FRED LOCKLEY
RARE WESTERN BOOKS
PORTLAND. OMt
FIVE OREGON POETS
Joaquin Miller. 2. James G. Clark. 3. Sam. L. Simpson.
4. Edwin Markham. 5, Mrs. Ella Higginson.
OREGON LITERATURE
BY
JOHN B. HORNER, A.M., LITT. D.
/
PROFESSOR OF HISTORY AND LATIN IN THE STATE AGRICULTURAL COLLEGE
OF OREGON.
Take the wings
Of morning, pierce the Barcan wilderness,
Or lose thyself in the continuous woods
Where rolls the Oregon . . .
BRYANT : Thanatopsis.
SECOND EDITION.-
PORTLAND, OREGON:
THE J. K. GILL CO.
1902
Copyright, 1902, by
JOHN B. HORNER
STATESMAN JOB OFFICE PRINT
- \ l.l.M. . I
INTRODUCTORY
TO A FRIEND.
<(What is a book? Let affection tell;
A tongue to speak for those who absent dwell,
A language uttered to the eye
Which envious distance would in vain deny.
"Formed to convey like an electric chain
The mystic flashes, the lightning of the brain,
And thrill at once to its remotest link
The throb of passion by the printer's ink.'9
JOHN BURNETT.
Corvallis, July 7, 1899.
851109
PREFACE TO SECOND EDITION
The men and women who made Oregon have already
produced more genuine literature than did the Thirteen
Colonies prior to the American Revolution. A remark-
able people— the extract of the greatest nations— had
possessed and planted the new land. They gave to the
West their best thoughts ; and these thoughts more than
any other influence shaped the lives, moulded the char-
acter and determined the future of the present popula-
tion. Therefore, these sentiments appeal to us, for they
have been woven into our being. They are common
property, bequeathed for the inspiration, enjoyment and
edification of promising children and busy men and
women. Hence it is patriotic and proper to familiarize
ourselves with these sturdy Oregon thoughts, clothed
sometimes plainly, but yet in the best garb that plain
men and women could give them.
However, beyond a crude and imperfect collection of
excerpts from the writings of these people, published a
few years ago by the author of this volume, no attempt
has been made to place before the public anv exhibit of
their literature. The ready sale that attended the first
edition, and the demand that apparently exists for a
more pretentious work on the subject, occasioned the
present publication.
In this new edition the scope of work has been so in-
creased as to include contributions from gifted writers
who have more recently come into prominence on ac-
count of use of choice English as it is spoken and
written in the extreme West. But be it said that the
interesting task of selecting nuggets amidst a Klondyke
of literary gems was somewhat incumbered with the con-
stant fear that in the delightful search many of the most
valuable specimens may have been overlooked. Bearing
this in mind, the author believes that enough have been
gathered and are here presented to convince the reader
that in the realm of literature, no state so youngr as
Oregon has done better. j. B. H.
Oregon Literature
Long ago the scholars of the East passed the lamp of
learning from Rome to England, and from England
westward to Boston, the front door of America. From
Boston the lamp lighted the way of the pioneer across
mountain chains, mighty rivers, and far-reaching plains,
till the radiance of its beams skirted the golden shores of
our majestic ocean. Then it was that the song of the
poet and the wisdom of the sage for the first time blended
in beautiful harmony with the songs of the robin, the
lark, and the linnet of our valleys. These symphonies
floated along on zephyrs richly laden with aromas fresh
from field and flower and forest, and were wafted heaven-
ward with the prayers of the pioneer to mingle forever
in adoration to the God of the Land and the Sea. This
was the origin and the beginning of Oregon literature.
INFLUENCE OF PIONEER LIFE.
A fearless people among savages, the Oregon pioneers
surmounted every obstacle, for they had graduated from
the hard training school of the plains, and had suffered
severe discipline known only to the early settler. Hon.
George H. Williams, Attorney-General of President
Grant 's Cabinet, said : ' * When the pioneers arrived here
they found a land of marvelous beauty. They found
extended prairies, with luxuriant verdure. They found
grand arid gloomy forests, majestic rivers, and moun-
tains covered with eternal snow; but they found no
friends to greet them, no homes to go to, nothing but
the genial heavens and the generous earth to give them
consolation and hope. I cannot tell how they lived;
nor how they supplied their numerous wants of family
Oregon Literature
< ,• /»* «••••• j * ,**«> •*
ttfa-': Afl'tHestf {hJdgtf are mysteries to everyone, except-
ing to those who can give their solution from actual ex-
perience." lint «•!' this mie tiling he assured, under these
trying circumstances, life with them grew to be real,
earnest, and simple. They were fearless, yet God-fear-
ing; no book save the Bible, Walker's Dictionary,
Pilgrim's Progress, and a few others of like sort— solid
txutks, solid thoughts, solid men— three elements that
enter into substantial literature.
Immigration steadily increased and the settlements
gradually grew, so that all the woods and all the valleys
became peopled. Only the bravest dared to undertake
the long journey across the plains— for the plains, like
tin* battlefield, develop character — and only the wisest
and the strongest survived; hence Oregon was early
peopled with the strongest, the wisest and the bravest;
the Romans of the new race. And while there may have
been no Moses, no Caesar, no Cromwell among them,
there was a generous distribution of men like Joe Meek,
Gray the historian, United States Senator Nesmith,
Governor Abernethy, General Joseph Lane, Governor
Whiteaker, Doctor McLoughlin, and Applegate, the sage
of Yoncalla— men of warm heart, active brain, skillful
hand, and sinewy arm. And the women were the
daughters of the women who came in the Mayflower, and
they were like unto them. They spun and they wove,
and in any home might have been seen a Priscilla with
her wheel and distaff as of old. And, although the
legends of our Aldens and Priscillas remain as yet un-
written and unsung, Oregon will some day raise up a
Longfellow who will place these treasures among the
classics of the age.
INFLUENCE OF SCENERY.
Critics tell us that literature is rather an image of
the spiritual world than the physical— of the internal
rather than the external— that mountains, lakes, and
rivers are after all only its scenery and decorations, not
its substance and essence. It is true that a man is not
Influence of Scenery 7
destined to be a great poet merely because he lives at
the foot of a great mountain— a Hood, a Jefferson, or a
Shasta ; nor being a poet, that he will write better verse
than others because he lives where he can hear the thund-
ering of a mighty waterfall. "Switzerland is all moun-
tains; yet like the Andes, or the Himalayas, or the
Mountains of the Moon in Africa, it has produced no
extraordinary poet." But, while mountains, rivers, and
valleys do not create genius, no one can deny that they
aid in developing it. Emerson tells us that "the charm-
ing landscape he saw one morning is indubitably made up
of some twenty ,or thirty farms. Miller owns this field,
Lock that, and Manning the woodland beyond, but none
of them owns the landscape. There is a property in the
horizon which no man has but he whose eye can integrate
all the parts— that is the poet." The poet, therefore, is
the only millionaire able to own a landscape. Yet no
man or woman with poetic impulse can entirely escape
or resist the inspiring influence of towering peak or
sweeping river. With a state bounded on the north by
the Columbia, abutted on the east by boundless prairies
and magnificent vista of distant mountain chain, guarded
on the south t by the lofty Siskiyous, bathed on the west
by the sunset seas; with a state dotted here and there
with everlasting snow-tipped peaks, sentinels of the
world, bound together with stretching mountain system,
bosomed with delightful valleys, tesselated with charm-
ing traceries and glacier-fed streams of crystal that
water the violets, daisies, and the witcheries of the low-
land—ours is not the scenery that makes gladiators and
bandits, but is the refining, elevating scenery with mild
and gentle environment that day by day has worked its
impress through the eye and mind and soul of dwellers
in Oregon, and produced a literary beginning already
made noteworthy by Miller, Markham, Simpson, Hig-
ginson, Bajch and many others. That the sweet nature
and rich landscapes about us have done much to stimulate
and fructify our literature, and that it will continue to
advance the literary art to a higher state of perfection,
is made certain by a study of the thoughts and themes
with which existing creations are ramified and inter-
8 Oregon Literature
twined. It was the gentle flow of the Willamette that
furnished Simpson with a theme that created one of the
most delightful poems known to the language ; until he
had stood on the banks and heard the "lovely river softly
calling to the sea" his mind must have remained without
the inspiration necessary to produce the sweet lines of
"Beautiful Willamette." Likewise in Higginson's
"Pour-Leaf Clover," written within sight of a meadow,
in Baker's "Ode to a Wave," written on the ocean beach,
and in Miller's "Sierras," written with the Cascades in
the background— the complete reliance of the author
upon nature, not only for inspiration, but often for
theme or thought, is clearly discernable.
INFLUENCE OF SONG.
Our pioneer fathers and mothers were a busy, active
people, but they had their times for rest; and during
these restful hours they found much solace in song. The
violin was their only piano. They listened to its melody
and they danced to its notes; and those who did not
think it wicked, sang with it. They did not all have time
to read books, and curious as it may seem in this day of
libraries, colleges and public schools, some of them did
not even know how ; but all could sing, and they found
time for this recreation; and they sang more in their
homes and in their fields then than they do now. If at
no other time, they sang on their way, to and from labor ;
and every home became a sort of musical conservatory.
They had traveled far, and reached their earthly
Canaan; and now they were singing of the Canaan be-
yond, drinking in the poetry that flowed like the milk and
honey of the land that they had found.
And it is probable that the men and the women and
the children who sing the good songs, thrilling the world
with their melodies, exert as great an influence in touch-
ing the popular heart and in inspiring the nobler senti-
ments of humanity as do the men and women who write
the good songs; and the men and women who write the
good songs do as much to develop the nation as they who
write the good laws. The singers, therefore, are not far
OREGON STAtE SCHOOL SUPERINTENDENTS
1. Syl. C. Simpson. F«*,M&73. to'
2. L. L. Rowland. Sept.. 1874. to Sept., 1878
3. L. J. Powell. Sept., 1878, to Sept., 1882
-4, .JL-'B. McElroy, Sept., 1882, to Jan., 1895
5. G. M. Irwin, Jan., 1895, to Jan., 1899
6. J. H. Ackerman, Jan., 1899.
Influence of Bong 9
removed from the good laws of the country. In the days
when there were no newspapers, nor magazines, and books
were few, the Davids, the Homers, and the Alfreds went
about singing patriotic odes to the people; and thus,
through the art of song, patriotism became a part of the
national life. This, however, was not the only influence
wielded by the songs then as well as in later days. As
in the various ages of world history, minstrelsy and the
composition and singing of ballads became an influence
for revival or stimulation of literature; so in our early
pioneer days the unskilled voices of settler-folk in field
or in home, mingling with the songs of the birds in
neighboring wood, inspired in the mind thoughts that in
the succeeding generation developed into a certain purity
and sweetness, out of which a copious and lofty litera-
ture is grown.
In the days of the pioneer, every community had its
singing school. In charge there was a professional sing-
ing master, or a leader selected from the membership.
For music the£ were restricted to old melodies found in
"Carmina Sacra," the "New Lute of Zion," the "Har-
mony," the "Triumph," the "Key Note," "Golden
Wreath, ' ' the * ' Revivalist, ' ' and kindred collections long
since out of print. Some of the best books were written
in the old square-note system so the peopie could slowly
spell their way through the music. Familiar among those
airs were, "The Land of Canaan," "I Belong to the
Band, Hallelujah," "Mary to the Saviour's Tomb,"
"Jesus Lover of 'My Soul," "The World Will Be on
Fire," "I Want to Be an Angel," "There Is a Happy
Land," "Happy Day," "Work for the Night is Com-
ing," and scores of others, among which were the na-
tional odes. Such gatherings— such music ! The singers
always looked forward to the day when they could join
in song. Sometimes the leader stumbled a little, for the
singing was more spirited than classical; but the songs
were few, and the singers learned them well.
Of the effect of these gatherings upon the subsequent
life of Oregon there is no doubt. The songs and the
elevating associations mellowed men's hearts and set
their thoughts to flowing in channels where poetry, music
10 Oregon Literature
and the softer, sweeter side of human nature are ever
present. Deep and wide they laid the foundation upon
which the future thought and literature of the commun-
ity was to be builded.
THE CAMP MEETING.
When Bryant wrote "The groves were God's first
temples," he must have been thinking of the western
camp-meeting grounds, where men heard some of the
richest eloquence that has never been recorded in book
or maga/ine. At a time when the camp meeting could
not conflict with sowing and reaping, people met and
mingled, and their hearts were mellowed by the divine
mcssag" as they heard it preached from revelation and
r.-ad 11 in Hie volume of nature. The preachers who in-
terpreted these lessons were Fowler, Hines, Hill, Ken-
m.yer, Conner, Wilbur, Driver, Elledge, and others whose
names, have been recorded in the hearts of their fellow
men.
When a man fails to solve a difficult problem with his
head he instinctively undertakes to solve it with his
heart. Accordingly this was a season of heart culture
especially helpful to those who had wrestled with the
d ill ieiil ties incident to settlement in a' new country—
such difficulties as no one but the immigrant, the pioneer,
or the soldier, can fully understand. It was the great
social and religious meeting place of the people, and it
grew to be a part of pioneer life. But, in course of
time, when the first settlers began to pass from the stage
of action, open-air speaking and singing became less
common, the camp meeting gradually came to be a place
hallowed only in memory and in religious literature.
The ancients who learned to worship the trees told us
that eloquence is of the gods and f the groves. With
magnificent groves along our templed Jiiils>it might seem
that it would not have been difficult for the people to
become druids. But 1he idea is not common to our soil,
so we have 'cultivated sentiments and developed themes
that are destined to flower out into a literature bearing
the impress of ths -old-time campriiieetihg eloquence.
Influence of the Pulpit 11
PULPITEERS.
Much wisdom and eloquence were voiced and penned
by the pioneer pulpiteers, among whom were : Doctor
Marcus Whitman, Father Eels, Wilson Blain, James H.
Wilbur, Jason Lee, S. G. Irvine, Josiah L. Parrish, A. L.
Lindsley, William Roberts, P. S. Knight, Thomas H.
Pearne, Alvin F. Waller, Thomas Kendall, James
Worth, George H. Atkinson, Gustavus Alines, Harvey K.
Hines, Edward R. Geary, Bishop B. Wistar Morris, and
Doctor T. L. Eliot; besides the visiting Bishops^— Simp-
son, Glosbrenner, Scott, Marvin, Weaver, Castle, Bow-
man, Foster, and other great lights who always brought
new tidings and gave fresh inspiration to pulpit oratory,
in the science of sciences, the ology of ologies — theology.
These influences have quickened the pulpit and given
fresh inspiration to every f orm Tof literary effort, from
the humblest essay in the public school to the crowning
efforts in parliamentary, forensic, and sacred oratory.
THE OLD-FASHIONED PREACHER.
The old-fashioned preacher, who preached in church,
school house, or home,wielded a powerful influence upon
religious thought in the earlier days. One of these il
may not be out of place to mention.
Some one, somewhere, some day, it is not known when,
guided by a certain instinct which determines worth and
discriminates between men, will look above and beyond
schools and art and rich attire to find .one of Nature's
noblemen ; and then will sit down and write the life of
Joab Powell, whose utterances were like those of Henry
Clay — spoken for the occasion and not for the future.
There are many who, on account of their individuality,
rise so far above conventionalism that we forget their
titles and think of them solely as men. We say Socrates,
Virgil, Ossian, Milton, Demosthenes ; for no title can add
lustre to their names. How refreshing would sound Rev.
Peter, Dr. James, or Bishop John, of sacred lore. So in
our land there have been those in whom we at once
recognize and revere the man and not the title : as Roger
12 Oregon Literature
Williams, Lorenzo Dow, and Peter Cartwright, and, in
the farther West, Father Newton and Joab Powell.
These untitled messengers carried the gospel of higher
civilization when the track of the wagon and the iron
horse was but the dim trail of the Indian and the
pioneer; and it now behooves the rising generation to
repeat and record their words of wisdom ere all they
have said will be effaced except some trite tale unworthy
of a listening ear.
THE BIBLE.
In each wagon of the long immigrant trains that came
into our valleys might have been found a certain book-
plain book— precious book— book of books— the Bible;
and the most ' indifferent sometimes perused its pages.
In England, John Bunyan read the Bible until his lan-
guage grew to be the language of the Bible, as may be
seen in the " Pilgrim's Progress," an allegory in which
human thought arose on angelic wings and took on the
robes of Holy Writ. In Oregon a large majority of the
people have been Bible-readers; and the ratio has been
steadily increasing; hence the Bible element or Saxon
element bids fair to grow in prominence with our people.
Furthermore, the experience and the environments of our
people tend to produce a growing demand for a language
of sentiment and sense— the most practical vehicle of
expression employed in talking from the heart to a point.
CLIMATIC INFLUENCE UPON LITERATURE.
It is an indisputable fact that climate exerts an in-
fluence upon literature, and there are those who believe
they have already noticed marked indications of climatic
influence upon what has been written in the various parts
of the state; and they say that this difference will con-
tinue to increase so that it will be more noticeable as the
years go by.
It is known that in an extreme temperature the best
intellectual results are seldom attained. Human energies
are exhausted in the effort to sustain life; hence we do
Climatic Influence 13
not expect great books and intellectual triumphs to come
from those who received their growth in the torrid or
in the frigid zones. It also has been observed that
climates in which it is too easy to obtain a livelihood
impede intellectual progress. It has, therefore, been be-
lieved that no stirring thought will come from the Fili-
pinos or other people living near the equator. In these
lands, they who have palaces leave them to live in groves,
and enjoy gondolas, chariots, theaters, fashionable clubs,
popular resorts, the racing circle, and the bull-fight
ring; everything succumbs to pleasure, until pleasure
becomes licentious — an influence which is never truly
literary. Accordingly, we look to the more temperate
climes for advanced literary achievement and human
endeavor in its glory. Therefore, men have come to be-
lieve that Oregon, which is centrally located as to mild-
ness of temperature, will produce a superior literature ;
and it has been urged that since the state has two distinct
climates, there will also be two distinct literatures.
Of the Saxon motherland Taine said, "Thick clouds
hover above, being fed by thick exhalations. They lazily
turn their flanks, grow dark, and descend in showers;
oh, how easily." Is not that Western Oregon? The
Saxons of Europe have left their climate to find a similar
climate here. The West Oregonian should, therefore,
possess many of the qualities which characterized the
typical Saxon of old. This is no idle boast. The ocean
side of Oregon is a foggy region with its somber scenes
and low-hanging clouds, where moss is not uncommon,
and the gray mists creep under a stratum of motionless
vapor. While Eastern Oregon is a land of sunshine and
lofty skies, where great gleaming bars of steel and silver
and gold rest upon the mountain rim until, perchance
they are disturbed by the bolts of Jove that come boom-
ing over the heights into the valley below. The elements
are suddenly quickened ; and the people have, instead of
the gentle shower that floats in on the heavy atmosphere
of the sea coast, the drenching rain of the highland clouds
that were torn loose by the thunder bolt and theirs waters
spilled upon parching grain and thirsting herds; in the
one the air is washed— purified by the gentle drizzling
14 Oregon Literature
rain, in the other the air is drenched by the swift sweep-
ing thunder showers. Observe the effect of these climates
upon the inhabitants. Notice the growing difference be-
tween the slow, deliberate but measured tread of the one
class and the quick step of the other, as well as the habits
of thought of the two peoples.
Then, there will always be as marked contrast between
the literature of Eastern Oregon and Western Oregon
as if the two localities were two states in different parts
of the Union. Think of the humid atmosphere washed
and kept pure by the Webfoot rain— did rain, does rain,
will rain ; gentle rain ; rain that comes like a huge joke,
ever welcome, ever abundant, and never failing rain ;
rain that shortens the days, lengthens the nights, and
houses the people, domesticating men who ordinarily
grow wild and rough in\ the exhilarating sunshine of
the higher altitudes. A heavy, languid, drowsy atmos-
phere ; hence slow thinkers ; .slow to plan, slow to decide,
slow to act— a people not unlike the Saxons of old, with
senses not so keen and quick, but with a will ever vigor-
ous. There will be a certain earnestness, severe man-
ners, grave inclinations, and manly dignity. The West-
ern Oregonian will be domesticated per force of circum-
stances; an indoor plant, a reader of books, a student
of indoor ethics. The Eastern Oregonian will be an out-
door plant ; sallying out from beneath his roof to bathe
in the summer sunshine and accustom himself to the
severe atmosphere and draw his inspirations from the
bold landscapes of the uplands— a brave man, a strenu-
ous man, a cultured man— a man of the times.
Inasmuch as the climate of Western Oregon is some-
what tempered by the Japan Current, the people who
would be cut down untimely in a rugged climate like
that of Eastern Oregon naturally seek to prolong- life by
taking advantage of the milder climate of Western
Oregon. There will always be those who, upon finding
the winter too severe in Eastern Oregon, will spend that
season in Western Oregon. Besides, there will be a
tendency to seek this region by those afflicted with pul-
monary troubles.
In Western Oregon there is, an abundance of fruit;
• » ' »
» 1 • ' »
• > • V
PIONEER COLLEGE AND UNIVERSITY PRESIDENTS
1. B. L. Arnold, Oregon Agricultural College, 1872 to 1891 ; author of an unpublished text-book
on Mental Philosophy.
2. Sidney H. Marsh, Pacific University, 1854 to 1879.
3. T. F. Campbell,- Christian College, 1869 to 1882; author of "Know Thyself" and "Genesis of
Power."
4. Thomas M. Gatch, Willamette University, 1860 to 1865, 1870 to 1879; Oregon Agricultural
College, 1897.
5. John W. Johnson, University of Oregon, 1876 to 1893
College Influence 15
but the supply of lime in the water, vegetables, milk,
breadstuff s and other classes of diet that neutralize the
acid of the fruit is not so plentiful as in the alkaline
regions east of the Cascades. Since there is a certain
lack of the principal bone-producing material, there is a
noticeable tendency to premature decay of the teeth,
which in a way will have an effect upon those physical
functions which give tone to the system. While the
acidity is less in Eastern Oregon, there is more bone-
making material; hence the tendency to develop larger
bones— larger frame work for the body. Human off-
spring brought up amidst the elements that prevail in
Eastern Oregon will, therefore, be bigger; consequently
more rugged. The people of Western Oregdn will be
constructed on a frame work of smaller bones • they will,
therefore, possess a more delicate nature— fine physique
true enough, but thoy will not be so strong and sturdy,
hence more sensitive to warmth and cold and, on this
account, more sensitive to feeling and sentiment. There
promises to be a whol^-souled air in the literature of
Eastern Oregon, somewhat after the Dryden tvpe, while
conservatism, finish, and fine feeling of the Pope sfyle
will characterize the literature of Western Oregon.
COLLEGE INFLUENCE.
College influence must not bo overlooked in the study
of literature. We are told that our national literature
thrived only as the colleges of the Nation prospered.
The best literature of our country is but the confluence
of streams flowing 011+ of the fountain heads, Harvard,
Yale, William and Mary, and other great colleges of the
Nation. So in our state there was Columbia College,
which graduallv developed into the University of Oregon,
at Eugene, whence came Joaquin Miller. He may have
written in the Sierras and sung of their grandeur; he
may have bowed to the eastern muse: his harn strings
may have vibrated with the songs of vine-clad Italy, ye.t
he is an Oregon poet— simply a child away from home.
Pacific University, like Jupiter, from whom sprung
Minerva full grown and complete, sen! out as her first
16 Oregon Literature
graduate Harvey W. Scott, who has a national reputation
as a journalist and critic.
History tells us that Washington Irving was the first
ambassador from the new world to the old— the first
American writer to obtain recognition on the Continent.
So Bethel College, now known only in history, was the
first institution in our state to receive recognition from
a great university in the mother country— Dr. L. L.
Rowland, Fellow of the Royal Society of England, being
a graduate of that institution.
Philomath College, in 1869, sent out Rev. Louis A.
Banks, D. D., who has written a score of volumes, oc-
cupied some of the wealthiest pulpits in the Methodist
Episcopal Church, and his sermons have been read
probably by more people than the sermons of any other
writer, except those of Doctor Talmage, for some years
past.
Willamette University gave to the literary world the
late Samuel L. Simpson, author of "The Beautiful
Willamette"; and all of our other colleges have con-
tributed to the fast-flowing stream of our state literature.
THE CHAUTAUQUA.
Along with these must not be forgotten the influence
of the largest. Oregon literary institution— The Willam-
ette Valley Chautauqua of Gladstone Park. This college
of liberal arts has already imported more light from the
East, developed more talent in the West, and given in-
struction to a greater number of students in the things
with which busy, active men have to think and to do than
has any other influence in the state ; second only to this
institution is the Chautauqua at Ashland.
INFLUENCE OF NEWSPAPERS AND MAGAZINES.
The pioneers well remember the time when the news-
paper came in the semi-annual mail and was eagerly
read. The old folks at home, then the war and other
topics of importance were subjects anxiously sought in
newspapers; while Harpers', Leslie's, and the more ex-
PIONEER JOURNALISTS OF OREGON
1. Asahel^Bush, 1851, founder of the Statesman, Salem, first] issue] March
21, 1851.
2. Col. W. G. T'Vault, 1843, first editor of the Spectator, issued at Oregon
City, February 5, 1 846, the first paper west of the Missouri river.
3. Thomas J. Dryer, 1850, founder of the Oregon/an, first issue December
6, 1 850, on the corner of Front and Morrison streets.
4. Delazon Smith, 1852, founder of the Democrat, Albany; 1853: one of
the first United States Senators from Oregon.
5. Ihornton T. McElroy. 1851, printer on the Spectator, Oregon City, and
founder of the Columbian, first newspaper north of the Columbia river, issued at
Olympia, September 1, 1852.
Influence of the Press 17
pensive publications found their way into many of the
more prosperous homes. Thus the taste for literature
and the news was awakened so that in a short time the
newspapers began to multiply; the monthlies became
weeklies; the weeklies, semi-weeklies and dailies. The
thirst for news and information on current questions
will ever serve as a tonic to create a desire for abundant
reading, hence will aid in producing a better market for
literature.
It is true we have not published many magazines ; but
it 'was not for want of talent or demand. Our people
have simply not had the time to give proper attention
to the matter. But many will remember the West Shore,
whose pen was dipped in poetry and whose brush not
infrequently gave us the delicate tinting of the rainbow.
It was a welcome visitor to our homes, and it was eagerly
sought by thousands of readers throughout the Nation.
Nor would we forget The Native Son Magazine, which
had an eventful existence of two years, and was a beau-
tifully illustrated monthly, edited by Mr. Fred H.
Saylor ; also the Oregon Teachers Monthly, published by
Prof. Charles H. Jones, at the Capital City.
But no history of Oregon literature would be complete
without proper credit being given to the work that is
being done by The Pacific Monthly. This magazine, "of
which all Oregonians should be proud," is giving a dis-
tinctive form and a character to Oregon literature. It
is doing what only a magazine can do, and it is doing it
well. The Pacific Monthly began with a high standard
and its publishers have steadily adhered to this policy.
As a consequence the magazine is a credit to Oregon
literature and to the literature of the West. It is char-
acterized by an evenness of tone and a literary atmos-
phere that far older publications might well envy, and
at the same time its contents are sufficiently varied to
appeal to the popular taste. The magazine was estab-
lished in 1898 by William Bittle Wells, who is its present
editor.
Among the abler journalists whose pens have been
influential in shaping the future of Oregon are : Harvey
W. Scott, the critic and editor of the Oregonian; L.
18 Oregon Literature
Samuels, of the West Shore; Mrs. A. S. Duniway, cham-
pion of women's rights ; the trenchant Thomas B. Merry ;
as also James O'Meara, A. 'Bush, W. L. Adams, S. A.
Clarke, W. H. Odell, A. Noltner, and others, whose
number has increased with the tide of immigration and
the progress of our country.
PROGRESS AND LITERATURE.
But unrest develops character; quiet, talent; and
talent, literature. As grand as were their deeds, and
memorable their lives, the pioneer days are over. Homes
have been built and farms improved. The Indians have
been civilized; churches and school houses erected.
We have passed through the home-seeking period and
entered into the home and social development era, an
era when men— thinking men— have an opportunity to
sit down in the quiet of their homes and think. There
is scarcely a town or hamlet in the state now that is not
the seat of some publishing establishment, preaching the
gospel of modern culture and giving every evidence of
large literary progress.
MERIT OF OREGON LITERATURE.
In passing judgment upon the merits of authors we
take into account the quality as well as the quantity of
what they have written. Have they suited the thought
to the action, the action to the thought 1 Have they
skillfully adapted the expression to the theme? Have
they written in a style that would edify and delight an
American reading circle? These questions must be care-
fully considered. In the days of the Colonists, trans-
mission of thought was the sole function of literature;
and this is quite all fhat could have been expected of
a people in an age of literary poverty, when language
was regarded merely as a clumsy vehicle for the convey-
ance of heavy thought. A century of good schools has
taught our people the art of expression, and men and
women have learned to decorate prose with the ornaments
of poetry.
Merit of Oregon Literature 19
In the pioneer age of Oregon, manner as well as matter
enters as an important element in style. It is not so
much what you say as how you say it. Merit of style
is a quality found in all the world's unwasting treasures
of literature. In respect to style or quality of literary
productions, the writers of Oregon in half a century have
outclassed the writers of all the Thirteen Colonies of
America during the first one hundred and fifty years.
From 1607, the founding of Jamestown, when John
Smith opened the stream of American literature by de-
scribing the country and the people he found in the new
world, to 1765, when the people were aroused to resist-
ance of the foreign authority of Great Britain, there was
not written nor published in all the colonies a set of
orations that will compare with the twenty-one delivered
and published by George H. Williams, of Portland,
Oregon, in 1890 ; nor had they a J. W. Nesmith, a Delazon
Smith, or a Col. E. D. Baker. And the best things
written by Anne Bradstreet and Michael Wigglesworth,
the two greatest poets of the Colonial period, would be
now regarded as mere doggerel alongside of the poems of
Samuel Simpson, Joaquin Miller, Edwin Markham, or
Ella Higginson. Then the historical descriptions by John
Smith, Governors Bradford and Winthroix which were
the best of the age, could in no wise be compared favor-
ably with Gray's or Hines's history of Oregon, or Mrs
Victor's " Rivers of the West," or Mrs. Dye's "Mc-
Loughlin and Old Oregon," either for beauty or literary
finish. There was also that literary curiosity, Cotton
Mather, who adopted the novel method of securing a
library by writing more than four hundred volumes
himself. But among all these he did not present to the
literary world as readable a book as L. A. Banks 's
"Honeycombs of Life," or Dr. T. L. Eliot's "Visit to
the Holy Land." Jonathan Edwards 's "Inquiry Into
the Freedom of the Will, ' ' written in 1754, was regarded
as authority in metaphysics, but it never was classed as
literature. Then it may be remarked that they produced
no songs or other music of note, while our Francis, the
DeMoss family, Heritage, Parvin, Yoder, and scores of
others have published songs, enjoyed and sung from
20 Oregon Literature
shore to shore, from sea to sea. They had no great law-
yers to strengthen their constitution by the wise interpre-
tation of their laws, such as we have had in Matthew P.
Deady, W. Lair Hill, Lafayette Lane, W. P. Lord, and
others who have graced the supreme bench of Oregon.
Modern journalism was then unknown; and a Homer
Davenport, with an annual income of $13,000— the high-
est salary ever paid a cartoonist— was not to be found
among them.
SOME POPULAR MUSIC PUBLISHED IN OREGON.
VOCAL.
Addie Ray Parvin
Adieu, Adieu, Our Deam of Life . . .Shindler
A Hot Time in the Old Town Tonight Joe Hay den
An Old Man's Reverie Eastman
A Song That Never Was Sung Eastman
At the Threshold Smith
At the Gateway Parvin
At the Making of the Hay Falenius
Baby Eyes Bray
Blue Ribbon War Song Francis
College Train (The) . '. Parvin
Constancy Cook
Cradle Rest Lisher
Drifted Leaf (The) Cook
Donald, Return to Me Emerson
Drifting Apart Finck
End Crowns the Work (The) Parvin
Folding Away the Baby's Clothes Bray
Fond Idol of My Heart Bates
Flight of the Birds Hodge
Hear Dem Ebening Bells Bray
How Can I Go Without a Last Good-By? Mathiot
'. Am a Tramp Mathiot
I Heard an Angel Voice Last Night Bray
I's Gwine Home Tonight Parvin
Just One Girl .Keating
Just as the Sun Went Down Keating
I Have Left You Though I Love You Eastman
Popular Music Published in Oregon 21
Kittle McGee Cook
Life is Short, Art is Long Parvin
Long White Seam (The) Denny
Lost in the Deep, Deep Sea Bray
Message Came Over the Wires Today (A) Bray
Nevermore Bray
One Smile For Me, Sweetheart Bray
On Life 's River Parvin
Open Wide the Gates of Heaven Bray
Over the River Thompson
Our Lips Have Kissed Their Last G cod-By Gilbert
Our Emblem Flower Eastman
Put on Your Army Shoes Sawyer
Speak to Mother Kindly Bray
Spot and I Bray
Sweet, Thoughts, Bright Thoughts Bray
Sister and I Van Gorder
Shadows Coolidge
Surely Apart en Life's Great Sea : Gilbert
Slumber Song .Seals
Sweet Oregon DeMoss
Sweet Flower cf Cclclcn Hue Finck
The Message of the Flowers Beals
Stepping Upward Parvin
Think of Me Bray
Tomorrow Cook
True Hearts Are Beating Parvin
There's Mischief in Their Eyes Bray
Voyaging Parvin
Water Mill (Tho) Cook
When She's Singing Bray
Why the Cows Came Late Cook
Waiting by the Old Hearthstone Van Gorder
You'll Soon Forget Your Old Love Van Gorder
INSTRUMENTAL.
Ah! Waltz (The) Gilbert
All the Rage Waltz Sedlak
Argonaut Schottische '. . .Sloan
Aschrof t Waltz Cross
Belle of Oregon Finck
22 Oregon Literaiure
Belle of Portland
Ben Bolt Transcription
Concerto (Violin) Huthyn Turney
Creole Dance M. Ooodnough
Chinook Wind Whispers Waltz Mathwt
Camas Rose Redowa Finck
Columbia March Look
Chapel in the Sierras (The) Cook
Deck Promenade Engleman
Dreams of Summer Fmck
First Street 211, First Street Polka Parrot
Frost Sparkles Coolidge
Fond Hopes Desire Finch
Garden City Schottische Rosenberg
Grand Triumphal March Rosenberg
Grammar School March Finck
Heartsease Waltz Finck
Hazel Kirke Schottische Bray
In the Woods Coolidge
In the Gloaming Coolidge
Halcyon Waltzes Al Weber
I Am Dreaming of the Past Finck
Jolly Coons Schottische Bray
Love in the Mist Waltz Finck
Lady Slipper Waltz Finck
Las Ondellas (Little Waves) Waltz Cross
Mathilda Polka Thibeau
McKinley March Yoder
Murmurs From the Pacific Cook
Mount Hood in the Distance Moelling
Mountain Lilly Galop Finck
Marion Square Polka Marline
Mount Hood March Homer
New Lancers Quadrille Finck
Now and Forever Waltz Bray
One Smile For Me, Sweetheart— Transcription. .Finck
Our Girls Schottische Finck
Oh, It's So Easy Schottische Bray
Pioneers ' Grand March Mathiot
Pleasant Hours Waltzes Josef Mueller
Portland Light Battery March Parrott
Future Literature 23
Portland Mazurka Sedlak
Railroad Polka Van Dusen
Sweet Thoughts, bright Thoughts Schottische. . . .Bray
Speak to Me, Speak— Transcription Finch
Sea Foam Polka Finck
The Second Oregon McElroy
Telephone Scherzo Engleman
University March Parvin
Wild Deer Galop Moelling
Yellow Violet Schottische .Finck
Zephyr Waltz Cross
Of the future literature of Oregon it may be said that
peace, home, and prosperity will be the probable themes
— themes that are contemplated in the quiet of the
homes, and enjoyed by the really progressive classes.
Agricultural and pastoral life will not be slighted. Nor
will the sons of the men who made the country permit
to be forgotten the legends incident to the life of the
settler, and the trials of the Indian who was gradually
crowded out of his home that we might be favored.
We have our Minnehahas, our Niagaras, our mountain
chains, wonderful caves, and delightful scenes awaiting
the touch of the pen of the poet and the brush of the
artist. And while there has been enough suffering and
privation already endured in the history of our statr
to quicken the heart and fire the imagination of the
orator and the poet, culture and schools will temper the
sentiment with philosophy and adorn it with artistic
beauty; and as a result, the future Oregonian bids fair
to live that higher literary life which it is given every
man in this land to enjoy.
24 Oregon Literature
Joaquin Miller
AUTOBIOGRAPHY.
Autobiographically the Poet says :
"The first thing of mine in print was the valedictory
class poem, Columbia College, Eugene, Oregon, 1859.
Oregon, settled by missionaries, was a great place for
schools from the first. At this date, Columbia College,
the germ of the University, had many students from
California, and was famous as an educational center.
Divest the mind at once of the idea that the schools of
Oregon were in the least inferior to the best in the world.
I have never since found such determined students and
omnivorous readers. We had all the books and none of
the follies of great centers.
"I had been writing, or trying to write, since a lad.
My two brothers and my sister were at my side, our
home with our parents, and we lived entirely to our-
selves, and really often made ourselves ill from too much
study. We were all school teachers when not at college.
In 1861 my elder brother and I were admitted to practice
law, under George H. Williams, afterwards Attorney-
General under President Grant. Brother went at once
to war, I to the gold mines.
"My first act there came near costing my life, and
cost me, through snow -blindness, the best use of my eyes
from that time forth. The agony of snow-blindness is
unutterable; the hurt irreparable. In those days men
never murmured or admitted themselves put at disad-
vantage. I gave up the law for the time and laid hand
to other things ; but here is a paragraph from the pen of
George A. Waggoner in the February, 1897, Oregon
Teachers Monthly, telling hew this calamity came about:
The first man I met among the fevered crowd was Oregon's
poet, my old schoolmate, Joaquin Miller. His blue eyes
JOAQUIN MILLER
Joaquin Miller 25
sparkled with kindly greeting, and, as I took his hand, I knew
by its quickening pulse and tightened clasp that he, too, was
sharing in the excitement of the gold hunter. He was then
in the first flush of manhood, with buoyant spirits, untiring
energy, and among a race of hardy pioneers, the bravest of
the brave. He possessed more than ordinary talent and looked
forward with hope to the battle of life, expecting to reap his
share of its honors and rewards. For years he was foremost
in every desperate enterprise — crossing snow-capped moun-
tains, swollen rivers, and facing hostile Indians. When snow
fell fifteen feet on Florence Mountain, and hundreds were
penned in camp without a word from wives, children and loved
ones at home,, he said, "Boys, I will 'bring your letters from
Lewiston." Afoot and alone, without a trail, he crossed tjie
mountain tops, the dangerous streams, the wintry desert of
Camas Prairie, fighting 'back the hungry mountain wolves, and
returned bending beneath his load of loving .nessages from
home. One day he was found, in defense of the weak, facing
the pistol or bowie knife of the desperado; and the next day
he was washing the clothes and smoothing the pillow of a
sick comrade. We all loved him, but we were not men who
wrote for the newspaper or magazine, and his acts of heroism
and kindness were unchronicled save in the hearts of those who
knew him in those times and under those trying circumstances.
"( Right into the heart of the then unknown and un-
named Idaho (Idah-ho) and Montana, gold dust was as
wheat in harvest time. I, and another, born to the
saddle, formed an express line and carried letters in
from the Oregon River and gold dust out, gold dust by
the horse load after load, till we earned all the gold we
wanted. Such rides! and each alone. Indians holding
the plunging horses ready for us at relays. I had lived
with and knew, trusted the red men and was never be-
trayed. Those matchless night rides under the stars,
dashing into the Orient doors of dawn before me as the
sun burst through the shining mountain pass — this
brought my love of song to the surface. And now I
traveled, Mexico, South America, I had resolved as I
rode to set these unwritten lands with the banner of song.
' * I wrote much as I traveled but never kept my verse,
once published. I thought, and still hold that under
right conditions and among a right people — and these
mighty American people are perhaps more nearly right
than any other that have yet been— anything in litera-
ture that is worth preserving will preserve itself. As
26 Oregon Literature
none of my verses with this following exception have
come down on the River of Time it is safe to say nothing
of all I wrote could serve any purpose except to teed
foolish curiosity. I give the following place, written
years after the college valedictory, not only because it
is right in spirit but because it shows how old, how very
old I was as a boy, and sad at heart over the cruelties
of man to man. This was my first poem printed, after
the valedictory, about 1866, and has been drifting around
ever since:
IS IT WORTH WHILE?
Is it worth while that we jostle a brother
Bearing his load on the rough road of life?
Is it worth while that we jeer at each other
In blackness of heart?— that we war to the knife?
God pity us all in our pitiful strife.
God pity us all as we jostle each other;
God pardon us all for the triumphs we feel
When a fellow goes down; poor heart-broken brother,
Pierced to the heart; words are keener than steel,
And mightier far for woe or for weal.
Were it not well in this brief little journey
On over the isthmus down into the tide,
We .give him a fish instead of a serpent,
Ere folding the hands to be and abide
For ever and aye in dust at his side?
Look at the roses. saluting each other;
Look at the herds all at peace on the plain —
Man, and man onlyL., makes war on his brother,
And dotes in his heart on his peril and pain —
Shamed by the brutes that go down on the plain.
Why should you envy a moment of pleasure
Some poor fellow-mortal has wrung from it all?
Oh! could you look into his life's broken measure —
Look at the dregs — at the wormwood and 'gall —
Look at his heart hung with crape like a pall —
Look at the skeletons down by his hearthstone —
Look at his cares in their merciless sway,
I know you would go and say tenderly, lowly,
Brother — my brother, for aye and a day,
Lo! Lethe is washing the blackness away.
Joaquin Miller 27
''Home again in Oregon I had a little newspaper ; .. . .
then elected Judge; and once more my face to books,
night and day, as at school.
* * Had I melted into my surroundings, instead of read-
ing arid writing continually, life had not been so dismal ;
but I lived among the stars, an abstemious ghost. Then
'Specimens,' a thin book of verse, and some lawyers
laughed, and political and personal foes all up and down
the land derided. This made me more determined, and
the next year 'Joaquin et a!.,' a book of 124 pages,
resulted. Bert Harte, of the Overland, behaved bravely ;
but, as a rule: 'Can any good thing come out of Naz-
areth?'
"The first little book has not ' preserved itself to me,
but from a London pirated copy of the second one I find
that it makes up about half of my first book in London ;
the songs my heart had sung as I galloped alone under
the stars of Idaho years before.
"But my health and eyes had failed again; besides,
everything was at sixes and sevens, and . . . when I
asked a place on the supreme bench at the convention, I
was derisively told: 'Better stick to poetry.' Three
months later, September 1, 1870, I was kneeling at the
grave of Burns. I really expected to die there in the
land of my fathers ; I was so broken and ill.
"May I proudly admit that I had sought a place on
the supreme bench in order that I might the more closely
stick to poetry ? I have a st rious purpose in saying this.
Was Lowell a bad diplomat because he was a good poet?
Is Gladstone less great because of his three hundred
books and pamphlets? The truth is there never was,
never will be, a great general, judge, lawyer, anything,
without being, at heart at least, a great poet. Then let
not our conventions, presidents, governors, despise the
young poet who does seek expression. We have plenty
of lawyers, judges, silent great men of all sorts ; yet the
land is songless. Had my laudable ambition not been
despised, how much better I might have sung; who
shall say ?
"Let us quote a few lines from the last pages of my
little book published before setting out.
28 Oregon Literature
ULTIME.
Had I been content to live on the leafy borders of the scene
Communing with the neglected dwellers of the fern-grown glen,
And glorious storm-stained peaks, with cloud-knit sheen,
And sullen iron brows, and belts of 'boundless green,
A peaceful, flowery path, content, I might have trod,
,And caroled melodies that perchance might have been
Read with love and a sweet delight. But I kiss the rod.
I have done as -best I knew. The rest is with my God.
But to conclude. Do not stick me down in the cold wet mud,
As if I wished to hide, or was ashamed of what I had done.
Or my friends believed me born of slime, with torpid 'blood.
No, when this the first short quarter of my life is run,
Let me ascend in clouds of smoke up to the sun.*
And as for these lines, they are rough, wild-wood bouquet.
Plucked from my mountains in the dusk of life, as one
Without taste or time to select, or put in good array,
Grasps at once rose, leaf, briar, on the brink, and hastes away.
' ' The author must be the sole judge as to what belongs
to the public and what to the flames. Much that I have
written has been on trial for many years. The honest,
wise old world of today is a fairly safe jury. While it is
true the poet must lead rather than be led, yet must he
lead pleasantly, patiently, or he may not lead at all. So
that which the world let drop out of sight as the years
surged by I have, as a rule, not cared to introduce a
second time.
1 'For example take the lines written on the dead mil-
lionaire of New York. There were perhaps a dozen
verses at first, but the world found use for and kept
before it only the two following:
The gold that with the sunlight lies
In bursting heaps at dawm
The silver spilling from the skies
At night to walk upon,
The diamonds gleaming in the dew
He never saw, he never knew.
He got some -gold, dug from the mud,
Some silver, crushed from stones;
*The Poet, with his own hands, has erected a funeral hill near his home upon the
Heights, where his remains will ' ascend in clouds of smoke up to the sun."
Joaquin Miller 29
But the gold was red with dead men's blood.
The silver black with groans;
And when he died he moaned aloud
"They'll make no pocket in my shroud."
TO A YOUNG WRITER
"May I, an old teacher, in conclusion, lay down a
lesson or two for the young in letters? After the grave
of Burns, then a month at Byron's tomb, then Schiller,
Goethe; before battlefields. Heed this. The poet must
be loyal, loyal not only to his God and his country, but
loyal, loving, to the great masters who have nourished
him.
"This devotion to the masters led me first to set foot
in London near White Chapel, where Bayard Taylor
had lived; although I went at once to the Abbey. Then
I lived at Camberwell, because Browning was born there ;
then at Hemmingford Road, because Tom Hood died
there.
"A thin little book now, called 'Pacific Poems,' and
my watch was in pawn before it was out, for I could not
find a publisher. One hundred were printed, bearing
the name of the printer as publisher. What fortune !
With the press notices in hand, I now went boldly to the
most aristocratic publisher in London.
"As to the disposal of ' our dead, except so far as it
tends to the good of the living, most especially the poor,
who waste so much they can ill spare in burials, the
young poet may say or do as he elects. But in the
matters of resignation to the Infinite and belief in im-
mortality, he shall have no choice. There never was a,
poet and there never will be a poet who disputed God,
or so degraded himself as to doubt his eternal existence.
"One word as to the choice of theme. First, let it be
new. The world has no use for two Homers, or even a
second Shakespeare, were he possible.
"And now think it not intrusion if one no longer
young should ask the coming poet to not waste his
forces in discovering this truth : The sweetest flowers
grow closest to the ground. We are all too ready to
choose some lurid battle theme or exalted subject. Ex-
30 Oregon Literature
alt your theme rather than ask your theme to exalt you.
Braver and better to celebrate the lowly and forgiving
grasses under foot than the stately cedars and sequoias
overhead. They can speak for themselves. It has been
scornfully said that all my subjects are of the -low or
savage. It might have been as truly said that some of
my heroes and heroines, as Reil and Sophia Petrowska,
di'rd on the scaffold. But believe me, the people of heart
are the unfortunate. How unfortunate that man who
never knew misfortune! And thank God, the heart of
the world is with the unfortunate ! There never has yet
been a great poem written of a rich man or gross. And
I glory in the fact that I 'never celebrated war or war-
riors. Thrilling as are war themes, you will not find one,
purposely, in all my books. If you would have the heart
of the world with you, put heart in your work, taking
care that you do not try to pass brass for gold. They
are much alike to look upon, but only the ignorant can
be deceived. And what is poetry without heart! In
truth, were I asked to define poetry I would answer in a
single word, Heart.
"Let me again invoke you, be loyal to your craft, not
only to your craft, but to your fellow scribes. To let
envy lure you to leer at even the humblest of them is to
admit yourself beaten; to admit yourself to be one of
the thousand failures betraying the one success. Braver
it were to knife in the back a holy man at prayer. I
plead for something more than ^he individual here. I
plead for the entire Republic. To not have a glorious
literature of our own is to be another Nineveh, Babylon,
Turkey. Nothing ever has paid, nothinsr ever will pay
a nation like poetry. How many millions have we paid,
are still paying, bleak and rocky little Scotland to behold
the land of Burns? Byron led the world to scatter its
gold through the ruins of Italy, where he had mused and
sang, and Italy was rebuilt. Greece survived a thousand
years on the deathless melodies of her mighty dead, and
now once again is the heart of the globe.
"Finally, use the briefest little bits of Saxon words
at hand. The world is waiting for ideas, not for words.
Remember Shakespeare 's scorn of * words, words, words. '
Joaquin Miller 31
Remember always that it was the short Roman sword
that went to the heart and conquered the world, not the
long tasseled and bannered lance of the barbarian. Write
this down in red and remember.
"Will we ever have an American literature 1 Yes,
when we leave sound and wcrds to the winds. American
science has swept time and space aside. American sci-
ence dashes along at 'fifty, sixty miles an hour ; but
American literature still lumbers along in the old-
fashioned English stage-coach at ten miles an hour ; and
sometimes with a red-coated outrider blowing a horn.
We must leave all this behind us. We have not time
for words. A man who uses a great big sounding word
when a short one will do is to that extent a robber of
time. A jewel that depends greatly on its settings is not
a great jewel. When the Messiah of American literature
comes he will come singing, so far as may be, in words of
a single syllable."
THE POET AT HOME.
While traveling in California recently, the writer
could not resist the temptation offered to visit the Recluse
Poet in his home at Oakland Heights, where he dwells
as Walt. Whitman and all true children of nature love
to dwell, surrounded by rural scenes, in close com-
munion with nature. The drive from Eas.t Oakland to
the Heights, a distance of two miles, is beautiful in the
extreme. Broad and smooth, the road skirts a ravine
and winds about the hill ; it is cool and refreshing, being
shaded on either side by Monterey Cyprus, eucalyptus,
and acacia trees. On arriving at the Poet's home, the
first sight one gets of the man is furnished by the home
he has built for his mother. His father being long since
dead, with loving hand the Poet has drawn his mother
away from the more active struggles of life to spend her
remaining days with him on the mountain, near the
clouds. Then the conservatory filled with choice flowers
speaks of him as a lover of nature, but the man— the
lover of nature— the Poet himself —was found in bed, in
a little cell whose dimensions and primitive simplicity
32 Oregon Literature
forcibly suggested the early settlement of the Coast.
Although only three o'clock in the afternoon, he had
retired to rest, but received us most graciously, without
rising. The writer was invited to a seat on the bed at
his feet. Here was a man who had received the hospital-
ity of the most polished men and women of Europe; a
man who had been a welcome guest in the most mag-
nificent dwellings in the old world ; a man whose attain-
ments now entitle him to a welcome to any society he
may enter; a man who had abandoned all to follow the
bent of his genius and to live with the primitive sur-
roundings of a pioneer, with wants as simple as those of
a child.
A survey of the apartment revealed a pair of trousers
and high-heeled boots suspended from nails driven in
the wall, an ancient bureau in one corner, a horse-hide
rug on the floor, and a straw hat banded with a scarlet
ribbon ornamenting one of the high posts of the bed.
Then the eye catches a number of folded papers tacked
to the wall above the Poet's head: these are letters re-
ceived from distinguished literary persons. And, last,
we were shown the photograph of an Indian maiden,
daughter of Old John, Chief of the Roerue River Indians,
whose* subjugation in 1856 cost many lives and two mil-
lion dollars. There were no lamps, candles, nor books to
be seen. The Poet rises with the birds, and with them
he retires. He never burns "the midnight oil" and
complains that there are tco many books. He declares
that men rely too much on books ; that they are valued
by the number of books 1hey carry with them, whether
or not they know anything of nature or of nature's God
of whom books should speak.
Everything about the man is quaint, everything
around him is curious. The ruer on the floor is said to be
the skin of a faithful steed which carried General Fre-
mont across the plains in 1843.
There seems to be nothing in him like other men except
his care for flowers and his love for his mother. But
the Poet— it is he of whom we now speak— once his lips
move, and the little room with its quaint furniture, bare
floor, bare walls and ceiling, disappear; and we stand
A 8
Joaquin Miller 33
with bared brows beneath the broad canopy above, while
our ears are filled with the murmuring of gurgling
streams whose surface gives back to heaven the light of
countless stars. Old words take on new meaning; old
thoughts stand forth new born, and living waters follow
every stroke. We were interested in all he said, but time
admonished us to trespass no longer on his resting hours.
Reluctantly we said "good-bye" and were glad our road
wound lingeringly around the hill, making the transition
less abrupt from the Poet's ideal world to the busy,
bustling scenes of every-day city life on the plain below ;
yet our thoughts were still of the Poet on the mountain
where he is keeping vigil, his ear filled with the low,
sweet music of nature, while his eye catches visions from
the clouds which pass over his head.
His numerous works and particularly his recently
published volume of poems, "The Songs of the Soul,"
show him to be no idler. His spindle and dis'taff are
ever in his hand; he spins the flax God sends, handing
the threads down to his fellows on the plain. May we
not weave some of them into the woof or warp of our
lives?
Joaquin Miller's complete poetical works have been
abridged and published in a very neat volume of 330
pages. The Poet of the Sierras has become his own
censor so that he might give to the world in one volume
the cream only of all that he has written ; and no critic
could have been more judicious and severe than he. The
preface is an autobiography coupled with some of his
"lessons not found in books." This is Joaquin Miller's
greatest book, for in it his gentleness of manner and
simplicity of style leads the reader to feel that the Bard
upon the Heights has in the evening of life tuned his
harp in perfect accord with the sweeter, softer, gentler
strains of the bird-song in the land of the western sunset.
NOTES AND ANECDOTES.
He was exploring a larp-e map in the Capitol of
Oregon. His is a graceful figure of medium height and
straight as an arrow; face refined, but firm; beard, the
34 Oregon Literature
beard of a Boer, and a wealth of auburn hair gradually
growing snowy as it rests on his liberal shoulders. After
finding the ancient boundary of Grant county, he said:
"I used to be Judge over there— administered justice
with a law book and two six-shooters. ' ' This was Joaquin
Miller ; and a look of '49 still lingering in his face gave
the remark peculiar force so that no bystander contra-
dicted the speaker.
This scene suggests another. At the close of a conven-
tion—a political battle— in Portland in 1870, when mat-
ters terminated sadly, as they frequently do on such
occasions, three men were standing by an old fence dis-
cussing "what of the future." The most disappointed
of the trio remarked, ' * I have failed to secure the nomin-
ation, and am going to Europe. ' ' He left, but that day
was a milestone in their lives. One has since graced the
gubernatoral chair as Governor Pennoyer, another the
United States Circuit Court bench as Judge Bellinger,
while the third, who was the first ambassador of Oregon
literature to the old world, has written classic lines and
noble sentiments over the name of Joaquin Miller.
It is said of Mr. Miller that he could never endure un-
necessary delays. One day. when he was a young man,
he decided to attend a wedding in which he was to be
one of the principals. He knew his own heart, but had
never met the lady of his choice. Addressing a letter
to her, he obtained consent to an interview. He visited
her for the first time on Thursday; they were married
the next Sunday, thereby losing no time.
Formalities were always tedious to him. The story
goes that when he visited England the first time the
Queen desired to meet him in her mansion. He promptly
declined the invitation because he had the impression
that his choice Sierra costume would not be admissable
on that royal occasion.
Mr. Miller's wit never fails him. Recently, while the
guest of Cauthorn Hall Club, which is connected with
the Oregon State Agricultural College, a lady said: "Mr.
Miller, did you meet the Queen in England?" his prompt
answer to the fair one being: "No, I met her in Oregon."
He is humble. He commonly alludes to other Pacific
Joaquin Miller 35
poets as his superiors ; and takes delight in speaking of
Simpson's " Beautiful Willamette" as the greatest poem
written in Oregon. He refers to the best of his own
writings with certain pride, not because he thinks they
are especially, good, but because they are his best.
Contrary to current reports, Mr. Miller writes his
poems while he is in bed. He writes, rests and reflects
at the same time.
He loves to teach a truth. The Bible said, "Judge
not that ye be not judged. ' ' To inculcate the same prin-
ciple, Mr. Miller said in words as short and simple as
Bunyan or Poor Richard could have used :
In men whom men condemn as ill,
I find so much of goodness still;
In men whom men pronounce divine,
I find so much of sin and blot;
I hesitate to draw the line
Between the two, when God has not.
Some one has written of him :
1 ' Excepting Dwight L. Moody, I never heard an> one
read the Bible as Joaquin Miller reads it. He gets so
much out of it, and grows so hanpy that his reading is
inspirational. I have heard gif'ed elocutionists read
'The Lord is my shepherd, I shall not want.' Then some
aged mother who scarcely knew her 'a, b, c's,' but who
could read her title clear to mansions in the skies, re-
peated the same words with telling effect; so charming,
so touching. But the Poet has the art of the elocutionist,
the understanding of the mother, and the interpretation
of the poet. One of the prettiest arguments I have heard
for the authenticity of the scriptures was Joaquin Mil-
ler's manner of reading a few bibical passages— they
seemed so beautiful, so divine. "
We have worked our claims,
We have spent our gold,
Our barks are astrand on the bars;
We are battered and old,
36 Oregon Literature
Yet at night we behold,
Outcroppings of gold in the stars.
Chorus—
Tho' battered and old,
Our hearts are bold,
Yet oft do we repine ;
For the days of old,
For the days of gold,
For the days of forty-nine.
Where the rabbits play,
Where the quail all day
Pipe on the chaparral hill ;
A few more days,
And the last of us lays
His pick aside and all is still.
Chorus—
We are wreck and stray,
We are cast away,
Poor battered old hulks and spars ;
But we hope and pray,
On the judgment day,
We shall strike it up in the stars.
'Chorus—
WILLIAM BROWN OF OREGON.
They called him Bill, the hired man,
But she her name was Mary Jane,
The squire's daughter; and to reign
The belle from Ber-she-be to Dan
Her little game. How lovers rash
Got mittens at the spelling school!
How many a mute, inglorious fool
Wrote rhymes and sighed and dyed mustache ?
Joaquin Miller 37
This hired man had loved her long,
Had loved her best and first and last,
Her very garments as she passed
For him had symphony and song.
So when one day with flirt and frown
She called him "Bill," he raised his heart,
He caught her eye and faltering said,
: I love you ; and my name is Brown. ' '
She fairly waltzed with rage; she wept;
You would have thought the house on fire.
She told her sire, the portly squire,
Then smelt her smelling-salts and slept.
Poor William did what could be done ;
He swung a pistol on each hip.
He gathered up a great ox-whip
And drove right for the setting sun.
He crossed the big backbone of earth,
He saw the snowy mountains rolled
Like nasty billows; saw the gold
Of great big sunsets; felt the birth
Of sudden dawn upon the plain ;
And every night did William Brown
Eat pork and beans and then lie down
And dream sweet dreams of Mary Jane.
Her lovers passed. Wolves hunt in packs.
They sought for bigger game; somehow
They seemed to see about her brow
The forky sign of turkey tracks.
The teter-board of life goes up,
The teter-board of life goes down,
The sweetest face must learn to frown;
The biggest dog has been a pup.
0 maidens ! pluck not at the air ;
The sweetest flowers I have found
Grow rather close unto the ground,
And highest places are most bare.
38 Oregon Literature
Why, you had better win the grace
Of one poor cussed Af-ri-can
Than win the eyes of every man
In love alone with his own face.
At last she nursed her true desire.
She sighed, she wept for William Brown.
She watched the splendid sun go down
Like some great sailing ship on fire,
Then rose and checked her trunks right on;
And in the cars she lunched and lunched,
And had her ticket punched and punched,
Until she came to Oregon.
She reached the limit of the lines,
She wore blue specs upon her nose,
Wore rather short and manly clothes,
And so set out to reach the mines.
Her right hand held a Testament,
Her pocket held a parasol,
And thus equipped right on she went,
Went water-proof and water-fall.
She saw a miner gazing down,
Slow stirring something with a spoon ;
"0, tell me true and tell me soon,
What has become of William Brown V
He looked askance beneath her specs,
Then stirred his- cocktail round and round,
Then raised his head and sighed profound,
And said, "He's handed in his checks."
Then care fed on her damaged cheek,
And she grew faint, did Mary Jane,
And smelt her smelling-salts in vain,
Yet wandered on, way-worn and weak.
At last upon a hill alone;
She came, and here she sat her down;
For on that hill there stood a stone.
And, lo! that stone read, "William Brown.'
Joaquin Miller 39
"0 William Brown! 0 William Brown!
And here you rest at last," she said,
"With this lone stone above your head,
And forty miles from any town !
I will plant cypress trees, I will,
And I will build a fence around
And I Will fertilize the ground
With tears enough to turn a mill."
She went and got a hired man.
She brought him forty miles from town,
And in the tall grass squatted down
And bade him build as she should plan.
But cruel cowboys with their bands
They saw, and hurriedly they ran
And told a bearded cattle man
Somebody builded on his lands.
He took his rifle from the rack,
He girt himself in battle pelt,
He stuck two pistols in his belt,
And mounting on his horse's back,
He plunged ahead. But when they shewed
A woman fair, about his eyes
He pulled his hat, and he likewise
Pulled at his beard, and chewed and chewed.
At last he gat him down and spake;
1 ' 0 lady, dear, what do you here 1 ' '
' ' I build a tomb unt o my dear,
I plant sweet flowers for his sake."
The bearded man threw his two hands
Above his head, then brought them down
And cried, "O, I am William Brown,
And this the corner-stone of my lands ! ' '
The preacher rode a spotted mare,
He galloped forty miles or more ;
He swore he never had before
Seen bride or bridegroom half so fair.
40 Oregon Literature
And all the In j ins they came down
And feasted as the night advanced,
And all the cowboys drank and danced,
And cried: "Big Injin! William Brown.'
THE RIVER OF REST.
A beautiful stream is the River of Rest;
The still, wide waters sweep clear and cold.
A tall mast crosses a star in the west,
A white sail gleams in the west world 's gold ;
It leans to the shore of the River of Rest—
The lily-lined shore of the River of Rest.
The boatman rises, he reaches a hand,
He knows you well, he will steer you true,
And far, so far, from all ills upon land,
From hates, from fates, that pursue and pursue,
Far over the lily-lined River of Rest—
Dear, mystical, magical River of Rest.
A storied, sweet stream is the River of Rest:
The souls of all time keep its ultimate shore ;
And journey you east or journey you west,
Unwilling, or willing, sure-footed or sore,
You surely will come to this River of Rest—
This beautiful, beautiful River of Rest.
TO JUANITA.
Come, listen 0 love to the voice of the dove,
Come, hearken and hear him say
There are many tomorrows, my love, my love,
But only one today.
And all day long you can hear him say
This day in purple is rolled,
And the baby stars of the Milky Way
They are cradled in cradles of gold.
Joaquin Miller 41
Now what is the secret, serene gray dove,
Of singing so sweetly alway,
There are many tomorrows, my love, my love,
But only one today.
THE PASSING OF TENNYSON.
We knew it, as God's prophet's knew;
We knew it, as mute red men know,
When Mars leapt searching heaven through
With flaming torch that he must go.
Then Browning, he who knew the stars,
Stood forth and faced insatiate Mars.
Then up from Cambridge rose and turned
Sweet Lowell from his Druid trees-
Turned where the great star blazed and burned,
As if his own soul might appease,
Yet on and on through all the stars
Still searched and searched insatiate Mars.
Then staunch Walt Whitman saw and knew;
Forgetful of his ''Leaves of Grass,"
He heard his "Drum Taps," and God drew
His great soul through the shining pass,
Made light, made bright by burnished stars,
Made scintillant from flaming Mars.
Then soft-voiced Whittier was heard
To cease; was heard to sing no more;
As you have heard some sweetest bird
The more because its song is o'er,
Yet brighter up the street of stars
Still blazed and burned and beckoned Mars.
And then the king came, king of thought.
King David with his harp and crown . . .
How wisely well the gods had wrought
That these had gone and sat them down
To wait and welcome 'mid the stars
All silent in the light of Mars.
42 Oregon Literature
All silent ... So, he lies in state . . .
Our redwoods drip and drip with rain . . .
Against our rock-locked Golden Gate
We hear the great sad sobbing main.
But silent all ... He passed the stars
That year the whole world turned to Mars.
COLUMBUS.
Behind him lay the gray Azores,
Behind the Gates of Hercules;
Before him not the ghost of shores,
Before him only shoreless seas.
The good mate said: "Now must we pray,
For lo! the very stars are gone.
Brave Adm'rl, speak; what shall I say V
"Why, say: 'Sail on! sail on! sail on!' :
"My men grow mutinous day by day:
My men grow ghastly, wan and weak."
The stout mate thought of home; a spray
Of salt wave washed his swarthy cheek.
* ' What shall I say, brave Adm 'rl, say
If we sight naught but seas at dawn?"
"Why, you shall say at break of day:
'Sail on! sail on! sail on! sail on!' !
They sailed and sailed, as winds might blow,
Until at last the blanched mate said:
"Why, now, not even God would know
Should I and all my men fall dead.
These very winds forget their way,
For God from these dread seas is gone.
. Now speak, brave Adm'rl; speak and say—"
He said: "Sail on! sail on! and on!"
They sailed. They sailed. Then spake the mate,
"This mad sea shows his teeth tonight.
He curls his lip, he lies in wait,
With lifted teeth, as if to bite !
Joaquin Miller 43
Brave Adm'rl, say but one good word,
What shall we do when hope is gone?"
The words leapt as a leaping sword:
"Sail on! sail on! sail on! and on!"
Then, pale and worn he paced his deck,
And peered through darkness. Ah, that night
Of all dark nights ! And then a speck—
Alight! Alight! Alight! Alight!
It grew, a starlit flag unfurled !
It grew to be Time's burst of dawn.
He gained a world ; he gave that world
Its grandest lesson : " On ! sail on ! "
THE FORTUNATE ISLES.
You sail and you seek for the Fortunate Isles,
The old Greek Isles of the yellow birds' song?
Then, steer straight on, through the watery miles—
Straight on, straight on, and you can't go wrong;
Nay, not to the left— nay, not to the right—
But on, straight on, and the Isles are in sight—
The Fortunate Isles where the yellow birds sing,
And life lies girt with a golden ring.
These Fortunate Isles, they are not so far—
They lie within reach of the lowliest door ;
You can see them gleam by the twilight star,
You can hear them sing by the moon's white shore—
Nay! never look back! Those level gravestones,
They were landing steps, they were steps unto thrones
Of glory of souls that have sailed before,
And have set white feet on the fortunate shore.
And what are the names of the Fortunate Isles?
Why, Duty, and Love, and a large content.
Lo! these are the Isles of the watery miles,
That God let down from the firmament.
Lo ! Duty, and Love, and a true man 's trust,
Your forehead to God, though your feet in the dust ;
Aye, Duty to man, and to God meanwhiles,
And these, O friend ! are the Fortunate Isles.
44 Oregon Literature
THE MOTHERS OF MEN.
The bravest battle that ever was fought !
Shall I tell you where arid when?
On the map of the world you will find it not
'Twas fought by the mothers of men.
Nay, not with cannon or battle shot,
With sword or nobler pen!
Nay, not with eloquent words or thought,
From mouths of wonderful men!
But deep in the walled-up woman's heart—
Of woman that would not yield,
But bravely, silently, bore her part—
Lo, there is that battle field !
No marshaling troup, no bivouac song,
No banner to gleam or wave;
But oh ! these battles they last so long—
From babyhood to the grave.
Yet faithful still as a bridge of stars.
She fights in her walled-up town —
Fights on and on in the endless wars,
Then silent, unseen, goes down.
Oh, spotless woman in a world of shame ;
With splendid and silent scorn,
Go back to God as white as you came —
The kingliest warrior born !
EDWIN MARKHAM
Edwin Markham
AUTHOR OF
With an ancestry of legislators, preachers, scientists
and other nation-builders extending back to William
Penn's first cousin and secretary— Colonel William
Markham, Deputy Governor of Pennsylvania— the
toiler's friend and poet, Edwin Markham, was born at
Oregon City, April 23, 1852. Off for California at the
age of five, the fatherless lad lived in the companionship
of a stern mother with poetic taste, a deaf brother, and
the poems of Byron and Homer— society which would
naturally tend to make a peculiar man. Colonial blood ;
Oregon born; California culture; a teacher and poet;
this is Edwin Markham, the author of "The Man With
the Hoe. "
A recent critic says of Mr. Markham 's verse: "One of
its distinct features is its breadth of range. This gives
it greatness— a greatness unknown to the singers of the
flowery way. He breaks open the secret of the poppy;
he feels the pain in the bent back of labor ; he goes down
to the dim places of the dead ; he reaches in heart-warm
prayer to the Father of Life."
Another has written: "The salient features of Mr.
Markham 's poetry are vigorous imagination, picturesque-
ness of phraseology, and nervous tenseness of style. He
is almost always at white heat. He seldom or never sits
poised on the calm, ethereal heights of contemplation.
He is mightily stirred by his teeming fancies, and his
lines are as burning brands."
It warms the heart to read such glowing verses, in
which the thoughts are as red coals in an open fire. It
is a tremendous relief after the dreary platitudes of the
average magazine drivelers, with their wooden echoes
of Keats and Wordsworth, to read the lines of a man
who has thought out style of his own, and who hurls
46 Oregon Literature
his ideas out bravely and loudly. The poem which gives
its title to the book was inspired by Millet's well known
picture. Mr. Markham's greatest poem is an outcry for
the recognition of the wrongs of labor. In the Man
with the Hoe he sees the type of the down-trodden work-
man, and in five stanzas thunders his sermon.
THE MAN WITH THE HOE.
Bowed by the weight of centuries he leans
Upon his hoe and gazes on the ground.
The emptiness of ages in his face,
And on his 'back the 'burden of the world.
Who made him dead to rapture and despair,
A thing that grieves not and that never hopes,
Stolid and stunned, a 'brother to the ox?
Who loosened and let down this "brutal jaw?
Whose was the hand that slanted back this brow?
Whose breath blew out the light within this brain?
Is this the Thing the Lord God made and gave
To have dominion over sea and land;
To trace the stars and search the heavens for powers;
To feel the passion of Eternity?
Is this thvi Dream He dreamed who shaped the suns
And pillared the blue firmament with light?
Down all the stretch of Hell to its last gulf
There is no shape more terrible than this —
More tongued with censure of the world's blind greed —
More filled with signs and portents for the soul —
More fraught with menace to the universe.
What gulfs between him and the seraphim!
Slave of the wheel of labor, what to him
Are Plato and the swing of Pleiades?
What the long reaches of the peaks of song,
The rift of dawn, the red reddening of the rose?
Through this dread shape the suffering ages look;
Time's tragedy is in that aching stoop;
Through this dread shape humanity betrayed.
Plundered, profaned and disinherited,
Cries protest that is also prophecy.
O masters, lords and rulers in all lands,
Is this the handiwork you give to God,
This monstrous thing distorted and soul-quenched?
How will you ever straighten up this shape;
Give back the upward looking and the light;
Edwin Markham 47
Rebuild in it the music and the dream;
Touch it again with immortality;
Make right the immemorial infamies,
Perfidious wrongs,, immedicaible woes?
O masters, lords and rulers in all lands.
How will the Future reckon with this Man?
How answer his brute question in that hour
When whirlwinds of rebellion shake the world?
How will it be with kingdoms and with kings —
With those who shaped him to the thing he is—
When this dumb Terror shall reply to God
After the silence of the 'centuries?
True greatness is measured by one 's ability to stamp
his impress upon humanity. Mr. Markham would there-
fore be great if he had done nothing more than to cause
the world to pause and consider these four lines written
of the servile laborer:
Bowed by the weight of centuries he leans
Upon his hoe and gazes on the ground.
The emptiness of ages in his face,
And on his back the 'burden of the world.
People of all nationalities clearly see in these words
the man with a hoe as painted by Millet and described
by Markham ; and, as suggested by a Western lady, they
have not entirely overlooked the woman with the wash-
tub and broom. Hence as a result of the thought he
has awakened there is a demand for greater intelligence
in the humbler pursuits of honorable industry. The
world now wants to know if that "emptiness of ages"
really exists in the face of honest labor; for if it does
exist there, the same world will correct it, and that upon
the inspiration of Edwin Markham, the Poet of Brooklyn,
who delights to be remembered as a native Oregonian.
Mrs. Ella Higginson
One of the prettiest little valleys the homeseeker
chanced to find in the early days of Oregon, was an
amphitheater excavated in the Blue Mountains, a thou-
sand feet deep. Every passer-by has noticed its sym-
metry, remarked its beauty, been inspired by its
grandeur, arid longed to linger within its great rugged
walls. Clear atmosphere, lofty sky, sublimity and sun-
shine—save when the black storm-cloud angrily crawls
up close behind Mount Emily, and with thundering
threats sends the stampeding herds r»ell-mell into the
'deep canyons, to hide from winds that sway the fir, the
tamarack, and the pine. It is one of those places where
the heavens fit down so closely over the mountain rim
that the valley and the heavens seem to make up the
whole world. In fact, it is world enough for those who
live there. Nature made it the abode of home-building,
progress, and contentment ; and the immigrants who set-
tled there seldom have left it to return to the land
whence they came.
Once, according to an ancient legend, some Frenchmen
traveled that way, and, having ascended a ridsre where
the old emigrant road peeped over the crest, at the vision
lying ahead, suddenly exclaimed "Grand Ronde!" It
was in the month of May, and the first view of the pic-
turesque valley broke in upon them at a time when that
spot of emerald, hidden away in the Blue Mountains,
waves like a summer sea — a time when the lightning
begins to sparkle on the minarets above, and a hundred
thermal springs steadily send up clouds of hot steam,
rarefying the lower atmosphere and invitinar the cool,
exhilarating breezes from the high snowcliffs of the
Powder River Range. Such was the scene that inspired
the Frenchmen to exclaim "Grand Ronde/' a name
which the geographers have been repeating ever since,
a name which will be perpetuated in prose and in song.
MRS. ELLA HIGGINSON
Mrs. Ella Higginson 49
Of this charming spot made homelike to the Poetess,
Mrs. Ella Higginson has written the following poem :
THE GRAND RONDE VALLEY.
Ah, me! I know how like a golden flower
The Grande Ronde Valley lies this August night,
Locked in by dimpled hills where purple light
Lies wavering. There at the sunset hour
Sink downward, like a rainbow-tinted shower,
A million colored rays, soft, changeful, bright.
Later the large moon rises, round and white,
And three Blue Mountain pines against it tower,
Lonely and dark. A coyote's mournful cry
Sinks from the canyon — whence the river leaps.
A Wade of silver underneath the moon.
Like restful seas the yellow wheat fields lie.
Dreamless and still. And while the valley sleeps,
O hear! — the lulla'bies that low winds croon.
Such was the childhood home of Mrs. Ella Higginson,
the charming poet and noted story writer, whose life
work bids fair to honor the name of the delightful valley
in which her early thoughts were nurtured. Born at
Council Grove. Kansas, she crossed the plains while an
infant, and wi+h her parents located at La Grande, which
is beautifully situated on the most prominent dais of
Grand Ronde Valley. The country was sparsely settled,
and as yet untried, and there were ponies and ponies
and ponies. And it was then that little Ella Rhoads,
afterward Mrs. Ella Higsrinson, acquired the love and
the art of horseback riding. Sidesaddles and riding-
steeds were as fashionable then as in the days of Queen
Elizabeth ; and it is said that the little schoolgirl deter-
mined to excel the horsemanship of the Queen who made
England one of the first nations of Europe. It was her
delight, and she practiced the art. On her swift steed
she swept over the valley and drank in the poetry of the
scenes, the anthem of the winds, and the voice of the
thunder as it broke through the mountain gorge. These
attuned her muse, and she began to sing to a delighted
people. Thus she became a master with the rein and
the pen.
True poetry is what the muse has learned in nature
50 Oregon Literature
without the aid of books— simply direct communion with
created things. In order to fathom these wonders, the
poet chooses to be alone where naught can disturb him.
Solitude is his opportunity, and silence his s udy hour.
He lives amid his thoughts, hence partakes of the sights
and the sounds that inspire them. He loves nature's
works, for he sees God in everything about him. The
lily, the nightingale, the waters and the mountains, all
become living things to him, and their influence upon
him is but another one of God's marvelous dealings with
man. N. P. Willis, upon visiting the American rapids,
applied this thought in these words: "This opportun-
ity to invest Niagara with a human soul and human
feelings, is a common effect upon the minds of visitors,
in every part of its wonderful phenomena." Of the
influence of scenery upon the feelings and actions,
Bayard Taylor, upon viewing the same falls from another
point, wrote: "I was not impressed by the sublimity of
the scene, nor even by its terror, but solely by the fascin-
ation of its wonderful beauty— a fascination which con-
tinually tempted me to plunge into the sea of fused
emerald, and lose myself in the dance of the rainbows. ' '
Anthony Trollope, although not a poet, has recognized
this principle in his utterances upon visiting the falls:
"You will find yourself among the waters, as though
you belonged to them. The cool, liquid green will run
through your veins, and the voice of the cataract will
be the expression of your own heart. You will fall as
the brig;ht waters fall, rushinsr down into your new
world with no hesitation and with no dismay ; and you
will rise again as the spray rises, bright, beautiful and
pure." Accordingly it must not be forgotten that the
poet whose life and works we are studying, lived for
a long time beside the Willamette Falls at Oregon City.
Nor must the fact be overlooked that the Willamette Falls
are but a common-sense edition of the Niagara Falls,
which so manv critics have said stimulate genius and
influence poetic art. There is a rumble and a dashing
in the lines Mrs. Higginson has written that echo back
to the splendid dashing and rhythmic rumble of the
mighty falls of our poetic river.
Mrs. Ella Higginson 51
From Oregon City she moved to Portland, Oregon,
where she met, loved and was married to Mr. Russell
Garden Higginson, a gentleman of Boston culture, who
Descended from Francis Higginson, one of the founders
of New England. In 1882, she, with her husband, moved
to New Whatcom, where they have since resided in their
cozy upland home, which furnishes a commanding view
of the snow domes and the hills, the ocean and the shore,
that have suggested so many themes the author has
written in pretty musical English, for the peoples of
two continents.
While Mrs. Higginson writes both poetry and prose
excellently, she has proved herself a true poet, both in
verse and in lines not set in metrical array. Many of
her short, unpretentious story sentences, are little
poems within themselves —prose poems scattered in bits
of tragedy, like particles of silver and gold, found in
the pathway of the Indian, the leper and the refugee.
As a poet she won her first recognition in literary
circles. The Overland Monthly editorially said of her:
" A few years ago there appeared in various Eastern and
Pacific Coast publications frequent bits of verse of such
high merit, fraught with so much feelins:, and possessing
so sensuous a charm, that they sprang1 into immediate
prominence. Many of them were widelv copied by the
newspapers East, and West, and republished in the lead-
ing reviews of London and the East. One that a+-
tracted universal attention was ' God's Creed,' which ap-
peared originally in Frank Leslie's Illustrated Weekly.
The verses quoted are characteristic of the poet:
Forgive me that hear thy creeds
Unawed and unafraid;
They are too small for one whose ears
Have heard God's organ played —
Who in wide, no'ble solitudes
In simple faith has prayed.
I watched the dawn come up the east,
Like angels chaste and still;
I felt my heart beat wild and strong,
My veins with white fire thrill.
For it was Easter morn, and Christ
Was with me on the hill. r-
62 Oregon Literature
Her poems, which are always musical, breathe a spirit
of piety which commend them to the most refined; and
her great spirituality will always win her an increasing
patronage among the ever-growing circle of readers who
learn to regard her as their friend and adviser. Leading
London and American reviewers have commented favor-
ably upon what she has wriften, in her three volumes of
poetry, "A Bunch of Clover," ''The Snow Pearls," and
"When the Birds Go North Again." The Boston
Evening Gazette, Providence Journal, Chicago Graphic,
Dilletante, and the Northwest Magazine have said re-
spectively of her work as a poet :
"Its merits are a simple directness, truth to nature,
sincerity and feeling that occasionally touches the depth
of passion."
"They have a melody to an unusual deerree."
"Her work is distinguished by its delicaov and fire.
. . . Her genius makes her cosmopolitan."
"Filled with forceful imagery and similes of beauty.
. . . An exquisite bit of work."
"Ella Higginson's genius entitles her to be ranked
close to Joaquin Miller. . . . There is heart and soul in
her work, embodied in the richest and most delicate
imagery."
That some knowledge of her poetry can be gleaned
from personal inspection, the following selections are
given :
FOUR-LEAF GLOVER.
I know a place where tho sun is like gold,
And the cherry blooms burst with snow,
And down underneath is the loveliest nook,
Where the four-leaf ci overs grow.
One leaf is for hope, an! one is for faith,
And one is for love, you know,
And God put another in for luck—
If you search, you will find where they grow.
Mrs. Ella Higginson 53
But you must have hope, and you must have faith,
You must love and be strong— and so—
If you work, if you wait, you will find the place
Where the four-leaf clovers grow.
THE RHODODENDRON BELLS.
Across the warm night 's subtle dusk,
Where linger yet the purple light
And perfume of the wild, sweet musk—
So softly glowing, sof ily bright,
Tremble the rhododendron bells,
The rose-pink rhododendron bells.
Tall, slender trees of evergreen
That know the moist winds of the sea,
And narrow leaves of satin's sheen,
And clusters of sweet mystery-
Mysterious rhododendron bells,
Rare crimson rhododendron bells.
0 harken— hush ! And lean thy ear,
Tuned for an elfin melody,
And tell me now, dost thou not hear
Those voices of pink mystery —
Voices of silver-throated bells,
Of breathing, rhododendron bells ?
SUNRISE ON THE WILLAMETTE.
The sun sinks downward thro' the silver mist
That looms across the valley, fold on fold,
And sliding thro' the fields that dawn has kissed,
Willamette sweeps, a chain of liquid gold.
Trails onward ever, curving as it goes,
Past many a hill and many a flowered lea,
Until it pauses where Columbia flows.
Deep-tongued, deep-chested, to the waiting sea.
54 Oregon Literature
0 lovely vales thro ' which Willamette slips !
0 vine-clad hills that hear its soft voice call !
My heart turns ever to those sweet, cool lips
That, passing, press each rock or grassy wall.
Thro ' pasture lands, where mild-eyed cattle feed,
Thro' marshy flats, where velvet tules grow,
Past many a rose tree, many a singing reed,
1 hear those wet lips calling, calling low.
The sun sinks downward thro ' the trembling haze,
The mist flings glistening needles high and higher,
And thro' the clouds— O fair beyond all praise!
Mount Hood leaps, chastened, from a sea of fire.
THE EYES THAT CANNOT WEEP.
The saddest eyes are those that cannot weep ;
The loneliest breast the one that sobbeth not ;
The lips and mind that are most parched and hot
Are those that cannot pray, and cannot sleep —
It is the silent grief that sinketh deep.
To weep out sorrow is the common lot —
To weep it out and let it be forgot—
But tears and sobs are after all but cheap,
We weep for worries, frets and trifling cares,
For toys we've broken, and for hopes that were,
And fancied woes of passing love affairs;
But only One can ease the breast of her
Whose hurt for fruitless moans has gone too deep.
Pity, 0 God, the eyes that cannot weep.
THE LAMP IN THE WEST.
Venus has lit her silver lamp
Low in the purple west,
Breathing a soft and mellow light
Upon the sea's full breast;
It is the hour when mead and wood
In fine seed-pearls are dressed.
Mrs. Ella Higginson 55
Far out, far out the restless bar
Starts from a troubled sleep,
Where roaring thro' the narrow straits
The meeting waters leap ;
But still that shining pathway leads
Across the lonely deep.
When I sail out the narrow straits
Where unknown dangers be,
And cross the troubled, moaning bar
To the mysterious sea —
Dear God, wilt thou not set a lamp
Low in the west for me1?
WHEN THE BIRDS GO NORTH AGAIN.
Oh, every year hath its winter,
And every year hath its rain ;
But a day is always coming
When the birds go north again. j.
When new leaves swell in the forest,
And grass springs green on the plain,
And the alder's veins turn crimson,
And the birds go north again.
Oh, every heart hath its sorrow,
And every heart hath its pain ;
But a day is always coming
When the birds go north again.
'Tis the sweetest thing to remember,
If courage be on the wane,
When the cold, dark days are over-
Why, the birds go north again.
Mrs. Higginson is, however, winning her greatest fame
as a short-story writer. Her ability in this field of lit-
erature was recognized in the stories she wrote for the
Oregon Vidette, which suspended publication some years
ago. She afterwards won a prize of $500 offered by
56 Oregon Literature
McClure's Magazine for the best short story, "The
Takin' of Old Mis' Lane," having for her competitors
many of the best American writers. Since that time her
stories have appeared in the Century, Harper's Weekly,
McClure's Magazine, Cosmopolitan, Lippincott's, Frank
Leslie's Illustrated Weekly, and other leading publica-
tions of the East.
These stories of Western life have been published in
two volumes, "The Forest Orchid" and "The Flower
That Grew in the Sand," the title of the latter volume
being subsequently changed by the Macmillans to "The
Land of the Snow Pearls." Of the author as a story
writer, the Overland Monthly says : ' ' Her style is strong,
powerful and realistic. . . . She writes from the heart,
of the plain, every-day folk she meets, and consequently
she touches the heart. Her stories are unpretentious
tales of common people, told simply and naturally, yet
so vivid and graphic are they, that they charm the reader
from the first to the last. She is as keen a student of
human nature as she is a close observer of incident and
detail, and her sympathetic comprehension of the trials
and joys, the hardships and the romances of humble,
hard-working people who constitute her characters, and
her ability to interpret them with such dramatic power
and delicacy of touch as to make the commonplace beau-
tiful, are among the strongest features of her work."
Of her as a story writer, the Chicago Tribune said:
"She has shown a breadth of treatment and knowledge
of human verities that equals much of the best work of
France. ' ' . The New York Independent says : ' * Some of
the incidents are sketched so vividly and so truthfully
that persons and things come out of the page as if life
itself were there. ' ' In the Outlook we are told that ' ' she
is one of the best American short-story writers. ' ' From
Public Opinion we learn that "no Eastern writer can do
such work better." And the Picayune announces that
"she writes of the far West with the sympathy of one
who loves it."
The following story, ' * The Isle of the Lepers, ' ' is here
given as an illustration of her tremendous power in her
chosen field of literary effort :
Mrs. Ella Higginson 5?
THE ISLE OF THE LEPERS.
There was an awful beauty on the Gulf of Georgia that
summer night. It was as if all the golds and scarlets
and purples of the sunset had been pounded to a fine dust
and rolled in from the ocean in one great opaline mist.
The coloring of the sky began in the east with a pale
green that changed delicately to salmon, and this to rose,
and the rose to crimson — and so on down to the west
where the sun was sinking into a gulf of scarlet,
through which all the fires of hell seemed to be pouring
up their flames and sparks. Long, luminous rays slanted
through the mist and withdrew swiftly, like searchlights
—having found all the lovely wooded islands around
which the burning waves were clasping hands and
kissing. The little clouds that had journeyed down to
see what was going on in that scarlet gulf must have
been successful in their quest, for they were fleeing back
with the red badge of knowledge on each breast. Only
the snow-mountains stood aloof, white, untouched— types
of eternal purity.
Through all that superb riot of color that heralded
the storm which was sweeping in from the ocean, moved
a little boat, with a flapping sail, lazily. In it were a
man and a woman. The woman, was the wife of the
man's best friend.
They had left Vancouver— and all else— behind them
in the early primrose dawn. Trying to avoid the courses
of steamers, they had lost their own, and were drifting.
... In less than an hour the storm was upon them.
All the magnificent coloring had given place to white-
edged black. Occasionally a scarlet thread of lightning
was cast, crinkling, along the west. Then, in a moment,
followed the deep fling and roar of the thunder. Fierce
squalls came tearing up the straits where the beautiful
mist had trembled.
The little boat went straining and hissing through the
sea. As each squall struck her the sail bellied to the
water.. There was no laughter now, no love-glow, on
the faces in that boat; they were white as death, and
their eyes were wild. Veins like ropes stood out in the
58 Oregon Literature
-.A\>
man 's neck and arms, and t he woman could not speak
for the violent beating in her throat. She held on to
the tiller with swollen hands and wrenched arms. When
the boat sank into the black hollows she braced herself
and looked down into the water, and thought— of many
things. And through all his agonized thought for the
woman, the man had other, more terrible thoughts, too.
Straight ahead of them arose the white, chalky
shoulder of an island. He realized that he was power-
less to avoid it. There was one low place, sloping down,
green, to a beach of sand, but the sharp outlines of rocks
rose between— and there was no shelter from the wind.
Still, it was their only chance. That or death. (He
wished afterward that it had been death.) He braced
himself and pulled at the ropes until spots of blood
quivered before his eyes.
"Port!" he yelled. "Pert hard!" But the woman
gave one gesture of despair; her hands fell from the
tiller, and she sank in a huddle to the bottom of the boat.
It seemed but a moment till the boat struck and they
were struggling in the waves. But a strip of headland
now cut off the worst fury of the storm. The water was
calmer; and, as the man was a powerful swimmer, they,
after a fierce battle with the waves, reached the shore
and fell, dumbly, in each other's arms, upon the beach,
exhausted. . . .
Suddenly, as they lay there, above the sounds of the
winds, the waves and the crushing to pieces of their boat
upon the rocks, another sound was borne to their ears —
a long, moaning wail that was like a chant of the dead,
so weird and terrible was it.
They staggered to their feet. Coming down to them
from a little row of cabins above were a dozen human
creatures, the very sight of which filled them with terror.
Some were without eyes ; others without hands or arms ;
others were crawling, without feet. And as they ap-
proached, they wailed over and over the one word that
their poor Chinese tongues had been taught to utter:
"Unclean! Unclean! Unclean!"
Both the man and the woman understood; but the
Mrs. Ella Higginson 59
man only spoke. ' ' Great God ! It is D ' Arcy Island ! ' '
he said, in his throat. "The island of lepers!"
The woman did not speak ; but she leaned heavily
upon him. The waves pounded behind them, and the
firs on the hill above them bowed, moaning, before the
storm— some never to rise again. And still, above every-
thing, arose that awful wail— "Unclean! Unclean!"
The man looked down upon her. Already she seemed
far, far from him. She had lost everything for him—
but he was thinking, even now, of what he had lost for
her. They were stranded upon an island whereon there
was no human being save the lepers placed there by the
British Government — an island at which steamers never
landed, and from which escape was impossible, unless
they signaled. . . . (And these two dared not signal.)
. . . For lepers there are only silence and opium— and
death.
His voice shook when he spoke again.
"What accursed luck— what damnable luck— steered
us here ! " he cried, bitterly.
Then the woman spoke, lifting herself from him and
standing alone.
"It was not luck at all," she said, steadily; "it was
God."
Then, suddenly, she cast all her trembling, beauliful
length downward and. lay prone, her face sunken to the
wet sand. And lying so, she clasped her hands hard,
hard, behind her neck, and cried out in a voice that lifted
each word, clear and distinct, above the storm— so deep,
so terrible was it with all passion, all submission, all
despair— the most sublime prayer ever uttered by
woman: "Oh Thou God— Who hast guided us two to
the one spot on earth where we belong ! I see ! I under-
stand, Oh, Thou awful God— Thou just God!"
The lepers, crawling back to their hovels, left those
two alone, but their weird wail still sank through the
falling darkness — * ' Unclean ! Unclean ! ' '
Mrs. Higginson 's latest publication is "Mariella," a
further study of the Northwest she knows so thoroughly,
and whose atmosphere she interprets so vividly in all its
60 Oregon Literature
\
fresh, even crude, youth. A critic says the scenes are
laid in the early pioneer days at first and later during
the boom of 1888-9. It is the story of a young girl's
development in the hard frontier farming life; in the
forced social changes and evolutions following the
"boom"; and in the offered choice between men of
different social standing who love her. The feeling for
nature in its special local characteristics, so notable in
her stories, is fresh and strong, resulting in charming
descriptive torches, among pages full of social insight
and keen wit. It is Mrs. Higginson's first novel and is
by far her most important and mature work. Simultan-
eous with this publication will appear three new editions
of books already written by Mrs. Higgmson, attesting
the popularity of her productions in poety and prose.
Furthermore, Mrs. Higginson 's poems are in great de-
mand with musical composers, the most prominent of
whom are Horatio Parker, professor of the theory of
music in Yale University ; Whitney Combs, of New York,
and Charles Willeby, of London, where the leading
English contralto, Ada Crossley, has taken them up and
made a notable success of them.
SAM. L. SIMPSON
Sam. L. Simpson
Sam. L. Simpson was born October 10, 1845, in the
State of Missouri. His parents, Hon. Ben. Simpson and
Nancy Cooper Simpson, started soon thereafter for
Oregon, where they arrived in the spring of 1846. Omit-
ting the earlier period of Simpson's eventful life, we
note the first lessons in his educational career, when his
mother taught him, at the age of four years, his letters,
by making them in the ashes upon the broad hearthstone
of their pioneer home on the Clackamas River.
His childhood -passed through the usual humdrum of
pioneer life, which he has commemorated bv one short
poem entitled the "Winding Path to the Country
School." During his earlier "teens" he was clerk for
his father in the sutler's store, on the Grande Ronde
Reservation, where he met and beopme the flattered and
petted companion of Grant, Sheridan, and other lesser
personages of a frontier military nost. The latter gentle-
man presented him with a copv of Byron's poems, which
he esteemed very highly, and to which, no doubt, is
attributable the similaritv of stvle so noticeable in many
of Simpson's poems to those of Byron.
Indeed, the complaining moods of Byron are very con-
spicuous in Simpson's verses. It is probable that the
contact of this brilliant boy with the careless ways of a
frontier garrison was the initiative of a life, subse-
quently, so frauerht with grief and disappointment.
From the Reservation he went to the Willamette Univer-
sity, at Salem, where he graduated with honors in the
class of '65. He was noted for versifying among his
college associates, and besran about this time to con-
tribute to newspapers of the state.
In 1866 he was prepared to be admitted to the bar,
but owing to his age he was not admitted to practice until
'67. This year was a noted epoch in Simpson's life. He
wrote ' ' Ad Willametam, ' ' now known as l ' The Beautiful
62 Oregon Literature
Willamette/' in the spring of 1867, and the Democrat,
of Albany, upon publishing the poem, remarked that
the young author might be expected to do something
meritorious.
In the fall of '67 Simpson was married to Miss Julia
Humphrey, a lady noted for her beauty and accomplish-
ments, not the least of which was her enrapturing voice
for song. She was Simpson 's ' ' Sweet Throated Thrush, ' '
his "Lurlina" of whom he writes:
Heaven flies not
From souls it once hath blessed.
First love may fade but dies not
Though wounded and distressed.
To the end of his life he was constant in his adoration
of his ''First Love."
After his marriage he associated with the late Judge
R. S. Strahan in the practice of law, and these years
were the happiest that mortals ever experience. He
soon, however, from that uncontrollable impulse, betook
himself to journalism, which he pursued until he died,
in 1900.
Judge John Burnett, who read law with him, said,
" Simpson is the Burns of Oregon. What Poe was to
the beginning, Simpson was to the close of the century.
The first singer of Oregon— the preparer of the way."
Truly it may be said, he added to his ideal beauty of
conception of .nature, ever true, a classical expression
and descriptive power seldom equalled, if ever excelled.
His soul was set to music. The morning stars sang to
him as sublime a hymn of adoration of the Creator as
to the seers of ages past. The sea had for him a voice
enrapturing beyond the appreciation of less inspired
beings. Plowiner waters had to him "Many thingrs to
sing and say." "The Beautiful Willamette" is full of
that melancholy music of flowing waters, so aptly de-
scriptive of the same stream in another poem, where
he says:
It pives YOU back the minor key
That thrills in music's sweetest lines
The mystery of minstrelsy. ;
Sam. L. Simpson 63
His imagination interpreted the deep and mournful
music of the forest—
"I hear sweet music over there,
The mountain nymphs are calling me,"
He murmured "How divine an air
O soul of mine is wooing thee."
;
Or swept by winter's storm these forests had a differ-
ent voice for him—
The Gothic minstrel of the woods,
'He sings the lightest lullaby,
Or. swept "by winter's fitful moods
The 'battle chants, and loud and high
The Pyrrhic numbers rise and roll
To midnight stars, and Earth's great soul
Wails in the solemn interludes
Of death and woe that never die.
The shriek of ships, the war of waves.
The fury of the blanching surge —
The desolation of lone graves —
The shouts that still the onset urge —
The sofos of maidens in despair —
All saddest sounds of earth and air —
The harp of Thor o'er peaks and caves,
Blend in the paean and the dirge.
Maybe it was an inherpnt quality of his soul, or maybe
environment, but in all Simpson's work we note the sad
undertone— "The wail in mirth's mad lav," "The Sad
Refrain" of love. "The thorn beneath the rose" that
seemed to have pierced his heart. This thought is forci-
bly expressed in the following lines:
The breath of immortality
But withers human thought, we love
The summer smouldering on the lea,
The mournful deathsong of the dove.
This idea seems to have become such as passion that
he exclaims —
The divinest pleasures arise and soar
On wing's that are sorrow laden.
6£ Oregon Literature,
Simpson's nature was the essence of love of all things
good and beautiful, gloomed by a sorrow-laden life, but
with an abiding faith in the great hereafter. Hear the
conclusion :
O when the angel of silence has brushed
Me with his win<gs and this pining is hushed;
Tenderly, graciously), light as the snow
Fall the kind mention of all that I know;
Words that will cover and whiten the sod,
Folding the life that was 'given of God;
Wayward, maybe, and persistent to rove,
Restful, at last, in the glamour of love.
THE BEAUTIFUL WILLAMETTE.
Of the origin of "The Beautiful Willamette," Mr. C.
H. Sox, of Albany, Oregon, has written :
It was during Sam. L. Simpson's residence at Albany,
Oregon, that he wrote "Ad Willametam" ("Beautiful Willam-
ette"), the grandest and prettiest of his poems, and it was my
•good fortune to first put this poem into type from the original
manuscript. It was printed in the Democrat, Aoril 18 1868.
The editor had this to say of it: "The original poetry, under
the title of 'Ad Willametam,' to be found elsewhere in today's
Democrat, signed by IS. 'L. S., we consider a very beautiful
poem, and we trust the author will not let this be the last
time he will favor us with his literary productions."
After the appearance of this poem in the Democrat, the
entire press of the state printed it; the leading California
papers then took it up, and shortly afterwards it appeared in
many Eastern publications, and was highly praised everywhere.
Simpson was a young man at that time, . temperate, un-
married, in fact just out of college, and the poem was written
in the seclusion of his own private apartments. I kept the
manuscript of the poem for several years, but it became mis-
placed and lost.
From the Cascades' frozen gorges,
Leaping like a child at play,
Winding, widening1 through the valley
Bright Willamette glides away;
Onward ever,
Lovely river,
Sam. L. Simpson 65
Softly calling to the sea ;
Time, that scars us,
Maims and mars us,
Leaves no track or trench on thee.
Spring's green witchery is weaving
Braid and border for thy side ;
Grace forever haunts thy journey,
Beauty dimples on thy tide ;
Through the purple gates of morning,
Now thy roseate ripples dance,
Golden then, when day, departing,
On thy waters trails his lance.
(Notice the music of the old song.)
Waltzing, flashing,
Tinkling, splashing,
Limid, volatile, and free-
Always hurried
To be buried
In the bitter, moon-mad sea.
In thy crystal deeps inverted
Swings a picture of the sky.
Like those wavering hopes of Aidenn,
Dimly in our dreams that lie ;
Clouded often, drowned in turmoil,
Faint and lovely, far away-
Wreathing sunshine on the morrow,
Breathing .fragrance round today.
Love would wander
Here and ponder,
Hither poetry would dream;
Life's old questions,
Sad suggestions,
"Whence and whither?" throng thy streams.
On the roaring waste of ocean
Soon thy scattered waves shall toss,
'Mid the surges' rhythmic thunder
Shall thy silver tongues be lost.
66 Oregon Literature
Oh! thy glimmering rush of gladness
Mocks this turbid life of mine,
Racing to the wild Forever
Down the sloping paths of Time.
Onward ever,
Lovely river,
Softly calling to the sea;
Time, that scars us,
Maims and mars us,
Leaves no track or trench on thee.
ONLY A FEATHER.
There is never a rose in the green garden blows
;In the time of the dreamiest weather
That enkindles my heart till in rapture it glows
As the flame of this dear little feather.
It is crimson, you see, and so many there be
That may rival its aniline luster.
It is strange that it weaves such a spell upon me,
As the redolent memories cluster.
The philosophers read any secret at need,
And restore a dead field from a flower,
Or a forest with banners from one withered seed,
That has slept in a fossilized bower ;
And they'd tell me today, from this tremulous spray,
This endeared and adorable feather,
Of a Romanized warbler that wore it one day
When the sun-birds were singing together.
And I'd nod, and I'd smile, but I'd know all the while
They were lost in a tangle of fable;
There was never a bird in a palm-crested isle
That the orient fairies called Mabel;
And there 's no bird that roves in the pomegranate groves.
Or savannas of villas suburban,
That displays such a plume, as it gracefully moves
In a dainty Parisian turban.
Sam. L. Simpson 67
And from tip unto tip, with a pause at her lip,
It is useless to tell you the measure
Of the sweet-throated thrush that allured me to sip
The delight of the chalice of pleasure;
For the years, as they flow, have a cadence of woe
That rny heart was bowed down to discover,
Since she moulted this plume many summers ago,
As she leaned on the breast of her lover.
Oh, the myrtle-sweet days, how they throng to my gaze
In a crimsoning vista of roses,
And the light of romance reverentially plays
O'er the scene that my fancy discloses;
For my sweetheart is there on the glimmering square,
Where the school girls a^ evening are trooping.
And her wavering plume, like a flame in the air,
Is gracefully swaying and drooping.
Ah, well, it is right that I sorrow tonight,
And I kneel to the fate that is given,
For the joy of that time, like Promethean light,
Was purloined from the treasure of heaven :
It is well that I moan for the day that is gone,
For my life is astray altogether,
And the dreams of my summer like swallows have flown,
And left this memorial feather.
THE CROWNING OF THE SLAIN.
I.
Again, in the month of beauty,
When the blush of the rose is born,
In the kiss which the earth, at robing,
Receives on the bridal morn,
We think of the heroes that slumber,
Away from the light of the sun,
Where the banners of forests are waving?
And the musical riyerg run,
68 Oregon Literature
II.
The white tented mists in the valley,
Pass dreamily on at dawn,
And the rustling of feet in the greenwood,
Is made by the rabbit and fawn ;
It is only the glint of a plowshare,
As it turns in yon distant field,
And never the bayonet-glimmer
By a wheeling rank revealed.
III.
The days, among pearls and lilies,
Awake with a smile of peace,
And pass— reclining at sunset
On a glory of golden fleece;
But never a war-drum startles,
And never the cannon roar —
Nor the.angel of battle passes
With brows that are red with gore.
IV.
The flowers have come, in a splendor
Of color and perfect perfume.
. The birds build again in their branches,
And the honey-bee rifles the bloom—
The loving and loved, in the gloaming,
And, oft, by the silvery beam,
Are plucking the roses of Eden,
And dreaming the beautiful dream ;
V.
But the strong hands folded from battle
Will nevermore toil nor caress —
The roses return, but the soldier
Sleeps on in his patriot dress,
His name and his deeds are forgotten,
His sword in its scabbard will rust,
But the sunshine is brighter above him,
And the olive will spring from his dust.
Sam. L. Simpson 69
VI.
Ah, God ! in our banners of crimson,
How cling the crape shadows of grief—
How close to the palm and the laurel
Is the funeral cypress leaf?
And 'tis well that we cherish our martyrs—
Else the triumph might seem too dear
That gave back a country unbroken,
But left us no heart for a tear.
VII.
And so, in the month of beauty,
When the sea and the sky are blue,
And we love more tender,
And are true with a heart more true-
st us gather the flowers in clusters,
And weave them in chaplets fair,
And, wherever a soldier slumbers,
To his low grave side repair.
VIII.
For this is the month of beauty,
When the sea and the sky are true—
A time to be tenderly thoughtful
Of those that have worn the blue,
And who sleep away from the sunshine
In their low and lonesome graves,
While ever, on land and ocean,
The dauntless banner waves.
IX.
And what shall we bring, but flowers,
To hallow the heroes' sleep—
These gifts of the dew and the daylight
That ever memorial keep
Of the spirit immortal— and ever
In bursting the mold of death
Renew the perishing garlands
On the shadowy brow of Faith !
70 Oregon Literature
THE MYSTIC RIVER.
(This poem was composed at the request of Miss Ellen
Chamberlin.)
(Tune, Cantilena.)
I.
Beside the mystic river,
At holy even fall,
Where golden lilies quiver,
And reedy murmurs call—
We pause, dean hearts, at starting,
Each leaning on his oar,
And never knew till parting,
How beautiful the shore !
Chorus—
Touch hands with love,
Touch lips with tears—
The golden lilies chime,
And call us to the river,
And down the tide of time.
II.
The brow of Alma Mater
Ne'er shone with such a light,
And O we know that later,
When tempests come, and night,
That light, forever shining
Along life's troubled main,
Will cheer us, though repining
In darkness and in pain.
Chorus-
Ill.
The stars march on— the gleaming
Of every diamond crest,
And white plume dimly streaming
Above the world's unrest—
Sam. L. Simpson 71
Tell us the martial story
That rules the realm of space—
The combat and the glory
Heroic lives may face.
Chorus—
IV.
The last word must be spoken,
The last song must be sung—
Yet 0 we give no token
Of how our hearts are wrung,
As here, beside the river,
We lean, and look, and sigh,
And on our faint lips quiver
The long, long words, ' ' Good bye ! ' '
Chorus—
SNOW-DRIFT.
I.
Tenderly, patiently falling, the snow
Whitens the gleaming, and in the street glow
Spectrally beautiful, drifts to the earth-
Pale, in life's brightness, and still, in its mirth:
Swarming and settling like spirits of bees
Blown from the blossoms of song-haunted trees-
Blown with the petals of dreams we have grown
Rosy with heart-dews in days that are gone.
II.
Spirits of flowers and spectres of bees-
Beauty and soil— is 't an emblem of these
Thrown to us silently— cold and so fair—
Treasure we piled in the mansions of air?
Just as if heaven, that gathered our sighs,
Wept for the hope that the future denies,
Dreamingly lifted the glowing? bouquet,
Bright from earth's garden, and tossed it away!
Oregon Literature
III.
Soft as the touch of the white-handed moon,
Waking the world in a twilight of June,
Gently and lovingly hastens the snow—
Weaving a veil for dead nature below ;
Kissing the stains from the hoof -beaten street,
Folding the town in a slumber so sweet—
Surely the stars, in their helmets of gold,
Patient must linger and love to behold.
IV.
Thus our endeavor may fail of its prize—
Hope and ambition drop cold from our skies ;
Yet on the pathway so lonely and sere,
Rugged with failure, and clouded by fear,
Spirits of beauty come out of defeat,
Cover life's sorrows, and shield its retreat—
Healing the heart as the fall of the snow
Mantles the darkness of winter below.
V.
0, when the Angel of Silence has brushed
Me with his wing, and this pining is hushed,
Tenderly, graciously, light as the snow,
Fall the kind mention of all that I know—
Words that will cover and whiten the sod
Folding the life that was given of God;
Broken, may be, and persistent to rove—
Restful, at last, in the glamour of love.
THE FEAST OF APPLE BLOOM.
I.
When the sky is a dream of violet
And the days are rich with gold,
And the satin robe of the earth is set
With the jewels wrought of old ;
Sam. L. Simpson 73
When the woodlands wave in coral seas
And the purple mountains loom,
It is heaven to come, with birds and bees,
To the feast of apple bloom.
n.
For the gabled roof of home arose
O 'er the sheen of the orchard snow,
And is still my shrine, when storms repose
And the gnarly branches blow;
And the music of childhood's singing heart,
That was lost in the backward gloom,
May be heard when the robins meet and part
At the feast of apple bloom.
III.
And I think when the trees display a crown
Like the gleam of a resting dove,
Of a face that was framed in tresses brown
And aglow with a mother's love;
At the end of the orchard path she stands,
And I laugh at my manhood's doom
As my spirit flies, with lifted hands,
To the feast of apple bloom.
IV.
When the rainbow paths of faded skies
Are restored with the diamond rain,
And the joys of my wasted paradise
Are returning to earth again,
It is sadder than death to know how Brief
Are the smiles that the dead assume ;
But a moment allowed, a flying leaf
From the feast of apple bloom.
V.
But a golden arch forever shines
In the dim and darkening past,
Where I stand again, as day declines,
And the world is bright and vast;
74 Oregon Literature
For the glory that lies along the lane
Is endeared with sweet perfume,
And the world is ours, and we are twain
At the feast of apple bloom.
VI.
She was more than fair in the wreath she wore
Of the creamy buds and blows
And she comes to me from the speechless shore
When the flowering orchard grows ;
And I sigh for the dreams so sweet and swift,
That are laid in a sacred tomb—
Yet are nothing at last but fragrant drift
From the feast of apple bloom.
THE NYMPHS OF THE CASCADES.
i ; *i
Dedicated to the memory of George E. Strong, a brilliant
young journalist, formerly of the Oregonian staff, who, imag-
ing that he heard beautiful strains of music and sweet voices
calling him, wandered away from a camp in the Cascade Moun-
tains while his companions were sleeping and was utterly lost,
no trace of him, dead or alive^ having ever been found.
The camp fire, like a red night rose,
Blossomed beneath a gloomy fir ;
When weary men in deep repose,
Heard not the gentle night wind stir.
The priestly robes high over head—
Heard not the wild brook 's wailing song,
(Nor any nameless sounds of dread,
Which to the midnight woods belong.
The moon sailed on a golden bark,
Astray in lilied purple seas;
And forest shadows weirdly dark,
Were peopled with all mysteries ;
And all was wild and drear and strange
Around that lonely bivouac,
Where mountains, rising range on range
Shouldered the march of progress back.
Sam. L. Simpson 75
The red fire 's fluttering tongues of flame,
Whispered to brooding darkness there,
And spectral shapes without a name
Were hovering in the haunted air;
And from the fir tree's inner shade,
A drear owl, sobbing forth his rune
Kept watch and mournful homage paid
At intervals unto the moon.
The travelers dreamed on serene.,
Save one, whose brow, curl-swept,
Was damp from agony within;
Who tossed and murmured as he slept,
The fretful fire-light on his face,
Wavered and danced in fitful play,
Until the old enchanting grace
Of young aimbition on it lay.
The glamour of the rosy light
The heavy lines concealed,
And trembling shadows of the night
Beyond him, like sad spirits, kneeled ;
For his had been the lustress gift—
Of genius lent by God to few,
The splendid jewel wrought by swift
Angelic art of fire and dew.
But like the pearl of Egypt's queen,
'Twas drowned in pleasure's crimson cup,
And lo, its amethystine sheen,
In baleful vapors curling up,
Soon wreathed his brain in that dark spell,
That has no kindred seal of woe ;
And phantoms that with Oreus dwell,
In mystic dance swept to and fro.
Swept to and fro and maddened him
With gestures wild and taunts and jeers,
And waved the withered chap lets dim
That he had worn in flowery years ;
76 Oregon Literature
His spirit furled its shining wings,
Never again to sing and soar,
And wove all wild imaginings
In shapes of horror evermore.
The sleeper started, partly raised
Upon his elbow, leaned awhile,
And deep into the darkness gazed
With wistful eyes and brightened smile :
"I hear sweet music over there,
The mountain nymphs are calling me. ' '
He murmured, "How divine an air,
Oh, soul of mine, is wooing thee. ' '
"Coming!" he whispered, and arose,
And in the air first reached a hand,
To clasp a spirit? No one knows,
Or where he stood can ever stand—
And lo, into the heavy night,
As led by hands unseen, he fled,
A startling figure, clad in white
Into the canyons dark and dread.
'Twas years ago, but trace or track
Of him has never yet been found,
For echo only answered back
The hunter 's call and baying hound ;
Forever lost, untracked, unseen,
In the upheaved and wild Cascades,
Forever lost, untracked, unseen,
A shadow now among the shades.
From some snow-wreathed and shining peak
His soul swam starward long ago.
And now no more we vainly seek,
The secret of his fate to know.
While fires of sunset and of dawn
Flame red and fade on many a height,
The myst'ry will not be withdrawn
From him, long lost from human sight.
Sam. L. Simpson 77
And yet I sometimes sit and dream
Of him, my schoolmate and my friend,
As wandering where bright waters gleam,
:In some sweet life that has no end-
Within the Cascades' inner walls,
Where nymphs, beyond all fancy fair,
Soothe him with siren madrigals,
And deck him with their golden hair.
TONIGHT.
DECEMBER 24, 1877.
When the stars gather in splendor, tonight,
Darkness, 0 Planet, will cover thy face—
Death-ridden darkness, in shapes that affright,
Black with the curses that blacken our race!
And the mist, like the ghost
Of a hope that is lost,
Strangely will hover o'er fields that are bare
And the seas, at whose heart the old sorrow is throbbing
Restless and hopeless, eternally sobbing —
Madly will kneel in a tempest of prayer.
When the stars gather in armor, tonight,
Planet of wailing, thy fate shall be read !
Steal like a nun neath the scourge from their sight,
Gather thy sorrows, like robes, to thy head!
For the vestal white rose
Of the crystalline snows
Coldly has sealed thee to silence unblessed:
And the red rose is dead in thy gardens of pleasure—
Forests, like princes, bereft of all treasure
Rise and uubraid thee, a skeleton jest !
When the stars gather in vengeance, tonight,
Gibbering history, too, will arise,
Rustling her garments of mildew and blight.
Only to curse thee. 0 mother of lies !
With thy goblet all drained,
And thy wanton lip stained—
78 Oregon Literature
Singing wild songs where all ruin appears—
What shall thou say of this dust that was glory,
Dust that beseeches thee still with a story.
Deep in whose silence are rivers of tears?
When the stars gather in chorus, tonight,
Singing the lullaby song of our Lord,
Childhood shall come to us, dimpled and bright,
Kissed by His promise, and fed by His word ;
And our fears shall depart,
And our anguish of heart,
Rending us darkly the lengthy years thro*;
And the dust of the perished shall blossom, and beauty
Garland the lowliest pathway of duty,
Rich with the hopes that our spirits renew.
SIMPSON'S
BEAUTIFUL WILLAMETTE'
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JAMES G. CLARKE
James G. Clarke
Miss L/eona Smith says : " ' Poetry and Song, ' written
by James G. Clarke, for many years a resident of Grants
Pass, Oregon, does not possess all the elements necessary
to world-wide renown, but it will undoubtedly continue
to be an inspiration to many throughout this Nation.
The poems have a sweet, soft, sad melody which reveal
to us the suffering of the author. They are not the
hopeless longings of a soul unsatisfied, but they are the
expression of one who is sure of a place in his Father's
home. He even fancies that—
He catches the sweet strains of songs
Floating down from distant throngs
And can feel the touch of hands
Reaching out from angel ibands.
" Purity is one of the prominent traits of his writings.
He wrote some very tender love poems, but they are all
on the strain of 'I cannot live without you.' Many of
his poems are of childhood ; in one he says :
Friends of my childhood
Tender and loving,
Scattered like leaves over a desolate plain;
Dreams of childhood, where are you roving.
Never to" gladden my pathway of pain.
"The poem 'Look Up' is representative of his work;
it is—
Look up, look up, desponding soul!
The clouds are only seeming,
The li'ght behind the darkening scroll
Eternally is beaming.
There is no death, there is no night,
No life nor day declining,
Beyond the day's departing light.
The sun is always shining.
80 Oregon Literature
Could we but pierce the rolling storms
That veil the pathway southward,
We'd see a host of shining forms
Forever looking onward.
" 'The Mount of the Holy Cross,' which is numbered
among American classics, is his greatest poem."
THE MOUNT OF THE HOLY GROSS.
The Mount of the Holy Cross, the principal mountain of the
Saguache (Range, Colorado, is I4;i76 feet above tide-water.
The Cross is located near the top, facing the east, and consists
of two crevices filled with snow summer and winter. The
crevices are about fifty feet wide, and the snow in them from
fifty to one hundred1 feet in depth. The perpendicular arm
of the Cross is some fifteen hundred feet long, and the hori-
zontal arm seven hundred feet. The 'Cross may be seen at a
distance of thirty or forty miles.
The ocean divided, the land struggled through,
And a newly-horn continent burst into view;
Like furrows upturned by the plowshare o'f God,
Tne mountain chains rose where the billows had trod ;
And their towering summits, in mighty array,
Turned their terrible brows to the glare of the day,
Like sentinels guarding the gateway of Time,
Lest the contact with mortals should stain it with crime.
The ocean was vanquished, the new world was born.
The headlands flung back the bold challenge of morn:
The sun from the trembling sea marshalled the mist
Till the hills by the soul of the ocean were kissed ;
And the Winter-king reached from his cloud-castled
height
To hang on each brow the first garland of white;
For the crystals came forth at the touch of his wand,
And the soul of the sea ruled again on the land.
Then arose the loud moan of the desolate tide,
As it called back its own from the far mountain side :
"0 soul of my soul! by the sun led astray,
Return to the heart that would hold thee alway;
James G. Clarke 81
The sun and the silver moon woo me in vain;
By day and by night I am sobbing with pain ;
Oh, loved of my bosom ! Oh, child of the Free,
Come back to the lips that are waiting for thee ! ' '
But a sound, like all melodies mingled in one,
Came down through the spaces that cradled the sun.
Like music from far-distant planets it fell,
Till earth, air, and ocean were hushed in the spell :
"Be silent, ye waters, and cease your alarm,
All motion is only the pulse of my arm;
In my breath the vast systems unerringly swing,
And mine is the chorus the morning stars sing.
tf 'Twas mine to create them, 'tis mine to command
The land to the ocean, the sea to the land ;
All, all are my creatures, and they who would give
True worship to me for each other must live.
Lo ! I leave on the mountain a sign that shall be
A type of the union of land and sea—
An emblem of anguish that comes before bliss,
For they who would conquer must conquer by this. ' '
The roar of the earthquake in answer was heard,
The land from its solid foundation was stirred,
The breast of the mountain was rent by the shock,
And a cross was revealed on the heart of the rock;
One hand pointing south, where the tropic gales blow,
And one to the kingdom of winter and snow,
While its face turned to welcome the dawn from afar,
Ere Jordan had rolled under Bethlehem's star.
The harp of the elements over it swung,
In the wild chimes of Nature its advent was rung,
Around it the hair of the Winter-king curled,
Against it in fury his lances were hurled,
And the pulse of the hurricane beat in its face
Till the snows were locked deep in its mighty embrace,
And its arms were outstretched on the mountain's cold
breast,
As spotless ancl white as the robes of the blest.
82 Oregon Literature
Then the spirit of Summer came up from the south
With the smile of the Junes on her beautiful mouth,
And breathed on the valley, the plains, and the hills,
While the snow rippled home in the arms of the rills ;
The winter was gone, but the symbol was there,
Towering mutely and grand, like the angel of prayer,
Where the morning shall stream on the place of its birth
Till the last cross is borne by the toilers of earth.
It will never grow old while the sea breath is drawn
From the lips of the billows at evening and dawn,
While heaven's pure finger transfigures the dews,
And with garlands of frost-work its beauty renews ;
It was there when the blocks of the pyramid pile
Were drifting in sands on the plains of the Nile,
And it still shall point homeward, a token of trust,
When pyramids crumble in dimness and dust.
It shall lean o'er the world like a banner of peace
Till discord and war between brothers shall cease,
Till the Red Sea of Time shall be cleansed of its gore,
And the years like white pebbles be washed to the shore ;
As long as the incense from the ocean shall rise
To weave its bright woof on the warp of the skies,
As long as the clouds into crystals shall part,
That cross shall gleam high on the continent's heart.
EVA EMERY DYE
Mrs. Eva Emery Dye
The Land of Sunshine, of Los Angeles, says :
/'Eva Emery Dye, whose strong book, 'McLoughlin
and Old Oregon, ' has been warmly commended, was born
in Prophetstown, Illinois, of New England ancestry.
There in the historic haunts of Black Hawk, she turned
even as a child to the fascination of the past. Graduat-
ing from Oberlin College in 1882 she married a class-
mate, Charles Henry Dye, of Fort Madison, Iowa; and
in 1890 they removed to Oregon City, Oregon. The
wealth of history and romance in that unharried field
appealed strongly to Mrs. Dye ; and she plunged at once
into ardent cross-examination of the pioneers and pioneer
times of the far Northwest. 'Old Oregon' is still new
enough so that contemporaries of the first heroes still
survive. It is not, like California, two long lifetimes
back to the historic beginnings; or New Mexico with
more than three centuries and a half of history. And
even as it is scant in the documentary treasures of which
the older West has such marvelous — though recondite —
store, it is richer in the human parchments. And here
was Mrs. Dye's bonanza. She has foregathered with
these tottering chronicles, and gathered from them their
reminiscences. White-headed men and women have told
her of the migrations of the early 'Forties ; missionaries
of the 'Thirties have gone over with her the times that
tried men's souls; and still further back, the old voya-
geurs and fur-traders of the Hudson's Bay Company
have given her their eye-witness versions of that Homeric
day. Even the Indian— one of the most vital and com-
petent of witnesses, when one knows how to get at him—
has not been forgotten in Mrs. Dye's eager research;
and every old book, document or letter that she could
lay her hands upon was as earnestly devoured.
"The result is in evidence. 'McLoughlin and Old
Oregon' is one of the best Western books in its sort—
84 Oregon Literature
and a good sort. Taking it in conjunction with Coues's
critical ' Larpenteur, ' one may have an excellently clear
concept of the old Northwest, and of that most romantic
corporation in human history, the Hudson's Bay Com-
pany, in all its gallantry and all its meanness. Mrs.
Dye's home is in Oregon City, Oregon."
Mrs. Dye's book, now in press, is to be called "The
Conquest: The True Story of Lewis and Clarke," and
deals with the great middle West movement ending with
the Expedition of Lewis and Clarke that brought the
United States under our dominion. An edition of 15,000
copies is now in press, with A. C. McClurg & Co., Chi-
cago, to be out in November. The frontispiece is
"Judith," the girl for whom Clarke named the River
Judith in Montana and whom he afterward married.
The incident of their courtship and marriage forms a
romantic feature of the book ; the special heroine of the
expedition itself is Sacajawea, the beautiful Shoshone
Indian girl who piloted Lewis and Clarke through the
mountains and spent the winter with them at Fort
Clatsop by the Oregon sea. Sacajawea 's husband,
Charboneau, was interpreter and voyageur. In this
book Mrs. Dye has made use of many interesting and
valuable traditions preserved by the Western Indians
concerning these marvelous first white men that came
to them out of the East.
JO LANE AND THE INDIANS.
Table Rock is a flat-topped mountain overhanging
Rogue River, in Southern Oregon. From this watch-
tower, sweeping the valley for miles, the Indians noted
incoming immigrants and the movements of gold-seekers.
Thus, with accurate knowledge of their strength and
movements, the Indians could swoop down with unerring
aim and annihilate whole encampments. They became
expert robbers, bandits of as wild exploits as any ever
celebrated in song or story. Strangers entering the
lovely valley of the Rogue little imagined that pictur-
esque peak cf the Table Rock sheltered the deadliest foe
of settlement and of civilization.
Mrs. Eva Emery Dye . 85
In the days of the gold rush, large companies passed
in comparative safety, but many a straggler, many a
group of three or four, went out never to return.
In the spring of 1850, Governor Jo Lane, the * ' Marion
of the Mexican War," decided to go down and quiet
those Indian banditti. With an escort of fifteen men, a
pack-train bound for the mines, and a few friendly
Klicki tats— born foes of the Rogue Rivers— he made a
descent on their country. Camping near some Indian
villages, General Lane sent word to the principal chief,
"I want a 'peace talk.' Come unarmed."
The chief and seventy-five followers came and sat in
a ring on the grass around the Eyas Tyee of the whites.
Lane very flatteringly and with great ado brought the
Indian chief into the center with himself. Just behind
sat his Klickitat aides. Before the conference began,
seventy-five more Indians appeared, fully armed. "Put
down your arms and be seated," said Lane to the new
comers. They sat down. General Lane, the hero of
many a battle, made a great peace talk. "I hear you
have been murdering and robbing my people. It must
stop. My people must pass through your country in
safety. Our laws have been extended here. Obey them,
and you can live in peace. The Great Father of Wash-
ington will buy your lands and pay you for them."
He paused for response. The Rogue River chief
littered a stentorian note. His Indians leaped to their
feet with a war-cry, brandishing their weapons. At a
flash from the General's eye the Klickitats seized the
chief. Motioning his men not to shoot, with utter fear-
lessness Lane walked into the midst of the warriors,
knocking up their guns with his revolver. * ' Sit down, ' '
he sternly motioned. The astonished chief, with the
Klickitat 's knife before his eye, seconded the motion,
and the savages grounded their arms. As if nothing
had happened, Lane went on talking. "Now," he said,
"go home. Return in two days in a friendly manner to
another council. Your chief shall be my guest. ' '
The crestfallen Indians withdrew', leaving their chief
a prisoner with General Lane. At sunrise an anxious
squaw came over the hills to find her lord. Jo Lane
86 Oregon Literature
brought her in and treated her like a lady. For two
days Lane talked with that savage chief and won his
friendship. When the warriors came a treaty was easily
concluded.
"And now bring the goods you stole from my people/'
said General Lane. The Indians bundled away and soon
brought in whatever was left. But the treasures of a
recent robbery were gone beyond retrieve. Ignorant of
their value, the savages had emptied the precious sacks
of gold-dust into the river.
"What is the name of this great chief?" asked the
Indians of the interpreter. The General himself an-
swered, "Jo Lane."
' ' Give me your name, ' ' said the Indian chief. ' ' I have
seen no man like you."
"I will give you half my name," said Lane. "You
shall be called Jo. To your wife I give the name ' Sally, '
and your daughter shall be called Mary."
General Lane wrote a word about the treaty on slips
of paper and signed his name. Giving them to the
Indians, he said, "Whenever any white man comes into
your country, show him this. Take care of my people."
As long as those precious bits of paper held together
the Indians preserved them. Whenever a white man
appeared they went to him, holding out the paper, saying
rapidly the magic password, "Jo Lane, Jo Lane, Jo
Lane"— the only English words they knew. For about
a year Chief Jo tried to keep the peace with the ever-
increasing flood of white men.
After a while, when all the other Indians around him
were fighting, Chief Jo went again on the warpath.
General Lane, no longer Governor, was building a home
on his claim in the Umpqua Valley, near the present site
of Roseburg, when he heard the news. Hastily gathering
a small force, he hurried to the scene of hostility. For
a hundred miles up and down the California trail the
Indians were slaughtering and burning. Houses were
destroyed and the woods were on fire, and a dense smoke
hid the enemy's track.
As soon as Lane appeared he was put in command.
They traced the Indians, and a great battle was fought
Mrs. Eva Emery Dye 87
at a creek near Table Rock. Chief Jo had been proudly
defiant and boasted, "I have a thousand wiarriors. I
can darken the sun with their arrows." But when he
saw his warriors falling, and their women and children
prisoners, the old chief's feathers dropped. He heard
that Jo Lane had come, and sent for a "peace talk."
"Jo Lane, Jo Lane," all the Indians began to call— "Jo
Lane, Jo Lane"— from bush and hollow.
The General, wounded in the battle, and faint from
the loss of blood, ordered a suspension of hostilities.
Not wishing them to know that he was wounded, he
threw a cloak over his shoulders to conceal his arm, and
walked into the Indian camp. His men were amazed,
and censured this rash exposure of his life. Far off, as
soon as Chief Jo caught sight of Lane approaching, he
cried his griefs across the river : * * The white men have
come on horses in great numbers. They are taking our
country. We are afraid to lie down to sleep, lest they
come upon us. We are weary of war, and want peace. ' '
Lane sat down by his namesake, Chief Jo. "Our
hearts are sick," said the despondent chief. "We will
meet you at Table Rock in seven days," was the final
conclusion, "and give up our arms." Lane agreed to
this, and took with him the son of Chief Jo as a hostage.
During the armistice, reinforcements were arriving—
among them a howitzer and muskets and ammunition—
in charge of young Lieutenant Kautz, of Port Vancouver.
Also, a guard of forty men, led by Captain Nesmith,
from the Willamette Valley. General Joel Palmer, Su-
perintendent of Indian Affairs, came, and Judge Deady,
who was on his way to Jacksonville to hold court.
The Indians heard of the howitzer long before it
arrived. * * Hyas rifle, ' ' they said ; "it takes a hatful of
powder, and will shoot down a tree. ' ' They begged that
the great gun might not be fired. The reinforcements
were wild to have a chance at those Indians whose camp-
fires nightly shone from Table Rock, but General Lane
held them to the armistice.
The day of the council arrived. In the language of
Judge Deady, an eye-witness : ' * The scene of the famous
•peace talk' between Joseph Lane and Indian Joseph—
88 Oregon Literature
two men who had so lately met in mortal combat— was
worthy of the pen of Sir Walter Scott and the pencil of
Salvator Rosa. It was on a narrow bench of a long
gently sloping hill lying over against the noted bluff
called Table Rock. Lane was in fatigue dress, the arm
which was wounded at Buena Vista in a sling, from a
fresh wound received at Battle Creek. Indian Joseph,
tall, grave and self-possessed, wore a long black robe
over his ordinary dress. By his side sat Mary, his fav-
orite child and faithful companion, then a comparatively
handsome young woman, unstained by the vices of civil-
ization. Around these sat on the grass Captain A. J.
Smith, who had just arrived from Port Orford with his
company of the First Dragoons; Captain Alvord, then
engaged in the construction of a military road through
the Umpqua Canon; and others. A short distance
above, upon the hillside, were some hundreds of dusky
warriors in fighting gear, reclining quietly on the ground.
The day was beautiful. To the east of us rose abrup'ly
Table Rock, and at its base stood Smith's dragoons, wait-
ing anxiously, with hand on horse, the issue of this at-
tempt to make peace without their aid."
Captain Nesmith, on account of his knowledge of
Chinook, was chosen interpreter. "But those Indians
are rogues," interposed Nesmith. "It is not safe to
go among them unarmed."
"I have promised to go into their camp without arms,
and I shall keep my word," said Lane. Nevertheless,
one man, Captain Miller, did keep a pistol concealed
beneath his coat.
In the midst of the council a young Indian rushed
panting in, made a short harangue, and threw himself
upon the ground, exhausted. A band of white men, led
by one lawless Owens, had that morning broke the
armistice, and shot a young chief. Every Indian eye
flashed; they began to uncover their guns.
In the face of that band of fierce and hostile savages,
every white man thought his time had come, and whis-
pered a prayer for wife and children. Some muttered
words that were not prayers. Captain Smith leaned
upon his saber and looked anxiously down upon his beau-
Mrs. Eva Emery Dye 89
tiful line of dragoons, sitting, with their white belts and
burnished scabbards, like statues upon their horses in
the sun below. And yet no word could reach them of
that imminent peril on the mountain side.
General Lane sat with compressed lips on a log. An-
other and another Indian spoke, belaboring back and
forth their anger. As if stopping the mouth of a volcano,
General Lane stepped out, calling in a loud tone the
Indian murmurs, "Owens is a bad man. He is not one
t)f my soldiers. When we catch him he shall be punished.
You shall be recompensed in blankets and clothing for
the loss of your young chief. ' ' The red men caught the
winning words. As Lane went on talking the excitement
gradually subsided and the conference went on.
The treaty was concluded, the Indians ceding the whole
of the Rogue River Valley and accepting a reservation
at Table Rock. They were to give up their arms, except
a few for hunting ; to have an agent over them ; and
to be paid sixty thousand dollars by the Government, to
be expended in blankets, clothing, agricultural imple-
ments, and houses for chiefs.
When all was over the white men wended their way
down the rocks. The bugle sounded, and the squadrons
wheeled away. As General Lane and party rode across
the valley they looked up and saw the rays of the setting
sun gilding the summit of Table Rock.
Nesmith drew a long breath. "General, the next time
you want to go unarmed into a hostile camp, you must
hunt up somebody besides myself to act as your in-
terpreter."
With a benignant smile General Lane responded, "God
bless you, Nesmith ; luck is better than science. ' ' Never-
theless, twenty years later, in just such a case, General
Canby lost his life at the Modoc camp.
Wonderful to relate, in all the fierce and frightful
Indian wars that followed, the treaty Indians o,f Table
Rock forever kept the peace. When all other tribes
around them were on the warpath, they alone remained
quiet on their reservation.
90 Oregon Literature
THE OREGON SKYLARK.
Descendant of a thousand springs,
The skylark lifts his gladsome wings,
The skylark lifts and sings and sings
The song of all created things.
The skylark sings and summer lifts
Her head among the snowy drifts
Of petal bloom that softly sifts
Thro' breeze and sun and leafy rifts.
The skylark sings and floats and floats,
Upon his melody he gloats,
Outflinging showers of silver notes
As from a thousand silver throats.
The skylark sings and multiplies
His little being as he flies,
A heart athrob far in the skies
Till in the blue his paean dies.
Sing on, sing on, 0 bird apart,
Check thou my tears before they start,
'Thine airy grace, thine untaught art
Lift sorrow from the human heart.
Sing on, sing on,, 0 skylark, sing,
Mine eye attendant on thy wing
Hath caught its tender quivering,
The far vibration of a string.
By angels swept, a winged lyre
That kindles all the heart afire,
That kindles all a saint's desire,
Like thee, to rise, to hope, aspire.
WINNIE MYRTLE MILLER
Minnie Myrtle Miller
Poetess of the Coquelle
ENCAMPED.
The twilight air is soft and still;
The night 'bird trills, the crickets sing;
The zephyrs from the distant hill
A thousand pleasant odors bring;
The tents are spread, the snowy tents,
Grouped in the grassy glen;
The "bugle note has died away;
And silence reigns again.
— Minnie Myrtle Miller.
Edwin Arnold once said, "Joaquin Miller is one of
the two greatest American poets." But Joaquin Miller's
life and lines can never be fully understood and appre-
ciated without some acquaintance with Minnie Myrtle
Miller, his wife, who stood unrivalled for her peculiar
versatility. She could carry a gun into the mountain
fastness and ,slay a deer, an elk, or a bear, on which
to dine, or she could relapse into quietude and write a
poem that showed unquestioned genius, or she could
appear in high social circles with a queenly grace and
there entertain the princely and the wealthy.
We know of no one whose life's history more forcibly
illustrates the restless longing for larger and higher
sphere of action than the subject of this sketch, Minnie
Myrtle Miller. Thirty-six years ago, when the war cloud
lowered heavy and dark over our land, when there were
heard criminations and recriminations everywhere, when
the deliberations of our Congress assumed the form of
angry debate, when the startling cry of "traitor" was
heard echoing through the halls dedicated to liberty,
when father and son held bitter converse, and brothers
prepared to array themselves as enemies in deadly com-
bat, when every home in the land was shocked by the
clash of arms and the tramp of mustering steeds— she
92 Oregon Literature
first was known through the public press and beyond the
immediate neighborhood of her home. Even there,
though furthest removed from the seat of war on the
extreme western verge of civilization, she heard among
her few associates angry words spoken by youthful
tongues and read fiery sentences penned by aged hands.
Hers was a nature too gentle, too kind, too sweet to sound
or even echo the notes of war. When all the land was a
Babel of angry voices, hers was clear and sweet. She
wrote of her home, her friends, of the sunlit waves of the
Pacific which smoothed the sands for her feet, and told
the beautiful stories whispered by the tall pines as she
wandered through the groves.
Pier name was Theresa Dyer; with the quick ear for
the musical, which characterized all her writings, she
adopted the nom de plume of ' ' Minnie Myrtle ' ' and sent
her productions— both prose and verse— to the neighbor-
ing weekly papers. Her future husband, Cincinhatus
Heine Miller, since known as "Joaquin Miller," was at
that time writing for the same papers, wild, weird and
sometimes blood-thirsty stories, signed "Giles Gaston."
In one of these, in which he thrillingly depicted a battle
on the border with the Indians, he expressed a desire to
become acquainted with the sweet singer of the Coquelle,
whoever she might be. Although but a youth, he knew
none but a sweet young girl, filled with all the pleasing
fancies and fallacies of life, could write as she did. In
Minnie's next story was given her address; and the
correspondence, which a few months later resulted in
her marriage to the Poet, began by his mailing her an ap-
preciative letter inclosing a tin-type picture of himself.
He was tall, strong, and not graceless in a woman 's eye.
He found her gentle, handsome and sweet, in the first
flush of young woimanhood. Their first meeting sealed
their fate. Let the Poet tell the story, for he knows
it best:
"Tall, dark and striking in every respect, this first
Saxon woman I had ever addressed, had it all her own
way at once. She knew nothing at all of my life, except
that I was an expressman and country editor. I knew
nothing at all of her, but I found her with her kind,
Minnie Myrtle Miller 93
good parents, surrounded by brothers and sisters, and
the pet and spoiled child of the mining and lumber
camp. In her woody little world there by the sea she
was worshipped by the rough miners and lumbermen,
and the heart of the bright and merry girl was brimming
full of romance, hope and happiness. I arrived on
Thursday. On Sunday next we were married ! Procur-
ing a horse for her, we set out at once to return to my
post, far away over the mountains. These mountains
were then, as now and ever will be, I reckon, crossed
only by a dim, broken trail, with houses twenty or thirty
miles apart for the few travelers.
"The first day out, toward evening we came upon a
great band of elk. I drew a revolver, and with wild de-
light we dashed upon the frightened beasts, and follow-
ing them quite a distance we lost our way. And so we
had to spend our first night together, tired, hungry,
thirsty, sitting under the pines on a hillside holding on to
our impatient horses. We reached our home all right,
however, at length, after a week's ride, but only to find
that my paper had been suppressed by the Government,
and we resolved to seek our fortunes in San Francisco.
But we found neither fortune nor friends in the great,
new city, and, returning to Oregon, I bought a band of
cattle, and we set out with our baby and a party of
friends to reach the new mining camp, Canyon City, in
Eastern Oregon.
"And what a journey was this of ours over the Oregon
Sierras, driving the bellowing cattle in the narrow trail
through the dense woods, up the steep, snowy mountains,
down through the roaring canyon ! It was wild, glorious,
fresh, full of hazard and adventure! Minnie had a
willow basket and swung it to her saddle horn, with the
crowing and good-natured baby inside, looking up at her,
laughing, as she leaped her horse over the fallen logs
or made a full hand with whip and lasso, riding after
the cattle. But when we descended the wooded moun-
tains to the open plain on the eastern side of the sierras,
the Indians were ready to receive us, and we almost
literally had to fight our way for the next week's
journey, every night and day. And this woman was one
94 Oregon Literature.
of the bravest souls that ever saw battle. I think she
never, even in the hour of death, knew what fear was.
She was not only a wonderful horsewoman, but very
adroit in the use of arms. She was a much better shot,
indeed, than myself. In our first little skirmish on this
occasion I had taken position on a hill with a few men,
while the cattle and pack animals were corralled by- the
others in a bight in the foothills below to prevent a
stampede. And thus intrenched we waited the attack
from the Indians, who held the farther point of the ridge
on which I had stationed my men. Suddenly Minnie,
baby in arms, stood at my side and began, to calmly
discuss the situation, and to pass merry remarks about
the queer noises the bullets made as they flattened on
the rocks about us and glanced over our heads. I finally
got her to go down, or, rather, promise to go down to
camp, for the better safety of the baby. But in a
moment she was back. She had hidden the laughing little
baby in the rocks, and now, gun in hand, kept at my
sid^ till the brush was ovf»r and the Indians beaten off.
"Here is a leaf from her journal, or rather, I think,
her recollections of the journey, which she left me along
with her other papers, when she died: 'One night of
that journey I shall not soon forget. There had been
some fighting ahead of us, and we knew the foe was
lurking in ambush. They made a kind of fort of the
freight, and while we lay down in the canyon, baby and
I, way up on the high, sharp butte, Joaquin suool sentinel.
And I say this tonight in his behalf and in his praise that
he did bravely, and saved his loved ones from peril that
night. That he stood on that dreary summit, a target
for the foe, and no one but me to take note of his valor
—stood till the morning shone radiant, stood till the
night was passed. There was no world looking on to
praise his courage and echo it over the land; only the
frozen stars in mystic groups far away, and the slender
moon, like a sword drawn to hold him at bay. ' !
After seven years of married life they were separated,
Joaquin going1 to Europe, while the saddened mother,
with her three children, returned to her father's home.
The cause of their separation is still a mystery ; whether
Minnie Myrtle Miller 95
some rude shock broke the bonds which love had tied,
or ardent love was slowly crushed to death by the at-
trition of dissimilar natures was never known. . Certain
it is that neither was happy after their separation. The
life of each was saddened before it had well begun. At
the early age of thirty-seven, when the poor, tired mother
laid down her burden, she was soothed by the tender
words and sustained by the strong arm of the poet lover
who had won her maiden heart in the springtime of life.
She died in New York, surrounded by friends, leaving
unfinished several poems and a sketch of her life, which
she labored hard to complete before her summons came.
It has never been published. The manuscript, although
undoubtedly worthy of preservation, became misplaced
and cannot now be found. Her friends deeply regret
this, but it may be best that it was lost. While it would
surely have found a ready sale, it could not but have
brought to its readers more tears than smiles. A key
to much of this lost story of her life appears to be given
in these lines of her poem, "At the Land's End":
I am conscript — hurried to battle
With fates — yet I fain would be
Vanquished and silenced forever
And driven tack to my sea.
Oh! to leave this strife, this turmoil
Leave all undone and skim
With the clouds that flee to the hilltops
And rest forever with Him.
Something of the love she inspired in those who knew
her best can be gathered from the following extract from
a faded letter lying before us, written by a lady in New
York, with whom the poetess spent the last few months
of her life ; it was addressed to the eldest sister of Minnie
Myrtle, Mrs. Hilborn, of Marshfield, Oregon, and hears
date of May 24, 1882 : "Minnie was a wonderful woman,
and many a heroine has been made great in history by
the possession of a small share of her heroic endurance,
daring courage, calm self-possession, and loyal heart and
creative brain. We could not appreciate her, much as
we loved her; grand! and sweet she was, and all the
96 Oregon Literature
clouds that lowered about her house could not shake her
poise of character/'
We do not incline to eulogize ; but by reading the few
poems Minnie Myrtle published we are led to the con-
viction that had her environment been less severe and
her life prolonged to a ripe age, she would have been
known and recognized as one of the sweetest songsters of
the West. Her sweet disposition, as well as her poetic
talent, was contagious. She produced a marked change
in the character and writings of her husband. That
delicate and refined love for the truly beautiful in nature,
and the breadth and warmth of sympathy for ^he erring
and unfortunate which characterizes his writings must
be admitted to date from his marriage day. We have
seen what is called a composite picture, composer! of 'V»°
best features of two or more individuals. Many of
Joaquin Miller's poems may be considered composites,
combining the keen perception and fiery dash of the
young pioneer, as his early writings display him, with
the kindly thought, the gentle touch and the delicate
coloring inseparable from all that was said and done by
his lost wife. She was the vision that ever beckoned
him on and up to sublime heights. Oh, how beautiful
seems gentleness arid purity and sympathy and truth !
They tell us what the soul should be, when time and
God's resources have wrought their work upon man.
And they are to be cherished as the mariner cherishes
the guiding star that stands upon the horizon. They
are to be cherished as some traveler lost in a dark, close
forest cherishes the moment when the sun breaks
through a rift in the clouds and he takes his bearings
out of the wilderness toward his home. Visions are God
within the soul. This, Joaquin Miller fully realized,
and has said, "That which is best in my work was in-
spired by her. ' '
Though their separation was Jong a sorrow to both,
and the flowers have blossomed for many years over the
grave of the poetess, yet in object, aim and desire, they
are one today ; and the soul of the beautiful bride which
the poet wooed and won in the wilds of the Coquelle so
long ago, still shines in all his lines and brightens all
his pages.
Carrie Blake Morgan
Carrie Blake Morgan spent her childhood days in
Union County, Oregon, where she gave unmistakable
evidence of rare talent in writing; and it may be said
of her that her poems and stories have for years found
ready acceptance with many of the best magazines.
She devotes much of her time to literary pursuits with
her sister, Mrs. Ella Higginson, at Whatcom, Washing-
ton. The following were taken from her booklet entitled
"The Path of Gold":
NO MAN HATH RIGHT.
No man hath right to rear a prison wall
About himself, and then to sit therein
And sigh for freedom, gone beyond recall,
And make his moan for things that might have been.
Nor hath he right to build himself a stair,
By which to scale his prison's high rampart,
When every stroke must mean some soul's despair.
And every step a bleeding human heart.
THE OLD EMIGRANT ROAD.
Aged and desolate, grizzled and still,
It creeps in slow curves round the base of the hill;
Of its once busy traffic it left little trace,
Not a hoof-print or wheel-track is fresh on its face.
Rank brambles encroach on its poor ragged edge.
And bowlders crash down from the moun'ainside ledge;
The elements join to efface the dim trail.
The torrents of springtime, the winter's fierce gale.
98 Oregon Literature
Yet with pioneer sturdiness, patient and still,
It lingers and clings round the base of the hill ;
Outlasting its usefulness, furrowed and gray,
Ghaunt phantom of yesterday, haunting today.
MEMORY.
A low-hung moon ; a path of silver flame
Across a lonely stream ; a whispering wood ;
A vigil drear for one who never came;
And all around God's peopled solitude.
SACRED.
Deep in each artist's soul some picture lies
That he will never paint for mortal eyes;
And every singer in his heart doth hold
Some sad, sweet tale that he will leave untold.
AT DEAD OF NIGHT.
I woke at dead of night. The wind was hi^h;
My white rosebush was tapping 'gainst the pane
With ghostly finger tips; a sobbing rain
Made doleful rhythm for my thoughts, and I
Strove vainly not to think, and wondered why
My brain, ghoul-like, must dig where long had lain
The pulseless dead that time and change had slain.
I fear no living thing. But oh ! to lie
And see the gruesome dark within my room
Take eyes and turn on me with yearning gaze!
To hear reproachful voices from the tomb
Of duties unfulfilled— might well-nigh craze
A stronger brain ! God save me from the gloom
Of sleepless hours that stretch between two days!
Wallis Nash
The following is an extract from a volume entitled
"Two Years in Oregon," published by Hon. Wallis
Nash, of Nashville, Oregon. In 1880-1 Mr. Nash visited
Oregon, and upon returning to London he wrote his
impressions in the volume mentioned. Oregon won him ;
and upon coming hither for a permanent home, he con-
tributed very liberally to magazines and other publica-
tions, announcing the attractions and resources of Ore-
gon—the emerald state.
TWO YEARS IN OREGON.
What the notions of some of our party were you will
understand when I mention that all I could say could
not prevent the young men of the party from arming
themselves, as for a campaign in the hostile Indian
country, so that each man stepped ashore from the boat
that brought us up the Willamette with a revolver in
each pocket, and the hugest and most uncompromising
knives that either London, New York, or San Francisco
could furnish.
As ill luck would have it, just as we arrived the sheriff
had returned to town with an escaped prisoner, and had
been set upon by the brother, and a pistol had been
actually presented at him. I should say in a whisper
that the sheriff, worthy man, had proposed to return
the assault in kind, but had failed to get his six-shooter
out in time from the depths of a capacious pocket, where
the deadly weapon lay in harmless neighborhood with
a long piece of string, a handful or so of seed wheat, a
large chunk of tobacco, a leather strap and buckle, and
a big red pocket handkerchief. So I fancy he had not
much idea of shooting when he started out.
But the incident was enough to give a blood color to
all our first letters home, and I dare say caused a good
many shiverings and shudders at the thought of the
wild men of the woods we had come to neighbor with.
100 Oregon Literature
The worst of it was, that it was the only approach to
a tragedy, and that we have had no adventures worth
speaking of. "Story, God bless you! I have none to
tell you, sir." Still we did know ourselves to be in a
new world when we stepped ashore from the large white-
painted, three-story structure on the water, that they
called a stern-wheel river boat, and in which we had
spent two days in coming up the groat river from Port-
land. It was the 17th of May, just a month after
leaving Liverpool, that we landed. The white houses of
the little City of Corvallis were nestled closely in the
bright spring green of the alders and willows and oaks
that fringed the river, and the morning sun flashed on
the metal cupola of the courthouse, and lighted up the
deep blue clear-cut mountains that rose on the right of
us but a few miles off.
When we got into the main street the long, low, broken
line of booth-like, wooden, one-storied stores and houses,
all looking as if one stronsr man could push them down,
and one strong team could carry them off, grated a little,
I could see, on the feelings of some of the party. The
redeeming feature was the trees, lining the street at long
intervals, darkening the houses a little, but clothing the
town, and giving it an air of age and respectability that
was lacking in many of the bare rows of shanties,
dignified with the title of town, that we had passed in
coming here across the continent.
The New England Hotel invited us in. A pretty
plane-tree in front overshadowed the door; and a
bright, cheery hostess stood in the doorway to welcome
us, shaking hands, and greeting our large party of
twenty-six in a fashion of freedom to which we had not
been used, but which sounded pleasantly in our travel-
worn ears. The house was tumble-down and shabby,
and needed the new coat of paint it received soon after
—but in the corner of the sitting-room stood a good
parlor organ. The dining-room adjoining had red cloths
on the tables, and gave a full view into the kitchen;
but the "beefsteak, mutton-chop, pork-chop, and hash"
were good and well cooked, and contrasted with, rather
than reminded us of, the fare described by Charles
Wallis Nash 101
Dickens as offered him in the Eastern States when he
visited America thirty-nine years 4g®-'' '•> ' ', •*» »**
The bedrooms, opening all on V ihfe-' long passage
upstairs, with meager furniture 'and pa
the whole wooden house shaking a $w*:, trotted V
to room, were not so interesting, and tempted no long
delay in bed after the early breakfast- gong had been
sounded <soon after six. Breakfast at half -past six,
dinner at noon, and supper at half -past five, only set
the 'clock of our lives a couple of hours faster than we
had been used to ; and bed at nine was soon no novelty
to us.
The street in front was a wide sea of slushy mud when
we arrived, with an occasional planked crossing, needing
a sober head and a good conscience to navigate safely
after dark ; for, when evening had closed in, the only
street-lighting came from the open doors, and through
the filled and dressed windows of the stores.
Saloons were forbidden by solemn agreement to all of
us, but the barber's shop was the very pleasant substi-
tute. Two or three big easy-chairs in a row, with a stool
in front of each. Generally filled they were by the
grave and reverend seigniors of the city— each man re-
posing calmly, draped in white, while he enjoyed the
luxury, under the skillful hands of the barber or his
man, of a clean shave. At the far end of the shop stood
the round iron stove, with a circle of wooden chairs and
an old sofa. And here we enjoyed the parliament of
free talk. The circle was a frequently changing one, but
the types were constant.
The door opened and in came a man from the country :
such a hat on his head! a brim wide enough for an
umbrella, the color a dirty white; a scarlet, collarless
flannel shirt, the only bit of positive color about him;
a coat and trousers of well-worn brown, canvas overall
(or, as sometimes spelled, "overhaul"), the trousers
tucked into knee-high boots, worn six months and never
blacked. His hands were always in his pockets, except
when used to feed his mouth with the constant "chaw."
—"Hello, Tom," he says slowly, as he makes his way
to the back, by the stove. ' ' Hello, Jerry, ' ' is the instant
102 Oregon Literature
response. "How's your health?" "Well; and how do
you make it?" i4S<-so." "Any news out with you?"
"W^il, no;-' t.iings pretty quiet." And he finds a seat
and. sbaks into it as if he. intended growing there till next
bar-vest.
We all know each other by our "given" names. I
asked one of our politicians how he prepared himself
for a canvass in a county where I knew he was a stranger
this last summer. "Well, I just learned up all the boys'
given names, so I could call them when I met them,"
was the answer. "I guess knowing 'em was as good as
a hundred votes to me in the end." It was a little
startling at first to see a rough Oregonian ride up to
our house, dismount, hitch his horse to the paling, and
stroll casually in, with "Where's Herbert?" as his first
and only greeting. But we soon got used to it.
But the barber's shop was, and is, useful to us, as
well as amusing. The values and productiveness of
farms for sale, the worth and characters of horses, the
prices of cattle, the best and most likely and accessible
places for fishing, and deer-shooting, and duck-hunting—
all such matters, and a hundred other things useful
for us to know, we picked up here, or "sitting around"
the stoves in one or other of the stores in the town.
Another good gained was, that thus our new neigh-
bors and we got acquainted : they found we were not
all the "lords" they set us down for at first, with the
exclusiveness and pride they attributed to that maligned
race in advance; while we on our side found a vast
amount of self-respect, of native and acquired shrewd-
ness, of legitimate pride in country, state, and county,
and a fund of kindly wishes to see us prosper, among
our roughly-dressed but really courteous neighbors.
There was a good deal of feminine curiosity displayed
on either side, by the natives and the new-comers. When
we went to church the first Sunday after our arrival,
there were a good many curious worshipers, more intent
on hats and bonnets of the strangers than on the service
in which we united. We heard afterward how disap-
pointed they were that 1he stranger ladies were so quietly
and cheaply dressed. We could not say the same when
Wallis Nash 103
callers came, which they speedily did after we were
settled in our little home— such tight kid gloves, and
bright bonnets, and silk mantles! It was a constant
wonder to our women-folk how their friends managed to
show as such gay butterflies, two thousand miles on the
westward side of everywhere.
Colonel John Kelsay
TO THE OREGON PIONEER.
The chilling autumn winds blow hard upon you now ;
many of you are far down on the sunset side of Time
and will soon pass from this life. Long will you and
your acts be remembered by a grateful posterity. Your
early settlement of this country and the many dangers
ajid difficulties you have encountered will outlive the
English language.
William R. Lord
Rev. William R. Lord, author of ''The Birds of
Oregon and Washington," is a native of Massachusetts,
having been born in Boston, May 6, 1847. He graduated
at Amherst in 1875, and at Union Theological Seminary,
New York, in 1878. His years of ministry have been
passed in the larger cities of the country, New York,
Boston, St. .Paul, and latterly in Portland, Oregon.
Upon cominsr to Oregon Mr. Lord was attracted to the
bird-life of the state; and. after familiarizing himself
with it undertook to do for the people of the Northwest
Pacific States what may have been done for the Atlantic
Coast, that is to make comparatively easy the identi-
fication of the birds more commonly seen. He wrote a
book entitled "The Birds of Oregon and Washington,"
which has already gone through several editions. In
doing this work, Mr. Lord has been greatly assis'ed by
his fellow student and wife, Mrs. Lord, who shares with
him an interest and joy in these winged creatures.
THE BIRDS OF OREGON AND WASHINGTON.
A WORD TO BEGINNERS AND TEACHERS.
Certainly all education should tend to ennoble char-
acter and furnish the sources of the highest happiness.
If this be the end sought, then a sympathetic and aesthe-
tic interest is the thing we must seek to get and give,
in our pursuit of knowledge of birds.
Indeed, it is a pursuit fairly dangerous to our own
possible enjoyment, when we set out with opera-glass
and note-book to name and catalogue the birds, lest we
shall be less satisfied to listen with exquisite satisfaction
to some superb singer, than to get his description in our
note-books. It is not a tithe as important that we should
know the name and habits of a bird as that we should
answer his ecs'asy of song with ecstacy of delight. Dr.
William R. Lord 105
Henry Van Dyke has given us a motto for the societies
which are opposing the heartless and harmful practice
of using birds for millinery, purposes. It is : "A bird in
the bush is worth ten in the hat." Should not every
bird-student have at the beginning of his note-book some
sentiment like this 1 "A bird in the heart is worth more
than a hundred in the note-book." In a word, let us,
in the study of birds, learn to take more time to listen to
the beauty of song and to look upon the beauty of form,
of color and of movement, than to add their names to
our lists and familiarize ourselves with their curious
habits.
THE WESTERN MEADOWLARK.
If this part of our country had no bird except the
Meadowlark, it would be, in respect of bird song, blessed
above any other land I know. Such a rarely beautiful,
endlessly varied and wonderfully incessant singer! No
bird anywhere has a fuller or richer note; none such
variety of songs, except, perhaps, the Mocking-bird and
the Longtailed Chat; none like this bird makes varied
and joyous melody in summer and in winter, too ; in
rain, in snow, in cold. Not a day in the winter of 1900
and 1901, have the Meadowlarks upon a hill near Port-
land failed to voice the happiness, or bid depart the
gloom, of their human neighbors. No one knows the
bird until he has listened to the many different songs
that he sings while perched upon tree or fence, or again
upon a telegraph pole, or even upon the ridgepole of a
house; nor yet unless he has caught a peculiar and
most rapturous song while the bird is on the wing — a
song so unlike those we are accustomed to that it seems
not to have been uttered by Meadowlark at all.
How TO DOMESTICATE AND TAME BIRDS.
Everybody enjoys the familiar presence of "wild"
birds. Even persons who have never thought much of
these winged creatures are pleased when the Wrens or
Bluebirds force themselves into notice by nesting in the
letter box at the gate, or pre-empting a cranny under the
piazza roof.
106 Oregon Literature
People do not realize that, with a very little trouble,
they might have a hundred bird neighbors in summer,
where now there are none, or only a pair or two, who
have come uninvited and unprovided for. Every home
in the country or near our cities, and very many in the
towns, and even in the ciiies themselves, might have,
with each coming of spring, a score of feathered friends
returning from a faraway southern wintering.
Nothing so civilizes and humanizes children as this
care and interest. In Worcester, Massachusetts, in one
district where the care and protection of birds have been
taught to and inspired in the children of a public school,
vandalism has ceased among the boys. They are busy
providing bird-boxes, watching for nests in the trees,
guarding the fledgings against cats and dogs, and their
hearts have softened meanwhile. Were it only a measure
for taming and civilizing boys, the taming of birds
would be worth while.
But what a minstry of delight do these angels of song
and grace bring to old and young, when once we have
taken them under our care ! ' ' Let but a bird— that being
so free and uncontrolled, which with one stroke of the
wing puts space between you and himself— let him be
willing to draw near and conclude a friendship with
you, and lo, how your heart is moved."— Mme. Michelet.
J. H. Ackerman
THE POWER OF LITERATURE.
There are two ways of viewing any object: it may be
viewed concretely and scientifically or it may be viewed
in accordance with its aesthetic or moral value. As the
result of the first we have knowledge; of Ihe second,
culture.
Each has what in the widest sense must be called its
body of literature. But how much stronger the litera-
ture of the second! How much more appealing to our
innate love of the good, the beautiful ! How much more
moving to the human heart the artist's description
of the tented field than the quartermaster 's list of all the
implements of war therein contained ! What power lies
within the artist's dream as compared with the bare
realities of a sombre catalogue! Literature, the litera-
ture of power, is based upon real culture.
How much then of our public school work ministers
to the daily need of the pupil for moral and aesthetic
education? Little of it except reading can be strictly
put under the classification. Formerly this fact was
considered of little importance and the child's nature
was misjudged and in consequence starved. We now
know that it is not the abnormal child alone who cares
for literature, but all, even the e very-day children
around us are more or less susceptible to its influence.
The childish appreciation of literature shown by great
writers should not be taken to prove the lack of this ap-
preciation in others, but rather to prove that a child may
love a good book even as he does the sunlight or the
quiet beauty of green fields and shining water courses.
On account of the undue importance attached to facts
as mere facts, for many years the child who was dull in
their acquirement was never allowed to quicken his
powers by delving in fable and romance. Now we are
108 Oregon Literature
beginning to realize that a child as a child, or as he
reaches the mysterious merging into manhood or woman-
hood, lays, for better or for worse, the foundations of
his future taste for real or false jewels of literature.
The literature of power should not be shut out of our
elementary schools. Let its acquaintance be made
through the medium of books and libraries, through tall
buildings and broader opportunities, till our people shall
be a people of growing literary pc 'v°r, a people appreci-
ative of poetry and the broader humanity, and shall be
guided to the heart of poetry, humanity, to what in
human is divine; and shall be led to love the beautiful
within and ''behold good in everything but sin."
Peter H. Burnett
A BIT OF LOGIC.
I never knew so fine a population, as a whole commun-
ity, as I saw in Oregon most of the time I was there.
They were all honest, because there was nothing to steal ;
they were all sober, because there was no liquor to drink ;
there were no misers, because there was nothing to hoard ;
they were industrious, because it was work or starve.
i I
/
ABIGAIL SCOTT^DUNIWAY
Mrs. Abigail Scott Duniway
Before the days of reading circles in Oregon there were
a few ladies who believed that a woman could raise her
family properly and yet have time for books and other
literary diversions that furnish food for the mind.
Prominent among these was Mrs. Abigail Scott Duniway,
for many years editor of the New Northwest. She wrote
for women who believe that they should be emancipated
from many of the features of society that tolerate in-
temperance. She advocated the theory that woman has
a responsibility to assume, and that every mother should
fearlessly attack intemperance in the home, in society
and at the ballot box. This was the theme of the gospel
she preached.
She also wrote many beautiful stories in prose and
versified David and Anna Matson, a paraphrase of Whit-
tier's story. Some of her poems are: "The Dirge of
the Sea," "West and West," "The Nocturnal Wed-
ding," "The Destiny of Freedom," "Thoughts in Storm
and Solitude," "Laudamus," and "After Twenty
Years."
AFTER TWENTY YEARS.
(Written by Mrs. A. S. Duniway on the Great Plains
opposite her mother's grave, near Fort Laramie, May
5th, 1872.)
Adown the dead and distan^ years
My memory treads the sands of time,
And blighted hope a vision rears.
Enriched by solitudes sublime.
And down the mys'ic, dreamy past
In chastened mood I wander now,
As o'er these prairies, old and vast,
Move lines of oxen, tired and slow.
110 Oregon Literature
Their rough-ribbed sides and hollow eyes
And listless gaze and lazy tread,
As under cloudless, burning skies
Our way o'er trackless wastes they led,
But visions are of long ago.
Today, an iron horse, "The Storm,"
All panting rushes o'er the plain;
His breath with steam is quick and warm,
As on he thunders with our train.
Afar the Rocky Mountains rise,
Their rugged steeps adorned with snow,
While o'er the hill the antelope hies,
And Indians wander to and fro.
The buffalo gazes from afar,
Where erst in trust secure he fed,
Ere man upon him had made war,
And he was wont at will to tread
Anear our oxen, sure and slow.
Fort Laramie, across away,
Beyond yon hills that intervene,
My memory sees as on that day,
Just twenty years ago, 'twas seen.
There, in the echoing hills, hard by,
Surnamed "The Black," adorned by woods,
My mother laid her down to die,
In those grand, awful solitudes.
The wild coyote yet roams at will,
The timid hare and buffalo,
The antelope and serpent still
In freedom range, and come and go,
While Indians gaze in scornful moods.
Gone are the oxen, patient brutes,
And drivers, with the song and jest.
Of ruder days they were the fruits,
And toiling well, they did their best.
Mrs. Abigail Scott Duniway 111
Their day is past, and now, at ease,
We glide along at rapid pace,
Gazing abroad, while though' s of these,
The days of yore, take present place.
And I am self-forgetful, too,
For through the long, eventful past,
Since last I dreamed beneath the blue,
Arched dome above these plains so vast
I find of twenty years no trace.
My mother sleeps, dear God, as slept",
Her peaceful form when we that day
Laid her to rest, marched on and wept,
Too sad to talk, too dumb to pray.
Was it the breath of angel's wing
That fanned, . erewhile, my fevered brow 1
Did I hear heavenly seraphs sing,
When eyes and ears were closed just now?
0, mother, memory, God, and truth,
While yet I tarry here below,
Guide oft thy faltering, trembling one.
May I regret not years, nor youth,
Nor that my life thus far is done,
As through these wilds once more I go.
THOUGHTS IN STORM AND SOLITUDE.
The rain, the sobbing and pattering rain,
Is falling in torrents tonight ;
While the winds in loud chorus join in the refrain,
Keeping time to the sobs of the pattering rain
And the throbs of my heart in its dull aching pain,
As I toss on my pillow tonight.
0, rest and oblivion, where are you flown?
'Tis a question I ask o'er and o'er;
But the elements answer with many a moan,
Crying, "Rest and oblivion, where are you flown?"
And Hope in her might scarcely stifles a groan,
As the question is asked o'er and o'er.
112 Oregon Literature
The rain, the shrieking and sibilant rain,
Rusheth down in wild frenzy tonight ;
The wild wipds shout on in their madness again,
Defying the shrieking and sibilant rain,
While I s'ruggle for sleep, but the effort is vain.
For repose hath departed tonight.
Grim darkness hath settled o'er earth like a pall;
Assassins and thieves dare not stir;
The All-Seeing Eye beholds earth's children all,
Seeth even the darkness o'er us, like a pall,
Xoteth even the sparrow, his flight and his fall,
And I know "here is nothing to fear.
Now, rain, the pelting and pitiless rain,
Husheth down the rude voice of the wind ;
How potent the spell that such spirit hath Iain-
How strong art them, pelting and pitiless rain,
As back <o his home on the mountain and main,
Thou drivest the rude, shrieking wind.
'Tis day-dawn. Sweet slumber steals over my brow
"While silently weepeth the rain.
I care little for sorrow or storm-ragings now,
While thrice-welcome slumber steals over my brow,
I'm at peace with the world and my neighbors, I trow.
AVhile silently weepeth the rain.
Albany, Oregon, November, 1868.
LOUIS ALBERT BANKS
Louis Albert Banks
What good can come out of Nazareth? has been an-
swered again. From infancy to childhood, and from
childhood to the boy preacher of sixteen, we find him
in Oregon. Charles Parkhurst, the great divine and re-
former, says of him : * * Louis Albert Banks, after leav-
ing Philomath College, commenced to preach the gospel
in Washington Territory, and many were converted,
From seventeen to twenty-one, he taught school and
studied law, being admitted to practice in the courts.
He received his first regular appointment from Bishop
Gilbert Haven, and was stationed in Portland, Oregon.
Fearless as a reformer, in his pulpit, he has been shot
down by the infuriated saloonist, and mobbed by the
anti-Chinese rioters." He has occupied some of the
wealthiest pulpits of the Methodist Episcopal Church
in the United States, where he has met with remarkable
success as a minister and as an author.
His principal books are "Censor Echoes," "The Peo-
ple's Christ," "The Revival Giver," "White Slaves,"
"Common Folks' Religion." "Honeycombs of Life,"
"The Heavenly Tradewinds," "The Christ Dream,"
"Christ and His Friends," "The Saloon Keeper's
Ledger," "Seven Times Around Jericho," "The Hero
Tales from Sacred History," "An Oregon Boyhood,"
"Sermon Stories for Boys and Girls," "The Christ
Brotherhood" and "Immortal Hymns and Their Story."
Dr. Banks 's popularity as an author is such that the
great reformer in writing an introduction to one of these
books said, "To be invited to a place beside the author
of the volume, and to present him to the reading public,
is a delightful privilege. ' '
Mr. Banks 's books and sermons may fitly be termed
"the Wild Flowers of Oregon," for he has culled the
lambs ' tongue, the rhododendron, the wild lilac, the field
lily, the honeysuckle, and the wild grape, and taken this
114 Oregon Literature
handful of wild flowers from the hills and valleys of
Oregon and woven them into beautiful sermons and
books— thus furnishing a delightful source of help to
thousands of men and women on both continents. In-
deed, his style may be denned as the wild flowers of
Oregon so delicately transplanted from the mild atmos-
phere of the West into the conservatories of the rigid
East that they have lost none of their original fragrance
or beauty. Thus, through Dr. Banks our scenery has
flowered out upon an eastern landscape and developed
into a beautiful style which he may proudly call his own ;
and while the scholars of the East may notice the exotic
elements in it they cannot resist the pleasure it gives
them; therefore, they will encourage Dr. Banks in pre-
serving his literary identity in the fast-flowing stream of
books he is pouring out upon the reading public.
Belle W. Cooke
The following poems were written by Mrs. Belle W.
Cooke, of Salem, a lady who has obtained considerable
distinction. She is the author of an interesting volume
of poems, and wherever known is recognized as a woman
of culture and high spcial attainments. Her home at
the present time (1902) is in San Francisco, California.
SEATTLE.
Queen city by the Northern Sound,
High seated on thy sloping hills,
Begirt with snowy mountains round,
Thy beauty all my being thrills.
When burns the sunset in the west,
With crimson bars and purple shades,
On dark Olympus' snow-flecked crest
A misty crown gleams out and fades.
While on Tacoma's kingly face
The rosy blushes gleaming lie,
And changeful hues, with wondrous grace
Across the watery mirror fly.
When morning looks through fringe of trees,
And tips the western peaks with gold,
And misty veils curled by the breeze
Lie on the water, fold on fold—
!
Then rocky gorge, and tree-crowned spur,
Touched by the pencil of the dawn,
With rounded heights, and groves of fir,
Spring out to greet the beauteous morn,
116 Oregon Literature
The ice-crowned king with shadows cold
Sparkles and glistens white and grand,
And beauty wakes in wood arid wold,
And beams from nooks on every hand.
Long may thy beauty bless the earth,
And teach the lesson God doth mean,
Arid nobler men in thee have birth
Than ever yet the world hath seen.
I KNOW NOT.
I know not what the day may bring
Of sorrow or of sweetness,
I only know that God must give
Its measure of completeness;
I reach for wisdom in the dark,
And God fills up the measure—
Sometimes with tears, sometimes with cares,
Sometimes with peace and pleasure.
From hours of grief and saddened face
True wealth of heart I borrow,
And heavenly wisdom oftenest comes
Clad in the guise of sorrow;
I know not which is best for me
Of all his mercy bringeth, <
I know his praise every day
My willing spirit singeth.
^
I know not what my life may yield
Of fruit that will not perish,
I know God gives both seed and soil,
And all the growth must cherish.
How great his work ! How small my part !
I wonder at my weakness,
And his great patience fill my heart
With gratitude and meekness.
Belle Tf. CooUe lit
I know not what e'en, heaven can give
To blessed souls who gain it;
I know God's goodness it must show,
For earth cannot contain it.
And if eternity but rings
With love, the same sweet story
That earth is telling every day—
" Thine, Lord, shall be the glory."
Dr. T. L. Eliot
Of Doctor Eliot, Hjnes's "History of Oregon" says:
"Mr. Eliot has the distinction of having held the longest
pastorate in the City of Portland or in the State of
Oregon. He was called from the City of St. Louis in
1867, while yet a young man, to the pastorate of the
First Unitarian Church of Portland, worshiping in a
very unpretentious chapel, situated on the site of the
present large and beautiful edifice. From 1867 to 1893
Mr. Eliot continued as its pastor, when he voluntarily
resigned his charge on account of impaired health, thus
giving a full quarter of a century of extraordinarily
useful service to his church and the state of which he
has been so eminent a citizen." Doctor Eliot has visited
the Holy Land and published his observations and im-
pressions of that region in two very attractive volumes.
TEMPERANCE.
(From a sermon on Temperance delivered at Portland,
Oregon, by Rev. T. L. Eliot, September 16, 1862.)
See how clear and high, how deep and broad, the
principle which can be laid down — how it covers all
cases, without regard to individual differences of con-
science or taste. See how this statement of the case
proves that after all it is Christianity that must conquer
the evil of intemperance. Must we wait until everybody
has it proved to him individually, personally, that it is
a sin for him to touch liquor? My friends, the cause
would die by inches under such a process. In spite of
all that zealous temperance reformers say, it is an open
question, as to whether abstractly considered, there may
not be a right use and individual good coming from the
stimulative action of proper doses of alcohol. I say it is
an open question, by no means proved; and if it were
so, there would remain the fact that thousands upon
Dr. T. t. Eliot 119
thousands of individual consciences, looking upon it as a
mere personal matter, are at liberty. But this principle
of Paul's, this principle of Christ's comes in to every
such case ; it is an appeal to high and low, to every class
and condition— shall your liberty be a stumbling-block?
Does your abstract right, become by the condition of
society, a concrete wrong? Has your example any
weight? Have you any duty toward society standing
just as it does and as you do ? Now there are hundreds
of thousands who in this principle, if it could reach, and
be clearly before them today, would see a Christian law
where they saw no conscience law. They would see that
in the sight of God and Christ they were called on to
use their liberty as a ladder and not as a stumbling-block.
There are men who will say "I can drink — I can afford
it, I can be moderate, it does me good, more or less, I
can step up to a bar, and not feel injured." But look
you ! the community is tainted, nine tenths of the liquor
is poisoned and drugged, every other man has the plague
spot of an inherited thirst for liquor, ninety-five retail
saloons— nearly, all— are plying nefarious arts, ringing
in their victims. It is notorious that they live upon the
infirm and weak of purpose— the hard-drinking, and
those running down hill— these air holes to the pit, are
dragging in young men, corrupting boys, sending out
their fumes into the very home and sanctuary. Physical
and moral idiots stalk the streets, the asylum and the
jail rise up as witnesses against us— drink if you can,
in the face of this! Why, my brother, it seems to me
that I would as soon throw pitch upon a house on fire,
or eat with the knife that had cut another man's
throat! Once realize the nature and extent of this evil
in your midst, the heart-ache, the bitter, burning woe,
the degradation that lie at the door of this awful drink-
ing habit, and you must pause! You must see, that
liberty, or no liberty, there is but one thing to do— that
you must cast your influence high, clear, positive, or
woe be unto you in that great day when Christ shall
judge between you and your fellow man.
Anonymous
REMEMBERED BY WHAT SHE HAS DONE.
Lines read at the forty-fifth anniversary of an Oregon
Church, in which the music was regularly furnished by a choir
consisting of the family of a lady who during half her lifetime
had been their organist and leader.
The spirit has flown ; and the song unsung
Has tuned the harp long left unstrung;
And the heart beats the notes of the love aglow
With the echoing tones of the long ago.
>
We heard her sing, for loved ones,
To the swelling notes of the old organ tones,
Till the zephyrs that lingered in the church old and gray
Transported fond memories from the far away.
We heard her sing in the Sunday School
Where the little ones learned the Golden Rule,
From the books that are now both tattered and torn.
But precious to us for the tidings they have borne.
We heard her sing at the graveyard lonely and cold
Where friends had been laid midst sorrows untold,
Where the mourners met round the lonely bier
To offer a tribute and a farewell tear.
We went to her grave when her voice was stilled,
And our saddened hearts with memories thrilled;
And we listened, but her song was no more,
For the singer was standing on another shore.
She had crossed to the land, in which we are told,
There are cities and harps and crowns of gold,
To mingle for aye with the joyous throng
That ever will ever sing a rapturous song.
Anonymous 121
And she's singing tonigh: in the invisible choir
With voices attuned to the heavenly lyre ;
And the song that she chants is the sweetest by far,
For she's singing the song of Bethlehem's star.
We returned to church again and again
To hear the same sweet gentle strain
Which was sung by lips attuned anew
By her who had bidden the earth adieu.
Oft and again throughout the days
Our hearts were uplifted in joyous praise
By the spirit of song which, like an angel's breath,
Whispers gently though the singer is silent in death.
ANGELS ARE WAITING FOR ME.
A saint whose wearied body rests .in the silent city
crowning a little Oregon hill, and whose sacred memory
is a precious legacy to those who survive her, and whose
example, like an angel's touch, gently impels upward,
caught a few glimpses of the higher heaven from the
heaven she lived in here below ; and before the final hour
came, gave expression in poetic, psalm-like language to
her rapture upon the visions she beheld. These utter-
ances were entrusted to a youth who wove them into
verse.
After the poem descants briefly upon her departure
from the home of her birth to a far-distant land to share
with the loVed ones of earth in bearing the burdens and
toil for Him who bled for our wrong, in the full con-
sciousness of- a glorious victory, she says: "His peace
as a river now flows through soul and body so free that
glory abounds in my heart while angels are waiting for
me. ' ' She continues :
''The Bible is plain to me now;
For Jesus explains as I read,
And lines for me verses ne'er sung —
With manna my spirit they feed !
122 Oregon Literature
There 's such a bright light round the cross ;
And over the dark, stormy sea,
The friends who before me have gone
Are angels now waiting for me.
"Among the long ranks that they form
In Glory, my Savior there stands
With multitudes grand, who are saved,
And marking in beautiful bands;
'They're coming in thousands' with Him—
Those bright ones o 'er there can you see,
Whose luster illumines that throng?
Those 'angels are calling for me.'
"Those mansions and cities so fair
Are teeming with armies in white,
The courts will be empty of them —
'They're coming to me' in their flight;
'More coming!' Now 'Glory to God!'
' They stand by my bed. ' ' Can you see ? '
I 'm waiting ; yes, ' waiting ' ; because
Those ' angels are coming for me. ' ' '
ROSES AND LILIES.
The ruddy rose, amid the thorns
And leaflets green which she adorns;
Sustains her charm, preserves her grace,
And heavenward lifts her lovely face.
Although her rough companions pierce,
With lances keen and daggers fierce,
The rose unsullied lives and dies
As do the brave, the true, the wise.
And though in life one oft receives
A pang that sorely, sadly grieves,
'Tis sweet to know that roses bloom
Midst winds and rain and thorns and gloom.
In Memoriam
PROF. MCELROY'S GRAVE
Anonymous 123
From out their bosoms pure as snow,
The lilies of the valley grow ;
Their leaves are still ; their heads they bow,
As if to heaven they make a vow.
Since from the heart the actions grow,
A duty to ourselves we owe,
To do the right, and that in love,
Though fading here to bloom above.
The rose adds beauty to her thorns ;
The lily pastures green adorns ;
The world conceals its faults to please,
While innocence and lilies abound in the leas.
Aromas from these flowers unite.
And lure our prayers to yonder height,
Where mingling in sweet bliss and praise —
Enriching heaven through endless days.
Bloom on, bloom on, thou lily pale,
In meadow green and fertile vale;
Thine own soft colors give to thee
A tender look of modesty.
Blush on, blush on, thou ruddy rose;
Thy crimson face with beauty glows;
Pure symbol thou of a sinless breast,
Where truth and peace, like angels rest.
E. B. MCELROY.
Professor E. B. McElroy, who served three terms as
State Superintendent of Public Instruction of Oregon,
and held the chair of English in the Oregon Agricultural
College, also in the University of Oregon, died at his
home in Eugene, May 4, 1901, and was buried in the
Odd Fellow's Cemetery near Corvallis on the following
Sunday. On the ensuing Decoration Day a eulogy was
124 Oregon Literature
delivered before Ellsworth Post, G. A. R., of Corvallis,
from which the following extract was taken :
THE MCELROY EULOGY.
Near the home of Professor McElroy in the City of
Eugene, there is a neat church, built on a stone founda-
tion thickly studded with marks of pebbly white. Upon
approaching the building, however, the stones prove to
be ancient cemeteries, filled* with shells of animals which
lived long ago upon the shore of some forgotten sea ; and
here and there you may observe the traces left by the
waves, the tracks of birds that walked along the sand
one day, and the print of the leaf that fell and lay there.
Within a million years or more the shore hardened into
rock, and the rock like storied urn has held every trace
throughout succeeding centuries. In like manner will
be preserved the work of Professor McElroy, who has
been so active in the promotion of Oregon public schools,
doing those things and exerting those influences that
thousands of children now living and thousands of
children belonging to generations yet unborn will take
permanently into their lives.
What is taken into men's lives leaves its lasting im-
pressions—more enduring than time, more precious than
shell or leaf or templed stone ; for a useful life with its
hallowed influences goes forth in a thousand unseen
meanderings to the winds of the earth, forever and for-
ever. Yet the man is even greater than his influence or
his handiwork. The Bible reveals it, science teaches it,
experience proclaims it, the learned and unlearned be-
lieve it. Therefore, if the shell of an animal from the
palaces of the deep exist a thousand or a million years
to adorn a temple for a man to worship in that his life
may expand into a nobler, purer and more exalted char-
acter, how much- longer will survive that man of worth
and influence for whom the silent shell was created?
When the superstructure of the temple has decayed,
time and storm have worn away the historic foundation,
the shells have been exposed to view, have crumbled and
vanished forever, and man has forgotten even the edifice
Anonymous 125
where once multitudes assembled for worship, the en-
during work of the Oregon Educator will live and be
more beautiful as it grows to assume nobler proportions.
And centuries hence when the school house and the
chapel will have largely accomplished their mission, when
literature has winged her flight to the western shores of
America, and scholars have made classic the story of
Oregon, then teachers and sjtudents will make pilgrim-
ages to the shrine on yon little hill where a pathway will
be worn across the green to' the grave of him we love.
When the little oak which shelters that hallowed spot
shall have older grown, fallen and been forgotten, kind
hands will gently smooth the sod and plant a vine by the
grassy mound where we laid him. There amidst quietude
and pensiveness many a flower will be plucked as a
memento, and many a prayer breathed at the last resting
place of him who contributed his best endeavors to the
establishment of common schools ; and the pilgrims, when
they return to their homes, will resume their labors with
renewed determination to emulate the noble qualities
found in their fellow beings. Flowers will bloom as
beautiful and the birdsong be as gay, men build and
occupy, the earth swing through space as safely as if in
the hand of God, and the sun, moon and stars sustain
their glory then as now; but the undimmed lamp of
learning which our benefactor lifted to the Oregon school
house spire will shine with increasing effulgence and
with glory more resplendent, illuminating the pathway
of men, brightening their future and blessing their
labors; and the world ever changing, ever improving,
ever growing heavenly will be better for the life of this
educator, patriot and gentleman, who gave the choicest
within him for the betterment of mankind.
Sidney H. Marsh
A PLEA FOR RELIGIOUS INSTRUCTION IN
COLLEGES AND UNIVERSITIES.
(An extract from the inaugural address of Sidney H.
Marsh, President of Pacific University, Forest Grove,
Oregon. )
There is a necessity which neither profits nor pleasure
can satisfy, and for which all art and science are inade-
quate. It is this want that true and genuine learning
would seek to satisfy. We need, as rational and ac-
countable beings, surrounded by the fogs of sinful ignor-
ance, a light that shall dispel darkness. Lost like a
traveller amid the tangled jungles of tropical regions, we
need a guide to the mountain summits and the open
ways. We need a knowledge of ourselves and our cir-
cumstances, of men and things. We need the light that
investigations into the laws of language and laws of
thought may perchance give us. We need to know what
principles, and whence, have governed men in divers
countries and different ages, and under varied circum-
stances; perhaps from such a study of history we may
better know ourselves. These studies are indeed valuable
for other ends, but chiefly because they tend to satisfy the
craving thirst for knowledge, which our souls demand,
not for their pleasure, or temporary happiness, but for
their permanent well-being. I know that there is much
thought and intellectual activity which does not, and
cannot satisfy these spiritual cravings, which is a wander-
ing of the intellect to and fro in the earth without any
ascension above it. There is much acquisition that is not
true knowledge, much theorizing that does not really in-
crease the insight. The history of literary men is full
of evidence of misspent power, power misspent for the
great purposes of thought, though not uuiruitful per-
Sidney H. Marsh 127
haps in inferior, temporary and temporal good. We have
painful evidences of the unsatisfactoriness of thought
not rightly directed in minds delicately organized, where
the cause of need was perhaps obscurely felt, where the
insufficiency of all their efforts wrung tears and groans,
clothed though they were in the most lovely garb of
imagination and poetry. Such spirits have felt the in-
aptness of their own theories as an increase of their suf-
ferings and want. Their own thoughts have thus re-
turned to s1ing them, and driven like the daughter of
Inachus, they have sought in vain during a life of flight,
a Prometheus to reveal a future release from their suffer-
ings. Such have been many among the Germans, who
have spent a life in theorizing, and, although ever un-
satisfied with their own efforts, have still been compelled
to theorize right on. Such have been many among the
English, such, many among our own people, who like
Shelly and Keats, most sad examples, were "pard-like
spirits, beautiful and swift," who * ' Actaeon-like fled far
astray, and as they wandered o'er the world's wilderness,
their own thoughts along the rugged way pursued like
raging hounds their father and their prey." But such
misdirections of power, such consequent uselessness of
knowledge for all its higher ends, far from disproving
its spiritual purpose, indicate rather the connection,* the
dependence unon, the subservience of the intellect, con-
sidered as a faculty, to the spirit and its wants. For
without some spiritual initiative, all thought in the
higher departments has been ineffectual, and a life spent
in theorizing has produced no enduring results.
John Buchanan
VALUE OF FRIENDSHIP.
I care not for station, I care not for wealth,
I care not for honors nor fame ;
I pray for the blessings of freedom and health,
And friends that are worthy the name.
Friends that are loyal, friends that are true,
Till life's fitful journey shall end;
There's no other treasure, for treasures are few,
So dear as a true-hearted friend.
I fear not an enemy's vengeful attack,
I fear not the trouble he sends ;
With Truth for my armor and friends at my back—
A few loved, congenial friends.
A true friend's a treasure I value far more
Than treasures in nuggets or dust ;
Let others choose riches abundant in store,
I'm rich with a friend I can trust.
THE WILLAMETTE.
Let others incline to sing of the Rhine,
Or of Hudson's fairy dells;
I sing of a stream that flows on like a dream
To the tune of wedding bells.
For of all the streams ' neath the sun 's bright beams,
The Willamette is dearest to me,
Which springs from repose in a prison of snows,
And joyously bounds to the sea.
I hail with delight that river so bright,
Which cheerily flows along;
And ever the strain of a glad refrain,
I hear in its merry song.
Far dearest of all the rivers of earth,
Is that fair river to me,
And brightly it flows from the region of snows,
Till lost in the arms of the sea.
JOHN BURNETT
John Burnett
John Burnett came to Corvallis in 1858 ; was admitted
to the bar in 1860, since which time until his death (in
1900) he was actively engaged in his profession. He
was elected Presidential Elector in 1865 ; Associate
Justice of the Supreme Court of the state in 1874 ; ap-
pointed Judge of the Second Judicial District; and in
1878 he was elected Senator from Benton County. Judge
Burnett was a self-made man. Being a man of the
people he interested himself in all public enterprises,
local or general ; and it was a part of his creed to re-
ligiously guard alike the interests of the opulent and the
humble. Inclined to be strongly intellectual, he was
also very sympathetic; hence he easily enjoyed the dis-
tinction of being classed among the ablest public speakers
of the state, both as an advocate at the bar and as a
popular orator on other public occasions.
THE ALBANY ORATION.
(Extract from an oration delivered by Judge John Bur-
nett, at Albany, Oregon, July 4, 1878.)
Many trials and perils have environed the good ship
of state since she was first launched, bu^ each trial has
only served to show her strength and durability, and the
skill of her architects. The War of 1812 proved our
ability, in bur infancy, to cope with one of the first mili-
tary powers on the globe, and in the crowning victory at
New Orleans to defeat the men who afterwards at
Waterloo broke the military power of France and pros-
trated the great Napoleon at the feet of the British Lion.
In the war with Mexico we proved to the world our
ability to protect our citizens from insult, let it come
from what quarter it may, and conquered a peace by the
powers of American arms. The courage and heroism of
American soldiers as proven upon every battle field
130 Oregon Literature
from Vera Cruz to the City, of Mexico adds another
bright page to American history. The rebellion of 1861,
unjust and causeless as it was, was the greatest strain
upon our Government to whieh it had ever been sub-
jected. It was the crucial test, the sunken reef, upon
which has been wrecked every Republic that has pre-
ceded us.
When the war of 1861 first began, the crown-heads of
Europe clapped their hands in glee, and prophesied dire
calamity to the American Republic. They said to us,
"You cannot carry on a war. You have no army.
You can't make soldiers like Europe has." But on a
line of battle extending over a period of less ^han five
years, more than two million and a half of men had been
trained to the most efficient soldiery on the globe. Then
they opened their eyes and admitted that our people
made good soldiers.
General Sheridan said, on coming back from the great
battle of Sedan, that he saw no fighting equal to the
fighting of American citizens. When the war closed they
said, ' ' You have a vast army, that must be admitted, but
when you come to disband them you will have trouble.
They will carry the morals of the soldiers' camp into
your villages and towns, and you will have riots and
conspiracies." But two millions and a half of men
melted away from the battle— went as quietly as the
drops of snow in spring melt, and every flake turns to
working drops of dew that grasped the flower, the grass,
the vine, the shrub, the tree. There never has been one
riot, there never has been one conspiracy. We have never
had any difficulty whatever with our disbanded soldiery.
They have proved that, though having been brought up
in civil life, they were competent ^o perform military
services of the highest character, and then they all went
b'ack to citizenship again, and bore witness to the world
that they loved the duties of the citizen more than the
duties of the soldier.
Ah ! said Europe, you are still bound to be ruined by
your war, for notwithstanding you marshalled an army
in a few years from the private walks of life that in size
and efficiency was the wonder and admiration of the
John Burnett 131
world, and before which the armies of Xerxes, Hannibal
and Napoleon sink into insignificance, and notwithstand-
ing the fact that this great army was disbanded at the
close of a successful war and melted away among the
people from whence they came, leaving no trace of their
organization except the splendid victories they gained
and the magnificent peace they conquered, yet you have
got to pay a debt that will tax your people beyond all
endurance. Besides all this waste of life and expenditure
of property there is six thousand millions of dollars that
stands against you. Six thousand millions ! Your people
will never bear taxation.
What afe the facts? All of that debt that could be
reached has been paid, principal and interest, in gold
coin. Another thing connected with the late Civil War
that is hard for foreign nations to understand, is the
rapid restoration of good fraternal feelings between all
sections of the country, which has been going en ever
since the surrender at Appomattox, until now on this
day, the people will be gathered together in every city,
town and neighborhood in this broad land, from the
frozen regions of Alaska to the everglades of Florida,
and from the pine-clad hills of Maine to where rolls the
Oregon, to rehearse the story of the valor of a common
ancestry in the heroes of '76, and renew their devotion
to an unbroken and glorious union.
I join in that grand refrain and I am proud to lend
my voice to swell the anthem as it goes up to heaven
from thousands of throats of free men— ''Liberty and
union, now and forever, 0110 and inseparable." Such a
condition of affairs would be impossible under any other
form of government. At the close of the war there were
no attainders, no confiscations, no executions. The
President of the United Spates had enforced obedience
to the constitution and laws and the argument of the
great Webster in the United States Senate, in answer *o
Calhoun and Hayne, was as potent a weapon in pre-
serving the Union as the sword of General Grant.
All of these things should inspire us on this day above
all others with a more exalted idea and a more impas-
sioned devotion and faith in our country.
132 Oregon Literature
EXTRACTS.
The roar and smoke of battle fill the atmosphere and
Lexington, Concord and Bunker Hill announce that the
American Revolution is fully inaugurated. We pass on
a few years and the battle of Yorktown brings the strug-
gle for American independence to a successful close. The
genius of Washington ascends to the clear upper sky
to preside over the child of Columbus. Under his
guiding hand and influence the fruits of the War for
Independence were preserved and a government finally
framed that has excited the envy and admiration of the
whole world.
Seasons of sorrow make all the world akin and open
the fountains of the best feelings of the human heart.
We seldom think of the great event of death till the
shadow falls across our own pathway, hiding from our
eyes the faces of loved ones whose loving smile was the
sunlight of our existence. This severing of earthly ties
is the greatest trial we have in this life ; and as link
after link slips away from love's chain, we are led to feel
more and more that this is not our abiding place. There
are very few who can look around and say, "My heart's
treasures are all here."
With us the reign of the common people is supreme.
Public sentiment informed and instructed by an inde-
pendent, able and fearless press will correct as far as
possible the evils that afflict the body politic ; for though
1 ' She travel wi+h a leaden heel, she strikes with an iron
hand."
B. F. Irvine
THE MAST ASHORE.
Did the ship go down? What tale concealed
Of wreck and death, lies here with thee?
What hapless victims loud appealed
To Him for help that night at sea?
Did lightning bolts, and winds and waves,
In awful mood, the good ship beat —
Aye, beat till all on board found graves,
With billows for a winding sheet!
Did the ship go down? Perhaps her fate
Is told in phantom ship that oft
The ocean roves; her sails wide set,
And ghostly sailors staring 'loft
Where perching raven croaks of doom;
And hollow wail and storm-blown cry
Of help are heard through gathering gloom,
As though once more that night were nigh.
Did the ship go down ? Not e 'en her name
Is known. Nor those who sailed and died ;
Nor whither bound, nor whence they came,
Nor where in all the ocean wide
They went to doom. We know no more
Than this— this mutely told by thee—
They proudly sailed for distant shore,
And now they sleep beneath the sea.
Yes, the ship went down. All ships go down
When Time and Tide command. E 'en men
Who voyage life with hopes full-blown,
Go down. They sail a day, and then
The billow-beats of vice and strife
Unship the masts and sweep the decks,
Till beach that bounds the sea of life
Is strewn with melancholy wrecks.
134 Oregon Literature
THE FOUR-YEAR-OLD.
Red lips, curved with a roguish air;
Sun-tint curls like the cupids wear;
Eyes that laugh with a mischief rare,
And his face with gladness beaming.
Pockets crammed with his childhood toys ;
House upset with his endless noise;
Four years old, and a king of boys,
With his days in sunshine streaming.
Paints with mud on a spotless wall ;
Ties tin cans to the dogs that call ;
Wades the pond till, with slip and fall,
Little head and heels go under.
Pounds and bangs at a fastened door;
Scatters toys on a tidy floor;
Laughs out loud ere the prayers are o 'er,
And is chided for his blunder.
Marble slab in the churchyard lone;
Sleeping lamb on the silent stone;
Drooping flowers on the new mound strewn,
Where the four-year-old lies sleeping.
Childhood chair that the boy loved best ;
Empty shoe that the wee foot pressed ;
Anguished heart in a mother's breast,
As she sits beside them, weeping.
Neighbor boys loved the four-year-old;
Sit in tears when his fate is told;
Whisper low of the churchyard mold,
Where the playmate lost, lies sleeping.
Swing no more on the back-yard gate ;
Noisy tread of the boyish feet
Heard no more down the silent street,
Where the mother lone sits weeping.
MATTHEW P. DEADY
Matthew P. Deady 135
Each dark cloud has a lining bright;
Sweet morn dawns on the darkest night ;
Far up there, in the mystic light,
Is a scene for grief beguiling.
Eyes that laugh with a mischief bold ;
Fair head crowned with its curls of gold ;
Sweet boy face of the four-year-old,
Is from heaven's window smiling.
Matthew P. Deady
THE AMERICAN SETTLER.
The American settler was always animated— often it
may have been unconsciously— with the heroic thought
that he was pre-eminently engaged in reclaiming the
wilderness — building a home — founding an American
state and extending the area of liberty. He had visions,
however dimly seen, that he was here to do for this coun-
try what his ancestors had done for savage England cen-
turies before— to plant a community which in due time
should grow and ripen into one of the great sisterhood
of Anglo-American states, wherein the language of the
Bible, Shakespeare and Milton should be spoken by mil-
lions then unborn, and the law of Magna Charta and
Westminster Hall be the bulwark of liberty and the but-
tress of order for generations to come.
William P. Lord
EDUCATION.
(Extract from Governor William P. Lord's Message to
the Nineteenth Regular Session of the Legislative As-
sembly of Oregon.)
COMMON SCHOOLS.
The general diffusion of knowledge is the best guar-
anty of the stability of republican institutions. Their
safety and prosperity depend on the spread of knowl-
edge among the masses. The fact is now recognized that
intelligence in communities is essential to social progress
and political reform, is conducive to sobriety and in-
dustry, and serves to establish justice and promote the
public interests. As a means of disseminating intelli-
gence, our common schools are most active and potent
factors. There are no other instrumentalities compar-
able with them for the accomplishment of this object.
They seek to increase the general average of human in-
telligence by the education of the rising generation, and
in this way to elevate the citizen and strengthen the
state. The state cannot neglect its educational interests,
without loss of public intelligence and detriment to its
well being.
NORMAL SCHOOLS.
The object of the normal schools is to furnish teachers
for our common schools. The scope of their work in-
cludes special instruction in those branches of education
which are taught in the public schools, and thorough
training in the science of teaching. The effect of their
work, when successfully prosecuted, is to increase the
usefulness of the teacher and elevate the standard of
our public schools. Our normal schools are a useful
and indispensable adjunct to our common school system.
William P. Lord 137
AGRICULTURAL COLLEGE.
It is the life and prosperity of our country to keep
up and maintain its institutions, dedicated to the work
of education in all its departments, to their utmost ef-
ficiency, although it may require some expenditure of
the public revenue. Our people, to a large extent, are
engaged in agricultural and industrial pursuits. A
sound, practical education along the lines of these
callings or vocations is a need of our people, and its
benefits to the state cannot be overestimated. To fill
this want is the object of our Agricultural College, in
our educational system. Its chief end and aim is to give
its students a thorough agricultural and mechanical
training, as' distinct from college or university courses.
It is a different education in its practical results from a
university education, but is not in conflict with it. In
this age when so many industrial projects require
mechanical or scientific education for their management,
the Agricultural College affords excellent opportunities
for acquiring such an education.
UNIVERSITY.
There are those who think our University should not re-
ceive financial support, while there are others who think
it is bad policy and worse economy to withhold from it
any needed aid. It is no doubt true that taxation is for
the general benefit, and that objects of f its fostering care
should conserve the public good. But the fact that com-
paratively few can enjoy the University's advantages
is not conclusive that its benefits are not for the public
welfare. If the University is an essential part of our
educational system, in conducing to the progress and
development of our state, and to the prosperity and in-
tellectual greatness of the people, it is of general benefit
and entitled to receive public support. The University
aims to furnish such an education as will enable those —
always the few— who possess the requisite abilities, to
become useful citizens and leaders of thought in the pro-
fessions, in statesmanship, in the various branches of
learning, in philanthrophy, and works of charity, in pro-
138 Oregon Literature
moting industrial projects and conducting commercial
enterprises, and in devising methods for the moral and
political advancement of the people. Its existence is due
to recognition of the fact that the state needs captains
in every department of life, affecting human happiness
and welfare, and that, as a means to this end, it should
provide an institution whose course of study would lay
the foundation to supply them.
S. F. Chadwick
A MAY DAY IN OREGON.
Nature smiling through her rills, streams, hills, valleys
and mountains, greets us this morning and welcomes us
to partake of her bountiful hospitality. How beautiful
she is. Clothed in her attractive habiliaments of spring -,
in her tender, strong, but gracious reproduction of every-
thing in her kingdom for the sustenance of man. Here
are flowers of every hue and description, filling the air
with fragrance; the woods and forests are made attrac-
tive by the shrill notes of nature's sweet songsters.
Spring, in all her beauty, like hope in its innocent full-
ness, charms as it possesses us, filling us with the promise
of offerings the mind craves, and bespeaks the approach
of an abundant harvest for our physical well-being; a
season of plenty for the husbandman, his fields, flocks
and herds ; a season in which, .wilh a light heart, he may
go forth to the hills, valleys and fields and welcome this
plenteous outpouring from the liberal hand of the Great
Giver of all things.
Samuel A. Clarke
Samuel A. Clarke, author of the following poems,
arrived in Oregon, from Ohio, in 1850. He edited the
Oregonian during the last year of the war. He pub-
lished the Salem Statesman in '68; after disposing of
his interest in that journal, he purchased the Willamette
Farmer in company with D. W. Craig. He now lives
in Washington, D. C. The Native Son Magazine once
said of Mn Clarke: "Since '62 he has commanded an
enviable reputation as a writer. Hris descriptive articles
have received highest praise, his articles on history un-
excelled, and his verse liked by all who care for rhyme. ' '
LIFE.
There's nothing sadder than the years
That have no useful trend;
There's naught that weakens like the tears
The heart cannot defend;
There's nothing fainter than the hope
That has no polar star,
Nor narrower than must be the scope
That reaches out too far.
The springtime's bud will end in bloom,
Will burst and be the rose;
The early summer's rare perfume
Is born of winter snows.
The harvest-time's uncounted wealth—
The autumn's bend of fruit—
Teach how the winter works by stealth
When nature seems so mute.
And ever, as the dawning glows,
The morning star grows dim
Beside the ray the sun god throws
Across the mountain's brim.
140 Oregon Literature
We lose the lesser in the great—
The day is fairly won
When all the heaven, consecrate,
Worships the risen sun.
By love and faith, and hope and light,
The bud, the leaf, the flower—
The winter's trust, the spring's delight,
The summer's fruiting hour—
These make the full and rounded year,
And years make life supreme,
Through which we know the smile, the tear ;
To sow, to reap, to dream.
BY THE WAYSIDE.
I gathered some weeds by the wayside—
Weeds that had blossomed to flowers-
Sweet clovers, late daisies and goldenrods—
New bathed by the midsummer showers :
As I did it the flash of the lightning
Lent its glow to the evening hours.
I grouped them with red of the clover
Contrasting with daisies white;
The goldenrod's glow bending over
Like flashes of lightning flight;
Any eye then could discover
They made a bouquet of delight.
What then to do with this bloom-life,
Thus gathered by idling hands7?
In the great city halls was a fair one
Sat waiting for fate's commands ;
I gave them to her, and she twined them
In the midst of her sun-gold bands.
They had beauty enough mid the stray ings
That grew by the tangled wayside;
They shone with bright look as the playings
And flashes of lightnings betide;
But twined in her tresses betrayed there
The charm of her own grace and pride.
Samuel A. Clarke 141
The fragrance and bloom of the wildwood
Have ever known charm for us all ;
The wandering footsteps of childhood
May gather them ere they fall ;
But supremer graces of womanhood
Hold even the wild flower in thrall.
SNOW DROP MEMORIES.
It was on the twenty-third of February, 1892, the fortieth
anniversary of our wedding1 day. that I came from the orchard
and having1 staid at the old home over night, started to go to
Portland, at early day, when I saw, under the 'bay window, a
bunch of snow drops in bloom, that had been planted "by my
wife many years "before. She had been dead three years. I
gathered several and that evening, as retiring at the Esmond,
I sat on the -bed's edge and wrote the following verse:
Years, many a one,
Have come and gone :
Their fears, their hopes have sped :
Since in life's down,
In yonder town,
With holy vows we wed.
Our hopes were high
As she and I
Made home upon this hill:
In sunny hours
She planted flowers.
That tell me of her still.
As March winds sweep
Her snow drops peep
Through drifts of fallen leaves:
They love to bloom
When winter's gloom
Is nursing harvest sheaves.
Does she who trod
This garden sod
To tend the tiny flower,
Transplanted to
Scenes ever new
Forget her evening hour?
142 Oregon Literature
iTie city's hum
Since then has come—
It climbs the hill today:
Our young have flown —
They seek their own :
My locks are turned to grey.
The old home spot
Is near forgot—
'Tis lonely; she's not here;
But snow drops still
Bloom on the hill
As March winds bring them cheer
Soon hyacinths
And tulips tints
Of purple, pearl and gold,
On this parterre
Will grace confer
And all spring's hues unfold.
And, later still
The daffodil,
The lilac, and the rose,
Will— one by one—
To warmer sun
Give greeting : But who knows,
If that fond hand,
At whose command
This spot to beauty grew,
In fairer sphere
Than we know here,
Tends flowers earth never knew.
Lischen M. Miller
THE HAUNTED LIGHT.
AT NEWPORT BY THE SEA.
Situated at Yaquina, on
the coast of Oregon, is an
old, deserted lighthouse.
It stands upon a prom-
ontory that juts out di-
viding the bay from the
ocean, and is exposed to
every wind that blows.
Its weather-beaten walls
are wrapped in mystery.
Of an afternoon when the
fog comes drifting in from
1 he sea and completely en-
velopes the lighthouse and
then stops in its course
as if its object had been
attained, it is the lone-
liest place in the world.
At such times those who
chance to be in the vicin-
ity hear a moaning sound
like the cry of one in pain,
and sometimes a frenzied
call for help pierces the
death-like stillness of the
waning day. Far out at
sea, ships passing in the
night are often guided in
their course by a light
that gleams from the lan-
tern-tower where no lamp
is ever trimmed.
144 Oregon Literature
In the days when Newport was but a handful of
cabins, roughly built, and flanked by an Indian camp,
across the bar there sailed a sloop, grotesquely rigged
and without a name. The arrival of a vessel was a rare
event, and by the time the stranger had dropped anchor
abreast the village the whole population were gathered
on the strip of sandy beach to welcome her. She was
manned by a swarthy crew, and her skipper was a
beetle-browed ruffian with a scar across his cheek from
mouth to ear. A boat was lowered, and in it a man
about forty years of* age, and a young girl, were rowed
ashore. The man was tall and dark, and his manner
and speech indicated gentle breeding. He explained
that the sloop's water casks were emnty, and was di-
rected to the spring that poured down the face of the
yellow sandstone cliff a few yards up the beach. Issu-
ing instructions in some heathenish, unfamiliar tongue
to the boatmen, he devoted himself to asking and an-
swering questions. The sloop was bound down the coast
to Coos Bay. She had encountered rough weather off
the Columbia River bar, and had been driven far out of
her course. To the young lady, his daughter, the voyage
proved most trying. She was not a good sailor. If,
therefore, accommodations could be secured, he wished
to leave her ashore until the return of the sloop a fort-
night later.
The landlady of the "— ' had a room to spare,
and by the time the water casks were filled, arrangements
had been completed which resulted in the transfer of the
fair traveler's luggage from the sloop to the "hotel."
The father bade his daughter an affectionate adieu, and
was rowed back to ihe vessel, which at once weighed
anchor and sailed away in 1he golden dusk of the sum-
mer evening.
Muriel, that was the name she gave, Muriel Trevenard,
was a delicate-looking, fair-haired girl still in her teens,
very sweet and sunny-tempered. She seemed to take
kindly to her new environment, accepting its rude in-
conveniences as a matter of course, 1 hough all her own
belongings testified to the fact that she was accustomed
Lischen M. Miller 145
to the refinements and even luxuries of civilization. She
spent many hours each day idling with a sketch block
and pencil in the grassy hollow in the hill, seaward from
the town, so well known to pleasure-seekers of today, or
strolled upon the beach or over the wind-swept uplands.
The fortnight lengthened to a month and yet no sign
of the sloop, or any sail rose above the horizon to
southward-
" You've no cause to worry," said the landlady.
"Your father's safe enough. No rough weather since
he sailed, and as for time— a ship's time is as uncertain
as a woman's temper, I've heard my own father say."
"Oh I am not anxious," replied Muriel, "not in the
least."
It was in August that a party of pleasure-seekers came
over the Coast Range and pitched their tents in the
grassy hollow. They were a merry company, and they
were not long in discovering Muriel.
"Such a pretty girl," exclaimed Cora May, who was
herself so fair that she could afford to be generous. "I
am sure she does not belong to anybody about here. We
must coax her to come to our camp."
But the girl needed little coaxing. She found these
light-hearted young people a pleasant interruption, and
she was enthusiastically welcomed by all, young and old
alike. She joined them in their ceaseless excursions, and
made one of the group that gathered nightly around the
camp fire. There was one, a rather serious-minded
youth, who speedily constituted himself her cavalier. He
was always at hand to help her into the boat, to bait her
hook when they went fishing, and to carry her shawl,
or book or sketch block, and she accepted these attentions
as she seemed to accept all else, naturally and sweetly.
The Cape Foulweather light had just been completed,
and the house upon the bluff above Newport was de-
serted. Some members of the camping party proposed
one Sunday afternoon that they pay it a visit.
"We have seen everything else there .is to see," re-
marked Cora May.
"It is just an ordinary house with a lantern on top,"
146 Oregon Literature
objected Muriel. "You can get a good view of it from
the bay. Besides it is probably locked up."
"Somebody has the key. We can soon find out who,"
said Harold Welch. "And we haven't anything else
to do."
Accordingly they set out in a body to find the key.
It was in the possession of the landlady's husband who
had been appointed to look after the premises. He said
he had not been up there lately, and seemed surprised
after a mild fashion that any one should feel an interest
in an empty house, but he directed them how to reach it.
' l You go up that trail to the top of the hill and you '11
strike the road, but you won't find anything worth
seeing after you get there. It aint anywhere like the
new light."
With much merry talk and laughter they climbed the
hill and found the road, a smooth and narrow avenue
overshadowed by dark, young pines winding along the
hill-top to the rear of the house.
It stood in a small enclosure bare of vegetation. The
sand was piled in little wind-swept heaps against the
board fence. There was a walk paved with brick, lead-
ing from the gate around to the front where two or
three steps went up to a square porch with seats on
either side. Harold Welch unlocked the door, and they
went into the empty hall that echoed dismally to the
sound of human voices. Rooms opened from this hall-
way on either hand and in the "L" at the back were
the kitchen, storerooms and pantry, a door that gave
egress to a narrow veranda, and another shutting off
the cellar. At the rear of the hall the stairs led up to
the second floor, which was divided like the first into
plain, square rooms. But the stairway went on, winding
up to a small landing where a window looked out to
northward, and from which a little room, evidently a
linen closet, opened opposite the window. There was
nothing extraordinary about this closet at the first
glance. It was well furnished with shelves and drawers,
and its only unoccupied wall space was finished with
a simple wainscoting.
"Why," cried one, as they crowded the landing and
Lischen M. Miller 147
overflowed into the closet, ' ' this house seems to be falling
to pieces. ' ' He pulled at a section of the wainscote and
it came away in his hand. "Hello! what's this? Iron
walls ?"
"It's hollow," said another, tapping the smooth black
surface disclosed by the removal of the panel.
"So it is," cried the first speaker. "I wonder what's
behind it? Why it opens!" It was a heavy piece of
sheet iron about three feet square. He moved it to one
side, set it against the wall, and peered into the aperture.
"How mysterious!" exclaimed Muriel, leaning for-
ward to look into the dark closet, whose height and
depth exactly corresponded to the dimensions of the
panel. It went straight back some six or eight feet and
then dropped abruptly into what seemed a soundless
well. One, more curious than the rest, crawled in and
threw down lighted bits of paper.
"It goes to the bottom of the sea," he declared, as he
backed out and brushed the dust from his clothes. "Who
knows what it is, or why it was built?"
"Smugglers," suggested somebody, and they all
laughed, though there was nothing particularly ^humor-
ous in the remark. But they were strangely nervous
and excited. There was something uncanny in the at-
mosphere of this deserted dwelling that oppressed them
with an unaccountable sense of dread. They hurried
out, leaving the dark closet open, and climbed up into
the lantern-tower where no lamp has been lighted these
many years.
The afternoon, which had been flooded with sunshine,
was waning in a mist that swept in from the sea and
muffled the world in dull grey.
"Let us go home," cried Cora May. "If it were clear
we might see almost to China from this tower, but the
fog makes me lonesome."
So they clambered down the iron ladder and descend-
ing the stairs, passed out through the lower hall into the
grey fog. Harold Welch stopped to lock the door, and
Muriel waited for him at the foot of the steps. The
lock was rusty, and he had trouble with the key. By
148 Oregon Literature
the time he joined her the rest of the party had dis-
appeared around the house.
"You are kind to wait for me," said he, as they
caught step on the brick pavement and moved forward.
But Muriel laid her hand upon his arm.
"I must go back," she said. "I— I— dropped my
handkerchief in— the— hall upstairs, I must go back and
get it"
They remounted the steps, and Welch unlocked the
door and let her pass in. But when he would have fol-
lowed, she stopped him imperiously.
"I am going alone," she said. "You are not to wait.
Lock the door and go on. I will come out through the
kitchen." He objected, but she was obstinate, and,
perhaps because her lightest wish was beginning to be
his law of life, he reluctantly obeyed her. Again the
key hung in the lock. This time it took him several
minutes to release it. When he reached the rear of the
house Muriel was nowhere to be seen. He called her
two or three times and waited, but, receiving no reply,
concluded that she had- hurried out and joined the rest,
whose voices came back to him from the avenue of pines.
She had been nervous and irritable all the afternoon,
so unlike herself that he had wondered more than once
if she were ill, or weary of his close attendance. It oc-
curred to him now that possibly she had taken this means
to rid herself of his company. He hurried on, for it was
growing cold, and the fog was thickening to a rain. He
had just caught up with the stragglers of the party, and
they were beginning to chaff him at being alone, when
the sombre stillness of the darkening day was rent by a
shriek so wild and wierd that they who heard it felt the
blood freeze suddenly in their veins. They shrank in-
voluntarily closer and looked at each other with blanched
cheeks and startled eyes. Before anyone found voice
it came again. This time it was a cry for help, thrice
repeated in quick succession.
"Muriel! Where is Muriel?" demanded Welch, his
heart leaping in sudden fear.
' ' Why you ought to know, ' ' cried Cora May. ' ' We left
her with you,"
Lischen M. Miller 149
They hurried toward the deserted house.
"She went back to get her handkerchief," explained
Welch. ' ' She told me not to wait, and I locked the door
and came on."
"Locked her in that horrid place? Why did you do
it ?" 'exclaimed Cora, indignantly.
' ' She said she would come out by way of the kitchen, ' '
replied he.
"She could not. The door is locked, and the key is
broken off in the lock, ' ' said another. ' ' I noticed it when
we were rummaging around in there."
They began to call encouragingly, ""Muriel, we are
coming. Don't be afraid." But they got no reply.
"Oh let us hurry," urged Cora, "perhaps she has
fainted with fright."
In a very few minutes they were pouring into the
house and looking and calling through the lower rooms.
Then upstairs, and there, upon the floor in the upper
chamber, where the grey light came in through the un-
curtained windows, they found a .pool of warm, red
blood. There were blood drops in the hall and on the
stairs that led up to the landing, and in the linen closet
they picked up a blood-stained handkerchief. But there
was nothing else. The iron door had been replaced, and
the panel in the wainscote closed, and try as they might,
they could not open it. They were confronted by an
'apparent tragedy, appalled by a fearful mystery, and
they could do nothing. They returned to the village
and gave. the alarm, and re-enforced, came back and re-
newed the hopeless search with lanterns. They ran-
sacked the house again and again from tower to cellar.
They scoured the hills in the vain delusion that she
might have escaped from the house and wandered off in
the fog. But they found nothing, nor ever did, save the
blood drops on the stairs and the little handkerchief.
"It will be a dreadful blow to her father," remarked
the landlady of the " - - . " " I don 't want to be the
one to break it to him." And she had her wish, for
the sloop nor any of its crew ever again sailed into
Yaquina Bay. As time went by, the story was forgotten
by all but those who joined in that weary search for the
150 Oregon Literature
missing girl. But to this day it is said the blood-stains
are dark upon the floor in that upper chamber. And
one there was who carried the little handkerchief next
to his heart till the hour of his own tragic death.—
Pacific Monthly Magazine.
Geo. L. Curry
TROUBLE.
With aching hearts we strive to bear our trouble,
Though some surrender to the killing pain;
Life's harvest fields are full of wounding stubble,
To prove the goodness of the gathered grain.
With aching hearts we struggle on in sorrow,
Seeking some comfort in our sorest need;
The dismal day may have a bright tomorrow,
And all our troubles be as "precious seed."
As precious seed within the heart's recesses,
To germinate and grow to fruitage rare,
Of patience, love, hope, faith and all that blesses,
And forms the burden of our daily prayer.
With aching heart we cling to heaven's evangels,
The beautiful, the good, the true, the pure,
Communing with us always like good angels,
Tp help us in the suffering we endure.
Indeed, to suffer and sustain afflictions
Is the experience which we all acquire;
Our tribulations <ire the harsh restrictions
To consummations we so much desire.
With aching hearts life's battle still maintaining,
The pain, the grief, and death we comprehend,
As issues we accept without complaining,
So weary are we for the end.
Alas! so weary, longing for the ending,
For that refreshing rest— that precious peace,
That common heritage, past comprehending,
When all the heart-aches shall forever cease.
Dr. Thomas Condon
~ Of all men Dr. Thomas Condon, author of "The Two
Islands, ' ' has without doubt accumulated the largest
fund of information touching the geology of Oregon.
For a third of a century and more this apostle of science
has been steadily exploring mountain and valley and
plain gleaning knowledge, and has traversed every Ore-
gon shore, examining the old sea-banks for the strata
that lie one above the other like so many unfolded
scrolls— scrolls on which strange things have been
written by an unseen hand— age-marked scrolls which
speak of the works and show the finger prints of Father
Time. As a reward of patient research science has re-
vealed to this student of nature the marvelous story of
Oregon reaching back countless centuries before the land
was visited by man. And the narrative, scientific but
simple, has been produced in a volume in a style that
appeals alike to the learned and to the unlearned ; young
and old. Only in the one book is it given; but it is
told so fully, it is safe to assert, one's knowledge of Ore-
gon cannot be said to be complete till he has read the
story of "The Two Islands" as written by Doctor
Condon.
THE DEVELOPMENT THEORY.
AN EXTRACT.
But a few years ago light, heat, electricity, chemical
reactions and mechanical motion were supposed to be
due to entirely separate acts of creation. It is now
clearly seen that these and other physical forces are
only separate links of one chain of underlying natural
force. It is demonstrated, that nothing of this under-
lying force is ever wasted. The motion of a mill, of an
arm, of a steam engine, occurs because heat or some
other link of the chain is changed into motion. The
152 Oregon Literature
motion thus created expands itself by becoming again
heat or electricity or some other form of the same chain
of forces. Nothing of all this is now made or destroyed,
not even wasted.
These things are now the commonplace facts of sci-
ence. The natural effect of them on human thought
would be, that whereas we once thought God creaccd
light alone, we now know he must have created a wider
fact of which light is only a part. And with scientific
Christians this was the only effect the change produced.
Would that it had been left to this !
How this view of the truth could lessen anyone's
adoring reverence of the Infinite Source of all this wider
force and pro founder power is difficult to understand ;
that it should carry with it a tendency to atheism is in-
credible, for somewhere in the long chain of sequences
the Creator's power must come in. The normal effect
upon our belief would be expressed by such a statement
as this: "I once believed God created a small fact] I
now see he must have created a whole system of facts
at once."
This tendency to wider, more generalized facts is the
one characteristic of recent scientific experiments. Our
thoughts must be adjusted to this current of things if
we would keep our theology a working power among men.
Still more plainly is this wider generalization marked
in the domain of chemistry. In chemistry, as in other
departments of science, experiments continually reveal
other and wider facts and forces underlying our surface
ones.
The discoveries of late years through the use of the
spectroscope have added greatly to this conviction. These
show that the distant stars are composed of chemical
elements like those of our own earth. This certainly
gives one a sufficiently generalized idea of the nature of
the materials out of which sun, moon and planets are
made. If we consider these materials as we find them
in the rocks around us. we shall find evidence enough of
development from single elements to complex combina-
tions.
As a surface fact nothing can be more simple than a
Henry H. Woodward 153
piece of chalk, yet if you examine it closely you will
find its simplicity to vanish and in the place of that
simplicity a most complex combination of chemistry, his-
tory and mineralogy. It tells of the lowly life of a
company of animals existing in the deep regions of the
ocean, milleniums ago, extracting the carbonate of lime
from the waters around them and through the wonderful
chemical forces of life converting this lime carbonate
into bony skeletons which on the death of the animals
were consigned to the deep oozy bed of the ocean to
become chalk. It tells of a subsequent elevation of tnis
ancient chalk bed into a mountain mass of a neighboring
continent. How far from simple, either in time, in place
or in chemistry, is this strange mixture of rock and of
history !
Yet you may say of this piece of chalk, ' * God created
it." So he did, but how? Evidently by a long process
of development from simpler elements of time, force and
material, to what you now find it.
i
Henry H. Woodward
Near where the Umpquas meet, "the veteran soldier-
poet," Henry H. Woodward, has pitched his tent and
sung his song. Quiet, homelike and peaceful are his
haunts; sweet, tender and serene his song. A half
century of travel and war and touch with men rings in
the "Lyrics of the Umpqua." The spirit of his song is
love and friendship and religion as influenced by the
land and the sea ; and he records a memorial to many a
friend who lives in poetry but not in the history of men.
It is true that he is neither a Shakespeare, a Milton, nor
a Byron, but his writings prove to us that he has a good
heart, that he upholds the right, and speaks a cheery
word to every fellow traveler ; hence we sit down content
edly under his melodies, little regarding the strain of his
song or the march of its music.
Mrs. S. Watson Hamilton
On taking up a volume of Byron, the careful reader
will feel that the author had chosen Edmund Spenser
as his model. And while some of the proofs for his
opinion may be so subtle as to baffle analysis, yet the
inevitable conclusion will the that he is correct. So, in
reading "The Angel of the Covenant" for the first time,
the reader will feel that the authoress has taken Milton
as her model, developed a theme, and then written the
book with her Bible on her knee. "The Angel of the
Covenant" is probably the longest religious epic written
in Oregon. The peculiar nature of the subject and
the lengthy treatment given it has destined the poem
to resemble the "Paradise Lost," in that its number of
admirers will probably exceed its number of readers. It
is not at all presumptuous to assert that the poem will
live a century ; hence it must be a satisfaction to believe
that one's writings will go on preaching some immortal
truth to the children of men long after the author has
finished her work.
Throughout the poem Mrs. Hamilton deals with stern
religious truths as eloquent facts, and exhibits a de-
votional spirit directed by that wisdom that comes from
philosophy and interpretation; her poems are therefore
intellectual. She rarely alludes to nature, but, if she w,ere
to enjoy a bouquet of flowers, she would revel in their
variety, arrangement and beauty, and be delighted with
their fragrance, which would be poetical; unconsciously
she might go a step further and ask why are they beau-
tiful. This would still be poetical. But when she begins
to analyze their aromas to ascertain the kinds and the
proportion of each that pleases her she enters a realm
of investigation which causes most minds to think so
intensely that the heart loses its opportunity to feel.
E. S. McComas 155
Hence, at times the poem becomes somewhat metaphysi-
cal, and consequently appreciated by those who read it
more as mental than as spiritual food. It is worthy of
a place on the center table of every Oregon home where
religious thought is given.
E. S. McComas
THE OLD PIONEERS.
They have come from the valley, and from the mountains
down,
They are gathered from the country, from the city and
the town,
They came to swap reminiscences of time now on the
wane,
Of the anxious months of dangers, of ''the trip across
the plains."
Their ranks are getting thinner and their forms are
bending low,
Their eyes are growing dimmer and their locks are white
as snow,
Give them every comfort, tho ' they carry well their years,
They are grand old men and women, these "Old Pio-
Let their annual reunions continue ever on
Until the last old pilgrim among them is gone !
They have sown the golden wheat where the camas once
did grow,
And the palace car now follows the trail the pack mule
used to go.
The school house takes the place of the Indian "Wick-
eyup,"
And they who wrought the change deserve the "Golden
Cup."
Scatter flowers in their pathway, adown declining years,
They are grand old men and women, these "Old Pio-
neers. ' '
Blanche Fearing
All peoples have had their blind bards who gave the
world some message that was withheld from those "who
having eyes yet see not"; and we say this is a Homer
who inspired the soldiery of the world, or an Ossian who
made Scottish legends more precious, or a Milton who
"undertook what no man ought to have undertaken, and
did with it what no other man could have done"— de-
scribed heaven. It would be presumptuous to claim that
we have had either of these, but we have had a blind
poetess who like a comet swept suddenly across our orbit.
Her name was Lilian Blanche Fearing. No one knew
whence she came or whither she went ; but some time in
the quiet City of Rosburg she learned of a sleeping
infant and left these lines, which may be found in her
book entitled "The Sleeping World":
LET HIM SLEEP.
Oh, do not wake the little one,
With flowing curl upon his face,
Like strands of light dropped from the sun,
And mingled there in golden grace !
Oh, tell him not the moments run
Through life's frail fingers in swift chase!
' * Let him sleep, let him sleep ! ' '
There cometh a day when light is pain,
When he will lean his head away,
And sunward hold his palm, to gain
A respite from the glare of day;
For no fond lip will smile, and say,
"Let him sleep, let him sleep !"
B. J. Hawthorne 157
Hush! hush! wake not the child!
Just now a light shone from within,
And through his lips an angel smiled,
Too fresh from heaven for grief to win ;
Oh, children are God's undefiled,
Too fresh from heaven to dream of sin !
"Let him sleep, let him sleep !"
B. J. Hawthorne
UNIVERSAL EDUCATION.
When many people at the same time manifest great
interest in an object, a strong current of popular opinion
sets in towards that object— an irresistible current.
When the balance of ignorance in a community is greater
than the balance of knowledge, it is certainly time that
the current should be formed. Yes, even before the
community begins to suffer for want of knowledge.
The interest manifested in education by this country
is an indication of our high appreciation of 1he necessity
and benefits of schools. The schools are a power for
good. Whatever a citizen can do to aid popular educa-
tion, aids the development of the community in which
he lives ; aids it materially as well as spiritually.
I would beg leave to state tha4^ the moral and intel-
lectual welfare, that the material welfare of this mighty
Nation is in the hands of the school teachers — is depend-
ent upon the education of its citizens.
The safety of our republican and democratic form of
government will be found in universal education. It is
not enough to teach reading, writing, and arithmetic, but
philosophy, literature, aesthetes and higher culture in
all the branches of human knowledge. The foundation of
our educational establishment was laid on a rock near
the Atlantic— additions to the original have been built
until now it reaches the far-off Pacific. May the
structure rise and rise until it reaches heaven.
Jesse Applegate
AN EVENING ON THE PLAINS.
But time passes; the watch is set for the night, the
council of the old men has broken up, and each has re-
turned to his own quarter. The flute has whispered its
last lament to the deepening night. The violin is silent,
and the dancers have dispersed. Enamored youth have
whispered a tender "good night" in the ear of blushing
maidens, or stolen a kiss from the lips of some future
bride— for Cupid here as elsewhere has been busy bring-
ing together congenial hearts, and among these simple
people he alone is consulted in forming the marriage tie.
Even the doctor and the pilot have finished their con-
fidential interview and have separated for ihe night. All
is hushed and repose from the fatigues of the day, save
the vigilant guard, and the wakeful leader who still has
cares upon his mind that forbid sleep.
He hears the ten o'clock relief taking pest and the
"all well" report of the returning guard; the night
deepens, yet he seeks not the needed repose. At length
a sentinel hurries to him with the welcome report that
a party is approaching— as yet too far away for its char-
acter to be determined, and he instantly hurries out in
the direction seen. This he does both from inclination
and duty, for in times past the camp had been unneces-
sarily alarmed by timid or inexperienced sentinels, caus-
ing much confusion and fright amongst women and
children, and it had been made a rule, that all extra-
ordinary incidents of the night should be reported
directly to the pilot, who alone had the authority to call
out the military strength of the column, or so much of it
as was in his judgment necessary to prevent a stampede
or repel an enemy.
Tonight he is at no loss to determine that the ap-
proaching party are our missing hunters, and that they
Singer Hermann 159
have met with success, and he only waits until by some
further signal he can know that no ill has happened to
them. This is not long wanting. He does not even await
their arrival, but the last care of the day being removed,
and the last duty performed, he too seeks the rest that
will enable him to go through the same routine tomorrow.
But here I leave him, for my task is also done, and,
unlike his, it is to be repeated no more.
Binger Hermann
The following extract was taken from Binger Her-
mann's address upon "The Life and Character of the
Hon. Charles Crisp, Late Speaker of the House of Rep-
resentatives ' ' :
"Like the spire on some lofty cathedral seen at close
view, when neither its true height nor its majestic pro-
portions can be accurately measured, so is ex-Speaker
Crisp, in according to him his just place in history in so
brief a period after his death. His splendid life work
will shine forth in even greater luster as time goes on,
for then the mists which more or less obscure every active,
ambitious genius, surrounded by enmities and personal
antagonisms, will have faded away, and expose to view
the intrinsic worth and the perfect symmetry, the
strength and beauty of this well-balanced life. ' '
Again he says :
"The light of our friend was extinguished while it
was yet day— yea, at high noon. He was still in the
midst of his usefulness, and no premonition pointed out
the untimely end. The summons came, and the work was
done. It is difficult to realize thaf this is true. Do we
comprehend the uncertainty of life? Is it so frail? We
hear the answer in the expiring breath and see it in the
open grave. It leaves an admonition to us all: 'Do
thy work today; for thee there may be no tomorrow/
May we not hope that if not here there may be that to-
morrow in the celestial realms, 'in that temple not made
with hands, eternal in the hea,vens?' "
J. Quinn Thornton
Born March 24, 1810, near Point Pleasant, Mason
County, Virginia. With his parents he moved to Cham-
paign County, Ohio, in infancy. Educated at the Uni-
versity of Virginia, studied law, and admitted to prac-
tice. Removed to Palmyra, Marion County, Missouri, in
1835, where he taught school, practiced law, and for a
short time edited a political paper. March 8, 1833,
married Nancy M. Kogue at Hannibal, Missouri, end
removed to Quincy, Illinois, where he practiced law.
Came to Oregon in 1846. Judge of the Supreme Court
under the Provisional Government of Oregon. Was ap-
pointed by Governor Abernethy a commissioner to go to
Washington to urge upon Congress the necessity of
providing a territorial government for the Pacific North-
west, and drew up the bill extending the jurisdiction of
the United States over the Oregon country. Wrote a
book entitled "Oregon and California." Died in Salem
Sunday night, February 5, 1888, and buried in Lee
Mission Cemetery, where his body lies in an unmarked
grave.
A GRAVE IN THE WILDERNESS.
A humble grave was dug under the spreading boughs
of a venerable oak, and there the remains were followed
by a silent, thoughtful and solemn company of emigrants,
thus so forcibly reminded that they too were travelers to
that land ' ' from whose bourne there is no return. ' ' The
minister improved the occasion to deliver to us an im-
pressive sermon as we sat around that new-made grave
in the wilderness, so well calculated to impress upon the
mind the incalculable importance of seeking another and
better country, where there is no sickness and no death.
I had often witnessed the approach of Death; some-
times marking his progress by the insidious work of con-
sumption; and, at others, assailing his victim in a less
doubtful manner. I had seen the guileless infant, with
Prince L. Campbell 161
the light of love and innocence upon its face, gradually
fade away, like a beautiful cloud upon 1he sky melting
into the dews of heaven, until it disappeared in the blue
ethereal. I had beheld the strong man, who had made
this world all his trust, struggling violently with death,
and had heard him exclaim in agony, "I will not die."
And yet death relinquished not his tenacious grasp upon
his victim. The sound of the hammer and the plane have
ceased for a brief space ; the ploughman has paused in
the furrow, and even the schoolboy with his books and
safchel has stood still and the very atmosphere has
seemed to assume a sort of melancholy tinge, as the tones
of the tolling bell have come slowly, solemnly, and at
measured intervals upon the moveless air, and hushing
the mind to breathless thoughts that fain would know
the whither of the departed. But death in the wilderness
—in the solitude of nature, and far from 1he fixed abodes
of busy men— seemed to have in it solemnity that far
surpassed all this.
Prince L. Campbell
AN OLD VIOLIN.
0 quaintly-carved, grotesque old violin,
Than thee Cremona's shops no rarer prize,
Nor fairer masterpiece, e'er held within
Their ancient walls. Thy melodies arise
As soft as angels' harps heard through the skies.
The subtlest sw.eetness thou hast gathered in
From all thy sweetest notes, till now there lies
To thee the store of years, which thou didst win
By freely giving. So, I've thought, do men
From noble deeds the choicest blessing reap :
The sweetness given out returns again
Unto the giver, and the soul doth keep
A still increasing store as more is given,
Till; like thy notes, each thought seems sent from heaven.
Elwood Evans
THE OREGON REPUBLIC.
Penetrating the veil and looking behind, what do we
realize? Our fellow countrymen and women, few in
numbers, but steadfast in purpose, who had been for-
gotten by their government, yet neglect could not weaken
their loyalty and love. Submitting patiently to that
injustice, always true to birthright and origin, they
carried with them love of republican institutions, had
established, and upon that very day were successfully
administering, a government of the people, by 1he people.
Oregon already contained within it an infant republic.
Here was a thriving, loyal American commonwealth,
started by children of the great republican household,
who, though for a time discarded, had ever been ani-
mated with unabated zeal for the glory and grandeur of
their parent government.
When I contemplate this history, this undying devo-
tion to fatherland, this patriotic love of their native in-
stitutions. I know not which most to commend— their
implicit confidence in the title of their country to Oregon
which they never failed to assert on every proper oc-
casion, and so sure were they that it would be main-
tained, their patriotic avowal was that the government,
they constituted their trusteeship of the terrifory, should
only continue ''until such time as the United States shall
extend jurisdiction" — their signal and undying love for
republican institutions, breathing through every line of
the fundamental code of the government they founded;
or their eminent conservative wisdom as displayed in that
system, the laws enacted and their administration. How
truly
"Each man made his own stature, built himself;
Virtue alone outbids the pyramids,
Her monuments shall last when Egypt's fall. "
Henry S. DeMoss
SWEET OREGON.
(As sung by the DeMoss fiunilij, official song-writers of
the World's Columbian Exposition, Chicago, 1893.)
I'm thinking now of a beautiful land,
Oregon, Oregon;
With rivers and valleys and mountains grand,
Oregon, sweet Oregon;
From the mountain peak all covered with snow,
A swift crystal streamlet ever doth flow
By the home of my youth, which I shall adore,
Oh ! Oregon, my home.
Chorus —
Oh Oregon, sweet Oregon,
My native home, I long for thee;
My native home, I long for thee.
I think of the forests and the prairies wide,
Oregon, Oregon ;
The mines, the fish, and the ocean tide;
Oregon, sweet Oregon;
Where the mighty Columbia rolls down to the sea ;
And while the pines are echoing in the breeze,
Like a beautiful dream to my memory comes
Sweet Oregon my home.
I long to dwell in my mountain home,
Oregon, Oregon;
Away from thy vales I shall never roam,
Oregon, sweet Oregon ;
I sigh for thy bountiful harvest again,
Thy fruit and thy calm gentle rain ;
And thy pure, balmy air, which wafts freedom's best
song;
Oh ! Oregon, my home.
Rabbi Bloch
THE JEWISH MILESTONE.
Let us then reason: If the unfolded book of nature
has its inspiring lesson for a poet's invocation, how much
more should the mighty volumes written by the hand
of Providence invite us to profound contemplation?
Our Passover stands forth as the grandest milestone,
as the epoch that marks the starting point in the evolu-
tion of liberty. With the Passover, Egypt began the
early spring of humanity, ' still wrapped in the deadly
frost of slavery. Israel's departure from Egypt was
the starting point on the journey to Sinai, over whose
ideal peak that sun should rise, whose fire and light was
strong enough to melt every iron shackle and stamp every
man with the image of his Creator.
Whether celebrated on the shores of the Nile, or on
the hallowed banks of the Jordan, by a Joshua or Josiah,
in the days of exile on the Euphrates, or in the golden
era of the Maccabeans under conquering Rome, or .its
dissolution, whether crouched in dark ghettos or hunted
by intolerant mobs— the Passover remained our conse-
crated milestone, that inspires us to heroic endurance and
perseverance in the cause of truth, and the hopes of a
brighter dawn on the horizon of mankind. Passing over
the streams and mighty rivers of time, and from mile-
stone to milestone, set by grief or joy. it was +he ever-
cheering voice jof Israel's songs that drowned all sor-
row and aroused anew our vigor, marching to tempo of
time's tread, ever nearer and nearer to Israel's goal. The
old and withering walls of the middle ages began to
crumble into dust under the heavy stroke of the advanc-
ing age of reason. With every breach a new passageway
was made to the advanced hosts of humanitarians. The
Jew amongst them entered the cause dearest to him, and
Rabbi Block 165
on every battlefield he proved that the heroism of the
Maccabees was still abiding in his race.
The final glory, however, has not yet come. The battle
is still going on. Here and there and everywhere social
questions await its final solution. In the heat of the
combat strange revelations of human nature are brought
about. Amongst these, the old prejudice has concen-
trated itself in the opposition to Jewish freedom, hon-
estly won in the last 2000 years. But this, too, will suc-
cumb, and the last blot against mankind will be wiped
out. Meanwhile we must not desert Israel 's old camping
grounds. Our holy days must never degenerate into
mere feasting days. These must more than ever become
the high watch-towers from which to hail the sign of
ages, and from which shall float forever the old banner of
Judaism, cheering the old and the young, and summon-
ing the true and brave to the old song of the Passover:
"O give thanks to the Eternal, for He is good, for unto
eternity endureth His kindness."
Harrison R. Kincaid
WAR.
(Extract from an editorial upon the threatened war with
Chile.)
Man, in all ages, has been the most destructive and
turbulent animal on the globe. He has always delighted
more in excitement and war than in peace and the pur-
suits of learning, morality and harmonious development.
The world is one great field of carnage where the armies
of countless ages have marched to battle and where mil-
lions and hundreds of millions have been slain and their
bones strewn, layer upon layer, over every continent and
at the bottom of every sea. One war has followed an-
other, in regular succession, in all civilized and savage
nations, as one wave follows another over the ocean.
. . . The Lnited States has been the most peaceable,
intelligent and progressive nation of which history gives
any account. But the spirit of war, the rattle of drums,
the sound of bugles, the neighing of prancing steeds, the
clashing of steel, the roar of artillery and all the symbols
of war of ancient times thrill the hearts of the American
people far beyond any other passion or sentiment. The
spirit of war, which has desola'ed the earth in all ages,
is not dead but only slumbering in our people. We
have already had several wars during onr brief national
existence and may have many more. The people worship
warriors— great fighters— far more than they do the
greatest intellectual and moral giants the world has ever
produced. No man, however great he may have been
intellectually and morally, has ever been elected Presi-
dent of the United States over any kind of a military
hero. And no party or man has ever opposed a war in
this country, just or unjust, without having been swept
out of power by popular indignation.
J. Fred Yates
DAMON AND PYTHIAS.
(From an address delivered at Portland, Oregon, October
13,1898.)
As we dwell for a time upon the beautiful story of
Damon and Pythias we cannot but be benefited by its
recital, and derive new lessons from it which will actuate
our better motives toward each other, and toward our
fellow men, and give us new inspirations which we can
carry back with us into the practical affairs of life.
As we never tire of looking at the beautiful blendings
of color and tints of the rainbow, so we never grow
weary watching the weaving threads that wove the lives
of Damon and Pythias together; and as the rainbow
is not more beautiful than each separate color so not more
beautiful is the knitted web of these two characters than
is each separate thread of the web entwined around their
names.
Damon and Pythias— at the mention of the names
thought bounds backward and upward, and faith grows
warmer with the thrill of joyful memory. Theirs were
the examples of the highest types of simple fidelity, of
the virtues of princely natures, though found in private
spheres.
Hpw great a man may be who never sits on a throne,
nor emblazons a page of history, with his human glory
by simply doing his individual duty to God and to man.
To see others exalted without envy or jealousy, to devote
himself to generous deeds of true friendship, to be loyal
to others under all circumstances, to be faithful to God,
and Christ like to man, may perchance not gain for him
a niche in the galleries of the world's great heroes and
heroines, but it means true greatness and noble heroism.
Because of this the name of Damon will go down to
posterity as one of the greatest of profane or divine his-
168 Oregon Literature
tory, and will remain immortal in the records of time.
His was a princely nature without being a prince, and
he had the qualities of kingliness without being a king.
As we stand at the estuary of some river where its
mighty flood passes into the ocean, it often seems to us
that its current is actually reversed ; the tidal wave beats
strongly from the sea, and the superficial waves beat
upward from the stream. But down beneath the surface,
with unceasing flow, the true current of the river moves
steadily on. So it is with the principles displayed in the
lives of those who imitate the examples of Damon and
Pythias; the true current is ever flowing toward tho
right. In such lives we find the qualities of candor,
courage, confidence, loyalty, tenderness and unselfishness,
which grow into true nobleness and true manhood, until
character rises to the full zenith of greatness and power.
Rev. H. K. Mines
ASCENT OF MOUNT HOOD.
The following is the closing of an account of the
"Ascent of Mount Hood,'' made in July, 1866, by Rev.
H. K. Hines, D. D., author of Hines's History of Oregon.
The paper was prepared for the Royal Geographical
Society of London, by request of Sir Robert Brown^ of
Edinburg, Scotland, and was read before that society
which passed unanimously a resolution of thanks to Dr.
Hines, which was conveyed to him by letter with the
personal compliments of Sir Roderick Marchison, who
was then its president. It is given as a specimen of Dr.
Hines's descriptive writing:
Standing upon the summit of the mountains when the
ethereal brightness of the early northern summer was
spread over the landscape near and far, it was given me
to behold scenes that were their own and only parallel.
I am in despair, go where I may on earth, of finding
others like them. It was not the sublimity of the great
mountains alone, nor yet the altitude which lifted me so
high above the rolling, billowy breast of the great ranges
sleeping their rocky slumbers so far beneath my feet,
eastward, westward, southward and northward away to
the far and blue horizon. It was not the reaching in and
out of the* great glittering riverflow which cleft moun-
tain from mountain like a silver sea, and seemed ever
listening to the whispering forth and back of tempest
and lightning from pinnacle to pinnacle far above its
sleeping sweetness. It was all these, and much more,
aggregating and blending their sublimities in a creation
of indescribable grandeur before and below me. And
then, above, the sky seemed so near ! almost within touch
of my fingers. Where I had so often seen the clouds
wander on their airy journeys so far above was now as
far below. They were silver-flecked robes wrapping the
icy foot of the mountain, and I stood far on their sun-
170 Oregon Literature
ward side and gazed down on their shining broidery of
infinite brightness. And yonder, near a hundred miles
northward, the storm-king broke his clouds and dashed
his thunderbolts in harmless violence against the rocky
sides and icy glaciers of Mount Adams, whose peaks
glowed in unclouded light above the swift beat of the
storm. The hour was auspicious, as if chosen of God,
in which to greet the foo! steps of mortal where few but
the Immortal had ever trod before. It was a glorious
welcome to this colossal masterpiece of His creation.
Yonder, two hundred miles to the north, the huge,
rugged, inverted icicles of Mount Baker pierce the snowy
drifts fallen around their base, while in the intervals
between are deep ravines, vast gorges, and rude, craggy
peaks, as if the earthquakes had taken this whole western
world in their frenzied arms and tossed its mightiest
rocks in wild disorder across ihe plains. South, another
hundred miles, over the deep chasms of rivers, and the
dread blackness of vast lava-piles frozen into rocks by the
winter of ages, Diamond Peak seems almost a rival to
the mountain on which I stand. Eastward, in the fore-
ground, sweep far away the golden plains of the Des
Chutes, John Day and Umatijla Rivers, enframed within
the piney crests of the great Blue Mountain Range, a
hundred and fifty miles distant. On the west the ever-
green summits of the Coast Range cut clear against the
blue sky, with the Willamette Valley, unsurpassed in
beauty on the earth, a hundred miles in length, sleeping
in quiet loveliness at their feet. The broad, silver belt
of the Columbia, without a peer in grandeur and purity
on the continent, winds down through its bordering of
sunlit vales and shaded hills toward the ocean, which I
see blending with the blue of the horizon through the
broad vista between the lofty capes that sentinel its en-
trance to the sea, an hundred and fifty miles away. With-
in these almost measureless limits, which I had but to
turn upon my heel to sweep with my vision, was every
variety of vale and mountain, lake and. prairie, bold,
beetling precipices and gracefully rounded summits,
blending and melting into each other, and forming a
whole of unutterable magnificence.
Mrs. Harriet K. McArthur 171
Now, as often as thought recurs to the moment when I
stood upon that awful height, the same awe of the Infinite
God "who setteth fast the mountains, being girded with
power," comes over my soul. I praise Him that He gave
me strength to stand where His power speaks with words
few mortals ever heard, and the reverent worshippings of
mountains and soltudes seem ever nowing up to His
Throne.
Mrs. Harriet K. M'Arthur
SENATOR NESMITH AND HIS TUTOR.
Senator Nesmith always was passionately fond of
books, and, notwithstanding misfortune and hardship, at
that time exhibited much of the same high spirit and love
of fun and humor that he always retained. The tutor
he remembered most vividly was one Gregor MacGregor,
to whom he went to school one hundred and twenty days
and received one hundred thrashings. He admitted it
was the only school where he ever learned anything, and,
notwithstanding a genuine feeling of regard for his old
tutor, had vowed he would thrash him if he was ever
large enough. The time came, but he did not execute his
threat. In the year 1860, when Mr. Nesmith went to the
United States Senate, he journeyed into New England to
revisit the scenes of his early days. He went to see
his old tutor, and said, "Mr. MacGregor, I have always
intended thrashing you in return for your early cruelty
to me, and now I think I can do it." "Weel, Weel,
Jeems," said the auld Scot, "if I had given you a few
more licks you would have been in the Senate long before
Valentine Brown
Valentine Brown, of Portland, Oregon, has recently
written and published two volumes, ''Poems" and
''Armageddon," of which the latter is probably the
stronger book. The almost monosyllabic style of his
beautiful strain is illustrated in the following verses :
HELEN.
From a wide, wide sea, came a joy to me,
Came a tiniest, daintiest star,
And my quiet rooms its light illumes
With the fairest tints which are.
It is not a gleam from the land of dream,
Nor a star from the azure sky,
But a life and light, which day and night
Must either smile or cry.
'Tis a babe as sweet as one would meet
Where the babes of heaven be,
And this I know, but a month ago
From heaven she came to me.
Her joyous coo is a song anew,
And her wee cry moves my heart,
And the angels where all things are fair,
Must have sighed from her to part.
But she surely brought to my mortal lot
Heaven 's own sweet delight,
For I bend and kiss my little miss,
And she smiles with all her might.
George H. Himes
TWO HISTORIC PRINTING PRESSES.
George H. Himes, secretary of the Oregon His'crical
Society, has written:
The first printing press used by Americans on the
Pacific Coast was sent from Boston, Massachusetts, to
Honolulu, Hawaii, in 1819, by the American Board of
Commissioners for Foreign Missions (the Foreign Mis-
sionary Society of the Congregational Churches of the
United States), with type, fixtures, paper, etc., all to-
gether costing $450.00. It was used by the early mis-
sionaries at Honolulu for printing translations of differ-
ent portions of the Scriptures, hymns, etc. A brass
tablet upon the press bears the following inscription:
"A Ramage Patent Printing, Copying and Seal Press,
No. 4." Description: Height, twelve inches; length of
impression lever, two feet; platen, twelve by fourteen
and three-fourths inches-; bed, twelve and one-half by
sixteen and three-eighths inches ; length of track, thirty-
one inches ; size of largest sheet that can be printed upon
it, ten by fourteen inches. The press stands on a strong
wooden frame +hirty inches hierh, twenty-six inches wide
and thirty-seven and one-fourth inches Ions;, in the form
of a Roman cross. The impression is applied by means
of a screw instead of a compound lever. Speed probably
about one hundred and fifty impression per hour. The
American Board Mission in Honolulu sent the plant as
above noted to the American Board Mission in Oregon,
of which Dr. Marcus Whitman was the head, and it
arrived at Vancouver, on the Columbia River, about
April 10, 1839. It was transported by canoes and pack
animals to Lapwai, now in Idaho, as quickly as possible,
placed in position, and the first proof sheet struck off
on May 18, 1839. A dozen or more editions of portions
of the New Testament, primers, hymnbooks, etc., were
174 Oregon Literature
printed, and in 1847 it was removed to The Dalles.
Early the following year it was removed to the farm of
Rev. J. S. Griffin, near the present City of Hillsboro,
Washington County, Oregon, and used by Mr. Griffin in
printing a monthly magazine called The Oregon Ameri-
can and Evangelical Unionist, which was suspended after
eight issues. Years later Mr. Griffin presented the press
to the Oregon Pioneer Association, and through this
organization it came into the possession of the Oregon
Historical Society, and may be seen in the rooms of that
society in the City Hall, Portland, together with a num-
ber of the publications printed upon it.
The first newspaper on the Pacific Coast, The Oregon
Spectator, was issued February 5, 1846. The press and
type were brought to Oregon from -New York late in the
previous year by the Oregon Printing Association. The
press used was a Washington Hand Press, bed, twenty-
five by thirty-eight inches, and this is still in active ser-
vice in the office of the Oregon State Journal, Eugene, H.
R. Kincaid, proprietor. The Printing Association, above
alluded to, was composed of the following persons:
William G. T 'Vault, president; James W. Nesmith, vice
president (afterwards United States Senator) ; John P.
Brooks, secretary; George Abernethy, treasurer (he then
was the Provisional Governor of the Territory of Ore-
gon) ; Dr. Robert Newell, John E. Long, John H. Couch,
directors. The constitution of the Printing Association
was as follows:
"In order to promote science, temperance, morality
and general intelligence; to establish a printing press;
to publish a monthly, semi-monthly or weekly paper in
Oregon— the undersigned do herebv associate ourselves
together in a body to be governed by such rules and
regulations as shall, from time to time, be adopted by a
majority of the stockholders of this compact in a reg-
ularly called and properly notified meetiner. '
There were eleven "Articles of Compact." No. 8
says: "The press owned by or in connection wdth this
Association, shall never be used by any party for the
purpose of propagating sectarian principles or doctrines,
nor for the discussion of exclusive party politics. "
John Minto 175
William G. T 'Vault was the first editor, with a salary
of $300.00 per year. He resigned at the end of two
months. His successors were Henry A. G. Lee, George
L. Curry, Aaron E. Wait, Rev. Wilson Blain, D. J.
Schnebly, and C. L. Goodrich, in whose hands the paper
expired in March, 1855.
John Minto
A GRANGER'S LOVE SONG.
Come to the grange with me, lov<' .
Come to the farm with me,
Where the birds are singing and the flowers are springing.
And life is happy and free.
While the wheat grows in the field, love,
And the fuel is cut from the grove,
Neither want nor cold shall the night dreams haunt;
Only plenty and comfort and love.
Chorus—
Come to the grange with me, love, etc.
We'll build our home by the hill, love,
Whence the spring to the brooklet flows ;
On the gentle slope where the lambkins play
In the scent of the sweet wild rose.
Chorus—
In the labors, joys, and cares of the errange, love,
In shelter and shade of the grove,
Life's duties we'll meet in companionship sweet,
And there rest from our labors in love.
Chorus—
Narcissa White Kinney
DESCENT OF THE AVALANCHE.
We are told so often that it is wasted effort to try to
reform the world or any portion of it. Especially is this
said in reference to the temperance reiorm. The drink
habit is such an ancient habit! The liquor traffic is so
fortified by appetite and wealth and politics, which they
tell us nothing can destroy.
Do you see those rocks upon that mountain side?
Rocks hoary with age! Seemingly strong as steel and
firm as adamant. Before man was, they were! Can
they ever be removed? But see again! God's agencies
are at work. Just a flake of snow, a drop of rain, and
God's hoary frost. Then another drop and another
flake — and another and another; months pass, years
pass. The rock remains, but the glacier grows. And
now see again! A new agency has been at work— God's
golden sunbeam, until at length that mass of icy snow
stands so nicely poised that it only requires the flutter
of an eagles wing to send it down a thundering avalanche
—and every jutting crag and every opposing rock is
only a crushed and mangled mass at the bottom of the
precipice !
(Can the liquor traffic ever be destroyed! For years
past God's agencies have been at work. A demonstra-
tion in a laboratory, a lesson in a public school, a lecture
on a public platform, a written page, a printed column !
Saloons go on. Patrons throng their doors. None
notice the ever increasing multitude who are total ab-
stainers. Few note the fact that yearly the drinking
man is outlawed by all business firms. Few hear the
tread of the youthful feet— keeping time to the music of
"Alcohol a Poison, a Poison"; "Saloons Must Go-
Saloons Must go." But the avalanche is growing and
E. Hofer 177
at length it will only require the flutter of an angel's
wing to set in motion this mighty thing called public
sentiment and send it hurling down the mountain side,
and every brewery and distillery— every saloon and bar-
room will be crushed beneath its weight.
E. Hofer
MID-SUMMER BIRD SONG.
A NATURE POEM.
Our mating done,
Love's course is run,
On bouyant wing our spirits rise ;
All passion past,
We're free at last—
We march and counter march the skies.
Our young are reared,
The fields are cleared,
The sun a golden glamour throws;
Our broods are grown,
And fledglings flown —
The air with autumn perfume glows.
We lilt and sing
And flit and fling
Through every copse and heather ;
We coast and glide
By country side—
Week in, week out, of golden weather.
We bask through days
Of azure haze,
And carol into dewless nights;
We sink to rest
On earth's warm breast
And wake the morn with new delights.
178 Oregon Literature
We flash and fly
We skim the sky
And hurtle down the vaulted dome ;
All winds are fair,
All days are rare,
Where'er our marshalled armies roam.
The wild grain grown,
The thistle blown,
And all the world in dainties dressed,
Our life is free,
No care know we —
Both earth and air yield us their best.
J. R. N. Bell
IMMORTALITY.
As the nineteenth century is closing, human inquiry
in reference to human destiny is deepening. The darker
problems that challenged human credulity, and drove
many an inquirer into the realms of doubt in the past,
are now shining out as clear as noonday— the mists and
fogs dispelled— the illuminating rays of scholasticism,
investigation and religion are making clear the problems
hitherto obscure. We welcome the light. Shine forth
O glorious day! Students of all schools of learning
'drink deep of pure thought— quaff the gurgling streams
of knowledge as they flow so freely by your doors. Here
is an Arch. Understanding, knowledge and wisdom,
these three, but the greatest of these is wisdom. These
form one column of the Arch. Faith, hope, love, these
three, but the greatest of these is love. These form the
other column of the Arch. How grandly they rise ; they
begin on earth, they rise to heaven. Wisdom is the
highest of the first column, and love is the highest of the
second column; they are of equal height, and curve to-
wards each other, but they are not united— something is
wanting— what is it? It is the keystone— that keystone
J. R. N. Bell 179
will complete the Arch— it will unite soul and spirit-
God and man— a complete unity. The name upon that
keystone is a secret name, and no man can read it except
him that receiveth it. Above the Arch is a streamer, and
upon it, in soft and beautiful characters, rising into the
resplendency of God's fadeless light, is the inscription
* ' Immortality. ' ' Then bring forth the keystone, let it rest
upon the two columns as they curve towards each other,
let wisdom and love be united, and man is redeemed,
man is complete. Let us celebrate the completion of the
work with songs and with minstrelsy — with our grandest
choruses and best oratorios. Let us bring our choicest,
sweetest flowers— bring the rose and the lily, the tulip
and the pink, the sweet jassamine and voluptuous
hyacinth, and the amaranth and orange blossoms and all
the flow,ers from the wild wood— now weave them all into
a garland— a crown— let this coronation of music har-
monize with man's perfect bliss — the crown of flowers
his adornment— the keystone in the Royal Arch— his im-
mortality a face— and man is now redeemed, full-orbed,
restored to his original unity ; rehabilitated with all the
possibilities of a divine fraternity, and with all the bles-
sing of a perpetual theophany.
James Wiles NesmitK
Senator James Wiles Nesmith was born in New
Brunswick, July 23, 1820. He received his education in
country schools, and ' determining to try his fortune in
the West, he arrived in Oregon City, in October, 1843,
where his abilities were at once recognized. In 1849 he
moved to Polk County, which was his home the remainder
of his life. Mr. Nesmith served as Captain in the Cayuse
and Rogue River Wars, and as Colonel in the Yakima
War. He helped to organize the provisional government;
was elected Judge in 1845 ; was United States Marshal
in 1853-5 ; Superintendent of Indian Affairs for Oregon
and Washington; in 1860 he was elected United States
Senator, and in 1873 he was elected Representative to
Congress to fill the vacancy caused by the death of Joseph
G. Wilson. He died June 17, 1885. The following
eulogy is an extract from an address delivered in the
House of Representatives, Monday, April 27, 1874.
NESMITH'S EULOGY ON CHARLES SUMNER.
But sir, had Charles Sumner possessed the stateman's
creative power, he was too pure a man for the politics
of our day and generation. In his high posifion it was
not possible for him to be the paid advocate, it was not
possible for him to be the associate of men who, while
waving the banner of freedom with one hand, stole from
the public treasury with the other. Why, sir, he was
so pure and single-hearted that he could not even under-
stand such characters.
Differing, as I honestly and heartily did, with Mr.
Sumner upon the great issues out of which his fame
grew, I feel it incumbent upon myself to say that while
my own opinions upon those questions remain at variance
with his, I concede to him an honesty of purpose in
urging his peculiar theories, with a pertinacity unparal-
leled in our political history. Defeat strongly inspired
James Wiles Nesmith 181
him with renewed energy; and when the popular vote
of the Nation, as it did at times, condemned him and his
cause, he, phoenix-like, arose from the ashes of defeat,
to advocate with fresh ardor and invigorated courage the
* ' equality of the races before the law. ' '
His courage was of a higher order than that inspired
by mere brute force. He adhered to his theories through
contumely, adversity and disgrace ; and when the results
of his labors, his sufferings and his courage elevated those
who had defamed and despitefully used him, from obsur-
ity to power, he bore their renewed reproaches with but
slight retaliation or complaint.
In my humble estimation, Mr. Sumner never appeared
greater than when he magnanimously proposed in the
Senate that the achievements of our gallant troops in an
intestine war should be obliterated from their flags. An
envious and malignant man would have desired to see
our Southern brethren humiliated by the emblazonment
of their disasters upon that proud banner, which we all,
as American citizens, desire to hail as the emblem of a
great and united nationality.
The evil passions growing out of the war had become
so furious and unreasoning as to cause his own state to
condemn his generous impulses upon that subject, but I
thank God that his last moments on earth were cheered
with the rescinding resolutions of the representatives of
a people, themselves the descendants of those who felt,
upon sober, second thought, what was due to a people
who had gallantly risked their lives in their adherence
to what they conceived to be the principle that ' * all just
government is derived from the consent of the governed. ' '
His familiarity with English history had demonstrated
to him the folly of perpetuating hatred and sanguinary
reminiscences in a people who,, in the nature of things,
should be homogeneous. In the latter part of his life
he gave evidence of his abhorrence of the white political
slavery, no less than that which pertained to the African.
Mr. Speaker, inexorable Death has claimed Charles
Sumner as his own, and the grave has closed over his
mortal remains. We shall never in our generation look
upon his like again, simply because there are no sur-
182 Oregon Literature
roundings to develop such a character. The freedom
of the African is assured, and it now remains the highest
duty of the statesman to assure the freedom of the citizen.
"Peace hath her victories no less renowned than war" ;
and the man who by persistent direction of peaceful
agencies converts a nation of politicians to his views, is
as much entitled to the triumphal 'arch as is the mere
soldier who, by the unreasoning power of brute force,
completes a victory with the sword and points to the
hecatomb of the slain as his passport to power. The
saddest thing about Charles Sumner's life to me is that
he survived himself— that he lived to see other men oc-
cupying the proud position, and wielding the power he
had created, with no higher motive promoting them than
the self-aggrandizement to be found in wealth.
H)e is gone from among us. His chair in the Senate to
which all eyes were turned when any great question
agitated the grave body will never be filled by a public
servant more pure in his motives, more elevated and
courageous in his action, or truer to his convictions. Let
us keep his virtues in remembrance. May his monument
be of spotless marble, for it cannot be purer or whiter
than his life.
W. Lair Hill
THE HOME BUILDING.
A voyage of adventure brought not back the golden
fleece, and the argonauts no longer poured over the
Sierras into California, nor overflowed her northern mils
to seek fugitive fortune in Oregon. The home builders,
too — blessings on them everywhere and forever! — whose
caravans, freighted with the precious burden of wife and
children and household goods, the lares and penates of a
gentler than a Trojan race, had whitened the desert with
a constantly increasing stream direct to Oregon.
HQMER DAVENPORT
Homer Davenport
When a great genius is just rising to view, the aston-
ished world says, "Who would have expected it?" So
it was said of Homer Davenport who rose, out of Silver-
ton to glitter among the artists of the world. Busy men
and women who had mingled with his modest ancestry
for decades could scarcely realize that there had been
generations of unassuming greatness— a veritable wealth
of mind— that time and circumstances and God had
wrought into an extraordinary man. They were glad —
so glad they could hardly believe it— yet they were wont
to think of him as a sort of intellectual accident eman-
ating from nothingness and springing suddenly into the
front ranks of modern artists. But genius comes not in
this manner. "Who is this Nast?" was the question
whispered throughout the world. "Whence came he?"
rung down the electric lines of the continents. "How
came he by this God-given power?" was the question
of the hour. And the answer was, "He hails from an
Oregon hamlet and he is the evolution of a talented
family and favorable environments." His mind is the
offspring of an ancestry that, has given the world great
men and women in almost every department of human
endeavor; and his intellectual faculties early reveled in
the scenery of Oregon, and fed upon the nourishment
of the ages. Then you cast your eye upward to behold
the onward march of Genius, and you find him there— a
great man who puts life and magic into every touch of
his wonderful brush. This is Homer Davenport, the
greatest cartoonist of America.
But let the father, T. W. Davenport, tell the story.
"Homer C. Davenport was born on his father's farm,
located in the Waldo Hills, some five miles south of Sil-
verton, Marion county, the date of his birth being March
8, 1867. His mother's maiden name was Miss Flora
Geer, daughter of Ralph C. Geer. She was married to
184
Oregon Literature
the writer of this article November 17, 1854, and died
November 20, 1870.
"His extraordinary love for animals, and especially
of birds, was exhibited when he was only a few months
old. Unlike other
babies,
forded
HOMER WATCHED HIS FATHER HOEING CORN,
AND REPRODUCED THE SCENE ON
THE BARN DOOR.
toys af-
him but
little amusement.
Shaking rattle
boxes and blowing
whistles only fret-
ted him, and his
wearied looks and
moans seemed to
say that he was
already tired of
existence.
"Carrying him
around into the
various rooms and
showing pictures soon became irksome, and in quest
of something to relieve the monotony of indoor life, his
paternal grandmother found a continuous solace for his
fretful moods in the chickens. But it was worth the time
of a philosopher to observe the child drink in every
motion of the fowls, and witness the thrill of joy that
went through his being when the cock crew or flapped
his wings.
"Such a picture is worth reproducing. Old grand-
mother in her easy chair on the veranda; baby sitting
upon the floor by her side ; the little hands tossing wheat
at intervals to the clucking hen and her brood, the latter
venturing into baby's lap and picking grain therefrom,
despite the Warnings of the shy old cock and anxious
mother. This lesson with all its conceivable variations
learned, ceased to be entertaining, and a broader field
was needed. So grandma or her substitute carried baby
to the barnyard, and there, sitting under the wagon shed,
acquaintance was made with the other domestic animals,
which afforded him daily diversion. At first their forms
and quiet attitudes were of sufficient interest, but as these
Homer Davenport 185
became familiar more active exhibitions were required,
and the dog, perceiving his opportunity, turned the
barnyard into a circus of animals.
"After his mother's death the family was subjected
to several months of social isolation, during the rainy
season, when Homer, just recovered from the dread
disease of smallpox, was kept indoors. During the^e dull
months he worked more assiduously at drawing than
ever since for pay. Sitting at the desk, or lying prone
upon the floor, it was draw, draw, draw. Fearing the
effect of such intense application upon the slimsy fellow,
his grandmother tried various diversions without much
success. She could interest him with Indian or ghost
stories, but such gave him no bodily exercise, and only
set him to drawing 'how granny looked when telling
ghost stories'
[Among Homer's subjects for illustration was his
father, whom he pictures in various ways on the
fences, barn or wherever he could find a board large
enough to accommodate the scene He wished to
portray. For years this habit brought about no ideas
in his father's mind of future prominence for his son,
but rather a feeling of irritation at being drawn as
he was, and in ludicrous positions. As a result he
put in considerable time in trying to develop, with
the aid of a branch of hazel-bush, a more matter of
fact manner of action in Homer. He had to finally
give it up, However, for the latter kept on making
his cartoons, often showing 'what father did when
he got mad at them.' These incidents the justly
proud parent has seemingly forgotten, but this
article would not be complete without giving them
mention, so the liberty was taken to supply the om-
mission.— Editor Oregon Native Son.]
"Plainly observable, even thus early, was his love of
the dramatic in everything having life. Though much
attracted by beautiful specimens of the animal kingdom,
his chief satisfaction came from representing them in
their moods. His pictures were all doing something.
Horses, dogs, monkeys, chickens, ducks, pigeons, were
exhibiting their peculiar characteristics, and so fitted to
186
Oregon Literature
the occasion as to awaken the supposition that the artist
was 'en rapport' with all animated nature. A mad horse
was mad all over, and an ardent dog showed it in every
part, regardless of proportions.
"Homer's early method of work, if an impulsive em-
ployment may be dignified by the term method, was
'sui generis,' and probably unique, if not wonderful. Co-
incident with the drawing of a mad horse, was the acting
by himself. The work would be arrested at times, seem-
ingly for want of appreciation or mental image of a horse
in that state of feeling, and then he took to the floor.
After vigorously stamp-
ing, kicking, snorting
and switching an im-
provised tail, which he
held in his hand behind
his back, until his feel-
ings or fancy became
satisfied, the picture
was completed and re-
ferred to me with the
question, 'Is that the
way a mad horse looks ? '
'Yes, he appears to
be mad through and
through. ' 'r
When Homer ap-
proached early man-
hood, his father said of
him:
"We had a general merchandise store, and he had ex-
perimented enough in selling goods to know that his mind
could not be tied to the business. Customers buying
tobacco got it at their own price, and shopping women
objected to his habit of stretching elastic tape when
selling it by the yard. There was fun in such things,
but no perceptible profit. He opened the store in the
morning while I was at breakfast, and took his after-
wards. Upon going in one morning and finding the floor
unswept I soon saw what had engaged his attention
during the half hour. A magnificent carrier pigeon on
DAD FOUND THE PICTURE, THEN
FOUND HOMER.
Homer Davenport 187
the wing, and above it in colored letters this legend:
'How glorious the night of a bird must be.'
"Homer afterward attended the Commercial College
in Portland, devoting much of his time to art ; then spent
a short time in a California art school, which he soon
left because he was compelled to draw by scribe and rule.
He was soon employed by the Portland Mercury, then by
the San Francisco Chronicle, the Examiner, and finally
by the New York Journal, where the genius of the un-
schooled Oregon boy proved him equal to the ambition
of his employer.
"He works from the small hours in the afternoon until
near midnight, at the New York Journal office, in the
Tribune building, New York City, and after breakfast in
the morning he and his two children live in the barn-
yard, which has a larger assortment of choice animals
than his father's had. His rests, relaxation and inspira-
tion are with his earliest idols."
A. W. Patterson
Dr. A. W. Patterson, of Eugene, Oregon, published
the Western Literary Magazine, much of the material
coming from his own pen. It contained a serial of some
length— "The Adventures of Captain Samuel Brady,"
the Indian fighter of the West, the material for which
was obtained from Brady's daughter, then a poor old
woman living in an alley in Pittsburg. He wrote a his-
tory of the West, but this never reached circulation,
being burned in the bindery. He also prepared a hand
book named "Eorty Principles of the English Lan-
guage. ' ' His poem, ' * Onward. ' ' from which the follow-
ing extract is taken, was published in book form in 1869.
In 1873 Doctor Patterson entered into contract with A.
L. Bancroft & Co., of San Franxjisco, California, to pre-
pare the manuscript for a set of school readers and a
speller to be known as the Pacific Coast Series. Ac-
cordingly he wrote the first three readers and the speller ;
but being unable to finish all by the required time, upon
his suggestion, Samuel L. Simpson was employed to pre-
pare the remaining fourth and fifth readers.
ONWARD.
Midst tangled wildwoods, or in prairie nook,
Beside the pleasant stream, or winding brook,
Mirrored with wild flower on the wavelets' breast,
Gladdening some fertile region of the West,
Where settler's cabin only late has been,
The beauteous rising village may be seen !
A. W. Patterson 189
The curling smoke ascending through the trees—
The sounds of workmen coming on the breeze—
The clustering buildings busily rearing there—
The saw mill grating on the troubled air—
The hum of voices— the occasional song—
The shout, the laugh among the merry throng—
With all the mingling tumult on the ear,
Proclaim, indeed, that village life is here !
Silence no longer o'er the valleys broods,
Echo reverb 'rates through their solitudes;
Around is heard the ax-man's measured stroke,
And far prevails the awe of stillness broke !
The wild deer, startled, leaves the lowland brake —
Water- fbwl, screaming, quit the marshy lake—
The bison bounds away with matchless might—
The wolf, dismayed, is skulking from the sight—
The Indian too — no less a wild-like race —
Resigns, though more reluctantly, the place.
Saddened in heart, with mute and steadfast gaze,
He lingers mournfully o'er the wildering maze.
See! how with wonder in his troubled eye,
He marks that spire uprising, strangely high ;
Surveys the restless, creaking millwheel turn,
And strangers' curious skill with deep concern;
Around are closing in the white man's fields,
He e'en in turn, at length dominion yields!
And goes, disturbed, the early hunter too;
Following his game, he thrids the wilds anew !
Beside yon springlet where the alder grows, •
His shapeless cabin unfrequented rose.
The idling savage but his casual guest,
He lived as loved the daring hunter best.
But now more distant depths of solitude
Are sought, where hum of life may not intrude ;
His dogs and gun, companions of his way,
The restless Leather-Stocking of his day !
190 Oregon Literature
Crowds are gathering over hills and nlains.
Some from New England's joyous, purling rills-
Some from the Allegheny's wide-spread hills—
Some from more western vales, or Southern slopes-
Some where the high Canadian landscape opes;
Others as well, from Europe's peopled shores,
Where Rhine or Rhone his ancient current pours ;
Where Norway frowns, Italy's summer smiles;
The Celt and Saxon plow the British Isles:
But vain to tell whence severally they hail,
The wide world sends them from every hill and dale !
A wonder often wakens in the eye,
So great the turmoil, so intent they ply ;
The coming stranger, with a slackening pace,
Pauses to gaze in silence on the place ;
The gray-haired woodsman, visiting the town,
Lingers in mazement till the sun is down!
Buildings around on every hand are seen
Ascending, as by magic, o'er the green.
The cabin rises by the spreading shade,
As well, the dome that looks o 'er grove and glade
With many a structure architect ne'er planned,
The homely fashion of a border land,
Till looms the village in the evening sun
Greater, as each succeding days is done!
And while the busy builders fill the air
With ceaseless echoes of their restless care,
There is a stir of trade around the "store"—
The mill-wheel rumbles by the sedgy shore —
The blacksmith's anvil rings, his bellows blows -
The teamster brawls and whistles as he goes —
The salesman shouts adown the crowded street—
The jockey clamors where the loitering meet —
The speculator talks of corner lots —
The marksman wagers on his sounding shots—
A. W. Patterson 191
The school room even mingles in its cares —
The lawyer pettifogs— the gambler swears—
The quack boasts skill— the preacher talks of sin—
The cobbler beats an alto to the din!
While many, another, busied not in vain,
Whate'er his part, as loudly strikes for gain.
Thus hum the ever-active hours away,
The noisy tumult of the eager day,
Unceasingly, while echoing far and long,
Is borne the cadences of mighty song.
Thomas Franklin Campbell
Thomas Franklin Campbell was born in Rankin
County, Mississippi, May 22, 1822, and died at Mon-
mouth, Oregon, January 17, 1893. He came to Oregon
in 1869, and became the president of Christian College
at Monmouth. He founded the Christian Messenger,
which he edited while he had charge of the school. He
was the president and inspiration of the college until
1882, when the institution was merged into the State
Normal School. At the time of his death he was pastor
of the Christian Church at Monmouth, Oregon. He pub-
lished two volumes of popular lectures, "Know Thy-
self" and "Genesis of Power." Few men have had a
wider influence in the educational and religious affairs of
Oregon than this scholar who took for his motto : ' * True
politeness is a light coin, but above par all over 1he
world."
LANGUAGE.
Language is the universal medium between spirit and
spirit. Whatever its form, whether sign or sound, oral
or written, it must be translated into words understood
by him who hears them before it can be effective in arous-
ing thought in the mind of another.
A word is, therefore, the complete investment of a
single element of spiritual power. It is not a mere sound
of the voice, nor a combination of letters representing a
sound, but a definite thought conceived or uttered in
articulate sound. If merely conceived in the mind, it
is formulated energy ready for utterance.
It is like a ship freighted for a distant port, ready to
weigh anchor ; or a train ready to move, only waiting the
signal of the conductor. .When uttered it speeds its
flight with the velocity of sound, discharging its cargo
of thought in the expectant mind. Thus, for illustration,
a party has in his mind power to cause another, moving
at a distance, to turn and move in the opposite direction.
The power can accomplish nothing while it remains in
Thomas Franklin Campbell 193
his breast. It must be formulated, brought out, sent
forth, and lodged in the mind of the other. This is done
by coining the appropriate sentence and uttering it with
the voice, so that it reaches the ear and the understanding
of the other. The intelligence is of sufficient interest to
cause him to turn and move the other way.
Another, intending to visit the city, is changed in pur-
pose by power in his neighbor's mind, which was con-
veyed to him in words, showing that it was his interest
to remain at home.
Language is in these, and all similar instances, the
medium or vehicle by which the power is conveyed from
its source to its object. It is an instrument of Divine
appointment, sublime in simplicity, wonderful in result.
Unlike the ship or the train, which having reached its
appointed port or depot, and discharged its freight, in-
cumbers the bay or obstructs the track, and needs to be
removed; the sound corresponding to the ship or train,
having reached its destination and deposited its burden
of thought in the mind of the hearer, vanishes, utterly
disappears, nor leaves a wreck behind.
It is the most convenient and inexhaustible of all
media. With the thought comes the sentences to him who
has been trained in language.
Unlike any other medium of conveyance, which reaches
a single destination and discharges a single cargo, the
same word uttered by a single impulse reaches one or a
thousand or ten thousand minds at the same instant,
discharging the same treasure of knowledge in each, the
sound dying immediately and leaving the identical
thought formulated in every mind. Its ability to multi-
ply as a medium is limited only by the number of minds
within hearing distance.
This medium, though wonderful, is, nevertheless,
entirely artificial, and as in any other art, its application
must first be learned ; and then he who would use it must
manufacture all the words he needs for every occasion.
This is quickly and easily done. Having the organs
of speech as instruments, and the atmosphere as material,
he can construct as many vehicles of thought as may be
necessary to communicate with his fellows,
194 Oregon Literature
The felicity with which conversation is carried on be-
tween fluent talkers, shows how readily any number of
words may be coined without apparent effort. This is
the result of skill, acquired by practice. The infant can
neither make nor mould the voice into articulate sounds
until taught. No one ever spoke until he heard some
other speak.
The deaf are always dumb. The first man had no
mother to teach him, hence no mother tongue. He must
have been taught of God, his Father. Language is,
therefore, a Divine art. The noun is the basis of every
tongue. God taught his son the art of naming. ''What-
soever Adam called every living creature, that was the
name thereof."
How long it took Adam to acquire a complete vocab-
ulary the record does not show, nor is it stated how long
they conversed together as Father and son, either before
or after the advent of Eve.
Between the latter advent and the fall, much time
must have intervened; for in the adjudication of their
transgression both Adam and Eve displayed skill and
ingenuity in the use of language.
Inspiration need not be claimed, nor miraculous power
invoked in this origin of language. A Divine teacher
with students mature in body and mind, was all-suiucient
for the result.
When God gave man language, religion became a
necessity; without it religion is impossible. The ele-
ments of good and evil were in man's heterogeneous
nature; but, "the knowledge of good and evil," was
involved in the terms that expressed.
Satan, who was also master of language, and knew
its potency as an instrument, used it freely to prepare
the way for sin and death. So ingenious was he in the
use of words that he deceived the woman, and then
caused her to become his instrument, adding Satanic
eloquence to her charms of grace and beauty, to cause
Adam, knowingly and willingly, to transgress, involving
himself in ruin. Satanic spiritual power is still formu-
lated in words uttered by those whom he deceives, and
Thomas franklin Campbell 195
who become his willing tools to lead others captive af
his will.
Since language is only a medium, it may be used by
Satan, as well as by man, to transport thought from mind
to mind, and to bring spiritual pressure to bear upon
free agents, to cause them to act in harmony with the
power impressed.
Controlled by Satan, through the promptings of the
flesh, "the tongue," put by metonymy for the words it
utters, is a Iit1 le member, and boasteth great things.
* ' Behold how great a matter a little fire kindleth ! And
the tongue is a fire, a world of iniquity : so is the tongue
among our members that defileth the whole body, and
setteth on fire the course of nature, and it is set on fire
of hell; . . . the tongue can no man tame; it is an
unruly evil, full of deadly poison." The wisdom which
guides such a tongue, is said to be, "earthy, sensual,
devilish."
The disciples of Sa'an have coined a very large vo-
cabulary of words appropriate to only Satanic power,
or human power with Satanic characteristics; and by
the use of these more than any other differential trait,
may the disciples of Sa1 an be recognized.
Pure speech out of a pure heart should ever distin-
guish, "a chosen generation, a royal priesthood, n holy
nation, a peculiar people. ' '
Rev. G. H. Atkinson
THE PIONEERS OF 1848.
»
The year which we celebrate marks a fruitful period
for the Pacific Northwest; 1848 was the turning point
in our history. Alternate hopes and fears had moved the
people up to this date. There had been no recognition by
Congress. Laws had been enacted and executed by tho
pioneers. Society had begun to organize in a few centers,
and public sentiment was respected ; but our Nation had
not recognized this small band of American citizens on
her extreme frontier along the Pacific Ocean until 1848.
The earlier pioneers — the hunters and trappers, the mis-
sionaries and their wives, and the immigrant families of
the settlers— had found the path and opened the way
Hither, and offered a safe and welcome home to all new
comers. Great was their task and nobly they com-
pleted it.
They had organized the Provisional Government in
1842-4, on the American plan of equal rights and equal
justice to every citizen, and had included all as citizens
who were so held under state and national laws. Tfyey
had ventured the experiment of self-government as a
duty of self -protection, and not in disrespect or defiance
of Congress or the Constitution. Having marched two
thousand miles westward over the famed "American
Desert," and over three mountain ranges, and still stand-
ing on American soil, they wished no divorce from the
home government, but, rather, a stronger union with it.
The fires of patriotism burned more, not less, brightly
within them under the force of their long and painful
tramp to plant and defend the "Flag of Our Nation"
on this Pacific frontier.
;,'* ••
FREDERIC H. BALCH
Frederic Homer Balch
Frederic Homer Balch, the author of "Bridge of the
Gods," was born at Lebanon, Oregon, December 14,
1861. As a child, stories of war fascinated him, and
as he grew older, the study of ancient history was his
especial delight. Books were expensive then, and few
of the frontier families could , afford libraries ; but oc-
casionally an Eastern family settled near his home, and
among their possessions were often books, which were
always willingly loaned to the boy who so appreciated
their contents. He once wrote to his sister, "Much of
the education I have is due to the ceaseless reading and
re-reading of Macaulay ' ' ; and of Milton he wrote, * ' How
I thrilled and exulted in the mighty battle of Satan for
the throne of God ; in his fierce defiance and unbending
hate, after the battle was lest ; and in the dusky splendor
of the palace, and the pomp, with which he and his
followers surrounded themselves in hell."
When about thirteen years old, he wrote poetry and
historical sketches. He had an intense love for his
native state, and from boyhood made a study of its early
history, and of the Indians along the Columbia. This
gradually inspired him with a desire to preserve the
legends of a fast-disappearing people — weaving their
traditions in with the first attempt at civilization in
Oregon, and embellishing the whole with the magnificent
scenery of the Northwest— writing romances that would
be to Oregon what Scott's were to Scotland.
This ambition, formed in his boyhood, grew with him
so that subsequently he collected and carefully stored
away a vast fund of knowledge regarding the Indians,
their habits, religious beliefs, Iraditions and mode of
living. He devoted himself to the one ambition, studying
their habits, religious beliefs, traditions and mode of
the farm. Schools and colleges are so plentiful today
that the student of the present cannot realize the strug-
gles of an ambitious boy to educate himself thirty years
ago, in the then thinly-settled West.
198 Oregon Literature
When about twenty-one, he entered the ministry, and
for several years did missionary work, organizing
churches, spending his days in the saddle and his even-
ings in the pulpit, going into the remote settlements
where sermons were practically unknown ; and ever kept
his appointments absolutely regardless of health or
weather.
With all the added duties of this new work, he carried
on the search for material for his book, continuing his
study of Indian lore as zealously as before. Much of
his vacation was spent in traveling over the Northwest
gleaning information from every available source, and
verifying doubtful statements. After a long and thor-
ough search for information, much study and slow
questioning of Indians from many tribes — especially the
aged ones— he was firmly convinced of the previous ex-
istence of the " Bridge of the Gods" of Indian tradition.
After a time he settled in the pastorate of the Con-
gregational Church at Hood River, so gaming a little
more time for writing; and there, during a vacation, he
began "The Bridge of the Gods." After its completion
he entered a seminary in Oakland, California, to take a
course in theology. In all the years past he had thought
but little of himself, his work so fully absorbing his
attention. When within a few weeks of completing the
seminary course, illness attacked him and he had not
the strength to rally. Bravely and patiently he battled
against the disease, as all through life he had fought
and overcome obstacles that threatened the overthrow
of his. cherished plans. "The Bridge of the Gods" had
just been published, and it seemed now as if the work
and plans of a lifetime were soon to be realized. Hard
indeed it was to lay down his work, the writing and
research that was as a part of his life, and the ministry
he so loved, but he uttered no word of complaint. Wifh
his wonted gentleness and patience he simply said, "It
is all right, the Master has work for me elsewhere that
I could not do here." His decease occurred in Portland,
Oregon, June 3, 1891.
Through the years of his ministry he neglected neither
his literary nor his pastoral work, and there are many
Frederic Homer Balch 199
today who will tell you that the words and the ex-
ample of the young minister still abide with them and
that his beautiful influence yet shines in their lives.
With the indomitable energy bequeathed to him by
pioneer life Mr. Balch had outlined several other books,
and had partly written one— "Tenasket," a tale of
Oregon in 1818; "Genevieve," a story of the Oregon
of today; "Crossing the Plains," and "Olallie," and
other stories, some of which are yet in manuscript only.
All these were to be of Oregon, her past, her early
settlers and Indian tribes, and would have been rich in
the legends and customs of the race now but a handful
in a region where once they reigned supreme. ,
THE BRIDGE OF THE GODS.
CHIEF MULTNOMAH IN COUNCIL.
The chiefs of the Willamettes had gathered on Wapato
Island, from time immemorial the council ground of
the tribes. The white man has changed its name to
"Sauvie's" Island; but its wonderful beauty is un-
changeable. Lying at the mouth of the Willamette
River and extending for many miles down the Columbia,
rich in wide meadows and crystal lakes, its interior
dotted with majestic oaks and its shores fringed with
cottonwoods, around it the blue and sweeping rivers, the
wooded hills, and the far white snow peaks— it is the
most picturesque spot in Oregon.
The chiefs were assembled in secret council, and only
those of pure Willamette blood were present, for the
question to be considered was not one to be known by
even the most trusted ally.
All the confederated tribes beyond the Cascade Range
were in a ferment of rebellion. One of the petty tribes
of Eastern Oregon had recently risen up against the
Willamette supremacy; and after a short but bloody
struggle, the insurrection had been put down and the
rebels almost exterminated by the victorious Willamettes.
But it was known that the chief of the malcontents
had passed from tribe to tribe before the struggle com-
menced, inciting them to revolt, and it was suspected
200 Oregon Literature
that a secret league had been formed; though when
matters came to a crisis, the confederates, afraid to face
openly the fierce warriors of the Willamette, had stood
sullenly back, giving assistance to neither side. It was
evident, however, that a spirit of angry discontent was
rife among them. Threatening language had been used
by the restless chiefs beyond the mountains ; braves had
talked 'around the camp fire of the freedom of the days
before the yoke of the confederacy was known ; and the
gray old dreamers, with whom the mimaluse tillicums
(dead people) talked, had said that the fall of the
Willamettes was near at hand.
The sachems of the Willamettes, advised of every-
thing, were met in council in the soft Oregon spring-
tide. They were gathered under the cottonwood trees,
not far from the bank of the Columbia. The air was
fresh with the scent of the waters, and the young leaves
were just putting forth on the ' ' trees of council, ' ' whose
branches swayed gently in the breeze. Beneath them
their bronze faces were more swarthy still as the dancing
sunbeams fell upon them through the moving boughs,
thirty sachems sat in close semi-circle before their great
war-chief, Multnomah.
It was a strange, a sombre assembly. The chiefs were
for the most part tall, well-built men, warriors and
hunters from their youth up. There was something
fierce and haughty in their bearing, something menacing,
violent and lawless in their saturnine faces and black,
glittering eyes. Most of them wore their hair long;
some plaited, others flowing loosely over their shoulders.
Their ears were loaded with hiagua shells; their dress
was composed of buckskin leggings and moccasins, and
a short robe ,£ dressed skin that came from the
shoulders to the knees, to which was added a kind of
blanket woven of the wool of the mountain sheep, or an
outer robe of skins or furs, stained various colors and
always drawn close around the body when sitting or
standing. Seated on rude mats of rushes, wrapped each
in his outer blanket and doubly wrapped in Indian
stoicism, the warriors were ranged before their chief.
His garb did not differ from that of the others, except
Frederic Homer Balch 201
that his blanket was of the richest fur known to the
Indians, so doubled that the fur showed on either side.
His bare arms were clasped each with a rous^h band of
gold; his hair was cut short, in sign of mourning for
his favorite wife, and his neck was adorned with a collar
of large bear-claws, showing he had accomplished that
proudest of all achievements for the Indian — the killing
of a grizzly.
Until the last chief had entered the grove and taken
his place in the semi-circle, Multnomah sat like a statue
of stone. He leaned forward reclining on his bow, a
fine unstrung weapon tipped with gold. He was about
sixty years old, his form tall and stately, his brow high,
his eyes black, overhung with shaggy gray eyebrows
and piercing as an eagle's. His dark, grandly impassive
face, with its imposing regularity of feature, showed a
penetration that read everything, a reserve that re-
vealed nothing, a dominating power that gave strength
and command to every line. The lip, the brow, the very
grip of the hand on the bow told of a despotic temper
and an indomitable will. The glance that flashed out
from this reserved and resolute face— sharp, searching
and imperious — may complete the portrait of Multno-
mah, the silent, the secret, the terrible.
When the last late-entering chief had taken his place,
Multnomah rose and began to speak, using the royal
language; for like the Cayuses and several other tribes
of the Northwest, the Willamettes had two languages—
the common, for every-day use, and the royal, spoken
only by the chiefs in council.
In grave, strong words he laid before them the troubles
that threatened to break up the confederacy and his
plan, for meeting them. It was to send out runners
calling a council of all the tribes, including the doubtful
allies, and to try before them and execute the rebellious
chief, who had been taken alive and was now reserved
for the torture. Such a council, with the terrible warn-
ing of the rebel's death enacted before it, would awe
the malcontents into submission or drive them into open
revolt. Long enough had the allies spoken with two
tongues; long enough had they smoked the peace-pipe
202 Oreyon Literature
with both the Willamettes and their enemies. They
must come now to peace that should be peace, or to open
war. The chief made no gestures, his voice did not vary
its stern, deliberate accents from first to last; but there
was an indefinable something in word and manner that
told how his warlike soul thirsted for battle, how the
iron resolution, the ferocity beneath his stoicism, burned
with desire of vengeance.
There was perfect attention while he spoke— not so
much as a glance or a whisper aside. When he had
ceased and resumed his seat, silence reigned for a little
while. Then Tla-wau-wau, chief of the Klackamas, a
sub-tribe of the Willamettes, rose. He laid aside his
outer robe, leaving bare his arms and shoulders, which
were deeply scarred ; for Tla-wau-wau was a mighty
warrior, and as such commanded. With measured de-
liberation he spoke in the royal tongue.
"Tla-wau-wau has seen many winters, and his hair
is very gray. Many times has he watched the grass
spring up and grow brown and wither, and the snows
come and go, and those things have brought him wisdom,
and what he has seen of life and death has given him
strong thoughts. It is not well to leap headlong into
a muddy stream, lest there be rocks under the black
water. Shall we call the tribes to meet us here on the
Island of Council ? When they are all gathered together
they are more numerous than we. Is it wise to call
those that are stronger than ourselves into our wigwam,
when their hearts are bitter against us? Who knows
what plots they might lay, or how suddenly they might
fall on us at night or in the day when we were unpre-
pared? Can we trust them? Does not the Klickitat's
name mean ' he that steals horses ' ? The Yakima would
smoke the peace-pipe with the knife that was to stab
you hid under his blanket. The Wasco's heart is a lie,
and his tongue is a trap.
. "No, let us wait. The tribes talk great swelling words
now and their hearts are hot, but if we wait, the fire
will die down and the words grow small. Then we can
have a council and be knit together again. Let us wait
Frederic Homer Balch 203
till another winter has come and- gone ; then let us meet
in council, and the tribes will listen.
"Tla-wau-wau says, 'wait, and all will be well.' '
His earnest, emphatic words ended, the chief took his
seat and resumed his former look of stolid indifference.
A moment before he had been all animation, every glance
and gesture eloquent with meaning; now he sat seem-
ingly impassive and unconcerned.
There was another pause. It was so still that the
rustling of the boughs overhead was startlingly distinct.
Saving the restless glit'. er of black eyes, it was a tableau
of stoicism. Then another spoke, advising caution,
setting forth the danger of plunging into a contest with
the allies. Speaker followed speaker in 1he same strain.
As they uttered the words counselling delay, the
glance of the war-chief grew ever brighter, and his grip
upon the bow on which he leaned grew harder. But the
cold face did not relax a muscle. At length rose Mishlah
the Cougar, chief of the Mollalies. His was one of the
most singular faces there. His tangled hair fell around
a sinister, bestial countenance, all scarred and seamed
by wounds received in battle. His head was almost flat,
running back from his eyebrows so obliquely that when
he stood erect he seemed to have no forehead at all;
while the back and lower part of his head showed an
enormous development — a development that was all
animal. He knew nothing but battle, and was one of
the most dreaded warriors of the Willame'tes.
iHe spoke, not in the royal language, as did the others,
but in the common dialect, the only one of which he was
master.
"My heart is as the heart of Mul nomah. Mishlah is
hungry for war. If the tribes that are our younger
brothers are faithful, they will come to the council and
smoke the pipe of peace with us; if they are noL, let us
know it. Mishlah knows not what it is to wait. You all
talk words, words, words ; and the tribes laugh and say,
'The Willamettes have become women and sit in the
lodge sewing moccasins and are afraid to fight.' Send
out the runners. Call the council. Let us find who are
our enemies ; then let us strike ! ' '
204 Oregon Literature
The hands of the chief closed involuntarily as if they
clutched a weapon, and his voice rang harsh and grating.
The eyes of Multnomah flashed fire, and the war-lust
kindled for a moment on the dark faces of the listeners.
Then rose the grotesque figure of an Indian, ancient,
withered, with matted locks and haggard face, who had
just joined the council, gliding in noiselessly from the
neighboring wood. His cheek bones were unusually
high, his lower lip thick and protruding, his eyes deeply
sunken, his face drawn, austere, and dismal beyond de-
scription. The mis-shapen, degraded features repelled
at first sight; but a second glance revealed a great dim
sadness in the eyes, a gloomy foreboding on brow and lip
that were weirdly fascinating, so sombre were they, so
full of woe. There was a wild dignity in his mien ; and
he wore the robe of furs, though soiled and torn, that
only the richest chiefs were able to wear. Such was
Tohomish, or Pine Voice, chief of the Santiam tribe of
the Willamettes, the most eloquent orator and potent
medicine or tomanowos man in the confederacy.
There was a perceptible movement of expectation, a
lighting up of faces as he arose, and a shadow of anxiety
swept over Multnomah 's impressive features. For this
man's eloquence was wonderful, and his soft magnetic
tones could sway the passions of his hearers to his will
with a power that seemed more than human to the super-
stitious Indians. Would he declare for the council or
against it; for peace or for war?
He threw back the tangled locks that hung over his
face, and spoke:
"Chiefs and warriors, who dwell in lodges and talk
with men, Tohomish, who dwells in caves and talks
with the dead, says greeting, and by him the dead send
greeting also."
His voice was wonderfully musical, thrilling and
pathetic ; and as he spoke the salutation from the dead,
a shudder went through the wild audience before him —
through all but Multnomah, who did not shrink nor drop
his searching eyes from the speaker's face. What cared
he for the salutation of the living or the dead? Would
Frederic Homer Balch 205
this man whose influence was so powerful declare for
action or delay?
1 'It has been long since Tohomish has stood in the
light of the sun and looked on the faces of his brothers
or heard their voices. Other faces has he looked upon
and other voices has he heard. He has learned the lan-
guage of the birds and the trees, and has talked with
the People of Old who dwell in the serpent and the
coyote; and they have taught him their secrets. But
of late terrible things have come to Tohomish."
He paused, and the silence was breathless. f'>r the
Indians looked on this man as a seer to whom the future
was as luminous as the past. But Multnomah's brow
darkened; he felt that Tohomish also was against him,
and the soul of the warrior rose up stern and resentful
against the prophet.
"A few suns ago, as I wandered in the forest by the
Santiam, I heard the death-wail in the distance. I said,
'Some one is dead, and that is +he cry of the mourners.
I will go and lift up my voice with them. But as I
sought them up the hill and through the thickets the
cry grew fainter and farther, till at last it died out amid
distant rocks and crags. And then I knew that I had
heard no human voice lamenting the dead, but that it
was the Spirit Indian-of-the-Wood wailing for the living
whose feet go down to the darkness and whose faces the
sun shall soon see no more. Then my heart grew heavy
and bitter, for I knew that woe had come to the
Willamettes.
"I went to my den .in the mountains, and sought to
know of those that dwell in the night the meaning of
this. I built the medicine fire, I fasted, I refused to
sleep. Day and night I kept the fire burning; day and
night I danced the tom.anowos dance around the flames
or leaped through them, singing the song that brings
the Spee-ougk, till at last the life went from my limbs
and my head grew sick and everything was a whirl of
fire. Then I knew that the power was on me, and I fell,
and all grew black.
"I dreamed a dream.
"I stood by the death-trail that leads to the spiritland,
206 Oregon Literature
The souls of those who had just died were passing; and
as I gazed, the wail I heard in the forest carne back, but
nearer than before. And as the wail sounded, the throng
on the dealh-trail grew thicker and their tread swifter.
The warrior passed with his bow in his hand and his
quiver swinging from his shoulder; the squaw followed
with his food upon her back; the old tottered by. It
was a whole people on the way to the spirit-land. But
when I tried to see their faces, to know 'hern, if they
were Willamette or Shoshone or our brother tribes, I
could not. But the wail grew ever louder and the dead
grew ever thicker as they passed. Then it all faded out,
and I slept. When I awoke it was night; the fire had
burned into ashes and the medicine wolf was howling
on the hills. The voices that are in the air came to me
and said, 'Go to the council and tell what you hav^ seen' ;
but I refused, and went far into the wood to avoid them.
But the voices would not let me rest, and my spirit
burned within me, and I came. Beware of the great
council. Send out no runners. Call not the tribes
together. Voices and omens and dreams tell Tohomish
of something terrible to come. The trees whisper it:
it is in the air, in the waters. It has made my spirit
bitter and heavy until my drink seems blood and my
food has the taste of death. Warriors, Tohomish has
shown his heart. His words are ended."
He resumed his seat and drew his robe about him,
muffling the lower part of his face. The matted hair
fell once more over his drooping brow and repulsive
countenance, from which the light faded the moment
he ceased to speak. Again the silence was profound.
The Indians sat spell-bound, charmed by the mournful
music of the prophet's voice and awed by the dread
vision he had revealed. All the superstition within
them was aroused. When Tohomish took his seat, every
Indian was ready to oppose the calling of the council
with all his might. Even Mishlah, as superstitious as
blood-thirsty, was starred and perplexed. The war-
chief stood alone.
He knew! it, but it only made his despotic will the
stronger. Against the opposition of the council and the
Frederic Homer Batch 207
warning of Tohomish, against tomanoivos and Spee-ough,
ominous as they were even to him, rose up Ihe instinct
which was as much a part of him as life itself — the
instinct to battle and to conquer. He was resolved with
all the grand strength of his nature to bend the council
to his will, and with more than Indian subtility saw how
it might be done.
He rose to his feet and strod for a moment in silence,
sweeping with his glance the circle of chiefs. As he
did so, the mere personality of the man began to produce
a reaction. For forty years he had been the great war-
chief of the tribes of the Wanna, and had never known
defeat. The ancient enemies of his race Dreaded him :
the wandering bands of the prairies had carried his
name far and wide ; and even bevond the Rockies, Sioux
and Pawnee had heard rumors of the powerful chief by
the Big River of the West. He stood before them a
huge, stern warrior, himself a living assurance of victory
and dominion.
As was customarv with Indian orators in preparing
the way for a special appeal, he began to recount the
deeds of the fathers, the valor of the ancient heroes of
the race. His stoicism fell from him as he half snoke,
half chanted the harangue. The rmssion that was burn-
ing within him made his words like pictures, so vivid
they were, and thrilled his tones with electric power.
As he went on, the sullen faces of his hearers grew
animated; the superstitious fears that Tohomish had
awakened fell from them. Again they were warriors,
and their blood kindled and their pulses throbbed to the
words of their invincible leader. He saw it, and began
to speak of the battles they themselves had fought and
the victories they had gained. More than one dark cheek
flushed darker and more than one hand moved uncon-
sciously to the knife. He alluded to the recent war and
to the rebellious tribe that had been destroyed.
"That," he said, "was the people Tohomish saw pass-
ing over the death-trail in his dream. What wonder
that the thought of death should fill the air, when we
have slain a whole people at a single blow ! Do we not
know too that their spirits would try to frighten our
208 Oregon Literature
dreamers with omens and bad tomanowosf Was it not
tomanowos that Tohomish saw ? It could not have come
from the Great Spirit, for he spoke to our fathers and
said that, we should be strongest of all the tribes as
long as the Bridge of the Gods should stand. Have the
stones of that bridge begun to crumble, that our hearts
should grow weak?"
He then described the natural bridge which, as tradi-
tion and geology alike tell us, spanned at that time the
Columbia at the Cascades. The Great Spirit, he declared,
had spoken ; and as he had said, so it would be. Dreams
and omens were mist and shadow, but the bridge was
rock, and the word of the Great Spirit stood forever. On
this tradition the chief dwelt with tremendous force, set-
ting against the superstition that Tohomish had roused
the still more powerful superstition of the bridge— a su-
perstition so interwoven with every thought and hope of
the Willamettes that it had become a part of their char-
acter as a tribe.
And now when their martial enthusiasm and fatalistic
courage were all aglow, when the recital of their fathers'
deeds had stirred their blood and the portrayal of their
own victories filled them again with the fierce joy of
conflict, when the mountain of stone that arched the
Columbia had risen before them in assurance of dominion
as eternal as itself — now, when in every eye gleamed
desire of battle and every heart was aflame, the chief
made (and it was characteristic of him) in one terse
sentence his crowning appeal—
"Chiefs, speak your heart. Shall the runners be sent
out to call the council?"
There was a moment of intense silence. Then a low,
deep murmur of consent came from the excited listeners ;
a half -smothered war-cry burst from the lips of Mishlah,
and the victory was won.
One only sat silent and apart, his robe drawn close,
his head bent down, seemingly oblivious of all around
him, as if resigned to inevitable doom.
"Tomorrow at dawn, while the light is yet young,
the runners will go out. Let the chiefs meet here in
the grove to hear the message given them to be carried
to the tribes. The talk is ended, ' '
George A. Waggoner
Hon. George A. Waggoner, of Corvallis, has written
a great many thrilling stories of early Oregon life in the
strain that Bert Hjarte wrote of California in the mining
days. Mr. Waggoner is a gifted conversationalist, and
as a writer of stories he is always interesting. The fol-
lowing is a scene from Snake River life at a time when
the country was yet new to the white man :
BUCKSKIN'S FIGHT WITH THE WOLVES.
Mark ran out on the ice and fired at the wolves that
had surrounded their victim on the bank, but the distance
was too great for him to hit them. The report of the
gun, however, frightened 1hem so they did not attack,
but sneaked around until it was dark, when the noise
of snorting and snapping of teeth told Buck's friends
that the battle was on again. It raged with more or less
fury through the night.
It was impossible for our bachelors to rest while the
old horse was so bravely fighting for his life. A fire
was built on the bank and guns were fired at short
intervals until morning. AVhen it came, old Buck was
still defiant yet his tireless enemies still beset him.
' ' What shall we do ? " said Guy. "It is awful to stay
here and not aid the poor old fellow when he neighs
to us so piteously. He almost talks. I feel as if it
were a man begging us to help him. Can't we cut a
channel through the ice for the ferryboat1?"
"That would be impossible. The ice has drifted and
lodged about it many inches thick," answered his uncle,
"Then let us make a raft."
"I have been thinking about that," said Mart, "but
we have nothing with which to make it. Our whole
house, if taken down and made into a raft, would scarcely
float us and we would freeze to death in this weather
before we could build it up again."
210 Oregon Literature
"I'll tell you what," said Guy, "there are two large
barrels in the house. They would float one of us."
"Yes, but one of them is full of old rye whiskey which
cost four dollars a gallon and there is nothing in which
to empty it," said Mart.
"Let us pour it out," beerged Guy. "We can put
some of it in the water bucket and camp kettle and then
pour it back when we are done."
" I am afraid your father would not approve of that, ' '
answered Mart.
"If he were here, he would. I know him too well to
think he would ever let a horse die like that. None of
us like whiskey. What does he want with it?"
"It belongs to the man at Payette Station, and it is
here because he has not yet come for it," answered
Mart. ' ' He will be after it when the snow melts a little
and he will be displeased if we threw it out."
Guy had again taken the glass, and was looking in-
tently at the battle. He could plainly see the old horse
was becoming worried and that he would soon starve
to death. Blood showed on several parts of his body
where the wolves had torn him with their sharp teeth.
All at once a large one darted from the pack and, missing
the horse's throat, fastened on his shoulder. Buckskin
seized the wolf in his teeth, and tearing him loose,
pressed him to the ground and struck him again and
again furious blows with his fore feet until he lay ap-
parently lifeless. The rest attempted to close in, but
the courageous horse showed such a determined and
hostile front that they paused, afraid to invoke the fate
of their comrade.
Guy could endure it no longer. He turned to his
uncle, his face streaming with tears, "I can't stand it
any longer, Uncle. You and father promised me fifty
dollars a month to help run the ferry. You owe me one
hundred and fifty dollars. I will pay for that whiskey
and you can take it out of my wages, and I want that
barrel. I am going over the river to help old Buck."
Mart was a noble-hearted, impulsive man, whose own
heart had been swelling up with pity for the fate of the
brave old horse. He threw both arms around the boy
George A. Waggoner 211
and blurted out, "That's just like you, Guy. God bless
you. I am with you. We will save old Buckskin if it
takes all the ferry is worth to do it. Now run and rip
off those planks fastened to the stanchions of the ferry
boat while I get the barrels."
In a very few moments the two large barrels were
rolled down on the ice. They wej-e placed about eight
feet apart and lashed securely to the broad planks Guy
brought from the boat. Then they had a sled and boat
combined. When it was ready Mart said, "Now bring
both rifles, our pistols and plenty of amunition. The
wolves may attack us. They are very hungry or they
would not be so bold."
Mart had managed to save most of the whiskey in
emptying the barrel. The cooking vessels were all filled,
including the frying pan and coffee pot; and lastly, but
by no means least, a pair of Mart's huge boots did good
service in holding a couple of gallons of the fiery liquid.
When all was ready they pushed the raft ahead of
them on the ic6 until they came to the channel. To
prevent accidents the guns were tied to the raft, then
the novel boat was launched. The barrels were taughtly
corked and proved quite buoyant enough to bear the
two men. With clap boards for paddles, they soon
crossed the current and landed safely on the ice.
The wolves paid but little attention to them. They
had renewed the fight with greater vigor than ever and
were pressing old Buckskin closer and closer. One would
dart from the pack, snapping at him as he passed. They
appeared to be trying to get him to run, but were care-
ful about getting in reach of his heels or teeth. More
than once he was seen to seize a wolf and hurl him
several yards. In his battles he had developed a kind
of science of fighting. He kept near the bank, never
allowing his foes to get behind him. When he found it
necessary to charge, to drive them back, he did it with
such vigor as to drive everything before him. Then,
before they could rally, he regained his place and
turned a solid front to them. Never did a horse show
more courage or sagacity, and seldom, if ever, was one
more deeply sympathized with than he was.
212 Oregon Literature
The two rescuers crept up to the bank, to within
twenty yards of the combatants. "Take good aim and
get ready before you fire," said Mart, as he leveled his
rifle. Both guns rang out with one report and two of
old Buck's foes fell. Then with pistols the battle was
opened in earnest. Crack ! crack ! crack ! The wolves
scampered off, leaving four of their number dead on the
field, while several that ran away were badly wounded,
as was shown by the bloody trail they left behind in
the snow.
Buckskin was nearly as much surprised at his de-
liverance as were the wolves at their defeat. He was
cruelly gashed in many places, nearly starved and utterly
worn out with fatigue and the loss of blood. But he had
made a most gallant fight and was looked upon as quite
a hero by his rescuers.
They led him out on the ice, but he, who had fought
so bravely, was reluctant to try a bath in the cold waters
of the swift river. He was coaxed and pushed into the
channel, led across behind the raft and pulled out on
the ice on the other shore. The next morning his two
friends helped him to break a trail through the snow
to the hills, where the wind had blown the grass bare,
and left him with plenty of food at his feet. Soon after
the snow disappeared and spring invited the wolves back
to their native haunts in the mountains. When the
flowers came again, Buckskin was fat and sleek, coming
every few days to the ferry to see his friends and to
look for company of his own kind. He was quite a
handsome pony but through his shining, glossy coat
could be seen the scars of his many wounds, mute wit-
nesses of the terrible conflict through which he had
D. Solis Cohen
D. Solis Cohen, of Portland, Oregon, has lectured ex-
tensively on the Talmud, American Citizenship, and
other subjects of common interest. He sounded the first
appeal from an American platform for the Lewis and
Clarke Exposition. Mr. Cohen is an active promoter of
public schools and general intelligence, and regards with
favor any opportunity to hold up before the rising gen-
eration the noblest deeds of the makers of this country.
THE DEATH OF MUZA.
"Armed at all points, he issued from the city at night,
and was never heard of more." . . .
"Woe to Granada, woe!" For long, long years had
these words of mingled grief and warning sounded in
Moorish ears. From the first rash act of the impetuous
Muley Abul Hassan, which had given the Spaniards the
long-desired pretext for a war of extermination, until
this black, sad night— at intervals— after a disastrous
engagement, an unsuccessful sortie, or the death of a
noted warrior, that cry had been heard through the city
at the midnight hour. But none had discovered who
uttered that awful and solemn sound.
Never, however, had the words fallen with such dis-
heartening effect as upon this night. And yet— what
further sorrow could be in store for Granada? True;
Moorish troops still filled the Alhambra, but their scimi-
ters hung not by their sides; the warlike fire gleamed
not from beneath their bushy eyebrows; no songs, no
jests, no tales of valor passed between them. Silent and
moody they listened to the steady tread of the sentinels
and their stated cries; but the tread was the tread of
their enemies, and the cries were in the tongue they
hated. On the morrow, the city, already in the actual
possession of a Spanish detachment, would be formally
214 Oregon Literature
surrendered. On the morrow, in gorgeous pageantry
their conquerors would enter and place their standard
upon the Alhambra's towers. Would— would that Allah
might prolong the night ! But, no ! the sands of time
would run as usual ; the remorseless moments bury them-
selves, regularly and swiftly, in the deep, wide grave of
time past. The morning's sun would rise and shine.
Ay, as years before he had shone, gilding the banners
floating proudly and defiantly, glorying in his rays, so
would he shine when those banners should kiss the dust,
and the ensign of their enemies woo the breezes. Yes !
the morning's sun would come— and then—
In the magnificent audience room of Boabdil, glowing
in its bright colors, its gold and its jewels, as though
no danger threatened the weak-hearted monarch, a band
of warriors surrounded their king. Silence reigned, and
despair marked every countenance. Boabdil rested his
face within his hands, hiding his countenance from these
men who had struggled for their country and his throne,
and to whom now all hope was lost. Suddenly, loud
and shrill, as though within that very chamber, came the
dread cry— "Woe to Granada, woe!"
Boabdil trembled; a groan escaped his lips: "Un-
fortunate, unfortunate that I am," he muttered while
the warriors looked around in fear. All save one : Muza
—he whose voice had ever been for war; he who had
counseled death, self-immolation rather than surrender;
he who had inspired them to heroic courage time and
again, but who at last had spoken to ears deadened by
despondency. His fierce, black eyes seemed now to flash
with living fire. He sprang to his feet, and turning to
the king, he spoke in those deep, thundering tones which
had so often thrilled his co-patriots.
"Nay, call thyself not 'unfortunate.' The man, the
warrior, rises above misfortune; but 'tis water courses
through thy veins. Useless are my efforts, vain my
words, for vainly do I look for one responsive throb from
thee. I rise not now to talk ! Our country is lost to us ;
her hours are numbered, but there is still tor us one last
resource; let us seize it— death! The blood-soaked
ground invokes us; the souls of our brethren call upon
D. Solis Cohen 215
.us; let us be brave as they! Ay, weep, Boabdil, weep;
Allah should have made thee a woman. 0 king— king-
in name, but slave in heart— show one spark of sovereign
spirit; join with us, we who are here, let us give our
city to the flames and perish with her. Come brothers,
and this night we will rest in Paradise." He paused
and looked around him. The cheeks of the warriors
plowed, but their lips were silent; the king moved not,
did not raise his head. Muza smiled in scorn.
' ' "Pis well, ' ' he continued, * ' 'tis well. Welcome your
oppressors; welcome the Spaniards to your walls! 0
dastards ! though you may bow your heads before this
hated horde, and slip your shoulders 'neath the yoke,
Muza at least will never yield. Gaze on me, cowards,
for you will never see me more." Turning rapidly upon
his heel, Muza left the apartment, while at the same
moment the blood-chilling cry again echoed through the
hall-
' ' Woe to Granada, woe ! ' '
With a quick step Muza descended the broad stone
stairway leading to the courtyard; looking neither to
the right nor to the left, to answer the greeting of friend
or salute of comrade. He gave the privilege pass to the
Spanish officer in charge of the gates, and a moment later
was upon the dark, unlighted street. The peaceful sky
seemed to mock his wild spirit, as he proceeded with a
firm tread towards his residence. A footstep behind
him, following quickly upon his own, caused him to
pause and turn. His brave heart beat with double force
at the form which greeted his eyes; a form plainly
visible, supernaturally visible, in the unlighted street.
A tall, straight figure, towering above his own ; flashing
eyes, bright in the darkness as the stars above ; a long
white beard, sweeping below the waist of a loose black
gown without sash or girdle, and white locks blowing
uncovered in the wind.
"Son," spoke a voice, full and deep, yet low as a
loving mother's tone to her cherished offspring, "son,
thy soul prompts thee to a noble deed; I will accom-
pany thy steps." Without a word Muza resumed his
walk; he seemed to feel a new impulse, stronger even
216 Orctjoit Literature
than his own strong will. He reached his home and
paused that the stranger might precede him through the
entrance; but the old man moved back. "Nay, son,"
he said, "thy task is best performed alone. I await
thee here."
Without a question in his mind as to how the stranger
should divine his thoughts, Muza passed through the
portals and entered a small side chamber. He lighted
a lamp of scented oil which hung low from the ceiling.
Upon a couch reposed a female form ; young, and in the
graceful negligence of sleep, with head resting upon a
rounded arm, and long black hair in beautiful disorder
concealing the night robe, half exposed* from 'neath the
broidered covering. A lovely, calm expression rested
upon the almost childish face of the sleeper, and her
breath came sweet and regular through her half opened
lips, marking the beatings of her heart. Her closed eyes
displayed long, silken lashes, and her cheeks, somewhat
flushed by gentle dream, heightened the charm of her
clear complexion. Muza approached the couch and
gazed upon the sleeping form. He bent and pressed his
lips to hers, then passed his hands caressingly upon her
forehead, and moved aside the rich wealth of hair. As
he did so, the faint echo of a far-off sound whispered
through the room—
' ' Woe to Granada, woe ! ' '
Muza started; with a quick motion he drew from
beneath his gaudy scarf a dagger, a keen steel blade, and
raised it above the unconscious form, as though about
to bury it in the soft breast beneath him. But he paused
even in the act of striking, seemingly at a new thought,
and again kissing the red lips, he laid the weapon upon
a stand by the couch, and with soft touch awakened the
sleeper. She turned her eyes upon him, smiled and half
raised herself with a glad welcoming motion; she was
about to speak, but he stopped her, and in a voice of
low sweetness, which trembled even in its firmness, he
said:
"Ayma, my soul! a moment since I stood above thee,
with yon dagger in my hand, its point directed toward
thy heart— thy heart which beats for me alone. But,
D. Solis' Cohen 217
Ayma, them art a warrior's child. I could not strike
thee in thy sleep. I could not spare myself the anguish
of thy eyes, thy look, thy voice; I could not rob thee
of the living;, eternal glory of being thyself the one to
yield thy life to Allah. List to me, child, and put thy
arms about my neck, thus bravely, and thy cheek to
mine; now prove thy heart, for oh, my soul, holy to
me has been the thought that I possessed a son's heart
and spirit in a daughter's frame. List to me, dear one—
with tomorrow's sun the Spaniards enter our city; with
the dawn of day, all that it contains, its wealth, its youth
—you listen, Ayma— its beauty, will be in the power of
those who glory in our disgrace. Our base king and his
pale-souled councilors flatter themselves with the vain
hope that they and theirs will be spared dishonor. Not
so, my child; 0 rny soul, believe me; the corning day
will find thee a polluted slave, or among the blessed in
Paradise. Choose, Ayma, soul of my soul, which shall
it be?"
Ayma fixed her large black eyes upon her father's
face. There was no fear in their clear depths. A high
and lofty look, such as blazed from his own, proved that
he had spoken truly in regard to his daughter's spirit.
There was no trembling in the hand with which she
pointed to the glittering steel, no tremor in the voice with
which she said, "Give me the weapon."
Muza pressed her to his heart.
"Farewell, brave child, I go to strike one more blow,
single-handed, for my country ; we meet tomorrow morn
at Allah's throne."
With one last convulsive embrace, he released himself
from his daughter's arms, and handing her the dagger,
passed swiftly from the apartment and joined tile
stranger without.
" 'Tis well, my son," whispered the old man, "noble
sires give birth to noble souls. Follow me, and I will
lead thee to thy destination and thy glorious end."
Without the walls of Granada, in the city which the
powerful Ferdinand had built after the flames had
218 Oregon I/iterature
destroyed his encampment— Santa Fe, the cross-shaped
city of the faith, here all had been feasting and merri-
ment. The labor of ten long years had at last terminated
successfully, and in their proud congratulations the
Spanish host forgot the dread losses they had suffered,
the thousands and thousands of brave men who had
perished, and the devastation which had marked the
birth and death of days.^ Tomorrow, in all the glare
and glitter, pomp and power of parade, they would enter
victorious into the city which had so long defied their
might. Not a soldier among that mighty host, but
dreamed that night of gold and jewels, of soft, bright
eyes and waving hair. As the night wore on, the sounds
of revelry ceased, and in obedience to commands the
soldiers sought repose. The camp city was left to the
sentinels, who trod their beats with unsteady gait and
half-closed eyes, for generous measures of Castilian wines
had warmed their veins and soothed their senses.
Slowly creeping; now along the ground, now in the
dark shadows, two figures approached the royal head-
quarters; gliding noiselessly along, and passing sentry
after sentry without notice, till they reached within a
few yards of the arched entrance with its crossed banner.
There they paused, and the old man spoke.
' ' My son, here we part. ' '
"Father," said Muza, "thou hast brought me safely
through all these dangers, who art thou 1 Speak, father,
thy name?"
"Nay, my son; rest satisfied, thy work will prosper;
take my blessing."
Muza prostrated himself before the old man, and when
he rose again, the old man had vanished.
"God is great!" murmured Muza, and lying flat upon
the ground, with his keen eye upon the guard pacing
before the entrance, he slowly dragged himself forward.
Close, closer, and when the sentry turned he placed him-
self with a quick spring between him and the entrance.
Then, as the sentinel came back, he jumped up suddenly
and faced him, and before the startled man could cry
or think, he caught him firmly by the throat, bore him
to. the ground, and compressing his windpipe with one
D. Solis Cohen 219
hand, drew with the other a dagger and stabbed him to
the heart. Even while the man's limbs moved in his
fearful, silent death struggle, Muza took his upper gar-
ment from him and with it clothed himself. Then rising
cautiously, he slowly and regularly trod the beat which
the dead man had walked, glancing carefully upon the
entrance each time he passed, and noting well the build-
ing. For full half an hour he paced thus with slow and
measured tread ; then suddenly, with a loud and fearful
cry, a piercing scream which echoed wildly in the still
n-ight, he shouted:
"Treachery! Treachery! They come! The Moors!
The Moors!!"
Yelling thus fiercely, he dashed through the entrance
into the building. His scimiter he held loosely in his
han'd.
The soldier sleeps lightly. Easily is he aroused even
from dreams of love and home. From all parts of the
building Spanish officers came rushing, while outside all
was in confusion.
"The king!" cried Muza, "the king! Where is the
king?" and tightening his hand upon the hilt of his
scimiter, and keeping it close to his side, while in his
other hand he displayed the lance he had taken from the
sentinel, he darted through the long corridor.
A door at the end was thrown open. A tall form
appeared upon the threshold. With one spring, such as
a wounded tiger might make upon his foe, Muza leaped
upon this form; he dropped his lance, and with one
swoop of his scimetar he severed head from body.
"Ha ha!" he laughed, "die, Spanish dog! die, dog of
a Spanish king, die in thine own stronghold by the hand
of Muza. Granada, thou art avenged!"
He was seized by the Spaniards crowding around, but
he laughed long and fiercely.
"Do your worst, there lies your king."
But suddenly his cheeks blanched ; his knees trembled ;
what was it! Had fear seized upon his soul? He looked
straight before him; his eyes seemed starting from their
sockets; for there approached a man before whom all
bowed; a man who gazed sternly upon the prisoner.
220 Oregon Literature
Fatal Mistake! Ferdinand, king of Spain, stood be-
fore him ! . . .
In the morning, as the Spanish troops marshalled for
their triumphal procession, the soul of Muza ascended
amid the fire of the stake: From the moment when he
became aware of his great error, until the moment the
flames rose up about him, he uttered not a sound ; but as
his soul left his body, that soul spoke; one word—
"Ayma."
Frederick Schwatka
Frederick Schwatka^ born in Galena, Illinois, Septem-
ber 29, 1849. Came with his parents to Oregon in 1853,
settling at Astoria. Removed to Albany where they re-
mained until 1859, when they went to Salem. Was edu-
cated* at Willamette University and learned printer's
trade. Received appointment to United States Military
Academy at West Point, graduating in 1871, and was
appointed second lieutenant in Third Cavalry. Served
on garrison and frontier duty until 1877. Studied law
and medicine, was admitted to the bar in Nebraska in
1875, and received his medical degree at Bellevue Hos-
pital Medical College, New York, in 1876. Commanded
an expedition in search of Sir John Franklin's party
1878-1880. Afterward explored the course of the Yukon
in Alaska, rejoining his regiment in 1884. In August
resigned his commission as first lieutenant in the army,
and commanded the New York Times Alaska exploring
expedition in 1886. He was an honorary member of the
greatest geographical societies of the world and had re-
ceived medals from many of them. During the later
years of his life he made two tours of exploration through
Mexico. Among his writings are "Along Alaska's Great
River," 1885; ^'Nimrod in the North," 1885; "The
Children of the Cold," 1886. He died in Portland,
Oregon, November 2, 1892, and was buried in Rural
Cemetery, Salem, beside his parents.
FRANCES FULLER VICTOR
Frances Fuller Victor
Frances Fuller Victor was born in Rome Township,
New York, May 23, 1826, and came to Oregon in 1865.
Her literary career may be summarized as follows:
poems, 1851; "Florence Fane Sketches," 1863-65; "The
River of the West," 1870 ; "All Over Oregon and Wash-
ington," 1872; "Woman's War Against Whiskey,"
1874; "The New Penelope," 1877; "Bancroft History
of Oregon," two volumes, 1886; "Bancroft History of
Washington, Idaho and Montana"; "Bancroft History
of Nevada, Colorado and Wyoming;" "Bancroft History
of California," Vols. 6 and 7; "History of Early In-
dian Wars in Oregon," 1893; "Atlantis Arisen":
"Poems," 1900. Died at Portland, Oregon, November
14, 1902.
GOL. JOSEPH L. MEEK.
Joseph L. Meek was born in Washington County, Vir-
ginia. He was the son of a planter,, and his mother was
of a good Virginia familv— one of the Walker's— and
aunt to the wife of President Polk. But unfortunately
for her son, this lady died early, and young Joseph was
left very much to his own devices, on a plantation where
there was nothing for him to do, and little to learn,
except such out-door sports as boys delight in. These
he enjoyed in the most unrestrained liberty, having for
his companions only the children of his father's slaves,
towards whom he stood in the relation of master.
Such circumstances would be inimical to habits of
mental industry in any case; and the lad found his
temptations to a busy idleness so many and strong, that
he refused even to avail himself of the little elementary
teaching that he might have had on the plantation. His
stepmother, for whom he seems to have tffelt a dislike,
either did not, or could not influence him in the direction
222 Oregon Literature
of study; and it fell out that when he arrived at the
age of sixteen years, he was a tall, merry, active boy, who
knew hardly as much of spelling and reading as is con-
tained in the child's first primer. Why it was that his
father negfetted him in so culpable a manner does not
appear; but what is evident is, that young Meek was
not happy at home, and that his not being so was the
cause of his abandoning the plantation when between
sixteen and seventeen years of age, and undertaking to
enter upon a career for himself. This he did by going to
Kentucky, where some relations of his father resided;
and, on finding things not to his mind in the new place,
finally pushing on to St. Louis, then a mere trading post
on the Missouri frontier, where he arrived in the fall
of 1828.
This was the decisive step that colored all his after
life. St. Louis was the rendezvous of fur traders, who
yearly enlisted new men for service in trapping beaver
in the Rocky Mountains. Young Meek offered himself,
and though younger than the other recruits, was ac-
cepted, on his assurance that he would not shrink from
duly, even if that duty should be to fight Indians. The
spring of 1829 accordingly found him in the employ of
Mr. William Sublette, one of the most enterprising and
successful of the fur traders, who annually led a com-
pany of men to the mountains, and through them, from
summer to winter rendezvous; leaving them the follow-
ing spring to go to St. Louis for the necessary Indian
goods and fresh recruits.
Little did the boy of eighteen realize the fateful step
he was taking ; that for eleven years he should roam the
mountains and plains like an Indian, carrying his life
in his hand at every step; that he should marry an
Indian woman; and leave a family of half-Indian
children in the valley of that far off Oregon, of which
then he had hardly ever heard the name. But a man
once entered into the service of the fur companies found
it nearly impossible to abandon the service, unless he
had shown himself cowardly and unfit — in which case
he was permitted to return when the trading partner
went to St. Louis for goods. A brave and active man
Jessie Buoy 223
was sure to be kept in the company's debt, or in some
other way in its power; so that no opportunity should
be afforded of leaving the life he had entered upon how-
ever thoughtlessly. Letters were even forbidden to be
written or received ; lest hearing from home should pro-
duce homesickness and disaffection. The service was so
full of dangers, that it was estimated fully one-fifth if
not one-fourth of the trappers were killed by the Indians,
or died by accident and exposure each year.
Yet, with all these chances against him, Meek lived
eleven years in the mountains, fighting Indians and wild
beasts, with never in all that time a serious wound from
Indian arrow or paw of grizzly bear; a fact that illus-
trates better than any words, the address, quickness and
courage of the man. Though often sportively alluding
to his own subterfuges to escape from danger, it still
remained evident that an awkward, slow or cowardly
man could never have resorted to such means. An un-
suually fine physique, a sunny temper and ready wit,
made him a favorite with both comrades and employers,
and gave him influence with such Indian tribes as the
mountain-men held in friendly relations.
Jessie Buoy
ON THE RIVER.
Oh, gray dawn and white, white mist,
And hills so mute and still ;
Oh, wild west wind, wherever you list
To go at your own sweet will ;
Oh, golden sky and sea-fowl flown,
And cattle and meadow and home
It takes you all— yes, every one—
To make a day on the river.
Harvey W. Scott
Harvey W. Scott came to Oregon in his boyhood. He
helped his father clear the old donation claim in Wash-
ington County ; then undertaking his own education, he
was the first regular graduate of Pacific University.
Early in life he pursued a prodigious course of study;
and with a logical faculty somewhat remarkable his pen
soon won prominence in communicating his opinions.
Since 1865 he has been editor of the Oregonian. Under
'tis management, that journal has gained the reputation
of being one of the greatest dailies on the continent,
ranking with the New York Sun and the Evening Post.
It was his pen that gave, the Oregonian its character.
However, as a rule, the tone and excellence of a publica-
tion is in part attributable to the taste of the numerous
readers who create a demand for a publication of that
sort. As a critic in the journalistic art, Mr. Scott com-
pares favorably with Dana and Bryant; and while he
has not neglected his editorial duties and written books
as have some noted editors, he has established a precedent
in the journalistic field worthy of the study and emula-
tion of young men and women who look forward to
literary employment as a life vocation.
THE BIBLE IN ENGLISH.
(An editorial written for the Oregonian.}
A plea is again presented for a new translation of the
Bible into English, for the purpose, it is said, of speech.
It is argued that the version so long in use, since it does
not belong to the language of our time, is not suited to
ordinary and common use for the present day, and to
many is even scarcely intelligible. It does, indeed,
abound with a peculiar phraseology and with singular
words long since abandoned, and its style is maintained
HARVEY W. SCOTT
,»« •» c*
»o * d *v<rt
A • •• • 9 <
Harvey W. Scott 225
no where else in our literature; but these are precisely
the features that make it impressive, concentrate atten-
tion upon it, and give it the sacred character it possesses.
Through this translation the Bible means more to readers
of English than to those who use any other tongue. The
general antique color of the diction perpetuates this
translation as the literary representative of our sacred
speech. In the literature of no other language is there
anything that corresponds to it.
It is not too much to say that there is no possibility of
supersedure of this version by another. It is a part, and
no small part, of the intellectual, moral and religious
culture of all English-speaking peoples. The forms of
expression in which the text is rendered have long been
household words unto millions, and the change of a word
or a syllable would produce a jar to many ears as harsh
as dissonance in music. As a work of literature, this
version is a transcript of the religious and in ellectual
energy that produced it. Its downright, sinewy and
idiomatic English, coming to us from the best age of
our literature, is strong, where a new version would be
diffuse and feeble. From the same type of mind thaf
produced this version flowed those innumerable tributary
streams that fed the mighty sea of Shakespeare. To
substitute another version for this one would be to
abandon one of the strongest clews to the entire living
existence, moral, intellectual and religious, of all who
inherit the English tongue. Of course, therefore, it can-
not be supplanted. It makes the highest ideas, clothed
in words of compass and power, part of the daily life
and growth of multitudes. No substitution of another
version for it. nor even any material change in this one
would be possible ; or, even were it possible, it would be
a positive loss to literature and history, and would tend
to impoverishment of the soil in which the moral and
religious ideas of a great people have 1heir nourishment
and growth.
Here is the genius of the English tonsrue at its greatest
and best, flinging its full strength unon a task which at
the time lay close to the heart of the English people. The
English Bible is the masterpiece of our prose, as Shakes.-
226 Oregon Literature
peare's work is of our poetry; it beats not only with
the divine impulse of its original, but also with that im-
mense vitality of religious life in the days when to our
ancestors religion and life were identical. In this version
we have that tremendous reach of emotion, borne on a
style majestic and clear, which has been and will con-
tinue to be one of the great forces in the movements of
history. This English Bible is among the greatest of the
agencies in spreading the English language throughout
the world, and in extending the principles of liberty and
of jurisprudence that go with it and find their expression
through it. This view shows that missionary work
carried on in the English tongue throughout the world
has a field vastly wider than propagation of mere ecclesi-
astical dogma. It is introductory to and part of a greatly
wider field of effort and progress. Its potency lies in the
fact that the religious feeling is the most powerful of
the forces through which men are moved, and in all
times has been the underlying force in the expansion of
civilization. This is not to say that it has not been
abused, or has not run into errors, or at times even into
crimes, some of them colossal. Nevertheless, without the
religious impulse the world never could get on,
*A
THE EVOLUTION OF OREGON.
(F? jm an Address Before the Oregon Pioneer Society.)
The earliest explorers of Oregon, the missionaries of
the somewhat later day included, were mostly from our
Atlantic states; but when the active migration began
the states of the Upper Mississippi Valley supplied far
the greater number. These persons were of the pioneer
stock of Missouri, of Illinois and of other states of the
region then known as the AVest. The story of Oregon
had reawakened their old love of adventure; it offered
a source of relief to their restlessness, and it held out to
them the vague hopes always promised by the unknown.
Situated where they were, communities were growing up
around them ; they had lost the sovereignty of space and
wanted to recover it; they liked not close settlements,
Harvey W. Scott 227
still less cities, where man disputes with man for air,
space, sunshine. Fixed residence was less agreeable than
indefinite removal, the imagination loved to dwell on the
illimitable, where no bounds are set to freedom of move-
ment and action. He who is alone feels that he is import-
ant; for he measures himself by his actual standard,
and not by the method of the census taker, not by the
indistinguishable numerical value which his single ex-
istence represents in a populous city or nation. The
imagination is fed by visions and illusions; and yet so
deep a mystery is man, that these in fact have greater
power over him than realities, and the realm of imagina-
tion becomes man's truest world.
These were the people who constituted the body of
those now coming to Oregon. There had been an effort
to establish missions among the Indians, but these people
did not come for missionary purposes. There were
earnest endeavors on the part of a few far-seeing men
to augment the force of Americans in the country, so as
to create a counterpoise to British influence and secure
the disputed territory to the United States; but this
was not the motive that impelled the main column of
migration. Efforts for missionary work and reports of
missionaries on the country had done much to create an
ititerest in Oregon, as in the case of Rev. Jason Lee, whose
lectures in Illinois in 1838 started the Peoria party in
1839; agitation of the "Oregon Question" in Congress
and throughout the country, based on the desire to plant
a body of American citizens here whose presence would
attest the sovereignty of the United States, had helped
to make Oregon known ; and the Western pioneer hearing
of Oregon as a wonderland, could not restrain his im-
patience; he had not yet been satiated with adventure,
and he looked back on the conditions of pioneer life from
which the states of the Upper Mississippi region were
just emerging, as a golden age of freedom which might
be renewed on the distant shores of the Pacific, and the
fact that privation was to be met and danger was to be
braved added zest to the undertaking.
The story of the toilsome march of the wagon trains
over the plains will be received by future generations
228 Oregon TAtcraturc
almost as a legend on the border land of myth, rather
than as a veritable history. It will be accepted, indeed,
but scarcely understood. Even now to those who made
the journey, the realities of it seem half fabulous. It no
longer seems to have been a rational undertaking. The
rapid transit of the present time appears almost to
relegate the story to the land of fable. No longer can
we understand the motives that urged our pioneers to-
ward the indefinite horizon that seemed to verge on the
unknown. Mystery was in the movement, mystery sur-
rounded it. It was the last effort of that profound im-
pulse which, from a time far preceding the dawn of
history, has pushed the race to which we belong to dis-
covery and occupation of western lands, i
Here now we are ; the limit has been reached. The
stream can flow no further onward, but must roll back
on itself. Life must develop here, and in this develop-
ment it must diversify itself, and take on new and char-
acteristic forms. This, in fact, it is doing. Oregon, from
the circumstances of its settlement, and its long isolation,
and through development here of the materials slowly
brought together, has a character almost peculiarly .its
own. In some respects that character is admirable ; in
others it is open to criticism. Our situation has made
for us a little world in which strong traits of a character
peculiarly our own have been developed ; it has also left
us somewhat out of touch with the world at large. We
are somewhat too fixed and inflexible in our ways of
thought and action, and do not adjust ourselves readily
to the conditions that surround us in the world of men,
and now are steadily pressing in on us from all sides.
The life of a community is the aggregate life of the
individuals, who are its units, and the general law that
holds for the individual holds for the society. The
human race can make progress only as the conduct of a
man as an individual and of a man in society is brought
into harmony with surrounding forces under the govern-
ment of moral law. Of this progress experience becomes
the test. The multiplying agencies of civilization, oper-
ating in our own day with an activity continually cum-
ulative and never before equalled, are turned, under
Harvey W. Scott 223
the pressure of moral forces, into most powerful instru-
ments for instruction and benefit of mankind. It is
probable that nothing else has contributed so much to the
help of mankind in the mass, either in material or moral
aspects, as rapid increase of human intercourse through-
out the world. Action and reaction of peoples upon
peoples, of nations upon nations, of races upon races,
are continually evolving the activities and producing
changes in the thought and character of all. This inter-
course develops the moral forces as rapidly as the intel-
lectual and material; it has brought all parts of the
world into daily contact with each other, and each part
feels the influence of all the rest.
Common agents in this work are commerce in mer-
chandise and commerce in ideas. Neither could make
much progress without the other. Populations once were
stagnant. Now they are stirred profoundly by all the
powers of social agitation, by travel, by rapid movements
of commerce by daily transmission of news of the im-
portant events of the world to every part of the world.
Motion is freedom and science and wealth and moral
advancement. Isolated life is rapidly disappearing;
speech and writing, the treasures of the world's liter-
ature, diffused throughout the world, enlarge and expand
the general mind, and show how much is contained
within humanity of which men once never dreamed. In
language itself there is a steady advance towards sim-
plicity, compass, exactness and uniformity. As civiliza-
tion makes progress and increases, the number of dialects
diminishes, provincialisms are merged, the same tongue
becomes common to a mighty people.
Phases of life pass away, never to return. In the first
settlement of a country the conditions of nature produce
our customs, guide our industries, fix our ways of life.
Later, modifications take place, fashioned on changing
conditions. Oregon, long isolated, has now been caught
up and is borne onward in the current of the world's
thought and action. Under operation of forces that
press upon us from contact with the world at large, and
under the law of our own internal development, we are
moving rapidly away from the old conditions. Pioneer
230 Oregon TM Mature
life is now but a memory ; it will soon be but a legend or
tradition. Modern society has no fixity. Nothing abides
in present forms. See how complete has been the trans-
formation of New England within twenty-five years. A
similar process is now in rapid movement among our-
selves in the Pacific Northwest. Once we had here a little
world of our own. We shall have it no more. The
horizon that once was bounded by our own board enlarges
to the horizon of man.
John Gill
GANTORI MORTUO.
Swift Voices of the Night,
Crying abroad through all the sleeping land:
"Balder, the beautiful, is dead! The hand
That woke the harp on Wild Acadia 's shore
To noblest strains, shall strike that harp no more !
Shrouded, and still, and white ! ' '
Speak to the rolling waves,
Breaking in thunders on his native Coast;
Tell them the bard who loved their music most
Sleeps in the old house by the tranquil bay,
Deaf to their fury, or their giant play
In the green ocean caves.
The building orioles sing-
In the long branches of his old elm trees ;
The bluebird pours upon the vernal breeze
His mellow notes, unconscious that he lies
Reckless of song and warmly-bending skies,
In the returning Spring.
No more the bells of Lynn,
Or billows mourning on Nantucket's shore,
Or winds that thro ' the wayside elm trees roar,
Filling the night with voices sweet and strong,
Shall rouse his spirit to immortal song,
Or his soft numbers win.
The River Charles flows by
His loved old city, on its brimming tide
Reflecting Auburn's tower, and streaming wide
Under the bridge; the stately street resounds
With shout and song from his old college grounds,
Where youth can never die.
232 Oregon Literature
The old clock on the stair,
That marked the long, long thoughts of childhood's page,
His manhood, noble prime, and green old age
White with kind frosts, speaks yet in solemn tone,
Forever— never— as in years bygone;
Years past, forever fair.
Into the Silent Land
His steps have entered, where his treasures were;
There may the choiring angels minister
Peace to his soul, true kindred of their own;
His Psalm of Life is sung, his day gone down
In sunset calm and grand.
Never— Forever ! v
In curfewbell, in voice of summer streams,
In wildbird songs, in music of our dreams,
In all the noblest promptings of the heart
His words of love and fire shall have their part,
Echoing evermore.
Oh, Voices of the Night !
Breathe low_ and sweet above that sacred mound
Through woods in summer green; or mournful sound
Through sighing pines, dark in Acadian snow,
A requiem for the soul of Longfellow,
Soared to its highest flight !
GEORGE H. WILLIAMS
George H. Williams
Hon. George H. Williams was born in Columbia
County, New York, March 26, 1823; educated in the
academy on Pompey Hill in Onondaga County; and
admitted to practice law in 1844. He then moved to Fort
Madison, Iowa; and in 1847, was elected Judge of the
First Judicial District. In 1852 he was appointed Chief
Justice of Oregon, by President Pierce. In 1864 he was
elected United States Senator. Soon after his term in
the Senate he was appointed one of the Joint High Com-
missioners to settle by treaty with Great Britain the
Alabama claims and other disputed questions between
the two countries. He was the author of the act under
which the states lately in rebellion were reconstructed—
generally known as the "Reconstruction Act." In 1871
he accepted from President Grant the appointment of
Attorney-General of the United States. Since retiring
from that office Judge Williams has been steadily
engaged in the practice of law, devoting his spare
moments to literary pursuits. Ample entertainment and
instruction can be found in the lines of Mr. Williams 's
"Occasional Addresses," a neatly bound volume of two
hundred pages.
PARALLEL BETWEEN SHERMAN AND GRANT.
We are familiar with the story of David and Jonathan ;
but if their extraordinary friendship was more senti-
mental, it was not more interesting than the relations
of Grant with Sherman. These relations were indeed
beautiful. They exalted both men in my estimation.
Our country, and all countries, from time immemorial.
have been cursed with the rivalries and jealousies of
great men. Few people know how much these have to
do with the turmoils, wars and bad government, of the
world. Grant and Sherman were the two great Generals
234 Oregon Literature
of the war. Circumstances conduced to make them rivals
for distinction and the honors of their country. There
was ample room and provocation enough for jealousy
between them; but the common cause in which they
drew their swords seems to have rounded their lives into
an unbroken harmony.
I have frequently conversed with each about the other.
There were no complaints or fault-findings upon these
occasions. Grant always spoke kindly of Sherman;
Sherman enjoyed the praises of Grant. It is difficult
co compare the military capabilities of two men so dif-
ferent in temperament. Sherman was quick, nervous
and impulsive; Grant, thoughtful, deliberate and im-
perturable. Marching through Georgie suited the dash
of Sherman; the siege of Vicksburg, the deep resolve
and unyielding tenacity of Grant. Both have written
books. Sherman had more snap and sparkle in his style ;
Grant, more terseness, strength and simplicity. Grant
was a man of few words, and no speech-maker ; Sherman
frequently spoke on public occasions in a fluent and
pleasing manner.
Twenty-five years ago the war for the Union ended.
Death has been busy with men of that war; but time
is erecting a monument to their memories, in states
united, that will stand as long as our flag represents the
freedom and 'union of the American people.
Our country has folded to its green bosom and to their
earthly rest, Grant, Sherman, Sheridan, Thomas, Han-
cock, Logan, and many of their compatriots; but their
graves are pilgrim shrines to which future generations
will come to commune with the historic dead, and con-
secrate themselves to the service of their country.
UPON THE VALUE OF GOOD THOUGHTS.
A group of essays taken from an address to the gradu-
ating class of the High School in Portland, Oregon,
June 23, 1891. They are ink-drops from the busy
pen of one who for more than a half century has been
constantly employed in giving counsel to people of all
ranks and ages.
George JL Williams 235
FAITH.
"According to your faith, be it unto you," is a rev-
elation and promise from Infinite Wisdom and Power.
Faith is the Archimedean lever that moves the world.
Faith convoyed Columbus to the discovery of a western
hemisphere. Faith spans oceans with telegraphs and
continents with railroads. Faith has founded empires
and won great victories. Faith is the inspiration of
every great invention and every great enterprise; and
without faith the dead level of animal life would hardly
be disturbed. Faith is defined to be the substance of
things hoped for, the evidence of things not seen ; which
is a summary way of describing life in the world of
thought brightened by the promise of hope. Faith in
God, faith in man, and faith in the good, the true and
the beautiful, are elements of exalted and refined
pleasures.
GOOD THOUGHTS.
True happiness consists in having your minds occupied
with good, just and pure thoughts; and if your minds
are filled with such thoughts your bodily surroundings
are of no great consequence. This power of controlling
the thoughts, especially under adverse circumstances, is
not intuitive ; nor is it easily acquired. Like other ac-
complishments of the mind and body, it comes through
cultivation and discipline. Our minds, untrained, have
a tendency to produce evil thoughts, like the tendency
of the untilled earth to produce wild grasses and weeds.
Avarice, envy, jealousy, hatred, malice, discontent
and fear, are names given to classify those different con-
ditions of the mind from whieh proceed a great part of
the unhappiness of the human family.
To overcome and put an end to these mental condi-
tions is like the fight of Hercules with the hydra;
but in this fight, as in that, perseverance will achieve
success. One person is born in poverty, and bound by
circumstances beyond his control to a life of obscurity
and toil. Another is born in affluence, and inherits dis-
tinction and ease. Very often the former is discontented
236 Oregon Literature
and depressed with his lot, and his life is poisoned with
envy of the latter ; when, as a matter of fact, there may
not be, and in a majority of cases is not, any good ground
for this unhappiness. It is misery made out of nothing
but perverted thoughts.
When a poor man, in good health, has all that he
needs to eat, to drink and to wear, he has about all a rich
man can get out of his wealth, so far as bodily enjoy-
ments are concerned. The air is as fresh and pure, the
sunshine as bright and warm, to the poor as to the rich.
All the glories of the heavens and all the beauties of the
earth are as free to 1(he poor as to the rich. God is no
respecter of persons, and all His wondrous works are
for the equal good and pleasure of all His children.
Moreover, it does not follow that because a man is rich
he is happy; for happiness does not depend so much
upon external circumstances as upon mental conditions,
and it may happen that the mind of the man with
millions of money is distracted with care and trouble,
while the boy who blacks his boots is happy in the
thought of better days to come.
Were it possible to look into the thoughts of those
around us, we should find that there is not half as much
differenpe among people, so far as their happiness is
concerned, as there seems to be. Alexander wept for
other worlds to conquer, but Diogones was contented in
his tub. Envious thoughts are extremely foolish, for
they neither help the envious nor hurt the envied. They
only sting the brain that brings them into being. Our
great need is to know how to change injurious and evil
thoughts into those that give us pleasure and peace.
WILL POWER.
We must be diligent in the exercise of 1he will power.
Self-examination will show that, as a rule, our wills are
allowed to be dormant, while passion, prejudice, or some
exciting circumstances evolve and control our thoughts.
Disuse makes our wills, like our limbs, weak and in-
efficient when we desire to use them. You believe that
some one has wronged you, in consequence of which you
are exicited with angry and revengeful thoughts. To
George tt. Williams 237
get rid of these thoughts as soon as possible is advisable,
because they not only destroy mental serenity, but
inaugurate disorders of the body. To do this it is
necessary to substitute pleasant and soothing thoughts
for those that irritate and annoy. Bring ur> from the
storehouse of memory some scene to which your affections
cling ; think of some event tha> has given you pleasure
or profit, or give yourself up to some bright dream of
the future. Drive away the clouds and ^nter into the
sunlight. Poe's ''Raven" is the picture of a mind filled
with thoughts of sorrow, gloom and death, while Woorl-
worth's "Old Oaken Bucket" is the picture of a mind
full of refreshing and grateful memories. To substitute
the thought that inspired the song of Woodworth for
those that inspired the wail of Poe, is to substitute the oil
of joy for the ashes of mourning.
To change or divert the thoughts from that which is
evil to that which is good, is comparatively easy; but
the difficulty is to maintain the change. Bad thoughts
are Always striving for the mastery, and eternal vieril-
ance is necessary to prevent their success. To try this
experiment involves a mental struggle. There will be
failures and disappointments: but every time the un-
conquered will brings in good thoughts it era ins strength
for the next conflict; and so by persistent efforts, the
mind is released from distraction, and made the citadel
of contentment and peace. T want to say this with
emphasis : Watch the coming and going of your thoughts,
and whenever you perceive that an evil, unkind or
unhappy thought has entered into vour mind, displace
it at once with something that is good, kind or agreeable;
and if you can make this the fixed habi4^ of your mind,
you have gained what is worth more to your happiness
than all " the wealth of Ormus or of Ind."
INDIVIDUAL DIFFERENCES.
I have had more or less to do with the quarrels of
men for nearly fifty years, and the result of my ob-
servation and experience is, that a great part of these
disagreements are unnecessary, and would not occur if
people did not act without reflection. I have no right
238 Oregon Literature
when I differ with another, to get angry, and act from
passion ; but it is my duty to consider that I may be
blinded by self-interest, or that I may have been mis-
informed, or may have misunderstood what has been
said or done, and I ought to know the views and thoughts
of the other man before I decide upon any definite action.
Our Lord gave us good advice when he said, * ' Judge not
according to the appearance, but judge righteous judg-
ment."
You will be better satisfied with yourselves, and add
to your happiness, if you take a charitable view of the
motives and actions of other people : though you may
know that others have gone wrong, it is noble and gen-
erous to think of them that they "have but stumbled
in the path you have in weakness trod. ' ' What a world
of trouble and sorrow would be prevented if people would
think more kindly and justly of each other.
THE DELUSIONS OF LIFE.
Everybody is praising truth; but who would take
away from children their conceptions of Santa Glaus
or those little works of fiction which they read with so
much avidity and pleasure, of which * ' Little Red Riding
Hood" is an example? Who would suppress the
maternal instincts of the little girl by robbing her of
her doll, or dispel the manly conceits of the little boy
in riding his wooden horse? Visions of love, wealth
and power are to the morning of life what summer
breezes and the singing of birds are to the rising day,
and, though largely delusive, are delightful while they
last, and shed their fading brightness over the sober
scenes of later life. I have lived in handsome houses of
brick and stone, and held high positions of honor and
trust; but the most beautiful houses in which I ever
lived, and the highest honors I ever enjoyed, are those
which an unfledged ambition constructed out of my'
boyhood fancies.
CHEERFULNESS.
Whatever your circumstances in life may be, try to
take a cheerful, and not a gloomy view of your prospects
George II. Williams 239
and surroundings. To cultivate a cheerful disposition or
state of mind, is not only to cultivate your own happi-
ness, but to make your presence like mingled flowers
and sunshine to your family and friends. I think iL
safe to say that more than one-half of the troubles of
life have no existence outside of a misguided or morbid
state of mind. Take, as an illustration, Shakespeare's
great impersonation in Othello. Here was a solrlier,
honored by men and loved by woman for his great deeds,
who was driven by false and poisoned thought to murder
a true and loving wife, and then to commit the kindred
crime of suicide. All this was the outcome of thinking
evil instead of good of one whose virtue and purity were
ignored to give place to a base suspicion. There is no
greater folly than to brood despondently over some mis-
take or misfortune that has passed beyond recall. Try
always to encourage yourself with the reflection that
apparent evils are frequently blessing^ in disguise.
Looking backward over the ills of life is poor business;
but to look forward and upward with faith and hope is
to draw from heaven some of the choicest blessings.
GOOD THOUGHTS ARE UPLIFTING.
Rich people can diversify their lives with recreations
and amusements of various kinds ; but those who labor
for their daily bread are largely dependent upon their
daily thoughts for refreshment and rest: though the
body is bound to earth, the thought may be in heaven.
Where can the mother, whose heart is bleeding from the
loss of her child, find such comfort as in the thought of
being reunited to her loved one in another and a better
world? Our Lord has provided for the poor and
afflicted, by showing them that, if they will make their
thoughts like His thoughts, they will have a wealth of
peace which the world cannot give or take away. Some
people profess to believe that these comforting thoughts
are nothing but the vagaries of weak and sensitive minds ;
but, be this as it may, they have lightened the burdens
of many weary souls; and it is safe to assume that they
will be found to be eternal realities, when flesh and
blood have mouldered into dust.
240 Oregon Literature
INFLUENCE OF GOOD THOUGHTS.
Our thoughts affect others, favorably or unfavorably,
as they affect ourselves. Good thoughts exert a good
influence, and bad thoughts a bad influence, upon those
around us. Some philosophers contend that thought is
as much a substance as magnetism, electricity or beat;
and the analogies of this argument are good, for all alike
are intangible, invisible and capable of changing and
controlling material things. Actual experiments have
demonstrated that thought can be transferred from one
mind to another without the use of any visible or
audible signs; and it is therefore a reasonable conclusion
that all thoughts, to some extent, are common to all
minds. Go into a company of people whose thoughts
are pure, bright and joyous, and then go into another
company whose thoughts are low, hateful and gloomy;
and, though nothing be said, the change will be percepti-
ble in the changed condition of your thoughts. On"
little spark may kindle a great fire ; and one new and
vigorous thought may set in motion a great thought-
wave. I have noticed, in the political and religions
world, that where the thought in one locality drifted in
a certain direction, the same drift was observed in other
and remote localities. Language may in .part account
for this; but results indicate that currents of though f
run through the social fabric, like currents of electricity
through the unconscious earth. When the spiritual is
more fully developed, and the intellectual becomes more
apprehensive, it may be that the telegraph and telephone
will fall into disuse, and mind answer to mind, and
thought to thought, through a medium common to all.
Our thinking faculties conjoin us to the Supreme Intelli-
gence of the Universe. They stamp the dust of the earth
with the image of the Deity. They can lift us to the pin-
nacles of human life. They can do more : they can lift
us up to heaven, or they can bear us down the endless
declivities of eternal darkness. Gird UP the loins of
your minds. Prepare yourselves for the smiles and
frowns of fortune. Go out, with faith in God, into the
field of duty, always remembering that the secret of a,
happy life is to think good thoughts,
EDWARD DICKINSON BAKER
Edward Dickinson Baker
Edward Dickinson Baker was born in London. Eng-
land, February 24, 1811. Five years later his father's
family settled in Philadelphia, where Edward at an early
age was apprenticed to a weaver. In 1825 the family
moved to Indiana, and the following year to 'Illinois.
Young Baker drove a dray in St. Louis for a season,
but returned to Illinois, where he was admitted to the
bar. In 1831 he seriously thought of entering the
ministry in the Reformed or Christian Church. He ob-
tained a Major's commission in the Black Hawk War;
was twice elected to the lower branch of the State Legis-
lature, then one term to the upper branch ; was elected
to Congress in 1844; then, commissioned Colonel in the
Mexican War; and returned to Congress in 1849. In
1852 he located in San Francisco, but in 1860 moved to
Oregon, where he was chosen United States Senator. His
greatness as a soldier, statesman, orator and patriot was
of that character which made him inevitable in any state
or national disturbance ; so that while Oregon of all the
states honored him the most, the Nation in the onset of
a threatening calamity laid first claim upon his highest
energies. Attired in the full uniform of a Colonel he
appeared before his fellow Senators in a stirring defense
of the Union, August 2, 1861 ; and four days later he
was confirmed Brigadier General. He fell in the battle
of Ball's Bluff, October 21, 1861. In recognition of his
services, a commission as Major General of Volunteers
was afterwards issued in his name.
As an orator Colonel Baker seeing clearly beheld
things as they were ; hence treated each subject in a
style of its own. Therefore he was enabled to give to
us a typical plea in the "Defense of Cora," the repartee
in his "iReply to Benjamin," the ready fire of Patrick
Henry in the "Baker Mass-Meeting Address," fraternal
sympathy in the Broderick oration, the ornate in the
242 Oregon Literature
oration on the Atlantic Cable, and poetry and music in
the ' ' Ode to a Wave. ' ' On all occasions the flight of the
"Old Gray Eagle" was lofty, attracting the eyes up-
ward and uplifting the minds of men above sordid
thoughts and groveling themes.
THE ATLANTIC GABLE ADDRESS.
Amid the general joy that thrills throughout the civil-
ized world, we are here to bear our part. The great enter-
prise of the age has been accomplished. Thought has
bridged the Atlantic, and cleaves its unfettered path
across the sea, winged by the lightning and guarded by
the billow. Though remote from the shores that first
witnessed the deed, we feel the impulse and swell the
paean; for, as in the frame of man, the nervous sensi-
bility is greatest at the extremity of the body, so we,
distant dwellers on the Pacific Coast, feel yet more
keenly than the communities at the centers of civiliza-
tion, the greatness of the present success, and the
splendor of the advancing future.
The transmission of intelligence by electric forces is
perhaps the most striking of all the manifestations of
human power in compelling the elements to the service
of man. The history of the discovery is a monument to
the sagacity, the practical observation, the inductive
power of the men whose names are now immortal. The
application to the uses of mankind is scarcely less
wonderful, and the late extension across a vast ocean
ranks its projectors andl accomplishes with the bene-
factors of their race. We repeat here today the names
of Franklin, and Morse, and Field. We echo the senti-
ments of generous pride, most felt in the commonwealth
of Massachusetts, at the associated glory of her sons.
But we know that this renown will spread wherever
their deeds shall bless their kind ; that, like their works,
it will extend beyond ocean and deserts, and remain to
latest generations.
THE MARCH OF SCIENCE.
The history of the Atlantic Telegraph is fortunately
Edward Dickinson Raker 243
%
familiar to most of this auditory. For more than a
hundred years it has been known that the velocity of
electricity was nearly instantaneous. It was found that
the electricity of the clouds was identical with that pro-
duced by electric excitation; next followed the means
for its creation, and the mechanism of transmission. Its
concentration was found in the corrosion of metals in
acids, and the use of the voltaic pile; its transmission
was completed by Morse in 1843, and it was reserved to
Field to guide it across the Atlantic. Here, as in all
other scientific results, you find the wonder-working
power of observation and induction ; and nowhere in
the history of man is the power of Art— action directed
by Science — knowledge systematized — sisrnally and beau-
tifully obvious. I leave to the gifted friend who will
follow me, in his peculiar department, the appropriate
description of the wonders of the deep seaway ; of the
silent shores beneath ; of sunless caverns and submarine
plains. It is for others to describe the solitudes of the
nether deep. Yet who is there whose imagination does
not kindle at the idea that every thought which springs
along the wires vibrates in those palaces of the ocean
where the light fails to penetrate and the billows never
roll?
From those dark, unfathomed caves the pearl that
heaves upon the breast of beauty is dragged to the glare
of day. There the unburied dead lie waiting for the
resurrection morning, while above them the winds wail
their perpetual requiem; there the lost treasures of
India and Peru are forever hid; there the wrecks of
the Armada and Trafalgar are forever whelmed.
What flags and what trophies are floating free
In the shadowy depths of the silent sea 1
But amid these scattered relics of the buried past,
over shell-formed shores and wave-worn crags, the
gleaming thought darts its way. Amid the monsters of
the deep, amid the sporting myriads and countless armies
of the sea, the single link that unites two worlds conveys
the mandate of a king or the message of a lover. Of
old, the Greek loved to believe that Neptune ruled the
244 Oregon Literature
ocean and stretched his trident over the remotest surge.
The fiction has become reality ; but man is the monarch
of the wave, and his trident is a single wire !
The scene in which we each bear a part today is one
peculiar, it is true, to the event which we celebrate ; but
it is also very remarkable in many and varied aspects.
JOY VISITS THE PACIFIC COAST.
Never before has there been on the Pacific Coast such
an expression of popular delight. We celebrate the
birthday of our Nation with signal rejoicing; but vast
numbers who are/ here today can find no place in its
processions, and perhaps wonder at its enthusiasm ; we
celebrate great victories which give new names to our
history and new stars to our banner — these are but
national triumphs; but today the joy is universal; the
procession represents the world — all creeds, all races,
all languages are here; every vocation of civilized life
mingles in the shout and welcomes the deep. The
minister of religion sees the Bow of Promise reflected
under the sea, which speaks of universal peace; the
statesman perceives another lengthening avenue for the
march of free principles; the magistrate here can see
new guards to the rights of society and property, and
wide field for the sway of international law; the poet
kindles at the dream of a great republic of letters tending
toward a universal language ; and the seer of science
finds a pledge that individual enterprise may yet embody
his discoveries in beneficent and world-wide action.
The mechanic walks with a freer step and more con-
scious port, for it is his skill which has overcome the
raging sea and stormy shore; and labor— toil-stained
and sun-browned labor— claims the triumph as his own
in twofold right. First, because without patient, endur-
ing toil, there could be neither discovery, invention,
application or extension; and again, because whatever
spreads the blessings of peace and knowledge comes
home to his hearth and heart.
Surrounded then, as I am, by the representatives of
all civilized nations, let me express some of the thoughts
that are struggling for utterance upon your lips as you
'Edward Dickinson Raker 245
contemplate the great event of the century. Our first
conviction is that the resources of the human mind and
the energies of the human will are illimitable ; from the
time when the new philosophy, of which Francis Bacon
was the great exponent, became firmly written in a few
minds, the course of human progress has been unfettered
— each established fact, each new discovery, each com-
plete induction is a new weapon from the armory of
truth; the march cannot retrogade; the human mind
will never go back; the question as to the return of
barbarism is forever at rest. If England were to sink
beneath the ocean, she hath planted the germ of her
thought in many a fair land beside, and the tree will
shadow the whole earth. If the whole population of
America were to die in a day, a new migration would
repeople it; not with living forms alone, but with living
thought, bright streams from the fountains of ail nations.
0 Science, thou thought-clad leader of the company
of pure and great souls, that toil for their race and love
their kinds ! measurer of the depths of earth and the
recesses of heaven! aposfle of civilization, handmaid
of religion, teacher of human equality and human right,
perpetual witness for the Divine Wisdom — be ever, as
now, the great minister of peace! Let thy starry brow
and benign front still gleam in the van of progress,
brighter than the sword of the conqueror, and welcome
as the light of heaven !
COMMERCIAL PROGRESS.
The commercial benefits to accrue to all nations from
instantaneous communication are too apparent to permit
much remark ; the convenience of the merchant, the cor-
respondence of demand and supply, the quick return of
values, the more immediate apprehension of the condition
of the world, are among the direct results most obvious
to all men; but these are at last mere agencies for a
superior good, and are but heralds of the great ameliora-
tions to follow in the stately march.
The great enemy of commerce, and indeed of the
human race, is war. Sometimes ennobling to individuals
and nations, it is more frequently the offspring of a
246 Oregon Literature
narrow nationality, and inveterate prejudice. If it
enlists in its service some of the noblest qualities of the
human heart, it too often perverts them to the service
of a despot.
From the earliest ages a chain of mountains, or a line
of a river, made men strangers, if not enemies. What-
ever, therefore, opens communication and creates inter-
change of ideas, counteracts the sanguinary tendencies of
mankind, and does its part to "beat the sword into the
plowshare. ' '
We hail, as we trust, in the event we commemorate, a
happier era in the history of the world, and read in the
omens attendant oni its completion an augury of per-
petual peace.
The spectacle which marked the moment when the
cable was first dropped in the deep sea, was one of
absorbing interest. Two stately ships of different and
once hostile nations, bore the precious freight. Meeting in
mid-ocean they exchanged the courtesies of their gallant
profession— each bore the flag of St. George, each carried
the flowing Stripes and blazing Stars— on each deck
that martial band bowed reverently in prayer to the
Great Ruler of the Tempest: exact in order, perfect in
discipline, they waited the auspicious momen^ to seek the
distant shore. Well were those noble vessels named —
the one, Niagara, with a force resistless as our own
cataract; the other, Agamemnon, "the king of men,"
as constant in purpose, as resolute in trial, as the great
leader of the Trojan war. Right well, O gallant crews,
have you fulfilled your trust! Favoring were the gales
and smooth the seas that bore you to the land ; and oh !
if the wish and prayer of the good and wise of all the
earth may avail, your high and peaceful mission shall
remain forever perfect, and those triumphant standards
so long shadowing the earth with their glory shall wave
in united folds as long as the Homeric story shall be
remembered among men— or the thunders of Niagara
reverberate above its arch of spray.
It is impossible, fellow citizens, within such limits as
the nature of this assemblage indicates, to portray the
various modes in which the whole human race are to be
Edward Dickinson Baker 247
impelled en the march cf progress by the telegraphic
union of the two nations; but I cannot forget where I
stand, nor the audience I address. The Atlantic tele-
graph is but one link in a line of thought which is to
bind the world; the next link is to unite the AtlanHc
and Pacific. Who doubts that this union is near at hand ?
Have we no other Fields f Shall the skill which sounded
the Atlantic not scale the Sierra Nevada ? Is the rolling
plain more dangerous than the rolling deep? Shall
science repose upon its laurels, or achievements faint by
the Atlantic shore? Let us do our part; let our energy
awaken! Let us be the men we were when we planted
an empire. We are in the highway of commerce ; let
us widen the track— one effort more, and science will
span the world. While I speak, there comes to us, borne
on every blast from the East and from the West, high
tidings of civilization, toleration, and freedom. In Eng-
land the Jews are restored to all the privileges of citizens,
and the last step in the path of religious toleration is
taken. The Emperor of Russia has decreed the emanci-
pation of his serfs, and the first movement for civil
liberty is begun. China opens her ports, and commerce
and Christianity will penetrate the East. Japan sends
her Embassador to America, and America will return
the blessings of civilization to Japan. 0 human heart
and human hope ! never before in all your history did
ye so rise to the inspiration of a prophet in the majesty
of your prediction!
A GREAT ACHIEVEMENT.
Fellow citizens, we have a just and generous pride in
the great achievement we here commemorate. We rejoice
in the manly energy, the indomitable will, that pushed
it forward to success ; we admire the skillful adaptation
and application of the forces of nature to the uses of
mankind; we reverence the great thinkers whose ob-
servation swept through the universe of facts and
events, and whose patient wisdom traced and evolved the
general law. Yet, more than this, we turn with wonder
and delight, to behold on every hand the results of
scientific method everywhere visible and everywhere in-
248 Oregon Literature
creasing ; but amid that wonder and delight we turn to
a still greater wonder— the human mind itself! Who
shall now stay its progress? What shall impede its
career? No longer trammeled by theories nor oppressed
by the despotism of authority— grasping, at the very
vestibule, the key to knowledge, its advance, though
gradual, is but the more sure. It is engaged in a per-
petual warfare, but its empire is perpetually enlar^in^.
No fact is forgotten, no truth is lost, no induction falls
to the ground; it is as industrious as the sun; it is as
restless as the sea; it is as universal as the race itself;
it is boundless in its ambition, and irrepressible in its
hope. And yet, in the very midst of the great works
that mark its progress, while we behold on every hand
the barriers of darkness and ignorance overthrown, and
perceive the circle of knowledge continually widening
we must forever remember that man, in all his pride of
scientific research, and all his power of elemental con-
quest, can but follow at an infinite distance the methods
of the Great Designer of the Universe. His research is
but the attempt to learn what nature has done or may
do; his plans are but an imperfect copy of a half-seen
original. He strives, and sometimes with success, to
penetrate into the workship of nature; but whether he
use the sunbeam, or steam, or electricity— whether he
discover a continent or a star — whether he decompose
light or water— whether he fathom the depths of the
ocean or the depths of the human heart— in each and
all he is but an imitation of the Great Architect and
Creator of all things. We have accomplished a great
work ; w,e have diminished space to a point ; we have
traversed one-twelfth of the circumference of our globe
with a chain of thought pulsating with intelligence, and
almost spiritualizing matter.
THE Bow OF PROMISE.
But, even while we assemble to mark the deed and re-
joice at its completion, the Almighty, as if to impress
us with a becoming sense of our weakness as compared
with his power, has set a new signal of his reign in
heaven ! If tonight, fellow citizens, you will look oat
Edward Dickinson linker 249
from the glare of your illuminated city into the north-
western heavens, you will perceive, low down on the
edge of the horizon, a bright stranger, pursuing its path
across the sky. Amid the starry hosts that keep their
watch, it shines attended by a brighter pomp and fol-
lowed by a broader train. No living man has gazed upon
its splendors before; no watchful votary of science has
traced its course for nearly ten generations. It is more
than three hundred years since its approach was visible
from our planet. When last it came, it startled an
emperor on his throne, and while the superstition of the
age taught him to perceive in its presence a herald and
a doom, his pride saw in its naming course and fiery
train the announcement that his own light was about
to be extinguished. In common with the lowest of his
subjects, he read omens of destruction in the baleful
heavens, and prepared himself for a fate which alike
awaits the mightiest and the meanest. Thanks to the
present condition of scientific knowledge, we read the
heavens with a far clearer perception. W,e see in the
predicted return of the rushing, blazing comet through
the sky, the march of a heavenly messenger along his
appointed way and around his predestined orbit. For
three hundred years he has traveled amid the regions of
infinite space. "Lone wandering, but not lost," he has
left behind him shining suns, blazing stars, and gleam-
ing constellations, now nearer to the eternal throne, and
again on the confines of the universe. He returns, with
visage radiant and benign; he returns, with unimpeded
march and unobstructed way; he returns, the majestic,
swift electric telegraph of the Almighty, bearing upon
his flaming front the tidings that throughout the universe
there is still peace and order— that, amid the immeasur-
able dominions of the Great King, his rule is still perfect
— that suns and stars and systems tread their endless
circle and obey the Eternal Law.
AMERICAN GREATNESS.
When Pericles, the greatest of Athenian s'atesmen,
stood in the suburbs of the Kerameikos to deliver the
funeral oration of the soldiers who had fallen in the
250 Oregon Literature
expedition to Samos, he seized the occasion to describe,
with great but pardonable pride, the grandeur of Athens.
It was the first year of the Peloponnesian War, and he
spoke amid the trophies of the Persian conquest and the
creations of the Greek genius. In that immortal oration
he depicted in glowing colors the true sources of national
greatness, and enumerated the titles by which Athens
claimed to be the first city of the world. He spoke of
the constitutional guarantees, of democratic principles,
of the supremacy of the law, of the freedom of the social
march. He spoke of the elegance of private life— of the
bounteousness of comforts and luxuries— of a system of
education — of their encouragement to strangers — of their
cultivated tastes— of their love of the beautiful— of their
rapid interchange of ideas ; but above all, he dwelt upon
the courage of her citizens, animated by reflections that
her greatness was achieved "by men of daring, full of
a sense of honorable shame in all their actions. ' '
Fellow citizens, in most of these resnects we may adopt
the description ; but if in taste, in manners, if in temples
and statues, if in love and appreciation of art, we fall
below the genius of Athens, in how many respects is it
our fortune to be superior ! We have a revealed religion ;
we have a perfect system of morality ; we have a litera-
ture, based, it is true, on their models, but extending
into realms of which they never dreamed; we have a
vast and fertile territory within our own dominion, and
science brings the whole world within our reach; ^we
have founded an empire in a wilderness, and poured
fabulous treasures into the lap of commerce.
But, amid all these wonders, it is obvious that we
stand upon the threshold of new discoveries, and at the
entrance to a more imperial dominion. The history of
the last three hundred years has been a history of suc-
cessive advances, each more wonderful than the last.
There is no reason to believe that the procession will
be stayed, or the music of its march be hushed ; on the
contrary, the world isi radiant with hope, and all the
signs in earth and heaven are full of promise to the race.
Happy are we to whom it is given to share and spread
these blessings; happier yet if we shall transmit the
Edward Dickinson Baker 251
great trust committed to our care undimmed and un-
broken to succeeding generations.
A PROPHECY.
I have spoken of three hundred years past— dare I
imagine three hundred years to come? It is a period
very far beyond the life of the individual man; it is a
span in the history of a nation, throughout the changing
generations of mental life. The men grow old and die,
the community remains, the nation survives. As we
transmit our institutions, so we shall transmit our blood
and our names to future ages and populations. What
multitudes shall throng these shores, what cities shall
gem the borders of the sea ! Here all people and all
tongues shall meet. Here shall be a more perfect civiliz-
ation, a more thorough intellectual development, a firmer
faith, a more reverent worship.
Perhaps, as we look back to the struggle of an earlier
age, and mark the steps of our ancestors in the career
we have traced, so some thoughtful man of letters in ages
yet to come, may bring to light the history of this shore
or of this day. I am sure, fellow citizens, that whoever
shall hereafter read it, will perceive that our pride and
joy are dimmed by no stain of selfishness. Our pride is
for humanity; our joy is for the world; and amid all
the wonders of past achievement and all the splendors
of present success, we turn with swelling hearts to gaze
into the boundless future, with the earnest conviction
that it will develop a universal brotherhood of man.
FREEDOM.
(Extract from American Theater Speech.)
In the presence of God— I say it reverently— freedom
is the rule, and slavery the exception. It is a marked,
guarded, perfected exception. There it stands ! If pub-
lic opinion must not touch its dusky cheek too roughly,
be it so; but we will go no further than the terms of
the compact. We are a city set on a hill. Our light
cannot be hid. As for me, I dare not, I will not be false
252 Oregon Literature
to freedom! Where in youth my feet were planted,
there my manhood and my age shall march. I will walk
beneath her banner. I will glory in her strength. I
have seen her, in history, struck down on a hundred
chosen fields of battle. I have seen her friends fly from
her; I have seen her foes gather around her; I have
seen them bind her to the stake; I have seen them give
her ashes to the winds, regathering them that they might
scatter them yet more widely. But when they turned
to exult, I have seen her again meet them face to face,
clad in complete steel, and brandishing in her strong
right hand a flaming sword red with insufferable light !
And I take courage. The Genius of America will at last
lead her sons to freedom.
TO A WAVE.
(The first appearance of this poem was in the Philadel-
phia Press, November, 1861.)
Dost thou seek a star with thy swelling crest
O wave, that leavest thy mother's breast?
Dost thou leap from the prisoned depths below.
In scorn of their calm and constant flow?
Or art thou seeking some distant land
To die in murmurs upon the strand^
Bast thou tales to tell of the pearl-lit deep,
Where the wave-whelmed mariners rock in sleep ?
Canst thou speak of navies that sunk in pride
Ere the roll of their thunder in echo died?
What trophies, what banners are floating free
In the shadowy depths of that silent sea?
It were vain to ask, as thou rollest afar,
Of banner, or mariner, ship or star;
It were vain to seek in thy stormy face
Some tale of the sorrowful past to trace.
Thou art swelling high, thou art flashing free —
How vain are the questions we ask of thee !
8-1
s.1
r-c CD
* . » *>•»*«*'*•§
> 0 *> ^ • » * «1 « «>
* V S*J 5 *•"
Edward Dickinson Baker 253
I, too, am a wave on a stormy sea;
I, too, am a wanderer driven like thee ;
I, too, am seeking a distant land
To be lost and forgot ere I reach the strand.
For the land I seek is a waveless shore,
And thev who once reach it shall wander no more.
THE END.
INDEX
Page
Ackerman, J. H 107
After Twenty Years 109
A Grave in the Wilderness.. 160
A Granger's Love Song 175
Agricultural College 137
A May Day in Oregon 138
An Evening on the Plains.... 158
Angels Are Waiting for Me.. 121
An Old Violin 161
Applegate, Jesse 158
At Dead of Night 98
Atkinson, Rev. G. H 196
Ascent of Mount Hood 169
Baker, E. D 241
Balch, F. H 1*7
Banks, Louis Albert 113
Beautiful Willamette 64
Bell, J. R. N 178
Bloch, Rabbi 164
Brown, Valentine 172
Buchanan, John 128
Buckskin's Fight with the
Wolves 209
Buoy, Jesse 223
Burnett, John 129
Burnett, Peter H 108
By the Wayside 140
Campbell, Prince L 161
Campbell, Thomas F 192
Cantori Mortuo 231
Chadwick, S. F 138
Cheerfulness 238
Chief Multnomah in Council.. 199
Clarke, James G 79
Clarke, Samuel A 139
Climatic Influence Upon Lit-
erature 12
Cohen, D. Soils 213
College Influences 15
Columbus 42
Common Schools 136
Condon, Thomas 151
Cooke, Belle W 115
Curry, George L 150
Damon and Pythias 167
Davenport, . Homer 183
Davenport, T. W 183
Deady, Matthew P 135
DeMoss, Henry S 163
Descent of the Avalanche 176
Dye, Mrs. Eva Emery 83
Eliot, T. L 118
Encamped 91
Helen 172
Hermann, Binger 159
Grande Ronde Valley 49
Hamilton, Mrs. S. Watson.... 154
Hawthorne, B. J 157
Evans, Elwood 162
Faith 235
Fearing, Blanche 156
"49" 35
Page
Four-Leaf Clover 52
Freedom 251
Gill, John 231
Good Thoughts 235
Good Thoughts, Influence of.. 239
Good Thoughts Are Uplifting 239
Good Thoughts, Value of 234
Higginson, Mrs. Ella 48
Duniway, Abigail Scott 109
Hill, W. Lair 182
Himes, George H 173
Hines, H. K 169
Hofer, E 177
How to Domesticate and
Tame Birds 105
I Know Not 116
Immortality 178
Individual Differences 237
Irvine, B. F 133
Is it Worth While? 26
Toaquin Miller, Autobiography 24
Joaquin Miller at Home 31
Icaqu n Miller— Notes and An-
ecdotete 33
Jo Lane and the Indians 84
Kelsay, Col. John 103
Kincaid, Harrison R 166
Kinney, Narcissa White 176
Language 192
Let Him Sleep 156
Lord, William P 136
Lord. William R 104
Markham, Edwin 45
McArthur, Harriet K 161
Marsh, Sidney H 126
McElroy, Eulogy 124
McComas, E. S 155
Meek, Col. Joseph 221
Memory 98
Mid-Summer Bird Song 177
Miller, Joaquin 24-
Life. 139
Miller, Lischen M 143
Miller, Minnie Myrtle 91
Minto, John 175
Morgan. Clara Blake 97
Nash. Wallis 99
Nesmith's Eulogy on Sumner 180
Nesmith, J. W 180
Newsnaoers and Magazines,
Influence of 16
On the River 223
Onward 188
No Man Hath Right 97
Normal Schools 136
Only a Feather 66
Oresron Literature. Merit of.. 1
Oregon Teachers Monthly 17
Pacific Monthly 17
Parallel Between Sherman
and Grant 233
Patterson, A. W 188
Index
Page
Pioneer Life, Influence of..... 5
Plea for Religious Instruction 126
Poetess of the Coquelle 91
Popular Music, List of 20
Progress and Literature 18
Pulpiteers 11
Remembered by What She
Has Done 120
Rhododendron Bells 63
Roses and Lilies 122
Sacred 98
Saylor, Fred H 17
Scenery, Influence of 6
Schwatka, Frederick 2'2u
Scott, Harvey W 224
Seattle 115
Senator Nesmith and His
Tutor 171
Simpson. Sam. L HI
Snowdrift 71
Snow Drop Memories 141
Song, Influence of 8
State University 137
Sunrise on the Willamette 53
Sweet Oregon 163
Temperance 118
The Albany Oration 129
The American Settler 135
The Atlantic Cable Address.. 242
The Bible 12
The Bible in English 224
The Birds of Oregon and
Washington 104
The Bridge of the Gods 199
The Camp Meeting 10
The Chautauqua ifi
The Crowning of the Slain 67
The Death of Muza... .. 213
The Delusions of Life
The Development Theory
The Evolution of Oregon
The Eyes that Cannot Weep
The Feast of Apple Bloom..
Yates, J. F
The Fortunate Isles...
Page
The Haunted Light 143
The Home Builders 182
The Isle of the Lepers 57
The Jewish Milestone 164
The Lamp in the West 54
The Man with the Hoe 46
The Mast Ashore 13S
The Mothers of Men 44
The Mount of the Holy Cross SO
The Mystic River 70
The Native Son Magazine 17
The Nyirmhs of the Cascades 74
The Old Emigrant Road 97
The Old-Fashioned Preacher. 11
The Old P'onoers 155
The Oregon Republic 162
The Oregon Skylark ;. . 90
The Passing of Tennyson... . 41
The Pioneers of 1848 196
The Power of Literature 107
The River of Rest 40
The Western Meadow Lark. . 105
The Willamette 128
Thornton, J. Quinn 160
Thoughts in Storm and Soli-
tude ill
To a Wave 252
To a Young Writer 29
To Juanita 40
Tonight 77
Trouble 1 so
Two Historic Printing Presses 173
T^n Years in Oregon 99
Ultime 28
LTniversal Education 157
Value of Friendship 128
Victor, Frances Fuller ">'->!
'Waggoner, George A 209
War 166
When the Birds Go North
Again 55
William Brown of Oregon 36
Williams, George H 233
Will Power 236
Woodward, Henry H 153
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