video at
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• Unique Flower and gift shop.
MUTSCHLERS’ FLORIST & RARE PLANTS
1-800-242-9438
www.mutschiers.com
GREEN SCENE • july/august 2007
37
The Backyard
Strolling
on the
SCHUYLKILL
By Daniel Moise
On any given afternoon, the pathway along the
Schuylkill River in Center City Philadelphia is
bustling with joggers, cyclists, and businesspeople out
for a lunchtime stroll. Set apart from the busy streets, this new
park — known as Schuylkill Banks — is literally a breath of fresh air
for city dwellers.
Schuylkill Banks is quickly becoming one of Center City’s most
vital open spaces, and recently the Fairmount Park Commission
and Schuylkill River Development Corporation united to bring
some major enhancements to the landscape along the trail. Starting
at the south end near 25th & Locust Streets and working their way
north, the duo has cleared debris, installed benches, and planted
shrubs and trees.
The first part of the project proceeded smoothly; however, the
second leg — the stretch of land between Race Street and the
Fairmount Water Works — presented a distinct set of challenges.
This section of the trail was particularly overgrown, and the result-
ing seclusion attracted illegal activity. Still, the site had undeniable
potential, and the partner organizations were determined to make
the most of it. At this juncture, PHS, through its Philadelphia
Green program, became involved.
Removing several trees was the first step in the revitalization
process. Dozens of species considered invasive were growing on
the site, such as self-propagating mulberry, tree of heaven
(Ailanthus sp.), and honey locust. With those trees gone, the
native species would be able to flourish.
“At first I feared that taking out so many trees would make the
area look barren, but instead it created several beautiful vistas of
the river and the Philadelphia Museum of Art,” says Linda
Walczak, PHS senior project manager. Removing the trees also
uncovered a path that had disappeared long ago under a tangle of
weeds and grass. Recovering the riverside walkway was a major
contribution to the project’s ultimate aim of making the area more
accommodating to the public.
But the new walkway is just one of several ways the area will be
enhanced. Philadelphia Green and its partner organizations
recruited Lager Raabe Skafte Landscape Architects, Inc. to design
this section of the park and incorporate new amenities, including
a fishing pier. Because the area is a common
checkpoint in Fairmount Park’s bike- and
foot-races, a plaza will also be built to func-
tion as a gathering place. A trellis alongside
the plaza will display the name of this
future community hotspot: Schuylkill
River Park.
Additionally, Schuylkill Banks River
Tours are now available, providing people
with beautiful views of the city. One of the
tours, a round-trip to historic Bartram's
Garden, clearly has gardeners in mind.
The William Penn Foundation provided
financial backing for the tree removal and
landscape design, and the Commonwealth
of Pennsylvania is funding the installation.
Philadelphia Green director Nancy
O’Donnell says, “A lot of people use the
trail, and these renovations will make it
better and safer for them. At the same time,
I hope newcomers will be drawn to this
stunning site — it’s going to be great.’ ^
WHAT DOES
“SCHUYLKILL" MEAN?
gchoylki
boons
The Schuylkill River was named by
1 ^-century explorer Arendt Corssen of the
Dutch West India Company. Its name rough-
ly translates to “hidden river” or, perhaps
more accurately, “hideout creek,” related to
the modern Dutch word Schuilkil.
For more information about the park,
visit www.schuylkillbanks.org. For
more on Philadelphia Green, visit
www.philadelphiagreen. org.
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1979 - 2007
Enjoy the Best of Both Worlds !
Cathedral
Village
The Vision our Board
of Directors and
Management
has created
is a secure...
exciting...
and vibrant
community
for those who
will appreciate
The Best of Both Worlds!
600 East Cathedral Road
Philadelphia, PA 19128
(215) 984-8622
www.cathedralvillage.com
Spend time “potting” your favorite plants for your home or patio and
learn “tricks of the trade” at our Horticulturist’s weekly seminars.
Practice your “putting” skills on our Professional Golf Green and join
in competition with our “other putters.”
Take advantage of our Fitness Center to swim and exercise. Attend the
many Village College courses offered throughout the year, or take
painting and sculpting classes in our Art Studios.
You can spend as much time as you wish expanding your talents
without concerns about preparing meals every day, housecleaning,
maintenance, medical appointments or transportation. Most
importantly, you have guaranteed security about your current and
future medical care.
This is the Best of Both Worlds where every program and amenity is
designed and maintained by Cathedral Village management and staff
to enhance your lifestyle.
We invite you to visit, question, and compare!
Come in Monday through Friday between 9 and 3.
Appointments are necessary on weekends.
A Nonprofit, Nondenominational CCRC • Accredited Since 1983
Affiliated With the Jefferson Health System
Contents
FEATURES
24 Solid Gold
For 30 years, the PHS Gold Medal Plant
Award program has promoted plants
that meet the highest standards of beau-
ty, performance, and longevity. PHS s Joe
Ziccardi introduces this year’s crop of
inductees, which include three trees and
two shrubs ideal for the Mid-Atlantic
GREEN SCENE subscriptions are part
of the membership benefits for:
Frelinghuysen Arboretum, Morristown, NJ
Horticultural Society of New York
Phipps Conservatory, Inc., Pittsburgh, PA
Staten Island Botanical Garden, Inc, New York
Up on the Roof
When this old world starts getting you
down, go to the roof for relief and relax-
ation. As more and more Philadelphians
are learning, rooftops make great garden
settings with unbeatable views. Laura
Beitman explores this lofty trend.
The Pennsylvania Horticultural Society motivates people to
improve the quality of life and create a sense of community
through horticulture.
Main cover photo by Rob Cardillo
ft PRINTED ON RECYCLED PAPER
10
18
A Taste of Britain
Nestled in Chadds Ford, PA, is a home
and garden that capture the quiet charm
of an English manor house. Daniel
Moise tours the property that can only
be described as simply smashing.
Let the Sunshine In
As summer begins to fade, Ilene
Sternberg explains how to preserve its
warm glow by adding sunflowers to the
garden. There are 5 1 varieties to choose
from — which one is right for you?
The Backyard
A Free Lecture Series for
Gardeners
region.
28
Botanical Bouquets
An Autumn Arrangement
Show Plants
Prize-Winning Succulents
38
OLUMNS
The Potting Shed
32
34
Gr( m u 1 1-
Editor
Pete Prawn
Associate Editor
Jane Carroll
Assistant Editor
Daniel Moise
Advertising Coordinator
Joe Soprani
Art Design
Baxendells’ Graphic
Printer
ALCOM Printing Group, Inc.
Tire Pennsylvania
Horticultural Society
Web Site
www.pennsylvaniahorticulturalsociety.org
100 N. 20th St.
Philadelphia, PA 19103-1495
215-988-8800
Chair
Harry E. Hill
President
Jane G. Pepper
Executive Vice President
J. Blaine Bonham, Jr.
PHS Membership Information
Linda Davis, 215-988-8776
Display Ads
Manzo Communications, LLC
610-527-7047 manzocomm@aot.com
Classified Ads
Joe Soprani, 215-988-8809
gsads@pennhort. org
Ask A Gardener Phone Line
215-988-8777, Monday through Friday,
9:30 to 12 [closed in December]
askagardener@pennhort. org
GREEN SCENE (USPS 955580),
Volume 35, No.5, is published bi-monthly
(January, March, May, July, September, November)
by The Pennsylvania Horticultural
Society, a non-profit member organization at
100 N. 20th St., Philadelphia, PA 19103-1495.
Single Copy: $5.00 (plus $2.00 shipping).
Second-class postage paid at
Philadelphia, PA 19103
and additional mailing offices.
POSTMASTER: Send address change to GREEN
SCENE, 100 N. 20th St., Philadelphia, PA 19103.
© Pennsylvania Horticultural Society, 2007
Letter from the Editor
Finding INSPIRATION
/row/i
email: greemcene@pennhort.org
Late summer is a strange period for ornamental gar-
deners. For the veggie gardener, of course, it’s the
thrilling apex of the harvest, but for flower lovers, it’s
one of quiet conflict. While many flower gardens begin to
recover from summer’s heat for a final moment of glory, the
gardener is simply pooped from four months of heavy labor.
The hard part is finding that last burst of energy and inspira-
tion to finish out the blooming season on a high note and pre-
pare one’s garden for the next year. I have trouble with this
every year.
To get some pick-me-ups, I canvassed a number of garden-
ing experts and “harvested” these tips to help improve our late-
summer outlooks. “In the waning days of the growing season,
1 have more time to think about the garden, mainly about what
needs fixing," says garden writer Jo Ann Gardener. “I make
notes ... to move this, replace that, combine these. Next spring,
I may even look up what I’ve written. I also take cuttings of
favorite tropicals to winter over on my windowsill. I know
some of them won’t make it, but in the fall, I’m full of hope for
what is to come. Isn’t that what keeps us going?”
Erica Sollberger, a Philadelphia Green project coordinator,
adds: “Take a trip out to your favorite pleasure garden or gar-
den center and see what is blooming. So often we choose
spring and early summer-blooming plants in abundance, for-
getting the late-summer bloomers in our garden plans, such as
coneflowers, goldenrod and Japanese beauryberry ( Callicarpa
sp.). Sometimes a garden visit can jog our minds to recall flow-
ers of summers past that we have admired but not yet added to
our garden collections. Perhaps we just need a reminder how
beautiful a garden can be, even in the heat and exhaustion of
late summer.”
Local horticulturist and arborist Eva Monheim, a popular
speaker at PHS’s City Gardening Series, favors the subtle glo-
ries of the late-season garden: “Now is the time to walk
through your garden and making notes of the plants that did
well with the least amount of effort during the previous four
months. I’m always looking for plants that look dazzling,
despite the varying weather conditions; ones that produce
abundant flowers and fruits; and those that provide great color
and texture contrast. I also check on the latest PHS Gold
Medal Plant Award winners to discover what new trees, vines,
and shrubs I can plant to further reduce maintenance.”
Finally, we hear from Jersey shore gardener Gretchen Coyle,
who imparts these bits of garden wisdom: “In late summer, I
do a major deadheading, cut
back foliage, and pull out
whatever looks brown. Then I
fertilize with Osmocote’s new
ready-mixed fertilizer, maybe
put pots in the shade for a few
days to recoup, and then just
hope for the best. And by late
summer my gourds and pump-
kins are ready to pick. There’s
always so much to do in the
garden. Nature doesn’t let me
get tired!”
4
GREEN SCENE • september/october 2007
WINTERTHUR
September 14-16, 2007
A spectacular autumn sale featuring everything for the great American garden!
Shopping • Gardens • How-to Demonstrations • Lectures • Floral Tours
lo purchase wristbands or for more information, please visit gardenfair.org or call 800.448.3883.
WINTERTHUR MUSEUM & COUNTRY ESTATE
Located in Delaware’s beautiful Brandywine Valley on Route 52, less than an hour south of Philadelphia.
General admission and early-bird shopping free for Winterthur Members.
\
The Potting Shed
Grand Greenhouses
at Duke Farms
Story and Photography by Pete Prown
Everyone loves a garden greenhouse, especially when it’s cold outside and
inside there are blossoming plants galore. Heiress Doris Duke loved
greenhouses, too, so much so that she built one of the most spectacular
glass structures on the East Coast, each room of which sports a themed garden from
around the globe. Lucky lor us, the greenhouses at Duke Farms — located in
Hillsborough, NJ, near Somerville — are open to the public throughout the fall,
winter, and spring.
What impresses most about these indoor displays is the level of horticulture. Each
garden has been meticulously groomed and is filled with well-tended plants, from
Italian bottle-brush and Monkey puzzle trees, to annuals, succulents, and hundreds
of blossoming orchids (from Duke’s collection of over 7,000 orchids). One show-
stopper is the 1 8th-century-style French Garden, featuring an elaborate lattice ceil-
ing; classical sculpture; and formal, “parterre” bedding schemes.
Other themed gardens include Italian, English, Chinese, Japanese, and even a
tranquil Indo-Persian garden complete with a geometric design and water channel
down its central axis. Mrs. Duke was heavily involved with the creation of each gar-
den, both as a designer and even as a weeder (she occasionally liked to work in the
beds and eavesdrop on visitors’ conversations to hear what they thought about each
Above: The Chinese
Garden
Right: A view of the
greenhouses
Indo-Persian Garden
A garden). And, aside from
V traveling the world for horti-
I cultural inspiration, she also
visited the du Ponts at
Longwood Gardens to glean
ideas on how to lay out an
indoor display garden.
Duke Farms offers an
array of environmental pro-
gramming and tours, but the
horticultural stars of the
show are clearly the green-
houses. If stretched end-to-
end, they would reach a half-
mile in length — that’s about
2,600 feet of impressive
plantsmanship and charm-
ing garden design. It’s a sight
that’s well worth a visit.
For more information on
Duke Farms, visit
www.dukefarms.org or
call 908-722-3700.
The Gardener’s Bookshelf
By llene Sternberg & Pete Prown
I
Defiant Gardens:
Making Gardens
in Wartime
By Kenneth Helphand
(304 pp„ $34.95)
Kenneth Helphand, profes-
sor of landscape architecture at
the University of Oregon, pre-
sents an extraordinary account
of those who garden under the
most improbable and horren-
dous conditions. Using histori-
cal records, personal interviews,
and archival photographs and
illustrations, Helphand has
unearthed stories of soldiers
gardening in WWI trenches,
ghetto gardeners during the
Nazi Holocaust, and Gulf
War “landscapers.” The book
includes accounts of American
soldiers in Iraq growing corn
and of one soldier hand-clip-
ping a tiny plot of grass he
raised outside his tent.
Don’t expect a book of pret-
ty garden pictures. Instead, the
author offers a compelling trib-
ute to the capacity of the
human spirit, the comfort and
hope gardening affords, the
need to nurture living things in
the face of death, and a testa-
ment to the irrefutable bond
between Man and Nature. This
is a unique, poignant, and
thought-provoking chronicle
to be treasured for its message.
Conifers for
Gardens,
An Illustrated
Encyclopedia
By Richard L. Bitner
(448 pp„ $59.95)
Longwood Gardens instruc-
tor and acknowledged “cone
head” (pinecone, that is),
Richard Bitner has written the
first comprehensive book on
American conifers to appear in
20 years. A member of the
PHS Gold Medal Plant Award
Committee, he has outdone his
predecessors with 424 pages of
meticulously researched infor-
mation on 1,370 species
and cultivars. Well-organized,
informative, thorough, and
richly illustrated with 1,550 of
Bitner’s own crisp photo-
graphs, Conifers for Gardens
helps us choose the best gar-
den-worthy selections and dis-
cusses ornamental attributes;
culture; diseases; value to
wildlife (including attractive-
ness to “hoofed browsers”); tra-
ditional uses of the wood; and
the best dwarf cultivars for
bonsai, particularly useful to
those of us who are “down-
sizing.”
A Guide to the Great
Gardens of the
Philadelphia Region
By Adam Levine & Rob
Cardillo
(192 pp„ $21.95)
The Philadelphia area is
often recognized as one of the
finest gardening regions in the
USA, and this stunning book
helps confirm that notion.
Author Levine and photogra-
pher Cardillo offer this com-
prehensive guide to area gar-
dens, from Center City sites
to Longwood Gardens to many
smaller gardens you may
not have heard about, such
as Grumblethorpe in
Germantown. The book has a
clean layout that gives a quick
overview of each garden, a little
history, contact information,
and an insider’s tip in the “Off
the Beaten Path” sections.
Great Gardens seems so handy
that you might want to leave it
in your glove compartment for
spontaneous garden jaunts
when driving around our hap-
pily floriferous region.
GREEN SCENE • september/october 2007
7
The Potting Shed
By Christine Herz
USING CONTAINERS as garden
As most gardeners know, groups of containers can showcase colorful annuals.
But containers also create focal points in the garden or function as transitional
objects. With careful placement, containers integrate garden beds, fit together
distinct garden rooms, or announce the change from hardscaped-surface to
meandering pathway. More than just mere “pots,” containers add color and tex-
ture and fill their multiple roles with ease.
Grouped Containers
A grouping of terra cotta pots planted with gardenia, jasmine, and princess
flower ( Tibouchina urvilleana , also known as glory bush) sit by the edge of my patio,
signaling the transition from brick patio room to attached walkway and beyond.
The flowers stand up well to sweltering August heat and humidity.
On a low wooden deck, containers of similar annuals arranged on different lev-
els interweave the deck’s surface with a nearby bench, inviting the passerby to pause
and sit. These smaller containers not only anchor the bench and deck to the gar-
den, but also create an eye-pleasing arrangement, much as an artist would arrange
items in a still life. The containers soften the edges of the deck’s surface and pull in
the surrounding planting bed.
Next, varieties of begonias arranged in pots of three alert the viewer to a shadier
space and respite from the heat of the midday sun. Placed alongside a moss-out-
lined stone path, the begonias provide a transition from bright light to the dense
shade of mature trees.
Hanging Planters for Vertical Interest
Hanging baskets create interest by leading the eye upward and, when viewed
from a distance, weaving elements of the house, such as a porch or fence, into the
adjoining garden. By repeating nearby colors and textures, hanging containers
relate the vertical elements to what’s down in the garden bed — much as the water-
colorist connects and softens the interrupting
white space with diluted hues.
"Focal Pots" Make a Point
A larger eye-catching pot grabs attention
from afar and creates a focal point for a gar-
den scene. When viewing the backyard gar-
den from the door or upstairs window, the
focal pot catches your eye. It may be planted
with combinations of striking foliage and
showy flowers, or with just one plant to
emphasize the attractive container, whose pri-
mary purposes are drama and impact,
RANSITIONS
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New Jersey.
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reminds me so much of a country house in
the Cotswolds,” enthuses Scottish-born Jane
Pepper, president of PHS, as she tours the
estate of Sheila and Dick Sanford near the Brandywine
Creek. Indeed, the house, garden, and grounds of this
Chester County, PA, property exude a classic English
style, right down to the crisply edged perennial beds
and the walled potager designed by the late British gar-
dening doyenne, Rosemary Verey. While the house,
garage, and stables are only about ten years old, they
look as if they were built more than 100 years ago.
During the design phase, the Sanfords visited many
English country estates seeking inspiration. “Despite
having no English ancestry, we wanted to capture the
essence of Gloucestershire and the Cotswolds, Sheila
says. “We just had an image in mind and became
immersed in the idea.”
Dick and Sheila hired an English architect to help
them hone their vision and hammer out the logistics.
Presenting the blueprints to U.S. contractors proved to
be more complicated: “They kept wanting to add win-
dows!” Sheila laughs. “I had to remind them that /
wanted it to look old-fashioned.” Even more challeng-
ing, Dick had to coax the Amish builders they hired
into crafting a deliberately crooked roofline on the
garage.
10
GREEN SCENE • september/october 2007
To complete the aura of time-worn authenticity,
Sheila — who has taken quite a few classes at Longwood
Gardens — trained ivy to grow up the walls of the house.
She adds that while the Boston ivy ( Parthenocissus tri-
cuspidata ) gets decimated by beetles each summer,
before it can change to brilliant red in the fall, the
English ivy ( Hedera helix ) has so far held up well. “The
biggest compliment we get is when people assume our
home is a century old,” she says.
Once the new house was complete, the gardens
became the Sanford’s top priority. Rosemary Verey was
the creative force behind most of garden layout. “Local
designer Bill Frederick suggested we ask her to come
look at our garden, and we were totally surprised when
she said yes. What was wonderful about Rosemary was
that she supported our ideas and literally spent hours
with us,” Sheila says. “She had such strength. Well over
70 years old, she would spend winter days out in the
cold in her boots, taking notes and making sketches.”
“As for the plantings, Rosemary suggested using sev-
eral plants that grow well in the UK, and Bill kept her
in check regarding what would and would not grow in
the Delaware Valley,” Sheila recalls. While there’s no
denying Rosemary was a stickler for precision, Sheila
says her number-one rule for gardening was to have fun.
Sheila also cites Carol Lim as one of her longtime gar-
den advisors, picking perennials and other plants for the
property.
In the rear of the house is the walled potager featuring
an architectural “folly," a whimsical structure popular in
England in the 18^ century that serves as an outdoor
conversation piece. The Sanford’s folly is used as a gar-
in the
COUNTRY
den shed, though Sheila expresses frustration at the color
of the door. “There’s a specific blue-purple that’s com-
mon in England. I can never get it quite right no matter
how many times I paint it,” she laments. Nearby are lead
cisterns, one in each corner of the garden. Although it’s
nearly impossible to tell, one of them is an antique and
the rest are replicas. In keeping with the style of the
house, Sheila believes the more weathered they are, the
better they look.
GREEN SCENE • September/ October 2007 11
!
i
Lush lawns surround this patio space
Photos this page by Mark Turner
This multi-purpose garden also includes vegetables
growing along carefully constructed grapevine trellises.
The bounty includes ‘Brandywine’ heirloom tomatoes
and Asian bok choy, which Sheila grew for the first time
this season. She says it is “easy to grow and unbelievably
delicious,’’ and questions whether she’ll ever grow
finicky (and pest-ridden) cabbage again.
Also present are ‘Cardinal Climber’ morning glories.
“I showed the plant to Rosemary, and she had never
seen it before,’’ says Sheila. “I couldn’t believe that I
could show her something new. She even wanted to take
some seeds!”
From behind the house, one can also enjoy a stun-
ning sweetgum allee. Sheila originally thought a simple
allee of grass and trees would be a snap to grow and
maintain; instead she has found that sweetgums are
messy. “The fallen seed pods are a pain,’’ she says. “I
know sterile trees are an option, but they lack the bril-
liant color of the fertile ones, which is especially notice-
able in the autumn.”
On the south side of the property is a perennial gar-
den divided into three sections per Rosemary’s specifi-
cations. Nearest the house are warm-colored blossoms,
featuring red and orange. Next are the cooler colors,
mostly blues and pale yellows, followed by the pinks.
12
GREEN SCENE • September/ October 2007
Rosemary Verey designed this walled potager garden
A sitting area overlooking the
rolling fields of Chadds Ford
All materials mill imag i's & The Barites Foundation 2006
The design is reminis-
cent of the garden at
Rodmarton Manor
in Gloucestershire.
Clematis and Dutch-
man’s pipe ( Aristolochia
sp.) adorn a bench at
the end of the garden.
Around the corner is
a green and white
garden designed by
Bill Frederick. The
Sandfords’ gardener,
Ken Profita, considers
this parcel his pet proj-
ect, and it shows. The
turf-grass lawn is
immaculate; a visitor
could search high and
low and wouldn’t find a
weed. This garden fea-
tures seven-son flower ( Heptacodium miconioides , a PHS
Gold Medal plant), which has gorgeous white flowers
followed in fall by small, purplish-red fruits. These in
turn are crowned by very showy, sepal-like rose calyces
that elongate after bloom and last into late fall.
Another standout here is Schizophragma
hydrangeoides ‘Moonlight vine, also a Gold Medal
plant. “If it’s a Gold Medal winner, I buy it,” Sheila
says, pointing to a row of potted ‘Green Giant arborvi-
taes she’s about to plant, praising their deer resistance.
The Sanford plant list includes box-
wood (notably ‘Winter Gem’), sugar
maples, katsura, mulberry, and chest-
nut trees. There’s also Golden Catalpa
‘Aurea’, which has large lime-green
leaves, and amelanchier with its bril-
liant berries. The Kentucky coffee
trees, despite the naysayers, have
thrived.
Friend and former neighbor Helen
Reed gave Sheila a ‘Miss Kim’ lilac,
which looks lovely in the spring. When
Helen first presented the plant it was
only a stick in a pot. Sheila says, “I was
so happy to have her over to the house
one day years later. I said, ‘Helen do
you recognize this? She couldnt
believe this big blooming shrub was
the same tiny twig she’d given me.
Sheila concludes, “I’m coming along
in my gardening. The most important
thing I learned from Helen was to be
willing to wait for things to grow."
And at this sublime estate in Chester
County, a sense of the slow passage
of time is evident everywhere one
gazes. *Ay
The Barnes Foundation
dT
%
Paul Cezanne, Terracotta Pots and Flowers,
1891-1892, BF235.
Visit the Barnes Foundation this fall and
winter and enjoy an unparalleled aesthetic
experience inside the Gallery and
outside in the Arboretum.
The Barnes Foundation's collection of French
Impressionist, Post-Impressionist, and early Modern
paintings is unsurpassed in breadth, quality, and depth.
The collection also includes important examples of African
sculpture, American paintings and decorative arts, Old
Master paintings, Native American art, Asian art, and
ancient artifacts, which provide a rich context for the study
of art and aesthetics.
The Arboretum, which features an exceptional collection
of rare trees and woody plants from all over the world, a
fern collection, formal gardens, and a lilac grove, provides
an unparalleled environment for horticulture education.
The 12-acre Arboretum, which surrounds the gallery
building, reflects and enhances the beauty of the art inside.
For information on visiting the Barnes Foundation please call 610-667-0290.
To learn about art and horticulture classes and workshops offered at the Barnes,
please contact the Education Department at 610-667-0290, ext. 3825, or the Arboretum at 610-667-0290, ext. 1071.
THE BARNES FOUNDATION
300 North Latch’s Lane, Merion, PA 19066 610-667-0290 www.barnesfoundatlon.org
14
GREEN SCENE • september/october 2007
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GREEN SCENE • september/october 2007
mm
Enter the 2007
GREEN *
Enter the Green Scene
“Garden Photo Contest”
and win this Nikon Coolpix L10
digital camera, provided by
Ritz Camera.
We want to see your best Garden shots. Flower close-ups, and other Nature and Landscape shots! The contest's judges — all
professional photographers and gardeners from the Delaware Valley — will be looking for knock-out images that capture the
essence of gardening and the beauty of nature. Winning photos will be published in the January/February 2008 issue of Green
Scene magazine and on the PHS website.
Photos can be shot in any format, but must be submitted as 4 x 6 or 5 x 7-inch prints with your name and phone/email
address on the back. No submissions by email or on CD will be accepted. The deadline for entries is September 15, 2007.
For more information, please visit the PHS website at
www.pennsylvaniahorticulturalsociety.org or email greenscene@pennhort.org with questions.
SEE PAGE 37 FOR CONTEST RULES!
ENTRY FORM (please fill out completely)
Name:
Address:
City: State: Zip:
Phone: Email:
ENTRY FEES
Amount (check one):
1 photo ($15) d 2-5 photos ($25) □ 6-10 photos ($40) □
Payment option: Check □ (payable to PHS) Credit Card □ Credit card type: Visa □ MasterCard □ AmEx □
Card number: Card expiration date:
Please mail your entries to: GREEN SCENE GARDEN PHOTO CONTEST, The Pennsylvania Horticultural Society, 100 N. 20th
Street, Philadelphia, PA 19103-1495
The contest is open to photographers 18 years and older. To be eligible, all mailed-in entries must be postmarked on or before September 15, 2007.
Warranty and Permission
By sending this photograph(s) to the Pennsylvania Horticultural Society’s Green Scene Garden Photo Contest, I warrant that I am the
sole author of this photo(s). I grant the Pennsylvania Horticultural Society the right to publish this photo in its publications and elec-
tronic newsletters; on its website; and in collateral publications, including, but not limited to, promotional materials. I understand that
beyond granting PHS these rights, I retain all other rights to this photograph.
Printed Name
Signature
P/:>os 'V-
— —
Late summer through early fall
is time to pay homage to the
humble HELIANTHUS'
Aztecs and Incans did. Pure gold sunflower
representations embellished their temples.
Native North Americans did, too, vener-
ating the flower in religious ceremonies. At one time
or another, all sunflower parts were used for food;
brewed into coffee-like beverages; smoked like tobac-
co; employed to treat snakebites, wounds, and blis-
ters; and made into cloth and dye. Early settlers
planted sunflowers around their homes to ward off
malaria. Farmers fed seeds to livestock; miners drank
sunflower whiskey; and tubers of carb-rich sunchoke,
a.k.a. "Jerusalem artichoke” (H. tuberosus), became
an edible staple for both animals and humans.
Spaniards brought them from America and intro-
duced them to Europe, where they became a major
crop in Russia. Van Gogh immortalized them.
France’s Sun King, Louis XIV, made them a symbol
of his reign, and l6th-century English herbalist John
Gerard believed sunflowers "provoked bodily lust.”
All 14 annual and 37 perennial Helianthus species
are native to the Americas. The perennials grow
under wide-ranging conditions: swamp sunflower
(H. angustifolius) likes boggy wet areas; willowleaf
sunflower (H. salicifolius) is more drought tolerant;
and tall, sturdy, multiflowering Maximilian {H. max-
imiliani) prefers hot, dry windswept areas.
Most fascinating,
though, are H. annu-
us. Like an obedient
troupe of smiley
faces, they trace the
course of the sun
across the sky from
east to west, reorient-
ing overnight to
Story by & fa
llene Sternberg
GREEN SCENE • september/october 2007
18
Photo by Alan & Linda Detrick
await sunup again. Actually, in these domesticated
annuals, the inflorescence holds its face obliquely
toward the sun, seldom facing it directly except in
early morning and late afternoon. As the mesmeriz-
ing pageant takes place, the leaves also turn, keeping
their surfaces perpendicular to incoming rays, maxi-
mizing the solar radiation available for photosynthe-
sis. Heliotropism (the action of specialized cells regu-
lating water flow in the stem triggered by sunlight’s
blue wavelengths) reorients the leaf or flower. Once
in full bloom, the heads abandon tracking the sun,
usually face east and bow, concluding their ballet.
Although it seems the plant is perhaps embarrassed
by its performance, it’s actually only protecting itself
from weather and hungry birds.
Beautiful annual cultivars come in rich reds, bicol-
ors, doubles, and semi-doubles in varying heights and
flower sizes for cutting and garden display. We now
have longer-lasting, pollen-free choices: ‘Chianti’,
‘Angel’s Halo’, ‘Sunrich Lemon’, ‘Sunbeam’, ‘The
Joker’, ‘Dorado’, ‘Fantasia’, ‘Ruby Eclipse’, ‘Lemon
Eclair’, and ‘Moonshadow’. While most sunflowers
rapidly grow 5 to 12 feet tall, dwarf cultivars are ideal
for large planters. ‘Teddy Bear’ grows 2 to 3 feet tall,
sporting fluffy' yellow double flowers. ‘Music Box
grows 2 feet, blooming in several autumnal colors,
including yellow, cream, orange, and mahogany.
Like ‘em tall? Tom Heaton, who hybridized an
array of vivid, long-stemmed, pollen-free cultivars,
claims his King Kong of all sunflowers, ‘Sunzilla’,*
20
GREEN SCENE • september/october 2007
tops traditional biggies like 'Russian Mammoth’ or
‘California Greystripe’. And while older varieties
often become top-heavy and fall over in wet or windy
weather, ‘Sunzilla’ was selected for a strong, thick
stalk to support its heavy head. It can reach over 16
feet, producing colossal 24-inch seedheads.
Heatons recipe for gargantuan sunflowers is quite
specific: sow seed directly in the garden (sunflowers
develop fast-growing taproots, often 4 feet long, that
become stunted if confined) when night tempera-
tures climb above 50°F. Late May to early June is
best; later planting may produce shorter stalks.
Sunflowers need 6 to 8 hours of direct sunlight
daily — even more to reach their maximum potential.
In a well-drained location about 2 to 3 feet in cir-
cumference and 2 feet deep, work a slow-release gran-
ular fertilizer containing trace minerals (Heaton uses
Osmocote), composted manure, greensand, dried
seaweed, and/or other enrichments into the soil.
Sunflowers are gluttonous feeders, depleting soil’s
nutrients quickly.
Ideal spacing is 20 inches apart. Closer spacing
may yield taller stalks but smaller heads, while plant-
ing them farther apart may produce larger seedheads
but weaker stems, conceivably unable to carry their
weight. Press groups of 5 to 6 seeds about 8 inches
apart and 1 inch deep. Encircle groups with snail bait
and loosely cover emerging seedlings with protective
netting to keep birds away.
In moist soil, seedlings should sprout in 5 to 10
days. When they’re 3 inches tall, pull out all but the
strongest 3 or 4 in each group. At 12 inches, thin to
2, and when 2 feet high, retain the most vigorous
shoot. This gradual thinning guarantees at least one
viable plant if predators damage others.
While plants are small, water root zones about 3 to
4 inches from stems with 2 gallons of liquid fertilizer
weekly. As they enlarge, carve 18-inch moats about 4
inches deep around plants. Pour several gallons of fer-
tilizer into the moats weekly. Avoid spilling fertilizer
directly on stems to avoid rot. Staking is necessary
only under excessively windy conditions. Delay
watering if gusty weather is predicted to reduce their
chances of blowing over.
When the plants are mature (mid-September
through October), petals fall, center florets wither,
seed kernels swell, heads droop, and the back of disks
*‘Sunzilla’ is available from Renee’s Garden,
www.reneesgarden.com, 1-888-880-7228.
GREEN SCENE •
September/ October 2007
I
turn lemon yellow. Split some seeds with a
knife to check if they’re filled. Poorly filled
seeds may be due to lack of pollinating
insects. Climb a stepladder and cover seed-
heads with mesh, burlap, or paper bags to
keep pillaging birds from eating seeds,
unless that’s why you grew them. Cut stalks
at the base when ripened seeds develop
hard shells. Hang heads with 12-inch stems
attached in a warm, dry, well-ventilated,
rodent- and insect-free place. Keep a perfo-
rated paper bag or cheesecloth over the
heads to catch falling seeds. If you plan to
eat seeds or preserve them for bird feeders,
wait until they’re completely dry, then
remove them by hand. Store them in closed
containers.
While gardeners experiment with sun-
flower colors and textures, researchers study
them. There is considerable disagreement
as to whether sunflowers and/or their seed
hulls are allelopathic, meaning they secrete
toxins that inhibit the growth of plants
growing under and around them. Most
observe that nothing grows under birdfeed-
ers where hulls accumulate, but some peo-
ple compost their hulls and other sunflower
residue and claim no injurious results.
Findings reveal that the roots of some
species of sunflower, especially H. annuus
and H. tuberosum , possess the ability to kill
certain weeds, particularly wild mustard
and bindweed. Unfortunately some desir-
able plants (beans, radishes, potatoes and
even snapdragons) don’t thrive where an
abundance of sunflowers have been plant-
ed. Sunflowers are also allergic to them-
selves, something known as “autotoxicity.
Thus, if you plant sunflowers in the same
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place as the year before, they may not flour-
ish. Allelochemicals from leaf extracts,
roots, and seed hulls are all suggested as
possible culprits.
Still, there are many reasons to grow sun-
flowers. Try encouraging some brave annu-
al vines to grow up sunflower stalks.
Children can also plant and play in sun-
flower forests, playhouses or teepees. And
wild or cultivated, sunflower seeds nourish
at least 45 bird species. The flower heads
serve as a feeding perch — very entertaining
to watch, especially when glorious
goldfinches are hungry. However, I’m told
that feeding parrots a diet exclusively of
sunflower seeds is supposed to make them
mean.
Finally, according to the Guiness Book of
World Records, the tallest sunflower on
record measured 25 feet, 5.4 inches, while
the largest head was a massive 32 inches in
diameter. Okay, maybe that wouldn't be an
appropriate flower for your latest tabletop
arrangement, but it’s a pretty impressive
posey all the same. Welcome to the won-
derful world of sunflowers.
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GREEN SCENE • september/oefober 2007
23
The Pennsylvania
Horticultural Society
presents the
2008 Gold Medal
Plant Awards
OLD MEDAL
MAGIC
Since irs initial meetings in 1978, the Gold Medal Plant Award program of the
Pennsylvania Horticultural Society has recognized trees, shrubs, and woody vines of
outstanding merit. The program was conceived by noted nurseryman Dr. J.
Franklin Styer, who realized that homeowners and gardeners needed to know about superior
woody plants for their landscapes. These plants are evaluated and chosen for superb eye-appeal,
performance, and hardiness in the growing region of Zones 5 to 7, though many selections are
hardy in a broader geographic range.
Three lovely trees and a pair of tough-as-nails shrubs have earned the 2008 Gold Medal Plant
Award, and each is a terrific plant for our growing region. When a gardener acquires a Gold
Medal champion, he or she can be assured the plant will be pest and disease resistant and easy
to grow when planted and maintained by recommended methods. Gold Medal Plants are also
chosen for their beauty, whether it be foliage, flower, form, or bark, through several seasons.
24
GREEN SCENE • september/october 2007
TREES
Magnolia vlrglniana ‘Jim Wilson’ Moonglow™
(Sweetbay Magnolia) — A mid-size tree with lemon-scented
blossoms and winter hardiness
Known in the nursery trade as ‘Jim Wilson' (after the longtime host
of PBS’s Victory Garden), Moonglow is a standout magnolia among
the many cultivars derived from the parent plant, Magnolia virginiana.
Retaining most of its leaves throughout a normal Mid-Atlantic winter,
this almost-evergreen native magnolia has a very upright growth habit
(usually multi-stemmed), dark-green foliage, and a long bloom period
in late spring. Moonglow grows to 35 feet tall by 18 feet wide with a
moderate growth rate and prefers acid soil and a part-sun location. Its
fragrant, creamy white blossoms (2 to 3 inches across) lace the air with
a pleasant lemony scent. Pest-resistance, winter hardiness (Zones 5 to
9), and adaptability to wet sites — characteristics shared by the
species — add to its versatility. Better yet, its fruits contain bright red
seeds that birds eat in the fall.
The selection of Moonglow was a painstaking process, according to
PHS Gold Medal manager Joe Ziccardi. “A lot of variation exists in
the species,” he says, “and because of this, the GM committee evalu-
ated many strains of M. virginiana. The committee eventually focused
on select cultivars including Moonglow and ‘Henry Hicks’. While
they decided that Moonglow has the characteristics that warrant the
Gold Medal Award, they all agree that no gardener can go wrong with
any Magnolia virginiana .”
Metasequoia glyptostroboides ‘Ogon’
(Yellow Dawn Redwood) — Adds dramatic yellow foliage to
the spring and summer landscape
This cultivar with bright-yellow needles is smaller than the popular
species of dawn redwood, a majestic living fossil that’s become very
popular in our region. ‘Ogon’ (also known as ‘Gold Rush’) contrasts
well with blues and burgundies in the landscape and turns yellow in
the fall before shedding its needles. It has no pest or disease problems
and tolerates soil types from dry to boggy and acid to alkaline. The
fast-growing tree prefers full sun and will grow to 80 feet tall by 30
feet wide. ‘Ogon’ is hardy in Zones 4 to 8.
Notes Barry Yinger of Asiatica Nursery in Lewisbury, PA, “‘Ogon’
is one of the most valuable trees for bright yellow foliage in the land-
scape. The feathery new growth is gleaming yellow, and as the foliage
ages, it becomes chartreuse, creating a wonderful contrast with the
new growth. It also has an interesting history. It was selected from
seedlings grown from irradiated seed at the Kobe Municipal
Arboretum in Japan, where it grew on the grounds for many years. In
the early 1990s, it was propagated by the Japanese nurseryman
Noboru Sato. He gave me one of the first propagated plants, which 1
brought to the United States. The Japanese name means ‘gold
bullion. ’”
Gold Medal Plants
Carpinus japonica (Japanese Hornbeam) — A shade-
tolerant small tree with interesting ornamental fruit
This hornbeam is a small, deciduous tree characterized by a round-
ed, wide-spreading habit. Its serrated foliage is dark green in the sum-
mer and turns yellowish in the fall. In spring, Japanese hornbeam is
profusely adorned with thumb-sized, cone-shaped nutlets in shades of
cream, tan, and green, which turn brown upon maturity and persist
into fall. Its exotic, Asian demeanor makes it a desirable understory or
small accent tree. It grows 25 feet tall by 15 feet wide in full or part-
sun and is hardy in Zones 4 to 8.
Notes Andrew Bunting, curator at the Scott Arboretum of
Swarthmore College, “At both the Arboretum and along Swarthmore’s
streets, we have used Carpinus japonica as a small street tree for tough
urban situations. It is perfect as a street tree because it’s maximum size
is shorter than most power lines. It is also tolerant of urban pollution,
salt spray, poor soils and compaction. Ornamentally, I like it for its
dark green corrugated leaves, smooth gray bark, and interesting, pen-
dulous fruits. It also has a nice yellow in fall.”
SHRUBS
Cephalotaxus harringtonia ‘Duke Gardens’ (Plum Yew) —
A pest-resistant shrub to replace your deer-munched yews
(Taxus sp.)
ing and relative tolerance to wet or heavy soils makes it a good alter-
native to low-growing yews, where these issues are problematic. It pro-
vides an evergreen foil to winter interest plants like winterberry holly
and Chinese witchhazel. Here at the Morris Arboretum we use it as a
shrubby groundcover on a steep bank.”
THE MORRIS ARBORETUM GARDEN RAILWAY
100 Northwestern Avenue in Chestnut Hill, PA • 215.247.5777 • www.morrisarboretum.org
Discovered in Georgia's Duke Gardens in the 1950s, this plum yew
is a small spreading conifer that, unlike the common yew, is blissfully
deer resistant. Its dark green needles and rounded, vase-like shape
make it useful as a small accent plant, growing 2 to 3 feet in height
and 3 to 4 feet wide. ‘Duke Gardens’ is identified by a more disci-
plined upright habit than ‘Prostrata’ and is useful as a foundation
plant or in a mass planting. It’s best sited in light shade in well-drained
soil, although it will tolerate heavy shade.
Says Paul W. Meyer, the F. Otto Haas Director at the Morris
Arboretum of the University of Pennsylvania, “'Duke Gardens' has
wonderfully clean, glossy, evergreen foliage. Its low-growing habit
makes it useful even in a small garden, and it performs well as a clas-
sic foundation planting under windows. Its resistance to deer brows-
Buxus sempervirens ‘Dee Runk’ (Boxwood) —
Makes a striking vertical accent with cool blue foliage
Need an “exclamation point” to highlight a new planting? If verti-
cal is what you’re looking for, then check out ‘Dee Runk . This box-
wood is an upright, conical evergreen shrub with blue-green foliage.
Deer resistant and pollution tolerant, 'Dee Runk’ adapts well to full
sun and poor soils and is a reliable, stately choice for the formal gar-
den or founda-
tions, as a speci-
men, or in con-
tainers. It grows
to 1 0 feet tall by
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3 feet wide, will tolerate a range of light con-
ditions, and is hardy in Zones 5 to 8.
As Steve Mostardi of Mostardi Nursery in
Newtown Square remarks, “Other than its
humorous name (which the Gold Medal
committee members had a fun time with),
‘Dee Runk' has a number of useful features
and improved characteristics which make it
“best in class” in upright boxwoods. In trials,
it proved to be the most adaptable to sun and
heavy soil conditions. ‘Dee Runk’ also toler-
ates shade and is deer-proof. The slender,
upright shape is just right for foundation
plantings with limited space. What more
could a homeowner ask for?”
For more information, visit
www.goldmedalplants. org
PHS is grateful to the many individuals and organiza-
tions that help support the Gold Medal program. The
Gold Medal Plant Award Committee, a volunteer
panel of horticulturists, nursery owners, landscape
professionals, and home growers, meets twice yearly to
select new plants. The Chanticleer Foundation pro-
vides financial support for the program and highlights
Gold Medal Plants at Chanticleer ... A Pleasure
Garden in Wayne, PA. Staff and members of the
Pennsylvania Landscape & Nursery Association help
force plants and donate plants each year for the Gold
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Newtown Square, PA 19073
610-356-8035 • www.mostardi.com
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plo»,s • Home* cav
GREEN SCENE • september/ocfober 2007
27
28
paradise on the
ROOF
There is a whole other world that
exists in Philadelphia, high
above the sidewalk and pleasant-
ly removed from life below. It’s a place
where herbs stretch toward the hot sun,
flowers blow in the breeze, and patio chairs,
tables, and garden decorations sit snugly
against the backdrop of the city skyline.
Increasingly, Philadelphians are discover-
ing the charm of rooftop gardens. Whether
expansive or cozy, these gardens in the sky
may be the only option for city residents
who don’t have a yard. But before you build
up, consider a few major factors.
WEIGHT
Sitting in a lawn chair and looking across
South Philadelphia through tinted sun-
glasses, Dennis McGlade says his first step
toward creating his rooftop garden was to
call an engineer.
His four-story row home near Cianfrani
Park was already outfitted with a deck, and
he wanted to double-check how the roof’s
weight was transferred to the load-bearing
walls below. The engineer determined that
the deck was built like the floor of
house — stretching from one end of the
home to another — and plenty strong
enough to sustain his vision of colorful pot-
ted plants and parties of up to 10 people.
It’s not that simple for everyone.
“You have to understand the load,” says
Dennis, a longtime resident and landscape
architect who says he reserves his roof gar-
dening just for fun.
His deck, a cornucopia of terra cotta and
Chinese egg pots overflowing with herbs,
hardy foliage, and colorful annuals, boasts a
marble-topped table with a terra cotta
Roman-style bust, a cast-iron table, and an
umbrella.
Dennis grows hardy shrubs, including
shrub roses, gold lace junipers, and red and
yellow twig dogwoods from year to year. For
color, he adds oleanders, mandevillas, and
white heliotropes each season.
To keep things moist, he uses a battery
powered 35-foot soaker hose set on a timer
twice a day. He designed the garden to
block out the unsightly antennas of neigh-
bors. Over the years, Dennis says he has
simplified the garden and scaled back on
the parties: “When I first started I was into
flowers, but carrying annuals up four flights
of stairs got old fast. Now I focus on hardy
foliage plants that don’t require as much
attention.”
The roof garden’s best feature? The
breeze.
“It’s always 10 degrees cooler than the
street,” says Dennis. “On the down side,
because of the wind, the butterflies don’t
come up here. I guess they get blown to
New Jersey.”
“Increasingly,
Philadelphians are
discovering the
charm of rooftop
gardens.”
GREEN SCENE • September/ October 2007
29
Weight: Have a structural engi-
neer or architect check your roof
for its weight-bearing capacity. To
lessen the weight load, use plastic
furniture, lighter potting soil, and
foam pots instead of terra cotta.
Wind: Pay attention to the type of
plants you want to use. Banana
trees and cannas leaves tend to rip.
Place some plants against walls.
Water: Most experts recommend
irrigation systems even if you have
a spigot and hose. Roofs may
have to be sealed. If hand water-
ing, you need to water every other
day. Choose plants whose water
needs are compatible.
Sun: Choose plants like olean-
ders, mandevilla, and roses. Many
rooftop gardeners also grow veg-
etables because they thrive in full
sun.
Design: Make use of your best
views, and if you don’t like a
container arrangement, you can
always move things around.
Cost: Like any garden, set-up
costs can be steep, but remember
that you will enjoy it year after year.
GREEN SCENE
WIND
Restaurant owners Jim Caiola and David
Salama learned about wind the hard way. Five
years ago, they built their fourth-floor apart-
ment and rooftop garden above Beau Monde,
their French-style creperie in the Queen
Village neighborhood of Philadelphia.
“We wanted real terra cotta,” says Jim, a
LaSalle University graduate who serves as the
restaurant’s general manager. “But we went
to plastic when two broke after being
knocked down.”
David, originally from Bolivia, designed
the outdoor space, which he says is a must
for living above the business. The rooftop
deck, lined with a cast-iron fence, is outfit-
ted with dozens of olive, fig, and maple
trees (the olive and fig trees are brought
inside in the winter). The space includes a
Chinese-style “pagoda on a budget,”
including wooden deck chairs and a hot
tub framed by moon flowers. The slow-
growing olive trees are balanced out by fast-
growing topiaries. For color, hydrangea
bushes fit the bill.
“When Dave and I met, he was obsessed
with topiaries,” Jim says. “When we were
traveling in Italy, I fell in love with olive
trees and then we were obsessed with olive
trees. Then David got a maple tree and we
got obsessed with maple trees. We have
eclectic taste.”
Dealing with the wind is really about
plant choice, they say. It was just too windy
for banana tree leaves, which ripped. But
the trial and error was worth it.
“Up here, I feel not only outside of the
restaurant but outside of Philly,” Jim says.
“During sunset, the view of Camden turns
into Prague."
The beautiful but wind-challenged garden of Jim Caiola
and David Salama (pictured above)
Photos this page by Margaret Funderb
SUN
Looking through his floor-to-ceiling
windows, Craig Drake says there’s one
major difference between his rooftop gar-
den and others in Philadelphia. He actual-
ly lives in his.
A jewelry manufacturing executive, Craig
says sunup and sundown are his favorite
times of day in his adobe-style penthouse
apartment in Rittenhouse Square.
“I like every spot,” the longtime resident
says. “I like it in the morning when the sun
is just starting to lick the end of the deck.
At night, I’m here all the time. It’s exciting
when the sun is going down.”
In honor of Craig’s Brazilian-born wife,
the garden boasts hot colors, such as the
annuals blue salvia and bromeliads, which
are indigenous to South America.
To deal with stressful conditions like heat
and wind, the garden includes tried-and-
true plants like junipers, grasses, gerani-
ums, and super hardy vinca vine, according
to Helen Pettengill, who manages the gar-
den for Craig. “I try to combine them
beautifully, playing off their texture and
color,” she says. “It’s how you mix them
that matters.”
In a long bed, she combines junipers,
grasses, and varieties of sedums (no taller
than 12 inches) with orange cosmos in
between.
Pettengill recommends staying away
from delicate plants that can’t handle the
wi nd, making sure to consider height, as
well as choosing colorful, tropical annuals
that can withstand the intense sun. 'A*'
Laura Beitman is senior public relations
coordinator at the Pennsylvania
Horticultural Society, and a freelance writer.
Top Tough plants like junipers and grasses help reduce wind damage in Craig Drake’s garden
Bottom A spacious deck garden for entertaining
GREEN SCENE • sepfember/october 2007
31
Botanical Bouquets
Gather a large bunch c
sunflowers, grasses
By Jane Godshalk
branches and othe
bountiful flower
Harvest
Bounty
Autumn is the time to revel in nature’s abun-
dance, and there’s no better way to celebrate
the harvest than to create a glorious bouquet
with lively sunflowers (see p. 1 8 for more about sun-
flowers). The challenge of working with these big
blooms lies in making room for their large stems and
supporting their heavy heads.
STEP 1: GATHERING
MATERIALS
• Clippers or floral shears.
• A large basket, pot, or bowl. (If not
watertight, line with a bucket or
waterproof liner.)
• Sunflowers (10 to 20 stems,
depending upon size of container
and size of flower heads).
• 8 or more woody branches about
24 inches tall with leaves and cross-
ing stems (ex. beech, smokebush,
pear).
• Grasses and/or wheat.
• Filler flowers, such as celosia, ama-
ranthus, wax flower or liatris.
STEP 2: CONDITIONING
• Harvest all materials in early morn-
ing or evening.
• Branches and sunflower stems
should be split and placed in warm
water for 4 to 6 hours or overnight.
Strip all foliage below water line.
• Grasses should be put into water as
soon as they are picked and will
benefit from a dip in vinegar or
alcohol.
• Cut and place other flowers in
warm water for a few hours or
overnight.
STEP 3: ARRANGING
• Fill pot with water.
• Create a sturdy grid with crossing
stems and leaves. You may remove
excess leaves, but leave all branches
for support.
Completed design contains smoke-
bush, ornamental pear, sunflowers,
wheat, celosia and wax flowers. *A*'
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GREEN SCENE • september/october 2007
33
Cacti & Succulents
Like a lot of people, I’m mad for cacti and other
succulents. Their sculptural shapes and wildly
diverse flowers intrigue me, so they’ve made up a
large portion of my Philadelphia Flower Show entries for
several years. In fact, most of my year-round, greenhouse-
grown plant collection consists of them.
So, with the approach of autumn’s lower light levels and
cooler temperatures, they will all begin slowing down and
going dormant, right? Wrong. A surprising number of
PHSID
PROUFERA
JCCULEHT S'
Above: Patient hand-
pollination over two years
and plenty of water and
fertilizer in summer
resulted in the author’s
rosette-winning specimen
of Mammillaria prolifera.
Right: Unlike cacti and
some other succulents,
aeoniums grow actively in
winter and rest in summer.
That fact helped the
author produce this
winning specimen of
Aeonium ‘Zwartkop’ at
the 2007 Flower Show.
them — all “other succulents,” not cacti — are about to
resume active growth after spending the warm months in
semi-dormancy. This seemingly unnatural growth pattern
has required me to do a little research and observe my
plants carefully.
These days, conducting research is often a matter of
going online and typing in a few keywords. That’s how I
rediscovered an excellent source of information on succu-
lents. The website, www.highlandsucculents.com, provides
useful information on the fine points of dormancy and pro-
vides an extensive list of genera, including summer-dor-
mant and winter-dormant members. Simply put, summer-
dormant (or winter-active) plants need relatively little
water and fertilizer from about April to September in the
Delaware Valley area. However, they benefit from ample
amounts of water and fertilizer from October to March.
The opposite applies to winter-dormant succulents
(including virtually all cacti).
But plants don’t read books or go online, so a key to suc-
cess with cacti and other succulents (and with any plant, for
that matter) is to “read them: watch how they respond to
environmental conditions and the specific care you provide
them. So, while some of my summer-dormant Haworthia
and Aloe plants grow actively during cooler weather and
take a summer rest, others remain more or less active
throughout the year. That means I must pay attention to
their individual needs and not just slavishly follow broadly
drawn rules. (This is even more pertinent to those of you
who grow indoors under lights, where some plants might
never go dormant.)
Speaking of broadly drawn rules, please allow me to dis-
abuse you of another widely held misconception about this
group of plants: that they all require hot, desert-like,
intensely sunny conditions. Not so. I’ve watched some
South American Andean cacti turn to mush in high sum-
mer heat, and many euphorbias, haworthias, and holiday
cacti will suffer a major case of sunburn unless shaded from
strong sun. Many “wild cacti seedlings spend their first
few years in the shade of deciduous plants, so it helps to
provide young cacti a shady spot in summer. As for their
dormancy patterns, it pays to learn about a specific succu-
lent’s heat and light requirements and to observe the plants
under your conditions.
All told, I hope you get as much enjoyment from grow-
ing these plants as I do. And, as this is my final column for
the year, I’d like to say that it’s been terrific fun sharing
some of my “Show Plants” experiences with you. See you at
the 2008 Philadelphia Flower Show!
34
GREEN SCENE • september/october 2007
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GREEN SCENE • september/october 2007
35
Classified Ads
ANTIQUE BOOKS
GARDEN CONCERT
GREENHOUSE AND CONSERVATORY
CONSTRUCTION
Solar Innovations, Janco,
Lord & Burnham and more.
Call Robert J. LaRouche at
Glass Enclosures Unlimited
610-687-2444
RARE & PREVIOUSLY OWNED BOOKS
ON HORTICULTURE & BOTANICAL
PRINTS - Bought and Sold
Polly Goldstein
37 Lochwood Lane
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610-436-9796
Email: GrannyPol@aol.com
BOTANICAL LIGHTING
Botanical Lighting
Specializing in tasteful
architectural and landscape lighting.
Please view our on-line gallery:
botanicallighting.com
or call: 610-519-1212
Serving: Pennsylvania • New Jersey
Boston • Maryland • Washington DC
Triple Oaks Nursery & Herb Garden,
Franklinville, NJ
Sunday - September 9th - 1:30 p.m.
Two World Class Soloists
Classical Guitarist Bert Lams
(' www.bertlams.com ) with guest musician
Tom Griesgraber
An afternoon of instrumental music
and garden tours
$12 donation - RSVP
Information & Directions:
www.tripleoaks.com - 856-694-4272
GARDEN STRUCTURES
HERITAGE STONE & MARBLE
We are an installation and restoration
company who emphasizes long lasting
quality with outstanding craftsmanship.
FLAGSTONE, BRICK-patios and walkways,
COBBLESTONE-edging and paving,
STONE walls, RETAINING walls, MARBLE,
GRANITE-floors, walls, countertops.
215-699-5611 Upper Gwynedd, PA
PATIOS & WALKWAYS
Flagstone - Pavers - Brick
Robert J. Kleinberg
Landscape Design & Construction
610-259-6106
See our work online
100’s of pictures at
www.kleinberg.com
THE SUNWORKS CORPORATION
• Greenhouse Sales: Residential,
Commercial and Institutional.
• Installations: Of greenhouses from
any manufacturer, shading and
ventilation systems.
• Maintenance: Reglazing, reskinning, paint-
ing, cleaning. Emergency repairs.
Call 302-655-5772, ask for John Klein
LANDSCAPE DESIGN
LINDA CORSON
LANDSCAPE DESIGN
• Consulting
• Plans
• Supervision
Registered Landscape Architect
Member ASLA 215-247-5619
CLASSIFIED RATES
Base Rate $3.00 per word
(without formatting)
1 Line $15.00 per line
Formatted Words $5.00
(ex. Bold, Italic or ALL CAPS)
Minimum Charge $60.00
Discount 10% off the second
consecutive ad, using the same copy
Deadlines
January/February Issue (by November 1)
March/April Issue (by January 1)
May/June Issue (by March 1 )
July/ August Issue (by May 1)
September/October Issue (by July 1)
November/December Issue (by September 1)
David Brothers Landscape Services
Bean Road Nursery
Architects, Builders and Nurserymen
Providing the Fine Art of Garden
Construction
and Landscape Restoration
215-247-2992 610-584-1550
610-525-3232
DONALD PELL GARDENS
Creating & maintaining gardens with expert
horticultural craftsmanship.
View our portfolio of landscape designs
online at www.donaldpell.com or call
610-917-1385 for a brochure and
consultation.
PLEASE NOTE: Green Scene does not guarantee advertisement position, and we reserve the right to
edit copy to fit available space. Green Scene ads are scheduled on a first-come, first-served basis until
space is filled for a particular issue.
Please calculate your ad cost based on number and formatting of words, and enclose a check along
with your copy (call for assistance). Green Scene will bill any difference or credit upon publication
of your advertisement. If your new ad arrives very close to deadline, we may deposit your check
until ad is scheduled. If we can’t schedule your ad, your check will be returned.
Make checks payable to the Pennsylvania Horticultural Society.
Send all advertising correspondence to: Joe Soprani, Green Scene
The Pennsylvania Horticultural Society, 100 N. 20th Street, 5th Floor, Philadelphia, PA
19103-1495.
If you have any questions, please call 215-988-8809.
SED design
LANDSCAPE ARCHITECTS
Master Plans and Garden Design,
Water Gardens, Pools & Lighting
610-584-5941
seddesignstudio.com
LARGE SPECIMEN TREES
Large Specimen Trees
20’ American Holly and Colorado Blue Spruce
Delicious Homegrown Fruits and Vegetables
Mid-June through October
INDIAN ORCHARDS
610-565-8387
LARGE TREES
Tree Transfers Inc.
Large Tree Transplanting and Sales
Large Screening & Specimen Plant Material
Garden Restoration, Ponds,
Waterfalls & Patios
215-635-2310
Serving the Delaware Valley since 1987
MULCH
PINE NEEDLE MULCH
Won’t change soil pH
Wholesale and retail
FLOWERS AND MORE, INC.
610-701-9283
renee52@comcast.net
BALED PINE NEEDLE MULCH
Pick up/Delivery/Spreading service
Cedar Run Landscapes
Call for brochure
t -800-LANDSCAPE
www.CedarRunLandscapes.com
NURSERY
800 varieties of Perennials
150 varieties of Annual flats & Proven
Winners
POPES’ GARDENS
1146 Old White Horse Pike, Waterford, NJ
856-767-3343
Unusual Farm Animals on Display
www.popesgardens.com
Triple Oaks Nursery & Herb Garden
• Great Plants • Display Gardens • Programs
Franklinville, New Jersey
www.tr/pleoaks.com
856-694-4272
greatplants@tripleoaks.com
OFFICIAL GHFBN
PHOTO CONTEST RULES
(See page 8 for details)
WHO MAY ENTER
• Amateur* photographers ages 18 and over (‘those who earn less than 1/4 of their
annual income from photography).
• Employees of the Pennsylvania Horticultural Society and its affiliates are not eligible.
SUBMISSIONS
• Photographers may only enter images as 4x6-inch or 5x7-inch prints, either in
color or black-and-white.
• IMPORTANT: On the back of each image, you must write your name, address, email
and/or phone. Optional: You may also include technical information about the photograph
(camera type, f-stop, speed, film type, etc.), as well as background information.
• Original images may be shot on print film, slides, or digital cameras, but all submissions
must prints as stated above (no slides or CDs accepted).
• All photographs must be previously unpublished.
• All photos must have been taken within the past three years (since August 1 , 2004).
• Photos may eventually be mounted on cardboard if we choose to display them.
• If you’d like your images returned, please enclose a SASE with your submission.
• Photos that violate or infringe upon another photographer’s copyright are not
eligible for entry.
• The Pennsylvania Horticultural Society is not responsible for loss of or damage to any
photographs submitted for the contest.
ENTRY FEES
• Photographers may enter 1 photo for a fee of $1 5; 2 to 5 photos for a fee of $25;
or 6 to 1 0 photos for a fee of $40. Fees are non-refundable.
PRIZES
1st Nikon Coolpix L10 digital camera & publication of your photo*.
2nd 100 free photo DigiPrints** & publication of your photo.
3rd One-year PHS Membership & publication of your photo.
Honorable Mentions (10) ....Publication of your photo.
'Publication will occur in PHS's Green Scene magazine (Jan/Feb ‘08 issue) and
on the PHS website.
"From your Digital Camera, Media Card or CD
IMPORTANT DATES
• All entries must be postmarked by September 15, 2007.
• All winners will be notified by November 15, 2007.
FOR MORE INFORMATION:
For questions about the contest, please
email greenscene@pennhort.org for fastest response.
You can also call 215-988-8871 . 1 8
PONDS
UNUSUAL SPECIMENS
PONDS AND WATERFALLS
Design/lnstallation/Maintenance
View our pond video at
www.YourPond.com
Cedar Run Landscapes
1 -800-LANDSCAPE
RARE & UNUSUAL PLANTS
• Specimen plants • Pond plants • Bonsai
• Orchids • Hardy cacti • Tropicals
• Sculptured trees and shrubs • Perennials
• Unique Flower and gift shop.
MUTSCHLERS’ FLORIST & RARE PLANTS
1-800-242-9438
www.mutschlers.com
GREEN SCENE • september/october 2007
37
The Backyard
FOR SMALL GARDENS
East Oak Lane resident
Alex Pollack thought
he had been involved
with everything PHS has to
offer. He was a Tree Tender. He
volunteered at the Flower Show.
He even helped out at the Kids
Grows Expo. So when PHS
launched the City Gardening
Series in 2002, Alex knew he
“had to give it a try.”
The City Gardening Series
offers free lectures, tours, and
demonstrations designed for
people who garden in small
spaces. Chanticleer, a pleasure
garden in Wayne, PA, supports
the series, which has expanded
to become integral to PHS’s
outreach efforts. “At the start of
the program we had 40 classes a
year,” says Marilyn Reynolds, PHS project coordinator. “We’ve
now doubled that.”
The Free Library of Philadelphia co-hosts the series, offering
evening classes at neighborhood branches citywide. Topics
include growing cacti, designing hanging baskets, container
gardening, and starting seeds, to name just a few.
Men and women with extensive horticultural training lead
the classes. Marilyn says, “Our roster of presenters includes
garden writers, landscape architects, and horticulturists. They
are skilled speakers who know how to share their knowledge
with amateurs.”
In addition to lectures and demonstrations, there are also
tours of popular local gardens. Throngs of eager people board
chartered buses for daytrips to Triple Oaks Nursery and Herb
Farm, Awbury Arboretum, Pennsbury Manor, and, of course,
Chanticleer.
Anne Sims, visitor services manager at Chanticleer, says, “It’s
always great having the City Gardening Series folks out to
Chanticleer; they are an engaging and animated group. On
their visits, we like to pass on tips that can be applied to their
home gardens.”
Each session of the series ends with a raffle for items related
to the day’s topic. The prizes often include books, tools, seeds
and plants.
On average, 30 people attend each event. Some show up
occasionally, while others wouldn’t dream of missing a single
meeting. These individuals are affectionately known as “the
regulars.”
Unsurprisingly, Alex Pollack is a “regular." He says, “What
keeps me coming back is the excellence of the speakers. They
know their stuff, and I always leave having learned something
new.”
For Marilyn, her favorite aspect of the series is how it brings
people together: “I’ve witnessed friendships form among peo-
ple from all walks of life. They share tips and information and
even visit one another’s gardens.” ^
City Gardening Series events can be found online at
www.pennsylvaniahorticulturalsociety.org (click on “Calendar”).
For more information, email citygardening@pennhort.org or
call 215-988-8872. These events are free and open to the
public, unless otherwise noted.
38 GREEN SCENE • sepfember/october 2007
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on knowledge of local weather, soil and environmental history.
Innovations in arboriculture by Bartlett have helped improve the
landscape of tree care since 1907.
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PLANTING
SPRING BULBS
page 26
1979 - 2007
Enjoy the Best of Both Worlds!
Cathedral
Village
The Vision our Board
of Directors and
Management
has created
is a secure...
exciting. . .
and vibrant
community
for those who
will appreciate
The Best of Both Worlds!
600 East Cathedral Road
Philadelphia, PA 19128
(215) 984-8622
www.cathedralvillage.com
Spend time “potting” your favorite plants for your home or patio and
learn “tricks of the trade” at our Horticulturist’s weekly seminars.
Practice your “putting” skills on our Professional Golf Green and join
in competition with our “other putters.”
fake advantage of our Fitness Center to swim and exercise. Attend the
many Village College courses offered throughout the year, or take
painting and sculpting classes in our Art Studios.
You can spend as much time as you wish expanding your talents
without concerns about preparing meals every day, housecleaning,
maintenance, medical appointments or transportation. Most
importantly, you have guaranteed security about your current and
future medical care.
This is the Best of Both Worlds where every program and ameniry is
designed and maintained by Cathedral Village management and staff
to enhance your lifestyle.
We invite you to visit, question, and compare!
Come in Monday through Friday between 9 and 3.
Appointments are necessary on weekends.
A Nonprofit, Nondenominational CCRC • Accredited Since 1983
Affiliated With the Jefferson Health System
Contents
Editor
Pete Prawn
20
Associate Editor
Jane Carroll
Assistant Editor
Daniel Moise
Art Design
Baxendells’ Graphic
Printer
ALCOM Printing Group, Inc.
The Pennsylvania
Horticultural Society
26
Web Site
www.pennsylvaniahorticulturalsociety.org
100 N. 20th St.
Philadelphia, PA 19103-1495
215-988-8800
Chair
Harry E. Hill
President
Jane G. Pepper
Executive Vice President
J. Blaine Bonham, Jr.
PHS Membership Information
Linda Davis. 215-988-8776
Display Ads
Manzo Communications, LLC
61 0-527-7047 mmanzo@manzomediagroup.com
Classified Ads
Daniel Moise, 215-988-8871
gsads@pennhort. org
Pioneering Women
Philadelphia’s gardening legacy would be
nothing without the intrepid women of
the past century who helped shape the
gardening scene in our region. Coupling
vivid stories with photos of a long-gone
era, Ilene Sternberg shines a light on the
contributions of these horticultural
heroines.
Dealing with Deer
Deer may be elegant and adorable,
but — as gardeners know — they’re also
major pests! Fortunately, avid bulb
growers John McClain and Mitch Prince
have discovered secrets for keeping deer
at bav and share them here.
EATURES
Cultivating Cranberries
Everybody enjoys a helping of
cranberries while partaking in the
Thanksgiving feast, but how many stop
to appreciate the storied history of this
tart and tantalizing fruit? Lorraine Kiefer
wades through the bogs of southern
New Jersey to pay homage to the
brilliantly red berry.
Gardening from the Heart
A great garden doesn’t just catch your
eye, it stirs your soul. Tucked away
behind a wall of wisteria and
10
delphiniums, the Main Line home of
Daria and Andy Pew has exactly that
effect, as practically every blossom has a
story behind it. Daniel Moise tells the
tale.
COLUMNS
6 The Potting Shed
Ask A Gardener Phone Line
215-988-8777, Monday through Friday,
9:30 to 12 [closed in December]
askagardener@pennhort. org
GREEN SCENE (USPS 955580),
32 Basic Botany
Considering the Climate
34 Botanical Bouquets
Warming Up to Winter
38 The Backyard
Playing at a Philadelphia Park
The Pennsylvania Horticultural Society motivates people to
improve the quality of life and create a sense of community
through horticulture.
Main cover photos: courtesy of
Temple Univ. Ambler Archives.
/ \ PRINTED ON RECYCLED PAPER
Volume 35, No.6, is published bi-monthly
(January, March, May, July, September, November)
by The Pennsylvania Horticultural
Society, a non-profit member organization at
100 N. 20th St., Philadelphia, PA 19103-1495.
Single Copy: $5.00 (plus $2.00 shipping).
Second-class postage paid at
Philadelphia, PA 19103
and additional mailing offices.
POSTMASTER: Send address change to GREEN
SCENE, 100 N. 20th St., Philadelphia, PA 19103.
© Pennsylvania Horticultural Society, 2007
GREEN SCENE subscriptions are part
of the membership benefits for:
Frelinghuysen Arboretum, Morristown, NJ
Horticultural Society of New York
Phipps Conservatory, Inc., Pittsburgh, PA
Staten Island Botanical Garden, Inc, New York
Letter from the Editor
The Grape Vine that
ATE MY
HOUSE
The issue now is how to get
rid of them. The wrong way to
remove a vine is to pull it
from its tip. Doing so will
only get you a few feet of
vine before it snaps off,
leaving its main stem hap-
pily hidden in the heart of
a shrub. Yanking on an
invasive vine’s tip can
also damage the branch-
es of the host tree or shrub.
Instead, you must prepare to get dirty.
Since many of us live in areas rife with deer ticks (and the
threat of Lyme disease), you should cover up as much as possible
before pruning — long pants, sleeves, socks, and perhaps a hat. Once
you’re properly attired and have armed yourself with your cutting
implement of choice (hand pruners, loppers, or a small saw for thick
grape vines), then your horticultural counter-attack may commence.
No pun intended, but to get at the “root” of the
problem, you must literally find where the vine is
growing from. In some cases, that is as easy as find-
ing a single vine stem trailing down the trunk of a
tree. At the base, you would simply cut the stem
and pull its root out of the ground. (Just keep in
mind that snapping a root underground can
inspire dozens of new shoots, making the situation
worse. Some horticulturists even recommend cut-
ting the vine’s stem a foot or two from the ground,
and then treating it with full-strength Round-Up
or a brush killer, but not everyone has the same
comfort level with chemicals.)
However, if you’re simply cutting or pulling vines
out, you’ll find that most aren’t such willing victims.
You may find a vine that has clambered over two
other trees, and that its point of terrestrial origin is
actually 20 feet from where you’re standing. Or you
could discover that those particularly hard-to-
remove grape or honeysuckle vines are inside a large shrub, requiring
you to actually climb into the shrubbery to find where the vine is pro-
truding from the earth. This will take some time and a little sleuthing,
too. But once you find it, feel free to cut the stem close to the ground,
snap your fingers, and say, “Hah! Take that." If that’s the vine’s only
stem, in due time the remainder will turn brown, die and crumble to
the ground.
So heed my words: before you stand on your lawn in late summer
like me, looking gormlessly at an azalea that was just eaten by a hon-
eysuckle, make a mental note to tackle invasive vines earlier in the gar-
dening year, say in late spring. Back then, it’s a mid-sized, yet still per-
fectly manageable job. By the middle of summer, it’s war.
email: greenscene@pennhort.org
tach June I usually take an afternoon,
grab the loppers, and sweep my heavily wooded property
for invasive vines. I failed to do that this year and, as I write
this column in late summer, my landscape is under full attack. The
wild grape vines are devouring a dogwood tree with their powerful
tendrils. Spiky “mile-a-minute” vine is clambering up and over a fence
with gleeful abandon. And my utility shed now has a green roof—z las,
not the environmentally friendly kind, but a fast-moving creature that
is quite enjoying the view up there.
Had I done my seasonal cut-back eight weeks ago, this wouldn’t be
such a dramatic situation. But within that short time, the vines have
begun a ferocious assault, so much so that there’s annual bindweed
twining itself up each blade of my ornamental Miscanthus grass. Now
that’s tenacity. In some ways, you have to admire the botanical aggres-
sion of these plants and their desire to thrive and conquer all who
stand in their way. Equally impressive is their ability to blend in with
their environments — the way a grape vine’s woody lower stem can
hide itself within a maze of rhododendron branches is nothing short
of brilliant.
GREEN SCENE • november/december 2007
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Photos by Pete Prown
The Potting Shed
SEEING THE FORES
Lloyd and Thacher Brown planted
more than 1,000 native hardwood
trees and shrubs this spring on their
Devon, PA, property. However, they admit to
having a hard time seeing the forest for the ...
tube P.
“We live on a tube farm now,” jokes
Thacher, who serves on the PHS Council and
Executive Committee. Hundreds and hun-
dreds of 4-foot-high white plastic tubes now
punctuate 5 1/2 acres along the banks of
Darby Creek, which meanders through their
property and is a prime habitat for wildlife,
including brown trout.
Inside the tubes are 745 tree seedlings,
including red maples, black willows, shagbark
hickories, American sycamores, pin oaks, and
other native hardwoods. Along with 315
native shrubs planted at the same time, these
seedlings will form a “riparian forest buffer,”
an area of forested land adjacent to a body of
water that provides a number of environmen-
tal benefits.
“It’s designed to create a wildlife habitat,”
Thacher says of the deer-resistant trees and
shrubs. “They were planted this spring, and
green leaves started showing up in early June
on the tops of some of the tubes.”
Although the property is shaded with stately
mature trees, deer have eaten the understory,
creating a perfect environment for invasive
plants like multiflora rose and Japanese bit-
By Betsie Blodgett
tersweet — and a poor
one for trout, nesting
songbirds, and native
flora. Lloyd, who was
Flower Show Preview
Committee Chair in
1999, wanted to re-
turn the wetland to its
natural state.
Fruiting winterberry
and chokecherry
shrubs will provide
food for songbirds.
Tree roots will stabi-
lize the stream banks,
while leafy boughs
will cool the water.
Native hardwood
leaves will feed aquatic insects, a food source
for rainbow and brown trout. “More leaves,
more insects, more trout,” explains Sam
High, district conservationist with the
USDA’s Natural Resources Conservation
Service office in West Chester, who worked
with the Browns to develop a conservation
plan and provided a grant for the project.
Earlier this year, after a company called
Weeds Inc. cleared the invasive plants,
Williams Forestry & Associates in Millville,
PA, prepared the wetlands for installation of
the seedlings. “They just stuck them in the
ground, tubes and all,” Thacher says of the
process, “In two years, everything will be out
of the tubes and we ll have some sense of
what it will look like.” The plastic tubes will
protect the young trees from deer browsing
on the tender leaves and new growth, as well
as from mice girdling the trunks during the
cold winter months.
Adds Sam High, “This will take the woods
back to what it might have looked like a
couple of hundred years ago. It will provide a
better balance for the future, too.”
GREEN SCENE • november/december 2007
emerges
from its
protective
tube
The Potting Shed
Cecily Clark’s name is
well known in Flower
Show circles, and
among her many horticultural
achievements, this one might be the
most impressive: she has been
exhibiting at the Philadelphia
Flower Show since the 1940s and
has never missed one. “Back then,
the Show was held in a hall that has
long since been torn down,” she
recalls. “It was a building with beau-
tiful French ironwork holding up
the roof. I was a flower arranger at
the time because back then, there
were no horticulture classes.”
By Daniel Moise
Decades
of Perfection
Entering the Flower Show
with Cecily Clark
This Show hat belonged
to Cecily’s late
husband, John, a
faithful member
of the plant-
staging team
in Hall B
Today, with the Show now held
at the Pennsylvania Convention
Center, Cecily is known precisely
for her horticulture, namely for
amazing potted plants, some of
which she has exhibited for years.
Among her awards, she’s won Best
in Show four times and also
received the Edith Wilder Scott
Award, a very prestigious honor
among plant entrants at the Show.
The secret of her success? “My trick
is to enter a plant in every class it
can belong to,” she says. “It’s sort of
a game and one I love to play.”
In her current menagerie, Cecily
has several trained topiaries, foliage
plants, and one succulent. “1 used to
grow a lot of herbs, such as gerani-
ums ( Pelargonium sp.) and that
rosemary,” she says, pointing to the
windowsill. “And also a dwarf myr-
tle (Myrtus communis subsp. tarenti-
na). In her apartment, Cecily’s col-
lection of Show plants sits in a west-
facing window that provides intense
afternoon sun. She concedes that
the heat is “not much help to the
plants,” but it reminds her to keep
her plants well-watered, and she
believes the moisture keeps bugs
away. She also uses a fan to circulate
the air. “Good air circulation makes
a huge difference to houseplants,”
she notes.
Cecily readily acknowledges that
some of the best tips she learned
over the years came from fellow
Flower Show exhibitors. “Sally
Reath and Dot Keith were friends
and inspirations,” she says. “Dot
once said that there’s a tempta-
tion to propagate a plant from
every piece that’s cut. But
you have to be disciplined
and throw some out.”
She rotates her plants
faithfully, but bears in
mind something former
PHS president Ernesta
Ballard once told her,
8
GREEN SCENE • november/december 2007
Left top: This bonsai-like specimen is
designed with No. 9 wire, which is hard to
bend. At Christmas, Cecily adorns it with
glass ornaments.
Left middle: One of Cecily’s most notable
plants began as a cutting from a wedding
bouquet in 1988. Today it is shaped in a
perfect circle, a difficult but rewarding
shape to maintain.
Left bottom: ‘Yellow ripples' is a potted ivy
from 2005 shaped somewhat like a figure
eight.
which is that “every plant has its
good side.”
When it’s time to bring the plants
down to the Convention Center,
the pots are carefully transported in
inverted cardboard boxes with holes
cut in the top or packed with paper.
For some plants, she puts a brick in
the bottom of a bucket to hold up
the plant and protect its limbs. She
arrives at the Show the second the
doors open, sometimes at 6 am. The
best part, she adds, is “seeing my
good friends again. It’s like going
back to high school. There’s such
joy among the exhibitors.”
Finally, her advice to Flower
Show newcomers is “Just do it! It’s
not so scary.” She would also advise
them to bring a notebook, claiming
she has a pile of notebooks that list
the favorite things she encounters
on the Show floor. Cecily says if she
were to enter the Show for the first
time now she’d pick up one of the
“Challenge Class” plants that are
sold at PHS in September.
“Everyone starts with the same
thing,” she says. “It’s a wonderful
way to build up a collection.”
For all her endeavors, Cecily is
clearly a plant lover first, last and
always. She suddenly points to a
Euphorbia milii sitting on her
kitchen table and exclaims, “Look
at this color — this is great.” ^
The Gardener’s Bookshelf
By llene Sternberg & Pete Prown
Classic Irises & the Men and
Women Who Created Them
By Clarence Mahan
Krieger Publishing Company
International iris
authority Clarence
Mahan has conducted
years of research,
diligently plumbing
French, British, and
American primary and
secondary sources, to
produce this book.
Perhaps only the most
ardent iris fanatic ( you
know who you are) will be willing to spring for
this 400-plus-page scholarly history — market-
ed as the first ever written — on garden irises.
Mahan takes on the taxonomists (doesn’t
everyone?) and goes into delicious detail about
the lives of the movers and shakers and breed-
ers in the iris world since the early nineteenth
century. Unquestionably, this book is an essen-
tial addition for any serious horticultural
library, but even those with merely a passing
interest in irises should find the anecdotes and
garden gossip enlightening, engrossing, and
entertaining.
(418 pp„ $87.50)
Pots in the Garden: Expert
Design & Planting Techniques
By Ray Rogers & Richard Hartlage
Ray Rogers,
a veteran rib-
bon wrangler at
everyone’s
favorite Flower
Show, can ar-
gue for the title
of “pot king”
for his peerless
potted plants.
With this pub-
lication, he demonstrates that he also pos-
sesses excellent skills as a writer and teacher.
With illustrative photographs, Rogers’
book analyzes the aesthetics of good design
and shares tips for selecting, planting, and
arranging containers and their contents in
the garden. It’s helpful and inspiring infor-
mation.
Timber Press
(248 pp, $29.95)
native plant nursery
1214 n. middletown road
glen mills, pa 19342
610 358 4300
redbudnativeplantnursery.com
open march through november
tuesday through Saturday 9 to 5
Sunday 1 0 to 4
9
a working cranberry bog in New Jerseys Pine
Barrens, time stands still. During the long after-
noons of Indian summer, a sea of glistening, jewel-
like fruit sparkles in the sun, as growers harvest the glossy red
berries that have delighted and nourished humans for centuries.
Those who think of cranberries as a canned supermarket item
would be surprised by this idyllic agricultural scene.
Despite the modern farming techniques found at the Joseph J.
White Farm in Whitesbog, NJ, and other nearby growers, the his-
tory of the American cranberry dates back to the Native
Americans. When preparing for long hunting excursions, tribes-
men are said to have brought along pemmican , a dish made from
dried deer meet and ripe cranberries. The fruit was later adopted
by Colonial settlers, who lovingly referred to the berries as “Rubies
of the Pines.’
CRANBERRY CULTURE
The American cranberry (Vaccinium macrocarpon) grows on
small evergreen plants in the acidic soil of southern New Jersey and
other places along the Atlantic coast. These bogs are not really
boggy, but actually have firm sand bases in which the cranberry
vines grow. New Jersey is the third largest cranberry producing area
in the United States with approximately 3,100 acres of cranberry
bogs.
In the wild, cranberry plants typically grow near a river or lake
that floods naturally in winter. On manmade farms, the bogs must
also be flooded so a machine known as a wet harvester can operate
and knock the berries loose. The floating berries at the White farm
are gathered to one side of the bog, lifted into trucks, washed and
rough-sorted in a central station, and shipped in bulk to the Ocean
Spray receiving station in Chatsworth, NJ (the town of
RUBIES
Growing Cranberries
in South Jersey
PINES
10
Photo by Alan and Linda Detri
■■■■■ ■■i ■■■■■
A worker pulls & section of .“pranboorh"
into the harvest ring. This will be '
pulled by hand to ppsh the fruit towards
the elevators that lift the cranberries
from the bog into trucks. *
Chatsworth also hosts a large cranberry festival each October). A
large-scale agricultural cooperative, Ocean Spray is a leading pro-
ducer of canned and bottled juice drinks in North America.
Cranberry plants are low, creeping perennials that root freely via
runners to form a dense mat. Each runner sends up many slender,
5- to 6-inch-high flowers, known as “uprights” or “fruiting spurs.”
Bees are the traditional pollinator for this plant, but with the 17 to
25 million flowers per acre on commercial beds, the natural bee
population can’t keep up, forcing many cranberry growers to rent
honey bee hives. With good pollination, each plant produces fruit.
Although there may be five or six blossoms per shoot, one to three
New Jersey is the third
largest cranberry
producing area in the
United States.
GREEN SCENE • november/december 2007
11
Spinning reels with horizontal bars
knock the fruit off the vines
Joe Darlington
and Brenda Conner
are both
5th-generatioft
cranberry growers
Photo by Alan and Linda Detrick
full-sized berries is usually the norm. The small, oblong leaves of a
cranberry plant are white in winter and turn brilliant green when
spring arrives.
Although cranberries spend most of their life cycle on dry land,
they are wetlands plants, and water is essential for cranberry pro-
duction. There are several distinct times when water is needed:
First, water provides frost protection at the beginning of the sea-
son. Water is then needed during the growing season, as the porous
sand soils dry out quickly, and insufficient water can quickly injure
vines. Since berries can be damaged by the heat when temperatures
are above 85° to 90°F, water from sprinkler irrigation at the farm
protects immature fruits from sunscald during New Jersey’s hot
summers. Large volumes of water are also required to flood the
beds for harvest, usually 2 to 3 acre-feet. Finally, cranberries need
a wintertime flood from December through April or May to pro-
tect the vines from cold-weather damage.
GROWING AT HOME
Fortunately, homeowners can grow cranberries without flooding
their gardens, but there are some special considerations. Like rho-
dodendron, mountain laurel, azalea, blueberry, and other wood-
landers, cranberries are finicky about their soil. It must be very
acidic (pH 4-5), very high in humus, moist, and low in fertility. To
create these soil conditions, mix a generous amount of peat
moss — humus that is low in nutrients — into the soil.
Cranberries
Even’ four to six years during the winter months, commercial
growers apply a layer of sand to their bogs to reinvigorate the vine
growth and force the plants to produce uprights and berries.
Homeowners may use sawdust, leaves, or pine needles to mulch
their cranberry plants for winter.
Cranberry roots usually go only 6 inches deep, but their slender,
evergreen stems spread over the ground, often growing a couple of
feet or more in all directions each season. Small white flowers
emerge in earlv summer, each of which nods downward from
curved stalks. Later in the season, shiny red berries can be seen
hanging on the wiry stems, and the cranberry fruits cling to the
plant all winter.
i
BERRY DELICIOUS
Cranberries have very few calories and are rich in Vitamin C,
but they are so tart that chefs often combine them with sugar.
Those on restricted diets find that honey or sugar-free gelatin pro-
vide the same effect. Cooked cranberries also blend well with other
fruits such as apples and oranges, as well as nuts.
When cranberries are added to vinegar, wine, or vodka, the color
and flavor of the fruit is extracted into the liquid. Cranberry vine-
gar and oil makes a delicious salad dressing. Toss a handful of dried
cranberries, goat cheese, and walnuts with crisp greens for a
delightful fall salad.
In winter, consider stringing some cranberries with popcorn
along the branches of a tree for the birds. These “Jersey jewels” can
be threaded with a thin wire and incorporated into wreaths or
heart-shaped trims for the Christmas tree. Indeed, there are
dozens, if not hundreds, of ways to enjoy the venerable cranberry.
Who would have thought you could get so much from such a
small, unassuming fruit? ^
Cranberry plants are available year-round from Triple Oaks
Nursery, 2359 Delsea Dr., Franklinville, NJ, 856-694-4272,
www.tripleoaks.com . For more on the Joseph J. White Farm and
cranberry harvesting in Whitesbog, NJ, also see Jane Pepper’s
article “Cranberries: A Growth Industry” in the September 1983
issue (available in the PFIS McLean Library).
©PNC
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A Garden of
MEANING
16
GREEN SCENE • november/december 2007
« y ■ 'fhe moment you think you’ve
done everything in the garden,
-A. a new idea will come out of
nowhere,” says Daria Pew, describing her
garden planning. And indeed, the two-acre
Gladwyne, PA, property she, her husband
and son call home displays several years’
worth of actualized inspiration. Though
dozens of garden enthusiasts have passed
through on tours, the underlying symbol-
ism and sentiment that imbue the gardens
hold special meaning for the Pews.
When Daria first moved into the home
16 years ago there was nothing but lawn.
She used trial-and-error methods at first,
but once a bed of peonies took off there
was no looking back. “1 can’t deny that I’m
obsessed, I feel as though I’ve found my
calling — but at least it’s a healthy obses-
sion!” she exclaims.
First, Daria set out to under-plant every
tree. Mostly towering oaks, the trees now
have ferns, hostas, or geraniums growing
underneath, adding lushness and serenity
to the landscape.
Assisting Daria in her gardening endeav-
ors was her father, Richard, who passed
away in March 2007. Daria describes him
as multi-talented and attributes the proper-
ty’s beauty to his imaginative ideas and
admirable work ethic. One of Richard’s
final projects inhabits the far end of the
property near the swimming pool. It is a
topiary dubbed the love garden due to the
plants shaped as an Xand O, representing a
kiss and hug. The border of the garden con-
sists of Korean boxwood, and the interior
features an array of herbs. “When I look at
this garden I see my father’s influence. It is
comforting, a way to keep his memory with
us,” Daria shares.
Other evidence of the Pews’ affection
for symbolism and heritage includes a
bed oi dianthus in the shape of a heart
and, in the herb garden, an antique chair
that once belonged to the mother of
“When I look
at this garden,
I see my
father’s influence.”
— Daria Pew
mr ' dt
Story by
Us V
Daniel Moise
Right: Delphiniums, poppies, and alliums
festoon the garden in late spring
Below: PHS President Jane G. Pepper
(2nd from left) with the Pew family
Above: Whimsical garden
sculpture by Marty Long
Left: Leadership Level
members enjoy an
evening in the
Pew garden
B. Gullan
Daria’s husband, Andy.
The garden has some entertaining ele-
ments, too: large-scale wooden carvings of
popular fictional creatures adorn the prop-
erty. Sculptor Marty Long created each of
the five memorable children’s characters,
including the appropriately named Pepe Le
Pew and Winnie the Pooh, the latter of
which was commissioned to commemorate
the birthday of Daria and Andy’s son,
Westy.
Owl from the Pooh stories sits in the
front of the house, proudly perched in a
curved garden full of tall species that buffer
noise from the road. The area features wis-
teria, tree peonies, larkspur, and delphini-
um by the score. A variety of clematis grows
out front and around the property, offering
stunning purple blooms in late spring. Also
featured are cranesbill, pale yellow irises,
and forget-me-nots.
Overall, Daria’s garden style evokes the
aura of an English country cottage. The
plants and landscape aren’t severely mani-
cured; rather they are able to thrive — and
seem content and healthy as a result. An
abundance of roses, such as moss roses and
antique selections, adds to the cottage feel.
The David Austin rose ‘Constance Spry’ is
one of Daria’s favorites.
But head and shoulders above the rest,
roses or otherwise, is what Daria calls her
pride and joy. The rambling rose
‘Tausendschon’ (the name means “1,000
beauties” in German) adds color and joi de
vive with its countless blush-pink blossoms.
The plant prospers in a tall, old umbrella
stand in the backyard. ‘Blue Eyes’ and ‘Blue
Angel’ clematis, planted in memory of
Daria’s father, grow nearby.
“Gardening is a very personal thing,”
says Daria. “What you like, someone else
might not, but you have to do what’s right
for you. I like to incorporate plants and
items that have personal significance and
meaning. My garden tells my story.”
GREEN SCENE • november/december 2007
19
1
of HORTICULTURE
Honoring Women from
Philadelphia’s Gardening Past
Long before the modern women’s
movement, some formidable
Philadelphia females were break-
ing new ground. Early in the twentieth
century, these progressive women recog-
nized that aside from the traditional teach-
ing, nursing and charity work, horticulture
could provide a vehicle for improving
women’s vocational prospects. They mobi-
lized to educate gardeners, pioneered the
garden club movement, and launched sev-
eral vital organizations that transformed
lives and landscapes. Though their names
are unfamiliar to many, we should all doff
our garden hats in appreciation to them.
Their far-reaching legacy empowered
women, widened career opportunities, and
stimulated the kind of community activism
that PHS’s Philadelphia Green program
exemplifies today.
AMERICA'S FIRST GARDEN
CLUB FOR WOMEN
With a Iudor Rose and the motto Furor
Hortensis (“Garden Mad”) for its seal, the
Garden Club of Philadelphia was formed
in 1904 by Ernestine Abercrombie
Goodman and Elizabeth Price Martin,
becoming the first American club of its
type for women. Meeting at the home of
Letitia Glenn Biddle at Andalusia in Bucks
County, the club set out to promote inter-
est in garden design and management,
encourage civic planting, and help protect
wildflowers and native plants. The Bulletin
of the Garden Club of America referred to its
firs: president, Ellen Stuart Patterson, as
“The Duchess of Chestnut Hill” and “The
Mother of Garden Clubs” and declared
that her “faithfulness, tact, charm and ^
passionate love of flowers” was the *
club’s chief inspiration and guiding
spirit. Another of its founding mem-
^ ■
bers was the mother-in-law of current PHS
president Jane G. Pepper.
The club studied horticulture and con-
servation and carried out numerous beauti-
fication projects, including the rehabilita-
tion of Bartram’s Garden. One member
detailed the club’s first attempt at civic
planting in 1911: “After a precarious trip
across the Schuylkill River in rowboats,
[we] personally planted forsythia on Peter’s
Island which we still admire as we follow
the River Drives to town. ” Considering the
boned corsets, high-buttoned collars, long
skirts, petticoats, hats, gloves, and umbrel-
las that were de rigueur at the time, it must
have been quite an outing.
A SCHOOL OF THEIR OWN
A few years later, Jane Bowne Haines II
founded the Pennsylvania School of
Horticulture for Women (now Temple
University Ambler) to “teach a practical
remunerative art, offer possibilities of sci-
entific and practical investigation, and
open a new field of healthful labor for
women, one where they could “live and
dream, not be expected to do household
work,” and could focus on learning. Miss
Haines lived part-time at Wyck in
Germantown, home to nine generations of
the Wistar/Haines family, where she man-
aged a family nursery business prior to
opening the school on the
f -
71 -acre McAlonan farm in Ambler.
The school’s two-year residential pro-
gram offered botany, horticulture, floricul-
ture, fruit and vegetable growing, soil sci-
ence, and farm management with optional
courses in canning and preserving, bee-
keeping, and farm carpentry. (Students
helped build the school’s first greenhouse in
1911, which still stands.) For each lecture
hour, students received two hours of practi-
cal training in the gardens and fields. In
dark tunics, skirts to mid-calf, white shirt-
waists, and high-top boots, students were
considered suitably outfitted as dirt farmers
living a wholesome country life in a coun-
try community. (Financial concerns led to
the school’s merger with Temple University
,,, 1958.)
Haines once wrote, “The natural garden-
er is a genius, born rather than made, with
the solid head of a cabbage, the heart of a let-
tuce, the strength of an onion, the rooting
qualities of a carrot, and the persistence of
crabgrass. ”
21
Heroines of Horticulture
Right and below:
Students at the
Pennsylvania
School of
Horticulture for
Women (PSHW)
/
22 GREEN SCENE • november/december 2007
Not surprisingly, Miss Goodman and
Mrs. Patterson sat on the School of
Horticulture’s board of directors along with
botanist, conservationist, crusader and edu-
cator Mira Lloyd Dock (1853-1945), the
“Mother of Urban Forestry.” When Dock
joined the Pennsylvania Forestry
Commission, she became the first woman
ever appointed to a government post in the
Commonwealth. Another board member,
the multi-faceted garden expert Mary
Helen Wingate Lloyd (1842-1934), had a
remarkable “Iris Bowl” garden visited by
thousands during the 1920s. PHS’s
McLean Library houses her collection of
rare botanical works of the sixteenth and
seventeenth centuries. Elizabeth Leighton
Lee, one of the country’s first landscape
architects and the first practicing female
landscape architect in Philadelphia, served
as the school’s director until 1924.
Louise Carter Bush-Brown followed for
another 28 years, overseeing many changes
and expanding enrollment. Co-author with
her husband of one of the all-time popular
garden guides, Americas Garden Book, she
also organized settlement house workers
and garden clubs into the Neighbor-
hood Gardens Association in 1953
to sponsor local beautification programs
in low-income neighborhoods. (The
Neighborhood Gardens Association
remains active today.)
GARDENING FOR THE
GREATER GOOD
In 1914, Jane Haines pushed to establish
the Woman’s National Farm & Garden
Association (WNFGA), hosting a national
gathering to discuss ways to unite horticul-
tural and agricultural interests of city and
country women. Some 400 attendees met
in the School ol Horticulture barn, which
was decorated with rhubarb and dogwood
blossoms, and discussed small fruit culture
and raising broiler chickens for profit.
Prolific author Louisa Boyd Yeomans King,
onetime editor of McCall’s magazine and
an early advisor to the school, became pres-
ident of the new association. Local VPs
were Jane Haines, Mrs. Martin, and Miss
Lee.
Lee and Beatrix Farrand were the first
garden consultants to the Garden Club of
America, which formed the same year “to
stimulate the knowledge and love of gar-
dening among amateurs; to share the
advantages of association through confer-
ence and correspondence in this country
and abroad; to aid in the protection of
native plants and birds; and to encourage
civic planting.” The Philadelphia group
and 12 other garden clubs met at Stenton
in Germantown and elected Elizabeth
Martin (this was one busy lady) as its first
president. Ellen Patterson was honorary
president until 1915, and Mary Lloyd,
director from 1928-33, edited the club’s
Bulletin for 40 years.
World War 1 was the impetus to mobilize
even further. The School of Horticulture
Heroines of Horticulture
A MOST VITAL INFLUENCE
Elizabeth P. Martin served as president of
the Garden Club of America until 1 920. At
her retirement, the group passed a resolu-
tion stating, “Mrs. Martins leadership from
the very beginning of our organization
been our mainstay. During the war,
President not only kept life in the clubs,
made them powerful factors in food
tion. Since the war, she most ably
over the Association in a time of rapid
until now we properly call ourselves the
vital influence in all this land against
door ugliness and for out-ofdoor
At Elizabeth Martin’s death in 1932, Ithe
flags in the City of Philadelphia hung
half mast.
The author wishes to thank Jenny Rose
Carey, director of the Landscape
Arboretum of Temple University Ambler,
for her assistance with this article.
Touring through
Philadelphia Garden
History
In the Philadelphia area,
Plant Lovers Discovery Tours
offers self-guided excursions
or group jaunts called
Progressive Women in
Horticulture. These tours
celebrate these women and
other trailblazers and the
collaboration that made their
achievements possible,
exploring their lives and the
places associated with them.
4 rt
For detailed itineraries, visit
www. plan tloverstours. com ,
or call Sharon Lee at
610-543-1024.
24 k GREEN SCENE • november/december 2007
J
offered 12-week “Lieutenant’s and
Captain’s” war courses in vegetable garden-
ing, fruit growing, canning and preserving.
Mrs. Martin also rallied her troops:
“America is at war, and the Garden Club of
America must assume what responsibility
its name implies.” She and Louisa King
were made directors of the Bureau of
Registration and Information of the
National League of Women’s Service under
the U.S. Department of Labor, which,
among other functions, “furnished garden
clubs with information about planting,
canning, and kindred activities.”
The U.S. Council on National Defense
requested that WNEGA organize various
women’s agricultural groups to form the
Woman’s Land Army of America.
Spearheaded yet again by Jane Haines, this
group trained 20,000 “farmerettes” to grow
food for U.S. and European citizens and
troops, preventing starvation for thousands
of European families.
Home of the Lewis W. Barton Arboretum and Nature Preserve
Member, Greater Philadelphia Gardens
For more information: 8oo.33i.43o? or www.medfordleas.org
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GREEN SCENE • november/december 2007
25
I
Planting & Protecting
John McClain and Mitch Prince
love to garden so much that they
have more than one garden. In
fact, they have more than one house, maintain-
ing two primary residences in Philadelphia’s
western suburbs, each of which has gardens
flush with spring bulbs by the score. But
achieving those endless beds of color requires
constant vigilance to keep deer from consum-
ing the tender, delectable bulbs.
26 j GREEN SCENE • november/december 2007
‘Tilted Manor" in Wynnewood
1
■V ]
m
E A
Story and Photography
by Pete Prown
GREEN SCENE • november/december 2007
John McClain
BULBS BY THE THOUSANDS
Both men practice law (bankruptcy and
real estate) in Center City, though they
joke that they sometimes spend more time
gardening than working. John and Mitch’s
main house in Gladwyne is wryly called
Tilted Acre, owing to a sloped backyard
that drops off into woodland. In the space
of just a few years, the two have trans-
formed the hillside into a series of dramat-
ic terraces with large retaining walls crafted
by an Italian stone mason.
Within the beds at Tilted Acre are literal-
ly thousands of spring bulbs, including rare
hybrid tulips, daffodils, alliums, fritillaria,
and hyacinths. They even have a rare
voodoo lily ( Dracunculus vulgaris).
Says Mitch, “It’s a burgundy shade and
blooms for slightly more than a week. The
smell is rather foul, so it is advised that you
don’t grow it near your house. But we like
it there, just off the porch — it’s a conversa-
tion piece.” Elsewhere in the garden you’ll
find gardenias, Japanese maples (Acer
palmatum), nandina, and hundreds of vio-
let larkspur blossoms that John liberally re-
sows each year.
At John and Mitch’s other property, a
grand old house dubbed Tilted Manor, the
two installed gardens along the driveway in
spaces that were once pavement. Adorning
the lawns are a variety of sculptures,
notably a stork, dog, and other artistic ani-
mals made of copper. Daffodils and tulips
are planted by the score, and much of the
planting takes place between Christmas
and New Year’s Day in hopes they’ll be
ready for bloom in spring. “We once had
10,000 bulbs dropped off on the front
yard, and that was just one of the ship-
ments that year,” John says. “I’ve planted as
many as 1,000 bulbs a day. It’s a lot of
work, but very much worth the effort.”
The Barnes Foundation
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1891-1892, BF235.
Visit the Barnes Foundation this fall and
winter and enjoy an unparalleled aesthetic
experience inside the Gallery and
outside in the Arboretum.
The Barnes Foundation's collection of French
Impressionist, Post-Impressionist, and early Modern
paintings is unsurpassed in breadth, quality, and depth.
The collection also includes important examples of African
sculpture, American paintings and decorative arts, Old
Master paintings. Native American art, Asian art, and
ancient artifacts, which provide a rich context for the study
of art and aesthetics.
The Arboretum, which features an exceptional collection
of rare trees and woody plants from all over the world, a
fern collection, formal gardens, and a lilac grove, provides
an unparalleled environment for horticulture education.
The 12-acre Arboretum, which surrounds the gallery
building, reflects and enhances the beauty of the art inside.
For information on visiting the Barnes Foundation please call B10-667-0290.
To learn about art and horticulture classes and workshops offered at the Barnes,
please contact the Education Department at 610-667-0290, ext. 3825, or the Arboretum at 610-667-0290, ext. 1071.
THE BARNES FOUNDATION
300 North Latch’s Lane, Merion, PA 19066 610-667-0290 www.barnesfoundation.org
GREEN SCENE • november/december 2007
29
^ Gladwyne
ST y «
property
m
• f >V/
rf o
f A •
OH, DEER!
John, in particular, is quite serious about
deer control and employs a number of
techniques to keep them from feasting on
the bulbs sitting just under the soil. For
example, the gardens include plenty of alli-
ums, which are unappealing to deer, as well
as peppermint because deer cannot tolerate
the strong methanol scent. But John notes
that peppermint is the only mint that has
this effect (and it tends to overcrowd a gar-
den bed, so you have to keep it in check).
Garlic and onion also deter the deer. “But
deer will eat anything if they’re hungry
enough,” Mitch adds, “even hibiscus.”
For repellents, the natural liquid product
Deer-Out has earned a thumbs-up in John’s
book, and he says it has a far more pleasant
odor than other products. They also use
fishing line draped between trees, which
browsing deer find unpleasant and avoid.
While the two try to keep deer out, howev-
er, “Hummingbirds and butterflies are
always welcome,” John says.
30
GREEN SCENE • november/december 2007
GARDEN CHORES
People who visit John and Mitch’s proper-
ties can’t believe there isn’t a full-time gar-
dener or a team of landscapers. Mitch does
a lot of the hardscaping and stone work,
while John is quite proud of his Kubota, a
large tractor used for landscaping chores.
“My neighbor says I need to see a psychia-
trist since I spend so much time roto-till-
ing,” jokes John.
The gardens change on a regular basis.
Mitch says that John moves trees like other
people move furniture. Even stone walls are
taken down and rebuilt elsewhere. When it
comes to planting and deconstructing gar-
den beds, John says “it’s easier putting one
in than taking one out.”
When it’s time for planting bulbs each
fall, John tills the soil weeks ahead of time
and applies generous amounts of mulch.
“But I don’t worry about colors,” he adds. “I
like whatever color combinations sprout up,
especially with the bulbs. I haven’t seen any
I don’t like, and it’s exciting because you
never know what you’re going to get.”
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GREEN SCENE • november/december 2007 | 31
Basic Botany
By Jessie Keith
TEMPERATURE
CHANGE AND
PHENOLOGY
Global temperatures have
increased 1°F since 1900 and
are projected to rise up to 6°F
in the next 50 years, causing
the growing season to length-
en. Flow might plants
respond?
Research suggests that
spring bloomers will flower
earlier. Dr. Abu Asab in
| Washington DC ran a 29-year
t study of trees’ flowering pat-
terns. By the end of the peri-
o od, 100 tree species from 44
| families bloomed three to five
Q.
Basically, buds are set in the fall, dormancy is maintained
through winter, and buds break in spring.
There are two types of winter dormancy: endodormancy
and ecodormancy. Both protect plants from untimely bud
break, but each function differently. Then there’s vernal-
izationi, the winter-chilling period that controls flowering.
Endodormancy is the deep dormancy required by
many temperate perennials. It ensures that plants break
bud after winter and is regulated by hormones in the ter-
minal meristems (topmost buds). Endodormancy is initiat-
ed by cooler temperatures and shorter days and is broken
by a period of chilling followed by longer days. Insufficient
chilling reduces or disrupts bud break and decreases the
plant’s vigor.
ECODORMANCY is a transient or light dormancy that’s
brought on by unfavorable growing conditions, such as
cold temperatures, low light, or insufficient water. It can
precede and follow endodormancy. Ecodormant plants will
grow again when favorable conditions return.
VERNALIZATION, like endodormancy, is controlled in the
terminal meristems. Along with light levels, it controls
flowering in many temperate species. It’s especially vital for
fruit and floral crops, like apples, cherries, and tulips.
Chilling must occur below 45°F for 200 to 1,000 hours
depending on the species, for flowering to occur.
Many plants experience all of these dormancy factors in
the course of a season, but
phenology can be altered in
various ways if important
environmental cues like tem-
perature change rapidly.
Climate Change
and Plant
Phenology
uring that stretch of uncommonly warm days
last December, 1 strolled along the Brandywine
River and saw an improbable sight: happily
blooming snowdrops. “Wow!” I exclaimed to my husband,
“What’s with this bizarre balmy weather ... and what other
surprises will it bring?” These questions inspired me to
explore the effects of temperature change on winter dor-
mancy and the timing of bud break, flowering, and fruit-
ing, an area of plant science known as phenology.
DORMANCY
Dormancy occurs in perennials when the meristems (the
growing points found largely at shoot and root tips) stop
growing in response to environmental cues like tempera-
ture and light. For temperate plant survival, winter dor-
mancy is as essential as sleep is for us human beings.
32
GREEN SCENE • november/december 2007
Late-summer asters like
Symphyotrichum novi-beU
and other perennials
may bloom later if
summers heat up
ers keep personal flowering and fruiting records to track
local trends.
As far as those precocious December snowdrops, their
chilling requirements are short, so by early
winter they are already ecodormant. This may mean more
holiday snowdrops in years to come.
days earlier. Likewise, a study of 385 British plant species,
conducted by Dr. Alastair Fitter, showed they bloomed
four and a half days earlier after just 10 years. Comparable
results have been found in Central Europe and China.
Conversely, late-season bloomers may flower later. Dr.
Elsa Cleland of Stanford University recently
examined the effects of increased temperature
on 12 prairie species. Plants responded differ-
ently based on their seasonal bloom times.
Those blooming before the hottest day of
summer flowered or fruited earlier, and those
blooming after it flowered or fruited later.
Higher temperatures from the "urban heat
island effect," in which large cities are hotter
than their local surroundings, may intensify
the effects on city plants. Studies in China,
Europe, and North America found that trees
like apple and cherry bloomed earlier in urban
areas than nearby rural specimens did.
Moreover, early spring ephemerals and insect-
pollinated plants reacted more dramatically to
higher urban temperatures than late spring
bloomers and wind-pollinated plants.
Some speculate that warming will create
untimely warm winter weather and increase
frost damage as plants are coaxed into earlier
blooming, but studies are inconclusive.
The consequences of temperature change
on plant phenology are not yet fully under-
stood. The 250,000+ plant species across the
globe’s diverse habitats will certainly react in
different ways. Researchers suggest that grow-
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Amaryllis... or Hippeastrum ? What is the
correct genus name for this bulb? Although
greenhouses often call both of these stun-
ning bulbs “amaryllis,” those that come
from South Africa are actually Amaryllis ,
and those from South America are
Hippeastrum. Structurally they are the
same, and Dutch flower growers have
solved the problem by labeling their flowers
Amaryllis/Hippeastrum. To those of us who
not botanists, however, the
Amaryllis is considered acceptable for both.
A SIMPLE WINTER
ARRANGEMENT:
STEP 1 - GATHERING
You will need:
• Several stems of amaryllis
• A variety of greens. Here, you see
boxwood, pine, rose hips, Christmas
bush ( Ceratopetalum gnmmiferum),
and pine cones.
• A bowl or basket lined with plastic
and filled with floral foam
• Stakes or sticks about the length of
the amaryllis
• Cotton or cotton balls
• Clippers
STEP 2 - PREPARING
• Soak floral foam and cut to shape of
basket or bowl.
• Select a basket lined with plastic (or
use one with a plastic dish in it).
• Cut sticks or stakes to about two
inches shorter than the amaryllis
stems.
• Cut greens to varying heights.
STEP 3 - ARRANGING
• Add greens and berries and/or flowers
to the basket, leaving space in the
center for the amaryllis.
• Fill amaryllis stems with a little water
and plug with cotton.
• Insert amaryllis stems into the center
of the oasis by making a hole with
your finger for each stem. Keep your
thumb on the base of the stem until
you insert it into the foam.
• Stems may be tied together with dec-
orative cording, wire or raffia.
ALTERNATIVE DESIGNS
For a long-lasring show of amaryllis,
cut the stems short and place them in a
vase with a few greens and water. Here
you see boxwood and pine. Make sure
that your water stays clean by adding a
teaspoon of bleach and changing it fre-
quently. There is no need to stake short-
er stems.
Another way to show off the dramatic
amaryllis plant is to put the potted flow-
ers into a basket, add a few greens (floral
foam may be cut into pieces and put into
plastic bags to hold greens), and tie the
stems decoratively.
AMERICAN PHILOSOPHICAL SOCIETY
Scholarly publishing since 1771
RENAISSANCE VISION FROM SPECTACLES TO TELESCOPES
Vincent llardi
Vincent llardi tells the story of the history of eyeglasses from their invention in Italy ca.
1286 to the appearance of the telescope three centuries later. “By the end of the sixteenth
century eyeglasses were as common in western and central Europe as desktop computers
are in western developed countries today.”
Memoirs of the American Philosophical Society
Vol. 259 ISBN: 978-0-87169-259-7 $85.00
THE TEMPLE OF NIGHT AT SCHONAU
John A. Rice
Between 1796 and 1800 Baron Peter von Braun, manager of Vienna’s court theaters,
transformed his estate at Schonau into an English-style landscape park that included the
Temple of Night, a domed rotunda accessible only through a meandering rockwork grot-
to. Only the ruins of the Temple of Night survive, and John Rice brings it back to life by
assembling the many descriptions of it by early nineteenth-century eyewitnesses.
Memoirs of the American Philosophical Society
Vol. 258 ISBN: 978-0-87169-258-0 $70.00
THE LIBRAY OF BENJAMIN FRANKLIN
Edwin Wolf 2nd and Kevin J. Hayes
In the late 1950s, Edwin Wolf 2nd embarked on a bibliographic odyssey to reconstruct the
“lost” library of Benjamin Franklin after discovering the unique shelfmarks Franklin used
to identity his books. His work, unfinished at the time of his death, was taken up by Kevin
J. Hayes as the tercentenary of Franklin’s birth approached. Everything found to date,
close to 4,000 entries, has been compiled here.
Memoirs of the American Philosophical Society
Vol. 257 ISBN: 978-0-87169-257-3 $100.00
ESSAYS AND REVIEWS IN HISTORY AND HISTORY OF SCIENCE
Charles Couston Gillispie
Charles Gillispie has assembled a collection of essays representing an eclectic selection
of his writings, spanning more than half a century. Included with these writings are new
prefatory editorial comments to many of the essays. An appendix listing other titles pub-
lished by the author is given as well.
Transactions of the American Philosophical Society
Vol. 96, Part 5 ISBN: 978-0-87169-965-7 $24.00
A PORTRAIT OF ELIZABETH WILLING POWEL, 1743-1830
David W. Maxey
David Maxey offers a persuasive study of a late-eighteenth century portrait and its sub-
ject. Elizabeth Willing Powel occupied an influential position in Philadelphia society
during and after the Revolution. Personal loss touched her deeply and, at a critical
moment, Philadelphia limner and sign painter Matthew Pratt captured on canvas the
grief she experienced.
Transactions of the American Philosophical Society
Vol. 96, Part 4 ISBN: 0-87169-964-8 $24.00
Order online at fulfillment@amphilsoc.org or contact our fulfillment service:
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GREEN SCENE • november/december 2007
35
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If you have any questions, please call 215-988-8809.
DONALD PELL GARDENS
Creating & maintaining gardens with expert
horticultural craftsmanship.
View our portfolio of landscape designs
online at www.donaldpell.com or call
610-917-1385 for a brochure
and consultation.
LARGE TREES
Tree Transfers Inc.
Large Tree Transplanting and Sales
Large Screening & Specimen Plant Material
Garden Restoration, Ponds, Waterfalls & Patios
215-635-2310
Serving the Delaware Valley since 1987
MULCH
PINE NEEDLE MULCH
Won’t change soil pH
Wholesale and retail
FLOWERS AND MORE, INC.
610-701-9283
renee52@comcast.net
BALED PINE NEEDLE MULCH
Pick up/Delivery/Spreading service
Cedar Run Landscapes
Call for brochure
1 -800-LANDSCAPE
www.CedarRunLandscapes.com
NURSERY
Triple Oaks Nursery & Herb Garden
• Great Plants • Display Gardens • Programs
Franklinville, New Jersey
www.tripteoaks.com
856-694-4272
greatplants@tripleoaks. com
PONDS
PONDS AND WATERFALLS
Design/Installation/Maintenance
View our pond video at
www.YourPond.com
Cedar Run Landscapes
1 -800-LANDSCAPE
UNUSUAL SPECIMENS
RARE & UNUSUAL PLANTS
• Specimen plants • Pond plants • Bonsai
• Orchids • Hardy cacti • Tropicals
• Sculptured trees and shrubs • Perennials
• Unique Flower and gift shop.
MUTSCHLERS FLORIST & RARE PUNTS
1-800-242-9438
www.mutschiers.com
Wholesale Dutch Bulbs
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Narcissus |ce Follies #8201
Select from 800 Dutch flower bulb varieties for
unmatched garden display and naturalized
landscapes. Visit us at www.vanengelen.com for
our 48-page price list and website specials.
^ V&vi €r\$ckr\
23 1\ilip Drive • PO Box f»38
(T5 Banlam, CT 06750
Qj (860) 567-8734 PA92
www.vanengelen.com
Buy where the professionals buy.
Many pictures and information on our website
www.botanyshop.com • Joplin, MO
or call 888-855-3300 for prices and information.
THUJA X ‘GREEN GIANT’
Screening Alternative to Leyland Cypress
& New England’s Dying Hemlocks
O Plants 8"-3 1 /2ft. tall
$3.00 to $45.00 each
• New USDA Release
• Pennsylvania Gold
Medal Plant Award
• Tough, Fragrant. Tall,
Skinny Evergreen
• Deer, Bagworm &
Disease Resistant
• Fast Growing.
3’ to 5' / Year
• Zone 4-9
www.knockoutroses.com
Reblooming
Hydrangea
VALLEY FORGE AMERICAN ELM
• The Most D.E.D
(Dutch Elm Disease)
Resistant American Elm
Ever Tested
• New U.S.D.A Release
- also -
PRINCETON
AMERICAN ELM
y size - $20 each
RAILS
ARBORS • *
TRELLISES
im
GATES
ARCHWAYS
OBELISKS
TOWERS " '
PAVILIONS
SELECT FROM OUR POPULAR LINE
PERGOLAS OF PRODUCTS OR LET US
BENCHES CUSTOM DESIGN/BUILD TO
YOUR SPECIFIC NEEDS.
FENCES
The^> Painted Garden^, Inc.
(215) 884-7378
WWW.THEPAINTEDGARDENINC.COM
304 EDGE HILL ROAD. GLENSIDE, PA 19038
SHOWROOM BY APPOINTMENT
GREEN SCENE • november/december 2007
37
The Backyard
NEW LIFE
By Jane Carroll N EG L ECT E D C I T Y PA R K
For too long, the neighborhood park at N. 47th Street &
Lancaster Avenue in West Philadelphia was no place you’d
want to be. With its broken benches, decrepit playground
equipment, dismal landscape, trash, and broken glass, Muhammed
Park was a symbol of urban abandonment and neglect, a haven for
drug dealing and other illegal activity. “You name it — it was going on
there, recalls neighborhood activist Mike Cormany.
The seeds of change were planted about two years ago, when the
Philadelphia Empowerment Zone (a federally funded redevelopment
program) began to refurbish the commercial strip along Lancaster
Avenue in collaboration with the city's Neighborhood Transformation
Initiative (NTI). Through its NTI contract, Philadelphia Green start-
ed working with Cormany and other neighbors to clean up two vacant
lots on N. 46th Street. The volunteers not only cleaned the lots, but
also turned one into a “village square” for use as a community meet-
ing place.
Attention turned next to the dismal Muhammed Park (formerly
Durham Park). Philadelphia Green staff set up meetings with com-
munity residents to determine priorities for the site, and they decided
the most pressing needs were new benches, a new playground, and
long-overdue tree pruning.
“We started looking for partners,” says Cormany, who is co-chair of
the restoration committee for the nonprofit Philadelphia Weed &
Seed, a program that focuses on strategies to reduce crime and revital-
ize communities.
And partners they found: The Empowerment Zone and the
William Penn Foundation each committed funds for park improve-
ments, adding to money provided by Philadelphia Weed & Seed.
Project NEAT (Neighborhood Environmental Action Teams), an
environmental education project of the American Cities Foundation
that engages Philadelphia residents in stormwater issues, also made a
commitment. It awarded $35,000 toward a new playground with a
porous surface to help alleviate excess storm runoff.
Building on this support, the city’s Department of Recreation
donated labor to replace all of the wood on park benches, prune the
trees, and remove the old playground equipment. One of its contrac-
tors installed the new equipment at no cost. The Department also
hired a part-time seasonal maintenance attendant from the communi-
ty to pick up trash. Crews from a work-training program called Ready,
Willing & Able [ profiled in the Feb. 2004 issue ] helps keep the perime-
ter of the park clean and mowed. Neighborhood schools, churches,
mosques, and other volunteer groups have become involved as well.
The new playground was unveiled in August, and neighborhood
children were more than ready to try it out. Cormany says the
spruced-up park has been in heavy use by people of all ages. “There
have been summer camps there, a “Community Day” event, and a
neighborhood bazaar,” he says. “The goal is to continue to work with
the community to encourage people to use the park. The more good
things that happen in the park, the less it will be used for negative
activity.”
Philadelphia Green is now helping to organize a formal “Friends of
Muhammed Park” group to ensure long-term stewardship for the
park. The group will receive support through Philadelphia Green’s
Parks Revitalization Project, which helps reclaim community parks
throughout the city and now includes more than 80 friends groups.
“It’s very different from how we usually work,” explains CR
Robinson, a Philadelphia Green senior project coordinator.
“Normally, we encourage park groups to partner their efforts with
ongoing neighborhood development. In this case, existing neighbor-
hood partnerships connected to the park, and from those efforts, a
new park group is being formed. The improvements already made will
build community confidence that something positive is being done.
We hope to inspire and encourage people to start thinking about the
future of the park. So, stay tuned; this is just the beginning at
Muhammed Park."
For more information on PHS’s Parks project,
visit www.philadelphiagreen. org.
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