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S AI V A ^IDDH ANT AM 



VOLUME TWO 



Edited by 

Sekkbhni Adi-D-Podi 1. 1 RAMACHANDRAH 





International Institute of 
Saiva Siddhanta Research 



first Edition 1988 1,000 Copies, 



Copies can ba had of: 

international Institute of 

Saiva Siddhanta Research, 

DHARMAPURAM 

Mayiladuthurai 

609 001 , Tamil Nadu, 



Price Rs. 16-50. 



Printed at M/|. O^aini Printing 



iii 

love, The whole movement Is an impassioned cry 
against the ossified ceremonial religion of the Brahmans 
and the ideal of f passionlessness j that they shared with 
the Buddhists and Jains. It was against these last 
that they launched their passionate crusade in the name 
of the one True God, Siva. In the following stanzas 
Appar, perhaps the most moving singer of them ail, 
denounces the hollowness of purely mechanical religion 
in terms that bring to mind the much later reformer 
Kabir. 

Why bathe in Ganges' stream, or Kaviri ? 
Why go to Comorin in Kongu's land ? 

Why seek the waters of sounding sea ? 

Release is theirs, and theirs alone who call 
In every place upon the Lord of all. 

Why chant the Vedas, hear the Sastras'i lore ? 
Why daily teach the- books of righteousness? 8 

Why the Vedangas 3 six say o'er and o'er ? 

Re-lease is theirs and theirs alone, whose heart 
From thinking of its Lord shall ne'er depart. 

Why roam the jungle, wander cities through ? 
Why plague life with unstinting penance hard ? 

Why eat no flesh, and gaze into the blue ? 

Release is theirs, and theirs alone, who cry 
Unceasing to the Lord of Wisdom high. 

Why fast and starve, why suffer pains austere ? 
Why climb the mountains doing penance harsh? 

1. Sacred texts 2. Law-books. 

3. Subsidiary disciplines connected with the study 
of the Vedas. 



112 

Why go to bathe in waters far and near ? 

Release is theirsj and theirs alone, who call 
At every time upon the Lord of a!!. 

The Bhagavad Gita had taught that the love of God 
is open to all^ irrespective of caste and set, but it 
had also taught that each man should peform the 
duties dictated to him by his station in life. For 
Appar, however., who was himself a vellalsr all 
distinctions between man and man were done away 
with in the worship of Siva, and once one had 
confessed oneself Siva's slave, al! sins, even the 
slaying of a Brahman cr a cow, would be wiped out 

Though they give me the jewels from Indra's abode, 

Though they grant me dominion o'er earth, yea, 

o'er heaven^ 
If they be not the friends of our Lord Mahadev, 1 

What care I for wealth by such ruined hands 

given ? 
But if they love Siva, who hides in his hair 

The river of Ganges, then whoe'er they be, 
Foul lepers., or outcasts, yea, slayers of kine, 

To then, is my homage, gods are they to me. 

What however, distinguishes the Tamil Saivite 
saints from almost al! the other bhakti cults is their 
intense sense of personal guilt; man, as he exists apart 
from God, is evil and horribly corrupt, he is the slave 
ot his anava, his egoism. 



c The Great God'.- Siva. 



its 



Evil, all evil, my race, evil my qualities all, 
Great am 1 only in sin, evil is even my good. 
Evil my innermost self, foolish., avoiding the pure, 
Beast am I not, yet the ways of the beast I can 

never forsake. 
I can exhort with strong words, telling men 

what they should hate^ 

Yet I can never give gifts, only to beg them 1 know. 
Ah! wretched man that I anr^ whereunto came I 

to birth? 

The realization of one's abjectness makes the 
freely given grace of God seem all the more wonderful, 
for what has the wholly self-sufficient to gain from 
association with one so foul? This wondrous self- 
giving of God is the theme of this stanza of Manikka 
Vasagar : 

Thou gav-'st thyself, thou gained'st me ; 

Which did the better bargain drive ? 
Bliss found I in infinity ; 

But what didst thou from me derive ? 
Siva, Perundurai's God, 

My mind thou tookest for thy shrine : 
My very body's thine abode ; 

What can I give thee, Lord, of mine ? 

The Tamil Saivite saints even more than the Alvars 
see in Nature the reflected glory of God, and the 
mating of animals brings to their minds the inseparable 
unity of all apparent opposites in the transcendental 



union of Siva and Sakti. This does not mean 
the sexual principle was arbitrarily introduced 
the divine but that sex itself is seen as holy beca 
it reflects an essential polarity in God which is 
source of his creativity and joy. 

Pli follow those who going to the shrine their prai 

sou 

With bfooms and water for the God who wears 

moon so nr 

All lovely in his locks, a gar/and wreathed his n< 

arou 

And with him sing they Parvati, the mountain got 

fair chi 

Qnce as I went to Aiyaru, with light and rever 

tre< 

I saw come two young elephants., male by lov 

female I 

And in that sight 1 saw God's foot, saw sec 

things unsa 

Siva has his terrible and his gentle aspect : , 
dances m sheer joy and creation comes to bQj and 
dirges in maniacal frenzy and all the worlds crumb 
into rum. Even though he appears as a raving madma 
n* devotee sees in him nothing but love and graee. 

madman with the moon-crowned hair 
Thou lord of men, thou fount of grace, 

How to forget thee could I bear ? 

My soul hath aye for thee a place. 



Venny-nallur, in 'Graced shrine' 

South of the stream of Pennai, there, 

My father, 1 became all thine ; 

How could 1 now myself forswear ? 

The soul loses its reason in the divine marines* 
and surrenders itself totally to the 'foolishness of God* 
'as St. Paul puts it. God becomes all in all and man 
sees himself as nothing. All thoughts of liberation are 
put aside in a passion of adoration for the dancing God. 
In the words of Manikka Vasagar t 

I ask not kin, nor name, nor place. 

Nor learned men's society. 
Men j s fore for me no value has ; 

KuttalanVs lord, I come to thee. 
Wilt thou one boon on me bestow, 

A heart to melt in longing sweet, 
As yearns o-'er new-born calf the cow, 

In vearning for thy sacred feet? 

I had no virtue, penance, knowledge, self-control. 

A doll to turn 

At another's will I danced, whirled, fell. But me 

he filled in every limb. 

With love's mad longing, and that I might climb 

there whence is no return, 
He showed his beauty, made me his. Ah me, when 

shall I go to him ? 



116 

Pool's friend was I, none such may know 

The way of freedom ; yet to me 
He shew'd the path of love, that so 

Fruit of past deeds might ended be. 
Cleansing my mind so foul, ha made me Ilk. * 

Ah who could win that which the Fatharjjh 

Thinking it right, sin j s path I trod j 

But, so that I such paths might leave, 

And find his grace, the dancing God, 

Who far beyond our thought doth live, 

O wonder passing great ! to me his dancing 

H shewed. 

Ah who couid win that which the Father hath 

bestowed ? 



it was the Bhagavad-Gita that set in motion the 

transformation of Hinduism from a mystical technique j 

bastd on the ascetic virtues of renunciation and self- j 

lorgetfulness into the impassioned religion of self- , 

abandonment to God, but the strictly religious impulse t 

which gave momentum to the whole bhakti movement , 

tttmmed irom the Tamil lands of South India. From \ 

th* tenth century on all that is most vital in Hinduism \ 

manifests Itself in the form of bhakti. \ 



VI. Vishnu and Rudra - Siva 



[Jan Gonda (b. 1905) was Professor of Sanskrit and Indology, 
Utrecht University, The Netherlands. It is from his pen, the 
article here printed, issued. 

Gonda is a prolific writer. ASPECTS of EARLY VISHNUISM, 
SANSKRIT IN INDONESIA, DIE RELIGIONEN INDIENS 
(two volumes), THE DUAL DEITIES IN THE RELIGION OF 
THE VEDA, TRIADS IN THE VEDA, THE WISDOM OF THE 
VEDIC POETS, VEDIC LITERATURE, VISHNUISM AND 
SIVAISM, THE RITUAL SUTRAS and MEDIEVAL RELIGIOUS 
LITERATURE IN SANSKRIT are some of his more famous books 

He is an honorary member of the Bhandarkar Oriental 
Reseach Institute and under his directions Indian scholars have 
indited theses. Ed.] 

ONE OF THE ARGUMENTS which could be 
adduced in favour of the usual division of Indian 
culture into an older period, Vedism., and a later 
period, called Hinduism, would be that the former, at 
least at first sight, presents itself as a unity, whereas 
the latter is a varied and, already in the Mahabharata, 
a confused spectacle of beliefs and practices. On 
closer inspection it becomes clear however, first that 
many features of Hinduism have their roots in the 
Vedic past, and in the second place that it has been 
a few main currents which, from the very beginning 
up to the present day, have come into prominence and 
)-ave largely determined the character of that many, 
sided and all-enfolding culture which we in the West 
have chosen to call Hinduism. There can pe no 



doubt whatever that these currents must, wh 
viewed from their doctrinal and philosophical aspec 
be considered first and foremost soteriologies, and tf 
they also present many aspects which make them wot 
studying from the angles of philosophy a 
sociology. This does not however prevent us frc 
calling Vishnuism and Sivaism as they present* 
and still present, themselves to their adherents, religiot 
It will, in this series of lectures, be my endeavour 
institute a comparison between these two lnd ; an religior 
Sivaism and Vishnuism. That is not to say that I sh< 
overlook the fact that .neither current is in itself 
unity There is, within Vishnuism, a considerabl 
difference between, for instance, the theories and t 
ritualism of the Vaikhanasas in the South and t 
devotionalism of the followers of Caitanya in Beng 
and Virasaivism, iiourishing in Karnataka, has reject 
the traditional brahmanical rites which the Saiv< 
Siddhanta has in many respects, retained. Neverthete 
there is a Sivaism and there is a Vishnuism and it v\ 
be part of my task -while comparing these religio 
and drawing attention to parallel or divergent develo 
mentSj to the common heritage and interrelations 
to bring out what is common to all forms of ea 
of the two great religious currents 

Considering myself absolved from the obligation 
give a regular account of the main relevant facts su 
as those relating to the history of Vishnu and Siva worsr 
from the earliest times, the mythological concepts 
which their figures have given rise, their iconograp 
in plastic arts and the philosophical and theolog'u 
doctrines developed in the communities of tlv 



si's, I would like to make an attempt at 
3, in a series of more or less condensed studies, 
iat detailed comparison between those aspects 
eligious currents which in the last years have 
my special attention. Since it cannot even be 
)se to treat all important questions or to deal 
y with all periods of the religious history of 
itend to dwell especially upon some significant 
hich have perhaps not been sufficiently stressed 
ublications of my predecessors. I hope that a 
ersonal preference for definite problems and 
eriods or phases in the development of Saivism 
hnavism will not be beyond forgiveness. 

ay be true in our oldest document, the Rgveda, 
occupies but a subordinate position, his 
ty to use this term in this connection is 
ime time not only more important there than 
ppear from the number of the occurrences of 

* in this text., but is also in its striking features 
tly clean-cut and, moreover, in remarkable 

with the god's image as given by the later 
Rudra also has from the very beginning a 

and even a position of his own and some 
t features in the later Siva can likewise be 
emerge from the Vedic texts with all clearness 



s therefore interesting to compare the most 
it traits of character of both gods as far as they 
rom the Vedic samhitas. It has long ago been 
i that the only anthropomorphic traits of Vishnu 
often-mentioned three strides and his being 



120 

youth (RV. I, 155,6) These essential features of his 
character, to which he owes epithets such as 'swift' 
and 'wide-striding', make him known to us as the 
immense (RV. 7, 99, ' ; 2) god of far-extending motion 
who for man in distress, to make his existence 
possible penetrates and traverses the spaces whereas 
his highest step or abode is beyond mortal ken, in his 
dear and highest resort, the bright realm of heaven. 
While ail beings c'weH in these three strides or footsteps 
fRV l, '54,2), the highest is the place of a well of 
honey, where rejoice the gods and those men who turn 
to the gods. Of Rudra, the terrible, dreadful one, on the 
other hand, quite a number of physical features are 
recorded: arms, hand, limbs, lip, eyes, mouth, tongue, 
ate ; he wears braided hair (I, ]!4, 1 ; 5J his colour 
'* t'rown (e g. 2, 33, 5\ his belly black and his back 
id. Frequent mention is made of his weapons, and 
lese are weapons of offence. On Vishnu's disk and 
c ud the oldest texts are, however, sifent. Rudra is 
ciothed in askm and haunts and dwells in mountains, an 
tfcode also attributed to Vishnu. But while the passage 
T- jndi'r "i-" 1 Wh ' Ch th ' S feature fs emphasized tries 
rr*"*nt h- f t0 ShoW his aus P f 'cious aspect and to 
T inJUf/ng men ' and whi/e forests, 
- Wilderness e the sphere .of his 
w a hl <V!tle h S> VJShnU ' S assocla ^n with the 
eh e f^th JS S8id t0 have been born 3nd 
hum.n mtert J. e th rU !f r ; impresses us as beneficial 
"aid t n'h 6featof Vrta 's^or instance, 
hov, eenTtn ? ken Pf3C9 /n the mountains, 

urif. an eleme nt of the scenery 



Vishnu is benevolent, never inimical (RV. 1, 186, 10), 
and a friend and ally of Indra whom he assists in 
slaying the great fiend and antagonist Vrtra, the 
representative of chaos and in spreading out the spaces 
between heaven and earth <,RV. 6, 69, 5). Both gods 
are sometimes so intimately associated as to form a 
sort of dual deity, Indravishnu and to participate in each 
other's qualities and activities Rudra, on the other 
hand, has no special friend among the gods Only once 
he appears associated with Soma (RV. 6, 14} 3 not 
directly because of his formidable nature but because 
he is supposed to be able to avert illness, destruction 
and other manifestations of evil. And he enjoys this 
reputation owing to his dreadful power of sending and 
causing fever,, evil and disaster, to his fierceness, 
malevolence and destructiveness. However much the 
poets try to deprecate his wrath -impending also when 
there is no offence- they do not hesitate to mention 
his bad points : he is a cheat, deceiver and lord of 
robbers, and most statements of his power occur in 
appeals for mercy. 

Their relation to the demomac powers and the 
Maruts is in this connection of special interest. Wh*ras 
Vishnu is engaged in vanquishing the demons, Rudra 
does not come into conflict with them. As to the 
not-individualized group of the Maruts., as Indra's 
brilliant allies and attendants they enter into association 
with Vishnu., but Rudra, who is repeatedly said to be their 
father, is never drawn into the warlike activties of these 
deities who, though occasionally showing the malevolent 
traits of their father, are on the whole benefactors of man 

world Rudra is, on the contrary, the chief of an 



V. Saivism of the Tamils 



[Hercinbelow is printed a Note written by R. C. Zaehncr. He 
was Spalding Professor of Eastern Religions in the University of 
Oxford from 1952 to 1975. His translation of The Bhagavad-Gita 
is hailed as a classic. He is also the editor of HINDU 
SCRIPTURES, an excellent anthology on Hinduism. It is under 
his direction Mariasusai Dhavamony wrote his famous work : 
"Love of God according to Saiva Siddhanta." 

Like A. L. Basham he is interested in Tamil and Tamil Culture 
and has done much for its propagation. Ed.] 

It was in the Tamil lands that Saivism developed 

its characteristic devotional form. This was the work 

of a series of saints who spread the gospel that 

salvation could only be won by a total self-surrender 

to Siva. By the end of the eleventh century the 

hymns of these saints had been collected together 

and given the title of Devaram, and this together with 

the Tiruvacakam or 'Sacred Utterance'' of Manikka 

Vasagar and ancillary writings came to be known as 

the "Tamil Veda'. These Saivite hymns are distinguished 

from their Vaishnavite counterparts by the extreme 

sense of unworthiness that the devotee feels in the 

face of the all-holiness of God. Ths philosophy of 

the Saiva-Siddhanta, which we have had occasion to 

refer to, is based as much on the Svetasvatara 

Upanishad as it is on the writings of the Tamil saints 

but it was the influence of the latter that made 

the writers of the Saiva -Siddhanta attach such 

enormous importance to ths doctrine of grace freely 

given and the impossibility of spiritual progress without 



This Volume is blessed by 




His Holiness 

Shanmokba Desika 
Pararoaeharya 



TABLE OF CONTENTS 

Life of St. Gurugnanasambanda Desika 

Paramacharya Swamigal v 

Preface x 

1. The Key of Knowledge 

By Sir P, Ramanathan -J 

2. Siva Bhakti 

By Nicoi Macnicol 28 

3. Tamil Saints 

By J. Estlin Carpenter 54 

4. Bronzes And Sivaworship 

By Sir P. Arunaehalam 84 

5. Saivism of the Tamils 

By A. L. Basham 110 

6. Vishnu And Rudra-Siva 

By J. Gonda 117 

7. The Nenju Vidu Thoothu 

By Mariasusai Dhavamony 144 

8. Nenju Vidu Thoothu in Translation 

By T. N. Ramachandran 160 

9. The Souls : Their Relation to Brahman 

By L. D. Dikshit 172 

10. The Role of Saiva-Agamas 

By Jean Filliozat 193 

11. The Puraanam of Rudra Pasupati 

Nayanaar By T. N. R. 

12. Rudra As an Embodiement of Divine 

Ambivalenc in the Satarudriya Stotram 207 



GURU GNANASAMBANDHA DESIKA 
PARAMAACHAARYA SWAMIKAL 

During the later half of the sixteenth century, 
there flourished at Srivilliputthur, a celebrated town of 
the Pandiya Realm, a couple-Sub ramania Pillai and 
Minaakshi - of the Kaarkaattha Vellala Clan, devoted 
to Lord Siva. Unto them a aon was born. Wise mea 
discerned in the child the God-touch. By his sixteenth 
year, the boy came by learning and wisdom, all unsought 
and untaught. 

While yet a boy, he was taken by his parents to 
the shrine of Lord Ghockanaatha, at Madurai. The 
very first darshan of Lord Sundareswara and His 
Consort Minaakshi stirred him to the very depths of 
his soul. The all-mereciful Siva then enacted one of 
His purposive lilas. The sojourn of the boy and his 
parents, was extended. The boy Gnanasambandha 
spent long hours in the shrine. He was undergoing a 
supreme spiritual transformation. When his parents 
wanted to return to Srivilliputthur, the boy would not 
join them. All parental persuasion was of no avail. 
They then felt convinced that the Father of the Universe 
had claimed him and that he had to be left at the 
shrine. 

Gnanasambandha, now the ward of the Lord 
Himself, continued to stay on at Madurai, hailing the 
Lord, practically round the clock. One day when he 
fared forth in the small hours to "The Tank of The 
Golden Lotus" for his ablutions, he beheld on its banks 



holy devotees adorned with sacred ashes and rudraksha 
beads, perform pooja, each of them., to his idol before 
him. He was profoundly touched by this sight and he 
longed for .a similar beatitude. That night Si-va appeared 
in his dream and spake thus : "Your wish shall be 
fulfilled. Secure Our idol for your adoration from the 
north-east corner of the tank.'-' The lad has had his 
mystical tremendum. 

Before the first rays of the sun would empurple the 
orient, he rushed to the temple tank and plunged into it* 
Seconds later he surfaced up with the idol vouchsafed to 
him by Siva. He could not contain his ecstasy. He burst 
into hymn and song and solemn strain. "The eyes are 
ravished." Thus he melodized, hymned and concluded 
his first decad. He fervently prayed to Siva to establish 
him in Himself. 

After a short spell, Siva appeared to him for a second 
time in his dream and bade him to proceed to Tiruvaaroor, 
thither to be blessed with the ritual-initiation at the hands 
of Kamalai Gnanaprakaasar, a spiritual preceptor par 
excellence. To him also the Lord appeared in somno and 
directed him to receive the disciple. 

Tradition has it that Gnanasambandha arrived at 
Tiruvaarcor on a Monday and had his first darshan of 
saintly nanaprakaasar, seated as it were in his lotus - 
posture of meditation, in Siddhiswaram - the shrine of 
Dakshinamoorthij situate within the Poong-Koil of Lord 
Thiagaraja. Gnanasambandha waited for the opportune 
moment and fell prostrate at the feet of his God-appointed, 
guru who conferred on him Gnana-Diksha. The disciple 
thereupon hailed,h]s, Quru. in. wondrous yerse t JXQW. 



as Pandaara-k-Kalitthurai. He also hymned the praise of 
his Ishta-raoorthi, in what is to-day hailed by Saivitesj as 
Chockanaatha Venpa. 

Now commenced the servitorship of Gnanasambandha. 
Supreme was his obedience to his Master's behests. One 
dark night, the meditation of the Master in Siddhiswaram 
continued beyond the usual hour. The torch-bearer 
slipped into slumber. Gnanasambandha bore the torch 
himself, waited for his Guru to emerge from his meditation, 
and led the way. As the Guru entered his house he bade 
his disciple to abide without^ and locked himself in. The 
moment the Master moved into the house j he lost himself 
in the contemplation of Siva. With a burning torch the 
servitor stood outside. Clouds rumbled and began 
to pour. Ceaseless was the shower throughout the night. 
However it pleased Lord Siva to perform a miracle 
which can be said to be the very reverse of Gideon's. 
While all round, the earth was drenched the ground 
on which Gnanasambandha stood^ was dry, Not a 
drop of rain had fallen on him who stood there with 
a Casabiancan steadfastness. 

At the pre-dawn hour, the Guru-pathni opened 
the door and witnessed before her the chela standing 
firm, trch-in-hand, and undrencbed. She went into 
the house and reported the miracle to her sage-husband. 
The Master came out and sensed at once the spiritual 
perfection of his disciple. He directed him to settle at 
Dharmapuram which was not far off. It was here, 
the Guru said, that he should propagate the great tenets 
of Saiva Siddhantara. 

Who can ever essay to describe the pangs which 
Gnanasambandha underwent when he had to part from 



his Guru ? The feelings of the devoted disciple, can, 
to an extent be thus rendered in first person : 

"It is not a garment that I cast off this day, but 
a skin that I tear with my own hands. 

"Nor is it a thought I leave behind, but a heart 
made sweet with (spiritual) hunger and thirst. 

"Yet I cannot tarry longer. 



"A voice cannot carry the tongue and the lips 
that gave it wings. Alone must it seek the ether.-" 

Gnanasambandha settled down at Dharmapuram. 
In due time, it pleased Siva to make him Guru 
Gnanasambandha Desika Paramaachaarya Swamikal. 
To enable mankind tread the divine way leading to 
Siva, our Paramaachaarya composed, inter alia, Siva-Bhoga 
Saara and Tripadaartha Rupaathi Dasakarya Akaval- 

During this time, a well-read scholar called 
Maraignana Pandaram flourished at Chidambaram. 
For all his scholarship, his exposition was but faulty. 
He preached to the world at large that Aananda (Bliss) 
was characteristic of Aanma (Soul). He posited that 
the soul too was Sacchidaanandarupi, thereby implying 
equality between pasu (soul) and Pati (Siva). His wide 
knowledge and powerful exposition drew to him numerous 
men. This scholar was also kaovva as ''Kan-Katti" 
(The Hoodwinked). Oar Paramaachaarya felt that he 
really hoodwinked gullible msn. Our Paramaachaarya 
mercifully refuted the fallacious theory set afloat by the 
m isguided, scholar. . Thus came to be indited the classical 



work of our Paramaachaarya, called "Mutthi 
Nichohayam'' which established that Aananda is not 
inherent in the soul and that the soul purified by the 
Lord is made a fit participant of Aananda which is 
Siva's own. This beatitude is indeed mutthi (Mukti> 

Ripe souls seeking enlightenment were drawn to our 
Paramaachaarya and among them, mention should be 
made of Aananda Paravasa, Sacchidananda, and 
Maruthur Aapath-uddharana. Our Paramaachaarya 
appointed Aananda Paravasa as his successor to The 
Throne of Wisdom. However as he was for ever 
immersed in the beatitude of Samadhi, at the intervention 
of holy men, our Paramaachaarya caused the mantle to 
fall on Sacchidananda. 

From the Copper- plates of Dharmapuram, preserved 
in the archives of the Aadhinam, it is now known that 
the spiritual reign of our Paramaachaarya commences 
in 1561 A. D. The contents of the thirteen Tamil 
Copper - plates are now published in a book form. His 
spiritual reign appears to have lasted for four decades 
and our Paramaachaarya entered Jiva Samadhi on 
Aparapaksha saptami, in Vaikasi. By the blessings of 
Lord Siva and our Paramaachaarya, the Holy Line of 
gurus, more famously known as Tirukkayilaaya 
paramparai flourishes., as ever. Esto Perpetua. The 
26th in the Holy Line is Guru Mahasannidhanam 
Sri-la-Sri Shanmukha Desika Gnanasambandha 
Paramaachaarya Swamikal. 



PREFACE 

The first volume of this series was published in 
'1984 in connection with the First International 
Seminar on Saiva Siddhantam which was held in 
Dharmapuram. In our Editor's Note to that volume 
we made it clear that the Anthology, though published 
by the Dharmapura Adhinam., should yet not be 
construed as one which bore on it the Adhinam's 
seal of approval. The Note also contained a caution 
to the effect that the writings of Christians, in particular 
the missionaries, on Saivism., had to be studied against 
the background which was adumbrated in our Note. 
At the same time we did not refrain from showering 
well-merited encomia on the Christian writers who 
wrestled through the tangled maze of utterly alien 
material and managed to come out with commendable 
success., in such circumstances which would have 
daunted the ablest. For this volume also, the 
admonition holds good, and the concerned writers, we 
concede with joy, have earned our gratitude. 

Readers who studied the first volume in depth felt 
that they were richly rewarded in that they came to know 
of standpoints and viewpoints of which they would have 
continued to be nescient if they had not encountered the 
articles in English. Like Oliver Twist they asked for 
f more'. Hence the command from His Holiness to 
compile and publish this volume. 

Ten articles^ a translation in English of St. UmapatPs 
''Nenju Vidu Thoothu" which is one of the fourteen 
Saiva Siddhanta Sastras and a translation of the 
Puraanam of Rudra Pasupatiyaar constitute this volume. 



Rudra Pasupatiyaar is a Naayanaar who lived the 
SatarudriyaStotram-a much misinterpreted and misunder- 
stood work. It is so as this work is divinely ambivalent. 
The near-perfect interpretation of the stotram, we 
daresay, is achieved for the first time by the astute 
scholar J Bruce Long to whom the world of Saivism 
owes an immense and undischargable debt of gratitude. 
His article at the end of this volume is its crown. 

Most of the articles are from the original sources. 
Our aim is propagation of knowledge. No infringe- 
ment of copyright is intended at all. We profusely 
thank the earlier publishers of these articles. They 
have done a signal service to the cause of Saivism. 
The International Institute of Saiva Siddhanta Reserach 
is Indebted to the various writers whose articles adorn 
this volume. It is not our intention to make any 
profit out of this publication. This volume is sold 
almost at cost price. As stated supra., the accent is 
on the dissemination of knowledge. Cicero affirmed : 

"Sapientiaest rerum divinarum et humanarum 

causarumque quibus eae res continenter, scientia" 
(Wisdom is the knowledge of things human and divine 
end of the causes by which those things are controlled.) 
Truly Saiva Siddhantam is that Wisdom. 

The foot-notes appended by us to some of the 
articles serve two purposes, namely, clarification or 
amplification and rectification. 

We are grateful to Dr. Krishna Sivaraman, truly a 
theandric incarnation of Saiva Siddhantarrb for his 
guidance in the selection of articles. 



Xll 



Our colleague Siva Sri P. Arul Namachivayan, 
B. A., B. L., as usual, stood by u* totally identifying 
himself with this work. The onerous and thankless 
job of proof-reading was cheerfully borne by him. 
Escaping his lynx-eyed scrutiny^ if a few errors still 
appear in this work, the reader will have to bear with 
us Errors like barnacles are difficult to shake of. 

This compilation could be done in record time as 
we had free access to T.R.N. Memorial Library, Thanjavur. 
To the curator Dr. T. R. Suresh, we convey our special 
thanks. 

We know not how we can requite th loving 
kindness bestowed on us by His Holiness, the 26th 
Pontiff of the Dharmapura Adhinam. It is this which 
sustains us in the true sense of the word. 



Thanjavur . Sekkizhaar Adi-p-Podi 

15-111988 T. N. Ramachandran 



The Key of Knowledge 
OR 

The Fundamental Experiences 

of The Sanctified in 

Spirit 



[ The article printed hereunder is from the lectures delivered by 
Sir P. Ramanathan, K. C, C. M. G., (Solicitor-General of Ceylon) 
in America during the opening decade of this century. The lectures 
pertained to the Holy Bible. However the interpretation thereof 
was by the light of Eastern Gnaana Yoga. Siva Sri Ramanathan 
was a born spiritual teacher. He was at home in Saiva Siddhantam 
as well as Sankara Vedantam. His words would for ever carry 
far and wide the fruits of his profound insight into spiritual 
realities/The present essay formed Chapter IV of THE CULTURE 
OF THE SOUL AMONG WESTERN NATIONS, G.P. Putnam's 
Sons, New York and London, The Knickerbocker Press, 1906. Ed. 

In India those who have the "Key" called' Knowledge 
of God" 3 are known asJnan/s, or Knowers of the Truth or 
Wisdom 2 ; and the Light, Wisdom, or Knowledge they 
possess is Jnanam. They are also called Jivanmuktas, 
or the .Freed Ones, freed from bondage to fofiyor 
corruption or ignorance. Other men are not of the Truth. 
Being attached to the false shows and pleasures of the 
world they are a-Jnanis, unwise men, men in darkness, 
whose knowledge is foolishness (a-Jnanam), because 
it makes them to think that the Body is the ' Self or Ego 



1. Called Pati-Gnaanam (Gnosis) 

2. ' "Cf. "TfiOT/s/sireb 6)isir(ip6uirjf 



2 

that knows; to believe that the only happiness available 
to man is through seeing, hearing, smellingi tastingi 
tnd touching^ or through thinking and speaking of 
things past^ present, or yet to come ; to mistake the 
world for the goal to which it is the appointed way; 
and to rest assured that nothing exists beyond the plane 
of thought and the senses. In their ignorance they 
esteem as folly the long-suffering humility of the 
Jnante', their love of all beings, great and small., good 
or bad ; their inability to hate, and unwillingness to 
exact satisfaction for wrong done ; their sense of 
thankfulness under all conditions; their refusal to judge 
others ; their want of concern for the morrow, and their 
disregard for things deeply valued by the multitude. 
But the more enlightened of the a-Jnanis of India, who 
form a small fraction of the two hundred and fifty 
millions of Hindus who inhabit the country, feel drawn 
to the Jnanis, and it is to them they have always gone, 
from the remotest times to the present day, when 
craving for Light 

Europeans in India know something of the exoteric 
or outer side of spiritual India, as exemplified in the 
symbolic worship carried on in the temples, but almost 
nothing of its esoteric or inner side. The vast majority 
of the natives themselves are ignorant of its existence, 
though many an exegesis is to be found, especially in 
Sanskrit and Tamil. Such works, however, are difficult 
to understand ; and devotees who have been initiated 
into the subjective (esoteric) form of worship, 
"worship in truth and in spirit" are unobtrusive 
and far from communicative. But yet earnest seekers, 
who fail to find satisfaction in the objective (exoteric) 
method, soon discover that this system, which no 



longer appeals to them, is really intended as a 
stepping-stone to the subjective (esoteric), and that 
the key of the latter is in the hands of the Jnana-quru 
or Teacher of Godly Wisdom, otherwise called 
Knowledge of God. Tired of the so-called enjoyments 
of the world and thirsting for the sanctification of 
the spirit, they go in quest of him, crying to him now, 
as in days of yore, "O saint, teach thou, for thou, 
art the way, and there is no other for us ;" "0 saint, 
thou art my way, thou art my way" (Maftrayana 
Btahmana Upanishacf, translated by Max Muller, in the 
fifteenth volume of "The Sacred Books of the East." 
pp. 290, 299). Occasionallyjthe saint comes to the 
very door of the seeker- 

Of all teachers, the Jnana-guru is acknowledged to 
be the greatest Unlike the Vidva guru,, who imparts 
knowledge on any given secular subject; unlike the 
Samaya-guru,who imparts knowledge on any given relig- 
ion, the Jnana-guru is concerned with the very founda- 
tion of knowledge., with Truth eternal, unchangeable. 
He is therefore a teacher of teachers, a guru in the 
real sense of the term, and hence called a Jagat-guru, or 
Loka-guru. a Preceptor or Light of the world. 

He isfound mostly in secluded places from Cashmere 
(Kashmir) to Cape Comorin (Kumari) living in the 
utmost simplicity. Some are so dead to the world as to 
go wholly unclad, seeing nothing but the reign of God 
everywhere.To them (and indeed every other Jnan/,) men, 
women, and children are all alike without any distinction 
whatever of sexj age, color, creed, or race. Some 
Jnanis are often mighty in attainments (Siddhis), but 
power by itself is not considered their distinguishing 



4 



characteristic What are called miracles are often 
performed by men who are not in fellowship with God, 
and who therefore misuse the powers entrusted to them, 
The truth is that God is the author of all forms of 
power, and He alone is the worker of all 
miracles, from the making of a mineral cell and the 
growing of a blade of grass to the suspension of myriads 
of stellar systems In space, Jesus always declared miracles 
to be God's works and not his own,and he condemned 
the display of the girts of prophecy and miracle on the 
part of those who did not know God as works of 
iniquity (.Matt, vii : 22), Knowledge of God and the 
consequent restfulness of spirit, called the Peace that 
transcends all thought, is indeed the only characteristic of 
Jnan/s. Many of them are well known and much resorted 
to for instruction and advice ; others, undiscovered, 
perform worldly duties in different walks of life, like 
ordinary folk ; but ripe souls are drawn to them and learn 
of them in secret the way to God. These Jnan/s in 
domestic life make the kindliest and best of fathers, 
husbands, brothers, and citizens, though never so 
entangled in those relations as to forget for a moment 
the grace of God, which assigned to them and others 
their respective spheres in life for freedom. 

It is such masters, who have attained fulness in love 
and Godly knowledge, that demonstrate to seekers in 
India that God can be known by man> while on earth 
and in the body. Sound doctrine is necessary to 
disestablish the mind from sensuous objects and establish 
it in the spirit, and then many an arduous work,having in 
view the development of righteousness and perfect love, 
should be undertaken. For mere study of the principles 



relating to God, soul, and the world will not and cannot 
secure for the student actual knowledge of God. What 
he reads in books or hears form living lips is, so far as 
he is concerned, only hearsay knowledge. What is 
needed is personal knowledge. 

According to the Jnanis, beings and states of 
beings complete the range of the knowable. The 
knower of all these is the soul. It knows some of 
them throuqh the senses, and some through the 
mind which draws inferences ; and some it knows 
directly without the aid of either the senses or the 
mind. The first and second kinds of knowledge are 
knowledge of objects of sense, and of mind, and 
together constitute worldly experience ; but the third 
kind of knowledge is knowledge of the soul or spirit and 
God, and is spiritual experience. The Jnanis teach that 
the sensible and thinkable things are all of nature 
(prakriti) or ''flesh" or cosmic stuff, but that God. 
who is the evolver of nature., mental and material, is not 
graspable by the senses or mind, but knowable only 
by the Soul, which is itself spirit, like God. Their 
expressive saying is, God is vedyam (Bhag. 
Gita, xi:17) the knowable, but avanmanasa gocaram. 
inexpressible and unthinkable. Just as the milk of the 
cow, which pervades her lymphatic system, is drawable 
only at the teat, Jnanis say that God^ who is Spirit, 
Love, and Light, though existent everywhere, is 
knowable only in that part of his temple called the 
Spirit or Soul ; that souls in bondage to Folly or 
Corruption (Avidya) are like pure water mixed with 
ink, unable to see itsslf as something different from 
the corruption it is in ; that th.3 Soul is th,3 being which 



With the .possible exception of Varuna, ftudra* is 
the only god in the entire company of Vedic deities 
who is conceived to be a radically ambivalent deity. 
He is wrathful, terrifying and unpredictable, yet a god 
who also possesses the capacity to act benevolently 
toward mankind and other creatures in granting 
remedies for diseases and providing other boons basic 
to human welfare 6 . From Vedic times to the present 
Rudra's character has been distinguished by a multifarious 
nature reflected in an impressive variety of epithets, 
powers and deeds ; these attributes are often expressed 
in- bipolar terms, becoming manifest in patterns of 
dynamic ambiguity. 7 

Even in the Rg-veda (I. 114 ; II. 33 ; VI. 46), Rudra 
is represented by a far greater number of physical 
features and character traits than one might expect of 
a deity who was supposed to occupy a subordinate 
position among the gods at that time. 8 The practice 
of representing Rudra as a divinity with a multifarious 
personality had become an established convention by 
the time of the Atharva-veda 9 where every part of 
his body is venerated ad seriatum : his face, eyes, skin, 
form, appearance, belly, tongue^ teeth and even the 
odor emanating from his body. Further, his multiformity 
is represented by parts of the cosmic, animal and 
human realms over which he exercises divine sover- 
eignty : the five creatures (pancaphsu : cows, horses, 
men, sheep and goats) ; the four cardinal directions ; 
heaven, earth, and atmosphere ; all creatures that are 
living (atman} and breathing (am/) upon the earth; and, 
finally, the beasts of the forest, wild animals of the 
woods, birds, cattle and marine monsters. As if 



compelled to provide complete certification of Rudra's 
'omniform" and "omnipresent" nature the po t 
addresses him as the "All-formed one" (v/svatupa), 
and as that divine power which, "at a single glance 
[can] scan the entire earth; from the eastern you strike 
the northern ocean, " 

,The practice of depicting Rudra's character as a 
manifold, composite of divine traits and of identifying 
each aapect of his nature with a particular segment of 
the universe, served as the model for the composition 
of the Satarudriya-stotra and, perhaps, for the composition 
of numerous other hymns at later stages of the Indian 
tradition. It is because the Satarudrtya expresses 
djvine multivalence so well and because we believe 
the hymn and the ritual to have influenced the 
development of liturgies later, that they deserve a 
more extensive scholarly investigation than they have 
received 

Form end Function of the Satarudriya Litany 
in the Vedic Tradition 

One of the most effective modes of sacred eulogy 

developed by the Vedic poets is the hymn 'stotra), 

composed of a lengthy series of declarations of 

'homage" or "obeisance" to a god-'s many names, traits, 

abodes, attendants and famous deeds. 10 The most ancient 

persistent and revered example of this genre of hyrr.n in 

the Indian religious tradition^, is the Satarudriya-stotra 

( w 'The Hymn of Praise to the Hundred Rudras'' or 

"...Rudra in his Hundred Aspects" . n (See pp 1T3 for 

a riew English translation of the hymn by this author.) 



^ The Satarudriya - stotra 1 * is a litany in prats* df 
Rudra* the multifarious deity represented in Vedic 
literature as the divine embodiment of the powers of 
nature and society in both their terrible and benevolent 
phases. The hymn is recited in accompaniment to the 
425 oblations presented to the one hundred Rudras (or 
to Rudra in his one hundred aspects)^ at the conclusion 

of the rittal ccrstructicn of the tire-tlter (agnicayana). 
The hymn is composed of a series of magico-religious 
formulae (sixty - six mantra-s or s/oka-s of variable 
lengths) which, taken as a whole, presents a vivid arid 
varied picture of the popular conception of Rudra 
at that time. 

The Satarudriya - stotra 13 constitutes a complete 
chapter (kancfa-\6) of the Va/asaneyi-samhita anb! is 
considered traditionally to form an independent Upanisad, 
Although only a small number of the formulae from this 
hymn are quoted or cited in the Brahmana-s, the hymn 
was undoubtedly one of the most popular and widely, 
used liturgical hymns in ancient Brahmanical tradition. 
Even today it is considered by Saivas throughout the 
subcontinent of India to be the most sacred and 
efficacious of hymns. Saiva priests chant the litany 
in its entirety twenty-seven times during the twenty- 
four hour, celebration of the Great Night of Siva 
(Mahasivaratr?), from Kedarnath in India's far north to 
Cape Comorin in the south. 14 

The sanctity of the Satarudriya hymn for Siva's 
devotees is greatly augmented by the fact that the 
five-syllabled invocation to S\va(\.e.,pancaksara'mantra 
or simply pancaksari], namah sivaya- makes its first 



loves and knows ; and Folly the false being which 
hates and works lawless deeds through the instruments 
of the Soul, namely, the mind, the senses, and the 
faculties of speech and action : and that if measures 
be taken to separate the Soul from Folly, the Soul 
will first know itself and then God who is in it. 
Knowledge of God is impossible till the Soul renounces 
all its impurities aid stands in the likeness or "Image" 
of God fit for fellowship with God. The Doctrine of 
Renunciation, and the practices necessary for forsaking 
co'ruption, form the sum and substance of the 
teach.'ng of the Jnanis- This work of renunciation of 
impurity on the part of the disciple must be carried on 
from day to day, it may be for years together, before 
G'-d manifests Himself to the seeking Soul. 

When it awakens to a sense of its bondage to 
c-:ri;ption and gradually releases itself from its carna 
attachments, it is said to "ascend" towards God, who 
is n th? soul.a That part of the Vedas which is called 
Upanlshad treats of this ''ascent" or "rise" from 
o-rjunt.'on to incorruotion. "He who in perfeot rest 
rw 'rom worldly attachments and attains the highest 
' -bt conies forth in his own proper form. This is the 
-r:r?af soul" (Ma/tr Brah Up, 11-12) Numberless 
v the books written by Jnanis to expound this doctrine 
<\ Giclncss<Brahmlstrtiti) contained in the Vedas and 
ArMT-as. The eldest cf these books are in Sanskrit and 
Tern I. Somo in Sanskrit are known to Western scholars 
fc;.t net any m Tamil. Their works in Tamil deserve to 
t>v studied, especially those in the form of hymns. One 

. ; Cf. ff Ta 



213 



appearance in this sacred text Like the Purusa Sukta 
(PV X. 90), the Satarudriya Stotram (or simply the 
Rudram, as it is popularly known) is chanted in the 
course of both domestic and public rituals., and on all 
other occasions when Rudra is given a ritual ablution 
(abhisekam)^ 

The primary characteristic of the hymn is its 
portrayal of the "pantheistic" form of Siva 16 as the highly 
Volatile embodiment 'of Divinity within every form of 
life in nature and society. The recitation of this hymn 
is considered by Saivas to be one of the most 
efficacious modes of meditation (sadhana] upon God in 
his many manifestations n 

The oblations which are accompanied by the recita- 
tion of this litany are familiar to the Brahmanas. Even 
some of the minor Upanisads (i.e., the Jabala and the 
Atfyarvas/ras) extol the spiritual virtues of the Satarudriya 
Stotram.^ The profound veneration with which the 
devotees of Siva regard this litanv is illustrated further 
by the claim of the 7th century South Indian Saiva 
singer-saint, Appar, that, "just as the Vedas and their 
six angas (branches) were the precious jewel to the 
(ancient) Brahmanas, so was namah sivaya to himself 
.{Appar, and his followers". 50 

The Satarudriy* Stotram as a Paradigm of 

Namsfapa 

In the Mahabharata, there appeared for the first 
time a mode of religious worship consisting of the 
recitation f the divine names [nama/apg) of God. 21 



214 

Namajapa could be performed either within the context 

of a sacred rite or as an independent propitiatory act. 

This type of hymnody is most fully exemplified in the 

Hymn of a Thousand Names" (sahasra-nama-stotram) 

addressed to Siva, to Visnu and to the goddess Durga, 

in the Mahabharata. 12 In the Mahabharata* as In the 

Vedas, the Divine names are recited primarily in order 

to persuade the deity being addressed to provide the 

devotee with some desired boon e.g , numerous 

progeny, victory in battle, safety from misfortune, the 

promotion of prosperity and health, the acquisition of 

religious merit and the entrance into close personal 

communion with the deity himself. In addition, each 

of the epithets in the hymn served as a mnemonic 

device to aid the worshipper in recalling the virtues, 

powers. exploits and offices of the deity for purposes 

of meditation and worship. In post-Vedic times, with 

fie emergence of pouplar sectarian religion^ these 

strings of names were recited ad seriatum, while 

counting the beads on a rosary (japamala, aksarnola}. 

While the first bona fide example of this genre of 
hymn mekes its appearance in epic literature,, there are 
nunr-rous selections in the Vedas where rs/'-s and 
sacrficial priests (p^0/?//a_s. invoke various deities by 
reciting hymns composed of strings of epithets which 
c*fj.n ea te the manv attributes of the particular deity 

,? 8 addressed - Glven the relatively close structural 
p*lkl between the Satarudr/ye and the Sahasa-nama 

' S a baS/ ' S f that the 



dlrectl ^ or ^directly, 

^ m P sition of the latter. Although 

t cannot be sure that the composers of these epic 



215 



hymns consciously utilized the Vedic hymn as a model, 
they must have been acquainted with the Vedic example 
(given the fact that the Satarudriya appears as a 
sub - parvan in the Mahabharata') and may have 
employed the earlier hymn as a working model 

The religious ideology behind the composition and 
recitation of the Satarudriya might be described as 
the -'mystique of the Sacred Utterance" The Vedic 
priests believed that the hymns and ritual formulae 
were oral embodiments of cosmic forces- Not only 
couplets s/oka-s), lines (mantra-s) and quarter - lines 
(pacfa-s\ but words and even individual syllables 
(aksara-s\ are homologized with particular parts of the 
cosmos and with various deities who are believed to 
be in control of the many departments of the natural 
and social orders. On this basis, the recitation of the 
formulae on the appropriate occasion serves to coax 
the divinities so addressed to intervene in the world 
process on behalf of the sacrifice!' and his kinsmen. 
Along with this belief in the efficacy of the Sacred 
Word is the conviction that the Divine Names serve 
not merely as figurative cr symbolic representations 
of the god so-named, but as concrete and highly 
efficacious embodiments of the spiritual essence of 
the deity himself. In brief, sacred words of invocation 
and the divine power(si designated by the terms, are 
thought to be one and the same within the context of 
the sacrifice. >3 

In the course of the Satarudriya rite, the primary 
concern of the yajamana was focused at the point 
where each recitation should ogcur and upon the proper 



216 



order of the various chants The Vedic priests seem to 
have been less concerned with the religious or 
theological meanings of the formulae, prayers and 
hymns, than with the actual words recited and the 
ritual actions performed in the mannar prescribed by 
the ritual manuals. This meticulous concern for ths 
correct placing of each item in the ritual and for the 
careful adherence to every injunction in the ritual texts 
grew out of a conviction that arranging words and 
deeds in right correlation would produce the desired 
results automatically. :4 The gods were believed to be 
willing and able to grant the boons provided the eulogies 
were correctly formulated and the oblations sufficiently 
generous. The more elaborate the panegyrics and 
the more generous the offerings, the greater the likelihood 
that the desired objectives would be realized. 

Furthermore, the text pertaining to the Satarudr/ya- 
homam (SBIX. l.l) contains numerous examples of one 
of the more prominent developments in liturgical and 
literary form during the period of the Brahmanas : 
namely, the formulation of arcane or mystical connections 
between en entity 'e.g., a religious functionary, human 
virtue efficacious deed, animal or some other object) and 
one or more entities within the divine sphere (eg, a 
specific deity, planetary body, or divine power) 
believed to share either a common nature or similar 
properties and powers These mystical links were 
established by means of what might be described as a 
''theological pun". JS The priests or liturgical composers 
sought to augment the pleasure of the gods in the 
sacrificial offering by fashioning increasingly fanciful 
and ingenious examples of such puns. It was their 



\ 



217 



belief that the gods would reward the devotees in 
proportion to the quantity and quality of such eulogies 
and the degree of ingenuity displayed by these 
linguistic associations. The priests certified the religious 
validity of such practices by declaring that "the gods 
adore the esoteric''. It should be noted, of course, 
that the procedures employed in identifying two objects, 
the names of which are composed of similar phonemes, 
in most instances, transgress all the rules of grammar 
and linguistic analysis- But, in such cases, adherence 
to the laws of proper linguistic derivation gave place to 
the need to articulate certain deep theological 
meanings that could be expressed in ro other way. 

Analysis of Rudra 8 Character in the 

Satsrudriys Stotram 

The Rudra of the sataruclriya is essentially the 
same deity who appears under that name in the 
Rg-\teda, except that in the former text his personality 
has been impressively augmented and he appears 
under essentially different images. H is still the same 
ambivalent and unpredictable god -an archar deity 
whose arrows inflict both men and animals with 
disease, misfortune and death but, at the same time, 
a god in whom there is a great capacity for 
benevolence. He lives in faraway places, in the clouds 
or on the mountains and hills, on lofty perches from 
which he shoots his arrows of ambivalent qualities, 
but, by and large, at a significant distance from 
civilized places. Like any ordinary woodsman, he 
wanders about (primarily at night) through woods 
nd fields, along paths or near places where the 



218 



unwary traveller may be victimized by ominous 
powers and horrifying creatures. 

The Satarudr/ya Stotram represents Rudra's physical 
appearance in such graphic and various terms that one 
wonders why he was never represented in iconographic 
form during the Vedic period. In spita of an abundance 
of ferocious and grotesque qualities in his character, 
he is said to be of benign (aghora) and auspicious 
(s/Va) form, "not dreadful or vile-looking". Long 
golden locks flow down his blue colored neck onto a 
body that is described as brown, copper, ruddy and 
bluish-red or purple. His two arms are invoked 
apprehensively as the wielders of the bow and arrows 
which are sources of both disease and health He is 
both tall and dwarfish 26 With his one-thousand eyes 
he views the entire world at all points on the compass 
at a single glance. Clad in an anima! skin, he leads 
the life of a rude uncultured woodsman or mountaineer 
(giritra, girisanta. girisa}. In this state, in wild areas 
Rudra is the fearless generalissimo of countless bands 
of spirit-troops tsatvana), ' innumerable Rudras dwelling 
in the sky in the atmosphere and on the earth ..." These 
attendants of Rudra are imagined to take the form of 
ghosts, goblins and "grotesque and ferocious spirits" who 
roam about the countryside in the dead of night 
(naktamcarabdhyas}. As extensions or external 
manifestations of the spiritual essence of Rudra, these 
beings are fierce (krura) and deformed (vfrupa) in 
appearance, with blue necks (nilagriva) and white 
throats (sitikantha). By extension of this same role. 
Rudra is the Master of animals (pasupati). He lives 
.with the spirnajs cf the forests end deserts, knows 



2(9 



their life-patterns and controls their destinies. While 
he is also said to abide with cattle in the shelter of 
cattle-pens, Rudra's role as Pasupsti seems, during the 
Vedic period, to place him primarily in the company 
of wild and untamed beasts that haunt uncultivated 
areas in forests and deserts and threaten both men and 
animals with injury and death 

He prefers isolated places frequented by wild 
beasts, goblins, and malicious spirits for he is 
characteristically identified with paths (srutyaya], roads 
(pathyaya}, mountain slopes \.nfpyaya] and rugged areas 
<katyay) } with forests (vanyaya), woods (aranyaya) and 
crossroads (catuspathyaya). 

Further, Rudra is the patron deity of various 
classes of artisans, including blacksmiths, carpenters 
and huntsmen. Like Pusan, with whom he shares a 
number of other traits in common, he is the divine 
pathfinder who guides and protects travellers through 
areas that are fraught with ominous dangers. As an 
Inhabitant of the wilderness areas he is the god of 
tribal peoples, both Aryan and non-Aryan, who inhabit 
the hills and forests of northern India : the Nisadas 
(wild aboriginal tribes of non-Aryan ancestry, probably 
hunters, robbers and fishermen and possibly identifiable 
with the present-day Bhils who live in western and 
north-central India, renowned in the past for brigandage 
and lawlessness^; and the Punjisthas (fishermen and 
according to Mahidhara, fowlers) He manifests himself 
to f 'female water-bearers'', "in sprouting grass", in 
cfessicated things", "in the dust and the mist"; "among 



220 

herds 1 ',, and in cattle-pens". He exists "in mind, th e 
cloud and the lightning", "in incantations, punishments 
and prosperity". 

His devotees invoke him on his ferocious side 
and attempt to placate his wrath by reciting epithets 
and character traits which reflect his capacity to visit 
misfortune upon whomever he wilfs. Among his many 
terrifying (ghora] aspects, are these: fierce tugraya) 
and terrific (bhimaya], master of animals .pasunampataye) 
whose shafts inflict animals with diease and disaster, 
"the bellowing lord of combat-troops'^ "lord of the 
cheater, the arch-deceiver, brigands... murderers and 
stealers" 'lord of the deformed [virupebhya] and the 
omniform (visvawpebhyai*. 

Thus far, this survey of the conception of th 9 
character and roles of Rudra in the Satarudriya Siotram 
has focused entirely upon the terrifying and destructive 
side of his nature. Howerer, inasmuch as this litany 
is a hymn of praise recited primarily to gratify Rudra 
and to cultivate his benevolent grace, the number of 
benign epithets attributed to him far exceed the 
malignant As benevolent provider and protector from 
misfortune ; Rudra is addressed as "advocate" or 
"deliverer" (adhyavocad) $ "first divine healer 
(prathamcdaivyo bhesak)" "he whose medicines bring 
continual healing" ; ""most benevolent one (sumangalah/' 
"bountiful <midhuse(" ; and more than that, ''most 
bountiful midhustama)" ; "lord of the prosperous- 
(pustanam pataye /' ; "lord of food and of all moving 
things" ; "he who extended the earth bhuvanteyej" ; 
"bestower of welfare (sangaye " -, and "source of 



21 



(sambhavayaV '. Finally, a few of the 
epithets which will become his most prominent names 
in the epics and puranas appear in this hymn ; i.e., 
Auspicious One (sfvaya) and cause of prosperity 
(sankaraya}) as well as Divine Lord (isano bhagavah). 

Most of the western interpreters of this hymn 
(among whom we might mention Arbman, Hilleforandt, 
Weber, Macdoneli, and Barth) have tended to adopt 
an overly simplified view of Rudra in this text, by 
stressing his fierce and destructive aspects to the 
almost total neglect of his benevofent and auspicious 
features." True, many of the epithets and attributes 
assigned to Rudra in this hymn reflect a deity who 
manifests himself to mankind in the form of a formidable, 
frightening and even destructive power. But Rudra must 
be viewed as a deity whose nature is quintessentially bi- 
polar and ambivalent. 28 He is the god from whom all 
the opposites spring into dynamic manifestation (life and 
death, good and evil, pleasure and pain, beauty and 
ugliness). He is the divine agent of both procreation 
and dissolution, throughout the natural and social 
spheres He is the divine source and cause of both 
illness and health, poverty and wealth, terror and bliss- 
When he manifests himself by means of his auspicious 
and sublime form (siva-, aghora-tanu;, he provides all 
the energies required by living beings for survival and 
growth. When, on the other hand, he operates by 
means of his terrible and demonic aspects(bhfma-,ghora- 
?a/w),he removes living creatures by withholding those 
same life-supports. Hence., he must be viewed, even at 
this early period of Indian religious history, as a 



222 

deity who encompasses a wealth of traits, powers and 
activities, a complex network of features that resists, 
every attempt to derive a univocal pattern. 

The Character of Rndra in the Satarudriy* 
Oblation 

Our understanding of the precise nature of Rudra 
and of the type of "religious consciousness" which 
he provokes in his devotees can be brought into 
sharper focus by surveying his various modes of 
manifestation and activity recorded in the Brahmanical 
texts periaining to the Satarudriya-homam. Like the 
Psalms in the Old Testa merit, * plainsong chants in the 
Catholic Missal * and congregational hymns in Protestant 
hymna.ls the hyrnns in the Vedas were not intended to 
serve as mere "musical accompaniment to the visible 
actions of the liturgy. Rather, like the Hebrew and 
Christian counterparts, theVedic hymns were composed 
and recited as canticle equivalents to the outward 
activities of worship. As stated earlier, the hymns of 
praise, the visible movements of the rituals and the 
sacrificial oblations are three different aspects, of a 
single mode of religous veneration. 

According to the Satapatha Srahmana (IX. 1.1 ff.): 

where the prescriptions for the performance of the 

Satarudriya homam rre given in greatest detail, the 

rite is said to be composed of 425 oblations offered 

into the sacrifical fire at the completion of the piling up 

of the fire-altar (agnfcayana) when Agni, 31 the divine 

personification of the sacred fire, has come to be 

identified with Ruc'ra. 33 The homologization of Agnf 



of the ancient psalms of Manikka-vasakar, daily chanted 
by hundreds of thousands of Tamils in South India and 
Ceylon, is as follows;- 

"0 Siva, abiding in the limitless region of holiness 
who, darkness dispelled, has granted me grace this 
day ; 

To abate thoughts, I thought of Thy way of rising 
from the bosom of the soul in the glory of the 
sun; 

I thought of the non-existence of everything but 
Thyself; 

I thought of Thee and Thee only, having worn 
off thought, atom by atom and drawing closer for 
union with Thee as one; 

Nothing art Thou, yet nothing is without Thee. 
Who, then, can think of Thee ?" 

T/ruvasakam, Koyil Tiruppadikam, 7 

God as Absolute Being, or Being Unconditioned by 
quality or quantity, is indeed unthinkable, nor is 
he to be perceived by the senses, as Immaculate, Infinite 
Spirit, but yet, as such, he is knowable. He is to be 
known by the soul only when the mind runs down 
to a calm and lies quite still. When in spiritual 
communion thoughts are wholly abated and sleep does 
not intervene^ the soul stands by itself like a steady 
flame, unobscured by sleep and unagitated by thought. 
In this state of isolation or aloneness, called kaivalya t 
the soul knows itself and God who is in it. The gradual 
elimination of thought "atom by atom", as the Master 



23 



and Rudra symbolizes the fact that the sacrtd i.rt 
which has received great quantities of ghea (clinfi^j 
butter) at regular intervals during the construction of th? 
altar, has begun to flare up and crackle with .rrpr M ,vi 
and terrifying (raucfra) force. "The altar fire is the- Owl . 
ward and visible manifestation of the dual divmitv. R-.tJr*. 
Agni in his most awesome and terrifying for?- -ghtra- 
tew). 34 Or, in more metaphysical terms, th altar !;ft 
has been transmuted into a symbol for the d.vsre fore* 
which courses through plants, rren, animals ard 
bodies with a powerful thrust that threatens tc 
the very forms of life it sustains. 

After the gods have bestowed upon R^d's 
"that highest form" (rupamuttamam) that is, j- w ^ 
(amrta) 35 He stands upon the altar in the frr-r: cf t 
sacrificial flame "longing for food" (annamiccrs-n^a $ 
Knowing of Rudra's voracious appetite, even : 
are fearful that he might do them harm M ,r. 
placate His wrath and evoke his pleasure. : 
determine to provide Him with food, in the kr 
that, "thereby we shall appease *samay^i 
soothe,) Him". 

At this stage, the officiating priest ^3*105 
containing a "theological pun r on the -ars*T : 
for "appeased^' (santa , and "one-huniKG 
This "play .on words" provides the necessar* 
connection between the name of the homa^t 
primary objective of the ritual itself. The !-' 
that ihey gathered the food called Sar.tedt^ 
satisfied (stmayams) with it Inasrn-cr 3 
satisfied (sam) the god (deva) by means o. ^ * 



t> 






51*1 



:** 



424 

it is known as Santadevatya (i.e., that which satisfies 
the god) and Santadevatya is the esoteric ; equivalent 
of Satarudriya, "for the gods adore the esoteric" 
(paro 'ksa kamahide vati] . 

The officiating priest (adhvaryu), then offers an 

oblation of wild sesame seeds (jartilair), which 

represent both cultivated (gramyam) and wild-growirig 

(aranyam) foods, 37 in order to satisfy Rudra-AgnPs 

hunger and to provide him with the nourishment which 

he demands for the successful performance of his 

divine function. The priest then places these sesame 

seeds upon an arka-leaf (arkaparnena) 38 and deposits 

that offering upon three enclosing-stones (par/srftsu) 

which represent the three Agnis (the earthly, 

atmospheric and celestial fires., respectively). 3 By 

offering the obfation to Rudra-Agni, the mystical 

homoiogization between these two gods is ritually 

completed. In verse 9 of Adhyaya 1. the Brahmana 

provides an 'esoteric' rationale for presenting the 

arka leaf to Rudra-Agni. "He offers with an srfa-leaf; for 

the tree arose from the resting place of that deity 

(devasyasayad) s he thus satisfies (prinath him with 

his own portion (bhagena), with his own life-sap 



Following this presentation the officiant offers an 
oblation composed of flour made from Gavedhuka 
grass (Co/x Barbata). The offering is laid upon the 
stones on the altar, for "the Gavedhuka plants sprang 
forth (stmabhavan) in that spot where the deity lies 
exhausted (visrastasay*)" . In this manner, the 
deity is remvigorated -and gratified by 'his 



ovvn 



I 



225 

life-blood (rasena) and by his own portion (i. e., the 
substance which constitutes his own being or essence). 

The priest is enjoined by the Brahmana to place- 
the oblation upon each one of the three enclosing 
stones (parisritsu] situated to the rear of the sacrificial 
area (i. e., the west corner of the left wing of the- 
bird-shaped altar). Beginning at the southernmost tip 
of the area and moving toward the north, 4Z each of 
these stones is taller than the preceding one : the first 
is knee - high, the next navel-high, and the last head - 
-high. Each stone represents one of the three 
levels of the universe. The offering presented al a 
particular level of the body of the sacrificer gratifies 
the Rudras who abide at the corresponding level of the 
cosmos. By means of these three offerings of food 
and ritua! invocation (svaha\, all the Rudras throughout 
the universe are nourished and soothed- * The officiant 
presents this offering while standing on the north sid& 
of the altar and facing the north. 44 He thereby 
satisfies Rudra "in his own region" for "in that region 
Hes the abode of this deity" (ha disyetasya devasy* 
grhah). Once the hunger of the Rudras has been 
satiated and their wrath tranquillized, they depart from 
the sacrificial area in the house of the sacrificer to the 
regions to the north and, henceforth, cease to threaten 
the health and welfare of the sacrificer and his 
family. 45 

The myth which the Brahmana (SB. IX I.! .6-7) 
provides as a symbolic rationale for the performance 
of -the Satarudriya-homam, states that when Praj'apati 
(the Creator and Lord of the Creatures) had become 



226 



Impotent in the course of the year, the gods abandoned 
him for lack of support and sustenance all the gods, 
that \s 3 except one, Wrath (manyu). For wrath always 
remains and asserts itself when a creature has become 
hungry and weak. Wrath expanded and remained 
steadfastly attached to Prajapati. This state of fury 
drove Prajapati to tears (rodlt) 46 and his tears fell 
down upon Wrath. The water of Prajapati's tears 
mixed with the fire of Wrath and from that compound 
sprang up the divine embodiment of Wrath and Terror 
(i. e. Rudra , possessing one hundred heads, one thousand 
eyes, and one hundred quivers.The remaining drops of tha 
mixture spread over the entire world in countless numbers 
{asamkhyata} . Because these multitudinous creatures 
sprznQistimabhavam > from the crying (ruditas), they came 
to be csHed "rudras" (i.e., the cryers or howlers). 47 
Meanwhile, this multicephalus, multi-eyed and multi- 
quivered creature, Rudra, who is the unified embodiment 
cf al! the Rudra-powers, stood before the gods., with 
bow and arrow prepared, in his quest for food 
(annamicchmanas), striking them with fear (bhisaya- 
mano). And, as a result cf the continuing presence 
of this offspring of the wrath-filled tears of Prajapati., 
""the gods were afraid of him". 

The gods then appealed to Prajapati to aid them in 
acquiring an antidote to their terror. In response to 
the gods' plea, Prajapati replied, "Gather food 
(snnamasnai sambharata) for him and you will gratify 
(samayata) him, thereby". 

One* the priest has completed the nourishing of 
Rudra with the oblations of sesame seeds and the 



227 

gruel of gavedhuka flour, he procseds to gratify the 
deity further by muttering the various formulae of the 
Satarudriya Stotram. In the course of these he recites 
that most salutary of invocations, Svaha, (sv-aha or 
su-adha, lit. "saluations, hail") between each set of 
30 formulae (SB IX 1.1.21). The mystical identification 
of the oblations with the formulae and the power of 
both to gratify the deity is affirmed by the ritual 
association of "the eight! e$ } > (asityam, i.e , the 9 
sections or anuvakas of the litany.) and the 
sacrificial food (asita, food, : "eighties means 
f JQd, for by means food (and formulae) he 
gratifies him, thus" (verse 21). The priest offers 
obeisance to Rudra's wrath, his two mighty arms that 
wield the bow and arrows, to the bands of clansmen 
which sprang from Prajapati's tears of wrath, and to 
Prajapati himself, who, in completion of the mystical 
identification of all the gods and all the elements of 
the sacrifice, is linked with Agni and the 

Year. The Adhvaryu continues to gratify Rudra by 
"invoking him by his names" and identifying Rudra- 
Agni with the Year, the seasons, the three realms and 
the layers of the altar. 

The official performance of the rite is concluded 
with a recitation of the "unstringing formulae". 49 These 
mantra-s are recited for the purpose of "unstringing" 
the bows of the countless Rudras "at a thousand 
leagues 4 ' and, thereby^ rendering them powerless to 
harm the sacrificer and his relatives. This series of 
oblations is presented in reverse order to those 
described in vss. 11-13; that is, in a descending 
pattern from the mouth, to the navel, and, finally, to 



228 

the knee. In this manner, the circuit of ritual oblations 
13 completed and, at the cosmic level, the entire world- 
order is rendered secure from all the disruptive effects 
of Rudra's wrath. 

With the completion of the "descending-" rites 
(pratyavarohan), along with the final propitiations of 
the Rudras at the three levels of the universe, the 
yajamana casts the ar/ra-leaf and a/^a-stick into the 
"pit" (catva/e), which the composer of this Brahmana 
takes to mean the depositing of implements into the 
sacred fire to be consumed. The Satarudriya is then 
identified symbolically with the aitar, the Year and 
Agni all of which are composed of 360 components- 
and with the Great Litany (mahad uktam), with which 
the rite shares in common the possession of twenty- 
five parts (i.e., formulae) on either side of the 
'eighties" (again, formulae.) The yajamana brings the 
rite to a close with a series of circumambulations of 
the vedi while sprinkling it on all sides with water 
(in order to drive all evil and pain into the region 
of Nirnl located in the south-western direction). This 
act is accompanied by the formulation of numerous 
mystical connections between constitutive parts of 
the altar and corresponding realities within the 
cosmos. The final resolution of the homa is realized 
by symbolically identifying the many facets of the 
rite with various natural phenomena and the divine 
powers that rule over them. This is done with a 
rather complex formula equating Rudra-Agni, Prajapati 
the altar, the Gayatn-mantra, the Sa/??a/7-hymns, the three 
levels of the universe the two cosmic luminaries and 
Agni's "highest form, immortality*'. 



M9 

. The Relationship between Concepts of Divinity 
and Religious Experience in the Satarudriya 

While the most obvious goal of this homa seems 
to be the appeasement of Agni-Rudra's wrath and the 
acquisition of his benevolent grace on behalf of the 
sacrificer and the family, other, secondary objectives 
are sought as wed. The series of mystical corres- 
pondences which stand out most prominently in this 
rite (e.g., the identification of the bricks of the 
altar with Prajapati, of Prajapati with Agni-Rudra, of 
the rasa of the oblations with the rasa of both the 
deities and the universe) suggest that the rite is 
believed to serve as a means of assembling and 
reintegrating the various powers in the universe which 
have become fragmented and dispersed during 
the course of a year and by reintegrating 
such powers to infuse the entire cosmos with 
new life. So conceived, the sacrifice is to be 
understood as that single most efficacious mechanism 
for the establishment and maintenance of a proper 
equilibrium among the various centers of power (.i.e., 
gods, men and the natural world) and for the 
promotion of the uninterrupted flow of the life-forces 
throughout the world. In the same way> the sacrificial 
arena is that privileged place within the finite world 
where gods and men meet in spiritual communion and 
where each receives irom the other necessary 
life-supports. 

We have argued that previous interpretations of 
Rudra as a wholly "demonic deity' 1 who provokes 
only fear and dread ore simplistic and one-sided. 56 



IBO 

But even if such were the case, those responses to a 
deity like Rudra which take the form of fear, awe, and 
dread should not be interpreted in purely ''negative" 
terms. 51 On the contrary we could argue that, when 
properly understood., those experiences which threaten 
man's sense of self-confidence and well-being (whether 
by divine,human, or animal agencies) have "positive" 
as well as "negative" consequences. 

This ambivalent nature of the religious experience 
has .been observed by a variety of scholars of religion* 
Richard R.Niebuhrjfor one, explores the nature of religious 
experience. sz While Niebuhr's analysis is general and 
does not regard all the varieties of religious experience 
and response to it, his analysis is appropriate for a 
consideration of the relationship between the concept 
of divinity and the religious experience expressed in 
the Satarudriya. He contends that fear, especially that 
type of fear which occurs within the context of an 
encounter with an extraordinary power, should be 
viewed as an "ambiguous" experience, a dual state of 
mind in which feelings of buoyant joy and benumbing 
awe are co. mingled. That is, fear is not merely a 
highly restricted and specialized emotional response to 
particular objects or situations. Rather, fear is that 
all-pervasive and inescapable sense of living in a state 
of finitude and mortality. Suffering, as he defines it., 
is the ambivalent sense of both "being diminished and 
being enlarged". Both suffering and the concomitant 
experience of faith form "a boundary of existence, an 
ever-present element of consciousness" in a world that 
appears to us to be a "field of energies, converging on 
us, shaping us, distending us, shattering us and sending 



231 

j* on paths we have not chosen for ourselves". 53 So 

Conceived, suffering is the "determinant of all existence", 

{he basis of man's sense of creature-hood- Faith or 

faithfulness, which both complements and incorporates 

{he element of anxiety, Niebuhr defines as "the 

fnanner in which human being comports itself within 

its world of power"j the "way in which he accepts 

and addresses himself to his situation as a suffering 

being". Because of the paradoxical nature of human 

existence, the experience of faith necessarily occurs 

within a state of suffering and contains elements of 

conflict and strife, coupled with joy and harmony. 

Fear, whether viewed primarily as a religious, 

existential or psychological category, must be 

interpreted against the background of the dynamic, 

ever-changing field of human existence in a world of 

power. 

Rudra, more than any other deity in the Vedic 
pantheon^ manifests himself to mankind as this 
"infinite energy and environing, shaping power that 
approaches us on alien terms", of which Niebuhr 
speaks in a later portion of this same work. **. It is 
the alien or "wholly other" quality of Rudra's 
appearances and activities within the finite world 
that gives rise to the responses of awe and terror in 
his devotees. 

Conclusion 

In conclusion, we argue that, in the Satatudfiya 
hymn and rite, Rudra is represented as a deity who uses 
his divine power to create multiple manifestations 
with ambivalent qualities. 55 In part, the fluidity of his 



232 

nature (i.e., his capacity to divide his one divine 
nature into numerous facets and, at the same time, 
to integrate within himself many disparate and antithetical 
phenomena in nature and society), served as a pre- 
condition for his elevation to the status of High God 
in the Svetasvatera Upan/sad and The Mahabharata. 
Unlike most of the other Vedic gods, who lacked 
either the degree of concreteness (e.g., Varuna) or 
the proper level of generality (e.g., Pusan) required 
for the development of a High God status, Rudra 
commanded a sufficient degree of both universality 
and particularity to fulfil the spiritual needs of a 
wide variety of people over an extensive geographical 
area and through a lengthy expanse- of time. 

Even as early as the time of the Satarudriya 
(ca. 1000 B.C), Rudra's character is marked by a 
configuration of traits, powers and deeds that are^ 
at once, antithetical and complementary. Though One 
in essence, he is indentified as the divine power which 
both creates and destroys, energizes and dissolves 
a!! forms of life. His ambivalent nature made 
possible the multiplication of his manifestations 
(murtis], during the epic and post - epic periods, 
in such a way that he can appear to be either 
malevolent (ghora, bhairava] or benevolent (aghora, siva~] 
on different occasions or both simultaneously. 

When these observations concerning Rudra's character 
in the Satarudriya are considered together with our under- 
standing of fear / dread as an ambiguous experience, 
the conclusion is hard to resist that Rudra must be 
seen as a deity whose nature is far more complex,. 



8 

quoted above says, draws the sou/ out from the dust 
heap of thought and enables it to see itself more and 
more, till at length, when the last trace of thought 
is "worn off/' the soul appears, as declared in the 
Maftrayana Upanishad, in its ''own proper form" as 
Unconditioned Being, in unspeakable repose. This is 
called by the Agamic Jnanis atma-darsana, or knowledge 
of the soul, corresponding to the "manifestation" or 
"appearance^ 4 of Christ within man ''John xiv: 2lj 
Matt, xxiv: 30). Then is realised Siva-darsana, or 
knowledge of God, who manifests himself only within the 
Spirit though He pervades all the Universe. This is "His 
way,'' His usual method, of manifesting Himself to 
those men who worship Him spiritually, " in truth and 
in spirit' " as Jesus said. The Vecfanta Jnanis speak 
of these two experiences as Vikalpa Samadhi and 
Nirvlkalpa SamadhL 

Just as the soul enshrined in the body ''rises" from 
the bodyj God enshrined in the Sou! "rises" from the 
Soul. These are the two fundamental experiences of 
human nature^ the one leading necessarily to the other ; 
and this is the goal of lifethe knowledge of God After 
attaining it, there is nothing more to attain here or else- 
where. Progress with all its toils ends.The long sought for 
Rest has come. No longer do pure and impure thoughts 
strive against each other for mastery; no longer do kind 
and unkind words flow alternately from the lips ; no 
longer does the flesh strive against the Spirit, 
nor the Spirit against the flesh. DHferentiation between 
oneself and others has ceased. Peace reigns. In the 

4. Cf. 



233 

exalted and multivalent than a majority of Indologists 
have recognized. Because he is revered as the divine 
source of wealth and poverty, health and illness, 
life and death, joy and grief, his presence provokes 
responses from his devotees that range from veneration 
and affection, to fear and dread religious feelings that 
are in perfect harmony with the multifarious character 
of his divine nature. Even in this early period of the 
history of Indian religion, Rudra is recognized as 3 
multivalent manifestation of divine power, whose 
activities serve both to delimit and expand, threaten 
and sustain the world and all the creatures that abide 
therein. In the religious terminology popularized by 
Rudolf Otta, Rudra is the numinous par excellence, the 
deity in whom The Sacred is revealed in its full 
multiplicity and ambiguity. As such, Rudra is the 
Divine reflection of man's perception of the nature of 
Life itself. 

Notes 

In the following notes, abbreviations for basic texts 
will be used, as follows : Mbh Mahabharata; IS 
Taittiriya Samhita; SB Satapatha Brahmana; VS 
Vajasaneya Samhitd; RVRg. Veda; AVAtharva Veda; 
SBESacred Books of the East; IB- Taittirlya Brahmana; 
Sankh. Br. Sankhyayana Brahmana', Ap. SS 
Apastambha Srauta Sutra. 

1. Vedic Mythology (Strassburg, 1897; p. 3. 

2. Sri Aurobindo, On the Veda, (Pondicherry, 
1956), pp. 49-50 

3. Consult E. Arbman Rudra. Untersuchungen 
zum altindischen Glauben und Kultus, (Uppsala, 1922), 
asp. chap. I. 



234 

4. J. Gonda, Visnuism an d Stvaism: A Comparison, 
(London, 1970), p. 5. 

5. A. A. Macdonell, Vedic Mythology, p 74 ff. ; 
A B. Keith, Tha Religion and Philosophy of the Veda 
and the Upanish ads, (Cambridge, Mass., 1925), pp. 142-50; 
J- Gonda, Epithets in the Rgveda, (The Hague. 1959), 
P. 126 ff. 

6 See J. Gonda, Visnuism and S/vaism, p. 3, 20-21. 

7. R, G Bhandarkar, Vaisnavism, Saivism and M/nor 
Religious systems, (Strassburg, i9l3) 3 p. 102 ff. 

8. See R. N. Dandekar, "Rudra in the Veda", 
Journal of the University of Pcona, [Humanities section], 
1.1 (1953): p. 94 ff. 

9. Atharvaveda, XI. 2. 

10. A Weber, Indisehe Stud/en (Berlin, 1853), 
II, p.-13ff 

11. Vajasaneya Samhita XVI and Taittir/ya Samhita, 
IV 5. i-M. 

12. Among the numerous translations of the 
Satarudriya Stotram into western languages, see the 
following : for a German translation of the Taitttriya 
rescension (of the Black Yajus School) of the text, with 
various readings of the Kathaka and the Vajasaneyi 
versions, consult A. Weber, Indische Studien 11, 13-47: 
the Sukla Yajurveda (also known as the Vajasaneya} 
text has been translated and transliterated by J. Muir. 
Original Sanskrit Texts, (London, 1873), IV. pp. 322-31; 
also J. Eggelmg, The Satapatha Brahmana, Part IV, 
(Sf Vol. XLHI}, 150-55; and the Taittiriya text by 



235 

A. B. Keith, The Veda of the Black Yajus School 
entitled the Taittiriya Samhita. [Harvard Oriental Series, 
XIX], Cambridge, Mass., (1914),, pp. 353-62. 

13. Consult the following scholarly studies of the 
Satarudriya Stotram; E. Arbman, Rudra, pp. 221-53; 
R. G. Bhandarkar, Vaisnavism, Sa/v/sm and Minor 
Religious Systems, pp. 103-04; S. Bhattacharji, "Rudra 
from the Vedas to the Mahabharata", Annals of the 
Bhandarkar Oriental Research Institute, pp. 4', (1960), 
86.89; R. W. Frazer^ "Saivism", Encyclopedia of Religion 
and Ethics, XI, p. 91 ff. Concerning the Satarudriya- 
homam, see D. J. Hoens, Santi. A Contribution to 
Ancient Indian Religious Terminology, (The Hague, 
1951), pp. 128-33. 

14. See my article, "Festival of Repentance : A 
Study of Mahasivaratri'-, Journal of the Oriental Institute, 
Baroda, 2i (1972), pp. 15-38. 

15. V. Raghavan, The Indian Heritage - An 
Anthology of Sanskrit Literature, '.Bangalore.. India, 1956), 
p. ?0 ff. 

16. Raghavan, ibid., p. 21. 

17. Consult esp. Yajnavalkya Smni, (v. 303-04), 
308 for an assertion of its efficacy as an expiatory 
prayer 

18. Cf. SB iX 1 1.1-2 42 where specifications of the 
ritual performance, together with the appropriate 
recitations, are presented in elaborate detail. 

19. See T. R. Srinivasa Ayyangar, trans- Saiva 
Upam'satfs. (The Adyar Librar/. '953), 



236 



20, Appar, II. 5, cited in K A. Nilakantha Sastri, 
"An Historical Sketch of Saivism' J , in The Cultural 
Heritage of India, (Calcutta, 1956;. Vol. IV p. 70. 

2?. Consult J. Gonda, Notes on Names and the 
Name of God in Ancient India [Verhandelingen der 
Koninklijke Nederlandse, Akademie van Wetenschappen, 
Letter-kunde, Nieuwe Reeks, Vo! 75, no. 4] (Amsterdam, 
1970), pp. 57.76. 

22. A hymn composed of a thousand names is 
addressed to Siva in the Mbh. (XII :85 and XII! 17) 
and to Vishnu (XIII H9) and a briefer hymn to Uma- 
Durga, the malevolent aspects of Siva's consort Parvatj, 
(IV 6. pp. l-!8-T03). Cf. the Hymn to the Greatness of 
the Goddess (Devi-mahatmya-stotram or the Sridurga- 
saptasati), from the Markandeya-purana, [Sibliotheca 
Indica], trans. F. E. Pargiter, (Calcutta, 1904), Cantos 
LXXX/-XC//J. 

23. See J. Gonda, Notes on Names, p. 2 Off 

24. L. Renou formulates this principle in most 
succinct terms as follows: "The duty of the rsi-s was 
to ensure the ordered functioning of the world and of 
religious ceremonial by reproducing the succession of 
cosmic events, the ordo-rerum in their acts and in the 
imagery they conceived. Seen in this light; the 
Veda is a vast magical synthesis expressed in 
symbolic terms. The images of the Vedas have 
ritual significance in themselves ; they bring 
about the ordered functioning of a universe which is 
itself conceived as the scene of a vast sacrifice, the 
proto-type of the man- made sacrifice". Religions of 
Ancient India, (London^ 1953^ pp, .17-18, 



237 

25. E. C. Dimock, The Literatures of India. An 
Introduction, (Chicago : The University of Chicago 
Press, 1974), p. 47ff. 

26. TS IV 5 5. h, i 

27. Charles Eliot, Hinduism and Buddhism : An 
Historical Sketch, CLondon&New York, 1954), II p. 142 ; 
and Julius Eggeling, The Sacapatha Brahmana (Sacred 
Books of ths East, Vol. XUils p. 150 ff 

28. Wendy D. O'Flahsrtyj Asceticism and Eroticism 
in the Mythology of Siva. (London,, 5973), p 83ff. 

29. See S. Mowinckel The Psalms in Israel's 
Worship. Trans. T. M. Homer, (Philadelphia, 1967). 

30. Dom Gregory Dix. The Shape vf the Liturgy, 
(London, 1945). 

31. See SB (17.3.8; where it is said that ""Agni 
is the god known among the eastern peoples as Sarva 
(the archerj., among the Sahikas as Bhava (source of 
Being", as Pasupati (lord of beasts or cattle), as Rudra 
and as Agni " And the commentator, Sayana (Weber^s 
edition* p. \ .4) adds., "Although, based upon the 
distinction of courtries, there is a distinction of names... 
but the god (so-named) is One''. Cf Sankh. Brh. 
VI 1 1-9. Again, at S3 I" ?.S it is said that ''the name 
Agni is the most auspicious \agnir it\ eva santsm] and 
all the others are inauspicious-. 

32 The 75 (!! .7 10; presents a legendary account 
of the identity betv.een Ruc'ra and Agni. according to 
which Agni stole the store of wealth which the gods 
had retrieved from the demons and on being forced to 
return it, wept (arod/t). From that time Agni came 



238 



to be known as Rudra (derived from the root, 
VTud ~ "to weep"). Cf. TS I 5.1. 

33. 5f?e E. W Hopkin's remarks in Epic Mythology* 
p 218, n. >, to the effect that Rudra is of the nature 
of fire (agnimaya) and Vishnu of the moon (Somatmaka) 
and together they constitute the entire world. This 
claim is rejected by J. Gonda in his Aspects of Early 
V/snu/sm, p. 95f Cf. SB III 6.3 19. 

34. Cf. Mbh. VII! 202.41 where the body of Siva 
is said to be composed of the dual elements of Agni 
and Soma (i.e., fire and nectar); urubhyam ardham 
'agneyam somardham ca siva tanuh 

35. The precise meaning of this statement is 
uncertain because of the multivalence of the term for 
"immortal ity' ! (a-mr- fa -"not dead") in Sanskrit literature. 
From the time of the Brahmana-s (SB X 4.1.22) the 
juice of the Soma plant is identified with the moon, 
which itself is conceived as the cup containing the 
beverage of immortality. See J Gonda, Change and 
Continuity in Indian Religion, (The Hague r 
Mouton & Co., 1965), p 58ff. ; G. Dumezil, Le Festin 
d'Jmmorta/ite, (Par!?, 1924) p HOff. Since the offering 
of Soma plays no role in the Satarudriya - homam, it 
would, perhaps, be unjustified to link amrta in this 
passage with the Soma offering. Amrta is also identified 
by the Vedic poets with ths waters (RV I 23, 19, apsv 
antar amrlam] which served as food (VI 49.16 ; III 26 7) 
and medicines Cbhesajam] for the gods. The gods are 
distinguished from the demons and from human beings 
by their possession of amrfe (AV XXX 19.10). the c food 
pf life' i$B I 2J.20). The statement that the gods 



239 

"bestowed upon Agni the ultimate form of immortality" 
seems to mean that they provided him with a sacred 
abode upon the seven-layered altar and kindled him to 
such great heights by means of the sacrificial oblations 
that he came to be mystically identified with Rudra. 

36. Deva tbibharyuyadhai no yamnahinsyadlti. 

37. By presenting Rudra with a cereal grain 
representing both cultivated and uncultivated lands, 
all areas are protected from the III. effects of his 
wrath. 

38. Arkaparna Is the name of the leaf of the plant 

CaJotrop/cGfgantea 3 \nh\ch was believed to possess sacred 

powers and was associated primarily with the rituals 

dedicated to the Maruts or Rudras. the offspring and 

"doubles- 3 ' of Rudra. Th root-bark was used in 

ancient times for medicinal purposes. The ancient 

Arabs also held the plant in great reverence and 

used it in numerous rites dedicated to the worship 

of the sun. It is the Ushar of the Arabs and the 

Khark of the Persians- both terms used to designate 

milk-yielding plants. Abu Hanifeh was perhaps the 

first Arab writer to give an explicit account of the 

plant but much more detailed information will be 

found in the writings of Ebn Baithar (trans, by 

Southeinier^ li. 193>. Arka, a term derived from the 

root V arc ' c to shine or blaze r , and by extension, 

"to praise, honor or worship", obviously stands in 

close symbolic relationship with fire, lightning and 

other sources of luminosity (esp. the Sun, to which 

arka refers in many instances). The rationale for 

employing the arkapama in this rite must rest upon 



.the connections in the oblation between the altar-firs 
(agni) and Rudra, the representative of Agni in his 
sinister aspect. The blazing fire itself is an expression 
of the awe-inspiring wrath (krodha, manyu) of Rudra. 
Concerning the botanical and medicinal properties of the 
e/'/ra-ieaf, consult the following sources : Economic 
Botany, Vol 13, pp. 205-42; P. Maheshwari and 
S. L. Tandon. Agriculture and Economic Development 
in India, 232 ff ; Kew Bulletin, (1900), pp 8-12 ; Revue 
horticole. Ser 2, Vol. 3, April. 1844 March !845 a 
pp. 1-2. 

39. Cf. TB (i T.i.2) where it is related that the 
Devas and Asuras were engaged in conflict, whereupon 
the gods said to Agni, *,We shall prevail with you as 
our champion" to which Agni replied, "I will transform 
myself into three aspects. He did so to the end that 
Agni became the first part, Rudra, the second and 
Varuna, the third.'-' 

40. According to J Eggeling (SBE 43, p. 157, n.l) 
the arAra-leaf is substituted for the customary sacrificial 
ladle perhaps, another feature of this rite that sets it 
apart from the rites customarily offered to deities other 
than Rudra According to the scholiast on the VS y 
Mahidhara, in his gloss on XVI. I, the priest offers 
oblations on each of the three fire-stones, holding the 
a/Ara-Ieaf in his right hand and a piece of arka-wood in 
his left hand 

41. I have thus far been unable to discover any 
modern botanical studies of this species of grass. 

42. The Mbh. iXlll 97. 12) also dictates that 
offerings to Soma be presented in the north which is 



241 

the. location of somaloka (Cf. XII! 102.29) in agreement 
with SB Vili 6.1.8. 

43. Cf. Ap. SS XVII 11, 4 : i.e. 

44. Those lines with double invocations are 
presented to the Rudras who are most ferocious and 
difficult to appease. 

45. By this means the evil effects of Rudra's 
presence are expelled from the three levels of the 
universe. See Katha Samhlta 21.6 and Kapisthata Katha 
Samnita, which uses the verb avayafate, ''he expels by 
sacrifice". 

46 Consult SB (Vll.37ff.) which relates the 
story of the birth or Rudra from the union of 
Prajapati and his wife's sister, Usas. See also Sankh. 
Br. VI. 1 

47. See Say ana's commentary on Rg-veda I 114 1 
where he provides six different etymologies for the 
word "rudra". He himself prefers the meaning 
derived from the Sanskrit root \j7ud - 'to weep'* and 
this interpretation has been adopted traditionally by 
Indian pandits as the most authoritative derivation. 

48. Svaha, the oblation personified, is the 
daughter of Daksa uituai dexterity) and the spouse 
of Agni (sacrificial fire) but in other contexts the 
wife of Rudra-Pasupati as well. See Monier-Williams^ 
Sanskrit-English Dictionary, (Oxford University Press, 
1899), p. 1284. 

49. The ^'unstringing formulae" CVS XVI. 54-63) 
are recited as verbal counterparts to the corresponding 
oblation. See SB (IX 1.1.27 ffj. 



50. Notably, the studies of E. Arbman, A.B. Keitht 
A. A. Macdonell, et a/. 

51. Consult R C. Zaehner, Hinduism, (London, 
8962), p. 43. Even a scholar of the erudition and 
reputation of J. Gonda failed to stress the implications 
of the assertion that Rudra is an ambivalent and 
unpredictable deity. See Vishnuism and Sfvaism, p. 4 

52. See Richard R. Niebhur, Experiential Religion, 
(New York: Harper and Row, 1972;, pp. 77-106, from 
which I have drawn much of this interpretation of the 
concept of fear. 

53. Compare Gautama, the Buddha's doctrine of 
dukkha ( = 111, imperfection disease)' which presents 
the same sense of ambiguity between fear and hope, 
anxiety and confidence as is expressed in Niebuhr's 
statement. 

54. Ibid., p 94. 

55. A highly suggestive paper regarding "the use 
of multiple bodily parts to denote the divine", has 
just come to my attention, but regrettably too late to 
be incorporated in the present study. For an elabora- 
tion of the same basic principle discussed in this 
paper, consult, Doris Srinivasan, "The Religious 
Significance of Multiple Bodily Parts to Denote the 
Divine : Finds from the Rig Veda", Asiatische Stud/en / 
Etudes Asiatrques XXIX. 2, (1975), pp. 137-79. 



consuming fire of Truth f Jnanagn/^ 3 all the beggarly 
elements of egotism and desire have been burnt, and 
infinite Bliss (ananda} survives, bearing witness to the 
Godly nature of man's consciousness (atma). 

Thou art the indestructible Bliss, which appears 
the instant all the world (Jagat) of thought and the 
senses, like nuggets of gold, is dissolved into an 
ocean without waves or current. 

To this day I have not thus realised Thee/ 

Can I attain this happiness by only singing Thy 
praises in verse ? 

When, Lord, wilt Thou establish me in the region 
of holiness and grant me, a sinner., the bliss of the 
state resulting from non - differentiation ? 

Tayurranavar, Panmalai. 9. 

The "dissolution" of the "world" (Jagat ', which 
occurs to each man as soon as his mind ceases to 
differentiate, as soon as all thoughts have run down 
to a perfect calm, is also known as the "death" of the 
much mistaken Jiva-ahankara (or worldly spirit) which 
veils the true Ego (parama-ahankara^, which alone knows 
itself and is the basis of all knowledge, temporal and spir- 
itual. 5 Another great Sage of South India, who lived 
about two thousand years ago, and whose psalms are on 
the lips of every cultured Tamil of the present day, well 
said, 

5. Cf. ''icdwrurr <3560iiLj .35(35 LOT)*! b 



10 

I became like the dead : 
Of all thought was I void ; 
None but I remained 
1 knew no further change. 

Venkadar, Arut putambal, 49. 

The Master means to say that when the Jiva-ahankara 
for worldly-minded I) dissolved itself by non-differentiation, 
the parama -ahankara (or Divine I) stood forth 
unchangeable liberated from nescience or worldliness> 
and hence known as Jivanmukta. Another Sage sang 
as follows, 

My heart has hardly throbbed for thee ; 
But little have my thoughts dissolved ; 
Divorced I am not from the body, so hard to 

separate. 
I have not died : I am still in a whirl. 

The "|" that ought to die is the earth-bound or 
worldly Ij that knows not its true status and is therefore 
led captive by worldly thoughts. The true Ego (or Atma) 
can never die It is eternal. 

The death of the worldly or sinning I (Jiva-ahankara} 
is the "crucifixion" of the sinner. -the "old Adam.^ 6 
When old Adam is crucified, the heaven-born Adam, 
the Son of God, the true Ego (parama -ahankara) appears 
(I Cor xv. 45, 47). 

The words ' world'' (Jagat) and "worldly I" denote 
differentiated existence. The sum of human affairs and 
interests, or, in a restricted sense, that portion of them 

<5f Cf, 



which is known to any one, is popularly understood to 

be the "world^, which in truth consists of names and 

forms onlyj and worldly I exists only when one is 

conscious of differentiated names and forms., that is, of 

thoughts. The ''end or dissolution of the world" 

(nama rupa-nasa)\s thus another expression for the"death" 

of the worfdly I. The ''world' dissolving or ending is the 

same as the worldly I "dying ; " and the "death" 

of the "worldly I" is the same as the "end" of the 

"world." These expressions denote cessation from, 

differentiation in spiritual communion. When sitting 

for worship one is alive to the reports of the senses or is 

thinking of the things of flesh or worldly life, he is 

in the state of differentiation, which is the opposite of 

i/nification, or Peace, or Rest. 

The ''world," in the language of Sages, means 
everything except pure consciousness ; means not only 
the material universe, but also mind and its products 
called thoughts, and the senses and objects perceived 
by them And God, as Eeing True or Unchangeable, 
and the Being who pervades this everchangtng and 
therefore untrue "world," cannot be found in the face 
of the world Since He is its substrate He will not 
reveal Himself, in His own true character as Absolute 
Being, if looked for in the "world." We'l has a Master 
sung, 

O Thou who in all things dost vibrate ! 

O Thou stainless consumer and container of the 
World ! 

O Thou king of the celestial hosts ! 
Q Thou the only one, without second ! 



Though, appealing to Thee aloud. I have sought for 
Thee throughout the world <7o/ra), 

Yet I have not found Thee there. 

Tiruvasakam, Arutpattu, ?. 

In His own true nature, as He was before the 
beginning of the "world," and will be after its end, He 
is to be "seen" (that is, known) only where the "world" 
is not, that is, only in the reign of pure consciousness. 
Therefore the Master, who declared that God was not 
to be found in the "world," proclaimed also that he 
found Him elsewhere, in "resplendent Tillai" or the 
region of pure consciousness or atma- 1 

I found Thee, immaculate and blissful, in resplen- 

dent Tillai, 

Having overcome the darkness of desire, 
The perception of forms, and the thoughts of f 'l'* 

and "Mine;" 
I, who had been drawn into the vortex of caste, 

family and birth, who was worse than a help- 

less dog ; 
I saw Thee, who had cut away my bonds of misery 

and held me to Thy service. 
-ib. Kancfapattu, 5. (The ten hymns attesting 

knowledge.) 

7. Atma here means Paramaatma. 
Cf 



Jb <$6uijO/r u 



The immaculate and formless being of the Deity 
"seen-*' beyond the veil of thought, in the region of 
pure consciousness, is His unthinkable form, n/shkal* 
svarupa- His sakala svarupa or thought-form, assumed 
for purposes of grace, is according to the form in which 
He has been thought of by the earnest devotee. 

The separation of the soul from thought and sensa 
impression is known in spiritual communion as 
separation from the body or the flash, as attested by 
the words of the great Sendanar: 

Meditating on the peerless ways in which He led 
me captive. 

Having separated me from the Body 

Which knows not what it is to be established; 

Meditating also on the gracious manner in which 
He cherishes the faithful 5 

Let me sing in praise of Him only who took me 
unto Himself, etc. 

Sendanar, T/ru-pa/landu, 3- 

Another Master sings, 

Hear, O Bird, dwelling in groves laden with 
luscious fruit! 

Raise thy notes to the Giver of all things., 

Who, spurning the celestial regions, appeared 
on earth for the purpose of claiming man as 
His subject. 



14 

Pray that the King may come, who spurning the 
the fresh entered my soul, made it like Himself 
and stood forth the only One. 

Tiruvasakam, Kuyilpattu, 4. 

"The flesh" or "body" includes not only the 
tangible body (sthula sar/ra), but also the subtle body 
(sukshma sarira). consisting of those invisible instruments 
of knowledge and action which a re -found to function 
in various parts of the tangible body. The complete 
''spurning of the flesh," therefore, means complete 
isolation from the flesh 3 which state is also spoken 
of as being wholly "dead to the world" (of thought 
and the senses^ When this occurs, the soul becomes 
nishkala, immaculate (unspotted by the least rudiments 
of the flesh), godlike. Drawing the soul from the 
mind-sheath (kosha)orwomb(garbha) in which it has been 
encased, God ''frees" or "separates" it from its carnal 
bonds and causes it to fce "as Himself." Compare the 
wrds of St. Paul, "When it pleased God, who separated 
me from my mother's womb, to reveal the Son in 
me," etc., Gal. i: 15. This separation from the limitations 
of the mind is essential to the spiritual birth of the 
Son or Soul (atma). Then only does He, who from 
eternity lay hidden in the Soul, become manifest 3 and 
manifested, He absorbs the soul by His sun-like glory 
and remains "the Only One." 

AM the doctrines and practices which are calculated 
to lead to the knowledge of the soul, and through that 
knowledge to the knowledge of God, are locked up in 
the mystic formula atmanam atmena pasya (know the 



soul through the soul) 8 , which in the language of Jesus 
is represented by the expression, "I (the Spirit) bear 
witness of myself (the Spirit)" (John viii: 18.) 

It is necessary to try and undesstand in modem 
modes of thought the truths that lie embedded in these 
most holy formulas' In the darkness of deep sleep 
Consciousness is so obscured that it knows nothing, 
not even its own existence. When it first awakes 
it knows nothing in particular till a vague desire 
to know arises within it, and sets the rnind to think, 
or the senses to perceive, something. Then begins a 
knowledge of some definite thing. But so rapidly 
do the senses strike on the Consciousness, and so 
constantly do thoughts present themselves from the 
moment it wakes to the moment it falls asleep, "that 
Consciousness is ''cheated with the blear illusion" 
that it is identical with the body. The truth, however, 
as experienced by Jnanis is that Consciousness (or the 
Knower, or the Soul) is wholly distinct from the mind 
(which thinks) and the senses, just as the latter are 
distinct from the body. "Separate from the mind 
and the senses, yet reflecting the qualities of all of 
them, the atma (soul) is the Lord and Ruler 
of all" (Svetasvatara Upanishad. iii : 17). 
Consciousness or the Soul knows the senses and the 
mind, but they are not subtle enough to know the Soul^ 
their " Lord and Ruler ." It knows itself. Nothing else 
can know it. Hence the mandate^, f 'know the soul 
through the soul." The soul is a witness (sakshi) unto 
itself. The mind (including the reason) and the senses, 



8. 



being constructed of cosmic stuff or" flesh/' cannot 
know the soul 1 

It is difficult to establish these truths by reasoning, 
for the basis of reasoning is comparison of one thing with 
another and drawing inferences therefrom, and there is 
nothing in the world without us which may be compared 
with the soul within. The only proof possible in these 
circumstances is an appeal to the spiritual experience or 
actual knowledge of the Spirit of the class of people 
called Jnanfs. Their experience declares (I) that the 
body is the tabernacle of the Soul and its instruments; 
(2^that the mind(or the subtle organs of thought) and the 
senses are the instruments of the Soul, whereby 
the Soul is brought into relation with the objective 
world ; (3) that the mind is not subtle enough 
to know the Soul ; (4) that the Soul may be 
freed from its primeval taint 9 of evil or worldliness; 
(5)that when freed from evil or worldliness the soul 
knows itself as naturally as the bound soul knows 
the mind and the world without ; and (6) that peace 
(or infinte love, irrespective of objects of love) 
and knowledge of (or power of knowing., irrespective of 
objects of knowledge) are the fundmental features of the 
freed soul. 

How few among us recognise even the first named 
of these truths! Metaphysicians of repute have argued 
that the rnind, so far from using the body as its 
instrument, is only a property, power, or function of the 
body. Professor Bain, desiring to follow a middle 
course, defines man to be "an extended and material 

9, This .Is Aanava-mala. 



17 



mass, attached to which is the power of becoming alive 
to feeling and thought, the extreme remove from all 
that is material" (Mind and Body <p. 137); and 
observes that the contention that the mind 
uses the body as its instrument "assumes 
for mind a separate existence, a power of fiving apart, 
an option of working with or without a body. Actuated 
by the desire of making itself known, and of playing 
a part in the sphere of matter, the mind uses its 
bodily ally to gratify this desire ; but if it chose to be 
self-contained, to live satisfied with its own 
contemplations, like the gods as conceived by Aristotle, 
it need not enter into cooperation with any physical 
process, with brain, senses, or muscular organs. I wilf hot 
reiterate the groundlessness of this supposition. The 
physical alliance is the very law of our mental being ; 
it is not contrived purely for the purpose of making our 
mental states known ; without it we should not have 
mental states at all" (ib., p. 132). 

The learned Professor's criticisms abound with 
difficulties of his own creation, which however do not 
affect the truths of spiritual experience. By the light 
of this experience, the Soul (or the I that knows) 
is found to be very different from the mind 
whose function is to think. It will be readily admitted 
that it is not the senses 'Jnanendr/yas) but 
the internal faculties of thought (antahkaranas) that think. o 
The Jr.anis declare that the invisible organ of thought and 
the other invisible organs of breath, nutrition, 
and action, which in co- relation form the subtle body 
(sukshma sarira] of the soul and function in di-fferent 
parts of the tangible body, are in the nature of a 



.Covering or sheath (kosha) of the soul, being "bound" 
to it by the "worldliness" or folly inherent in the 
soul (J/vatma). From olden times, they say,the soul 
(Jivatma) was permeated with this feeling of want and 
craving and lay in a stifled condition. For the merciful 
purpose of liberating the soui from this pitifully 
obscured condition. God evolved the world out of 
worldly rudiments and endowed the soul, firstly, 
with the "mind-and-breath mechanism" called the 
subtle body, and secondly, with the tangible body 
as the mud-home of the subtle body, and so 
brought it into relation with the outer world. 
The craving or greed for gratification thus became 
(through the "subtle body") the desires of touch, taste, 
hearing, sight, and smell, and the desires of the intellect. 
The mind-and-breath organism has, therefore, been called 
a 'lamp," or instrument of illumination to the obscured 
sou!. When the light of true knowledge, let into the soul 
through the channels of the mind and the senses, dispels 
by degrees the density of the worldly taint or ignorance 
inherent in the soul, the mind and the senses find Jess 
and less enjoyment in the field of carnality. It is within 
our every-day experience that, with the gradual decline 
of desire for anything, our thoughts on that subject 
become fewer and less active, and it is only natural 
that when all desires are eschewed, thoughts should 
run down to a complete calm. This truth is expressed 
in the formula nirasa (or non desire) is samadhi (peace). 
All "enlightened" men, that is men consciously admitting' 
light and thus actively wearing off, atom by atom, the 
density of their cravings, are on the high road to samadhi 
They are destined to speedily enter the spiritual kingdom' 
the holy and blissful region of pure consciousness. ' 



The converse proposition, that the practice of th* 
art of pacifying thoughts leads to attainment of n/rasa, 
that is, emancipation from desire, is found to be equally 
true. Without tarrying on this part of the subject it is 
needful only to say thati as the effacement of all 
desire causes thought to disappear, leaving the soul 
serene and limitlessly conscious. Mr. Bain's question 
whether the mind may have a separate existence, 
and in that state of independence possess an option 
of working with or without the body, admits of 
a ready answer. If all desires have been permanently 
expunged from the soul, tha mind be:omes quite 
inactive and has no power over the body. 

Such a contingency occurs only in the case of that 
class of Jnanis known as Brahma-varishta, who by 
unceasing spiritual communion have isolated themselves 
from desire so completely that it never rises from 
the expanse of consciousness in any form whatever. 
The only indications that they are not dead are warmth 
in the body and growth of hair and nails, if clipped. 
The senses do not perceive, the mind does not think, 
in this state. Though daad in the worldly sense, they 
are not dead spiritually. They live on from year to year 
without food or drink. 

A less advanced Jnani is the Brahma Varyan, in 
whom desire is not completely annihilated. Therefore 
he is able to rest in Samadhi only for limited periods, 
emerging therefrom for a short while, during which 
devotees revive his recollection of earthly affairs and 
pray for blessings Granting them, he again relapses 
into the peaceful state. The late Raja Rajendralalt 



20 

Mitra, one of the most distinguished sons of India, c 
said that in 1842 he saw a Jnani whom some wood- e 
choppers had brought up to Calcutta from the forests of i 
.the Sunderbunds. The saint was found sitting cross- \ 
legged under a lofty banian tree, admidst a wild profusion c 
of heavy roots, which in course of growth had entwined t 
themselves round his limbs. The "fools and blind" $ 
cleared the wood and carried the Sage, dead as he d 

was to the worldt to Calcutta, where he was taken s 

possession of by two men even more ignorant than the ^ 

wood-choppers., for unable to rouse him "by shouting., n 

pushing, and beating, they put fire into his hand and 
plunged him into deep water in the Ganges with a rope 
about his neck, as though he were a ship's anchor, 
and twice kept him there all night. They pried his 
tetanus jaws apart, put beef into his mouth/ and poured 
brandy down his throat. Finally, to prove their own 
shamelessnessj and to make their memory hateful for \ 

ever, this Hindu Raja and this Englishman set upon. the 
poor saint an abandoned creature of the other sex to 
pollute him with her unholy touch.'" (Colonel Olcott's . 

Lecture at the Town Hall of Calcutta in 1882 on 
'Theosophy,the Scientific Basis of Religion"JAt last by 

violent methods they awoke him, and ail he said was, in 

"0 Sirs, why did you disturb me? I have done you no f 

harm." Shortly after, he attained Vldeha Mukti or in 

liberation from the sthula and sukshma bodies. ^ 

A third class of Jnanis is represented by the Brahma * 

Varan, who suspends mind and breath for a few days at a J 

time, returning to the ways of life readily at the close of ti 
the Samacfhf 

By far the largest number of Jnanis, however, belong .* 

to the class of the Brahma Vid, who isolates himself 



_ few hours each day, not necessarily 
These are the saints who are most 
world, because all their thoughts run 
fruitfulness in the groove of paropakaram 
others. Jesus is a brilliant example of this 
-Edition to knowledge of God, he possessed 
i ritual powers) of a very high order. When 
,-y-iuch into the vortex of worldly life he 
Lj de for the purpose of reestablishing 
tn e fulness of peace. He went up into a 

art to pray He was there alone" 

23) is often said of Jesus. He is also said 
last asleep on board a ship when a great 
blowing and covering the craft with 
Matt, viii r '4). Even a drunken man 
returned to his sober senses in such rolling 
ig r creaking and roaring, -'but Jesus was 
e was really in Samadhf, "dead to the world" 
and the senses. His disciples were able to 
out of that peaceful state, only because his 
'I lurking in the soul, stirred and set the 
reath mechanism in motion, as demonstrated 
of the ill-treated saint of the Sunderbunds.lt is 
th realising that even the best of desires are., 
on to Peace, a burden. The blissfulness 
nfi nltely superior to un-rest, however refined, 
ol utely good, and all forms of Un-rest, from 
. a re bad in relation to Rest. Therefore did 
m a memorable occasion, feeling the desecra- 
'est, "Why callest thou me good? There is no 
but one, that is God" (Mptt* xix : T6). 
also do men who have tasted of -that: Rest 
clfned to go back to it, as to a haven, from, 

w - , ._.. r-'-' 



22 

the agitations of thought, the troubles and turmoils of 
lift, and to stand alone quite isolated from all that is 
worldly. 

This "alone becoming" of the soul, known in India 
as Kaivalya, is what is indicated by the Greek phrase 
monogenes huios in John i : 18, rendered inappropriately 
in English as ! 'the only-begotten son." How can Jesus 
Christ be considered the only son of God, when 
he himself taught the doctrine that others also could 
be as perfect as God in love (Matt, v : 48), and as 
gifted as himself in miraculous powers (ib. xvii : 20A 
It will also be borne in mind that St. Paul said 
that it was possible for all men by due culture to 
attain the fulness of Christ. (Eph iv : 13). Nor 
must it be forgotten that Jesus took pains to expose 
the popular fallacy that Christ was the son of David 
(Matt, xxii : 42). "What think ye of Christ ?' he 
asked of the Pharisees. They said, ''He is the son 
of David." If he be the son of David, said Jesus, 
how is it that David addresses him as Lord in 
Ps. cxi ? Is it customary for a father to call his son 
Lord ? They answered not a word, and verse 46 records 
"neither durst any man from that day forward ask 
him any more questions." Jesus meant to say that, 
though flesh was necessary to produce flesh, Christ 
was not flesh, and Christ, being pure Spirit, did not 
need a fleshly father like David to beget him. 
He expressly said that Christ was "before Abraham*' 
(John viii : 58). who lived many centuries before 
David. Christ is the Sou! that has been freed from 
its bondage to worldliness, and blesstd with the 
knowledge of God. "Truth (or grace of God) shalf 




23 



you free/' said Jesus (John viii : 32). '"Sanctify 
through thy Truth,' he cried fJohn xvii i 17', 
ds ne himself was sanctified (John x : 36). 
stand alone, quite isolated from all that is worldly, 
Santi'm Sanskrit, from which Sanctification comes. 

The experiences of Jnanfs of the different degrees 
Rest or "death unto the world," as above described, 
to make it clear to "learned philosophers" that 
mind and the senses are but instruments of the 
and that, if desire were wholly eliminated from 
soul, the mind and the sense organs would fall 
on the bosom of the soul, even as a spinning 
top falls on the ground as soon as its force is exhausted. 
-ffiis is one of th most certain facts known in Samadhi, 

When the mind, ceasing to whirl, falls like a top 
which has spent its force, 

Just then, the gloom of ignorance dispelled, 

Did I know myself, independent, like unto space, 
devoid of light and shade? 

Did I then, joining myself with the Infinite Peace 
which lies within me^pass into the trans. 
cendingly blissful state? 

Tayumanavar, Tejomayananditmj, 4. 

A few more words may be added in explanation 
of atmanam, atmana pasya. We knowj as a fact,, that 
we see, hear, touch, taste, and smell ; and we know 
also that we think. The expressions, '! know that I 
f eel, " " I know that I desire,""! know that I think," 
mean only that one is cpnsc : Q-js of those states of be ing.- 



24 

-namely, the states of feeling, of desiring, of thinking. 
Consciousness, therefore, is the Be-ing which knows, 
and must not be confounded with the states or 
sensibilities induced in consciousness through the 
excitation of the senses and thoughts. When such 
sensibilities are discarded what remains is consciousness 
pure, which soon overflows in all directions, boundlessly, 
like the rays of the sun through space. This experience 
is known as atma purana* meaning literally, in the words 
of St. Paul, the fulness of the spirit. This is the liberated 
soul <atm& in moksha\ the Be-ing, the "I am, " which 
partakes of the "glory of God : known as Saccidananda, 
that is, sat, eternal unchangeable existence; eft, pure 
consciousness, infinitely- expanded ; ananda, bliss or 
absolute peace. In plain words when consciousness is 
purified to the requisite degree, it is found as matter of 
fact (I) to survive all phenomena and remain unchange- 
able ; (2) to possess the knowledge that is not limited 
by time or place ; and (3) to overflow with an unspeak- 
able repose and love for all living beings, the like of 
which is unknown in any other state 

European science admits the world of the senses 
(the 'sensible" world, as it is called), and the world 
of thought {the '"extra-sensible" world), and is quite 
familiar with their laws and conditions ; but it refuses 
to acknowledge the worldI would rather say, the 
region -of pure consciousness (the "supra-sensible'' 
world). "We cannot say," wrote the late Mr G. H. Lewes, 
"that a supra-sensible world is impossible ; we can 
only say that, if it exists, it is to us inaccessible'' 
(Problems of Life and Mind, Vol. I, p. 270.) And 
Professor Bain declares that in the senses and thoughts 



23 



"we have an alphabet of the knowable.-but we cannot 
by any effort pass out of the compass of the primitive 
sensibilities" (Sec. 19 of the chapter on the Physio- 
logical Data of Logic). The denial of the region of 
pure consciousness the (Jnana Bhumi , because of its 
fancied inaccessibility to experience, is a notoriously 
false argument. Mr. Lewes himself having pointed out 
elsewhere that, "before a fact could be discredited by 
its variance from one's notion, the absolute accuracy of 
the notion itself needed demonstration'' (rob!ems, 
etc . i 353). 

No further emphasis is now required to bring home 
the fact that the existence of the region of pure 
consciousness is not a matter of theory or speculation. 
This state of "godliness" is indeed a 'mystery" fas 
attested by St Paul In I Tim. iii : V 6), in the sense of 
being beyond human comprehension until it is explained 
and realised, it is within the actual experience 
(Svanubhava] ofJnan/s, and is known to them as Brahmi 
sthiti. or Siva-loka, or chitambara, or chitakasa, the 
blessed state, the spiritual kingdom. 10 the Kingdom of God, 
the reign of infinite consciousness or light. It is the most 
real cf all regions, because when it is reached it is found 
to be further irresolvable, hence unchangeable, that is, 
everlasting. It is, moreover, strictly verifiable in 
experience that is, attainable by others, provided that 
by native disposition and previous culture, one is 
sympathetic enough to persevere in all earnestness 
and faith in the way marked by the Master. 

When this state is attained, then will be realised 
in actual experience the truth that God is in the soul, 

-J.Q, AJso known as pakaraakaasa. 



26 

Upon this spiritual experience is founded the doctrine 
of "God In me, and / in God " 

Both the Vedas and Agamas teach this doctrine in 
those parts of them which are called Jnana Khwda 
(the section that relates to spiritual enlightenment). 

The Agamas sre a graduated elaboration of the 
four Vedas' and are known as the fifth Veda. The 
final or eternal truths re/atirig to God. having been 
revealed to the Jnanis the way of attaining God has 
been worked out in the Agamas under four principal 
stages known as charya (good conduct), kriya 
(symbolical worship), yoga \ subjective union 
through sense control, breath control, and thought 
control), and Jnana (hearing and understanding 
the principles of eternal life.). The charya stage 
is called san-marga, or the good way of lawful or 
ethical conduct, in which God is distantly or vaguely 
conceivedj the kriya stage is dasa marga, or the way 
of the servant, in which God is conceived as Master 
or King ; the yoga stage is putra marga, or the way of 
the son, in which God is viewed as Father ; and the 
jnana stage is saha marga, or the way of the friend 
and equal, in which Soul is considered to be strivina 
for fellowship with God. 

The final or eternal truths are known in the Vedas 
and 



bean given them, marked by some one or more of the 
features of the stages above named- Some religions 
do not carry their votaries beyond the stage of ethical 
conduct;others not beyond ritual worship; very few 
teach subjective union; and only one at the present 
day is able to impart a full knowledge of those principles 
and practices which result- in the actual attainment of 
God. Xs spiritual thought gets mixed with error in the 
progress of years, owing to the imperfections of the 
minds of those who receive and give out such thought, 
religions become materialised and intolerant of each 
other Hence come diversities and conflicts. Such 
religions parish with the people who hive perverted 
the original germs of truth 

It matters not in what land or sphere of society a man 
is born if in humble spirit he acts up to the faith he was 
born in. In due time he will be moved to a higher form 
of faith, and so onward from one life to another, till all 
his thoughts get centred in God. Life and death are 
like waking and sleeping. As the same being that is 
awake sleeps and wakes again, so he that lives dies/ 
to live again on earth till full knowledge of God is 



II Siva Bhakti 



[The following essay formed part of a thesis written by Nicol- 
Macnicol for the the Degree of Doctor of Letters of the University 
of Glasgow. The enlarged version of that thesis appeared in the 
form of a book entitled "Indian Thesism From TheVedicTo The 
Muhammadan Period" in 1915. The author would have revised his 
work thoroughly if he had had the opportunity of perusing 
R. G. Bhandarkar's Vaishnavism, Saivism and Minor Religious 
Systems (1913). In fact the author had expressed his regret for 
not having done so. Even in 1913, Nicol Macnicol had sent his work 
to the press. 

The author had endeavoured to grasp the tenets of Saivism. 
He could have succeeded substantially if only he had shed his 
prejudices. The work, is therefore marred by errors and misinter- 
pretations. These notwithstanding, the work is jiot without its 
value. 

Nicol Macnicol, the author of a number of treatises on 
Hinduism, was a Protestant Missionary. Ed.] 

Of all the deities of the Hindu pantheon, Siva seems 
the one least likely, to attract a theistic devotion. A 
large portion of the materials that have gone to his 
making has its source in the darkest fears and supersti- 
tions of the savage. The fact that even about this 
ghoulish god, more devil than deity, who battens upon 
corpses, and smears himself with a<--hes from the 
burning-ground, has gathered a gracious affection that 
has been able to remould an object so repulsive nearer 
to its heart's desire, is in itself a remarkable testimony 
to the strength in the Indian peoples of the theistic 
instinct That Vishnu and Krishna have attracted to them. 
selyes a spiritual worship, and that they have been th 



means of awakening such a worship in those who 
gather to their temples, does not seem so surprising. 
There is comparatively little to repel in them They were 
bright gods, gods of light and life and hope, deliverers, 
if not yet fully moralized., yet capable of moralization. 
But the human spirit has surely seldom found material 
harder to sub-due to its purpose of devotion than was 
Siva. It is one of the most amazing facts in Indian 
religion a religion full of strangeness that out of the 
dry ground of Saivism has sprung a root that has borne 
the blossom of the devotion of the South Indian Saivite 
saints. Though Theism in India has in the end proved 
so ineffectual, though adverse influences in soil and 
spiritual climate have rendered it on the whole an abor- 
tive growth., yetj with the evidence of its transforming 
power that these poet saints afford us. we cannot 
question its depth and its reality within the Indian spirit, 
nor refuse to hope for it, under more favourable circum- 
stances, results greater and more enduring. 

There can be no question that Siva is in the main 
not Aryan but aboriginal. That name is nowhere a proper 
name in the Rig or the Atharva Veda, but is applied as an 
epithet^ f the auspicious' to Rudra, the nearest of kin 
to him among the Vedic deities. From this god of the 
storm Siva inherited many characteristics which helped 
to exalt the malignant demon to something less 
unworthy of an Aryans worship. 1 The adoption of this 
euphemistic name is itself an indication of an attempt 

1 With the development of the Rudra-Siva god-idea 
compare the development of Enlil in Babylonian religion, 
Jastrow's Religious Belief In Babylonia and Assyria, 



30 

to civilize a deity always terrible/ but not always worthy 
of reverence. His aboriginal name may have been 
Bhairava 'the fearful' or some similar designation. Siva^ 
as a matter of fact.like most of the Indian gods, is a very 
composite product,but one which more than most is made 
up of widely diverse, and even irreconcilable elements- 
It need not indeed, surprise us greatly to find that 
pantheistic speculation was able to make use of this 
deity even more, perhaps than of Vishnu as the symbo 
of the ultimate Brahman* Moral attributes, or the lack 
of them, in its god, mattered neither more nor less to a 
doctrine in which the god was after all only a label and 
a superfluity. Siva by his very force and fury was 
fitted^ not inaptly^ to represent that power in the 
universe which causelessly destroys and causelessly 
creates. When the conflict arose in South India between 
Buddhists and Jains, on the one hand, and the adherents 
of Siva, on the other, the arguments against the 
existence of this god that the unbelievers urged were 
much the same as those which, when we consider 
the character attributed to him, appear to us to. day so 
powerful. The Jains and Buddhists represent the claims 
of the moral sense, and they ask, 'How can this demon 
be the life of the soul of all?' 1 But these arguments made 
little impression on the Saivite philosophers. Their 
doctrine, as we find it in the polemic carried on in the 
South against those opposing systems, was a philosophy 
closely approximating to the Advaita Vedanta, and In 
consequence those objections carried little weight which 
were based upon the character of a deity that was to 
them secondary and, indeed, superfluous. After all, Siva 
was like enough to the wild moods nd unmoral 

I Pope's Tiruvasagam, p. 177. 



activitie$ of nature. It may quite possibly be the case 
that Sankaracarya beloged, as is alleged, to this sect. 
To the schools of the philosophers Siva was as good 
a name for an otiose deity, as good a label for the 
deceiving world processes as any other. 

It is far more surprising to find the name of Siva, 
even in the period of the Upanisads, associated with 
other and more ethical streams of tendency. We have 
el ready seen how theistic currents that we discover 
moving with scanty and uncertain flow through th 
speculations and intuitions of these books precipitate 
themselves at last in richer volume into the religion 
of the Bagavadgita. There these doctrines gather 
about the names of Vishnu and of Krishna. A similar 
place to that of the Gita in Vaishnavism is held in 
Saivism by the Svetasvatara Upanisacf. In this Upanisad 
along with much that, just as in the Gita, seems 
irreconcilable with an ethical Theism, there are certain 
elements which indicate that the influences at work in 
that direction in Vaishnavism were not absent from 
the doctrine and the worship of the rival cult. If 
we find in this Upanisad the names maya and 
mayin they have not yet their Advaita significance. 1 
Always in Saivism, even more than in Vaishnavism., 
there is implied a sense of the world's unreality in 
comparison with the reality of spirit, a feeling which 
is indeed, universal in Indian thought while at 
the same time to a still greater degree there is 
implied a sense of the divine transcendence. Already., 
indeed, in the Rig Veda, Rudra is the 'great Asura 

1, Svet.Up.\\I.9. 



32 

of heaven, * and, as such, he is the 'possessor of 
occult power' (maya}* In the Svetasvatara he has 
definitely assigned to him the role, which, in later times,, 
was generally associated with the name of Siva, 
of the deity of agnosticism. 'No one has grasped 
him above or across^ or in the middle. There is no 
image of him whose name is Great Glory.' 4 This, as 
well as other things in this Upanisad, reminds us of 
the attitude of Buddhism As in the case of Buddhism 
the state of deliverance, 'when the light has risen', is a 
state alike 'beyond existence and non-existence'. 5 At 
the same time the theistic note is distinctly struck 
in the designation of the all-pervading Atman as not 
only Siva, but Bhagavat/ and in the emphasis 
that is placed, on the one hand, upon his perception 
by the heart as well as by the mind, 7 and on the othe^ 
upon man's need, if he would preceive him, of the grace 
of the Creator 8 . But especially significant is the 
explicit declaraiton in the final verse of this Upanisad 
that, in order that the truths there enunciated may 'shine 
forth indeed", they must be told 'to a high-minded man 
who feels the highest devotion (bhaktf) for his guru as 
for God J . Here for the first time in conneAion with 
Saivism the claims of bhaktf-and implicitly the claims of 
theistic religion are authoritatively affirmed. However 
indistinguishable in its phraseology the teaching of this 
Upanisad may seem at times to be from that of those that 

2. R. V. II. 1.6. 

3. Macdonell's Vedfc Mythology, p. 156. 

4. Svel. Up. |V.i9 5. Ibid , IV. 18 

6 ' lbid ' ' n 7. Ibid., III. 13; IV. 20. 

8. Ibid., 111. ;o 9. Ibid, VI 23 



present a pure Advaita doctrine 3 this affirmation 
definitely demonstrates that its face is turned to another 
direction. We may not have here the fully articulated 
bhakt! pf the later theologians^ but we have 
enough to indicate that the supreme spirit is for 
it a personal Being who wins the worship of 
the heart. l This Upanisad, it is true, like the Gita, speaks 
with a double tongue, and its philosophy is really at 
variance with its religion ; but, with whatever inconsis- 
tency, the glow of the heart which it demands of the 
disciple, ard which it prescribes as necessary for his 
attainment of immortality, proclaims it as a theistic 
scripture. 

In the Mahabharata there is little to indicate the 
place that Siva was to obtain in the worship of South 
Indian saints of a later day. We find his name extolled 
by the sectary in opposition to that of Vishnu ; we find 
him claimed as the manifestation of the All-god, in echo 
of a like claim made by the adherents of the rival deity 
But there is little that is of religious value or interest in. 
such conflicts of the sects. These things are the doings 
of the priest or of the philosopher^ and may have little 
enough of faith behind them. Two passages of the Epic 
may, however, be referred to as indicating the character 
of Siva-worship in its more inward aspect, apart from 
its more philosophic doctrines on the one hand, and its 
orgiastic ritual on the other. In one passage Siva, in 
agreement with the view suggested already in the 
Svetasvatara, and referred to above, is described as the 
inconceivable one, who is 'beyond the comprehension of 
all gods'. J The fact that this agnostic attitude has 

1. S. B. E. XV, p. xxxiv. ~ ' 

2. Mbh. VII. 202: 79,71. 



34 



persisted down to modern times among the worshippers 
of Siva is indicated by the existence of those Saivite 
sects that are called Alakhnamis or Alakhgirs, as those 
who 'call upon the name of the Unseeable' . l Such a 
conception would at once help to exalt the god, and at 
the same time would hinderthe development of his worship 
into a truly ethical Theism. It would be easier to 
associate so vague a deity with the Advaita doctrine, as 
indeed Siva frequently was associated., than with a 
worship which requires love and obedience. To love 
God and to trust Him it is necesssary that one in some 
measure at least should know Him, Further on, in the 
same passage of the Mahabharata, which designates 
Siva as the Unknowable his 'form' is said to be the 
linga. 1 Perhaps the adoption of this symbol, which 
may be much more ancient than this passage for 
a god of whom 'there is no image' 3 may have been 
due to an attempt to express the inexpressible. Repulsive 
as the phallic emblem may appear to us., and as it no 
doubt was in its religious origin, it is possible that 
we have it here made use of as the medium of a 
protest -which we see later repeating itself in the case 
of the Lingayats against idolatry, 4 But the half may prove 
the enemy of the whole. The symbol was unworthy 
enough at best, and was too easily adopted as a mere 
fetish by the ignorant. 

1. See E. R. E. \ } p. 276, s. v. Alakhnamis. 

2. Mbh. VII. 202: 94, 97. 3. Svet. Up. IV. 19. 
4. Compare the worship of Ashur in Assyrian 

religion under the form of a winged disk and the advance 
that this implied towards a more spiritual religion. 
Jastrow's Religious Belief in Babylonia and Assyria* 



But it ' 
fully into ' 
itself at its 
this shoulcJ 
the most I 
larger abor 
than in ar 
worship, W m 
to demon* 
thrown, 
vanquished 
those old 
Brahmanic 
this part o 
that this c 
If the conj 
not Krishna 
well found 
fourth ce 
throughout 
the same < 
dynasty w 
dynasty \A/J 
Buddhism ' 
while Jai r 
widely spi 
the Pandy; 
century /X 
Buddhism 
especially 
this regior 
these rival 
victory res 



But it was in South India that Saivism entered most 
fully into its own, and it is there that it has disclosed 
itself at its best, and also, perhaps, at its worst. That 
this should be the case is not surprising, if Saivism is 
the most largely aboriginal of the Indian cults, since a 
larger aboriginal element has survived in the South 
than in any other part of India. The old Dravidian 
worship, which was probably for the most part offered 
to demonic powers, was never here completely over- 
thrown. The Aryan victor was, indeed, ultimately 
vanquished and his bright gods driven from the field by 
those old deities or demons of the underworld. When 
Brahmanic influences began to make themselves felt in 
this part of India it was with the name of Rudra-Siva 
that this demonolatry could most easily ba assimilated. 
If the conjecture that the Heracles of Megasthenes was, 
not Krishna, as has been generally supposed, but ?iva, be 
well founded, then it would appear that already in the 
fourth century B. C. this religion was established 
throughout South India. It is possible that we have in 
the same connexion an indication that the Pandyan 
dynasty was originally Saivite, as certainly the Chola 
dynasty was at a later date. In the third century B. C. 
Buddhism was also introduced by Buddhist missionaries, 
while Jainism appears early in the Christian era already 
widely spread throughout the South, and later numbered 
the Pandya kings among its adherents. By the seventh 
century A- D , when Hiuen Tsang travelled in India, 
Buddhism was rapidly disappearing, while Saivism, and 
especially Jainism, were the popular faiths in 
this region. In the struggle for predominance between 
these rivals, which continued for several centuries, the 
victory rested with Saivism. It was, in fact^ a conflict 



between the religious and the non-religious spirit, and. 
however able and erudite the Jain champions might be, 
the strength of religion in the Hindu heart was too 
great for them. Whether it was Vaishnavism, now also 
established among the South Indian cults, or Saivism. 
that championed the cause of faith, the wordly wisdom ' 
of the Jain was sure to be ultimately worsted. This 
was made the more certain in the case of Saivism by 
two reinforcements that came to it, and strengthened it 
in different and complementary ways. These were, on 
the one hand, the formulation of its doctrines in the 
system of the Saiva Siddhanta, and,, on the other, a 
great revival of devotion within its borders due to a 
remarkable group of saints and apostles. 

At times of controversy, especially, it is a great 
strength to any faith to have the support of an articulated 
system. It is then able, in opposition to its rivals, to 
appeal to reason. A philosophy or a formulated theology 
brings along with it to any religion an immense 
enhancement of prestige. Its emergence generally implies 
besides that the cult in question, which may have begun 
as a movement in the hearts of the common people, 
perhaps as an effort of revolt from the established 
Church, has now won a place among the more cautious 
and the more reflective. Saivism, indeed, as the 
existence of the. Svetasvatara reminds us, had long ago 
found an entrance among the thinkers. But that was 
in more northern regions. In South india it had to 
begin anew from the beginning purifying itself as best 
it might from gross superstition, building itself up to 
better things upon the foundation of a sincere devetion. 
When it was able to appropriate to itself a doctrinal 
system rt obtained it, in the opinion of some schola rs 



from Saivite thinkers whose home was in the far north 
of India. Just as, later, Ramananda was to bear from 
the South a torch of devotion that was to spread its 
heat and light far and wide throughout the North, so it 
may be that at this earlier period by a gift from the north 
to the south this debt was by anticipation repaid It was 
a different gift one of the intellect, whereas the other 
was of the heart -but its effect was similar, for It 
helped to secure for theistic religion the victory in the 
struggle with Jainism. 

If this view is well founded it was from Kashmir that 
South Indian Theism received this reinforcement. The 
links in the connexion of the Saivite theology of that 
far northern province with the religion that was 
struggling for its life in the south it is impossible now 
to discover. The founder of the Kashmir school of Saivism, 
which, in all probability, owed much to the Svetasvattra, 
is said to have been Vasugupta. Between the ninth and 
the eleventh centuries of the Christian era various teachers 
of Saivite doctrine arose, representing, no doubt, different 
shades of approximation to the orthodox Advaita. Of these 
one of the most famous is Abhinavagupta, who flourished 
at the end of the tenth and the beginning of the eleventh 
centuries, and whose teaching is said to be 'in all 
essentials identical with the orthodox Siddhantam of 
the Dravidian South.' 1 In the opinion of Dr. L D Barnett 
those theological ideas of the north 'following the natural 
geographical route, filtered down southwards' till they 
reached Kanara where, thus reinforced, the old Saivite 
religion rose in revolt against the dominant Jainism, and 
in the middle of the twelfth century brought its supremacy 

l f t.D. Barnett in L$ Museon, X, p. Ill, 



38 



to an end. This is supposed to have taken place in the 
time of Basava, minister about 1160-70 to the Kalachuri 
king, Bijjala of Kalyanpura. The effect of this revolt 
was the establishment in Kanara of the Lingayat faith 5 
but the influence of the Kashmir doctrine did not end 
here. The new energy that it awakened in Saivism in 
Kanara spread still further south, and produced in the 
Tamil country that Saiva Siddhanta. which is claimed 
by Dr. Pope, even as Vaishnavism is claimed by other 
students, 'as the most elaborate, influential and 
undoubtedly the most intrinsically valuable of all the 
religions of india-^ 1 

We need not suppose, even if this very doubtfut 
debt were proved., that this religious philesophy was 
altogether borrowed from those northern theologians. 
There are said to have been twenty-eight Agamas, which 
contained the principles of Saivismj 2 and if, this tradition 
is at all reliable, the inference is that., however the Saiva 
Siddhanta may have been reinforced from the north, it 
had already arisen independently in the south, and had 
for some generations been engaging the minds of 
Dravidian thinkers. Of these Agamas, which are said 
by Manikka-vasagar, who lived in the tenth or eleventh 
century, to have been caused to appear by the grace 
of Siva, little or nothing is known. The systematic account 
of the Saiva Siddhanta, which Meykandar gives in his 

1. Pope's T/ruvasagam, p.lxxiv. 

2. We need not, however, accept the tradition that 
the total number of verses in them was 20, iOO, 010, 
193, 884, 000, as Nija-guna-siva-yogin is said to 
.allege. The Search after God (Brahma Mimasa], p. 10- 



Siva-nana-bodham *, composed about the begining of, 
the thirteenth century, is however a paraphrase of a 
dozen Sanskrit stanzas alleged to form part of the 
Rauragama.'* From these documents, as well as from 
the works of Arunandi and Umapati, who belong to 
the fourteenth century, and from the commentary on 
the Brahma Sutras, by Srikantha, who is said to have 
been Sri Sankaracarya's 'senior and contemporary', 8 we 
can judge of the theistic character of this doctrine, and 
how far it was able to free itself from the Advaita 
influences so strong in the north 

Whether in Kashmir, or in the Tamil south, the Saiva 
system centres round a trinity of names, Pat/, the Lord, pasu 
the flock, and pasa, the bond. These names carry us back 
to the ancient sources of the religion, reminding us that 
Rudra in the Vedic Hymns is pasupati, and reminding us 
also of what is of better promise for an ethical Theism 
that in the same poems Varuna, as the moral Governor, 
is said to lay fetters (pasa} upon the sinner. Siva is the 
Lord, 'exalted above the Abyss' that is, above all that 
partakes of maya and yet 'abiding in all that moves and 
all that moves not' 4 That souls may reach his state, 
his Sakti gathers them in. Our Lord is, nevertheless, one 
and indivisible.' 5 The Supreme Divinity manifests him- 

1. Or SNa-Jnana-bodha. 

2. LD. Barnett in Le Museon, X, p 272. 

3. The Search after God (Brahma Mfmamsa^, p. 24. 
This is a translation of part of a commentary on 
Nilkantha's Bhashya on the Vedanta Sutras. 

4. Abhinavagupta's Paramarthasara. translated by 
L. D. Barnett in J. /?. A. S., July 1910. 

5. Umapati in Pope's Tiruvasagam, p, Ixxvij, 



40 

self and operates in the universe through his energy, 

which is to Siva as fight is to the sun. Thus, as so 

often in other systems, it is sought by a doctrine of 

emanation to bridge the gulf between the infinite and 

the finite. The 'flock' consists of innumerable souls, who 

are under the bondage of a three-fold fetter ahavam or 

darkness, maya, which to the southern Saivite, at least, 

is generally not illusion but matter, 'the material of all 

embodiment*, 1 and forma- 'As an earthen vessel has the 

potter as its first cause, the clay as its material cause, 

and as its instrumental cause the potter's staff and wheel, 

so the universe has mays for its material cause, the sakti 

of Siva for its instrumental cause, and the Lord Siva 

himself as its first cause.' 1 This Siva is the f sole, 

Redeemer of souls'. 3 According to the teaching of 

Abhinavagupta there are three classes of those who 

have obtained deliverance, the para muktas, who are 

'assimilated to the supreme Siva- 5 , the apara muktas> 

united to him in his manifested phase, and the //van 

muktas, who are still in the body. 4 'Redemption 

(moksha'f, says this teacher, 'is the revelation of the 

powers of Self when the bond of ignorance is burst.- 5 

'There is nothing distinct from the redeemed to which 

he should offer praise or oblation ' 'He worships with 

the pure substance of reflection on the Self the blessed 

deity who is the supreme reality.' 5 In its formulation in tne 

South more emphasis seems to have been laid uppn the 

fact that in the state of emancipation there is 'conscious 

1. Pope's Naladiyar, chap. xi. 

2. Pope's Tiruvasagam, p Ixvi. 

3. The Sear/7 after God (Brahma Mimamsa)> p. 4, 

4. Le Museon, X, p. 276. 
$. J.H.A* S. t July 1910. 



full enjoyment of Siva's presence' 1 than in the northern 
doctrine. 'In supreme felicity', says Umapati, 'thou shalt 
be one with the Lord.' But, he goes on, 'the soul is not 
merged in the Supreme, for if they become one^ both 
disappear ; if they remain two there is no fruition ; there- 
fore there is union and non-union. 1 ' 

The difference between the doctrine of the Kashmir 
thinkers and that of the Saivite philosophers of the south 
seems to be similar to that which we find to separate the 
colder thought of the Upanisads from later theistic 
speculation. This difference is due in both cases, no 
doubt, to the atmosphere in which the philosophy tdok 
shape. In the midst of the fervour of devotion of the 
southern saints the speculations of the thinkers found a 
new warmth and colour. More emphasis was laid on the 
personality of the Supreme Deity and on the conscious 
bliss of those who attain to deliverance. This is 
especially seen in the large place that is given in the 
southern religion, and in its theology to the thought of 
the grace of Siva. 'In the Siddhanta', says Dr. Pope, 
'very great stress is laid upon the idea that all embodiment, 
while it is painful and to be got rid of as soon as possible 
is yet a gracious appointment of Siva, wrought out 
through sakti for the salvation of the human soul, through 
the destruction of deeds, which are the root of all evil to 
mankind ' 3 In this system, as, we have seen, he is else- 
where also, Siva is the Unknowable, 'whom the heavenly 
ones see not'. 4 But he mainfests himself in his gracious, 



1. Pope's Ttruvasagam, p. xliv. 

2. Op. cit., p. Ivii. 

3. Op. cit, p. 254. 

4 Mrnapati In op. cit. f p. Ixxjx, 



emancipating sakti. Only by the grace of the great Guru 
does the sou! see and seeing, 'hide itself in the mystic 
light of wisdom.' The fainting soul will resort to 
the shadow of Grace of its own accord.' 1 'To 
those who draw not nigh, he gives no boon ; to 
those who draw nigh, all good ; the great 
Sankara knows no dislike,' 2 This doctrine of grace 
supplies the chief incentive to devotion in this 
system, and corresponding to it is the response of 
bhakti on the part of the worshipping soul. We have 
seen that in the Svetasvatara Upanisad the attitude of 
bhakti is prescribed as necessary to a right under- 
standing of its teaching, and still more is this recognized 
as necessary in this later system. The soul gives sight 
to the eyes ; he who gives sight to the soul is Sfva ; 
therefore one should worship in supreme love him who 
does kindness to the soul.' 3 

But the doctrine of the Saiva Siddhanta alone could 
hardly have obtained for southern Saivism so complete 
a victory over Buddhism and Jainism. Alongside of this 
intellectual reinforcement there sprang up about this time 
a remarkable spirit of devotion which, through the great 
saints and poets of this period, gave to Saivism^ one 
cannot doubt, more than anything else did, the strength 
by which it prevailed over its cold and sterile rivals 'No 
cult in the world', says Dr. Barnett, 'has produced a 
richer devotional literature or one more instinct with 
brilliance of imagination, fervour of feeling, and grace 
of expression/* Th^exBct^peno^of_this efflorescence 

! Op. cit , liii. "" 

2. Op. cit., p. Ixxix. 

3. Meykandar in Barnett's Heart of India, p. 80, 
?. Heart of India t p, 2, r 



43 

of the South Indian religious spirit is extrerrely doubtful. 
It cannot be determined within more definite limits than 
the seventh to the eleventh centuries. This was a timet 
not only of Saivite, but of Vaishnavite revival. The sixty- 
three Saiva saints of tradition had as contemporaries, it is 
probable, some of the Vaishnavite Alvars, and that, 
apparently, without any keen antagonism being aroused 
between them. That antagonism came later when their 
common enemy, the Jain, had been overcome. The 
greatest of the poet-saints who have exercised so 
enduring an influence upon this South Indian faith is 
Manikka-vasagar,whos Tiruvasagam or'Sacred Utterances' 
is full of the most intense religious feeling. Here we have 
the doctrinels of the Saiva Siddhanta fused into passionate 
experience in the heart of a worshipper of Siva. Their author 
is said to have been prime minister to a Pandyan king, 
and probably flourished in the tenth or eleventh century 
of the Christian era, though Dr. Pope seems sometimes 
inclined to place him as early as the seventh or eighth 
century. He went,the story goes, like Saul, to seek, not 
his father's asses, but horses for the king, but, like Saul, 
he found instead a kingdom, though in his case a 
kingdom of the spirit. Siva himself, surrounded by a 
great company of his saints, revealed himself to him in 
the form of a venerable guru, and his errand was 
forgotten, and the world renounced. f He has gone 
from the Council, arnd put on the shroud', and he 
journeys in pilgrimage from town to town, worshipping 
at every shrine, and composing songs in celebration of 
the various seats of Siva worship and their god. 'The 
success of Manikka-vasagar in reviving Saivism', says 
Dr. Pope, 1 'which seems to have been then almost 
extinct, was immediate, and we may say permanent ... 

4? Pope's F/ruvasagam f p. xxxjij. 



44 

From his time dates the foundation of that vast multitude 
of Saiva shrines which constitute a peculiar feature of 
the Tamil country.' 

In the legend of Manikka-vasagar's conversion, the 
divine Guru, it is said, held in his hand a book which 
proves to be the Siva-nana-bodham of Meykandar. As 
a matter of fact, this manual of the Saiva Siddhanta 
did net come into existence for at least two centuries 
after the time of the Saivite saint and poet. The period 
of inspiration precedes the period of reflection; the 
experience of the saint furnishes the material for the 
doctrinal system of the theologian. Already in his 
poems we find expressed in the language of the heart 
those views of the relation of the soul to God and to the 
world that the schoolmen formulated later into a religious 
philosophy. For Manikka-vasagar, as for so many saints., 
the central point in his religious life to which he 
continually returns for a renewal of his inspiration 
is his conversion. It is a continually recurring theme 
for praise throughout his hymns, a constantly recurring 
source of encouragement when he falls into despair. 
Throughout his poems there is such an accent of 
humility and adoration, such a sense of his unworthiness 
and of the divine grace, as seems to bring him very 
near indeed to the spirit of the Christian saints. No doubt 
there are, at the same time, deep differences, which the 
common ardour of expression hides. How far the sense 
of his unworthiness springs solely from a moral root, 
how far the greatness of his god is a purely moral 
supremacy, how far the sense of the divine presence is 
spiritual or largely sensuous these questions need not 
here be considered, nor can tfpir answers, whatever they 



may be, detract greatly from the deep affinity of saints, 
apparently so alien from each other in many respects. 
Again and again we find Manikka-vasagar giving 
utterance to such experiences as are common to all 
devout souls who have sought God sincerely and have 
in some measure fognd Him 

'These gods are gods indeed', These others are 
the gods,' men wrangling say; and thus 

False gods they talk about and rant and rave upon 
this earthly stage. And 1 

No piety could boast: that earthly bonds might 
cease to cling, to him I clung. 

To him, the god of all true gods, go thou, and 
breathe his praise, humming-bee. 1 

Dr Pope in his translation of the Tiruvasagam, by the 
headings he places to paragraphs of the poem indicates 
how close he finds the affinity to be between thtse 
utterances of a sincere devotion, and those of the 
Christian religious experience. 'Longing for grace 
alone', 'Without thy presence I pine', 'Deadness of soul'. 
'G$d all in all', 'I am thine, save me', 'His love demands 
my all' these are a few taken at random, and they are 
sufficient by themselves to indicate that with all the 
strange mythology that weaves its fantastic forms across 
the poems, and that perplexes and repels a Western 
reader, we have here tha essential note of a deeply 
devout and a truly ethical Theism. 

We have seen that a note of Saivism has always been 
the unknowableness of God. The Vaishnavite followers 

1. Pope's T/ruvasagam, pp. 143, 144* 



of the bhakti marga often affirm this no (ess strongly, bul 
like Tulsi Das they argue that, just because God is beyond 
the reach of thought and act and speech, the one way 
of salvation for men is in the worship of such an Incarna- 
tion of the Supreme Deity as Rama. Similarly, though 
Saivism has had no place for such incarnations as we 
find within the rival system, Manikkavasagar Is never 
weary of claiming that Siva has come near to him in his 
grace as theory and revealed himself. 

Mai (Vishnu), Ayan, all the gods and sciences divine 

His essence cannot pierce. This Being rare drew 

near to me : 
In love he thrilled my soul. 1 



Ayan 



Again, 

The 'Mount' (Siva: that Mai knew not and 

saw not - we can know.* 
There is no limit to the ecstasy with which he describes 
the effect of this revelation of grace. 

Sire, as in union strict, thou mad'st me thine ; on 
me didst look, didst draw me near ; 

And when it seemed I ne^er could be with thee 
made ons-when naught of thine was mine 

And naught of mine was thine-me to thy feet 
thy love 

in mystic union joined, Lord of the heavenly 
land.-'Tis height of blessedness.' 

*~~ > ~~~~~ ~ __-________ 

1- Pope's Tiruvasagam, p 157. 

2. Op. cit., p. 106. 

3. Op. cit., p. 72. 



It is hardly necessary to multiply illustrations of 
th fervent spirit of this worshipper of Siva. It is a 
constant marvel to note how the heat of his devotion is 
able to transmute to its purposes of adoration even the 
repellent aspects of the god. His descriptions of him 
seem at times to touch the very brink of al! we hate. 
This is he who 'wears the chaplet of skulls' ; he Is the 
'maniac' ; 

A dancing snake his jewel, tiger-skin his robe, 
A form with ashes smeared he wears. 1 

A favourite epithet is 'the black-throated one'. But 
this epithet, as a matter of fact, strange as it seems to 
us, is what especially suggests to his devotee the grace 
of Siva, and it constantly recurs in his poems as a 
motive to praise and worship. What to the Vaishnavite 
are the 'three steps' of Vishnu, that to the Saivite is the 
story of how this god drank the ha/aha/a poison and 
so made his throat for ever black. In both cases the 
story has been laid hold of by the instinct of the 
devout heart as a symbol of the divine grace that saves. 
In order that he might deliver the gods, when a stream 
of black and deadly poison flowed forth at the churning 
of the Sea of Milk, Siva of his own will drank it up 
and gave to them instead the ambrosia that followed. 
Thus the Saivite worships with gratitude and adoration 
a god who has suffered for others, and the blaok throat 
is for him a constant reminder of his grace. 

Thou mad'st me thine ; didst fiery poison eat, 

pitying poor souls. 
That I might thine ambrosia taste I, meanest one. 

1. Op. cit,p. 195. 



ft y the help of such a thought as that the South Indian 
worshipper has been able to transform the strange 
appearance of this pre-Aryan divinity, so demoniacal in 
many ef his aspects, into a gracious being whom his 
heart can love. It is at least a testimony to the 
amazing power of the religious passion surging up 
within these southern saints, a passion impossible to 
content with less in God than the grace that 
condescends and suffers, with (ess than a love corres- 
pondent to the love that moves itself. When 'the Brahman' 
represented to this seeker that 'the way of penance is 
supreme', or when the 'haughty Vedant creed unreal 
came', he turned away unsatisfied. Then, he says, 'Lest 
! should go astray he laid his hand on me'. 8 This 
testimony to a real spiritual experience, a real movement 
of the divine love to meet the human, is expressed 
agein and again throughout these lyrics with a mani- 
fest sincerity. The 'law of trusting love' 3 finds its 
fulfilment and 'this love that fails not day by day still 
burgeons forth' < Certainly these poems, with all that 
as strange and repellent in the symbols that are employed 
tn them to represent the deity, seem to echo a thefstic 
experience as genuine as it is intense. 

of Saivism over both Buddhism and 
thus mainly to be attributed to two 
of reinforcement, one intellectual , 
ultimately from the Kashmir Saivite 



1- Pope's Tiruvasagam, p. 195. 

2- Op cit., p. 34 
* Op cit , p. 33. 

4 p P e 's Trruvasagam, p. 35. 



philosophers., the other indigenous, issuing from the sense 
of their own religious needs. Another influence in 'the 
'same direction which the Saivite shared with 'the 
Vaishhavite is that of the Bhagavadgita. 'The influence 
of theG/Ya',says pr.Pope., 'upon South India as a doctrinal 
manual and as a great and inspiring poem has been 
and is incalculably great.'* He finds traces of this 
influence in every part of Manikka-vasagar's poems. 
We even find in one of the philosophical books of 
Saivism a quotation from the Gfta so linked on to one 
from a Saivite scripture that the teaching of the former 
as to the Paramatman Vaishnavite as it in reality is is 
directly associated with the name of Siva. 2 Thus the 
G/ta, even in this alien environment, vindicates itself as 
the greatest and most influential of all Indian theistic 
scriptures. 

Manikka-vasagar was an orthodox Saivite and 
represents at its highest the Saivite bhakti of Southern 
India. There were othersj however, who, outside the 
dominant Church, cherished and proclaimed an inward 
and monotheistic faith. In the Siva-vakyam } a collection 
of 'Siva speeches' by various poets, there are some 
'remarkable expressions of such a religious experience. 
In one of these the poet turns away from idofs and 
from' temples to another shrine, 'the mind within 'his 
breast'. 'And thus,' he says, 'where'er I go, I ever 
worship God.' 3 Another example may be quoted of 



1. Op. cit., p Ixvi, note. 

2. Appaya's commentary in The Search after God, 
pp. 49, 50 

3. L. 0. Barnett's Heart of India, p. 92. 



50 

this devotion that revolts from ritual tradition $n 
orthodoxy and finds its way by its own fervour to th 
feet of God. 

When thou didst make me thou didst know my all 
But I knew not of thee. ' Twas not till light 
From thee brought understanding of thy ways 
That I could know. But now where'er I sit, 
Or walk; or stand, thou art for ever near. 
Can I forget thee ? Thou art mine, and I 
Am only thine. E'en with these eyes I see, 
And with my heart perceive, that thou art come 
To me as lightning from the lowering sky. 
If thy poor heart but choose the better part, 
And in this path doth worship only God 
His heart will stoop to thine, will take it up 
And make it his. One heart shall serve for both. 1 

As one reads these stanzas, as has been remarked 
by Dr. Barnett 'one is tempted to wonder whether 
"Siva-vakyar" was not a worshipper at the local 
Christian church'. 



Along with these more spiritual movements there 
occurred in the northern, district of Kanara a religious 
revolt, less pure probably in the motives that inspired it, 
certainly less worthy in its results. Mention has already 
been made of Basava, minister of King Bijjala of Kalyana, 
who was the leader in a Saivite revival which did much 
te overthrow the power of Jainism, hitherto dominant in 
that region. He flourished in the latter part of the 
twelfth century. Associated with him in this religious 



1 Barnett's Heart of India, p. 92. 




> reformation there seems to have been another & rahman 

called Ramayya who, in an inscription dated about 

J200, is called 'Ekantada Ramayya', 'because he was an 

ardent and devoted worshipper of Siva'. 1 'Basava^was 

the Luther, Ramayya the Erasmus' of the new cult. . It 

is not easy to form any certain estimate of the religious 

character of this Vira Saivite or Lingayat movement, as it 

was called. It was, no doubt, in its inception something 

worthier than it appears to-day. Its followers now 

form only another among the many Hindu castes, with 

little to distinguish them from the rest except 

their strong opposition to Brahman privilege. They 

also permit widow-remarriage and are opposed to 

child-marriage. Lingayats acknowledge Siva alone : and 

place upon the linga, his symboij a faith that in the 

case of the most of the modern adherents of the sect 

leaves little room for spiritual worship. One can see, 

'however, in their ejection of the efficacy of sacrifices, 

penances, pilgrimages, and fasts, indications that in ; its 

origin this may have been a movement towards a purer 

and more inward faith. If it is the case that the Vira 

Saivites were a 'peaceful race of Hindu Puritans', they 

probably in the spirituality of their worship and its 

ethical character representedto begin with at least a 

theistic religion, such as was the Siva bhakti of the 

further south, but less emotional and devout. It was 

as such, no doubt, that this sect contended with and 

overcame the dominant Jainism. At the same time it 

was the more likely to become corrupt and to fair to 

the common level of Hindu formalism and superstition 

1. Thurston and Rangachari's Castes and Tribes of 
South India, s. v. Lmgayet. 



of fls lack of the fervour of bhakti which* 
such warmth and energy to the faith of 
vasagar. To the Lingayat salvation seems to 
meant absorption into, or attainment of an 
union with., the deity. In th/s respect this 
seems to have been even from the beginning 
theistic, and a theist may discover in that 'fact 
secret of its religious barrenness in contrast with tf"* e 
Saivism of the Tamil land, as well as the explanati<^ n 
of the rapidity and completeness with which it 
to have fallen into decay. 



In this sect and to a less extent in the religion 
the Saivite saints of the Tamil land we find 
spiritual and ethical instincts which are generally 
associated with Theism engaged in a conflict 
anti-theistic influence everywhere powerful in India 
always in the end victorious. Of these one is that 
tendency to formalism and superstition., which every- 
where, as soon as the first fervour of a move- 
ment of religious revival has begun to fail, bears 
down to earth again the human spiritand which 
seems to press upon the religious life of Indi* 
especially with a weight heavy as frost and deep* 
we may say, even as death. Another antagonist is the 
influence, peculiar to India, of a philosophy invincibly 
hostile to personal religion and to moral ardour, and 
extraordinarily tenacious of its grasp upon the Indian 
spirit. It is evident that the Lingayat reform movement 
made little headway against the?e adverse forces and 
soon succumbed to them. The tides of Vedantism 
and of superstition soon reduced this region too to the 
normal level of Indian religious life, and only a point 
of rock projecting here and there above the waste of 



waters -its spirit of antagonism to Brahman claims, for 
example remains to mark the place where once, there 
was a real insurgence of the conscience and the heart. 
Its work was done when it helped in the overthrow of 
Buddhism and of Jainism. The devotion of the Tamil 
saints has had a more abiding influence, for the. reason 
that its roots went deeper into the heart, and that, as 
a result, it found expression in poetry which continues 
to. bear its witness to later generations and to find a 
response in other, hearts. But here too the subtle 
Vedanta doctrine in the end prevails. The fervour of 
devotion is able for an ardent moment to preserve the 
equilibrium of being and non-being in mukti, of 
absorption and bliss. It can rejoice in 'the way whieh 
is neither single nor two-fold'. 1 But. when the emotion, 
passes, the logic of the understanding makes its claims. 
Then, as regards its goal at least, the doctrine of the 
Saiva Siddhanta becomes indistinguishable from 
that of the Vedanta. The grace of Siva remains 
and . the. Great, Lord is still a personal deity, 
but the individual self attains deliverance by 
being a:sorbed into the Supreme and Selfless One. 
'Where the soul stood before, Siva stands there in aiJ 
his glory, the soul's individuality being destroyed' 2 
Thus here as everywhere in India the 'haughty Vedant 
creed' 3 seems, in the end to triumph and the Theism 
that was once so ardent pales to an ineffectual spectra. 

1. Sivan Seyal, translated by Clayton in Madras 
Christian College Magazine, vol. xvii, p. 308. 

2. T/ruvunth/ar (Commentary) in. Siddhanta Deep/ka, 
vol. VIII, p. 190. 

3?. Pope's T/ruvasagam, p. 33, 



Ill Tamil Saints 



[M/s Williams and Norgate, London published in 1921, the 
Hibbert Lectures of J. Estlin Carpenter, in the form of a book 
entitled "-Theism In Medieval India," and the article here 
printed is from Lecture VI dealing with 'Philosophy and Religion 
in Saivism ' . 

The author's knowledge of Sanskrit and Pali, his capacity for 
analysis and assimilation coupled with his sympathy for the 
Indian Religions had enabled him to indite this work of considerable 
significance. 

The author had studied in depth the Tamil scholars like 
M. S. Aiyangar (Tamil Studies), G. U. Pops (The Thiruvachakam), 
J. M. Nallaswami Pillai (Siddhanta Dipika Volumes), P, Sundaram 
Pillai (Some Milestones in the History of Tamil Literature) 
S. Purnalingam Pillai (Primer of Tamil Literature), Schomerus 
(Dec Caiva Siddhauta), V. V. Ramana Sastrin (Siddhanta Dipika. 
Volumes) and G. Sabharatnam of Ceylon. 

We have in our foot-notes pointed out the major errors of 
the author. Ed.] 

Meanwhile the most remarkable product of Caiva 
religion presents itself among the Tamils of South 
India- By what means and at what date the Brahman 
culture was carried among the Dravidian peoples it is 
no longer possible to determine. l Legend has its own 
version, and the Tamil chroniclers boldly assigned an 
enormous antiquity to the famous Academies which 

' 1. Mr. V. A. Smith, Early History of India (1904), 
proposes 500 B.C. as a mean date. Cp. the Lectures 
on the Ancient History of India, by Prof P' ? R. Bhandarkar 
(Calcutta, 1919), p. 13ft 



were supposed to have developed the art of literary 
composition after the Brahman Agastya had provided 
the language with an alphabet and grammar. * There 
arej unfortunately, no clear historical data, in spite of. 
very active poetical production, until about the sixth 
century of our era. The early forms of the cults of 
Civa and Vishnu beside the Buddhists and the Jains 
are shrouded in obscurity. * But it is recognised by 
the best Tamil scholarship that "as late as the third r 
fourth century A. D. there was no Civaism or 
Vishnuism as understood now. " 3 Yet in the sixth 
century Caivism is firmly established in Dravidian 

1. A learned lawyer and judge, editor also of 
important Tamil texts, recently assigned a period of ten 
thousand years (10, 150-150 B. C ) to the three traditional 
Academies. Mr. M. S- Aiyangar, M A., in his interestin 
volume of Tamil Studies (Madras, 1914), conceived the 
first and second 'to have existed occasionally some 
time between 500 B. C and A. D. 200," p 244 The 
really distinctive work seems to have been done at 
Madura, the capital of the Pandyan kings, by the 
so -called Trrrd Academy. 

2. In an important article on the Dravidians of 
S. India, ERE, v p 11, Mr. R. W. Frazer suggests that 
as Civa in Tamil means "red," an original Dravidian 
deity of that name may have been amalgamated with 
the Rudra Civa of the Vedic hymns, Rudra having often 
the same meaning. Cp. ante, Lect. V., p. 2:6*, and 
Linguistic Survey, Iv. p. 279. Cp. Pope, T/ruvacagam 3 
p. Ixiv, 2 on a probable S. Indian demonic element in 
in the Caiva cult. 

3 f Tamil Studies , p 251. . 



56 

countries with its characteristic piet/. 1 An inscriptior 
from Mysore (500-550) celebrates him as the Eternal 
Sthanu (the ''Steadfast") "whose one body is formed ty 
the coalescene of all the gods, and whose grace 
(prasada] constantly guards the three worlds from tht 
fear of evil." 2 Plates from the Nasik district (Bombay) in 
the year 595 commemorate the military success, the 
learning, the charities, the aids to the afflicted, the 
blind, and the poor, of King Cankaragana, a worshippe' 
of Civa under the name of ucupati, "the Lord of Souls." 3 
A little later the Gurjaras of Broach (Bombay), who 
were originally sun-worshippers, all became Caivas 4 . 
When Yuan Chwang in 640 made hisr way down the 
eastern coast to the Pallava kingdom, and stayed at its 
capital Kanchipura, 5 he found ten thousand Buddhists in 

1. Seethe poems of Appar (or S f . Vagica), 573. 
below ; Venkayya in Epigr. Ind. iii p. 277. Mr. J. M. 
Nallaswami .Pillai claims Narkirar, chief of the Academy 
poets, as the earliest exponent of the Caiva-Siddhanta, 
but he does not venture to fix his date Siddh. Olp., 
xii iO ('April 1912), p. 407. 

2. Epigr. Ind., viii. p 33 

3. This title already appears in the Gupta inscrip- 
tions about A. D. 350 at Allahabad, Corpus (nscrr. Ind , 
M p. I. Or Rest translates it simply "Lord of Animals," 
following the mythological description of the Ganges 
flowing through his braided hair. On its religious meaning 
in Kashmir Caivism, cp. p. 347. ' 

4 1 Epigr, ind., xii. p. 20 i. 

5. Commonly identified with Conjeveram, but $90 
Watters. On YIM Chwang. ii. p 2:6 f , 



the country, with a hundred monasteries and eighty 
Deva temples, of which the majority were Jain; Thai 
Caivas, therefore, were not yet powerful. But the Tamil, 
poets of Caivism were already at work. Tha struggle with 
the dominant Jains was severe, and the religion which, 
was established in conflict generated a new energy of 
emotion. Bands of Brahman theologians came down 
from Upper India. 1 The afr was full of debates and 
disputations. In the seventh century Tiru-NanasambandhaF 
converted the Pandyan king from Jainism. and later 
tradition affirmed that with the fierce wrath of an 
Elijah he celebrated his victory in controversy 
by the massacre of eight thousand Jains. A Like 
his earlier contemporar/ Appar, he was a 
copious hymn-writer, 384 compositions being ascribed 
to him. So powerful was the impress of his 
work and character, that "there, is scarcely a Civa 
temple in the Tamil country where his image is. 
not daily worshipped" 2 From this time an impassioned 
stream of sacred verse flows on for centuries- The 
power of Caivism and of Vaishnavism by its side; 
continually grows. Hundreds of temples rise through. 

1. Tamil Studies, p 21 7. 

2. P. Sundaram Piilai, Some Milestones in the Hist 
of Tamil Lit- (i895\ p 9. Annual feasts are held in his 
name, with dramatic representations of events in his 
life As an illustration of the chronological difficulties 
attending literary investigation, it may be mentioned 
that while one English scholar (Taylor^ placed him 
about 13 B.C., another (Bishop Caldwell) assigned him 
to A. 0. 1292/ Cp.S. Purnalingam Piilai, Primer of Tamil 
Liter fftOfe (1904), p. 8\ 

A An obvious misinterpretation. Ed? 



58 

South India to the two great Gods.' Ea f 
its line of saints, its poets, its teachers. The first 
collection of Caiva hymns, the Oey^iB^^oui 
1025 and others follow.' By the year HOC* sixty,three 
Caiva saints are commemorated in. the P*r/ya Parana 
Here is no systematic theology, but a record of 
vivid persona! experience. Its fundamental motive is 
most briefly expressed by one of the later poets, Tiru- 
Muiar, in a single verse: 

"The ignorant say that Love and God are different; 
None know that Love and God are the same. 

When they know that Love and God are the same, 

They rest in God j s Love.-" 
And the further lesson ran: 

"They have no love for God, who have no love for all 
mankind. *' 4 

f 

The Caiva hyrnns are one long series of 
variations on these themes. Mingled sometimes 

\. On the Civa temples at Pattadakal (Bijapur 
district of Bombay) and Ellora (Hyderabad), see Havelfj 
Ancient and Mediaeval Architecture in India (1915), 
pp. 177 if., 193 ff 

?. Tamil Studies, p.220; Frazer, ERE, vp 2\ The 
Vaishnavites about the same time gathered a "Book of 
Four Thousand Psalms. ' J See Lect. VII., p,383. 

3. South Indian Inscrr., II ii. p. 152. 

4. Siddhlar, xii. 2, quoted in Siddhant* 
xi! 1 5 (Nov. 1912), p 239 . . 

* The year is t!39 A. 0, Ed 



with strange mythological allusions and unexpected 
metaphors, they tell of raptures and ecstasies, of 
fears and falls. There are periods of gloom when 
the heavens are shrouded and the face of God is hid. 
There are splendours of light when the world is 
transfigured in the radiance of love. At the outset of 
the great chorus the first voices are calm and. gentle; 
and even Appar, who tells how he had been bound by 
heretics to a granite pillar and flung into the sea, and 
was saved by repeating the sacred name. 1 can muse 
tranquilly on the "fellowship of the Spirit'* in contrast 
with conventional practice or even ethical endeavour . 

"The grace of God is as pacifying as the soft 

music of the lute, Or the tender moon in the 

evening sky. 
All learning and wisdom are for doing reverence 

to God. 
God should be worshipped out of pure love as 

the Great Benefactor, 
Who gave us the instruments of knowledge, 

speech, and action, For escape from destructive 
- desires. 

Such desires are hard to conquer without the 

grace of God. 
God rescues from the onsets of sensuous desires 

those whose hearts melt for him; 

'f. Siddhanta Dipika, xiii 2 (Aug. 1912), p: 6'. The 
five sacred letters of ''Nama Civaya," or "Praise 
to Civa," were believed to possess a certain 
saerod or mystical power, - 



60 

He reveals himself to those who.fove him- above, 

all. things, 
When the [churn of the] heart is moved hard ,by 

[the staff of] fove, 

Rolled, on the cord of pure intelligence, 
They who would be free from sin and corruption* 
Should think of God deeply and continuously 

with joy. 
Then he will be at one with them and grant 

them his grace. 
Freedom from sin and corruption is to those only 

who see him in all things, 

And not to those who see him only in particular 
places, 

Nor to those who merely chant the Vedas or 

hear the Castras expounded. 
It is to those only who crave for at-one ment 

With the omnipresent and all-powerful Lord, 
And not to those who bathe at dawn. 

Nor to those who have at all times striven 

to be just. 

Nor to those who make daily offerings to the 
Devas 

It is to those only who know the Lord to be 
boundless in love and light, 

And not to those who roam in search of ho|V 
shrines, 

Nor to those who practise severe austerities, or 
abstain from meat. 

No gain of spiritual: freedom is there to those 
who display the ,robe.. . 



61 

And other insignia of Yogins and Sannyasins, or 

who mortify the flesh. 
That gain is only for those who glorify him. a* 

the Being Who vibrates throughout the 

universe and in every soul." 1 

Very different are the confessions of Manikka 
Vacagar * in the ninth century, whose fifty-o.ne hymns 
depict the progress of a soul out of the bondage, pf 
ignorance and passion into the liberty of light.ar)d 
love 8 Their devotional idiom may .often sound strange 
to Western ears; their mythological "allusions, will, some 
times repel readers accustomed to a different imaginative 
outlook. But their sincerity is indisputable. The ' poofs 
theme is the wonder of divine Grace shown forth Jn 
his own life, and he tells without reserve the maryei 
of his first conversion, his joy and exaltation, His 
subsequent waywardness, his despondencies, his falls, His 
shame and his final recovery and triumph. Dr. Pope 
compares the influence of these verses in shaping the 
religious life of the Tamils of South India to that of the 
Psalms in the Christian Church. They are daily sung 
throughout the country with tears of rapture 4 

'. S/ddhanta Dipika, xi. 1 . (July I91QJ, p 15, tr. 
P. Ramanathan. I have taken the liberty to print the 
successive sentences so as to show a certain rnythm of 
thought where verse is unattainable - 

2. Sanskr. Manikya Vachaka, "he whose utterancess 

are rubies." 

3. See The Tiruvacagam, or "Sacred Utterances/' 

tr. G. U. Pope (Oxford, 1900). 

4. Pp. xxxii - *xxiv. 



62 

The story of the poefs life is enveloped in legend. 
Born iri a Brahman family on the river Vaigai near to 
Madura, he attracted the notice of the king, and was 
early called to the royal service. A student of the Vedas, 
Tie sought wisdom from many masters, but was satisfied 
with none. 1 The world had woven its bonds around him, 
Court favour, wealth, dignity, the charms of women 
alt were at his command, he was "caught in the 
circling sea of joyous life.^ 1 The ancient Scriptures 
faffed to hold him; "busied in earth,! acted many a lie";he 
gave no thought to birth and death, sunk in the flood .of 
'lust end the illusion of "1" and ''mine". Suddenly, 
es he was on a mission for the king, 3 he was arrested, in 
'.mid-career by a power that he could not resist, "He .laid 
his .hand on me." The experience could only be 
described by saying that "the One most precious Infinite 
to earth came down" ; but what he saw could not be 
' told..' 

*'My inmost self in strong desire dissolved, 

I yearned ; 

Love's river overflowed its banks ; 
My senses all in him were centred ; 'Lord,' I cried, 
With stammering speech and quivering frame 
.7 I clasped adoring hands ; my heart expanding like 

a flower." 4 

1. iv. I!. 42-51, p.33. ' 

---: -?2. xli. i; p. 309, 

3. This may be the historical nucleus of the 
romantic legend, p.xx ff. 

4. iv. II. 80-84 p. 35. 



63 

"All sorts of emotion^ 'struggled within hint loathing 
for past sin, amazement at the divine condescension^ a 
bounding sense of assurance and freedom; 

"I know thee, I, lowest of men that live, 
I know, and see myself a very cur, 

Yet Lord, I'll say I am thy loving one ! . 
Though such I was, thou took'st me for thine own. 
The wonder this .' Say, is there aught like this?. 

He made me servant of his loving saints ; 
Dispelled my fear: ambrosia pouring forth,he came, 
And while my soul dissolved in love made me 

his own. 

Hence forth I'm no one's vassal/ none I fear, 

We've reached the goal." 1 

But his triumph was premature. He will hide nothingrhe 
will confess all 

"Faithless I strayed, I left 
Thy saints, a reprobate was I. How did I watch the 

one beloved, 

The quiverings of the lip, the folds of circling 
robe, the timid bashful look. 

To read love's symptoms there." 1 

It is a familiar story, but rarely told with such truth- 
fulness. Out of his falls he is once more lifted into 
"mystic union." With a tender familiarity he explains it, 
"There was in thee desire for me, in me for thee." He 
. was, then, worth . something even to God. It suggests 
a . still profo.under thought : .. r -. 

1. v. 23, 29, 30.(condensed), p.53 ff. Cp.xxx. I, p. 264, 



"The tongue Itself that cries to theeall other powers 
Of my whole being that cry out -all are Thyself. 
Thou art my way of strength ! the trembling thrill . 

that runs 
Through me is Thee ! Th\ self the whole bf ill 

and weal." 1 

So through the storms of emotion he makes his way to 
jieaee. to a security so profound that he can truthfully 
exclaim 

''Though hell's abyss 

.(enter, I unmurmuring go, if grace divine appoint 
my lot. "* 

From the tranquillity of the sage's path, as he with- 
draws from the world and wanders from shrine 
..to shrine (tradition tells of his encounters with Buddhists 
from Ceylon), he looks back over his life in the world: 

"Glory I ask not, nor desire I wealth ; not ea'rth 

or heaven I crave ; . 

I seek no birth nor death j those that desire not 

Civa nevermore 
I touch ; I've reached the foot of sacred Rerun- 

turrai's king. 
And crown'd myself j I go not forth , I know no 

going hence again. 1 ' 3 

1. xxxiii. 5, p. 275. 

'2. v. 2, p. 45. 

3. xxxiv. 7, p. : 2&0 Cp. xxii. 2, 3, 7 r p 218 3 and Tor 

^geneial retrospect, li.-p. 351. Perun-turrai is "great 

harbour," now called Avudaiyar Koyil (p. xx>. It -was on 

his way thither that the saint's conversion took place, 

and he is still worshipped there. 



In a quieter mood Tiru Mular summed up a less 
varied experience: 

" 1 learnt the object of my union with the body, 
I learnt of my union with the God of gods. 
He entered my heart without leaving me, 
I learnt the knowledge that knows no sin. 

Seek ye the true support, hold to the Supreme, 
Your desires will be satisfied when his Grace is 

gained j 

With humility of heart the learned will secure 
The bliss enjoyed by the bright immortals. " l 

Among the strange legends of the saints in the 
Periya Purana is the story of Karaikal Ammaiyar, a 
merchant's wife, whose beauty so distressed her -that 
she prayed for the form of a demoness who could stand 
by God for ever in prayer. Amid ' a'^shower of divine 
flowers and applauding music from ths skies she shed her 
flesh, and after wandering through the world in her bones 
approached the dwelling ot Civa upon Mount Kailasa. 
There, as she humbly drew nigh to the God upon her 
head, it was vouchsafed to her to behold him. She loved 
to sing afterwards of the "God of gods with throat of 
shining blue," 2 to tell of his braided hair and necklace 

1. From the Siddhanta Dipika, xi. 7 (Jan. 1911), 
p. 289. His Tirun\3ntra is translated by J. M. Nallaswami 
Piliai in vol. vii. 

2. This dark-blue colour was the result of his, 
self-sacrificing act in swallowing the poison which 
issued from the churning of the ocean of milk to 
produce the drink of immortality, cp Mbh., i. 18, 43ff., 
ante, p. 147, 



66 

6f skulls. These were the accepted conventions 
mythology. As she entered the Presence, the Lord call' 
out to her "Mother," and she fell prostrate at his f* 
murmuring "Father.'' That one good word was utter f 
by the Lord, says the poet St. Sekkilar, "so that the who 
world may be saved" 3 for the motner's love that wou 
free from all harm and redeem from all sin is Indet 
divine. And Karaikal sang : 

"If one desires the path that leads to God 
And wishes to deserve his grace, and asks 
Where he dwells sure- Even in the heart ofthos 
Like my poor self, it easy is to find." l 

Here are significant forms of religious experience 
What could philosopy make of them? 

The Caiva Siddhanta 3 the "Accomplished End,' 
the fixed or established truth, is but one amont 
several branches of Tamil Caivism, and itsei 
includes as many as sixteen different schools. 1 1' 

1. Siddhanta Dipika, xiii. 4 (Oct. 1912), p. 152ff. 

2. Cp. Schomerus, Der Caiva Siddhanta (19123, 
Leipzig, p. 3. Besides this comprehensive exposition, 
the subject may be studied m the light of modern Tamil 
scholarship in the pages of the Siddhanta Dipika (extinct 
some years ago), and in the essays of Mr. J. M. Nalla- 
swami, Studies in Caiva Siddhanta (1911), Madras. 
Among the principal documents available for English 
readers are the following : Nilakantha's Commentary on 
the Sutras of Badarayana in the early vols. of Siddh. Dip> ; 
the Civa-Jnana-Botha of Meykanda (1223), tr. Hoisington, 
in the Journal of the Amercian Oriental Soc., iv. (1854) ; 



67 

rests upon a twofold Scriptural authority, the Vedas 
and the Agamas, "both of them true, both being the 
Word of the Lord/' 1 but not of equal value. The Vedas 
are the more general, a common basis provided by 
Civa for all religions; the Agamas are the more special, 
suitable for advanced believers and maturer experience. 
Revelation is thus recognised as progressive. The 
Agamas are twenty- eight in number, ten of which 
are reckoned as ''Root-Agamas," and as such are ''God- 
taught"; the rest, though divine in origin, are only "man- 
realised." 1 Composed in Sanskrit, they were already 

and Nallaswami (1895); the T/ru Arut Payan ("Fruit of 
Divine Grace")^ by Umapatij, tr. Pope in his Tiruvacagam, 
and the Clva-Prakaca ("Light of Give"), tr. Hoisington, 
JAOS, iv, (1854) and assigned by him to the seventeenth 
century^ but now attributed to Urnapati, 1313. For a 
summary of five leading forms of present-day Caivism, 
cp. an Address by Mr K. P. Puttar.na Chettiyar (Senior 
Counsellor to H. H. the Maharaja of Mysore), Siddh. 
Dip., xi. 6 i.Dec. 1910), p 256. On the significance of 
Caivic religion in Nepal, Kashmir, and Mysore, "to this 
day the head centres of Agamic lore," cp. V. V. Ramana, 
ibid 3 p. 246. For the special significance of Vira-Caivism, 
ib/d, p. 269, and xi. 7 (Jan. ,911), p. 315. "The entire 
religion is a vindication of the principle of the brother- 
hood of man, and its necessary concomitant, universal 
love". Cp. Bhandarkar, Vafshnavfsm, etc , p. 131. 

1. Tiru Mular, in Siddh. Dip., xii. 5 (Nov. 1911), 
p. 205. 

2. V. V. Ramana, Siddh. Dip., xi. 5 (Nov. 1901), 
p. 210. In x. 12 (June 19iO), p. 476, the same 
writer places them before the first Buddhist 
Council* 480 B. C.; cp. x. 4 (Oct. 1909), p. 119. 



68 



maarded as products of grey antiquity by the autho, 
of the Suta Samhita (in the Skanda Purana of the fjf th 
or sixth century A. D-)- 1 They supplied the material foi 
Tlru Mufar's treatise Tirumant/ra, * and their main 
teachings were afterwards expounded on the basis o( 
twelve Sanskrit verses in the C/va-Jnana-Botk 
{"Enlightenment in Civa-Knowledge"; by Meykanda 
Dsva ("the Divine Seer of the Truth") in 1223.3 This 
brief work was the foundation of Caiva scholasticism, 
and acquired a canonical character as a revelation 
from above; Paranjoti - Muni having been sent 
down from heaven to instruct Meykanda on the 
bank of the Lower Pennar in the South Arcot 
district. * The work was designed to supply answers 

1. Schomerusj op* cit , p. !0. 

2. The Tamil equivalent of Cr/-Mantra, "the Sacred 
Word" (Frazer). Tamil writers place Tiru Mular 
in the f/ist century A. D.; Western scholars 
bring him down much later. 

3. A few years before the birth of Thomas 
Aquinas, 1225 or 1227. 

4. Schomerus, op, cit., p. 24. For the view of 
Dr. Barnett, that this development was due to the 
infiltration of Kashmir Caivism by a southward 
movement through the Kanarese country into the Tamil 
lands sbout the twelfth century, see his note j n 
LiMuseon (I909>, p. 27?, and S/ddh. Dip xi 3 

3> n Kan3reSe Vlra-Cafvlsm ' in J 

P H E< p * Rice - A Histof y of K 



69 



to such questions as inquiring disciples might be 
expected to ask, such as " Is the world eternal, or 
had it a beginning ? Is it self-existent or produced ? 
If produced^ was the cause Time^ or Karma, or 
Intelligent? If Intelligent, what was Nature? " and 
so on through a series of cosmological and ontological 
puzzles, many of them of venerable descent. * The 
earlier Caivism had its own solutions of such problems, 
supplied by Nilakantha in th first extant commentary 
on the Vedanta Sutras. Cankara had not yet given its 
definite form to the Advaita doctrine, but its advocates 
vvere already in the field with their passages from 
Revelation. Nilakantha parries objections by citing 
others which proved the superiority of Brahman (Civa) 
alike to the universe and to the soul. He would admit 
neither an absolute identity nor an absolute distinction, 
and he called in the conception of Cakti to assist him in 
explaining their relation. 2 To this Cankara does not 
refer, though he criticises the doctrine of the Caivas 

Kashmir^ and much common terminology may be 
traced (or centuries before Meykanda wrote. Cankara 
argued against Caivism, with which he must have been 
acquainted in South India ; and his visit to Kashmir (if 
tradition may be trusted) apparently coincides with 
the first beginnings of the northern scholastic philosophy. 
Cp. ante, p. 309. 

1. Cp- the opening of the Cvatacvat Up., ante, 
p. 228. 

2. Cp. the long passage quoted by Nallaswami 
Pilfai in Studies in Caivn Siddhanta, p. 260 ff. This 
doctrine was known technically as bhefabhed. 

"distinction-nondistinction. " 



who regarded the Lord as only the operative and nc 

a!o the material cause of the world. l The late 
scholastics marshalled a row of arguments against tfe 
monistic Vedanta, which they regarded as ther 
most dangerous foe. St. Aruinandi wound up a lonj 
series with the plea that -'If you say that all knowledge 
is illusion, what you call Brahman is Illusion 5 and i! 
Brahman is Illusion, the assumption of intelligence fails 
to the ground." 1 

Like other philosophies of religion, the Caiva- 
Siddhanta sought to determine the relations of thres 
orders of beings, God, the world, and the soul. In 
agreement with the Vedanta of Cankara, it viewed thi 
Samsara as without beginning, but instead of attributing 
to it only a relative reality, it declared that matter and 
souls were, like God; eternal. But the world as we know 
it passes through a series of phases. It is for evei 
undergoing a process of evolution, of maintenance, 
and dissolution. Its form continually changes but its 
substance remains the same- Its material cause is Mayai 
the primeval stuff whence the universe is organised, 
like the clay converted into the shapely jar. And it 
requires an efficient cause ; it cannot have produced 
itself spontaneously. How should the undifferentiated 
mass in silence and darkness set about to change ? The 

1. i. 2, 37 : SBE, xxxiv. p. 435. 

1. See Schomerus' translation from the Civa-Jnana- 
Siddfiiyar, p. 37. A leading modern Caiva is said to have 
declared that he would rather see India Christian than 
Monist. 



sments have no intelligence and cannot be the agents 
the great development. Time.. Karma, Atoms, all are 
thout mind. Time is in reality changeless in its nature, 
cept (says Meykanda shrewdly) to the observer who 
jws it as past, present, or future : l but it is no energy, 
;an produce no effects. It supplies a condition for 
id's action, it is impotent to take its place. The efficient 
use must be eternal, like Maya itself; it must be 
elligent, for the universe is an ordered whole. True, 
>d's immutability preserves the divine nature in sublime 
iependence of viciss'tude. "All things are to him on* 
srnal consentaneous whole." He operates through his 
kt? as the instrumental cause, as the potter uses his 
leel and moulding-stick. 

The cosmologic argument is reinforced from the 
>ral side by the necessity of providing for the action of 
rma. This also is eternal, but its sphere was in matter, 
d was lodged in the soul's bodily environment. It could 
t itself originate the distinction between good and evil, 
could only register their issues. None but an 
iniscient Mind could have ordained the principles of 
>rality, and none but omnipotent Power could have 
arranged the world that the proper "fruit" should be 
ached to every act, and souls should everywhere 
d always get the rightful deserts of their virtue or 
fir guilt. Once more the aid of the Cakti (which 
s various modes of activity) is invoked. The "sport" 
jory of the production of the world is vigorously 
)udiated. s There is a purpose in its endles, 

1 . Civa-Jnana-Bodha, \. 4, in JAOS, iv. p 53. 

2. Schomerus, p. 151, quoting Arulnandi's Sitfdhfyar. 
Cp. ante, p. 331, 



'., .Md,,^ *' ~' rtWrn 01 5 





Who* 
w natever 



. 

f '" ite srace , 




73 

yment or bliss^Such a Being is -'neither male, female, 

neuter/' says the sage Civavakkiyar, ''neither Brah- 

,, nor Vishnu, nor Rudra, but is spirit" ; and the 

jmi Tayumanavar (eighteenth century) could 

[aim 

"All space is thine, O thou far and near, immanent 
thou art, 

And thou well'st up as a honied fountain of bliss 
in my heart". 2 

This dual presence in the world and in the soul was 

iressed by the doctrine of 'distinction without distinc- 

i" (bhedabhecfa}. The old Upanishad formula, "One 

hout a second," must be In some way received and 

lained. "God is not different (abhada} from the 

rid/" argued Meykanda, "but as the world is not 

itual, and God is a spiritual form, he is different 1 ' 

<eda). Similarly, "the sou! is not God, for if it were 

: distinct it would have no power of motion or 

ion." 3 All kinds of analogies were pressed into the 

vice of illustration. Just as sound filled all the notes 

3 tune, cr flavour pervaded a fruit, so did God by his 

cti pervade the world so intimately that they do not 

Dear to be two, yet this divine energy is essentially 

ferent from unconscious matter. The Sanskrit letters 

J. R. R. Gunaratnam in Siddh. D/p , xii. 7 (Jan 
191 i), p. 321. Cp. Nallaswami Pillai, Studies, 
p. 233, where "omnipotence^' is accidentally 
omitted. 

2 Siddh. Dip., xii. 4 (Oct. 1911), pp. 155, 161. 

3. Civa-Jnans-Botha, ii.. JAOS, jv. p. 57 f. 



74 



were all regarded as containing the short vowel a. Ka 
could not be resolved into /r + a-SOj, pleads Meykanda, 
is it with the soul. Without its vowel the letter would 
be mutejwithout God's Grace the soul would be helpless. 
As body and mind together form a unity, so God is 
the soul whose body is the universe of nature and of 
man. He is not identical with either, he is not their 
substance, but he dwells in them and they in him. 
Adva/ta is not oneness but inseparability. To realise 
this union in diversity is the high calling of the soul. 
So Arulnandi Civacharya wrote: - 

"Say 'I am not the world, and separate from it,' 
Sayalso/lam not the unknowable Supreme One' 
Then unite with him indissolubly by loving him 

in all humility, 

and practise so' It a lies ham ('I am he'), 
Then he will appear to you as your Self, your mala 

wi!! all cease, and you will become pure. 
So it is the old Vedas teach us to practise this 

mantra, Aham Brahmasmi </l am BrahmaV-" 1 

How was this consummation to Be reached ? 

The doctrine of the soul was elaborated on the 
one hand against the materialists who only recognised 
the body and its organs, and on the other against the 
Vedantist identification of it with Brahman. The 
materialist was asked how the action of the five 
organs of sense, each independent and ignorant of the 
others, could be combined in acts of cognition without 
a knowing subject. Accepting much of the traditional 

i, Slddh. Dip, viii, 2 (March 19J8), p, 45, 



75 



physiological psychology, Meykanda presented the 
soul in the midst of the senses, the manas and other 
faculties that rose above them, as a king attended by 
his primeminister and councillors. l But that was not 
its primeval condition. In the unbeginning eternity 
it was plunged in a strange stuoor due to th& defile- 
ment known as Anava. * It is a condition of ignorance 
and darkness, with many dangerous powers, for it 
leads souls unwittingly into action. 3 It is not, indeed, 
a constituent of their being, but it is for the time 
inseparably connected with them, like salt in the sea 
or the husk enveloping the rice. But it does not 
exclude the action of God's grace, which is present 
even in this antecedent and unexplained mystery of 
''original sin." The story of creation and the endless 
succession of universes is the story of God j s 
purpose to give the infinite number of uncreated souls 
the opportunity of extrication from this unhappy blind- 
ness. The process involves them in the influence of 
two additional "defilements, " maya, or the material 
world and its attractions, and karma, the power which 
registers the moral issua of ever/ activity and determines 

1. Meykanda, iv , JAGS, iv. p. 71. 

2. From anu 'atom', applied to the soul as 
conditioned by space; Schomerus. p. 104. Dr. Pope, 
Tiruvacagam, p.lxxxvi, defines it as "the state or 
character of the atom," and points to the use of anu 
by the Jains 

?. Umapati, in 'The Fruit of Divine Grace," iii. 
26, personifies it as " My Lad/ Darkness " with an 
infinity of lover?. Pope, Tiruvcigam> p. Ixxxv, 



76 



the character of successive births. * This is ' % 
independent of Civa.lts operation is in a sense con': 
by him, for it works through the entry of the r" 
creation, and these time-periods are started at Civa 
pleasure. But its eternal law was not willed byhirr. - 
august coadjutor beside his sovereignty, whose s~: 
even Civa himself cannot set aside, and h3 r r - '- 
the means of the rescompense for good and the t 
for evi! which Karma demands. 

But as the soul starts on its long pilgrimage 
Grace of Civaj operating in many rr. 
is its unfailing companion. Even in the human :r 
God's agency is needed to give power to the s - 
union with the perceptive organs, as the sun's lie;.' ' 
needed to enable the observer to preceive objects 
mirror. 2 The divine beneficence is like a field v. 
yields its stores to those who cultivate it ; w;r 
partiality, unmoved by desire or hatred, he carries 
the results of Karma, "having no wili or power t 
otherwise," 3 Like flowers which shut or open v,' 
the sun shines unclouded, God remains unchan-; 
while his Cakti assumes different forms to meet * 
varying needs of the sou Ms discipline. For the soi ; 
no puppet in the grip of fate. The effect of past Ka ? 
does not destroy moral responsibility for the fur., 
nor does the action of Grace over-ride the soul's c .: 



1. These three "defilemsnts" constitute : 
"bonds" of the soul, according to the formula P 
paca, pact/. Cp. ante, p. 347. 

2. Meykanda, [ii. {j JAOS, iv, p. 67, 
3. Ibid , ii. 5, p 60, 



n 



choice. Beside the sphere of external act there 5 s 
the internal sphere of feeling. The act is done, 
and its issue for good or ill cannot be altered. But 
the feeling may remain, and good dispositions may 
carry the soul forward, moralfy and religiously, to a 
point at which -though at first belonging to Karma 
they ultimately transcend it 1 So the soul is prepared 
to make the right choice when Grace is offered to it 
As the light arises in darkness will you put it before 
you or behind you? There are those who say, ''No 
need for Grace to effect these results, the soul can do 
its own work.-'-' 2 Twice does Umapati in his cento of 
verses fling himself in scorn against such self- 
confidence. 

"May 1 not say, '1 need not Grace to see by., I will 

see myself ? 

Easy the way of vision, but' twbct eye and object 

light must be. 

1. Technically the souPs progress is laid out in 
three stages of successive deliverance from the three 
Defilements. The process of moral advance is always 
conceived as an increasing enlightenment of intelligence, 
which brings Civa ever more and more clearly into 
view. On the classes of occupants in the several 
conditions as one after another of the Impurities is 
discarded, cp Adicesha NaidUj in Siddh. Dip , xii. 4 
(Oct. 1911), p. 149, The lowest order involved in all 
three ma/as ranges from the tiniest insect up to Brahma, 
Vishnu and Rudra in "the most exalted Trinity. J> 

2. Umapati, viii. 71 ; iv, 33. 



78 



Without the light of Grace J twixt soul and known. 

soul sees not. " * 

It is for the Guru or Teacher to let in the light- 
He is in reality a manifestation of Civa himself., even 
when he comes in human form to souls in the lowest 
rank. * " The thinking man, " says a modern Caiva 
writer, " who has learned to worship the ideal he 
lives [s/c] in spirit and in truth, finds it clothed in the 
form he thinks, and meeting and greeting him in person, 
to give him the helping hand that he so much needs 
and longs after. The Guru appears now and here, it 
may be in vision, or it may be in name and form and 
flesh as the thinker has been longing after to see, and 
seconds his efforts, describing to him the glory of the 
ideal that he has been vaguely thinking after. Hitherto 
he has been hazily building only with Hope and Faith. 
He has yet to learn that Love which endures to th9 
endj and transcends ti.ne and space and the limits of 
causation For this purpose the Guru describes to him 
in the clear light of reason the glory of the Promised 
Land, and prepares him therefor by testing his powers, 
his constancy, and his moral stamina, by a series of 
disciplinary exercises. " 3 This is a form of yoga 
practice, rising above the common duties of ritual and 
charity, demanding severe concentration, and sometimes 
generating ecstatic raptures of song and dance. It is 
therefore, only in this life for the few. It requires 

1. Umapatij vi. 56. 

2. Meykanda, viii. 3 ; JO AS, iv. p. 87. 

3. C. V. Svaminatha, in S/ddh. Dip., xi. 2 

(Aug. 1910), p. 70. 



79 



the suppression of all personal regards. "Set not 
thyself in the foreground," sings Umapati. ''What 
thou beholdestj let it be That. " But however long be 
the way, the Caiva believes that the goal will be 
reached at last. The divine Love can be satisfied with 
nothing less. "Civa desires that all should know him," 
says Meykanda emphatically. l It is an infinite 
process,, and we are more conscious of the process 
than of the goal , as we see the strange varieties 
of human character and conduct. "It is God's 
prerogative." says the great medieval theologian, ''to 
encourage and save those who resort to him, therefore 
he will surely save such as come to him ; and while 
he will not save those who do not resort to him, yet 
he bears no ill-will towards them. Those servants who 
resort to him hs will clothe in his own image, but 
others who do not come to htm he will cause to eat 
of their own doings." 2 That diet will at last be found 
unsatisfying, and the divine Grace which has accom- 
pained the soul through all its wanderings will lead 
it home- 

Such at least is the disciple-'s faith. The theologians 
do not, indeed, describe an age of complete attainment 
when universes for recompense or retribution are 
needed no more. They concentrate their view on the 
blessedness of the individuals saved. ''Did the soul 
perish," says Meykanda, "on becoming united with 
Civa, there would be no eternal being to be associated 

1. xii. 3; JAOS, iv. p. 101. " 

2. Meykanda, x, 3 ; JAOS. iv. p. 97. 



80 



with Deity. 1 (f it does not perish, but remains a 
dissociated* 1 being, then there would be no union with 
God- But the ma/as will cease to affect the soul, and 
then the soul, like the union of salt with water, will 
become united with Civa as his servant, and exist at his 
feet as one with him >' a The consummation may be far 
off, but faith unhesitatingly awaits it. ''Will not Civa. 
who is not subject the Three Strands nor to the Three 
Defilements, who ever exists in his own imperishable 
form of happiness wiil not he come as the Under- 
standing of the soul, whichj wonderful to say, 
wHI never leave it, and in a manner far transcending 
the rules of logic reveal himself ? Ha will thus reveal 
Himself : y And so the deliverance of all souls is. 

Many consequences flowed from a religion thus 
spiritually conceived. As the source of all enlighten- 
ment, sole Deity of Intelligence and Grace, Civa was 
really the true object of all devout aspiration. "Let 
me place on my head the feet of Civa," said Arulnandi, 



1. The Advaita doctrine of th3 ultimate union of 
the soul with Brahman through the dispersion of the 
liusion of individuality was often interpreted as 
"annihilation.'' Cankara repudiated this view, ante, 242 \ 

2. xi. 5, JAOS, iv. p. 99. Cp. Umapati, viii 75, 
and Pope, Tiruvasagam, note iii. "The Souls's Emanci- 
pation," p xlii. 

3. Meykanda, ix. 3, JAOS, p. 92. 



"who stands as the goal of each of the six forms of 
religion, and fills one and all inseparably." 1 

''Into the bosom of the one great sea 
Flow streams that come from hills on every side. 
Their names are various as their springs. 
And thus in every land do men bow down 
To one great God, though known by many names." 2 

The Caiva teachers were confronted by an elaborate 
worship of temple and ritual, priesthood and sacrifice. 
The sacred images into which the Deity had been 
mysteriously brought by the ceremony of avahana* must be 
tended and garlanded, fed and bathed and jewelled. They 
had been cherished for centuries ; gifts and services had 
been lavished upon them ; they were associated with 
reverence for saints and sages ; they had become the 
media through which the gracious help of Civa had been 

1. Quoted by J. M. Nallaswami, Studies, p. 243. Cp. 
the inscr. at Khajuraho, in the Chhatarpur State, Central 
India, A. D. 100! -2, "Adoration to that Carva who causes 
all [gods] to be comprehended in his one person., he 
whom those acquainted with the Vedanta call Civa, the 
desire of the mind, while people of true knowledge call 
him the one Supreme Brahman, the indestructible, ageless, 
immortal, others the verily auspicious Buddha, others again 
the spotless Vamana, the Jina" ; Epigr. fnd., i. p ISO. 

2. ''Written before the advent of Europeans", Cover, 
Flok-Songs of Southern India (Madras, 1871), p. 165. 

3. Pope, Tiruvacagam, p. xxxv. 



82 



realised by the piety of generations. 1 On the other hand, 
how could the Thought, the Truth, the Light, the Love/ oi 
God, be embodied in wood or stone ? So protest 
after protest flowed forth against idolatry, and against 
an elaborate external cultus arose a demand for a Puritan 
simplicity of devotion. 

''If thou wouldst worship in the noblest way. 
Bring flowers in thy hand. Their names are these, 
Contentment, Justice, Wisdom. Offer them 
To that great Essence then thou servest God- 
No stone can image God, to bow to it 
Is not to worship. Outward rites cannot 
Avail to compass that reward of bliss 
That true devotion gives to those who know." 8 

Such a religion was necessarily open to all. It was 
independent of birth, rank or sex. From ancient times 
Civa had been hospitable to all: "Even if a men is a 
Chandala, if he utters the name of Civa, converse with 
him, live with him, dine with him." So Nilakantha 
quoted from an Upanishad, but the passage cannot 
now be found. 8 Tiru Mular laid it down that ''there is 
only one caste, and there is only one God' J4 and a 

1. Cp. the mystical interpretations of the Linga - 
cultus, by A Rangaswami Iyer, in Sfddh. Dip., vii and viii. 

2. Tr. Gover, ibid., p 133. Cp. the hymns from 
Civavakyar, p. 177 ff. 

3. S/ddhantt Dipika, XIII, 5 (Nov. 1912), p. 238. 

4. Ibid , p. 239, cp. xi. 10 (April 1911), p. 433. 



thousand years ago the poet Partrakiriyar appealed to 
an earlier sage Kapila to justify his aspiration : 

''When shall our race be one great brotherhood 
Unbroken by the tyranny of caste, 
Which Kapila in early days withstood 
And taught that men once were in times now 

passed ?" 1 

Will India be more ready under the influences of 
the twentieth century to respond to an appeal which 
she was unable to answer in the tenth ? 



1. Tr. Cover, ibid , p. 159. 



IV Bronzes and Siva Worship 



article is part of Sir Ponnambalam 

essay: "Polonnaruwa Bronzes and Siva 
p ArunacSan, the younger brother of Sir P. 
f,i,t Ceylonese to join the Civil Service by 
,:,nat,on. He was also the first Ceyloflcse President of fl. 
ai Asiatic Society (Ceylon Branch) and he wrote on law 
rf,-n historv and philosophy. "The significance and value of 
^niributions" says Sir C.P. Ramaswami Aiyar, arc enhanced 
rhe cjrmmstancc that the author was not a cloistered savant nor 
r; use hut was one who, as a great lawyer and administrator, 
.-: relied in his own life the possibilities of that Icombi nation of 
:.j:> an Jotiwr -worldly achievement, the supreme exemplar of 
J; -AJS King Janaka of Mithila." . 

l:,c aniclc printed here is from "STUDIES AND 
. AT IONS, Philosophical and Religious" J 937. JEd.J 



S , a. 



rs ifi.ages which I shall deal with are those of 
the principal member of the Hindu Trinity, of 
consort Sivakami or Parvathi, of some of his 
pi saints, his favourite charger (the bull Nandi) 
he Sun-god (Suriya). The bronzes are characterised 
-* precision that comes of long tradition and 
ce. But there is Inequality in style and f/nish. 
,f the bronzes are heavy, commonpface and 
'-i onal. showing the artist struggling with 
?i: realization of his ideals, defective knowledge 
rr ; nmg and insufficient mastery of the technical 
. ?is; others are distinguished by consummate 
"a music to the eye." as, for example, 
in ptetevm., which Is unsurpassed in the 
rapture and Chandeswara in 



cf 



The most important are the bronzes of the dancing 
Siva known as Nata-raja or fin pure Tamil) Ac/a-val/ar- 
In design and detail the bronzes do not differ from the 
bronzes in the temples of to-day, showing that there 
has been little or no change in the ritual and conventions 
of worship. The images of Nata-raja are scarcely equal 
in execution to the Nata-raja in the Brihad-isvara temple 
in Tanjore or that in the 'Madras Museum. * 

The principal Nata-raja found in Polonnaruwa is 
shown in plate I. and on a smaller scale in plate II. 
a and b, the front and back view. Plates III. and IV. 
show two smaller figures of Nata-raja -front and back 
view), but incomplete, as the halo is wanting, and in 
IV. also the braided locks. The dance represents the 
cosmic activity, of which Siva is the director and therefore 
is called King (or Lord] of the dance (Nats-raja or Natesa). 
"Think of our Lcrd, 5 ' says a devotee "as the peerless 
dancer and dancing master, who abideth in all bodies 
es heat in fuel and maketh all creatures dance. " | 

This form is a favourite symbol of Siva worship in 
the Tamil land of South India and Ceylon but is not, 
as far as I know, found in Northern India except in 
temples of Siva established there under Tamil auspices. 

* See plates III. and IV. in Gangoly's South Indian 
Bronzes. 

"J" &!rL-\6li6GTGd (oUfT5p/L_6b &6tit5djH(Sl6& J QiUSOSCHT 
LCtTL-(j)lGlLD!r(Tfy rT>LL(jjl6llQ6GriA ID 633T 6S3T Q ffO fflJT 

Q 611 633T 6SST IT UJ 

Tiruvatavur-adikal Puranam 



86 

lc is in Tamil land that the traditions of the dance h 
rhair origin and still have their yearly celebrations, 

No Hindu image is deemed suitable for worsh 
until it has been consecrated by elaborate ceremonit 
designed "to draw to "it (a-vah-anam Lat. ad-veh-i 
the Divine Presence and make it what in Christiai 
language might be called "a vehicle of Divine Grace. 1 
\\hen an image has been deprived of its daily services 
or defiled by contact of unworthy hands, it must be 
consecrated anew before worship. The images are 
fijil/ robed.jewelfed and garlanded^ and worshippers see 
scarcely more than face or hands. The almost nude bronzes 
te lrt r you you must imagine to be so robed and adorned 
cdff to see them as they are seen in the temples, 
r Pope, a great missionary and scholar, who spent 
.erhalfa century in Southern India and has edited, 
,*, ih an excellent translation and commentary, 
i"U'*achakam 3 the ancient and popular Psalms of 
T*n if -land daily recited in the temples, says (p. xxxv) ;- 

'it is sometimes thought and said that the idols in 
'j *, feinples are mere signs, representing as symbols 
v-* C-i, n? Being and some of His works and attributes, 
"* > -s net altogether an adequate statement of the case. 
>ct- ,-ape by a peculiar service, which is called 
becomes the abode of an in-dwelling deity and 
d ; tf - pe ' Devo "t and enth-usiastic worshippers, 
glare of the lamps and the smoke of the incense 

' 



, 

astoen tire/y identify the 
* h . eir thou 9 ht with that which is 
the.r eyes, ft was certainly so with 
remembered that some of these images 



87 

have been actually worshipped, tended, garlanded and 
treated as living beings for a thousand years ; that each 
generation has done them service and lavished gifts 
upon them ; that they are connected by association with 
long lines of saints and sages ; and that it is earnestly 
believed that Siva's method of manifestation is by, 
through, and in these as what we should call sacraments 
of his perpetual presence, we shall understand with 
what profound awe and enthusiastic affection even 
imagesj, to us unsightly, can be beheld by multiudes of 
good and excellent people."' 



The orthodox Hindu teaching held it to be irreverent 
and illogical to found artistic ideals of the Divine upon 
any strictly human or natural prototype, and recognizing 
the impossibility of. human art realizing the form of God, 
sanctioned only an allegorical representation, "The artist," 
says an ancient Sanskrit writer, f Sukrachariya' in his 
Sukra Niti Sara or Sukra's Elements of Polity, a work 
translated into the Tibetan language in the 7th 
century A. D., "should attain to the image of the 
gods by means of spiritual contemplation only. The 
spiritual vision is the best and truest standard for him. 
He should depend on it and not at all upon the visible 
objects perceived by external senses. It is always 
commendable for the artist to draw the images of the 
gods. To make human figures is bad and even 
irreligious. It is far better to present the figure of a 
god, though it, is not beautiful, than to reproduce a 
remarkably handsome human figure." This of course 
is the antithesis pf Greek Art, which glorified physical 



beauty and strength and made the beautiful man of 
woman the type of God, 

"Spiritual contemplation/' says Havell, " is the key 
note of Hindu Art, as it was of the art of Fra Angelico 
and other great Christian masters : the whole philosophy > 
of Indian Art is in these two words., spiritual contemp- ; 
lation, and they explain a great deal that often seems 
incomprehensible and even offensive to Europeans." 
Regarding al! we see in Nature as transitory and illusive 
phenomena and the Divine Essence as the only reality, 
Indian Art cared little for the scientific study of facts, 
for anatomical detail, for the cult of the lay figure or 
the nude model. A faithful representation or imitation 
of Nature, though attained by him when he liked, was 
not to the Indian artist the end or a serious concern 
of Art. He strove, however imperfectly, to pierce the 
illusive appearance of things and realize something of 
the Universal, the Eternal and the Infinite. "What. 
soever a thing may be, to gee in it the One Reality is 
true Wisdom," says Tiruvalluvar Kural, 355;.* 

Ekodevah sarva bhuteshu gudah sarvavyapi 

sarvabhutantaratma 
Karmadhyakshah, sarvabhutadhivasah sakshi cheta 

kevalo nirgunascha. 

'The ore, luminous hidden in al! beings, pervading 
all the innermost self of all, overseer of all acts, dweller 
in all beings, witness, perceiver, alone, free from all 
qualities." , Svetasvatara Upanishad, 6. II. ) 



89 

Any attempt to represent in art this Being, 
transcerding thought and speech, must necessarily be 
futile. How inadequate, for instance, are the representa- 
tions by Michael Angelo in the paintings which adorn the 
ceiling of the Sistine Chapel at Rome and which are 
generally regarded as the grandest creation of Modern 
Art?. 

Mr. Laurence Binyon, poet and art-critic, writes thus 
of the Indian ideal and its influence in shaping the ideals 
and imagery of Chinese and Japanese Art now highly 
appreciated in Europe. "The Indian idea! claims every- 
where its votaries, and the chosen and recurrent theme is 
the beauty of contemplation, not of action. Not the 
glory of the naked human form, to Western Art the 
noblest and most expressive of symbols ; not the proud 
and conscious assertion of Human personality; but instead 
of these, all thoughts ihat lead us out from ourselves 
into the universal life, hints of the infinite whispers from 
secret sources mountains, water, rnists, flowering trees, 
whatever tells of powers and presences mightier than 
ourselves : these are the themes dwelt on, cherished and 
preferred '' (Painting in the Far East ) 



A correct judgment of nation's art is not possible 
unless the critic divests himself of prepossessions 
and endeavours to understand the thought of that 
people and to place himself in their point of view. As 
a great French savant, Taine, has said : ''Quand on 
veut comprendre un art, il faut regarder I'ame du 
public auquel il s'addressait." As you can only 
speak to a person in a language which you both know,. 



90 

so you can only appeal to his artistic side by 

maans of some common tradition, feeling, symbolism. 

Art ;s, it is true, in one sense a universal language, but 

veiy nation'? art is the outward and visible expression 

of, and intimate// associated with, the national culture 

nd sentiment, uses the symbols best understood by 

ihe people to whom it is addressed., and requires for 

its appreciation a familiarity with the national life and 

thought. This is especially the case with Indian Art, 

which is essentially idealistic, mystic, symboJ/c and 

transcendental, and cannot be judged by the canons of 

Greek Art, the Renaissance or the Art of modern 

Etrnpe, which are all in greater or less degree 

n:vifjlistic and realistic. 

The symbolism by which Indian Art conveyed its 
is to the Westerner, almost an insuperable 
n, aesthetic appreciation. He cannot see a 
? "" S ^ es5:3 ' n 9 more than the usual complement of 
i\thott uttering a groan of pain at this 
ralrronitrosity. The question, however, is not 
Anaiomy but of Art. The London Times some 
-^ ebsea-ed, in a review of Mr. V. A. Smithes 

f '''"* *" '"" /nd ' 8 and Ce vlon ? "The four- 
Va * r0t a wh!t more anatomically impossible 
*' rtJ T ,_ an 9 els or 'he centaurs which have 
5V lhe attest artists of the West- not 
- cherubs ^ Italian art whose 
r. les ' ff m the schoolmaster's point 
memcrable opportunity to the 
h ^ fact ' t^t no artist 
s 6Ver cared a straw about 



H 

bad , x composed, just 



9! 



the ordinary number can, but each case must be 
judged on its own merits; nor Is it possible, in 
dealing with a definitely symbolic work of art, to 
separate the symbolism from the art so drastically as 
Mr. Vincent Smith is inclined to do. Nor again, can the 
symbolism of one section of Hindu mythology be 
justly separated from the rest and condemned as the 
product of a diseased imagination because it represents 
certain terrible aspects of Naturej which undoubtedly 
form a part of the whole and have to be taken into 
account in any deep and sincere conception of the 
universe " 

Sukrachariya says in the work from which I have 
already quoted : ''In order that the form of an image 
may be brought out fully and clearly upon the mind, the 
image - maker must meditate and his success will be 
in proportion to his meditation. No other way, not even 
seeing the object itself will answer this purpose " 

Something of this impatient refusal to be limited 
by the outward semblance of things and by the conscious 
imitation of them, something of this striving after the 
inner and informing Spirit by unlocking the treasures of 
sub-consciousness, marks the effort of all the new 
schools of European Art and especially of the Vorticists. 
Their painting and sculpture, crude as they seem to 
us, have raised fundamental aesthetic questions, and 
caused heart searchings as to the sculpture commonly 
regarded as the greatest, that of Greece. That remarkable 
Vorticist sculptor. Gaudier Brzeska,* whj died last year, 

* Pronounced Jaersh-ka. The organ of the 
Vorticists was the Blast 




92 



i 

at the early age of 23, fighting for France, uttered } 
regarding Greek sculpture what the Times calls <( a ; 
profound piece of criticism." He said: "The fair Greek saw 
himself only. He petrified his own semblance/' Comment- : 
ing on this the Times says : "}t is the weak point in Greek 
sculpture, as compared with Egyptian, that it is entirely | 
conscious and sharply limited by the effort to make the j 
statue as like some reality as possible. The Egyptian was j 
freed from his own egotism by his deeper religious feeling. 
His desire to make his gods more like gods than men 
delivered him from the thraldom of mere imitation^ and 
made him mere the master of the riches of his 
own sub-consciousness." The Times adds that 
jt is as absurd to condemn the works of the 
Vorticists because they are not like any natural thing 
as it would be to condemn the fugues of Bach because 
they are net like any. natural sounds : it may ce that we 
are puzzled by it only because we have the habit of 
looking for likeness in sculpture and painting, and if we 
could free our minds and eyes of that habit, the musical 
meaning of it wouid be clear to us. 

According, thsn, to the traditional Hindu view which 
Sukracharya has expressed, the sculptor of an image of 
Swa should engage in meditation. To help the artist- 
devotee in his meditations there exists a body of 
contemplative verses (dhyana s/otos), which set forth 
thedut.ngu.shing features of the particular manifestation 
of God desired and sometimes the spiritual meaning of 
the conception. The success of the artist would 
correspond to th* extent to which he entered into the 
rill coM-er-ticns and realized them in his own 

consciousness. The limitations of these conventions 



need not, except to the mediocre, be a barrier to -artistic 
expression, any more than the high formalism and 
convention of Greek tragedy hampered the genius of 
Sophokles or Euripides, * 

In the Dhyana Ratnava/i ihv devotee thus meditates 
on Siva as Nata-raja. 

Sayapasmaratorddhva sthitapadavilasad 

vamamuddhrityapadam 
Jvalamalasamadtye natanaphanisamam vyaghra 

padadisevyam 
Bhasmoddhulitamangavidrumanibham hastagra- 

padagrakam 
Vahnim dolakarabhanam damarukam dhyatva 

natesambhaje. 



* There were also laid down for the apprentice- 
student certain canons of proportion in the ancient 
technical books on Art, known as the Si/pa Sastra, of 
which the chief are Agastiya Sakaladhikara, Kasyapiya, 
Sukranitisara, Sarasvatiya,&c. Some account of them 
will be found in the recently published work of 
Mr. C. Gangoly on ' South Indian Bronzes," a valuable 
work (in spite of defects due to ignorance of Tamil and 
limited knowledge of Sanskrit) and one which it is not 
creditable to the English-educated Tamils of India and 
Ceylon to have left to a Bengali gentleman to write. 

Since this- paper was printed, I have seen the 
valuable work on Hindu Iconography by Mr. Gopinatha 
Rao of Travancore. 



"Luminous foot on dormant Apasmara (a Titan) j 
planted left foot raised, in the midst of a garland ol ( 
flame, with dancing serpents, by Vyaghrapada and others 
worshipped, with ashes daubed, body of coral hue, tip ; 
of hand to tip of foot (pointing), fire, pendent hand, 
hand of refuge, drum :- (on these) meditating^ I worship < 
Natesa (Lord of the Dance)." 1 

In another stanza Siva is meditated on together with 
his consort thus, and is called Sabhesa, the Lord of the \ 
(dancing) Hail, 

Dhyayet kotiraviprabham trinayanam sitan. 

sugangadharam 
Dakshanghristhita vamakunchitapadam sardula 

charmambaram 
Vahnim -dolakarabhayam damarukam vamesivam 

syamalam 
Kalharam japasraksukam katikaram devim sabhesam 

bhaje. 

"Meditate on Him, resplendent as a million suns, 
three eyed, wearer of the moon and the Ganges (on his 
head), right foot planted, left foot bent, in tiger-skin clad 
fire pendent hand, hand of refuge, drum, on the teft 
the Lady Siva, dark of hue, water lily, rosary, parrot, hand 
on hip the lady and the Lord of the Hall (Sabhesa) 
\ worship." 

Suddhasphatikasamkasarn jatamakutamanditam 
Makutamtrigunam nagam prabhamandala manditam 
Dikshinamsusthitam padam vamapadan tu kunchitam 
Prasritimvamehastan cha, dakshashastabhayapradam 



Vamahaste sthitam vahnim dakshine damuram tatha 
Sarvabharanasamyuktam apasmaropraristhitam 

Vame gaurisamnyukatam trimbh* nchitamj 

(bhaje tryambakam ucchritam) 

"Like pure crystal, adorned with crown of matted 
haircrown of the three gunasj serpent, circle of flame, 
right foot planted, left foot bent, left hand stretched, 
right hand offering protection, fire in left hand, drum 
in the right, adorned with all ornaments, standing on 

Apasmara (the Titan!, on the left to Gauri joined. 

(I worship the standing Siva'^j- 

Such meditations as these are materialized in the 
bronzes Nataraja and Sivakami, and for their correct 
understanding require some knowledge of Hindu 
philosphy, religion and traditions, especially of the 
Saiva Siddhanta Schooli the basis of the Siva worship 
introduced into Polonnaruwa by the armies of Chola 
Kings. The Saiva Siddhanta system is the chief contribu- 
tion of the Tamils to philosophy and religion^ and in the 
opinion of the learned Dr Pope is "the most influential 
and undoubtedly the most intrinsically valuable of the 
religions of India." This attempt to solve the problems of 
God, the soulj humanity, nature, evil, suffering and the 
unseen world is little known to Western scholars. 

* The concluding words of the last line are imperfect 
in the original MS. and my friend, Dr. Satish Chandra 
Vidyabhusana, Principal of the Sanskrit College, Calcutta, 
has suggested the words in brackets instead. 

t See footnote on gunas. p. 27. 



Dr. p 0pe 



96 



Oxford 
ee especially hi 




Dualism of such religions as Christianity, Mohammedanism 
and Vaishnavism and from the Monism of the Vedanta. 
God is often compared by the Saiva Siddhanta philoso-' 
phers to the first letter A of the Tamil and Sanskrit 
alphabets, which represents the English sound u in but, 
the first sound that issues from the mouth when it opens. 
The sound underlies and energizes every other sound and 
is also a distinct and the first sound. So God pervades 
and energizes all souls and nevertheless stands apart, 
Himself, of all things, the source and the chief. 

The Siva-gnana-bodham, the chief Tamil authority ef 
this school, thus explains what the Vedas mean, when 
they say c Ekam Sat, 3 'All that is, is one'. 

"One" say the Vedas.* Behold, it is said of the One. 
The One is the Lord, Thou, who sayest 'One', art the 
Soul. Lo, in bondage art thou. If the One were not, . 
If vowel A were not, letters there would be none. In 
this wise say the Vedas Cc 0r\e. 33 

"Like song and its tune, like fruit and its flavour, 
the Lord's energy everywhere pervadeth, non-dual. 
Therefore say the great Vedas not 'one- 3 but f not 



* Ekarn sad vipra bahudha vadanti (Rig- Veda, 1, 
164-46). "Ail that is, is one. Poets call it oy many names." 



i.^. II. 2 

(Su.roOu 



II. 3 



God thus permeates and vitalizes all things, to 
neither name nor form, is beyond speech and thought, 
time and space. This conception of the absolute is 
well brought out in the ordinary Tamil word for God 
i_6i/<srr (Kadavuh, meaning that which transcends 
(Kada}t>\\ things and is the heart (ul) of ai! things.When 
the Absolute becomes manifest , it is as Force 



, 

* or ^efr). of which the universe is the product, 
being from cycle to cycle evolved by Force from cosmic 
susbstance (Maya) and again involved. Hindu philoso- 
phers do not admit creation and destruction in the 
sense of production out of nothing and reduction to 
nothing . Their conception of creation which they cell 
projection (sr/shti, ^iliq., (S&irptnu torram,) and ol 
destruction which they call contraction, involution or 
withdrawal (samhara, ^naa/rjuj, @&&w } ocfukkam)i 
is more akin to Huxley's: "All the choir of heaven and 
the furniture of the earth are the transitory forms of 
parcels of cosmic substance, \\ending along the road of 
evolution from nebulous potentiality, through endless 
growths of sun and satellite, through all varieties of 
matter, through infinite diversities of life and thought, 
possibly through modes of being of which we 
neither have any conception nor are competent to 
form any, back to the indefinite latency from which 
they arose '** 

Not brute and blind, however, but full of intelligence 
and grace is the Power which thus makes and unmakes, 
and which by the sages of India is accordingly regarded 
as the Universal Mother and, being inseparably inherent 
Jn God, is also called the Consort of God. 

* Huxley, "Evolution and Ethics." 



tSlsor&onqr&i aseareitflQiussr 

L0u51(o60. 

'Mother of millions of world clusters, 
Yet Virgin by the Vedas called."! 

This power is addressed by Chidarnbara Swami in 
the Panchatikara vilakkam, ^Exposition of the Five 
Operations/ in these words : 

"My head 1 crown with lily feet of Sivakama Sundari, 
Who with the Absolute inseparably is blended 
As flower and scent, sun and ray., life and body, 
As gem and lustre, form and shadow, word and 

meaning, 

Who to the manifested Lord as Consort shines, 
Who ever cures the life-hungerft of her children, 

all living things, 
With ceaseless bliss ambrosial feeding and in 

Freedom^ mansion establishing." 

The various manifestations of this Power are 
grouped by the Saiva Siddhanta school under five heads, 
which are deemed the principal aspects of the great 
Mother and are called the Five Acts (pancha kritya 
SBflGlfBir$<to, arn-tofil) of God: 0) Projection or Evolution 
(srishti, &<s\L\%. 3 S^rr/D/oii or UOTDLULJ) ; (2) Maintenance 



t Tayumanavar, 

ft tipsS'LJuJl, the liability of the soul to reincarna- 
tion and further development until it becomes ripe for 
union with God. 



too 

or Preservation (sthfti &&, $8$, *rruq)5 O Withdrawal 
or Involution (samhara, a=iHirjru), gpawsin) ; (4) Veiling 
or Obscuration (tiro-bh&va, UDD/DULJ); (5) Gvace(anugraha 
or arul ^ar). The evolving energy (Brahma, the 
Creator) evolves for each sou! according to its deserts 
out of primordial substance a body (tsnu). organs of 
knowledge and action (karana], pains and pleasures 
(bhoga) and spheres(6/}uvana)to experience them in.The 
maintaining or preserving energy (Vishnu the Preserver) 
maintains them for a time for the souPs experience. The 
involving or destroying energy (Rudra, the destroyer) 
withdraws them and makes them disappear to be 
projected again. The obscuring energy (Mahesa) 
entangles the soul in them so that, unable to distinguish 
the real from the unrea!, it identifies itself with its 
transitory envelopments, calling the body and the organs 
'I' and the experiences and spheres 'mine.' When 
the soul has passed through the discipline of these 
experiences in many births, the gracious energy 
(Sadasiva) enlightens the ripened soul, delivers it from 
its delusion and bondage, establishing it in union with 
God, which is Freedom (Moksha, eu, v/du), the final 
goal and fulfilment of every soul. 

in this union the soul, set free by the Holy Spirit 
C^3^36frj, the gracious energy of the Lord, from the 
influence of its innate taint and from the fettering 
consciousness of the senses, lives eternally in the 
conscious full enjoyment of His presence, "thrall to 
the Lord- ". (S/va-gnana-bodham, IX., 6.) 



101 

''Like crystal pillor that absorbeth light (of sun at 
zenith) end hath no .-hadow, so no darkness remains 
to lay hold of him. 33 (T/ruvarutpayan, 67 ) 

The earliest manifestations of the Divine Energy 
are Vibration (Nada] and the word iVach* which is 
the Logos of St. John. Among the later manifestations 
the most venerated in India is Umaor Sivakami, beloved 
of Siva. According to an sncient tradition she appeared 
in respcnse to the prayers of a Himalayan king as an 
infant floating in a golden lily lake and was thence 
taken and reared by the kirg until claimed by Siva. 
From this tradition she is also called Parvati, the Lady 
of the Mountain. 

She is thus addressed by Tayumanavar in her 
esoteric and exoteric aspects :- 

"Mansion and wealth, children and friends ground 
Spl&ndour ever and throne, the certainty 
That Death's dark messengers draw not nigh. 
Wisdom's light, purity, wondrous powers , 
Ail these are mine;, so with thy feet my thought 

be one.f 

Q Mother that hast Thy seat beside the dark" 
throated Lcrd /:;: 

* Etymological ly the Lstin vox. 

f'*Seek y-3 first the Kingdom of God and His right- 
eousness and all these things shall be added unto 
you." St. Matthew, VII, 33. 

% Siva, whose throat is said to have been stained 
dark-blue with a dread poison, which would have 
destroyed the world if he had., not swallowed it on its 
production at the churning of the ocean by the celestials 
for the nectar of immortality. 



.JP 



102 

Light and bliss of knowledge supreme, that 

swallowest religions as oceans rivers! 
Stillness, the Vedas' goal, 
Thy form seen where Vibration ends, 

Wisdom, consumer of me and thought !** 
Lady Uma, beauteous as the moon, Madhu 

Sudana's sister,*? 
Who lovest mountain haunts and was born dear 

to the Mountain -King as the apple of 

his eye! 

''From the elements to Vibration Thou showedst 
To me as false ; myself to me unveildest. 
In the core of my intelligence standing, 
'Stand still, free, in spirit-space all filling, 
Without beginning, without end', Thou saidst, 
And skilfully establish'dst me, Mother 
Who vouchsafest pure knowledge and bliss. 
Yielding all the heart desireth. 
Forgetting Thee can I, poor wretch, live? 
Darling of the three-eyed Lord*, of all ills 
The panacea, beyond the reach of them 
That lack the inner eye which illumineth 
The Vedas and excellent Agamas, 

** The sense of I, and thought with its correlative 
sleep or oblivion, have to be consumed by the Holy 
Spirit (Saktr), for the union of the soul with God- 

1 Vishnu. 

Tayumanavar, uc&oojflrrr &tr<6 2. 
Siva. See p, 93. ' 



* 



163 

Beyond the deaf, who hear not the praise of thy 

might 

Beyond the stricken with the plague of controversy/ 
Lady lima, who lovest mountain haunts and wast 

born 
Dear to the Mountain - king as the apple of his 

eye !" f 

Though Uma or Sivakami is the female manifestation 
of Siva, she, being his inherent energy, is inseparable 
part of him and is spoken of exotericafly as the left part. 
Siva is thus both male and female, and one of his names 
is Ardha-Narisa, 'the half female Lord'. This recalls the 
old Orphic Hymn :- 



"Zeus was a male, Zeus was a deathless virgin," 

In token of the dual sex, Siva is represented as 
wearing in his right ear a man's ear-ring (makara kundala, 
gBn_6tfu) or @6JDLp), and on the left a woman's (tatanka 
ortodu.G&r!;. In a popular psalm of Manikkavachakar, 
he sings .- 

"The Lady is in Thee, and Thou art in the Lady ; 
Ye both are in me your servant." 

The mystic dance of Siva symbolized in the 
Nataraja bronzes is said to have been danced in a remote 
age in the forest of Darukavana after the overthrow of 
a body of heretics who, puffed up with the pride of 
learning and of skill in ritual and magic, regarded 



f Tayurnanavar, ic&oajanf &Tp6& } 3, 



themselves as independent of Siva^s authority and self- 
sufficing. The dance was, it is said, repeated for the 
benefit of two devotees, Patanjali and Vyaghrspada, 
at Chidambaram or Tillai (in the South Arcot District 
of the Madras Presidency^, which is therefore held 
in the highest reverence by the worshippers of Siva 
and :s called Koyil, "The Temple" par excellence 

Ths Skai.da Parana relates the legends of the dance 
;n DanJ.avdp.a (Daksha Kanda, Chapters XIII, and XIV ; 
and in Tamil, Kachchiappa SwamPs Kandapuranam, 
Daksha Kardo, 30-1.7;. The Koyil Puranam of Umapati 
Sivathativar jwn'tten in the latter part of the 1 3th century) 
cafes the lejends of the dance at Chidambaram 
and the inauguration by King Hiranyvarma of a 
r f tnemoration festival, which continues to be 
i.-!et rated there evfry year on the sixth lunar asterism 
farur/raj of th* month of Markali (December- January)/ 
r; i draws immense crowds of pilgrims. It is an 
i * p^rfanf festival in every Siva temple in S. India and 
Ovlcn, 

Ire shrine at Chidambaram is unique in combining 
"i- e<c:pM; and er.otoric aspects of Siva worship- The 
-a'. *.-j.a rjur,:rg ij-,: cosmic dance is separated from 
' "* n ! * r ' h ' ( ? fcs ^y a veil, which is seldom raised 
*^ rd f ' s * f ' ' a special boon to favoured individuals, 
^'ue $ r-tr. avealcd rrer? space, the ether filling 
yjl : :lc ^yn-Loi of God. But even this subtle, 
. '^tr* "'" J . <: ' J l ' C: '' ent is rieeni ed an inadequate symbol, 
fr .->-r is to the Hindu sages unintelligent 

*,"} while God is chid- 
teirg (sat : pure ir.telligence 



105 

(chit), pure bliss (anar,cta). Hence the mystic name of 
the shrine, Chid- ambaram, 'Spirit-space/' ambttram 
being another word for akasa. 

Manikkavachakar, a great Saiva saint and apostle, 
whose figure in bronze was found at Poionnaruwa 
(Plate Xcf. } and whose spiritual history was largely 
linked with the shrine, sings thus in one of his psalms 
(Kirtti tifuvakava!} > 

"The holy feet, that danced in the ancient city 
Of Tillai, dance in all living things, 
In beauty of infinite diversity shining. 
Making, unmaking, earth and heaven 
And worlds celestial and hosts of sciences. 
Driving away my darkness and taking up 
Loving abode in the hearts of His servants " 

(After an enumeration of His gracious manifesta- 
tions to them) : 

"The mighty Lord of Kailas J echoing peak 
Who graciously maketh thrall of each and all 
By contrivance meet, bade me, a dog, 
Enter blissful Ti'.lai's hall of glory, 
Crushing the I in me to make mo His." 

The redemption of souls is thus regarded as the 
culmination of God's operations in ihe universe; and 
the dance, while symbolizing th^se operations, is 
believed to have its counterpart in the subjective 
experience of saints ; 



Thfi silent mystics, rid of the three-fold taint, 
Ard rJr'T:l: ; nn deep the bliss that wells 
\Vhero sel, hath ceased, they behofd the dance 
Of tiT r:r?-.ious Lord in the sacred hall. 



ha// is z.?e devotees' heart, and the dance beyond 
,eeU? Mid thought. 



v f ,j. s Tayurnanavar. /4 O God., Ocean of Mercy, 
: rtnrces. the dance of bliss in the Hall of pure 

".rs: ^: ; .snof;s ''e,ond the plane of thought ! " 

: r, n th-:.' yearly commemorative festival referred 

^'-,i, >, ;i tee male devotees dancing in ecstasy 

'* ;.!? ?;.'.:o of the Nataraja. Probably in olden 

'"^ '- - ?! fi votes-; tco, so danced Here, e. g , is 

I ' "" 1: jn tf*e mouth of flower-girls in the 

'i -' '-J' <7J .*!'.j,o)j.;t^, 5). 

" J vj '" ? weareth on his locks the cassia 

' * -"- ^ *' ! ;e hees dance, 

' 4|? ' ''" *' n J}1 fl ^ &h - seeking me x and within 



:jn 



-e and dance and shout before 



* > *- rnaJ Career, King of the heavenly 

- r -.-. e 



o,, 38) 



A hymn sung by Saint Manikkavachakar at 
Chidambaram and often recited in the temples 
((B&>tr\.&p)$([r ) uu$&w') well brings out the view of the 
Saiva Siddhanta, that temples and churches, usual y 
regarded as Houses of God are but passages to the 
true House of God which is in man's heart "made 
beauteous by the flood of His Grace/' When he has 
taken his abode thera, all distinctions of race, religion, 
caste, sex, etc., disappear - ''who here is my kin ? 
who is not ?" and there is naught save the splendour 
of the Lord. 

This experience, not beyond the grave but here in 
this life, is the goal of the c'evotee. The methods 
employed to gain it are called Yoga, a word etyrr.o- 
logically the same as the English Yoke and rreaning 
the yoking of oneself to God. Bhakti Yoga, the method 
favoured by the Saiva Siddhanta, seeks realization of 
God by the way of Love. This Yoga, the worship in 
the temples, with their service of song and 
prayer and music, sacraments and fasts and works of 
mercy, is designed to foster, gradually purifying the 
heart and making it fit to be the ''House of God," His 
great holy shrine" (Tirupperunturai), "the City of 
Siva," or in the language of Jesus, "the Kingdom cf 
God," of which he too said s "Behold the Kingdom of 
God is within you." 

"O Supreme Splendour that rises within mo welling 

forth as ambrosia, 

Having blocked the ways cf the live traitor senses 
that ever delude me, 



Graciously show Thyself to me as Thou art, 
C'carcst of the clssr, Lord Siva, Dweller in the 

great holy shrine, 
bliss transcending all states without end, O my 

Love J 
With Jove Thy servant's body and sou! melting 

in bliss, 

Sweet f?race. by me not deserved, Thou didst grant. 
For this I have naught to give in return. 
O King, Father to me that am the servant of 

these that love Thee. 
Lirht of Truth that, entering body and soul, has 

rreited all fau'ts and driven sway the unreal 

darkness, 
F.,H, vvaveless, clear Ocean of Ambrosia, Siva, 

P. AQ'ler in the reat holy shrine, 
Krtvv:dcf,+ known there where speech and 

J>.r -Aledr/e* are dead, 

Vsk fcrv.v.n unto me. how shall I speak of Thee ? 
Forfeit FuWcc. flawless Ambrosia* Mountain of 

rrless. flaming Light, 
*;*- IK-.I c^m-st i;nto me as the Vedas and the 

"c:.Tvr- : ! >f the Ve--ras and didst fill my mind' 

C* 

* " a ! ' ! * s ' '' '- torrent brroking not banks, 
t rt .) th r-?uth fif my heart. Dweller 

1 " e ?!: h-!v shrine, 

f 4 :i "^ CL ^ ^ ir.^c'e thy, abode in my 



ALsoiuie, where there is 
and object, 
consciousness 



109 



What more can I ask Thee ? 

Splendour that rises in my heart as asking, 
asking i melt ! 

Thou whose lotus-feet grace the crowns of celes- 
tials, Siva, Dweller in the great holy shrine, 

Who art ail-pervading space and water and earth 
and fire end air 

Who art other than they, Whose form in them is 
hidden, 

1 rejoice* having seen them this day. 

This day in Thy mercy unto me Thou didst drive 

away the darkness and stand in my heart as 

the rising Sun. 
Of this Thy way of rising -there being naught 

else, but Thouj I thought without thought 
Nearer and nearer to Thee I drew, wearing awa/ 

atom by atom, till -I was One with Thee, 

Siva, Dweller in the great holy shrine. 
Thou art not aught in the universe- Naught is 

there save Thou 
Who can know thee ? 
Thou that, sprouting as the earth and a'l the 

spheres, spreadest as matchless expanse of 

light, 
Fire water iaden^ Pure One beyond the reach of 

thought, 
Sweetness that wells forth in the heart made 

beauteous by the flood of Thy grace, 
Siva, Dweller in the oreat holy shrine, 
Who here is my kin? who is not? Splendour' 

that makes me bliss !" 

(Tiru- Vachakam, 



V. Saivism of the Tamils 



.n excellent anthology on Hinduism. It is under 
M.riasusai Dlnnamony wrote^ his famous woik . 
rding to Saiva Siddhanta." 



;tca 



! ,,. A 1 . Ba.ham he is interested in Tamil and Tamil Culture 

.v : .1 - ,!.-;vj im:ch for its propagation. Ed.] 

It v.as in the Tamil lands that Saivism developed 

is characteristic devotional form. This was the work 

-f a ^-nes of saints who spread the gospel that 

aKai^n could only be won by a total self-surrender 

!c $;va, By the end of the eleventh century the 

hvrs cf these saints had been collected together 

and riven the title of Devaram, and this together with 

IM* f-^jvacakarn or -Sacred Utterance'' of Manikka 

,r*5 t .ar a-d ancillary writings came to be known as 

re T- i v.-da'.These Saivite hymns are distinguished 

T-CT Va ; shnavite counterparts by the extreme 

;tr, fe , .- i r,AG-lhif ess that the devotee feels in the 

**;.> " ::: uil ho!jne:-s of God. Ths philosophy of 

*. 1 4? 5,-,* S)i.'..'w,to, v.hich we have had occasion to 

''V . --T Las^-ci ;,s much on the Svetasvatara 

-is . ,.: ;, s ,| :, o, { he writings of the Tamil saints 

-" t'. ir.;u:cnce of the latter that made 

*' ''!* t; : :hj S&ha -Siddhanta attach such 

. ' ', c :* th3 doctrine of grace freely 

tt - *r s , ,', .;..';> ;;j!iiy of spiritual progress without 




ill 



love, The whole movement is an impassioned cry 
against the ossified ceremonial religion of the Brahmans 
and the ideal of ''passionlessness-' that they shared with 
the Buddhists and Jains. It was against these last 
that they launched their passionate crusade in the name 
of the one True God, Siva. In the following stanzas 
Appar^ perhaps the most moving singer of them all, 
denounces the hollowness of purely mechanical religion 
in terms that bring to mind the much later reformer 
Kabir. 

Why bathe in Ganges' stream, or Kaviri ? 
Why go to Comorin in Kongu's land ? 

Why seek the waters of sounding sea ? 

Release is theirs, and theirs alone who call 
In every place upon the Lord of all. 

Why chant the Vedas, hear the Sastras' 1 lore ? 
Why daily teach the- books of righteousness? 8 

Why the Veclangas 3 six say o'er and o'er ? 

Release is theirs and theirs alone, whose heart 
From thinking of its Lord shall ne'er depart. 

Why roam the jungle, wander cities through ? 
Why plague life with unstinting penance hard ? 

Why eat no flesh, and gaze into the blue ? 

Release is theirs, and theirs alone, who cry 
Unceasing to the Lord of Wisdom high. 

Why fast and starve, why suffer pains austere ? 
Why climb the mountains doing penance harsh? 

I. Sacred texts 2. Law-books. 

3. Subsidiary disciplines connected with the study 
of the Vedas. 



Why go to bathe in waters far and near ? 

Release is theirs^ and theirs alone, who call 
At every time upon the Lord of all. 

The Bhagavad Gita had taught that the love of God 
is open to all., irrespective of caste and se* f but it 
had also taught that each men should peform the 
duties dictated to him by his station in life. For 
Appar, however, who was himself a velialar all 
distinctions between man and man were done away 
with in the worship of Siva, and once one had 
confessed oneself Siva's slave, al! sins, even the 
slaying of a Brahman cr a cow, would be wiped out 

Though they give me the jewels from Indra's abode. 

Though they grant me dominion o'er earth, yea, 

o'er heaven^ 
If they be not the friends of our Lord Mahadev, 1 

What care I for wealth by such ruined hands 

given ? 
But if they love Siva, who hides in his hair 

The river of Ganges, then whoever they be, 
Foul lepers, or outcastes, yea, slayers of kine, 

To then, is my homage, gods are they to me. 

What, however, distinguishes the Tamil Saivite 
saints from almost al! the other bhakti cults is their 
intense sense of personal guilt ; man, as he exists apart 
from God, is evil and horribly corrupt, he is the slave 
of his anava, his egoism. 



1 c The Great God J .- Siva. 



iis 



ilj all evil, my race, evil my qualities all, 
Great am I only in sin, evil is even my good. 
Evil my innermost self, foolish, avoiding the pure, 
Beast am I not, yet the ways of the beast I can 

never forsake. 

I can exhort with strong words, telling men 

what they should hate^ 

Yet I can never give gifts, only to beg them I know. 
Ah! wretched man that I anr^ whereunto came I 

to birth? 

The realization of one's abjectness makes the 
freely given grace of God seem all the more wonderful, 
for what has the wholly self-sufficient to gain from 
association with one so foul? This wondrous self- 
giving of God is the theme of this stanza of Manikka 
Vasagar : 

Thou gav^st thyself, thou gained'st me ; 

Which did the better bargain drive ? 
Bliss found I in infinity ; 

But what didst thou from me derive ? 
Siva, Pemndurai's God, 

My mind thou tookest for thy shrine 
My very body's thine abode ; 

What can I give thee, Lord, of mine ? 

The Tamil Saivite saints even more than the Alvars 
see in Nature the reflected glory of God, and the 
mating of animals brings to their minds the inseparable 
unity of all apparent opposites in the transcendental 



union of Siva and Sakti. This does not mean tha 
the sexual principle was arbitrarily introduced int< 
the divine but that sex itself is seen as holy becaus< 
it reflects an essential polarity in God which is thi 
source of his creativity and joy. 

P!l follow those who going to the shrine their praises 

sound, 

With blooms and water for the God who wears the 

moon so mild 

AH lovely in his focks, a garfand wreathed his neok 

around, 

And with h/n sing they Pan/ati, the mountain god's 

fair child, 

Qnce as I went to Aiyaru, with light and reverent 

tread., 

I saw come two young elephantSj male by loved 

female led, 

And in that sight I saw God's foot, saw secret 

things unsaid. 

Siva has his terrible and his gentle aspect s he 

dances -n sheer joy and creation comes to be, and he 

dances n maniacal frenzy and all the worlds crumble 

nto rum. Even though he appears as a raving madman, 

* devotee sees in hirn nothing but love and grace. 

O nradman with the moon-crowned hair 
Thou lord of men, tfiou fount of grace, 
- to forget thee could I bear ? 
My soul hath aye for thee a place. 



It* 

Venny-nallur, in 'Grace-'s shrine* 

South of the stream of Pennai, there, 

My father, I became all thine ; 

How could I now myself forswear ? 

The soul loses its reason in the divine madness 
and surrenders itself totally to the 'foolishness of God' 
as St. Paul puts it. God becomes all in all and man 
sees himself as nothing. All thoughts of liberation are 
put aside in a passion of adoration for the dancing God. 
In the words of Manikka Vasagar i 

I ask not kin, nor name, nor place. 

Nor learned men's society. 
Men's lore for me no value has ; 

Kuttalam^s lord, I come to thee. 
Wilt thou one boon on me bestow, 

A heart to melt in longing sweet, 
As yearns o-'er new-born calf the cow, 

In vearning for thy sacred feet? 

I had no virtue, penance, knowledge, self-control. 

A doll to turn 

At another's will I danced, whirled, fell. But me 

he filled in every limb. 

With love's mad longing, and that I might climb 

there whence is no return, 
He showed his beauty, made me his. Ah me, when 

shall I go to him ? 



116 

Fool's friend was I, none such may know 

The way of freedom ; yet to me 
He shew'd the path of love, that so 

Fruit of past deeds might ended be. 
Cleansing my mind so foul, he made me lika a god. 

Ah who could win that which the Father hath 

bestowed ? 

Thinking it right, sin^s path I trod , 

But, so that J such paths might leave, 

And find his grace, the dancing God, 

Who far beyond our thought doth live, 

wonder passing great ! to me his dancing 

shewed. 

Ah who coujd win that which the Father hath 

bestowed ? 

It was the Bhagavad-Gita that set in motion the 
transformation of Hinduism from a mystical technique 
based on the ascetic virtues of renunciation and self" 
forgetfulness into the impassioned religion of self- 
abandonment to God, but the strictly religious impulse 
which gave momentum to the whole bhakti movement 
stemmed from the Tamil lands of South India. From 
the tenth century on all that is most vital in Hinduism 
manifests itself in the form of bhakti. 



VI. Vishnu and Rudra-Siva 



[Jan Gonda (b. 1905) was Professor of Sanskrit and Indology, 
Utrecht University, The Netherlands. It is from his pen, the 
article here printed, issued. 

Gonda is a prolific writer. ASPECTS of EARLY VISHNUISM, 
SANSKRIT IN INDONESIA, DIE RELIGIONEN INDIENS 
(two volumes), THE DUAL DEITIES IN THE RELIGION OF 
THE VEDA, TRIADS IN THE VEDA, THE WISDOM OF THE 
VEDIC POETS, VEDIC LITERATURE, VISHNUISM AND 
SIVAISM, THE RITUAL SUTRAS and MEDIEVAL RELIGIOUS 
LITERATURE IN SANSKRIT are some of his more famous books 

He is an honorary member of the Bhaudarkar Oriental 
Reseach Institute and under his directions Indian scholars have 
indited theses. Ed.] 

ONE OF THE ARGUMENTS which could be 
adduced in favour of the usual division of Indian 
culture into an older period, Vedism., and a later 
period, called Hinduism, would be that the former, at 
least at first sight, presents itself as a unity, whereas 
the latter is a varied and, already in the Mahabharata, 
a confused spectacle of beliefs and practices. On 
closer inspection it becomes clear however, first that 
many features of Hinduism have their roots in the 
Vedic past, and in the second place that it has been 
a few main currents which, from the very beginning 
up to the present day, have come into prominence and 
have largely determined the character of that many- 
sided and all-enfolding culture which we in the West 
have chosen to call Hinduism. There can be no 



1)8 

doubt whatever that these currents must, when 
viewed from their doctrinal and philosophical aspects 
be considered first and foremost soteriologies, and that 
they also present many aspects which make them worth 
studying from the angles of philosophy and 
sociology. This does not however prevent us from 
calling Vishnuism and Sivaism as they presented, 
and still present, themselves to their adherents, religions. 
It will, in this series of lectures, be my endeavour to 
institute a comparison between these two lnd : an religions, 
Sivaism and Vishnuism. That is not to say that I shall 
overlook the fact that neither current is in itself a 
unity There is, within Vishnuism, a considerable, 
difference between, for instance, the theories and the 
ritualism of the Vaikhanasas in the South and the 
devotionalism of the followers of Caitanya in Bengal, 
and Virasaivism, nourishing in Karnataka, has rejected 
the traditional brahmanical rites which the Saiva - 
Siddhanta has in many respects, retained- Nevertheless 
there is a Sivaism and there is a Vishnuism and it will 
be part of my task -while comparing these religions 
and drawing attention to parallel or divergent develop- 
ments,, to the common heritage and Interrelations 
to bring out what is common to all forms of each 
of the two great religious currents 

Considering myself absolved from the obligation to 
give a regular account of the main relevant facts such 
as those relating to the history of Vishnu and Siva worship 
from the earliest times, the mythological concepts to 
which their figures have given rise, their iconography 
in plastic arts and the philosophical and theological 
doctrines developed in the communities of their 



119 

worshippers, I would like to make an attempt at 

lat 

my purpose to treat all important questions or to deal 



en 

, instituting, in a series of more or less condensed studies, 

a somewhat detailed comparison between those aspects 



. ( . of both religious currents which in the last years have 

. attracted my special attention. Since it cannot even be 



adequately with all periods of the religious history of 
India, I intend to dwell especially upon some significant 
i" points which have perhaps not been sufficiently stressed 

' in the publications of my predecessors. I hope that a 

,.' certain personal preference for definite problems and 

definite periods or phases in the development of Saivism 

and Veishnavism will not be beyond forgiveness. 

j 

It may be true in our oldest document, the Rgveda, 
Vishnu occupies but a subordinate position, his 
j personality to use this term in this connection is 

at the same time not only more important there than 
would appear from the number of the occurrences of 
his name in this text,, but is also in its striking features 
sufficiently clean-cut and, moreover, in remarkable 
harmony with the god's image as given by the later 
sources. Rudra also has from the very beginning a 
character and even a position of his own and some 

* important features in the later Siva can likewise be 

said to emerge from the Vedic texts with all clearness 

\ desirable. 

i 

It is therefore interesting to compare the most 

t important traits of character of both gods as far as they 

appear from the Vedic samhitas. It has long ago been 
observed that the only anthropomorphic traits of Vishnu 
are his often-mentioned three strides and his being a 



120 

youth (RV. 1,155,6) These essential features of his 
character, to which he owes epithets such as swm 
and 'wide-striding', make him known to us as tne 
immense (RV. 1, 99, ' ; 2} god of far-extending motion 
who -for man in distress, to make his existence 
possible - penetrates and traverses the spaces whereas 
his highest step or abode is beyond mortal ken, in his 
dear and highest resort, the bright realm of heaven. 
While ail beings c'well in these three strides or footsteps 
(RV 1. '54,2), the highest is the place of a well of 
honey, where rejoice the gods and those men who turn 
to the gods. Of Rudra, the terrible, dreadful one, on the 
other hand, quite a number of physical features are 
recorded: arms, hand, limbs, lip, eyes, mouth, tongue, 
etc.; he wears braided hair (1, 114,1; 5,) his colour 
Is brown (e g. 2, 33, 5\ his belly black and his back 
ied- Frequent mention is made of his weapons^ and 
:hese are weapons of offence. On Vishnu's disk and 
club the oldest texts arej however^ silent. Rudra Is 
clothed in a skin and haunts and dwells In mountains, an 
abode also attributed to Vishnu. But while the passage 
VS !6, 2-4 in which this feature is emphasized tries 
i > induce Siva to show his auspicious aspect and to 
t.rvvent him from injuring men, and while forests, 
n c.untains and wilderness are the sphere of his 
ties ructive activities, Vishnu's association with the 
r-funfans. where he is said to have been born and 
c! which he is the ruler, impresses us as beneficial 
t;> human intortsts: the defeat of Vrta is, for instance, 
^rtatec'.U said to have taken place in the mountains, 
v.f ..$ however, seem to be an element of the scenery 



Vishnu is benevolent, never inimical (RV. 1, 186, 10), 
and a friend and ally of Indra whom he assists in 
slaying the great fiend and antagonist Vrtra, the 
representative of chaos and in spreading out the spaces 
between heaven and earth ' V RV. 6, 69, 5). Both gods 
are sometimes so intimately associated as to form a 
sort of dual deity, Indravishnu and to participate in each 
other's qualities and activities Rudra, on the other 
hand, has no special friend among the gods Only once 
he appears associated with Soma (RV. 6, 74)j not 
directly because of his formidable nature but because 
he is supposed to be able to avert illness, destruction 
and other manifestations of evil. And he enjoys this 
reputation owing to his dreadful power of sending and 
causing fever^ evil and disaster, to his fierceness, 
malevolence and destructiveness. However much the 
poets try to deprecate his wrath -impending also when 
there is no offence -they do not hesitate to mention 
his bad points : he is a cheat, deceiver and lord of 
robbers, and most statements of his power occur in 
appeals for mercy. 

Their relation to the demon ; ac powers and the 
Maruts is in this connection of special interest. Wheras 
Vishnu is engaged in vanquishing the demons, Rudra 
does not come into conflict with them. As to the 
not-individualized group of the Maruts^ as Indra's 
brilliant allies and attendants they enter into association 
with Vishnu., but Rudra,who is repeatedly said to be their 
father, is never drawn into the warlike activties of these 
deities who, though occasionally showing the malevolent 
traits of their father, are on the whole benefactors of man 
and world Rudra is, on the contrary, the chief of an 



122 

indefinite host of partial manifestations of his own nature 
which, like this god ,in the singu/ar^ himself may make 
their numinous presence felt everywhere and at any 
time He moreover maintains intimate relations with 
the great mass of demoniac beings. In this connection 
it is interesting to notice also that, whereas Vishnu 
he may assume various forms -is so to say one single 
individual, Rudra has in these ancient texts some 
doubles, which are sometimes identical with him -thus 
Sarva and Bhava in VS 16, 18j 28 sometimes are 
described as distinct from him 

There is one god with whom both Rudra. (e.g.A.V. 
7, 87, \) and Vishnu (e.g RV. 2, I, 3) are identified. But 
here also the difference is obvious. Rudra is said to 
be, i e. to manifest himself in, or as, fire: f Agni is 
Rudra ; just as a tiger stands in anger, so he also 
(stands)' (TS. 5. 5, 7, 4) Vishnu's relations with the 
god of fire arj co-operative and complementary in 
nature i they are for instance invoked conjointly and 
both of them an. in a brahmana.it is true (A/B 1,4,10 3 
lords and guardians of the consecration, which they 
confer on man. Besides, Agni is the sacrificial fire 
and Vishru the sa-rlfico (TS. 2, 29, IX and both gods 
rejoice in the sacrificial butter AV. 7, 29;. 

Extending our inquiries to the later parts of Vedic 
literature we see that Rudra's malevolance still more 
prominent. Rehouses in forests and jungles, in places 
where man fails a victim to fr'.ght and terror He is the 
lord of the wild animals, which are said to be a 
manifestation of his cruel nature (SB. 12 1, 3, 20; and 
the patnn of ihoss who ho!d aloof from the 



123 

society and its way of living. In contradistinction to 
the other gods who are believed to live in the East, 
Rudra dwells in the North, the region of dangerous 
mountains. His isolated position is emphasized by the 
myth according to which he remained behind when 
the other gods succeeded in attaining heaven by ritual 
means (SB. 1,7,, 3,1). He is indeed excluded from 
the normal soma cult, but receives informal balis 
(offerings of food thrown on the ground), often 
also the remainders ot oblations, or what is injured 
in the sacrifice (SB. 1,7, 4,9); besides, he has soma 
sacrificial rites of his own His cult requires precaution 
and he is appeased (RV. 1, 33, 5, etc.), that is to say 
one gives him offerings in order to get rid of him. The 
benevolent or rather merciful aspects of his ambivalent 
nature find on the other hand expression in some 
epithets such as Sambhu f the beneficent or kind one' and 
Siva : (VS 3, 59; 63) 'Siva is thy name; thou art a healing 
medicine, forbear to do me harm'. This epithet which 
is already given to him at RV. 10, 92, 9 is however 
also applied to other gods, without being peculiar to 
any particular figure 

With regard to Vishnu it is important to notice that 
in the brahmanas his relations with the sacrifice are 
evident and of special practical consequence for the 
Vedic worshipper : he is the sacrifice itself (e. g. SB. 
14,1,1,6) and the sacrificer who imitates his great 
cosmic act, by which he obtained for the gods the 
ability to manifest their power everywhere, viz. his 
three strides, gains, whilst identifying himself with the 
god, the three provinces of the universe to attain heaven 
(SB. I, 9, 3, 9 f. ; 15;. 



I shall not repeat here what has in many books 
and articles been said on the so-called on gmal 
character of these gods, or rathe, what has a bear.ng 
on the kernel of the Rudra and Vishnu conceptions 
Let it suffice to say that in my opinion the essence or 
the iormer was, in the minds of Vedic men, power of 
the uncultivated and unconquered, dangerous,unreliablej 
unpredictable, hence much to be feared nature 
experienced as a divinity. His very character lent itself 
admirably to splitting up into partial manifestations as 
well as to assimilation or divine ot demoniac powers 
of cognate nature, were they Aryan or non-Aryan. It 
hardly needs saying that the class poetry ot the Rgveda 
does not show us the whole Rudra and that the later 
Veda has recorded more popufar traits ; the conclusion 
that those features which are foreign to the earliest 
corpus did not exiat at the time of its compilation is, 
f am convinced,, inadmissible. 

The solution of the much debated and often 
wrongly posed question as to the so-called origin of 
the Vishnu conception we had better inquire after the 
cere and essence of the god's nature as understood 
by Vedic rr-an has very often on too oneidedly 
natuialistic lines of argument been supposed to lie in 
art interpretation as a sclar deity. Yaska (Nfr J 2, 19) 
cJed ar-;-ady an authority who identified the god's 
striding wnh the diurnal course of the sun. I must 
confess trot in the c^urss of time my own ideas of this 
question ha.'-j considerably evolved. Although I am 
i?i inclined to cssi:rr.e that there is much truth in the 
t'*tt-hopoure.d interpretation of the god^s character as 
rp*eni:n:} pervasiveness and spatial extensiveness, 



125 



and especially that pervasiveness which is essential 
to the establishment and maintenance of our 
cosmos and beneficial to the interests of men and 
gods, I would now hesitate to add that 'the 
general idea originally underlying this central mythical 
act seems to have been the eternal phenomenon of 
the pervading and omnipresent, mighty and blessing 
stream of celestial light, warmth, and energy'. At the 
moment I would lay greater emphasis upon the 
pervasiveness as such which was believed to manifest 
itself in a great variety of phenomena and on the 
god's relations to the a? is mundi. 

This is not to say that I am convinced by that 
interpretation of the function and significance of the 
god which was some years ago proposed by my 
esteemed colleague and compatriot Kuiper, who, 
focussing his readers^ attention almost exclusively on 
the Rgveda there to find the truest image of the god's 
character and on his supposedly principal cosmogonic 
significance^ regards him as the ambiguous mythological 
figure which, occupying the central place in the cosmic 
classificatory system and thus standing between the 
two parties of the Vrtra-fight, nevertheless turned the 
scale in favour of Indra. It is true that Vishnu is closely 
associated with the dhruva dik- which is not the nadir, 
but the fixed or centra! quarter, that is the centra' 
place on the earth under the zenith but one does 
not see in the texts that the relation between Indra in 
the South CAV. 3, 27, 2), Varuna, the great asura who 
however plays no part in the Vrtra combat in the 
West and Vishnu in the centre is developed into a 
coherent system or has any significance in Indra's 



great cosmogonic achievement and the ensuing 
organisation of our cosmos. I am rather inclined to 
suppose that Vishnu's undeniable relations with the 
centre may be interpreted otherwise. Although ! am 
disposed to admit that the centre represents 'the totality 
of the parts distributed over the four quarters', I do 
not think that this is its full import. We now know 
that from the point of view of archaic religions this 
centre or navel (op.fa\o9) is the place in which the 
axis mundi, the central pillar or frame of creation, reaches 
the earthjputting the cosmic levels into communication 
and constituting a means of travelling' to heaven as well 
as a canal through which the heavenly blessings may 
penetrate into the abode of men. Vishnu may even 
be considered as representing this cosmic pillar itself : 
he is for instance (RV. 7, 99, 2) explicitly said to sustain 
the upper component of the universe, a well-known 
function of that pillar. His vertical pervasiveness is 
moreover illustrated by the fact that the yupathe 
sacrificial post which in definite rites is mounted by 
the sacrificer to reach heaven and which may be 
considered a representative of this axis belongs to him 
and that he lives in the mountains, another manifestation 
of the axis and a place where heaven and earth meet. 

Nor is it clear to me why Vishnu should be the 
f unity 3 of the two antagonistic parties, upper world 
and nether worlds', standing in, and being of each 

of these two world., and belonging consequently also 
to the gods of the nether worlds, whom he could not 
fightj as Indra did 'because' 1 quote Kuiper 'these 
two were part of his essence'. But even the Rgveda 

describes him as destroying demons (7, 99, 4f.) and 



127 

states (\, 155, 6) that Vishnu goes to war, that 
accompanied by Indra he forces open the cattle - shed 
of Vala, the mythological duplicate of Vrtra (1, 156, 4). 
As far as I am able to see there is no textual evidence 
of Vishnu's arising from the nether world and subsequent 
standing on the mountain or mountains. I would rather 
say that Vedic man considered him to be present in 
any part of the cosmic axis ? his is, at the lower end. 
the yupa, and the brahmans constantly identify him 
with the sacrifice which is located in the navel of the 
earth; at the upper end is his high domain or 
'protectorate'; as the god of three seats (trisadhastha i 
), 156, 5) he manifests himself also in the middle. 
Hence also, I would suppose, Vishnu's relations 
sometimes even matrimonial relations with Aditi, 
whose womb he protects; this womb, which is 
explicity identified with the navel of the earth 
^VS: 1, l!) 3 but which is more than that, namely the 
f place of universal creation', because Aditi whose 
name in all probability means 'Freedom manifests 
her nature not only in the earth but in any broad and 
wide expanse in the generative and life - sustaining 
nature, in any expansion of phenomenal life. Vishnu 
on the other hand, far from being a static representative 
of the axis, creates, while striding widely and traversing 
the universe, the room, which is indispensable to 
that expansion. 

If it be permitted to prolong this digression for a 
moment, I would repeat that I am unable to read in 
the texts that Vishnu rose up -from the nether world 
to which he original!/ belonged at the very moment 
when the dual world was, by Indira's great, achievement 



128 

created. It is Indra who calfed on his companion and 
associate for co-operation, asking him to stride, for him, 
Indra, over a great distance, or as the Brhaddevata 
(6, 122 f.) has it; Going to Vishnu Indira said : "I wish 
to slay Vrtra. Stride forth to-day and stand at my side. 
Heaven must make room for my outstretched bolt.'. 
Saying "Yes", Vishnu did so ...... * So Vishnu's activity 

preceded Indra's fight with Vrtra which in its turn 
made the organization of our world possible. 

It is also in this connection that mention is 
(RV. 8, 12, 27) made of three strides, the well-known 
and obviously most important feature in Vishnu's 
traversing moment. From the Rgvedic references to 
this activity it does not however emerge that the first 
step or only the first step, was taken in the nether 
world or corresponds to it. On the contrary* 
the poets do not omit statingthat Vishnu 
has taken his strides from the same place as 
the Maruts who exert their influence in the higher 
etmosphere (RV. 5, 87, 4) and from that place from 
which the gods are expected to promote man's 
interests (I, 22. 16). Although the poets do not indeed 
lay much stress on the exact places where the steps 
wert taken, they are quite explicit in describing them 
as establishing the broad dimensional actuality of the 
earthly space, or in stating that the god strode out on 
the earth (AV. 12, 1, 10). There is no doubt much 
truth m the explication of the number three as 
expressing the idea of totality and therefore referring 
to the expansion of the whole earth or even of the 

lev. e ntT erSef bUt Jt J ' S V6ry d ubtful whether the 
relevant texts may be supposed to point to an 

scend.ni movement of the god. Yet one of the 



poets (RV. 7, 99, 1) makes a distinction between 'both 
terrestrial spaces' of the god known to men which 
has been rightly explained as earth and atmosphere 
the highest, of which Vishnu himself has knowledge. 
The texts do not say that the third step represents all 
three movements, they state that there is a highest 
step, station or abode of Vishnu the term padam 
admits of all these translations which may be seen 
for ever by the successful sacrifices (RV, 1, 22, 10;, 
and is also called his dear domain or protectorate ; 
there is a spring of honey, i. e. the draught of 
immortality (1, 154, 5) and there is the god's bandhu 3 
which means that the god who is active in the universe 
is closely and mysteriously connected with that 'place', 
which is practically 'heaven'.There is nothing to prevent 
us from assuming that there is the c place beyond space* 
(7, lOOj 5\ where the god is said to reside. 

As is well known there has been a tendency., even 
since the oldest Yajurvedic texts and the pre-Yaska 
interpreters of the Rgveda, to connect Vishnu-'s strides 
with the triple division of the universe (sky or heaven, 
earth and what is between them).lt is however doubtfuj 
whether this interpretation can be called a merely 
naturalistic one. And it may., on the other hand, be 
true that the poets of the Rgveda, in connection with 
these strides, never refer to this triple division, it is 
dangerous to rely on the argumentum esilentio and 
to isolate the Rgveda toe much from the other 
Vedic literature. We should moreover always be aware of 
the fact that the Rgveda is first and foremost a religious 
document and that the cosmograp'hic and cosmogonic 
details contained in it are not represented with a view 



130 

to describe the universe or to explain its origin in a 
scientific or philosophical way. What was relevant 
was to know if the Great Pervader has really pervaded 
the whole universe in which he is worshipped and if 
men also were safe in these three steps (VS. 23, 49 f; 
cf. RV. I. 154; 2), that is. in this world, as it was 
relevant to know for certain that out of the primordial 
chaos Indra I do not mention other gods whose names 
are sometimes recorded in this connection with 
Vishnu's help produced and organized this cosmos. 
This fact must always be commemorated and celebrated 
because thus man substantially contributes to the 
maintenance, renewal and reproduction of the creation 
of this god who always remains, hie ttt nunc, 'an active 
promoter of positive values and beneficial processes 
in this world. 

In a similar way Vishnu's activity for the welfare 
of gods and men is celebrated in the hope that he will 
continue to create safety and room to Jive in for the 
latter and to win vikranti, i.e. the power to display 
their beneficent activities for the former.Moreover. as the 
traversing and pervading god par excellence Vishnu does 
not only make room for man^s sacrifice to reach the 
powers of heaven (RV. 7, 99, 4), but also helps the 
sacrificer (1,156,5), brings him wealth and other 
valuables and conducts him along undangerous paths 
to a state of safety (6, 69, 1 ; 8, 77, 10). He is also 
often allied with that important power of life which 
circulates in the universe, is the main element of the 

H nd T 3rtS dJVine life ' that is to sav , with the 
h, V* re n the ne hand implored to 
hands from the sky, the earth and the vast wide 



131 



atmosphere, and to bestow objects of value from the 
right and from the left (AV. 7, 26, 8) his traversing 
movement was no doubt supposed to expand also on 
the horizontal plane and on the other expected to 
lead, as the sacrifice or simply as the traverser 3 man 
upwards so as to rescue him from all evil. For last but 
not least Vishnu is the god who acquired for the 
sacrificer that all - pervading power which is 
characteristic of his own nature : by ritually imitating 
the god's strides the sacrificer gains the earth, the 
aerial expanse, and heaven, to reach f the goal, the safe 
foundation (pratistha}, the highest light'. The sacrificer, 
duly consecrated and taking these strides, Is Vishnu and 
the strides lead him to the highest goal. Although 
in 'this connection these three strides may impress 
us as symbolizing an analysis for ritual purposes of 
the totality expressed by the three strides, they are in my 
opinion not exactly coordinated with the three parts 
of the visible universe, because the third stride does 
not lead to the firmament, but into heaven. That that 
highest step or place is a!so described as being 
extended like the eye in heaven (RV. 1, 22, 20) is 
of course no counter-argument. 

As far as I can see now, the power complex 
experienced by Vedic man as the presence and the 
activity of a personality called Vishnu may to sum up, 
best be described as the 'idea' of universal penetration 
or pervasiveness, as the axis mundi and otherwise^ 
of the omnipresence of a mighty and beneficent 
energy, in which all beings abide and which essentially 
contributes to the maintenance of those conditions and 
and those processes in the universe on which man's 



132 

life and subsistence depend- Among these are also 
the processes connected with fertility and procreation 
which ! have not stressed in the foregoing. 

Let us continue our exposition of the main facts 
relating to the development of both divine figures in 
the following centuries. 

As to Rudra the tendency to adopt this outsider by 
emphasizing his benevolent aspetcs and putting him 
on a par with other gods continues. Already in the 
Rgvcdd a deprecation, a request not to send disease 
but to approach kindfy, may combine with the express/on 
of his sovereign might, which enables him to come 
into contact with the race of the celestial powers 
(RV. 7, 46, 2>. Whilst, in the Pravargya ritual, the 
formula 'Hail to Rudra' is even without offering, 
pronounced, lest the god should do harm' (SB. 14, 2, 
.'. 38 >, in the ritual of the royal consecration Rudra 
Pasupathi is beside Agni Grhapati, Soma Vanaspati, 
Brhaspati Vak, Mitra Satya, etc., one of the recipients 
of oblations (SB. 5, 3, 3, 1 ff). The frequent appeal 
to him for help in case of disease of which he may 
b* the originator ~- may have contributed much to his 
gaining access, as the god who grants remedies., to a 
circle of honourable deities who preside over other 
spheres of human interest : one must, for instance, 
sacrifice to Agni, the despJIer, if one finds a forest. 
Ire n ones way; to Pusan the pathmaker, if one is to 
undertake a journey : to Rudra, if there is a multitude 
cf disuses, etc., in the morning litany he should 
accrrdmg to the Sankhayana-Srautasutra, 6, 3, 4) be 
tti.s.e< together with Soma. as the regent of the 



133 



North, on an equal footing with Mitra and Varuna. the 
regents of the West, indra and Brhaspathi and 
other powers who are besought to grant their protection 
in the other regions of the univers3. Moreover, as the 
leader of a host of minor deities Rudra is, according to the 
Satapatha-Brahmana, to be considered a chief ksatrah. 
In some important brahrnanas his figure indeed appears 
to have acquired special importance and a reality 
different from that of many other members of the 
pantheon. Later on, the author of the Brhadaranyaka- 
Upanisad (i, 4, IS) regards him as one of the ksatrah 
among the gods, his colleagues teir.g Indra, Varuna, 
Soma, Parjanya, Yarna., Mrtyu ar.d Isana. These gods, 
it is said, represent ksairam, ruling power, which is 
called ''"an excellent manifestation". Elsewhere in the 
same text Parjanya, Aditya and Ir.dra admit him as a 
partner (2, ?, 2). An important factor in the process of 
Rudra's growth which should not however be one- 
sidedly emphasized is his identification with the 
mighty god of fire, Agni, and which may, in a sense, 
point *to a process analogous to Vishu's appropriating 
part of the greatness of Indra. In a later upanisad 
(P/U. 2, 9) the god is. together with Indra, Surya 

and other gods said to be an aspect of the 
universal life or vital power, the most essential of all 
powers, on which everything is firmly established (2. 6), 
whereas another upanisadic author, discussing the nature 
of the Atman - that is the Supreme universal Soul, 
identical with Brahman, of which every intelligent being 
is a partial individuation equates him with a consider- 
able number of divine powers, among whom are not 

only Indra and Savitar, but also Isana, Bhava 
and Sambhu aspects or partial manifestations of 



Rudra's nature Prajapati, Vishnu and Narayana 
(MaiU. 6, X; 7, 7). Meanwhile this development had 
culminated in those particular circles which produced 
the Svetasvatara-Upanisad. This work will claim our 
special attentien in the next feature. 

At the same period, in which Rudra-Siva was 
Gradually reaching the supreme rank, the Vishnu of our 
texts had likewise been advanced to a higher position. 
His relations, or community of interests, with Prajapati, 
which date already from Rgvedic times, are intensified. 
Whereas the oldest upanisads added nothing important 
to his history, thobe of the second period which possibly 
were, roughly speaking, compiled about the same time 
as the Bhagavadgita or somewhat later, begin to 
recognize him as a supreme monotheistic God. In th 
Maittra}aniya - Upanisad he is not only one of the 
chief 'bodies' of Prajapati or a manifestation of 
ihat one overlord who is the totality (sarvah 
kascit prubhuM.but is also called the Supreme Light, 
which is unmoving, free from death, unwavering and 
sttbte. pure griefless bliss. One place is of special interest, 
because it contains a stanza which with slight variation 
occurs also in the Srhadaranyaka .- -The face of the 
True-and-Real is covered with a golden vesselj uncover 
<t. Pusan. en order to see him whose (that of which 
thai norma behaviour-and-observance is the True-and- 
Reaf Instead of the last words (satyadharmaya drstaye) 
sne Maitrayamya reads satyadharmaya vlshnave which 
n;ust mean "in order to (establish contact with) Vishnu 
TH T nrmsal and fundamental conduct consists in being 
Tro.and.Rwl .Satyacharrran.in the Rgvsda an epithet 
, Sev.tar, \ 9t m the Mahabharata, among 



the thousand names of Vishnu. Nevertheless ft is 
quite true that many phases in the long process of 
Vishnu's rise to the highest position have completely 
disappeared from our sight. That his ancient functions, 
known to us from a regrettably limited number of 
Deferences in the samhitas, have, in their totality and 
as a whole, contributed much to this process seems 
indisputable. 

There would be little sense in repeating what may 
be read in every History of Hinduism on these gods as 
they present themselves to us in the epic period. 
Suffice it to say that both Vishnu and Siva are, 
in the epics^ ambiguous figures, being on the one hand 
deities with heroic traits of character and, on the 
other, rising to supramundane dignity, representing or. 
tending to represent the Supreme Being. Not rarely 
it is not at all clear whether they are to be regarded 
as devas or as the supreme God, whether, for instance, 
Siva's protection is to be sought because he is the 
boon-giving Lord, the omnipresent soul and creator 
of the universe and the embodiment of its three 
divisions or because he is the great deva of frightful 
aspects who has now also become a conqueror of 
demoniac power- Both gods are now endowed with 
all divine qualities imaginable and have become the 
central characters in mythical tales which will enthral 
the minds of many generations to come. Both are 
adored by other gods, Vishnu also by his fellow 
Adityas of whom he is the youngest and in accordance 
with the well-known 'y ouri 9 est- smartest' motif of 
mythical tales also the greatest Neither of them had 
however, in the }a$t centuries before and the first 



136 

centuries after the beginning of our era, ascended 
the zenith of his power and dignity- Leaving Krshi 
and the other doubles of his personality out , 
consideration Vishnu plays, in his own name, a le< 
important part in the epics than his rival who-althoug 
mention is still, but rarefy, made of a distinct deit 
Rudrais now almost generally known as Siva, notwith 
standingjt is true, his 'doubles' or partial manifestation 
continue to be distinguished: 'To Pasupati, to Siva, t< 
Samkara. Both of them retain striking features which the; 
possessed a/ready in the Vedic past, but absorb, ai 
supramundane figures, other divine beings. Those wht 
adore the Sun are for instance said actually to worshif 
Siva and Vishnu has now taken over Indra's task t< 
fight demons and perform heroic deeds. Becoming the 
typ-cal fighter for the gods it is he who afte 
recovering the amrfa from the asufas defeated then 
,v-ih his discus. The idea of avataras incarnation! 
: order to rehabilitate the world is in coursf 
cf development but his benevolence is rareli 
sn doubt and he essentially remains actively interastet 
n the welfare and prosperity of man and the world 
5<v, uncanny, wrathful and incalculable, not rarely 
i-fnble. fierce and impetuous, famous for his prepon- 
derantly destructive energy, is still a much fearec 
uUftcr of mischief. That certain circles continuec 
toward him as an outsider standing apart from tru 
ct. cr ^ gods may appear from the popular story o; 
* sacnfice. But he is a n ambivalent god: the 
recosru ' 2 s hlm an ascetic, rapt in the 
pieuon of his own unfathomable being who, 
-. per,ormin fl terrific austerities, is also often 
v t titii iccr.s gr.ti to cc^f^r favcurs upon hi; 



137 

worshippers. His phallic aspect, attesting to his ability 
a for unlimited production, which archaeological finds 
,f show us to have existed already in the 1st century 
s B. C., is not unknown to the Mahabharata. In the 
-j Ramayana references to his divine power and greatness 

1 are not wanting, but most of these occur in similes 
referring to his destructive activities in battle, etc.j in 

. any case they do not indicate that he was regarded 

as supreme, in short Vishnu is, generally speaking, 
a friend nearer to man, Siva a lord and master, 
ambivalent and many sided. 

\ The Indians were always inclined to father religious., 

| philosophical or sociological doctrine upon superhuman 

authorities. In the great epic it is not only Krshna 
who himself preaches his religion and soteriology. but 
also Vishnu who, appearing, atter a sacrifice, in The 
form of Indra, expounded the dharma of the ksatriyas, 
resolving the doubts of the kings about the application 
of the dandaniti. Sivaite parallels are not wanting : 
Siva is described as promulgating the Pasupata doctrine 
and the science of dandaniti, the administration of 
justice. 

Part of the events narrated in connection with 
these gods is to explain epithets cr traits of their 
character and these tales are of special interest 
because though as a rule etymological! 1 / or historically 
wrO ng they are a welcome s-jurce of information on 
the beliefs and convictions of those who invented 
and divulqed chem. Thus Siva is also called Nilakantha 
because he swallowed the poison kalakuta, or, according 
to a variant tale explaining the colour of his neck. 



138 

Sii!fcanfha because Naraya.na seized him by the throe 
w':ich became dark. Part of these explanations actually 
ar.- ^interpretations : thus his name Sthanu whicl 
character zes him as the motion/ess one and is ofter 
connected with his ascetic performances is alsc 
attributed to his ithyphallic character, and his name 
T^a-nbaka to his love for three goddesses, viz the 
>>, The waters and the earth. 

The names and epithets attributed to these two 
f jure*; are indeed especially instructive. We may, to 
btgin v.ith. distinguish between those names which 
cf ^.rre or fess frequent occurence and those 
.-.vrh 4 ve only rarefy given to them. As to the former 
it strikes us that only a few names of a very 
character and applicable to any d/vine being 
cf rao. ar- given to both figures r Aja 'the unborn 
e jha Eternal; Ananta 'the infinite One' the 
Bhjgavot^ Devasrestha 'the best of the 
sara 'the Lord* . mostly, tt is true, of Siva) ; 

9rea Lcrd ' ; Yogesvara ; Satya, i. e. 
and acts in conformity with the true and 
other names which are really distinctive 

f " st Pface some that are o/d and 
a " Fasupati ' Rudr *' Sankcra, Sarva in 
v 8 , Hari, and Vaikuntha in the case of 
'7 the T . most P art tnese or/ginaHy 
o ' Te ' lweser >-t>*'ten of the gods 
o-'sof divine power whfch in the 

.;: a ^ e - 0f " se with them. In Siva-s 
*^"tnal/y adjectival; names reveaf 

" 



wt 



the Sei*er% 



139 

but also Midhvas f the Bountiful'. Interestingly enough, 
authorities observe that narr-es such as Brahman, 
Paramatman and Bhagavan, when applied to Vishnu, do 
not refer to three persons but to one divine person in 
different aspects. Other names are indicative of their 
relations with other gods thus Vishnu is Indranuja 
'Indira's younger brother', Siva Bhutapati 'the lord of 
divine and demoniac beings of lower rank'; of their 
outward appearance : Siva, the ascetic, wears matted 
locks, braided or tufted hair and is therefore called 
Jatifa, Kapardin, Sikhin ; is naked : Digvasas or clad 
in skins : Krttivasas ; he has three eyes : Trayaksa. 
Vishnu has four arms : Caturbhuja ; is lotus-eyed : 
Padmalocana and from his nave! he produces 
the lotus from which arose the creator Brahma: 
Padmanabha The names may be related to their weapons 
or attributes : Siva is armed with the trident or his 
pecufiar weapon called pinaka, hence his being Sulabhrt, 
Sulapani, etc., Pinakin, etc. (also Dhanvin 'the one 
with the bow'), Vishnu with the discus . Cakrapanl 
etc. Siva is also, and frequently, Vrsabhadhvaja 'the 
one who has a bull on his banner' or Vrsabhavahana 
'the one who has a bull as his vehicle 1 , or Nandisvara 
'the master of the bull Nandin'., Vishnu however is 
only once called Garudadhvaja. Part of their names 
are connected with their deeds or achievements., thus 
Siva is the destroyer of Tripura, the triple city of the 
asuras, and hence called Tripuraghna etc., and Vishnu 
is known as Janardana, because, an epic poet says 
(Mbh. 5, 68, 6), he strikes terror into, the demons, or 
as the killer of Madhu : Madhuhan Siva is also 
called after the divine woman with whom he now has 
enterad into a regular alliance * Umapati, Gaurisa, and 



140 

Vishnu is in his epithets variously associated with 
Sri. Interestingly enough Vishnu, not Siva is, in the 
grsat epiCj known as Acintya 'the Inconceivable', Anadi 
'the Eternal', Vibhu 'the one whose might and sovereignty 
extend far and pervade all', a term applied in the 
Mundaka-Upanishad (i, 1,6) to the imperishable source 
of all existence, the substantive viphuti coming into 
use for Vishnu's divine and universal power and dignity 
and as Acyuta which characterizes him as the Immovable 
and Unwavering One. Siva is on the other hand 
often known as the great god or lord : Mahadeva^ 
Mahesvara, and incidentally, Mahaghora, Mahakarman, 
etc., although epic authors give these names sometimes 
also to Vishnu Krsna. 

A well-known literdry and liturgical form of praise, 
adoration and magnification of a god consists in 
pronouncing his names and epithets. This is at the 
same time a device for meditatively identifying oneself 
with aspects of the god's nature ; Vishnu is even 
supposed to crant final emancipation to him who 
mentally recities his names- Shorter or longer 
enumerations are found aiieady in the Veda. The 
names may, as in the Vedic Satarudriya hymn, be 
embedded in prayers, homage and references to the 
god's might or consist, like the largely stereotyped 
sahasranamastatras of Hinduism, of a sort of general 
description of the god's character or of a mere 
enumeration cf rames and epithets. In many circles 
this 'prayer of names' came to be one cf the most 
characteristic expressions of devotion, its mental 
recitation being &n excellent protective against evil 
which however easily decene rated into verbal magic. 



What strikes us in these enumerations of 'a thousand 
names' is that both gods have a comparatively small 
numberabout eighty of epithets and surnames in 
common. Some of these belong to well-known 
ancient deities who are equated to the two represen- 
tatives of the Highest (Vayu, Yama, Dhatar), or are 
ancient epithets of other exalted beings (Sahasraksa 
'with a thousand eyes 5 )., some are divine titles of a 
more general character expressing aspects of divinity 
or superiority (Ananta. Ugra 3 Bhanu, Bhavana, Santa, 
Srestha, Kala, Danda, Dhruva, Guru, Gopati, Guha, 
Gambhira, Sarva, Sthira, Sthavira, Varada, Bhu, 
Bhutatman, Marqa, Ksobhana. and of course Deva, 
Prabhu, Isana^, Isvara) ; there is a honorific epithet 
such as Sumukha f fair-faced' or a philosophical term 
such as Karana c the one who causes^ both gods are 
sometimes equated with brahman, and elsewhere 
Vishnu bears the names Rudra, Sarva and Sivs, which 
traditionally belong to his colleague, a point worth 
investigating in full detail. The other names, those 
which are exclusively given to one god, help us again 
to understand the ideas fostered by the worshippers 
and the qualities attributed by them to the object of 
their adoration. Thus the number of negated nouns 
assigned in the great epic to Vishnu exceeds that 
used in connection with Sivaj as the privative prefix 
often serves to emphasize the idea opposite to that 
expressed by the second member of the compound the 
former god was obviously believed to be firm and 
reliable (Acala 'immovable^, happy and one who causes 
happiness (Asoka 'free from sorrow' and FO a resort 
for those who are unhappy), humble and modest 
fAmanin). Other names do not fail to inspire trust 



142 



and confidence : he Is a physician (Bhisaj), and 
medicine (Bhesojaj. 

Thus it is not surprising that Asvatthaman in order 
to obtain Siva's aid in entering the camp of the enemy 
does not find difficulty in combining, in his prayer, a 
series of typically Sivaite names and epithets with a 
selected variety of appropriate references to the god's 
readiness to grant boons, to his protective and 
destructive power and irresistibility as well as to his 
ability to assume many forms the god will indeed 
manifest himself and his being the chief of large 
hosts of minor deities who in fact are not long in 
appearing. Yudhisthira, on the other hand, whilst 
extolling in a hymn of adoration Vishnu - Krshna as the 
author of his success, the recovery of his kingdom 
which he ascribes to the god's grace, prudence and 
force, intelligence and pervasive energy addresses him 
not only appositely as 'destroyer of enemies' or Jisnu 
the victorious one', but also as Purusa, the Trus-and- 
Real (Satya), the universal sovereign (Vibhu Samraj), 
and he does not forget to add a considerable number 
of the god's traditional epithets and to identify him 
with powerful deities and important concepts with 
whom he. the origin and dissolution of the universe, in 
the course of time has becpme intimately allied. 

We must confine ourselves to these instances and 
to the remark'' that this nomenclature could suggest 
the headings under which to arrange the data relative 
to the gods' nature and deeds. Not only the epics 
but, to mention only these, also the works of the 
great classical authors admit of the conclusion that 



the names and attributes which are preferentially 
assigned to these gods bring out the main aspects 
of their powerful and venerable character. The great 
diversity of names and epithets was a welcome means 
of throwing light, in a particular context, on some 
one or other side of a god's activity or of voicing the 
feelings or conceptions of the authors with regard to 
his character. The preference of particular Saiva or 
Vaishnava schools or communities for one of the many 
names of their god for instance, of the Pasupati-Saivas 
for Pasupati, reinterpreted as 'Lord of the Ccattle-Mke) 
souls',and of many Vaishnavas for Hari, is as illustrative 
of important trends of Indian religious life as the 
aversion of, for instance, exclusive Vaisnavas to using 
the most representative name, Siva, of their God's 



VII. THE NENJUVIDO THOOTHU 



[The only book which can be called a true compendium of 
Tamil Saivism appeared in 197J. It is Mariasusai Dhavamony's 
"Love of God according to Saiva Siddhanta." It is a study i* 1 
the Mysticism and Theology of Saivism. The work was initially 
written as a dissertation for the degree of D.Phil, in the 
University of Oxford. 

The author has endeavoured to give a proper explication o 
all the fourteen Tamil Sastras in this work. Here is printed his 
article on The Nenjuvidu Thoothu. Ed.] 

A. THE WORK 

UMAPATl is the author of the poem-treatise 1 
entitled Nencuvitu-tutu, The Message Sent by the 
Heart, in which the heart as personified is sent as a 
messenger to its beloved 8 . The work narrates the 
greatness of God's love, explains the symbolism of 
the ten insignia of Gcd as Master and King, andj, 
more strikingly, brings out the marvels of God's grace 
and love in helping souls who wander away from 
him. It also shows the way of attaining blissful 
union with God 

Astavatanam Puvai Kaliyanacuntaram wrote a 
Tamil Commentary on this treatise. 3 



!. Composed c.A D. i3il Calivahana (Chahaptam 
1233>. 

2. Or f tho heart as personified sends a message 
to its beloved'. 

3 See Maykanta Catt/ram, pp. 745-62. 



145 



B. THE DOCTRINE 

(a) The nature of God 

The true nature of God Siva is unknowable (enrum 
ariya iyalpman, 2) even by the gods Vishnu and 
Brahma, who seek to know him. The former is said 
to assume the form of a boar (panrf) to bring back 
the earth from the waters 'for the good of ail creatures' 
(Mbh. Narayar/iya section, 340. 74), and eventually to 
seek to know the secret of Siva's nature ; the latter 
is said to assume the form of a bird (annam) which 
flies in the sky in search of true knowledge of Siva 
(1 2). Other gods of the Hindu pantheon , beginning 
with Indra^ and all human beings also cannot by 
themselves know the real nature of Siva (3). He is 
inaccessible even through the Vedas, mantras^ vedanta 
(the Upanishadsj, ar.d cntta mayai 1 like v/ntu and natem 
(3-4). For he is infinitely ereat and transcendent 
(alavirantu njnra periyan, 5.) He possesses the female 
part which symbolizes his Sakti. He is formless 
(aruvan) 2 as Civan., Catti, Natam, and Vintu. He has 

i See Tamil Commentary in Meykanta Cattiram p. -"45. 
2 In the Sa/'va Siddhanta literature God is described 
as aruvan, uruvan, aru uruvan, meaning : 'formless-' 
c with form 5 f both formless and with form j respectively. 
That is to say, God is formless in the sense that he 
does not possess forms such as the unaided human 
minds can think of. He has form in the sense that he 
manifests himself to tho bhaktas in many human forms. 
He is formless and with form when he manifests 
himself as redeemer within the human soul itself. More 
philosophical analysis of this is given in Ch III on the 
Sivananapotam. 



146 

form (uruvan] as Mahesvaran, Uruttiran, Vishnu anc 
Brahma ; he is also formless form as Catacivan (6). 

Such an unknowable God is accessible only to 
his bhaktas (eliyan, 5) whether they be gods or men, 
because (bhakth alone can win the necessary grace 
by which they can see God as he is in himself 
(3). To those who are his genuine loving devotees 
(parivana l meyyarkku) he reveals his nature as Truth 
(meyyan) (6-7). He is the father (aiyan, 7) of souls, 
the Lord (fraivan) who resides in his flock (pacu) 
and becomes their fullness (nirainta) (8). 

(b) The symbolism of the ten insignia of God as 
King 

The idea of God as the Lord (Patf) and Master of 
souls has inspired many a Saivite writer to describe 
him as the Supreme King and attribute to -him qualities 
that are proper to earthly kings. Umgpati, apparently 
following the example of Manikkavacakar, explains the 
symbolism of the lordship and sovereignty of God and 
of his reign of love and grace by means of the ten 
insignia! faca/?fra/77) * of an earthly king-Manikkavacakar's 
Tiruttacankam from the Tiruvacakam 3 is of great help 
10 us to understand better the texts of the Nencuvitututu. 

I- Note the expression parivana, which signifies 

'loving'. 

2. Tacankam - taca + ankam, lit. 'ten attributes 
or adjuncts (of the King)', The real meaning is 'ten 
royal insignia*. 



K> Cupplramaniva m P'llai, Tiruvacakam, Madras, 

t pp. 332-7. 



147 

([} The King's mountain. Siva., the Supreme King., 
possesses the mountain of auspicious qualities 
{kunakkunron : 39) which, being of the nature (panpu) 
of love iparivu) and grace {arul'i, shine in the minds 
of the bhaktas (39> According to the T/ruvacakam, 
the King's mountain symbolizes the most gracious of 
his qualities, namely the redemptive action 1 by which 
he shines in the hearts of his bhaktas (nencattu, 
irulaka/a, valvici) and grants the Supreme bliss of mutti 
(inpamaru mutti arufum;. z 

(2) The King's river. From this mountain of supreme 
dharma (tarumac cefun kiri) descc-r.ds the King's river, 
and, winding its course tc the delight of the people, 
removes all doubt (aiyam}, theft (ka/avu), fear (payam), 
lust (kamairi), murder {kola/}, and anger (kopam) from 
the bhaktas (40-1). Destroying all the effects of karma 
vina/y e/'am e//ffc/, 4:) with the sound of tf.e sacred 
formulae, it runs through the Sruti end the Agamas, 
uprooting the three malam ; and passing beyond the 
shore of instruction and initiation into the Saivite way 
of life, it wipes out empirical experience (putatt unarv 
alittu, 43), the desires of the five senses aivaya vetkaiy 
a]/f)y 44) 5 and the functions of the organs (45,; it also 
breaks the cord of bondage \pantani psrittu,46] produced 
by the action of the inner organs. In order to increase 
the power of grace \arul) to destroy the three gunas, 
the illusion of the five senses, and earthly desires, 
especially the intoxicating lust for women (matar 



1. Or the mutti itself, mutti arulu ma/ai 3 as 
Dr. G.U- Pope takes it. 

2. Tiruvacakam, 19.5. 



- the unvets 

. 49,, the river "- , |t Caches th 



and grants it 



n*, come down into the hearts of 
"i -vo impurity'. ' 

: T e Kings land. God, the Supreme King's 
,, ,s v.here one can see (partw) and grasp 
-, fhi- truths of the Swtf and the Agamas, wh.ch 

i' source of immense bliss (58). 

i^kui.acakar says that the Southern Pandya 
. iht? land of h^m who rules over hs loving 
*j;*/ ..w) through love (anp^/) and bestows tne 
.- n v- returning (milaarul) to the samsanc 
rrf s The Pandya realm of the Tamil country 



19.4 : 

* n vjriA cintai malank kafuva vant ///yum 

Af^grtan ban utaiyan aru. 

*- ?*i j> rather obscure. Dr. G. U. Pope translates 
** ' ^A* . . the Master's river is the rapture 

<~: * n*aven, come down, the foulness of our 

*& v ijjin&a'. Cf. his Jiruvacakam, p. 2O4. A 
; **'* *' iatc.n v.ould be what we have given in the 
5*; i.^ra^-T*,r.q ihus : ma/an kaluva van vanta c/nta/* 
S** * .'.^^a-.an - r am Pillai, Tiruvacakam, p. 334. 

* *-">c***m. w.r. M//a art// can also be taken 
fi -" * ; " y*ttp*, a^ Dr. G. U. Pope translates. 



149 



is supposed to be the sacred place of Siva. The 
Tiruvifa/yatal Puranam contains the history of the sixty- 
four sacred sports (tiruvilaiyatal} of Siva at Maturai, in 
order to show that he dances the creation into existence. 
Some would say that Cola kingdom is the holy place 
of Siva, where Citamparam and Amr are situated. 

(4) The King's city. Siva's city is where souls, 
trained in sixtyfour arts, detached from all desires and 
pleasures (kama nilayanat ellamum nittu, 59), and 
having put aside all wandering of the mind, remain 
fixed in Cfvamonam (60). Civamonam or civayokam 
is the discipline by which the soul, losing all 
distinction, intuitively realizes Siva as he is in himself 
and becomes most intimately united with him. Most 
native commentators represent this union as being 
effected by civananam, which in this case is drufcatti- 

Manikkavacakar says that Uttarakoca mankai is 
lauded by the bhaktas as the earthly city of Siva 
(pattar el lam parmer civapurampor kontatum'^ 
According to the Saivite tradition, Uttarakoca mankai 
is called Civapuri because it is there that Siva is 
supposed to have revealed the Agamas to the sixty- 
iour bhaktas * 

("5) The King's garland- God wears the garland, 
resplendent with grace, that attracts the heart of the 
true bhaktas, whose eyes shed tears of love, whose 
enlightened minds are fixed on God, and whose hearts 

1. Thiruvacakarn, 19. 3. 

2, K. Cuppiramanjam piljai, T/ruvacakam, p. 35, 



150 

melt and overflow with unlimted love, trembling in the 
enjoyment of union with God (6 -3;. 

Manikkavacakar observes that the Lord, who dwell; 
in hearts where love-springs abound (at/urum anparpar, 
owns him ( Manikkavacakar). a worthless cur, in ordr 
that the 'evil' deed may not approach him; and he says 
that God wears ac wreath the tali aruku.i 

(6) The King's ccurser 'horse). God owns the 
horse that symbolizes cfvananam, which knows a!! the 
tattuvam, all human souls and their thought, and 
which stands in a relation to all beings (eltamay] like 
that between body and sou!, though still different from 
them fa/favumay)* because of the difference in their 
own proper essence; it is the difference between the 
eye (kan) and the sun (arukkan}. This nanam is 
hidden in everyone's thought (enna/n\ both as different 
(nillamal) and not different (nirkum] from it (65-6). 

Manikkavacakar notes that God joyously rides upon 
the courser of the sky {van puravf uru matifntu).* 

(7) Thn King's army (elephant). The Eternal King 
possesses the elephant which symbolizes the power of 



5. Tiruvacakam, 19.9, 'Tali aruku* is a garland 
made out of the red water-lily, worn by Siva (se? 
ibid, 2. I !3_14). The cassia fistula (konrai} has beautiful, 
long, yellow, and fragrant leaves; it is supposed to be 
Siva's adornment. 

2 Tfruvacakdm, 73.5 V<w - sky - cutta mayai or 
Gitakayam, 



151 



divine wisdom (nana anafyan, 73). This divine wisdom 
penetrates the lower worlds, supports the seven worlds 
of the earth and the seven worlds of the sky ; it 
pervades the invisible worlds (akantam J n/ra/ntu) (66). 
It is not definable, but the bhaktas can easily realize it; 
it takes the shape of the Vedas and Agamas (maraf) 
and of six Vedankam (67). * United with the soul as 
its inner soul (uyiray and inner knowledge (unarvay), 
nanam destroys impurity (pacam) and dries up the sea 
of birth (678 ; it attacks the evil powers of desire, 
anger, pride, and jealousy (69}j refutes false alien 
religious systems, and does away with fear and murder 
(70). It "dispels the concupiscence of the world of 
impurity 'pacam\ of sexual desire (kamam) (70-1). 
With the quickness of love 'necatta/ ana vekam} it 
enters the garden of the tattuvam, drinks in the honey 
of bliss, and shines with four horns (713). 

Manikkavacakar does not make use of the 
symbolism o! the elephant, but instead brings in Siva's 
weapon, the trident (kalukatafi, and remarks that it 
transfixes the threefold impurity (mummalankal payum) 

\ Akantam, lit. 'invisible' ; in Saivism it refers to 
cutta maya lokam. See the Tamil Commentary in 
Meykanta Calt/ram, p. 754. 

2 The Vetankam, which are subordinate and supple- 
mentary to the Vedas, are six: c/tcai (the scierce of 
pronunciation and articulation) karpam (a ritual for 
religious service), viyakaranam (grammar), cantacu 
(prosody), niwttam (a glossary explanatory of the 
obscure words and phrases that occur in the Vedas), 
got/tarn (astronomy and astrology)* 



152 

in order to make the stainless hearts of the bhaktas 
melt (afukk ataiya nenc wruka)* l 

(8) The King's banner. The Eternal King has the 
banner thet wipes out the burden of misery (cuma/ 
tunpam nikkum, 74). Manikkavacakar says that Siva-'s 
banner of the bui! gleams resplendent while enemies 
run away. 2 

(9) The King's mania! drum. The Divine King 
possesses the material drum (muracu' that responds 
with the sweet grace ''inpaarul which enables a man 
to forget himself (tammai marantu), grants the divine 
light to souls (ol/y ulley irutti), and helps it to 
practise yoga (75.7). 

Manikkavacakar comments 3 on this symbol by 
saying that this drum dispels the foe of birth piravfp 
pakai kalanka - and causes supreme bliss {per inpam} 

10) The King's command. The Supreme King 
commands the whole creation to exist, last, and be 
active through the minor gods Brahma (ayan} and 
Vishnu (mal} OS-9). Manikkavacakar does not include 
this symbol in his exposition ; instead he points out 
the King's name, the Lord of Arur (arursn) the gracious 4 
Lord (cemperuman] ; both Brahma, the god of the 
white flower (ven mafaran), and Vishnu, the god of 

1 Tiruvacakam, 19.7. 2 Ibid 19 JO. 
3 Ibid. 19.8. 

4. Cemperuman can also be taken to mean 'the 
ruddy one', as Dr. G. U. Pope translates- 



153 

the milky sea (par katafan), praise him as the God of 
the gods (tevar p/ran'-. 1 

(c) The waywardness of the sou! 

Umapati, in order to describe the situation of sin 
and rebirth in which human souls find themselves 
involved and to extol the workings of Siva^s grace to 
redeem them from such a situation, has recourse to 
liis own personal experience both of sin and of grace 
and addresses the reader in the first person. 

Although I am as eternal as God himself (enrum 
u/an anra/avum yanum u/an, 9), yet without realizing the 
real state (or nature) of my being I underwent the cycle 
of various births, I was egg-born (antam), sweat- 
born (cuvetacam), soil born (urp/cam}, and placenta- 
born (carayucam) (10) 2 . I was foolish to eat the evil 
fruits of karma ('-I) : uninstructed^ in false knowledge, 
I joined hands with the materialists (ufakaytan) (12) ; 
I committed injustice to my family (kutfp pa//), murder 
(kolai\ theft (kalavu), fornication (kamam} (\3) ; 
without striving after true wisdom^ I became a slave 
to the tiring and boring empirical knowledge of the 
mind (manatu}, to the judgement (putti; which follows 
this knowledge, and to self-will (akantal) (14-15) ; 
and I grew tired of the experiences of these and 
suffered a great deal from them (16). 

1. Tiruvacakam. 19. \ 

2. These are the four kinds of matrix from which 
one undergoes innumerable births ; namely, egg. 
(antam)) sweat {cuvetacam), seed (urpicamj, and womb 
(carayucam), 



As a result of this waywardness. I was entangled 
in lust, anger, fornication, pride, and jealousy (17). 1 
came under the sway of the powerful ten faculties 
(intiriyam), of the corresponding senses (mattirai), of 
the endless five elements (putankal) (18), of the three 
faults (kurram} of desire, anger^ and delusion which 
attract the will, and finally, of the three strands 
(kunam}, three impurities (ma/am], three states (avatfa/) 
of the soul, and two kinds of karma (iruvinar) (19). * 
was deeply attached to riches, became cruel and fearful 
of losing them OO-l). Thus, Instead of following 
Siva's praiseworthy path of bhakti, l I sank ever deeper 
into the sea of birth and sin (21). 

The grace of God and serious meditation led me 
to realize that those who hold on to the truth that God 
is the only true kinsman (unnai olfya uravil/aJ, 23) of 
the soul, and those who remain at one with the 
wisdom (arivu) that is contained in this realization^ 

are the ones who truly renounce the world (23 4). 

Realize, my soul, that the path of the pleasures of 
the five senses, of sin (pavam), especially that of 
being entangled in the net of wcmen-'s eyes (puva/y&r 
tarn kan valai] and of learning the art of sexual inter- 
course (kalavik kafai payinru, 11), and the sin of 
speaking cruel and harsh words: all these implicate on 
in the cycle of rebirth (28). 



I. Kace aravan ciril nf/ai : lit, 'the praise-worthy 
state of the one who wears a snake around the waiet*, 
i.e. Siva. Obviously the state referred to is the 
Saivite path of jbhakt/. This quotation is erroneous. 



155 

C. THE DOCTRIWE OF BHAKTI 
(a} The God of love 

God's omnipresence and omnipotence in creation 
have the sole purpose of granting grace out of love. 
He possesses the quality of bestowing grace with love 
(pan'nt arul cer panpar ku/avi vi/anku kunak kunron 39). 
His grace hastens to indwell and operate in creatures 
with the speed that can be realized only through love 
(nec&tta! ana vskam konte arul) (71 2;. 

For the benefit of his bhaktas God Siva burnt the 
fortress of the rebellious asuras by his mere srnile (30) 
He shines as light in the nata tattuvam (a form of the 
male energy of the Deity) which is the source of all 
the VedaSj Agamas. and arts p ). He is the source of 
kalai tattuvam ^the principle that dispels malam) in the 
universe (33). He is also the light both of wisdom 
(nanam) in cuttavtitai l and of the cukkumam ; 2 he is 
the supreme power (catti\ beyond apara natsm and para 
natam (33-4). 

More especially does God show his love in his 
dealings with the bhaktas. He bestows grace (arul) 



I. Cutta v/ttai is the divine form in which action 
is less fully developed and nanam predominates. 

.". The four vakku are the means through which 
the soul is made to experience the proper results of its 
karma ; they are : cukkumai, paicanti, maxima/, vaikari. 
These constitute the organic bases of intelligent ideas 
and language, as laid in the human organism- 



156 

by which his bhaktas come to know him as their 
intellectual light (ariv o/i) and dwells in their hearts 
(32-ff.). Only those who constantly meditate on him 
with love (anpar) does he favour with his visit 
(n/na/ppavarpa/ cenran, 35), and he is easily accessible 
to them. To the true bhaktas (parivana meyyarkku) he 
reveals himself as Truth (meyyan) (1). Living in their 
souls as inner light, he manifests his nature to the 
inner eye (utak Ran, 36) of bhaktL 

Redemptive love of Siva is strikingly portrayed by 
Umapati when he alludes to God's manifestation in the 
form of his own guru- Siva appeared to me, he says, 
in the person of my guru, Marai nana campantar, as he 
came in procession. I bowed to him in adoration in 
the company of other bhaktas (89). He looked at me 
and his graceful look purified me from the five 1 kinds 

1. Reference to the five ma/am instead of the 
usual three is quite new in this text. The Tamil 
commentator enumerates them as follows : anavam, 
kanmam, tirotanam, mayai mayeyam (op. cit , p. 757). 
Now mayeyam signifies the seven tattuvam-ka/am, 
niyati etc (ses Kafakat Jamil Akarati). Tirotanam 
(.Lit. 'curtain*, 'screen', that which hides') means tirotana 
caw' (according to the same dictionary), i e. the catti 
that shields the soul from truth by making it experience 
wordly goods. Hence mayeyam, being the evolutes of 
mayai itself, and tirotanam, being the effect of mayai 
both these could be reduced to mayai Thus the usual 
doctrine of the three malam does not contradict this 
passage [ Mayeyam is contained in Maya 
Tirotanam in Aanava. Ed.] 



157 



f impurity and transformed my thinking (n/nafvu 
verakkinan) (90); cutting asunder the coil of delusion, 
his glance showered on me the nectar of c/vanantam (91). 
He instructed me that the besmearing of the sacred 
ashes (vennir)?- Sa/va appearance (c/va vetam)'* and 
Sivapuja are what really matter in lifej 3 whereas such 
things as riches and family are impermanent (92)* 
He taught me the meaning of the five sacred syllables 
(namacivaya) and the way of meditating on their 
hidden meaning with ever increasing bhakti (neyem) 
(93-4). Lighting the lamp of grace (aru/aik ko/uttf) he 
united me with its flame as the inner light (uf/oI/,96) 
of my soul : so, I could take rest in this ineffable/ 
union. He granted me his grace in order to possess 
my whole being (ullam mutataka ul/atef/am vanka aru 
vellam alittu, 98). 

(b) The love of the devotee 

Umapati outlines the various paths of bhakti by 
which the soul has to get purified before entering 
the sphere of mystical love. 

(i) Lower bhakti. Bhakti at the lowest level 
consists in an exterior form of worship, like taking to 
Sa/va appearance (c/va vetam} by wearing rudraksa 
berries, saffron robe, ash mark on the forehead, etc. 

1. viputi (holy ashes/ 

2. Wearing rudraksa beads, tiger skin, etc. 

3. Cattiya patarttam. 

4. Poy, i. e. 'untrue'. 



Next comes the Siva - worship itself in which bhakti is 
itself interiorized and genuine love of mutti and of divine 
union takes possession of the aspirant (91-2). Then 
the bhakta meditates on the meaning of the sacred 
syllables and fixes God more intimately in his mind 
and heart (nencu] ; he increases his desire for union 
by more intense love (neya mayalakki) * for God (93). 

(ii) Higher bhakti First of all Umapati exhorts 
his own soul not to follow those who falsely assert 
that they have seen the Supreme Absolute (Brahman) 
by themselves (tarn, pitamam kantavar pol), when in 
fact they only intuit into th3mse\\fes(tamma/'kk&ntu) and 
affirm '{ am Brahman' (nan piramam} (I i 1). Advaitic 
experience of mutti is hereby explicitly rejected. So, 
too, is the experience of a passionless state., indifferent 
to pleasure or pain; the Buddists consider the impersona 
dharma itself as their God(arame teyvam, I S 2) and gain 
freedom in the practice of this dharma. 

For the Safva Siddhamin the state of real mutt 
lies only in a union of fove (bhakti) with the personal 
God Siva. That this union is realized only in love is a 
constant teaching of Umapati in this work. Melting of 
the heart <,// uruki, 61), shedding tears of Jove 



I. Neyamayal is 'passionate love' ; but with 
respect to God, who is free of passion and desire, as 
affirmed in other contexts, this expression means simply 

intfinca \r\\id' ^ * 



nattatta/ 1 tennir aruvi vila, 61) are expressions among 
many that denote love of God. It is in the supreme 
union of love that God Siva enters the inner essence 
of the soul (evvuyirkkum ul pukuntu, 55) and grants the 
bliss of mutti (vit 3 alittu, 56). This is certainly a 
reminiscence of the Gita concept of the supreme 
bhakti 3 namely, of God penetrating the soul in love 
and giving himself as the supreme object of love. 

1. Nattatta!, lit. 'by the eyes'; tennir lit. 'clear 
water'. The whole context signifies 'tears of love'. 

2. Vitu is the equivalent of the Sanskrit mukti. 



VIII. "Nenju Vidu Thoothu" 

(Message through the Heart) 
of 

Saint Umapathi Devanaifanar 

Rendered into Enghish Heroic Verse without rhyme 

By 
Sekkizhar Adi-p-Podi T. N. Ramachandran 

The Nature of God 

The nimbus-hued Maal of flowery navel 

The Four. Faced decked with lotus chaplet golden 

As boar and swan, burrowed the earth and winged 

the sky 

But could not of His Nature know ; again, 
Neither Indra, nor dwellers ethereal 
Nor others of all the different worlds, 
Nor habitants of Mantra-mountain great, 
And billowy seas, nor Mantras, Vedas, 
Nor Naada and Vintu-the crown and flower 
Of Vedas, His Nature can comprehend. 
He whc is for ever easy of access 
(To the godly) is past both speech and logic ; 
He is small as He is the subtlest ; 
His Frame His Consort shares.; invisible 
He is formless who hath a form as well 
And a formless-form too and none of these; 
He is the deathless One who is the Life 
Of mortals' life; He in sooth is the true one 



161 

To the devoutly true; He indeed is the Deed 
Behind the deed; unto the false He is 
The false one fictitious; He is the Father 
The Lord God, the dweller in His Flock 

The Nature of Soul 

Though I be eternal as the Bright one 

I abided not in the abiding state true. 

But fared forth for ever in transmigration 

Of all kinds of birth that are engendered 

In ovum, or svveat, or seed, or matrix 

And suffered deaths innumerable times; 

Even then, the more fool that I really am 

For ever bound to eat of the two-fold deed ! 

Unschooled, with low knowledge condemned was I 

To join the Lokayaths ; than an arrow 

Faster I sped forth and did evil deeds 

That my family to shame did expose ; 

Heinous murder^ larceny, lechery, 

I sought after and in them all wallowed; 

I'd not seek to know what ought to be known ; 

Unto the mind forlorn and buddhi errant, 

And to arrogance by buddhi begot, 

I slaved, grew weary as body weaned, 

And did waste as rny body wasted, sure; 

I know not of my life's sorrows to relate. 

The Nature of Bond 

To flint-hearted Lust, Wrath, Passion.. Pride, Env> 

And to the faculties ten and matras ten, 

To the five elements illimitable, 

To brain-pervading felony three-foid, 

Gunaas three-fold, malaas three-fold and states 



162 

three-fold and to deeds two-fold which all things 

Embrace, to the invisible airs ten., 

To relations, the very form of deeds two-fold 

And to wealth rare, I slaved and hard did work 

Deep immersed in boundless fear and cruelty 

Ignoring the pursuit of the path great 

That leads to the great God, serpent-cinctured 

But stood plunged, all bewildered in billows 

Of buffetting sea of deed-breeding tools; 

Dawning wisdom imparts the saving truth 

That TRUER KINSMAN than THOU, there is none. 

They that really realise this truth, the knowledge 

Of Life, and the Great Being that truly is 

The knowledge behind the knowledge of Life 

Are the absolutely liberated , 

Others in the net of bewilderment 

Are entangled sure ; thus did speak the poet 

Of divine afflatus, Valluvar great. 

His words of truth I ignored and did toil 

To propitiate full the senses five, 

And in this did persist relentlessly 

Only to sink deep in the sea of sin ; 

Caught was I by the net of damozels' eyes 

Where I learnt the fine art of lechery ; 

Little knowing the true state I blabbered 

Full many a word of cruel import. 

For ever in the cycle of birth and death 

I involved myself: Behold, oh my Heart 

The decadent plight of my piteous life.' 

Now hearken with care to what I relate. 

The State of God 

He is the One enthroned on the Silver Mountj 
His smile of frown did to cinders reduce.; 



163 



The forts of those that respected Him notj 
He is the bright Light superne that issues 
From the summation of Vedas boundless ; 
He is the Alpha, the Immaculate ; 
The One to whom blemish is alien 
He's known only by the knowledge of those 
That possess enlightened knowledge divine ; 
In their bosoms he enters to abide 
He is the One of Space righteous that sustains 
The inner space of Space ; He is the Light 
That lights the light by the Grace begotten; 
He is the Gracious One, the Giver of grace 
To Grace ; immeasurable He doth stand 
Pervading all ; He's already with them 
That think on Him ; He is not to be known 
By mere knowledge ; He is the fadeless One 
Of effulgence, the blooming brilliance 
All-pervasive ; the flame immutable 
On earth ; the blemishless One invisible 
Save to the inner eye ; the One immanent 
And transcendent too ; of the ineffable 

God^s glory, I fetter'd of deeds two.fold . 

Will relate to you, as in my power 

It lies 5 now I bid thee listen with care. 

The Ten Insignia 

(1) The Mountain 

He is beyond the touch of paasam manifold 
And His is the Mountain of Love and Grace. 

(2) The River 

From the Mountain of Righteousness supreme 
Down descends His River, winding its course 



164 



To the delight of earthly lives ; destroys 

Doubt, theft, fear, lust, murder^ wrath and effects 

Of all the deeds ; runs with bosom-thrilling 

Sound of "Aum" through Vedas and Aagamas 

Grace-abounding ; dashes forth uprooting 

"The thicket of triple malaa and passes 

Beyond the shore of scriptures and instruction 

To sjuell experience empirical ; 

Removes the five-fold passion and desire 

Yclept the long- renowned body, mouth, eyes 

Nose and ear ; wipes out full the weakening 

Speech, feet, hands, and organs excretory 

And genitals ; gushes torrentially 

To pull down the irremovable bondage 

Forest-like ; and rolls on everywhere to dash 

To pieces, by its grace, the mind, buddhi 

Ahamkar and chittha ever- distracting ; 

On it flows washing three gunaas away ; 

The confounding of senses ceases as it 

Courses with thrill supreme through the human frame 

To sever the lust bred by damozels 

Whose bosoms boast of sandal paste fragrant 

And to fill the fields of passionlessness ; 

Forth it proceeds to purify the abodes 

Of Sun, Moon and Agni and in justness 

Is firm attached to the bases six and spreads 

In the realm beyond the ten airs mighty 

And higher soars beyond the elements five 

To transcend Ayan, Ara., Mahesa 

And Sadaa-Siva and all the tatwas too 

Of Naida and Vintu and the fathomless 

Zero which it doth subdue and again 

Passes beyond the land of knowledge great, 



Absorbent of all the innumerables. 

(Thus) it grants to Souls clarified and from 

Doubts freed, its Own Knowledge which is Moksha, 

And dwells in all flesh inseparable 

And as its own, entering their very lives 

Like the coursing beyond the five bodily states 

Towards the great sempiternal haven 

Of ever-lasting effulgence great, doth run 

His River of Bliss Stream, Grace-abounding, 

Perpetual coolth, from deception free. 

(3) The Country 

Comprehinsion and practice of Sruti 
And Aagamas lead to perennial bliss 
Which is His Country inaccessible. 

(4) The Town 

His Town is the dwelling of such souls which 
Learning by mastery of arts, eight times eight, 
Have cut asunder the source of all desires; 
Placid remains their Chinta-in Silence 
Unique of Siva-Gnanam soused for ever. 

(5) The Garland 

A flood of tears bred by love cascade from 

The eyes of devotees; their Chinta 

Is serene, pf confounding doubts well-cleared ; 

Theirs is realisation; constantly thrilled 

Their bodily hairs stand ever erect ; 

Of falsehood they will have none ; their hearts true 

Atremble melt with love unbounded for Him ; 

The great Grace that draws these hearts is His Garland. 



166 



(6) The Horse 

His is the Horse which abides recondite 
In the thought of those thinkers who reside 
Beyond the dark realm of space, universe, 
Mountains, seas, under-worldsall seven-fold, 
Transcending the five organs, the elements 
Life and feeling ; they are knowledge, and are 
All things as well as the reverse thereof. 

(7) The Elephant 

Penetrating beyond the nether worlds 

By rare words pictured, it is the support 

Of seven-fold-middle and upper worlds; 

Is ineffable and effable and is of 

The form, life and sou! of Vedas and six 

Angaas; it quells the vast cruel sorrowing 

Paasarn and smites the sea of birth to turn 

Dustily dry; again it doth fiercely scorch 

Doubt-breeding lust, anger, miserliness, 

Moham and madam and extirpates action 

Which causes the cycle of birth and death ; 

It does away with the false theories 

Of all the vociferous religions ; 

Utterly extirpates fear and murder; 

It speeds dripping ichor of grace divine 

Into the grove of tattwas and feeds on bliss 

Of honey with delight; the Vedas four 

It doth wear as its two pairs of bright tusks ; 

!t is the Tusker of Divine Gnosis 

(8) The Banner 

His Banner non-pareil wafteth beyond 
The religions six and clears the world 
Of its burthensome misery immense. 



(9) The Drum 

Quelling the rebellious flesh they do 

Worship the First one in their enthroned hearts ; 

They are oned with Him and are immune from 

Births future ; by yogic process they stay 

The straying airs in their bodies ; the wind 

Ethereal too they detain and cause the glow 

Of flame ever uniform and achieve bliss 

Of the sound of their lives is wrought His Drurr 

(I0j The Fiat 

In all the worlds created and sustained by 
Ayan and Maal, beyond them and everywhere, 
In the upper worlds and in the city 
Of grae unperceivable, reigns His Fiat. 

(11) God's Greatness 

He is of boundless knowledge ; yet He is 

Not to be seen by mere knowledge ; He rules 

Over the realm of all arts and knowledge 

By sense utterly incomprehensible ; 

A subtle Trickster is He who fills the worlds 

And all the cardinal points with His light ; 

He's the One beginningless and endless ; 

He stands as the root of all, the sed as well j 

He is that which germinates from the seed ; 

He is the body and the tanmatras, 

The elements and the pure space of Zero, 

The void and the things beyond the mere void. 

(12) Gnaana Acharya 

Unto me the senseless one He granted 
Heaven, my fall into the cruel wave-tossed 



168 



Sea of birth averting ; He is my Lord / 

The Saint great Sampandhan ! His blessed feet 

Worshipped by all, he planted on my poor crown 

My King is He ; the Rider of the Bull ; 

He's the meaning of the words of the wise ; 

The First One beyond compare ; self effulgent ; 

He needeth no happiness rrom without. 

In the hallowed form mighty of Guru 

Sans gunaa or mark he stood, the great Lord ! 

He did snap the bondage, the cause of birth ; 

He abides in Tillai where dwell the learned, 

To mere intellect inaccessible. 

(13) The Abolition of Malaa 

He the Lord ethereal came in procession > 

I adored Him. seeing others Him adore ; 

He threw his eyes on me ; in that instant 

Abolished was the bunch of my malaa 

Five-fold, and He transformed my very thought 

Uprooting the tattwass six and ninety, 

Hard to narrate ; to me my inner spa 

Of honied ambrosia, he did reveal 

And demonstrate that the sacred ashes white, 

The form of Siva's devotee and worship 

Of Siva alone to be true ; 'Riches 

And life domestic arejals**, he declared 5 

He did inculcate the inner content 

Of the Pentad of Syllables sacred 

And how to chant and count and meditate 

On it; He taught me to look within too 

Fearless, and trim the inner taper aflame 

And merge with the inly light of that lamp 



169 



Bright with boundless effulgence beautiful ; 

Thus abides the Lord like honey in bloomy 

He is to be contemplated even so; 

He showed me His light wrought of grace sans form 

And in place sans gunaa or mark 

Bade me rest; my life and all He did 

Unto Himself draw and with me did mate 

In a flooding grace of intoxication; 

He made me forget my thievery and did 

Transform my knowledge imo wisdom true; 

He made me lose my l-ness and My-nessj 

My cycle of birth and death he snapped; 

He is past speech; He's inaccessible 

To any, howsoever great he be; He is 

Of divine attributes eight-fold ; He is 

The Wielder great of the letter matchless. 

He is the Songster great and Dancer grandj 

He abides in Koodal with a vast court endowed; 

He is not to be seen by the frivolous, 

The unfriendly and the fippant; He is 

The sight of the seer; from Him the Paanar 

A gift of seat wrought of wood did receive; 

More incarnadine than russet sun-set 

Is He who is beyond Maal's prehension; 

All things He fills with His Omnipresence; 

By His grace He snapt the cycle of birth 

And death., ever revolving like the fan, 

Simoon., beetle and rotating wheel of fire. 

He is the falsity of the false ones ; 

He is the embosomed truth of them who know; 

His hand doth wield the axe; oh my Bosom ! 

Hearken attentively now to the course 

Of thy journey to the Father's abode, 



(14) The Goal 

With each dawning day, himself he perfumes 

Gormondises, wears vestment velveteen 

And longs to be soused in the merry sea 

Of sexy chits of flower-decked locks 

And maintains that tHs life Epicurean 

Is indeed mukti; other joys aren't mukti. 

Like a devil of darkness he doth lie; 

Beware him, the Lokayath; go not near him; 

Go not near them who not having seen the Lord 

But only themselves, give out; "I am Brahm"; 

Be not trapped by the doctrine Buddhistic 

Which says; "It is no slaughter to eat the slaughtered.; 

The only Deity sure is righteousness, 

And right conduct is nothing but patience." 

With contentment false, their bodies' hairs pluck 

And discard shamelessly their accoutrement; 

They maintain that mukti is controlling 

The senses five; go not near these deceptive Jains. 

Believe not as true, the words of the Brahmins 

Who chant hoary Vedeas of goodly words 

Composed, but know not their import or use. 

Shun the base who in their hearts do contemn 

God-given ashes and God's own Temple; 

Befriend not tools who have little regard 

For the true form of tapas, worship, grace, 

And knowledge true; shut thine eyes on them all 

Who adore dying gods and hate Siva. 

(15) The Message 

His eyes cast looks of grace on us and thus 
Ruled us ; He is the great saint Sarr.bandhan / 



I He is the Beyond that lives beyond the End ; 

i Hie unto His Court, before him prostrate, 

I Adoringly hail Him high and wish Him 

Victory eternal and praise Him thus; 

''You once did peel the skin of the warring mammoth! 

Will those who eyed Thee in Thy procession 

Be stung by the arrrows of Manmathan ? 

Will they think on wealth fleeting and flee Thee 
': To wallow in Hell cruel ? Or will they 

Be trapped by religions vociferous ? 

Will they stand confounded many a time ? 

Will they be witched by the dames whose bright teeth 
f The pear! do excel and be thus fuddled 

By lewd desire for union with them ? 

Willt hey both day and night take notes of what 
| The stars twenty-seven and planets nine 

j Foretell ? great One whose Eye to cinders 

I Did Manmathan reduce .' Setting her mind 

On the sea of bliss, the damsel hath clean 

| Forgotten her own self ; You must rid her 

I Of her sorrows." Say thus and beg of Him 

1 Grant her His roseate feet of lotus ; 

I So praying, beseech Him adoringly 

/ Again and again ; from Him His chaplet 

j Of cassia get ; extol Him and of Him take 

| Leave to corns back and live with me for ever. 



To rid the deeds begotten by damsels 

Whose eyes deceptive pierce like arrows, 

Oh my Bosom ! fare forth to fetch the garland 

Of the great Saint Sambandhan who averted 

My fall into painful transmigration 

And com back filled with memoried bliss. 



IX The Souls: Their Relation to 
Brahman 



[The author of this article is Swami Vidyanand Sarasvati 
(formerly L. D. Dikshit). His is a well - known name in Delhi, 
Haryana and Punjab where for about two decades he had served 
as Principal of Colleges. The Vice-President of India nominated 
him as a Fellow of the Paajab University. For several years he 
was closely associated with Gurukul Kangri University. 

He writes in the aphoristic style, and as a creator of sutras, 
he is second to none. His thinking is at once powerful and 
individualistic. His bold announcements of his theories merit high 
accolade. 

He differs from the school of Sankara. Without having any 
recourse to Saiva Siddhhantam, he has arrived at the conclusions 
already reached by it. This is of supreme importance to the Saiva 
Siddhantin. This article is from his 'Satsiddhanta Vimarsha' 
(Theory of Reality). Ed. ] 

The Individual Souls and Their Relation to 
Brahman 

Sou! is non-different from or identical with God. 

According to non-dualism the individual souls 
have no-existence of their own. As a matter of fact, 
there is no reality except the Supreme Being who is 
the source of the manifold appearances which owe 
their origin to the pluralising power of Maya. "In the 
beginning", says the author of Panchadashi. ''the 
Supreme Spirit, without a second, blissful and 
absolutely perfect, Himself assumed the form of the 
world, ancl Himself entered into }t f assuming the 



form of individual souls through the instrumentality 
of his own Maya. J * * Thus an individual soul is in 
its essence non-difforent from Brahma, its individuality 
being due to apparent limitation. Bondage consists 
in its consciousness of limitation, and freedom from 
this consciousness is real freedom or salvation. The 
Supreme Spirit, by its very nature* is absolute reason 
or bliss. It is the adjunct of avidya or ignorance 
which apparently limits the infinititude of the Self, 
and thereby reduces it to the position of jiva or an 
empirical ego limited or Individualised in its character. 
Thus the jivas, being no other than Brahma 
conditioned by its adjuncts, their individuality i& a 
borrowed and, in one sense, illusory individuality. 

The theory is further explained by saying that 
Brahma does not undergo any change or form and 
there is no question, therefore, of its getting trans- 
formed into anything else. The jiva is not a 
manifestation of Brahma, nor any portion of it, but 
only Brahma in empirical dress. It is Brahma 
conditioned by avidya. Each jiva has its own knowing 
apparatus and moves in a small world of its own. It 
has its own joys and sorrows, its own individual 
existence. Though Brahma is one., the souls are 
many. Both Gaudapada and Shankar believe in the 
plurality of empirical selves. But, in truth, there is no 
jiva. It is all false creation or mere appearance. The 
mutable forms and names do not appertain to the 
essence of individual soul but are really separable 
adjuncts erroneously imputed to them. 

We now proceed with the objections that may be 
urgtd against this view 



God and Sou) both are eternal and distinct from 
eaeh other- 

There is no dispute about the Supreme Being and 
the souls existing simultaneously and yet distinctly 
from the time of eternity. But it does not necessitate 
that the relation between the two should be that of 
cause and effect or substance and attribute Howsoever 
the effect may be originally pressnf in the cause, 
the cause always precedes the effect and in that 
case, the exact simultaneity of the two cannot be 
established. Jiva cannot be the effect of Brahma, 
also because in that case., He (Brahma) would become 
'Vikari' or changeable., whereas He is essentially 
unchangeable. 

The Soul is without a beginning or an end. 
Individual souls are co-eternal with Brahma. But the 
admission of the souls as existing side by with 
Brahma does not in any way clash with the position 
of Brahma who being infinite and unlimited in his 
character, is pre-eminently greater than the rest. If 
Brahma alone is rea/, there is no room for the distinction 
of a God who as f Karmadhyaksha' rules and the world 
and the souls ruled by him. 

According to Madhva, we cannot say that Brahma 
is one but appears as many because of adjuncts or 
upadhies. If he is conditioned by upadhies, he cannot 
be released from them, for his association with 
upadhies will be permanent. If upadhies are the 
product of ignorance, then ignorance will be of the 
nature of Brahma, if they were different, 'then 



We will have dualism of Brahma and ignorance. 
If it is argued that ignorance is the quality of "jiva" 
we ara in a vicious circle. Thsre is no "jiva", 
without 'avidya' and no 'avidya' without 'jiva* . 

That the individual souls had a beginning in time, 
and owed their existence to the creative activity of 
God is equally open to serious objections. A thing 
having a beginning is likely to have an end, for 
extinction is but the reverse process of origination. 
It a thing can come out of nothing it has only to 
retrace its steps to revert to nothing. Stepping into 
existence and stepping out of it stand ex ctly on the 
same footing. The admission that a thing had a 
beginning in time implies that its existence is determined 
by a conjunction of conditions, so that the withdrawal 
of some of the conditions^ would entail its extinction. 
Immortality of soul is thus hardly compatible with the 
denial of its eternal existence. 

Then again, why did an individual soul come into 
being for the first time at a particular moment of time 
and not another?There is nothing peculiar in any particular 
moment in the stream of time-continuum by reference to 
which you can explain why in particular it should be 
the starting time of the creation of souls ; time in itself 
is indifferent to this great transition. The only way of 
meeting this problem may be by saying that the creation 
of individual souls being purposive, it took place 
when the necessary materials for the fulfilment of that 
purpose became available. But a little consideration 
shows the untenability of this position. In the first 
place, the ascription of creative purpose to God carries 



176 

with it the ascription of mutability to his nature, and 
impliesj furthermore, that He may have a want which 
requires to be satisfied. In the second place, a thing 
which owes its existence to an external purpose may 
cease to exist with the cessation of that purpose. In 
the third place, how can you ascribe any purpose to 
God ? He can have no purpose of his own directed 
towards an unrealised end, for He is ever perfect. For 
these and similar other reasons it is difficult to accept 
the position that one fine morning God said 'let there 
be so many individual souls' and forthwith they came 
jnto existence. 

The following aphorisms contain further arguments 
in support of the view that God and souls cannot be 
identical. 

Because of different attributes (God and soul are 
not identical). 

According to Ramanuja, Brahma is endowed with 
a number of auspicious qualities. He is all pervading, 
all powerful, all-knowing and all merciful Lord of the 
universe. Nothing evil can be ascribed to him. He 
transcends all limitations, and controls everything. 
Those passages in the scriptures that seem to fay 
down that he is devoid of all artributes really import 
that the low and limited attributes appropriate to 
mundane objects cannot be ascribed to him. 

Souls and the rest of the world, though pervaded 
by the Supreme Being, are distinct from him ; and 
being different from him in form and character, they 



can never be identical with him. The attributes of 
God cannot be predicated of the soul. While 
God is a dimensionless unity, all active and pervading, 
the souls are dimensionless units pervaded by God. Both 
are conscious entities. But they are idenified and 
distinguished on account of three attributes the 
capacity to know, the capacity to do and the 
capacity to enjoy pleasure and pain*. These three 
tendencies are manifested, while in bondage,, into 
six attributes ; desire, avarice, volition, pleasure, 
pain and cognition- The Supreme Being, on the 
other hand, is the Absolute Self, free from ignorance 
and all other vices and never subject to the reward or 
punishment of any actions. The Supreme Being, being 
omnipresent and omniscient is above all confusion, but 
the soul with its limited knowledge often falls into 
ignorance. 

The Mundaka Upanishad, while distinguishing 
between God, soul and matter says, "God is refulgent, 
pure, bodiless, all-pervading inside and outside all, 
uncreated, free from the bondage of birth and death and 
unaffected by inspiration, expiration, body and 
mind. He is all-bright. These are the attributes. 
The soul is finer than the eternal and imperishable 
materiaradica. But god is finer than the soul, the 
finest of all." 5 

Commenting on Vedanta Darshana (1.2.22), Shankar 
quotes the fame verse from the Mundaka Upanishad 
and says: "The distinctive attributes mentioned here, 
such as being of heavenly nature^ and so on can in 
no way belong to the individual soup'. So far he is 



right. But then his prejudice prevails, and in his usi 
style, he adds a phrase, not at all consistent with t 
occasion: "which erroneously considers itself to | 
limited by name and form as represented by Nescience 
By a Jittie distortion like this, he changed the tn 
spirit and meaning of the Darshana as well as tt 
Upanishad. 

The relation between the substance and the attribute 
does not coincide with the relation between God an 
soul. The free nature of the sou/, the whole doctrin 
of the cycle of life and death., pain and plegsure an 
the consciousness within, show that the soul is nc 
a mere attribute of God. 

On account of the law of relativity. 

It was Descarte who said that "we cannot haw 

the idea of finiteness if we did not have the idea o 

infinity (God).'* The reverse is also equally true. Anc 

much more if God is all powerful, there must b( 

someone \\ho should be relatively less powerful. I 

there is one who is all pervading, there must be 

someone who is not so or something which is 

pervaded by him; for the pervader and the pervaded 

cannot be identical. We cannot conceive the existence 

of a Prajapati (Ruler of the people) without the 

co-existence of the people to be ruled, a teacher 

without the taught, a preceptor without the disciple, 

a deity without the devotee and so forth. Likewise, if 

there is the Brahman who is Supreme, there must be 

some entity or entities who should be subordinate to 

mm. And t is they which are known as 'jivas* or 

Zl*;, nly ' the same entlt y can n< contain 

opposite or contradictory attributes. 



On account of distinction between the worshipper 
and the worshipped. 

Devotion or Bhakti is a relationship of trust and 
love to God. It is loving attachment to God. Narada 
defines it as intense love for God. For Shandilya, it is 
supreme longing for God., 6 It is Ishwarapranidhana, of 
yoga sutra. Devotion thus implies a duality between 
the worshipper and the worshipped. The distinction 
between the creature and creator is the ontological 
basis of Bhakti. As a matter of fact,profound faith in God 
and belief in redemption requires us to assume three 
entitiesthe soul which has to be redeemed, the fetter 
(Prakriti) which binds it and from which it has to be 
redeemed and God, the Supreme Being who is to release it 
from bondage. Even those who, otherwise, advocate non- 
duality or 'advaita', have to admit that "the truth is 
non-duality ; but duality is essential for the sake of 
worship''. Again "Before the rise of knowledge., duality 
is misleading, but when our understanding is 
enlightened, we perceive that duality is more beautiful 
than even non-duality and is conceived so that there 
might be worship". 

If God and soul were identical, no meaning would 
be left in the word 'devotion.' The same being 
cannot be both the deity as well as devotee. Who 
should worship or adore whom ? Obviously, rny 
worshipping or adoring myself would be simply 
ridiculous. If I arn God myself but. being conditioned 
by ignorance, in bondage, whom should 1 approach 
for release, for, there is none else except myself. 
Even Shankaracharya does not preclude the necessity of 



ISO 

worship. Commenting on Satyadharmaya in Ishopanishad, 
he says, ''By worshipping you, who is ail truth, 1 have 
been wedded to truth". Worship necessarily implies the 
existence of duality-the worshipper and the worshipped 
who are to be regarded as eternally different. When 
Madhva says that Bhakti consists of a continual flow of 
love for the Lord, he spells out its details, saying 
that "it is continual thinking of God, leaving all other 
things aside." Madhva has here very clearly admitted 
the existence of three entities 'jiva', the thinker 
(meditator); 'God^, the object of concentration 
(meditation) and 'other things' (.Prakrit!.). 

On account of desire for emancipation. 

AM of us entertain a keen desire for emancipation. 
The Supreme Being is free from bondage. Ignorance 
is the causs of bondage- It is through ignorance that 
we have become bound; knowledge will cure it by 
taking us to the other side. When that happens, 
nature (Prakriti) will fall at our feet^ and we will enjoy 
trampling on it. No more is there life, therefore, no 
more is there death. No more enjoyment, therefore, 
no more misery. It is bliss unspeakable. What we 
cal'l good and happiness here, are but particles of that 
bliss. And His eternal bliss is our goal 

If we had besn God ourselves why should we all 
aspire for freedom from bondage. But we know that 
we have to undergo transmigration from one body 
to another and finally, when we are sufficiently purified, 
we attain emancipation. Hence our prayer to lead us 
from death to immortality. In the state of immortality 



also, the soul does not lose its individuality, and after 
the prescribed period comes again into bondage. And 
this cycle of bondage and emanicipation goes on- 

Establishing the distinction between God and soul, 
the Upanishad says, "The sou! becomes happy after its 
communion with God who is all bliss." Had God 
and soul been one ard the same, it could not have 
been said that the soul becomes happy when it becomes 
one with God. We often talk of union with God 
and union always takes place between two distinct 
objects. 

Madhva believes in a personal God endowed with 
qualities and characters. When He is said to be 
nirguna, all that is meant is that he is not associated 
with the qualities and attributes of Prakrit!.. He- is 
saguna in that he admits the presence of auspicious 
spiritual qualities. Each one of his qualities is 
boundless. He is the author of the acts of creation, 
preservation, destruction, governance, knowledge^bondage 
and release. Madhva holds that if all souls were 
identical, then there would be no difference 
between the emancipated and the unernancipated ones. 
If all difference is due to ignorance, then Gcd who is 
free from ignorance will perceive himself as one with 
ail individual souls and experience their sufferings. 

Baldeva Vidyabhushan has written a commentary 
on Vedanta Sutras, known as Govinda Bhashya, 
supporting the doctrine of dualism ascribed to Audulomi. 
According to this view the jivas are essentially different 
from God. Owing to their connection with body and 



182 

mind, they become subject to impure ideas from which 
they can free themesh/es only by the acquisition of 
self-knowledge and the performance of devotional 
meditation ; and when they are so purified they 
attain salvation and become one with God. 
The non-difference which is sometimes indicated 
in the scriptures does, according to this 
view, refer to a possible future state, viz the state, of 
salvation. While the view about the merger of the 
soul with God in the state of salvation may be disputed 
(and left for discussion at some later stage), two 
things are abundantly clear: firstly, the soul is originally 
distinct from God ; and secondly^ the desire and efforts 
on its part to be free from bondage prove that it knows 
that it lacks the qualities of God. Both these 
conclusions testify that God and soul are not 
identical. 

On account of injunctions and inhibitions being 
meaningful. 

The scriptures ordain certain things to be done 
and certain others to be *desisted from. For instance : 
Thou shalt speak the truth;thou shalt not steal; thou shalt 
love thy neighbour; thou shalt not covet what belongs to 
others etc. Does Brahma need to know (what 
is good action and what is bad one) ? Why should 
the immortal God the fountain head of all bliss -pray 
(Relieve me from the cycle of birth and death 
and lead me to emancipation. It is always the needy 
who asks for something. As a matter of fact, all this 
relates to the individual whose ignorance binds it in 
the mortal body. 



The soul ("Atman/ is something different from the 
body as well as the mind Those who study the 
English language, are often confused or deluded by the 
words., soul and mind. Our soul is entirely different 
from our mind. What we called manas, the western 
people called soul. They never had the idea of soul 
until they got it through Sanskrit philosophy, some 
two hundred years ago. The body is here, beyond 
that is the mind, yet the mind is not the 
soul. Actually, mind is the fine or subtle body, 
the 'sukshma sharira' which goes on from birth to 
birthj and behind the mind is the soul, often designated 
by western scholars as 'self 3 . The soul goes, through 
birth and death, accompanied by the mind or the 
sukshma sharira'. It is only when it has attained 
emancipation through knowledge that this going from 
birth to death and from death to birth ceases for it. 
During the period of dissolution also, the sou! remains 
without the subtle body or 'sukshma sharira'. 

If there be no difference between the individual 
souls and the absolute spirit, no instructions are 
needed to impress upon them that they are essentially 
non-different from or identical with the Absolute ; for 
a real identification can never be disturbed. If the 
difference really exists, all instructions calculated to 
impress upon them otherwise would be futile ; for no 
amount of instructions can eliminate a difference 
which is inherent in their nature. It is suggested that 
the conscious attainment of immortality depends upon 
our realising that we are not the poor limited creatures 
that we seem to be, but the divinities upon earth 
appearing under condition? of time and space which 



can fetter us only so long as we remain ignorant o 
our real nature, just as a prince brought up in thi 
house of a poor man remains unconscious of his roy a 
dignity so long as he labours under the false impressior 
that he is a poor man's son. This analogy may be ap 
in the case of a prince who, being human with all his 
limitations, can be ignorant of his reality, but not j n 
the case of the omniscient and omnipotent Supreme 
Being. 

Man is subject to different sets of laws. He 
cannot disobey the law of gravitation- If he is 
unsupported in mid air, he must fait to the ground like 
a stone. As a living organism he is subject to various 
biological laws which he cannot afford to violate, 
These laws he shares with the animals. But there are 
laws which he does not share with animals laws 
which he can disobey, if he so . chooses. These 
are ethical or moral laws laws of Dharma or laws 
of right or wrong. Nothing is wholly good and nothing 
is wholly bad. The two good and evil pervade 
the world throughout The famous English poet, 
Alexander Pope, said, in his 'Essay on Man' 

Virtuous and vicious every man must be, 
Few in the extreme, but all in degree. 

The couplet while warning us to be careful in 
judging others, makes it clear that we human beings 
are far from being perfect like the Supreme Being who 
is ail virtuous. 

The soul is possessed of fres will which, when 
exercised, leads it sometimes to Prakriti and sometimes 
;o Brahma, To quote Alexander Pope once again 



185 

Two things in human nature reign, 
Passion to urge and reason to restrain. 

This freedom to act, this individuality of the soul 
and its limitations take it round the whole circle of 
life and death. It cannot be in relation to Brahma 
who, in its very nature, is eternal, pure, all knowing 
and ever free. Freedom always means the non 
restriction of path, and in that case, for one who is 
not all-knowing, there is an equal probability of being 
deluded on a wrong path as of following the right one 
for the soulj the two courses are open the one 
leading to Prakriti with all its pleasures and pains and 
the other to Brahma, the source of all bliss. Hence 
all the injunctions and inhibitions. 

On account of the fruition of actions. 

Man is hald responsible for the works good or 
bad done by him. If all are the transformation or 
appearance of Brahma, how is it that we do not make 
animals accountable for their evil deeds ? What is that 
which distinguishes a man from the lower animals? It 
is not at all possible for an animal to do otherwise than 
what it is dictated to it by its actual natureby its 
impulses and passions. But the case is different with 
man. . He could have, had he only paused and 
deliberated, seen the consequences of his impulsive 
actions which he had indulged in. There was, in him, 
a possibility for a better course of action than what 
he had done, and this possibility he had ignored. Why 
did he. in following his evil impulse, stoop to an 
animal sacis>faction ? It is for this that we hold the 
rnan responsible for his evjl deeds and punish hirn fgr 



186 

them. An infinite possibility either for good or for 
evil is always present in him. But with an animal, the 
case stands differently; because all of us are not one 
entity or identical with each other or non-different from 
one Supreme Being. 

If God had desired to create a world of automata 
there would have been no evil, no failure. God could 
have eliminated evil if he had so wished by denying 
us . freedom of choice. Evil is there because we 
sometimes abuse free will. If the world is a machine, 
then the individual has no meaning. He is not free 
until he is capable of creative activity. Without creative 
freedom man cannot produce either a paradise or a 
desolation on earth. God permits evil because he does 
not interfere with human choice. 

God is spoken of as one who presides over actions 
and supervises the operation of the law of Karma. There 
must be no miscarriage of justice, nor any frustration 
of the inexorable law of Karma. Men must get the 
rewards and punishments at the right time and place. 
Naturally, therefore, a great deal of design must enter 
into the creation of the world. He provides the souls 
with various forms of bodies which belong to different 
species of beings, possessing a definite arrangement of 
organs and are, therefore, capable of constituting the 
abodes of fruition. His creating all creatures in forms 
and conditions corresponding to and retributive of their 
deeds is just what entitles him to be called the cause 
of fruits of actions. The Mimansakas speak of 
an invisible potency which is said to connect the 
rewards an4 punishments with tbs doers of the deecfs, 



187 



The law of Karma has nothing in common with 
the popular idea that rewards and punishments are 
dependent on the arbitrary will of God. If God 
predestines us for weal or woe regardless of what we 
do, it is no use bothering about what we do. Karma 
is not predestination. If the law of Karma is the will 
of the highest wisdom and God is the sovereign who 
works the law, then our future may be regarded 
indifferently as either the fulfilment of the law or a 
gift of God. 

But all ethical rules become meaningless if the 
world is divine and everything is Gcd. Then there is 
no excuse for our interfering with the sacred activities 
of t.he pickpocket or the assassin. At a time when 
people are doing devil's work under divine sanction 
and consoling themselves by attributing everything to 
God, the acceptance of the doctrine of monism is doing 
incalculable harm to human society. Who can punish 
whom when the offender and the judge are one and 
the same Brahman ? 

Divine laws cannot be evaded. Every act, every 
thought is weighed in the invisible but universal scales 
of justice. The day of judgement is not in the remote 
future, but here and now : and none can escape it. But, 
if I were to sit for judgement on myself, I should not be 
expected to punish myself for anything done by me. 
The diversity we see in the world shows that there 
is a divinity, distinct from us, which shapes our ends 
in the light of our action. The world is the scene of 
an active struggle between good and evil in which 
Gog! is deeply interested. He pours out his 



of love in helping man to resist all that makes for 
error, ugliness and evil. As God is completely good 
and his love is boundless, He is concerned about the 
suffering of the world. 

If God is the oniy absolute reality, it must be 
assumed that in the Absoluts mind good and evil, 
which are so obvious in the world on equal terms are 
reconciled or are made consistent with each other. 
If the Absolute mind is held to be all good, which 
vanishes from the absolute point of view in proportion 
as we succeed in attaining that outlook. This to the 
realist will be an encouragement to moral laxity, an 
apology for the abominable. 

The difference of pleasure and pain cannot be 
explained without plurality of Souls, distinct from 
Brahma. 

The difficulty appears still more insuperable when 
we come to deal with the problem of the inequality 
of human happiness. Individual beings in this world 
are found endowed with different amounts of knowledge, 
power, pleasure^ pain etc- It can hardly be denied 
that this inequality is, to a great extent, determined 
by the differences in the conditions, capacities, and 
susceptibilities characterising different individuals from 
the very outset The Vedantjc doctrine that individual 
souls are non-different from Brahma is inconsistent 
with the assertion that, when considered from a 
relative standpoint, they are to be regarded as different 
from one another. Even conceding that the empirical 
diversity of individual st.-ul i? not inconsistent 



189 



with their ultimate unity inasmuch as they are 
essentially non - different from the Supreme Spirit, 
the existence of misery as an almost invariable 
concommitant of individual existence throws consi- 
derable doubt on the asserion of this identity.; for, 
does not the Vedantic position imply that in making 
the individual souls subject to misery, the Supreme 
Spirit has done mischief to himself? It is not perhaps 
too much to say that two persons are not equally happy or 
equally miserable. No body can, at the same time, assert 
that, BS a state of feelingj, pain is not antithetia to 
pleasure one, being the object of aversion and the 
other of desire. Even the Vedantists admit that 
ultimately God is the regulator of pleasures and pains. 
But he does not make all persons equally happy. 
We might have imputed partiality or cruelty to God, 
had he caused pleasures and pains in an arbitrary way. 
But the supposition that different persons are from 
their birth placed under unequal circumstances and 
endowed 'with different capacities and dispositions 
irrespective of their actions and dispositions in the 
past is itself inconsonant with our idea of justice. 
As a matter of fact, just as rain is necessary for the 
seeds to sprout and grow up into plants and trees and 
then to produce their fruits sweet or sour evenso 
God creates an atmosphere that would be most 
congenial for the souls to reap the sweet or bitter 
consequences of their actions. When different seeds 
produce different crops, we cannot hold the clouds 
responsible for the difference, although without showers 
of rain they miqht not have fructified. 

Conceding that the .present differences are due to 
the vestiges of actions performed in the past, it may 



be asked if these streams of actions had a beginning 
in time. If they had, the difficulty really recurs a few 
steps back and,, on the whole, remains as insoluble as 
before; for, differences in the initial stage require as 
much explanation as present differences, and perhaps 
more, for as they are ex hypothesi primordial, we 
cannot fall back upon the past to account for them. 

Now, if the Jivas (souls) are being created by 
God, these primordial or connate differences require 
some justification or explanation, in the absence of 
which, it may very well be contended that the Creator 
is neither impartial nor merciful. You cannot get over 
the difficulty by saying that although the differences, 
so far as the present life is concerned, appear to be 
primordial, they are really derivative, baing the effects 
of differences in actions performed in the past lives : 
for, assuming that the individual souls had an origin 
in time, the difficulty is sure to recur only a few steps 
back. Thus the problem is only shifted but not solved: 
for, if you admit an original diversity in the conditions, 
capacities and disposition of different individuals 
affecting their happiness in the course of fife, the 
impartiality of the Creator remains as questionable as 
ever. 

It is at any rare indubitable that subjection to some 
amount of misery is the inevitable result of worldly 
life. Now, if that be so, and if the individual beings 
are but creatures set af/oat by the Creator, it seems to 
be at least questionable whether the epithet 'merciful' 
s properly applicable to Him. fn the next place, 
con8.der.no the limited character of individual existence, 



as maintained in this system, one may suspect that if 
salvation involves complete freedom from pain as one 
of its constituent elements, the individual souls cannot, 
on this view, attain that state except by undergoing 
complete annihilation. If the individuals sprang out 
of nothing they may ultimately revert to it, and this is 
a prospect which is certainly neither covetable nor 
encouraging. 

To prove the identity of the same individual both 
before and after sleep, Shankar argues that otherwise 
the man waking up could not have begun 
again the same works which he had left 
unfinished before he went to sleep This brings 
into light what was really working in the mind 
of Shankar when he said that "a piece of work half 
done by one man cannot be brought into completion 
by a different man." Shankar speaks of memory 
here. The works themselves cannot exercise 'the 
memory. It is, therefore, the Self which does it, 
recollects his past and connects it with the present. 
Memory is the distinguishing characteristic attribute of 
the Self. That makes every man accountable for his 
works. The 'past' or 'present' are applicable only to 
the individual soul and not to the eternal and all 
pervading Supreme Being. 

In fact the concept of the eternity of soul, distinct 
from God, coupled with the doctrine of metempsychosis 
furnishes the only reasonable hypothesis to enable us 
to answer all such questions. This world is not the 
scene of a constant flow of new individuals^ so that 



he who comes into it never came before, and once out 
of it, will never return. As a matter of fact, the present 
birth is one among a series of successive births 
through which an individual passes until he reaches 
the end of his journey. This course of metempsychosis 
can only be put an end to by the attainment of 
knowledge which enables the individual to attain 
freedom. 



X, The Role of the Saivagamas in 
the Saiva Ritual System 



Jean 
four 
It is ; 



[The author of this article is 
Indologist. He is responsible for the 
Institute of Indology at Pondicherry. 
great measure, the revival of inter^ 
discovery that the majority of Brahm 
majority of priests are not Brahmins 
The contribution of Fillioz.it to Dra\i 
has retrieved many old and rare iv 
documents from oblivion. He is also ^ 
ancient Indian medicine. Ed.] 



The standard ritual in Hindu t.-nv 
books of religious technical teaching 
Tantras or Agamas. They are in LS. ; 
as well as in Siva temples. 

Vaishnava Tantras usually bear th t 
jn Ahhbudhnyasamhita, Paramasanrttta r 
find such titles as Laksrr.s Tartn 
Tantras are ordinarily termed Ar.a-a-,:- 
and other texts. 

Th ese texts, as well as tfe c '-,-; 
Jain and Buddhist circles, are - 
four parts or pad*-s : I ' >--?j^ 
with doctrine^ 2) kriyap*. r.t. 
of rites and to the r^s ~ 
making images, ?; carya; ** . 
conduct of life and for :nc,, ..-, 

13 



* . 



4) yoffaptda, completing the caryapada by psychoso- 
matic training leading to the supreme goal. 

As Agama simply means "Tradition", the name 
has been applied in India to any tradition ; it has even 
been borrowed in Indonesia to designate religions, tor 
example, "Agama Hindu, Agama Islam, or Agama 
Kristen J '. 

Today, the Saivagamas are ehiefly in use in South 
India. It 'is in South India that the religious tradition 
has been preserved at its best as South India has 
been less disturbed by various kinds of mvaders than 
was Northern India. Futher, South India, after the 
decline of Vedic and Brahmanical religions has been a 
region of intense creativity in philosophy and devotion. 
Sankara, for example, was born in Kerala, Ramanuja in 
Tamil Nadu, Madhva in Karnataka, while Nimbarka and 
Vallabha were natives of Andhra. 

The first great movement of poetic bhakti., both 
Saiva and Vaishnava, appeared in Tamil Nadu with the 
Saiva saints called Nayanmar and the Vaishnava saints., 
the Alvar. But the Saivagamas have also been in 
vogue in Kashmir where flourished the Saiva school of 
Trika different from but analogous to the Tamil Saiva 
Siddhanta school which was also based on the Agamas. 

Moreover, the Saivagamas have been exported 
from India to South-Esst Asia. Not only are the main 
features of Hindu rituah practised in Cambodia and 
Indonesia based upon the Saivagamas, but also these 
texts are explicitly referred to in Sankrit inscriptions of 
Cambodia The Paramesvara, for example, is mentioned 
in one inscription of Bantay-srei in 976 A. D.* 



Some theories have been advanced regardinq tha 
origin of mountain-temples in Cambodia and of ;he 
so-called davaraja. One such theory supposes that the 
human king was divinized and represented by a hr'ga 
established with his name. Such theories are no 
longer tenable when we consider the Agams, 
Mountain-temples either symbolising rvii. Mem cr beirri 
built on tombs are erected according to the Ararr c 
prescriptions. Devaraja is not merely c jcc-vira. LW 
is Siva himself as king of the gods. Brahrran Visr- 
and Indra. He is naturally represented by a I -g 
which may be designated with the rave c* n < 5 
who established it. 2 



In modern times, in the Btc 
Cambodia and Thailand, th3 so-called "i 
have been in charge of State certs:? 
spiritual descendants of the Hindu pr.es 
empire period. They mainly came from 
coast and belonged to the Ka-lasaouT 
group still flourishing in TFiv:il r.cci.. 
Sanskrit texts they BO longer u-c'"fiM 
by the Saivagamic rituals ana afs. 
very often- Iheir rstr.ii texts are ^ 
and Vaisnava. 4 These "Erahrr.io" v; 
Agamic wave of Hindu inM^ac& 
peninsula. The previous one hoJ 
beginning in the first cer.i-jr.e? vt * , 
era. By that time Vedic r :...:: ', 
virtually abandoned^ cei^.te r.s '.- : 
were still sacred and ii.,i "=,. 
cosmologicol doctrines. Aj. " - 
agnikarya, arcana and 



.or 

s 

tr- 



3 



. . "*^rc-j 

a St * 



Vedic yajna and great Ve.dic ceremonies like agnisioma, 
asvamedha, and others. The Epics, Puranas, 
Dharmasastras, Arthasastra, Vyakarana and scientific 
books of medicine and astronomy were imported from 
India side by side with Buddhist scriptures. But these 
texts did not give rules for religious practice. These 
have been supplied by the technical manuals The 
Tantras or Agamas. 

The Western notion of Tantrism separates th 
corresponding practices from "orthodox" Hinduist 
(represented by Smrtis, Epics, Puranas and Darsanas 
and evokes images of magical and sexual practices 
characteristic of the Tantras. That is the consequen< 
of paying exclusive attention to such practices 
prescribed in some peculiar Buddhist Tantras ai 
parallel Hindu sectarian texts. But the ordins 
Saivagamas or Tantras are simply the detailed manui 
of general Saivism. just as Pancaratrasamhftas are the 
of general Vaisnavism. 

The classical list of Saivagamas is as follows : 

1. Kamikagama 

2. Yogajagama 

3. Cintya- 

4. Karana 

5. Ajita- 

7. Suksma 

8. Sahasra 

9. Amsumat- 

10. Suprabheda - 

11. Vijaya- 

12. Nisvasa - 




197 

13. Svayambhuva - 

14. Anala 

15. Vira- 

16. Raurava 

17. Makuta - 

18. Virnaia 

19. Candrajnana - 

20. Bimba - 

21. Prodgita - 

22. Laiita 

23. Siddha 

24. Santana ~ 

25. Sarvokta - 

26. Pararnesvara 

27. Kirana - 

28. Vatula - 

Several of these texts seem to be 
restricted to one or two padas \r.t\* 
priests of the temples ordirariiy ke*. 
which are specially useful for t^e 
rites 

There are also a number of up 323 
dary technical manuals or pacfdhs: i 
often translated into Tam;l The 
authors of these manuals hav : L V ; 
Aghorasivacarya and Somasamthu. 
paddhatf belongs to the XI center.. TJ ~ . 
translated into French because it ,s a .'. 
Agamic ritual. s 

But the ritual and the technical ; - T3 
are not separable form tha doctdr,^ bi 



,e 



198 | 

practice of Saiva religion inc/udss ths knowledge of 
Siva as Supreme Being producing the world from 
himself, under the influence of his Sakti who has 
generally three aspects : Jnanasakti (by whom, he gets 
the notion of the world). Icchasakti (by whom he 
wishes to enjoy this world), and Kriyasskti (by whom 
the world is created). As far as man is concerned 
the doctrine refers to him a pasu (a cow). Siva is the 
pati who takes care of the pasu, afflicted by the 
pasa, the bondage which is constituted by the world 
and the human condition in this world. 

This doctrine is fundamental to the Sanskrit 
Agamas and aJso to the Tamil Saiva Siddhanta. The 
Saiva Siddhanta is referred to by name in one 
inscription of Kailasanatha's temple at Kancipuram, 
perhaps as early as the seventh century. 

This doctrine attained great popularity in Tamil 
Nadu thanks to Meykantatever fthe tever-a name of 
a caste who has seen the Truth''/, author of the 
Cfvananapotam and thanks to such of his followers as 
Civananacittiyarf The Civananapotam is considered to 
be a commentary on twelve stanzas from the 
ftauravagama. But these stanzas hav not been traced 
m the text presently at our disposal. 6 

Before Meykantatevar Saiva Siddhanta principles 
had been described in a large collection of stanzas 
known as the Tirumantiram by Tjrumular The poetic 
value of the works is great, but veiled allusions and 
double meanings make it sometimes obscure. The 

^^-^-^ 

A. Tevar means a celestial 

3 Aral Nandi who is t<i3 author of Civananacittiyar. 



199 



possession of marvellous powers (astamahasfddhf). 
According to his ligend, he met cows which were 
in danger because their cowherd had died. In order to 
save the cows he entered the cowherd's corpse. 
That is an image which recalls the compassion of Siva 
as Pati taking care of the pasu-s. Tirumular claims 
to have been instructed by Nandi, who is Siva himself 
in the guise of an anthropomorphic god With a bull's 
head (Nandikesvara). 

The Tfrumant/ram deals extensively with the 
practice of yoga, sometimes in an original way. For 
example, taranai (Skt. dharana] is understood not simply 
as a fixation of the attention but also as the stopping 
of breath (kumbhaka) together with the awakening of the 
consciousness of Siva's unity. The symbolism of 
ritual yogic practices like the awakening oj 
Kundalinisakti is also revealed, The text serves as a 
guide by means of Psychosomatic exercises towards 
the Supreme goal 

These exercises, ordinarily known as Hathayoga 
are more ancient than it has been generally supposed. 
There is in the Lalitavistara (composed around the 
start of our era) a description of one practice tried 
by the Bodhisattva which corresponds to causing the 
ascension of the Kundaiinisakti towards the skull. When 
the exercises are performed in order to reach the 
astamahasiddhi, they are characteristic of the sfddha-s 
the "Perfects". The name Saiva Siddhanta has a double 
meaning : "Demonstration of Siva's truth" and finql 
term for the "Saivite Perfect ones" ? 



200 

in any case, the teachings of the Agamas In their 
carya and yogapadas,' like similar teachings in various 
manuals, 7 are essential for individual ritual and for their 
prescriptions of the kriyapactas for the public cult. 

This public cult consists first in the daily service 
of the God in the temple. He is treated like a king 
in his palace. He is awakened and receives everything 
for bathing, eating, enjoying music and dance, etc. 

During the festivals, (mahotsavas) he is carried 
outside in procession. The ritual also includes 
oblations in fire <homa) and sprinkling of water 
(snapana, kumbhabhiseka etc) ... Symbolism plays a 
qreat role in the ritual. For example, in the different 
kinds of snapana ( bathing), the vessels in use represent 
Siva, Sakti, around them, the gods of the universe as 
conceived in the Agamic cosmology. They also 
receive samples of precious things and medicinal 
plants They are established in fixed places, as are 
the Buddhist deities in the famous Tantric mandalas. 

Aff the rites must be accompained by recitation of 
formulae (mantra, estra, kavaca etc), enunciation of 
condensed symbolic syllables (bija) and also by gestures 
mudras) . 

Vedic re and yajus are also prescribed in some 
Agamas (Ajitagama for example), but they must be 
excluded according to others 

The ritual may be performed or conducted only by 
persons having received an appropriate <//fts&. These 



201 



do not always belong to the Erahmanical class, though 
they are commonly termed "Brahmins". The diksa for 
certain Agamas, is more important than birth. 
Nevertheless, those who order the ritual, the acarya or 
ctesika, must be Brahmins. The ordinary officiants in 
Tamil, the gurukka\, are not recognised as regular 
Brahmins. That is in accordance with the general 
situation in India. Regular Brahmins are characterized 
more by knowledge and technical science than by 
sacerdotal functions. In fact, the majority of Brahmins 
are not priests and the majority of priests are not 
Brahmins. Even the Vedic brahmana did not perform 
any ritual operation ; rather, he surveyed the ceremony, 
intervening with his science only in case of faults. 

But the Saiva doctrine of the Agamas 
emphasizing, as they do, knowledge and ritual 
observances more than lineage, has helped to open the 
highest religious practice to non-Brahmins. 

The Saiva cult together with the Sakti cult has 
been the most widespread throughout India and even 
in all the countries which have received a strong Hindu 
influence This cult is based on the Agamas. So the 
role of these Saivagamas has been and still is 
fundamental in the Saiva ritual system. 

Notes 

1. G Coedes, Inscriptions du Cambodge, "1 , Hanoi, 
19.17, pp. <50-154. 

2. J Filliozat, 'New researches on the relations 
between India and Cambodia', INDICA, 3. 2. Sept. 
1966, pp. 95-106. And Laghuprabandhdh, pp. 454-465, 



J02 



3. Kailasparampara Felicitation volumes of South 
East Asian Studies presented to H. H. Prince Dnan 1 
Nivat, Vol. II, Bangkok, 1965, pp 241 247 and Laghupra- 
bandhah, pp. 394-400. 

4. Neelakanta Sarma - Texfes Sanskrits et tamoufs de 
Thai/ande. Publ. Institut francais d' Indologie, n47. 
Pondicherry, 197?. 

5. Cf, Helene Brunner,, Somasambhupaddhatf, 
Publications institut francais d' Indologie n 25. 1 vol , 
Pondicherry, 1963- i968. 

6. N.R Bha.tt, Rauravagama, ed ,2 Vol., publications 
of the Institut francais d' Indologie, 1961-1972. 

7. One has been recently published : Tara Michael, 
Sivayogaratna. Publ, Institut francais d' Indologie, 
n 53, Pondicherry, 1975. 



XI The Puraanam of Rudra Pasupati 



rThis Puraanam as indited by St. Sekkizhaar is given here 
in English translation. To help the reader understand The core 
and true content of this Puraanam, we have printed n th s 
volume the wondrous article of Bruce Long, entitled : "Rudra 
Stotram" ^ ^^ Ambivalen ' The Satarudriya 



_ Rudra Pasupati is mentioned as the seventeenth Naavanaar 
m St. sundarar's Tiru-th-Tonda-th-Tokai which form. thf^ 
and foundation over which the grand ecU ice o the Per ' a 
Puraanam is reared. Ed.] ya 

"I am a serviteur of Muruka and Rudra Pasupati." 

Tiru-th-Tonda-th-Tokai 

1. Great Tiru-th~ThaIaiyoor among all towns, is 
Endowed with superior excellence; it is situate 
In the land of the Cauvery, and its fields 
And groves get richly watered; 
Here flourish flawless families galore, 
Well. endowed and lacking nothing. 

2. The fire of the sacrificial pit tended by Brahmins 
Supplied them with rain; the dense gardens 
-Fragrant and flowery-, supplied them with honey 
The kma gave unto the Lord the panchaksvya- ' 
The town bestowed on men 
Dharma, Niti and Saalpu. 

[Oharma, Niti and Saalpu are three untranslatable 
words. The reader may be familiar with Dharma and 
IMiti but not SQalp Ui The Kural savs; 



04 



"Love, modesty^ beneficence, benignant grace 
And truth are the five pillars of Saalpu's resting 

place 
Saalpu is fulness, perfection, complete excellence.] 

3. In that grace-abounding town 
From the family of Brahmins 

Firmly established in the truth of the Vedas, 

He, the pure one. came to be born:; 

He was called Pasupatiyaar; 

In love he serve^. tha Lord whose mount 

The red-eyed Bull-, is Vishnu, 

And whose Consort is the liana-like 

Daughter of rich and auric Himavant. 

4. Chanting Sri Rudram, this Brahmin hailed 

The flower-feet of the Lord unknown to Vishnu. 

His heart poised in Vedic devotion. 

In love and without break., 

He was ever chanting Rudram 

Which is treasured by the Vedas. 

Thus he throve, established 

In the ministry of chanting. 

5. As the birds twitiered endlessly 
And the honey-bees hummed, 

He would enter the pool where burgeon 
Fragrant red lotuses 
Like a blaze of flame on water, 
And where Varaal and Kayal leaped and rolled. 
[Varaai and Kaya! are two of the fish varieties.] 

6. Thither would he stand 
Neck-deep in the cool iucid water, 



205 



Hold his hands, above his head, folded in 

adoration, 
And practise the purposive chanting of 

Sri Rudram 

In loving devotion of the Lord 
In whose matted hair white-waved Ganga 
Flowed and overflowed 

7. He who was like Brahma throned on lotus 
Chanted Sri Rudram the fruit of the rare Vedas- 
During broad day-light and eventide, without fail; 
When he chanted thus for some days 

He attained at-one-ment; 

The Lord of Uma was pleased. 

[The state of at-one-ment is the highest. It is 
the advaitic union of Saiva Siddhantam, the Kaivalya 
of Vedantam. The Greek phrase : "monogenes huios" 
referred to in the Greek Testament (John I ! 18) 
is akin to this. ] 

8. The Primal Lord approved of 

The loving servitor's glorious and rare askesis 

And his excelling mastery 

And well-ordered incantation 

Of the Vedic mantras, 

And blessed him to abide 

In the flawless Siva-loka. 

[Mantras are not to be articulated with indifference. 
They are to be recited en regie. This calls for. 
patience, practice and unflagging devotion.] 



06 

9. As he chanted Sri Rudram 
With ever-during love 

He came to abide beneath the gracious 

Dancing feet of the Lord, 

And came to be hailed by the world 

With the renowned name "Rudra Pasupatiyaar." 

[The life of this Maayanaar may appear to be 
simple. True* it is divinely simple. However this 
simplicity is not easy of accomplishment. Centuries 
have rolled by, since he passed into the Siva-loka. 
However, we are yet to hear of Rudra-Pasupati., the 
second.] 

10. Having hailed the glory of Rudra Pasupatiyaar 
Who was blessed to abide beside Him 

And hail Him of the sharp trident, 

We now proceed to hymn 

The divine devotee: "Naalai-p-Povaar'- 5 

Who-ministered 

Without the temple and without the precincts 

Of forted Tillai. 

[Though the Puraanam ended with stanze 9, yet 
St. Sekkizhaar would add one more stanza which 
would act as a connecting link in the catena.] 



XII Rudra as an Embodiment of Divine 
Ambivalence in the Satarudriya Stotram 



[The author of this essay is J. Bruce Long, Director, Blaisdell 
Institute (Claremont, California). He has closely studied the 
the scriptures of Saivism and is therefore entitled to indite 
ex cathedra on Saivism. 

Where eminent writers and translators like J. Muir, 
A. A. Macdonell, A. B. Keith, Nicol Macnicol, J. Gonda and 
J. N. Farquhar failed, our author had succeeded. For the first 
time a near-perfect interpretation of the Satarudriya Stotram is 
available to the student of Saivism. 

The article printed hercunder is truly an eye-opener. It 
silences the vociferous misinterpreters. The wealth of notes 
appended to this article attests the thorough-going intellect of the 
author. 

By this article and the one on MAHASIVARATRI (Religious 
Festivals In South India and Sri Lanka, Manohar, 1982), the 
author will be gratefully remembered by true Saivites for genera- 
tions to come. Ed.] 

It was common practice for Vedic priests to invoke 
deities in the pantheon by presenting oblations of food 
and drink while singing hymns of praise (samana-s, 
mantra'S, stotra-s, sukta-s). The hymns were composd 
either as intricate poetic verses (sukta-s) or as simple 
strings of sacred formulae (stotra-s). The recitations 
served as an oral counterpart to the sacramental acts 
of constructing the altar, kindling the fire and presenting 
the oblations in the fire. In Vedic religion, the offering 
of sacrifice and the recitations were two complementary 
aspects of a single ritual performance. 



208 

It is the purpose of this paper to explore ways in 
which the sacred hymn and sacrificial ritual known as 
the Satarudriya reflect the image of Divinity during 
the Vedic period and how this notion of Divinity is 
consistent with the religious experience of "god-con- 
sciousness^ of its devotees. We will do this, first, by 
analyzing the text of the hymn as well as its 
accompanying ritual, and secondly, by interperting 
these materials critically with the help of Richard R. 
Niebuhr's discussion of religious experience 

Rudra as Divine Ambivalence 

Around the turn of the century., the British 
Indologist, A. A. Macdonell, attempting to characterize 
the basic features of the Vedic gods^ observed that 
"Personification has, however., nowhere in Vedic 
mythology attained to the individualized anthropo- 
morphism characteristic of the Hellenic gods. The Vedic 
deities have but very few distinguishing teatures, 
while many attributes and powers are shared by all 
alike." He believes the reason many deities share 
numerous traits in common has to do with the fact 
that "the departments of nature which they represent 
have often much in common, while their anthropo- 
morphism is comparatively undeveloped". 1 However, If 
Sri Aurobindo's contention is true, that, contrary to the 
opinion of nineteenth century Indologists, few of the 
Vedic deities represent, "departments of nature" in a 
simple and unequivocal sense, * then, we must seek 
another explanation for the undeveloped nature of 
anthropomorphism in the Vedas. One possible 
explanation is that Vedic priests understood Divinit/ 
to be manifested within the world in multivalent terms: 



209 

both simple and multiple, both personal and impersonal 
Of transpersonal. In many instances, a single deity is 
presented in various guises and the domain of his 
power is extended either by elevating him to a lofty and 
transcendent position (as with Varuna) or by multiplying 
the -departments of nature and society over which he 
exercises control (as with Rudra). In this way, both 
the unified and differentiated, the personal and 
impersonal dimensions of divinity were reflected in a 
realistic and vivid fashion. Further, the Vedic poets 
extended the realms over which a particular deity 
exercised jurisdiction by multiplying the number 
of names, epithets, character traits_, heroic deeds and 
divine powers which were believed to belong properly 
to that godj until, in the end they declared his 
sovereignty to be universal in scope. 

While the Vedic poets applied this principle of 
multiple denomination to all the deities in the pantheon 
to some degree^ they developed it in a most elaborate 
fashionin the case of Rudra. s As many Indologists have 
remarked previously, an impressive number and 
diversity of names and epithets are assigned to Rudra 
throughout every phase of Indian religion. He is the 
multiform deity par excellence. As one scholar has 
put it, "His very character lent itself admirably to 
splitting up into partial manifestations as well as to 
assimilation of divine or demonic powers of cognate 
nature, were they Aryan or non-Aryan . 4 The priests 
invoked him with as many pleasing names and 
attributes as his nature and the particular occasion 
would allow, in hopes that, by doing so, they might 
avert the -outbursts of wrath for which he is so 
renowned:, and earn his benevolent favour.