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MODERN FRENCH SONGS
VOLUME II
MODERN
FRENCH SONGS
EDITED BY PHILIP HALE
VOLUME II
GEORGES TO WIDOR
FOR HIGH VOICE
BOSTON : OLIVER DITSON COMPANY
NEW YORK : CHAS. H. DITSON & CO. CHICAGO : LYON & HEALY
\
COPYRIGHT, 1904, BY OLIVER DITSON COMPANY
CONTENTS
GEORGES, ALEXANDRE (1850- )
Gavotte of the Masquerade [Gavotte du masque)
GODARD, BENJAMIN (1849-1895)
Remembrance [Te souviens-tu?) c
Come and embark! {Embarquez-vous /) 8
Love [U amour) it
GOUNOD, CHARLES (1818-1893)
To Spring {Au Printemps) 17
Medje 23
The Valley {Le Fallon) 31
HAHN, REYNALDO (1874- )
The perfedl hour [Uheure exquiie). Chansons grises, No. 5 38
Could my songs their way be winging [Si mes vers avaient des ailes!) 41
HOLMES, AUGUSTA (1847-1903)
A Threnody (Thrinodta). Chants de la Kitharede, No. 3 44
An Irish Noel {Noel d'lrlande) 49
HUE, GEORGES (1858- )
Memories of yore {Brises d''autrefois) 53
INDY, VINCENT D' (1852- )
Madrigal. Op. 4 58
A Sea Song [Lied maritime) 62
LALO, EDOUARD (1823-1892)
The Captive {Uesclave) 68
LEMAIRE, GASTON (1854- )
Countess, in thy dancing [Fous dansez, Marquise) 7 1
LEROUX, XAVIER (1863- )
The Nile {Le Nil) 77
MASSENET, JULES (1842-1912)
Provence Song {Chant Provencal) 84
Open thy blue eyes {Ouvre tes yeux bleus) 88
How brief is the hour {^le Vheure est done breve) 92
PALADILHE, EMILE (1844- )
Havanaise 94
PESSARD, £MILE (1843- )
Good morning, Claire! {Bonjour, Suzon!) 104
PIERNE, GABRIEL (1863- )
Serenade {Serenade). Op. 7 " 109
ROPARTZ, J. GUY (1864- )
l^ViWzhy {Berceuse) 1 15
ROTHSCHILD, BARONESS WILLY DE
Why with your lovely presence haunt me {Si vous navez rien a me dire) 120
SAINT-SAENS, CAMILLE (1835-1921)
The Bell {La Cloche) 124
Moonlight {Clair de lune) 130
vi CONTENTS
rAGi
THOMAS, AMBROISE (i8i 1-1896)
Evening {Le Soil) '34
THOME, FRANCIS (1850- )
A Love Sonnet {Sonnet d\imonr) ^3°
WIDOR, CHARLES M. (1845- )
The Sigh (J'««/>//) H©
INDEX
[ ENGLISH ]
[ FRENCH ]
COMPOSER
VOL.
PAGE
COMF0«»» vol.
MCI
Bell, The
Saint-Sagns
II
124
Amour, L*
Godard II
>3
Bells, The
Debussy
I
65
Au Printemps
Gounod II
17
Bygone Days
Delibes
I
99
Berceaux, Les /
Faur6 I
117
Captive, The
Lalo
II
68
Berceuse
Ropartz II
U5
Clouds, The
Bouval
I
32
Bonjour, Suzon!
Pessard II
104
Come and embark
Godard
II
8
Brises d'autrefois
Hue II
53
Could I forget ?
Chretien
I
56
Chant Hindou
Bemberg I
I
Could my songs their way be
Chant Proven9al
Massenet II
84
winging
Hahn
II
41
Clair de lune
___^Faur^ I
112
Countess, in thy dancing
Lemaire
II
71
Clair de lune
Saint-SaBns II
130
Cradles, The
Faurd
I
117
Cloche, La
Saint-Saens II
124
Dead, The
Chausson
I
52
Cloches, Les /
Debussy I
65
Death of Lovers, The
Debussy
I
81
Embarquez-vous !
Godard II
8
Ecstasy
Duparc
I
105
Esclave, L' s/
Lalo II
68
Evening
Thomas
II
134
Extase
Duparc I
105
Evening Harmony
Debussy
I
74
Filles de Cadix, Les V
Delibes I
91
Ferret, The
Br^ville
I
38
Fleur messagere
Bouval I
28
Flower Message, A
Bouval
I
28
Furet du bois joli, Le
Br^ville I
38
Gathered Rose, The
Franc k
I
141
Gavotte du Masque
Georges II
I
Gavotte of the Masquerade
Georges
II
I
Hal' Luli
Coquard I
^° ^
Good morning, Claire!
Pessard
II
104
Harmonie du Soir
Debussy I
74 '^'-^^O
Hal- Luli
Coquard
I
60
Havanaise
Paladilhe II
94
Havanaise
Paladilhe
II
94
Heure exquise, L' /
Hahn II
38
Hindoo Song
Bemberg
I
I
11 pleure dans mon coeur
Debussy I
68
How brief is the hour
Massenet
II
92
J'ai tant de choses k vous dire
Ferrari I
126
If thou shouldst tell me
Chaminade
I
48
Jours passes
Delibes I
99
In the Woods
Bizet
I
13
Lied
Franck I
141
Irish Noel, An
Holmes
II
49
Lied maritime
d'Indy II
62
I 've such a host of things to
Madrigal
d'Indy II
58
tell you
Ferrari
I
126
Mariage des roses, Le
Franck I
135
Love
Godard
II
13
Medj^
Gounod II
^3 _^
Love Sonnet, A
Thomd
II
138
Mort des amants, La
Debussy _I_
8i>-r^
Lullaby
Ropartz
II
"5
Morts, Les
Chausson I
52
Madrigal
d'Indy
II
58
Nil, Le
Leroux II
11
Maids of Cadiz, The
Delibes
I
91
Noel d'Irlande
Holmes II
49
Marriage of Roses
Franck
I
135
Nuages, Les
Bouval I
32
Medj6
Gounod
II
23
Ombre des arbres, L'
Debussy I
88
Memories of Yore
Hue
II
53
Ouvre tes yeux bleus ^
Massenet II
88
Moonlight
Faur^
I
112
Parfum de fleur
Blanc I
24
Moonlight
Saint-Safins
II
130
Pastorale
Bizet I
'9
Nile, The
Leroux
II
77
Que je t'oublie?
Chretien I
56
Open thy blue eyes
Massenet
II
88
Que I'heure est done breve
Massenet II
85?r'-^7
130
Pastoral
Bizet
I
19
Romance
Debussy I
Perfed Hour, The
Hahn
II
38
Roses d'hiver, Les
Fontenailles I
Perfume of a Flower
Blanc
I
24
Roses d'Ispahan, Les
Faur^ I
121
Provence Song
Massenet
II
84
S^r^nade
Piern^ II
109
Remembrance
Godard
II
5
Si j'^tais jardinier •
Chaminade I
43
Romance
Debussy
I
85
Si mes vers avaient des ailes!
Hahn II
41 ^'L
Roses of Ispahan, The
Faur^
I
121
Si vous n'avez rien k me dire
Rothschild II
120
VIU
INDEX
[ ENGLISH J
[ FRENCH ]
COMPOSER
VOL.
PAGE
COMPOSER
VOL.
«'AG1
Sea Song, A
d'Indy
II
62
Soir, Le
Thomas
II
'34
Serenade
Pierne
II
109
Sonnet d'amour
Thom^
II
'38
Shadow of Trees, The
Debussy
I
88
Soupir
Duparc
I
108
Sigh, A
Duparc
I
108
Soupir
Widor
II
140
Sigh, The
Widor
II
140
Te souviens-tu?
Godard
II
5
Tears fall in my soul, The
Debussy
I
68
Thrtnodia
Holmes
II
44
Threnody, A
Holmes
II
44
Tu me dirais 4
Chaminade
I
48
To Spring
Gounod
II
17
Vallon, Le
Gounod
II
31
Valley, The
Gounod
II
31
Vieille Chanson
Bizet
I
13
ViUanelle
Berlioz
I
7
ViUanelle
Berlioz
I
7
?Vere I gardener
Chaminade
I
43
Vous dansez, Marq
uise Lemaire
II
7>
Why with your lovely presence
haunt me
Rothschild
II
120
Winter Roses
Fontenailles
I
130
JULES MASSENET
CHARLES GOUNOD
CAMILLE SAINT-SAENS
I - -
i
A
t
\
Kit
1
J
•^ "'
X^ -
-i ■
'iMui„
saw*- :i .'il
EDOUARD LALO
AUGUSTA HOLMES
BENJAMIN GQDAKO
m^
s
'"^^SUr
1
^^^^L -----
b
VINCENT D INDY
ALEXANDRE GEORGES
GEORGES HUE
MODERN FRENCH SONGS
I
BIOGRAPHICAL SKETCHES
Greater attention has been paid in the preparation of these sketches to the ultra-modern com-
posers, or to those comparatively unknown in this country, than to those whose lives are recorded
at length in English music didionaries. An exception has been made in the case of Berlioz, Masse-
net and Saint-Saens, with a view to the dates of compositions.
The reader will find much information concerning the operas, oratorios and cantatas of composers
here mentioned by consulting Adolphe Jullien's " Musiciens d'Aujourd'hui," i vols. (Paris, 1 892-
94). Other books of reference are the Mercure de France (published in Paris monthly), the volumes
of collefted /f«/7/f/o«J by "Willy," or "L'Ouvreuse" — Henri Gauthier-Villars (1890-1901); and
Gustave Robert's "La Musique a Paris" (i 894-1 900).
When the name of a city is not mentioned in connection with the performance of an opera or
other work, the town of that performance was Paris.
Abbreviations: a. — aft; ace. — accompaniment; cant. — cantata; comp. — composed; dr. leg. — dra-
matic legend; dr. or. — dramatic oratorio; dr. sc. — dramatic scene; dr.sym. — dramatic symphony;
fant. — fantasia; in coll. — in collaboration; lyr. com. — lyric comedy; lyr. dr. — lyric drama; lyr. ep. —
lyric episode; lyr. pant. — lyric pantomime; lyr. sc. — lyric scene; lyr. sym. — lyric symphony; lyr. tr.
— lyric tragedy; mus. com. — musical comedy; m. d. — music drama; mim. — mimodrama; op. — grand
opera; Ope. — the Paris Opera; op. c. — opera-comique; O/). C. — the theatre of the Opera Comique,
Paris ; or. — oratorio ; ov. — overture ; pant. — pantomime ; perf. — performed ; sc. — scena ; son. — sonata ;
sym. — symphony; sym. p. — symphonic poem.
GEORGES, ALEXANDRE
Born at Arras, February 25, 1850. Pupil at the Ecole
Niedermeyer, Paris, where he took prizes. Organist of
St. Vincent de Paul and teacher at the Ecole Nieder-
meyer. "Le Printemps," op. c. i a. (Paris, 1888);" Poemes
d'Amour," lyr. op. 3 a. (Paris, 1892); "Charlotte Cor-
day," lyr. dr. 3 a. (1901); incidental music for Villiers
de risle- Adam's " Nouveau Monde " ( 1 883) and "Axel "
(l 894) ; for "Alceste" ( 1 89 1 ). "Notre Dame de Lourdes,"
«r. (1899); "Le Chemin de Croix," <jr.; "Naissance de
Venus," lym. />. ( 1 898) ; music to the " Passion ; " "Danses
Chantdes;" "Chansons de Miarka" (1895) ; songs, etc.
GODARD, BENJAMIN
Born at Paris, August 1 8, 1 849 ; died at Cannes, January
II, 1895. Pupil of Richard Hammer and Vieuxtemp;
pupil of Reber (composition) at Paris Conservatory, he
competed in vain for the prix de Rome, 1866-67. Violin-
ist, quartet player (viola) and condudtor. He was awarded
the Prix Chartrier by the Institute of France for "merit
shown in the department of chamber-music."
Operas :"PedrodeZalema,"fl/>. 4^. (Antwerp, 1884);
«Jocelyn," op. 4 a. (Brussels, 1888) ; "Dante," lyr. dr.
4 a. (i 890) ; " La Vivandiere,"(5/i.f. — orchestration com-
pleted by Paul Vidal (1895); "Les Guelfes," op. 5 a.
— overture played in 1883 — -(Rouen, 1902).
Stage music to Legendre's "Beaucoup de bruit pour
rien," after Shakespeare (1887); to Fabre's "Jeanne
d' Arc "(i 891).
Orchestral: "Scenes poetiques" (1879); "Diane,"
dr. poem (1880); Symphonie ballet (1882); Gothic sym-
phony ; Overture dramatique (1883) ; "Symphonie Ori-
entale" (i884);"Symphonie legendaire"(i886);orches-
tral suites "Lanterne Magique," "Bresilienne;" "Sur la
Montagne;" "Kermesse;" "Tasse," dr. sym. in three
parts for solo voices, chor. and orch. (prize of City of
Paris, with Dubois' "Le Paradise Perdu," 1878).
Concertos : two violin concertos — No. 2, "Concerto
Romantique" (1876); piano concerto (1878).
Chamber music : Sonata for 'cello and piano ; Scenes
Ecossaies for oboe and piano; sonatas for violin and
piano ; piano trio ; string quartet.
Many piano pieces; "L'Aurore," for bass and orches-
tra (1882) ; over one hundred songs.
See H. Imbert's study in " M^daillons contemporains "
(Paris, 1903).
MODERN FRENCH SONGS
GOUNOD, CHARLES FRANCOIS
Born at Paris, June 17, 1818; died at Saint-Cloud, Oc-
tober 17, 1893. Pupil of Reicha; then of Hal6vy and
Lesueurat the Paris Conservatory ; prix de Rome, 1839.
Organist and condu(ftor of the Missions. Conductor of
the Orph^on. Member of the Institute, 1866.
Operas: "Sapho," op. 3 a. [Ope., 1851); "La Nonne
Sanglante," op. 5 a. (Ope., 1854) ;" La Colombe" (Baden,
i860); "Le M6decin Malgrc lui," 3 a. (Th. Lyrique,
1858) ; "Faust," 5 a. (Th. Lyrique, 1859) ; "Phil(^-mon
et Baucis," 3 a. (Th. Lyrique, i860); "La Reine de
Saba," 5 a. {Ope., 1 862); "Mireille" (Th. Lyrique, 1 864);
"Rom6o et Juliette," 5 n. (Th. Lyrique) ;" Cinq-Mars,"
4 a. {Op. C, 1877); "Polyeude," op. 5 a. {Ope., 1878);
" Le Tribut de Zamora," 4 a. {Ope., 1 88 1 ). Stage music to
"Ulysse,"(i852);"Les Deux Reines" (1872) ;"Jeanne
d'Arc" (1873). Oratorios: "Tobie" (Lyons, 1854);
"Gallia" (London, 1871); "The Redemption" (Bir-
mingham, 1882) ; "Mors et Vita" (Birmingham, 1885).
Masses, cantatas, motets, psalms, choruses, symphonies,
orchestral pieces, chamber music, songs, piano pieces.
Author of method for Cor k pistons ; " Etude sur le ' Don
Juan' de Mozart;" "Etude sur 'Ascanio' de St. Safins"
(1889) ; "M6moires d'un artiste" (1897). See "Notice,"
by H. Delaborde (1894); also by Th. Dubois (1894);
"Ch. Gounod et son ceuvre," by L. Pagnerre (1890).
HAHN, REYNALDO
Born at Caracas, Venezuela, August 9, 1874. Pupil of
Massenet at the Paris Conservatory, he took minor
prizes 1888-91. "I'le du reve," 3 a. (Paris, 1898); "La
Carmelite," mus. com. 4 a. (1902) ; "Nuit bergamesque,"
sym. p. (1897) ; incidental music to Daudet's "L'Obsta-
cle" (1890).
HOLMES, AUGUSTA MARY ANNE
Born at Paris of Irish parentage, December 16, 1847;
naturalized Frenchwoman in March, 1879; died at
Paris, January 28, 1903. Pupil of Lambert (Versailles),
Klos^ and Cesar Franck.
Operas : " H^ro et Leandre " (Op^ra Populaire, 1874);
"Les Argonautes" (concert performance, 1881); "La
Montagne Noire," /yr. dr. 4 a. {Ope., 1895).
Psalm "In Exitu" (1873); "Astarte," ov. (1875);
Andante Pastorale from a sym. "Orlando Furioso"
(1877); "Lutece," sym. (2d prize, City of Paris), ist
performance at Angers (1884); "Pologne," sym. p.;
"Irlande," sym. p. (1882); "Pro Patria Ludus," sym.
ode for ch. and orch. (after a mural picture by Puvis de
Chavannes — Conservatory concert, 1 888) ; "Triomphe
de la Rc^publiquc," triumphal ode (Palais de I'lndustrie,
1889) ; "Hymne alaPaix," for Dante and Beatrice Fes-
tival (Florence, 1890); "Au Pays bleu," orch. suite
(1891); "Hymne a Apollo," solo voices, ch. and orch.
(i899);"Andromede," jy«./>. (i90o);"Veni Creator;"
' Dale given me by the composer. " 1851 " is the year in the records of the Paris Conservatory.
" Les Sept Ivresses ; " "Vision de Sainte Th^rese" ( 1889) ;
" La Vision de la Reine," cant. ; music to Bordese's cycle
"Contes Mystiques;" a setting of poems by Catullus;
a hundred or more songs, some of them signed by her
"Hermann Zenta."
Henri Gauthier-Villars wrote of her in 1889 : "Some-
body spoke of her as 'a pretentious blue-stocking.' Oh,
no ! She wears boots, boots with spurs on them. She is
certainly not a woman in her use of the brass in the ' Ode
Triomphale ; ' here she is a whole regiment ; and at any
rate she may justly be called, 'La Fiancee du Cymba-
lier.'"
See Villiers de I'Isle-Adam in "Chez les Passants;"
Imbert's" Nouveaux Profils de Musiciens" (Paris, 1 892) ;
Saint-Saens "Harmonic et M61odie" (pp. 225-239).
HUE, GEORGES ADOLPHE
Born at Versailles, May 6, 1858. Pupil of Reber and
Paladilhe at the Paris Conservatory ; prix de Rome,
1879; Cressent prize, 1881 ; City of Paris prize, 1885.
"Les Pantins," op. c. 2 a. (1881); "Rubezahl," sym.
leg. (1886); "R^surredlion," sacred episode (1892) ;"Le
Berger," ballad ; Fantasia for violin (1893) ' stage music
for "La Belle au bois dormant" (1894) ; "Coeur bris6,"
pant. (1890); "Le Roi de Paris," »/>. 3 a. (1901); "Ti-
tania," 1903; Symphony (1882); "Resurrection," sa-
cred episode (1890-92) ; "Sommeil d'Hercule" (1892) ;
"Kunesse," cant. (1897); "Scenes de Ballet" for orch.
(1897).
See an elaborate biographical sketch in the Musical
Courier (N. Y.), May 15, 1 90 1.
INDY, PAUL MARIE THEODORE VIN-
CENT D'
Born at Paris, March 27, 1852.' Studied for the bar
against his will, and preferred the lessons in harmony of
Lavignac and the piano lessons of Diemer. Served dur-
ing the Franco-Prussian War, then became connedled
with Colonne's Concerts du Ch^telet as kettledrummer,
afterward chorus-master. Entered the Paris Conserva-
tory to study the organ with C^sar Franck : ist accessit,
1875. He then left the Conservatory to study counter-
point and composition with Franck. In 1887 he became
chorus-master of the Lamoureux concerts and he helped
prepare the first performance of "Lohengrin" in Paris
(Eden Th^itre, May 3, 1887). One of the founders of
the Soci^t6 Nationale de Musique, he became president
after the death of Franck. He was one of the founders
in 1896 of the Schola Cantorum, of which he is now
director. He was a Wagnerite of the early seventies. As
conductor, he has travelled extensively.
Stage works : " Attendez moi sous I'orme," i a. {comp.
1876-78 ; Op. C, 1882) ; "Fervaal," musical adtion in
3 a. and a prologue {comp. 1889-95 ; Monnaie, Brussels,
1897); " L'Etranger," musical a<5lion (Brussels, 1903);
BIOGRAPHICAL SKETCHES
XI
incidental music to Alexandre's "Karadec" (1891); to
Mendes' tragedy "M^d<5e" (1898).
Orchestral works : "La Foret Enchant^e,"ym. ballad
(1878); "Wallenstein," trilogy after Schiller [lomp.
1873-81) ; "Piccolomini" {perf. 1874) ; "Mort de Wal-
lenstein "(/i^r/; 1880) ;"Le Camp "(1884; first perform-
ance as a whole, 1888); "Saugefleurie," legend (comp.
1884; perf. 1885); symphony for piano and orch. on a
French mountain air [comp. in 1886 iperf.in 1887) ;Fan-
taisie on folk-songs for oboe and orch. (1888); "Istar,"
symphonic variations {comp. 1896 -yperf. Brussels, 1897) ;
varied choral for saxophone and orch. (1903) ; symphony
in B flat, 1904). Suite from the music to "M^d^e."
Chamber works : piano quartet (1878) ; suite in D in
the old style for trumpet, two flutes and strings ( 1 886) ; trio
for piano, clarinet, 'cello (1886-87) » '** string quartet
(1890); 2d string quartet (1897-98); "Chanson et
Danses," for wind instruments (1898).
Vocal works : " La Chevauch^e du Cid," scene for bar.
and orch. (composed as a song 1877 ; remodelled and per-
formed in 1 884) ; " Le Chant de la Cloche," dr. leg. after
Schiller — City of Paris prize of 1886 — {comp. 1879-83 ;
perf. 1886) ; "Clair de Lune," voice and orch. (1880) ;
"Ste. Marie Magdeleine," cant. (1885) ; "Sur la Mer,"
chorus for female voices (1888) ; "Deus Israel," motet
(1896); "Lied maritime," for voice and orch. (1896); a
few songs.
Piano pieces : "Poeme des Montagnes," suite (1881) ;
"Helvetia," three waltzes (1884); "Schumanniana,"
three pieces (1887); "Tableaux de voyage," thirteen
pieces (1889).
"La Chanson des Aventuriers de la Mer," bar. and
orch. (1870); "Symphonic chevaleresque : Jean Hun-
yade" (1876) ; overture "Antoine et Cl^opatre" (1877),
are not included by M. d'Indy in the manuscript cata-
logue drawn up by him, nor is the cantata for the inaugu-
ration of Augier's statue at Valence (1893).
D'Indy is the librettist of his two serious operas, a col-
laborator with Tiersot in colleilions of folk-songs, the
editor of Solomon Rossi's madrigals, and the author of
a "Cours de Composition musicale," of which only the
first volume has been published as yet — 1904.
See Imbert's "Profils de Musiciens" (Paris, 1888);
"'Fervaal' devant la Presse" (Paris, 1897); "Fervaal,"
by Etienne Destranges (Paris, 1896).
LALO, EDOUARD VICTOR ANTOINE
Born at Lilie, January 27, 1823; died at Paris, April
23, 1892. Studied at Lille with Baumann ; at Paris with
Habeneck (violin), SchulhofFand Crevecceur (composi-
tion). Viola of the Armingaud-Jacquard Quartet.
Stage works: "Fiesque," op. 3 a. (1867, not per/.);
"Namouna," ballet, 2 a. {Ope., 1882) ; "Le Roi d'Ys,"
e/). 3 <7. (0/>. C, 1888); "N6ron,"/>fl«/. (189 1); "La Jac-
querie," op. 4 a. (only the first adt — completed by Co-
quard; Monte Carlo, 1895).
Orchestral: "Divertissement" (1872); Allegro ;"Rap-
sodie Norv^gienne" (1879); Symphony in G minor
(1887).
Concertos: violin, op. 20 (1874); "Symphonie Es-
pagnole," with violin solo, op. 21 (1875) ; 'cello (1877);
"Fantaisie Norv^gienne," for violin (Berlin, 1878);
"Concerto Russe," for violin (1880) ; piano, in C minor
(1889); "Fantasie Ballet," for violin (first played in
1900).
Chamber and piano music. Among these pieces three
piano trios, violin sonata, 'cello sonata, string quartet.
Three vocal pieces for church ; about thirty songs ; two
duets.
See essays by Georges Servieres ; "La Musique fran-
faise Moderne"(i897),and by H.Imbert in "Nouveaux
Profils de Musiciens" (Paris, 1892).
LEMAIRE, JEAN EUGENE GASTON
Born at the Chftteau d'Amblainvilliers (S. and O.), Sep-
tember 9, 1854. Pupil of the Ecole Niedermeyer. Mu-
sic critic of la Presse (1888). "En dansant la gavotte:
scene Louis XV chant^e et dans^e" (1890); operettas,
ballets and pantomimes for minor theatres; "JeflSck,"
sym. p. ; pieces for orchestra, piano pieces, songs, sacred
music.
LEROUX, XAVIER HENRI NAPOLEON
Born at Velletri, Papal States, Oftober 11, 1863. Pupil
of Dubois and Massenet at Paris Conservatory; ist har-
mony prize (1881); 1st counterpoint and fugue prize
(1884) ; prix de Rome, i885.Teacherof harmony at the
Conservatory, "Evangeline," lyr. dr. 4 a. (Brussels,
1895); " Astart6," o/>. 4 <?. ( 1 90 1 ) ; " La Reine Fiamette,"
dramatic tale, 5 a. (1903); "Endymion,"ffl«/.; inciden-
tal music to Sardou and Moreau's "Cl^opatre" (1890) ;
jEschylus' "Persians" (1896); mass with orchestra;
" Harold," dr. or. (1892);" Venus et Adonis; " "William
RatclifF;" motets, songs.
MASSENET, JULES EMILE FR^D^RIC
Born May 12, 1842, at Montaud (Loire); died at
Paris, August 13, 1912; Pupil of Laurent (piano), Re-
ber (composition), at the Paris Conservatory; ist prize
for piano, 1859; counterpoint and fugue, 1863; prix de
Rome, 1863. Professor of composition at the Conser-
vatory, 1878-96. Member of the Institute, 1878.
Operas : "La Grand'tante," op. c. i a. (1867) ; "Don
C^sar de Bazan," op. c. 3 a. (1872); "L'Adorable Bel-
Boul," operet. i a. (1874) ; "B^rengere et Anatole," op-
eret. i a. (1876); "Le Roi de Lahore," «/>. 5 a. (1877);
"H^rodiade," op. 5 a. (Brussels, 1881); "Manon," op.
5 a. (1884); "Werther," op. 3 a. {comp. in 1884; pro-
duced at Vienna, 1892); "Le Cid," op. 5 a. (1885);
"Esclarmonde," legendary lyr. dr. 4 a. (1889); "Le
Mage," op. 5 a. (1891) ; "Le Carillon," ballet (Vienna,
1892) ; "Thais," op. 3 a. (1894) ; "Le Portrait de Ma-
non," op. c. I a. (1894) ; "La Navarraise," lyr. dr. 2 a.
(London, 1895); "Sapho," lyric piece, 5 a. (1897);
"Cendrillon," fairy tale, 4 a. (1899) ; "Griselidis," lyric
Xll
MODERN FRENCH SONGS
tale, 30.(1901); "Le Jongleur de Notre-Dame," mira-
cle, 3 a. (Monte Carlo, 1902).
Stage music : to Leconre de Lisle's "Les Erinnyes"
(1873); D6roulede's "Hetman" (1877); Porto-Riche's
"Drame sous Philippe 11" (1877) ; to Sardou's "Theo-
dora" (1884) and "Le Crocodile" (1886); Racine's
"Phedre" (1900); "Le Grillon du Foyer" (1904).
Cantatas, etc.: "Paix et Libert^" (1867); "Marie
Magdeleine," sacred drama (1873); "Eve," mystery
(1875) ; "Narcisse," antique idyl (1878) ; "La Vierge,"
sacred legend (1880); "Biblis," antique scene (1887);
"La Terre promise," or. (1900) ; two choruses for male
voices: "Le Moulin" and "Alleluia" (1866); several
other choruses, a Requiem Mass (unpublished), and a few
small pieces for church service.
Orchestral: concert overture (1863); overture to
"Phedre" (1874) ; ist suite (1867-68); 2d suite,"Scenes
Hongroises" (1871); 3d suite, "Scenes Pittoresques"
(1873); 4th suite, "Scenes Dramatiques," after Shake-
speare (1875); 5th suite, "Scenes Napolitaines" {comp.
in 1863; perf. 1880); 6th suite, "Scenes de Faerie"
(London, 1881); 7th suite, "Scenes Alsaciennes"
(1882); "Sarabande" (1877); "Marche de Szabady"
(1879); "Visions," j^OT./i,,- piano concerto; overture to
"Brumaire" (1901).
Chamber music: "Dichetto," for strings and wind
instruments (1872), 'cello pieces, and a few piano pieces ;
string quartet unpublished.
Songs : " Poeme d'Avril " ( 1 866) ; " Poeme du Souve-
nir," "Poeme Pastoral," "Poeme d'Odobre," "Poeme
d'Amour," "Poeme d'hiver;" over one hundred songs
and a few duets.
See "Massenet," by E. de Soleniere (1897); G. Ser-
vieres' "La Musique fran9aise moderne" (1897); H.
Imbert's "Profils d'artistes contemp." (1897).
PALADILHE, EMILE
Born at Montpellier, June 3, 1844. Pupil of Marmontel,
Benoist and Hal^vy at the Paris Conservatory : ist piano
prize, 1857; prix de Rome, i860. "Le Chevalier Ber-
nard" (1858) ; "La Reine Mathilde" (1859); "Le Pas-
sant," op. c. 1 a. (1872); "L'Amour Africain," op. c. 2 a.
(1875); "Suzanne," op. c. 3 a. (i 878) ; "Diana," op.c. 3 a.
(1885) ; "Patrie," op. 5 a. (1886) ; "Les Saintes Maries de
la Mer," /yr.^r. (Montpellier, 1892). Symphony in E flat,
overture, Messe Solennelle, Messe de Saint-Fran(;ois
d'Assise (1896), piano pieces, songs — the most famous
of which is "Mandolinata."
PESSARD, £MILE LOUIS FORTUNE
Born at Montmartre (Seine), May 29, 1843. P"P'' of
Laurent, Benoist and Carafa at the Paris Conservatory:
1st harmony prize, 1862; prix de Rome, 1866. Teacher
of harmony at the Conservatory. " La Cruche Cass^e,"
fl/>.f. I <7. (1870) ;"LeChar,"fl/..f. I 0.(1878) ;"LeCapi-
taine Fracasse," op. c. 3 a. (1878) ; "Tabarin," op. c. 2 a.
(1885); "Don Quichotte," »;..<•. i a. (1889); "Les Folies
amoureuses," a/i. <r. 3 ;?. (1891); "Mam'zelle Carabin,"
op. 2 a. (1893); "Le Muet" (1894); "La Dame de
Trefle" f i8q8). Stage music for "Tartarin sur les Alnes"
(1888) and " Une Nuit de Noel " (i 893) ; " Dalila," [ant.
(1867) ; masses, motets, orchestral suites, piano trio and
other chamber music, songs.
PIERN£, HENRI CONSTANT GABRIEL
Born at Metz, August 16, 1863. Pupil of Marmontel,
Franck, Massenet at the Paris Conservatory : ist prizes :
piano, 1 879; organ, 1 882; counterpoint and fugue, 1881;
prix de Rome (second grand prix), 1882. Organist of Ste.
Clotilde (1890-98).
Stage works : "Le Collier de Saphirs,"/l(7«^ 2 a. (Spa,
1891); "Les joyeuses commeres de Puris" funt. 5 a.
(1892); "Pierre poete," pant. 2 a . ( 1 892 ) ; "Bouton d'or,"
/ant. 4 «. (i 893) ; " Le Dofteur Blanc," >riim. 5 o . (i 893) ;
music to Lorrain's "Yanthis" (1894); to Silvestre and
Morand's "Izeil" (1894); to Rostand's "La Princesse
lointaine" (1895) ; to "Salom^," /yr. pant., by Silvestre
and Meltzer for Loie Fuller (1895); "La Coupe en-
chant^e," op. c. 2 a. (Royan, 1895);" Vendue," /yr. dr. 3 a.
(Lyons, 1897); "La Fille de Tabarin," /yr. com. 3 a.
(1901).
"Nuit de Noel, 1870," /yr.ep. (1895); "L'an mil,"
sym.p. with chorus(i898); "Deux Contes de Jean Lor-
rain," orch. ( 1 896) ; Hymn to the Russian Visitors (1893);
"The Gallic Muse," solo voices, ch. piano; piano con-
certo in C minor ; sonata for violin and piano.
ROPARTZ, J. GUY
Born June 1 5, 1 864, at Guingamp. Studied for the bar at
Rennes. Pupil of Dubois and Massenet at the Paris Con-
servatory, which he left to study with C&ar Franck.
Poet, critic, essayist, dramatist. Appointed direftor of the
Conservatory of Nancy in 1 894 ; condudor of the Con-
servatory of Nancy concerts. Incidental music for Loti
and Tiercelin's " P&heur d'Islande "(1893); Tiercelin's
"Le Diable Couturier" (1894), "Kdruzel" (1895) and
for "Familleet Petrie" (1891).
Orchestral : Symp. No. i on a Breton Choral (1895),
Symp. No. 2.Two suites from " P^cheur d'Islande," " Les
Landes," "Passage Breton," Fantaisie in D major (i 898) ;
Cinq pieces breves, "Dimanche Breton," suite; "Le
Convoi du Fermier," "Carnaval," "Marche de Fete."
"Psalm cxxxv i," for ch. organ and orch. (Nancy, 1898);
church pieces, string quartet in G minor (1894);
"Priere," for bar. and orch.; adagio for 'cello and orch.
(1899); "Lamento," for oboe and orch. ; "Quatre
Poemes" (after Heine's " Intermezzo "), for bar. and orch.
(Nancy, 1899); "Les Fileuses de Bretagne," for fern,
ch. ; piano pieces, among them a piece in B minor for
two pianos (Nancy, 1899); organ pieces, songs.
ROTHSCHILD, BARONESS WILLY DE
Amateur, and composer of fashionable nodurnes and
melodies.
BIOGRAPHICAL SKETCHES
XIU
SAINT-SAENS, CHARLES CAMILLE
Born at Paris,0(Sober9,i835; died at Algiers, Decem-
ber i6, 1921. Studied with Stamaty (piano), Maleden
(composition), and then was a pupil of Benoist and
Halevy at the Conservatory: ist prize for organ, 1851.
Organist of Saint-Mery (1853-58); of La Madeleine
(1858-77); professor at the Ecole Niedermeyer; wan-
dering piano virtuoso; member of the Institute, 1881.
Operas: "La Princesse Jaune," I a. {Op. C, 1872);
" Le Timbre d'argent," 4 a. (Th. Lyrique, 1877);" Sam-
son et Dalila,"o/>. 3 a. (Weimar, 1877) ; " Etienne Mar-
cel," 4 a. (Lyons, 18 79); "Henri VIII," 5 a. (0/)/., 1883);
"Proserpine," 4^. {Op. C, 1887) ; " Ascanio,"5fl. {Ope.,
1890); "Phryn6," 2 a. {Op. C, 1893) ; "Fr^d^gonde,"
completion ofGuiraud's opera, 5 a. {Ope., 1895); "Lola,"
dr. jc, orchestrated by Ch. Koechlin (1901) ; "Les Bar-
bares," /jr. ?r., prologue and 3 a. ( 1 90 1 );" H^lene" (Monte
Carlo, 1904).
Other stage music : Restoration of Charpentier's mu-
sic to Moliere's"Le Malade imaginaire" (1892) ; chorus
and intermezzi to Sophocles' "Antigone" — Vacquerie
and Meurice — (1893) ;"Javotte," ballet (Lyons, 1896);
toGallet's"D^janire"(B^ziers, 1898); to Jane Dieula-
foy's "Parysatis" (B^ziers, 1902).
Oratorios, etc.: "Oratorio de Noel" (1858); Scene
d' " Horace" — Corneille's tragedy — ( 1866); "Les Noces
de Prom6th6e," cant. (1867); "Coeli enarrant," Psalm
xix (1873); "Le Deluge," biblical poem (1876); "La
Lyre etla Harpe" (Birmingham, 1879); "La Fiancee du
Timbalier," ballad (1887); "Pallas Athene" (Orange,
1894); "La Feu Celeste," cant. (1900).
Religious music : Mass (1857) ; "Tantum ergo ;" Re-
quiem Mass (1878); twenty motets, etc.
Orchestral: ist sym. (1853), 2d {comp. 1862; perf.
1880), 3d (London, 1886); "Le Rouet d'Omphale,"
sym. p. (1872); "Phaeton," sym. p. (1873); "Danse
Macabre," sym. p. (1875); "La Jeunesse d'Hercule"
(i877);Suite(i863-77);«SuiteAlg6rienne"(i879-8o);
"Marche Heroique" (1870) ; "Hymne i Vidor Hugo"
(1884) ;"Rapsodied'Auvergne," piano and orch. (1885) ;
"Africa," piano and orch. (1891); Tarantelle for flute
and clarinet with orch. (1857) ; Introduftion and Rondo
Capriccioso for violin and orch. (1867).
Concertos: Piano: No. i, D major (1862); No. 2,
G minor (1868); No. 3, Et' (1870); No. 4, C minor
(1875); No. 5 (1896). Violin: No. i, A major (1859-
68) ; No. 2, C major (1858-60) ; No. 3, B minor (1880-
81). 'Cello: No. i (1873); No. 2 (1903).
Chamber music : piano quintet, A minor ( 1855-65) ;
piano quartet (1875); ist piano trio, F major, (1863-
67); 2d piano trio (1892); 1st violin sonata, D minor
(1885); 2d violin sonata in Et? major (1896); 'cello so-
nata in C minor (1872); trumpet septet (i88i); string
quartet in E minor (1899).
Songs, organ pieces, piano pieces, etc.
Author of "Harmonic et Mdlodie," essays (1885);
" Note sur les decors de th^Stre dans I'antiquit^ romaine "
(i886); "Problemes et Mysteres," philosophical reflec-
tions (1894); "Portraits et souvenirs" (Paris, s.d.)\
"Rimes familieres ;" comedies which have been played,
as "La Crampe des ^crivains" (Algiers, 1892), and pub-
lished. Music critic, essayist and pamphleteer.
See O. Neitzel's "Camille Saint-Safins" (Berlin, 1899);
Imbert's "Profilsde Musiciens" (Paris, 1888); Servieres'
"La Musique Fran9aise moderne" (Paris, 1897).
THOMAS, CHARLES LOUIS AMBROISE
Born at Metz, August 5, 181 1 ; died at the Paris Con-
servatory, February 12, 1896. Pupil of Lesueur, Zim-
merman, Dourlan at the Paris Conservatory : ist prize,
piano, 1829 ; harmony, 1830 ; prix de Rome, 1832. Pro-
fessor of composition and then Direftor of the Conser-
vatory. Member of the Institute, 1837. Twenty-three
operas of which the chief are "Le CaVd" {Op. C, 1849);
"Le Songe d'une nuit d'^t^" {Op. C, 1850); " Ray-
mond" (0^ C, 1851); "Mignon," 3 a. {Op. C, 1866);
"Hamlet," 5 a. {Ope., 1868); "Francoise de Rimini,"
5 a. {Ope., 1882) ;"LaTempgte" (0/./., i889).Cantata
for dedication of Lesueur's statue (1852) ; "Hommage k
Boieldieu "(1875); piano trios, quartets, quintets, masses,
motets, choruses, songs, pieces for organ, etc. See "No-
tice," by Delaborde (1896).
THOME, FRANCOIS LUC JOSEPH (called
Francis)
Born at Port Louis (Mauritius), Oftober 18,1850. Pupil
of Marmontel and Duprato at the Paris Conservatory :
2d prize for piano, 1869; 2d prize for harmony, 1869;
1st prize for counterpoint and fugue, 1870. Composer
of ballets, pantomimes, operettas; "Mile. Pygmalion,"
pant. 3 a. (1895); of much stage music, from that of
"Romeo et Juliette" (1890) to that of "Quo Vadis"
(1901); ode symphonique "Hymne k la nuit;" piano
pieces, songs. Teacher and music critic.
WIDOR, CHARLES MARIE
Born at Lyons, February 22, 1845. Studied at Lyons,
then at Brussels with Lemmens and F^tis. Organist at
Lyons ; organist of Saint-Sulpice, Paris, since 1 869. Suc-
ceeded C6sar Franck as professor of the organ at the
Paris Conservatory, and in 1896 became professor of
composition, counterpoint and fugue at that institution.
Music critic of L'Estafette. Stage works: "La Korri-
gane," ballet {Ope., 1880); "Conte d'Avril" (after
Shakespeare), incidental music (1885); incidental music
to Copp^e's " Les Jacobites "(1885);" Maitre Ambros,"
/yr. dr. 4 a. (1896) ; "Jeanne d'Arc," pant. 3 a. (1890).
Orchestral and chamber music, organ pieces with and
without orchestra, piano music and songs.
See Imbert's "Portraits et Etudes" (Paris, 1894).
MODERN FRENCH SONGS
VOLUME II
GAVOTTE OF THE MASQUERADE
(GAVOTTE DU MASQUE)
{Origimtl Key)
MONTJOYEUX
Translated by Isabella G. Parker
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ULRICH GUTTINGUER
Translated by Charles Fouteyn Manney
COME AND EMBARK!
(EMBARQUEZ-VOUS!)
\ Original Key)
BENJAMIN GODARD
U849-1895)
Andantino quasi Allegretto (J- = 44) ^
VOICE
PIANO
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Come and em
Km - bar - qiiez
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bark! Oh, let us
vous! qu'on se de
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Here's oxxr boat on the reed- g-rown shore. Cloud -less the sky, fresh blow the
La na - cello est dans Ics ro - seiiux. Le del est pur. la briseest
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breez - es, Ev - 'ry rip - pie re - fleets the.
Jrai - che, L'oii - de re -fie - chit les or
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MI,-53!l-5
god of these \va -ters is
dit'ii de ces ri - ants ri
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Be - ware lest he choose a
Zf teiidre A - mour veil
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siir iiniis.
Young- and old,
Jen - nes et vieux,
fool - ish and wise, .
fol - les et sa -ges,
ff. o
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Come all! em-bark!
Em - bar - quez-vousl
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shore
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now we are
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le ha - teaic va - cil - lant Li - se.
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dear, no Ion - ger be fear - ful; Hold me
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heart.
hlant.-
Ah, how can'st thou fear an - y dan
Eh! quoi, til. crain-drais les nau - fra
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per- ish to-geth- er would bliss
rir en - sevt - hie se
af-ford!
rait doux
Young — and old,.
Jeu - nes et vieux.
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fool - ish and wise, I
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Come all!
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qiiez - vous
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To that fair isle
Je veux vous
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duct tliee, Where they dance to a joy - ous song; Where of thy
mr me Dans I'ile oii Ion danse aux chan - sons; Ou dv la
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voice, dear- est and sweet - est,
voix de ce qn'on ai - me
Fai - ry
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friends, come com-rades ere night grows dark.
mis, pa - rents, ac - con, - rez tons.
Young and old,
Jeu - nes et vieux;.
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fool - ish and wise,
Jhl - les et sa - ges-,.
Come all! em - bark!
Em. bar - qiiez - vous!
MI,-.t39 -5
LOVE
(L'AMOUR)
ROSE HAREL
Translated by Arthur Westbrook
Andante quasi Adagio (J =50
13
BENJAMIN GODARD
(1849-1895)
VOICE
PIANO
i
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Yes,
Old.
I love thee
je t'ai - me.
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flight; As the ten-der bud wooed to full - est bloom By morn-ing's warmth and
jour, Coin-tne le boii - ton qui se chan-ge En fleur a Van - be dun beau
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love
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love
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New-lv born,
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J'lj'i^^ ''p r r 1^ f"> r
love thee, e'en as my soul de - vot - ed
t'ai - me en -fin com - me inon a - me
Lov - ing - ly longs
Ai - me d'am - our
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le heart, ciel bleu.
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Can - me le che - ru - bin en flam
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son Dieu!
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M1.-540-4
JULES BARBIER (is35- )
Tniiisluird by Chit lies Fon/ri/n Xhiniirij
To Mine. Coiineau
TO SPRING
(AU -PRINTEMPSi
(Conivoscd III Kdim-. about IS'tO)
17
CHARLES GOUNOD
(1818-1893)
PIANO
^
AniI1irit(V^4);i»ie et avec entraiuement)
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Win - ter yields to the wiles
Le prill - {mips chas - se les
of spring,
hi - vers
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fe
Mr
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In
the
for
rH
est
dans
the
les
bird
lings sing,
ferfs verts
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Yer
Sous
dant mead
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are
gay-
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a
new
pas
with
sent
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Copynpht M( MIV b.v Oliver Ditson Company
ML- 541-6
18
s
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bud
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and
hruiis
P
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d'ai
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Let
us
stti
roam
in
Irs
the
sha
Hers
dy grove,
owi - breux.
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Ou
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deep
a
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mou
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reux,
fe
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ie prill - temps tiotis np
smiles To joys-
pcl - le Viens,
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In thy dear eyes brig^ht - er danc
Ei sa clay - te qui riiis - sel
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FiVji.s, .<;2(1 - r'oiis les sen - tiers
dy f,^rove,
ovi - bretix,
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Breath - ing vows of
Ou s'e . ^a - rent les
deep
est love.
niou - rrtix.
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crest:
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Spring in
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titnps nntis
with
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pel
To
le,
joys _
be
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21
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Let thy sweet voice, up - ward
Que in roix chante ct ' se
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yond
yons
com
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Join with the lark's out - pour
A I'har - mo - vie e . ftr . jifl
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Rais-ing a song a - dor
Je era is eu - ten - dreen el
ing_
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Thro' skies
chan - ter
SO
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fair.
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Let us roam in the shad - y grove,
Vievs stii - rous les sen . tiers om-breitx.
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m>-7 mi' .7
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Breath-ing^ vows of deep
Oil s'/i - ga - revf Irs a
est love.
mn-ii - retix.
cresc.
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t
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Spring in-vites us with
Lp prtn- t( nips nous ap
M
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ii
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5
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smiles To joys_
^rZ - Ic. Viens,
h
be - yond
so - ynns
com
heu
pare.
rctix! ^
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ML-541 6
A Madame Jules Barbier
MEDJE
(AN ARABIAN SONG)
(CHANSON ARABE)
23
JULES BARBIER iisas - )
Translated by Arthur Wetitbrouk
CHARLES GOUNOD
(ISIS- ISitg)
Alle,^retto (molto moderate)
IS
PIANO
Hm^f f? I ^ w^m
w4^
9 Med-je',*_
6 Mrd-jc.
k
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en
qui
chaind Iin yield - ing,
d\in soil - ri - re
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My
Com
To thy smile a will-ing
En-chai- nas ma li -hrr
slave;
tr
^
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fe^^^is
As em - press thy seep-tre wield - ing',
Sois fir - re de ton em - pi - re
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free - dom to thee I
mande a m,a z'n-loii
-^-^
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gave.
te
No more my glad way pur
Na - guere en - cor, sans en
su - ing, Like
tra - T'es, Com
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Pronounce, Med-yea
Copyright MCMIV by Oliver Ditsoii Tcinipany
M1.-542-8
24
jl^:^^ t' p \rr'^' ^^ '^"p r '^ i^' ^ ^-^
some wild bird of the
me I'oi-sfan dans Irs
l-'''n >>;
sea,
a irs.
I must heed thyg'lance
Toil re - /^ard a fait
sub - du - ing, Who
es - da - ve Le
m
# — *
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^
P 7 7 p
4*
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ft
roam'd the wide des - ert free._
libre en -font des de - serts.^
Med- je!.
Med - je!.
Med - je!_
Med - je!.
The
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of love'se - mo - tion Should thy com-pas-sion move!.
de l'a--»ioit.r tne - me De - vrait ie dis- ar - mer! ^
voice.
voix
A
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Whydoubt my heart's de - vo-tion,
Tit (ioM. - <6's que je l\ii - trie
k
When 1 .J'." for thy
Quand jenuurs de fat-
i
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i
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fe
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Mi,-s4a -s
25
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These rich gems,_
Crs bi -J""^
thy charms en-hanc - ing,
pie Von fen - vi e
All with en - vy may be
Jiii t'tn-dii pour les pa
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k
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pay
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ML-542-8
26
m
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arms and my steed I
ar - nies ei •wioii cniir
sold!
The spell is ev
£< /;( de - man
er.
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des quels
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ing^, Which
mrs Tioi
to thy side
jit'iif moncoeiir
binds me
en - i
fast.
vre ? .
Dost not
Til n'as
S
^m
§
PW
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^
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see my tears
done ■pas mt
still
nies
flow
lar
ing? Wilt thou not yield thee at
ines? Ton - if la nuit jhi pleu
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MI.-542-8
27
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tears.
pleurs .
m
j^ j> I J j^
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of love's e
de la - moiir
mo
mc
tion
Should
De
thy
vraient .
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com-pas-sion
tc ties - ar -
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move!-
mer!
A
las!
Zas/
PP#
Dost doubt my hearts de
in don - its que je
g> 1,1 ^ r r 3 1
m
k
1 M
^SE^
S^
w
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seen
ere -
do
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When I die for thy
Quand /> rBPiirs (if t'ai
I Is ! ' I
love!
mer! ^
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When I die for thy
Quand je meurs dc t'ai
kk
S
love!
Tner! _
i
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MI. -542 -8
28
m. *-
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rf^ F [^ r~f^^
If my heart -
^
thou wouldst be read - ing,
rf dans fjion a - me
lEE^EE^
^^
W^
Plungethis dag-ger in my
pour y zyiir inn iinni vain
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£
breast!
And while for thee it is
£/i bien! pre nds done cei - te
bleed - ing,
la - me
Thy
Et
i
^
^
BE
jj ^
g=2g
i
s
-V— ^
£
name
plan
thoult find
ge la
there im
dans mon
press'd
cociir!
Be - hold,
Re - gar ■
then, in bright - ness
de sans e - poii,-
V^
it
h
ill
?f^
w — w-
cresc.
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^
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MI.-542-S
29
n^"^r--^=^^' r r M r' 'p '^ ^ p
shin - ing, Thy
van - ie Ki
soul un-moved
sans re - grets
as of
>i( - per
yore,_
flus_
Thine own
Ton i
s
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5
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J' V J^ J ' I \
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im - age fair,
mage en - cor
en - twin - ing With tlie
vi - van - te Dans cc
heart.
cociir
tliat beats no
qui ne bat
*
5 t 1 fj
IT V 7 p
g
S
£
more!.
Med - je!.
Med - jc! _
Med - je!
Med - ie! .
My
Le
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rati
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¥
blood, _
sang
my last e
df la - nioiir
mo
me
tion
Should
Be
thy_
vra it
com-pas-sion
te di'S - ar
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MI.-542-8
30
#
move!.
7nt f!
A
He
las!.
las! .
estinto
Whydoubt my hearts de
_ Tu doti - tes qiir jc
\
4-^
g
M
iEEfe
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tEt
— ir-
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is
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vo
tion,
^
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When I die
Quand jc meurs
for thy
dc t'ai
love!
vter! .
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When I die for thy
Quand jc meurs de t'ai
love!
HI/ I' '
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MI, -542-8
THE VALLEY
(LE VALLON)
31
(Composed in Rome, about 1S4U)
ALPHONSE de LAMARTINE(n9o-i869)
Trundated by Arthur Weitbronk
Andante quasi adagio
PIANO
te^
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xn
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CHARLES GOUNOD
(l8I8-189«)
/>'
3CII
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H
'Six *
^3
FT ^ M J^^
f^^^-^
My heart
Afon coeitr
dotli long for rest,
las - se de tout.
i
ho
pe
in my breast has
mv de Ves - pe -
^
^^
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i»
:^
-s^'
W
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rreac.
i
r r^F'T r f;
r '^ F
fad - ed; And no more
ran - ce, N'i- ra plus
do 1 crave_
dc ses v(}eux_
joys-which the fates de - ny! In the
im - por - tu - tier le sort! Pre-tcz -
i
g
-6-
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W
rcT
r/'esa
r^3r
dim.
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Copyright NfCMIV by Ollvpr Ditson Company
MI,- 543- 7
32
i
^
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p.-,;; If '^^^
221
^^
home
of inv youth.
the vale,
ra/ - Ion.
SO green and shad
(/(' 1)10)1 en - fan
ed, Let an
cf, Uii a -
^ '.rujT-:
^^
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■^-#-
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jcc
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3
)! O
"TT"
rO-
-O-
xe:
^
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s
hour
- si
of
re
rf i( )i
pose„
jniir_
bring- me peace
piiiir at - irn
ere
I
la
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My life.
DV - ct_
seems like a
I'c rot's Za
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ML-543-7
33
I
vi
vi
^
r p'T :!■ ^
sion
e
from
a
the past
ira - vers
ntnv for - sa
loi mi a
ken,
^^ '' ^ffi ' f^^i~l~i ''' ":^S
44=4
^t=t
^^
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s
Shad- ow'd with heav - y clouds,
S'e - va - noii - ir pour mni
II
(frtilS.
lume(L
/ V) ni
by nobrig-ht ray;
bre dn pas - si!.
"iiiW^
^iirit
5
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prir^
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Love a -lone still re - ffains,
ISa-moiirseul est res - te^
as when from sleep we w^a
comme u - ne grande i - ma
te
m
ken There sur-
ge Siir - vit
/ J J J
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w
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3
ff f
P,.^ HE ^ ^_
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vives
seule
one clear im - ag-e from dreams pass'd
a - way.
au r<'
ML-B43-7
84
M
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a tempo '
Rest thou, niys(jul
Re - po - se - toi,
dnlre
*-:
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^
be pa - tient
III till a - ?»«',
here lies thy g-()al_ be
en ce dir - nier a
^ uLl.
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fore thee,
si - le
And like.
At 11 - si
a Pil-^rim worn,.
. qu'unvoy - a - geiLr
yet with
qui, le
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tf
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Jtf f # I , § ^r f ^ f
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heart
coeicr
free from
plein d'rs
care
pair
Pause
S'm
at the o - pen gate, while
sted a - vant d'eii- trer, aux
rresfj.
jA^ M' i' J' J &
P
p F r F
r F r r
Peace comes o-ver thee, And breathe for awhile the
por- tfs de la ville Et res - pire iin mo-ment I'air
balm- y eve-ning; air,_
em 'bail - me du- soir,.
If
feft
^
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7 i 7
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Yes, here_ breathe for a - while
Ei res - pire un )iio ■ mfiit
the bahn - y eve-ning^ air!_
iair oil - bait - nir du 6vur/_
cresc.
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fe
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days
draw to a close.
<>-j's - tcs ct couris.
sad au-tumnwinds
com - me des Jours
are
d'au
^
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Wliile shades of com
De - cli - neiit com
ing night
me I'omhre
wrap the world
(lit pen - chant
in
des CO -
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7 1 7
J J 7 J
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ML-543- 1
36
I
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J i liiJ' JMlf- JlAj ^
^loom .
teaux.
Friend-ship's vows
Va - >iu" - tie
are but false,
fe tra - hit.
f^
3
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Aiid com-pas
/rt ^t - tie
it
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t'a - bail ■
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ing- For
lorn.
sru
And a - lone,
le tu lies - ceitds
seek the path to the
It' si/n - tier des torn-
te
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tomb! _
beaux!^
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No! still is Na - ture kind,_
Mais la iin - ture est la
do/oi
let her love to thee ap-
qiii Vin-vite et qui
^
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peal,
Be at rest,
Plon - ^c -toi.
be at rest in her arms on her
plon - gc - toi dans son sein qu'el - le
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ML- 543- 7
37
breast .
i'ou
?
s
find re - pose,
vre tuu - jours
Tho' the world should grow cold, all thy
Quand tout chan - ge pour toi la na-
I
tf
- seen
ih r J> ^' J Ff
<fo
molfo
f
f p f F I [^ [) M ^ =^^^
wounds she can heal, And the life - giv-ingsun
turc est la vieme Et le me - me so-lcil
in change-less splen-dor glows,,
se Ic - ve stir tes joiirs!_
is*
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life - eiv - inc sui
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Yes,
Owt,
the_
giv - ing sun
■tne so - leil
in change-less splen-dor glows!
St' /(' - ve sitr- tes
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38
THE PERFECT HOUR
(L'HEURE EXQUISEi
CHANSONS GRISES,N9 5
T^.TTi TT-r.iiT » r»Tr-. 1 ( C 0111 p O S c ci i U 1 8 S 2.)
PAUL VEKLAINK(iS44-iK!Mi'
Translated by Atexninli'r HUuss 'Orijiinal Key, Bl
Molto dolce e iranquillo
' lufiniment doiix et calme)
VOICE
REYNALDO HAHN
fl875- )
PIANO
ii
di'licatami'nfe
(deitcatement)
3
^
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O well be-
0 birn - ai -
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S 7 7 ^
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Copyright MTMIV l>y Oliver Ditsnn rumpany
MI.-5S4-3
39
disrrr/r
•discrefj
P > W
5
^
• m.
lov
me
ed!
e .
A faith - fill
L'e - ia inr re
f^-^^n^\
h
m=^
pp
>r^l
^
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-11
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i
^ j^ j^ ;> I J ^ J' J' g
mir
ror, The pond re
te. Pro - fond mi
fleets, A som - bre wil
roir. La sil - hoii - tt
UT^' J' J^ ' J' I p- ft p f
^
^
W
^
low's black sil - hou
ip Du sail. - le
ette
noir
Where weeps the
Oil le veil t
wind.
Fair dream!.
f - vans.
m
h 7 7
32
oh
c'csf
Un
rhmt
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b
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ML -544-3
40
rMf
(incor piu tratiquillo
(plus calme encore)
I^
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F=^) ^1 h^
3
A fen - der
L n z'tisie
calm,
tend re
in - fi uife peace Droopsu— from the
A pal - SI' me lit, Scm - hie des
:?»=
ralL
irallentissez)
h ' h hi J) J''
^
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t^
-m #
*:
moon-beams That o - pal - esce The vault of heav
ccn - dre Dii fir - tna - nicnt Que I'astre i - ri
en.
se.
i
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ft tpmpo
it ^
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^
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JE^
^^
Dwell,
C'est
per r^, feet
rheure ex
hour !
qui
.sefiza rail.
(sans retenin
•/ 7 ^ 7
^^
^
— #^
^
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nil
Ml.-5i4-3
41
COULD MY SONGS THEIR WAY BE WINGING
(SI MES VERS AVAIENT DES AILES!)
VICTOR HUGO us()2-iJ»sr,i
Tnttisluted by Charles Funteyv Ahoiney
REY"NALDO HAHN
ilMS- )
VOICE
PIANO
i
Andante moderalo do/nss.e molto r.sprr.ss.
tf » (1 - i ^ i"l J. i' J J) J'
i
My songs to thee would be bring-
3/fs vers fui-rniinf. dcjcx it Jrc
*«^&jy.
* '^
M
///
e
^
■/
^
^
-19^
^ 0
p
Ten - der thought and sweetest word,
Vers vo - ire jar - din si bcati.
Could my songs their
Si mes vers a
Cupyright MDCCCXCIX by OUver Ditson Company
Reuewed MCMXXVII by Charles Konteyn Maiiney,aiicl assigned to OUver Ditson Company
MI.-S45-3
42
i
fei
povo mrno lento
^^
^
^
:l^
^
3[
-rr
^
Un-to thy hf^i'rth,
7/ ro - /(■ - rairnt.
up - ward sprinji;; - ing,
P - /IH - ('(7 ^ - Ics
They woukl fly with-out con
Vers t'li - IfP foy - rr qui
* ''^^
i
tf
/
s
O-
i
^
Could my songs their way be wing - ing
Si 7nrs vi'rs a - vaicnt des at - les
trol,
rii, _
F % s^
'^
^ ^^JN.
7jf/ro fit.
_^ljl
^
^
^^^
■G-
As
Com
doth the soul
me Ves - prit.
MI.-545-3
43
a
PP
piu lentOy ritard. sin' al fine
n N h
m^
s
r-'-r^
0 #•
—mr-
To thyheart a mes - sage sing
Prt's de vons, purs it fi - de
All loveand faith, dear, to
lis ac-coiir-raieni, iiuit <t
— ^M ^*m ■
P
nrzr
^Mtf ^.rr
e^ '^
* ^:&^.
mo/ to rit.
% 1^^.
%h J^
ancor piu lento \
1
Innga
PPP
Lento
:, j> J^^ J' r p I r^
.Ov
s
-l\ — \l
^5^
::z2
v.m<\ xg
-♦ — #-
Could my songs their way tre' wing
S'l nifs vers a - vaientdcs ai
mg
h-s
As doth my love!
Com - >nf III - mour! ,
ii^-^
fc;!
,o
PPP
im.
^
^m
— «♦—
CT"
rsr
m
pf
^^
^
,o
*
\ll.-R45-3
44
AUGUSTA HOLMES (1847-1903)
Trunslated l>y Isabella G. Parkfv
A THRENODY
(THRINODIA)
CHANTS DE LA KITHAREDE, Nf'H
(Original Key, Ely"*
AUGUSTA HOLMES
(1847-1903)
VOICE
PIANO
u
Lento
^
pp
t
m.
Pour out
Vcr - sez
richper-
les par-
I ¥ , Ji i^E?
w
r
fet
ppp
4
m
^^^
V
ws^
p^
&.
m
',)
^S.
a
t
^m
V
301
znz
^ f^.
* 'Ic^
*
Copyright MCMIV by Oliver Ditson Company
ML-546-B
45
m
jjoco piiif
t^
a
-e —
sur - round
ma t'e
gloom.
brii7is.
M:
8'
Gold - en veil
De - CO - rez
mg
te
m
t ,m \^ if"
^
ti^tt=r
I
i^zt
'-«'
T
^
u
^
\^
pp
ffl
n ^ L 1 **
^
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ft 7 'i
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3
331
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S^Ei
■y ^
piiif
^^
M ' »
-o —
be hting;
»ot - /(' dor:
*fc
My brows
D\in long
H 'z::
Let my lyre
Qua chan-ter
be
en
:,.ft j^ iC- — 't >.m \» if
f 7lj f _-PtfitTf
r4 V 1 1 ■ 1 —
F It^f !gj|44.
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- for
Sweet songs
Ma iv
be re- sound
re soit pre
ing!
to!
ifi—^
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p^jjiip If
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Build
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my
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fu - n'ral
mon bu
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chrr
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MI.-546- 3
47
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For chains
Je par
8
seen
^
I am wear
/(' Ips cha'i
m
ing
nes
^
Of the God
Dii di - vin
of
Ar
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Fire!
cher!
A - po]
Phoi - bos
]o_
niii p
at my por
tal
le
His
fair
I
u
8'
',M.^M.
mi A i'lij'T
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ML-54S-5
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friends!
pas,
Weep not, O my friends!
Ne me ph-u - rez pas.
u
s
f 1 lH
hAt
ea
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— 1^17
^
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i
am mi - mor
im - mor - tcl
tal!
le! .
8^
V ji fC-p \^
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f '■' ■ f f Fllj
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33:
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pjpp ral
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tan
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1
ML-546-5
AN IRISH NOEL
(NOEL D'IRLANDE)
49
(Original Key, Jj>
AUGUSTA HOLMES (is47-i903)
Translated by Isabella G. Parker
AUGUSTA HOLMES
(1847-19iia>
VOICE
t
Largo
PIANO
^
PP
^ * -''jir ^
<s^-
i
Oh, dream,-
Rr - vez.
Oh, dream,
rt> - zwz,
^
h i^i
h
j3
^i?
^ ^"-^
yr~'C3
3
5E
I
^
iv
S^
,S
J
i
fc£
#
i^
h
i
\
^^^
h
1^
h
i
^
'&&. '^^'^ corda
*^^
*'^
* 'IcJ^
t
^^^^
^
fef
J^ ;^ j^ J
P^^^^
?
-^
Di - vine No - el is bring- ing for you
Que le di - vin Nn - cl vous ap - for
i
rin,
dr. -
Chil-dren of E
En -fants d'lr - Ian
I
i^
^
h
Q^
3?
f
f
-&-
a.
L.H.\
A
^
fcV^ L
3
'^.
^'^ ^^ *
#
Si
p
SE5^
^E*
E^E*^
?
f
Oh, dream,.
bread to
ie dti
eat! _
pain! .
LC - 7'ez,
Oh, dream.
rt' - t'fs,
i^
? L.W.I
h
^-
i
iS
F '>
f
t3
*=rf
7
9^=rf
t^.
ft
p
cresc.
K-
^£
±3E
r
Sai.
« '&!,
* <&),
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ML-547-4
50
*=t?
^^
^
in your own coun
aue sur la Ian
i
r~r t'' ^
^
^
fN^
try
you shall warm at a fire_ of pine
Vmis chaxif - fez t'os pieds ittis atixjlavi
h l^t
,^
^^
22j
±?:
^
W=f
JSZ
T
^^
I.W.!
N.
eeE
:^
^
^^
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£
i
/;/?//
^
:fe:
^
:&;
-:»-^
-«*■
your freez - ing feet!
nies du sa - pin!
Oh, dream,
/?«■ - Z'CZ,
Oh, dream,
fC - vcz,
^^
1^
h
i
fe^S
^.N
|\ l^l
%
ri^T^
i'
f55?=:?
3
^.
<-r«'
V
=:|i
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-©-
2^
=?
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* «a
« ';
«
/
-^ ' ' f M r ' -^ ? J
^
-J^-A
F ' I M [^
Sing-ers of E
Chan-teurs d'lr - Ian
rin,.
de._
i
I
^
That the glo-rioustime re - turn-eth a - gain of
Que les temps ^ re - vien -droid des He - ros
^
S^
m
E
m
^
.seen
i L.H.
do
V
f
K.
-«■
-<rr.
'f.
•J^.
*
ML-B47-4
51
^
he - roes and
■t drs
kin^s!
No is!
(•/•esc.
Oh,
//
^P P I r P P:
dream,
Oh,
dream,
vez
that
quf
^m
\ \
:^
JM I^ ' f ; I ^^ ^' ^' '^
now the Cross, the Tre - foil and Harp
qui! vous rend la Harpe. et Ir Tre
God com - mand
Diei< com - nian
eth,
dr _
And
Et
f
1^1 •>
^
^
1^
¥
-fT
- t a
L.H.
^
^
5EEE
9-
V
i^^TX^
-&-
^^
i
^^
to you He
brings!
Croix.
R.H.\
Oh,
dream, _
ZJliZ.
Oh,
dream,_
vcz.
h 1^,
h
R.m
N
f
•v-» r p-j^
I ^ I— i s
T
^
^ A.//.
4
^
^
^
L.//.
J?.W.
f
M1.-647-4
52
piu f
^ "^ ^
f
rresc.
A A A A A
1^ ^ ') ^i
^
ty!
iel
i
Oh,
dream.
,.p„/
8-
^ f . f f
K.
.^
^
No - el to you re - stor
Ki que No - el votis ren
n
i
^m-
-i-^
i — T-
?
^
E
f V
T
55=— ip
s
i
/
L.HX
r/vsc.
^
A
^=
-s^
*
1*
-rr
*
iS^
:i
ff
^
ic
allarg. _
o
fes
^
■♦=« — #-
?=
eth The powr of your fore - fa - thers and Lib - er - iy!
de La for - cv des ai - eux—a - vec la Li - her - fc!
i
t \.. t^t
jK
^
^
f
m
^
=— f r-S *
i i
V
N
^
t^t3
/O
i
9
tf ¥
ww^
7
4"
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ff
allarg. _
^
fc
^
K
/O
iEi;
i
s
?*• g
?
^ W-^
«ib>.
*
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ML-547-4
54
v'\K J^ J^ J- J' i' J'' I J J ^
lo-dious stan-zas ne'er for
de pa - ro - les en - fen
P^
got - ten, Heard of yore,
du - es, Au-tre - fois.
poco rali.
in the sun
au so - leil_
*tfe
J7 tfilUpO
(^
^%f-i r-
animafo
SEES
SP
5
hM >
*
^^
* d.
set's glow,.
cou - chaiii,^
0 0
In the park when we oft pa
Dans les pares ou nous pro -me
M
rresc.
p I "f ^r M M
-^
^ r p \
iZ^
tad - ed
na - TYies
The haugh-ty pride of our new bliss,
h'or - gueil d'unjeune en-chan- ie - ment.
With firm be -
Dans la croy-
i ^\K \ r ^' i;'
>^i' h> j^ j-^
^
w
lief in the sweet bond,
an - ce du ser - ment
That our young souls for e'er were plight - ing:
Dont nous a - vans li - e nos a - ntes:
^ h
4
i
ES
r^
M
^
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ML-548-5
Tire HKW TOM lUBUC UBilAM
JPlSIm «F THE PBBWBJOM Ug
Siii^7ir*nL HKW YOWL H.T. 1«W«
MEMORIES OF YORE
(BRISES D' AUTREFOIS)
53
HENRY GAUTHIEK-VILLARS
Translated by Alexandur Bhiess
(Composi'd about lSi»6J
GEORGES HUE
(1858- )
ModeratO. (Moderej
PIANO
■L p M P I r f M p p ^\^' ^^ p
^
On the wall.jjemsof an-cient
Les e - t'lf - Jes an yniir tei
fab - rics Re - tain the sun-set's sump-tuous
(hi - es S'al - lii-ment aic so-leil con-
*
kk
I'upns.s.
^
^
^
glow;
chant;
And thy low
Et (a votx
voice
donee
re -calls a
est comme un
song.
chant
m
^=J:
%
^Ha I
mm
^^
^
m
i
scmprep
r^rrrn
m
fc^
^
Copyright MCMIV by Oliver Ditson Company
ML-548-5
to
Pin lento (Plus lenV
a tempo
^
^F^
P -M <
Oh, the su
0 le su
preme, th'en-rap -tured bliss!.
prrnif en-chan - te - ment!.
i
fe
a tempo
^
12=5=3:
'4-- „
^y. roiin VOLT
^
4
f
: rt'////. /' /w//
-^
E
/^«V/ /6'«/'6' (P/«s lent)
.ML-548-5
56
#
kk
!> aJ I;
i
^
y^p ^y
tranc - ing ca - ress -
len - ies ca - res
es,.
One with that
De ce par
I
kfe
^
-"^ l;* l;i^
^
g
^*
I
^^
jyof i9 r/v?i'c
E7
S
^f llf '
fet
#
Tempo I
^^
H
£
^^=f
fiE^
of the
ct con
i*
past;
nil;
Tempo I
Of dy - ing
C'e-taii lb
kk
^
^
t
£
P^i^
folla voce
^ ^utvezj
VP
?=^
-J
I
1
SS
T
k'1>L J'^ J''
J J ^mr^
^m
flow-ers t'is
deiir des fleurs
the fra - grance:
mou - ran - ies :
Li
Ro
lac,
ses,
jas - mine,
It - las,
\
M
ep
£
£
J
// ///c/^(9 df.stra Htmpra pp
I7« >^«!'h droife foujours pp)
^m
i
is^
.J A
^~r^j
i
r
fe
^
r p p 't ^J' J'-i^J J^^^
^
That, a - drift in the old- en paths.
Que, par - mi Ies an-ciens che - mtns,
—r — *"
Gen- tie
Ap - por-
M
Hi - y and rose,
/ys et jas - min,
M m ^
0. M
ft m.
m
m
i
%
m
te
fci==S
^
^
i
^
^^
w~
Mr,-548-5
57
i
fe
^
zeph
taient
yrs have gath - ered and
^
f^-U
¥^
O - ver the
iiJ it I ^
r«//
flr tempo
m
li
/as.
lac,
jas
mine.
ces
and rose,
jas - mins.
\t t
ffip
:«
£. £ r .1^1
pt
^p
3E^
J^
1^
ri'/Zia' voce
(suivez)
a feH/po
p rresc.
^-^
^^W^
22:
f
ML-54S-5
58
ROBERT de KONNIEKES
Translated by Isabella G. Furkrr
Modrralo
(Mo dire)
a Mudcime Brunei -Laf leu r
AI A D R I G A L
(MADRIGAL>
DANS LE STYLE ANCIEN
(in the old manner)
'Composed in 1871-73'
(Original Ki'y)
VINCENT D'INDY, Op.4
(1852- )
VOICE
PIANO
^
^
^
^
i> J^ 1\ .\
Where can you find more
Qui ja - mats fid dc
charm -ing face or
flus char-mant vi
fair
sa
en
fe
J ; ,\
i
S
SEi
M r ? f
feEg
#
neck, where soft hair silk - en
hlanc, dc chc - veux plus say
A snow - ier
Dc col plus
lies? Where was there
C1IX; Qui ja - mais
1^ I J^ \^ .^
rail
(en retenunt)
m
^
£
ft
^
$
ev - er
fnt dc
form of beau - ty
plus gcii - lil cnr
rar - er
sa - gc-
Than hath my
Qui ja mais
la - dy of
fut que ma
^
^=^
i* 0>-
^
^
r=
rail
___ (e)i retenavt)
f
~J ^
-^-
^J;
3
-(5»-
^
Copyrijflit M('MI\' by Oliver Dnson Ci.mpany
MI -519 - 'i
69
$
■> f 1 1 1'
love - li
Dame aux
est eyes?
doiix yeux!
irr\
i
m
^s
r
J-
i?-
c'spn'ss.
J-
-^ ri
f
1
1
O: »
^
^
o
^
<?' tr/npo
^
^^a
^
P
^
Where can you find
Qxi,i ja - niais eut
lips
le -
more sweet, ev - er smil
Z'rfs phis soii-ri - an
tes.
ft tempo
P^^^
^^
^^^
Un - toAvhose
Qui sou - ri -
^
T
4
I' molto fcavfo
V
•« <et t res-lie )
4
I
i
^
S^
g
f^
f
^
S
=55
^^
i=i
smil
ant
ing the
ren - dit
fond heart re
cneur plus joy
plies,
t'UX,
Or breast more chaste,
Plus cha - sie scin
'neath
salts
$
-d—^
■> J ;)■
=i
f^
-i J
^^^^^
^
i
r>
si
molto aoatenuto
(Ir'es- soutenii)
I
7 f-
3
^
p *
P^
^EEi
ML-S49-4
60
^^
^
ra/f.
(en reteyiant )
S
^
F ir p
^
p^
veil of gauze be - guil - ing,
guiin -■pes trans - pa - ren - ies,
Than hath my la
Qui ja - mais cut
dy of love - li - est
que ma Dame aux doux
^^
^
^
^
-r i^
f
rail. ^^
(en re/evaiif)
f
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Piu lento
(Plus lentement)
^
^
:?z-
^
eyes!
yeux!
Where
Qui
is a voice of
Ja -mais eiit voix
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mu - SIC more
d'u'ji plus doiix
en - tranc
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dre.
Or teeth whose white
ATt - g^wn - nes dents
ness
qui
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M<,-5-i9 -4
61
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piuf
^
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e'en the pearl out - vies; _
bottche em - per - lent mieiix;
Where from a soul
Qui ja - mais fid.
more
de
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ten - der- ness
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Than hath my la
Qui ja - })iais fut
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que ma
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■_ (Tres-le)d et en reienant toujours)
•k-
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'h Jil J .-^J ]} Ji
^
0\
^
love
Dame
^
li - est eyes,
aux doux yeux,
Of love
Ma Dame
li
aiix
est
eyes!
yeux!
r\
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62
VINCENT DINDY
Traimlated by Isabella G. Parker
Lento nKuitrato (J. 76)
a X
A SEA SONG
(LIED MARITIME)
(Original Key)
(Composed in 1896)
VINCENT D'INDY
(1852 )
VOICE
PIANO
(Mode.rement lent)
iU^-A -
p
m
^
^
^
-<s-
i
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^
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A
far in the o - cean sink - eth the sun,
loin, dans la mer, s'e - teint le so - leil
-G^
'> » "^ ^ P
^
-is-
m ^
» — 9
70 — s^
^=^
i
32:
sh-
7S1
^
^
J : ^ t
i N ^>
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And the
ei la
~* —
The
le
sea is tran - quil and tide - less;
mer est calme ct sans ri do;
Copyright Mi'MI\ by Oliver Ditson Ci)mpany
ML- 550 -6
G3
i
^
ress
sunt
the strand -
la gr'eve
^
as it
as - som
dark - ens;
bri - I':
iEEEEt
^
Thine
Tes
- 1 i—
h:
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^
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-s>-
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^
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^
^
thv faith
less eyes are
ires yeitx sont
closed,
clos, .
And my
et mm
^
^
7ZZ
^
heart is at rest,
coeur est tran - q:(il
IS
le
calm
com
like
vie
the
la
ML-550-6
64
Piu animaio < :ii
(Plus anime)
piif
3E
,#
«=s
$
^
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A
i
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far
loin.
I ^'' -y iS
on
sna-
the
/a
sea
mer.
the
J J i ^
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j' ^^1^' ^
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:*
r
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■^ J' J.
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storm
rage
com - eth
on.
And the
et la
ML-550-6
65
S
£
waves
flat,
to the skies
jus - qu'aux cieux.
? LT f r"?
^
pfjco piii f
^3
mount
s'e
i.
R
MI.-560-6
66
i^
molto rit.
{ires ret e nil)
byss
bi
es.
mrs.
molto n't.
it res retenii)
Thine
Tes
$
^
pOCO ///('NO //iOXSO i«,lft4'
(un peumnins avinif >
n-
(ii//i.
izz:
S
X
1
tflC
eyes,
yeux.
thy faith - less
ies trai - tres
i
^
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^
eyes, so sweet, Deepwith-
vetix 51 doux me re -
(/////. //Kilto
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my-
in-most soul are gaz
jus-qu'axi fond de I' a
ing- And
my
ML-650-6
67
fei
^^
^^
5¥^f^
P
^
y
heart
cocitr
in its pain,.
<or- ht ■ re,
my heart
mo')i coetir
in its joy, With
bien-heu - reiix s'ex
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{en rtit'nanf)
-a
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til re
et
as
SP
fesfe
cends,
bri
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then breaks
se com
■y
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t
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Piu lento
(Plus lent)
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iHff gy-
like
we
the
la
sea!
iner!
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MI.-550-6
68
a Madame Julie Lalo
THE CAPTIVE
(L'ESCLAVE)
I Composed about IS12I
THEOPHILE GAUTIEK (isii-is72i
Trant:lated by Nathan Haskell Bole
Andante non tropp
PIANO
EDOUAKU LALO
llS23-lStl2»
j_7 Tv i % J^jH. ;, J' ^»- 1 J^ j',,j)j^ ;, v^
r^.
A cap - tive
Cap - a - ve, _
and for - j^ot - ten, ill-fat
et pcui - ctrc oil - bli-c
u?ia corda
(sourdine)
ed, V I
'■■ V Je
II ,.J. j»j) J) J) ^g^
^EB
pp
s
^
dream of my lov-er of y'^>re, _
souge a mes jen-iics a - inours, -
V Of days no more!
V A nics beaux Jours!
-^' g, I I M ! |i^,r f f I'^^f J I lug* >
b-#- #■-•■ -0- -^ -0- -0- -0- -0-
:WW W — y y y h» # S"
fr#ff
^F^E
pp
m
^
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r-
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ML-551-3
I
p cresc.
in
<i ^ \^\^ ^ rp^
'/
p
cresc.
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?
r
And up thro'my onewindow grat
Ki par la fc - ne - ire gril - le
ed,
e-
V I
can fol
re - gar
low the
de I'oi-
r 'tis LIS
^
w
i
^
?
p V •? i=¥-
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birds that fly V A-cross the
seau joy - eux " Fcn-dant les
sky.
ctenxl
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ct'esv.
f
P
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jt? a tempo
f-
M -ri •/ ^^
without taking- breath
mans respireri
^^
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^
^
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V. M^ ^'
O love - lybird,-
~- J An - pris de hii,—-
hope of the mor
bvllc cs - pe - ran
row,
cc.
Hi
k^h^rr^^S^
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68
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Bear me far on thy wings like a dove's!.
Por - ie - moi stir ies ai - les d'or.
V If still he loves!
V ,S't7 ni'ainie en- cor!
h uniff-flfM
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' If still he loves!
' SV? inaime en - cor!
p poro cresc.
i ^^t^ p ■ 'P ^
P
dim.
r -ypir ^g'-
ro'W, V My soul to-day
ce y Sus -pens mon a
V And then as a balm for my sor
V Et -pour en - dor- mir ma souj" - fran
up
me
P. K~^ poco
cresc.
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J^ 7 -/ J. J ^-1 J. i^^
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on
Sur
his breast
soil coeicr
V Flow'r-like shall rest!
V Comme ii - iie fleur!
MI,-551-8
71
COUNTESS, IN THY DANCING
(VOUS DANSEZ, MARQUISE)
GAVOTTE DES MATHURINS
EUGENE BAZOT
Translated by Nathan UnskpJl Dole
GASrON LEMAIRE
I1S54- )
VOICE
I4AN0
Allegretto
grazioso
¥
i
Count- ess, in thj''
ToKs dan - scz, mar
^P
I
fe
I
S^
^ j^ ;> Je
J^T^T^H
danc - ing Lif^ht thou art as air!
qui - se. I'uii pied si le - ger
fe
h
With thy grace en - tranc - ing
QiCen pas-sant, Ici hri - se
i f''±
w^^
^^
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gg
J»J», SOSff/lllfr,
m^
^
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Flowers can not corn-pare.
Nr peut mains pe- ser,
i
*:
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Birds that pierce the a - zure Look "with en-vious ej^e,
La fleur est sans gra - ce, Certe, au -pres de roiis.
K:
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f
^HE^
$
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^-
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ML -552 -d
72
^
jTT^'"^
While in per - feet meas-ure Swift thy young- feet
L'oi - seaii, dans I'es - pa - ce De vous est ja
f \ftj^'^
fly.
lot
Per- fume sub - tly
Un par - funi qui
Jjj' J) ii Ji
l^i^
E
wreath - ing-,
JKi - sr
Am-ber- gris and rose,
Fait d'ajn-hre ei di - ris.
Prom thy rai-ment breath- ini^,
Vietit de voiis, mar - qui - sc.
feE
fe
h
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"SEESi
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Where thou go - est
A mon coeur e
goes.
pris.
And the fleck of beau - ty
La mou - che que po - se
On thy lil - y
Mar- ion clia - que
it
I
?=»
r r rX
^
m
^
i
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E?
te
?
I) j) T'7^R" ^T M I r
^^
brow
Chains my love and
Sur vo - ire front
du - ty, Seals my
ro - se, ap - pel
dear - est
le I'a
vow.
mour.
-mi
i
I
I
W^^
^=^=^
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-d f ft-
leggirro
fc
it
Ml, -552 -<i
73
dolcr
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t^^-pT^ ir p
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si^
¥
Thou'st a roy-al pile of
Siir rus noirs chc - veux la
ra - ven tress - es
pcm - dre jrt - te.
Thy white hand ca-ress - es,
Mar - qui - sr co - ijiict - te,
;e
w
■^
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doJce sostcn
m
If
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cresc.
^J^ Ji J^ ;y S
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Frost - ed by thine art!.
Brig;ht the brown eyes smile And light - ly
Et de vns grands yeux Jail - lit la
5
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//«!!!
i
ture
irie
In a net of
^!i I j)c IK - tv:
rap
la
tiire Thy
nit' iic
lov
votrp
ers
a
r 'T r r
heart.
ntant.
1 tt« '^
^
^i^
:i=
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cresc.
K M p i''i^ M n ^ F F n r n F I f'p r
E'en as Co - lin
Co!!!?!!'' >'!! dan-sani
ataccato
to Ja-votte said, glanc-ing; In her eyes asthevwere danc-inq^jT'm
toils deux la ga - vot - te, Co - lin di - sail a Ja - vot - te: "A
* t It g lig
g^^g^
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1^
cresc:
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7 3 7
M1.-55S (i
74
piu anmato
^
p r p p I F ^ ^ ^
thine,
ioi
Thou'rt mine?"
Ma fair
ftfi ' ' i ^j
^
v=^=\^^
So when we two trip the meas-ure
Ain - si quand >iotis al - Ions en ca -
sfarcafo
^^
g
iSE
s
±
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m
m
^
^/// animato
V I 7
^
^
*
F F r M p r r M r r r
spright - ly Hear my
leM - c
e To!(/ rti
heart re - peat - ing
^\ai - sir de la
lit,^ht - ly One
dan - sp, 3/(1)1
word
i|< jt^ 'ip"^
:S
^ fom> I ^ V 'f 't I T^f^
Thou'st heard.
Sa ns feur^
i
¥-^-ti
^
And my eyes be - tray my ex - ul
Re - pe - te qtte c'esi vous que j'a
ta - tion By their
do - re Man re -
<-#»
W^
^T H "P *F I
'V
^m
g
t
* ^p ^p lip ''piE^
/>
F P r' I'f ^
^
ea - g^er a - dor
gard le dit en
a - tion: They
CO - re Si
see
doux
But
Pour
thee!
kk^^^s^
^
^
i^E^^^
H
^
pp
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if
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ML -552 -8
75
b^
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p
Count-ess, close thy fan that hides thy bhxsh - es! How I love those peach-down f lush-es! Those
Fer-mez voire e - ven-tail qiU m'em - pe - chc De voir vo - ire teint de pe - chc, Vos
±
m
a* I e ^e-tt
E^
I ii^ it^ y fiffc ''c ^t ^a
:t=:J=S
3iE
^h
i
Tempo I
i
r «f If HI ^' p J' [?
.t)J>ttJ^ ji J'
eyes
yeux
^^
I prize! Since I love thee mad- ly, Since my heart's on
St hleus. Et quiind je vans at - me D'li - ne folle ar -
i
^^
i
V >
^
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colla voce pp so^temito
^
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5
£
-an
P^
fes
fire, Thee I'd die for glad-ly— Crown my heart's de - sire!
dev^r D'lin bon-hetcr sic - pre - me Reni-plis- sez moncoeur:
P^$E^
Thou art beau-ty's
Vous e - tes trap
h
^
m
p^^
^
'3!
f
33E
^^
^
f
E£
I
I
^
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i
fr- J- 1. j> I J
jew - el,
hcl - le.
I am a Hi de - spair;
Moi trap vial - hen - reux.
I' p 11^ H j^ J' ^
Count- ess, be not cru- el; Hear the
Soy - ez -mot'us crw - el - le, CoTti -blez
\
i^*
m
5jr-i[
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53
*
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ML-552-6
76
#
vows I swear!
tojis nies voeux!
m
^
:£
|.ff> J> Jl
i
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See the dance so state - ly;
Voy ■ ez comme on dan - se
La - dy, take my hand
La main dans la main,
•^
^^
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±
s±=±
^Ef
^
P
tEE
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±?:
S
r
V 3E
^^
^
^ i' J^ "^
S
M ^' ^
And we'll march se- date - ly, Join- ing Hy-men's band!
Al - Ions rn ca - den - cp Jus - qu'att donx hy - men.
Count - ess, in thy
Voiis dan - sez, mar-
43^
fa
<
^m
J:
I
55P!P
S
fe
m^
I
f
Tinrj^
^
h il j) J'
pp^
s^ •
danc - ing;
flu I - se
Li^ht thou art as
D\in piid SI /('
air:
With thy grace en
Qii'en pas-sant la
tranc-ing, Flow rs can
bri - se Ne pent
m
i
?
not com
wo Ills pr
pare!
srr.
piu mosso
iplus Vive)
NfL-55a-fi
a Madame C. Salla-Uhring
THE NILE
(LE NIL)
77
d'akmand renaud
Translated by Isabella G.Parker
Moderate
VOICE
PIANO
i
w
^EE&
*
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PP
g^
i
iOriiiinal Keyj
^P^SS
xavier leroux
(1863- )
zm ^
*■&>
f^frf
X
»
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^
5
^
h h ^ N
^
tn
-• •
#
The sol
Les eaiix
emn
du
Nile.
Nil_
with its pale \va - ters
lou - ^ps pa - I'S. s'e
t^
^
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r-r.ri m f i M.r.r .'
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f
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ML -553 -7
Salts
der
/es
the stars.
e - /oj-
of sum
/es de
mer
la
nw't.
5
^
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ssss *
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rr ' r£i£k
^ ^
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MI,-S53-7
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ML-553-7
stream floats our bark
/{en, no - tre bar
1
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ML-.i53 -7
(ifi lif).,
<u volonte)
81
FP
^
pa tempo
r J' i, J,
(in me now:_
son wil douXy^
Mo{,.
with my head re-
ren - ver - sant la
«A=^
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^m
^
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-^i^:,
foila voce
d fd •isuivez)
g
^^M
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f
■id ■ «
f
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m
m
cresc.
^
^^^^
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clin
te
ing_
in the breeze, My gold - en
jf &e - cojie Mes che - veux
hair_
d'or^
up - on his
siiv ses ge -
A^i
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82
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ML-553-7
83
a tfi»ij)o
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"(/•-
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84
PROVENCE SOXG
(CHANT PRO\'^NCAL)
MICHEL CARRE (isi9-iS73)
Translated by habella G. Pitrktr
Andantino sostenuto
JULES MASSENET
VOICE
PIANO
i
/o
^
s
^t-
^
K 1 J^ J
» m
^
^
^t^
^
m
xt;
PP
-rj
Mi - re! - la doth not know she
Mi - rcil - le nc sai't pas en -
PPP
— o •
3x:
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C'est u - ne fleur qui zneui de
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c/o - re Da>is im sou - ri
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Who know- eth not Mi - rel - la, los
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eth Heav'n's
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ML-5.*i-4
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J' J J-y
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r -' r- I O r p f y '^
choic-est gift of treas -
ca - chv son plus cher
lire rare!.
ire - sor!
Her
Sa
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THS KKW TOU POBUC UBEABX
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tU AH8TEBDA1 ATI. NIW TOBX. X.T. IMU
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Hien "'' Irou - blf le c/ias - ie re - vc
In her heart, pure and
Dp son cocttr in - no -
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dolce e poco rit.
87
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Cest u - nefleur quivtent d'e - do
grace
eth When smiled up -
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Dans un sou
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88
OPEN THY BLUE EYES
lOUVRE TES YEUX BLEUS)
PAUL ROBIQUET
Translated by Arthur Westbrook
Allegro, con mollo anima
(Avec assez d'unimation:
(Original Key, F)
JULES MASSENET
M842-1912)
VOICE
'I A NO <
i
h
lh''Lur
E
^
1^=^
—y-
O - pen thy blue eyes
Oil - vre fi's yeux hletis,
'^
now, my
ma )>i I ■
m
i J J. J'-
!/ ^ g-
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^
dar
gnon
ling)
lie:
'Tis dawn of day;
Voi - ci le jour.
I
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ga
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fesE
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On the leaf - v bough trills the
Dv - jd la fail - vet
tr frr
star
do n
lini
His am'-rous
Uii chant da-
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mouK..
Au - ro
L'au- rare
ra with the hue of ro
e - pa - nou - it la ro
^
#
ses
se.
^
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w
Copyright MCMIV by Oliver Ditson Company
Ml,-5S5 V
89
m
Doth
Wens
tinge
a
the skies;
vec mot
^
r^ rff'
^^
The
a^
^P
i
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ii:?
i
11*' lip '/
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love
lir
ly mar - gue - rite un - clos
la mar - gue - rite e - do
3
S
M^
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es;
E
rO-
My
Re
love,
veil
a
rise!
toi!
r^ fff"*
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f
s
k-
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My love,
2?e' - z'eV/
^
xn
a - rise!,
/e . toil _
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Mi.-5r,r>-4
90
J) n't.
J' B r P
f
p ^r
g
O - pen thy blue eyes
Oxi - vre tes yeiix hh'us,
now, my
ma, mi
dar
gnon
ling,
ne;
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JO r?/
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"Tis dawn of
Vot - ci le
$
day!.
jou> ■
Why re-gard na-ture's face, which
A quot bon con - tern - fler la
un poco mi'no mos.so, molfo soatenuto
TeiTipo I IU71 pen moins anime, plus soufenu)
I
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ra - diance
sa beau
bright ?_
te ?
No
La
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Slim
mnnr
mer day such joy be - stow
esi itn plus doiix niys - tr
eth As loves de
re Qjiiin Jf""' d'c
ML-555-4
91
crvsa
J^ V J^ J''
light.
From my
C'cst en
zaz
breast
sweet - est songs are
que I'oi - seau mo -
\
cresv.
-y-^ itp M ^
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^
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5
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soar
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ing With con - qu'ring
Un chant vain
art,
qiieur.
tt J <= J <=j
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MI. -5.-
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92
ARMAND SILVESTKE (issa-iaoi)
Translated by /si(6flla G. Parker
HOW BRIEF IS THE HOUR
(QUE L'HEURE EST DONC BREVE;
JULES MASSENET
as/,3-1912)
Non Allegro
VOICE
PIANO
.!! -> -> ^' ^'' ^ F
The hour swift is
Que I'heure est done
^
J^ J^ J'
fly - ing- Of Love's brief
bre - ve, Qu'on passe en
^
de
ai
pp aoatmuto assai
h h, J)
•' ^ J) P
^ F I P
E^
^^
1 f>
And dream -like, 'tis
Un pen plus qio'w
light!.
mil.
'Tis g-one from our sight,
C'est mains quint mo ■ inriit,
^EE^3i
T
r
dim.
^
poco 7^all.
fci
ten.
M M' M'
f ff J
^
^
3^
r^
dv
re
i
f*
^1t*
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ing; Time steals, on-\vard fly -ing, Our love - vi-sions bright.
he temps iious en - Ic - ve Notre en - chan- te - mrnt.
i
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7 • 7 ^-^ #
^
The hour swift is fly
Que ihcure est done bre
/T' iiteHipo
ing, Of Love's brief de
XH'. Quon passe en ai
light!
mant!
^ 7 7
W
r
z
£
*^fe=^
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?
Copyright MCMIV by Oliver Ditson Company
Mi,-556-
93
pp lento
/O 0\
-^-^
^m
-^h^h
^^^
*
Love's de - light!
Ell ai - tnant!
P
J> j^ J^ ji
Be - neath the wave's flow The sands soft are
Sous le flot dor - mant Sou - j>i - riiii la
/T^
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J. i t
1 '/ J
1^
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colla voce
')'-^r -I i
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quasi recitntivo
J^ ^ J^ ~^
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\ ^ I r ^ * - h ^ f? f> ^
sigh
gre
ing; "Dost love me, or no?"
ve; M'ai - mas - iu vrat - mcnt?
Is it but a
Fut - ce sfu - le
m
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co/la voce
"f
Ji:
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o.
Tempo
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it:^
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dream, That, dream-like is dy
tnent Un pcit plus qii'mi re
ing?-
The hour swift is
Que I'keure est done
mil
m
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fly-ing. Of Loves brief de
hre - ve, Quon passe en ai
light!
mant!
Love's de
En a i
^^
i
light!
mant!
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i
/C\
jEEt
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1
pp.
dim.
'•olla voce
rT\
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£^E
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Ml.-556-a
94
From thL' Spanish
Euf^lish version by Isab'/la G. J'liik- r
Alh',^r()
it Madame Galli-Marie
HAVANAISE
(LA ISLENA L'ISOLANA)
E. PALADILHE
(1844- )
^mm
PIANO
(
*)^^^.^-aH^
^^ ? £
HrM-
^
P
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±
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5.
When the plane- trees are
Au mi - lieu des pla
s
w
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HZ
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fjloom-ing With
/(7 - nc& Aux
\m
high arch-es green. Where the vines bright - ly bloom-ing Sus
lar - f^es fyoii - inns, Oi< la flcxir des li - a - nes Sus
\
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pend-ed are seen-, There my light ham- mock sway- ing Moves soft to and
feud ses Jt's - tons: Man ha - viae se ba - Ian - ce, Ber - cant viol- le
^
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Copyright MCMIV by Oliver Ditson Company
ML- 557- 111
95
i
%
•yr ^ 1^ F'^
S
, y
p I^^J^LTlpi
^
^
fro Dream- y thoughts i - dlj^ stray- ing Like winds come and go, Thus half a
ment Ma re - veuse -in - do - leii - ce, An sonf - fie dn vent, Dans un de
^
5
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y y
1
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k
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rich - est per
fume of tu - lip
fiims du tu - It
red and rare, Far in the
pier i<rr - meil Dans les nti
a tempo
b=*
W^i
j"
r^ li) jj
%
^s
^
i^
^ p i^
^
cloud- lets
a - ges
blue,
bleus
Where my eyes are
Si je plon - ge
glan - cing,
les yeux
be_
'H'\, g V
ML -557- 10
96
0\
/
w^^m
w
Ev - er gay and free,
Li - bre ei sans sou - ci
Efe
m
rrs
»( — it-
^
f
/O
'iti^
* '^.
r I P
p
Dream - ing
£i; re
all
rant
the mer
day,
jour
,1
^
it
i^^
— * —
X
i»
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3
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^i^cj*.
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ML- 557 -10
97
if''' M r f^
0f 0
m
F
r=i"F=p-p^
Vows will vve bf -guile \Vith_ a smile, Waft - ing lev - ers' sighs a
Ri . re (h's scr- ments Des ga - lants Ei de lexers sou - pirs d'a
t
S
/
/:
p
.A
p
p
m
^
P
l^c^.
pm
^Xc^
p^ 'X^
p^
^i. Jl J^ Ji ji ^^
/;
While the heart in safe - ty is,
Sans ja - main dnn - ncr son coetir
Is
Nest
it not to voi:
not
pas,
to you,
ma foi
<^.
t^ P^ 'J^
portnndo la voce
r\-^ — ^ P
P
a tfiiipo
Tell me true
Di - ies - 7M0t,
All the se
he se - crei
cret_ of bliss?
dn boil - hrur?
Where the
Am mi"
MI,- 6S7-10
98
i, ^ p- r; I ff^^
f « ^
Ql£/ imp ^
plane-trees
/tV It des
are gloom-ing With
pla - ia - nes Aux
bright arch - es
lar - ges f^oii
green, Where the
ions, Oil la
con Pi'dali
i
m
^ I P P f! I L4/ ^i' g* I M
f
£
vines, bright - ly bloom - ing, Sus - pend - ed are_ seen; There my
fleur des It - a - nes Sus - pend ses Jt:s - ions; Mon ha -
£
P I M ?
?
r ' r Lf Lf I M P" p
light ham - mock sway - ing, Moves
mac se ba - Ian - ce, Ber
h.
so
cant^
to and.
7nol - le
fro, Dream - y
ment Ma re
^^
f^^
^=^
^-Lr r fff
S
f
£
^
i
S
^ g^ I p^ P B
^:
^
thoughts, i - dly stray - ing, Like
reuse tji - do ■ leu - ce. An
winds.
sou/
come.
and.
du^
go. Thus half a
veni Dans un de
fe#
W^^
t
r r r f f
^
9^frf
^^
MI, -557-10
99
f r ^;, I ;, ii
^^
sleep in shade.
mi som - meil
From the burn - ing
A I'a - bri dii
sun's glare,
so - leil
^m
drink
m'en -
:L^^
^P f r
^
i_i__ej:
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p^^
1^
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I — 4g
^
^
^
rich - est per
i - vre aux par
fume.
of tu - lip
d^i tu - It
red and rare,
pier ver-meil,
Far_ in the
Dans les nu -
cloud-lets
a - ges
blue.
hleiis
Where my eyes are glan-cing,
Si je ploii - ge les yetix
En un
P tt
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r m:rrfrir ^ m
v-i>'i g ^
4^=^
I Q. ri cj I uV^
f.
d^^ d
^^
hold heaVn un
in - geeu_ chan
closed In dreams en
teur. Je vois sou
tran
vrir
les cienx!_
cmg
i
^
±
m\
^
:l
o\
7 7
^
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7 ?
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r^^ — ^-f^ — =
\\ hen the eve-ning star shines a
Qiiand I'e - ioi - le liiit Dans la.
far, Then on bal - co - ny a -
nuit S'ac - coil - der sur son bal-
\
fe
^=sk
^
f^=rr ^ ^ ^ LL
hove,
con.
Soft - est words to hear
E - coil - ter us voexix
Of_
D'xai
lov
a
er dear
rnou - rexLX
I
r
./
p
^w^.
•fi^
Ja^
'^
Ml, -557- to
101
Mur - mur - ing his song cif
Qui mur - mii - re sa clian
love,
son.
ii ii it Jl J'
Then to bid him weep
Le lais - scr pleu - rer
P
m
t
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f.
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i
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f^ il i J' -1— ii i )^
^
With sighs so deep,
Ei sou - pi - rer
While
Ell
your
ri
face
ant
all
de
smil
son
ing
ar
i
/:
P
f
m
i
'^i.
p *
^i'i^.
Z'
*
^' g pTT ^
.y
o^
H
IS,
deitr,
Is it
N'?s{ - ce
not to you,
^ns 7>ia yb/,
TelL
Di
rue,
i
me
0\
i
/^ ^
i'
f
3
^
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:±
t
ic
'ic^.
/t'/i/O -l
p '^ '^
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a^^^^^wt
^
^
porfa/idojavorr
P
^
a fftupo
All
the se
se - cret
cret.
du
of bliss?
bon - heur?
Where,
An
the
■mi -
^
r>.
^¥=^
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r>.
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^
ML -557-1"
102
^'■1. ^ :>■ ^\ ' ^^=^
■i
f—T f f
^=^
plane-trees
lieu des
a tempo
are £;loom - ing With
pla - ta nes Au
high-
lar
bad sgg
arch - es
ges f^(J'^
green. Where the
ians. Oil la
i
fe^i
^
^
£
gi;=y
I
FP
^
^
co/i Pidah
^^'\' F p' p; I p p p I r ^>^i* r^^^
^
;^
vines bright - ly bloom - ing, Siis
fleur des li - a - nes Siis
pend - ed are.
pend ses fes
\
^
^
seen, There my
ions Mon ha ■
i
s
s
\ p p- p I f^^
£; £/ I M P^
light ham
mac se
mock sway - ing, Moves
ba - Ian - ce Ber
soft.
Qant^
to and.
mol - Ic
fro,
menf.
Dream
Ma
y
re
f^^^
£
^
#
^
p r p I F^
LL' ''i-£f+^ ^ P M
thoughts, i - dly
veuse in - do
stray - ing. Like winds come and
len - ce, Au sonj" - yVe_ dji
go. Thus, half a -
ve^it Dans un de -
ML-557-10
103
Mr, -557-10
Wi
GOOD MORNING, CLAIRE!
(BONJOUR,SUZON!)
(AUBADE^
ALKKED DE MUSSET (isio- iss7.
Translated by .\uthan HaxktilDole
Modcrato assai (J=io4
PIANO
EMILE PESSARD
(1843- )
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Good morn - int(, Claire, good morn- ing;,Claire,my wood-land
Bon-joia- Sh - zon! Bon- jour. Sic - zon! ma fleur des
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f low'r !
bois!
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And art thou still, and art thou still our pret - tiest
Es - tit ion -jours, es - hi fou -jours la plus jo -
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bright-est mem-o - ries lad - en.
a ge en / - ta - li - e.
Thro' Pa - ra-
Dii pa - ra -
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W
dise I wan-dered long
dis jfii fait le tour.
I fash -ioned thymes,
Jai fait dcs vers,
Love was my
chan - te la -
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^\'hatsthat to thee, dear,
Mais que t'ini - por - fe,
what to thee,
que t'itn - por
dear !
te!
I
wan - der be-fore thy door, my fair.
pas - se de - rant ta mai - soi:
Look forth and
Oit - vre ta
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see. dear!
por (e,
Lot)k forth and see^
mc - 7' re fa por
vvan-der be -fore thy door, my
pas - se (if - vanf /a viai-
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part-ed
vu - e
the f low'rs were in their prime :
aii, temps dcs It - las
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Did not thy heart new joy dis
Toil cpcur joy - enx^ ve - nat't^^ d'e
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do
er! And yet thou saidst; '"Tis not_ the time,
re, Et ill di - sais: 'Je ne. vfitx pas.
'tis not the
j" ne veux
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mem - co - re'.'
While I was
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gone what's been thy fate?
rfe - puis mon de-parf?
A
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Who goes too soon
Qui part frop fut
re-turns too
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late;
fa rd;
\Miat'sthat to me, dear,
Mais que m'im - por - te,
yvhai to me,
que m'im - por
ML-5B8-6
108
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dear?
ie!
wan-der be-fore tliydoor, inv fair!
pas - se de - vant /a mai - son.
Look oxit and
On - vre ta
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see, dear !
poY - te!
look out and see,.
oil, - vre ia por
dear! L
te! Je.
wan-der be-fore thydoor,my
pas - se de - vant ta mai-
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Good morn - irLgj, Claire!
Bon-^our, Su - znn!
Good morn - iu>;,riaire
Bon-joiir, Sic - zon!
f
p roUa von
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MI- 558-5
EUGENE ADENIS
Translated by IxabetUi G. Parkfr
SERENADE
(SERENADE)
(Orif^inal Key, D)
109
GABRIEL PIERNE,Op.:
(1SI13- )
Allegretto J= wv.
PIANO
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mcz-za voce
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ft f-
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Up - on the breast of_ night .
Ail seindes hki'/s tout dort, _
A star is gleam- ing bright.
L'e-toi - le brille en- cor,
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i due Pedal e
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The wind is soft be - low, .
Le vent se iait Id - has,^
Where li-lacs bloW;
Dans les li - las.
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Be-neath the fo -liage blest
Suus If feuil - lage a - mi-
The bird has
L'ni-stau s'est
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pa'r'rir- i^
SEEi
m
a
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gone to_ rest.
en - (for- mi.
Come, the for- est gloom Sheds rich per- fume; Up - on the
Viens, les bois char - mes Soni em - bau - mes; Au sein des
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breast of night,
nuits tout- dort.
_ Yes,
Oui,
A star is gleam-inj^ bright. Come, O thou my
le - toi-le brilleen - cor, Viens, 6 mon a -
if
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love,
niour.
for I am thine. Be on - ly mine!
je t'aj> -par - tiens, Sois toute a moi!
Let our sweet musings
Lais - sons er - rer nos
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wan
a.
der Through paths of per- fume and of song.
mes Sicr les par-fums et les chan - sons.-
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Ill
Let
Ai
s
our
Tnons
love_
notis, .
m
to
at
s
dreams
tnons,
be
re
long.
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But
Mais
a - las!,
fce - /as/-
are my la
est- ce en vain
b's;er
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bors in vain?-
^iie Mia tJoix
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Come, soft is the air. Night is so fair, Ah! come!.
Viens, I'air est si doux Au - tour de nous, Ahl viens!-.
Ah! come!.
Ah! viens!^
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a tempo
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Ah!.
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Up - on the breast of night.
An sein dvs nit Us tout dort,_
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a fe»tpo
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A star is gleam-ing;_
Le - tni - le brillc en
bright.
cor,
The wind is
Le vent se
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soft be - low,.
taii Id - has, _
Where li - lacs
Dans les li
grow.
las
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Be-neath the
Sous le Jeiiil
to - liage_ blest
I age a - «ii,__
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ML-559-6
113
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The bird hath • gone to rest.
L'oi - seau s'est en - dor - mi.^
Come,
Viens,
the for- est
les bois char
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g-loom
Sheds rich per - fume:
Sont em - ban, - nics;
Up - on the breast of
An seindis miits tout^
night,-
dort
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prrtT^g^
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Yes,
Oai.
P^' T J^ J
A star is
I'c - toi - le
gleam-ing_bright.
brille en - cor,
Come,
Viens,
O thou my
u nion a
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love,
mour,
For T am thine,
j'e <W^ - ^ar - tiens.
Be on - ly
Sois ioute a
mine!
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ni NEW TORE PUBUC UBaA&T
OKNIML LIBflA&T OF THE PBAroaMDfd
in AHSTBKDAI kXL. nW TOBS, 1. 1.
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Let our sweet mus-in,i,''s wa»i - der
haxs - sons er - rcr iios a - vies
Throug-h paths of per- fume and of
Sitr les par- fiims et les chnu.
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_ While our fond hearts grow
Lc temps ou nous at
fond
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Time f ly-eth, and we are
Sen - vo - le ci nous pas
O
gone,
S071S. _
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Love!.
mons! -
o
Love! .
mons! _
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ML-559 - 6
ii Mademoiselle Marguerite Lavi^ie
LULLABY
(BERCEUSE)
115
HJPPOLYTE LUCAS
Trans/((fi 1/ hy Alixander Btaes.s
PIANO
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( Origtiial Key,D)
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(1864- )
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and
hrtiit
Now,
0
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Ms
tie
folk, Let all
fants.
J'rn - ft
noise
I'll e II re
a
bate
tout
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peace dwell in the house!
cesse en la de - nieure. .
In pray'r kneel in your
Pri - ez en vo - tre
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beds,_
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Be
Pro
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met
to
mind
hi en
with
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ML -560-5
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i
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grace;
sa - ges,
f
All
Les
■y
out - bursts of
tre - pi - gne
P
pas
ments.
I
.sion
ft
m
and
les
H 1 —
wrath —
ni - ges
#
dim.
i
351
^
Blot your soul
Soiif dp gros.
with the stain
de fri's - griis
of
sin!
chrg! .
-G-
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e
r r ir
Hu'^h! hush!
Ih . d ..
don
to
re
sleep;
menf.
rt^
You will
T'lKs ver
see
an
K 11
an
gel.
en dii
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yw^'-i^ animato
{un feu plus anime)
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fair. _
mnnl.
You will see the man - ger In
Tons ver - rez la cririie cl - le
¥
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which our g-en - tie
irnhne Oil I'm - fant
Sa - viotir, the
Dim, Salt
m
Son
veiir
zai
of
God, .
■prime, ^
was
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born
qvH
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as a
frail
help - less
ft soiif
babe,
frnni;
Sur
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tzz
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shep
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herds a
Ictirs horn
dor - ing, and
ma - ges, Les
three
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Kings,
gers
g
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come
p res
from
des
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farth - est East,
trois Rois Ma - ges.
Their price - less treas
A - 7'Pc les ni - seaiix
tires
ra
be
do
ML- 5(iU- 5
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stow
rant.
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Hush!
Do
hush!
do.
zL
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go to sleep,
don - cc - ment
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You
will
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see
an
an
a-nge
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pn
dor
fair. -
mant.
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Not on - ly to your moth - er
hriit scti - If- mcni. a vn . tre
dear You cause sad-ness and bit - ter tears,
mi' -rr Vons cau - sez j( - ne peine a - me -re
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You that were born to be her
Vous, nes pour fai - re son bon
hetir;
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But the gen - tie
Maix <in ci'rl Je
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IS
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fail It Sj
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for to _
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his
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poco n't.
Hush! hush!
Do - do,
go to sleep;
don - ce - ment,
You will see an an - gel
Votis ver - rcz uii ange en dor
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120
To Miss Fanny Reed
WHY WITH YOUR LOVELY PRESENCE HAUNT ME
(SI VOUS NlWEZ RIEN A ME DIRE)
ROMANCE
VICTOR HUGO'iso2-iss5)
Tntiistated by Arthur W.stbrook Baroness WILLY de ROTHSCll 1 l.I)
Moderato
P
VOICE
riANO
J
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Wliy withvour love - ly pres-ence haunt me,
St VOUS n'a - vrz rieii ii rnr </i - re.
If there is naught that
Pour-quoi ve - nir au -
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you would tell?
prcs tie mot?
Your witch - ing smile is but to taunt me. Yet
Pour qiioi me fai - re ce sou - ri - re Qui
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e'en a l^ing might fear its spell.
tour - lie - rait la iete an roi.
Your wiich-ing smile is but to taunt me,
Si voris n'a - ^'^^ rzVu a rue di - re
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Yet e'en a king might fear its spell.
Pour - quoi ve - nir au - pres de moi?
m
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WTiy with your love - ly
Si VOUS n'a - vez rien
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ML-561-4
121
ft
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^
^
nf.
?rr
^^
rT^7
pres - ence haunt me, If
a me di - rr Pour
m
there is naught that you would
(pioi ve - nir an - pres de
a.
tell?
mot?
i
r^^
t9-
/■fY.
r\
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i9-
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^
■k
J' J^- ff P" ^
^
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no wise sfo - ry,
a m'ap - pren - dre.
Why warm - ly press my
Pour - qtiot me pres - sez
hand, I pray?
7'oics la main?
I
S
3=1
1=1?
*Fk
iiJ'^J' J'^^'|iJ)UJ'iip y ^JhJ^
t; nt o
'^^
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While ten-der dreams of heav'n-ly glo - ry En - chant your spir - it as you stray?
Sur le reve an - ge - h'que et iendre Au - quel vous son - gez en che - min?
0\ n\
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m
a tempo
P
^^^5
^jnhjrTp Ni^pT^r
^^
While ten-der dreams of heavn - ly glo - ry,
S'l voxis na - vez rien a m'ap-pren-dre,
a tfimpo
En-chant your spir - it as you stray!
Pour-qiini nic prrs - sez - I'oxis la main.
i
P
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^
3=^;
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It" you would teach me
Si vous na - ?>rs ririi
\
no wise sto - ry, Why warm -ly press my hand, I
(/ map - proi - (ire Potir - qiioi me pres - scz - vous la
^
^
^
f^^
P^
On
9 y ^
m
9 B«>-
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— cr^
pray?
main 7
a tempo
I
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ii
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^
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If 'tis your wish that I should leave you,
St voxis Tou - lez que. je men ail - le,
a tempo
Why pass this way so soon a
Pour- qtwi pas- sez - vous par i
gain:
- ci?
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MI,-5G1- '.
123
1^7 bJ'^J^^
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hJ'jiJ'^^^'iijnaJV^rj^ I ^^'^"P M p- ^
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I trem-ble when my eyes per-ceive yoii ;
Lors-que je vous vois, je {res - sail - Ic :.
'Tis my joy and a - las! my pain.
C'est ma joic et c'rst moii sou - ci.
tffe
m t ^
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Sa:
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\ f j-M-i J' J' ^m
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If 'tis your wish that I should leave you
Si vous ron - lez que je m'en ail - le
a tenipo
Why pass this way so soon a-gain,
Pour- quni fas-sez vous par i - ci,
i
■M — t-
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f
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9
to 7 p P ^p^^
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If 'tis your_wish that I should leave you Why pass this way so soon a
St vous voii - lez que je m'en ail - le Pour - qiioi pas - sez - vous par i
^
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MI.-S6l-i
124
VICTOR HUGOdsoa-isss)
Trandaled hy Arthur Wfst brook
Andanle sosicnulo
<( Mud a mi' Pauline Yiardoi
THE BELL
fLA CLOCHE)
(■roniviosi.-d in 1856)
(Ori^utal Kry)
CAMILLE SAINT- SAENS
USli.-)- Itf21)
PIANO.
I
^
pp
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una cord a
^^
wy^
ff
^
nW7
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r f
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is:
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» » »
Lone in thy dark old tow'r V with ttir - rets scarred and
Snilp en tn soni - hre inur ■ V axix fai - fes den - ie ■
a
»-^=Ty
rsT
^
^
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1^)^''!-^ r ^ g f
r f F
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drear, V Whence thy deep voice de - scends on the roofs clus - t'ring
/('S, V Doii ton soiif - fie des - cend siir les io{is e - bran -
m^
I
kte
W^^
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rtry
P^
h |,|-i'»Jg^
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near. V O bell, high o - ver
/ps, V 0 o/o - cAp sxis - pen
^
ZJz:
all, V'mid the clouds thou art
dn - e V ail mi - lieu des nu -
SL
^
ifc
^
^
Copyrigtit MCMIV by Oliver Ditson Company
ML- 562-6
125
i
h^\'% r ' '' f^
hung, V Which so
e - es, V Par ton
k\^r^ y
of
vas
— »-
fen
tr
-\ >r-
=?¥=
d
re - sound V to thy clam - or - ous tong;ue.„
rote ■ lis V ai snii vfnt re - vni - e
^
&
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Ste
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ji ;■ I J
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V In
V Ttt
shad
dors
ow now thou sleep -est, V hushed
en ce wo - ment dans ronihre.-
IS
y ef
ev' - ry
rteti ne
m
w^
:^
2
w
^
^^=^
"^
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li.^
22*
^
^
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«
sound, V In the midst of the
luH Sons ta vou - te fro
dark - ness dwells si - lence pro
fonde oil som - ineil - le le
*
li
tfe
ti
w^
^
^
m
^
w
nicno p
J iJ) ;
B5^
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found!
bruit!
m
Oh!
when draws near a
^fl>i - dis qxi'un es
fc*ES
J J'
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J ^ J J J J
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MT,- TiKL'- (!
126
^
soul,
V and,
V qui
tho' no word is
JUS - qii'a tot s'e
spo
Ian
ken,
ce,
^''^ iiiii
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irii iiii\
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^
t
t i t t t f=t=t
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^•[.h.h •/••, Pj rq k P P f
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•— »
ft
^
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^
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^
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izae
Soars up to thee on
Si - len - ci - enx aus
high
si,
V through
V coil
si - lence yet
trm - pir ton
un
St
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^
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j=j=j
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J V ^
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hro
len
ken, V Dost
OP, V Sens
not
in.
some in
^rtr cei
stinct feel-
ins - iinrt
m
JiiiH
a =3:
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Vague - ly bless - ed and dear
vagne /t pl/'in dr don - ce
V Which must ev
V Qiii ye - rt'e
ML- 562-6
127
ii#
?
veal _
jours^
that
i
a
lie
pp
^
^
SIS
soeur
ter
a
IS
/a
near?-
soeur, _
^' V h ^
V In this
V Q%ih cette
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331
33C
f
f
^
morfndo
^=fe
fe
h V J^ ^^ I J
^^
hour
he are
f [? IT
of
Ot(
re
pose.
dori _
V when the
V la snt
twi
rie
light is
ea; - pi
^^
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v% % $ $ $-$-^
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tt t%. %.t t — *
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dy - ing, V A soul
ran - te, V JJne ante .
is near to
est pres de
thee;
iui.
J — ^^
s
m
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i '-' -Ff
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te
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Ji
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like thee it, too,
non yyioins que tox
IS
vi
cry
bran
mg;
^t'''!.'!, 7 i^-rW'in
s
WH
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t
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A
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ML- 562- 6
128
i^
^
V Cry
V Qui
ing with sol
hiPn soK - rrni
^
-&-
emn sound
(7j(s - si
V to the
V JpUp nil
'M\ 7 ^trm.
i
t^
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±=z.±t
^
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m m
m m
^
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^
I
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V And doth
V Ei se
i
^t-f
s
^
?
mourn
plaint
m
dans
its
love
een
row
M
^
g ;. N ^ N^
"S
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as
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£
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crenc.
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h^vy
thou,
fot
V in
^ dans
the
sky!
del! .
te
IS "1/1. •' JlgH-jigt-*-
fe
V - V — *
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129
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dim.
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^
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V And doth
V Ei se
0~0
mourn_
plaint—
in
dans
its
I'a
love
mour
e'en
com.
as
me
tnitm
its
m — "^^^ — M m-
^PP
S
W^
v^y^
f ft
^
f t g
jt
dim.
^
^
kfe
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toi
ifspress.
m
dans
the sky,
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it
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fe
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dans .
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ML-56S-6
130
CATULLE MENDES 'i84i- i
Translated hy Isabella 6. Parker
a Madame Mane Barbie r
MOONLIGHT
(CLAIR DE LUNE)
(Original Key)
CAMILLE SAINT-SAENS
(1835-1U21)
VOICE
PIANO
fe
Un poco Allegretto
sotto voce
f
^^m
-tS^
^
m
With -in
Dans la
the grove
Jv - ret
SO dream-
que cree
^
^
3
^
a
t
7 »
m
Con Pedale
j^i Ij^
^
^
i
^
^
i ( ji ji
s:
y wend
un re
m
I walk
Je vais
=2
n
^
^
^
**
^
^
S
at eve .
le soir
the for
dans la _
est lone
fo - ret:
m
fc*
-6-
5^ 1§-
*-«E
*
*^
-9
m
^
^
^
^
Copyright MCMIV by Oliver Ditson Company
HL-568-4
131
V \\ h J^ I ^
^
Or is it
N'est - ce pas
not thy film - y veil,.
la ion vo-i - le fin, _
ML-563-4
132
ihirjr], ]. ^TTTji
y h J) J' J^ J^
a^ -'
#' *
_ Like va - por through the dark-ness gleam
Brouil-lard le - ger dans la unit hrii
ingr
Or is it not the
On u'esi - ce que le
h I 7 J' i> jN h i' I j> i' J
=!^^
:*i;
moon-light beam - ing'
clair de lit - ne
*F
A - cross the pine-tree's
A Ira -vera loin-bre
shad-ow pale?
du sa -pin?
i 4 4 i i i
S
f Ml
t
1K
¥
ML-568-4
133
Cfesc.
s
own
ler
i'^ p I r -
ten-der tears?
dou-ce - mcni?
Or can it
Oil se peut
0 ,r.
a
ai=a5
( t f \t:m
-a
tj
gp~'L
3
c/vsc. ^^^
tf
^
^
^
^
^p
^
be.
as it ap - pears,.
>-t' - el - le - ment
that thou to
Qua mes co
i
9J
fit.
^m
^«
a tempo
dim.
poco n't.
me art in tears re
ies en pleiirs, tu
poco n't
ML-B63-4
134
MICHEL CARRE (.I8i9-i872)
Translated by Ixabellu G. Parker
EVENING
fLE SOIR)
(Published in 1885)
(Original Key)
AMBROISE THOMAS
(isii-isas)
Andante soslenulo
PIANO
^^
P
^
f— #
:j
^
i
I
r-
£
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^^
1t=A
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f
"TXyr
F
i
■y
lEE
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fcjEEE
^
/vV!
O 0\
* i f
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7 M ^
TP
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Oi
> ? ^
i y i t
?
a
af«//f«? ff.S'.'>77/'
^
J J .J^
^^
^^
^
The earthy
La lerre^
parched at e
em - bra - se
ven, Is
e Ai-
^=^
Pfl
iPTT
Pi
^^/
V-^'l>L ra^
Bf
w-M /,:
Copyright MCMIVby Oliver Pilscm Company
ML- 564-4
135
^
^m
s
s
wait -
tend
ing that heav
/a ro
en The fresh
e Qui torn
dew ma}'
fee rfes
brinj^.
cietix.
i
i
^iW^
S
pn
r
^^
;^^p
f
;^
Hf . » .^
m
aai=^
-# -# -5^-
^•|.^ h 7 i
^
^^
Cool - er winds are_
La cha - leur s'a -
blo^v
■pai
ing, Blest
se. On
re - lief be - stow
res - pire a I'ai -
ing.
se.
The birds sweet-er
L'oi-scmc chan - te
Sing,
■mieux.
The birds.
L'ot - seau_
sweet-er sing._
chan-te mieux.
ML-564-4
136
I
^
^
^^
^
¥
£
Shad
ows, deep de - scend
feuil -la - ge aotn
bre
From
Co II
the trees are
V re de so n
B
vyy y'
P
7 .^'
PI
31
■U
■0 — 0-
^
* M y.
W W 77
i
^
^
£
1^
bend
ins;_
bre _
Where
Les
fond lov- ers
a - mants Jiru
meet.
te^
-HV^
p
I
^
SEEE
Z-
te
-^-^-tst
m
^
s
r
S
^^
^
While
Et
the star- beams ten
^/ms dune e - toi
der
flfr^f } } } llfejg
f-g f f t f
^
i^
ML -564-4
137
I
k^
tu
Thro'
A
P P P
their veil of
tra - vers son
splen
dor
le,
cresc.
Tell
Parle
love's sto - ry
a^ix a - ■ynou
y\ » ■ ■ 9 w- — »
T S I g I I
i=t=t=i^t
•^n'l>^ J
=!*
i
«</^/^. ^"'Z
^
f! P P
^"I't' I*
^
sweet,
While star -beams ten - der Tell.
Plus dime , e - tot - le Par
loves sto - ry
le aux a - rnou
IT^ g
m m
m m m ^
(
15^
;^
pp
nf.
gs
^
to J Tj- p- p
.smorz.
^^=^1
T
^
sweet,
reux,
love's sto - ry sweet,.
aux a - mou - reux,
love's sto - rv sweet .
aux a - ihdu ri'ux . _
'\? \\ ^ i
ML-56i-4
138
A.de SAINKVILLE
Trau.slided hy Isabtlla G. Furker
VOICE
PIANO
i
Largamentt"
A LOVE SONNET
(SONNET D'AMOUR)
Modcralo ma tempo rubato
dolrc
FRANCIS THOME
(1850-
S
^^V^-JU^J-^
string
^.N^-i'ff n>^
W^
Gold-en the sun-light, beam-ing bright-ly,GiIdethwith lus-tre
Sous le su - leil qui les ir - ri - se. En dorant letir re-
^
H-ry
/
If
2=ii
m
\4
I/*
i"
:i-i^- "a
-^r
i
m
^m
■olla I'dcr
t^
s
m
rail.
a frwpo
K K
i^
string.
^^■r7 ''\'fi r;piii^'i' ^ ^' J-
^
rich thy hair.
flets soy - eux
i
I would fain through thy tresses fair Like zeph-yr be f loat-ing so
Je fou-draisdans ics blonds chc -z'eiix pas - scr le - ger com-me la
! I
^^
"^m
^
7 r-
IS
nnln niirr
^^
:5i
f^ \7-
i
rail
a tft/i/n
^ITT - h I j. .,^
^
r -^i ' ^ ?Lr'i^ E/^^LJ
f
lightly; And on thy charming neck, where shineth On.e bright curl wav-ing in the soft
bri - se, Et siir ion cou char-mant oii J'>'isp U - ne boucle aux flis on-dii-
^
i
i
1
r
(t tempo
k 'p- r
^
P
m
i
f
-LJ-
m//
^' 1^^ ' F 1^^^ l^##
ro// (inima
b#? F-
i
a
# M ^J*
i
air, How would I breathe perfume most rare, That in my soul it - self en
leux. En res- pi - rer, vo - lup - tu - cux, L'en iv-rant par - Jiim qui me
i
w
^
P
f
VM>r-^^
col/a rorr
I
s
k
r^
S
r
9^
Copyrislil MCMIV L.y Oliver Ditsiiii I cirpanj
Ml,-565-2
P/h h-ntd
139
^
^
shrill
0 m-
eth.
se.
^m
Then, if by chance
Comme an ha - sard,
^
S
^
In care -less mood,
sails y pen - ser.
i
^
!^H
t 4' d:
■0- ■0-
cdlla roci'
-KT-
3
m
/
^
^
fck
-^
T=
^
Ecj
^J^.
/^ «« corda
*
I
sfrififf.
rail.
fe
/y tempo
^^
£
?
^ Mf M[j^f^
:sz
Wouldst thou in - deed ac - count it rude_
St - raii - ce vrai-ment t of - fen- ser
Should I, as all
Si sur tes I'e
my soul- de - sir- eth,
vfes de ce - ri - se
} m
it
I
±
^
-^-
i
-7:h
(f te/iijjo
-^^.
r — T~r
colla voce
p colla voci'
gsg^
E5:
t
1 — \ — ^*
'^.
i
rresc.
V ^1 r ' l\<i? K M'^^ L,^
• p#
^
^
^
On thy lips, my gen - tie dove, Led by the love thy
Je niei-tais.
chant t'a - pai - ser
i
Se*
h:
^
"A-vec la - niinir que
k
charm in-spir - eth,
tu ;u a pri - se.
k
murzzM
W=^
^^ — *-
r — rr
p
rrefc.
'): ,1,, tf- H«E^
.^ >— -. i-
t=t
^^
i
^
£
:^
ii* Its -
•''''// grand anima
;£a
VKillo rit. /^
£
^
£
Tempo I.
n P \' g
^
s
£
Pour out my soul, ah, pourout my soul in one kiss
Toil,- te ma I'i - e, Ton- ic ma i>i - e en un
of
hai
love?
ser?
M» J
?
_ o. O
^3
1
r
f\i *
colla race
g
m
' mo I to cresc.
i Tin
/r
it
f — f-
t—~
\y
V f
1l\^.
I
ML-565-2
140
THE SIGH
(SOUPIR)
THKOPHILE GAUTIER (i8ii-i87a)
Traiislalvd by I.sabtUa G. Purker
CHARLES WIDOK
VOICE
W
Andantino
PIANO
^^
it
\ U V J JHJ- J'i^i'J J^
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