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Accession
917.9461 SaRl9i
349922
NOT TO BE TAKEN FROM THE LIBRARY
FORM NO 37 SM-8-32
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til
VISASKCISKCim
_J A. 18sk. .HH <H£- JUL -3»- W.Jr W_Jsr
Pleasingly different—
UTL
smart ...
distinctive
yet the quiet charm
of €|iiality
STUTZ
X
of Xorl ln'i'ii California
/
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Hemlock 1230
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Throughout the
Month ... Unusual
^H
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Sale of Linens. Now!
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Sounding the cue for every clever housewife to take inven-
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Fine Irish Linen
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S^W
In the 2x2 size, lavishly beautiful
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at $9.95 the dozen.
Large Cannon
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Filet and cut work with exquisite Venetian
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«?
59
oO
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C'CCNNCR.MCFFATT iCC.
The yew Store • STOCKTON AT O'FARRELL STREET • SUtter 1800
WHERE
TC
THE STAGE
Alcazar: Kolb and Dill revive discussions of
six years ago with prohibition farce, "Now
and Then".
Curran: A few more nights of Chauve Souris
then the World Primiere of the Venetian
operetta "Bambina" with Nancy Welford
and Al St. John.
Capitol: Taking a fresh lease on life with a
short run of the popular "Follow Thru".
President: Charlotte Greenwood plays to
crowded houses week after week — the box
office often says "no" to requests for seats
to see "She Couldn't Say No".
THE SCREEN
California: "The Locked Door" starts the
month but quickly gives way to "Sally"
with the all-talking Marilyn Miller.
Davies: Enthusiasts gather around to hear
Ted Lewis with his band and his inevitable
question, "Is Everybody Happy?"
Embassy: George Arliss repeats his former
"Disraeli" successes — the stage, the silent
screen and now the talking screen, one of
the best productions of the season.
Fox: William Haines in his first all-talking
picture "Navy Blues".
Granada: Another first all-talking appearance
— Norma Talmadge in "New York Nights".
Orpheum: "Broadway" follows close on the
heels of "The Vagabond Lover".
St. Francis: The indefatigible public still
flocks to see, hear and adore Maurice Chev-
alier.
Warfield: Janet Gaynor plays another Cin-
derella with Charles Farrell as Prince
Charming in "Sunnyside Up".
DINING AND DANCING
St. Francis: Holiday festivities with the glamor
of new foods.
Ye Mayflower: Colonial tradition mingles
with Spanish atmosphere.
Post Street Cafeteria: Only the best is counted
good enough at this or any other season.
The Fairmont: Choose your atmosphere —
pick your chef.
Mark Hopkins: Peacock Court struts to an
accompaniment of good music and better
cuisine.
The Courtyard: Take the visiting easterner
to January luncheon outdoors.
The Palace: Of course.
Sir Francis Drake: Gracious service and hos-
pitality.
The Studio: One appreciates the open court
yard or the cosy firelit dining room these
fickle evenings.
New Frank's: A gilt-edge proposition.
Russian Tea Room: Sutter near Grant, where
nothing makes you see Red.
Solari's: Geary, endorsed by all.
The Bib and Tucker: A Mecca for hungry
shoppers.
MUSIC
January 10: Symphony breakfast 12:45;
Italian room of the St. Francis.
January 10: Symphony concert Curran
Theatre 3:00 p.m.; Alfred Hertz directing,
Nathan Milstein, violinist, guest artist.
January 12: 3:00 p.m. repeat performance of
the Friday Symphony concert.
January 13: Matinee Musicale at the Fair-
mont; Agna Enters, dance mime concert.
January 13: Opening of Columbia Grand
Opera season with "Carmen" at the Co-
lumbia theatre. Followed by "Rigoletto",
Tuesday evening; "La Forza del Destino",
Wednesday evening; "La Traviata" Thurs-
day evening; "Carmen", Friday evening;
"II Barbiere di Siviglia", Saturday matinee;
and "II Trovatore", Saturday evening.
January 14: Municipal Symphony concert,
Alfred Hertz, conducting; Dusolina Gian-
nini, soprano, as guest artist. Civic Audi-
torium.
January 14: La Argentina, Spanish dancer,
in the first of two matinee concerts at the
Geary.
January 15: Roth quartet at Mills College.
January 17: Young People's Symphony Con-
cert, 4:15 p.m. at the Curran; Wheeler
Beckett, conducting.
January 17: Sam Rodetsky, pianist, in con-
cert at Scottish Rite.
January 19: Second matinee dance concert
of La Argentina.
January 19: Symphony "Pop" Concert at
the Curran, Alfred Hertz conducting.
January 22: Phyllida Ashley, pianist, in con-
cert at Scottish Rite.
January 28: Abas String Quartet in concert
at Community Playhouse, 8:40 p.m.
ART
California Palace of the Legion of Honor:
Closed during January for rearrangement
of exhibits after sculpture show.
East West Gallery: Black-and-white exhibition
of drawings by Frances Brooks and Sybil
Emerson and wood block prints by Charles
R. Gardner.
Galerie Beaux Arts: Water colors by Beaux
Arts artist members. Honigbaum loan ex-
hibition of sketches and paintings by Diego
Rivera. Small showing of etchings of Agna
Enters by John Sloan.
Gumps: Special exhibitions of California and
other Western artists. Prints, old masters
and contemporary paintings.
M. H. de Young Memorial Museum: Per-
manent collections.
Courvoisier Little Gallery: Etchings bv J. W.
Winkler, January 13 to 27. Special show-
ing of modern glass.
Paul Elder's Gallery: Exhibition of water
colors, prints, textiles and pottery by faculty
students of Newcomb Memorial College,
New Orleans.
Vickery, Atkins 8i. Torrey: Portfolio exhibi-
tions of fine prints.
The White House: Special exhibition of etch-
ings by Foujita.
Loretta Ellen Brady: Etchings of well-known
corners in Paris, also views of famous
cathedrals and chateaux.
H. Valdespino: Color prints and etchings.
ESTABLISHED .8S2
SHREVE & COMPANY
JEWELERS and SILVERSMITHS
Post Screet at Grant Avenue
San Francisco
f^SCAR SCHORI has
^^ been employed as chef
at the Fairmont Hotel. He
has taken over his new duties
since January 1st but already
word of his special luncheons
and dinners has spread and
people are nocking to the
Fairmont on any and every
excuse to taste the dishes
created by this international
chef.
The specialties of Oscar
Schori are the result of his
experience in various capitals
abroad — though born in
Switzerland, he has worked
in leading hotels in Europe,
including The Terminus of
Strassberg, the Palace Dor-
see of Paris, the Grand and
The Trocadero of London
and the Kaiserhoff of Berlin.
He was broughtf rom Europe
to the Commodore of New
York and served at the Ritz
before coming to California
where he is delighted with
the facilities at hand for the
very finest cookery. In Cal
fornia, Schori says, practi
cally everything is fresh at
hand. Fruits and vegetables
that have to be shipped into
the capitals of Europe are
available here direct from
the garden. The result is that
California is, to him, a chef's
paradise.
XHE Fairmont has also
announced new prices for
its special luncheons and
dinners — most attractive!
The new luncheon in the
grill is only seventy-five cents
and in the main dining room
it is one dollar. The dinners
are unusual at one dollar in
the grill — one seventy-five
and two dollars in the main
dining room.
Anson Weeks has recently
returned from two weeks in
New York where he went to
gain fresh inspiration and to
see the latest thing in enter-
tainment there. He has come
home with a bag full of tricks
ready for the revelers in Pea-
cock Court on Tuesday Fea-
ture Nights and for the Col-
lege Carnival each Friday
night. He has all sorts of
surprises in store for the
coming events — things he'll
not more than hint at in con-
versation.
■»UDY SIEGER is plan-
ning a series of special
dinner concerts for Wednes-
day evenings in the Venetian
Dining Room. He will pre-
sent unusually beautiful pro-
grams and the chef is pre-
paring marvelous menus for
each Wednesday dinner —
the combination should be
irresistible. And after dinner
bridge will be played in Lau-
rel Court.
The Fairmont Terrace
Plunge continues to be one
of the most popular play
places in town. The very
novelty of indulging in water
sports in January appeals to
the imagination. Tourists
from the East join in with
particular zest — somehow it
spells C-a-1-i-f-o-r-n-i-a to
them in a very charming way.
A perfect plunge — within
three minutes of the Wall
street corner of the West!
Y4
rCITY of
Some like it HOT
. . . where January is a gorgeous com-
pound of sunshine, swimming, and golf
... in the southern playgrounds or the
sunny islands of the Pacific. For the sun
lovers of the smart world, the City of Paris
Deauville Shop serves as an authority on
resort fashions, and here they choose de-
lectable fashions for active sports or grace-
ful loitering in and out of doors.
A knit suit with finger-tip
coat.
A Leghorn shade hat is
flattering!) smart.
The newest fiat crepe firocks
have capes.
Bathing suits wear a new
back strap.
Cork sandals fior the beach.
THIRD FLOOR
»~^yll
Defy the cold in a su, .::-
er scarf and beret outfit of
brushed wool.
The intrepid skit r u ears a
dark green leather wind-
breaker, leather shorts,
and helmet, and three-
quarter go! f socks.
THIRD FLOOR
Some like it COLD
. . . where the sky is blue and the snow
is white and the intoxicating air prom-
ises rollicking hours. Skiing . . . skating
. . . tobogganing . . . each with its own
particular appeal has its own individual
costume . . . and the City of Paris is ready
with these correct sports outfits, swagger
and sturdy, and authoritatively designed
for these vigorous activities out-of-doors!
\ \
CONTEXTS
January
E
SAN VIKANCISCAK
JOSEPH DYER, Editor & Publisher
Rowena Mason, Associate Editor
3431^°
Charles Caldwell Dobie
Joseph Henderson
Kathryn Hulme
Ned Hilton
Contributing Editors
Raymond Armsby
Mollie Merrick
Carey McWilliams
Beth Wendell
1030
Cover Design by Van Deusen
Helen Wills, photograph by
Dorothy Wilding ------ 8
Art of Living, article by Lawrence Hart 9
The White Card, by Ned Hilton 10
Unconstitutional Preamble, by
William Justiatna - - - - - 11
Podofkin, article by Lucita Squier - 12
Nikita Balieff, portrait by Hagemeyer 13
"California," review by Carey
McWilliams -------- 14
Air Conquest, drawing by John Vassos 15
Another Year in Music, by
Enid Hubbard ----- 16
Therese, verse by H. L. Johnson - - 16
The First Hundred Years, by
John Nordhof - -17
The Gardens of Montalvo, photograph
by William Horace Smith - - 18
R. Porter Ashe, tintype by Zoe Battu 19
Charles Caldwell Dobie, photograph by
Helen Macgregor ------ 20
Spotlight, by Charles Caldwell Dobie 21
Sonnet, by Elizabeth Leslie Roos - - 21
Edith Bentley, photograph by Boye - 22
Reigning Dynasty ------- 23
Now It Can Be Told 24
Air Prospects, by Harvey Williams - - 26
A Farewell to Books, by Beth Wendel - 28
As to Style, by Mollie Merkley - 34
Have You Heard, by Frances - - - 35
As Seen by Her -------- 36
Aline Kistler. Assistant Editor
Idwal Jones
Elva Williams
George Douglas
Marcella Burke
vol. IV
no. I
The San Franciscan is published monthly by The
San Franciscan Publishing Company, Sharon Build-
ing, San Francisco, Calif. Entered as second class
matter October, 1928, at the Post Office at San
Francisco, Calif., under the act of March 3, 1879.
Joseph Dyer, Publisher. Subscription price, one year
$2.50. Single Copies 25c. Copyrighted 1929, The
San Franciscan Publishing Company. Unsolicited
manuscripts will not be returned unless accompanied
by self-addressed, stamped envelope. For advertising
rates address Zora Combes, Advertising Manager.
DOROTHY WILDING LONDON
Helen Wills
In spite of her marriage. December 23, to Frederick S. Moody, Jr., and in defiance
to the fact that she is still honeymooning on board the yacht Galatea, it appears
that this American heroine will continue to win honors under her own name. She
will play tennis, write and exhibit her drawings and paintings as Helen Wills.
SAN FRANCISCAN
WVi
The Art of Living
In San Francisco They Ask ?\Are Yon Charming?"
by LAWRENCE HART
San Franciscans are traditionally
negligent of native masters in the
incidental arts but none love, as San
Franciscans do, masters in the art of
living.
Here there is the feeling that no art is
vital save the art of living. All other
arts are incidental until they accent the
drama of our individual hours — until
they waken a personal response to beauty
and splendor discovered in daily inci-
dent, until they serve the art of living.
Those men achieve but little who pre-
vail in lesser matters : in business, art or
politics — if yet they fail to instill charm
into their days.
Some, too wise for labored indirect-
nesses, build their personalities rather
into daily living than into works of
hand. And these are the greater artists.
Poets revise endlessly, but none can edit
hours he has lived. The charm and
beauty of our days must be extempore.
No art is vital save the art of living.
Do men ask in Boston what you
know? In New York what can you
do? In Philadelphia what you believe?
In Chicago what you are worth? In San
Francisco we ask only, "Are you charm-
ing?" "Interest us if you can," we say.
"Charm us if you can. Make the hours
spent with you vivid or hilarious, serene
or beautiful — we retain you in our com-
pany. Bore us, and we cast you out
whoever you may be, however great
your name."
Our entertainment does not center on
the theatre or club. Who wins our
hearts we take into our homes. Elaborate
diversions serve those who seek escape
from one another. We prefer discussion,
the intimate party; we gather at some
fireside for companionship and conver-
The personality and heritage
of old San Francisco has been
told a thousand times .... its
flavor has been caught by great
writers and poets of three gen-
erations who have looked on
the city that was. We offer this
in tribute to the young San
Francisco that today draws
unto herself masters in
the great art of living.
sation. The ostentation of bewildered
rich, the posing of the Bohemian, are
equally naive. With almost identical
fervor they pursue uneaseful pleasures,
collect sequences of acquaintances who
never can be friends.
The true San Franciscan is a sophisti-
cate; he has learned the technic of friend-
ship, the beauty of simplicity.
The man of personal charm, although
not often a materialist, is always a
realist. He has met the tribulations of
life with silent heroism, and avoided the
mock-refuges of the introvert, the day-
dreamer. He is a spiritual adult
Insofar as the San Franciscan is
sophisticate, he is a journeyman at
the art of living. He does not value
"art for art's sake," nor wealth for its
display, nor position for the pride of
position; but these he esteems as they
make his daily living vivid and more
real.
He is not appalled at the degradation
of man, nor surprised at the heroism and
nobility of man. He does not despise the
unfortunate, nor is he servile before the
great. Success in daily living is alone
important.
Being thus socially independent, the
San Franciscan does not strive with the
traditional ardor for social recognition.
He is socially and individually self-
sufficient.
It is a self-sufficiency such as aristoc-
racies have labored from the first to
teach. This instinctive nobility, tainted
by neither servility nor boastfulness,
that they have striven to impress on the
wealthy who swelled their ranks. And
as each nation entered upon democracy,
its greatness varied as it accepted the
aristocratic ideal of the dignity and
nobility of the individual.
The San Franciscan, insofar as he is
sophisticate, follows the authentic aris-
tocratic tradition, and devotes his ener-
gies neither to wealth, nor power, nor
fame — save as these serve the art of liv-
ing— but draws from each passing day
that day's charm and vividness, and
from earth, earth's unbelievable beauty.
And those who have this magic
L sight shall labor all their days to
shadow in the visible world their
actual persons. Some record their true
selves in books of poetry, and some in
statues or in pictures they create; some
build far-reaching businesses; a few have
forced, throughout the climes of man
a magnificent city.
10
THE SAN FRANCISCAN
The Boss dominates advertising; men
are told to wear stiff collars, and use
various mouthwashes, and wear such-
and-such suits, and use such-and-such
pens, and lather themselves with such-
and-such an ill-smelling soap, and buy
an alarm clock, and drink orange juice,
and use a pencil which solves mathema-
tical problems, and take cod liver oil,
and drink substitutes for coffee, and use
an electric razor, and do a thousand and
one other standardized things because it
he fails to do any one of them, the Boss
will heave him out into the cold. Thus
do gimcrack makers fatten in the pur-
lieus of the lowest depth to which
human decency can sink. We are always
depressed by "the employee." "Here's
my cigar," he says, "Take my pencil.
Take my wife. Take my child. Take all
the years of my life, so long as I can con-
tinue to say 'yes' to you for pay." We
long for a series of ads which will tell
the poor fellow to tweak the Boss'
nose, kick him in the shins, and go out
to throw artichokes over a windmill, or
something equally silly.
"Here here! You'll have to stop read-
ing Einstein!"
We regret having missed the
chance to review Carey Mc-
Williams' scholarly study of Ambrose
Bierce, but we congratulate him any-
way. Wc would have liked to adopt the
well-known Mark Twain title, and cap-
tioned our review Mr. Mc Williams and
the Lightning.
A woman in Carmel has written a
scathing letter to the papers denouncing
Men (you know, the great old General-
ization) as lacking in such courtesies as
the doffing of the hat. This loss of gal-
lantry in Men is unaccountable; we can
suggest only that in the halcyon days
when Men did doff the hat, the women
were not of the sort who write scath-
ing" letters.
tiff y;
l^Tow that long skirts threaten to
.1^1 return, we expect a return, also, of
much ot that silliness whose passing we
celebrated when women loudly an-
nounced their emancipation . ' ' Dammy ,
says a young buck, "but, gad, man, she
has thighs!" "Sir, my glove," says
handsome Roger, "you are an unmiti-
gated cad, sir, and a bounder." What's
so new, now, about the new woman?
The fabric trade finds sales falling off;
and it is decided that gowns, dresses,
frocks, whatnot, must contain more ma-
terial. The nod is tipped to Fashion,
Fashion whispers that long skirts add a
mysterious lure to the wearer, and the
dress shops double their orders tor sales-
books Putting on an old tin helmet, I
suggest that I have been told that
women wern't interested in luring; I
thought they said that the romanticizing
ot their sex was entirely the absurd in-
vention of the men.
T T T
Says Barbara Evans, in last month's
San Franciscan: "They never actually
asked me if I thought I could write."
And damned decent of them, too, con-
sidering. . .
Sophistication,
apparently, liesal-
ways in the East.
Contributors to
the San Francis-
can seem inces-
santly goggle-
eyed in consider-
ing New York;
writers and adver-
tisers in the New
Yorker go mawk-
ish over Paris;
and we suppose,
though we're not
constant readers,
that the Boide-
vardier finds its
dernier cri in Con-
stantinople.
Ex-Wife was Bernarr Mactadden in
pantie-ruffles, but Ex-Husband is
little less than Petronius in modern (even
moderne) dress. This alternately chuck-
ling and guffawing book is, in their
highest degrees, both burlesque and
satire; and, as in the Satyricon, there is a
very true picture between the crowsfeet.
With the coming of the Frigidaire,
Woman (we're generalizing too much
this month; ah, well . . .) Woman dis-
covered that not only husbands and ice-
men were, comparatively, male.
Having looked in the icebox and
found the cold logic ot Bertrand Russell,
she took on playwrights and prizefighters
and others of the elite, calling this sud-
den expansion of her pelvic acquain-
tanceship her Emancipation. Science,
gallantry and morality notwithstanding,
this New Freedom is nothing but high
comedy, the pivot of the humor being
the specious rationalization, somewhat
confused with the yet-retained tradition
of martyrdom, with which the princi-
pals annotate their biology. Such caper-
ings and maunderings called for a
Petronius, and, lo, he has come forth.
The simple truth, of course, is that
human beings are not especially intelli-
gent; and the mere act of marrying can
not be expected to make one wise and
strong person from two nitwits. When
women have been Free as long as men
have been, they'll be able to laugh, and
we'll have civilization Right now, as
our Petronius points out, there are more
nymphomaniacs than satyrs, there is a
perturbing reversal of the natural roles,
there are too many Gitons, and much
too much philosophy.
The book (atter all, this is a review) is
evidently the product of a considerable
intelligence and erudition, and a truly
Olympian sense of humor. We're prob-
ably wrong, but we suspect Van Vechten.
"Hey, Cousin John, where 's the. bathroom?"
JANUARY, 1930
11
Unconstitutional Preamble
Following Whieh the Curtain Also Rises
by WILLIAM JUSTIAMA
THE orchestra finishes playing, the
audience starts coughing, the foot-
lights go up but the curtain does not
rise. Finally a man comes out in front o)
it, evidently to explain. After shifting
his position several times he finds that
he can see best if he takes off his pince-
nez and straddles the footlights.
Man on Stage: I regret, ladies and
gentlemen, hut the cast is a hit too
tight to go on this evening Some
other time, perhaps . Sorry.
A Man in the Audience: Some other
time, hell! Give us hack our money
Man on Stage: That's the sad part
They drank it
Man in Audience : (tossing a cartwheel
onto stage) Well, here's a dollar more
for some black coffee. They can drink
that and go on with the show.
Man on Stage: (picking up the money
and handing it down to the bass viol
who departs on the errand) Why,
thanks very much. It of course you
don't mind waiting a hit until they
sober up. You see, it's a play of, by and
for bootleggers and everyone in it has
to keep his head.
Man in Audience : You mean they're
all going to just be natural7
Man on Stage : Not natural exactly-
sober.
Man in Audience: But why can't they
just act sober? Being what you are
isn't acting.
Man on Stage : 1 hate to differ with a
paid admission, but it really is the
highest type of acting to be yourself
Most people are too self-conscious.
Fortunately the cast in this play
doesn't care what people think of
them. If they did they wouldn't ap-
pear in a sober condition. No one in
the play takes a drink on the stage.
There can be no doubt of the artistry
of the players in tonight's performance
when I tell you that they took brotno-
seltzers even before rehearsals Could
anything be more Russian? The situa-
tion this evening doesn't disprove
their seriousness nearly as much as it
proves their breeding. You appreciate
that while they risk your scorn in not
being seen to drink, that unless they
maintained their poise by taking
occasional little nips backstage they
couldn't possibly look themselves in
the mirror. And tonight even with
your black coffee and patience I'm
afraid that some of the cast will have
to keep their backs turned. The star,
La Phaff, will play her role lying
down as usual, (looks behind curtain)
Yes. The technicians are hitching a
couple or kiddie-cars together to
shove her around on as the action
requires.
Man in Audience: A kiddie-car' It
would be more appropriate if La
Phaff used a prairie schooner
Man on Stage : A prairie schooner? She
never touches beer.
Man in Audience: No, no. A prairie
schooner isn't a mug used on the
desert; it's a wagon But I suppose La
Phaff gave hers to a museum which
at this hour would be closed.
Man on Stage: As to that I can't say,
although I do know that she is very
generous as are all aristocrats. And
she is an aristocrat She was drunk
every night before anyone ever thought
of prohibition.
Man in Audience : Then her kiddie-car
is a contradiction in terms
Man on Stage: Perhaps But age
doesn't harm acting —
Man in Audience: It's hell on kiddie-
cars !
Man on Stage . La Phaff's is a mellowed
art. You'll notice tonight, even
though she's flat on her back she'll be
surprised at everything she says . .
that's art1 Why if this play has been
revived once its been revived a
hundred times, sometimes by black
coffee, sometimes by cold water
Man in Audience : Have you ever tried
aspirin?
Man on Stage: — but each time La
Phaff brings the same freshness to her
role. She reads her lines, if I may say
so, like nobody's business — but her
business manager's. Every year for the
past twenty she has threatened to re-
tire, being of a retiring nature Yet at
the beginning of every season she re-
appears fresh as a daisy.
Man in Audience: Flat on her back.
Man on Stage : What of it7 Why did
you come to see her7 You came to see
the real woman, didn't you? The
great Artist — not this tawdry vehicle
filled with gin, scotch and chartreuse.
Man in Audience : Who, La Phaff?
Man on Stage: No, the play.
Man in Audience: I thought there
wasn't any drinking in it?
Man on Stage : There isn't, but there's
lots of talk about liquor. Some of the
lines are brilliantly clever.
Man in Audience : Such as?
Man on Stage: O, I can't do them
justice.
Man in Audience. There is no justice.
Man on Stage: You've seen it before
then? Because that's what Achilles
Solari, king of the bootlegs, says in
the second act after he had been double-
crossed by a cop he thought was
honest. But I don't mean sad lines
like that; I was referring to the smart
cracks.
Man in Audience : Such as?
Man on Stage : Oh, for instance, when
the maid of honor says to the best
man "are you a drunkard or are you
a ne'er do well?"
Man in Audience: I don't think that
especially funny.
Man on Stage: You should hear La
Phaff pull it, very fast, with a sort of
shining look.
Man in Audience: I wish I might.
Man on Stage: (looking off) Just a
moment more. She's coming to now.
Man in Audience: Has she come to
that? I thought she stayed drunk year
in and year out.
Man on Stage : So she does practically,
but every once in a while she insists
on playing a performance vertically.
We don't encourage it though, as it's
so hard on the scenery. The other
night she leaned against the walls in
the prison scene and they gave way.
There was nothing to do but have
the guard rush in. Since then we've
provided for the possibility of a jail-
break. Should she play the third act
on her feet and go through the wall,
all the rest of the cast now know
what to say.
Man in Audience: What do they say?
Man on Stage : They say she's fled.
Man in Audience: Then what does
she say?
Man on Stage : Usually she says : "Who
hit me?"
Man in Audience : And who did?
Man on Stage : Nobody. All the rest of
the cast are confined in different cells.
But, you see La Phaff is very sensitive
like all great artists, and she imagines
she has many enemies.
Man in Audience: (looking at his
ivatch) You can assure her for me that
she has at least one. I've bought her a
cup of coffee for the last time.
Man on Stage: O, She's not taking a
drop of your coffee. La Phaff sobers up
by dancing and drinking light wines—
Man in Audience: Bought with our
money?
Man on Stage: Goodness, no. She
carries her own cellar with her wher-
ever she goes. No actress on the
American stage has a finer back-
ground. Here they bring Madame
now.
The curtain rises.
The End.
12
THE SAN FRANCISCAN
Pudofkin
Will He Lead a Soviet Invasion of Hollywood?
by LUCITA SQUIER
When Douglas Fairbanks was in
Moscow he saw the first reels of
Mother, a drama by Maxim Gorky.
Doug was impressed. He had pro-
claimed Potemkin the greatest picture
produced, but would Mother surpass it?
The release of Mother in Russia and
abroad created a furor of debate. Both
productions dealt with the Russian revo-
lution of 1905, both marked a new
epoch in Soviet kino-development.
Potemkin and its brilliant director Eisen-
stein had already achieved world fame.
But who directed Mother?
I went to Jacknina, executive secre-
tary of Mejrabpom Russ, for an answer.
A glazed caviar sandwich lay on her
desk, the glass of amber tea was cold.
No time for lunch as Jacknina manipu-
lated two telephones and talked with a
throng of visitors, but Jacknina is re-
sourceful. Before I finished my question
she smiled in welcome to a tall, hand-
some young man who pushed open the
door. "Meet Pudoikin!" she said,
"Mother, you know, is his first pro-
duction."
Already leading director of Mejrab-
pom Russ, Pudofkin had no office. An
empty projection room, walls gaily
splashed with advertising paper, answered
the purpose. But it takes persistence to
interview Pudofkin — it means reading
your notes backwards, for he tells about
everyone, everything but himself.
Pudofkin's ancestors came over with
the Golden Horde, he is a living
example of the famous saying, "scratch
a Russian and you find a Tartar!" He
has the straightforwardness and integrity
of a Tartar, the Slav abhorrence of
boasting. He is a dreamer, idealist,
gifted actor and pastmaster in the art
of pantomime.
The war found him a student of
chemistry in the Moscow University.
He was drafted into the Tsar's army and
captured by the Germans. For three years
he was overworked and underfed in a
prison camp. Escaping after the Revolu-
tion he returned to Moscow and in-
vented a much needed louse-preventa-
tive during the typhus epidemic.
There followed years of reconstruc-
tion and poverty in Russia, when Pudof-
kin joined a school of kinometography
operating without funds, film or cam-
eras. Working in a make-believe world,
producing pictures in imagination, exe-
cuting all the functions of studio life
with nothing tangible to lay their hands
on. Days of discouragement and hunger,
days when even their shadow world
seemed unreal. Occasionally Pudofkin
sold an illustration to some magazine to
buy black bread, when he went out he
borrowed a coat or shoes from a co-
worker.
With his comrade, Tisse, now Eisen-
stein's famous cameraman, Pudofkin
scraped away the mud from the floors
of an old flooded studio. Great rejoicing
when a worn-out camera and some film
came into the hands of director Kilishov,
instructor in the school ot kino-
metography. They moved to the studio,
started production in reality. Their first
picture worthy of mention was The
Death P\ay, a jerky, slapstick revolu-
tionary melodrama with occasional
touches of genius.
Three years Pudofkin assisted Kilis-
hov, perfecting his technique, develop-
ing his own theory of psychology. Pa
Zakpn, a grotesque tragedy produced by
Kilishov from a Jack London story
shows how far pupil has surpassed
master.
Pudofkin speaks enthusiastically of
his co-scenario writers — his assistant
Zaraki, and the Ukranian cameraman,
Golovnis Special praise he gives to
A Woman of Paris, Chaplin's master-
piece in individualistic psychology; In-
tolerance, the first mass-production on a
grandiose scale; Potemkin which created
a monumental mass structure viewed
from the standpoint'of mass psychology.
From his statements one might con-
clude that everyone, from Griffith to the
masses in Mother, was responsible for
his success as a director — but no self-
depreciation, only an overwhelming
enthusiasm for other human beings.
The unparalleled reception accorded
Mother by newspapers and critics
did not bring Pudofkin the complete
satisfaction of work well done, but
when letters began to pour in from the
public with homely, heart-felt, intimate
comments about the characters of his
creation — he was content.
Unlike Eisenstein, he believes in
artists and plays upon their sensibilities
as a violinist upon his instrument. Bala-
novkaya came to him from the Moscow
Little Theatre for her first motion pic-
ture role. A charming young actress
whose work is a vital part of her life.
She would report at the studio already
the elderly woman of the role she played.
So dependent was she upon Pudofkin to
create inspiration that when for a few
days he directed himself in the role of a
Tsar officer, she was incapable of going
on with her characterization, her work-
ing partner was gone, in his place the
face and personality of a stranger.
Batalov, of Stanislavsky's Art Theatre
Studio played her son. At first he de-
clared the role unsuited to him. Pudofkin
argued, analyzed and interpreted the
part until he visualized it mentally. His
portrayal was superb. The role of the
drunken lather was played by a layman.
Atmosphere, argument were useless.
He was an automat, moving muscles as
directed, yet he was a success.
If one asks for stills of the engaging
young actress who played the revolu-
tionist, Pudofkin apologetically replies
that he forgot to take any, there were
more important things to do. But he
firmly asserts that she has a great future
in pictures. She is a Cossack with deter-
mination inherited from the steppe
people. Six times Pudofkin instructed
her how to interpret a scene, six times
she rehearsed it his way and when the
camera began to turn she did it her own
way. Cossack against Tartar! But Tartar
was victor — after all he was her director
and incidentally, her husband.
After Mother Pudofkin was assigned
L an educational film entitled Reflex
of the Mind, showing the discoveries of
the famous Professor Pavlov, and now
being exhibited in this country. Experi-
ments with animals, analyzing the re-
flex reactions of parts of the brain. A
trial to Pudofkin's sensitive nature. If
one has the fortitude to sit through the
first reels, the happy conclusion with
splendid babies benefitting from the
experiments are a reward for steady
nerves.
Then came his great opportunity !
Eisenstein was assigned the reproduction
of the 1917 Revolution, Ten Days that
Shook the World, with all the living
historical data to assist him in a perfect
portrayal of the Bolshevik Revolution.
Mejrabpom Russ (which is half-govern-
ment owned, and second in importance
to Sovkino) told Pudofkin to go and do
likewise — to make their contribution to
the Tenth Anniversary Celebration of
the Revolution. He was fired with en-
thusiasm. No one, he told me, had ever
screened the city raised from a swamp
by Peter the Great in all its historical
significance and beauty. He wanted to
show its three stages of development
and call it Petersburg, Pctrograd,
Leningrad. But upon completion it was
Continued on page 32
JANUARY, 1930
13
Mkita Balieff
For the third time Balieff has brought the Chauve-Souris to San
Franeiseo — again he has stepped before the eurtain to present his
company, with the eaution that "criticism is easy — but the art is
difficult" — again he has said good-night with the well remembered
assurance that "this is the happiest night of my life." This time
his triumph was the result of the simplicity of each number. Even
the March of the Wooden Soldiers relied less than ever before on
the setting for its effectiveness. No presentation less perfect in
detail would dare appear in so simple a guise. The Chauve-Souris
is no longer a novelty, although it is a thing apart from other
entertainment. Balieff has proved that his art is a thing of quality
cjuite aside from the color and freshness of his programs. It is
Balieff, the artist, whom Johan Hagemeyer presents in this portrait
photograph.
14
THE SAN FRANCISCAN
"California*'
In Six Elaborate Volumes
O Ladies and Qtndanen!"
"O Californians !
It was under this eloquent banner
that Michael Gold once wrote a
caustic arcicle about the achievements of
the Californians in that gay little maga-
zine "gently brother" that gave San
Franciscans two delightful numbers in
the spring of 1924. As a matter of tact
the Californians have always gone in for
elaborate editions histories printed in
private sets, local biographical compen-
diums, and such stuff. But it is only with
the issuance of the set, "California,"
that our vanity has achieved its final
glory.
On the desk, as I write, repose six
volumes in this set, recently issued by
the Powell Publishing Company, and
more volumes are yet to come The
books are handsomely printed, the gen-
eral editor of the set is John Russell
McCarthy, and the volumes are illus-
trated by such fine artists as Geritz,
Simon and Virginia Litchfield. It is an
imposing array. "Gold Days" by Owen
Cochran Coy; "Spanish Arcadia" by
Nellie Van de Grift Sanchez; "Out
Door Heritage" by Harold Child
Bryant; "Oxcart to Airplane" by Rock-
well Dennis Hunt and William Ament;
"Land of Homes" by Frank J. Taylor;
and "Pathfinders" by Robert Glass Cle-
land. There are three volumes yet to
appear. "The Great Trek" by Owen
Cochrane Coy, "Songs and Stories" by
Edwin Markham, and "March of In-
dustry" by Dr. Cleland.
The set represents a very adequate
summary of the entire California scene,
from the earliest times to the present date
Several of the volumes are of excep-
tional interest Dr. Cleland's book,
"Pathfinders," heads the list It is a
learned and sensible account of the trail
of the pathfinders and it is dignified by a
finely restrained enthusiasm Heretofore
the difficulty has always been that our
historians have never been able to men-
tion such names as Drake and Serra
without bursting into incoherent and
slightly ridiculous hosannas. Some of
the stories Dr Cleland relates, in truth,
might well serve as material for epic
poems, but he does not confuse his duties
as historian with the susceptibility of the
material for poetic use. Bancroft has
dominated historical writing in this
country too long, it is time that Henry
Adams was used as a model.
Bit even of greater interest is the
volume by Nellie Van de Grift
Sanchez, "Spanish Arcadia." It is by far
the most readable volume in the series.
With Three More Yet to Appear
by CAREY McWILLIAMS
Mrs. Sanchez, by virtue of her own inti-
mate familiarity with the scene of which
she writes and by reason of her bilingual
attainments, gives a rich and moving
account of the Spanish regime in Alta,
California One cannot read Mrs.
Sanchez' account of life in California,
during the Spanish period, without
being impressed with the awful contrast
which it suggests with the modern era.
It is undeniable that a fine culture would
have emerged from the pattern of
Spanish California, but this outline was
rudely brushed into oblivion by the dis-
covery of gold. Despite Mrs Sanchez'
rather weakly worded praise of the
modern era, one can detect a note of
regret for the passage of that splendid
period of indolence, ease and song. Mrs.
Sanchez is not easily shocked; in fact,
she is not afraid of the apt phrase, the
incomparable allusion. In this particular,
she is vastly more civilized and intelli-
gent than some of the authors of the
other volumes.
"Gold Days" by Owen C. Coy deals
with the rumors of gold prior to '49, the
discovery by Marshall of the gold flecks
in the sluice box, and the rush that fol-
lowed. The manner of narration em-
ployed by Dr. Coy unfortunately vacil-
lates between straight-forward historical
narration and a clandestine flirting with
a more imaginative technique. It seems
to me that his volume is unnecessarily
pedantic and not a little prudish. Dr.
Coy attempts a picture of the riotous
days in San Francisco after the discovery
of gold and summarizes the period in
this manner: "Society in San Francisco
lacked many of the finer things that
make for man's happiness." Isn't this
rather unnecessarily juvenile1 Dr Coy
white-washes the miner in an amusing
manner. From all that appears in his
hygienic and unsophisticated pages, the
miner was a charming gentleman who
possessed only a vicarious acquaintance
with such civic institutions as the saloon
and the bawdy house. Dr. Coy notes,
with sympathetic interest, the effort of
Mrs Eliza M. Farnham to import a
ship-load of young ladies bearing creden-
tials from their pastors for the delecta-
tion of abstemious miners. What would
Dr. Coy make of such a volume as that
recently published by the young French
author, Joseph Kessel, entitled "Dames
du Calitornie "? When confronted with
the ironic manner in which Sutter and
Marshall were filched of their rewards,
Dr. Coy merely notes 1 "great riches were
within Marshall's grasp but he lacked
the ability to retain them." As one
might expect, Dr. Coy writes in the
manner of a Chautauqua lecturer. One
gasps with relief when he quotes, as he
does with frequency, from Bayard
Taylor. Taylor's "Eldorado" yet re-
mains the best account of the period.
"Gold Days" is, however, like the other
volumes in the series, well documented,
has an interesting bibliography, and is
indexed.
1\nd of Homes" by Frank J. Tay-
llor is no less disappointing than
the volume by Dr. Coy. One picks it up
with the hope that it will contain an
adequate summary of architecture in
California. But what it really contains
is a smug, amateurish, hodge-podge of
cultural history, civic vanity, and cham-
ber of commerce blather. Not only is the
volume commonplace : it is down-right
misleading. Mr. Taylor realized,
(as who does not?) the close relation
between water supply and the history of
Southern California. But with startling
naivete he relates that Los Angeles,
through the kindly offices of William
Mulholland, secured an ample water
supply from Owens Valley and he then
smugly comments on the prosperity of
Southern California and its gloriously
prosperous San Fernando Valley. Can it
be possible that Mr. Taylor is ignorant
of the real story of that unutterably
tragic occurrence7 The story of how Los
Angeles acquired that water supply is
the most moving, tragic, and harrowing
story of the west. I suggest that Mr
Taylor read a novel called "The Ford"
and that he await the publication of
Andrae Norksgrog's "The Water Fight"
and Louis Adamic's book on the Mc-
Namara Case. If he does not blush with
shame after reading these volumes, then
he should join an advertising agency.
The remaining volumes fall far short
of the high standard set by Dr. Cleland
and Mrs. Sanchez. The volume by Dr.
Hunt is written in his well-known por-
tentous and soporific manner Dr Hunt
is perhaps the most unimaginative man
that ever wrote an editorial for The
Times — an honest, hard-working, stupid
pedagogue. "Outdoor Heritage" by
Harold Child Bryant is a dud. Purport-
ing to treat of the California outdoor
scene, the book makes not a single refer-
ence to "The Land of Little Rain" or
"The Lands of the Sun" by Mary
Austin. The first named volume is a
masterpiece — one of the finest books
ever written by a westerner about the
west. I find twenty-two references in
Continued on page 31
JANUARY, 1930
15
Air Coiitiuest
"Conquest of the air! what possibilities it holds. And it belongs to youth, youth
who saw the vision first, youth who dared the first attempt, youth who will finally
conquer." . . . This paragraph by Ruth Vassos accompanies the superb drawing
of Icarus by John Vassos whose graphic comments on modern America are
collected in "Contempo".
16
THE SAN FRANCISCAN
Another Year In Music
Some Notes and Comment
Artists of high and low degree and
L of varied personality have pre-
sented nearly all the varieties of music in
San Francisco this season. Pianiscs have
been conspicuous, both numerically and
otherwise; excellent singers made amends
for the few who were not presentable;
Jacques Thibaud, the aristocrat of vio-
linists, gave one exquisite concert; a
young and handsome tenor threw opera
goers into a turmoil ; the Young People's
Symphony Association produced a child
prodigy who proved to be a child genius;
the local musical organizations put in-
telligence and hard labor into their sea-
sonal activities, and several important
names were added to the roll of the
musically prominent who call San Fran-
cisco "home." The Symphony Orches-
tra, playing its last season under the
leadership ot Alfred Hertz, has risen to
remarkable heights on numerous occa-
sions, chamber music has flourished,
under the tender care of the Abas Quar-
tet, the New Music Society sponsored
three concerts of very new music and
Hother Wismer gave his annual recital.
Thus, it may be truthfully said that the
season began with due respect for the
sanctity of tradition and the eminence of
Art.
The season was officially born as
Gaetano Merola raised his baton for the
opening passages of the "Rigoletto"
overture, shortly after the San Francisco
Opera Company had invaded the mag-
nificent distances of Dreamland Audi-
torium and camouflaged it to represent
an opera house. The company gave not-
able productions of the standard operas
in its repertoire on all occasions except
one, the performance of "Boheme,"
whose slight eccentricities would surely
have gone unnoticed if they had not
been completely surrounded by the
glories of "Trovatore" and "Aida."
Several of the most important singers in
the country were members of the San
Francisco group, which included Eliza-
beth Rethberg, one of the greatest of
contemporary sopranos; Tito Schipa,
the universally popular lyric tenor; Leon
Rothier, whose Mephistophelcs is fa-
mous; Giuseppe Danise, one of the small
handful of baritones capable of gracing
the concert platform ac well as the oper-
atic stage; Katherine Meisle, whose
voice and acting are so convincing that
the odd ideas of her costume designer
recede into unimportance, Nina Mor-
gana, who was able to give life to the
soprano role in "Pagliacci," a "tenor's
opera" ; Giuseppe De Luca, who clowns
delightfully at no expense to his remark-
able voice; Queena Mario, whose
Marion was simply grand, both in the
matter of voice and delegability; and,
of course, Lauri-Volpi, who sings like a
Mohammedan angel (ordinary angels
aren't supposed to be emotional), and,
through some necromancy, manages to
be melodramatic graciously.
therese
by H. L. Johnson
Perhaps piano notes are best;
Let them be thin ; veined discs of ice,
That shatter under the feathered breast
Of marsh fowl seeking the autumn pools.
If these are notes of the violin,
Let them be brilliant silvery ares
Of needles flashing through lace, and in
The velvet blush of an amethyst gown.
And then, Beloved, to blend with these,
The low, sweet tone of the clarinet
Whose vaulted wood-voice knew, in the
trees
Notes that were blown from their hollow
hearts
Whenever the gaunt musician Wind —
With sad lips cold on their beauty vain —
Imbreathed the deep tone, muted by skies,
Graced by the cold, soft lisp of the rain.
If these make melody, Love, arise,
And then, sweet, end the song with thy
kiss;
Your hands. Sweet shutters over my eyes —
But why must I know the meaning of this:
That my brain soon burns at your finger
tips —
Some loveliness dies when I touch your
lips —
The Symphony orchestra has contrib-
uted several outstanding concerts
during the fall. One of these included a
new and much-discussed piece of music,
"The Planets," and Richard Strauss,
"Zarathustra" made its debut at
another. The third occasion was really
three concerts, all important because of
one man. Vladimir Horowitz won his
listeners at his first concert, added to his
following at the second, gave a recital,
apart from the symphony orchestra,
where he found it necessary to dodge
gardenias, and, at his final appearance
with the orchestra, was bullied, by the
audience, into playing three encores — a
nearly unheard of thing at a symphony
concert.
The Season In Review
by ENID HUBBARD
Pianists of note have been unusually
plentiful this season. Alfred Cortot made
three appearances, at one of which he
played a full program of Chopin. The
evening stands out as an exquisite ex-
perience. Ignaz Friedman gave a joint
recital with Paul Kochanski, a perform-
ance by two masters, which gave rise to
the wish that more great artists might be
so constituted temperamentally as to be
able to share the honors of a concert
with other great artists. A large bulk of
works in the musical library permit op-
portunities to both soloist and accom-
panist. Many of them require as great
ability of one as of the other. The Bee-
thoven "Kreutzer Sonata" which, for
that reason, is seldom played, was a
thing of beauty in the hands of Friedman
and Kochanski. Joint recitals represent a
trend of opinion which has been carried
over from the less dignified synchronized
movies. The orchestras of small theatres
were not capable of furnishing a fitting
background for pictures and, by degrees,
people began to demand that the musical
facets of the production be improved. It
is to be hoped that the time will come
when music audiences will feel the same
way about accompanists. The usual ac-
companist of the present is considerably
more competent than his predecessors of
a few years back, and, if joint recitals by
important people become the rule, the
standard will certainly rise even higher.
Several nationally important San
Franciscans gave concerts during
the season. Henry Cowell, Ernst Bacon,
Imre Weisshaus, Dene Denny and Gun-
nar Johansen, all of them pianists, ap-
peared during the season. Their music
was extremely diversified. Cowell has a
style and a group of compositions which
are inimitable; Miss Denny has her own
style, with which she interprets the work
of other moderns; Ernst Bacon is a com-
petent performer in any field. Imre
Weisshaus is inseparable from the spirit
of the New Music Society, and Gunnar
Johansen leans toward the classics. Jo-
hansen proved last summer that he was
worthy of real interest, when he ap-
peared as soloist under Bruno Walter,
during the Summer Symphony season.
At least three veritable prima donnas
sang here during the fall. Mary Lewis
was a trifle disappointing, but the others,
Elizabeth Rethberg and Amelita Galli-
Curci, left nothing to be desired. Reth-
berg has become a beloved and admired
figure here, in the space of two opera
seasons, and Galli-Curci retains the en-
Continued on page 32
JANUARY, 1930
17
The First
Hundred Years
The following items were gath-
ered f roni published chronicles
of San Francisco fifty years ago
. . . next month we shall present
notes that will appear in the
press fifty years from now.
— by John Nordhof
Nathaniel Gray wishes to inform
the public of the opening of his
place on the corner of Sacramento and
Dupont, where he will sell metallic
burial cases, purchase gold dust, and give
particular attention to the undertaking
business.
A single japonica sold yesterday for
fifty dollars. The purchaser was our well-
known notarial friend, whose initials are
N. B.
The surveyors engaged in defining
the boundaries for the foundations of the
Tehama House have been delayed in
their work each day by the rising tide,
which has made it necessary for them to
move tripods, theodolites and chains or
get wet feet.
Merchants will be interested in the
news that a shipment of clothing has
arrived to be sold, wholesale, at the store
of Samuel Fleisshacker.on Montgomery,
south of Jackson.
The clipper ship Eclipse, Captain
Hamilton, has arrived consigned to
Beck and Elam. Our convivial towns-
men have been amusing themselves
determining how much they can drink
and still say "clipper ship Eclipse" with-
out lingual disaster.
Several newcomers have recently had
their frames jarred by plunging over the
edge of the somewhat irregular side-
walks on Kearny Street after dark. We
suggest that newcomers explore these
walks in daylight, ascertaining the
nature of each different level and ma-
terial before faring abroad at night.
A load of fresh oysters has been
brought trom Shoalwater Bay by Cap-
tain Russell, and will be sold by Toney
Oakes, on Kearny street. We hope that
the Captain will make several more such
trips, as everyone is probably as tired as
we are of canned oysters.
The sale of by order of the municipal
authorities, on January 3d, of 434 water
lots brought §635,130.
Mr. Nathaniel Page was shot, but un-
wounded, yesterday by Captain Folsom.
Mr. Page was unloading some lumber
on the beach, at the point where Halleck
street joints Leidesdorff. Captain Fol-
som, having been recently in a state of
perturbation over the squatters, some-
what needlessly ordered Mr. Page to
remove the lumber and vacate the
premises. The Captain drew his revolver
and fired, the ball striking the watch in
the pocket of Mr. Page's waistband,
from which it glanced off and perforated
the side of a boat fifty feet away. The
occurrence attracted a small gathering,
but not further action was taken.
Mr. Henry M. Naglees' bank sus-
pended payment on Sept. 7th.
We understand that the fire which
destroyed three blocks on May 4th,
causing a damage to a value of four mil-
lion dollars, is being spoken of in San
Diego as an "earthquake."
Indignation runs high at the extra-
ordinary proceedings of the Common
Council in voting themselves salaries
Captain John Phoenix (Lieut. Derby,
U. S. A.) has not yet been court-mar-
tialed.
Some unindentified rascal tampered
with the Telegraph Hill semaphore yes-
terday, causing it to give the well-
known and eagerly looked-for signal for
a sidewheel steamship, which everyone
took to mean a P. M. S. S. Co. steamer,
and mail from home. The rascal has not
been identified, but suspicion points to
the stranger who sold great quantities of
corn cure to the crowd which imme-
diately gathered at Adams and Co.'s
office awaiting Ben. Moulton with the
letter trunk.
Results of the election of January Sth:
State Senator — David C. Broderick
Member of Assembly — Samuel J.
Clarke
First Alcalde — John W. Geary
Second Alcalde — Frank Turk
Ayuntamiento — A. J. Ellis, Talbot
H. Green, Wm. M. Stewart, W.
H. Davis, Samuel Brannan,
James S. Graham, Frank Tilford,
F. C. Gray, J. Hagan, M.
Crooks, A. M. Van Nostrand,
James Rolph and Hugh C. Mur-
ray.
The heaviest ballot cast was in favor
of Col. Geary, who received 3,425
votes.
There has been some talk about the
mule which foundered and was lost in
the mud in Montgomery street a few
days ago. We suppose we are overbold
to hope that, sometime, finally, this
street will be graded. The condition of
the street has become a public outrage.
There is news of serious riots in Sacra-
mento City on the 15th, when an armed
body of squatters marched on the prison
brig to release several of their number
who had been arrested on the 13th, fol-
lowing resistance of an attempt to eject
them from land belonging to Capt.
Sutter under Spanish grants. Mr. Wood-
land, city assessor, was killed, and
Mayor Bigelow, and several others in
the sheriff's posse were wounded.
Further squatter riots occurred yester-
day at Brighton, six miles south of Sac-
ramento City. The California Guard,
and Protection Fire Co No 2, properly
equipped and armed with muskets,
sailed under the command of Mayor
Geary at 12 o'clock aboard the steam-
boat Senator for the scene of the riots.
They arrived in Sacramento about 1 1
o'clock in the evening. Happily, order
had by that time been restored, and their
services were not actually required.
On the 28th, Mayor Geary, Vice-
Consul Frederick A. Woodworth, Rev.
Albert Williams, and other members of
a committee appointed for the purpose,
assembled on the platform in Ports-
mouth Square to present the Chinese
residents with certain religious tracts,
papers, and books, printed in Chinese
characters. The China boys were richlv
clothed in their native garb, and made a
fine and pleasing appearance.
18
THE SAN FRANCISCAN
In the Gardens of Montsil vo
The Temple of Venus at Montalvo, the famed estate of
James D. Phelan, assumes added loveliness when flooded
with light against the dark canopy of night. The shrub-
beries and vines trace intricate silhouettes against the
marble whiteness. This is one of several camera studies
recently made by William Horace Smith of Montalvo at
night.
JANUARY, 1930
19
It. Porter Ashe
Who of All San Franciscans Deserves
a Monument for His Contribution
to its Traditions
That R. Porter Ashe, who died with-
in the month, should be stricken
with apoplexy while playing bridge,
was somehow symbolical of the man
and his life. Doubtlessly, Ashe could
play every known card game, and doubt-
lessly, he had won and lost round sums
at them all. But death did not catch him
at poker, rummy or seven up, which are
often as not played in dubious places by
proletarian persons, having small knowl-
edge and even contempt of bridge.
Ashe, when death approached him, was
engaged in bridge, which is never played
in dubious places by uncouth persons,
but is always inseparably associated with
the elegance and amenities of the draw-
ing room.
This is as a gentleman and aristocrat
should be stricken and Ashe's claim to
both estates was of extra width and
weight. He was the son of an old, dis-
tinguished North Carolina family, a
goodly number of whose members had
been Revolutionary War generals, states-
men, scholars and fine gentlemen His
father was Dr. R. Ashe, who came to
San Francisco in gold rush days. The
elder Ashe was here but a short time
when he was made Naval Collector for
the port. During the middle 1850s,
when the Vigilantes were giving the
town a moral cleansing, he lent his sup-
port to the Law and Order Party, which
held that the Vigilantes were a rabble of
self-righteous Yankee shopkeepers. For
some years, Ashe was associated with
Judge David S. Terry, also a Southerner
and Law and Order man, who will
always enjoy a certain fame by reason of
his killing, in a duel, Senator David
Broderick; his legal defense of and mar-
riage to Sarah Althea Hill, abandoned
consort of William Sharon;and his own
violent death.
So much for the ancestry of Richard
Porter Ashe. His own career as a sports-
man, attorney and the initial husband of
the much wed Aimee Crocker, places
him in the front rank among those who
have created a tradition for San Fran-
cisco as a city of hospitality, of quaint,
unexpected romance, of gallant, mag-
nificent, if somewhat erratic gestures.
Porter Ashe had an instinct for the dra-
matic and opportune in events and
by ZOE BATTU
people. But his breeding and tempera-
ment saved him from mere vulgarity.
His coups, triumphs, sins and departures
from conventional norms were those of
a gentleman and done with admirable
finesse and dash.
It was in December 1SS3 that the
marriage of Porter Ashe and Aimee
Crocker provided San Francisco society
with a royal feast of gossip. As the beau-
tiful daughter of the very wealthy Judge
F. B. Crocker of Sacramento, Aimee had
many suitors She looked with special
favor upon Porter Ashe and William
Wallace. These two had been college
class mates and were fast friends. Both
were paying ardent court to Miss
Crocker and each was aware of the suit
and intentions of the other That fact,
however, made no difference in the
friendship It remained loyal and un-
marred by jealousy.
Finally the joint courtship of Miss
Crocker came to such a pass that Ashe
and Wallace agreed to shake dice to see
which of them would continue as the
lady's sole suitor. Wallace won. He
shortly proposed marriage to Miss
Crocker to which she agreed. A secret
wedding was planned and upon the. ap-
pointed day Ashe, Wallace and Miss
Crocker met in Sacramento and suc-
ceeded in boarding a train for Oakland
without arousing suspicion. Ashe ac-
companied the pair as a mutual friend
and witness to the proposed ceremony.
On the trip to Oakland, Wallace
evidently wearied of his future wife's
company and sought the smoking car.
His absence was Ashe's opportunity. He
again became suitor to Miss Crocker.
His plea was eloquent and irresistably
dramatic. Miss Crocker changed her
mind and forgot her vows to Wallace.
When that young gentleman returned
from the smoking car, Aimee and Ashe
were missing. They had gotten off at
Martinez and had been wed.
After a wedding journey, the pair
established their home in an imposing
mansion on Van Ness Avenue. The
marriage lasted barely three years. In
June 18S7, Mrs. Ashe secured a divorce
and the custody of a daughter. The
grounds of the divorce and the testi-
mony of the suit were kept strictly
secret.
But a vast amount of rumor had it
that Ashe had dipped too freely into his
wife's fortune. After his marriage, he
settled down to a life of elegant leisure.
He maintained expensive strings of rac-
ing ponies. His thoroughbred bull dogs
were the envy of all dog fanciers. He
dabbled in politics and was defeated for
the state legislature. He backed prize
fighters and was said to have "discovered"
and financed Gentleman Jim Corbett in
his first battles.
To these extravagances Mrs. Crocker
Ashe objected strenuously. The rumor
hounds had it that she cut down her
husband's spending money, forcing him
to sell his horses and dogs and return to
the practice of his profession Ashe, on
his part, was rumored to have made sen-
sational charges against his wife's char-
acter during the divorce hearing The
probability that the Crocker family
settled a fair sum upon him in return for
secrecy and his withdrawal of counter
charges was openly discussed in social
circles and the newspapers.
Some years after the divorce, Ashe
married Mrs. Emilie Rathbun, from
whom he separated in 1918. The one
time Aimee Crocker has subsequently
acquired a truly remarkable store of
glamor through the facility with which
she has acquired and discarded husbands.
To date she has had five and is just now
the Princess Galitzine of Paris. Her story
deserves individual attention, which it
will one day receive.
Porter Ashe's legal career, covering
some forty years, was as picturesque
as his social and personal life. In that
time he had some part in practically
every legal battle of major importance
in San Francisco and which was widely
discussed by reason of its sensational
nature Following his graduation from
Hastings Law College, Ashe entered the
offices of Judge Terry with whom his
father was also associated. He helped
Terry conduct the defense during the
Hill-Sharon suits.
In i907-'o8 occurred the Reuf-
Schmitz graft trials and the exposure of
franchises obtained by bribery by the
United Railroads from pliant members
of the board of supervisors. Tirey L.
Ford headed an imposing array of legal
counsel for the railways and Patrick Cal-
houn, president of the company. For a
number of years Ashe had been a mem-
ber of this legal staff and concerned
primarily with fighting damage suits in
the police and lower courts. During the
graft trials he was advanced to greater
responsibilities.
ContinuecTon page 30
20
THE SAN FRANCISCAN
HELEN MACGREGOR
Charles Caldwell Dobie
Not because he is one of America's foremost short story writers, with the distinction of several novels to his credit
— not because he has been a brilliant columnist — not because he is one of the few western authorities on the drama
— and not because he is one of our most distinguished Contributing Editors — but because, during our first
struggling year of publication, his advice and encouragement lead us on, we present this picture of Charles
Caldwell Dobie.
JANUARY, 1930
Spotlight
Concerning Imported Plays that are Becoming
The growing importance ot San
Francisco in the theatrical world is
marked by the world primiere of the
new operetta "Bambina" at the Curran.
This production by Daniel C. Blum was
assembled in Hollywood where it was
directed by Edward Royce of "Sally",
"Irene," "Kid Boots," and "Rio Rita"
precedent, costumed by Madame Ka-
tinka De Justh Baross, who worked with
Reinhardt in Europe, and set in scenery
designed by Conrad Tritschler, of En-
gland. The past week, its cast, headed by
Nancy Welford and Al St. John and ex-
tending to Maire Wells, Ernest Wood,
Laurel Nemeth, Wilbur Evans, Pepter
Pope, and various others, arrived in
San Francisco together with scenery,
costumes and special orchestration of the
musical score. Final rehearsals are under
way and all is in readiness tor the presen-
tation of "Bambina," the first time on
any stage. "First Nights" of shows from
elsewhere are common enough occur-
rences but a world primiere is a bit differ-
ent. One wonders if maybe there isn't
some special etiquette for the occasion —
but there's hardly time to write to Emily
— and anyhow San Franciscans usually
prefer to inaugurate precedents rather
than follow them. It's rather good to get
the first sip from the theatrical loving
cup but we shan't be overwhelmed by it.
We went to see "Journey's End"
with considerable trepidation.
We had been told that it was depressing.
It has been a long time since a play has
shaken us so emotionally but we should
not call it depressing. Only pieces of sor-
did art, if one can use the term, are really
depressing. "What Price Glory" and
"The Front Page" and "Strange Inter-
lude" depressed us because they were
grounded fundamentally on the mean
and trivial impulses in human nature.
Whatever else is the mainspring of Mr.
Sherriff's illuminating play it is not the
ignoble impulse. To be sure, its charac-
ters often fail to measure up to heroic
proportions in crucial instances but,
when they fail, they realize their failure
— one of the first steps toward ultimate
victory.
Like most profound plays, "Journey's
End" moved slowly toward its first
crackle of dramatic fire. Once this open-
ing shot pierced the monotony, the on-
slaught upon our emotions kept up re-
lentlessly, so relentlessly that, by the
time death made its appearance, we had
nothing more to give. Or did death seem
the least tragic thing of all the sorry
mess7 . . For a moment, anyway, we
sonnet
by Elisabeth Leslie Roos
At night I ponder on the cares and strife,
The many burdens of a busy day,
The din, the turmoil, and the traps that may
Spring shut, making me prisoner for life
In their firm grasp ; then turns my mind to you,
To your dear ways, and quiet voice and eyes ;
I think of all your work and realize
How much is yet undone, how much to do.
Oh that my thoughts could fly to set you free,
And that tomorrow I might see your face!
But I know well, that in some far off place,
Creator of beauty, your fine gift is spent
On greater things than if you came to me,
And so I dream of you and am content.
caught a glimpse of that Valhalla which
our barbaric forebears reserved for
heroes slain in battle and we felt the
rushing wind ot the horses of the Val-
kyries sweeping by with their precious
burdens. Whether this vision be true or
false it is impossible to have seen it and
come away from "Journey's End" de-
pressed The longer we live, the more
convinced we are that these poetic
answers to the riddle of existence and
the questionable reward for valor, which
were invented by primitive people to
make existence bearable, come nearer to
truth than we realize.
Looking back over the pertormance,
the two scenes that stand out most
vividly are the scene in which Osborne
and Raleigh wait for that nerve-racking
five minutes to pass before they are re-
leased for action and the scene where
Stanhope "rags" Raleigh for dining
with the enlisted men. It would be hard
to match these situations in either art or
life. Mr. Basil Gill's admirable diction
made us wish that everyone in the com-
pany had been as articulate. The British
school of acting seems to be suffering
from the same malady that has so long
afflicted the American stage. The younger
actors sacrifice enunciation to an alleged
naturalness in speech. Added to this, the
present-day English performer, seems to
be developing a very exaggerated accent.
Mr. Gill's English speech wasperfect.
21
American Institutions
by CHARLES CALDWELL DOBIE
It was understandable to his own coun-
trymen and Americans alike. And he
knew how to use his voice. Hugh Wil-
liams as Stanhope was a sterling actor
but his diction left much to be desired.
We lost a good halt of what he was say-
ing. Wallace Douglas as Raleigh con-
tributed a splendid impersonation of a
young and eager soldier but, he, too, had
exaggerations of accent that fell bar-
renly on American ears. Forrester Har-
vey, on the other hand, put over his
cockney dialect perfectly. The grimness
of war — its squalor, its monotony, his
soul-searing strain — was brought home
without the appearance of a single
trollope or the use of an expletive
stronger than a very mild damn In
short, "the cock-eyed world" got the
essentials without vulgarity. Perhaps
that is why at least one of our American
Legion friends characterized the play as
"a lotta tripe tor sob-sisters to cry
over"? B"at surely it is not necessary, if
one lays a scene in a stable, to provide
the smells, also. Or at least not to our
way of thinking.
If there is a better bit of theatre than a
play called "Macbeth" by an English
playwright named William Shakespeare
we have never seen it The show is actor
proof. Which doesn't mean that the
Stratford-upon-Avon players did it in-
differently. They gave about as well
balanced a performance as we have ever
seen although we must admit not an al-
together inspired one But what a fine
old gangster play it is! And what a typi-
cal ward heeler friend Macbeth was !
The way he hired gun-men to do his
dirty jobs would have done credit to a
Chicago rum runner. . . Richard II was
a different kind of guy, entirely. Some-
thing of a nance was Richard. He tapped
the floor of his throne very impatiently
with his pointed slippers whenever the
conversation turned on personal encoun-
ters. Only once during the entire course
of his life, if we can believe Mr. Shakes-
peare, did Richard grow rough and that
was in the final moment when he got
sore at the tray which his jailer brought
in from the Tower's diet kitchen. At
least, we think that was what made him
sore Admirable though Mr. Hayes' dic-
tion was, at this point we got tangled up
in the blank verse and we never did
know what made friend Richard so
peevish. . . . The whole experience was
a new one for us because it was the first
time that we had ever gone to a Shakes-
peare play knowing nothing of its con-
Continued on page 38
22
THE SAN FRANCISCAN
Edith Bentley
One of the most popular of the season's debutantes was
Miss Bentley, the daughter of Mr. and Mrs. Robert I.
Bentley of San Francisco.
JANUARY, 1930
23
TIIK KIH.MX. IIYWSTY
WEDDINGS
McCOY-McBRYDE. On December 14. in Woodside,
Mr. Donald Crawford McCoy, son of the late Dr. Alba
McCoy and Mrs. McCoy of Pasadena, and Miss Mollie
McBrvde. daughter of Mr. and Mrs Douglas McBryde.
de la CHAPELLE-CLINTON. On December 14,
Mr Henri de la Chapelle, son of Mr. and Mrs Jean de
la Chapelle of Englewood. New Jersey, and Miss Irene
Coffin Clinton, daughter of Mr. James C. Clinton and
the late Mrs Clinton of Los Angeles.
BORDEN-CLAY. On December 31. in Piedmont.
Mr Arthur Bradley Borden, son of General and Mrs.
Howard S. Borden of New York and Miss Mariedna
Clay, daughter of Mr. and Mr> Philip T. Clay of Pied-
mont.
ENGAGEMENTS
deLA\T£AGA-SOMA\ IA Miss Juanita de Laveaga.
daughter of Mr. and Mrs J. Vincent de Laveaga. to Mr.
J . Ramon Somavia, son of Mr. and Mrs. J P.Somavia of
Salinas.
WHITE-BLSWELL Miss Edith White, daughter of
Mr. V. ilham Temple White of New York and Virginia,
to Mr. Walker Buswell. son of the late Mr. and Mrs.
frank \Y. Buswell.
SIMPSON-WALLACE Miss Eleanor Simpson.
daughter of Mr. and Mrs. Thomas Simpson to Mr.
Charlton Wallace Jr., son of Dr. Charlton Wallace of
New York and Mrs. Peters Wallace of Cincinnati.
RAYMOND-LANGHORNE Miss Edna Raymond.
daughter of Mr and Mrs. Earl Raymond of Napa to Mr.
John Langhorne, son of the late Mr. and Mrs John
Langhorne.
WALKER-HENDERSON. Miss Harriet Walker,
daughter of Mr. and Mrs. Clinton Walker of Piedmont.
to Mr Wellington Smith Henderson, son of Senator and
Mrs Charles B. Henderson of San Francisco.
VISITORS ENTERTAINED
Mr-. Henry Stevenson visited with her mother, Mrs.
William Henry Smith Jr. and Mr. Smith recently.
Mrs. Frederick McNear gave a luncheon in honor of
Mrs. Walter Dillingham of Honolulu. The luncheon was
given at the McNear apartments at the Hotel Mark
Hopkins.
Lieutenant Commander and Mrs William D Thomas
(Helen Marye) are house guests of Mr and Mrs George
T. Marye in San Mateo.
Mr. and Mrs. William Finhugh Whitehouse of New
York were entertained by Mr. and Mrs William H.
Crocker at New Place during their recent visit from New
York.
Mrs. Hermon Lnderhill of Oswego. N Y. spent sev-
eral weeks in San Francisco recuperating from an illness.
Mrs. Underhill stayed with her father, Mr. Eugene Lent.
Mr> Percy Morgan recently revisited San Francisco
after an absence of several years. She divided her time
betw een her home in Los Altos, and that of her son and
daughter-in-law. Mr. and Mrs. John A. Morgan at
Beverley Hills.
Mr. and Mrs. William Shaw spent several days with
Mrs Shaw's parents, Mr. and Mrs. John L Deahl in
Washington street.
Mr. and Mrs. George Scott and their daughters, the
Misses Anne and Betty Scott, were house guests at the
home of Mr. Scott's sister, Mrs. Aimer New hall, during
January.
During her visit here from Boston, Mrs. Jefferson
Coolidge (Katharine Kuhn) was entertained at a lun-
cheon given in Burlingame by Mr. and Mrs. Nion
Tucker.
Mr. and Mrs. Charles Crocker spent several weeks
with Mr. and Mrs. William H. Crocker in Burlingame.
Mr. and Mrs. John Magee of New York were honor
guests at a dinner given by Mrs. John Drum at her
apartment at the Fairmont.
Miss Barbara Parrott, who now- makes her home in
Paris, visited w jth her brother. Mr. John C. Parrott, for
several weeks at the Parrott home in San Mateo.
Mr. and Mrs. William Randolph Hearst Jr. spent a
fortnight visiting with Mrs. Hearst's parents, -Mr. and
Mrs. Clinton Walker, in Piedmont.
Mrs. Ernest Leopold Heebner. who is in San Francisco
on a visit, is being constantly entertained by her friends
here. Mrs. Heebner is staying at the Hotel St. Francis.
HERE AND THERE
Miss Edith Bentley was presented to society at a
large reception given by her grandmother, Mrs. Robert
Irving Bentley, at the Francesca Club during December.
Mr. and Mrs. Robert Henderson gave a dance at their
home in Burlingame in honor of Miss Mary Whitman
and Fred Whitman.
Mr. and Mrs. William E. Gallwey have returned from
their honeymoon and are established in their San Fran-
cisco apartment.
Mrs. Foster Thierbach gave a luncheon at the Burlin-
game Country Club recently, the affair honoring Miss
Eleanor Christenson and Miss Barbara Cates. debu-
tantes of the winter.
Miss Claire Gianinni gave a bridge party in honor of
Miss Marcella Bricca who is leaving shortly for Europe.
Mr. and Mrs. William H Crocker were hosts at a
small dinner party in Burlingame where they enter-
tained members of their family. Mrs. John Drum. Mr.
and Mrs. Arthur Brown Jr. and several other guests.
\ (r and N Irs. Joseph Oliver Tobin gave a dinner party
at their home in Burlingame in honor of Miss Genevieve
Six, debutante niece of Mr. and Mrs. James Jackman.
Miss Evelyn Salisbury, one of the w inter's debutantes,
was honored at a luncheon given by Mrs William Dun-
can in Burlingame
Mrs. Vera de Sabla Payne and Miss Amy Brew er w ho
have been abroad for several months, are expected in
Burlingame this month Mrs Payne will stay with Mis-
Brewer who w ill reopen her peninsula home.
Miss Josephine Grant has returned from New York
where she visited for several months.
Mr and Mrs. Starr Bruce were hosts at a tea for forty
of the younger married set.
Miss Dale King made her debut at a dinner dance
given at the San Francisco Golf and Country Club <>n
December 20.
Mr and Mrs John Magee of New York, who are
spending the winter at Pebble Beach, were hosts at a
large luncheon party on New Year's Day.
Mrs John Drum entertained at dinner recently in
honor of Miss Isobel McCreery, debutante daughter of
Mr and Mrs. Richard McCreery of Burlingame.
Mr and Mrs. George Pope and their family are spend-
ing the winter at the Pope estate in Burlingame, follow-
ing the disastrous fire which destroyed their Pacific
Avenue home.
In honor of her daughter. Miss Elizabeth Raymond,
who was in San Francisco during the New Year's holi-
day, Mrs. Charles Felton gave a dinner party at the
Felton home in Pacific avenue
The week preceding her marriage to Mr Frederick S
Moody Jr. Miss Helen Wills was honor guest at a dinner
partv given at the Hotel St. Francis by Mr. James D.
Phefan.
Mrs Harrv Hill gave an elaborate dance at the San
Francisco Golf and Country Club where she entertained
the friends of her debutante daughter, Miss HarrieHill
Mr and Mrs John Houser (Elizabeth Magee) have
returned from their honeymoon in Europe and will be
for a time with Mrs. Houser's parents, Mr. and Mrs
William A. Magee at Alder farm, in Fruitvale,
Miss Barbara Bliss was presented to society at a large
tea given by her mother, Mrs. Richard O. Bliss at the
family home in Pacific avenue early in December.
In honor of their niece. Miss Frances Tuckerman.
Captain and Mrs. Edward McCauley gave a dinner
dance at their home in San Mateo.
Miss Grace Hamilton entertained at a dinner dance in
the Red Room of the Hotel St. Francis recently, in honor
of Miss Harriet Holbrook, her cousin, and a debutante
of the winter.
Miss Alice Cooke of Honolulu, whose engagement to
Mr. Roger Kent was recently announced, was honor
guest at a luncheon given by Mrs. William Kent Jr. at
the Town and Country Club.
Mr. and Mrs Richard Ashe McLaren of San Mateo
entertained at dinner on the night of the Spinster's Ball,
later taking their guests to the Burlingame Club. The
dinner was given at the home of Mrs. McLaren's par-
ents, Mr and Mrs Henry Poett
Mr. and Mrs Roger D. Lapham and their daughter.
Miss Carol Lapham. held a reception at their new home,
formerly the residence of Mr. and Mrs. Alexander
Brawner.
Miss Elizabeth Forderer was recently hostess 'at a
luncheon for members of the debutante set. The lun-
cheon was given at Miss Forderer's home.
Captain and Mrs. Powers Symington entertained at
dinner at their home in San Francisco in honor of Mr
and Mrs Paul Fagan.
January 25 has been named as the date for the debut
of Miss Margaret Hanchett. Mr. and Mrs Lewis Han-
chett will give a tea for their debutante daughter on this
date at the Burlingame Country Club.
Mrs Edward Bosqui entertained several members of
the debutante group at a luncheon at the Francesca
Club recently. Miss Harriet Holbrook was guest of
honor.
Mr Gordon Armsby entertained at an interesting
luncheon in January at his ranch home in the Carmel
Valley.
In honor of her niece. Miss Patricia Tobin, Mrs. Tobin
Clark gave a dinner party at the Clark home in San
Mateo preceding the Spinsters' Ball.
Mr. and Mrs. Nion Tucker gave a "baby party" at
the Burlingame Country Club in honor of their debu-
tante niece. Miss Patricia Tobin.
Mrs. Ferdinand Thieriot also honored Miss Tobin.
who is her niece, with an elaborate affair at the de Young
home on California street. This occasion was a New-
Year's Eve party and a "radio program" was the enter-
tainment feature of the evening Mr. Peter McBean was
host to Miss Tobin at dinner before the party entertain-
ing his guests at the McBean home.
Another important occasion planned in honor of Miss
Patricia Tobin was the Spanish ball given by Mr. and
Mrs. George T. Cameron in the new ballroom of the
Cameron house in Burlingame.
Mr. and Mrs. Edmunds Lyman gave a Sunday lunch-
eon for Miss Patricia Tobin at the Burlingame Country-
Club during January.
Mr. and Mrs. Kilbourne Moore gave a dinner dance
at the Hotel Mark Hopkins in honor of Miss Dorothy
Bostwick.
Preceding the New Year's Eve ball given by Mr-
Ferdinand Thieriot. Mr. and Mrs. Charles B Hender-
son entertained at dinner at their apartments in Powell
street.
Many farewell affairs were given for Miss Julia Van
Fleet shortly before her departure for New York where
her marriage to Mr Allyn Ward Maxwell will take
place. Mrs Mark Gerstle Jr.. Mr and Mrs. Charles
Warren Hunt Jr., Mrs Alfred Oyster, and Mrs, James
Rupert Mason were among the many who honored Mi —
Van Fleet before her departure
SAN FRANCISCANS ABROAD
Miss Anne Howard was at Pau. France, when last
heard trom. visiting her cousin, Mr- Anthony Bryan
and Captain Bryan.
Mr and Mrs Gayle Anderton are spending the winter
in Switzerland, enjoying the winter sports
Miss Evelyn Barron has returned to her Paris apart-
ment after spending some time in London. Miss Barron
will return to California in the spring.
Miss .Azalea Hastings, the daughter of Mr and Mrs.
Harry Hastings of England, formerly of San Francisco.
made her debut on New Year's Day at the West Somer-
set Hunt Club in England Mr and Mrs Louis Brugiere
i;ave a dinner party for the debutante before the ball
Mr. and Mrs. Harry Rice Bostwick and their two
daughters left for the East and Europe on January II.
They will travel on the Continent for several months,
returning to California in summer.
Miss Laura Coffey was one of a partv of San Francis-
cans who left on January 7 for the East and Europe. Dr.
and Mrs. Bricca. and Miss Marcella Bricca were also in
the party
Mr and Mrs. Robert Watt Miller and Mr. and Mrs.
Albert Miller spent the hoiidavs in Havana, according
to letters received by their friends. Mr. and Mrs. Robert
Miller were met later in New York bv Mr. and Mrs,
C. O. G. Miller and they proceeded on to Europe.
Mr. and Mrs. William Leib (Arabella Schwerin Mc-
Creey) have taken an apartment at Biarritz, follow ing
their motor tour of Spain.
Mr. and Mrs Daniel C Jackling. who are cruising the
Mediterranean, were in Cairo at Christmas.
Mr. and Mrs. Arthur Hill Vincent enjoved the winter
sports at St. Moritz during January.
Mrs Preston Scott and her daughter. Miss Nancv
Scott, have left for Europe They will join Mrs. Scott's
son. Mr. Preston Ames, in Paris where they will remain
until late in Spring.
Mr. and Mrs. H. R. Braden were in Rome at last
SAN FRANCISCANS IN NEW YORK
Miss Beth Sherwood, who is in New York at present
recently took part in a benefit performance given at the
Hotel Plaza in the interests of the peace work of the In-
ternational Council of Women.
Mr. Daulton Mann is in New York and Mrs. Mann
will join him in the East this month and establish her
new home.
Mr. and Mrs. A. G. Raisch are visiting in New York
at the present time, guests of Mr. and Mrs William B
Foster of Forest Hills.
Miss Mariedna Clay of Piedmont was one of the
bridesmaids at the wedding of Miss Anne Crawford to
John B. Ballantine in New York City. Miss Clay has
since announced her own engagement.
Mrs. Charles Crocker was among the hostesses at
Pierre's on the evening following the Army-Notre Dame
football game.
Mr. and Mrs. Cyril McNear were among the guests at
a supper party given by Mr. and Mrs. Eliot Benedict of
East Seventy-second street in honor of Henri Deering
the pianist.
Mrs. Charles B. Alexander gave a brilliant dinner
party in honor of Mr. and Mrs. Arnold Whitridge. Mr
\\ hitndge has just been appointed to a new diplomatic
post in Guatemala.
Mrs. Wood Armsby was one of the guests in Mrs.
Christian R. Holmes' box at the opera recently.
Colonel and Mrs Arthur F. Schermerhorn have been
at "Spring Lawn", their house in the Berkshires. for a
visit. They are now at the apartments at the Barcaly.
Comtesse de Buyere was one of the guests at a dinner
party given in the East by the French .Ambassador and
Mme. Qaudel.
Dr. and Mrs. Ray Lyman Wilbur spent two davs in
New York recently, making the Hotel Pennsylvania
their headquarters.
SAN FRANCISCANS IN THE SOUTH
\ (r. and Mrs. James Rupert Mason spent several days
in Los .Angeles recently
Judge and Mrs. F M. Angelotti and their daughter
Miss Marion Angelotti, enjoyed a sojourn at Palni
Springs.
Mr. and Mrs. Grant Black visited in Santa Barbara
recently, guests of Mrs. W. A. Clark.
Mr, and Mrs Willard Chamberlin and Mr. and Mrs.
Howard Spreckels spent several days at the Santa Bar-
bara Biltmore recently.
Mr and Mrs Lindsay Howard were among the group
of San Franciscans who went south for the polo tourna-
ment at the Midwick Club.
Mrs. John B. Casserly spent several days in Santa
Barbara with her sister. Mrs. William P. Nelson, and
Mr Nelson recently. Mrs. Casserly motored south with
the Hon, Mrs. Alfred Lyttleton, G. B. E.. and her
daughter, Lady Craik of London.
24
THE SAN FRANCISCAN
NOW IT CAN BE TOLD
If a certain member of the latest group
of lawyers that was turned out at
one of our nearby universities does not
go far in the legal profession, every one
has our permission to make faces and
throw rocks at us. His first case was
slated to come up before a local Judge
who is noted for his positive opinions
and domineering disposition.
"Don't question his word about any-
thing," his lawyer friends counselled.
"Agree with anything he says even if it
is detremental to your case. Take another
tack and come back at it from another
angle If you cross him you'll get no-
where."
Determined to win this first case, the
young lawyer did as he had been advised.
Whatever the Judge said was perfectly
all right with him All went well until
the lawyer attempted to read something
from Blackstone to the court
The Judge's eyes narrowed. "You
don't have to read anything to me," he
snapped irritably. "I know the Law."
The young lawyer was much taken
aback. He felt that it would greatly
enhance his chances of winning the
case if he were allowed to read the
opinion.
"Yes, I know that you know the
law, your honor," he said atter a
few moments hesitation, "but
just to clarify the issue I want to
read for you what this damn fool
Blackstone has to say about it."
Chewing gum has long been
one of the great institutions
of American life. It has made one
of our best known millionaires and
has enriched countless others not so
well known. It has built skyscrap-
ers of commanding height and
beauty. It has given poor but am-
bitious young swimmers fame,
fortune and movie contracts. Out
of the necessity of keeping chewing
gum before the public, have been
born sublime triumphs of Ameri-
can Advertising Art.
For all of this, though, gum
chewing has always been a sort of
secret social sin. Persons of shallow
mentality, common tastes or of
doubtful social and moral standing
are, according to popular associa-
tion, inveterate and somewhat
noisy gum chewers. It is only in
recent years that the socially well
bred and the intelligentsia have
practiced the habit more or less in
privacy. Before going out in com-
pany or in public, one threw one's
gum away. One did not tuck it away on
the underside of chairs or tables for
future reference — a habit of those of low
taste.
But it has been discovered by those
who devote themselves to profound re-
searches in the interests of American
Advertising Art that an old Aztec
beauty secret was the daily chewing of
gum to ward off flabby wrinkles about
the mouth. This momentous and inval-
uable bit of science is currently set forth
in full page advertisements in such
swanky publications as Harper's Bazaar
and Vanity Fair. Gum manufacturers
have hitherto confined themselves to the
confession, movie and wood pulp maga-
zines, to newspapers and bill boards,
which as everyone knows, have great
weight with flappers and the proletariat,
who constitute 99 c~} of the gum chew-
ing public. Never before has gum adver-
tising appeared in the elegant publica-
tions of the haute monde, nor delved
into the wisdom of ancient civilizations.
Wherefore, the complete social elevation
Grippe ff
of gum is, indeed, begun and will shortly
be an established fact.
While the Christmas eve festivities
that took place in Union Square
were in progress, a lad who looked about
eleven or twelve was leaning against the
buffalo fence which a vigilant civic
board had erected to keep people off the
grass. He looked longingly at the lush
grass inside and then, with a shrug of
his shoulders he sagged back against the
fence as restfully as possible, produced a
cigarette and lit it. He had taken perhaps
three puffs when a stout, bespectacled
lady of middle age approached him.
"Does your father know you are smok-
ing, little boy?" she inquired, bitingly.
The boy regarded her open-mouthed.
He took a few more puffs from his cig-
arette and looked her up and down
steadily. Suddenly he caught sight of the
wedding ring on her hand.
"You're a married woman7" he said.
"I am," snapped the woman, "if
that's any of your business, young man."
"Then," the boy snapped right
back, "does your husband know
you speak to strange men7"
After listening to a great deal
L of hullabaloo in connection
with the question of subsidizing
university athletes, we come to the
conclusion that the whole business
was merely another situation in
which theory and practice are fun-
damentally and inconveniently op-
posed to each other, as in the case
of prohibition, politics, Democ-
racy and peace conferences. In
theory the schools are opposed to
subsidies. In practice they find
them convenient and, under the
prevailing order of things, indis-
pensable. The theory is, therefore,
upheld with much shouting. The
practice, if ever publicly discussed,
is condemned.
We seem to be sustained in our
conclusion upon reading the pro-
ceedings of the Fifth Annual Con-
vention of the National Students'
Federation of America, which met
a few days ago on the Stanford
campus. This occasion brought
together 145 delegates from 80
American colleges, who unan-
imously adopted a resolution
against direct or indirect subsidies
to college athletes or the favoring
of athletes when giving employ-
ment on the campus.
JANUARY. 1930
The convention also dipped into na-
tional and international affairs By way
of something special, it was addressed by
the worthy George Creel, Chairman of
the Public Information Commission
during the war. From Mr. Creel's dis-
course we learn that America is really a
nation of dreamers; that Wall Street,
Rotary and materialism are superficial,
passing phases to which no importance
can be attached in understanding America
and its people. We are further informed
that the thing that made America uni-
versally esteemed after the war was the
conviction that, out of the victory
would come world peace and world
brotherhood.
Mr. Creel and the Convention in
general said ever so many other lovely
things. But at this point, we stop to
remark — how very interesting — and
amusing !
This may be only political propa-
ganda and we can't vouch for its
veracity but the fellow who recounted it
to us swore that he was an ear witnessto
the incident
Two members ot the Board of Super-
visors, according to our informer, were
discussing how strict had been their early
religious training and how they had de-
parted from it in late years.
Said one: "I don't believe you even
remember the Lord's Prayer, do you?"
"Oh, yes, I do," boasted the other,
"I'm not such a backslider as that."
The first one replied: "I'll bet"a dollar
you cannot say the Lord's Prayer straight
through."
The other promptly declared that he
would win that'dollar and, after a mo-
ment's thoughtful hesitation, repeated
slowly :
"Now I lay me down to sleep,
I pray the Lord my soul to keep.
If I should die before I wake,
I pray the Lord my soul to take."
"By Jove," said the first one, "here is
the dollar; I didn't think you could do
it.
In view of the visit of Edna St.
Vincent Millay to San Francisco, and
her recital at the Community Playhouse
this month, may we not hope that inter-
est in her work wilFbe'so stimulated as
to bring about production of "The
King's Henchman" during the next
Opera season?
Such renewed interest is deserved. For
may we venture to assert that Edna
Millay is one of the greatest living poet
of the English language? Some critics
have held otherwise . . . but Millay is
the one poet with a truly universal
appeal.
25
At the Knox Shop
excl usively i n
San Francisco . . .
MCAFEE'S
London - Made
Shoes for Men
These are the shoes that
are known 'round the
world as the world's fin-
est. Included in the pres-
entation are wonderful
golf shoes, and extra-
ordinarily smart styles
for business and formal
wear. Also, riding boots.
KNOX
51 GRANT AVENUE
26
THE SAN FRANCISCAN
Air Prospects
Aviation Country Clubs and the Light Aircraft Market
by HARVEY WILLIAMS
Investors in aviation securities and
those actively engaged in the indus-
try, have given up the idea of quick and
easy profits and are putting new creative
energy into their work. Aircraft pro-
ducers and operators are intent upon
products and services that will meet
with public approval, and they are syste-
matically developing more effective sell-
ing methods. Even the conservative
thinkers regard the present condition as
satisfactory. Aviation Country Clubs
are directly in line with this movement
of sound and substantial growth
The light aircraft induscry has for
some time recognized the tact that it
must depend to a large extent on the
aviation schools to develop a popular
market for its products. Except in a few
cases, the managements of flying schools
have not made special appeals for stu-
dents from groups of men with leisure
and sufficient means to own and operate
airplanes for sport and business purposes.
Aviation Country Clubs are doing this
very important thing. The Clubs are
selling private flying to people who can
afford it Selling aviation to people who
cannot at the moment afford it will
bring results later when airplanes, their
operation and maintenance are cheaper
But the immediate necessity is to stimu-
late sales of small airplanes already built
or for which manufacturing facilities
have been set up
Aviation Country Clubs have recog-
nized the fact that it is much harder to
recruit mature people of means for the
ranks of flying schools than it is to enlist
young men and girls with nothing but
enthusiasm The Clubs are wisely meet-
ing the natural resistance of mature con-
servatism by providing surroundings not
unlike those to which all successful men
and women are accustomed A hangar,
flying field, and some airplanes constitute
the only marked difference between the
Long Island club, for example, and any
other modest country club.
Nearly all of Aviation Country Clubs'
members are men actively engaged in
industrial or commercial enterprises
Although they may begin flying as a
pastime or as a sport they will soon be
thinking of practical uses for the airplane
to further their own interests. The pub-
lisher will become personally aware of
the advantages of air distribution of his
newspapers; the executive will begin to
provide airplanes for company business
travel ; service department managers will
send representatives in their own air-
planes to answer calls. Thus, many uses
for commercial airplanes come to mind
Each usage will gain followers, because
of the necessity to meet competition,
until aircraft in substantial numbers are
performing the commercial services for
which they are obviously suited
The Long Island unit of Aviation
Country Clubs, already well established
and being viewed as a model for the
growing national organization, has
established a remarkable and probably
unequaled record in light aircraft sales
During 1929, 54 of a total 1S0 mem-
bers affiliated with the Long Island unit
purchased airplanes for private use. The
54 airplanes totaled in purchase price
$584,540, or slightly less than $11,000
each. Orders for the ships were dis-
The
INCOMPARABLE
DUESENBERQ
The ownership of a Duesenberg reflects
a discernment far above the ordinary
JOHNSON -BL ALACK, INC., 1006 Van Ness Avenue
JANUARY, 1930
tributed among nineteen manufacturers.
More than $1,000,000 worth of air-
planes were purchased by members of
Aviation Clubs last year
Although aircraft production showed
L an increase of 35 to 40 per cent in
1929 over 192S, last year's output of
between 6,000 and 7,000 planes was
only 50 per cent of estimates made earlv
in the year There are several reasons
why these estimates were not reached,
but two are particularly significant
First, the light aircraft manufacturers
as a group do not seem to have made
sufficient effort to sell the public on the
safety, comfort, and advantages of pri-
vate flving tor business and pleasure
These manufacturers appear to be aware
of the need tor such effort and are plan-
ning accordingly, as witness their in-
creasing advertising in popular publica-
tions
Second, it is the belief of many
thoughtful laymen that the present types
of small aircraft are not designed with
the stability, ease of handling, and com-
fort necessary to make them feel able to
operate such craft with confidence while
gaining experience. The Guggenheim
Safe Aircraft Competition is our best
evidence of conscious effort toward im-
provement in this direction.
But the fact remains that there are
fewer pilots in the United States than
there are airplanes. As of December 31,
1928, there were 5,100 licensed and
identified planes and 4,Soo licensed
pilots, or 96 per cent as manv pilots as
planes In the first six months of 1929
there were 2,854 commercial planes
manufactured, 2,330 licensed and iden-
tified, and 1,874 pilots licensed The
number of pilots licensed was 66 per
cent of the planes manufactured and Si
per cent of the planes licensed and iden-
tified, which resulted in the number of
licensed pilots being reduced to 90 per
cent of the planes licensed and identified
as of June 30, 1929. It can readily be
seen that the number of pilots must in-
crease at a considerably higher rate it air-
plane production is also to be stepped up
to any such rate as was estimated during
the early part of this year.
The production of transport and com-
bat aircraft is supported by established
airway operators, and by the Army and
Navy. Air transportation for the most
part, has the assured support of air mail
poundage, and increasing passenger
travel. But light aircraft builders must
depend on increased popularity of private
flying and on further development of
commercial flving The work of Avia-
tion Country Clubs is and will be a valu-
able influence for the advancement of
their market.
27
"The Gold Room" at Gump's
We announce the opening
of the first two of a series of
Exhibit Rooms. + Featuring
appropriate furnishings and
details for any architectural
scheme. The Gold Room...
a combination of English,
French and Italian of the i8'h
century. French Boudoir...
Bedroom and Salon Intime
in the French manner, v v v
GuiHIDS
246-268 POST STREET, SAN FRANCISCO, CALIFORNIA
28
THE SAN FRANCISCAN
A Farewell to Books
Harassing Details of an Editorial Conference
by BETH WENDEL
l^Tow, Beth this is January and . . .
m it is?
All reviewers are making lists of the
twelve best books of the year.
They are?
Yes, they are, and you must make
your list at once — to-day!
To-day?
You know very well that we went to
press a week ago.
We did?
Certainly, and we are practically off
the press.
Practically off?
I told you ten days ago that all copy
should be in the following day.
That's tomorrow, isn't it?
No, Mrs. Wendel, it is nine days ago.
It is?
Come, come, tell me what you con-
sider the twelve best books of the year.
All Quiet On The Western Front?
Scarlet Sister Mary? The Return Ot The
Fugitive? Elizabeth and Essex? Henry
The Eighth? Dark Journey? She Stoops
To Folly? Galaxy? The Natural Mother?
Wolf Solent? John Brown's Body? Carl
and Anna?
They are?
I'm asking you
What?
You know very well that all reviewers
will make lists of what they consider the
best books !
Then why can't I wait and copy their
lists?
How can you suggest a thing like
that? Didn't I tell you that I must have
it at once? With the exception of your
material, the dummy is complete.
Now you are being mean to me. I bet
you wont even get me passes for Argen-
tina or let me interview Edna St
Vincent Millay. All you tell me to do is
make out lists, and making lists is what
caused all my trouble. Yeh, I made out a
list, a great big, fine, long list, and the
day after Christmas, when people
thanked me, they said, "I only gave
children and servants this year " I'll
never make out another list, I wont.
But this is a list of books, Beth If you
can't think of twelve, name six.
Six?
Or three
Three?
Well, then, just name one! Whenever
I'm around, you're always talking about
books —
Sure —
And now you can't even give me the
name ot one good book.
The only book I can think of at
present isn't good.
What is it?
My Check Book.
Your Check Book? Ah, I think I un-
derstand.
No, sir, I don't believe that you can.
It is dizzier than James Joyce.
Why James Joyce is the greatest living
writer
Yeh? well, he wont be the greatest
dead one. I'm really very sorry, dear
Editor, that I can think only of my
Check Book this month, but it's poig-
nant tragedy is with me day and night It
is a tale of the artistic temperament,
generous and impulsive, battling with a
cold world
Ah yes.
In the beginning of the book, the
figures bore considerable interest. Then
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djfrfiss yulia Johnson
Qraduate Swedish ^Masseuse
Suite 211 Elevated Shops
150 Powell Street
DOuglas 6495
diploma professor
ulmann's institute
stockholm, sweden
$Hjep- C
JANUARY, 1930
they became rather carelessly drawn,
then overdrawn.
There was the love element, too?
Yes, one of my resolutions for 1930 is
Farewell To Arms. When I think of all
the neckties, mufflers, handkerchiefs . . .
But forget it all, Beth, and think of
other books.
What books7 My Date Book7 I threw
it away today.
It may have been dull, but surely it
was better than staying home
Oh yes, I started a new one, a pale
green one this time My telephone num-
ber is Skyline 69S9. Would you like me
to review the Telephone Book7 All
Pacific numbers have been changed to
Skyline or Evergreen Dial the first two
letters, then the numbers. If your finger
slips on the last number, start in all over
again. If you want to swear at the Oper-
ator, even if it is your own fault, dial
the letter O. If you want to send a tele-
gram, write instead. If you want the
Police Department or the Fire Depart-
ment, Faint.
S-s-sch! Calm down, dear one. I can
see that you need a good rest and maybe
a tonic and some iron and arsenic shots.
I wont bother you any more about the
twelve best books.
Thank you, sir. I promise that it will
never happen again All my material
will be ready on time this year, and
what's more, I promise' to review only
those books which I have actually read.
Pinlofkin
Continued from page 12
re-christened The End of St. Petersburg.
Eisenstein went to work scientifically,
with his famous mass structure and
dynamic technique — emphasizing the
external elements of drama. Pudotkin
concentrated upon the intense elements
of human emotions, his completed film
became an orchestration with rhythm
and vision where art and space are
unified. At first three themes struggle for
importance, then two, finally the major
cord of the revolution alone remains.
The two completed films of the 1917
Revolution brought a repetition of the
earlier discussion over Potemhj.n and
Mother. We in the West have seen The
End of St. Petersburg and have con-
tributed to its sensational success — but
the fight still is waging on the New
York front where both films are at
present exhibited. Many of Eisenstein's
followers, who have never heard of
Pudofkin, are bewildered, for opinion
seems to be swaying unanimously in
favor of Pudofkin's The End of St.
Petersburg.
Eisenstein's neo-classicism builds up
to a metallic climax like a cry, or clash
of a brass band. Pudofkin's climaxes
Continued on page 32
29
J5 Rue Richelieu
Paris, France
jq.j Nineteenth Avenue
coiner of Fulton Street
San Francisco
J^oretta £llen Brady
Importer
FRENCH FURNITURE
OLD FRENCH DRAPING SILKS
FRENCH ETCHINGS
Open every day including Sunday
SKyline 8532
I THE SAN FRANCISCO BANK |
INCORPORATED FEBRUARY 10TH, 186S
m One of the Oldest Banks in California, the Assets of which have
= never been increased by mergers or consolidations with other banks.
B Assets over $125,000,000.00 Deposits over $120,000,000.00
Capital, Reserve and Contingent Funds, $5,450,000.00
= Tlit- following accounts stand on the Books at SI. 00 each, viz.:
Bank Buildings and Lots - (Value over $1,925,000.00)
Other Real Estate - - - (Value over $308,000.00) M
Pension Fund - - - - (Value over S670.000.C0)
Interest paid on Deposits at 4J"4 per cent per annum
si Computed Monthly and Compounded Quarterly
iiilllillll!
30
THE SAN FRANCISCAN
"Sunset
Limited"
A winter trip East
thru Summer-land
Straight across the legend-
ary Southwest, Spanish be-
fore it was American . . .
through America's newest
winter summer-land.
The "Sunset Limited,"
famed round the world,
directly serves the fashion-
able desert resorts about
Palm Springs and Indio,
the guest ranch country of
Arizona.
Go one way, return an-
other on "Sunset Limited,"
"Overland Limited" or the
"Cascade." Only Southern
Pacific offers the choice of
four great routes.
Southern
Pacific
E.W.CLAPP
Gen. Pass. Traffic Mgt
San Francisco
Tin Types
Continued from page 10
One of these was the defense of Tirey
Ford, who had been brought to trial by
Francis Heney for jury tampering, an
offense also charged against Ashe While
this trial was in progress, Fremont
Older, editor of The Bulletin, instigator
of the graft exposure and leader in the
clean up campaign, was kidnapped but
shortly rescued from his captors Ashe
was arrested and indicted for engineering
this coup The charge, like a great many
other incidents in the graft trial, came to
nothing. The kidnapping, however,
found no favor with Ashe's chief, Cal-
houn In a heated, private session Cal-
houn denounced Ashe for his bungling
tactics in staging a kidnapping and re-
moved him from the Tirey defense
Later, though, he was re-instated as a
member of the United Roads' legal
staff.
In 190S, the Bartnett case, another
phase of the clean up frenzy, engaged
Ashe as one of the defense counsel.
Walter J Bartnett, former vice president
of the old California Safe Deposit and
Trust Company was charged with em-
bezzling $90,000 worth of securities and
the failure of the institution The Dis-
trict Attorney's office made the startling
charge that the affairs of the defunct
trust company had been managed not by
business principles but by spiritualism
Bartnett, it seemed, was "chosen" to
receive messages justifying his manage-
ment or rather mismanagement of the
company. Bartnett, the District Attor-
ney's office further charged, had deliber-
ately employed spiritualism to deceive
and bend his credulous associates to his
will without putting too much faith in
it himself. Accordingly, the jury mem-
bers were closely questioned in regard to
their views on spiritualism.
Testimony, as given by Bartnett's
former associates, had a great deal to do
with seances in which a spiritualistic
syndicate directed the trust company's
officers in its management and as to how
the state bank commissioners could be
deceived, how books could be safely
falsified and how money might be sud-
denly materialized to make up short-
ages. The spiritualistic syndicate was
composed of Collis P. Huntington, Jay
Gould and James Fair Huntington was
familiarly designated as Uncle Collis
At the seances Uncle Collis always gave
special and solicitious attention to the
bank's affairs and the welfare of its
officials Letters of Bartnett's were intro-
duced in which he made mention of
spirit messages and the consulting of
Christian Science practitioners to relieve
his worries oyer the bank and his own
precarious position.
Ashe and his fellow attorneys sought
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HOTEL
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LEXINGTON AVE. at 48th ST. NEW YORK CITY
Frank Gregson, Mgr. Phone MURray Hill 740T
Direction of American Hotels Corporation
J. Leslie Kincaid, President
JANUARY, 1930
31
to have che spiritualistic clement of the
case ruled out but they were never wholly
successful in this It persisted in bobbing
up to the immense amusement ol court
room spectators and the irritation of
Ashe For the reporters it was a heaven
sent opportunity The public fought to
buy extras as thev poured from the
presses and shook its head at these in-
credible revelations and proceedings
The fury deliberated forty-five minutes
and pronounced Bartnett guilty
At the time of the Preparedness Day
L Parade, Ashe was legal counsel for
the Chamber ot Commerce He was
thus associated with the involved pro-
ceedings growing out ot this tragic and
hysterical aftair
During the late war, Ashe joined the
Red Cross He was appointed to a cap
taincy and sent to France There he
busied himselt and gained considerable
prestige driving ambulances, helping in
hospitals, conveying nurses about the
country and seeking out San Francisco
boys to clasp their hand, thump them
upon the back and otherwise fortitv
them tor the struggle to preserve Democ-
racy to the world And. finally, lest it be
forgotten, he was founder ot that staid
institution. The Familv Club
66 California9-
Continued from page 14
"Outdoor Heritage" to John Muir but
not one to Mrs Austin It is a sufficient
comment on the book Even Mrs. San-
chez is not tree from the charge ot being
incredibly ignorant of the California
literarv tradition. She tells, verv charm-
ingly, the story of Rezanov and yet
never so much as mentions Gertrude
Atherton's classic novel based on the
story !
"O Calitornians! O Ladies and
Gentlemen !"
verse
fci Drarol Jh> I i-lon
In time I loo -hall turn
To another"- lore,
Shall find a strange delight
In being faithless.
W hv -liimlil I disdain
A new and potent draught
V> ken your once brimming cup
Lies empt] .
Mrs. Gertrude Wood of San Francisco and
her sister. Mrs. Dillingham of Honolulu
a
yy
Such fast service,
such pleasant trips
...the Matson Fleet bridges the
ocean between these sisters
Califoniians have long known that Hawaii is just "next
door."' Mrs. Gertrude Wood of San Francisco expresses
this unusually well.
"My sister, who lives in Honolulu, and I have often
commented about it: We really aren't far separated.""
Mrs. Wood says. "The Matson Fleet provides such fast
and frequent service between her home and mine, so
much is done on these Matson ships to make the journey
a pleasure, that we find ourselves together often/"
Whether you choose the fast Malolo or one of the other
Matson liners, you'll find a sailing to suit you and
enjoy a delightful voyage. Book now for the gay spring
months.
MATSCN LINE
25 steamers .... fastest service
HAWAII . . SOUTH SEAS . . . AUSTRALIA
SAN FRANCISCO 215 Market Street DAvenporl 2300
LOS ANGELES 723 W. Seventh Street YAiulike 8101
32
\V RAPHAEL WEILL 8 COMPANY/ f„ ..
\No^IfcCanB£T#l<kV
Once upon a time January was a synon-
omous term with Annual White Sale in
the minds of housekeepers and depart-
ment stores But the great wave of color
that has inundated the domestic world
raises the embarrassing question this
season . . "when is a White Sale not a
White Sale?" Obviously when it's a
Color Sale. Very well, then, we as pro-
gressive moderns are willing to let cus-
toms be bygones when we do our linen
replenishing this month. From now on
let us bathe, eat and sleep with our fa-
vorite colors.
And why not? Not just because it's as
easy now to buy colored sheets as white
ones, and a bit smarter, but because
color is a nice thing to have around.
Lots and lots of it. Just as a great armful
of flowers is better than a solitary blos-
som, and a great deal more apt to catch
the beauty-loving eye.
Of course, the day of pioneering in color
for the home is long past All the steps
from black horsehair, up through mul-
berry curtains and polychrome candle-
sticks to lemon wood furniture and
black floors, have been taken. But, alas,
we do remain conservative, unoriginal,
afraid to get very far removed from the
great American chesterfield set. We're
colorful in spots, quite a few spots, just
as much as Mrs. Nextdoor Neighbor,
no more. But now that the ground's
been broken there's no reason at all why
we should be any more reticent about
expressing our inborn love of color than
we were before a few centuries of civili-
zation gave us funny ideas about being
unobtrusively drab
You can't excuse yourself by lack of ma-
terial. It's all here at The White House.
We've been talking about our really ex-
cellent collection of pastel sheets for a
long time, now, having been among the
first to promote this pleasing feature of
the twentieth century. If you haven't so
much as one pair to your name as yet
you have no legitimate right to consider
yourself a contemporary or this age And
neither have you experienced the deli-
cious sensation of awakening in the
sometimes cold, gray dawn to a rose
colored world, or a refreshing world of
cool green, as the case (the linen, we
mean) may be.
Well, and then what7 You see, the idea
grows. Curtains to match, we mention
in passing, since our Drapery Shop is
one of those delectable places of chintz
and sheer, ruffled gauzes and brilliant
modernistics where one lingers and loi-
ters. Equipped, too, to carry out ideas to
the last efficient degree. Rugs, too, in
any period from Omar Khayham to
Kem Weber. These, of course, are just
side interests to a January Color Sale
Bath towels, face towels and the un-
touchable guest towel have tried out
this color idea until they would be quite as
much at home in our Objects of Art de-
partment as the Linens. Do come and
see. We get objectionably poetical trying
to do word- portraits of them.
w i /
Don't think that the friendly huck towel
is scorned in this company, or the com-
fortable cotton sheet, or that prices are
out of touch with this thrifty, material-
istic period in which we live. No! Call
it a White Sale or a Color Sale, our
theme song remains the same familiar
tune of good old White House values,
practical to the end
ADVERTISEMENT
THE SAN FRANCISCAN |
Putlofkiii
Continued from page 29
have the harmony of a stringed orches- |
tra, a violin, a song expressed through
the medium of the screen
Two new productions are scheduled j
shortly to arrive in America. Eisen-
stein's The Qeneral Line, an agricultural
film again featuring the mass. Structures
that ignore style and convention — now
an individual hurled out of the peasant
mass for a brief appearance, now vanish-
ing again into oblivion. And Pudofkin's
Descendents of Jengiz Khan, a theme
that appealed to his highlv sensitive
imagination. A descendent of the Khans
himself, who could be more capable of
conveying this fascinating theme to the
screen? Pudofkin gives to his work not
one moment of humanity — but human-
ity itself.
Here we have the two outstanding
directors who have stepped out of the
Soviet film firmament to challenge the
attention of the Western world. Eisen-
stein is soon to take up new work in
Hollywood. And will Pudofkin follow?
The Year In Musie
Continued from page 16
viable position she has always held.
Both ot their concerts were well attended
and both were artistically excellent,
although Galli-Curci may have erred a
little in the direction of frivolity, when
she selected her program What she sings
makes no important difference in the
pleasure of listening to her. Her voice
would justify anything she sang, whether
it was an exercise, a bird imitation or an
intricate aria.
Alexander Akimoff, who has ex-
pressed his intention ot making his home
here, proved to have a splendid voice
and an engaging personality. His voice
is round and bass, with enough of the
baritone qualities to make it responsive
to delicate nuances of feeling. Perhaps he
will appear here in opera at some future
date. Dino Borgioli appeared in two suc-
cessful concerts. His coming was delayed
for a month or more, because of an
injury to his ankle, sustained in Italy.
Fortunately, ankles seem to have no
influence on voices, in his case at least.
The perennial John McCormack and
another Irishman, John Charles Thomas,
added their names to those of the famous
ones who had previously sung from the
Dreamland boxing-ring. Thomas, like
De Luca, is a member of the select group
of concert-wise baritones, and McCor-
mack remains as he always was
The Young People's Symphony As-
sociation has already begun its sea-
son's work, which will be carried on
throughout the winter. The concerts
JANUARY, 1930
33
EL?!
The Bride: Oh, Harry! I phoned
to tell you the had news. The eook
has just given notice. What shall
I do, dear?
Harry: First, don't worry. And
second, just as soon as you finish
talking to me, call the Examiner,
ask for an Ad-Taker and let her
help you write your ad. You'll
have more cooks by tomorrow
night than the Palace Hotel.
X The Examiner's phone
number, bv the way, is
SU tter 2424 — East Bay,
CLencourt 5442. You
mav phone vour Want
ULAd.'
Do you
inspect each cut of meat
you buy?
Does your grocer know you
will accept nothing but the
choicest foods?
Only food bought with meti-
culous care is served at the
Post Street Cafeteria . . and
the care in selection is just
the preface to the fine cook-
ing at this colorful cafeteria
where "only the best is
counted good enough."
Come today and you'll
come again lomoroir!
Post Street
Cafeteria . .
62 Post Street
proper, which will he performed hy the
Symphony Orchestra under che direction
ot Wheeler Beckett, have not yet begun
A tea, given during the fall, served to
introduce some promising young mu-
sicians, notably Ruth Julia Slenczynski,
a four year old baby of whom it may be
said that it is less remarkable that she
plays the piano well than that she plays
at all She plays very well indeed, and
seems to be not a prodigy, but a genius,
who will be fit to be classed with Yehudi
in a few years, as a reason for local pride
The Young People's Symphony has al-
ready produced more than enough artis-
tic results to justify its existence, and has,
in a few years, become a public institu-
tion.
Three opera companies will appear
here during the winter and early spring.
One, the Pacific Coast, will be composed
entirely ot local singers, as usual ; another
the Columbia, will present the standard
operas with some reputable singers of
more scattered residential affiliations,
and the last, a German Opera Company,
will give a season the like of which has
not been heard here for twenty-five
years. The entire "Nibelungenlied," the
"Flying Dutchman" and "Tristan and
Isolde," topped of! with a Saturday
matinee performance of Mozart's "Don
Juan" will be a gorgeous Wagnerfest
which has been denied us for far too long.
Taere were certain unforgettable ex-
periences in the music last fall —
Gregor Piatigorsky's 'cello concert, for
instance, and Jacques Thibaud's eloquent
violin. These are surely two of the
greatest of contemporary instrumental-
ists, each deserving of the highest praise.
The English Singers were charming,
voices, repertoire and all, and Kathleen
Parlow added to her artistic reputation
at each of her appearances. Kochanski
and Friedman brought some quality at
the same time tenable and illusive to the
poetry of the "Kreutzer Sonata." The
San Francisco Opera Company's produc-
tion of "Trovatore" will go down in
history, triumphantly carrying Meisle's
Qypsy and Lauri-Volpi's thrillingly
bloodthirsty Di Qitclla Peri with it.
Rethberg was a marvelous Aida.
There were other happenings that
were just as impressive; Horowitz, play-
ing a Chopin etude, and bowing gra-
ciously to the pitcher of the aforemen-
tioned gardenias The Loring Club
chorus singing a negro spiritual, and
Ruth May Friend's amusing encore at
the same concert; Elly Ney's impressive
hair, and her dramatic pianistic on-
slaughts— each of these things contrib
uted, in some degree, to the fall season,
which was, perhaps, more comprehen-
sive than usual, and which added a
creditable chapter to the city's musical
history.
This Roos coat of
genuine Polocloth
is priced at $125 ...
And the worst of it is that if you ever
buy one you are almost spoiled for
any lesser coat.. .But you'll learn a lot
about the virtue of a real camel's
hair garment.
9-Store Buying Power
34
THE SAN FRANCISCAN
F
— and I resolve to be
more thoughtful — to
j
send flowers more
often to the wife, my
mother and all those
to -whom such express
sions of my regard
ynean much."
Such a resolution is easily
kept if you avail yourself of
the personal services of
"THE VOICE OF A THOUSAND GARDENS
224-220 Grant Avenue
I Phone SUtter 6200 j
SAN FRANCISCO
Orders Telegraphed Anywhere
II WW I I
Book LASSfO for
— "a voyage that ends all too
soon" direct from Los Angeles
to Honolulu over the delight-
ful southern route.
All-inclusive-Cost Tours — from
$285, including inter-island trip to
Hilo for two-day tour of Volcano-
land.
For full particulars apply any
authorized agent, or —
LOS ANGELES STEAMSHIP CO. "3
685 Market St.— Tel. DA venport 4210
OAKLAND
412 13th Street . . . Tel. OA klarxd 1436
1432 Alice Street . . Tel. GL encourt 1562
BERKELEY
2148 Center Street . Tel. TH omwall 0060
AS TO STYLE
I'm just revelling in the excitement
that exists at all gatherings of fair
ladies. It's the long skirt and the new
silhouette. The girl with the dumpy
figure bursts forth into a willowy affair
that makes you ponder why you haven't
seen her before. It's just like seeing every-
body all over again, and through a very
Battering lens.
One thing that must be done right
away is to thumb back to page 66 of an
old Godey magazine and find out just
how the long skirt was handled on the
dance floor. Saturday night at Mark
Hopkins with its lovely setting, the
swishing, floating draperies of the new
gowns added to its beauty Everybody
was on the floor at the first strains of
Anson Weeks' compelling orchestra.
Immediately I saw that the gowns were
too long in back to escape Hiram's num-
ber twelves, and too short to hold grace-
fully. With that little matter ironed out
we are a long way on the right road.
There is unlimited opportunity for
grace and the boxy figure is no more.
Praise be Allah !
The radical change in dress this season
makes it almost imperative to con-
sult "some one who knows." At several
recent society fashion shows knowing
was sadly lacking but we can be some-
what lenient during the transition.
The old dressy Monday luncheon and
tea at the St Francis Hotel seems re-
vived. Often I've just sat and watched
them come and go but today I was ab-
sorbing with the keen eye of a critic.
Jacket suits a plenty but none that dis-
turbed my restful position. . . More
long skirts, graceful alluring . The
inevitable fox slantwise across the
shoulder.
Why doesn't some one appear on the
scene and compel my out of town guest
to exclaim "So this is San Francisco!"
It's quite a business and a pleasure to
witness — this extending of the courtesy
of luncheon or tea. The crowd is on its
toes so to speak. In the vernacular of
the bay "It's good to do."
"I beg your pardon waiter — my
fault," but I just must see her. My big
moment has arrived. Gracious lady,
pause a moment while I appraise. . . In-
finitesimal black and white check; full
circular skirt dipping in the back; egg
shell blouse of chiffon elaborately shirred
to mould the figure; eton jacket Thin
black felt hat off the face; large pearl
drops hanging long on the ears; black
suede pumps; black suede bag, and an
intriguing though small belt of cut jet
at the waist line.
Lady you're perfect and, now, so is
my day!
— By Molly Merkley
^ATMOSTHET{E
The dining rooms of Hotel Sir
Francis Drake have an atmosphere of
a distinctive club . . . colorful linen,
sparkling silver, faultless, unobtrusive
service.
Private dining rooms attractively
adapted for bridge luncheons and
other intimate social affairs.
Excellent facilities for dancing parties.
Luncheon . . . $i.
Afternoon Tea . . . 50c, 75c $1.
Dinner . . . |2.
Orchestral programs daily during
afternoon tea and evening dinner.
L. W. HUCKINS
Managing Director
M§cf§
powell at sutter
San Francisco
JVM VIO 1930
35
SAN
FRANCISCO
offers
no more
attractive
and
distinguished
hotel-home
than
CLIFT
Monthly rates for
a number of de-
sirable suites are
now in effect.
AT SANTA
BARBARA
sma rt . . .
beautiful
MIRASOL
faBibxTucker
LUNCHEON
■ AFTERNOON -TEA
DELICIOUS HOME-COOKED FOOD
utter St near Grant Ave.
Luncheons served
from 11:30 to 1
Tea from 3 to 5
Dinner served from 5:30 to 7
Club tlinners and evening parties
by appointment
KEamy 4026
HAVE VOI UK Alt l»?
Chant of the Jungle This is excel
lent and sounds just the way you'd ex-
pect it to By the versatile Natio Herb
Brown, who thinks nothing oi dashing
from The Wedding of the Painted Doll
out into the Jungle to do a chant !
Why Was I Born7 From the musical
hit in New York, "Sweet Adeline," and
we think it is the prize song, not tor any
personal reasons, however
• Don't Ever Leave Me. Also from
"Sweet Adeline " The inimicable Helen
Morgan is in this show, and she has
made a Victor record of this song.
Somebody Mighty Like You. Sweet,
plaintive melody suitable for a theme
song such as it is From "Paris," Irene
Bordoni's first and quite successful ven-
ture into the Talkies.
Turn on the Heat This and the fol-
lowing song are from the new Fox show,
"Sunny Side Up," the music by De
Sylva, Brown, and Henderson This one
is full of pep and rhythm Earl Burtnett
has made a peach of a record tor Bruns-
wick.
Aren't We All. Well, certainly most
of us are, but we never dreamed that De
Sylva, Brown and Henderson were1
This is a slushy, sloppy song full of
bolony . . . but watch the gate receipts !
Sailing on a Sunbeam From the
"It's a Great Life." An appealing song
with a lyric that had a chance until
somebody got smart with it . . why is
it that these lyric writers think a song
won't get by unless it has at least one
vulgarism in it7
Sorry It would be a wonderful song
even if we were the composer, but con-
sidering that it was given birth by Edna
Fisher," educated by Anson Weeks and
dressed by one of the Dr er . . .
Duncan Sisters, we unhesitatingly rec-
ommend it for the Hall of Fame (better
known to the public as Peacock Court')
Through This is a grand song if
your sweetie has just turned you down,
and, for that matter, equally good it he
hasn't ,
I'd DoAnything for You The that s-
my-weakness-now-Helen-Kane type of
song, so either you like it or you don't
T'ain't No Sin. This song is simply
so absurd that it's delightful, and it has
melodv and rhythm that aren't to be
sneezed at
Love Made a Gypsy out of Me.
Composed for Rudy Vallee prob-
ablv because no one else could put it
over1 It's a terrible steal
Forgotten. A very lovely waltz by
Irving Berlin . . . so he says.
Singing in the Bathtub The com-
poser of this song is without doubt the
world's ideal optimist He says, "A ring
around the bathtub is a rainbow to me!"
Bv Frances.
s|§.
"The World Famous
N^ LosAngcles
Miss Mary Garden
in one of a large num-
ber of unsolicited com-
ments by world famous
celebrities, writes:
"Why live elsewhere
when the Ambassador,
the most beautiful hotel
in the world, is here!"
a
No hotel in the ^ world
offers more varied at-
tractions . . . superb 27-
acre Park, with minia-
, ture golf course, open-
'— ^| air plunge and tennis
<j „■ courts. Riding, hunting
and all sports, includ-
'^S. ing 18-hole Rancho
Golf Club and Archery
Ranges. Motion picture , f\
theater and 35 smart 1/ ^
shops within the hotel. v^jUV
Famous Cocoanut
Grove for dancing ^.~
nightly.
If rite for Chefs Cook Book
of California Recipes
G«»©rge M.Hyde
INCORPORATED
Interior furnishings
for the Santa Barbara
Court House
Studios
1366 Sutter Street
Fairmont Hotel Lobby
36
THE SAN FRANCISCAN
It is an inviolate truth
that the taste and
culture of the
giver is un-
alterably
bound
in the
gift.
The Chocolates
Sin Francisco.
Priced from S3. 00 the pound
De Luxe Assortments
S5.00, S10.00 and $15.00 the pound
KRATZ CHOCOLATE SHOP
276 Post Street Telephone: Slitter 1964
KRATZ KITCHEN SHOP
555-S6S Turk Street, near Polk
As Seen fov Her
■
January is a month ot contrasts . . .
new yearnings renewed interest
in styles And because there is so much to
say and so little space to say it in, I am
going to list mv impressions almost as
briefly as new year's resolutions.
What can be more disillusioning than
the trailing drapes of a new frock swish-
ing above galoshes and below a rain-
coat experience convinces me that
the new fashions were made tor dry
weather, taxis and leisure
Of course you have visited the new
Knox Shop — but have you been there
this month7 They have such an air about
the way they show things — one wants to
buy everything in sight.
Did you, too, see the window of yel-
low spring hats? It caught my eye as I
hurried up the avenue in the rain — as
much a portent ot spring as the potted
daffodils with hovering butterflies that
Podesta and Baldocchi are featuring.
And speaking of hats' Mary at Du-
Barry's says that brims are the thing —
she showed me some ot her creations in
the new Panamalac straw, so soft, so
easily draped, so flattering!
Another sign of spring is found at
Joseph's where they are already showing
marvelous wedding boquets — new com-
binations, new arrangements inspired by
the new mode
At times I wonder it the new styles
are not changing the whole feminine
viewpoint Certainly a woman in a
normal waistline with feminine frills to
be disposed of at every turn is not the
same as one in the tennis frock of a year
ago. There is a different poise and grace
to the new woman (for she does live up
to her clothes)— she must be lithe and
gracious — and somewhat leisurely I, for
one, have taken up dancing and most of
my friends are cultivating some physical
hobby The most economical ot time
and energy seems to be Julia Johnson's
course of massage treatments She fairly
The LITTLE PIERRE
Circulating Library
8:30 a m to 8:30 p.m.
"After all there is
nothing like a
GOOD book"
508 Powell Street
GArBeld 4234 Joan Preston
J.B. Pagano H. A.Dunlap
L. J. Capurro
UtoJIoMs
Avansino Bros.&Co.
Qe&y St
Sdn STr-rfiaScO
Flower Orders Telegraphed Anywhere
&. g>ctjmiut & g>oti
of NEW YORK CITY
ESTABLISHED 1869
Importers of Antique and Modern Silver,
Sheffield Plate, Fine Crystal and China
Where the treasures of a collector may
be purchased as gifts
Solid Silver Vegetable Dishes, England 1S14.
Antique Urn and Candelabrum made in 1780.
504 SUTTER STREET
SAN FRANCISCO
jwi VKV. 1986
37
RADIO S
RADIOLA
CROSLEY
The Sign
of Service
MAJESTIC
SPARTON
BOSCH
BYINGTON
ELECTRIC CORP.
1809 FILLMORE STREET
5410 GEARY STREET
1180 MARKET STREET
637 IRVING STREET
Phone WAlnut 6000 San Francisco
Service from 8:00 A. M. to 10.00 P. M.
CURRAN J3.&S JAN.I3
WORLD PR.£/VII* R£
Daniel C. B/mw presents
A MtRRY VENETIAN
OP"ER€TTA
NANCY WELFORD
AL ST. JOHN
MARIE WELLS -ERNEST WOOD;
LAUREL NEMETHWILBUR EVAN5
RUSSELL SCOn ■ EREP GRAHAM \
STAGED BY EDWARD ROYCE*
INVESTMENT
SECURITIES
Inquiries
Invited
FREDERIC
VINCENTS CO.
155 Montgomery Street
San Francisco
OAKLAND
STOCKTON
LOS ANGELES
SANTA BARBARA
remodels the body, caking oil superfluous
pounds, coning up the skin and giving a
most marvelous glow of well-being . . .
the result is most flattering
My reading corner these first-ot-thc-
year days is heaped with travel circulars.
One of my first resolutions was to see
more of the world in 1930 than 1 did in
1929 —but where to go? Hawaii
Mexico —South America Italy Spain
— the Orient — the Continent? 1c was all
terribly contusing but I've practically
decided on Paris in the spring —and the
reason rests in the fact that I can have
Loretta Ellen Brady take care of me
while there. She will meet me at Gare
Saint Lazare and from that moment I
shall have her guidance and advice so I
shall not do a single un-chic thing.
I shall have tea at the right time in
Avenue Victor Hugo, sit in the correct
cafe, walk down the Bois de Bologne
and Boulevarde Saint Michel at the
proper hours and invade the Montmartre
in perfect safety.
1 heard about Miss Brady when I was
having heavenly corn fritters at the
Studio Tea Room. It was raining and I
was cold. You can imagine how good
those fritters were with crunchy bacon,
hot maple syrup and steaming hot coffee
— served in front of a good hot fire.
And speaking of fires and fireplaces,
have you discovered the charm of the
Courtyard Tea Room on a rainy eve-
ning?
YOUNG PEOPLE'S
SYMPHONY
CONCERTS
San Francisco
Symphony Orchestra
WHEELER BECKETT, Conducting
Series of five Concerts
CURRAN THEATRE
Friday Afternoon,
4 to 5 o'clock
January 17 January 31
February 14 February 28
March 1 1
Single and Season Tickets
on sale now at
SHERMAN, CLAY & CO.
ALICE METCALF,
Executive Manager
Mark Hopkins Hotel
JOSEPH'S
Florists
233 Grant Avenue
(Opposite the White House)
Entirely new conceptions for thej
Debutante > — New articles jor
Bridge » Prizes
Telephone DO uglas 7210
Molly Merkley
Stylist
ORdway 0703
1885 Valiejo St.
San Francisco
38
THE SAN FRANCISCAN
Eyesight, one of our
most precious pos-
sessions, requires con-
stant protection from
the many dangers that
beset it, today. A peri-
odic visit to a reliable
optometrist is your best
eye insurance. Why not
give someone dear to you,
who has faulty eyesight, a
Christmas gift that will be
remembered . . . an order
for an examination. Or per-
haps a new set of frames, or a
fashionable lorgnette would
be appreciated. Come in today
and let us show you the many
other useful gifts in our shop
JONES. PINTHER & LINDSAV
OPTICIANS AND OPTOmitiubts
349
Geary
St.
Opposite
St. Francis
Hotel
The popular place for dis-
criminating business men
and women who demand
the best .... all food is
cooked under the personal
supervision of
SMrs. Welle <T>e Graf
Orders taken jor holiday
cakes and pies
Downstairs in the
Monadnock Building, Market Street
Spotlight
Continued from page 21
tent We had never read "Richard II"
and we knew nothing of his private
life It was a revelation to discover how
easy a Shakesperian play is to follow if
the lines are read intelligentlyandclearly.
Mr. Hayes gave a very finished perform-
ance. Every gesture contributed to the
picture that he drew of the vacillating
Richard It Richard is typical of his sta-
tion, all we can say is that kings are a
mighty poor lot. He was full of "divine
right" chatter and big talk until the
plaster fell on him and then he cried into
his crown. He had been going about in-
sulting everybody and yet he seemed very
much hurt and surprised when the tables
were turned.
Like "Journey's End," "Richard II"
was a play without women. Or could
have been. They added nothing, when
they did appear, to the picture or the
story. One of the marvels of the Strat-
ford-upon-Avon stage-crak is the way
the director gets a sense of a thronged stage
with a mere handful of men. Mobs,
armies, rabble stretch away in unbroken
ranks until you are brought to your
senses by the realization that it has all
been accomplished with less than a
dozen figures. It is too bad that these ver-
satile players insist on choosing Christ-
mas week for their brief engagement in
San Francisco. It cuts down our chances
of seeing them into about half
It is nine years since we had the good
fortune to see the original "Chauve-
Souris" in New York taking it cap-
tive. Since then it may have lost some
ot its novelty but little of its vigor.
Well, perhaps it has changed a bit,
after all. Grown a shade more refined,
more Gallic. . . . We remember an in-
cident of that first season in New York
when the show was vibrantly Russian.
One ot the performers was a guest for
tea at the home of a gushing devotee.
Said the lady: "The thing I like about
your show, Mr. Popoffsky, is that it is so
clean. It has none of the vulgarities of
our American vaudeville." Replied Ivan
Ivanovitch ■. "Do you understand Rus-
sian, madame7" The lady shook her
head. "I thought not!" was Ivan Ivan-
ovitch Popoffsky 's dry comment.
Old Venice Studio
Reno G. Lanzoni
HAS MOVED TO 525 SUTTER STREET
UPSTAIRS STUDIO S
Antiques — Interior Decorating
Venetian Glass
t i
J^oretta £lle?i Brady |
Courses in X
French Conversation and Grammar X
French History and , "Memoir •£
Shopping in Paris and X
Touring in France
i I
V SKyline 8C32 - 707 19th Ave., San Francisco y
t ' ' i
The Dominican College
of SAN RAFAEL
Incorporated 1891
Approved by the American Association of
Universities
A College Jor Women
Resident and Non-Resident Students
Conducted by the Sisters of Saint Dominic
The Dominican College is on the list of ap-
proved colleges at the University of California.
The State of California grants, under the
State Law, to the graduates of Dominican Col-
lege, elementary certificates and secondary certifi-
cates for teaching in all high school departments.
In the School of Music, special certificates are
granted, and the degree of Bachelor of Music
is conferred.
For Jul! particulars, address
Mother Superior, Dominican College,
San Rafael, Calif.
Preparatory Department
Dominican' High School
SAX RAFAEL, CALIFORNIA
THE
JTLDIC
LUNCH - TEA - DINNER
Foods delicious in a setting all charming
MYRTLE ARANA ROSE FERRANTE
Open Ti
IX Private Rooms
Courtyard 3B
■K for
Wf Special
Wf~ Parties
540 Sutter St. - - Phone SUtter 8129
RWIL ELDERS
239 Posh Srreer. San Francisco
5 a* jr
VKaISCIWCAS
E R R U A R Y i Q 3 O P
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?*:£. ■&**■**>*<<*&—
Qeorge T). Smith
^lanaging 'Director
The Mark Hopkins
Fairmont Hotels
occupy an unassailable position in the life of
San Francisco . . . An increasing number of
smart people have established their permanent
residence in one of these "Aristocrats of Nob
Hill" where, above the clamor of the city — but
close to the shops, the theatres and the financial
district — they have availed themselves of the
considerate service and excellent cuisine which
supply the luxury of both hotels . . . Here, in
the midst of the city's gayest social life, hostesses
are relieved of the burden of a private residence
while having at their command perfect facilities
for effective entertaining . . . The rooms of the
Fairmont have been redecorated in the modern
manner — particularly attractive to bachelors
who wish the conveniences without the respon-
sibilities of an establishment ... At both The
Mark Hopkins and the Fairmont one enjoys
San Francisco to the utmost for there one finds
an incomparable view — hospitality that is more
than service — and charming entertainment.
SEEN IN PRINT
Morning — afternoon — evening —
the story of the newest City of Paris
frocks is told in print. In small neat
flower prints for morning or under-
coat wear. In larger, spaced-out prints
on crepe de Chine or flat crepe for
afternoon affairs. In elusive, fascin-
ating prints for chiffon dinner and
dance frocks. And throughout the
tale, the cool, watery colors are re-
iterated; the gracious rippling lines
and demure details of the new sil-
houette are faultlessly interpreted.
Our collection of prints
$3950 to $9350
GOWN SALON ■ Third Floor
CITYof
PAR I S
CONTENTS
February
1030
Cover Design by Van Deusen
William Taylor Hotel, photograph
by Morton ---------6
In Black and White, by Zoe A. Battu - 7
Now It Can Be Told ------- 8
Cartoons by Hilton and Stewart - - - 9
Stern Brew, by Sara Bard Field - - - 10
Maurice Chevalier, caricature by
Sotoniayor ---------11
Motordom 1930, by Luther Meyer - - 12
First Hundred Years, by John Nordhof 13
Beth Wendel, photograph by George
Oppen ---------- 14
Critic vs. Critic, by Wilson Follet - - - 15
Sansome Street Entrance, camera study
by William Horace Smith - - - - 16
Art and the Stock Exchange, by
Esther L. Johnson ------17
Symphonie Psychopathelique, verse
by Lloyd S. Thompson - - - - - 17
Kreutzberg and Georgi, photograph - 18
The Dance, article by Aline Kistler - - 19
Thais Dances After the Years, verse
by Vaughn Francis Meisling - - - 19
Mrs. George Pope, photograph - - - 20
The Beigning Dynasty ------ 21
The White Card, by Ned Hilton - - - 22
"A Noble Experiment,*' by Burtt Berry 32
As Seen By Her - - ------ 37
E
SAX FRANCISCAN
JOSEPH DYEB, Editor & Publisher
vol. IV
no. 2
Rowena Mason, Associate Editor
Charles Caldwell Dobie
Joseph Henderson
Kathryn Hulme
Ned Hilton
Contributing Editors
Baymond Arntsby
Mollie Merrick
Carey McWilliams
Beth Wendel
The San Franciscan is published monthly by The
San Franciscan Publishing Company, Sharon Build-
ing, San Francisco, Calif. Entered as second class
matter October, 1928, at the Post Office at San
Aline Kistler, Assistant Editor Francisco, Calif., under the act of March 3. 1879.
Joseph Dyer, Publisher. Subscription price, one year
$2.50. Single Copies 25c. Copyrighted 1929, The
San Franciscan Publishing Company. Unsolicited
manuscripts will not be returned unless accompanied
by self-addressed, stamped envelope. For advertising
rates address Zora Combes, Advertising Manager.
Idwal Jones
Elva Williams
George Douglas
Marcella Burke
THE STAGE
Alcazar: Taylor Holmes plays the philan-
thropic Uncle Dudley who, like many good
things, gets more appreciation than money.
"Your Uncle Dudley" is slated to run
throughout February.
President: "That Ferguson Family" with its
drab drama of contemporary family life is
replaced, February 2, by the romantic
comedy, "Her Friend the King" in which
Alice Joyce plays the part of a wealthy
American widow susceptible to the appeal
of a struggling kingdom and its charming
king, played by Hale Hamilton.
Curran: "Oh, Susanna" opens February 3 — a
musical romance of the Gold Days in Early
California — a cast of thirty principals and
an ensemble of seventy singers and dancers.
Capitol: San Francisco's pampered daughters
in the "Follies of 1930" for the benefit of
the Children's Hospital. February 6, 7 and
8.
Andre Ferrier's French Theatre: Production
February 19, 21 and 22.
THE DANCE
Geary: Kreutzberg and Georgi, famous Ger-
man dancers, in concert February 16, and
20 — matinees.
THE SCREEN
California: Ronald Coleman finds high ad-
venture and new romance in "Condemned"
— Ann Harding tries a close second to
Jeanne Eagels.
Davies: "The Phantom of the Opera" reap-
pears with sound and color.
Embassy: Seventy-seven stars continue to
twinkle in "Show of Shows."
Fox: Constance Bennett and Edmund Lowe
demonstrate "This Thing Called Love."
Granada: Another talkie revival of a musical
comedy favorite — "No, No, Nanette."
Orpheum: Still another — this time it's "Hit
the Deck."
St. Francis: The indefatigable public con-
tinues to join "The Love Parade."
Warfield: "Hallelujah." Splendid psycho-
logical study — a gripping human record.
MUSIC
February 2: San Francisco Symphony, Michel
Penha, cellist, 2:45. Hans Barth, pian-
ist, in concert with clavichord, piano and
quarter-tone piano, 3:00.
Wfi£J?£
TC
February 3: Pacific Opera Tea, Hotel Fair-
mont.
February 4: Vasia Anilceeff, basso, in pro-
gram of folk songs.
February 5: Symphony Breakfast, St. Francis
Hotel, 12:45. Symphony concert, Curran
3 :00. Alexander Murray, violinist, 8:30.
February 9: San Francisco Symphony, Cur
ran, 2:45.
February 13: Lawrence Tibbett, Dreamland
February 14: Margaret Tilley, pianist, recita
8:30.
February 16: Symphony Concert, Curran
2:45.
February 17: Josef Hofmann, pianist, Dream
land.
February 18: Serge Prokofieff with San Fran
Cisco Symphony, 8:30.
February 20: Pacific Opera Tea, Fairmont
2:30.
February 21: San Francisco Symphony, 3:00
February 23: San Francisco Symphony, 2:45
February 24: Patricia MacDonald in folk
songs of Danube and the Vistula — Matinee
Musical, Fairmont, 2:30. Abas String Quar-
tet, Scottish Rite, 8:30.
February 26: Pacific Opera Company — "La
Traviata." London String Quartet, Scottish
Rite.
February 27: Smallman A Cappella Choir,
8:30.
February 28: Pacific Opera Company — "La
Somnambula."
March 1: Pacific Opera Company — "II Tro-
vatore."'
ART
California Palace of the Legion of Honor:
South wing open with Oriental art and new
tapestries.
East West Gallery: Group of soap sculpture
from National Competition. William Dal-
lam Arms collection of Japanese prints.
Galerie Beaux Arts: Drawings and sculpture
by Adaline Kent; Watercolors by Florence
Ingalsbe Tufts, and oils by John Burnside
Tufts.
Gumps: Etchings by Carton Moorepark
through February 9; Paintings by Maurice
Braun, February 10 to 24; Etchings by Max
Pollak, February 24 to March 8.
Courvoisier Little Gallery: Etchings by J. W.
Winkler. Special showing of Leerdam
glass.
Paul Elder's Gallery: Drawings by Edson
Newell.
Vickery, Atkins & Torrey: Portfolio show-
ings of fine prints.
Loretta Ellen Brady: Etchings of well-known
corners in Paris, also views of famous ca-
thedrals and chateaux.
H. Valdespino: Color prints and etchings.
SPORTS
Pacific Automobile Show: February 1 to 8,
Civic Auditorium.
National Horse Show: February 15 to 22,
Armory Hall.
Palace Auto Salon: February 22 to March 1,
Palace Hotel.
National Ski Contest: Lake Tahoe, February
22 and 23. Lars Haugen, national ski
champion superintended building of $25,-
000 ski jump trajectory — in a class with
Lake Placid, New York, and European ski-
jumps.
DINING AND DANCING
The Palace: A new orchestra leader and a
new lease of life.
St. Francis: Again in vogue as a meeting
place since the remodeling of the lobby.
The Fairmont: A new chef — and marvelous
food.
Mark Hopkins: Peacock Court struts to an
accompaniment of good music and better
cuisine.
Sir Francis Drake: In the heart of things — ■
and ever so eager to please.
Russell's: It's new — and gracious — with deli-
cious food.
The Courtyard: Take the visiting Easterner
to February luncheon outdoors — or enjoy a
quiet dinner by the fireside.
Post Street Cafeteria: Just watch the faces of
people as they come out — relaxed, rested,
well-fed! Luncheon only.
The Bib and Tucker: Roast chicken that
makes your mouth water — and other food
to match.
Belle de Graf: Scientific cooking — satisfying
portions — luncheon only.
The Studio: One appreciates the open court
yard or the cosy firelit dining room these
fickle evenings.
Ye Mayflower: Colonial tradition mingles
with Spanish atmosphere.
ESTABLISHED 1852
SHREW & COMPANY
JEWELERS and SILVERSMITHS
Post Street at Grant Avenue
San Francisco
\ear the Civic Center
Rising with modern dignity from the
edge of the Civic Center, the new
William Taylor Hotel has the distinction
of heing the tallest hotel in the West
and also the only hotel on the Pacific
Coast built over a cathedral unit. It is
named for most noted of the Methodist
pioneers in California. The building
was designed by Lewis P. Hobart. archi-
tect of the Grace Cathedral.
SAN VKANCISSCAN
In Black and White
A Record of the Birth of Cnlifornin Journalism
by ZOE A. BATTU
When, in the summer of 1846,
Colcon & Semple of Monterey
founded in chat city, California's first
newspaper, The Califomian, they were
speculators, as it were, in futures The
Anglo Saxon population from which
subscribers and advertisers might be
drawn was small and scattered Mail
service and means of communication
were irregular and slow. Then too, there
was a war being waged in the country—
the Mexican War between the United
States and Mexico to settle the question
of which nation should possess Cali-
fornia. As wars go nowadays, it was
not much of a war. For some two years,
casual bands of Mexican troops tracked
or were tracked by casual bands of
American troops When one band suc-
ceeded in cornering the other, shots were
exchanged from behind trees and rocks
Still, it was a war and it made matters
difficult enough for those who had to
live through it
On the other hand, it was plain that
America would win the war She was
winning most of its skirmishes, and
Mexico, then as now, was no match tor
this country With the establishment of
American rule, peace, growth and pros-
perity would take theplaceot corruption,
poverty and revolution that had been
the country's constant lot under Mexi-
can rule A newspaper established just
at this time would have tair chances ol
growing and prospering with California
and might even be one ol the vital aids
to that growth and prosperity.
Viewed in this light, the newspaper
venture took on some promise and so
The Califomian was launched It was a
lour page, weekly paper, tabloid size,
printed on a hand press Irom tvpc set
entirely by hand Its limited size and
Editor's Note — With this issue
begins a series of articles on
early San Francisco journal-
ism, in which we plan to
present some hitherto undis-
cussed versions and incidents
in this tumultuous phase of
the city's history. If, to the
reader, it seems that, at times
we fall somewhat short of our
plan and promise, we would
beg him to remember that ex-
pediency is often the better
part of setting down facts
as they happened.
difficulties of composition made it
necessary to confine its editorial contents
strictly to legitimate news happenings -
a very worthy fact when one considers
what a vast amount of nonsense one
must put up with nowadays in order to
get a small amount, if any, of genuine
news. Subscribers to The Califomian
were briefly informed of the arrival of
ships and the news their captains brought
from other ports, of the movements of
the armies, local and territorial develop
ments in agriculture, commerce, trading
and politics A fair amount ol advertis-
ing was carried and shortly after its
founding The Calif orniari S owners re-
ported that it was paving expenses In
May 1S47, the paper was moved to
Yerba Buena, presently to be San
Francisco
Yerba Buena was then beginning to
give indications of becoming the
center of political and commercial
activity when California should pass
from Mexican to American hands — a
fact which Colton and Semple possibly
perceived, and moved their business in
order to take full advantage of it Then
too, competition had appeared in the field
in TheCaliforniaStar, founded by Samuel
Brannan in January 1S47. Brannan had
been in California less than a year but
that was long enough to mark him as
one whose business shrewdness and
competition were not lightly to be
discounted
Brannan had come to Yerba Buena as
the leader of a band of Mormons — a tact
which may be set down as the merest
incident in his career, rather than a deep,
abiding conviction of his lite He was a
native of Saco, Maine, but his boyhood
had been spent in Ohio. At the age of 14
he had been apprenticed to a printer and
alter serving his apprenticeship, Bran-
nan, for several years, drifted about the
Middle West and East, earning his way
as a printer, horse or land trader.
Mormonism was one of the things into
which he drifted and 1S42 found him
in New York and making a great finan-
cial success ol The Messenger, a semi-
religious publication ol Mormonism.
Brannan also organized and was the
head of a church or band ot Mormons.'
This group, in common with all Mor
mons, greatly desired to found a colony
in lar Western America in order to re-
move themselves Irom the jurisdiction
ii| the United States government, which
took active exception to the movement's
polygamous doctrines and practices To
this end, Brannan devoted himself dili-
< '..Mill 1 on |mK«' -."•
THE SAN FRANCISCAN
NOW IT CAN BE TOLD
One of San Francisco's June 192S
cropof husbands was discovered by
his wife the other night, standing over
his baby's crib. She watched him in
silence She had never seen him act that
way before As he stood looking down
at the sleeping infant, she saw in his
face a mixture of tell-tale emotions
There was unmistakable rapture, ad-
miration, ecstasy, doubt, despair, in-
credulity. Deeply touched at this un-
usual demonstration of parental emo-
tion, the wife with eyes glistening arose
and slipped her arms around him
"A penny for your thoughts," she
said, in a voice tremulous with tender-
ness.
Startled, he blurted them out :
"For the life of me, I can't see how
anybody can make a crib like that for
seven ninety eight'
Lincoln Steffens has a way all his
I own tor stating issues. For in-
stance, there is his recent editorial
championship of the campaign for
bigger and better jails in Carmel in
which he says :
"There is the tradition of hospitality,
too, to consider. It is imaginable that
nice, desirable visitors from other, more
criminal places, like San Francisco or Los
Angeles, may be held over in our jail
at Salinas. If it were a clean, comfort-
able, healthy jail, with a nice, politic
jailer, our guests might get such a
pleasant impression from the little they
see of our county that they would,
when released, or out on bail — look
farther and see and buy real estate,
settle among us and join with us in our
efforts for more and better prisons and —
everything nice.
"And law-breakers are often desirable
people with initiative, pep, imagination
and humor; they will take a chance.
Whereas respectable, law-abiding people
are apt to be contented conservatives,
against all change, all improvements."
An amazing amount of imagination
L goes into the organisation of tours
this year For instance, there is the Cu-
nard-Anchor tour which starts from
New York May 3 to take a crowd of
high handicap golfers to the "Tourna-
ment of the Centuries" in Scotland
Open to all members of registered golf
clubs having handicaps of not less than
twenty, this tournament includes at
least three rounds on each of five famous
courses. Transportation, hotel and green
" -\ ash/ old technician
fees are included in the entrance fee of
$750 — and besides there is a large list
of prizes, the largest of which is the
Cunard-Anchor Trophy, a $1,000 silver
service, which will be presented to the
man or woman entrant with the lowest
net aggregate score on the courses at St
Andrews, Cruden Bay, Gleneagles,
Turnberry and North Berwick Imagine
the shipload of high handicap golfers
straining at the leash to play in Scotland,
all the way over, and re-playing the
games in words, all the way back !
It so happened that at a certain din-
ner, one of the speechy gentlemen
was a jovial mariner He was called
upon ; he arose, weathering the un-
steady deck of the clubhouse valiantly.
"Frens," he declared us "Yachting is
the sport of gennlemen ." He then en-
deavored to prove his point by shrewdly
drawn parallels. He disposed of racing
with a snort, of golf with a significant
gesture. He then selected motoring, and
by a clever process of generics managed
to reduce the ancestry and social stand-
ing of motorists to an absurdity. About
this time he waxed eloquent With a bold
gesture he consigned his horrible examples
to Limbo. "In c'nclushn, never in the
annals of yachting, can I recall an in-
stance where a lady has been asked to
walk home from a boat ride "
Committed one Saturday night at the
Corinthian Clubhouse in 1924, winter
session, of O. F. members. Ask any
Corinthian what the initials stand for.
We regret that this issue of The
San Franciscan does not con-
tain "Spotlight," Charles Caldwell
Dobie's criticism of the local theatre.
This is no fault of Mr. Dobie, The San
Franciscan or the theatrical managers
who have provided splendid entertain-
ment the past six months The fault lies
with you and with the hundreds of
others who fail to support dramatic pro-
ductions. As we go to press three legiti-
mate theatres are dark. One of these is
dark because of the premature closing of
the Columbia Opera Company which
gave an all too brief season of excellent
opera With youth, enthusiasm and the
nerve to depart from operatic traditions,
they still had to close, not from a lack of
appreciation, but from a lack of con-
sistent patronage. Opera bills can not be
paid when your only attendance is a
representation from North Beach and a
scattering of newspaper people.
San Francisco has had glorious tradi-
tions— but traditions are poor substance
for present life. Is the theatre, too, soon
to be relegated to the limbo of tradition7
V
FEBRl ARY, 19.10
Wi have certain inside in forma
cion regarding the recent length
ening in women's skirts We have dis
covered the occult causes, .is it were,
and the wheels within wheels.
Now Parisian clothiers have made
repeated gestures toward the newer
styles, during recent years They were
undulv optimistic Skirts remained short
But recently, in one ol those columns,
vitalU necessary, and widely read, in
which women arc instructed in the
most direct methods ol getting what
thev want, there appeared a douhtless
authoritative statement :
Short skirts are reallv superfluous
Men never look at our legs any more."
Soon alter this, skirts were worn
longer
The after theatre crowd in Mar
quard's the other night, that is,
that portion of it sober enough to take
notice, were treated to a hit of by-play
far more amusing than anything thev
had witnessed in the show houses that
evening
An old gentleman with white hair
and beard was slowly making his way
toward a table when a girl, somewhat
in her cups, called after him
Hew pop," she cried, "how old
are you?"
The old man turned slowly about
and looked at her tor a moment in a very
dignified manner Everyone grew silent
expecting to hear some sharp reprimand
from the affronted gentleman
But thev were disappointed, tor as the
old man turned away he shook his head
sadly.
"Eighty, dammit'" he said.
Artistic hostilities have broken out
l anew in Carmel over the old
issues of how the village shall grow.
whether the streets shall be paved or
unpaved, straight or pleasantly hap-
hazard, whether the town shall he
zoned and in what manner to forever
preserve its essential charm The Pine
C one, it would seem, put forth the sug
gestion ol having a city planning com
mission and hiring, perhaps, an expert
in the subject
To this 7 Ac Carmelite takes violent
exception, holding through Lincoln
Stefkns that city planning experts,
architects and landscape architects must,
at all costs he kept away from Carmel
The training and general mental make
up of such gentlemen precludes the
slightest possibility of them gaining a
sympathetic understanding ol Carmel's
development problems, since the town
is the one and only stronghold ol civ ili
zation in America and is the home ol the
culturally and intellectually chosen
We happen to have had considerable
contact with architects landscape archi-
tects and city planners We rise to voice
ZSf
rrrrrnrrrrrrrr-r
cccrrri f w rrrfcr
- --,•
m^
■ r r r i ■ r v r
'No, I don't like it. Tear it down."
a few remarks in their hehalt. It is our
observation that, in the majority of
cases, the thought and minds ot these
gentlemen are somewhat ahead of their
times If left to themselves, they will
usually produce, to the given problem.
an intelligent, simple, direct solution.
Such solutions, alas, are neither grasped
nor appreciated by people who meddle
in things of which thev have only a few
halt haked theories and no solid
knowledge, by people who have politi-
cal ends to satisfy or real estate values
to falsely enhance or future subdivisions
to open up shortcomings, from which
not even Carmel is immune. It is the
Stupidity and lack of vision and under
standing of such people, which renders
our cities hadly and ridiculously planned
It is the landscape architect and city
planner who are invariably blamed lor
these sad results.
Bv si w spapers of late issue, we read
that there is about to he built on
Nob Hill a new skyscraper, hotel apart
ment building to be called The Portals.
The structure will be located on the site
of the old Towne mansion, where, in
the i88os and '90s, some ol San Fran
Cisco's most picturesque social history
was enacted It will he recalled that the
entrance portal of the Towne house
was left intact and upright, when, in
April iqo6, the rest of the home was
reduced to wreckage and ashes I his
portal now graces the shore ol a small
lake in Golden Gate Park and in the
role of The Portals of the Past has
brought much notice to the citv and
served to remind its citizens ol glamor
ous davs. forever gone These tacts, of
course, explain the source ol the name
tor the projected hotel
When first we heard ot this we feared
a repetition ol this faulty architecture ol
The Cathedral Apartments
But we have seen the architect's
drawing tor The Portals and we note
that its design embodies sound modern
trend in skyscraper architecture
10
THE SAN FRANCISCAN
Stern Brew
A Critical Estimate of Rolfe Humphries, An Original
by SARA BARD FIELD
When we were living on Russian
Hill in San Francisco, Genevieve
Taggard, one of our most discinguished
poets, now lecturer on Modern Poetry at
Mt. Holyoke College, lived across the
street The birth of a single magic line;
the completion of a difficult poem was
reason enough for flying visits from her
house to ours; from ours to hers.
There came a day when other business
brought Genevieve to us, short ot breath
from running; wide-eyed with glad ex-
citement: "I have discovered a new poet
— a real one Read this ." We eagerly fell
upon the poem thrust at us. Reading it
even once, we knew she was right.
Among all the good, adequate, capable
but ordinary poems that passed by our
eyes, here was one that passed in — a
poem as fierce and uncompromising as
the ultra Violet ray — powerful, unfor-
gettable. The sum of all its virtues, not-
withstanding certain inevitable defects,
was originality. Genevieve told us the
author was Rolfe Humphries. We had
never heard of him. Not strange. He was
only beginning to write then and had
come to Genevieve as a pupil We never
subsequently lost sight of him, follow-
ing his tracks, sparse, but squarely
planted ones, in a few magazines until
now, when Crosby Gaige has put out
through the medium of Random House
the book that other publishers have been
too blind to seize long before this.
Europa and other Poems and Sonnets
is a small thin book of some thirty-four
poems I smile at its appearance as it lies
on my desk; its almost dainty format;
its tiny type on fine handmade paper; the
Quaker-silver binding. It looks so in-
nocuous, so simple, so pleasant Quaker
faces and dress do, too. But try to make
the sweetest Quaker go to war. Ask him
about capital punishment. You will
release a response not made of "sweet-
ness and light." Now open this dainty
book. Reading Europa, the first poem,
will prove you hold in your hand a bit of
radium or a high explosive. If you are
afraid of such things; if you shun adven-
ture, drop the book. If you like danger;
if you know that taut nerves, suppressed
desires, hidden fevers await the artist
as well as forsaken gardens, mermaids
and sensitive plants, read on.
There is no more stupid question than
"what subjects are fit for Art7" Rather
ask "whit artists are fit for what sub-
jects7" Here is an artist whose peculiar
twist of mind and soul fits him to make
art — to write poems that are poems
about psychopathic conditions. He does
it perfectly conscious of the opposition
of the so-called healthy minded :
"These revelations of disease
Are, as you say, not apt to please
Good healthy-minded simple folk, —
I'm still not sorry that I spoke."
Of course he isn't. What poet of any
stature refused to sing his own peculiar
song because he knew his matter would
not be palatable to his public. Shelley
knew that, in the violent reaction from
the French Revolution, his politically
dangerous subjects would offend. Did he
stop writing inflammable song? He
wrote more and better ones.
Europa is terrible. It is not "nice."
Neither is Eloi, Eloi. But I challenge any
competent critic to say these are not im-
portant poems — these and most of the
other thirty- tour; poems with the relent-
less crankshaft thrust of a great steam
boat or steam train engine : no pettiness,
no wallowing in unnecessary detail; no
elaboration to weaken the anguish; no
delicate innuendo.
In his article on Pacific Coast Poetry
in Braithwaite's 1926 Anthology,
George Sterling said Rolfe Humphries
was the most promising of all the young
poets who had left California. He was
not born here He came from the East in
1912, being then eighteen. He attended
Stanford for a year, subsequently gradu-
ating from Amherst He taught and also
coached athletics at the Potter School
(now the Damon School) in San Fran-
cisco for nine years with the war inter-
lude counted out Not that he got across
seas ; Camp Lewis, Camp Gorden, Camp
Hancock — that was all. He thinks
one of the most important moves in
his development came when he signed
up for Genevieve Taggard's Poetry
Course in 1922. With all these happen-
ings on California soil, added to the
facts that his parents teach in the Salinas
High School and Junior College and that
his two brothers and two sisters are in
this state, California with her expansive
inclusions will probably insist on calling
this poet a Californian Moreover he
married a graduate of the University of
California, Helen Spencer, a practicing
physician and they spend all their sum-
mers here or just over the border at Lake
Tahoe What matter then if now he
teaches in New York, "writing poems
less and less often" as he says and doing
some reviews mostly for The AVu
Republic Californians should watch
that weekly paper for his forthcoming
review of Jeffers over which he writes he
"has sweat blood but it had to be writ-
ten." In his own poetry there is this
same inevitability of utterance. It had to
be said at all costs and we see that the
cost was often more scarlet than that of
any review
In the years between 1919 and 1922
Rolfe Humphries officiated at many im-
portant college football games. One is
not surprised at this There is some im-
portant relation between a poet's chosen
activities and his writing. The discipline,
the vigor of the athlete, the unflinching
stride toward goals are in his poetry.
We are so fed up on soft sighs, that
my favorite indoor game now is guess-
ing how many Californians will drink
this stern brew. The book has its mo-
ments of something approaching tender-
ness, especially toward youth : youth in
nature and in human flesh as in A Little
Poem for Spring or Heresy in a Class
Room. It has moments of charm and
pure lyric loveliness as in For Qood
Qreekjs, originally published in the
Overland Monthly.
"Pity him who has not lain
In the rain with Danae,
Known the golden rush that falls
In a room with wooden walls,
Loveliest of miracles !
Golden waterfalls refresh
That dry earth, our arid flesh :
It is beautiful to see
How a human body glows
As the colored shower goes
Deeper, deeper, seeping in
Underneath the thirsty skin.
Orange blood and liquid sun
Mingle in the veins and run.
Run, run, run . Rejoice with me.
I have been with Danae!"
But the book as a whole was not
born for tenderness and lyric charm. Not
many such voluptuous moments are
arrested in it. The work of the imagina-
tion here is no drowsy, Lethean dream.
It is the leap of the athlete struggling
with life's pain and life's illusions. Lyric
ecstacy gives way to forceful revelation.
Soft flesh becomes muscle and tough
sinew.
One of the proofs that this is authen-
tic poetry lies in the perfection of
the shadow some of the poems cast —
that mystic secondary meaning more
subtle than its primary sense. Such
shadows, delicate yet portentous, can-
not, however, be cast by poems whose
primary structure is not firm and unin-
Continued on page 31
FEBRl ARY. 1930
11
Tln» I . •!<•«' That Sank a I lioiisancl llVarfs
{Maurice Chevalier, here for his first public appearance in Vnit-rica. is Baid to retire to a private club, "^
where «iimni cannot find liim. whenever not actually amgrtng at the Auto Show. We don't know K»
whether i('» -elf-protection or part of the contract or jnsl a precaution exacted bj hir- French wife. \
12
THE SAN FRANCISCAN
Motordom 1930
Regarding Recent Developments and the Current Show
by LUTHER MEYER
M
otors have gone modern — with
reservations. Like those of us
who dubiously, tentatively sip of the
concoctions of a new bootlegger before
permitting ourselves the unworried
luxury of a hearty three fingers, auto-
mobile makers are dabbling with the
modernistic and casting furtive ogles at
the futuristic Meantime, with ears
sharper than those of a worried cuck-
older, they are tuning in on the opinion
of the motoring public to gain indices
for future experiments in modernism.
That, at least, is the impression car-
ried away by the visitor at the fourteenth
annual Pacific Coast Automobile Show,
which is filling Civic Auditorium daily
with crowds. Repressed modernism —
that's the phrase that labels the swank-
iest, doggiest, sleekest collection of gas
buggies the critical San Francisco audi-
ence has yet viewed
The motor industry's couturiers and
modistes, encouraged by last year's
enthusiastic reception of an enlarged
color program, have given lull sway to
their color technicians Individual mak-
ers are offering literally hundreds of
colors and color combinations
Popular acceptance of last year's
lower bodies has resulted in an entirely
new composite silhouette tor 1930
motors Wheelbases and bodies have
been stretched out Bodies have been
dropped still further, the two moves
giving an accentuated appearance or
raciness and style The new low, long
modeling has cercainly cost the designer
Traffic*
Vassos ... **Coiitoinpo'
more agony than whalebone stays cost
the belle of the nineties
The svelt new contour does more than
change appearance for the better. It
results in a dropping of the center of
gravity which gives steerability and
road holding qualities at the higher
speeds of today that the driver of the
elegant old time sedan or limousine of
moving van dimensions never dreamed
ot. The appreciably reduced frontal area
materially slashes wind resistance, per-
mitting perceptibly higher speed with
the same power output.
Not even Will Rogers can complain
this year that motors makers are filching
each other's flat radiator caps. How-
ever, in more than one feature ot finish,
popular favor has sent the manufacturers
stampeding into uniformity. For ex-
ample, more attention has been paid to
the frontal pattern of cars this year than
ever before The graceful curve of the
front fender tie-rod and head-lamp sup-
port, adopted by one or two makers last
year, has been almost universally ac-
cepted Gone forever is the once popular
gas- pipe brace.
Deeper, sometimes narrower radiators
are the common vogue Even Ford
shows a neat modification to follow this
trend Chromium plate is even more
popular for trim, and some makes show
a more carefully designed and highly
finished radiator shell resplendent with
the silver-white sheen of this metal.
And the louvres in the hoods! "Scorn
L not the louvre' ' seems the motto of
the designer who overlooks no chance
to be different and unusual. Peas por-
ridge hot, cold and what-not never had
so many variations as the lowly louvre.
Some designers like 'em vertical, some
like 'em horizontal, some like 'em on
the oblique. Some like 'em in bunches,
and some like 'em all in a long row.
Still others have cut round port holes,
while one costly car maker provides, in-
stead, a collection of little doors along
the hood, providing excellent play-
things tor papa while mother shops
or teas
The effort to take away the coat and
pants feeling that the body base-apron
juncture line gives, has resulted in a less
obtrusive handling of this always awk-
ward design problem Modeling and
color generally unite to take away the
feeling that tenders and apron are hung
on the chassis, and that the body is
picked up and set on. Uniform refine-
ment in external trim and finish is found
in every detail of this year's cars.
Mechanically, the entire field shows
Continued on page 36
KF.BKl ARV. 1930
13
Tlie First
H unci roil Years
Following the excerpts from the
press of 1880 which we presented
last month, we add these possihle
notices from the press of 1980.
— by John N'ordhof.
Mayor James Rolph today judged
the relative merits of several
hundred loaves ot bread.
Several pieces of interior and exterior
sculpture, from the old Stock Exchange
Building, demolished to make way for a
new 150-story structure, have been in-
stalled as a permanent exhibit in the
historical rooms of the Modern Art
Institute They will serve to exemplify
early phases in the development ot an
art and architecture which finds ad-
vanced expression in the plans for the
new building.
Foundations tor this structure are now
being laid Its design embodies the
most striking and modern principles of
present dav architecture. The inner and
outer walls will be entirely of glass and
the effectiveness oi this material will be
further heightened by the fact that it is
of several colors, shaded, diffused and
blended so as to produce the final effect
ol a softly and richly colored fabric.
By night the exchange building will
glow with an astounding beauty as a
special system of spotlight illumination
is being perfected.
Herbert Fleisshacker.Jr .famous Stan-
ford athlete ot former years, terminated
negotiations yesterday through which he
becomes sole owner of Market street
Blanding Sloan's Puppet's are being
rehearsed for their presentation ot
"Strange Interlude" in modern dress.
The Fifty-seventh Season of The San
Francisco Opera Association was in-
augurated at the recently completed
War Memorial. Mary Garden opened
the season singing "Thais." Doctor
Mark Gerstle, 111, president ot the
Association, in dedicating the War
Memorial, explained that the project
had been finished only because there
were no surviving members of the
American Legion.
The Police Commissioner has ex-
pressed himself as willing to relieve
traffic congestion if someone will show
him how it may be done.
The land, whereon has stood for
sixty-five years the remains of a one
time art palace, was last night formally
possessed by the Board of Supervisors
for the city, and the site will be con-
verted into a small neighborhood play-
ground. There are old residents of the
city, who recall the days when the
present heap of fragmentary pillars and
traces of a dome were a proud and beau-
tiful structure, consisting of an art
palace, a colonade of stately pillars and
a fine domed rotunda; the whole being
by far the most notable building ot the
Panama Pacific International Exposition
held in 1915.
At the close of the Exposition, it was
proposed to re-construct the Fine Arts
Palace of permanent materials as a
fitting memory ot the great exposition
This question was agitated for mam-
years, but the efforts always came to
nothing. Meanwhile, the original struc-
ture ot flimsy, perishable material slowly
crumbled to dust and in time even the
aim of reconstructing it was forgotten.
The pressing Spring Valley Water
questions were not discussed at last
night's meeting, owing to lack ot time.
They will come up at the next session
of the board
The final decision by the Board of
Supervisors as to the renewal of old and
the granting ot new franchises to the
Street Railway Company w as not settled
at last night's meet of the board, as was
generally anticipated, but was post
poned tor another three weeks Heated
discussion marked the latter hours of the
session. Certain of the supervisors held
that, some of the periods in the official
documents were upside down and gen-
erally out of line, and that this fact
would affect the legality of the docu-
ments
The City Attorney was finally in-
structed to look into this matter and
have a new set of documents made up,
if necessarv
The Governor assures petitioners that,
after the coming Tournament of Roses,
he hopes to find time to consider the
case of Mooney and Billings.
The prevalence of the theme among
the latest books would seem to indicate
that readers find much of interest in the
stirring and adventurous old days of
Prohibition, when gallant young men
courted danger on the high seas, when
lite was gay and hearts were high, and
when there was none of the sordid ma-
terialism which now strangles us (Book
review, of course.)
The De Young Museum has acquired
a collection of costumes worn in 1929-
30. The exhibit should prove of interest
to those who have found that the pages
from Vogue and Harper's Bazaar of
those years make such quaint lampshades.
Officials of the Bank of Italy announce
that they will soon have a branch in
every cigar store.
Three Qenerations of Hearstian Jour-
nalism has just been released by The
Spokesman Publishing Company of
New York. The volume falls into two
sections. The first part is the presenta-
tion, in revised and enlarged form, of a
series of articles on the subject of
Hearstian Journalism, which ran in
The Argonaut during the past year and
bore the name of Edward Morphy III,
widely recognized as America's young-
est and most brilliant critic.
The second part is composed of re-
prints of articles and items, dealing with
the journalistic methods ot the late
William Randolph Hearst and hissuc-
cessors and descendants, which appeared
in The . \rgonant, beginning roughly
about 1920 and continuing to the pre-
sent day.
The Board of Supervisors has refused
to consider the proposal of the City of
Los Angeles that San Francisco be in-
cluded within the Los Angeles city
limits. Some fear is being expressed,
however, that San Mateo may be so
swallowed up
The San Franciscan's new building
is nearing completion. The editorial
olhces will occupy the fiftieth, fifty-first
and httv second floors, from which
height it is possible to see all the bay
bridges.
14
THE SAN FRANCISCAN
Beth Wendel
The youngest of the contributing editors of The San Franciscan — who refuses to
grow up in spite of the responsibilities of two children, the dignity of authorship
of a recently produced play, and a reputation for general sophistication. You
know her verse — her book reviews — and her short sketches. \S e publish her
picture this month because it is the first time, since she joined the staff, that
nothing written by her appears.
FEBRl IARY, 1930
15
Critic vs. Critic
Swords are I 'rossr-d ;md IVrl inr-nf 4|iit»Ktioiis Askr-d
by WILSON FOLLETT
In tragic writing there is no longer
possible a Sophocles, or even .1
Shakespeare, but only (excepting Jeffers)
a lot ol little fellows who rewrite Mail
passant without the humor There
is no longer in this country a litcrarv
critic whom one can trust; those who
lead what was once a proud profession
are all sideshow barkers, ballyhooing,
indiscriminately, each and every Freak
I have gathered these crab-apples From
Mr Ned Hilton's November crop; and
still the wonder grows that an orchard
yielding on the whole such sound and
vendible fruit can also bear these bitter
nubbins At the gate of this orchard,
"The White Card,'' 1 find a sign posted
"It is to be understood that the editor of
The San Franciscan is not responsible
for what appears on this page, and the
editor of this page is not responsible for
whatever may appear elsewhere in the
magazine." Is, one wonders, responsibil-
ity so casually abolished or sidestepped
as all that comes to7 An editor, they tell
me in the law offices, is responsible for
what he causes to appear in print, the
question of his private agreement or dis-
agreement with it being neither here nor
there And Mr Hilton, who says he is
"not responsible tor whatever may ap-
pear elsewhere in the magazine," is cer-
tainly just as answerable tor these present
remarks as any other cause is tor its logi-
cal effect
Not that we haven't more reason for
gratitude to Mr Hilton than for any
other emotion In these same November
columns he lets the gas out of that
Franco- American balloon, the prestige
of Mr Julian Green; his drawing "M.
Grin Meets Eeyore" is a priceless em-
bodiment of both sagacity and wit; he
declines to be imposed upon by adver-
tising, which, next to the movies, is this
century's most pervasively influential
supplv of art and romance; and he pays
no homage at all to that less than skin-
deep literary culture which modish per-
sons now apply to themselves on the
outside as a sort of spiritual cosmetic.
In these and other particulars, Mr Hil-
ton is a crusted, detached, and very salu-
tary skeptic, whose mental age has to be
reckoned as in the neighborhood of
fifty-four. One can but wish that his
name were Legion, his vigor and in-
dustry infinite, and his working day
seventy-two hours long Precisely be-
cause he is in possession of some very
c\cinng merits, every syllable in which
he refuses to exhibit these merits is less
acceptable and more maddening than it
would be from any habitual purveyor of
Editor's Nolo — This artirle is
ihe first by this distinguished
Eastern critic lhal we have
been privileged lu publish.
Wilson I 1. II. 11. author of
"Joseph Conrad," "Some
Modern Novelists" and "The
Modern Novel" has recently
come lo California. It is grati-
fying to find him taking
such interest in Western
thought.
stuff and nonsense Mr. Hilton ought to
be about the last man living to assure us
that, for example, Shakespeare is incon-
ceivable today, or that the critical fac-
ulty is defunct — utterances in which the
highest mental age that the utmost
generosity can detect is a ripe seventeen.
Shakespeare impossible in tragic
writing today? How, why, and
wherein? Shakespeare in any age what-
ever is almost infinitely improbable, and
in none more so than in that age of
Euphuism in which he somehow con-
trived to be But "nothing is so improb-
able as that which takes place " Mr
Ned Hilton, it he had lived and practised
criticism in Elizabeth's London of 1588,
could easily have said, as men of sense
and learning did in effect then say: "In
tragic writing there is no longer possible
a Sophocles, or even a Chaucer, but only
(excepting a young playwright of some
promise named Marlowe) a lot of little
fellows who rewrite Seneca without the
restraint " It would have been, on the
face of it, a reasonable utterance That
age, like this, was an affair of cultural
modes and fads It was overlaid with a
shallow cosmopolitanism It was marked
by a sudden increase in the amount of
ttavel and in the facilities tor communi-
cation And it had, like this age. a great
addiction to the odd, the grotesque, the
morbific The theatre and the other arts
were in a chaotic experimental stage.
Only in retrospect do we view ic as a
time favorable to the career ol a great
genius, and we should not view it s.i at
all if the great genius had not actually
appeared The tact remains that, had
Mr Hilton so pronounced in 1 5SS, he
would have stood a good chance of be-
ing read (and. for aught 1 know, coi
dially agreed with) by a young man
already twenty-four vears old who was
on the brink of being Shakespeare.
Does Mr Hilton fancy that tragic
genius is "out" because radio announcers
roar and coo 111 the land, or because every
unbuilt city acre is thronged with re-
possessed Fords, or because the world is
suddenly filled with semi-literate fools
who have a mania for reading printed
matter about themselves and their kind?
The machine age is, to be sure, un-
friendly to the occurrence ol preeminent
genius, but how much more so than any
age? Genius is, almost by definition, the
assertion of inherent gifts and necessities
against all the probabilities of circum-
stance. No one can ever know that it is
going to appear — but it is sheer preten-
tious silliness to profess knowledge that
it is not going to appear The genealogy
of great tragic literature, as perhaps Mr
Hilton would concede offhand, is trace-
able as far as Goethe Anyone not taken
in by the sapient dismissals of Meredith
by those literary modistes and fashion-
mongers who have left him unread, has
the privilege of finding for himself that
the lineage extends to at least 18*35
There is a great tragic novel — maybe the
greatestin English -called Nostromo, pub-
lished in 1904 by an Anglo-Polish writer
named Joseph Conrad (It is dedicated to
Mr. John Galsworthy, whose name it
may keep alive longer than the Forsytes
will ) Prav, have the world and the pos-
sibilities in human nature changed at
such a rate in the last few years that
what happens against all foreseeing in
1904 cannot imaginably happen - again,
unexpectedly and miraculously in 1930?
The chances against a Hamlet, a Faust,
an Amazing Marriage, a Nostromo are,
111 any decade of history, a thousand
million to one That will be true of the
future, too But it will also remain true
that what has happened can happen
As a fact, Mr Hilton gives away
1, the whole show when he savs
there is possible to us no tragic writer of
stature, but only the lot of little imi-
tators —excepting Jeffers. It the one ex-
ception is possible, all things are pos-
sible, and some of them will sometime
occur No exception to a law of chance
was ever the onlv possible exception to
it. But this generalization of Mr Hil-
ton's is not even a law
And what, now, of the disappearance
of trustworthy critics in this country?
I think bcttct of Mr Hilton than to sup-
pose that he is talking about the swarm
of gentry — and. as Bierce would say,
ladry — who review the new books for
the newspapers, ncatlv proportioning the
space to the anticipated sale All of us
understand, I take it. that this work is
line contemporary phase of book-adver
rising Its justification is economic, not
litcrarv, and it is simph an aspect of the
inucd on page 23
16
THE SAN FRANCISCAN
Sansome Street Entrance
William Horace Smith has used the doorway of the San Francisco
Stock Exchange building, with the surmounting sculpture by Ralph
Stackpole, as the subject of this dynamic camera composition.
FKBKl AKY. 1930
17
Art and the Stock Exchange
Modern Itiisiiiess Turns Townrd Modern Art
by ESTHER L. JOHNSON
MODERN art has triumphed in che
stronghold of the conservatives
in San Francisco. Finance, which lias
little time for new ideals in art, is the
first element in the city to stretch out its
hands to welcome the work of the
modernist
The new Stock Exchange Building at
Pine and Sansome streets, is being deco-
rated by San Francisco's two foremost
modern sculptors, Ralph Stackpole and
Robert Boardman Howard They have
been given tree rein.
The result is that tor the first time in
this city a building is decorated with
forms that are living and vital. For that
is the main contribution ot the artist
whom we term modern - he interprets
the "modern temper " He deals with the
past only as background and foundation.
That architects in San Francisco arc
now beginning to accept what Stackpole
and Howard as modernists have to oiler
the world indicates the trend that decora-
tion is taking. That the financial district
is the first to recognize the living quality
of modern art is something for the busi-
ness man to reflect upon
The main plaint of the business man
who judges art by "I know what I like,"
is that modern art is exaggerated in torm
and hence not beautiful. He torgets to
look about him at the exaggerated forms
that the present age ot invention and
mechanics thrusts upon him at every
turn But to him art is a thing apart from
lite itself To the artist, art expresses life
as he sees it lived about him
He takes the materials of today, and
he says something new with them. He
expresses the emotions of a machine age
He interprets the speed, the energy, the
inventiveness of the present civilization
"'Conservative art has been done and
re-done, and often it has been done near
perfection," says Stackpole "We arc
now reaching out into new fields We
are still trying to create."
Howard voices the same attitude
when he says, "I cannot express myself
differently than 1 do. It is what I feel,
brought up in the world as it exists
today
Both men are the product ot academic
training Both have broken away in re-
sponse to various influences in their lives.
Contact with modernists in Paris, con-
tact with the mechanical wonders of our
dav have helped Groping lor expression
that will speak because of its power and
vitality has forced them to hunt for
trcsh and varied symbols.
Little hv little, the public has been
exposed to the forms offered by the
symphonic
psychopathetiqiie
For piccolos and bass viols
By Lloyd S. Thompson
(Allegro ma non Iroppo)
One time your beauty was a well-banked
fire
That challenged me to stir it forth and
warm
Myself; bedeviled voiees bade me storm
Decorum's portals, barred to my desire.
(Allegro vivace)
You gave me thirst but would not offer
drink.
Save vinegar to lash my frenzy nit>re;
I wonder if it pleased you then to think
That I might plead forever at your door.
(Energico crescendo con antore)
But dreams can do what flesh can never
know,
So I, to astral bivouacs retiring.
Took you in fancy where you would not go
In life, and mine was all I'd been desiring.
(Andante canlabile)
In aberration you've been violated;
You are, to my relief and your dismay,
(Now that your prehensilily's abated)
A letter opened, read and thrown away.
modernist. Our advertisements have
used its angles and exaggerations. Our
interior decorators have introduced them
in furniture and furnishings Some of it
is good, much of it is horrible But at
any rate, the public is getting used to
seeing forms that are different from
those employed by the past generation
People are not being shocked by the
decorations on the Stock Exchange
Building. They are becoming interested.
The forms employed by Stackpole and
Howard are different, but their sym-
bolism is self-evident.
Every detail of the sculpture is care-
fully planned to fit into a given space.
Strength and vitality are there, due
partly to the vision and partly to the
bold execution ot the artists Squarely
cut, massive in effect, with lines based
on the human figure but not bound by
anatomy, the work of both men is
robust and compelling
There the sculptured granite stands
creation that is solid and enduring The
sculptor himself is small in comparison
with his work, which springs from his
mind and is of his emotion and spirit
Simplicity marks the lines of the
building, as it does the works of art
which decorate it The columns which
torm the front ot the structure, facing
on Pine street, have been preserved from
the old sub-treasury which formerly
stood there A handicap in one way, the
architects, Miller and Ptlueger, have
utilized these Tuscan colonnades to add
dignity and a classical feeling to a build-
ing of great severity
T. L. Pflueger is given the credit for
visualizing his completed structure with
the decorations a part of the unified
whole. He had placed into the face of
the Sansome street side huge blocks of
granite ready for the sculptor's tools.
He completed the building on Pine street
with smooth, broad pylons at each side
of the columns, in front of which are to
be placed massive groups of statuary
To Stackpole has been intrusted the
work on the exterior of the building —
the figures on the Sansome street side,
the two groups before the pylons, and
the medallions on the parapets Howard
has executed six panels placed inside the
building on the main trading door, and
a carved wooden door for the Govern-
ing Board Room.
For months, Stackpole has been at
work on a scaffolding high over the
Sansome street entrance, cutting directly
into the granite blocks He has now
completed this heroic group of figures,
which represent his conception of finance
with its background of industry and
natural resources. It is called "The
Progress of Man " Conceived with
breadth of vision, the work is executed
with vigor.
The huge central male figure, carved
in half relief, rests his hands on a globe
representing the earth, as he contem-
plates the future development of this
known bit of existence Two smaller
figures cut in low relief are on each side
These tell of man starting the adventure
of life —one on the sea and the other on
the land.
In the background appears a repre-
sentation of the rain and the lightning,
eternal torces necessary to the success of
man's journev through this world Back
of that and above the whole group
stretches the rainbow, symbolic of man's
triumph over and harnessing ot natural
energies
The parapet above is broken bv a
medallion in which Stackpole has hewn
the symbols of man's mastery over scone
and steel as he bends them to his uses to
provide shelter tor himself.
Continued on pace 28
18
THE SAN FRANCISCAN
from germaiiy
Haralrl Kreutzberg and Yvonne Georgi, who appear in San Francisco
this month, have duplicated, in America, their spectacular success in
the capitals of Europe. Kreutzberg Mas brought to America first by
Max Reinhardt and has returned this time under the patronage of a
distinguished group including Mrs. Vincent Astor, Mrs. James W.
Gerard, Princess Paul Chavchavadze, Countess Mercati, Princess
Rospigliosi, Vittoria, Duchess di Sermonetta, Mrs. W. K. Vanderbilt
and Mrs. J. Norman de R. Whitehouse.
FEBRUARY. 1930
19
tiii: ».\x< ;e
Prewnteil This Nelson Irom Four IMllVronl Points of View
by ALINE KISTLER
San Francisco is fond oi the dance
and dancers arc delighted with San
Francisco This season, particularly, the
combinacion ol dancer and charmed
puhlic has been a happy one. Record
crowds saw Angna Enters and La Argen-
tina, last month, and alreadv enthusiasm
and interest are shown in the Kreutzberg
and Georgi concert, the middle ot Febru-
ary and in the recital by Mary von
Sabern, the latter part ot March
More interesting than the enthusiasm,
is the fact that the tour events present
the dance from four entirely different
viewpoints. Angna Enters, booked as
"the founder of a new American school
ol dancing," emphasizes the pantomime
ol the dance — La Argentina presents the
simpler Spanish folk dances with a
maximum of coquetrie and personal
charm — Kreutzberg and Georgi, fore-
most representatives of the modem
German school, arc occupied with the
dynamic spirit of the dance -and Mary
von Sabern, whose only teacher was
Isadora Duncan, is primarily interested
in creative expression in dance form
It is unjust to judge any one of these
dancers by the standard ot another be-
cause each has an individual approach —
almost an individual definition ot danc-
ing But all are artists and contributors
to the common body ot art
After her appearance here, San Fran-
cisco said . "Angna Enters is a charming
entertainer but she is not a dancer " And
she isn't, except by her own definition.
She defines the dance as "a composition
of movement" — and her category ot
movement includes all the mimetic ges-
tures usually classed with characteriza-
tion Because of this, she cannot be
compared to other dancers. One must
think of her in her own self-defined
realm
Angna Enters sketches personalities
She gives, in a brief episode, the dis-
tinguishing elements of a person, placing
her indelibly in a setting of period, place
and psychological reaction She recreates
women of the past from the art records
of their gestures It is a sort of subtle
behaviorism for Enters revives the man-
ners and mannerisms ot an age-dead
lll.lis (I.IIM'4'N
jii' i or ilio years
By Vaughn Francis Hfeisling
Then she turned.
To move
For him.
But for him.
White feet
That had moved
At the others' whim;
White feet
That had known
Only Love
For a master.
When she danced for Death,
Thev moved faster!
lady and, behold, the lady herself rises
in person before you
Enters composes the most obvious
movements into an episode ot apparent
triviality — and manages to bind into its
substance the subtle element that leavens
the lump called art Much of the time,
she seems to sketch with a tinted brush
whose strokes create complete illusion
the structure ot which is forgotten. In
other episodes, as in "Moyen Age,"
"Pavane" and "Queen of Heaven," she
paints in full color with a rich pattern
that itself gives reality to the portrayal.
These compositions approach the ac-
cepted dance torm. They are memorable
units of plastic beauty in which the
spiritual is emphasized above the narra-
tive. It was when Enters gave these
three episodes that she first drew her
San Francisco audience to her and held
them for a moment close to her heart.
San Francisco is hesitant about join-
ing her praises to seeming unani-
mous adulation from elsewhere This
attitude was particularly noticeable at
the debut of Angna Enters She had been
heralded most enthusiastically Profuse
praise from critics of three nations had
been quoted most impressively San
Francisco was impressed to the extent oi
crowding the ballroom at the initial
recital- but it went suspiciously, readv
to criticize, intent on exercising its own
judgment One must know San Fran-
cisco to understand this questioning
attitude It is one of the things that mark
the city — it paves the way for the city's
interesting contrasting enthusiasms and
indifferences — for this quality leads San
Francisco to remain loyal to its favorites
heedless of popularity elsewhere.
It was somewhat the same last year
when La Argentina first came to San
Francisco from overwhelming successes
elsewhere The enthusiasm hesitated in
a critical pose then capitulated before
her consummate charm So it is with
Enters — in spite of the initial criticism,
published and murmured, San Francisco
has responded to her personality and
another year will have accepted her as
its own
La Argentina and Angna Enters have
far more in common than is apparent.
La Argentina, whose dances are all based
on folk steps, whose convention has been
accepted for generations, is closer in
spirit to Angna Enters than to either of
the other outstanding dancers of the
season. This is so because neither Enters
nor La Argentina rely on the torm of the
dance to reach the audience Both are
exquisite actresses who win favor pri-
marily with impersonation.
One does not go to see La Argentina,
just to see the intricacies of Spanish
dance steps — she does not indulge in the
most complicated dances. One does not
go even to hear those perfectly handled
castanets One really goes to see La
Argentina
It might well be said that La Argen-
tina dances more with her head than
with her feet — it is in reality her
coquetry, her smile and her diminutive
blusterings that subjugate the audience
to unquestioning enthusiasm. La Argen-
tina could dance sitting down.
Not that she does not dance in the
accepted way — she does But others can
and have done as well so far as steps are
concerned — but none have been La
Argentina !
Continued on page 34
ANGNA ENTERS
20
THE SAN FRANCISCAN
Mrs. George Pope
FEBRIARY. 1930
21
Till: ICIH.MM. IIYWM V
WEDDINGS
Fl i:m GH s\il ill On Deo mi, , l? In Montreal
\1r William McPhefSOn Fitzhugh, son * . 1 Mrs William
1* Fitzhugh and the late Mr Fitzhugh, and Miss Alice
Elizabeth Smith, daughter "t Mr and Mrs John Lin-
naeus Smith "i Montreal
I VNGHORNI RAYMOND On January 4. al
Napa, Calilorma Mi John 1 ,nmh.>TiK ,n\l Miss LJna
Inez Raymond, daughter ol Mr and Mrs L M Ray-
mond, ol Napa
MAXW1 II \ \n i l i ! I On lanuan II, In Ne*
York. Mr \ll\n W Maxwell son ol \ir and Mrs
Charles Maxwell, .md Miss Julia Van Fleet, daughter
ot Mrs William Car\ \.m 1 lect and (he late Judge
w t Van Fleei
ENGAGEMENTS
MACE-Ft RBI SI 1 Miss Frances Mace, daughter ol
Dr and Mrs Lewis Sa\ re Mace to Dr Claude <- >
Furbush, son of Mr and Mrs George C Furbush ol
Alameda.
RODIEK-SPALDING Miss Paula Rodiek, daughter
ol Mr and Mrs George Rodiek, to Mr Edward Pol-
hemus Spalding, son ot Dr and Mrs Alfred Baker
Spalding
KRl TTSCHN! TIN IOMPSON Miss Mane Elise
Kruttschnut. daughter ol Mr and Mrs Julius Krutt-
schniti J r of San Francisco and rucson to Mr W illiam
I hompson, of Tucson.
VISITORS ENTERTAINED
Mrs Frank Preston ol Med turd, ( Vcgon. visited with
her son-in-law and daughter Mr and Mrs Gerald Herr-
mann at their apartment on Sacramento street
Colonel and Mrs George B Pillsbury of Philadelphia
have been guests "l Mrs Pillsbury's sister. Mrs, Philip
Van Home Lansdale at the letter's home on Broadway
Mrs Pillsbun was the former Mis- Bertha Sidney-
Smith of ban I i ai iei
Mr and Mrs Richard Warner Clarke ol New York
have been visiting Mrs Clarke's father, Mr Henry
in. in Sausalito Miss Elizabeth Moore gave a din-
ner at her home in Piedmont in honor of Mr and Mrs.
Clarke
Mr and Mrs William H Crocker * ere hosts to
esse de Buyer tDaisy Polk) who has made her
home in Pans for the past lew years
In honor <>t Mrs Edward A Sturges. wife of Colontl
Sturges, I S A Mr- Vii-lph Spreckels gave a luncheon
recently at her home on Washington street Colonel and
Mrs Sturges were recently transferred to the Presidio
from Washington, D C.
In honor of Mrs Paul Winstow of Honolulu Mr.
William Kent Jr . gave a luncheon at his home m Kent-
field Mrs Winstow came to the coast to attend the
regional o inference i il the Junior League held in Seal I le
Baron and Baroness Von R> imberg were the guests , ,f
leanne Hughson of this city early in the year The
Baron and Baroness came north, accompanied by the
Baroness' sister Miss lane Hall, to attend the Spinsters'
Ball
Mrs Herman Oclnchs and Mr and Mrs Cole Porter
were in San Francisco for a few days before sailing for
the Orient IXinng their stay in this part ol California
they were entertained by Mr. and Mrs John Magee at
their home in Pebble Beach,
Mrs William Kent, Jr , gave a luncheon at the Town
and (Country Club in honor "I Miss Alice Cooke of
Honolulu
Mrs Willis Walker wa I b luncheon gather"
mg at the Francisca Cluh in honor of Mrs Charles
BoCttcher of Denver
Mis-, Grace Howard Potter of New York is visiting
with Mrs Ashton Potter at the letter's home in Wash-
ington
Prince and Princess | lcnr> XXXII! of Reuss are ex-
pected to arrive in San Francisco shortl) with their
children and will be domiciled at the Hotel Fairmont
for a feu
Mrs Kurt Albert, the former Miss Florence Whittell
vit\ wh.. nou makes her home in Berlin, is visit-
ing with her aunt. Mrs George Whittell at the Whittell
home m ( California
Mrs William (. Hensha* ol Pan eni the
guest of her daughter Mrs Charles Clarke Keeney in
Piedmont
Mr Henr> B M I h\ his son and
daughter is visiting with Mr Samuel I B Moi
Del M
Robert Dunham of Chicago visited in San
i a week Mrs IXinham was a guest at the
a Baird ol London was guest ol honor at a
luncheon given at the San Francisco Yacht Cluh by
Mrs I recfi rich I f'i •
HERE AND THERE
Mis-, i ,|, ,i i,i \ hi Bergen's debut took plao on 1 ebru
ary I ai the San Franc iso i ( toll nnd( ountry ( Hub where
8 dinner dance w as given fl >r 1 1 1 1 v
Mr and Mrs Joseph <t Tobin and Mr and Mrs
Nion F I it. 1 ■ r were hosts ai a Sundas luncheon given
ai the Pin 1 ail Duck ( luboniht peninsula More than
71) guests attended
Mrs George T. Brady is giving a song recital n
February 4 ■" th* Fairmont Hotel, the pro
devoted to the ( 'al ho| ic reetor\ at Martinez
Mrs Amasa Spring has returned from a trip through
the East and has reopened her apartments in the 1 total
Fairmoni for the remainder of the winter
Mrs William J 'lounger will spend several months in
San Francisco, ai the Fairmoni Mrs Younger arrive l
in New York from her home in Pans late in January
and is now en route to California
In honor ol Miss Dorothy Crawford, who returned
recently from a trip to the South Sea- Mrs Dean
Dillman gave a tea at her home in Washington street.
Mr and Mrs Sidney Fish entertained a large gather-
ing ol friends at their Carmel Valley ranch where ih,\
pr«>\ided a barbecue supper,
Miss Adelaide Sutro entertained at a Sunday supper
party in honor of Miss Dorothy Grissim. a bride-elect
Mr. Bourne Hayne has returned to Harvard Jusl
before returning to the Hast Mr I layne was host at a
dance at the I layne home on Broadway
February 27 is the date named by Miss Dorothy
Player for her wedding to Mr Winston Black Mrs.
Windsor Bigelow entertained at a luncheon and bridge
party recently in honor of the bride-elect.
Mr and Mrs Robert B Henderson were hosts at a
dinner party at their home in Eiurlingamc where they
entertained thirty guests
Debutantes and talented members of the youngei < |
will present The Follies of l°^0 at a downtown theatre
on February 6, 7 and 8 Rehearsals are being held at
[tie |- airmi mi
In honor of two of the season's debutantes. Miss
Patricia Iobm and Miss Genevieve Si\. Mrs Howard
Spreckels gave a large luncheon at the Burlingame
Country Club
Mrs Ernest K Stratton gave a bridge party and
handkerchief shower recently in honor of Miss Dorothy
Player, the fiancee of Mr Winston Black
Miss Alice Eastland has returned from New York
where she was one of the bridesmaids at the wedding
of Miss Mauelita Boldt and Mr Walter White
Miss Barbara Carpenter was hostess at a luncheon
at her home in Burlingame where she entertained a
number of the winter's debutantes and a complement
ol \oung men
Miss Adelaide Nichols has announced that her mar-
riage to Mr Michael Casserly w ill take place on April 17
at La Jolla where the bride elect and her parents, Mr
and Mrs, William M Nichols, are passing the winter.
Dr and Mrs Horace Gray have taken an apartment
in Cough street after spending several months at the
n i i rice of Dr and Mrs Horace I lill
Mr and Mrs. Monroe Eyre Pinckard arc staying at
the Hotel Mark Hopkins and plan to make their home
permanently m San Francisco
A "cafeteria" dinner dance was ,., i iymk-
hana Club in San Mateo by Mr and Mrs Slion ruckei
,n honor ot Miss Isobel McCreery.
A Bachelors Club has been organized, with Mr
Thomas Driscoll, J r named as president , ( Clarence
Postley, secretary, Nicol Smith treasurer and the ar-
rangements committee composed ol Mi I aurison Dris-
coll, Mr James V Ohlcman and Mr Charles Christen-
Son I tie Bachelors will give their firsl dance at the
Burlingame Club on the evening ol March I .
Mr and Mrs Hosrner Rolph are sailing for Honolulu
and will make their home in the Islands for the
next year Mrs Philip Fjnncll is giving a farewell bridge
E r Mrs Rolph on Lchruarv 4
Miss Marge) Hanchetl made her debut at the Bur-
lingame Club on January 24 Miss llanehett is the
daughter of Mr and Mrs Lewis Hand
Mrs Osgood I looker gave a luncheon at her home in
Burlingame in horn i >i i omt< se dc Buyer who is visit-
ing with Mr and Mrs William II Crot
Mr and Mrs I. eland Lathrop will remain m Belve-
dere this winter insl ing an apartment in town
Mrs Lathrop gave a lur* hi ntury
Cluh
\ii Barbara 1 arpenter was hostess at a supper \
on the evening ol I chruur\ \
Mr Qemeni robin and her daughter. Miss Aileen
Iobm will spcuvl the winter in San Lranclsoo and have
taken aparuri Sr I rant is
SAN FRANCISCANS ABROAD
Mr. and Mrs William Wallace Mein and i h< u
family, who are making a trip around the world, were
In India at last aco unl
Mrs Geftrudi Atherton. her daughter and grand-
daughter. Mrs \therton Kir ell and Miss Dominga
Russell, were recently In Koine where thev were enter-
tained b\ the American Embassador and his wifi a
Ri ispiglii «i Palace
Mrs Thomas Magee and her sister, Mrs Charles
Harvej Bemlev are again In Pai tingai Si
Moritz for a few weeks during the winter sports season •
Mrs Conrad Peters is again in Pans after spending
several weeks in San Francisco where she was the guest
of Mrs J A Black at die Hotel St Francis
Commander and Mrs William Thomas (Helen
Marye) who were visiting in the Last with Mr and
Mrs George T. Marye. have returned to their home
in Paris
Miss Cornelia O'Connor and Miss Mary Jolliffe were
in Rome at the time of the wedding of the Prii
Mane Jose of Belgium and Crown Prince I lumbert
Miss O'Connor and Miss Jolliffe arc at present in Pari
SAN FRANCISCANS IN NEW YORK
Mr and Mrs Harry Rice Bostwick and their
daughters. Miss Florence and Miss Dorothy Bostwick
ai e in the East The party made the trip via the Panama
Canal
Mr, and Mrs Alfred Schermcrhorn are dividing their
time this winter between their country place in the
Berkshires and their apartment in New York, at the
Barclay,
Mrs Sidney A Cloman was among the guests at the
dinner for fifty given in honor of the retiring British
Ambassador. Sir Esmc Howard. The Vice-President
was the host at this affair.
Mr. and Mrs, Henry Porter Russell (Helen Crocker)
have returned to New York after a visit of several
months in Burlingame
Miss Barbara Bailly and Miss Dorothy Hanks have
returned to their respective schools in the East after
visiting with their families in San Francisco.
Miss Eleanor Chnstenson and Miss Barbara Cates
are in New York where they have joined Mr and Mrs
Louis Shattuck Cates The family will return to Bur-
lingame early in the spring.
Mrs Warren Spieker is in New York and will return
to San Francisco at the end of the month.
Miss Janet Coleman entertained a group of her San
Francisco friends at a dinner party recently at the
Hotel Plaza
Ernest Pebeotto was a member of the committee on
arrangements for the Beaux Arts ball given recently at
the Hotel Astor He appeared as Botlcelli James Ben
Ali Haggin appeared at the ball as Lorenzo de M
SAN FRANCISCANS IN THE SOUTH
Among those who recently passed a week-end at
Del Monte were Mr and Mrs Roger Lapham. Dr and
Mrs Edmund Morrissey, Miss Yvonne and Miss
Romilda Musti
Mrs Latham McMulltn and Mrs Roger Bocquera:
recently spent a fortnight at Palm Springs
Mr and Mrs Laurance I Scott enjoyed a weeks'
stay at Palm Springs
Mrs Frank H Ames and her daughter. Miss Gloria
\mcs were visiting in Los Angeles recently
Mrs, Macondray Moore visited in Pasadena where
she was the guest ol her son-in-law and daughter. Mr
and Mrs Eric Pedley.
Mr and Mrs Gordon Hitchcock have gone to H
lulu where thev will establish their permanent home
Mrs Dunn Dutton and Mrs George Newhall visited
in the south recently dividing their time between Palm
Springs and Arrowhead
Mr ,!.m Lewis and their daughter. Mrs
Smart are spending the remainder ol
the w inter at 1 V ltd del '
Miss Edna Lapham has returned to the Santa Bar-
bara Girls' Schi ol
Mr and Mrs Joseph Zook were recently In
Vngetca after completing a tour ol Central
Mr and Mrs Man Macdonald Spend several weeks
m I f >nolulu early In the year
Mr Jean de Sr Cyr and Mr Robert Burroughs »i re
at Del Monte during the recent polo tournament.
22
THE SAN FRANCISCAN
THE WHITE C All II
Says Harry Evans, the movie critic of
Life: "It looks like we're having a
Shakespearean revival " But not, we
need hardly assure you, in the writing of
Mr. Evans
That was to have been a desolating
little paragraph, complete in itself; but
Mr Evans has since favored us with
further examples of the same sort. He
wrote the splendid line: ". . . if it is
believable that such an innocent-looking
child could look like she looks at John
and just be playing."
And this, in case you are not inter-
ested, is the man who occupies the
quondam chair of Robert Emmet Sher-
wood
We refuse to consider Mr. Evans as a
critic; we speak merely of semi-literacy.
Open any copy of Life prior to January
1, 1929, read Sherwood's page, and dis-
cover good writing
Mr. Sherwood, you were literate,
witty, urbane and intelligent. You un-
derstood the use of words, the need for
cadence and design. You were, in a
phrase, good reading Accept this nos-
talgic tear.
But perhaps Mr. Evans is bidding for
a chance to write talkie dialogue. His
style is admirably suited thereto, and we
wish him luck.
wCw
jTwC*
"Haven't you got a napkin for the
other kriee?"
It seems that this page is to be con-
secutive this month in a degree
which is scarcely credible, because from
here we go right on to speak of movies
and illiteracy. We wonder how many
people saw Doug and Mary in The
Taming of the Shreiv, and what propor-
tion or the crowd has ever read or will
ever read the original.
With the serious consideration now
being given the talkies as an educational
medium, and with the necessity for the
reading of subtitles abolished, with all
current events presented in their natural
whirring sounds to the public, and with
literary works translated for the public
by Hollywood gag-men, we wonder if
books will not become obsolete We can
imagine a group of scholars in the future
witnessing the projection of the only
known copy of Martin Ch.uzzJ.eunt, and
puzzling over that strange line of
Dickens': "Maybe it is snappy goods,
Solly, but for such a kibitzer like you
should know about it, I sav nerts."
by NED HILTON
Among the minor sights of the city,
such sights as make glad the heart and
merry the eye, we mention the well-
known monkeys, See-No-Evil, Hear-
No-Evil and Speak-No-Evil, which are
prominently displayed upon the counter
of a Kearney street bail broker.
m
"jVfy dear little man, do you mean to tell mc you like it because you enjoy it?"
We had written filty-tour more
lines dealing with semi-literacy
— they had to do with the bad influence
— quite unintentional — of Mencken
upon tyros — and they were to have fol-
lowed in this space. But we were re-
minded, suddenly, that it is not the
function of this page to be consecutive.
If there is any merit in this page it lies in
jumble and confusion, in the presenta-
tion of paragraphs so distinct that the
reader may read anywhere at random, to
his edification and the delight of his soul.
So Mencken must wait a month — biting
his nails and mumbling, "When will
that fellow use his Mencken piece?"
For Carey McWilliams we hasten to
correct two errors in our mention of his
Bierce biography. For "adopt," Mr.
McWilliams, please read "adapt"; and
from "captioned" please drop the "ed."
If we are yet under a cloud, we shall be
glad to show you our original copy,
which does not show these — hmm —
semi-literacies.
In a recent ad appears the caption :
"Attracting Customers With Modern
Exteriors ..." Therein we detect further
cause for alarm. Whither, we ask, is our
much-vaunted civilization drifting? We,
ourselves, care little about the exteriors
of our customers . . .
It is sometimes said of a person, in
what is meant to be praise: "He takes
things just as they come " "So," as
Whistler said, "does a cow." And so did
the dinosaur.
[EDITOR'S NOTE— It is to be understood that the
editor of THE SAN FRANCISCAN is not respon-
sible for what appears on this page ; and the editor of
this page is not responsible for whatever may appear
elsewhere in the ttagazine.]
The proposed railroad mergers fill us
with trepidation. Nothing could be
more horrible than, for instance, the
consolidation of the Southern Pacific
and the Pennsylvania. We can think of
nothing more disheartening than the
Overland Limited going through Al-
toona. The trip between New York and
Chicago has always been no more than a
trial which must be endured, either
before or after the comfort and quiet of
the western trains. And now, with the
promised reduction in fares, they intend
to fill the western trains with the shirt-
sleeve travelers, the banana-eaters, the
diaper-changers, the is-zat-so wits who
infest the eastern systems; and who seem,
by proximity, to blight all trains, all
crews, all dining cars, so that all trains
are dirty and noisy, all crews dirty and
indifferent, all dining cars dirty and un-
appetizing. We want extra-fare trains,
and their protection
Slightly muddled high-jumper tries to
clear a line on the wall.
KF.1UU ARY, 1930
23
Critic* vs. i i-ii i«-
Continued from page IS
modern science ot promotion The more
and less important week I v review sup
plements exist .is vehicles tor publishers'
advertising; this advertising, to appear at
all, must appear against a background
ot ostensible reading matter; and hence
it becomes necessary to hire a goodly
number ol persons to have eligible
opinions about the season's eligible
books, and to express these opinions in
print at stated intervals It judicious, we
ludgc the supplv ot this commodity, not
by the standards which regulate actual
criticism, but hv those which apply to
the blurbs on the jackets of the very
books reviewed Wherever bona fide
criticism exists, we know that it has
been called into being by someone's hav-
ing spontaneously formed opinions about
which he cannot help being excited and
articulate -and decidedly not by some-
one's having offered to pay him two
cents a word tor formulating a printable
opinion on a stipulated subject on or be-
fore a specified date Ordinary reviewing
has about the relation to criticism that
the mournful occupation of tea-tasting
has to the epicure's delight It is ot the
essence ot taste that it must and will
exercise itself When a man supposed to
have taste is paid to exercise the faculty
in the interest ot an editorial policy
which he did not help originate, we
rightlv distrust his judgments The re-
viewers would nearly all be in that case,
but for the circumstance that thev are
not supposed to have taste
There is only one definition of a good
reviewer The good reviewer is he who
gets his copy in on time, fills the assigned
space and no more, and has mastered the
knack ot describing an advertised book
for which he cares nothing in such a way
as to get himself quoted hv its publisher
in later advertisements The good critic
is obviously something else again
But has this good critic ever existed,
in America or elsewhere, in the flourish-
ing pride and power that Mr Hilton so
gaily suggests1 Mr Hilton is talking,
ol course, about overt criticism made
manifest in print And I rise to ask,
W hen and in whose hands was such
criticism ever to be trusted? When was
it ever anything but the vehicle of more
or less interesting prejudices and pre-
possessions personal limitations of the
critic1 What critic has ever honestly
tried to evaluate an author except in
terms ot ideas about which the critic
cared immensely, but which the author
mav never have heard of The critics
have always been sideshow barkers Be-
ing no more than a human being, the
critic has consistently played, and will
always plav. the game of the author who
is playing In* game And. indeed, win
not
Continued on next page
iffi^"-y
Fc
'Knox* | OR MADAME
FOR SPRINGTIME
Knox fashions
that introduce
new exa m pies
of the unusual
a
t its best
SPORT COATS
TOWN COATS
KNOX HATS
AND FROCKS
KNOX
51 GRANT AVENUE
an</ HOTEL ST. FRANCIS
24
THE SAN FRANCISCAN
Over by the other ocean there is a
professorial wit, Mr. Irving Bab-
bitt, who has for many years been driv-
ing one particular nail into the Ameri-
can consciousness : the idea that what we
call the Romantic Movement was a
setback to European civilization because
it obscured the elder idea of a dualism
in the human spirit — crudely, the idea
of good versus evil, or deliberate self-
discipline versus letting oneself go. All
our contemporary fashions of letting
ourselves go, this critic genealogizes as a
natural aftermath of Romanticism
Very well. It is a searchlight of an idea,
withering to the looks of more than one
of our modern pretensions. It grows, ot
course, out of a fine moralistic preposses-
sion of the man himself. What, anyway,
are an unusual man's strengths if not his
characteristic weaknesses? But note this :
the grand Miltonic line sounds a good
deal less grand and less Miltonic to Mr.
Babbitt when written by Wordsworth,
who was ot the Romantics. And if Mr.
Babbitt had been besought by some
powerful editor to hold forth in one of
the quarterlies of about 1820, he would
have vented all his trenchant acerbity
upon that wretched young immortal,
the author of Endymion Likewise, over
on the other ocean, an important monthly
magazine, The Bookjnan, has dedicated
itself body and soul to echoing, inter-
preting, purveying, and advertising the
ideas of Mr. Babbitt and of an elder
scholar, Mr Paul Elmer More. (An
oddly assorted marriage, that : one won-
ders from time to time how the Messrs.
More and Babbitt relish everybody's
automatic coupling of themselves, as if
they had aspired to be nothing other
than Siamese twins of criticism.) Mean-
while, literature may shift for itself —
as it has always done.
That is today. And how was it yester-
day? Well, Ralph Waldo Emerson, as
gently courageous a spirit as ever this
continent produced, beat a valiant drum
before the sideshow of a young poet
named Whitman Emerson's love of
justice and hatred ot tyranny made him
say rather better than he thought of
Leaves of Qrass, chiefly because its au-
thor was a brave man destined for vilifi-
cation and ridicule Then Emerson's
pronouncement began to take hold, and
Whitman tound himselt tolerated, com-
paratively respected, even suspected of
greatness What, thereupon, did Emer-
son do? He recanted, or at any rate mini-
mized the enthusiasm of his earlier
words. Why? Because as a moralist he
was convinced that Whitman had gone
too far in one direction to be applauded
by a man of delicacy He would fight for
Whitman persecuted and reviled, and
he would avert his face from exactly
the same Whitman applauded and with
a following
Criticism is like that, because men —
the greatest, the best of men — are like
that.
It follows that no one can get out of
a critic the truth which will serve
his own pragmatic needs until he has
first performed the complicated act of
understanding the critic rather better
than the critic understands himself, and
then the equally difficult act of allowing
correctly for the critic's inevitable bias.
(That is why so much critical writing
tends to lapse into the criticism of criti-
cism— like this very paper.) This being
thus, a marvel of the age is that it occurs
to no one to suspect that the simplest
and most final exertions of the critical
faculty, and much the commonest, are
not public or official at all, and assuredly
not printed, but private, personal, direct,
and utterly decisive.
What is criticism, anyway? It is simply
the faculty of choice, exercised in refer-
ence to some actual and imperative need
of one's own. The man in the grillroom
knows perfectly well, without asking
Mr Hilton or me to guess for him,
whether he wants Hungarian goulash
this noon or a chop; and his knowing is
criticism The customer in the automo-
bile salesroom has a pretty good idea
whether he had better pay $Soo and two
cents a mile for eighteen horse-power.
or $7500 and eleven cents a mile for a
Bulloc\ v Jones Co.
TAILORS
Exhibiting
new designs of suits (3
topcoats for business an A
sports wear
Imported Woolens
Exclusively
POST STREET AT UNION SQUARE
H
ouston, Gilmore
c3 Company
Finej> Jewelry
Post and Stockton Streets
San Francisco
FEBRUARY, 1930
25
hundred; and His having it is criticism
The man who thought there might be
something in this movie business when
he saw The Last laugh, but who
walked out on Broadway, has been a
critic, on the one occasion as on the
cither ("Sleep is an opinion,'' said
Charles Lamb of a play; md Mr Ber-
nard Shaw sets the credit ) And the lady
who has sent her chaulleu lor .in armful
of the newest novels is on the verge of
commencing critic She retires with the
armful to her boudoir Harriet Hume
she throws at the cat The Qood Com-
panions she flatteringly wishes on the
chauffeur. Laughing Boy goes to tne
maid Three Against the World and
Horses in the Sky can go into the Salva-
tion Army box Then she settles down
luxuriously to read Red Silence and Dark.
Duel without skipping —well, without
much skipping
Tae lady gets, by her tree choice, what
she needs Who else can tell her
what that is? Of course, there are all
grades of needs Also, a choice among
disparate things is an implicit criticism
of the chooser But that is usually no
matter of public interest The point is
here : However fine a reason Mr Hilton
or someone may supply why I really
ought to absorb myself in a given book,
it is always conceivable that I may sup-
ply myself with a still better reason for
finding it a waste of time And it is,
after all, my time There are 10,000 new
books a year — about 9,950 too many,
if you ask any single person except the
editor of a book-advertising publication
And the business of telling those whom
one isn't acquainted with just which of
the 10,000 they positively must not miss
is being very hugely overdone.
That would not matter so seriously
it a great many ot the poor dears didn't
believe everything thev are told But if
they were to read everything they are
told to read, they would soon die of it,
and the world would be a sweeter and
saner abode for the rest of us
III IM.nk ami Wliii<»
Continued tmm pafic '.t
gently and early in 1S46 was able to
purchase the ship, Brooklyn for $16,500.
He sold 236 ot his followers passage to
California at 812 each He included
in the cargo ot the Brooklyn (as his
personal possessions) a printing press,
several cases ot type and machinery lor
a flour mill
The BroohJ\n sailed from New York
in February 1 846 and reached Yerba
Buena July 31,1 84^ The first sight that
greeted the weary Mormons was the
American flag, from which thev sought
to escape, living high and securely above
the Yerha Buena Presidio and from ves-
sels of the United States Navy, guarding
Continued on next page
trTflE WHf&H£flfsfeO-
\V RAPHAEL WEILL 8 COMPANY
\NovYtfCanB£TW
Once a rather uncertain commercial
gesture in a draughty barn-like structure
. . . now an event of the social season
staged with pomp and circumstance in
the Civic Auditorium We trumpet the
fourteenth Annual Pacific Automobile
Show . one of the socially prominent
topics of conversation for the month !
WML?1
f
It's amazing, when you stop to think
about it, what a stimulating effect new
styles in automobiles have on new styles
in clothes. Can you, for instance, gaze
upon these sleek, burnished mechanical
creatures, stored with such abundant res-
ervoirs of power that they seem all but
alive, without feeling a surge of pride in
being a contemporary? Doesn't it make
you period-conscious, and rouse the
desire to dress the part . . to live up to
the gorgeousness ot these modern "magic
carpets" of our day? It's no wonder that
in spite of the rapid, staccato tempo of
living we are reaching another Renais-
sance a twentieth century revival of
beauty for beauty's sake against a practi-
cal background that makes only one
demand that our clothes be appro-
priate to the occasion.
If vou consider your new-season
wardrobe in terms of the machines in
your garage you get an idea of this 1930
passion lor appropriateness Of course.
one car, in prohahlv lour out ol five
homes, performs the duties of a whole
garage lull But the principle is the same
There's the rakish roadster for the
early morning game of golf . . . there's
the very new short sleeved jersey frock
that says "check" to the car Unmistak-
ably feminine a re't hemlines 'of the' frock
. . . but in spite of its softer silhouette
the skirt is still comfortably short
enough for active sports wear . . . the
sleeves are the loose butterfly type that
permit full swing of the arms. Practical
femininity ' Then the town car for a morn-
ing or an afternoon of shopping, or
committee work, perhaps . . . and with
that one of the new short jacket suits in
soft, loosely woven tweed, snug of
waist, flared of skirt You cannot escape
femininity eveninthetailleur this Spring
The landaulet for the last half of the
afternoon no doubt will enjoy greater
favor than ever since it has become
smart once more to "dress" tor the tea
time part ot the day For this the double-
date frock with little jacket that can be
slipped off later for dinner dancing is
correct and cute The opera brougham
provides fitting background for the most
impressive of 1930 innovations . . . the
revival of the train.
A time and a place for everything, say
the leading stvle authorities of the season
and The White House says so, too,
with styles as appropriate to the demands
ot the times as they are appropriate in price
ADVERTISEMENT
26
THE SAN FRANCISCAN
Three good reasons
for attending
the Automobile Show
,-■ ,->"
> "^ •> ^> ( o n display ) «
CADILLAC V-8
La SALLE V-8
CADILLAC V-16
,-> ^ (Sixteen-cylinders — first showing)-*
^^
-^z
s^ '-.
Three cars built in the same highly specialized
shops and by the same experts in precision manu-
facture . . . All three drawing from the same rich
sources — General Motors, Cadillac, Fisher and
Fleetwood . . . All three profiting by 27 years of
exclusive devotion to the creation of the finest
possible motor cars.
k.f.r.c.
k.h.j.
California Distributor
Cadillac and La Salle Motor Cars
VAN NESS at O'FARRELL
California to England
New Oil-Burning Cruise Steamer
"Fraiicoiria" May 13th
Calling at — Panama Canal, Havana, New York and Boston
First Class Only, $480 Up — Free Shore Excursions — Apply to
r 11 ii .1 imI Line, 501 Market Street
San Francisco, or Local Agent
the harbor At this sight, it is said,
Brannan cursed profanely But he quickly
recovered his composure and inquired
into the unexpected situation He dis-
covered that the Mexican Wat had
officially been declared in May 1S46,
while he and his followers were on the
high seas and that the American troops
and Navy had early driven the Mexican
troops from Yerba Buena and were in
complete possession of the town It was
apparently useless to attempt to escape
from American rule
Brannan observed a great many other
things about the new country and Yerba
Buena, which impressed him so favor-
ably that within a few days he installed
his flour mill machinery in a building
on Clay near Leidesdorff street and be-
gan profitably to make flour This under-
taking was a purely independent and
personal one, a fact which his Mormon
companions deeply resented, as well as
the entirely changed attitude of their
former leader They presently brought
him to trial on charges of misappropriat-
ing and mismanaging the organization's
funds The jury, which tried and
acquitted Brannan, was the first Ameri-
can jury in California
Brannan's first tavorable impressions
of Calitornia were strengthened with
time and as he gained a better knowledge
or its soil, climate, navigable streams,
harbors, tree clad mountains and hills
Nor was he alone in perceiving these
possibilities of California and Yerba
Buena Other leading citizens of the
little community also perceived them.
But to develop all these resources re-
quired people— farmers, artisans and cap-
italists— and not much could be done
about attracting new settlers to the
country while the war was in progress.
On January 24, 1S4S, the war finally
came to an end and California be-
came American soil by the terms of the
treaty of Guadalupe-Hidalgo. Shortly
thereafter, Yerba Buena's progressive
merchants, traders and professional men
formally organized themselves to work
out the problem of attracting new set-
tlers to California and developing the
country, as a place having its resources
and climate should develop and prosper.
This organization was surprisingly simi-
lar to our own famed Californians,
Incorporated, in motives and methods.
The idea ot the group very probablv
originated with Brannan and he was
easily its most enthusiastic member.
Presumably, his Star was made the
organization's official publication, for
the issue of April 1, 1S4S, was a special,
extra page, "booster" edition Two
thousand extra copies were run off and
arrangements were made with a dis-
tributing concern in St Louis, Missouri
to put these extra copies into the hands
of people, who might be interested in
FEBKl AKV, 1930
27
By
Train
and
Plane
Southern Pacific-TAT Mad-
dux Lines inaugurate joint
air-rail transportation in this
Coast-wide service now in
effect between San Francisco,
Los Angeles, San Diego and
Agua Caliente, Mexico.
Examples of roundtrips from
San Francisco :
Los Angeles $38.54
One way train ; one way air.
Agua Caliente $50.00
Train to Glendale (Los Angeles)
and back; plane Glendale to
Agua Caliente and back.
Agua Caliente $63.54
Hy air ilircit to Agua Caliente
and return to Glendale; thence
by train to San Francisco.
Many other lime-sating combinations.
TAT Maddux Lines
SUTTER 5047
Southern Pacific
DA V FN PORT 4 0 0 0
caking up farming or grazing lands in
California.
This issue was typical of its kind The
feature article, The Prospects of Cali-
fornia, was hy Dr Victor Fouregard,
physician, druggist and master optimist
With a few strokes of his pen he made ol
the entire Pacific Coast a populous, husy
region Great cities and innumerable
towns i more than even now exist) were
created Factories were set up, orchards,
vineyards and garden patches laid out
Another writer devoted a second article
of goodly length to the climate In this,
it was also noted that, the rainfall of the
past winter had heen abundant, which
was a promise ol a rich harvest of
grains, fruits and grapes A third feature
dealt with the rumored immigration of
a group of Chinese The virtues of the
Orientals as laborers were favorably
commented upon but they were wel-
comed chiefly as possible founders of an
American silk industry, which would
logically be located in California
Obviously, this issue paid a great deal
of attention to farming and the getting
of farmers for California Readers with
a memory for dates may recall that gold
was discovered at Sutter's Mill, January
2, 1848, three weeks before the signing
of the peace treaty Yet this momentous
incident in California's history received
no notice at all Following Marshall's
findings, several additional gold dis-
coveries had been made in the Sierra
streams and gold had been sent to Wash-
ington, D C , where it had assayed very
high But even these tacts received no
special comment in the Star's issue of
April 1S4S
This strange omission is explained in
the fact that, while evidence at
hand seemed to indicate mineral de-
posits of considerable extent, the senti-
ment of the population was distinctly
against spreading newsof the discoveries
Those in the country at the time believed
that its great future lay in developing its
agricultural possibilities They conceived
first a state of orchards, grain fields,
vineyards and cattle ranges, and no one
appeared to realize that mining and not
agriculture was speedily destined to be
California's first, leading industry The
appeal was thus tor farmers and no in-
ducements were held out to miners or
those seeking quick, easy wealth It was
the plan, moreover, to hold indefinitely
co this policy, lor all arrangements were
made to bring out a second special issue
similar to the first early in June ks4 s
This issue never appeared lor the very
good reason that when June rolled
around, there was no one in Verba Buena
CO get it out Sam Brannan and all his
stall had dropped the business of news-
paper making and empire building lor
Continued on next page
H Wi ^1
1 mmM
mmm
BtPf'
i ■
■iii ''■' i»
ID-'Lnin: ' ■
11 J ^
1 :::
Mil « '
: ft
: 1
1 ' \ ■
1 ' ™ "ii
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1 to
III
\ • !'.** >
M- . '1 .-'_■- „
'*-m*
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(M Ml*'"*' m ' ^•■l
r' m*\i. .■^v*g* ^'"olw^^l
For those who
live on a normal
sensible basis . . .
The beauty of the Hotel
Lexington . . . the luxury
of its modern appointments
. . . the distinguished
quality of its French cuisine
. . . are available at such
moderate rates that many
guests who come for a day
or a week are staying
permanently.
Dinner and Supper Danc-
ing in the Silver Grill.
Dave Bernie and his Hotel
Lexington Minute Men.
8OI ROOMS
Each with private bath (tub and shower)
circulating ice water, mirror door.
341 rooms with double beds,
1 person .....
These same 341 rooms for two
persons ... . .
229 rooms with twin beds
Either one or two persons .
231 rooms with twin beds
Either one or two persons .
Transient or permanent accommodations
$4
$5
$6
$7
Club breakfast . . . 75c
Special luncheon . . $1.00
Table d'hote dinner . $2.00
Also a la carte service
HOTEL
LEXINGTON
tEXINGTON AVE. ol 48th ST. NEW YORK CITY
Tronic Gr.gion, Mgr. Phone MURray HIM 7401
Direction of American Hot.li Corporation
J. L.ili. Klncald. Pr.ildcnt
28
THE SAN FRANCISCAN
Recent Importations from France
Two pair of peach-color drapes, lined in sateen, finished
in fringe
One Louis XVI dressing table lined to match the drapes,
and one small mahogany gueridon with top of gold
color marble.
With a pair of Louis XVI candlesticks in old bronze, a
half-dozen etchings in black and white, a colored print
or two and one has the setting of a charming room.
jPoretta 81 left ^Brady, Importer
J5 Rue Richelieu
Paris, France
jgy Nineteenth Avenue
corner of Fulton Street
SKyline 8532
/£-&..
THE SAN FRANCISCO BANK [
INCORPORATED FEBRUARY 10TH, 1868 =
One of the Oldest Banks in California, the Assets of which have
never been increased by mergers or consolidations with other banks. =
Assets over $125,000,000.00 Deposits over $120,000,000.00 |§
Capital, Reserve and Contingent Funds, $5,450,000.00 s
Tin- following accounts stand on the Books at SI. 00 each, viz.: =
Bank Buildings and Lots - (Value over $1,925,000.00) g|
Other Real Estate - - - (Value over $308,000.00) jj
Pension Fund - - - - (Value over $670,000.00)
= Interest paid on Deposits at 4^-4 per cent per annum ^
Computed Monthly and Compounded Quarterly ^
;;;;Bi
i
that of digging gold in the Sierras. The
Californian had temporarily suspended
publication for the same reason. In spite
of all precautions taken against it, the
rumors of the gold discoveries had
seeped mysteriously across continents
and oceans As they traveled, they gained
prodigiously in lustre, glamor and au-
thenticity, and so it was that the tides of
the gold rush originated, not where gold
was discovered, but at points far re-
moved from California.
Art and the Stock
Exchange
Continued from page 17
The group of figures to be placed in
front of the pylons on the Pine street
side are not yet completed.
Stackpole says of them, "I may work
at them for months, for I want them to
express all that stone and tools can say
for me at this phase of my life."
Models that I saw in his studio indi-
cate that the same powerful sweep in
conception and the same directness in
cutting will characterize this work as it
does that already done The group to be
placed before the west pylon is that of a
rather and son, symbolic of industry and
invention The group at the base of the
other, a mother and child, typifies the
fruitfulness of Mother Earth
In the parapet above the columns on
Pine street, Stackpole has placed two
octagonal plaques on which are depicted
in bold relief civilization's mastery of
land and sea In keeping with the classic
lines of the front of the building, he has
softened the curves and somewhat
idealized the forms of the two female
figures, the one rising from the land, the
other from the sea.
The six panels by Howard are placed
above the high windows, three on each
side within the main room of the ex-
change proper, which opens on Pine
street. Modeled in Howard's studio,
and afterwards cast in the plaster acousti-
cal material out of which the interior
walls are made, these friezes fit into the
room as though directly sculptured there.
Every line is done in the modern spirit.
The panels express the industry that
stands back of finance and without
which the Stock Exchange would not
exist They represent the modern age of
machinery as exemplified in the perfec-
tion of electric and gas motive power.
Man's relation to electricity is por-
trayed on the east wall. In the
central panel, three figures are grouped
about a dynamo. In the right panel, men
are shown working with the various
uses of electricity — the electric light, the
telephone and the telegraph. The left
panel represents the use of electricity in
transportation and in long distance
communication.
IKHUl \IO. L930
29
0 \C H I i) S
of the choicest
\ arieties!
Exquisite
Spring Blossoms
in great profusion!
Delightful Valentines
Ord< rs telegraphed
an\ » here
" llll VO \ lllnl s\\l> i. \RIH \s I
124 226< Irani \\ enue
Phone SUtter 6200
SAN FRANCISCO
easy
The Chauffeur:
Ah. pardon me. madam*'.
Jfoo we — hi-II. I — I. Mnrit-
and 1 are gelling married,
and I'm going into hn-inr--.
Sh.
What -hall I dor No Chauf-
feur, no maid '
Hie Chauffeur:
I'll he glad to -lop al 1 1 ■ -
I \amimr office and pill in
a \\ nil Vil for } on. niadami'.
"ion know, you'll have an-
other maid anil a rhaiitTVur
h> tomorrow afternoon*
On the west wall, the panels represent
gas power Men working with a gas
motor is the theme ol the central panel
The right panel is devoted to aviation,
showing the gauntleted pilot, the me
chanic turning the propellor ol an air
plane motor and a ground man carrying
gasoline The application ol gas power
in land development is indicated in the
left panel One figure is pictured at the
wheel ol a caterpillar tractor in contrast
to the larmer with a hoe also shown in
the panel
Howard was engaged in the carving
ol the door to he set into the Governing
Board room when 1 went to see him at
his studio Betore him on the big table
was a thick block ol walnut in natural,
warm color The lovely texture of the
wood was evident as it came away under
the carving tools like soft velvet
Lahor that lies hack of the building of
a modern city is symbolized by the carv
ings on the door Mining is represented
by a figure with pick and shovel The
square cut ringers gripped about the
pick, the robust lines of the body, are
carved with deftness and surety into the
firm wood.
Cither figures show the quarrying for
building material, and then the various
steps in building construction One man
is guiding a steel girder into place,
another is laying granite blocks, a third
is handling building machinery
In a panel above the door which
combines a ventilator and a climax for
the carvng is the skyline of a city built
by the hands of workmen as portrayed
below
Recognition of the type of work done
hv Stackpole and Howard is of especial
interest just at this time
For eight months there has been in
this city an exhibition of the work
of contemporary sculptors of America
Somehow the show missed fire It
stirred verv little it inv excitement and
certainly no controversy It was sane and
safe
Imagine the Palace of the Legion of
Honor filled with the work of the young
moderns It might he had in spots, hut
it would be alive
That is the challenge ol the modernist
His work is breathing, pulsating with
life He cares little about academic
rules, although he knows them He ex-
presses what to him are vital things in
lorms that to him spell life about him
He slashes crudely at times, he
achieves more brute force than sinew}
grace, hut he speaks with the force ol a
man who is forging ahead into new paths
That is why it matters whether or
not the Stock Exchange a modem
building dedicated to the uses of the
most tvpical expression of our civiliza
tion is decorated with art ol" a past
generation or that ol the present
This Roos coat of
genuine Polocloth
is priced at $125 . ..
And the worst of it is that if you ever
buy one you are almost spoiled for
any lesser coat. ..But you'll learn a lot
about the virtue of a real camel's
hair garment.
1 00^
9-Store Buying Power
30
THE SAN FRANCISCAN
»»THAT dance orchestra leaders
WW San Francisco has given to
America! Art Hickman, Abe Lyman,
George Olsen, Paul Whiteman — the
foremost names the country over! But
it is keeping for itself one who may in
time over-top them all.
For two years the outstanding person-
ality in San Francisco dance music has
been Anson Weeks at the Mark Hop-
kins. His dreamy rhythms have come to
take a definite place in the hearts of San
Franciscans and visitors alike. The car-
peted luxury of Peacock Court, the
velvet tones of the orchestra, the smooth
synchopation of Anson Weeks' interpre-
tations— all spell an enjoyment particu-
lar to the nights on Nob Hill.
Anson Weeks has recently returned
from a trip to the East where he visited
the leading theatres, hotels and night
clubs. He has come back to San Fran-
cisco more firmly convinced than ever
before that here is where he wants to
work and that here is where he can best
realize his dream of developing the
finest dance orchestra in the world.
"The West has already contributed
a lot to dance music." Anson says, "The
East may have given us the first start in
jazz and the strident, erratic rhythms —
but it is the West that has supplied
sweetness and refinement. The best that
New York has today, originated in San
Francisco."
It was from San Francisco that Art
Hickman, the real originator of the
modern dance orchestra, went to intro-
duce into the East a new conception of
dance music. Then came the others, Abe
Lyman, George Olsen and the others.
Then Whiteman, enlarging on Hick-
man's idea, made his intricate orchestra-
tions which have brought recognition to
the virtues of jazz. All started in San
Francisco.
There were theatre orchestra leaders
too that went from here to other parts
of the country to gather laurels but, ac-
cording to Anson Weeks, there is a
wide difference between the two types
of music. "Theatre music is made to be
listened to — " Anson says, "but we play
for people to dance. With us, rhythm is
the first consideration and all our music
is built on it."
IN dance music, the personnel of the
orchestra and the sympathy between
the players and the leader means every-
thing. Anson Weeks insists that his
orchestra is as important as he is — he
refuses to take all the glory because he
feels that it is the men he works with
who make it possible for him to express
music as he wants to. If you've ever seen
the loving regard a violinist has for his
Anson Weeks
violin, then you know the expression
Weeks has when he speaks of his men.
Four of them have been with him since
Anson first organized his own orchestra.
Anson Weeks has risen to his present
position in the face of parental opposi-
tion. When first he started to play in
dance orchestras, his family thought it
wasn't quite "respectable" to be a musi-
cian. In spite of opinion he played at
university dances and planned to enter
college. Then he decided to marry. So
he turned his back on music and went
into business. But from time to time he
answered an emergency call and gradu-
ally went back to playing in the even-
ings.
Then there came an opportunity in
grain and produce brokerage in Sacra-
mento and Anson Weeks took his wife
and two babies to the capitol. In spite
of his intention to concentrate on busi-
ness and forget music he soon gathered
around him a group of friends who
liked to play together. So when the
Hotel Senator opened, in 1924, Anson
Weeks said good-by to business and
organized his own orchestra.
It was then that he decided never
again to be influenced by what others
thought he should do — he concluded to
give all his energies to what HE really
wanted to do. He began to develop his
own idea of dance music interpretation.
Up to that time he had played by ear —
now he learned to write music so he
could arrange parts for his orchestra.
He had toyed with melodies of his own
making — now he began to set his own
themes to music.
For three years he played with his
orchestra at the Senator then the Mark
Hopkins sent for him. He brought part
of his orchestra with him, augmented it
with San Francisco musicians and soon
his fame spread, bringing crowds of
people to Peacock Court.
ANSON WEEKS now has an orches-
Ltra of twelve pieces unequaled in
the entire bay region. He directs from
the piano but has another pianist who
also plays the new pipe organ recently
installed in Peacock Court. Then there
are three violins, three saxophones, a
trumpet, a trombone and the drums and
bass. Now, too, there is John McCrea
who sings the ballads. There is a dance
concert in Peacock Court each evening
of the week, except Sunday, And on
Tuesday evening they celebrate Feature
Night with a varied program of enter-
tainment. Again on College Night, each
Friday, there are special features.
Besides his interpretations of others'
music, Anson Weeks is gaining favor as
a popular composer. His "Sorry" which
he composed for Edna Fisher and
Rosita Duncan, has already met with
great favor. Another song that bids fair
to be popular is "Tuck Me In To Sleep."
It is even now being published and plans
are under way to use it as a theme song
for a talkie. A third song to be pub-
lished is "The Last Dance," a dreamy
good-night theme with a haunting
rhythm. All three have been played
first in Peacock Court where the recep-
tion given them more than justified the
interest of the publishers.
Anson Weeks brought a number of
new songs back with him from his east-
ern trip and is now busy adapting them
to his own interpretation. At present he
is particularly interested in working with
the tango which has proved so popular
in the east. He feels that San Francisco
has its own attitude toward dance music
and his first aim is to develop rhythms
that meet the western mood.
FEBR1 URY, 1930
31
Si <- i'ii llrcw
I ontinued from page l"
volved The poet who confuses sub-
seance with shadows will lail utterly
Faults7 I suppose so Too annular at
times, perhaps; too narrow and concen-
trated a vision. But why take time lor
them when they haven't seriously in-
volved the attention? When the mass is
impressive, incidental imperfections are
of slight concern. And the strength of
Rolfe Humphries' work is in his mass,
not in isolated lines. This makes promis-
cuous quotation impossible in a small
space One must give the whole poem or
nunc Among so many that clamor for
quotation 1 select this swift sonnet,
because not many poets can pass in
fourteen lines from yawning human
boredom to the bewildering and blazing
presence of God.
Weary of quests and all such poppy-
cock
Childe Roland to the Dark Tower
came once more
With a sigh that called his pilgrimage
a bore,
A dull adventure, void of hope or
shock
He vawned wearily, fumbled with the
lock
As he had done so many times before,
Then rapped with languid knuckles on
the door
Without expecting answer to his
knock.
And the world suddenly blazed and
flashed and shone
With blue-green lightnings; scarlet
rivers poured
Rolling floods of bright vermillion
wonder :
In the riot, naked and alone,
God Almighty strode across the thun-
der
Roaring and brandishing a purple
sword.
Listen Californians Be shrewd. Pos-
sess this book if not tor its isolated
originality; its uncompromising vision;
its beauty in terms of strength — then
possess it for the fame that must incvit
ably, one day, belong to it
G^orgp M. Hytle
INCORPORATED
t . . i
Interior furnishings
for the Santa Barbara
Court House
!
!
Studios
1366 Sutter Street
Fairmont Hotel Lobbv
?///'Wi>ii<i Famous
rS^V LosAngfcles
Miss Mary Garden
in one (it a large num-
ber of unsolicited com-
ments by world tamous
celebrities, writes:
-/"
^
"Why live elsewhere
when the Ambassador,
the most beautiful hotel
in the world, is here!"
No hotel in the world
otters more varied at-
tractions . . . superb 27-
acre Park, with minia-
ture golt course, open-
air plunge and tennis
1 courts. Riding, hunting
and all sports, includ-
ing 18-hole Rancho
Golt Club and Archery
Ranges. Motion picture
theater and 35 smart
shops within the hotel.
Famous Cocoanut
Grove tor dancing
nightly.
1
*0i
1
If 'rite for Chef's Cook Bonk
of California Recipes
BEN L. FRANK
Manager
GOWNS
21 45 Frank lin Street
ORdway S782
32
••
A Noble Experiment
w
Iast evening at che
4 Uncle Sam Theatre,
Professor Prohibition made
a most interesting demon-
stration. At the eleventh
hour his assistant, Mr.
Saloon, was called to the
bedside of his dying mother
As the entertainment was
to be in the nature of "A
Noble Experiment," Uncle
Sam, himself , while not
exactly volunteering, was
prevailed upon to take Mr.
Saloon's place
Through the tremendous
ovation greeting this an-
nouncement Uncle Sam
hurried to the stage, where
he was congratulated by
representatives of certain
governments, and hysteri-
cal outbursts of assurance
from the audience.
Silently and with dig-
nified tread he crossed the
stage to assume his desig-
nated place in front of the
historical background against which
Professor Prohibition was to map his
outline with keen edged knives thrown
from a distance of several feet, the Pro-
fessor wearing dark glasses during the
demonstration
Hurriedly drawing back his arm the
Professor shot the first knife straight and
true. Zee!!! Whing! — it sang across the
stage to imbed itself snugly against'the
gray locks of Uncle Sam. So close was
the aim that a few wisps of hair floated
THE SAN FRANCISCAN
silently downward to rest
at Uncle Sam's feet. The
next knife took its place to
the left, but this time a
larger lock of hair was
sheared, falling to lie beside
the other.
Suddenly a gasp escaped
the audience — a woman
screamed Professor Prohi-
bition had made his first
miss, pinning one of Uncle
Sam's ears fast to the map.
The Professor did not seem
to notice, hurling another
of his glistening weapons.
With a sickening squish
Uncle Sam's other ear was
firmly pinned. Straight
lipped and grim he stood —
blood trickled from the
wounds.
The Professor removed
his glasses and saw for the
first time his error — seem-
ingly, he was not greatly
worried. Calling off stage
for first aid, his wife, known
professionally as "Blindes' Pigges,"
hastily brought the medical kit
Whispers in the audience were heard.
"What is she carrying?" "Look at the
copper tubing," tor the Professor's wife
is bringing in a most peculiar device .
f&P
modern niotorships
sail monthly from
san franeisco via
panama canal to the
medi terra n ea n
spam
franee
Italy
a 38-day cruise for three hundred dollars
libera line
(general steamship corp., agents)
has moved into luxurious new offices
219 slitter street
KEarny 4100
"worldwide service — at your service
H.LIEBESciCO.
GRANT AVE AT POST
7he 6nsemble
is smarter than ever
L
m this season
ol men waistlines
o
ano varied,
interesting
styling.
75.00
up
Sketched ... a Lanvm
replica of imported lace
tweed . . . wxtn detach-
able cape . . 125.00
rKHIU \UV IV.50
:«
She held, beneach the bandages, .1 com
piece still, with little drops ol .1 whitish
liquid trickling into .1 cup She crossed co
Uncle Sam, who bj this time was weak
ening, raised the cup of liquid to his lips,
assuring him that "it is just oil die
boat, and showing him a beautifully
printed label in proot
Uncle Sam drank greedily, shuddered,
then drawing himsell erect, his eyes
glowing excitement, he again taced the
Professor ready co cam on this Noble
Experiment
Ladv Blindess Pigges withdrew aher
passing some ol her cards among the
audience
Protessor Prohibition changed co a
darker pair ol glasses and grabbing a
handful of knives began tossing chem
nghc and letc
Suddenly Uncle Sam cried out "It's
getting dark -some one turn on more
light lor the Prolessor
The audience realized the truth
Uncle Sam was losing his sight
Ladv Blindess Pigges dodged between
the flying knives co the side ol Uncle
Sam -striking a match she held it before
his eves, but he made no movement or
response Looking slyly at the audience
she took a wallet and the change from
his pockets, saving "This is part of the
experiment." She chen disappeared inco
che wings, throwing a handful of her
cards among che audience.
The Protessor had worked himself into
a frenzy Perspiration clouded his brow
as knife after knife sped from his nimble
fingers
Uncle Sam was quivering from trighc
and che pain ol numerous small wounds.
Fascer and I aster the Protessor threw
the knives Here and there the map
back ol Uncle Sam was chipped and
showed signs ol cracking, but the Profes-
sor was intent only on hurling knives.
A fanatical gnn over-spread che Pro-
lcw>r s lace "A success — a success" he
cried "Look it works it works" he
shoucedashe frantically hurledthe knives
Crash "( )ne of che knives had bounced
back from che map's border and with
projectile speed whiscled out inco che
audience.
Instant contusion — people rushed
madlv into the aisles seeking satecv A
mother scruggled againsc che on rushing
crowd, holding in her arms a child With
a scream che bahv censed its bodv toward
the mother tun arms encircling her
shoulders, hands clutching wildly The
child's body relaxed from its back
there gleamed the hilt of one of the kcvii
edged knives the price tag of "A Noble
riment
Professor Prohibition, when seen
todav. expressed no regret, but on the
contrary is diligently searching for more
and more knives co chrow in order chac
the show may go on and on.
B> Bl K n BrKRV
Mr. and Mrs. Horace Orear, Jr.
They told their friends:
"Charming accommodations
and excellent service'
prominent among
recent visitors in
Hawaii were Mr. and
Mrs. Horace Orear,
Jr., who followed
the example of hun-
dreds of other new-
lyweds in choosing the Islands for
their honeymoon. When they got
hack to San Francisco on one of
the ships of the hig Matson Fleet,
they were enthusiastic about
their trip.
"We had a wonderful voyage,"
Special cruise!
"n»i- M.1I0I0 in April makes a special
vacation cruise to Hawaii for the gav
Spring Carnival and Water Pageant.
Sail April 5. have a full \seek in
Hawaii and he hack in San Francisco
April 21. Ask for folder.
they told friends.
"Charming accom-
modations, excel-
lent service. Our
trip was delight-
ful."
Your trip to Ha-
waii will he delightful, too — on
the fast Malolo i now back on her
regular run after her notable
Around Pacific Cruise) or any
other ship of the Matson Fleet.
For reservations, ask any travel
agent, or:
MATSCN LINE
25 steamers .... fastest service
HAWAII . . SOUTH SEAS . . . AUSTRALIA
SAN FRANCISCO 215 Market Street I) Wnport 2300
LOS ANGELKS 723 W. Seventh Street \ \,„like 8101
34
THE SAN FRANCISCAN
.^/^fs^v
lEfei/'
1
fc
HUiintev
J^uiiclieon
^Hn €inu ml cute e of
cippeeiliticf tiisltes
appeli^itxglu coahea
II (o 2.-30
and dainiilu secfeil
2.-30 <o 5
* . * a place thai will \
3loi
ii'utif delight uou. ! \
cl?
IV
r/t
us sail s
v(9ea zJtoom-s
278 (Host Street
dan Francisco \
1
1365 ^Jjurlinaamc ZrUte*
8 ^utiiijuu
We welcome the crowds that
come for luncheon each day
... let us assure you that, no
matter how rushed we are,
the high standard of cooking
is our first concern ... all
food is cooked under the per-
sonal supervision of
SMrs. Welle T>e Graf
You may also order your
favorite cakes "iid pies
to take home
*
Downstairs in the
MONADNOCK BUILDING
Market Street
The Dance
Continued from page 19
The result is that, so far as San Fran-
cisco is concerned, La Argentina is above
criticism. All the fault finding in the
world — and who is there that has no
weakness — will not disturb her popu-
larity. Whenever La Argentina steps on
the stage and smiles, that moment the
audience will be hers and it will remain
hers as long as she deigns to turn people's
attention aside from reality to a colorful
succession of romantic illusions.
Kreutzberg and Georgi, "the
world's greatest dancers," appear
here the 16th and 20th of February.
They, too, come heralded by superla-
tives— but, more than from the indi-
vidual praises given Harald Kreutzberg
and Yvonne Georgi, interest is aroused
by the fact that they represent a fresh
attitude toward the dance. They are
products of the new German school
which stresses the dynamic structure of
movement.
Their point of view is that of Ru-
dolph von Laban, whose theories are
taught in San Francisco by Ann Mund-
stock. Von Laban is an Austrian noble-
man who broke with family military
tradition to become a dancer. As a child
he was privileged to witness the training
of dervishes. He was familiar with the
theatre at an early age and alternated
observation of Oriental dance ritual
with dramatic impressions. When he
decided to become a dancer, he went to
Paris where the convention of ballet
technique was still iron-clad — as it was
until the advent of Isadora Duncan. He
could not fit his idea of dancing into the
traditional mold so left the schools of
Paris and started his own experimenta-
tion from which has developed the
modern German movement
The dance, as conceived by von
Laban, is a plastic art composed of
elemental postures of emotional sig-
nificance. An effort is made to strip the
dance of all superficial gestures to pre-
sent it in dynamic simplicity.
In this way the dance is being devel-
oped as an absolute art, independent of
music. It is created on a basis of pure
rhythm and, though often performed to
an accompaniment of music, it is com-
posed in its own terms apart from musi-
cal form.
Isadora duncan thought of the dance
as a plastic expression of feeling — as
music played with the human body as
the instrument She was first of all a
musician and it was as a musician that
Isadora Duncan danced, giving to the
world a visual beauty comparable to
the aural loveliness of the great composi-
tions to which she danced.
food. . .
that has the right start!
Not only is the food at the Post
Street Cafeteria served in the
most delightful surroundings
— colorful, modern, and appe-
tizing— but it is prepared in a
sunny, bright kitchen. Warm
yellow tables, gay pots and
pans create an atmosphere to
which the cooks themselves
respond — small wonder that
people consider it the "best
food in town".
Come today and you'll
come again tomorrotv!
Post Street
Cafeteria • .
62 Post Street
THE
KCeur|yarcl
m
LUNCHEON and TEA
in the Courtyard
DINNER inside by the cozy
fireplace — Filet Steaks are
unusually good
Studios for private parties
MABEL de GOMEZ, hostess
4 SO Grant Avenue
KEARNY
3-9-6-2
O-^^TsS
FEBKl'ARY, 1930
35
It is an inviolate truth
that the taste and
culture of the
giver is un-
alterably
bound
in the
gift.
The Chocolates
Sin Francisco.
Kratz Gift Boxes packed specially
for shipping . . priced from S3. 00
De Luxe Assortments
priced from S5.00
KRATZ CHOCOLATE SHOP
276 Post Street Telephone: SUtter 1964
KRATZ KITCHEN SHOP
555-565 Turk Street, near Polk
RADIO S
RADIOLA
CROSLEY
The Si^n
of Service
MAJESTIC
SPARTON
BOSCH
BYINGTON
ELECTRIC CORP.
1809 FILLMORE STREET
5410 GEARY STREET
1180 MARKET STREET
637 IRVING STREET
Phone WAlnut 6000 San Francisco
Service from 8:00 A. M. to 10.00 P. M.
The same musicianly attitude marks
the dancing of Mary von Sabern whose
first public recital in San Francisco is
scheduled tor the latter part oi March
To her, dancing is a means ol emotional
expression comparable to all other arts
but particularly allied to music because
oi the common basis of rhythm
Dancers are born, not made there
must be the combination of a body in-
Strument and a spirit capable of assimi-
lating experience and molding it into an
art form Though more intimate than
any other art, and though it is built on a
structure of primitive reactions, dancing
can be used to express the subtlety of
sophisticated experience.
In spite ot widespread adulation and
the general concession that Isadora Dun-
can is the greatest figure in dancing the
past century, many misconceptions of
her approach to the dance have risen.
Hers was a tree type ot expression
originating trom her own experience
molded by years ot study Because many
who followed in the wake of her great
success adopted gestures and superficial
form without her attitude, people have
not always realized the fundamental
expression that underlay all her work.
Though Isadora Duncan broke with
the convention ot the ballet and fought
the establishment of set forms, all her
dancing was the result of an immense
amount of study, research and under-
standing ot life. She set for herself the
goal ot speaking to the world in uni-
versal terms with no artificial vocabu-
lary ot conventionalized gestures. The
result was a communication ot the spirit
This same attitude activates the danc-
ing ot Mary von Sabern, whose art also
is the result of years of study. To her,
dance technique is but a means of expres-
sion. It has no significance in itself. A
musician, a linguist, a student ot lite and
letters, she conceives the dance as an
expression ot all experience, individual
dances being composition units of
different aspects ot life.
Marv von Sabern was born in San
Francisco She first studied with Isadora
Duncan in Paris when but six years old
The impression and inspiration ot this
great personalia has been the dominat-
ing factor in all her subsequent work tor,
though she never swerved trom her in-
tention to dance, she has turned to no
other teacher During adolescence she
again studied with the great dancer and
received fresh impetus to her own
creative work.
Since then Man von Sabern has
danced and taught, always with the
attitude that the bod} is an instrument
to be used m the dance to express feeling
colored by individual experience In her.
this spring. San f rancjsco will see again
presented the artistic viewpoint ol its
great dancer daughter, Isadora Duncan.
TWO Equally Famous Liners
"dilv of Los Angeles"
*Tilv of Honolulu"
Head the LASSCO fleet in a iplen-
dldly BALANCED SII<\ ICE over the
delightful Mrathei-n route from Lot
Angeles to
..HAWAII..
A voyage "that ends all tun soon"
anil then . . . Honolulu and Waikiki!
Society's mid-Pacific winter play-
ground] Where sophistication blends
with Smith Sea romance, and all the
smartness ,,i a Paris boulevard pro
enades beneath the royal palms of
Hawaii'
ALL-INCLUSIVE COST TOURS—
Iron) a minimum ot S: ' ind - ;$o,
according to liner chosen, cover all
the chief points of interest in Hawaii,
including a delightful inter-island
trip to IIilo and varied tours through
Volcano-land.
For full information . apply any
authorized agent, or . . .
LOS ANGELES STEAMSHIP CO. """
685 Market St.— Tel. DAvenport 4210
OAKLAND 412 13th St. Tel. OA kland 1436
H. C. Capwcll Co. . . . Tel. LAkeside 1111
BERKLLHY
2148 Center Street . . Tel. THornw all 0060
Swiftly, rapidlythe world ischang-
ing. Where once lumbered the
covered wagon, the airplane,
mighty monarch of the airways,
soars through the skies. It is the
age of speed, and the rapidity with
which the universe is moving is
forcing our eyes to carry addition-
al loads. Statistics show that eye
strain has increased, so the mod-
ern man, who takes pride in his
physical well-being, visits his op-
tometrist frequently. Our back-
ground of many years of exper-
ience places us in an enviable posi-
tion to serve you well. Visit our
offices today and have your
eyes examined.
JONES. PINTHER & UNDSAV
OPTICIAN* AND 0»TOM|Tai»T|
349
Geary
St.
Opposite
St. Francis
Hotel
36
THE SAN FRANCISCAN
Motordom 1030
Continued from page 12
refinements. There are only two makers
who showed the courage of the man
stepping under an icy shower instead of
inching into cold water from tepid —
who have thrown away much or old
tradition in automotive engineering and
have presented something markedly,
sensationally new. They are the dernier
cri-est things in motordom — Cord and
Cadillac.
E. L. Cord, for many years a marked
man in the industry, is giving a real
thrill with increased production ot the
Cord front-drive, sensationally pleasing
in both appearance and performance
♦ FASHION ART SCHOOL*
SCOTTISH RITE TEMPLE » Sutler and V.n Neil A.enui
Individual Instruction
in
Costume Design
Pfol«non*lofHom(Uie
Fashion Illustration
Millinery Malting
and Designing
Commercial Art
Life Drawing
Interior Decoration
Day and £*rn,ng CWr
ANNA AUDiSON C-AI.LAwHU.tW
Booklet on request
Phone Oedw,/ 2120
Cord carries to the extreme the low-
swung, long body. High speed with
safety, especially on tortuous grades and
icy, skiddy roads, is claimed for the
Cord. One other maker is producing a
front-drive car Other manufacturers
are watching, all alert, fearful of the
mechanical complexity of the front-
drive-steer-brake unit, doubtful of its
public reception, but willing to jump on
the band-wagon if and after front drive
meets popular acclaim.
Cadillac has attracted wide attention
with its new 16-cylinder V-type model,
also designed to appeal to the most
exacting of motoring's upper crust.
Probably there was never a car- —outside
some possible singleton built for royalty
— so finely finished under the hood as
well as in the externals And royalty
certainly never enjoyed a vehicle more
finely engineered. The double octette
motor gives a flow of power approxi-
mating that of the steam-turbine. Safety-
glass, synchro-mesh transmission, and
other distinctive Cadillac features are
found, of course, with a luxury and
elegance ot finish that should thrill the
most bored sophisticate.
Stutz, with a distinguished array of
new models, all brilliant and proven
performers, anticipates a great year.
Despite damaging publicity about al-
leged receivership suits, Col. E. S. Gorell
Stutz president, declares the company in
excellent financial condition and reports
brilliant success and record breaking
sales in both Stutz and Blackhawk lines
at the New York show.
Lincoln has prepared a dazzling dis-
play of specially designed bodies by
famed artists and will display them later
at the custom salon at the Palace Hotel.
In one respect and one only the show
leaves us cold. All else is lovely, but one
fly remains in our ointment. Everybody
wants these new cars Everyone must
have 'em. What'll we do with the miles
and miles ot old cars these will replace?
The vision appalls us. What'll we do
with the old cars, when we can't even
get rid of our old safety razor blades.
WALTER FREDRICK
SEELY
Photographs and
Photo-Etchings
466 Geary Street
Phone : FR anklin 2472
The Indoor Oxford
solves the problem of "whether to dress
or not"! Light, comfortable and so very
suave in its line . . . simple . . . correct with
one's smoking jacket or one's dinner
jacket, for home, or for an evening
of dancing $8.50
WALK-OVER
SHOE STORES
Berkeley
844 Market Street
1444 Broadway, Oakland
San Jose
Fa cial Massage
consult ....
cJftf iss yulia Johnson
Graduate Swedish -JMasseuse
diploma professor
ulmann's institute
stockholm, sweden
Suite 211 Elevated Shops
150 Powell Street
DOuglas 6493
KKHKl AKV. 1930
37
w
WhnJM
Ilj V
I?
<£i
Dm you sec the gorgeous display ol
orchids in die windows of Po-
desta and Baldocchi a week ago? My
dear, I've never seen anything so beau-
tiful. There they were dozens of these
regal blooms rare flowers that make
inie gasp even when seen one at a time!
Cattleye Trianae Laelia \nceps and
Laelia \ nceps Alba — Onicidium Splen
-Cymbidium Alexanderae Selen-
apedium Qrandis! The very names seem
cruel attempts to tag such loveliness.
There were crouds in front ol the win-
dows each day while the display lasted
but 1 felt, each time I passed, that I had
made a private discovery.
What Valentines such orchids will
make' Exquisite bearers for the subtlest
bf sentiments!
For valentines in lighter mood, no-
where can you find such a variety as at
Joseph's Here the quaint novelties
made in Joseph's own shops have been
adapted lor the individualized gift on
February 14. For each personal enthusi-
JOSEPH'S
Florists
235 Grant Avenue
(Opposite the White House)
Entirely new conceptions jor the >
Debutante > — New articles jor
Bridge Prizes
Telephone DOuglas 7210
as SEEN
BS HER
asm there is an apt bit of pottery, a desk
ornament, paper container or an ash tray
elaborated into a valentine with flowers
and hearts. For the yachtsman an amus-
ing pottery ship tor the hunter a wall
vase in the shape of a duck in flight
for the golfer a grotesque figure in golf
cogs lor each person some intriguing
novelty converted into a valentine
Some way St. Valentine's Day seems
more logical than usual this year — what
with the concessions to grace and pretti-
ness made by the flowing lines of the
new styles in women's dress. Even in
sportswear !
You should see the lovely new
knitted sports suits at Liebes'. I
was there the other day when they were
unpacking some original models in the
new lace knit — intriguing stuff firmer
than ordinary knit, with a definite lace
pattern. One model in particular seemed
to combine in itself all the really new
features of sports clothes this year. It is
a two-piece suit — starting with a sleeve-
less dress with flaring pleats, high waist-
line and belt —and topping off with a
finger length coat that has a deep cape
collar, hanging almost to the waist. It is
made of a tan lace-knit that emphasizes
femininity while being beautifully prac-
tical. For sports there arc no hanging
drapes— but always a flare -usuallv
augmented by pleats.
Have you seen the new angora Jersey?
Unbelievably soft and silky — and in
such lovelv colors! And have you seen'
the new pique flowers for sports wear?
An intriguing assortment has just ar-
rived at Liebes — deep cupped roses in
starchy pique — petals, stem and calyx all
one tone.
The bewildering arrays of new things
make one pause in the headlong llight
of purchasing and consider the virtues of
consulting a stylist. The other day I re-
ceived a letter from the director of the
Fashion Art School — written on purple
edged green paper -suggesting that I
take their Stylist Training course. And
someway as I am confronted by the eon
fusion of the new styles, 1 find myself
turning seriously toward a study of the
fundamentals of fashion.
T.iis time of the year when the
smooth grey fur of pussywillows
first appears in the midst of the spring
(lowers on the street stands, there is a
restlessness in the air that is wine to the
soul. I want to be out and going some-
where. Oh, why, when I know that I
must stav in the city for at least another
three months, must my spirit itch for
new sights and new places1 At times it
seems almost malicious of the travel
bureaus to sttew their windows with the
inticements as thev do.
GOLDBERG,
BOWENCO.
242 SUTTER STREET
I I IS,4
Ant jfjuc Urn I |78fl
a. g>cf)mtbt & g>un
oj NEW YORK CITY
ESTABLISHED 1869
Importers of Antique and Modern Silver,
Sheffield Plate, Fine Crystal and China
li here the treasures of a collector may
he purchased as gijts
504 SUTTER STREET • . SAN FRANCISCO
38
THE SAN FRANCISCAN
A. F.
MARTEN
♦ co ♦
INTERIOR
DECORATION
Distinctive
designs interpreted to
the individual
taste.
1501 SUTTER STREET
SAN FRANCISCO
J.B.Pagano H. A.Dunlap
L. J. Capurro
IcaaJloMs
Avansino Bros.fiPCo.
^•*s=.-*y 237 Q&*r> S'
5an fyancaco
Flower Orders Telegraphed Anywhere
H.VALDESPINO
has restored his shop
and is again accepting
orders for fine framing
of pictures
347 O'Farrell Screec
San Francisco
FR antclin 3533
And it is not the travel bureaus alone.
Everywhere, the stores seem bent on
giving you an extra shove toward
travel. New clothes, luggage, steamer
rugs and books all waggle tentalieing
fingers from every shop window. Even
at Shreve's, where I went the other day
for a baby gift, I was distracted by the
most perfect traveling case I have ever
seen. It was in golden ecrase with fittings
in deep red French enamel on gilded
silver — and not only were there the ac-
cepted conveniences of toiletries and cut
glass bottles, but there was also a writ-
ing case behind the easel mirror and
other leather cases fitted around the sides
for utmost compactness. I was told that
this case was awarded first prize for
workmanship when shown at the recent
Paris exposition of industrial arts — no
wonder I've dedicated my next two
thousand dollars to this marvelous bag!
Modernism seems bent on invading
San Francisco via its shoe salons.
Already there is Roos' beautifully mod-
ern department — and now the City of
Paris makes its bow, the first of Febru-
ary, with a salon in the modern manner.
One really can't pass judgment on it
until after the opening but I peeked
through construction screens the other
day, and saw interestingly designed
woodwork
But most exciting of all is the new
Sommer and Kaufman building on
Market The other day I was walking
down lovable, drab, higglety-pigglety
Market street, near the Emporium, when
my eye was suddenly caught by two
glorious shafts ot lighter-than-jade green
tiles. Up to that time I had not given
the new building a thought — the ugly
construction scaffolding was a thing to
avoid — sort of a vague promise of
something to come. But trom across the
street you can now see shafts of green
tile that make you catch your breath.
What a gem this color will be — like
the clear note of a bell struck in the
midst of indiscriminate clamor! And
next to it is the startling black-and-
whiteness of the new Moore store.
These buildings will probably disturb
the comfortable complacency ot our
downtown district — awakening one
knows not how much ferment because
somehow this one unit of modern bold-
ness makes one see the beauty that could
be Market street if it were lined with
crystalline architectural forms such as
rise from the sidewalks ot Fifth avenue !
It challenges the spirit of modern San
Francisco
My car was quick to hear your step.
But when by morn you had not come,
Another's step I heard ; and now
To you I'm deaf — and also dumb.
Bv Geo. Brammer
albert
of the PALACE
insures artistic hair t nt n".
dveing and re uvenat in nl c
kearny 86OO
phone', kearny 7389
x J^oretta Ellen Brady |
X FRENCH LESSONS
X ♦
X Based on — v
a French Conversation and Grammar X
♦ French History and Memoir Y
X Shopping in Paris and touring
X in France j£
A We are returning to France in May — Y
j£ Reservations taken now for guiding ^
^ and interpreting in France
A 797 Ninteenth Avenue £
X Corner of Fulton SKyline 8532 <>
The Dominican College
of SAN RAFAEL
Incorporated 1891
Approved by the American Association of
Universities
A College Jor Women
Resident and Non-Resident Students
Conducted by the Sisters of Saint Dominie
The Dominican College is on the list of ap-
proved colleges at the University of California.
The State of California grants, under the
State Law, to the graduates of Dominican Col-
lege, elementary certificates and secondary certifi-
cates for teaching in all high school departments.
In the School of Music, special certificates are
granted, and the degree of Bachelor of Music
is conferred.
For full particulars, address
Mother Superior, Dominican College,
San Rafael, Calif.
Preparatory Department
Dominican High School
SAN RAFAEL, CALIFORNIA
BWILELDERpS
239 PosrSrreeL Xan Francisco
/ie_
' l
■:
i:
x rr
9
\
0/ 0////W mS%,/i//
I
...e s c a p e !
to palm springs and
the incomparable
mirador hotel
IT'S Summer Time in Palm Springs, now! Winter has been left behind. You are in
the heart of the fascinating, mysterious, sun-drenched desert. Only
four pleasant hours from Los Angeles by motor (little more than an hour by
airplane) — a thorough change of scene. You discover a new reason for living! . . .
And the El Mirador Hotel . . . There's a wondrous thrill on first awakening after a
quiet, restful night in a cheerful El Mirador guest room. Friendly sunlight greets
you warmly as you step onto your private porch, starting a full day of pleasure.
Golf on an interesting new course. Swimming in a warmed plunge under a sun that
tans. Tennis on championship courts. Archery. A canter in the sweet-scented
evening beneath a moonlit, starry sky, followed on Saturdays by a delightful
informal dinner dance . . . There is everything ... or nothing ... to do. You can
play if you want or rest if you need to. Cuisine and service that is now so perfect
that there is no need for emphasis. Plan at once to come to Palm Springs and the
incomparable El Mirador. Rates for two, $20.00 to $26.00 a day ... a few rooms
at $30.00. . . . American plan. . . . Write, wire or phone for reservations.
mirador hotel
bit of egy pt with
an alpine
a c k g r o
u n d
a t
P a
m
springs
c a
I i f
o r n i a
\rrivin<| Daily ... new
cloth coats, new dresses, ensembles and
suits in the Spring fashions reflecting
the quality standards that Gassner furs
have typified for nearly forty years. Each
garment has been individually selected.
Each style has a charm that definitely
is its own. «Millinery, also*
L
G
OlIS V1ASSM K »!..<
11?
e a r y
S t
eel
at the CITY of PARIS ^i. ^^
A NEW SHOE SALON
The keynote of the City of Paris Shoe Salon is modernity and
newness. NEW in the gracious use of modern design and
color to provide a fitting setting for fine shoes. NEW in the
Third Floor location. NEW in the stocks of fine Laird, Schober
and other custom made shoes. NEW in management, which
is City of Paris' own. But in the traditions of quality and
thoughtful service . . . three-quarters of a century OLD.
Harry A. Gibson is in charge, assisted by Michael O'Rourke.
CITY of PARIS
SHOE
SALON
THIRD
FLOOR
HERE
TO
THE STAGE
Geary: Lenore Ulric in "East of Suez" and
the facts of life.
Curran: Ac this writing apparently sunk in
its own quiet memories. However the Curran
and Geary are expecting some little stran-
gers from Broadway. "June Moon," "Street
Scene," "The Criminal Code," and "The
New Moon."
Community Playhouse: "The Lady in Law,"
French and funny, playing Wednesday and
Thursday evenings, March 12th and 13th.
Alcazar: Mary Boland, jolly, no end, in "La-
dies of the Jury."
President: "Broken Dishes," something that
should be a smash (ahhh — ha ... I
THE PUPPET THEATRE
Perry Dilley's Puppets: In their final perform-
ances of "The Bricklayer's Dilemma," a
Community Chest presentation that is open
to the public free of charge, March 6, 1:30
and 2:00 P. M. at 500 Sutter Street.
Tony Sarg's Marionettes: "Rip Van Winkle"
and "The Band." March 7th and 8th, after-
noon and evening, Scottish Rite.
Ralph Chesse's Puppets: Closes "Macbeth"
and opens "The Legend of the Moorish
Legacy."
THE SCREEN
California: "Putting on the Ritz," with Harry
Richmond, followed by "Roadhouse Nights"
with a number of people of which Jimmy
Durante of "I ups to him" fame looks most
promising.
Marion Davies: "Second Showing" with Do-
> lores Costello followed by "Troupers
Three."
Embassy: John Barrymore, girls, in "General
Crack," with Winnie Lightner close on his
heels in "She Couldn't Say No."
Fox: "The Girl Says No," with William
Haines being funny again probably.
Warfield: About all there is to be gleaned at
this writing is that the Warfield is looking
forward to a "Blaze of Glory," but who
bursts into flame is still a mystery.
Granada: Nancy Carroll, a neat little trick in
a stranded-ona-South-Sea-Island picture
with the lure theme in title, "Dangerous
Paradise."
Orpheum: "The Case of Sergeant Grischa"
holds out a tragic invitation.
St. Francis: "Lummox," a pluck at the heart
strings starring Winifred Westover.
MUSIC
March 1: "II Trovatore," 8:15.
March 2: San Francisco Symphony, 2:45;
Grand Opera, "Lucia," 8:15.
March 4: "The Masked Ball," 8: 1 5.
March 5: "Barber of Seville," 8: 15.
March 7: San Francisco Symphony, 8:15;
"Rigoletto," 8:15.
March 9: San Francisco Symphony, 2:45:
"Cavalleria" and "Pagliacci," 8:15.
March 10: Josef Lhevinne, pianist, 8:30.
March 13: Aline Greenwood, lecture, 1 1
A. M.: Mrs. Hugh Brown, reader, 2:15.
March 17: "Das Rheingold," German Opera
Company, Dreamland.
March 18: Abas String Quartet, 8:30; "Tris-
tan and Isolde," German Opera Company.
March 19: "Die Walkure," German Opera
Company, Dreamland.
March 20: Princess Der Ling, lecture, 8:30;
"Siegfried," German Opera Company,
Dreamland.
March 21: San Francisco Symphony, 3:00;
"Flying Dutchman," German Opera Com-
pany, Dreamland.
March 22: Roland Hayes, in Oakland, 8:30;
"Goetterdammerung," German Opera
Company, Dreamland.
March 23: San Francisco Symphony, 2:45;
Mozart's "Don Juan." Matinee, Dream-
land.
March 24: Drama Tea with Sir Phillips, 2:30;
Ben Greet (Fairmont I, Roland Hayes
(Dreamland), 8:30; Ben Greet Players.
"Hamlet," 8:30.
March 25: Ben Greet Players, "Everyman,"
8:30.
March 26: Ben Greet Players, "Everyman."
2:30; "Much Ado About Nothing," 8:30.
March 27: Mrs. Hugh Brown, reader, 2:15;'
Martinelli, recital, 8:30; Ben Greet Players,
"Hamlet," 8:30.
March 28: Lawrence Strauss, tenor, 8:30;
Ben Greet Players, "Twelfth Night," 8:30.
March 29: Martinelli with S. F. Symphony.
8:30; Ben Greet Players, "Everyman,"
8:30.
March 30: San Francisco Symphony, 2:45.
DINING AND DANCING
St. Francis: Stanford's choice for the present.
Fairmont: Well, gentility always has its glam-
our.
Mark Hopkins: Very good food, but mesmer-
ized waiters.
The Palace: Traditionally one of the places.
Sir Francis Drake: Proving the charm of din-
ing without the rah rah and swing.
The Silver Slipper: Still new enough to pique
curiosity.
Coppa's: Familiar to all San Franciscans of
the old school.
Russian Tea Room: So this is Russia ....
black bread and borsch that will have you
tweaking toes under the table with delight.
The Courtyard: One of the best and most
unique.
Solari's: Ask anybody and they'll tell you
"yes" ....
Post Street Cafeteria: Always a good idea.
ART
California Palace of the Legion of Honor:
Loan exhibitionsand permanent collections.
East West Gallery: "Soul of Steel" exhibition
opens March 6.
Galerie Beaux Arts: Rinaldo Cuneo exhibi-
tion until March 10, followed by a loan
exhibition of modern masters — Cezanne to
Picasso, with Georgia O'Keefe and Rivera
on the side.
Gumps: Etchings by Max Pollak until the
17th, paintings by R. Macauley Stevenson
until the 22nd, followed by paintings by
Bessie Lasky extending into April.
Courvoisier Little Gallery: Architectural etch-
ings by Rosenberg.
Paul Elder Gallery: Cornelius Botke and Jessie
Arms Botke exhibiting paintings, etchings,
block prints and decorative screens.
Loretta Ellen Brady: French etchings of well
known spots in Paris that are charming and
decorative.
Gelber Lilianthal: Original drawings for book
illustrations by Valenti Angelo.
ESTABLISHED 1852
SHREVE cV COMPANY
JEWELERS and SILVERSMITHS
Post Street at Grant Avenue
San Francisco
"Zooming" Into Popularity
The San Francisco News recognizes aviation as a gentleman's
sport as well as a commercial necessity. To serve these gentlemen,
and those interested in commercial flying, The News created a
daily aviation page . . . the first of its kind on the Pacific Coast.
And in the two years of its existence, the aviation page has done
much to make San Franciscans air-minded. But not in aviation
alone does The News excel. It provides up-to-the-minute style and
beauty suggestions for modern chic women, a complete financial
section, reliable guidance on theater events, intimate glimpses of
society, the latest and best fiction, interesting sports pages and dozens
of other services. Get a copy of The New News today. Read it.
See for yourself just why smart San Franciscans are adopting it as
"my newspaper."
The San Francisco News
The Whilt
wwspapei
Him
■Ike MADISON
EW YORK
THE MADISON HOTEL AND
RESTAURANT HAS WON THE
HIGHEST PRAISE FROM THOSE
WHO KNOW. IT IS MODERATE
IN SIZE, » » BEAUTIFULLY
FURNISHED » AND HAS A
UNIQUE REPUTATION FOR THE
EXCELLENCE OF ITS CUISINE.
THE MADISON
Madison Ave. at 58th St.
THEODORE TITZE « Mgr.
rO>TK.\TS
111.-11-4 11
Ifl.'tO
* .01 rr Design by I tin Deiisen
Dr. Walter B. Coffey, photograph - - K
Hope! Article Im (.. Hathar - - - - 9
\,.» It dm Be Told - - 10
The White Card, by Ned Hilton - - - 13
Blind, short story by Malaehj 4.Haynea I I
From the Tombs of Egypt, verse by
Paul Horgan 11
The Dancer »ith Fawns, lithograph
1>* Boris Lovet-Lorski 15
Spotlight, by Charles Caldwell Dobie - 16
Amaryllis, verse by F. L. F. 16
Lenore I Iric. photograph 17
Antonio Sotomayor, portrait by Hagc-
meyer 18
California Journalism, article by Zoc A.
Matin 19
The Book Doctor, by A. Grove Day - - 20
Sonnet, by Gabriel Ondeck 20
Mini. Mika Mikoun. photograph- - - 21
Rebuilding of the Nation's Capitol.
article by Hay mond Armsbj - - - 22
Mi>» Eve Taylor, photograph - - - - 24
Thi' Rrigning Dynasty 23
The Silken Modi', by Patricia \-lra - 26
Skyscrapers, verse by Lawrence Hart - 27
\> Si-en bv Her 37
■■:
KAK ■ l!AXi:iX4:.%^
JOSEPH D^EB. Editor & Publisher
Bowena Mason, (ssociafe Editor
Mini- Kistler, tssisltml Editor
Charles Caldwell Dobic
Joseph Henderson
knllirwi Holme
Ned Hilton
( Ontributing Editor*
Raj mond Armsb)
Mollie Merrick
< lare] M<\\ lOfauns
It, ih \\ endel
Robert Hunt. Editor of l'»<lr\
Idvtal Join--
I K.i Williams
George Donghu
Manilla llurke
vol. IV
no.:!
The San Franciscan is published monthly by The
San Franciscan Publishing Company, Sharon Build-
ing. San Francisco. Calif. Entered as second class
matter October, 1928. at the Post Office at San
Francisco, Calif., under the act of March 3. 1879.
Joseph Dyer. Publisher. Subscription price, one year
$2.50. Single Copies 25c. Copyrighted 1929, The
San Franciscan Publishing Company. Unsolicited
manuscripts will not be returned unless accompanied
by self-addressed, stamped envelope. For advertising
rates address Zora Combes. Advertising Manager.
Dr. Walter B. Coffey
The eves of the medical world are focused on this distinguished San Francisco
physician who. with his colleague. Dr. John D. Humber. is engaged in experi-
mentation and research which it is hoped will lead to the long sought cure for
cancer.
KAN VltANCISCAN
Hope!
Some Notes on Iho Experiments c»f Ihc Doctors Cnffov and Unmoor
by G. MATHUR
Ii sums like a chamber from Dances
Inferno- or Purgatory.
Hundreds oi men and women, and
even, youngsters, sit patiently, then take
their turn in the marching hie It is a
contest between despair and hope that is
written over their wan, anguished faces.
This is like a bread line. But the bread
they seek is die very Bread of Lile, the
ludgmenc of Life itself Until they came
here they had lost hope on the earth.
Today, a ray or hope has come to them.
Perhaps when they have passed through
that narrow gate of Promise, they might
regain their rations of Life! Perhaps! —
What in Experiment!
II you think that this is a fanciful pic-
ture you have not read about the San
Francisco cancer clinic at the Southern
Pacific General Hospital and several
similar clinics in Los Angeles.
This row of humanity is ol cancer
patients who nave been pronounced in-
operable beyond the reach ot the
surgeon's skill. Now, they oiler them-
selves for the experimental treatments
given by Dr Walter Bernard Collcv and
Dr John Davis Humber
What do they expect, these patients?
The gilt ol life, which has been almost
wrested from them1 Ol course in their
hearts that's what thev hope lor
But il life is not restored they will
at least have the release from pain Pain
such as no one cdn describe the torture
ol cancer !
Amir thev receive the L'ollcv Hum
her injections the cancer patients
make strange reports Sometimes they
remain as before But in the majorit} ol
cases thev say they I eel a burden falling
awav I rum them
The torture goes awav or is markedly
decreased Thev sleep lor the lirst time,
maybe, in months without the help of
opiates. They eat, they can move about
and even resume their daily duties, to
some extent.
In fortunate instances, the treatments
result in sloughing off the cancer tissues.
The cancer cells die. And more im-
portant, the healthy cells ot the body are
not injured by this treatment.
And yet this is still "experimental
work, in the very early stages." So the
discoverers warn you, emphatically.
T.ie scientists whose accomplish-
ments have attracted the eyes ot the
world upon them are two San Francisco
surgeons -Dr. Walter Bernard Coffey,
Chief Surgeon of the Southern Pacific
Railwavs, and his assistant and colleague
Dr. John Davis Humber, superintendent
ol the Southern Pacific General Hospital.
Since the first news of this experi-
mental work that may lead to the dis-
covery ot a remedy for cancer was pub
lished, these two doctors have become
acclaimed; but among the members of
their profession thev have long been
known as original workers in scientific
medicine
Doctor Walter Bernard Collcv was
born in San Francisco in 1868 and
studied medicine at the Cooper Medical
College His rise was meteoric He he-
came the Chiel Surgeon ol die Market
Street Railway Company's hospital de
partment, then ol the Southern Pacific,
the St Francis Hospital and other
organizations
What led to his success was not only
his record as an administrator but also
his brilliant surgical work which was
known all over the world Among
scientists Dr Collcv became part icularlv
famous when he devised a surgical treat
ment for "heart disease' or angina pec
toris, in its common ambulent form.
In this operation he cut certain sympa-
thetic nerves that locus in the neck be-
fore branching out into the region of the
heart, to regulate contraction or expan
sion of certain blood vessels The pain or
angina (the heart attack) was conceived
by Dr. Cofley to result from the sudden
contraction of these blood vessels. His
operation ot severing the connection of
these sympathetic nerves with the region
of the heart resulted in a practical vindi-
cation ot his theory. Four out of five
patients in the first experimental group
recovered without recurrence ot the
heart attacks.
This operative treatment ol angina in
certain lorms called lor an extraordinary
knowledge of the network of the sympa
thetic nerves. These nerves have re-
mained obscure even to men ol science.
i^nc reason ot their partial mvstery was
that it wasexceedinglv difficult to photo-
graph them. And in modern science,
photography plays a most important
part in the study ot the objects of re-
search
Hence what Doctor Coffey was
anxious to do was to advance the
knowledge ol scientists concerning che
sympathetic nerves themselves, lor thev
pervade all the important vital organs
ot the internal system.
I or this work he allied with Dr.
John D. Humber. a younger man who
had been instructor ol anatomy at the
Tulane University, New Orleans, and
then an assistant in surgery at the Uni-
vcrsitv ol California, from where be-
came into the Southern Pacific medical
department's service In a word, he was
the very man to carry out the technical
phases ol Dr Collcv s nerve studies.
Intwd "ii p..
10
THE SAN FRANCISCAN
NOW IT CAN BE TOLD
Meandering Thoughts
The dreamy haze that settles over
Lone Mountain on a hot day . . .
The staid expressions on the faces of
those who ride alone on the street cars
. . . The romantic tinge that pervades
the atmosphere about Fisherman's Wharf
. . . The sad squallor of Third street . . .
The brisk, hurrying walk of crowds on
lower California . . . The desolate look
on the countenance of the old lady sell-
ing papers at Powell and Market . . .
The ashen-faced individual in gray flan-
nels, who, promptly at 7 .30 each even-
ing, crosses Geary street at Fifteenth
avenue ... A fight on McAllister street
with three street cars stopped and hun-
dreds of men, women and children for
an audience . . . Mayor James Rolph
wearing the usual geranium bush in his
lapel ... A window-washer looks down
upon noon-time traffic from the twenty-
seventh story of a skyscraper and won-
ders what it's all about . . . The com-
pelling glance of Mr. Kelly, the owner
of Kelly's Coffee Tavern . . . The enter-
tainers at Coffee Dan's . . . Balloon
hawkers selling giant inflated bags for
ten cents . . . Henry Duffy, who intro-
duced the "family" drama into San
Francisco . . . The penmanship "ex-
perts" who line Market street on Sun-
day evenings . . . The constant spiral of
steam issuing from the top of the Koffee
Kup sign . . . Hatless girls strolling in
the rain . . . The baleful gleam of
street-lamps on a wet pavement . . .
One out of every three persons con-
siders himself quite a cynic . . . Powell
street's cigar store Indian, the last of a
large family . . . These youthful writers
who would emulate Pepys and label
themselves "ye scribe" . . . Neon signs
that burn night and day . . . The starched
strip of white piping inside Robert
Rea's vest . . . The white-haired reviva-
list in sackcloth who stands at Third
and Market to save the world. Hope he
succeeds . . . Would-be Bolshevists ex-
pounding views on the ground floor of
the Public Library . . . And many people
do their heavy thinking on the street-
car . . . The most peculiar after-dance
special — spinach and cream . . . Women
shoppers who argue with policemen at
busy intersections. And try to beat the
stop signal ... A pretty cafe name —
"The Silver Slipper" . . . Charing Cross,
the kindergarten with the rustic atmo-
sphere. . . . And of course, the new green
face on the Ferry Building Clock . . .
The Chest
The current Community Chest cam-
paign and its slogans bring to mind
again the time when a prominent under-
taker, who prides himself on his public
spirit, loyally installed cards in all the
eastbay street cars. However, the gesture
somewhat miscarried, as the slogan he
chose to quote read :
"Our work is not done until the
Chest is full."
Kibitizer
It takes more than a mere rainstorm
to drive people away from the
Beach at night. On the last rainy night
about midnight I counted about seventy
parked cars at Inspiration Point, and
there were almost as many farther down
in front of the Concessions Naturally,
one makes no effort to say what the
occupants of those vehicles were doing . . .
Incidentally, the latest mean trick in
this neck of the woods seems to be to
kibitz on those nice people who are fond
of gazing on the moon at Inspiration
Point The experienced kibitzer, driving
up noiselessly, dismounts from his car,
and, equipped with a powerful flashlight
makes a round of all the parked ma-
chines. All of which seems rather aim-
less, but those seized with this form of
mania gloat with intense satisfaction
when they surprise a young couple in a
particularly embarrassing pose . . . But
occasionally the man in the car carries
a revolver and the tale is a trifle sadder.
Complete Characterization : The type
that feel it their duty to attend the Fox
Theatre every Saturday Night.
Long live the queen!
Has San Francisco a new "queen of
Bohemia?" For many years habitues
of Begin 's on Columbus avenue paid
homage to the tall brunette who played
the piano there. They watched her as,
night after night, she watched the
dancers, her zyes veiled with boredom.
Then would come a youth who would
lean against the piano and her eyes
would light. For a few nights the light
would last as the youth returned time
after time to lean across the piano and
worship at her shrine Then the veil of
boredom would again fall and with
bored dignity the "queen" would con-
tinue to receive the homage of those
who gathered at Begin's.
But Begin sold out and returned to
Bologna. The "queen" disappeared.
Some said she was a manikin. Many
said she had gone away. Then Begin re-
turned and opened La Casa Begin — and
y //i'
/"
"Papa!
MVIUII. 1930
11
the "queen" too reappeared co cake her
place ac the piano, still languidly beau
tiful, still with the veil ol boredom sel-
dom drawn aside Then a radio was in-
stalled and the girl was seen less and less
often We stopped climbing the stairs
Begin's remained a memory which we
revived just a leu nights ago only to
find the place dominated by another tall
brunette The radio was muted, a seem
ing accompaniment to the beauty ol the
eool eyed girl whose white skin glowed
against the frame ot black hair and
around her was a group as admiring as
any that ever paid court to San Fran-
cisco's other "queen ol Bohemia
Yesterday, in a street-car, a young
man, attired in a new and rather loud
suit of clothes joined a companion in the
rear ol the car The other surveyed him
critically tor a moment and then causti-
cally inquired "Well, did they give you
a ball and bat with it1" . . .
Church Hotels
When first we heard that San Fran-
cisco, like New York, was to
have an hotel building containing with-
in its walls a tull fledged church struc-
ture, we were impressed When said
church and hotel building actually ma-
terialized, was named lor a good bishop
ol the town's early, sinful days and was
recently opened to the public, we were
even more awed
It seemed that, at last, in this city,
symbolical lor riotous and ungodlv
existence, Good and Christian Service
had realized signal triumphs The mem-
orv ol a Christian bishop would be
honored and perpetuated beyond Bo-
nanza kings, railroad pirates, Barbary
Coast satallites. political bosses, saloon
keepers, and ladies of the night.
It was some such ideals as these, we
learn, that inspired the builders of the
New York church-hotel The church
would draw substantial needed revenue
t. mti the hotel. The hotel would be a
model ol its kind an oasis ot morality
and decency in a vast sea ol wickedness.
Bur things tailed to work out in this
simple, beautitul fashion Worldly and
unbelieving travelers found other New
l ork hotels more to their liking and
disposed to cooperate in providing occa-
sional liquid refreshment Visiting
bishops. Sunday School superintendents
and the like also took their patronage
elsewhere when in New York. Thev de
sired to see all the sights, elevating and
otherwise Thev patronized broad
minded hotels, where their style was not
apt to be cramped
In order to save the floundering enter-
prise from insolvency, the hotel was
tinallv leased to a veteran hotel man
He ls so busy making a tremendous
financial success ol the business that his
guests are left in peace and to pursue
Ju.tl an Old Fashioned Girl
without question their small human,
flesh lv and liquid weaknesses and in-
dulgences.
All ot which makes us wonder ol the
fate of the William Taylor
450 Sutter
Somebody has asked the question,
apropos ot the new building at 4=,
Sutter street, "Why should Mavan art
be considered am more 'modern' than
the art ot any other period borrowed
from any other country?"
We haven't been able to answer it In
tact, the question has done much to con-
tirm the impression that the promised
beauty ol this building has not been lul-
hllcd m its completion As it originally
stood, a stark structure ol iron silhouetted
against the skv during its hrst days ol
construction, this building was a delight
to the soul At night its skeleton loomed
black against the city's lights by di\
the girders rose inspiringly above the
city streets Then came the skin ot con
Crete and on its tace vague designs were
scribbled with a seemingly careless and
not too vigorous stvlus But regrets were
reserved tor the completion when judg
ment could be given fairly.
Now we arc confronted with a build
ing ot elemental modern form that is
decorated in authentic Mayan design
symbols of ancient significance . . de-
signs resulting from the worship of the
sun and serpent of a heat ravaged coun-
try figures that some way detract
from the elemental simplicity of the
architectural form At certain times of
the dav the building still makes one gasp
at its splendor, but the anachronism ol
decoration and architecture disturb the
consistent enjoyment of what we had
hoped would be a continual aesthetic
satisfaction
K. K. K.
A San Franc, is,, vs who recently re-
turned from a trip through the
South brings this storv which he vouches
lor as an actual occurrence Driving
12
THE SAN FRANCISCAN
Aviator: Mars, my eye! This is one of the canals of Holly Gables, Florida!
V\Kt:ll. 19.10
13
*?$«*
'Tell her we ain't receivin
THE WHITE
< \iti»
bv NED HILTON
Woefully written scuff, distributed
by hundreds of thousands of
copies a vcir to hoys young enough to
accept it as good, Has had a great deal to do
and will have more, with our national
insensitiveness to the decencies of lan-
guage, our frequent contusion ot mere
cheapness with humor, and our adult
hospitality to printed matter equally
defiant of all civilized standards
To Mr. Wilson Follett 1 hasten ro
apologize for omitting the quotation
marks from the above truncated para
graph It appeared in The Bookjnan for
September. 1020. in an essay entitled
Junior Model, by Wilson Follett. 1 have
taken the libertv because 1 believe that,
in manner and matter, it sounds as
though I had written it myself.
In the argument which follows 1 shall
return to the analogy; in this sentence I
wish to point out merely an apparent
concern, in Mr Follett's discourse, tor
the late ot civilized standards Now I
suggest that this zealous worrying might
perhaps also be considered as a trait ot
adolescence; it might be seen to be quite
similar to my oration on the dereliction
ot critics, in which oration Mr. Follett's
utmost generosity could detect no higher
mental age than seventeen lor Mr
Follett has said, in the essay from which
1 lilt the paragraph, very nearly what I
have said He. too, bemoans the lack ot
better criticism In his essay in The San
. : last month he reminds me
that anyone is a critic, the woman who
refused to see The Patriot because she
had seen Jannings woll his food in a
former picture or Mr Cabell's woman
who read only the produce ot the Hutch-
insons because she liked motoring, or 1
who bought this typewriter in preference
to others because 1 might sometime
learn and wish to type Hindustani, are,
obviously enough, critics. Mr. Follett's
Junior Model discusses books tor bins,
and Mr. Follett argues, in part, that the
acceptance of ungrammatical, semi-
literate and philosophically distorted
stuff by the boys is having a deplorable
effect on the national culture The boys
arc also, obviously enough, critics. He
absolves them from blame but ot the
publishers he says. "The internal evi
dence shows that the average book lor
boys is sold to the public with all the
mistakes ot the author's manuscript per-
petuated and the printer's typographic
miscues thrown in to boot. 1 submit that
none of the immoralities vociferously
charged against the publishing business
is quite so shocking as this . . . To let
down one's publishing standards in
works printed tor children and adoles-
cents is on a level with the old educa-
tional morality which gave the most
defective pupils the most incompetent
teaching, because they had no way of
knowing the difference."
Well, the publishers are critics also;
and Mr. Follett seems to feel that they
have a specific function and that they
have failed in it. There are certain high
standards which it is their duty to pre-
serve; in other words, one should be able
to trust them in the performance ot their
function. As arbiters of some power they
are expected, by Mr. Follett, to be
worthy ot their trust.
Now, Mr. Follett objected to my
writing. "There is no longer in this
country a literary critic whom one can
trust." Except for the sweeping general-
ization— in all the country no single
trustworthy critic — we appear, after all,
to see eye to eye. I did not sav that there
were no critics. I said, as Mr. Follett
said, that in those quarters in which one
had been accustomed to look for civil-
ized Standards and the promulgation of
good taste there has been a woeful let-
down. There are, certainly as he is
very caret ul to explain degrees in
criticism. And though we may rightly
be sniffy over book-reviews, 1 think we
may look with starry-eyed wistfulness or
with mutters between the teeth for the
presence in high places ot such impec-
cable arbiters as have graced certain
other cultures 1 think we may so look
without being proved, by that alone, to
be adolescents -unless all romanticists
arc adolescents.
For I conceive the highest typeot criti-
cism as being romantic. The great
critic plays with the idea that life might
in many desirable ways be better. But he
docs not set about reforming the world;
being a romantic he holds the playing
with ideas more important than didactic
or punitive activities (This statement
requires development which 1 cannot
give it in this short paper. 1 refer the
reader to Machen's Hieroglyphics, or
Cabell's Straus a;\d Prayer Books.) He
plays with ideas mainly tor his own plea-
sure. Mr. Follett says. "Wherever bona
fide criticism exists, we know that it has
been called into being by someone's
having spontaneously formed opinions
about which he cannot help being ex-
cited and articulate." Mr. Follett will, 1
believe, agree that in being articulate
about his opinions the critic finds much
pleasure. It he were boorish, his pleasure
would be had at the expense of the dis-
comfort of others But if he is intelligent
and urbane and literate, his sudden
burst of verbal glory may well give his
listeners pleasure And. in the main, he
is doing no more than having tun; he is
Continued <►" page 87
'Hey, lady, any bugj in here.'
14
THE SAN FRANCISCAN
ItliiHl
Being Much Ado About Stark Realism on Our Own Waterfront
by MALACHY A. HAYNES
With a screeching paroxysm the
Powell street cable car halted at
the end of the line, unloading two people
who moved silently down toward the
waterfront
They didn't walk close together as
lovers do, but wide apart like people
who are preoccupied in their individual
cares; yet you could see that there was a
bond between them by the way they
moved on together. Although they
did not exchange a word or a gesture
until they came to the old derelict of a
capsized boat beside the snaky railroad
track that runs along the bedraggled
waterfront, you could note that it wasn't
the first time they'd been there by the
way they made for it.
Silently they sat down on the up-
turned gunwale of the boat, he to medi-
tate with rapt gaze on the beauties of the
seascape, she to frowningly scrutinize
her image in a vanity case mirror.
After a time he nervously cleared his
throat.
"Beautiful, isn't it?"
"What7"
"The sea and the ships and the hills
and the skies and the sound ot things and
the . . . you remember, don't you, that
Sunday just a year ago today when . . .
"Oh yes! That was the day before we
went down to the City Hall "
So marked was the dead disillusion-
ment in her voice as she said it that it
was with a struggle that he managed :
"But you thought it beautitul then,
didn't you?"
"Oh 1 guess 't was all right . . ."
The wan look in his pale thwarted
looking countenance lighted up a bit
with a glow of hope as he looked at her
beside him, so beautitul she could be in
her sudden flurries of chagrin. Furtively
his nervous fingers stole into hers as they
idly trailed the gunwale; but something
withdrew his hand in a self-conscious
way, covering up his confusion in the
gesture of filling his pipe. As he lit it
with cupped hands against the freshening
breeze, he noted the pursed pout of her
lips and the cold unseeing stare she fixed
on the horizon beyond. With another
nervous little cough he was again about
to start speaking to her, when she, as if
anticipating his new overtures, cut in de-
vastatingly —
"Oh yes, it was all right — then!"
"Then!" he exclaimed aghast at the
intonation on the word "What do you
mean?"
"Yes — then! I'd fallen for all that ro-
mantic stuff you handed me that day.
Guess it must have been the effect of all
those books you got for me out of the
library . Yes, and all that hooey
about the romance and color and drama
of life you were always feeding me —
and how we were going to live it to-
gether That line of yours! And all you
ever did to make good all those promises
was to keep on dragging me out here
every Sunday
from the tombs of egypt
by Paul Horgan
Cal out of Egypt! With what green slender
glance
Do you regard the world before your eye?
As if the world were circumstance
Spinning before you idly where you lie!
Out of Egypt conies, they say, a road
Along which Cleopatra's memories flowed;
Along which strode a dynasty
In dusty, aching majesty ;
Along whose stones
On ruthless bones
You came, wearing the calmness of the
Nile.
You son of lions! Spawn of tigers! While
The hollow echo of a thousand tombs
Raise threnody for your disdainful
grace . . .
Time, from a thousand pyramidal dooms.
Delivered you, with languor in your face!
Cruel it was to see how venomously
she bit the corner ot her lips in her anger
that twisted her beautitul face into an
ugly grimace; but love is a strangled un-
daunted thing and the young man went
on still hopefully :
"But this is beautiful. Look! See it!
Feel it!"
His nervous hand described a wide
arc of the seascape that unfolded betore
them . . .
So heightened was the miraculously
lovely note of unreality that en-
chanted that waterfront scene under the
combined witchery of the fantastic sun-
set and the spell woven by the hushed
quiet of eventide that, to a mind accus-
tomed to seek beauty in the artificial
things of city life, it suggested rather
the setting tor some extravagantly con-
ceived musical comedy than reality.
Sitting there on the derelict boat
beside his incompatible wife, the young
romanticist watched the drama of the
closing day. Framed underneath the arch
ot the heavens, he saw the sea as a shim-
mering silken sheet, shot with saffron
and amber and ultramarine until it undu-
lated out to mauve hills in the horizon,
their sweeping crests etched in a line of
red- gold against the splendor of bur-
nished skies Dividing the scene before
him with ashimmying ribbon of spangled
rubies as it danced on the somnolent
waters, the setting sun in its red wonder
played coquettishly on the red hair of
his wife as if it would make mockery
of her for being so unseeing of its
beauty and all the glories of the things
it transfigured around her. In the fore-
ground and in the middle-distance ot
the prospect, figures moved, silhouetted
magically against the highly impres-
sionistic background, each unwittingly
playing his predestined role in the uni-
versal drama Beach-combers snatched
flotsam from the tides; children launched
toy flotillas; fishermen plied lines, hauled
nets; people passed in review, departed
to give place to a new procession.
Further out, ships stole in and ships
crept out through the purple twilight.
The mingled orchestrations ot the cries
of homing gulls, the knell of distant
ships' bells, the happy calls of little ones,
the croon of a distant tog-horn, all
blended together into the theme-song of
the evening's drama by the sea . . .
"But, dear, you should see it differ-
ently. I'm trying to show you the beauty
there is in the ordinary simple things of
life If you could only see them as I see
them and share the enjoyment of them
with me as we planned a year ago, you
wouldn't be so restless, so bored with
things — so wanting all the time to get
an emotional outlet in those parties you
insist on promoting. We could still be
happy and love each other tor the things
we could enjoy together. That's why I
brought you here again today."
Somehow or other, in the inscrutable
way of things, they went on together,
fermenting with the mounting anger of
their misunderstanding. Finally they sat
down on the edge of a jetty on Fisher-
man's Wharf
What a contrast with their tenseness
was the mood of quiet that blessed the
scene before them ! Fishing boats, hun-
dreds of them, bobbed frolicsomely
against each other on the heave and
sough of the haven where black snakes
of shadows writhed against green
depths. From amid the tangled forest
of trolling poles, came the stirring
Continued on page 30
MARCH, 1930
..jaw - * i*
15
GUMP GALLERIES
I li«' Dancer Willi lawn*
< hae of ■ ~i-ri«-~ of lithograph! bj ItorU Lovet-LorakJ the European ■culptor who hu-
iini tnek a meteoric ineceea in I > • ■ 1 1 • America and Europe. Be la at preseal in
New ^ork where hi- -leek. deenratne liciir<« are in \ngiie. Several San Kranii-ean
ari pa trout have i e pieaeutative piece* in their collection-.
16
THE SAN FRANCISCAN
Spotlight
Notes and Comment on the Urania, the Talkie* and the Opera
by CHARLES CALDWELL DOBIE
In the face ot all the current talk
about the decline of the spoken
drama, it must have done Mr
Homer Curran's heart good to
witness the capacity audience
which crowded into the Gearv
Theatre in response to the lure of
Lenore Ulric in a play by W. Som-
erset Maugham upon the opening
night of "East of Suez." If the
audience's enthusiasm had matched
its size all would have been well
but, the truth is that we have
rarely seen a San Francisco first-
night so cold.
Miss Ulric's appearance in the
excellent prologue was most ef-
fective even it it was tinged with
an unmistakable Barry more touch
Indeed, there were moments when
even the fair Ethel's inimitable
huskiness pervaded the scene. But,
it seemed to us, notwithstanding
the fact that Miss Ulric was adopt-
ing a new pattern, that she had a
firm grasp on the character she was
portraying. As the play progressed,
she seemed to grow more and more
confused, to be torn between
emotionalism and repression Miss
Ulric was in deep water and she
sensed it. For it is one thing to let one-
self go in the manner of Lulu Bell and
Kiki and quite another thing to give
authenticity to a complicated character
born of the Occident and the Far East.
A play with China as its background
is half written before the author puts
finger to his Corona. Mr. Maugham,
being the clever playwright that he is,
doubtless sensed this, but it seems to us
that he took such a truth too much tor
granted. In a really sound drama — and
in most unsound ones — success depends
on carrying suspense over from the fall
of one curtain to the rise of another.
This quality was conspicuously lacking
in "East of Suez." Each fresh scene had
to gather itself together and proceed
forward on its own momentum. We
suspect that the reason tor this was that
Mr. Maugham, in his anxiety to escape
a too conventional far-eastern plot, fell
into the greater sin of surprising his
audience with tricky twists to the situa-
tions. Thus the dramatically fore-
shadowed death of the husband was
turned aside in favor ot having a lover
dangerously wounded At that moment,
the audience was so committed to the
idea of a death scene that we are quite
sure it resented seeing both the husband
and the lover saved. We confidently ex-
pected the husband to be slain, leaving
Conway and Daisy free to come together
amaryllis
by F. L. F.
Ami Amaryllis, loo. is dead.
Across the lawn, there by the tulip bed.
The pity of it! She was so very young.
And honey bees, deceived, strangled themselves anu
The perfumed tendrils of her fragrant hair;
She was so young, so innocent, so fair!
But now she's dead
There by the tulip bed.
I heard her laughing as I crossed the wood ;
I'm sure I heard her as I stopped and stood
Listening entranced to such a crystal laughter . . .
And then, but just a moment after.
I heard her sigh.
I never thought she'd die!
Not in the lush green months of spring.
When all the days new flowers bring . . .
Though once I saw a shadow cross her eyes.
And now, there on the earth she lies.
And once I saw her pale
At blossoms in a gale.
But now poor Amaryllis, too, is dead . . .
Across the lawn, there by the tulip bed!
again to their mutual disillusionment
In fact, Mr Maugham built up that ex-
pectation so definitely that we felt dis-
tinctly cheated. Only in mystery stories
is it safe to thus betray your audience
As a matter of fact, the author betrayed
himself and in order to extricate his
drama from the pit he had digged for it
he had to fall back upon the dubious and
hackneyed expedient of a packet of love
letters which had gone through the
previous acts unremarked.
But, with all these defects, the pro-
duction had moments of distinct vitality
and it was worth the price of admission
merely to enjoy the convincing portrayal
of Amah by Eily Malyon. This char-
acterization walked away with the
show. So much so, that we found our-
selves wondering why Mr. W. Somer-
set Maugham didn't build up a play
with this old lady as the central figure
and starring Miss Malyon. Something
ot this kind, we understand, has taken
place in the present screen version ot
"Anna Christie." The world went to
hear Garbo talk but they saw Marie
Dressier act But, even in the stage ver-
sion, the character of the bumboat wo-
man, dominated the play. And, so tar
as we were concerned, the final curtain
could have fallen upon her magnificent
exhibition of sportsmanship.
We are one of the citizens
of this great republic — or
is it a democracy? - which the
silent screen always left cold.
We came, in time, to occupy
the unique distinction of one who
found the silent mugging ot
morons pulled by the strings ot the
movie director a distinct bore
Now, it seems, that we are in a
fair way to occupy an equally dis-
tinct place as one who is tor the
sound drama, hook, bait, line and
sinker The public crowd to the
calkies but it still is vociferous in
its denunciation ot them But it
would be interesting to have the
movie palaces announce a week of
silent pictures and see what hap-
pened Without sound what pos-
sible value could be brought to the
screen show "Hallelujah'" The
negro is a creature of motion, but
he is equally a creature ot sound
When he dances he must have
music ; when he is moved religiously
he shouts, he doesn't sit trembling
silently like a Quaker; when he
weeps he wails; and always he
sings. A silent picture with a negro
cast is unthinkable. It is unthink-
able about any human story if you ponder
it If you go into a movie palace to sleep
that is one thing We are sorry to have
your slumber disturbed. But there are
still places provided for forty winks
Presbyterian clergymen still hold forth
and the Methodist sermon is always
with us And if worst come to worst,
think ot the peasant novels which the
Nobel prize in literature has brought
into being. And occasionally, of course,
there comes along a mayor with a War
Memorial report to read. After all, sleep
has not yet been banished from the
world, just because the pictures have
become noisy.
W^Te are one of the opera goers who
WW have been clamoring for more
German opera Or perhaps we should
say any German opera. And, now, upon
the eve of seeing the Ring again, after a
lapse of unmentionable years in San
Francisco, we are vaguely apprehensive.
Is German opera a phase which one
passes through like measles or fish-net
drapes for the den' We remember the
violence with which it attacked us in
those prehistoric days when Grau
brought his song-birds in one jump from
Fortieth and Broadway to Mission
street. We became so violently pro-
Wagnet that we remember grouching
Continued on page 29
M\l«:ll. 19.50
17
l.ciion' I liir
lii mile <>f ;m opening nlgbl tl>;ii left t li«- <-ro»<l<-«l bouse ■bsolnlel) cold ... in
■pile <>f limial eritieiami of th<- play, the acton and even Mi" I Iric'i choice of
».irilrolit >;lll I Mllii-i Mil- contilll
magnetic »lnr.
to crowd to tee "Kn-i of Sues™ and lui
18
THE SAN FRANCISCAN
Antonio Sofomnvoi*
The young Bolivian artist whose cartoons and drawings in The San Franciscan
helped pave the way for the recognition given his work by national magazines and
for the commissions which take him to Mexico during March. His paintings will
be shown in Mexico City under the auspices of the Bolivian legation — later there
will be another San Francisco exhibition of his recent work.
M VIWII. I WO
19
TIioIpoIiIoii KraiiffaliforiiiaJouriinli
In wliirh were Iniil I'oiiiMlsilioiis in lh«k .iris ;iii«l their
rril iiisin upon wliirh was fu rise si s|ili»iiiliil Irsiililion
Literari weeklies, new sol and com
mem and criticism upon .irt. letters
drama and kindred subjects may properly
be regarded as advanced expressions ol
the journalistic craft, which do not
ordinarily find receptive readers until a
city or society attains a considerable age
and possesses a fairly large group ol
people having means, leisure, educa
tional background and the inclination to
seriousl) concern itself with such lash--
ionable trifles .\nd abstractions Among
American cities, San Francisco must
stand as a striking exception to this rule.
In 1 8s~ . before the gold rush had fully
spent itselt, while the town held only
uncertain promise ol permanency and
while it was scarcely more than a tur-
moil ol greedy fortune seekers, grasping
speculators and unscrupulous gamblers,
was hum The Qolden Era a magic
name in the annals ol Western journal
ism.
Publications ol its type arc usually
launched by youthful enthusiasts with a
great capacity tor romanticism. Men ol
\ears and well rounded business judg-
ment do not plunge into such enterprises
And so it was with The Qolden Era.
The junior partner. Rollin M Daggett,
was twenty-one at the time ol the paper's
founding The senior partner. J. Mac-
Donougn board, was but slightly older.
Ot Foard's career belore his association
with Daggett, little seems to have been
known or chronicled. But ot Daggett, it
is known that he was a native Ol Ohio
and that in 1S40 he joined an emigrant
partv traveling overland to California
Enroute to California, he lett the part\
and joined a tribe of Moqui Indians with
whom he lived for several months. It
was thus some time in 1850 when he
made his way to Sacramento and secured
a position with T/ie Sacramento Times
as reporter and typesetter He so resented,
however, the tcdiousness and confine-
ment of his latter duties that he shortly
left The Times and staked out a mining
claim in Grass Vallcv This venture was
equally short lived and having aban
doned or disposed of his claim, young
Daggett sought out San Francisco
Here, presumable, he came upon .1
kindred spirit in the person ot board and
the two conceived the idea ot / he
The lust issue bore the
date. December 10. iS^2 and a box
above the editorial column bore the an
nouncemenc in large type that the paper
was to be devoted to 'Literature. Agri
culture Mining. Local and Foreign
s Morals et< " The editorial
bv ZOE A. BATTC
proper amplified this by stating that,
though San Francisco was well supplied
with daily papers, the editors and pub
Ushers o( The Qolden Fra believed there
was a place tor a weekly paper and room
lor a "good family paper." "A good
family paper" was denned as one which
was untainted by politics and unbiased
by religious prejudices and sought to
meet the needs ot discriminating readers
but pandered to no particular partv.
clique or persons. Being independent ol
such parties or tactions, no favoi had to
be shown them, and 7 he Qolden I ra
further announced that, it would never
debase its pages by making them unde
servedly subservient to anv one group ol
the community.
These were remarkable worthy stan-
dards but what was still more re-
markable, the young publishers lived up
to them. The pages of The Qolden Era
are singularly free of the sensational and
salacious. Throughout the 1850's, life in
San Francisco and California was a
riotous and violent affair and no man's
life was safe from gun wieldets nor his
name from scandal mongers. There was
no high or low office of the legislative,
judicial or executive departments ot the
city and state governments, which was
untainted by corruption.
Without realizing it. young Foard
and Daggett might easily have been
drawn deeply into this contusion, vio
lence and misrule but in the pages of The
Qolden Era no suggestion ot them ap-
pears It the paper took any notice of the
prevailing social and political chaos, it
was only in a satirical manner and in
directly. An illustration of us attitude 111
these matters is embodied in a query and
answer, which arc obviously the work ol
the editors. The query is signed "Quien
Sabe" and inquires as to the duel virtues
a man had to possess before he could
hold office in California The editors
reply that, an aspirant to political office
must produce prool ol "having killed
his man"; must have (ought at least
three duels, served a prison term, must
be opposed to the barbarous invention ol
reading and writing and be willing to
engage in a street tight once a week,
upon pain ol impeachment.
The majot purpose of board and 1 )ag
gett was to publish a luerarv paper. Mid
generally speaking, the) held to that pur
pose. Column one ol page one was
alwavs devoted to poetry, usually by
local authors Short sketches ol the
human interest type and the current in
stallmcnt ol a serially run story occupied
the rest ol the page. This was the day of
the sentimental talc, the store teaching a
lesson and having a happy or moral end-
ing The stones ol The Qolden Era
seldom departed from these patterns, but
even so it is evident that, the vigor and
diversity ol the life about them were not
lost on Foard and Daggett and it is plain
that they encouraged their writers to
draw their material from that lite and so
produce a literature with a distinct
Western flavor and interest.
With the third issue of the paper, was
established a regular department ot
drama and music. In addition, special
articles, dealing with American and
European activities in these arts, fre-
quently appeared So generous was the
space and so competent the attention
given bv the young publishers to these
subjects that, their offices became a sort
of focal point around which the city's
evolving musical and dramatic life re-
volved. And San Francisco's early under-
standing and wholehearted devotion to
these arts is explained, in large part, in
the open handed, capable support given
them by Foard and Daggett during their
critical first stages
While, from the first, the paper showed
matked editorial vitality, these same
earh years were beset by grievous finan-
cial difficulties. The Qolden Era was
founded during that period when ah
normally high prices prevailed in San
Francisco; when shoes were as high as
% j to $4 a pair, sugar and salt
- ior more a pound, ham and eggs
83 an order and so on. Paper, the
setting up o( type and engravings
which The Era was a liberal user, com
manded fabulous sums. Meeting produc-
tion costs was the great worry ot Foard s
and Daggett's otherwise joyous lives
More than once during the lust two
years o\ [lie Era's life, the shenll was
restrained from putting the office under
his lock and key only by the eloauence
and verbal strategy o( the youthful pub-
lishers
11 was Daggett, who. in 1^4 found
a waj out ol these difficulties. He
dressed himself in the accepted miner s
regalia slouch hat. high boots red
shut and six shooter and so accoutred
on page :il
20
THE SAN FRANCISCAN
The Hook Doctor
Proscribing' Some Literary Tonies for the Spring Season
by A. GROVE DAY
II
i eally, I have often wondered why
booksellers keep usual hours, as if
precending to be like other tradesmen.
People don't buy books right after break-
fast, as they buy their carrots and pork
chops The Perfect Bookshop should
open after a leisurely lunch, and wel-
come the book-hungry browser until it's
time to go home and read in bed . .
Considerably more than ten thousand
different titles were published in the
year past. And yet some people are sur-
prised that a hard-working reviewer
doesn't read everything that comes out!
He is a fairly rapid reader — he has to
be — but, getting out his calculating
machine and allowing four books as a
good day's work, he figures that it
would require six of him, doing noth-
ing but skimming along from dawn to
dark, to keep up with the year's output.
And this would leave no time at all even
to glance at the flood of magazines and
newspapers, or to catch up on the classics
of previous years. The 200 book pub-
lishers in this country have a lot to
answer for! . . . The mystery crop is as
bumper as ever these days Thirty-two
thrillers are listed for this month, and
will do much to keep murder-fans
awake until all hours Edgar Wallace,
the Mystery Mill, starts 1930 with
another super-puzzle. The Black (Crime
Club, $2), already in its third edition
People are still being baffled by his re-
cent The Crimson Circle. I wish Mr.
Wallace would let up for a while, so
that I could settle down and do some
work! Another red-letter enigma is
Murder Yet to Come, (Stokes) by Isabel
Briggs Myers, winner of a $7500 con-
test. Start with the body on the floor,
and go on . . . One of the most tooth-
some items of the season is the Palmer
translation of The Odyssey, dressed up
with illustrations in full color by N. C.
Wyeth (Houghton Mifflin). No edition
of this immortal adventure story is too
good to give to young people — or older
ones, for that matter — and Wyeth's
glowing pictures give a freshness to the
old tale . . . Why not an Idea-of-the-
Month Club7 Five professional thinkers
would select the most popular idea just
out, and it could be delivered promptly
by the postman to the customer, wrapped
in a ribbon of the appropriate color.
Think what a boon it would be for
reviving a dying conversation ! And
everybody, of course, could talk about
it at once, and express the right opinion.
So your doctor is all prepared to leave
for Los Angeles right off, and start send-
ing out a prospectus . . . Now that the
sonnet
by Gabriel Ondeck
There is no purpose in an April day
Which conies, and lingers softly, and is
gone.
And leaves behind, in wanton disarray.
Only a few dead dreams to think upon . . .
And drowsy thoughts of half-forgotten
things
That come with lazy, fretful arrogance.
Or roll the melodies of other springs
Into a wildly sensual dissonance.
There are no thoughts in April but the dim
Confusion of a host of things long dead;
No understanding, save that through some
whim
Of springtime fancy. All the lonely dread
Of living, and of life's sole consequent
Is gone, and I have learned to be content.
reader is quite disarmed by this profes-
sional Smalltalk, we can pass to our
serious consultation.
"All Our Yesterdays,''
Tomlinson Harper. 1930.
by H.
S2 50.
M.
Tae verbal arsenal of the reviewer,
bristling though it be with superla-
tives, seems meagre when confronted
with a new-minted masterpiece such as
H. M Tomlinson 's latest novel. The
critics' rave on the jacket is thin stuff
compared with the meat between its
covers
It is not a war book, but a book about
the war The distinction must be made,
tor the Front Line is but one of many
stages whereon these walking shadows
play their parts. Mr Tomlinson's yes-
terdays extend as far back as 1900, and
his study of the gendering and sprouting
of the seeds of conflict reaches to that
day when the clinkered battlefields are
merely an excursion spot for bored trip-
pers He etches in high relief the hysteria
of the Boer War, the silly hocus-pocus of
Fleet Street, the tragic knavery of Em-
pire, the clumsy jigging of the mob to
the idiot piping of its masters, and the
final nightmare, the unclean burst of the
spores of hatred. Sound and fury, the
extinction of the brief candles of honesty
in the midnight of nations, the grave-
yard gayety of the brave fools who died
in the mud of Flanders, the nothingness
of victory — these we know again as we
read, and must not forget.
Tomlinson's prose is as fine English as
anyone can write today It is mellow as
well-blended tobacco, inspiring to medi-
tation, inspiriting to withstand the
ordeal of peace It is four-dimensional
writing, part of time and part of human
living, filled with antecedent and impli-
cation In his disenchantment, Tomlin-
son is brother to C E Montague, dead
prophet of our wasted yesterdav, that
yesterday which yet may prove another
morrow.
More Adventures in I\eading
"Books As Windows," by May Lam-
berton Becker Stokes. 1929. $2.
Mrs. Becker, who from her desk
as head of The Reader's Guide
column in the Saturday Review of
Literature has helped thousands to find
the right book, here presents her third
volume in adventures in reading Each
chapter is trustworthy and stimulating,
and is always ended by a friendly guide
for future reading. Some of the best are
"Patterns in Fiction"; "The American
Scene"; "That Wondrous Being," a
chat about the best in biography; "A
Breath of Grandeur," books on the
Civil War; and "Windows to the West,"
which shows the way to making one-
self at home in the modern world. Per-
haps the most helpful section of Mrs.
Becker's guide is "Telling Others About
a Novel," which is full of good advice
to those amateurs who are faced with
the job of reviewing a book or reading
a paper to a study-club.
Legend in the 7A.dkj.ng
"Rot'x the Bandit," by Andre Cham-
son Scribners. 1929. ?2.
Here is a tale of character, the story
of a simple French mountaineer
whose conscience bade him take to the
pitiless hills and live for five years like
an animal, rather than to follow his
comrades to the battlefront and risk the
guilt of war It is told in a homely style
by peasants seated about a fire, and ren-
dered by M Andre Chamson, a talented
French writer whose home is in the
Cevennes, among this earthy race who
"respond as scrupulous and wilful mas-
ters to the problems that life poses to
them and yet their everyday occupations
are so severe and so imperious that men
of less heroism would gradually lose
there the sense of their souls."
Roux, strangely called "The Bandit"
— for he would have died rather than
harm a living being — was one of these
Cevenols who cling to simple belief and
the duty of protest. For five bitter win
Continued on page 33
MARCH, 1930
21
>I;hI;iiii«' >liU:i Mikouil
This Polish sculptor-ceramisl h;i- deserted Paris to spend the season in San Fran-
cisco where she k reerivinj appreciation both ;i- an artist and ;i- an Imaginative
hostess. Between «<>rk on various portrail eomniissions she draws members <>f
ih.- local art and soda] circles i<> her capacious stadia in a picturesque old Chj
street mansion. She is shown here with i»<> masks before her Paris firing kiln.
22
THE SAN FRANCISCAN
The Rebuilding
of the Nation's
Capitol and
the pari of
Practically every year of its lite as
a nation has seen the United States
grow in material wealth, power, achieve-
ment, majesty and, at intervals, in terr-
tory. From small, experimental begin-
nings, the government has evolved into
the complex, imposing structure of the
present day, necessary to the adequate
political administration of a vast ex-
panse of territory and a diverse, involved
social and economic order.
Yet oddly enough, the seat of this
government, the source of this power,
Washington, D C, has somehow lacked
the well defined dignity and architec-
tural unity that one would expect of a
city of its position and importance The
effectiveness of the capitol structures
proper has been marred by the fact that
certain of them — notably the Post Office
building — represent juvenile, faulty and
archaic stages in the nation's architec-
tural understanding and development;
and by the presence of blocks of un-
sightly, old and badly built frame struc-
tures, many of which were erected solely
to meet temporary war time emergen-
cies. In recent years, certain departments,
such as the Department ot Commerce
and Labor, have grown immensely in
size and scope of their duties. For the
most part, they have been entirely with-
out quarters adapted to their purposes
and have been housed, at heavy expense,
in rented offices or the makeshitt war
buildings.
This unhappy condition was not
caused by lack of a well conceived plan
for Washington's growth and develop-
ment. Due to the foresight of Washing-
ton and Jefferson and the vision and
engineering skill ot Pierre L'Enfant,
French engineer and participant in the
Revolutionary War, Washington, in
1791, was given a city plan when it was
nothing more than so many bare, low
hills overlooking the Potomac. L'Enfant
in his drawings projected a complete,
perfect city of broad boulevards, parks,
trees, fountains, memorials and monu-
mental architecture — a city, in fine, to
equal and rival the beauties of Paris and
the imposing splendors of Rome Insofar
as street arrangements are concerned,
L'Enfant's plan has remained essentially
unchanged. Washington has thus, para-
doxically, been the best planned city in a
land, where city planning, until recently,
was a sadly neglected art. That it has
fallen architecturally short ot L'Entant's
plan is no fault of the plan. The reasons
for the shortcomings are political, his-
torical, social and financial and no pur-
pose would be served by here discussing
them .
Suffice it to say that there is now in
active execution a tearing down
program to eliminate such abominations
as the Post Office building and many
other blocks of unsightly construction,
and a building program, which will give
realization to much that L'Enfant put
upon paper some 140 years ago — or,
at least, to the spirit thereof, and make
of Washington a city truly expressive of
the nation's power and dignity. The
plan calls for ten new, large department
buildings, four ot which are now under
construction. Foundations for two or
three more will be laid within the year.
Accompanying and suitable landscaping
developments to provide tor planting of
inner courts, parkways, trees, illumina-
tion, fountains and the like are, of course,
part of the general scheme. Congress has
already appropriated $75,000,000 with
which to begin this work. Another
$25,000,000 will likely be shortly forth-
coming. The completed work will cost
$200,000,000 and require at least ten
years' time.
Obviously, an undertaking ot this size
and importance requires the services of
the country's foremost architectural skill.
The design and execution of the build-
ings are in the hands of an architectural
:
The illustration as shown here
conceived hy Architect Arthur
the finished works will appear M
later he found necessary to maldi
hvR^I
board, working in collaboration with
Andrew Mellon, Secretary ot the Trea-
sury. Membership in this group is ap-
pointive and its members were chosen
upon the basis of their fitness for the
work, as indicated by the merit and dis-
tinction of their executed buildings. To
each member tails the honor of being
individually responsible for one or more
buildings, the design of which is subject
to the inspection and approval of the
board as a whole. In forming the group
some effort was also made to have its
members come from the several sections
of the country in order that the new
Washington might be truly a national
triumph. ;
To represent the West in the project
and to be the architect of the Labor
and Interstate Commerce Department
Buildings, Arthur Brown, Jr., of San
Francisco, was three years ago, named by
this board — a signal honor tor the city
but to the man no more than just recog-
nition of his superior abilities for the
work at hand. In his home city Arthur
Brown is not without honor. The excel-
lency and number of his works here
would preclude that possibility but the
recognition is of comparatively recent
MARCH, I'-MO
23
i- the luiildings in question as
id tin- studies are essentially as
ted. Such modifications as may
minor nature.
WSBY
giving, and ic is very possible that
Brown's fellow San Franciscans have
small realization or his honor outside of
the city and in the architectural world
For considered as a whole. Brown's
record is impressive In iSo^ he gradu-
ated from the Engineering Department
of the University of California with a
B S. degree In the same year, he entered
L'Ecole des Beaux Arts, Paris, and at
this most famous ol the world's archi -
cectural schools, he was an honor student
He was the winner of two awards, held
in high esteem by the school's students —
the first Godebeul Prize tor ornament
and design, the second Rougevin Prize
lor ornament and design He was also
the winner ol several medals For his
Bcau\ Arts record and subsequent dis-
tinguished architectural and artistic ac-
complishments. L'lnstitut de France has
made Brown a member, an honor
accorded to only two other Americans.
Whitney Warren ol New York and
Richard M Hunt, also architects
Locally we know Brown as a member
ol the lormer firm ol Bakcwcll cv Broun,
who aided materially in making the
P P I E. in 1915 the architectural
triumph that it was, and as architects ol
Horticultural Hall We know Brown as
former president of the San Francisco
Art Association and his one time firm as
architect of the Art Institute's present
home Bakewell cv Brown and the
liinior member thereof are, perhaps,
chiefly impressed upon our minds as the
winners, among seventy-two contes-
tants, of the San Francisco City Hall
Competition John Galen Howard, who
is largely responsible tor the excellency
of the University of California campus
and is an architect ot no mean order, has
said of the City Hall, "In its directness
and clearness ot design and in reasonable-
ness ot its development, it is a worthy
exponent ot the classical French and ol
the best traditions of that preeminently
logical race."
It is this time-honored style, which
found birth with the Greeks, was univer-
sally used by the Romans and by the
French given a characteristic subtlety,
dignity and grace, which will prevail 111
the rebuilding ot Washington It is the
style which L'Enfant had in mind and
which has generally dominated the
design ol Washington's public buildings,
since it is inseparably associated with
government buildings and the law and
order they symbolize In the Land Office
and 1 reasury buildings, the city has two
maior. well designed structures ol this
type, which provide the model upon
which the rest ol the capital may be
built to create a whole ol unified beauty
T11 ri are. ol course, those who argue
that to follow classical tradition is
merely to copy, nothing is created e\
pressive ol the nation and its people as
they are today This argument might be
Aril nir I trow 11.
Jr.. in lli«'
Gigantic
Projeel
discussed at great length and main ol us
claims honored But tor the immediate
purpose, it seems enough to note that
criticism ol classical traditions is very
easy, while their recreation is a difficult
art, having laws ot its own
The recreation is something more
than technical and mathematical adjust
ment ol scale to the proportions of the
building and the relating ot the building
to its site and surrounding structures
These factors are of signal importance,
and if incorrectly done, the result is
tragedy. There are hundreds of archi
tects capable of working out these tech-
nical essentials to produce something
that looks like a building in the classical
tradition but here the similarity to the
source ends Their work is somehow
faulty, cluttered, unconvincing and mas-
sively awkward
The trouble is that these workers lail
to grasp or are incapable ot grasping
or expressing the spirit of the tradition
they seek to recreate Only he, who has an
understanding and consciousness ot this
spirit is able to save the mass of his
building from mere heaviness; is able,
in details and ornament, to strike a
balance between simplicity and suffi-
ciency. In short, is able to so fuse the
formulae with which he works and the
spirit of the style as to bring forth a
structure, entirely logical, yet having
vitality, rhythm and definite architec-
tural character.
There arc surprisingly lew men in the
country able to achieve these results.
Possibly, they could be counted upon the
ten fingers Ol these men, Arthur Brown
is one. and it may with truth be said
that in his understanding ol French
Renaissance architecture and in his abil-
ity to voice the illusive essence ol its
spirit, he stands quite alone and apart
It is. in fact, this mastery and under
standing oi classical architectural tradi
dons, which will constitute the man's
greatest value and contribution to the
Washington architectural board and
whatever ol significance it may bring
forth in building for the nation a great
capital cit\
24
THE SAN FRANCISCAN
>liss Evo Tavloi*
A member of the younger set who played a
prominent part in the recent National Horse Show.
M\K( II. 19.50
27,
the iu:kp\i\4. hyxasty
WI DOINGS
CHANDLER-BIDWEL1 On February ' In Bait I-
Mr I larold Nathaniel Chandlei ana Miss I
beth I ilden Bid we II daughtci of Mrs i * Bird BuU ell
(Leslie Rldcn)
5NON-KI i SI ING On! ebruan B Mi William
l S« - i. , Mr and Mrs William I
• and Miss Jacqueline Keesling, daughter >'t
Mr and Mrs I rancisN KeesUng
BARTLETT-SCOT1 On February 10 inWakchett,
et shire En 0 Bart let t and
Mrs N< >rma Presti fi "
Bl VCK-PLAYER On Februan -' Mr Wi
IM.uk son of Mrs William Black ol Sal
and MissDorothj Player daughter oi IV and
Lionel P Player
1 M.U.I MIMs
RMIIIM N-BROWN Mrs Charlotte Ziel Rathbun.
daughter ol Mrs Gusta> Ziel id Brown o I
Nov "i i >rk and \ ienna
WILSON- WRIGKI \li - Mabd Wilson, daughter
ol Mrs Vrthur Comstock ol Ne» York and grand-
daughtet ol Mrs W illiam I llufl ol San Fran< isco to Mt
Washburn Wrighi ol Washington, son ol Mrs Hamil-
ton \\ right.
VISITORS ENTERTAINED
Man) affairs were given in honor ol Prince and Prin-
lotel Fairmont
during their sojourn in San Francisco Mr- Pollock
Graham gave .i luncheon for the royal visitors at her
apartment at the St Francis Mrs Rudolph Sprockets
dinner in BurhnRanu in their hi
The Burlingame Country Qub was the setting for a
luncheon m honor "i the visitors and Mrs Richard
McCrecr) gave a Jmner at her home in Burlingame
in honor o( the Prince arKl Princess
Mrs John Drum gave a dinner at her apai
the Fairmont for the royal couple
The Prince and Prince---, -.topped at Pebble Beach on
their wa\ to San Francisco, and there were entertained
h\ members of i he Pebble Beach colon) . including Mr
and Mrs J* ht\ Magee
>ring Mr George Duval ol Ne» York, a cousin
ator James D Phelan, Mr and Mrs John Ros-
seter gave a dinner at their home on Ru-si.ni 1 Ml Mr
Dm at who is a noted architect was the guc
Phelan for a fortnight at the S untry home
near Saratoga.
Mr- ( dement 1 1 >hm. m San Franciso ion a visit from
her home in Ne» York, ha- been honored ai a number
irties Mr and Mrs. Frederick \\ McNear gave a
dinnerparty at their apartments at the Mark Hopkins
in Mr- robin's honor and Mr- \dolph Spreckels gave
a dinner for her at her home in Washington
Captain and Mr- Pb» ers Symingtl «1 entertained
their debutante niece Miss Pattie Symington ol Balti-
more (or a fortnight recently
Mr- Whitela* Rcid ol Ne» York who i- spending
ral week- ,n her home m Millbrae, was gut
honor at a large luncheon that Mrs Joseph D lirant
i her home in Broadway
General William (! I leppcnheimer ol New York was
given bj Mr and Mr- Georges
de I .i
In honor "i Mr- Ernest Bryant of Los Angeles and
daugj rson Bryant. Mr- John
[ave a luncheon part) at her home tn
Scott
Maj life and Lad) Alexandra
life are arriving thi- month from I upland and
will attend the p> I ' Del Monte and in the
South
Mr juesi at the
Mark Id pkins Hotel Mi being extensively
entertained
Mr and Mr- Thomas B ICastland of Burlingame
recently entertained a- their house cue-'- Mr- V.
bur\ \ " II larding
I emple Brtdgman whose home i- m Hart lord.
d with her parent- Mr and
John Ward Mai I lard recen'K Mr- Jerome Politzer
ea m Mr- Bridgman's honor.
Mr Whitney Warren the New York arechitCK
Visiting here at this writing, and a!'
l ill go to W heat land where he will \ i-it w ith his
ir River < >rt ha
Mr and Mr I elton B El kins who make their home
1 a visit with Mr Etkins* mother Mrs
William Delaware Niclson at the Hotel I ain
Mme Joaquin de Percy ra, a daughter
■
I home in Biarnt z
In hon> r ol Mr Rayn t'.in- Mrs*
Charlt
Mr and Mr I >.i\ id R . i-n-
mg in San Franc i
Mr and Mr- I lor. ice \ .in Si,
li >r several days recently Mis I I
oi New > ork Mi id the
■ h e
Mrs Ella renney entertained ai
honor ol Mr and ' ' ill inolulu,
who were guests ai the Clin Hotel dui journ
in San I ranci oo M ijor and Mrs. W illiam C Wis-
entertained i Mi
1 ! Irs. Hi ni ■. i ■ ■ tei Dutu m
Mr and Mi Bruce ( J irnwall entertained infoi n
iliment to Mr and Mrs Robei i
ittle.
Mi ■■ Philip I Bow li ■■ 9 a ■ am ng hi ■ h ho
I Mrs W illjam Mel
during her recent visit to California.
Mr and Mr- I rank 1 I Ami
at theii Ma ie Go- -dw m
■i- and Mr- William G Hen-haw Other i
were given tor the visitors bj Mi -Vustin
■ and Mr and Mrs. I ■■ ier
HERE AND THERE
Mr and Mrs Samuel Pond have taken possession of
I heir N hi ime.
Mr and Mr- Paul Fagan have returned home after
a visil to Honolulu Mr and Mr- Robert Hendei
Mr- Ferdinand Diieriot and Mr Walter Vai ' '■
also in
Mr .md Mr- Charles Faj have return*
Divisa urn m
S an hern Calif* trnia
The first ol the Bachelors Ball- was givei
Burlingame Country Club on the evening of March I
and proved a brilliant suot
A la rue dinner party given at the San Fraru
and Country Club b} Mrs Margaret Tourney Van
Bergen intn duced Miss Gloria Van Bergen
Mr John S Drum is on his way back to California
after an extended tour ol the world
1 he peninsula gi I tall at
the Burlingame ( - untrj < Tub on the evenin
I ue-da\ Aboui 200 will arund Everyone attending
the pan\ u ill appear a- "someone else "
Mr and Mr- E J I ohm entertained at dinner at
their home m San Mateo in honor ol Mr- Richard
robin.
1 he U ashington's Birthday week-end drew a throng
D « h i a eni to the resort
were Miss Harriet Brownell Mr and Mr- G
Montgomery Mr and Mr- Jerd Sullivan.
Mr and Mr- Slew art Loweo and a pari
spent Washington's birthday at Ahwahnec
Mr Clarence Postley entertained friends over the
holiday at the Curran ranch near Gill
Another party headed h\ Mr and Mr- William
Kent |r went to the Ojai Vallej over the twenty-
second
I he L< an Exhibition ol Modern Master which open-
in theGalerie Beaux Arts March 10 will contain works
from the collections of Mrs W \\ Crocker Miss
Mary Emma Mood. Mrs Henry Potter Russell, Mrs.
Paul Fagan Miss Vgnes Clark Mrs Joseph M Bran-
gten, Hon lames D Phelan Dr I ■ Mr
ei Mr Harold Mact Mrs Sigmund 5
Mr- Marcus Koshland, Mr- Walter Stem. Mrs \ K
Salz, Mr- Sigmund Bauei Miss Harriei Lev
Louis St '■ li Ma ian Hollins, and Mrs \ M.
Salinger.
Junior League Da> ai 11 Liebes e\ < o March in.
enlists the o Mrs. presi-
dent of the Junior League, Miss Emily Searle Mrs
Nickel Mr- Clark Burgard and Mrs Ban
lowne who cecutives \mong the hosti
st\hstN and model- are Mi-- Harriet Brownell Mr
Vinccni Butler, Mr- Howard Fleming, Mrs D
Mr- Graeme MacDonald, Miss I li
Moore, Mrs Ralston Page, Mr- Howard Park
Adelaide Sutro Miss Edith Bentlej Miss FN I i
Mis- Polly Dibblec M
i unciborg. Miss Meredith Maddux M
rmick Mrs Chirardelli Menaget Mr- Browning
Smith Mi ( velyn Salisbury Miss Beth Sherv
Mr- Foster rhierbach. Miss Janetta Whitman and Mrs
Alfred WhitteH
Miss 1 lorn ha- returned to San Franc
after -pending the winter in Cleveland.
Mr- Mo-iIia raylor u a buffet -upper
at her apartments on Pacific Avenue where -he enter-
tained tor a i;mup of young women win. took part in
illies" pert mmance.
Kmong the debutantes announced for next wintei
Miss Katherine Sunt who Is ar pr .,| m
■hy Spreckel- and Mi
McG rmick.
Mr- Reginald Knight Smith w.i- luncheon ho
at her home recent 1 v.
Mr and Mr- George I Cameron nave a dime
later show ins their gut >icturc films
of the trip they took with Col and Mi i imw
In honor of his sister Mr Robert Gas Hookei li .
Mr (erome Kuhn the Kuhri
■
Mrs \\ illiam Ford Nichols ha- returned ■
i-it with relative- in tin I
\\ ii r. n S\ ,ie in
San Francisco alter a trip t<> the Atlai
Mr- Paul Bn guest at th
■■ ■ a few %
Mr and Mr \\
l|nK' ha lished
Mr and M
non spent their hon uthernCalil
Mi Km l. ton Crocker ha-, returned to his apart-
ment on Russian Hill after a \ish on the Ointment
and in New i
al her
menl in Washington 'ret- ju ing to
i \ isii
Mr- Whitelav Reid is established ai her peninsula
home at Milbrae ' inied
Mr- Reid to I '
Mr and ' Sul PO and Mi
have returned to San I ■ V-w Yorl
made the trip \\ eat on the Virginia
Mr and Ml ( .<. irge < jtnen.n Rave a SUppei |
in honor of Law rence ribbctl
Mr Lind Mi Remo Sharbore entertained ai dinner
ir home in Walnut street ju-t before leavii
I i-t and Eur
arrigan may decide to make her h«jme
I She arrived m < cently
here her late husband wa- American
< "on-ul.
Mr and Mrs William f louRhtehnR were recently
dinner hosts at their home on Broadv
\l, and Mr- John H Whollej (Clara I i
in San Francisco following their honeymoon sp.-nt in
and will make San Franc ISCO their
home in the future.
Miss Edith Bentlej one ol the season's debutantes,
was Rucst of honor at a dinner party Riven h\ Mr and
Mr- 1 high Porter.
Miss Evelyn Salisbury, also a debutante of the winter,
was honen I i and theatre party given by
Mr and M- I Cameron.
Mr Raymond Armsbj ha- returned to New York
■ ral weeks in California
Mr George Duval, the New York architect and a
cousin ol Senator lame- O Phelan. entertained at a
dinnerparty a eSt.Franci Ij before his return
[i - New York
Mr- A B Spreckels gave a musicale at the Palace
oi the I hi nor.
Mrs Leon Roos gave a dinner party lor Mr ( .
Duval during the latter'- visit in San Irani, i
I he 1930 polo seas m ai Del Monte promises
unusual! > brilliant and well ai tended Every
motor -pace around the Del Monte field has been
reserved Every week-end in February witnessed excit-
ing games and there w ill Ix.- daily games thr<*jRh«»ut the
mi >nth ol March
SAN FRANCISCANS ABROAD
Miss Louise W inston is in Rome where she i- visiting
Prince and Princess * >rsini Miss W inston
tain arxl Mr- Randolph Huntii
Miner at their villa in Santa Margherita
\ Mr and Mr- William Wallace
Mein and their family had sailed from Southampton
ipetown l"he\ will go i^n from there to Kimberly
where thes will visit with Mrs Mem- brother anil
ter-in-law Ms and Mr- Alpheus Williams
Mr and Mr: F W McNear are leaving this month
for the Mast and Europe In New York the\ will m-h
Mr- McNeaj - son Mr lack Breeden rhej \
return to California in July
Mr and Mr- William Stevenson and their son and
daughter-tn-Jav Mr and Mrs Arthui N sailed
recently on the Bremen tor Europe 1 'he\ will
on the continent for two or three months,
Mrs. Balfour Bowcn will leave for the East and
Europe this month -he will accompany her parents
Mr and Mi 5u S me time will be spent in i
land visiting Mr- \\ K liowen at her home in 1
s\N I H \N( 1st \ns |N \K\\ YORK
Mr arKl Mr- I") C. J adding are i IfTiVC
in New York within a short Dt and Mr
I their childri
re the end ol Man
Ken aw. iv a \ e.tr having spent the p
time on tnejackling
Mr- James ( i Bull who has been m Europe since late
last summer i- spending the w inter in Ma
Mr and Mr- I* (" Hale enjoyed a thn
visit in New York, and wi
Miss Janet < bleman who is spending the winter in
Ne» "> here
at dinner
Mr it the
26
THE SAIN FRANCISCAN
The Dangerous Silken Mode
by PATRICIA ASTRA
Wow begins the era of a lovely,
Jl^I silken mode that has, beneath its
subtle charm, all the dangers of "first
sin."
The gentler sex — getting gentler day
by day — is once more gowned in gra-
cious loveliness.
Against the beauty of the present
mode there are few dissenting voices
raised — and those few are readily si-
lenced by the preponderance of evidence
that never, in the history of any living
woman, has there been so many delect-
able new style creations offered for the
Spring wardrobe feminine.
Let me prove this to you. Think of
any frock you have ever owned — yes,
if it was in 1910 or before — and I'll
guarantee to find its twin among the
newest arrivals in one or the other of
the smart style shops In fact, the win-
dows of the shops awaken a wealth of
just such memories
Delicate frocks in pastel colorings,
with bits of subtly introduced Alonsen
lace — or some other equally alluring bit
of lacy magic . . .
Suits of soft woolen stuffs, with
"dressmaker" touches to make them
flattering to the wearer and gracefully
feminine . . .
And the furs — have you noticed the
furs' Every soft silken fur in the animal
atlas is serving its time in the cause of
beaut v There was one little velvet coat
that smiled at passers-by out of the
window of one of the popular shops It
was of a lovely yellow green, graciously
blended with a golden glory of fur. It
carried me back to the era of my first
long skirt, and a coat almost identical
in both color and style In a nearby shop,
another tone of green was used in a
cloth ensemble trimmed with short-
haired brown fur The upper part of the
dress was finished with creamy lace —
the most flattering thing a woman can
wear against the loveliness of her throat
and neck I wondered what lucky wo-
man would use the beauty of that
ensemble to "clothe herself in glory."
Not only dresses, but suits and coats
must be perfect symphonies of color -
must mold the lovelv lines of the form
with caressing grace Knitted sport
dresses have taken to wearing snug
boleros instead of straight jackets . . .
Hemlines as well as necklines, are
often diaphanous — just another way of
spelling "lure." . . .
And out of the reserve box of Dame
Fashion leaps the old-new magic of
voile and organdie and cotton prints —
for garden, beach and resort wear . . .
And the hats -could anything be
more bewitching than the new hats?
When they arc small, they are so very,
\cr\- small that they merely outline the
natural beaut)' of the head. When thev
run to a brim, it is a marvel of grace
that begins and ends in some cunning
design that was conceived bv a milliner
gone mad with the absolute abandon
of the 1930 mode.
In the past, style has been an evolu-
tion, slow and subtle — the intro-
duction of a new innovation by one of
the famous dressmakers of Paris — the
approval of the world of fashion — the
following season the better manufac-
turers capitalize the feature, and it be-
comes familiar as the "smart" new note
of the season. Then additions and exag-
gerations— and what was a few seasons
back a cunning bow on the back of an
evening frock has become, today, an
absolute obsession of trailing draperies,
capes and every conceivable sort of trim-
ming that will attract attention to the
powerful argument *
written al a lady
who dooKir t lik«»
K
11
E
R
bv Lawrence Hart
1 have not seen Athena"* parthenon.
No ruined temples echoed from my feet
(I do not need the past to look upon
The beauty of today, to find it sweet.)
And yesterday was beautiful? Ah so!
Then yesterday was fair, just as you say.
(We cannot live a yesterday, nor know
A living glory if we scorn today.)
Today when splendid beauty ardent rises
Above our cities, slender tier on tier,
The heart of man abandons dead disguises
As birds desert the shell when summer's
near.
Vet beauty's in the eyes that beauty meet —
I cannot argue if the rose be sweet —
MARCH, 19.J0
back of .1 dress. The long uneven hem
at the back of the skirt of last season
grew out oi the back trim vogue. By
the same logic, we may follow that
same whim through to the trailing skins
of todaj and even give it credit lor
inspiring backless frocks and bathing
suits Exploiting the beauty ol a wo
man's hack is only another eloquent in
v nation to admiring eyes.
But to come hack to the absolute
abandon o( this season's mode has
there ever been anything like it before1
For versatility, lor beauty, lor sheer
grace and loveliness? And all in one
or, at the best, two seasons1
Let us pause tor a minute and specu
late on where the new fashions are lead-
mi; us. Already the manners ol the
younger set have undergone a severe
pruning ol much that was hovdenish
and casual. Society as a whole has had
to become graceful and languid ol
movement. As far as manners go, we
have all to gain and nothing to lose-
But suppose we had allowed the Paris
stylists to get us into long skirts in the
d.w time. They did try, you know! Only
the fact that the women ol both Europe
and America refused to give up their
hard earned freedom ol limb has saved
us thus far These same designers have
since loudly advocated the short (three
inches below the knee comes under the
caption ot "short" in the style diction-
ary) skirt for daytime and sports and
so we are sate tor this season at least.
As I started to say, however, just
suppose long skirts in the daytime did
become the fashion. Can't you see the
logical chain ot consequences, long hair
a slowing up ot every movement
which would make tat practically im-
possible to combat) — stays, and all that
goes with them a complete revival ot
the manners and fashions ot the mincing
"nineties.'' when ladies were LADIES!
Cheerio Who, pray tell me. wants to he
that kind ot a lady?
So, my dears, you must continue to
be the mistresses ol your destinies
Accept the gracious beauty ol the lash-
ions ol today to enhance your charms
Be a little more "feminine" in more
than manner you'll enjov the approval
ol the sterner sex. Men still want their
women weak or at least just a little
clinging
And, by the way, have you noted how
Strongly the male population is advo
eating that we keep the daytime hem
line HIGH7 One mav he sure that they
arc unselfish in this, at least.
The White Card
( '..lit inufld fr..ni page 18
not reforming his listeners, though his
tun may very well take the form ol
mock sermons Concerned with his idea
that human greatness is possible, he has
c ',.n' inui- 1 on ii'-xt paga
27
iJ~i ii ii o 1 1 it <•(' i ; w ii I
to ICO // / I'll ~*^^-
r
N OX' San
Francisco showing of women's Spring
fashions is virtually identical with that
presented in Knox' New York Shops
on Fifth Avenue. Included are coats,
dresses, ensembles and millinery, in
the sport and semi-sport styles per-
fectly expressive of "the Knox idea".
KNOX
51 GRANT AVENUE
a „ J ST. FRANCIS HOTEL
28
THE SAN FRANCISCAN
suddenly discovered a pleasurable anno-
tation and an argument with which, it
he speaks with sufficient gusto, he may
convince himself If he deplores, he uses
the exaggeration which is the first
device of romance; being both "excited
and articulate," he makes sweeping
statements — such as mine to the effect
that there is no single trustworthy critic,
and such as Mr. Follett's, in Junior
Model, that boys' books "are written
about the long and short vacations of
Boy Scouts
Now I suspect that it someone pre-
sented to Mr. Follett a petition whose
object was the impounding of unsatis-
factory publishers, or the rigid super-
vision ot their function, Mr Follett
would say "Bosh Don't be silly " For
he, too,, is playing with ideas He wishes
that things were better; he claims that
they were better not so long ago; he
thinks, I imagine, that the stimulation
of the flow ot ideas in his readers may
bring about some improvement; but he
is not, I feel sure, primarily, a crusader.
This, ot course, does not imply any
lack ot sincerity in the critic; he believes
in his high standards with an intensity
which cannot but make him either
boisterous or bitter when he sees those
standards disregarded in the lite around
him But he is too wise to expect that
his vociferations will cause those stan-
dards to be regarded as any more than
tit objects for a passing ogle The most
he can hope for, after he has had his
rhetorical fun, is the impressing of his
ideas upon a few persons of his own sort
whose thinking is concerned with simi-
lar subjects. Once in awhile he may
grab a convert; and it is this slow and
limited proselyting which is his nearest
approach to crusading and messianic
achievement. It is enough; gradually the
contagion is spread by the Typhoid
Marys of good taste; ultimately, in
theory, good taste will be universal.
So, for instance, was I impelled to
read Alfred Neumann's The Devil by
Mr. Follett's essay The Novelist's Use of
History For that I thank him; without
him I might have missed the great book
in the flood ot printed paper.
But I confess that I did not entirely
trust him Merely because I had been
several times let down — because I had
seen many supposedly fine critics whoop-
ing it up for very bad books — I said,
dubiously, "Well, it sounds as though it
should be good. I'll try it, anyway
Thus does Mr. Follett's profound and
reasonable and important essay suffer
from the crimes of those critics whose
affability I deplored.
I thank him, too, tor assuring me that
genius is not impossible in this age —
though the assurance was hardly neces-
sary. Mr. Follett should be familiar
with the device ot mock despair. He
must know that the man who exclaims :
"We'll never get there! We'll starve to
death! We're ruined! We're done for!"
does not really believe any of it, and is,
in tact, unable to realize the nature of
such a debacle. He hopes intensely that
none ot the disasters will happen; and he
cheers himself up by exaggerating all the
disastrous possibilities until he renders
himselt absurd and unthinkable. And if
I say that genius is no longer possible, it
really amounts to my saying. "I'm fed
up, and ted up, and ted to repletion with
all this false and tawdry stuff Is there
nowhere any greatness7 Please bring it
on."
And though, under Mr Follett's
chastening, I may for the moment
resolve to be more moderate, more
literal, more sober, I know that it will
not be long before I shall be carried
away by the charm of playing with
vituperation and hortation and faint
praise, with cadence and rhythm and
round full sentences, rolling or staccato.
So we come back to the analogy men-
tioned in my first paragraph. Seeing the
tun Mr. Follett has had with words, the
glow in that fine strong denunciatory
cadence, stirring to the rhythm and the
round full sentences, I feel that I may
rely upon his sympathy with the per-
sonal need ot gusto I suggest, in con-
clusion, that the reader turn to Chapter
Continued On next page
i
For the Yacht
or Country Club
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of very select Camel Hair
or English Flannel in several smart
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for aristocratic recreation
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^5^^^-^3^ifer:-c^^^^^^ia*3g^^sg^^-l
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San Francisco
mahui. i*>i<)
29
Will in Book [V of Pantagruel, and
read chrough to chc end ol the storm he
will 6nd there And he is charged to give
my best wishes and sincere affections to
Panurge, who in those chapters, is the
perfect, the ideal and the absolute critic.
Spotlight
i . Hi tnued from page !•>
through what we know, now, must
have been a perfectly di\ ine performance
o( "The Barber of Seville," featuring
Sembrich We thought the whole per-
formance absurd, overlooking the colos
sal absurdities oi the German school
The truth ol the matter is that any
artistic convention is absurd it vou have
a mind to find it so And the easiest way
to find it so is to see it badly executed
It is genius that throws star dust in our
eyes and softens the unreal outlines ol
Art . . We understand that this winter
in Berlin there has been a great return
to the operas ol Mozart and even the
early Italian school Not that Germany
has forsaken Wagner, but because the
German people have discovered that the
costumed concerts ot this earlier musical
day are not one whit more artificial than
the spectacle ol Rhine maidens galump-
ing through artificial waves to a mathe-
matically contrived musical score . . .
There are some good names among
those to be present in March at Dream-
land Auditorium : Gadski and Lippe and
Jorn and Sembach, to mention four
that we have heard. Gadski belongs to
that original company ot stalwarts that
gave us our first taste of Wagner prop-
erly done Let us hope that time has
dealt kindly with her . . . We do not,
as a matter of tact, expect to be disap-
pointed in the season of Teutonic opera
But we shall doubtless bring a tempered
enthusiasm to the experience of seeing
an old love after a lapse ol many vears.
The Italian opera San Francisco seems
always to have with it Just now,
it is the Pacific Opera Companv tread-
ing the heels of the ill-starred Bevani
venture. But, after all, the present sea-
son is a made-in-San Francisco variety;
and will doubtless get the support it
deserves, on that count it on no other
What the Pacific Opera Companv should
become is a proving ground for the
bigger and sometimes better opera sea-
son in September But, unhappily, San
Francisco does not seem to be able to
co ordinate its efforts in any direction
Ah, well, we are a strongly individu-
alistic town and individualism pavs its
penaltv just as program and the goose
step does' Just at present there are a halt-
dozen little theatre" proiccts in the air
One, enthusiastically handled, would be
enough And we have musical organi
zations galore But, perhaps it is the
better part to be thankful of all these
movements upon the face of the artistic
waters At least we are not sleeping
for sports . .
skirts are l6 inches lrom the ground.
for street . .
shirts are 14 inches from the ground.
for afternoon . .
shirts are [<2 inches from the ground.
for dancing . .
skirls are 5 inches trom the ground.
for formal evening . .
shirts are no inches trom the ground.
. . . llienf are the «hirt length) tin- tmvt « orltl it ve.irini
. . these .ire the xhirt len&tht we are thovinQ nou-
111 our lprin$ drexx collectiont . . third lloor.
[
HALE BROS.
30
THE SAN FRANCISCAN
Blind
Cuntinued from page 14
sound of a great, strident activity or the
men who go down to the sea — brave
snatches ot foreign chanties, hoarse com-
mands, echoing laughter, all blending
together with the cries of fish-glutted
seagulls that wheeled in screaming arcs
against the quietly greying sky . .
What romance in the names of those
fishing boats ! Names bestowed without
doubt in tribute to the beloved of the
individual owners, names that flapped
back again the glamorous pages of
Latin passion1 There was "Francesca"
giving "Paula" a coy dig in the ribs as
she strained at her moorings, and you'd
see "Beatrice" scrambling love lore by
ogling "Benvenuto" riding at anchor
beside her down there at Fisherman's
Whart, and you'd see, as the poor devil
of a hopeless romanticist saw, a relation
between the things that men make and
move with the things that men have
been thinking for so long.
The young woman evidently saw
nothing at all. She was too busy pow-
dering her nose.
Directly below the place where they
sat on the jetty, on the alter-well
deck of a fine fishing boat, a semi-circle
of fishermen squatted in a tangle ot
corks and kegs and yarn, their oily curls
bowed over the business of mending
nets. Soon, above the noise of their
bantering, another note sounded as the
rousing nasal resonance of an accordian
drifted up the quay-side. Everyone, even
the crankv young wife, turned in the
direction of the accordian s rollicking
tune as it came nearer and nearer up the
whart.
Presently the player appeared, hordes
of children romping in his wake. As he
threaded his way among the groups of
Latin people the little ones ran before
him making way for him.
When he came into the view ot the
young couple they saw that he was
blind, his dim eyes upturned unwincing-
lv to the glare of the setting sun.
But there was none of that terrible
hopelessness of expression that invari-
ably makes pitiful the countenance of the
blind in his tace Every changing ex-
pression radiated the joy ot life and
melody. His teeth flashed white against
Latin swarthiness while he sang a
chanson that's known from Palermo
to Napoli and from there to Fisher-
man's Whart.
The contagion ot his spontaneous
gaiety caught the throngs as they lilted
to that merry-mad tempo of his wheez-
ing accordian
The young husband arose and eagerly
guided the blind accordian player over
the whart-side down to the deck ot a
large trailer where eager hands led him
to a cleared space astern. Soon a mad,
gallavanting lilt syncopated athwart the
fishing boat and quickly its elfin life was
caught up as the sailors chimed in with
the chorus ot it while they danced in
wild, impassioned circles around the
players, strollers and idlers ot all ports
of the world swarmed close to watch
the trolic.
When finally, from sheer exhaustion,
the sightless accordian player halted and
sank down on a bundle of yarn and
cork, the little children gathered around.
He told them tales ot the sea while the
crowd of grown-ups listened spell-
bound. Even the young wife seemed to
listen.
But suddenly she shuddered and
turned away.
"Blind —stone blind!" She powdered
her nose — "Isn't it terrible to be blind
and never see anything? Come, let's go
to a movie."
Hope
Continued from page 9
In 1926 Doctors Coffey and Humber
finished their photography of the sympa-
thetic nerves, a feat of remarkable scien-
tific skill They had injected some sub-
stance into the almost invisible nerves
and so made them photographically
visible.
About that time, Dr. Coffev and Dr
Continued on nest page
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The coat sketched . , . of
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MARCH, 1930
31
Humbet completed preliminary experi
mental work upon cancer in connection
with che angina work However, notn
ing was published until January ol this
(rear when the doctors were prevailed
upon In fellow scientists to give a report
ol their cancer research <,^n January 2 ch
the news ol the experiments, which may
lead to a cure lor cancer, were made
public Developments since that cime
have been close I v watched In the seien-
titic world
The Coffey-Humber treatment con
siscs mainly in the injection into the
body of the patient but not into the
cancer area itself ol a fluid extract from
the cortex of the suprarenal or adrenal
gland The method ol preparation of
their potent extract remains a secret
known yet only to these two surgeons.
As a result of che injection, in some-
cases it has been determined, by miscro-
scopic examination that the cancer tissue
dies but the normal tissue is not harmed.
The doctors are now trying to find out
in what tvpes of cancer the extract
proves effective If further development
is necessary to make the extract com-
plctelv effective in all types, such work
will be attempted Not until these things
have been determined, will the doctors
permit the very mention of "cancer
cures "
The use ot the extract was a natural
development ot the Cofley-Humber re-
search of the causes of angina The
sympathetic nerves must be affected
themselves by some hormone or secre-
tion of internal glands What hormone
was it7 Coffey and H umber tound it to
be the extract of the suprarenal cortex.
The world is waiting fur the final
outcome of these experiments Offers of
encouragement and assistance have
come from many sources. Patients arc
flocking to the clinics offering them-
selves as experimental material Dr.
Coffey and Dr. H umber are working
night and day toward the goal that may
mean the lilting of one ot the greatest
curses ever visited on mankind
California Journalism
Continued from page Lfl
made a sort of informal lecture and per-
sonal tour of che interior mining camp
towns, mingling freely with their citi-
zens They were so impressed by Dag
gctt's camaraderie, his evident knack of
making culture desirable and necessary
that he was swamped with subscriptions
to The C/'</i/cw Era ar $5 .1 war
Proportionate and profitable advertising
patronage was also forthcoming, both
From the business houses of the mining
regions and ol San Francisco For the
Continued on next
\t RAPHAEL WEILL 8 COMPANY/ f.
\NovYtfCanB£TW^
In a fashion era in which "it's smart
to be thrifty" and in which both stenog-
rapher and fashionable are style-con
scious, the opposing theories might
easily rouse a tempest in today's ward-
robe were it not lor the development of
specialized costume lines that make a
business-like merger out of the two
factors.
The Madelon group of frocks, coats,
suits, hats and bags, carried exclusively
at The White House in San Francisco,
is an outgrowth ot these cwo modern
requirements It caters to price and style
consciousness both. There is no nonsense
about cost A fixed amount is set tor
each costume group and it never varies.
A woman knows just where she stands
with such a scheme ot things Isn't it
typical of the business-like attitude of
the period7 And if you don't believe such
an arrangement is successful you should
see the rapidly increasing sales figures
for merchandise that bears the name of
Madelon
A Madelon opening is almost a
photographic copy of the Paris openings,
with the added advantage ot being more
selective There is no question about the
success of one of these outfits, because
Paris has already put the scamp ot ap-
proval upon it before it becomes a
Madelon style. A Madelon wardrobe . . .
and more and more women are making
theirs 100% so ... is a concentrated
group of smartness at minimum price
That's what specialization has done in
the field ol lashion
The influence of youth on today's cos-
tuming is reflected not only in youthful
types lor the "ageless" woman, but takes
care of the dancing daughters, too, in a
13, 15, 17 year old size group, set apart
under the name of Madelon Junior styles
Throughout the new-season collection
che paramount influence is Direccoire
. . . capes, capelecs and cape sleeves . . .
bows and screamers frankly avowed
waistlines everything chac went co
make the Empire picturesquely femi-
nine The pascel shaded lace frocks with
shoulder capes and wide, ankle length
dance skirts, are irresiscible Buc chen. so
are the ever-so-slighdy military suics in
covert and raggedy looking tweeds
all che more feminine because ot the hint
of soldierly precision The fact that
accessories are Madelon, coo. makes it
so joyfully easy to match everything
And makes chis delightful modern busi-
ness ot stressing every costume detail,
tar less expensive than ic might be
More and more, as che realizacion im-
presses icself on che modern conscious-
ness, chac a smart appearance pays che
besc dividends, Madelon modes gain in
prescigc The wardrobe plays such a
vical pare in personal success, and life is
such a busy advencure in 1930, chac che
woman who cakes che least margin of
chance in selecting cloches thac "get
across" is che one who has more cime
for Other things and more interest-
ing "other things" to do.
ADVERTISEMENT
32
THE SAN FRANCISCAN
California to Englaml
New Oil-Burning Cruise Steamer
"Franconia" May 13th
Calling at — Panama Canal, Havana, New York and Boston
First Class Only, $480 Up — Free Shore Excursions — Apply to
Ciuiard Lino. 501 Market Street
San Franeisco, or Loeal Agent
>£*fc.
| THE SAN FRANCISCO BANK
INCORPORATED FEBRUARY lUTH, 1S6S
One of the Oldest Banks in California, the Assets of which have LJ
never been increased by mergers or consolidations with other banks. ^
jj Assets over $125,000,000.00 Deposits over $120,000,000.00 ||
Capital, Reserve and Contingent Funds, $5,450,000.00
The following accounts stand on the Books at SI. 00 each, viz.: ^
Bank Buildings and Lots - (Value over $1,925,000.00)
jj Other Real Estate - - - Value over $308,000.00) B
Pension Fund - - - - (Value over S67O.OOO.00) jj
= Interest paid on Deposits at 4 -± per cent per annum ^j
= Computed Monthly and Compounded Quarterly =
next five or six years financial serenity
reigned in The Qolden Era offices. Sub-
scribers and advertisers alike voluntarily
renewed their patronage. For advertising
there were no fixed rates; che price of the
same being a matter strictly between the
advertiser and publishers and the busi-
ness of no one else. All of which was
proper and as it should be, as anyone
knows who has ever had anything to do
with a publication of The Qolden Era
type.
There was plenty of money for pro-
duction costs and what was more im-
portant, for skillful writers and young
writers of promise. Foard and Daggett
saw to it that such people were paid lib-
erally and otherwise encouraged, and
The Qolden Era was universally recog-
nized as the training school for Western
authors. Charles Warren Stoddard was a
printer's devil and errand boy on The
Era and published his first verses in it.
Mark Twain, Bret Harte, Stephen Mas-
sett, Joaquin Miller and scores of others
who later attained fame published first
or early works in the old Qolden Era.
In 1S60 Foard and Daggett sold the
paper and founded The Daily Mirror,
which was merged with The Daily
Herald in 1S62. For a year or so pre-
vious to the sale, The Era had been
losing tone and ground. With the with-
drawal of Foard and Daggett, life
definitely departed from it, although it
lingered around until 1SS2. Foard
always laid the paper's decline to the
admittance of women writers. He de-
clared to the day of his death that, pre-
vious to having women contributors
The Qolden Era was a grand and vig-
orous paper but the ladies killed it with
their "namby-pamby school girl trash."
The "trash" in question was usually
headlined by its authors as "a true
story" or a "sketch from real life " It
dealt, for the most part, with the death
bed hours of fathers or mothers, who
were leaving small and numerous pro-
geny to an incredibly heartless world,
with the robbing of widows by shyster
lawyers and fake stock salesmen, with
the indignities suffered by gentle, swoon-
ing maids at the hands of villains, who
were paralyzed on the spot by a glance
from a high minded hero. Such literary
fare, such unadulterated melodrama and
heartrending sentimentality were the
common, accepted thing, but presum-
ably The Qolden Era readers were given
a distressing overdose and rebelled
against it. It is highly probable, of
course, that there were other and now
obscured causes for The Era's decline.
Still, Foard spoke with considerable
truth, as anyone may see for himself who
takes the trouble to examine files of The
Qolden Era for the iS6o's and '70's.
MARCH. 1930
33
"Sunset
Limited"
East through
7\[ew Orleans
Straight across the legend-
ary Southwest, Spanish be-
fore it was American . . .
through the romantic South
... to the East.
The "Sunset Limited,"
famed round the world,
directly serves the fashion-
able desert resorts about
Palm Springs and Indio,
the guest ranch country of
Arizona.
Go one way, return an-
other on "Sunset Limited,"
"Overland Limited"or the
"Cascade." Only Southern
Pacific offers the choice of
four great routes.
Southern
Pacific
E. W. CLAPP
Gen. Pais.Trl. Mgr.
San Francisco
Tin' Hook IhM-lor
( 'urit inued From page 20
tcrs he lived as a mountain outlaw,
revered by the people as a voting man
touched with the finger ol sanctity, and
hunted by the gendarmerie until he was
put away to live his days in prison and
become a growing myth to the rude
peasantry, who reasoned from his story
one ol the simple truths ot human
destiny.
The book is translated by Van Wyck
Brooks, who manages to keep the flavor
of the limpid French original
Prescribed
Each month a critic recommends a
hook ot highest merit, which has served
as tonic or sedative for a great many
people in the past The one for this time
of year is South Wind, by Norman
Douglas, the classic novel on the sweet
art of doing nothing — a most suitable
subject in blossom time ! Each character
is touched by the lazy southern breeze of
Nepenthe, and each will be unforget-
table to the reader. A new edition in two
volumes has appeared under the imprint
of the Argus Press, illustrated in color
by John Austin. Another edition, this
time in one volume and pictured bv
Valenti Angelo, is sponsored by Dodd,
Mead. The Modern Library edition is
handy pocket-size.
Upcommended
"Coronet," by Manuel Komroff. Pro-
cession of aristocrats.
"Our Singing Strength," bv \lfred
Krcymhorg. Definitive and sympa-
thetic history of American poesy.
"The Man Within," by Qraham
Qreene. A coward conquers himself;
penetrating first novel by the young
cousin of Robert Louis Stevenson
"Lord Peter Views the Body," by
Dorothy Sayers. First-rate detective
stories; incidentally contains the
Toughest Cross Word Puzzle in the
World
"Idols Behind Altars," bv \-,uta
Brenner. The body and soul of Mex-
ico, expressed through its art.
"The Specialist," by Chic Sale.
Read it and roar.
"Grandmother Brown's Hundred
Years," by Harriet Connor Brown
A homespun history, 1827-132-
Most unusual biography.
"Men and Machines," by Stuart
Chase. What the Machine Age is
doing tor us and to us
"Field of Honor," by Domi Byrne.
Posthumous novel telling ot Bloody
Castlereagh and others.
"Sailors of Fortune," by William
McFee. Uneven collection of short
stories by the author of "Casuals of
the Sea."
"Twelve Against the Gods," by
William Bolitho. An outline of hu-
man revolt against life.
I LIU. Ill
jy Specially Serviced
Spring tour
First of the 1930 season,
sails directly from Los Angeles to
Honolulu on the palatial
"City of Los Angeles"...
Saturday . . . April 5
...and arrives when Hawaii's
Spring Festival of Music and
Flowers is at its height!
COMPLETE TOUR «~~,*
COST as low as . . . JJO
YOU enjoy accommodations on
a liner whose appointments
and service are unsurpassed! The
tour covers 20 days, Los Angeles
back to Los Angeles, the tour cost
— from $330, depending on the
accommodations you select — in-
cludes every necessary ship and
shore expense.
Under the direction of a LASSCO
travel expert, who relieves you of
all details, you have every hour
free to enjoy 8 wonderful days of
sightseeing including LASSCO's
3-day Wonder Trip among the
other islands to Hilo and Vol-
cano-land.
Spring time is play time in Ha-
waii! Flower shows, pageantry,
water sport carnivals, Hula danc-
ing— April is filled with the bi-
zarre diversions of these fascina-
ting isles. Make vour reservations
NOW!
Specially Serviced Tours. ..April 5,
19, May 3, 17, 31. For booklet and
full particulars see any authorized
agent, or apply . . .
LASSCO
LOS ANGELES STEAMSHIP CO
R. V. CROWDED, Passenger Traffic Mgr.
685 Market St.Jel. DA venport4210
OAKLAND: 4I2 13th Sl, Tel. OA Hand 1436
H. C. Capwell Co. . . Tel. LA kes.de 1 1 1 1
BERKELEY: 2l48C«nterSt. Tel. THornwallOOoO
34
THE SAN FRANCISCAN
GHIORDES BECTASH PRAYER RUG, OF THE l8th CENTURY.
BACKGROUND IN AN UNUSUAL DEEP ROSE COLOR.
SIZE 6ft 3in X 4ft
THIS FASCINATING GHIORDES
IS BUT ONE OF THE MANY
CHOICE PIECES IN OUR COLLEC
TION OF AUTHENTIC OLD RUGS
^Antiques . . . Period reproductions
FURNITURE ... RUGS ... TEXTILES ... TAPESTRIES
LACQUERS ... PAINTINGS ... OBJETS d'aRT ... LAMPS ... CHINA
GLASS . . . SILVER . . . PEWTER . . . JADES . . . JEWELRY
Giyiiffl|DS
TWO FORTY SIX POST STREET, SAN FRANCISCO
KALAKAUA AVENUE, HONOLULU
modern motorsliips
sail monthly from
san francisco via
panama canal to the
mediterranean
spam
france
italy
a 38-day cruise for three hundred dollars
libera line
(general steamship corp., agents)
has moved into luxurious new offices
219 suiter street
KEarny 4100
"worldwide service — at your service
Health
Cjrace
^Beauty
Facial Massage
consult ....
cJfrfiss yulia Johnson
(graduate Swedish ^hCasseuse
DIPLOMA PROFESSOR
ulmann's INSTITUTE
STOCKHOLM, SWEDEN
Suite 211 Elevated Shops
150 Powell Street
DOuglas 6493
MAHUI. I *>.<()
35
7//^- World Famous
N
\>a^sfor
sP
Los Anve lcs
Miss Mary Garden
in one of a large num-
ber of unsolicited com-
ments by world famous
celebrities, writes :
"Why live elsewhere
when the Ambassador,
the most beautiful hotel
in the norld, is here!"
■/
No hotel in the world
offers more varied at-
tractions . . . superb 27-
acre Park, with minia-
'^r) ture golt course, open-
I air plunge and tennis
^§3j? courts. Riding, hunting
-$s||t and all sports, includ-
ing 18-hole Rancho
Golf Club and Archery
Ranges. Motion picture
theater and 35 smart
shops within the hotel.
Famous Cocoanut
Grove for dancing
nightly.
li'rite for Chefs Cook Book
of California Recipes
BEN L. FRANK
Manager
iieor^p M.Hyde
INCORPORATED
Interior furnishings
for the Santa Barbara
Court House
!
!
Studios
1366 Sutter Street
Fairmont Hotel Lobby
Xow II tan lt«- ToI«l
( "niit inued from i>:il'<- 1 1
through a hack-country section "I cot-
ton fields one day, his car ran dry near a
negro cabin. An old negro mammy was
washing clothes in the yard
Alter he had stopped Ins car. the
traveler observed lor the lirst time a
large cross that stood on the other side ol
the road It was spattered with what
appeared to he hlood.
"Yassah. de Ku-Kluxes dey come
and got my old man last night," the old
woman told him "Dev heat him most
to death He in de horspital now."
"That's too had, returned the Cali-
fornian sympathetically, "\\ hat do you
think of the Ku Klux Klan, mammy?"
"Lawsy, hoss." she replied "I'se done
learned yeahs ago, nevah to trust a man
under a sheet "
Our Book Reviewer, Beth Wendel,
has been so busy writing this
month, that she hasn't found time to
read.
She vaguely admits that she is work-
ing on a musical revue, hut will give no
details, for the present It seems to he a
case of Now It Can't Be Told
With an Oriental reaction to
beauty we find that T. Z Shiota,
whose shop contains some ot the love-
liest things brought to San Francisco
from the Orient, uses an unusual, poeti-
cally worded "thank you" in acknowl-
edging his receipts The lines, written bv
Sara Bard Field, are as follows;
"On the winding River of Time Man
sets forth his dreams in many forms like
gallant ships headed for Eternity. These
Dreams are his own Soul wrought into
Sound and Color and Form, We call
them Art
"The worship of Art by a People is
the gentle wind which wafts these little
crafts onward toward the unknown
Generations.
"Thank you for your remittance
which we feel is an evidence of your
devotion to Art which we, too, are
privileged to serve."
For the first time in the Galerie
Beaux Arts Loan Exhibition, open-
ing March to, San Francisco is given a
chance to see the paintings and sculpture
of the modern period in the private col-
lections ot prominent local patrons
Originals by the French painters from
Cezanne to Picasso . . paintings bv
Georgie O'keefe and Roerich sculp-
ture by Chana Orloff and Gaudier-
Bredska These are to be shown to the
general public which lor a long time has
judged these artists by hearsay, repro
ductions or minor works. At last San
Francisco is to form its own opinion.
first hand land only slightly over
shadowed by the awe ol the names of
Continued on i-:ik:<- 10
For those who
live on a normal
sensible basis . . .
The beauty of the Hotel
Lexington . . . the luxury
of its modern appointments
. . . the distinguished
qualify of its French cuisine
. . . are available at such
moderate rates that many
guests who come for a day
or a week are staying
permanently.
Dinner and Supper Danc-
ing in the Silver Grill.
Dave Bernie and his Hotel
Lexington Minute Men.
333SB
Each with private hath (rub and show er)
circulating ice water, mirror door.
341 rooms with double beds,
1 person .....
These same 341 rooms for two
persons ...
229 rooms with twin beds
Either one or two persons .
231 rooms with twin beds
Either one or two persons .
Transient or permanent accommodations
$4
$5
$6
$7
Club breakfast . . . 75c
Special luncheon . . $1.00
Table d'hote dinner . 52.00
Also a la carte service
HOTEL
LEXINGTON
LEXINGTON AVE. at 48th ST. NEW YORK CITY
rronU Gregson, Mgr. Phone MURray Hill 7401
Direction of American Hotels Corporation
J. Leslie Kincaid, President
36
THE SAN FRANCISCAN
RUDY SEIGER didn't want to be
interviewed — oh, he was nice
enough about it . . . promised to see
me . . . promised to talk to me and all
that. But the appointment was put off
from time to time — something seemed
wrong with each proposed meeting.
At last the date was set for lunch time
when he promised to talk between num-
bers of the program at the Fairmont . . .
Promised — and intended to keep that
promise, being most generous — but
somehow an hour went by and there was
no more interview than a nod or two
from the music stand where he was di-
recting the orchestra and a nervous word
or two sandwiched in between his greet-
ings to friends at various luncheon tables.
His intentions could not wholly over-
come his modesty — you could see that
he hated talking about himself.
But in that hour of waiting he told as
much about himself as though he had
been talking steadily — perhaps more.
His absorption in the music he played,
his comradship with his musicians, his
great love for the audience, all of whom
he counted friends.
Sitting in the regal dining room of the
Fairmont, looking now and again out
the window, past the fluttering pennant
of the University Club to the business
towers of the Russ, the Hunter-Dulin
and the new Shell building, symbols of
the city at the foot of Nob Hill — then
turning back to the people at luncheon,
watching the friendly reserve that iso-
lated each table with the dignity of priv-
acy while sharing the warmth of mutual
enjoyment — there, I saw the secret of
Rudy Seiger's twenty-three years of
happy leadership of the Fairmont or-
chestra. I saw not the city of today and
the people then in the room — rather, I
saw San Francisco and the people who
have loved it as they demanded of it the
most life has to offer. I saw not an or-
chestra leader playing now a popular
melody, now a theme from the classics,
now a ballad popular in the past — rather,
I saw Rudy Seiger, a man who loves peo-
ple and life, a musician so emotionally
flexible that he can be sentimental in the
current idiom, interpretative with the
theme of musical significance and equally
flippant with the amusing tunes of for-
mer days.
TWENTY-THREE years is a long
time to hold one position — and a
person of Seiger's temperament would
never have done so had he not thought
San Francisco the most wonderful place
in the world and Nob Hill the finest
location of all.
Rudy Seiger tells of the time when as
a young boy he looked up the hill toward
the Fairmont then being built and
Rudy Seiger
dreamed of a splendid orchestra in that
great hotel. He was a very young violin-
ist then but he hoped and planned some
day to be the leader of that orchestra.
As a young musician, Seiger played in
various orchestras throughout the city —
at the old opera house on Mission Street
and other places of "before the fire"
fame. It was in 1907, when the city was
shaking herself free from the ashes of
the catastrophe and girding herself for
the glories still to come, that Rudy Seiger
was first invited to lead the Fairmont
Hotel orchestra.
What days those were! Days of the
colorful parties of the Sharons, the Hills
and the Newlands! Days of the Green-
way cotillions, held in the Fairmont fol-
lowing the fire!
With his violin tucked under his chin,
Rudy Seiger led the gaiety — the themes
of his orchestra directed the mood of
each gathering. From his stand he
watched people come and go — saw tra-
gedies and comedies and crucial mo-
ments forced into life itself. And as peo-
ple drifted through the hotel — some for
a day, some for a season, others for the
duration of their life — Rudy Seiger
looked on . . . looked on and played
. . . now gay . . . now sad . . . but
each time with fresh illusion for these
were his friends, these people who came
and went through the hallways of the
aristocratic hotel.
FRIENDS, too, were the members of
his orchestra. Now he looks back
at the musicians who had their start
under his direction — at those who left
his orchestra to rise to recognition.
He smiles when he talks of Paul
Whiteman. He recalls the day when he
took the young musician aside and urged
him to more serious work.
Musicians have gone from the Fair-
mont orchestra to positions in some of
the finest orchestras of the country. De
Gomez is the first 'cellist in the Cleveland
Symphony — and he is but one of "Rudy
Seiger's men" to attain distinction.
Today the orchestra is almost a "league
of nations" — it includes a Russian, a Bo-
hemian, a German and a Scotchman —
just try to guess which is which!
Is it the high handed pianist with his
precise movements who is Scotch — or is
it the dark haired 'cellist who wears elab-
orate socks and clings lovingly to his
instrument between numbers? Surely it
couldn't be the ruddy cheeked white
haired player of the bass viol, he whose
face beams excitedly whenever his favor-
ite compositions are played — but, again,
it might be the second violinist who in-
tensifies his playing by twining his toes
around the legs of his chair whenever
the composition is somewhat emotional.
However the nationalities may be dis-
tributed, the orchestra is united in its
allegiance to Rudy Seiger.
Rudy Seiger never makes out a pro-
gram for his concerts unless compelled
to by necessity.
"I play to my audience," he says, "and
how can I know what it will be before-
hand? If I had my way, I would always
have a load of music on the piano and
play from it as the mood of the moment
suggests."
So Rudy Seiger plays at the Fairmont
day in and day out — one of the busiest
men in the city — for he plays in the
dining room, he gives concerts in the
lobby, he broadcasts over radio and he
still finds time to compose music and
rearrange themes for his orchestra.
Years slip by without notice for Rudy
Seiger lives ever in the present and in
the happiness of those to whom he plays.
MARCH, 1930
37
AS St EN
BV HER
It may have been che February warm
spell, hue whatever it was, the
Spring season is being forced this vcar.
tor noc only arc the score windows a riot
or Spring enticements, but even the
baker is ahead ol himsell with hoc cross
buns on Washington's birthday
St\ les are something to become senti-
mencal abouc — even the most mannish
ol the tailored suits at the Knox Shop
have borrowed a feminine Hare, and the
linen blouses are meticulous in detail.
The new knitted suics are also modified
into simple lines ol special lure.
Knitted outfits are indispensable, for
chev come out of the suit case without a
wrinkle and are so comfortable A
sleeveless dress of Chanel stripe, belted
in at the waist line, sported two shades
of mustard separated with a fine black
line A knitted mustard sweacer coat
made this most desirable —and a black
bercc did the finishing trick.
Spring Hat,*
Correct interpretations of the
new mode . . . imported
or skillfully designed by
d)0L, iQjlL \5dJ\Mf
22:, and 243 Post Street
san francisco
On the other excreme are the witt-
ingly feminine Sundav night frocks at
che Cicv of Paris, slender sheaths of
black chiffon, tinted lace in the blurred
pastel tones — attributed to Marie
Laurencin Slender silken chings chat
give che "six-toot height" and an air of
languor difficult for the tennis-pla\ ing
hoyden of last year !
The metamorphosis demanded by
fashion involves a change of complexion
as well as manners, the last vestages of
1929 sun-tan must yield to facials and
bleaches — and hair that gloried in its
brevicv must now lie in flattering con
tour. Albert of the Palace Salon is re-
ceiving special praise for his individually
modeled permanent waves Albert uses
che Eugene sachets that make it possible
to control the wave which is steamed
into your hair The result is natural —
and effective
It may be a tip from the beauty salons,
where they report an epidemic of wrinkles
ushered in by the off-the-face hats, but
whatever it is, brims on hats are im-
portant this season. DuBarry is showing
particularly winsome models in the new
Panalyak consistent with the afternoon
frock Here are brims under which one
can practice the coquetry suggested by
the new mode.
If the new long skirts are welcome
innovations to the woman, to the
voung girls they are a revelacion — for
che present younger generation has never
had a chance to dress up in "mother's
long dress " She now feels the swish of
skirts about her ankles for the first time
in her own right The new "Missteen"
shop opening at O'Connor c* Moffatt's,
caters solely to the young thing of high
school or college age Sight of che semi
sophisticated frocks long enough to seem
grown up vet girlish in detail and line,
recall ones own adolescent yearnings
when the world of fashion made few
overtures to youth. At O'Connor &
Moffatt's I also saw some of the most
attractive dressmaker suics of this sea-
son. Navy blue in novelty wool main-
tains an air of simplicity, although the
finger-tip coats mav ripple into a peplum
and che skirts may indulge in a Hare
The cweed suits I saw at the White
House depend more on the color and the
fabric itself and less on the elaborated
line Now and again they use a touch of
Hat fur — but always with restraint.
They truly seem a refuge for the practi-
cally minded woman.
The increased importance of suics has
brought from France the exquisite
blouses of handkerchief linen at 1. Mag-
nin's — feminine in detail — adroit tucks
Continued on next pane
GOWNS
2145 Franklin Street
ORdway 5782
S L.l S.U.r ITnwiltl
Artidcaol Gfcal Beauty
8. g>djmtbt & g>on
oj NEW YORK CITY
ESTABLISHED 1869
Importers of Antique and Modern Silver,
Sheffield Plate, Fine Crystal and China
Where the treasures of a collector may
be purchased as gijts
504 SUTTER STREET « « SAN FRANCISCO
38
THE SAN FRANCISCAN
/he
here is no more
subtle gift than
that of Flowers
$£>
Particularly in
Spring — when a
profusion of color
and choice blos-
soms is at your
command
"the voice of a thousand gardens
224-22b Grant Avenue
Phone SUtter 6200
SAN FRANCISCO
Orde
Telegraphed Anywhere
**r*i i»r»» 0*y*> ^r-i <"T»> <*Y"> ^sr> "W*>
A. F.
MARTEN
♦ co ♦
ivn moit
DECORATION
Distinctive
designs interpreted to
the individual
taste.
♦
1501 SUTTER STREET
SAN FRANCISCO
— ingenuous hem-stitching — and all by
hand ! Here too, I found debonair print
frocks — irresistible. Quaint patterns of
tiny fruits and flowers on dark back-
grounds They have a pert and saucy air
and affirm that half a sleeve is better
than none
Chiffons! Mon Dieu1 What chiffons!
Designs of big splotchy flowers intri-
cately placed to bestow grace even on
the porcelain cat, while others of the
misty material have motifs that end
nowhere and everywhere
One could never go wrong acquiring
those shown at the White House
Solid color in chiffon seems estab-
lished as dinner and dance frocks and I
believe no other material so enhances
feminine charms. A fascinating and be-
witching white evening gown had a
billowy skirt containing yards and yards
of material. While the model was in
motion her floating draperies reminded
me of a lacy cumulus cloud, but the
thought also arose unbidding of Salome
and I realized that she was a mere novice
at revealing This may have twenty
yards of material but diaphanous! My
word ! The lady who purchases this im-
port should know her lingerie. With not
the vestage of adornment it was ex-
quisitely lovely because of the material
and the thought of the designer.
The real event of the past month was
the opening of Ransohoffs The
two modern floors and the dignified
French room are exquisite in detail and
show above all the triumph of perfect
taste. The entire store is as smartly
groomed as the women it serves. Atten-
tion to accessories is particularly notice-
able in the new Galliera jewelry copied
from that in the Musee of the Duchess
Galliera in Paris. It is shown in colorful
pins and clasps — but not content to let
it be isolated, the handbag department,
nearby, features fabric bags in Galliera
designs and colors. This same consistency
is found in the introduction of the new
prystal costume jewlry for pryscal is re-
albert
of the PALACE
Distinctive Permanent Wav'n;
Beauty Salon . . . Palaco Hotel
phone
keorny 8600
kearny 7389
jtvaTirtMt45
Every
Woman
Facials
Can
Be
Beautiful
iJ3 Geary Street
SUtter .... 5383
Qamp ZSQitdma
for GIRLS
on
Gold Lake, California
(in the High Sierra)
Highest references given and required
For descriptive booklet write the director
Esther Beard Tomev
Ripon, California
•FASHION ART SCHOOL*
SCOTTISH RITE TEMPLE + Sutur and V™ N«» A.tnut
Individual Instruction
Costume Design
ProfeHfeMlwHcMcUse
Fashion Illustration
Millinery Making
and Designing
Commercial Art
Life Drawing
Interior Decoration
D*j and Efning CUnet
ANNA APDiSON .-..•;- l --.;■,. ^
oolclct on requcit
Phone ORd««/ 2120
MARCH, L930
39
SOLD
He — But, dearest, if you get
this new furniture what
are we going to do with
all the old?
She — Oh, Harry, won't you
ever learn that when
one has something that
is no longer needed,
one always puts a little
Want Ad in The Exam-
iner, and pouf! — it's
sold — and one has the
cash instead.
The Examiner's phone number,
by the way, is SL) tter 2424 East
Bay GLcncourt 54 42. You may
phone your Want Ad. » >» »
ParFumerie
£Deubert
San Francisco
<
7
AT
B°bb
RWILELDERS
239 Po*rSrreer. San Francisco
peated in fiat, purse and shoe buckles to
match.
With all the variation in the seasons'
styles, nowhere is imagination given as
Iree reign as in costumes lor che leisure
hours From the brocaded pajamas suits
ol the Orient shown by Miss Clayes to
the voluminous skirted pajamas modeled
by mannequins in 1 Magnin's color,
mood and Fabric know lew restraints
An ensemble oi beige chiffon that
A. m. any ol us would buy it Wally Wall-
street had been more agreeable was
again so simple 1 had suspicions. Any-
thing good looking and very simple —
Scop! Look' Listen1 The price is always
back breaking
An architect must have had a hand in
designing this for some one had to know
his geometrical lines They begin at the
neckline following the form in gradu-
ally ending gores only to run their course
to the floor in a swirling skirt. The
whole story of the outfit ended with a
short gored cape fitted slick over the
shoulders and bordered with gorgeous
beige fox. When the young slangy bud
exclaimed "Can you tie that?" I almost
loined in.
XfXXXXXXftXMXXXXXXCMXKMX
E
verything not dinner or dance
gowns can be classified as sport.
There seems to be no authentic authority
on which is what. Sport garment is a
term for any dress for general use. I wish
it meant just what the word does, but
who cares? Each season they grow more
intriguing and the materials combina-
tions make you seethe at what a dumb
Dora you've been never to have thought
it out tor yourself.
An outstanding sport affair this season
is a tuck-in blouse or a hectic red and
yellow silk plaid with tarn of the same.
It is completed with a gored skirt ot
white pique. A good guess would be
that the designer is from Cuba where
Barcardi is right. It is jaunty no end.
I. Mill
er
Shoes arc displayed in
San Francisco simul-
taneously with their
FIFTH AVENUE
SHOWING
■"rank »V crncr v^«
255 Geary Street
X
X
X
i
1
x
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X
ft
*
x
i
X
X
The Fairmont
X
X
X
X
X
1
X
X
X
X
X
X
X
X
X
x
K
ft
X
Boys1 Apparel
X
x
ft
ft
x
ft
Shop
X
X
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MODELS OF
X
-■
EXCLUSIVE DESIGN
X
X
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ft
AND DISTINCTIVE
ft
X
TAILORING
X
5
x
::
X
Specializing in first long
X
X
X
x
trouser suits for young
X
x
X
x
x
men — in sizes 14 to 20
years.
X
X
X
X
x
X
FAIRMONT HOTEL
X
X
X
X
1 »* Ci
entrance 811 Powell
X
X
>:
The newest sweaters
stop at the normal
waistline
a youthful Fashion
first sponsored by
Chanel and featured
by Roos Bros, at
$|Q95
One of the new short-length
sweaters has a modernistic
design embroidered in color-
ful wool... it may be worn
over the skirt or tuck-in.
9-Store Buying Power
40
THE SAN FRANCISCAN
7f filter
J— iincli
IHo-2:30
2:30 la .5
5 to S
01
can
ttf.9% ithn iiiittiicc of
tippetttiitif dishes
ttpiit.il -iittfltf cooltetl
a ml Jut n (i/i/ sensed
. . . « place tnai tttll
it til ti ileliglit uou .
n sse
11
'6
ea
^7?
OOffl s
578 c2?ost Street
clan tArHficisco
1365 ^Jsuelititfiinie Zr%t*e»
We welcome the crowds that
come for luncheon each day
... let us assure you that, no
matter how rushed we are,
the high standard of cooking
is our first concern ... all
food is cooked under the per-
sonal supervision of
Mrs. ''Belle <De Graf
Yon may also order your
favorite di^cs and pies
to take home
%
Downstairs in the
MONADXOCK BUILDINC,
Market Street
Now It Can Be Tolil
the owners) of such artists as Matisse,
Redon, Marie Laurencin, Gauguin, Van
Gogh, Pusey, Utrillo, Derain, Andre
Zonault, De Muth and Bourdelle.
The New Columbia
The old Orpheum closed with tear-
ful ceremony a year ago — its
rejuvenated shell opens March tenth as
the new Columbia What a metamor-
phosis' Thanks to Ralph Pinkus, the
comfortable gaudiness of tormer days
has been modernized according to the
current theatrical grandeur Further-
more, Alfred Herter, whose murals
at the St. Francis are so widely known,
has painted mural panels as the central
motifs for the decorations Madge
Kennedy will open the house, playing
the lead in A A. Milne's "The Perfect
Alibi'' — Altogether it looks as though
there were to be a new lease on life
for the old house. May her future
activities give the new generation as
grateful memories as former events gave
the older one !
Fray\kness vs. Gaucherie
We were not aware that the cele-
brated Oscar Wilde had ever
visited San Francisco. But it seems, ac-
cording to a story which we have re-
cently uncovered, that he did make a
visit to the city sometime in the seven-
% J^oretta £lle?i Brady %
FRENCH LESSONS
$ Based on —
X French Conversation and Grammar
•<> French History and Memoir
£ Shopping in Paris and touring
■^ in France
•q. We are returning to France in May —
^ Reservations taken now for guiding
^ and interpreting in France
T J9J Ninteenth Avenue Y
<;• Coiner of Fulton SK.yline8532 -J-
J.B. Pagano H. A.Dunlap
L. J. Capurro
IcaaJloMs
Avansino Bros.&Co.
^~~-^5r -'V Qat*! St
Flower Orders Telegraphed Anywhere
FOODS THAT SATISFY!
COLORS THAT RELAX!
I M M EDIATE SERVICE!
THAT IS THE STORY OF THE
POPULARITY OF THE POST
STREET CAFETERIA WHERE
EVERY EFFORT IS MADE TO
SERVE THE BEST OF FOOD IN
ENTICING COMBINATIONS—
IN
SURROUNDINGS THAT
ARE SO COLORFUL THAT
THEY DO TO YOUR DAY
WHAT SPRING DOES TO THE
YEAR . . . LET YOUR LUNCH
HOUR BRING YOU RELAXA-
TION AND FRESH ENERGY
FOR THE AFTERNOON.
Post Street
Cafeteria . .
62 Post Street
RUSSIAN BLOUSE
in white satin
with black satin skirt
Peasant hand embroideries from
all countries.
VAHDAH
609 Sutter Street, corner Mason
FRanJclin 4332
El Paseo, Santa Barbara
MARCH, mo
u
4 si ■• ■• i v L
and
Peterson
IIV;iiiM S;ilon
Individual
Service
in an atmosphere of re-
finement . . . Spacious,
luxurious, relaxing.
Operators
who have been selected
for their skill in every de-
partment.
Miss Ada Peterson, beauty
stylist for many years, per-
sonally supervises all work
— she is always glad to give
you efficient advice.
New Features
Rejuvenation of hands and
neck hy special treatment.
Hot oil manicure.
Latest hair trimming.
Steam wave hy experts.
Expert hair tinting.
©
Fifth Floor
450 Sutter Street
DOuglas 5500
JOSEPH'S
/■ lorist^t
255 Grant Avenue
(Opposite the White House)
Entirely new conceptions Jor the '
Debutante • New articles Jor
Bridge. > Pri:<<
Telephone DOuglas 7210
ties or eighties. And, il we arc to believe
die- surviving reports ol this visit, social
leaders and captains ol industry vied
with one another to entertain Wilde,
who was haughtily contemptuous of all
Americans and was inclined to view
Western society as nothing more than a
colony ol overly ambitious plutocrats
Among the few invitations outside ol
this circle that Wilde was prevailed upon
to accept was that ol one ol the Big Four
of railroad building lame I his gentle-
man invited the Britisher and a local
journalist to inspect his sumptuous Noh
Hill mansion, to see his collection ol
paintings .wd to partake of his finest
vintages
The proud and honored nabob spent
hours showing his guests the wonders of
his great home and still other hours in
his art gallery. He gloated upon his
every possession. The price of each can-
vas or piece of statuary, where or how
he had outwitted some rival to obtain
it were gone into with minute detail.
Wilde listened and endured without
comment. The thoughts of his journalist
companion were wholly occupied with a
bullet luncheon spread in the library.
Finally, the last details were given on
the last painting. The local journalist
licked his lips expectantly The host
paused, then asked Wilde for his opinion
of his art gallery and its paintings.
"Well," replied the Britisher in his best
and most irritating drawl, "you have
two canvases here that are fairly good.
Yes, fairly good. The rest? Well, the
most that can be said for them is that
thev are expensive."
The railroad king was temporarily
stunned and speechless. Quickly, how-
ever, he collected his faculties and with-
out further ceremony ushered his guests
from the house and slammed the door
upon them.
Continued on next page
MONDAY M&* 10
The Perfect Plauhouxe
S-*. E R L-A N G E R - S *
Columbia
- Near Powell
Charles L. Wacnri »ill present
Madge Kenned>
1 IN THE m
LONDON and IV.Y. STAGE SUCCESS
/PERFECT
'ALIBI
it* \ \ Mflne, \ mxnterj eoranb
IKMCTT KR031 ITB SKW NIMH Rl n
Prlrpn: Opcnlnc NMrf* W *■"■ v
Other [Sight*, It.BO, K, BI.M, si- ••"■
HaU. tt'ed a But.. K. U-Bt. *'■ *■»
Just cs there ore eyeglasses
for different personalities, so
there ore eyeglasses for each
occasion. ..a particular style
for sports wear... a different
sort for the street costume
...for the afternoon bridge...
and the more formal lor-
gnette for evening attire.
Come in... let m\ complete
your ensemble with the
proper style of eyeglasses.
JONES/ PINTHER
& LINDSAY Inc.
OPTOMETRISTS 8 OPTICIANS
140 GEARY STREET
35 Rue Richelieu
Paris. Ik in< i
707 Nineteenth Ave,
corner oj Fulton St.
S w Fram [S< "
jPoretta Ellen Brady,
Importer
i returning to r./n.. u t o(hr the
following importations lit */ decided
reduction:
Our of < )ur Equipment
OK! French bronzes and coppers; old
gold draping Mlk-: drapes in toile >lc
■ ith .i sofa to match;
\ Louis Wl b okcase in mahoganj with
lc»>rv ol l>ron/c grillage; .1 set "t tables-
gigone in walnut.
(~ SKylineSsu-
42
THE SAN FRANCISCAN
After
a trip on
the Malolo
Ambassador John North Willys
ivrote :
"For several years I had read the alluring advertisements
about Hawaii, and friends had told me of this delightful
country. Mrs. Willys and I were delighted with our sojourn
there and regretted being unable to remain longer.
"The accommodations at the Royal Hawaiian Hotel left noth-
ing to be desired, and the ride on the 'Malolo,' both going and
returning, was most enjoyable."
The recently appointed ambassador to Poland received the same
accommodations that are available to you, the year around, on board
the hospitable Matson boats.
The luxurious Malolo makes a special Spring Cruise to Hawaii, April 5
to 21. At that time the Spring Festival and Water Carnival will be at
its height in Honolulu and all the islands will be at their loveliest. The
cruise includes side trips and special entertainment. Reservations as
low as $353.50.
MATSCN LINE
25 steamers .... fastest service
HAWAII . . SOUTH SEAS . . . AUSTRALIA
SAN FRANCISCO 215 Market Street DAvenport 2300
LOS ANGELES
r23 W. Seventh Street
VAndike 8101
Let It Rain!
Patter . . patter . . . patter, the rain
beats down. Big, glistening drops
spatter the window panes. Gray clouds.
Gray, thundering ocean. Grav, dreary
Cliff House. Gray gulls, wet-winged,
circle a dismal sky.
On past Sutro Park where winter trees
bend to the shrilling wind. The last
Chrysanthemums and Christmas berries
bow to the storm demon's will. Soft,
damp leaves swirl through the glassy
streets.
On down Geary street. Frisky dogs
yelp and bark Wet, smelly dogs, spat-
tered with mud. They like the rain
"Looks like we're in for wet weather,"
the milkman shouts
"Some rain," answers the bromidic
postman
And laughing girls coming home
from school run across the street. Laugh-
ing girls, bright-eved. with wet, glisten-
ing faces, and gay slickers to cheet the
chilly daw
Across Fillmore street and through the
Japanese section. Trolley cars clang a
warning. Horns honk, brakes squeak,
and autos skid on the wet asphalt.
Rain and more rain! Clean, whole-
some rain that drenches parched land
and flesh, clears the brain and heart,
catches the tears and disappointments
and sweeps them onward to the sea.
Flickering lights trace strange figures
on apartment house windows. Reflec-
tions from the log tires burning inside.
Perhaps, the tinkle ot glasses, or the
pleasant clatter of tea cups, and the fra-
grant scent of tcast and marmalade.
Further down town. The gray St.
Francis . . grayer in the rain. Empty
benches in Union Square, today. Only a
few poor unfortunates seeking shelter
under the trees Will the rain drive away
their weariness and fatigue, and give
them a new lease on lite1
The street lights are turned on. De-
partment store clerks are hurrying to
their homes Shiny, clumsy galoshes;
shinv, silky slickers And umbrellas Red,
green, blue, purple, black, brown . . .
hundreds ot umbrellas'
On down Market street past the
Southern Pacific Building Commuters
run tor the boat Fruit and florist stands
are empty, wet, and bespattered with
mud. Dirty, tagged newsboys push the
evening paper in vour face.
Patter . pattet . . patter, the rain
beats down Big, glistening drops spatter
the window panes Gray streets Gray
clouds. Gray ferry boats lost in a grayer
bay. Gray, dismal Ferry Building Gray
gulls, wet- winged, circle a dismal sky.
f
THE
VIOLENCE
OF THE CITY
'*,
I
A
• •••there's respite
for you in the
garden of the sun
Here at this tranquil oasis on the desert
rim, off the beaten track, yau may escape
from the clangor of the metropolis, and
know the meaning of complete relaxa-
tion. Office doldrums, frayed nerves and
depressed spirits . . . dispelled! Palm
Springs . . . Sunshine! Nature's benison
to the wan and weary* Amid the glories
of this bit of Egypt rises the tower of El
Mirador. . . America's exquisite caravan-
serai . . . impeccably modern, yet having
withal that touch of old fashioned wes-
tern hospitality that has endeared it to
distinguished guests from the world over.
* At El Mirador they understand and
practise gracious entertainment. Your
days may be complete with the rhythm
of gaiety or the sweetness of leisure.
The nights are reserved for your profound
repose * Cuisine that revitalizes dormant
appetites.. Individual, painstaking service.
You've planned to someday visit Palm
Springs . . . Make that "someday," now.
DIRECTION OF MR. WARREN B. PINNEY
1 .
el mi
ei mirador hotel
PALM SPRINGS
CALIFORNIA
THE LEISURE, THE RESTFUL
SOLITUDE -YES, AND THE
GAIETY OF PALM SPRINGS
c
I
T
Y
of
P
A
R
I
S
Those dresses you hear called familiarly by name or by
number in the smart world . . . the dresses which are the
masterpieces of the hunts couturiers of Paris . . . the dresses
emphasized by fashion authorities . . these compose the
collection of replicas presented this Spring ... as they fittingly
should be . . . by the City of Paris, the San Francisco store
built on three generations of French tradition.
Replicas of fashions by:
A rdanse ■Celong
Mo/) mux A 1 a reel Rocbas
Martial et Armand
CITY OF PARIS... STYLE SHOPS ... THIRD FLOOR
Presenting the Spring collection of
FRENCH
REPLICAS
I/IT
MA DIJON
EW YORK
THE MADISON HOTEL AND
RESTAURANT HAS WON THE
HIGHEST PRAISE FROM THOSE
WHO KNOW. IT IS MODERATE
IN SIZE, » » BEAUTIFULLY
FURNISHED » AND HAS A
UNIQUE REPUTATION FOR THE
EXCELLENCE OF ITS CUISINE.
r i i r- k i a r\ i r /*% k i Madison Ave. at 58th St.
THE MADISON * * THEODORE TITZE* M3r.
CADILLAC
V-16
(SIXTEEN CYLINDERS)
The ultimate in world-wide
motor ear aehievement
0N
r-r'
VAN NESS AT O'FARRELL, SAN FRANCISCO
SOMETIME when you are biting the
end of your pencil over planning
menus for two, think for a minute of the
business of superintending meals and
service for from fifteen hundred to three
thousand people each day — besides
supervising decorations and details for
ten or twelve parties where anywhere
from six to six hundred guests may be
invited.
Quite a job, you say — yes, quite a job!
And it kept Anton Mentlik, catering
manager of the Hotel Mark Hopkins,
fairly busy — but not so busy that he did
not smile and say "yes" when George D.
Smith asked him to be managing caterer
of the Fairmont Hotel also. Now Ment-
lik controls the activities of fourteen
"captains," one hundred and thirty-five
waiters, numerous bus boys and an army
of cocks generated by two chefs — and
supervises the serving of from three to
five thousand meals each day in the two
Nob Hill Hotels.
Mentlik is not an impressive person
— in fact, he is very approachable, the
kind that would give ear equally to a
bridge luncheon hostess and to the wor-
ried head of a committee arranging for
a banquet. He has a genius for detail
and refuses to be flurried by unexpected
situations. He is less disturbed by a last-
minute party reservation than the aver-
age woman is by the unexpected arrival
of husbands college chum. He has per-
fected a system to take care of emergen-
cies, so instead of being flurried he just
presses the button for the proper person
to set the proper wheels going. To him
there is no emergency — just a change in
routine.
Oi course, a large part of his confi-
dence is built on the cooperation of his
"captains." There are seven in each
hotel and it is to them that he turns to
have his orders carried out, to them and
to the chefs who rule supreme in the
huge kitchens.
MENTLIK"S original organization
has been built up within the past
three years as the popularity of the
Mark Hopkins grew and people flocked
there to dine and dance. Like others at
the Hotel, he has worked with true hos-
pitality first in mind, so that guests
should feel a true considerateness back
of the actual service.
Often in the Mark Hopkins Hotel
fifteen hundred guests sit down to eat at
one meal. Peacock Court, Fountain
Court, the Hall of the Dons and the
various private dining rooms all may be
occupied at one time. At such times,
imagine the infinite detail that must be
carrie dout to give each guest the service
one would offer a friend at home.
At individual parties there are special
dishes to serve, special table decorations,
corsages and favors. Everything must
be ready for the one small group as
though there were no one else in the
hotel asking service. And all is gladly
given under Mentlik's direction. Com-
panies of waiters, bus boys and cooks
move to and from the various dining
rooms through the back corridors, their
efforts unseen by guests except when the
steaming food is served with all the
attendant appointments.
Anton Mentlik is a Hungarian by
birth but he has been in San Francisco
so long that this is "home' to him. He
has climbed to his present position by
means of efficient service in leading
hotels in Hungary, England and France
as well as America. Most of his experi-
ence in this country has been in the
larger hotels and dining rooms of San
Francisco, for once he visited here he
has not been content to live elsewhere.
At the Mark Hopkins Hotel, Mentlik
works hand in glove with Joseph Meyer,
the chef whose delicious cooking has
been one of the special factors in build-
ing up the popularity of the compara-
tively new hotel.
JOSEPH MEYER is an Alsatian,
round of face and good-natured.
He came to the Mark Hopkins when it
opened, after fourteen years as chef for
the St. Francis. Just to look at him you
know he loves fine food — but no chef of
a large hotel like the Aristocrats of Nob
Hill can live out the popular conception
of a chef (as being someone who spends
his days with head in the clouds dream-
ng of some new combination of flavors) .
With about fifty-four people under his
direct supervision, the chef has no small
number of administrative duties to per-
form.
But this pressure of executive work is
not allowed to absorb all of Joseph
Meyer's time. He still has his special-
ties to which he alone puts the finishing
touches. Next time you are in Peacock
Jl/VrV^^
Court order the balked oysters Marl^ Hop-
kins and as you taste the blend of flavor
you will know that it is a creation of
Meyer himself. Other of the chef's
favorite dishes are Faerisses gourmet,
calavo salad Marl( Hopkins, sweetbreads
royal, and the high life salad. These are
but a few of the mouth-watering dishes
prepared under the direction of this
famous chef.
More and more people are turning
to the perfected organizations of the
two hotels surmounting Nob Hill for
private dining or for special entertain-
ing. It is so simple to turn your perplexi-
ties of what and how over to Anton
Mentlik to whom your worries are but
incidents in a well-ordered day.
V/HERE
TO
THE STAGE
Geary: At last — Ring Lardner's and George
S. Kaufman's "June Moon."
Curran: Noel Madison in the English play,
"Rope's End."
Alcazar: Violet Heming in "Let Us Be Gay."
President: Frank Craven in "Salt Water," no
taffey.
THE SCREEN
Orpheum: "Ladies of Leisure." Something
about a woman's soul being redeemed.
Three cheers for our side.
Golden Gate: "Murder on the Roof," with
Raymond Hatton, Dorothy Revier, Said to
chill the spine to a pleasant degree.
Embassy: Arliss again in "The Green God-
dess."
Davies: "Song of the West."
California: Following "Puttin' on the Ritz,"
"The Light of the Western Stars" with
Mary Brian, Richard Arlen.
Paramount: (nee Granada). Ruth Chatter-
ton and Frederic March in "Sarah and
Son."
Fox: The Gaynor-Farrell team in "High So-
ciety Blues."
Loew's Warfield: Basil Rathbone as Philo
Vance solves "The Bishop Murder Case."
ART
Gumps: Bessie Lasky until the end of the
week; water colors by W. S. Bagdadtopoulos
(an Englishman, for heaven's sake), of
scenes in East India.
Beaux Arts: Water colors by Helen Forbes,
sculptor's drawings by Jacques Schnier until
April 11th. Drawings by Mestrovic until
April 5th. Following: Oils and water colors
by Otis Oldfield.
Paul Elder: Water color copies of Navajo
Indian sand paintings by Laura Adams
Armour.
Loretta Ellen Brady: French etchings of Paris
nooks and crannies.
California Palace of the Legion of Honor:
Landscapes by Eugene Neuhaus.
Women's City Club: Decorative Arts Exhibi-
tion April 18th to May 4th.
East West Gallery: European and American
travel posters.
MUSIC
April 1: "Pro Musica," Fairmont Hotel 8:30.
April 2: John W. Sterne, lecture, 8:30.
April 3: Dorothy Crawford, monoloquist,
8:30.
April 3: Stradivarius Quartet, 8:15.
April 3: Father Hubbard S. J. lecture.
April 4: San Francisco Symphony, 3:00.
April 5: Santa Clara Mission Play, 8:30.
April 6: Santa Clara Mission Play, 2:30.
April 6: San Francisco Symphony, 2:45.
April 6: Stradivarius Quartet, 3:00.
April 8: Fashion Festival, Curran Theatre,
2:30.
April 8: Richard Haliburton, lecture, 8:30.
April 10: Aline Greenwood, lecture, 11:30.
April 10: Father Hubbard, lecture, 8:30.
April 10: Claire Dux, soprano, 8:30.
April 10: Stradivarius Quartet, 8:15.
April 11: Lucille Gordon Players Community
Playhouse, 8:30.
April 11: San Francisco Symphony Last Fri-
day Concert, 3:00.
April 12: Lucille Gordon Players Community
Playhouse, 2:30.
April 12: Lucille Gordon Players Community
Playhouse, 8:30.
April 13: San Francisco Symphony Last Sun-
day Concert, 2:45.
April 13: Stradivarius Quartet, 3:00.
April 15: Farewell Concert last time with Al-
fred Hertz conducting San Francisco Sym-
phony— Yehudi Menuhin, 8:30.
April 22: Abas String Quartet.
-\L*
DINING AND DANCING
St. Francis: If you like a crowd.
The Fairmont: Spring comes into its own on
the Terrace.
The Palace: One of the accepted places to
spend an evening.
Mark Hopkins: The Peacock Court. Hob-
nobbing with the Reigning Dynasty on Nob
Hill.
Sir Francis Drake: Charm, intimacy, quiet.
The Silver Slipper: The whoopee place, to all
appearances.
Coppa's: Historically connected with the well-
known Bohemia.
Russian Tea Room: A reputation for savory,
unusual food.
The Courtyard: The place for a sunny day.
Solari's: The old head-and-shoulders-above
gag-
Post Street Cafeteria: Convenient, quick, good
food — and spring atmosphere.
The Magnolia: The best Spanish food in
town.
Russell's: One of the best — and new.
Belle de Graf: Oh! What pies — from fresh
frozen berries — you can take one home.
ESTABLISHED 1852
SHREVE bi COMPANY
JEWELERS and SILVERSMITHS
Post Street at Grant Avenue
San Francisco
a
CONTENTS
april IfKIO
Cover Design by Van Dell sen
I il-.cr Walter, photograph by
Dorothea Langi 8
The (Irusadcm, story l»y Alvin Pelton - 9
Now It Can Be Told 11
Cartoon by Claire Jones - - - - - 11
Cartoon hy Hilton 12
Cartoon by Hugh Johnson - - - - 13
In Defense of Extremists, article by
Emerson Koote 14
Drift, verse by Whiltier W. Wellman - 14
D. 11. Lawrenee, photograph by
Edward Weston 15
Port of San Francisco, painting by
Rinaldo Cuneo 16
Solder Hires a Carriage, a story by
Elizabeth Leslie li - - - - - 17
Zoe Battu, photograph by Helene
Sturdivant 18
Journalistic Dvnamite, artiele bv
Zoe A. Battu 19
Henri Matisse, drawings and
self-portrait 20
Spotlight, comment bv Charles
Caldwell Dobie - 21
The Book Doctor, by A. Grove Day - - 22
Random Impressions of a Dryad, by
J. Paget-Fredericks 23
Mrs. Michel Weill, etching bv
Max Pollak 24
The Reigning Dynasty 25
The White Card, by Ned Hilton - - - 26
Going West to the East, notes by
Dr. Aurelia Reinhardt 28
Boats and Boating, bv Norman A.
Harris 30
As Seen bv Her -------- 3o
SAX VI? AN CISC AX
JOSEPH DYER. Editor & Publisher
!!■■»< mi Mason, Associate Editor
Charles Caldwell Dobie
Joseph Henderson
Kathryn Hulme
Ned Hilton
Contributing Editors
Raymond Armsby
Mollie Merrick
Carey McWilliams
Beth Wcndcl
Aline Kistler, Assistant Editor
Idwal Jones
I l> .i William*
George Douglas
Marrella Burke
vol. IV
no. 4
The San Franciscan is published monthly by The
San Franciscan Publishing Company, Sharon Build-
ing, San Francisco. Calif. Entered as second class
matter October, 1928, at the Post Office at San
Francisco, Calif., under the act of March 3. 1879.
Joseph Dyer, Publisher. Subscription price, one year
$2.50. Single Copies 25c. Copyrighted 1929. The
San Franciscan Publishing Company. Unsolicited
manuscripts will not be returned unless accompanied
by self-addressed, stamped envelope. For advertising
rates address Zora Combes. Advertising Manager.
(,\rlield 4755
Robert Hunt. Editor of Poetry
Dorothea Lange
Edgar Walter
A sculptor whose work is included in the collections of the Metropolitan Museum
in New York, Edgar Walter is also prominent as an instructor in the California
School of Fine Arts and as the personality behind many art movements in San
Francisco. He has recently served as artist advisor for the new Ransohoff building,
where he set a new standard for cooperation between creative artist and builder.
SAM IlLiNCISG.tK
The Crusaders
. . . Introducing Characters in a Proposed Novel of Uncertain Intent
by ALVIN PELTON
Acoupla regular guys were stagger-
nig up Powell street It was about
tour in the morning They were carrying
a tremendous burden of rope
One was shore, broad shouldered,
wore a dark topcoat and had an extra-
ordinarily large, yellow mustache He
was popularly known as Count Schmaltz -
hausen. His companion was perhaps
forty-five — an English expatriate, who
had for some twenty years made San
Francisco his home. He wore a monocle
and was quite tall. His sleek bare head
gleamed like patent leather In the world
of his own selection, he was known as
just plain Skipper Jim. but when the
Count was feeling right nasty, he very
stiltedly called him something else . . .
and without even smiling -but thev do
say it wearies the Count to smile.
"Better take a sea-going hack, Skip-
per," suggested the Count, lapsing into
the old San Francisco custom of calling a
cab anything but j list plain cab.
"1 love the morning air," hiccoughed
the tall one
"But it's a long way!" groaned Count
Schmaltzhausen.
"I'm a poet!" loftily continued the
Skipper.
"I'm gonna take a hack," exclaimed
the Count, unable to discriminate be-
tween the rope and his mustache
"Very well . . I'll meet you out
there." said the Skipper, indifferently .
"All poets love to stroll . . and think
of the soul."
"We gotta stick together. An' besides
it's bad to let people see us goin' out
there with all this rope," insisted the
Count.
"You're quite dramatic . but drama
has had its day . and I'm a poet 1
care nothing lor the conventions ol the
bourgeoisie If it pleases me to carry
rope, I shall carry rope . . . no matter
how ridiculous it may appear to the in-
nocent bystanders; God love 'em'"
"But think of what we're gonna do!
Think ot the consequences it lotsa
people see us going out there!" cau-
tioned the Count, staggering and nearly
losing grip on his burden of huge, yellow
rope.
"Why look so typically Schmaltz-
hausen7 Bless your old schnauzer mug!"
"I'm not wishing you any hard luck,
but I hope you drop your window pane.
Say, tell me — master mind : when is a
poet not a poet?"
"When he's sober and some one asks
what time it is."
"What time is it?"
T.u;y walked up a hill and down a
hill, and then walked up a hill and
down a hill . . . et cetera. Just before
dawn, they were within sight ol their
destination. Nearly exhausted, they
stood at the toot ot a crooked road that
zig zagged up the treacherous side of a
hill, atop ot which was an object re-
sembling a tiny Russian temple. Their
gaze was lixed upon a wooden cross
planted high on in immense boulder,
near the side ot the oddly constructed
house
"Well, that's it1"
"Yeah, that's it, all right' But how
we gonna get it down?"
"It takes lots of rope! Lots of rope!"
"Right! Lotsa rope !"
They sat down on their vast supply ol
rope
"Who lives in the coy house?"
"Goofey people
( roofey? '
"Onlv goofey people live in a house
like that Look at the pineapples all ova
it
"Those are supposed to he minarets!
But you're right, they do look like in-
verted pineapples," remarked the Skip-
per, adjusting his monocle, "Damned if
it doesn't make me hungry!"
"Well, we gotta do it before people
get up, don't we?"
"You're sure they're goofey people'"
"Oh, quite sure! They're freaks!"
"Did they put up that thing?"
"They put it up all right . . . only
goofey people would disgrace the city ol
San Francisco like that."
"Right! Well, let's go!" shouted the
Skipper, leaping to his unsteady feet.
"For San Francisco!" exclaimed the
Count, getting to his teet, staggering
until steadied by his tall companion.
"My pal!"
"For San Francisco!"
"For San Francisco!" thev shouted in
unison as they carried the burden of yel-
low rope up the zig-zag road
Half way up the hillside, the young
man stopped
"Now, what's wrong, Schmaltz-
hausen1"
"There's a light in the toy house!"
"What of it?"
"Maybe they're up alread) ?"
"Come on! For San Francisco!"
"For San Francisco1"
They tip toed into the vard and slupp-
slopped across the muddv lawn There
was a light in the topmost room ol the
strange house The view ol the^Golden
Gate entranced the poet skipper
"Hey, come on . get goin1 !" hissed
the Count
"I'm a poet !" hiccoughed the Skipper.
"You're a drunk!" muttered Schmaltz-
hausen "What'd you drag me up here
for1 I coulda been on my yacht, sleepin'
all this time Now, I an sec you're not
goin" through with it."
10
THE SAN FRANCISCAN
"You mean, your scow!"
' ' I gctta scow, too ! Say, wanta see my
scow, tonight1"
Give me that rope!"
"You're already holdin' it!"
"Give me that rope, I sav!"
"Where ya gonna put it? On your
monocle'"
'Give me the rope, 1 tell you
i"
"I can t
waist."
"That's right
around my waist
got mine t
ied '
round my
I got mine tied
that's right . . .
Now : One ! Two ! Three ! Fcr ian
Francisco!"
"Frisco!"
"Not 'Frisco! San Francisco!"
"One! Two! Three! For San Fran-
cisco!"
They lassoed the cress.
Wasn't that a darb7 I learned to do
that in Australia!" exclaimed the Skip-
per, adjusting his monocle and studying
the neatly placed noose.
"That's nothin' , . . I didn't have to
learn ... I was naturally born with a
rope in my hand," said Schmaltzhausen.
"An' maybe you'll die with a rope
'round your neck!"
"All ready?"
"Ready!"
"For San Francisco!"
"Frisco!"
"Not Frisco! San Francisco!"
"For San Francisco!"
"Right! Pull!"
"Here we go! Here we go!"
They pulled and tugged away, but the
cross remained rigid . . . black against
the dull grey sky.
The face of a beautiful young woman
appeared at a small window in one
ot the turrets of the house. She watched
the men without expressing by any out-
ward sign what may have been develop-
ing within her mind, and one would
hardly think that a face so immobile had
appeared on thousands of motion pic-
ture screens, throughout the land. She
was as inhuman as the camera itself.
Her dainty nose was flattened against the
window pane, as though she were a wax
model that had toppled from its pedes-
tal. There she stood, lifeless, expression-
less, emotionless, and yet as beautiful as
a rare, exotic flower touched with gold-
leaf . . . there she stood, for nearly ten
minutes, and then she disappeared just
as a wax model sometimes is taken from
a shop window
The men continued to pull and tug at
the ropes, but did no damage to the
rigid, black cross Falling and stumbling
on the muddy lawn, they soon were
transformed into the strange creatures
sometim.es mistaken for Lon Chaney. by
the children.
Suddenly they tell into trancelike posi-
tions. There — standing in the doorway
was perhaps one of the loveliest, if not
the loveliest, conglomeration of femi-
nine curves, they had ever seen . . . even
reflected in a green bottle She was in
flimsy morning flimsies and the curves of
her alluring figure were revealed by the
light streaming from the open doorway.
She was inviting them to her doorstep.
Her gestures and mannerisms were
mechanical, inhuman and unnatural . . .
in fact she acted like a wax model com-
ing to life in O'Connor and Moffat's
display window, and then subsiding into
still-life between gestures.
3 "•'" =F£LTObS
"Won't you gentlemen please come
in7" Her voice had the pure, clear reso-
nance of a perfectly recorded Talking
Picture Queen, and one could tell by her
ease and perfect enunciation, she had per-
haps already completed her correspon-
dence course in Oxford English
"Wha . . . what . . . what the hell!"
chorused the two Lon Chaneys.
The Skipper untied his rope and ran to
her, skipping and skating across the slip-
pery glass veranda. He removed his
muddy overcoat and entered the house
with her. The door closed, before he
could read the Russian Communist pos-
ter . . but he was quite sure it stated the
building was condemned.
"Why the hell didn't I keep that pen-
knife, my little niece gave me? They
always give presents you don't need and
you throw 'em away, or give 'em to
some pal, an' then all of a sudden comes
a time when you need em . . Then
look where ya are !" muttered the Count,
in long, Dreiserian paragraphs.
Tae Skipper called tor help, yet his
cry was not really bloodcurdling . . .
it just seemed that way Fighting in true
Zane Grey style, Count Schmaltzhausen
fought with the rope He remembered
the Salvation Army slogan . . . Yuh
might be down . young man . . . but
yer not out! Bethinking him ot his last
trip to the Bercovich Cigar Store on
Powell and O'Farrell streets, the Count
thought of his cigarette lighter and held
its flame under the rope, burning the
strands. At the moment he freed him-
self, and was smothering the flaming
rope, the beautiful young woman again
came to the door and once again invited
him into the house . . . the true, San
Francisco hospitality
"I'll fight 'em off single handed!"
muttered the Count, thinking of thir-
teen hundred novels by Earl Derr Big-
gers, Rex Beach, Harold Bell Wright
and one by Arthur Hemingway, as
charged by the young woman The rope
swung like a monkey's tail from his
muddy coat waist They walked into the
drawing room, before he could translate
the Russian warning posted on the
entrance, but he was quite sure it said
just what he had been thinking all along.
"Where's my pal?"
"In that room ." She pointed to a
heavy, bronze door
"What's he doin' in there?"
"He's all right . . . don't you worry!"
"He's not all right! I heard him call
for help! What you doin' to him? Got a
gang in there?" The Count had read
some gangster stories by Arthur Slavens
McNutt, Ben Hecht, Charles Mac-
Arthur, and had actually met Charles
Caldwell Dobie in person, and so he
knew something about gangs and gang
methods. He had meant to say: what's
yer racket? . . . but he thought that was
not quite subtle enough for the fragile
blonde.
"I assure you he's all right!"
It pleased the Count to hear her cor-
roborate his estimate of her character . . .
henceforth he would think of various
omnivorous reading he had done in the
Tunnel Library on Stockton street —
Eleanor Wylie, Carl Van Vechten,
Gertrude Stein, and maybe Edna St.
Vincent Millay, if not D. H. Lawrence.
"I'm goin' in there and find out!"
stormed the Count, unable to stem the
tide of raw Western emotions ebbing
and ripping through his red blood.
"One can't be subtle in a situation like
this!" he reflected.
"Please do!" she said very sweetly.
The young man rushed at the bronze
door and tried to break it open with
his broad shoulders, just like Jack Holt
or Richard Dix . . . maybe Tom Mix
. . . however, he recoiled in pain . . that
is the part they usually cut out of the
picture.
"Why don't you open the door prop-
erly1" asked the voung woman.
"Huh?"
She turned the glass knob and the door
swung open. He looked at the remains
of the breakfast at a table set for three,
then considered the empty chairs around
Continued on page 33
APRIL. 1930
11
\o\v IT can im: toiji
T.ii window gazing suckers on Mar
kct Street who arc invariably
touched lor loans by various ol the men
dicant literati . . The horror ol a
Chinatown butcher-shop Why do the
novels always call a si nn painter "All"
and a plumber "Jerry" The motor-
man on the Valencia Street car who
sings anas Irom "Louise" Morning
Jew in Golden date Park The new
squash caps on the shotgun squad officers
in their little motorcycle Insipid
drug store cowboy types with pomaded
hair singing "Can't We Be Friends" . . .
Why do orchestra leaders ol the Fox
Theatre tccl it their duty to wisecrack
. . . The screaming ot Civic Center sea-
gulls . . . Agitators passing out propa-
ganda pamphlets in Third Street Alleys
. Two policemen enter Julius' Castle
and emerge two hours later . . . Ab-
stracted idlers in Union Square . . . And
to£our joy ot think-
ing, love in a studio
apartment is much
more inspiring than
love in a two room
pent-house. . . . Exit
Aimee McPhcrson ! ! !
Through intimate
channels the
story comes to us,
that a certain lady
friend ol Ambrose
Bierce had heard that,
itAwas_the custom ot
members ot a certain
prominent San Fran
Cisco club to discuss
their amorous intri-
gues and experiences,
and, in general, to
compare notes on
their allairs ol the
heart
The lady was hor-
rified and all wrought
up at the idea. 1 he
next time she saw
Bierce she questioned
him, as whether or
not he had ever
brought up her name
to dissection, experi
ment and observation
ot this kind
"My dear," replied
Bierce, solemnly,
kindlv and gravely,
"of course not I have
never been able to get
the tloor
l^^or lor the tech-
a.^1 nical golfer, but
tor the casual obser-
ver do we recount
something about the young marvel who
has astonished the golfing world by his
meteoric career, but who is still un-
heralded outside ol golldom due to the
comparative recentness ol his appear
ance
Horton Smith, ol Joplin, Missouri,
age 2i, the largest money-maker in the
golfing world, has dctcated every pro
tcssional golfer ol note this side of the
Atlantic. He emerged unknown from
the Ozark Mountains two years ago
He entered the ranks of professional
goltdom, and during that time has held
the amazing stroke average of 72, lower
than any "pro" in the country. Last year
he collected some twenty thousand dol-
lars in cash prizes, the largest lump sum
being the Maimi La Gorce first prize
which was $5,000.00. (Walter Hagen's
efforts during the year are said to have
netted him only eighty dollars1)
— ■
efiafcw^ww
'/Voir, if Madame will lake a deep breath. I trill hook it."
He is said to have started out by
hopping freights as a method ol con
veyance to many ol the tournaments, a
story often connected with impecunious
young golfers.
His most recent achievement was the
dele.u ol Bobbv Jones a few weeks ago
in the "Savannah Open," by the close
margin ol one stroke. Had Jones won,
as an amateur he would have been in-
eligible to receive the cash prize, which
would have gone to Smith anyway, as
the pro with the lowest card However,
the scalp ol Bobby Jones is more coveted
than any cash prize, and both players
outdid themselves during the match,
breaking the course record, Jones with a
65 and Smith with a 66 — nine and eight
under par.
Whether Jones has met his equal
remains to be seen, as Smith has not been
in the field long enough to have estab-
lished position, and as
yet has no title of im-
portance. The United
States Golf Associa-
tion has recently pass-
ed a ruling which
provides that if a
golfer retires from
professional ranks tor
three years (provid-
ing he has not played
professionally for
more than five years)
he may apply tor rein
statement as an
"Amateur " Should
Horton Smith choose
to take advantage of
this ruling he will, ol
course, be eligible tor
amateur matches, and
it would be difficult
to name a more likely
successor to the
throne which Bobby
Jones still holds as the
world's greatest
gollcr
As an individual,
Smith is a clean-L
ing, tall, blonde chap.
with a likeable per
sonality As a goiter
he is noted tor his
extraordinary ac
-V curacy on the putt
\ \ ing ere e n , and is
)f\ very long from the
tee San Franciscans
will have the oppor
tunity ol seeing him
in action in the "San
1 r .1 n Cisco Op e n
Match Play," which
is being sponsored by
12
THE SAN FRANCISCAN
mmmm i ii mBmmBm
Beaux Arts Policeman: (Pointing to the Cezanne) Nothin' like a bit of green to pick you up!
APRIL, 1930
13
the San Francisco Junior Chamber ol
Commerce 1'hc purse is $7,500.00
There will undoubtedly be main- veteran
"pros" competing, in fact it will be one
ol die neatest golfing events ever held
in S.m Francisco
At a Sunday luncheon, given in
L honor ol the Coolidges, while they
were recently visiting in Los Angeles,
the honorable Calvin was seated nexe
co a woman who did her best to enter-
tain him and, it possible, to draw him
into free conversation.
She met with neither cooperation, nor
success, ic being strictly against the
Coolidgian policy to utter unwarranted
words, unless, ot course, tor magazine
purposes and suitable compensation
After two or three unsuccessful and dis-
couraging attempts, she bethought her-
self ot a point that seemed to offer ideal
possibilities tor engaging the ex-presi-
dent in conversation. There ensued a
dialogue about as follows:
Guest: "You and Mrs Coolidge at-
tended Divine Service this morning?"
Mr. Coolidge: "Yes."
Guest: "Did you enjoy the sermon?"
Mr. Coolidge: "Yes."
Guest : "What did the minister talk
about1"
Mr. Coolidge: "Sin!"
Guest: "How interesting, what did
he say about sin?"
Mr. Coolidge: "He's against it."
A San Franciscan sportsman who
recently returned trom a hunting
trip in the tall timbered section ot Cali-
fornia tells yarns just as tall regarding
his experiences with the primitive folk
ot the region. Among other things he
recounts that he lost a pocket mirror
along a rustic trail. He was looking for
it when he saw a lank mountaineer pick
it up.
The man studied it closely "Well,"
he said finally as he looked in the mirror
"If it ain't my old pap 1 never knowed
he had his pitcher took
It was several days later that the man
heard the rest of the story. The moun-
taineer took the mirror home and stole
into the attic to hide it But his actions
didn't escape the notice of his suspicious
wile. That night while he slept she
slipped up to the attic and found the
mirror.
"Hum-um." she said, looking into it
"So that's the old hag he's been chasm'."
T.ii angels m heaven get water blis-
ters on their fingers and cease to
strum their celestial harps; -the rubber
in the Turkish Bach has lost his ego and
turned lingerie salesman, but Bernard
Shaw continues to impose his stilted
views upon a crass and eager public
Through the mouthpiece of I razier
Hunc, die genicor ol many a stilted
theory on human nature has bequeathed
his latest, a laudation of American Pro
hibition to the readers ol Hearse's Inter-
national Cosmopolitan.
In the article labled "Shaw's Views
on Booze," the versatile George Bernard
points out that America's Prohibition is
a wonderful experiment for the simple-
reason thac America has gone uncon-
ventional and actually risked unpopu-
larity. And to Shaw, with his galaxy of
true Shaw abstractions, to be uncon-
ventional is the quintessence of perfec-
tion.
Mr. Hunt, whom we can scarcely
blame tor the sentiments expressed in
this article, further quotes the famed
British author as defining drink as the
"chloroform to the poor man that suffers
him to endure the painful operation of
living" and as stating that "without his
Saturday night liquor the poor man
would soon grow morose and his wife
"Do you think Dnrtvin UXU right?"
'"Say, I don't even believe in Lon
Chaney any more."
would soon beg, him to scart his drink'
ing again." But alter these rather ex-
treme remarks, the gist of Mr. Shaw's
intentions become apparent and the
mosc casual reader is able to understand
his hidden motives fur with the intro-
duction of Shaw's "love in a cottage
idea" with every man possessing an
abundancy of worldly goods, it can be
easily discerned that Shaw merely in-
tends more propaganda lor his own
Socialistic theories But Shaw is Shaw,
and the masters cannot be desecrated, so
this most asinine article passes un-
censored . . .
F.jom "The Bostonian." Many have
worshipped Isadora Duncan but
it remained lor a young Boston book-
seller to deify her In a window of the
Barn Booke Shoppe, flanked by Fra
Angelico angels and lighted by an am-
ber vigil-lamp, stands a photograph of
the graceful pagan holding her babe in
her arms. About the heads of Madonna
Isadora and her off-spring gleam golden
halos painted there by the loving hands
of the book-shop proprietor himself.
San Francisco, by way of being
serious, is the just recipient of much
favorable comment for her prudent
treatment ot the agitators during the
recent labor uprising in this city. While
the police ot New York and other cities
were beating back the parading mobs
with violence and bloodshed, San Fran-
cisco wisely allowed the would-be Com-
munists to parade to their hearts' content
and finally to terminate their march
before the City Hall
Down by Yacht Harbor, folks are
still talking about the man in the
rubber suit whose familiar cry of: "I
am going in the watah! I am going in
the watah in my rubbah suit!" — echoes
along the beach on Saturday afternoons
And someday, some nice man with a
bow and arrow will get an inspiration
when he sees the figure in the inflated
outfit paddling over the waxes
One of San Francisco's enterprising
minor officials ot the City Hall
was sent to take an inventory ot the
property in a house When he did not
return for three hours, his superior went
alter him, and found him asleep on a
lounge in the living room ot the house
He had made a brave effort with his
inventory, however, lor he had wntcen
down: 'Living room — one table, one
sideboard, one full bottle whisky Then
the "full" had been crossed out and
"half lull" substituted Next this was
overlmed. and "empty" put in us place
At the bottom of the page, in wobbly
writing, was written "One revolving
carpet
14
THE SAN FRANCISCAN
lit Defense of Extremists
. . . Stating the Case of the Moderate Gentleman vs. the Intense One
bv EMERSON FOOTE
One of the vagaries of every-day
chinking that has appeared in re-
cent years is the growing disposition oi
many talkers and writers to hold in com-
parative disrepute any kind or an ex-
tremist Deriding extremists is a great
pastime To he, in the eyes of one's fel-
lows, a first class obstacle to the ad-
vancement of civilization one needs
only to become known as an extremist
— of whatever sort Whether an ex-
tremist on religion, prohibition, politics
or even golf, whosoever tails in this un-
popular category is generally regarded as
a sort of lunatic whose opinions and
views are to be taken lightly. The intel-
ligentsia, those selected ones whose bril-
liance is exceeded only by their sense of
being bored, have branded the extremist
as a stupid menace to the development
of a truly broadminded and intellectual
society.
But luckily for the progress of man-
kind there is usually little connection
between the transient views of pseudo-
sophisticated thinkers and the actual
status of affairs. The issue of the ex-
tremist is no exception
It may be a good thing that every-
body is not an extremist, just as it is a
good thing that everybody is not born
to be a Napoleon or a Lincoln or a
Pasteur. As a matter of fact there is a
very close relationship between extrem-
ists and great men. Not all extremists
are great men, by any means, but nearly
all great men are extremists
We may observe that the word ex-
tremist, as currently used, generally ap-
plies to an extreme advocate of some
moral measure One who is extremely
immoral is apt to be regarded as broad-
minded and liberal But anomalous cur-
rent interpretations should not prevent
us from considering extremists as such.
/^n extremist does not have to be a
Xm mentally stunted bigot An ex-
tremist is one who is firm in his views
on certain subjects, who believes what
he believes to an extreme extent and is
unremitting in the carrying out of his
ideas However, critics of extremists
need not claim they use the word synony-
mously with intolerant tanatic, bigot,
etc. To do so, of course, would be in-
correct; but their's is no error in terms.
Extreme and intense devotion to any
cause, save athletic, is just about as un-
popular in most college circles, for ex-
ample, as sheer bigotry would be The
up-to-the-minute sophisticate eschews
all such things
In chis day when moderate people,
conservative thinkers, broadminded (so-
called) men and women are exalted to
hitherto unenjoyed heights, it is well to
consider who has put civilization where
it is — the moderate gentleman or the
extremist
Of course, moderate gentlemen are
vitally important units of society. Be-
sides filling the jobs or clerical workers,
laborers and farmers they have roles of
distinction to play in judiciary, legisla-
drift
by Whittier W. Wellman
We found him on the beach at Meg,
Cone raving mad from loneliness
When all the village died of plague,
That flamed and spread from his caress.
We knew him as a tramp of sin,
Insane with fear, a stupid clod,
With creeping poison in his skin.
And yet, the niggers thought him Cod!
tive and many other fields Everybody
likes the calm country gentleman But
take your great leaders of all time, those
dynamic personalities that have forged
the destinies of the world What were
they — moderate gentlemen or extrem-
ists?
Suppose we start with a figure belong-
ing, relatively, to our own times — Abra-
ham Lincoln Ah, you say, a beautiful
example of calm, tempered judgment
Undoubtedly; an extremist is not ex-
treme in his every action. He is usually
extreme chiefly in what constitutes his
greatness Did Lincoln mildly teel that
the slaves of the United States should
be freed? Rather, he willed with his
whole mighty heart that slavery be
abolished. For him there was no com-
promise with the evil. He would not
yield, though he knew remaining ada-
mant meant the splitting of his coun-
try Lincoln, the Great Emancipator,
accomplished his purpose; and he ac-
complished it not because he merely
held the theory that slavery was wrong
but because he was at heart a rampant
abolitionist — an extremist of the first
water. Consider also his great contempo-
rary and opponent, Robert E. Lee. What
kind of an extreme believer in states'
rights, what kind of a Southern patriot
was he to leave his post at the United
States Military Academy to lead the
Southern armies against his former con-
freres7 Lee, clearly an extremist, took
his place with the world's few great
generals.
Going on back through the centuries
to the year 33 A. D we come to the
One who, whether we accept Him or
not, has more profoundly affected the
world's development than any other
character in history How would our
modern sophisticates classify a Man so
firm in His convictions that He delib-
erately brought upon Himself death on
the Cross rather than give up His pur-
pose in life? What kind of a radical ex-
tremist was this Man who wandered
over the country with no place to lay
His head, enduring heart-breaking perse-
cutions, for the sake of what appeared
to be a hopelessly idealistic philosophy?
Pontius Pilate is a good example of a
conservative, moderate gentleman; and
what is he, with all his regal Roman
robes, in comparison to the Man he
turned loose to the bloodthirsty rabble1
The only reason Pilate's name was not
long ago lost in the dusty ruins of Ro-
man records is because of his participa-
tion in the affairs of Jesus of Nazareth —
the Transcendent Extremist
And what of those who kept alive
through dark periods of history this
Christian faith The martyrs who pre-
ferred death to sacrificing their faith
were extremists of superlative degree
And it is to such individuals that we
owe the whole of the Christian Religion.
But for extreme believers, ready to die
for their cause, Christianity would long
ago have been stamped out under the
heel of materialism
The realm of statesmanship is replete
with outstanding extremists Mus-
solini is a good, strictly modern example.
Black-shirted parades and Fascist mass
meetings were not products of an unper-
turbed, moderate mind Whatever we
may think of Mussolini we must ac-
knowledge that he has carved for him-
self a niche that will endure long after
modernistic liberals have faded into
oblivion.
Single out any really great man, ana-
lyze the thing for which he is noted and
see if he has not been an extremist about
that particular thing. Edison, Rocke-
feller, Burbank, Ford, Carrie Chapman
Catt and countless other great Ameri-
cans have been unyielding extremists in
the carrying out of their life's work.
With definite ideas and aims in life they
set their courses and, unaffected by pass-
ing whims and notions, continued on
their way until what once were idealistic
Continued on page 40
APRIL, 1930
IS
II. II. l..-i\\ r«'ii<-«'
In tribute to the work of D. II. Lawrence who died in France on March 3, we
inilili-li this camera portrait of him made by Edward Weston in 192 1 when
Lawrence was in Mexico gathering material for "The Plumed Serpent." one tif
hi.s most widely known novels.
16
THE SAN FRANCISCAN
The Port of San Francisco
This view of the waterfront, as seen from Telegraph Hill, is one of a group of
San Francisco paintings by Rinaldo Cuneo to be exhibited in Rome this Spring
in response to a special invitation by an associate of Mussolini. Cuneo, a native
San Franciscan, leaves for Italy this month to be present at the showing and to
paint the landscape familiar to his forefathers.
APRIL, 19.10
IT
Solder Hires a Carriage
. . . Anil IVIU » Moi-v 4 loneerning a Ortain I'arishui Spring Kvi'iiing
by ELIZABETH LESLIE ROOS
Four ol UN were sitting around a table
on the Terrace ol Pierre's little
grogshop, my fellow student at Julien's,
a Russian whom we had nicknamed
Baba and two little "poules," models at
the Academy, dark - eyed demoiselles
from southern France
It was a Spring evening, about twenty
five years ago. The American invasion
ol Montmartre had just begun. The
tourists in earlier years had contented
themselves with a visit to the Moulin
Rouge, and had hurried hack to sup at
Maxmes. or to further explore the Rive
Gauche. Now thev tarried on the hill
and found the new held vastly enter-
taining
The people ot the quarter and the
students retreated to the tarcher slopes of
Montmartre. Here the view was lim-
ited, but so were the prices. We had
finished our simple meal. The warm,
solt air, the scent of tresh growing
things, made us think of our childhood,
ol other Springs spent at home.
Baba in bad French explained to us
the breaking up of ice on the Volga, the
torrents of rushing water, and the magic
reawakening ot the cold earth after her
long shrouded sleep The girls spoke of
Spring on the shores of the Mediter-
ranean, the sea aglitter in the sun, the
fragrant mimosa and the banks of wood
violets, the lure of the roads, like white
ribbons stretching over the country side,
not yet dusty in the heat of summer I
told them of California, of Monterey,
the roar of the ocean, the sand dunes,
oaks and hillsides covered with golden
poppies, the grey fogs and soft melan-
choly days.
We sat silent tor a few minutes.
"Come," I said, "who can be sad on
such a night, we will go to the Bois in
search of Spring, riding in the swiftest
fiacre in all ot Paris!"
This proposal was greeted with shouts
ol glee Just then I caught sight of Solder
in the bar and beckoned him to join us.
He came forward with his slow, light
step, unusual in one so big and heavv
"You go driving in the Bois, did I
hear you say? .Allow me to recommend
my friend, Jean Batiste, such a coach-
man, such a horse, truly if you go with
him you go in the swiftest fiacre in all
Paris " He stood in the doorway, cap in
hand, with one foot on the rung of a
chair he had drawn toward him from a
nearby table
older did all the odd plumbing jobs
of the quarter He had no other home
than this little grogshop, which served
him as office, workroom and official
residence. When in need of a plumber,
one went to fetch him, and had literallv
to drag him forth On the rare occasions
when he was engaged elsewhere, one lett
a message for him with the patron
Solder would arrive at the house where
his services were required, usually hours
late, often to find a flood which might
have been averted had he come in time.
Many times a little drunk, he was always
rc.ulv with glib excuses. A low bow to
Madame, a gift of putty to the children,
before proceeding with his job, would
usually win him back the affection of the
family. His popularity, in spite of his
many faults, was such that when a
young plumber with a license to practice
his trade rented a little shop and hung
out his shingle, he was looked upon as an
intruder and his presence considered an
impertinence He had either to move or
to starve to death
On this particular Spring evening.
Solder was about sixty. He was a huge
man with a head topped by a mat of
sandv hair, like the weather beaten
thatch ot some neglected Normandy
farm house. His small eyes completely
disappeared when he laughed, which was
often, his great Cyrano nose was bright
red. He wore a dirty blue workingman's
blouse, red kerchief knotted about his
throat, and old velveteen breeches
"Solder," I said, "sit down and have
one last drink with us before we go in
search of Spring, then we shall leave the
selection ot fiacre entirely to you "
"Gladly, mon Petit, and before you
do, let me tell you a little story Once 1,
too, was romantically inclined " He
drew his chair to the table and sat down
I beckoned the grimy little garcon and
ordered drinks In a moment he reap-
peared with five liquers, deposited them
on the table and disappeared.
Solder began, "A long time ago. 1
sat on this very terrace; always I
have domiciled myself here as you know,
and contemplated the season ot the year,
the acacias in bloom, the verdure ot the
forests, and the beauty ol the night I
said to myself, 'Solder, mon vicux. do
not be content with a few buds and
leaves which you can touch by a stretch-
ing out of the hand ! No ! Go out into the
world in search ot the Sublime Season — ■
en avant!' I arose but where to go1 To
the Fortils'" With his usual courtesy he
turned to Baba, — "As a newcomer, per-
haps you do not know that we call the
bortils the ancient lortifications of
Paris, partlv in ruins they are and over-
grown by mosses and grass Perhaps I
had a little much to drink, but as the
road traverses the cimetiere and I stood
on the bridge and looked down upon
the graves, I indulged in philosophic
thoughts of life and death. Too bad I
lu\c forgotten them, but let us proceed
"I reached the fortifs — what beauty'
How soft and tresh and still everything
was, a night made for love, and in those
days, Mesdames, I was not an old man
"I looked about for adventure Even
had the spot not been a lonely one, what
chance had I with such a face and no
money7 Romance was not for me. Yet
life was sweet; I lay on my back on the
grass and contemplated the stars
"Tiens tu a de la chance quandmemt.
Love entails great difficulties : loss of
liberty, responsibility, forced compan-
ionship. Someone once said 'It is better
to be always alone than never alone.'
"I arose; it was getting chilly. The
wall was wide and I had a sudden desire
to walk to the edge and gaze down upon
the old moat. That is all I remember.
The next thing 1 knew I was lying in the
mud amid broken glass and debris thirtv
feet below.
"I was able to pick myself up, and
bleeding from several cuts on the head
and hands, and with a great stiffness of
the body, began the return journey.
"Painfully I proceeded, passing
through the Porte St. Ouin and up the
Rue St. Ouin. Arriving at the Place
Clichy, I saw great crowds ot people
Too tired to stand, but tilled with a
curiosity, 1 sat on the curb and watched.
"There had been an accident. Two
omnibuses had collided There was much
excitement; men shouted, women
wailed, and the gendarmes with usual
efficiency added to the confusion ot the
scene
"Then Mesdames, Monsicurs, what
happens7" At this point Solder arose and
moved his big hands toward heaven.
\\ c assured him we didn't know and
urged him to be seated
"I am lifted from my comfortable
position," he said, incongruously seating
himself; "I. a giant of strength' And like
a bebe am thrust into a sort ot ambu-
lance Off we rattle over the pave, until
I thought every bone was broken At
last the horses halt I am removed and
_ Continued ■>" pas
18
THE SAN FRANCISCAN
Helene Sturdivant
Zoe A. Battu
As author of "Tin Types" and the current series of articles on the history of
San Francisco journalism, Zoe Battu deserves honor as our most consistent con-
tributor. A serious type of sophisticate, she is one of The San Franciscans to write
observations for "Now It Can Be Told" where, under the guise of group anonymity,
she forgets for the moment to be historical.
APRIL. 1930
19
Journalistic* Dynamite
. . . Tlio llravo Hi rlh of ;i I\i|ht Laloly i
On mi afternoon ol October 8,
iSsi. there appeared on the streets
ol Mn Francisco a new newspaper, / fee
Sa I ancisca Bulletin In itself, this
event was nothing to cause comment
The time and place seemed particularly
auspicious tor the starting ol newspapers.
The editors and publishers, who started
daily papers in San Francisco during the
is; s. were legion A tew ol the publi-
cations survived lor some years; by far
the greater number ol them died early,
inglorious deaths
This new Bulletin, however, was
destined to no such premature end That
was evident lrom the lively fashion in
which it was bought from the newsboys
at its first appearance, and from the ab-
sorbed manner in which the purchasers
read its news columns and editorials
The editor, as cverv San Franciscan of
the time knew, was James King of
William, erstwhile banker, who tor
some months past had been airing his
views on the prevailing low state ol San
Francisco's politics, banking and legal
machinery in Fifee Aha California It
was the vigor and daring of these views,
as expressed in The {ha, which led the
town's citizens to so quickly buv up the
first issue of The Bulletin, and to rejoice
or shake their heads over King's entry
into the newspaper business.
KiNc, had come to California in
i^jS His home had originally
been in Washington, D C , where for
several years he had been connected with
a private banking house, Corcoran and
Riggs His first California connection
was with Henslcv ex Reading, a Sacra-
mento merchantile firm In 1852, King of
William organized a bank in San Fran-
cisco known as James King ot William
cv Company He launched this venture
at a time when San Francisco and its
citizens were possessed with a craze for
speculation King o( William had un-
usual ability and experience as a banker,
but he was not able to keep his house
solvent and afloat in the precarious tide
of ill-advised financing and banking
practice in winch he found himself Late
in 1S53, King ol William & Companv
was perilously close to bankruptcy, but
open failure was averted by merging
with Adams cv Company, express and
banking concern Kin ^ entered Adams
& Company as head of its loan depart
ment at a salarv of $1000 a month He
had been able and willing to reimburse,
lrom his private means, the greater part
of his creditors, and so his personal honor
and intcgntv were not shadowed by his
bank's difficulties
During the latter months ol iS^j and
during '55, San Francisco's top heavy
financial structure suffered the inevitable
collapse, and in 1 8^54 the debacle swept
Adams cv Companv completely out ol
existence King ol William had forseen
the general disaster He had perceived
also that Adams cv' Company was suffer-
ing from mismanagement and over-
speculation in unsound and unjustified
building and development enterprises
and mining schemes He had protested
vigorously to his associates against the
watered and manipulated stock deals in
which the bank was involved, but to no
purpose.
Following Adams & Company's
failure, King ot William devoted him-
self to exposing the causes therefor in the
newspapers. T"Ae Herald and The Aha
California were the leading dailies of the
time. The Herald was not kindly dis-
posed toward King but The Aha opened
its columns to him. In a series of signed
writings and letters, King explained the
failure of his own bank as being due to
the embezzlement of large sums by a
trusted cashier, who was secretly the
treasurer ot the Tuolumne Hydraulic
Association, into which he put the stolen
funds. King also explained, in terms un-
derstandable to the general reader, the
abuses and irregularities that had caused
Adams cv Company to tail, and the legal
tricks that were being employed by the
defunct bank in order that its depositors
and stockholders would never have to be
reimbursed for their losses.
At this point, other writers jumped
into the fray. On one hand. King was
roundly criticised for betraying the inner
secrets of and breaking faith with a
house which had been good enough to go
to his rescue when he was into water too
deep for him On the other hand, he was
condemned tor keeping silent as long as
he had in the face of so much "inside"
knowledge. To all critics. King gave
spirited replies, and for some months
there raged a small but heated war, in
which the man became known to all San
Francisco.
King's policies and aims for The
Bulletin were simple and to the
point — to make war to death on all
those forces and individuals whose mis-
deeds were making San Francisco a place
of terror and which had caused King the
loss of his fortune His methods were
tearless, direct and personal He shortly
inaugurated a Rogues Gallery In it there
appeared the pictures of San Francisco's
corrupt nidges, thieves, swindlers, mur-
derers, politicians, lawyers, bankers.
omo to a Dubious Entl
by ZOE A. BATTU
gambling house keepers and the like
whose flouting and evasion of the law
by means of technicalities was con
tinuous. open and shameless. Beneath
the picture was text, giving details of
dates and places, relative to the mis-
demeanors of the person in question
King's exposures of the faulty practices
within the city's financial circles and
those responsible for them were merci-
less and his agitation for an adequate
banking code was able and continuous.
Early in 1S56, King of William was
provided with the type of story in which
he gloried. Belle Ryan, queen of the
underworld and mistress of Charles
Cora, the town's king of gamblers, was
present at a certain theatrical perform-
ance attended by William Richardson.
U. S. Marshall, and his wife Mrs
Richardson so resented Belle Ryan's pres-
ence that her husband was moved (pos-
sibly to keep the family peace) to make
disparaging comment upon her presence
in the theatre. This incident reached the
ears of Cora, who so resented the insult
to his mistress that, meeting Richardson
in a saloon a day or so later, he took him
to task for it. A quarrel flared up and
Cora shot Richardson.
Readers of The Bulletin lacked no
details of Cora's life nor of Belle Ryan's
life. When the jury, before which Cora
was tried, disagreed and he was held for
second trial, King recounted all the
sordid details of the affair and dramati-
cally called the wrath of heaven upon
Belle Ryan and all her kind
Toward these journalistic fireworks,
the other papers generallv maintained a
non-committal detachment Tlfee Aha
California contented itself with setting
down facts of the many murders,
swindles, robberies, sluggings and mis-
carriages of justice that occurred prettv
much as they happened and to serve
news purposes onlv It avoided inflam-
matory editorial comment Tifee Herald,
owned and ably edited by John Nugent,
had never had any faith in King nor his
methods and contrived discrcctlv to let
the tact be known Toward The Herald.
King was particularly bitter, declaring
that it was the subsidized and hired
organ of David C Broderick, boss of
San Francisco and the California Demo-
cratic partv The Tunes, owned and
edited by James P Casey, politician, w as
another paper against which King di-
rected his searching exposures a course,
which finally cost him his life
A month or so after the Richardson
killing and Cora's trial, a city elec-
tion was held in which Casey was elected
Continued on page 32
20
THE SAN FRANCISCAN
Hem*
JfaMi
Drawings and self-portrait by the French modernist who visited
San Francisco during March on his way to the South Seas where
he will sketch and paint before returning to America to serve on
the art jury of the 1930 Carnegie International Exhibition.
.A I'll 1 1.. 1«H0
21
SpotH Villi
Obsen ations .-mil roum i on si Lament al»l<k lira hi a l i«- Situation
By CHARLES CALDWELL DOBIE
Tin theatrical dog days seem to have
descended upon San Francisco I ven
such an outstanding event .is the opening
til a new Columbia rheatre during the
month gave the town nothing to treasure
.is .i memory beyond the lovely appoint
ments ol the theatre itself "The Perfect
Alibi" i! it be remembered at all will be
treasured as a horrible example tor aspir-
ing mystery play authors as to how not
to write a detective play There is no
playwright living skilllul enough to
make this sort ol opus entertaining alter
the murder has been committed before
che eves ol the audience To know who
did the deed is to rob the onlookers of all
expectation ol shocked surprise Taking
the audience into the author's confidence
may be the proper procedure in every
form, except one, ol the drama and that
one exception should remain true to its
tradition, thereby proving the rule The
teehnic ol a mystery story, either upon
the stage or between the pages of the
book, has not been evolved to no pur-
pose Anyone who violates it has his
blood on his own head
The audience thac assembled to see
the new theatre and to be charmed by its
subdued gaiety and the perfect presenta-
tion speech which Blanche Bates made
came well ted and properly exhilarated
for the event It was full ol high spirits
and expectation It still retained a
measure of hope atter the fall of the cur-
tain on the murder scene But the tol-
lowing act had not proceeded ten min-
utes betore a battcrv of coughs began to
shoot out from every nook and cranny ol
the auditorium This barrage ol bore-
dom never ceased once during the re-
mainder of the performance
We show d like to scold someone
about the state ol the drama in
the Citv by the Golden Gate hut who
shall it be? Are the managers, the talkies.
or the lack of traveling companies at
tault7 Perhaps all three Perhaps we are
merely in the late Spring doldrums
before the rush ol good things begin
Summer is usually the high tide ol theat-
rical fare out West Let us hope our c\
pectations are not raised too high Let us
hope we shall still sec some ol the Broad
way successes with their original casts
loo often have we suffered from inad-
equate casting of Coast productions ot
New York box otiice hits We have only
to think of how "Let Ls Be Gay" was
mangled bv a unspeakable cast, or
"Burlesque", or in a less degree "Her
Cardboard Lover " We are not against
Coast productions Indeed, considering
all the talent King around waiting lor
invitation in llio maiiiior
of
Dorolhv I'arkor
1 came to you —
Then when away,
^ on \tant me hack?
Though not to slay!
What do you want —
Do you know?
Love to die
Or love to grow?
Maybe l"II come —
Perhaps I shan't.
Do I want to?
What if I can'l?
I came to you —
And I shan't stay.
But I'll come baek
If just for a day!
jobs at Hollywood, a Coast production
might very well rival a Broadwav one.
And that this is possible was abundantlv
proved bv such splendid Coast achieve-
ments as "Broadway," "The Front
Page" and "The Marriage Bed " It is
hard to put one's finger on just what the
inadequate Coast production lacks. Very
often the actors are competent enough
But they have no "class." And the direc-
tion leaves much to be desired In com-
parison with a well directed "talkie" a
poor legitimate production is a sorry
affair even it the difference in price is not
taken into account When a man pays
two dollars and a half, and often three
dollars, for a seat to see a legitimate
show he is sore it he doesn't get his
monev's worth When he goes to a
movie palace and sees a show for sixtv-
tive cents he naturallv isn't so critical
There have been a lot ot reasons assigned
for the poor conditions in the show
world todav but the one that is seldom
mentioned is the price We don't know
how the price can be reduced but we are
certain that it will have to be if the legit-
imate stage is to hold its own. The other
alternative is alwavs to be presenting
corking shows by corking authors done
by corking actors The American public
will pav tor what it finds good And it
will kick when it is short changed You
can't blame a man for going to see
"Sa!U" as a talkie lor a little over fifty
cents and coming away pleased with the
I arc provided And you equallv cannot
blame him tor feeling sore at some of the
God-awful alleged musical comedies
that have peddled in the local theatres
this last season at five times the money
In the end, he stavs awa\ from the e\
pensive show that has nothing but the
personal appearances of nonentities to
recommend it Theatre-going is a habit
and it is suicide to break the link in the
chain of habit with bad productions.
Perhaps we arc talking through our hats
But, if we are, we have only to think of
the success of Eva Le Galliene in New
York with her legitimate theatre charg
ing a top ot one dollar and making good
at it Doubtless she has found a way of
cutting down the overhead But, if one
producer can do it, others should be able
to do the same thing
Tie one bright spot in serious enter-
tainment wasthe visit of the German
Opera Company. We confess we went to
the initial performance of the "Ring"
with trepidation. We feared an inade-
quate company, bad staging, an indif-
ferent orchestra We feared, particularlv,
the hazard of finding that our taste for
music drama had changed But, on every
score, we were agreeably disappointed.
Considering all the difficulties that a
traveling opera company faces, the results
were remarkable. More than this the in-
comparable but sometimes tedious
Wagner had been cut to advantage.
San Francisco responded generously to
the fare offered it but it should have done
even better Capacity houses should have
been the rule instead of the exception.
But, at least, we can take comfort that
we did immeasurably better than Los
Angeles. Mr. Behevmer, of that over-
whelmingly cultural city, expressed the
opinion in the local press that there was
a large doubt whether the Citv ot the
Angeles would get another opportunitv
to listen to the German song birds
In San Francisco the smart set turned its
back upon the venture, only halt ot the
scant supply of boxes being taken But
what the audiences lacked in opera cloak
and pearls it more than made up in in-
telligent musical appreciation It was
not the typical circus audience that turns
itself loose to elbow "class" in the foyer
and be ravished bv the three ringed effects
of such shallow musical offerings as
"Turandot."
One thing the organization had in
abundance and that was a marvelous
sense ot team-work There was a sure
touch in even move that was made
Doubtless this is the result of repeated
performances across country The chorus
work was particularlv tine a perfect
ensemble that never suggested hack
direction Of' the leadership ot the or
chestra it is suffice to sav that it was so
Continued on pa|
22
THE SAN FRANCISCAN
The Book Doctor
Picture The Book Doctor, several
years ago, leaning against a Paris
bookstall and chuckling over the high-
colored sketches in an absurd manual for
those who feel they must do away with
themselves. The book, by a Gaul named
Jean Buller, has at last been translated as
21 Delightful Ways of Committing
Suicide, (Covici, Friede, $2) andappears,
pictures and all, with a preface by Corey
Ford. At present I'm practising up on
Method No 21, "Suicide Through Ex-
cessive Longevity" ... I confess very
little gratitude to these revealing writers
who are bent on throwing a pitiless cal-
cium flare upon the few last mysteries of
Africa. I like my Africa dark, jungly,
and Haggardish, and hate to have it re-
duced to the dimensions ot a snapshot
showing a lady in a sun-helmet standing
triumphantly on the snout of a defunct
hippopotamus. If every lion-killer is
going to come back and publish another
expose of Heart of Darkness, I'll start
rooting for the lions . . . Another con-
tinent which is getting lots of attention
in the book ads this month is Australia.
But that's something else again; we all
ought to know more about that region
back of Sydney How many of you real-
ize that Australia is almost as extensive
as the U. S? Or that it is the smallest
continent and largest island on the globe,
and comprises one-fifth of the British
impire'
No, The Doctor didn't
think up all those figures himself. They
were cribbed from the Encyclopedia
Britannica, Fourteenth Edition. The
reverend editors of that compendium
will be cheered to know that I think the
new edition — subjects, print, and pic-
tures— is just dandy It's fine for brows-
ing and everything from "Ai at Lloyds"
to "Zygote" is treated in exciting style.
Incidentally, the Encyc. Brit, is one ot
the bookseller's best bets. . . . And Ernest
Hemingway has now been elected to the
Modern Library with The Sun Also
Rises, which makes it unanimous. . . .
Mmm! Poring over spring lists makes
one's mouth water. Mine is all set for
the following treats : Pete Kyne's Golden
Dawn, Mrs. Rinehart's thriller The
Door, Hank Mencken's Treatise on
the Gods, and Al Huxley's Brjef
Candles. My, my, what fun, what fun!
Pen and Sword
"Cyrano; Swordsman, Libertin, and
Man of Letters," by Cameron Rogers.
Doubleday, Doran. 1929. $3.50.
Our old friend, Cyrano-Savinien-
Hercule De Bergerac, the Gascon
with the long sword and the long nose,
returns to swashbuckle through several
Presenting a Balaneed Diet for April Reading
by A. GROVE DAY
C. Keith, Big Bill Heywood, and other
Americans; and finally, the stories ot
five characters whose trails cover much
ot the country and at times intersect.
The book includes the years from
1900 to the date ot America's entry into
the war, and forms with Three Soldiers
and Manhattan Transfer a roughly
consecutive presentation of our national
teelings and complexes as felt by a poet.
In the five years since he gave us the
feverish Manhattan Transfer, Dos
Passos has crystallized his experimental
style, and settled down to tealizing its
possibilities His rhythms are more sure,
his method more convincing. He has
learned carefully to avoid climax, and in
The 42ND Parallel there are none of the
untimely disasters with which he cleared
the stage in his earlier book.
Dos Passos can bathe us in a mood,
and make us joy in his character creations
for the sole reason that they are scrupu-
lously lifelike. He knows how it feels to
be inside the skins of all sorts of Ameri-
cans, and knows how to make us feel.
The population of his sprawling map —
Mac the "wobbly," the lady intetior
decorator, Janey the stenographer, the
high-pressure public relations counsel,
the kid Charley, and all the rest — are
quick with vitality, and engross us
because of their very existence. How-
ever, since Dos Passos leaves little
unsaid on the seamy side, his books are
not recommended as bon voyage gifts for
your Aunt Nettie.
Prose and Piety
"The Woman of Andros," by Thorn-
ton Wilder. A. & C. Boni. 1930. $2.50.
hundred pages of adventures, new and
old, in Mr. Rogers' breezy biography.
Research into Parisian archives has un-
earthed documents which for the first
time reconstruct the real Cyrano, who
after all differs little from the hero of
Rostand's sweeping play. We are given
in turn the young, romantic Casteljaloux
cadet, the roisterer of the taverns, and
the author of "The Pedant Made Game
Of"; and his exploits are dashingly pic-
tured in the block prints of George
Mian.
Mr. Rogers has done a good job, and
his portrait of Cyrano will warm the
cockles of those readers who like capable
fictionized biography.
The Carbonari Web
"The Rebels," by Alfred Neumann.
Knopf. 1929. $2.50.
Read of the Tuscan threats and plots
Of Gasto Guerra, crafty spinner,
Who heads the skulking patriots
And strikes through Gioia, broken sinner ;
Read, too, of Checca, conscience grim,
Old Gioia's sin (a vixen creature) ;
And scheming Madda, dark and slim;
And La Princessa, fine of feature- — -
Black rebels all: while pale and dumb.
Of death and riot apprehensive,
O'ershadowed by the beggar's thumb
The town awakes to the defensive.
Read, in short, a rattling tale
Of motives on a complex level;
A book that's sharp as any nail
And just as clever as The Devil.
Dc
The Neiver Realism
"The 42ND Parallel," by John
Passos. Harper s. 1930. $2.50.
I^^Tqt since O. Henry invented the
X^l well-made short story has America
given the world a fiction form more
typical, more responsive, than the prose
libre ot which the work of John Dos
Passos is the best exemplar.
The group of prosateurs using this
new instrument of sensuous actualism
might be called the "flick-flick" school,
for although they started out by attempt-
ing to naturalize Mr. Joyce's Ulysses,
their later books unreel themselves like
moving-picture film, and have all the
spinning, photographic jerkiness of a
celluloid technique. Indeed, to one
unused to the unconventional conven-
tions of the school, The 42ND Parallel
would appear the product of a muddled
afternoon in the cutting-room. Four dif-
ferent types of material are threaded
together episodically: first, "newsreels"
of jumbled headlines and snatches of
contemporary popular songs, setting the
tone for a period; second, "The Camera
Eye," a series of subjective, quasi-
Steinish idylls; third, a group of thumb-
nail sketches of Burbank, Debs, Minor
K'
' xtremes in length very often influence
the sale of a book, and usually hike
up the royalty figures for the author. If
a book is very long, the buyer always
feels he's getting plenty for his money.
If a book is short, it has, in these rushing
days, more chance of being read and
talked about. The latter instance may or
may not have something to do with the
fated success of this latest novel by
young Thornton Niven Wilder, who
wrote a book called The Bridge of San
Luis Rey and was promptly festooned
with yards and yards of critical whoopee.
Not that the buyer of The Woman
of Andros will not get his money's
worth from this brief book. He will. He
will get a chaste, harmonic tale packed
with smooth pictures and distilled from
a tepid love of classicism ; a tale born of
the thesis that one may hold destiny at
bay by accepting the philosophy of
1 B. C., by "praising all living, the
Continued on page 36
M'KII.. 1930
23
Itaiiiloin Impressions of a Dry.iil
By J. PAGET- FREDERICKS
Butterfly** ft 'ing
Ii is m\ apple green drawing room
filled with iridescent water colors
by Moran In one corner ol that charm
ing salon arc main lovely ladies who do
nut seem very gay James Stephens re-
marks that they appear to he exceedingly
cross as with frowns And much gnashing
ot teeth they cast envious glance where
a swarm ol gentlemen resembling black
hectics crowd together
Never have I seen the hacks ol dinner
jackets express keener interest or greater
excitement Occasionally one glimpses
something amber-yellow, possibly a saf-
fron butterfly's wing in their midst
Lo ' it is a rebellious curl that belongs
to that legendary ladv who, like her
"witch wile."
"Learned her hands in a fair) tale,
, \nd her mouth on a valentine."
1 have long suspected Edna St Vin-
cent Millay ol a more than human
knowledge ol magic Even in appearance
she is the image ol a Rackham dryad
\\ ho hut a dryad, when not living at
"Steepletop." in a woodsy mountain,
would choose for her town house (she
would scorn city trees) the tiniest build-
ing m New York — or America, tor that
matter A diminutive place that recalls
the bit ol a duelling the fairies built in
Kensington Gardens with the help of
immortal Peter
Greenwich Village is duly proud of
the Millay house with its pocket hand-
kerchief garden where neighbors say
launs gambol at midnight To me its
charm is only rivaled hv that quaint Vic-
torian grave ol "An Amiable Child" on
Riverside Drive
Three Legends
I remember a hectic time when "The
Buck in the Snow" and the illus-
trated "Selected Poems were to appear
Corrected proofs did not arrive pub-
lishers were at wits ends as telegrams,
imploring letters and diplomatic mes-
sengers were completely ignored . .
weeks months pass
Editor'* Note! Jn«eph I'aget-rrederirk*.
who -hare* intimate observation* of ihr
elfin lad* of American letter* in these
>l» lii.it. l\ drawn word *keirhe*. baa illu*-
iraieil several booka l>» Edna St. Vincent
Milla? and i* now at work on drawing! for
future publications, among »hieh is the
projected "Collected Works*1 for widen
the "Nymph With Peruke*1 i- drawn. Hi*
rersetility i« emphasised !>> the announce-
ment of a dance concert in the ballroom
of the Western Women'* Club, May 1,
when he Mill do ■ group of modern dame*
previous!} gm-n in France, German; and
I upland.
One day the dryad appears unexpeci
cdly, bundles ol urgent appeals under her
arm
"I imagined you wished to get in
touch with me so I thought I would help
by coming personally," she smiles with
disarming green eyes.
I recall a dinner given lor Millay by a
group of Olympians in their priceless
eastern library where no woman had
been privileged to enter
Everything is elaborately prepared
Seven strikes eight, then nine . . .
the least is cold Some testy gentlemen
are led away, gesticulating violently
There is much dark muttering about
women.
At eleven, when Nemesis seems
brooding in awful silence, the clock
strikes A bell's tinkle awakens one
Looking out from the high balcony all
see through the elms by the iron gateway
a small glittering figure in Elizabethian
ruff and hoops, mincing down the walk.
"Forgive my being a trifle late I have
brought some sonnets to read to you all.
I do hope you will like them."
The dryad masquer is instantly for-
given All are enslaved She reads until
three in the morning . . .
1 also remember slipping past an army
ot reporters to present my compliments.
We are talking of various New Yorkers,
male and female.
"And did you see So and So7"
"I don't think I know her," says
Millay.
"And charming Miss X?"
"Can't recall her." is the replv
"But, my dear," interrupts Eugene
Bossevain, "we have just been staying
with her in B !"
"No, I don't know her," replies the
drvad decisively.
Shadows and a Rose
A crowded, adoring audience is
watching a person who knows
how to act, flicker gracefully about in a
moven age gown.
More and more people push down the
side aisles from overflowing standing
room
"Please don't come in while I am
reading," remonstrated the drvad "Your
moving shadows annoy me excessively
I can hear that musical eerie voice re-
citing "Memorium to D C ," "The
Curse," "The Spring and the Fall
"He laughed at all I dared to praise
and broke my heart in little WO
Crowds backstage . . .
NYMPH WITH PERUKE
Detail oj a decoration by 7 Pa
Fredericks jor the projected "Collected
Worlds" of Edna St Vincent Millay
"I have brought copies ol everything
you ever wrote, dearie —just lean over
and sign cm," says one dame blovvsv
with club spirit.
"Do you believe in a college educa
tion?" chants a persistent, thin lipped
young thing from a university paper
"Well!" exclaims a blonde. "I am
certainly disappointed Heard she looked
like Gaby Desbys and had a different
lover every night and she is just prim
inued on page 31
24
THE SAN FRANCISCAN
GUMP GALLERIES
Mrs. Michel Weill
From the etching by Max Pollak. At the present time
Mrs. Weill is in Paris.
APRIL. 1930
25
IIBI-: Iti:i4.\l\<. DYNASTY
WEDDINGS
SCHMIEDELL-CAMPBELL On March 12 in
I \ ... Mi Edward G. Schmieden, Jr., son ol
\l, and Mrs, Edward G Schmieden ol San Fran-
and Ross, and Miss Melba Claire Campbell,
in,, r, ij Mrs. it. 'i nice Sw p nej ol Los Angel
HENDERSON-WALKER. On March 22. Mr.
\\ | uinj ton Hi nd< i son son ol Mi and M i s, I lharles
It. Henderson oi San Francisco and Miss Harriet
Walk* "i Mr. and Mrs. Clinton Walker
oi Piedmont
ENGAGEMENTS
PORTER-B1 RMISTER Miss Ann Odih Porter,
daughter oi Dr. and Mrs. Langley Porter, to Mr.
ri Gage Burmister, son oi Mr. and Mrs. Robert
It. Burmister.
VISITORS ENTERTAINED
Mr. Louis Wilej ol New York was guest oi honor
;it a dinnei given bj Mr. Richard Tobin at the Pa-
cific Union Club. Mr. and Mrs. William II Crocker
also entertained Mr. Wiley at the Crocker home at
Hillsboi ough.
Mrs. Haines Smith of Paris was a guest of Miss
Tane Blair for several weeks. Miss Mian is at present
pying tin- residence of Colonel and Mrs. Robert
Noble on Broadvt ay.
Mrs. Edgai T. \\ allace of Los Angeles was a guest
at the Hotel Mark Hopkins for a few days, and was
entertained by Mrs. Chester Woolsey during her stay.
Mrs. Wallace was the former Miss Mabel Hoag of
this city.
Mrs. William H. Bartlett visited in San Mateo
recently, staying with Mrs. Codies Hussey.
Mrs. Stanle) ECennedj is enjoying a visit in San
Francisco and will he the guest of her sister. Mrs.
Alan Lowrej For a time. Later Mrs. Kennedy will
visit with Mrs. Paul Pagan. Mrs. Kennedy's home
is in Honolulu.
Henri Matisse, the distinguished French artist.
in San Francisco for a few days en route to
Tahiti. He was guesl of honor at a dinner given by
Mr. and Mrs. Ralph Stackpoie.
Mrs, Charles B. Alexander of New York is visiting
in California this spring and is a guest at the Hotel
Fairmont. Mrs. Alexander plans to visit Pebble
Beach, YTosemite, Santa Barbara and the Redwood
country while in California.
Mr. and Mrs. Ernest [selin of Ww York and their
daughter, Miss Louise Iselin, were guests at the
Richard McCreery home for a week recently. Mr.
and Mis. McCreery gave a dinner for the visitors
and Mr, and Mrs. Robert Hays Smith were hosts at
a luncheon for them.
Count <",. Clause] of France was in San Francisco
for a week, arriving here from Honolulu. He was a
guesl at a number of affairs on the peninsula during
his stay here.
Mr. and Mrs. Robert Henderson entertained Mrs.
H. E. Scheidius recently at their home in Burlingame.
Mrs. Scheidius arrived here recently from Honolulu
where she was the guest of Mr. and Mrs. Walter
Dillingham. She visited with Mrs. Richard McCreery
in Burlingame.
Mrs. Sidney Cloman enjoyed an extended stay in
San Francisco, making her home at the St. Francis.
Mrs. Cloman is traveling with Mis. Henry Siurgis
indon, the daughter of the distinguished English
and novelist, George Meredith. The visitors also
enjoyed a fortnight at the home of Mr. Prescott Scott
in Burlingame.
Mr. and Mrs. Harris Hammond of New York
. uests at the Hotel Mark Hopkins recently. Mr.
I [ammond i- the son of Mr. and Mrs. John Hays
Hammond.
Mr. and Mrs. J ■ owdin have been visitors
in San Francisco and Pebble Beach during tin polo
■
Ogden Mills has arrived from New York and is
with his aunt. Mrs. Wlntelaw Keul at the latter's
Millbrae residence.
Mr. and Mrs Reginald B. Rives of Peapack, New
. have been visiting Mrs. Rives' brother, Mr.
Whitney Warren at the latter's ranch neai Wheat-
land.
Lady Mountbatten and Karl and Lady Brecknock
were honoi at Del
Monte recent l> hy Captain Stuart 1'earson.
Mr. and Mrs. Maximillian Agassis of Boston and
Newport were guests in S ecently,
making their home at the Clift Hotel Thej also
spent several days in Santa Barbara at El mirasol
before coming north.
Mr. and Mrs KUburn Mo,, re spent a few days in
md visited Mrs. Moore's mother, Mrs Charles
D i -it tli. Hotel Mark Hopkins. Mr. and Mrs.
e make their home at Diamond Springs.
Miss Elizabeth Moore entertained at an elaborate
dinner given m honoi of Mr. and Mis. Edwin I .
Brasbears ol Chicago and Miss Elizabeth Beidler ol
l.ake Forest, fllinois Mr. and Mrs. Louis Benoist
also entei tained fi \t the \ isitors.
Mis. I leni > < 'l.n I , t-detl ol \ < w Vi.rk was
a visitoi in San Francisco i ecently, staying at the
Hotel M ,o k Hi ipkins.
HERE AND THERE
Mi. Raymond Armsby has returned from New York
and is at the Armsliy ranch in the Carmcl Valley.
M r. and M rs. ( 'harlP m Wallace < Fleanor Simp-
son) are in Ww York on then honeymoon, visiting
Mr. Wallace's family.
Mis. Tobin Clark entertained a house party at her
Pebble Beach villa over a recent week-end. Mrs.
Kurt Albert of Berlin was one of the guests.
Mrs. Whitelaw Reid entertained a group of her
friends at luncheon recently. Mis, Reid is m Califor-
nia on a brief visit and is occupying her peninsula
hi 'inc.
Mr. and Mrs. Henry Potter Russel ( Helen
Cn icker) have returned from New York and are
dividing their time between Burlingame and Pebble
Beach.
Mr. and Mrs. Harry Hunt of Pehble Beach were
hosts to Colonel and Mrs. Charles A. Lindbergh
recently.
The Argentine polo players were the incentive for
continuous entertainment during their stay in North-
ern California. Mr. and Mrs. George Pope, Mr. Jean
de St. Cyr, Mr. Lindsay Howard, Mr. and Mis.
Richard McCreery and Sirs. R. P. Schwerin « i n <
among the many who gave parties in honor of tin-
visiting players.
Miss Louise Sherer has announced that her mar-
riage to Mr. Alanson Wood Creen of Aberdeen,
Washington, will take place during June.
Mrs. Virginia Ford gave a dinner at the Mark
Hopkins in honor of Miss Aileen Tobin who is here
from New York.
Mrs. Eugene Murphy gave a dinner party at her
home in San Mateo last month to celebrate the third
wedding anniversary of Mr. and Mrs. James Davies.
Mrs. Davies was the former Miss Gertrude Murphy.
The first Spring Fashion Show was given by the
San Francisco Branch of the Junior League at the
Hotel Mark Hopkins on March 17.
Mrs. Walker Kamm of Burlingame entertained at
luncheon at her home in Burlingame. Ten of the
younger matrons were her guests.
Mr. and Mrs. Frederick Weida of Sumatra will
arrive in San Francisco soon to spend the summer.
This will be their first visit to San Francisco since
their marriage three years ago. Mrs. Weida was the
former Mrs. Flora Miller Langton.
Miss Grace Hamilton was hostess aboard the Ham-
ilton yacht on a recent Saturday afternoon.
Mrs. Gertrude Atherton is expected to return to
California this month. She will spend some time in
the East before coming to San Francisco.
Miss Harriet Brownell entertained a group of the
season's debutantes at a luncheon at her home in
Clay Street recently.
Mr. and Mrs. G. Kirkham Smith of San Rafael
entertained at dinner recently in farewell to Mr. and
Mrs. Evan Evans who are going Fast and to Europe
for the summer.
Mr. and Mrs. John Clark Burgard entertained with
a buffet luncheon at their home in Burlingame.
Mr. Nicol Smith entertained about forty of the
youngei Bel at a dance held at the San Mateo Polo
I
Dr. and Mrs. Harry Alderson were dinner hosts to
.i group ol friends at the Alderson home in Green
Streel i et ently.
Mr. and Mrs. M M, A Miller have returned to
their home in Pacific Avenue after a sojourn in
Southern California. Thej divided their time between
i . Anj i U - .""i Palm Springs.
Mrs. Bernard 1 ■" d has gone to the Grand Canyon
with a part] of Friends.
Mrs. Harriet Hume of Piedmont entertained at
her bom< recently, tin occasion being a tea for the
Junioi League Shop. Articles from the shop were
on display
Mr. and Mis William Leih are expected to return
to < tlifc in i mi May. Mrs I >-i\ is Stephens, n j
been wintering in Biarritz, will return to California
with Mr. and Mrs. I.eib.
Mrs. Richard Derbj is occupying her new home on
n icfa Street.
Mrs. Howard Park gave a luncheon at her home
recently in honor of Miss Patricia Tobin, one of the
ti's debutantes.
Count and Countess Galcerand de Pins were guests
of honor at a dinner given by Mr and Mrs. Orville
Pratt recently. The Count and Countess have left
for Europe where they will pass the summer.
Mrs. Peter Beaver entertained at tea in honi
net sifter. Miss Frances Mace, whose engagement to
ih i laude Furbuah was announced last month.
Mr, and Mrs. Eyri Pinckard have returned from
Boston and \ ■ h York and will pass the summer in
I'.ni tingame.
Mi. Rosa W. Weil visited with his brothei and
sister-in-law, Mr, and Mrs. William B. W< u
cently. Mr. Ross Weir spent a month in Honolulu.
Mis- Ann. ( tddi Porter gave a dinner party at the
M ai k l Eopkina 1 1 cently.
The wedding of Miss Adelaide Nichols and Mi
Michael Casserly will take place on April 21 at La
folia
I In I Dominican College of San Rafael will .
"Aueassin and Nicolctte as the initial performance
in the ii' a out-of-door theatcj in Foresl Meadows.
The play will be given on May 17. A charming
musical setting has been made by the
M usii
Mrs. Lee Eleanor Graham has returned to hei
apartment at the St. Francis after spending a month
at " l. a Quinta."
SAN FRANCISCANS ABROAD
Miss Dominga Russel and Miss Claudia Smith.
who are traveling in Europe together, will spend the
summer in France.
Miss Frances Stent will accompany the Count and
Countess de Pins on their trip to Paris and later Miss
Stent will go on to Rome where her sister. Miss
{Catherine Stent is at school.
Mr. and Mrs. Ernest Peixotto are on their way to
their home in Florence.
Mr. and Mrs. Raymond Welch are en route tp
England and will not return to Burlingame until
early summer.
According to letters received by friends in San
Francisco. Mrs. Elsie Sperry Fleurot has opened a
new cafe in Pans.
Mr. and Mrs. Evan Evans will spend the summer
abroad.
Mrs. Thomas Magee and Mrs Charles H. Bentley,
with Miss Florence Bentley and Mrs. Thomas M
are in Italy and will spend the Easter season in Rome.
Mrs. Ferdinand Thieriot has returned to her home
in Paris after spending the winter in Burlingame.
Mr. and Mrs. Balfour Bow en have left for the
Fast and Europe. They will pass most of their hob-
day abroad in England.
SAN FRANCISCANS IN NEW YORK
Mrs. Frederick W. Me.War is in New York where
she is visiting her son, Mr. John Breeden. Mr.
McXear will c.o Easi -hortly to join the family.
Mrs. David Armstrong-Taylor is in New York and
will be at the Ritz Carlton for several weeks with her
sister, Mrs. James Corrigan.
Mr. and Mrs. Oscar Sutro and their daughter.
Miss Barbara Sutro. visited in the East for several
They returned to San Francisco on the Vir-
ginia.
Mr. Leon Walker is in the Fast visiting with Mr.
and Mrs. Ralph Boldl of St Paul. The party IS
enjoying a yachting trip otf the Florida Coast.
Mr. and Mrs. Robert L. Coleman visited on the
Atlantic Coast for s< veral weeks.
Mr. and Mrs. Thomas B. Eastland and their daugh-
ter Shss Alice Eastland, are m New York. They
will return to Burlingame some tune this month.
SAN FRANCISCANS IN THE SOUTH
Mrs Clement Tobin and Mrs. Adolpb Spr©
\i,,, Doroth) Spreekels spent a delightful
night in Honolulu during March.
Mr and Mrs Joseph D Grant and Miss Josephine
Crant sailed for the Hawaiian Islands on the Malolo
recently. Mr. and Mrs. Alfred J. Oyster and Miss
were aboard the same ship.
Mr. and Mrs. George P. Tallant. Jr.. went t
attend the marriage oi Miss Susanna Pat-
terson Bryant and Mr. Richard Y. Dakin. Mrs.
Tailant was matron of honor at the wedding.
Mr. and Mrs Paul Fagan recently enjoyed a trip
t0 H< 'Iiolultl.
\L and Mrs. Latham McMuIbn spent a few da>s
I - where they visited with Mr.
and Mrs. Archibald 11. Fhle of Philadelphia.
Mr. and Mrs. Edmunds Lyman were in Santa
Barbara for a week or so. making their home at El
Mirasol, Mr. and Mrs Roj McWilhams ol Biarritz
accompanied them.
26
THE SAN FRANCISCAN
HE Wh
At the end of this page last month —
L or, rather, at the end of the caudal
paragraphs which were 'way over among
the hawkers — this note should have
appeared :
[Note: So, in spite of my protestations, last month,
of unswerving fidelity to the hodge-podge school, this
issue of The White Card is consecutive. But that is
not my worst treachery; I promised, also, to use my
piece about Mencken this month and terminate his
gailing suspense. But we are not any too often
noticed by Wilson Folletts, and if he can write a long
article about two sentences of mine I should, in
common courtesy, indite at least two volumes about
his long article. So Mencken must chew his nails for
another month — unless they are already used up, in
which case he had better chew Paul Elmer More's.]
But the management up and sold an-
other ad, so the note had to he held over.
The strain upon Mencken, it should be
needless to say, has been almost incred-
ible; he has aged considerably (anyone
ages in two months) ; his red suspenders
have lost their snap; and, worst of all,
he has become so mumpish and gruff
that Nathan has been impelled to leave
him.
"Thoughts while strolling
Now, this bereavement is so shocking
that I have not the heart to use my dis-
course on Mencken's influence — it was a
casual little thing quite unsuited to such
a sad occasion as this Mencken sans
Nathan ! It is as though Beaumont had
walked into the Mermaid without
Fletcher, or as though Mutt were to ap-
pear in one comic strip and Jeff in an-
other distinct and separate; it is an un-
natural state of affairs, and touching. I
can see the wisttulness, the hurt, be-
wildered look in Mencken's eyes (what
a grea t thing, this making a sympathetic
character of the old rouser). Nathan, I
imagine, was cool and nonchalant;
Mencken must have blustered a bit.
That this should have been my fault is
really overwhelming . . .
Through what bravado did he render
the cover of the Mercury ugly? The
original design was perfectly propor-
tioned, a beautiful piece of work; and
From Sons and Lovers: "On every side
the immense dark silenee seemed pressing
him, so tiny a spark, into extinction, and
yet, almost nothing, he eould not be ex-
tinct. Night, in which everything was lost,
went reaching out. beyond stars and sun.
Stars and sun, a few bright grains, went
spinning 'round for terror, and holding
each other in embrace, there in a darkness
which outpassed them all, and left them
tiny and daunted. So much, and himself,
infinitesimal, at the core of nothingness,
and yet not nothing."
The death of D. H. Lawrence, to judge
from the papers, was not news : it was not
as important as the day's embezzlement or
the engagement of a minor movie star.
It seems that nobody cared. One feels
almost shamefaced in mentioning a genius,
as though one owed his audience an apol-
ogy. We'll change the subject and talk of
Henrv Ford and radio and Louis Brom-
field.
And yet not nothing, Mr. Lawrence . . .
now look at the damned thing, banal
and disorganized.
And why has he so carefully set about
splitting infinitives? One gathers that he
went laboriously over the proofs of the
March number and deliberately com-
mitted adverbial indiscretions Is he at-
tempting now to sponsor this badge of
vulgarity? Very well, Mr. Mencken, to
eschew the pedantic; let's go the whole
road. Let us start all our sentences with
participles, let us truncate our adverbs,
let us use only the present tense, let us
use objective pronouns for nominatives,
let us do all the things which have been
done heretofore only by yokels and
morons. For what does anything mat-
ter now? Mencken and Nathan are split.
Positive statements from ads: "You
enter from the promenade deck
. . . 'Yes,' you say, 'B-59 . . .' Your
steward has your hand luggage there.
The room is full of flowers. You look
around you." Very neat, but what if, on
descrying the woman in the shower, you
suddenly remember that your room is
B-5S?
"The Patriot (a hat) is one of those
rare creations that accommodates itself
to the mood of the wearer, grave or gay,
dignified or nonchalant." We'd like to
see it show its ribs when we're hungry.
"You have never heard dance music
until you've listened to Guy Lombardo."
Thei we probably never will; we'll
just go on listening to whatever it is
Lopez and Olsen and Ted Lewis play.
"You who love fine coffee will be in-
terested in this advertisement." Yes7
Well I didn't read it
"Now with a clean, clear skin and
your muscles well up, you should in-
vestigate the Vienna Youth Mask which
pours into the inner tissue that electric
energy which keeps one young! While
you lie and rest, this precious energy
sings into your tired eyes, and tissues,
and hair, lifts your drooping mouth,
firms and revivifies your throat. You
emerge renewed and rejoiced that in this
crowded world there can be re-birth
so tranquilly." Great psychologists, these
Viennese.
"Like Shakespeare or Dickens or Tol-
stoy or Theodore Dreiser — The Ameri-
can Weekly deals with the realities of
life." Sure; any one of those palookas
might have written "Miss Pearl Gins-
berg Steps Right Out of the Films into
the Heart of a Rich Egyptian Prince."
Come now, let's have less foolishness
in advertising.
Which reminds us that the most re-
"7 cant take any of these. Why dont
you give me a poke?"
pulsive current campaign is that of the
Cremo Cigar anti-spit crusade We are
happy to report that we do not smoke
cigars, but if we did we are sure that
this association would make us swear
off — not only Cremos, but whatever
brand we might be using.
The Examiner's wild championing of
Drs. Coffey and Humber (whose integ-
rity we do not question) and their dero-
gation of Dr Morris Fishbein would
perhaps be more impressive if the
Examiner' s columns were not quite so
full of the ads of quack "remedies."
Repressions find strange verbal out-
lets; witness the many kinds of lovers —
dog-lovers, art-lovers, music-lovers,
lovers of the Great Outdoors Why not
lump them all as affectation-lovers? I
have a dog; we have fun together — I
find him interesting because he has
many human traits without the human
APRIL. 1930
27
palliations hue I Jo not wax senti-
mental over him And ot all che an
[overs, how mam ol them know what
it's all about? It we may use the term
figuratively, the onlj an lover is the
artist i but i! you call him that, he'll
probably throw something at you The
only dog lover is. perhaps, another dog
And will someone tell me lust how you
set about loving a canary?
T.iiKi is a reawakening ol good
tasce in America,'' said the opti
mistic gentleman as he sat on a taupe
mohair chesterfield
"It isn't Art it it tells a story," said
the intellectual giant as he left the
Sistine Chapel
"I trv to be open-minded," said the
simple soul as he bought the Literary
Dig.
"Criticism is an art. said che re-
viewer as she did another imitation of
John Riddell
"We must trv to appreciate the
Higher Things," said the clubwoman
as she prepared to read from Ella
Wheeler Wilcox
"It you done like this country, why
don't vou go back where you came
from?" said the second-generation pa-
triot to the heir hv primogeniture of a
seventeenth-century American
The Literarv Digest's straw vote on
the Prohibition ruckus is encourag-
ing, when one recalls that this same sec-
tion ot the country's voters, who seem
to favor revision of the present laws,
foretold the election ot Hoover wich
great accuracy. The middle-west still
holds out for lemon extract and Al
Capone, but the resc of the country is
refreshingly outspoken tor honest drink-
ing The only thing which surprises us
was that the Digest was able to find that
many people sober enough to fill out the
torm.
"They named ihcir boat Sue m
defiance."
'9Cn
nox c
for men are now presented in new se-
lections that include the unusual fea-
tures only fine quality can account
for. Every garment is hand-tailored,
and all are of imported woolens in
patterns not commonly to be seen.
Sack Suits $65 and. up Golf Suits $45 up
Topcoats $65 up ...& Knox Hats $8.50 up
KNOX
J/ to o CJ n
ops in
5 1 GRANT
AVENUE
O a n ,-/ rancisco
HOTEL ST.
FRANCIS
28
THE SAN FRANCISCAN
Going West to the East
Ilaiidoiu Impressions of the Orient as it was Seen on a Reeent Visit
by DR. AURELIA REINHARDT
The most remarkable Occidental ever
to visit the Orient, I think, was
that great thirteenth century Venetian,
Marco Polo, who crossed Europe and
Asia and lett behind a lifetime of useful
labor. He opened a hemisphere to Co-
lumbus, to Vasco de Gama and to
countless other great adventurers and
travelers, but he did something more, he
opened the imagination of the people of
the western hemisphere. In fact he made
all of us neighbors. You will remember
those lines in his travels where he says
"Praise be to God that I have come back.
God sends travelers home that they may
speak wisely of what they have seen."
. . . How can I picture wisely to you
the things I saw during my weeks in
Japan, days in Korea, months in China
and weeks in the Malay Peninsula?
Sometimes there are graphic pictures,
sometimes only pictures of the mind.
. . . Japan is a land of undreamed of
beauty, difficult to describe in words
when artists with their brushes can paint
the picture so much better. The Japanese
are a people of rare intelligence, unusual
Editor's Note: Dr. Aurelia Reinhardt,
president of Mills College, and one of the
leading educators in the West was a guest
at many colleges and universities and in
the homes of Oriental friends in both
China and Japan during her recent trans-
Pacific trip.
sensitiveness, energy and earnestness.
They do not laugh easily. But one never
hears the sound of weeping. They are
serious but they think of childhood as an
age of happiness. We Occidentals think
of it as associated with innocence. We
dress our babies in white, there are gay
garments for the Japanese baby — red,
scarlet, crimson — colors of joy and hap-
piness. The children are carried every-
where by loving parents On the road-
side far from home the mother may have
a child on her back, a father may be lead-
ing a little lad who will have to trudge
weary miles The temple gardens are a
playground for the happy children of the
land
. . . On a pilgrimage to Nikko I en-
countered a group of student lads almost
shabby in their blue college uniforms
worn universally throughout Japan.
They were week-end pilgrims to the
autumn woods at Chriseuji. One timidly
addressed me, asking "madam" if he
might walk by her side, carry her burden
(a week-end bag) and converse with her
in English and, for the privilege, ex-
change phrases with her. His companions
soon joined him and experimented with
English nouns, verbs and prepositions,
while they gave me the native names of
trees and shrubs. The Japanese lads' use
of the word "burden" which came up
several times in the morning march to
the valley, recalled Kipling's poem, with
its quite opposite circumstance. When
we reached a little tea house, it was their
pleasure to dispense the simple hospi-
tality of hot tea and rice cakes. Later I
found some American caramels and had
great fun in paying back a courtesy I had
so little deserved.
. . . The thoughtful Japanese today is
inquiring about American ideals. At a
meeting in Osaka I was asked to speak
on a somewhat embarrassing subject,
Continued on page 37
fFankWerner
SLIPPER SALON
255 Geary Street
or SPECTATOR SPORTS
. . . Brown ana \S Kite
... is style right . . .
/
a feature
. . . exceptional
$13.50
The accepted vosue, worn
at the smartest American
and Continental resorts,
and one that promises to
continue at the height of
fashion through summer.
Miami ' . . . this sraceful
pump of white summer suede
with brown calf trim, has
the popular new walking
heel .
Do you know what can be
done with chintz?
Perhaps you are accustomed
to thinking of us only in con-
nection with the finest things
and it has not occurred to you
that we can do wonders with
very simple materials.
We shall be glad to consult
with you regarding the arrange-
ment of the most informal room.
A. F. MARTEN CO,
1501 SUTTER STREET
APRIL. 19.10
29
Arto
838 MARKET ST.
'.
*J%
v-
%
^
Moderne
>. ii.
Here a link l.ubitsch.
There an ancient wheeze;
Take a Barh concerto,
(Did he write concertos?
I hope he wrote concertos ;
I want concertos, please.)
Hess it up in four-four.
Jazz it out of tune.
\\ rite a lot of love-words
Mother, You and June
Scramble up some old words.
Any words will do.
Then you have a theme song:
/ Lore You.
Here a little Vidor.
There a sister act.
Do we get the houses?
(You ask about the houses?
The big-time, first-run houses?
W by, man, we'll have 'em packed.)
^ e'll line "em up for kilos.
\S e'll stand "em by the hour.
Drag in a tap-dance duo
And a damsel in a shower;
Drag in the meat and mushrooms
And hear our rivals squeal :
Get a come-on title:
Sex Appeal.
I fa all the angles,
Hoke up all the plot:
Never mind a story,
C^'hat the hell's a story?
We don't need a story.
With the sets we've got.)
Get a load of Chaplin.
Steal Van Sternberg's tricks —
But take it slow and easy,
Art don't go with hicks.
Shoot a color sequence,
Buy an author's name.
Gel some nifty paper:
Love and Shame.
Thousands for the wardrobe.
Thousands for the light*:
Get some cussin" dialogue.
(You know what makes dialogue;
Give 'em dirty dialogue
\nd some bawdy sights.)
Bnj awaj mne «tagc-»tars.
And a mammy song;
Take -tuff from ten director-.
And we can't go wrong.
I.ii mil -hoot the works, kid;
Never mind expense —
Our name will put it over:
Hlinlz prenent* . . .
OPEN AGAIN
TO SERVE YOU
But now with five floors of footwear, embrac-
ing nine individual, specialized shops of
charm and intimacy . . . each interpreting an
original expression of America's new con-
temporary art . . . each offering a beautiful
collection of the newest footwear modes, in
all the greatest collection of entirely new
footwear ever assembled in San Francisco.
SOMMER cS KAUFMANN
538 M A R K £ T ST
Our 119 Grant Avenue Shop is presenting an ad-
vanced showing of higher priced footwear modes.
30
THE SAN FRANCISCAN
Once again the eyes of the yachting
fraternity of the country and the
world turn toward California and the
Pacific Coast as twelve trim, sea-going
cruisers prepare for the four hundred
seventy mile race from Long Beach to
San Francisco which is being held in
conjunction with the Second Annual
Pacific Coast Boat Show scheduled for
the Civic Auditorium April 23 to 30.
Sir Thomas Lipton, dean of yachts-
men, has again posted a thousand dollar
trophy to be awarded the winner of this
contest, the longest open ocean race held
anywhere in this country.
Arthur N. McCrate, whose cruiser
Zoa won the race last year, has entered
the cruiser Hermann which flies the
burgee of the Long Beach Yacht Club of
which McCrate is commodore Al-
though the Long Beach Yacht Club is
scarcely a year old, it has already proven
itself to be composed of hardened yachts-
men, as six other members are pledged
to race their commodore up the coast.
These are Ken Taylor, Allan Johnson,
W. C Bilsborough, Charles Camp, and
Dr. Francis J. Schefick.
The construction of boats, often a
mystery to the layman, will be
featured in the coming exposition. A
wide range of boats from outboard run-
abouts and trim sailing dinghies and
canoes to large-sized sloops and lean
Boats and Boating
by NORMAN A. HARRIS
cruisers will be shown. These sailing
dinghies — a paradise of fun for any
youngster — are ideal for use at summer
homes on the lake or river and may be
had for even less than a hundred dollars,
thus bringing the sport of sailing, with
its excellent training in discipline and
selt-reliance, within the reach of thou-
sands of families having lively boys.
There will also be Cub boats, lS-footers
that carry a jib and mainsail and have an
open cockpit with seating capacity of six
to eight people. Next in line tor size and
cost is a 24-foot, 6-inch sloop that has
two transom berths and space for galley.
Special interest is attached to the
Baby Bird, a 25-foot sloop designed and
built by the United Ship Repair Com-
pany. This craft, a little sister to the
popular Bird class boats, is finished com-
pletely with galley and lavatory accom-
modations, as well as transom berths,
and provides almost as much cruising
convenience as many larger yachts yet it
is priced under the two thousand mark.
Next in size and popularity come the
Bird boats of which the Widgeon, Mur-
ray Foster's new boat recently launched,
is one. These boats are almost as fast as
the R's — strictly racing craft — yet have
cruising accommodations which make
them ideal as a family boat. So much for
sail boats.
Among the cruisers to be shown is a
22-foot craft shipped down from Seattle
that represents just about the maximum
power boat possible at the lowest cost as
it is priced considerably under two thou-
sand. The Nunes "36" to be shown may
be powered with either gasoline or
Diesel engines at the option of the
owner. It has long and racy lines that
place it almost in a class by itself. It was
designed by Capt Garland Rotch who
was ship- wrecked in 1916 on the Gulf of
Mexico where he and his crew of five
men drifted on a raft for six days and
twelve hours before being sighted and
rescued by a windjammer. Incidentally
a letter written by Capt. Rotch to his
mother immediately after being picked
up, and in which he relates his exper-
iences in considerable detail, has been
printed in booklet form for distribution
at the Show.
A complete line of Johnson boats and
motors and several beautiful models of
Dee Wite runabouts powered with in-
board motors, will be shown by B. H.
Hebgen These little runabouts are prob-
ably the greatest forward step taken by
the industry to bring the sport of motor
boating within the reach of the public as
they are priced as low as ten hundred and
fifty dollars delivered at San Francisco
I
f asked would you come?
(J If we extended to you a real
friendly invitation to step
aboard this trim runabout pow-
ered with an inboard motor just
like the high powered speed
boats that scurry across the bay
like a baby chick startled by the
shadow of a swooping hawk —
would you come?
(J Yes? Come along then; this
is your invitation.
Dee Wite runabouts
powered with in-
board motors, are
priced down to
$1050 f.o.b. San
Francisco and may
be purchased on
convenient terms if
desired.
at the
BOAT
SHOW
BHHEBGEN
^qOMPANY. LTA;
- JWartn* Specialties^-
316 MARKET ST. ^\fj|/-^S AN FRANCISCO
at tin
BOAT
SHOW
Get Your
Rot
a Baby
Bird
If you love to see that youngster
of yours smiling happy — if you
want to see him grow staunch and
true to the best that is in him take
him sailing in a Baby Bird. For
the Baby Bird is all boat, every
inch of its timbers, yet it is large
enough for a full-grown man to
sail. And, best of all, it is priced
low for thoughtful fathers to buy
for their boys.
United Ship Bepair
COM PA N Y
272 Steuart Street, San Francisco
APRIL, 1930
31
Molly Merkley
c, . ... ORdway 0703
Stylist £ 1885 Vallejo St.
^^^^^^^^ San Francisco
Itnmloin Impressions
( . Hi inuad tram pBffl 83
enough appearing to be a school inarm!"
An aenemic gentleman presents a rose
Father Christmas and a Tongue
Sandwich
Eleven at night after one of Millay's
lectures in San Francisco.
We are in an interesting old house
Moonlight spills into the kingdom of a
veritable Father Christmas patron of
all whose favoured subjects are rare
folios, paintings and impassive Buddas
In one corner of a long room vcrmil
lion lacquer carvings topple against
golden screens One is reminded of
Judith Gautier's fantastic home in Paris
But jeweled trees, monkeys and flaming
caws are absent Cool cinder-blue paint-
ings, one feels, discourage too much
oriental exoticism
Millay relaxes. She is deep among
wine coloured cushions Beside her are
ming horses, odd netsukes and piles of
first editions Her daffodil gown is al-
most hidden by an intricately embroi-
dered Chinese robe Small hands toy
languidly with a cigarette green eyes
alert
Poetry enshrined graciously receives
the homage of flowers, brocades and fine
printing A drawing by Sidney Joseph
interests Our host exhibits at this noc-
turnal baraar two resplendent head-
dresses Pom-poms and delicate jade
flowers.
"That is a beautiful thing but St
Denis preferred the beady, more theatri-
cal, one — yet I did not give it to her,"
remarks our master of ceremonies, reluc-
tantly
"Oh!" is the immediate exclama-
tion "I prefer that one, too," putting it
firmly on her head "Indeed it becomes
me very well — don't you think so?"
The dryad is pleased Knowing eyes
peer out from behind jingling orna-
ments There is a sigh of feminine satis-
faction . .
She is still very tired A veritable
Sheba, we carry her, chair and all, in to
supper
"Of course, being a dryad, I should
cat nuts and leaves and things — but I do
like tongue sandwiches!"
Thin fingers circle an amber goblet
Lips propose a toast.
"To prohibition, it gives us such fear-
ful ly good whiskey "
And then she tells quickly, brilliantly
of the spell of Yeats, of Jeffers, of India
and of sonnets and Beethoven until
cockcrow.
Snapdragon in Snoicerystals
Wi have been dancing in the dim
ballroom. Millay is wearing a
fascinating dress Seemingly it is made
of hundreds of tiny vari-patterned laces
%e World Famous
v^sador
TS^-V LosAngeles
Miss Mary Garden
in one of a large num-
ber of unsolicited com-
ments by world famous
celebrities, writes:
"Why live elsewhere
when the Ambassador,
the most beautiful hotel
in the world, is here!"
No hotel in the world
offers more varied at-
tractions . . . superb 27-
acre Park, with minia-
-^ / ture goli course, open-
"M air plunge and tennis
V?5=u* courts. Riding, hunting
^SjjjgT and all sports, includ-
JZ£. ing 18-hole Rancho
Golf Club and Archery-
Ranges. Motion picture
theater and 35 smart
shops within the hotel.
Famous Cocoanut
Grove for dancing
nightly.
Write for Chefs Cook Book
of California Recipes
CALIFORNIA SCHOOL
OF FINE ARTS
Affiliated with the University "i Cal
Chestnut and Jones Streets
San Francisco
Telephone GRaystone 2500
SUMMER SESSION
June 23 to August 1, 19J0
Professional and teachers' courses in
Painting, Drawing, Sculpture,
Design and Crafts.
Call or write for Catalogue
Lee F. Randolph, Director
32
THE SAN FRANCISCAN
Journalistic Dynamite
Continued from page 9
to the Board of Supervisors from the
Sixth District. He had not, as King
quickly pointed out, even been a candi-
date for the office from the named ward.
His "election" had been accomplished
by the gentle, old-fashioned art of ballot
box stuffing Casey, moreover, it was
presently revealed, had served time in
Sing Sing before coming to California —
a fact King promptly seized upon and
incorporated in his election stories. This,
it must be remarked, was anything but
an ethical thing to do. Casey was dis-
posed to view the election charge as an
open issue, but he deeply resented publi-
cation of his prison record. On the after-
noon of May 14, 1S56, he visited King's
office to inform him of his attitude in
the matter, and after some parley left the
premises. As King was leaving his office
that evening, Casey stepped up and shot
him, inflicting a chest wound from
which King died after lingering for sev-
eral days.
Organization of the far famed Second
Vigilance Committee was complete and
its armed will imposed upon San Fran-
cisco within thirty-six hours of King of
William's wounding. His death occurred
on May 20th; his funeral was held on
May 22nd. By that date, the Vigilance
Committee had seized Casey and Cora,
had tried and found them guilty of the
murder ot their respective victims. On
the day of King's funeral they were hung
in public and in view of all who cared
to witness the deed.
But all this was not accomplished
without considerable opposition, for-
mally embodied in the Law and Order
partv. John Nugent's Herald was spokes-
man for this faction and Nugent de-
nounced the Vigilantes as demagogues,
seeking to capitalize and bring glory
upon themselves through a situation
that had arisen largely through their own
selfishness, carelessness and greed. The
Vigilante was headed by leading mer-
chants, importers, exporters and manu-
facturers of the young city. Fully 90%
of the organization's membership was
drawn from the ranks of small shop-
keepers, tradesmen or professional people
or the employees of such enterprises. It
was these very people, Nugent pointed
out, who had always been so busy with
business and the making of fortunes that
they had never had time for civic affairs,
and even begrudged the time to vote.
Profits were sacred and always came
before jury duty, and to escape from this
any flimsy, absurd excuse had served.
Why now wail and make such an al-
mighty, melodramatic fuss7
For Nugent to take this stand — sub-
sidy or no subsidy — required conviction
and courage. The heads of the Vigilance
Committee were heavy advertisers in
The Herald. What Nugent had to say,
the manner in which he said it moved
these gentlemen to wrath and revenge.
Among the first resolutions drafted by
the Committee was one in which its
members, who were advertisers in or
subscribers to The Herald, pledged
themselves to withdraw their patronage
Against this resolution, William T.
Coleman, President of the Second Vigi-
lance Committee, took a vigorous stand.
But his fellow officials were in no mood
to give ear to his arguments for the right
of the paper to state its convictions. The
resolution was unanimously passed; the
advertising and subscriptions were with-
drawn. The next issue of The Herald
was half its usual size and on the same
day an overwrought mob gathered on
Front street and made a bonfire of the
paper. On its part. The Herald held to
its policies throughout the six months'
rule of the Vigilance Committee and
managed to safely weather the storm In
time and with the return of calm
thought, it regained its former prestige
and size and even most of the advertisers
who had so dramatically deserted it.
As to The Bulletin, it was edited, for
some years by James King of William's
brother, Thomas King, who was by no
means the journalist or crusader that his
assador
The Ambassador Hotel is repre-
sentative of everything that the
finest hostelry can be in location
...charm... excellence of menus
and service . . . A roster of its guests
is never without one or more
names of celebrities of the old
world and the new. It is in the so-
cial center on one of the world's
most famous thoroughfares . . .
PARK AVENUE AT 51st ST., NEW YORK
ATLANTIC CITY • PALM BEACH • LOS ANGELES
Cha
rge
it at^
H.UEBES&CO.
GRANT AVE. AT POST
H. .Liebes & Co. is proud to
be able to oiler to its discnm~
mating clientele
Uiocolate Creations
A. confection of rarest delicacy whose
exquisite subtleties of flavor place tliem
lar above all ordinary candies
Gift Packages . . . 2. SO ana up
APRIL, 1930
33
brother had been The paper led a more
or less indefinite existence until Fremont
Older assumed charge of its destinies in
the lSgo's — or was it with the opening
of the century?- -and it again became a
force to strike terror into the hearts ol
questionable politicians, saloon and
gambling house keepers, and, on one
hand, to glorify publicity seeking par-
sons and, on the other hand, to con
found them With the desertion of Older
for gaudier fields of endeavor, The Bui
letin again languished sadly. Lately, as
the reader will recall, the paper has again
come under Older's direction to enter
new fields of usefulness, to survive
merely as a name, or, perchance, to
complete the cycle of its first purpose and
methods.
The Crusadors
Continued frum page 10
the blue table There was no sign of a
scuffle, yet, there was something red on
the tile floor near the rear where a door
led to the kitchen.
"What's that'" shouted the Count.
"What's what!"'
"It looks like blood!"
"Ha, ha, ha! Don't be silly! That's
not blood ! My servant left me . . . and
I . . . I'm not quite well enough to do
house work ... It is some catsup that
was spilled last night."
"Catsup?"
"To be sure!"
"But what's become of my pal'"
She looked at the open French win-
dow with Russian trimmings and Per-
sian curtains and Chinese bamboo
ornaments. She actually smiled Such
obvious individuality puzzled the Count.
"Out with it! Where's my pal?"
"Perhaps he went out after breakfast.
Just a little stroll, maybe?"
"Say . . . just before I came in here . . .
I heard some one caJl for help ! It was his
voice!"
"He was not calling for help!"
The Skipper appeared at the French
window . walked in took a strip
of crisp bacon from the plate at the
table, placed it between thin slices of
toast, then sauntered out, as indifferent
as Adolphe Menjou in"A Woman of
Paris "The Count displayed his agitation
but the fragile blonde seemed not to
hear, in fact she seemed as unreal, un-
natural, artificial as a wax model in the
display window of the Emporium . .
and just as charming.
"He's a poet!" she exclaimed, remov-
ing part of her flimsies and revealing and
displaying the charms of her possessions.
The Count ran alter his long-legged
pal He pulled him back into the break-
fast room.
"Are you all right?"
O 'nitmed on next page
\ ^AEL WEILL 8 COMPANY/ A
\ Nov^Ii Can Bk TW*.V
What marvelous luck to be a L930
bride ! And why, the serious-minded will
inquire, should one season's bride be-
more fortunate than another's? Well, of
course, we admit our viewpoint is en-
tirely that of the fashion-minded . . .
we're thinking of the trousseau, if the
truth be told. The possibilities for a pic-
ture wedding are more fruitful than ever
this year.
Never was there a more graceful fash-
ion era than the one which directly
influences our own . . . that of the Em-
pire A Directoire period bride is quite
the most delectably-costumed one that
our mind can picture Perhaps we are
slightly prejudiced by the several Empire
wedding gowns we have just seen.
Highly formal, and the height of fem-
ininity, too . . . one in smooth-as-cream
satin, and the same creamy shade, with
quaint double-puff sleeves, a waistline
that couldn't possibly be higher, and a
gracious train falling from the shoulders.
An even more demure style is in
white taffeta (the dead white that is the
majority favorite at all hcight-of-fash-
ion evening gatherings,) with very full
short puft sleeves, and demure rounded
neckline with gathered insert of lace
This would be charming on the very
young bride.
And, of course, what is a bride with-
out bridesmaids' Since organdie, both
plain and eyelet embroidered, has all the
prestige of silk this season, added to its
own youthful charms, and since it is so
flattering to all types, why not an old
fashioned boquet ol bridesmaids in or-
gandie? The bewitching collection both
in The Little Shop and the Better Dress
Shop will do much toward making up
your mind.
II you start out a Directoire bride you
will want to carry on with a travel cos-
tume whose chief characteristic, be it
suit or coat, will be a graceful cape
For motor trip or train there is no wiser
nor smarter choice than a new lacey
tweed suit, particularly if it be one of
the famous Sweetinburgh, or Forstmann
cV Huffmann weaves that distinguish
our collection. They come in true bride's
colors, too . . . Peach Moon . . . Spring
Blue . Azure Moon . . . Sun Blush
Lilac Moon . Jade Moon . . . Redbird
. . . Primrose Moon a regular honey-
moon collection of soft pastels
With this the soft, silky coat of lapin
makes an admirable traveling com
panion ... in fact, it is nearlv as neces-
sary as a groom for a correct wedding in
the 1930 manner More formal is the
sleek coat of burnished galvac, and with
that, a printed silk, patterned in the
small, close figures of the Directoire
period on a dark background In either
case a brimmed hat, shallow crowned,
framing, but not covering the face, is
right, in linen weave straw
Today's bride scorns to be anything
but practical in her luggage But just
because she prefers one compact piece to
innumerable others does not mean that
her wardrobe is sacrificed She simply
chooses that one piece with a wise regard
lor compactness and concentrated smart
ness In cither words, her traveling trous-
seau is packed in a Wardrobe Hatbox
light as a suic case . . . ample as a trunk
And having carried out this program
she is just as much a White House bride
as she is a Directoire bride '
ADVERTISEMENT
34
THE SAN FRANCISCAN
TP
^6e^
uJJiiinec
'
jLiiiiclieon
1
tHn iinumlmice of
appealing tlisnes
appcti^inaltj cookea
II to 2:30
2:30 <o S
itnd iLiintilu setrVea
i
. . . a place ttuti tW/f
S <o 8
truly deli if It i uou I
0l
us sail s
KSca Jlooiiis
2/8 Qost Street
I36& '"Jsutrliitgatttc tHce.
&Urlin9ante
We welcome the crowds that
come for luncheon each day
... let us assure you that, no
matter how rushed we are,
the high standard of cooking
is our first concern ... all
food is cooked under the per-
sonal supervision of
SMrs. 'Belle <De Graf
You may also order your
favorite calces and pies
to take home
%
Downstairs in the
MONADNOCK BUILDING
Market Street
"Certainly, my dear Count, certainly!"
"Don't say. my dear Count . . . Say,
didn't I hear you call for help?"
"Certainly not! Certainly not! I've
never felt better in all my life!"
"Oh, yes! I remember now! He did
call for help!" interrupted the young
woman.
"What?"
"My dear young lady! You are a very
charming hostess! A very beautiful
young lady . . . and I DO love you,
already! But 1 did not call for help!"
"And I say you did!" shouted the
Count, enraged.
"Yes, you did!"
"Both of you must have been dream-
ing."
"Dreaming! Say, Skipper ... I repeat:
I distinctly heard you call for help!"
"Yes, he was laughing as though he
would collapse . . . and he repeatedly
cried : Help ! Help ! This is too much for
me! Help! God help me, I can't stop
laughing!"
"What!" The young Count thought
of all the novels he had ever read . . . but
in none of them was there a situation
like this one . . . and therefore, because
of its uniqueness, he felt there was some-
thing unnatural about it . . . perhaps it
was the goofey house and the artificial
looking blonde.
"Oh, yes! She's right! That was it!
Ha, ha, ha!"
Was that like Des Eseintes, in A
Rebours? or the Englishman who man-
aged the rubber plantation in W. Sum-
merset Maugham's The Letter? or like
the Scotland Yard Englishman in Behind
That Curtain by Earl Derr Biggers7 It
was like none of them . . . was this man
he had called pal, human'
"So that's it, uhngh?"
"She had tried to hire laborers to take
down that old unsightly cross . . . but
they were all too superstitious . then
we came along and now she wants us to
get it down for her ! Did you ever hear of
anything so tunny in all your life?"
"And you call that funny?"
"Go on . . . eat your breakfast I
can't miss this glorious view of the
dawn over San Francisco bay," said the
Skipper, adjusting his monocle.
"He's a poet!" exclaimed the fragile
blonde
"Yeah, he's a poet!" growled the
Count
"It was marvelous to see him yanking
at that rope . . just think of it ! Not
once did he drop his monocle!"
"Aw . . . the coffee's cold!" growled
Count Theodore August Heinrich Lich-
spielt-Hoffmann von Schmaltzhausen,
thinking of The Great Gabbo
INFINITE VARIETY IN
UNUSUAL COMBINATIONS
IMAGINATIVE COOKING!
SPRINGTIME OFFERS AN
EXTRA CHALLENGE TO THE
COOKS AT THE POST STREET
CAFETER I A
.WITH THE
FINEST OF FRESH FRUITS
AND VEGETABLES AT THEIR
COMMAND
THEY INVENT
NEW SALAD AND ENTREE
COMBINATIONS TO TEMPT
SPRING FEVER APPETITES. . .
LET YOUR LUNCH HOUR
BRING YOU RELAXATION
AND FRESH ENERGY FOR
THE AFTERNOON
Post Street
Cafeteria . •
62 Post Street
AI'KII.. I •>.{()
35
Aprii is a month ol "discoveries"
. or is it jusc chat Spring sharpens
one's enjoyment ol what would other
wise be mere observations At am rate
there is a zest to the things first noticed
on these clear, earthy odored days when
the air is pregnant with new growth
I don't know why I didn't discover
the French Shop at Hale's before The
last few days when I have tried to Haunt
mi "discovery" in the face of friends,
I am met with discouraging surprise -
their surprise at my not knowing before
that original gowns by Worth, Patou
and other leading French designers were
to he found in this ivory alcove on the
third floor ot Hale's Some ot my
smartest friends have long been patrons
of this charming shop where adorable
replicas of models by "the" designers
are oflered tor next to nothing and where
originals are actually within reach.
Then there are the new gloves at the
Frank Werner Slipper Salon ! They
•FASHION ART SCHOOL'
SCOTTISH RITE TEMPLE * Suiter «nd V,n Nt„ A*«nu«
Individual Instruction
in
Costume Design
f'rc-lrn ,nlo-M,v .-■
Fashion Illustration
Millinery Makins
and Designing
Commercial Art
Life Drawing
Interior Decoration
ANNA A! ;,lC,r, CyAi.iA.-f.it. &„(••,
//£ SEEN
BV i/EE
actually don't need cleaning' Can you
imagine7 They're called "wearclean"
at first 1 was skeptical of trusting coo
much in a name but alter wearing a
pair a week my faith in Santa Claus has
returned
It is nice to know a place where you
can return every dav or two and find
new, unusual things I think Joseph
the florist, must sit up nights thinking
ol quaint gifts and flower novelties.
Have you stopped in at the Terrace
and Garden Shop, 1137 Douglas
avenue, Burlingame? 1 was there a dav
or two ago for a chat with Frances
Breeze and to see Miriam Pringle's
charming murals. It made my finger
nails fairly itch for nice black loam and
time to garden.
That same day, before returning to
the city, I happened to pass Ida Clemens'
shop and picked up the most adorable
sports outfit I have found this year I
couldn't resist poaching in Burlingame
territory.
After watching several friends be re-
modeled to fit their "poured in" frocks
I decided to give Julia Johnson, the
Swedish masseuse, a chance at a few of
my superfluous curves. I emerged feeling
like a new woman, chin up, feeling
sleek as a cat, firmly convinced that
Julia Johnson deserves a place on my
personal upkeep budget.
And speaking of new ideas in personal
maintenance, I have discovered that I
can play golf and go yachting and do all
types of strenuous outdoor sports and
not worry about my hands so long as I
have an appointment a'ith Carrick arid
Peterson for a special hand and arm
treatment afterwards
Whether or not you have a son or a
little brother, you can't help but be in
trigued by the new Boys' Apparel Shop
in the Fairmont Their trig suits and
dapper accessories make one feel that
youth is a special virtue where mascu-
line clothes are concerned.
The men have their special innings
also at Sommer and Kaufman's splen-
did new Market street store. The hunt-
ing lodge, closed to women after the
formal opening, looks more like a club
rendevous than a shoe shop
Of course you have visited the new
Sommer and Kaufman building, buc I
wonder if you were not so engrossed in
the glorious modern interior that you
missed the delightful imported slippers
from France, Germany, Czecho-Slova-
kia and way points in the damask-lined
Slipper Salon. If so, take the first oppor
tunity to return — after all the store is
the largest exclusive shoe store in the
United States and its real reputation
is based on shoes
45Q DEARY 5T. 265 DEARY 51
SAN FRANCI5CD.
V
HAND MADE FDDTWEAR
EXPRESSE5 DIGNITY AND
■ ■ ■ CHARM ■ ■ ■
Jul Engti«h»Cr7tta]
S. g>cfjmtbt & g>on
of NEW YORK CITY
ESTABLISHED 1869
Importers of Antique and Modern Silver,
Sheffield Plate, Fine Crystal and China
Where the treasures of a collector may
be purchased as ffijl*
504 SUTTER STREET • • SAN FRANCISCO
36
THE SAN FRANCISCAN
Ik I • •
i
!=^
1
/imoureuse
by Patou » »
Actually, a little love of a frock
..of palest green Alencon lace
. . tiers and tiers so quaintly
used! No wonder Patou liked it
best of his whole dazzling col-
lection . . no wonder it is a star
in our new Paris collection!
A Paris-made
copy, «8950
Titles mentioned by A. Grove
Day are all included in the
RWIL ELDERS
239 Posh Sh-eeh San Francisco
The Book Doctor
Continued from page 22
bright and the dark," and by opposing
the sorrows or existence with the flaccid
weapon of meekness.
Taking his start from a play by Ter-
ence, Mr. Wilder, after a meteorologi-
cal induction, wooes us with the story of
the unrequited love of Chrysis the Greek
hetaira for the handsome Pamphilus,
and the dilemma of this young man,
torn between the marriage arranged bv
his clan and a truculent fidelity to the
lowly girl Glycerium whom he has
loved to her hurt Death solves all
dilemmas, and the tale ends with another
weather report for the Mediterranean
and the Holy Land.
Mr. Wilder does not need a kind word
from this reviewer to hold his readers.
What exasperates is that his wisdom and
his writing gifts go only to feed a pale
flame. His creations are as pure of line
and as flawless as pagan statuary — and
as lifeless.
Prescribed
"Whan that Aprille with hise shoures
soote — " The prescribed pilgrimage for
this month is, naturally enough, to The
Canterbury Tales; and one could do no
better than renew the fellowship of the
Tabard Inn and wend the road again in
company with Geoffrey Chaucer, the
most vigorous and human man of his
day. If reading the old dialect interferes
with your delight in these wise and
merry tales, there are several modernized
versions, of which the best is by John
S. P. Tatlock and Percy MacKaye, one a
scholar and the other a poet. The book
is published by Macmillan and fanci-
fully illustrated by Warwick Goble.
Diagnosis
"The Great Meadow," by Elizabeth Madox Roberts.
Full, rich narrative of the pioneers who opend up the
Blue Grass country.
"Schweik: The Good Soldier," by Jaroslav Hasek.
The book that laughed the Czech troops into mutiny
against their Austrian overlords.
"Exile," by Waruick Deeping It seems there was a
fine, wholesome English girl named Billy Brown —
"Lincoln," by Emit Ludivig. Honest Abe through
foreign eyes.
"The Subtle Trail." by Joseph Gollomb Another ad-
venture of that sensitive sleuth. The Goldfish.
"Good-Bye To All That." by Robert Graves. A poet at
Armageddon.
"The Incomplete Mariner," by Leonard H Nason
Three sea stories, of which the best by far is "Hunger."
"Byron," by Andre Maurois. What drives a man to
become a romantic hero, write "Manfred." and die
fighting for Greece?
"Ra-Ta-Plan — [" by Dorothy Ogburn. Horrors at a
house-party
"Saint L'do." by Richard L \taslen. A faintly ironical
tale of Medieval Italy when sin was sin.
"Mr Mllliner Speaking," by P. C. W'odehouse. The
Laugh of the Month.
"Orphan of Eternity." by Carl Hemrich. Attempts to
be naughty, satirical, and Cabellaisian.
f^-~
It is an inviolate truth
that the taste and
culture of the
giver is un-
alterably
bound
in the
gift.
The Chocolates
Sin Franclico.
Kratz Gift Boxes packed specially
for shipping . . priced from S3. 00
De Luxe Assortments
priced from S5.00
KRATZ CHOCOLATE SHOP
276 Post Street Telephone: SUtter 1964
KRATZ KITCHEN SHOP
555-56S Turk Street, near Polk
J . B. Pagano H. A. Dunlap
L. J. Capurro
THE
Avansino Bros.&Co,
.■*~y I*? Q«3r> St
S^n "\hancuto
Flower Orders Telegraphed Anywhere
APRIL. 1930
37
PANAMA CANAL
HAVANA NEW YORK
A GLORIOUS
5000-MILE
CRUISE
YOUR TRIP EAST IS A
VACATI ON I N ITSELF ON
THESE GREAT ELECTRIC LINERS
Fot 1 6 carefree days leave worry
and trouble behind. Take it easy.
Just loaf. That's the simple pre-
scription many doctors recommend.
Or if you want action there are deck
sports, swimming, dancing, etc.
You pass thru the gigantic Panama
Canal, visit Balboa, historic Old
Panama. Then under tTOpic skies to
Havana, gay pleasure city of Old
World charm — and on to New York.
The great electric fleet of Panama
Pacific Line,the largest vessels eveT
built in America, herald a new era
in ocean travel, affording unbeliev-
able comfoTt at sea. All state-
rooms are outside.
I I I I I I H H I t I l>><4-H't it-t-M-t-H-
Rates ore * 1 35 up Tour istCabin,s300up First
Cabin ($275 after Apr. I 6). Private bath, rooms
en suite with private verandah, if desired.
S. S. VIRGINIA
CALI FOR N I A
PENNSYLVANIA
Alternate In fortnightlyservice between Cali-
fornia and New York. Special fares for "one
way water, one way Tail" trips. Go by sea,
return by roil, or vice verso.
fa noma pacific fine
INTERNATIONAL MCQCANTlLC MARINE COMPANY
PANAMA PACIFIC LINE ( Dept. K-4)
UbO Market Street, Son Francisco
Please sni>l me youi free booklet:
"Traveling Around America."
it
Addti
Other Offices: Los Angeles, Seottle,Voncouver
— or your local steamship or railroad agent
4.oin-}\\ «'si lo Mi «' Va\s\
( Hilt inued from page 38
"The Integration ol the American
Women into the Life ol Her Day ["he
people ol Japan arc eager to learn about
American women and their place in the
world, as voting citizens Serious groups
of three, lour and five thousand people
will listen breathlessly co Americans
who will discuss the evolution ol Amer
ican women in society They wane to
understand the "foreign" woman, to
study and analyze her and her contribu
tion to the betterment ol lite, and the
effect her emancipation has had on her
influence in the home, in business and in
politics
. . The Japanese people already rec-
ognize the lace that Japan is not a suc-
cesslul colonizer At the moment the
country is directing its energy toward
economic success and an extensive study
o( its own land Experiments are being
tried in Hokkaido, to the north, in estab-
lishing dairies and in the making ol
cheeses and other dairy products, the
growing ol fruits and vegetables not
native to Japan, to the end that the
Japanese diet may be more varied.
. . . The Art ot Japan shows the in-
vasion ot industrialism and reveals the
fact that the Japanese are today making
many things for foreign trade with
which, mark you, they are not cluttering
up their own houses.
Of China I can speak only in a frac-
tional way, so vast is the country,
so varied are its interests and so different
from the Occident is it in its approach to
life.
. . . China is less a unit than its sister
country ot the Orient, forgetting me-
chanical, economic progress in an almost
anguished effort to take hold ot the
machinery of modern government as
exemplified by the United States Its
400,000,000 ot people go back in their
history beyond the years of Augustus,
Romulus and Remus and KingSoloman.
The many difficulties of the
spoken dialects and the common written
language are considered by the Chinese
as no greater a problem than the fact
that through the western hemisphere
numerical figures are common to every-
one though thej bear different names in
I rench, German, English or Italian
. The Occident ought to be as
good as the principles it has taught in
China It cannot, in many instances,
understand Chinese secretiveness and
love ol peace, the outward expression of
a philosophy more than 4 years old
Time and educational opportunity arc
required to develop a unified Chinese
government and to do away with the
unemployment problem
. . . The slow adjustment ol the
Chinese mind to the uses and possibilities
jCSffct-
FLAMING FLOWERS! And entic-
ing. South Sea breezes stealing their
strange perfumes and hearing
them to you!
ISLANDS OF FLOWERS I Of haunt-
ing melodies and moonlit romance!
Awaiting you now in all their
springtime radiance!
Flower-Time
TOURS
20- DAYS .. . Los Angeles back to
J^os Angeles. Complete cost from S3 30
YOU sail on LASSCOs com-
panion luxury cruisers "City
of Honolulu" and "City of Los
Angeles" — swift, luxurious liners,
direct from Los Angeles over the
preferred southern route to Hon-
olulu.
Flower -Time Tours are SPECIAL-
LY SERVICED by LASSCO travel
experts, who handle all arrange-
ments, direct the sightseeing and
make every hour count for your
complete enjoyment of the par-
adise isles.
The tour cost covers all necessary ship
and shore expense — and includes
every chief point of interest. Pictur-
esque, beautiful Honolulu — world-
famous Waikiki with its smart hotels
and thrilling surf sports — and LAS-
SCO's 3 -day Wonder Tour among
the islands to Hilo and Volcano-land.
Plan now to sail on one of LASSCO's
Flower-time Tours — May 3,17 and 3 1 .
Full information at any authorized
ticket agency, or —
LASSCO
LOS ANGELES STEAMSHIP CO
R. V. CROWER, Passenger Traffic Mgr.
685 Market St.Jel. DA vcnport.4210
OAKLAND: 4I2 I3th St., Tel. OA Hand 1436
H. C. Caowell Co. . . Tel. LA keside 1 1 1 1
BERKELEV?l48Cer,terSt.Tel.THornwall0060
38
THE SAN FRANCISCAN
?t
Sunset
Limited"
East through
7\[ew Orleans
Straight across the legend-
ary Southwest, Spanish be-
fore it was American . . .
through the romantic South
... to the East.
The "Sunset Limited,"
famed round the world,
directly serves the fashion-
able desert resorts about
Palm Springs and Indio,
the guest ranch country of
Arizona.
Go one way, return an-
other on "Sunset Limited,"
"Overland Limited" or the
"Cascade." Only Southern
Pacific offers the choice of
four great routes.
Southern
Pacific
E. W. CLAPP
Gen.Pau.Trf.Mgr.
San Francisco
of western technical appliances is both
comic and tragic. The American agents
install mechanical apparatus, such as
Hoover sweepers, only to find that the
owners have no interest in keeping them
in condition, but let the bearings burn
out cheerfully and then lay aside the
device as a failure Their minds are fixed
on abstract ideas rather than efficiency
methods
. . . The Oriental thinks back so far
beyond western civilization that his very
symbols are different To him the dragon
and the serpents are objects to worship,
not to be shunned and feared, as in the
Occident. He reverses many of our cus-
toms For example, the Chinese bride is
decked in scarlet and crimson while the
average American has entirely different
associations with those colors, perhaps
bullfights and scarlet fever. A Chinese
funeral is attended with deafening
sounds, not with the silence which ac-
companies Occidental sorrow.
. . . When people ask me, "What do
you think of China," I must reply in
Yankee fashion, "What do you have in
your mind by which to judge China1"
Opinion is of little worth until there is
some sound judgment. The thoughtful
Chinese believe that if they can be given
time they can work out a solution to
their problems of government, economic
independence and national education
Don't
short-sight
vourself ....
Only a modern eye ex-
amination can tell ifyour
sight is up to standard.
Telephone GA rfield
0272 for an eye examin-
ation to-day.
JONES. 1* I \ Till-: It
& 1. 1 MIS AY. In.-.
Optometrists & Opticians
349 GEARY STREET
For those who
ive on a normal
sensible basis . . .
The beauty of the Hotel
Lexington . . . the luxury
of its modern appointments
. . . the distinguished
quality of its French cuisine
. . . are available at such
moderate rates that many
guests who come for a day
or a week are staying
permanently.
Dinner and Supper Danc-
ing in the Silver Grill.
Dave Bernie and his Hotel
Lexington Minute Men.
801 ROOMS
Each with private bath (tub and shower)
circulating ice water, mirror door.
341 rooms with double beds,
1 person
These same 34 1 rooms for two
persons .....
229 rooms with twin beds
Either one or two persons .
231 rooms with twin beds
Either one or two persons .
Transient orpermanentaccommodations
$4
$5
$6
$7
Club breakfast . . . 75c
Special luncheon . . $1.00
Table d'hote dinner . $2.00
Also a la carte service
HOTEL
LEXINGTON
LEXINGTON AVE. at 48th ST. NEW YORK CITY
Tronic Gregson, Mgr. Phone MURray Hill 7401
Direction of American Hotels Corporation
J. Leslie Kincaid, President
IPRIL, 1930
39
Solili'i- llir«'s ;i < ;u-|-i;iu«'
Continued front nags • ~
carried on a litter into a building I pro
tc-t I protest 1 continue to protest.
but mote weakly, when I notice how
very pretty is the soeur who is assisting
the surgeon to dress nu wounds I can
see her yet, such eves, and a dimple in the
chin, a figure! Even in che ugly white
gown she has the proportions o! a
Venus Solder shook Ins head at che
remembrance. "But the antiseptics, I
smell them still, the gauze, the cotton,
the glittering instruments, — ic is all too
much. Then. Mcsdames, Monsieurs,
would you believe, this does not suffice !"
Again he arose, and with a gesture
worthy ol Mounet-Sullv, continued
"My clothing is removed, 1 am bathed
not once hut twice in steaming waters
then I am put co bed between white
sheets such as 1 have not known for
vcars. I am afraid co ask questions It is
better to accept the situacion with torti-
tude; also I am very tired Perhaps it is
all a dream I wink at the prettv soeur,
she winks back, I sleep
"In che morning I am again washed;
shaved and told co arise and dress Clean
clothing is given me, only my old boots
remain from my wardrobe of vestcrdav
I breaktast and am led co a small room
and told to wait. A man comes in,
motions me co a chair, and himself sits
down. He calks; I liscen, hue only half
understand At least I realize that he
offers me five hundred francs to settle
mv claims against che omnibus company
tor che injuries I have sustained in yes
terdav's accident. I am magnanimous; I
accept. Sotc tor Solder, eh'"
"Good and sotc." we cried. Our
laughter was interrupted bv the patron.
who with a worried look on his face was
beckoning Solder into the bar "Mais
que vcux tu?" he said impatiently.
"Speak out, man. vvhac is it you want1
Who needs mv services? Madame
Duval' She is in trouble7 A burse pipe7
I regrcc I am dtsolt Tell Madame I
have che migraine I cannoc come. It is
impossible One does not mend pipes on
such a night; on such a nighc in Spring1'
"Tu a raison, Solder, "said one ot che
girls, "but now we drive; come, we
powder the nose, we gee che wraps;
Solder shall lead che way and make che
great selection."
WMTe left Pierre's, Solder with a girl
WW on each arm, Baba and I fol-
lowed We walked to the Place Clichv
where che incomparable Jean Baciste
awaited us The usual dickering between
Frenchmen took place Finally matters
were arranged to their mutual sacisfac-
cion We climbed inco che fiacre, che
Continue*! t" next page
tor GIRLS
on
Gold Lake, California
(in the High Sierra)
Highest references given ami required
For descriptive booklet write He director
I - i-her Beard Tomey
RlPON, C'U.II'IRVI I
RAD IO S
RADIOLA MAJESTIC
CROSLEY SPARTON
BOSCH
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BYINGTON
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1809 FILLMORE STREET
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Service from 8:00 A. M. to 10.00 P. M.
iy.i,;.:iii:
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INCORPORATED FEBRUARY IOtH, 1S68
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Assets over $125,000,000.00 Deposits over $120,000,000.00
Capital, Reserve and Contingent Funds, $5,450,000.00
The following accounts stand on the Books at $1.00 each, viu:
Bank Buildings and Lots - Valu over $1,925,000.00)
Other Real Estate - - - (Valui ■ i.vcr SJ08.O0O.O0)
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Interest paid on Deposits .it 4' j pel cent iht annum
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swiftest in all Paris. We were ready to
start, the four of us on the back seat, our
feet resting on the small one opposite.
Great farewells took place, — kisses,
handshakes, — one might have thought
us enroute to America At last the whip
was cracked, our race horse started. We
were so tightly packed we hardly felt the
humps as we rattled over the cobbles.
In turning the corner, we had one last
look at Sdlder waving his hand. He
loomed large and lonely in the lamp-
light.
Defense of Extremists
Continued from page 14
hopes became realized actualities of
American civilization.
Any man who is ambitious to achieve,
whatever his chosen field, will do well
to consider carefully before trying too
hard to avoid being an extremist. In
the long run, extreme views may help
more than hinder him. If he goes into
banking, for instance, let him visualize
banking as a great instrument of help
to all the people as well as the provider
of a future for himself. Let him feel
that banking is a profession the enrich-
ing influence of which has never been
fully exercised in a world of commerce,
industry — and human beings. Let him
carry out with unvarying determination
the ideals as well as the practicalities of
his life's work.
If he should choose the ministry, for
another instance, let him be not the,
conservative puppet of a society pulpit
but the challenging herald of a loftier
code of life. With the zeal and ardor of
an apostolic missioner he will perpetuate
and enlarge human acceptance of the
Faith that is not even sustained by
priestly caterers to conventional ways
of living.
Extremists can, of course, be wrong;
but we may remember that whenever
and wherever there is something mo-
mentous to accomplish it is generally
the extrenieist who does it.
Reviewing the situation, it appears
that youth, more than any other
part of society, is affected with the pre
vailing idea of avoiding extreme views
in anything — is sold on the idea of tak-
ing life as a casual proposition. Many
young people go about seeking the
happy medium in every field of thought,
in contra-distinction to the deluded ex-
tremeist. By simulating analytical think-
ing they hope to exhibit to a world still
handicapped by hidebound convictions
their own surpassing erudition Youth
overlooks the fact that all the leaders of
the human race have been extremists of
one sort or another; is oblivious to the
fact that the very system of education,
by which it is afforded an opportunity
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For appointment call
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GOWNS /l
| 2145
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ORdway S782 /^
APRIL. 1930
41
/
or Easter there
is no gift like that
of Flowers
«^fV
Particularly if
chosen from the
profusion of choice
blossoms now at
your disposal
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224-226 Grant Avenue
Phone SUtter 621
SAN FRANCISCO
Orders Telegraphed Anywhere
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LUNCHEON
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Tea from 3 to 5
Dinner served from 5:30 to 7
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Secretarial Service
Manuscripts typed,
punctuated and revised.
Court Reporting
Depositions Taken
Experience in Federal,
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Courts
CONSTANCE SCHLOSSER
1650 Jones Street
San Francisco
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to arrive at whatever views it has. was
evolved through the zealous cllorts of
those who fought to overcome con
servative resistance to the principle ol
public education
Looking to the Future, ic is apparent
that a reversal ol the current trend, the
raising ol more and better extremists,
might give us some genuine bigots in
the crop But a lew bigots are more to
be desired than what may be, intel-
lectually speaking, a generation of list-
less nincompoops
llnmloin Impressions
Continued from iuikp 31
that look like snow crystals A curious
necklace of diamonds and emeralds that
belonged to Elinor Wvlie is round her
neck.
"I am simply mad about dancing . . .
You know 1 had a variety ol (lowers to
wear tonight but I left them in the bath
tub The poor things get so hot and
droopy Isn't the West amusing' . . .
I long for the Maine coast 1 saw
daphne the first time in my life yester-
dav and in California ! . . . A reporter in
Texas told me she longed tor the excite-
ment and inspiration of another war . . .
1 simply exploded "
Drvads have the whipping fire of en-
raged snapdragons!
"I once wrote a novel called 'Hardy
Guts ' Isn't that a swell title7 But some-
one else used the same theme in a Neigh-
borhood Playhouse show before it went
to press I was frightfully disappointed
The dryad looks up, the orchestra leader
is paying more attention to the micro-
phone than to his audience
"How unspeakably rude that man
is!" exclaims "herself gathering a
smart, deep blue cloak about her. "He
seems quite indifferent to his visible
patrons — forgetting us in his anxiety to
please unseen admirers. Let us leave I
am affronted hv his lack of manners!"
The snapdragon exits.
albert
of the PALACE
We now offer — Manicures with
complete hand and arm service.
Beauty Salon . . . Palace Hotel
kearny 7369
keorny 86OO
The newest sweaters
stop at the normal
waistline
a youthful fashion
first sponsored by
Chanel and featured
by R o os Bros, at
$|Q95
One of the new short-length
sweaters has a modernistic
design embroidered in color-
ful wool... it may be worn
over the skirt or tuck-in.
5tWBm
9-Store Buying Power
The finest candy you can buy
Easter Baskets
Dainty, Spring-like baskets
filled with the finest candy
eggs and imported chocolate
novelties.
50c to #5.00 and up
GOLDBERG
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242 Sutter Street
SUtter 4000
Master Gi
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£abfaon $atsi, 3nc.
HAND TAILORED HATS
456 GEARY STREET
FRANKLIN 6673
SAN FRANCISCO
ffluu ffl. anitticrlin
42
THE SAN FRANCISCAN
Police !
Woman [rushing excitedly
into police station) . . . Oh,
oh, oh! I've lost that beautiful
platinum bracelet Elmer gave me
for my birthday. What shall I do,
please, sergeant?
Officer [one of San Fran-
cisco's finest and shrewdest)
. . Now, my dear lady, don't lose
your head, too. You run right over
to the Examiner and tell the clerk
at the Counter all about it. He'll
fix up an ad for you that will
probably get your bracelet back.
Nearly everybody reads the
Examiner, you know.
\
The Examiner's phone number,
bv the way. is SUtter 2424 —
East Bay, GLencourt ^442. You
may phone your Want Ad
Main Office
Third and Market Street
\
Spotlight
Continued from page 21
good that one scarcely remarked it. Only
one member of the organization was
known to San Francisco — Mme. Gadski.
To its credit let it be said that it gave her
nightly a splendid ovation. We expected
o find that time had taken toll of her
voice and it was even so. But the mark
of time was more particularly upon her
stage presence. Her high-heeled slippers,
her Valkyrie gown with a train, her red
marcelled wig — all bespoke the stage
tradition of another day. One thing the
motion picture has done for us is to
make us critical of such details. Opera
still clings to the incongrous more than
any other form of stage art on the mis-
taken theory that music justifies every-
thing. We had an example of this in the
production of "The Masked Ball" by
the Pacific Opera Association. The scene
in the fortune teller's cave with its
seeress tricked out in a Hallowe'en
witch's costume turned the whole act
into a Sabbath School cantata. It will be
well for the producers of opera to realize
that the eye ot the public has been trained
in this last decade much more than the
ear. Music ridiculously clothed will be
received with levity. This may be sad
but it is true, and all the heroic singing
of a daughter of Wotan cannot override
a soubrette's wig or a train demanding a
kick-back every ten steps.
>: *
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Spring 1930
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3 entrance 817 Powell 5
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a 38-day cruise for three hundred dollars
libera line
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219 siitter street
KEarny 4100
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consult ....
(J^fiss J^ulia Johnson
Qraduate Swedish -JWasseuse
DIPLOMA PROFESSOR
ulmann's INSTITUTE
STOCKHOLM, SWEDEN
Suite 211 Elevated Shops
150 Powell Street
DOuglas 6493
FRANCISCAN
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THE MOUNTAIN CHAMPS ELYSEES OF NORTH AMERICA
The huge baronial hotel sits at the head of a lounge on the sunning terrace. Below again,
twenty-mile mountain valley, blocked off at riders canter, golfers play the famous 18-hole
the end by the stern granite cliffs of the Fair- course. Within, the hotel is keyed to the
holme Range. You look out from the tea- tastes of fastidious, interesting people... nightly
lounge upon 10,000-foot peaks ... upon the concerts, galas, entertainments .. .also, lectures
foaming, jade-green falls, upon the changing by Dan McGowan, naturalist, on the fascinating
cloud-shadows and the still vastness of the fauna and flora seen in the Canadian Rockies,
true Rockies. Below you are the terraces. Only 40 miles away lies Lake Louise, jewel of
Groups of people sit silent there, gazing on the mountains, a famous playground, served
the view. Below, lively parties splash about by Chateau Lake Louise, a hotel with the
the swimming pools, play at clock golf or same excellence as Banff.
Come up this summer and slay! . . . Special monthly
rates for families, European plan. During May, June
and September, single with bath, $8 up per day; double,
$14 up. Period suites for two, $35 up. Rates
higher during July and August. Special servant quar-
ters. Something doing all summer long! Opening
May 14th. For reservations, rates, information, write
your local travel agent or
CANADIAN PACIFIC
Fred L. Nason, General Agent
675 Market Street, San Francisco
or Banff Springs Hotel, Banff Springs, Alberta, Canada.
BANFF SPRINGS
A CANADIAN PACIFIC HOTEL
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THE GATEWAY TO BEAUTY
Why grow old when there are ways
to retard the relentless hand of Dame Age . . .
The rightful heritage of every woman is to be lovely —
and yet carelessness and neglect rob her of this — her
most cherished possession. The bloom of youth can be
preserved many years beyond the period when age be-
gins to exact its heaviest toll if a woman will seek
scientific advice and put forth the effort neces-
sary to the attainment of her goal . . . But
until May 1st where could a woman go for
a thoroughly scientific analysis of her
beauty requirements? Where could she
go to build up beauty from within as well
as by the aid of external treatments? . . . On
May 1st KAYA LAMA was opened on the fifth floor of the
Liebes Building here, in beautiful surroundings, a noted beauty specialist offers
the secret compositions of ancient Egypt and outlines treatments which represent the triumph
of youth over age, treatments which promise an indefinite postponement of age signs. Each woman
entering this luxurious salon is given a scientific analysis . . . Should the cause of her beauty woes lie within,
eminent doctors will be recom- "T 7" A "^[ T A TT A "A /T A mended that a thorough ex-
amination may be given and the l^. £\ ^/ £\ I Zj\ f\/|| /-\ r°ot of the evil checked — so that
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beauty as are creams, lotions and various applications. She emphasizes the fact that the wrong diet and insufficient exercise,
as well as ills of the mind, must be corrected before true beauty can exist. Through the assistance of a noted physical cultur-
ist and through scientific treatments given in KAYA LAMA, excess fat is reduced while health is guarded. If a woman is under-
weight, her body is built up and nourished into loveliness. For dry, sallow or oily skins there are individual treatments that
correct the cause. Hands that show age, necks and chins that have been allowed to show the effect of years are brought back to
youth . . . The beauty secrets of ages lie back of the treatments given. Methods of restoring and keeping beauty that have been
practiced for centuries — ever since woman first looked into a mirror and saw the first wrinkle — all have been studied — all have
contributed to the knowledge which, combined with recent scientific discoveries, is now at your command . . . And all in ex-
quisite surroundings. Entering the salon, you pass through a gorgeous gateway that symbolizes the ideal of KAYA LAMA —
the "gateway to Beauty." In the reception room large clusters of lights in each corner shed a colored glow on the scene —
a glow that changes with the time of day and the psychological reaction of the visitor. From this sumptuous salon you
go into the treatment rooms where there is the atmosphere of ancient Egypt. There are rooms with couches for rest
and relaxation and there are powerful sun lamps and ultra violet ray lights to stimulate and revivify. Beyond all
these you find the ultra modern office, symbol of scientific efficiency. The entire setting of this temple, dedicated
to beauty, has been created by Arthur Mills of the Berry studios who has interpreted the spirit of oldtime Egypt
in modern adaptation. The rich hangings, the colors, the lights all are modern in feeling though recreating
an atmosphere of the palaces along the Nile where women preserved and cared for their beauty centuries
ago . . . The beauty authority who has inspired KAYA LAMA presents unique and remarkable cos-
metics that are truly products of worthy and ancient lineage. Mysterious in composition and com-
pounded of the rarest, purest, most penetrating oriental oils and herbs, there is unbelievable
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are waxless — which means clean, contracted pores and a delightfully smooth skin tex-
ture after their use. The coming months will prove that KAYA LAMA is truly a
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beauty by learning the subtle art which is transmitted to you when you
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TEMPLE OF PERPETUAL BEAUTY one senses the fulfillment
of all that is promised . . . Through the far-reaching
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improvement of muscle support is
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KAYA LAMA
The Temple of Perpetual Youth
SUITE 536-7-8 LIEBES BUILDING, SAN FRANCISCO
V
Recommended by a famous beauty expert whom you all hnoiv
\
HERE
TO
MUSIC
M.i\ 1: The San Francisco Kiwanis Singers,
8:30; J. Paget Fredericks, Solo Dance Con-
cert, 9.
May 12: Byrde Therese Convery, Dramatic
and Musical Recital, 8:30.
May 15: Kathryne Julye Myers, Harp Recital,
8:30.
May 20: Harry Cykman (7-year-old violinist)
8:15; Stradivarius Quartet, every Thursday
evening at 8:15, and Sunday afternoons at
3; Mills College (in its second season of
Chamber Music).
THE SCREEN
California: "The Song of The Flame," fea-
turing Alice Gentle, Noah Beery, Bernice
Claire and Alexander Grey; Dolores Del
Rio and Edmund Lowe will also be seen in
"The Bad One" — very bad, indeed, they
sav!
Granada: "Show Girl in Hollywood," Alice
White and Jack Mulhall depict the dilemma
of a show girl in the movie colony.
St. Francis: "Paramount on Parade," an all-
Paramount cast; "The Big Pond" will also
be shown with Maurice Chevalier and Clau-
dette Colbert.
Fox: "Caught Short," Marie Dressier sup-
ported by Polly Moran, Anita Page and
Charles Morton.
Orpheum: "Cue Koos," Bert Wheeler and
Robert Woolsey, the world's greatest com-
edy team.
Embassy: "Hold Everything," Winnie Light-
ner and Joe E. Brown. (Hilarious! De-
lirious! Uproarious! Held over by popular
demand. )
Warfield: "Rogue Song" — leaves you breath-
less with passion, beauty, and fun. Lawrence
Tibbett, Catherine Dale Owen and cast of
500.
DINING AND DANCING
The Palace: Unsurpassed foods, served in an
atmosphere of warmth and color.
St. Francis: A landmark not to be forgotten
for hospitality extended to the guests within
its portals.
The Fairmont: It is here where the stranger
feels at home.
Mark Hopkins: Its doors open wide to all
outside. To enter is but the fulfillment of
the tourists' desires as to cuisine and service.
Sir Francis Drake: Afternoon teas in the lobby
are quite the vogue.
The Courtyard: A breath of old California,
within the heart of Chinatown.
Coppa's: Chicken portola served in cocoanut
shells pleases the most discriminating.
Russian Tea Room: Unusual foods served in
a manner that makes the guest linger a little
longer over the demi tasse.
The Silver Slipper: Where good fellows make
whoopee beneath entrancing lights.
Jacinto Mexican Grill: Where Mexican foods
are eatable without the tang of spices that
burn the palate.
Russell's: Foods that delight, served in a way
that pleases.
Solari's: A place that is known for its cordi-
ality.
The Lido: Where dull care is thrown to the
winds.
Post Street Cafeteria: For those who seek the
best — where time and service count.
THE STAGE
Alcazar: George Henry Trader, who has just
returned from Australia, where he went to
play his role of the father in "Pigs" and
also to act in "The Perfect Alibi," "Laugh
That Off," and "Kempy," will be seen in
the production of "Hell's Bells," the farce
comedy that opens here May 4th. Florence
Roberts takes the part of the landlady of
the small town hotel, while Jap Stillson,
the other mining prospector, will be played
by Leo Lindhard.
Columbia: "Hi-There," the first intimate re-
vue to be entirely built in San Francisco,
promises much in addition to placing this
city on the producing map. All the princi-
pals were brought here from New York
several weeks ago and include Odette Myrtil,
Ken Murray, Frank Beaston, Teddie Wal--
ters, Lester Vail, Billy Griffith, Steve Fagan,
Royal Foster and Helen and Milton Charles-
ton.
Curran: "New Moon," with Perry Askam and
Josephine Houston, with company of 100,
holds the stage at this theatre.
Capitol: Mei Lan-Fang, China's greatest actor,
in two entirely new plays, "Teasing the
School Master," and "The Tray and Sleeve
Dance" from "Ma-ku's Birthday Offering."
President: "Mary's Other Husband," with the
distinguished comedian Taylor Holmes — a
carnival of laughter.
SPORTS
P. A. Track Meet: May 3rd, Kezar Stadium.
California Inter-Collegiate: May 17th, at
Stanford, Palo Alto.
Military Carnival: May 2-3-4 and 5, Presidio.
ART
Paul Elder: Water colors by Selden Connor
Gile; Paintings and Textiles by Salome L.
Johonnot.
Gumps: A collection of 18th and 19th cen-
tury rugs will be shown May 5th to 17th,
Persian, Turkish and Chinese, one of the
outstanding Chinese rugs being a silk
Throne Rug; also a picture rug taken from
the Palace of the Forbidden City.
Galerie Beaux Arts: Dorr Bothwell, who for
the past year has been living in Samoa, will
exhibit oils, water colors and pastels April
30th to May 14th. Monday evening, May
5th, this artist will receive the public, giv-
ing an informal Samoan entertainment
having the support of a few dancers who
will interpret the Samoan dances. John
Carroll of New York also exhibits an oil
and sixteen drawings at this time in the
main gallery.
California Palace of the Legion of Honor:
The Fifty-second Annual Exhibition of the
San Francisco Art Association — national in
scope, including invited works of art by
leading contemporary artists of the East as
well as a splendid representation of West-
ern art.
East-West Gallery: Claire von Falkenstein ex-
hibit of charcoals — colored crayons and
watercolors. May 2nd to 16th.
ESTABLISHED 1852
SHREW cV COMPANY
JEWELERS and SILVERSMITHS
Post Street at Grant Avenue
San Francisco
TO THE EDITOR
I NOTE with sorrow, my dear editor, that in
a recent review you mention Art Hickman,
Paul Whiteman, Anson Weeks and others as
great conductors whom San Francisco has
produced and yet you entirely neglect to men-
tion Walter J. Adams. It is just possible that
your musical education stopped short or the
point where you would have come across the
interesting Adams, for Adams never rose
above the level of the Barbary Coast during
his musical days, though since his entry into
the world of belles lettres he has gone far and
will go farther.
Long before Hickman there was Adams
with a one-man orchestra playing for one of
the greatest medicine men in the business up
and down the Golden State. Eureka nurtured
Adams, all California was his playground, and
now he is spending his declining years writing
in Honolulu.
His autobiography appeared in a recent
edition of the Honolulu Advertiser and since
it was not copyrighted I presume you may
reprint. It follows:
"On a dark and stormy night in the hamlet
of Pittsburgh, Pa., was born the man who was
later to be known as 'America's Boon to
Journalism' or 'Where has that mug gone
to now?'
"On that night (it was the 9th of Novem-
ber, 1892, a courtly Englishman of the old
school was hastily summoned from the Dutch-
man's around the corner. He arrived wiping
frost, or foam, from his carefully trimmed
beard.
"He was greeted by a beaming nurse. 'Mr.
Adams,' she said, 'the stork has arrived.'
" 'Well,' the head of the house answered
automatically, 'tell them to charge it. I haven't
any change with me.'
" T mean, Mr. Adams,' said the woman
with an indulgent smile, 'you have a little
son,' and therewith held up an object in her
arms.
"Adams pere gave her a suspicious look.
'Where is he?' he demanded.
' 'There's the little basket,' she replied with
a meaning smile.
" 'None of your wisecracks,' snapped the
former Oxford don, 'after all, he is my son,'
and the woman withdrew in confusion after a
muttered apology that she had merely referred
to the basinette in which the infant had been
placed and had meant nothing personal.
"The new father gazed long into his only
child's puckered, but even at that age, hand-
some face. Then with a sigh he turned and
went back to the Dutchman's around the
corner. He was gone a week.
"Young Adams was shortly christened Wal-
ter James in honor of two members of the
family who immediately filed suit, and an
estrangement resulted which has lasted to this
day. Soon he developed a strong tendency
toward the arts, including music and journal-
ism, and would spend hours at a time sleeping
in any spot where he happened to be.
"Much could be told, did space permit, of
his early youth; of his graduation from school
and the resultant scandal and impeachment
of the board of education; of his career as
treasurer of a Musicians Union which ended
when the books were unexpectedly audited
one day; of his realization of the evils of the
rum traffic when cash registers were intro-
duced in a saloon in San Francisco in which
he was employed as host, and of his works as a
sports editor which was abruptly terminated
when it was found he was learning something
about sports.
"Space and public sentiment, however, do
not permit, so we find him next a widely
known citizen of Eureka, California. At this
time a pronounced ability for eating, drink-
ing and playing the bass drum was noted in
the young man. And with these talents he
served his country during the late war.
"He entered the army after a three weeks'
search by a posse in the Humboldt forest,
where he was known as Nanook of the North,
and immediately was awarded the grade of
private. He emerged from the army without
any loss of rank, and entitled to show on his
service record the significant letters A.W.O.L.
"When a new sheriff was elected in Hum-
boldt County young Adams decided to visit
Honolulu. He arrived in Honolulu on the
S. S. Lurline, much to the amazement of the
ship's company. His services were immedi-
ately snapped up by a Honolulu newspaper
and with his broom and dustpan he started
his brilliant newspaper career.
"Almost at once he showed his genius as a
deviser of labor-saving methods. He invented
the 'I'm going out for a sandwich,' scheme
and the 'I'll be a little bit late today," and the
'I'm out on a story' idea now universally in
use. Patiently he pitted his wits against those
of city editors until the perfect device was dis-
covered: That is the column entitled 'The
Meal Ticket of "Doc" Adams.'
"This column, sparkling with time-tested
humor, he still conducts in spite of the fact
that envious fellow workers stole his shears
and paste and destroyed all available copies
of Life, Judge, New Yorker and the Ameri-
can Legion Weekly humor section.
"Adams has written many stories and arti-
cles for the Saturday Evening Post, the Ameri-
can Mercury and similar publications. One
entitled 'Uncle Tom's Cabin,' a gripping
novel of the South, is expected to be sold at
almost any time. In this case he used the pen
name of Harriet Beecher Stowe.
"Today, young Adams is a young man in
the first flush of his youth, unspoiled by suc-
cess. His tastes are simple, ginger ale and ice
being abhorrent to him since a recent trip to
Australia with the U. S. Fleet. He is invari-
ably immaculately dressed at all hours of the
day or night. He scorns the effete ideas of
modern youth and always sleeps in his under-
shirt and sox, in the manner of his forbears.
His favorite food is free. His favorite recrea-
tions blondes and brunettes. He plays a
marimba band with either hand."
Aloha from
M. JEADELAIRE.
I'M getting a little tired of all this conversa-
tion about doing things. All of a sudden
we must all up and be creative artists. No
matter if we were intended to be merely ordi-
nary people, living mundane lives. We must
discover our ego and flaunt it before a dis-
interested and indifferent world. At least we
must, if we would continue to be considered
"all right" — the modern world's sesame ver-
dict.
So poor Mary, who writes a fairly decent
letter, is told she is a potential writer of the
Great American Novel, and spends the rest
of her youth wearing out a typewriter, not to
speak of her nerves. (And the editors! ) She
should be playing tennis in the sun, or resting
after a hard day at the office — but no — she
permits herself barely enough time to eat and
then sits down to her self-imposed labor. "A
pity not to take advantage of your talents,
creating is limited to the clever neat retorts
she directs at the current boy friend, who has
a yen for a mistress who does things and eggs
her on to her less than mediocre efforts. And
that isn't all.
Bob, who used to do amusing but crude
cartoons of his profs, becomes an infatuated
admirer of the nouveau art, neglects his mat-
tress business and spends whole mornings
daubing helpless canvasses with paints. More
creative urge!
The worst of it is YOU probably become
infected, too, and torture your poor brain
into turning out some opus, and spend your
next month's salary on postage stamps and
your next year's exercise running up and
down to the mailbox, looking to see whether
your masterpiece has come back once more.
You'd probably be a nice person, too, if you
let well enough alone. Capable — probably —
good at writing collection letters or making
hats or washing dishes — and intelligent prob-
ably— more than averagely intelligent. Prob-
ably can do things with words or paints that
would help liven an evening when your
invited friends don't want to play bridge.
But then, I forgot. You probably don't play
bridge. "Confession of a weak mind." And
you probably don't entertain, because you
need the time for your work. And so, while
you're writing up an order for the Decorating
Company for whom you work, or peeling the
potatoes for dinner, you probably harass your
mind with "I wonder what original thought I
can use in my new story or sketch?"
Remember the good old days when it was
just a "dance" that was frowned on and you
were considered quite sufficient unto the good
if you had readily available a bit of spritely
conversation? Those days are no more. It is
not enough. Now you must have at least one
book under consideration with Covici Friede,
to get by. It's getting harder and harder.
And oh yes! Even little Junior goes to a
progressive school where his creative impulses
are given free rein. So far he and the dozen
others in his class have all made little wagons
consisting of five boards each, nailed together
crookedly, topping four wooden disks, for
wheels, also nailed crookedly. Individual ex-
pression! They're all going to be carpenters
or delivery boys for grocers and must know
how to reassemble wheelbarrows that fall
apart.
No thank you — no harassed straining to be
a poor imitation of the real thing, simply
because this is the era of self-expression —
animated conversation, yes; entertaining let-
ters, of course; gracious and full and leisurely
(Good Heavens!) living, at a pace that per-
mits of enjoyment — by all means. But writing
another book of etiquette or painting a picture
of a chatte enceinte or doing a near-De Sylva
lyric — no thank you!
And my children are going to the Public
Schools!
MIRIAM STEUER.
WHEN I first planned this "Big Idea De-
partment" it looked as though my
fortune was made, or at least on the road to
the first million. I took the idea to one of the
daily papers hoping that its acceptance would
mean a syndicate service without further ef-
fort, but it was no "bust" for the daily papers.
The title intrigued the managing editor into
asking me for an example of the "ideas," and
after seriously and conscientiously doing my
best to impress him with the magnitude of the
idea (and I had put every effort into present-
ing the perfect sales talk; hair combed, trou-
sers pressed, our year-old, thrice-soled Flor-
sheims neatly polished and a nice fresh shave
for bolstering up the old morale) . And what
did he have to do but throw us out (both me
and the ideas). No, that isn't quite fair to
him. The owner of that paper insists that his
editors maintain the moral influence of his
Continued on page 32
Associate Editor
Rowena Mason
Contributing Editors
Charles Caldwell Dobie
Joseph Henderson
Kathryn Hulnie
Carey MrWilliams
Beth W .ii.l.-l
Elva Williams
SAN fKANCIKClN
JOSEPH DYER. Editor & Publisher
Assistant Editor
Aline Kistler
Contributing Editors
Raymond Arnishy
Ned Hilton
George Douglas
Mareella Burke
Mollie Merrirk
Idwal Jones
vol. IV
III SI V
i»:io
no. a
CONTEXTS
\croplaiic Angles, photograph by Stuart O'Brien
Air Situations, article by John Parker -
n
9
Florence and Alexander Leftwieh. photograph by
Edward Weston 11
Desert Palms, photograph by William Horace Smith - 12
Sympathy and Pattern, article by Ned Hilton 13
Spotlight, criticism by Charles Caldwell Dobi 14
Two Helens, sonnet by Jo llartman 14
Concerning Portraits and Impressions, by Aline Kistler 15
ll:i|i|i> Isles of the Pacific, article by Phillip NesMtl - - 16
The Book Doctor. Im A. Grove Dav 18
Modern Interiors, photographs
Mrs. Charles Keeney. from the painting by Gleb llyin
The Reigning Dynasty
War Drums and Printer's Ink. article by Zoe Battu -
Mexico, woodcuts by Prescott Chaplin
The White Card, comment by Ned Hilton 24
Now It Can Be Told 2S
Cartoons 2"
35
19
20
21
22
23
As Seen by Her
Yo-Dc-O-Do. by Beth Wendel
II
The San Franciscan is published monthly by The San Franciscan Publishing Company. Sharon Building. San Francisco. California. Entered as second-class matter
October. 1928. at the Post Office at San Francisco. Calif., under the act of March 3. 1879. Joseph Dyer. Publisher. Subscription price: one year $2.50. single copy 25c.
Copyrighted 1929. The San Franciscan Publishing Company. Unsolicited manuscripts will not be returned unless accompanied by self-addressed, stamped envelope.
For advertising rates address Zora Combes, Advertising Manager.
Aeroplane Angles
A new all-metal Ford tri-motor plane was the inspiration for this
seeming abstraction by Stuart O'Brien. He has photographed the plane
from the rear, using the corrugated surfaces of wings and body to
make this interesting design expressive of the modern spirit of speed.
SAN riLiKCIKCAX
Air Situations
A 2000 Word Survey of Airports and Air Travel in San Francisco
by JOHN PARKER
San Francisco gasped when one
hundred and fifty army planes re-
cently swooped over the city in o flense
maneuvers. The city shuddered at the
possibilities of destruction in time ot
war but it thrilled with a new sense
ot power
People thrilled because most of them
had experienced the sensation of flight
and it is more exciting to imagine
oneself in the soaring airplane than in
the imaginary bombed city below — war
seemed a remote possibility — the idea
of flying an immediate consideration.
Air travel is an accepted thing More
people travel by air in the San Francisco
metropolitan area than in any other part
of the world. The reason for this is
that, besides the many flights made each
day by the leading transportation
planes going north, south and east, an
average of three to tour hundred people
daily use the air terries, the world's
first major short haul air transportation
system
In Germany, where aeronautics is con-
sidered to have had its greatest initial
development, 115,000 people made
flights during 1920, according to pub-
lished statistics. This averages less than
no, 000 passengers a month
An average of ten thousand passengers
each month has been carried by the air
ferries over San Francisco Bay ever
since it started operation, February 1,
iQ3 Up to April 18, 25,000 passen-
gers had been carried on the regular
schedule of flights bee ween San Fran-
cisco and Oakland and San Francisco
and Vallejo.
The West has made the greatest
Strides in passenger living of any section
ot the United States At the end of 1929
more than one fourth of all the miles ol
regular air transport lines in this coun-
try were in the West However at that
time, before the advent ot the ferries,
many more passengers were being car-
ried in other sections than in this
region. Only 9,900 of the United States
total of 85,000 people flew in the west-
ern area. The air ferries have changed
this, bringing the West into the
lead for both extent and use of the air.
It is next to impossible to obtain
traffic figures tor this year from the lead-
ing air transport lines operating out of
San Francisco because the rapid growth
and radical changes from month to
month have convinced them that
today's figures are not necessarily indic-
ative of tomorrow's traffic. The diffi-
culty ot "averaging" reports can be
seen from the fact that in 1929 the
"lowest month" of travel over one of
the largest lines was 300 per cent in ad-
vance of the "highest month" of the
preceding year — there was a gain of 600
per cent from one low to the next
The entire story of air travel is one
of overnight changes and breath-
taking growth Past accomplishments
have stretched the imagination so re-
peatedly that now a new teat brings
only passing wonder. The fourteen
hour trans-continental flight ot the
Lindberghs called lor three- inch head-
lines in the papers and momentary
amazement — but the next minute
people were thinking in terms of over-
night distance between San Francisco
and New York
Last month the new thirty-two pas
senger Fokker four-motor plane
swooped down tor its first landing at
the Oakland Airport Its wings spread
ninety feet a huge dragon fly weigh-
ing nine tons but it glided to the held
with such ease and taxied to the pas-
senger landing so matter ottactlv that
one tele almost ashamed for having
marveled This, the largest transport
plane in the world, was but the next
step in the amazing progress ot air
travel — something to be taken tor
granted the day after its initial accom-
plishment.
Today there are accommodations for
one hundred and fifty passengers in the
regularly scheduled planes leaving San
Francisco Bay lor points north, south
and east each day — and incoming planes
can bring as many more without deviat-
ing from schedule Daily, one thirty-
two passenger, two fourteen passenger,
two twelve passenger, one ten passenger
and one four passenger planes leave bav
region airports tor Los Angeles and as
many land in return — accommodations
for eighty-four people to leave for or
arrive from the south by the air Tra-
vel north is less heavy and is taken
care of by two sailings accommodating
a total o\~ sixteen passengers each waj
Beginning May 1, the Pacific Air Trans-
port has put its eighteen-passenger tri
motor planes on the passenger-mail run
from San Francisco to Chicago, making
two runs daily, one in the morning and
one in the evening.
This scheduled travel represents only
a part of the actual living done by people
here for it does not take into consider.!
tion the many sightseeing flights, the
special chartered planes that are used
constantly tor business and pleasure, nor
does it include the main student flights
made by young aviators in the large
schools at various airports
The air ferries have received a firth
seven- passenger amphibian plane from
the East and are operating on a schedule
ol fifteen-minute service to Oakland,
hourly service to Vallejo Mid special
trips to Alameda Airport Terminal
sites have already been selected in Sacra
mento and Stockton and within a tew
10
THE SAN FRANCISCAN
months it is planned to have regular
service on a two-hour schedule between
San Francisco and Sacramento and San
Francisco and Stockton. These trips will
take from 45 to 50 minutes from one
business center to the other. The am-
phibian planes will land on the rivers
in the center of the two inland cities
Later there will be regular flights to
Sausalito and other trans-bay points
Air Ferries, Ltd., have announced
that within the first two months of the
trans-bay service 7,400 people who had
never been up in airplanes before made
"first flights." However this "novelty"
traffic merely supplements the increasing
percentage of people who are using the
air ferries for business purposes and
social convenience The time of flight
is only six minutes, a saving of thirty-
four minutes over the boat and train
service to the heart of Oakland This
is made possible because the planes land
in the bay near the Ferry Building, three
to five minutes tromthe heart of business.
Among the most interesting instances
of time saving on the air ferries is the
practice of three women musicians who
keep a radio studio engagement in San
Francisco until 10 .45 each Sunday morn-
ing and use the air ferry to reach a
church in Oakland by 11:00 o'clock.
Ship captains who berth their vessels at
Oakland fly to San Francisco to obtain
clearance papers at the Custom House
and return in time to leave an hour
earlier than otherwise possible. One
San Francisco newspaper is sending its
afternoon editions to transbay circula-
tion fields by Air Ferries, placing its
papers on sale in the neighboring cities
when the papers are just twenty minutes
off the press— and the front page news
is still "hot " Physicians use the service
for hurry calls Attorneys have found
that they can appear in courts on both
sides of the bay in the same morning or
afternoon. Golf, luncheon and bridge
engagements are often the reason for the
eagerness to save time Among the
curiosity traffic have been several old
residents who remember the day when
San Francisco Bay was crossed by sailing
sloops which sometimes took half a day
for the voyage Announcement has been
made of commuting scrip books for
those who use the air ferries at frequent
intervals.
All this air activity has developed
L within little more than two years
It has been accompanied, and made pos-
sible, by the development of airports
around the bay. Today there are two
large municipal airports, two major
commercial fields in operation and an-
other scheduled to open next month, be-
sides the original army airport at Crissy
Field. Crissy Field figures in civil air
traffic only as the landing point for
mail coming in from the north.
Of the municipal airports, the San
Francisco site at Mills Field came first.
It was selected early in 1927 after an
investigation of various possible airport
sites on both sides of the bay. It was
chosen because it was within a close
distance of the business district by motor
and because it was judged the best site
on this side of the bay so far as weather
conditions and air currents are concerned.
Mills Field, a tract of 150 acres, was
originally leased for three years at a
yearly rental of $1500. This year at the
expiration of the lease, 1114^ acres
containing the originally developed field
at South San Francisco were purchased
from the Ogden Mills estate tor a total
of $1,050,000 — to be bought in parcels
on ten annual payments of $105,000
each.
When Mills Field was first started
there was an appropriation of $100,000
made from the 1926-27 budget. $12,500
was set aside during February tor the
grading, leveling and preparation of the
field. In March $46,000 was appro-
priated— $25,000 for hangars and ap-
proaches, $13,000 for station and equip-
ment, and $8,000 for shops, and later
in the year $So,6oo was voted tor an-
other hangar.
March 16 Mills Field was announced
as the terminal for transcoast airmail,
effective July 1 However the airmail
contract did not actually start until
October 15 of that year and then it re-
mained at Mills Field only two months
as, on December 15, the mail terminal
was transferred to the Oakland Airport.
During 1927, 12,350 people were pas-
sengers in a total of 8,077 flights and
landings made at Mills Field
In 1928 Mills Field was used as a
terminal field by Western Air Express,
by Maddux Lines and West Coast Air
Transport and, on August 5, was voted
"America's model airport " However
after varying periods of trial, each of
these transport lines decided against
Mills Field and left for either Oakland
Airport or Alameda Airport Today the
only transport company at Mills Field
is the Continental Air Express which
sends and receives a ten passenger plane
to Los Angeles daily.
In 192S further investments were
made in Mills Field development, not-
ably the $55,000 appropriated for drain-
age on September 14 A drive was made
for the return ot the mail terminal and
definite efforts made to establish the
field as a base for general operations
other than the commercial and sight-
seeing flights which were then averaging
trom one to two thousand a month.
Early in 1929 general dissatisfaction
with Mills Field was publicly expressed
and when Colonel Charles Lindbergh's
ship mired in a mud hole and Lindbergh
was forced to send his passengers in a
small plane to Oakland Airport where
he could pick them up after having been
dragged from the mud by a tractor, the
storm broke. Captain Frank A. Flynn,
superintendent ot the field, was dis-
charged. Investigations were made and
the general "public scandal" was aired.
Budget requests for $898,675 were
made and Bartlett Stephens was pro-
moted to the position of superintendant,
in April, and negotiations started for
the purchase and more complete devel-
opment of Mills Field In September
$62,000 was voted for Mills Field im-
provements and work was continued
under criticized political control A non-
political advisory board was appointed
and early this year, after another fiacre,
in which the resignation ot Bartlett
Stephens and alleged payroll padding
figured, new order was established with
Captain Roy N Francis as superin-
tendant of the field
In March of this year the purchase of
Mills Field was made and last month
was occupied in conditioning the field
tor the maneuvers of the huge fleet of
army fliers brought from Mather Field
where there has been the largest aggre-
gation of fighting planes since the war.
For this occasion parking space was
planned for 60,000 autos and grand
stand seats provided for 50,000. It has
been announced that the new policy of
the field will correct certain limitations
that have argued against the general
use of the San Francisco municipal
airport
The Oakland Airport story is some-
what different The ground was
purchased outright (825 acres for $769,-
Continued on page 34
MAY, 1930
11
lli'scrl I».iIiiis
One of the -pertarular sight- that have lured people lo the California de-ert
during the early -.pring months. El Mirador. I.a Ouinta and nearh» estate* lmve
entertained man] San Franeisean- rerenlh.
12
THE SAN FRANCISCAN
Edward Weston, Carmel
Florence and Alexander Left wieh
Coming to San Francisco as the directors of "Hi There," Florence and Alexander
Leftwich appear as the Lynn Fontaine and Alfred Lunt of the producing world.
Leftwich has to his credit an astounding number of Broadway musical productions
and, two years ago, established a world record with five smashing hits running
simultaneously in New York. As director, his supervision extends to setting,
costumes, ensembles and even to book writing — on occasion he has served as
orchestra conductor. Florence Leftwich is first general assistant specializing in
costuming — she is also a writer and composer. These two charming people have
been brought to San Francisco by Paul Bissinger to produce a musical revue in
the authentic New ^ork manner — bringing a New York caste to launch the show
in the new Columbia, May 14th, before filling eastern contracts.
MAY. 1930
13
Sympathy and Pattern
A Consideration of I in pulse ;ni<l Progress in Hook Collorting
By NED HILTON
Of OBNOXIOUS collectors there arc
many sorts; there are some who
store up volumes which they never read;
there are those whose interest lies in the
monetary value ol rarities, there arc
those who not knowing an ablative
absolute from a scstina like tirst edi
tions tor the same dismal reason they
like peacocks an J cast iron incense
burners, and there arc those who collect
because their doctors have advised a
"hohbv " With such illiterate, mercen-
ary affected and pottering coleoptera
we are not here concerned
In what I choose to call proper, decent
and sell -respecting collecting there are
two stages: | 1 ) the Associative. (2 1 the
Completitive Whether these stages con-
stitute the symptoms ol a grand passion
or ol a disease depends entirely upon
personal opinion, if you arc penurious,
envious, or unlettered, you will, natur-
ally enough, sav "disease."
For the true collector must have a
genuine sympathy with helle-lettres. tor
which — also naturallv enough — he will
suffer manv minor persecutions He will
be many times sorelv tried by fools —
but that scarcely matters We postulate,
then, what we can call (quite inaccur-
ately' only "an innate culture " It our
true collector is also a writer — a writer
with good taste and understanding — it
is so much the better But before he
reaches the two stages named above he
will probablv pass through certain prior
phases which we shall call Eocene,
because in them there begins to dawn
upon him a vague prescience of the full
magnitude ol what lies ahead.
The beginning of the first phase is
usuallv hard to demonstrate 1 no longer
remember what was my first edition; a
future collector often has several —
acquired in the usual run of book-huving
—before he recognizes them as such
The point at which the desire to buv
books becomes the desire to buy first
editions (or, more properlv. first print-
ings— or, more properlv still, first issues)
is indefinite and difficult ot elucidation
We will pass on to the earliest definitely
discriminating period, or upper Eocene.
Now, the upper Eocene is sometimes
indistinguishable from the true .Associa-
tive, and we must here tread warily In
this stage the collector has recognized an
intrinsic value in the first issue ot a book
It is an "original " It bears to literature
the relationship which a painting bears
to art It is as much above a reprint as
the painting is above a halftone repro
duction for a man writing a book is
writing a book not a manuscript The
work is not finished until it is between
boards or wrappers, it is not finished
until the writer has corrected page prools
and galley proots and sent them back,
finally, to the publisher with his last
"allez1" It is not finished until, alter
much suspense, the tirst copies come
from the binder There it is -a book;
all reprints are automatic and soulless,
the product merelv ot a large industrv
Suppose, then, that our true collector,
having realized this difference, decides
that he should own an original of each
ot the books which, tor one reason or
another, mean much to him Perhaps he
wants firsts ot The Crock, of Cjold, and
South Wind, and L'hsses, and The Hill
of Dreams, and Youth (for Heart oj
Darkness). He becomes a conscious col-
lector, with — considering the rarity of
those volumes — an ambitious program.
But we come close to the Associative
stage here; the dividing line is indistinct
The Associative stage demands a con-
siderable knowledge of a given author, a
considerable svmpathy, and a quite con-
siderable admiration. For in this stage
we approach metaphysics, and must
therefore tread more warilv than ever.
(And I must ask all those to whom
reading is just another diversion, or a
means to vicarious emotionalizing, or
a handy soporific, to turn to some other
page and read elsewhere There can be
tor them no possible interest in what
follows.)
Consider 77ic Hill of Dreams It is
necessary that you will have read Hiero
glxphics it is all the better it you have
read Far-OJf Things and the note in
Danielson's Bibliography so that you
comprehend the loneliness and the soli
tude and the agony and the incredible
perseverance from which the book came.
For you will not be considering
"reading-matter" ; you will have watched
a tortured and desolated man's strange
and terrible traffic with the Impossible
You will have understood (how vcrv
well') the poignancy of that unholy ter
vor and that so-nearlv-insupportable
despair You will have seen, too, the
mystery and the splendor which he has
brought into being in his heartbreaking
solitude. And you will have telt, pro
toundly, what can be called, quite justi
fiably in this case, the veritable magic in
his writing "A dark wild twilight coun-
try lav before him. confused dim shapes
ol trees near at hand, and a hollow
below his feet, and the further hills and
woods were dimmer, and all the air was
vcrv still But there was a strange
thing . . ."
It is a strange thing that there is or has
ever been such a man as Arthur Machen ;
and it you cannot concede the reason
ablcncss of our considering him in
wonder and awe and what I shall call,
tor lack ot a better word, affection, you
should have turned away at the warning
printed above For we have entered
now, the authentic first stage of true col-
lecting, and it is no light skittle -plaving
Consider my copy of Tht Hill oj
Dreams In it Machen has written the
name of Henrv Savage, and signed his
own And of Machen, Henrv Savage has
said "We lesser writers to whom litera-
ture is a great ideal ; we who faint by the
way and become resigned to the little we
can do; may well acclaim, reverence, and
be proud of writers of genius so far
beyond our own minor powers and
achievement The light burns low and
fitfully in these davs of plutocracy Men
are inclined to sneer at the life of the
artist and the wisdom of the old Latin
author: vita hominis sr,ie Uteris mors
est . But while artists come into the
world resolutely s;t on struggling
through in the face of discouragement
and povcrtv too often their material
reward — there will be not only pleasure
and a wider culture tor the reader at
large, but a lamp for the writer who
falters in darkness And of such artists is
Arthur Machen
Here then is the copv Machen gave to
Henrv Savage; here is the result of the
tremendous and awful laboring as it
came, after appalling disappointments,
from the press set in motion by E Grant
Richards, when Machen was still a
young man Here is a volume to which
the master has put his hand Here is not
just a "rare and valuable item, in un-
usually fine condition" — though that is
important, too, for reasons which will
follow -but a sign and a symbol and a
product of such greatness as some of us
look for in the human race I shall quote,
here, from Walter Pater. " For the
essence of humanism is that belief ot
which he seems never to have doubted,
that nothing which has ever interested
living men and women can wholly lose
its vitality —no language they have
spoken, nor oracle beside which thev
have hushed their voices, no dream
which has once been entertained in
human minds, nothing about which thev
have ever been passionate or expended
time and zeal
Of another book I have written, in
another place "John Donne had been
subject also to the eccentricities ot biol
Continue.!
14
THE SAN FRANCISCAN
Spotlight
... A Comparison of Two of the Outstanding Successes of the Season
By CHARLES CALDWELL DOBIE
There could he no more strik-
ing illustration of racial differ-
ences than a study by comparison
of the two outstanding theatrical
successes in San Francisco at the
present time — Mei Lan-Fang and
"The Criminal Code." The one
deals with life in terms of aesthetics
the other deals with life in terms of
emotion One sits through the per-
formance of China's greatest actor,
even in his moments of tragedy,
infused with a pleasurable glow,
while "The Criminal Code" shakes
one's emotional depths profoundly
The Chinese theatre makes its
points with conventions and sym-
bols, our theatre by a simulation
of life itself. The two methods are
as different as approaching the idea
of a religious sacrifice vicariously
through a sacrament or seeing the
altar stained with real blood.
The Chinese theatre does not scorn
any medium of dramatic expression to
put over its point. The opera, the ballet,
the spoken drama — with us, three dis-
tinct branches ot stage art — are all
pressed into service to form a dramatic
unit. It is inconceivable to think of such
an occidental story as "The Criminal
Code" interpreted in terms of dance
steps or occasional music. It is too much
the stuff of which life is made, it is too
contemporary, too colloquial A mod-
ern Chinese theme might present the
same difficulties Which raises the ques-
tion . Is there a modern Chinese theatre7
Obviously, Mr. Mei Lan-Fang deals in
the classics.
We went to the Tivoli Theatre with
only a very mild anticipation The fan-
fare that had come out ot Broadway
regarding Mei Lan-Fang performances
we accredited to the novelty of seeing
something bizzare. The eastern sea-
board is too tar removed from Oriental
influences to be other than diverted by
an occasional contact We, however,
had been raised on the Chinese drama.
We knew it to be a thing of noise and
vigor and clashing cymbals It had its
points but it, likewise, bad itsstridencies.
But we had not sat through "The
Suspected Slipper" more than five min-
utes before we realized that any other
Chinese theatrical fare that had been set
before us was as like to this performance
as a performance of "The Merchant of
Venice" with George Arliss would be to
a stock production of "Abie's Irish
Rose " Even the off-stage orchestra was
subdued to a point of being a real and
subtle accompaniment.
two helens
by Jo Hartman
■What code should fetter one with regal beauty
And blood of proud Zeus purpling too-warm veins—
Whose passions could not brook staid, wifely duty?
Her loves were legion, yet no man profanes
The memory of her: Menelaus lav-
Burning her mouth with hungry kisses after
The arms of Paris loosed her; death, they say,
proved vain against her sorcery and laughter —
Achilles had his rapture with her shade!
. . . The other Helen knelt each night and morning
To tell her beads — she"d sinned once w hen a maid ;
Toil. want, and sacrifice, a husband's scorning —
The farmer, needing help, made her his wife —
These were the bitter meed of her long life!
The moments of movement were the
ones that gave the occidental audience
the greatest pleasure. Pantomime and
grace are universal languages Thus the
sword dance from "The Heroic Maid"
served to bring the alien spectators into
a closer contact with the performer than
perhaps any other of the offerings. Sit-
ting there, it was inevitable that one
should hark back to the Japanese players
who were in our midst two winters ago.
While there were points of contact, we
came to the conclusion that in emotional
content, or let us say expression, the
Japanese theatre came nearer to our own.
It lacked somewhat of the delicacy and
nuance which informed Mei Lan-Fang's
performance. But it was more moving
and less purely a matter of aesthetics.
Mr. Chu Kuei-Fang was likewise an
entrancing maiden who danced with
vigor and precision. And we tell to
wondering how long betore the com-
plete route of the temale impersonator
would be accomplished by a change in
female status in far Cathay. Already this
has been felt in the local Chinese
theatres where leading ladies are now
the rule rather than the exception. We
came to the conclusion that most wo-
men would be raucous ranged up against
Mei Lan-Fang. He is, to quote his press
notices, "the sublimation of woman"
rather than the real thing He is, indeed,
a distilled essence of the feminine prin-
ciple He is a symbol of all woman and
therefore an exaggeration. And by this
same token a complete product of art,
since all art is, properly, exaggeration.
Perhaps a word should be said for the
Mistress of Ceremonies, Miss Soo Tong.
Her perfect English did not puzzle
us so much as the low-pitched and
deeply musical voice This is not a
characteristic of Chinese feminin-
ity. We understand that there is
Hawaiian blood in the young
lady's veins. This explains the rich
vocal equipment.
In these days of jail breaks and
fire-trapped criminals there
could he nothing more timely than
Martin Flavin's "The Criminal
Code." In spite of the press agents
to the contrary we do not believe
that the play was written as propa-
ganda. If it carries a lesson it does
so by force of its inherent truths.
Any convincing portrayal of life
proves a point. What we carried
away from "The Criminal Code"
was not so much a sense of the
injustice of the system against cer-
tain special instances but the
grotesque and horrible mainspring
ot conduct which animates the official
chosen by the mob. Over and over again
the reason, the humanity, the justice of
Martin Brady, district attorney, prison
warden, prospective governor, was
swamped by the cry "There's going to
be an election!" A boy was railroaded
to jail because there was going to be an
election! ... He was put in solitary
confinement because there was going to
be an election! He was driven to murder
because there ivas going to be an elec-
tion! Election, election, election! It is a
monster that the American public have
allowed to be set up and worshipped
What it means in concrete terms is that
Mammon and Unrighteousness are ap-
pallingly with us, only they have
changed their names The press bow
down to it, the clergy, big business,
Everybody is frightened by it! In hun-
dreds of district attorney's offices through-
out the land men are being made or
broken by the fact that there is going to
be an election! This man is arrested for
rape We've got to convict him. If he
goes free the club women will be sore,
and there is going to be an election! Here
is a petty bootlegger who has sold a pint
of gin. Send him up for ten years
If he gets off the Methodists won't like
it and there is going to be an election!
Here is a gunman from the underworld
— don't convict him — the "push" won't
like it and there's going to be an elec-
tion! That is the cry that rings in one's
ears after seeing "The Criminal Code "
There's going to be an election! There's
Continued on page 37
MAY. 1930
15
Concerning
Am an who lias tried idealism in business and
found that it pays is president of the San
Francisco Stock Exchange Born in San Fran-
cisco, reared in Central America, widely traveled
and vitally interested in the cultural things ol
lite, Bertram E Alanson is a new type o! Ameri-
can business man He believes that business for
the sake ot money making alone defeats its own
ends As executive, controlling the policies of
the central securities market ol the West, direct-
ing the program ot the Stock Exchange and the
Institute which trains operatives in the affiliated
Bertram A.. Alanson
brokerage houses, Alanson s per
sonal experience and the conclu-
sions he has reached will necessarily
etTect the trend ot business The
fact that he holds cultural ideals
above dollars and cents tends to
modify others' viewpoint
Alanson is the product ot two
cultures Born in San Francisco he-
was taken to Guatemala before he-
was two years old There he was
schooled in Spanish literature and
thought, he traveled widely in
Europe and became mi attache to
the Spanish legation The Guate
mala earthquake ol 10 2 and the
San Francisco lire ol 19 6 both
brought family reverses which
challenged Alanson to turn to
business
He came to San Francisco,
lounded the tirm ol which he is
now head and. in iq 3, was elected
to membership in the San Fran-
By ALINE KISTLER
cisco Stock Exchange He was
then the youngest member in
the organization but soon |usri-
hed his position by foresightcd
support of Pacific Coast indus
tries and public utilities In the
intervening years he has served
three times as a member ot the
Governing Board and twice as
vice-president He was chair-
man ot the executive committee
during the war when the San
Francisco Exchange gained the
distinction of being the lirst to
resume trading alter all ex-
changes in the country had
been closed lor tour months due
to war conditions He has taken
direct interest in promoting am-
icable relations between the
United States and Central and
South America He was one ol
a commission sent by the Na-
ional Chamber of Commerce
to cross the Andes on a good
will tour just prior to the trip
made by President Hoover He
is today more interested in the
cultural development ot the
future than in immediate gain
Bertram Alanson believes that
concern for general welfare
brings individual prosperity
His Grace, Most Reverend
Edward J Hanna, DD,
third archbishop ot the Arch-
diocese ot San Francisco, the
\rchbishop Edward 7 Hanna
\tfei / an Fang
mother parish ot California Catholi
asm. has recently returned from Rome
where he made his quinquennial report
to Pope Pius XI This visit has occ.i
sioncd new rumors that the Arch
bishop may soon be elevated to the Car
dinalate in spite of the tact that it has
been stated that there are no \ acancics in
the Cardinalate at the present time and
no official confirmation ol the rumors
has been made
However, the facts remain that Arch-
bishop Hanna is the outstanding figure
in western American Catholicism
Coming to San Francisco in 1912 as
.11: ilury bishop to serve under Arch
bishop Riordan, he succeeded to the
Archbishopric two years later and since
16
THE SAN FRANCISCAN
Drawings by Philip Nesbitt
Happy Isles of the Pacific
This business of traveling in the near
tropics is a very pleasant pastime.
One goes to Hawaii and receives the
fruit of the land with a hastily cultivated
indolence.
'Tis the moment of arrival that breaks
the most stubborn will. Within the last
half hour of the voyage the Island looms
up in all its vague blueness, and the
hurdy-gurdy beach boys come popping
out from dear old Waikiki with their
diminutive scarlet outboards bouncing
from wave to wave while the incon-
gruous stovepipe hat of "Hawkshaw,"
the "beach boy superb" is tossed perilous-
ly high, in a welcoming gesture. The
first impression gained is one of tran-
quility and, well, "Here we are at last
and we are absurdly pleased in being
here." Then the brass band strikes into
the magnificently solemn strains of
"Aloha Oe" and at the same moment
one perceives a familiar face here and
there in the grinning crowd upon the
wharf below, a friend or a friend of a
friend, one of the Dillinghams, the
Winslows, the Andersons, the charming
and young Von Hamm girl or the
Slogetts from Kauai and perhaps one of
those three frequent and gay habitues of
the Island, Alicia, Louise or Melvia
Shingle.
Then the Island round begins. A bit of
tropical refreshment, ha ! and after lunch,
to the beach where are gathered some of
the most handsome and, to use a doubt-
ful word, elegant people conceivable.
Don't confuse the handsome with the
elegant The latter is composed of those
sumptuous souls who attend in order
to become five or six pounds thinner
and to absorb a great deal of the sun-
shine, not that they enjoy it but because
it's required by the doctor. This brief
spell of life here constitutes their "all"
before they return to those places they
miss with their hearts, Westchester or
Winnetka or Spearfish, South Dakota
for that matter. (It should be well under-
stood that there are excellent people who
go to Hawaii because they love the
place; and because it is in their blood;
call it a passion for the tropical life, call
it adventure.)
Even when one considers the Islands
casually, there still remains a great
By PHILIP NESBITT
amount of "made-to-order" glamour.
The "poi" is whooped up, along with
surf-boards, leis and the Aloha senti-
ment Very few persons traveling about
these moderately fantastic Isles appear
to enter the true life of this chosen
place No one, except a remarkably
select few ever attends a native feast, or
becomes familiar with South Sea ways
as they exist or, one might put it, "per-
sist." Samoa, Raratonga and the Society
Islands.
The bulk of the curious tourists is
regally housed and so well provided
with the established comforts of living
as to dull the most eager mind During
the sea voyage, sea-sickness claims them
with the greatest enthusiasm There are
several steamships in the service, but
the waves continue to roll abominably
in spite of their prayers To most per-
sons the outward appearances of
"glamour Hawaiian" is wholly satisfy-
ing. They ask but little, for which they
cannot be forgiven, and surprisingly
enough, receive but little or less.
The exceeding and rare hospitality of
the actual Islanders is a thing so
MAY, 1930
17
genuine and charming as to deny comparison Properly armed with well inscribed
greetings enables one CO gain the friendship oi chese people, who have about
them a quaint and lingering Bostonian mannerism This makes lor one's com
plete enjoyment ol the Islands while there.
One is escorted to the Pali, that incredible crater ol stupendous beaut v tin
turquoise ocean rim and the grav violet steep, the verdure grown rampant
for a thousand years This is but one ol the moments which remain always with
the island voyager
The Polynesian character contains large quantities of humor Much passive-
ness and a great deal of music and ceremony. Originally
"eugenics," as an element of living, played a great part in the
communal life Through its unconscious use, as a basis ot
existence, physical perfection was the result A glorious people
— so far superior in most essential ways than the white man
with his heavy disguise of enlightment Nature has met them,
the Polynesians, much more than hall way, but the jolly
Christian-minded beings who, in the early 50's, broke the
crvstal shell of the Island social order with their gift of trousers,
bible and whiskey, have changed all this
There are two or three hotels of more than passable quality
The splendid old Moana, which, if it could speak could tell an
endless and quite Oriental tale of romance, the sort of thing for
which Scheherazade had a flair But of course hotels don't as a
rule speak their thoughts and in this case the atmosphere is
quite complete Also there is the Royal Hawaiian which
provides a very fine assortment of lawns, serenaders, sun shades
and cool /dual's and shockingly pleasant things in the way or
drinks with an everlasting accompaniment ot the delightful
Hawaiian music
About the music Many persons hearing it tor the first
time will laugh disparagingly up the nearest sleeve, but believe
one who lias been there and languished in the yellowy sunlight
and bathed in the white moonlight so long that he realizes the
fact of its tightness It is a deeply poignant and melancholy
music, the inarticulate expression of a finely musical race ot
people, the Polynesians, long may they sur-
vive. It is all very well to go great lengths
towards mtelleetualism. but an occasional
rest in an environment of palatable sentiment
wouldn't hurt even a confirmed Bolshevist.
One remembers the Island Adventure with
feelings of the purest delight Down on the
inevitable Waikiki Beach are chocolate-color-
ed backs by the score and widely grinning
Kanaka (beche-de-mer for "man") boys who
pluck their ukuleles with a joyousness that
would or should penetrate the being ot the
most iron-clad conservative
On the Island of Kauai there lives a
Chinese woman For twenty-three years
she has lived in the village of Hanalei This
village1 Ah, what a place, this Hanalei1 The
mountains rise up from the shore of the sea
tn the clouds Huge, sombre and darkling
blue Cascades pour frothily down their abrupt
slopes. One thinks, what a pygmy is man and
how colossal the way ot nature However,
the Chinese lady is named "Chock Chin" and
she is a lady She will rent the rare visitant to
Hanalei, a room and a shower bath within a
house which stands in the middle of a golden
green meadow Near the house is a Irog pond,
the dwelling place ol a strange variety ol Irog.
one that "moos" all the night through Ibis
is a suggestion to the more adventurous
minded traveler to the Islands Choch Chin.
the Chinese lady is a charming experience.
Hanalei is, incidentally, very moist, more so,
it appears, than any other place upon the
surface of this bountiful globe ot ours.
( ontinued "n p.i.
The author at work, in the semC-tropics
\
work i" the lives of the beach
18
THE SAN FRANCISCAN
The Book Doctor
Flourishes His Scalpel Over a Few New Ones
by A. GROVE DAY
Are you a New Humanist? Dear me,
X«L everyone who is anyone nowadays
is giving himself the Inner Check and
practicing up on the Higher Immediacy.
It's such fun, being a New Humanist.
The Doctor is hoping every day that
somebody will mistake him tor Paul
Elmer More Well, The Bookman was
quite a good magazine, once Some
people just never get the breaks, that's
all. The make-up man last month might
just as well as not have put that "Nymph
With Peruke" over on my page; my
wife says she wouldn't have minded,
very much. And nymphs, with or with-
out perukes, help so greatly to brighten
up a column . . . And apropos of nothing
if someone thinks he's pure, all he has to
do is read the Censored Mother Goose
and find out what a low mind he really
has ... A certain Miss Lillian Symes has
just discovered that authors and pub-
lishers will often stoop to accept money
for their services, and under the title of
"The Book Racket" spreads her indict-
ment all over the pages of the current
Forum, with Mr. Herschel Bricknell as
counsel for the defense It seems that a
powerful novel by some unknown
Hardy has no chance to be accepted as
long as the publishers can get their hands
on a sensational dish of pishposh written
by a New York tea-hound with a cousin
in the newspaper business Tsk, tsk!
Which reminds me of a remark made by
Mr. Alfred Knopf when he was in town
last month; he was thinking ot offering
a prize for a novel so terrible that no
publisher would take a chance on it, and
wagered that the prize would remain
unclaimed for years . . . War books and
still more war books! Causes of the war,
results of the war, the horrors of war,
the humorous side of the war, most of
them by authors who still seem to be
suffering from traces of shell-shock. The
Book Doctor is getting so that he leaps
for a dugout every time another round
of verbal shrapnel bursts, and fears that
another month will find him in the gal-
loping garb of a war correspondent,
reporting on manuscripts that have been
gathering dust since 1919. It's about
time the publishers called an armistice.
Am I right or am I right? ... A young
lady client recently voiced one of the
tenets of the Higher Criticism when she
said that she would enjoy many books a
great deal more if she hadn't seen por-
traits of the writers. And what a re-
sounding come-down it usually is to
meet the author of a great work face to
face ! . . . A suitable initial item for our
Blurb-of-the-MonthDepartmentisfound
in an advance notice for Hergesheimer s
Party Dress, which is brilliantly de-
fined as "a real saga of country club
life." Someone should break forth any
moment with the ultimate epic ot stark
existence in the nursery ... In the case of
Mencken's Treatise on the Gods, The
Doctor thought it best to call in for con-
sultation his distinguished colleague,
Dr. Hilton, specialist in menckenology,
who will treat this patient on his White
Card page this month I will not, how-
ever, deny you the leading sentence of
my projected review, which ran: "It
Mencken did not exist, it would be
necessary to invent him."
Poems in Praise of
Practically Hoffenstein
"Year In, You're Out," by Samuel
Hoffenstein Liveright. 1930. $2.
1.
Lend me the art, O Muses Nine,
To hymn of Samuel Hoffenstein
Merely to show him that I, too,
Can toot his lightsome tin bazoo
And aim, with disillusioned lip,
The Dorothy-Parker final flip.
He loved a woman
To his hurt,
For she was human
And done him dirt.
3.
Pippa Raises the Ante
The snail's in his heaven, the thorn's on
the lark,
And Cod holds a bench down, in Battery-
Park.
You get a book, though you may not
need it;
You look it over, and maybe read it.
And wonder what it's all about yet,
Because it's called Year In, You're Out yet.
Well, you read of science, gin, the sexes,
Insomnia, Moses, rubber checkses,
Cnus, and nymphs in plush-lined grottoes,
Fables, foibles, and cracker-mottoes,
The tariff, trout, your endocrines,
Six per cent and classy queens,
Chrysler, Lux, and subway valor
Till you get a positive prison pallor.
You laugh and laugh till your ribs are sore
yet,
And what does it get you? You read some
more yet!
Doors of Mystery
"The Door," by Mary Roberts Rine-
hart. Farrar &" Ejnehart. 1930. $2.
"The Black Door," by Virgil Mark-
ham. Knopf. 1930. $2.
Two artists in bafflement, one English
and one American, appear on the boards
this month, and without resorting to
high hats or magic eggs win bouquets in
the face of frightful competition.
This competition is not that of the
umpty-odd current thrillers listed for the
insomniation of midnight-reading die-
hards Both Mrs Rinehart and Mr.
Markham are tempting disappointment
by issuing new yarns in competition
with the memories of their own past
pertormances. It is not the similarity in
titles which causes the reviewer to
group these books For it happens that
the names of these artful deceivers ap-
pear on the title-pages of what he con-
siders to be the best two mystery tales of
all time. Mrs. Rinehart's The Red
Lamp is to be named the classic of Ameri-
can mystery - detective - horror stories.
Only two books have ever made this
case-hardened crime-fan afraid to turn
out the light — Bram Stoker's Dracula
was the other one As for Mr. Markham,
in 192S he published a gorgeous web of
trickery and crime with a stunning
denouement, in a lengthy volume called
Death in the Dusk. For this breathless
book he deserves first British honors not
only for the plot, the setting, and his
cunning manipulation of the strings, but
because he was daring enough to prove
that the mystery story may once in a
while transcend its stereotyped, hack-
neyed diction and be written in beautiful
and imaginative prose.
It is quite fitting that both these pres-
tidigitators should make use of the tra-
ditional national methods. Mr Mark-
ham has his Scotland Yard inspector
fumble for the "essential" clue, while
Mrs Rinehart's American lack of
method makes everybody a detective
and everything a clue.
The Black Door celebrates an unused
entrance to the bedroom of Sir Anthony
Veryan in the Otranto-like castle ot
Kestrel's Eyrie, on a high-cliffed island
off the Welsh coast. The surviving
members of the family, terrified as one
by one their numbers have been cut
down by an unguessed doom, gather
together in this fortified place; but the
hand of Murder is not stayed until Tom
Stapleton comes from America and
meets Arthura, the boyish young heiress.
Continued on page 29
MAY, 1930
Modern
Interiors
19
With che Third Annual Decora-
tive Arts Exhibition at the
Women's City Club caking on such a
Hollywood air, we turn to actual
examples of modern interior decoration
to restore taith in what modernism can
do After the exotic cavern of the San
Francisco Society of Women Artists'
show, the tranquil simplicity of the
interiors designed hv Edgar Walter for
Ransohoff's are a joy. We reproduce
(below), a view of the millinery salon
on the first floor seen from the lobby,
with its gracious light panels at each
side The restraint of the warm toned
walls, accented with blue green curtains
at the tar windows, results in a dignified,
restful atmosphere — contemporary in
feeling and in perfect taste The private
office of Max Summer, Sr (right), is
on the fourth floor of the Sommer and
Kautman Market street building. De-
signed by kern Weber, the most
prominent modern decorator in the
West, it combines the efficiency of sim-
plicitv with rich materials in grate! ul
color harmonies This room is similar
to Weber's alcove the best feature of the
Decorative Arts Show
20
THE SAN FRANCISCAN
THE REIGNING DYNASTY
WEDDINGS
BROWN-RATHBUN. On March 29, in Budapest,
Hungary, Mr Davis Brown of New York and Vienna
and Mrs Charlotte Ziel Rathhun. daughter of Mrs.
Gustav Zie!.
CASSERLY-NICHOLS. On April 21. at La Jolla
California, Mr. Michael Cudahy Casserly, son of Mr.
JohnB. Casserlv of San Mateo, and Miss Adelaide Dean
Nichols, daughter of Mr and Mrs. William M. Nichols.
RIVARRA-WINSTON On April 21. in Santa Mar-
gherita, Italy, Signor Vittorio Rivarra. of Santa
Margherita, and Miss Louise Winston, daughter of the
late Mr and Mrs James Wallace Winston of San Fran-
cisco and Los Angeles
SOMAV1A-DE LAVEAGA. On April 2^ Mr. Jose
Ramon Somavia Jr., son of Mr. and Mrs. Jose Ramon
Somavia, and Miss Juanita Valerie De Laveaga. daugh-
ter of Mr. and Mrs. J. Vincent De Laveaga.
ENGAGEMENTS
BOARDMAN-NIGH Miss Kate Boardman. daugh-
ter of Mr and Mrs T. Danforth Boardman. to Mr
William Henshaw Nigh, son of the late Mr. William
Henshaw Nigh of Ohio, and Mrs. Nigh.
BREUNER-WATSON. Miss Katrine Breuner
daughter of Mr. and Mrs John Breuner. to Mr John
Barry Watson, son of Mrs. Arthur B. Watson and the
late Mr. Watson.
EASTLAND-POTTS. Miss Alice Eastland, daughter
of Mr. and Mrs. Thomas Butler Eastland, to Mr. Fred-
eric A. Potts, son of Mr. and Mrs. William Brevoort
Potts of New York.
VISITORS ENTERTAINED
Mrs. Stanley Kennedy of Honolulu was a visitor in
San Francisco for several weeks and was extensively
entertained Among those who honored Mrs. Kennedy
at various affairs were Mrs. Warren Spieker, Mrs.
Maurice Sullivan, Miss Marion Zeile, Mrs Alan Lowrey
and Mr. and Mrs. Paul f-agan.
Mrs. Theodore Childs ofRiverside and Mrs. James
Leonard of Nevada were guests of Mr. and Mrs Silas
Palmer recently. The two visitors were guests of honor
at a luncheon given by Mrs E. E. Brownell.
Mrs. Arthur Comstock of New York and her daugh-
ter. Miss Mabel Wilson, are arriving in California
shortly and will spend the summer on the peninsula.
Miss Wilson's engagement to Mr Washburn Wright of
New York was recently announced.
Mr. and Mrs Georges de Latour entertained as house
guests Mrs. J. Victoria Onati via J r of New York and her
niece. Miss Katherine Garrison. Mrs. Onativia, as Mrs.
Conde Nast, visited in Burlingame two years ago when
she was the guest of Mr and Mrs. Rudolph Spreckels.
Mrs. William Fullam of Washington. D. C. and her
sister. Mrs. Edward M. Mcllvain, were guests at the
home of Mrs Fullam's son-in-law and daughter. Mr. and
Mrs. Raymond Welch.
Mrs. Harry Macfarlane of Honolulu has been visiting
her brother and sister-in-law, Mr. and Mrs Ritchie
Dunn, also her sister. Mrs Dunn Dutton.
Mrs. Andre Alden Beaumont (Cecily Casserly) was a
visitor in Burlingame recently and was guest of honor
at a dinner given by Mrs Piatt Kent, shortly before the
latter's departure for the East.
Mrs. Charles J Henderson of Honolulu is visiting
with her parents-in-law, Mr. and Mrs Charles B. Hen-
derson Mr. and Mrs. Henderson recently took posses-
sion of their new home in Burlingame.
In compliment to Baroness Tamm and her sister-in-
law. Miss Beth Thane. Mrs Powers Symington gave a
luncheon at the Palace Hotel.
Mr. and Mrs William Bowers Bourn of San Mateo
entertained Mrs. Bourn's sister. Miss Helen Moody, and
Miss Agnes Lancaster during April
Mrs Charles Fraker of Minneapolis (Merrill Jones)
visited for a time with Mr. and Mrs. Charles Oelrichs
Martin at their home in Menlo Park.
In honor of her daughter, Mrs. Kenneth Dole who
now makes her home in Redlands. Mrs Henry L. Van
Winkle gave a tea at the Palace recently.
An interesting trio aboard the Empress of Australia
during her recent visit to San Francisco harbor com-
prised Count Ferdinand Montecuccoli, Count Ulrich F.
Kinsky and Count Henry Buquov, all of Vienna
Mr. and Mrs Harold E. Talbott Jr and Mr. Walter
Phelps of New York were recent visitors in Burlingame
and were guests of honor at a luncheon that Mrs.
Robert Hays Smith gave at her home on the peninsula.
Mrs. H F Schiedius of Holland was entertained at
the home ol Mr. and Mrs Richard McCreery in Burlin-
game during her recent stay in northern "California.
Mrs. Schiedius was also a guesl ai the home of Mr and
Mrs Paul Fagan and Mr and Mrs. Robert B. Hender-
son Mrs Schiedius was the incentive for much enter-
taining during her visit.
In compliment to Mrs. Whitelaw Reid and Mr and
Mrs. Ogden Mills of New York, Mr and Mrs, W. H.
Crocker of Burlingame entertained at a dinner given
at their home
Mrs. J. A Cranston entertained at a luncheon at the
Prancisca Club; the occasion being in honor of Mrs
George McPherson and Miss Edith Sherman of Port-
land and Mrs. Robert Rogers of Spokane.
Mr and Mrs. Roy McWilliams. the former of whom
is American Consul at Biarritz spent several days in
Burlingame, guests at the Burlingame Country Club.
Mrs. Edmunds Lyman gave a luncheon for the visi-
tors and Mr. and Mrs George Cameron entertained at
tea in their honor Mr and Mrs C M. Weatherwax
and Mr. and Mrs Bernard Ford also entertained for
Mr. and Mrs McWilliams.
Mrs. William Bartlett enjoyed a fortnight's visit with
Mrs Corliss Hussey. Mrs. Bartlett's home is in Santa
Barbara.
HERE AND THERE
Mr] and Mrs. Mark L. Requa have returned home
after a visit in New York.
Mr. and Mrs Charles Crocker have returned from
New York and were complimented at a dinner party
given by Mrs Foster Thierbach
Mrs. George Cameron entertained at luncheon in
honor of Mrs. Herbert Allen who recently returned from
Europe.
Preceding the musicale given by Mrs. John B Cas-
serly. Mrs. Ashton Potter entertained at dinner at her
home.
Miss Evelyn Barron has returned to San Mateo after
a year's stay abroad.
Mr. and Mrs. Raymond Welch have returned to their
home on the peninsula after a visit of several weeks
with Mr Welch's family in England.
Mr and Mrs George Wilcutt recently celebrated the
forty-third anniversary of their marriage. Their son
and daughter-in-law Dr. and Mrs George Wilcutt gave
a large luncheon in their honor in San Rafael.
Mrs. William Leib and her children, Miss Renee and
Lawrence McCreery are expected to arrive in California
about May 20 and will join Mr. Leib in San Mateo.
Mr and Mrs. George Cameron gave a dinner and
musicale at their home in Burlingame, the artists being
the Kedroff Quartet.
Mrs. Louis Parrott gave a luncheon at the Palace in
honor of Miss Barbara Parrott.
Mr. and Mrs. Frederick Vincent have returned to
their apartments at the Hotel Fairmont after a visit of
several weeks in New York
Mr. and Mrs. Willard Chamberlain were luncheon
hosts at their home in San Mateo where they enter-
tained twelve guests including Mr. Walter Dillingham
of Honolulu.
Miss Betty Knight Smith entertained at her home in
Jackson street where she gave a dinner party in honor
of Miss Anne Odile Porter and her fiancee Mr. Gage
Burmister.
Mr and Mrs Roger Lapham have opened their house
in Menlo Park for the summer.
Mrs. William Kent Jr was luncheon hostess at her
house in town, entertaining a dozen friends.
In honor of Mr. and Mrs Eyre Pinckard who recently
returned from the East Mr and Mrs. Reginald Court-
ney Jenkins gave a Sunday luncheon at the Burlingame
Country Club.
Mrs. Richard Derby has returned to San Francisco
after a visit in Pasadena.
Mrs. Horace D. Pillsbury and her daughter Miss
Peggy Pillsbury have returned to San Francisco after a
month's visit in Honolulu
Mr. and Mrs. Lalor Crimmins plan to spend the sum-
mer months in their recently completed home in Menlo
Park.
Mr. and Mrs. Carleton Earle Miller have also com-
pleted a summer home at Menlo and will take possession
shortly.
Mr and Mrs Dean Dillman entertained at dinner at
their home in Washington street and later took their
guests to Miss Dorothy Crawford's recital at the Com-
munity Playhouse
Mr and Mrs Blair Foster of Burlingame gave a din-
ner for Mr. and Mrs. Charles Crocker shortly after the
Crockers returned from New York.
Mrs Frederick Bradley entertained recent ly at
luncheon for Mrs Whitelaw Reid.
Miss Mathilde Humphreys has returned to San Fran-
cisco after a visit in Honolulu Miss Nora Stratemeyer of
Honolulu accompanied Miss Humphreys back to San
Francisco and the two young women plan interesting
summer trips through California.
Mr. and Mrs Spencer Grant have bought the Bailly
house on Jackson and Laurel streets. Dr and Mrs X1
Edward Bailly have taken apartments at Vallejo and
Octavia streets.
Mrs. Wood Armsby entertained at luncheon at the
Burlingame Country Club in honor of Mrs. Charles
Cornell of New York. Mrs. Cornell is a sister of Mrs.
Corliss Hussey.
Mrs Warren Spieker plans to leave for Honolulu on
June I. Mrs Spieker has taken a house in Honolulu for
the summer and will take her children to the Islands
with her
Mr. and Mrs William Thomas recently entertained
at a dinner at the St Francis in honorof Mr. and Mrs.
Leon Bocqueraz.
Mrs. W. C. Van Fleet has returned to her home in
town after a visit in Santa Barbara where she was the
guest of Mr and Mrs Charles H. Crocker
Mr. and Mrs Richard Westphal recently spent sev-
eral days in Menlu Park with Mrs. Westphal's parents,
Mr. and Mrs. Perry Cumberson.
Mrs Walter Hobart is at present at her ranch near
Beowawe, Nevada.
In honor of Mrs. Norman Lang of Vancouver, Mrs.
John Gallois entertained at luncheon recently. Mr. and
Mrs. John Gallois are now living in Sausalito.
Mr. and Mrs. Joseph Oliver Tobin were hosts at a
large luncheon given at their home on the peninsula
and a few evenings previously entertained another large
gathering of guests at a dinner.
Mr. and Mrs. Augustus Taylor have opened their
country home at Menlo Park for the summer.
Mr. and Mrs Stewart Lowery have also opened their
place at Menlo Park and had Miss Marion Zeile as their
guest for a fortnight.
Mr. and Mrs Thomas Page Maillard have rented a
house in Menlo Park for the season.
Mrs. Charles B. Alexander enjoyed a trip through the
Redwood country during her recent visit in Northern
California.
Mr. and Mrs. Carl Stever have leased a house in Palo
Alto for the summer.
Mr. and Mrs. Baltzer Peterson will spend the summer
in Menlo Park.
The Gymkhana Club at Menlo Park plans an early
opening On May 2 there will be a riding party late in
the afternoon, followed by a supper at the club. In the
evening there will be bridge and dancing .
Mr. and Mrs. Charles R. McCormick will go to
Menlo for the summer as soon as Miss Florence Mc-
Cormick returns from Italy.
Mrs. Alfred Oyster, Miss Elizabeth Oyster and Mr.
and Mrs. Carl Stever returned to San Francisco in April
following a month's visit to Honolulu.
Mr. and Mrs. George Hearst have rented the Walker
Kamm house on the peninsula for the summer months.
In the autumn they hope to take possession of their
own home in San Mateo.
The marriage of Miss Claire Gianinni and Mr Clifford
Hoffman will take place on May 2-1, The ceremony will
be performed at St Matthews Church in San Mateo
and will be followed by a wedding breakfast at the
bride's home. Only relatives and immediate friends
will be present.
Mr and Mrs Theodore Kruttschnitt were hosts at a
musicale and tea at their home in Hillsborough.
Mrs Adolph Spreckels. Miss Dorothy Spreckels. Mrs.
Alexander de Brettville and Mrs Clement Tobin re-
turned to San Francisco a few weeks ago from a month's
trip to the Hawaiian Islands
Mrs Henry Clarence Breeden (Winifred Braden) has
arrived from New York and is at the Hotel Mark
Hopkins.
Mrs. Tobin Clark and her daughter Miss Agnes Clark
have returned to their home in San Mateo Mrs. Clark
and her daughter were recently in New York where
they occupied their apartments in the Ritz Tower.
Mr and Mrs. James Otis have returned from New
York They went East to say goodbye to their daughter
Mrs. Warren Smith who sailed for her home in Caracasa,
Venezuela.
Mrs. Howard Park gave a luncheon in San Mateo for
Miss Anne Odile Porter, the fiancee of Mr Gage
Burmister.
Mrs R Walker Salisbury entertained a group of the
season's debutantes at the Burlingame Country Club.
Mrs. Webster Wardell Jennings entertained at tea at
her home in Pacific Avenue recently in honor of a group
of young women who will spend the summer in Europe.
SAN FRANCISCANS ABROAD
At last accounts. Mr. and Mrs C. O. G. Miller. Mr.
and Mrs. Albert Miller and Mr. and Mrs Frederick
Weida were en route to Cairo from Calcutta. The party
is expected to arrive in New York this month and be in
San Francisco before June
Miss Jane Blair and Mrs Haines Smith left San Fran-
cisco several weeks ago en route to New York and Paris.
Mr. and Mrs. James G Parrish have left for New
York whence they will sail for the Continent. They
expect to spend most of their time this summer in
Germany.
Mrs Julius Kruttschnitt plans to leave for the East
this month and will go on to England where she will
spend a part of the summer.
Miss Celia O'Connor spent Easter week in Seville, in
company with Miss Mary Longstreet of Los Angeles.
Others in Seville during Holy Week included Mrs.
Robert Oxnard and Miss Lily O'Connor.
Mrs. Alexander A Cuthbsrtson and her children will
spend the summer in Scotland.
Mrs. J. B. Wright accompanied by Miss Linda
Buchanan sailed for Havre on the He de France on
April 18.
Miss Edith Fullerton. accompanied by her mother
Mrs Darwin Fullerton, will spend the next three months
on the Continent.
Mrs Coppee Thurston and her daughter Miss Lois
Thurston plan to visit North Europe this summer
Later they will go to England Miss Thurston who made
her debut last season is returning to Bryn Mawr in the
autumn She is president of her class.
Mr. and Mrs Wilfrid Bull have left for Europe where
they will join Mrs. James H Bull who has been abroad
for nearly a year.
Mr and Mrs Frederick McNear plan to spend the
next three months in Europe and on their return to Cali-
fornia will round out the summer at Santa Barbara .
Mrs. McNear's son, Mr. Jack Breeden is traveling on
the Continent.
Mrs. J. H. P. Dunn and Miss Alice Dunn are visiting
Mrs. Arthur Rau (Catherine Dunn) in Paris. They will
travel abroad for six months.
MAY, 1930
21
Mrs. i li.-irh's Kconov
Reprodnced from the distinguished portrait l>y i.lch llyin.
22
THE SAN FRANCISCAN
War Drums and Printer^ Ink
A Survey of California Journalism During the Civil War
by ZOE A. BATTU
When, during the lace iS5o's and
early 1860's, the debates in
Congress over keeping the balance of
power between free soil and slave soil
waxed hot and violent; when the
Northern states were swept with anti-
slavery hysteria, those of calm and prac-
tical mind wondered on which side Cali-
fornia would cast her lot in the ap-
proaching division of the Union and the
possible armed conflict between North
and South California was a very young
and not very populous state, and located
on the far edge of the continent quite by
herself. Up to now not a great deal of
attention had been paid to her politi-
cally But there was a lot of gold in
California and a lot or silver in Nevada.
Whichever side could draw on that gold
and silver in the impending struggle
would surely win it.
Editors, publishers, politicians and
business men of San Francisco and Cali-
fornia gave the matter a good deal of
thought. They had lively memories ot
the Second Vigilance Committee and
its rule and the Law and Order Party
and its protest Almost to a man, the
Vigilance Committee, its heads and
ranks, had been drawn from the city's
merchants, manufacturers, traders, shop-
keepers, small professional people, who
had come to the state from New En-
gland, the North, East and Middle
West Damned Yankee shopkeepers,
the Law and Order men had called
them The Law and Order Party,
almost to a man, had been drawn from
the city's lawyers, politicians, successful
professional men, gentlemen and schol-
ars, who had come to the state from the
South They represented the Law and
its prestige, but once the Vigilance Com-
mittee took that law into its own hands,
it kept it until it was pleased to surren-
der it and administered it after its own
fashion, while the Law and Order
Party frothed impotently.
Then, too, the editors and politicians
remembered the sharp struggle between
David Broderick and William Gwin for
a seat in the United States Senate and
political supremacy. Gwin was a pro-
slavery, Southern Democrat, a physi-
cian turned politician, suave, polished
and skilled in diplomacy. Broderick was
an ex-Tammanv politician, an anti-
slavery Democrat, a self-made and
educated man, who had risen in the
ranks by sheer will. His strange, lonely
career came to an end in a duel, in which
his opponent was David Terry, former
judge of the state supreme court. South-
erner and pro-slavery Democrat.
These incidents had, in their essen-
tials, been miniature Civil Wars As a
result of them Northern and Southern
feeling in San Francisco and California
had been brought to a dangerously tense
pitch and to armed violence, when the
rest of the country was comparatively
peaceful They had revealed the political
resourcefulness of the Southerners and
their determination to somehow force
the state into the Southern cause, and the
determination of the Northerners to see
that California and its gold went to the
Union cause.
Among the established San Francisco
papers, The Herald had Southern sym-
pathies. The Alta, Bulletin and Call in-
clined to the Northern cause, but appar-
ently no one of the three was willing to
turn crusader or take an extreme stand
for State versus Federal Rights, or for
free labor against slave labor. With the
approach of the presidential election of
1S60, there arose a situation which
spared them of this necessity.
For years California had clamored
for a transcontinental railroad. It
was generally known that a Sacramento
engineer, Judah, had proved that a road
could be laid across the Sierras, and that
four Sacramento store -keepers, Hunting-
ton, Crocker, Stanford and Hopkins had
ideas about organizing a company to
build such a road, and the project at last
showed some promise of materializing.
Quite suddenly the road question began
to be boomed as it had never been
boomed before. Lincoln, the nominee
of the new Republican Party thought the
road a great idea. If he were elected
president, he would see that the West
got its road The point was one of the
planks of his platform The wavering
San Francisco papers took up the road
issue and pushed it vigorously.
In the election, California cast its
weight to the Republican Party and for
Lincoln. He was committed to see that
the West got its road. California and her
gold were committed to the Republican
Party and Lincoln and his inevitably
tragic lot as president. The Aha, Bulle-
tin and Call were safely on the right high
road. With a will they pitched into the
drives to raise war funds and troops,
and became the right hand men of Dr.
Starr-King in his saving of California to
the Union and his labors to alleviate the
sufferings of the battlefields
The fiery journalistic crusading of the
Civil War was done largely by two
papers, established purely for that pur-
pose. The Democratic Press was founded
as near as can be learned, early in the
1860's. Its policies were those of the
Southern wing of the Democratic
Party. It favored Southern interests and
sentiments and secretly worked to have
California enter the Southern Confeder-
acy, or secede as an independent state,
from which the South could draw
finances and supplies. It possibly cher-
ished a secret hope that slavery would be
established in California But The
Democratic Press did not speak its
thoughts too openly. Its editors bore in
mind the election of 1S60, the Vigilance
Committee and that slavery was ex-
pressly forbidden in the state constitu-
tion. After all, the Northern forces had
always contrived to carry the signal
points in the Northern and Southern
struggle within the state, even though
the Southerners dominated the courts
and made the laws.
The American Flag was established
by D. O. McCarthy, early in 1862 in
Sonora County, a stronghold of South-
ern Democrats and seething with South-
ern plots McCarthy was a fiery Irish-
man, who industriously set about expos-
ing the iniquity and infamy of the
Southerners and their plots against the
flag and the Union. The horrors and
sins of slavery he pictured graphically,
while the glory and virtues and God-
given rights of free, white labor were
exalted to the skies. Within a few
months McCarthy had the whole coun-
try side in an uproar.
1 eland Stanford had lately become
i governor, and he had found time to
read and watch The American Flag.
The Central Pacific Company was by
this time prganized. Nothing stood in
the way of actually building the rail-
road, save the legal formalities of put-
ting through Congress a bill authorizing
the road and providing the needed cash
and land subsidies But a war was get-
ting under way and that might mean in-
definite delays. The Southerners were
not yet licked into submissiveness. They
might yet disrupt California and turn
the people against the administration
and the Republican Party, which would
be very bad for the road
As one means of averting this disaster,
there providentially appeared The Amer-
ican Flag. Stanford invited McCarthy
to meet him in Sacramento He sug-
gested that the paper be moved to San
Francisco and enlarged. To make this
possible the Republican Party and the
Central Pacific Company would gladly
provide any needed financial help.
Continued on page 28
MAY, 1930
23
Mexico
©
Prescott Chaplin, young
San Franciscan who won
artistic laurels in New York
and abroad, has returned
after two years in Mexico
where he made these splen-
did wood cuts which are be-
ing shown simultaneously
by Courvoisier in San Fran-
cisco and by Steichen in
New York. His paintings are
to be shown in London next
month before they are
brought back for an autumn
showing in San Francisco.
Reproduced here are "Los
Soldades" (upper), "Los
Trabajados" (lower left)
and "El Artisanos" (lower
right).
24
THE WHITE
CARD
In New York, about two years ago, I
was a guest at a party which wan-
dered in and out of several cabs and
brownstone fronts in the East Forties in
a bewilderingly informal and impulsive
manner Both guests and hosts were
transitory and various; and I became so
inured to the surprises produced from
this mutability that 1 took quite as a
matter of course the sudden attempt of
an earnest gentleman to convert me to
Swedenborgianism.
The earnest gentleman was, I under-
stood, the president of the Chamber ot
Commerce of a certain city in south
Jersey But that was not his only distinc-
tion; to him had been given, as well as
the gavel, a Comprehension of the
Nature of Infinity. And the fear that 1
was perhaps a materialist goaded him
into an elucidation of the eternal mys-
teries.
"So you mean to tell me," I said, in
the usual facile and not especially pro-
found retort, "that Yahweh will post-
pone his burnishing of Betelgeuse to
heed the prayer of a delicatessen man in
Waukegan and to order the universe in
such a way that the man's Chrysler will
not be re-possessed? It's out of propor-
tion "
"Not," said he, "when you compre-
hend the nature of infinity."
Merely as logic, his point was quite
reasonable So I said only, "Well, if I
meet you in some sort of Hereafter, 1
shall apologize But if it turns out that
there is no Hereafter, you will owe me
an apology."
And just then a long-distance tele-
phone call informed him that his wife
was in the very crisis of her accouche-
ment, so he gulped his drink and de-
parted for south Jersey in all haste And
1 shall probably never see a neater dem-
onstration of the power of biology over
the logic which denies its very existence.
'They tell me you can't be flattered.
'Yes? Do they really?"
But the important point is that the
earnestly religious man was one of
the freaks of a somewhat freakish night.
He belonged in the category with the
horse-faced woman who did the black-
bottom at every opportunity, and the
man who explained that impotence was
congenital with all his family. We are —
a good many of us, I believe — inclined
to think of theology as the sport ot the
Middle Ages; and it is always a shock to
be reminded, as Mencken reminds us,
that there are still millions of True Be-
lievers extant.
And it is a shock to realize that thou-
sands of people will take violent excep-
tion to his book. For the book is urbane
and scholarly and even-tempered, and it
says nothing which is not obvious to
anyone but a True Believer. I wish to
call attention to the urbanity; Mencken
has a reputation for wild ranting, from
which he suffers unjustly In theological
controversy he speaks always in calm
even tones He knows quite well the
value of such an attitude when dealing
with those whose most important
weapon is wild exhortation
Treatise On the Qods is gentlemanly,
in the best reading of the word. And if
anyone doubts that Mencken can write
beautiful English, I commend this book
to him. Mencken has given us, herein,
more of such writing as went into Hills
of Zion.
The book treats of the nature and
origin of religion, its evolution, its
varieties, its Christian form, and its state
today. His conjectures as to origin are
shaky, but interesting; his story of re-
ligion's evolution and varieties contains
nothing new (since he has deliberately
held to the "basic patterns"); but in his
study of Christianity past and present
there is much that is shrewd and divert-
ing (as one might expect.)
It may turn out to be the most impor-
tant book he has yet issued (though I still
plug for Notes on Democracy.) Other
reviews, and the ads, quote the line
about Satan's bootleg apples. Don't let
that deter you.
The book has a bibliography and an
index.
THE SAN FRANCISCAN
by NED HILTON
Headline in the Examiner: Club-
women Ridding V. S. of Illiteracy.
What ! Are they all leaving the country?
There was recently brought to my
house, as an unexpected additional guest,
a young woman whose intellectual at-
tainments, we were led to believe, were
considerable. She announced that she
read "a book a day," a feat which makes
the Literary Guild seem almost analpha-
betic Furthermore, she read "anything
she could get hold of."(Sodid Edison.)
From such eclecticism I expected won-
ders. And when one of my guests released
a genuinely witty remark I awaited her
answer quite eagerly. She twisted her
features from within their surrounding
folds of fat and said, with telling force,
"Oh, go lay an egg!" My admiration
knew no bounds.
Note for Mr. Dobic: We observe a
poster recommending one of Duffy's
recent gifts to the city's theater-goers It
consists of the name of the play, the
statement that it "has everything," and
a picture of an Afric in terrified con-
junction with a skeleton I need hardly
remind you that such comedy was aban-
doned some time ago, as too old and too
stupid, by even the slapstick masters of
Poverty Row in Hollywood.
When I mentioned to Grove Day the
tendency of Mr Duffy toward such
cretin-tickling opera — he seems to pro-
duce only such things as are booed off
Broadway — Mr. Day, whose tolerance
is a byword, said, "Well, he's made a
fortune at it "
So there's the root of the trouble; if
people on the Pacific Coast will pay a
fortune to see such trash as would flop in
Dubuque, we had better speak in low-
ered voices of our local drama And Mr.
Duffy might make a second fortune by
producing, as tableaus, the illustrations
in the Macfadden magazines.
"He's a famous raconteur.
"Where's his machine gun?"
M o. 1930
XOW IT CAN BE TOLD
25
As our esteemed Mayor will cell
l anyone, the task ol campaigning
tor governor is not exactly a veritable
path ol roses And thus, on I aster Sun
Jaw when any self-respecting Mayor
should stav at home and hunt eggs with
the kiddies, we found the Honorable
James Jr . attending .\n opening baseball
game and pitching the proverbial first
ball in che thriving metropolis ol Gilroy
Attired in his tight-fitting Palm Beach
suit, with a sombrero and carnation
matching his complexion, and wearing
his inevitable seven league boots, the
Mayor sweltered under a blazing sun
and addressed the assembled rustics who
rose to their teet as one man and gave
three hcartv ones for "che Greatest
Mayor in California " Then, not to be
outdone in courtesy, His Honor returned
che compliment by genuflecting in the
middle ot the held and gently kissing
che hand ot the Queen ot Gilroy, and
rising, called tor three cheers tor ''the
most beautitul s^ir 1 in Gilroy "Whenche
shoucs had subsidcj, Rolph declared chac
"This is che happiest aaj ot mj lite"
—but being in a self sacrificing mood,
remained only ten minutes co enjoy this
incense happiness.
"In Cimarron," says che publisher's
ads, "Edna Ferber does tor Oklahoma
what she did tor the Mississippi "
How much will it cost to keep her ouc
of California1
Ram w w conductors have always
had cheir ups and downs wich
inebriaccd gcnclcmen with a yen tor
travel. Prohibition "enlarccmcnt" has
given chem a greacer drunk passenger
problem chan ever, tor mam ol che
drunks of coday belong co che better
classes and cannot be cendered che sum-
mary treatment that was once accorded
objectionable souses
The conductor aboard a southbound
train one evening recently had his
patience tried to a point that a promts
sory note lor two cents would have
furnished him sufficient incentive to
commit murder.
"Your ticket is for Sacramento," he
patiently explained to the genial drunk
for the twentieth time, and this train
is on the Los Angeles line, which does
noc go through Sacramento at all
At length an inkling ol the situation
began to percolate through the illumin-
ated traveler's brain
"Good Heavensh!" he gurgled "Have
you told'sh engineer?
I SHOULD like to call on even tree
thinking American who can think
at all, to break this law, i c the Vol-
stead Law . . . Drink what you please,
when you please Don't hcrray the ! i
leggers who arc smuggling in liquor for
you In every waj possible flaunt your
defiance ol the Eighteenth Amendment
Render it inoperative Whilst U stands
there, let u he disobey
These very ably and plainly spoken
words, are from an article called
\ntiSpeak, Easy I cague in the Ma\
issue of Vanits Fair Their author is
Corev Ford, whom, as you have readily
guessed, is no relation to the illustrous
Henry ol the same surname
What Mr. Ford has to say in his
article is something that no one seems
to have found the words or courage to
say heretofore. Even che mosc eloquent
and ardent campaigners against Pro
hibition, che Volscead Law and che
incredible scupidicies and corruption ol
ics enforcemenc have contented them-
selves largely wich decorously worded
arguments anent the rights of the in-
dividual and the minoricy, che basu
vericies and guarancees ot the National
Constitution, and have wound up their
discourses with good and logical reasons
on the rights of those, to whom the
Amendment is obnoxious, to work for
ics repeal or change
To date. Mr. Ford is che only one,
who appears co grasp che fact chac, so
long as liberal and honest-minded
citizens ot this nation with wine in their
cellars and cocktails on their tables neg-
lect or refuse to go on record as past,
present and future breakers of this
abominable law the Ant i Saloon League,
W C T.U and similar organizations
will never have their blutl called.
I ord blazes a clean trail straight
through the muddle this whole som
business has gotten into His is a triumph
of clear thinking over contused think
mg, ol courage over hesitancy or doubt
I or these, should his name be cast into
enduring bronze-
After the succcsslul flight of the pilot-
less plane someone is sure to suggest,
quite wittily, that we should install
nothing but a couple of gyroscopes in
the White House Our recommended
retort is "Why wascc good gyroscopes?"
Following the luncheon, given in
honor of Mr Mei Lan-Fang, che cel-
ebrated Chinese artisc, who was
recently in this cicy, we sac spellbound
and entranced, while his manager Mr
'C$4yt
'Read and write .'"
26
THE SAN FRANCISCAN
Chang expounded the inner meanings
and mysteries of Mei'sexquisite art. Mr.
Chang bears the name of one of China's
most distinguished houses, and is an
aristocrat to the manner born. He is a
graduate of Oxford, and was tor several
years a member of the Chinese Embassy
at London.
Mr. Chang's knowledge of the history
and traditions of China's theatrical arts,
and of Lan-Fang's art in particular are
profound and exhaustive. He is, more-
over, a facile and brilliant speaker and
in his hands the English language
attains a dignity, precision and expres-
siveness that it rarely, if ever, attains
among the American people. As Mr
Chang's talk ended, we were pondering
these facts, when a certain woman,
whom we happen to know has just
come into her first Packard and who was
seated next to us, leaned over and said in
a loud whisper, "Well, he's come a
pretty long way for a Chinaman."
Confidentially, wc are getting fear-
fully bored with these stories hav-
ing to do v.'ith the incredible lack of
historical knowledge, prevalent among
those beefy Hollywood gentlemen,
known as Producers They are all so
damnably stupid — both the stories and
the gentlemen But as a matter of form,
we repeat the following .
Said the Casting Director to the Pro-
ducer, "Here, sir, is the list of the cast
for our new Biblical production 'The
Vengeance of Jehovah' ."
1 he Producer read the list over several
times, the while, shifting his cigar from
one side of his mouth to the other, as is
the classical wont of his kind. Finally,
he snapped impatiently, "Why, this
thing only calls for twelve disciples "
The Casting Director meekly. "Yes,
sir "
The Producer: "Well, haven't I told
you before, this is a mammoth produc-
tion Cast fifty disciples "
The Venito Restaurant, a popular
Bohemian resort, boasts of the most
cultured and educated staff in San
Francisco, and points with pride to three
of its help to prove this assertion The
head waiter, according to the manager,
is a graduate of the University of Santa
Clara of the Class of '97; the dishwasher,
a nonchalant young Latin, came to them
straight from three years at the Beaux
Arts in Paris; while the cook, formerly
a tenor with the La Scalla, is so tempera-
mental that he will not allow the owner
in the kitchen . Bohemia !
As we go to press, the Columbia bears
the huge sign: "Across the World with
Mr. and Mrs Martin Johnson Twice
Daily." That, gentlemen, IS commut-
ing.
After much investigation we finally
L discovered that the little colored
chicks, which many have admired in the
windows of Pelicano-Rossi during the
Easter Season, are not hatched from
colored eggs The chicks, as we learned
through the kindness of Gertrude Wood,
hail from Sacramento, and are colored
immediately after hatching with a harm-
less vegetable dye which tints only the
downy fuzz and wears off as soon as the
leathers grow in The substance used tor
the dye is much the same as soda-water
coloring or artificial tints for cake trost-
ings . . And perhaps around Thanks-
giving we shall find little pastel -colored
Turkeys in the same windows
It is perhaps no longer timelv, but
we've just found in the archives this
tragical classified ad :
Bass drum, lost New Year's Eve in
Redwood City.
From the offices of The New Yorker
all sorts of stories are constantly
coming to us. People, just arrived from
New York, dash into the office to tell us
about them People in New York write
them to us, because there is a quaint
notion abroad that everything that
comes from the offices of The New
Yorker must be very good or very funny
The notion is a very faulty one, and we
have to reject most of these volunteer
contributions But here is one we decid-
ed was good enough to print
Mr Van Loon, in The New Yorker
office lifts his phone and puts in a call
for Schuyler 1487.
The switchboard girl presently calls
back to say that she has Harlem 1487
on the wire for him
Mr. Van Loon with great indigna-
tion repeats that he wants Schuyler 1487
and not Harlem. This, he further and
haughtily informs the operator, is Mr.
Van Loon calling and not Mr. Carl Van
Vetchen.
Success depends, of course, upon the
polish being planted in volume quan-
tities and this the first peddler succeeds
in doing to an astounding degree. When
we asked him how he does it, he said:
"It's all in the first five words I utter
when a woman opens the door — Miss,
is your mother in7'
MAY, 1930
27
A circumstance which gives us no
. small measure of satisfaction is the
fact that many ot the most enthusiastic
readers ot The San Franciscan are not
properly San Franciscans at all, but
residents of the East Bav. It is upon this
fortunate state of affairs that we are
indebted tor being kept posted on the
peccadilloes of the quaint folk whose
antics provide material for the facile pen
of Octavus Cohen, for Oakland boasts
a large colored colony.
Among our Oakland friends is one
who has a colored cook of coal-black
pulchritude and vast gross tonnage
with appetite to match.
One day when she was eating lunch
a neighbor, also a large colored woman,
came rushing in with bad news.
"Mandy," the visitor warned, "pre-
pare yo'se'f to' some pow'tul bad news.
Yo' husban' has jes' been in the worst
accident'"
"Lan'sakes!" exclaimed Mandy. "Et
Mose am dead yo' sho' am going to
hear some awtul wailin' soon as 1 finish
dis meal "
A certain young lady ot the chorus,
sent out from New York as a
member of the cast for Hi There, now
rehearsing at the Columbia Theatre, was
highly incensed that she had been indefi-
nitely torn away trom Broadway Since
the conveniently forgotten day, when she
left her home tank town, she had care-
tullv avoided and been tearfully high-
hat towards all points West.
Consequently, the damsel could see
nothing but faults in San Francisco
New York had bigger hotels, bigger
buildings, taster elevators, bettertheatres,
handsomer cab drivers and what not In
San Francisco the hotels are all wrong,
the cab drivers are homely and sassy,
the hills are too steep, and properly
speaking, we have no tabloid news-
papers to do right bv visiting ladies of
the chorus
Came the day ot the recent sun eclipse.
The haughty young thespian was pre-
vailed upon to gaze skyward through
smoked glass at this sight Dumbfound
ed, for several long minutes she viewed
this phenomenon, but at length found
the words to exclaim, "Mv God, New
York has nothing like this "
w,»
ROGERS
may have been joking when he
said that the California Boosters'
Organization, at the beginning of
time, sent a committee to the Creator
to obtain more hours of sunshine
for this glorious commonwealth.
Rogers may have been kidding, but
just the same it was arranged that
California should have a longer
Summer . . . and, therefore, more
time for California men to wear,
and enjoy, Knox Comfit Straw Hats
which are $6 to $IO. st'rawt,ss«P
KNOX
^Sluo Qjnops in CJan Srtanci'sco
51 GRANT
AVENUE
HOTEL ST.
FRANCIS
28
THE SAN FRANCISCAN
\V RAPHAEL WEILL 8 COMPANY/ 0.
V.No^IfCanB^T^Va
Happy Days are Here Again in
case you have not felt any personal thrill,
ask the first school child you meet and
you'll know it's nearly time for vaca-
tion
May is the wardrobe month of the
vacation season time to plan and to
dream a bit, and to shop, and to cut and
sew, and to wish you had planned to go
to the Beach when you see a delectable
beach ensemble, or to the mountains
when a swanky handmade sweater greets
your eye.
Oh, those who can pick up and leave
for any clime at any time, have no idea
what they miss by not having an official
vacation season
Certainly too bad, if you had decided
to rough it this year The success of the
new softly feminine silhouette is enough
to change any back-woods camping
ideas.
Imagine khaki knickers and a rough
neck sweater competing with a calculat-
ing feminine sports frock of striped silk
shirting (the kind Palm Beach has been
wearing all through the season) in any
of the new sun warmed pastels with a
provocatively high waisted belt and
gracefully swinging flare skirt!
For tennis sake it is sleeveless But the
Sports Shop and The Little Shop (for
sizes 13, 15, 17) are filled with engag-
ingly short sleeved styles, too. These
manage to be both feminine and ready
for a real work-out on the courts.
They need to be versatile — these
frocks that serve both the new mode and
the old love of freedom-of-movement.
Who wants to go back to the days
when a girl was a decorative nuisance in
the mildest kind of sports?
Even dancing suffers no impediment
from long skirts —"ankle length for the
dance floor," says Paris Trains, even
the tiniest and trailing hems, are not
only trowned upon, but trod upon, if
they venture away from the highly
formal reception where their dignity
belongs.
What a shame not to go somewhere
this summer where you can get the full
benefit of the most flattering after-dark
frocks that the couture has sent us since
the Gibson girl retired in all her trills
and furbelows.
Can't you see yourself floating to the
dreamy strains of the latest waltz on
some lantern-hung pavilion — moon-
light above ... a divine partner . . . and
a jewel toned pastel lace frock . . or one
of Chanel's beaded flower chiffons giv-
ing you that delicious sensation of look-
ing so utterly your best that you hardly
recognize yourself
Don't these back-to-nature vacations
begin to fade away after you have
shopped around a bit?
And, now about luggage. Have you
discovered yet the almost miraculous
amount you can get into a ward-robe
hat box? Seasoned travelers rejoice in
their conveniences. The White House
has them in every grade from the world
famous Vuittons to inexpensively smart
tabricoid.
ADVERTISEMENT
Happy Isles
Continued from page 17
Many, many persons have a secret.
They knew what they wanted and at-
tained it This is a chosen people They
are those who live in Hawaii (the Sand-
wich group), those who have been there
and cannot forget and the fortunate
beings who are yet to arrive in this place
which needs so little praise The un-
forgetable Island Adventure.
War Drums and
Printer's Ink
Continued from page 22
The American Flag was moved to
San Francisco and the services of Calvin
B. McDonald secured as editor Mc-
Donald was known as "The Fighting
Editor," and in all the chronicles of the
time is set down as a man who never
accepted employment of any publication
whose policies ran contrary to his own
thought and principles He wrote the
truth precisely as he saw it and hurled it
straight at his opponents. For no mone-
tary consideration or for expediency
would he consent to soften his blows,
and he bore any unfavorable reaction
upon himselt without flinching.
On The American Flag McDonald
could give free rein to his aversion to
slavery and to his intense devotion to
American principles as he conceived
them. He was merciless in exposing the
motives and sympathies of The Demo-
cratic Press and all other California
publications that revealed or suggested
sympathy, compromise or overtures to
the South. His daily and powerful war
editorials worked the public temper up
to a dangerous pitch and created an
almost fanatical support of Lincoln and
his policies It became an exceedingly
unwise thing to do in San Francisco to
admit one was a Southerner or had ever
looked with neutral feelings on the
Southern cause. Any man in public lite,
so rash as to indicate that he had ever
subscribed to the latter thought, was
burned in effigy.
When word reached San Francisco
of Lincoln's assassination, this
mob hysteria flared into a mad and
merciless flame. A frenzied, shouting
rabble stormed through the streets. It
descended upon The Democratic Press
and wrecked its offices and plant, while
its editor barely escaped through a rear
door with his life The paper, however,
survived the destruction of its office
furniture, type and equipment. It was
shortly thereafter reorganized and be-
came The Examiner, and as The Exam-
iner has lived to make journalistic his-
tory of a peculiar though startling
brand. At the hands of the mob, the
office effects of The News Letter were
also wrecked and thrown into the street,
MAY, 1930
29
FOLLOW Spring
on a Sun-Kissed
OCEAN TRAIL
. . . to an island kingdom, all scarlet
and purple and gold with myriads
of flowers ... a land of perfumes,
laughter and romance
Haw;, i i
Flower-Time Tours
20 days, Los Angeles hack to Los
Angeles, complete cost from $530.
EVERY sailing during May of
LASSCO's companion luxury cruis-
ers, "City of Los Angeles" and "City of
Honolulu," carries a SPECIALLY
SERVICED FLOWER-TIME TOUR
. . . the ideal way at the ideal season to
visit Hawaii.
Your days are filled with the subtle thrill
of adventure that sailing the friendly
old Pacific always gives. Surrounded by
the luxury, punctilious service and charm
of atmosphere for which LASSCO liners
are famous, you enjoy a voyage that
ends all too soon over the popular south-
ern route directly from Los Angeles to
Honolulu.
The tour cost covers every necessary
ship and shore expense. It gives you
eight captivating days in the islands
with sightseeing under the direction of
LASSCO travel experts who take you to
every chief point of interest in the is-
lands. The royal palace, the colorful
oriental quarter, the beautiful gardens
and other features of picturesque Hono-
lulu . . . Waikiki with its exciting surf
sports and world-famous hotels . . . and
LASSCO's 5-day Wonder Trip winding
among the islands to Hilo and Volcano-
land.
Make this year's vacation a springtime
visit to the Paradise isles!
Flower - Time Tours
sail May 5, 17 and 51
For rtscrvalion.' and full particular* tee
any authorized ticket agent, or apply . . .
LASSCO
LOS ANGELES STEAMSHIP CO
«. V. CROWDED, Pawtngcr Traffic Mgr.
685 Market St., Tel. DA venport 4210
OAKLAND: 4I2 I3th St, Tel. OA bland I436
H. C. Cipwcll Co. . . Tel. LAkes.dc llll
BERKELEY SI48Crn|trSt Tel. THornw.llOOJO
and this p.tpcr too survived the rough
handling, and alter a fashion, lues to
this day No wholesale massacre ol
Southerners was reported Upon hearing
news dI the assassination, these gentle
men very promptly and wisely made
lor their homes and other points ol safety
while the fury of the mob ran its course.
The Hook Doctor
■ i im page is
All the evidence that a discriminating
brain should need to unravel the crue
history ot the Veryan tragedies is given;
but you'll never guess' While not so
carefully written as the previous book,
The Black Door shows at times a tor
tunate phrase and a clever twist of
meaning
The Door unadorned has for its pivot
the commonly-noted fact that most
hotel rooms look very much alike It is a
record ot a series of cold-blooded attacks
in a wealthy family; and the matter-of-
fact setting heightens the horror So
many mystery writers create fantastic-
characters, and when something strange
happens to them, it was expected all the
time, and much ot the effect is lost; but
when Mrs Rinehart's prim spinsters
and young lovers and deferent butlers
are tangled in suspicion and tragedy, we
teel death lurking at our elbow Mrs
Rinehart has her usual deftness and plot-
sense, and her people are so real you
could almost find them listed in the tele-
phone book.
If you like mystery, don't miss these
doors Needless to say, neither book is
recommended as a sedative
Pulling Edna's Leg
"Cimmaron," by Edna Ferber Double-
Jay, Doran 1930. $2.50.
Back in Oklahoma they have lots of
tall stories to tell Miss Ferber has jotted
them all down, and you will find them
all in her new story oi Yancey Cravzt
and Sabra Venable, even if you don't
find much about what the early days in
Oklahoma were really like
Indians, rattlesnakes, cowboys, and
various other tough customers make the
Cimmaron country lively in the days ot
the Sooners and The Rush, when the
prairie grew populous overnight The
yarn Miss Ferber spins is rich and racing
and will be read as So Bio and Show
Boat have been read Her incidents arc-
almost as fantastic as the actual history
ol that strip ol the southwest And after
all, Mr Ziegteld doesn't bother much
about history, as long as the storv has
plenty ol places lor good chorus work
and Indian dances and cowboys with red
shirts
Prescribed
The best novel that L'> k. Chesterton
ever wrote was a fanciful talc ol the ns
inucd «>n pan- <1
= ^atr ( vs
JUNE IS
MIDNIGHT SUN"
TIME IN
Alaska
You'll really know long vacation <lav-
when you watch Alaska"- Bummer -11 11. shin-
ing all day . . . and nearly all night . . . on
-unit m. Mint. on-, -lull 1- 1 1 1 - glacier*, anil
the quaint old Totem* that alwavs look
over the water!
And this summer, a new Iv -augmented
vacation -Meet, with fumed Canadian Na-
tional service throughout, to complete tin-
Alaska cruise.
Sail from Seattle, or Vancouver, north-
ward and farther northward through the
Inside 1'assagc ... or lake British Colum-
bia's great Triangle Tour, vvith Vlu-ka a*
an easy side-trip. From Skagwuj. tin- hi —
toric ^ ukon is un easy two-day rouiul-tri|>
while your ship wails.
^ 011 can do it all. comfortiihlv. on a two-
weeks vacation ! June i- I >•■-!. Scenic foUari
lmm —
CANADIAN NATIONAL
jkc jftrgtst ntitmtj Syshtn m amnin
W. J. I.ll KMtsllV C.i. \tt . Ml" M.rWn »l
I rlM.h..nr sl ,i,.r BAM, -«n Inn. . - |
30
THE SAN FRANCISCAN
Sympathy and Pattern
Continued from page 13
ogy; John Donne had arrayed himselt
also against those disturbing forces . . .
And John Donne was gone, leaving
only this slight volume, with Author's
Death in battered and uneven type . . .
For his mysticism was the mysticism of
one who (said the protagonist), even as
I, has slobbered milk, and nuzzled flesh,
and barked his shins, and drained good
drink, and found somewhere the dispen-
sation of poetry And he hurried rather
desperately over the reflection that John
Donne had lived, and had had eyes
which saw the things about him, and
smiled and sparkled and became hard
and empty with a grief not understood
by anyone but John Donne. With the
volume in his hand, he could not but
think of the one-time actuality of the
fingers with which the poems had been
written, and the one-time warmth of the
blood which had quickened them
"And the man who had set that type
— the humble M. F. who had labored
over the letter-spacing ot that page — had
perhaps drunk also in the Mermaid, and
gone to the Swan and the Rose and the
Globe. There remained of him now
these small italic initials, whose ink had
been dry three hundred years And John
Marriott, too, had held this book in his
hand — when it had come into his shop,
shiny of gilt and new morocco ..."
It is possible to purchase a quite recent
edition of John Donne — an edition
which has all things essential, except the
essential human associations.
We had better return to cool anatom-
izing. We have considered the Associa-
tive stage, which is the first stage of true
collecting. And close upon it comes the
Completitive stage, for which all bibli-
ographies are responsible.
I have made the accompanying scroll
design to illustrate the exposition of that
urge which fastens upon all true collec-
tors— the urge to possess "everything he
ever did." Much has been said, some-
what foolishly, about the acquisitive-
ness of collectors, and about the vanity
which causes them to gather all sorts of
unimportant trifles The inanity ot such
envious gabbling is made clear when we
recognize that in the writings oi any
author worth collecting there is a pat-
tern. The artist strives always to give
k^^^y^
^^^^^g^^^^^a
TAILORS & IMPORTERS OF MEN'S WEAR
Post Street at Union Square
Correct Assembling
of Wedding Apparel
FOR THE BRIDEGROOM
AND THE GENTLEMEN IN HIS ATTENDANCE
For seventy-five years we have been entrusted with this
advisory responsibility hv^a distinguished clientele^.
fe^r^3^JgJ^=»g^^5^a&gafe^F^g^^l
torm to what is formless, to bring all
things into harmonious juxtaposition.
And in that striving he is working in a
larger pattern in which each word he
writes has a place.
The collector, sooner or later, has
"most" of his writer's first editions And
into what frenzy that "most" throws
him For the pattern is incomplete — as
is my scroll drawing. I have deleted part
of a spiral, to show how bothersome,
how teasing, and how disagreeable is a
pattern in which there is present only
"most" of it. A person who is not com-
pletely an aesthetic will have been im-
pelled, as soon as he saw the butchered
scroll, to complete it — to add, if only
with a pencil, the missing curve.
And with what damnable accuracy do
bibliographies describe the missing parts
in the pattern of your collection. I shall
probably go through life desiring The
Beaver in Norway, a slight and unim-
portant Douglas pamphlet of which
there is only one known copy That is the
tault of Macdonald, the bibliographer.
And Cabell, now, at the end of the
Storisende Edition, gives me cause for
baffled acquisitiveness And where will I
ever see a 1913 Chance? And has anyone
ever seen Horlick's Magazine, of the
'90s, in which so much of Machen was
I or gentlemen
of action . . . .
We suggest one of the new Ox-
ford weave shirts ... In case
you re not a gentleman of action,
we might add these shirts are
splendid for loafing.
$£50
%^ Bto&
MAY, 1930
31
HAPPY VACATION
DAYS AT S E A
(LOAF OR PLAY TO YOUR
HEART'S CONTENT)
ON THIS "AROUND AND ACROSS
AMERICA" CIRCLE TRIP* PANAMA
CANAL, HAVANA AND NEW YORK
To New York — a glorious SOOO-
mile ocean CTuise in l6 carefree
days. Return by Tail (your choice
of routes) and it costs no more
to return thru the Northwest via
the Canadian Rockies and to
home port from Seattle by boat.
Your ship is one of the great
electric fleet. You'll dance under
tropic stars as you sail. You'll
swim and play the days away with
worry and cares a "million miles"
behind.
You'll visit historic Panama,
pass thru the gigantic Panama
Canal in daylight, spend happy
houTS in gay Havana.
S. S. CALIFORNIA * VIRGINIA
^ PENNSYLVANIA
Alternate in fortnightly
service between Califor-
nia and New York. All rooms
are outside, many with baths.
Roundtrip rates, one way by
sea, one way rail, $375 up First
Cabin, *235 up Tourist Cabin.
Room and meals on steamer
included in fare.
Panama fact fie J%pe
INTi>NAT10NAL MERCANTILE MA«INE COMPANY
ALL NEW^f^STEAMERS
first printed' Sometime I shall ask Vin-
cent Starrett, though I doubt that even
he has a complete file Of Fugitive Beer-
bohm items I am yet happily unaware; 1
have no bibliography
No, the acquisitiveness is not repre-
hensible, it is an entirely laudable aesthe-
tic impulse, a desire to see the pattern
complete And to each item, of course,
clings the essential human association
No less magical than The Hill of Dreams
is my copy of Machen's The Anatoms oj
Tobacco, his first legitimately published
book; no less magical is my Dr Stig-
gins, and The Qrcat Qod Pan, and all
the rest of them And it is necessary that
they be in good condition; no one wants
mildew on a Rembrandt etching, and in
religious matters, I suspect, a tarnished
chalice is not so valued as one shining
and immaculate
Of the early Douglases and Cabells
and Beerbohms there is not space in
which now to speak — nor of the Con-
rads which are still, many of them, on
the shelves of dealers, nor of the Pick-
nick in the original parts which I shall
have sometime, nor of the rest of my
Menckens, or Bierces, or of the early
books of James Stephens
For part of the greatness of true col-
lecting resides in its near-infinity You
are, and you always will be — though
you were the British Museum itself —
just starting.
Tin' Book Doctor
Continued from page 2<>
ing tide of prohibition The Monarch of
Paradox and neighboring demesnes
could not, of course, in those days
imagine any such nightmare as a rum-
runner praying that not the coast-guard,
but merely hijackers, are attacking him;
but nevertheless Chesterton, in The
Flying Inn, gives us in a mad and
merry mood the adventures of Red Pat-
rick and his English Sancho Panza as
they leap about the countryside, waving
their defiant inn-sign of revolt.
Diagnoses
460 Market St.
Son Francisco
7l5W.SeventhSt.
Los Angeles
I NCLE Sam." by John Erskine. Hobbs-Merntl $2 50
Mr Erskine's satiric talent strikes home.
"Gallows Orchard " by Claire Spencer Cape £* Smith
$2 50 Sensitive first novd by a young romantic
"My Reminiscences is \ Cowboy,** by Frank Harris-
C Bom, Paper Books $ 75 He got his start back in the
, stealing several hundred head of Mexican cattle
and going to the I ol Kansas on the pr. -cceds
"Casanova Hi-- Known and Unknown Life
Guy Endorc John Day $5 Meaty biography ol
cinating rascal
Continued on next page
B^Jtat
RWILELDERS
J 39 Po\t Street. San I rant i\< o
VOUR
VACATION
"* bounded bij
arandeur and steeped in
Sierra sunshine
Turn to nearby Yosemite this summer —
brightestin California's giant vacation'book!
First, a sheer'walled Valley, ribboned with
plunging waterfalls, studded with granite
peaks . . . then the highest, shining Sierras,
roscshot each sunrise, teeming with trout,
and dotted with welcome white trail camps
a half-day's hike apart . . .
Come for a week — you'll want a summer.
Live as you would elsewhere — accommo'
dations range all the way from Housekeeping
tents in the pines, at $6 a week, to the dis-
tmguished Ahwahnee, at $10 a day and up'
ward, American Plan — with popular resort'
lodges midway between.
Yosemite is just overnight by through
sleeper, or a day's easy drive, from San
Francisco and Los Angeles. Early rcserva^
tions may be made with any travel agent or
YOSEMITE PARK AND CURRY
CO., 39 Geary St., San Francisco, 604
\V. Sixth St., Los Angeles and Yosemite
National Park, California.
YOSEMITE
irMAMPOSX BIG TREES
32
For those who
live on a norma
sensible basis . .
The beauty of the Hotel
Lexington . . . the luxury
of its modern appointments
. . . the distinguished
quality of its French cuisine
. . . are available at such
moderate rates that many
guests who come for a day
or a week are staying
permanently.
Dinner and Supper Danc-
ing in the Silver Grill.
Dave Bernie and his Hotel
Lexington Minute Men.
ggasa
Each with private bath (tub and shower)
circulating ice water, mirror door.
341 rooms with double beds*
1 person .....
These same 34 1 rooms for two
persons . . . . .
229 rooms with twin beds
Either one or two persons .
231 rooms with twin beds
Either one or two persons .
Transient or permanent accommodations
$4
$5
$6
$7
Club breakfast . . . 75 c
Special luncheon . . $1.00
Table d'hote dinner . $2.00
Also a la carte service
HOTEL
LEXINGTON
LEXINGTON AVE. at 48th ST. NEW YORK CITY
Frank Gregson, Mgr. Phone MURray Hill 7401
Direction of American Hotels Corporation
J. Leslie Kincaid, President
"Journey's End." bv R C Shernff and Vernon Barl-
lett. Stokes $2.50 As powerful as the play.
"Daughters of Eve," bv Gamaliel Bradford Houghton
Mifflin S3 50 Ninon de Lenclos. Giorge Sand. Sarah
Bernhardt and others sit for their portraits.
"The Days of Her Life." bv Wallace Irwin Hough-
ton Mifflin S2 50 How a local girl made good in the San
Francisco of the naughty nineties.
"Form and Reform." by Paul T Frankl Harper's S5
Pictures and comment on interiors moderne.
"The Sweet Cheat Gone." by Marcel Proust. A c> C
Bom S3 A "Remembrance" of disorder and perversity
"Complete Works of James Branch Cabell," Stori-
sende Edition in 1 8 volumes, autographed McBrtde (By
subscription.) The cynical romantic dramatically
"winds up the long enterprise of the Biography, while
everyone concerned stays, as yet. in a fairly genial
humor"
"Mountain City." bv Upton Sinclair A. <* C Bant
$2 50 Hearty wallops at the "go-getter" and the com-
munity which makes him possible
"Three Came Unarmed." bv E Arnot Robertson
Doutleday. Doran S2 50. What happened when a trio of
young wild people of Borneo come to London Town
"The Purple Cloud, bv M P Shiel \dnguard S2.50.
Devious paragraphs about the last man on earth.
"Mata Hari : Courtesan and Spy." by Major Thomas
Coulson. Harper's S3 The most flaunting adventures of
the Great War. sketched by a member of the British
Secret Service.
"The Town of Tombarel." bv WilliamJ Locke Dodd,
Mead S2 50 Mr. Locke clicks" again with this story of
the benevolent autocrat of a Riviera town.
To the Editor
Continued from page 6
And then he went on to add, "The idea that
you have can only be published in a magazine
for intelligent people to read." So you see he
was very kind and diplomatic after all for he
excluded a few readers as being serious about
Fords and gave a big boost to the magazine
business.
Well, you see there wasn't anything else left
to do but go over to the "San Franciscan,"
which is within walking distance — I had no
funds for carfare to reach New York, the
center for publication of most of our maga-
zines catering to "intelligent" people. You
THE SAN FRANCISCAN
LOW FARES EAST- MAY 22
We welcome the crowds that
come for luncheon each day
... let us assure you that, no
matter how rushed we are,
the high standard of cooking
is our first concern ... all
food is cooked under the per-
sonal supervision of
iMrs. Welle T>e Graf
You may also order your
favorite cak.es and pies
to take home
Downstairs in the
MONADNOCK BUILDING
Market Street
DAINTY CHINESE MAIDS
"Overland
Limited"
San Francisco meets Chicago in
58 hours of luxurious travel via the
"Overland Limited." Color-bearer of
the first of the Four Great Routes,
this gracious train is famed through-
out the world.
All-Pullman, extra-fare, of course.
That its equipment and appointments
are the best today can fashion, you
rightfully assume. And this exclusive
touch — dainty Chinese Maids, gaily
garbed, to serve you.
When you go East at the low sum-
mer fares, the "Overland Limited"
will speed you to Chicago hours ahead
of any other train. Take advantage of
Southern Pacific's option to go one
way, return another, on the "Overland
Limited," "Golden State Limited,"
"Sunset Limited" or "Cascade."
Some examples of low sum-
mer roundtrips in effect
May 22 to September 30.
Return limit October 31:
Atlanta . . .
Chicago . . .
Kansas City .
New York City
New Orleans .
$113.60
. 90.30
75.60
151.70
89.40
Via Shasta Route, slightly more
Southern
Pacific
E. W. CLAPP
Gen.Pass.Trf.Mgr.
San Francisco
MO. 1930
33
know, magazines like Harpers and perhaps
Vogue, although our choice would have been
Atlantic Monthly.
Mr. Dyer seemed to be glad to see me at
any rate. It was pretty early in the morning
after publication day and he was waiting for
the printing bill to come in and when I came
in and didn't hand out a bill, he just smiled
all over, asked me to have a chair and then
asked what he could do for me.
So I started in all over, told him about the
"Big Idea Department" as a regular feature
of his magazine. How we would not only
ATTEMPT to solve all the big problems of
the hour, but we WOULD solve them — no
fooling. He was just like Mr. Newspaper man,
though. Wanted a sample — put in writing.
So here is the event of the day, the problem of
the hour and just to put it over big this time,
we will settle two problems; just like the birds
and stone business.
There is the Labor problem. Men out of
work. Hunger strikers, paraders and empty
dinner pails. You know all about it. Mr.
Hoover's Secretary of Labor is worried about
it and Mayor Rolph has passed the buck to
Supervisor Rossi. A tough job they all say.
That is problem number one.
Problem number two according to the pa-
pers is this matter of enforcing the prohibi-
tion acts. Mr. Ford appears before the
investigation committee in Washington and
says that he is absolutely set on having en-
forcement. Tells how the wets and poor old
Wall Street are trying to corrupt his em-
ployees in Dearborn. Ford says there are
speakeasies as thick as telephone poles oppo-
site each entrance to the Ford works and then
goes on to say that he has a system of law
enforcement in his own factory and it works.
Has "breath smellers" who apparently sniff
each man's garlic or halitosis as he enters the
plant and if there is any odor resembling
sacramental wines or prescription spirits an
investigation is made and the employee is sent
home for a doctor's excuse, and would you
believe this, he gives them notice to stay home
permanently if they can't produce the pre-
scription.
Now we have arrived at the point where our
"Big Idea" department begins to function.
As Mr. Ford is so anxious to enforce the pro-
hibition law and he has some #300,000,000
according to recent statements made by him,
and there are so many starving and jobless
people in the country at large, we suggest
that Mr. Ford draw up a new contract of sale
for each one of these model "A's" he sells,
putting a conditional clause providing that
any purchaser of a Ford who takes a drink
contrary to the law shall forfeit all right, title
and interest in the automobile. As there are
so many Fords in operation and the example
of losing one's Ford would be so forceful to
the prospective and present owners, another
large portion of the population would be
observing the law.
Of course this does not settle the unemploy-
ment situation, so we suggest that as Mr. Ford
is so set on moralizing that he use some of the
three hundred million dollars and pay all
unemployed men one dollar per day to act as
"Official Breath Smellers" for Ford owners
and in that way the unemployed will be cared
for. It will take about one "Smeller" to each
Ford and ii there is any surplus of unem-
ployed, we suggest that a spy system similar to
the Soviet organization which would be the
"Breath Smellers of the Official Breath
Smellers." This would be an extra precaution
and sure to prevent any further drinking of
"Holy Water."
We send up a silent prayer that The San
Franciscan will recognize our great ability at
solving problems and will put us on the pay-
roll regularly. On second thought this will
never do. We are under contract to our pres-
ent employer not to take on a second job and
unless other ideas bring us more than the
$5000 The San Franciscan seems willing to
pay for this one, we shall have to stick to our
present source of income.
Submitted by,
ELLIS H. WOOLLEY.
Dear Editor:
In the March San Franciscan I find a poem
written "at a lady who doesn't like sky-
scrapers," and since I happen to be that lady,
I am sending in a reply to his arguments.
In reply to a certain gentleman who likes
skyscrapers.
in the Year :tooo
Lonely, leaning toward the stars
With rivets wrenched from iron bars,
A twisted frame of naked steel — stands
Darkly etched against the sky.
No artist carved with careful hands
His soul upon its marble brow.
Nor had a love of beauty in his eye
While carving crude shapes on its portico.
Steel, rivets, iron, massive cranes, its tools,
Lime, sand, cement, and plaster
Adorn its cell-like rooms, and faster
Ever faster, higher ever higher built by fools
(Who tried to reach the sun) —
It stands a monument to dollars lost and won.
The wind blows through its empty corridors,
Where sullen spiders catch the careless fly,
And rusty hinges on the twisted doors
Make fretful sounds to black bats wheeling by.
Gaunt, towering skyward, sinister in defeat;
It stands a symbol of Men's greed —
Upon the empty street.
— Elsa Nye Meriwether.
H.LlEBES&bCO.
GRANT AVE AT POST
Here Comes
the Bride!
In fact, here to H. Liehes & Co.
come all the smartest brides, anticipating
the delight of trousseau-shopping -where
so many lovely things are oliered
for their selection!
Especially happy, too, are the charming
brides who choose their wedding gowns
i,
rom our exquisite collection
.1
H
ouston, Gilmore
c3 Company
FineJ Jewelry
Post and Stockton Streets
San Francisco
34
THE SAN FRANCISCAN
Air Situations
Continued from page 10
ooo) from proceeds from a bond issue
voted by the people of Oakland for har-
bor improvements in 1925 The air-
port was treated as part of the city's
harbor and the development of it was
placed in the hands of a non-political
committee. The peninsula between San
Leandro Bay and a southeastern arm of
San Francisco Bay, only six and a halt
miles south of the Oakland Post Office,
was selected in March of 1927 and lay
untouched until June when F Trubee
Davison, Assistant Secretary of War for
Aeronautics; Porter Adams, president
of the National Aeronautic Associa-
tion, and Lieutenant Lester J Maitland
surveyed the field and promised to use it
for the army flight to Hawaii if a run-
way more than one mile long and 300
feet wide could be completed by June 2 a .
On the specified date a level, hard-
packed runway 7020 feet long, 600 feet
wide at one end and 300 feet at the
other, was completed. This was the
start of the all-over landing field that
has brought the Oakland Airport such
popularity
In the fall of 1927 the Dole race
started from Oakland Airport and, in
May of 192S, the "Southern Cross"
flight started from the same field
Early in 1928 the first two hangars
were built and later the same year the
third hangar was completed. Last year
two more hangars were built, the filth
one being specially designed for the Boe-
ing school and transport lines
During this same time a splendidly
equipped administration building has
been erected and a restaurant and hotel
have been installed on the field. The
entire plant is unusual in its complete-
ness, standing out for a time as the
largest in the United States Last year it
is stated that there were 82,316 land-
ings made on the Oakland Airport and
that 52,900 passengers were carried -
these figures do not count the 13,009
student flights made during the year
The Oakland Airport has attracted
national attention in various ways. It is
cited by national air magazines for its
construction and maintenance policy.
It has been estimated that the Oakland
Municipal Airport will receive from
$60,000 to $80,000 gross revenue dur-
ing 1929-1930.
Recently the Western Water Taxi
Company started a speedboat service from
the Oakland Airport to San Francisco,
making the trip in thirty minutes, to
carry passengers from the transport
planes
There has been some criticism of the
receipt of San Francisco mail in Oak-
land because of the rime it has taken to
transport it to its final destination on
this side of the bay. Postmaster H L.
Todd has announced unofficially that
soon a mail contract may be let to the
Air Ferries, Ltd. to speed the delivery of
air mail to San Francisco.
The Alameda Airport is being devel-
oped by Curtiss Wright as a commercial
field and an aviation school There is an
extensive program outlined for the
development of the neck of land now
occupied. An extensive landing field
with crisscrossing runways is projected
and, at the side, a yacht harbor.
Curtiss Wright Co is also developing
an airport near Beresford where they
will combine student training with
special air service. The Curtiss- Wright
flying service is the world's oldest flying
organization, an outgrowth of the origi-
nal company organized in 1910. The
branches such as are located here are
equipped to supply airplanes for every
purpose, including cross country charter,
taxi service, emergency transportation
of all kinds, aerial photography, map-
ping, surveying, et cetera They also
cooperate with private owners of air-
planes, providing instruction for pilots
and servicing for planes
The San Francisco Bay Aerodrome,
now under construction at Web-
ster street in Alameda, will be the first
strictly commercial field in this region.
Continued on page 37
modern motor ships
sail monthly from
san francisco via
panama canal to the
mediterranean
spain a0LBi
france
Italy
a 38-day cruise for three hundred dollars
libera line
(general steamship corp., agents)
has moved into luxurious new offices
219 sutter street
KEarny 4100
"worldwide service — at your service
Do you know w I
done with chintz?
Perhaps you are accustomed
to thinking of us only in con-
nection with the finest things
and it has not occurred to you
that we can do wonders with
very simple materials.
We shall be glad to consul
with you regarding the arrange
ment of the most informal roor
A. F. MARTEN CO
1501 SUTTER STREET
MAY. 1930
35
RUSSIAN BLOUSE
in white satin
with black satin skirt
Peasant hand embroideries from
all countries.
VAHDAH
609 Sutter Street, corner Mason
FRanklin 4332
El Paseo, Santa Barbara
SIllV MAN!
He — But, Julia, we can't
afford a summer
cabin.
She — Well, how much do
you know about the
cost of one? Have
vou been watching
the Want Ads?
He — No, but you can't tell
me.
She — Is that so? I do know.
I've watched the
Ads, and I can tell
you lots of things.
P. S.— She knew. She lol.l him.
They got the cabin. Examiner Want
Ad*, of course.
Concerning
Continued From nanc 15
then has headed the educational, social
and spiritual development ol the Church
in Calitornia.
Today he stands the spiritual father to
a flock of 400,000 people He heads an
organization that controls numerous
churches, many schools and several col-
leges He is known as one ot the leading
mediators between the workers and the
employers in wage disputes He is a
member of the Immigration and Hous-
ing Commission about which political
storms have raged He is president of the
National Catholic Weltate Conference
which meets in Washington in behalf of
the poor.
During his occupancy, the archdiocese
has grown phenomenally in both mem-
bership and wealth. He has helped in the
virtual rebuilding of St Mary's and
Santa Clara colleges, the San Raphael
School lor Girls and is now urging the
completion of the new San Francisco
College for Women conducted by the
Religious ol the Sacred Heart
Beyond these substantial accomplish-
ments, Archbishop Hanna continues to
be the best loved prelate in the West,
combining keen executive ability with
human understanding
Mei Lan-Fang has come to San
Francisco as an emissary of
artistic understanding Irom China. Con-
sidered the greatest ot Chinese actors he
is now completing his first tour of the
wotld playing to Chinese and American
audiences in the leading cities.
Rarely does a country send its finest
artists to othet lands Too often it is
necessary to judge the art of a foreign
country's culture by means ot work con-
sidered second rate at home. In Mei Lan-
Fang one finds an actot so subtle in his
characterizations that, even without
fully understanding the Oriental sig-
nificance vested in each gesture and
movement, it is possible for the Occi-
dental mind to appreciate and admire.
A descendant ot illustrious lineage.
Mei Lan-Fang bears the honorary titles
of Foremost of the Pear Orchard and
Grand Abbot of the Ching Chang Mon-
astety — the highest honors at the dis-
posal of the Chinese people As a tan or
plaver ot female roles — thete are no
acttesses in ttaditional Chinese dtama-
Mei plays at once the most important
and most exacting parts in dramas that
have been handed down for centuries
He is also a writer ot dtama and as such
is author ot about one-third tit the con
temporary plays in which he appears
In San Francisco the majority of the
performances have been presented in a
Chinese theatre which has been crowded
night after night with cultured Oriental
people and their Occidental friends
riMvT-MEiiyv.iMi>
Teas ♦ Weddings ♦ Receptions
Bouquets ♦ Centerpieces
Russ Building SUtter2492
The rapidity with which
the world is moving is
forcing our eyes to sup-
port additional loads.
^ our eyes should he ex-
amined at regulated in-
tervals.
Trlrphan.- GAffiM 027i
for ail apiMii 11 In leu t
today.
JONES, PIXTHEH
& I.I\»SAV.Int.
OPTO.MFTII1STN
.1 l» GEAIIY Mltlll
Sou FranrUro
36
THE SAN FRANCISCAN
PEACOCK COURT has reluct-
antly said an revolt to Anson Weeks
who has taken his orchestra to New
York for a special season of six weeks.
San Francisco has said farewell to its
favorites before — with sorrow mixed
with pride at the eagerness of the East-
ern metropolis to share what we have
prized. But this time the good-byes
were said with unalloyed pride, for An-
son Weeks will return. June 27th has
already been set as the homecoming
date when San Francisco will welcome
home its favorite orchestra.
Meanwhile, the Hotel Mark Hopkins
has brought to Peacock Court the one
orchestra they judged qualified to sub-
stitute for Anson Weeks and his men.
While San Francisco lends her favorite
to New York, Chicago has sent her
foremost dance orchestra with its leader,
Ted Fiorito.
TED FIORITO is one of the greatest
dance song composers today. His
"Laugh Clown Laugh," "King for a
Day," "I'm Sorry, Sally," "Hanging on
the Garden Gate," "Dreamer of Dreams"
and "I Never Knew" have all sung
themselves into general popularity —
but perhaps not much more so than have
his "No, No, Nora," "Oh Mabel,"
"Medoelark," "Sometime," "Need Some
Pettin'," "Just Like a Rainbow," "Sweet
Southern Breeze" and "Someone to
Love" — or, if you prefer, "When the
Lights Are Low," "Love Bird," "I Can't
Stop Babying You," "The Little Old
Clock on the Mantle," "I'll Just Go
Along," "Drifting," or "I Love You So"
— or even "When I Dream of the Last
Waltz With You," "Eliza," "Say Ara-
bella," "Alone at Last" and "Annabelle"
— that is, since we can mention only a
few of the more popular songs.
Rather prolific? Ra-ther!
But you probably know Fiorito as a
Victor recording artist. He's all of that
and more! How much more, you could
know only if you visited the Edge-
water Beach Hotel at Chicago where he
was director of the famous Oriole Or-
chestra for three years — or unless you
visited the Congress Hotel this last sea-
son (he comes direct from there now
and plans to return there next fall).
However, by now, you don't really
need an introduction to Ted Fiorito be-
cause you probably were at Peacock
Court Wednesday evening, April 30th,
when the new orchestra was welcomed
to San Francisco. What a night that
was! At first just a slight wondering how
it would seem not to have big, blond,
loveable Anson at the piano, knowing
you all, counting you his friends and
playing those smooth rhythms that for
years have made Peacock Court the "top
of the world" for dancing San Francis-
cans. The orchestra was all new. Strange
hands played the traps, unfamiliar faces
loomed behind each familiar instru-
ment. And the leader — how different!
Then the fiery synchopation of this
new personality began to get under your
skin. Familiar melodies in new arrange-
ments. A fresh interpretation of themes
well known.
Ted Fiorito — here was a spirit to be
welcomed by San Francisco without res-
ervations. The surging rhythms of his
music filled Peacock Court. Tables were
deserted except for an occasional couple
deep in conversation . . . the dance floor
became a human kaleidoscope with ever
changing pattern as the colorfully
gowned women were guided through the
intricate maze. It was an unusual experi-
ence. Here were hundreds of people,
drawn to the top of Nob Hill by the lure
of pleasure, bound together by the dance
music into a coherent mass of rhythm.
Here was sophisticated individuality
amalgamated by an experience shared.
There was something magic in the tide
of people drained from the tables to the
center floor by the music and spread
again into scattered units the moment
the orchestra stopped playing. One felt
the power of a common experience.
Then came the time when Dusty
Roades rose to his feet and started sing-
ing! His voice . . . his personality . . .
the amusing things he did and said and
sang. If there had been any reservation
in the heart of San Francisco as repre-
sented there that night, it melted with
the appearance of this unusual man
known throughout the East and Middle
West but coming to San Francisco for
the first time.
THE metropolitan personality of San
Francisco is never felt more than
when one is in Peacock Court. The
beautifully gowned women, the wonder-
fully groomed men, the whole atmos-
phere of sophistication speaks of the
self-sufficiency of the city. Here are
people who are equally at home all over
the world, people who know not only
San Francisco but Paris, Vienna, Lon-
don, New York. These people are in
San Francisco because they know her
charm. These people have come to Pea-
cock Court because they know it as the
heart of the city. They have dined by
the windows overlooking the downtown
city blocks with their lighted buildings,
their strange silhouettes against the
night sky. They have spent evenings
secure in the privacy of their own party,
sharing the enjoyment with throngs of
other dancers. They have driven up
Nob Hill after the theater for supper in
these gay surroundings.
Perhaps it is because he played to peo-
ple such as this that Ted Fiorito felt
completely at home the first night of his
arrival in Peacock Court. To him San
Francisco will always be a joy for he has
seen it first at its best — he will remember
it always as a city of carefree joy where
people dance on top of the world with a
shining mosaic of light at their feet.
For six weeks Ted Fiorito and his or-
chestra will be at Peacock Court, then
Anson Weeks will return. Again the
dancers will know the smooth syncopa-
tion of the matchless orchestra. Again
they will delight in the slow, almost bash-
ful announcements of the Anson whose
ways they have come to love. Friday,
June 27th, will be his "welcome home"
— the first chance to hear the new in-
spirations and specialties developed dur-
ing the New York trip.
MAY, 1930
37
Air Situations
Continued from page ^4
It is sponsored by Western Air Express,
Standard Oil and Richfield There are
267 acres which are being developed to
take care of all types ot transport situa-
tions. No student flying, private flying
or joy riding will he allowed from this
held as it will he dedicated to facilitating
air express and passenger service. It is
announced that the Aerodrome has set a
goal ot making possihle a take-off every
three minutes they feel that tuture
developments may make such dispatch
advisable,
Other developments are being made
of airporcs in Berkeley, Richmond and
other surrounding places all in response
to the necessity caused by new departures
Last tall over 200 private and com-
mercial planes were used to carry ap-
proximately Son people to the Stantord-
Southern California football game at
Palo Alto — there were 200 people from
Los Angeles in commercial air liners
alone.
For the tuture there looms in prospect
the initiation ot trans-ocean service
promised by the Pacific Zeppelin Trans-
portation Company, organized within
the past tew months by R Stanley Dol-
lar, Herbert Flcishhacker, Kenneth R.
Kingsbury and other influential men
behind it
Southern California has announced
that at least $3,500,000 will be put into
the development of airports in the region
ot Los Angeles during 1930. The
planned investments in air transporta-
tion to be made in this region have not
yet been announced but with the recent
development of the amphibian planes,
reaching as they do the heart of the San
Francisco region cities, prospects are
that air travel will be put into practice
by more people here than in any other
place in the world during the coming
years.
Spotlight
( bntinued from page 11
going to he an election! What is integrity
or fair-play or justice in the face ol that
slogan7 But enough, we wax oratorical,
in the manner ot our morally indignant
Scotch Presbyterian forebears.
Suffice to say that Mr. Flavin's play
is a tine thing It has sound craftsman
ship, superb characterization, drama,
restraint It is as good in its way as
"Journey's End." It is as fatalistic as a
Greek drama We hate to drag the
Greek drama into the discussion, but
there doesn't seem to be any way out.
From the moment Robert Graham
hears that his victim is dead, in the
District Attorney's office, one knows
that he is in a web from which there is
( bntinucd on next page
I. II. I'.ik.hi. 1 H.A.Dunlap
I . J . Capurro
iaiaJloMs
Avansino Bros.fiPCo.
Qeary S'
$iin "{KjnajtO
Flower Orders Telegraphed Anywhere
(ICfemensi
TBurlingamc California
I' H N I N S U L A SHOPS
^ft*? Spring Collections
of Daytime and
Sports Wear r 1 1 1
n 0 3
3 a. s
it ^ '
1411
BURLINGAME AVE.
BURLINOAMB
222.? BROADWAY
REDWOOD CITY
♦
♦
♦
1IIII
Bg,
I THE SAN FRANCISCO BANK |
INCORPORATED FEBRUARY 10TH, 1868
One of the Oldest Banks in California, the Assets of which have
never been increased by mergers or consolidations with other banks.
Assets over $125,000,000.00 Deposits over $120,000,000.00
Capital, Reserve and Contingent Funds, $5,450,000.00
The following accounts stand on the Hooks at $1.00 rack, rit.:
Bank Buildings and Lota - (Value over $1.925,
Other Real Estate - - - Value over $308,000.00)
Pension Fund ... - (Value over $670,000.00)
Interest paid on Dep ' ' i ' "'" per annum
Computed Monthly and Compounded Quarterly
■;:::;
38
THE SAN FRANCISCAN
JJYCay flo\
wers
for the bride
for the engaged girl
for the graduate
for the traveler
Special orders are given our
particular attention. Unusual
combinations and exquisite
arrangements of choice blos-
soms will be made to your
order.
^
(•^P")
THE VOICE OF A THOUSAND GARDENS
224-226 Grant Avenue
Phone SUtter 6200
SAN FRANCISCO
Orders Telegraphed Anywhere
(Xfa ("V") «-S% i-tS ("SV <"V»> i«T-> <■*}%>
It <o 2,30
3i30 to 5
5 <o S
^
uncnean
~ In anamlance of
appealing clislies
appeti^inalu c<> tike it
ana aaintilu served
. . . a place inat will
iculu aeliaftt uou l
IV
ussa
C?e« <Jtooms
2?S Qost Sireei
('tin t/ri
Jan t/runcisco
I3b5 ""Jjuclincjante ~Hi'e.
""Jsurlinatime
no escape From that moment on the
drama sweeps downward to its note of
doom, relentless, remorselessly To us
this prologue was as moving as any-
thing in the entire play The confused
boy, who would rather stand than sit.
His quiet answers His restraint His
scorn of heroics Here is no symbol of
sacrifice, it is the sacrifice itself, before
our eyes upon the altar of the Sacred
American Institution — Election Day!
For Martin Brady is thinking of election
day. He is fine and warm and human
But he can't blind himself to the truth
that a district attorney is primarily put
in office to convict people
But, aside from particular truths
which the play forces home, there is the
fundamental truth that the finest natures
are often doomed to tragedy. They can-
not accept the easy ways They cannot
go with the crowd. A parole as good as
in his hands, freedom, life beckoning,
and, yet, Robert Graham could not
bring himself to squeal upon his one-
time comrades. "What a damn fool!"
said a man behind us. Perhaps The
world is full of Julian Oil scandals and
the "bright boys" who escape penalties
by "assisting" the state to get the others
It is curious that society should still fancy
that it gains anything by such cheap
victories.
If we do not mention the cast indi-
vidually it is because they were all
too perfect to merit specific praise The
stage sets had enough realism and
enough imagination to be thoroughly
effective. If you are a tired business man
do not stay away from "The Criminal
Code" tor fear of its greyness. It is grey-
ness lit by flashes of human fire And, as
we have said often in these columns,
tears are as rejuvenating to the spirit as
laughter. Go have your emotions stirred
Touch hands with great souls. Who can
say that the drama is dead with such a
fine proof to the contrary?
Ready for Play
A Development School jor Nervous
and Retarded Children
THE CEDARS
CORA C. MYERS. Head
Ideal climate — no fog — delicate children
grow strong and develop latent talents
Address
THE CEDARS
Ross, Marin County, California
F YOU MUST DIET . .
DO IT CHEERFUL LY!
WHETHER YOU DIET IN PRE-
CAUTION OR BY PRESCRIP-
TION. DO IT WITH A SMILE. .
FOOD YOU MUST EAT NEEDS
GAY SURROUNDINGS TO
MAKE IT PALATABLE
THE
POST STREET CAFETERIA
WITH ITS WEALTH OF FLOW-
ERS AND COLOR DOES TO
YOUR DAY WHAT SPRING
DOES TO YOUR YEAR
BE-
SIDES. YOU CAN GET THE
KIND OF FOOD YOU NEED—
SPECIAL DISHES PRESCRI BED
BY PHYSICIANS ARE WILL-
INGLY PREPARED TO YOUR
ORDER . . .
LUNCHEONS ONLY
Post Street
Cafeteria . .
62 Post Street
INVESTMENT
SECURITIES
Inquiries
Invited
FREDERIC
VINCENT tf CO.
155 Montgomery Street
San Francisco
OAKLAND
STOCKTON
LOS ANGELES
SANTA BARBARA
MAY. 1930
39
w3 *
■ \\^
OWQv
V/
L ^
^^^*<N
May Day arrives with new long
skirts and subtle feminine graces
Miss Anna A. Gallagher of the Fashion
Art School claims that fashion changes
perccptably every six weeks I wonder
But she must know [or she is training
girls to be stylists and designers and is in
constant touch with the situation The
industrial art exhibition held at the
school April 30 was a revelation tor it
demonstrated the efficient commercial
training given at this school It cer-
tainly in no way duplicates the work of
the California School of Fine Arts,
which emphasizes creative painting and
sculpture and the fine arts Miss Gallag-
her's own office is one of the most
charmingly practical of the modern
rooms I have seen
But speaking of modern decoration,
did you go to the opening of Kaya Lama
on May 1st? If you didn't you must visit
this unique beauty salon soon. Of course
you'll miss the crystal gazer and you
•FASHION ART SCHOOL*
SCOTTISH RITE TEMPLE «■ Suit.* and V.n N<i> A*«ftu.
Individual Instruction
in
Costume Design
Prol«non«l0f Homf Ut(
Fashion Illustration
Millinery Making
and Designing
Commercial Art
Life Drawing
Interior Decoration
£V> **4 !.'f. -£ CUnei
VvV, Af -. ■ . , .-, GAlLAOhU.fr.*.
6ooVI«l on 'tqucit
fhefii02d-.tr 21 SO
//£ SZZtV
won't hear the lovely Egyptian songs
that were featured the opening day but
you will see the entrancing circle of
rooms, beginning very Egyptian and
mysterious and extending through rest-
ful mauve treatment rooms, past the
undeniably scientific frigidaire, and into
the modern office of the creator of Kaya
Lama. There is where you get the
greatest surprise of all. To think that
she is — but, no, I mustn't tell you who
she is because that will be part of the
tun of discovery.
On your way to Kaya Lama, cross
the street for a glimpse of the Gump
windows Truly they are outdoing them-
selves Gumps have long been known
to have marvelous treasures but never
before have they been shown with such
a "precious" air.
Sooner or later you must drop in to
see the new beach pyjamas shown
by H Liebes and Company Charming
costumes ot linen and other washable
fabrics fairly shriek of the tun to be had
in them at fashionable beach resorts this
season. And notice, if you please, the
separate blouses and suspender trousers
in contrasting and matching materials
that give you endless variety, comfort-
able_and practical for morning wear at
home and in the garden
Oh the garden ! What woman can
resist planting at least a nasturtium in a
pot And joy be to the woman with a
real garden — and not too stern a gar-
dener The lovely Garden Club show
last month left me positively gaga with
envy, ot people who have more than a
window box in which to make things
grow.
Of course gardening does work havoc
on the hands and nails unless one is
awfully forethoughted and careful but,
even so, I would like to risk it — anyway
Miss Perry of the Palace Beauty Salon
(one ot the cleverest manicurists in
town) says that on occasion one may
wear black nails — imagine the effect of
black or silver to accent a formal even-
ing gown ! And it really is being done . .
Several of the most attractive an-
nouncement parties and weddings I
have attended recently have had such
exquisite decorations that I had to in-
quire who did them I should have guess-
ed, in the first place, that the respon-
sibility lay at the feet of lovely Mary
Phelps Sanborn Such a charming person
couldn't help but create beautiful party
backgrounds — especially when she
has specialized in that sort of thing for
several years and has made a hobby of
assembling unusual candlesticks, rich
table silks and laces and other accessories
all of which she uses in decorating for
special events.
a. g>chmtbt & Aon
of NEW YORK CITY
ESTABLISHED 1869
Importers of Antique and Modern Silver,
Sheffield Plate, Fine Crystal and China
Where the treasures of a collector may
be purchased as gifts
I'.tlirn- in Beautiful KiikIi-Ii l'r.v.1,,1
504 SUTTER STREET «
SAN FRANCISCO
40
THE SAN FRANCISCAN
Vo-De-O-Do
Scene — Back. Stage, On Stage, In the
Audience, In the Lobby, Upstairs,
Downstairs, In the Office, and — ivell —
just about everywhere in the Columbia
Theatre.
Time — All Morning, All Afternoon
and All Night
Characters The Cast of "Hi There,"
Directors, the Producer, etc., etc.
Teddie Walters: {on stage) O-Vo-de-
o-do . . .
Carlton Kelsey: (Musical Director)
I don't like that Vo-de-o-do I'd like
boop de doop.
Teddie Walters : Well 1 like Vo-de-o-
do, and I won't do boop de doop !
Carlton Kelsey: Mr. Leftwich! Ooh
Mr. Leftwich!
Mr. Leftwich: (Director Qeneral, and
hoiv) Just a minute, Carlton. I'm
talking to a young lady.
The Young Lady : I came to see the
rehearsal of my skit.
Mr. Leftwich: Have you a piece ol
gum?
The Young Lady: No, I haven't, sir
My skit is the triangle one.
Mr Leftwich : Which triangle one?
The Young Lady : The bedroom scene
one
Mr. Leftwich:
one?
Which bedroom scene
by BETH WENDEL
The Young Lady : Is there more than
one triangle bedroom scene?
Mr. Leftwich: We're rehearsing about
forty of them, but we may not use
that many.
The Young Lady: I guess I'll go, then
Mr. Leftwich: (looking beyond her)
Come back next week, and don't for-
get the gum.
Teddie Walters : Mr Leftwich, Carl-
ton is trying to take away my Vo-de-
o-do '
Mr. Leftwich : (snapping) Let her keep
it, Kelsey ! It means everything to the
little girl !
Jack Wiggins (a Composer) I was the
first to use Vo-de-o-do
Ralph Ranger (Composer of Moanin
Low) Why I used Vo-de-o-do when
you were still playing on the lino-
leum.
Ken Murray: (hat in hand) Say, Left-
wich. I wish you'd get me set this
morning.
Stage Manager: No smoking during
rehearsals, Mr. Murray.
Ken Murray: (flicking ashes) Oh no?
Oh yeah? Oh no?
Odette Myrtil : (Leading Lady) I
don't feel comfortable in the middle
of that lyric, Mr. Leftwich darling.
Mr. Leftwich: Well, I certainly want
you to feel comfortable, Miss Myrtle
Where's that lyric writer?
Stage Manager : He went back to
Hollywood last night.
Mr. Leftwich: (looking at ivatch) It's
eleven o'clock. Tell him to be here by
two.
Janitor : It takes fourteen hours on the
train.
Mr. Leftwich : Then tell him to fly and
write a new lyric on the way.
Tommy Breeze: (quietly) I, too, am a
lyric writer, Mr. Leftwich
Mr. Leftwich: Got a piece of gum?
Billie Griffith: Now WHERE is
Lester Vail ! I want to go over some-
thing with him.
Miss Myrtil: He's upstairs rehearsing
with Beaston.
Salesman : 1 would like very much to
quote you my prices on ballet slippers.
Electrician : The big spots just came.
Salesman : I would like very much to
quote somebody my prices on ballet
slippers.
Teddie Walters: Mrs. Leftwich is out
now, buying all the shoes for the
chorus.
Paul Bissinger: (the Producer) Buying
all the shoes! I forgot to figure shoes!
Oh dear, oh dear.
Harold Helverston (Scene Designer)
Mr. Bissinger, we'll have to wire east
for that velvet It takes seven hun-
dred yards at three fifty a yard, and
Continued on page 42
Chasing Clouds Across
Sky Blue Lakes
DeeWite runabouts
powered with in-
board motors, are
priced down to
$1050 f.o.b. San
Francisco and may
be purchased on
convenient terms if
desired.
Sky blue lakes, nestling in beds
of green at the feet of towering
mountain peaks, are teasing you
to chase shadows of fleeting
clouds in this trim Dee Wite
speed boat. Take it with you
to your lakeside home and pack
a year of fun into the
summer months.
BHHebgenCo.
526 MAfi/fET ST.
*^k SAN FRANCISCO
"Busy Women
kept at high tension by social duties or
by work in the business or professonal
world, need special massage and super-
vised exercise to give them the health
and poise their position demands . . .
Those who are nervous, overweight
or undernourished are invited to
consult ....
Jfrfiss Julia Johnson
Qraduate Swedish <Jttasseuse
DIPLOMA PROFESSOR
ulmann's INSTITUTE
STOCKHOLM, SWEDEN
Suite 2ii, Second Floor
ELEVATED SHOPS
150 Powell Street
DOuglas 6493
MAY. 1930
41
A Man of IVw
Words
Anonymous
HER parents had promised Patricia
a trip around the world if she
would get down to business and gradu-
ate this year. Unluckily for Pat, she was
not attending one of those "finishing"
schools — whose stiff tuition includes the
price of a diploma.
1 1 i
She just did make it — by cutting out
most of those things which make a girl's
senior year the most romantic period of
her young life!
1 1 i
Farewell dinners, et cetera, left Dad's
cellar about as dry as the Arroyo Seco.
Sailing day arrived, with the family
down at the pier holding a "bon voyage"
party. When aboard, Dad suddenly left
them, rushed to a telephone, and called
a certain number — breathlessly!
"Hello, (this is) Blank (at the) KYN
dock — (sail 15 minutes — but I) just re-
member (that we'll) need complete re-
stocking (of our) cellar — (and it must
be) right away — (so all the) juice (will
be) right maturity (by) Christinas —
(will be) back then — (and there'll be a)
lot entertaining (at our) country place
— (your) man (has) key (to my) cellar.
Want every jug, keg and barrel full and
sparkling when (I) get back — (you)
know (I) can't bring any home (from)
abroad, (and) say, send (your) bill to
office — thanks, s'long."
A dignified, middle-aged man fairly
scuttled up the gangplank of the Amasa
Jaru, as her deafening whistle Zoom-
m-ed "au revoir," and two frantic women
grabbed him by each arm.
N. B. — Friends, don't wait till the last
minute to place your order for Asti
Colony Juice of the Grape! By remem-
bering your cellar needs NOW, you will
save disappointment upon your return
from that trip or vacation. Phone
Italian-Swiss Colony, DAvenport 9250.
Italian-Swiss Colony,
57 Broadway, San Francisco.
Please have your representative call.
No obligation.
Name
Address
AiritoiiiHl Town
By WILLARD GIBSON
Strangers within che gates are wel
corned this month by the rhodo
dendrons of Golden Gate Park Bank
on bank of the precious blooms line the
curving driveways of the park or edge
lawncd glades Driving through this
realization of the artist gardner John
McLaren's dream, that marvelous ex-
panse of informal gardening planted
yj^t~~$~~$—y~~$--~t~
upon former sand dunes, the modern
Eden holds the tourist spellbound Enter
the gates of the Waller and Stanyan
street entrance to see the full glory of the
rhododendrons. Then drive toward the
ocean and you will see, tucked beneath
a friendly willow, "The Portals of the
Past" casting its shadow in the lake at
its feet This was once the doorstep of a
stately mansion that was destroyed in
the fire of 1906.
Farther on, toward the beach, one
finds Amundsen's ship, "Gjoa," resting
in a lagoon close to the sea. This small
Norwegian vessel was the first to make
a cruise through the Northwest passage.
Drive farther and draw to the left from
the highway to the Beach Chalet if you
seek conventional souvenirs for the
friends back home — it's ideal for that
sort of thing Ascending the hill to turn
back toward the city, you pass Seal Rock
where a mother seal is taking a dip in
the surf, keeping a watchful eye to the
babies that sun themselves on this huge
granite formation.
Leaving the park and beach attrac-
tions behind, hasten to Fisherman's
Wharf to watch the Sicilians and other
fishermen with their nets and vividly
colored boats To them there is but the
sea — and the Bank of Italy. The side-
walks of the main wharf are dotted with
huge iron kettles over quaint stoves
Strange odors! One man lifts a lid and
dips from his oversized boiler scarlet
crabs fished from the ocean within the
hour Stop for one of the cocktails for
which the wharf is famous Walk
around back of the booths and shops to
see if you have timed vour visit prop-
erly just before noon —the boats come
in laden with heavy cargoes of fish
Leaving the scene of these activities
let us drop 111 tor lunch at the Lido on
Columbus avenue where Italian foods
are served in a most appetizing way
mucd on next page
"JO
P
<&
A
\°
We welcome those who
appreciate the artistic...
the beautiful. ♦ Our Art
Galleries and Exhibit
Rooms contain rare col-
lections from Europe and
the Orient. ♦ We also
have charming accesso-
ries for personal adorn-
ment and Objects of Art
for the home.
G
raids
r
San Francisco
Honolulu
L-^- — »- — -v^- ■>" .*■ 1 v- — ^ v Y" v — ^- ■ — * •
Larger Milan > Hat,*
Correct interpretations of the
new mode . . . imported
or skillfully designed by
$)&, \QU- (vJOMAi
233 and 243 Post Street
san francisco
42
THE SAN FRANCISCAN
EDWARD RAYMOND
MOFFITT
Designer and
Maker of
Fine
Furniture
Antique
Reproductions
STUDIO
H L Mark Ranch
DEL MONTE
CALIFORNIA
Monterey 109 2
Erlanger's
COLUMBIA
O'Farrell near Powell
A Notable Premiere
Wednesday, May 14
Paul Bissinger presents
" HI -THERE
yj
a VERY intimate revue . . . with
Odette Myrtil — Ken Murray
Frank Beaston Tecklic Walters
Lester Vail Billy Griffith
Esther Muir Elizabeth Bruce
Staged by ALEXANDER LEFTWICH
Matinees Wednesdays and Saturdays
45Q GEARY 5T.
SAN FRAN CI 5 CD
2S5GEARy 5TI
*w
HAND MADE FDDTWEAR
EXPRESSES DIGNITY AND
■ ■ ■ CHARM ■ ■ ■
JOSEPH'S
Florists
Bon Voyage Baskets
of Fruit and Flowers
See our new gift room
Telephone DOuglas 7210
233 Grant Avenue
(Opposite the White House)
Strains of music from the orchestra in a
palm screened pit coax us to dance
while we dine. This cafe is one of the
many interesting meccas of San Fran-
cisco life — at noon and in the evening
when lights burn low.
Returning downtown, drive along
Grant avenue, the main artery of San
Francisco's Chinatown Rare treasures
are here for the discriminating — but it
takes time and more than a casual visit
— so the most it can give you on first
acquaintance is an extra tang of cosmo-
politan flavor to the varying scene
offered by this kaleidoscopic city — San
Francisco.
Vo-De-O-Do
Continued from page 40
there isn't enough of it in town
Paul Bissinger : Oh, dear! Why did I
lose my amateur standing!
Lester Vail: My darling, before I go,
I want you to know —
Billy Griffith : More tea, Madame?
More tea, Madame? Hey, where the
hell is Odette7
Paul Spiegel (Palo Alto Commuter but
talented) I saw Miss Myrtil go on the
stage. Do you — do you suppose I'll
get a line in this show? Mr. Leftwich
told me to wait. Maybe I'll be able
to play a lunatic by the time I get my
break.
The Young Lady : Oh, let me write a
skit for you! I'm just full of ideas!
Mr Leftwich: Everybody on stage!
We open in two weeks, remember !
Now go out to lunch and be back in
halt an hour — no — twenty minutes,
and don't forget to bring me some
gum! Make it snappy, kids! You
have just ten minutes to eat.
All : Come on ! step on it !
Mr Leftwich: Hey, fellows, girls,
everyone! Better stay here I'm not
hungry today, so we'll keep right on
rehearsing.
All : Vo-de-o-do-do'
Ibert
of the Palace
Beautiful, natural, wavy
hair may be had with
Albert's gentle system of
permanent waving.
WRITE FOR BOOKLET
Manicures
Facials
BEAUTY SALON ? T
PHONES: KEARNY 86 JO
PALACE HOTEL
KEARNY 7:89
fyfcval
IttM^S
frv Facials
woman
Be
Beautiful
133 Geary Street
SUtter .... 5383
CALIFORNIA SCHOOL
OF FINE ARTS
Affiliated with the University of California
Chestnut and Jones Streets
San Francisco
Telephone GRaystone 2500
SUMMER SESSION
June 23 to August 1, 1930
Professional and teachers' courses in
Painting, Drawing, Sculpture,
Design and Crafts.
Call or write for Catalogue
Lee F. Randolph, Director
m
jgj Spring and
£ Summer
&
X
x
X
BOYS'
AND /|*
STUDENTS' /^V
CLOTHES ^
"in the British
manner — "
SUITS
TOPCOATS
SPORTS
COATS
H Cut precisely along the lines the
J§£ well-dressed boy prefers . . . dis-
Wt criminatingly tailored in domestic
g and foreign fabrics.
THE FAIRMONT
BOYS' APPAREL
SHOP
3K
;<^ Fairmont Hotel
Entrance 817 Powell Street
m
x
HE
SAN FRANCISCAN
I U N E
I 9 3 O
PRICE
2 5 CENTS
N THE CANADIAN ROCKIES
Driving off from 16th lee. Bow River on right
$350,000 on it, and another $100,000 on the
brand-new club house where you sip your long
cold Canadian drink.
Exciting holes are "The Cauldron," a mashie
lift across a still mountain tarn . . . "Little Bow,"
a 195-yard carry over a rushing rapids in the
Bow River . . . "Gibraltar," 460 yards dog-
legged around Mt. Rundle.
To vary your day and keep the family amused,
all other sports . . . tennis . . . motor-trips . . .
trail rides . . . gala entertainments . . . dancing
with a 10-piece orchestra . . . and the perfection
of food and service in the baronial hotel.
Come up this summer and stay! . . . Special monthly
rates for families, European plan. During May, June
and September,single with bath, $8 up per day; double,
$14 up. Period suites for two, $35 up. Rates
higher during July and August. Special servant quar-
ters. Something doing all summer long!
For reservations, rates, information, write your local
travel agent or
CANADIAN PACIFIC
Fred L. Nason, General Agent
675 Market Street, San Francisco
or Banff Springs Hotel, Banff Springs, Alberta, Canada.
BANFF SPRINGS
A CANADIAN PACIFIC HOTEL
Smartly speaking — Fashion has gone
//
On the Beach
//
The City of Paris Deauville Sport Shop helped hej
go there. And a good turn it was too. How else
could bask-ers and bath-ers appear so smartly in the
very styles which originated this season at Antibes,
Juan les Pins, Venice and have been making such
colorful scenes of Eastern and Western beaches?
W(
H
t>
Beach fashions as sketched:
White Flannel Trousers $i}-$o White Shirt S/0.9J
Cretonne beach overalls $5. yj Cretonne Coat also S3. 9.5
Pastel Shantung shorts set, with removable skirt S29.JO
Tri-toned knitted Jersey suimming suit, one-piece $10.95
And of course, big hats, espradilles, beach
bags, Terry cloth bags, mats and so oru
CITY OF PARIS, DEAUVILLE SPORTS • Third Floor
CITY of PARIS
v
m
\
^m l
»""
»\
»)
NYV
THE WEST, MEN SAY IS BUILDING UP
ANOTHER GREAT NEW YORK
DESTINY IS RAISING
SAN FRANCISCO TO
A BRILLIANT PLACE!
X HE very destiny that raised New
York above the other cities of the
world— the destiny that is made by
men with things to sell— has singled
out this city by the Golden Gate. . .
In the center of the whole Pa-
cific Coast, headquarters of the
West we know today, San Fran-
cisco's coming dominance will ex-
tend across the sea!
900.000,000 people in the lands
around the Pacific are coming to
appreciate the countless things that
modern manufacture means . . .
900,000,000 people many of whom
have never worn a shoe . . .
In the years just past the world's
attention was turned logically to
Europe. But now this newer, most
potential Pacific market shows un-
mistakable signs of wide-spread
enterprise. Traditionally the gate-
way to the nearly-billion people
along the Pacific shore, San Fran-
cisco is in a position to know ex-
actly what is going on. And San
Francisco is making ready for the
role she is to play.
There will be many claims to
leadership before the great Pacific
Era hits its stride, but men who
know the facts that underlie the
issue say Sail Francisco's place is
most strategically secured. Today
it is headquarters for the leading
financial, commercial, manufactur-
ing and transportation interests in
the west. San Francisco Bav is
second only to New York in value
of water-borne tonnage. The steam-
ships of 118 lines dock beneath its
famous hills: and three transcon-
tinental railroads compete to serve
it best. An even, temperate cli-
mate holds labor to its highest pro-
ductivity. Economical electricity,
oil and natural gas are further aids
to industry: and surely, this re-
gion's wealth of natural resources
needs no description here.
Half the people of California
live within a radius of one hun-
dred and fifty miles, while
11,000,000 people who live west
of the Rocky Mountains can be
served most quickly and cheaply
from San Francisco — added reason
for this city's present place.
The old romantic lure that has
brought thousands to visit, and
back again to live, becomes an
ever more enticing thing. San
Francisco offers able men tremen-
dous opportunity !
THE SA1S FRAMCISCAN is
founded on a deep faith in San
Francisco as the metropolis of the
West. The facts presented on this
page, prepared by Calif ornians Inc..
support this belief and justify THE
SAW FRA YC/SC.4.VS ideal of pre-
senting the point of rieic of the
£" sophisticated icesterner in the guise
of comment on drama, music, art
I H mid the passing shotc in San Inm-
msmm cisco-
S\% FBtAKCISCO
I N
CALIFORNIA
WHERE
LIFE
I S
R E X T E R
HERE
TO
MUSIC
June 6: Alberto Terrasi Song Recital at Scot-
tish Rite.
June 29: Open-air Symphony Concert at
Hillsborough.
July I: First Summer Symphony Concert.
Forecast of San Francisco Opera
Association.
Sept. 11: "Manon," with Mario, Gigli, Picco
D'Angelo, Sandrini, Oliviero.
Sept. 12: "Salome," with Jeritza, Manski, At
kinson, Rayner. Thomas.
Sept. 13: "La Traviata," with Clairbert, Gigli
Viviani; Ballet arranged by Oukrainsky.
Sept. 15: "The Girl of the Golden West,'
with Jeritza, Mario, Jagel, Viviani, Oli
viero, Picco.
Sept. 17: "La Boheme," with Mario, Farn
croft, Gigli, Viviani. Pinza, Picco.
Sept. 19: "Haensel and Gretel," with Mario
Manski, Atkinson, Sandrini; American
Premiere of Ravel's "L'Enfant et les Sort
leges" (A Naughty Boy's Dream), with cast
to be selected.
Sept. 20: "Cavalleria Rusticana." with Jer-
itza, Atkinson, Jagel, Viviani; "I Pagliac-
ci," with Jeritza, Rayner, Thomas, Picco,
Paltrinieri.
Sept. 22: "Mignon," with Mario, Clairbert,
Mario, Gigli, Pinza, Paltrinieri, Sandrini;
Ballet arranged by Oukrainsky.
Sept. 23: "Tannhauser," with Jeritza, Manski,
Rayner, Thomas, Pinza; Ballet arranged by
Oukrainsky.
Sept. 25: "Faust," with Hampton, Jagel,
Pinza, Thomas; Ballet arranged by Ouk-
rainsky.
Sept. 27: "Salome," with Jeritza, Manski,
Atkinson, Rayner, Thomas, Oliviero: "Lu-
cia di Lammermoor," with Clairbert. Gigli,
Viviani, D'Angelo, Oliviero; Ballet ar-
ranged by Oukrainsky.
THE SCREEN
Paramount: Clara Bow served up all piping
hot in "True to the Navy."
Fox: On the pocket handkerchief at the stage
end of the theatre you may see Ramon No.
v.iro "In Gay Madrid" if you take along
your binoculars.
Davies: Monte Blue and Lila Lee in 'Those
Who Dance" — a crook drama what youse
guys better get a load of, see?
California: "Bride of the Regiment" offers
what looks like a good comedy team in
Lupino Lane, Louis Fazenda, and Ford
Sterling.
Warfield: "All Quiet on the Western Front"
— something no one should miss. It follows
the book faithfully, and like it, is unusually
fine.
Embassy: John Barrymore successfully goes
in for the English-comedy effect in "The
Man From Blankleys."
Orpheum: "Swing High" — circus life when
grandmother was a girl, with a promising
cast.
St. Francis: Mr. and Mrs. Martin Johnson
still traipsing "Across the World," when
they break down with fatigue.
Golden Gate: Lowell Sherman in "He Knew
Women."
Geary: "Journey's End." filmed with the
original English cast.
THE STAGE
Erlanger's Columbia: Coming up, June 9,
with a New York cast — "Strictly Dishon-
orable."
Curran: Allan Prior in "The Student Prince."*
A farewell tour.
Alcazar: "Crime." It sounds wicked to us.
President: "The Whispering Gallery" — a
mystery comedy.
DINING AND DANCING
Mark Hopkins: Tuesday specialty night with
theatre headliners contributing to the gen-
eral merriment.
St. Francis: Has taken up the dancing contest
idea on Friday nights.
Silver Slipper: Fast becoming one of San
Francisco's favorite indoor sports.
Palace: Coming into its own again with the
college crowd.
Marquard's: After theatre dancing.
Fairmont: Conventional, but with an allure
for smart people.
Sir Francis Drake: Dining, no boop-boopa-
doop for a change.
Solan's: Has always been popular, appar-
ently always will be.
Russian Tea Room: Anyone who overlooks it
is just an old silly.
Hof Brau: A great old place that has been
feeding San Franciscans for years and
years.
Temple Bar Tea Room: Its hardly possible
you don't know about it.
Courtyard Tea Room: Sunshine, blue sky
these days.
Post Street Cafeteria: For those who insist on
the best even when they're in a hurry.
Russell's: A new addition to San Francisco's
list of good places.
Belle de Graf: The home-cooking idea well
done.
Coppa's: For discriminating gourmets.
ART
Beaux Arts Galerie: Exhibition of patron's
donations until June 7. Group exhibition
of Beaux Arts artist members June 9 to 24.
Water colors and drawings by Lucy Pierce,
June 5 to 19. San J^rancisco Art Associa-
tion show closes June 8.
Courvoisier: Water colors of Mexican sub-
jects by Sotomayor.
California Palace of the Legion of Honor:
Holland industrial arts (glass, batiks, etc.)
from June 15 to end of month. Photo-
graphs by Albert Peterson. Exhibition of
private collection of rare Japanese tapes-
tries.
Elder's: Group exhibition of etchings and
wood blocks.
East- West Gallery: White brothers' photo-
graphs of China. Honore Daumier litho-
graphs. Chinese landscapes painted by Mr.
Sen.
Oakland Art Gallery: No-jury show. Draw-
ings and water colors by Clair von Falken-
stein.
Berkeley Art Museum: Student work from
University of California, Mills College,
California School of Arts and Crafts.
Casa de Manana: June 1 to 15, exhibition of
old engravings. June 16 to 30, etchings by
Cleornke Damianakn.
ESTABLISHED 1852
SHREVE & COMPANY
JEWELERS and SILVERSMITHS
Post Street at Grant Avenue
San Francisco
"l^^OT long ago a New Yorker arrived
X^l for a very short visit. She gave one
look at the steep hills and gasped in
dismay.
"Oh, I'll never be able to see San
Francisco," she exclaimed in horror!
"Why, the streets go up and down and
I just know I shan't be able to see a
thing — I'll be too busy climbing."
She was even more aghast when she
looked out the windows of the Mark
Hopkins tower suite of her San Fran-
cisco hostess. She was fascinated by the
city panorama spread out below — the
crystalline business district with lighted
skyscrapers glowing in the twilight blue
— the darkling bay with its bauble boats
beyond — the low-lying hills rimming
the horizon. She drew in a deep breath
as though to drink in the city itself.
"I think I should rather see it all from
right here."
"Of course, if you prefer."
"But tomorrow I must do some shop-
ping. My friends would never forgive
me if I came to San Francisco without
buying some of the lovely Oriental
things one finds here — and I must have
a new frock or two — " There was a bit
of a sigh in her voice for, after all, she
had been traveling for many days and
the quiet aloofness of her friend's apart-
ment was alluring.
That evening dinner was served in
the hostess' charmingly restful suite and
the two friends spent the succeeding
hours in conversation beside the win-
dows with their glorious panorama of
San Francisco night time.
In the morning the New Yorker was
awakened by a light tap and her friend's
voice —
"I'm taking a few shots of golf, so
don't hurry — we'll have breakfast here
the minute I return."
The visitor yawned and snuggled
farther into the covers. These energetic
Californians! At least it gave her time
for another nap.
Half an hour later she was startled
into action by her hostess' reappearance.
"Bu-but I thought you were golfing?"
1 was.
"But where — you're back so soon — I
thought — "
"I was only practicing — the putting
green is just down stairs. On the lawn
in back — Nob Hill is so high it is quite
like going out to one of the courses."
Breakfast over, the women visited the
various Oriental shops in the Mark Hop-
kins and the Fairmont, quite thrilled
over their discoveries there. Then to the
Fairmont for luncheon where the guest
heard Rudy Seiger for the first time. In
the dignified dining room where the
vaulted ceiling and heavily carpeted
floor muffled all sounds except the mel-
low tones of the orchestra, the New
York woman was delighted to see the
great conductor greet various friends
during intermissions, moving from one
table to the next with an unassuming
cordialitv that was utterly charming.
The afternoon was also scheduled for
shopping — this time to refurbish the
travel-worn wardrobe.
"Now we shall have to leave this
charming hill."
"Not necessarily."
"But I have some banking to do — and I
need several frocks."
"Come with me first."
They visited the American bank at
the California Street entrance to the
Fairmont and, armed with ammunition,
visited the shops of the two hotels.
"We'll see what they have here first,"
explained the hostess.
But the "first" proved final for by 4
o'clock two daringly smart outfits had
been selected and hats were in the pro-
cess of being made to complete the
accessories. They were just turning
to thoughts of tea when the visitor
noticed a charming lingerie shop and
nothing must do but that she should
indulge her feminine fancy.
So it was 5 o'clock before they relaxed
at the edge of the Terrace Pool for tea.
And such tea — served with unusual
sandwiches and a mound of fruit sher-
bet as exquisite in color as in flavor!
There was a party for dinner — in Pea-
cock Court . . . Three couples at a beau-
tifully appointed table. The flowers,
the favors, the menu — all selected with
a personal touch that belied the hostess'
busy day.
"But I didn't have anything to do
with the details," she refused to accept
the compliments. "I always rely on the
discretion of the entertainment service
of the hotel. It is quite like having a
corps of trained servants. I depend on
Tony as I would a personal butler."
The throbbing music of the orchestra
directed by Ted Fiorito, the surging
throng of dancers, the whole atmos-
phere of gaiety heightened the enjoy-
ment of the private party in the midst
of the smart assembly.
With the influx of the after-theater
crowd the party became gayer and mid-
m
night was well past when the hostess and
her houseguest retired to the tower.
"Oh, I love your San Francisco." The
guest stood once more at a window over-
looking the night-shrouded city.
"But you have not seen it yet."
"No? But I have tasted it. On this
Nob Hill of yours you have showed me
a complete section of its life. I have not
climbed your hills — but I know your
city. I have not visited Chinatown —
but I know its wonders. I have not
wandered through your wonderful
shops — but their choicest things have
been brought to me. You San Fran-
ciscans on Nob Hill know the value of
living completely."
Associate Editor
Rowena Mason
Contributing Editors
Charles Caldwell Dobie
Joseph Henderson
Kathryn Hulnie
Carey McWilliams
Beth Wendel
Elva Williams
KAN lIMKCIXCltt
T
JOSEPH DYER, Editor & Publisher
Assistant Editor
Aline Kistler
Contributing Editors
Raymond Armsby
Ned Hilton
George Douglas
Mareella Burke
Mollie Merrick
Idwal Jones
vol. IV
June
1930
no. 6
CONTENTS
Harry Cykman. photograph by Arkatov - - - - . 8 Photographs of the Harold Mark Ranrho - .... 19
Musical Prodigies, article by A. C. Winchell .... 9 iyjrs- Harry Hill, drawing by John Fisk 20
Pascal Tourtelotte, short story bv Phillip Nesbit 10 ,ru D • • n .. 91
r 1 he Keigmng Dynasty --. ^i
Photographs of the Chicago Civic Opera House ... 11 , „ „„
s v ■ K The Sports Calendar, comment by "Bobs - - - - 22
Outspoken Anecdotes, bv Ned Hilton 18 ._..._ »,. ■ . ....•■ <i o-j
The SheU Tower at Night, photograph by Ralph Yonng 23
Concerning Impressions and Portraits, bv Aline Kistler 13
Now It Can Be Told 24
The Old Well, lithograph bv Henrietta Shore- ... 14
The White Card, by Ned Hilton - 2d
Spotlight, dramatic criticism by Charles (.aldwell Dobie 15
____._, . , , r, w». .4 All Around the Town 34
I hose were the Days, article l>> Constance L)i\on - - lt>
Prints of Old San Francisco - 17 Paris Fetter
The Daily Dramatic Chronicle, article bv Zoe Batlu - - 12 \s Seen bv Her 41
The San Franciscan is published monthly by The San Franciscan Publishing Company. Sharon Building. San Francisco. California. Entered as second-class matter
October. 1928. at the Post Office at San Francisco, Calif., under the act of March 3. 1879. Joseph Dyer. Publisher. Subscription price: one year $2.50. single copy 25c.
Copyrighted 1929. The San Franciscan Publishing Company. Unsolicited manuscripts will not be returned unless accompanied by self-addressed, stamped envelope.
For advertising rates address Zora Combes. Advertising Manager.
Dr. Alexander Arkatov
Harry 1 ykinaii
One of the youngest of San Francisco's five musical geniuses, this phenomenal
8-year-old protege of Zimbalist startled a blase audience at his recent debut with
his rendering of the Bruch G-Minor Concerto.
SAN IIMKi:i%CA\
Whv I ho Pro«ligies?
Th«» Psychology of Sjiii I r.i in- 3 *<•«>** Music 4»i'iiius
By A. C. WINCHELL
Easily within the last decade have
sprung no less than five children
denoted as musical prodigies. They arise
in San Francisco and, literally overnight,
two were made known to the outer
world by reason ot extreme gifts. Even
though "genius" is one of the carelessly
used words of the day, its true signifi-
cance cannot tail ot recognition when
confronted, and each ot these young per-
tormers has shown, in varying degree,
some reasonable claim to that title.
Rarity, alone, ot such talent consti-
tutes a main note of importance; first
hailed as a suspected new star with
mingled hope and doubt, the advent is
too impressive to accept lightly. So, the
sudden bursting torth of five children,
precocious in musical insight and prow-
ess, has fired questioning minds as to
reasons for so unusual a grouping From
as many states or countries, simultane-
ously, five would make a good world
showing of genius That these five
originate, practically, From one point,
that ot San Francisco, makes the prob
lem less easy ot solution, it, indeed, a
decision can be derived
Is San Francisco become a place ol
special destiny lor the bearing or nurtur-
ing ot music's messengers' Why here
more than in the Dakotas or Michigan?
The forces ot nature ever work towards
a harmony of universal import, but,
undoubted! v, she seeks a proper soil.
Italy, as example, holds vase tields of
sunshine, color, joyousness whose com-
bination has long produced a music
spontaneous and unalfected, often un-
accountable, it frequently comes from
lowly places and sings its way unim
peded to the top of the earth
Nature's yearnings, constantly widen
ing their demands, pursue new territory,
preferably that less harrowed Whatever
there may be in the theory of vibration,
whose lines encompass the spheres, it is
plausible that harmony, flowing with
nature, seeks its own in all things, and,
finding its kind, logically produces the
beautiful Elements of soil, climate,
freedom are of a sort in California mak-
ing for expressiveness. The setting free
of five young souls, even though their
processes of evolution have been age-
long, is no more of a phenomenon than
are extravagant blossoms, flaunting here
and there, dimming their fellow blooms
But they come from parent stems of
vital origin, while other ground yields
rarely and economically.
San Francisco's gorgeous and prolific
season, as to prodigies, has now ex-
tended itselt through about eight years,
with no hint ot surcease. She revels in
pride as the group spreads its names
abroad :
Yehudi Menuhin, thirteen years of
age; Ruggiero Ricci, aged nine;
Beverly Blake, eight; Grisha Goluboff,
eleven; Harry Cykmin, eight; all violin-
ists. To be sternly technical, these were
not all born in San Francisco. Yehudi
came from New York, infant in arms,
but his Western environment has shown
mastery over a merclv physical birth
place. However, the query has been
placed, "had he stayed in New York
would he not have been the genius he is
today?" Who may say' He did not stay
in New York
But his potentialities must not be
denied, even though they flowered here
A spiritual adventuring, perhaps The
intent ot an invisible master hand ^in,
at best, be little more than surmise, but
why does genius come in a bunch to
San Francisco' Principally exhibiting it-
self in violin form
The fineness of the violin's vibratory
structure may have found its special
wave length in this area, and each of the
five infantile exponents correspondingly
attuned to the forces of the air hereabout
To them, apparently, is dedicated the
privilege to imprison such forces within
a set of strings, with the added gift of
releasing the harmonious messages at
will.
It will not be worth while to scoff at
emanations of climate and soil as
having spiritual results. These two
factors send forth shoots of material
beauty and, in turn, encounter influences
of refinement while they help to upbuild
body and brain And what is there to
dispute that sound has struggled its
blind way out ot darkness, or soil, into
the open, treeing itself, as have all
archaic things from inert mass into first
consciousness Who shall say that the
psychological harmonies ot this penin-
sula have not pierced and vivified these
certain young souls, now appearing be-
fore us tull fledged and awe inspiring in
their supremacy over us who listen
Some law of attraction has drawn
these children to these parts, else we
should as well have hailed them from
Poland or Africa Europe lias furnished
her crop of prodigies from era to era. her
soil evidently soaked with those ele-
ments fit to enter the human body and
play their tunes. Europe, aged and worn.
rests; the newer continent takes up the
work of creative force towards artistic
output, andexhibits with primal ardency
Yehudi, born in New York comes
Westward He has the germ which seeks
congenial care, and becomes the child
ol California. At five years of age. un-
known except in in infant class, he plavs
the Vieuxtemps Concerto at the Fair
mom Hotel, is heard by Rudy Siege
and a critic or two unwillingly dragged
Continued ■•" page 12
10
THE SAN FRANCISCAN
Pascal Tourtelotte
A Short Story Located in Our Own Latin Quarter
by JOHN NESBITT
Of all the little home-restaurants on
the old North Beach, where one
may eat of the garlic-scented dishes ot
France, and dream, perhaps, ot the dark
waters of the Seine, Marie's is far and
above the best.
I think this because I discovered
Marie's. In fact every one discovers
Marie's. The lady herself knows how
much nicer it is to eat at a place one has
discovered, and makes no effort to ad-
vertise. Besides the romance of the
matter, Marie knows that it she made
too much noise, one night her clientele
might be composed of revenue officers,
who, as the world knows, never pay for
what they drink.
Another indication of Marie's talent
for profit, is that she has carefully re-
frained from learning English Besides
being very lazy, she knows that many a
rare recipe would tall to the lot of the
eager, rare-recipe-hunting bachelors of
San Francisco.
Marie is as tat as one ot her legs of
roast pork, and nearly as greasy. On
Market street, you might see an obese,
foreign peasant woman, with a well-
filled market bag on her ample arm.
But when one is presented to her in the
little restaurant on San Dromeno street,
one discovers in her something that is
particularly celestial — as a rule, atter
eating her Bouillabaisse of stuffed crab.
She slops in and out of the dining
room, in a cloud of steam with each
entry, and places before you a dish of her
own selection She may sentence you to
a pot of string beans, but, whatever
your teelings as you sit down, before you
leave, you must beg Marie to become
your wife. It is the custom In no other
way could you convey the compliment
which is her due. You feel that your debt
of gratitude to this woman is im-
measurable— until she places the bill
betore your eyes. Then you realize that
cooking is not Marie's only gift. Did I
call Marie a cook? Nay The word is too
earthly tor one ot her talent. She is a
creator. Verily, a deity ot the kitchen.
But atter all, this story is not about
Marie and her creations It is about
Pascal Tourtelotte.
He came into Marie's one night
during that Indian-summer which
promises a severe winter to the city I
sat at one of the little tables in the
corner, as far from the kitchen as pos-
sible, tor once one has satisfied the
demands of the inner man, the smell of
rich food is extremelv unedifying Then
he came in
He wore a long black coat, gay tie,
and a black telt hat, that somehow re-
minded one ot the bookstalls that line
the Seine, or the cool evening ot the
Riviera Without hesitation he made his
way to my table, Marie's daughter pur-
suing him for his coat and hat.
In rapid French, they argued for a
moment, Denise claiming that the night
was very warm, and the place well-
heated However, he seemed trium-
phant, tor Denise went back to the
kitchen with a baffled expression on her
comely face. Then, bowing low, he
begged to be allowed to seat himselt at
the other side of the table. I glanced at
the several empty places nearby, but,
taken by surprise, could only return his
quaint little bow, and beg him to be
seated.
He began speaking at once, while he
placed the precious hat beneath his
chair He did not remove his coat
"Ah, Monsieur," he smiled, "it is a
warm night, yes? But I am always cold
as a toad."
He tucked a napkin under his chin. I
replied that the togs of San Francisco
made the weather very tricky to
strangers.
"Perhaps you noticed, Monsieur, that
I recognised you at once. It was on such
a night as this that I saw you sitting out-
side the little Cafe of my uncle Rupert,
in Paris, during the great war."
I had not been near Paris during the
war, and I hastened to correct him.
"Then it matters not much. Perhaps
it was another, a cousin perhaps, or a
triend. But this is the proper way to
converse with one of your novel tem-
perament, Monsieur."
Certainly he was a queer fellow, and
as he had removed the hat I saw that he
was white-haired. His cheeks were a
bright orange color. Before I could find
a reply he continued with a satisfied air :
"You are one ot those who go in
search of the unusual. You dine at
Marie's. You do not politely demand
that I seat myselt at another table, be-
cause you enjoy an adventure. Is it not
as I say7 And I am also an adventurer.
I am Pascal Tourtelotte!"
He spoke the last words with an air
ot infinite pride — fairly seemed to glory
in the euphonious syllables of his name.
I tried to speak again, but he silenced me
with an imperious wave of his hand.
Marie had arrived
She placed a bowl ot onion soup
before him, and removed my empty fish
plate. He sprang to his teet, and betore
Marie was aware of his intention, he
had kissed her with a resounding smack
upon the cheek. Then he turned to me
with the air of an emperor.
"You see. I am the only one in the
world who dares to kiss Marie. Ah, but
it takes courage I can tell you!"
Marie bustled indignantly out to the
kitchen, but when she returned a
moment later with the next dish she was
to bestow upon me, her face was divided
by a wide grin.
We ate in silence for a few minutes.
Out of reverence, perhaps, for
the treasures of culinary art that lay
before us. Suddenly he began to glare
across at me
"Monsieur! Have you any doubts
whatsoever about my name? Do you
doubt that I could possess such a beauti-
ful name7"
I began to realize that he was crazy, so
I denied the slightest shade of a doubt
as to his being Pascal Tourtelotte in the
flesh.
He looked happy then, and in a
moment leaned over confidentially.
"My uncle, Rupert Tourtelotte, be-
stowed it upon me at the age of one day.
In a few moments I shall enchant you
with the story of my life!"
But he did not "enchant" me with the
story of his life then, for we talked of
many things. Or rather he did, for I
merely expressed lull belief in all that he
told me, and he was happy. As he ate
hugely of Marie's expensive fare he told
me tales of every land under the sun. All
of them were as believable as the Arab-
ian Nights But he talked with an en-
thusiasm that made it a pleasure to
watch him. The art of conversing — a
faculty which the French language
makes necessary — as lightly and cleverly
as a juggler with his gilded balls, made
the evening pass rapidly. Crazy or not,
I thought, ne was a very highly civilized
entertainer.
One thing which distracted my atten-
tion all evening, was that around his
wrist, there was a bracelet of gold and
ivory. From where I sat, it appeared to
be beautifully made A pretty thing for
some white arm, but hardly suited to
the brown wrist that it now encircled
And again, the coat sleeve against which
it rubbed, was very threadbare. I won-
dered how he was going to pay for the
huge meal.
At last, as we neared the black coffee
stage of the repast, he seemed to remem-
ber something. He broke off telling me
about an opera which he was about to
Continued on page 27
JUNE, 1930
11
Thou Shall nol
Covet Thy
Neighbor's
0|M'ra lions*' . .
Bur just the same w c hnd
more nl pictorial beauty
in these views of the magnifi-
cent new opera house, recently
completed by the Chicago
Gvic Opera Association, than
in contemplating the well
known hole in the mud on
Van Ness Avenue The
'Diamond crescent'(at right)
the detail of the curtain (lower
right! and the imposing grand
foyer (lower left) must be
rather consoling to civic
pride —at least Chicago has
the satisfaction of having
provided a fitting setting tor
its excellent productions
12
THE SAN FRANCISCAN
Outspoken Anecdotes
Concerning Book Stores Here and There
By NED HILTON
The firs: books I ever bought were
The Moving Picture Boys, The
Moving Picture Boys in Panama and
The Moving Picture Boys Qod-Knozus-
Where (I forgec the locality)- They were
purchased with a cash gift, on the occa-
sion of my ninth or tenth birthday, in
The Emporium Thereafter, for long
years, 1 bought no books personally —
such books as I acquired being gifts.
I believe that of such stirring literature
I read less than the average. The family
library was well stocked; and I was busy
acquiring some fine neuroses from The
Narrative of A. Qordon Pym and The
Arabian Nights in the rare and (I still
think) supreme Payne translation I was
also, tor a short while, one of the world's
greatest experts on heraldry and on
various other subjects which now escape
my memory; this erudition was due to
my fascinated perusal of an old but ex-
tensive encyclopedia .
Feverish book-buying was resumed,
however, when I was about seventeen
or eighteen I had been suddenly impelled
to draw a bookplate for myself; and,
when the finished little rectangles came
from the printer's, I so enjoyed pasting
them in my few volumes that I set about
squandering my funds on new books. It
was then that I discovered Paul Elders;
therein 1 must have looked at thousands
of books This was a period of much
looking. I remember staring, through
glass, at the Rackham Comus I remem-
ber examining the Pape P^eine Pedauque
— I couldn't buy it. I remember whole
piles of the Vincent Starrett Shining
Pyramid, which is now a rarity But 1
bought Modern Library editions, and
one or two of the Nelson India-paper
volumes, those reprints of classics in
which you read both sides of the sheet
at once
I think the first book in boards I
bought was Messer Marco Polo; I got
it from John Howell, when his shop was
on Post street just above Stockton. I had
to order it, a transaction in which I took
much pride From him, at about the
same time, I got an old Caesar — Bassani,
MDCCCJI (1S02, if you want to know
quickly) Ex Typogr aphid Remondiniana,
Cum Regia Permissione — which at-
tracted me because it looked very ancient
bound in sheepskin and somewhat dis-
colored It was marked at three and a
half I remember saying, "I'll give you
three dollars for that Caesar" — very
brusque and businesslike. The bargain
apparently suited Mr Howell, and I
walked off with my prize In those days,
I could read it quite easily, in spite of the
old type; now, even in Kabel, it would
require a little study.
Desultory buying continued for some
years thereafter. I fell a victim, as who
has not, to the advertising of Double-
day-Page I subscribed for a set of Oscar
Wilde— a Patron's Edition de Luxe The
great special attraction was the offer to
stamp the subscriber's name in gold on
an extra page in the first volume.
Splendor ! There it stands to this day —
Edward, too! instead of Ned But since
then my conduct has been unimpeach-
able.
And book-buying developed subtly
into collecting, depriving me of the
Isotta and the large estate I would have
had by this time had I been illiterate Of
the many bookstores into which it has
led me, I think first of
Drake's
Drake's is on West Fortieth street,
in New York, opposite the south-
ern end of the Library In looking for
the entrance, it is well to watch out for
the sign of a shoe company (I don't re-
member which one); having found the
shoe sign, it is easy to spot Drake's and
turn in through the narrow entrance.
The main shop is on the second floor
(there is an elevator, if you're not as
agile as you used to be.) I have never
been in Rosenbach's, nor in Foyle's in
London; Drake's, in my limited expe-
rience, contains the most complete stock
of first editions And I have heard it said,
by persons who might be expected to
say nothing about it, that one can always
be sure of the good condition of any
Drake book.
Drake's was the first shop in which
I found the ease and quiet so necessary
in bookstores There are ashtrays and
easy chairs; and there is never any crowd
of customers. (Drake might not be so
enthusiastic about that, but to me it is
an important point ) Nor has anyone
there ever bustled up to me upon my
entrance and offered to "help" me.
It was there 1 once saw Ford Madox
Ford (would to God I'd been collecting
Conrad then ) He was attempting to sell
some Conrad manuscript, and in the
course of conversation with one of the
Drakes (I've never found out which is
which; they look bewilderingly alike) it
came out that they had both been in the
same places in France during the war; so
there was much amiable talk — I was
standing at the other end of the shelves,
trying to look quite unconcerned
It was this same Drake, on the same
occasion, who assured me that my credit
was good and that I need not deny my-
self a book because I could not pay for
it at the moment In consequence of this
shrewd hospitality (I probably had the
stigmata of the fanatical collector upon
me even then) I have had some fine
volumes from his shelves, and they have
all been paid for sooner or later. (Best
wishes, Mr Drake; I'm just setting
about writing a check.)
For the sake of western patriots, I
shall remind them that the Drakes went
to New York from Riverside Also, they
issue catalogues
GeLBER, LlLlENTHAL, Inc.
In San Francisco (and now I enter
dangerous ground; but I, and not the
business office, am writing this) the only
shop comparable to Drake's is Gelber's.
(I hope Mr Lilienthal will not object to
my calling it Gelber's Grove Day calls
it Lilienthal's; perhaps that will even
things up.) There, too, are the ease and
quiet, the ashtrays and chairs — even
cigarettes, if necessary — and the full
stock And a point of the greatest im-
portance is the indubitable authenticity
of that stock There are certain stores in
this city upon which I cast a decidedly
fishy eye But one can rely upon the word
of Gelber or Lilienthal on all debated
points, one may be sure of good condi-
tion, and of prices within reason From
them I have got some of Douglas' Capri
monographs, and some rare Machens
and Beerbohms, and the Bab Ballads,
and a long list which I need not here
catalogue
Dauber and Pine
This large store is in New York, on
Fifth avenue somewhere just above the
Arch — Ninth, Tenth, somewhere along
there The cataloguing used to be done
by Samuel Loveman, with much wit.
The good books are (or were) in the
basement It was there I went to ask for
a book which Loveman had listed A
strident young woman wanted to "help"
me. "Do you still have the Hemard
Rabelais?" I asked. (The illustrations
have since been published in a transla-
tion ) "The what?" she asked I re-
peated, "The Joseph Hemard Rabelais."
"What number is it7" she asked. But
they have some good things, anyway . . .
Newbegin's
In all due humility, I offer to Mr.
Newbegin a slight criticism. I have
never entered his store without being
almost bowled over by several females
Continued on page 40
JUNE, 1930
Concerning
By ALINE KISTLER
C'an you imagine San Francisco
' without Roy Folger7
"It would be a city of diminished
laughter, perceptibly curtailed in
merriment Our history mentions
several kindly run-makers, but none
just like Roy He gives San Francisco
a genial refreshment of happiness the
like of which it has been no other
man's privilege to confer " We quote
the writing of Edward O'Day.
Who is Roy Folger7 A rich man1
No A philanthropist1 Only with his
time, his energy and his ability to
make people happy A business man7
Yes. Why, then, the attention given
him7 Because his experience restores
faith in gratitude
The fame of Roy Folger rests on
neither his good looks nor the fact
that he rode the first bicycle in Oak-
land but rather on the quality of
friendship he inspires
Roy Folger was born in San Fran
cisco He moved to Oakland, rode
the aforementioned bicycle and at-
tended school, then became an in-
surance salesman Others have done
the same but they have not had Roy's
genius for entertaining people Dia-
lect stories are his forte Chinese,
Italian, Portuguese German all are
at his tongue's tip Wherever he goes
his stories arc in demand and he has
never been known to refuse anyone a
favor
He did not even refuse when in-
fluential men of San Francisco asked
him "as a favor" to start his own in-
John Carroll
surance brokerage office The "favor"
developed into a dinner at the Palace
Hotel with over four hundred
wealthy and influential men toasting
Folger in the words of O'Day,
quoted above. That was in 1920
when his present business was
launched The past ten years have
seen the results of such appreciation
A second unbelievable expression
of appreciation was given last year
when The Family club surprised
Roy Folger with the gift of a trip to
New York for him and his wife with
all expenses paid and the kev to the
city of New York, tickets to all the
New York theatres and a dinner in-
vitation to the White House, with
President and Mrs Hoover, included
And through all of this Rov Folger
remains the same unassuming per
son, interested in other people, eager
to help his friends, willing to add his
share to the amusement of his friends
He is today one of the most popular
members of The Family and Bohe-
mian Club and a living evidence
that the kindhearted do sometimes
reap rewards of gratitude.
^vn Francisco hardly knows John
k^Carroll vet he was born here and
13
lived here through his school days.
Today he is one of the best known
modernists in New York and San
Franciscans are asking "who is he"
because his painting, "Idol," re-
ceived first prize at the fifty-second
annual exhibition of the San Fran-
cisco Art Association He also had
a one-man showing of pen draw-
ings of fragile nudes at the Galerie
Beaux Arts during May
Last year John Carroll came
back to visit his father and brother
for the first time in several years.
He did not bring anything of his
work with him because in 1915 he
was refused exhibition in San
Francisco and thought that his
birthplace would have none of
him and his modern ways But
friends received him, urged him to
send his work here and to return
again In September Carroll ex-
hibited two lithographs in the
California Society of Etchers an-
nual and one received the prize as
the most distinguished print in the
exhibition Shortly afterward Vick-
ery, Atkins and Torrey gave a port-
folio showing of Carroll litho-
graphs among which was the
amusing "Circus" reproduced in
The San Franciscan Now his
local reception has been made com-
plete with the awarding to his
work of the highest prize at the
disposal of the San Francisco Art
Association
Carroll is recognized all over the
Captain he
United States as one o( the Foremost con
temporary artists Detroit, at the instigation
■mupd nn p«bp W
14
THE SAN FRANCISCAN
Courvoisier
The Old Well
A recent lithograph by Henrietta Shore who was awarded the graphic arts prize in
the Fifty-second Annual Exhibition of the San Francisco Art Association. The
restraint and modern idiom of this print is characteristic of the work that has
sustained the faith of people who consider Miss Shore one of the leading
contemporary artists in San Francisco.
JUNE, 1930
15
Spotlight
lt<kvi<kwiiij£ a llloak Month of II r
With the departure ol Mci Lan-
Fang and "The Criminal Code,"
San Francisco lias returned to a state ol
indifferent drama once again. True,
"New Moon" is still packing them in
at the Curran, hut an operetta, however
entertaining, is searcely dramatie tare;
nor is a Revue, however diverting, to he
classed as serious drama "Hi-There"
we understand, had its points and, being
a strictly home-town product, likewise
its detects We did not see it ourselves.
But as this offering was billed as an
"intimate revue" we felt that seeing it
from the wrong end of the opera glass,
so to speak, would be scarcely fair to it
The reports that reached us confirmed
our notions, however, that Revues are
the most difficult of all things to put
over. The producer of a successful revue
must be near the center of superlative
talent. For, let the local boosters say
what they will, where the theatrical
audiences are there will the talent be
gathered together There is only one
place in the United States where a thor-
oughly satisfactory revue can be achieved
and that is Broadway. The actors, the
authors, the composers, the big stage
directors, and a prospective audience of
7,000,000 souls, are all within hailing
distance. To say nothing of the designers
and the costumers. A play may have a
run on its plot, or its lines, or its en-
semble acting, or by virtue of a star A
revue must have all these things and
then some. That is why local revues are
foredoomed to only a mediocre success.
Having made this statement I shall con-
fess my sins and await a visit to my
home by the bombing squad of the
combined boosting agencies of Sunny
California
The less said about the third dramatic
attraction at top prices the better. We
shall not even mention its name. Be-
cause we feel that it might have been a
fair play if it had not been left to the
mercies ol ham actors As it was, we
lasted exactly one act.
We do not know how bleak the fu-
ture ol dramatic entertainment in the
City by the Golden Gate bids lair to be
this summer but, at least, we have a
number of lively "little theatres" kick-
ing up their heels We have been to two
pcrlormances within the last months
sponsored by different groups And,
while it would be folly to sav that they
gave flawless interpretations, it would
he an equal tolly to maintain that they
did not give much better performances
than main an offering at three times the
price
The Reginald Travers Repertory Play-
ers opened with a beating of social
tom-toms in the charming little audi-
torium of the Palace of the Legion of
Honor. The play was of the vintage of
the dubious nineties: "The Amazons"
by Pinero. Or was it by Henry Arthur
]ones? No matter, either one could have
written it. We confess that we thought
it a very bad choice when we read the
announcement But it was surprising
how much blood the old play had in it.
The audience 'ate it up " Particularly,
the amusing characterization of a peev-
ish suitor by Templeton Crocker. Un-
happily, we have mislaid our program
so that we cannot do full justice to the
entire cast. But we remember Peggy
Blethers with pleasure.
The attempts to bring the play up to
date by the introduction of modern
gowns and a ukelele was not particularly
happy It there is one thing that an audi-
tor should be reasonably sure he will be
spared in a play ot the nineties, it is the
introduction of a ukelele. And, it the
costumes had fit the period, fifty per
cent would have been added to the fun
But, take it all in all, it was a diverting
evening. And we hope that when Mr
Travers gets down to his permanent
theatre in the Fairmont Hotel that he
will do as well by us We see that "The
Atfairs of Anatole" is scheduled for the
opening of the Fairmont venture this
month When the project gets going
again in the Fall we understand that
there is talk ot doing six plays represent-
ing as many distinct nationalities Eng-
lish, Scandinavian, Italian, Slavic, Span
ish, German At least the play-reading
committee is now working along those
lines It should not be hard to pick the
Slavic play The success ot Lillian Gish
in New York in "Uncle Vanya" should
pave the way for a Travers' production
ol this opus by Mr Chckov However,
directors of little theatres are mercurial
Mr Travers' weakness is Gilbert and
Sullivan So one never knows.
.nun lie Eiitortaiiuiioiit
By CHARLES CALDWELL DOBIE
T. 11 second little theatre movement
that engaged our attention was the
opening ol the Players' Guild by Stanley
Mac Lewee. Mr. Mac Lewee deserves
great praise for his struggle, which has
lasted over a year, to put the Guild on
its feet again The venture which began
years ago as the Players' Club in the little
church on Bush street has had a hectic
career The writer, having at one time
been its chairman, knows whereof he
speaks. When fire put an end to its purely
amateur activities Mr Travers went
into partnership with Mr. Mac Lewee
and opened in the Community Theatre
downtown with an ambitious profes-
sional program At the end of the first
season the project was in a hole, but,
everything considered, not nearly as
much of a hole as might have been ex-
pected Mr. Mac Lewee by this time was
managing the Guild on his own He
decided to close down for a few months
and start afresh, as much to give his sub-
scribers an adequate return tor the money
they had invested in the form of the pur-
chase of scrip as for personal gain The
period ot incubation for this fresh start
proved longer than he at first expected
But, in the end, he was able to secure
financial backing and the charming little
class A Guild Theatre on Sutter streer
near Fillmore is the result.
Lonsdale's "On Approval" was the
opening bill It is a smart little comedy
with only four people in the cast. The
acting was acceptable and the reading ot
the lines good But one could hardlv ex-
pect to see a superlative performance
under the circumstances and at the price
Sophisticated comedy is the hardest form
ot drama to put over It takes consum-
mate skill It takes a sense ot background
It takes qualities which are hard to de-
fine Theretore, the quality of the im-
pending Guild productions can scarcely
be measured by this opening hill We
think that its next venture "Children of
Darkness" will be more to the point
But, in any event, Mr. Mac Lewee de-
serves support We hope he gets it.
The third little theatre movement has
unhappily eluded us At the Community
Theatre, Baldwin McGaw is directing
interesting plays at a nominal entrance
lee It has happened that we have had to
miss all ol the performances tor one rea-
son or another We should particularly
like to see Roland Hartley's play "To
Serve the Queen," which is to be given
one performance alter this issue goes to
press Mr. Hartlev is a San Francisco
product For some vcars he has been a
prime mover in the Playshop movement
inued "ii i>:ik<* 11
16
THE SAN FRANCISCAN
Those Were the Days
Re-diseoveriiig Old San Franeiseo With the Aid of Mr. Benl
By CONSTANCE DIXON
In the year 18S2, A. L Bancroft &
Co. of San Francisco (since deceased)
published a book whose title page bore
the following exciting inscription :
"Metropolitan Life Unveiled; or the
Mysteries and Miseries of America's
Great Cities, embracing New York,
Washington City, San Francisco, Salt
Lake City and New Orleans, by J. W.
Beul, author of 'Border Outlaws',
'Heroes ot the Plains', etc., etc."
That Mr Buel was a prolific writer is
evidenced by the "etc., etc."; that he
was also a "fancy" writer of the old
school, Sir, anyone would blush to deny
after reading no more than his opening
paragraph on San Francisco :
"There was never story more enter-
taining or instructive than the tales of
history told by those Argonauts who
sought fortune in Calitornia in the days
of '49. Repeated though a thousand
times, they never lose their fresh-
ness, but seem to grow more beautiful
with age. America, the country which
has given such explorations and adven-
ture, a nation distinguished for inherent
bravery and the disposition of its mercu-
rial people to decide fortune with a toss
of the penny, gives to history, in record-
ing the struggle of California Pioneers,
the most marvelous of all its pages
Over these fascinating records every
American delights to ponder, and the
memory of those hardy pioneers steals
up to us like some beautiful vision
whenever national progress is con-
sidered."
Without a single exclamation point to
lean on, Mr Beul tells us that history
has nothing as entertaining or instructive
as the tales of the "Argonauts of '49" to
offer, that America is distinguished by
the disposition of its people to decide
fortune with a toss of the head (or per-
haps it was a penny) and leaves his
weakened reader with a final mental
picture ot the national fireside with
every American (that is, every Ameri-
can worth mentioning) throwing the
"American Mercury" and "Saturday
Evening Post" to one side to ponder
over California history, the memory of
whose pioneers is insideously stealing up
on him like a "beautiful vision" with
the obvious intention of saying, "Boo1"
We will brush past Mr Beul's spicey
resume ot the bitter arguments that arose
between governments over the posses-
sion of Calitornia just as quickly as we
can. Nevertheless we can't overlook the
fact that Portugal made Spain "very
angry" by claiming all the discoveries
of Columbus and consequently most of
the Western Hemisphere, and that things
went trom bad to worse until Pope
Alexander VI simply had to call a halt
and decree that Spain have all the terri-
tories inhabited by infidels lying west of
the Azores Portugal might have been
hurt, but fortunately the Pope in the
same spirit of generosity announced her
as entitled to the countries east of the
Azores. Mr. Beul goes on tor a number
of pages, even dragging Henry VII and
England into the sordid story, until he
finally admits that Mexico took Cali-
tornia from Spain, and the United
States snatched it from Mexico in 184S.
Gold was discovered in 1S4S (as you
may have heard) and upon this subject
Mr. Beul's facile pen sweeps on and on :
"Such excitement as followed this
discovery can never be imagined, much
less truthfully described. All the work-
men about Coloma dropped their tools,
plunged into the American River, and
began scratching in the auriterous sands.
Mr. Sutter's mill was abandoned so sud-
denly that ic was suffered to rattle itselt
into pieces From five to fifty dollars a
day was taken out in dust and nuggets
by each miner, and while this was as
nothing compared with the result ot
subsequent discoveries, yet it was quite
enough to inflame the people of Cali-
tornia. There was little delay in getting
the news to San Francisco, where it
struck the citizens like a cyclone. (Evi-
dently bowling everyone over up and
down .^lontgomery street and laying
them out cold in the Plaza ) From town
to settlement the report spread as though
on electric wings, and everywhere it
produced the same effect, intoxicating
everyone and causing business to suspend
as if suddenly paralyzed. The very air
seemed to carry these golden stories and
deposit them at every threshold. (Very
much like sample packages of breakfast
food.) It spread like an uncontrollable
epidemic, and workshops, stores, and
professions succumbed to its exhilarating
influence The discovery was soon pro-
claimed in the halls ot Congress and the
gravest dignitaries rose from their seats
to add a shout and join in the excite-
ment. Thousands joined in caravans
fighting their way through savage In-
dians, braving the desperate elements,
subsisting on game and excitement.
With the immigration of that im-
measurable host of gold seekers, every-
thing in Calitornia changed from a lazy
existence into frantic delirium. July,
1S49 found the Bay of San Francisco
filling with the ships of every nation.
Five hundred square rigged vessels lay
in the harbor with half a mile of mud-
flats between them and high water
mark — Montgomery street. There was
The Overland Mail Starting From San Francisco for the East, 1858.
JUNE. 1930
17
San Francisco, 185J (From Second Street, above Folsom)
Prints courtesy of John Howell
but one wharf, Broadway, to accommo-
date this fleet Agents and consignees of
these valuable ships and cargoes found
the crews taking to the small boats as
soon as anchor was dropped and head-
ing for Sacramento toward the new
diggings."
Things certainly had come to a pretty
pass, tor, as Mr. Beul puts it, "The
scramble now became powerfully in-
tense; everybody on the run unless stuck
in the mud or sand. The sand-hills and
mud-flats now presented the appearance
of a battle field; people of every nation,
costume, tongue, and clime in the busy
and excited crowd, all seemed to
flounder about in supreme recklessness.
The first six months of 1S4CJ added more
than 15,000 to the population of Cali-
fornia, 10,000 of whom landed in San
Francisco; less than 200 of this number
were women, and their character may
readily be imagined.
"After the news of discovery of gold
all classes ajid conditions of humanity
flocked to San Francisco Then was in-
augurated the most exciting era of mod-
ern civilization in its every phase, except
in peace and morality; in its harmoniz-
ing and equalizing influence on different
classes and nationalities; its riot and
debauchery; its crime, vice and blood-
shed, its general extravagance ol pnnci
pies and property, and of life itself.
"Wild speculation in city lots, mer-
chandise and lumber succeeded the first
year of excitement in the mines Mont-
gomery street, which is todav the finest
thoroughfare in San Francisco, was in
1S50 a mire in which teams floundered
and sometimes entirely disappeared Yet
lots abutting upon it were sold at
princely figures, which continued to ad-
vance as logs and brush were thrown in
to make a bed for the street. Lands and
rents were beyond all precedent; fifty
and one hundred lots were granted in
San Francisco by the Alcaldes as late as
1850, on the payment of sixteen dol-
lars; many of these lots sold in one or
two years after for hundreds of thou-
sands of dollars Fifty thousand dollars
for a lot which only a few days before
had sold for two thousand, was a fre-
quent occurrence The Parker House, a
common two-story frame, which was
near the Plaza (noiv Portsmouth Square)
brought $120,000 per annum; a small,
rough one-story building at the Plaza
was rented tor ^~S. "' 'i and a one-story,
twenty-foot tront building brought
$40,000. Even the shanty which pro-
vided such insufficient accommodations
for the customs business rented tor
$7,000 per month.
"Amusements were luxuries, in the
circus $60 for a private box and $3 in
the pit To build a brick house it was
estimated that it would, when finished,
and that, too, in a rough manner, cost a
dollar tor each brick in the building
Soon vast overstocks ot goods glutted
the market, so much so, that rather than
pay the exorbitant rents and storage
necessary, the mud holes and gulches
were filled up with boxes of choice
tobacco, and Clay street for a great
distance was paved with shovels, the
handles making a kind ot corduroy and
rather rough surface." (To put it mildly,
there is also record of a particularly
large hole having been filled with a
piano, not to mention sacks of coffee,
sugar, and tea. San Francisco may well
he proud that its streets were originally
paved with goodies.)
In a closing description of the beauties
of San Francisco, Mr. Beul lets his pen
run riot, simply riot!
"The Pacific Coast, especially Cali-
fornia, is essentially the paradise of
America Balmy Italy cannot compare
with the equable, salubrious and de-
lightful climate ot this pre-eminently
favored section of country, a place where
neither heat oppresses nor cold pinches
those who live in its bright, delicious
atmosphere. San Francisco is more cos-
mopolitan than New York, and more
sensuous than New Orleans The air is
tonic, touching every cheek with rosiest
health and developing women into be-
ings ot transporting beauty In this par-
ticular the Golden Gate Metropolis is
peculiar, for more lovely females never
blessed God's favorite footstool than
may be found in lavish abundance co-
quetting on all her streets and lighting
love's lamp in nearly every California
household
"The city is built on seven moun
cutis (no small jeat in itself) to attain
the summit ot which requires the aid of
cable railroads Nob Hill is che most
aristocratic residence spot in the city,
Continued on page ?0
18
THE SAN FRANCISCAN
In these days, when there is so much
talk of the decadence of the Ameri-
can theatre, it is of interest that one of
San Francisco's major and its only inde-
pendently owned daily began life as a
theatrical newspaper and theatrical pro-
gram of free circulation. A little four-
page sheet of dramatic criticism success-
fully laid the solid foundations upon
which rest The San Francisco Chronicle
ot the present day.
As The Daily Dramatic Chronicle,
the first issue of the paper appeared
January 16, 1S65. Its editor was Charles
De Young, who had attained the great
age of nineteen years; its business mana-
ger was Michael De Young, who was
all of seventeen. The office of the enter-
prise was in the printing plant of
Harrison & Company, specializing in
theatrical job printing, at 417 Clay, near
Sansome. For desk space and the use of
its presses, Harrison tY Company de-
manded and got $75.00 weekly, partly
payable in advance. Composition, paper
and other production incidentals were
extra. As The Dramatic Chronicle was
a free circulation paper, its sole income
was from advertising, and in selling
advertising it was subject to the draw-
back of being a paper that was given
away — possibly forced upon the public
— whereas the public bought the other
daily publications.
When the city's merchants, theatre
managers, restaurant, hotel and saloon
keepers were first approached for adver-
tising, they were skeptical as to the
value of a free circulation medium. But
within a few months this prejudice tend-
ed to disappear. Amusement place man-
agers, restaurant, hotel and saloon
keepers tound that it was a business
asset to have The Dramatic Chronicle
about their places. Their customers not
only read the paper but they also expect-
ed it to be within ready reach.
The cause of public demand for the
sheet is readily enough explained. San
Francisco, during the 1850s and '60s
was a thoroughly theatrical-minded
town The public knew its theatre, as
few publics anywhere or since have
known it. The town was still small and
personal enough to make possible a cer-
tain Bohemian intimacy between the
theatre-going public and the people of
the theatre. Charles De Young shrewdly
gauged his editorial policies, chose and
handled his feature news to make the
most of these facts. The Dramatic
Chronicle daily covered all the city's
theatrical news, of which there was then
a great deal. It daily printed the pro-
grams of current attractions at the
several San Francisco playhouses. It
offered, as well, excellent dramatic com-
ment, and at times, criticism so sharp
as to throw the theatre-going public
into noisy, heated, but immensely en-
joyable discussion and verbal warfare.
The Daily Dramatic Chronicle
To create a demand for and incerest in a
free circulation paper, the DeYoungs
could have chosen no wiser policies.
Eighteen months after its founding
masthead statements of The
Dramatic Chronicle declared that it was
in exclusive use as a program in the
Metropolitan and Olympic Theatres,
Piatt's Music Hall, Union and Con-
gress Halls, where it was distributed tor
every performance. It was distributed
daily at Woodward's Gardens; at all
principal restaurants, oyster houses,
saloons, stage depots, and in the residen-
tial districts. It was sent by mail to all
important interior points In all, the
paper had a circulation of 7,000 daily,
and its contents were about evenly
divided between editorial and advertis-
ing matter
Though The Dramatic Chronicle dur-
ing its first years was primarily a theatri-
cal paper, its youthful publishers had
other ends in view. There was mixed
with the featured theatrical news judi-
cious amounts of general and political
news — local, national and foreign. There
was also amusing, pointed and satirical
comment upon such items of this news
as warranted it, upon the contemporaries
and rivals of the little paper, who were
inclined to be scornful of it, and upon
personalities in public life, who were
given to pompous airs and gestures These
comments and the general aggressive-
ness of the De Young brothers played a
big part in the ready recognition of the
paper.
When The Dramatic Chronicle was
bu: three months old, it "scoop-
ed" every daily publication in San
Francisco on a piece of news of national
importance — the assassination of Presi-
dent Lincoln, which occurred on the
evening of April 15, 1S65. At that time
no paper in the city had private tele-
graph service and news services had not
yet come into existence. The San Fran-
cisco morning papers of April 16th,
accordingly, appeared without a word
of the tragic shooting, which had taken
place in Washington, D. C, the previous
evening Michael DeYoung, however,
was in the habit of making early morn-
ing visits to the Western Union office to
pick up any likely eastern news stories
that might come in. On the morning of
April 16th, about eight o'clock, he was
in the telegraph office when the first
news of the assassination to reach the
West clicked over the wires.
DeYoung dashed to his own office.
All hands turned to work and within a
couple of hours the city's first "extra"
dealing with the tragedy was on the
streets. When further details of the
The early and reckless
days of a paper now
grow 11 safely beyond
"■opinions'*
by Zoe A. Battu
shooting were obtained a second "extra"
was issued. At confirmation of Lincoln's
death, hysteria seized the San Francisco
populace. Its large Southern faction re-
joiced-— but very discreetly. Those with
Northern sympathies cursed the South
and all its hot-headed dramatists.
Several mobs quickly formed to clean
the town of all newspapers and editors
of Southern sentiments and sympathies.
The rabble descended upon the plant of
The Democratic Press, strewing its type
and office equipment all over the street.
The Neius Letter fared in the same
fashion. Police reserves were called out,
but contented themselves with follow-
ing the mob about to see that it did
nothing more serious than wreck furni-
ture.
All of which, of course, constituted
first-class "extra" material. Michael
DeYoung spent a frantic day between
the wake of the rabble and his own
office. Charles DeYoung and his staff
spent an equally hectic day turning out
"extras," the cost of which, undoubted-
ly, ran far beyond the day's cash revenue.
But the expenditure was quite justified.
The infant Dramatic Chronicle was
definitely placed upon the San Francisco
journalistic map.
In an issue of January, 1S67, is to be
found a second typical illustration ot
the DeYoungs' editorial tactics. To
quote: "The trivial little Call is under-
taking to persuade the working people
that scarcity of work and depression of
wages are directly occasioned by a
"radical Congress" . . . We have said
before that The Call is both a philoso-
pher and statesman ... Its influence over
the mental phenomenon of chamber
maids and cork biddies is almost un-
limited." Apparently, even in those
remote days, The Call was the benevo-
lent, self-appointed mentor of shop girls
Baiting the paper tor its political, social
and economic juvenilities seems to have
been the favorite sport of San Francisco's
editors of the time — a pastime now
monopolized by The Argonaut and
pursued with the gusto of a football
warrior and solemnity of a high priest.
July 1, 1S6S, the first issue of The
Overland Monthly appeared, edited by
Bret Harte. Literary San Francisco was
in a flutter over this event, and it was
Continued on page 27
JUNE, 1930
Hacienda lie los Ainigos
Tii spirit of the carlv California Spanish
haciendas has been re created in the Del
Monte ranch home ol Coi Harold L Mack
by the use of crude hand methods ol build
ing similar to those employed by the former
Dons The two teet thick walls are of chalk-
stone quarried on the ranch and laid by un-
skilled labor. The roof and floor tiling is
hand made and hand laid The roof and
floor timbers, and even the flooring, were
cut out by hand from huge redwood trees
in the Santa Cruz mountains. Four years
were required for the building which was
done under the supervision of Edward Ray-
mond Moflitt who also selected the antiques
and designed the hand made furniture with
which the hacienda is furnished throughout
The home is the result of a lifelong dream
on the part of Col. Mack who wished a
place where he would be surrounded by
beautv which he personally helped to create.
19
20
THE SAX FRANCISCAN
Mrs. Harry Hill
Who has returned to San Francisco, following a six months' sojourn in Europe.
JUNE, 1930
21
the iieignimp inwviv
WEDDINGS
HOI. 1. 1 NS-CHASE. Oti May .!, at Pebble Beach,
Mr. McKim Hollins, s.m .it Mr. and Mrs. II B.
Hollins of New York, and Mi*- Isabel Chase, daugh-
ter "i Mi. Horace Blanchard Chase and the late Mrs.
t ti.i^<
FURBUSH-MAI E On May 19, Dr. Claude Fur-
bush, snii of Mi. and Mrs. George Furbush of Ala-
meda, and Miss Frances Mace, daughtei of Dr. and
Mrs. Lewis Sayre Mace.
HOFFMAN-GIANINNI. On Mas 24, Mr. Clif-
ford Hoffman and Miss Claire Gianinni, daughter of
Mi and Mrs. Ani.-nU-n 1*. Cianinni.
DICKEY-HURN. On Maj 28, Mr. William Du-
vail Dickey, son oi Mr. and Mrs. Charles II Dicke)
of Monterey, and Mrs. Florence Russell Hum, daugh-
tei oi M is. Atherton Russell.
ENGAGEMENTS
ALLAN-BALDWIN. Mrs. Margaret Aspinwall
Allan, daughter oi Mr. and .Mrs. Clarence Aspinwall
oi Washington, I). C, to Mr. John Baldwin, son oi
Mr. Alexander K. Baldwin and the late Mrs. Baldwin.
DUFF-PI LLSB TRY. Miss Margery Huff, daugh-
ter of Mr. and Mrs. William Wallace Chapin, to Ml
Charles Tayloi Pillsbury, son oi Mr. and Mrs. Horace
D. Pillsbury.
HAMILTON-AINSWORTH. Miss Heath Ham-
ilton, daughter of Mr. and Mrs. Fletcher Hamilton,
to Mr John C. Ainsworth of Los Angeles, s.m of the
late Mr". Harry Ainsworth and Mrs. Ainsworth.
K I ERULFF-FENGER. Miss Dorothy Kierulff,
daughter of Mr. and Mrs. Thomas Kierulff, to Mr.
Austin Bryan Fenger, son of Mrs. John A. Fenger
md the late Mr. Fenger.
MADDUX-HAIZLIP. Miss Meredith Maddux,
daughter of Mr. and Mrs. Parker S. Maddux, to Mi.
Raymond Haizlip, formerly of Virginia.
SPLIVALO-BAIRD. Miss Elizabeth Splivalo,
daughter of Mrs. Lavina Splivalo, to Mr. Walter
Boward Baird, son of Mrs. Mary Flavin Baird of
Los Angeles.
THOMAS-BULL. Mrs. Grace Melius Thomas of
Los Angeles, daughter of Mr. and Mrs. J. J. Melius,
to Mr. Charles Caldwell Bull, son of the late Mr. and
Mrs Alpheus Hull.
VISITORS ENTERTAINED
Mr. and Mrs. Frederick Weida (Flora Miller Lang*
ton) are visiting in San Francisco from their home in
Dolok Merangir, Sumatra. They are staying with
Mrs. Weida'a parents, Mr. and Mrs. H. M. A. Miller.
Mr. and Mrs. Miller gave a large dinner at the Hotel
Mark Hopkins in honor of Mr. and Mrs. Weida, and
Mrv Miller gave a tea at the Francisca Club in honor
of her daughter. Others entertaining for M r. and
Mrs. Weida include Dr. and Mrs. Arthur Gibson,
Mrs. Philip E. Bowles Jr., Dr. John Strickler and
Mr. Dunlap Strickler. Mr. and Mrs. John Franklin
Brooke. Mrs. Mark Cerstle Jr., and Mrs. Frederick
W. Bradley.
Colon.! .in.! Mis. Joseph V. Ku/nik ( Lurline
Spreckels Eddj I have been visiting in San Francisco,
guests foi B tune at the St. Fratu.-is. Colonel and Mis.
Kuznik, whose home is in Paris, spent some time at
the home of Mr. and Mrs. Paul Pagan in Burlingame.
Mrs. Charh-s Wright of Philadelphia was the house
guest of Mr. and Mis. Richard McCrceiy of Builin-
■ during her visit lien-. Mrs. Wright will spend
a month in Honolulu following her San Francisco
visit, and will finish the summer in Santa Barbara.
Mr. PreSCOtt Scott and Mrs. Redmond Stephens were
among the peninsula residents who entertained Foi
Mis. Wright during her stay.
Mr. Jean de St I 1 to t tDtain and Mis.
Henn Porcstei at the St. Cyi estati in San Mateo.
Mrs. Forestei v. .!• the former Mrs. Whitman Hobbs,
Mrs. Thornton High is in San Francisco on a \ i -.it
from Portland and is Staying at the Hillcrest.
Mr. and Mrs. Clyde Miller "t Los Angeles spent a
fortnight visiting their son-in-lav an. I daughter, Mr.
I i.ma Fuller in Burlingame.
Mrs. Henry T, Burgin of Washington, D. C, has
er, Mi-. Richard Derby at the
latter1
M i .ml Mr- < ■ ere hosts t,. m r.
and Mis Archibald MacNicol oi New York at the
I bblc Beach.
Mr. and Mrs. Donald McCoy of Pasadena passed
a recent holiday w eek-end with Mrs. McCoy's parents,
ind Mrs, Douglas tfcBryde, at their home in
Iside.
Mi*-. Adelaide Taylor of I ited lor a
time with Mr. and Mrs. Edward O. I'ringle.
M r. and Mrs. Nion Tucker of Burlingame w ere
hosts recently to Mis. Robert Moss of Tokyo and
Mrs. Moss's sister and niece, Mis. Charles Atkinson,
and Miss Virginia Atkinson of Pasadena. Mis, Muss
shared honors at a tea given by Miss Tuekei in honoi
of her house guest and Mrs. Cvril MeN'ear of \ew
York.
Mr. Foxhall Keenc of New York was a1 the Pacifil
Union Club and on the peninsula during his r« < enl
sojourn in California.
Mr. and Mrs. Gardner Morris of Chicago an- pass-
ing the summer at the Clifl Hotel and are being
extensively entertained.
Mrs. T. Wain Draper has Keen visiting with her
daughter, Mrs. Kirkwood Donavin, and M r. I >ona-
vin, at their home on Broadway.
Mr. and Mrs. William A. Slater (Frances Ames)
of Montecito were at the Burlingame Country Club
tor a few days recently. Mr. and Mis. Jerd Sullivan
entertained for the visitors and others who gave par-
ties in their honor included Mr. and Mrs. Edmunds
Lyman, Mr. and Mrs. George Hearst and Mis. John
I )rum.
Mr. and Mrs. Horace Moody of Xew York came
to California on their honeymoon and were enter-
tained by Mr. Moody's aunt, Mrs. William Bowers
Bourn, at Filoli House, San Mateo. Mrs. Moody was
Miss Anne Cater Laidlaw of Englewood, New Jersey.
Mr. and Mrs. Ernest Folger entertained their
daughter, Mrs. Cyril McNear, on her recent visit
from New York. Mrs. McNear was accompanied by
her little daughter. This month Mrs. McNear will
visit with Mr. and Mrs. John McNear at their place
on the Russian River.
Colonel Charles B. Stone Jr. and his son. Lieu-
tenant Charles B. Stone III, are visiting with Col-
onel Stone's sister, Mrs. Alexander F, Douglas, at
the Douglas home in Scott Street. A large family
dinner was given for the visitors by Mr. and Mrs.
Douglas.
Dr. and Mrs. Herhert Moffitt gave a dinner for
Mrs. William Younger shortly before her departure
for Paris.
Brigadier General C. R. KrauthofT, U. S. A. (re-
tired i. spent several weeks at the Gift Hotel. Colonel
KrauthofT was formerly stationed in San Francisco.
Since his retirement he has divided his time between
Washington, D. C, and Europe.
Miss Mabel Wilson of New York has been the
house guest of her grandmother, Mrs. William Guff,
at the latter's home in Menlo Park.
During the time that Miss Louise Boyd was the
house guest of Mr. and Mrs. Edward Hills in Bur-
lingame, Mr. and Mrs. Hills gave a dinner for her.
Miss Nancy Scott, who traveled in Italy with her
stepfather and mother, Colonel and Mrs. E. O. Bart-
lett, visited her uncle Mr. Prescott Scott in Burlin-
game on her return. Miss Scott will pass most of the
summer with her father, Mr. Harry H. Scott, at his
home on the peninsula.
HERE AND THERE
Mr. and Mrs. Nion Tucker entertained in Burlin-
game in honor of Mr. and Mrs. George Hearst, the
occasion being a dinner.
In honor of Miss Louise Sherer, the fiancee of Mr.
Alanson Wood Green, Mrs. Harry Johnson of San
Rafael entertained with a luncheon at the Francisca
Club.
Mr. and Mrs. Lindsay Howard have returned to
their home on the peninsula after spending some time
on their ranch in Mendocino County.
Mrs. Felix McGinnis lias returned home after an
extended trip through the East.
Mr. and Mrs. Alfred Hendrickson are establish..!
in Burlingame where they will spend the summer
with Mrs. Hendrickson's mother. Mrs. Wood Armsby.
Mr. and Mrs. Charles G. Norris have taken pos-
session of their new home in Palo Alto aftei spending
two months in Xew York.
Mr. and Mrs. Decker McAllister plan to spend a
part of the summer with Mrs. McAllister's parents,
\l r. and M is. Bernard Ransome, at the RanSi MM
country home in Mt. Diablo.
Mr. and Mrs. Latham McMullin have taken pos-
Bession of their summer home at Menlo Park.
Mi and Mrs. George Cameron have returned to
I una aftei a visit in New York where the)
accompanied by their nu.r, Mi-- Aileen Tobm. .01. 1
Miss Alice Eastland.
Mr. and Mrs. Remo Sbarboro and their daughter,
Miss Yvonne Sbarboro, spent a fortnight at then
try place. Sbarboro Villa, in Asti, Sonoma
County. They entertained a large party of quests
over a recent week-end.
Miss Evelyn Barron, who lias been spending the
nasi vear abroad, has returned to her home in San
Slateo.
Mr, ami Mrs. Roger Lapham entertained at dinner
shortly after reopening theii country placi in Menlo
Park.
.Miss Ann- OdUe Porter has announced Jum
as the date of her marriage to .Mr. Robert Gage Bur-
niistei. The wedding will be held at the home of the
bride's parents, Dr. and Mrs. Langley Porterj in Val-
lejo Stieet. Dr. and Mrs. David Armstrong Taylor
; ... in I > entertained at dinner for tin ouple.
Mi. am! Mrs. Wellington Henderson have rented
Miss Ann Brewer's house in Burlingame.
Mr. and Mrs. Daniel C. Jackling entertained with
a picnic at their summer place at Wood side. The
night of Mr. and Mrs. Jackling's return from their
recent world cruise, their friends on the peninsula
gave them a surprise party.
Mr. ami Mis. Henry Cartan have taken the Harold
Casey home in Woocfside for the Bummer. Mr. and
Mis. Casey will travel abroad for several months.
Mr. and Mrs. Sergtus EClotz ("Barbara Atkinson)
whose marriage took place in Pasadena last mouth
have taken an apartment on Russian Hill.
' omplimenting Miss Katrine Brenner, who will bl
on. oi the June brides, Miss Gladys and Doroth]
Mills recently gave a luncheon at the Francisca Club.
Miss Louise Sherer, who will he married to Alan-
son W I Green on June 4, was the complimei ted
guest .11 a luncheon given by Miss Kathleen ami Miss
t lertrude Byrnes.
Mr. and Mrs. Nion Tucker gave a large Sunday
luncheon recently in Burlingame in honor of Mrs.
Harry M ac Farland of II. mi .lulu.
Since their return from Europe where their mar-
riage took place a few months ago. Mr. and Mrs.
\\ ilh.itn I.eib have been entertained by Mr. and Mrs.
Richard Mc( Yeery.
Miss Elizabeth Ashe has returned from a trip
around the world.
Mrs. Wendell P. Hammon was hostess to a gather-
ing of about twenty matrons at a luncheon party
recently.
^ Pro Musica assembled at the de Young home in
( alifornia Street recently to hear the music of
Maurice Ravel. Mrs. Nion Tucker was hostess at
the tea that followed.
Miss Lilia Johnson is returning from Yassar Col-
lege this month and will pass the summer with her
mother. Mrs. Harry Johnson, in San Rafael.
Mrs. Rudolph Spreckels has opened her summer
home in Sonoma County for the season. A number
of week-end parties are being arranged by Mrs.
Spreckels.
There will be a large dinner at the Menlo Park
Country Club on the night of June 2 1 .
Honoring two brides-elect. Miss Anne Odile Por-
ter and Miss Kate Boardman. Miss Hettie and Mi-s
Sarah Stephenson gave a dinner party at their home
in Jackson Street.
Mr. and Mi-. Ceorge Hearst have taken the
Walker Kamm house on the peninsula for the season
and were dinner hosts there recently.
Miss Maria Antonia Field gave a reception at the
Fairmont Hotel and entertained several hundred
friends. An interesting feature of the evening was a
harp concert. The hostess herself sang a group of
Spanish songs.
Mr. and Mis. Marshal Hale are sojourning at
Benbow , pending the completion of their new sum-
111. 1 hi ime in that district.
A garden party will lie given at the home of Mr.
Louis Welch m Hidden Valley on June 15. the pro-
to be turned over to the San Francisco College
for Women.
Mi and Mrs Thomas Eastland celebrated their
silvei wedding anniversary, their marriage having
taken place on May X, 1905. A number ..! their
friends cave them a surprise party in honor of the
ii .u.
Mr. and Mrs. T. Danforth Boardman and their
are spending the summer in Woodside. Miss
Kate Boardman gave a luncheon at her country home
in honoi •>'■ M'ss Frances Mace and her fiance. Dr.
Claude Fnrbush.
Mr. ami Mrs. Charles Blyth. who recently spent
six months in New York, are again occupying their
San M at. 1 . home.
Miss Fve Taylor gave a dinner and dance at the
country place in Menlo Park. Miss Aileen
is guest of honor.
Mr, and Mis Stewart Lowery, who are in Menlo
Paik lor thi' summer, have been entertaining
They gave a dinner in honor of
Mrs Warren Spiekcr shortly before her departure
t. a I [onolulu.
Mt .md Mrs. William Parrott recently entertained
a group "I Friends at the Parrott ranch in the Carmel
Valley.
Dl and Mi- Grant Seltridge will spend the sum-
mer at the Burlingame Country Club.
Mr. Arnold Scheier entertained at a buffet supper
at the home of Ins parents. Dr. and Mrs. R. B. Scheier
in Hillsborougfa, the occasion being in honor of Mi-s
Margery Dun and her fiance. Mr. Taylor Pillsbury,
whost wedding "ill take place on June 19.
22
THE SAN FRANCISCAN
The Sports Calendar
International Competition Predominates the World of Sport
The feature of the 1930 sports calen-
dar is international competition
American sportsmen are meeting in
friendly rivalry this year most of the
great countries across the big seas and
the sport bill of fare includes, Polo, Golf,
Boxing, Tennis, Yachting, — Track and
Field athletics.
For the most part sport competition
between the various countries is produc-
tive of good results in that it brings these
peoples together in their playing moments
and presumably in friendly rivalry. Un-
fortunately there have been cases in
former years of bad feeling between the
competitors and more particularly among
the spectators in their intense desire of
seeing their countrymen w-in the honors
of the day. There was the case of the
English runner having a walkover in the
quarter-mile event of the Olympic
championships at London twenty years
ago when the athletes of other countries
objected to the decisions handed down
by the officials in charge And in the
soccer international matches in which
the European and South American
countries are engaged, the spectators
have rushed on to the field in their parti-
san excitement on several occasions and
the opposing players have been escorted
to the sidelines by the police and officials
to escape mob attack These scenes have
threatened to call a halt to these inter-
country games, which is unfortunate, as
soccer has taken quite a hold on the Latin
peoples. Wales and Ireland have had
disagreeable experiences with the Paris-
ian crowds in their rugby international
matches and only cooler and wiser heads
have prevented the cessation of these
games.
Fortunately there is the other and
more pleasant picture to paint. It is one
in which sportsmanship is the pigment
Countries of Europe, Asia, the Anti-
podes and the two Americas are being
drawn closer together by virtue of their
meetings on the field of sport and each
and every country possesses ambassadors
of goodwill by virtue of their innate
sportsmanship either as winners or
losers It is a far cry since the days when
runners were coached how to gain an
advantage by trickery. The spirit of
fairness is today more marked in a track
and field meet than in any other athletic
endeavor. Whether it be a duel inter-
collegiate meet, a sectional champion-
ship or a meeting in which countries are
engaged, the athletes, be they Germans,
Japanese, French, British or Americans,
have a sense of honor that speaks vol-
umes for their coaches It is pleasing to
Editor's Note — The San Fran-
ciscan is pleased to announce
that beginning with this issue,
"Bobs," the veteran sports
writer and authority will write
a monthly article on primary
local and national sporting
events and topics.
see a British or American athlete, pull-
ing hard tor a German or French athlete
to break the world's record alter he him-
self has failed in a qualifying test. The
athletes who competed in a special meet-
ing in London after the Olympic games
in 1928, said that it was the most enjoy-
able event they ever competed in
Tennis has done its share in promot-
ing good fellowship between the
nations Norman Brookes of Australia,
our own "Little Bill" Johnston, Cochet
and La Coste of France, Kumagae of
Japan and Cecil Parke of England, are
among those who have gained respect
not only for themselves as winning and
losing sportsmen but also for the coun-
tries they have represented, and the same
may be said of their sisters, the Wills,
Godfrees, Assums and Alvarez's who
have been prominent in international
competition in recent years In the Davis
Cup series the French players have latter-
ly ruled the roost, with America sitting
in the runners-up position, but there are
hopes ot the younger contingent of
American players, consisting of Van
Ryn, Allison, Doeg, Coen and Lott,
Making an even fight for the honors
betore many years are passed Ledby Mrs.
Helen Wills Moody there is little
present danger of America losing its
supremacy in the women's department.
The young Berkeley matron is playing
better tennis today than ever and is in no
danger of losing in any championship
single match across the seas or in her
own land
Polo is coming into its own as an
international sport. Originally an East
Indian game it was introduced into
England by the army officers. Inter-
national competition between England
and America has provided excellent
competition with the honors favoring
this country. Tommy Hitchcock, the
American ace, is voted by most critics
to be the best all round player of all time
and he is ably seconded by a trio of
by "BOBS"
young skillful horsemen who are also
expert mallet wielders. California polo
enthusiasts are hoping that Eric Pedley
will be given a chance to prove his metal
in international competition against the
Britishers this fall England is moving
Heaven and Earth in an effort to turn the
tables on its rivals. They have several
great players, notably Captain Roarke,
who is arranging a series of trial matches
in England in order to select the best
team to represent "John Bull" in his
effort to regain possession of the West-
chester Cup, emblematic of the Polo
International Championship. The famous
four brothers Ashton ot Australia have
gone to England, with thirty ponies, for
the trials
Polo is fast becoming a popular game
with the "Man in the Street " A few
years ago the game was considered a
harmless hobby for the idle rich who
were supposed to be tied to trained
ponies. Now the "Man in the Street"
has seen this game with its risks and
thrills and has voted it both spectacular
and exciting And the polo "powers
that be" are catering to the spectator
by developing younger blood and invit-
ing university students to join the fold.
Such tournaments as were held on
Southern California, Del Monte and the
peninsula fields have advanced the game
appreciably In the international series
of the "tomorrows" the Argentine
players will have to be reckoned with
Already they can command respect from
the best players on both sides of the
Atlantic.
Sir Thomas Lipton has launched
another Shamrock and will make
his fifth attempt to "lift" the American
Yachting Cup The conditions which
govern this contest do not please yachts-
men on either side of the "Big Pond"
and in all probability an effort will be
made after the challenge races held in
those placid Eastern waters this fall to
revise some of the existing rules Most
people are of the opinion that the race
should be run without handicap, each
country beingempowered to build which
it deems to be the fastest, without regard
to spread of sail.
American golfers have crossed the
seas in search of world's honors in the
Royal and Ancient pastime, the
women, led by Glenna Collett, the
American champion, have already swal-
lowed a bitter pill No American golfer
has ever won the British women's cham-
pionship though on several occasions
Continued on page 29
23
Ralph Young
Mh-II lower ill \ i^lil
24
NOW IT CAN BE TOLD
F
Ior the first time since its re-building
in 1907, The Palace Hotel has had
its face washed
In this process, the man on the street
would be dining-room companions for
the voyage, it would be seemly to intro-
duce themselves as a beginning to a
better acquaintance The speaker, ac-
" What! no pate de fois gras?'
manifested a vast interest It was some-
thing of a shock to him and to ourselves
to observe twenty-three years' accumu-
lation of smoke, dirt and grime roll off
and reveal the structure as built of cream
colored brick, when all of our lives we
have been ready to swear it was built of
dark brick.
That the Palace should thus be washed
up and stripped of its dark coating
moved certain members of the architec-
tural and allied professions to wrath and
to the point of protest The soil and
grime, said these gentlemen, represented
mellowing and weathering These qual-
ities are artistically sacred and it was
positively sinful to do away with them
in such callous, mechanical fashion.
In accordance with ship board cus-
tom, two young men on a trans-
Pacific voyage presented themselves,
upon the ocasion of the first meal, to the
head steward to be assigned to their
table The steward led them to a table
for three. Whereupon, the youths fell to
wondering who would be given the
third place and to hoping that it would
not fall to anyone lacking in good nature
pleasant manners and agreeable appear-
ance
Their fears were presently set at rest.
The steward led to the vacant chair a
beautifully gowned woman of striking
appearance. The two youths visibly
brightened.
Assuming the role of spokesman, one
of them remarked that, since the three
cordingly, gave his name as Peter By
way of light humor, he added that,
THE SAN FRANCISCAN
though he bore a Biblical name, he was
not an apostle
"My name," said his companion,
speaking up directly, "is Paul, and I am
not a disciple "
Both waited expectantly for the lady
to speak.
She paused and hesitated significantly;
looked trom one to the other of her table
companions and said gravely, "And my
name is Mary."
As you may be observing, the plot of
the Prohibition question is thick-
ening very fast these days
The Digest, which has always been
one of the great household gods of what
is known as "the better and more moral
elements" of the community, pushes on
with its wet-dry poll with the imper-
sonality of a road roller and with results
quite as crushing to the claims of these
same "better and more moral elements"
in regard to public sentiment on prohi-
bition
And as you may know, corks are now
strictly taboo You may have your
garage full of dynamite and be less liable
to suspicion and official investigation
than if you have a handful of corks Just
let yourself be found with a cork on your
person Just let one little cork fall out of
"B)' Qad, Mr. Dinsmore, I believe she has a chance."
Jl'.NE. 1930
2S
your pant's pocket Would you be able
to render to hostile and eagle-eyed au-
thorities satisfactory explanation tor its
presence1 Do you think your explanation
that you "just happened'' to have a cork
would carry weight in a court room Ot
course not' It would sound silly You
wouldn't have a legal leg to stand on
and all sorts ot things might lawfully be
done to you
Likewise the ban has officially fallen
on ginger ale and ice, known in North
Beach restaurant parlance as "set ups "
Two well known cafes of Little Italv
were recently raided and will probably
be padlocked for a year for selling "set
ups," into which, it is alleged the guests
poured gin, whisky or what have you
Certainly they did' Who the devil is
going to drink ginger ale and shaved ice?
why, not even a prohibition agent
would willingly drink more than one
glass
But the prize development, which we
have saved tor the last, is the incident in
the lobby fund investigations at Wash-
ington, where the Anti-Saloon League
refused point blank to show its books
on the expenditures for various political
and election campaigns The League, its
spokesmen explained, having been born
at a prayer meeting was conceived (im-
maculately) of God It is doing God's
work Hence it is immune from ques-
tioning or investigation by heretics,
scoffers, unbelievers and all low minded
mortals ot this world and its business
laws
Coi'rts of law continue to be one of,
if not, the best inspirations of wit
There is something about the protentous
gravity of court in session that produces
more real flashes ot humor than the most
industrious hack can drag outot his brain
bv the heels Strained faculties falter and
lo ! we have the wise-crack ot the season.
A lawyer in one of our San Francisco
courts was thundering at a witness in a
drunk driving case
"Then you saw" he roared, "that this
man was drunk !"
"I do not," the witness returned
angrily "1 only said he sat in his car tor
three hours in front of an excavation
waiting for the light to turn green
Upon counting up the first year's
profits tor the local Fox Theatre,
the management ot the West Coast Fox
Theatre Corporation has found that the
house is the most profitable in its chain
ot s.}5 movie palaces Whereupon. Allah
is praised. Candles are lit. Incense is
burned
Revelations issue forth from the far,
high places where dwell the gods of the
Cinema World We lesser mortals, who
are doomed to follow the march of the
world's great events through the news
papers or radio, learn that the corpora-
"O/i, I couldn't go . . . tomorrow's Sunday.
tion plans to expend, within the near
future, eight million five hundred thou-
sand dollars ($8,500,000) for the build-
ing of additional Fox Theatres Oak-
land, Berkeley, Stockton, San Jose, Bak-
ersfield and Porterville will shortly be
able to point with varying degrees of
pride or embarassment to a brand new
Fox Theatre
This news, were we right thinking
people, would fill us with joy and we too
would rush out and buy candles and
incense It fills us only with sadness But
in our own strange, perverse way we are
optimists and can see silver linings We
are very sorry, of course, that the above
named towns are about to have their
collection of faulty architecture added to
Still, we find consolation in the fact, that
the San Francisco Fox Theatre will
stand as it is for some time to come It
will be quite awhile before the general
growth of the city will justify the build-
ing of something bigger and gaudier
The S S Harvard was pitching and
rolling its way toward San Fran
Cisco one choppy morning, as is its wont
on choppy mornings It had been an un-
usually bad night and most of the pas
sengers were feeling rather indisposed
Two in particular seemed quite "done
in." and were stretched out in their deck
chairs, their eyes closed, their wan faces
wearing that "broken in spirit" look,
produced by ?n<i/ dc mcr
Totally indifferent to his parents'
misery, their young offspring was having
the time of his lite straddling the boat's
rail, emitting gleeful shouts with each
roll ot the ship, as he was nearly pitched
headlong into the water His mother
finally saw him, and gathering all her
strength cried, "stop. Willie, STOP'"
But Willie completely ignored her and
went on "playing horse She turned to
her husband and gasped. "John, John,
speak to Willie "' With a tremendous
clfort her husband raised his head, looked
at his son. and in a feeble voice said,
"hello Willie'"
A San Fr.vni !st vs recently returned
from a short visit to Hollywood —
much elated over the stories he had to
tell about the latest fad there ot having
portraits made in the nude
While still shaking hands, and before
answering a proper how do you do, he
26
THE SAN FRANCISCAN
H E Wh
!:taVd
Our guillotine has been for several
months inactive — we can't he
malevolent just on principle — but we
are shining it up this month for the
"artists" who are lowering the standards
of craftsmanship under the influence of
The New Yorker.
Almost any ten-thumbed incompe-
tent, knowing nothing of drawing — and
not giving a damn — can find much ap-
plause for his (or her) scribbled formless
jitterings, because, for some esoteric rea-
son, such insufferable stuff is supposed to
be "sophisticated." (Nothing could, in
reality, be farther from sophistication,
except most "sophisticates .")
I suppose there is some social signifi-
cance in this neurotic avoidance of
beauty; there would seem to be sadism
behind such maligning of the human
body (I don't speak of distortion, which
is legitimately employed for the sake of
perfect line, nor of facility sprung from
knowledge, but of the scribbling which
is insensitive to line and the interrelation
of masses )
The weak semblance is, in every case,
in our civilization, smart, chic, modish
We have fake art and fake music and
fake literature. No artist need know
anything; ability, nowadays, my dears,
is such an affront to one's condescending
patrons
In mentioning The Neiv Yorker, I do
not, of course, include the fine draughts-
manship of Garrett Price, I Klein, Rea
Irvin, Gardner Rea, Peter Arno, de
Miskey, or of certain others who would
not permit their signatures on such
swine art.
But of the swine-artists, the mentally-
vacuous, the spiritually sterile, the de-
spoilers: To the tumbrils with 'em
"We got the books and we got the. fellow
that ivas sellin' 'em, but we can't find
this guy Voltaire that wrote 'em.
"l^^Tow that such a man as Dwight
X^l Morrow has based his candidacy
for the Senate on'an honest and clearly-
stated platform of Prohibition repeal,
we expect great hordes of peanut politi-
cians to see the light. We wish that we
had the opportunity to vote for Mor-
row; we hope devoutly that his cam-
paign will be successful; and we assure
all peanut politicians that they will
make no mistake in stumping just as
wildly now for repeal as hitherto for
enforcement.
Which brings us to local politics and
the assertion that C C Young is just
about four years too late in his support
of the Treasonable Amendment And
Fitts is a bit too early in standing for
election almost solely on the promise to
assure a Hoover delegation to the 1932
convention. By that time, the Noble
Experiment and everyone reaponsible
for it will be starting for the junk-heap.
It is about time the people of California
elected a governor worthy of the respect
of the citizens.
What this country needs is a flock
of Boswells. Most of our wisest
and wittiest discourse is wasted We
should each have a Boswell at our heels
But there are none available We're all
potential Johnsons The only fellow I
know who might be a good Boswell
for me is too busy, when we are together,
out-Johnsoning me to be of any use
Such smart-aleck practises are deplor-
able.
ERRATA; In spite of our having
personally corrected the proofs of the
essay on book-collecting in last month's
issue, the compositor's gaucheries ap-
peared in print. Of the loss of a semi-
colon we shall not speak; but at the re-
tention of the word "only," which we
deleted as a mis-statement of the num-
ber of John Donne's books, we protest
Of the phrase "my first first edition,"
one "first" was omitted, making it
meaningless; and the word "anaesthetic"
was split into "an aesthetic" (the com-
positor apparently believing that "an-
aesthetic" means "ether" and therefore
couldn't be right.) This last bull still
gives us gooseflesh; not only did it alter
our meaning, but it made us seem to be
writing barbarous language. Life is be-
coming too uncertain.
"A man ivho has tried idealism in
business and found that it pays ..."
Magazine article.
Clip the coupon. We teach idealism
in your spare time. It PAYS!
"Pardon me — uh — are you a
nymphomaniac?"
Prof Hoover, of Stanford, waxed in-
dignant over the criticism of certain of
his remarks to his class about militarism.
He wanted to know what had happened
to the traditional sacrosanctity of the
classroom; he made it clear that he be-
lieves in the impunity of pedagogues.
When and how and — most impottantly
— why was this sanctity established1
I suspect that it is an innovation, a quite
recent defence bv the pedagogues, set up
in panic upon recognition of clear signs
that students are beginning to see
through the collective pedagogical fog-
headedness However, Prof Hoover's
class were only engineers
Bertrand Russell, in Harper's, asks,
"Why is modern youth cynical7" Mainly,
I should say, because people keep asking
why is modern youth cynical?
mA -
7
That's News
"A jew hundred years ago any kind
oj reading ivas considered somewhat of
an accomplishment. Now the deaf are
able to read a speaker's lips, the blind
read with their fingers and even Bridge
players are making good progress in
card-reading." Sidney Lenz in Judge.
Send marked copies to Dept. G29,
Under-Sec'ty for Cognizance of Mil-
lenium, Establishment of H. G. Wells
Human progress can go no farther
"Your nails are YOU" Ad caption.
Which makes me just about the
dirtiest fellow I know.
JUNE, 1930
27
Tli«» Daily »rainali<*
Chronicle
<. lorn inued fn >m page 18
freely predicted that the publication
would completely eclipse The Atlantic
Monthly, after which it was patterned
/ he DrdmaticOironicZecoollyatinounced
that it had heen sent a copy ol 1 he
Overland and would read it when it got
around to it A day or so later, the paper
commented upon the new magazine to
the etlect that its poetry was average —
no hetter, no worse than the poetry being
run in magazines in other sections of the
country. The fiction was criticised as not
being up to standard and small
in quantity. The Call's opinion that
Western subscribers to The Atlantic
Monthly could cancel their subscriptions
by reason ol having in The Overland a
Western publication of equal merit was
entirely discredited.
The Dramatic Chronicle proposed to
go right on reading The Atlantic Month-
ly It continued also to read The Over-
land and took occasion to speak very
favorably ot Harte's incomparable Luck,
o) Roaring Camp but it did not hesitate
to criticise him sharply, at another time,
tor several passages ot poorly worded,
poetic vagaries The Dramatic Chronicle
was critical. It evaluated things and
people tor what they were. It expressed
its findings without reservations — a
policy, alas, at which the present paper
raises horrified hands
In September, 1868, The Dramatic
Chronicle abandoned its free circula-
tion policy and became a regular daily,
The Chronicle. The De Youngs had real-
ized the object tor which they had been
steadily working trom the first As The
Chronicle, the paper still flourishes; its
chief glories being, perhaps, that in a
chain system age it is still an indepen-
dently owned enterprise, and holds itselt
safely above wallowing in luridly yellow
sensationalism
Pascal Ton ri clot Ic
( i>ni inued fn im page 10
compose, which would rival Faust in
drama, and Tristan in music, and gazed
across at me with a puzzled look in his
blue eyes.
"Ah, Mon Vieux, was there some-
thing about which I promised to tell
you? '
I reminded him that tor the past three-
quarters ot an hour he had been about to
tell me the storv ot his life
"What' Did I say that, Monsieur?
Could 1 have been so indiscreet1 And to
a stranger1 Alas, alas, what have I
done '
He became quite excited I cried to
calm him in vain He banged with his
Q,
R SPORTS WEAR,
for vacation wear, for man's every
moment of splendid leisure and fash-
ionable recreation, Knox provides the
correct apparel, what Fashion recom-
mends and what comfort calls for.
C?o If suits Cjflannel trousers
j-piece sport suits Gflannel coats
Separate knick\ers ' sports jackets
Imported sweaters <£triped blazers
zjilan -J)CcJfee's £ondon-made golf shoes,
riding and polo boots
— and Knox strafe hats for every occasion
KNOX
^/ivo Qj/iops in CJan ^fxancisco
5 i GRANT
A V E N U K
P
HOTEL ST.
F R A N C I S
28
THE SAN FRANCISCAN
For th
ose who
live on a norma
sensible basis
• • •
The beauty of the Hotel
Lexington . . . the luxury
of its modern appointments
. . . the distinguished
quality of its French cuisine
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guests who come for a day
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permanently.
Dinner and Supper Danc-
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Dave Bernie and his Hotel
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801 ROOMS
Each with private bath (tub and shower)
circulating ice water, mirror door.
341 rooms with double beds,
I person .....
These same 341 rooms for two
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229 rooms with twin beds
Either one or two persons .
231 rooms with twin beds
Either one or two persons .
Transientorpermanentaccommodations
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Club breakfast . . . 75c
Special luncheon . . $1.00
Table d'hote dinner . $2.00
Also a la carte service
HOTEL
LEXINGTON
LEXINGTON AVE. at 48th ST. NEW YORK CITY
Frank Gregson, Mgr. Phone MURray Hill 7401
Direction of American Hotels Corporation
J. Leslie Kincaid, President
hand on the top of the table The brace-
let tinkled on the marble
"You like it, Monsieur7"
Glad or a chance to change the topic, I
answered :
"Yes It must be very valuable. A
keepsake, perhaps?"
"This, Monsieur, I give to you, if you
will forget that I promised to confide to
you the story of my life. It is too sad.
Too deeply involved in international
politics ever to be divulged I, Pascal
Tourtelotte, give it to you!"
Before I could remonstrate, he had
flung it down on the table Then he
burst into tears;
"Ah, Clarise, Eloise and Yvette!
What do you three think of me now?
But it is done. I have given it to the
wealthy gentleman whom I have never
before met There! Wear it Monsieur,
and never remove it for the sweet
memory of Clarise, Yvette, and Eloise!"
I knew that he was quite mad, but I
very foolishly tried to slip it back on his
wrist. He flung my hand from him.
"Monsieur, Monsieur! I — Pascal
Tourtelotte, never brook interference! I
am an old man now, Monsieur, and
Eloise, Yvette, and Clarise will forgive
me I go!"
He sprang up from the table, clutched
his hat, darted across the room, and
before I could stop him, was gone . . .
Marie came in at this moment, and I
called her over.
"Who was that gentleman Marie?"
"The one who left you to pay his bill,
Monsieur? I do not know."
"But Marie" I said to the old Shylock,
"he kissed you."
"Ah, sir, I was too astonished to do
anything. If he had kissed my hand, I
should have ordered him out. Yes, that
is what I would have done. But — dressed
as he was — don't you think he had a very
handsome mustache, Monsieur?"
1 did not. And when Marie put forth
her hand tor the reckoning, I began to
think that Pascal Tourtelotte was not
quite so insane as he had appeared.
As I reached for my wallet, I realized
that I was still holding the bracelet. I
looked at it more closely than I had had
opportunity when he had excitedly
waved it before my face. I laughed in
chagrin. It was a little circlet of white
celluloid bound with gilt tin!
"I think," said I, "that he was a
crook!"
"But no one who is not perfectly
honest comes here, Monsieur," spoke
Marie indignantly.
I described the course of events in
bitter tones. Marie listened with a toler-
ant grin on her expansive face. When I
had finished she clapped her damp hands
together loudly.
"But how charmingly done! Surely,
Monsieur, he was a poet!"
THIS/ART OF
hootiiw
/acauorp
IT should be one of the world's well-
known places, of course. A place
where smart people set a tolerant vogue
of careful negligence in dress; where
wardrobe-packing isn't a problem.
A place, too, that furnishes a whole-
some change in climate and altitude. If
it gives you an opportunity to gaze on
Nature's mighty miracles and hear breezes
in the pines at night, a little uplift of
mind and spirit won't do a bit of harm.
And then because it's near — easy to
reach, easy to return from without travel
weariness, easy on your checkbook stubs
— this little summer jaunt to giant Yo-
semite becomes the pinnacle of vacation-
choosing art.
The Ahwahnee is home de luxe . . .
a wealth of color and luxury within walls
hewn from native Yosemite granite.
Rates from $10 a day upward, Ameri-
can Plan. Or you may choose from the
popular resort-lodges and High Sierra
trail camps, at rates as moderate as $4.
a day, American Plan.
See your travel agent or Yosemite
Park & Curry Co., 39 Geary St.,
San Francisco; 604 \V. Sixth St., Los
Angeles; and Yosemite National Park.
YOSEMITE
ir MARIPOSA BIG TREES
JUNE, 1930
29
in
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LASSCO'S fleet, headed by the lux-
urious flagship, "City of Los Angeles,"
providesa splendidly balanced sen ice.
assuring convenient choice of sailing
dates and stateroom accommodations
that exactly meet your preference.
Three to five sailings per month.
All-inclusive-Cost Tours . . . from
$285 and $3 30 . . . Los Angeles back
to Los Angeles, depending on liner
and accommodations selected. Cost
includes Hawaii's chief points of in-
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trip to Hilo and a thrilling tour
through Volcano-land.
Detailed information . . . and reser-
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travel bureau, or . . .
LASSCO
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OAKLAND: 412 I3th St., Tel. OA Hand I436
H. C. Capwell Co. . . Tel. LAkes.de IMI
BERKELEY- 9l48CcnterSt. Tel. THornwallOOoO
The Sports Calendar
Continued from page 22
Uncle Sam's daughter has reached the
finals and been installed as favorite In
the team matches the Americans were
swamped by their British sisters.
But the amateur men golfers ot this
country, with the peerless Bobby Jones
as skipper, added another to their un-
broken series of victories in the Walker
Cup team matches, winning as they did
two years ago in Chicago without a
show of opposition trom the British
amateurs. The American professionals
have shown themselves to be superior to
their British cousins in individual com-
petition, yet on two previous occasions
have lost their team matches for posses-
sion of the Ryder Cup. It is difficult to
explain when we note how consistently
the Americans carry off the honors and
most ot the leading places in the British
Open Championship, which has come
to be recognized as the Blue Riband of
goltdom.
Concerning
Continued from page 13
of Dr. Valentiner, prominent German
critic, is giving Carroll a substantial sal-
ary and a good studio as inducement to
spend next winter there giving criticism.
He is in demand for lectures wherever
he goes for his viewpoint is considered
a prophetic one in American Art.
John Carroll's art belongs more to a
possible tomorrow than to the today
except as one finds the present among the
sophisticated city dwellers Carroll senses
the rhythms of jazz, the pulse of move-
ment and idea that permeates the life of
today, forecasting a somewhat synthetic
future His subtle grey tones, the elusive
spirit of his figures, the arbitrary accents
in his drawings speak ot a life where
ideas are reality, where the superficial
structure reared by modern civilization
is the only actuality Today Carroll's
work speaks ot New York because there
such lite is evident Tomorrow his wrok
may speak as eloquently ot conditions in
San Francisco.
Captain Ito Shinji called it "good
luck" when the new motorship
Tatsuta Maru crossed the Pacific in
record time on her maiden voyage This
sounds like mere modesty when one
knows the preparation that preceded the
voyage.
Twelve days and eight hours from
Yokohama to San Francisco ! That is
the record of the first all-Japanese built
and motored passenger liner Back of
that record are the years ot training in
foreign countries of the shipbuilders and
designers; years of engineering which
led to the perfection of the Mitseu Bishi
■Vhj
i -i
1 la
j
[IP
H
I .
iff
•
Ei,
f'
In
A day
that took
2000 years
to make
JNIorthward from San
Francisco, halfway south
from Portland, a shaggy
California shadow stretches
into Oregon, and under-
neath it there's a day that
took 2000 years to make. It
is the day en route to the
Pacific Northwest, or back
again, that sees you through
the Redwood Empire.
TheRedwood Empire tour
can be a feature of your trip
to theNorthwest via Shasta
Route, for but S 10.40 more.
Comfortable motor coaches,
(with glass tops, so you can
see how high the big trees
really are), speed you
through a hundred miles of
Redwood forest.
Low round trip fares on Pa-
cific Coast now in effect. Low
fares East on sale until Sept.
30. Return limit Oct. 31.
Southern
Pacific
E. W. CLAPP
General Passenger Traffit Manager
San Francisco
30
THE SAN FRANCISCAN
YOUTH
AT THE
WHEEL
Adventure ahead and the zesr
enjoy it. Age does not matter
— twenty or forty — it's the youthful
spirit that counts.
It is Youth that snaps up new
models — Youth that is keen for
style. Youth knows both highways
and skyways. Youth demands
modern books, sees modern plays,
keeps the wheels of progress hum-
ming.
And it is men and women such
as these — young in years, or in
outlook on life — who prefer The
Call-Bulletin. For this newspaper is
edited in the modern manner — at-
tuned to the swift tempo of today
— alert for the changes of tomor-
row.
To advertisers, the Call-Bulletin's
great, youthful audience means:
Ambition — desires, and the means
to satisfy them — quick response to
the buying urge — action . .. results!
*CALL BULLETIN
SAN FRANCISCO'S LEADING EVENING NEWSPAPER
The CALL* founded 1856 The BULLETIN* founded 1855
San Francisco's two oldest newspapers, welded in August 1929, into a single solid unit . . . wise with
the experience and venerable with the tradition ol 75 years ... but geared to the modern tempo, youth-
ful in viewpoint, ever vigorous and alert in public service. »»»»»»»»
Tursai diesel engine, which is the Japa-
nese improvement on the Swiss diesel;
and the years of experience of the
captain.
Captain Ito was chosen to command
the new vessel because he is one of the
finest sea captains Japan has produced.
His record includes twenty-six years of
active service. He graduated from the
Tokyo Navigation School in 1903 and
saw service first on the Taisai Maru in
those days when it was not uncommon
to spend sixty days in the trans-Pacific
voyage. Subsequently he was given
command of the Kushiro Maru, Ko-
kura Maru, Totori Maru, Maksuei
Maru, Shidzuoka Maru and the Siberia
Maru He has crossed the Pacific eighty-
six times
As captain of the Siberia Maru, Cap-
tain Ito took Prince Chichibu to the bed-
side of his dying father, the Emperor,
for which he received a decoration. He
also was decorated by the Crown Prince
of Sweden as Knight of the First Order
of Wassa in recognition of services when
the Crown Prince was on board the
Siberia Maru.
Captain Ito captained the Siberia
Maru until June 29, 1929. Then he was
sent to the Atlantic to travel and study
modern methods He made six cross-
ings on board the Bremen, the Aqui-
tania, He de France, George Washing-
ton, Augustus, and Kingsholm, all new
ships known for their fine service. After
this period of observation, Captain Ito
returned to Japan to supervise the com-
pletion of the Tatsuta Maru in the ship-
yards at Nagasaki and to superintend the
installation of her equipment. And after
all this preparation for the voyage, Cap-
tain Ito says it was "luck" that brought
the Tatsuta to San Francisco in record
time.
"Luck?" Probably the same sort that
gave the captain a score of 47 and 52 on
the Presidio golf course when he played
while the ship was in port. The sort of
luck that bolsters up his hope to meet
the United States' golf champion some
day.
Those Were The Days
Continued frum page 16
yet it is located on the crown of a hill so
steep that a footman cannot ascend it
without frequent intervals of rest, but by
the use of the Clay street cable-road the
summit is one of positive luxury.
(And all for a nichj.e.)
"On this hill will be found residences
ot Ex-Governor Leland Stanford, Charles
Crocker, and the widow of Mark Hop-
kins, every one of which cost a million
or more dollars.
"Montgomery street is to San Fran-
cisco what Wall street is to New York,
JUNE, 1930
31
7//c World Famous
V
vaSsador
S* LosAmfcles
Miss Mary Garden
in one of a large num-
ber of unsolicited com-
ments by world famous
celebrities, writes:
"Why live elsewhere
when the Ambassador,
the most beautiful hotel
in the world, is here!"
No hotel in the world
offers more varied at-
tractions . . . superb 27-
acre Park, with minia-
ture golf course, open-
air plunge and tennis
\<S5=^' courts. Riding, hunting
and all sports, includ-
''££/£. ing 18-hole Rancho
Golf Club and Archery-
Ranges. Motion picture
theater and 35 smart
shops within the hotel.
Famous Cocoanut
Grove for dancing
nightly.
Write fa Chefs Cook Rook
of California Recipes
BEN I-. FRANK
Manager
v£:
J. B. Pag.m.. II. A.DunUp
L. J . Capurro
hTaJloriili
Avansino Bros.fiPCo.
is? Goto St
jjjn \?tjvtv0
Flower Orders Tclejraphctl An> « ban
and as the people are consummate stock
gamblers, these institutions flourish
constantly with a rare prosperity ( Uh-
Intli ) Kearny street is the retail and
fashionable thoroughfare, and prome-
nading on it may he tound more entranc-
ingly beautiful women to the square
foot than Paradise has to the square acre
"One of the most interesting features
of San Francisco is Woodward's Garden,
a pleasure resort located in the south
western part of the city, and filled with
many wonders, principal among which
is the aquarium, which I have no hesi-
tancy in pronouncing the finest on either
continent (And here it begins to he
come apparent that Mr fieitl has prob-
ably never been there )
"The Bay of San Francisco is a harbor
capable of anchoring every ship on the
globe, and is universally pronounced
superior to all others in the world. A
sportsman from the East crossing this
harbor can scarce contain himself on ac-
count of the myriads of wild fowl that
sit so lightly on the dancing water
Ducks, geese, brants, coots, and mud-
hens are super-plentiful insomuch as
they are scarcely considered game, espe-
cially as deer, turkey, and prairie hens
are abundant, and grirzly bears arc
sometimes too easily found ruminating
in the adjacent Sierras.
"In the last few years San Francisco
has been building a park which, when
completed, will be a spot worth a thou-
sand miles' travel to visit (Unless
you're in a taxi I
"The Cliff House is built on a rock
that towers in symmetrical grandeur
above the restless waves that unceas-
ingly lave its base From the long porch
that traverses this building may be had
the most sublime view that vision ever
photographed Lying a few hundred
feet from shore are the Seal Rocks, bold,
jutting upheavals, with pinnacles point-
ing directly starward, on which a thou-
sand seals hold their eternal council The
maddest waves dash round these Hcrcu
lean monuments, throwing up rainbows
o( living sprav and building crests upon
which ride the lords of the rocks Hun-
dreds of sea lions hover around in the
breakers or clamber up the slippery sides,
while some, apparently on adventure
bent (a big thing in a sea lion's life)
amble with cumbrous llippcrs to the vcrv
apex, and from this lofty and circum-
scribed pinnacle, throw .1 headlong leap
into the foaming crests below Some
times the most desperate fights occur
among these fierce animals, when their
roars and terrible growls will not lail to
excite fear on the part ol more timorous
observers. (With a slight fluttering of
the lashes and a tendency to faint gi
fully into a Qentleman's arms we sup-
post
"On the seashore there are quaint
and curious shells peanut and mollusc)
JUNE IS
MIDNIGHT SUN"
TIME IN
Alaska
You'll really know long vacation days
when you watch Alaska' s summer sun, shin-
ing all day . . . and nearly all night ... on
giant mountains, glittering glaciers, and
the quaint old Totems that always look
over the w ater !
And this summer, a newly -augmented
vacation -fleet, with fame<l Canadian Na-
tional service throughout, to complete the
Alaska cruise.
Sail from Seattle, or Vancouver, north-
ward and farther northward through the
Inside Passage ... or take British Odum-
hia's great Triangle Tour, with Vlu-ka as
an easy side-trip. From Skagway. the his-
toric Yukon is an easy two-day round-trip
while your ship wait-..
^ 011 can do it all. comfortably, OH a two-
weeks vacation ! June i- beat Scenic folderu
from—
CANADIAN NATIONAL
iln /krarst /iWik'i yystirm m fmtntw
W. J. CIIXEBSON, Gaa. \ci. .<•»■> M.rWri -1
Trlrph..n<- M llrr MM, >«n Kr«nrl~-.,
32
THE SAN FRANCISCAN
strewn by Ocean's hand amid the sand,
and jelly-fish, sea-weed, peculiar nuts,
(peculiar ne.ivspape.rs and orange peels)
and a thousand things that excite the
stranger's interest will be found pro-
fusely spread by abandoning waves. In
my visits to all the famous beaches of
America I have never found a place so
charming as the Pacific shore six miles
from San Francisco. The day is not far
distant when the summer pilgrimage of
rich people to seaside resorts will turn
westward instead ot seeking the Atlantic
shores where intense heat mingles with
every wave and the sand grows parched
with solar fires."
And so we come to the end of our
Author's rhapsody on the beauties of the
Golden Gate Metropolis with perhaps a
slight sparkle of moisture on our cheek
and a great desire to see San Francisco.
Why the Prodigies?
Continued from page 9
in on a precious Saturday afternoon (the
critics' day off), presumably to be bored
by an enfant terrible said to be musical !
Yehudi and Vicuxtempts, in perfect ac-
cord, retired with ace-high honors, and
the dreaded prodigy was world-press-
agented within forty-eight hours.
"How can he play so at five years of
age?" began all the tongues.
"Reincarnated" flew from mouths,
while religious prejudices against such a
theory had no answer. "Heredity," said
others, and, true, Yehudi's parents are of
a highly cultured race, but that hardly
explained the tremendous advance of
spirit and brain in five years. "An old
soul"; "Mozart singing through the
violin " Not inconsistent, these asser-
tions, but why did Mozart, in his new
body, come to San Francisco?
Next startling on the horizon was
Ruggiero Ricci; slim, petit, aged seven.
With Yehudi alone ringing in our ears
for four years, a now considered im-
mortal prodigy, it was absurd to speak
of another child in the same breath.
Nevertheless when Ruggiero, on the
platform ot Scottish Rite Auditorium,
played his stupendous program — Men-
delssohn Concerto included —the house
became a storm center, with the usual
rafters ringing He was brought back
ten or a dozen times, acclaimed by all
musical authorities as another evangel
of the violin
"How could it be?" Queries now
were sometimes hysterical and supersti-
tious Yehudi was an idol, sufficient for
local pride and history for all time; no
other was imagined *nor wanted; it
seemed almost irreverent to apply the
words, prodigy or genius, elsewhere.
But assertive truth blazed its way and
with Yehudi losing nothing, Ruggiero
was crowned and set side by side on the
throne of genius
Comparisons need not be entirely
withheld; Yehudi was colossal and
sturdier; Ruggiero was a fairy, playing
not only far beyond his seven years but
beyond mind. His fingers were sumptu-
ously guided by the unseen through a
technique and passion of rarified heights;
no failure was possible, nor has he had
any; his guiding gods are those of faith-
ful bewitchment.
"Reincarnation" became the word of
the day. But why in San Francisco? Born
here, Ruggiero is, nevertheless, pure
Italian by blood. His progenitors had not
the cultured advantages ot Yehudi's So
heredity, in his case, constitutes no argu-
ment in his favor.
Beverly Blake, also seven, looking
like a toddler, came to public eye after
one and a half years ot human guidance.
Her feminine form placed no restriction
on her musical soul, and in the baby face
there was a light and an unconscious
glory as she wielded the shortened bow
with conviction across a diminutive in-
strument She is San Francisco born and
American, a challenge to those who re-
ject this continent as a breeding place ot
art or genius If turor for Beverly was
shorter lived, it was through her quick
withdrawal from here, going at once to
"centers" for more rounded observation.
Do you know what can be
done with chintz?
Perhaps you are accustomed
to thinking of usj only in con-
nection with the finest things
and it has not occurred to you
that we can do wonders with
very simple materials.
We shall be glad to consult
with you regarding the arrange-
ment of the most informal room.
A. F. MARTEN CO.
H.LIEBESc^CO.
GRANT AVE. AT POST
The Sports Costume
requires every bit as
mucli thought and at-
tention to detail as the
most formal ensemble.
H. Eiebes & Co. s
complete collection
of smart and correct
sportswear and sports
accessories makes se-
lection a delight!
J I \K. 1930
33
The li»l<kway of
• • llV;iiilv • .
In the Temple of Perpetual Beauty
dedicated to the scientific fulfill-
ment of women's beauty needs
you are given unusual treatments
with rare cosmetics of mystical
Egypt.
A visit to this unique place gives
you the privilege of consulting
a beauty authority whom you
know but have never before had
the opportunity of seeing.
KAYA LAMA
THE TEMPLE OF PERPETUAL YOUTH
Suite 536-7-8 L'cbn Building
San Francisco SUtler 1432
And, perhaps, ics hosom swelling with
pride as parenc to genius, San Francisco
is becoming complacent, not so out-
bursting with the event ot a new child
swathed in music fabric : complacent
but never indifferent
Two more are hailed within the year
1929-1930 — little Grisha and small
Harry Both are Russian as to antecedents
though the souls marched forward to
San Francisco for such earthly instruc-
tion as was needed, and to feed upon
California's harmonic emanations Both
have held musicianly audiences and
promise to bring further pride upon the
West Harry's debut is of very recent
date He gave the Haendel Sonata in
A major and the Bruch G minor Con-
certo— too great a task, indeed, though
the marvel of eight years grasping such
technique is alone worth note
From the winds ot our vast valleys,
the nobility ot our mountains, the
riotous fragrance ot plains and fields,
the thundering melancholy of sea, all
colossal forces at this point of the globe,
comes an intelligence seeking to express
a chord. And if nature, by caprice or
wisdom, has thus chosen this geographi-
cal channel, she finds radiant outlet
through five young human instruments.
Spotlight
Continued from pape 1 5
over in Berkeley Many of his one-act
plays have been produced there He did
a number ot classical short stories into
plays, in co-laboration The volume was
published by a New York publisher But,
more than all this, he is forging ahead as
a short story writer ot great promise
The June issue ot Harper's Magazine has
a short story "After All," from his pen
It is the Soth anniversary number of the
Magazine and Mr Hartley is therefore
in most distinguished company
IT would seem then that come weal
come woe the Little Theatres and
the Duffy Players are forever with us
We hope they both will continue to pros-
per if tor no other reason that that thev
bring the spoken drama within the purse
of the man in the street We still think
that producers of plays are too disdain-
ful of the man who at one time packed
the galleries Years ago a famous theatri-
cal man said : "The gallery god of to-dav
is the orchestra man ot to morrow
Since the galleries are empty and have
been tor a decade, no wonder the orches-
tra seats are likewise deserted We under-
stand that one of the biggest publishers
in New York is getting ready to reduce
all new fiction to a dollar Let the man
agersot playhouses sit up and take notice
The time has come to fight the movies
with their own weapons, reasonable
prices.
Nellvtiaffneyin..
J 354 Pet Street
San Francisco
Flowers /or the
June Bride
for the Wedding Bouquet
Orchids Bouvardia
Gardenia Stephanotis
Lily of the Valley
for Decorations
Gladioli
Delphinium
Snapdragons
June Roses
"THE VOICE OF A THOUSAND GARDENS*
?r4-2?o Grant Avenue
Ph..nc Sitter 6200
SAN FRANCISCO
Orders Teltgraphtd \n\u here
^p% 0^r*i *¥*< **r*i rr-i *T«» *T«s f*T~*
34
THE SAN FRANCISCAN
f The ♦
~ JUNE BRIDE
will find joy in her
SILVER
The most favored
of individual gifts
s
In our new Silver Room, in \
addition to the regular^
Silver Section, will be^r
found a profusion of the j
latestcentions in Sterling \
Silver, Antique Shef- J
field and Sheffield repro- \
ductions. J
\
GUMP'S
Two-forty-six Post Street
San Francisco
ri r i n r ^
Every
Woman
Can
Be
Beautiful
a c 1 a 1 s
133 Geary Street
SUtter .... 5383
All 'Ron ml Town
San Francisco is no place for a little
stranger to tackle without a map, a
compass, and the ability to speak at
least five languages, but we might as
well give what advice we can and hope
for the best
For those people who are slaves ot the
tea-drinking habit, the list ot under-
world dives is almost illimitable The
big three, as far as present popularity
goes, may be said to be the Temple Bar
Tea Room, (occupying the historic site
of the old Temple Bar and fast becom-
ing one of San Francisco's higher institu-
tions) the Courtyard, (where tea and
luncheon is served in the open air in the
sunshine, or indoors beside a crackling
fire when the weather is not what it
might be) and the Russian Tea Room
(And that means really Russian, with
colorful costumes, honest-to-goodness
Russian food, and music on zithers and
things ) Of course, all the big hotels like
the Mark Hopkins, the Palace and the
St. Francis are conventionally correct
places to be seen during the tea hour and
all serve delicious sweetmeats and
dainties. There is a perfect galaxy of
other nooks-and-crannies including the
Bib and Tucker, the Green Gate Inn, the
Loggia, Le Jardin, Charlotte's, etc (Out
of the friendliest impulse possible, how-
ever, we would advise that you not let
yourself be intrigued into going to the
Japanese Tea Garden unless Aunt Hattie
simply insists.)
It being just before dinner, when we
troop into the nursery with the kiddies
tor bread and milk, our mind runs to
nourishment, and what's more, sticks
to it
Like most of us, you are probably
pretty sick and tired of hearing about
San Francisco's Chinatown, but we
doubt if the thrill of being able to walk
into a Chinese restaurant unarmed and
order things one has never heard of be-
fore will ever quite lose its glamour for
even the most Life-weary of us. For a
mid-day adventure we suggest the
Chinese Merchants' Lunch at the Moon
Cafe, (675 Jackson, for the uninitiated)
1 1 -.30 to 1 2 :oo a m , where your luncheon
is set in front of you without the usual
endurance contest with the menu, and
where you will find the total expense
coming to something between 1 1 and
35 cents The idea is that they watch you
like a hawk and you pay for only what
you eat out of what is set in front of you
It's all great fun for the simple-minded
sophisticate.
To continue our tour of Chinatown's
sinks ot iniquity, (all for two-bits, folks!)
about the best place for a Chinese dinner
is Hang Far Low, (Grant avenue be-
tween Sacramento and Clay) the Chinese
Wrong Number
Anonymous
SHE had just put down the receiver
two minutes ago, and now the bell
tinkled faintly —
"How can I dress, if he keeps calling
me up?"
A determined ring the next time could
not be ignored. In one boudoir slipper,
she limped over to answer the insistent
thing.
"Well," hurriedly.
"I'll be right out," said an optimistic
masculine voice.
"What?"
"I have something for you," confided
this cheery person in a tone of finality.
He spoke as if she anticipated his visit —
as if she ought to be glad to see him.
"WHO is this?"
"Larry." (She didn't know Larry
from Old Harry, but why not humor
him?)
"Oh."
"Are you going to be home?"
"Wouldn't tomorrow do?"
"I thought I was expected today" —
"No, I am expecting my husband" —
"He's the one I want to see," Larry
snapped impatiently.
"Really? Well, I haven't any hus-
band." (She would have to hang up on
this persistent man, or be late meeting
the aforesaid gentleman she had just
denied.)
"What number is this?" instantly de-
manded the exasperated driver.
"The WRONG one! And I'd like to
finish dressing for dinner, I am going
to —
"Hell!" (aside, looking in order
book) "now where was I supposed to
deliver this Tipo Juice?"
"Pardon me, lady, Central gave me
the wrong number. Someone ordered a
barrel of Tipo Red Juice from the
Italian-Swiss Colony" —
"Oh, if that's what you have, won't
you please bring us a barrel tomorrow?
We have been wanting to try some of
their products. The address is 21 Cala-
fia Terrace. I'm glad you got the wrong
number, Larry."
Author's Note:
Why don't you try some of their prod-
ucts, Skeptical Reader? ONCE con-
vinces you! Perhaps you'd rather have
white Tipo, or Muscatel, or Angelica, or
Sherry, or Burgundy, or Reisling, or
Port Juice of the Grape.
If you telephone Italian-Swiss Col-
ony, GArfield 3546, our representative
will call and tell you some interesting
facts regarding the condition of ASTI
COLONY Juice of the Grape NOW,
and six months hence!
N.B. — Keep on, until you get the right
number! Italian-Swiss Colony, GArfield
3546. Adv.
JINE. 1930
35
lor gentlemen
of action ....
We suggest one of the new Ox-
ford wejve shirts ... In case
you're not a gentleman of action,
we might add these shirts are
splendid for loafing.
$O50
ELUSIVE
Constant eyestrain is
the elusive robber of
your vitality. Stop this
continuous thievery
at once.
Telephone GArfield
0272 today for an
appointment to have
your eyes examined.
JONES, PIHTHER
& LINDSAY. Inc.
OPTOMETRISTS
3*9 CEARY STREET
San Francisco
restauranc which has probably been
patronized by old time San Franciscans
more than any other. (And if vou go,
say hello to Charlie tor us )
There is a little restaurant known by
the fragrant name of The Magnolia
(Powell near Broadway) where about
the hottest and most truly Mexican food
in town may be found it you creep in on
tip-toe The pale green walls with the
small-pox pattern mav seem unappetiz-
ing, but you'll be overlooking them in a
way that's nothing short ot rude after
you're third tortilla or tequilla or what
ever they call them
In the district around about Golden
Gate avenue and Fillmore, you will find
a lot of Kosher restaurants worth in-
vestigating (and you won't embarrass
anybody if you wear a badge) where the
viands are the crackers (We're sorry to
have forgotten the address ot the one we
visited, but we understand that you may
safely take your pick as you whir by on
your bicycle They're all good.)
Egyptian food is almost beyond our
limited scope, but, it you are simply
determined to be devilish, you might
take a fling at the Nile Cafe on Stockton
near Sutter In any case, you are sure to
feel no end exotic what with Turkish
coffee and one thing and another.
It you have been a San Franciscan tor
anything more than two or three hours,
some pal has already trisked you off tor
an Italian dinner (Dinner Hah! A nice
way of saying it!) Unfortunately, most
of these places where they'll serve you a
tunny looking dark red liquid in tea pots,
are nothing to jump into the air and
click heels about when it comes to food.
The tact is, (all you out there who are
still listening) that the better Italian
restaurants won't take the risk. So — if
you can take your mind oil the Digest
poll for a couple of hours, we heartilv
(and perhaps a little bit boisterously)
endorse Coppa's. (On Spring street,, an
allev running between California and
Clay parallel with Kearney and Mont-
gomery ) Joe Coppa is one of the real old
San Franciscans ot the "before the fire''
period and, to put it modestly, is one ot
the best chefs in our sea-coast hamlet
Having partiallv cleared up the food-
stuff situation, sir, we have the best in-
tentions in the world ot taking it up
again in our next installment (Along
with the amusement problem.) That is.
we will take it up, and you can la\ it
down and decide to go to the Mark
Hopkins anvway.
RWJL ELDERS
239 Post- Sheer. San Francisco
Wp
LCVE IS GRAND
She — Do you really love me, Arthur?
He — Of course I do, dear. Why?
She — Because I think maybe you might
get me that little coupe you
promised.
//e— Can't spend so much for it right
now, I'm afraid.
She — If I find one I like for just a few hun-
dred dollars will you get it?
He — Sure.
She — All right. Put on your hat. Because
I've already found it — in Examiner
Want Ads.
P.S.— She got the Coupe
SOUP OR SALAD > > -
* > < PUDDING OR PIE
YOUR VARIABLE JUNE APPE-
TITE WILL FIND SOMETHING
TEMPTING AT THE POST
STREET CAFETERIA
IFTHE
DAY IS HOT THERE ARE ICE
COLD SALADS— AVOCADO
AND GRAPEFRUIT — FRUITS
WITH CHEESE— VEGETABLES
WITH SHELL FISH
WHEN
COOL WINDS FLURRY
AROUND THE CORNERS
THERE ARE HOT SOUPS,
STEAMING ENTREES IN UN-
USUAL VARIETY AND FULL-
FLAVORED VEGETABLES . . .
THEN FOR DESSERT THERE
ARE OTHER ENTICING
DISHES — FRUIT PIES WITH
FLAKY CRUST— RICH CAKES
WITH FANCIFUL ICINGS— AND
PUD DINGS TO INSPIRE A POET
COME TODAY AND YOU'LL
COME AGAIN TOMORROW!
Post Street
Cafeteria . .
62 Post Street
36
kTHE :WHITI2H€ffi8feO-
\V RAPHAEL WEILL 8 COMPANY/ a x
\ No^ Kan B£ T#l<kH
(une . . just about the height of
everything in the year's calendar, in-
cluding its position as the strategic
clothes' month of the season, too. Then,
if ever, your wardrobe, whether it
stresses the vacation or the remaining-
in-town theme, must have reached its
peak of completeness and chic There
are several months after June, too, ot
course, in which to continue to enjoy the
fruits of the perfect wardrobe, but it
June doesn't start out right, what price
the remainder of the summer7 It be-
hooves the wise woman, the beautiful
and the beautifully clever, to be ready
and waiting for the happy surprises that
|une keeps up its sleeve (we'll warrant
it's one of the new and ample Molyneu*
sleeves!)
Just because business or other interests
insist upon a more or less set and limited
time for your vacation does not mean
that you have to mentally murder that
imperious little vacation-minded imp
that can think ot another place to go
and do things as fast as you resist the
last impulse There are always week-
ends begging to have something done
about their tantalizing extra time. And
the "week-end vacation" is a modern
specialty.
Why not plan a different destination
for every one of the four week-ends in
June? If you're feeling in a thrifty mood,
think of the possibilities for saving
while pleasantly vacationing, too. One
outfit, with a minor change here and
there, in four different environments in-
stead of four different outfits in one en-
vironment Or if you can't resist that
spendthrift urge there's the pleasing
prospect of planning a separate ensemble
for each week-end
After all there are only so many hours
to a week-end, and no matter how glori-
ous a time you anticipate there are only
so many costumes that can be worn
during that time. So, after they've been
chosen with care and an eye to concen-
trated effectiveness, the experienced
week-ender packs them with care, also,
so that nary a wrinkle or crease will
steal from their charms. For that, just
one thing is needed, in any of a number
of exteriors and at any of a number of
prices. We mean a Wardrobe Hatbox.
Such a travel luxury (a necessity, once
you've used one) makes all the differ-
ence in the world in your attitude
toward travel. The Migrator (one of its
trade names) adapts itself with well-bred
flexibility to any-sized wardrobe, and
carries two or ten dresses with impartial
lack of wrinkles, either on big or little
trips You hang them up on hangers just
like your closet or wardrobe trunk.
Furthermore, there's ample room for
hats, shoes, lingerie, tooth-brush, and
you might be able to crowd in the
kitchen stove in an emergency !
When you bring your summer ward-
robe up to that June pink of perfection,
do remember to at least visit The White
House luggage shop (on the third floor)
and see these typically modern, compact
Wardrobe Hatboxes that will keep your
wardrobe in that condition, no matter
how much vacation traveling it does.
ADVERTISEMENT
THE SAN FRANCISCAN
Concerning
Bridge
By PAUL BLACK
Comparatively little has been writ-
ten on defensive plays in bridge
The one who plays the contract has been
lauded to the skies. The kabitzer sees the
spectacular in the play of the declarer but
does not observe the heroic plays of de-
fense. These plays go unlauded and are
lost in the sweep of declarer's campaign
If there are subtle moves by defense and
cunning little notice is taken of them.
It is the purpose of these discussions
on defense plays to bring out the finer
points in such a way that their impor-
tance will be recognized so that due
credit will be given to them.
Conventional bridge consists of fol-
lowing the recognized methods of play-
ing with certain holdings. Unconven-
tional play consists of manoeuvers that
are irregular and unexpected Most ot
the highlights of the game are found in
the unconventional plays These uncon-
ventional plays may be intricate and
successful or they may be complete
failures. The difference between the ex-
pert player and the novice lies in the
knowledge of the conventions of plavs
and the use of the unconventional
methods The expert uses both with a
purpose. The novice plavs without a
knowledge and without a logical pur-
pose
No hard and fast rules for defense can
be laid down for all occasions and with
all players If the declarer is conventional
in his playing the defense must be planned
to meet it If he is unconventional a very
careful analysis of his plans will be
necessary to cope with that procedure
If one defense partner is conventional
and unimaginative the other partner will
have difficulty in using any unconven-
tional methods successfully Study your
partner's mental prccedure as well as
that of the declarer and play with a pur-
pose and with imagination
These discussions will set forth the
conventional and unconventional pro-
cedures to meet declarer's methods of
plav and frustrate his plans. They will
also explain how to take the aggressive
in defense.
THE PLAYERS
Whfn the auctioning in auction
bridge or the contracting in con-
tract bridge is completed the playing of
the deal begins In both games the plav-
ing should be the same.
The defense players are known as ad-
versaries The one sitting to the left of
the declarer, who plays the contract, is
senior adversary. The one sitting to the
JINE, 1930
37
PENINSULA SHOPS
r-p 3
153
Spring Collections
of Daytime and
Sports Wear » » * *
141 1 BL'RLINGAME AVE.
BURLINOAME
1223 BROADWAY
REDWOOD CITY
♦
♦ I
Beautiful, natural.
wavy hair ma) be
bad with Albert's
gentle system of
permanent waving.
WRITE FOR
BOOKLET
Manicures
Facials
BEAUTT
;alon
Albert.
Me PALACE
S600
73S9
PALACE
HOTEL
right of declarer is junior adversary.
Senior adversary makes the opening
lead in each deal.
Declarer plays both his hand and that
of dummy and has the advantage of be-
ing able to see both hands and coordinate
them in a plan of campaign that will
function most perfectly. It behooves
both adversaries to cooperate in their
play or they will fail to use their strength
to the best advantage
If the defense is one of aggression or
attacking fearlessly the declarer the de-
fense player who first sees this oppor-
tunity becomes the captain of the defense
forces and the other tails in line with his
plan to assist If the defense has no plan
then each player must patiently wait to
frustrate declarer on every play.
Perfect teamwork in defense can never
be obtained bv a critical attitude ot mind
concerning the plays of the partner.
Encourage and commend the partner
who sits opposite and he will play his
best There is no test of good breeding
more severe than the test of defensive
play at the bridge table
Defense tactics in no trump contracts
will differ in principle from those use
in a suit trump contract. There will be
differences in the tactics in both instances
for both senior and junior These will be
discussed at length later
CALIFORNIA SCHOOL
OF FINE ARTS
Affiliated v. i th the L'niv- I Jifornia
Chestnut and Jones Streets
San Francisco
Telephone GRaystone 2500
SUMMER SESSION
June 23 to August 1, 1930
Professional and teachers' courses in
Painting, Drawing, Sculpture,
Design and Crafts.
Call or write for Catalogue
Lee F. Randolph, Director
EDWARD RAYMOND
MOFFITT
Designer and
Maker ot
Fine
Furniture
Antique
Reproductions
STUDIO
H L Mack Buck
DSL MONTE
CALIFORNIA
Monterey 1092
"What $2800
Buys
Dee Wite Model 10:
A 6-passenger, all
mahogany 19-footer
powered with 8-cyl.
140 fa.p. Gray, giv-
ing a speed i >( 40
miles per h«>ur.
Luxuriously uphol-
stered and equipped
with the latest in
marine hardware
and accessories.
M I L E S
PER
(Dee Wite Model 10)
Step aboard a Dee Wite Model 10
speed boat, settle yourself comfort-
able, take a good breath — and hold
on for dear life. With a snap this
Dee Wite darts away to a speed of 40
honest miles an hour, giving you
the thrill of your life. Take a Dee
Wite — there are 12 different models
from which to choose — with you to
your summer home or camp and
pack a year of living into the sum-
mer months.
RHUebgenCo.
SLIMIT E. D^"'
*». <:tc *-• ES
$?6MM>K£TST.
sah r/wtc/sco
modern motor shins
sail monthly from
san francisco via
panama canal to the
mediterranean
M&
spam
franee
Italy
a 38-day cruise for three hundred dollars
libera line
(general steamship corp., agents)
has moved into luxurious new offices
219 sutler street
KEarny 4100
"worldwide teiviee — at your service
38
THE SAN FRANCISCAN
We welcome the crowds that
come for luncheon each day
... let us assure you that, no
matter how rushed we are,
the high standard of cooking
is our first concern ... all
food is cooked under the per-
sonal supervision of
SMrs. <Belle T>e Graf
%
You may also order your
favorite calces and pies
to tak.e home
Downstairs in the
MONADNOCK BUILDING
Market Street
Outspoken Anecdotes
Continued from page 12
who demand to be told, instanter, how
the devil I have the nerve to be there and
what I imagine I want. (They use no
such words, but the tone and the gaze
imply such an attitude ) On one or two
occasions I've managed to win through
to the back room, and have seen a few
desirable books there But even then the
staff has stood menacingly close, watch-
ing hawkishly their chance to pounce
upon me if I so much as lay a finger to a
volume I have not yet bought anything
there . . .
Harry Stone
With Harry Stone I have dealt
scurvily. I have, some years ago, had
catalogues from him ; and I have browsed
in his shop (it used to be in Fifty-eighth
street, just off Madison avenue) ; but I
have purchased nothing My means. Mr.
Stone, are now not quite so limited, and
some time I shall send for another
catalogue.
Paul Elder's
After looking everywhere else in vain,
I finally found a copy of Ralph Barton's
Qod's Country at Elder's, just after pub-
lication. Of new books, I believe they
have always the fullest stock. I suppose
Continued on page 42
It is an inviolate truth
that the taste and
culture of the
sliver is un-
alterably
bound
in the
gift.
<e£ The Chocolates
San Francisco.
Kratz Gift Boxes packed specially
for shipping . . priced from S3.00
De Luxe Assortments
priced from S5.00
KRATZ CHOCOLATE SHOP
276 Post Street Telephone: SUtter 1964
KRATZ KITCHEN SHOP
555-565 Turk Street, near Polk
Pride of the Sierra
Forty-four hundred feet above the sea, among
the towering pines of the High Sierra, stands
Feather River Inn. In a rustic setting of sur-
passing beauty, the Inn and Chalets offer
excellent accommodations, and to the
natural recreational resources of lakes
and mountain streams are added facili-
ties for tennis, riding, golf and swim-
ming.
DANCING EVERY
EVENING
except movie nights —
Wednesday and Saturday
Tommy Weber's Orchestra
Private Landing Field
Two-Hour Notice Requested
Booking Offices : Walter Roun-
sevel. Manager, Blairsden,
Cal. ; Western Pacific, San
Francisco; Beverly Hills Ho- I
tel, Beverly Hills; 250 Park
Ave. New York; 71 Lake St.,
Chicago.
The Inn Opens
June Twenty-first
4
BLAIRSDEN. PA
PLUMAS COUNTY ^i
Oa
.Uv
lb
moass
The Ambassador Hotel is repre-
sentative of everything that the !
finest hostelry can be in location
. . . charm . . . excellence of menus
and service. . .A roster of its guests
is never without one or more
names of celebrities of the old
world and the new. It is in the so-
cial center on one of the world's
most famous thoroughfares...
PARK AVENUE AT 51st ST., NEW YORK
ATLANTIC CITY
PALM BEACH
LOS ANGELES
Jl'NE. 1930
39
Paris Letter
By JACKCAMBKI.
Heeai ds of warm weather and many
tourists arrived before Easter, tar-
ried long enough to excite the impres
sarii of the boulevards, and then de-
parted leaving many hundred nearly
nude chorus twirls shivering in the hrst
blushes of their new appearances The
tradition lias not altered; the music halls
are just the same With the exception oj
the ubiquitous influence of the talkies
and the lamentable absence ol the in-
imitable Chevalier, the revues differ
little from their predecessors
Mistinguett, still an old favorite, has
returned to the Casino de Paris and
hopes to linger there till September when
the dusky Josephine Baker, returning
from New York, will shake her fuligi-
nous limbs up the Rue de Clichy to the
hushed dropping ot manv ten tranc
notes. For, the promenoir ol the Casino,
still retains its ten tranc Carifl
With one more leather than ever be-
fore, might be the name ot Mistinguetts
new "Paris-Miss " She pants and kick's
and giggles, and prances down stair-
cases the whole evening once she arrives
on the stage, forty-five minutes after the
rise of the curtain She has herself sur-
rounded hv Jackson girls and Jackson
boys, by the nimble Earl Leslie, and the
Norwegian Rocky Twins, who will
wander next season to Broadway under
the Shubert aegis
The three song hits are those from
"The Broadway Melody," the dances
are a critic more ancient, and an innocent
auditor might well be fined for laughing,
so barren is this revue ot real humour
At the Folies Bergere are several
spectacular numbers, which, when done
by George White eventually on Broad
way, will he as truly effective as they
were envisioned to be. The highlight of
the evening is an underwater effect, done
with mirrors, of a pearl diver and a mer-
maid There are several other moments
of tepid interest, but again this revue
sutlers from an underdose ol humour j.nd
music
On the eve ol her second American
invasion, Raquel Mcllcr has returned to
the Palace in a St Granier potpourri
She now gives a matronly interpretation
ot the numbers which benefitted so
pleasantly from her erstwhile girlishness.
Her costumes are gorgeous, although
somewhat larger than before, and her
voice indulges in a pleasant moment or
two, aided by those once bewitching
eyes
Her co-worker, St Granier, on the
other hand, does a particularly sour
impersonation ol Chevalier in addition
to the funniest sketch on the boulevards
Busy Women
tired . . .
NERVOUS . .
OVERWEIGHT
consult . . .
cj^riss^ulia Johnson
Graduate Swedish Masseuse
DIPLOMA PROKKSSOR Suite 211 Elcvat i-il Shop*
ULMANN'S INSTITUTE ISOPOWBLI STREI I
STOCKHOLM, SWEDEN DOuglaS 6493
I
OSEPH'S
Florists
Wedding Bouquets
Sec Our Gift Room
for Wedding and Birthday
Gifts
Telephone DOuglas 7210
233 Grant Avenue
(Opposite the White House)
1 /***■ s. ^.
j THE SAN FRANCISCO BANK j
INCORPORATED FEBRUARY lUTH, 1868
One of the Oldest Banks in California, the Assets of which have
never been increased by mergers or consolidations with other banks.
Assets over $125,000,000.00 Deposits over $120,000,000.00
Capital, Reserve and Contingent Funds, $5,450,000.00
Tin following accounts stand on the Hooks at $1.00 each, viz.:
H Bank Buildings" and Lots - Value over $1,925.01
Oth i [teal I state - - - (Value ovei $308,00
Pension Fund - - - - (Value over $670,
Interest paid on Deposits at 4' j pel cent iht annum
( omputed Monthly and < ompounded Quarterly
40
THE SAN FRANCISCAN
As an old countess who is having her-
self rejuvenated and her house repainted
on the same day, this comedian has
material for some of his undeniable,
though seldom used, talents.
For the French and those au courant
with the gossip of the city, Rip's new
revue at the Daunou is the most priceless
series of comments which has arrived in
many seasons This satirist burlesques
the leading plays, the scandals of the
moment, and includes one medical skit,
which is the loudest laugh in Paris
Established hits, revivals, and a flock
of failures have characterized the last
breaths of this, the best season Paris has
known theatrically since the war. Amer-
ica will see "LeSexe Faible," "Etienne,"
"Marius" and "Melo." Already New
York approves highly ot "Topaze," al-
though it is agreeably supposed "The
Criminals" and "Amphitryon 3S" will
never see transatlantic production The
Guitrys will follow their present dull
revue "Vive le Theatre" with a revival,
the Pitoeffs are doing "St. Joan," Bern-
stein has brought back "Felix" while
Jane Marnac has dusted off "L'Ecole
des Cocottes" since Noel Coward's
Victorian gesture "Bitter-Sweet" bored
the Apollo audiences to clamor for
more theme songs.
Now It Can Be Tohl
Continued from page 25
starts: "I had just met . . . — I was a bit
flattered and all that But what a surprise
when she started showing me proofs of
some photographs she recently had taken.
They were beautifully done — by a pho-
tographer we all know. There she was.
Some of just her head, some of her seated
others of her hands or feet or some part
of her. In some she was wearing her
latest frocks, in others — well, she
wasn't . . ."
His story continues on from there —
with choicer details along the way — and
some he reserves for selected audiences
. . . but already our memory is playing
tricks. Wasn't it in the first act ot
"Diamond Lil," the grand entrance, in
&L
fact, when photographs were passed
around? And were they not hailed as
"some in this dress and some in that —
and 'these for the bedroom' "? Some-
how it seems as though Hollywood
doesn't have to go tar tor its latest in-
spiration.
i*
^.^ V* a. r a. j a. -j a. -j =. j a. jl.j a j a jt j< ji ji ji a j a j a j a. j ' f
WWMMMfkmmMM^. -., ,, *, L ■ .
BOYS AND MOTHERS
BOTH APPROVE OF
as
The
Fairmont
Boys'
Apparel
Shop
They know the
importance of
smart clothes for
the boy who
wishes to appear
disinguished.
K
:-:
Domestic and foreign fabrics tai- M
lored along lines the well dressed S
boy prefers. Sturdy and service- s»
able. Correct in style. "
Exclusive Models for 'z°,
Boys and Youths of all ages * "■■
K
Fairmont Hotel
Entrance 817 Powell Street
•
1
E jtK
■ £&&
\ ^
[
1
1
w 9
u(Dt>n
E J
'tL'imtev
J^iinclieon
i i
Tin tiniiitiitiixce of
1 *• /* f
\ tippe tiling tlishes
l< 'i appeti^lnulu cookcu
\ ,i . a in anil ilaintilu served
n II to i£:o\l **
j SiSO loS a place tkat will
>' truly tleliffht uou I J
^ri us sell s
2J8 tyosi Street
\ < a ■
E ijan irrancisco
m^UnaAun.
three hours by motor from San Francisco on
the Russian River, adjoining Bohemian Grove.
Northwood is a picturesque course in the
midst of the redwoods — grass greens, grass
tees, grass fairways, well trapped and bunk-
ered— comparable to the Cypress Point and
Meadow Club courses.
THE Guest Lodge provides a "country
home" atmosphere for those who wish to
golf, swim and canoe in sylvan surroundings.
American plan. Every room with twin beds
and bath, tub or shower. Rooms $7.00 and up
for one person — $12.50 and up for two.
Weekly and monthly rates for rooms or bun-
galow suites supplied on request.
For further information or reservations
Phone or Write
P. O., Northwood, California Phone "Northwood"
San Francisco Office: Room 807, Sixty-eight Post St.
Phone SUtter 1525
JINK. 1930
41
fls seen
by
her 1
&
June and bride! And now thac we
arc on the subject of brides -Mosse
is showing an exquisite tabic compli-
menting the June Bride The colors are
peach and blue, and the effect is delect
able The cloth and napkins of Ren-
aissance Oblique design arc white bur
dcrcd with peach, and with beautiful
appointments carried out in blue, Mosse
has again achieved the individual note
so characteristic of their windows
"As we go to press" the shops have
not as yet blossomed forth with their
bridal windows. However, advanced
models of wedding gowns have arrived.
Nelly Gaffney is showing a Patou model
that is extremely lovely. Of white satin
and seed pearls, it is regal in its simplic-
ity. The neck line is V shaped trimmed
with a band of the pearls which are also
used at the cuff of the long sleeves, and
bordering a bolero effect which comes
to a V at the front of the waist and is
attached to the body of the dress at this
♦ FASHION ART SCHOOL*
SCOTTISH RITE TEMPLE -i- Sutler and V,n N<i> Avenue
Booklet on re qucit
Phor,c02d~ir3120
Individual Instruction
Costume Design
Fashion Illustration
Millinery Making
and Designing
Commercial Art
Life Drawing
Interior Decoration
Ofj *ni Erening CU/irt
tttf4AA£DlSONC-AlkAuMi>.l>.«CUJf
point. The skirt falls in soft folds to the
floor, and the train is a continuation of
the back of the skirt, a very new and
graceful line introduced this season
One honeymoon is hardly sufficient
lor a California bride, with the beauties
of Tahoe, Feather River, Yosemite, the
Redwood Empire at her disposal But
no matter what her choice may be a
glorious honeymoon is assured in any
one of these heavenly spots.
On Monday, June second, Gumps
formally opened their new silver
room in which tea was served during
the afternoon. The most impressive
thing about the room, aside from its
beauty and elegance, is the complete
absence of commercial atmosphere One
steps into this Georgian room with its
17th century English masters on the
walls, and its original Chippendale chairs
created by the "Craftsman" himself
with much the same feeling as one
would step into the dining room of an
English mansion The appointments are
in such perfect taste and harmony one is
hardly conscious of the display of silver
which includes pieces of workmanship
in modern and antique design. A minia-
ture stage coach, cleverly reproduced
from the one used by George Washing-
ton, decorates the mantlepiece, instead
of the inevitable ships model which has
been so overdone in the past few years.
Oh, that I had the genius of Keats
or Shelley, that 1 might pen an
Ode to the Star Sapphire after seeing
the collection (the largest in captivity,
bv the way) which was included in the
exhibition of precious jewels at Shreves
Those who f ailed to see the display
missed the thrill of a lifetime. One had
the opportunity of gazing upon one mil -
lion and a quarter dollars worth of
jewels confined in three cases. Bracelets
that would bring tears to the eyes of
Peggy Joyce — the piece de resistance be-
ing a "bangle" over an inch wide, of
baguette diamond links and a single
emerald measuring one and one-eighth
inches by three-quarters inches, and
priced at #67,000. A square-cut diamond
ring, the stone weighing fifteen karats
and almost equaling a postage stamp in
size. Pigeon-blood rubies, carved emer-
alds all in modern settings But of
them all the star sapphires were the most
beautiful Ranging in color from a soft,
smoky grey to a silvery periwinkle thev
stand alone, possessing qualities which
characterize them from all other jewels
"To be or not to be — that is the
question" in tegard to suntan this sum-
mer Last fall when the new styles were
■ K7^ '• jP ■■
9. ^cfj-mibt & g>cm
of NEW YORK CITY
ESTABLISHED 1869
Importers of Antique and Modern Silver,
Sheffield Plate, Fine Crystal and China
Where the treasures of a collector may
be purchased as gift*
504 SUTTER STREET • « SAN FRANCISCO
42
THE SAN FRANCISCAN
HAPPY VACATION
DAYS AT SEA
(LOAF OR PLAY TO YOUR
HEART'S CONTENT)
ON THIS "AROUND AND ACROSS
AMERICA" CIRCLE TRIP* PANAMA
CANAL, HAVANA AND NEW YORK
To New York — a glorious 5000-
mile ocean cTuise in l6 carefree
days. Return by rail (your choice
of routes) and it costs no more
to Tetum thru the Northwest via
the Canadian Rockies and to
home port from Seattle by boat.
Your ship is one of the gTeot
electric fleet. You'll dance under
tropic stars as you sail. You'll
swim and play the days away with
worry and cares a "million miles"
behind.
You'll visit historic Panama,
pass triTU the gigantic Panama
Canal in daylight, spend happy
houTS in gay Havana.
S. S. CALIFORNIA * VIRGINIA
PENNSYLVANIA
^ Alternate in fortnightly
service between Califor-
nia and New York. All rooms
are outside, many with baths.
Round trip rates, one way by
sea, one way Tail, $375 up First
Cabin, $235 up Tourist Cabin.
Room and meals on steamer
included in fare.
f ana ma fact fie fine
INTERNATIONAL MERCANTILE MARINE COMPANY
ALL NEW^AsTEAMERS
46 O Market St.
San Francisco
first introduced we made our adieus to
the slim, bare-legged, bronzed, tom-boy .
of summer in favor of peaches and cream
and curves But though the modern girl
has gone feminine in her dress, she is
still healthy — and health means tan-
though this year will be golden rather
than the Kanaka bronze tone affected
last year. And speaking of styles, what a
relief now that the last faint murmur
from even the most conservative has
died out and the term "long skirts" has
become obsolete because they are taken
for granted.
Outspoken Anecdotes
Continued from page 38
you can get fine greeting cards and sta-
tionery there, too But it is a nuisance to
have to work past so many fat women
who clog up the stairs trying to see
Dickie Halliburton or Louis Bromfield
or some such cabaret performer
Howell's
Howell's tiers of old tomes are fasci-
nating and quite out of the usual display.
Of such firsts as I collect his stock is very
fragmentary; but he has the finest col-
lection of Californiana in the city (as
might be expected). I have a good, rare
Bierce, a Phoenix, a few other early San
Francisco books, and a ponderous two-
volume Beaumont and Fletcher from his
shelves. When I can afford it, I shall go
there for more Californiana.
Holmes' Book Store
. once in awhile a pleasant surprise,
but all too seldom
«ES^^^
715 W. Seventh St.
Los Angeles
Ready for Play
A Development School jor Nervous
and Retarded Children
THE CEDARS
CORA C. MYERS, Head
Ideal climate — no fog — delicate children
grow strong and develop latent talents
Address
THE CEDARS
Ross, Marin County, California
MJ$S fcUlim-SUTTEfcm*
75c7
kinds of"
\mcationk
The illustrated booklet.
"VACATION 1930"
with information on 150 summer resorts,
is now ready. Ask for your iree copy.
Colorful beach resorts on RussianRivcr;
beautiful Marin; Sonoma Valley and its
mineral springs ; the Eel River region —
all parts of the Redwood Empire call
you to outings amidst scen.c grandeur.
Tick?! Offices 65 Gearv St. and Ferry Building
Telephone: DAvenpori 4^,00
Northwestern
Pacific
Red-wood Empire Route
I o
a i
E N
Samaria Round-the-World un-
der the joint auspices of Cunard
Line and Thos. Cook SC Son.
Entire cruise rate $1,600
upwards.
The itinerary provides an un-
usual number of free included
shore excursions. A few op-
tional shore excursions will
thoroughly round out the
cruise. Details furnished on
application.
AROUND WORLD WESTWARD on the SAMARIA
20,000 gross tons, 624 feet in length
From San Diego December 18; Los Angeles December 19; San Francisco December 21 ...back in New York April 10.
A great transatlantic liner . . . famous for her comfortable appointments . . . offering a most unusual opportunity to all who
long to make a voyage around the world under exceedingly attractive conditions, yet at moderate cost. Places never before
visited by any world cruise; Semarang . . . Saigon . . . Bangkok . . . Bali, without extra charge. 127 days of priceless adventure.
Although the cruise ends in New York on April 10th, passengers may, if desired, debark at Naples or Monaco and then, after
touring Europe, return to America on any Cunard or Anchor Liner without extra charge.
Write to
CUNARD LINE, 501 Market Street, San Francisco, or local agents
$ 500.00 in PRIZES
Co*t «/^W i^UMI
Uiia Him
See How Today in
r 1
The San Frlncisco News
"The White -fflBfew-. Newspaper"
3c a copy ESS 75c a month
l/IT
he M ADI/ON
EW YORK
THE MADISON HOTEL AND
RESTAURANT HAS WON THE
HIGHEST PRAISE FROM THOSE
WHO KNOW. IT IS MODERATE
IN SIZE, » » BEAUTIFULLY
FURNISHED » AND HAS A
UNIQUE REPUTATION FOR THE
EXCELLENCE OF ITS CUISINE.
THE MADISON
Madison Ave. at 58th St.
THEODORE TITZE » M9r.
Kaya Lama
The Temple of Perpetual Beauty
Dedicated
to the
Scientific
Fiillfiliiient
of
Women's
Beauty
Needs
MELISSE
Under the Personal Direetion of Melisse
The famous beauty authority who has helped thousands of women to solve
their beauty problems through the columns of the San Francisco Examiner
and who is now free to devote all of her time and to render a personal —
instead of an impersonal — service . . . To diagnose beauty ills . . . To bring
to beauty's aid the greatest of compositions . . . Ancient Egyptian Secrets.
Assisted by a staff of expertly trained nurses
COSMETICS of rarest Egyptians
oils, compounded to meet the
individual needs.
FACIALS AND BODY MAS-
SAGES that are aids to health
as well as beauty.
There will be no charge for consultation
For appointment, Sutter 1432
KAYA LAMA
FIFTH FLOOR
The Liebes Building 177 Post Street
SAN rRANcisGAN
JOSEPH DYER, Editor & Publisher
CONTRIBUTORS
LINCOLN STEFFENS, NED HILTON, WILSON FOLETTE,
CHARLES CALDWELL DOBIE, ALINE KISTLER, IDWAL
JONES, RAYMOND ARMSBY, ROWENA MASON, GEORGE
DOUGLAS, JOSEPH HENDERSON, ELVA WILLIAMS,
SYDNEY KING RUSSEL.
CONTENTS
July l!»:to
vol, IV no. 7
Cover design by Van Deusen
Tallant Tubbs, crayon drawing by William Justiama .... 6
Tallant Tubbs, article by Elva Williams 7
Now It Can Be Told 8
Now It Can Be Told 9
Spotlight, Dramatic Criticism by Charles Caldwell Dobie . . 10
Ina Claire, photograph 11
Railroad Journalism, article by Zoe Battu 12
Finale, verse by Sidney King Russell 12
Concerning, Impressions and Portraits, by Aline Kistler . . 13
The Men from the South, Book Reviews by Carey McWilliams . 14
Louise Janin's Mural of Helen Wills 15
Bay Region Miscellany, by Constance Ferris 16
Lady with a Turnip, sketches by Sotomayor 17
The Heart of the Metropolitan Area, photograph
by Raymond Moulin 18
Inventory, article by John Parker 19
Mrs. Charles Ehrman, camera portrait by Arkatov .... 20
The Reigning Dynasty 21
As Seen by Her, by Mollie Merkeley 24
Among Our Contemporaries, by James Maclnnis 28
The San Franciscan is published monthly by The San Franciscan Publishing Company, Sharon Building, San Francisco, California. Entered as second-class matter
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ESTABLISHED 1852
SHREVE cV COMPANY
JEWELERS and SILVERSMITHS
Post Street at Grant Avenue
San Francisco
SENATOR TALLANT T. TUBBS
The young San Franciscan who has announced his candidacy
for Lieutenant Governor of the State of California.
SAM VKANCISCAN
Tallant T. Tubbs
To call a man an idealist is to put
spectacles upon him and place him
somewhere in a cloistral atmosphere
beyond and away from the traffic of the
every day world. Looking in Webster
for a synonym for the word "idealist"
one finds, "romanticist," "visionary"
"dreamer," "castlebuilder." All of which
is not precisely true. In San Francisco
we have an idealist who dares to carry
his ideals into the most unromantic,
prosaic, realistic arena of all . . .
His name is Tallant Tubbs. It has
been Senator Tallant Tubbs for the past
six years. His decision to enter politics
was a strictly personal conclusion. He
had no friends, no acquaintances, no
connections in the political world. Bear-
ing as he did an old and aristocratic
name, independently wealthy, a gradu-
ate of one of America's most distin-
guished universities, he might have de-
voted his energies to the stock market, to
travel, to sports but instead with a broad
gesture, he entered, without support, his
name as a candidate for State Senator.
Had he been defeated his gesture could
have been construed as ridiculously
quixotic and fantastic but he was not
defeated. That was in 1924. In 1928 he
was again a candidate for State Senator
and was re-elected in the primaries,
thereby obviating his standing again for
the general election in November. The
Nineteenth Senatorial district which he
was to represent is comprised of Italians
in North Beach and a large "silk stock-
ing" vote, to use the vernacular, he
carried his district three to one in this
second election.
Deprived of the necessity of support-
ing any group, any clique, any combina-
tion, he is free to use his power accord-
ing to the dictates of his conscience. He
can afford a conscience, which, most
politicians, sadly enough, cannot afford.
An Unofficial Opinion of An Unique Californian
By ELVA WILLIAMS
for the same amount, which will be voted
upon by the people in November.
Also in 1929 a bill was introduced in
the Senate that would invest public
school authorities with the power of
deciding, by means of intelligence tests,
the aptitudeof schoolchildren. Whether
a child was abnormal or subnormal,
whether he should be a mechanic or a
doctor, whether or not he had criminal
tendencies, the intelligence test together
with the school authorities would decide
— and from those two sources his future
would be planned, thereby giving a child
in elementary school, to quote Senator
Tubbs, "an inferiority complex." Prac-
tically alone, the young Senator de-
feated this bill.
In Europe there is an idea abroad that
the United States can boast of no states-
men, that we have instead, politicians.
And here in America Mr. Arthur Bris-
bane iterates and reiterates his lament,
"The British statesman, the American
politician." A politician has been defined
as a man who assumes the responsibili-
ties of government for personal benefits.
A statesman, on the other hand, is
usually a man of means — of family, who
shares the responsibilities of governing
to prove his worth, to enhance the well-
being of his people and to add lustre to
his name and country. Since politicians
are men who need money, the only solu-
tion for a clean government seems to be
to select men to whom money is less
essential. It was this idea primarily that
actuated Senator Tubbs upon his en-
trance into politics. He wished to estab-
lish a precedent in the hope that others
might follow, that young men of inde-
pendent means, of education, of intel-
lect, would deem the business of govern-
ment a worthy and honorable field for
their endeavors.
Tallant Tubbs has been called by an
opposition newspaper "The Million
Dollar Kid with a Title for a Toy."
The phrase was coined to defeat him.
How little he "toyed" with his title is
manifest in the record of what he has
accomplished since he has had his title.
He has been prominent in Veterans
legislation, successfully steering through
the Senate the constitutional amend-
ment that made it possible for them to
buy homes without cost to the State or
to its taxpayers by reason of an interest
rate. This was in 1925. In 1929 the
twenty millions had been exhausted and
once again Senator Tubbs succeeded in
passing through the Senate the same bill
His friends called him "The Baby
Senator" for he is the youngest
man ever to be elected to the State
Senate. His confreres in Sacramento
call him "the Beau Brummel of the
Senate," because he has a London tailor.
But he is anxious for a new title. Two
weeks ago he announced his candidacy
for Lieutenant Governor of the State of
California.
He has announced definitely that he
is opposed to prohibition, that he is not
making an issue of it because it is already
the biggest issue in the country. Firmly
and without evasion he will take the
stand for modification.
He is militantly honest, fearlessly
testing the value of his ideals in a very
hard boiled world, possessed of a keen
sympathy and uncanny understanding
of humanism in one so young as has
been proved by his efforts in behalf of
the old age pension and the bill dealing
with school children.
An altogether improbable person,
gracious, a little less than handsome,
t lontinued on i>-w 81
Now It Can Be Told
Foreign criticism, on the whole,
seems to deplore our terrible
conditions, and the manner in
which we spend our leisure time.
One holds that this so-called
"Jazz Age is causing us, both in
features and actions, to resemble
the negro; yet looking about us
we find serious cause to doubt
this assertion. George Bernard
Shaw, who discreetly admits that
he is a greater dramatist than
Shakespeare, says that Americans
are being influenced by climatic
conditions and developing high
cheek bones, like the American
Indian. If this be true, London
fog should make deep-sea divers
out of all the British.
Those in whose hands lies the
beautifying of Golden Gate
Park seem to be adherents to
the theory that Nature can be
improved upon. Their latest crea-
tive effort, a water-fall contour.
Visitors, they pondered, will not
journey far to view an ordinary
water-fall. So, after due con-
sideration, they proceeded to
place giant colored lightening effects beneath every rock of the
fall, and a power house on top of the hill. Thus, the water,
every changing in appearance — now resembling a fire-fall in
its deep red coloring, now assuming the bright blush of sunset
THE SAN FRANCISCAN
— changing from the blue of the
sky to the green of the sea, pro-
duces a kaleidoscope effect most
wondrous to behold, and attracts
hundreds of people, nightly . . .
No doubt, the next whole experi-
ment of this art-for-art'ssake-
trust will be the placing of Neon
lights around the Prayer-Book
Cross.
Scanning a popular magazine,
we read the words of ten of
the most prominent pro-
ducers in the motion picture
business. Each one seems to say
the same thing in different words
and each of these would-be hu-
manitarians declares that his
greatest interest in motion pic-
tures lies in the great amount of
education and culture they bring
to his dear public. It gladdens
the heart of anyone to know that
none of these philanthropists are
in the business of money.
"No, Wilbur, we can never be more than friends."
A group of visitors from Bos-
ton were going through
San Francisco's Latin
Quarter and were plainly impressed by the manifestations of
true Bohemian life. Nevertheless, one of the women in the
party, a rather portly matron, was bound to show her dis-
approval of something or other. In a few minutes, they turned
GRHHRP>
"Your wife, phoned, doctor
don 't forget the giblets . ' '
JULY, 1930
a narrow corner and as they passed a
doorway, this lady in particular, came
face to face with a rather drunken per-
son, reclining his length against the wall.
This was her chance.
"But lady! It is a thirty-six"
"How low," she uttered in her best
New England accent.
"H'lo, yahshelf,'- gurgled the in-
ebriate.
We wonder what subtle underlying
purpose is veiled beneath the motives
of the Municipal Railway in choosing
for their monthly car-card slogan the
following caption: WHEN AP-
PROACHING CHILDREN DRIVE
AS IF THEY WERE YOURS . . .
BEGUILING ourselves with the recent
lively accounts of Madamoiselle
Bow and her boy friends, and the
ladies laying claim to these same boy
friends, we are informed that the anony-
mous but ardent Dr. boy friend sent the
ravishing Clara "the longest cables sent
across the Atlantic."
Regarding this statement, we beg to
differ with Madamoiselle Bow, her press
agents or whoever is responsible for it.
It is as impudent as it is inaccurate, and
serves as a concrete example of the de-
plorable lack of historical knowledge, in
its larger and smaller aspects, that pre-
vails in Hollywood.
The record for high cost, long length
cables belongs to San Francisco and
dates back to 1872. In that year William
Ralston, who was the big banker of the
day, got wind of a mysterious diamond
mine "somewhere in the American
desert." An associate of Ralston, Asbury
Harpending, was at the moment in Lon-
don. So anxious was Ralston to fully
inform Harpending of the Diamond
mine and urge him to return to San
Francisco to aid in its development that
he sent him a cable as long as a letter.
The cable cost Ralston ^1,1 00. It was the
talk of Fleet Street and caused even the
London Rothschilds to gasp. This first
lengthy cable was followed by a storm
of similar ones. Within a week the cost
of cables passing between Ralston and
Harapending amounted to a small for-
tune and merited newspaper feature
stories.
The diamond mine later turned out
to be a pure fraud, even as Mile. Bow's
affairs appear from the first to be so
much over rated nonsense. The moral,
of course, being that sensible people
with something to say and occasion to
use the cables, seem to do very well with
very few words.
G
oodbve, God! I'm going to Cali-
fornia." This, according to a
California Lutheran divine, is the
classic phrase of the eastern midwestern
churchmen when they come to the
Golden State. Lulled by languorous
breezes, basking in perpetual spring-
time sunlight, the newcomers forget
their regular genuflections to Yahweh.
No longer do they flock to the gothic
temples of their fathers to hear the local
prophets exhort, mourns the dominie.
It is not reported whether the eastern
churchmen refused to appropriate
moneys for evangelizing California be-
cause of utter despair at ever converting
residents of the Golden State — for no
conventional heaven could possibly lure
one who had lived in California — be-
cause the ecclesiastical bankroll was too
lean, or because they felt that the Native
Sons and Californii (correct) of adop-
tion were not so full of unregenerate
cussedness as the visiting dominie held.
But then — the mournful pastor did not
come from San Francisco —
It remained for Dr. Lewis I. Newman,
distinguished Jewish scholar and writer
of San Francisco, and rabbi of Temple
Emanu-El, to answer the charges about
the alleged plain and fancy godlessness
of Californians.
Rabbi Newman is
soon to leave San
Francisco to ac-
cept appointment
as rabbi in a New
York synagogue,
taking from our
galaxy of peerless
raconteurs, scin-
tillating wits and
strong thinkers a
star of the first
magnitude.
Defending his
western friends
and their attitude
of genuine relig-
ion— unchurched
though it may be,
klmMd <>n page 33
10
THE SAN FRANCISCAN
SPOTLIGHT
A Review of Three Plays Which Ushered in the Summer Season
BURNS MANTLE, the dramatic
critic, writing his weekly letter
from New York, said not so long
ago that there were distinct signs of a
revival in the public's interest in the
stage. It seems that even on the road
this interest is reviving. The masses
want the spoken drama again but
they want it good. You cannot ex-
pect a man to sit through bad drama
spoken by a lot of hams when he can
see George Arliss, for instance, in a
thrilling talkie for half the money.
Events within the past few weeks
in San Francisco are proving Mr.
Burns' contention. Three of the top-
notch houses are playing to capacity
business and the Duffy theatres are
dark. Not that the Duffy theatres
gave bad entertainment. But, at the
price, this entertainment was not
nearly so good as the man in the
street could get in the gilded movie
palaces on Market street.
The first play that struck town and
began to start the crowd toward the box-
office again was "Strictly Dishonor-
able." Coming to the Columbia Theatre
that has picked consistent flops ever
since it opened on O'Farrell street the
success of "Strictly Dishonorable" was
no mean achievement. Rumors of its
charm and delight had reached us from
New York but, even so, we went with
our fingers crossed. We have seen too
many New York successes this past
season delivered into the hands of local
hams to be anything but sceptical. But,
lo and behold, here was a class A com-
edy, done by a class A company. And
likewise, here was an audience filling
the house.
Thirty years ago, the police would
have stopped "Strictly Dishonorable."
There would not have been that disrobing
scene to begin with and those passionate
long-drawn-out kisses, and the vision of
a respectable girl panting for a little
sex experience. And done by a com-
pany thirty years ago it would have
been a little revolting because, if the
truth were known, the people of that
sanctified age had dirty minds to start
with. Or were their minds merely fur-
tive? Anyway, they wore an awful lot
of clothes and, in "them" days, dis-
robing scenes were disrobing scenes.
A lady can't take off tons of underwear
and starched petticoats and drawers
and rust-proof corsets and covers for
same without consuming time and ob-
scenity. Miss Perry slipped off her one-
piece dress and her step-ins in less time
than it takes to write about it. And no-
cracked face: pueblo variation
By Norman Macleod.
If they say Cracked-Face meaning only
the wash of sand, hard upon these men
Navajos from the start
to the finish, particles of disinterred
flint substance of earth
is as good as palmilla soap to wash
the bodies and souls of men,
the poetry of one to another incarnation,
the physical soil of their poetic
interpretation of half-assimilated
mythology,
at least
the bronze physiognomy of the painted
desert, and the rainbow song
of the Navajos sunward biding
stab like an arrow of lightning
the drab grey of the sky.
body batted an eye-lid. Miss Perry also
did her best to lead her Italian tenor
astray. And nobody cared, unless it
was to feel a fleeting regret that she
didn't succeed. At the finish it all ended
morally enough with maternal blessings
cabled from Italy and marriage bells in
the offing. But, somehow, it didn't really
matter how it ended, for we came away
with a feeling that the young lady from
the South would have been equal even
to a loss of virtue. She was a gal who
knew what she wanted and people who
know what they want know how to
handle any situation that arises from
getting it. One thing is certain, her
Italian boy friend in the long run will
prove just as strong a dose as the gent
from East Orange whom she ditched.
But he will likewise be much more ex-
citing. And, after all, a dull life is the
only inexcusable life.
\\# #E COME, now, to Ina Claire in
\A# ''Rebound." Here is a strictly
~ * American play. More so even
than "Strictly Dishonorable." On the
surface it is flippant enough, just as
American life on the surface appears
to be flippant. But, suddenly, in the
third act, it goes profound, although we
havn't discovered very many people
who were in that first-night audience
who sensed its profundity. If Mr.
Eugene O'Neil or Mr. Henrik Ibsen or
one of the Russians had done that third
act we should have had a lot of gabling
concerning its message. But since it was
the work of Donald Ogden Stewart and
a humorous in the bargain there was no
gabling at all. which is a relief.
By CHARLES CALDWELL DOBIE
There may be other plays in which
the idea is advanced that hysterical
love is degrading but we have never
seen them. It has been a theme that
we have always subscribed to and we
wondered after seeing that third act
of "Rebound" why we had never
given our conviction voice. There has
been a great deal said in verse and
story about sublimity of love but
precious little about its narrowness, its
meanness, its littleness, its contempti-
bility. Johnnie Coles on his knees
sobbing into Sara Truesdale's lap is
neither narrow, nor mean, nor little,
nor contemptible. But the seeds are
there for all these sordid impulses.
"Never get on your knees to any-
one!" says Sara to Johnnie. Just that
line would have made the play for us.
But, besides that line there was Miss
Claire, and besides Miss Claire there
was Robert Williams. Rarely in the
theatre have we seen a finer bit of emo-
tional acting than the aforesaid Mr.
Williams on his knees before his god-
dess.
The opening night was just like old
times. Except that the play was so
much better than old times that the
idea that the theatre is going to the
dogs ought to be set at rest for all time.
We don't mean to say that it is a great
play. And, yet, if we leave out a classical
interpretation of that term it is as great
as any contemporary play. It is cer-
tainly as great as "Lord and Lady Algy"
or "The Gay Lord Quex" or "Heart-
ease," let us say, over which we split
our lemon colored gloves in the gay
nineties. It contains as good an idea as
most of Shaw's plays. And, contempor-
aneously speaking, it's a much more
skillful play than "Paris Bound."
As for Miss Claire, we feel very much
about her as a friend of ours did on
that opening night. A few spectators in
the lobby, having heard the voice of the
prompter during the performance, ex-
pressed themselves as very much hot
and bothered. Said the friend in ques-
tion: "It didn't bother me in the least.
I'd much rather hear Miss Claire do a
prompted line than most actresses give
it without a falter!" We guess that puts
us on record. We mean, them is our
sentiments, too.
THE LAST MILE" is another refuta-
tion of the charge that the stage is
not what it used to be. Or perhaps
we should say not as good as it used to
be. Did the gay nineties, or the senti-
Continued on page 23
JULY, 1930
11
INA CLAIRE
The stellar role of Sara in Donald Ogden Stewart's scintillating comedy of sophistication
"Rebound," now playing at the Curran, is proving to be the outstanding opportunity of
this delightful comedienne's brilliant career. Miss Claire's performance when last seen
here in Lonsdale's "The Last of Mrs. Cheyney" stamped her as one of the real favorites
of San Francisco audiences.
12
THE SAN FRANCISCAN
Railroad Journalism
Its Beginnings and
San Francisco and California journal-
ism during the 1870s, '80s and '90s,
was a railroad journalism.
There had been talk of a transcon-
tinental railroad as early as the 1830s,
while California was still a Mexican
possession. With the close of the Mex-
ican War, the gold rush and admittance
of California to the Union, there began
active agitation for a road. This was
almost purely a newspaper movement.
Whenever there was a scarcity of news,
a reporter was sent out to dig up a rail-
road story to fill the gap in the news
columns. When an editor ran out of
editorial material, he wrote a stirring
editorial demanding immediate legis-
lative action on the railroad question.
When candidates were announced for
the state of national legislation, report-
ers promptly descended upon the gen-
tlemen to learn their views on the rail-
road question and what they proposed
to do about it, if elected to office.
Accordingly, there was considerable
rejoicing along the state's newspaper
rows, when in June, 1861, the Central
Pacific Company was organized. In
July, 1862, Congress passed the first
Pacific Railroad bill. It authorized the
construction of the road and granted
suitable land and cash subsidies with
which to begin the great work.
On the evening of July 10, 1862, San
Francisco held a gigantic torchlight pa-
rade (prompted by the newspapers) to
celebrate the signing of the railroad
bill. The police, the firemen, several
divisions of the Army and Navy and
every organization in the city were in
line. Various interior cities sent dele-
gations to participate in the procession.
The town was draped in bunting and
hung with flags. Each division of march-
ers bore huge banners. The legends
thereon may profitably be studied by
scribes, specializing in booster booklets.
To quote a few of them: "Westward
the march of the Empire STEAMS its
way. The American Union — It strides
to power on legs of iron ... In its breast
is nourishment for the nations of the
earth. Its arms are steel. On its head is
a crown of gold. A Good Bill — Provi-
sions for free homesteads on every
alternate section."
As building of the road progressed,
there began to be vague rumblings of
dissatisfaction. For a Sacramento store
keeper, Collis Huntington had devel-
oped amazing and alarming talents as
a lobbyist. He had, in fact, gotten the
notion that the earth and all its rights
of way were his by divine dispensation.
If the Central Pacific asked of any city
or district a right of way or terminal
facilities, it took the attitude that it
should have them immediately, on its
own terms.
As the road approached the lower
Sierras, sharp disagreement arose as to
its route, and work was practically at a
standstill. There were a number of
finale
by Sydney King Russell
Nothing was so incredible as this,
That suddenly, without another word
We should forswear the urgent vow, the kiss
And part as strangers part. Again I heard
As from afar, the music we had shared,
Symphonies that had bound us when we sat
Enthralled, and I discovered that you cared
For Mozart as for me. And that was that.
But now the ultimate. I turned my head
And gulped, and felt that all the world was
wrong;
Your voice cried, "Wait!" I woke as from the
dead
My spirit tembling on the brink of song.
"Oh, well," you said and shrugged and broke
the spell;
I smiled and left you echoing, "Oh well . . ."
newspapers who boldly denounced the
whole project as a swindle and stock
selling scheme. But the trouble was
presently settled. The rumbling died
down. After all, the big point was that
the road was being built. It was duly
completed in May, 1869. West and East
were actually joined by steel at the
famous last spike ceremony, at Prom-
ontory Point, Utah. In San Francisco
the rejoicing was noisy, prolonged and
very wet, as befitted an occasion where
the people were delivered from isola-
tion into communication, development
and prosperity.
The prosperity, however, failed to
materialize. The Central Pacific
Company's theories on freight rates
were, to say the least, very confusing.
Shippers and farmers listened in per-
plexity and anxiety to the mysteries of
the long and short haul, and quite
failed to see why rebates should apply
only to large shippers. The farmers
were particularly bitter, claiming that
the high rates wiped out their profits.
A number of people had bought Cen-
tral Pacific stock at $100 a share. They
had had no dividends, and there were
no prospects of any. But the personal
fortunes of the railroad builders were
running to staggering figures. There
were lawsuits, demanding investigation
Unexpected Developments
By ZOE A. BATTU
of these discrepancies. The suits came
to nothing. The plaintiffs would have
done better to save the expense of them.
In San Francisco, as the 1870s ad-
vanced, an intolerable situation devel-
oped. Thousands of men, employed in
building the road, had gradually been
discharged, to gather in the city. The
road had largely retained its Chinese
laborers. San Francisco was deeply in-
volved in the exciting but treacheous
pastime of making paper fortunes in
Comstock Lode mining stocks.
Toward these conditions, the news-
papers were evasive. They decried the
folly of stock market speculation. They
mildly censured the stock exchange as
a thing of evil, which was leading small
shopkeepers, servant girls and street
car conductors astray. The papers in-
clined (not very convincingly, though)
toward the idea that there was nothing
basically wrong. There was temporary
confusion; it would pass. California
was a grand and glorious state.
The speculation craze rudely termi-
nated in the failure of the Bank of Cali-
fornia and death of Ralston in August,
1875. The dazed city settled down to
recoup its shattered fortunes. The proc-
ess was slow and the distress of unem-
ployment increased much faster than
jobs could be found for the unem-
ployed. Nor was the situation helped
any through loss of the interior valley
crops by drought.
So matters stood in July, 1877, when
Dennis Kearney mounted a soap box in
behalf of the laboring man. Mr. Kear-
ney's economics were simple; his con-
clusions obviously logical; his methods
spectacular. Subsidies, political corrup-
tion and favoritism had created monop-
olies, the railroad octopus and an inner
circle of capitalists. The white men had
no jobs because the capitalists hired
Chinese at low wages. Run the Chinese
out of the country. Hang the capitalists
and railroad builders. The working man,
who had built the country, would then
be free to run it.
Kearney shortly moved to put his
ideas into action. Hoodlum mobs
wrecked and burned a Chinese
laundry, pelted Chinese with cobble
stones and threatened to bomb China-
town from baloons. A Committee of
Safety was promptly organized and
Kearney's cohorts temporarily clubbed
into submission with pick handles.
At the appearance of Kearney, the
Continued on page 33
Jl'LY. 1930
13
►PENi ek Mai-kv is an
I artist who has unin-
tentionally come to
occupy the most strategic
position in San Francisco
art today. As executive
director of the San Fran-
cisco Art Association, he controls
the activities of the largest local art
group and is responsible for the
educational, exhibition and social
art program on which the city s
artistic future may depend.
I say "unintentional" because
Spencer Macky did not intend to
become an art executive. He did
not even intend to become an art
teacher when first he left New Zea-
land to study painting in Europe.
He claims that he really did not
consider making California his
home when he came here in 1910.
He was in London — and rather
hoping to remain there. But he
was young — and modest — and
London seemed formidible. So he
bought a ticket to "Berkeley, Cali-
fornia," where an uncle lived, not
knowing its exact location nor its
distance from both Europe and
New Zealand.
He was charmed with the cli-
mate, so stayed. He engaged a
studio and students started com-
CONCERNING .
By ALINE KISTLER
Leonora Wood Annsb^
ALBERT PETERSON
C Spencer Vfacfo
I BROWN
The
ing. 1 he young, sensitive, English-bred New
Zealander was shocked with the matter-of-fact
ways of the westerners but the longer he stayed
the less he minded their "barbarianisms." He
moved to San Francisco — more students ap-
peared. He married a young Aus-
tralian artist and together they
taught between commissions for
portraits. Together they painted
an important mural commission
for the New Zealand and Austra-
lian buildings at the 1915 Exposi-
tion. Recognition increased and,
along with it, the enrollment of
students in their classes.
When the Sketch Club com-
bined with the San Francisco Art
Association both Macky and his
wife joined the faculty of the art
school sponsored by the associa-
tion, greatly augmenting the stu-
dent body of five members by the
addition of their group of fifty
pupils. Naturally, Macky took an
immediate personal interest in the
school's development and has
since played an important part in
the affairs of the California School
of Fine Arts, developing the night
classes, serving on the board of
directors, organizing the artist
council and helping with the re-
moval of the institution from the
Mark Hopkins property to the
present Chestnut and Jones street
site.
Macky's appointment as execu-
tive director of the Association was
made early this year by the presi-
dent, William Gerstle.
With it came new respon-
sibilities to bring more
artists into the Associa-
tion, to make the annual
exhibition one of national
scope, to assist with the
new membership drive, to outline
new programs of exhibition and
lectures, and to organize forces for
the completion of the Association's
building program which is to pro-
vide a gallery for San Francisco
art.
LEONORA Wood Ar.msby is perhaps
the only woman impressario in
"the world — yet she has not
made a profession of music. Until
three years ago she was known for
her social activities far more than
her musical interests. It is true she
had studied composition with
Damrosch and continued writing
music. She had worked with the
Greenwich settlement music school
in New York. She had met musi-
cians all over the world and held
many of the greatest her personal
friends. But she did not dream of
having an entire symphony orches-
tra to do with as she liked for three
months out of each year.
Then came the organization of
the San Mateo Philharmonic So-
ciety with its purpose of keeping
the San Francisco symphony orchestra
intact during the summer. Tentative
programs were considered but none
proved satisfactory until Mrs. Armsby
was asked to take charge. It was her idea
Continued on page 26
Henry Dujf\
14
The Men from the South.
A Review of Two Book:
For years a favorite topic in Holly-
wood has been: "Why doesn't some
one do a book about Hollywood?"
This cry was generally interpreted as
meaning: why doesn't some one do a
book about us? Carl Van Vechten,
peeved because of a hoax played on him
by a dusky but quite Aryan beauty, re-
turned to New York with "a mad"
against Hollywood and wrote a silly
piece that amused no one. Don Ryan
tried the task in "Angel's Flight" and
again in "A Roman Holiday" but Ryan
sees America through Spenglerian spec-
tacles which is like studying Carlyle's
"Heroes" to understand Hoover. Adela
Rogers St. John wrote Mae Busch up in
a thin disguise but it was a portrait
written with one eye trained on the vari-
able standards of The Cosmopolitan. And
now the Graham Brothers have pub-
lished "Queer People."
"Queer People" is by, of and for
Hollywood. Its authors — Carroll and
Garrett Graham — are Hollywood pub-
licity writers. The title is authentic
Hollywood, a neat phrase that will at-
tract many readers who are fetched by
"Flaming Flesh" and "Passion's Power"
and for a not altogether dissimilar rea-
son. But the reader, like the movie fan,
will be disappointed. There is not a
single character in the novel who, be-
neath a labored surface equanimity,
yearns for ecstasies beyond the norm.
The title is as deceptive as any of the
blurbs written about the great master-
pieces of Culver City and Universal.
The manner of the novel is also of
Hollywood. It is written in that brightly
brummagem style that so many people
confuse with the irony of Mr. Cabell.
But these peccadilloes would be easily
forgotten if "Queer People" had more
than a suggestion of Holywood life be-
tween its covers. For Hollywood con-
tains many a book for the writer who
will look at the place sharply and forget
its infectious banter. True to style, the
Grahams write in terms of wisecracks.
But knowing Hollywood as they do,
they have captured one or two fine
scenes. The story conference presided
over by Mr. Tree has a nice edge; the
picture of apartment life is amusing;
and the details of the constant and un-
flagging "parties" may make a few
people in Hollywood selfconscious. But
the satire on Elinor Glyn which is meant
to be quite "uproarious" creaks with
faulty mechanics and the trigger clicks
again and again with the emptiness of a
forced and silly humor. Moreover, the
nonsensical melodrama with which the
novel ends must be deplored by every
reader. We do have good murders in
Los Angeles. If Hollywood novels must
end with murders, for the sake of Hick-
man and Northcott, and in the name of
Sanhuber, the newspaper files should be
consulted.
To insure the prompt recognition of
every character in the book, the
Grahams resorted to the subtle
makeshift of printing a lengthy fore-
word in which they protested, loudly in
advance of accusation, that "all of the
characters are imaginary." This would
not even fool the 1930 crop of Iowans.
It was with a sensation of mounting
pride that I recognized my boodlegger
as he was introduced by the Grahams
with an appropriate wisecrack. Every
columnist in Los Angeles was given an
authentic dramatis personae for the
novel the day that it was released. The
pride of Hollywood is introduced as
"Madame Frankie Lee" who conducts
a bawdy house and if any supporter of
Mayor Rolph has difficulty in spotting
the long nose, ranting voice, and evan-
gelical tactics of the novel's district
attorney, one Burrows by name, then he
has not read the newspapers recently.
As popularly titled as "Queer
People" is the novel of another
Los Angeles writer — "Sweet
Man" by Mr. Gilmore Millen. From
times that antedate the memory of exist-
ing anthropologists, the negro has been
famed for his virility and the extent to
which this myth has permeated white
regions is almost unbelievable. Even
the negroes believe it now. It is around
this legend th^t Mr. Millen has written
his first novel and it is from this well of
legend that he conjures forth his title.
He has done a difficult task in a manner
Man" by Mr. Gilmore Millen. From
that never lacks competency, the sure
and practised competency of an able
journalist. To write of the origin of
John Henry, his life on the plantation,
in construction camps, on Beale Street,
in prison, on the bum, and taking exotic
white women to the Apex Night Club on
Central Avenue, Los Angeles, was no
easy task. It was a story fraught with
innumerable difficulties and if Mr. Mil-
len has not hurdled all of them he is
scarcely to be criticised.
Through "Sweet Man" runs a note of
nascent sentimentality that Mr. Millen
barely succeeds in suppressing with a
manly sniffle on the last page. "Sweet
man," whose deeds of the boudoir and
THE SAN FRANCISCAN
of and for Hollywood
By CAREY McWILLIAMS
alley and rooming house, made black
gals cut each other to shreds and dream
of a better life, wins the affection of the
charming white lady in Los Angeles
whose car he drives. When the inevit-
able quarrel occurs, Barbara Pennfield
is shot by John Henry who then takes
his own life. He falls to the floor "his
left hand touching Barbara Pennfield's
blonde hair." One can imagine that it
was this touch that moved Mr. Van
Vechten, who has made such a superla-
tively fine thing out of the negro racket,
to write of "Sweet Man" so uncritically.
But, even in his sad melodramatic
moments, one can sympathize with Mr.
Millen. He had worked the novel into a
bad situation. To make the book topical,
he had to bring in the fatal issue of mis-
cegnation. He had devoted space to the
blues, negro folk lore, mob killings, and
every phase of popular negro news
(with the exception of negro revivals
which Mr. King Vidor had about ex-
hausted) and he thought that he must
tackle the black-white bugbear. Had he
permitted the black lusting magnifi-
cently-accountered John Henry to make
the daring Barbara merely a "sweet
man," he would have risked an anti-
climax. Ida, Henry's black sweetheart,
was approaching thunderously from the
south, and would have won him back in
another ten pages. Hence it developed
that Mr. Pennfield might shoot Barbara
and avenge the slandered masculinity of
the whites who had been denounced as
shamefully unsatisfactory, or that Bar-
bara would have to shoot Pennfield to
make way for John Henry at her side,
and this would have violated the Penal
Code and necessitated a residence in
Ensenada. Henry might have been per-
mitted to kill himself quietly but this
would have left Barbara crying piteously
over his fallen body above which would
have been suspended a fuliginous
phallus. Then, too, if Barbara had killed
Continued on page 29
song of the valiant
by Vaughn Francis Meisling
None be
Happier than we,
Who chose to stand naked in the rain,
And dared the sea;
Who drank
Bitter after sweet,
Smiled on Pain,
Sported with Defeat ....
Seek any in vain
Happy
As we.
JULY, 1930
15
Louise Janin Portrays
Helen Wills Moody
SENATOR JAMES D. PHELAN
has recently acquired this symbolic
portrait of Helen Wills Moody painted
by Louise Janin, San Francisco artist
working in Paris. The tribute, with its
luminous background of athletic figures,
was conceived last year when both Helen
Wills and Louise Janin were guests at
Montalvo. It was completed on Miss
Janin's return to Europe and was ex-
hibited at the Trouville Exposition
where it received high commendation.
Speaking of the portrait, Miss Janin
writes: "The truth is that when one gets
away from the profile, Helen Wills is an
extraordinarily difficult subject, and the
merest hairbreadth of change in a line or
a plane makes the portrait like or unlike
— the modeling, proportions and expres-
sion of her face are so elusive, so subtle.
At all events, the picture is a symbol
(and the best photographic likeness is
only a symbol) — of the finest type of
young American womanhood. There is
an effect of dawning day in the original
painting that a photograph hardly hints
at. The union of art and athletics, as an
inspiration to art, is given in the sugges-
tion of a stadium, the Palace of Fine
Arts and the Golden Gate in the back-
ground." Miss Janin has painted into
the panel the first two sonnets written to
Helen Wills by James D. Phelan. Two
griffins, suggestive of Montalvo, sur-
mount the cartouche bearing the sonnet.
Louise Janin is continuing her artistic
successes in Paris, having returned to
her studio there after visiting in her San
Francisco home several months last
year.
16
THE SAN FRANCISCAN
Bay Region Miscellany
CONSTANCE FERRIS
Author of "Bay Region Miscellany," first
published in The San Franciscan. These
vivid characterizations portrayed in blank
verse will appear in book form early this fall.
PERCIVAL MILLER
I spent my life in a fruitless quest —
The search for the rhythm of life.
I had heard that it dwelt in music,
So I sought it there unceasingly.
Fiddle and trombone, saxaphone
Blared and bellowed and whined,
Often keeping my wife awake
Until next day she drooped at her wash-
ing,
By which she supported eleven children.
Then, when she died and the Doctor
said
It was overwork and malnutrition,
The Bay Region centered its scorn on
me
And took away my eleven children.
About that time I heard someone say
That poetry held more rhythm than
music,
So I concentrated on ballads and lyrics,
But none of them ever were fit to print.
I'm lying now in the potter's field,
But before I died I read somewhere
That creation is the rhythm of life.
God above, and they censured me
For having eleven children!
DR. WESTCOTT
I came back from Vienna and opened an
office
And waited for life to unfold.
The patients came, the old and the
young;
I mended their ills and my life con-
tinued
Devoid of romantic significance.
I watched the success of Dr. McMorrow
And of Garwin, the dentist,
And believed them when they told me
the secret
Was all in knowing anatomy.
So, when ladies came I preened myself
And dissertated at great length
On the wonders and glories of man's
construction;
They looked abstracted and paid their
bills.
While all my night calls continued to be
For elderly women and children with
earache.
I lived out my span and I died con-
vinced
That no woman cares for anatomy —
At least in its technical aspects!
CHARLOTTE TREADWAY
A sheltered girlhood in the Valley
Dreaming of the promises of life.
A hasty marriage,
Born of a passionate surrender;
A godlike child and devastating happi-
ness.
Then bitter words and separation.
My child and I alone in San Francisco,
Loving and clinging together.
Privation, chastity and denial,
Then the ultimate concession
To the exigencies of existence;
The ruthless questionings of adoles-
cence
And the inexplicability of a festered lily.
More separation.
I sat on the roof and gazed out across
the Ocean
Until my soul left my body —
Separation —
What a strange motif to weave a life
about.
SIMON WHITNEY
(Street car Conductor)
On my farm in Iowa I read of San
Francisco
In the land of burning brush and Euca-
lyptus,
Where philosophic Chinamen
Are said to iron the night away.
How different was the end from the
beginning;
No deathless bird from Shanghai sang
for me —
I rang up nickels on a cable car!
And when sightseers came through
Chinatown
I tried to turn my head away, not wish-
ing
To meet the Doctor and his wife from
Keokuk.
When night came on, I sought my lonely
lodgings —
The breast with vision, dies unsatisfied.
LEONORA BYERS
I was driven out of the Bay Region
By a band of righteous citizens,
By CONSTANCE FERRIS
All because I lived with a man
Who was not my husband
And entertained somewhat promiscu-
ously.
The truth is, I was not so different
From many lawful wives in the Bay
Region,
But I did not have the immunity
That a husband's name conveys.
When the wife of one of the millionaires
Was surprised in an indiscretion
It was a "friend of the family."
I had no family, therefore
I must leave ignominiously.
To love freely in the ancient days
Was to be lauded in history,
But to love freely in modern times
Is to be cited in court!
SHANNON TYLER
Instead of the smug and simple words:
"A peaceful soul lies buried here,"
There should be inscribed on my modest
stone:
"Here lies a woman who hated the
world."
I gave to the Bay Region all that I had —
The breadth of my vision; the pith of
my wit.
I made them clever, twisted poems
About thick-limbed, surburban wives;
About spectacles and the incongruity
Of orthopedics and high romance.
I sought to brighten their dull, drab
lives,
But they turned on me, these forthright
ones
And I walked in hated, censured ways.
I stood alone and bore the brunt
Of their rustic scorn to my dying day
And I met their jibes with insolence,
But Harlequin is said to have shed tears.
BEN BEAVER
I lift my voice from the ashes in Wood-
lawn
To give counsel to my erring brothers,
who
Mistake themselves for instruments of
justice.
The meting out of justice ruined me.
When a man I trusted seduced my wife
And left me crushed and twice betrayed,
I lay and nursed my wounds and prayed
to die.
Then rising up and cursing them,
I consecrated my blighted life
To the ravishment of other men's
wives —
A perverted and vicarious vengeance.
But, so subtle and so glamourous is sin,
I forgot the end in my enjoyment of the
means.
Imagine the rest — I lie at last
Here in my grave with flesh so rotten
The worms will not eat it.
JULY, 1930
17
THE FRENCH
THE SPANISH
■P
THE MEXICAN
THE AMERICAN
Portrait of A Lady With A Turnip after the
Modern Schools as conceived by Sotomayor.
18
THE SAN FRANCISCAN
RAYMOND MOULIN'E
NIGHT LIGHTS
The heart of the Metropolitan Area showing in
the background the lights of the East Bay Cities.
JULY, 1930 19
Inventory
A Few Assets and Liabilities of the San Francisco Metropolitan Area
By JOHN PARKER
The rapid growth of the West and City 1930 '< Gain #8,512 per person, while the eleven,
the continual westward shift of San Francisco 625,974 23.54'< almost twelve, billions that changed
the center of American population Oakland 284,213 31.4 hands in San Francisco and Oakland
causes one to question the compara- Berkeley 82,120 46.6 '* represents transactions that averaged
tively small margin of growth of the San Mateo 13,439 125. '< #13,138 for each of the 910,187 people
city of San Francisco within the past Burlingame 13,055 218. ' in the two cities — certainly concrete
ten years, as shown by the 1930 census. Piedmont 9,227 118. enough evidence of the continued lead-
Because of the sixty per cent growth in San Leandro 11,316 89. ership of the Central California metrop-
population in California as a whole and Menlo Park 2,414 194. ''■ olis.
in comparison with the more than one Albany 8,593 290. There seems but one chance of San
hundred per cent growth of various Redwood City 8,957 120. % Francisco Bay failing to realize its full
other cities in Calif ornia, the announce- Palo Alto 13,635 148. '< possibilities of development and that
ment of but twenty-three per cent Alameda 34,847 21. ,; (the area's chief liability) is the chance
growth for San Francisco presents San Bruno 3,609 130. % that metropolitan San Francisco may
grounds for a general analysis of the Hayward 5,425 56. ' fail psychologically to realize the value
situation. Richmond 20,054 25. rk of its combined assets and, in that fail-
The first outstanding conclusion to be Even a cursory glance at these figures ure, become subject to an inferiority
drawn is that San Francisco no longer shows that the greatest percentage of complex that would retard develop-
stands alone as a city. The 1930 census growth has been made in the purely ment. However, there is little likelihood
shows definitely that the city itself is but residence communities and the smallest of such a situation for the facts are all
one factor in the growth of the metro- percentages in the manufacturing and against it and a knowledge of the re-
politan area surrounding San Francisco business centers. Just as Richmond's sources and strategic position of San
Bay. Local development can no longer rapid industrial growth is shown more Francisco Bay will forestall any psycho-
be considered in terms of San Francisco in the two hundred and ninety per cent logical dilemma,
city limits alone, any more than the gain of Albany's population than in its
city's business can be judged in terms own gain of twenty-five per cent, so the Jk T present there is a shadow of
of its downtown section alone. Even as development of San Francisco may be ^^^ tradition which seems to befog
the city's market is composed of a cen- estimated only by a visualization of the the vision of people at large. Tra-
tral body with dozens of arms reaching commuting hordes that are sucked in dition is valuable only so far as it leads
out into various localities, taking mer- from every side each morning and scat- to further constructive effort. It is a
chandise and service to people in outly- tered to their homes each evening in a menace when it turns the face of the
ing districts, so the growth of San throb of life that pulses through the people backward. To many people,
Francisco Bay as a metropolis depends business heart and out to the residential tales of the "good old days'' go hand in
on the multiple resources of San Fran- capillaries of the metropolitan area each hand with a complacent sigh of "those
cisco, Oakland, San Mateo, Alameda, twenty-four hours. The census can give days are gone forever." Too often they
Burlingame, Richmond, Berkeley and a picture of the distribution of homes fail to realize that the basis for the pic-
other communities of the Eastbay and alone. turesque stories was merely the actively
Peninsula. Bound together by their virile men making the most of opportu-
strategic position, the bay cities have a ^^ ecentlv, long pessimistic fingers nities — opportunities that are more than
common opportunity and an inter- wf have pointed at the comparison of duplicated in the possibilities of today,
related responsibility. ^ recent San Francisco and Los An- Certainly, viewed through an equiva-
Each unit of the San Francisco Metro- geles bank clearings trying to instill fear lent layer of reminiscence, the recent
politan Area is specialized to some extent. of the loss of Western financial leader- dramatic development of the Bank of
Certainly there is little duplication of ship. They have compared the 1929 San Italy will have a romantic flavor equal
function. Business activity is centralized Francisco bank clearings of #10,938,- to that which the days of James King of
in San Francisco on the peninsula and 000,000 with the Los Angeles figure of William bear today. The gold rush held
in Oakland for the eastbay. Manufac- #1 1,066,700,000 for the same year, for- no greater possibilities in the days of '49
turing plants operate best in the out- getting the fact that recently much of than does the current situation today,
skirts of these cities, in Richmond, in the business of San Francisco Bay is Seventy-five years ago the gold of the
Alameda, in South San Francisco and handled in Oakland, which shares the West poured through San Francisco —
other points where transportation, inex- financial routine with increasing effi- today the riches of the entire Pacific
pensive land and accessible power con- ciency. They forget that Oakland's Coast are the resources from which the
spire to make manufacturing econom- bank clearings last year were #1,020,- coordinate communities of metropolitan
ically wise. Home communities are de- 614,224 which, added to the San Fran- San Francisco will derive their future
veloping more rapidly in Piedmont, cisco clearings bring the total of bank wealth.
Berkeley, and down the San Francisco transactions for the two business centers San Francisco Bay is the inevitable
peninsula. The growth of all is mutually of the San Francisco Metropolitan Area site of the greatest metropolis of the
interacting — each unit is linked undeni- to #1 1,958,614,224 — a sum larger than West, for, situated in the path of civili-
ably with the prosperity of the whole. that of Los Angeles and greatly in ad- zation's flow, it fulfills the conditions on
From this viewpoint, a review of the vance of the southern figure when esti- which world capitals have ever been
census figures is doubly significant. Let mated on a per capita basis. The eleven built.
me quote the 1930 census figures and billions represented in the Los Angeles Detailed discussion of the resources
the estimated growth since 1920 of the clearings, when apportioned to the and facts on which this statement is
inter-related communities: 1,300,000 population, amounts to only Continued on pac
20
THE SAN FRANCISCAN
MRS. CHARLES EHRMAN
Arkatov
Of San Francisco who is spending the Summer in Beverly Hills.
JUNE, 1930
21
The Reigning Dynasty
WEDDINGS
GREEN-SHERER. On June 10, in San Rafael,
Mr, Alanson Wood Green and Miss Louise Sherer,
daughter of Mr. and Mrs. Rex William Sh
TURNER-SHERMAN. On June 10, in Pied-
mont, Mr. Edgar Turner, Jr., son of Mr, and Mrs.
Edgar Tun . and Miss Prances Sherman,
daughter of Mr. and Mrs. Frederick R. Sherman.
BURMISTER-PORTER. On June 1". Mr.
Robert Gage Burmister, son of Mr. and Mrs. Robert
B. Burmister, to Miss Amu- Odtle Porter, daughter
i«i !)r. and Mrs. Langlej Porter.
PILLSBURY-DUFF. On June 19, Mr. < I
Taylor Pillsbury, son of Mr. ami Mrs. Horace I
Pillsbury, and Miss Margery Duff, daughter of Mr.
ami Mr.. W W. Chapin.
WATSOX-BREUXER. On June IT. Mr. John
Barry Watson, son of Mrs Arthur B. Watson and
the late Mr. Watson, and Miss Katrine Brenner,
daughter of Mr. and Mrs. John Brenner.
ENGAGEMENTS
WHITMAN-LEWIS. Mi-. Janet McCoofc Whit-
man, daughter of Mr. and Mrs. Robert B. Henderson,
to Mr. D-iuglas Batchelder Lewis, son of Mr. and
Mrs, DeLancey Lewis.
PLAYER-McCANN. Miss Audrej Player, daugh-
ter of Dr. and Mrs.. Lionel Player, to Mr. Ji ihn
Wilier McCann, son of the late Mr. and Mrs. William
D. McCann.
LEES-PARKIN. Miss Emily Lees, daughter of
Mr. and Mrs. Walter Blacklock Lees of San Rafael,
to Mr. John Parkin. Jr.. son of Mr. and Mrs. John
Parkin.
KNIGHT-HYDE. Miss Claire Knight, daughter
of Mr. and Mrs. Robert Stuart Knight. to Mr I
Crosby Hyde, son of Mrs. Orra Crosby Hyde and
the late Dr. Hyde.
VISITORS ENTERTAINED
Lieutenant and Mrs. Thomas Harold Christian
were visitors in San Francisco recently, guests of Mr.
and Mrs. Tirey L. Ford, Jr. Mrs. Christian was the
former Mrs. Genevieve Morse Hay of Boston and
Hollywood.
Mrs. Frances Perkins of the Ojai Valley sojourned
tor a time and was entertained by
Mrs. William Kent. Jr.. among others.
Miss Agnes Lowry, who now makes her home in
Paris, was the complimented guest at a luncheon
given by Mrs. Frederick L. Joyce at the Town and
Country Club.
Mr. George Barr Baker of New York is a recent
arrival. Mrs. Raker has been visiting friends in
Burlingame.
Miss Alice Cooke of Honolulu has been visiting in
San Francis© i for some time and was one of the
- on a fishing trip organized by Mr. and Mrs.
William Kent. Jr.
Miss Mabel Wilson of New York was honored at
a luncheon given by her cousin. Mrs. Richard West-
pbal.
Mr. and Mrs. Arthur B. I'ahill were dinner hosts
at their home in Washington street in compliment to
Mr. and Mrs. Walter F. Foster and Mr. and Mrs.
W. K Mew York.
Mr. and Mrs. Edwin Eddy entertained their son
and daughter-in-law Mr. and Mrs. Selwyn Eddy re-
cently. Sir. and Mrs. Selwyn Eddy now live in Los
les.
Mrs. Marion Lord of Paris has been the !
guest of Mr. and Mrs. Georges de Latour at their
ranch in Nana county and later visited Mrs, J A.
Folger at the Folgcr home in Woodside.
In honor of Mrs. Frederick Weida of Sumatra.
Mrs, Harry Fast Miller and her daughter Mr-. John
Bryant Kno\ entertained at the Town and Country
Cluh at luncheon.
Mrs. Daulton Mann and her young son will spend
.1 months this summer in San Francis
Colond and Mrs. Lawrence Kedington I Josephine
Parrott) of Pari-, will spend the summer months on
the peninsula visiting the various members of the
:; family.
Mrs Hountford S. Wilson has been entertaining
her sister. Mrs. Carroll Alexander, who is in Cali-
fornia on a visit from her h.<mc in the Orient.
Mr. and Mrs. Bern nari arc in
Francisco for the Summer Symphony season and arc
being extensively entertained.
Mr> John Clark Burgard entertained recently in
Mr. and Mrs. Edward H. Clark V. are
■ at the Fairmont Hotel for a tew weeks and are
entertained by their San Francisco friends and
relat.
HERE AND THERE
Mr Milton Eaberg will entertain a large pari
friends over the weekend early in July, assembling
■
□ Williams assembled a Ian -
friends recently at the Menlo i linner
dance and Calcutta pool were the attract
Mr. and Mrs. William Leib and Mr. and Mrs,
ird I It- 1 in. hi i ecentlj visit' Irs. Rudolph
Spreckles at her ranch home al Sobre Vista.
Charles M c< ormick, Jr., has returned from Yale
and has joined his family at Atherton immer.
M r. Lewis Lapham also returned from Vale re-
cently and came West with his parents, Mi. and Mrs,
Roger Lapham, and Miss Carol Lapham. Miss Lap-
ham has been attending school in the Last,
Mr. John Drum, Jr., is returning from Cambridge
shortly and wDI join his parents I time.
Later young Mr. Drum and his mother will go to
Honolulu.
Mr. and Mrs. Bradley Wallace and their son.
Kevett, are spending July at Tahoe.
Mr. and Mrs. Stanley Harris and their two daugh-
ters have closed their home in Washington street and
are at their cuntry home at Woodside.
Mr. and Mrs. Daniel Jackling entertained a large
party of young people on Julj 4 at their home on the
peninsula. It was an all-day affair with daylight and
evening fireworks a part of the festU
Miss Virginia Allen will be the complimented -
at the dinner given by Mrs. Thomas Eastland I
the subscription dance at the Burlingame Club on
July 11.
In honor of Miss Elizabeth Splivalo, Miss Claudine
Gillespie gave a burTet supper at her home in Green
Miss Splivalo is engaged to Mr. Wallace
Bait dof. Los Angeles.
Mr. and Mis. Alexander Hamilton gave a large
luncheon on a recent^fchday at their country place in
Woi idside.
Mr. and Mis. Kile Osborn have returned to town
after spending a few weeks at Brockway,
Miss Meredith Maddux, whose marriage to Mr.
Raymond Haizlip will be an early July event, was
guest of honor at a luncheon given by Mrs. Melville
Threlkeld at the Franci^ca Club.
Mr. and Mrs. Stewart Lowry entertained at dinner
recently in honor of Mr. and Mrs. William Leib.
Miss Isabel Jennings and her brother, Mr. Thomas
Jennings, entertained at a supper party in honor of
Miss Anne Odile Porter and her fiance, Mr. Gage
Burmister.
Mr. George Pope. Jr., entertained a party of friends
over a recent weekend at his lodge at Lake Tahoe.
General ami Mrs. John L. Hines entertained at
tea recently at their rpiarters at Fort Mason.
Mr. and Mrs. Kenneth R. Kingsbury have been
dividing their time hetween the McCloud River coun-
ir> am! their country home in Kos>.
Mr. and Mrs. George Xewhall, Jr.. are motorinc
acro.s the Continent on their wedding trip. They w .11
stay at the Xewhall place at Lake Tahoe for several
weeks. Mrs. New hall was the former Mrs. I
Thierhach.
Mr. and Mrs. Horace B. Clifton are at Fallen Leaf
-< at Tahoe for the summer.
Mr. Templeton Crocker has sailed i >n his yacht,
Zaca, en route to the Orient. He will tour the world
and plans to he away about eight months.
Mr. and Mrs. Edward Bacon entertained at dinner
recently at the Mark Hopkins Hotel.
Mi-s Janet Coleman is at Lake Tahoe at present
and plans later to go to the Feather River Country
with a party of friends.
Mr. and Mrs. William Houghtding have taken the
home m Woodside for the summer.
List month Mr. and Mrs. Richard McLaren cele-
brate! the fourth anniversary of their wedding. Mr.
and Mrs. Harry Poett, parents of Mrs, McLaren.
Lave a dinner in their honor on this occasion.
Mr. and Mrs. C. <>. G. Miller and their son and
daughter-in-law, Mr. and Mrs Miller, have
returned to San Francisco after a world tour which
lasted six months. Mr. and Mrs. Albert Miller have
takei Meet apartment.
Mr. and Mrs. J bin entertained at
a dinner given for Mr. and Mrs. Daniel C. Jackling.
Mr. and Mrs. Eric Pedley (Alejandra Macondray)
had their small son christened at M abriel
The baby was named Eric Atherton
Thomas.
Mrs. Latham McMullin was a luncheon
and bridge party at her home in Atherton.
Mr and Mrs Calvin Tilden are visiting at Tahot-
until mid-July.
Misv Barbara Carpenter entertained a group of the
debutantes at a dinner given at the Carpenter home in
Burlingame.
Mr. and Mrs. Fdward Tobin have returned from
New York where they sojourned for several we*
Mrs. Felix Butte recently entertained at a musicatc
at her home m Yallejo street.
M,s Barn " Johnson, Mrs, I and
Mr* recently ent< -door
luocrj * ■ " Rafael.
Mrs. Frank W. Fuller and Mn Loins p.
. d bj Mrs
E i r. wnell.
Mr and Mrs. K. C. La Montaigne who are now
living in Southern is were guests of honor
at a farewell dinner given by Dr. and Mrs. Mark
( ierstle.
Mrs. rlebet Tilden entertained at a bridge party in
honor of bet sistrr. Miss Katrine Brenner, and her
fiance. Mr. John Watson. The party was given at
Mrs. Tilden's home on Pacific Avenue.
Mr. and Mrs. Augustus Taylor who are now estab-
lished in Menlo Park for the summer gave a dinner
party there recently.
A no-host dinner dance was arranged by Miss
Patricia Tobin at the Hotel St. Francis recently.
About thirty young people were in the party.
Mr. and Mrs. S. F B. Morse entertained Mr. and
Mrs Edmunds Lyman at the Morse ranch in the
Carmel Valley.
Mr. and Mrs. Robert Hays Smith enjoyed a week-
end with Mr. and Mrs. William G. Parrott at the
Parrott place in Monterey.
Mr. and Mrs. Alan J. Lowrey have taken the
Sesnon home at Aptos for the month of July.
Mr. and Mrs. Louis S. Catcs and Miss Barbara
tat.-- will reopen their Burlingame home for part of
the summer.
Miss Florence McCormick, who will be one of next
winter's debutantes, was given a dinner party b) her
parents, Mr. and Mrs. Charles McCormick, preceding
the peninsula subscription dances on June
28.
Mr. and Mrs. Henry Russell will spend a part of
the summer in the Carmel Valley.
Mrs Thomas F. Badly and Mi-s Barbara Bailly
have rel-.irned home from the Fast. Miss Bailly
graduated from Miss Finch's school in June.
Mr. and Mrs. Harold Law entertained Mr. and
Mrs. John Heywood at the Law's cottage at Pebble
Beach.
Mr. and Mrs. Louis Titus and their children and
Miss Theresa Rponey are staying at the Canterbury.
They spend their winters in Washn .
An open air performance will take place on the
evening of August 2$ at the Menlo Circus Club, when
a pageant of Midsummer Nights Dream will be pre-
sented for the benefit of the Stanford Convalescent
Home for Children. Many prominent society women
are interesting themselves in the event.
Mr. and Mrs. Dan Volkmann entertained Mr. and
Mrs. Frank Noyes recently at the Volkmann summer
place at Woodside.
Mr. and Mrs. Lawrence Bow es have taken the
Charles Warren. Jr., place at Ross for the summer.
Mr. ami Mrs. Henry U. Chace have taken the Paul
McCoy apartment in Jackson street for a term of
months.
Miss Frances ami Miss Katherine Stent have re-
turned to San Francisco after a long sojourn in
Europe. They have joined their mother. Mrs. F. H.
Stent, at Atherton.
Members of the San HYancisco Garden (Tub were
guests at the tea given by Mrs. Frank C. Havens in
the garden of her Piedmont home.
Mrs. Charles Blyth entertained informally at
luncheon recently at her San Mateo home.
M:ss Janet Whitman gave a luncheon party at her
home in Burlingame. entertaining the young'
on the i>eninsula and from town.
Hidden Valley Farm, the country place of Mr.
Louis Welch, was the setting for a garden part]
given for the benefit of the Building Fund of the San
Francisco College for Women.
Mr. and Mrs. George Hearst entertained a party of
friends recently at the Hearst esta'- neon.
Mr. and Mrs. Gerald Rathbone recently spent sev-
eral days at the Ahwahnee in Yosemite.
SAN FRANCISCANS ABROAD
inel and Mrs. Joseph V. Kuznik ( LurFne
Spreckels Eddv ) have returned to their apartment in
Paris.
:it and Countess De Limur (Ethel Crocker*
have taken a new house in London for the summer.
Mrs. Kurt Aibcrt will spend the summer in Berlin.
Mrs. Frank W. Fuller is en route to New York
from whence she will sail for the Continent.
The Misses Marion and Jane Goodfcllow arc spend-
ing the summer in Furope.
SAN FRANCISCANS IN NEW YORK
Mr. and Mrs. Charles Crocker are in New \
and will spend eight weeks there before return ■ .
■ nia.
Mr. and Mrs. Paul Bancr me time in
the East, at the Savoy Plaza. They are en route home
ij of the Canal.
Mr. and Mrs. McKim Collins will spend the sum-
mer on the East Coast. They will remain tor the cup
& ptember.
Mr. and Mrs. Evan Evans are in New York, stay-
ing at the Hotel St. Regis.
22
THE SAN FRANCISCAN
NOB HILL TOPICS
•
/
)
/
ANSON WEEKS
Genii of rhythm — who returns to Peacock Court, Hotel Mark
Hopkins, after a most successful two months' engagement at the
Roosevelt Hotel in New York. Another home town boy who made
good in the Big City but who, despite several attractive offers,
found the Call of the West more powerful than he anticipated.
Anson continues to exercise his spell over the dance lovers of
San Francisco, having added an Eastern swagger to his Western
tempo — a unique and enviable combination!
JULY, 1930
SPOTLIGHT
Continued from page 10
mental seventies, or the puerile sixties
ever produce a play comparable with
"The Last Mile?" Of course our smug
and prosperous friends won't go to see
it. They will say like all their ilk: "No
it's too harrowing! I go to the theatre
to be amused. There is enough sadness
in real life without seeking it in the
theatre!" You know the sort who say
this: Folk who have a town and a coun-
try house, belong to an exclusive golf
club, vote the Republican ticket and
give fifty dollars a year to the com-
munity chest.
We don't think "The Last Mile"
proves anything. Except that prisons are
filled with just as much injustice and
sorrow and terror as life outside of
them. People inside and outside of
prison walls are always reaping what
they have sown and a lot of harvests
that somebody else has planted. But in
prison injustice and sorrow and terror
are emphasized, exaggerated, thrown
into a terrible relief. Justice is a cold,
hard word. And people bandy it around
carelessly. We are always insisting that
we want justice. Nothing is more ab-
surd. If we were given one-half of one
per cent of the justice we deserve we
should all be doing a goose-step.
But to the play. So far as we were
concerned it could have been over with
the first act. Except that we should have
missed seeing the brutal jailer first
strangled and then shot down while he
was still sniveling for mercy. But, after
the first fall of the curtain we had
yielded up all the emotion that was in
our system. As a matter of fact, the
events pile up so swiftly in the last two
acts that one hasn't much time to think
about emotion.
The last hours of Richard Walters
going to the electric chair was of the
stuff that tries men's souls; the last
hours of the other convicts were not so
poignant. Perhaps because they died
fighting. It makes a difference. The
most moving lines in the show were not
written by John Wexley. They were the
Lord's Prayer. Said with simplicity and
sincerity they had a tremendous emo-
tional effect.
If you are a lover of the spoken
drama well done don't miss any of
these three plays. They are all Ameri-
can products. And they are good. They
exhibit a wide range and in their several
ways they make an interesting com-
posite of contemporary American life.
BPbbJtat
PAYILELDER5
239 Posr Srreer. San Francisco
23
F.
or Vaeal ion Wear • . . men's
sport togs of thai
smarter , finer char-
acter that is simply
the natural out-
growth of Knox
Quality.
KNOX
TWO STORES MN S A IV FRANCISCO
FIFTY-ONE
GRANT AVE.
HOTEL ST.
FRANCIS
24
THE SAN FRANCISCAN
A NTiciPATiNG with genuine joy lunch-
A^k eon at the St. Francis, Monday
caused the pleasurable sensation
of finding myself ten minutes too early
so I had real leisure to sit back and
watch the butterfly mob. I can see there
is a certain ritual to be observed as you
enter and they all go through with it.
Even if you are much too early it's good
form to rush into the waiting room like
a Kansas tornado, all breathless like,
snake out the woolen powder puff, and
begin to freshen up a bit. Not that you
have been doing your darndest to look
your best all day but this is expected of
you. It is part of the tea. Then sit back,
haul out the cigarette, be sure its lighted
at the first inhalation and look non-
challant. Nobody chokes any more.
The stage is set, until your particular
crowd arrive. Listening in discourag-
ingly "You're looking just wonderful,"
seems to take the Nobel prize and if I
had to listen to that once more I would
have made a ring of my hands and in-
•FASHION ART SCHOOL*
SCOTTISH RITE TEMPLE » Sutur nd V™ N.n A..n»t
Individual Instruction
in
Costume Design
Fashion Illustration
Millinery Making
and Designing
Commercial Art
Life Drawing
Interior Decoration
D*y W E*en,ng CUiia
AMKA ATOlSON CAllAC-H U. hin
vited the lady to put her neck in it and
hear a funny noise. Here comes my
bunch and all but one remarked "you're
looking wonderful." Oh! for an aspirin
to calm down a bit. The St. Francis
Hotel may not be a tower but its middle
name is Babel, Monday afternoon at
1:30. Lindy's baby, the latest books,
vacation, and the stock market seem to
be the hub of discussion. I can say one
favorable thing for panic, it caused a
new topic for conversation among
women. Some of them handle it intelli-
gently while others — well, papa would
throw his shoe if he heard Mary ex-
pound at length on the bulls and bears.
She hasn't been to the Bronx zoo for
nothing. One cannot help but be im-
pressed on how little affect the new low
has on this crowd of pleasure seekers.
Evidently their real margin is solid. It
restores the confidence to look around
and see unmistakably evidence of easy
money. Speaking of vacations some
people have all the luck, and they ac-
tually complain of the drudgery of
helping in preparation for Ahwahnee,
Honolulu, La Ribera at Carmel or what
have you. While I stand for hours on
one leg chewing a hole in my best hand-
kerchief to restrain my longings, I'd
give a Blimp to be able to tune in on any
one of these outings, especially as I have
a yen to see for myself La Ribera at Car-
mel. The exquisite Inn of Moorish-
Spanish architecture. Suppose some of
these fortunate ones would even receive
Bon Voyage baskets from Podesta and
Baldocchi. I always think of them as
glorified prize boxes and feel like little
Jack Horner when I dig in. Sort of delay
that for the flowers are arranged so ex-
quisitely in them, one hesitates to spoil
this work of art.
That last phrase "work of art," brings
to mind a screen in Lee Eleanor
Graham's. It is a copy of an old
Roman Frieze taken from the palace of
the Italian King. One doesn't have to
know art to appreciate this lovely thing.
I'll never know why it caught my eye
but I do know I looked and looked and
came back to look some more. Its fasci-
nation is indescribable. Do go see it.
A winding stairway of tile at 685 Sutter
brought me to Dimitri Schoch's, interior
decorator. I lingered far too long. This
studio presents an unmistakable peasant
atmosphere from its Brittany beds to the
Normandy checks. These old fabrics are
very much in vogue just now for drapes
and upholstery have a charm all their
own. Faded and mellowed with age, they
lend themselves in innumerable ways to
Continued on next page
S. g>cfjmtbt $c g>on
of NEW YORK CITY
ESTABLISHED 1869
Importers of Antique and Modern Silver,
Sheffield Plate, Fine Crystal and China
Where the treasures of a collector may
be purchased as gifts
504 SUTTER STREET
SAN FRANCISCO
Jll.V 1930
25
decoration. French Provincial furniture — poudre tables, chests
of drawers and old time china closets — lend their quaintness
to this very different little shop. No wonder I was loathe to
leave.
A two table game of contract, today, developed into a call
to arms, for the eight women to do something about the
hideous safety-pins men are wearing to keep their collars
down. Homeward bound I went — a committee of one — to the
Knox Shop for help. A young Brummel immediately took
away my melancholy by producing a shirt w-ith a Prince of
Wales Tab Collar that has the problem solved. In the first
place long collars are out. The proper thing is to have them
stubby with tiny bone stiffening under the wings. These are
simple and I breathed again. The way our boy friends went
back to infantile days was alarming to say the least.
No question so flattens me out as the one "How do you put
in your time?" They always ask it prissy like, and I see red.
I can't check on what I do. I know there never is time enough
to do all the things I plan. But today I double-checked so I
could answer promptly and not feel as if I had a woolly worm
in my mouth. Ordered for the day; gave directions that would
insure peace and harmony for the family and just made a
luncheon engagement at the Russell Tea Room. Wish I had a
speaking acquaintance with their cake baker. From there went
to A. Schmidt's for a wedding present my mind fully made to
Sheffield Plate with a fascinating crest.
So MUCH for plans. I came away with the most exquisite piece
of Bristol glass you ever saw. What alchemy of blend gives
this glass its silky luster? It doesn't take much flight of the
imagination to believe it cooling in the light of moonbeams.
From there I strolled to Gump's for a Kimona. Must have
looked swanky for the gracious sales person brought forth the
most ravishing ones from the Lotus Land. One can hardly
realize that some of these gorgeous robes are over a hundred
years old and many used in historical ceremonials.
A kitting at Nell Gaffney's was next on my list and I was
all pepped over my new chiffon gown when the model
' with a devilish gleam in her eye walked in with a wrap
she thought would be just right for me. Yeah! Just right is
good. A paletot of all white broadtail and I looked like a
million in it. Oh! for a vocabulary to describe this delectable
wrap. Its very simplicity was ingeniousness. Nothing is quite
so descriptive as "Just right."
A delightful and refreshing facial at Kaya Lama made me
feel like Cleopatra's second cousin and modestly forgives my
divulging how young I looked after it.
Made Joseph's before closing time and had the great satis-
faction of getting the flowers I wanted to fill out my table
decoration. There isn't any color scheme that you cannot carry
out at Joseph's, from his flowers to the exquisite vases which
are unusually lovely. The whole place is a riot of color.
Meanwhile Peter, the chauffeur, has been turning to the
right for the last half hour looking for parking space. There
he is on his last round, and if I do a little running and dodging
I'll make it before he stops. I got my training from "Run,
Sheep, Run." That's how I have double-checked on a day.
-£~~ — — ■4»_
26
THE SAN FRANCISCAN
KTHE l^lte«QUSEO.
\V RAPHAEL WEILL 8 COMPANY
\No^Ii'CanB£TW
The new silhouette gives us so much
latitude for new ideas in the design of
clothes that colours lose their customary
news interest as the season for Fall
Openings rolls around. Ideas in details,
trimmings and types of fabrics are
crowding other interests out of the spot-
light. (The general silhouette has not
changed at all, you know ... it has just
become established.)
However, there's no fear of going
drab in this age of colour . . . this, in
spite of the fact that black is named by
many who should know, as the first
colour of Fall. On the other hand,
brown is receiving marked attention,
and it would not be too much of a sur-
prise if it turned out to be a brown Fall.
All the smart tones of brown seen to
date admit the influence of red, so we
shall have plenty of russets and hennas.
The ten basic shades chosen by the
color coordination committee of the
National Retail Dry Goods Association
(a prosaic name, perhaps, to the fashion-
minded, but one that has much to do
with what we wear and how we wear it,
nevertheless) are picturesque in name
and shade both . . . Manila Brown, Bison
Brown, Salvador Brown, Rubytone,
Winetone, Cricket Green, Marble
Green, Admiralty, Bluglory and Cop-
I
>,
1
perglo. Remember, that if you plan
your wardrobe in any of these tones it
will be a simple matter to match shoes,
bags, hosiery and other accessories . . .
especially at The White House where
every effort is made to carry out colour
coordination.
And now The Great American Fash-
ion of the afternoon and Sunday Night
Frock has demanded that its vote be
cast in the fashion forum, with the result
that we are to have more formal velvets
and metals in sheer, chiffony "wedding
ring" qualities. For now that we have
accepted the Sunday frock, it is here to
stay for a while. Which all goes to show
that we Americans take our "high" Paris
fashions most cautiously. Somehow we
don't take to these will-o'-the-wisp, here
today — gone tomorrow styles.
But to get back to Fall styles . . . these
same sheer metals are going to be smart
in tunic blouses a la Patou for formal
suits. That's quite true, in spite of the
usual tongue-in-the-cheek attitude that is
customary with metal cloths. Perhaps it's
their exquisite beauty. (No one ever
%
likes a really beautiful woman). Velvets
are going to take a quieter place . . about
the same position as a younger married
woman at a prom.
Everyone who has anything to do
with fashion promotion wears an ex-
cited little air when the subject of Fall
woolens is brought up. Evidently we are
to expect some big moments in planning
that side of our autumn wardrobes. We
have this much information to pass on
as this goes to press . . .and that is, that
weave and texture, rather than pattern,
are to be featured, while color acts as a
background to the high art of intricate
weaving.
In the important "job" of assembling
your costumes for Fall remember that
The White House has been a leading
style authority for the last seventy-six
years !
ADVERTISEMENT
Concerning
Continued from page 13
to bring great conductors to the Wood-
land Theatre each summer. Because this
would be impossible for one organiza-
tion alone, she interested the Hollywood
Bowl, secured the cooperation of the
San Francisco symphony organization
and made arrangements through Arthur
Judson of New York to guarantee a full
season of concerts to conductors from
abroad.
Today Mrs. Armsby has full respon-
sibility for engaging conductors, and
deciding upon programs for the series
of concerts at Woodland. Because of the
cooperation she has been able to enlist,
she has brought to California world-
renowned figures who have directed
programs that have attracted the atten-
tion of the entire musical world to this
idyllic outdoor concert amphitheatre in
northern California. These same sum-
mer concerts have also been instrumen-
tal in making the reputations of several
of the European conductors whom New
York did not acclaim until after the
Hillsborough season.
The successes of Bruno Walter,
Gabrilowitsch, Goosens, Coates and
others of the world's finest directors
during the past seasons will be followed
this summer with the return of Molinari,
the arrival of Arbos from Madrid and
the presentation of exceptional pro-
grams including the first western pres-
entation of the Ravel "Ballero," the first
playing of Arbos' own "Arabian Nights
Suite" and "Iberia," the repetition of
"The Pines of Rome" and the playing of
the March of the Viceroy from the
Crocker-Redding "Fay Yen Fah."
And throughout the season Mrs.
Armsby will serve not only as an im-
pressario, directing the policies and pro-
grams of the summer symphony, but she
will entertain the visiting artists at her
gracious Hillsborough home and guide
the social activities that accompany the
concerts. She will entertain Owen
Downes, perhaps the most distinguished
music critic in America, who is drawn to
California instead of Europe this sum-
mer. She will, with her sympathetic
understanding of music and musicians,
do far more than merely create the op-
portunity for California to hear splen-
did programs.
Henry Duffy has proved his belief
that people are interested in others
like themselves by creating a west-
ern chain of theatres that enjoys the
greatest aggregate popularity of any
theatre group on the Pacific Coast.
Today Henry Duffy has won a place in
the hearts of the general public as the
champion of the tragedy and comedy of
middle class life — but he has reaped
little personal reward other than the
JULY, 1930
satisfaction of having made a dream
come true.
Duffy was born in Chicago. He played
his first stage role in Omaha when, at
the age of eleven, he was the barefoot
boy rushing on the stage to cry, "Here
comes Stonewall Jackson" in "Barbara
Fritschie." His first professional en-
gagement with a touring repertory com-
pany brought him experience as juvenile
actor, assistant stage director, candy
hawker, property man, bill poster,
specialty act man, and megaphone an-
nouncer— as well as the magnificent
sum of #5 a week. At seventeen, he oper-
ated two stock companies of his own
and made his first New York appearance
in "Pollyanna." David Belasco dis-
covered him and cast him for the lead
in "Dark Rosaleen." John Golden gave
him the lead in "Chicken Feed." Then
came more stock experience — through-
out the United States and Canada. Per-
sonally, I'll never forgive him for an
inane stock show that spoiled an other-
wise perfect "first spring evening" in a
small city about 1920.
In 1924 Henry Duffy opened the
Alcazar Theatre in San Francisco with
"The Cat and the Canary" which ran
for nine weeks and paved the way for
the chain of Pacific coast theatres which
now include houses in Oakland, Los
Angeles, Portland and Seattle. For six
years he has championed the activities
and emotions of the common people.
Many times I have gone to his plays to
laugh over the comic tragedies of small
people and cry over the tragic comedies
of ordinary family life.
Henry Duffy has done more than any-
one else in the West to develop the
comedy of modern manners — the drama
of the people that later may be judged
far more representative of our time than
the plays now sanctioned by the intelli-
gentsia and brightly patted by the critics.
He has contributed to the play of Amer-
ican life and had the satisfaction of
having a dream realized — a fair reward
of effort, irrespective of any financial
success or seeming failure he may have
had.
Inventory
Continued from jkil*'' 19
based cannot be made here. It should
be enough to support it with the follow-
ing summary taken from the analysis of
the metropolitan area recently published
in the year book of San Francisco Busi-
ness:
San Francisco Bay occupies the most
strategic position on the Pacific Coast.
It is midway between the Canadian and
Mexican borders. It is closer by two
hundred miles to Hawaii and other mid-
Pacific points than any other coast sea-
port. It is the logical outlet for the
.vealth of the richest valleys in Califor-
nia and for the entire central western
area.
27
. . . .youll have to step fast
to keep up with these Joneses
\
^
Bill Jones lands btg orders — and dresses
the part. He's an ardent sports fan — and
he romps with his children on Sundays.
Mary, his wife, is a charming little house-
keeper— with seemingly untiring energy
for teas and swimming and shopping
and qolf.
•
They quarrel a little, love n lot — and
people turn ro watch them on the dance
floor
As for Billy Junior and his small sister,
Nancy — you ;on be sure no grass grows
under their feet.
And of course this wide-awake, modern
and typically-American family reads The
Call-Bulletin — because it is edited for
them, and for everyone, regardless of
age, who has Youth in his heart
•
Think whar a market they represent! Take
>hoes tor example; street shoes, sport
shoes, dress shoes, party slippers, school
shoes, play shoes — in constant demand.
It is Youth — young in years or in energy
— that keeps the great shoe factories
humming — and hundreds ot other factor-
ies, businesses and stores.
Youth responds to the buying urge. And
the advertiser wins the quickest, warmest
response who delivers his message direct
to youthful readers . through their
favorite newspaper
(feC ALL- BULLETIN
SAN FRANCISCO'S LEADI NC EVENI N C N EWS P A P E P.
The CALL* founded 1856 The BULLETIN* founded 7855
S»n Francisco's two oldest newspapers, welded in Auaust 1929, into a single solid unit . . wi«e with
the experience and venerable with the tradition of 75 years ... but geared to the modern tempo, youth-
ful in viewpoint, ever vigorous and alert in public service. »»»»»•»»
28
THE SAN FRANCISCAN
PARENTS who
recognize the
importance of dis-
tinctive dress for
Formal School and
Sport Wear appre- /
ciate the advan- f.
tages we offer in
expert Fitting, In-
dividual Service
and Unusual fab-
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our Clothes is re-
flected in our large
and Prominent
Patronage
Exclusive Models for Boys and
youths of all ages
<ffle &avrnwnt
Fairmont Hotel
Entrance 817 Powell Street
San Francisco Bay constitutes the fin-
est natural harbor on the Pacific. It has
an almost unlimited capacity for expan-
sion of shipping. Its inland waterways
drain rich agricultural areas. Its Golden
Gate faces the rich markets of the entire
Pacific Ocean and, by means of Panama,
gives access to Atlantic ports without
high transportation premium.
The shores of San Francisco Bay pro-
vide a wide variety of physical character.
Factory sites, ideal residential locations
and varying intermediary land forma-
tions are contained in the immediate
metropolitan area. Water, natural gas,
electricity and other natural resources
are abundant.
San Francisco is already recognized
by foreign countries as the most import-
ant Pacific Coast center. Forty-four
nations are now represented in San
Francisco and most of the governments
of the world consider it a post of suf-
ficient importance to appoint to its con-
sular service here officers of high rank
and wide experience.
For over seventy-five years San Fran-
cisco has been the financial leader of the
West.
The traditions of San Francisco have
fired the imagination of people all over
the world until it is one of the most
widely known cities of the world.
The opportunity for world leadership
knocks at the door of metropolitan San
In Car/net It's
Hotel
La
Ribera
New and Modern
Courteous
Service
e
Unsurpassed
Cuisine
European Plan
Management of
Paul McFarland
Lincoln and Seventh
Carmel-by-the-Sea
California
H.LIEBES&,CO.
GRANT AVE AT POST
Very Important!
H. Liebes &) Co.'s
STORE-WIDE
CLEARANCE
Now In Progress!
A. particularly opportune
event for alert summer
shoppers, featuring special
offerings and remarkable
price reductions in every
department .... the values
are amazing!
H
ouston, Gilmore
S Company
Finej> Jewelry
Post and Stockton Streets
San Francisco
JULY. 1930
29
CHANEL WODEL
from.,
^kllyfjaffrieyin..
J 354 Pet Street
San Francisco
Bon Voyage
Baskets
Luscious fruit . . . delicious
confections . . . intriguing
magazines . . . all packed in
unusual containers and
trimmed with fresh flowers
add to the festivity of
"the voice of a thousand gardi ns
224-22t>Gnint Avenue
Phone SL'tter 6200
SAN IRWCISCO
Orders Telegraphed Anywhtrt
m-fi ^r*i "^r* ^r^s ^r»i <">^ <»v"! f^r^
Francisco — if her citizens throughout
the allied communities but acknowledge
the existing facts and realize the possi-
bilities within their grasp.
The Men from the South
Continued from page 1 1
herself, John Henry would have gone
back into the lawful arms of Ida, which
would have pleased everyone. No, Mr.
Millen did what any sensible man would
have done under such trying circum-
stances: he killed them both with bullets
from the same gun and broke Mr. Van
Vechten's heart.
But this, in retrospect, seems rather
harsh. It is because such situations as
Mr. Millen writes about strike me as
being not as dramatic or tragic as they
are journalistic, that I am not appropri-
ately impressed with their importance.
Despite this captious yell, "Sweet Man"
will win its merited praise in circles more
congenial. It is well written; the story is
dramatic and colorful; and the charac-
terization is vivid. Although it may
sound like a backhanded compliment,
"Sweet Man" is easily the soundest piece
of work of its kind that has come out of
benighted Los Angeles. It is written by a
man who, in his first novel, leaves no
doubt as to his skill and craftmanship
and who will write some excellent novels.
lor gentlemen
of action . . . .
We suggest one of the new Ox-
ford weave shirts ... In case
you're not a gentleman of action,
we might add these shirts are
splendid for loafing.
$O50
The spell of the
salt-sprayed sun
leads smart San
Francisco to the
Deauville Shop!
Let Summer lure you far
out over sparkling waves
or to the sandy ocean edge
. . . but first come along to
the Deauville Shop! For
Fashion, herself under
the ocean's misty spell,
has conceived the most
engaging beach and ship-
board modes .... and
Deauville has gathered
them all. No need to dash
from floor to floor to
assemble . . . they're here!
Deauville Shop, Third Floor
CITY of
PARIS
30
THE SAN FRANCISCAN
With Our Contemporaries
Scanning the American Mercury, as
is our humble wont, we found rood
for thought in a rather lengthy
article by Hoffman Nickerson entitled
"Elective Monarchy in America." The
gist of this piece tends to predict that
American Government, by evolving
through certain stages, is certain to ar-
rive at a state of elective monarchy.
Though this prediction is a trifle far-
fetched, we found no serious departure
from the bounds of logic in Mr. Nicker-
son's arguments . . . Who Knows?
1 1 1
We admired George Jean Nathan's
"The Critical Circus" in last month's
Forum. In this article, the colorful
George Jean couples his usual irrespon-
sible spontaneity of style with the caustic
manner of criticism found in his "Ma-
teria Critica" to refute the opinions of
leading writers on humor, art, drama,
and other cultural fields. Corey Ford
is the first to fall before Nathan's scath-
ing comment. It seems that in a recent
magazine article, Ford declared Amer-
ica to be practically devoid of any
outstanding humorists. Nathan, ever
aggressive, resents this, and names at
least a dozen Americans fit to be classed
By JAMES MARTIN McINNIS
as leading humorists. We notice, how-
ever, that he omits Mr. Ford's name
from his list. The remainder of Nathan's
article is composed of about ten-other
refutations written in the same vein.
111
Bookman, for June, offers an interest-
ing glimpse into the life of Oscar Wilde
in an article by T. H. Bell, called "Oscar
Wilde's Unwritten Play." The author
who gleans his data from personal con-
nection with the incident, tells of an
agreement between Wilde and Frank
Harris to collaborate upon a play. The
episode took place in Paris a few months
before Wilde's death and its outcome is
but another instance of Oscar Wilde's
excess of temperment. Wilde, it seems,
on account of his recognized brilliance
in dialogue, was to write the first and
fourth acts, leaving Harris the other
two. But when Harris had completed
his allotment, finding Wilde had not
composed a line — he proceeded to finish
the play himself. In the meantime, how-
ever, Wilde had already sold the play
to two different persons, and Harris
was plunged into financial difficulties.
1 1 1
"English as a Dead Language," by
Walter Prichard Eaton, is Scribner's
latest flaunt at our system of English
education. Attempting to prove that our
children are being taught in an obsolete
manner, the writer narrows his discus-
sion down to the statement of — Ring
Lardner vs. Sir Roger de Coverly. Four
out of five will agree with Mr. Eaton.
1 1 1
The Atlantic Monthly features
"Humanism — attitude on Credo," by
Frank Jewett Mather, Jr. This article
purports to be an out and out review of
Humanism, but in reality is but a com-
mentary on the philosophy of Irving
Babbitt. Mr. Mather begins by stating
that Humanism can be defined only in
a vague and nebulous manner, and de-
velops his theme into a survey of Bab-
bitt's ideas as compared with the more
venerable tenets of Erasmus and Sir
Thomas More. He concludes the article
with the statement that Humanism is
still an attitude, or state of mind, and
not a credo . . .
1 1 1
Voicing the opinion of the voting
public, Outlook offers "The Tragedy of
the Tariff" by Paul Mazur. This article
is more than an ordinary attack on the
tariff system, since it considers not only
the evils of the present, but of the
future. The writer's main argument is
contained in the following sentence —
"It would be stupidity to barter indus-
modern motorsliips
sail monthly from
san francisco via
panama canal to the
mediterranean
spam -,
franee
Italy
a 38-day cruise for three hundred dollars
libera line
(general steamship corp., agents)
has moved into luxurious new offices
219 sutter street
KEarny 4100
"worldwide service — at your service
Johnson Boats and
Motors
See our complete
ine of Johnson out-
board motors, elec-
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and the Johnson
outboard boats de-
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families of the bet-
ter class.
De Wite Run-
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Finely turned ma-
il' igany runabouts
powered with in-
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like the high-pow-
ered speed boats
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ming over the bay.
Deep, luxuriously
cushioned seats and
the latest marine
appointments.
Balanced Canoes
Constructed with
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Yacht Brokerage
Dept.
Whether you want
a high-powered run-
about, a trim fam-
ily cruiser, or a
huge ocean-going
schooner you will
find it here. Our
list is unusually
large and complete
\\ ith only select
boats.
A
to Z
in Boating
Here you will find everything in
pleasure boats from sweetly bal-
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that clip off 40 to 50 miles an hour,
and trim-lined mahogany runa-
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You are incited to come and
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ZSMAD/CETST.
fs SAN FRANCISCO
JULY. 1930
31
O full days in
HAWAII
20-Day Vacation Tours . . . all-
inclusive-cost, Los Angeles back-
to Los Angeles . . . from $330!
Sail in a luxurious LASSCO liner
over the delightful southern route to
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LASSCO'S fleet, headed by the lux-
urious flagship,"Cityof Los Angeles,"
providesa splendidly balanced service,
assuring convenient choice of sailing
dates and stateroom accommodations
that exactly meet your preference.
Three to five sailings per month.
. lll-lnclusive-Cost Tours . . . from
$285 and $330 . . . Los Angeles back
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and accommodations selected. Cost
includes Hawaii's chief points of in-
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Detailed information . . . and reser-
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LASSCO
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OAKLAND: 4I2 I3th St., Tel. OA Hand 1 436
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BERKELEVO|48CenterSt.Tel.THornwaM006O
try's golden opportunity of tomorrow
for an illusory protection of today."
1 i i
Wdki.d's Work seems to go almost
American Weekly in publishing Guy
McConnell's latest brainchild — "Let's
Merge the Churches." Mr. McConnell
bases his views upon the altogether de-
batable supposition thatdiverse religions
produce sect bigotry, poverty of re-
sources, lost spiritual and moral prestige
— and empty pews result. The merge, he
points out, would be for the common
good, would promote economic inde-
pendence, and settle all disputes . . . this
idea may be all right for Protestantism,
but how about Catholicism, Judaism
and the other faiths which comprise our
civilization?
Tallant T. Tubbs
Continued from page *»
two inches above six feet, thirty-three
years of age, a bachelor with every ad-
vantage life offers, youth, masculinity,
wealth and he chooses to return to
Sacramento as Lieutenant Governor
when London, Paris, Biarritz and the
Riviera offer the "serious pursuit of
pleasure."
It is singular the part alliteration has
played in American politics. On think-
ing of the one might easily be concerned
that there is something in a name, ac-
tually some magic in names, some truth
in numerology — three of our last four
Presidents bore given names and family
names beginning with the same letters.
Woodrow Wilson, Calvin Coolidge and
Herbert Hoover. And now in Cali-
fornia's politics we have Tallant Tubbs.
It is most singular the role alliteration
has played in it. Tallant Tubbs is a
highly alliterative name.
'SMR^i
/nay also nee
Spare glasses are as essen-
tial as spare tires. The lack
of either may mean ruined
holidays.
Telephone GArfleld 0272 for
an appointment to have your
eyes checked and an extra
pair of glasses fitted.
JONES, PIHTHER
\& LINDSAY, Inc.
1 OPTOMETRISTS
34*) CEARY STREET
San Francisco
PANAMA CANAL
HAVANA • NEW YORK
A GLORIOUS
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For 1 6 carefree days leave woTTy
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Just loaf. That's the simple pre-
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Or if you want action theTe are deck
sports, swimming, dancing, etc.
You pass triTu the gigantic Panama
Canal, visit Balboa, historic Old
Panama. Then under tropic skies to
Havana, gay pleasure city of Old
World charm— and on to New York.
The gTeat electric fleet of Panama
Pacific Line, the largest vessels ever
built in America, herald a new eTa
in ocean travel, affording unbeliev-
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up First Cabin. Private bath, rooms en
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S. S. VIRGINIA
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Alternate in fortnightly service between Cali-
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return by Tail, or vice versa.
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INTERNATIONAL MERCANTILE MARINE COMPANY
PANAMA PACIFIC LINE (Dept. K-7)
ixbo Market Street, Son Francisco
Please send me your free booklet:
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Name
Address
Other Offices: Los Angeles, Seattle, Vancouver
i — or your local steamship or railroad agent
32
THE SAN FRANCISCAN
J.B.Pagano H. A.Dunlap
L. J. Capurro
THE
foiajloriftf
Avansino Bros.fiPCo.
Gw> 5'
5jn 'Jranasco
Flower Orders Telegraphed Anywhere
^aval
iMmM
^r Facials
// oman
l ',-717
Be
Beautiful
133 Geary Street
SUtter .... 5383
X"*6^-
THE SAN FRANCISCO BANK j
SAVINGS COMMERCIAL B
INCORPORATED FEBRUARY 10TH, 1868
One of the Oldest Banks in California, the Assets of which have
never been increased by mergers or consolidations with other banks.
Assets over $131,000,000.00 Deposits over $125,000,000.00 B
Capital, Reserve and Contingent Funds, $5,600,000.00
The following accounts stand on the Books at $1.00 each, pis.: =
Bank Buildings and Lots - (Value over $1,925,000.00) |
H Other Real Estate - - - (Value over $310,000.00) M
Pension Fund - - - - (Value over $690,000.00) H
Interest paid on Deposits at Ay± per cent per annum ^
Computed Monthly and Compounded Quarterly |=
111
'•Laehrvuia Christi"
•/
WHEN a certain Russian Hill
family of bon vivants enter-
tained a retired M. D. upon his return
from Europe, the hostess' best crystal
sparkled meaningly beneath the glow of
candle light. Well, she hoped he was
not a teetotaler —
The doctor passed up the "hot stuff",
his profession having taught him more
consideration for his interior, especially
if the origin of the liquor was uncertain.
His hostess was gratified to see him
sipping the delicious beverage served
with the second course — but who could
resist this molten topaz poured from
quaint wicker wrapped bottles?
He lifted his glass, gazed into it as if
it were a crystal, sipped again, then ex-
claimed:
"Lachryma Christi!"
"What's that, doctor?" asked his host,
Colonel Dash.
"This rare, imported vintage reminds
me of the first time I tasted it in Italy
recently."
"Yes, do tell us about it," asked the
colonel, rather eagerly, his guests
thought.
"They told me that the grapes for
making it were grown on a volcano,
hundreds of miles out in the Mediter-
ranean, which are considered even bet-
ter than the Vesuvius variety.
"Really?"
"Although still active, 500 inhabitants
on this four-mile island, cultivate this
perpendicular vineyard right up to the
crater of old Stromboli — "
"Incredible!"
" — until there is an eruption, wiping
them all into Eternity — "
Horrors:
" — and because they believe the
Savior weeps for them, they call the
fruit of their toil, Lachryma Christi.
When in Italy — and Greece, too — I
drank nothing else. Yours, Colonel, has
the old flavor, the fine bouquet — "
"So you think this is the famous
Lachryma Christi? Well, my dear
friend, you don't know how much you
flatter my Cellar Builder — "
"Your WHAT?"
"The ITALIAN SWISS COLONY
who keep me supplied with seven va-
rieties of the Juice of the Grape — "
"But how does it get this way?"
"As they say in your profession, we
let nature take its course."
"Please give me their 'phone number,
I must have some of this — think what
I've been missing — "
"Just ring GArfield 3546, ask their
representative to call — and leave the rest
to their Cellar Builder. It's simple, but
subtle!"
(Personal) — Every one says the doctor is
looking /better — and is a wonderful host.
Adv.
Jl LY, 1930
33
Railroad Journalism
i inued from page 12
newspapers took heart. Here was a per-
sonality and issue to which they could
commit themselves freely. The . tltii de-
nounced the fellow from the first. It
steadily maintained that the sand lotters
were Communists and hoodlums, declar-
ing that there was nothing they disliked
more than labor; nothing they would
like better than political offices. Kear-
ney was condemned as an opportunist,
radical and arch hoodlum. The dill
took the same attitude, and The Bulletin
dealt severely with Kearney and his
movement. In profane terms he de-
nounced them all as hired organs of
capitalism and the railroad.
The Chronicle was the only friend the
working man had. It reported Kear-
ney's ravings, speeches, dreams and
hopes at length and favorably. The
press section at Kearney's meetings was
for Chronicle reporters only. Kearney's
many public acknowledgements of the
paper's support were eloquent and
touching. Clergymen made capital of,
and preached sermons against the men-
ace of Chinese heathenism, prostitution
and filth in the heart of Christianity.
But suddenly The Chronicle turned on
Kearney. It exposed him for a low order
of demagogue. It revealed that his lofty
pretensions in protecting the working
man from capitalism did not interfere
with him accepting cash considerations
from capitalism.
Kearney in good time went the way of
all his kind. The details of his descent
and exit are irrelevant and somewhat
dreary. The net result of the Kearney
agitation was a wave of public hysteria
and a new state constitution, whose
soundness, logic and statesmanship are
not above questioning. The railroad
had been the main target of attack. But
its position was not weakened thereby;
rather it was strongly entrenched. There
was to follow even more exciting epi-
sodes in the story of railroad journalism.
Now It Can Be Told
inued from pi
at times — Rabbi Newman in a radio
address, declared the San Joaquin val-
ley churchman had put the proper
phrase in the mouths of the Calif ornians
by adoption.
Only emphasis, punctuation and
spelling were slightly askew, said Dr.
Newman. The proper words for the
newcomer, topping the Sierras and
gazing into the Golden State, the doctor
says, are:
"Good! By God, I'm going to Cali-
fornia! "
y.— ^^.-^-^
*-»-"-^-»-''^»--"'
II to 3:30
S:30 to S
S to 8
icon
*Hn tinti it tin lift- of
n ppi- n It in/ ill sites
uppeti^iuulu coohetl
UnA it mil til if si'iiV./
. . . a place that will
truly tlellattt uou, !
IV
ussa
^(^eu tHoonis
2JS cl?ost Street
Son t7ra«c.-.co
-Zurlinooo,*
B**«|V«ts . Center \\*<n
RU$S ttJILWn$-$UTTEm#
Qolf at
NORTHWOOD
three hours by motor from San Francisco on
the Russian River, adjoining Bohemian Grove.
Northwood is a picturesque course in the
midst of the redwoods — grass greens, grass
tees,- grass fairways, well trapped and bunk-
ered— comparable to the Cypress Point and
Meadow Club courses.
THE Guest Lodge provides a "country
home" atmosphere for those who wish to
golf, swim and canoe in sylvan surroundings.
American plan. Every room with twin beds
and bath, tub or shower. Rooms #7.00 and up
for one person — #12.50 and up for two.
Weekly and monthly rates for rooms or bun-
galow suites supplied on request.
For further information or reservations
Phone or Write
NORTHWOOD
P. O., Northwood, California Phone "Northwood"
San Francisco Office: Room 807, Sixty-eight Post Si.
Phone SUtter 1525
34
THE SAN FRANCISCAN
CALIFORNIA SCHOOL
OF FINE ARTS
Affiliated with the University of California
Chestnut and Jones Streets
San Francisco
Telephone GRaystone 2500
SUMMER SESSION
June 23 to August 1, 1930
Professional and teachers' courses in
Painting, Drawing, Sculpture,
Design and Crafts.
Call or write for Catalogue
Lee F. Randolph, Director
Busy Women
TIRED . . .
NERVOUS . .
OVERWEIGHT
consult . . .
cJ^Tiss^'ulia^'ohnson
Graduate Swedish Masseuse
DIPLOMA PROFESSOR Suite 21 1 Elevated Shops
ulmann's institute 150 Powell Street
STOCKHOLM, SWEDEN DOuglas 6493
We welcome the crowds that
come for luncheon each day
... let us assure you that, no
matter how rushed we are,
the high standard of cooking
is our first concern ... all
food is cooked under the per-
sonal supervision of
SMrs. Welle <T>e Graf
You may also order your
favorite cak.es and pies
to ta^e home
Downstairs in the
MONADNOCK BUILDING
Market Street
FILLED with disgust for the snooping
proclivities of prohibition agents,
and especially for the border
customs inspectors, one young San
Franciscan resolved to "pull a fast one"
on his return from British Columbia,
baiting the officers.
He purchased a bottle of vinegar,
clear and white as gin, on the Canadian
side, and placed it under other baggage
in his automobile.
At the border he feigned haste and
nervousness, and looked worriedly at a
motor party already held up for posses-
sion of contraband intoxicants. Gruffly
the uniformed officer pulled the bag-
gage this way and that, pointing his
flashlight into corners of the baggage
compartment.
Then the crucial moment came. He
saw the bottle, looked quizzically at the
owner, and thrust it quickly back under
the baggage.
"Okeh. Go on," said he.
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The San F
The San Franciscan is published monthly by The San Franciscan
Publishing Company, Sharon Building, San Francisco, California.
Entered as second-class matter October, 1928, at the Post Office
at San Francisco, Calif., under the act of March 3, 1879, Joseph
Dyer, Publisher. Subscription price: one year $2.50, single copy
25c. Copyrighted 1929, The San Franciscan Publishing Com-
pany. Unsolicited manuscripts will not be returned unless ac-
companied by self-addressed, stamped envelope
For advertising rales address Zora Combes, Advertising Manager
AN TRANCISCAN
JOSEPH DYER, Editor and Publisher
Aline Kistler, Assistant to the Publisher
CONTRIBUTORS
LINCOLNSTEFFENS, WILSON FOLETTE,
CHARLES CALDWELL DOBIE, IDWAL
JONES, RAYMOND ARMSBY, RO-
WENA MASON, GEORGE DOUGLAS,
JOSEPH HENDERSON, ELVA WIL-
LIAMS, SYDNEY KING RUSSEL.
CONTENTS
August, 1930 Vol. IV, No. 8
Cover by Melvin Brindle
Alma de Brettevi lie Spreckels, portrait by Crane . . 6
The Feeling of the West, by Olin Downes .... 7
Now It Can Be Told 8
History of San Francisco Journalism, By Zoe A. Battu 10
On the Air, by Patricia May Astra 11
Spotlight, by Charles Caldwell Dobie 12
Katharine Cornell, photograph by Van Dam . . . .13
Causerie, by Frank L. Fenton 14
Sonnet: No Fault, by Witter Bynner 14
Tranquil Tahiti, impressions and sketches by Philip Nesbitt . 15
Reigning Dynasty 16
Harriet'Brownell, photograph by Boye 17
Concerning, personalities by Aline Kistler 18
Five San Francisco Artists, caricatures by Ottorino Ronchi 20
With Our Contemporaries, by James Martin Mclnnis . . 23
As Seen by Her 32
ESTABLISHED 1852
SHREVE & COMPANY
JEWELERS and SILVERSMITHS
Post Street at Grant Avenue
San Francisco
ALMA DE BRETTEVILLE SPRECKELS
This distinguished woman who has earned San Francisco's gratitude with
her magnificent gift of the California Palace of the Legion of Honor and
also served as an artistic ambassadress to interest European royalty in the
San Francisco memorial, now turns her attention to the organization of a
salon of the arts to welcome distinguished visitors.
The San Franciscan
The Feeling of the West
THE West may very possibly be the
cradle of American art. I say this not
in any mere attempt to seem compli-
mentary but because I have been im-
pressed by the feeling of California, the
feeling of the West that it characterizes
to me.
Since arriving in San Francisco I have
felt a freshness and a spontaneity in
people and their surroundings as though
something is really growing here, taking
root in new soil. You are eager and alive
and not self-conscious. You seem to
think for yourself.
It is true that you do not have as much
music, as many artists, as swift a move-
ment as in New York and you are not so
rich in present accomplishment. But I
feel that what you have is actually yours.
It has a native flavor wh'ch, to me, savors
of future development which may pos-
sibly be more truly American than the
outgrowth of New York's efforts.
You are outside the stream of European
culture that is flooding New York and
making it, in may respects, more European
than American. New York is stimulating.
It is stupendous and her artistic activity
is amazing — truly the art market of the
world. But it is not the logical place for
the growth of American culture.
At times I think of New York as being
in a position similar to that of an im-
mensely wealthy banker to whom I was
speaking some time ago. I said to him,
"I know that most people think that a
man who has accumula ed a million dol-
lars must be a financial genius, but some-
times I wonder if those we consider great
financiers are not, after all, like children
with toys.' And he answered very seri-
ously, "Yes, I often wonder what it is all
about. I inherited money and here I am
where money is passing by and I sit here
amazed at the amount of it that sticks to
my fingers.
New York is in the path of music and
drama and art of all kinds. It is at a cross-
roads where various streams of culture
pass. There is a constant influx of Euro-
fean musicians and artists of all kinds,
here is a steady inflow of audiences
from all over the world. An ever moving
tide of culture. And it is amazing how
much culture sticks to its fingers.
But the West is not yet inundated by
the flood of foreign culture from whch
New York draws its life. Out here things
are quieter. You seem to have more calm.
Ideas have a chance to grow. What art
you have here seems to have its roots in
the soil, to have sprung up from the
people themselves.
I WAS amazed to enter your Bohemian
Club and find there paint ngs and
sculpture by the members themselves —
to find people who are doing things
spontaneously and seemingly for the very
joy of doing. I am a member of a club in
New York that is supposed to contain
the cream of artistic and appreciative
talent but I can not recall ever having
felt the freedom of expression and activ-
ity there that I find here. They do have an
exhibition of paintings from time to time,
I believe, but it is a decidedly formal
affair. I am a rather dilatory member, I
must admit, but I do not recall their hav-
ing a theater or any such group activity.
Recently when I was in Bohemian
Grove, though I hold myself as the
world's worst pianist, I mentioned in an
offhand way that it would be interesting
to do the Cesar Franck Quintet in that
setting. And immediately they said, "why
not?" I demurred that I didn't have the
score and that there would not be time
for rehearsals and that I did not even
know if players were present. Within
half an hour a very creditable quartet
was assembled and presented to me. The
score was produced, I presume from the
club's own library, and without rehearsal
we played the Cesar Franck Quintet
while other club members sat around on
logs and listened or went to sleep as
they felt inclined. Such a thing would
not have happened in New York,- there
we are too self-conscious. In the first
place I should have worried for fear I
■ As music critic for the New York Times,
Olin Downes is in a position to feel the tempo of
America's artistic development and to analyze
possible trends. He is now in California
ostensibly on a vacation but lecturing on occa-
sion. However the "occasions" have become so
frequent (he has accepted twenty-six invitations
to speak since he arrived, July 1 st) that the vaca-
tion has slid somewhat into the background. We
have a weakness for vacations and a fondness,
matching Mr. Downes' own, for fishing so took
the informal occasion of a trip on San Francisco
bay in an Italian fishing boat to transcribe the
accompanying observations made by one of
America's foremost music critics. You may
punctuate the article at your discretion with
nibbles on Mr. Downes' fishline and credit any
abrupt transition to the landing of a fish.
Olin Downes
should make mistakes, and I should have
insisted on two or three rehearsals and
it would all have been very formal. Of
course at the Grove I did make mistakes,
we gave a very imperfect rendition of
the Quintet but it did not seem to matter.
We thoroughly enjoyed ourselves and
the whole spirit was happy and, in a
sense, creative.
Since my arrival in California I have
met an amazing number of truly cultured,
intellectual people. Friends in New York
who had never been West expostulated
with me before I left. They said, "You'll
die out there. They don't know anything
about music or drama or the other th'ngs
you like. You'll be starved." My experi-
ences have been quite to the contrary.
I have met people who know and re-
spond to cultural things. I have met busi-
ness men too, and where does one not?
But I think that in the West the business
men I have met have been a bit more
frankly money makers and more likable
because of the absence of pretense.
Those who are cultured are definitely so
and those who are not are not ashamed
of their ignorance and, because of this,
I like them and I feel that there is to be a
healthy development in the West where
you are more free from the superficialities
of modern urban life.
IT WiLL be interesting to observe the
processes by which American art does
achieve a nationa consciousness, as-
similating the hundred and one influences
to which it is subjected and choosing
the forms best suited to its needs.
At present, the symphony seems to me
to be the musical form bes: suited to
American feeling. In New York our best
effort is put into the symphony and we
demand most of it. Opera seems less
adapted to the American temperament
but it is impossible to say that it will or
will not be important in the future. I am
convinced that you will not have general
enthusiasm for opera until America itself
has produced great opera of its own —
but I may be mistaken. Opera in its
present form may have a deeper hold on
the American imagination than I suppose.
It is true that there is a very deep feeling
for opera in many people. I feel that the
social factor in opera appreciation is over
estimated. It is evident that those who are
I itlnutd on pa** 21
NOW IT CAN BE TOLD
THE SAN FRANCISCAN
A WEDDING in June should be a
lovely thing and some of them are.
One of the recent San Francisco
crop would have been if only some one
hadn't placed a potted plant on the plat-
form before the altar.
The demure young bride, her face a
mark of winsome innocence, slowly
walked down the church aisle, clinging
to the arm of her father. But as she reached
the platform, her dainty foot brushed
against the potted flower, upsetting it.
She looked at the spilled dirt gravely,
then raised her large childlike eyes to the
sedate face of the minister.
"That's a hell of a place to put a lily,"
she said.
ENTERING the Civic Auditorium on
tip-toe recently, all prepared for one
of our cultural evenings listening in
an orderly way to a symphony concert,
we ran right into one of the gayest old
bar-room scenes we have seen for many
a day. Since we'd spent all of five minutes
in a taxi putting ourselves firmly but gently
into a receptive mood for some fine
music, the shock was bad enough to have
a pretty horrible effect on us.
While the conductor tapped his baton
briskly several times in an attempt to catch
our eye, we were lost, utterly, in the
beauty of our surroundings. To all ap-
pearances, and appearances don't always
lie, the entire auditorium had been
decorated by a bunch of bar-tenders on
the loose. Golden nymphs of generous
proportions leaned back upon gold
frames and tooted horns with an easy
nonchalance that made us green with
envy. Large stone urns vied with one
another in spilling fruits and vegetables
in wasteful profusion. Color harmonies
cast off the old shackles of conventional-
ity and good taste and emerged before
our startled gaze in such rich combina-
tions as sky-blue and chocolate-brown,
or blood-red and Paris-green, and other
advanced symptoms of acute alcoholism.
But fascinated as we were we might
as well admit that the greater part of our
'Why did you enter Prince in the horse show? He hadn't a chance.
'I know — but he met so many nice horses."
evening was spent in furtive upward
glances in the direction of an array of
bright red chandeliers. As the evening
progressed and the music and one thing
and another affected us more and mere,
they took on a remarkable likeness to so
many malign bioodshot eyes.
An occasional shy glance about us
revealed many a head tipped back, open
mouthed and glassy-eyed, completely
swept away by it all. Every oldtimer who
knew the Barbary Coast in the days when
it was more than a word, was swallowing
hard and winking to keep back tears of
sheer sentimentality. Our own heart
strings were badly twanged, for that
matter, because it's not every day that one
finds anything so exquisite, so extraordi-
nary, in a civic building usually devoted
to symphony concerts.
A GROUP of gentlemen, obviously
a bit under the alcoholic influence,
boarded a Market street car, and
being of course in a spirit of revelry,
were a source of much annoyment to
other passengers on the car. Several
times an heroic conductor attempted to
remonstrate with them, but always the
ready wit of one of the gentlemen sent
him back to the rear of the car intellectu-
ally vanquished. Finally an old lady with
a rather acid tongue, sitting nearby gave
them a sermon on the terrible effects of
bad liquor, and they were silent for
awhile.
A few minutes later the car gave a
peculiar lurch, as Market street cars are
wont to do, and the lights went out.
"My God," cried the noisiest of the
group, "I'm blind!"
IF PRESENT indications hold true, the
coming Pacific Coast Tennis Tourna-
ment, to be held soon in this section,
will be the greatest of its kind ever to be
held in California. This year finds Mrs.
Helen Wills Moody among the list of
stars entered for the first time in many a
moon, and the entrance of William T.
Tilden, America s most brilliant contribu-
AUGUST, 1930
" -- and how's my sweetie today?
tion to the tennis world is considered a
surety. Added to these we find a galaxy
of stars headed by France's famed Three
Musketeers, Henri Cochet, Jean Borotra,
and Jaques Brugnon and many Davis Cup
stars from other countries. All in all, it
will be a tournament paralleling in talent
the recent world s championships at
Wimbledon.
RECENTLY a prominent San Francisco
business man, rotund, jolly, but
pained by his inability to catalogue
pictures into good, bad, or indifferent,
approached a prominent artist and asked
him just what the formula was for dis-
covering the worth of any painting. The
artist was taken aback, we gather, but
still able to fend for himself and Art
answered, (after deciding what the
business man's capacity for art apprecia-
tion was; in fact, probably after deciding
that he had practically none at all).
"Look at the picture carefully. Give it a
chance to make itself felt and give your-
self a chance to begin to grasp its real
meaning. View it from all its aspects and
be sure that you understand it. If after
some time and a great deal of considera-
tion you still like it, you can be pretty
sure it's bad.''
WE HAD always supposed that
Prohibition was entirely a phe-
nomenon of these later and
Puritanical days. But exploring obscure
byways of Roman History, we are aston-
ished to learn that a people so astute and
well balanced as the Romans fell victim
to the Prohibition fallacy.
In the year A.D. 92, the Emperor
Domitian, who from all accounts was a
cheerless, dogmatically practical and
arbitrary fellow, issued an edict to pro-
hibit the growing of wine grapes in
Spain and France. He ordered all existing
vines and vineyards to be uprooted and
the land set, instead, to corn. He enacted
a series of laws, designed to enforce his
edict and delegated a couple of legions
to enforce them. All of which, as you see,
is a close counterpart of our own 18th
Amendment, Volstead Law and Prohibi-
tion Enforcement forces.
WE ARE impressed with the
turn- the -other-cheek atti-
tude of modern San Francisco
business if the rumor be true that Diego
Rivera may be asked to paint the over-
mantel decoration in the board of di-
rector's room at the San Francisco Stock
Exchange. What a lesson in charity and
forgiveness that would be! But why not?
Why should not American business open
its arms to the communist protagonist who
has consistently fought all forms of
capitalism, publicly spat upon the very
Americans whose favor keeps him in the
Mexican limelight, whose best known
works are caricatures of American capi-
talism? Personally, the prospect of seeing
a primitive fresco reared above the
deliberating heads of the stock exchange
directors heralds an amusing milleneum.
Perhaps the directors will even sit for
caricatures such as those the great Rivera
did of Rockefeller and his own patron,
Morrow, that they may humbly remember
that to the communist they are mere
"materialists' and moneybags.
FLAGPOLE and tree sitters may turn
green with envy, rocking chair
champions may turn white with fear,
marathon and endurance dance title-
holders may furbish their laurels but the
center of this particular stage of prowess
belongs to another today.
Walter McGovern, one of San Fran-
cisco s biggest attorneys (he teeters the
beam of the Fairbanks at over 300 pounds)
was relaxing in a Trinity County summer
resort the other evening when the alarm
was sounded that a large active rattle-
snake was loose in camp. Flashlights and
lanterns and candles appeared while
vacationing he-men armed themselves
with tent-poles, axes, clubs, revolvers
and other weapons equally dangerous —
to bystanders. Vainly they searched the
camp over. No trace of the venemous
reptile. Then someone recalled that
McGovern's cabin had not been checked.
The posse descended upon it and found
the San Francisco attorney asleep on a
deeply cushioned rustic bench. He woke
with a start at the news and rose to join
in the search. A woman shrieked and
pointed to the seat McGovern had va-
cated. There, quashed flat as warm beer
the morning after, was the snake.
Today McGovern claims the title as
the champion rattlesnake sitter of the
world — with no competition in sight.
A PARTY of San Franciscans, vaca-
tioning in the Yosemite, had
climbed to the top of an "echoing"
mountain. There they saw an old man
sitting on a rock, a pair of binoculars in
his hands. Every few minutes he would
let out a series of loud whoops.
The puzzled vacationists looked on
and listened in amazement for a while,
then one of them asked, "Why do you
keep looking through your binoculars and
then yelling as if you were hurt?
The old man looked up impatiently.
"Don't bother me," he snapped. "Can't
you see I'm busy"? If you distract me, I II
iose my job. I'm the echo of this here
hill."
10
THEJSAN FRANCISCAN
. . . The DeYour^-Kalloch Episode in the
History of San Francisco Journalism
by Zoe A. Battu
THE American public, reading with
amusement of the hypocrisies of the
Reverend Elmer Gantry in Sinclair
Lewis s novel of the same name, won-
dered if such fellows ever exist in the
flesh and occupy the pulpits of American
churches. At the book's first appearance,
competent critics rose to declare that
Lewis had again demonstrated his un-
common skill at creating a type, which,
while thoroughly representative of the
given phase of American life, hardly
exists outside of Lewis's imagination.
Such comment, though erudite and
impressive, may be discarded as of no
account; and Lewis' claims as an accurate
portrayer of American life may, accord-
ingly, be fully honored. In San Francisco
(as might be expected) there lived, very
much in the flesh, a gentleman of the pul-
pit, whose misdeeds almost exactly paral-
led those of the fictional Elmer Gantry.
The gentleman's name was the Reverend
Dr. Isaac Kalloch, and he flourished in the
late 1870s and early '80s.
The Reverend Kalloch and his father,
also a pastor of the Baptist faith, hailed
originally from New England. Isaac Kal-
loch was pastor of the Metropolitan
Temple, Fifth and Jessie streets. The
Temple was a non-sectarian but religious
organization. It was a forerunner of the
present day churches, dedicated to Serv-
ice, whose pastors affect the methods and
manners of the snappy business man,
and concern themselves with the novels,
plays and political affairs of the day.
Isaac Kalloch was eminently fitted to
preside over such an enterprise and such
was his zeal and general popularity, that
in June 1879 he was named as candidate
for mayor of San Francisco by the Work-
ingmen s Party, which had been organ-
ized by Dennis Kearney of sand lot and
anti-Chinese fame. Like Kearney, Kalloch
yearned for reform, for the speedy annihi-
lation of all millionaires, bankers, bond
holders and railroad builders, for justice
to the working man and his elevation to
power. Like his fellow pastors, he was
shocked and grieved at the "Chinese
stream of heathenism, filth and prostitution
pouring into Christian America."
Until Kalloch s nomination for mayor,
the newspapers had been indifferent
toward him. But with his nomination, he
assumed a position and importance that
could not be ignored. Moreover, his be-
ing the candidate of the Workingmen's
Party tremendously strengthened the case
and standing of that organization. It con-
ferred upon it an almost impregnable bul-
wark of integrity and respectability. Af-
fairs within the city quickly came to the
pass where no public official or judge
dared to express any opinion unfavorable
to the Workingmen's Party, its mayoralty
candidate, demands, policies or motives.
Labor, insisted the several spokesmen of
the party, could do no wrong.
IN THE CHRONICLE office this rise of
the Workingmen's Party and the Rev-
erend Kalloch was viewed with alarm.
The paper had succeeded in laying the
motives of Kearney open to questioning
and now, in Kalloch, was a new and
possibly greater menace. The DeYoung
brothers and their editorial staff set them-
selves diligently to a search for ammuni-
tion and arguments with which to combat
the party and discredit Kalloch. The trail
led them to Boston and environs, where
they found what they sought in abundant
measure.
Dr. Kalloch and his father had, it seems,
shared a lurid past. At the tender age of
twelve, Isaac Kalloch had been found
sharing the bedroom and bed of an
adopted daughter of his parents, who
was several years his senior. As he
progressed in years, he wrought havoc
among the servant girls of the countryside.
Finally, in desperation, he was sent to a
Baptist college in Maine. He was dis-
missed from this institution for his amorous
escapades. While the junior Kalloch was
thus disporting himself, his father was en-
gaged in similar affairs of his own. His
ministrations, it was found, to certain
maids and matrons of his flock had noth-
ing of the spiritual about them. He was,
accordingly, unfrocked and left New
England for California.
At this exposure of his father, the
younger Kalloch was fired with a resolve
to redeem the family honor. He contrived
to achieve ordination as a Baptist pastor
and succeeded in obtaining the very
pulpit in Rockland, Maine, from which
his father had been dismissed. He spe-
cialized in tirades against sin and as an
evangelist. Such was his eloquence that
he speedily won more than a local fame.
But Kalloch was able to overcome
neither his father's weaknesses nor his
own. He was habitually but secretly in
the company of a comely lady who was
wedded to an elderly but prosperous
deacon of his church. Kalloch left Rock-
land under a cloud but succeeded in
obtaining the pastorate of the Tremont
Baptist Temple, Boston. Here the ladies
of the choir engaged his fancy with the
result that the Boston church dismissed
hum in disgrace. Kalloch came to San
Francisco, and as may be seen, was doing
very well for himself.
THESE facts were published in The
Chronicle in August, 1879, at the
height of the mayoralty campaign.
San Francisco read, gasped, blazed with
gossip and waited for further develop-
ments. It did not have long to wait. Kal-
loch promptly mounted the platform and
referred to Charles DeYoung as the in-
ferior progeny of a father of questionable
identity.
The following Sunday morning, Charles
DeYoung took his pistol in hand, hired a
closed carriage and drove to the side
entrance of the Metropolitan Temple
where Kalloch was holding services. He
sent a messenger boy to tell Kalloch a
lady wished to see him without. Kalloch
answered the summons, opened the car-
riage door and peered within. Without
warning, DeYoung fired two shots, which
lodged in Kalloch's chest and shoulder.
For several days his life was feared; but
he recovered. DeYoung was arrested and
released on bonds, pending his trial.
San Francisco rocked with excitement.
The daily press lined up solidly against
DeYoung and decried the shooting as
cowardly and brutal, although it had been
done to avenge the insult to Mrs. De-
Young. The Alta had previously been at
a loss for words with which to express
its scorn of the Workingmen's Party and
Kalloch. Suddenly, however, The Alta
perceived remarkable virtues in the party
and its mayoralty candidate and The
Chronicle and Charles DeYoung were
set forth as symbols of sensational journal-
ism, violent and politically corrupt. Dr.
Kalloch thus became the martyred hero of
the hour. He polled a large vote for
mayor and triumphantly assumed office in
December 1879.
The election disposed of, the trial of
Charles DeYoung for the shooting of
Kalloch again became an issue. Michael
DeYoung was able, however, to invoke
various legal technicalities in behalf of
his brother and was able to postpone the
trial. The courts allowed the case to
languish until it appeared that DeYoung
might never be brought to trial for the
attempted killing — a circumstance which
met with clamorous condemnation from
Kalloch and the labor element.
LATE in April 1880, Kalloch's son
decided to take action on his own
account. One evening about eight
o'clock he entered The Chronicle s
business office. Charles DeYoung stood
talking with a friend. Several employees
were about. Before they were aware of
young Kalloch's presence, he directed
Continued on page 3 1
AUGUST, 1930
11
On the Air
San Francisco" Broadcasting
RADIO broadcasting is classified as
the fastest moving business in the
world" by Don E. Gilman, for
twenty years a prominent figure in the
newspaper world and at present vice-
president in charge of the Pacific Coast
division of the National Broadcasting
Company. If one faces that statement with
any degree of imagination one begins to
appreciate somewhat the present scope
of radio but I doubt if even Mr. Gilman
could do more than guess what radio will
mean in the future of industry. It is, like
the tomorrow of aviation, something with
which to conjure.
One may trace sound vibration com-
munication through different ages in
widely separated countries but it is the
actual development and achievement of
radio broadcasting — illustrated by the
accomplishments of studios in San Fran-
cisco— that is of importance to us.
A review of but a half dozen years
Outgrows Swaddling Clothes
by Patricia May Astra
covers practically the entire industry. I
asked a popular radio soloist how long
he had been broadcasting. His answer
might be used to illustrate the entire radio
broadcast story. "I made my radio debut
when a small room hung with a lot of old
draperies, fitted up with a microphone
constructed from something that looked
like a cigar box and a huge funnel was
dignified with the name of broadcast
studio." This was a very few years ago.
In fact it was the same year that you and
your friends were making crystal receiv-
ing sets — and bragging because occa-
sionally you actually heard something
with the help of the aforesaid gadget"
and a couple of ear phones.
Many of those prominent in broadcast-
ing today recall those first coffin-like
studios, usually a small room on the top
floor of some office building, hung with
motley drapes and fitted with the crudest
conceivable apparatus. In such dreary and
RALPH YOUNG
Broadcasting in an NBC studio . . Barbara Blanchard, soprano; Fritz Warnke, pianist;
Cecil Underwood, announcer,- Winston C. Moore, monitor.
DON E. GILMAN
one of the most prominent figures in local radio.
mysterious "studios" the pioneers of this
now great industry worked.
Is it any wonder that artists accustomed
for many years to public appearances not
infrequently became dumb with mike-
fright" when placed in one of these air-
tight cheerless studios before a queer
device that was about as mysterious as it
was uninspiring? I can still recall an inci-
dent that happened some years ago when
I was interested in radio programs spon-
sored by an advertising client. Two
artists arrived though only one was
scheduled to appear and, when I ex-
pressed my surprise, I was told by the
station director that it was the custom to
have an emergency artist within easy call
in case the regular artist should be
afflicted with "mike-fright." Today prac-
tically every artist and public speaker of
note is "mike wise.
HOW different from the settings of
these crude beginnings are the
spacious, luxurious studios of to-
day. The largest San Francisco studios are
occupied by the National Broadcasting
Company comprising practically two
floors atop the twenty-two story Hunter-
Dulin Building. The major portion of the
huge twenty-second floor is occupied by
three spacious studios. Each is decorated
and furnished in a definite ' period
style — and it is difficult to decide which
is the most beautiful. The smallest of these
studios will accommodate comfortably a
fifty-piece orchestra, besides a number of
artists, directors, announcers and others
who participate in the programs. A
fourth and smaller studio is used for
rehearsals.
Continued on page 26
12
SPOTLIGHT
By Charles Caldwell Dobie
THE SAN FRANCISCAN
SOME months ago we said in these
columns that if a playwright were to
write a play around a legitimate child
the novelty of the idea would make his
effort a sure-fire success. At present writ-
ing there does not seem to be a play-
wright with the temerity to do anything
so daring. There are at least two shows
in town built upon the bastard theme —
Caprice" and "It's a Wise Child."
Whether there is a love-child in "Subway
Express" we do not know, but we are
hopeful. Children have been born in
taxis, why not aboard a subway express?
Except that prospective mothers out of
wedlock are never quite that public.
Even in this enlightened age there is still
an attitude of hiding-out connected with
the advent of the baby resulting from
natural causes without benefit of clergy.
The bastard in ' Caprice" is an adoles-
cent with a mother complex. But the
scene, being Vienna, the complications
are treated with a half smothered gaiety.
It is a play that could have been written
only by a woman. Even if a man had in-
vented the female characters they would
have ended by taking him in. For instance,
we are certain that every woman in the
audience knew what was back of the
self-sacrificing mother attitude. We, be-
ing a mere male, were terribly impressed
by the earnestness and apparent sincerity
of the mother pleading with the father to
take over his child and make a man of
him. As she sat in Counselor Von Ech-
ardt s study and outlined a vision of glory
for her child and self-abnegation for her-
self v/e thought: "There is a real person.
She s going to walk out of the picture and
leave father and son alone with their
happiness!"
We came to with a shock when llsa
entered upon the scene and reduced
Amalia's prospective self immolation to
its proper values. But, even then, we
were unconvinced. Even, then, poor
male that we are, we fancied that Am-
alia s motives were high and pure and
noble. Well, maybe they were at the
start. Maybe she had honest intentions.
Maybe she did think that her husband
could make a man of Robert. Maybe she
did fancy that a pansy plant could be
made to develop into a carnation. She
was fool enough, God knows, to have
fancied anything. The boy that was her
handiwork proved that. And her under-
estimation of llsa Von llsen was added
proof of her stupidity. We confess that
llsa s competence dazzled us. She never
made a false move. And her triumph was
complete. Without apparently lifting a
hand she won every trick.
Miss Bainter gave a searching interpre-
tation with just the proper amount of
swagger. She was the aristocrat who was
sure enough of her position to be vulgar
when the situation demanded. She could
flip the brim of her hat back and say "To
hell with everything!" because she was
llsa Von llsen. We cannot give higher
praise to Lily Cahill than to say that as
Robert s mother she was a complete foil
to Miss Bainter. And, as for Reginald
Owen, superlatives would not be ade-
quate to convey the nuances in his acting.
His silent stage bits were as effective as
his spoken words. The pantomime of
father and son eating cake together was
perfect in feeling and execution,- so per-
fect that we wonder whether this scene
was an invention of the author, the stage
director, or Mr. Owen himself. It was
cheering to find an announcement on the
program to the effect that "Candle-
Light/' which will follow "Caprice" at
the Geary Theatre, had been staged by
Mr. Owen. Likewise that Alan Mow-
bray would be in the cast. Unless we are
mistaken Mr. Mowbray is the actor who
made The Second Man" one of the most
memorable plays of last season. We hope
that Mr. Owen is likewise to be among
those present before the footlights.
AND, speaking of "The Second
Man, we wonder how much the
author of "It's a Wise Child" is
indebted to "The Second Man" for his
heroine s resolve to announce that she is
going to have a baby when there is no
truth in the statement. Here is a play that
treats the illegitimacy hilariously as in
"The Little Accident." It is a Duffy drama
with a subject that is usually tabu for
the Duffy audience. It concerns middle
class people in a middle class town. It
has an iceman and a maid who are both
of the stuff of which laughs are manu-
factured, and a number of c haracters
that in these days of type casting we
should hate to be picked for if on e were
an actor. It kept the large audience
assembled at the Curran in gales of
laughter from start to finish. Which was a
good thing, because to have analyzed all
the meanness and contemptibility that
animated most of the characters would
have made one feel as depressed as if
one had sat through an Ibsen drama. We
dont know why but there is always this
sort of character drawing whenever a
playwright in these United States inter-
Our Dramatic Critic
Finds the Local Stage
Offering Variations
on Bastard Themes.
prets the common people. And he must
be right because, between gurgles of
joy, a woman behind us said to her friend:
' Aint it jist like a family1" We had hoped
all along that it wasn't. We had hoped
that it was all exaggerated just to get the
laughs. But we guess we're wrong.
But the iceman was there to save the
day for us, sentimentalist that we are! The
iceman was there to beat a man up for
seducing his lady. It was of no moment
that he got the wrong person. His heart
was in the right place. And it was the
iceman who rescued the proverbial
servant girl from the horrible fate of
marrying the proverbial son of the family,
who had wronged her. We can think of
no worse solution to the problem than
to have tied up an erring servant girl to
the nasty little bounder responsible for
her condition. As to the two suitors for
the heroine's hand we think we should
have chosen Mr. Applebv in preference
to the young prig, Roger Baldwin, that
she thought she was going to marry. At
least Mr. Appleby was a crook even if a
sanctimonious one. And that is something.
We kept hoping that we would catch a
glimpse of the servant girl, Lena, who,
if we may revert to the refined language
of the gay nineties, was "in an interesting
condition." We had a suspicion that she
might have been "spoofing, ' too. For,
after seeing "Caprice" we had no longer
the faintest idea that we knew why a
woman did anything. On the surface it
doesn t appear that a servant girl would
have to invent prospective motherhood
to snare an iceman, already in love with
her. But you never can tell.
WHETHER or not you like dramas
founded on the theme of bastard
children, a trip to the Curran v/ill
convince you of one thing,- people these
days can face any kind of a baby on the
stage with equanimity. Whether they can
do so in real life remains to be seen. But
when a man laughs at a situation, even
if it is make-believe, he is on his way to
accept that situation with gaiety. The
Continued on page 21
AUGUST, 1930
13
This glamorous actress, whose London and New York
triumphs during the past six years have made her
one of the truly celebrated contemporary theatre
personalities, makes her California debut at the
Curran, August 1 8, playing the"Dishonored Lady."
KATHARINE CORNELL
14
THE SAN FkANCISCAN
CAUSERIE
Being a somewhat casual discussion
of several new books and an old one
by Frank L. Fenton
WHEN one has heard the adjec-
tives "stark," "strong," "grip-
ping," "vital," and a whole host
of virile words applied to a first novel,
one is likely to hope that here again is a
book approaching "Look Homeward,
Angel. When one knows, too, that this
first novel has a preface by D. H. Law-
rence, one is likely to expect something
quite out of the ordinary. Edward Dahl-
berg's "Bottom Dogs" (SimonSchuster) is
then bound to be a disappointment be-
cause it would take a very rare novel in-
deed to meet one's expectations. Instead
we have here only another example of
the visceral school of American realism.
The story is plotless autobiography. The
hero, Lorry Lewis, is placed by his mother
in an orphans' home. He goes through the
dull life of the school, grows up, goes to
work, becomes restless, goes west to
Portland, Oregon, down to San Fran-
cisco, on to Los Angeles. The book ends
there with his experiences in the
y. M. C. A. and Soloman's Dance Palace.
Good realism, surely,- but no better than
Dos Passos, or Anderson, or Tully, or any
one of a dozen others. Like all purely
realistic novels, local color plays an
important part. The only new bit ex-
ploited is the barbershop conducted by
Lorry s mother and her lady barbers. The
book has a local interest, aside from the
fact that part of it has a local setting, from
the fact that the author was a student at
the University of California in 1922. All
in all, it's a good bit of Americana, but
one finds it difficult to follow D. H.
Lawrence when he says, "It is a genuine
book, as far as it goes, even if it is an
objectionable one . . . That directness,
that unsentimentalized and non-drama-
•ized thoroughness of setting down the
under-dog mind surpasses anything I
know."
If one must write about "Vile Bodies"
I much prefer that he go about it in the
manner of Evelyn Waugh in his book of
that title. Here we have the unpleasant
"facts of life" made the subject for — not
ribald jest, but jest, certainly. It is a book
of sly winks and occasional nudges in the
ribs, a book that sees in life a gay and
somewhat naughty comedy and insists
that you, too, be regaled by it. What
could be more charming than the picture
of poor Lady Agath Runcidle, who
drank much too much champagne and
then drove a racing car
into a town pump,- or the
amorous passage between
yesterday's Prime Minister
and the Japanese baron-
ess,- or the party, quite im-
promptu, at No. 10 Down-
ing street,- or the seduction
scene? Particularly the se-
duction scene! The book
surely has no lasting merit;
reviewers are not going to
speak of it as a "significant
contribution" to anything
at all. In value it ranks
somewhere between Carl Van Vechten
and Ronald Firbank, and probably will
be forgotten by this time next year, al-
though one feels that the figure of Mrs.
Melrose Ape, the evangelist, should
keep it from oblivion. She and her angels,
who carry their wings in small black
boxes like violin cases, travel about
holding revivals, and (we assume) saving
souls. Of the angels, Divine Discontent
and Chastity seem to have more personal-
ity than the rest. I forget what happens
to Divine Discontent, but Chastity comes
to no good end by way of a bawdy house
in Buenos Aires.
THE subject of bawdy houses, always
an alluring one, brings to mind a
book which puts all modern fripperies
to shame. In 1665 there was first pub-
lished a book with the long and descrip-
tive title of "The English Rogue, De-
scribed in the Life of Meriton Latroon,
a Witty Extravagant, being a Complete
History of the Most Eminent Cheats of
Both Sexes." It was written first by
Richard Head and later augmented by
Francis Kirkman. A beautiful modern edi-
tion has recently been issued by George
Routledge and Sons of London. Here is
a book to be dwelt upon and read bit by
bit, preferably with congenial friends.
The laughter of Vile Bodies' is the polite
ripple one expects over tea cups,- that in
"Bottom Dogs,' when there is any, is a
broad, slap-stick ha! ha! But that in "The
English Rogue" is the deep, intestinal
laughter that makes one thank God for sin.
The first part of the book is largely auto-
biography of Richard Head himself, giv-
ing a fascinating picture of life in the
late 17th Century. Head would not
have us think him an unregenerate fellow
sonnet: no fault
by Witter Bynner
Loving your virtues, let me love your fault.
Let me be glad that there are faults to praise;
If there were none, what book of capitals
Could tell a wonder that no language says?
When I recall how loveliness can poise
Upon your heart, rose-petals on a stem,
And how the living earth is in your voice,
Your faultiness becomes my strategem.
Through every petal in some hidden bruise
Foretells of younger roses fading too,
Your only fault is my fault, since I choose
To call it your fault, that I love but you,
And reck no whit of any roses grown
To fade in other gardens than my own.
and is careful to point out in his Epistle
to the Reader the sound moral purpose
he has in writing: "It hath been too much
the humour of late for men rather to ad-
venture on the foreign crazy stilts of other
men's inventions than securely walk on
the groundwork of their own homespun
fancies. What I here present ye with is
an original in your own mother-tongue
. . . Every man hath his peculiar guilt,
proper to his constitution and age . . .
This good use I hope the Reader will
make with me of those follies that are so
generally and too frequently committed
everywhere, by declining the commission
of them (if not for the love of virtue, yet
to avoid the dismal effects of the most
dangerous consequences that continually
accompany them). And how shall any be
able to do this, unless they make an in-
trospection into Vice? This they may do
with little danger,- for it is possible to
enjoy the theory, without making use of
the practice." And theory he gives us
with great thoroughness, based, of course,
upon his practice and illustrated with
numerous diverting anecdotes. His twenty-
second chapter bears the title: "Some
observations concerning love and wo-
men, selected out of the choicest com-
mentators on their nature, together with
his own experimental reflections. His
opening remark shows his profound good
sense in the matter: "Love, 'tis confessed
is a natural distemper, a kind of small-pox,-
most have either had it, or is to expect it,
and the sooner the better." I should be
thankful if our modern novelists followed
one bit of advice from Mr. Head: "It
will not only take up too much time, but
also offend the modest Reader, here to
insert what discourses we had; therefore,
Continued on page 24
AUGUST, 1930
May This Land Remain Unspoiled
AT THE time of my arrival in Tahiti,
^^thevoyage had been unadventurous
to a point where even the most
horrible of ocean disasters would have
been greeted with a bellow of joy from
myself. Had the vessel been blown sky-
ward by some accident within its engines,
at least the monotony would have also
been shattered.
On the last morning, long before
dawn, the steward, a sun-browned
Cockney lad, came blundering into my
cabin and in a hoarse whisper said:
"We'm 'ere, sir!
I sprang up, uttering unintelligible
sounds and found myself making grimaces
of joy in the tiny mirror. The ship lay
seemingly motionless, the accustomed
throb of the propeller no longer irked my
subconscious mind. We had arrived at
last.
The blue black silhouette of a jagged
mountain thrust itself into the faintly
lighted sky. Orange lights twinkled along
an invisible shore. The sun, rising
abruptly, spread vermillion shafts across a
verdigris tinged infinity. The air was
pungent with the indescribable fragrance
of the tropics, th mysterious smell ofe
moisture and growth and fresh generative
earth. The wild, rich scents of hot coun-
tries seemed to fill the air with their
essence, copra, limes, vanilla. The crow-
ing of roosters came faintly from across
the dark, shining expanse of the lagoon
through which the ship was slowly drift-
ing and which held the fiery image of the
risen sun. As we approached the shore
where dark green shade trees arched
above the persimmon-col-
ored dwellings of the
town's edge, figures upon
unseen bicycles emerged
through flecked pools of
cool shadow. Suddenly
the sun topped the Island
heights, spilling coppery
light slantingly across the
roofs, palm fronds turned
silver yellow and the rusted
steeple of the missionary
church became gold in the
early morning burst of hot
brilliance. The water too,
had changed from deep
green to ultramarine and
emerald and the dim form
of a shark appeared as it
15
Tranquil Tahiti
. . Philip Nesbitt
writes of Papeete
and sketches his
impressions. . .
slipped in the depths alongside the ship.
Tahitian men and women, Americans,
Englishmen, Frenchmen and East Indians
smiled up at us, as we leaned against the
railing of the deck. They appeared to
enjoy the moment, they were almost too
cheerful. Evidently they were no less
glad of the arrival than we.
This first glimpse of the life of the
Island showed none of the fevered boom-
ing of a brass band and the absurd made-
to-order-atmosphere of other islands in
the Pacific. Girls with white flowers
placed in their waist-long jet-black shiny
hair, were laughing and chattering to-
gether. Round women in yellow and
carmine dresses were selling fruits and
trinkets. As I left the ship, I arranged for
my trunks to be sent ahead to the hotel,
to which I would walk. I passed a group
of little Tahitian boys whose bare feet
marched in the warm dust. They were
beating gasoline tins, a butter bucket and
a section of split bamboo. In spite of the
simple drums they had, I could sense the
old ,primitive native rhythms beneath the
more superficial bangings. Their appeal
was irresistible.
The air was warm and pleasant. I
passed under the big shade trees, through
yellowy spots of sunlight and into
shadow again. In the dense foliage over-
head, Mina birds were holding forth in
cacophonic confabulation. The lagoon
glittered through the banana trees. I be-
came aware of the profound beauty of
Tahiti. I was here to make water colors.
I was fortunate.
Continued on page 33
The Artist Sketches in Papeete
16
THE SAN FRANCISCAN
The Reigning Dynasty
WEDDINGS
DYER-LEAYITT. On June 26, at Martha's
Vineyard, Massachusetts, Mr. George Bell Dyer,
son of Mr. and Mrs. George Dyer, ami Miss Charlotte
Leavitt, daughter of the late Mr. Charles \\ elford
Leavitt.
GWIN-LYON. On July 9 in New York City. Mr.
Stanford Gwin, son of Mr. and Mrs. William M.
Gwin of San Francisco, and Miss Camilla Lyon,
daughter of Mr. T. M. Lyon of New York.
ENGAGEMENTS
BROWNELL-POPE. Miss Harriet Brownell,
daughter of Dr. and Mrs. Erie E. Brownell, to Mr.
George A. Pope, Jr., son of Mr. and Mrs. George
A. Pope.
HOLBROOK-BELCHER. Miss Harriet Hol-
brook, daughter of Mrs. Paul Wegeforth, to .Mr.
Frank Garretson Belcher of San Diego, son of Mr.
and Mrs. Frank J. Belcher, Jr.
KEHRLEIN-SIMON. Miss Frances Kehrlein.
daughter of Mr. and Mrs. Oliver du F. Kehrlein to
Mr. Bernard Simon of New Y'ork.
PRAEL-CASEY. Miss Anne Elizabeth Prael,
daughter of Mr. and Mrs. Frederick \V. Prael, to Mr.
William Kevin Casey.
VISITORS ENTERTAINED
Mrs. Howard Gray Park entertained at luncheon
at her Hillsborough home in honor of her mother,
Mrs. Edward H. Clark, shortly before the latter's
departure for her home in New York.
Mrs. George T. Cameron entertained at luncheon
in Burlingame in honor of Mrs. William Randolph
Hearst, Sr., who motored north with a party of
friends from the Hearst ranch at San Simeon.
Honoring the Spanish Ambassador Senor Alejandro
de Padilla and his daughter, Senorita Rosa de Padilla,
Mrs. Adolph B. Spreckels gave an informal reception
at the Palace of the Legion of Honor.
Mr. and Mrs. Kirkwood Donavin gave a tea at
their home on Broadway in honor of Mrs. Florence
Robert who will spend several months in San Fran-
cisco with her son Mr. Henry Robert.
Mrs. Willis Goodwin of Santa Barbara was enter-
tained at luncheon by Mrs. Frank Deering at the
Hotel St. Francis recently.
Princess Pignatelli (Conchita Sepulveda Chapman)
visited in San Francisco for a few days during July
and was a guest at the Clift Hotel.
Miss Elizabeth Moore entertained at dinner in
honor of Mr. and Mrs. Aldrich R. Peck of Los
Angeles on their return from their honeymoon in
the Hawaiian Islands. Mrs. Peck was the former
Miss Dorothy Fair of Springfield, Massachusetts.
Mrs. Raymond Adams Balfe of New York City
was the guest of Mrs. Elise Hopkins at Pebble Beach
for several days.
The English Speaking Union gave a luncheon at
the Hotel Mark Hopkins recently in honor of Admiral
Sir Dudley and Lady de Chair. Miss Ruth Langdon
entertained a group at one table in honor of Miss
Elaine de Chair.
Dr. and Mrs. Armstrong Taylor of Palo Alto
entertained Count L. de Luart of Paris as their house
guest. Mr. and Mrs. Taylor are occupying the Herbert
Hoover house for the summer.
Mrs. Alfred Pearson of Chicago is spending the
summer with Mr. and Mrs. Edward M. Mills.
Mr. and Mrs. Donald McCoy have returned to
their home in the South after visiting with Mrs.
McCoy's parents, Mr. and Mrs. Douglas McBryde
of Woodside.
In honor of Mr. Jack Bradley of New York, Miss
Florence McCormick and Mr. Charles McCormick
gave a supper dance at their home.
Miss Phoebe Brown has been entertaining Miss
Eleanor Musselman of Baltimore as her house guest
this summer. The two young women have been
passing the greater part of their time at Tahoe.
Miss Max Leona Anderson, daughter of Mrs. G. M.
Anderson of Menlo Park, entertained Miss Margaret
Thomsen, daughter of retired Admiral Franz Thom-
sen of the Danish Navy at the Anderson home re-
cently. Miss Thomsen and her family make their
home in Paris.
Mr. John Hobart and Mr. Deming Hobart gave
a dinner for Mr. Innis Bromfield recently. Mr. Brom-
field is the son of Mr. and Mrs. D. Gordon Bromfield
<>f Santa Barbara. The dinner was given at the
Lewis P. Hobart home.
Miss Anita Chadbourne will give a dinner dance
on August 29 in honor of Mr. and Mrs. Theodore
Achilles who recently returned to California after an
extended stay in Japan.
HERE AND THERE
On the advisory committee of the recently formed
San Francisco Light Opera Company are Mrs.
George T. Cameron, Maud Fay-Symington, Richard
M. Tobin, Mrs. Leonard Woolams and Mr. Hartley
Peart.
Mrs. James P. Pressley and her daughter Miss
Ellen Page Pressley have been sojourning at Feather
River Inn at Blairsden. Miss Ellen Pressley has
taken an active part in the many parties and other
diversions at the Inn this summer.
Mr. and Mrs. August Yirden entertained with a
small informal dancing party at the Hotel Mark
Hopkins recently.
Mr. and Mrs. George Thierbach have returned
from their motor trip through the North and are at
their apartment on Union street.
Mr. and Mrs. E. B. Pond of Burlingame spent a
week end at Feather River Inn.
Miss Florence McCormick gave a luncheon at the
McCormick home in Atherton in honor of Miss
Katherine Stent who recently returned from a long
sojourn in Europe.
Among the many luncheon parties on the peninsula
which have preceded the summer symphonies was
the one given by Miss Agnes Clark at her home
El Palomar. Mr. Olin Downes, the noted music
critic, was the honor guest.
Mr. and Mrs. Leo Y. Merle have taken a house
in Palo Alto for the remainder of the summer.
Miss Mary Redington gave a dinner dance at the
Hotel St. Francis recently in honor of Miss Janet
Whitman.
Mr. Lewis Lapham who is visiting in California
again this summer made the trip east by way of the
canal on the Pennsylvania.
Mr. and Mrs. John D. Fletcher and their family
enjoyed a ten days visit at the George Towne place
at Lake Tahoe recently. Miss Margaret Fletcher will
return to Miss Spence's School in New York next
month.
Mr. and Mrs. W. H. Taylor of San Mateo re-
cently spent a week-end at Bartlett Springs in Lake
County.
Mr. and Mrs. Austin Moore entertained at dinner
in Burlingame before the July 11 subscription dance.
The party was planned for the friends of their daugh-
ter. Miss Maria Christina Moore.
Mr. and Mrs. John B. Watson are now occupying
their new apartment in Jackson street.
Mrs. Charles H. Crocker entertained a group of
friends over a recent week-end at the Crocker home
in Belvedere.
The Alfred Sutro home at Atherton was the scene
of an interesting exhibition tennis match recently.
The event was planned by Miss Adelaide Sutro.
Mr. and Mrs. Wellington Henderson were guests
recently of Mr. and Mrs. Willis Walker at Pebble
Beach.
Mr. and Mrs. Marshall Madison enjoyed a visit
with Mr. Frank Madison at his summer camp on the
Rogue River.
Mr. and Mrs. George Filmer recently returned
home from the East and made the return trip to
California by way of the canal, on the liner Pennsyl-
vania.
Mr. and Mrs. John F. Brooke have returned to
town after an extended visit at Agua Caliente.
Mr. and Mrs. August Yirden and Mr. and Mrs.
Starr Bruce are on a tour of Canada at present.
Mr. and Mrs. Balfour Bowen have returned home
after a trip abroad.
Mrs. Alexander Garceau, who recently returned
from abroad, entertained a group of friends at
luncheon at her home in Jackson street.
Mr. and Mrs. Robert Gay Hooker, Jr., have re-
turned home after a visit to the East coast. They
spent the greater part of their time with Mrs.
Hooker's sister, Mrs. Jefferson Coolidge at Man-
chester, Mass.
Dean and Mrs. Wilmer J. Gresham are established
in their new apartments which are a part of the
Divinity School.
Mrs. Anita F. Moore of Honolulu is at present a
guest at the Clift Hotel.
Mr. and Mrs. John Francis Neylan have bought
the Philip E. Bowles home in Woodside.
Mr. and Mrs. Roger Lapham and their daughter
Miss Carol Lapham are home again after a month's
visit in the East.
Mr. and Mrs. Nion Tucker entertained Mr. and
Mrs. George T. Cameron and Mr. and Mrs. J. O.
Tobin recently at the Tucker lodge on the Rogue
River.
Mrs. Muriel Yanderbilt Church is expected to
arrive in California next month for a visit. Mrs.
Church will spend some time at Pebble Beach.
Miss Alice Eastland and Miss Inez Mejia were the
guests of Dr. and Mrs. Edward Erie Brownell at the
Brownell lodge in the mountains.
Mrs. Gerald Rathbone spent two weeks at Tahoe
recently.
Mr. and Mrs. Charles Deering have returned from
abroad and have taken apartments at the Hotel St.
Francis.
Mr. and Mrs. William G. Parrott entertained a
large party of friends at dinner at the new ranch
home in the Carmel Valley. The same group of
Burlingame folk were entertained a few evenings
previously by Mr. and Mrs. Henry Potter Russell.
Miss Hettie Stephenson entertained a group of
friends over the week-end at the Stephenson home in
Ross. The party attended the annual summer dance
of the Lagunitas Country Club.
Mrs. Evan Williams gave a large garden party
and buffet luncheon at her home in Atherton in honor
of her sub-debutante niece Miss Florence McCormick,
The annual benefit for the Stanford Convalescent
home will take place at the Menlo Park Circus Club
on August 23.
Mr. and Mrs. Gerald Herrmann have returned
home from Santa Barbara where they were the guests
of Mr. and Mrs. Jerd Sullivan.
Miss Jean Boyd has been spending a part of the
summer in Bear Yalley, Marin County, where the
Boyds have a summer camp.
Mrs. Egbert Stone and her daughter, Mrs. Herbert
Schmidt, are expected to arrive home shortly from
Europe. They sailed from Hamburg on the Europa.
Mrs. George Bowles flew to Aptos recently and
spent the week-end with Mr. and Mrs. Alan Lowrey.
Mr. and Mrs. Alexander Hamilton and their daugh-
ter, Miss Grace Hamilton, took a party of friends
aboard their yacht "Memory" on an all-day fishing
trip near McNear's point.
Mr. and Mrs. Marshal Hale are established at
their summer place near Benbow.
Many of the younger set are looking forward to
the dance that Mr. and Mrs. Talbot Walker will give
for their son, Cyrus Walker, at their Montecito home
on August 5. One hundred guests will be entertained.
Mrs. George Bowles and her daughter were the
guests of Mrs. Dean Witter at the McCloud River
Country Club.
Among the San Franciscans at Glenbrook Inn,
Lake Tahoe, were Mr. and Mrs. Oliver Dibble and
Mr. and Mrs. Thomas B. Hunter.
Mrs. Philip E. Bowles, Jr., entertained at a
luncheon at her apartment in Green street in honor
of Miss Fay Bainter, star of "Caprice".
Mr. and Mrs. Blair Foster entertained informally
for a group of their friends by giving a buffet
luncheon.
Mrs. Spencer Grant went to Lake Tahoe shortly
after her return from the Hawaiian Islands.
Miss Heath Hamilton has set August 30 as the
date of her marriage to Mr. John C. Ainsworth of
Pasadena.
The Harvest Moon dinner dance at Mt. Diablo
Country Club brought forth a large gathering that
included the older group as well as the debutantes.
Mr. and Mrs. Orville C. Pratt, Jr., and their
family are at their summer home in Butte County.
Mr. and Mrs. Peter Beaver are motoring through
Canada.
Mrs. W. Coy Filmer and Mrs. Cabot Brown gave
an elaborate garden party and flower show at the
Brown home in Burlingame.
Mr. and Mrs. George W. Nickel have taken a
cottage at Los Banos for the summer.
Mr. and Mrs. Fin Lund are in Burlingame for the
summer months.
SAN FRANCISCANS ABROAD
Mr. and Mrs. Loring Pickering and their children
are spending the summer on a farm in the south of
France.
Mr. and Mrs. George Legh-Jones and their daugh-
ter are en route to England. Miss Jones is to attend
a girl's school at Ascot.
Mrs. Louis Parrott was in London at last accounts,
making her home at one of the women's clubs there.
Mrs. Parrott will return to California in November.
Mr. and Mrs. Raymond C. Naylor and their
daughters are sailing for France on August 12.
News has been received from Paris that Baron
James Baeyens who married Miss Mary Clark of
San Mateo, has been appointed secretary of the
French Embassy at Berne. Switzerland.
Mr. and Mrs. George W. Lewis are away on a six
months tour of Europe.
SAN FRANCISCANS IN NEW YORK
Mr. and Mrs. John J. Deane visited in New York,
staying at the Ambassador during the time that pre-
ceded their sailing for France.
Mrs. George T. Marye is now in Newport and gave
a large luncheon there recently at her villa on Rhode
Island Avenue.
Mrs. Morbio de Mailly spent several days in New
York on her return from abroad.
Mr. and Mrs. Alfred Swinerton were at the Ritz
Carlton in New York for a short stay.
Mr. and Mrs. William Randolph Hearst, Jr., were
entertained at lunch at the Central Park Casino re-
cently by Mr. William Kent.
Mrs. James Potter Langhorne was in New York
for a few days. She later went to Montreal with her
son-in-law and daughter, Commander and Mrs. Harri-
son Calhoun. There they met Mrs. Chilion Howard
and the entire party, including also Mr. James Lang-
horne, sailed for Europe.
Mrs. James Ward Keeney is spending the summer
in Newport.
Mr. and Mrs. Charles L. Wheeler of Hillsborough
are in New York for a visit.
Mrs. Carol A. Devol is in Long Island. Her
daughters. Mrs. Albert Bates and Mrs. George Brett,
accompanied her East.
Mr. and Mrs. Clarence^ Oddie and Mr. Allen
Oddie are visiting in New York.
Mrs. James B. Haggin will occupy one of the
apartments in the huge apartment building now being
erected on the site of the old Haggin home on Fifth
Avenue.
AUGUST, 1930
17
MISS HARRIET BROWNELL
The daughter of Dr. and Mrs. Erie E. Brownell , whose engagement
to Mr. George A. Pope, Jr., has recently been announced.
THE SAN FRANCISCAN
c
oncernmg
ANTONIA BRICO
FIVE minutes is a very short while in
which to study as intense a person as
Antonia Brico, the conductor. Even
augmented as it was by part of an over-
heard rehearsal, the few minutes were
scant time in which to gain an insight
into the personality of this young
Californian of Dutch and Italian parentage
who has climbed to attainment in a field
traditionally reserved for men.
Other women have studied orchestral
direction. Other women have aspired to
play the master instrument, the orchestra,
with its human stops and keys. She alone
has persevered to such recognition.
Facing her brown, almost black eyes
with their steady intensity, and observing
her generous, intelligent nose and her
forceful, driving jaw, one feels the
effective energy of Brico. But here is not
a selfish ego. This is a person who has
chosen her way to pursue it in the face
of all obstacles — but she is content to
climb to the top without sacrificing others
on the way. Ambition has left room for
warm human concern and unselfish
friendships.
Knowing that our conversation must be
short, Antonia Brico made two significant
requests. The first was that, should I men-
tion any of the people who have helped
her to success, I should mention them all.
Some names are greater than others, she
said, but their importance in the world
of music does not necessarily indicate
their proportionate claim on her gratitude
nor possibly the value of their influence
in her career. The second request was
that I should make it plain that she has
been brought back to America by the
San Francisco Symphony Orchestra Asso-
ciation and that, in spite of a previous
performance in Hollywood Bowl, she
regards the San Francisco appearance as
her American debut because it was the
orchestra from her home metropolis that
brought her from Europe and first en-
gaged her to conduct an American
orchestra.
Her enthusiasm about her San Fran-
cisco program, August 26, was the one
thing that made me conscious of youth
that is hers in spite of the evidence of
mature accomplishment. Her eyes were
those of a college girl when she told me
that Sigismond Stojowski, her first master,
was to be soloist in one of his own com-
positions at her first San Francisco con-
cert. She did not conceal her thrill over
the fact that at her invitation Stojowski
had cancelled former plans, left his work
in the East and started for San Francisco
to play at the debut of his protege.
Though Stojowsky was Brico's first
master, he was not the first influence in
her career. Her initial inspiration was
from Paul Steindorf. She became his
protege while still attending the Oak-
land public schools and from him she
received the encouragement and impetus
to become a director. The next determin-
ing influences came not from musicians
but from Dean Lucy Ward Stebbins and
Dean Charles B. Lipman of the University
of California. Their aid and guidance
have remained the most consistent factors
in her success throughout the eleven
years since Brico entered the University
of California. It was they who encour-
aged the young student, kept up her
courage and made themselves felt in times
of crisis.
At the University there were also
Professor Edward Stricklan and Professor
Modiste Alloo, members of the depart-
ment of music, who helped Brico. It was
Professor Alloo who was instrumental in
interesting Stojowsky in the young girl.
The great pianist took Antonia Brico as
his protege, and instructed her during
three summers before she went to New
York for a year of concentrated study
with him.
From New York, Antonia Brico went
to Europe and there she studied three
years with Professor Julius Pruewer at
the Berlin Hochschule, the state academy
for conductors. During this time she was
the protege of Dr. Karl Muck, considered
the greatest conductor in the world. She
was coached at the Wagner festival at
Beyreuth and, last February, made her
debut as the first woman ever to conduct
the Berlin Philharmonic Orchestra, per-
haps the greatest orchestra of today.
Critics gave her high praise not only as
the first woman to attain such distinction,
but as a director among men.
Today Antonia Brico is with friends
in Oakland, working even harder than
in the years of her training, in rehearsal
for her San Francisco appearance, August
26.
IN SPITE of scientific advance, common
sense is still the greatest factor in suc-
cessful crime detection, according to
Charles W. Dullea, Captain of Detectives
for the City of San Francisco. Contrary to
the popular impression, derived largely
from detective novels, the spectacular
devices such as finger-printing, cigarette
ash analysis, handwriting examination and
other scientific procedure are of little use
in finding the person who has committed
a crime. These devices serve chiefly as
corroborative evidence.
Captain Dullea talks from the experi-
ence of over sixteen years in the San
Francisco police service and from the
background of thirteen years in the detec-
tive bureau. During that time, while rising
from patrolman to captain, he served in
many different capacities. As head of the
shotgun squad, he rounded up some of
the most notorious of the hold-up gang
leaders, yeggmen and auto bandits. As
head of the homocide squad for five
years, he was faced with the actual prob-
lem of crime detection in its most serious
AUGUST, 1930
19
personalties by
Aline Kistler
phases. Since January, 1929, when he
succeeded Captain Duncan Matheson as
chief of detectives, he has had super-
vision of all the activities of the bureau s
one hundred and fifty men.
The detective bureau is an interesting
organization. Less conspicuous than the
uniformed service of police, it takes up
the responsibility of watching over the
city where the patrolman's work ends.
When a felony has been committed, when
any act of violence has been done, the
burden of fixing responsibility and fur-
thering justice rests on the detective
force. The one hundred and fifty men of
the bureau are grouped in squads or
"details'' for specific duties. An idea of
the extensive activities is gained from a
list of the different details among which
dre robbery, burglary, homicide, hotel,
auto, pawnshop, bogus check, baggage,
missing people, auto accident, stock and
bonds, women's protective, and general
work.
When interviewed in his office at the
Hall of Justice, in the midst of bureau
activities, Captain Dullea was amused by
the thought that anyone might consider
detective work "romantic' It is all a
serious business to him and his men — and
a lot of hard work. Each new situation
presents a new problem but usually one
that, contrary to general conceptions,
rests on former work far more than on
spectacular observa-
tions and deductions
made at the scene of the
crime.
The greater part of
the work of the detec-
tive bureau lies behind
the scenes, between
public happenings, be-
fore anything has hap-
pened. It is then that
general information is
obtained, connections
are established and ave-
nues for future informa-
tion are opened. It is far
more valuable for a man
to have a wide knowl-
edge of conditions prior
to a crime than to be
able to recognize the
perfume and brand of
cigarette smoke at the
scene of the murder. At
best, the picturesque
devices that figure so
prominently in detec-
tive novels are useful
only in proving the guilt
of the suspect — in
ninety-nine cases out
of a hundred, neither
finger prints, nor hand-
writing, nor any of the
spectacular "clues,'' are
effective in actually find
ng
th
e criminal
CHARLES W. DULLEA
RICHARD M. TOBIN, today one of
the most prominent music patrons in
San Francisco, is a man of great cul-
ture and broad experience. Just one year
ago, he resigned his position as minister
of the United States to the Netherlands
after serving six and a half years, a period
longer than that of any other American
minister in our history. Prior to that Mr.
Tobin was attached to the General
Staff of the French Army during the
war and was an attache to the American
Peace Commission. France honored him
with the decoration of the Legion of
Honor, the most distinguished order in
the world, and at his departure from Hol-
land he received from the Queen per-
sonally the decoration of the Grand
Cross of the order of Orange Nassau,
being the only American minister to re-
ceive this high honor.
However, in conversation, Mr. Tobin
preferred not to talk about himself. And,
because what he had to say has meaning,
I prefer to quote him verbatim.
"It is not uncommon to regard di-
plomacy as more or less of a lost art. It is
true that matters of critical importance,
formerly left to the judgment of repre-
sentatives, are now decided in Wash-
ington— facilities of modern communica-
tion have made this possible. In the time
of John Adams, the first American mini-
ster in The Hague, it took three months
RICHARD M. TOBIN
to send a message to America and to
receive a reply. The ambassadors in those
days were therefore of necessity com-
pelled to act upon their own discretion.
In our time they are relied upon as a
source of confidential advice and infor-
mation. Decision upon points of policy
are made in Washington. The major part
of the modern diplomat's mission is still
an important one. It is to create an
atmosphere of goodwill and friendliness
in the country to which they are ac-
credited.
In the numerous negotiations that
constantly arise between nations, very
much depends upon the condition of
mind of the different governments. A
foreign minister can do much to create or
intensify a conciliatory attitude with the
government to which he is accredited.
"I am far from considering that the
profession of diplomacy is obsolete or
the diplomats useless!"
Since returning to San Francisco,
Richard Tobin has taken an active part in
cultural activities. He is a member of the
board of trustees of the War Memorial.
He is on the executive board of the San
Francisco Opera Association and has
lent his support to various organizations
furthering musical development through-
out the city. Having retired to private
life, he has substituted cultural diplomacy
for more generally recognized public
service.
20
THE SAN FRANCISCAN
Five San Francisco Artists
caricatured by
Ralph Stackpole
Maynard Dixon
Gottardo Piazzoni
Ott
Ronchi
orino rconc
THESE artists, known intimately over
a period of years by Ronchi who is
himself one of the city's outstanding
personalities, are portrayed here with
their foibles and private vanities exposed
. . . Ralph Stackpole, the sculptor now
at work on the final decorative figures for
the San Francisco Stock Exchange, is
drawn in the likeness of one of his own
figures cut direct in stone . . . Maynard
Dixon, whose murals in the State Library
building have brought him wide recogni-
tion, is shown in an introspective mood
. . . Spencer Macky, executive, director
of the San Francisco Art Association, is
endowed with a generous upper lip and
Anglo-Saxon determination . . . Gottardo
Piazzoni, now painting murals for the San
Francisco Public Library, stands modestly
under his well known hat, the quiet,
unassuming colorist unanimously revered
by local artists . . . Otis Oldfield, mod-
ernist and informal delineator of Tele-
graph Hill life, is shown in full regalia of
o/ercoat, cane and ever-present pipe.
Otis Oldfield
Spencer Macky
AUGUST, 1930
Spotlight
Continued from page 12
term "a wronged woman is almost dead.
Compare "It's a Wise Child," — if you
are ancient enough — with "Way Down
East." Even the moving picture version
of that classic done some ten years ago
by one of the Gish girls was ridiculous.
No audience gets excited these days
about a woman who is going to have a
baby in or out of wedlock, although, as
we remarked at the beginning, a baby in
wedlock is growing more and more of a
novelty.
The iceman is a venerable figure in the
literature of seduction. But it is the first
time that he has been starred in the role
of a knight errant. He had his weak
moments but the maid on duty was equal
to them. "All I want from you is ice!"
was her sage remark. And his retort:
"That's all your going to get! savored
more of pique than rectitude. Altogether
we enjoyed "It's a Wise Child" even if
we hated most of the characters por-
trayed. We still have a hope that Ameri-
can family life is better than that. And
we're not speaking of the seductions,
real or fancied, that it contained, either.
The Feeling of the West
Continued from page 7
socially prominent and who are attracted
to opera as a social as well as musical
event, are in a position to do more,
financially, for opera, particularly in the
elaborate way it is presented in this
country. However, I feel that in the great
body of opera audience there is far more
honest appreciation than mere social ges-
ture. Particularly is this true of the increas-
ing number of people who demand the
great dramatic operas on one hand and
the beautifully melodic works on the
other.
YOU should be able to see many
things more clearly in the West
where you are. less confused by
counter influences and activities. You say
that you have less than a million popula-
tion around the bay from which to draw
your audiences and yet you have sym-
phony all the year around and a credit-
able season of opera each autumn. New
York with its eight million people does
not now support two symphony orches-
tras and in spite of the stupendous musical
activity during the winter season the pro-
portionate development is probably not
to your discredit. I shall return to New
York, eager for the stimulation that the
city's season always gives me, but firmly
resolved to keep an ear to the ground
for signs of significant artistic develop-
ment in the West.
21
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22
THE SAN FRANCISCAN
NOB HILL TOPICS
This delightful suite overlooking San Francisco Bay is typical of the
charming rooms at The Fairmont where the new program of redecoration
and refurnishing is nearing completion. Within a year from the time that
George D. Smith took over the management of this Nob Hill hotel, all
of the rooms and suites will have been refurnished — the Venetian dining-
room, the Terrace Ballroom, the California Room and other public rooms
will all have been redecorated! The year's progress includes the comple-
tion of the Terrace Plunge, the construction of the Travers Repertorial
Theatre — and the entire modernization "back stairs" where the kitchen,
service, laundry, and engineering departments have been renovated . . .
The old personel of The Fairmont has been returned with a few important
changes, including the addition of a new chef of reputation and a new
and dynamic maitre de hotel . . . Word is being received of the return
of former guests now abroad — and there is a waiting list of applicants
for permanent suites for the winter . . . Rudy Sieger is already planning
a program of special events, beginning with the opening of the opera
season and extending through the winter.
AUGUST, 1930
With Our Contemporaries
SQUIRT-GUN POLITICS/' by
Charles A. Beard, appears in
HARPER'S MONTHLY for July,
and is quite a clever satirical attack upon
our National Legisldtion. Rather face-
tiously, the author describes Congress
sitting grimly in session and voting
solemnly upon a bill to reimburse a New
England farmer with $160 for the loss of
a cow due to carelessness on the part of
government employees. Continuing, he
points out the fact that it costs the gov-
ernment over $1000 in salaries, time,
light, investigation committees, etc. to pay
the bereaved farmer for his cow.
Enumerating several other equally
ludicrous congressional situations, Mr.
Beard ends this stirring article with an
appeal to the thinking people of the
nation for a solution to the problem.
Whenever a magazine runs shy of
editorial matter, it seems to delight in
publishing another of those countless
exposes of Chicago racketeering. Some
similar situation must have occurred in the
office of NATION, for in its issue of
July twenty-third, we found "News-
paper Criminals in Chicago,'' by an
anonymous writer. The author, who re-
fers to himself as a veteran journalist, con-
By James Martin Mclnnis
fines his topic to a rebuttal of the recent
charges of criminal racketeering on the
part of Chicago reporters, editors, and
other press-men. Passing over the murder
of Jake Lingle, a reporter for the Chicago
Tribune, he points to many reliable
sources to prove that no considerable
number of newspaper men are racketeer-
ing. In conclusion, however, he admits
that the situation demands a vigorous
and unsparing housecleaning, and an
inquiry under the guidance of an inde-
pendent and resourceful prosecutor.
Only one who has visited San Francisco
can appreciate the arguments expressed
by Winthrop Martin in REVIEW OF
REVIEWS. The article is labeled "A
Common Sense Prison'' and develops in-
to a laudation of our Alcatraz Island as
the ideal prison. The writer gives many
reasons for his choice, the foremost of
which being that the prison itself is sur-
rounded by water, necessitating only
one armed guard on the entire island.
The impossibility of escape is also aptly
illustrated when the author tells of Col.
G. Maury Cralle, the Commandant,
quelling a revolt with these words —
"Go ahead, swim!''
23
Naturally we are inclined to agree
with Mr. Martin.
Virginia McCormick's article in the
Midmonthly SURVEY for July, "Are
There Too Many Nurses?," may cause
quite a tremor among young girls with
aspirations toward this profession. It
came as a surprise to us to learn of a
superabundance of nurses in the field,
but Miss McCormick produces unrefut-
able statistics of the unemployment and
overproduction of nurses and further
points out that specialization and busi-
ness principles must be applied to the
nursing profession. Ending, she quotes
Julius Rosenwald Fund, of the National
Organization for Public Health, who
says — "The day of peddling ought to be
as far past for the modern nurse as the
days of saddleback nursing for the
doctor."
The NORTH AMERICAN REVIEW
for August features "Is Life Worth Liv-
ing," a lengthy psychological survey by
Florence Finch Kelly. As the writer her-
self intimates at the start, it is an abstract
discussion of a practical matter. Life, says
Miss Kelly, holds more in store for people
today than in other times and will con-
tinue to increase its "stimuli" to live as
the years go by. In other words, life is
gradually approaching its zenith, accord-
ing to this writer.
Continued on page 30
complement rather than enhance —
Gump S new Silver Room does
full justice to the collection of distin-
guished pieces it enframes; and that is
praise indeed for both.
We proffer cordial thanks to our re-
cent visitors for their attendance no
less than for the generous flattery of
their comment.
And we extend to you a hearty invi-
tation to call. No other American es-
tablishment, we believe, can offer a
Silverware Exhibit of more comple-
tely satisfying attractiveness.
Gump's
246 Post Street, San Francisco
24
THE SAN FRANCISCAN
llllllllllllllllllllllllllllllllllllllllllllllllllll
::a
| THE SAN FRANCISCO BANK
U SAVINGS COMMERCIAL
INCORPORATED FEBRUARY 10TH, 1868
One of the Oldest Banks in California, the Assets of which have
g never been increased by mergers or consolidations with other banks.
m Assets over $131,000,000.00 Deposits over $125,000,000.00
gj Capital, Reserve and Contingent Funds, $5,600,000.00
The following accounts stand on theBooks at SI. 00 each, viz.:
m Bank Buildings and Lots - (Value over Sl.925.000.00)
J Other Real Estate - - - (Value over S310.000.00)
Pension Fund - - - - (Value over S690.000.00)
Interest paid on Deposits at 4/^ Per cent per annum
= Computed Monthly and Compounded Quarterly
Causerie
Continued from page 14
I shall waive them, and come to the con-
clusion. And his cone usions are re-
markable. Here is no maze of intro-
spective circumlocution. Here is a lusty
tale that goes straight to its conclusions,
all of them founded on the most deficient
of modern qualities — common sense.
WHEN I picked up Margaret
Anderson s "My Thirty Years'
War "(Covici-Friede) I fullymeant
to dismiss it with a phrase, an airy gesture
of the hand. Here, I thought, is another
of the l-remember-when books, than
which there is nothing I abominate more.
But this book is different, chiefly because
the author is different. The indomitable
will and astonishing energy which kept
The Little Review going in spite of all
manner of obstacles are here evident on
every page. Say what you will, Margaret
Anderson is a person! One is sometimes
astonished at her blunders, her down-
right ignorance, but he is always willing
to forget those lapses in his admiration
of something remarkably close to genius.
The book is full of vivid portraits (not
infrequently devastating in their diaboli-
cal surety in spotting flaws) of artists,
writers, and musicians who have in the
last fifteen years changed the whole
world of art: Joyce, Sherwood Ander-
son, Pound, Gertrude Stein, Picasso,
T. S. Eliot, Hemingway, Antheil, Bran-
cusi — the list could be lengthened indefi-
nitely. Surely no one else has been so
closely in touch with the artistic life and
thought of our time as Margaret Ander-
son.
I suppose I liked her first of all because
she sees so clearly what most people
haven't seen,- that is, that Sinclair Lewis
is not a great writer. Of his work she
says: "Its photographs are faithful and in-
significant. Its truth is unimportant. Faith-
ful photography has never been a proof
of art — nor has faithful psychology . . .
Lewis' heroine is like every other woman
in her town . . . All of which can be
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AUGUST, 1930
25
traced to Lewis' theory that everyone is
like everyone else, that everyone is inter-
esting. No great book has ever been
built on such a premise. A great book is
always based upon the difference be-
tween its protagonist and the other
characters — that is, the difference be-
tween the author and the other human
beings he knows. The critics called
'Main Street' a tragedy. It has no tragedy.
Tragedy is . . . the difference." She sees,
too, the fundamental weakness of Sher-
wood Anderson when she speaks of his
"continued subjectivity which leaves him
in the state of vague romanticism about
himself that he undoubtedly enjoyed at
the age of ten.'' These judgments are
thrown out casually, as if the very next
moment Miss Anderson might be off on
an entirely different tack. And indeed
she is. Interest follows interest, the new
one pushing the old one aside. As soon
as she had grasped a thing even partially,
she was ready for something new. So
when the offended Upton Sinclair wrote:
"Please cease sending me The Little
Review. I no longer understand anything
in it, so it no longer interests me,' she
replied: "Please cease sending me your
socialist paper. I understand everything
in it, therefore it no longer interests me.
And once she felt she understood a thing,
she did not bother to follow up any later
developments that might occur. Thus one
is not a little amazed at her sentence,
"Tom Mooney and some other quite in-
nocent man had been thrown into prison
— and were kept there I believe several
years — because someone had thrown a
bomb during a parade.'' Margaret Ander-
son's interest in anarchism had waned,-
what became of Tom Mooney didn t
interest her. One feels that she cares
nothing for people and everything for
ideas; and upon finishing the book one is
completely exhausted from trying to keep
pace with the tremendous rush of energy
with which she rushes from one half-
realized idea to the next which seems
for the time more alluring. A wearing
person, surely. I should like very much
to know Margaret Anderson; but I d hate
to have to live with her.
FROM Stanford, although having no
official connection with the university,
comes an interesting brochure of
modern verse under the title "Roon. The
contributors are a "group for which
verse is a delightful hobby indulged in
moments stolen from too busy and too
practical careers." Too often the verse
Continued on page 29
PAXIL ELDERS
239 PosrSrreer. San Francisco
ftTHE MHlte«fflfSEO.
\V RAPHAEL WEILL 8 COMPANY
\No\VtfCanB£TW
WHAT-HO! For the merriest orgy
of reduced prices that has hap-
pened in such a long time that
probably only Grandmother can remem-
ber when. If we weren't such a style-
educated people there's no doubt that
we'd all be laying in a clothes supply for
seasons and seasons to come. But fortu-
nately for the "tradespeople," as the
English say, we moderns believe that a
wardrobe in use gathers no moths! In
other words, we wear our clothes in-
stead of hoarding them. Remember when
Grandmother was a girl how a good
piece of taffeta proved its smartness by
the number of times it had been "turned' ?
Well, even if it isn't quite the thing to
lay in a supply of clothes in much the
same manner as you would stock the
pantry shelves, you can still get a thrill .. .
and WHAT a thrill this Fall ... of pay-
ing a lot less for the same kind of smart
apparel you have always bought at The
White House. That's the gorgeous part
of it. That's why we have something
radically different to talk about in Fall
fashions this year. Quality remains at the
same high level as always (never would
you find The White House departing
from its seventy-six-year-old standard of
infallible quality). But prices have gone
mid-Victorian! That's all!
YOU'LL admit there's something to be
excited about when $29.50 dresses
move up from the moderately priced
dress class to the Better Dress Shop! That s
to be the "popular" price frock among
the better sort of dresses this Fall, if you
please. And if you think they're not
supremely smart in spite of their modest
price, all we can say is, see for yourself.
For some time, at The White House, it
has been unnecessary to pay more than
$5 or $7.50 or $10 (if you really must
be extravagant!) for the best type of hat.
Just as you step out of the elevators on
the second floor, this Little Hat Shop, as
it is known, greets your delighted eye
with the season's smartest in millinery at
prices that once would have marked them
as "bargains."
THROUGHOUT the entire store you
will find this game of "values . . .
values . . . who has the best values
for the least money?" played with true
merchandising skill. Shoes and stockings,
lingerie and linens, shirts and ties, bed-
dingand booksand children'sapparel . . .
all the fascinating hodge-podge of lux-
uries and necessities that go to make up
the modern department store are joined
in this great movement to lower price
levels.
/
BUT, no one can tell how long this de-
lightful condition of paying less and less
for more and more is going to last and
last. That's the nigger in the woodpile.
It's on the same principle as the market
right now, (of course, like everything else
that has moved up or down the market
is held responsible for this pleasant reign
of inexpensive smartness, too) and who
would DARE even whisper a prophesy
about stocks?
SO THE wise move in assembling your
Fall wardrobe would seem to be,
BUY NOW! It's going to be fun,
don t you think, to see how much more
you're going to be able to do with the
old budget?
And above and beyond the clash and
clangor of falling prices stands the
seventy-six-year-old reputation of The
White House ... a firm foundation of
established quality, no matter what the
price!
ADVERTISEMENT
26
THE SAN FRANCISCAN
On the Air
Continued from page 1 1
The National Broadcasting Company
is unique in that it produces original
programs in San Francisco which are
broadcast up and down the coast and
over the entire country. The company s
local studios represent an investment in
equipment and furnishing alone of over
$200,000 and a local disbursement in
excess of $1,500,000 annually.
Even with their present splendid
studios (in use approximately three years)
the National Broadcasting Company has
for some time felt the need of additional
facilities. One of the local NBC execu-
tives said that his chain could use twice
as many studios in the preparation and
presentation of the 150 programs re-
leased from the San Francisco studios to
the Pacific Coast and Rocky Mountain
area. Fifty-eight additional programs are
received from Eastern NBC studios for
distribution over the coast chain.
The musical programs originating in the
NBC San Francisco studios involve a pay-
roll to musicians alone of $250,000 an-
nually. Fees to singers, actors and pro-
ducers are not included in this budget.
The musical library of this company —
including thousands of orchestrations,
besides other music — is declared to be
worth about $100,000.
KPO has just completed two new
studios on the ninth floor of Hale
Brothers I ncorpora ted. Thesea re equipped
with the most modern of facilities includ-
ing a separate room for the announcer's
booth. A 5,000 watt crystal controlled
transmitter is part of the new KPO equip-
ment. A powerful and very up-to-the-
minute new Master Control room is
located in an addition to the Hale Build-
ing. These new and additional facilities
have made it possible for KPO to enjoy
an increasing popularity. The station is
operated by Hale Brothers and the
Chronicle with Mr. J. W. Laughlin as
active manager.
KYA has just installed a new RCA
transmitter at the Whitcomb Hotel and is
planning also to improve and enlarge the
present studios in the Loews Warfield
Building. According to Lewis Lacy,
manager, when the new KYA went on
the air late in June, they brought to
Western dialers everything that is new in
radio transmission. The transmitter, in-
stalled at the Whitcomb Hotel, is the
first on the coast to incorporate the
screen-grid vacuum-tube development.
The work of installation was accom-
plished under the direction of John Cope
who has flown more than 45,000 miles
since January 1930 between San Fran-
cisco, Seattle and Washington, D. C, on
matters pertaining to the construction of
the transmitter. So do these modern twin
industries of the air serve each other in
behalf of the radio audience in California.
A staff of 58 people are now employed
in KYA'S studios.
KFRC's new studios in the Don Lee
Building are some eight months old. The
larger studio is 50 by 40 feet and is con-
structed to accommodate an audience of
about 180 people. It is here that the
popular Monday night "Jamborees" are
held. Harrison Holliway, manager, states
that KFRC has been active in the Don Lee
Building for over two and a half years
and that there are now 30 artists on the
regular staff, besides extra talent engaged
for special programs. KFRC maintains two
regular orchestras, one for concert work
and the other for modern interpretations
and dance music.
SAN FRANCISCO may well be
proud of the fact that it is doing its
share in contributing to the diversi-
fied programs — entertainment, education,
and religion — which reach millions of
listeners throughout the West and the
nation.
West to East sponsored programs
originating in San Francisco have been on
the air but a very short time. This is just
the beginning as Mr. Gilman predicts
that there will be many sponsored pro-
grams going from San Francisco over the
entire NBC network of over seventy
stations in the very near future. So it is
"Radio Advertising Speaks for Itself"
The NEJV
The GREATER
KYA
FOR
Variety ' ' Quality » » Entertainment Value
IN SEVEN SHORT WEEKS
Your advertising message broadcast from this station will reach the ears of thousands of buyers.
Unlimited Program and Continuity Facilities.
San Francisco" 's Greatest Independent Radio Station!
CONSULT
RCA Screen Grid
Transmission
Pacific Broadcast] ng Corporation
/OOO Walts
lod i Modulation
988 MARKET STREET
SAN FRANCISCO
AUGUST, 1930
27
16 days of
gracious living
ON THESE
NEW ELECTRIC LINERS TO
New York
via Ta nam a Canal
and Havana-)
Upturn by rail . . . if you wish
„ .„ . , , ^^-^ A our first step
Boutuon t$ served at . r
eleven... tea at four UP the gang
plank brings
the first thrill— forerunner of gay, happy
days spent on these great vibrationless
ships— largest ever built in America.
In cool comfort you speed along the
coasts of Old Mexico and Central Amer-
ica. You stop at Panama, pass thru the
gigantic Panama Canal ineight daylight
hours . . . and visit Havana,"Paris of the
Caribbean."
T>ancing, deck sports, swimming
...or a lazy life, as you chooser
Two built-in outdoor swimming pools,
unusually broad decks for sports or
promenading; dancing — or just rest to
your heart's content. Famous cuisine
. . . courteous attendants to anticipate
your wants.
S. S. Virginia, California, Pennsylvania
Alternate in fortnightly service to and
from New York. All rooms are outside,
many with private baths. Rates are $ 1 3 5
up.Tourist Cabin; $275 up, First Cabin.
Roundtrip, go by water, return by Tail-
or vice versa-
only $100 ad-
ditional. Room
and meals on
steamerare in-
cluded in fare.
fa noma fact fie fipe
INTHHAriONAl MERCANTILE MARINE COMPANY
ALL NEW^A STEAMERS
460 Market Street . San Francisco
or your local steamship or railroad agent
that the advertiser proves his confidence
in radio and in programs originating in
San Francisco. As a matter of fact the
local studios are presenting programs
comparable in every way with those from
the largest Eastern stations.
There is entire agreement on the fact
that this country leads in the quality of its
air programs. There are more radio sets in
America than in all other countries put
together. The prosperity of the American
people is of course a powerful factor,
as well as the excellence of our programs.
Now comes the very logical question.
"Who foots the bills for this new in-
dustry? I think we can answer this ques-
tion by a statement made by Harry S.
Anderson, sales manager of the NBC
Pacific Division. "Last year there were
over 227 national advertisers who spent
over $18,000,000 in radio advertising
for station time alone and this, mind you,
without depreciation of the appropria-
tions made for newspapers, magazines
and billboards."
Were it not for the advertiser much of
the splendid entertainment that we all
enjoy would be impossible. So the very
next time you hear some conscientious
objector wailing about the advertising
that he had to listen to over the "free air"
— remind him that his ancestors said that
newspapers and magazines were going
to the bowwows' when they began to
soil their pages with advertising.
lor gentlemen
of action . . . .
We suggest one of the new Ox-
ford weave shirts ... In case
you're not a gentleman of action,
we might add these shirts drz
splendid for loafing.
$250
CITY of PARIS
sona
When you wing your
way across the fairway
be it at Del Monte,
Interlachen, or Pine-
hurst, you'll be in better
form if you wear The
Ibsona! It is built to fit
the highest arch and to
grip the narrowest heel.
And of course it has
that swagger noncha-
lance which the smart
sportswoman demands!
White buckskin uit/i
black or tan saddle.
Tan buckskin uith
28
THE SAN FRANCISCAN
CHANEL MODEL
Nelk4jaflney,in..
J 354 Pet Street
jan Francisco
Without advertising the daily newspaper,
the magazine, and the radio program, as
we know them, would all be equally
impossible.
A debt of gratitude goes to the larger
broadcasting companies who allow only
the finest type of programs obtainable to
go over the network stations controlled
by them. In the larger studios every pro-
gram is very carefully censored. Every
minute of every broadcast is monitored,
by a skilled technician, and checked by a
member of the program staff. It is this
stand for high quality program that has
built the confidence that the public feels
today in the broadcast message. The ad-
vertiser, as well as the audience, benefits
by this tireless supervision.
Then there is the matter of the King's
English — or should I say the Announcer's
English and manner of delivery. The care-
ful supervision given to those details of
broadcasting by the large companies indi-
cates that they appreciate the fact that
their message goes into the home — an
invited guest.
RADIO is playing a very important
part in the education and entertain-
ment of the American citizen in the
home. The man on the isolated farm
shares equally with his apartment dwell-
ing metropolitan brother. Likewise this
new industry serves the advertiser who
pays the bills and business in general —
Tecs .Y/«44ings ♦R««f>tu>ns
B«V<|U«ts ♦ Center j>ie<«$
modern motorships
sail monthly from
san francisoo via
panama canal lo the
mediterranean
spam
france
Italy
a 38-day cruise for three hundred dollars
libera li
(general steamship corp., agents)
has moved into luxurious new offices
219 sutter street
KEarny 4100
"worldwide service — at your service
The A. B. Spreekels
Amateur Golf Tournament
August 18-23
$1,000. Silver Punch Bowl presented to winner,
with attractive awards in all flights. At Coronado
Country Club.
Agua i 'alienl e Horse Races
CONTINUE UNTIL LABOR DAY
Track a half-hour auto ride from Coronado
SWIMMING - AQUAPLANING - BOATING
HORSEBACK RIDING
TENNIS - - DANCING
San Francisco agent is Charles T. Scott
2 Pine Street - DOuglas 5600
Hctel del
Mel S. Wright, Manager
Coronado Beach, near San Diego
AUGUST, 1930
29
For those who
live on a norma
sensible basis . .
The beauty of the Hotel
Lexington . . . the luxury
of its modern appointments
. . . the distinguished
quality of its French cuisine
. . . are available at such
moderate rates that many
guests who come for a day
or a week are staying
permanently.
Dinner and Supper Danc-
ing in the Silver Grill.
Dave Bernie and his Hotel
Lexington Minute Men.
80I ROOMS
Each with private bath (tub and shower)
circulating ice water, mirror door.
341 rooms with double beds,
1 person .....
These same 341 rooms for two
persons . _ . . .
229 rooms with twin beds
Either one or two persons .
231 rooms with twin beds
Either one or two persons .
Transient or permanent accommodations
$4
$5
$6
$7
Club breakfast . . . 75c
Special luncheon . . $1.00
Table d'kote dinner . $2.00
Also a la carte service
HOTEL
LEXINGTON
LEXINGTON AVE. at 48th ST. NEW YORK CITY
Frank Gregson, Mgr. Phone MURray Hill 7401
Direction of American Hotels Corporation
J. Leslie Kincaid, President
especially the manufacturer of radio sets,
the power companies, and the retail
merchant who caters to the home.
And so we begin to appreciate that
the broadcasting studios in San Francisco
today bear the same relation to the so-
called studios of a few years back as the
modern receiving set does to the home-
made "one tuber ' associe-ted with our
first recollections of radio.
There are so many interesting and im-
pressive facts bearing on the subject of
radio broadcasting that one could quote
facts and figures to fill a volume. Only
the highlights can be covered in an
article of this character.
In closing let me remind you once more
that radio, though out of swaddling
clothes, is still but a husky youngster.
What he shall be when he reaches his
full stature, only those with a daring
imagination could hope to approximate.
Causerie
Continued from page 25
produced in such stolen moments is dis-
tressingly bad; it's like the music of
middle aged ladies who "just play a
little." For that reason I am glad I over-
looked the publisher's statement until
after I read the verse,- otherwise I should
have been prejudiced against some really
commendable verse, such as The Earth
Bound by Janet Lewis, or the three
excellent Shakesperian sonnets by M. B.,
who is better known as an authority on
Boswell. Perhaps the best known name
in the collection is that of Yvor Winters
who has gained reputation not only as a
poet but as an editor and critic as well.
His name occurs with increasing fre-
quency among a group of modern meta-
physical poets, as some one has not in-
aptly called them. I understand that he
is to publ sh a book of verse in the fal!
/nay also nee
Spare glosses are as essen-
tial as spare tires. The lack
of either may mean ruined
holidays.
Telephone GArfield 0272 for
an appointment to have your
eyes checked and an extra
pair of glasses fitted.
JOKES, PIHTHER
x& LINDSAY, Inc.
I) OPTOMETRISTS
34<) CEARY STREET
San Francisco
Soon in our new location.
Watch for announcement.
DE LUXE PACIFIC
EUROPE TRAVEL
via
Pan
ama
Canal
The Holland-America Line
and the Royal Mail Steam
Packet Company maintain
a fleet of the LARGEST
combined freight-passen-
ger vessels with regular
sailings via the Panama
Canal to Liverpool — Lon-
don — Rotterdam — Ham-
burg— Bremen — Antwerp.
The "DELFTDYK" and
'DAMSTERDyK,'arethe
only vessels in their class —
the highest. They are the
largest, fastest and most
modern vessels of this type
plying between Pacific
Coast and European ports.
Every Cabin with Bath.
From NEW YORK
1931 cruises to the
MEDITERRANEAN by
the famous S. S. Rotterdam
(recently entirely recon-
ditioned) calling at the
Islands of Malta, Cypress,
Sicily and Rodes in addi-
tion to her regular com-
prehensive itinerary.
also
Four cruises to the West
Indies by the S. S. Volen-
dam and S. S. Statendam
For Full Particulars
apply to
HOLLAND-AMERICA LINES
120 Market Street
San Francisco
Or any authorized Steamship Agent
30
THE SAN FRANCISCAN
With Our Contemporaries
Continued from page 23
To the readers of AMERICAN MAG-
AZINE, Edgar Guest, presents his latest
idea under the title of "One Kiss is
Worth a Dozen Wisecracks." All in all,
it is simply another of Guest's sincere
appeals for more naturalness. The theme
of the article, of course, is that life is at
best a brief journey, and the more friend-
ship and kindness you can pack into it
the happier you will be. Anyone who
has read "Just Folks" can understand
these sentiments. The author ends his gos-
pel of love and tenderness with the
statement that — "No woman can slight
me by hugging her husband."
Edward Raymond Moffitt
Designer and Maker of Fine Furni-
ture and Antique Reproductions
The table shown is Walnut
hand made — suitable for Span-
ish or French home — $65.00
Designs furnished without obligation
Studio H. L. Mack Ranch
Del Monte, California
Monterey 1092
CALIFORNIA SCHOOL
OF FINE ARTS
Affiliated with the University of California
Chestnut and Jones Streets
San Francisco
FALL TERM OPENS
AUGUST 18
Professional and teachers' courses in
Painting, Drawing, Sculpture,
Design and Crafts.
Call or write for Catalogue
Lee F. Randolph, Director
Telephone GRaystone 2500
Supreme
in our particular
field » the cloth-
ing of boys and
youths with dis-
tinction and
economy.
♦ ♦ ♦
Those who respond
to good style in the
choice of fine clothes
will find their mostex-
acting needs fully sat-
isfied fora minimum of
expenditure at the
<Me &alrnwnt
Exclusive Models for Boys and
Youths of all ages
Fairmont Hotel
Entrance 817 Powell Street
done with chintz?
Perhaps you are accustomed
to thinking of us; only in con-
nection with the finest things
and it has not occurred to you
that we can do wonders with
very simple materials.
We shall be glad to consult
with you regarding the arrange-
ment of the i."»ost informal room.
—I 1-
A. F. MARTEN C
1501 SUTTER STREET
— -
1 I
H
ouston, Gilmore
S Company
Finej> Jewelry
Post and Stockton Streets
San Francisco
AUGUST, 1930
31
If you wish to look your
best, lunch today in the
midst of brilliant color!
The stimulating walls
and gorgeous flowers
at the Post Street Cafe-
teria make you look as
well as feel at your best
. . . You are yourself a
part of the colorful,
modern setting and so
enjoy to the utmost your
selection of the choice
foods so carefully pre-
pared and appetizingly
served.
They tell us that it is
"the best food in town"
Post Street
Cafeteria . •
62 Post Street
The
DAMON SCHOOL
An Accredited Day School for Boys
(Successor to the Potter School)
Primary, Grammar, High School
Depts. . . . 1 8th year opens Sept. 4
For Catalogue and Further Informa-
tion address
I. R. DAMON, A. M. {Harvard)
Headmaster
1 90 1 Jackson Street
Telephone: ORdway 2632
Journalism
Continued from page 10
rapid fire upon DeYoung. His several
shots went wild. The room's occupants
sought cover. DeYoung crouched behind
a counter. Kalloch leaned over the
counter and fired two shots directly into
his head. Almost instantly, DeYoung was
dead.
San Francisco was thrown into a new
uproar. The press, it will be recalled,
had been experiencing difficulty in find-
ing words to depict the journalistic de-
pravity of the DeYoungs and to exalt the
virtues of Kalloch. Magically, thedifficulty
passed; the situation was completely re-
versed. The press overflowed with seemly
words for Charles DeYoung and bitter
words for the Kallochs. The junior Kal-
loch was speedily brought to trial, but his
case dragged for all of a year and ended
in acquittal.
Even so, the day of the Kallochs and
the Workingmen's Party was drawing
definitely to a close. As mayor, Dr. Kal-
loch revealed himself as nothing more
than a self seeking opportunist and
demagogue. Toward the end of his term,
impeachment proceedings were brought
against him. The charges were acceptance
of free railroad passes (this was forbidden
to office holders by the state constitution,
passed in 1879) and various other con-
siderations from the corporations he had
so vigorously denounced in his campaign
speeches, general neglect of duty and
incendiary language and policies. Five
judges heard the case. Four voted for dis-
missal; one dissented.
San Francisco by this time was thor-
oughly weary of labor agitations and
journalistic and political feuds with their
attendant tragedies. It was made plain
that it wanted no more of them. And to
Continued on page 33
The Cedars
Cora C. Myers, Head
A development school
for nervous and retarded
children.
Ideal climate — no fog — delicate
children grow strong and develop
latent talents.
Address
THE CEDARS
Ross, Marin County, California
y*~
<J O H N S O NT
Speed — Stability • • ■ and
"WELDED"
SEALITE CONSTRUCTION
Would you — please — be so
kind as to read this little story
about the Johnson Aquaflyer?
If you have a summer home on
a lake or river, and really enjoy
being on the water the Johnson
Aquaflyer may fit in with exactly
what you want.
This trim boat is as easy to
handle as your car. It starts by
pressing a button and steers by
an auto wheel. It rides steadily
in a chop, is bone dry (doesn't
leak a drop) and goes 25 miles an
hour — making it an ideal family
boat.
Let us demonstrate
it to you.
B.H.HEBGEN<jO.
326 MAMET ST.
SANFPANCISCO
PENINSULA SHOPS
r-n 3
w
For every resort — for
every sport
Collections of daytime
and evening wear.
1411 BURL1NGAME AVE.
BURLINGAME
2223 BROADWAY
REDWOOD CITY
♦
♦
32
THE SAN FRANCISCAN
fls seen
her
ROMANCE! Romance! It was in the
air, and very much in the Fox Theatre
with the great Garbo. The picture
was so poignantly exquisite one longed
for the release of tears that wouldn't
come, and relatively speaking the Rock
of Gibraltar was a mere pebble com-
pared to the lump in my heart. Whatever
kept me from slipping my fingers into the
hand of the man on my left is one of many
mysteries. I am quite sure he would have
understood thoroughly and maybe I
would have felt better. As it was I had
to go out in the bright sunshine and
work. It was too much, and everything
conspired against it, from the street car
conductor with the steady grey eyes, tD
the organ grinder on the corner droning
out an Annie Laurie that touched a raw
spot. Mentally I yanked at the brakes, but
the stores were so unromantic with the
end of the seasons sales and their dollar
ninety fives, I couldn't go in.
Aimlessly I drifted into a loft at 540
♦FASHION ART SCHOOL*
SCOTTISH RITE TEMPLE «■ Sutur «„d Van Men A.«m,,
Individual Instruction
in
Costume Design
Prolcitional or Hone Uie
Fashion Illustration
Millinery Making
and Designing
Commercial Aft
Life Drawing
Interior Decoration
Day anj E*<mng Clanet
ANNAADDlSONC-AllACH«.r»J«aaa
Booklet on request
r . [ . • :..j, ."/J
Sutter and found myself immediately inter-
ested in the contents of the unique studio
of Alice Arnstein. It is a gift shop in every
sense of the word and particular stress is
laid on original gifts for children. Toys
were different here. Very different. A
copy of a cobblers bench made low
seemed ideal for a child to sit at. Space
partitioned off formerly for tack, nails, etc.,
held all sorts of possibilities for crayons,
beads, and gadgets of all kinds. Surprise
packages for vacation, dolls with their
elaborate wardrobes,- door knockers of
owls and poodles vied with interest.
This quaint studio overlooks an attractive
tea room and its gracious proprietor adds
much to its charm.
BROWSING around I took the lift-
awfully Continental — in the Doe
Building on Kearny to the third floor
and walked into Silveys. I wasn't in a
commercial mood but did want to look
at appealing sport clothes which I knew
I could find here. Behind a barrage of
cigarette smoke I was utterly satisfied to
sit for an hour and look at the lovely
models. There's contented feeling mak-
ing a purchase in this small salon, for you
have positive assurance that you will see
no duplicate of your costume in your
particular golf club. How could one
(follow thro) with the replica of your
snootiest outfit just over your left
shoulder.
The whimsical mood still in full posses-
sion I went up in the air again just to
poke my nose in a little shop in the Liebes
Building where they are experts at bead
stringing. Haven t you often wondered
where to go to. I'll pass it along right
now — Herman Mizis is the specialist.
NiW models of hats are beginning to
drift into Claire Brown's Studio and
believe it or not, they look romantic.
Very shallow crowns, perched off the
face, and coquettishly tilted far to one
side while others with double brims cast
fascinating shadows across the eyes. Oh,
yes, I am still steeped in it, and luncheon
is out for the day. I am going home with
a box of luscious Kratz chocolates, and
Steven Escott tucked under my arm, given
to me by the intuitive young woman in
the circulating library of the City of
Paris. A soft light, a softer chair and
How!
also — Intro-
d u c i n g the
Swedish Skin
Treatments,
using the fam-
o u s G a h n
Swedish
Creams, Soaps
and Lotions —
BEAurr
JALOM
Albert.
/the PALACE
86OO
.7369
PALACE
HOTEL
M. g>cfmtibt & g>on
of NEW YORK CITY
ESTABLISHED 1869
Importers of Antique and Modern Silver,
Sheffield Plate, Fine Crystal and China
Where the treasures of a collector may
be purchased as gifts
504 SUTTER STREET
SAN FRANCISCO
AUGUST, 1930
Journalism
Continued from page 3 1
its sorrow, San Francisco labor, at last
realized how grievous was betrayal at
the hands of men who spoke piously and
with their right hand dispensed benedic-
tions, while with their left hand making
peace with and receiving profit from the
railroad monopoly they had been elected
to combat.
Tranquil Tahiti
Continued from page 1 5
Along narrow streets, the houses stood
back from the road almost hidden by
masses of emerald green foliage. The
roofs sagged beneath the weight of
bougainvillia vines. Voices came floating
from the doorways and the music of a
distant concertina added to the drowsy
potency of the moment. Pale dust swirled
in little eddies about my ankles. I passed
easy-gaited Tahitian women, dressed in
flowing, capacious mother-hubbards. The
great charm of the place lay in the ver-
dure, the flambuoyant trees, the hibiscus
blossoms, the sounds of casual activity
which quietly welled up like mist. At
the far end of the shadow-cool road
shone the fire-white hulls of native
schooners, encompassed in the cerulian
blue of the lagoon. It was like looking
through the large end of a telescope.
33
0
three hours by motor from San Francisco on
the Russian River, adjoining Bohemian Grove.
Northwood is a picturesque course in the
midst of the redwoods — grass greens, grass
tees, grass fairways, well trapped and bunk-
ered— comparable to the Cypress Point and
Meadow Club courses.
THE Guest Lodge provides a "country
home" atmosphere for those who wish to
golf, swim and canoe in sylvan surroundings.
American plan. Every room with twin beds
and bath, tub or shower. Rooms $7.00 and up
for one person — $12.50 and up for two.
Weekly and monthly rates for rooms or bun-
galow suites supplied on request.
For further information or reservations
Phone or Write
P. O., Northwood, California Phone "Northwood"
San Francisco Office: Room 807, Sixty-eight Post St.
Phone SUtter 1525
Oa
moass
The Ambassador Hotel is repre
sentative of everything that the !
finest hostelry can be in location I
...charm... excellence of menus ;
and service. ..Aroster of its guests j
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cial center on one of the world's
most famous thoroughfares...
PARK AVENUE AT 51st ST., NEW YORK
ATLANTIC CITY - PALM 'BEA'CrT • LOS ANGftfS
H.LIEBESGbCQ
GRANT AVE. AT POST
I I E NEW FALL COATS
ARE HERE!
H. Lietes & Co. pre-
sents a superb collection
ol distinguished tall coats,
beautifully lur-trnnmed,
impeccably styled, and
of the very linest new
materials lor tail.
All are astonishingly
low-priced tor such
luxuri
ous coats :
95.00 up
34
in carme
I it's
Hotel
La Ribera
new
modern
courteous service
unexcelled cuisine
EUROPEAN PLAN
MANAGEMENT OF
PAUL MCFARLAND
Lincoln and Seventh
Carmcl-by-the-Sea
California
The highest standard
of cooking is main-
tained at all times . . .
your guarantee lies
in the fact that all
food is prepared
under the personal
supervision of
Mrs. Belle de Graf
Downstairs
Monadnock Bldg
San Francisco
The sign ornamenting the doorway of
my hotel was ahead of me. A large and
grinning man stood in a window. He was
the proprietor, Johnny Parai. His prime
gesture towards me was in the form of a
rhum-punch." I was thirsty and I recall
the glow which filled me shortly after-
wards.
IF TAHITI becomes like other islands in
the Pacific, a tourist resort, (and there
is a possibility that it might) woe to this
last tranquillity! Where will they flee,
they who have been cast forth from a
furious and mechanical land to the north-
east?
I met a "gent" while I was in Papeete,
who nourished dreams of a million dollar
hotel, to be erected on an island hilltop.
Fabulous and gross materialist! Don't go
to Tahiti if the sight of a banana peeling
is offensive: don't go if the sun makes
your head ache, but by all means, go if
quiet beauty and the simplicity of man
and nature have a meaning.
ANEW
South Sea Island
CRUISE
Off the Beaten Path . . .
to Australia and the South Seas
. . . including Samoa, Fiji, Friendly
and Solomon Islands . . . then on to
Java $750.
to Northern Europe by same ves-
sel, via Sunda Straits, Indian Ocean,
Red Sea, Mediterranean, France
and Spain . . . $100 additional.
The new motorship Yngaren,
sailing in September, offers accom-
modations for a limited num-
ber of passengers.
inquire today
TRANSATLANTIC
SS. CO., LTD..
One o( the Worldwide Services of
GENERAL SS. CORP.,
THE SAN FRANCISCAN
2tsa|sa|cagS2|saIga|satsafsa|s2iS2|s2|g3tc
Bon Voyage
Baskets
Luscious fruit . . . delicious
confections . . . intriguing
magazines . . . all packed in
unusual containers and
trimmed with fresh flowers
add to the festivity of
August travel.
it!
"the voice of a thousand gardens
224-226 Grant Avenue
Phone SUtter 6200
SAN FRANCISCO
Orders Telegraphed Anywhere
2{S2!Si!SifS2§S2|S2§S
II lo 3:30
2:30 to 5
S <o 8
tHn €tntnt€i€ince of
cippe€ilitt£} clisnes
appeti^inulu coolcctl
ana aainiilu setrVea
■ . . it place thai will
it nil/ ileliani uou I
IV
iLssa
278 Qosi Sttreei
rjon tftrancisco
I36S %wuL
tnaanie
"Jsuelingame
&L
?e
m ruanciscm
r I m SI
(lit
5-fin pwmcisca
I here must be a reason why people of wealth and po-
sition who have traveled widely and are accustomed to the
best of service are almost unanimous in their choice of the
aristocratic Nob Hill hotels when living in San Francisco.
I here must also be a cause for the blithe way that exacting
people desert their own cooks for the cuisine of the Mark
Hopkins and the Fairmont Hotels — either for special enter-
taining or for day-to-day meals.
' rerhaps it is the subtle temptation of the modern luxury
with which each guest is surrounded that brings those
who know' to Nob Hill for the week-end, to spend the
season or to make their home above the heart of the city.
GEO. D. SMITH
MANAGING
DIRECTOR
T«€ PVORK WOPKinS
7he New Cadillac V-8
The New V-Type Eight Cylinder Cadillac— com-
bining every sound, high principle established by
Cadillac throughout the years-surpasses by far the
highest goal ever reached in fine car quality and value.
PRICES RANGING FROM $2 gO ^ TOS3795FOB DETROIT
7he New LaSalle V-8
The New V-Type Eight Cylinder LaSalle shares with
Cadillac the same exclusive high standards of perfec-
tion and refinement. At new low prices, it likewise is
the most generous offering in its own fine car field.
PRiCES RANGING FROM $2^95 TO $3245 F. q. B. DETROM
NOW ON DISPLAY
KFRC KHJ
SAN FRANCISCO
Van Ness at O Farrell
OAKLAND
2 Hh & Harrison
FRESNO
1740 Van Ness Ave
And all Cadillac dealers in
SACRAMENTO
13 10 "K" Street
California
TIMES ARE GOOD AT
New
KYA
Greater
Sales of Time on the Air show an Actual Increase in Revenue of 39.88
per cent since the Installation of the new equipment June 25th.
THIS PHENOMENAL GROWTH MEANS THE ADVERTISER
SEES HIS DOLLARS RETURNING
When the New KYA is used
Is YOUR Message Part of This Rising Tide?
• •
• STARS and BRIGHT SPOTS •
"The Melody Three"
male vocal trio
"Rhythm
Racket-eers"
Sidney Dixon
Fred Heward
Kevin Ahearn
Katheryn Thompson
Greta Gahler
Gregory Golubeff
"Harpers Corners"
sketch
Orpheus Ensemble
chamber group
"The Day Is Done"
organ recital
Dudley Ayres
George Taylor
Virginia Spencer
Dollo Sargent
William Clifford
Helen Stone
"Brickbats
and Bouquets"
"Duo Pianoflashes"
"The Sunshine
Hour"
revue
"Home Bruisers"
Comedy sketch
"Piano Soliloquy"
"Chatologue"
"The Amber God" drama
KYA
HAS SOMETHING FOR EVERY LISTENER EVERY DAY
A STAFF OF EXPERTS TO HELP YOU
IOOO Watts
100% Modulation
Pacific Broadcast! no Corporation
RCA Screen Grid
Transmitter
968 MARKET STREET
SAN FRANCISCO
STAGE AND SCREEN
Curran: Beginning September 8, Pauline
Frederick in "The Crimson Hour."
Geary: D. W. Griffith's "Birth of a Nation"
for the first time with sound.
Embassy: Coming . . . "Big Boy" with Al Jol-
son.
St. Francis: September 5, "Animal Crackers"
with those funny Marx boys. September 12,
"Eyes of the World." September 26, "The
Spoilers."
Paramount: One right on top of another,
"Sea Gods," "Scarlet Pages," "Follow
Thru" (funny) , and "The Santa Fe Trail."
California: Coming . . . the heralded Gloria
Swanson k. o., "What a Widow."
Columbia: "Young Love" with Douglas
Montgomery and Marcelline Day.
Fox: "Man Trouble" with Dorothy Mackaill
and Milton Sills.
Warfield: "Our Blushing Brides" with Joan
Crawford.
Golden Gate: "The Squealer."
Orpheum: "Inside the Law."
MUSIC
The Arthur Judson Concert Series at the
Scottish Rite. To all appearances, rather an
intermittant and catch-as-catch-can sched-
ule although with worth while programs.
Myrtle Leonard, Contralto, Scottish Rite, Sep-
tember 5.
Antonia Brica conducting the San Fran-
cisco Symphony Orchestra at the Greek
Theatre, September 5.
Luisa Silva, Contralto, Scottish Rite, Septem-
ber 10.
Fifty Colored Singers in concert (Negro
spirituals, sacred and secular music) at
Bethel A.M.E. Church auditorium, 8:15
p.m., September 10, and all for fifty cents
admission.
San Francisco Opera Company, Civic Audi-
torium, September 1 1 to 27.
Sept. 11, "Nanon."
Sept. 12, "Salome."
Sept. 13, "La Traviata."
Wff££>£
TC
Sept. 15, "The Girl of the Golden West."
Sept. 17, "La Boheme."
Sept. 19, American Premiere of Maurice
Ravel's "L'Enfant et Ies Sortileges," fol-
lowed by "Haensel and Gretel."
Sept. 20, "Cavalleria Rusticana," followed
by "Pagliacci."
Sept. 22, "Mignon."
Sept. 23, "Tannhauser."
"Faust."
Salome" (afternoon).
"Lucia di Lammermoor" (even-
Sept. 25,
Sept. 27,
Sept. 27,
ing).
ART
Beaux Arts Galerie: Paintings by Lee Hersch,
lithographs by Peter Kreasnow, and an ex-
hibition of Coptic embroidery from the
private collection of Mr. and Mrs. Charles
De Y. Elkus, on view until September 13.
From September 15 to the end of the
month, a group exhibition of Beaux Arts
members.
Courvoisier's: From September 9 to 15, paint-
ings (portraiture and creative) by Bill
Justama.
Paul Elder's: Oil paintings by A. Harold
Knott from September 8 until the end of
the month.
East West Gallery: Premier exhibition of
paintings by Ethel McAllister Grubb, and
an exhibition of wood carvings by G.
Fletcher Clark from September 1 to 15.
Exhibition of water colors by the London
artists, Captain G. Drummond-Fish from
September 16 to 30.
California School of Fine Arts: September 4
to 20 paintings by Arnold Rasch, new mem-
ber of the faculty, and some of his associ-
ates in the Woodstock School in New York.
September 20 to October 4, exhibition of
the Fifty Prints of the Year concurrently
with fine book bindings by Hazel Dreis.
Legion of the Palace of Honor: Two galleries
of German prints covering representative
work in all schools during the last thirty
years in etching, block prints, and litho-
graphs. Beginning September 7, an exhi-
bition of photographs by Doris Ulmann,
character studies, portraits of prominent
people.
Rudolph Schaeffer Studio: Lecture by R. M.
Schindler on Modern Architecture, even-
ing of September 8.
DINING AND DANCING
Mark Hopkins: As if anyone had to be told!
Fairmont: Where gentility rubs noses (or is
it elbows?) with gay cosmopolitanites.
(Probably our word).
St. Francis: There's just something about it
... it must be the atmosphere . . .
The Palace: One of San Francisco's land-
marks and very correct places for some-
thing almost like four score years.
Sir Francis Drake: Quiet, exceptional cuisine,
service, and all the other subtle necessities
for a charming evening.
The Silver Slipper: Still on its feet and going
strong with the smart crowd according to
latest reports from the front.
Post Street Cafeteria: Time is a pretty valuable
thing, but when you can save time and get
atmosphere and about the best luncheon
procurable hereabouts, you're doing mighty
well for yourself.
Russian Tea Room: Really a swell place for
luncheon, tea, or dinner.
The Courtyard: Truly San Franciscan and
delightfully different.
States Hof Brau: Good food and such lovely
sentimental music.
La Casa Bigin: Another famous old timer still
carrying on in spite of the cruel blow dealt
by prohibition.
Grace Trocadero's: Always overwhelmed with
popularity.
ESTABLISHED 1852
SHREVE fie COMPANY
JEWELERS and SILVERSMITHS
Post Street at Grant Avenue
San Francisco
ri!i Ks*
September 20 is Sailing
SOON THE MALOLO LEAVES ON HER
Around Pacific Cruisei
Day!
CHINA
,>
• *-
1-
111
\MSm
't
i
E
SIAM
MAI.OI.O STATEROOMS ARE SPACIOUS
|he smart world trips gaily to Pier
32 where flags are flying and music is
playing. Flowers and bon voyage
baskets stream aboard the Malolo.
Alert stewards trot swiftly with bag-
gage covered with labels from world
famous places. It's Saturday, Septem-
ber 20 — sailing day for the Malolo's
Around Pacific Cruise.
A warning whistle — the luckless
ones must go ashore. The others turn
across the glamorous ocean to lands
where every day is an adventure.
They will be in Japan at chrysan-
themum time and in Java and Celebes
when the October spring "down un-
der" fills the jungles with rare orchids.
For them, the Sultan of Johore will
open his fabulous palace in Singapore
— a place not accessible to ordinary
travelers. In the exotic bazaars of
China and Siam and the great stores
of Australia and New Zealand, they
will shop for rare gifts at bargain
prices.
Twelve countries and 19 ports will
be visited before the Malolo is home
again December 19. Everywhere, ex-
pert guides will direct shore excur-
sions.
There's only one cruise like this!
Because the Malolo sails right from
your doorstep there's still time for you
to make arrangements to go. You'll
find many pleasant people aboard,
from the East and from Hawaii.
We'll be glad to send a representative
to show you what staterooms are
available if you will call or write us.
A4ATSCN LINE
AMERICAN EXPRESS COMPANY
In Cooperation
MATSON LINE: 215 MARKETS!. TEL. DAvenpoit 2300 SAN FRANCISCO
ROCKWELL
the San Franciscan
JOSEPH DYER, Editor>nd Publisher
Aline Kistler, Assistant to the Publisher
CONTRIBUTORS
CHARLES CALDWELL DOBIE
WILSON FOLETTE
LINCOLN STEFFENS
IDWAL JONES
ROWENA MASON
GEORGE DOUGLAS
JOSEPH HENDERSON
ELVA WILLIAMS
SYDNEY KING RUSSELL
CAREY MCWILLIAMS
OTTORINO RONCHI
ZOE BATTU
CONTENTS
September, 1930 Vol. IV, No. 9
Cover by Melbourne Brindle
Toward a New Theatre, by Junius Cravens 9
The 1930 Opera Season, by Edward Maslin Hulme . . 10
Jeritza, photograph 11
Now It Can Be Told 12
You've Been There Yourself, by Eugene B. Bloch . .14
Verse, by Gabriel Ondeck 14
Ourselves and Others, cartoon by Sotomayor .... 15
Gabrielle Chanel, interview by Sylvia Lyon .... 16
Chanel, cartoon by Sotomayor 16
Spotlight, by Charles Caldwell Dobie 17
The Art Tradition, by Aline Kistler 18
Verse, by Robert Hunt 18
Woodblock, by Franz Geritz 19
Causerie, by'Frank L. Fenton 20
Sonnet, by Sydney King Russell 20
Bridges to Cross, by Constance Dixon 21
Henry George, by Zoe A. Battu 22
Concerning Mrs. Hugh Bradford and Samuel Kahn . . 23
The Reigning Dynasty 24
Miss Sally Nickel, photograph by Maude Jay Wilson . 25
1 930 Football Forecast 26
Football Schedule 27
With Our Contemporaries, by James Martin Maclnnis . 31
Opera Record Reviews, by John Ditmar 36
As Seen By Her 41
(Rockwell Kent drawings are reproduced by courtesy of Raymond Moore)
KENT
The' San Franciscan is published monthly by The San Franciscan Publishing Company, Sharon Building, San Francisco, California. Entered as second-class
matter October, 1928, at the Post Office at San Francisco, Calif., under the act of March 3, 1879, Joseph Dyer, Publisher. Subscription price: one year
$2.50, single copy 25c. Copyrighted 1929, The San Franciscan Publishing Company, manuscripts will not be returned unless accompanied by
self-addressed, stamped envelope
For advertising rates address Zora Combes, Advertising Manager, GA rfield 4755
SAN FRANCISCO MOURNS THE RECENT DEATH OF
SENATOR JAMES D. PHELAN, A STATESMAN AND A
POET WHOSE INTEREST IN ART, LITERATURE AND
PROGRESS DURING HIS LIFETIME HAS BEEN PERPETU-
ATED IN THE GREAT GENEROSITY OF HIS WILL IN
WHICH HE REMEMBERED NOT ONLY FRIENDS, RELA-
TIVES AND ASSOCIATES BUT ALSO THE POOR, THE
YOUTH, THE STUDENTS, THE ARTISTS AND THE
WRITERS OF CALIFORNIA.
feSbn fm no scan
Toward a New Theatre
A Local Event is Discussed in the Light of a New Dramatic Tendency
by Junius Cravens
SINCE the professional theatre, as a
commercial project, seems to con-
tinue to suffer from the decline that
has so materially weakened it during the
last ten or fifteen years, it seems almost in-
evitable that, if existing conditions con-
tinue, it must one day be replaced to a
large extent by community or neighbor-
hood theatrical activities of the amateur
or semi-professional variety. For, come
what may, there will always be in every
community a certain number of people
who will prefer the glamour of the
spoken word of the actor upon the stage
to the recorded word mechanically co-
related to the action depicted upon the
silver screen. So, while the theatre may
be dying commercially, it is far from being
dead artistically.
Through the workings of some perverse
law of compensation, as the theatre has
decreased in quantity, so to speak, it has
improved in quality. There has never been
a higher standard of artistic merit in the-
atrical production, by and large, in this
country than that which exists here today.
This circumstance is due partially to the
remarkable development and growth of
the "little" or community theatre through-
out the United States during the past ten
years, and partly to the advent in the
theatre of that new figure which has come
to be known as the artist-director.
GORDON CRAIG, the English
prophet of a new theatre, once
said: "The art of the theatre is
neither acting nor the play, it is not scene
nor dance, but it consists of all the ele-
ments of which these things arecomposed:
action, which is the very spirit of acting,-
words, which are the body of the play;
line and color, which are the very heart
of the scene; rhythm, which is the very
essence of dance . . . One is no more im-
portant than the other, no more than one
color is more important to a painter than
another, or one note more important than
another to a musician . . . The reason why
you are not given a work of art on the
stage is not because the public does not
want it, not because there are not excel-
lent craftsmen in the theatre who could
prepare it for you, but because the theatre
lacks the artist — the artist of the theatre,
mind you, not the painter, poet, musi-
cian." Then pointing out that for the
average mediocre production there &rz
"seven directors instead of one and nine
opinions instead of one, he says: ... it
is impossible for a work of art ever to be
produced where more than one brain is
permitted to direct; and if works of art
are not seen in the Theatre this one reason
is a sufficient one, though there are plenty
more.
Since Mr. Craig made the above obser-
vations, some twenty-five years ago, many
artists of the theatre have appeared in
Europe, and a few of them are now be-
ginning to develop in this country, par-
ticularly in connection with community
theatrical activities.
The artist-director, then, is a single in-
dividual upon whose shoulders must
necessarily rest the entire responsibility
of a theatrical production. He must be an
artist and a designer as well as a director,
since he must be capable of visualizing a
complete production before the rehear-
sals are even begun. He must know its
color, its light, its rhythm, its structure. As
Mr. Craig pointed out, no one feature of
the stage is of more importance than
another, and a completely harmonious
performance can emanate only from the
brain and hands of one man.
But however important a figure in the
new theatre the artist-director may be, he
represents but one of the many interesting
phases of its development. There is ample
evidence everywhere that the theatre is
taking on a new form, and the most recent,
as well as one of the most unique gestures
NOTE- Junius Cravens, widely known for his
distinctive criticisms of art in The Argonaut, has
accomplished more than he admits (in the accom-
panying article) with the recent production of
"Midsummer-Night's Dream." After witnessing
the performance, August 23rd, and experiencing
its charming illusion, we feel that Cravens as
artist-director will be a significant figure in future
local art drama.
which has been made locally in that direc-
tion was the performance of a modified
version of Shakespeare's "Midsummer-
Night's Dream" which was given August
23 at the Menlo Circus Club by the Stan-
ford Convalescent Home.
ASIDE from any question of merit that
it may or may not have had, that
performance of "Midsummer-
Night's Dream" was, from many points of
view, an important theatrical experiment.
For the Stanford Convalescent Home it
was a decided departure from the annuai
Menlo Circus which it replaced, and
which had been given for a sufficent
number of years hitherto to have become
a tradition. Such a radical change of
policy was, in itself, by no means without
its risks. But, since it was to be a new
venture, the logical thing seemed to be to
make it a bold experiment in the direction
of the new theatre, and to establish a dif-
ferent tradition which would have an
artistic as well as a philanthropic value.
The Menlo "Midsummer-Night's
Dream" was therefore something infinitely
more important than a mere amateur per-
formance of a Shakespearian comedy.
And it was also an event of much further
reaching import than a benefit for a
worthy institution. It served as a medium
for establishing a new amateur theatrical
tradition for the Bay region, a tradition
which, it is hoped, is to live and flourish.
It is the desire and intention of the Stan-
ford Convalescent Home to present each
successive year a pageant-play which will
be produced in a form worthy of both
those who contribute their time and
efforts to it, and those who support it by
coming to see it.
In the midst of this machine-jazz age,
when the most cherished precepts of the
theatre in its old form are being discarded
when the growing generation is being
educated to little other than "canned'
entertainment of questionable merit, such
an ambition is indeed a worthy one.
Continued on page 3S
10
The 1930 Opera Season
and some rather definite reasons
for our enthusiasm, discussed by
by Edward Maslin Hulme
THE announcement of the impending
season of grand opera, both as to
singers and operas, is unusually inter-
esting. It promises, indeed, to surpass in
some respects any one of the seven pre-
vious seasons. We are to have three
German operas, four French, and six
Italian; we are to have one that represents
opera as it was a hundred years ago,
when composers paid almost exclusive
attention to the voice and treated the
orchestra as a big guitar intended only for
accompaniment of the singers,- we are to
have operas that represent a marked ap-
proach to dramatic realism in which,
while melody still prevails, the orchestra
has risen in importance, continually colors
the scene, and has much of its own to say;
and in one opera, the tempestuous
"Salome," we have the most recent of all
conceptions of this form of art, a concep-
tion in which the orchestra is paramount,
in which all its immense resources are
utilized with consummate skill, in a mas-
terly manner.
And who can complain of the list of
singers? Are we not promised a florid
soprano who may, perhaps, prove a
worthy successor of Adelina Patti, of
Nellie Melba, of Luisa Tetrazzini, one
who is certainly young and beautiful, and
who has won the enthusiastic admiration
of all traveling San Franciscans who have
heard her at the Royal Opera in Brussels
or in the Municipal Opera at Lyons?
Have we not Jeritza, a glorious soprano,
the idol of Vienna, whose instinct for
theatrical effect approaches that of Bern-
hardt? Is there not Jaegel, whose sterling
tenor, delivered with a truly Italian sense
of vocalization, has come to us over the
radio from the Metropolitan in New
York? Is there not, once more, our own
Queena Mario, who is to sing in four
roles each of which is eminently suited to
display the silvery and pathetic beauty of
her voice so much admired by Caruso? Is
there not John Charles Thomas, whose
rich voice and dramatic intelligence will
surely enhance the favorable estimation
we have gained of him from his appear-
ances here in concert? Then, among the
newcomers, there is Hope Hampton,
who has sung with success at the Opera
Comique in Paris,- Sidney Raynor, an
American tenor who may afford us the
gratification of seeing another of our
countrymen in the rank of the leading
operatic artists,- and Gaetano Viviani, a
baritone who comes to us, with glowing
reports, from the principal opera houses
of Italy. And, lastly, are we not to hear,
in five roles that give ample opportunity
to his golden voice, Beniamino Gigli, the
most melodious of all tenors of today?
With such a repertoire and such singers,
then, surely this is to be a brilliant season
of opera, one full of interest and charm,
one that will linger many years in the
memory, one that will occupy an honored
place in the cultural history of San Fran-
cisco.
THE question, why should we have
grand opera? may well be reversed
to, why should we not now have
grand opera? Until a generation or so
ago we have been, for the most part, a
people engrossed in material activity. We
were pioneers. We had a continent to
conquer — roads and bridges to build,
marshes to drain, canals to dig, rivers and
harbors to dredge, mountains to tunnel,
mines to discover and rifle of their riches,
towns to sow broadcast over the prairies,
at the mouthsof rivers, and at the crossings
of roads. The best brains among our
people, the intensest of our activities,
were devoted to these imperative tasks.
And now that they have been in great
part accomplished, though by no means
finished, culture and art have begun to
come into their own, to hold an ever
increasing place in our civilization.
This has always been so. Material pros-
perity has always preceded notable out-
bursts of artistic ability in the life of man.
Long before it produced a Leonardo da
Vinci, or a Michelangelo, Florence man-
ufactured the finest woolen cloth and
silk, became rich, and was the most pow-
erful financial center in western Europe.
And now we are outgrowing an exclu-
sive industrialism and commercialism. This
may be seen in every art that flourishes
among us. The great business buildings
that have been built in our city in recent
years, though of course there are some un-
fortunate exceptions, show an intelligent
appreciation of beauty as well as a keen
understanding of usefulness. Poets, paint-
ers, sculptors, — all gain a ready and ap-
preciative audience. And nowhere else
in the world is music so widely loved and
so liberally rewarded as it is today in
America.
But, again, why should we have grand
opera? What are its special merits? What
THE SAN FRANCISCAN
EDITOR'S NOTE: Professor
Edward Maslin Hulme of Stan-
ford University is one of the
most prominent men in western
scholastic circles. His books,
"Renaissance and Reforma-
tion," "The British People"
and "The Middle Ages," have
earned him national regard.
His interest in western culture
makes him quite the logical
person to discuss the current
opera season.
is its peculiar gift? Opera is a synthetic
art. It calls to its service the human voice,
alone and in unison with others. It em-
ploys all varieties of the voice, the soprano
with its cadenzas and its trills, the con-
tralto, tenor, baritone, bass. It tells a
story — a fairy tale, a charming idyll, a
drama abounding in lusty life, or a pro-
foundly moving tragedy, a story of the
multitudinous life of the vanished past or
one of the frustrations and fulfilments of
the life of today.
Opera summons to its aid the orchestra,
the numerous instruments of which, as in
the case of the voice, it uses alone and in
concert. Sometimes it uses the orchestra
to accompany a delicate voice of fragile
beauty with the lightness of a guitar play-
ing a serenade in a moonlit summer night;
sometimes it uses the orchestra to color
the scene,- again, it employs it to reveal
the mood, pastoral, urbane, aspiring,
despairing; and sometimes, as in the case
of one of the operas we are soon to hear,
it floods us with sonorous and, indeed,
cacophonous sound, stirring the blood
and purging us with the effect of a great
tragedy. Still more, the opera enlists the
aid of costume, scenery, the dance, and
sometimes even the spoken word. It may
not be the highest form of musical art, but
surely it is the most inclusive. It makes an
immediate appeal to eye, ear, heart, and
brain. From it the average man or woman
can get more diversified emotion than
from any other of the arts.
WE HAVE said that the coming
season promises to be a notable
one, both as to singers and operas.
Of some of the chief singers we have al-
ready spoken. So now a word as to the
operas. Massenet's captivating ' Manon
is the most Parisian of all French operas.
It gives a true musical portrayal of its light-
headed and light-hearted heroine. It has
all the delicate and charming qualities of
the French mind. It is airy, graceful, me-
lodious.
"Salome" is the work of the greatest of
Continued on page 34
SEPTEMBER, 1930
11
Maria Jeritza's first
appearance in Am-
erica in the title role
of Richard Strauss'
music-drama "Sa-
lome" will be un-
doubtedly one of
the highlights of the 1930 San Francisco
Opera Season which opens September
eleventh to dominate the month's social
horizon. Jeritza will also sing in "Cavalleria
Rusticana," "Pagliacci," "Tannhauser" and
'The Girl of the Golden West" — roles in
which she has appeared with the Metropoli-
tan Opera Company in New York.
JERITZA as SALOME
12
THE SAN FRANCISCAN
NOW IT CAN BE TOLD
THE Walkathon, which has kept
Golden Gate Hall crowded with
paying spectators, is still running
(rather walking) as we go to press.
The eight remaining contestants, are
four staggering couples, men and women
who cling together, one holding the
other up, as one sleeps, standing.
All the while dance music plays and a
broadcaster tells those who are comfort-
ably seated at home how cherrily Num-
ber 19 is "standing it." To amuse the
audience of bums and swells, also to
divert their own slipping minds, the con-
testants, at intervals, try to sing, or dance,
or be funny.
One of the women specializes in a
vile, half-conscious hula. Another, in a
ghastly voice, sings "It's Springtime in the
Rockies." A wiry little song and dance
man, evidently seeking publicity for his
future, looks ready to die. On Wednes-
day nights, as a special feature, cots are
dragged into the "ring" and one of the
rest periods, is taken there. The con-
testants, instantly oblivious, probably
would not care, even if they knew that
hundreds of sadistic eyes watched their
tortured feet being bathed.
At the end of ten minutes, sirens screech
to rouse the sleep, which is deeper than
sleep should be. As attendants drag the
contestants from the cots, the bums in the
audience yell and the swells cheer. Wild
shrieks of applause, greet the first dis-
torted features to face the crowd.
The contest is under the auspices of
The American Legion.
AT RECENT Bohemian Grove fes-
tivities, it is said that Lawrence
Tibbetts in a rather jubilant mood
joined several other Bohemians who
went to eat in a restaurant at the nearby
river town. Tibbetts wanted to sing. The
waiter told him he could not sing there —
they permitted no one to sing —it was a
respectable place! Tibbetts plead with
him: the waiter was adamant. Finally Tib-
betts drew out a five dollar bill and, with
it, won permission to sing to his heart's
content. If only we knew the name of the
waiter and could buy an option on his
services as impressario — what fortune
awaits the person who can get Lawrence
Tibbetts to pay for the privilege of sing-
ing!
May I ask by whom these are endorsed ?
THE Age of Sentiment is still with us —
at least in the minds of writers of
blurbs for the back page of sheet
music. Witness this noble sentiment from
the back of a recently published "piece":
A BIG THOUGHT AND
A BEAUTIFUL SONG
"IfYou Can't TelltheWorld She's
a Good Little Girl — Just Say
Nothing At All."
The poem of this song is an answer
to the century old query, "Should
a woman tell?" "Shall bygones
be bygones or shall a girl's past
mistakes haunt her forever?"
Should our yesterdays be for-
gotten or remembered?"
People who gossip are people
who lie
So try to keep out of this way;
Many a girl for her happiness die
cause someone had too much
to say!"
NO MATTER how unusual or start-
ling the news "scoop" that may
come our way, it is our policy
(taken from the gentlemen in the cigarette
ads) to be nonchalant. But our readers
may well imagine how moved and agi-
tated we were to receive a special, ex-
clusive dispatch from the Los Angeles
Chamber of Commerce, announcing the
formation in that city of The Association
for Bigger and Better Miniature or Pee-
Wee Golf Courses. Since we are granted
first publication rights to this remarkable
news because of the great love and respect
of the Los Angeles Chamber of Com-
merce for us, we feel duty bound to give
our readers all information possible on
this new association.
It is, of course, fitting that the Associa-
tion for Bigger and Better Pee-Wee Golf
Courses should be born in Los Angeles.
Great things do not happen by chance to
casual cities,- they happen only to cities of
destiny,- they are ordered and ordained
by an Intelligence, whose wisdom is hid-
den from common mortals. Our dispatch
informs us that upon the day of its sending,
Los Angeles boasted 3200 Pee-Wee
courses. But their numbers increase so
rapidly that, as you read this, it will be
tolerably safe to place the number of
courses at 3500.
CLEMENTE OROSCO, the Mexican
artist who recently visited San Fran-
cisco while starting work on paint-
ings to be hung in the Carnegie Inter-
national, was asked if he would like to
return to do a fresco on the walls of the
California School of Fine Arts.
"Me? Why do you want me to paint
on your walls? Have you not students?
Let them work on your beautiful walls —
what if they should spoil the walls? The
paintings can be scraped out and done
over again. I spoiled many walls while
SEPTEMBER, 1930
13
learning. It is the only way. No, my
friends, do not ask me or any other pro-
fessional artist to come to decorate your
walls — they are too valuable for the stu-
dents who need the chance to work."
TO THE vaudeville wise crackers,
theatrical wits and movie title writers,
who have delighted the American
public with jokes on Chicago, we are
willing to concede all the credit they
may merit. But in our opinion by far the
most superior effort of this sort is one,
produced all of twenty-five years ago,
when Chicago was doubtlessly bad
enough, but still was stranger to its
present machine gun regime.
It is hardly likely that the piece in ques-
tion has seen light and general circula-
tion in recent years. We, accordingly,
exhume it from "The Fantastic Fables ' of
Ambrose Bierce, and quote it as follows:
THE FOOLISH WOMAN
A Married Woman, whose lover
was about to reform by running away,
procured a pistol and shot him dead.
' Why did you do that, Madame?"
inquired a Policeman, sauntering by.
"Because," replied the Married
Woman, he was a wicked man, and
had purchased a ticket to Chicago."
"My Sister," said an adjacent Man
of God, solemnly, "you cannot stop
the wicked from going to Chicago by
killing them."
After listening to a recent advertising
lecture in which the speaker discussed
new trends of design, saying that the old
idea of having perfect balance has given
way to a deliberately unbalanced layout
designed to disturb the eye and catch the
attention, we wonder if advertisers
should not adopt a new slogan such as
— yours for more unrest, greater excite-
ment, increased tension!
WE HAVE added another impres-
sive title to our galaxy of charac-
ters about town — that of the
most educated bootblack in San Fran-
cisco. Our proverbial discretion forbids
Ncv
the revealing of the
name, but we may safely
admit that he indulges
in his cultural recrea-
tions in a small shop on
Geary street, hiding
behind the prosaic title
of'Gene'sShineShop."
Entering, the mun-
dane visitor may dis-
cover the great man per- .^--r-fXp^
using a volume of Ibsen tAAAg^f,..
or Sir Thomas More, or
perhaps listening en-
enraptured to the sym-
phonies of Beethoven.
It is his sublime boast
that he knows all the
better-known sym-
phonies by ear. His
moods are as versatile
as his tastes. On some
days he feels like Floyd
Gibbons; on others,
like Bernarr McFadden.
And, for which God
be praised, he is the
one bootblack who
does not take the Police
Gazette.
WITH tear-
dimmed eyes,
the Confirmed
Bachelors Club wends
its way down the path
of despondency, disil-
lusioned as only confirmed bachelors can
be,- the Chief Cynic sadly shakes his gray-
ing locks and in the distance, the critical
world shares his sullen silence — for what
matters now? America s heretofore
maiden critic, known to all and sundry as
Henry L. Mencken, has cast aside his in-
herent veil of bachelorhood, and entered
into the same state of wedlock at which
he has so engagingly sneered in the past.
And the results of this move are indeed
terrifying and stupendous. The much-
abused American Mercury, we hear, is
about to institute a women's fashion
column within its lordly pages — Mencken
it is predicted, will soon fall a convert to
the wiles of Eddie Guest — and person-
ally, we wish the old hypocrite lots of
luck — and twins . . .
AS YOU may have heard, the Art
Department of the University of
California Summer Session im-
ported the famous Herr Hoffman of
Munich this summer for a glimpse of the
extremely modern in art, Herr Hoffman s
convictions having run from the extreme
academic in the past quite suddenly and
radically to the new school that encour-
ages anatomical landslides in nudes.
Bubbling over with enthusiasm for Herr
Hoffman and the new school of German
art-thought, his ardent students planned a
devilish jaunt, with the Herr professor
"Mothaw! That
stranger presumed---"
"Don't get excited, my dear —
it's only your father ! '
and the head of the Summer Session Art
Department as guests of honor. Hoping to
stir mermories of the Rhine or something
in the breast of the famous German, they
trooped to the States Hof Brau in mass
formation. At a given signal the party was
served with the fine old Hof Brau steins . .
steins that are almost a part of the history
of San Francisco . . . and to the inspiring
strains of the Maine Stein Song, hymn of
Rudy Vallee, they drank a toast in honor
of the German genius ... in water.
One of the difficulties with these so-
phisticated dramas is that they make one
leave the theater thinking with an English
accent.
pair of crack golfers sliced their
drives into the rough at Lincoln
Park the other day and went in
search of the balls. They searched for a
long time without success, a kindly old
lady watching them with sympathetic
interest.
Finally, after the search had lasted half
an hour, the dear old lady spoke to them.
"I don't want to bother you gentle-
men," she said, "but would it be cheating
if I told you where they are?"
A San Franciscan is someone who con-
soles himself with the conviction that he
could earn more somewhere else if only
he did not prefer to be in San Francisco.
14
You've Been here Yourself!
(HAVE just returned to the West from
my first visit to New York. It was the
first time that job and purse tosether
would let me get beyond the Golden
Gate.
Before many more years elapse I'm
going back to New York. And I'm going
into business there for myself. I'm going to
bottle up the contracts to supply brake
lining to the taxicabs.
After I ve made my fortune and put
aside the first few millions, I'm going to
devote the rest of it forever after to pub-
lic service. It will go into an enormous
trust fund to endow a school to teach
New Yorkers what they don't know
about their own city.
NOT that I was not dazzled, charmed,
bewildered and fascinated by every-
thing that I heard and saw in
Gotham but I was equally surprised at the
lack of information and abundance of mis-
information New Yorkers had about their
own city. Perhaps they are too busy dodg-
ing taxis to bother. That I couldn't learn.
The train that was to transport me to
New York stopped abruptly at Jersey
City. It was in the dead of night. We
shifted into a motor bus and were taken
aboard a ferry.
This is the East River," said the man
in the motor coach, and I checked off the
minutes until I should see New York.
A few days later I learned to my aston-
ishment that it was the Hudson we had
crossed.
Day after day I promenaded downtown
with old friends, seasoned New Yorkers.
"What's that building?" i'd ask, pointing
to one or another that punctured the sky
by twenty or so more stories than its
neighbor.
Hanged if I know," was the usual
reply. Once in a while a less candid
guide assured me that "I did know but
it's just slipped my mind."
AND the subways. No one will ever
convince me that the nickel jug-
glers in the underground passages
know anything more about the system
than the location of both ends of the line
they work on.^ And a good many I en-
countered don't know that. Traveling the
subways, I began to feel like the ground-
hog. I d shove myself out of the coach and
come up out of the hole. If I saw my
shadow I sort of felt I was in the right
place. If I didn't, I was sure that one more
well-meaning person had given me
wrong directions.
A dozen times a day I broke through
the lines in front of the change-makers'
cage to inquire how to get here or there.
by Eugene B. Bloch
Usually I was told that the BMT went
there while I was in an XYZ station — or
some other equally mystifying set of
initials.
I gave up bothering the poor souls en-
gaged in making nickels out of dollars.
They reminded me too much of less care-
worn prisoners I had seen elsewhere
making little ones out of big ones. I made
up my mind I'd get my information from
fellow passengers waiting like myself in
the stations. They at least had some direc-
tions to offer but invariably their instruc-
tions always seemed to wind up with,
"But you'll have to take the shuttle first."
Once I asked an intelligent-looking
bystander how to reach the shuttle.
Imagine my confusion when he inquired
of me, Which shuttle do you want?"
And it took me a whole day to convince
myself that there was only one shuttle.
On one occasion I asked five people,
including two day clerks in the hotel,
how to get to a certain address in the
Bronx. They gave me complicated maps
and diagrams. I followed their directions
to the letter. The trip took me more than
an hour. It involved a long subway ride,
a change to a surface car, and a long walk
on foot.
Leaving my destination, I spied an
elevated a block away. Curiosity led me
to it. More curiosity impelled me to take
it. To my surprise it took me to the door
of my hotel in about twenty minutes.
OF COURSE, I'm not complaining.
It all served to give me a bigger
close-up picture of the Big Citv,
to intensify my fascination and to make
me long to go back again and again.
Every hour of the day and night brought
some new thrill, some new surprise.
For instance, I wanted to see the
Brooklyn Bridge. Every westerner has
heard of the Brooklyn Bridge since he
was knee high to a grasshopper. So in
the morning of my second day in Man-
hattan I fortified myself with directions
and got aboard a subway headed for the
bridge.
Out in the open and down by the
river, I looked up for my first big glance
of Brooklyn Bridge. If it hadn't been
morning I d have blamed that speakeasy.
I HAD COME TO SEE THE BROOK-
LYN BRIDGE— BUT THERE WERE
THREE OF THEM!
The automat impressed me as a symbol
of New York. It seemed to typify the
whirl and speed of the city's life. It em-
bodies the spirit of mechanics and science
mixed together, to save a second. And
what proved that most to me was when
the revolving dish holder in its mauso-
THE SAN FRANCISCAN
leum-like crypt spun around before I
could extricate my lemon pie, leaving me
holding a plate of naked crust and look-
ing longingly at a mass of custard and
cream jammed inside the glass.
THE night clubs. Out West we regard
them as cross-sections of New York,
as habitats of New Yorkers — the only
places to find genuine Gothamites in
captivity. So I spent night after night in
these clubs of the night looking for New
a mild despair
by Gabriel Ondeck
My candle burned, as Edna's would,
At both ends, fore and aft —
It burned as brightly as it could,
But friend and foe just laughed,
For though they saw the lovely flame —
How hard it was to handle —
They thought it all was just a game,
And hardly worth the candle.
Yorkers. But all I found was disappoint-
ment and cover charges. As soon as I'd
fix my attention at a table of manhattans
(meaning people, not drinks) I'd hear
one of them remark to the other, "What
a kick the folks back home would get out
of this."
Maybe there are secret night clubs
frequented only by New Yorkers with
a pass word or a grip. If there are I
couldn't find them.
I also found New York to be like a
hundred little cities all thrown together
into one. And a person in one of the
little cities never seems to get outside
into another. The fellow who lives in
New York is like a cow staked out at
pasture — both keep within the radius of
the rope that circumscribes their world.
I met many seasoned inhabitants who
once upon a time had migrated from San
Francisco. "What's Jones doing? ' they'd
ask me, He came to New York about
the same time I did — fifteen years ago."
"What, you haven't seen him lately,
I'd ask in surprise. "I dined with him
last night.'
"Say, I haven't seen him in ten years,
I was told invariably. "He works way
over by Times Square.
Maybe some enterprising westerner,
some day, will start an information bureau
in New York to advise transplanted San
Franciscans that two old-time buddies
are working across the street from each
other. At least it would spare visiting
San Franciscans the bother of giving
New Yorkers a lot of information about
other New Yorkers and give the green-
horn visitors more time to get lost in the
subways.
SEPTEMBER, 1930
15
Ourselves and Others — As seen on the Ferry boats each day — caricatured by Antonio Sotomayor
16
Gabrielle Chanel
by Sylvia Lyon
SHE sits there, nearly every afternoon,
at the top of her stairs in the Rue
Cambon. Her small, strong, nervous
hands, bearing a few clustered cabuchons
sternly set without diamonds, are clutched
about her knees. Her clever head, her
dark hair shadowing her deepset brown
eyes, the heavy eyebrows that never were
plucked, her upturned nose, her thin
determined mouth above her courageous
chin, is thrust forward, looking down
over her collection en parade. Her broad
shoulders, small, wiry, supple body are
covered in what is usually a jersey sports
tailleur, from, I presume, Chanel.
Surrounding her every afternoon is her
little court: Lady Abdy, Mrs. Fred Bate,
the Comte Etienne de Beaumont, which
is not surprising, because they work for
the House of Chanel. There, too, backed
by slender repetetive mirrors, sitting on
the beige carpeted stairs, are the Duchesse
de Gramont, nee Ruspoli, Colette the
novelist, Sem the caricaturist, the first
Madame Jose-Maria Sert, the famous
"Misia" who was the friend of Proust,
Mallarme, Mirbeau.
To her two thousand employees,
Chanel is "Mademoiselle," and some day
I think she will go down in history as
another "Grande Mademoiselle de la
France." To her friends, for the Parisian
public to whom she is a charming but
worldly legend, she is "Coco."
EVERY morning at ten o clock, she
leaves her own house in the rue du
Faubourg St. Honore, to drive in a
Rolls to the establishment in the rue
Cambon, the house she started only after
the War. Then she made only hats. Un-
known in Paris, she evoked success by
charging three times as much as any other
modiste. She next introduced the first
knitted or jersey sport clothes ever made
in Paris. The house now spreads over
several buildings on both sides of the rue
Cambon
During the days of designing, of making
ready each new collection, she lunches
in her bureau. She is the "Tote of the
Princesse Marthe Bibesco's "Noblesse de
Robe." When the Princess said that she
was an artist, Chanel said, No, I am the
contrary. An artist paints a picture that
will not be understood at first, and will
be appreciated in a hundred years. I
design a dress that will be appreciated at
once, and which in six months will look
ridiculous."
HER residence faces the Faubourg St.
Honore. where her living quarters
are approached by the customary
Parisian court. The great salons are filled
with magnificent Louis XIV furniture,
Greek sculpture and flowers, and open
onto a terrace descending to a garden
that sweeps back to the Avenue Gabriel.
There is no dining room. The table is
set at right-angles against one wall of the
library. On the table is chaste crystal,
modern silver, plain ivory-colored porce-
lain stamped with the simple twined
"C's" that seem in their authority, to sug-
gest the Caesar of the couture.
Sometimes she lunches at the Ritz,
Cambon side. It is regrettable that she
lunches there so rarely, so amusing it is to
see the way in which the most sophisti-
cated people stare at her, perfectly pop-
eyed. She does not go out in public very
much, unless it is to a concert or ballet.
She prefers dining with friends at home.
She gives wonderful parties.
One day I was lunching with her in the
Ritz grill, in company with the Princesse
Lucien Murat. "How on earth," Madame
Murat asked her, "can so many French
women pay your prices? I have often
wondered that myself," said Chanel, but
they do." ". . . Have you ever thought of
retiring?" . . . "Yes, until I enter the shop
and realize that two thousand people are
dependent on me.
Her voice is low, deep, her conversa-
tion is fluid, intense in its expression, with
the rich natural vocabulary of culture, not
of cultivation.
A LITTLE girl of village stock, (and so
was Jeanne d'Arc) the only music
she ever heard was that played by
a regiment stationed at Compiegne. And
Stravinsky has given all his manuscripts to
her. She has a quick, malicious, in the
French meaning, sense of humour. I had
told her that a certain dressmaker in finan-
cial difficulties had been offered a loan of
ten million francs by a capitalist, provid-
ing that he would give a job, at a salary of
five hundred thousand francs a year, to a
girl friend. "A very good idea," said
Chanel, "and then in a few years he will
have all his money back.
THE SAN FRANCISCAN
She does a great deal of good, and
will never discuss it.
But she helps poets, musicians, artists in
such a manner, like a prince of the Renais-
sance, that soon Tout-Paris knows all
about it. (If you mention this to her, she
merely shrugs her shou'ders.) To help an
artist does not mean pity, she tay in self-
defense. So she will give to an artist, pro-
viding he or she works hard and has
genuine talen', (and her judgment is ault-
less) a little house in the country, or an
automobile, or some other mean; of im-
proving his talent, his health or his spirits.
But few people know that she supports
an entire insane asylum in tne province,
having rebuilt the place so that, for crea-
ture conveniences and comfort, and
kindly medical care, the institution has no
peer in France.
She has two coun ry-houses, one at
Cap Mart n, the other in the Landes. On
the latter esta'.e she has built a separate
house, staffed with an excellent cook and
household servants. Here al he em-
ployees from midinettes to stenographers
take their holidays in turn.
WHEN Chanel gives a party at her
town house, all her women
guests tactfully wearChanel neck-
laces. But "Coco" wears her pearls.
She has never marr ed. When she e-
fused to marry the Duke of Westminster,
she gave as her reason that, whereas by
marrying him she would become his third
Duchess, by remaining single there would
always be but one Gabrielle Chanel.
Sometimes she finds great amusement in
writing her ideas on fashion for American
magazines.
She has a keen sense of social values
and is utterly independent.
She reminds me a little of Francois
Villon, because she comes from the
people, because she is a gentleman, and
because she is a robber. To paraphrase
the title of Crommelynck's play, I would
call her "La Coco Magnifique."
There is something very feminine about
her, she is "tres femme" but not the least
female. There is something maternal about
her, and her art, her business, is her child.
She regards it rather like a proud but
re.icent mother, not really very astonished
that it has grown up the way it has:
because she has given her best to it, has
taken very good care of it, and it is hers. .
She is a darling.
The personal account of
a genius of Paris written
by a San Franciscan now
living in Paris.
SEPTEMBER, 1930
THIS has been a good month theatri-
cally for San Francisco. And, judging
from the size of the audiences crowd-
ing the Columbia and Geary and Curran
it has been a good month for the theatre.
All of which is extremely heartening in
the face of Mr. George Bernard Shaw's
surrender to the talkies and his delivery
of. a sinister prophecy over the alleged
corpse of the legitimate drama. We are
not one who thinks that the speaking
stage is doomed but that is neither here
nor there. Perhaps our wish is father to
our thought for we have yet to see a
company of shadows on a screen, even
talking shadows, who can take the place
of real flesh and blood.
THE greatest thrill for San Francisco
audiences was undoubtedly the ap-
pearance of Katherine Cornell at the
Curran. This was Miss Cornell's first bow
to the Pacific Coast and her fame as an
actress had preceded her, with the result
that the town flocked at her offering.
One never can tell about the dear public.
In Miss Cornell's case it crowded to see
her primarily because she was a novelty,
whereas, last year it stayed away from
Helen Hayes because it declared that
"it didn't know her." Of course there
are other factors. "The Dishonored
Lady" — it should have been called "The
Dishonorable' Lady" — is an old-time
play of a type that always catches the
public. If you think that melodrama has
gone out, go and see it. It is old-
fashioned, of course, only in spots. For
melodrama moves along with the rest of
the world. Its most old-fashioned moment
was when the vi I Ian writhed on the floor
in his death agony and the dishonored
lady spit insults and gloatings between
her teeth at him. In fact, this was so old-
fashioned that Miss Cornell could not
rise above it. She ranted with the best of
them and we are not forgetting Mrs. Les-
lie Carter in "The Heart of Maryland,"
either. But there wasn't anything else to
do with lines like that . . . The second
most antiquated scene was just before the
writhings, when the passionate Jose
dictated a letter for his prospective bride
to write to her other fiancee. Making
trembling women write letters is very old
theatre. The only thing that gave this
moment second place was the fact that
it was done in conversational tones.
Gloatings in a passionate voice may have
been O.K. when the scene was laid in a
four-story residence set in a block of
lawn such as flourished thirty years ago,
but, today, when every word that one
utters can be heard not only in the apart-
ment next door but in every apartment
opening on a light well gloatings by a
murderess are indiscreet to say the least.
But perhaps these lapses are trivial in
the face of so many modern touches
which the author has put into the play.
The heroine, if we can call her that, was
17
SPOTLIGHT
certainly modern enough, until she fell
in love. She was a child, to be exact, of
the Green-Hat era. In fact, we strongly
suspect that she was just another one of
the "rotten Marshes." There was no
happy ending, either, in this melodrama,
in the common acceptance of the term.
It would have been easy enough to have
married off Madeline Cary to any number
of men but the author remained firm. He
even scorned death by arsenic for the
lady, although we are sure there was a
good supply in the house. But whatever
the play's shortcomings along purely artis-
tic lines, it made up for them, by a corking
first scene to the last act. Here the situa-
tion was tense, it was restrained, it was
skillfully worked up. And Miss Cornell
showed what her real quality was when
she was given the proper material.
As far as we are concerned, the play
should have ended with that first scene.
We would have been satisfied to have
had the final curtain fall on the exit of the
lady in figurative hand-cuffs. Several
corking plays have had such an ending —
"John Ferguson" and "Jealousy" to men-
tion two. The ending to "The Dishonored
Lady" was on a par with the ending of
"Craig's Wife." Except that we felt very
much more hopeful about the ultimate
happiness of the dishonored lady. Mur-
deresses have so many avenues of escape
these days.
As we watched Miss Cornell we
couldn't help wishing for a play that
would give her talents real scope. We
speculated on what she could do with
"Hedda Gabler." And even the spectre
of Lady Macbeth rose up to tease us.
"The Dishonored Lady" is excellent
entertainment but it doesn't strike deep.
The audience enjoyed it but their com-
ments proved that they did not take it
seriously. We didn't hear a sniffle nor see
a furtive tear brushed away during the
entire three acts. But that may have been
because the people out in front didn t
care much what became of a lady who
deliberately choose a crooked path when
she had so many legitimate reasons for
going straight.
IN SPITE of a war, in spite of economic
impotence, in spite of a shattered
Austrian Empire, Vienna still seems to
be the favorite locale of a playwright
bent on turning out a play dealing with
delicate and charming assignations.
"Candle Light" is called a "harlequinade
in fhree acts" by its Viennese author,
Siegfried Geyer. But after passing through
the British hands of P. G. Wodehouse it
becomes a champagne-supper comedy of
Mayfair. Indeed, we are quite sure that
by Charles Caldwell Dobie
Prince Rudolf hasn't a drop of pompous
Teutonic blood in him. His sense of
humor is 100 per cent British, as is the
humor of his valet.
We went to the Geary theatre all agog
to see Alan Mowbray and Reginald
Owen doing team work and we were
not disappointed. They ought to hook up
for life in the fashion of a vaudeville
team.
Eugenie Leontovich gave a baffling
performance of Marie. We mean that all
during the play we were trying to make
up our mind whether her accent was
natural or assumed. There were moments
when it seemed too good to be natural
and there were other moments when it
seemed equally too good to be assumed.
She made her points charmingly and
acted with spirit but we feel that this
play is not the measure of her talent. She
may be a great actress and she may not.
We found one flaw in the play. So
nonchalant and sophisticated a valet as
Josef, or at least so nonchalant and
sophisticated a valet as Alan Mobray
made him, would scarcely have had to
appeal to his employer for instructions
in the gentle art of love making. We felt
all the time that he was much more compe-
tent along these lines than the Prince.
But, after all, maybe he was just being the
perfect valet and letting his master play
at being superior. The fact of the matter
is that we suspect that the author had a
hard time keeping the last act afloat and
the device of having Josef read his
declarations of passion from a sheet of
paper helped to give an extra ten-minute
diversion. Akim Tamiroff did a capital bit
as a waiter and Eden Gray looked so
lovely that we couldn't help wishing
there was more of her, or perhaps we
should be less ambiguous to say that we
wish she had more of a part. All of which
shows what a tricky language English is.
She did what she had to do charmingly
even to her costuming of the part.
WE SEE that a talkie of "The Birth
of a Nation" is scheduled to fol-
low "Candle Light" at the Geary
Theatre. We are one of the few Ameri-
cans in captivity who escaped seeing this
screen success in its original and silent
form. Now we are wondering whether
to hold out and be unique or succumb to
curiosity and go to the new rendering.
The heights are often lonely so we may
decide to go. Our other record is never
having read "Uncle Tom's Cabin." After
all that ought to be record enough for
any American.
18
THE SAN FRANCISCAN
SAN FRANCISCO is destined to be
the art center of the West — America
— the world!" Such a statement in one
of its varying forms is heard from time to
time, the scope of the stated
supremacy depending largely on the
degree of self-hypnosis into which the
hopeful prophet has worked himself. But
it is not alone today that such a statement
is made. I have an idea that similar hopes
have been expressed from the very be-
ginning of the short history of our city —
furthermore I have a meek suspicion that
similar statements have been made on
occasion in each and every city that at
some time or other has received a be-
queathed array of pictures or solemnly
implanted the cornerstone of a museum.
Not that San Francisco may not have a
sounder right to such prophecy than many
other localities, and not that I wish to dis-
courage those who would work to make
San Francisco realize the highest artistic
ambitions, but that, the statement being as
common as it is, I would deride it as un-
trustworthy and not a thing about which
to feel complacent.
Poking a finger into the somewhat dusty
attic of local art traditions one finds little
dependably recorded fact. What has
been written about San Francisco art has
largely been of the eulogistic sort that is
scarcely reliable. To convince you that
this is not merely a suspicious attitude, let
me call your attention to the nationwidely
distributed accounts of the recent Na-
tional Sculpture Exhibition which was
heralded variously as the "Greatest Sculp-
ture Exhibition Ever Held," "heralding
an art revival," "proving the city's love of
the beautiful," et cetera. Reading those
blurbs thirty or fifty years later, would
they reconstruct anywhere near an ac-
curate picture of that great mass of stone,
bronze and plaster which, while being
the largestaggregation of sculpture pieces
on record, could well have been boiled
down to one gallery of things produced
within the fifteen years since the 1915
Exposition or to an even smaller gallery of
song without rancor
by Sydney Kins Russell
I can forgive your tongue's persistent clatter,
Your lack of anything approaching tact,
I can condone your mad, insensate chatter,
The fiction that you choose to blend with fact.
Your tepid wrath and your transparent coolness
The phrases you rely on to abuse me,
But damned if I can overlook your dullness
Now that you cease to startle or amuse me!
the pieces really significant in American
sculpture?
Personal reminiscences, while much
more romantic, are comparably inaccurate.
If you have ever discussed an event of
The Glorious Past
The First of a Series of Discussions of
Art Tradition and Contemporary Trends
by Aline
Kistl
er
your childhood or youth with someone
who shared your experience, you will
recall your opinion of his veracity. Mem-
ories inevitably are sugar coated or aloes
dipped according to individual experi-
ence. I should quite expect Emil Carlsen
who struggled and, so they say, almost
starved during his early days in San Fran-
cisco to be much less complimentary to
the city's art response of the late 80s than
Charles D. Robinson whose work was
well received at that time — and yet it is
impossible to say that Carlsen's version
would be the more accurate just because
it is not rosy.
One must be content to outline the
plausable history of art in San Francisco
with but slight recourse to written effu-
sions and detailed reminiscences.
THERE is little to be gained by looking
for artistic roots before 1860 except
to acknowledge the fact that the suc-
tion of the mining town drew into its
vortex people of the usual variation of
culture. The Spanish heritage was small
indeed except that there, at least, one
encountered a certain amount of leisure
with its accompanying appreciation. The
itinerant portrait painters from Spain or
elsewhere that visited the haciendas have
left nothing of artistic worth. The earliest
picture preserved, now in the de Young
Memorial Museum, is of sentimental
rather than artistic value. Its preservation
and the existence of a few other paintings
from a slightly later period indicate less
that the Spanish were "patrons of art"
and more that they were human and liked
to be flattered as do we all.
The mining town period brought
some paintings into San Francisco
— but it started no more of an art
tradition than would the bar-room
or bedroom canvases of any other
mining town. It is obvious that pic-
tures should be brought to the
booming town to add to the
"luxury" of certain places. It is also
obvious that, having been brought,
they should be hailed as "master-
pieces." And it is not altogether
just to blame second and third gen-
eration owners for accepting the
time-established opinion of original
owners.
It is easy to trace the heritage of pride
felt in the elaboratepainting," Samsonand
Delilah," once the treasure of the Bank
Exchange, which reached the de Young
Museum by way of the Frank Haven col-
lection. But we must remember also the
fact that no possible number of years can
change the flavor of a thing which even in
its heyday failed to find favor with the
discriminating. Record still exists of Mark
Twain's apt jibe which might as well have
been written yesterday as over forty years
ago.
I doubt whether any sophisticate of
today could comment on the painting as
well to the point as Mark Twain did
when he wrote: "Now what is the first
thing you see in looking at this picture
down at the Bank Exchange? Is it the
gleaming eyes and fine face of Samson?
Or the muscular Philistine gazing furtively
at the lovely Delilah? Or is it the rich
drapery or the truth to nature in that
pretty foot? No, Sir! The first thing that
catches the eye is the scissors on the floor
at her feet. Them scissors is too modern.
There warn't no scissors like them in them
days! Not by a damned sight!!"
THE real influx of paintings began in
the sixties. With the assumption of
quick grown wealth and its peroga-
tives of luxury there was a wave of im-
portations that passed for art and gave
San Franciscans the assurance to resent
the printing in the London Times of an
article accusing San Francisco of indiffer-
ence to culture. Were not their homes
hung with real European paintings and
punctuated with chaste marbles?
Simultaneously there began to be a cer-
tain amount of local art activity. Artists
from eastern United States arrived on the
scene, saw that the city was good and
stayed. The first art exhibition on record
was a group showing of one hundred and
twenty-two paintings in 1869. The most
prominent painters participating were
Thomas Hill, William Keith, Norton
Bush, A. Bierstadt, Narjot and Moran.
D
,URING the seventies and eighties
the era of Nob Hill mansions
brought many mirrors, Japanese
screens (highly lacquered), carved teak
objects, marble top tables, filagree glass
cabinets, brie a brae treasures and curios
to San Francisco and with it came still
further hordes of canvases from Europe.
Pictures were everywhere and here and
there one found a sprinkling of land-
scapes and portraits by artists working in
San Francisco.
The San Francisco Art Association, the
one persisting formal factor in local art,
was organized in 1871 and, in 1874,
SEPTEMBER, 1930
19
CRATERS, MONO LAKE
CALIFORNIA SOCIETY OF ETCHERS
Franz Geritz
opened its School of Design, the fore-
runner of the present California School of
Fine Arts. It is claimed that this organiza-
tion in San Francisco antedates similar in-
stitutions in New York and Boston and in
that lies one of the chief boasts of the
Western metropolis when claiming a heri-
tage of culture.
IN THE eighties and nineties auction
rooms played the part now taken by
commercial art galleries. Duncan's Auc-
tion Rooms were often the center of art
buying — then came Morris and Kennedy s
and Schussler's andGump'sand Vickery s.
People bought paintings at these places
at special exhibitions or auctions — but
much of the buying was done in the
studios of the artists.
Clustered in a comparatively small
Latin quarter,'' our same Montgomery
street studio section, were the studios
where the artists made a practice of being
at home to patrons and friends at a certain
time each day. Then it was the custom for
men of wealth or position to call on the
artists, going from studio to studio, keep-
ing track of new work and purchasing for
their own enjoyment those which pleased
them.
In those days a picture was regarded as
a thing for personal enjoyment, something
to be bought, irrespective of specific wall
space, and added to one's collection of
things — much as books are added to a
library. From all indications the traffic in
paintings was far more active then than
now. Paintings were bought for
themselves and the direct enjoyment of
them alone. The resulting frame burdened
walls were dignified with the name of
collections'' and designed to make in-
terior decorators scream — but they served
as a definite stimulus to the artists.
In those days art was a thing of moment,
something to be discussed, damned,
praised and become excited about.
Reminiscenses claim that there was a
furore over the disappearance of Toby
Rosenthal's "Elaine'' and that the "whole
town was stirred up" by the removal of a
poorly done statue. Undoubtedly there
were groups of enthusiasts, then as now,
to whom art is a thing to be championed.
It would not be hard today to find a group
impulsive enough to wreck a monument
such as that erected by and to Henry D.
Coggswell — even as, one night forty
years ago, the stiff figure, holding out its
symbolic glass of water, was lassoed and
swung from its pedestal to go crashing
into the street.
Today in San Francisco the people,
more than the artists, are self conscious.
There may very well be as much better
painting and sculpture done here now
than ever before but the golden days of
general enthusiasm are past. When the
fire destroyed the hordes of paintings it
blotted out a questionable though pic-
turesque artistic past and in its place has
developed a caution and fear of indis-
criminate enthusiasm that, except for the
one highlight of the 191 5 exposition, has
made the artists sweat blood for every
ounce of response gained.
With Keith rapidly becoming an hon-
ored legend, San Francisco can claim to
her traditions at least five men who have
worked with the materials of the west
and, in their honesty, added enough of
the substance that is universal art to count
them as forerunners of western distinc-
tion. Arthur Putnam is dead but his work
promises to live. Arthur Mathews, whose
finest mural paintings were destroyed in
the fire, has contributed both in accom-
plishment and influence. Francis Mc-
Comas has attained a distinction that may
mark him in California art history. Both
Xavier Martinez and Gottardo Piazzoni
have truly worked with the innate qual-
ities of the soil and it is possible that on
the primitive work of these two more of
the future development will rest than we
now realize.
Yes, perhaps it is wise to boast of art
in San Francisco — any mining town that
produces half a dozen artists of quality in
the first sixty years of prosperity has a
right to look toward future accomplish-
ment— especially if it has had the grace to
wipe out its youthful indiscretions with a
wholesale fire that leaves little of the past
but romantic illusions.
20
THE SAN FRANCISCAN
auserie
On French and American realism,
and a word or two about verse.
I THINK it is Margaret Anderson who
tells the story of a literary dinner in
Paris to which the host, after much
effort, had induced both James Joyce and
Marcel Proust to 30. He felt that these
great men, the two writers who have
changed the whole course of the modern
novel, should have much to say to each
other. But as it happened, they had
nothing to say to each other. Neither had
read the other's books. And one can
readily see when reading either of them
that neither would be a glib and scintil-
lating ornament for a dinner table. No
great artist is; he puts all his best into his
work, and the man himself is frequently
what other diners-out call dull. I suppose
we can be grateful that Proust's fondness
for the haut monde/ which might have
made of him merely another charming
person, was thwarted by his invalidism.
As a result, there issued from his cork-
lined work-room the most amazing novel
of our time. The various volumes of "A la
Recherche du Temps Perdu' have been
appearing for several years past, filling a
number of books and causing even a
greater number to be written about them.
But Clive Bell probably has summed up
the series in two sentences as well as
some ten or twelve volumes can be
summed up so briefly: Ala Recherche du
Temps Perdu' is a series of carefully
planned explosions by means of which
the submerged past is brought into the
present, the deep-sea monsters of memory
to the surface. The pursuit, capture, and
exhibition of these is the motive of the
book." It is this pursuit and capture which
the reader of Proust finds either fascinat-
ing or boring for by this time everyone has
become (through the admirable transla-
tions of Scott Moncrieff and in rare
instances through the original French)
either an ardent admirer" or an equally
ardent detractor of Proust. There is no
middle ground where he is concerned:
either you like him or you don't. And you
may like him even though you realize the
truth of many of the charges made against
him. He is tedious,- he has no plot; he is
no respecter of time sequence. A char-
acter may now be young, now old; now
male, now female. His complete annihila-
tion of what we had come to think of as
the technique of the novel has caused
many of the more conservative to froth at
the mouth. But it must be borne in mind
that his method is another method entirely
from that of the conventional novel. "The
by Frank L. Fenton
movement is as that of an expanding
flower or insect. He exhibits a fact: we
expect another to succeed it, effect fol-
lowing cause. Not at all: the fact remains
suspended while we watch it gradually
changing its shape, its colour, its con-
sistency. For fifty pages we watch the
process,- after which Proust proposes
another fact, new and seemingly irrele-
vant. Because very often there is no
sonnet
by Robert Hunt
I know no other day will come or go
Before forgetting each our separate way,
We part within the earth; for light is slow,
And darkness quickens not the dreadful
day.
No other time will come. The years will
roll
Unceasingly, but all too brief, I know,-
Nor will they break the fusion of our soul,
But being brief will slowly fall like snow
Upon the night to melt again in Spring ,
For even when insatiate earth shall grow
And thrive upon our youth that was, this
thing
Intransient, that we think may die, will
sow
Itself unaided by our hands, and bring
Our life into the very grave we go.
progressive relation we have a sense
of being thwarted. We are annoyed.
Proustdoesnotget forward, we complain.
Why should he? Is there no other line
of development in the universe?"
The latest member of the series to be
translated is "Albertine Disparue" which
has been published with the English title
of "The Sweet Cheat Gone" (Albert and
Charles Boni). It is the next to the last of
the entire novel, only "Le Temps
Retrouve" remaining yet to be translated,
and is the last we shall have in the excel-
lent Moncrieff translation. His death
before the completion of the entire novel
certainly is a well-nigh irreparable loss to
those whose Proust must be read in
English. "The Sweet Cheat Gone" is by
some considered inferior to the other
books in "Ala Recherche du Temps Perdu"
because, why no one knows, Proust
neverjgave it the careful revisions of the
others. But Proust even at what is not his
best is undoubtedly better than the best
of most of our modern writers, and in
The Sweet Cheat Gone" we find again
the keen analysis, the remarkable imagery,
and the faint flickerings of subtle humor
that make the earlier volumes a continual
delight and a source of unfailing wonder.
While this volume has perhaps not the
greatness of the others, it contains the
elements which have caused someone to
compare Proust's work to the sea — con-
tinually in movement, backward and for-
ward; changing color,- changing tempo,
but universally encompassing and inevit-
ably true.
ANOTHER of the half dozen or so
great writers of our day (Some
time when I have a spare moment I
shall draw up my own list of the six
greatest this, that, and the other!) is also a
Frenchman, Andre Gide. His novel
L Immoraliste" has long been admired in
France and by readers of French every-
where. It is only recently, however, that
a translation has appeared. "The Im-
moralist (Alfred A. Knopf) is a slight
book as far as physical size is concerned.
It runs to only a little over two hundred
pages, which compared to the vastness of
"La Recherche is no length at all. But
there is concentrated here a study of an
individual which equals anything we find
in Proust. The method is entirely different.
Instead of the minute and complete
analysis of Proust we have here a subtle,
indirect method, almost entirely a method
of implication. The story is of Michel,
who had never valued life until he was
about to die. The sudden realization that
life is ineffably sweet led him upon his
recovery to live with an avidity that
swept everything before it. In reaction
from his old life of high intellectual en-
deavor in a world of academic smugness,
he turns to experiences at first harmless
enough, then crass, finally sinister, adven-
tures involving troupes of Arab boys,
young workmen on his estate, a friend
who is an explorer, and finally his wife
Marceline. The gradual killing of Marce-
line is one of the most remarkable bits of
modern fiction — for Michel as certainly
killed his wife as if he had cut her throat,
but he never ceased to be the devoted
and thoughtful husband. Still when Mar-
celine contracted the disease through
which she had nursed him, Michel felt a
furious impatience, a resentment at his old
weakness being recalled; and there
started the amazing, diabolical process by
which he finally freed himself of this last
reminder of his past. The book is an
eminently moral one, even in the re-
stricted Sunday School meaning of the
term, for it teaches a lesson. When Michel
has finally liberated his soul, he discovers
that he has also damned it. Certainly,
"The Immoralist" is not a book to be dis-
regarded.
Continued on page 39
SEPTEMBER, 1930
THERE'S a gay saying about town that
San Francisco knows how. We seem
to be on the verge of finding out how
true this dear old slogan is. In other
words, we mad-cap San Franciscans
from time to time desert our various
so-called Bohemian hideouts for those
adorable little houses one just will bump
into on a dark night when they are set up
along the sidewalks during an election.
There dre always no end of jolly
things to vote about, and one issue that
will raise its shaggy head to peer into the
heart of San Franciscans is the Golden
Gate bridge project.
Any bridge issue in the bay region is
an important one, particularly for San
Francisco. The reason for this importance
is quite obvious since a rapid mental pic-
ture of the peninsula reveals the fact that
San Francisco is bounded on three sides
by what is carelessly called a body of
water, and a little more accurately called
a geographical restriction. The one re-
maining outlet for the city is more or less
badly blocked by what seems to be a
perfect series of cemeteries and one thing
and another. Consequently, the only
means of avoiding the inevitable isolation
is by tossing bridges right and left across
the bay. This would give San Francisco a
chance to join hands with her neighbors
and at Mother Nature s expense. San
21
Bridges to Cross
Dealing lightly with a serious subject
by Constance Dixon
Franciscans in general being the ready
laughers that they are, the present leaning
toward "bridge consciousness will pro-
bably grow by leaps and bounds.
IT Is true that there are already a few
bridges in the bay region, each playing
its part in the prosperity of the whole
metropolitan area. Dumbarton bridge has
perhaps the most direct bearing to the
city itself. However, one might say that
Dumbarton Bridge is at San Francisco s
back door, and while a bridge is mighty
useful if it provides any outlet at all, still
the fact remains that San Francisco has
been looking forward hopefully
to the conquering of the Golden Gate
for a great many years. One might say that
the Golden Gate is a gate that has never
been opened, and the bridge would be
the key to unlock it. Not only that, judg-
ing from the estimates made by its engi-
A Bridge Fantasy
RALPH YOU:
neers in regard to traffic, it would not
only be a means of opening the Gate for
bigger things, it would probably make it
truly golden.
As a rule, a local government hesitates
to spend money on a bridge serving a par-
ticular community when, with the same
amount, highways serving a greater dred
could be constructed. But herein the
Golden Gate bridge differs from most. It
would not only serve its immediate lo-
cality, it would serve a whole coast and
be the finishing factor to the Coast high-
way now under construction. Traffic ob-
servation on the Redwood Highway
reveals that there is a surprisingly large
quota of Southern California motorists.
If that quota is large now, how much
larger will it be again when transporta-
tion across the Gate sets in. And above
all, such traffic passing over a toll bridge
will make the bridge pay for itself in such
a short time that it will make our heads
swim.
If Golden Gate is spanned it will break
down the biggest barrier that San Fran-
cisco has, overcoming a geographical re-
striction that up to now has been one of
San Francisco's most pressing problems.
Unfortunately, it has been easier to over-
look the fact that the Golden Gate is
more of a problem than an asset for the
all too simple reason that it is always
easier to maintain a previously estab-
lished viewpoint than to reach a new
one. Back in the days of Yerba Buena
(for your benefit, now a city known as
San Francisco) it was true that the Gate
was a decided asset since it provided a
quiet harbor for sailing vessels. Only for a
comparatively short time has San Francisco
been large enough to be threatened by
eventual suffocation through the geograph-
ical impossibility of expanding but, inci-
dentally, there is no longer any really
urgent need to worry about the safety of
sailing vessels. As a matter of fact, we
haven t been aware of any worry about
sailing vessels for the greater part of our
lifetime. The old attitude becomes some-
what unnecessary, if not downright ridic-
ulous and no bones made about it.
HARBOR-CONDITION set gently
to one side, it becomes more or less
apparent even to the semi-conscious
that San Francisco has to start talking
bridges in earnest. Why any city of the
Continued on page 28
22
Henry George
Prophet of the Single Tax Theory,
Preventer of Poverty.
by Zoe A. Battu
THUS far, in this series of articles, San
Francisco journalism has unfolded it-
self as a hurly-burly spectacle of street
fights, wordy feuds, shady politics, ques-
tionable methods, dubious ethics, quickly
passing personalities and frequent gun
play. But there comes now, upon this
scene, Henry George, one man whose
career and final achievements attained
something more than transient and doubt-
ful importance, although the man's life, as
a whole, was marked by frustration.
George came to San Francisco as a
youth of seventeen. For several years he
worked in the composing rooms of va-
rious newspapers. There he picked up the
rudiments of reporting and editing, and
presently graduated to reporting and gen-
eral editorial work. He seems to have had
a natural affinity for economic, political
and social theories, systems and issues,
and a disposition to view them abstractly,
ideal istical !y and theoretically. His read-
ing, within the field in question, was
wide and thorough and through it he
gained a mastery of the thought on his
favorite subjects, produced in Europe or
America, in antiquity, in the Middle
Ages, the Renaissance and in his own and
modern times.
Thus George's reading, coupled with
his daily observations gave him a keener
perception of the nature and significance
of the political, social and economic mal-
adjustments and abuses, then prevalent in
the United States and particularly in the
West, than the average man in public or
private life. And Henry George, being
blessed or cursed with that peculiar
mental quality which precludes the ac-
quisition of any skill in the art of reserva-
tions or concessions, always spoke and
wrote what he perceived and thought.
Such a man is invariably more out of a job
than in one, and such was the case with
George.
IN 1865, when the "Daily Dramatic
Chronicle" became the "Daily
Chronicle George was named as
managing editor. But he was with the
paper only a few weeks, when he and
Charles DeYoung became involved in a
dispute over an editorial George had
written, concerning a new Federal issue
of greenbacks. Rather than concede to
DeYoung s wishes and opinions, George
resigned from what was considered a
splendid opening and opportunity for
the young theorist. There then followed
several years of uncertain, spasmodic
employment, during which George
worked ford time on the "Sacramento
Union, wrote magazine articles and
lectured on the ideas, now shaping
themselves in his mind, upon which
he was later to base his famous Single
Tax theory.
In 1872, George, in partnership with
one, Hinton and state senator, John P.
Jones, established the "San Francisco
Evening Post." During its early days, "The
Post flourished and did well financially.
But presently George's pre-occupation
with his land tax theories caused him to
be neglectful of daily affairs and he was
led into strange inconsistencies. He was
persuaded to become a crusader against
the evils of wine and cocktails and the
gallant defender of the ladies of the tem-
perance forces. This move bewildered
and alarmed his beloved "plain people"
who saw in their prophet but another
betrayer who would take away their
beer. They cancelled their subscriptions
by the hundreds. Advertising disappeared
by the page. Pressed by his partners and
diminishing revenue, George abruptly
abandoned his temperance crusade, but
failed to regain the confidence of his
readers and advertisers. His partners had
been permanently alienated, and about
1876 Ml control of "The Post" passed into
Jones hands. George passed permanently
from daily journalism. His career, within
it, had been inauspicious and unsatisfac-
tory and had meaning to him only in that
it yielded much in the way of experiences
and observations that were incorporated
in his books.
GEORGE now applied himself prin-
cipally to writing his major book,
"Progress and Poverty." He began
the work in 1877 and completed it in
1879. The book contains a complete ex-
position of the author's Single Tax theory,
and it becomes in order to briefly con-
sider the theory and the observations that
prompted it: as a journalist, George had
viewed the often secret, corrupt ways in
which railroads and other corporations
obtained control of vast areas of land and
natural resources of timber, minerals, oil
and so on. He knew, also, what power
these monopolies gave their holders, and
how ruthlessly was wielded that power
in state and national legislatures.
As an American and dreamer of his
time, the possibilities of machinery and
the industrial order filled George with
awe and reverence. He saw develop-
ment of the country as a high and holy
process, which would give work and
prosperity to every man, education, op-
portunity and wisdom to his children, and
THE SAN FRANCISCAN
so inevitably, produce a superior civiliza-
tion.
But between theory and existing fact,
George was forced to admit distressing
discrepancies. As wealth increased, the
average individual lot should have im-
proved. Poverty should have decreased.
Actually, as America's wealth increased,
its poverty increased. American work-
men obtained much higher wages than
European workmen, and had higher ma-
terial standards of living, but still, the in-
dividual s lot remained hazardous, men-
tally and physically circumscribed. For his
children, the outlook was no better. The
small business man might increase his
revenues, but he could not increase them
rapidly enough to meet rising living costs.
George s remedy for these conditions,
like all good and simple remedies, went
back to the land. Land, he reasoned, is
the source of the world's wealth. Like air,
rain and sunshine, it is a quantity of the
universe, belonging to all alike. But land,
being tangible, lends itself to possession,
exploitation and creation of inflated
economic values. Those people, controll-
ing vast areas of land and natural re-
sources, have, nine cases out of ten, come
by them through appropriation, legisla-
tive concession or inheritance, rather
than through individual productiveness.
Generally only a fraction of this land is
made productive at one time. The rest lies
idle and closed to him, who would
occupy and make it productive — that is to
say, to use it as a home, the site of a busi-
ness, yielding real, tangible wealth in the
form of agricultural products, minerals,
manufactured articles and so on. But upon
the whole arza, is put an arbitrary and
assumed value, derived from whatever
enterprise occupies its fractional area, or
its potential productivity. The sustaining
and creating of these assumed values give
rise to land speculations, an evil from
which the America of George s day suf-
fered grievously. Furthermore, small land
holders must pay a tax in ratio to these
created values, and find it increasingly
difficult to retain their holdings and rights.
To abolish these evils George pro-
posed that there be only one form of taxa-
tion, a single tax on productive, used
land, based upon its value, regardless of
improvements. Under the circumstances,
there would be no object in holding
idle, unused lands, since it would cost
the holder as much as the land he was
using. Thus idle lands would automati-
cally be freed to those who could use
them productively.
For this theory, George put forth a
wealth of elaboration, argument, history,
statistics, and ways and means of putting
it into operation. He succeeded in prov-
ing to himself, at least, that it would work
a miracle equal to that of the loaves and
fishes. With his logic, he banished pov-
Continued od page 42
SEPTEMBER, 1930
23
CONCERNING
MRS. HUGH BRADFORD
MRS. HUGH BRADFORD of
Sacramento, President of the
National Parent-Teacher Asso-
ciation, is representative of a certain
type of interesting contemporary woman
— the sort of university graduate who
has earned her own living before
marriage and, after a few years of
ordinary domestic life, turned her
energies and capabilities to organiza-
tion and work outside the home. In
her, one has not the modern business
woman but rather the emancipated
wife. She has retained her social back-
ground, the graces of the home, but
diverted her domestic assets into
channels of individual accomplishment.
As Mary Banning, she graduated
from the University of California, an
honor student in mathematics. Before
marrying her classmate, Hugh Bradford,
she taught a few years, quickly rising to
principalship of a high school. Mar-
riage to the young lawyer, the birth of
a son and a daughter, household duties
and social activities occupied her at-
tention for a while, then her energies
were drawn to outside interests. The
Parent-Teacher Association in Sacra-
mento was starting its work, bringing
the school and home into closer co-
operation. Mrs. Bradford joined the
group and soon was assuming respon-
sibilities in keeping with
her executive ability.
Mrs. Bradford headed
the Sacramento county
P.T.A.; was elected state
vice-president; then state
president; was appoint-
ed national extension
chairman and, this year,
was chosen national
president, the first Cali-
fornia woman to head
this organization of more
than two million mem-
bers. Meanwhile she has
reared her two children
— her daughter is now
Mrs. Raymond Ruffell,
and her son graduated
from the law school of
the University of Cali-
fornia last June — and
maintained her place as
one of the most gracious
hostesses at the state
capitol.
The most recent honor
given Mrs. Bradford is her
appointment as one of the
fifty members of President
Hoover's Home Planning
Commission.
A
LL executives do not
have a hobby — at
least Samuel Kahn,
president of the United Rail-
roads of San Francisco, seems
not to have. But he does in-
dulge in interests — golf, good
books, his two charming small
daughters who so love to ride
that he has their picture in
riding togs on his desk — and
is eager to enlarge his scope
of contact with life and people
whenever opportunity pre-
sents.
His most recently adopted
interest was made public
when he accepted the presi-
dency of the recently incor-
porated Galerie Beaux Arts.
This art organization, after
functioning as a cooperative
artist and lay-patron club for
five years, has turned to one
of the outstanding figures in
the city to head its business structure.
While Beatrice Judd Ryan will continue
as director of the gallery, the finan-
cial affairs will be in the hands of a
group headed by Samuel Kahn and in-
cluding Alan Lowry, Kenneth Walsh,
Charles R. Blyth, Ray Boynton,
Stafford Duncan and Frank Van Sloun.
This close association with the art
life of San Francisco is a departure for
Mr. Kahn who, though interested in
private acquisition of individual works
of art, has heretofore concentrated his
energies in the business world. He was
born in Texas, in 1882, decided to
become an engineer, graduated from
Perdue University in 1903, and within
a few years deserted regular engineer-
ing for executive work in which he has
steadily risen until, the past six years,
he has headed the largest privately
owned street car system in the West.
He came to San Francisco about six
years ago and now resides in Hills-
borough where his lively daughters
have full freedom of the out-of-doors.
SAMUEL KAHN
The driving force of his various interests
leaves little place for a hobby.
2*
THE SAN FRANCISCAN
The Reigning Dynasty
WEDDINGS
ARMOUR-McIXTOSH. On August 2, in Monte-
cilo. California, Mr. J. Stanley Armour, son of the
late Mr. M. Cochran Armour and the late Mrs.
Armour, and Mrs. Kenneth Goad Mcintosh, daughter
of Mrs. Warren H. Clark and the late Mr. Clark.
BARROWS-STOW. On August 21, in Berkeley.
California. Mr. Thomas Nicholas Barrows, son of
Major-General and Mrs. David P. Barrows, and Miss
lane Cornell Stow, daughter of Mr. and Mrs. F. H.
Stow.
ENGAGEMENTS
PEIXOTTO-STEWART. Miss Nina Peixotto,
daughter of Mrs. Edgar Peixotto and the late Mr.
Edward Peixotto, to Mr. John Hatch Stewart, son
i>f Mr. and Mrs. D. L. Stewart of Fresno.
VISITORS ENTERTAINED
Mr. and Mrs. John Lovejoy of Greenwich, Con-
necticut, were entertained at dinner by Mr. and Mrs.
Kyre Pinckard. Mr. and Mrs. George Legh-Jones
shared the honors of the occasion. Mr. and Mrs.
Frank Kennedy gave a luncheon at the Burlingame
Country Club for the Lovejoys during their visit.
Mr. and Mrs. John X. Wilhoit of Hanford were
guests at the Cliff Hotel for a few days recently.
Mr. and Mrs. George Legh-Jones entertained at
dinner at their home in Hillsborough in honor of Mr.
and Mrs. Ernest Bird and Miss Margaret Bird of
London.
Mrs. Clifford M. Weatherwax entertained at an
informal luncheon at her home in compliment to Mrs.
William Young and Mrs. Joseph Moore of New York,
who were in San Francisco at the Hotel St. Francis
for a few days before sailing for Honolulu on the
Malolo. Before arriving in San Francisco. Mrs.
Young and Mrs. Moore were guests of Mrs. William
Randolph Hearst and Mrs. George R. Hearst at San
Simeon.
Mr. and Mrs. Henry Foster Dutton entertained a
house partv that included Mr. and Mrs. Algernon
Gibson. Mr. and Mrs. H. M. A. Miller and their
son-in-law and daughter. Mr. and Mrs. Frederick
Weida.
Mis. John Haldeman of Louisville. Kentucky, was
guest of honor at a luncheon given by her daughter.
Mrs. George Leib in Burlingame. This month Mrs.
Haldeman will go to Long Island to visit her sister,
Mrs. Craig Culbertson.
Mrs. George Gordon Moore of Carmel was the
house guest of Mrs. Ross Ambler Curran recently.
Mrs. Curran gave a dinner in Mrs. Moore's honor.
In honor of Mrs. James Flood and Mrs. Stetson
Eddy of Boston, Mr. John S. Drum, Jr.. entertained
at dinner in the Drum bungalow atop the Hotel
Fairmont.
Governor Lawrence Judd of the Hawaiian Islands,
and his brother, Mr. Albert Judd. also of Honolulu,
were guests at the Clift Hotel during their San
Francisco visit.
Miss Elizabeth Moore gave a dinner party at the
Hotel Mark Hopkins in honor of Mr. and Mrs.
Herbert Peet of Kansas City and Miss Carol Bush
and Miss Emilene Bush of Chicago.
Mrs. George Cameron gave a luncheon in honor of
Mrs. William Randolph Hearst shortly before the
latter's departure for her home in New York.
Mrs. B. C. Forbes was guest of honor at a luncheon
that Mrs. Felix McGinnis gave at the Menlo Country
Club.
Doctor and Mrs. Tamon Mayeda of Japan were
guests of honor at a dinner party that Mr. and Mrs.
Wallace Alexander gave recently.
HERE AND THERE
The visit of the Pacific Fleet was the occasion for
much entertaining on the peninsula and in town.
Among those who honered a number of the officers
were Mrs. Lewis Carpenter, Mrs. Joseph O. Tobin.
Mr. Richard Tobin, Mrs. Philip Patchin, Mrs.
Edward McCauley, Mrs, Archibald Johnson and Mrs.
John S. Drum. A dance was given at the Burlingame
Country Club preceded by dinners given by these
hostesses and there was also an exhibition tennis
match at the club followed by a tea.
Complimenting Miss Elizabeth Splivalo, whose
marriage to Mr. Walter Baird is to take place on
September 3, Mrs. Charles B. Page of Yallejo street
entertained at a bridge tea.
Mrs. Paul Butte gave a tea at her home in Wash-
ington street in honor of Mrs. Leonard Woolams,
Mrs. Woolams and her family plan to go east early
this month to establish their new home in New York.
Mr. and Mrs. Kenneth Walsh gave a dinner party
for eighteen at their home in San Mateo, the occasion
being in honor of Miss Harriet Brownell and her
fiance, Mr. George Pope, Jr.
Miss Agnes Clark, daughter of Mrs. Tobin Clark
of San Mateo, appeared at the Greek Theater in
Berkeley with Mr. Gunnar Johansen in a duo-piano
recital of Mozart numbers. Following the concert,
Dr. and Mrs. Modeste Alloo gave a tea at their home
in Berkeley in honor of Miss Clark and Mr. Johansen.
Mr. and Mrs. Howard G. Park gave an informal
buffet supper at their home in honor of Miss Marian
Clark and Miss Peggy Fletcher. The supper preceded
the third of ihe subscription dances given for the
vounger set this summer at the Burlingame Country
Club.
Mr. and Mrs. Raymond Benjamin and Miss Bar-
bara Benjamin are en route home from their trip
around the world. Their return has been delayed by
Mrs. Benjamin's illness in Europe.
Mr. and Mrs. Alfred Hurtgen and Miss Edith
Hurtgen and Mr. Charles L. Hurtgen have returned
to town after spending the summer with Mrs. Xorman
B. Livermore in Saratoga.
Mrs. Adrian Splivalo entertained at tea in honor of
her niece. Miss Elizabeth Splivalo, the fiance of Mr.
Walter Baird.
Mr. and Mrs. Warren Clark entertained a group of
the close friends of Miss Patricia Clark shortly before
Miss Clark and her mother, Mrs. Tobin Clark, left
for the east and Europe.
Mr. and Mrs. Georges de Latour are expected to
return from abroad the latter part of this month.
A surprise dinner was given for Mrs. Rudolph
Spreckles by a group of friends, who were M rs.
Spreckles' house guests at her place in Sonoma
Countv during the summer.
Mrs. Frederick St. Goar has returned to her home
on Pacific Avenue after a two months' visit at Ben-
bow.
Mr. and Mrs. Arthur Redington have taken an
apartment in San Mateo until their new house is
ready for occupancy.
Miss Heath Hamilton announced August 30 as the
date of her marriage to Mr. John C. Ainsworth of
Pasadena. All Souls' Church in Palo Alto was chosen
for the ceremony with Archdeacon Noel Porter of-
ficiating.
Colonel Laurence Redington has rejoined Mrs.
Redington and his family in San Mateo after visiting
with his brother, Mr. Alfred Redington in Santa
Barbara.
Mr. and Mrs. Peter Beaver have returned home
after an extended trip through Northwestern Canada.
Mr. and Mrs. Mark A. McCann entertained a group
ni friends at dinner and later took their guests to the
Palo Alto Horse Show.
Major-General and Mrs. Malin Craig are expected
to arrive in San Francisco shortly. Major-General
Craig is to take command of the Ninth Corps Area,
taking the place of Major-General John L. Hines.
U. S. A., who is leaving in November for the
Philippines.
Mr. and Mrs. George Newhall recently entertained
a group of friends at the Newhall summer place at
Lake Tahoe.
Mrs. H. Bliss Rucker has returned to San Fran-
cisco from Honolulu, where she was the guest of
Mrs. Warren Spieker at the latter's Waikiki Beach
cottage.
Mrs. Jerd Sullivan has returned from Santa Bar-
bara where she occupied the William Slaters' house
for several weeks.
Mr. and Mrs. E. O. McCormick and their family
have returned home after spending a month at Del
Monte.
Brigadier-General and Mrs. H. Conger Pratt were
in San Francisco for a few days and occupied Mr.
and Mrs. Paul Fagan's apartments in the Hotel St.
Francis while here.
Mr. and Mrs. S. F. B. Morse entertained a group
of friends recently at a barbecue at their Carmel
Valley ranch.
Mr. and Mrs. Alfred Whittell have returned from
a motor tour of the northern states and Canada.
Mrs. Samuel H. Boardman and Miss Virginia
Boardman have returned from their Alaskan trip.
Mr. and Mrs. Samuel Pond and Mr. Frederick
Dohrmann returned to San Francisco from a trip to
New York, making the journey by way of the Canal
aboard the "California."
Mr. Russel Slade recently made an extensive tour
of the Northwest.
Mrs. Charles H. Blyth visited for a time at Hunt-
ington Lake Lodge. The young Misses Blyth accom-
panied her.
Mr. and Mrs. William C. Duncan and their children
and Mr. and Mrs. Roger Bocqueraz spent several
weeks recently at Weber Lake Country Club.
Mrs. William Ede entertained a group of friends at
the fashion review tea given at the Hotel St. Francis.
Mr. and Mrs. Thomas B. Hunter have returned
from Salt Lake City, where they spent the summer
with Mrs. Hunter's father, Mr. Frederick Hale.
Mr. and Mrs. Henry U. Chace have taken posses-
sion of their new apartment on Pierce street.
Doctor and Mrs. Grant Selfridge have returned to
their home on Green street after spending several
weeks at the Burlingame Country Club.
A series of entertainments were given in honor of
Mrs. Leonard Woolams on her return from her
recent visit East. Mrs. Harold K. Faber, Mrs.
William Babcock and Mrs. J. K. Armsby were
among those who entertained for her.
Mrs. Elizabeth Gerberding has returned home after
a visit at Clear Lake where she was the guest of Mr.
and Mrs. Harry Sears Bates.
Mr. and Mrs. Charles Merrill and Miss Nancy
Merrill have returned to their home in Menlo after
spending several weeks in the southern part of the
state.
Mr. and Mrs. Peter B. Kyne recently spent several
weeks at Wilderness Lodge in Mendocino County.
Mr. and Mrs. Starr Bruce have returned home
from their motor trip north. They are at present
visiting with Mrs. Bruce's parents, Mr. and Mrs.
Andrew P. Welch at their home in San Mateo.
Mrs. DeLancy Lewis entertained at luncheon re-
cently for Miss Janet Whitman, the fiance of Mr.
Douglas Lewis. The luncheon was given at the Lewis
home in Atherton.
Mrs. Pillsbury Gibson has returned from Santa
Barbara and is at the home of her parents, Mr. and
Mrs. Horace D. Pillsbury on Pacific Avenue.
Miss Carol Lapham and Mr. Lewis Lapham gave
a large buffet supper dance at the Lapham home in
Palo Alto. A number of Mr, Lapham's Yale class-
mates attended the affair.
Mrs. George E. Bates is returning shortly from
Europe where she has been traveling since April.
The third semi-annual Flower Show of the Wood-
side-Atherton Garden Club was held on August 28.
Mrs. Selah Chamberlain is president of the club and
Mrs. Perry Eyre was in charge of the tea served
during the afternoon.
A smart gathering turnet out for Miss Katherine
Cornell's play "The Dishonored Lady." The opening
night produced one of the most elaborate dressed
audiences of the season.
Mr. and Mrs. Frederick S. Weida returned to their
home in Sumatra on August 15. They were exten-
sively entertained during the months of their visit in
San Francisco.
Mr. and Mrs. Lloyd W. Dinkelspiel have been
spending the summer months with Mrs. Dinkelspiel's
mother, Mrs. I. W. Hellman, in San Leandro.
Mrs. Charles Doe has returned to her apartments
at the Hotel Mark Hopkins after spending the sum-
mer at Ben Lomond.
Mr. and Mrs. Harry Hush Magee entertained at
a Sunday afternoon tea in honor of Miss Claire
Knight and her fiance, Mr. Orra Hyde, Jr.
Mrs. Whitelaw Reid is expected to arrive at her
home in San Mateo early in the Autumn.
Mr. and Mrs. Murray Foster and their son have
returned to town after passing the summer on the
Truckee River.
Mrs. Helen Smyth Rutherford has returned to San
Francisco after a visit in the East.
Mrs. Frederick S. Moody, Jr., entertained a small
group of friends in honor of Miss Janet Whitman.
The occasion was a luncheon given in Mrs. Moody's
apartment on Sacramento street.
The Misses Katherine and Frances Stent enter-
tained at dinner and bridge recently at the Menlo
Country Club.
Mrs. A. Wilhoit of Stockton and her granddaughter
have taken apartments at the Hotel Maurice for the
winter.
SAN FRANCISCANS ABROAD
Mr. Everett Bee was in Russia at last accounts.
Miss Elizabeth Davis was in Paris when last heard
from. Miss Davis left San Francisco last October
and she plans to return home before the winter
holidays.
Friends of Mrs. Samuel Knight were interested to
learn that she was in Genoa at the time of the earth-
quake. From Genoa Mrs. Knight went on to Naples.
Mrs. Tobin Clark and Miss Patricia Clark are en
route to Paris where they will join Miss Agnes Clark.
SAN FRANCISCANS IN NEW YORK
Mrs. Clarence Musto has been spending several
weeks in New York and will motor home.
Mis. William Wallace Mein and her daughter, Miss
Dorothy Mein, are passing a few weeks in New York
before rejoining their family in San Francisco.
Miss Janet Coleman is in New York, where she
will spend several months before sailing for the
Continent.
Mrs. J. B. Casserly and Miss Marianna Casserly
have been in New York for some weeks at the Plaza.
Colonel and Mrs. Julius Ochs Adler are being con-
gratulated on the birth of a daughter. Mrs. Adler was
the former Miss Barbara Stettheimer of Redwood
City and San Francisco.
Allan Hoover, son of President and Mrs. Hoover,
was entertained at a luncheon party given by Miss
Helen M. Bunting and Miss Georgina Burk of
Stanford. . . .
Mrs. George T. Marye and Miss Marjorie Oelnchs
were guests at the Ritz recently. During their sojourn
in New York, Lieutenant-Commander and Mrs. Wil-
liam T. Thomas arrived in New York from Paris.
SAN FRANCISCANS IN THE SOUTH
Doctor and Mrs. Harry Alderson will return from
La Playa where they have been passing the summer,
sometime this month.
Mr. and Mrs. William R. Hearst, Jr., were recently
guests at El Mirasol in Santa Barbara.
Mrs. Ghirardelli-Menefee recently visited for a
week in Coronado where she was the guest of her
brother and sister-in-law, Mr. and Mrs. Lyle Ghirar-
delli.
Mr. and Mrs. Richard Heimann will return from
Montecito early this month. During their summer
sojourn in the south they ha\e entertained extensively.
Doctor and Mrs. Langley Porter recently visited
in Santa Barbara for ten days.
Mrs. Frederick Pickering has been visiting with
her daughter, Mrs. Tenney Williams in Montecito.
where Mrs. Williams has taken a cottage for several
months.
Mr. and Mrs. James J. Fagan have moved to
Pasadena where they will make their future home.
They have taken one of the bungalows on the
grounds of the Hotel Maryland.
Doctor and Mrs. Henry S. Kiersted were in Santa
Barbara recently and stayed at El Mirasol where
Mrs. Kiersted's mother, Mrs. Peter McBean, now
makes her home. •«.*«_
Mrs. Bruce Dohrmann and Mrs. Samuel Knight
recently enjoyed a stay in the Montecito Valley.
SEPTEMBER, 1930
25
MAUDE JAY WIL50N
MISS SALLY NICKEL
As Queen Hippolyta in "Midsummer-Night's Dream", Miss Sally Nickel, daughter of Mr. and Mrs.
George Nickel, made a charmingly personal contribution to the cause of the Stanford Convalescent
Home for the benefit of which the performance was given
26
THE SAN FRANCISCAN
Ready for the Season
William A. Palmer
Pigskin Prospectus
by Con
EVERY football season is inevitably
preceeded by post mortems, so let
us pause for a moment and survey the
ruins. In number, U. S. C. is the heaviest
loser of letter-men, eishteen of whom
will be among the missing, including
eight regulars. California is next, having
lost fourteen, including six regulars. Stan-
ford suffered more in loss of quality than
quantity, for of the eleven letter-men lost,
eight were regulars of exceptional merit.
For the first time in their football history
the California team will use the shift. Up
till now Price has clung to the Andy Smith
system of running all the plays from fixed
formation. This year he will introduce a
modification of the Notre Dame shift,
which includes both the line and back-
field.
Jones will follow practically the same
style of play as last season, building his
team around a 'triple-threater '; except
that he may divide the responsiblity of
ball-carrier and use his fullback as well
as the quarterback.
With the great ' powerhouse' combi-
nation of Smalling and Fleishhacker gone
from the backfield, Warner will have a
hard time duplicating the punch his eleven
displayed last year. His lost letter-men
have already caused him plenty of worry
and it is probable that "Pop" will do no
small amount of experimenting before he
strikes a combination that will function
satisfactorily.
With the ghost of last year's triple tie
to haunt the Big Three, the rivalry be-
tween them will be stronger than ever
this year, and needless to say, a repeti-
tion of last season's results would be
most unsatisfactory to everyone con-
cerned.
CALIFORNIA
STANFORD
U. S. C.
REGULARS AND IMPORTANT LETTERMEN NOT RETURNING
Stanley Barr, h, Leland Eisan, q, Ben Lorn, H, 'isoh
Norton, e. Joe Pitto, g, Lee Rice, h, RoyRiegels,
c, Bert Schwarz, g, Harry Gill, g.
Don Muller, e. John Preston, e. Red Thompson, t,
Ted Klabau, t, "Bull" Driscoll, g, Elwood Wilson,
g, Lud Frentrup. h, Walt Heineke, c, Herb
Fleishhacker, q, Sherman Crary, q. Chuck Small-
ing, f.
Frances Tappaan, e, Cecil Hoff, t, Frank Anthont, t,
Xathan Barrager. g, Clark Galloway, g, George
Dye, c, Russel Saunders, q, Harry Edelson, h,
Tonv Steponovich, e, Jesse Mortensen, h, Jesse
Hill. f.
RETURNING LETTERMEN (POSITIONS TENTATIVE)
Russ Avery, Bob Bartlett. Ellis Thorton, ends.
Xick Bican, Fritz Cahn, Dolph Timmerman, tackles.
Ted Beckett, Carl Handy, guards.
Herman Eickmeyer, Frank Medanich, centers.
Edwin Griffiths, Edward Kirman, quarterbacks.
Clarence Garrity, Joe Hickingbotham, halfbacks.
Ralston Gill, fullback.
Carl Wittenau. Phil Neil, ends.
Ray Tandy. Corwin Artman. Dick Bogue. tackles.
Bill Bardin, Ray Dawson, Pete Heiser, guards.
Perry Taylor, Marc Albertson, centers.
Harry Hillman, quarterback.
Phil Winnek. Guido Caglitri, Bill Clark. Phil Moffit,
halfbacks.
Harlow Rothert, Bill Simnkins, fullbacks.
Bill Arbelbide, "Dutch" Wilcox, ends.
Bob Hall, tackle.
John Baker, Jesse Shaw, guards.
Stan Williamson, center.
Marshall Duffield, quarterback.
Marger Aspit, Ernie Pinkert, halfbacks.
lim Musick, Don Sahver, fullbacks.
OTHER PROMISING CANDIDATES
Price will have 15 returning members ot the 1929
;arsity squad besides his lettermen, and 19 frtshmen
.mineral winners. He is depending mostly on untried
naterial from the freshman team to replace his stars.
Com and Eisan, although Ralph Seely, member of
iast year's varsity squad, is neing seriously considered
lor Lom's position.
Besides the 13 non-let termen returning, Warner
has a wealth of material among the 1929 "Goof"
squad from which to pick, including Bill Doub,
George Grey (conceeded to be the best kicker on
the farm since Murray Cuddeback), "Red" Hand.
'Spud' Hardy, and a dozen others. He also has 19
members from the freshman squad returning.
According to reports from the Trojan camp little
reliance is placed on the non-letter winners who
return, the burden of expectations is placed upon the
freshmen prospects, numbering 24, which include the
sensational Orville Mohler. Kirk wood, Armistead,
Plaehn and Brown are among th^ other members of
last year's freshman team whom Jones is considering
for varsity positions.
SEPTEMBER, 1930
27
Schedule of Games Which In-
clude California or Stanford
September 21 — at Stanford
Stanford vs. West Coast Army
September 28 — at Berkeley
California vs. Santa Clara
September 28 — at Stanford
Stanford vs. Olympic Club
*October 4 — at Berkeley
California vs. Washington State
October 4 — at Stanford
Stanford vs. Santa Clara
October 11 — at Berkeley
California vs. St. Mary's
October 11 — at Minneapolis
Stanford vs. Minnesota
*October 1 8 at Stanford
Stanford vs. Oregon State
October 18— at Berkeley
California vs. Olympic Club
♦October 25— at Stanford
Stanford vs. U.S.C.
♦October 25— at Seattle
California vs. Washington
♦October 31 — at Los Angeles
Stanford vs. U.C.L.A. (night game)
♦November 1 — at Berkeley
California vs. Montana
♦November 8 — at Los Angeles
California vs. U.S.C.
♦November 8 — at Stanford
Stanford vs. Washington
November 1 5 — at Berkeley
California vs. Nevada
November 1 5 — at Stanford
Stanford vs. Caltech
♦November 22 — at Berkeley
Stanford vs. California
November 29 — at Stanford
Stanford vs. Dartmouth
(♦Pacific Coast Conference Games)
WgJMt
PAXIL ELDERS
239 Posh Street San Francisco
new
KNOX HATS for AUTUMN
NOW ARE PRESENTED
IN SELECTIONS THAT
INCLUDE THE NEW
STYLES MOST DEFIN-
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WITH KNOX
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AVENUE III FRANCIS
28
THE SAN FRANCISCAN
THE GOLDEN GOWN
greets the golden strains of'Manon ' '.'
Now that Fashion's reverted to the
more luxurious fabrics, the gown of
gleaming gold lame will take its place
in the boxes of sophisticated opera-
goers. The City of Pairs presents this
enchanting version ... a veritable
rhapsody of rhythmic lines . . subtly
Grecian in feeling. Priced at $125.
CITY OF PARIS . . . GOWN SALON . . . THIRD FLOOR
CITY of PARIS
Bridges to Cross
Continued from page 21
size and potentialities of San Francisco should
have its progress retarded by such out-dated
methods of trans-bay traffic as the ferry boat, is
quite beyond any reasonable answer. During the
last few years the ferries have rallied bravely to
the cause and sped up service to almost the
maximum. For instance, on peak-load days, the
Golden Gate-Southern Pacific ferries come danc-
ing into their slips in an almost continuous stream
and the cars fairly pour across the bay to and from
Marin. In spite of it all, however, there are still
lines of motorists that have to waii. If the present
fleet of ferries were doubled, without a doubt
there would still be motorists chafing in line to
get across the bay. But therein lies the horror of
it all. It's impossible for the San Francisco-Marin
ferries to double their fleet or even increase it to
any appreciable degree for the reason that, while
there is pier space aplenty on the Marin side to
take care of a larger number of boats, there is
very little available on the San Francisco side.
The ferry companies are faced with a sheer im-
possibility, and we have a sneaking feeling all
our own that they are aware of it.
In comparison to ferry service, regardless how
efficient and well meant, the Golden Gate
bridge would provide four traffic lanes capable
of carrying a fast stream of traffic, going at per-
haps twice the speed of a ferry boat, which
would be unbroken by any waits or line-ups at
piers. And still the bridge engineers assure us
melisse
1
of
KAYA-LAMA
sponsors a special
opera facial
an hour and a half
complete relaxation
of the entire body —
invigorating
violet ray bath —
individual creams —
magical massage —
special . . . $5.00
the opera season also calls
for the unusual
fresh strawberry and "vin" facials
$5.00 to $10.00
KAYA-LAMA
the temple of perp?iml b<**u'y dedicated to the
scientific fulfillment of women's beauty needs
fifth floor liebes building
1 77 post street
for appointment, SUtter 1432
16 days of
gracious living
ON THESE
NEW ELECTRIC LINERS TO
New York
via 'Pa nam a Canal
and Havana-)
T^eturn by rail.. . if you wish
^?z§^ X our first step
Bouillon is senea at . r
eleven... tea at four UP the gang
plank brings
the first thrill— forerunner of gay, happy
days spent on these great vibrationless
ships— largest ever built in America.
In cool comfort you speed along the
coasts of Old Mexico and Central Amer-
ica. You stop at Panama, pass thru the
giganticPanama Canal in eight daylight
hours . . . and visit Havana,"Paris of the
Caribbean."
T>ancing, deck sports, swimming
. . . or a lazy life, as you chooser
Two built-in outdoor swimming pools,
unusually broad decks for sports or
promenading; dancing— or just rest to
your heart's content. Famous cuisine
. . . courteous attendants to anticipate
your wants.
S. S. Virginia, California, Pennsylvania
Alternate in fortnighdy service to and
from New York. All rooms are outside,
m any with private baths. Rates are $ 1 3 5
up, Tourist Cabin; S275 up, First Cabin.
Roundtrip, go by water, return by Tail-
or vice versa—
only $ 1 00 ad-
ditional. Room
and meals on
steamer are in-
cluded in fare.
fa noma faeSfie fipe
INTERNATIONAL MERCANTILE MARINE COMPANY
ALL NEW^A STEAMERS
460 Market Street - San Francisco
or your local steamship or railroad agent
SEPTEMBER, 1930
29
that there would be no reason for the ferries to
give up the ghost and sink slowly into disuse and
despair. In nearly all cases where a bridge has
been built in place of a ferry, it has turned out to
be a supplement to the ferries rather than a sup-
plantment. A bridge has such a tendency to in-
crease traffic, rather than hog it all like an old
meaney, that the ferries are pressed into even
greater service. This ought to be enough to cheer
up any ferry boat that has felt the bridge would
relegate it to the de Young Museum.
AESTHETIC souls concerned with the
beauty of San Francisco and the bay region
have become a trifle unmanageable on the
subject of the bridge on the grounds that it
would disfigure our famous Golden Gate with
its still more famous sunsets. Instead of being a
detriment, we can all be pretty sure that it will be
a decided stimulant to the post-card trade. As a
structure the Golden Gate Bridge plans as they
now stand are a masterpiece of suspension-
bridge engineering, but viewed from an artistic
angle they are still more remarkable. Joseph B.
Strauss, chief engineer, has kept in mind at all
times the appearance of the bridge as well as its
function. It has been so designed that it consti-
tutes a decidedly impressive approach to the bay
region. Two towers, tall as the Woolworth
Building or as call as San Francisco's two tallest
buildings, the Russ and the Telephone, set oneon
top of another, will stand on each side of the gate.
Both will be finished in silver. The effect either
by moonlight or sunset is going to take some dili-
gent imagining to picture with any degree of jus-
tice. The approaches to the bridge at each side
will be treated more as parkways than highways,
and if there is anything we need in this neck of
the woods it's just that sort of thing. For a large
number of decades, incoming liners have been
greeted somewhat dismally by a ghost of the past
in old Fort Winfield Scott. We feel that this sort
of thing is beginning to become unpleasantly
symbolical or something and that it is high time
that a bridge, such as that under consideration,
built to clear up any doubts about whether San
Francisco is going ahead or backward.
The Cedars
Cora C. Myers, Head
A development school
for nervous and retarded
children.
Ideal climate — no fog — delicate
children grow strong and develop
latent talents.
Address
THE CEDARS
Ross, Marin County, California
\lL RAPHAEL WEILL 8 COMPANY/ n ,;
\No\Vl£CanB^TW^V;3
OUR child is growing up! San Fran-
cisco's eighth season of opera,
presented through its very own
Opera Association, is also its most ambi-
tious season. Not only the most estab-
lished names appear on the program this
year, but those that are most intriguing to
public interest at the moment. Clairbert,
who is making her first American appear-
ance in La Traviata,- Hope Hampton, the
first motion picture star to step into opera-
tic fame,- Frederick Jagel, who makes his
initial San Francisco appearance in The
Girl of the Golden West. And, by the
way, this opera, together with Ravel's,
A Naughty Boy's Dream, are also making
their San Francisco debut at this time.
Then among the tried and true celebrities
is the glamorous Jeritza who promises a
dramatic evening in I Pagliacci, and who
will also sing the role of Salome which
she created in the opera of that name,- and
the well-beloved Mario and Gigli who
appear together in both Manon and
Mignon.
These attractions alone are the makings of
sumptuous feast. More than worthy the
rich and glowing cosmopolitan back-
ground that San Francisco affords its visit-
ing artists.
BREATHES there a feminine soul so
dead, who never to herself hath said,
"Oh goody, goody, now I can really
dress up," when opera nights rolled
around. It's theyear's best possible excuse
for putting over your wardrobe in a big
way. Dignity comes into its own. And, as
though in keeping with this most ambitious
of all San Francisco opera seasons, fashions,
too, are in the grand manner.
Gowns, (and we don't mean frocks or
dresses, either!) are most typical of the
incoming fall fashion season in gleaming
satin or luxurious metallic cloths. The
lines, speaking generally, (if that be pos-
sible in this age of variety) resolve them-
selves into, really, quite a Grecian effect.
If you consider Vionnet's draped neck-
line, which is typical,- the natural waist-
line, which is more sinned against than
sinning; the flowing length of skirt, which
reveals the torso and conceals the ankle,
haven't you the good old Grecian sil-
houette, varied just enough to meet the
more slender requirements of the 1930
figure?
THE longer evening wrap is back,
partly because it's that time of the
year, but mostly because . . . well,
they were featured in the fall openings at
Paris, France, and that's quite reason
enough, don't you think? They axz so
graceful, fitted just so, to blend with the
exquisite lines of the frocks they comple-
ment.
And, oh, colours this year! One reads of
such combinations as a mulberry wrap
worn with a rose coloured gown,- white
satin dress accompanied by a glowing
ruby satin cape; poudre blue costume
with wrist handkerchief and dyed slip-
pers of deep jacquinot red. These, and
countless other amazingly new colour
schemes, were noted by a fashion scout
just a week or two ago at one of Paris'
smartest night clubs. Evidently the more
subtle the understanding between gown
and accessories, the smarter its fashion
rating.
ANY style story related by The White
House this season must return at
last to a regular O. Henry surprise
ending. For fashions may be elegant, (and
they are!) they may be unvaryingly high
White House quality, (and they most cer-
tainly are that, too!) but prices are just
plain middle-class! Not just here and
there, but consistently so, because our
entire merchandising scheme for fall was
deliberately planned that way.
ADVERTISEMENT
30
THE SAN FRANCISCAN
NOB HILL TOPICS
THE sentinels of Nob Hill, the imposing Mark Hopkins and the
dignified Fairmont, will open the winter season with opera festivi-
ties, foremost among which will be Opera Night in Peacock Court,
September 11th, when society and opera stars alike will gather for
midnight dancing and brilliant entertainment, following the perform-
ance of "Manon" . . . Dinner parties and after-the-opera suppers are
being arranged in the private dining rooms and reservations are also
being made for less formal affairs. . . . All in all, it promises to be a
very gay season — not forgetting the smart Junior League Fashion Show
on September 15. With permanent guests returning from summer travel
and out-of-town people taking suites for the season, the Aristocrats of
Nob Hill are, as usual, the hub of the social whirl.
SEPTEMBER, 1930
With Our Contemporaries
Wt HAD rather hoped, by laying side by
side upon our desk copies of THE NEW
YORKER and JUDGE, to compare the
destructive critical styles of Robert Benchly of the
former periodical, and the venerable Mr. Nathan
of JUDGE. But such a hope, if any, was short-
lived, for while Benchly has retained his cus-
tomary style in reviewing current New York
plays, Nathan has diverted his columns from an
article of dramatic criticism to one of personal
comment.
Formerly his section was labeled, "Judging
the Shows," by George Jean Nathan, and we
were wont to enioy the bona fide criticism writ-
ten in the characteristic Nathan manner. Now,
however, it would seem that Mr. Nathan has
graduated from the school of ordinary reviewing,
for behold — the trend of the article is an accumu-
lation of Nathan's fan mail; the more or less pre-
possessing title is "The Theatre of George Jean
Nathan" and the great man's picture is at the top
of the page to boot. But then, that is JUDGE, and
we only hope that the man in the street does not
mistake George Jean's beautifully embossed
photograph for a cartoon.
The National Tariff idea seems to have furnished
food forthoughttoquiteanumberofwriters, for in
THE CONTEMPORARY REVIEW we found
By James Martin Maclnnis
"Free Trade and Peace" by Gilbert Murray,
another attack upon the tariff system. This article
is unusual in that the author uncovers the under-
lying causes of the harm which the tariff seeks to
remedy and shows the utter futility of an attempt
of individual nations to build up a separate na-
tional prosperity by destroying the trade of
neighbors. The harm, he points out, is due not to
labor, of which there is a multiplicity, but to a
lack of co-ordination between producer and
consumer, and the greatest evil of all is over-pro-
tection. Looking ahead into the future, the author
sees only two causes that will disrupt our civili-
zation- First, another European War between the
great powers; and Second, a general resort to
protection.
But, now that the law is passed, wouldn't it be
a bit more practical not to quibble too much
about it?
WITH the founding of this column a
couple of months ago, we had resolved
not to mention Mr. Mencken's green-
covered opus for some time to come,- but a glance
at the AMERICAN MERCURY for August sent
this resolution floundering with all cur other
good resolutions of the past eight years, when
we discovered "A Note as to Sinclair Lewis" by
James Branch Cabell. And, while^we thought
31
Cabell sneered a little too unkindly at President
Hoover, — while we regretted the sudden man-
ner in which he dashed the hopes of those illu-
sionists who conceive of Lewis as a realist, we
cannot but accept his sentiments as outstanding,
and in a measure quite true. All in all, the author
goes out of his way to show all and sundry that
Lewis, who has been hailed as aptly depicting
phases of American life, is more or less of a ro-
manticist.
"The Theatre's Battle With Itself," by Inor
Brown, proved a catchy enough title to force us
to open the FORTNIGHTLY REVIEW, but turned
out to be a mere enumeration of trends of drama-
tic stages. Still optimistic, we read the article
through, and found the writer concluding that
the theatre is always at war with itself. Now, if
Mr. Brown had told us this at the start, it wouldn't
have been necessary for us to read the article.
"The Maxims of Ninon" appearing in MENTOR
for August, is not, we regret to say, up to Emil
Ludwig's best efforts. The thought of this rather
brief biography is good enough; Ludwig admits
the frailties, and yet extolls the virtues of one of
history's greatest lovers, but the style smacks more
of Barrington than of the more colossal Ludwig.
He delineates her life as a continuous cycle of
paradoxes. Ninon was eighty years old, yet eter-
nally young when she had her last lover. She was
proud, yet not arrogant — fickle, yet not incon-
stant— and while she lived for love alone, she
often put love aside for more serious pursuits. . .
Continued on next page
. . . and some
museum suffers
A
nameless museum suffers
grievously in the loss of this 1 6th Cen-
tury Oushak masterpiece for it is
likely to add another regal touch to
a great rug lover's home.
A smaller 1 6th Century Oushak
fragment, alike in design, now hangs
in the Victoria and Albert Museum in
London.
Illustrated is a fine example
of this rare and ancient Turkish weave
which may be seen at
Gump's
246-268 Post Street, San Francisco
32
THE SAN FRANCISCAN
aiiuiiiiiiEii
THE SAN FRANCISCO BANK
SAVINGS COMMERCIAL B
INCORPORATED FEBRUARY lOTH, 1868
One of the Oldest Banks in California, the Assets of which have
never been increased by mergers or consolidations with other banks. H
Assets over $131,000,000.00 Deposits over $125,000,000.00
Capital, Reserve and Contingent Funds, $5,600,000.00
The following accounts sland on IheBooks at $1.00 each, viz.:
Bank Buildings and Lots - (Value over SI. 925. 000. 00)
Other Real Estate - - - (Value over S310.000.00) H
Pension Fund - - - - (Value over S690.000.00) =
Interest paid on Deposits at \y& per cent per annum
Computed Monthly and Compounded Quarterly ^
The San Franciscan
IS
"MILLER-SET
For fine composition on Ads,
Booklets, Circulars or Publi-
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MILLER TYPOGRAPHIC
SERVICE, INC.
16 Beale Street » San Francisco
IN CARMEL IT'S
Hotel La Ribera
. new
. modern
. courteous service
. unexcelled cuisine
EUROPEAN PLAN
Management of Paul McFarland
Lincoln and Seventh
Carmel-by-the-Sea, CaliFornia
With Our Contemporaries
Continued from page 31
There evidently was something closely akin to
suffrage in those days, too.
The editor of THE GOLDEN BOOK MAG-
AZINE— Albert Shaw, goes Boswell to write
"This Man Holmes," a tribute to Oliver Wendell
Holmes, who is now entering upon his nintieth
year in this cosmic existence. "Today," declares
Shaw, there is no one more worthy of praise
among living Americans than Justice Holmes."
These remarks preface a very fine essay by Justice
Holmes, under the title of "Natural Law" heralded
as a bit of brilliant thinking by a clear-minded
contemporary on the ageless quest for truth.
SOMEBODY is always saying that there isn't
enough of something or other, and the gul-
lible public usually takes up the cry. In
FORUM for August, "Coolidge and the Do-
Nothing Decade," by Edward Campbell Aswell,
might have been interpreted as a subconscious
attempt at sensationalism, if we were not terribly
broad-minded. At any rate, Mr. Aswell has been
believing some of the things Mr. Coolidge has
said about himself in his recent COSMOPOLI-
TAN articles.
Using our former President as an example, the
author deplores America's evident lack of great
statesmen and leaders during the past ten years.
That there have been specialists of distinction, he
admits,- but he finds modern America practically
destitute of great leaders. He bases his parallel
on this reason:
"I have dwelt upon Coolidge, because as the
most representative man of an essentially commer-
cial decade, he exemplifies our greatest weakness
as a nation. Like him, we have never acquired a
broad philosophical attitude of mind. Like him,
we have never taken the trouble to examine criti-
cally the fundamental assumptions of our time.
Like him, we have been swept by the current of
events to the pinnacle of world power; and like
him, we have found ourselves in the pathetic
situation of not knowing what to do with it.
But we do hope it's not as bad as all that.
VI
i:
?«
MAURICE HOTEL
Hostesses now select the
new Maurice Hotel as the
setting for smart dinners
and bridge luncheons
SPECIAL CARDROOMS PROVIDED
charming hospitality
luxurious atmosphere
unexcelled cuisine
perfect service
for the true sophisticate!
AMERICAN AND EUROPEAN PLAN
761 Post Street ORdway 3420
MRS. O. E. MORRIS
SEPTEMBER, 1930
33
Cellar Keys
Anonymous
BANNINGTON stood before his
door at 2 a.m., fruitlessly searching
his dinner clothes for his key ring.
"Damn, and DOUBLE damn!" After
jerking the door knob violently, he
paced to the elevator to hunt for Hugh,
the house watchman. Presently both
returned, and after having tried all HIS
keys without avail, Hugh went down to
the office to get the duplicate key to 909.
Bannington strode down the hall to
a fire escape balcony, and smoked a
cigarette. Shortly he heard the elevator
stop. Two policemen stepped out, looked
down the corridor, then in his direction.
He came in off the balcony, towards
them . . .
"Halt, and don't move," snapped one
of the men. "Got your nerve trying a
Nob Hill Community. You won't be
monkeying with any more door locks
tonight, I mean this morning — unless
you try the jail's." The other cop slipped
on the handcuffs.
"Oh, I say my good fellows, it's your
mistake — I was trying to get in my own
apartment. Lost my keys, and am wait-
ing for the watchman to come up with
one from the office. The people across
the hall know me, but I hate to wake
them . . ."
"Well, you needn't — we'll just take
you up on that boast," and he thrust a
stout thumb on the bell. No answer. A
longer ring the next time, then women's
frightened whispers on the other side of
the door.
"I wish you wouldn't annoy my
friends, take me on, please."
"Don't be afraid, ladies — we caught
the man you phoned us about, can you
identify him?"
The door was slowly unlocked, cau-
tiously opened a little, and an excited
voung woman peered out, her mother
behind her . . .
"Oh, Mr. Bannington! Whatever are
doing with you? Why we
these men
thought . . .
"So did they, Miss Andover."
"Say, we're awfully sorry, Mr.
Bs
nington. Are you the attorney? Gosh,
Kelly, take those bracelets off — we bet-
ter be going, but first spring that door
lock."
"Thanks boys, bide a wee — "
"Well, Hugh, you've just missed a
clever unlocking act! You and I gave
my neighbors a terrible scare, man; now
let's try to make amends. You take our
officer guests into the buffet, and I'll
bring these ladies something to quiet
their nerves."
"Now you will be arrested, Mr. Ban-
nington, if these policemen know you
have THAT on hand," said Mrs. And-
over, fearing another disturbance.
There's n o
I uxu ry tax
on Carolyn
Modes
» « «
Carolyn Modes are chosen
by a committee of nationally
known stylists . . they repre-
sent the very best fashion
values obtainable . . and
they are only to be found
at Hale's in San Francisco
A typical Carolyn value
. . this gorgeous gown
of baby pink satin, at
$39.50, with wrap of
brown velveteen lined
with the same tnfxizr)
satin, at . . J/
Third Floor
HALE BROS
"Oh, I make my own beverages, my
dear lady, from ASTI JUICE OF THE
GRAPE — that's absolutely legal. Isn't
that so, officer?"
"Umm, mm, this tastes like the real
stuff to me, — "
"Agatha!"
"That's what every one says, my dear;
it was made from PORT Juice of the
Grape which I buy from the ITALIAN
SWISS COLONY. Any one can buy
or make their own grape juice beverage
for home consumption — and keep it till,
well, till it gets this way, you know."
"Beg pardon, Mr. Bannington, but I
found your keys, sir — they were in your
CELLAR door," said Hugh.
If this "CELLAR" business sounds
interesting to YOU, call Garfield 3546
and they'll tell you all about the inside
of it! Adv.
Italian-Swiss Colony,
57 Broadway, San Francisco.
Please have your representative call.
No obligation.
Name
Address
34
THE SAN FRANCISCAN
DE LUXE PACIFIC
EUROPE TRAVEL
via
Pan
ama V.ana
The Holland-America Line
and the Royal Mail Steam
Packet Company maintain
a fleet of the LARGEST
combined freight-passen-
ger vessels with regular
sailings via the Panama
Canal to Liverpool — Lon-
don — Rotterdam — Ham-
burg— Bremen — Antwerp.
The "DELFTDYK" and
"DAMSTERDYK"arethe
only vessels in their class —
the highest. They are the
largest, fastest and most
modern vessels of this type
plying between Pacific
Coast and European ports.
Every Cabin with Bath.
From NEW YORK
1931 cruises to the
MEDITERRANEAN by
the famous S. S. Rotterdam
(recently entirely recon-
ditioned) calling at the
Islands of Malta, Cypress,
Sicily and Rodes in addi-
tion to her regular com-
prehensive itinerary.
also
Four cruises to the West
Indies by the S. S. Volen-
dam and S. S. Statendam
For Full Particulars
apply to
HOLLAND-AMERICA LINES
120 Market Street
San Francisco
Or any authorized Steamship Agent
1930 Opera Season
Continued from page 10
all living composers, Richard Strauss. Its kaleido-
scopic score is overwhelming. It is an opera of
erotomania and demoniacal vindictiveness. It
reveals the ultra-violet rays in the dark spectrum
of our emotions, for it provides us with a prism
that makes them visible.
"La Traviata" represents the middle period in
Verdi's development. It is full of melodious
music, and at the same time it reveals a deepening
sense of drama. Sentimental? Yes, at times: but
some of the scenes have genuine pathos. NX/ill its
performance be a memorable night in the musical
annals of our city? Is it true that the young so-
prano, whom we are to hear for the first time in
our country, comes to us trailing clouds of glory?
We shall see.
The scene of Puccini's "Girl of the Golden
West" is California in the days of '49; but the
music is thoroughly Italian. It is revived, no
doubt, to afford opportunity for the theatrical
gift of Jeritza.
The same composer's "La Boheme" is known
and loved by everyone who cares for opera. Of
all Puccini's operas, perhaps, it best expresses
his spontaneous gift of alluring melody, of per-
fumed and impassioned phrases.
Humperdinck's "Haensel and Gretel" is a
charming fairy-tale set to exquisitely descriptive
music, full of the indescribable spell of child-
hood.
Of Ravel's one-act opera I cannot speak with
first-hand information. Some of his piano music, at
times ravishingly beautiful, I know,- and I have
seen his little opera entitled "L' Heure Espag-
nole" in Europe. It is a fine example of modern
musical impressionism, ingenious and vivid, and
we may expect its successor, "A Naughty Boy's
Dream," to be full of interest, highly entertaining.
The operatic twins of Mascagni and Leonca-
vallo are too well-known to require comment
here. Jeritza is to sing in boih of them, and on
the same evening. Full of the primitive passions of
love and hate, these music-dramas of Sicilian
peasants and wandering actors will afford her
full opportunity to reveal her sense of the theater
and also to display her vocal gift. Two tenors
will sing for us that evening, and also two bari-
tones.
Ambroise Thomas's one operatic success is
PENINSULA SHOPS
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BURLINGAME
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REDWOOD CITY
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For those who
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The beauty of the Hotel
Lexington . . . the luxury
of its modern appointments
. . . the distinguished
quality of its French cuisine
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moderate rates that many
guests who come for a day
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permanently.
Dinner and Supper Danc-
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Dave Bernie and his Hotel
Lexington Minute Men.
801 ROOMS
Each with private bath (tub and sh
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341 rooms with double beds,
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These same 341 rooms for two
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Club breakfast . . . 75c
Special luncheon . . $1.00
Table d'hote dinner . $2.00
Also a la carte service
HOTEL
LEXINGTON
tEXINGTON AVE. at 48th ST. NEW YORK CITY
frank Gregson, Mgr. Phone MURray Hill 7401
Direction of American Hotels Corporation
J. Leslie Kincaid, President
SEPTEMBER, 1930
35
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eJ O H M S O N
— '~3
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Let your family enjoy the pleas-
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methods, has been reduced in
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And few playthings will give
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new electric starting Johnson
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Bring the children for
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BHHebgenOo.
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eat at tables in
an oak shadowed
patio, candlelit
at twilight, cool
%5^ atnoonortcatime
know the eharmoj
>akTreeInn
SAN MATEO-CALIFORNI,\
"Mignon." Five of the finest voices in the com-
pany are to sing it for us. And it is full of melo-
dies. Who does not know the glittering polo-
naise with its difficult descending chromatic
scale? How will Clairbert sing it? Will she
recall to us the dazzling Tetrazzini? And who
does not know the melodious and pathetic song
of the land where the orange tree grows?
Where else, in all the range of opera, is there a
song better suited to the voice of Queena
Mario?
"Tannhauser" is always welcome to those
who know and admire Wagner. It marks a definite
stage in his attempt to write a perfect music-
drama. And for those who do not know him it is
a very satisfactory opera with which to make his
acquaintance, for it is often melodious in a high
degree, its choral numbers are beautiful and
thrilling, and the story lends itself finely to musi-
cal interpretation. In the role of the stately Eliza-
beth we will probably see Jeritza at her best,
especially in the great aria of the "Greeting to
the Hall."
"Faust" should never be considered as a musi-
cal version of the great story by Goethe. It never
reaches such a level. Rather is it the love-story of
Marguerite; and it would have been fortunate
had it borne her name instead of that of her lover.
Who does not remember and remain charmed by
its copious flow of melody and its lovely orches-
tration? Once more its phrases will reveal to us
the French genius — luminous, graceful, elegant,
restrained. And it is sonorous, too, at times, as
one may hear in the soldiers' chorus. Hope
Hampton, a new American soprano, is to sing
Marguerite.
And, finally, the season is to close with Doni-
zetti's "Lucia di Lammermoor," written in those
far away days when melody reigned supreme and
dramatic truth in depicting the mood of the
moment was seldom the main concern of the
composer. Yet there are passages in Lucia that
are artistically true and sincere; and the famous
sextet has lost nothing of its popularity.
WILL this varied and interesting repertoire,
and this list of singers, at least several of
them stars of the first magnitude, meet
with due support? The answer, if we are at all
confident of the developing culture of our city, is
surely in the affirmative. More and more grand
opera is becoming a favorite form of artistic en-
tertainment. More people know and like it
today than ever before. Its future seems assured.
i» «?. «v m m ra m •9b. «&
PIANO-ARTE
SCHOOL OF MODERN
PIANO PLAYING
KYA
KTAB
KFWI
Sunday at 5:45
Monday at 2:30
Sunday at 2:30
111 O'Farrell
Kohler and Chase Bldg.
GArfield 3335
H
to
INDIAN
SUMMER
IF you don't mind finding the
wide world mellow, and very
serene . . .
If you like a touch of gold and it
dash of red in your landscapes, and
can even put up with the whole
warm side of a rainbow, dropped
across eight miles of "front yard". .
Then you must plan on the
Yosemite^ it tit mn holiday— coming
soon !
Mornings bring horseback break-
fasts along the leafy bridle paths;
middays bring rambles to favored
Yosemite spots, swimming, tennis,
fishing, or a jaunt to the Valley
rim; evenings bring the firefall,
barbecues and starlight concerts.
They all begin from Ahwahnee
terraces, and they all bring you
back to downy Ahwahnee nights.
Ask for folders and reservations,
at The Ahwahnee or Yosemite
Lodge, from Yosemite Park and
Curry Co., 39 Geary St., San
Francisco; 604 W. Sixth St., Los
Angeles; and Yosemite National
Park, California.
cike AHWAHNEE
IN YOSEMITE
36
THE SAN FRANCISCAN
nriE. CLAUDIA
HUZIO
SOPRANO
Thursday Night, October 2
FIRST OF THE
SELBY C. OPPENHEIMER
FAMOUS ARTISTS SERIES
DREAMLAND AUDITORIUM
Sari Francisco
1 — Claudia MUZIO, soprano
2— Elisabeth RETHBERG, soprano
3— Paul ROBESON, Negro bari-
tone
4— Mischa ELMAN, violinist
5— MAIER & PATTISON, pianists
6— BRAHMS LIEBESLIEDER EN-
SEMBLE
7— Harold BAUER, pianist
8 — Claire DUX, soprano
9— GIESEKING, pianist
10— Edw. JOHNSON, tenor
SEASON TICKETS— 10 EVENTS
$10.00— $7.50— $5.00
Management SELBY C. OPPENHEIMER
Sherman Clay & Co., Kearny & Sutler, S.F.
Special Release of Opera
Recordings
by John Dittmar
H
AS opera interest increased ten-fold in one
year?
For the 1929 San Francisco Opera Season,
the Victor Company made a special release of
two opera recordings — but this year, the city's
opera company has been honored by a special
release of twenty recordings pertinent to the
season! And some of the records will not be
available elsewhere until a month or more later.
SALOME
RICHARD STRAUSS' music-drama Salome,
based on Oscar Wilde's one act tragedy of
the same name, caused a veritable storm of
controversy at the time of its first performance in
Dresden, in 1905. The audience was shocked —
women fainted and had to be carried to dressing
rooms for resuscitation. The opera was presented
at the Metropolitan Opera House in New York
City in 1907 and withdrawn at once, and
strangely enough has been missing from the reper-
toire of New York's famous opera house. Jeritza's
first appearance in America in the role of Salome
during the San Francisco opera season should
provide an exciting novelty.
The opera is best known through the orches-
tral performances of Salome's Dance which has
been recorded for Victor by Leopold Stokowski
and the Philadelphia Orchestra. The wild music
in Oriental vein, with which the "Dance" begins
is intended to urge the heroine to start dancing.
But she stands motionless . . . thinking of the
promise the King has given her. Then slowly she
begins the Dance of the Seven Veils. Here is ex-
citement . . . passion . . . frenzy . . . madnessl The
dance reaches a dizzy climax . . . the music
develops a tumultuous "forte." There is a long
trill and a precipitous descending passage in the
strings as Salome casts herself at the feet of King
Herod. Leopold Stokowski and the Philadelphia
Orchestra play this music superbly. The instru-
mental solo passages are startlingly beautiful . . .
the welling crescendoes will hold you spell-
bound. Salome's Dance requires three twelve-
inch record sides. The fourth is Japanese Noc-
turre by the California composer, Henry Eich-
hei l. It is one of a group of Oriental Impressions
wh ch are the result of a sojourn in the Far East,
anc represents sound heard at night in Japan.
The Finale of Salome has been recorded by
G< ta Ljungberg and the Berlin State Opera
O-chestra directed by Leo Blech. This excerpt
cc itaining some of Strauss' finest writing receives
a 'Ocal and orchestral performance of surpassing
m rit.
TANNHAUSER VENUSBERG MUSIC
TANNHAUSER was commenced in 1842 and
completed in 1845. It was first performed in
Dresden on the 19th of October, 1845.
When the work was in preparation for perform-
ance at the Paris Opera in 1 861 Wagner rewrote
a portion of the score. In the Parisian version t
overture does not come to an end, but at t
second appearance of the Bacchanalian music tl
curtain rises and the ballet b:gins. Wagner re
Dr. Alexander Arkatov
Camera Portraits
Hotel St. Francis
DOuglas 1000
San Francisco
An exhibition of my camera studies is being held in
the salon of my new studio in the St. Francis Hotel,
September first to fifteenth
SEPTEMBER, 1930
37
es Sir,
these are ritzy!
Full cut plus-fours of truly
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wrote the scene between Tannhauser and Venus
almost in its entirety.
The Paris version of the Tannhauser Overture
and the Venusberg Music is contained in an
album of three discs, recorded by Leopold Sto-
kowski and the Philadelphia Orchestra. The pos-
sessor of a good reproducing instrument will get
a thrilling performance from these records. An
unusually interescing descriptive booklet accom-
panies the set.
PAGLIACCI
A COMPLETE recording with not a bar
missing! An album of nine records by
famous singers, chorus, and orchestra of
La Scala Opera House. The cast is well selected,
the chorus sings with a precision seldom heard in
an actual performance, and Maestro Carlo Sa-
bajno conducts with immense spirit.
FAUST AND LA TRAVIATA
FZRNAND ANSSEAU and Marcel Journet,
two splendid French singers, contribute duets
from the first act of Faust. The Metropolitan
Opera Chorus and Orchestra, directed by
Giulio Setti, appear on a disc containing the
familiar Kermesse and Waltz from the same opera.
Galli-Curci and Schipa combine in singing
two duets from La Traviata, in which Galli-
Curci s tempi are at variance with those indicated
by the composer.
JERITZA and PINZA
JERITZA is heard in Brunnhilde's Battle Cry
and the Appeal to Wotan,from the "Walkure"
and Pinza sings two arias from Don Giovanni.
LANVIN
EVENING WRAP
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in, the new detail in this smart wrap, from
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in the newly remodeled
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lyvonaaj, oeptember 22nd
A percentage of all sales made on this
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38
THE SAN FRANCISCAN
The highest standard
of cooking is main-
tained at all times . . .
your guarantee lies
in the fact that all
food is prepared
under the personal
supervision of
Mrs. Belle de Graf
Downstairs
Monadnock Bldg.
San Francisco
Toward a New Theatre
Cimtinued from page 9
"Midsummer-Night's Dream'' served primarily as
an agent in behalf cf a worthy charity but as time
goes on it may be regarded as a stone of no mean
proportions in the foundation which is being
laid for the theatre of the future.
IT WAS a modest beginning. The production as
a whole was made on an extremely economical
basis, as compared to what the board of the
Home probably hopes to be able to offer in the
future. But it was a beginning. And modest
though it was, like all pioneering it involved a
tremendous amount of labor for all concerned.
An out-of-doors theatre had to be created in
which to give the performance, a theatre with an
auditorium which could accommodate two thou-
sand spectators, and a stage of sufficient propor-
tions upon which a spectacle might be presented.
A complete lighting system had to be specially
installed. A large cast assembled from a widely
scattered summer community, and dressing room
accommodations provided — all in the great open
spaces back of the Menlo Circus Club. Then the
public had to be made aware of the event.
Tickets had to be sold. And this is to mention
only a few of the thousand and one technical
details comprised in giving a public theatrical
performance — a performance, moreover, which
was given to raise money, and not to spend it. It
must, indeed, have been a complex and harrow-
ing problem with which the members of the
Home board had to cope all for one performance.
At noontime, leave drab
streets and nondescript
offices behind!
Climb the bright stair-
way to the Post Street
Cafeteria where harvest
fruits and vegetables in
profusion are served in
a sunshiny atmosphere
of stimulating col or .
Choose your favorite
dishes for a leisurely
luncheon at a table set
with autumn flowers.
Make your noon time a
miniature vacation!
They tell us that it is
"the best food in town"
Post Street
Cafeteria . .
62 Post Street
modern motorsliips
sail monthly from
sail franeiseo via
panama canal to the
mediterranean
spain
franee
italy
a 38-day cruise for three hundred dollars
libera line
(general steamship corp., agents)
has moved into luxurious new offices
219 sutter street
KEarny 4100
"ivorldivide service — at your service
Hctel del
Always Delightful
For Outings
Only a half hour auto ride to Agua Caliente amuse-
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diversions.
At Coronado
Daily enjoyment of all land and water sports.
Dancing, concerts, movies and special entertain-
ment attractions in this homelike hotel.
C. T. Scott, Agent, 2 Pine Street
Phone DOuglas 5600
Mel S. Wright, Manager
Coronado Beach
California
SEPTEMBER, 1930
39
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PLAIN STRINGING
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Fancy Necklaces according to work
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In Ancient Greece, many plays were given
but a single performance. Knowing that the pro-
duction was to be seen but once the public
flocked by the thousands to see it. Who knows?
Perhaps that custom will again come to prevail in
the theatre of the future. There is something chal-
lenging to the imagination in the idea of one best
effort for a single dramatic event, the value of
recognizing that the art of the production must be
brought to its highest expression on one desig-
nated evening and that it must stand or fall in the
public memory by that one occasion.
Seeing the sincere labor that went into the
recent production and the faith in the project
held by those who executed the hundred and
one details, one can not but feel strongly that
such effort is significant. The actual participation
of lay groups in such a production, their alle-
giance to a definite artistic ideal and their willing
cooperation under the leadership of an artist-
director, consitute not only a valuable contribu-
tion to the theatricals of the west coast, but also
a decisive step towards the development of a
new theatre form.
Causerie
Continued from page 20
WHEN one passes, as I am doing, from
these two foreign novels to "The 42nd
Parallel" (Harper and Brothers) by John
Dos Passos, one is struck first of all by the extra-
ordinarily adolescent quality of American, even
good American fiction. Dos Passos is far from an
inferior writer,- in fact, I think I should consider
him one of the really significant people writing
Orchids for
the Opera/
Exquisite . . . fragile . . .
rare . . . symbolical of
the occasion when glor-
ious voices, personalities
and unrivaled music
conspire to give you a
perfect evening oi enjoy-
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flowers you wear •:♦ •:♦ •:•
"the voice of a thousand gardens
224-226 Grant Avenue
Phone SUtter 6200
SAN FRANCISCO
Orders Telegraphed Anywhere
l/IT
he MADISON
EW YORK
THE MADISON HOTEL AND
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THE MADISON
Madison Ave. at 58th St.
THEODORE TITZE * Mgr.
40
THE SAN FRANCISCAN
r\
tiKKr non-skin^
FL*fcM:tK»MM
Tt<i$ .VM4mgs «R««|>1:i*ns
RUSS BUILMIfc-SUnffim*
in America today, but when one compares him
with Proust or Gide, who for all their differences
have in common a surety, an exactness, an ele-
gance (to use the word in its true sense) which
no American writer of today can equal, onesees
clearly the immaturity of the American novel.
However, let me not seem to condemn Dos
Passos. I admire him tremendously. Ever since he
wrote years ago one of the first and best war
novels, His growing experimentation was
shown most clearly in "Manhattan Transfer. In
"The 42nd Parallel" he carries it still further, giv-
ing us not a straightforward novel, but a series of
closeups and newsreels and narrative.
ALONG the "via dolorosa" that is the way
of modern poetry, Louise Bogan goes her
way, serenely untroubled by this or that
school, or cult, or clique. In her latest book,
"Dark Summer," (Charles Scribner's Sons) is
found some of the finest lyric verse that has been
written recently. Some of the poems are reprinted
from her earlier book, "Body of this Death," but
taken as a whole this second volume has greater
surety of technique, and a fine restraint which
show her growing maturity.
Surely, "Dark Summer" is the best book of
verse that has appeared in many months. I say this
unkindly, I suppose, since I am to speak also of
Edmond Wilson's "Poets, Farewell!" (Charles
Scribner's Sons). The book has an excellent title.
One poem, "Provincetown," stands out above
all the rest; it is excellent lyric verse. The others
will do admirably to read at the proper
moment in the progress of an "affair du coeur.'
Announcms
an assemblage of Boys' and Stu-
dents' clothing and accessories
reflecting the foremost traditions
of good form in dress!
Together with an array of excep-
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Let us assure you that our
prices are notably moderate
for apparel of th:'s character.
oMe &iwrrrwnt
Fairmont Hotel
817 Powell Street Phone: SUtter 5504
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Do you know what can
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and it has not occurred to you
that we can do wonders with
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We shall be glad to consult
with you regarding the arrange-
ment of the most informal room.
A. F. MARTEN CO.
SEPTEMBER, 1930
41
jQs seenf
her [
x»
I HARDLY know how to get away to a fair
start and tell what I have seen, what with the
fleet just fleeting, the opera corning full tilt,
market week and yacht races all as distractions.
It requires concentration, my girl, concentra-
tion— bless my old primary grade teacher.
The parade of sailors and marines, with the
old Sousa marches setting the pace, was thrilling.
But I paced up and down like Felix, wondering
at the lack of enthusiasm in the crowd — one
would think they were bringing home the dead
and wounded! They are such clean types of boys
— and so rollicking. Always a keen desire to get
chummy with a sailor suit afflicts me — and the
poor dears are only too willing. Naughty nice,
the gobs, but mighty dependable when war
clouds threaten.
Sure of a well turned ankle, I made a dash to
cross Market street during a lull in the parade.
Dum-de-dum! dum-de-dum! You know the tune
they play when the elephant comes in. I got
that. After all, boys!
Still fussed, I went to my appointment with
KYA, the comparatively new radio station in the
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Booklet on request
Phone OBd~«» 2120
Loew Warfield building. Everything there was
going on with such precision that I regained my
poise and began to look around with interest.
It is the biggest individual station I have seen, and
by that I mean it is an independent one, with the
finest radio equipment in the United States, I am
sure. It is entirely devoted to the bay area and
its interests. Everything pertaining to San Fran-
cisco, from crops to sports, is made known over
this broadcasting station. I had to stretch my
imagination to take in the possible benefits our
jeweled city will derive from it.
HALE Brothers' foreign buyer has just re-
turned from Paris so I called on him to look
at some of his imports. This store is such an
enormous concern of general merchandise that
you arz quite surprised at the personal selection
shown in the gowns in the French Room. One
especially to write about was of egg-shell flat
crepe — the very low neck in back was bordered
with a wreath of crushed crimson roses while
the voluminous skirt had touches of crimson in
cut-work on the border. An artistic triumph in
color combination! . . . and here and now I
must pay a compliment to the general courtesy
existing throughout the entire establishment.
MORE importations were being unpacked
at Nelly Gaffney's. I subsided into a cor-
ner like a mouse and looked . . . Easy on
the optics? I'll say they are . . . Lace with bor-
dered crushed velvet roses, metallic chiffons,
fringe, Lama cloth ... I clutched the old bank
balance and fled. Get thee behind me, Satan!
Just a minute — ankle length chiffons are shown
for dressy afternoon.
I found just the right shoes for these creations
at Werner's on Geary. Silk faille seems to have
taken the place of crepe de chine and other
fabrics — I doubt if any other material could take
such exquisite shades to compliment our evening
gowns. Of special interest to everybody, I think,
was a pair of pumps — black satin shot with gold
thread that caught light at all points. These will
be indispensable to a wardrobe, now that black
is the vogue . . . Strictly opera pumps for even-
ing .. . straps over the instep for dressy after-
noon . . . and unlimited choice for sports wear,
ranging from suede in all colors to patent leather.
A BURNING question is what to do about
the grand-dad golf courses — Lakeside,
Harding, Lincoln, et cetera — now that
they have brought forth so many small offspring
. . . and such lively looking youngsters they are
that they present a real problem. Being from
Kentucky, myself, the way they come to life is a
biological puzzle. One was born this morning
right around the corner from me and it is a likely
looking colt even though its mother was a dirty
Cuntinued on next page
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42
THE SAN FRANCISCAN
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Designer and Maker of Fine Furni-
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The table shown is Walnut
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Monterey 1092
The
DAMON SCHOOL
An Accredited Day School for Boys
(Successor to the Potter School)
Primary, Grammar, High School
Depts. . . . 1 8th year opens Sept. 4
For Catalogue and Further Informa-
tion address
I. R. DAMON, A. M. {Harvard)
Headmaster
1 90 1 Jackson Street
Telephone: ORdway 2632
CALIFORNIA SCHOOL
OF FINE ARTS
Affiliated with the University of California
Chestnut and Jones Streets
San Francisco
FALL TERM NOW
IN SESSION
Professional and teachers' courses in
Painting, Drawing, Sculpture,
Design and Crafts.
Call or write for Catalogue
Lee F. Randolph, Director
Telephone GRaystone 2500
lot. It really was conceived in the brains of two
automobile mechanics. Get that straight? And it
looks like a blue ribboner, as many of the others
do, too. A new indoor course at theWhitcomb
Hotel, I've called Jim Dandy — should be
marvelous in the muddy weather! And are these
golf colts admired — you should see the crowds.
How about returning the big courses to stud
and watching the youngsters "Lil ole mouse who
threw that brick?"
Yachting being hard on the looks, I paid a
necessary visit to Melisse at Kaya Lama for a
facial. Thought I'd take one or two to counteract
the summer peeling — and found myself sold on a
series of treatments. They take from an hour and
a half to two hours — but such luxury! Imagine
me having the same kind of crushed strawberry
and "vin" packs for which parliament once had
to increase the personal budget of Mary Queen
of Scots! The operator at Kaya Lama is not only
wonderful; she's a miracle worker. She turned
me out the first time right in the pink to model
some of the Liebes gowns at the Junior League
Fashion Show. In fact I felt so gay that I went
straight up Post to the St. Francis where Dr.
Arkatov has opened his new studio and ar-
ranged for a photographic portrait. I had seen
his exhibit several days before and only needed
the added inspiration to engage his services for
myself.
H
enry Ueorge
Continued from page 22
erty, brought understanding between Capital
and Labor, lessened crime, eliminated over-
speculation and business depressions and abol-
ished war. The appearance of the book caused a
sensation in America and Europe.
IN 1 880, George went to New York City, and
immediately became the idol and prophet of
eastern labor forces. In 1886, he ran for
mayor of New York on a Labor ticket, and was
defeated. He ran a second time, and was again
defeated. He died in New York in 1897, a dis-
illusioned, puzzled man. If Huntington, Crocker,
Stanford and Hopkins were the main springs of
California's early railroad journalism, George
was its philosopher, and like most philosophers,
he found small honor or profit.
J.B.Pagano H. A.Dunlap
L. J. Capurro
THE
UiaJioMs
Avansino Bros.fiPCo.
Qan 5i
San ^hanaxo
Flower Orders Telegraphed Anywhere
// to 2:30
2:30 to 5
5 to 8
ft
unclteon
tin abundance of
appealing aisnes
appeti %tn alu coohea
ana daintily serfea
• * ♦ a place that will
t ful if aeltant uou I
it
ussa
L($eti Jxoonts
278 c2os< Street
<\jm ^.Francisco
1365 *~J}tirlingante tHfe.
'Jsurtinaantc
j-»-»-»j-~-».^j».».»-»-wje3»jqg:
tV^A'jd
Every
IVoman
Can
Be
Beautiful
Facials
133 Geary Street
SUtter .... 5383
Busy Women
TIRED . . .
NERVOUS . .
OVERWEIGHT
consult . . .
(J^Tiss^ulia^ohnson
Graduate Swedish Masseuse
DIPLOMA PROFESSOR Suite 21 1 Elevated Shops
ulmann's institute 150 Powell Street
STOCKHOLM, Sweden DOuglas 6493
e
San fRanascm
&''. MSi Sou i» W *«'; ''B')k''iii' *>'£'£'' ''"'''"
I here must be a reason why people of wealth and po-
sition who have traveled widely and are accustomed to the
best of service are almost unanimous in their choice of the
aristocratic Nob Hill hotels when living in San Francisco.
There must also be a cause for the blithe way that exacting
people desert their own cooks for the cuisine of the Mark
Hopkins and the Fairmont Hotels — either for special enter-
taining or for day-to-day meals.
,«#r*'"S
r erhaps it is the subtle temptation of the modern luxury
with which each guest is surrounded that brings those
who "know" to Nob Hill for the week-end, to spend the
season or to make their home above the heart of the city.
GEO. D. SMITH
MANAGING
DIRECTOR
TUf m-QftK WOPKinS
cultural note
n a horficultura
Sett! n q
The BARBIZON-PLAZA, running throush from 58th
to 59th, overlooks all of Central Park, from the upper
floors, and overlooks the best part of it from the Sixth
Avenue facade . . .
Handy to surface car or subway, and midway between
a*bus and a bridle path!
And every morning the Continental Breakfast is sent to
your room . . . delivered silently and gratuitously . . .
no waiting — no waiter . . . placed in a recess in your
door without disturbing you while shaving, bathing, or
dressing . . . ready the minute you want it . . .
Room, CONTINENTAL BREAKFAST
and Private Bath $1 8 to $45 Weekly
STUDIO APARTMENTS . yearly. . $1800 to $5000
TRANSIENT RATES . $3.00 to $6.00 . . per day
REFERENCES REQUIRED
BARBIZON-PLAZA
central park youth • ioi \ve/r g8tn /rreer* new yorlc
Under the umi management— the internationally famous Barbizon Hotel at 140 East 63rd Street. Rates $14— S28. weekly. William H. Silk, Director.
of
NNOUNCING THE NOVEMBER SAN FRANCISCAN
^Stin fRfinasccin
Next month The San Franciscan
enters its fifth year of publication.
Hi
In November of 1926, the first issue of
The San Franciscan appeared — edited
and published by Joseph Dyer. Today
the magazine boasts the same owner-
ship. Its policy today is a consistent
outgrowth of the sincere effort that has
been made these four years to reflect the
essential quality of San Francisco.
Celebrating its anniversary and the be-
ginning of the fifth year of growth, The
San Franciscan will publish a special
issue that will incorporate the regular
November magazine with a retrospec-
tive review of the magazine since its
beginning.
Hi
During its short life,THE San Franciscan
has published contributions by H. L.
Mencken, Gertrude Atherton, Max Reinhart,
Idwal Jones, Robert Joyce Tasleer, Col. C. E. S.
Wood, Kathleen l^oms, Lincoln Stejfens,
Carey McWiIliams, Sidney King Russell,
Wilson Follett, Sara Bard Field, Witter
Banner and other distinguished writers.
There have been illustrations, photo-
graphs, drawings — by Ralph Barton,
Sotomayor, Peter Arno, Ned Hilton, Zorach,
Rivera, Davies, Rockwell Kent, Winkler,
Johan Hagemeyer. There have been car-
toons, verse, pithy comment, short stories
that undoubtedly deserve to live.
Hi
If you recall something from any past
issue that you would like to see in-
cluded m the retrospective section of
the Anniversary issue, please write
your suggestion to The San Franciscan
before October 15th.
Hi
Extra copies of the November issue will
sell on the news stands at twenty-five
cents a copy — however you may order
magazines direct from us at fifteen
cents each, prior to October 25th. After
that date no orders will be filled in the
magazine office unless accompanied by
a year's subscription at $2.50.
Hi
Send Suggestions and Orders NOW to
THE SAN FRANCISCAN
SHARON BUILDING, SAN FRANCISCO
the San Franciscan
JOSEPH DYER, Editor and Publisher
Aline Kistler, Assistant to the Publisher
CONTRIBUTORS
CHARLES CALDWELL DOBIE
WILSON FOLETT
LINCOLN STEFFENS
IDWAL JONES
ROWENA MASON
GEORGE DOUGLAS
ELVA WILLIAMS
SYDNEY KING RUSSELL
CAREY MCWILLIAMS
OTTORINO RONCHI
ZOE BATTU
CONTENTS
October, 1930 Vol. IV, No. 10
Cover by Melbourne Brindle
ROCKWELL
KENT
Montgomery Street Canyon, photograph 6
First Year After, article by Covington Janin .... 7
Now It Can Be Told 8
Familiar Figures, cartoons by Roland Coe 9
Spotlight, by Charles Caldwell Dobie 10
Polly Ann Young and Maurice Williams, photographs 11
Passing Shows, comment by Aline Kistler 12
Interval, verse by Vaughn Meisling 12
Magnolia, still life, by Justema 13
Noel Sullivan, portrait by Justema 13
Success Story, by Ralph Parker 14
October, verse by Elvira Foote 14
Concerning — John Henry Nash and Basil Cameron . . 15
Mrs. Charles Dabney, Jr., portrait by Justema . . . < . 16
Reigning Dynasty 17
On the Old West Coast, by Major Horace Bell ... 1 8
Of Ambrose Bierce, by Zoe A. Battu 20
Causerie, book reviews by Frank L. Fenton .... 20
California Polo, by Brookes 23
As Seen By Her, by Molly Merkley 32
The San Franciscan is published monthly by The San Franciscan Publishes Company, Sharon Building, San Francisco, California. Entered as second-class
matter October, 1928, at the Post Office at San Francisco, Calif., under the act of March 3, 1879, Joseph Dyer, Publisher. Subscription price: one year
$2.50, single copy 25c. Copyrighted 1929, The San Franciscan Publishing Company, manuscripts will not be returned unless accompanied by
self-addressed, stamped envelope
For advertising rates address Zora Combes, Advertising Manager, GA rfield 4755
ESTABLISHED 1852
SHREVE & COMPANY
JEWELERS and SILVERSMITHS
Post Street at Grant Avenue
San Francisco
THROUGH this main
artery of San Francisco
business courses the
stream of finance whose
rise and fall forms the
barometer of prosperity
throughout the entire Pa-
cific Coast. On both sides
of the street rise the dig-
nified columns and crystal-
line architecture symboli-
cal of modern life. An
increasing number of sky
scrapers rapidly deepens
the canyon of this amazing
street which begins at busy
Market street and ends in
a bohemian huddle on
Telegraph hill.
The Montgomery Street Canyon
^Sfi/i fRnnciscm
The First Year After
A Brief Discussion of the Business Psychology Following
the Culmination of the Great Stock Market Crash of 1929.
THERE is certainly no stronger instinct
directing the mind of intelligent man
than to project the present into the
future. It was the direct cause of the final
and most disastrous phase of the late bull
market in stocks and all other saleable things
that felt its urge, and it is therefore a direct
index to the general depression which now
harasses us.
After the smoke and tumult of crashing
stock prices has at last subsided and the play
of human emotions has exhausted the effects
of personal financial loss on a somewhat be-
wildered business man's world, there is
nothing at all mysterious about either the
recent stock market catastrophe or the en-
suing stagnation. A bull market, such as the
amazing rise of stock prices which began in
Coolidge's administration in 1927 and
ended )ust before the turn of the year, is
primarily caused by good business, sound
national finances and by the readiness of the
public mind to accept the phenomenon. We
all remember with a shudder the avidity with
which we purchased new and untried
securities last year for no other reason than
an unshakable conviction that they were going
up. Toward the end of this phase, stock
prices became, as in the summer of 1929,
ridiculously high, everyone apparently mak-
ing money without the slightest effort, and so
firmly rooted is the acquisitive instinct in
mankind that at last money became so dear
that we were asked to pay four or five hundred
per cent of the normal interest rate to buy
our stocks.
Yet everyone was perfectly happy for , after
all, stocks were in a new era. Everyone could
now afford two automobiles instead of one
so why should not the manufacturers produce
twice as many as before? What if common
stocks yielded only 2 per cent and gilt-
edge bonds over 45 per cent: the stocks
could later be sold at a still higher price.
Academicians, statisticians, and federal re-
serve officials, who had seen it all happen
before, were old and grey and encompassed
by moss. A new age had dawned and only
they had not yet felt its enlightening touch.
SUDDENLY, or so it seemed to us in late
September and October of last year,
everyone had as many automobiles as he
needed and he came to wonder how he was
going to pay for all his new splendor. The
market ceased going up. The business man
analyzed, for the first time in two years, his
income account and found to his dismay that
he had been spending stock market profits
for his living expenses; and when he turned
to the market to draw out his next month's
rent, he found that too many other people
had the same idea, and he had perforce to
sacrifice some stocks to get out of it at all.
The house of cards wavered uncertainly and
tumbled; stock market hysteria and depres-
sion were upon us, and all the mighty words
of bankers and business tycoons and the host
of others who found themselves in high places
could not replace a single card — for the fus-
ing substance, public confidence, was com-
pletely lacking.
Depression slinks over the land like a
cowardly wolf, casting suspicious and waver-
ing eyes everywhere, while the blasted new-
era populace retires into its half-paid-for
mansions and its half-empty factories, tremb-
ling for its very life lest he hesitate too long
before their doors.
There seems to be no tint of blue in the
skies. No ray of sun penetrates the murk. No
one will buy anything, from shoe laces to
yachts, first, because everyone already has
enough to last him for a time, and secondly,
because he is afraid to spend any of his still
remaining funds for lack of vision as to where
more money will come from. Thus continues
business stagnation in its season, for the hu-
man mind is busy again at its old failing of
viewing the future through the eyes of the
present.
At last, in this old, old sequence of facts,
there comes a day when, through the very
exhaustion of commodities and manufactured
goods, the public must begin buying again,
whether it will or no. The immutable urge of
demand against supply makes itself felt.
Gradually manufacturers will find that their
factories are a little busier, and merchants
by Covington Janin
that a few more people are entering their
shops. Before they know it they discover that
their revenues are not so bad after all, and,
quite miraculously, business will begin to
look good. Factories will take on more men,
new businesses start, a real estate boom will
be eminent. Just as the former bull market at
its culmination left us bewildered, prosperity
will have sneaked up upon us and encom-
hassed us in its golden grasp without our
knowledge, and without our help. Once
more the world pro|ects the present into the
future and nothing can stop business then.
THIS is briefly a picture of what has hap-
pened to us since thebleakdays following
the staggering blows of last November,
with the last and happiest chapter of the
perennial drama as yet not enacted. We are
probably at the present time near the end of
the depression stage on which a surge of pub-
lic confidence can draw the curtain for the
final act. The daily press already is tinged
with a slightly roseate hue, this time with a
new note of sincerity, and here and there, as
yet at a far distance, a little lightening of the
skyward gloom predicts a hint of blue
beyond.
But withal we must not let our wish de-
stroy our critical judgment. All of us who
are engaged in trade or finance are definitely-
committed to a policy of enthusiasm toward
United States business, but let us do our
thinking independently of Mr. Brisbane, and
note that American Telephone & Telegraph
Common Stock still yields only 4.17 per
cent, Pacific Gas & Electric 3.38 per cent,
United States Steel 4.16 per cent and Gen-
eral Electric 2.20 per cent against an average
obtainable yield of 4.85 per cent in the na-
tion's strongest industrial bonds; and let us
not for a moment really believe that new-
eras or changed economic conditions, or our
shift to a creditor nation, or any other
transitory phenomenon, have very much to
do with the time-tried laws of the economic
cycle. And let us finally remember, while
waiting for the first acceleration of the
mighty wheels of trade, that there is no
"new-era" m human nature.
NOW IT CAN BE TOLD
NOW she signs and then she cancels.
Now she plays, then she won't play.
Now she says yes, then no.
Now she passes out her checks, and then
she vows they filled blanks with the desired
figures.
Blank, we say, is just about the right clas-
sification for Mile. Bow herself, and any and
all of her doings. Furthermore, that a smart
fellow like Will Rogers should get taken in
by her, and have to pass out alibis for his part
in this gambling check business is something
to both pain and astonish us.
We refer to the latest escapade of Holly-
wood's champion good little wench solely to
afford ourselves the pleasure of ignoring her
in the future. She can get drunk or stay sober,
get married or stay single, save her money or
give it to her boy friends. We don't give a
damn what happens to her, and that's an end
to her in these pages for all time to come.
A San Franciscan is one in whose geography
Los Angeles appears south of Market.
That our Board of Public Works has a
notable talent for tearing up the wrong streets
at the wrong time must be evident to all who
have given any thought or observation to the
matter. Generally speaking, San Franciscans
make the best of this propensity on the part
of the Board. They pick their way through
sand and debris with fortitude and resigna-
tion, and say nothing officially, and very
little unofficially.
But when, in the midst of the Opera Sea-
son, the Board elects to stage one of its tear-
ing up parties in the immediate vicinity of the
Auditorium, it is time, we think, that some-
thing was said and done about it officially.
Personally, we suggest that the Board be
given a little lecture course on the fitness of
things. This expedient is a mild one. Still,
it may serve to bring the Board's several mem-
bers to a realization of the fact that to scale
sand heaps and hurdle trenches in street and
working clothes is one thing, but to have to
do these things when dressed for an evening
of operatic entertainment is quite another,
and to subject one under these circumstances,
to the hazards of a disorderly street is an
indignity and an outrage.
The election of James Rolph, Jr., as
Governor of California, will, in more than
one direction, herald a return to some of the
picturesque, old California customs that
made the State memorable in the annals of
American history. In such a renaissance of
historically hloed customs, modes and man-
ners we are, obviously, deeply concerned.
So we take occasion to suggest that Rolph
Debussy strikes an elfin chord in me."
THE SAN FRANCISCAN
usher in his governorship with an inaugural
ball on the prodigiously lavish, elegant and
grand scale of the inaugural balls of "the
good old days." Next, that he promptly at-
tend to re-gilding the dome of the State Capi-
tal, which has been allowed to fall into a
deplorably shabby state.
These two gestures are, of course, largely
symbolical , but executed in the best Rolphian
manner they will serve to announce to all the
world that all is again well in California,
since its destinies are in the hands of a man
from San Francisco.
A RECENT overland tram westward
bound was boarded somewhere in
Pennsylvania by a maiden lady bear-
ing a sickly red geranium in a pot. All the way
across the continent this geranium absorbed
the time and attention of its owner, much to
the amusement of San Franciscan fellow pas-
sengers. At each stop she took it outside for
sunshine. It must have air but not be in a
draft. It must be kept moist but not wet. The
slightest sign of wither on the edge of a leaf
precipitated an emotional crisis.
All went well until the train pulled into
Berkeley and the lady stepped out as usual,
pot in hand. She stopped suddenly. Before
her was a great row of giant geraniums grow-
ing along the edge of the sidewalk. Open-
mouthed she surveyed them a moment. Then,
muttering something strangely unmaidenlike,
she hurled her geranium, pot and all, as far as
she could, and turned to re-enter the car with-
out one backward glance at the pitiful pieces.
The chief justification of intoxication these
days seems to be the fact that it increases the
importance of even the most trivial actions
until one has a delusion of deliberation in the
midst of a hectic life.
A YOUNG wife, whose husband was
eager for offspring, was shocked the
other day to have one of the leading
stores deliver a baby buggy and complete
layette. The tags showed that the order had
been placed by her husband so she met him
at the door that night.
"Were you drunk? What on earth made
you send these things? You know we have no
use for baby things!"
"bu-but I — I thought I saw you sewing on
tiny garments last evening — "
The wife burst out laughing. "You poor
dear! Those were the seat covers for the new
Austin."
A little man with washed-out eyes who
was the meek escort of a strappmg Amazon
in her tour through the store had fainted.
"Is he subject to this sort of thing?" asked
a floorwalker.
"Not exactly," replied the woman. "He's
a little nervous sometimes though. I tried to
buy it without letting him see me.
"Buy what?" asked the floorwalker.
' 'A rolling-pin , ' ' said the woman.
OCTOBER, 1930
FAMILIAR FIGURES
Seen on Every Gridiron During
the Mad, Glad October Days
by Roland Coe
>»»
The Beef Trust
Willie and Wallie, who football solely
for the love of it, have just sighted a
pair of beautiful broilers over by the
bleachers. Wallie has turned his back,
not in scorn, but in hope that the num-
bers thereon will recall to the fair
audience a famous gridiron hero.
The Halfback
Tony ("Bullfrog") Montana has taken his share of the spot-
light ever since, at the tender age of eleven months, he first
learned to walk on his hands. He is more than aware that he
is quite the most important member of the team, for wasn't it
his intelligent command that carried them to victory last
week in the bitter battle on the home field? Yes, indeed,
Tony is the star player — and he won't let you forget it.
The Three Graces
Left to right: Ridicule, Admiration and
Practically Unconscious. The girls never
miss a game.
The Martyr
Burchard is quite aware that he is creating a sen-
sation. Ever since he trotted onto the field he has
been the subject of snickers not too subdued. He
would joyfully jump for a manhole if one were
near, for the one girl has just asked her com-
panion why they didn't let the air out of the
dummy after the tackle practice was over.
The Coach
Time was when the football coach ap-
peared in togs and ran through a prac-
tice session or two with the boys, to
give them a little added encouragement
and keep his foot in. Not so the modern
coaches such as I. Haman Howe. A
soft bench and hard language are all
he needs to turn the boys into cham-
pions.
The Critic
Professor Tillinghast, teacher of Biology and
Botany, has shown an amazing interest in football
of late, due,it is rumored, to a dispute that arose in
class last week about being able to tell how far
a frog can jump. The connection between frogs
and football is somewhat vague, but so, for that
matter, is the professor.
10
THE SAN FRANCISCA I
SPOTLIGHT
WE WENT to the Travers Theatre at
the Fairmont Hotel all agog to see
"Lysistrata," for word had reached
us that several of the older inhabitants of that
peaceful hostelry had threatened to vacate
becauseof the production s ribaldries. Doubt-
less thev had gone to the play, also, in a state
of high pornographic expectation after a sum-
mer season that had held nothing more excit-
ing than a Sunday evening concert m the
lobby led by the intrepid but blameless Rudv
Seiger. We regret to state that the reality fell
far short of the expectation and we do not
think that even an old lady would have been
unduly shocked.
Mr. Lister rendered a version of the naughtv
Greek play which was no more bawdy than
most Elizabethan comedies and which was
decidedly tepid in comparison with any of
the Restoration variety. And we came awav
with a feeling that the old ladies had pro-
tested out of sheer chagrin rather than from a
sense of having had their morals affronted.
Mr. Travers with a fine understanding of
his company's limitations decided to play up
the farcial situations for all they were worth.
The result was a rapid-fire production that
confused the critical sense and gave plenty of
wholesome laughs to an audience that had
hoped for a covert snicker or two.
Thirty years ago the Travers' presentation
of "Lysistrata" might have brought the
police but after a post-war course :n rabelasian
literature and drama this comedv of wives
withholding conjugal rights from their sex-
starved husbands really seemed very tame.
The idea, anyway, wasn't altogether convinc-
ing. We mean, where were the ladies of the
Athenian night-life? It was quite too much to
expect us to believe that there either were no
attractive dance-hall girls or that the men
were too virtuous to traffic with them. Alto-
gether we should say that the play did not
live up to its risque reputation.
LITTLE Orchid Annie," at the Geary
Theatre, on the other hand, had a title
that exhuded sweetness and light, but
as a matter of fact contained about as manv
dirty lines either directly or by innuendo as it
has ever been our good fortune to listen to.
Some of these lines hit the first night audience
amid-ships and some of them flew completely
over its head. But, on the whole, the percent-
age of registered hits was large.
This aforementioned first night audience
was in a very friendly frame of mind. Every-
bodv who came on the stage from Bettv Bron-
son down to the Mannequins, imported from
by Charles Caldwell Dobie
our own City of Pans for Madame Elaine's
Wholesale Dress Goods Establishment, got a
big hand of welcome. The opening fifteen
minutes seemed to augur a flop for the show
and even Miss Bronson did not inspire any
confidence by her entrance. But gradually the
company got into its stride, the audience be-
gan to get the bawdy allusions and, before the
curtain fell on the first act, a good time was
being had by all.
Miss Bronson played the part of the baby-
stare go-getter with the proper exaggeration.
No one of course in real life could have been as
dumb and kept out of the home for the feeble-
minded. But farce is farce and as soon as the
farcial tempo was established it was easy to
accept Little Orchid Annie's idiocies with-
out cavil.
The plot was less than nebulous and could
not have carried a second act without the de-
vice of a "baby" party. The character that
added most hilarity to this occasion was a
gentleman in a diaper and the proper pin for
supporting it. He had nothing to do with the
show except to lead the police to the door
and he had even less to say. But a six-foot
gentleman in a diaper and a safety pin needs
very little else to put over his act.
This second act was likewise enlivened
with a song and dance by a lady of color
named Albertine Pickens. She stopped the
show and rightly so with as artistic snuffing of
the nether limbs as we have ever seen.
Next on our list of favorites in the cast was
Julia Blanc as Madame Elaine. But Julia is an
old friend of ours that dates back to our Kolb
and Dill days and then some. The fat lines in
the show fell to the lot of Mabel Forrest. Miss
Forrest allowed them to suffer through vehe-
mence and over-emphasis. She worked too
hard. She was too vindictive. If she -would
act with a little more nonchalance she would
improve the role fifty per cent.
Altogether, "Little Orchid Annie" is
entertainment for the tired business man and
the exhausted business woman. It doesn't put
any strain on either your emotions or vour
intelligence and stacked up against the San
Francisco production of "Lysistrata" is a
much bawdier show — that is, with refer-
ence to its lines. And like all modern farces
hailing from New York it has a "pansy" in it.
IN THE splendid, idle forties a play was
written that took the Atlantic seaboard by
storm. It was called "Fashion." The main
plot of this opus had to do with a vulgar,
social climber trying to marry off her daughter
to a French count, whereas said young ladv
yearned for the office boy in her father's shop.
This original idea had so much vitality in it,
apparently, that in the year 1930 an alleged
sophisticated comedy called ' 'Young Sinners"
uses the same framework. Only in this in-
stance the Frenchman yields place to a Haps-
burg and the youth of the heroine's dreams is
the son of a millionaire who owns a line of
chain grocery stores.
As a burlesque the play ought to be labeled
great. It is just another one of those efforts
that serve up to the man in the street what
he is determined to believe the smart set is
like. The hero we know was a product of the
multiple corner grocery business. Where the
heroine sprang from we were not informed.
But since her manners were those of a gutter
snipe we can only conclude that it might be
just as well not to inquire into her origin too
closely.
We can't believe that any audience takes
this play seriously. If the public goes to see it
at all it goes to revel in its three-minute
kisses, and the shoulder bites that are featured
so prominently in the publicity photographs.
The young people created by the author are
all sex exhibitionists, and if the truth were
known they went out about six months ago
along with short skirts and excessive gin
drinking. Already the play is old-fashioned.
If you do not believe us witness, when you go,
the line in which the heroine tells her mother
how emancipated the younger set are with
their bobbed hair and short skirts — and she
wearing a dress that sweeps the ground while
she is saying it.
In October "Harper's Magazine" there is
an article by La Marr Warrick called "Fare-
well to Sophistication." It opens by com-
menting on the fact that Bertrand Russell re-
cently referred to Ernest Hemingway as mid-
Victonan. Of course Ernest Hemingway is
not mid- Victorian in the chronological sense.
That term has grown to be a state of being.
And, as such, Hemingway is qualifying
rapidly. Unless he changes his tactics and dis-
covers that long hair and long skirts and long
gloves have ushered in a new set of youthful
manners.
But why should anyone bring up the mat-
ter of sophistication in connection with such
a play as "Young Sinners!" There isn't a
sophisticated line in it. It is cheap, vulgar and
blatant to use every trite adjective descriptive
Continued on page 34
A Mathematical Exclamation
by Peter
And if I choose to be a parabola
What of it?
Certainly you who are circles and ellipses
Should not object to my indefiniteness.
You shut out infinity,-
I flee to it.
OCTOBER, 1930
11
Young Sinners
Back stase at the Curran this month
is as exciting as out in front — more
so if one agrees with Charles Cald-
well Dobie's estimate of the play —
because back there is the "real
thing.'' Youth rampant on a field of
first stage appearance. Six youngsters
fresh from first dramatic adventure
in Hollywood. Inexperienced,
bubbling, hopeful — their knees not
quite steady, ankles still unused to
the long dresses prescribed for stage
youth this season . . . Marveling at
audiences . . . curious about people
. . . eager for experience . . . laugh-
ing at circumstance that necessitates
the one girl who does not smoke
to puff a cigarette on the stage and
MAURICE WILLOWS
POLLY ANN YOUNG
that keeps the one whose fingers
have an acquired cigarette curve
from even holding one . . . Such
are the actors in "Young Sinners"
— in defiance of the conventional
supposition that one must be at
least ten years older than the part
played to be convincing. Such are
Polly Ann Young and Maurice
Willows pictured here. Such also
are the leads, John Darrow and
Marian Marsh, who carry the play
after the first act. And all these
youngsters are unanimous in their
appreciation of Edgar McGregor
who directed the production for
Belasco and Curran, preparing it
for the San Francisco premiere.
12
THE SAN FRANCISCAN
assing Shows
Wherein Art and Artists Bid for Attention
Throughout the San Francisco Winter Season
by Aline Kistler
SINCE art and artists are taken very seri-
lously in San Francisco (so seriously in
fact that it takes a strong-minded person
to buy anything in one of the local galleries )
it is highly interesting at this time of the year
to look ahead to see what are some of the
factors that will determine the activities of
the next few months.
Summer and early autumn have been some-
what exciting.
The Art Association has had a headv
draught of exhilarating liquor in thejames D.
Phelan legacy which bequeathed the elaborate
estate of Montalvo to its care, together with
an endowment for the upkeep and an addi-
tional donation of monev for the long desired
art gallery unit of the California School of
Fine Arts buildings at Chestnut and Jones.
The late Senator was an active member of the
Association for forty-six years . and must have
foreseen with enjovment the situation he
would create by giving it both power and
money.
There has been much speculation about the
possible development of the California Palace
of the Legion of Honor under new director-
ship, but until the past ten days, since the
arrival of Lloyd LePage Rollins, no one has
known what would happen — and now
people are beginning to expect miracles.
The visit of Orosco from Mexico led some
to prophesy a "Mexican season" for art in
San Francisco this winter. It remains to be
seen whether the arrival of Diego Rivera this
month to decorate a wall in the Stock Ex-
change building will fan the flame of Mexican
art enthusiasm or demonstrate the wide
psychological gap between the primitive
painting of a conscious communist propa-
gandist and the modern pulse of American
life. San Francisco artists have been forced bv
publicity into unanimous laudation of Rivera
because none is willing to stand the crv of
"sour grapes." However it is not the artists
who will be affected by the experiment. The
decorations are to be in an "inner room" in-
habited by leading San Francisco financiers
alone. It will be interesting to see how they
stand the experiment
The visit of Herr Hans Hofmann to teach in
the University of California Summer Session
caused fresh artistic hopes to rise in many
taltering breasts and spread a new epidemic
of "spatial relationship," "composing within
the frame' and other modern idioms that have
come to oust the once important "perspec-
tive." Herr Hofmann is a genial sort and a
teacher with a talent for making people "see. "
Reservations are already being made for his
classes when he returns to Berkeley next
summer.
Furthermore
the past month has been
marked bv the return to San Francisco, after
an absence of ten years , of S vdne v Joseph . the
"finest draughtsman the city has produced"
(I quote with conviction ) and a man whose
artistic attitude cannot help but effect the
coming season whether or not his drawings
(now in England, he savs ) arrive in time for
an exhibition this winter.
WrITH such summer activities in the
background the coming months should
be increasingly interesting — if the
gallery going public abandons itself to enjoy-
ment instead of hobbling along dependent on
a critical crutch.
A long step on the path of unconditional
enjoyment has already been taken in the recep-
tion ot the portraits by |ustema that occupied
the Courvoisier Little Gallery the last two
weeks of September and the equally charming
]ustema "non-portraits" now there (through
October 12th (Justema is the youngest, most
vital creature to fling his cap into the sacred
circle of San Francisco art for many an exhi-
bition fortnight A vibrant youth with wav-
ing blond hair and full-red mouth, Justema is
one of the unforgettable bubbles of genius
that from time to time rise to the surface from
a Middle West heritage. He came to San
Francisco the first of this year from Holly-
wood and Los Angeles which made two in-
delible marks on his work , the first an Oriental
flavor born ot eighteen months ushering in the
old Mandarin theatre, the second an apprecia-
tion of luminous form gained during his
association with Margaret Mather, photog-
rapher. His portraits are stylized in a form at
once impersonal and intimate. Both thev and
his non-portraits are the sort of thing that one
buvs out of sheer love ot them. In doing so one
is not conscious of fulfilling a duty to ones
grandchildren (unappreciative brats that they
will probably be). These are things for en-
lovment here and now. For hanging on a wall
where one can take the swift filip they hold in
time to replace them with something equally
enjoyed (perhaps a later Justema) next year.
interval
by Vaughn Francis Meisling
The sea moved in a symphony,
At that moment it was no longer the
sea,
But a subtle music, tender, disconsolate,
Made liquid and limitless, timeless,
and free —
With an overtone of new madnesses,
And choirs of passionate glee!
Courvoisier will follow the Justema exhi-
bition with an unusual collection of con-
temporary Chinese things brought here by
Grete Heilbuth on h:r recent return from the
Orient . . . lithographs by Peter Krasnow of
Los Angeles . . . colored woodblocks by
Prescott Chaplin whose Mexican black and
whites were shown in June, when The San
Franciscan reproduced a page ot them, and
whose New \ork exhibition, sponsored bv
Steiglitz, is reported as having been particu-
larly successful . . . a group showing of etch-
ings bv Muirhead Bone. Whistler, Rembrandt
and others of established reputation — water
colors bv Jeffrey Holt . . . colored wood-
blocks from Honolulu . . . and so on into the
spring.
THE other day a woman who owns a large
group of prints that she has gathered here,
there and the next place told me that she
was going to mount them all for her walls.
When I visited her I found a few unusually
good prints hung in her room (I had not be-
fore realized that she had such fine ones ) and
she told me, rather amusingly, "These are all
that Mr. Allen would let me hang." I could
not help smiling. She referred to the man who
mav well become artistic arbiter of San Fran-
cisco. Now that H. |. Allen (together with
R P. Blesh ) has joined the firm of Vickery,
Atkins and Torrey it is to be expected that he
will take more or less officially the part he has
played behind the scenes for a number of
vears. Both as director of the former Print
Rooms and as head of the print department
in Vickerv, Atkins and Torrey, Allen has
stood for discrimination in art. Now, having
at his command one of the most charming
galleries in town, people look to Allen to
present a truly distinguished season of art.
He will not start the winter season at the
Vickery, Atkins and Torrey gallery until the
first of November when he will present an
exhibition of water colors by Stanley Wood.
(In the meantime there will be informal hang-
ings, following the California Society of
Etchers' exhibition which has now gone to
Sacramento on the first leg of its winter
joumevs ). Stanley Wood is one of the few
voting California artists to make a significant
impression in the eastern art market and he is
one of the very few artists who have been
definitely sponsored by Vickery's (Sydney
Joseph, Xavier Martinez, Francis McComas
are others). His exhibition will occupy the
entire month of November and will be the
first of the major shows, but one of which
will be held each month of the season.
L" DYD LEPAGE ROLLINS, new director
of the California Palace of the Legion of
Honor, is as closely observed as he is
observing. The San Francisco art circles are
watching every move to test the extent of
power and approval given him by Herbert
Fleischhacker. It looks as though there is to
be an intelligent housecleaning at the Palace —
as though San Francisco will soon have a
museum dependable in its installations, pro-
vocative in its exhibitions, and integrally
OCTOBER, 1930
13
MAUNULIA
active in the citv's art life. Certainly
the tentative plans sound alluring.
First there will be an exhibition
of Gothic and Renaissance sculp-
ture, tapestry and furniture. That
and an exhibition of Japanese paint-
ing, sculpture and the minor arts
from medieval times to our own,
assembled by the Japanese govern-
ment for exhibition here in March,
are the first two definite events an-
nounced. However, the list of prob-
able exhibitions is such that San
Francisco will find even a minimum
of the possibilities rich fare. Tenta-
tive arrangements have been made
by Rollins for a showing of French
paintings from Manet to the present
time ... a comprehensive Spanish
exhibition of paintings from the
14th century to the present, includ-
ing El Greco, Velasquez, Goya,
Zuloaga and the others ... a furni-
ture show of European pieces from
the 15th century through the first
quarter of the 19th — accompanied
by a series of eight lectures by Rol-
lins during a two months' showing
(probably early in 1931) ... the
Italian section from the Venetian
Bi-Annual Exhibition ... a mod-
ern German show . . . French 18th
. ...n— — ■■ ■
NOEL SULLIVAN
JUSTEMA
JUSTEMA
century drawings and engravings . . .
German 1 5th century engravings and
woodblocks including a representa-
tive showing of Durer . . . What a
prospect! And through it all a con-
sistent program of regular docent
service!
WITH the financial encourage-
ment of becoming a limited
corporation, the BeauxArts
galleries look forward to a very ac-
tive season. Already the exhibition
of paintings by Lee Hersch and the
opening "members show'' (through
October 1 1 ) have drawn people to
the galleries. Tea is again served in-
formally each afternoon and two
somewhat dignified "hostess teas"
have gathered delightful groups of
artists and patrons — Dr. Walter
Simons, former acting president of
Germanv ,and Sydneyjoseph serving
as lions for Mrs. Drew Chidester
and Mrs. Edgar Walter respectively.
The winter months will be
crowded full of exhibitions at the
Beaux Arts. This month they will
show recent work by Guest Wick-
son and a group of water colors by
Continued on page 28
14
THE SAN FRANCISCAN
Success Story
Not as The American Magazine Would Tell It
by Ralph Parker
EVERY woman in the employ of the ad-
vertising agency was acutely aware of
him, partly because he was so unaware
of them.
Stanley Broding was tall and tanned and
had curly brown hair. He had a habit, in his
office, of sprawling himself over its furniture
on schoolboy positions that in anyone else
would have been ungainly. But it was not
possible for Broding to be anything but
graceful. One felt that was true of his char-
acter also.
Dirk, the copy chief, quickly learned that
Broding did his best work in writing mes-
sages addressed to women. There was about
his sentences a delicacy, about his paragraphs
a sincerity.
No one in the office knew much about
Broding. He was friendlv enough, yet not of
them. They talked in wisecracks: he did not.
They drank bootleg and told stories: he did
not.
The telephone operator had been unable to
make him. One of the stenographers wormed
a dinner and theatre engagement out of him
but found him most unsatisfactory. The only
woman in the office not in some measure disap-
pointed was Jeanne — but then she was in-
curably romantic and worshipped from a
distance.
Broding arrived at the office promptly at
nine. He left promptly at five. He made no
pretense of liking his work and talked no
words at get-together meetings. Dirk tol-
erated in Broding what he would have con-
sidered lack of spirit in anyone else. He did
not know why.
The truth was that Broding hated business,
offices, advertising, routine. The lines that
commercial greed made on the faces of execu-
tives were to him ugly lines. A slap on the
back was to him not a joviality but an aflront
— this not through any snobbishness but be-
cause of an inborn feeling that his person was
sacred.
An admirer of the childlike in men, he saw
in lunch-club antics only childishness. He saw
business as a grindstone that wore off the
eccentricities that made men individual , made
them all alike.
Not all manifestations of commerce were
offensive to him. Skyscrapers, tunnels and
great printing presses thrilled him. "God
might well worship Man'" he would think.
Then the beauty of mechanics would be
marred by imaginings of petty economies,
mean organization politics, harshly selfish
motives.
There are men with whom dislike of trade
is a cultivated pose. That was not true of
Broding. He would have preferred to like
business, since he lived in a business age. But
he could not.
So it happened that he was working for
the sole purpose of saving his way out of
business. He walked to work, he ate no lunch,
he bought few books, he managed to save
almost all of his salary. This manner of living
was not new to him, for his hatred of business
was not new. On his first working day, at the
age of eighteen, he made the plans he now was
carrying out. In seven weeks he would be
thirty and he would have twenty thousand
dollars.
In seven weeks! With all his counting of
weeks, he had not realized fully how near
freedom was until that morning.
SEVEN weeks! All day at the office the
significance of ' 'seven weeks' ' hung about
him. He wanted to tell someone about it,
about the happiness ahead for him. He had
never before wanted to tell anyone.
When |eanne stepped in to take dictation,
he knew that he must tell her. She was sensi-
tive, she would understand. He asked her to
have dinner with him.
At dinner, he told Jeanne all that he had
never told to anyone. She was wholly ab-
sorbed in him, the romantic figure she had
made of him in her imaginings, and perhaps
heard part of what he was saving —
"I am going to Bali1" Broding concluded.
"It's the most unspoiled, the most natural
island on the globe. There is no business
there. I can live on five hundred dollars a year,
enough to last until I'm seventy. Forty years
of flowers, sunshine and freedom."
After dinner, they went to his apartment
and he showed her pictures of Bah. He had
clipped and saved every reference to Bah that
he had found, and every picture.
Jeanne's appreciation, her enthusiasm,
made Stanley tingle, made his body grow
warm. When toward midnight there were
no more clippings, he kissed her. It was not
Jeanne he embraced, but his plan and Bali
and approval of his plan.
They never quite knew how it happened,
but it did happen. Perhaps it was becuase
they were, for their separate reasons, so
sheerlv happy. Or because neither had ever
before had even the semblance of an affair.
At the office next day, Broding thought
"six weeks and six days!" Six weeks and
five days —
Then tomorrow was the day. Broding had
made a reservation on a boat sailing at dawn.
During the day, he wrote his resignation. He
would put it on Dirk's desk after everyone
had left. He did not want to have to "listen
to reason."
Broding stayed in his office until seven — to
be certain that everyone would be gone. He
walked down the corridor to Dirk's office
and placed the resignation on his desk. He
walked back through the general office — and
Jeanne was there.
She looked up at him and tried to smile.
Her head dropped to hide her fear.
But Broding knew.
The next morning he did not even go down
to see the boat sail. They were married that
morning.
Today Broding has a twenty thousand dol-
lar interest in the firm, is the vice-president,
frequently lectures before advertising clubs,
and is well on the way toward becoming a
figure of business importance.
October
by Elvira Foote
Morning comes with a shout.
Exulting winds ripple the winey air
And toss the colored leaves about.
On the arbor wall
Purple grapes hang in the sun
And, one by one,
With no sound at all
From bending trees
The cider-sweet red apples (all.
A Few late wandering bees
Hum round the dying mignonette
And, by yellow leaves hid quite,
The blue figs and the white
Are clinging yet.
Like the rim of some great cup
The naked hills rise up
To greet the sky —
O blue, blue sky
And honey-colored hills!
Once more reckless Autumn spills
His purse of golden hours.
O evanescent gold and fleeting flowers
What miracle is this? Spring, a fragrant
ghost,
Returns to lie in Autumn's arms. O most
Exquisite days — O shining earth,
Every whisper, every sigh is of birth;
Every atom, every particle of breath
Swells the triumphant cry: "there is no
death."
OCTOBER, 1930
15
SO MUCH has been written and said
about John Henrv Nash that one feels
that evetyor.e knows abovt him and his
work. This San Francisco master printer
whose exquisite work has earned him two
college degrees without his having at-
tended any school of higher learning, this
ardent designer of fine books whose publi-
cations have for years been among the most
prized possessionsof bibliophiles, this man
it is whom I found, on meeting him for the
first time, to be less interested in personal
immortality as a printer than in the crea-
tion of a library dedicated to the fine art of
printing.
This library of fine printing is much
more than a dream. It already is a reality,
the outgrowth of personal collection of
books over a period of forty-five years.
The Nash collection is housed in the John
Henrv Nash building on Sansome street —
on the top floor with five levels of presses
below, sending their rhythms throbbing
through the very floor of the room.
The room is a simple one , furnished with simple sturdy tables , book
cases, reading racks, chairs and benches designed by Nash himself. It
is built around a massive wooden mantel which holds an old figure ot
Gutenberg, carved in wood — a shrine for bibliophiles. And the sub-
stance of the worship of this cult is contained in the shelves, cases and
occasional old chests throughout the room. Here are good examples of
fine printing, books from all the noted
presses from earliest printing to today,
a complete collection of Nash's own
JOHN HENRY NASH
publications, and books dealing with every
phase of the history of printing. These last
are the only ones whose presence in the
library is determined by content — others
are here because of how they are printed
rather than what is written. The books of
the history of printing include volumes on
book binding, the art of illustration, the
mixture of inks , the use of color , all phases
of craftsmanship and art that go into the
making of fine books.
This library is visited daily by numbers
of people from all over the world as well
as from the immediate vicinity of San
Francisco Bay. It has become a veritable
Mecca for travelers and students of fine
books , all of whom are welcomed cordially
by Miss O'Day , Nash's chief of staff, secre-
tary and hostess.
John Henry Nash dreams of some day
building a home for the library high on one
of the hills of Berkeley. There he hopes to
give it the installation fitting to its pur-
pose, making of both the building and the
collection a permanent library which shall be bequeathed to the
University of California for perpetuation.
In the meantime, the library is an integral part of the printing plant
of John Henry Nash. From it a door opens into the airy, light, unbe-
lievably orderly composing room. Close by is the stock room with its
thousands of sheets of exquisite hand made papers waiting for the day
when they shall feel the imprint of hand
set type. It is this library room where
BASIL CAMERON, recently ar-
rived to conduct the first half of
the San Francisco Symphony sea-
son, has had to please a wide variety of audiences. While very young
he played the violin in charity concerts, he contended with the foibles
of the dowager members of the Handel Society in London
"the oldest and richest amateur musical society in England,''
he conducted at the festivals in Torquay where he met a
sizable American colony, he met the problems of Brighton Sundav
concerts , compromised the interests of the pleasure seeking idlers with
the enthusiasms of the workers at
Hastings, and met the exactions of
the audiences at the Royal Philhar-
monic Society concerts in London.
And from this varied experience,
Cameron comes to San Francisco in-
terested in the local program of both
"pop" concerts and the regular
series.
He is interested in music for the
masses as well as for the select few
who have had musical advantages.
In conducting a symphony he feels
that he deals with a heritage due the
average man as well as the favored
minority. Radio and other facilities
for reaching the general public are
welcomed by him as agencies for
more widespread enjoyment of
music.
"It is not enough to play for select
audiences of one or two thousand,"
he told Redfern Mason. "In a large
community that is only the fringe of
the population, so to speak. The
audience must be enlarged; the great
CONCERNING
Continued on page 34
BASIL CAMERON
mass of workers ought to be brought
in ; their life fits them to enjoy music and
they need it. So I am glad to hear of your
civic ' 'pops' ' in the great Auditorium. ' '
However, Cameron realizes that in order to reach out to the thou-
sands , music must capture the enthusiasm of those with leisure and
insight.
So it is that he delights in the discovery of music patrons in San
Francisco who are at once enthusiasts and amateur performers. Having
been a violinist among amateurs, at one time a pupil of Auer, and
having assisted Coleridge Taylor and later himself directed the
activities of amateur musician
groups, he delights to find in San
Francisco enthusiasts such as Rich-
ard Tobin, with his string quartet,
andj . B. Levison who plays the flute .
Basil Cameron has been in San
Francisco less than two weeks; he
met the symphony organization for
the first time September 29th, but
he has been welcomed royally by
both critics and music patrons and
general interest is manifest in his
first concert, October 10.
His first program will include
Weber's Overture to "Oberon,"
which has become almost a super-
stition with him as an opening
number to his first concert in a new
city, and two numbers given here
for the first time, Frederick Delius'
tone poem "On Hearing the First
Cuckoo in Spring" and Dvorak's
Symphony No. 4 in G major. The
closing number will be Elgar's
"Enigma." And so will begin the
first season of Basil Cameron.
16
THE SAN FRANCISCAN
PORTRAIT BY JUSTEMA
MRS. CHARLES DABNEY, Jr.
The former Geraldine Graham of Santa Barbara who has been a frequent visitor
to San Francisco and Pebble Beach through the summer months.
OCTOBER, 1930
17
The Reigning Dynasty
WEDDINGS
BIXLER-FAXOX. On July 26, in Atlanta. Geor-
gia. Mr. Alvin Pray Bixler, of Tennessee, and Miss
Elsie Faxon, daughter of Mr. and Mrs. Ross Steele
Faxon.
POPE-BROWXELL. OnSeptemhtr 6. Mr. George
A. Pope. Jr.. son of Mr. and Mrs. George A. Pope, of
Burlingame. and Miss Harriet Brownell, daughter of
Dr. and Mrs. Erie E. Brownell.
AIXSWORTH-HAMILTOX. On August 30. in
Palo Alto, Mr. John C. Ainsworth, son of the late
Mr, Harry Ainsworth, and Mrs. Ainsworth. formerly
of Portland, now of Pasadena, and Miss Heath Ham-
ilton, daughter of Mr. and Mrs. Fletcher Hamilton,
of Menlo Park.
BAIRD-SPLIVALO. On September 3. Mr. Wal-
ter Howard Baird, son of Mrs. Mary Baird, of Los
Angeles, and Miss Elizabeth Splivalo. daughter of
Mr. Raymond Splivalo and Mrs. Lavinia Splivalo.
POTTS- EASTLAND. On September 11, Mr.
Frederick Augustus Potts, of New York, and Miss
Alice Helen Eastland, daughter of Mr. and Mrs.
Thomas B. Eastland, of Burlingame.
STEYVART-PEIXOTTO. On September 17, Mr.
John Hatch Stewart, son of Mr. and Mrs. D. L.
Stewart, of Fresno, and Miss X'ina Peixotto, daugh-
ter of Mrs. Edgar Peixotto.
LEWIS-WHITMAN. On September 20, Mr.
Douglas Batchelder Lewis, son of Mr. and M rs.
DeLancey Lewis, and Miss Janet McCook Whitman,
daughter of Mr. Malcolm Whitman and god-daughter
of Mrs. Robert Burns Henderson, of Burlingame.
BELCHER-HOLBROOK. On September 20, in
Coronado. Mr. Frank Garretson Belcher, son of Mr.
and Mrs. Frank C. Belcher, and Miss Harriet Hol-
brook. daughter of Mrs. Paul Wegeforth.
ENGAGEMENTS
ADAMS-BALDIXG. Miss Julia Adams, daugh-
ter of Mr. and Mrs. Edson F. Adams, of Piedmont,
to Mr. W. T. Balding, son of Mrs. W. T. Balding, of
Honolulu, and the late Mr. Balding.
JOXES-KASPER. Miss Vail Jones, daughter of
Mr. and Mrs. Webster Jones, to Mr. Robert Marshall
Kasper. son of Mrs. Elsie Kasper.
MENZIES-GALLOWAV. Miss Mary Macintosh
Menzies, daughter of Mr. and Mrs. Robert H. Men-
zies. of San_ Rafael, to Mr. Allan Galloway, son of
the late Sir James Galloway and Lady Galloway, of
London, England.
WHEELER-POTTER. Miss Jean Wheeler,
daughter of Mr. Charles O. Wheeler, to Mr. Sheldon
E. Potter, son of Mr. and Mrs. J. Sheldon Potter.
VISITORS ENTERTAINED
Miss Rosemary Dawson, who visited California
with her parents. Lord and Lady Dawson, of Penn,
was the house guest of Miss Frances Stent and was
honored at a luncheon that Miss Stent gave in the
Burlingame Country Club.
Miss Dorothy Mein entertained Miss Dorinda Ken-
nedy, of St. Louis, at the William Wallace Mein
home on Divisadero street.
Mr. and Mrs. Jerd Sullivan entertained Mr. Preston
Ames, Mrs. Sullivan's cousin, as their guest for a
time. Mr. Ames now makes his home in Paris.
Miss Hettie Stephenson was entertained by Miss
Evelyn Lansdale at the Lansdale place in Carmel
Valley.
Mrs. Milton Brown, of Los Angeles, was enter-
tained at the home of Mr. and Mrs. Eyre Pinckard.
Mrs. Brown is Mrs. Pinckard's mother.
Mr. and Mrs. Charles G. Norris entertained their
niece. Mrs. Gerald Herrmann, recently, at the Xorris
home in Saratoga.
Miss Sarah Redtngton, who makes her home in
Santa Barbara, visited for a time with her brother
and sister-in-law. Colonel and Mrs. Lawrence Reding-
ton, in San Mateo.
Miss Aileen Johnson, of Diamond Springs, spent
some time with her grandmother, Mrs. Charles W.
Doe, at her apartments at the Hotel Mark Hopkins.
Miss Johnson left recently for the East to attend
school.
Mr. and Mrs. Stewart S. Lowery gave an elaborate
dinner party at their Menlo Park home in honor of
Mrs. Jay Gould on Mrs. Gould's arrival from the
Hawaiian Islands.
HERE AND THERE
Mr. and Mrs. George Cameron entertained at din-
ner in honor nf two brides-elect. Miss Janet Whitman
and Miss Alice Eastland. The dinner took place
shortly before the two young women were married.
Miss Whitman is now Mrs. Douglas B. Lewis and
Miss Eastland is Mrs. Frederick A. Potts.
The annual Rummage Sale for the maintenance
of the Girls' Recreational Home will be held in Larkin
Hall on October 15. Mrs. W. Parmer Fuller, Jr., is
president and organizer of the sale this year.
Miss Mary Emma Flood has announced October
18 as the date of her marriage to Mr. Theodore Ellis
Stebbins. The ceremony will take place at St. Bar-
tholomew's Church in New York. Sirs. Herman
Phleger and Miss Mary Flood have already gone
East for the event.
Mrs. Charles Christin entertained a group of eight
friends at luncheon at the Francisca Club during the
opera season.
In honor of his niece and nephew, Mr. and Mrs.
Heber V. Tilden, Mr. Ross Weir, of New York, gave
an informal dinner dance recently at the Menlo Coun-
try Club.
Honoring their niece. Miss Claire Knight, and her
fiance, Mr. Orra C. Hyde, Jr., Mr. and Mrs. Samuel
Y. Knight gave a dinner dance at the Hotel Mark
Hopkins.
Miss Ethel Cooper entertained a group of friends
at luncheon at her home, the occasion being in honor
nf Mrs. Arthur S. Chesebrough.
Mr. and Mrs. Charles Crocker entertained a house
party of friends at their Pebble Beach home during
the California golf tournament.
Miss Virginia Phillips was hostess to a group of
friends at her home in Atherton shortly before she
and her mother. Mrs. Grattan Phillips, came to town
for the winter.
Mr. and Mrs. Starr Bruce are building a new home
on lackson street and expect to take possession nf it
early in the year.
Mr. and Mrs. Frank Townsend, of Tacoma, have
taken the Charles O. Martin home in Atherton for the
winter. Mr. and Mrs. Martin will spend the winter
in town and have taken a house on Jackson street.
Mr. and Mrs. Leigh Sypher have returned to San
Mateo after spending the summer in Montecito.
Mrs. Russell C. Wilson gave a buffet supper in
Burlingame in honor of Miss Julia Adams and her
fiance, Mr. W. T. Balding, of Honolulu.
The program of the annual Grape Festival at Kent-
field this year includes a tea dansant. This will be
held on the afternoon of October 4 on the piazza of
the William Kent home.
Mr. and Mrs. X'ion Tucker were among those who
entertained for Miss Janet Whitman and Mr. Douglas
B. Lewis shortly before their marriage in late Sep-
tember. Mr. and Mrs. Tucker gave a dinner for the
couple at the Burlingame Country Club.
Mrs. Warren Spieker and her mother, Mrs. James
Rucker, have returned to San Francisco after an
extended visit in the Hawaiian Islands.
Dr. and Mrs. Max Rothschild are again in Bur-
lingame after spending six months in Germany, Aus-
tria and England.
Miss Jennie Blair has taken the apartment of
Colonel and Mrs. Robert Noble on Broadway for the
winter.
Mr. and Mrs. Lewis P. Hobart are at their Pacific
avenue home after spending the summer in Bur-
lingame.
^nss Claire Knight and Mr. Orra C. Hyde, Jr., will
be married on X'ovember 15 at the home of the uncle
and aunt of the bride-elect, Mr. and Mrs. Leon
Bocqueraz.
Mr. and Mrs. John A. McNear, who have been
spending the summer on the Russian River, have
returned to their apartment on Hyde street.
Mr. and Mrs. Robert Hays Smith entertained a
number of friends at dinner at the Burlingame Coun-
try Club in honor of Mr. and Mrs. John S. Drum.
Mr. and Mrs. Charles R. BIyth and Mr. Beniamino
Gigli.
Dr. and Mrs. Harry E. Alderson celebrated their
silver anniversary by giving a dinner to seventy of
their friends at the Bohemian Club.
Miss Kate Boardman and Mr. William Henshaw
X'igh, who are to be married on October 9, have been
honored at a round of social affairs. Among those wrho
have honored the couple are Mrs. Claude G. Furbish
(Frances Mace), Mrs. Morton R. Gibbons, Miss
Doreen Tittle, Mrs. Louis S. Beedy and Mr. and
Mrs. Oze Van Wyck, Jr.
Mrs. Ashton Potter plans a trip to China this
winter and will leave for the Orient within a month.
Mr. Peter McBean was host to a group of friends
whom he entertained at dinner and the theater.
Mr. Edward V. Saunders gave a large buffet
luncheon at the Menlo Circus Club preceding one of
the recent polo games.
Mrs. Dunn Dutton was hostess at a buffet supper
at her home in Burlingame, the occasion being given
lor Mr. and Mrs. George A. Xewhall, Jr.
The final Fashion Show of the Junior League was
given at the Benjamin Franklin Hotel in San Mateo
on the afternoon of September 30.
Mr. and Mrs. Alexander Hamilton have reopened
their Washington street home after spending the
summer in the country.
Mr. and Mrs. Marshall Madison are again in their
Clay street home for the winter season.
SAN FRANCISCANS ABROAD
Mr. William H. Crocker has joined Mrs. Crocker
in England and will not return to California for sev-
eral months. They will spend some time on the Con-
tinent.
Mrs. Estelle Monteagle is returning to Paris shortly.
Her two daughters are in school in Neuilly.
Mr. Luigi Silitti. Italian Consul General, has been
ordered to his new station at Marseilles.
Mrs. Jerome Landfield sailed from XTew York re-
cently for England and will spend some time visiting
Count and Countess Andre de Limur at their home
in London.
Mr. and Mrs. George W. Lewis were in Berlin
at last accounts.
SAN FRANCISCANS IN NEW YORK
Mr. and Mrs. S. F. B. Morse were recently on Long
Island, guests of Mr. and Mrs. J. Cheever Cowdin.
While in New York they stayed at the Savoy-Plaza.
Mrs. Pollock Graham is on a six weeks' visit to
X'ew York.
Mr. and Mrs. Edward J. Tobin were guests re-
cently at the Savoy-Plaza.
Miss Sally Tanner has returned to school in Balti-
more after passing the summer with her aunt, Mrs.
Charles Clarke Keeny, at the latter's ranch in Men-
docino County.
Mrs. Louis R. Cates and her family have rejoined
Mr. Cates at the Ritz-Carlton in New York.
Mr. and Mrs. Charles Crocker are in Xew York.
Mr. Crocker is studying at Columbia.
Mrs. William W. Crocker, who has been in Xew
York for some time, recently entertained Miss Marion
Hollins at a luncheon, preceding the polo games on
Long Island.
Mrs. Marion Lord was at the Hotel Ambassador
until the end of September, when she sailed for Paris.
Mrs. Cyril McXear. whose home in now in New
York, was among the guests at a dinner given re-
cently at the Central Park Casino bv Mr. John L.
Merrill, Jr.
SAN FRANCISCANS IN THE SOUTH
Major and Mrs. Barclay Warburton were recently
at the Hotel Del Coronado.
Mr. and Mrs. Taylor Pdlsbury recently spent a
week-end in Santa Barbara with Mr. and Mrs. H. D.
Pdlsbury.
Dr. and Mrs. W. B. Coffey were recent visitors
at Coronado during the meeting of the American
Railway Surgeons.
Mr. William Ede, Jr., was a guest recently at the
Biltmore Hotel in Santa Barbara.
Mrs. Paul I. Fagan presented a tract of land to the
city of Honolulu, the land to be converted into a park
and named the William G. Irwin Park, in honor of
her late father. The gift was made during the recent
sojourn of Mr. and Mrs. Fagan in Honolulu.
Mrs. Frances H. Stent and her two daughters
spent a week at the Biltmore Hotel in Santa Barbara
recently.
Mr. and Mrs. C. O. G. Miller were guests at the
Huntington Hotel in Pasadena for a week.
Mr. Frederick Clift spent several weeks at El
Mirasol in Santa Barbara.
Mrs. William Cannon spent a month in Santa Bar-
bara recently and joined in the activities of the
younger set in Montecito.
Mr. and Mrs. Ettore Avenali and their daughter
were guests at the Miramar in Montecito during
September.
THE SAN FRANCISCAN
On the Old West Coast
Joaquin Murrieta
From a painting by a Padre of Carmel
IT HAS been published and republished that
the noted bandit, ]oaquin Murrieta, was
killed on the border of Tulare Valley in
1853. Captain Harry Love of the Rangers,
with a half dozen of his men, surprised the
bandit, killed him and one of his lieutenants
notoriously known as "Three-Fingered-
Jack." Joaquin's head and Three-Fingered-
Jack's hand were preserved in alcohol and for
a number of years were on exhibition at
Natchez's Arms Store and Pistol Gallery on
Clay street, opposite the old Plaza in San
Francisco.
Natchez was a character. He came from
Natchez, Mississippi, and that is how he got
his sobriquet. Natchez furnished and loaded
all of the pistols used in early-time duels and
in this respect his fame became as wide as the
state itself. A great pistol expert was
Natchez. He was accused of contributing to
the killing of Senator Brodenck bv |udge
David S. Terry in 1859. That is, he was
accused of setting the triggers of ths pistols
used so delicately that the sudden raising of
one would cause it to go off; that Terry was
made aware of this fact, but Brodenck was
not. Brodenck was said to have brought his
pistol up with a jerk and it was discharged,
the bullet entering the ground, whereupon
Terry took deliberate aim and Brodenck fell
dead. This is the old story, but from mv
knowledge of Natchez and of all the persons
concerned in that duel I am willing to say
that it is all an arrant fiction.
• • •
Among the most eminent of those gentry
that complimented California with a visit
were two whom 1 particularly remember, Jim
Holmes and Jim McLean, both big, hand-
some, athletic, educated and apparently
well-mannered Americans — but cut-throat
robbers, nevertheless. The author had the
distinguished honor of personal acquaintance
with these two celebrities. They honored
San Francisco by their arrival in 1854.
Holmes was gathered into the fold at San
Quentin in short order, but the authorities
did not lay claim to Jim McLean until Januarv
'55, when he took up his quarters at the
State's boarding house under a ten-year sen-
tence for a Wells, Fargo robbery.
1 forget what it was that caused Mr.
Holmes to reside temporanlv at San Quentin;
but it was apparent that he was too great a
man, too useful to certain classes of the out-
side world, to be kept inside prison walls for
any considerable period of time. So in March,
'56, our then great, beer-drinking governor
of California, John Bigler, pardoned him.
It was like this. By some means or other
Jim Holmes entered in negotiations with |ohn
Bigler for his freedom. He represented to the
governor that he had $200,000 worth of gold
dust buried on the Isthmus of Panama, and
that if His Excellency would only let him
out he would make an equal divvy.
Jim Holmes went free. He immediately
sailed for Panama accompanied by an agent
of the governor. The author was a passenger
on the same steamer.
Oh, what a swell Mr. James Holmes did
cut on that boat! Many thought he was a
statesman on his way to Washington, others
that he was a confidential agent for Cor-
nelius Vanderbilt , on whose steamer we were
traveling, which appeared probably because
he certainly seemed to own the vessel. Some
contended he was Sir Harry Huntlv, an
eminent English traveler who was then doing
the Pacific Coast incog. But a few of us on
board knew who the fellow was and some-
body let the secret out. But that the gentle-
man was an eminent cut-throat and Isthmus
robber only increased the awe with which
he was regarded by the majority of his fellow
passengers, because Jim, when the cat got out
ol the bag, told an appealing story of how the
We present excerp
written by Major
Bartlett (or publicJ
California will sure.
Major Bell, the sell
fair treatment he had received from the
authorities in California had made a new man
of him, had reformed him; that now he was
going down to claim a fortune which awaited
him so that henceforth he could live a good
and charitable life. After this sentimental
outburst most of the passengers seemed to
deem it an honor to touch the hem of the con-
vert's garment, and Mr. |arnes Holmes stalked
around the steamer with all the dignity of a
mastiff in the presence of poodles.
Having once set foot in Panama Mr. Holmes
gave the governor's confidential agent the cold
shake. He advised the gent to go back to
Governor Bigler with his compliments and
tell him that he would lay for him the next
time His Excellency crossed the Isthmus go-
ing East.
IT IS not to be inferred that only men
eminent in a criminal wav distinguished the
Pacific Coast in those days, though one is
tempted to pick these out as the most enter-
taining to write about. Some of the most re-
markable characters that have illumined the
world's history within the past fifty years
were somehow or other identified with Cali-
fornia in her golden age, 1849 and the early
'50's. The Califorman connections of some
of the great writers and artists of various
kinds in that period are familiar to the public ,
but there is also a list of military and naval
names that afterward became eminent. For
instance: Grant, Sherman, Stoneman, Hooker,
Halleck, Mansfield, Steadman, all of whom
Meiggs Wharf, San Francisco near the present site of Fishermans Wharf
OCTOBER, 1930
19
rom the book "On the Old West Coast",
)race Bell and recently edited by Lanier
n by William Morrow. The lover of early
delight in these fascinating reminiscences of
anfessed "truthful historian".
later won fame on the field of courage. Even
grand old Farragut was a familiar figure at
the Oriental Hotel in San Francisco when he
was in command of the Mare Island Navv
Yard.
Hubert Howe Bancroft grew great in the
biography business. He was the top of the
biographical graft. He began compilation of
a work to be called "Kings of the Common-
wealth." Think of it — Kings of the Com-
monwealth! Any one could be a king of this
commonwealth by paying from one thousand
to five thousand dollars Every old gambler
in San Francisco , every old stockbroker , every
shoddy real estate man and all of the sand-hill
lords caught at the bait.
THE first Los Angeles mob raised its horrid
head in 1851 when a Mexican named
Zavalete was hanged. From that time on
mob rule and lynchings showed a healthy
growth from year to year until in 1861 the
great traveler, J. Ross Browne, visiting here,
was moved to contribute to Harper's Weekly
in New York some astonishing observations
on life and death in the City of the Angeles.
He said he was familiar with all manner of
game hunting the world over — buffalo, bear
and wild turkey in the West; tigers in India,
lions in Africa and jaguars in South America —
but that Los Angeles was the first place he
had ever been where he had been honored
with an invitation to go man hunting.
"Why," wrote the globe-trotting Browne,
"you would sit at the breakfast table of the
Queen of the Angels and hear the question of
going out to shoot men as commonly discussed
as would be duck shooting in any other coun-
try. At dinner the question would be, 'Well,
how many did they shoot today? Who was
hanged?'"
One evening this distinguished traveler
was sitting under the portales in front of the
Bella Union Hotel on Main street, his chair
tipped back against the adobe wall as he en-
joyed his post-prandial cigar. Through the
deeply-embrasured windows to either side
of him could be heard the sounds from the
barroom — clinking glasses, loud discussions
in English and Spanish, the click of billiard
balls. Outside the street seemed in complete
siesta, thought Mr. Browne, and he was about
to yield to that snoozy feeling himself when
he noticed that a citizen had suddenly ap-
peared close to him and without paying the
least attention to Browne was dodging back
and forth, peering into one window and then
another, a double-barreled shotgun held at
ready. Here in the portales there was deep
shadow except for the yellow shafts of light
from the windows. The citizen •would raise
his gun and aim carefullv into the barroom of
our leading hostelry, then apparently his
game would move and he would "recover
arms" and tiptoe to another window.
Finally Mr. Browne could restrain his
curiosity no longer and ventured to ask the
hunter what he was aiming at.
"Sh! Sh! you damn fool!" whispered
Gabe, for this was no less than Gabe Allen,
an eminent character of the Pueblo in those
days. "Don't make a noise! I'm trying to
bunch them fellows in there. I'd like to get a
half dozen at a shot."
• • •
With the aid of the Spanish-speaking
population the Republicans elected Billy
■ *?■'
Panorama of Los Armeies in the 50's looking north along Main Street
Don Francisco Sepulveda
Alcalde of Los Angeles in 1825
Warren city marshal. Billy Warren wanted
one more policeman to add to the force, then
numbering six. He came to me about it and I
named Jack Rhodes, who had been a gallant
member ot the Second Illinois Cavalry, and
with whom I had served.
Did this produce a sensation? You can
imagine' Joe Dye, a noted man-killer, was a
member of the police force, and he began to
brow-beat and insult Warren because of this
appointment, and two years later the feud
thus engendered ended in Dye killing War-
ren. Shortly after killing the marshal Dye
killed a couple of other men, and then fell out
with his foster son, who barricaded himself
in a window on the south side of Commercial
street and sat there with a double-barreled
shotgun loaded with buckshot until Joe came
along and then riddled him.
ONE day during the height of the Denis
Kearney campaign in San Francisco
against the Chinese in California, when
the union workingmen were being inflamed
against coolie labor, a delegation of so-called
workingmen called at Major Reynold's office
in Los Angeles. The Major was doing some
work in Southern California at the time for
the Surveyor General and maintained an office
in the old Temple Block, near my own. I said
so-called workingmen because the agitators
that made up the visiting committees in those
days were merely windjammers that did no
work except with their voices.
The Major and I were enjoying post-
prandial cigars and some gossip in his office
when in walked the delegation, requesting a
contribution to the "Workingmen's Fund,"
to be used to bring about legislation for the
expulsion of the Chinese from California.
Reynolds listened respectfully to their
speeches and when they had finished this was
the answer he shot back at them:
"A fine set of statesmen you are, picking
me out to insult me. You come here asking me
Continued on page 26
20
THE SAN FRANCISCAN
IN THE first issue of Tlic Argonaut Ambrose
Bierce announced that his intention was to
punfv the journalism of San Francisco by
instructing such writers as were worthy of
instruction, and to assassinate those that
were not.
In the second issue of The Argonaut Bierce
commented upon a list of American million-
aires published by a New York paper and
crediting San Francisco with thirty holders
of such wealth. Bierce compiled a list of 100
San Franciscans, having a $1,000,000 or
more, and commented thus: "Some have
grown rich bv plodding toil. Some have
crawled along the slimy path of usury; some
have leaped into unexpected riches by un-
expected luck . . . The productions of some
of them are highlv creditable, and there are
some whom God Almighty would be glad
to be relieved from the responsibility of their
creation."
During the middle 1890s Bierce showed
a visiting New York journalist the section of
sidewalk, shortlv before spattered with
the blood and brains of a recent murder
victim. He remarked sadly that killings in
San Francisco had lost qualitv. The custom
of impromptu hangings had also passed from
th; town's cahndar of social usage. It was
high time, declared Bierce, that he left the
citv.
When Hearst sent Bierce to Washington
and New York in 1896 to lay close range
siege to his old enemy Collis P. Huntington,
Huntington and his railroad owed the nation
CAUSERIE
FOR a number of years Charles Norris
occupied a rather uncomfortable position:
he was known either as the brother of
Frank Norris or as the husband of Kathleen
Norris. He hardly could call his life his own.
But slowlv he has won a recognition which
may eventuallv secure for him a reputation
greater than that of either of the other mem-
bers of his familv. Some of us will no doubt
go to the end of our days considering Frank a
finer writer and regretting his earlv death,
but even we are increasingly willing to admit
that Charles certainly has his good points.
Unfortunately, his new novel Seed (DohMc-
tkv-Donjn ) does not add very much to his
reputation. I confess that my reading has been
hasty; I have not given the book the fair trial
of a long and careful examination. The fault
may easily be mine, but I find the book dull.
Mr. Norris is too concerned with his thesis,
forgetting that once the novelist lets his thesis
become his chief consideration, he ceases to
be an artist and becomes instead a writer of
tracts. The book reminds me a little of a bad
novel of Zola, Fecundtte, in which the theme
is reversed; Zola showed the catastrophies
which followed upon the practice of birth
control; Mr. Norris implies rather dire re-
sults if one does not practice birth control.
Of AMBROSE BIERCE
And His Part in the History of
San Francisco Journalism.
$75,000,000 in interest on government
bonds , advanced by Congress to aid in financ-
ing the Central Pacific. Huntington had intro-
duced into Congress a bill , so worded that
its sole purpose seemed to be to arrange for
payment of this sum by the railroad in small,
convenient, protracted payments.
In its way, this plan might be deemed fair
enough. Its logic stood every chance of being
accepted as seemly and fair by the country's
"best minds," until Bierce exposed the bill
as an ingenious scheme to enable the road to
ultima telv evade payment of the $7 5 ,000 ,000
and to give the road steel clad and eternal
hold on the West and the fulness thereof.
In the Biercian spotlight "Uncle" Collis
Huntington squirmed nakedly. The story is
told that he one day met Bierce and insolently
asked what his price was. Bierce sharplv re-
plied that it was $75,000,000, payable to
him or the United States Treasurer. The bom-
bardment continued. Huntington cursed,
lobbied and dodged this way and that. The
spotlight followed his everv move. In time,
its hot, vellow glare wore to raggedness even
the Huntington resistance. The bill in ques-
tion was withdrawn from Congress.
by Frank L. Fenton
But it would be unfair to say that the book
was merely a tract on birth control ; there is
far more to it than that. Still, the large sale of
the book depends partly upon the fact that
the layman suspects it to be a bit of a shocker,
which it is not. He is too good a writer to
have to depend upon a succts ilu scandal .
COMING from a literary familv surely
has its drawbacks. Note the unfortunate
case of young Shan Sedgwick. Scribner's
have recently published his novel Wind
Without Rain, but they were not content to
let the book and the author rest on their
respective merits. Instead we are told that
Mr. Sedgwick is the nephew of Ellery , editor
of the Atlantic, a distant cousin of Anne
Douglas, and a great grandnephew of Cathe-
rine, a literary lady of the ante-bellum (Civil )
days. With such a blast of ancestral trumpets,
any writer would be (or ought to be) em-
barrassed. The book is a first noveT, if we dis-
regard the one which the helpful editors tell
us was thrown into the Seine by its unsatisfied
author. We shan't be so cruel as to say this
one should have been thrown in, too, al-
though it is a great temptation. The book is
an unemotional expose of the inner lives of
our financially secure pillars of society in a
by Zoe A. Battu
ROUGHLY, these four incidents comprise
a synopsis of Ambrose Bierce's career,
as an American and particularly, a San
Francisco journalist. He had come to the
town in the middle 1860s, following his
Civil War career. He obtained a position in
the Sub-Treasurv office and proceeded to look
about him. To a man of his mind the San Fran-
cisco of the day offered a diverting spectacle.
The Central Pacific was building and near-
lng completion. The air of the mining camp
was still with the city. Occasionally, justice
was done directlv to horse thieves and hold
up men, in view of all who cared to witness
the proceedings. Divorces were studies in
lurid colors. Suicides, by reason of financial
reverses or misunderstandings in romance or
marriage, were pleasantly and dramatically
numerous. The Comstock Lode was in active,
fevered development. The Stock Exchange
had been organized m 1862, thus rendering
it possible to gamble by rule and respectably,
and democratically opening this San Fran-
cisco pastime to bank clerks, messenger boys,
ladies' maids and street car conductors.
Continued on page 24
fashionable New York suburb. It reveals their
bargainings with bootleggers and their dalli-
ance with stenographers But most of the
characters fail to come to life. Even Kay
Bvrne, one of the secretaries who dismisses a
vexing current problem with: "Free love's
terrible expensive," does not quite get over.
The one character who does is Hartley,
spoiled son of a rich and lecherous old father.
voung and handsome Hartley who "might
have shaken himself out of the perfumed bed
of some leading actress, or princess visiting
America. He might have been standing or ly-
ing on the pavement since dawn outside a
brothel or the apartment of the night before's
pick up. You never could tell." But after the
author kills him off before the book is halt
over, the life goes out of it completelv.
Certainly no one has more admiration for
the academic attainments of Dr. William
Lyons Phelps than I, but I regret tha: he feels
it necessarv to publish such anecdotes as we
find in Essays on Things (MacMillan). The
son of a Baptist minister and himself a pro-
fessor, Dr. Phelps I suppose cannot help
preaching, and that he does vigorously
whether his subject is a pair of socks or
Russia before the revolution. Through it all
runs a vein of bland and academic humour
which smacks rather too much of the class-
room. After a hundred pages or so, one turns
with relief to something a little more vital.
This something might very well be Ocean
Parade (Robert McBnde and Company ) by
Fntjoff Michelson and Leon Byrne, a rollick-
Continued on page 22
OCTOBER, 1930
21
NOB HILL TOPICS
AS THE winter season gathers mo-
^\ mentum The Mark Hopkins and
The Fairmont Hotels— the Aristo-
crats of Nob Hill— draw a large number of
permanent guests who find that Nob Hill is
the ideal situation for town residence. Un-
hampered with details of a private establish-
ment, more and more people appreciate the
perfect service of the two leading hotels.
They find the combination of private suite
with unlimited entertaining facilities quite
suited to the modern social pace ... As
the season advances, Peacock Court and the
dignified dining rooms of The Fairmont
draw increasingly gay crowds. At luncheon,
the city's smartest women meet friends for
post-shopping or pre-bridge engagements
and business men, seeking an hour away
from the tension of Montgomery street,
engage tables on Nob Hill, three minutes
from the heart of the financial district . . .
As evening falls, tea, dinner and dancing
follow each other in a crescendo of gaiety.
22
THE SAN FRANCISCAN
Only quality can be truly smart . . . they
are unusual charms that one is to be-
hold intheassemblageofKNOX
Autumn fashions for women.
Sport coats . . $69.50 up Fabric suits
Town coats . . $75.00 up Knit suits .
Silk dresses . . $29.50 up Ensembles
Wool dresses . $29.50 up Felt hats .
Berets .... $3.75 up
. $95.00 up
. $29.50 up
. $95.00 up
. $ 10.00 up
KNOX
■1/tajo Qjnops in Cjcn ^/~ l
a n czsco
51 GRANT UgLy HOTEL ST
AVENUE Mm FRANCIS
'KNUX*
Lausene
Continued from page 20
ing good tale of a voyage to the Orient as
members of the crew o the West Wanderer.
The thing is filled with brawls, fights, nar-
row escapes, and amazing drinking bouts. It
is fantastic. One is almost led to doubt the
veracity of the authors, but they swear it's
true. And even if it weren't, it wouldn't
matter, for the whole thing is told with a
vigor, enthusiasms, and complete naivete that
makes it a charming relief from the rather
weary sophistication of current fiction. One
can forgive the self-conscious display of a
familiarity with literature which is not com-
plete enough to prevent misquotation; one
can forgive the lapses into a rather lurid
sentimentality. Both of these defects grow
out of the book's chief virtues: youthful en-
thusiasm and delightful unsophistication.
DO YOU remember Doris Webster and
Mary Alden Hopkins who brought out
Mrs. Grundy is Dead not so long ago?
These two extraordinary young women have
now published through the Century Com-
pany a very amusing literary game, Consider
the Consequences. There are three char-
acters, Helen Rogers and the two men who
love her. Whenever a character is forced to
make a decision, the reader does it for him,
the ultimate outcome depending on the
decision. Of course, if you get through and
don't like the outcome, you can go back, make
another decision, and see what happens.
That's the book's great advantage over life.
Consider the Consequences should be a boon
to the hostess with a dying party on her
hands, and a great consolation to crotchety
old bachelors on long winter evenings.
Another diverting book is Fun Sketching by
W. R. Maxwell Foster published bv Mac
MllldM.
BUT all these seem almost irritatinglv
trivial when one puts them aside for
such a book as Jean Cocteau's Enjants
Terribie, published in translation by Brewer
iitul Warren. Somewhere the idea arose that
Cocteau is merely a clever writer, and the
American edition of his book is certainly
burdened by a format which places great
emphas s on smartness. One expects a novel
mildly amusing and superficially sophisti-
cated and finds instead a tragedy of fine work-
manship, a clear, clean-cut style, a grim but
never bitter humour, and a diabolically accu-
rate analysis of the characters of the two
strange children, Elizabeth and Paul. The
book is not gay, not amusing except in the
occasional thrusts at Americans which the
author permits himself. It is not a "glad''
book, not even a pleasant book. Certainly it
is no thing to give vour Greataunt Amelia to
read on a train journey. But it is a delight to
anyone who enjovs a novel of sure crafts-
manship, of restraint, or powerful characteri-
zation, a novel which penetrates into the
tragic , dark recesses ol the human soul .
OCTOBER, 1930
23
Polo in California
by Brookes
THE ranks of the Long Islanders have been crashed, and California
now holds a definite place in American polo. In the past, the teams
representing America in the International matches against Great
Britain (practically equivalent to the World's Championship ) have
been composed exclusively of eastern veterans from Long Island and
vicinity. This year, for the first time, the American team was composed
of young men, chosen by Captain Hitchcock for their present ability
rather than their past reputations. Among them were two Californians,
Eric Pedley, whose brilliant performances in the past few weeks have
occupied front page space, and Elmer Boeseke, who, though he just
missed making the first string, was substitute for No. 2 position on the
International team , and is one of the few eight goal handicap men in the
country.
And at this particularly auspicious time a Polo Club is being formed
in San Francisco, by representative sportsmen and polo enthusiasts,
headed bv Rexhall Keene, (former internationalist and one of the best
known horsemen in the United States,) who aim to make San Francisco
a Western Meadowbrook , in other words , the Polo Center of the West!
The club will be situated in the Golden Gate Park stadium and is to
be called the Golden Gate Polo Club. Its object is to bring good polo
to San Francisco and its board of governors has extended invitations to
such eastern teams as Meadowbrook, Rockaway and others, interna-
tional teams from Argentine, Honolulu, as well as teams from Los
Angeles and Santa Barbara. It is the intention of the board to schedule
about 20 games each year including the staging of a great United States
Army tournament.
With the invasion of California bv the Argentines last spring, the
possibilities of popular polo were realized for the first time, due to the
enthusiastic reception with which the matches were met. Having a
definite center at which international matches can be played will
greatly increase popular interest in Polo. Up till now the matches have
been scattered throughout California with no ultimate "gravitation
point' ' as in most other sports.
THE international games at Meadowbrook, Long Island between
United States and Great Britain are international in name only , and
might well be called the British-American Championship. These
matches will always be plaved in the East as a matter of convenience
if for no other reason. On the other hand, the Pacific Coast Champion-
ship, in which any team is eligible to compete is reallv closer to a
world's championship in polo. Using tennis as a comparative example
one might sight the Davis Cup matches which for years have terminated
in a struggle between United States and France as relative to the
Internationals at Long Island as compared to the Wimbledon matches
which are a free for all, American vs. Americans. French, English, etc. ,
as relative to the Pacific Coast Championship.
And now a word about the California players. The most outstanding
group is the Midwick team, which includes Pedley, Boeseke, Neal
McCarthy and Carlton Burke. The most promising new candidates for
the Internationalist according to Hugh Drurv, who practically made
Pedley and who was at one time conceded to be the world's greatest
player, is young "Linn" Howard of the San Mateo Burhngame Club.
Other Burhngame stars are Will Tevis, Dana Fuller, George Pope and
Kenneth Walsh. From this material a representative California team
should eventuallv evolve that, suitablv mounted, would be invincible.
CALIFORNIA SCHOOL of FINE ARTS
Affiliated with the University of California
CHESTNUT AND JONES STREETS
San Francisco
DAY AND EVENING CLASSES NOW IN SESSION
SPRING TERM OPENS JANUARY 5, 1931
Call or write for catalogue — Lee F. Randolph, Director
Telephone GRaystone 2500
When G. F.
Get Together
the glasses are almost (sic) as im-
portant as what's in them. Quite
the smartest you can get are those
sketched up top ... in sizes called
Highballs and Oldfashioneds and
Nips. The latter are labeled,
you'll note: "Just a swallow.
All are of imported Belgian glass,
hand decorated over here. Not
high priced, but deucedly high
class.
for Manufacturer
,d "c
//
am
.onsumer
A clever cocktail shaker, this;
and of satisfying capacious-
ness. Belgian crystal, too, as
are the cocktail glasses. The
decorations are done in
enamel, by hand, and
right skillfully.
G
Hill
246-248 POST ST.
s
SAN
FRANCISCO
24
THE SAN FRANCISCAN
/£r£*^.
1 THE SAN FRANCISCO BANK I
SAVINGS COMMERCIAL
INCORPORATED FEBRUARY 10XH, 1868
TRUST
One of the Oldest Banks in California, the Assets of which have
never been increased by mergers or consolidations with other banks.
Assets over $131,000,000.00 Deposits over $125,000,000.00
Capital, Reserve and Contingent Funds, $5,600,000.00
The following accounts stand on the Books at Sl.00 each, viz.:
Bank Buildings and Lots - (Value over SI. 925. 000.00)
Other Real Estate - - - (Value over $310,000.00)
Pension Fund - - - - (Value over $690,000.00)
Interest paid on Deposits at 4 yx Per cent per annum
Computed Monthly and Compounded Quarterly
Anson Weeks
Orchestras
MUSIC
Supplied Jor All Occasions
Office
FAIRMONT HOTEL
Telephone DOuglas 8800
Expert Bead
Stringing Co.
Chokers, plain 35c
Chokers, knotted 60c
Expert care taken with each necklace
— only strong silk threads used — the
finest workmanship at reasonable prices.
Specialists in washing necklaces.
Suite 41 S Liebes Building
177 Post Street SUttei 7577
Ambrose Bierce
Continued from page 20
Mark Twain, Bret Harte and Stephen
Massett were writing sprightly pieces for
The Aha, The Golden Era or News Letter. "The
Town Crier" of the latter publication made
amusing and pointed comment upon the
town's passing show of people and events.
Reading this material, young Bierce decided
that he could do as well. He decided, in fact,
he could do better. The then practicing
journalists waxed witty largely over small
details. They sidestepped main issues, and
gracefully avoided shooting to kill.
Such tactics, Bierce decided, were not
adequate to the situation. These San Fran-
ciscans were a piratical lot with tough hides.
They might be no worse than the Rocke-
fellers, Carnegies, Goulds and Hannas rising
in the Eastern sky. But they certainly swag-
gered more arrogantly, and when they
achieved boiled shirts, they gave themselves
greater airs as opera goers and art patrons
than did their Eastern contemporaries. If
they were to be taught to exercise business
acumen with pretensions to decency, and
were to be given discrimination in art, civili-
zation and culture, they had to be tutored in a
hard school. Ordinary criticism would not
do.
Bierce presently began to write satirical
sketches, employing his own ideas of tech-
nique. He submitted them to Tht Alta and
J\[cu'5 Letter, and both papers promptly ac-
cepted whatever he offered. Charles Watkins ,
editor of Tin- Nl'U's Letter, took the trouble to
further instruct and guide his promising
young contributor. In 1868 Watkins resigned
from his position, and induced Marriot to
give Bierce the editorship of Tlii J\[ars Litter
and the writing of "The Town Crier. ' ' Bierce
thus became a full fledged |ournahst, and his
handling of "The Town Crier" won him
local favor and New York and London
recognition.
IT WAS this latter recognition that led
Bierce to go to London in 1872, where he
remained five years. But the year 1877 saw
him again in San Francisco and editor of the
newly established Argonaut; His special,
signed department on the paper was
"Prattle." He still had hopes of improving
the town's taste in arts and letters, and its
business and political ethics. His work on
The Argonaut was generally enjoyable and
satisfying even to him, but presently he
wearied of its publisher, Frank Pixley. He
resigned from the paper in 1879, and spent
a year in an ill fated mining venture in the
Black Hills. In 1881 Bierce returned to San
Francisco and journalism as editor of The
Wasp, with which he remained until 1886.
In 1877 Bierce entered Hearst's employ,
and resumed on Tlic Evimiii.r, his column,
"Prattle." He continued to mercilessly be-
labor frauds, charlatans and impossible theor-
ists in arts, letters, science, industry, finance
and politics. He found time to write his
OCTOBER, 1930
25
weird short stories, to make a poet of Ster-
ling, and to make authors of such novices as
could stand the rigors ol his training. These
appear to have been few and ungrateful to
their teacher.
Bierce's memorable encounter with Hunt-
ington in 1896-97 was the last great battle of
his journalistic career. He continued as a
Hearst journalist for several more years, but
his heart was not in the business. Mr. Hearst's
Spanish American War left him cold. He
flashed momentarily in the excitement of
McKinley's assassination, but he rebelled
completely at Hearst's attempt to bind him
to his magazine ventures. He turned sadly to
select the best fruits of his some forty years of
labor and embody them in book form.
He returned wistfully to San Francisco,
where killings had lost quality, but such a
changed situation was to Bierce not for the
better but for the worse. In all things, the
town had learned a new diplomacy; it was
beginning to chant a new hymn of Service.
Chinese skulls were no longer cracked but
neurotically overwrought women mooned
estatically of Oriental occultism, while the
intelligentsia grew delirious over Socialism.
Impending Prohibition would complete the
ruin. Bierce decided with unreserved finality
that what he had long suspected was true,
namely: the removal of one futility merely
makes room for two more. He did the only
thing a man of his dignity and integrity could
do. He crossed into Mexico one fine day in
1913, and has been heard from no more.
a njacnt eiub
■and get into the sport
Every thoughtful father
knows that the cost of
membership is a small price
to pay for the invaluable
lessons of initiative, self-
reliance, and prompt obed-
ience to discipline that the
sport of yachting teaches
a growing boy.
7 BAY CLUBS offer mem-
berships ranging as low
as $1.25 per month.
'Write for information
YAC«T SMAN'S
HEADQUARTERS
"~7 Froivt Slrect - San Francisco
B. H. HEBGEN
COMPANY, Ltd
NUNES
BROTHERS
IMPERFECT CELLAR
We can recommend certain
experts, whose services, for a
nominal consideration, are
available at your home for the
refinement of your beverages.
The Perfect Cellar, you know, is one that
i6 generously filled with Asti Colony Juices
of the Grape. Years of experience have
taught the Italian Swiss Colony, the pro-
ducer of these juices, the secrets of the
fruit of the vine. In these juices will be
found the perfect flavor and bouquet of
rare old vintages, which only years of
technical knowledge and the art of blend-
ing can produce.
These juices are sold in the choicest
varieties . . . Tipo Red, Tipo White, Bur-
gundy, Port, Sherry and Muscatel. These
the moderns stock in their cellars for the
preparation of non-intoxicating beverages,
suitable for home use, that compare favor-
ably with the vintages of the good old days.
To be in step with the modern age, send
for an Italian Swiss Colony Cellar Builder.
Telephone GArfield 3 546 today for one
to call.
ITALIAN SWISS COLONY
51 BROADWAY - SAN FRANCISCO
Telephone GArfield 3546
Every
Woman
Can
Be
Beautiful
Facials
133 Geary Street
SUtter .... 5383
J.B. Pagano H. A.Dunlap
L. J. Capurro
UiaJioMs
Avansino Bros.fiPCo.
^jf 257 Qean St
$&n tyarvuco
Flower Orders Telegraphed Anywhere
26
THE SAN FRANCISCAN
ih
itTHE l£HITErHQIJSfc(
\V RAPHAEL WEILL S COMPANY/ (V
\No\VliCanB^TW^,\
S\
N
OW that the flurry and excitement
attendant on the fall openings has sub-
sided into definite fashion facts it is
possible to take a look around and see what's
what. One thing is certain, and that is that
the silhouette is materially the same. So, since
fashions must change if thev are to continue
their hold on the feminine affections, the cou-
ture have wisely and artistically turned their
attention to details.
So don't think for one brief moment that
you can get away with last season's costume
just because silhouettes have been repeated.
Details are going to date your costume with
inescapable accuracy. And, oh yes, fabrics,
too. The time saved on thinking up new sil-
houettes has evidently been put to the best
advantage in years as far as fabrics are con-
cerned. It might well be called a fabric and
detail season. And one thing distinguishes
them all. That is formality. Even tweed, as
you well know, since you probablv have
several costumes in your wardrobe this min-
ute, has taken on dignity and wears fine furs
with as regal an air as smooth broadcloth.
But, of course, this season's tweeds are not
the sports weaves of last season. They are
smooth (though not enough to lose their
original tweediness) lighter in weight and
in franker colors.
SIMPLICITY ot line coupled with intri-
cacy of detail has made high fashions
out ot panne satin, rich metallic cloth,
luxurious lames, cobwebby silk voiles with
pastilles of woven gold, stiff velvets, jewel
and gold or silver studded fabrics. Sounds
like the Rennaissance period, doesn't it, when
fabrics were as glamorous as the times.
And the wealth of detail that makes this
season so different from the almost alarming
simplicity of the past, is also reminiscent of
the Rennaissance. Only we refuse to be domi-
nated by detail. We subject it to conditions
of silhouette and fabric. We consider the pic-
ture as a whole.
NOW it is not only the actual dress-
maker work that goes into your fall
costumes to which we refer. Though
they are muchly in evidence . . . tucks, shirred
bands used in profusion by Chanel, Grecian
pleats, Russian embroidery and tunics, "gay
ninety" lego' mutton sleeves, not to mention
the many other sleeve types that are making
1930 fashions a sleeve season; with bows
from the Victorian era and decolletage from
the second Empire adding their romantic bit.
No, important as these are they are not the
only details to be considered. Such seeming
trifles as length of coat and frock, and their
relationship to each other, corseted lines,
jewelry accent, hosiery and glove shades,
position of the hat on the head, all these and
countless other apparently small matters are
vitally important to a successful 1930 appear-
ance. And these are details that depend upon
wiir personal sponsoring just as the others are
the creations of the couture. So, iwtdi wiir
details.
And , of course , that is just what The White
House is doing, too. Watching details of
style, price and quality, following a tradi-
tion of seventy-six year standing.
Gold Coast Days
Continued from page 19
to put up money to enable you fellows to
commit outrages on mv countrvmen!"
The leader of the delegation asked in
astonishment: "What do you mean by vour
countrymen?"
"What do I mean? Don't you know that I
am a Chinaman? I am not only a Chinaman,
sir, I am a Mandarin. At my father's house
such miserable trash as you are would not be
permitted to pick up the crumbs that fall
from his table. Get out of here and don't
assume to mix with Chinese gentlemen."
Utterly flabbergasted by the Major's lordlv
manner the Kearny delegation withdrew in
sullen confusion. As the door closed Rev-
nolds laughed and turned to me with the
question: "Say, Bell, do I really look so much
like a Chinaman?"
A word more about the illustrious Major
Reynolds. He had a very dark complexion.
As I have said, his mother was a Malay and
his father an American, and he was even
darker than ordinary half-castes. He was
sensitive about this and said that he had been
as white as any man until he had been arti-
ficially colored, and this is the storv he told
of how he had become colored:
"When I was twenty-five years old I was
supercargo of a trading vessel in the South
Seas. A hurricane struck us and piled the ship
up on a reef where she was torn to pieces.
Myself and three or four others escaped to the
island and were made prisoners by the
natives, who proceeded in detail to barbecue
my companions, leaving me for the last.
"Can you imagine a man's feelings when
he knows he is going to be spitted and roasted?
When he knows that he is going to have his
bones gnawed by a horde of hungry cannibals?
Well, I knew I was in for an auto da fe and
that's all that need be said about mv emotions.
I brought all mv philosophy to bear and just
waited quietly for my day to come, for they
didn't rush things, but waited for a good
holiday to roast a prisoner.
"One dav the chiefs gathered around me
and held a great powwow. The other white
men thev had simplv knocked in the head,
one by one, when they needed a feast and
ADVERTISEMENT
ConrYoi§ier
474 POST STREET . SAN FRANCISCO
' Telephone DOuglas 4708
Fine Arts • Framing
—to October 12th
EXHIBITION OF
Portraits and Non-Portraits
JUSTEMA
OCTOBER, 1930
27
roasted them without anypow-wowingatall.
I began to wonder why they were giving me
such marked attention; but after awhile I was
made to understand that I was not to be
cannibalized. No, sir, the women had taken
a great shine to me. And the men allowed
that I ought to make a pretty good native and
that if they were successful in smoking me to
the proper color of a native they would not
only spare my life but make me a chief.
"Well, sir, I was put into a smoke house,
much like a house for smoking hams, and sub-
jected to the smoking process for three weeks.
During that time I was taken out several
times, washed off and examined to see if the
coloring had set into my skin, and each time
I was shoved back in again as underdone.
They gave me plenty of food and water dur-
ing the process but I tell you it was a tough
proposition. When they got through with me
I was as dark as any cannibal on the island
and not just on the surface, either."
Major Reynolds died at Los Angeles in
1889, thoroughly lamented.
HARD times fell upon the southern
counties of California about '58 and
continued for fully ten years, during
which we had one year of smallpox and two
years of absolute drought. The region became
terribly poor and very much demoralized.
The bad population that had drifted down
from the mines lived a lazy, gambling, vaga-
bond life; in fact, conditions detenotated
until absolute barbarism ruled. It was thus I
found it when I returned to Los Angeles in
1866.
I startled the whole countryside by buying
farm land at twenty dollars an acre. I secured
a place for a home at Figueroa and Pico streets
and began to build a house. Jean Louis Vignes,
an early French settler, came over to see me,
excited over the fact that somebodv was
actually buying land, and offered me his ad-
joining thirteen acre tract for three hundred
dollars. It later became the three city blocks
bounded on the north by Twelfth street, on
the east by Grand avenue, on the south by
Pico street and on the west by Figueroa street.
LOS ANGELES was for a long time be-
yond the reach of religious missionaries.
Their influence was absolutely inef-
fective. But by and by there came a civil lzer
and this was the railroad. The Southern
Pacific found its way hither across the high
Tehachepi, down over the burning Mojave
Desert, through the twisting Soledad Pass,
under the sheer San Fernando mountains
through a tunnel costing seven millions of
dollars and burst like a white light upon this
land of darkness. From the dav the whistle of
the first S. P. locomotive was heard in Los
Angeles our civilization started on the up-
grade. The missionaries of this civilization
that redeemed us were Leland Stanford,
Charles Crocker, Mark Hopkins and Collis P.
Huntington. Whether it was their intention
or not this was the result. They raised us from
barbarism into moral daylight.
CTh,
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call), Monaco, and the Riviera. Other fascinating ports of call are Malta, the romantic, Cyprus, the sunny isle, and
Messina (Taormina) in Sicily. And now the Island of Rhodes and further inland visits will be added. Rate from $955
including complete program of fascinating shore trips.
The Rotterdam has been entirely reconditioned. Real beds, instead of berths, hot and cold running water, a delightful
tile swimming pool and modern gymnasium are among the many new improvements which make this ever popular
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Apply for illustrated booklets
HOLLAND-AMERICA LINE
1 20 Market Street or Local Asents
ALSO LUXURY CRUISES WEST INDIES,
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In cutting and finger waving your hair Monsieur
Warner molds it to the contour of your head
with inimitable distinction.
Monsieur W. Warner
formerly associated with Antoine of Paris
and Saks, Fifth Avenue, New Yoik
The "new and different
Electrice Facial
featuring our own
Froznstringent
■
"Eugene" and "Natural"
Permanent Waving
■
Notox-lnecto Hair Dyeing
Electrolysis
French Finger Waving
•
Expert operators whose past
experience assures you unusual
service at
Electrice Beauty
Salon
251 Post Street — Second Floor
GArfield9216
28
THE SAN FRANCISCAN
Passing Shows
Continued from page 13
Hope Gladding. In November, the San Fran-
cisco Society of Women Artists will hold
their annual exhibition there. This, in turn,
will be followed by wash drawings, litho-
graphs and wood cuts by Max Weber . . .
paintings by Maxine Albro . . . drawings bv
Arnold Blanche, California School of Fine
Arts faculty member recently imported from
Woodstock ... a showing of European
sketches by Rinaldo Cuneo who has just re-
turned from abroad following his Rome
exhibition . . . paintings by William Gaw
. . . and, probably the piece de resistence of
early spring, an event comparable to the
Edward Raymond Moffitt
Designer and Maker of Fine Furni-
ture and Antique Reproductions
The table shown is Walnut
hand made — suitable for Span-
ish or French home — $65.00
Designs furnished without obligation
Studio H. L. Mack Ranch
Del Monte, California
Monterey 1092
Real Italian Food
Bohemian
Atmosphere
Luncheon
35c and 50c
Dinner 75c
LA CASA BIGIN
441 Stockton Street
San Francisco
Suit
For
Preparatory School Lads
in the distinguished, aristocratic fashions
worn by the boys who attend the great
American Schools, among which are St.
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Notable distinction in woolens and
absolute correctness in style are the
dominant characteristics of FAIRMONT
BOYS' APPAREL SHOP.
Overcoats are doublebreasted and in
raglan models camel's hair, cheviot,
fleeces.
Let us assure you that our prices are
notably moderate for apparel of this char-
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Large stocks now available.
Sizes from six to twenty years.
Twee @%rirmont
Fairmont Hotel
817 Powell Street Phone: SUtter 5504
v Mfc
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The Ambassador Hotel is repre- '
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c3 Company
Finej> Jewelry
Post and Stockton Streets
San Francisco
OCTOBER, 1930
es Sir,
these are ritzy!
Full cut plus-fours of truly
marvelous imported French
flannel . . . rather exclusive
. . . rather expensive . . . they
cost $20.. .and. By Jove,
they're worth it!
Modern Loan Exhibition of last season!
I was not amazed at the number of red
stars (marking sales ) posted on the water-
colors by Captain Drummond Fish recently
in the East West Gallery. A white-haired
Britisher with an intriguing Scotch burr and
a talent for painting romantic castles in high-
land mists deserves to make a killing in any
women's club — particularly when his water
colors are so charming in detail. The only
disturbing thing was the fact that from time
to time I found me saying to myself (with a
subconscious accent) "such a chaaahming
loch'' or "glen" or "brae," when closer in-
spection disclosed a California label. It was
shocking to find such wraithlike gaelic realism
derived from our own craggy Sierras. The
captain has been replaced by John Milton
Ramm, traveling San Franciscan adventurer,
whose travel paintings will be succeeded by
a joint exhibition of water colors and prints
by Carroll Bill and Sally Cross Bill of Boston.
November will bring to the East West work
by Moira Wallace of Carmel, photographs by
Stuart O'Brien (also Carmel), paintings by
Harriet Hoag Fabian, formerly of San Fran-
cisco, and original tapestries woven by Lucy
Burton, recognized by the queens of both
Spain and England.
GUMPS has started the season auspi-
ciously by showing a portfolio of color
etchings by Foujita. These rhythmi-
cally limned nudes represent the extreme of
29
jW
presents
o %Sb
a <^a *
Exclusive
jBilgJM <g"\
Models
for
JPi
ft jiii§ji
Sports
Daytime
and
Evening
•
by
HL -
appoint-
ment
^^P^IPIjjkP^
2145 Franklin Street
ORd
way 5782
^^^^^^^^^^^^gj^Uli
iL
Neckwear
Shirts and Pajamas
Custom-made to order
In our own workrooms. We make this haber-
dashery from the choicest of our imported fab-
rics to suit the individual requirements of
gentlemen who desire the utmost exclusiveness
Holiday Orders now
being received
Bullocfa Jones Co.
TAILORS & IMPORTERS OF MEN'S WEAR
Post Street at Union Square
IN LOS ANGELES: 649 SOUTH HOPE STREET
iiEii»)gfcjc*3g*aaaaasafas*3=iBg
H.LIEBESSbCO
GRANT AVE AT POST
and 'Proud
because our friends are as delighted as
we are with tlie beautiful newly re-
modeled shops on our second
and third floors.
It is a pleasure to be able to offer greater
conveniences and better shopping facili-
ties in an attractive new setting.
Come in and visit
. . . you are most welcomed
30
THE SAN FRANCISCAN
BEFORE OR AFTER
THE GAME
Stop at
>akTm!nn
SAN MATEO-C4LI FORNIX
ONiTHE HIGHWAY
Splendid Food
served in congenial surroundings
a certain detached sophistication that has
spread from the French capitol. This month
the Gump galleries will show paintings by
Julian Greenwell and reproductions of
famous pieces of sculpture by the Musees
Nationaux de France. Later in the season
there will be water colors by Arthur B.
Davies, paintings by Edward Bruce, a show
of ten or twelve original old masters and the
work of Ernest Lawson. This month during
the Greenwell showing, Gump's will also
present a group of photographs of old San
Francisco collected by Martin Behrman dur-
ing the past fifty years.
With the A. Harold Knott paintings re-
placed by recent watercolors by the Botkes.
Cornells and Jessie Arms, the Paul Elder
Gallerv has entered the season with a better
MAURICE HOTEL
If wintering in San Francisco or
just on a business trip make the
new Maurice Hotel your home
NEAR THEATRES, CLUBS a SHOPS
-luxurious rooms
and suites
-unexcelled cuisine
-perfect service
AMERICAN AND EUROPEAN PLAN
761 Post Street ORdway 3420
MRS. O. E. MORRIS
TIRED
NERVOUS
OVERWEIGHT
Busy Women
consult . . .
cJ^issJriliayohnson
Graduate Swedish Masseuse
diploma professor Suite 21 1 Elevated Shops
ulmann's institute 150 Powell Street
STOCKHOLM, SWEDEN DOuglaS 6493
Each day is different when
you eat at the Post Street
Cafeteria!
Each morning, fresh en-
thusiasmand imagination
go into the preparation
offoodfornoontime . . .
from day to day the menu
may be the same but the
flavor is ever fresh and
zestful . . . prepared in
the colorful atmosphere
of kitchens as gay as the
tables at which you eat
— therecanbeno same-
ness" perhaps that is why
they tell us that it is
"the best food in town"
Post Street
Cafeteria . •
62 Post Street
Announcing
THE OPENING OF
\jty ^agt ^aUg
V October 11th and 12th
In an old world tavern room, adjoining
the kitchen made famous by Kratz' in-
comparable creations, will be served
Wiener Schnitzel - Hasen Pfeffer -
Sauer Braten mit Spaetzel— Apfel Stru-
del — Kaffee Kuchen and other typical
German dishes cooked and served under
the personal direction of Adolf Kratz,
widely known caterer brought to San
Francisco by
fish
A la carte service
11 a.m. to 2 o'clock in the morning
Special A-to-Z Twelve Course Dinner 11 a.m. to 8 p.m. $1.50
Special Noon Luncheon, week-days, 50c
555-565 Turk Street, between Polk and Larkin
Hotel *«1
Always Delightful
For Outings
Only a half hour auto ride to Agua Caliente amuse-
ment center below the border with its colorful
diversions.
At Coronad©
Daily enjoyment of all land and water sports.
Dancing, concerts, movies and special entertain-
ment attractions in this homelike hotel.
C. T. Scott, Agent, 2 Pine Street
Phone DO uglas 5600
Mel S. Wright, Manager
Coronado Beach
California
OCTOBER, 1930
31
MAGGY ROUFF
MODEL
in black Chiffon and rose quartz lace
Nellytjflmieyin..
J 354 Pel Street
San Francisco
The highest standard
of cooking is main-
tained at all times. . .
your guarantee lies
in the fact that all
food is prepared
under the personal
supervision of
Mrs. Belle de Graf
than usual bid for attention. At Kathryn
Hulme's lecture Saturday we had reason to be
thankful for the Botke's excursion into the
Sierras — and even Kathryn's vivid personal-
ity and her verbal supplements to the fasci-
nating writing of "Arab Interlude" did not
distract one wholly from the detailed grace
of Jessie Arms Botke's flower studies. Later
the Elder gallerv will show "fairy pictures"
by Harold Gaze, writer and illustrator.
The art school program of the San Francisco
Art Association is an interesting one. Arnold
Blanche of Woodstock has arrived to takeover
classes in life drawing and painting, formerly
taught by Spencer Macky whose present
duties as executive director of the association
preclude his former strenuous program of in-
struction. Stanley Wood, who joined the
California School of Fine Arts faculty early
in the summer, continues as instructor in
landscape painting. Charles Paine of London
was expected this term but was delayed so
Geneve Rixford Sargeant takes his classes.
Kenneth Hook teaches commercial design.
Augmenting the activity of the school and
attempting to bring the association into
significant relation with the city at large, the
social and exhibition programs of the San
Francisco Art Association are being plotted
for the coming months. Mrs. Manford Bran-
sten is assisting Spencer Macky at the associa-
tion headquarters and other steps are being
taken to assure the organization s effectiveness.
If the 1930-31 season lives up to its prom-
ise it will be a memorable one.
For Autumn
Entertaining!
TJIOTOUS color in
-1^ both flowers and
foliage will be used this
season as flattering back-
grounds for guests i now
that the vogue for black
in women's dress holds
Downstairs
Monadnock Bids-
San Francisco
sway.
"the voice of a thousand gardens"
224-226 Grant Avenue
Phone SUtter 6200
SAN FRANCISCO
Orders Telegraphed Anywhere
A Dash of
Russia
flavors today's mode!
Paris is enjoying a Russian
invasion this Fall, and as a
result we're wearing tunics,
luxurious fur bandings, and
suits as picturesque as this
black velvet, bordered with
Sitka fox! The price, $198.50
COATS
THIRD FLOOR
CITY of PARIS
32
THE SAN FRANCISCAN
sseen
by
her
A LL gingered up after a cold shower,
^^ I found myself the victim of my own
* * indolence. The last one up, I found
that the cars were all in use. But I had a
luncheon engagement at the Oak Tree Inn so
I rang up the Berry-U-Drive and gaily sailed
down the peninsula, sufficiently calmed by
the drive to be more than ready for a delect-
able piece of chicken under the oaks at San
Mateo. Then the drive back in time for my
appointment with Curzon — the one place I
know where I can count on immediate atten-
tion as well as exclusive models — before my
game at the Cornwall bridge club in the
Francisco Apartments. It proved delightful.
You play bridge under the supervision of
two splendid teachers — Mrs. Geigerman and
Mr. Shipp. The former learned contract
bridge in France where it originated and has
taught many of the notables in New York
and Palm Beach. Perhaps being a bridge fan I
may wax over enthusiastic, but this club
really has many reasons for going over big.
♦FASHION ART SCHOOL*
SCOTTISH RITE TEMPLE t Sutt.r and V,„ Neil A.tnu,
Individual Instruction
in
Costume Design
Prolct»ion»lorHomcUie
Fashion Illustration
Millinery Making
and Designing
Commercial Art
Life Drawing
Interior Decoration
Dty and Eyening Claim
ANNAADDISON GAllAGhW.Bir«ew#
8ookltten rtquilt
Phone ORdw*yST120
While on the subject of bridge it might prove
interesting to know of a very small but clever
hand book gotten up by our own Rita
Spaulding from down the peninsula. Rules
and bids are there for you at a glance, for the
information is in a sort of simplified card
system. For vou whose thoughts are wander-
ing or you that are plain dumb I'm offering
first-aid . . . and as a reward for extra effort
I suggest the new Bray and Beran edition of
Bret Harte's "Heathen Chinee'' as a charming
Chinese red and gold bridge prize.
A REFRESHING nap before dinner
made me bright-eyed for the evening.
We were going a partying. Theatre
and the St. Francis to dance. I'm here to tell
vou that it was a large evening. The St.
Francis looked like old times crowded to the
doors and superb dance music. Not since Art
Hickman made us rhythm-minded has there
been so good a band. They have everything
to offer including tone and volume. It is a
DID you know that Harry Dixon
designs and makes rings of
exceptional beauty and unusual
quality in design and color.
Engagement rings? . . . Yes.
Wedding rings?... why, certainly.
A gift ring? ... of course.
You; a San Franciscan, don't know
where Harry Dixon's shop is?
Go to 241 Grant avenue and
there you will be in Tillman Alley
where the shop is located.
sweet orchestra. Plenty sweet, and the drum-
mer either Mr. Laughlm or Mr. Harris is a
wow. His rhythm is ' 'Inviration to the dance. ' '
And you've got to go. There's only one other
like him in San Francisco — at Marquard's.
Morning found me at the Electrice Beauty
Shop relaxed utterly under the deft fingers of
a facial expert. I'd been so strenuous the night
before but, suppine now, every trace of fatigue
was being gently obliterated. Clever hands
and soothing surroundings did the trick.
I made my schedule of shops with little or
no effort, and saw an interesting collection
of clothing for boys and young men excep-
tionally patterned and woven fabrics at not-
ably moderate prices at the Boys Shop in the
Fairmont Hotel; attractive furnishings at the
De Ramus Interior decorating establishment;
gloves at Magnins so enticing the zipper on
my purse gave way to the tune of four pair.
Costume jewelry at Livingston's completely
flattened the old bag to pan-cake shape. Some
Visit our new
bath depart-
ment.
Swedish and Re-
ducing massage.
Cabinet baths
Electric treat-
mentwith invig-
i •
orating lotions
by an Expert
Masseuse.
BEAUTT
TALOKJ
Albert.
Ahe PALACE
86OO
.7389
PALACE
HOTEL
9. g>cf)mibt & g>on
of NEW YORK CITY
ESTABLISHED 1869
Importers of Antique and Modern Silver,
Sheffield Plate, Fine Crystal and China
Where the treasures of a collector may
be purchased as gifts
504 SUTTER STREET
SAN FRANCISCO
OCTOBER, 1930
33
jndlaa
bummer
HOLIDAY
Everlasting hurry turns to
smoothest relaxation, and
"autumn" to the gorgeous, red-
gold dance of Indian Summer . . .
in Yosemite now.
Old trails and new take you
through flaming dogwood, past
fragrant balsams and under the
golden, rambling oaks. Motor or
hiking tours up to the heights of
the Valley show its bewilderment
of painted colors, on parade for
miles below. Swimming, fishing,
tennis, riverside barbecues, visiting
the bears, starlight concerts, the
firefall and dancing. Or just "play-
ing lazy" in the soft, sweet air on
Ahwahnee terraces.
It's the year's most vivid season
in California's most famous play-
land !
Come overnight by through
sleeper from San Francisco or Los
Angeles, or in a day's easy drive.
Folders and all reservations from
Yosemite Park and Curry Co., 39
Geary Street, San Francisco; 604
West Sixth Street, Los Angeles;
and Yosemite National Park,
California.
<Tke AHWAHNEE
IN YOSEMITE
of these bracelets and necklaces are things of
beauty. Good taste warred with my barbaric
urge and I succumbed by wearing everything
I purchased to the opera that night.
HAVE vou noticed that after a lapse of
some time corsages have said" Good-
morning" again. I, for one am glad.
They freshen up any costume, and we need
them particularly this season with our dull
black, browns and green. Adorable ones are
to be had at the Plaza Florist.
Believe it or not, I have selected my Christ-
mas cards already. Shreve had on display
some exceedingly tempting ones of water
color on old parchment — perfectly stunning.
Next to Paul Carrolls to help select a hat
for the boy-friend. He came home the proud
possessor of two, for they were so good look-
ing that a new derbv was added for fall.
When we returned home as a fitting reward
for my good taste I was told to gaze out at
the Golden Gate while tinkling sounds be-
hind me assured my educated ear that he was
performing a ritual of gin, vermouth, and
cracking ice. It didn't hurt my feelings.
By the way, I've been reveling in the
abundance of ice in my new electric refrig-
erator. And you'd never guess that I had one,
to see my private bar — not only is it so
silent, but it is fitted into an odd size space
keying with the other built in cabinets. Xou
see, it is built to order right here, by Hol-
brook, Merrill and Stetson, Inc. — and guar-
anteed "fool proof." What an age1 with the
world made safe for drinkers.
kANew
CHRISTENSEN
School of Popular
Music
Established 1903
Mod
JAZZp"°
f Rapid Method /
Listen to Edna Fischer
KFRC Evening Broadcast
Tuesday 7:00 to 7:15
Thursday 7:00 to 7:15
Saturday 7:00 to 7:15
Burlingame
1319 Howard Ave.
Burlingame 3438
San Francisco
Elevated Shops
1 50 Powell St.
GArfield 4079
in ocean travel
offered only by
Panama Pacific Line
to
New York
Tomorrow's ships are here! Even
seasoned travelers marvel at these
great electric liners. A tribute to
America's engineering genius,
Panama Pacific liners herald a
new era in ocean travel, affording
unbelievable comfort at sea.
They are the world's largest all-
electric passenger vessels— swift,
smooth, vibrationless-the larg-
est ever built inAmerica.Onlyl6
days from San Francisco to New
York( 1 4 days from Los Angeles).
Tanama Canal
Qay Havana-)
Modern as tomorrow, these new
ships add new thrills to the evei
fascinating voyage to New York.
An unforgettable visit to historic
Panama; a thrilling daylight trip
thru the mammoth Panama Canal
. . . Then ancient Morro Castle
and an opportunity to see capti-
vating Havana.
S. S. VIRGINIA
CALIFORNIA
PENNSYLVANIA
. . . sail every other Saturday from
San Francisco; every other Monday
from Los Angeles.
All staterooms are outside,many
with bath . . . Rooms ensuite.sit-
ting room and private veranda if
desired. Rates: $135 up Tourist
Cabin, and $275 to $2250 First
Cabin. Roundtrip only $100 ad-
ditional (one way rail).
fa noma facifie ftpe
INTERNATIONAL MERCANTILE MARINE COMPANY
ALL NEW^^STEAMERS
460 Market Street, San Francisco
Address nearest office, Dept. i«*v for illus-
trated booklet, "Traveling Around America."
Name-
Address _
34
THE SAN FRANCISCAN
...DIRECT from
MANUFACTURER
I W9W
8'/2 square ft.
shelf surface
On budget plan, if desired
This high quality Electrrc
Refrigerator is made by a
firm noted for 80 years for the
dependability of its products.
Refrigerator, as pictured, is
over 52 inches high, steel
construction, with exterior
done in Duco. Quiet, efficient,
needs no attention. Remark-
able value. See it now.
Holbrook Electric
REFRIGERATORS
ore also available in many other sizes and
models. The same dependable quality is
characteristic of every Holbrook product.
Wo° specialize In COMMERCIAL AND
APARTMENT HOUSE REFRIGERATION.
Manufactured, Sold and Guaranteed by
HOLBROOK, MERRILL
& STETSON, INC. (Ltd.)
Established 1850
665 Sixth Street
SUtt.r 0060
Oakland 2090 Broadway
San Jose 31 W. San Antonio
Sacramento 1800 20th Street
Fresno 1903 Tuolumne
Art^ttanWorh
EVERY
HOME
CAN
BE
COLORFUL
Wicker Furniture
Comfort
Distinction
Beauty
E 12th & 24th Ave
OAKLAND
331 Sutter Street
SAN FRANCISCO I
John Henry Nash
Continued from page 15
Nash at present designs new books, visualiz-
ing the details that shall mark them as the pro-
duct of "the Aldus of San Francisco. "It is here
that he designed his "Dante" and it is from
here that he will issue the "Life of St. Francis
of Assisi" by Saint Bonaventure next year in
commemoration of the 25th anniversary of the
San Francisco earthquake and fire.
Spotlight
Continued from page 10
of its quality. The boys not only bite their
ladies on the shoulder and slobber down their
backs but they pat their fair partners on the
tummies and the less forward parts of the
anatomy with resounding whacks.
Of course they all come clean before the
final curtain and we are supposed to be glad
that while their manners are execrable their
morals are really sound. We, however, would
have liked less morals and more manners.
Somehow, we have an idea that thev go more
or less hand in hand — or should, at anv rate.
!sn t this
a turnout?
Suit, by Scheyer — Hat,
by Chase of New Haven
— Shoes, by Whitehouse
and Hardy — Tie, shirt and
hose, by leading Ameri-
can and foreign manu-
facturers.
In all a highly exclusive
line of men's clothing and
accessories — certain to
appeal to the good judg-
ment of the man who
dresses well and — mod-
erately tariffed.
£fc. t f&.
& Co., Ltd.
101 Post Street
Baker Building
RWILELDERX
239 Post Street San Francisco
EBGEN
Scores AGAiJV
If you have in your keep-
ing some youngster with a
healthy streak of'romance
in his being, and who
loves the water, bring him
in to see the Johnson Sea
Horse, Models 16 and
32 — on which a discount
of 15/c is being offered
until October 15.
These discounts amount to
as much as $60, and rep-
resent the first time in
Hebgen history that new
Johnson motors have been
sold below list. Liberal
allowance on your old
motor — of course.
Bring the children for
a demonstration.
BHHebgenGo.
Z26MAPK£TST.
-3 MN FRANCISCO
IN CARMEL IT'S
Hotel La Ribera
. new
. modern
. courteous service
. unexcelled cuisine
EUROPEAN PLAN
Management of Paul McFarland
Lincoln and Seventh
Carmel-by-the-Sea, California
f»(
San Franciscan
November, 1930
25c the Copy
ANNIVERSARY ISSUE
^mw^////JW//wjiiiimww\%
II O T E L
In Peacock Court
"The metropolitan personality of San
Francisco is never felt more than when one
is in Peacock Court of The Hotel Mark
Hopkins. The beautifully gowned women,
the smartly groomed men, the whole at-
mosphere of sophistication speaks of the
self-suffciency of the city. Here are people
who are equally at home all over the world,
people who know not only San Francisco
but Paris, Vienna, London, New York.
They have come to Peacock Court because
they know it as the heart of the city. They
have dined by the windows overlooking
the downtown city blocks with their
ighted buildings, their strange silhouettes
against the night sky. They will always
remember it asa place ofcare-free joy where
one dances on top of the world with a
shining mosaic of light at his feet."
MARK HOPKINS
NOB HILL SAN FRANCISCO
Geo. D. Smith, Managing Director
LOOKING FORWARD TO
A HAPPY CHRISTMAS
Voices a Universal Sentiment to which
O'Connor, Moffatt's pledges
its sift -time service:
jT IS a mdtter of record that for Fifteen Centuries Christmas has been
celebrdted on December Twenty-fifth.
Yet neither Time nor Custom hds chdnged Christmas. Because in
Christmas there is Unselfishness . . Thought for Others.
Christmas in its day by day sense is a time of remembrance. So we
say to our friends, through gifts we choose I appreciate you . .
You have been kind to me . . . May this gift be an expression
of my thought toward you . .
And when we say: Looking forward to a Happy Christmas" we
mean that we wish to serve San Franciscans to this end. And each
O Connor, Moffatt employee is imbued with that desire and looks
forward to greeting you in the Spirit of Helpfulness.
Spend Wisely, Spend Thoughtfully,
Spend Cheerfully, and Start Choosing Now
And what a Christmas Morning It Will Be, If You Can Say "I'M GLAD I DID,"
RatherThan'lWISHIHAD!"
O'CONNOR, MOFFATT & CO.
STOCKTON AT O'FARRELL STREET ♦ SUTTER 1800
BREAKFAST ON THE HOST INSTEAD
OF ON THE BILL
It is common enough to read of the at-
mosphere ol home . . . but rare to discover
the hospitality ol home . . . what home, lor
example, would put up a guest lor the
night and let him leave without breakfast
in tn
e mornings
50 we e
volved The
Continental Breakfast . . . sent to your room
■with the compliments ol the host . . . not a con-
cession but a courtesy... neither chargeable
nor deductible . . . simply part of a service!
The BARBIZONPLAZA has atmosphere,
ol course . . . Library . . . Art Gallery
. . . Salon ae Musique . . . Deck Tennis
Courts . . . Sun-Tan-glass-inclosed Roof
. . . Saddle Horses brought right to the
door of the hotel lor a canter in the park.
+ "'' These are important, but atmos-
phere can wait + + '<" + + + +
•!- + + + + + Breakfast comes first!
WILLIAM H. SILK, Director
BARBIZON-PLAZA
central park ^routh • 101 we A 58 th /rreei* new yorlc
Room, Continental Breakfast and Private Bath
$18-$45 Weekly. Studio Apartments . . yearly
$1 800 to $5000. Transient Rates $3.50 to $6.00
per day. REFERENCES REQUIRED.
Under same manasement — the internationally
known Barbizon Hotel at 140 East 63rd Street.
Rates $13-$22 Weekly. William H. Silk,
Director.
THE STAGE
Alcazar: "Stepping Sisters," May Boley,
{Catherine Givney and Irving Fischer, in
an hilarious comedy of burlesque queens.
Columbia: "Death Takes a Holiday." The
fantastic drama with Betty Ross Clarke,
Phillip Strange, Carmel Myers and others
in the cast. To be followed by Mrs. Patrick
Campbell and Tom Douglas in Ibsen's
"Ghosts," November 17.
V
ENGLISH
OGUES
for the
AMERICAN BOY
are as jauntily British as "Edward"
himself, yet thoroughly American in
style and character.
Made in a variety of imported fabrics
and colors, with an indefinable dis-
tinction of line only achieved by styl-
ists ot great skill and experience.
<me Qfttirmcnt
Fairmont Hotel
817 Powell Street Phone: SUtter 5504
WHERE
TC
The Guild: "The Prodigals." A new modern
comedy presented by an excellent cast at
the little theatre on Sutter and Steiner
Streets.
President: The ever popular "Dracula" well
presented by the Duffy Players.
Travers Theatre: Opening this week with the
gay, smart comedy "Enter Madame."
MUSIC
San Francisco Symphony, Sunday afternoon,
November 16th, Basil Cameron conducting
at the Curran Theatre.
Gieseking, Piano Recital Wednesday evening,
November 12, Dreamland Auditorium.
Parlow String Quartet at Mills College on
Wednesday evening, November 12, at
8:30.
November 29: San Francisco Symphony Or-
chestra at Exposition Auditorium.
November 15-
Nevada.
November
Caltech.
November
California.
November 29
Dartmouth.
SPORTS
-at Berkeley
California
15 — at Stanford — Stanford
22 — at Berkeley — Stanford
Stanford — Stanford
ART
California Palace of the Legion of Honor:
Paintings and sculpture by Karoly Fulop
until November 1 5. Paintings by California
artists. Exhibition by Diego Rivera, begin-
ning the 15th. Permanent collections.
California School of Fine Arts, 800 Chestnut
Street: Facsimile reproductions of drawings
by masters of the fifteenth and sixteenth
centuries, from the Uffizi Gallery. Paintings
by Guest Wickson.
Fairmont Hotel, room 128: Paintings and
portraits in oil by William Barr until the
11th.
Galerie Beaux Arts, 166 Geary Street: Fifth
annual exhibition by San Francisco Society
of Women Artists. Exhibition by artist
members. European paintings by Rinaldo
Cuneo. Drawings by Arnold Blanche.
S. 8C G. Gump Galleries, 246 Post Street:
Water colors by Arthur B. Davies. Novem-
ber 15: South Sea paintings by Viscount
Hastings.
Vickery, Atkins 8i Torrey, 550 Sutter Street:
Water colors by Stanley Wood.
White House: Rembrandt etchings.
California School of Design, 628 Powell
Street: Exhibition by Alvyne and Yliane
Labaudt.
Couvoisier Gallery, 474 Post Street: Etchings
by California artists. Nursery pastels by
Dorothy Dell Logan.
East West Gallery, 609 Sutter Street: Oils,
water colors and drawings by Moira
Wallace, photographs by Stuart O'Brien.
Needle point and tapestries.
MEET THE FABRICS
— that we import and Scheyer
tailors into Suits and Overcoats
for men who desire to dress
"better than average."
Iceland — Tweeds
Roberts — Cheviots
Donne gal — Homespuns
Kashmir
Alpacian
Camel Hair
West of England
Cricket Cloth
Harris — Tweeds
St. Kilda — Tweeds
You may inspect, compare and
try on these fine clothes to your
hearts content at —
Ytti
& Co., Ltd.
101 Post Street
Baker Building
ESTABLISHED 1852
SHREVE bi COMPANY
JEWELERS and SILVERSMITHS
Post Street at Grant Avenue
San Francisco
THERE are few indeed who,
having the ambition and de-
sire to write, have not at
some time wanted to start a mag-
azine. It looks so easy. Gather a
few congenial souls, sit in an edi-
torial chair, select the best from
the material presented, write a
little, feel the pulse of a city,
place or movement — and edit a
magazine that should have, this
time, none of the faults of other
magazines and all the particular
virtues that one values.
That is what Joseph Dyer
thought four years ago last month when he borrowed two hundred
and fifty dollars to start The San Franciscan. He had given it
more thought than most people, having determined to edit a
magazine while stealing time from class work at school to play at
being printer's devil in a nearby print-room, while sailing a
freighter to the Orient, while doing his first reporting on a large
San Francisco daily — in fact, far from being a casual ambition,
the starting of a magazine had become an obsession.
So he borrowed the two hundred and fifty dollars, announced
his decision of publishing a magazine to reflect the life and point
of view of San Francisco and began to gather material — and ad-
vertising. Within a month, he had gathered together articles by
Charles Caldwell Dobie, Idwal Jones, George Douglas, H. L.
Mencken and some of the vounger writers — he had himself sold
the first advertisement space to Shreve and Company, The San
Francisco Bank and those other merchants who were willing to
underwrite the magazine — he had gone into the print shop of
Phillips and Van Orden, watched the writing put into type,
made up the magazine from the actual metal and produced the
first issue on Armistice Day, 1926.
It makes pretty reading now. Prettier reading than would the
account of the months and years that followed if given in equal
detail. But even those struggles are becoming far enough removed
for us to be amused in retrospect. We know that we have begun
to grow up when we can look back at that first year and recall
without rancor the times when the magazine was on the press
without enough immediate money in sight to get it off, when
typewriters, desks and even the editorial chair itself was swept
out of the office with an irate gesture instigated by those who had
waited long and impatientiv for their rental. It is reassuring today
to realize that many of the phases of that early struggle
have entered their anecdotage and that even attachments
have come to seem amusing. We even remember with
glee the ironical incident of an attachment that was
made the same dav that a local publication
took upon itself the responsibility of in-
forming the world that The San Fran-
ciscan was "backed by an angel" who
paid all its bills and kept its staff in luxury.
Would that we could have believed the
statement ourselves — would, also, that the
writer of that article could have witnessed
the scene when the purported "angel"
found that the sheriff had taken the writing
seriously and attached his personal bank
account. If ever we were certain that The
San Franciscan was on its own legs,
wobbly as they were, we knew it then.
All these incidents have become merely
amusing stories because, within these first
The Founder , Editor and Publisher oj the San Franciscan,
Joseph Dyer, was to have written this article. From
day to day we asked him for copy and from day to day
he succeeded in putting us off. Suddenly it dawned upon
us that he was entirely too modest to blow his own
horn on the fijtli birthday of his magazine. Hence we
take matters out of his hands and write the following:
four years, The San Franciscan
hasjustified the faith placed in it.
It has made its own way, paid oft
the bills of the first years and to-
day is a self-contained economic
unit. It is still in the pioneer
stage. An uncounted amount of
time, energy, ingenuity and im-
agination are poured into the
magazine each month — quanti-
ties which never will appear on
the business balance sheet. The
San Franciscan is an ideal still
dependent on the cooperation of
those who believe in it. But it is
autonomic and, as such, will continue to rise or fall by virtue of
its own merits.
This opportunity to recount incidents of our past offers a subtle
temptation to put into print various acknowledgements and ap-
preciations we have heretofore expressed privately. But you did
not open to this page to read a card of thanks — so we will resist
the urge and let you yourself insert the expressions of gratitude
which we refrain from writing.
The San Franciscan has weathered the almost impossible situ-
ations recurring throughout the past four years not only because
(oseph Dyer had an inconquerable ideal and the ability to share it
with others, but also because those who have shared our view-
point have given encouragement, time, advice, manuscripts and
other cooperation of a very tangible type. Distinguished writers,
established in their profession, have been generous indeed. Ger-
trude Atherton, H. L. Mencken, Kathleen Norris, Charles G.
Norris, Sara Bard Field, Colonel C. E. S. Wood, Idwal Jones,
George Douglas, Eugene Bloch, Oliver Sayler, Charles Caldwell
Dobie, Witter Bvnner, Peter B. Kyne, Lincoln Steffens, Edward
Maslin Hulme and Algernon Crofton have all shared our hopes for
a magazine of intelligent comment in the West and have contributed
with open hands. Business leaders such as Herbert Fleishhacker,
Michel Weill, Paul Shoup, Albert Jannopolous, George Tourney,
William P. Roth, George Smith and Robert Dollar have encour-
aged the magazine's efforts towards economic self-sufficiency.
Artistic and cultural figures such as Albert Bender, Alma de Brette-
ville Spreckles , Raymond Armsby , Ottonno Ronchi , Johan Hage-
meyer, Ethel Barrvmore, Richard Tobin, Helen Wills Moody,
H. J. Allen, Maynard Dixon, Edgar Walter and Wilfred Davis
have contributed with criticisms, suggestions and contributions.
These same years, The San Franciscan has played its
part in the lives of young writers reaching toward recog-
nition. Among those whose work appeared in our pages
while their niche of acclaim was still in the process of
being carved are Carey McWilhams whose
book on Ambrose Bierce published last
year is the finest so far, Rex Smith who is
now writing for the Paris edition of the
JSJ.CU' York Herald, Gobind Behari Lai now
science editor for the Hearst publications,
Mollie Merrick whose work is syndicated
daily in one hundred and twenty-five news-
papers throughout the world, Kathryn
Hulme whose ' Arab Interlude " is an event
of this season, Elva Williams about whom
more will be said next month, Constance
Ferris whose "Curtain Calls" is in the
midst of its first wave of popularity, Beth
Wendel now writing dialogue for the
Continued on page 50
CONTENTS
the San Franciscan
JOSEPH DYER, Editor and Publisher
Aline Kistler, Assistant to the Publisher
CONTRIBUTORS
CHARLES CALDWELL DOBIE
WILSON FOLETT
LINCOLN STEFFENS
IDWAL JONES
ROWENA MASON
KATHRYN HULME
GEORGE DOUGLAS
ELVA WILLIAMS
SYDNEY KING RUSSELL
CAREY MCWILLIAMS
OTTORINO RONCHI
ZOE BATTU
NOVEMBER
1930
Telegraph Hill Photograph by W. E. Dassonville 8
Silver City, by Josephine Ringwood ... 8
San Franciscan Vignettes, by Francis Owen . 9
Now It Can Be Told 10
Now It Can Be Told 11
San Francisco Social Questionnaire ... 12
Request to a New Mistress, verse, H. P. Preston 12
Charles and Kathleen Norris, photograph . . 13
Behind the Scenes, lithograph by Stanley Wood 14
Reverie in a Dungeon, story by Robert Joyce
Tasker 15
Sacred Thoughts by Dwight Strickland . . . 15
Devil's Work, historical article by W. C. Bunner 16
Sail on! Sail on! Sail on!, by Irene Cowley . 16
Geraldine Farrar, photograph 17
Map of Montgomery Street, by Ned Hilton . 18
Family Club, cartoon by Sotomayor .... 19
Spotlight, by Junius Cravens 20
Edgar Saltus, by Rex Smith 21
Causerie, book reviews, by Frank L. Fenton . 21
Claire de Lune, short story by Katherine Hulme 22
The Pale Woman, verse by Sara Bard Field . 22
Montalvo, photograph by William Horace Smith 23
Reigning Dynasty 24
Mrs. Charles B. Henderson, camera portrait
by Hagemeyer 25
George Sterling — 1927, by Carey McWilliams 26
George Sterling, portrait by Hagemeyer . . 26
Isoult, photograph of sculpture by McCarten . 28
Passing Shows, art notes by Aline Kistler . . 29
Concerning Virginia Hersch 35
Gesture, verse by Beth Wendel 35
Sonnet, by Robert Hunt 41
Lament, by Constance Ferris 49
VOLV
NO. 1
The San Franciscan is published monthly by The San Franciscan
Publishing Company, Sharon Building, San Francisco, California.
Entered as second-class matter October, 1928, at the Post Office
at San Francisco, Calif., under the act of March 3, 1 879, Joseph
Dyer, Publisher. Subscription price: one year $2.50, single copy
25c. Copyrighted 1929, The San Franciscan Publishing Com-
pany. Unsolicited manuscripts will not be returned unless ac-
companied by self-addressed, stamped envelope
For advertising rates address Zora Combes, Advertising Manager
Garfield 4755
lC
SILVER CITY
By Josephine Ringwood
Buildings pierce the skyline. White
buildings, gaunt and still. Forgotten ghosts
keeping watch over the city. Telephone
Building, St. Francis, Fairmont, Mark
Hopkins . . . apartment houses strain their
heads through the silver haze. Lighted
windows twinkle and peer across to Yacht
Harbor, where white sails . . . phantom
wings . . . stir gently as in a dream.
A white moon floods the city, reaches
out to Marin's scraggly shore, and catches
the ferry boats as they slide across the bay.
A white moon haunts the desolate
wharves that day has left dreary and for-
saken.
A white moon floods the deserted
streets, and traces fantastic patterns on the
worn cobblestones.
And in her wake, calmly, noiselessly,
the fog creeps in to sleep over the silent
city cloaked in silver mist.
.Originally published October 1929
Proud Elegance Crowns Telegraph Hill
This exquisite view, photo-
graphed by W. E. Dassonville,
is chosen for re-publication both
because of the numerous re-
quests for it and because we con-
sider it the loveliest view of San
Francisco we have been privi-
leged to reproduce the past four
years. It is taken from the former
marine look-out whose tangle
of undergrowth has given way to
smooth avenues and stately urns
where San Franciscans and tour-
ists watch the island-strewn bay.
^Snn rmnciscm
Three San Franciscan Vignettes
First Published in January, 1927 . . . but Presenting Scenes Equally True Today
by Owen Francis
NOB HILL . . .
Where the thrones of the mighty fell at
a shake of the footstool. Hopkins,
Huntington, Stanford, Flood, Crocker— a roll
call in eternity of the men who made the grade.
Railroads and Gold. Auction bridge and
charge accounts. Squatters on the lost king-
doms of nabobs. Subdivisions. A remnant sale
of birthrights. Memories — like old lace on a
gown byr Molvneux. A delicatessen sprouting
on a dado of burned treasures. Grubstakes and
Pioneers. Diets and fallen arches. A double
exposure — "The City That Was" — "The
City That Is." A tintype by de Meyer. We
moderns. Successfully living down their pasts
— but not up to our own heritages. "Old
Pancake" Comstock. Serving Peach Melba to
Powell Street Cowboys. "Come to see me
again. Glad to have you. Take a pocketful of
nuggets." Heights sometime make one dizzy.
High boys and hitching posts. Overstuffed
and Bill boards. A Vigilante sleeps — but the
Rotary members are wide awake. Tally Ho
and Honk Honk. Traditions in silent catena-
tion along the corridors of the Fairmont — and
imagine driving to the Mark Hopkins in a sur-
rey' Settled in the sixties — unsettled in '26.
A Kreisler playing jazz for the Junior League.
I hate earthquakes. San Francisco through a
lorgnette, from the top rung of the social lad-
der— and the poor souls with no Emily Post
to guide them.
Quadrille to Charleston; guest rooms to
wall beds; red blood to steam heat!
Progress — or what have vou?
Take Powell, Sacramento, or California
cable lines.
A Saga of the Great — camouflaged by
apartment houses.
NOB HILL . . .
EMBARCADERO . . .
Circe — singing — to men chained to office
desks.
A reception hall inside a Golden Gate.
Where hats of all nations are taken off in hom-
age. Ships and cargoes. Men and labor. A
morgue of childhood dreams. Lying unrecog-
nized— while awaiting burial by Time. The
place to plan vour life if you could live it over
again. Midnight missions gathering drift wood.
Tidesand currents. Piers and fog-horns. Handi-
work of God cartooned by ferry slips. The
cross-roads in trails of men who go "down to
the sea in ships." A bookstore for those who
have never learned to read — with volumes
from every country. Sailors with open faces
and hidden aigrettes. Yo Ho and the Eight-
eenth Amendment. Sea legs and bilge water.
Docks and gangways — pouring raw material
over the brim of the melting pot. Tears at fare-
well— Cousin Bill sets sail for Sausalito; and
a globe-trotter yawns as he leaves for Timbuc-
too. How convenient for some wives if their
husbands were sailors. Two days in port and
a skipper takes his bearings. Wharf rats and
stevedores. Rum runners and fishing smacks.
An overture to the seven seas. Neptune and
Davy Jones reading a requiem to a row of dead
ships in the mud flats.
Bombav and Bristol — Pago-Pago and Pa-
peete— Singapore and Sydney — Cairo and
Calais —
Names of secret desires.
Land-lubbers! Astigmatic eyes staring at
the horizon —
Fools! We watch magic lantern slides of
travelogues — while Adventure calls.
Close the ledger! The world lies before
you. Bon Voyage —
EMBARCADERO . . .
CHINATOWN . . .
A whisper.
Like a placid river with a potent undertow.
Where East meets West by walking north or
south on Grant Avenue. Hip Sing and Ming
Toy — straw slippers and French heels. 2 a.m.
Four finger-nails gone and NrPau isn't home
yet. Tea and rice from a charcoal burner while
the tourist from Yapp's Crossing casts a
world-wise eye over a bowl of chop suey. A
flower shop with rotting poppies on the roof.
Narrow streets and broad minds; bland faces
and shuffling feet. Live dolls with Dresden
faces — who smile at you; but "never the
twain shall meet." Langorous lilies of the
East — at home in a clay pot from Newark.
Soy — Silks and Saki? I wonder if they have a
Santa Claus. They invented gunpowder, but
what can you expect from a race who cele-
brate New Year's in February? The Telephone
Exchange brightened with flowers in a Ming
vase. Almond eyes and Lichee nuts. Old men
in doorways — smoking Bull Durham — while
thev dream of Canton. The final denial to
"Gentlemen Prefer Blonds." Ten more dol-
lars to Hangkow. Another cousm pays a 21-
cent fare from Oakland. "You speakee piecee
English, John'" "I am honored to mention it
among the few of my humble accomplish-
ments." Confucius dressed by Hart, Schaffner
&. Marx. Mah Jongg and Hatchet men. A
strange people — whose speech is song and
whose music is discord. Incense and other
odors too numerous to mention. Silly idea this
rice on graves — yet the dead can't smell
flowers!
Buddha — Joss — The Six Companies. Lot-
teries and chop sticks. "Clever people — these
Chinese."
IN CHINATOWN . . .
10
NOW IT CAN BE TOLD
Editor's Note: Much debate preceded our decision to
make all of "Now It Can Be Told" retrospective this
issue. There are new situations that deserve comment,
and new anecdotes we should like to share with you.
But so many requests came in for "favorite stories" that
we have no space left for new paragraphs — and, at that,
we cannot comply with all the requests.
ONE day in a remote hamlet in the
mountainous regions of the State, we
were making our way along Main
street our contemplation of the beautv of the
Sierras 'was broken m upon by a great clatter
of bells, whistles and the poundmg of horses'
hoofs. With considerable delight we stood
upon the curb to view the sight of an old-
fashioned steam fire engine in all the fiery
glory of responding to an alarm.
Hard by us was a gentleman recently ar-
rived from the city, who evidently had im-
bibed of native beverages not wiselv but
much too generously. As the laboring and
puffing engine bore down upon us he took a
coin from his pocket. As it passed by he
frantically attempted to hail the driver. Fail-
ing to attract his attention the inebriated one
ran unsteadily down the street m the wake of
the engine. Finally he realized the hopeless-
ness or catching up with it and in disgust he
flung the coin in the direction of the disap-
pearing fire engine and shouted, "To hell
with vour old peanuts.''
'TO HELL WITH FREUD!"
PAUL SHOUP, president of the Southern
Pacific and Charles Field, who presided
over the editorial desk of Tin- Sunset in its
most lustrous years, were recently in Wash-
ington, D. C, and called at the White House
to pay their respects to President and Mrs.
Hoover.
The President asked them to attend Divine
Services with him and Mrs. Hoover the com-
ing Sunday.
Rushing back to their hotel, the pair un-
packed rumpled dress trousers and morning
coats and sent them off for cleaning and press-
ing in honor of the coming momentous event.
Top hats were critically twirled and reno-
vated; cravats and linen received minute at-
tention. Sunday morning there was no late
sleeping for Shoup and Field. An unseemly
hour found them in the hotel barber shop be-
ing shaved, massaged and manicured to ex-
quisite perfection.
The services, to (he joy of the two guests,
went oft perfectly. There remained only the
newspaper accounts of the same to seal their
triumph and render them g orious in the eves
of San Francisco. In a fury of impatience thev
awaited the Monday morning papers. Anx-
iously they scanned the front page and
society columns; with growing impatience
and chagrin, they examined the sheets, column
for column. Finallv, on an
inside page in an obscure
corner was a small item,
containing the intelligence
that, President and Mrs.
Hoover had, the previous
morning, as was their cus-
tom, attended church ser-
vices, accompanied onlv
by two secret service
attendants.
A SAN FRANCIS-
CAN who recent'y
returned from a trip
to New York, was very
much annoyed during the
journey bv bedbugs or
fleas. Arriving in San
Francisco, haggard and
worn from four all but
sleepless nights, he sat
down m anger and indited
a red hot letter to the
Pullman Company.
A response came quickly
in the form of a three-page,
single-spaced letter.
Couched in apologetic and
diplomatic language, the
letter would have done
credit to a veteran of the
diplomatic service. Des-
spite the welts that still
THE SAN FRANCISCAN
decorated the man's face, as well as practi-
cally every square inch of his body, he began
to feel that he had acted a bit hastily.
He had reached the signature and had deter-
mined to write the company a note of apology ,
when , upon picking up the envelope , a slip of
scratch paper fluttered to the floor. Hot blood
again flushed the man's face as he read: "Write
this bird the bedbug letter."
A San Franciscan is one who under certain
circumstances intimates that it was he who
really started The San Franciscan.
LAST Tuesday we were waiting the "go"
signal at the corner of Post and Grant
avenue when that stunning Hispano
Suiza that you have seen gliding around the
city turned the corner and successfully blocked
the cross-traffic. Directly in the front line
trench was a 24-carat gold-plated Rolls
Royce. The chauffeur of the Rolls glared at
the owner of the hand that guided the destinv
of the Hispano and said: "Where in the hell
do you think you are driving?' '
The guiding spirit of the Hispano elevated
an effete eyebrow.
"Aw," he signed, "take that pile of tin
and park it in the alley."
AVERY well known local financier had
occasion recently to purchase a gift for
an intimate friend about to be married.
For which purpose, he entered one of the ex-
clusive Post street gift shops and indicated to
the floor manager that, he desired to leisurely
examine its entire stock of treasures. Pres-
ently, though, he became aware that his heels
were tagged by a personable, but indefinitely
aged saleswoman. He tried to lose her but to
no purpose.
Finally, the comedy got on the man's
nerves. He turned and in a bored and slightly
insolent tone asked, "Madame, am I keeping
you?"
Quickly came the reply, "No, but I wish
to God you were."
A San Franciscan is one who excuses
scratching with the remark: "In San Fran-
cisco, it's no disgrace to have fleas."
AS IS usual with navy stories, this took
place ashore.
During the stay of the fleet in San
Francisco harbor, a number of officers at-
tended a lavish reception at the Pacific avenue
residence of a ladv well-known for her hospi-
tality. A doctor from the hospital ship
"Relief," attired in the correct evening garb
of a civilian, was present with his brothers-
tn-arms.
In the course of a conversation an inquisi-
tive damsel, marking his lack of gold braid,
inquired his occupation.
"I am a naval surgeon," he replied.
After a tell-tale pause she observed, blush-
mglv, "Do you know, I think the medical
profession is becoming over-specialized."
NOVEMBER, 1930
11
AMONG those who rushed to congratu-
late Alfred Hertz at the conclusion of a
recent performance of the Summer
Symphony there was a heedless young flapper
whose enthusiasm over the concert was some-
what mixed with a rather disconcerting
cunositv. However she was quite charming
in her heedless way and Hertz seemed highlv
amused when she presumed to ask whether
he slept with his beard inside or outside the
covers at night. The conductor's eyes twinkled
as he turned the conversation to topics less
personal.
Several days later a friend who had been
present at the scene met Hertz and was some-
what concerned to find him worried and
nervous. Questioned as to the reason Hertz
burst out with — "Damn that girl! Ever since
she asked me about my beard, I haven't slept
a wink for wondering if I should keep it
under the covers or over the covers."
BELIEVING nothing is beautiful but the
truth and that to understand all is to
pardon all, we must recite the Tale of
the Petaluma Adventurer. Arriving from an
Eastern city, he desired only to settle on a
chicken ranch. All went well until, with the
completed purchase of eleven hens, he was
informed by the dealer that cocks at the time
were exceedingly rare and, of a fact, could
not be bought. But he would toss in with the
hens one quite youthful and energetic parrot.
The sale was completed and caged. The
poultrv was delivered to a coop and placed
in the gentleman's car. Lo' on reaching the
highway the little brown hens were seen fil-
ing back down the road. There was a decided
dignitv in their stride and a resolute bob to
their heads. One behind the other, looking
neither to the right nor left, they were
solemnly quitting the Ford. Perched with
some exasperation on the tail lamp , the parrot
was calling after them: "If you girls care to
reconsider vou mav resume your seats AND
RIDE."
WE HEARD a man ask his dinner
partner if she were familiar with
The San Franciscan. "I'm not," she
said. (Remarkable answer! A tribute to the
honestv of one woman. We seem to have the
evil luck of alwavs sitting next to women
who refuse to admit not being familiar with
anything. ) "What is it," she asked, "another
Town Topes*'" Her companion laughed. "On
the contrary! I'd pay to keep my name out of
Town Topics; the other I'd pay to squeeze my
name in!"
THE occasion was the recent farewell din-
ner given by the Bohemian Club to a
visiting Russian director. Joe Thompson
rose to render the honorary speech of the
evening. We settled back and lit our cig-
arettes. Suddenly we sat up. Thompson was
speaking not in English but in Russian. His
remarks were delivered m a flowing, rippling,
easy manner.
After the party left the table, we recon-
noitered a bit, bent upon obtaining as diplo-
maticallv as possible the name of the school
the speaker had patronized. Finally the
mystery w as solved by a fellow guest . familiar
with the Russian tongue. Joe was a fraud. He
had obtained a Russian primer and rattled off
its first several lessons, consisting of :uch
simplicities as "I see the cat. The cat sees me.
The baby loves Mama."
We fear that good intentions have as little
place in politics as in poker.
Continued on page 32
12
THE SAN FRANCISCAN
A San Francisco Social Questionnaire
— First Asked in February of 1927
1 . Who was the society girl whose indiscre-
tions almost caused international compli-
cations between this country and En-
gland?
2. Who was the San Francisco matron who
vowed she would make our most exclu-
sive set if it cost her a million, and even-
tually did?
3. What incident caused the scion of a San
Francisco family to leave Paris at the re-
quest of the French authorities?
4. Who is the San Francisco bachelor who
financed the education of a French prima
donna?
5. What San Francisco family is reputed to
have the largest cellar of "pre-war stuff?"
6. Who was the San Francisco dowager
who danced the Charleston with a no-
torious gigolo at Ciro's last summer?
7. What debut caused an investigation by
the United States prohibition forces?
8. What aristocratic family in San Francisco
made their money in fertilizer in the old
country?
What San Francisco bachelor said: "I
don't give a damn if you are a Duchess"?
Who was the San Francisco matron who
requested a titled British writer to leave
her home?
Who is the woman who cxchangei an ex-
pensive foreign car for a luncheon in an
exclusive club?
Who were the San Francisco millionaires
in the late nineties who preferred to eat
in the kitchen instead of the dining-room?
What did Suzanne Lenglen reply to a San
Francisco sportsman who asked her what
9.
10.
11.
12.
13.
14.
15.
16.
17
19
20.
she thought of Helen Wills?
Who is the San Francisco matron who
almost came to blows with Marv Garden?
. Who was the clubman who stated that if
the Prince of Wales ever came to San
Francisco he would be his guest?
. Who was the San Francisco woman that
Jean Nash called the worst dressed
woman in America?
. What San Francisco bachelor threatened
to "smash the nose" of a well-known
Parisian dancer unless he stopped his at-
tentions to his fiancee?
. Who is the former San Francisco mil-
lionairess whose eccentricities are inter-
nationally famous?
Who is the San Francisco philanthropist
who was blackmailed out of a quarter of a
million dollars?
At what reception did a well known
tenor say to his wife: "Let's get the hell
out of here"?
Request to a new mistress
By H. P. Preston
Could wc not, my dear,
Eliminate this chatter
Of Art and Love?
Must the eternal clatter
OF thin teacups
Always chime accompaniment?
Let us be Forthright,
Meeting our ennui
Quickly.
Reprinted from issue of July, 1928
Why did the band, when welcoming
W. R. H„ play "There Are Smiles--" ?
21. Why did a former San Francisco family
suddenly sell their estate at a sacrifice and
leave for the East?
22. Who was the San Francisco clubman who
entered a Spanish monastery in 1895 and
left one week later?
2 3 . Why was a San Francisco woman snubbed
here after her presentation to the Court of
St. James?
24. Who is the San Franciscan who startled
society by his exotic hobbies?
25. Who was the San Francisco "deb" ar-
rested on the beach of the Lido, sans
proper bathing apparel?
26. Who was the San Francisco woman who
to'd the daughter of a Russian prince at a
reception in Paris to behave like a lady?
27. What was the secret of the success of San
Francisco's greatest social dictator?
28. Who was the youth that was kidnaped bv
an actress old enough to be his mother?
29. Who is the San Francisco woman whose
jewels are supposed to be of paste?
30. What San Francisco bachelor's dinner
rivaled the famed "Girl in the Pie" partv
in New York?
31. What was the true reason that Queen
Marie did not come to San Francisco?
32. Why did a prominent San Francisco
couple check out of the Ritz-Carlton in
New York and move to the Commodore?
33. Why was a San Francisco family denied
entrance to a box in the Diamond Horse
Shoe of the Metropolitan Opera House?
34. Who is the San Francisco youth who dis-
owned his father for marrying a former
chorus girl?
35. Who is the San Francisco girl who was
the inspiration of the masterpiece of a
contemporary French painter?
36. In the late nineties, who was the San
Francisco youth that shot his wife on their
honeymoon?
37. Who was the San Francisco pioneer
(whose children and grandchildren be-
long to the most exclusive of sets ) that
came to his death by strangulation when
the platform on which he was standing
suddenlv collapsed?
38. Who was the widow of a prominent San
Franciscan whogaveherjewels tochanty?
39. Who was the society woman that nearly
broke up a prominent San Francisco
Club?
40. "I am the State of California." What
early California millionaire said this to
the United States President?
41 . Why will the answers to these questions
never be answered?
NOVEMBER, 1930
i— !
13
CHARLES G. AND KATHLEEN NORRIS
Since June 1928, when this portrait was first
published, California's "royal family" has
won further laurels substantiating the original
caption which read: "These charming people
hold multitudes under the subjugation of
their pens and their conquests in the name
of hospitality are known along the entire
route of El Camino Real."
14
THE SAN FRANCISCAN
BEHIND THE SCENES Lithograph by Stanley Wood
Throughout the past four years
The San Franciscan has tried
From month to month to
publish significant work by
artists of promise and
accomplishment. As each
year witnessed the fresh
attainments of Stanley Wood,
we watched for something of
his to present in our pages.
Now that he has turned to
lithography, in addition to
his work in watercolor and
oil, we have snatched the
first proof from his first stone
for reproduction. This is the
initial plate in a series which
Wood plans to do of back-
stage scenes from drawings
made during the recent opera
season. It isshown by Vickery,
Atkins and Torrey, though
not hung with the watercolors
of Wood's annual one-man
exhibition there this month.
NOVEMBER, 1930
15
Reverie in a Dungeon
Editor's Note: This was the first
story by Robert J. Tasker pub-
lished by The San Franciscan. It
appeared in the issue of Septem-
ber, 1927, and was later followed
by other stories, the last of which
was signed "Huso." Tasker is the
author of "Grimhaven," an unusual
study of prison life, and a number
of distinctive stories published in
"American Mercury" and other
national magazines. He is now in
Los Angeles writing and doing
editorial work.
yOU made such a magnificent p.cture!
There were crisp, blue-green spruce
trees on the hillside, a lovely back-
ground behind you as you ran down the steps
to the water's edge. You wore gay colors
and, as you passed, the ragged old cedar tree
brushed you, caressed you withsenilechastity.
You too were chaste — and so young!
Endless things I did — such augmenting
proprieties! And all to aid your reclining on
the silk cushions in our little boat. Taps and
pats, and minute rearranging until, at last,
you were like a Nile Goddess on her barge.
Or a Venetian Princess in her gondola . . .
But our waters were broader and more
virginal.
Out onto the calm waters I propelled us;
toiling at the stern until you became solici-
tous. You begged me to rest. Come lie with
me on these cushions, you implored, there is
so much room. And I obeyed you. So we
drifted while the sun was sinking, drifted
under ragged cliffs, and by jutlands aflame
with autumn leaves. Sometimes the small
waves lapped and lulled against the hull —
an even, solemn, hypnotic force that erased
the past, erased the future, erased all the
world, and left you and me drifting, drifting.
The waves sank into calm. By some leger-
demain my arm had encircled you. Our faces
were close, and without effort or movement
it seemed, we turned, read in each other's
eyes, and our lips met, trembled, and drew
away — the most innocent thing. We pressed
together so that warmth of body knew
answering warmth. There were the first
faint curves of womanhood, but I would not
think of those things — for I held you too
sacred.
The sun was lowering over a crest of
mountains. Colors were changing over the
world, soft, diffused shades of blues, and
reds, and yellows — then purples. So beauti-
ful it seemed that tears started in your eyes
by Robert Joyce Tasker
and wept. And because you wept, damned
up pools of felicity burst in me. Tears coursed
down our close-pressed cheeks, mingling to-
gether. When our lips met there was the
taste of salt, and we swooned in the swirling
kaleidoscopic lights of ecstasy.
AND now!
I am a thief — a common thief in a
dungeon! While the lights burned I
saw small, dark, living things creeping on the
walls and ceiling. Now that the lights are out
they will drop to my wretched coverings,
creep in on me and feast, as they are wont,
of the carrion — the filth thrown aside by
humanity.
The mouth you once knew, has drooped
and sagged; become contorted by ba e emo-
tions and worldly habits. The face you called
ivory is scales, dark splotches and deep-cut
lines. The eyes have lost their luster and their
color. The body is a rack for ill-fitting rags.
A thief! A common thief in a dungeon.
AND you? Ho, my dear! I have heard!
You married a youth of pure Semetic
blood. Did he marry you for love?
Or for entre into your nice social plane? And
did yon marry for love, my dear? Or did you
marry his papa's gold?
I have seen his papa — do you call him
that? I have seen Papa's blue, porcine jowls,
his gigantic paunch — he is a monster of jelly
on weakly, wobbly legs. What a lovely papa!
But then, dear lady, he has the gold, has he
not?
How odd that it shou'd be so, but even
here I have obtained your picture. It was
wrapped around a certain bowl they gave
me for my dungeon1 You look very nice, my
dear. That look of the female roue fits you
nicely. It is better to have some character —
something people can identify. They can look
at you, or even at your picture, and say, Now
this woman is a libertine. See the hard lines
of dissipation and ennui in her face?
But you are shrewd now, eh, my dear? I see
how well you love Papa's gold. It shows so
plainly in this picture. When is Papa
scheduled to die? Let me know, dear lady,
and I will come around and steal a bag of the
precious stuff — just for old time's sake. For
I am a thief now, you know, quite a common
one . . . In a dungeon.
OLD times! What a beautiful couple we
were! Naivete Incarnate! Ho me! . . .
But there are ashes in our mouths,
now, are there not, my dear?
ROBERT J. TASKER
Self Portrait by the Author
Reprinted from issue of May, 1929
Sacred thoughts upon
visit to huntington
art gallery
by DWIGHT STRICKLAND
he was calmly studying the
blueboy
when he overheard a mind upliftin ' lady
from philistia cal. say
"oyes it
s niCe
but
donyathink that
blues
an impractical color foraboy
tawear
,huh?"
he fitted his fingers about her bulbous
mindupliftin
neck and
made her swim to the floor and
turn the practical color black and
they arrested
him and
,2months later
Eleven Americanjesusmerchants
returned a verdict
guilty
Note: This brought some criticism when it was pub-
lished in The San Franciscan oF November 1 929 — but the
requests for it have more than justified our original choice.
16
THE SAN FRANCISCAN
Ai-vah' Yim laiung ah! — Oh but this is
devil's work." Such was the mumbled
comment of old Sing Lee, as he stood
on the curb near the comer of California and
Montgomery streets, absorbed in contempla-
tion of the demolition of the ancient Parrott
Block.
To the mind of that aged Mongolian, a
mind steeped in centuries of reverence for tra-
dition and all things that belong to the past,
the work of the wreckers across the street
savored of vandalism. They were iconoclasts!
Incidentally, they were raising a blinding,
irritating cloud of dust; otherwise one might
have imagined he detected tears in the eves of
old Sing Lee.
Either curiosity or surrender to the urge of
sentiment (neither characteristic of the Chin-
ese mind ) , emboldened that rheumatic old
Oriental to watch until there was a lull in the
street traffic; then he hobbled over to an auto-
truck into which the workmen were lowering
a block of blue-gray granite, which had been
part of the old building's walls. I followed
him inquisitively. The manner of the old
Chinaman convinced me that beneath it lay
some important circumstance.
"I was sure of it!" I heard him say, as he
peered into the truck, his gaze intent on the
granite block. "I was sure of it. " He muttered
in outrageously corrupt Cantonese, his hands
looselv clasped in a gesture indicative of sor-
row. And thus he stood in deep meditation,
until roughlv pushed aside bv one of the work-
men, whose prosaic mind was on the job, and
some three-quarters of a centurv removed from
DEVILS WORK
A Legend of the
Wall Street Co
We were doubly glad of the request that recalled to
mind this article written during the wrecking of the
historic Parrott building and published April 1927. Our
editorial note at that time stated that Sing Lee, for years
a well known figure in the Chinese quarter, was returned
by the Chinese Six Companies to his native village on
the banks of the Pearl River where he died a few months
after his arrival,
the retrospective day-dreams of the mooning
S mg Lee . Then came another j am in the traffic ,
and the old fellow grew confused. Gentlv I
grasped his arm and piloted him over to the
opposite side of the busy street.
"And now, uncle," I asked, in the best
Cantonese I could muster, "what did vou find
in that truck that saddened vour venerable
countenance?"
Because of his great age and senile condition
of mind , he did not seem to realize that 1 was
addressing him in his own language, for, after
a moment's hesitation, he mumbled: "I no
speak velly much English, Mr. Gentleman "
Wf-slwi," — unnecessarv, I explained.
"For many years I lived in Kwong Tuung.
You may speak to me in the words of your own
language."
"Well spoken, learned one. It is I who am
at fault, for Confucius has told us that there be
many wise men in the West. You ask me why
it is that what I saw makes me sad, and I will
answer in words from the heart.
First Stone at the
rner of the West
by W. C. Bunner
Men are different. We are not all of one
tongue. No more can we all follow
the same circles of thought. But
listen, if you care to hear the babbling of a verv
old man, who came to this land of Golden
Mountains tens of vears before vou, learned
scholar, came into the world. For I, when mv
age was but ten years , crossed the dark waters
with my venerable father who was a member
of the Stone Mason's Guild of Kwong Tuung.
"And the great ship that brought us, also
carried every stone that went into the walls of
that building which, since thedavsofmvbov-
hood, has stood yonder across the street. In its
massive sohditv it has resisted the power to
destroy, of even the Fire Dragon himself. And
now, after all these years of faithful service, it
must fall; perish for all time! Surely this is
devil's work!
"Yes, it was my honored father who came
here to raise the walls of that noble building.
But others of our clan came before him, and al-
ready many were returning home laden with
gold, wrested from Earth's rich treasury in the
golden mountains; and the fame of those moun-
tains had spread like flames through the forest.
Lust for gold mastered the heart of my good
Continued on page 41
,1
Sail on! Sail on! Sail on!
Aimee McPherson As Seen in 1928
by Irene Cowley
AIMEE SEMPLE McPHERSON re-
turned to Angelus Temple , Los Angeles
for the present season after an exten-
sive tour in "Ghina, Honolulu, Japan, Aus-
tralia, Wales, England, New Zealand and
Canada, in fact practically all over the
world," as she told her audience of five thou-
sand and her microphone at the gorgeous,
halleluiah Sundav night performance celebrat-
ing her return.
So Aimee now broadcasts;
"This is Angelus Temple — America,"
which enormously tickles the funny bones of
the five thousand.
Aimee loves her microphone. With one
arm (a right shapely one , too ) curved ten-
derlv about it, she exclaims in a voice still
husky from hundreds of evangelistic sermons
made on the world tour:
"Come on, folks, all together! Let's sing
our old favorite, 'On the Four Square Gospel
Ship.' Everybody sing!" She claps her little
hands with an encouraging smack. Simultane-
ously, the organ sounds the familiar strain and
the audience sings the sprightly tune,
"On the Four Square Gospel Ship,
Soon we'll set sail.
The cable cannot fail
In any sort of gale
For it is anchored on the solid rock
jesus will prevail
Ship ahoy! We'll all set sail!"
Aimee steps to the front of the platform,
and scoffs:
"Well, I must say, that's prettv weak. You
sound as stiff as an Episcopal Church'" Tit-
ters and guffaws greet this bit of brilliant
raillery. "How manv sang that time? Raise
your hands." Several obey. "What!" ex-
claims Aimee, aghast. "Onlv a few hundred
out of five thousand'" (This last into the
mike. Publicity agents take careful note. This
is what vou might call a good gag. ) "This is
ridiculous'" The five thousand get a big kick
out of this scolding from their idolized Sister.
"All together this time. We'll get the orches-
tra to help. Come! 'On the Four Square Gos-
pel Ship, Soon we 11 set sail." The handclap
again, and with a boom like the roar of many
waters they all set sail, accompanied by a
forty-piece orchestra (including xylophone,
drums and French horn ) whose members are
arraved in sailor costumes and white duck
hats. The joyful acclaim swells, and the temple
Editor's Note: This has always been one of our favorites
— imagine our emotion when not one but eight indi-
vidual requests came in for it! Our only regret is that,
due to limited space, it must be somewhat abridged from
its original version printed August, 1928.
timbers totter on their foundations as the
audience shrieks, "Ship Ahoy! We'll soon
set sail."
"Aaaaaaaa-men!" shouts Aimee, as they
cease. "Everybody sav 'Amen'."
' 'Aaaaaaaa-men ! ' ' comes back the obedient
chorus, excited by song.
The big bill-board on top of the temple has
promised "A gorgeous musical sermon, fol-
lowed by an illustrated evangelistic sermon
by Aimee Semple McPherson," and, flushed
with anticipation, the audience sits up and
feasts its eves on the radiant Aimee (fresh
from China and Wales ) and wonders what
she has in the way of entertainment up the
sleeves of her black silk cloak, lined with
white.
FIRST of all, Aimee informs us, 'we're to
have the pleasure of hearing some darling
little children, who will stand m a tiny
boat and sing in their sweet treble the very
same song that the grownups have just sung.
Accordingly , a curtain is raised behind Aimee ,
and there, sure enough, in a cardboard boat,
stand the dear little tots.
"Ah," murmurs the audience maternally,
and the children sing sweetly,
NOVEMBER, 1930
17
"On the Four Square Gospel Ship
Soon we'll set sail"
Et cetera,
while throats tighten and unashamed
tears (according to the papers ) flow
from the eyes of the adorers. So
dear! So sweet! In everv aisle sits a
voung woman garbed in white dress ,
white shoes, and black cloak. There
are eight hundred scattered through
the temple, and at the conclusion of
the first number they become an ani-
mated claquene . Immediately , every
pair of hands in the temple joins in
thunderous applause, and Aimee
turns the mike to the audience.
The mistress of ceremonies fol-
lows this up with a solo by a grace-
ful child of perhaps ten years, who
faces the vast audience unafraid,
with a song about "Jesus in a little
boat, On darling Galilee," while
the children in the cardboard boat
rock ever so cutely, in the frail craft.
Next a youth, dressed in the uni-
form of a naval officer, recites in a
wavery, baritone voice, "Sail on.
Sail on, Sail on, and on." Above
him, in front of the choir, in a boat
larger than that formerly occupied
by the children , stand eight stalwart
sailors, striped lerseys, blue caps n
everything. Each holds an oar. The
stroke is a husky youth, but since
there isn't any coxswain, the crew
gets rather careless with its oars,
with the result that the rowing mo-
tions which accompany "Sail on,"
become a bit erratic , each sailor set-
ting his own pace, which adds a
piquant touch of varietv to the
picture.
Aimee announces that due to the
hundreds of requests that she has
received, what do vou suppose, our
organist is going to plav the "Volga
Boatman"! The organist smiles
modestlv, seats herself at the organ,
and notwithstanding the fact that
the Volga boatmen didn't row, the
unorganized crew up above pulls
right lustily on the oars to the tune
of the Russian folk-song.
It is now 8:20 P.M. The show
started at 7:30, and still the biggest act has
not yet been put on. Aimee arises, blonde,
robust, magnetic, and makes the announce-
ments. Among other bits of church news she
tells them that she is going away for a ten-day
evangelistic campaign up in heathenish Ore-
gon. And that her work in Canada was not
unfruitful.
"How many have enjoyed the musical
service tonight?" asks Aimee naively. "Raise
your hands." The audience becomes a birch-
tree forest of hands.
"How many want the program to go on?"
probes Aimee. The hands remain raised.
' 'All right , ' ' Aimee chortles , triumphantly .
"Put your hands right down in your pockets
and give!" The audience chuckles, puts its
hands in its pockets while Aimee huskily be-
seeches Heaven to bless the gift and the giver,
Amen.
While they are giving, to the encouraging
strains of the orchestra, one of Aimee s girl
friends comes from out back-stage and adjusts
Aimee s white collar with a couple of pins,
in preparation for the sermon which is to come
immediately. A little homey touch.
ND now for the illustrated sermon,
and the eloquence for which Aimee is
famed.
"When mv ship comes in! When my ship
comes in!" tremuloes Aimee. "What dreams,
Continued on page 36
A
GERALDINE FARRAR
We reprint this picture of the
glorious Geraldine from
October, 1928, because,
although retired from opera,
she is still our favorite prima
donna and no one can convince
us that the publicity made
operatic acrobats or corn-fed
warblers of the Metropolitan
can ever approach her. She
will be heard here in concert
in February.
THE SAN FRANCISCAN
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NOVEMBER, 1930
19
THE FAMILY CLUB
This was the first of a series of
"Famous Clubs of San Francisco
as Visualized by One Who
Has Never Been in Them".
Appearing February 1928, it
antedated similar series later
published byTheBoulevardier,
Judge and BuffaloTownTidings.
IT HAS been the smart custom for some time
past at gatherings of people prominent in
the theatre and the arts to read their own
epitaphs before imbibing in the first cocktail
of the evening, rather than resort to the con-
ventional toast.
Not so long ago at an affair held in the
luxurious surroundings of a Park Avenue
apartment, an actress famous for her matri-
monial conquests, her jewels and her motors
was called upon to supply her contribution
for the evening, but was at a 'oss to compose
anything measuring up to tho.e that had gone
before. She turned to Irvin S. Cobb and asked
h m if he would help her out. After having
thought it over for some minutes Cobb jotted
down a few words on a slip of paper, inform-
ing her that he would relinquish it on the
condition tha she read it to the crowd with-
out first having read it herself. To this she
agreed, and read, "Asleep, alone at last!"
20
THE SAN FRANCISCAN
SPOTLIGHT
by Ju
nius Cravens
ONE of the things that we may well be
thankful for, when we gather around
the annual festive turkey, is that of
late we have been having some good enter-
tainment in our theatres. The storm of sex-
angles (if you will pardon the pun ) and
penny-dreadfuls which erstwhiles deluged
the stage seems to have abated, and the drama
now appears to have at least a chance of get-
ting back to normal.
A play which sounds a new note is a rare
event. For that reason, if for no other, the
advent at the Columbia of "Death Takes a
Holiday" was, in spite of its Macaberishness,
a welcome diversion. For that fantasy of "a
magnificent adventure" was built upon a
theme which was not onlv interesting in it-
self, but which was at the same time any-
thing but hackneyed.
Of the two men who collaborated in fash-
ioning it, namely Alberto Casclla and Wal-
ter Ferris, it would appear from the result,
if one may be permitted to indulge in sur-
mise, that one of them had a swell idea, and
that the other came perilously near to ruining
it by revamping it according to a good reliable
formula for concocting best sellers. Which
was which, and who did what , we will prob-
ably never know. But the original idea was
too big to be completely spoiled by anvthing,
so that all that the reliable formula really
accomplished was to prevent "Death Takes a
Holiday" from becoming the reallv great plav
that it might otherwise have been.
That Death should take a holidav for thirty-
six hours, during which time all decay ceased,
while life was lived to its fullest , was in itself
a magnificent conceit. That Death should,
moreover, elect to assume human form during
that time, and live among mankind as one of
them in order to gain an understanding of
their fear of him was superb. And most of the
lines bear.ng directly upon that aspect of the
play were rich, and at times great. By contrast
to them, the "filling in" scenes became banal
and insipid, and frequently served to make
the plot too obvious. But if it had its lesser
moments, it also had sufficient greater ones to
weigh the heavier in the balance, so that, as a
whole, "Death Takes a Holiday" was an
exceptionally interesting play. As pure plot,
it was inevitable that Death, parading in the
guise of Prince Sirki, should fall in love with
Grazia, which circumstance led to his final
line, summing up the play's thesis, which was
that "Love is greater than illusion, and as
strong as Death."
Henry Daniel in the role of Death, alias
Prince Sirki, did by far the best acting that
was done. The remainder of the cast was —
shall we say with laint praise? — adequate.
Though we are constrained to ask, without
becoming personal, where are the iuveniles
of yesteryear?
SU3STRACT "White Cargo" from "The
Bird of Paradise," divide the remainder
bv "Rain," multiply that by the South
Sea Islands, and the answer is a darned good
show called "The Bird of Flame" which re-
cently raised the Geary curtain. John B. Hy-
mer and LeRov Clemens, who probably got
together one rainy afternoon and hatched this
exotic wonder, knew their theatrical onions.
Whether or not they knew their Pacific islands
really makes very little difference. With the
aid of some dark skins, and two exceptionally
well executed realistic stage settings, they
succeeded in creating an illusion that caught
one up with the first scene, and carried one
along until the rather tepid last line. "The
Bird of Flame" was by no means a great plav,
but it was good theatre from start to finish.
The cast was excellent throughout, for the
meager demands made upon it, and Dorothv
Burgess in the stellar role of Lamanu was
sufficiently inflammable to make anv white
man go native; Brammel Fletcher as Bob
Holden, who almost did, also gave a good
performance, particularly in the first act.
MOLIERE'S delightful farce, Le Bour-
geois Gcntilhommc, is as fresh and
sparkling today as it was three hun-
dred years ago, when it was written. And in
the hands of such an able comedian as is
Frederick Blanchard the character of M.
jourdain, which Mohere created and elabo-
rated for himself, lost nothing when "The
Would-Be Gentleman" was presented by the
Players' Guild. And Minetta Ellen, as Mme.
Jourdain, played opposite him m a lesser role
with equal facil ty. Between ihem Mr.
Blanchard and Mrs. Ellen carried the burden
of the Guild's presentation. With the addi-
tional exception of a creditable solo dance by
Virginia Russ, it was otherwise a pretty sad
performance. The greater part of the cast was
amateurish to a degree, and apparently in-
capable of conjuring up an illusion of the
artificiality which characterized seventeenth
century manners. But with Mr. Blanchard
holding the stage most of the time, "The
Would-Be Gentleman" was, nevertheless,
vastly entertaining.
But the Guild more than made up for its
sad performance of Moliere in its second
offering, "The Prodigals," by Marianne
King, which was a good play exceedingly
well done. Helen Buell, whose acting at-
tracted such favorable attention last season,
returned to the ranks of the Guild players,
and gave a splendid performance in the role of
Virginia Murray. The remainder of the cast
was good in every instance. David Scott's
settings were excellent. Unfortunately the
exigencies of going to press prevent our re-
viewing the third Guild production, "The
White Blackbird," in this issue. That drama
will be given its initial performance in
America, with Cameron Prud'homme head-
ing the cast.
AN IMPORTANT event of the past
month was the re-opening of the
President and the Alcazar theatres,
for thev had^been sadly missed bv San Fran-
ciscans. If you don't believe it, go and see how
both houses are "packing em in."
At the Alcazar, the lights were turned on
to illuminate Milne's "romantic comeds-
Continued on page 30
"Yes, Darling, the Man Is Pretty.
Helen Brulon
NOVEMBER, 1930
EDGAR EVERTSONSALTUS— a name.
The greatest American stvhst is less than
' that. No foreign nation has recommended
him to his countrymen. Poe had his Baudelaire.
Whitman and Cabell found the surety of
British acceptance. But, save a few short
papers by brave souls, Saltus lingers in
literary oblivion. A badly written biographv
bears the name of one of his wives. Nothing
of the artist arises from its turbid lines.
Edgar Saltus moved silentlv through our
time, writing wierdly beautiful stories,
essays, criticisms, philosophies, histories,
and poems. So softly he trod few heard his
passing. Millions know the forests of litera-
ture, but the dryads are seldom disturbed.
Here was an artist not of this world. A fair,
bright figure that sang the story of forbidden
things. Saltus was the minstrel of mvthology.
Misunderstood because he sang not in subser-
vience. Rather he carolled as one who knows
that faith is tinsel, but beautiful withal. Wise
men muttered of disrespect and irreverance.
The curious are never reverent.
Life to Saltus was a rich wonderland of
amusing contradictions. The decadence that
was Rome. The orgy that was Russia. The
folk lore that was religion. The ghosts that
are ideals. Into this maze of shunned subjects
he went unafraid for his heart was of faerv.
The darkest contraversial theories of the ages
were his themes. To him thev were not
21
Edgar Saltus
ln_Praiseaof the Last of the Pagans
Editor's Note: It was gratifying to know that this article
from the first volume of The San Franciscan has lived
long enough in the memory of at least three readers to
have it requested for repetition. First printed July, 1927.
abstruse at all. Most of them were so illy
conceived as to be diverting. He laughed, and
translated their obscurity into simple lyrics
with such facility that the world was
suspicious. Pundits were loath to admit the
impeccable verity of his statements. Thev
probably did not understand, or feared for
their livelihood. Few men have been so com-
pletely master of interpretation. Involved and
fearsome philosophies become opinions com-
mon to most men, dressed in the simple rai-
ment of his making.
Single phrases evoke kaleidoscopic pro-
cessions. Pages picture decades, and so sure
was his artistry that drab facts of history be-
come vivid moving pictures cf living stories.
He gave to the American language a beautv
undreamed. Slang and colloquial expressions
melted in the caldron oi his witchery. Epi-
grams, metaphors, paradoxes, and ethereal
figures of speech bubbled forth ceaselessly.
They will be eternal. Pen tipped with a
by Rex Smith
jewel, he wrote his radiant way with ink of
the rainbow. It was not the hard, white bril-
liance of Pater. Softer than the glazed azulejos
of Emerson. It throbbed with life that failed
often in the synthetic imagerv of Wilde. Here
was a confident Huysmans. With all of the
imaginative erudition, but more tolerance for
fact. In the heyday of his accomplishment,
Saltus had no "entangling alliances" of mind.
TRUE, in early life he was a disciple of
Schopenhauer and von Hartmann. Emer-
son left an imprint. Then came a succes-
sion of tutors — Hugo, dAurevillv, Gautier.
But let that be. It was encouragement rather
than influence, save in one case. Saltus came
under the spell of that almost divine master
of prose — Flaubert. A comparison of "Sa-
lammbo" and "The Imperial Purple" shows
plainly the kindred strains of descriptive
magic. It is a rhythm that unrolls to a surge of
blinding splendor or softens to a pastorale
without breaking. There are short, exploding
s;ntences that impinge their meaning. There
Continued on page 38
.ausene
of Poets, Cookbooks, Carl Van Vechten,
Bustles and Other Modern Phenomena
Poets may write when flowers are blowing
in spring, but certainly the autumn sees
the full harvest of their labors. The presses
are pouring out agreat dealof verse these days,
most of it (as usual ) very bad. But in the midst
of it all are some noteworthv things. First of
all, of course, are the books issued bv the two
English speaking poets who are popularlv
given first place: Masefieldin England, Edwin
Arlington Robinson in America. Macmillan
has the distinction of issuing both books.
Masefield's \\ emitter of Liverpool does not
please some of us as much as his earlier work
did, but it is far and away better than most of
the drivel which passes for poetry these da vs.
Then, too, it is interesting because it is the
first book he has issued since he received the
somewhat ambiguous honor of being made
poet laureate. Robinson's Glory 0/ the Nightin-
gales (which is not about birds' ) hasn't the
glorious pageantry ofTristram nor the mystical
romance of Lancelot or Merlin. It is more like
Cavcndcr's Home than anv of the others. It is a
grim and powerful story of contemporarv life
in which a dead woman has an important part,
written with the same craftmanship which
makes Robinson (next to Jeffers ) about the
finest poet in America todav.
by Frank L. Fenton
I say "about" because there is Conrad
Aiken. The publishing of his new book John
Dctli and Other Poems (Scnbners, $2.50 ) is the
most important poetic event of the fall.
Aiken's work has grown consistentlv better
until he now must be reckoned among our five
or six best poets. Nothing I have read in recent
years can surpass the strange beauty of his
verse, a beautv of pure music blended with
profound wisdom. Aiken's verse will stand no
end of analysis if one is given to that sort of
thing; but since it is pure poetry and great
poetrv, it should be read lingennglv and aloud
to savour its full richness. Let who will
analyze.
The last month or two have brought forth
several books of verse which have a local
interest as well as a literary one. The most
important of these is Tlie Proof by Yvor Win-
ters, a member of the English department at
Stanford. If you want to be up with things
literary, vou must read Yvor Winters. Before
long he will be the most-talked-of of the
younger poets and has already a considerable
reputation. His work shows intelligence,
energv, and versatility. Personally, I prefer
the third group in his book, poems written in
conventional lyric forms, although some of his
sonnets equal or surpass them in beauty and
surety of expression. I feel that his use of free
verse is a bit precious. Winters certainlv has
a carefully worked-out system of metrics in
these poems; but unfortunately his readers
will not perceive it. To most of them, the first
section of his book will sound remarkablv like
the gorgeous nonsense of the Bvnner-Ficke
Spectra hoax of some years ago. Another book
from a local writer is Curtain Calls bv Con-
stance Ferris, published locallv by Harr Wag-
ner. Miss Ferris presents a series of character
studies in free verse, endeavoring "to present
a section of life." She further illuminates her
purpose in the first words of her Foreword:
"I have observed life under many conditions
and in many environments. I do not mock at
the beautv of life, nor is it my purpose to de-
ride homely ways."
If one w shes the life of the lowly, hundred
percenter, there is John V. A. Weaver's
latest book Turning Point (Alfred A. Knopf).
The title poem is a grand bit of ironic realism.
Most of po;ms are "in American," but
Weaver shows that he can handle orthodox
forms and serious matter very neatly. He is
not, praise be! over serious and the sting of his
realism is eased bv his humour. However, the
gayest book of verse that has happened into
mv too mirthless existence in a long time is
Droll Parade by Carlton Talbott, who (with
his publisher, Horace Livenght ) has conferred
a great boon on reviewers and others who read
books. His verse chortles and chuckles, occa-
sionallv lifting a sophisticated eyebrow, but
more often breaking out in almost bawdy guf-
Continued on page 34
22
Claire de Lune
Being a Story Wherein Music and
Moonlight Cast Black Shadows
by Kathryn Hulme
FROM the silver linked belt at her waist
down to her shiny high-heeled slippers,
Bim's mother was entirely familiar to
him. He was too short in stature to be able to
look squarely at her oval face and slender
torso — the part most people saw. His round
sailor hat came just on a line with the silver
belt; but he knew all about his mother
through the rustle of her taffeta swishing
along close to his ears.
On sunny days, as they loitered through
Hyde Park, it made a languourous singing
noise that sometimes died down to a mere
whisper of content. When they went out to
decorate his father's grave, the taffeta made a
broken wrinkling sound, as though some of
it had got crushed between his mother's knees.
And at concerts it lay black and quiet about
her, except when a certain kind of music was
played . . . then it seemed to sigh restlessly,
remotely, as though trying to answer a ghost-
thing floating in the air about them.
Trotting along beside her skirt this evening
Bim wondered what caused the disturbance
in the smooth flow ol sound coming from it.
Above the rumbling of buses and scuffling of
pedestrians, his accustomed ear caught a thin,
nervous crinkling he had not heard before.
Strange and new, he had no way of knowing
what it meant.
Presently he saw the Frenchman who came
so often to play with him and his mother in
the nursery. The big man stood with his hat
in his hand, wavy hair stirring in the breeze.
Quite far above him, Bim heard them talking.
The skirt was quiet now. All of its rustling
music had crept upwards into his mother's
voice.
It wasn't until he was left alone with his
mother, walking slowly homewards, that
Bim heard a little singing sound out of the
silky skirt. At least he knew his mother was
happy.
That night, when she tucked him into his
bed, she told him she was going away for a
little while and then would come back and
get him, and take him away, too. The taffeta
moved against the rail of the bed and in the
dark he reached out and clung to a smooth
cool fold of it. He fell asleep while she was
leaning over him. When she turned to go, she
felt the clutching fist holding on to her skirt.
Gently she unloosed the fingers, put the hand
back between the bars under the covers.
One afternoon many days later, Bim heard
the door of his nursery open slowly. A radiant
creature all dressed in filmy white stood on
the threshold. For several seconds he did not
realize it was his mother. Not until she called
his name softly did he drop his toys and run
over to her. She knelt to put her arms about
him and she was crying |ust a bit.
Bim cried too, because she felt so strange
to his touch. The filmy dress was not smooth
like the talking taffetas she had worn ever
since he could remember. It was delicately
rough like lace and it made not a whisper of a
sound as she crushed him to it.
Nothing was ever quite the same again.
The Frenchman lived with them now and his
mother was a new person, laughing and talk-
ing with a burning in her dark eyes. When
the three of them walked m the park, Bim
was more lonely than ever, for all communica-
tion with his mother had been cut off. Her
skirts rufled and danced in the wind and
sometimes blew in a white caress against his
bare knees; but they had nothing to say to
him, nothing of all this vast secret which had
made her so happy.
A shapeless solitude, impenetrable to his
fellow mortals, surrounded him with the
quietude of unspeakable grief. Kemeled in
this incommunicable sphere, he watched the
The Pale Woman
B\> Sara Bard Field
Woman, tvhv 50 pale and tnin?
A swan and a raven strive within.
From battling of beak am I wan and worn;
From grappling of white with black wing torn.
Woman, I liar no dash of ivjng.
In awful silence is done this thing.
They lie on my breast when weary of fight — -
Swan on the left; raven on the right.
The left breast burns like a fiery cross;
The right breast blights like frozen moss.
If the white, the black heart slay,
I shall be a nest tor day.
But if the swan should vanquished be.
The raven with night will feather me.
Daily I rise and lay me down.
I comb my hair and smooth my gown,
And, basket on arm, go into town.
The neighbors see nothing strange or new —
A woman marketing, as they do:
Butter and eggs and a fish or two . . .
For who would dream my narrow clay
Could hold the whole of night and day?
Or that the birds of boundless space
Would strive in such a little place?
Editor's Note: In responding to the request for "The
Pale Women," published in the San Franciscan of May,
1928, we wish also to repeat the statement of Helen
Everett who said: "I really think that this is one of the
greatest poems ever written about the conflict of women.
It has a universality which takes away one's breath."
THE SAN FRANCISCAN
Editor's Note: "Claire de Lune" was First printed in
February, 1928, during those first days of our discovery
of Kathryn Hulme. Since then she has traveled abroad,
had work published in Paris' own "Transition," returned
to California, completed her book "Arab Prelude" (to
be reviewed in our December issue) and, through it all,
remained a continually surprising person whose steady
cooperation has meant much to The San Franciscan.
forms of things gesture their living way, out-
side of it; mute and wide-eyed as a water
creature gazing through the aquarium glass.
He was still grieving when they moved to
Paris, but one dav he discovered the gorgeous
playground of the Champs Elysu. Marionette
shows, merry-go-rounds, gauffnttc kiosks
under chestnut trees . . . after a time he be-
came accustomed to the idea of belonging to
the dazzling white lady whose slim gloved
hand held his so tightly. But he could never
adore her, as in the old way when he knew all
about her.
Something had happened to his real
mother, the quiet sad-eyed mother fused
somehow with memories of London and black
silk . . . but that was long ago, now, and he
had quite forgotten why it was he wept in
such panic when she first came to him all
secretive in a cobwebby lace dress.
AGAIN ... a shapeless solitude, im-
penetrable to his fellow mortals, sur-
rounded him. Sensations blunted
themselves against the glassv walls of his in-
difference ... all save one. That, somehow,
had got through to him.
Far back on Commercial Road he both
heard and saw her go by him — a blowzy old
woman in a baggy black tafteta dress. A
curious almost forgotten sense of peace seeped
into him, turned him gently as a tide can turn
a flotsam and carried him quietlv after her,
heedless of everything except the sound of
her moth-eaten old taffeta that made London
seem all at once very familiar to him.
It was strange that London should seem
familiar to him — an Englishman raised in
Paris, so much part of it that he had fought
with the French and, from the front, sent back
grief-stricken word to have his English
mother buried in a white lace dress in Pere La
Chaise cemetery.
Nothing had been familiar since he had
been gassed. It was as though all his mem-
ories had taken on the vaporous quality of
gas — drifting plumes of grey ether, blurred,
with outlines insecure, subject to the vagaries
of winds which sometimes moulded them
into remembered shapes, sometimes into
things of horror.
Down East India Dock Road, just beyond
a small green, he knew without looking she
had turned. The sound of silk bending to a
corner, a thin sound as immaterial as that of
wind changing direction ... he didn't even
wonder how he knew. He turned into Three
Colts Street and saw her plowing ahead into
the fog blowing in from Limehouse Reach.
Automatically he climbed the stairs of the
house he saw her enter. An old harridan in
rusty tafteta. A witch who had conjured up a
desire from below the threshold of his con-
sciousness, a desire as secure and definitely
NOVEMBER, 1930
23
limned as a centurv plant with roots sunk in
the forgotten past.
IN A stuffy Victorian parlor the blowzy
woman sat beside him on a stiff-ribbed
davenport while he told her what he
wanted. Her flint-grey eyes ran in quick ap-
praisal over him as he talked — the pallid gas-
bleached face, the unseeing, uncaring eyes,
the nervous explorations of empty hands. She
had seen a lot of it these post-war days.
"That's all right. I can fix you up." Her
plump damp hands stilled his roving ones for
a moment. "You go on upstairs. Room at the
back. I'll get one of mv girls dressed and send
her up — a thin one like you want."
He swung the door wide to her timid
knock. A twisted smile flashed momentarily
across his face as the girl walked past him
clad in the aged taffeta dress.
"Mv name's Claire," she advanced uncer-
tainly, "The madame said you wanted me
this way ..." She looked down upon the
misshapen dress then up at him with puzzled
eyes. "And just ... to walk around''"
"Yes, that's it . . . just ..." His voice
expired.
Claire sipped the drink he poured tor her,
staring wondenngly as he flung himselt on the
bed. When his blond head finally sunk in the
pillow , she rose from her chair and commenced
walking around.
The rustle of the skirt was the only sound
that broke the stillness of the room. In the
dim rosy lamp light the slender figure was
only a shadow-thing but the swish of silk
crisping about her body was the murmur of
life and muted passion.
The young man's face grew calm. Under the
drooping lids the wide excited focus of his
blue eves dwindled down to a mere pinpoint
of remote reflection. The slow swishing of
the taffeta skirt, moving indolently about the
room, was the music of a very deep river. On
the bosom of this singing stream he floated
down spaces of years. Pictures slipped in and
out of mind, flowing with the smoothness of
water. Paris ... a slender woman to whom
MONTALVO
We republish this photograph
of the Temple of Venus at
night by William Horace Smith
because it recalls memories of
the magnificent hospitality of
the late Senator James D.
Phelan and forecasts the gath-
erings of artists, poets and
writers whose legacy is the
gardens of Montalvo.
he had belonged, achingh — his mother. The
queer notion troubling all his boyhood that
she was not his mother. A Frenchman, his
stepfather. The lycte where he went to school
and the aged instructress in musty black silk
Continued on page 3S
24
THE SAN FRANCISCAN
The Reigning Dynasty
WEDDINGS
NIGH-BOARDMAN. On October 9, in San
Francisco, Mr. William Henshaw Nigh, son of Mrs.
William Henshaw Nigh and the late Mr. Nigh, and
Miss Kate Boardman, daughter of Mr. and Mrs.
T. Danforth Boardman.
ALEXANDER-DYER. On October 15, Mr.
Douglas Alexander, son of Mrs. Carroll Alexander,
and Mrs. Phoebe Carter Dyer, daughter of Mr. and
Mrs. George R. Carter of Honolulu.
STEBBINS-FLOOD. On October 18, in New
York, Mr. Theodore Ellis Stebbins, son of Mr,
Theodore Stebbins of New York and the late Mrs.
Stebbins, and Miss Mary Emma Flood, daughter of
Mrs. James Leary Flood of San Francisco and
New York.
SUTTON-AVERILL. On October IS. in Laurel-
hurst, Portland, Miss Barbara Jane Averill, daughter
of Mr. and Mrs. F. N. Averill of Portland, and Mr.
Reuel Robbins Sutton, son of Mr. and Mrs. John G.
Sutton of San Francisco and Atherton.
ENGAGEMENTS
TOBIN-McCORMICK. Miss Aileen Tobin,
daughter of Mrs. dement Tobin and the late Mr.
Tobin, to Mr. Ernest Oliver McCormick, son of Mrs.
Ernest Oliver McCormick and the late Mr. McCor-
mick.
REDINGTON-MURCHIE. Miss Margaret Red-
ington, daughter of Mr. and Mrs. Arthur H. Reding-
ton of San Mateo to Mr. Donald Murchie, son of
Mr. and Mrs. Guy Murchie of Boston.
STEPHENSON-OWEN. Miss Hettie Bruce
Stephenson, daughter of Mr. and Mrs. Ferdinand W.
Stephenson, to Mr. Francis Farrington Owen, son of
the late William W. Owen and Mrs. Owen of Madi-
son, Conn.
VISITORS ENTERTAINED
Mrs. Herbert Gutschow, the former Miss Marian
Dunne, who now makes her home in Dresden, visited
with her parents, Mr. and Mrs. Peter F. Dunne,
during October.
Mr. and Mrs. James W. Reid entertained Mrs.
Rennie P. Schwerin at the Reid country home at
Byron Hot Springs.
Mrs. Alan J. Lowrey was among those who enter-
tained for Mrs. Harold Erdmann (Mary Chickering)
on the occasion of her recent visit from her new home
in Honolulu.
Mrs. Einnim McNear Train and her children
visited with her parents, Mr. and Mrs. George W.
McNear, at Mt. Diablo recently.
Mr. and Mrs. Stanhope Nixon of Montecito were
the house guests of Mr. and Mrs. Nion Tucker in
Burlingame.
Mr. and Mrs. Merrill C. Morsehead entertained
Mr. and Mrs. Edward McNear over the week end at
the Morsehead home in Menlo Park.
The visit of Mr. and Mrs. William Sproule, who
spent some time at the Fairmont Hotel, was the
occasion for much entertainment. Mr. and Mrs.
Sproule now make their home in Paris.
Miss Rowena Selby, whose home is in South
Africa, was the house guest for several days of Miss
Dorothy Mein, daughter of Mr. and Mrs. William
Wallace Mein.
Mrs. H. R. Macfarlane and Miss Jean Macfarlane
are visitors in San Francisco from their home in
Honolulu.
Mr. and Mrs. Curtis Wood Hutton of New York
were guests at the home of Mrs. Hutton's parents,
Dr. and Mrs. E. E. Brownell on Clay street. Dr.
Brownell's illness occasioned the visit.
Before leaving for New York, Mrs. John Eddy of
Seattle spent a few weeks with her brother-in-law and
sister, Mr. and Mrs. Arthur Brown, Jr., in Burlin-
game.
During the visit in San Francisco of Mrs. Frank
Thompson of Honolulu, Mrs. Warren Spieker was
among those who entertained in her honor. Mrs.
Thompson was the house guest of her brother and
sister-in-law, Mr. and Mrs. W. P. Roth, in Menlo
Park.
Mr. and Mrs. Murray Foster entertained in honor
of Mrs. Foster's sister, Mrs. Parker Lyon of Pasa-
dena. Mrs. Lyon recently returned from a year's
stay abroad.
Mr. and Mrs. Alexander Isenberg were hosts to
Mr. and Mrs. Samuel Damon of Honolulu during the
Damons' visit in San Francisco.
Mrs. Loring Pickering of Paris was entertained by
her aunt, Mrs. Mountford S. Wilson in Burlingame
when Mrs. Pickering came to California to attend the
wedding of her brother, Mr. Douglas Alexander, to
Mrs. Phoebe Carter Dyer.
Dr. and Mrs. Armstrong Taylor entertained at a
tea given at the San Francisco Yacht Club, the
occasion being in compliment to the Earl and
Countess of Mar and Kellie.
Captain F. T. Swan of London, and Mr. Teixiera
de Mattos of Berlin were the incentives for a number
of pleasant entertainments during their stay here at
the Hotel Mark Hopkins.
Mr. and Mrs. H. Douglas Bacon Soule gave a
musicale and buffet supper at their home recently in
honor of Mr. Pedro Sanjuan of Havana. Mr. Sanjuan
is conductor of the Havana Philharmonic Orchestra.
Miss Glenna Collett and Miss Bernice Wall were
house guests of Mr. and Mrs. Eyre Pinckard in Bur-
lingame during the time that the two young women
were visiting in Northern California. Mr. and Mrs.
Algernon T. Gibson were among those who enter-
tained Miss Collett and Miss Wall.
Mr. and Mrs. John Gayle Anderton who have been
living in Paris for the past two years are at present in
Burlingame and will be for a time with Mrs. Ander-
ton's sister, Miss Evelyn Barron. Among the wel-
coming affairs given for Mr. and Mrs. Anderton was
a buffet supper, at which Mr. and Mrs. Howard G.
Park were the hosts.
Mrs. Charles H. Crocker of Belvedere entertained
at luncheon irecently in honor of Mr. and Mrs. D.
Gordon Bromfield of Santa Barbara.
HERE AND THERE
Dr. and Mrs. Otto Barkan have returned to San
Francisco after a year's stay abroad and many
parties are being planned in honor of the homecoming.
Mr. and Mrs. Vernon Skewes-Cox and Mr. and Mrs.
I. R. D. Grubb are among those who will entertain
for Dr. and Mrs. Barkan during the coming fortnight.
Mr. and Mrs. Frank Garretson Belcher (Harriet
Holbrook) have returned from their honeymoon in
the Hawaiian Islands.
Miss Helen Neuwald, who is to marry Mr. Eustace
Cullinan, Jr., was honor guest at a luncheon given
by Miss Patricia Connolly at the Hotel Mark Hop-
kins.
Miss Robert B. Stephenson, daughter of Mr. and
Mrs. Ferdinand W. Stephenson, was formally pre-
sented to society at a large reception given at the
family home on Jackson street.
Mr. and Mrs. Joseph H. P. Howard of San Mateo
have returned to their home on the peninsula after
passing the summer in Santa Barbara.
A brilliant event of early winter was the reception
given at the Presidio Officers Club in honor of Major
General Douglas McArthur.
Miss Patricia Geissler, daughter of Mr. Arthur
Uorman Geissler and the late Mrs. Geissler, was
formally presented to society at a tea given by her
aunt, Mrs. DuVal Moore, at the latter's home in
Arguella Boulevard.
In anticipation of the holiday season, a pre-view
of Christmas articles from the Junior League shop
v as held at the home of Mrs. Erwin E. Richter in
Atherton recently. The showing was followed by a
tea. More than a thousand invitations were issued for
the event.
Mrs. Paul I. Fagan has returned to San Francisco
after a visit of several weeks in New York.
December 19 has been named as the date of Miss
Dorothy Spreckles' debut. The debutante will be
presented at the home of her mother, Mrs. A. B.
Spreckles on Washington street.
Commander and Mrs. James H. Bull who have
taken apartments at the Fairmont for the winter
recently gave a large dinner dance at the hotel in
honor of Mrs. Cheever Herbert Newhall, Miss Isabel
McLoiifhlin and Miss Boody Donoher.
Mr. and Mrs. Eyre Pinckard gave a buffet supper
at their home on the peninsula in honor of Mrs.
Pinkard's parents, Mr. and Mrs. Lawrence Milton
Pi own.
Mrs. H. M. A. Miller and her daughter-in-law,
Mrs. Bessij Rinehart Miller, presented Miss Christine
Miller to society at a reception given at the Francesa
Club. Miss Miller was the first debutante of the 1930
se^on.
Mr and Mrs. George Edward Coleman who have
been passing several months in Santa Barbara plan
to reopen their apartment at Stanford Court early
this month.
Congratulations have been cabled to Paris to Baron
and Baroness Baeyens on the birth of a son. The
Baroness Baeyens was the former Miss Mary Clark,
daughter of Mrs. Tobin Clark.
The home of Mrs. George T. Cameron hi Burlin-
game was the gathering place for the members of
Pro Music on the recent occasion when Mme. Povla
Frijsh appeared in a song recital.
Mr. and Mrs. DeLancey Lewis have returned to
Atherton after a brief visit in Southern California.
Mr. and Mrs. Evans S. Pillsbury II have returned
from their honeymoon and will pass the winter
months in Carpinteria.
Mr. and Mrs. August Virden will give a large
buffet supper at their home on November 22 follow-
ing the Stanford-California football game.
Mr. and Mrs. Alexander Hamilton gave a dinner
dance at the Burlingame Country Club for about one
hundred and twenty of the younger set, friends of
their daughter, Miss Grace Hamilton.
Mr. and Mrs. Marshal Hale entertained at a dinner
t the Hotel Sir Francis Drake. Mr. and Mrs. Wilfred
Pelletier (Queena Mario) were the honor guests.
In honor of Lieutenant and Mrs. Robert Hutchins,
Miss Ruth Langdon gave a dinner party at the home
of her uncle and aunt, Mr. and Mrs. Duane Bliss.
Lieut, and Mrs. Hutchins will spend several months
in Honolulu.
Mr. and Mrs. Augustus Taylor have returned to
town for the winter.
Miss Jessie Leonard of Reno entertained at lunch-
eon at the Woman's Athletic Club in honor of Miss
Kate Boardman shortly after the latter's marriage to
Mr. William Henshaw Nigh.
Mrs. Robert B. Henderson has returned to Bur-
lingame after a visit in New York.
Mr. Perry T. Cumberson gave a dinner dance at
the Menlo Country Club in honor of Mrs. Cumber-
son's birthday.
M'ss Eccles Moran and Mr. Breck Moran have
rejoined their parents, Mr. and Mrs. Nathan Moran.
Miss Moran and her brother spent a year abroad,
studying. Miss Moran did post graduate work at the
Sorbonne and Mr. Moran attended Clare College,
Cambridge.
The Board of Directors of the Young People's
Symphony Association gave their annual tea at the
Hotel Mark Hopkins late in October. Mr. Basil
Cameron, conductor of the first four concerts of the
season, was guest of honor.
Mrs. Robert M. Eyre entertained about a hundred
friends at tea at her home on Jackson street.
Mrs. Frances Harris Stent and her daughters are
again in town after spending the summer in Menlo
Park and Santa Barbara. Miss Katherine Stent will
make her debut this winter.
Mrs. M. Tourney Van Bergen and her daughter.
Miss Gloria Van Bergen, have reopened their apart-
ments at the Huntington for the winter.
Mr. and Mrs. Warrington Dorst entertained a large
gathering of the younger set at their home on Steiner
street on Hallowe'en.
Mrs. Curtice Dodge has returned to her home in
Vallejo street after a year's sojourn in Europe. En
route home, Mrs. Dodge spent some time in Kansas
City.
Mr, and Mrs. Jerd Sullivan have returned to San
Francisco after a visit East. Mrs. Sullivan spent the
greater part of the time with her mother, Mrs. Robert
Dunham, in Chicago.
Mr. and Mrs. Alfred Sutro and their daughter.
Miss Adelaide Sutro, have closed their Menlo Park
home and are in town for the winter.
At the annual exhibition of the San Francisco
Branch of the Needlework Guild held at the Hotel
Fairmont this year, more than 36,000 garments were
shown.
Miss Genevieve Hart entertained a group of four-
teen friends at luncheon at the Hotel Mark Hopkins
recently.
Mr. Prescott W. Scott gave a party at the Bur-
lingame Country Club in honor of Mr. and Mrs.
Alexander Young of Plonolulu.
Mr. and Mrs. Starr Bruce entertained at their
home in Pacific Avenue in honor of Mrs. Burbank
Somers who recently returned to Woodside after
several months abroad.
Mr. and Mrs. Orville Pratt and their family have
returned to town after spending the summer at their
country place near Chico.
Mr. and Mrs. William G. Parrott entertained a
group of friends over a recent week-end at their
ranch home at Carmel.
Mrs. Gertrude Atherton has returned to San Fran-
cisco and will spend the winter with her daughter,
Mrs. Atherton Russell at the latter's home in Green
street.
Mrs. John B. Casserly will return to California
next month. The marriage of Miss Marianna Casserly
and Mr. Alfred N. Lawrence will take place in New
York on November 19.
Mrs. Robert A. Roos and Mrs. William C. Van
Antwerp attended the Women's National Golf Tour-
nament in the southern part of the state.
Mr. and Mrs. David A. Conrad have taken a house
at Sea Cliff on El Camino del Mar.
Mr. and Mrs. W. W. Chapin have closed their
Washington street home and have taken apartments
at the Fairmont for the winter.
The Spinsters Club, of which Miss Helene Lund-
borg is president, has decided that their annual ball,
to be given on December 27, is to be a bal masque.
Miss Doreen Tittle and Miss Barbara Pond were
among members of the younger set who entertained
for Miss Kate Boardman before her marriage to Mr.
William Henshaw Nigh.
SAN FRANCISCANS ABROAD
At the Savoy in London recently were Mr. and
Mrs. Alfred S. Tubbs, Mrs. Frederick L. Scott and
Miss Ruth Huntington.
Mr. E. Raymond Armsby sailed from New York
recently on the Bremen and intends spending several
months on the Continent.
Mr. and Mrs. Douglas B. Lewis (Janet Whiteman)
sailed for Europe three weeks ago and will make a
leisurely tour of the Continent until the first of the
year, when they will return to California.
Miss Polly and Miss Peggy Dibblee, Miss Eleanor
Broemmel and Miss Ruth Woolsey have left for a
year's trip abroad. ...
Mrs. Estelle Monteagle is again established m her
home in Paris.
Mr. and Mrs. Joseph D. Grant and Miss Josephine
Grant were in London, at Claridge's, when last heard
Mrs. Tobin Clark and Miss Patricia Clark are at
present in Paris. , , .
Mr. and Mrs. William Shaw and their children
sailed from San Francisco recently aboard the Italian
steamer Fella, and will spend a year in Europe.
SAN FRANCISCANS IN NEW YORK
Mr. and Mrs. Daniel C. Jackling who are now in
New York are planning a South American cruise on
their yacht, the Cyprus. .
Mr. and Mrs. Stanley G. Harris are in the East,
stopping at the Ambassador Hotel in New York.
Mr. and Mrs. Thomas B. Eastland were in New
York recently, stopping at the Ritz-Carlton.
Miss Evelyn Lansdale has gone East to join her
sister, Miss Clare Lansdale. .
Mr. and Mrs. E. H. Clark, Jr., are in the East
where they will visit for a month.
NOVEMBER, 1930
25
MRS. CHARLES B. HENDERSON
We have published so many charming portraits of women representative of
the lovliest in this city renowned for its superlatively beautiful women that
it proved our most difficult task to choose one for The Reigning Dynasty this
month We finally had to write the names on slips to be shuffled in the edi-
tor's high silk hat. The blindfolded office boy drew the slip bearing the name
of Mrs. Charles B. Henderson whose distinguished portrait by Johan Hage-
meyer is herewith reprinted from the issue of August 1929.
26
THE SAN FRANCISCAN
JOHAN HAGEMEYER
George Sterling-1927
by Carey McWilliams
TO THE great mass of uninformed and un-
imaginative clerical peasantry of today,
basking in the complacent sunshine of self-
adoration, the very thought of suicide is re-
pelling and horrifying. Once a celebrity takes
his own life the rabble will never abandon
talking about his life and work until thev
have centered upon an explanation plausible
to their minds, as to just why a great man
should do such an act. Once they have proven
such a man a craven or a lunatic they then
return to their regular state of idiocy, feeling
that their cheap and shallow belief in a pur-
poseful world has been justified. Hence when
the news of George Sterling's death was an-
nounced, the newspaper-reading world was
dulv shocked for an afternoon, and straight-
way set about the creation of a nice, fanciful
mvth to justify its firm belief that only an
imbecile would take his own life. The press,
catering as it always does nowadays to the
prejudices of the "average individual" about
whom the army intelligence tests reported
such derogatory things, began to weave an
exotic tale concerning Sterling's death. Some
of the theories advanced to placate the mob
are interesting and amusing, although uni-
formly untrue and unfounded. A few of them
will be examined:
Tlii Evening Herald, a Los Angeles paper, on
the day after Sterling's death, ran a feature
story, adorned with pictures and verses, about
"The Poet's Last Mistress —
Death," — written by one Jose
Rodnquez. The general theme of
this storv is that all poets love
Death, their last, sweet, sad
mistress, and that they all run
eagerly into her waiting arms —
Chatterton, Poe, Shelley and
Keats. No one that knew Sterl-
ing could easily accept such a
yarn. But the feature story writer
did, and even conjured up a few
chance lines from Sterling's verse
to prove that the dead poet was
greatly enamoured of death.
Whatever mav have prompted
Sterling to take his own life, it
was surelv not a desire to round
out his days in accord with what
Mr. Rodnquez evidently thinks
is the correct poetic tradition.
He would have viewed such an
attitude with extreme disgust
and distaste. That the morbid
pishposh about poets and the
beds of lilies on which they are
carried to the highest Heaven,
would have sickened him , is very-
obvious. During the time that I
knew him he simply amazed me
with his rapid and strenuous
development. All of his later
writings seemed to grow in
power and beautv over his former
efforts. He was beginning to
abandon his alabaster classicism
and to allow feeling and emotion
to find a more vivid and direct
expression in his poetrv. To be
sure, his old manner was excel-
lent. As Ambrose Bierce wrote
him in 1904, "I like your
grandiose manner. In terms of
another art I may sav vour great
towers and domes." But the
phraseologv of the early verses
was too deliberate and calculat-
ing; it was corseted within the
confines of a too austere frigidity.
His "crafty gnomes with scarlet
eyes," "bleeding sun's phan-
tasmagoric gules," and "blue-
eyed vampires," are rather tor-
tured gems, and too obviously
forced and affected. His later poems got away
from this too deliberate and obvious artistry.
"The Pathfinders," "Strange Waters" and
"The Ballad of the Grapes" are all noticeable
advances over the former writings. Anyone
who thinks that Sterling took his own life
simply in a fit of morbidity should read this
last named poem and ponder over the fact
that this epic of the senses was written when
he was over fifty-six!
NOTHER yarn sponsored by the press
is that of Arthur Brisbane's. No sooner
A
• *was the news of Sterling's death an-
nounced, than Brisbane, for whom Sterling
entertained a most derogatory opinion, seized
NOVEMBER, 1930
27
Editor's Note: Response to the requests for both the
McWilliams article and the Hagemeyer portrait of
George Sterling enables us to present again work of out-
standing merit. The article appeared in June, 1927, as
one of the first of the personal estimates written for The
San Franciscan by Carey McWilliams whose work is now
nationally recognized. The Hagemeyer camera study
was reproduced in our First Anniversary issue.
the moment to make a few post mortem re-
marks about Sterling. He did this by reference
to one of Sterling's finest sonnets, "A Mood.''
which contains that memorable opening line,
"I am growing weary of permitted things."
To the fine sentiment of this sonnet Brisbane
replied: "The pig is better oft in his pen, the
cow in her pasture, the man at his job, young
girls with chaperons and the fifty-seven-year-
old poet as far away as possible from Lilith by
dusk." A more swinish opinion than this it
would be hard to imagine It is characteristic
that Brisbane would make such a remark after
Sterling's death when he had praise — cheap
tawdry praise — for him during his life, and
there is an ill-concealed sneer in the last line
quoted that is thoroughly expressive of the
man who wrote it; a coarse, uncultured, and
utterly unimaginative vulgarian.
And the asinimties of the press do not cease
here. Mr. Bailey Millard, writing in the Los
Angeles Times, makes great haste to praise the
dead poet profusely, and even admits that he
erred considerably in his own day as an
editor by rejecting that famous poem, "A
Wine of Wizardry. " Millard's praise is so ill-
modulated and so inappropriate that it is
most laughable: like a player who pulls the
wrong stops on an organ. He even tries to
maintain the premise that Sterling seldom
drank; that he was a man of virginal habits;
and that he never smoked a cigar!
AND the sources of the current legends
concerning Sterling are supplied from
quarters that one would think would
be more discerning. Take, for example, the
article by R. L. Burgess. He says: "As the
post-war era waxed more and more smart and
snippy in its style of writing, Sterling made
a good stab, in his prose especially, at pre-
tending to be very swift of wit, very cynical
and very hardboiled. But he really never
was." And then follows the usual apology
for the sinner who is dead. Read "Lilith"
if it is thought this attitude of Sterling's is
confined to his prose alone. Here is a sample
of his prose writing, and Ambrose Bierce him-
self could have written no finer philippic
against a gold-made world:
"A strong race, a strong and terrible race!
notorious for one justice to the rich, another to
the poor, saturated with a million weird super-
stitions, bigoted from dandruff to toe-nails,
intolerant to the point of deadly menace, lawless
until old age, bilious with hatred of new ideas
and the mental function generally, idiotic with
worship of mere physical prowess, idohzers of
the mattoids of the movies, scornful of all it can
comprehend, pleasure-mad and crazed for com-
fort, sex-besotted to an unimaginable degree,
maggotty with graft, driven like sheep by the
vast and complacent powers that hold them in
unrealized bondage, vacuum-worshippers and
Continued on page 32
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SAN
FRANCISCO
ISOULT
WILLIAM HORACE SMITH
An equal number of requests for "Isoult" by
Edward McCartan and "Inspiration" by Edward
Field Sanford, forced us to make the choice — so
we reprint this photograph recalling the classic
charm of the sculptured "Isoult."
CALIFORNIA SCHOOL of FINE ARTS
Affiliated with the University of California
CHESTNUT AND JONES STREETS
San Francisco
DAY AND EVENING CLASSES NOW IN SESSION
SPRING TERM OPENS JANUARY 5, 1931
Call or write for catalogue — Lee F. Randolph, Director
Telephone GRaystone 2S00
NOVEMBER, 1930
29
'assing Shows
Youth, Women and Architects—the Art Center
Stanley Wood and Rollins' California Artists
by Aline Kistler
FOUR years ago, when the first issue of
The San Franciscan was going to press, a
group of voung artists were busy in the
Montgomery street studio district, painting,
nailing, planning the Modern Gallery which
opened in November 1926. The Gallery
flourished, moved up town for annual show-
ings and finally dispersed as the original group
scattered.
This month in the course of |ournevs to the
print shop where The San Franciscan is set
up, I saw signs of excited activity at a door-
wav farther up but in the same block with the
old Modern Gallery (now reverted to ques-
tionable though time-sanctioned uses). A
voung man with a beard, huge sheets of celo-
tex, queer looking stepladders, artists with
canvasses underarm, a voung woman in over-
alls and sweatshirt — coming and going
through the doorway at 730 Montgomery
where an aged stairway leads vaguely up-
ward over a prosperous broom factory whose
window is splotched with magenta and
purple tie-threads and green-gold broom-
straw. Entering, obviouslv at mv own risk
(according to the intendedly official state-
ment posted bv the landlord ), I climbed the
stairs, squeezed past one of the ladders and
entered the shell of what became, Monday
evening, the "Art Center of San Francisco."
A successor of the Modern Gallerv ( in so
far as its director, Don Works "the man with
the beard" conceived the Center to fill a
similar need ) , the Art Center is a much more
mature institution, even at birth. It benefits
by the intervening four years experience and
is designed along extremelv practical lines.
Its purpose is three-fold, to provide a perma-
nent exhibition place for the work of a repre-
sentative group of local artists, to serve as a
center for the correlation of creative arts and
crafts and to establish a "lending library"
of drawings, paintings and sculpture. The
main exhibition gallerv is surrounded with
studios (Ray Bovnton and Roger Sturtevant
already occupy two of them ) and is equipped
with consultation rooms where artists and
patrons may have privacy close to the ex-
hibited work. The forty cooperating mem-
bers of the Art Center have grouped them-
selves as artists and as craftsmen with the
avowed intention of correlating painting and
sculpture with furniture, rugs, drapes and
wall treatment. Many of the names are new —
others figure prominently in other art move-
ments— all are voung in purpose.
IN FACT, youth is having its innings this
month. At the East West Gallery is that
amazing voung woman, Moira Wallace.
Imaginative, svmbolical, rhvthmic — her work
is both vital and young. Young not so much
in expression as in idea and enthusiasm. These
are strangely beautiful creatures that Moira
Wallace has conjured out of her imagination
— that face with its full lips and smouldering
eyes — those bodies molded by desire and
wondering. Stuart O'Brien, who is showing
photographs in the East West at the same
time, supplied the term "symbolic object-
ivism" to describe Moira Wallace's work
but, if such coinings are to be taken seriously,
1 prefer "svmbolic subjectivism." But why
quibble about terms. The wood-blocks,
drawings and paintings are there. Go to see
them. And carry away for yourself the sense
of having seen into the soul of youth that
makes symbols out of memories it has yet to
experience.
Then there are Yliane and Alvyne Labaudt,
returned from six years in Paris, whose paint-
Continued on page 48
GRACE BORROUGHS
Grace Borroughs is indubitably the foremost oi
modern interpretative dancers who have special-
ized in the art of East Indian dancing. No other
terpsichorean artist whom I have seen in per-
formance seems to be able to conjure up the very
essence of India's hidden magic so authentically
and concentratedly. Each dance is a composition
of vital and powerful moving sculptured figures
illuminated with the mantle of Oriental splendor
— Gobind Behari Lai, New York American.
Grace Borroughs has moulded the everyday life
of the East Indian into a series of original dances,
and drums, vina and tambour furnish an appro-
priate musical accompaniment in perfect accord
with the pattern and spirit of the Hindu dances.
— S. F. Argonaut
Miss Borroughs showed wonderful mastery of
the subtletiesofthelndianart. — Bombay Chronicle.
Recital Division Selbv C. Oppenheimer Will Present
GRACE BORROUGHS
IN AN
>>
"East Indian Dance Cycle
original dance compositions created by Miss
Burroughs to interpret the spirit and feeling
of India . . .
danced to authentic music transcribed by
Miss Borroughs from native Indian melodies
costumed in exquisite fabrics brought
back from India by Miss Borroughs re-
cently when she returned after dancing pro-
fessionally in India for a year, appearing
before princes, maharajahs and their courts
as well as dancing in the theatre and in
Indian films.
MONDAY EVENING, DECEMBER 8TH
at the PLAYHOUSE
Western Women's Club — 609 Sutter Street
Jliss Borroughs maintains two studios jor students of the dance
801 CALIFORNIA STREET
SAN FRANCISCO
515 HADDON ROAD
OAKLAND— GL ENCOURT 1752
30
THE SAN FRANCISCAN
Non> dine and
dance in a little
Spangled
GOWN!
I
Paris is lightly spangling her loveliest evening gowns
with sparkling paillettes . . . gold or silver on filmy
chiffons and nets. City of Paris presents one version of
this new vogue ... a gown of white chiffon spangled
with silver. It's so resplendent as to put the very stars
to shame . . . and so chic that it's certain to score a
dazzling success for its wearer! It is priced at $98.50.
CITY OF PARIS . . . GOWN SALON . . . THIRD FLOOR
CITYof PARIS
Geary, Stockton & O'Farrell
DOuglas 4500
Spotlight
Continued from page 20
drama" — or what have you — , "Michael and
Mary." And it needed ll ummation. Dear
Mr. Milne will persist in trying to press all
the bitter-sweetness of life into two-and-a-
half hours, counting intermissions. Some dav
he may succeed. "Michael and Mary" is a
tale of two who begin by falling in love, and
spend the next quarter-century dodging de-
struction. This goes on from 1905 to 1929,
and in London at that. At last reports the
villain still pursued 'em, but we hope that by
now everything is jake.
However, "Michael and Marv" was given
a mighty good performance. Henry Duffy, in
person, and Dale Winter double-headed an
all-'round good cast. That Miss Winter is
developing great capabilities as an actress
had already become evident in her performance
in Barry's "Holiday" last season.
Bert Lytell was warmly welcomed when
he brought his Broadway success , "Brothers , ' '
to the President. That melodrama by Herbert
Ashton.Jr. was designed to catch the fancy of
the masses, which it did. And justly so, for it
is an uncommonly good play of its kind. The
story concerns twin brothers, foundlings, who
were adopted in infancy by two families, and
brought up m quite different environments —
one in poverty — in the slums, and the other
in luxury. From that situation the author has
developed an exciting plot which inspires
unlagging interest.
During his long absence from San Fran-
cisco, Mr. Lytell has lost none of his former
popularity, and in the present instance also
proved himself to be an accomplished "light-
nmg-change-artist" in the arduous task of
playing an exacting dual role. Grace Menken,
who supported him so ably, was very beauti-
ful to look at as well, and the remainder of
the large cast was excellent throughout. One
seldom sees a more delightful comedy char-
acter bit then that done by Rita Carlyle as
Maggie, a guttersnipe who was searching for
her gentleman friend, but never found him.
UNCLE VANYA" served as a fortu-
nate if lugubrious successor to "Lysis-
trata" at the Travers in the Fairmont
Hotel, and proved that the spoken word of
Tchekov is more lucid, as drama, than the
written one. "Uncle Vanya" was very credit-
ably acted by a well selected cast, and most
artistically staged. Ralph Chesse, who de-
signed the settings, succeeded admirably in
establishing "atmosphere" with the back-
grounds which he provided for the produc-
tion, which was well directed by Reginald
Travers. Ellen Page Pressley, Katherine
Sherman, Guy d'Ennery, Ralph Chesse and
Charles Hampton in particular gave excellent
interpretations of difficult roles. Altogether,
"Uncle Vanya" proved to be, artistically,
the plumb in the month's theatrical pudding.
Editor's Note: Charles Caldwell Dobie, who has written
"Spotlight" each month since October 1928, is in New
York for the opening of the dramatic season there. During
his absence, Junius Cravens will occupy the local critical
chair. Next month we plan to publish Dobie's comments
on the New York season in addition to Cravens' account
of productions in San Francisco.
NOVEMBER, 1930
31
Frankie and Johnny
by Lloyd S. Thompson
Editor' Note: This parody was our first introduction to
Lloyd S. Thompson then (May, 1929) with the New
York American and now dramatic critic of the San Fran*
Cisco t xaminer, occupying the chair formerly distin-
guished by one of our most prominent contributing edi-
tors, Id val Jones. We repeat it at the verbal and written
insistence of fourteen readers.
There was love in the land of the sunset,
Borne high on the swift wings of fate
And the passion of Frankie and Johnnie
Was the cruel sweet daughter of hate.
The hot pangs of Lust shot their bosoms,
The voice of Lust crooned, "I am Love"
And they swore by their gods to be faithful
As stars up above.
But the purgative fire of suspicion,
White flame by which passion seems cold,
Fixed the fierce heart of her on a mission
Of hate that was centuries old.
Dire rumors the bartender told her
Transfigured Love's face with a sneer
And his viper tongue spat as he sold her
A bucket of beer.
O passion that lives but an hour!
O love that endures but a day!
O man with no heart, but a bower
Where all that will tarry may plav!
Francesca, Faustine and Dolores,
Bright stars that once shown in his sky,
Were dimmed bv the spurious glories
Of hot Nellie Bly.
O couch not of love but of sorrow,
O bed made for death and not love,
Embrace them who have no tomorrow
While doom glowers down from above . . .
The eyes in the transom were hateful,
The drawn lips were bloodless and still
And Frankie the fair and the fateful
Was ready to kill.
Her silken kimono, concealing
White limbs that once quickened his breath.
Unfolded a moment, revealing
The steely blue engine of death.
Her pale finger curled on its lever,
The venomous leaden tongue spoke
And the steel that stilled Johnnie forever
Was splendid with smoke.
Bleak cavern of iron and of granite,
O hoosegow of murk and of gloom,
Take her lovely white body and span it
With chains that are rusty with doom;
Her spirit no dungeon can cover
Lithe maid who in legend and song
Gave the daylight entree to her lover.
(He was doing her wrong. )
r.THE 3^1TTEi«QUSfeO-
| RAPHAEL ^EILL « COMPANY/ A ,
\NowJiCanB£TW^
As one thoroughly San Franciscan institu-
tion to another, The White House congratu-
lates The San Franciscan magazine on the
important date of its fourth vear of publica-
tion. Seventy-six years of active participation
in the life of this community has developed a
very soft spot m The White House' attitude
toward persons and institutions and publica-
tions of San Franciscan background and loy-
alties. We feel that this city has long needed a
magazine to image its multiple charms and
that in The San Franciscan it has found a
worthy reflection of itself. Not merely mir-
rorlike, but coloured by the personalities
(themselves among the most interesting San
Franciscans in town ) who direct the destiny
of this successful publication.
The White House has always been openly
proud of its personal connection with the
history of the city. Literally we have grown
up with San Francisco, and in spite of our
advanced years, still feel as young as ever,
if not younger. Unquestionably a great
deal of our spnteliness is due to constant
association with youthful people . . . debu-
tantes, alert young collegiennes, and those
smart individuals of more mature years whose
cultured charm and progressive minds have
endowed them with eternal youth; not to
mention the babes-in-arms who frequent our
fashionable infants' shop. We flatter our"
selves that the attraction must be mutual.
Goodness knows we never buy a thing
without these charming people in mind. And
mindful of the fact that charm is not regu-
lated by the size of pocketbooks we keep
prices where they belong. Which does not
mean that we, under any circumstances,
would permit price to interfere with quality.
We still believe in the luxuries of life.
And speaking of luxuries, doesn't your
heart warmly welcome the approaching
festivities of Thanksgiving with its lavish
hospitalitv and festal boards? Again that
opulent season of the year seems to fairly
spring at us, with scarcely a word of warning
to the anxious hostess. There isn't a moment
too many for preparations. Why not come
down to The White House this very day. Not
that we want to rush you, but we do feel
that you will gain inspiration from the many
exquisite table appointments now on display,
and the colorful "party" suggestions in the
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In making your selections from these
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Continued from page 27
adorers of jitney messiahs, and crucifiers of those
who have any claim to respect. ' '
If such writing is a mere pose, then "Gul-
liver's Travels" is a fairy story proper. It is
simply the indictment of current civilization
in America which one might expect from the
man whose superb imagination conceived
even the stellar regions as a poem, and who
went far beyond Vega and Betelgeuse for his
first poetic inspiration.
Now It Can Be Told
Continued from page 11
THE Exalted Spirit of the Christmas
festivities sends us the following: A
gentle lady with many hesitant murmers
approached her youngest just before Christ-
mas. She fooled with the lace curtain and ran
nervous fingers over the piano, and finally
when Junior romped up to bid her goodnight;,
she asked:
"Tommy, how would you
babv sister for Christmas?"
like a little
Tommy fiddled with his wisdom tooth.
He gave the matter intense thought. He
ruffled his brow and gathered in the loose
threads on his little night-dress, and finally
said:
"Well mother, if it doesn't make any dif-
ference to you and Dad, I'd just as soon have a
Shetland pony."
UPON visiting the re-established Ameri-
can household of a friend, who had just
completed five years ' residence in China
we commented upon the fact that no Oriental
servants were in evidence about the menage.
We supposed that our friend had come to
look upon their virtues as indispensable to the
smooth functioning of a home.
Speedily our friend informed us that we
suffered somewhat from faulty impressions.
While in the Orient she had had in her employ
an elderly Chinaman who went by the name
of Wong. Every morning Wong bore break-
fast to the bedside of his mistress, and never
once did he open the door at an awkward or
embarrassing moment. His mistress wondered
if this could be due to some intuition peculiar
to the Oriental and finally she asked him
about it.
Wong looked at his mistress with crafty
impassiveness. But being a truthful soul, he
revealed the mystery of his seeming sixth
sense. "Missee," he informed her, "I work
for many ladies, many houses. I carry lotsa
breakfast to bed. I never come in wrong time.
First I take good look through key hole."
AT A large gathering of the New York
intelligentsia, a movie magnate had
been invited as a spectator. He noted
the marked adulation bestowed upon Miss
NOVEMBER, 1930
33
Dorothy Parker and in answer to his ques-
tions concerning her, learned of her literary
fame.
Without waiting for the formality of an
mt reduction, the Hollvwood King approached
Miss Parker and offered her a contract as
dialogue writer.
"But I usually write verse," Miss Parker
protested.
"That don't make any difference," he
assured her, "Wit your reputation I give you
S500 a week anvhow. You couldn't be as
verse as some of the sdtlemicls I already got
writing for me."
A PROMINENT women's club on the
east side of the bay was scheduled for
a talk by the secretary of a social service
organization. The president came upon the
platform leading a bespectacled lady of un-
certain social service years. Said Madam
president: "Ladies, let me present Miss Fitz-
gibbon, the secretary of the Women's Chris-
tian Temperance Union."
Madam President fell back and the alleged
Secretarv of the Women's Christian Temper-
ance Union stepped forward.
"My dear friends," she began," your de-
lightful president has made a slight mistake.
— I am the secretarv of the League for the
Suppression of Vice."
Was Madam President downhearted? Not
she.
"Of course, Miss Fitzgibbon, of course1
. . .1 kne w.there was something you didn't do! "
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lauserie
Continued from page 21
faws. But always it is amusing, almost more
amusing than The John RicUel! Murder Case
which would be saying a great deal surely. In
this book Corey Ford has written some of the
best parodies of modern writers that have yet
been published. If you enjoyed them in Vamtv
Fiiir you'll like them even better now that thev
have been worked into this "most amazin'
murder case. The Covarrubias illustrations
and Mr. Ford's wit make the book worth
more than the two dollars Scribners are asking
for it.
The fall books contain much that is amusing.
There is , of course , Mr. Car. Van Vechten.
He is not, alas! so amusing as he was once,
but he still has his moments. His novel Partus
(Alfred A. Knopf) gets to be a tremendous
bore before it is over, but the high spots are
diverting. I was told I should read the book in
a speakeasy; but it is not necessary. Forget
yourself in Partus (if you can) and the most
impeccable New England interior will take
on scandalous implications, and you will
emerge talking such a jargon that your best
friend won't know you. But one admits that
Van Vechten has caught rather well a certain
class of New Yorker who has much money and
little brain. Wood Kahler in Smart Sctlack
(also Alfred A. Knopf) writes of the same
crowd, but with less abandon, thus making
his people less amusing but more real. It's just
another novel of elegant seduction in Park
Avenue pent-houses. But it palls before the
end, too. Both novels take a kind of moralistic
turn toward the end, as if the authors felt they
had to do something about an almost too
naughty world; so they provide a kind of
wistful longing for reformation — than which
nothing gives me a worse pain in the neck.
It is interesting to pass from these fluffy bits
on contemporary foibles to the foibles of an
earlier day. In Bicycles ami Bustles (Brewer and
Warren), the diary of R. D. Blumfield from
1883 to 1914, we find all kinds of fascinating
sidelights on a period only recently past, vet
"Dear me, when will we Fitzroys ever lose our
violent natures?" — Dec, 1929.
one that seems to us today fabulous beyond
belief. Such an entry as the following on De-
cember 1 , 1901 , makes it all the more unreal:
"There is a great hullabaloo about the Cen-
sor's latest refusal to license Mr. G. B. Shaw's
play, Mrs. Warren's Profession, which he wrote
some years ago and cannot obtain permission
to produce publicly. 'Handsome Jack' Barnes,
who has read it, tells me that it is 'very
French', and that if it sees the light the play-
goers of a future generation will be justified in
saying that the stage of today was exceedingly
daring."
On picking up Galsworthy's book of
short stories On Forsyte 'Change (Scrib-
ners, $2.50) my exclamation was
"What! again?" But Galsworthy himself ex-
plains his volume by pleading two excuses:
"That it is hard to part suddenly and finally
from those with whom one has lived so long;
and, that these footnotes do really, I think,
help to fill in and round out the chronicles of
the Forsyte family." They fit in between the
Saga and the Comedy, and all relate to the
Forsyte family. Excellent as stories in them-
selves, they take on an added merit when read
in relation to the Saga and should be hai'ed by
Galsworthy enthusiasts and all lovers of good
tales. I myself commit the heresy of preferring
May Sinclair before Galsworthy. It is inter-
esting that these two great English novelists
should each issue a book of short stories almost
simultaneously, both books containing ma-
terial left from novels , but much too good to
throw away. Miss Sinclair's Talcs Told by
Simpsoii (Macmillan) vary greatly in matter
and manner, but are beautifully written. The
characters are all vividly real, but my favorite
is poor Mr. Watt Gunn, the novelist, who
succeeded in escaping a celebrity hunting
female only when he, exhausted and worn
with flight, took refuge in the bath of his
somewhat dismayed hostess. And there is
Miss Tarrant whose temperament played
havoc. And Alexander Frewin whose lofty
ideals got him into a compromising position
in a lady's motor car. I could go on and on —
but read them!
Oh , there is a book for Aunt Amelia and her
train journey — Spanish Lower by F. H. Spear-
man (Scribners, $2 ). It has the double merit
of being historical, and therefore "cultural,"
and romantic. As the blurb says, "Events
move quickly in this book. Love, war,
plague, and all the not of valorous physical
effort culminate in the love of Don John and
Miriam on the shore of the moonlit Marmora
Sea, with the scent of orange and magnolia
blossoms over all." That should keep Auntie
interested. But don't make the mistake of
thinking that the Gnu Club Cookbook (Scrib-
ners, $3) by Charles Browne, one time
mayor of Princeton, is just an ordinary cook-
book to be given to harassed housewives.
It's not. It is a gorgeously witty book, full of
amusing illustrations and receipts for such
hunger-provokmg food that I shall leave off
this instant to rummage in the ice box — and
the cellar.
NOVEMBER, 1930
35
CONCERNING
IT IS difficult to reconcile the passionate sur-
face of Lee Hersch's portrait of his wife,
Virginia Hersch, with the smooth reserve
she presents on first acquaintance. As repro-
duced here in rather unsatisfactory miniature,
the portrait is turbulent and impetuous. As
met first when lecturing on El Greco at Beaux
Arts last month and seen the next day at tea,
Virginia Hersch appeared self-contained,
sophisticated, almost cool behind a lovely
mask of perfect skin molding her features over
an interesting structure of forehead, cheek-
bones and chin. And her mouth was motile as
though well trained.
Not until personal contact drew her to
talk of her life, her books, her enthusiasms —
not until then did I realize that this smooth
surface came from tension more than calm.
This poise 'was the product of an immense in-
tensity, of energies exercised to the full.
San Franciscans know her life — her early-
years here as Helen Virginia Davis, her early
accomplishments in poetry, her decision that
she could not become a writer, her training
at the University of California, the granting
of the degree of Juris Doctor, her trip to
Europe, her marriage to Lee Hersch in Paris.
Virginia Lee Hersch
San Franciscans have read her work — the
first book "Bird of God; Romance of El
Greco" which was welcomed last year, and
now her second is available, "Woman Under
Glass," the story of St. Teresa of Avila.
What few here can know is the intense
eagerness for life and understanding that leads
her from one accomplishment to the next. Her
first book was the result of an enthusiasm so
vital that El Greco was recreated in her mind
to a vibrant human being. It was during her
researches for El Greco material that she met
with records of St. Teresa of Avila. There
was a challenge, a second personality rose
from the past to hold Virginia Hersch's imagi-
nation until she should recast it into con-
temporary record. What she does next can
not be prophesied because one can not foresee
what personality or event will fire her enthusi-
asm and utilize the passionate power under
the suave surface of Virginia Hersch.
GESTURE
by B. W.
All things, this life has given me
To keep until I die,
The motors that have driven me,
The pretty things I buy
Are meant but for the living,
And earthly must remain,
So I shall be forgiving
If you marry once again.
—December 1928
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Continued from page 17
what desires, what sometimes fruitless ambi-
tions have been expressed in these simple
words. The artist, in his garret, painting
away on picture after picture — in his heart
he is saying, 'Just you wait — wait, till my
ship comes in. I'll show them.' The writer,
sending out manuscripts by the dozens. 'Just
vou wait,' he says, 'till my ship comes in.'
The little mother, with all her little ships
around, says it too. The inventors, the actress
out there in Hollywood, the business man,
all, all who have hopes and dreams and ambi-
tions are saving over and over again — 'Just
vou wait. Wait till my ships comes in.' I
think, my friends, that the reason why so
many ships never come in is because they are
never launched."
The five thousand nod their heads ap-
provingly.
"Ah, 1 hope so many ships will be launched
tonight to sail life's sea gloriously and arrive
safely in the harbor of Jesus Christ, Amen."
Chorus of ' ' Aaaaaaaaa-men!
"There are only two ports, my friends.
One is Heaven and peace and happiness for-
ever. The other is Hell and ruin. Some are
sailing home to a safe harbor beyond the skies.
The others are dripping, dripping over life's
sea. Look!
She points to the screen behind her, on
which is painted a choppy ocean. A spotlight
is cast on one side. "See, here comes a ship
bobbing over life's sea!" The audience fol-
lows her pointed finger and sure enough, here
comes a cardboard boat, propelled by an un-
seen hand behind the scene.
"Ship ahoy1" yells Aimee, with her hands
cupped about her mouth "Ship ahoy, little
boat. Whither are you going, with your gaily
painted sails? See , my friends , the gay colors
on this little boat. See the peacock painted on
the sail, the peacock, symbol of pride and
vanity. See also the playing cards, the wine-
cup painted on the sail. In this boat are those
of the racy class. They're out at Long Beach
tonight, in Venice, out on joy rides tonight.
This is the ship called Pleasure! See how gaily
it sails! Its motto is 'eat, drink and be merry,
for tomorrow we die'.
Aimee's audience, especially the farmers,
guffaw, completely off the track of the little
boat called Pleasure, but Aimee rounds up
their attention again by the simple expedient
of pointing to the boat behind her, now more
than halfway across life's ocean.
"What port is it headed for1" exclaims
Aimee scornfully. (Remember, there are onlv
two. ) "See, it is neanng the edge of a water-
fall. Nearer it goes to destruction. Nearer.
Nearer to destruction. It's on the edge. (Wa-
ter is heard falling, off-stage. ) It is going to
ruin!" Bang1 The drums crash thunderously.
The lights go out. Sound of water and splin-
tering wood is heard. Smash! Children wake
up at the noise. Even the youngest can see
THE SAN FRANCISCAN
STATEMENT OF THE OWNERSHIP, MAN-
AGEMENT, CIRCULATION, ETC., REQUIR-
ED BY THE ACT OF CONGRESS OF AUGUST
24, 1912.
of The San Franciscan, published monthly at San
Francisco, California for October 1. 1930
State of California \
County of San Francisco!
Before me, a Notary Public in and for the State and
county aforesaid, personally appeared Joseph H.
Dyer, Jr.. who, having been duly sworn according to
law, deposes and says that he is the owner and pub-
lisher of The San Franciscan and that the following is,
to the best of his knowledge and belief a true state-
ment of the ownership, etc. , of the aforesaid publica-
tion for the date shown in the above caption, required
by the Act of August 24, 1912, embodied in section
411, Postal Laws and Regulations, printed on tie
reverse of this form, to-wit:
1. That the names and addresses of the publisher,
editor, managing editor and business managers are:
Publisher: Joseph H. Dyer, Jr., Sharon Bldg., San
Francisco.
Editor: Joseph H. Dyer. Jr., Sharon Bldg., San Fran-
cisco.
Managing Editor: (None I.
Business Manager Alfred H Hendnckson, RussBldg. ,
San Francisco.
2. That the owner is: (If owned by a corporation,
its name and address must be stated and also imme-
diately thereunder the names and addresses of stock-
holders owning or holding one per cent or more of
total amount of stock. If not owned by a corporation,
the names and addresses of the individual owners must
be given. If owned by a firm, company, or other unin-
corporated concern, its name and address, as well as
those of each individual member, must be given. )
Joseph H Dyer, Jr , Sharon Bldg., San Francisco.
3. That the known bondholders, mortgagees, and
other security holders owning or holding one per cent
or more of total amount of bonds, mortgages, or other
securities are: (If there are none, so state.) None.
4. That the two paragraphs next above, giving the
names of the owners, stockholders, and security hold-
ers, if any , contain not only the list of stockholders and
security holders as they appear upon the books of the
Company but also, in cases where the stockholder or
security holder appears upon the books of the Com-
pany as trustee or in any other fiduciary relation, the
name of the person or corporation for whom such trus-
tee is acting, is given; also that the said two para-
graphs contain statements embracing affiant's full
knowledge and belief as to the circumstances and con-
ditions under which stockholders and security holders
who do not appear upon the books of the Company as
trustees, hold stock and securities in a capacity other
than that of a bona fide owner; and this affiant has no
reason to believe that any other person, association, ot
corporation has any interest direct or indirect in the
said stock, bond, or other securities than as so stated
by him.
5. That the average number of copies of each issue
of this publication sold or distributed, through the
mails or otherwise, to paid subscribers during the six
months preceding the date shown above is — . (This
information is required from daily publications only. )
Joseph H. Dyer, Jr.
Sworn to and subscribed before me this first day of
October, 1930.
Mary F. Redding,
Notary Public in and for the City and County
of San Francisco, State of California. (My
commission expires July 14, 1933.)
NOVEMBER, 1930
37
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what's happened. The little boat called
Pleasure went straight to hell' What drama!
What stirring words! What a lesson — espe-
cially for the young people'
NOW, while all heads are bowed and
eyes closed tightlv, I want you to tell
me which ship you want to sail on
through life. Who wants to sail with ]esus?
Who wants to sail on the Four Square Gospel
ship — with me' I am going to ask you to raise
vour hands high, while every eye is closed,
and show me if you want to embark on this
glorious ship. She claps her hands suddenly
There is a breathless hush, then heavy breath-
ing. "Raise your hands high. That's right,
God bless vou. One, two, three, four, five,
six, seven. There are so many — so very many,
that I shall have to count in sections, my
friends. All those on my left who wish to sail
with me, raise vour hands. That's fine. One,
two, three, four, five, six, seven, eight, nine,
ten — Amen, Amen, Amen — twenty, twenty-
one, twenty-two, God bless you, and you,
twenty-five, twenty-six — "
We sneak a peep and see four trembling
hands in that vast temple. It doesn't check up
with Aimee's count, but there is no one to
call her on it, as every eye is closed, every
head bowed — and who are we? Anyway she
is speeding to the center section with the
frenzied invitation.
"Raise your hands high, high up in the
air," Aimee exhorts. "Now1 One, two, three,
four, five, six. God bless you, and you, and
you, ten, eleven, twelve, Amen, Amen.
Another. Eighteen, nineteen — "
Again we gare. Of approximately six
hundred in the center section, six have raised
timid hinds.
"Now on my right," exults Aimee. husk-
ily. ' Oh, my friends, if you only knew how
happy this makes me. I'm sure Jesus is smiling
with joy. Now! Raise your hands. Every
head is bowed, every eve closed in reverence.
The actual count on this side is eight or
ten. Aimee's is approximately thirty. Her
count reminds me of my golf score. I keep
two — one for the whiffs.
Then the balconies get their chance.
Immediately, several hundred obey the
command.
"Everybody who raised h:s hand, stand
up." amends Aimee — which causes several
score to sit down. That was a low trick on
Aimee's part; a few resent it.
PRAISE God1 Hallelujah! Come to the
altar and pray with me. Come down
the aisles. Oh, dear friends in radio-
land (to the mike) they're thronging down
the aisles, running to the feet of Jesus. Come1
Come1 Come'" The students put their arms
about the neophytes and gently lead them
down the aisles to the altar of Aimee.
"They are coming — coming by the hun-
dreds, crowding the aisles," Aimee's voice
breaks, exults, falls to a whisper, rejoices
again. The mob is as one, and spurred by the
information that hundreds are coming — hun-
Continucd on page 47
If* . »
M Hj['f!
famous
WIINTER SPORTSTERS
planned
THIS HOLIDAY
J_o keep Winter Sports on a par
with their mammoth setting, Yo-
semite went to Switzerland, Cana-
da and Lake Placid . . . brought
back experts who have helped to
give winter its name in the snow-
capitals of the world.
You'll find ski-joring, the racy
new snow-sport . . . Curling, a
"roarin' game" from Scotland,
played on the huge meadow rink
. . . tobogganning on a four-track
slide, illuminated at night . . .
sleigh tours of the Valley floor and
ski tours into the High Sierras . . .
It's the West's winter holiday,
in a world-famed holiday setting!
Decide now, then make advance
reservations. A week-end will give
you a taste, but four or five days
will send you back brisk as a
snow-bird. And because Yosemite
is near, with a style of living for
every vacation allowance, you can
enjoy the real winter high life and
have vacation money left over.
Winter Sports folders from your
travel agent, or Yosemite Park and
Curry Co., 39 Geary St , San Fran-
cisco, 604 W. 6th St., Ix)s Angeles,
and Yosemite National Park,Calif.
yosemite
WINTER
SPORTS
38
THE SAN FRANCISCAN
Exclusive
Models
for
Sports
Daytime
and
Evening
•
Sports Suit
brown wool coat... white jersey blouse
brown and white mixture skirt and scarf
2145 Franklin Street
ORdway 5782
Claire de Lune
Continued from page 23
whom all the boys tormented save himself.
Down year, down year, he floated.
Back . . . back . . . before Paris. Could
he slip back that far on a streamer of sound,
thinner even than a thread of silk?
THE streaming sound was agitated now
. . . back . . . back, excitedly it was
thrusting him back to its source. It
swished and swirled, broke and ran and the
drifting plumes of grey ether twined softly
around one another forming pictures . . .
briefly sustained. Running, eddving, tumbling
. . . through the memorv smoke images flung
themselves, to be blotted out as new ones
flung through ... in quick-running treble
arpeggios the stream sang out its song, ex-
plaining all . . . all? Wait! Where was his
beautiful mother in all this? She belonged . . .
but how? . . . where? Where . . .
Churned soft and white, river foam fell
like cobwebby lace over his wild staring eves.
From across a chasm of time he drifted back
to the tawdry room where the girl walked to
and fro.
"Claire!" Bewildered, remorseful, he
called to her. "You're pale as a ghost. Come
over here and rest. I forgot ..."
While she sat quietly beside him , his fingers
pla)ed restlessly in the folds of her taffeta,
rising and fallmgjwith its undulations like
those of a blind man fumbling familiarly
across a forgotten face.
"I'm dead weary. Feel I might sleep a bit.
You can take that money off the table and slip
out. You've been awfully kind . . . You
looked like a moon-creature wandering about
the room. Claire . . . clair dc ln»it they should
have called you. Moonlight ..." His eyes
closed tightly over the image. He smiled in
his dream.
"Quire it lune. . . I remember my mother
used to look like that, long ago, when I was
very little." Drowsily he talked with eyes
still closed. "She always dressed in white
then . . . always ..."
Other words died in his throat and his
lips closed in a faraway smiie. Presently his
hand came to rest clutching a fold of the
taffeta skirt in the tight unconscious grip of
sleep.
Ed3
ar Saltus
Continued from page 21
are long and sonorous sweeps of colorful
fugues. But not more important that the fairy-
like traceries of words that enchant like the
echo of a rain-dove's crooning. The opulence
of his genius proved his own theory that "the
inexpressible does not exist."
A story of the tsars, The Imperial Orgy,
glows with the powerful vitality of that
descriptive power inherited from Flaubert.
"Without was Moscow, Russia's Mekka.
i
frank Wemef Co.
SAN FRANCISCO
OAKLAND
)
Y*aua.aa/v
0
2© m ears /';; Business
l^elebralion 3ale!
Sbo 1 1 'nfor the First Time
Thousands of pairs of the finest qual-
ity and ultra - fashionable footwear
for MEN, WOMEN and CHILDREN.
All New! All Smart! All shown for
the first time! Every pair at the most
amazing price concessions.
These great price concessions have
been made possible by the co-opera-
tion of makers of our finest of Foot-
wear through months of intensive
planning . . . making this Werner
Celebration a Sale of Unprecedented
Scope!
True I. Miller craftsmanship. True Werner Quality ... a
Festival of Values ... a Celebration of Quality-Leader-
ship and "Werner Optimism" . . . Better Shoes . . . Better
Values . . . Increased Patronage!
at all
FOUR
WERNER
STORES
.874 Market
.255 Geary
. 347 Geary
Stewart Hotel
. 1960 Broadway
Oakland
NOVEMBER, 1930
39
Within was the Kreml, Moscow's heart. Ivan
was an ideal tyrant. The Kreml was a tyrant's
ideal, a city of assassins that looked on a city
of victims. Fortress, abattoir, seraglio, acrop-
olis and necropolis in one, for a heart it was
infernal. Ivan was born there, lived there,
died there, haunts it still. It was not his work,
it was his portrait."
One dip into "The Imperial Purple" is
proof of his amazing interpretive powers. It
is the entire story of the dissolution of the
Roman empire told within two hundred
pages. Historians, with thousands, have suc-
ceeded in being merely obscure. The end of
the Roman emperor Heliogabalus is described
in this astonishing casual way: "One day
this little painted girl, who had prepared
several devices for a unique and splendid
suicide, was taken unawares and tossed in
the latnnae."
"The Pomps of Satan" is just what the
name implies, but charmingly told. It is
brimming with witticisms, epigrams, and
the impressions of his personal experiences.
"A man lives as long as he desires, a woman
as long as she is desirable." "There are wo-
men who, on not a dollar more than twenty-
four thousand a vear, manage to look like
angels . Only , of course , much better dressed. ' '
HIS
s
range was limitless. Interpreter
again — "The Lords of the Ghost-
and" is a comparative history of
religions. Told by a god turned minstrel.
Theologians might learn much from its pages.
He speaks with the authority of facts twined
into a priceless tapestry. No explanation, and
no solution suggested. Just a narrative of the
well known initiates that gossip inflated
with the most preposterous immortality.
With the delicate hand of his artistry,
Saltus turns the forbidding gargoyles of
esotonc philosophies into exquisite minia-
tures of unbelievable beauty. The learned re-
sent such magic that shames their ponderous
hands. For doom is written by this bright pen
that flashes through the cowls of their conceit.
There are revealed the shams and contradic-
tions of history, so jealously worshipped as
knowledge by those who are called wise be-
cause they have retentive memories or a flair
for forgotten languages.
The ignorant peer with myopic eyes, and
whimper of shattered idols. Not so, save for
those who have gaped too long at the poly-
syllabic disguises of their deities. This curi-
ous pagan tears away the trappings of verbi-
age, and whatever is beautiful is given, not
taken away. Perhaps it would be better if the
majority of people could continue to believe
in St. Nicholas. That is no concern of the
artist. The futility of sterile creeds urged him
to exploration. Voila — the strings that
manipulate the marionettes lie exposed.
Saltus pierces the veils of false illusion and
speaks lightly of what he finds, to hide heart-
break. The moron sees only a smart-aleck
Continued on page 41
es Sir,
these are ritzy!
Full cut plus-fours of truly
marvelous imported French
flannel . . . rather exclusive
. . .rather expensive . ..they
cost $20.. .and, By Jove,
they're worth it I
SQUARE
MILES
Capt. T. J. Maher, United
States Coast and Geodetic
Survey reports that the
bays of San Francisco, San
Pablo, and Suisun coveran
area of 459 square miles —
or yi that of the State of
Rhode Island.
Let your second car be a
boat and go exploring this
inland empire at your very
back door. Many a good
boat can be had for the
cost of a fair car.
YACHTSMAN'S
HEADQUARTERS
7 Front St., San Francisco
Im iiif I ij s«ilon ♦ fNilacc hole I
Fair One !
kcariii|i38cl
Now that Autumn has surrounded you with social ac-
tivities and thrilling events . . . now is the time
to turn every moment into an adventure, to make a
triumph of each cocktail party, football game (par-
ticularly the Big Game), or formal evening affair...
by looking your most charming best!
Your HAIR should have the glorious sheen of perfect
health, as well as a becoming wave . . . your SKIN,
a creamy texture to heighten the effect ot the
alluring feminine mode this winter . . . your HANDS,
expressions of beauty — shell like nails — silver
tipped !
Whatever you need — a clever manicure, a haircut, a
shampoo, a wave (set with our miraculous new waving
lotion) , a simple clean-up facial or an elaborate
reconditioning treatment — come to our charming
Salon at the Palace . . . staffed and equipped for
you.
And don't forget that we now give Swedish reduc-
ing massage treatments with cabinet baths —
beautifying to the whole body.
Besides, each treatment gives you fresh
energy and new vitality for the winter's
activities.
May the current season see you always
at your loveliest —
Yours,
"Albert"
40
THE SAN FRANCISCAN
We looked
at 300
Dresses —
and found
this one
The frock that is different — not
too extreme, yet with a dash of
day-after-tomorrow in its make-
up— a frock to answer the
exacting tastes of peninsula
women.
LEW BROS.
BALCONY SHOP
Burlingame San Mateo
TbNiiHTf
Near-sighted Old Ladv: Tush.— tush— what's going on here?
Hi/it
c MADISON
EW YORK
THE MADISON HOTEL AND
RESTAURANT HAS WON THE
HIGHEST PRAISE FROM THOSE
WHO KNOW. IT IS MODERATE
IN SIZE, » » BEAUTIFULLY
FURNISHED » AND HAS A
UNIQUE REPUTATION FOR THE
EXCELLENCE OF ITS CUISINE.
THE MADISON
Madison Ave. at 58th St.
* THEODORE TITZE ■ Mgr.
NOVEMBER, 1930
41
Ed3
ar Saltus
Continued from page 39
mouthing epigrams. The savant sees a zealous
paladin of beauty and cringes. Saltus passes
on, unaware.
THE artist's personal life cannot be de-
scribed in a short paper. His absent-
minded contacts with the world interest
onlv sociologists and enemies. He married,
on occasions. Saltus was a genius of many
personal idiosyncrasies. Thev are all taken
care of by gossips. Van Vechten savs that
Saltus is the only author he ever saw that
looked like one. A finelv shaped head lit by
great slumberous dark eyes. Well knit body
and something of a dandy. Saltus was of dis-
tinguished lineage, enjoyed a cosmopolitan
education, and inherited enough money to live
comfortablv.
A catalogue of his complete works is
lengthy. Novels, essays, histories, biographies
books of philosophy and poetry. All illumi-
nated by his peculiar genius; all strange tap-
estries woven in the loom of his fantastic,
erotic muse. The workaday world queerly
inhabited with angels, lzeds, drvads, peris,
Roman emperors, Russian tsars, and the gods
of mythology.
Through them all a whispered presage of
his tragedy. Few men are impervious to the
lure of eudaemonism. Gods have fallen, and
men grew wiser. Man survived. The artist
knew that well. Age came on. Weariness of
love and pilgrimage in the high, inaccessible
frontiers of dream broke the strong spirit. An
intellect that had played with the godhead
meekly accepted the proffered melodious
tautology of Theosophy. Poe died from
drugs . . . Lanier from the white plague . . .
Saltus died of a broken heart. It was the price
he paid for revealing the secrets of the gods.
sonnet upon comparinng
my lady's wallpaper
with my own
By Robert Hunt
The laughing amorini on my wall
Are faithful far more than you are to me,
Or than the ladies by the waterfall
Of Li Tai Po on your Chinoiserie.
Could they but from the tyrant wall be
free;
Unbend themselves towards us and move
their lips,-
What tales of faith and infidelity
Could they unfold! What past apoca-
lypse!
But though I sigh and press my fingertips
Against their rigid sides, they will not
tell . . .
But laughing, scamper to the roof above,
And there draw forth their arrows from
our love.
The Chinese ladies on your wall, eclipse
In wisdom such as they; so let them tell.
Devil's Work
Continued from page 16
father. With all his companions he deserted
his work as a stone mason, and fled to the hills.
And of American masons there was none who
could tell which stone of the ship's burden be-
longed where. And, alas! my venerable father
never returned. Ai-yah1
"But I knew much of my father's thoughts,
for I had heard him make oration to his jour-
neymen, in which he made clear all the plans
of the building. And I could read more than
two hundred characters of the text.
"There came to me a Portuguese, a man of
Macao, who knew our speech as well as that
of the American. And to me this Portuguese of
the double tongue promised two golden dol-
lars each day, if I would translate what was
graven on the back of each stone, well know-
ing that each block had its position well de-
fined.
To those American artisans the characters
were but a puzzling cryptogram to
which I alone held the kev. My venerable
father had left in my keeping a little blue-
bound book, on whose pages were written
the key-words which made plain the meaning
of the characters chiseled on each of the granite
blocks. I was proud of what I could do to help
the rearing of that noble structure. Therefore,
it was because of my puny learning, as a boy,
that yonder building came to be.
Continued on page 43
Post
Street
Cafeteria
62 Post Street
For thirty successive months we have tried to lure you
through this doorway and up the bright stairway to eat
the delicious food we prepare each noontime. Many of
you have come. Others we hope will respond to this the
thirty-first invitation. We invite you in particular because
we believe that you who read The San Franciscan appre-
ciate quality in food as in other things. We feel that you
will enjoy both the fine food and the colorful setting.
They tell us we serve the "best food in town."
H.LIEBESGbCQ
GRANT AVE AT POST
The Black and White
Tweed Coat
H. Liebes & Co., hav-
ing consistently spon-
sored black and white,
presents its most suc-
cessful version in finest
imported and domestic
tweeds . . .lavishly tur-
tnmmed.
69.50 to 95.00
42
THE SAN FRANCISCAN
NOB HILL TOPICS
These exquisite dancers, recently returned
from England where they appeared at Lord
Lonsdale's Fiftieth Anniversary celebration,
dancing before the King and Queen and the
elite of London, will arrive in Peacock Court
on November 25th in time to participate in
the festivities which will close the fourth year
of the Hotel Mark Hopkins, which, in com-
pany with The San Franciscan, soon enters
upon the dignity of its fifth year. Jack Holland
and his charming partner, June Knight, have
appeared throughout the East as well as in
Europe.
JACK HOLLAND AND JUNE KNIGHT
NOVEMBER, 1930
43
Have you a
Ticket for the
Bi£ Game ?
That question settled, you'll want to
plan your corsage to fit both your en-
semble and your college1
For the Big Game and every other gala
occasion you'll appreciate our individu-
ally designed corsages.
And your Thanksgiving party will be a
success before the turkey appears — 1/ the
table is exquisitely decked with flowers
from
THE
UtoJIoMs
Avansino Bros.&Co.
2$7 QiO^j 5«
5d« Q*anaxO
J. B. Pagano H. A. Dunlap
L J. Capurro
Flower Orders Telegraphed Anywhere
Devil's Work
Continued from page 41
"And the block I just now saw bore these
figures: 1-12-3-4. To you who know not my
wise father's book, they are without signi-
ficance. But I read them thus. 'This is the first
stone of the twelfth course, to be set at the
southeast corner; the figure 3 indicating
south, and 4 meaning east."
As he remarked this, Sing Lee became sud-
denly steeped m silence. That queer sort of
stillness that is only momentary but profound,
like an unexpressed sigh. And in that one
moment I felt that he must be living through
manv years; years that were far away but that
for him would never fade. I waited in respect-
ful silence, watching for the slightest hint on
his stolid face. Then he continued speaking.
"The ambitious dreams of my vanished
youth seem to lie buried under the wreckage
of that fallen bit of architecture. The twilight
of my life is fading, and logically night must
follow. Tomorrow I shall accept that which
in the past I have oft refused; the help of the
benevolent Six Companies, who will pay my
fare on the fire-ship that will carry me back to
mv ancestral home. Good-by, learned one."
With that courteous bow common to
Orientals, old Sing Lee turned away and
hobbled up California street. He still seemed
to be mumbling, and I fancied I could hear his
"Ai-vah! vim kuung ah!"
Nelly4rfiiey,in«.
J 354 Pest Street
jar Francisco
have the honor to
announce that they
have the exclusive
priviledge of selling
ORIGINAL
MODEL
GOWNS
A new collection has just
been received
Hotel del
Always Delightful
For Outings
Only a half hour auto ride to Agua Caliente amuse-
ment center below the border with its colorful
diversions.
At Coronado
Daily enjoyment of all land and water sports.
Dancing, concerts, movies and special entertain-
ment attractions in this homelike hotel.
C. T. Scott, Agent, 2 Pine Street
Phone DOuglas 5600
Mel S. Wright, Manager
Coronado Beach
California
The Kitchen Shop of Kratz
Enola Barker
On November 1st, the Kratz Chocolate Shop at
276 Post Street was consolidated with Kratz
Kitchen Shop at 555-565 Turk Street, the actual
source of the world famous Chocolates Kratz.
In this picturesque tavern room adjoining the
kitchen made famous by Kratz, San Fran-
cisco's incomparable confiseur, you may buy
the Chocolates Kratz and also be served with
delicious Old World dishes at Luncheon, Tea,
Dinner or After-Theater Suppers.
Christmas Orders for the Chocolates Kratz
should be placed NOW. Telephone or write to
Ji
555-565 Turk Street, between
Polk •and Larkin
GRaystone 4741
44
THE SAN FRANCISCAN
jtMPi X-'..
seenii
h e i# [
IN OCTOBER San" Francisco is the most
delightful city in the world, and on this
day it seems more attractive than ever be-
fore. Crisp air with flooding sunshine as a
benediction. Rugged hills and turquoise
waters. The thought keeps returning. Good
old world.
San Francisco has vitality, and her re-
bounds are almost amusing. After fire and
earthquake she vigorously rebuilt a particu-
larly new city. A year ago she took a blow
between the eyes when all stocks crashed,
but the -wavering was of short duration, and
she is off again for the races or shall I say
football games, hitting on all eight. Her ma-
ternal aunts are anti-depression, anti-pessi-
mism, and anti-gloom.
One day this week, parked for twenty
minutes on a busy street, I watched a vender
selling wrist watches for one dollar a piece.
No bird dog among a flock of quail was
busier. He took in simoleons as fast as a gas
meter takes slugs and it was sheer exhaustion
and no lack of customers that made him move
♦ FASHION ART SCHOOL*
SCOTTISH RITE TEMPLE » Sutler an d Vin Neil Avenue,
Individual Instruction
in
Costume Design
Prolcltionalor HomtUie
Fashion Illustration
Millinery Making
and Designing
Commercial Art
Life Drawing
Interior Decoration
Dty ana" Evening CUlin
ANNAADDlSOnGALLAGHtt.0ir<
8ooltl«t on request
Phone ORdw./ 2120
on. That little incident was one of many
convincing arguments that go to show that
the stock crash is "Ancient History all told."
A visit to the Art Rattan works in search
for sun room furnishings I came upon a beach
chair and the thought struck me forcibly that
not one of these is ever seen on our beaches.
Why? Some enterprising young man could
make a killing investing in even twenty of
these chairs and charging only nominal cost.
They are badly needed on the beach and oh-
h-h-h-h-h we would look so Atlantic Cityish.
Every piece of furniture in this art shop is
made of rattan and all so tempting it is hard
not to overstep, however my purchase of a
charming davenport and two end smoking
tables made me very gay — but the thought
of the beach chair lingers.
ALTHOUGH one has unlimited clothes
this season a suit for the street is essen-
tial in San Francisco. You can be
young in tulle and laces, sophisticated in
lama and spangles, seductive in velvets and
chiffons, but to be smart and chic one must
have a good looking suit.
Wanting something individual I called on
Violette Curson and struck oil. Here were
manv original suits of British tweed and one
of corduroy that struck my fancy. Dark
brown, combined with a blouse and scarf of
soft green routed my indecision, and I am
exultant with my choice, for I don't want to
belong to the black and white union that
parades Grant avenue. If I were a Damon
Runyon I'd describe it as a knock out, for it
has all the punch in the world.
Neva Timmons, 133 Geary Street, is
starting an innovation in facials. All of us
know how we begrudge time for this fresh-
ening-up process. I guess Miss Timmons has
listened in and is inaugurating just an half
hour facial for quick pick-up. In other words,
if we don't need a long process for sagging
muscles, etc., this half-hour brightener is
every bit effective.
O'Connor Moffatt new candy department
opened a month ago with a bang and judging
from the activity over the counter keeping
track of calories is a lost art. The window
display of glace fruits was the most gorgeous
array of confection. A basket and its contents
made entirely of candy fruit, was a thing to
be remembered and when the Japanese wo-
man standing next to me broadcasted un-
mistakably sounds that salivary glands were
over-active, I almost spoke Mikado and said,
"You and me, old thing!"
THE important thing in our wardrobe this
season is a Sunday night dress. They are
suitable for so many places and one always
feels appropriately gowned but never over-
dressed. H. Liebes had the foresight to place
a large order of these and has done a land
TIRED
NERVOUS
OVERWEIGHT
Busy Women
consul! . . .
cj^fissyuliayohnson
Graduate Swedish Masseuse
DIPLOMA PROFESSOR Suite 21 1 Elevated Shops
ulmann's institute 150 Powell Street
STOCKHOLM, SWEDEN DOuglaS 6493
of NEW YORK CITY
ESTABLISHED 1869
Importers of Antique and Modern Silver,
Sheffield Plate, Fine Crystal and China
Where the treasures of a collector may
be purchased as gifts
504 SUTTER STREET
SAN FRANCISCO
NOVEMBER, 1930
45
The highest standard
of cooking is main-
tained at all times . . .
your guarantee lies
in the (act that all
food is prepared
under the personal
supervision of
Mrs. Belle de Graf
Downstairs
Monadnock Bldg.
San Francisco
CHRISTENSEN
School of Popular
Music
Established 1903
Modern \ fi^// Piano
/ Rapid Method /
JJJ
For beginners and
advanced students
Listen to Edna Fischer
KFRC Evening Broadcast
Tuesday - Thursday - Sunday
Burlingame
1319 Howard Ave.
Burlingame 3438
San Francisco
Elevated Shops
150 Powell St.
GArfield 4079
office business of them. The newest tendencies
is to conceal and reveal, if you get me. Chif-
fons over soft clinging foundation slips, make
the figure when in motion look like the
"Winged Victory" — say no more, Hector!
Just be sure the form is divine and Percy
however dumb has eyes. Among many other
attractive models at Liebes is the separate
Patou tunic smartly Russian and worn
equally well by the large women, for the
waist line is flexible and can be adjusted al-
most Empire height or dropped to the hip
bone where it has the o. k. of Chanel.
Why, in America, do women especially
of middle age herd together at every party.
Women are fine. They're wonderful. But
aren't we surfeited with our own kind at
every gathering? The younger generation,
thank goodness, seems to have a boy for every
girl. Thev find pleasure in swapping ideas —
for a man and a woman's opinions are entirely
different. I value a man's mind, I value his
decisions, and I find his company stimulating.
Then whv find oneself conscious of scanda-
lous eves if you should continue a delightful
talk with your dinner partner after adjourn-
ment from the table. Look around and see if
it isn't so. Well, it is just too bad, but I am
going to continue to be a target for eyes. I
fairlv vearn for man's society, man's talk.
I am interested in his clothes and the way he
wears them , and right here and now I have a
break to tell you of a man's watch seen at
Houston and Gilmore. Used for dress occa-
sions, it is simply plain, as fine men are, and
slips like a locket into the pocket of his
waist coat. Pressure of a spring brings a
watch of Swiss movement upright in the
case, and its very simplicity has swagger.
Jewelled bracelets dripping with diamonds
were ravish, but the watch was to me the
most fascinating article on display. Wistfully
I yearned to purchase it and still have high
hopes that the Christmas budget will take
care of it and some man become that proud
possessor. Hats oft to the men.
But to get back to the women, one still sees
the Mesdames Fred McNear, Wood Armsby,
Dalton Mann, Paul Fagan having luncheon in
Peacock Court of the Mark Hopkins. It is no
wonder, for Chef Joseph Meyer's tempting
specialties such as his salade d'Ecrevisse
Gourmet, or the breast of Imperial Squab
Exquisite lure the most fastidious.
The Priceless Gift
oS Good Vision
Have your exes examined now.
137 Grant Ave.
SUtter 0277
Special reservations are now being
accepted for an old fashioned
THANKSGIVING DINNER
before an open fire-place. Delightful
for families and private parties.
Telephone SAn Mateo 879 ,or
Reserva • IONS
>akTreeInn
SAN MAT EO-CAU FORNIX
ON THE HIGHWAY
Splendid food served in congenial surroundings
Anson Weeks
Orchestras
MUSIC
Supplied Jor All Occasions
Office
FAIRMONT HOTEL
Telephone DOuglas 8800
Tunnicliffe
Photographic Portraits
301 SHREVE BUILDING
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DOUGLAS 2607 SAN FRANCISCO
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46
THE SAN FRANCISCAN
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JEWELRY
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Albert of the Palace
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San Franciscan Directory of Advertisers
GIFTS AND ACCESSORIES
Carmel Art Shoppe
Miss Clayes
Chinn-Beretta
Courvoisier's
Der Ling Shop
Dirigold
Harry Dixon
Exchange Gift Shop
HOTELS
Ahwahnee Hotel, Yosemite
Ambassador Hotel, New York
Ambassador Hotel, Los Angeles
Barbizon-Plaza Hotel, New York
Los Angeles Biltmore
Santa Barbata Biltmore
Clift Hotel
Hotel del Coronado
Roger Babson says:
"Advertise more — now is the time to increase adver-
tising appropriations.
"Of the four concrete suggestions (reduce overhead,
give better measure, increase research work, adver-
tising is the most important factor of all. Therefore, I
wish to go on record today as definitely advising all
clients to increase advertising appropriations.
—September 10, 1930
Therefore:
We take this opportunity to express our appreciation of
those whose cooperation has made it possible for us to ren-
der effective service to those with a message of quality
merchandise or service.
We further ask the attention of all San Franciscan readers
for the messages of those who use these pages as an adver-
tising medium. This directory includes all those who have
advertised in The San Franciscan the past four years. They
deserve your consideration because they considered you
and your needs when directing their message to you.
Expert Bead Stringing
Fairmont Pharmacy
S. and G. Gump Co.
Henry Hart
Herman Elsbach
ane Shop
ones, Pinther and Lindsay
unior League Shop
H. L. Ladd Pharmacy
League Shop, Women's City Club
V. C. Morns
Mosse Linens
Old Venice
Persian Art Center
Rene Willson
Sahati's
H. Valdespino
AUTOMOBILES AND BOATS
AND SUPPLIES
Cadillac-LaSalle
Chester N. Weaver
Don Lee
Edward Lowe Motor Company
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Howard Buick Company
(ohnson-Blalack
Kresteller Motor Company
Marine Sales Salon
Renault
Stutz of Northern California
United Ship Repair
Union Oil Company
William E. Hughson
El Mirador Hotel
El Cortez Hotel
Fairmont Hotel
Feather River Inn
Gaylord Hotel
Holly Oaks, Sausalito
Hollywood-Plaza Hotel
Hotel Lexington, New York
Hotel Mark Hopkins
Hotel Madison, New York
Maurice Hotel
Northwood Country Club
Palace Hotel
Park Lane Apartments
Hotel La Ribera, Carmel
Sir Francis Drake Hotel
Savoy-Plaza Hotel, New York
Tahoe Tavern
TRAVEL
American Express
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THEATRE, BOOKS, MUSIC
AND ART
The Alcove Bookshop
Beaux Art Gallene
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S. and G. Gump Company
Frank Carroll Giffen
Hargen's Bookstore
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KYA Radio Station
Lord's Bookshop
Little Pierre Library
H. Livenght, Publisher
MacMillan, Publisher
Newbegin's Book Shop
Selby Oppenheimer
E. A. Portal, Inc., Radio
Players Guild
San Mateo Symphony
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John Stoll, Etcher
Vickery, Atkins & Torrey
Women's City Club, Lectures
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Pickwick Corporation
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Ryone and Company
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Wells Fargo Bank
Walsh, O'Connor
H. H. Woolpert
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pany . .
Anglo, London, Pans National Bank
I. Strassburger
William Cavalier
Hellman-Wade Company
FLOWERS AND FOODSTUFFS
Foster and Orear
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Plaza Florist
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PHOTOGRAPHERS
Dr. Alexander Arkatov
Ralph and Dorothy Crawford
Field Studio
Gabriel Moulin
Dorothy Moore
Walter Frederick Seeley
Tunnicliffe
Continued on page 47
NOVEMBER, 1930
47
^T^C.
I THE SAN FRANCISCO BANK 1
SAVINGS COMMERCIAL
INCORPORATED FEBRUARY 10TH, 1868
TRUST
One of the Oldest Banks in California, the Assets of which have
never been increased by mergers or consolidations with other banks.
Assets over $131,000,000.00 Deposits over $125,000,000.00
Capital, Reserve and Contingent Funds, $5,600,000.00
The following accounts stand on theBooks at $1.00 each, viz.:
Bank Buildings and Lots - (Value over $1,925,000.00)
Other Real Estate - - - (Value over $310,000.00)
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Interest paid on Deposits at 4/^ per cent per annum
Computed Monthly and Compounded Quarterly
Willi
Sail On! Sail On!
Continued from page 37
dreds do come. There are sobs all over the
house, Amens, and indistinct murmurs — and
always Aimee's husky voice hypnotizing, urg-
ing, pulling them towards her.
"Kneel!" she commands them, "kneel and
we will pray together." They kneel.
"Repeat after me." She throws back her
head and prays in phrases which are chok-
ingly repeated by the penitents,
"Oh, Lord, the great Captain . . . I free'y
confess my sins to thee ... I repent of my
sins and renounce them . . . And oh, dear
Lord . . . I am happy tonight to embark with
Thee . . . Guide me safely into thy harbor
. . . Deliver me from the rocks . . . For
Jesus' sake, Amen ..."
And great this night is Aimee's renown
throughout America, for before she dictates
this closing prayer, she has quickly adjusted
her greatest advertising medium, the McPher-
son mike.
'Now maybe I'll get the respect to
which I'm entitled."
INTERIOR DECORATION
AND FURNITURE
The Antique Galleries
Adelia Marie Bernhard
Emma E. Booth
S. and G. Gump Co.
Holbrook, Merrill and Stetson
George M. Hyde, Inc.
Georgjensen
A. F. Marten
Edward Raymond Mofntt
William D. McCann
Penn Furniture Company
John Quinn
A. Schmidt and Son
Ruth Schmidt
San Franciscan Directory of Advertisers
Continued from page 46
W. and J. Sloane
Harold Wallace
Dan Wallace
D. Zelinsky and Sons
SCHOOLS
Paul W. Black, Bridge
California School of Fine Arts
The Cedars
California School of Arts and Crafts
Christenson School of Popular Music
Dominican College
Damon School
Mrs. Fitzhugh, Bridge
Sarah Dix Hamlin
Betty Horst Studio
Merriman School
Montezuma Mountain School
Camp Natoma
Nob Hill School
Betty Noble
Piano Arte Studio
Ransome-Bridges School
Rudolph Schaerfer
Tobin School
Williams Institute
Anita Peters Wright
Potter School
MISCELLANEOUS
Anson Weeks Orchestra
Call-Bulletin
Carmelite
Ellis Realty Company
San Francisco Examiner
Robin J. P. Flynn, Insurance
Mark A. McCann, Real Estate
Miller Typographic Service
William H. Myers Real Estate
Musical East
Patterson and Sullivan
Pacific Gas and Electric Company
Pacific Telephone and Telegraph
Company
Phillips and Van Orden Company
San Francisco News
Visalia Stock & Saddle Company
48
THE SAN FRANCISCAN
YICKERY ATKINS
& TORREY ^
FINE ARTS & INTERIORS
IN THE GALLERY:
NOVEMBER— WATERCOLORS BY
STANLEY WOOD
DECEMBER — PHOTOGRAPHS BY
EDWARD WESTON
Also being shown
Enamels by Molli Juin
JJ~o SUTTER STREET
To most people
this is a meaning-
less grouping of
lines within a
square.
Some will recognize it as the mark that can
be found on the most delightful pieces of
furniture in their home.
EDWARD RAYMOND MOFFITT
STUDIO— H. L. MACK RANCH
Monterey 1092 Del Monte, California
Designer and maker of fine furniture and antique re-
productions. Designs and estimates submitted on
request.
Spanish Colonial
(mexican)
Silver Cup
for you who own Spanish Colonial
homes, what more suitable than sil-
ver service patterned after designs
of old Peru and Mexico.
Made only on order l>v
HARRY DIXON
Tillman Alley — 241 Grant Ave.
GA rfield 1368
She
rassing dhows
Continued from page 29
ings and drawings are being shown in the
studio of their father, Lucien Labaudt, on
Powell above Sutter. These talented young
girls have recently come from association and
work with Andre L'Hote, Marcel Roche,
Otto Fnez and H. de Waroquter, contempo-
rary artists of post-Cezanne France. The in-
fluence of each master is seen in the canvases
tempered increasingly by the emerging indi-
viduahtv of the girl artists. One is convinced
that they have learned the devices of these men
and their viewpoints — sharpened tools with
which to fashion their own expression in the
years to come.
Youth of another sort is served by the
nursery rhvme pastels by Dorothy Dell Logan
at the Courvoisier Little Gallery. Astound-
ing little bits of color, matted in brilliant
papers — characters of English nurseries made
over with a Vytlacil recipe. Humpty-dumpty
falhng oft a modern wall — Miss Muffett with
post-impressionist mannerisms — Tom, Tom
the Piper's Son conscious of spatial relations!
And what a god-send just before Christmas!
I wonder whether or not the architects
would take it slightinglv if I mentioned their
"extra-curriculum'' exhibition next. I think
of it next because, composed as it is of the
paintings, drawings and etchings done when
off architectural dutv, one feels that it is all
very happy and carefree — and some of it bears
marks of student davs when time permitted
creative enthusiasms freer play. Anyhow, it is
interesting and you can drop in on it in-
formally by taking the elevator to the 6th floor
of 233 Post street and entering the studio of
William Garren and Frederick Reimers.
THERE are numerous other exhibitions to
attend according to inclination — at Beaux
Arts there are two showings to claim vour
attention, the San Francisco Society of Wo-
men Artists in annual arrav and a choice little
group of flower and rural landscape paintings
by Beaux Arts members — etchings by A. Ray
Burrell at the Gruen Studio, 1800 Broadway
— fairy-tale illustrations by Harold Gaze at
Paul Elder's — facsimile reproductions of the
drawings from the Uffizi Gallery at the Cali-
fornia School of Fine Arts, Chestnut and
Jones — water colors at the Maiden Lane Book
Shop — but I'd like to wager that no other one
will prove as stimulating as the Stanlev Wood
show at the Vickery, Atkins and Torrey
gallery — no, not even the Arthur B. Davies
exhibition at the Gump gallery of graphic
arts for, charming as much of it is, almost
without exception these are Davies water-
colors which, being shown post mortem,
quite evidently bear the stamp of having
missed the artist's discriminate selection.
Four years in succession, Stanley Wood's
annual one man exhibition has been a surprise
to me. The first year because I did not know
what to expect. The following years because
one really does not have a thrill repeated. So,
this vear, in spite of the agreeable surprises of
former years I expected Stanley Wood's show
to be fine but I hardlv hoped to have it repeat
a fourth time the original, stimulating experi-
ence. But it did. Having visited two other
galleries that afternoon I felt not particularly
in the mood to see more paintings (but the
magazine was on the press and copy must be
in). Wood's watercolors were not yet hung
but as I sat there with one after another placed
before me, I began to be excited. I had ex-
pected fine things but nothing like these —
a gas engine, dark metal shadows — potted
flowers in glorious pattern — ships of the
estuary, dark nosed, rust flaked or the cool
white prow of the "Bear" — more California
barns — a red cottage ... In five minutes I
Conrvoisier
474 POST STREET . SAN FRANCISCO
Telephone DOu5las 4708
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for
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Philip Stearns
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for nervous and retarded
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Ideal climate — no fog — delicate
children grow strong and develop
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Address
THE CEDARS
Ross, Marin County, California
NOVEMBER, 1930
49
had forgotten that this was the end of the day
and that I had felt tired. Life held zest. The
world was an exciting place in which to live.
And all because Stanley Wood had looked
about him, seen beauty and restated it in
fresh terms of color and form.
I hear that camera prints by Edward Wes-
ton will be shown following the Stanley
Wood water colors. I wondered how long
Vickery's would hesitate before that con-
ventional stumbling block, "is photography
art," before acknowledging this contempo-
rary work, which, while it is presented in an
unconventional art medium, has so much a
feeling of today that it cannot be overlooked.
The scientific attitude of Edward Weston is
far more kin to that which is characteristically
modern than the large majority of painting
today. Even as an etcher acknowledges the
limitations of his medium and is successful to
the measure in which he utilizes the virtues
of etching for his expression, so, too, Weston
uses the camera for expression that belongs
essentially to lens precision. The result is
work that stands by itself in kind — work
that will live because of the content of what
Weston has to say rather than because of the
technique he has chosen.
THE inauguration of a permanent gallery
in the California Palace of the Legion of
Honor for the showing of work by Cali-
fornia painters has evidently been overlooked
by the art news writers who have contented
themselves with restating the announcement
Lament
By Constance Ferris
All my ways are weary ways
All my paths are grief!
Can it be that anywhere
Buds the lotus leaf?
Hand in hand I walked with you
Through the shining days!
Now that you are gone, I tread
Grim, decorous ways.
Why is intrigue ever thus!
Why must brave hearts roam
Half their lives in loneliness
Why must wives come home?
Note: Forced to choose between various requests for
Miss Ferris' verse we decided first on "Orthopedic
Shoes" but wavered in favor of this from the issue of
April, 1929.
made by the Palace. Perhaps they have not
seen the initial showing of more than twenty
canvases. Here are paintings by Constance
Peters, Pennoyer, Frank Van Sloun, Lucien
Labaudt, Ray Boynton, Millard Sheets, Al-
bert Burroughs , Peter Krasnow , Helen Forbes
Natalie Newkmg, John Tufts, Maxine Albro,
Lucretia Van Horn, Haldane Douglas, Clar-
ence Hinkle, Margaret Bruton, Charles Staf-
ford Duncan, D'Vorak, Dorothy Duncan,
Lorser Feitelson, H. Oliver Albright and per-
haps one or two others that I can not now
recall.
The idea of having a gallery at the Legion
Palace permanently devoted to the showing
of California work is a splendid one and an
innovation for which Lloyd LePage Rollins,
the new director, is to be commended. The
Palace is the one place, which, free from com-
mercial or affiliation considerations, could
present California art at its best. The selec-
tion of a painting for this museum could easily
become one of the highest honors given to
artists of the state.
I responded eagerly to Rollins' invitation
to see the initial hanging of the California
gallery. Knowing that the director has but
recently returned to the West after years of
study at Harvard and abroad, I hoped that he
had selected this first group with eyes un-
prejudiced by any considerations other than
the merit of the work. I hoped to find a gallery
hung with significant canvases by twenty
truly outstanding figures in California paint-
ing.
The gallery is an interesting one as it is now
hung. The variety of viewpoints does present
to a degree a cross section of western work.
One fully realizes that this is but the first
group of paintings and that individual substi-
tutions and entire changes will be made in
the showing throughout the months to come.
At the same time, one is not made conscious
of special discrimination. Patently, Rollins
has made no attempt to select "the twenty
most" outstanding artists in California, as
he well might have done in his initial grouping
CHRISTMAS
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THE NEW
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luncheons, private parties and ban-
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Margaret B. Giles
Managing Director
%
^
nm-nf
nrrnml
50
THE SAN FRANCISCAN
but, even so. several of the painters are rep-
resented bv decidedlv lesser works. This
situation will undoubtedly be remedied as
Rollins becomes more conversant with Cali-
fornia art and less pressed by the initial
responsibilities of his new position. In the
future I hope to see at least more than three
new San Francisco canvases that have not
just recentlv been featured in a Beaux Arts
group exhibition. There is little virtue in
transposing work from a downtown gallery
to the museum unless it is selected individu-
als both as to the artist to be honored and the
example bv which he is to be represented.
Rollins has accomplished much already.
His insistence on intelligent docent service
deserves high praise. He has given us a fine
thing in the exhibition of aquarelles and
sculptures bv Karoly Fulop. He has announced
a stimulating program. Let us hope that he
will not fail the California artists in giving
them the discriminate showing to which they
are entitled.
Every
Woman
Can
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Beautiful
Announces
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A Junior Facial
30-minutes $2.00
For the Football Game and
Dance it's quite the thing. All
business women will welcome
this unusual opportunity for a
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SUtter .... 5383
The San Franciscan's
Message
Continued from page 6
motion pictures and Jack Campbell, London
correspondent on theatre and drama. Among
the voung artists whose work is definitely
associated with The San Franciscan, there is
Antonio Sotomayor, the young Bolivian artist
whose cartoons and drawings have appeared
in The San Franciscan almost from the first.
The past vear he has had an exhibition in
Mexico City and two in San Francisco, and he
is now at work on a mural commission for one
of the leading hotels here. The magazine covers
for the first year were designed by Catti Mer-
rick. Then for over two years the covers were
done by Ted Van Deusen who went to New
York earlv in the summer to win eastern honors .
This month we repeat one of Van Deusen's
covers interrupting, with this one issue, the
'A SMART SHOPPE for WOMEN":
Creations "jyferveilteuses'
Kay's
Geary and
Mason Streets
featuring a distinctly
individual line of
the smartest
Gowns
Qoats
Suits
&
^Aillincry
u
series of striking covers done by Melbourne
Bnndle who. though very young, is rapidlv re-
ceiving recognition having had work accepted
for exhibition by the jury of the San Francisco
Art Association. Ned Hilton whose cartoons
and maps of San Francisco as well as his page ,
"The White Card," were a regular feature ot
The San Franciscan for more than a year, is
now bidding for national attention with both
his writing and graphic art.
With this type of cooperation behind us.
we look toward the future with high hope.
We look forward to further encouragement
from those already established and to giving
an initial outlet to striving writers and artists
who have still to test their powers on the
public.
Already we look forward to next month
when we shall be privileged to present Henry
Cowell's account of his visit to Russia , Charles
Caldwell Dobie's comments on the current
New \ ork season , ' ' Impressions of Scotland
by Algernon Crofton, a very short story by
Virginia Bessac. an account of Navajo dances
as seen by Raymond Armsbv, an article about
old San Francisco bv Zoe A. Battu, a drawing
of Joice Street by Richard Stephens, a page
devoted to the work of Edward Weston, and
other features growing out of the life of which
we find ourselves a part.
And as we enter the fifth year, and as each
month passes from hope to accomplishment,
we trust that something of the essential life of
San Francisco and the West has flowed
through our veins.
My good man, have you not yet seen
a light?"
"Naw — An' I ain't got a cigarette
neither!"
era nc I sgp n
ECEMBER 1930 + PRICE 25 CENTS
II O T E L
In Peacock Court
"The metropolitan personality of San
Francisco is never felt more than when one
is in Peacock Court of The Hotel Mark
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the smartly groomed men, the whole at-
mosphere of sophistication speaks of the
self-suffciency of the city. Here are people
who are equally at home all over the world,
people who know not only San Francisco
but Paris, Vienna, London, New York.
They have come to Peacock Court because
they know it as the heart of the city. They
have dined by the windows overlooking
the downtown city blocks with their
lighted buildings, their strange silhouettes
against the night sky. They will always
remember it as a place of care-free joy where
one dances on top of the world with a
shining mosaic of light at his feet.
MARK HOPKINS
NOB HILL SAN FRANCISCO
Geo. D. Smith, Managing Director
CITy «F PARIS
FOR THE
HOME
are best selected now
at the City of Paris!
This Christmas . . . give
something really useful,
along with the holly
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CITY of PARIS
Clary, Stockton & O'Farrtll • DOttgUs 4S00
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AWOKE
one morninq and found myself famous
Lord Byron
99
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overnight fame is overdue . . . achievement takes time
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hecome famous, hut not overnight, it is the fruition
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Library . . . Art Gallery . . . Concert Hall and
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hrought right to the door of the hotel for a canter
in the park . . . and last hut not least . . . the
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Room, CONTINENTAL BREAKFAST and Private Bath
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STUDIO APARTMENTS . yearly $1800 to $5000
TRANSIENT RATES $3.50 to $6.00 per day
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Under fame management — the Internationally known Barbizon
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William H. Silk, Director.
*
wo names belong on every gift you give -Yours and Gump'
To members of the firm of
S. ClaUS & CO., Unlimited
Frequently to be seen in your round-town travelings
are colorful painted bulletins carrying the message
shown up top.
These serve merely to remind you of the fact you
doubtless already know: Here is a time-saving/ worry-
saving Christmas store. Gifts from Gumps bring
double satisfaction. The two important names account
for that; and one's almost as important as the other!
G
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246-248 POST ST.
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SAN
FRANCISCO
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Where the Treasures of a Collector May Be
Purchased as Gifts
3. Schmidt & j6ton
ESTABLISHED 1869
IMPORTERS of Antique and
Modern Silver, Sheffield Plate
Fine China and Crystal
504 SUTTER STREET, SAN FRANCISCO
2320 W. Seventh Street, Los Angeles 481 E. Colorado St., Pasadena
BOSTON
NEW YORK
WASHINGTON
WILL HARPER
the San Franciscan
JOSEPH DYER, Editor and Publisher
Aline Kistler, Assistant to the Publisher
CHARLES CALDWELL DOBIE
WILSON FOLETT
LINCOLN STEFFENS
IDWAL JONES
CONTRIBUTORS
GEORGE DOUGLAS
ELVA WILLIAMS
SYDNEY KING RUSSELL
CAREY MCWILLIAMS
OTTORINO RONCHI
ZOE BATTU
ROWENA MASON
KATHRYN HULME
VOLUME V
Cover desisn by Melbourne Brindle
Joice Street, drawing by Richard Stephens .... 8
Telephotos of Scotland and England, by Algernon Crofton 9
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CONTENTS
DECEMBER, 1930
Number 2
Now It Can Be Told
Recollections of Frank Norris, by Barry O'Dell .
Woodcut by Collins
Prison Brig and Buried Treasure, by Zoe A. Battu
Woodcut by William Wilke
Southern Nocturne, verse by Helen Cowan
From Manhattan, article by Charles Caldwell Dobie
Sonnet, by Gabriel Ondeck
Mrs. Patrick Campbell, drawing by Douglas Crane
Adventures in Soviet Russia, by Henry Cowell .
Spotlight, dramatic criticism by Junius Cravens .
Causerie, book reviews by Frank Fenton
Elva Williams, portrait by Consuela Kanaga .
Desert Interval, article by Raymond Armsby .
Navajo Sketches by Gene McComas ....
Confessions of a Commuter, story by Virginia Bessac
Of Edward Weston — with portrait
by Johan Hagemeyer
Dorothy Spreckels, photograph by Seely
Reigning Dynasty
New Year's Eve, verse by Elizabeth Leslie Roos
Concerning Grace Borroughs ....
Grace Borroughs, sketch by Douglas Crane .
Golf Tournament, article by Brookes
Passing Shows, art discussion by Aline Kistler
Dandelions, woodblock by Albert Barrows .
Grape with Thorn, verse by Annice Calland
As Seen by Her, by Molly Merkley . . .
Christmas Cuttings, by Mary Louise Wood .
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The San Franciscan is published monthly by The San Franciscan Publishes Company, Sharon Building, San Francisco, California Entered as second-class
matter October, 1928, at the Post Office at San Francisco, Calif., under the act of March 3, 1879, Joseph Dyer, Publisher. Subscription price: one year
$2.50, single copy 25c. Copyrighted 1929, The San Franciscan Publishing Company, manuscripts will not be returned unless accompanied by
self-addressed, stamped envelope
For advertising rates address Zora Combes, Advertising Manager, GA rfield 4755
JOICE STREET
Richard Stephens has made a series of drawings of streets and rooftops
in San Francisco. In this one he has sketched the quaint back street on
Nob Hill which is widely known because of the studios and apart-
ments of writers and artists strewn along its two block length.
^Stin fmnascm
Telephotos of Scotland and England
Random Jottings Made Enroute by a San Franciscan in the British Isles
by Algernon Crofton
WHERE have the vaudeville acro-
bats gone to? And the Swiss
bell ringers of yesteryear. The
ventriloquists and the gentlemen who
used to imitate cows mooing and such ?
Well, they are all in Scotland. Some
in Edinburgh and the rest in Glasgow.
But at the same time they gave us
Harry Lauder.
Edinburgh, they say, is the wicked-
est city in the British Isles. Doubtless
because of the head waiter of the most
fashionable dance floor in Scotland's
capital. Believe it or not, this exotic
sheik is not only powdered and rouged,
with his hair marcelled from his fore-
head to the nape of his neck, but his
eyes are mascaraed as heavily as Anna
Held's ever were when she was singing
"The Maiden With the Dreamy
Eyes."
Scots wha hae! And shades of the
Black Douglas!
•
They're a hardy race, these Cale-
donians. A stranger in these parts
asked a traffic cop where he could find
a taxi. "And where might you be
going, sir?" asked the Gael. Being told,
it was clear a load was off his mind.
"Ah," he smiled, "you'll no be want-
ing a taxi. T'is only eight blocks,"
And it was raining.
•
A chauffeur hesitates at a busy inter-
section downtown in Glasgow. At
once two volunteer informants ap-
peared, one at each side of the car.
"Are ye lost?" they inquired directly
and without palaver. And at the risk
of being maimed for life in the swirl-
ing traffic, they hang on the running
boards until the lost are completely
found.
•
Let who will argue that England is
through, but pay no heed to him, if
any such there be, who includes Scot-
land in his dooming. Sturdy, compe-
tent, dear-eyed they are. One senses
strength and drive as in Chicago. Poor,
yes, but who but the stronghearted,
and the able, could wrest a living from
this land of mist, build the world's
greatest ships on a creek and make the
most famous of all marmalades in
Dundee where no orange ever grew?
Nor is poverty here quite unani-
mous. In the Malmaison tonight
champagne was popping at six differ-
ent tables and one of the pops was a
magnum.
•
Talking about complexions: In
Scotland without doubt are the
world's most beautiful skins. No poet
should be allowed to run at large until
he has seen Scottish lassies and so fore-
sworn such weak descriptive terms as
damask, lily, rose and peaches and
cream.
Moreover I found a drugstore which
possessed not a single lip stick. "Look
out of the door at the young ladies
passing, sir," said the druggist — sorry.
I meant chemist.
•
Police court dialogue illustrat-
ing a Scotch view of how to handle
them: Lord Fleming — Why did
you not tell your wife when you
were sending her money where
you were staying? Well, I don't
reckon that's good business, a man
should keep these things to him-
self? (Loud laughter) .
— Glasgow Evening News.
•
Why Scots leave home: "More than
30,000,000 people attend the cinemas
weekly in Great Britain. What a won-
derful thing it would be if 30,000,000
people attended the churches weekly."
— Lord Brentwood.
•
One of the sad sights in the land of
the leal is a young Scot deprived of his
sturdy burred accent by an Oxford
education. The bored pose which is
one of the products of the Great Eng-
lish University becomes an affliction
north of the Tweed.
e
In all my life I never saw so many
pregnant women as on the Argyle
Road in Glasgow. Believe it or not,
there were five in one block and we
ran nine blocks without drawing a
blank. Young, too, and pretty.
•
When the Scotsman does anything
he does it, with an earnestness which
the languid Englishman might profit-
ably copy. Witness this sign over a
little shop in Carlisle: For Goodness
Sake Buy Here.
•
HARD times in England? Well not
all over, it would seem. In the
last week of October, seventy-five
different packs of fox hounds were
scheduled to run in the hunting shires,
not to mention twenty-four meets of
beagle packs, eight harriers and even
one stag hunt.
•
For the edification of those who do
not ride to hounds there were in the
same period nearly a dozen race meets
each of which was attended by thou-
sands of enthusiasts at entrance prices
ranging from the humble shilling to
what would be in American money
more than ten dollars.
•
Nor does this begin to touch the
immense reservoirs of play which the
English keep on top. The morning
Post this morning, October 24, lists
eighty-one Rugby football matches to
be played today; and seventy-four
Association football matches; and
sixty-two hockey matches; and nine
hockey matches between teams of
women; and sixteen lacrosse matches.
If the British spectator's yen for
games is still unsatisfied he can try his
eyes at walking matches — yes. Clari-
ble, they still have walking matches.
Today "the first seven-mile road-
walking handicap of the season" is
being in London. Twenty clubs have
entered teams and "more than 200
individual entrants" will compete. For
those who prefer running as a sport
Continued on page 35
THE SAN FRANCISCAN
NOW IT CAN BE TOLD
LAST spring, one G. Bianchini had
the misfortune to go bankrupt.
' Among his possessions was a wine
press, and this he failed to list among
his assets, submitted to the referee in
bankruptcy. The attorney for his
creditors, an unromantic, overzealous
and unimaginative fellow, sharply de-
manded to know why Bianchini had
failed to list the wine press as an asset.
Whereupon, the defendant rose in
court to explain with Latin eloquence
and gestures that the wine press was
not. strictly speaking, an asset of his
defunct business. The wine press, he
declared, was a work of art. an antique,
the symbol of a grand old tradition
and vanished order, not to be involved
in legal technicalities and vulgarities.
The referee's decision does not yet
seem to have been made or announced
publicly, and we are inclined to think
that the point, like so many of its
kind, will be suffered to remain in
obscurity. Needless to say, we are in
full accord with Bianchini's argu-
ments as to the status of wine presses.
His stand may well start a custom in
California of making public and pri-
vate collections of wine presses.
FOR long a certain San Franciscan's
wife had beleagured him to cease
coming in at unearthly hours of the
morning as he did too frequently to
suit her. His alibi was the old busi-
ness-visiting— buyers -that- must -be-
entertained gag. and his wife had ac-
cepted it albeit with certain mental
reservations.
On this particular evening, how-
ever, the husband had kept his promise
and was home and asleep before mid-
night. At three they were disturbed
by the striking of the clock.
"Wha-what time was that, dear?"
He asked sleepily. "Three," replied
his wife.
"My God!" exclaimed he, sitting
up. "I promised my wife I'd
be home before twelve."
WITH that inherent
sense of paternalism
possessed only by a
four year old periodical, we
joyfully welcome to the
ranks of our namesakes the
new University of San Fran-
cisco. The University, of
course, is new in name alone,
having functioned under the
title of Saint Ignatius Col-
lege in this city for the past
seventy-five years. Let us
hope that the new name will
usher in with it an era of
unprecedented progress and
prosperity for San Francisco's
only university.
ARTIST: My good man, have you a Saturn 3B graphite
soft lead?
A San Franciscan is one who re-
members the sign on the old water-
front— "Beds, 10c, Clean Beds, 15c.
ALTHOUGH sugar in coffee is per-
sonally distasteful, at times we
find ourselves mixing Brisbane's
paragraphs with the morning cup —
there is a strange sort of curiosity that
brings one to nibble at what is offered,
even knowing beforehand the insipid
substance of which it is made . . . But
this time we were rewarded. Wrote
Brisbane: "David Belasco ... is said
... to be improving and 'able to take
nourishment.' His physician, if wise,
will see that he takes it in liquid form
and very small quantities. Many that
might recover die because loving rela-
tives or unwise doctors insist on their
taking nourishment. A sick man is
eliminating poisons. His system can't
do that and absorb nourishment at the
same time. Those that forget it are
apt to die." What more wonderful
self-portrait could be written of the
average meddling, advice-giving neigh-
bor prefering "old-wives" talk to the
physician's instructions — only Bris-
bane counts the whole world his
neighborhood!
THIS month we revel in bringing out
of comparative obscurity another
character of the city streets, one of
nature's noblemen. Being more or less
a gentleman of leisure, his sole occupa-
tion is acting as voluntary assistant to
the car-starter at Powell and Market
Streets. Of commanding personality,
and wearing an officious appearing red
badge, street car conductors hesitate to
go forward until this man gives the
signal. His day is spent in scurrying
back and forth from the Powell and
Lddy Street terminals, enlivening the
sullen rush of downtown traffic with
shrill bursts of his whistle. His name
we do not know; the conductors re-
spectfully address him as "Chief" . . .
but at any rate, it is highly improbable
that he will ever attain his life-long
ambition — the position of chief car-
starter of Powell and Market Streets.
IN THESE columns, we ventured to
suggest to the then Mayor Rolph
that he inaugurate his governorship
with an old fashioned inaugural ball
and the re-gilding of the dome of the
Capitol Building in Sacramento. As
yet Rolph has not announced his in-
tentions to follow specifically these
suggestions, but he falls readily into
the spirit of them. He has taken steps
to have a military band permanently
stationed at the state capital, so that
it may be on hand and constant call to
supply rousing and suitable music
upon all major and minor affairs of
state, to greet celebrities and the like.
We heartily second this motion of
a military band as a first rate idea.
Official affairs at Sacramento have, in
late years, tended to lapse into matter-
of-fact ruts and routine. But a military
band, dressed in full regimentals, will
accomplish wonders in reviving that
sense of pomp, flourish, lavishness.
DECEMBER, 1930
11
ceremony and gallantry upon which
the great fame and fine traditions of
California are founded. We are all for
the band, though again we press upon
Rolph our former suggestions of the
inaugural ball and the re-gilding of
the Capitol Building dome.
Who is the distinguished guest of
San Francisco who was mistaken for
an applicant butler when he arrived
unexpectedly at the home of one of
the most prominent hostesses in the
city?
WE TAKE this opportunity to
make amends necessitated by
the receipt of the following
letter:
Dear San Franciscan:
I have had a suspicion for some time
that my writings were pretty bad.
Never will I send out another manu-
script to you or to anyone else — not
after receiving my latest offering, open-
ing it with hopes, only to find laid in its
fold the personal card of your editor
with the inscription "With deepest
sympathy" written across its face.
Yours.
"Crushed."
We deeply regret the above incident
and can atone only through these pages
because "Crushed" has refused to in-
close her or his name or address. It is
sufficient explanation to say that the
card was meant for a facitious friend
who has recently lost a pomeranian.
And truly, pets or writing, we believe
in hobbies because sometimes they
grow into roan stallions.
WITH awe and wonder we
watched the transformation of
Dewey's monument in Union
Square into a great silver Christmas
tree. This high point of interest in the
decorative scheme required some two
weeks to complete. The man in charge
of the job informs us that the effect,
while very impressive, is achieved by
simple materials.
The scaffolding, which was first
built around the monument, is com-
pletely covered with tree boughs,
dipped in a white paint, specially pre-
pared to give, in the sunlight or in
artificial illumination, an effect of hoar
frost. The tree boughs are overlaid
with triangles of tin in long strips or
streamers. Ten tons of this tin, which
is merely scrap from a can factory, were
used. After the celebration, it will be
returned to the factory, melted and
converted into tomato cans or similar
prosaic containers.
Through the mass of tree branches
and tin are strung long lengths of
colored lights — some 15,000 in all.
Further illumination is provided by
four batteries of high-powered spot-
light. Should it rain, this gorgeous
creation will not, as may be thought,
be ruined. To the contrary, it will
be improved. Any slight rusting of
the tin will add to the color value,
while the glistening rain drops will
heighten the general effect.
A San Franciscan is a woman who
shops in London, Paris and New York
but buys her clothes in San Francisco.
SOME like funerals. We are a bit
dotty about fires — the crackling
fireplace, the smoky campfire, the
destructive forest fire — we are intrigued
even by smoke coming out of the base-
ment. A few Sundays ago, we re-
sponded to a siren call, swung in be-
hind the chief's car and took up the
chase, throttle wide open. After defy-
ing death and traffic cops we almost
bumped the red car ahead as it stopped
in front of the Elks Club. The driver
dashed through the doorway — ah, not
a fire, but a pulmotor job ! But the next
minute he was back again, in the ma-
chine and on his way with a blood-
curdling out-of-the-way blare. Upon
inquiring within, we learned that the
policemen and firemen were playing
their annual game of baseball and that
the large number of "over the fence"
hits had entirely depleted the supply of
balls — so the chief's car had been re-
quisitioned. Something ought to be
done about this raising of false hopes.
CAN you imagine a screen celebrity,
a sensational new society debu-
tante, a grand opera star or an
internationally known diplomat being
envious of the world-wide publicity
being accorded a masseuse? The situa-
tion seems impossible, doesn't it? And
yet that is -the case with Sylvia of
Hollywood. She is almost five feet
tall. She weighs nearly one hundred
pounds. Nevertheless many a "world
figure" (accent on the second word)
will tell you that Sylvia possesses a
"wallop" that even Jack Dempsey in
his prime could not improve on. That
"wallop" keeps most of the screen stars
in proper form for the rigid and exact-
ing requirements of their profession.
Incidentally, it keeps Sylvia working
on an average of sixteen hours each
day, pounding off excess flesh of groan-
ing clients — clients that come back for
more. "The New York Daily News"
called Sylvia "the William Muldoon
of the movies," and the Jersey City
Journal claims that "Sylvia made Alice
White's legs, and Mae Murray's Sil-
houette."
And now Sylvia has written a book
which is at the present moment in the
hands of a New York publisher. It is
called "Hollywood Undressed."
'Er . . . Miss Scroggins, take a letter."
12
THE SAN FRANCISCAN
Recollecting Frank Norris
by Barry O'Dell
FRANK NORRIS
HOW well we know the difficulties
of a freshman, but a literary
freshman is another thing. There
are no literary freshmen on the Berke-
ley campus now. (They wait a year) .
During the early Nineties there were;
Frank Norris was one of them. To
the few students who admired the un-
usual. Norris was all they could hope
to find on a Western campus: a Pari-
sian air, Parisian latin-quarter side
burns down a lean face, a literary tem-
perament, and a "yen" for art. The
hopes of the literati were fulfilled with
the publication of YVERNELLE, a
book of verse.
Be-jeaned and rough campus men
took offense at this poet in their midst
and the Blue and Gold, 1892, aimed
this shaft at Frank Norris :
"Tis pleasant sure to see one's
name in print;
A book's a book although there's
nothing in 't."
The thrust was good publicity for
Norris, for his first book was well
borrowed and loaned in Berkeley;
poor copies turn up in that city quite
often. YVERNELLE is quite scarce,
and worth a goodly sum in fine con-
dition.
If there were such a thing as a one-
man book in the Nineties. Frank
Norris produced it; it was the Blue
and Gold, 1893. This issue of the
annual contained thirty drawings, two
short stories, a two-act play, the de-
sign for the binding, the decoration
for the dedication page, and a photo-
graph— all representing Frank Norris.
To anyone who had gained such a
reputation in college
as Norris had by the
time he was a junior
there could be no such
word as stop. He must
go forth to future
glories, not in illustra-
tion, but as a writer.
He would interpret
American life in the
Continental manner.
He would fulfill the
desires of the small
group of literati who
called him a "nice per-
son." He would show
those student-writers
who have since faded
away — today they are
our eminent lawyers,
inconspicuous teach-
ers, and adoring liter-
ary wives.
THERE is no more glamorous period
in the history of English letters
than the mauve decade; it saw the
breaking up of the Wilde party,
Beardsley in his intoxicated moments,
Shaw in a heat before he saw the use-
lessness and became the silly emperor
of the dramatic universe. It was Gals-
worthy reading the plays of Haupt-
man, which he later re- wrote for the
English stage; he read The Weavers
and wrote Strife a few years later;
he gleaned The Little Dream from
Hannes Himmelfahrt. "But that's en-
other story," for which we credit
Rudyard Kipling, although he would
not appreciate it, Kipling hates to be
associated with a phrase, especially
when he has not used that particular
one for thirty-five years. It was in the
same Nineties that Kipling walked
down Market Street with the rejected
manuscript of Kim beneath his arm.
He had submitted it to "The Exam-
iner" for the Sunday issue.
Frank Norris, however, was not in-
fluenced by this disturbance: he was
interpreting American life in the
French manner. Zola, Stevenson, and
the Indian stories of Kipling were his
models. Sensitive, forceful, energetic
he began his novels. "McTeague," the
most powerful picture of San Fran-
cisco so far produced, brought atten-
tion to him. It was realism, too rea-
listic for Mrs. Frank Doubleday, the
wife of the publisher, who requested
that page 106 be altered. So, in com-
pliance, the publisher tore out the page
after but a few had been issued, for
which the owners of the advance copies
are thankful. Mrs. Doubleday did not
believe it proper that an author should
think of a child's necessities, and es-
pecially not when the child was in the
theatre with his mother and her gentle-
man friend. The publisher agreed with
his wife and now collectors of Frank
Norris have their moments, this being
the last word on the page in the ad-
vance issue, now worth well over a
hundred dollars.
IF NORRIS had not traveled into
torrid, fever-infested countries which
resulted in his death we would be
closer to what America hopes to pro-
duce— the great American novel. Nor-
ris, in his Epic of the Wheat, attempted
this great work, but he did not live to
complete the third novel of the trilogy.
The first, "The Octopus." dealing
with the production of wheat in Cali-
fornia, stands today as Norris' greatest
contribution to American letters. In
this magnificent illustration of the
power which economic machinery has
over the primary elements of life
Norris was at his best. Norris was in
sympathy with the farmers so thor-
oughly that he heaps upon the head of
the villain every accusation, making
the railroad agent the symbol of hatred
in the system which thus comes wan-
tonly between food and hunger. The
end finds the farmers beaten, the agent
suffkated under a stream of wheat
which is again a symbol — "the wheat
which comes from the abundant earth
and moves irresistibly to its appointed
purpose, guided, of course, by men,
and fought and played over by them,
but always their master as well as their
sustenance."
This was the perfect picture of Cali-
fornia life, in strong style, rapid move-
ment, and livid scenes.
"The Pit" was the second of the
trilogy; it deals with the distribution
of wheat through the Chicago Board
of Trade. This novel presents an in-
teresting bibliographical problem
which was but recently made known
by a western bibliographer whose de-
cisions are now published. There was
a presentation issue which is very
scarce, but the correct first edition is
almost as rare as the advance issue.
The publisher's presentation issue is in
board covers, with paper labels and
contains a portrait of the author as a
frontispiece. The first edition, accord-
ing to Harvey Taylor, the Norris bib-
liographer, is in red cloth: the design
on the cover containing three ears of
Continued on page 39
DECEMBER, 1930
13
Prison Brig and Buried Treasure
Zoe A. Battu
by
yERBA BUENA. which became San
Francisco, had virtually no need
of a prison. It was a small Spanish
village, and its society was pastoral,
military and ecclesiastical. Inhabitants
of the hamlet did not take work, their
virtues or sin too seriously, and so
have been rightly rated as well along
the road to civilization.
For so small a community, there
were, to be sure, a good deal of over-
indulgence in wines, disputes of the
gaming tables, feuds and rivalry over
women. The principals to these af-
fairs settled them in the grand and
chivalrous manner with gun play and
flashing of knives, while the rest of
the populace smoked cigarettes, looked
on, and eventually dismissed the whole
business with a shrug of the shoulders.
Occasionally some one rode into town
and by the pettiness of his crimes or
pilfering or his unromantic methods,
outraged the public code of manners,
morals and laws. Or maybe he stole
a horse, which was a high misde-
meanor. For such as these, Yerba
Buena maintained a small prison.
This simple state passed with the
conquest of California by the Gringo,
the discovery of gold, the vast rush of
white men into the land. Yerba Buena
was no more. San Francisco was born
with a whoop and skyrocketing of
prices. There was suddenly a carnival
of crimes, sordidly conceived, hastily
and starkly executed, and a great talk
of law, order and the genius of the
Anglo Saxon for legal organization.
There was suddenly a pressing need
for a larger prison, and the native
Californians were cussed out because
they had bequeathed to the new order
such a small, inadequate one.
But everybody was so busy making
money that no one could take time to
consider fully the problem of a prison.
Presently, though, an easy way out
was found. The harbor was full of
ships — fine, seaworthy craft, lying
idle and neglected, because their cap-
tains and crews had deserted them and
made off to the gold fields. The town
council got a brilliant idea — or maybe
it was some one else got the idea and
"sold" it to the council — but anyway,
the council purchased the abandoned
brig, Euphemia, anchored her off the
Sacramento street wharf and trans-
formed her into a prison.
Exact details of the Euphemia's
career as a prison ship appear, merci-
fully, to be lacking. It was likely short.
In a city, which in the first five years
of its existence averaged around five
hundred murders a year and less than
fifty hangings yearly, plus other crimes
without number and description, the
Euphemia was obviously quickly
swamped beneath the rising tide of
lawlessness and violence.
THE custom, however, of putting the
deserted ships of the harbor to
various uses became general in early
San Francisco, and one that provided
the city with several charming touches
of "local color."
Adjacent to and easily accessible to
the Euphemia was, as may be seen in
the illustration, the Apollo Saloon.
The Apollo was likewise an aban-
doned ship, which a resourceful specu-
lator had grounded at the foot of
Sacramento street and converted into
a saloon and hotel. The position of
the Euphemia in relation to the Apollo
was a very handy one for the city
jailers and guardians of the law. To
those officially detained on the prison
ship the arrangement was a very ag-
gravating one. In this matter of con-
venience of the city
prison to cheer and
sustenance for its
personnel and men-
tal harrassment for
its guests, San
Francisco has made
no changes. To this
day the situation is
the same as when
the Apollo Saloon
stood at the then
foot of Sacramento
street and the Eu-
phemia was an-
chored a short dis-
tance from its front
porch.
Just north and
west of the Apollo
Saloon, at a point
that is now Clay
and Sansome sts.,
there stood for sev-
eral years the Hotel
Niantic, which had
started out in life
as the good ship
Niantic. With the
filling in of the
waterfront below
Montgomery street
the hull of the Ni-
antic was allowed
to stand undisturbed and was buried
deeply beneath mud and sand.
Upon the dry land and site so
created, the second Hotel Niantic rose
and flourished for many years. At
length, however, the hotel was torn
down to make room for a new build-
ing. As contractors were excavating
for the foundations of this structure,
they came upon the hull of the one-
time ship, Niantic. The ancient hull
was still sound and perfectly em-
balmed by its covering of mud and
sand. Within the hull were found four
pipes of French Cognac and thirty-five
baskets of Champagne, aged to rare
mellowness by the long submersion.
It is rumored that some of it is still
stored in a San Francisco millionaire's
cellar.
Southern Nocturne
by Helen Cowan
I would be the sky tonight, beloved,
A heathen sky,
A negro goddess decked in stars.
Red stars for my hair,
Yellow jewels on my throat,
Blue fire at my breast.
I should be still, beloved, as skies are still,
To feel Night's lips on my feet,
To hear his whisper.
COURTESY SHREVE TREAT EACRET
PRISON BRIG "EUPHEMIA" SAN FRANCISCO 1849
William H. Wilke
14
From Manhattan
An Open Letter from the Caliph on Broadway
by Charles Caldwell Dobie
IT IS strange how one becomes accus-
tomed to a particular section of the
city. Previously, when I visited New
York I had always camped in the
shadow of Washington Square, if a
square can be said to throw a shadow.
But this time, thought I, progress will
be my watchword, so I hied myself to
a towering hotel in the roaring fifties,
with local and express elevators, and
haughty flunkies in wine colored liv-
eries, and the last word in modern
furniture. I stayed with it a week and
then flew down to the Grosvenor on
lower Fifth avenue, where on the
second day the doorman and the ele-
vator boys called me by name and I
became an entity again. And here I
will stay until they put me out. for it
is one of those rare hosteleries where
everything is accomplished mysteri-
ously and noiselessly without the
slightest bustle of any kind — a pool of
quiet in a hurricane of sound and fury.
If you are in a depressed state of
mind stay away from New York. It
has the stock market blues and "wery"
bad case at that, as Sam Wellcr would
have said. It is not only feeling the
national depression but a local depres-
sion as well. For let me whisper in
your conservative San Francisco ear,
New York is a boom town that is be-
ginning to deflate. According to the
last census the borough of Manhattan
lost in population nearly 500,000
people. They moved away to Jersey,
to Queens, to the Bronx, very much as
a large section of San Francisco moved
away to Burlingame and Sausalito and
the Alameda side. Now a half million
people is a lot to lose — as a matter of
fact they represent just about the entire
population of the San Francisco east
bay shore. But notwithstanding this
exodus the buildings continued to
shoot up into the sky all the way from
fifty to eighty stories. It was the Henry
Ford formula in other terms. Henry
said: "Turn out motor cars and there
will be buyers." The New York real-
tor said: "Provide buildings and you
will have tenants." So up went the
buildings — hotels, business blocks,
apartment houses. The result is a
forest of to-let signs, especially in the
older sections of the town.
Naturally, tenants flock to the new
buildings, although it is said that even
in these the crush is not overwhelming.
Particularly has the hotel game been
over-played. I understand that several
of the newer hotels have closed up cn-
Sonnet
by GABRIEL ONDECK
If loving were a bit more difficult
Or you were not so easily possessed,
I'd take more interest in the net result
Of your responses to an old request.
If it required a more exacting art
Than mere submissiveness for me to sue
For favors you had granted from the start,
Perhaps I'd find more zest in loving you.
But as it is, I shall not deign to ask
The payment of a debt you do not owe,
Or give unto myself the selfish task
Of reaping harvests that I did not sow
Unless, of course, you suddenly decide
That love must be demanded, not supplied.
tire floors to reduce the service expenses.
Usually by the first of October all the
livable apartments are taken for the
winter. But this year sign after sign
informs the passer-by that accommo-
dations are to be had and since nobody
moves in this climate after November
1st, at the latest, the answer is that
these apartments and flats will remain
vacant all winter. So far the landlords
have held on haughtily to their high
prices but next spring there is going to
be an awful drop or I miss my guess.
In short, as a prominent writer said to
me the other day, "New York is suffer-
ing from elephantisis."
But whatever one may say against
the economic falacy of running build-
ings up into the clouds, these breath-
taking structures are the marvels of the
age. The Empire State building on the
site of the old Waldorf-Astoria simply
knocks one cold. The central tower
shoots from a base a block square in a
terrifying flight toward the sky. Yes,
terrifying is the only word for it.
Even seasoned New Yorkers admit
this. It is a gigantic mountain of steel
and stone set down in the midst of a
low forest of buildings. That is, they
seem low in comparison. Looking up
THE SAN FRANCISCAN
at its glistening heights it seems im-
possible that there ever was a day when
the Flatiron Building was the wonder
building of little old New York. But,
with all their bulk these new buildings
achieve a marvelous effect of lightness.
They have abandoned all heavy orna-
mental jimcracks. Their stone surfaces
are beautifully plain. At last the archi-
tects are building them frankly for
what they are — frames of steel with a
thin veneer of stone to shut out wind
and weather. Heavy walls in imitation
of the days when the corner stone
really was the starting point of a build-
ing have been abandoned and with
them the wide cornice, the fake pillar,
the carved pediment.
THE only industry that seems to
have withstood the stock market
crash is the bootlegging industry.
It is said that there are upward of
30,000 speakeasies in Manhattan
alone. In the good old Godless days
there were a mere handful of saloons
— something like 6,000. The liquor
industry is absolutely open and above
board. Occasionally one has to be
known at a place where liquor is served
but, for the most part, anyone can step
into a bar and order a drink. Every-
thing is as it was, even to the free
lunch counter, except that there are no
brass rails. One sits down to the bar
now, not on stools but in man-sized
highchairs with comfortable backs. A
Californian friend of mine who lives
in the east fifties has a room in a solid
block of old brown-stone mansions.
Every house in this block is a speakeasy
except the one in which he lives and
his landlady, to protect herself against
transient visitors, has had to put out
a sign: THIS HOUSE IS A PRI-
VATE DWELLING. So much for
the "noble experiment" in the metrop-
olis of these United States.
The show business is decidedly in
the doldrums. The managers seem to
be trying every known device of get-
ting the public into the theatre except
the very simple one of reducing the
price. The public apparently is will-
ing to pay fabulous sums to get into
the authentic hits, but the "also-rans"
are dying on their feet. I have seen
only a half-dozen shows and curiously
I seem to lack the desire I used to have
when in New York of making a fever-
ish round of the theatres. The Guild's
production of "Elizabeth, the Queen"
is the outstanding play that I have
seen, so far. It seems to be the fashion
ContinuecTorf page 34
DECEMBER, 1930
15
MRS. PATRICK CAMPBELL
The distinguished English actress whose brilliant interpretation of Mrs.
Alving in Ibsen's "Ghosts," at the Columbia, revived memories of the
day when an actress was an artist rather than a publicized puppet. This
portrait sketch is by Douglas Crane, one of the many San Franciscans
to whom the present visit of the great actress is a renewal of na ac-
quaintance of long standing.
16
THE SAN FRANCISCAN
Adventures in Soviet Russia
by Henry Cowell
HENRY COWELL
noted modern composer and pianist
I WENT to Russia as a musician in-
vited by the Soviets. My experiences
there were unusual. I did not go in
a party, as so many have gone. and.
as I am neither a politician nor a pro-
fessional writer, the customary trouble
taken by the Soviets to show guests
things to write about was not taken
by them in my case.
I entered alone, and during the time
I was in Russia (some five weeks or
so) my movements were unhampered,
and I did not feel myself to be under
surveillance, of the sort one reads
about. Either I was stupidly unaware,
or I was unshadowed.
The first mild and pleasant shock
came at once on entering the country.
The porter who moved my bags from
one train to the other, and who aided
me in laying out my things for customs
examination, refused to take a tip. "I
am paid for this work by the govern-
ment," he said. This was a warming
welcome to Russia, and a great con-
trast to the attitude of porters in other
European countries!
I took a third class sleeper. It is
different from anything I have ever
seen elsewhere. There is a very wide
hard wood seat. flat, and a wooden
board of a shelf which lets down on
hinges and forms an upper berth.
There is no bedding supplied: one
either takes bedding along or rents it
from the porter. I inquired of the
porter, but he had no bedding left
except a thin mattress; no blankets,
quilts or pillows. It was cold, so I
lay down flat on the upper board (the
shelf) and put the mattress over me
for a cover. It was a curious night.
Arriving in Moscow the next day,
I committed the foolishness of taking
a taxi. Later I found that there are
only a dozen or so taxis in the city,
and perhaps fifty or so cars for official
use: otherwise, no automobiles in
Moscow. None are manufactured in
Russia, but the Soviets are now in the
process of starting a factory. I had a
moderately short ride in the taxi to
the house of Samuel Feinberg. a com-
poser to whom I had a letter. The taxi
man charged fifteen roubles ($7.50).
Feinberg was amazed to see me, as
foreigners are rare in Russia, and at
once applied himself to the almost
hopeless job of finding me a place to
sleep that night. Moscow before the
war was a city of about twelve hun-
dred thousand: now it has about three
million, and there are practically no
new houses, and no new hotels. So
the people have to be allotted rooms, at
the rate of five persons to two rooms.
Mr. Feinberg slept on a cot in the same
room as his mother: otherwise he
would have slept on the floor and
given me his cot. It seemed impossible
to find a room. He telephoned every
hotel, large and small, in the city, and
ascertained that one of the hotels might
perhaps have a room free in three
weeks' time; but it was not certain.
At ten thirty o'clock I composed my-
self on a park bench, prepared to spend
the night. I was afraid, not of having
money stolen, because there didn't
seem to be any great poverty among
the people, but of losing my passport.
American passports are very highly
regarded in certain quarters in Mos-
cow.
At about midnight a hotel page
came to me on the bench (I had left
my bench-location-address with the
hotel ) and he informed me that a cer-
tain party had left the hotel suddenly
for Leningrad, and I might have a
room. The room proved to be palatial.
had running hot water, was Ritzy. It
should have been, as the bill later
proved to be $18.00 for the night.
I MADE the fatal mistake of assuming
that breakfast at the hotel would
not be too expensive. It was! I had
tea and black bread, and the bill was
$2.50 (five roubles). So for lunch I
made a pilgrimage to a very clean
looking restaurant across the way. It
was on the second floor, and along the
wall on the way up stairs were posted
copies of the menu. The mode of
operation was that one was supposed
to look at the menu and select, then
inform the cashier of one's choice, pay
in advance, and get a check with a
number corresponding to the dish of
one's choice. This scheme was never
meant for foreigners. I do not speak
Russian, but had been getting on with
German and English (lots of German
is spoken) so I was unaware of the
intricacies of obtaining food at this
eating house. I. therefore, in my naive
manner, made bold to walk into the
dining room and seat myself at a table
without having paid my bill first.
This produced some voluable remarks
from the waiter, which were lost on
me. of course. When he realized that
I did not speak Russian he led me to
the menu in the hall. I pointed to one
of the dishes on a chance, thinking I
could eat anything it might happen to
prove to be. In this, however, I was
mistaken. For when I had paid for
it. received my number, given it to
the waiter, and finally received the
food, it proved to be a soup made of
the brine of dill pickles, and with
sliced pickles through it. and with
mashed pickles giving such thickness
as it possessed. The very looks of it
puckered the walls of ones stomach,
but I resolved to be heroic, and tried
a taste. The taste was one taste too
many. Although I was evidently in-
curring the anger of the waiter, who
did not like to see his delectable edibles
wasted. I dragged him out to the
menus again and chose another dish
at random, getting as far off from the
dill pickle soup as possible. When I
pointed to my selection the waiter
brightened up, and in a suspiciously
cheerful manner took my soup back.
He returned bearing the same soup,
but with the addition of sour cream.
I had pointed to sour cream! This
was a terrible predicament, for I was
now the object of attention from all
over the dining room, and I knew that
if I failed to eat my food the mob
would be very angry. It is no light
matter to waste food in Russia, and
never has been. As my stomach was
DECEMBER, 1930
17
still angrier than the crowd, however,
I resolved on a master stroke of strategy
(even if I do say so myself) which
worked perfectly. Finding a young
fellow who looked rather ragged and
poor, I offered him the fateful soup,
which he accepted eagerly; and the
crowd was not only appeased, but I
became the object of admiration. I
had made the great personal sacrifice
of giving up this delicious and life-
giving soup to one poorer than myself.
I did not disillusion them as to my
nobility.
DURING my first lunch at the above-
described restaurant, a young man
came up and spoke English to me.
He had been in America, but had re-
turned and was now a Russian worker.
He was interested in my visit. "How
long will you stay?" he inquired.
"About five weeks," I informed him.
"Then why not get married for the
time you are here," he said, "it will
be nice for you. and besides you can
get a cheaper room; I know a nice girl
I can introduce you to, who is looking
for a husband, because she can get a
room alone with her husband, if she
marries: and I am sure she will like
you. How about it?" I will admit
that this was a bit breath-taking. He
seemed much disappointed that I did
not avail myself of his courteous offer
to find a wife. He informed me that
many people lived together in Mos-
cow, young married couples, who
wanted to divorce but could not, be-
cause they would be unable to find a
room if they were separate. There
would be no legal difficulty in the way
of a divorce, but finding another room
was a different matter, the young man
said.
On this account, there are very few
divorces in Russia; he thought not
more than in countries where a divorce
must be made the subject of a trial in
court. To divorce in Russia, one has
only to register the intent. If there
are children, both parents pay for their
expenses equally. There is no other
alimony. I asked if it were not a bit
hard on the woman to pay as much
as half for the upkeep of her child, but
was told no, that the woman had just
as great earning power as the man.
The Soviet government pays the
woman who stays home and keeps
house the same wages that her husband
earns by going out to work, and if
the woman is alone, she goes out to
work and earns the same wages as
her husband. There is no lower wage
scale for women. All this was very
interesting, and I was grateful to my
chance acquaintance, who also showed
me through a very modern looking
newspaper plant in which he worked.
Strolling down to the river I beheld
an astonishing sight. It was a warm
day, and in a certain crook of the river
just on the side of one of Moscow's
busiest streets and plainly visible from
it, were upwards of eight thousand
people bathing in the open, and in the
nude. The men occupied a certain
portion of the bank, the women a
portion next to that of the men: in
the water there was no separation. I
had never heard of this custom, which
it seems is nothing new in Russia, and
the sight was amazing. And one of the
Russian Experiment
Interior of an experimental
station, a unit of the vast
project of industrial Russia.
strangest features was that out of the
thousands there were three or four
who wore bathing suits or coverings
of some kind, and these unfortunate
ones were objects of constant curious
glances and derision from the other
bathers; since the only possible excuse
for wearing a bathing suit in Moscow
is in case of some physical deformity.
To be continued in the next issue of
The San Franciscan
THE SAN FRANCISCAN
THE upsetting of "The Apple Cart"
at the Geary was a really exciting
event. But Shaw is always excit-
ing, and always outrageously upset-
ting. He may come past us and look
into the future, as he does in "The
Apple Cart," or he may go "Back to
Methusaleh." but his nonsensical
topsy-turvydom goes on forever.
But Shaw's wit springs from some-
thing infinitely more valuable than
mere comedy because it is the product
of a really great mind which is seri-
ously concerned with social problems.
He is willing to play the fool himself
if need be, but he hates to see society
in the same role. Hence does he ruth-
lessly "hold the mirror up to Nature."
He is out to cure the world of some of
its ills and, like a wise doctor, he ad-
ministers his medicine in sugar-coated
pills which are easy to take. Once he
can get them down, he knows they
will work.
Shaw is an idealist who is never
blinded by the glitter of the superficial.
He sees the world both as it is and as
it should be. In probing into dogmas
and institutions in search of truths re-
garding them, he ridicules society as
it exists with almost fanatical con-
sistency and earnestness. At heart he is
.auserie
TRAVEL books usually frighten me
off by recalling too vividly the un-
fortunate Mr. Haliburton and the
sentimental Mr. Fitzgerald. For that
reason I looked warily at Kathryn
Hulme's Arab Interlude (Macrae
Smith) . But the book is so beautiful
a one both because of its illustrations
by Helene Vogt and its binding that
I looked further. One glance down
the table of contents was enough.
Here were all the Arabian Nights
tumbled helter-skelter down the
twentieth century. Nor did my read-
ing disappoint me, for the book is
written without any of the sentimen-
tality of the average travel book, nor
does it fall into a Baedeker dryness.
The entire thing is an alert, alive,
charming account of a motor trip
across North Africa, but none of the
distressing facts about the price of
gasoline and the number of blowouts
is given, and one is thankful for the
omission of data which most female
motorists insist on including, albeit
with a note of whimsy which depre-
Spotlight
by Junius Cravens
a stark Puritan who is seeking to hitch
the wagon of humanity to a star, and
"The Apple Cart" is one of his most
supreme as well as one of his most
entertaining efforts in that direction.
In "The Apple Cart" Shaw has
given his incomparable whimsey and
witty satire full rein. Toward the end
of the present century we find King
Magnus all but a puppet, a mere figure-
head for Great Britain, which is then
the last existing kingdom in the world.
His labor cabinet is seeking to divest
him of the last vestage of his power.
But Shaw, with his characteristic para-
doxical cleverness, twists that monarch
into the very essence of what royalty
at its height is meant to imply, and
makes Magnus a man who is clever
enough to maintain his power by out-
witting his cabinet members at their
own game at every turn. Consequently
he uses the king not only as the central
figure in his play, but also as his chief
raisonneur and sermonizer. Yet he is
very careful to make Magnus a thor-
oughly human being. Long before
by Frank L. Fenton
cates their practicality. One is given
instead a series of vivid pictures of
cities almost unreal to most of us, a
land in which the impossible may
happen. But Miss Hulme's book did
shatter some of my happy misbeliefs.
I had always supposed the notorious
danse du ventre was the very epitome
of wicked and seductive grace, particu-
larly one in Bou Saada: so you can
readily imagine my chagrin to have
the author, having witnessed the spec-
tacle, remark flatly, that "a bald brown
stomach on the lurch is neither rhyth-
mically beautiful nor seductively in-
flaming." But anyway, I still like her
book even if she does tamper with my
illusions, which are not quite shat-
tered, for I question her ability to view
the lurch with the proper enthusiasm!
FOR four years Dorothy Canfield has
not published a novel; now we have
The Deepening Stream (Harcourt,
Brace, and Company, $2.00), and it
is worth a four years' wait. The action
Continued on page 41
Freud had ever been heard of Shaw
had already recognized the importance
of woman's status and her relation to
man. He has consistently pointed out
that the true function of sex has all
but become obscured by conventional
morality. In "The Apple Cart" he
again depicts love as a sex war in which
primitive woman seeks to corner and
capture her man. This is most amus-
ingly revealed in the second act, which
he calls "an interlude," and which is
one of the most delicious scenes that
Shaw has ever written.
Alan Mowbray, who had previously
won the hearts of San Franciscans by
his performances in "The Doctor's
Dilemma" and "The Second Man,"
proved himself to be an ideal Shavian
actor in the role of the king. Magnus
is one of the most difficult parts that
Shaw has created, and in the first act
he has given Magnus one of the longest
speeches that ever dripped from the
pen of a playwright. But Mr. Mow-
bray was able to hold his audience
spellbound during that ordeal which
was, in itself, an achievement, even if
he had not otherwise given a perfect
performance.
Doris Lloyd was equally delightful
as the seductive Orinthia, and played
the role with an intelligent apprecia-
tion of its absurdities. Evelyn Hall
was splendidly typed as Lysistrata, as
was also Florence Hart in the part of
the queen. In fact, all of the parts
were well taken, which made for a
thoroughly enjoyable performance of
a rich and rare play. The modernistic
settings were very effective and, in
spots, almost good artistically.
AFTER suffering one or two uncon-
trollable vicissitudes. "Ghosts"
caught its stride before the end
of its first week at the Columbia, and
developed into a remarkably good per-
formance. It had been claimed by
some professors and others with long
gray beards that in this drama Ibsen
evolved one of the most finely devel-
oped tragic themes that has been con-
tributed to the theatre since Sophocles
wrote "Oedipus Rex," some twenty
centuries ago. Be that as it may,
"Ghosts" is a fine, powerful play and,
except in one or two points relating to
its subject matter, is not "dated" to
Continued on page 36
DECEMBER, 1930
19
CONSUELA KANAGA
ELVA WILLIAMS
In spite of the fact that the title has not yet been
made public, we insist on announcing the acceptance
for spring publication of Elva Williams' first novel. A
brilliant young analyst of life among the cocktail
crowd and a consistent contributor to The San Fran-
ciscan the past four years, Elva Wiliiams is one of the
younger writers whose work is indelibly part of
contemporary San Francisco.
20
Illustrations by Gene McComas
THERE are few travel days between
San Francisco and the Navajo
country but those days are sufficient
to carry you back a thousand years in
feeling. Particularly is this true when
you go as a party of us went last sum-
mer, leaving modern transportation at
the edge of the desert country and,
forming a cavalcade attended with
pack animals, guides and provisions,
riding into the desert mountains to be
present at the ceremonial dances.
An increasing number of people
from the outside journey each year to
the mesas where the Hopi Indians hold
their now quite widely known Snake
Dance. This is given on alternate
years on the first and third mesa, one
year the celebration being at Walpi on
the first mesa, the next at Hotavilla on
the third mesa. In between, on the
second mesa, is Chimopovi where the
less known Antelope Dance, the Sun-
rise Race and the Flute Dance are held.
These mesas are eerie places. Walpi
is the oldest Hopi Indian village
known. Its huts cling like indigenous
fungi to the narrow ledge approxi-
mately a thousand feet up the side of
the mountain. Above are the two other
mesas, each a narrow ledge reached
only by a footpath up which must be
carried food, provisions and even
water. Amazing places they are. Iso-
lated and barren but astonishingly
capable of sustaining life as lived by
the Hopi Indians and preserving with
little modification the customs and cul-
ture of this tribe of North American
aborigines.
Desert Interval
OUR party pushed on and into the
Navajo country. Fortunately we
had a guide who was able not
only to conduct us through the moun-
tains and valleys of this fascinating
country, but also to show us the In-
dians in their most picturesque aspects.
It was through him that we were priv-
ileged to be the first group of white
people to witness the inner ceremonial
of their War Dance.
This War Dance retains the same
form it has had for centuries but today
it serves a different purpose. Now it
is seldom given — and then only when
some tribesman is exceedingly ill so
that his life is dispaired of. Then the
War Dance is held to ward off evil
spirits. It lasts three days and its par-
ticipants move from place to place on
the desert, sometimes covering as much
as thirty miles, the braves riding horse-
back, continuing the dance from one
village to another.
The first day of the dance is cele-
brated with the ride of the warriors
from a distance of perhaps ten miles
to a central spot where there is a hogan
in which the consecration of the
dancers will take place. Here the non-
participants gather in full dress — and
such color as one sees! The women's
dresses certainly bear testimony that
though their customs and mode of
living remain primitive, there has been
a distinct invasion of the more brilliant
though less permanent chemical dyes.
Squaws, old and young, and even
children join in the preparation of the
feast that is to conclude the day's cere-
mony. Suddenly over a rise of ground
an outrider appears. He brings word
to the priests assembled that the party
of warriors has been sighted. In a few
THE SAN FRANCISCAN
by Raymond Armsby
minutes another outrider appears with
the news that the party is almost there.
Then over the crest of the hill comes
a band of fifty braves, riding at full
gallop, the leader carrying the war
stick. The men leap from the spent
ponies and stand in reverence while the
priest receives the war stick, brilliant
in its windings of red, lavender, blue,
black and white yarn. From one end
hang two red streamers with eagle
feathers. Around the head of the war
stick are five balls of sand and clay con-
taining the war paint and interwoven
into the decorations are bright black-
eyed susans.
Lead by the priests and the braves,
we entered the ceremonial hogan. It
was one of the larger hogans but still
a comparatively small place. I was
surprised to see the cleanliness of the
place and even when it was packed
with the priests, five attending squaws,
about fifty braves warm from a ten-
mile gallop and our own party there
was no stuffiness such as I had expected.
The center hole in the roof character-
istic of all hogans provided splendid
ventilation.
The chant led by the priests rose in
undulations. There was an impressive
spiritual quality to it. a supplication
that invoked reverence in us who could
not understand the ritual. The chant
lasted about three-quarters of an hour
and ended with the unwinding of the
war stick by the priests. They gave one
of the paint balls to each of the squaws
who opened the beads and used the
color inside to paint the naked bodies
of the warriors.
Then came the feast. And the first
part of the War Dance was over — to
be carried on the next day in another
DECEMBER, 1930
21
Confessions of a Commuter
village with further ritual of prepara-
tion for the final frenzy of the third
day.
THOUGH the dance continued, our
party turned back to so-called civi-
lization— less smug in our self-
satisfaction, more cognizant of the
instinctive gestures of all mankind,
primitive or otherwise, toward a solu-
tion of living. For these nomadic
Navajos, living at great distances from
their reservations, inhabiting summer
and winter hogans according to the
season, tilling their small fields and
tending their sheep, are a fine primitive
people. Splendid upright figures, tall
and straight backed, many of the war-
riors extremely handsome, the Navajos
are particularly healthy and very care-
ful about inter-marriage. Adhering to
their simple rules of living they are
increasing in numbers far more than
their more civilized neighbors, the
Hopi Indians, who live in houses on
the various mesas and are more rapidly
assimilating American customs and
American education. Paradoxically,
the Hopis, though more able to adopt
American ways, seem to be losing their
racial integrity more rapidly than the
Navajos. When they return to their
native villages they more or less "go
native." As a tribe the Hopis are
gradually dying out, while the Nava-
jos, self sufficient in their native primi-
tiveness. become more numerous.
by Virginia Bessac
I'M ONE of those people who frankly
stare. Whether I was born that way.
or whether East Bay commuting
has developed it is one of those things
that might be worth talking about
sometime when I feel the urge to dis-
cuss my interesting peculiarities.
Staring as usual the other night on
the home-going boat my avid gaze
was arrested by a youngster in one of
those fuzzy, crocheted berets, coming
up the stairs from the lower deck.
Why I mention the beret ... it was
pink. I remember ... I don't know.
Unless because it was the first thing
that reminded me of Greta Garbo.
She does wear them, doesn't she?
This girl looks like the show-off
type. I think to myself. Curses! She's
going to sit where it will be easy for
me to look at her. and she's so de-
cidedly the "stare-able" kind that I'll
wear myself out for the next twenty
minutes trying to decide just wherein
the Garbo resemblance lies.
No one with eyes like that can
expect to do anything in life but
marry a cool million or so: or at least
join the Follies, in case she takes the
wrong turn on the way to matrimony.
She might even have a voice, too.
What a break for the talkies!
I CAN'T stand this! The way she
hugs that jacket around her shiver-
ing young form is too obvious. Is
she going to turn out to be a movie
star in disguise? In those clothes, with
that abnormally natural complexion,
she's got to be either a feminine tramp,
or a motion picture actress trying to
"live" her next part.
She's smiling to herself, just as I
thought she would! Acting out the
little drama of herself, whatever that
is, or whatever she likes to imagine it
is.
I can't catch her off guard. Instead
of side glances now and then to see if
the audience is reacting properly to
her fascinating personality, she looks
right through me, if at all! Smiling
to herself, and hugging that crazy
jacket close.
Don't kid yourself! If she's real,
she's a fireman's daughter, going to
meet a swell new sweetie. No. the
smile has another quality to it. Prob-
ably she's vamped somebody's hus-
band and is feeling like the reincarna-
tion of Cleopatra.
She may look young. In fact she
is. She couldn't pretend that stem-like
throat, and those thin curves. But
there's got to be some kind of sophis-
tication there to account for the poise.
Doesn't care whether I look or not!
Nothing but a bit of life could give
her that unconscious ease ... or a few
ancestors.
She certainly is anxious to get there.
Beats everyone else to the gate. With
me close behind.
There's one thing I always like to
check up on in these little character
studies. It's a dead giveaway. Let's
see. Is her neck dirty? If I'm not care-
ful someone's going to mark me as a
simply shameless Lesbian. Can't help
it. No, her neck's thoroughly scrubbed.
It's delicate, lady-like looking skin,
too. Heavens, this is intimate!
We're walking off the boat now.
Her ankles jiggle a bit when she walks.
That's because they're thin and rather
kiddish. They look like dancing feet;
strong and narrow. Legs all right, too.
There! She's stopping to ask a con-
ductor something. I knew she didn't
look like an habitual commuter! He
doesn't understand. Can I get close
enough to hear? A man in a great
hurry shoves me almost against the
two figures. I hear the softest voice
imaginable; words broken in a deli-
cious foreign accent.
I can't linger like this! Even if it
were not rude I have to catch a train.
Commuting having reduced me to
little better than a robot, I automati-
cally turn and sprint for my train,
leaving more of a mystery behind me
than I had started out with. That's
the great trouble with these little
affairs. They start out with the mildest
sort of speculation, work up to a point
where your curiosity is put under
terrific strain, and then when you are
all agape and agog, rudely expose you
at your silliest moment.
SEVERAL nights later, when all
thoughts of the little Greta Garbo
person had left my mind. I am in
the act of stepping out of a cab in
front of the Fairmont, when who
should scurry across the pavement in
front of my astonished eyes, for all
the world like the white rabbit of
Alice in Wonderland, but that very
person. Not the white rabbit, of
course. But the slender figure of the
ferry-boat girl with the foreign ac-
cent.
Great gobbel-ling geese. . . no won-
der I stared like simple Simon the
other night. The girl is stunning. In
Continued on page 39
22
THE SAN FRANCISCAN
Ten years ago Edward Weston was
doing what many contemporary
photographers are attempting today.
"Shadow on a Barn Door/' dated
1920, is a good example of his
period of "picture making," of see-
ing moods of things instead of the
things in themselves. "Eroded Rock"
and "Bananas," done this year,
demonstrate the change in his work
the past ten years. They give evidence
of a change in philosophy, a new
feeling for life. It is this vital outlook,
so in key with contemporary living,
that has brought national attention to
Weston's work. A successful exhibi-
tion of his prints has closed recently
in New York at the Delphic Studios
and now these same prints, together
with more recent ones, are shown in
San Francisco at the Vickery, Atkins
and Torrey gallery. Because of its
significance today, we print Weston s
"Statement" presenting his working
philosophy. We also reproduce an
unusual photograph of him by his
personal friend Johan Hagemeyer.
"Shadow on the Barn Door" (1920)
EDWARD WESTON
"tnroded Rock" Point Lobos (1930)
EDWARD WESTON
DECEMBER, 1930
23
STATEMENT
by Edward Weston
4 1930 — today — the tempo of life accelerated — with air-
plane and wireless as speed symbols — with senses
quickened — minds cross fertilized by intercommunica-
tion and teeming with fresh impulse.
♦ Today — photography — with capacity to meet new de-
mands, ready to record instantaneously — shutter co-
ordinating with vision at the second of intensest
impulse — one's intuitive recognition of life, to record if
desired, a thousand impressions in a thousand seconds,
to stop a bullet's flight, or to slowly, surely, decisively
expose for the very essence of the thing before the lens.
♦ Recording the objective, the physical facts of things
through photography does not preclude the communica-
tion in the finished work, of the primal, subjective mo-
tive. An abstract idea can be conveyed through exact
reproduction: photography can be used as a means.
♦ Authentic photography in no way imitates nor supplants
painting: but has its own approach and technical rendi-
tion. Photography must be, — Photographic. Only then
has it intrinsic value, only then can its unique qualities
be isolated, become important. Within bounds the
medium is adequate, fresh, vital: without, it is imitative
ridiculous!
Edward Weston
JOHAN HAGEMEYER
ananas" (1930)
EDWARD WESTON
This is the approach: one must prevision
and feel, BEFORE EXPOSURE, the fin-
ished print — complete in all values, in
every detail — when focussing upon the
camera ground-glass. Then the shutter's
release fixes for all time this image, this
conception, never to be changed by
afterthought, by subsequent manipula-
tion. The creative force is released coin-
cident with the shutter's release. There is
no substitute for amazement felt, signifi-
cance realized, at the TIME of EXPOSURE.
Developing and printing become but a
careful carrying on of the original con-
ception, so that the first print from a nega-
tive should be as fine as it will yield.
Life is a coherent whole: rocks, clouds,
trees, shells, torsos, smokestacks, peppers
dre interrelated, interdependent parts of
the whole. Rhythms from one, become
symbols of all.
Not the mystery of fog nor the vagueness
from smoked glasses, but the greater
wonder of revealment, — seeing more
clearly than the eyes see, so that a tree
becomes more than an obvious tree.
Not fanciful interpretation, — the noting
of superficial phase or transitory mood:
but direct Presentation of THINGS in
THEMSELVES.
24
THE SAN FRANCISCAN
MISS DOROTHY SPRECKELS
Daughter of Mrs. Alma de Bretteville Spreckels, who will make her
debut, which promises to be one of the most brilliant of the season,
in her mother's mansion this month.
DECEMBER, 1930
The Reigning Dynasty
WEDDINGS
CULLINAN-NEUWALD. On November 12th,
Mr. Eustace Cullman, Jr., son of Mr. and Mrs.
Eustace Cullinan and Miss Helen Neuwald, daughter
of Mr. and Mrs. Edward B. Neuwald.
HYDE-KNIGHT. On November 15, Mr. Orra
C. Hyde, Jr., son of Mrs. Orra Hyde and the late Mr.
Hyde, and Miss Claire Knight, daughter of Mr. and
Mr^. Robert S. Knight.
BALDING-ADAMS. On November IS, Mr.
William Balding of Honolulu and Miss Julia Adams,
daughter of Mr. and Mrs. Edson F. Adams.
QUINN-NAYLOR. On November 26, in Chi-
cago, Mr. David H. Quinn and Miss Hope Naylor,
daughter of Mr. and Mrs. Raymond Clifford Naylor.
GALLOWAY-MENZIES. On November 29, Mr.
Alan James Galloway, son of the late Sir James Gallo-
way and Lady Galloway, and Miss Mary Menzies,
daughter of Mr. and Mrs. Robert H. Menzies.
ENGAGEMENTS
KILBOURNE-BREEDEN. Miss Kathryn Kil-
bourne, daughter of Dr. and Mrs. Edwin Dearborn
Kilbourne of Santa Ana, California, to John Norton
Breeden, son of Mrs. Frederick McNear.
VISITORS ENTERTAINED
Mr. and Mrs. John Gayle Anderton who now make
their home in Paris have been continuously enter-
tained during the return visit to California. Among
those who gave parties for them was Miss Evelyn
Barron, Mrs. Anderton' s sister, and Mrs. Howard
G. Park.
Lieutenant John Sherman and Lord and Lady
Hastings are house guests this month of Mrs. Sidney
Fish. Lieutenant Sherman is Mrs. Fish's cousin.
Mrs. Orville Pratt was hostess at a luncheon at her
home on California street in honor of Mrs. Talbot
Walker who was in San Francisco on a brief visit
from her home in Santa Barbara.
Mrs. Richard Hutchinson, the former Miss Mary
Kennedy, who since her marriage has been living in
South America, has been a visitor at the home of
her mother, Mrs. W. J. Kennedy, in Piedmont. Mrs.
Thomas J. Grier entertained at luncheon at her home
in Clarendon Crescent in Mrs. Hutchinson's honor.
The visit of Mr. and Mrs. Charles Van Renssalaer
of Long Island and New York has been the occasion
for much entertaining. Mr. and Mrs. Van Renssalaer
are enjoying playing over the various peninsula golf
courses.
Honoring Miss Ann Schutler of Chicago, Miss
Constance Horn entertained at a tea at the home of
her aunt, Mrs. Alexander Garceau, on Jackson street.
Miss Elizabeth Muzzy was hostess at a luncheon at
her home on Green street, the affair being given for
Miss Muzzy's cousin, Miss Bland Tucker of New
York.
Mrs. Warren Spieker gave a luncheon at her Pacific
Avenue home in honor of Mrs. Stanley Kennedy of
Honolulu and Mrs. Douglas King of London.
A dinner was given in honor of Prince Iyetso
Tokugawa at the Fairmont Hotel.
Mr. and Mrs. Gaylord Wilcox of Honolulu and
their daughter. Miss Alice Wilcox, are visitors in San
Francisco, also Miss Alicia Shingle, daughter of Mr.
and Mrs. Robert Shingle. The party is staying at the
Hotel St. Francis.
Mr. and Mrs. Stewart Lowery gave a series of
parties at their home in Menlo Park shortly before
closing it for the winter. The parties were given dur-
ing the week that Mr. and Mrs. Lowery entertained
Mrs. Warren Spieker and Mr. Leigh Battson as their
house guests.
Mr. and Mrs. Jerd Sullivan entertained Mrs. Stan-
ley Kennedy of Honolulu as their house guest for a
few days during Mrs. Kennedy's visit. Mr. and Mrs.
George Bowles invited Mr. and Mrs. Sullivan and
their guest and several more friends to a week-end
party at their duck club at Dos Palos.
Mr. and Mrs. Reginald Courtenay Jenkins enter-
tained at a luncheon at the Burlingame country Club
in honor of Mr. and Mrs. John Gayle Anderton of
Paris. Mr. and Mrs. Roger Bocqueraz also enter-
tained for the Andertons during their stay.
HERE AND THERE
Mrs. George Welcome Lewis, who returned with
Mr. Lewis from an extended trip abroad, was guest
of honor at a luncheon given by Mrs. David Low of
Palo Alto.
Mr. William S. Tevis, Jr., entertained a group of
his friends at his Gilroy ranch recently when the fall
roundup was held.
The Board of Directors of the Young People's
Symphony Concerts held an afternoon reception, giv-
ing the Junior Founders an opportunity to meet Mr.
Basil Cameron.
Mr. and Mrs. Laurance I. Scott entertained a group
of friends at dinner at their home in Burlingame.
Miss Elizabeth Felton, daughter of Mrs. Charles
N. Felton, has returned from her trip abroad and
many welcoming parties are being planned for her.
Mrs. Walter Boardman entertained in honor of
Mrs. Curtice Dodge shortly after Mrs. Dodge's re-
turn from abroad.
Mr. Nichol Smith entertained a group of friends at
dinner at the home of his parents, Mr. and Mrs.
Robert Hays Smith. Later the party attended the
performance of "Ghosts."
Mr. Horace D. Pillsbury has returned from his trip
East and is with his family who are still in Santa
Barbara.
Mrs. Frederick W. McNear entertained at her
apartments at the Hotel Mark Hopkins in honor of
her son, Mr. John Breeden.
NEW YEARS' EVE
by Elizabeth Leslie Roos
Confetti, music, champagne, noise,
Heated laughter and shrieking toys,
Faded flowers now cast aside,
Couples that reel and turn and glide
This year's sorrows stifled and gone,
Tomorrow's hopes again reborn,
Darkness, kisses, words half spoken,
Resolutions to be broken.
Mr. and Mrs. Edward H. Clark, Jr., have returned
to their home in San Mateo after a month's visit in
the East.
Mr. and Mrs. Henry Potter Russell have returned
from their trip abroad and are planning to spend the
greater part of the winter at their ranch home in the
Carmel Valley.
Honoring their twenty-fifth wedding anniversary,
a number of the friends of Mr. and Mrs. Alexander
Hamilton called at their home on Washington street
on Thanksgiving afternoon.
Mrs. Chester Woolsey gave a luncheon at the Fran-
cisca Club in honor of Miss Edith Slack, who returned
recently from abroad.
In honor of Miss Katherine Stent, who made her
debut on the evening of November 29, Mrs. H. M. A.
Miller gave a luncheon at her home in Pacific Avenue.
Mrs. Pollock Graham has returned to California
after a six weeks' visit in New York.
Miss Evelyn Taylor entertained a group of the
younger set at dinner at her home on Steiner street.
Mrs. Adolph B. Spreckels took a group of friends
to the pre view performance of Ralph Chesse's Puppet
play, "The Emperor Jones."
Mrs. Philip E. Bowles gave a luncheon for Miss
Christine Miller, first of the season's debutantes. Mr.
and Mrs. Ettore Avenali and their daughters. Miss
Marianna and Constanza Avenali, have returned to
town after passing the summer and autumn at their
country place at Woodside.
Many parties are being planned to precede and
follow the Junior League preview and prologue to
"Morocco" at the Paramount theater on the evening
of December 3. This is the major Junior League effort
for this year, the funds as usual to be applied to the
maintenance of the League's foster home.
A lecture was given by Mr. Charles J. Connick at
the home of Mrs. Kenneth Kingsbury, where a
specially selected group assembled to hear Mr. Con-
nick s discussion on Stained glass windows. Mr.
Connick is the designer of the windows that will be
placed in the new Grace Cathedral.
Mrs. Frank Somers entertained a group of friends
at luncheon at the Francisca Club.
Mrs. J. C. Burgard has returned to her home in
Burlingame after a visit in Santa Barbara.
Mr. and Mrs. Edward Morgan Mills gave a party
at Tait's at the Beach in honor of Miss Lynda
Buchanan.
Mr. and Mrs. Andrew P. Talbot returned to their
home in town after spending the summer in San
Rafael.
Mr. and Mrs. Gerald Campbell were entertained at
a dinner party given by the English-Speaking Union.
The dinner took place at the Commercial Club.
Mr. and Mrs. W. Blair Foster were among those
who entertained in honor of Miss Julia Adams and
her fiance, Mr. Thomas Balding of Honolulu, before
their wedding on November 18.
25
Mr. and Mrs. Remo Sbarboro entertained a group
of friends at dinner at their home on Walnut street.
Miss Barbara Payne entertained a group of the
younger married set at luncheon on a recent Monday
at the- Hotel St. Francis.
Mr. and Mrs. Selah Chamberlain and their daugh-
ter. M iss Edeth Chamberlain are expected home for
Christmas. They have been traveling abroad for
several months.
The usual Big Game supper parties were held in
town and on the peninsula following the annual clash
between Stanford and the University of California.
Mr. and Mrs. Hewitt Davenport gave their ninth
annua) supper party following the game, entertaining
at their home on Pacific Avenue.
The annual Rummage Sale held for the benefit of
the Girls Recreational Home, proved a great success.
Mrs. W. P. Fuller, Jr., was at the head of the enter-
prise this year.
Miss Jane McMillan entertained a group of friends
at the annual Thanksgiving luncheon held at the
Woman's Athletic Club.
Mr. and Mrs. Albert Miller gave a dinner party in
honor of Miss Christine Miller, a debutante of the
winter.
Miss Dorothy Mein, who has been visiting with
her brother. Mr. William Wallace Mein, Jr., at Har-
vard, has returned home.
The first of the Junior Assembly dances took place
at the Century Club on the evening of November 28.
Dr. and Mrs. William Palmer Lucas gave a dinner
party at their home in honor of President and Mrs.
Robert G. Sproul.
Mr. and Mrs. Ettore Avenali will present their
daughter, Miss Marianna Avenali, to society on the
evening of December 13 at the Burlingame Country
Club.
Mr. and Mrs. Maurice J. Sullivan plan to take a
trip around the world, starting the first of the year.
Mr. Charles Button gave an interesting reception
at his Berkeley studio recently. During the afternoon
Mr. Warren Cheney exhibited his sculptures, among
them a bust of the young pianist, Mr. Gunnar
Johannsen.
Mr. and Mrs. William Duval Dickey gave a tea to
which they invited a large group of friends. The
occasion was the "housewarming" of their new home
on Steiner street.
Mrs. Adolph B. Spreckels gave a supper party for
Miss Luisa Silva, following Miss Silva's concert at
Scottish Rite Hall.
Miss Mignon Willard, daughter of Dr. and Mrs.
William Patten Willard. made her debut on the after-
noon of November 15 at a reception given by her
parents at their home in Divisadero street.
Miss Katherine Stebt made her debut on the even-
ing of November 29 at a ball given by her mother,
Mrs. Fiances H. Stent, at the Burlingame Country
Club.
Miss Dorothy Spreckels will make her debut on the
evening of December 20 at a reception given by her
mother, Mrs. Alma de Bretteville Spreckels.
SAN FRANCISCANS IN NEW YORK
Mrs. Leonore Wood Armsby is at the Barclay in
New York during her visit East.
Miss Evelyn Lansdale and her sister. Miss Claire
Lansdale, are now in the East. At last accounts they
were visitors in Philadelphia, at the Barclay.
Miss Barbara Bailly has gone East to attend the
wedding of Miss Ruth Chase and Mr. John Wakefield
Brothers.
Mr. and Mrs. Edward H. Clark of New York
were guests of President and Mrs. Herbert Hoover at
the White House during November.
Mr. Tallant Tubbs is visiting in New York, a guest
at the St. Regis.
Mr. and Mrs. Talbot C. Walker and their sons are
planning to spend the Christmas holidavs in New
York.
SAN FRANCISCANS IN THE SOUTH
Mr. and Mrs. Jerd Sullivan recently spent a week
in Santa Barbara.
Mr. Howard Monroe and Mr. Ralston Page spent
the week-end in Los Angeles at the time of the
California-U. S. C. game.
Colonel R. M. Schofield, U. S. A., is at Hotel Del
Coronado for an indefinite stay.
Mrs. Benjamin Brodie will leave for Montecito this
month and will spend the winter in the South.
Mrs. Samuel Knight of Burlingame has gone to
Santa Barbara and will occupy her Montecito home
until spring.
Mr. and Mrs. Edward Gibbons Meyer (Ethel
Nichols) were at Miramar, in Santa Barbara for
several days during their honeymoon.
26
THE SAN FRANCISCAN
CONCERNING . .
GRACE BORROUGHS
Reproduced from a pastel sketch
by Douglas Crane who has drawn
an impression of a moment in one
of Miss Borroughs dances inter-
pretative of life in East India.
TRACING the development of an
artistic personality is always fascin-
ating, particularly when the devel-
opment has led to a conclusion seem-
ingly far separated from the starting
point. There is a consistent thread of
interest running through the various
activities that have brought Grace
Borroughs from physical education
work at Stanford to the interpretative
dances of India that now engross her
creative energy. The subtle simplicity
of the compositions to be presented by
her in a East Indian Dance Cycle pro-
gram at the Playhouse. December 8th.
have an interesting genesis.
Reared in the San Francisco bay
region, Grace Borroughs studied danc-
ing and for three years taught it in
physical education work at Stanford
University. Then she spent two or
three years in Oakland, intensively
studying the old Italian and Franch
dances, doing research on the tradi-
tional steps, the music, manners and
costumes of various periods.
Ruth St. Denis heard of her work
and persuaded Miss Borroughs to go
to the Denis-Shawn school in New
York to teach period dances. She had
been there a short time when a troupe
was made up from the school for a
world tour. She joined it and in that
way made her first trip to the Orient,
a place that had always excited her
imagination.
She went to Paris. There she studied
with Raymond Duncan, brother of
the great Isadora. And there she found
a key to the solution of her individual
search. Taking to herself that portion
of the Duncan dance philosophy which
conceives all dance as a natural out-
ward expression of emotion inwardly
felt, she worked in full happiness,
studying the fundamentals of Grecian
simplicity in beauty, poise and balance.
Leaving Paris and the school of
Raymond Duncan, she again sought
the Orient for to her it held secrets of
simplicity and beauty. Grace Bur-
roughs felt in sympathy with the Ori-
ental viewpoint as she saw it lived in
India. She felt that there life was
made a religion — an art. She felt that
this age-old civilization had brought
its people close to nature and the ele-
mental things of life. She enjoyed the
DECEMBER, 1930
freedom of the simple drapes of their
garments, the glorious beauty of their
hand fashioned fabrics, the simple
ways of living. So she stayed to study
and to translate the philosophy of the
dance as she had learned it from Ray-
mond Duncan into terms of East In-
dian simplicity. She did not learn
Indian dance routines. She transcribed
the melodies and rhythms she heard
about her and, using only those char-
acteristics of gesture and dance figure
that seemed naturally interpretative of
India, created her own dances to ex-
press her reaction to life and the Orient.
That is why today Grace Borroughs
uses the Indian idiom in her creative
dances. She has found in the melodic
use of foot rhythms and the Oriental
flowing movements of body and hands
a medium that satisfies her desire to
transmit to others definite emotional
experiences. She uses the feet rhythms,
contraptuntal with the beat of drums,
to convey an inner intensity. The
drums are not used to mark time so
much as to set an emotional tempo
universally understood. And around
these beats, her feet play a melody, the
bells at her ankles having much the
same use as castanets in Spanish danc-
ing. Her body and hands move in con-
trolled simplicity for it is her aim to
speak less in overt gesture than in
covert meaning. She endeavors to stir
in the onlooker's mind not a vision of
the thing actually seen but a visualiza-
tion of the meaning behind the dance.
She would have the watcher read be-
tween the lines to get the inner mean-
ing as well as the apparent beauty of
form and movement.
Many of Grace Borroughs' dances
are delicately narrative in character,
speaking simply of the figures and life
she saw in India, the water carrier, the
flower vendor, the various ones of the
colorful throng that trudge the way
of India. But through it all she hopes
to give out something of the meaning
of life as she has found it.
ANNOUNCEMENT
A FEATURE of the January issue
will be a discussion of the current
season of music in San Francisco
by James Hamilton Fisher who will
be therewith introduced as the music
of The San Franciscan. Mr. Fisher
has come to San Francisco following
success in musical criticism in Chicago,
Portland and Los Angeles. Born in
India, educated in Scotland, Germany,
France, Italy and Switzerland, he
brings to his critical writing a sound
education and a varied background of
experience as well as an analytical
sense of humor.
27
♦
Ss . . . Most emphatically
this is a Christmas season when wisdom
dictates 'practical' gifts for gentlemen —
and surely this is a time when it pays
best to buy the best. Knox selections
gathered from the marts of five nations
invite your wholehearted approval.
EARLY CHOOSING RECOMMENDED,
ESPECIALLY IF ANY MONOGRAMMING
IS TO BE DONE
KNOX
Two Shops in
San Francisco
5 1 GRANT
AVENUE
HOTEL ST.
FRANCIS
28
THE SAN FRANCISCAN
S
REETINGS
jrom
GEORGE D. SMITH
FAIRMONT and MARK HOPKINS
<* M HOTELS M +
NOB HILL
SAN FRANCISCO, CALIFORNIA
DECEMBER, 1930
29
SOME OF THE BIG GUNS WHO WILL PLAY AT LAKESIDE
Left to Right Ed Dudley of Los Angeles, Calif.; Al Watrous of Detroit; Horton
Smith of Joplin, Mo.,- Gene Sarazen of New York; Walter Hagen of Deiroit; Johnny
Farrell of New York,- Leo Diegel of New Mexico; Joe Turnesa of New York,-
Johnny Golden of Paterson, N. J. and Al Espinosa of Chicago. This group represents
the 1930 Ryder Cup team which is composed of the pick of American-born pros.
Open Match Play Championship
by Brookes
THE San Francisco Junior Chamber
of Commerce donned the role of
piper and blew three loud blasts.
The first note was a familiar one — "a
$7,500 purse." But the second note
was strange and new — alluring in its
unfamiliarity — "Open Match Play."
And then the final blast — a golden
note penetrating the darkness left by
Jones in his "clean-up" this year — "A
new major title." And as a result, San
Franciscans will have the privilege of
seeing the cream of American golfers
in action in the first National Open
Match Play in golf history.
Although the tournament was plan-
ned last spring, it could not have been
more perfectly timed, from a psycho-
logical standpoint. The significance of
Jones' retirement from the golfing
world has not yet had a chance to
percolate. But it will mean that the
rest of the stars, whose brilliance has
been greatly dimmed will shine again.
After Jones had achieved the "impos-
sible" and won the American Amateur,
the American Open, the British Ama-
teur, and the British Open this year,
leaving the rest of the competitive
golfers with one lone major title, the
P. G. A., to share among themselves
(and that only open to pros) , this
new event is like an oasis in the desert.
And although not as true a test of golf
as medal play competition, in which
the pros have always reigned supreme,
this match play event will enable the
amateurs to match their skill with the
experts with a far greater chance of
holding their own. Some of the ama-
teur stars who will compete for the
title are Lawson Little, Don Moe,
Chandler Egan, Francis Brown, Bon
Stein, George Ritchie. Herb Schultz,
Hugh Ditzler, Claire Goodwin, Harry
Eichelberger. Malcolm McNaughton,
Herb Fleishacker, Fay Coleman, Jack
Gaines, Bill Jelliffe, John De Paolo,
Frank Stevens, Cy Newton, Johnny
Dawson, A. F. Sato, Tommy Dwyer,
Johnny McHugh and Claries Seaver.
But it is on the professionals that
the eyes of the Westerners will be
focused, for it is the first time San
Francisco has ever held a tournament
in which practically every leading pro
in the country has participated. From
among these, ten have been seeded.
The following is a brief "tournament
biography" of some of the "big shots."
Walter Hagen. though seeded num-
ber seven deserves first place on the list
as the most outstanding veteran of the
golfing world. Hagen won the Ameri-
can Open hampionship twice, in 1914
and 1919, and the British Open
Championship four times, in 1922,
1924, 1925, 1926 and 1927, was
Professional Golfers Association
Championship five times, in 1921,
1924, 1925, 1926 and 1927, was
finalist in 1923 and semi-finalist two
other times, completing a string of 22
consecutive match play victories in the
event. Hagen was captain of the Amer-
ican Ryder Cup team in 1927 and
1929. He scored more than thirty
other tournament victories, the most
important of which were the Metro-
politan Open, 1916, 1919, 1920,
North and South Open, 1919, 1923,
1924, Shawnee Open, 1916, Western
Open, 1916, 1921, 1926, 1927, and
Continued on page 37
Burberry
London-made
Overcoats
These English tailored coats
have a careless air of swank
and swagger that can't be
imitated. Exclusively at
Roos Bros. $65
to $150.
December afternoons find one
ready for tea before the fire . . .
meeting ones friends or rest-
ing from Christmas shopping.
And on CHRISTMAS DAY you
will find a perfect dinner in a
perfect setting at the
>akTreeInn
SAN MATEO-ttLIFORNlA.
THIRD AVENUE ON THE HIGHWAY
Telephone SAn Mateo 879
for Reservations
30
THE SAN FRANCISCAN
A San Franciscan is
one who knows
where Harry Dixon's
place is — and owns
a representative
piece of his work.
NOTE: For the information of those aspiring to become
San Franciscans. Harry Dixon's shop of hand wrought
metal work is in Tillman Alley — 241 Grant Avenue
To most people
this is a meaning-
less grouping of
lines within a
square.
Some will recognize it as the mark that can
be found on the most delightful pieces of
furniture in their home.
EDWARD RAYMOND MOFFITT
STUDIO— H. L. MACK RANCH
Monterey 1092 Del Monte, California
Designer and maker of fine furniture and antique re-
productions. Designs and estimates submitted on
request.
CT©tirvoi*»ior
474 POST STREET . SAN FRANCISCO
Telephone DOuglas 4708
Exquisite
Picture Framing
for
Christmas Gifts
ETCHINGS • PAINTINGS
FINE ARTS
'assing Shows
Increased Activity Throughout Galleries
Exciting Prospects for 1931 Discussed
by Aline Kistler
Daniielu
TWO months ago when this series of
discussions was opened with a fore-
cast of the win-
ter season in art. al-
though theprospect
was an interesting
one, it was impos-
sible to foresee the
events which now
promise to make
the 1930-31 season
one of unusual sig-
nificance. It is en-
tirely possible that
it will prove a turn-
ing point in the
edding tide of art
in San Francisco
which few like to
acknowledge,
clinging rather to
the illusion of flow fostered by mem-
ories of twenty and thirty years ago.
Now that there is prospect of imme-
diate change one does not so much
mind facing the fact that, in spite of
the high level of taste and discrimina-
tion in a small group in San Francisco.
the city was very much "on the shelf"
so far as art activities were concerned.
Some blamed it on interior decorators
who designed walls without space for
paintings and killed the "vogue for
art." Others cited the conservative vs.
modern controversy saying that San
Francisco had publicly "gone modern"
while privately "clinging to conserva-
tive tastes." Whatever the causes and
concomittants, the fact remained that
though painters and sculptors con-
tinued to produce locally the activity
essential to a respectable art center was
Albert Barrows
at low tide. The museums took but a
nominal part in the art life of the city
and the downtown
galleries assumed
the status of a
sort of sideshow
maintained more
through habit than
any belief in their
function.
The past five
years have wit-
nessed the estab-
lishment of the
Galerie Beaux Arts
as a leaven in the
deadly lump. Then
came the shortlived
but amusing Mod-
ern Gallery, the am-
bitious East West
Gallery, now become part of the adult
education program of the Western
Women's Club, and various other
organized attempts to rouse active in-
terest in the fine arts. The newspapers
began to take notice of art and artists.
Gene Hailey in The Chronicle. Jehanne
Bietry Salinger with her Argus. Junius
Cravens in The Argonaut — all tested
the natural reaction of the general
public and paved the way for the
present acceptance of art by newspapers
as bonafide and important news. The
two and a half page spread in a recent
Sunday Examiner, the regular five
columns in the Sunday Chronicle and
the space devoted to art news by the
News and Call-Bulletin each week are
clearly indicative of a spreading inter-
est in painting, sculpture and allied
arts. Newspapers do not allot space
CALIFORNIA
SCHOOL of FINE ARTS
Affiliated with the University of California
CHESTNUT AND JONES STREETS
San Francisco
SPRING TERM OPENS
JANUARY 5, 1931
REGISTER NOW
AY AND EVENING CLASSES
Call orwrltefor catalogue — Lee F. Randolph, Director
Telephone GRaystone 2500
Beaux Arts Galleries
^ Whittell Building .
166 Geary Street
i
XMAS
EXHIBITIONS
A
or
Painting and Sculpture
DOuglas 2373
A
DECEMBER, 1930
31
to any feature without being convinced of reader response. But
in spite of all these developments, each of which has in turn been
hailed as "significant" or "indicative that San Francisco is the art
center of the West" the fact still remains that San Francisco has
been "in the provinces" so far as art in general is concerned. A few
discriminating San Franciscans bought fine art, sometimes. But
they bought it in New York or possibly in Paris. A loyal group
supported local artists to a certain extent. But the average resident
of San Francisco was treated as a "hick" in the majority of
instances.
NOW comes the current season. Lloyd LePage Rollins has
been brought to the Legion of Honor Palace with fresh
energies and eagerness to make the Palace a vital nucleus for
art activity. The Vickery, Atkins and Torrey gallery has been
reopened and has committed itself to at least one truly significant
exhibition each month. These were mentioned before but what
has not been announced is the arrival of Richard Gump with his
earnest plans for making the Gump Galleries a meaningful down-
town art center. This announcement, together with news of the
outside exhibitions being brought to Beaux Arts after the first of
the year, the assurance of the continued activity of Courvoisier's,
the East West Gallery, Paul Elder's and the new San Francisco
Art Center, and the knowledge of three or four exhibition studios
established this season, brings me to feel that the tide has turned
for art in San Francisco.
I have faith in intentions ( despite ubiquitous aspersions against
them) when they are the product of a viewpoint which, even
should it prove unpractical, retains the virtue of pointing toward
an ideal. That is why I have faith in Richard Gump and his
ambitions for the Gump Galleries. A sensitive sort of person,
and very young, he has studied drawing and painting and musical
H
ouston, Gilmore
S Company
Finej> Jewelry
Post and Stockton Streets
San Francisco
When the smart set
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they thin\ of
Benaderet's
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Imported and
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Unusual gifts for
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S. BENADERET, Inc
46 GEARY STREET, A FEW DOORS FROM KEARNY
32
THE SAN FRANCISCAN
Decreased overhead re-
sulting from the recent
consolidation of the Post
Street Kratz Chocolate
Shop with the Kratz
Kitchen Shop enables
Kratz to make the fol-
lowing reductions from
his former pricings.
Assortments formerly
$3.00 the pound —
now $2.00.
Gift Boxes de Luxe —
formerly $5.00 the pound — now $3.50.
formerly $7.50 the pound — now $5.00.
Kratz Kitchen Shop Special, the pound box, $1.50.
Kratz Junior Assortment, the newest Kratz creation, a
smaller confection with more pieces to the box — the
pound box, $2.50.
One Hundred Royale Assortment, the Kratz master-
piece, is obviously not effected by overhead expense,
each confection being the individual creation of
Kratz himself. These continue to be priced at
$10.00 the pound
The Kitchen Shop of Kratz
Enola Barker
555-565 Turk Street,
between Larkin and Polk
GRaystone 4741
1
Jn
Orders $5.00 and over shipped
without extra charge.
Mail orders assured utmost
care.
Km ;i ii I n s «il on • ini la«;e h o'Cc I
Dear Madam lll*«ll II I| I 38 I
In these strenuous pre-Christmas days, I beg you
not to forget the duty you owe your own charm —
The holidays will find you as fresh as at the begin-
ning of the season if only you remember the care and
attention due your skin, hair, hands and body.
Don't let your facial or manicure appointment
give way to Christmas shopping. The more energy
you expend, the more care your skin and hair re-
quire — for their vitality is diverted from the
natural functions that give beauty to your com-
plexion and life to your hair.
An hour with one of our expert operators brings
you relaxation and new energy as well as the
delightful assurance of being smartly groomed.
And for Christmas gifts — why not be practical as
well as generous. The Palace Salon Gift Boxes
contain fine assortments of luxurious cosmetics
ingenuously packed. And Palace Salon Gift
Bonds, issued in amounts of five dollars
or more, may be redeemed with any
type of beauty service.
May the holidays find you the most
charming of hostesses and the
lovliest of guests —
Yours ,
Albert ^_^ ■,«■■
. _ ■" ■■ «:
»«llJl«2€S
composition. He has traveled widely
and now has returned from the most
recent journey (seven months in
Europe studying traditional and mod-
ern art) with the avowed intention of
giving the Gump Galleries artistic
meaning in the local scheme of things.
Richard Gump brought back with
him from Europe a collection of Old
Masters which he claims to have se-
lected on the merits of the paintings
themselves rather than on the fame of
the artists' names. He wants to show
paintings well representative of their
period, irrespective of the signature,
because he feels that the time has come
when San Franciscans can be treated
as discriminating individuals rather
than as "provincials buying names."
He has furthermore announced a series
of exhibitions to give a varied, balanced
season — offering to the general public
outstanding examples of different
types of art.
THE Beaux Arts Galleries are well
in the swing of their season and are
now engrossed with the Christmas
Members' Show which will continue
throughout the month. There are al-
ways one or more small "members"
showings" at Beaux Arts even when
the main gallery is given over to a
one-man or guest exhibition: but at
the opening of the fall season, at
Chirstmas and at least once again dur-
ing the year, the entire wallspace of
the charming galleries on the second
floor of the Whittel building is given
over to recent work by the participat-
ing artist members of the Club Beaux
Arts. As I write, the group show is
not yet hung. Paintings by Rinaldo
Cuneo and drawings by Arnold
Blanch occupy the main gallery. The
Cuneo paintings are delightful — I
hope Beatrice Judd Ryan transfers at
least a portion of them to one of the
smaller galleries for continued show-
ing during the group exhibition. They
are worth going back to see.
Rinaldo Cuneo is one of the San
Francisco artists whose development
has interested me most during the past
few years. Essentially a product of
San Francisco, he is a realist in a pecul-
iar sense. His development has come
through the process of dogged work,
of day after day of painting, painting,
painting. The just closed exhibition
was composed exclusively of paintings
made during a recent trip which took
him to New York, Rome, Paris and
way-points. Most of them are painted
with oils on paper, his favorite way of
sketching. They all bear testimony
that Cuneo has seen things with fresh
eyes. Old walls, colorful scenes ob-
served by centuries of artists have yet
a distinctive beauty, utterly unhack-
DECEMBER, 1930
33
neyed, when restated by Cuneo's
brush. The outstanding difference be-
tween these paintings and former work
by Cuneo lies in the freshness of his
color. He shows himself more senti-
tive to subleties within a single color
gamut, more eager to paint the singing
quality of certain reds, ochres and
greens.
In January, Beatrice Judd Ryan has
scheduled two modern exhibitions
from New York. The first is that of
wash drawings by Max Weber who is
one of the acclaimed American mod-
ernists. Then comes a joint exhibition
of sculpture, lithographs and draw-
ings by Nura (the wife) and paint-
ings by Buk (the husband) . The fol-
lowing month, Beaux Arts will feature
paintings by Jean Negulesco, a Ru-
manian whose work has found favor
with Richard LeGalienne and with
art critics throughout the East.
The Courvoisier Little Gallery also
has an interesting first-of-the-year pro-
gram. Starting with the woodblocks
by Chiura Obata (to be shown also
in Berkeley and at the California
School of Fine Arts) Courvoisier will
offer one major exhibition each month,
including lithographs and woodblocks
by Peter Krasnow in February, etch-
ings by Old Masters in March, water-
colors by Rowena Meeks Abdy in
April, photographs by Imogene Cun-
ningham in May, and Japanese wood
block prints in June.
THESE schedules indicate but vaguely
the activity that will undoubtedly
occupy the winter and spring
months. In practice these exhibitions
will be multiplied many times by the
showings in various other downtown
galleries and at the Legion of Honor
Palace where there are always several
feature exhibitions. At present there
are some really choice Hiroshige prints
from the collection of Gerardus P.
Wynkoop, an interesting group of
Russian Ikons collected by Eugen Neu-
haus and a room devoted to Gothic
and Renaissance Sculpture and tapes-
tries. After waiting until the last pos-
sible moment before going to press,
(November 28th) it is still impossible
to discuss the Diego Rivera exhibition
at the Palace for the new paintings
from Mexico have not yet been hung.
Only when these are in place to sub-
stantiate the paintings and drawings
previously shown by Mildred Taylor
in the East West Gallery and by
Beatrice Judd Ryan in Beaux Arts and
the additional drawings and sketches
now shown, can one fairly judge the
show with which Lloyd LaPage Rol-
lins celebrates the presence in San Fran-
cisco of the most widely publicized
artist in America.
\i RAPHAEL WEILL 8 COMPANY/ f,, ■[
\No\VtfCanB£Ttl&A^
HOW very nice that San Francisco's
first white Christmas should co-
incide with fashion at its whitest.
And it is such a delightfully conscious
and deliberate whiteness that San
Franciscans particularly should appre-
ciate it. Not in many seasons has a lady
been permitted to indulge in the sheer
femininity of an all-white gown. We
are not pretending that this fashion
phenomena has just burst this moment
upon the horizon. As every well
dressed person knows, white has been
"in" long enough to have gone out
again if it had not been discovered
such an entertaining style. And so
becoming.
At holiday festivities the gleam of
white satin is as prevelant as depart-
ment store Santa Clauses, Yule Tide
holly and the Christmas spirit. But
these familiar marvels and traditions
only serve to accent its subtlety. Joseph
Hergesheimer, the novelist, in the De-
cember issue of a sophisticated maga-
zine, admits his fondness for white
satin with "a necklace of emeralds,
cut like miniature melons, and a single
emerald ring with no metal visible"
... or with "sapphires so dark as to
be almost black." All of which goes
to show that Mr. Hergesheimer is well
versed in his current fashions. The
famous writer, who is acknowledged
as the foremost interpreter of feminine
moods, could tell you how greatly
appreciated would be the gift of one
of these jewels of which he writes.
Not only these but turquoise, rubies,
amethysts for evening, tourmalines
and cold acquamarines for daytime, are
to be had in the Tecla Shop ... a shop
exclusive in San Francisco with The
White House. Not to mention the
classic pearls of Tecla origin, strung
in correctly modern lengths, and set
in earrings and rings of rare charm.
In such a remembrance you give the
most warmly received gift . . . some-
thing that can be worn, and that is in
the same spirit as the smartest costumes
in her winter wardrobe.
THE success of the black velvet wrap
with deep collar of white fur is
quite to be expected at this time.
No amount of popularity can dim its
precise dignity.
Against the frosty glitter of the
down-town Christmas decorations,
the gift shopper with her daring white
felt hat, her white gloves, her more-
than-a-bit of white at throat and
wrist, and the urban foil of her black
costume, is a picture to delight the
connoisseur of today's dashing sim-
plicity.
It is this same smart and knowing
woman who leaves nothing to chance,
but makes her Christmas shopping an
extensive White House tour. Charm-
ing trifles, the piece de resistance gift,
the amusing toy for a jaded juvenile
. . . she knows The White House has
®V
precisely what she would have chosen
herself had she spent the greater part
of the year "Christmas shopping"
throughout the markets of the world.
ADVERTISEMENT
34
THE SAN FRANCISCAN
THE SAN FRANCISCO BANK
SAVINGS COMMERCIAL TRUST
INCORPORATED FEBRUARY 10TH, 1868
One of the Oldest Banks in California, the Assets of which have
never been increased by mergers or consolidations with other banks.
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Capital, Reserve and Contingent Funds, $5,600,000.00
The following accounts stand on the Books at $1.00 each, viz.:
Bank Buildings and Lots - (Value over $1,925,000.00)
Other Real Estate - - - (Value over $310,000.00)
Pension Fund - - - - (Value over $690,000.00)
Interest paid on Deposits at 4J^ per cent per annum
Computed Monthly and Compounded Quarterly
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From Manhattan
Continued from page 14
to be a little sneerish of Guild produc-
tions here and, therefore, most of the
critics damned the show with patron-
izing praise. But to me it was a nearly
perfect piece of work of its kind. Lynn
Montaine gave a marvelous perform-
ance of Queen Elizabeth and Alfred
Lunt as Essex was not far behind.
The play by Maxwell Anderson
moved forward from the rise of the
curtain to its fall without a wasted
word. The best historical play I have
ever seen would be my verdict.
The other Guild production at the
Martin Beck is a Soviet melodrama
called "Roar China." This was re-
ceived by the critics with great eclat,
probably because it is the fashion to be
sympathetic with communistic propa-
ganda in this neck of the woods. There
are some novel stage effects and a troupe
of Chinese actors that speak very in-
different English. Mr. Travers or Mr.
MacLewee ought to be able to give a
production that would knock the
Chinese end of this melodrama cold.
It is worth seeing if only to note how
alive the cheapest kind of hookum
still is. The Russian author has gotten
together an impossible set of American
and British caricatures in order to
prove that the Chinese are simple,
sweet, innocent, poetic and fired with
soviet feeling. The arch villian is an
American who hails from San Fran-
cisco and who is happily killed in the
first act in a scuffle with his boatman
over a ten-cent charge for boat hire.
He spoke gangster English, kicked the
coolies in the shins and other softer
portions of the anatomy and generally
behaved like a dire villain stolen from
"The Two Orphans" and dressed in
white ducks for the occasions. The
house is packed nightly with society
folk, communists and Chinamen. At
the close of play the night I attended
a voice rang out: "Hurrah for the
Chinese Revolution!" But whether it
came from the greasy and bewhiskered
gentleman on my left or one of the
Chinamen in front of me I could not
determine. The play is without liter-
ary or dramatic merit and is as false as
"Uncle Tom's Cabin." Which means
that it will probably have a huge suc-
cess and be far-reaching in its effects.
Every time America or Britain got a
wallop applause broke from the gal-
leries and all reference to Anglo Saxons
was greeted with hisses. The play ends
with the realistic garroting of two
DECEMBER, 1930
35
innocent Chinamen, with the captain
of the British man-of-war gloating
up-stage. Simon Legree was a pure
angel of light ranged up against this
blood-thirsty servant of His Majesty,
bent on avenging the death of an
American whom he really hated. I
suppose it is all innocent enough and
doubtless fifty years from now it will
be given by little theatres all over the
country to show what piffle the play-
goers of 1930 enjoyed. Very much as
they revive "After Dark" and "Ten
Nights in a Barroom" now.
Telephotos
Continued from page 9
or spectacle there are eleven "cross
country runs."
•
A somewhat portly gentleman,
whose card proclaimed him to be a
member of the Oxford and Cambridge
Club, clasped his hands across where
his waist held forth, and sighed:
"Ah," he plaintived, "the England
that I loved is gone. The motors have
ruined the countryside."
"And do you live in the country?"
I asked. No, he didn't. He was com-
plaining. As might be expected, he
also disliked the movies and the tele-
phone, abhorred talkies and the
phonograph and electric lights and he
wouldn't have an ice-box, old or new,
in his house.
Left to himself, he would probably
arm the British Navy with spears and
battle axes.
•
They are hipped on dogs, these
English. They think dog, and, if they
can get a foreigner pinned in a corner
from which there is no exit, they talk
dog. They have dog hospitals and
kennel maids. They have societies to
promote the welfare of dogs. In the
bleak courtyard of Edinburgh Castle,
they have a cemetery for dogs, with
head stones. They leave money to
homes for dogs. They pension dogs.
And they have dogs, wet dogs in front
of grate fires, dry dogs, oodles of dogs.
They blockade London traffic with
dogs. Any morning, be it fine or rainy,
one may see obvious spinsters in the
busy crossings of Piccadilly, each with
two dogs on leach, unravelling the
beasts from innocent person's legs and
from the urging lamp post, while
traffic halts till the puzzle is solved.
And the London dogs have all the
pleasing and unpleasing habits of their
kind. Who remembers the savage essay
which that acidulous Englishman,
Ambrose Bierce, wrote once on dogs?
Six million bicycles in Great Britain.
That ought to provoke thought in the
thoughtful. It must mean something.
Everybody rides except the great.
Vicars and curates and officers of the
line. Architects and greengrocers. (Do
you know the difference between a
grocer and a greengrocer? I don't, and
anyway it matters not). Women by
the thousands ride. A retired captain
in the navy rode thirty miles to five
o'clock tea. Outside the factories
bicycles are stacked like autos in Amer-
ica. Six million bicycles is about one
bicycle to every seven inhabitants.
•
The saving sense of humor is needed
to retain one's calmness when an
Englishman laughs merrily at Kala-
mazoo and Oshkosh and remains
gloomy when Oswaldtwistle is men-
tioned. Or Goitre or Pidlington on the
Thames. And how, by the way, would
you pronounce Godalming without
sounding profane?
e
Toothpicks? An offensive American
habit? Oh, yeah'
They put 'em on the table at the
Berkeley in London, and if you can
buy a dinner at the Berkeley for two
that will cost you less than twenty-
five dollars I'll buy you a bottle of
Roederer '98.
s
You are judged
by what you read — if you
enjoy the stories, articles
and humor of The San Fran-
ciscan each month you will
appreciate the service of the
distinctive firms that adver-
tise in its pages . . . Adver-
tisers buy space in the San
Franciscan because they
have something important
to tell people who like what
is published in this particu-
lar magazine . . . Each ad-
vertisement in this issue is
written directly to you. Give
it the consideration you
would give any personal
message.
— The San Franciscan
\
/
iTiarrcr
SAN FRANCISCO, CALIFORNIA
DESIGNERS AND MAKERS
OF COMPLETE FURNISH-
INGS FOR HOMES, CLUBS,
HOTELS, OFFICES, ETC YOU
ARE CORDIALLY INVITED TO
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PHONE
O R D W A y
36
THE SAN FRANCISCAN
Christmas Flowers
and Potted Plants
speak the true cheer of
CaliforniaChristmastide —
for here, surrounded by
freshly green hills and the
new growth started by
early winter rains, Christ-
mas has a joyousness of
pre-Spring when flowers
are the most direct
expression of
happiness.
THE VOICE OF A THOUSAND GARDENS
224-226 Grant Avenue
Phone SUtter 6200
SAN FRANCISCO
Orders Telegraphed Anywhere
When He Comes
Home ....
While your boy is home for the
holidays bring him to the Fairmont
Boys Apparel Shop for his new out-
fit. There are best dressed boys at the
finest schools wearing our clothes.
When your boy goes back to school
let him feel that he is a leader in
dress as well as in sports and studies.
Christmas Gifts
Q$e Sfairnwrd
Fairmont Hotel
817 Powell Street Phone: SUtter 5504
Frank Norris
Continued from page 12
wheat should have one of the ears
horizontal near the top of the circle.
Too, the verso of the title page must
contain the words, First Edition be-
neath the copyright line.
"The Pit," however, has little in-
terest to San Franciscans who seek a
reflection of their city through litera-
ture. For those, such stories as are con-
tained in "A Deal in Wheat," 1903,
"The Third Circle," 1909, and in the
fine novel "Vandover and the Brute,"
1914, are of intense interest.
Frank Norris had a grip on San
Francisco life; he saw the city from a
perspective more interesting than other
writers. He was not narrow and per-
sonal as Bierce, nor impersonal as Bret
Harte, nor as jovially self-satisfied as
Mark Twain. Frank Norris was the
delicate artist with keen senses, and a
mind that viewed characters as em-
bodiments of great symbols; he was
intent upon his plan, and in order to
fulfill this desire his style became force-
ful, determined, moving, for as Carl
van Doren has said of Norris : "He had
so much force that it is impossible not
to be moved and not to regret that his
work ended so soon."
Spotlight
Continued from page^lS
any notable extent. It is talky in spots,
but so are Shaw's plays, so that fact
doesn't necessarily characterize the
drama as being old fashioned. The
second and third acts move swiftly
enough, and build beautifully toward
the climax which ends the play — but
not the story.
Mrs. Patrick Campbell gave a no-
table performance. She played with
quiet restraint and with a sympathetic
understanding of the character of Mrs.
Alving which made that ill-fated
woman much more human than have
some others I have seen in the role.
Albeit she pawed Oswald to an extent
that would give any son softening of
the brain, even without more virulent
cause, that in itself was a masterly
touch in her interpretation of the char-
acter. She revealed most convincingly
the tragedy of motherhood — mother-
hood at its best and at its worst.
Tom Douglas infused the role of
Oswald with a poignant, feverish fear
of the inevitable which surpassed any
interpretation of that character which
I had previously seen. He gave it a
certain frailty and a quality of abo-
lescence which greatly heightened the
tragedy of the youth's heritage, and
squeezed from many an unwary spec-
tator a furtive tear. His was a superb
performance. Clarence Geldhart and
Wauna Lidwell were excellent as Jacob
and Regina, respectively, and James
Ryan, who succeeded Lionel Belmore
as Pastor Manders, did as well as
might be expected under the unfortu-
nate circumstances.
GILDA VERASI'S and Dolly
Byrne's perennially fresh com-
edy, "Enter Madame," was re-
ceived with well-deserved enthusiasm
by the Travers' audiences, during its
revival there. Nor is that satire on the
artistic temperament always as satis-
factorily presented by amateurs as it
was by the Repertory Players, for one
has seldom seen the play's nuances
handled with more subtlety, even on
the professional stage, than they were
in that production. While one felt the
lack of the effusive Latin temperament
in Ellen Page Pressley, she nevertheless
gave a vividly colorful characteriza-
tion as the romantic Lisa Bella Robbia.
Her interpretation would have gained
something, however, had she had the
aid of less conventional costumes for
her opening and closing scenes. As it
was, those two vastly important inci-
dents were the least effective moments
in the performance. Peggy Bethers,
who was remarkably well typed as
Miss Smith, was a delight, and the
entire cast was excellent. Ralph
Chesse's setting was attractively un-
usual.
"The White Blackbird" was an ex-
ceptional play, and it was very well
acted by the Guild players, particularly
Frederick Blanchard, Barton Yarbor-
ough, Theron Orr, Minetta Ellen and
Vivienne Isaacs. David Scott gave it
a pleasing but architecturally weak
setting.
Grape with Thorn
by Annice Calland
God must love fools,
Else why did He
Trouble to make
You and me.
DECEMBER, 1930
37
Holidays mean hospitality and
extra good cheer at the Post
Street Cafeteria. Our open
doorway is filled with harvest
fruits., oui tables are laden
with holiday specialties . . .
You are specially invited to
"Christmas dinner" at noon the
day-before-ChristmasI
Post Street
Cafeteria
62 Post Street
CHRISTENSEN
School of Popular
Music
Established 1903
Greets you all with best wishes
for a merry, glad holiday season.
Why not start the New
Year with the study of
Modern \J\7_7 Piano
mA Rapid Method /
JJJ
for beginners and advanced
students.
Burlingame
1319 Howard Ave.
Burlingame 3438
San Francisco
Elevated Shops
150 Powell St.
GArfield 4079
Open Match Play
Continued from page 29
the Eastern Open and Pan-American
Open, 1915.
First on the seeded list is Horton
Smith, who came to sudden fame in
the winter of 1928-29, winning a
number of the winter circuit tourna-
ments. Although he has yet to achieve
a major championship, he has won
practically every other important tour-
nament on the calendar, taking 13 in
1929 as well as the North and South
and the La Gorce. He won the Savan-
nah Open this year by defeating Bobby
Jones, and placed third in both the
American and the British Open.
Tommy Armour, a colorful Scotch-
man, is second on the list. He won the
National P. G. A., the one tournament
in which Jones is ineligible to compete.
Armour also won the Canadian Open
this year, and the St. Louis open with
the amazing record of 14 under par.
He competed in the American Amateur
championship in 1920, 1921 and
1922 before turning pro in 1925, and
is the only man to qualify in all three
of the big American Championships.
Number Three is Gene Sarazen, a
former American Open and Profes-
sional Golfers Association champion,
one of the most colorful and consistent
winners in the game. He won the
Open title in 1922 and the P. G. A.
Championship in 1922 and 1923.
His other titles include second in the
British Open in 1928. winner of the
Metropolitan Open in 1925 and the
Agua Caliente Open in 1930. Sarazen
is one of the two or three golfers able
to achieve one or more match play
victories over Walter Hagen, whom he
twice defeated in important matches.
Sarazen was on the Ryder cup team in
1927 and 1929.
Leo Diegel, seeded number four, is
connected with the Agua Caliente Club
of Tia Juana, Mexico. Although he
has yet to win the British or American
open, he took the P. C. A. title twice
in succession in 19228 and 1929, and
the Canadian Open in '24, '25, '28
and '29. He was runner-up in the
U. S. Open twice, and was on the
Ryder Cup teams of 1927 and 1929.
Johhn Farrel, number five, National
Open champion in 1927 and a bril-
liant medalist. In 1927 Farrell com-
pleted a great scoring streak in which
he won the Whelling, Massachusetts,
Philadelphia, Pennsylvania, Chicago,
Shawnee and Eastern Open in a row,
as well as the Metropolitan Open. He
was runner-up in the P. G. A. of 1929,
and second in the Western Open in
1928 when he also won the rich La
Gorce Open. He was on the Ryder
Cup teams in 1927 and 1929.
HAWAII
*&
SAILINGS that are
SOCIAL EVENTS
LASSCO departures di-
rectly from Los Angeles
over the enchanting
southern route for the
smart winter season in
Hawaii!
"CITY OF LOS ANGELES"
Jan. 3
"MALOLCT-JAN. 10
BOARD either of these
two cruisers de luxe
and you will find
yourself among the fash-
ionable world en voyage
. . . society bound for its
sun-lit playground in the
South Seas. And all that
sophisticated travelers
demand in exdusiveness,
luxury, entertainment
and service will regale
you through the golden
days of this voyage to
enchanting Hawaii!
For reservations, apply
to any authorized ticket
agent, or —
LASSCO
LOS ANGELES STEAMSHIP CO
R. V. Crowdcr, Passenger Traffic Mgr.
685 Market St. Tel. DA venport 421 0
OAKLAND 434 13th St. Tel. Hlshsate 1712
BERKELEY 2148 Center St. . Tel. THornwall 2550
38
THE SAN FRANCISCAN
JOSEPH'S
Florists
^Blooms of
Quality
©
Be sure to see our
Gift and Crystal
Room
©
Unusual (jiffs
©
233 Grant Avenue
(Opposite the White House)
DOuglas 7210
Qurtain Qalls
by
Constance Ferris
A tender irony characterizes
the pieces . . . Each tiny com-
position is the confession of
an individual who has passed
beyond, a first-person sum-
ming up of his life's phil-
osophy.
— Nadia Lavrova, Examiner.
11.50 AT ALL BOOK STORES
Harr Wagner Publishing Co.
Christmas Cuttings
by Mary Louise Wood
November 1st — Over cocktails — "No. my
dear. We're not doing a thing this year.
No. not even cards. A small tree for the
children and that's all. Oh. yes. their
stockings. Bill? Why no! It's really too
adolescent !"
November 15 — Over the Christmas card coun-
ter— "No. not a minute. Aren't these cards
too dreadful! . . . Yes, I know I should
have ordered some earlier. These will have
to do. that's all. Snow scenes for California
do seem silly, though. Goodness, I've seen
every card design in town. We sent out five
hundred last year.
December 1st — Over the doorstep of the
Antique Galleries — "What am I doing
here? Just a little Christmas snooping for
some little thing for Bill's mother. She
has everything. A problem. She's so gen-
erous to us. It's a real problem. Well —
my feet are killing me. Been in every odd
shop in town. These doorstops are too
sweet. Wrap them as gifts, please.
December 10th — Over the counter at Shreve's
— "Oh, hello! I'm frantic, my dear. I
want to give Bill something he'll enjoy.
This cutting down on Christmas brings me
to the verge of brain fever. Bill said 'Cut
him out, anyway, this year,' but aren't
these pearl studs adorable?
December 13th — Over the cluttered dining
table — "Glad you dropped in. My arm is
about paralysed, what with addressing 300
cards and envelopes and people changing
addresses. I'm nearly out of my mind.
Who invented greeting cards, anyway? Do
you mind looking in the social register
under 'Dilatory Domides' for me?
December 15th — Over the counter at Sing
Fat's — "Eight large size baskets. How
muchee? What, you shopping here, too.
Isn't it fascinating? They're open even-
ings. We're cutting down on Christmas,
this year, but we can't give up our baskets
of dinner for poor families.
December 18 th — Over the book shop tables —
"Simply haven't a second. Isn't this lovely?
A first edition. It must catch the boat.
Thanks, and you'll see that it catches the
boat. Oh. you'll take it down yourself.
That's good of you. Wasn't I the lucky
thing to find this for Aunt Maria. She's
spending the holidays at sea. If she doesn't
like it. she can lose it overboard, but she
can't say we forgot her at Christmas time.
No, we're not doing a thing for Christ-
mas."
December 20th — Over the telephone — "Glad
you phoned. Your line's been busy for
the last hour. Would you be an angel and
get some things for the tree. No. I haven't
enough for such a big tree. Yes, a lot of
those red and silver shiny balls and about
20 yards of fattish tinsel. No. no gold,
just the silver. We're cutting down this
year."
December 24th — Over the toy shop counter —
"Glad to see you. Aren't these toys, this
year, too darling? After all part of Christ-
mas is the toy shop shopping. Oh. I know
they don't really need all of this but I'm
weak minded and can't resist. Drop in
tomorrow and have an egg nog. Oh. yes,
we're cutting down on Christmas."
December 25th — Over the egg nog bowl, at
home — "Yes, the house really is festive.
We're only having about a hundred in.
I'm thrilled to the toes. Bill gave me this
divine bracelet. Inarticulate? Well, I should
say so. Isn't he the dear. He is mad about
his pearl studs. I am utterly exhausted, but
after all it is such fun. No other day is
quite like it. Glad you liked the gloves.
Stay longer, my dear, and more egg nogs
all round."
August W. Virden
Insurance
660 Market Street
DOuglas 7700
Finest Type of English Glass
a specialty at
THE JUNIOR LEAGUE SHOP
14 Tillman Place - San Francisco
Wicker Furniture
Malic Your Home
Colorful and
Restful!
ArtCRattanWork
Comfort
Distinction
Bawty
331 Sutter Street
SAN FRANCISCO
E. 12th & 24th Ave.
OAKLAND
TIRED
NERVOUS
OVERWEIGHT
Busy Women
consult . . .
o^iss^ulia^ohnson
Graduate Swedish Masseuse
diploma professor Suite 211 Elevated Shops
ulmann's institute 150 Powell Street
STOCKHOLM, SWEDEN DOuglaS 6493
DECEMBER, 1930
39
Confessions
Continued on page 21
a dazed sort of way (the three of us,
cab driver, man-of-the-moment and
me all standing transfixed. Me watch-
ing the girl, and they watching me) I
realize that she has changed from the
raggedy-Ann jacket to an ermine
wrap, white satin gown and turquoise
slippers. But it is the glimpse of her
face as she hurries past me that holds
me spellbound, rather than her Cin-
derella change of costume. She is
frightened to death. Glancing back I
see a smart roadster, a smart man at
the wheel, lighting a cigarette and
watching her with eyes lifted above
the flame of the match. Did she come
from that car? And why that look of
fear in her great blue eyes?
Again I am left staring like a
simpleton . . . The man in the road-
ster lights his cigarette and drives
away. The girl vanishes through the
door. The cab driver comes out of
his trance and significantly fusses with
the meter. The man-of-the-moment
says, "What particular ghost did you
see this time?"
What can I do, but laugh with him
at my foolishness, and tell him all
about it over our table in the dining
room, where the romantically softened
glow of rosy light makes anything
seem possible.
"Who do you think she is," I ask.
"Some silly little deb dressed up in
her sister's clothes and out for a thrill."
"Yes, but she was so terribly upset.
Didn't you see her eyes? And how do
you account for that get-up on the
boat the other night?" I insist.
"She probably would have good
reason to be frightened if she didn't
return the clothes before her sister dis-
covered them gone. And as for the
girl on the ferry, that is practically
certain to be simply a resemblance."
WHAT can I say, brought face
to face with such irrefutable
masculine logic? Especially
since I have no way of putting two
and two together. If only I had heard
that girl speak tonight! I'm sure she
would have had a foreign accent.
That is the curse of the commuter.
One sees an interesting face on the
boat one day, glimpses it in a very
gay mood at the Mark Hopkins the
next night, finds it again coming out
of a well known loan company on
Market street with the Mark Hopkins
expression given way to a worried
work-a-day look. Just a series of un-
related facts . . . One of these days
I shall probably be found accosting
some haughty stranger with the plain-
tive request, "I've seen you so often
on the 8:15... would you mind tell-
ing me the story of your life?"
Santa Barbara
Biltrnore
Open the entire year. American plan. Private bunga-
lows or hotel rooms. Exclusive beach and club house.
Swimming pool, tennis courts, and beautiful grounds.
CHARLES D. WILLSON, Manaser
i&Wciug$>
GIFTS
FOR GENTLEMEN
SEND FOR LIST OF SUGGESTIONS
Bullock^ J ones Co.
TAILORS AND IMPORTERS OF MEN'S WEAR
Post Street at Union Square
AND 649 SOUTH HOPE STREET, LOS ANGELES
40
THE SAN FRANCISCAN
jQs seemR
hbe9r I
NO .MATTER how dark and stormy
the night — Christmas is still
Christmas, and the spirit of giv-
ing prevails. Don't it get under your
skin — the urge to buy popper and
mommer neckties and handkerchiefs?
Maybe, too. there is jumper in the
Holly berries. Who can tell in this day
of fermented juices.
Getting back to Yuletide and all it
brings with it. Aren't the stores fas-
cinating with their enticing gifts.
They range from a dog collar to a
wheeled chair. Nothing you can think
of isn't presented to you in some guise.
S. and G. Gump's make you gulp, gasp
in every aisle. Bronzes, lenox China,
mandarin coats, white jade cigarette
boxes. Venetian trays! And the bottles?
Oh ! those bottles. Gorgeous this array.
If I were told to make a choice I know
I'd become a vacillating fool. They
run from the amber and crystal ones
'FASHION ART SCHOOL*
SCOTTISH RITE TEMPLE * Smi, «nd V.„ Nen A.emit
Individual Instruction
in
Costume Design
Proltstioiul c Hc-f U.e
Fashion Illustration
Millinery Malting
and Designing
Commercial Art
Life Drawing
Interior Decoration
ANNAATOiSON'iAHACF.EK.Ojt
BooUel on rfqucft
Phone Oi4*,f 2120
to the ruby red and lapis blue.
Mosse on Post Street has a most
entrancing linen shop for women.
Have you seen their bath towel sets?
Now I ask you? Couldn't you leave
home for any of their things. A love
of fine linen I think is instilled in every
woman from generations past, when
the pride of our great, great grand-
mothers was the product of her loom.
You could go into Mosse's blindfolded
and choosing at random be sure of an
exquisite piece of linen. It's a difficult
shop to leave without overstepping —
everything is so desirable.
DID you pass A. Schmidt and Son
without a wee lag in your usual
pace? Sincere and genuine admi-
ration for their silver perfections have
made my too frequent visits tolerated.
Mr. Vogel intuitively senses my
ardor and has unminding patience ex-
plaining the histories of his shining
antiques. Some of the articles of un-
usual design are remarkably inexpen-
sive considering what they are — and
before Christmas is upon you act upon
the suggestion of a call to this wonder-
ful show room.
Don't you like to poke around and
find places that are different? That
happens to be my job. I'm getting to
be a bureau of information. Hanging
out a shingle wouldn't be a bad idea.
I experienced the greatest satisfaction
in going to Benaderet's on Geary.
Everything to enhance King Tobacco
in here. Intriguing cases for cigars and
cigarettes. Meerschaum pipes. Unusual
lighters and. more interesting than
anything else, tiny gold-tipped cigar-
ettes to serve with a demi-tasse. Just a
puff in it but just enough. I had to
step on it now and call for my dress
at Kay's. You would like my pur-
chase. The glass showed me a slim
lady in black chiffon, cut low to the
waist line, held on the shoulders with
a necklace of brilliants. A narrow belt
of the same at the waist line enchanced
the slenderness and. in my trailing
elegance. I felt a veritable return to the
old traditions.
I dined delightfully at the Oak Tree
Inn and everything was so yummy I'll
have to swear off until Christmas. The
delightful fire place was an inspiration
to dream and I had a real brain wave,
or at least the bright idea of giving my
very efficient little maid, Annie Rose,
the gift of a permanent wave to keep
her unruly hair soft and tidy. An order
at the Electrice Beauty parlor is to be
presented to her Christmas morning.
GIFTS f0, ||
Discriminating Men
Philip Stearns
EXCLUSIVE HABERDASHER
240 Powell Street
Between Geary and O'Farrell
ESTABLISHED 1852
SHREVE & COMPANY
JEWELERS and SILVERSMITHS
Post Street at Grant Avenue
San Francisco
DECEMBER, 1930
41
The highest standard
of cooking is main-
tained at all times . . .
your guarantee lies
in the fact that all
food is prepared
under the personal
supervision of
Mrs. Belle de Graf
Downstairs
Monadnock Bldg.
San Francisco
To NEW ZEALAND
*225
To AUSTRALIA
$250
S. S. UNDEN
For Auckland, Wellington, Bris-
bane, Sydney, Melbourne,
Adelaide.
From San Francisco December 20
From Los Angeles December 23
Also the new, luxurious
sisterships
M.S. MIRRABOOKA
In January
M. S. PARRAKOOLA
In February
Newest and Fastest Ships.
Lowest Fares.
CALIFORNIA-AUSTRALIA LINE
GENERAL S. S. CORP., LTD., AGTS.
219 Sutter Street, San Francisco
609 South Grand, Los Angeles
Wgjfcat
PAULELDER&
v.ausene
Continued from page IS
of the novel follows its title carefully
— the life of a girl grows, expands,
deepens, moves slowly and almost
blindly forward. Splendid is the only
adjective to describe it. It's the kind
of novel you want to settle down with
in front of a fire; it is a novel you
hate to finish. All of which is another
way of saying that the book follows
the leisurely method of the nineteenth
century novel. Nothing is hurried,
hasty, or poorly done. And it is an
infinite relief and satisfaction after the
febrile chatter of so many of the new
"smart" novels. Here are real people,
real problems, real emotions, not the
pathetic jumping-jacks of a speakeasy
world.
Another book to settle down with
and one which will delight his ad-
mirers is the new edition of Thomas
Mann's A Man and His Dog recently
brought out by Alfred A. Knopf. The
story is a simple one — it is really all
told in the title — but the delicate and
whimsical humor of it shows a new
side of Thomas Mann unsuspected by
those who know him only through
his larger works. I do not say his
more important, for while the critics
must no doubt rank Budden- Brooks
and The Magic Mountain above this
little book, it is written with the same
skill and artistry that have won for
the author so high a place in contem-
porary letters.
Certainly the most original writer
in America today is Ernest Heming-
way. His Farewell to Arms only
added to the discussion of his merit
or lack of it which he had started with
The Sun Also Rises. A new edition
of his earlier book of short stories
In Our Time has recently been issued,
(Scribner's, $2.50) with an intro-
duction by Edmund Wilson. The
book is fascinating even if you've never
read any of Hemingway. It is doubly
so if you have, for the forming of the
style which becomes surer in The Sun
Also Rises is here evident. I had not
realized how much Hemingway owes
to Sherwood Anderson until I read
"My Old Man." The Gertrude Stein
element stands out, too. The ingredi-
ents were not blended at the time these
stories were written ; but even so, upon
them all is the mark, clear and unmis-
takable, of an original and powerful
personality which rapidly becomes one
of the most significant of our day.
.or your
WINTER HOLIDAY
— don't forget
THE SETTING!
J.MAGINE a night-time skating car-
nival on Yosemite's huge meadow
rink, snug between monstrous gran-
itewalls that reach up to the stars...
then a blazing fire-log at the color-
ful Ahwahnee or Yosemite Lodge!
Nights like these follow days of
ski-joring, to the far corners of the
Valley floor . . . tobogganing, on the
four-track slide . . . jingly sleigh tours
and jaunts with a dog team . . .
whirling down the busy "ash-can"
slide . . . and ski-tours up on the
slopes of the mile-high Sierra.
It's the year's most exhilarating
holiday — starting as soon as you
plan it ! Accommodations range all
the way from $18 a week, House-
keeping (for two people), to $10 a
day and upward, American Plan, at
The Ahwahnee.
Why not make advance reserva-
tions now from any travel agent, or
Yosemite Park and Curry Co., 39
Geary St., San Francisco; 604 W.
Sixth St., Los Angeles; and Yo-
semite National Park, California.
Yosemite
WINTER SPORTS
42
THE SAN FRANCISCAN
A MAN'S STORE WHERE
LADIES LIKE TO SHOP
Particularly at Christmas time. Ex-
plained no doubt by the glint of
satisfaction that appears in the male
eye when a gift bearing our label is
tendered.
— May we suggest . . .
Pajamas
Ties
Sweaters
Robes
Hose
Scarfs
Dress Studs
Shirts
Hats
Each article hand picked from the best
materials and patterns to be found in
domestic and foreign markets . . . and
with one thought in mind ... to please
men who look upon correct attire as
important.
?<*z i.%-3.
xCtAxi^6.
& Co., Ltd.
101 Post Street, Baker Building
IN SPITE of its sentimental and melo-
dramatic traits, Po'Buckra by Gert-
rude Mathews Shelby and Samuel
Gaillard Stoney (Macmillan) makes
a good story, full of warring forces
which ultimately lead to tragedy.
There is enough of the romantic glory
of the lost Old South to please the
Northerner, coupled with a dramatic
study of the fusion and confusion of
race and cast in one of the most inter-
esting parts of America.
An extremely attractive book is the
group of poems To the Little Princess
by Ella Young which has been brought
out by Johnck and Seeger. The little
volume is an exquisite bit of book-
designing, illustrated with decorations
by Lawrence A. Patterson. Ella Young
is an Irish poet, and through these
fragile verses runs the delicate and
fragrant imagery for which the Celt
is famous. In Old Pastures (Macmil-
lan) we have the work of another
Irish poet, Padraic Colum. Here again
the Irish traits are noticeable: humor
and pathos and a wistful sentiment.
Although the poems are slight, no one
being marked with the indelible power
of greatness, all are charming and will
please anyone with a bit of Irish (and
a love of poetry) in him.
The Electrice Beauty Salon
Staffed
with
Beauty
Specialists
♦
WARNER
of Paris
Distinctive
hair
cutting
Finger-
waving
HELEN LOGAN
Electrologist
Inecto Hair Dyeing
BLANCHE MULLIN
Permanent Waving
CATHERINE CORTAY
French Finger Waving
FACIALS
MANICURING
SECOND FLOOR
Mercedes Building
251 Post Street
GArfield9216
9217
Hctel del
Al way sr Delightful
For Outings
Only a half hour auto ride to Agua Caliente amuse-
ment center below the border with its colorful
diversions.
At Coronado
Daily enjoyment of all land and water sports.
Dancing, concerts, movies and special entertain-
ment attractions in this homelike hotel.
C. T. Scott, Agent, 2 Pine Street
Phone DOuglas 5600
Mel S. Wright, Manager
Coronado Beach
California
J/ flu WJLm£a/u*&a juuiifc \
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s-an paancisco
■^^^ ^^^B '*y •"-'"'k ■
THERE must be a reason
why people of wealth
and position who have
traveled widely and are ac-
customed to the best of
;
^1 -""S^Sm^ " Biff-J^tf
service are almost unani-
mous in their choice of the
aristocratic Nob Hill
hotels.
B*
Perhaps it is the subtle
temptation of the modern
luxury with which each
guest is surrounded that
brings those who "know"
to Nob Hill for the week-
end, to spend the season
or to make their home
above the heart of the city.
T«£ -FtQI-RmOIIT s^sr
THC mAAK -HOPKinS
. - ...
WILL HARPER
San F
Fin DAN TRANCISCAN
JOSEPH DYER, Editor and Publisher
Aline Kistler, Assistant to the Publisher
CHARLES CALDWELL DOBIE
WILSON FOLETT
LINCOLN STEFFENS
IDWAL JONES
CONTRIBUTORS
GEORGE DOUGLAS
ELVA WILLIAMS
SYDNEY KING RUSSELL
CAREY MCWILLIAMS
OTTORINO RONCHI
ZOE FJATTU
ROWENA MASON
KATHRYN HULME
VOLUME V
CONTENTS
JANUARY, 1931
Articles
Brass Bands and Grand Balls, by Zoe A. Battu
Adventures in Soviet Russia, continued, by Henry Cowell
Ballet with Symphony, by John Parker ....
More from Manhattan, by Charles Caldwell Dobie
Financial Fallacies, by John M. Dewees ....
Short Story
Sacrifice, by Leroy Rumsey
Criticism
Facing the Music, by James Hamilton Fisher 11
Passing Shows, by Aline Kistler 18
Causerie, by Frank L. Fenton 19
Verse
Portrait of a Spinster, by Constance Ferris 12
In the Name of Love, by Sydney King Russell .... 14
The Inexorable Equation, by Peter 17
Special Features
Now It Can Be Told, short comment and humor .... 8-9
Number 3
7
12
15
17
22
14
Special Features
Music Calendar 11
Art Calendar 18
Reigning Dynasty, by Josephine Bartlett 21
As Seen By Her, by Molly Merkley 30
Illustrations
James Rolph, photograph by Alexander Arkatov .... 6
Cartoons 8-9
Myrtle Leonard, photograph by Roger Sturtevant .... 10
Issay Dobrowen, drawing by Fisher .... .
Desert Home, photographs 13
Stage Setting for "La Giara," by Junius Cravens .... 15
Betty Horst, photograph by Consuela Kanaga . . . . 15
John Arledge, photograph by De Forrest 16
Celery, by Peter Arno
Drawing, by Charles Stafford Duncan
Albert Einstein, caricature by Sotomayor 19
Virginia Philips, drawing by Douglas Crane 20
The San Franciscan is published monthly by The San Franciscan Publishing Company, Sharon Building, San Francisco, California. Entered as second-class
matter October, 1928, at the Post Office at San Francisco, Calif., under the act of March 3, 1879, Joseph Dyer, Publisher. Subscription price: one year
$2.50, single copy 25c. Copyrighted 1929, The San Franciscan Publishing Company, manuscripts will not be returned unless accompanied by
self-addressed, stamped envelope
For advertising rates address Zora Combes, Advertising Manager, GA rfield 4755
ARKAIOV
HIS EXCELLENCY
James Rolph, Jr., Member of the Imperial Order of the Rising
Sun of Japan, Officer of the Order of St. Sava of Serbia, Officer
of the Crown of Belgium, Chevalier of the Legion of Honor of
France, Commander of the Order of Leopold I of Belgium, Com-
mander of the Royal Order of George I of Greece, Officer of
the Crown of Italy, Commander of the Order of Orange-Nassau
of Netherlands, five times Mayor of San Francisco and, now, the
Twenty-Seventh Governor of the State of California.
NOTE: The social error of the carnation being in the wrong buttonhole must be
charged to the account of The San Franciscan. Governor Rolph put the flower in his
left lapel when the picture was taken. We, however, preferred to have him look
toward the center of the magazine so reversed the print, transposing the flower.
SAN FflANClSCa
^Stin fmnciscfin
Brass Bands and Grand Ball:
Comparing the Recent Inauguration with Events of Earlier Days
by Zoe E. Battu
THERE was once a tradition in Cali-
fornia that a governor was not
really a governor until he had
danced the lancers at his own inaugu-
ral ball.
For more than a quarter of a century
the tradition has lain dead. But this
week, as James Rolph. Jr., assumed
the governorship, the inaugural ball
was resurrected, although the lancers
remain in their grave, which is just as
well for. remarkable as are the talents
of our Lord Jim Rolph. it is to be
doubted if he is equal to the lancers.
That dance belongs to other times and
other people.
Deeply rooted as was the tradition
of an inaugural ball, it does not appear
to have been begun until compara-
tively late in the state's history. There
does not come readily to hand any
special accounts of such functions in
the 1850's and '60's. and for this lack
there are a number of possible explana-
tions.
For several years the exact location
of the state capital was an open issue.
San Jose, Monterey and Vallejo each
aspired to be California's capital, and
each put forth noisy claims to the
honor.
Politics in the 1850's and '60's
were a highly riotous business. Cam-
paigns were marked by duels, assassin-
ations, stabbings, mob madness, libel,
blackmail, intimidation, conspiracy
and innumerable lesser irregularities.
The successful and surviving candi-
dates were probably exhausted from
their campaign activities and desired to
assume office without further display
and ostentation.
Aside from these political considera-
tions, there was another reason, very
likely the real reason for the lack of
early day inaugural balls. In the two
decades named, ladies — that is, the
right sort of ladies — were very scarce
in California, and you could not very
well have a ball unless the unattached
ladies available were acceptable to the
few wives in the land.
But by the 1870's the capital was
permanently established in Sacra-
mento, and the town had taken on the
dignity and aspect of a capital city —
factors necessary to the growth of a
tradition. Politics were conducted with
more finesse and order. The supply of
socially acceptable damsels and ladies
had increased. Society was stabilizing
itself and craved the cultural gentilities.
Inaugural balls, therefore, began to
take shape as polished and glamorous
events.
THUS for the inauguration of Gov-
ernor Booth, which took place
December 10, 1871, plans were
laid weeks in advance. The ball, how-
ever, almost failed to take place because
the day before the named date rain fell
in torrents and the wind blew a gale.
Rail beds were washed out. roads
were ruined and the Sacramento River
threatened to overflow its levees. Bal-
lenberg's Band, which was to furnish
music for the ball, had apparently no
way of getting to Sacramento, and
scores of San Franciscans with invita-
tions to the ball were in the same
predicament.
The only possible means of trans-
portation to Sacramento was the
steamer Capital, whose captain was
opposed to venturing into the storm.
But finally the captain yielded to the
pleas of frantic bid holders and the
members of the band. With his steamer
loaded to capacity, he left San Fran-
cisco at his usual hour. The trip was
made by inches and took a night and
day.
But the Capital managed to tie up
at the Sacramento wharf on the eve-
ning of the ball. Its passengers were at
the Capitol Building to dance and the
band to play for the first quadrille.
There were present at the ball, in full
dress uniform, the Army, the Navy,
the National Guard, the French and
Italian consuls. The midnight dinner
was sumptuous, and the punch bowls
operated on the fountain principle.
Thus both ladies and gentlemen were
well repaid for the dangers of the trip.
TO CELEBRATE the inauguration of
Governor Perkins there was a ball
of magnitude and heavy financial
expenditures. But over the festivities
tragedy cast its depressing shadow.
Three days before the ball, there had
occurred, in San Francisco, the death
of Emperor Norton I of the United
States and Protector of Mexico. On the
very day. of the ball, December 11.
1880, San Francisco had held a public
funeral for this most beloved and dis-
tinguished of her sons, who had been
the first, last and only Emperor of the
United States.
The Perkins Ball was the first
important public function in twenty-
one years that knew not Emperor Nor-
ton. During his reign he had attended
every meeting of the legislature, all
balls, parades, public funerals, corner-
stone layings, receptions to celebrities
and mass meetings.
Upon such occasions he appeared in
his official and royal habiliments, con-
sisting of bright blue trousers, a green
coat, epaulets, a cockade hat with
feathers and a sword. There persists a
rumor that the Emperor neglected to
Continued on page 33
NOW IT CAN BE TOLD
THE old husband-arriving-home-
unexpectedly situation was given a
new twist the other night by none
other than Chief Quinn's finest. When
this particular policeman arrived home
at two a.m., some hours earlier than
scheduled, he undressed in the dark
livingroom, carried his clothes on his
arm and tip-toed into the bedroom to
avoid waking his wife.
But she was already awake. "Sweet-
heart, my head has been just killing
me for hours. Please go to the all-night
drug store and get me some aspirin."
Dutifully he picked up his clothes,
dressed without turning on the light
and rushed to the drug store. The
druggist looked at him in surprise as
he handed over the aspirin.
"I thought you were a policeman."
"So I am."
"Then, what are you doing in a
fireman's uniform!"
AS A WORTHY successor to James
Rolph, Jr., we welcome Signor
* Angelo Rossi to the City Hall as
Mayor of San Francisco.
Signor Rossi, be it known, is a man
of parts. He is for one thing quite a
musician, and is said to do very well
with a trombone. In the past several
years the City Fathers have frequently
been involved in various issues relating
to the Opera Association and the giv-
ing of Opera in the city. At such times,
Rossi has always been for giving the
Opera Association anything it wanted
within reason and a little bit the best
of the deal. During his reign we may
count upon it that San Francisco will
be safe for all things musical.
In private life Signor Rossi has been
conspicuously successful as one of our
leading florists — an enterprise of some
distinction and artistry, which sets him
well above the common ruck of poli-
ticians and American mayors.
And finally our new mayor is the
son and descendant of a gallant and
noble race. He is of the race of Chris-
topher Columbus, who discovered
America in the first place. He is of the
race, which gastronomically. musically,
artistically, financially, economically
and otherwise has contributed in a
large way to the glory of California
and the glamor, charm and romance of
San Francisco. In short, Signor Rossi
is the logical person to maintain the
reputation of San Francisco as a city
whose mayors are not merely glorified
ward bosses but men of varied, distin-
guished talents.
'Whatd'you know — they've closed the Fable Room at the St. Francis.'
THE SAN FRANCISCAN
OFTEN we find that the lobby of
a San Francisco theatre is more
eloquent of the actress inside
than are the posters outside. Here you
find living mirrors of her mannerisms
in the gestures of the women posturing
between acts. And one can identify the
star at a talkie house quite by watching
the eyebrows, mouth and hands of the
women coming out the door, not yet
released from the romantic spell inside.
A San Franciscan is someone who
remembers the old steam trains that
went to the Beach.
JUDGING from the sadistic attitude of
the general public toward certain
current trials, it is not hard to be-
lieve the account given of the time
when an old-timer from the Napa
County foot-hills was on trial for as-
sault with intent to kill. The prose-
cuting attorney produced a fence rail,
an axe, a saw, and a rifle, as the
weapons used by the defendant. The
defence held that the weapons used by
the other man were a scythe, a pitch-
fork, a pistol, a razor and a hoe.
The jury, composed principally of
grizzled and be-whiskered tobacco
chewers, retired to decide the matter.
Finally they emerged with the honest
verdict:
"We, the jury, would have given a
hundred dollars to have seen the fight."
Having accepted Red Tops, Green
Tops, Silver Tops and many other
colorful varieties of taxis, we were
somewhat prepared for the new night
club special — the Black Bottom Taxi-
cab.
IT IS easy to laugh at the stupidity of
others but hard to see our own in the
same light. But certainly there must
have been a large element of ignorance
and stupid observation on the part of
the calculated thousands of visitors at
the de Young museum in Golden Gate
Park as well as the supposed experts in
charge of the place that for eighteen
years it should have in its possession a
valuable collection of Dutch paintings,
including a masterpiece by one of the
greatest of Dutch painters and a num-
ber of other unusual examples of his-
torical and portrait art, without being
aware of their greatness.
The collection has now returned to
its owners, a distinguished Dutch
family, direct descendants of the family
of one of the most celebrated Dutch
masters and residents of San Francisco
during most of the past century. The
present generation of the family did
not itself know the worth of the paint-
ings nor their interesting history until
Herr Adolf Werbik, Austrian art ex-
pert, was commissioned to restore some
JANUARY, 1931
"Dear, I wish you could interest your-
self in this theory of curves.
"But — I think I have a sufficiently broad
view of the matter at present1
of the canvases. He recognized one
masterpiece that for years during the
past century was loaned for exhibition
to the museum in The Hague. He
conducted research which revealed an-
other of the canvases to be an import-
ant historical painting and still another
to be the only authenticated painting
by a noted artist. Furthermore he
found in the collection five important
canvases by a celebrated painter whose
other known works are treasured in
various museums throughout the
world, no institution owning more
than one each. Werbik claims that this
collection, so long unrecognized in
San Francisco, although loaned to the
Golden Gate Museum from 1912 to
1930. is one of the most important
collections of Dutch painting in this
country. There are about sixty paint-
ings in the collection, most of them
family portraits over a period of several
centuries, and comprising a cross section
of the rise and decline of Dutch portrait
painting unequaled in America.
SEA chests and other things from
ships are generally surrounded
with a halo of romance. And now
we find that a woman has been enter-
prising and imaginative enough to sal-
vage some of the fine old cabinet work
from disbanded ships. We saw a few
pieces the other day in Harry Dixon's
shop — a sturdy, honest desk, the work
of fine English craftsmen of the past
century — a heavy timbered bunk that
has rolled many seas. And there we
met Mrs. D. C. Seagrave who per-
suaded her husband to purchase the
United States cruisers New Orleans
and Albany so that she might salvage
the furniture before the ships were
burned for the steel, copper, brass, lead
and zinc.
The cruisers had seen long and in-
teresting service. The New Orleans,
constructed at Newcastle-on-Tyne in
1898 for a purchase price of $2,634.-
2 1 5 saw service first at Santiago where,
in company with the Massachusetts
and the Iowa, she exchanged shots
with Cevera's squadron. After partici-
pating in the Peace Jubilee, she joined
the Asiatic fleet where she served con-
tinuously, except for one period of
four years, until the World War which
saw her the proud escort to convoys on
the Atlantic. The Albany also had a
fine record with the Mediterranean and
Pacific fleets. And now they have been
burned for their metals, valued in the
neighborhood of $86,000, and all that
is left of their glory are a few pieces
of teak and some interesting cabinet
pieces.
A San Franciscan is one who, rea-
lizing that there is a "noble experi-
ment" being conducted, refuses to be
inconvenienced by it.
THE recent auction of the effects of
"Borax" Smith serves to bring to
mind his one-time brief connection
with the Western literary scene. In the
hey-dey of his fame and fortune. Smith
was much enamoured of
the idea of playing "angel"
to Western art, writers
and artists generally, and
in a moment of inspiration
he conceived the idea of
founding and subsidizing
a monthly magazine.
Thus, early in 1906,
was born the publication,
bearing the rakish and ro-
mantic appelation of The
Blue Mule. The sheet was
named for a mule of a
peculiar bluish shade in
one of Smith's famous
wagon trains. Henry An-
derson Lafler presided as
editor, and offices were
maintained at 612 Clay
street. By express stipula-
tion, on the part of Smith.
the magazine was to en-
courage and develop young
writers and stories and
articles were to be paid for
upon acceptance at a mini-
mum rate of $25.00. an
average rate of $ 5 0. 00, and
a higher rate if the nature
of the material warranted.
For those days these rates were "a
lot of money." News of them spread
through the land and Lafler was all
but buried beneath manuscripts. The
stories he featured were by young,
aspiring but unknown authors. They
bore the names of Peter Bernard Kyne,
Kathleen Thompson (soon to be
Kathleen Norris) , Sinclair Lewis and
Perry Newberry.
But The Blue Mule was destined to
be short lived. In April, 1906, came
the earthquake and fire. The recon-
struction period was not an auspicious
one for an infant magazine, and the
"angel" of The Blue Mule seemed sud-
denly to have neither time nor money
for the enterprise which he had begun
with such blare and flourish. The
magazine died to the very probable
sorrow, but not to the total discour-
agement of its star contributors.
A San Franciscan is a driver who
knows that you can't turn left on
Market street.
Who were the two women who
celebrated New Year's by sitting with
the orchestra of a downtown hotel and
calling "yoo-hoo" at each and every
draught of liquid refreshment?
A San Franciscan is one who break-
fasts in a Swedish coffee shop, eats a
Chinese Merchant's lunch and closes
the day with an Italian dinner.
L-uijeA**-'
What do you know about colic?
10
THE SAN FRANCISCAN
MYRTLE LEONARD
A LITTLE over ten years ago, when
I was visiting in New York City,
I received an invitation to drop
into the studio of my friend, Francis
Stewart, and hear one of his pupils
sing. The pupil on this happy occasion
was a young woman from Alameda and
she had a contralto voice. Not just an
alleged contralto, buta real, rich, deep
contralto that sounded — to use a very
hackneyed but in this case a perfectly
descriptive phrase — like a pipe organ.
Recently I heard this same voice in
San Francisco on the concert stage.
The little girl who ten years before
had seemed something of a prodigy
had more than fulfilled her promise.
She was now a full fledged artiste and
ready to stand before the best of them.
At least so it seemed to me. And my
humble judgement has since been con-
firmed by no less a singer than Gigli.
Likewise Riedel who was the leader
of the German opera during San
Francisco's last opera season.
Miss Leonard is that rare thing
among contraltos — young and slender.
Not that contraltos are never young
and slender but they rarely have these
two qualities and a perfectly de-
veloped voice all at the same time.
Miss Leonard has two other points in
her favor: she has a range that likewise
puts her in the mezzo-soprano class,
and her German is impeccable even
thought she is an American.
Everything considered it looks as if
it will not be long before San Fran-
cisco will add one more famous prima
donna to the long list of artists that it
has given the world. Remember the
name — Myrtle Leonard. And, when
in the very near future you read that
anotheryoung singer has "stopped the
show you can look wise and say:
"Why, of course, I read about Myrtle
Leonard in the San Franciscan."
— Charles Caldwell Dobie.
ROGER STURTEVANT
JANUARY, 1931
11
Facing the Music
The First of a Series
WITH the first half of the San
Francisco music season at an
2nd, the question of its musical
success or failure, technically speaking,
is not nearly as important as some may
believe. Even a discussion of its various
phases is of little consequence. "Not
heaven itself upon the past has power,
but what has been, has been . . ." said
John Dryden more than two hundred
years ago, and nothing has happened
since to make me believe that things
are different today. No, a mere discus-
sion of the music presented won't help
us much. If it was good, bad or indif-
ferent is of little moment today.
However, as the first of the year
seems to create a retrospective mood in
most people it may not be amiss to
glance covertly back and see what the
sum total of all the music which has
been made this season amounts to. And
in this connection I feel justified to ask
at least one question. Perhaps it is
Friday afternoon, January 9, Symphony
at the Curran Theater.
Friday evening, January 9. Grace Bur-
roughs, Gold Ball Room. Fairmont
Hotel.
Sunday afternoon, January 11, Sym-
phony at the Curran Theater.
Monday evening. January 12, Liebes-
lieder Ensemble, Dreamland Audi-
torium, and Maude Symington lec-
ture recital on Wagner operas at the
Community Playhouse.
Wednesday afternoon, January 14,
Maude Symington lecture recital on
Wagner operas at the Community
Playhouse.
Wednesday evening, January 14, Sym-
phony with Betty Horst Ballet,
Civic Auditorium.
Thursday afternoon, January 15, La
Argentina at the Geary Theater.
Friday evening, January 16, Maude
Symington lecture recital on Wagner
operas at the Community Playhouse.
Sunday afternoon, January 18, Sym-
phony at the Curran Theater and
La Argentina at the Geary Theater.
Friday afternoon, January 23, Sym-
phony at the Curran Theater.
Saturday evening. January 24, German
Grand Opera Company in "Die
Walkuere,"at the CivicAuditorium.
Sunday afternoon, January 25. Sym-
phony at the Curran Theater and
the German Grand Opera Company
in "Der Fliegende Hollaender" at
the Civic Auditorium.
Monday evening, January 26, Aquilar
Lute Quartet at Travers Theater
and the German Grand Opera Com-
pany in "Tiefland" at the Civic
Auditorium.
Tuesday evening. January 27, German
Grand Opera Company in "Sieg-
fried" at the Civic Auditorium.
Wednesday evening, January 28, Ger-
man Grand Opera Company in
"Goetterdaemmerung" at the Civic
Auditorium.
of Critical Articles
by James Hamilton Fisher
an impertinent question. But imperti-
nence, like table manners, is a mat-
ter of opinion, and so my conscience
remains blissfully undisturbed when I
ask: "Did the music presented during
the last three months in San Francisco
help to bridge the chasm between the
interests of art ond the interests of the
common people, and if so are there any
visible signs to that effect?"
Certainly a fair question and one
which deserves a full amount of con-
sideration in determining the success or
failure of a season. But now that it is
asked I suddenly feel very low spirited.
For my memory strays back to the
beginning of the season when the San
Francisco Grand Opera Association
presented its annual display of ermine
coats, top hats and operatic talent and
I wonder if the answer to the riddle is
to be found there. Were those perform-
ances really a popular and artistic suc-
cess or were they merely a well planned
and executed society circus? Obviously
this is no way to arrive at a conclusion.
So let's forget grand opera and take a
quick backward look at the symphony.
UNDER the much discussed baton
of Basil Cameron, the symphony
orchestra of this city presented
twelve concerts. Six popular concerts
were heard over the radio and at sev-
eral special occasions. This certainly
proves that the musicians weren't idle.
But does the music made so diligently
by the members of the orchestra help
us to find an answer to our query? Is
the result of their efforts an increased
percentage of listeners or is interest in
the orchestra merely kept alive by the
pulmotor of social prestige?
Again a chilly draught of disappro-
val strikes my neck. Can it be that I am
once more on the wrong track? A most
annoying situation, leaving me very
much in the position of the English-
man who asks a riddle and later is
forced to confess that he has forgotten
the answer. For if it is impossible to
arrive at a conclusion after looking at
these major events it seems certain that
the success of the season can not be
determined by a closer scrutiny of the
concerts of individual artists either
great or small.
But I am not downhearted. Often
the mere asking of a question starts a
train of thought which is apt to pro-
duce remarkable results.
After all, music should be the
delight and inspiration of all classes
and all people and so the success or
failure of a music season must perforce
be judged by that standard.
ISSAY DOBROWEN
WHICH is as good an exit line as
any, and gives me a chance to
turn my face to the front before
turning into a pillar of salt.
And here the first thing I see is
Issay Dobrowen, San Francisco's sec-
ond guest conductor for this season,
who arrived in the city a few days ago
and will play his first concert Friday
afternoon, January 9th, at 3 o'clock
at the Curran Theater. The youthful
Russian conductor arrived in town
eager to go to work, with a wealth of
new ideas in his active brain, a charm-
ing wife and the score of his piano con-
certo which he may play during his
stay here. He probably brought some
luggage for he came all the way from
Germany, but if he didn't I wouldn't
be at all surprised. For that is the sort
of a man he seems to be. Why should
he worry about trunks as long as his
destination offers him a piano and an
orchestra to play on?
Dobrowen didn't arrive with a lot
of theories about the relative merits of
the classics and the moderns. He is
fully aware of their individual posi-
tion and alive to their possibilities but
makes no comparisons between them.
As long as it is music of merit it mat-
ters little to him if it was written yes-
terday or a hundred years ago. But it
must be music and not trash, and he
leaves no doubt as to his knowledge.
With a long record as symphony
and operatic conductor in Europe,
Dobrowen has laid a foundation of
musical knowledge which will carry
him far. Perhaps the most significant
thing he said was that "a full dramatic
understanding of symphony music is
half the battle for a proper interpreta-
tion of the works. Approach music
merely from the musical angle and
your readings of the scores are apt to
Continued on page 27
12
Adventures in Soviet Russia
by Henry Cowell
(Continued from the December Issue)
AT the hotel again. I got the clerk
to telephone for me to a man
to whom I had a letter. The
address given me was "Butter Center.
Moscow." I had visioned perhaps a
rather busy store, selling butter, but
had no idea of the real magnitude of
the business. I found that at this
butter center, every piece of butter sold
or bought in the whole Soviet Republic
must be accounted for. It is a clearing
house for all butter activities. And it
employs over twenty thousand men.
But they finally located my friend
without very great trouble. I mention
this because it is on a similar plan that
the Soviet government conducts all its
different branches of business. Such
centralization makes it possible for
them to make products at a low cost,
and the general plan of procedure
seems to so uninitiated a person as
myself to be much the same as our
chain stores. Private enterprises are
not forbidden in Moscow, and there
are still a very few of them left, but
they are forced out because the gov-
ernment can undersell them with such
ease, due to its vast organization.
I took a street car back to the hotel.
Since there are so few taxis or motor
cars, everyone rides on the trams, and
they are frightfully crowded: but I
did not see any ill-natured jostling.
It takes something more important
than being crowded to remove the
perpetual good humor and gentleness
of the Russian citizen. Passing the
tomb of Lenin, where he is embalmed
and on view to the public from eight
to nine o'clock every evening, people
had already begun to form in line to
see him, although it was only four
o'clock. By six or seven, thousands
would be waiting for the chance of a
fleeting glimpse. A personal worship
of Lenin seems to have taken the place
of religion for many of the waiters-
in-line. I tried my German on some
of them; a few could speak a little of
it. and I found that one had come up
from South Russia just for this mo-
ment of seeing Lenin: another came
every evening and stood in the long
line; another was a school teacher
bringing a group of very young chil-
dren to see Lenin for the first time,
and there was discussion of what a
great thing it would be in the life of
the children to have seen him.
From dinner I went to call on a
musician friend. The address he had
given me proved to be not a house, but
a little street closely lined with houses
on all sides. There was a caretaker
seated at the gate entrance to the street,
and one was supposed to ask him in
which home the particular person one
wished to see was located.
My friend's room proved to be
unique. As a famed musician, he was
given a small room to himself — a re-
markable special privilege. He had
moved his enormous library of music
into the room, covering every available
inch, as well as many unavailable
inches. For the music was piled up
against the wall on all four sides of
the room solidly, from the floor to the
ceiling: with only a space for the
window. It was piled under the grand
piano up to the bottom of the piano,
and on top of the piano up to the
ceiling. The only chair was the piano
bench and the bed. And when the
bed was not in use music was piled on
it. When my friend (Mr. Nicolas
Schelleiff ) went to bed. the music on
the bed was piled on the floor in the
passage through which one must walk
to get in and out of the room. In spite
of crowdedness there were two music
students having a wonderful time
arguing about abstruce musical ques-
tions, seated on the piano bench. I
was seated on the bed. From under
the bed came a samovar, and tea was
enjoyed by all. in spite of cramped
quarters. No quarters are small enough
to excuse a lack of tea, in Russia.
My friend took me to a play in the
Meierholdt Theatre. The play was
one making fun of capitalistic society.
The actors had to be wonderful acro-
bats, and the play was truly funny.
The actors were very formally dressed
in full evening dress (which is not
used in Russia anywhere now) and in
the middle of a serious and stilted con-
versation, one of them would without
warning jump over several chairs and
couches, gracefully disport himself
where he happened to land, and calmly
continue the serious and dignified con-
versation with someone else in his new
position. Then there was a fire in the
THE SAN FRANCISCAN
house portrayed on the stage, and fire-
men bounded up and over the house,
beat out the flames, were killed,
squirted water on the inmates, and
shouted directions: but the same sort
of unconcerned action went on be-
tween the gentlemen in the house. A
mere fire was beneath notice. If water
was squirted on one of them, he gave
no sign of noticing it. but if a point
in the conversation interested him,
your true gentleman would give one
of his indescribable leaps into the air,
make a few turns in the air, and land
quietly again. Such plays run con-
stantly, a rather gentle and humorous
propaganda against dressing up. and
acting like society folks. No plays
which I saw were without propaganda
in some form.
Walking home from the play late
at night. I wondered if we would be
accosted by prostitutes, as one is at
night in Paris. Berlin or Vienna. But
my friend claimed that prostitution is
practically non-existent, since mar-
riage has been shorn of its financial
obligations and is within the reach of
everyone. Since the man and woman
each make money, and continue both
to be paid after marriage, there is no
responsibility, and the wages auto-
matically go up if a child is born.
With this comforting thought my
friend left me. and I went into the
hotel only to find that the person who
had left me his room had come back,
and that the next day I would again
be without a shelter.
With this disquieting information
running through my mind, I settled
into bed, having spent a typical trav-
elers day in Moscow.
Portrait of a Spinster
By Constance Ferris
Moving gracefully, tending the hollyhocks
Morning and afternoon
Then in the evenings, watching the sheen
Of firelight on rosewood, candle light on teacups
Comforted by dreams.
A spinster with blue veins and leg of mutton
sleeves
Is honored in Boston, ignored in San Francisco.
A matter of geography, nothing more tangible,
Made me a spectator at life's parade.
Pity the young man, seething with virility,
Pity the young girl, with lithe, ecstatic grace,-
Pity the zealous, the strivers, the seekers,
They, too, must come to quiet in the end.
Pity not the old maid, alone with her teacups,
Pity only those who in life's long twilight
Are left without firelight,
Candlelight and dreams.
JANUARY, 1931
13
Gordon Kaufman, Architect
CASA MAGNOLIA
The Desert Home of
Lee Eleanor Graham
at La Quinta in the heart of the
Southern California desert. At
right is a detail of the "Desert
Bedroom." The walls are of silver
and gold leaf with varieties of
cacti painted in their natural
colors. The floors are of black
marble ornamented with medal-
lions of cathedral glass. Above is
a view of the patio, showing the
entrance to one of the bed rooms.
This patio is covered by a canopy
of Venetian sail cloth. A splen-
did barbecue fireplace lends itself
to the outdoor activities of a
desert home.
14
THE SAN FRANCISCAN
Sacrifi
acrince
by Leroy Rumsey
AND NOW — Audrey lay sobbing
on the sofa: fair-haired Audrey,
who had laughed her way
through life, sobbing in Marty's
smartly-furnished apartment: the
apartment that was so like Marty her-
self— frigid, passionless; overlooking
the points of the other skyscrapers as
Marty overlooked life.
Marty, standing by the window,
watched the scurrying people on the
street below. Her close black hair was
unmoved by the clean-cut wind from
the bay. Her manner was as detached
and impersonal as the large cold soli-
taire which sparkled on the finger of
her left hand.
"Stop, Audrey," she said.
Audrey raised her eyes. "I can't,
Marty; I can't stop. He's all there is —
in the world — to me " Her voice
choked.
The thin wisp of Marty's mono-
tone shone for an instant against the
dead silence of the room. "Stop crying,
Audrey," she said. "If Danny is out-
side, why don't you send him in? I'd
like to talk to him — alone."
Audrey walked listlessly to the door,
dabbing at her eyes with a pale blue
handkerchief. She glanced for a mo-
ment at the motionless figure by the
window and then went out.
MARTY did not move. Her eyes
stared unseeingly at the ceaseless
antics of the tiny black forms
ten stories below. If she could handle
Danny, everything would be all right.
If she could handle Danny
Daniel Carter entered the room
slowly, dragging his heels. He barely
looked at Marty. "Audrey told you?"
he asked.
Marty turned. "Yes . . . yes . . .
Audrey told me." Her eyes lighted
with a sardonic gleam which died
almost as soon as it had come. "But
I might as well listen to you," she
continued, in her lifeless, detached
manner.
Danny shuffled to the lounge.
"Why need I tell you, Marty? It's all
over. You mustn't believe what Aud-
rey says. Why — that — that was only
for a few moments. It couldn't last."
He gestured helplessly.
"Tell me how it happened."
Danny noticed the stony quality of
her tone. He should have known, by
this time, that it was useless to batter
against Marty's will.
"Audrey and I ran into each other
in Paris," he began, carefully. "I knew
Audrey was a good friend of yours
and I didn't think you would mind if
we ran around together a bit."
"No. You were merely my fiance."
"It doesn't, really, make much dif-
ference nowadays, does it?"
Marty's lips barely moved. "No . . .
it doesn't."
"Anyway, Audrey didn't know
about that. We were both going to
Rome. What was more natural than
that we travel together?"
"You could skip that part."
"Well . . . ," Danny hesitated.
"Well — I don't know that there's
much more to tell — except that we
went to Rome and played around a
bit — and "
"And you told Audrey that you
loved her, that you wanted to marry."
Marty laughed softly. "But you
couldn't, because there was 'another
woman.' Another woman! Always
another woman to interfere with soul-
mates." Her voice was colorless save
for the faint suggestion of mockery.
"You were her soul-mate, weren't
you?"
"Marty, you mustn't. It was only
a midsummer "
"Yes, I know. Errope in the spring,
and all that." She regarded her long
slim fingers with the eye of an aesthete.
"I've been in Europe in the spring
myself, Danny. You mustn't think I
don't understand."
"But you really don't understand,
Marty. You don't."
Pale laughter floated from Marty's
half-opened lips. "Oh, yes, Danny. I
do. Do you think I'm as obvious as
that? Of course I understand. Aud-
rey's coming to me — that was the final
touch. You might have spared me that,
Danny." Her voice dried to the waver-
ing thinness of old parchment. "Be-
cause she didn't know I was that 'other
woman,' that third corner of the tri-
angle. Asking me to arrange her love
affair. Begging me to make this other
woman give you up. And I. that other
woman, Audrey's best friend, loving
you too "
"And I love you. Marty." Danny's
words were soft and fervent. "I love
you. too. Won't you believe me,
Marty?"
"Danny "
"You mustn't let all this upset you.
Marty. Youmustn't. Audrey wouldn't
separate you and me for the world, if
she knew. You're her best friend. She
— she'd die for you, Marty."
"And I'd go through a living death
for her." She gestured impatiently.
"It's all over between us, Danny. All
over. You must go to Audrey. You
must marry her and make her happy.
I'm older than she. I can stand the loss
better. You must go to Audrey."
"When it's you I love?"
Marty's lips hovered, for an instant,
on the edge of a smile. "When it's I
you love." she repeated. "Here is your
ring." She drew the hard, glittering
jewel from her finger. "The one ring
Continued on page 23
In the Name of Love
by Sydney Kins Russell
The whiteness of your body in the dusk
Rekindles ardor in my singing blood,
Again I winnow beauty from the husk
And passion sweeps me with the ancient flood
Your fingers touch my arm, and I am made
One with a host exultant over time
And space — no longer timid and afraid
Of windy stairs too tenuous to climb.
Your breath is on my hair, and in my eyes
Your certain image stamped indelibly;
I am refashioned, radiant and wise
Since you have crossed a world to succor me.
The gift of ecstasy lies in our keeping,-
Look homeward, time — you shall not find love
sleeping!
How sweet the dusk ... A light breeze from
the south
Ruffles your hair, makes mischief with your dress
Your kisses fall so softly on my mouth
I dare not stir, cradled in tenderness.
I dare not speak aloud, even to bless
Your tender fingers, suddenly imbued
With skill to wake the ultimate caress
Of love that leaps from changing mood to mood.
Yet only yesterday I thought you hated
The very ground I trod. I drank despair,
A bitter draught, and wandered where Death
waited;
You came to waken me, and led me where
The awful veil was lifted. Breath to breath
We walk with love and look away from death.
One who has loved your body knows no rest,
Try as he may he can forget you never —
Once he has found your lips and touched your
breast
A strange caress will haunt his heart forever.
He will go plunging toward oblivion
Stopping his ears lest your remembered laughter
Grieve him with music, lest the bright web spun
Tightly about, ensnare him ever after.
Better, far better had he never bent
To kiss the arched, pale throat and restless eyes.
Better he had not learned the acrid scent
And taste of love. He had been doubly wise
Had he but bent his gaze where planets sprawl
And never looked upon your face at all.
JANUARY, 1931
15
Ballet with Symphony Orchestra
by John Parker
THE zest of experimentation flavors
the pleasure with which San Fran-
cisco anticipates the evening of
January 14 when the Betty Horst
ballet, with Lillian May Ehrman as
primiere danseuse, appears in concert
with the San Francisco Symphony
orchestra in the Civic Auditorium. In
addition to the symphony program,
there will be three dance numbers. A
ballet to the "Chant de Joie" by
Arthur Honegger, two solo dances by
Mrs. Ehrman to "Villanella" and
"Gagliarda" from "Antique Dances
for the Lute" by Ottorino Respighi,
and the ballet "La Giara" by Alfredo
Casella.
Were this Italy, music by Respighi
and Casella would not be played on
the same program because these two
composers represent opposite poles in
contemporary Italian music. Respighi
offers a rebirth of the pure classical
compositions of the Gregorian mode
from the 17th and 18th centuries and
is therefore opposed to modernism. His
best known works in this country are
"The Pines of Rome," "The Foun-
tains of Rome" and "The Festivals of
Rome" . . . Casella has used various
styles of composition on occasion but
is best known for his latest works in
which he makes liberal use of the chro-
matic scale. His music has frequently
been described as mathematical. It is
strongly rhythmical, dissonant and
represents a singular
humor and truly fero-
cious sense of the gro-
tesque.
Mrs. Ehrman's dances
to Respighi's music will
be slightly lyrical, though
not conventionally
"ballet." They are nar-
rative only to a limited
degree, being rather more
expressive than story-
telling. In a broad sense,
they suggest Beatrice's
compassion for Dante.
"La Giara" is frankly
narrative, having been
adapted from a one-act
play of the same name by
Pirandello. It tells the
story of the breaking of
a beloved oil jar owned
by a rich farmer. Don Lollo Ziraga,
whose young daughter, Nela, cajoles
him into employing a hunchback jar
mender, Zi 'Dima Licasi. In repairing
the jar, the hunchback seals himself
inside and Don Lollo refuses to have
the jar broken to release him. Nela is
sorry for the mender, calls the peasants,
fetes them with wine and in a dance
upsets the jar which breaks, freeing the
old man. much to the chagrin of Don
Lollo.
Lillian May Ehrman will dance
the role of Nela attended by a ballet
of forty. The characters of Don Lollo
BETTY HORST
CONSUELA KANAGA
Stage Setting for "La Giara,"
designed by JUNIUS CRAVENS
and Zi 'Dima will be entirely in panto-
mime, played by Laurence Cone and
Junius Cravens. The setting, designed
by Junius Cravens who is staging the
ballets, consists of a house in tones of
yellow ranging through orange to
brown and trees with trunks shading
from light orange red into maroon and
blue green foliage — against a very dark
blue back-drop. The peasant costumes
of the dancers will repeat tones from
the house with added accents of green.
THE ballet of "Chant de Joie" by
Honegger has been developed along
abstract lines. Honeggar is one of
the famous "six of Paris," the group
that includes Milhaud, Poulenc, Auric,
Durey Tailleferre. His music is quite
revolutionary, his most famous com-
position being "Pacific 231." The
ballet does not pretend to any narrative
form, but is purely an expression of
mood. Like the music, the dance is
slightly transpositional. It has in it
none of the traditional ballet forms,
being modeled on the lines of the
modern German mass movements.
About twenty-four dancers will par-
ticipate in "Chant de Joie," dancing
against a deep blue-black background
without other setting.
Betty Horst. director of the ballet,
came to San Francisco several years ago
as a representative of the Denishawn
School. More recently she has studied
in New York with representatives of
the modern German school of the
dance sponsored by Rudolph von
Laban and Mary Wigman and now
conducts her own studio here, teaching
principles of modernism.
16
THE SAN FRANCISCAN
DE FORREST
JOHN ARLEDGE
On long term contract with Belasco
and Curran, John Arledge returned
to San Francisco in "Up Pops the
Devil" carrying a more important role
than in his former appearance here
with Pauline Frederick in "The Crim-
son Hour." Much is predicted for this
youth from Crockett, Texas, whose
ability as a pianist was exploited in
"King of Jazz" before his "discovery
by the Western producers.
JANUARY, 1931
More from Manhattan
Where the Caliph Continues to Enjoy a Critical Mood
THE rapidity with which sections of
New York become passe, or even
declasse, may best be indicated by at
least one "nifty" concerning Park Ave-
nue that was pulled in a musical com-
edy last week. "What, you never heard
of Park Avenue!" exclaims the racke-
teer of the show. "Why, Park Avenue
is a street where bad ladies take good
dogs out for a walk." And then there
is the other one about the stock market
crash putting scores of Park Avenue
girls on their feet. And yet it seems
only yesterday that Park Avenue was
the last word in swankness! Though
why anyone should want to live on it
has always beaten mc, with upper
Fifth Avenue facing Central Park not
a block away. After everything is said
and done Park Avenue is a cold, drab
street, and if you are near enough to
the underground roadway of the New
York Central you fancy that an incipi-
ent earthquake is in progress most of
the time. . . . Of course Fifth Avenue
has long since lost its class, even as a
shopping street. With all its new build-
ings and its cheap flash it reminds one
of the shopping section of a certain
western boom town whose name we
shall not mention.
The other evening in company with
some of the publishing world I made
the round of the night clubs. If there
is anything more deadly than a New
York night club I have yet to encoun-
ter it. Of course New Yorkers explain
to you that night clubs flourish for the
benefit of the boobs from the sticks.
But these New Yorkers never miss a
chance to show a boob the night club
sights. They remind me of grown-ups
who when caught at a circus always
apologize and blame it on the children.
Some of the sting was taken out of the
aforementioned tour by the fact that
as my guides were newspaper column-
ists they were allowed to pay for
nothing. . . . The entertainment at
night clubs is usually made up of num-
bers sung by ladies with as little clothes
on as the law winks at. Some day
an enterprising night club manager is
going to discover how lascivious
clothes really are and then there is
going to be an increase in the garment
workers trades. The last club we pulled
up to had a doorwoman instead of a
doorman, dressed in Cossack uniform.
She insisted we could not enter because
we had no women escorts and, while
his hosts were arguing the point, this
by Charles Caldwell Dobie
humble scribe, having by that time
acquired a bun best described as of the
indignant variety, waved for his taxi
and departed. I woke up next morn-
ing with an exultant sense of having
thrown consternation into the party
when they found that I had left them
flat. But before the day had passed I
discovered to my chagrin that nobody
had missed me. Proving that indigna-
tion either moral or otherwise is a
waste of energy.
MY EDITOR admonishes me to con-
tinue writing about topics of
general interest. But things hap-
pen here so fast and furiously that it is
hard to tell where to begin. Already
the P. E. N. dinner for Sinclair Lewis
seems hundreds of years ago. Yours
truly had the honor of sitting at the
speakers' table and glowering down
with great superiority upon the crowd
below — some hundred and fifty
authors who had been snatched away
from the Tagore dinner just across the
street. But Tagore. being a truly mys-
tic gentleman, let his presence be felt at
theLewis dinner. Not that he projected
his astral body; he was much more
practical, he used a telegram. It began
thus:
"My Dear Mr. Lewis: Rabindra-
nath Tagore, whose only public lecture
will take place next Tuesday at the
Town Hall, presents his compliments,
etc., etc."
Ah, how well these Indian mys-
tics know their sordid western public!
Your humble scribe also closed the
Lewis show with a very brief speech.
He claimed Sinclair Lewis for San
Francisco, seeing that he had once spent
a month or two as a reporter in that
town. But I fancy Mr. Lewis was not
impressed. Anyway, he left it to his
wife to voice the Lewis thanks for the
implied compliment.
SPEAKING of the claims of San
Francisco — what droves of San
Franciscans, native and otherwise,
swarm the streets of Manhattan. Bill
Rainey of Players' Club fame, now
one of the big leaguers for the National
Broadcasting Company, and Bill Han-
ley, also "on the air." To say nothing
of Tom Carskadon and Charlie Field,
likewise going rapidly radio. I climbed
up and down four flights of stairs in a
building next to the American Radia-
tor Company's skyscraper, trying to
17
locate Charlie Field's apartment. Fail-
ing, I left an indignant note in his let-
ter box and then crossed the street.
Looking up at the second story win-
dows I saw the outline of two Chi-
nese lanterns winking in the gloom.
"That," said Hawkshaw the detective,
standing on one foot, "must be the
abode of a San Franciscan. And not
only the abode of a San Franciscan but
the abode of Charles K. Field!" I went
back and beat upon the door and
insisted I was a representative of the
Swedish government who had awarded
the Nobel prize in radio broadcasting
to the inmate of that apartment. Sud-
denly the door flew open and disclosed
the hider-out in his B.V.D.'s. The
moral of that is: Renegades from San
Francisco with Chinese lanterns in
their quarters should pull down the
blinds. . . . But. to return to San
Franciscans in New York. Rose Wilder
Lane, come way from the Ozarks to
take care of the Lewis baby while the
family go to collect their money in
Stockholm. Ruth Comfort Mitchell,
on a three-day vacation. Bessie Beatty,
presiding over tea. The Will Irwins
and likewise the Wallace Irwins at the
Authors League Show. George Creel,
reviling me for keeping my where-
abouts dark. Russell Medcraft, talking
over the cast of his new show at the
Lambs'. Dick Leonard at the Henri
Deering recital, to say nothing of Vir-
gil Markham at the same place. Reg
Mason in from a run with an English
play. The Lincoln Steffens at Lem
Parton's for dinner. Alice Ames Rob-
bins, serving Sunday breakfasts to
hungry Calif ornians. Virginia Brastow
busy ghost-writing a book. Sam Bar-
clay, putting disgruntled customers of
Scribner's in good humor. Francis Stu-
art discovering a new prima donna.
Continued on page 23
The Inexorable Equation
by Peter
I drew a thin black line
Across the paper of my life:
. . . .on this side, I said, will
be yesterday
on this, tomorrow,-
But both sides were unchanging whitel
The only sign of color there
Was the thin black line of today,
Defiantly dividing
White from white.
A San Franciscan is a person who
realizes that in San Francisco avenues
are named alleys and alleys are called
avenues.
THE SAN FRANCISCAN
CELERY
by Peter Arno
Reproduced from the
original drawing to
be exhibited at the
Gump Galleries the
latter part of this
month, together with
satirical drawings by
Miguel Covarrubias.
Arno and Covarru-
bias are the acknowl-
edged peers of Am-
erican caricature to-
day.
Passing Shows
Discussion of Current Local Art Events
Aline Kistler
1931 has opened with
a feeling of art activity
THE year
more of
than has been felt in a long while.
Look over the art calendar on this page
with its subject matter in black face
type. Covarrubias, Max Weber, Rodin,
Cambodia, French etchings and
Currier and Ives prints — certainly as
varied fare as has been presented in
San Francisco in many a month. And
from the variety offered, one gets the
feeling that there is wide opportunity
for personal enjoyment, if not at one
place, certainly at another.
The most beautifully presented ex-
hibition now on is the S. and G. Cump
showing of sculpture by Auguste
Rodin. It is held in the rotunda gallery,
so long the repository of unrelated pic-
tures reflecting the current taste of the
average buying public. It is a lovely
gallery with impartial walls that har-
bor no obscure corners. What a joy to
see it cleared of the commercially neces-
sary heterogeneity of canvases and re-
duced to a gracious background for
seventeen pieces of sculpture and three
drawings by the great French sculptor.
In this setting, one feels the imagina-
tive force of Rodin. One wants to re-
turn again and again to draw from the
work that which it has to give. This
is the first of an inviting series of exhi-
bitions to be brought to San Francisco
by Richard Gump this spring season,
following his announced policy of es-
tablishing this downtown gallery as a
by
center for art from varied parts of the
world.
The elements of personal selection
and thoughtful presentation induce an
interesting quality into the exhibition
of French etchings and engravings at
the Vickery, Atkins and Torrey gal-
lery. There are but six or seven of the
engravings but all are of masterpiece
quality and there is about them a tan-
gible fineness that carries one's atten-
tion away from the present scene and
into that of the past which engrossed
these masters of graphic texture. The
entire exhibit is palpably gallic in
feeling and while no attempt has been
made to give an historical resume of
French graphic art, there are enough
of the great etchers, from the time of
Callot, well represented and sufficient
supplementary good prints by lesser
artists of the eighteenth and nineteenth
centuries to give one a feeling of the
quality that marks French etching.
This, again, is an exhibition demand-
ing a certain leisure. Here are no novel-
ties of exploited egos, no obvious tricks
to catch the eye of the galloping gal-
lery goer. These are prints appealing
to the fastidious with well groomed
minds, those who would possess prints
for their own enjoyment. One feels
that the exhibition was assembled by
a person whose own fine appreciation
of the etchings and engravings urged
him to share them with ethers of
similar taste.
THE formalized rhythms of the frag-
ments of sculpture from Cambodia
and Siam loaned by Gump's to the
California Palace of the Legion of
Honor for exhibition this month seem
to have a pertinent relation to the art
of our contemporaries. Stepping into
the gallery in the left wing of the
Palace where these stone and bronze
heads, figures and hands are shown,
one feels, somehow, more at ease than
in the room lined with old masters
imported from Los Angeles. The tran-
quility and manner of the ancient
carvings from the Orient are more evi-
dently sources of inspiration for mod-
♦ CURRENT EXHIBITIONS ♦
Arno and Covarrubias — January 19 to 31,
Gump Galleries — Original drawings and
cartoons by Peter Arno and Miguel Covar-
rubias.
Art Association — January 16 to 3 1, California
School of Fine Arts — paintings, wood-cuts,
lithographs, drawings and sculpture by new
members of the San Francisco Art Associa-
tion.
Cambodian Sculpture — California Palace of
Legion of Honor — stone and bronze heads
from Cambodia and Siam, loaned by S. and
G. Gump Company.
1 8th Century Etchings and Engravings —
Throughout January, Vickery, Atkins and
Torrey — Masterpieces of French graphic
art.
"Group of Nine" — Berkeley Art Museum —
paintings and drawings by Arnold Blanch,
Ray Boynton, Charles Stafford Duncan,
William A. Gaw, Nils Gren, John Emmett
Gerrity, Lucien Labaudt, Ralph Stackpole
and Hamilton Wolf.
Group Showing — January 19 to 3 1, San Fran-
cisco Art Center — paintings, drawings and
craftwork by members of cooperative group.
Nogami Kakemonos — January 7 to 15, Cali-
fornia School of Fine Arts — twenty-five
Japanese kakemonos of Tosa, Kano and
Shigyo schools, mounted by Kikiumatsu
Nogami.
Lou McLean — Anna Gruen Studio — twenty
pastels, landscapes and portraits, by San
Francisco woman artist.
Nura and Buk — January 19 to 31, Galerie
Beaux Arts — lithographs and drawings by
Nura (the wife) and paintings by Buk (the
husband), both New York modernists.
Obata — Courvoisier Little Gallery — California
series of wood blocks by Chiura Obata . . .
Legion of Honor Palace — scroll paintings,
screens and water colors by Chiura Obata
and his late father, Rokuihci Obata.
Old Masters — California Palace of Legion of
Honor — 16th, 1 7th and 18th century paint-
ings loaned by Axel Beskow Galleries of
Los Angeles.
Rodin Sculpture — January 5 to 24, Gump's
— fifteen pieces not shown before in San
Francisco and the original sketch for the
"Thinker."
Max Weber — January 3 to 17, Galerie Beaux
Arts- — Watercolors, woodblocks and litho-
graphs by the New York modernist.
Hamilton Wolf — January 5 to 19, San Fran-
cisco Art Center — one-man showing of re-
cent paintings and sixty drawings and
watercolors done by Wolf at the age of 5
to 8 years.
Valente Angelo — Gelber, Lilienthal — recent
landscape and figure paintings.
Currier 8C Ives Prints — January 12-31, Paul
Elder Gallery — Sporting and comic prints
published by Currier 6C Ives. Also colored
lithograph Indian portraits from M'Kenney
Hall folio.
JANUARY, 1931
19
Odlerie Beaux Arts
DRAWING
by Charles Stafford Duncan
em art than the Flemish. Italian and
other European art sampled in the
other gallery. The collection is a fine
one. having few pieces that do not
have distinct merit. They are neces-
sarily fragments and, as such, out of
their real setting. They carry a certain
aura of decapitated figures and broken
statues on time dishonored temples.
Such is the toll of borrowing relics
from the art of another people's past.
The statement of a relation existing
between the art of the ancient Far East
and that of today seems almost too
obviously contradicted by the water-
colors in the right wing of the Palace.
Here are two rooms of work by mod-
ernists recognized in New York, in-
cluding Guy Pene du Bois, Pop Hart,
and a dozen or more others whose
watercolors have been assembled by
Marie Sterner. These are in effect frag-
ments, but fragments without the aura
of completed structure behind. They
are tentative splashings of color made
in the effort to find fresh expression.
These water colors bring to mind
the presentation the Galerie Beaux is
making of Max Weber. This New
York painter, of whom the elaborate
brochure published last year by the
Downtown Gallery states that he "has
lived the history of modern art in
America," fails somehow to impress.
This might not be true were he repre-
sented by major work but. those not
being available, one must look to these
Continued on page 28
auserie
ONE of the best ways I know of
appreciating contemporary let-
ters is to have some familiarity
with earlier works. The Stanford Uni-
versity Press has begun to issue, under
the editorship of Margery Bailey ( who
was recently taken for an Italian
countess in a local restaurant!), a
scries of seventeenth and eighteenth
century books. The series, which will
be known as the Stanford Miscellany,
will include little known works and
literary curiosities otherwise difficult to
obtain. The first volume issued is Cha-
teaubriand's Atala in the translation
of Caleb Bingham, which was pub-
lished in Boston in 1802 and bears the
subtitle of The Love and Constancy
of Two Savages in the Desert. William
Leonard Schwartz has supplied an
introduction and has restored sentences
expurgated by Bingham. It is interest-
ing to see what the estimable Caleb
thought unfit for Americans in 1802.
The deleted passages dealt largely with
the Church of Rome and anatomy!
The second volume of the Stanford
Miscellany is The Letters of Sarah
ByngOsborn. 1721-1773. As the edi-
tor, John McClelland, remarks in his
introduction, one is at a loss to know
whether the current curiosity about
the "pots and pans of our ancestors"
springs from a noble impulse, "a
quickened awareness of the mingled
pathos and dignity of ordinary human
existence, or merely [from] a sharp-
ened appetite for gossip." At any rate,
this little book should do much to sat-
ALBERT EINSTEIN
by Sotomayor
Einstein in all his
career of scientific
research has prob-
ably never before
been so consistently
and well amused as
he is by the antics of
the American press
which is at work on a
halo which he gra-
ciously accepts at
face value.
by Frank L. Fenton
isfy that curiosity; for Sarah Osborn
was a woman of lively nature who
observed keenly and related enthusias-
tically what she observed. Any idea of
the eighteenth century lady as a pretty
but incompetent creature is readily
dissipated by the accounts given of
the vexing financial problems Lady
Osborn was forced to meet at the death
of her husband. Nor was there any-
thing languid or Victorian about a
woman who complained that the rain
"spoils my walks sometimes, for most
mornings, instead of ordering my coach
and six, I order my shoes and ten toes
to trot away to Chelsea." She played
at cards until two in the morning and
nearly won the pool of ten guineas ; she
attended balls and in listing the ladies
and their partners at one mentions an
unfortunate "Lieut, of Capt. Rowley's
ship, the worst there, which fell to my
lot"; she went to court and writes,
"Monday last was a great court at St.
James, and most people very fine, but
I believe the gentlemen will wear petti-
coats very soon for many of their coats
were like our mantuas." There follows
a description of the coat of Lord Essex,
"a silver tissue coat, and pink color
lutestring waistcoat," which makes
even the most spectacular suggestions
of Hollywood dress reformers seem
drab and dull. The entire book is
thoroughly delightful, colored as it is
by a charming personality and reveal-
ing in vivid, disconnected observations
Continued on page 25
20
THE SAN FRANCISCAN
r — ^.
VIRGINIA PHILLIPS
Who gave a brilliant interpretation of the title role in
the recent Guild production of Oscar Wilde's Salome.
JANUARY, 1931
21
The Reigning Dynasty
WEDDINGS
BREEDEN-KILBOURNE. On December 10th,
in Santa Ana. Mr. John Norton Breedcn, son of Mrs.
Frederick McXear. and Miss Katliryn Kilbonrne,
daughter of Dr. and Mrs. Edward Dearborn
Kilbonrne.
ENGAGEMENTS
BEEDY-WORDEX. Miss Caroline Beedy. daugh-
ter of Mr. and Mrs. Winslow Lindhard Beedy. to Ml
John B. Worden, son of Mr. and Mrs. Herbert B.
\\'i irden.
BOLTOX-STEELE. Miss Betty Bolton, daughter
ol Mrs. Robert Clav Bolton and the late Mr. Bolton,
to Mr. Shorb Steele, son of Mr. and Mrs. James King
Steele, formerly of San Francisco, now of Manila.
FORDERER-CHARLSTON. Miss Elizabeth
Forderer, daughter of Mrs. George Stevens Forderer
and the late Mr. Forderer, to Mr. Ernest Charlston,
son of Mrs. Mae Charlston and the late Mr. Ernest
Charlston.
TAYLOR-POSTLEY. Miss Evelyn Taylor,
daughter of Mr. and Mrs. Augustus Taylor, to Mr.
Clarence Sterling Postley, son of Mrs. Ross Ambler
Curran and the late Mr. Sterling Postley of Xew York.
ZEILE-LOVEGROVE. Miss Elsie May Zeile.
daughter of Mrs. Edward J. Zeile and the late Mr.
Zeile, to Dr. Walter Lovegrove.
VISITORS ENTERTAINED
Mrs. Dent Hays Robert of Coronado has taken a
house on California street for a few months and is
being given many welcoming entertainments.
Mrs. \V. H. Crocker gave a luncheon at her home
in Burlingame in honor of the Viscountess Cowdray.
Honoring Maestro Peitro Yon, the Italy-America
Society gave a tea at the Palace of the Legion of
Honor.
Dr. M. Weinberg, Chef de Service a 1'Institut
Pasteur of Paris, was guest of honor at a luncheon
given by Mrs. Adolph B. Spreckels at her home on
Washington street.
In honor of Mr. and Mrs. Winston Black, Mr. and
Mrs. Barton Thoreau Bean entertained at dinner at
their home in Broadway.
Mr. Edward D. Tenney and his daughter, Miss
Wilhelmina Tenney, are in San Francisco, having
arrived from Honolulu on the Malolo. They are guests
at the Fairmont Hotel and are being entertained by
their many San Francisco friends.
Miss Maria Antonia Field of Monterey was a guest
at the Fairmont Hotel recently on the occasion of
her visit from her home in Monterey.
Miss Julia and Miss Mary Minnegerode of Pebble
Beach were guests at the Hotel Canterbury during
the holiday season.
Mr. and Mrs. Dean Dillman entertained at their
home in honor of Mrs. Corinne Kirchofer, who
recently returned from Europe.
HERE AND THERE
New Year's Eve was celebrated by a "Shipwreck
party" at the Burlingame Country Club. Mr. and Mrs.
Cliff Weatherwax entertained at a large dinner at
their home before the dance.
Mr. and Mrs. Howard Gray Park were dinner hosts
»o twenty-four preceding the New Year's Eve dance
at the Burlingame Club.
Many affairs are being given in honor of Miss
Elizabeth Raymond, who has returned to her home
after a year's stay abroad.
Mrs. Horace D. Pillsbury and Miss Margaret
Pillsbury have returned to San Francisco after spend-
ing several months in Santa Barbara.
Monday luncheon gatherings at the Hotel St. Fran-
cis were especially noteworthy during the holiday sea-
son, the matrons and debutantes of the Reigning
Dynasty being well represented each week.
Mr. and Mrs. Prentis Cobb Hale and Mr. Prentis
Cobb Hale Jr. spent the Christmas holidays at the
home of Mr. and Mrs. Charleton Bryan in Piedmont.
Mr. and Mrs. Winston C. Black entertained at
dinner preceding the last Spinsters' Ball.
Miss Betty Bolton has announced February 3rd as
the date of her marriage to Mr. Shorb Steele.
Mr. James P. Bradley, Mr. H. Sewall Bradley and
Mr John D. Bradley entertained their fraternity
brothers and a group of friends at a buffet supper and
dance at the Bradley home.
One of the most brilliant social affairs in San
Francisco's social history was the coming-out recep-
tion and ball given for Miss Dorothy Spreckels on
December 19th and 20th. The two affairs took place
at the home of Mrs. Adolph B. Spreckels in Wash-
ington street.
Mrs. Tames M. Davies has returned to Burlingame
after a brief visit in Santa Barbara.
Mr. and Mrs. Charles H. Merrill have returned to
their home in Palo Alto after visiting in the south
for some weeks.
Miss Evelyn Taylor has set January 21st as the
date of her marriage to Mr. Clarence S. Postley.
Mr. and Mrs. Eyre Pinckard are at home again
after a six weeks' visit in Xew York.
Preceding Miss Dorothy Spreckels' coming-nut
ball. Mr. George W. Kleiser entertained at dinner at
the Yacht Club, the debutante of the evening being
the guest of honor.
Miss Tean Wingfield, daughter of Mrs. Murdoch
Wingfield, was presented to society at a reception
given by her mother at the Francisca Club on Decem-
ber 4th.
Mrs. Ralston Page has returned to San Francisco
after a visit of several weeks in Salt Lake City.
Mrs. Emily Pope Taylor gave a large buffet sup-
per at her home in Pacific avenue preceding the
Spreckels ball on December 20th.
Mr. and Mrs. Edward E. Hills gave a dinner party
at the Burlingame Country Club in honor of Mrs.
Hills' niece. Mi-- Evelyn Taylor, and her fiance,
Mr. Clarence Sterling Postley.
Mr. and Mrs. Stewart S. Lowery, Mr. and Mrs.
Ettore Avenali and Mr. Jean de St. Cyr were among
those who gave dinner parties at their homes pre-
ceding the Spreckels ball.
Mrs. Harry East Miller Sr., Mrs. Harry East
Miller Jr. and Mrs. John Bryant Knox combined in
giving a luncheon at the Woman's Athletic Club in
Oakland in honor of Miss Katherine Stent and Mi-s
Christine Miller, two of the season's debutantes.
Miss Marianna Avenali. daughter o_f Mr. and Mrs.
Ettore Avenali, was presented to society at a recep-
tion given at the Burlingame Club on the afternoon
of December 13th.
Mr. and Mrs. Clift Lundborg entertained with an
informal supper party recently at their home in
I'nion street.
Miss Katherine Stent and Miss Florence McCor-
mick, debutantes, were honor guests at a luncheon
given recently at the Francisca Club.
Miss Elizabeth Muzzy was luncheon hostess at her
home in honor of Miss Gloria Van Bergen, whose
marriage to Mr. James Edwards of Santa Barbara
will take place within a few months.
A number of the younger set were entertained at a
fancy dress party on Xew Year's Eve, given by Mrs.
Philip Van Home Lansdale in honor of her nephew.
Mr. Philip Lansdale Pillsbury.
Mr. and Mrs. James Athearn Folger gave a tree
trimming party on Christmas Eve. One hundred
guests attended.
Mr. and Mrs. Vernon Skewes-Cox entertained
members of the younger set at a dance given at their
home complimentary to Miss Joan Skewes-Cox.
Mrs. Frederick McX'ear gave a large dinner dance
at the Hotel Mark Hopkins in honor of her son, Mr.
John X'. Breeden, and his bride, the former Miss
Kathryn Kilbourne, of Santa Ana.
Mr. and Mrs. Joseph Sigall have closed their home
in Saratoga and are spending the winter at the Fair-
mont, where Mr. Sigall has established his studio.
At present Mr. Sigall is at work on a portrait of His
Grace the Most Reverend Archbishop Edward A.
Hanna.
Mr. and Mrs. Dana Fuller and Mr. and Mrs.
Lindsay Howard were among those who went to
Del Monte for the New Year's Ball.
Mrs. Ella R. Tenney is in Portland, where she
attended the marriage of Miss Prudence Talbot and
Mr. Henry Gibson Shaler, which took place on Jan-
uary 3rd.
In honor of Miss Florence McCormick, who made
her debut on January 3rd, Miss Evelyn Taylor gave a
dinner party preceding the Spreckels ball.
Mr. and Mrs. Starr Bruce have been enjoying the
winter sports at Tahoe.
Mrs. Charles Stetson Wheeler spent the holiday
season at Missoula, Montana, with her son-in-law and
daughter, Mr. and Mrs. Walter McLeod.
Mr. and Mrs. Gerald Campbell were honor guests
at a dinner given by Dr. and Mrs. Langley Porter.
Mr. and Mrs. John McGaw have been redecorating
their house on Russian Hill and expect to take pos-
session of it again at the end of this month.
Mr. and Mrs. Robert Patterson have purchased the
William Leib house on Filbert street.
Mrs. Powers Symington (Maud Fay) is giving a
series of lectures on the Wagnerian operas this month
at the Community Playhouse.
Mrs. Jerd Sullivan spent a week in Santa Barbara
recently, the guest of Mr. and Mrs. William Slater
( Frances Ames).
Mr. and Mrs. Evan Williams gave a dinner dance
at the Mark Hopkins Hotel on the night following
Christmas, the honor guest being Miss Florence
McCormick.
Mrs. Frank W. Fuller entertained at dinner
recently in compliment to Mr. ami Mrs. Gerald ("amp-
bell and Mr. and Mrs. Fin Lund.
The annual bridge tea held at Century Club by the
Children's Aid Committee of the House of Church-
women was a notable success. Mrs. C. Edward
Holmes is president of the organization.
The youngest members of the Hillsborough Gym-
khana Club gave a five-to-nine supper dance at the
club on December 31st.
Mrs. William C. Murdoch Jr. entertained at lunch-
eon at her home on Jackson street in compliment to
Miss Jean Wingfield, one of the season's debutantes.
Miss Margaret Redington and Mr. Donald Murchie
will be married on February 14th at the Episcopal
Church of St. Matthew in San Mateo.
Mr. and Mrs. Austin Sperry were hosts at a tea
given at their home during the holiday season.
In honor of Miss Harrie Hill, one of the popular
debutantes, Mrs. Henry Foster Dutton entertained at
luncheon at her home in Washington street. Mr. and
Mrs. Coy Filmer have returned north after spending
the holidays with Mrs. Filmer's parents, Mr. and
Mrs. Mark Requa, in Santa Barbara.
The sub debutantes and younger set were given a
dance by Mrs. Alexander Garceau and her daughter.
Miss Marguerita Garceau. at their home on Jackson
street.
Mrs. William Otis Edmands and Mrs. Charles
Phleger have returned to their homes after a three
months' cruise through the Orient.
Mrs. Willis Walker entertained a small house party
at her home at Pebble Beach recently, her guests
being Mr. and Mrs. Wellington Henderson and Mr.
and Mrs. Frederick S. Moody Jr.
Mr. and Mrs. Bruce Dohrmann were among those
who celebrated the passing of 1930 at one of the
.low ntown hotels. Mr. and Mrs. Dohrmann enter-
B— SAN FRAAX
tained their friends at the Mark Hopkins. Mr. and
Mrs. Milton Esberg Jr. entertained a group at the
Hotel St. Francis.
Captain and Mrs. John Leale and their daughters,
the Misses Marion and Edith Leale, held their custo-
mary open house reception on XTew Year's Day at
their home on Pacific avenue.
SAN FRANCISCANS ABROAD
Mr. and Mrs. George A. Pope Jr. (Harriet Brown-
ell) spent the holiday season in Egypt.
Mrs. Charles P. Overton and her daughter, Mrs.
Daisy Belle Overton, were in Honolulu, en route
home alter an extended tour of the Orient, at last
accounts.
Mrs. T. Edward Bailly has gone East and will sail
for the Continent where she will join her daughter,
Miss Barbara Bailly.
SAN FRANCISCANS IN NEW YORK
Mr.
Douglas Lewis (Janet Whitman)
have concluded the. honeymoon trip abroad and
arrived in Xew York from Havre last month. They
returned to Burlingame on Christmas Eve.
Prince and Princess Gion Capac Zurlo are at the
St. Regis in Xew York.
SAN FRANCISCANS IN THE SOUTH
Mrs. Harry Hill and her daughter. Miss Harrie
Hill, and her son. Mr. Jackson Baird, are visiting in
Southern California and Mexico.
Miss Peggy Gregory visited with her friend, Miss
Patricia Connolly, at Palm Springs.
Dr. and Mrs. David Armstrong Taylor spent sev-
eral weeks in Pasadena with Mrs. Taylor's mother,
Mrs. Frederick William Parker.
Mr. Louis F. Monteagle recently visited with Mr.
and Mrs. William North Duane at Santa Barbara.
Mrs. Lawrence Draper and her daughter enjoyed
several weeks' sojourn at Coronado.
San Franciscans spending the mid-week or the
week-end at the El Mirador, Palm Springs, where
unique desert festivities in keeping with the season
are now in progress, include : Mrs. George Dillman,
Miss R. F. Lewis, Mr. and Mrs. C. L. Johnston (of
San Mateo), Mr. and Mrs. Eric Gerson, Mr. and Mrs.
W. H. George, Misses Marion Elwell and Beatrice
Hayes (of San Mateo), and Mrs. Hugh H. Walker.
22
SHORT SELLING has long provided a
topic of active controversy both in
this and other countries and the
present seemingly perpetual decline in
security prices has served to over-em-
phasize its importance. Stock quota-
tions well below those of the panic
days of 1929 have given publicity
seeking politicians and certain news-
paper columnists, whose fortunes have
been sadly deflated, the opportunity
of protesting the methods employed
by those who anticipate lower stock
prices.
It should be clear to everyone by
this time that the economic world is
readjusting itself to a new level of
prices and exchange values brought
on by temporary over-production of
raw materials, over-expansion of plant
capacities and dilution of capital stock
equities. Had we been able to visualize
these conditions rather than picture
massive stock market operators unctu-
ously gloating over the rapid depletion
of our margin accounts, it is evident
that those of us who matched our wits
against economic changes in this coun-
try through the purchase of securities
might have profited rather than have
lost through the present trend of
events.
The many appeals made by glamor
loving politicians for legislative rulings
curtailing the activities of the now
dominant bears serve as an indication
that the actual practice of short selling
is not generally understood. In the
same way that a person who thinks
that the price of a security is too low
buys that security with the hope of
selling it at a higher price does the per-
son who feels that the price of a secu-
rity is too high sells with the idea of
buying back when prices have declined.
The short seller therefore is the inverse
of the purchaser.
That this practice of short selling is
general throughout all types of busi-
ness was pertinently illustrated by the
alert Richard Whitney. President of
the New York Stock Exchange, in an
address delivered before the Illinois
Chamber of Commerce at the Hotel
Stevens, Chicago. Illinois, on October
1 Oth of this year. Mr. Whitney pointed
out that contracts to deliver in the
future something which a person does
not own at the time the contract is
made is common to many types of
business, but unfortunately the simi-
larity of these contracts is not recog-
nized because the term "short selling"
is used only in connection with secu-
rity transactions.
"When a builder contracts to build
a great skyscraper, he obligates himself
to deliver in the future not only steel,
brick and mortar, but also the labor of
the workmen and artisans who must
put these materials together. Such a
THE SAN FRANCISCAN
Financial Fallacies
contractor is literally short of every
material that must go into the build-
ing. He is also short of the labor requi-
site to build it. He contracts according
to his estimate of conditions existing
in his particular trade. No one, how-
ever, considers that the contractor has
done an unethical or improper thing
in signing the contract. It is therefore
impossible for me to understand why
the short seller of securities should be
held up to public criticism when he is
doing no more than what many busi-
ness men are doing every day."
IN NORMAL TIMES when there is a
proper balance between speculation
and short selling the fluctuations of
the stock market are apt to be narrow.
However, if any disturbing event
occurs and a great volume of sales flows
suddenly into the market the decline of
a few points in value tempts the short
seller to cover his obligation. This
buying in turn steadies the price and
instead of disastrous fluctuations a nor-
mal and healthy variation in prices
occurs.
The steady increase in security prices
from 1926 to the end of 1929 had the
effect of discouraging short selling to a
point where there remained very few
speculators who had the audacity to
risk their capital on nebulous theories
that stock prices might be too high. As
a consequence, when prices had reached
such a level that none could be found
who would purchase securities at even
higher levels, the only alternative for
the speculator was to sell to the first
person who would bid for his particu-
lar security. Because of the little success
experienced by short sellers during the
previous three years the bear interest
in the market at that time was negli-
gible and as a result there were very few
buying orders placed to cover short
commitments. Thus, contrary to the
general impression, the debacle of
1929 can be used as an illustration in
the defense of instead of in the prosecu-
tion of the bear.
By substituting logic for emotional
conclusions it can be seen that funda-
mentally the swings of securities mar-
kets are due to a lack of moderation.
So long as human nature and specula-
tion run to extremes, bull and bear
markets will be with us. There is
nothing radically different in the pres-
ent depression from others of a major
by John M. Dewees
type which have preceded it except that
it is accentuated by a world-wide reces-
sion, aggravated in many instances by
the yoke of heavy war debts.
The low price of many primary
commodities in this country, caused by
temporary over-production extending
throughout the world, is drastically
affecting the purchasing power of a
large proportion of our population
and has had a decided effect upon
inhabitants of foreign countries. Such
conditions breed political dissatisfac-
tion and the resulting uprisings in
some countries are not surprising. So
far these foreign disturbances seem gen-
erally to have been based on the belief
that a more nationalistic policy would
be economically beneficial.
The recent erection of a higher tariff
wall by the United States Government
set an example for the world in nation-
alism and even England, the champion
of free trade, is now attempting
through an imperial economic union
to protect the British Empire from for-
eign competition. That the adoption of
nationalistic policies by foreign coun-
tries will have a material effect upon
the rapidity with which this country
swings back to a high degree of pros-
perity is obvious.
THE economic welfare of both this
country and Europe will return
to more normal levels when each
nation spends its major efforts in
the occupations which its natural and
human resources wisely dictate, as in
any competition the marginal producer
must give way as his contemporaries
sufficiently increase their efficiency.
Naturally the trend of individual
national affairs cannot accurately be
vaticinated, but if any country is able
to forget its foreign trade and succeed
in being largely self-sufficient and rea-
sonably prosperous it is the United
States. We consume over 90rT of the
commodities we produce and it is safe
to estimate that with normal consump-
tion, even on the basis of our present
reduced rate of exports, a 97 r'( normal
business volume can be expected. With
tremendous and diversified resources,
the United States, so frequently termed
the creditor nation of the world, will
lead the way regardless of intermediate
fluctuations in commodity and security
prices.
JANUARY, 1931
Sacrifice
Continued from page 23
in the world — the best ring you could
buy for me — may it bring Audrey
luck."
Danny held the ring, motionless, on
his open palm. "Please, Marty, won't
you reconsider? You know, it's my
happiness as well as "
"You must go to Audrey," she said.
Danny turned, slipping the ring into
his pocket. "Good-bye." He opened
the door and walked out, slowly, as
he had come.
MARTY heard the door click as it
swung shut behind him, heard
his retreating footsteps in the
hall, and the low murmur of his voice
as he joined Audrey. A mirthless smile
parted her lips as, with pallid preci-
sion, she picked up the telephone and
called a number.
"Hello . . . That you, Chick? . . .
Yes . . . Yes, I told you I would . . .
Yes, of course ... He thought I was
making a martyr of myself — for Aud-
rey's sake . . . No, everything is all
right . . . I'll meet you at the dock in
half-an-hour. 'Bye." She made a kiss-
ing noise over the transmitter.
Outside, in a taxi headed io:
Danny's apartment, Danny and Aud-
rey snuggled together in the rear seat.
"She came through all right," Danny
was saying. "I didn't tell her we were
married two months ago. I just kept
saying I loved her, like you told me to,
so she'd think she was making a big
sacrifice in giving me up." He settled
deeper in the cushion, stroked Aud-
rey's silky hair. "It's a good thing,"
he added, contentedly, "that you wear
the same size ring."
More from Manhattan
Continued from page 17
Lawrence Rising at Fanny Hurst's
housewarming. The list will never
end!
BUT what can one say of the plays
in less than five hundred words?
That "Green Pastures" is, to this
critic's mind, overrated, that "Grand
Hotel" has everything a play should
have and then some, that "Uncle
Vanya" and "The Three Sisters" are
amazing theatre in spite of their appar-
ent understatement ? Or shall I say that
"The Greeks Had a Word for It" is
the bawdiest show in New York bar-
ring perhaps "Oh, Promise Me"? But
perhaps affirmation is better than inter-
23
THE MENS FOOT WEAK THAT'S K V O « \ KIM Ml
THE « (» II I II AS THE WORLD'S FINEST . . .
McAFEE'S
I . o n d o n - tn a d e
RIDING AND
POLO BOOTS
SPORT SHOES
GOLF S II O E S
STREET SHOES
DR|ESS SHOES
. . . at the Knox Shop exclusively
in Sun Francisco
5 1
KNOX
GRANT AVENUE
24
THE SAN FRANCISCAN
\VL RAPHAEL WEILL 8 COMPANY/ fl ;
V ^— -rVC-1- /' l/o/V- *
\No^IiCanBeT<^V^
ITS a far cry from the holidays to the
resort season . . . but it is quickly
and smartly bridged by a few
first-of-the-season costumes. Just be-
fore Christmas they began to arrive,
and their interesting newness was all
the more marked in contrast with the
wintry scene of hectic gift shoppers.
Those whose thoughts have turned
abruptly from winter-in-town festivi-
ties to winter-resorting, will be im-
pressed with three things . . . the es-
tablished position of pyjamas from
morn to night, the return of linen, and
the appearance of jackets with literally
everything from tennis frocks to even-
ing costumes. One pronounced novelty
of the season is the use of fluffy bor-
ders of fox on sleeves and jacket hems
of diaphanous printed chiffons.
Two-color contrasts are all-im-
portant, as the jacket contrasting with
the frock, the blouse with the suit, and
the blouse of a two-piece frock with its
skirt. While a third, fourth or fifth
color is often added in the motif or
decoration, generally on the blouse.
These are the approved resort com-
binations— pink, turquoise and white :
royal blue, chartreuse and white:
black, chartreuse and white: bonnie
blue. Pervanche blue and white;
brown, bright yellow and cream:
coral and white; jade and white.
Don't they sound entrancing?
All white, of course, both in knitted
wool, silk and light weight woolen
frocks, is the height of chic.
American resort life is varied ac-
cording to the type of resort, but this
year, just as in Europe, no matter
where the American resort, three dif-
ferent types of pyjamas will be worn
... for beach, for the yacht and sail-
ing, and for the villa.
Everywhere smart pyjamas have
"gone native." And the simpler the
better. We have borrowed native cos-
tumes from France, Hindustan, Persia.
China and our own country.
You will recognize the pyjama of
French or Basque origin by the extra-
wide trows, the striped shirt, and "le
petit coton" shirt. Favorite colors
with Basque fashions are navy blue
with white, red with white, golden
yellow with white and medium blue
with white.
Native American pyjamas, as you
might guess, are the one-piece work-
man-like beach pyjama derived from
the overall and mechanic's coverall,
that have gone through the couturier
mill and come out again in smart ver-
sions.
Then there is the Chinese coolie
pyjama with short, above-the-ankle
trows ... a high fashion.
Hindu-Persian native fashions in-
spire gay affairs with bloused long
trows and bolero jacket.
Yachting pyjamas, as you would
expect, are most nautical, with white
flannel mannish trows, worn with
blouse and jacket of white or navy
blue flannel. Conservative, and work-
man-like!
The villa pyjamas are worn for
luncheon, in the interim between sun-
baths and tea at the cabana ... or at
the popular pyjama parties held every-
where. Such styles are gayer, more
dress-like, with a simplicity all their
own. The one-piece fashion with bo-
lero jacket or wrist-length coat is the
smartest. Dress fabrics, printed crepes
and plain crepes with color contrast,
will be used. Exotic colors, bright and
alluring, are in high favor.
Here, in The White House resort
collections, you will find yourself in
the midst of summer, even though the
calendar reads January.
rogation. Let us begin with musical comedies.
Ziegfeld's "Smiles" has everything but smiles
in it. The comedy is sad. But how different is
"The New Yorkers" ! Only there are no smiles
in "The New Yorkers." either. They are all
what old time troopers call belly laughs. Cer-
tainly the sky is the limit — there is no situation
too raw or no joke too broad to be barred from
the New York stage.
Now. as to grand opera. You go to the
Metropolitan and you come away with no cause
for legitimate complaint, except that the per-
formances are uninspired — mere matters of
routine. The fault may be with the audiences.
Surely the only clapping that is heard at the
ends of acts seems to emanate from hired
claques. The opera house is always crowded,
it is said to be making money. Perhaps that is
it. Perhaps it has grown too prosperous, too
smug, too satisfied.
Listen, girls, here is something for you: if
you get an opportunity to see Rudy Valee in
person, stay away. He is the most complete
washout of the age. I went clear over to Brook-
lyn to see him. or rather I went over to see my
friends Rice and Werner in their priceless bit of
slap-stick "On the Scaffold" and found Rudy
on the bill. The curtain rose revealing Rudy's
jazz orchestra and then a sleek gentleman
inclined to be fattish glided on the stage, picked
up a saxophone and crooned into it. Then he
tossed this aside and crooned vocally into a
megaphone. He did this twice and the act was
over. In not a note, a word or a gesture did he
exhibit the slightest charm, grace or tempera-
ment. Yet I am told that young ladies sit out
the four daily shows just to see him go through
the motions of being entertaining. I heard a
very diverting characterization of him. It will
be sent to anyone forwarding me a self-
addressed, stamped envelope.
rosperous /ear
For those men who realize the
importance of personal appear-
ance in business as well as in
social pursuits.
Our store is not large in actual
floor space but it is immense in
its ability to reach out over the
world and collect fabrics for
Scheyer to tailor into suits and
overcoats that distinguish their
wearers as men of discernment.
Our haberdashery is selected for
its fitness to accompany such gar-
ments.
fcfc £.%:&
/UAa*4.
& Co., Ltd.
101 Post Street, Baker Building
JANUARY, 1931
25
Causerie
Continued from page 19
an entire generation. Both books are compe-
tently edited and pleasingly designed. The vol-
umes in the Stanford Miscellany certainly give
promise of being an enjoyable contribution to
western publishing.
Another interesting item from the Stanford
Press is the volume Descensus Averno. being
fourteen woodcuts reproduced from Sebastian
Brant's Virgil which was published in Strass-
burg in 1502. The woodcuts have been "eluci-
dated and provided with a foreword" by Anna
Cox Brinton of Mills College. The book will
delight artists, students of the classics, and
everyone who glories in a handsome volume.
What a pity I didn't mention this and the
Osborn letters last month! Both would make
fine Christmas gifts; but then there will be
birthdays, and anniversaries, and Christmas
next year. One of the nice things about these
books is that they are not seasonal. They've
been good for several generations and probably
will continue to be.
I SUPPOSE one can hardly claim as a "western"
writer one who was born in Finland and has
lived abroad as much as he has lived in Amer-
ica, but not a little of the interest in Carl Wil-
helmson's first novel Midsummer Night (Far-
rar and Rhinehart) is due to the fact that he
has lived in and about San Francisco for a
number of years. The critics are divided as to
the book's merit, one calling it dull and another
praising it as a veritable Golden Bough of Fin-
nish folklore. I think the people who find it
dull are those who expect the usual novel, which
Midsummer Night certainly is not. It is a story
based upon Finnish customs and filled with
ELVA
announces her
return to the
St. Francis Hotel
Beauty Salon
where her usual staff of expert
operators in all branches of
beauty culture are at your service
Hotel Del Monte
Matson Boats
HOTEL ST. FRANCIS
11th floor
Between Post and Geary
on Powell Street
Telephones DOuglas 1000
SUtter 0508
WORTH GOING TO SEE:
the hula LEILANI does in
HAWAII
II KE popcorn without butter and salt,
■> the hulas you've seen apart from Ha-
waiian nights and music strummed by —
well, you should see Leilani dance in
Hawaii. Tomorrow you may play golf or
frolic in the surf or motor over perfect
roads — but for this hour Leilani and you
are living again the love stories of conquer-
ing chieftains and their South Sea brides !
. . . Sail from San Francisco on the lux-
urious Malolo and less than five days later
you're in Honolulu, in the Paradise of the
Pacific. The Malolo leads a fleet of splen-
did liners from California to the Islands.
Folders and Reservations at any Travel Agency, or:
MATSON LINE
215 Market St.
San Francisco
DA venport 2300
26
THE SAN FRANCISCAN
| THE SAN FRANCISCO BANK
SAVINGS COMMERCIAL TRUST
INCORPORATED FEBRUARY 10TH, 1868
One of the Oldest Banks in California, the Assets of which have
never been increased by mergers or consolidations with other banks.
B Assets over $140,000,000.00 Deposits over $134,000,000.00
Capital, Reserve and Contingent Funds, $5,750,000.00
= The following accounts stand on the Books at $1.00 each, viz.:
H Bank Buildings and Lots - (Value over $2,060,000.00)
H Other Real Estate - - - (Value over $310,000.00)
Pension Fund - - - - (Value over $720,000.00)
Interest paid on Deposits at 4/^ Per cent per annum
= Computed Monthly and Compounded Quarterly
Every
Woman
Can
Be
Beautiful
'T'he ravages of the holi-
-*• day season make lasting
impressions when no steps
are caken to erase them.
Fa
c i a 1 s
133 Geary Street
SUtter .... 5383
Ausust W. Virden
Insurance
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DOuglas 7700
Finnish folklore, both so different from any-
thing to which we are accustomed that I recall
a university dignitary who several years ago
demanded that some of Mr. Wilhelmson's
stories then appearing in the college magazine
be suppressed as indecent, an action which
caused the author to go about shaking his head
in bewilderment and muttering things which
seemed to concern decency and pigs ! The mate-
rial used in these early stories has been much
amplified and developed. The result is one of
the most distinctive first novels which has
appeared in some time. It is neither dull nor
indecent, but a thorough, craftsmanlike piece
of work dealing with hitherto unused material.
Much as I should like to commend another
western item. I cannot truthfully say anything
good of This Cavalcade, a book of poems by
David Weissman. published by the Primavera
Press in Los Angeles. The verses do reveal a
temperament sufficiently sensitive and suffi-
ciently observant to become eventually perhaps
a pleasing but surely minor poet. As they stand,
however, sophomoric is a mild adjective to
apply to them.
Barrie enthusiasts will be pleased with the
little volume containing J. M. B.'s address
delivered on his installation as Chancellor of
Edinburgh University last October, bearing the
title The Entrancing Life (Scribner's, $1).
BWILELDER5
239 Post Srreer. San Francisco
R.
d
eso vea » »
• to make the most of
each noon hour . . .
• to eat where there is
fresh, gay color that
stimulates and gives
fresh vigor for the after-
noon • . .
• to select only the
choicest of foods in
appealing dishes. . .
• to go today to
62 POST STREET
POST STREET
CAFETERIA » »
JANUARY, 1931
More Telephotos of Britain
Conservative is a pallid adjective to
describe the rigidity of British thought.
They insist on being well on with the
new love before they get off with the
old. At one of the most fashionable
three hotels in London. I have a room
and bath — and such a bath. But in
spite of the new and complete latrine,
I have also, at the head of my bed, a
commode with two — count em, two
— chamber pots in it. Probably the true
Britishers cannot sleep soundly other-
wise, or it may be they play safety first
and proceed on the theory that a pot
never gets out of order, unless, horrible
thought, one drops it.
O
I am in dire need of the earnest
statistician who figures out that if all
the goal posts in the world were laid
end to end, etc., etc., I want to know
if all the hours which are wasted in
London traffic waiting for a truck
horse to plod his weary way to a turn-
ing place, were saved by shooing the
said horse off the street, what difference
would it make. While the statisticians
and astrologers are working it out. I
by Algernon Crofron
suppose the horses in London will con-
tinue to gum up movement in all direc-
tions. Seriously, though, there are
more horses in London streets than on
the roadways of any other modern
city and they do slow down traffic to
a very noticeable degree. ( N.B. — This
observation does not apply to the local
taxicabs which run between the horses'
legs).
The Proof of the Pudding is in the
eating as every dog can tell who has once
been boarded at BELL MEAD KEN-
NELS. Ltd.. Haslemere. They are happy
to come back and enjoy exercising in a
park of 60 acres, with comfortable ken-
nels and runs facing South, and a large
competent staff of kennels maids to attend
their wants. Send him and try. — Tele.
452.
— Ad in London Times.
Yet last night I saw men sleeping
in benches in a London park.
Newspaper report of divorce case in
London: "Henry Stamforth, Esq.. of
Liversley Manor was granted a degree
27
nisi this morning from Yvonne Stan-
lorth on the ground of her adultery
with Captain Lionel Westgate of the
first Onslow Rifles last December."
In America, the report would have
read that Yvonne got the decree on
the ground of her husband's cruelty.
Are Americans more polite than their
English cousins?
acing
the M
usic
Continued from page 11
be flat. Seek the drama in the notes as you
would in the words of a poem, and you will
suddenly understand the language of the com-
poser." What more can one hope for?
Dobrowen faces a depleted orchestra. His
difficulties are the same that confronted his
predecessor. Only blind ignorance will insist
that his task is an easy one. But somehow,
while listening to him talk, one loses all fears
of the future. One becomes conscious of the
man's tremendous reserve power which will
surmount all obstacles. And that, and that
alone will restore the high standard the San
Francisco Symphony Orchestra enjoyed for so
many years.
That he has a sense of humor goes without
saying. For to understand music is to under-
stand life, and to understand life is to chuckle
at its idiosyncrasies. And Dobrowen has a twin-
kle in his eyes. All of which is a most encour-
aging sign.
Continued on page 29
H.LIEBES6.CQ
GRANT AVE AT POST
Sixty-
Seventh
Annual
FUR SALE!
Now in
Progress
Following a year of
unequalled values .... furs
maintaining our rigid stand-
ards... reduced to the most at-
tractive prices in our history
MOSSE
478 POST STREET
SAN FRANCISCO
presents
BATH SETS
consisting of 2 towels, 2 face cloths
and bath mat
"JAontnux1 $23.50
(in a fascinating biege)
"Opn" $16.25
(in 5 pastel shades)
uAma\^ $28.00
(the modern motif,- 5 shades".
uGBimmr $15.00
(for the Yachtsman)
Prices include individual moncgramming
28
THE SAN FRANCISCAN
"I live at the
New Gaylord"
Descriptive words these-in effect you say "I
am a person of discrimination and good taste."
The GAYLORD is San Francisco's first and
finest residential hotel.
Charmingly furnished rooms -. all
outside and SOUND PROOF-each
having its own Radio - - Electric Re-
fr.gerat.on - - Serving Pantry . . large
Dressing Room an£, closet . . T*fa
and Shower Bath.
And the rates --very moderate. A
few rooms (desirable) are now avail-
able for permanent guests - - also one
luxurious suite with two baths.
The Dining Room and the Room
Serv.ce please the jaded appetite-. at
prices surprisingly low.
nm-u?
JONES
AT GEARY
Margaret B. Giles
Managing Director
Passing ShoWS - Continued from page 19
woodblocks, water colors and drawings for at least a tentative measure of
the man. Holgcr Cahill. in his book "Max Weber." mentions the time
when Weber had to fight against the ease of his draughtsmanship. If such
was his ambition, it is indeed well fulfilled for I have seldom seen sloppier
daubs or less coherently stated forms than in the majority of his things at
Beaux Arts. The few water colors show a good color sense that pokes a
firm toe in the door of judgment that might otherwise close, dismissing
this "modernist" as another flaunted ego.
RIVERA has completed his sketches for the fresco in the Stock Exchange
Lunch Club and is at work on the actual wall. His sketches are the
result of intensive study of California during the weeks since his
arrival from Mexico City. He visited the mines, the valleys, the oil fields,
the river country and various other regions where he could see first hand
the resources from which California's wealth is derived. He has been
untiring in his work, making dozens of sketches until he should gain the
feeling of the locality. At the same time, he has been working on sketches
for the wall at the California School of Fine Arts where he will do a
fresco as the gift of William Gerstle. president of the Art Association.
Edward Bruce, prominent American painter who has recently estab-
lished his home in California, has just completed an over mantel painting
for the board of directors' room in the Stock Exchange building. This
canvas, which was installed January 7, carries out the feeling of formal
modernism of the dignified room by portraying a stylized view of the
city's skyscrapers composed so that the eye is drawn up to the bay and
beyond to an island and a fringe of hills close to the top of the picture.
It is a beautiful epitome of a city and one feels that Bruce has caught a
very precious part of San Francisco in his use of the modern city topped
by unspoiled virgin hills. My only regret is that Bruce has been in Cali-
fornia too short a time to forget the cold hills of the East which he has
painted before. His approach is so direct that one feels that, had he but
been here longer, he would have painted more truly.
The installation of this panel adds one more artist name to the list of
those participating in the splendid Stock Exchange building which
already includes Ralph Stackpole. Robert Boardman Howard. Otis
Oldfield. Ruth Cravath. Adaline Kent and Clifford Wright. Various
modern craftsmen have also contributed to the modern beauty of the
building, especially notable are the metal elevator doors made by Harry
Dixon for the Lunch Club.
PEOPLE are beginning to adopt the habit of visiting the San Francisco
Art Center, the most recent of the local art organizations. It is now
dominated by a dual showing of work by Hamilton Wolf. One part
of the exhibition is devoted to the recent paintings by Wolf — large
FIFTH AVENUE ♦ NEW YORK
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RADIO OR WIRE RESERVA-
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convenient to everything.
With a tariff surprisingly moderate
HARRY A. MASON, Manager
JANUARY, 1931
29
yyTTTTTT'^TT^TT*
Conrvoisier
474 POST STREET . SAN FRANCISCO
Telephone D O u 3 I a s 4708
Exhibition of
Woodblock Prints
by
Chiura Obatd
ETCHINGS • PAINTINGS
FINE ARTS
CALIFORNIA
SCHOOL of FINE ARTS
Affiliated with the University of California
CHESTNUT AND JONES STREETS
San Francisco
SPRING TERM
NOW IN SESSION
REGISTER NOW
DAY AND EVENING CLASSES
Special Course in
INTERIOR DECORATION
Call or write lor catalogue — Lee F. Randolph, Director
Telephone GRaystone 2500
You may think that Harry
Dixon is not a San Fran-
ciscan— but he is. He has
several of the finest ex-
amples of his work in his
own home.
Note: For the information oF those aspiring to become
San Franciscans bv virtue oF owning some oF the Fine hand
wrought metal work oF Harry Dixon — his shop is in Till-
man Alley — 241 Grant Avenue.
To most people
this is a meaning-
less grouping of
lines within a
square.
Some will recognize it as the mark that can
be found on the most delightful pieces of
furniture in their home.
EDWARD RAYMOND MOFFITT
STUDIO— H. L. MACK RANCH
Monterey 1092 Del Monte, California
Designer and maker of fine furniture and antique re-
productions. Designs and estimates submitted on
request.
canvases that reflect a constant change in theory
and technique. There is a restless spirit to
Wolf's work but it seems to be a seeking rest-
lessness that leads from one expression to the
next. It will be interesting to see what comes
out of all this experimentation. Evidence of
Wolf's very early efforts is found in the collec-
tion of sixty drawings and paintings done as
a child. This portfolio of childhood picturings
is, in some ways, more interesting than the
group of recent paintings. There is something
about the childish things that draws one's
attention from the mature painting in much
the same way that the actions of a child on the
stage, if natural and unspoiled, will demand
more attention than the finished characteriza-
tion of the trained actors.
ANEW slant on modernism was expressed
by Wilhelm R. Valentiner. distinguished
authority on the old masters and director
of Detroit museum, who recently visited San
Francisco to lecture on Raphael at the Legion
of Honor. He has observed that in past cen-
turies the art in quite isolated countries tended
to have certain rhythmical characteristics in
common with all the other art of its time. He
feels that at any one time much the same
rhythm is to be found in the art expression
throughout the world, irrespective of super-
ficial communication. So. today, he feels that
modern painting and sculpture are obeying the
general impulse of scyncopated rhythm that
seems to characterize this century and. as such,
deserves earnest consideration even more than
the masterpieces of the past which reflect atti-
tudes not dominant today.
Facing the Music
Continued from page 27
L~OK at the music calendar and you will see
that the German Grand Opera Company
will be in the city again at the end of this
month. With a host of talent which includes
Johanna Gadski. Margaret Baumer, Marie Von
Essen, Johannes Sembach. Max Roth and many
others, the short season promises to be artis-
tically as successful as the other appearances
which the company has made in this country.
Perhaps the most interesting work to be
presented this year is "Tiefland" by Eugene
Frances Charles d'Albert. who. though born in
Glasgow, Scotland, and the grandson of a cap-
tain of cavalry in the French army, has yet
spent most of his life in Germany.
Space prohibits a detailed discussion of the
five operas. However, it is suggested that those
who are interested attend Maud Fay Syming-
ton's lectures at the Community Playhouse on
the evenings of January 1 2th and 1 6th and on
the afternoon of January 14th for the works
by Wagner, and write to THE SAN FRANCIS-
CAN for a detailed synopsis of d'Albert's work,
"Tiefland."
The Cedars
Cora C. Myers, Head
A development school
for nervous and retarded
children.
ideal climate — no fog — delicate
children grow strong and develop
latent talents.
Address
THE CEDARS
Ross, Marin County, California
Exhibits of the Month
JANUARY 4th to 17th
Sculptures
by
Rodin
JANUARY 19th to 31st
Drawings
BY
Peter Arno
AND
Miguel Covarrubias
G
UllililTDS
P
I SAh
246-268 POST STREET I SAN
I FRANCISCO
•FASHION ART SCHOOL*
SCOTTISH RITE TEMPLE * Sutter and Van Ne.i Avenue
Booklet on request
Phone ORdw*y 2120
Individual Instruction
Costume Design
Prol«iiion*l of Home Uie
Fashion Illustration
Millinery Making
and Designing
Commercial Art
Life Drawing
Interior Decoration
ANNA * E . ■ S - I • 0 ALLAOh £«. Dirt
Foreign Novelties
Uncommon things for
particular people
TRAVEL ENSEMBLES
Bridge Coats
Dinner Jackets
Practical Negligees
Coffee Jackets
JEANNE COLLYNE
314 Primrose Avenue
Burlingame
30
THE SAN FRANCISCAN
s seeni
her I
WELL, holidays have certainly taken their
toll of me and for a while at least parties,
crowds, tinsel, and tissue will be pet
aversions. Not that it wasn't a week full of joy
but that my spasm of gaiety is over. I'm in a
righteous mood for work. Already I have set-
tled down to enforcing law and order — chiefly
the latter — in a devil-may-care household, so
that I may be able to find my own stockings in
a rush and restore Jim's good-natured "Hello.
Hon." His greeting seems to have become a
porcine grunt these last ten days.
My new and virtuous resolutions include
taking stock of my depleted wardrobe. The
dresses look a little the worse for wear. I believe
pulling them on and off causes more damage
than anything else. I always have violent inter-
ior gigglings — after the ball is over — crawling
out these sheath gowns. Compressed lips —
bending double — a sudden flip — and wiggling
contortions that might interest Gilda Gray are
the only means of emerging. What few 1931
models I have had a peek at look even "more
Western" and I'm wondering ! ! ! No doubt
we dress to make fools of men and when they
promptly oblige — well, that wasn't the reason
at all.
ORIGINAL TOYS
a specialty at the
THE JUNIOR LEAGUE SHOP
14 Tillman Place
San Francisco
by Molly Merkley
A suit from Jenkins displayed at Nelly Gaff-
ney's has a very slick look. Fits the figure every-
where, even 'round the knees, but the clever
designer conceals where he reveals by adjusting
two flat circular flounces so that the whole skirt
is beautifully rhythmic. A short, tight fitting
jacket with a jaunty cape bordered in pointed
fox completely hides from view (except at the
wrist) one of the daintiest tuck-in blouses I
have ever seen. Made of chiffon, it is elaborately
beaded in tiny crystals. Oh' my gosh! it's just
what you've always wanted. Mary Boland in
the "Vinegar Tree" wears a ravishing evening
gown from this same house that knocks your
eye out.
I looked pretty good to myself until I stum-
bled on that suit at Gaffney's. but an ax fell on
the neck of my self-satisfaction and I wandered
disconsolately to the St. Francis Hotel hoping
to take my mind off of that costume. Suddenly
I bethought myself of Elva's Beauty Parlor
and results achieved there. If I couldn't have the
suit I could at least freshen up with a wonderful
facial that makes the old morale quicken. There
is something very restful in these rooms and
one has a privacy lacking in most beauty salons.
After the thorough method of massage I felt
a 100% and started to do and see things.
CITY OF PARIS was next on ray list. I had an
appointment to look at their antiques in
the furniture department and I was very
much interested in them. The individual pieces
are saturated with history. Two tapestry chairs
from the sixteenth century could tell many a
tale, while a very narrow Spanish refectory
table looked intriguing. Wonder what they
serve on such slim tables. Some old Spanish
customs I missed out on. I guess. Many fine
English pieces are scattered on the floor and a
court buffet was arresting. It looked as though
it might have belonged to Richard Plantagenet
for one could best visualize it holding a platter
bearing a wild boar's head on its broad surface.
Underneath are many compartments that could
contain ample for even a lion-hearted. Moselle?
Suppose he drank that.' A courteous clerk's
"Could I help you?" found me romancing with
a latuous expression on my face and my tongue
between my teeth. That brought me to and I
moved on reluctantly. It's difficult to tear your-
self away from a place like this.
Only a beauteous Christmas present — in fact
a fur coat — that was having buttons adjusted
at the White House lured me away. It was all
set when I arrived and I slipped into it feeling
like a million. Somehow when you purchase
furs at the White House with its background
and the convincing sincerity of Mr. Kennedy in
charge, you feel you have value received, and I
pranced down Grant Avenue feeling high, wide
and fancy. I used the word "prance" advisedly,
for it was a real Russian pony I was wearing
with a White House guarantee. Guess I must
have been "screwy as a toad" with happiness.
for I smiled at the traffic cop with the deep
dimple and. snuggling my nose in the soft
collar, hummed all the way home "Three Lit-
tle Words." Not even mv errand to the Knox
Shop where some of my Christmas checks were
passing out. dampened my spirits. Laid aside
were two luscious dressing robes, and I had
another look at them before their festive wrap-
ping. One of lustrous silk in magenta and black
Wicker Furniture
Comfort
Distinction
Beauty
Make Your Home
Colorful and
Restful!
Art^ttanWork
311 Sutter Street
SAN FRANCISCO
E. 12th & 24th Ave.
OAKLAND
S. eixrljmibt & e#>on
of NEW YORK CITY
ESTABLISHED 1869
Importers of Antique and Modern Silver,
Sheffield Plate, Fine Crystal and China
Where the treasures of a collector may
be purchased as gifts
504 SUTTER STREET
SAN FRANCISCO
JANUARY, 1931
Worn* personal
TOURNAMENT
.... si nd : I others
31
I OT that it should matter
what is to he staged in Yosemite'a
giant winter sports theatre ... your
own ice-and-snow tournament will
he too bright and busy.
But if in all probability you will
have a last-minute hankering to he
here for one, or two, or three 01
California's major winter events,
make a note of them nuw:
Inler-Collegiate Games for the
President Hoover Cup
January 1, 2, 3, 4
California Amateur Speed-Skat-
ing Championships, Jan. 17, 18
Olympie Trials (skating events)
Jan. 31, Feb. 1
Yosemite'" s staff of winter ex-
perts, formerly of Switzerland and
Canada, will direct. It was under
their supervision that your pro-
gram of organized winter sports in
Yosemite was planned — for the
year's most exhilarating holiday!
Accommodations in housekeep-
ing cabins, Yosemite Lodge, or the
ultrafineAhwahnee. See your travel
agent, or Yosemite Park and Curry
Co., 39 Geary St., San Francisco,
604 W. Sixth St., Los Angeles, and
Yosemite National Park, Calif.
Yosemite
WINTER
SPORTS
was heavy enough to stand alone and the other
of swansdown flannel — well, it was nobody's
business. They were even more lovely at the
second look and I was mighty pleased over these
holiday contributions to long standing friend-
ships. I paid for them with pleasure.
Someone loved me at Christmas for I had a
merchandise order at H. Liebes and Company
which I promptly took advantage of and pur-
chased a hat for my new coat. No difficulty here.
Whoever the millinery buyer for Liebes. she
shows any amount of smartness in her various
selections.
Before starting on an afternoon trip let me fill
out this prescription — Oh. no. you've got me
wrong. Go to Yda's place. 44 Compton Place.
Relax ten minutes before a cozy fireplace, bring
all your Latin to the front and consume one
tamale. one dash of Spanish beans on lettuce,
one cup of coffee and one apple turn-over.
Repeat next day. I'm the doctor.
IHE SUN IS
SHINING TODAY
at EL MIRADOR
Tonight it will be cool. Guests will
sleep 'neath blankets with a fresh
breeze blowing from lofty San Jacinto s
snow-crowned crests. Sleep will
come early, linger late ... for the
nights are dedicated to repose, at El
Mirador, in the Garden of the Sun.
A wonderful place for play ... a
marvelous place for rest. A land of
beginning again, where mind and
body are refreshed, made new . . .
Come, bring the children — they'll love
it . . . and this kindly winterland will
love them. Write today for the El Mira-
dor folder, or simply make reserva-
tions and come.
PAimjPrsinGj
CA L I F O K M I A
X
AmtMCA'5 FOKtmOJT
P fr i t KT KfrJOM
FRANK NORRIS
TWO POEMS and KIM
REVIEWED ....
Witli ii Bibliography by Harvey Taylor.
Frank Noms wrote a few poems. His finest .
"Crepusculum," and "Brunhilde" are in-
cluded in this volume with a review of his
ideal in literature. Kipling's "Kim."
"This is the only accurate bibliography of
the first editions of my brother's writings,"
Charles G. Noms, author of SEED.
Now published for the first time.
EJitu.ii limitul to 200 copies. $5.00
ON SALE AT ALL BOOKSTORES
k
m
LOOK OUT
BELOW!
Have you ever watched a ski jumper
shoot down the slide and zoom off
into space . . . have you ever wished
him "happy landings" as he lost his
balance for a single breathless in-
stant? Then you've had the greatest
thrill a Sierra winter offers.
The giant ski j ump at Tahoe Tavern
will be the scene of many famous
jumps this winter. And there will be
scores of other thrilling events. Some-
thing doing every week-end.
You can go direct to the Tavern
and back in a Southern Pacific Pull-
man. Leave any night. Arrive the
following morning.
The program at Tahoe includes:
Jan. 3-4: Winter sports Costume
Carnival (all sports program) .
Jan. 17-18: Junior Ski Tournament
and LakeTahoe Club Championships.
Jan. 31-Feb. 1: Truckee and Au-
burn ski clubs in challenge ski tourn-
ament.
Feb. 7-8: Professional Ski Jump
Exhibition.
Feb. 14-1 5: Sierra Dog Derby (start
and finish at Truckee) .
Feb. 21-22-23: Tryouts for Olym-
pic ski teams ... ski racing and jump-
ing. Ski riders from all parts of the
Pacific Coast.
Southern
Pacific
Make your reservations
early. DAvenport 4000.
32
THE SANIFRANCISCAN
NOB HILL TOPICS
ADV.
Smart gatherings of San Franciscans are found daily in the luxurious
dining room of the Hotel Fairmont atop Nob Hill. Here, seated by
a window overlooking the city and the distant bay, they avail them-
selves of the fastidious service offered by this queen of hotels whose
gracious hospitality has become a tradition of San Francisco.
JANUARY, 1931
33
Leather Jackets
from Roos Bros
...of course
A swagger belted affair
of fine glovegrain leather
in red, brown, blue
or green.
$|695
9-Store Buying Power
i
A"
Our first
Annual Sale
now in progress
Entire stock of distinctive apparel and
furnishings for Boys and Students
Reduced 33%
nothing reserved
Here is a real sale of extreme impor-
tance for Mothers who wish to save
money on school wardrobe
zffle @%mmcnt
Outfitters for Boys and Students
Fairmont Hotel
817 Powell Street Phone: SUtter 5504
Brass Bands and Grand Balls
Continued from page 7
take a bath even for inaugural balls,
but for all of that, it is plain he lent to any
affair that touch of aristocratic distinction, so
desired and valued by the guests at democratic
gatherings. By reason of the Emperor's passing,
you may be sure, the Perkins ball fell short of
its anticipated glory.
WITH the dawn of the 1890s and all
through that memorable era. the inaugu-
ral ball in California struck its best stride
and rose to its greatest heights. For the ball of
Governor Markham in January, 1891, $637
was expended for decorations. A miracle of
flowers and lighting was wrought in the interior
of the Capitol Building. In the Assembly Cham-
ber 227 gas jets shed their beams. The Senate
Chamber was illumed with 173 jets, and the
rotunda was festooned with 1.000 small elec-
tric lights. The table decorations presented the
story of Queen Isabella disposing of her jewels
to finance Columbus' explorations. Two bands
and an orchestra — all of them concealed — sup-
plied music.
The ball was a signal success. "The neces-
sary dignity of form." we are told, "was pre-
served, but there was a conspicuous lack of
buckram frigidity and devotion to starch,
which renders participation in any official Euro-
pean function a penance and weariness to the
spirit."
The newspapers devoted solid pages to
descriptions of the ladies' gowns. From these
accounts, we gather that Moussilene de Soic
was the material of the hour. For trimmings
marabou feathers were almost de rigeur. A
second choice were Prince of Wales feather
tips, but jewel embroidered net at $10 to $50
a yard was very acceptable. Gas light green was
a favored color, and it was a point to be noted
that, unless a woman's gloves, slippers, hand-
f
lowers
for the
debutante!
Particularly appropriate
are lavish gifts of flowers
to those who are entering
society for their first sea-
son. Expressive of the
gaiety and happiness that
every girl covets, flowers
form the perfect
tribute!
"the voice of a thousand gardens"
224-226 Grant Avenue
Phone SUtter 6200
SAN FRANCISCO
Orders Telegraphed Anywhere
Vivid colors play on
dark backgrounds
in The New Spring
PRINTS
If you're goingSouth
.... or are off to the
Islands .... see first
this very advance and
exclusive showing of
prints! More vividly
colorful designs ....
more delectable col-
or combinations you
have never seen ! And
they're in^mall de-
signs, medium sized
designs and spaced,
and large ones, too!
City of Paris is
famous for exqui-
site silks .... and
these are imported
hand blocked chif-
fons and crepes
of which smartest
Southern resort
frocks are made!
Mr. Corwin Mc-
Lean, the exclusive
City of Paris coutur-
ier will design and
make smart frocks
of these new prints !
34
THE SAN FRANCISCAN
The Auditorium committee will present the
SAN FRANCISCO SYMPHONY
Mishel Piastro, conducting
with
BETTY HORST BALLET
Company of 40 in Modern Ballet Dances
LILLIAN MAY EHRMAN
Premier danseuse with ballet and in solo
Auditorium, Wednesday evening, Jan. 1 4
Tickets now on sale at Sherman, Clay & Co.
Sutter and Kearny Streets
Supervisor J. Emmet Hayden,
General Director
Benning Wentworth in charge of Ticket Sale
Real Italian Food
Bohemian
Atmosphere
Luncheon
35c and 50c
Dinner 75c
LA CASA BIGIN
441 Stockton Street
San Francisco
kerchiefs, fan and such small what nots har-
monized with her gown in color and design,
she could not be considered really well dressed.
IN 1903 Governor Pardee was inaugurated,
and the ball in his honor was the last until
the present event for Governor Rolph. On
this occasion the interior of the Capitol Build-
ing was transformed into a Louis XIV palace.
To enhance this general scheme the decorators
conceived several original features of their own.
One of their conceptions was a profusion of
huge chrysanthemums, made of paper and hav-
ing yellow electric light bulbs for their centers.
On the lighting alone $500 was expended,
while $849 went for a buffet supper of every
imaginable domestic and imported delicacy.
At strategic points among the aforementioned
palms, cut glass punch bowls were placed. The
punch bowls were as big as wash tubs, and the
punch in no two bowls was alike.
In the festivities in connection with the
inauguration and ball of Governor Rolph.
punch had, of course, no official part. The
omission was unfortunate and necessary but
not wholly disastrous, for the celebration
achieved moments of grandeur. There was. for
instance, a parade, headed by Governor Rolph
in a stage coach of historic fame, drawn by four
black horses and flanked by heralds and out-
riders in livery. The flower of Hollywood's
talent presented an historical pageant. There
were bands and concerts galore. There was a
round of banquets, dinners and orations.
In fine, it was an inauguration worthy of
the 27th Governor of California, who has a
round dozen decorations from foreign coun-
tries plus a string of honorary titles from Amer-
ican organizations as long as your arm. and
who is the only governor in the United States
who wears boots and a feather in his hat and
who, finally, is a typical San Franciscan and
the perfect embodiment of the glamorous tra-
ditions of the great State of California.
Deere Velie Metabolic Clinic
Carmel-by-the-Sea, Calif.
R. A. Kocher, M. D., Director
For diagnosis and treatment of nutritional disorders, including
Diabetes Obesity High Blood Pressure
Anemia Thyroid Heart Trouble
Stomach and Intestinal Disorders.
Not conducted for Profit. Rates Moderate. Write for illustrated
booklet.
The highest standard
of cooking is main-
tained at all times . . .
your guarantee lies
in the (act that all
food is prepared
under the personal
supervision of
Mrs. Belle de Graf
Downstairs
Monadnock Bldg.
San Francisco
rnarrcn
SAN FRANCISCO, CALIFORNIA
DESIGNERS AND MAKERS
OF COMPLETE FURNISH-
INGS FOR HOMES, CLUBS,
HOTELS, OFFICES, ETC. YOU
ARE CORDIALLY INVITED TO
VISIT OUR STUDIOS AT
1501 SUTTER STREET
PHONE
O R D W A y
4 5 12
f ^^— ^ I B 'IN FRANCIS _
<s snn fRanciscm
i
FEBRUARY 1931
♦
TWENTY-FIVE CENTS
KKXABnMB
(ID
s-fin p&ancisco
THERE must be a reason
why people oF wealth
and position who have
traveled widely and are ac-
customed to the best of
service are almost unani-
mous in their choice of the
aristocratic Nob Hill
hotels.
Perhaps it is the subtle
temptation of the modern
luxury with which each
guest is surrounded that
brings those who "know"
to Nob Hill for the week-
end, to spend the season
or to make their home
above the heart of the city.
the -KH-nmonT
GEO. D. SMITH
Managing Dirtctor
T4UE mQAK UOPKII1S
ear
BEGINNING THIS MONTH
O'Connor, Moffatt's looks forward to seeing "Action'
on these Great projects for San Francisco,
F or ward-Looking City.
On with the Golden Gate Bridge
THE first bridge in the world to span
outer edge to a great harbor. Estimated
cost — thirty-five million dollars. In relief it
surpass the Statue of Liberty in New York
harbor, as a mark of distinction. When com-
pleted, the span will be five hundred feet
longer than any other bridge in the world. It
will make the Redwood Highway the principal
traffic artery of the State system.
The War Memorial, A Civic Project
VISIBLE sign of San Francisco's participa-
tion in the Great War, this Memorial will
make our Civic Center still more beautiful.
The New Olympic Cluh, A
Masterpiece
A MASTERPIECE in design. In this hand-
somely-appointed building, estimated to
involve five million dollars, will be added pri-
vate dining rooms, a music room and a recep-
tion room for women.
On with the San Francisco Bay
Bridge
OUR miles long, estimated to cost seventy-
s . . . Four massive spans,
under any of which nine of the largest ships
afloat could sail abreast. The eyes of the
Nation will be upon it. All California will
come to see it. Four thousand men will have
to work four years to complete it. Twelve to
fifteen million cars can pass over it each year!
Other Great Projects Estimated to
Involve Seventeen Million Dollars
THE Government has passed legislation for
the erection of a Bombing Base in Marin
County . . . An Army Air Base in Alameda
... A Dirigible Base at Sunnyvale.
And Now the Western Pacific
. . . When it enters San Francisco, will require
another eight million dollars. All of which
means prosperity for San Francisco and the
Bay District over a period of years.
O'Connor, Moffatt's Views the Fiscal Year of 1931 in a Decidedly
Optimistic Manner
IN nineteen-thirty we enjoyed thousands of
extra transactions. And while unit prices
were considerably lower, our sales volume ex-
ceeded that of the previous year because of
the many additional purchases!
FOR nineteen-thirty-one we look forward to
serving Progressive San Francisco with
the same friendly, courteous service and ex-
acting quality that have always been our aim.
Hence, we again invite you to come with us
and speak with optimism.
m -a R fn^woMAL
O'CONNO^MOFFATT&CO.
STOCKTON AT O'FARRELL STREET - SUTTER 1800
"A Forward Looking Store in a Forward Looking City"
WEDDINGS
POSTLEY-TAYLOR. On January 21, at Trinity
Church, Mr. Clarence Sterling Postley, son of Mrs.
Ross Amber Curran and the late Mr. Sterling Post-
ley, and Miss Evelyn Taylor, daughter of Mr. and
Mrs. Augustus Taylor.
STEELE-BOLTOX. February 3, in San Fran-
cisco, Mr. Shorb Steele, son of Mr. and Mrs. James
King Steele, and Miss Betty Bolton, daughter of Mr.
and Mrs. Robert Clay Bolton.
ENGAGEMENTS
PARKER-MOSS. Miss Janey Graham Parker,
daughter of Mrs. Doyle Parker, to Mr. Joseph Mar-
rion Moss, son of Mr. and Mrs. Castle Prentice Moss
of New Westminster, B. C.
TOWNE-WALKER. Miss Adelaide Towne,
daughter of Mr. and Mrs. Percy Towne, to Mr. Harry
Wallace Walker of Los Angeles.
VISITORS ENTERTAINED
Mr. and Mrs. Alexander Biddle of Philadelphia
were guests lor a time of Captain and Mrs. Powers
Symington. Later they were the guests of Mr. and
Mrs. Sidney Fish at their Carmel estate. Mr. and
Mrs. Biddle were guests of honor at a dinner given
by Mr. and Mrs. Nion Tucker during their visit in
San Francisco.
.Mrs. Muriel Yanderbilt Church, who arrived from
Xew York to attend the Oakland Horse Show, was
extensively entertained in San Francisco and the
Peninsula.
The Hon. Mrs. Yictor Bruce, the English aviatrix,
was the complimented guest at a luncheon given by
the English-Speaking Union at the Hotel Mark Hop-
kins.
Mrs. Nathaniel Robbins, who visited her sister,
Mrs. Charles Edward Gilman recently, was guest of
honor at a luncheon given by Mrs. Walton X. Moore
and at another occasion where Mrs. Percy J. Walker
was hostess.
Mr. and Mrs. Andrew T. Cassell (Dorothy Wood-
worth) have been visitors in San Francisco, making
their home at the Sir Francis Drake.
Mr. Gerald Williamson, who formerly made his
home in San Mateo, and his father. Lord Forres, have
been guests at the Hotel Mark Hopkins. Mr. Gerald
Williamson entertained a group of his old friends at
luncheon at the San Mateo Polo Club.
Mr. and Mrs. Howard S. Whitney of XTew York
were entertained by Miss Barbara Carpenter of Bur-
lingame at a luncheon.
Mr. and Mrs. Earle C. Anthony of Los Angeles
were guests at the Hotel Mark Hopkins for a brief
visit.
THE
REIGNING
DYNASTY
Dr. and Mrs. Mark L. Gerstle Jr. entertained at
dinner at their home for Mr. and Mrs. Frederick G.
Peabody of Xew York. Mr. and Mrs. Algernon
Gibson also gave a dinner for Mr. and Mrs. Peabody.
Mr. and Mrs. Guernsey Curran of Xew York, who
came to San Francisco to attend the wedding of Miss
Evelyn Taylor and Mr. Clarence S. Postley, were
extensively entertained during their stay. Among
those who arranged affairs in honor of Mr. and Mrs.
Curran were Mr. and Mrs. Xion Tucker. Mr. and
Mrs. Edmunds Lyman, Mr. and Mrs. George T.
Cameron, Mr. and Mrs. Robert Hays Smith, Mr.
and Mrs. Alexander Hamilton and Mrs. John Drum.
Mr. and Mrs. Gerald Herrmann were week-end
guests of Mr. and Mrs. H. Bliss Rucker in Bur-
linerame.
The Polo Matches brought many interesting vis-
itors to Xorthern California last month. Prominent
among them was Mrs. Muriel Vanderbilt Church,
Mr. and Mrs. John Magee, Mr. and Mrs. Earl Hop-
ping Sr., of Xew York, and Mr. and Mrs. Reginald
Sinclaire of Colorado Springs.
Doctor Wilhelm Yalentiner of the Detroit Art
Museum was guest of honor at a luncheon that Mr.
Richard Tobin gave at the Bohemian Club during
Dr. Yalentiner's visit in San Francisco. He was also
honor guest at a tea that Mr. and Mrs. Frederick
Moody Jr. gave at their home.
Mr. and Mrs. Charles J. Henderson of Honolulu
were entertained at dinner by Mrs. Warren Spieker
at her home in Pacific Avenue. Mr. and Mrs. Hen-
derson have been visiting with the former's parents.
Mr. and Mrs. Charles B. Henderson, in Burlingame.
Mr. and Mrs. Coy Filmer entertained a group of
friends at their Green Street home in honor of Mr.
Alex Wallace of Salt Lake City, who was visiting his
brother, Mr. William R. Wallace, at the Huntington
Apartments.
Mr. and Mrs. Harold Edmondson and their chil-
dren, who make their home in Los Angeles, were
guests of Mrs. Edmondson's parents, Mr. and Mrs.
Paul Clagston, in Palo Alto.
Mrs. Raymond Phelps, accompanied by her small
daughter, is visiting in San Francisco, occupying
apartments at The Huntington. Mrs. Phelps was the
former Miss Katherine Bentley and is a sister of Mrs.
Stanley Powell.
Madame Johanna Gadski was honor guest at a
luncheon and open house tea given by Miss Con-
5tance Alexander on the afternoon preceding the open-
ing of the German Grand Opera season.
Mrs. William Kent Jr. entertained recently in
honor of Mrs. Clarence Cooke of Honolulu. The
occasion was a luncheon given at the Town and
Country Club.
HERE AND THERE
Miss Florence McCormick, the daughter of Mr.
and Mrs. Charles R. McCormick, made her debut
at a dance given at the San Francisco Golf Club on
the evening of January 3. Many dinner parties pre-
ceded the dance. Among those entertaining at these
preliminary gatherings were Mr. and Mrs. Marshall
Madison, Miss Carol Lapham, and Mr. and Mrs.
Thomas Page Maillard.
Mr. and Mrs. Arthur Hooper gave a dancing party
for their daughter. Miss Margaret Hooper, at the
Hooper home in Broadway. Preceding the dance
Miss Constanza Avenali entertained a group at din-
ner at the Avenali home.
Mr. and Mrs. Richard McCreery of Burlingame
entertained twenty guests at dinner at their home in
Burlingame recently.
Miss Gwynneth Woodhouse, granddaughter of
Mrs. Julius Kruttschnitt, made her debut at the
Burlingame Country Club where a dance was given
on the evening of January 17. Mr. and Mrs. Mar-
shall Madison gave a dinner for Miss Woodhouse
before her debut ball.
The San Francisco Branch of the Junior League
is at work on a play which the members will present
during the Easter holidays. Mrs. Horace Bradford
Clifton is at the head of this current activity.
M r. and M rs. Albert M iller are again at their
Jackson Street home after a ten-day motor trip.
Mi>> Betty Bolton has announced February 3 as
the date of her marriage to Mr. Shorb Steele. Miss
Mary and Miss Margaret McCormick gave a buffet
supper in honor of the couple.
Mrs. Harry Hill and her daughter. Miss Harrie
Hill, Miss Juanita Hill and Mrs. Hill's son, Mr.
Jackson Baird, enjoyed a ten-day visit in the south
during January.
Miss Edith Chamberlain has returned to her home
in Woodside after a four months trip abroad.
Dr. and Mrs. Herbert W. Allen gave a dinner for
Miss Florence McCormick and a group of her friends
at the Allen home in Broadway.
Continued on page 30
RADIO OR WIRE RESERVA-
TIONS AT OUR EXPENSE.
Cable GROSHOTEL
NEW YORK
FIFTH AVENUE ♦ NEW YORK
AT THE CORNER OF TENTH STREET
GROsvenoR
qA
HOTEL of rare charm and refinement. Internationally known as the
choice of the traveler who demands the best.
(J Patronized extensively by exacting Californians who appreciate its
quiet restfulness and individuality.
(J A modern hostelry of 350 rooms, situated on the world's most famous
avenue in the heart of Manhattan, apart from commercial noises. . .
convenient to everything.
With a tariff surprisingly moderate
HARRY A. MASON, Manager
ROCKWELL KENT
the San Franciscan
JOSEPH DYER, Editor and Publisher
Aline Kistler, Assistant to the Publisher
CHARLES CALDWELL DOBIE
WILSON FOLETT
LINCOLN STEFFENS
IDWAL JONES
CONTRIBUTORS
EDWARD A. MORPHY
ELVA WILLIAMS
SYDNEY KING RUSSELL
CAREY MCWILLIAMS
OTTORINO RONCHI
ZOE BATTU
ROWENA MASON
KATHRYN HULME
CONTENTS
VOLUME V
FEBRUARY, 1931
Articles
Bull versus Sham, by Edward A. Morphy ....
Sutter and His Fort, by Zoe A. Battu
John Joseph Casey, by Lloyd S. Thompson ....
Jack London, by Chita Keltner Michelson ....
Winters — East and West, by Doris Schmiedell
Reactions, by Captain Powers Symington ....
Short Stories
This Time it Counts, by George Uhl, Jr. ....
Assuring Success, by Charles Alma Byers ....
Criticism
Facing the Music, by James Hamilton Fisher ....
Spotlight, by Charles Caldwell Dobie
Passing Shows, by Aline Kistler
Verse
Query, by Sidney King Russell
Without Rebuke, by Tarcissus Paddock
Peace has come to Helen's Face, by Vaughn Francis Meisling
Compensation, by Lucrezia Kemper
7
11
14
15
17
18
13
18
10
16
20
13
13
16
25
Special Features
Now It Can Be Told, short comment and humor
Music Calendar
Drama Calendar
Art Calendar
Reigning Dynasty, by Josephine Bartlett
As Seen By Her, by Molly Merkley
Illustrations
Stock Exchange Mural, by Edward Bruce
Cartoon, by Sotomayor
Cartoons, by George Tobin and Philip Nesbitt
Tito Schipa, drawing .....
Sutter's Fort, 1841, woodcut by William Wilke
Debut, photographs by Margrethe Mather
John Galsworthy, etching by Edmund J. Sullivan
Jack London, photograph
Desert Mountains, photograph by William Horace Sn
Snow in the Sierras, photograph by Anson Easton Adams
Mrs. Edward J. Tobin, portrait by Justema .
Etching, by Will Dyson . . . ■,',-,■
Horse Study No. IV, painting by Georgio di Chirico
Number 4
8-9
11
16
20
4
31
ith
6
8
9
10
11
12
14
15
17
17
19
20
21
The San Franciscan is published monthly by The San Franciscan Publishing Company, Sharon Building, San Francisco, California. Entered as second-class
matter October, 1928, at the Post Office at San Francisco, Calif., under the act of March 3, 1879, Joseph Dyer, Publisher. Subscription price: one year
$2.00, single copy 25c. Copyrighted 1929, The San Franciscan Publishing Company, manuscripts will not be returned unless accompanied by
self-addressed, stamped envelope
For advertising rates address Zora Combes, Advertising Manager, GA rfield 4755
STOCK
i:\cii\4pI:
MURAL
"Edward Bruce has produced a work of singular and original beauty.
Skyscrapers rise up to a central group outlined against the blue
waters of the bay. The outlying neighborhoods cluster on the hills
above the near shore. One senses rather than sees the myriad win-
dows, the city's eyes,- or the depth to the street levels below. It is a
picture of a great centralization of man's energy and will,- set beside
blue waters it can but momentarily displace or agitate, amidst hills
whose sculptured flanks answer its challenge of power with their im-
passive eternity.
"When I consider the difficulties solved, the pitfalls of common-
place illustration avoided, I must rank this the finest rendition of a
modern city I have yet seen. To Edward Bruce's already distinguished
reputation this picture must bring added luster." — Paul Dougherty.
The SAN FRANCISCAN
Bull
versus
Sh
am
by Edward A. Morphy
Mr. Wickersham and the Pope
RARELY does the daily press
of this great republic so far
forget its consecration to
the pious cause of scandal as
to devote front-page headlines
to the exposition of purely in-
structive or monitory docu-
ments. During the first month
of this favored year, however,
such a miracle has twice oc-
curred.
On January 8th, the now
famous Encyclical on the subject of
marriage and allied adventures was
promulgated by Pope Pius XI and
instantly won first-page honors in
every section of the press. A couple of
weeks later, on January 20th, Presi-
dent Hoover presented Congress with
the still more famous half-million
dollar report of the Wickersham com-
mission, a document which had at-
tained first-page headlines while in its
gestation stage and which still, on oc-
casion, again achieves them.
So much well merited editorial com-
ment has been accorded internationally
to each of these important documents
that but little worth saying about
either has been left unsaid. One point,
however, which concerns both does
not appear to have attracted comment.
This is the illustratively typical but
widely differing natures, as interna-
tionally important public documents,
of the Papal Encyclical and the Wick-
ersham Report, respectively, and the
fundamentally distinctive characteris-
tics of each.
In the Encyclical, we have a docu-
ment that admirably reflects the archaic
crudity of an administration which
seeks to maintain in this enlightened
age the senile traditions that it has
nursed through twenty centuries. The
Wickersham report, on the other hand,
treats chiefly of a subject and of condi-
tions that are quite new, and embodies
the latest concepts in efficiency of up-
to-date American political practice.
Mr. Will Rogers, who customarily
keeps his eye on such matters, was the
first publicist to call attention to the
fact that the Encyclical differed from
what the world-public had a right to
expect insomuch that its import was
as plain as a pikestaff. In it, the Pope
said exactly what it was in his mind to
say. The clarity of his diction left no
loophole for misunderstanding. Every
Editor's Note: Edward A. Morphy, until recently editor
of The Argonaut, has for years been one of the most bril-
liant journalists of the West. Associated with San Francisco
journalism during the early '90s, he went from here to the
Orient where for years he served as war correspondent.
Later he went to England and, returning after the outbreak
of the World War, heac cepted the editorship of The Argo-
naut whose policies he directed for six years. Because of
these past accomplishments and because of our sincere
belief in his ability as an analyst of current affairs, we take
pride in presenting this, the first of a series of monthly fea-
tures which Mr. Morphy will write for The San Franciscan.
assertion, every contention, was stark
in its intellectual nudity.
How different was our Wickersham
Report — as typical of our thought and
our modernity as "the noble experi-
ment" which is the leit motif of its
profound and baffling obscurity.
Not only has the purport of this
noble document hitherto defied the
efforts of all those concerned in ascer-
taining its true significance, but a simi-
lar soothing atmosphere of uncertainty
enshrouds the presidential message
which accompanied it to Congress.
The wording of this message, no
doubt, might at first glance have ap-
peared to the uninitiated to be almost
as unambiguous as that of the Papal
Encyclical. At any rate it professed
"unity with the spirit" of a certain
section of the report which seems to
favor prohibition enforcement. This
"unity," however, has been publicly
interpreted by the official leader of the
Republican party as indicating that the
President has an open mind on the en-
tire subject and is not devoted to pro-
hibition enforcement. Therefore it
may be accepted that, by no action of
the nation's Chief Executive, has the
impotence or unintelligibility of the
Wickersham report been in any respect
seriously impaired.
Thus by virtue of a protracted en-
quiry and the sagacious outlay of half
a million dollars a previously befud-
dled nation has had all its anxiety as
to the removal of its difficulties erased
and its justly celebrated Status quo
ante restored.
ONE of the immediate results of
this benign achievement in Cali-
fornia has been the organization
at Hollywood — on approved Chicago
lines and under the auspices of Mr.
Scarface Capone — of a proper boot-
legger's "racket" or cartel — a rational-
ization of local big business in the
orthodox way.
No such constructive result
could be expected to enure
upon the promulgation of an
admonitory communique so
indelicate in its directness as
the Pope's Encyclical, and no
attempt will here be made to
analyze comprehensively or to
compare with the Wickersham
Report the qualities of the En-
cyclical other than this offen-
sively archaic one of clarity.
What might not be said, for ex-
ample, in retort to the Pontiff's excori-
ation of our arrangements for the com-
pulsory sexual sterilization, (under
proper magisterial order and direc-
tion) of certain non-criminal citizens
on whose behalf we in California have
pioneered this practical form of physi-
cal relief and moral uplift? What
about the papal denunciations of those
excursions into the realms of birth-
control and abortion by means of
which we are so efficiently reducing the
birth-rate of this state, and making it
conform with our modern ideas con-
cerning homes and families? What
about the papal lack of sympathy with
our new companionate marriages and
the denunciation of these as "hateful
abominations?" Why should his holi-
ness disparage as "exaggerated physio-
logical education" the generous exten-
sion of our pedagogic enterprises on
lines that may soon effect the inclusion
of sex education in the curriculum of
our kindergartens?
These are questions that might well
afford food for reflection to the pontifi-
cal mind were they brought within its
purview. They are questions, at any
rate, that directly concern and worry
every Californian who is devoted to
the various local principles involved —
the forcible transformation of unwill-
ing men into eunuchs, and so forth.
Another matter that the Pontiff ap-
proaches in a manner which rubs many
genial Lotharios against the fur is that
of marriage: "A great number of
men," according to the Encyclical,
"either entirely ignore or shamelessly
deny the great sanctity of Christian
wedlock."
Possibly some incidents connected
with Hollywood were fretting the
Pope, if he really were aiming this
assertion at any section of California.
Continued on page 26
8
THE SAN FRANCISCAN
OUR friend the interne at the
emergency hospital tells of a
man who was recently brought
in by a flurried wife who announced
that he had been bitten by a mad dog.
In the midst of the first aid precautions
while waiting for the serum, the man
suddenly grabbed a pad of prescription
paper and began to write furiously.
The interne was startled at this devel-
opment and tried to calm the patient
with assurances that everything would
be all right, the serum was on the way
and there wasn't one chance in ten of
hydrophobia. "Oh. I'm not worrying
about that — I'm just making a list of
the people I want to bite if I do get
hydrophobia."
THERE was an accident on the El
Camino Real, between San Mateo
and Burlingame. Just a simple one
involving a lady driving north and a
gentleman driving south. The cars
collided head on. Both drivers climbed
out, neither being injured.
The lady was very apologetic. "It
was all my fault." she said. "I was way
over on the wrong side of the road. I
can't imagine what I was thinking
about. It was entirely my fault."
The gentleman stopped her with a
gallant gesture. "Not at all. madam."
he replied, "not at all. I saw you com-
ing for half a mile back, and I could
easily have turned off at least two side
roads and gotten out of your way."
THE recent unemployment census
brought consternation to at least
one household. A mural painter
who is very much preoccupied and
somewhat vague about current condi-
tions was busy sketching when the
census taker knocked. In a daze the
artist opened the door and said, no, he
was not "employed." Then how long
ABSENT MINDED NO. 1071 31
NOW
IT CAN
BE TOLD
had he been unemployed? But he was
not "unemployed." he said. Oh, he
had work? No, not just now. The
conversation weaved back and forth in
confusion until finally the worker
made a notation and left. Exhausted,
the artist returned to his easel but
found he couldn't work . . . the hor-
rible uncertainty of the interview . . .
the fear that next time he answered the
door, he might find a charity basket
there!
THE workman with the tin-soldier
shoulder straps was busy oiling the
turntable at the Market street end
of the Powell car line. He grandly
ignored the traffic, both wheeled and
pedestrian, that swirled around him.
But a nearsighted old lady refused to
be ignored. After saying "My good
man" three times, she plucked up her
courage enough to tweak his sleeve
while saying in quite a loud voice,
louder than she had spoken in at least
fifty years. "My good man, will you
tell me where I shall get the cable car?"
"In the rump, ma'am, if you don't
move." said he. squirting a last stream
of oil from the long nozzle of his can
and jumping back to give way to the
clanging car.
HIKERS along a Marin County trail
one Sunday afternoon during the
month witnessed an unusual
sight in a nearby pasture. Puffing like
a locomotive, cursing his folly in al-
lowing himself to grow stout, an old
gentleman was running for his life
from an infuriated bull. At first it
seemed as if he would surely be caught.
But with one last, despairing effort he
reached the end of the field and hurled
himself over the fence.
For some moments he sat still, re-
covering his breath. The excited hikers
arrived at his side just in time to see
him get to his feet, and shake his fist
almost apologetically at the snorting
animal.
"You brute!" he spluttered. "And
I've been a vegetarian all my life!"
A San Franciscan is one who is able
to pronounce Begin.
WE FIND that even the unem-
ployed apple sellers have their
difficulties. It is not only that
people won't buy. one confided, but it
is the criticism of the non-buying pub-
lic that hurts. One group audibly ob-
jects to the apple venders because they
hawk their wares. "One would think
they were selling papers or something
— why they are actually like profes-
sionals," they say. Then when the
vender has subsided into modest wait-
ing someone comes along who says.
"Humph, you won't find me buying
from these people. Look at them, they
don't show a spark of initiative!" And
this isn't all. some non-buyers object,
saying the apples aren't "sanitary" —
that's what celophane has done to the
modern mind — and others claim they
would buy if only the apples were
oranges because apples are a direct copy
of New York but oranges would be
truly Californian.
Among other flattering things, are
the placards in San Francisco street cars
giving straphangers sage advice on how
to drive automobiles.
ALTHOUGH it is some time since
John Barrymore was seriously
'ill, we have it from an eye-wit-
ness that as the crisis approached and
fears were highest, the great actor
begged the doctor to "tell him the
truth." With great hesitation, the
physician finally said: "I think it
would be best, Mr. Barrymore, to pre-
pare yourself. I fear you will soon have
to meet your Maker face to face."
"What!" cried Barrymore. sitting up-
right, anguish in his eyes. " — not —
not in profile?"
A San Franciscan is a man who
knows what a Pisco Punch tastes like
— also a Waldorf Fizz. (But what
about the women?)
UNTTIL recently we thought we were
the only people who ever forgot
to wind, wear or keep in repair
the birthday, commencement or other
watches in our possession. We were
thankful for the cheerful service of the
telephone company in answering our
calls for time but, somehow, felt that
this was a special, personal courtesy ex-
tended to us quite in particular. Then
one day in conversation we gasped
to hear that something over 35.000
calls are made each day for time alone.
The majority of these calls are from
the residential districts — mostly be-
tween the hours of seven and eight in
the morning! In one outlying district
alone the average during the busy time
FEBRUARY, 1931
is about eight hundred time calls an
hour! And we thought we alone were
given the privilege of neglecting the
accurate up keep of our time pieces!
ONE of the walls in the main gal-
lery of the California School of
Fine Arts is being prepared for
Diego Rivera to decorate it in fresco
when he has completed the Stock Ex-
change Lunch Club wall. At this time
it is amusing to quote from art notes
in "Mexican Life," a magazine pub-
lished in Mexico City:
"Rivera has gathered renown not
merely because he is an able and most
versatile painter, but because he is
never too big an artist to forget the
monetary worth of publicity. His not-
ability as a painter is reinforced by his
notoriety as a devotee of naive and
gross eccentricities, such as his avowed
communism, for instance, his aversion
to bathe, a generally uncouth manner
and appearance, and a singular nack
for making enemies . . . Today, Rivera
is in California performing a pictorial
communist tourner casque. The fee
which "comrade Diego" is raking in
for this job will probably enable him
to acquire a few more blocks of Mexico
City tenements . . ."
In the same publication, Guillermo
Rivas attempts to correct current im-
pressions about Rivera and the "revo-
lutionists." He writes:
"Diego Rivera, the acknowledged
leader of Mexican 'revolutionary'
painting — despite his rather unusual
gifts at spinning fascinating yarns
which tend to envelop his person in
heroic auras — was away from Mexico
during all the stormy years of the revo-
lution. He returned to this country
when the big show was practically all
over, after spending much time in
France, Spain, Holland and Belgium.
It was in 1921 that Rivera, in com-
pany with Orozco, Revueltas, Siquei-
ros, Atl, Alva, Montenegro, Merida,
Chariot, Leal, De la Cueva and Guer-
rero, started his 'Mexican artistic revo-
lution.'
"During his years in Europe, Rivera
devotedly followed in the footsteps
of Picasso. He went through all the
many-limbed metamorphoses which
characterized the different epochs of
Picasso's creative effort. Rivera — ever
keen to pursue something new — emu-
lated his master throughout the evo-
lutions of Picasso's restless talent.
"Thus, when Rivera returned to
Mexico he brought back with him a
vast store of experience at innovation;
and he made use of this store in his
and his followers' project of founding
the 'Mexican revolutionary school of
painting.'
"The group of painters who gath-
ered about Rivera in 1921 and whose
logical leader he at that time was (al-
though at least one of that group, Jose
Clemente Orozco, has gone consider-
ably beyond Rivera's talents, whereas
practically all others have gone their
own way since) adapted the Rivera,
or rather Picasso, method of mistrust-
ing nineteenth century forms and.
borrowing all that could be borrowed
from the indigenous aesthetic motives,
evolved what is today known as the
modern Mexican school of mural
painting."
Since San Francisco means some-
thing different to each of us, it is
interesting to compare notes —
much as one voices reaction to the
weather, only far less obvious. This
phase of San Francisco had slipped our
notice but perhaps you are more ob-
servant. Anyhow this is what L. K.
writes:
Much like the continental city is this
city by the sea. There is not the noisy
activity and hurry one commonly asso-
ciates with Chicago and New York.
Here the shop girl dallies over her
coffee andcigaret. It is almost gemutlich,
that German word which cannot be
translated. Comfortable, cozy, enjoy-
able, not any of them is adequate, but
all together almost expresses it.
As much a part of San Francisco as
her Chinatown, her cable cars, her cafes,
is the custom of the midafternoon tea or
coffee in the numerous small cafes. There
one sees the pert little stenographer, the
smart clever secretary, the grey-haired
man of affairs and the young man trying
to get along, rubbing shoulders, sitting
comfortably for a bit to enjoy the pause
in the bustle of business. Some read, some
listen to the sports reports over the radio
or to the musical programs, others con-
verse animatedly, still others just sit.
There is no hinting of waiters or the
management that one dallies too long.
There is nothing hurried about their
attitude. There is an atmosphere of
gemutlichkeit, a part of the conserva-
tiveness that San Francisco imparts. In
any other city it would be a waste of
time, but in San Francisco it is merely
a custom, an old custom and. as such,
even the pressure of business cannot
wholly abolish it.
FROM an outlying town comes news
of a nickname unjustly earned. She
is a young virginal school teacher
recently out of the university. But, be-
cause she has been assigned to teach
three groups segregated into a "Z"
classification of intelligence, she is now
known to her colleagues as "Easy-for-
Zee-Zee."
A San Franciscan is one who re-
members when Lincoln Park was a
Chinese cemetery.
PHILIP NESBITT
10
THE SAN FRANCISCAN
r jf**fj£^ k
TITO
SCHIPA
CHICAGO OPERA COMPANY
acmg
the M
USIC
by James Hamilton Fisher
THEY stood in the lobby of the
Curran Theater after the first con-
cent conducted by Issay Dobrowen.
They were dressed smartly in gowns
which touched the floor, cut thus and
so, and their eyes held a rapt look.
"Isn't he too wonderful," said she
with the white fur.
"Absolutely 'comme il faut." re-
plied the other.
"Completely 'en rapport' with his
men," said the first.
"He certainly has ' je ne sais quoi."
mumbled the second.
"Where are we going to have tea?"
came from the depth of the white fur.
The answer was lost, for, with a
sigh which proclaimed a duty well
done, they moved in the direction of
the doors.
And so another conductor's repu-
tation was made.
Which is related here merely as an
example of the boundless enthusiasm
which, according to the daily press,
inspires symphony audiences.
If, and there may be people who
believe it to be ro. the musical value of
a concert is to be measured by the ho-
sannas of an audience, San Francisco
has entered the kingdom of Micomi-
con. For to read the reviews or listen
to verbal comments. French or other-
wise, all performances are perfect, all
concerts faultless and all artists who
appear in this city inimitable models
of unparalleled perfection.
Obviously that state of mind isn't
healthy. It isn't even sanitary. It estab-
lishes a false security which is bound
to defeat its own purpose. And to
music a state of self-satisfaction is as
deadly as ground glass is to a pup.
IN DOBROWEN San Francisco has a
conductor whose musical sensitive-
ness is beyond question. His first
program was a model of its kind. He
might have followed the lead of other
conductors whose opening selections
usually include a Wagner number,
preferably the Prelude to "Die Meister-
singer," Respighi's "Pines of Rome."
with its thunderous last movement
and, as a symphony, probably Brahms'
first in C minor. He might have picked
his numbers from a long list of other
spectacular works. But he did nothing
of the sort. He chose Tschaikowsky's
Fifth in E minor, and Debussy's "Af-
ternoon of a Faun." True, he finished
Editor's Note: Again we present James Hamilton Fisher
as the music critic whose monthly articles in The San
Franciscan will record the pulse of current concerts.
Throughout the month Mr. Fisher is glad to answer ques-
tions and give information to individuals or groups. He is
also available for a limited number of lecture engage-
ments.
the afternoon with Richard Strauss'
"Don Juan." But though that com-
position may be counted among those
which will "get" an audience, he had
made his mark at the very beginning
of the concert with his interpretation
of the symphony. He played it as deli-
cately as only a master can play it and
throughout the afternoon the orchestra
followed his every mood. The concert
was a triumph for Debrowen. who
achieved much after only three rehears-
als, as well as did the players who gave
him their very best. It was an auspi-
cious beginning.
Came the second concert. Dvorak's
fifth symphony. "From the New
World." Bach's Branderburg concerto
No. 5 and Stravinsky's Suite from
"The Fire Bird" formed the program.
Each number aroused its usual quota
of huzzas. The lobby buzzed with
all the most approved expressions of
ecstasy and. after the concert, the side-
walk in front of the theater was
jammed with men and women whose
raptures apparently knew no bounds.
Yet musically the two concerts were
as unlike each other as a penny whistle
and a zampogna. True, the Branden-
burg concerto was a personal triumph
for the conductor. It revealed him as
an exceptional pianist. But that was
about the only outstanding disclosure
of the afternoon. What had hap-
pened? Why should a standard work
like the New World Symphony lack
the same distinctive qualities which
made the Tschaikowsky work two
weeks previously such an outstanding
success? Why did the solo flute in the
Brandenburg concerto sound about as
inspired as an organ stop, and why
should the Stravinsky opus lack conti-
nuity and greatness? Odd questions
no doubt but pertinent nevertheless.
ANXIOUS to get a reaction from
those San Franciscans whose
musical knowledge is sound
and fair, I began to ask questions. And
the answers I got are directly respon-
sible for the statement that self-satis-
faction in music is eventually as deadly
to its existence as ground glass to a
pup. What the various views were
may form the subject of another art-
icle. Suffice it that only two of those
questioned admitted the truth. And
they in turn, before breaking down
and confessing all. took me to a dark
corner, disguised themselves as lamp
posts, made me swear a bloody oath
that I would never reveal their names,
and then confessed that in their opin-
ion the orchestra had lost heart and
that the players simply didn't care.
FEBRUARY, 1931
Which, if generally admitted, would
not be anything to worry over. Worse
obstacles than that have been over-
come in other communities. What
makes it bad for San Francisco is the
fact that those whose opinions ought
to form an unshakable foundation for
the symphony structure to stand on.
are afraid to state them frankly and
are hiding in a fool's paradise whose
gaseous substance is bound to disap-
pear sooner or later. And after this
excorciation what then?
After all, at this point it may be
well for me to remember the old Man-
darin's advice as translated by Chris-
topher Morley:
Never try to tell people anything
Unless
They know it already.
Even then.
It is well to refrain.
and so skip to a pleasanter subject.
WHICH brings me to the appear-
ance of the Aguilar Lute Quar-
tet, sponsored by Alice Seckels,
January 26, in the Terrace Ballroom
of the Fairmont Hotel. Of all the
sober faced lute players which must
have trod the boards since Shake-
speare's time, Ezequiel, Pepe, Elisa
and Paco Aguiliar are certain to hold
Continued on page 32
CONCERTS OF THE MONTH
Friday afternoon, Feb. 6— Symphony at the Cur-
ran Theater.
Saturday evening, Feb. 7 — Tipica Orchestra at
the Scottish Rite Auditorium.
Sunday morning, Feb. 8 — At 11 o'clock. Pro
Musica presents the Abas String Quartet at
the Palace of the Legion of Honor.
Sunday afternoon, Feb. 8 — Kreutzberg and
Georgi, dancers, at the Geary Theater. Ger-
aldine Farrar at the New Columbia Theater
and Symphony at the Curran Theater.
Sunday evening, Feb. 8 — Tipica Orchestra at the
Scottish Rite Auditorium.
Tuesday evening, Feb. 10 — Charles Cooper, pian-
ist, at the Scottish Rite Auditorium.
Wednesday evening, Feb. 11 — Municipal Sym-
phony Concert at the Civic Auditorium with
Vladimir Horowitz, pianist, soloist ; Dobro-
wen, conductor.
Thursday evening, Feb. 12 — Saleski, 'cellist, in
the Italian Room of the St. Francis Hotel.
Friday evening, Feb. 13 — Kreutzberg and Georgi,
dancers, at the Oakland Auditorium Theater.
Sunday afternoon, Feb. 15 — Kreutzberg and
Georgi, dancers, at the Geary Theater.
Sunday afternoon, Feb. 15 — Popular Symphony
concert at the Curran Theater.
Monday afternoon, Feb. 16 — Luisa Espinel at the
Travers Theater.
Tuesday evening, Feb. 17 — Abas String Quartet
at the Scottish Rite Auditorium.
Wednesday evening, Feb. 18 — Jovita Fuentes,
Filipino soprano, at the Scottish Rite Audi-
torium.
Friday afternoon, Feb. 20 — Symphony at the
Curran Theater.
Sunday afternoon, Feb. 22 — Symphony at the
Curran Theater.
Tuesday evening, Feb. 24 — Robert Vetleson, pi-
anist, at the Travers Theater.
Monday evening, Feb. 26 — Paul Robson, negro
baritone, at the Dreamland auditorium.
Tuesday evening, Feb. 27 — Paul Robson, negro
baritone, at the Oakland Auditorium Theater.
Sunday afternoon, March 1 — Popular Symphony
concert at the Curran Theater.
Sunday afternoon, March 1 — Sergei Rachmaninoff
at the Dreamland auditorium.
Monday night, March 2 — Chicago Civic Opera
Co. in "La Traviata" with Muzio, Schipa,
Thomas, etc., at the Civic Auditorium.
Tuesday night, March 3 — Chicago Civic Opera
Co. in "Die Walkuere" with Leider, Olszew-
ska, Reddell, etc., at the Civic Auditorium.
Wednesday night, March 4 — Chicago Civic Opera
Co. in double bill, "Cavalleria Rusticana" and
"I Pagliacci" with Muzio, Thomas, etc., at
the Civic Auditorium.
Thursday night, March 5 — Chicago Civic Opera
Co. in "Lucia di Lammermor" with Salvi,
Schipa, Bonelli, etc., at the Civic Auditorium.
Sutter and
his Fort . . -
by Zoe A. Battu
SEARCHING through the great
quantities of available material on
Spanish California and the gold
rush, one is quite at a loss to find any-
thing of a detailed and satisfactory
nature on Sutter's Fort at Sacramento
and on Sutter himself. Bancroft, usual-
ly so voluminous in his detail, disposes
of Sutter and his fort with a few casual
pages. Hittel is equally vague and un-
certain. Eldridge is no better, and lesser
writers content themselves with a life-
less rehash of the scant accounts of
these major historians.
It seems to occur to no one that
Sutter in his way was one of the
West's great pioneers. He may, indeed,
be considered an Empire builder in the
best sense of the word. For California
and himself he clearly saw the promise
of a great future. His prophecy was
fulfilled. Its fulfillment, however, was
contrary to his expectations, and in the
fulfillment he was stripped of his pos-
sessions and his dream. But that does
not alter the fact that it was Sutter
who laid the first solid foundations for
the American occupancy of California,
and that it was around his fort that the
gold discovery and first days of the
rush centered.
Captain John A. Sutter was a native
of the Duchy of Baden, Germany. His
parents were Swiss, and he was edu-
cated in a Swiss military academy and
spent some time in the Swiss Army. In
1834 he came to America. In July,
1839, he arrived in California with a
well defined plan to found a settlement
here. He petitioned the Mexican Gov-
ernor, Juan Alvarado, to make him a
grant of land. In return for the land,
Sutter agreed to become a Mexican
citizen, and set forth, with certain
shrewd reservations, his ambitious
plans for colonizing the wilderness and
developing its wealth and resources.
Alvarado was distrustful of this
Swiss soldier of fortune, but was in no
position to oppose him. He promised
to make him a suitable land grant at
whatever point he might designate.
Sutter, accordingly, set out to locate
the site of his future kingdom. He ex-
plored the San Francisco Bay region
and the Sacramento River Valley. By
the end of August, 1839, he had defi-
nitely decided upon the site of his fort,
within view of the Sacramento River,
as the center of his kingdom.
His party consisted of three un-
11
known white men. ten Hawaiian men
and two Hawaiian women, one Ore-
gon Indian and one large bull dog.
Sutter lost no time in setting the
Hawaiians, the white men and Indian
to work building a three room adobe
house for his personal occupancy. He
and the bull dog supervised the work.
Curious Indians of the countryside
came to gape, and for the consideration
of trinkets forsook their idle ways and
learned the blessings of labor. In their
spare time the Hawaiians built tule
houses on stilts and other makeshift
shelters to house the rest of the com-
pany during the approaching winter.
The beginnings were humble, but
the enterprise rapidly grew apace. In
1840 the Mexican Government offic-
ially conferred citizenship on Sutter
and granted him eleven square leagues
of land. Within some two or three
years the Sutter holdings presented an
aspect of wealth, fruitfulness and in-
dustry. The original three room adobe
had become a presentable two story
house. A twelve foot wall enclosed a
yard space 150x500 feet, and the fort
was well fortified. Within the enclo-
sure were located graneries, forges,
workshops, a distillery and wine room
and several office and store buildings.
One of these was occupied by the
saloon of Peter Slater. Hensley ft Read-
ing, pioneer merchandise brokers of
Sacramento, occupied another office,
and Sam Brannan also had a store at
the fort.
A goodly portion of Sutter's land
was under cultivation. Many acres
were set to grains, truck gardens and
orchards. Sutter claimed ownership of
1 2.000 head of sheep and cattle, 1,000
hogs and 1,000 horses and mules.
Some 500 Indians were regularly at-
tached to his domains by a sort of
SHREVE, TREAT * EACRET
SUTTER'S FORT, 1841
from the woodcut by William Wilke
THE SAN FRANCISCAN
Margrethe Mather presents a
symbolic abstraction of the debut
in these modern photographs of
exquisitely fashioned slippers
and long black gloves.
DEB I T
Dancing feet . . laughing gaiety . . the
long black gloves of convention . . .
ambition . . . romantic hopes . . . the
modern rite of the debut is performed!
Meaningless in the part it originally
played — significant in its social sym-
bolism, the debut will continue its
public acknowledgment of the usages
of tradition.
FEBRUARY, 1931
This Time it Counts
A Short Story in Which Fate is Tricked
J ERE NASON sat in his squalid Tele-
graph Hill studio, perched high
above San Francisco bay, and flip-
ped his last half dollar.
Tails, and he'd spend it for two
long slugs of Tommy Gomez' grappo,
look for a sign lettering job and try to
rebuild his demolished ambition to
become a great painter.
Heads, and he'd buy a clean collar,
a bus ticket to Burlingame and marry
Naida Marlow.
How his viewpoint had changed.
Only last year it had seemed merely a
matter of selling a few sketches, saving
a few thousand and then he'd be off to
tour the color spots of Europe and the
Orient with Clarice — she of the flam-
ing hair, he'd met at art class.
Now, he was behind one meal, was
certain of his failure and tomorrow
was his birthday.
The coin spun on the bare floor.
Jere ran slim fingers through the dark
ringlets above one satyr ear and flipped
it again. He snatched it savagely as it
came to rest.
"This time counts," he said aloud
and once more the silver flickered in
the air.
So it was that smart Peninsula soci-
ety was rocked next morning by a two-
column picture of Naida Marlow on
page one of the conservative Chronicle.
And the headlines! "Heiress Elopes
with Artist."
But what started the tongues wag-
ging in earnest was the second para-
graph:
"The dashing young widow of
'Silent Jim' Marlow, picturesque Yu-
kon gold rush figure, gave her age as
QUERY
by Sidney King Russell.
What you favored once in me
Lately you deplore
Till our state of bliss inclines
To a state of war.
All you once were wont to praise
Meets your condemnation
Till you leave me woe-begone
Prey to consternation.
We have learned to differ where
We so long agreed;
For a wiser regimen
Modestly I plead.
Need we give up quietude
Endlessly to quarrel
To indulge a wayward mood —
Frankly, is it moral?
by George Uhl, Jr.
39. Nason, who said he was an artist,
gave his as 23."
THE Nasons took the ancient alterna-
tive, still mercifully left the socially
ostracized, and went abroad. In
Paris, Naples, Venice and Switerland
they met scores of charming persons
who had never heard of Naida Mar-
low, but who were quite willing to be
entertained by the wealthy Mrs.
Nason.
Naida, always the dashing aristo-
crat, bloomed under the fresh enthusi-
asms of Jere's youth. His rollicking
charm had attracted her that first day
they met at a Nob Hill tea; and now
she loved him the more for the plea-
sures she was able to give him.
Jere revelled in the luxury and lei-
sure and forgot he'd wanted to paint.
Once, it is true, looking back on his
life across the blue waters of Lake
Como. he'd almost admitted it was
hell. But it would have been hell to
be poor, and a dirty, hungry hell to
boot. In the end he succeeded in con-
gratulating himself.
Of course, this was just the life he'd
planned with Clarice had he been a
success. But he'd failed, so why not
accept what remained? Sure, why not?
But he never let himself think of that
again until years later.
THE crash came suddenly and with-
out warning in the week of their
sixth wedding anniversary. They
were at Karuizawa. "Pool of Light"
fairyland in the mountains of central
Japan. Nervous and fretful one morn-
ing, Jere began sketching the scene
from the veranda of the dolls' house
they called an inn. The magic beauty
of the miniature world beglamoured
him and seared into his consciousness.
He whistled, and because he couldn't
work fast enough he sang at the top of
his voice and was pointed out as de-
mented by the natives. For a week he
hardly slept. He couldn't wait for the
morning light to begin work again.
At first the bits were worse than
anything he'd done in San Francisco.
But he couldn't stop. He went into
oils and gradually his fingers limbered.
his brain cleared and he saw little lights
and tones that weren't really there at
all but should have been. And then one
day he keeled over and slept around the
clock. When he awoke the strain was
gone. He went back to work.
13
WITHOUT REBUKE
by Tarcissus Paddock
Estranged from you —
the giver of all songs
beyond the ordinary song;
lyrics for the oppressed to save.
And I who
consumed all that's gone
consume even those bitter drops
washing our love into its grave.
No longer enchantment,
no shadow, now, of song.
The aspen leaves fall, fall to the ground;
the sea obscure in fog
is not the sea but only movement
and derisive sound.
There might be stars;
there are none, nor any afterglow,-
my tears scarcely are tears
so slowly flow.
Once you and I saw Jupiter or Mars:
a copper star through hemlock tree;
when you and I, never so strange as this
ran down a cliff si dc trail
into a sapphire sea.
JERE NASON sat in the middle of his
big Nob Hill studio idly flipping a
coin. A cacophony of color flashed
down on him from the paintings on
three sides. His exhibit was over. The
critics and the crowds had come and
marveled and gone. Every picture was
sold. He had accepted portrait orders
from four of the biggest names in San
Francisco.
Naida had not come. She'd seen all
the pictures anyway and a woman
nearing fifty needed some rest in order
to sparkle at her tenth anniversary
dinner which also celebrated her hus-
band's thirty-third birthday. The din-
ner was tomorrow night.
But among the critics and the crowds
had come a red headed girl, virile and
beautiful, who'd grinned and said, "I
told you so."
He flipped the coin high.
Tails, and he'd go home. Naida still
would be awake and wanting to hear
of his triumphs.
Heads, and he'd phone the number
the red headed girl had given him
when she said:
"You sold our happiness for a for-
tune and now you're making a fortune
by yourself. It's been awfully lonely
waiting."
The coin spun on the floor and
settled. He flipped it again and again it
fell the same. Jere Nason ran slim
fingers through the dark ringlets above
one satyr ear.
"This time it counts," he said. The
coin had scarcely settled before he was
rushing for the telephone.
14
THE SAN FRANCISCAN
PERSON
John Qj/swortfiy QM.
This distinguished portrait etching of the more
than distinguished John Galsworthy O. M. is
reproduced here because Mr. Galsworthy is at
present in Arizona, vacationing en route to Cal-
ifornia where he will lecture this spring, and
because Edmund J. Sullivan's etching was
judged one of the "Fine Prints of the Year
1930." We should like to have presented the
portrait of Galsworthy by his nephew and heir,
R. H. Sauter, because this young British artist
arrives in San Francisco this month to exhibit
his paintings in the gallery of Vickery, Atkins
and Torrey. Galsworthy will follow later to
lecture at the Women's City Club, March 24th.
JOHN JOSEPH CASEY
I HAVE just been looking at two pho-
tographs of John Joseph Casey. One
was taken in 1 9 1 7 in a muddy trench
somewhere in France, where he served
some three years in the Foreign Legion.
It is a grim and terrifying thing — the
picture of a killer. The beard does not
conceal the hard set lines of the face.
The mouth draws low at the ends: it
is the dour and rancorous mouth of a
man resigned to the business of blood-
letting. Only in the eyes, deep set and
piercing, is there noticeable a betraying
— and saving — expression of wistful-
ness.
The other photograph was taken in
New York, a year or two after the close
of the war. The struggle has left its
impress, but the killer is gone. The
aesthete has taken his place; the artist,
the lover of beauty has come home to
dwell. The lines that were so ferocious
and vicious have softened; they now
show only disillusion and resignation
to the truths man learns of himself and
his fellow man in war.
But the eyes are still inscrutably
melancholy. Did Jack Casey, with his
"charmed life," his croix du guerre, his
four citations and his single wound,
envy his comrade and friend, Alan
Seeger, who kept a rendezvous with
death in the thick of a mighty and
immolating tumult in 1916? No one
will ever know, for last spring Casey
died in New York.
Patriots and devotees of the Foreign
Legion may envy Casey the immortal-
ity of his medals or of his record in
the annals of that sublimely desperate
body of warriors. It is true his name
is mentioned often and in terms of
glory and respect in Paul Ayres Rock-
well's chronicle of the Legion's ex-
ploits. But I doubt if such honors
would greatly interest him were he
alive today.
His bid for the only immortality he
probably ever yearned for will be made
during the first two weeks of March,
when fifty of his oil paintings and
portrait drawings will be exhibited at
the East-West gallery of the Western
Women's Club by Patrick Casey, his
brother and biographer. These works
are dated both before and after the
world war and therefore the exhibit
will make an absorbing study, for
those who are interested in such things,
of the effect of such a conflict upon an
artistic mind's facility to express itself.
Studying the two photographs, one
of the abysmal killer, the other of the
artistic soul striving, as Tennyson
FEBRUARY, 1931
15
A L I T I E S
by Lloyd S. Thompson
said, to
"Move onward working out the brute.
And let the ape and tiger die."
one cannot help but wonder whether
the artist was ever completely liberated
from the heavy hand of the killer. It
may not be enough that the ape and
the tiger have been allowed to die out
of the second picture, for although
they are gone, their mischief to the soul
of the creative artist may have been
irreparable.
No answer to this question is given
in the photograph. The enigmatic
face guards its secret, and although the
eyes are a little melancholy and wistful,
who can say that they betray any-
thing? The question is one that will
have to be answered, each to his own
satisfaction, by reflective visitors to the
East-West galleries. The best available
documentary evidence concerning Jack
Casey's tragic secret — the works of his
creative and beauty-loving imagina-
tion— will be there to plead for and
against him.
HIS early history is not far from
parallel with that of the vigor-
ous Jack London. Born the old-
est son of a large but humble San
Francisco family, Casey spent his early
years exchanging buffets with the at
once savage and alluring metropolis
that was in the days before the 1906
disaster. At Mark Hopkins school he
first revealed his talent for art and had
his education turned in that direction.
He went to New York to become a
newspaper illustrator and to study in
his spare hours at the Art Student's
League and the Academy of Fine Arts.
His creative talents received further
grooming from such teachers as Ed-
mund Tarbell and Frank Weston
Benson of the Boston Museum. Con-
sidered one of the most competent of
New York's newspaper artists of his
time, prestige and fortune were his for
the asking, but Casey was unsatisfied.
The longing to create things of great
and lasting beauty gave him increasing
unhappiness in the metropolis, and
finally took him in 1909, to Paris.
There he became the pupil of Charles
Lasar, dean of American art instructors
in France, friend of Henry James and
Edison and teacher of the greatest of
American women painters, Cecelia
Beaux and Violet Oakley.
In 1 9 1 0 his pictures were exhibited
for the first time by the Societe des Ar-
Continued on page 27
JACK
LONDON
FRANK NORRIS, Ambrose Bierce,
Jack London, Brete Harte, Joaquin
Miller, George Sterling . . . some
of the nation's most renowned writers.
They are all from the womb of San
Francisco.
We know them between buckram or
Morocco, but San Francisco knew
them when they were going slowly
mad, after the manner of young auth-
ors in every language, in the presence
of their typewriters.
Jack London is possibly the most
widely known, and had he lived he
would have been fifty-five years old on
January twelfth.
There is a large lava stone among
naked oaks at the top of a knoll. It
marks his grave. One has only to climb
to this high place in The Valley of the
Moon to literally sit at the feet of Jack
London. Being there in the winter
stillness of late afternoon, the mind
probes around in the past, making pic-
tures of things here and there that are
known of the life of the man who
wrote fifty books in so comparatively
short a lifetime.
He was born in 1876: wrote good
compositions and hated long division;
graduated from the Alameda Academy,
a boy with big shoulders and a keen
contempt for whatever was used at
that time for taming adolescent hair.
The University of California
claimed him for a while and then the
Klondike. In 1 892 he sailed before the
mast to the coast of Japan and into the
Behring Sea on what must have been
a far from colorless quest of seals. Can-
ada and the United States were thor-
oughly tramped, perhaps for reasons of
social research, perhaps for reasons of
tramping.
He lived in the slums of London,
and during the Russo-Japanese War
by Chita Keltner Michelson
he was a correspondent for the Hearst
newspapers. He also served in the Jap-
anese army, receiving a medal from the
Mikado.
A deal of successful writing and suc-
cessful living had been, up to this point
( 1 907) , accomplished, and one might
expect to find him permanently set-
tled down with copious notes and a
high stack of copy paper. Rather, one
finds him with a stiff breeze in his hair,
setting sail out through the Golden
Gate on his yacht, "The Snark," with
the Southern Cross in mind.
In 1909 he seems to have recalled
California and come home to stay.
Fifty miles from San Francisco he
bought several hills and valleys, and
on a redwood stump, beside which a
creek went whispering by, he put his
globe-trotting typewriter down.
So it is that one climbs the hill,
through a windy mist, to celebrate the
birthday of Jack London . . . Jack
London, whose pattern of life is
known to have been harsh and some-
times implacable — never easy because
he would not have it so.
Out of the fabric of such a life we
have such books as Martin Eden, John
Barleycorn, Tales of the Fish Patrol
and The Call of the Wild. We have
Burning Daylight, The People of the
Abyss. The Iron Heel. The Sea Wolf
and The Valley of the Moon. There
are also his essays and plays and short
stories ... a scroll that follows vividly
the rapid current of his life very nearly
to the end.
His many acres of land tell the rest
of the story. On every side from the
lava stone they fall away — lush hills
and valleys as innocent of plow or hoe
as they were the day Jack London left
them.
Continued on page 27
16
Spotlight
by Charles Caldwell Dobie
Editor's Note: Charles Caldwell Dobie
has returned from New York from where
he wrote the articles appearing in the past
two issues. With this article, he reassumes
the chair of dramatic critic for The San
Franciscan, occupied during his absence
by Junius Cravens.
THERE are two gin-drinking dramas
on Geary Street this month but
they are about as widely removed
in their expression of this post-prohi-
bition art as Kennebec, Maine, is re-
moved from Indio, California. The
rum guzzling in "Porgy" produces
either crime or catalepsy, while in "Up
Pops the Devil" it leads to laughter.
All of which discovers for us anew
that civilization encourages a sense of
humor that, while it may spell death
to intensity, certainly makes life more
tolerable.
On second thought, however, life
seems to have been tolerable enough
for the denizens of Catfish Row. One
is moved to terror and pity at their
mistakes and sorrows while these are
in progress but in retrospect one is
assured that they really take it all very
lightly. Their reactions to weal or
woe are as unstable as April. People
who have the capacity to dramatize
their emotions get rid of them quickly.
It is only the inarticulate who turn
emotions inward to lasting sorrow.
Or, shall we say, to dangerous sorrow ?
In "Porgy" unhappiness evaporates in
the voice that gives it expression; in
"Up Pops the Devil" it feeds upon
silence. Yet "Up Pops the Devil" is
a comedy that verges on the riotous,
but it is a comedy by virtue of mere
chance. Certainly, all is well that ends
well, but as often as not happy endings
are divided from unhappy endings by
a hair's breadth.
In seeing these two widely divergent
plays that opened on one and the same
night, one is struck by the improve-
ment in Coast productions. Two years
ago, a year ago. one felt a trepidation
at looking at a New York ssucces
through the glasses of local effort. One
has only to remember "Let Us Be
Gay" and "Burlesque" and a half-
score of musical premiers to fall shud-
dering. But since then we have had
"The Criminal Code," and "June
Moon," and "Candelight." and "Ca-
price" to reassure us. And now there
are "Porgy" and "Up Pops the Devil."
We did not see either of these produc-
tions on our recent visit to New York.
"Porgy" had long since folded its
tents and departed from Broadway,
and "Up Pops the Devil" was just one
more show that we didn't have time
for. After all, one must get some
sleep in Manhattan. But we heard
folk who had seen "Porgy" in New
York say that the Coast production
had points of superiority, especially in
the matter of the leading roles. As for
"Up Pops the Devil" it doesn't seem
that in general or even in particular it
could have been better done. Perhaps
some of the young cast could have in-
dulged in better articulation but that
is a chronic failing of the younger set
and one loses just as many lines in a
Broadway production.
THE excellence of "Porgy" must be
due in no small part to the direc-
tion of Alan Mobray. Certainly
in the matter of dramatic activity both
before the footlights and on the side-
lines we are greatly indebted to this
gentleman's genius. "Porgy" must be
a stupendous thing to stage. It is easy
enough to direct a cast of seven or
eight people trained in their art. But
"Porgy" has a cast of sixty-five, many
of them, we feel sure, scarcely beyond
the amateur stage; not that this fact
was betrayed by the acting. The en-
tire cast, from the leads down to the
gentleman who did a diverting bit as
the crab seller, gave a perfect ensemble.
Clarence Muse as the cripple, Porgy,
gave a restrained and poignant per-
formance, as did Evelyn Preer with the
character of Bess. To us the most vivid
bit was the Maria of Gertrude How-
ard. Not only was she cast to physical
type but she brought a remarkable
histrionic authenticity to the role. Her
comedy and her tragic moments were
equally fine. Cliff Ingram as Crown
struck the proper note of bombast; a
"nigger" ugly in his cups and ruthless
with his women. Serena, played by
Cleo Desmond, had a fine dignity. In
short, it was a remarkable perform-
ance and a great tribute to the artistry
in a race that until comparatively re-
cently had only a limited avenue for
self-expression. We still hold that
the artistry of the negro is largely imi-
tative even in the face of Mr. Keyser-
ling's sweeping statement that the
PEACE HAS COME TO
HELEN'S FACE
By Vaughn Francis Meisling
Peace has come to Helen's face,
Singular the grace,
Death has made her beauty burn anew.
This love she will never rue
(Such is his embrace);
She will be forever true
In the distant place.
Peace has come to Helen's face.
THE SAN FRANCISCAN
Plays of the Month
ALCAZAR: "The First Year." Dale Winter
and Henry Duffy in Frank Cravnen's amusing
American comedy. To be followed by "The
Spider" with William Courtney.
COLUMBIA: "Gypsy Adair" with the ever
youthful and fascinating Mitzi Hajos.
CURRAN: "Up Pops The Devil," the comedy
hit of the season, with Ann Teasman and John
Arledge. To be followed by "Topaz" with Alan
Mobray.
GEARY: "Porgy." Alan Mobray's excellent pro-
duction of a great drama, with Evelyn Preer
and Clarence Muse. To be followed by Kolb
and Dill.
TRAVERS: "Love Apples" with Roland Telfer.
To be followed by "Richelieu" with Reginald
Travers.
UNION SQUARE: Will reopen after remodel-
ing with play not yet announced.
negro is supplying the only original
note to American creativeness. In
"Porgy" for instance, the chant of the
crab seller may have reached back to
the green jungle but certainly the
hymns with which the negroes of Cat-
fish Row met their sorrows were de-
rived from white sources. Most spir-
ituals have an Anglo-Celtic root and
even alleged negro jazz is tainted with
an almost overwhelming note of the
Orient. Like children they are quick
to absorb and improvise, but, like chil-
dren, they never get very far from the
source from which their inspiration
springs.
The drama packed into the three
acts of "Porgy" is almost unbelievable.
Like "King Lear" and "The Last
Mile" it sometimes fills the cup of our
emotion so full that we can hold no
more. This was especially true in the
storm scene. Without this "Porgy's"
dramatic content is at the saturation
point: with it, one gets a sense of hav-
ing more than one can hold. "Porgy"
to our mind ranks second in the list
of plays of negro life. "Abraham's
Bosom" being first. "Green Pastures"
is a mere four de force in spite of the
extravagances of the New York critics.
"Porgy" makes a play like "All God's
Chillun" seem like the arrant dramatic
hokum that it really is. Of course
"Porgy" is melodramatic but so is the
life of the Gulluh negro.
Almost as a supplement to "Porgy"
or, perhaps, one should say an over-
ture, was the concert of Marion Kerby
and John J. Niles at the Fairmont on
the day "Porgy" opened. Miss Kerby
and her composer-accompanist held an
audience enthralled with the songs of
the plantation negro. The same fervor,
the same simplicity, the same childish-
ness shone through these songs that
informed the structure of "Porgy."
Miss Kerby, who is a consumate act-
ress, brought something more than
just the gift of song to her interpreta-
tions. She moved her audience to ap-
plause but, better, she moved her audi-
ence to silence as well: real emotion is
sometimes not served by the mere pat-
ter of hands. This was true of the audi-
ence on the night we went to "Porgy" ;
it was the silences more than the ap-
Continued on page 34
FEBRUARY, 1931
DESERT
MOUNTAINS
AT
PALM SPRINGS
WILLIAM HORACE SMITH
The splendid contrasts of California winter resorts
is evident in comparing these photographs. Above
is a view of the administration building of the ex-
tensive El Mirador at Palm Springs, taken from the
lower end of the pool where the mid-winter
annual desert championships event has become a
tradition. Below is a study of the Merced River in
Yosemite Valley under its heavy blanket of snow
on which are traced the slim shadows of dormant
trees in the winter sunlight.
>EL EASTON ADAMS
MOUNTAIN
SNOWS IN THE
HIGH SIERRAS
Winters - East and West
by Doris Schmeidell
WHO can remember the good old
days when all we had to worry
about was the gloomy prospect
of our grandchildren, ambitionless,
indolent, enervated to the point of use-
lessness, all because the climate of Cali-
fornia was too changeless? "You Cali-
fornians have no seasons" they cried,
"no contrasts of heat and cold" and
Easterners would gloat over our un-
fortunate plight. "What! A snowless
Christmas!" they would fling at us
with ill-concealed contempt, "why.
Christmas wouldn't be Christmas to
me without snow." And, if we should
mildly dare to inquire what the devil
it would be then, we were properly put
in our places.
Well, tempus fugit, and the tables
are turned now. Within the past
month I had occasion to cross the con-
tinent, and an opportunity to observe
winter in other places. I started with
New York — Cold? Yes, bitterly so,
but no other visible sign of winter. In
Chicago I met with a thick, black
drizzle that might have dampened the
enthusiasm of even one of the hardier
gangsters and the train windows
from Omaha to the California line,
framed a succession of bleak hills and
plains in the icy grip of below-zero
weather.
On New Year's Eve, piloting an
ancient and honorable vehicle from
Continued on page 33
18
THE SAN FRANCISCAN
TAX REFUNDS
WE READ many com-
plaints from prom-
inent talkers about
the tax refunds made to rich
people and great corporations. It ap-
pears that the objectors are of the opin-
ion that there is something crooked
about these refunds.
None of our great statesmen politi-
cians would suggest that the govern-
ment has a right to rob wealthy people
or corporations. They would not pro-
pose that it is fair or honorable to take
money illegally from anyone, never-
theless they do not hesitate to imply
that once the money has been taken
illegally it is entirely ethical to refuse
to restore it to its proper owners.
No one has the effrontery to main-
tain that any refund has ever been
made until after a long investigation
has definitely shown that the money
taken was improperly assessed and that
the beneficiary of the refund has proved
that he was not liable. However, this
does not interfere in any way with the
demagogues who protest against any
rich man being treated with elementary
justice.
It is mildly suggested that the gov-
ernment should be conducted in ac-
cordance with the ordinary simple
rules of honesty and some little regard
Reactions
by Captain Powers Sym
for decency and fairness. It is believed
that when the government makes a tax
assessment against an individual or
corporation and the assessment is paid
under protest and on condition that if.
after investigation, the amount of the
tax is proved to be excessive or illegal
the excess will be refunded.
We do not believe that the people of
the United States are in favor of the
government being dishonest or do they
approve of taking money from people
just because they have it. without due
process of law.
We have yet to hear of any case
where a refund has been made that
could be challenged as a case of favorit-
ism or that is not based on some deci-
sion by a Federal Court.
Too bad there is no penalty for
loose talking in this country and no
way to keep the lid on blatherskites.
USES OF ADVERSITY
SOME old copy book maxims are be-
ing revamped and trotted out these
days. Now that the shock is over
and we are getting used to being
ington
Assuring Success
by Charles Alma Byers
TO A SENSITIVE MAN. such as I am,
it has been a very trying ordeal.
However. I am happy to say that it
is now practically over. A few minor
details remain to be handled, but. for-
tunately, they are not of a kind to
cause me a great deal of worry.
And I believe I may safely report
that success is virtually assured. You
see, my exceptional capabilities as a
business organizer and executive have
stood me in good stead. "Organize
your forces and resources in advance!"
That has always been my pet slogan.
Indeed. I think it may be said that the
men — or women — who have failed in
undertakings similar to mine have
always owed their failure solely to the
neglect of proper preparation.
Permit me to explain.
Just when the idea that gave birth
to my present undertaking came to me.
I do not exactly recall. Anyway it
was about a fortnight ago that I first
launched it into operation. I attended
a motion picture show that night, and
during the heart-rending climax to one
of those popular night-club films I rose
from the audience and dramatically
explaimed:
"Ladies and Gentlemen: You be-
hold in me the great Shakespeare, re-
incarnate. I wrote this play, this mas-
terpiece, but they stole it from me.
Stole it!"
I think that my eyes registered
frenzy. At least, my words created
somewhat of a sensation. Before it sub-
sided. I madly strode from the show-
house. I had no desire, you see, to be
ejected forcibly.
A few days later I humiliated myself
before my fellow townsmen in a less
dramatic but. I believe, an equally ef-
fective manner. The day was bright,
sunshiny, and warm. I had my chauf-
feur drive me downtown and drop me
about a block from my office. I alighted
from the car garbed in a heavy over-
coat, buttoned up about my ears, and
with a pink parasol over my head.
People gaped at me. but I hurried on
unmindful of them — and reached my
office safely.
Today, to the amazement of a few
onlookers, I pretended to pluck a bou-
busted, we are beginning to
locate the celebrated silver
lining to the cloud. Misery
loves company and we can't
help a chuckle when we see
the Joneses are in trouble, too. Poor
people are apt to be happier than rich
people and we see a lot of our friends
who actually seem to get more zest out
of life now that they have withdrawn
to some extent from the mad orgy of
spending and competition in futilities
that engaged their attention not so
long ago. The sky is no bluer than it
was, but we get a chance to see it nowa-
days, we are not always looking at
people who are richer than we are, we
cast an occasional glance at people who
are poorer. The old spring of charity
and goodwill is not dried up, it was
only buried by mud and false values,
and the new knowledge of distress
among the deserving has given the
average person a chance to know his
own heart and the occasion for helpful-
ness. It is really true that it is more
blessed to give than to receive.
In all good faith we see fewer per-
sons who are actually unhappy now
than in the fat and pampered days of
paper prosperity. There are those who
owe money and have no income and
they are naturally worried, but it is a
clean, healthy worry in no way an-
alogous to the worry about whether
someone else had better clothes or a
better car and such soul distorting
bothers.
Contrary to the prevalent notion,
we think that the persons carrying the
heaviest burden in these times, are the
executives of big and little business.
The president of some great corpora-
tion is really a trustee and if he is
worthy of his position, he has and
must have a sore and bitter heart in
these days. Many good people are
entirely dependent upon the income
that his company pays them in divi-
Continued on page 29
quet of flowers from the street gutters
and about the lamp-posts.
A trying ordeal ? Yes. But now I am
all through with that. An hour ago I
employed a noted lawyer, formerly a
prominent politician, and turned over
to him — together with data showing
that my grandmother's uncle was once
committed to an insane asylum — a
carefully prepared list of witnesses.
So. the matter is practically ended.
Tonight, using either a hammer or
gun — I haven't fully decided which —
I shall kill my wife, and tomorrow,
accompanied by my lawyer. I will, no
doubt, be arraigned in court on a
charge of murder. However, I antici-
pate but little difficulty. My defense,
of course, will be insanity.
FEBRUARY, 1931
19
MRS.
EDWARD J.
IOIH\
the wife of the distinguished
San Franciscan who has recently
been created a Knight of Malta
20
THE SAN FRANCISCAN
Passing Shows
and the quality of local
WHY it is, no one seems to know,
but the fact remains that time
and again San Francisco par-
tially or completely passes by an event
without being noticably aware that
anything has happened. It happens
with plays, with certain performances
of music, and most obviously with art
exhibits. Showings that have aroused
wild enthusiasm elsewhere are brought
here and allowed to leave with little
more than mild interest. Exhibitions
that have aroused a storm of protest
in other cities may escape acknowledge-
ment even, in San Francisco.
Water colors by Arthur B. Davies.
one of the truly outstanding American
artists, came here early this season.
Minor works, it is true, but that is not
why the exhibition passed without
notice. Most people did not recognize
the name of the artist enough even to
know that there was any possibility
of really great work being on view.
In November, New York went wild
about the work of Edward Weston. In
December the same prints were greeted
in San Francisco by a mild form of
curiosity mixed scantily with intelli-
gent enthusiasm.
The past month a large group of
representative paintings by Georgio
Chirico, one of the most discussable
modernists, hung in a gallery at the
California Palace of the Legion of
Honor almost two weeks before people
were aware that they were there. Even
enthusiasm discussed
by Aline Kistler
when the newspapers did discover the
presence of the paintings, they calmly
stated the opinions of Lloyd Goodrich
or some other New York writer. The
people were "informed" and, without
controversy, people accepted the infor-
mation and attended the show — and
that was all.
These are but three instances of the
torpor that covers local reactions. San
Francisco at times seems to be very
much like a moderately well educated
individual who has come to accept
teachings without question or enthu-
siasm, being too "cultured" to have a
healthy native curiosity and too un-
educated to form intelligent judgments
of his own. The fact that a compara-
tively limited amount of both classical
and contemporary art is presented here
during the succeeding seasons certainly
forms no logical basis for the lethargy
of acceptance. San Franciscans who
attend art exhibitions are usually well
traveled and widely informed. Why
then, the evident lack of intelligent
response?
THE CHIRICO paintings are still at
the Legion of Honor — at the ex-
treme tip of the right wing. There
they are, provocative paintings, can-
vases that have a strange integrity in
spite of certain mannerisms of treat-
ment and frequent repetitions of ma-
terial. The substance of "Horse Study
IV" reproduced on this page is repeated
Our dealers — "Sorry Mr. Smith, but we only handle artists whose names are difficult to pronounce."
CURRENT EXHIBITIONS
Bruce — February 16 to 28, Gump's — recent paint-
ings by Edward Bruce, eastern modern recent-
ly come to reside in California.
Bufano— To February 28, Legion of Honor Pal-
ace— sculptures by Beniamino Bufano.
California Pa-'nters — Legion of Honor Palace —
water color and oil paintings by Stanley Wood,
Rinaldo Cuneo. Dorr Bothwell, Amy D. Flem-
ing, Marjorie Eaton, Marian Simpson, Sergey
ScherbakofF, Rowena Meeks Abdy, Mayo del
Pino, Geneve Rixford Sargent, George Post
and Marian Simpson added to exhibit in Cali-
fornia room.
Carr'gan — February 12 to 26, Vickery. Atkins
and Torrey — water colors by William L. Car-
rigan, native San Franciscan living in Con-
necticut.
Casey — March 2 to 16. East West Gallery —
paintings and drawings by John Joseph Casey.
Chirico — To February 19. California Legion of
Honor Palace — representative showing of
paintings by Georgio de Chirico, Italian
modern.
Contemporary American — To March 5, Legion
of Honor Palace — paintings by Walt Kuhn,
Bernard Karfiol, Max Weber, Alesander
Brook and other American artists.
Corot — February S to March 7, Legion of Honor
Palace — drawings and paintings by the French
master, Corot. Originally in the artist's private
collection — authenticated.
Cunningham— To February 14, S. F. Art Center
— one man show by young local artist, Ben
Cunningham.
Dyson — February 16 to 28, Gump's— satirical
etchings by Will Dyson of London.
French Moderns — To February 14. Gump's—
paintings by LTtrillo, Lagar, Ignon. Chirico,
Foujita, Gromaire, Max Jacob. Laufman.
Souverbie, Derain, Jean Dufy, Faure and
Fillon.
Hiroshige — To March 4, Mills College — Gerardus
P. Wvncoop collection of Hiroshige prints.
I vanofF— February 16 to 28, S. F. Art Center-
one man show.
Ne'gulesco— February 9 to 23, Beaux Arts — paint-
ings, line drawings, caricatures by young
Rumanian Jean Xe'gulesco, now visiting San
Francisco.
Obata — California School of Fine Arts — copies
of Japanese and Chinese "old masters," by
Chiura Obata and Rokuihi Obata. to be fol-
lowed by forty Japanese wood blocks and four
complete sets of 160 printing blocks. Daily
demonstrations by Chiura Obata — February
9 to 15.
Sauter— February 28 to March 14, \ lckery, At-
kins and Torrey — paintings by visiting Eng-
lishman. R. H. Sauter, son of Painter George
Sauter. nephew of John Galsworthy.
Seiberth — To February 14, Paul Elder's — paint-
ings of giant sequoia trees by Christopher Sei-
berth of Sequoia National Park.
Shindo — February 10 to March 3. Legion of
Honor Palace — paintings by Reimei Shindo
of Berkeley.
Shore — February 7 to March 6, Legion of Honor
Palace-— drawings and paintings by Henrietta
Shore, now in Carmel.
Sterner — February 10 to March 3. Legion of
Honor Palace — etchings by Albert Sterner.
at least six times
in this one exhi-
bition— the same
diagonal of
horses balanced
by an opposing
diagonal formed
byatempledoor-
way and the
fragment of
broken column.
This and two
other general
types of compo-
sition form the
main content of
the showing —
but the exhibi-
tion can not be
disposed of
merely by classi-
fying the mech-
anisms Chirico
has adopted.
There is a sub-
jective content
to this painting
WILL
DYSON
GUMP GALLERIES
FEBRUARY, 1931
21
4.1 4HK4.IO **'
di 4 II I It 14 O ^
HORSE STUDY IV" *>
that demands serious consideration no
matter what ones reaction to his way
of presentation. Here is as fine contro-
versorial material as I have seen pre-
sented to San Francisco but precedent
tells me that it will pay its short visit
and leave without getting under the
skin of the local public. One really
should prefer a display of ignorant
rudeness to the meaningless politeness
accorded such vitally provocative art
when shown here.
In a sense, the Chirico exhibition at
the Legion Palace has become a fore-
runner of the S. and G. Gump showing
of modern French painting. Four
pieces by Chirico himself form the con-
necting link between the two exhibi-
tions for three Chirico gouache paint-
ings and one oil are an outstanding
feature of the Gump show. They are
finely typical examples of the work of
this Italian surrealist who finds him-
self at home among the French mod-
erns, represented in this instance by
Utrillo, Gromaire, Andre Derain,
Souverbie, Foujita and seven other
painters.
This is the first time that the mod-
ern French group has been well pre-
sented in a San Francisco downtown
gallery. There are several outstand-
ingly lovely things in the show and,
although it is a modest presentation,
it runs a fair gamut of contemporary
French work. It will undoubtedly
contribute to the local acceptance of a
type of art long embraced by 'New
York.
Very much in the same spirit, we
find the Galerie Beaux Arts devoting
itself largely to paintings and draw-
ings by Jean Ne'gulesco, the young
Rumanian who has come to San Fran-
cisco with high words of praise from
Rockwell Kent, Duncan Philips and
others whose opinion is highly valued
in the world of art today.
Ne'gulesco shows a series of carica-
tures, a group of drawings in pure
rhythmical line, a few portraits and
some landscape and still life paintings
— works which testify to the mobile
artistry of a man who has responded
gracefully to many and varied inspira-
tions. Ne'gulesco has been in America
three years and plans soon to return to
Paris where he formerly studied and
worked. In certain ways he is a direct
product of the French attitude — that,
and the heritage of the slavic dexterity
and facile genius of his remarkable
race. He is cubist, expressionist, tradi-
tionalist— all and each in turn — the
product of an amazing assimilation
and consequent zest for accomplish-
ment.
THESE exhibitions, together with
the group of paintings by contem-
porary Americans shown at the
Legion of Honor, present one phase of
current art. Chirico, the French,
Ne'gulesco, the New York modern —
all are concerned with an eclectic search
for new ways of saying what art has
always had to say. Their experiments
are interesting, amusing perhaps —
CALIFORNIA PALACE OF THE LEGION OF HONOR
even exciting at times. Certain it is
that their obvious gesturing has suc-
ceeded in capturing current public at-
tention. So much so, at times, that
many people forget that this eagerness
for restatement of old truths in new
forms is but one approach to art and
that contemporary development is also
being made, as always, in the steady
mold of direct tradition. It may well
be the old fable of the hare and tor-
toise with the hare getting all the grand
stand cheers. And it may be that fu-
ture perspective will reverse current
valuations — yes, even those made by
those most eager to look into the fu-
ture and be the first to prophesy.
We are in such a rush to see the blos-
soming of a great "American art" that
we forget the long period of assimila-
tion and actual living that must pre-
cede the flowering of a national expres-
sion. We forget the immense amount
of effort that must precede the uncon-
scious use of even the simplest symbols
of regional material. We do not want
to remember the necessary work deal-
ing with content that alone can give
meaning to the development of a new
form. In our impatience, we hesitate
to acknowledge that before one red-
wood tree can be presented as an un-
conscious symbol, many painters such
as Christopher Seiberth (nowshowing
at Paul Elder's) must have spent un-
told hours in painstaking effort toward
understanding. And when that figur-
ative tree is painted, no one will know
Continued on page 24
22
THE SAN FRANCISCAN
NOB HILL TOPICS
Mr. George D. Smith
takes pleasure in an-
nouncing that, on Feb-
ruary 1st, Mr. Joseph
Houser assumes the
duties of Catering Man-
ager in charge of dining
room and banquet ser-
vice at the Fairmont
Hotel.
The Continental Luncheon
served in Peacock Court of the
Hotel Mark Hopkins on Tues-
days and Thursdays is a feature
attracting both San Franciscans
and out of town visitors. The
luncheon includes Delicious
Salads, Chafing Dishes, Cold
Meats, Desserts and Beverages
prepared by Chef Meyer and
served in the continental man-
ner.
FEBRUARY, 1931
23
Dorothy Crawford
THE COMMUNITY CHEST has been presenting
Dorothy Crawford, well known San Fran-
cisco diseuse and composer, in her own
original sketch depicting the humor and the
tragedy of an Italian mother.
In this monologue Miss Crawford draws
from life the appealing character of an Italian
peasant woman from the North Beach district
of San Francisco whose seven children are
threatened by dire poverty. With a skilful
intermingling of pathos and humor she wins
her audience to the plight of a destitute family.
Miss Crawford's manager has kindly re-
leased her from her other professional engage-
ments for the month of February so that she
may appear at more than forty clubs and
organizations with this dramatic presentation
of the Community Chest message.
Among the groups which included the
Chest monologue in January programs are the
To Kalon, San Francisco Center, Lincoln Park
Club, Daughters of California Pioneers, Coun-
cil of Jewish Women. Philomath Club, San
Francisco Colony of New England Women,
Business and Professional Women's Club,
Allied Arts, Laurel Hill Club, and many other
organizations.
Give More
because
the Need is
Greater
*
Community
Chest
to March wth
E do not deem an
Interior entirely successful
unless
( 1 ) It meets every practi-
cal as well as esthetic require-
ment.
(2) It achieves an atmos-
phere of smart simplicity.
( 3 ) It expresses unmistak-
ably the individuality of the
person with whom it is the
Decorator's privilege to
work.
Our staff of successful Decorating Specialists
may be consulted without vestige of obligation.
GlDlilillDS
246-268 POST STREET I SAN
I FRANCISCO
24
THE SAN FRANCISCAN
FASHION ART SCHOOL*
SCOTTISH RITE TEMPLE * Sutter and V*n Nc*. Avtnge
Booklet en requctt
PrioricORdw4r2120
Individual Instruction
Costume Design
Profttilonjl Of Home U;e
ion Illustration
Millinery Making
and Designing
Commercial Art
Life Drawing
Interior Decoration
Dsy and E*mtr\g Claim
ANNAAPDlSOU eAlLACM£e,th«,
•
Now that we know who
are
San Franciscans —
quainted. Why n
the workshop at
*Tillman Alley
let's get ac-
ot drop into
the end of
and have
some metalwork
Harry Dixon.
done
by
•
*ln
Till
case
man
you don't already know,
Alley is at 241 Grant Ave.
CALIFORNIA
SCHOOL of FINE ARTS
Affiliated with the University of California
CHESTNUT AND JONES STREETS
San Francisco
SPRING TERM
NOW IN SESSION
DAY AND EVENING CLASSES
Special Course in
INTERIOR DECORATION
Callorwritelor catalogue — Lee F. Randolph, Director
Telephone GRaystone 2500
Finest Type of English Glass
a specialty at
THE JUNIOR LEAGUE SHOP
14 Tillman Place
San Francisco
Passing Shows
Continued from page 21
have always mingled their contributions to
a racial or regional art — in the past it was the
vogue to recognize the direct follower of tra-
dition and neglect the innovator and today we
have a somewhat general reversal of enthusi-
asms. So why be so concerned? The artists
derive their real reward from the work itself
and we profit by our enjoyment of it — so why
so serious.
IT IS certain that there is a large measure of
enjoyment to be derived from the water-
colors by William L. Carrigan that will be
shown in the Vickery. Atkins and Torrey gal-
lery this month. These are "vacation sketches"
by a painter who has earned his recognition in
the east, although he was born in San Francisco
and did his early work here.
While a member of the local firm of Carri-
gan and Hayden. William L. Carrigan studied
art, painting at nights until he quit a business
life to devote himself to art. Since that time
he has not lived in San Francisco, preferring
the artist colony at Falls Village, Connecticut,
as a residence. He studied with Emil Carlsen
and later with Alden Weir and Twachtman.
He has exhibited widely in the East, winning
recognition with his oils. The work to be
shown here is in water color, informal sketches
of Maine and other parts of New England and
a few of Carmel, painted several years ago
when he visited California. There is an ex-
quisiteness about Carrigan's work that argues
actively for personal possession. A number of
the watercolors to be shown will be loaned by
Mrs. Oscar Sutro and Miss Julie Helen Heyne-
man. Miss Heyncman, by the way, leaves soon
for England from where she will return next
autumn to paint portraits of several people
for which she has been unable to find time this
winter.
CHIURA OBATA has had so many exhibitions
recently that one might give scant atten-
tion to the announcement of another at
the California School of Fine Arts, sponsored
by the San Francisco Art Association, were it
not also made plain that these include entirely
different work, chosen with educational values
in mind. At present there is an exhibition of
copies of oriental old masters made by Chiura
Obata, Rokuihci Obata and other Japanese
painters. This group presents various periods
of Japanese art such as the early Tosa and later
Shijo. Cano and Okeiyou schools, and includes
a few copies from the Chinese. One painting
is a processional painted on a scroll some hun-
dred and seventy-five feet long, though only
six inches high.
This survey of oriental painting shown by
means of copies will be replaced by an exhibi-
tion of forty woodcuts by other Japanese artists
and a showing of the four complete sets of
plates used in the process of printing Obata's
recent reproductions. The week of February
9 to 1 5 Chiura Obata will give a continuous
demonstration of painting from nine to five
o'clock each day and. on Monday. Wednesday
and Friday, he will continue the demonstration
into the evening. That announcement amazes
me. The thought of an artist painting in pub-
lic so continuously brings to mind the sharp
contrast between the disciplined concentration
of oriental training and the occidental depen-
dence on "inspiration" for creative work.
Obata states that, when he was a student, he
made a practice of painting steadily from five
in the morning to twelve o'clock at night, day
in and day out!
THE group of young artists sponsoring the
San Francisco Art Center are having their
courage bolstered by certain professional
people who have responded to the idea of loaned
works of art in their offices. An increasing
number of doctors, lawyers and others are
To most people
this is a meaning-
ess grouping of
lines within a
square.
Some will recognize it as the mark that can
be found on the most delightful pieces of
furniture in their home.
EDWARD RAYMOND MOFFITT
STUDIO— H. L. MACK RANCH
Monterey 1 092 Del Monte, California
Designer and maker of fine furniture and antique re-
productions. Designs and estimates submitted on
request.
H. VALDESPINO
maker of fine frames
features color etchings
and reproductions in the
Gallery above his
Workshop
347 O'Farrell Street
San Francisco
FRanklin 3533
The highest standard
of cooking is main-
tained at all times. . .
your guarantee lies
in the fact that all
food is prepared
under the personal
supervision of
Mrs. Belle de Graf
Downstairs
Monadnock Bldg.
San Francisco
FEBRUARY, 1931
Editor's Note: Since the newspapers are committed to
printing nothing but news in their art columns and since
that news often bears the marks of valuation emanating
from the advertising department, San Francisco finds itself
almost without published art criticism of any sort. Hence
we present each month these articles by Aline Kistler
whose work as former art writer for The Chronicle places
her in a position to discuss the passing shows. Counter
criticism and answers to her opinion are cordially invited.
availing themselves of the "lending library"
privileges extended by the Center. The staff
of the Center takes entire charge of office wall
decoration, selecting, hanging and changing
each month the paintings or other type of art
work desired. In this way art is brought to
busy people instead of forcing them to go to
a gallery.
A complete schedule of one man exhibitions
has been made at the Art Center for the spring
months. The showings will include the work
of Ben Cunningham and Ivanhoff (during
February). Forrest Brissey. Valenti Angelo.
Earl Daniell. Harold Driscoll. Hunt. Wessels
and John Greathead.
TIME and again. San Francisco has been faced
with the problem of trying to hold artists
of talent who meet with avid appreciation
"elsewhere. Often the artist goes elsewhere and
the city retains only the questionable consola-
tion of claiming another "illustrious son."
But sometimes San Francisco holds its own by
means of appreciation and encouragement. It
is such response which changed the plans of
Molli Juin and persuaded her to forget prom-
ises to return to New York and, instead, to stay
in San Francisco to continue with her exquisite
work in enamels and to teach the technique in
the Rudolph Schaeffer School of Rhytbmo-
Chromatic Design.
Molli Juin is a remarkable young woman,
a rare individual who has found the one work
in the world for her and is completely happy in
doing it. Several years ago she went from San
Francisco to New York where she studied in
the Art Students League. Then she went to
Europe on an extended tour during which she
hoped to "find herself." She went to Beaux
Arts in Paris where she studied painting and
other fine arts. Then her travels took her to
Jerusalem where she learned the technique of
making filagre. On her way back through Cen-
tral Europe, she stopped for an hour or two
in Vienna to visit a well known arts and crafts
school. There they showed her work in the
finer techniques of enamel. When Molli Juin
saw that exquisite work, she decided that she
had found her medium. Her "hour or two" in
Vienna extended to three years during which
she studied and. later, taught at the school.
From then on she has devoted herself to enam-
els, studying in Limoge. France, and traveling
throughout Europe to study various techniques
such as champleve, cloisonne, bassetaille. re-
pousse and pltque a jour.
With a background of art training and a
talent for creative painting. Molli Juin is far
more than merely a fine craftsman. She has
adopted this complicated and exacting medium
as a means for expression and many of the
boxes, brooches and other pieces now exhibit-
ed by Vickery. Atkins and Torrey have an
exquisite imaginative quality, besides being
charming in color and excellently executed in
both metal work and enameling.
COMPENSATION?
by Lucrezia Kemper
Her husband was a stranger
To the day he died.
She longed to know him better
Indeed she tried.
But he rushed away each morning
As soon as he was fed
And when he came home again
He went to bed.
He never had time for her or
The children.
But when his will was read he'd
Left a million.
U8UC "BRARV
25
ih
Vr RAPHAEL. WEILL 8 COMPANY/ fV
\NovvIfCanBcT|.lcl^\^
THE sharp contrast of clothes de-
signed for rough-and-tumble
sports-wear, and those created for
the sole purpose of evening formalities,
is no where and at no time so marked
as at snow resorts. This month will, as
usual, bring the two extremes of cos-
tuming into smart juxtaposition for
the climax of California's snow-time
festivities. At Tahoe, at Truckee, at
Yosemite, the day will be merry with
ski-ing and skating, the night with
colorful dining and dancing.
If you find last year's ski-ing outfit
as motheaten as summer's bathing suit
invariably proves to be, make prompt
use of the excuse to hie down to The
White House sports department. You
owe it to the gala spirit of the season
to crown the occasion with something
new. with or without the moth-eaten
alibi.
There is a cozy looking (and it is
quite as snug as it looks ) suit of snow-
proof fabric in black, with a narrow
pennant of bright colour down the
back, that needs only a white back-
ground to make it thoroughly irresist-
able. Incidentally, or perhaps most im-
portant of all, the trousers are of the
breeches variety that permit Californ-
ians to wear their beloved high-laced
boots. Then there is the Norwegian
type of suit with trousers that blouse
over the shoe tops. And corduroy
breeches for those who have discovered
how youthfully attractive they are.
Boots, stout snow-shoes, berets, scarfs,
wooly gloves, woolen socks ... all the
accessories that are so important to the
chic as well as the comfort of the win-
ter sports outfit, are here in styles you
will recognize immediately as impec-
cably correct.
FOR evening, how really refreshingly
new and youthful are the jacketed
gowns with bandings of fur on
sleeves that are more surprising than
short. Prints of glowing rather than
brilliant coloring on rich silk crepe,
seem to be the rule laid down by the
couture and approved by smart women.
Lace, especially black lace, with the in-
evitable fur banded jacket, is a particu-
lar favorite. Really a 1 9 3 1 classic. And
bound to be popular with those who
travel since it has a remarkable come-
back after packing. Slippers are of one
accord with the colour of the frock,
even though the frock be white, as ob-
served in many smart instances. Gloves
if not white, reflect a paler shade of
the general ensemble, or in a few in-
stances, in dramatic contrast. Wraps
. . . well, what do you like? Short,
three-quarter or ankle-length? Take
your choice, and you cannot go wrong
on any. White lapin is first and most
youthful choice in evening furs. Wear
a clip in your hair, two or three brace-
lets, since long gloves have ruled out
the armfuls we used to wear, see that
your bag sparkles with rhinestones,
and you will have the accessory prob-
lem well in hand. Oh, yes, flowers are
really being worn. Especially on the
continent, where the "best dressed"
wear long clusters of gardenias over
their shoulders, and sometimes as
girdles. Remember, this is a feminine
period, and flowers just naturally be-
long in the picture.
ONE thing about shopping for
your snow trips at The White
House . . . you always know that
anything you get has an international
smartness that makes it as correct for
St. Moritz as it is for California's
resorts.
And prices are as smartly inexpen-
sive as the costumes are extravagantly
smart.
26
THE SAN FRANCISCAN
Bull
versus
Sh
am
by Edward A. Morphy
Continued from page 7
At any rate the San Francisco region of the
state can confidently repudiate the suggestion it
implies. In San Francisco, so far from holding
the sacredness of Christian wedlock in light
esteem, we go out of our way to interest the
Philistine section of the public in its charm and
sanctity.
On the very day the Encyclical was pub-
lished here, the following advertisement, in
display type, five inches deep, appeared in the
San Francisco afternoon papers:
Public Wedding Tomorrow Night
Ceremony to be Performed by
15-YEAR OLD HELEN CAMPBELL
The Child Evangelist
Who Will Unite in Holy Wedlock
Herbert Stevens and Francine La Rivee
ICouple No. 321
WALKATHON
(Now Over 600 Hours)
Golden Gate Ball Room 50 Cents Admission
Can anyone imagine a sane and normal
American sports promoter paying out real
money thus to advertise and feature the sacra-
ment of holy wedlock, as performed by a
Christian Child Evangelist, if the sanctity of
marriage were not a popular "stunt" with the
pious people of San Francisco — notably those
who seek vesperian solace and recreation at a
Walkathon?
History and precedent justify the conviction
that Pope Pius XI would have been footling
around Vatican City for a coon's age before it
would occur to him that the proper way to
boost the waning sanctity of Christian wedlock
is to arrange a wedding at a walkathon, and
charge fifty cents admission to the ceremony.
And even when the idea had dawned upon
his Holiness, and he had properly envisaged the
concept of a walkathon wedding, the odds are
that he would never have hit upon the still
snappier concept of having a female child evan-
gelist perform the wedding ceremony.
It is not that girls have no place in the
pontifical view-point. Paul to Timothy, (in
the Douai Version) — "I wish young girls to
marry." — is quoted in the Encyclical. It is just
that the idea of engaging a girl to conduct a
walkathon wedding service is one that would
be unlikely to sprout spontaneously in the
Pontifical mind. That the conditions of theo-
logical sophistication requisite for such an en-
gagement should exist in a dear little girl of
fifteen is a concept that does not seem to har-
monize with the traditions of the Papacy. Even
in our own Golden State, it is legally conceded
that should such a young lady chance morally
to slip, she would not — because of her youth
and putative innocence — be responsible for her
own delinquency. In Vatican City they do not
employ such dear children to marry anybody.
Therefore, though we have our own way of
demonstrating our love for the institution of
holy wedlock, it would be about as difficult to
thrust a nice, peppy, walkathon child evan-
gelist down the intellectual throat of the Vati-
can as it would be to cram an appreciation of
the Wickersham Report, and a desire to simul-
ate its style, down the same narrow and non-
conciliatory orifice. Both concepts are as alien
to the obsolescent spiritual and political stand-
ards of the old world as they are in harmony
with those of the new. They are caviare to the
general, which includes most of the outer
world and the Pope.
Only in the United States have we yet ap-
proached the apotheosis of spiritual achieve-
ment and entered the estate adumbrated by
the Prophet Isaiah more than twenty-six hun-
dred years ago. Here, already, the wolf dwells
with the lamb, the leopard lies down with the
kid. "and the calf and the young lion and the
fatling together." (which undoubtedly means
the public, the bootlegger and the prohibition
worker) "And a little child shall lead them."
What a pity none of us could have taken
Pope Pius by the hand that Friday night in
January, and inducted him to the Golden Gate
Ball Room Walkathon, with its Christian
wedding, its pious public, its handsome bride-
groom, its beautiful bride, and "a little Child
Evangelist to lead them." How it would have
edified his Holiness. How it would have in-
spired him to envision the joy of the Prophet
looking down from his place among the Cheru-
bim, reveling in the material verification by
San Franciscans of his prediction (Is. xi 6 ) .
Alas! This progress of ours is not yet un-
derstood in Rome any more than the drift of
our beautiful Wickersham Report is yet under-
stood in Heaven. One has to be with us and of
us here in America before he can hope to
achieve the spiritual plane, the adequate grace
and power, by virtue of which we are enabled
to produce, perform and believe in these things,
without even attempting to think that we or
anybody else will ever be able to excuse or
comprehend them.
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The sun is
SHINING TODAY
at EL MIRADOR
Tonight it will be cool. Guests will
sleep 'neath blankets with a fresh
breeze blowing from lofty San Jacinto's
snow-crowned crests. Sleep will
come early, linger late ... for the
nights are dedicated to repose, at El
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A wonderful place for play ... a
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Come, bring the children — they'll love
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califokhia
AmtMtA'i FOKfrnCUT
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FEBRUARY, 1931
27
Jack London
Continued from page 15
Those who knew him best found love of
adventure and a generous heart in him. They
also found great hermit spaces, and an almost
poetic hunger for perfection. He speaks in
Martin Eden of people who seem to him "ani-
mated stomachs motivated by the aesthetic im-
pulses of an oyster."
A short way from the knoll and the naked
oaks where he is buried, "The Wolf House"
can be seen. It was to have been the home of
Jack and Charmian London: built of volcanic
stone and redwood logs, rugged and lofty
against Sonoma Mountain.
On the night of its completion, nearly fifteen
years ago. The Wolf House burned. The source
of the fire is unknown. Like a sad giant the
ruins stand against the sky. charred red lava,
picturesque with moss and lichens. Wild flow-
ers grow in the fireplaces in the spring and
swallows build their nests in the chimneys.
Vines cling to the walls and the weathered
windows frame only the ambient clouds and
the sky.
A bridal path, no longer used, twines from
the ruins up the steep mountain. Jack London
rode often up to where on clear days the ocean
can be seen beyond the city by the Golden Gate.
One can vision him with the loose reins in his
hand, smiling at the memory of this time or
that on Telegraph Hill . . . high hopes . . .
small hours . . . kindred fellows under the spell
of creative art. red wine and the flickering lights
on San Francisco Bay.
John Joseph Casey
Continued from page IS
tistes Francais (the old salon) . Then Casey
toiled assiduously until 1914. when his paint-
ings again were shown in the salon. He noticed
that he won no prizes, nor did many other
Americans represented in the exhibit, while the
English painters came off with high honors.
The war was brewing and the Entente Cordi-
ale had just been signed with England: France
was not overlooking any opportunities to play
politics with her allies.
Casey was disappointed, but not embittered.
In fact he looked upon the seeming discrimina-
tion as only natural and logical. Besides the
war was giving him new things to think about.
He was one of the band of 200 Americans who
enlisted in the French Foreign Legion in Au-
gust, 1914.
His record of military glory, his citations,
his wounds and the affection his comrades bore
him have been told by Paul Rockwell. Like
others, he had imagined the war would be a
matter of weeks, or surely no more than
months. But when it dragged into years, he
bore up with both courage and fortitude.
IT IS said that he helped Maurice Magnus,
illegitimate cousin of the Kaiser, to desert the
Legion. Magnus had joined the Legion mis-
taking the war at its beginning for a brief and
exhilarating adventure, as material for books
he would write when it was over. He was
delicate of build and temperamentally unfit for
the rigors of trench life. Casey understood, so
the reports say, and helped Magnus flee to Italy.
Rockwell, with all the indignation of a
righteous legionnaire, denounces these reports
as the vilest slander, but I prefer to believe that
they are true. To me they indicate in Casey a
laudable strain of intelligence, understanding
of his fellow man. and compassion for his
frailties. The act may not have been exemplary
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28
THE SAN FRANCISCAN
From Los Angeles to Plymouth, Cherbourg, London
Oil-Burning Cruise Steamer
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Calling at — Panama Canal, Havana, New York
First Class Only, #475 Up — Free Shore Excursions — Apply to
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THE SAN FRANCISCO BANK
SAVINGS COMMERCIAL TRUST
INCORPORATED FEBRUARY 10TH, 1868
One of the Oldest Banks in California, the Assets of which have
never been increased by mergers or consolidations with other banks.
§§ Assets over $140,000,000.00 Deposits over $134,000,000.00
Capital, Reserve and Contingent Funds, $5,750,000.00
The following accounts stand on IheBooks a/$1.00 each, vis.:
Bank Buildings and Lots - (Value over $2,060,000.00)
Other Real Estate - - - (Value over $310,000.00)
Pension Fund ... - (Value over $720,000.00)
Interest paid on Deposits at \y± per cent per annum
Computed Monthly and Compounded Quarterly
■mi
military behavior, but I submit it as civilized
and laudable human conduct.
After the war Casey returned to New York,
resuming his painting and earned his livelihood
as a magazine illustrator. He preferred to for-
get the war : he refused to talk of his experiences
in it: he sought to submerge himself in his
work and thereby wipe out all memory of those
years of chaos. His varied travels took him
back to Paris, but he soon left the city that had
cradled his dreams of younger days. It was not
the Paris he had loved.
His paintings, both before and after the
war, reveal Casey's yearning for the delicately
beautiful in form and hue. the piquantly joyous
in mood. His landscapes are illuminated by
gay flecks of yellow sunlight filtered through
trees or reflecting upon tranquil waters. "Sum-
mer in Chelsea" captures the spirit of those
anachronisms of loveliness that are to be found
in Manhattan. Many scenes, painted in Cuba,
in the Balearic Islands, in California, in France
all breathe the same spirit. Whatever immor-
tality is due John Joseph Casey is due him not
because of the World War but in spite of it.
Sutter and His Fort
Continued from page 11
verbal arrangement. Within sight of the fort
were the homes of some sixty settlers, who had
bought land of Sutter or worked it on shares.
Three miles from the fort on the river bank
was the rising village of Sutterville.
This thriving small world of his creation
was Sutter's whole life. He was the sole director
of its destinies. Its future growth was assured.
Hardly a month passed but brought a small
train of wagons and several families from the
distant States to make homes in this Western
land. Sutter royally welcomed new arrivals,
located them on land, supplied them with im-
plements, seed, cattle and advice. In time, he
knew these enterprising Americans would out-
number the shiftless Spanish. California would
then become an independent commonwealth or
American territory.
When the Mexican War broke out in 1 846,
Sutter well knew what its outcome would be.
As it drew to a close, he evidently judged, that
the time was ripe for further extension of his
activities, and it was, no doubt, with this end
in view that he entered into a partnership with
James Marshall to build a saw mill about forty
miles up the river to tap the lower Sierra lum-
ber resources. The mill set in motion the forces
that were Sutter's undoing, for in its race
Marshall discovered gold. January 19, 1848.
Sutter took every measure to keep the dis-
covery secret, but news of it spread quickly
and mysteriously to every corner of the globe.
In an incredibly short time prospectors swarmed
through Sutter's domains. They pitched tents
where they pleased and helped themselves to his
farm products. His Indians deserted him; his
tenants left their fields to become miners and
shop keepers in the new city of Sacramento.
Sutter was a pioneer of the land and soil. He
would not or could not adjust himself to the
changed order. So, as a bitter, disappointed
man. he turned his back upon his once mag-
nificent holdings.
In the summer of 1849 Sutter's home was
converted into a gambling and boarding house,
and by 1850 the fort was completely aban-
doned. The outer walls were demolished to fill
in a road and adjacent slough. The place was
left to wind, weather and vandals, and by 1890
there remained only the wreck of the old fort
house. But in that year the Native Sons col-
lected $20,000 and purchased the land on
which the fort stands from an Eastern owner.
It was then deeded to the state, and the legis-
lature voted $20,000 for restoration, and later
another $10,000 was voted.
Restoration has progressed upon the Fort
until it is now essentially as it was in the days
of Captain Sutter. The outer wall: the offices,
stores and work shops thereof have been com-
FEBRUARY, 1931
29
East through
New Orleans
Mardi Gras
Feb. 12 • Feb. 17
Every night the "Sunset Lim-
ited" pulls out of San Fran-
cisco. The headlight on its
powerful locomotive picks out
the shining steel ahead that
ends in Old New Orleans.
Go East this ideal winter
way . . . through the sunshine
of Los Angeles . . . Palm Springs
and Indio.. .Arizona . . .Texas
. . . Louisiana. Stopover in New
Orleans for the Mardi Gras.
The fare this way is no more
than via other routes. From
New Orleans continue East by
rail or by Southern Pacific
steamship to New York. Return
on one of Southern Pacific's
3 other routes.
Through service to New Or-
leans daily from San Francisco
and Los Angeles on the "Sun-
set Limited" (all-Pullman, no
extra fare) .
Southern
Pacific
E. W. CLAPP
General Passenger Traffic Manager
San Francisco
pletely reconstructed, so that now you may
see a faithful replica of the quarters of Hensley
1A Reading, Peter Slater's saloon and other his-
torical enterprises.
Several years ago. H. C. Peterson, who has
had extensive museum experience, was made
curator of the Fort. He originated the idea of
a museum, devoted exclusively to relics of the
gold rush, the Sacramento country and Sutter,
and under his direction this work makes ex-
cellent progress. In the central building five
rooms have been faithfully restored and a col-
lection of rare '49 relics installed. In the fall of
last year two carefully restored basement rooms
were opened to the public, and this spring the
restored distillery building will be opened as a
pioneer art gallery.
Reactions
Continued from page IS
dends. The holder of ten thousand shares of
his stock does not worry him at all, but the
little family that holds five or ten shares is
always in his mind. They must get their
money and he must keep their little capital
safe. Earnings fall off and dividends are threat-
ened. Shall he cut dividends or reduce expenses
by discharging workmen. His workmen are
part of his family and a heavy responsibility,
but if he discharges them or reduces their wages,
he might keep up his dividends. The popular
political idea that business executives spend
their time in grinding the faces of the poor is
unfair and mischievous. They actually spend
more time in and give more study to getting
money to the poor than all the politicians and
reformers in the country, also their work is far
more effective. By and large they are good men
trying their best to do the decent thing in a
helpful way to the greatest number.
It goes hard with the executives who in spite
of all they can do are unable to make both ends
meet, but after the die is cast they can breathe
again, they are the ones who suffer most in the
death agonies of a business, the stockholder
loses money, but that is all, the president loses
money and sleep and self-confidence and pride
and reputation. After the crash he is apt to be
very unhappy, but if he is a real man he will
get over it and start over again without the
crushing burden of responsibility for the hap-
piness of others and he will be astonished at
the freedom of the new life, at the beauty of
things he had not been seeing for a long time.
Rockefeller can only sleep in one bed at a
time and can only eat a small quantity of food
at a meal, so he has nothing on us on a bright
sunshiny day. We are busted and we don't
care very much, we are getting a lot of fun out
of life just as it is and there are a lot of good
fellows about that we had lost touch with
who are apparently no more downhearted than
we are. They are better chaps than we had
thought and we are going to have some good
times with them. We thought they were stuck
up and purse proud, but they can play around
and enjoy simple and cheap things the way we
are learning to do.
We don't really care very much whether the
market goes up or down any more. What we
want now is a good friend who likes the simple
things that we find we have been wanting for
years.
A fat wad of paper profits did not do us
much good when we had it and it did spoil our
pleasure in things we used to enjoy. We are
poor and quite happy about it instead of being
comparatively rich and miserable.
FEBRUARY
HOMEFURNISHINGS
RWILELDER5
239 Posr Srreer. San Francisco
SALE
Once again, this great
annual February event,
is eagerly anticipated by
all San Francisco home-
makers ! More important
than ever this year ... in
lower prices... in greater
savings ! Buy now those
long coveted things for
your home, and buy with
satisfaction in the assur-
ance that the City of
Paris fine home furnish-
ings at sale prices, mean
real savings for you! In-
cluded in the sale are:
Furniture Rugs
Draperies Lamps
Bedding Mirrors
Linens Silverware
and all decorative home accessories !
CITY of
PARI S
Geary, Stockton & O'Farrell
30
THE SAN FRANCISCAN
Reigning Dynasty
Continued from page 4
Mrs. Frank E. Buck of Menlo Park was hostess
to the special guests who occupied a box at the
Young People's Symphony conducted by Issay Do-
browen. Mrs. Nion Tucker, Mrs. Alan Lowrey,
Mrs. Philip Bowles, Mrs. Daniel Volkmann and
Mrs. Dean Witter were among those who entertained
groups of children at the concert.
A group that included Mr. and Mrs. William D.
Shuman, Mr. and Mrs. Wellington S. Henderson
and Mr. and Mrs. Donald Gregory motored to Soda
Springs at Summit, to enjoy a week-end of winter
sports.
Mr. and Mrs. W. W. Crocker entertained a house
partv of guests at their place at Pebble Beach recently.
Mrs. Olive Watt Breeze entertained at luncheon
in honor of two of the season's debutantes. Miss
Christine Miller and Miss Patricia Geissler. The
luncheon was given at the home of Mrs. H. M. A.
Miller.
Mrs. Louis S. Beedy and Miss Katherme Deahl
are among those who have planned pre-nuptial enter-
tainments in honor of Miss Caroline Beedy, whose
marriage to Mr. John Worden will take place on
February 7.
Miss Elizabeth Forderer was honor guest at a
luncheon given by Miss Harrie Hill at the latter's
home in Broadway.
Miss Adelaide Sutro gave an informal dinner party
recently at her home in compliment to Miss Katherine
Stent, one of the winter's debutantes.
Mrs. Ralston Page gave a luncheon at the St.
Francis Yacht Club in honor of Miss Margaret Red-
ington, the fiancee of Mr. Donald Murchie of Boston.
Mr. and Mrs. John X. Rosekrans are planning an
elaborate barn dance in honor of Mrs. Rosekrans'
sister. Miss Dorothy Spreckels, whose debut was a
brilliant event of the winter. The party will be given
at the country place that Mr. and Mrs. Rosekrans
recently purchased at Woodside.
Mr. and Mrs. Parmer W. Fuller Jr. recently spent
a week at La Quinta.
Mr. and Mrs. Charles Ehrman were at the Ahwah-
nee in Yosemite for a ten-day stay.
The Junior League will shortly institute another
series of fashion shows at the Hotel Mark Hopkins.
Mrs. Howard Park and Mrs. Alexander Wilson are
in charge of the arrangements.
Mrs J. Eugene Freeman entertained members of
the debutante group at luncheon at the Francisca
Club.
Mr. and Mrs. Leigh Sypher entertained a group
at Sunday luncheon given at their home in San Mateo.
Mis> Elizaheth Raymond entertained fifteen of the
debutante group of this year and last at a luncheon
at her home in Pacific Avenue.
Mr. Arnold Scheier was host to a group of the
younger set at a dinner at the family home in San
Mateo, preceding the Woodhouse coming-out ball at
the Burlmgame Country Club. Mr. and Mrs. Joseph
O. Tobin entertained at a similar affair on the same
evening, as did Mr. and Mrs. Bernard W. Ford.
Mrs. Prentis Cobb Hale entertained more than
fifty friends recently at a tea given at the hostess'
home on Yallejo Street.
Since their return from the Orient, Mrs. Charles
P. Overton and her daughter. Miss Daisy Belle Over-
ton, have been occupying apartments at the Hotel
Mark Hopkins.
Mr. and Mrs. Nion Tucker and Mr. and Mrs.
Joseph O. Tobin gave their annual luncheon party
recently at their duck club near Milpitas.
Mr. and Mrs. Douglas B. Lewis (Janet Whitman)
have taken Mr. Harry H. Scott's house in Burlin-
game. While the place is being made ready for them
Mr. and Mrs. Lewis are visiting with Mr. Lewis'
parents in Menlo Park.
A host of affairs in honor of Miss Evelyn Taylor
were given during the weeks that preceded her mar-
riage to Mr. Sterling S. Postley. Among those who
showered the bride-to-be with social attentions were
Mr. and Mrs. William A. Magee Jr., Miss Isabelle
McCreery, Miss Francesca Peering, Mr. and Mrs. J.
O. Tobin, and Miss Florence McCormick.
Mr. Richard M. Tobin has invited the members of
Pro Musica to attend a concert to be given at the
Palace of the Legion of Honor on the morning of
February 3. The Abas String Quartet will provide
the program.
Mrs. Charles Stetson Wheeler has returned to her
apartment at the Hotel Fairmont after a visit of sev-
eral weeks in Missoula, Montana, where she was the
guest of her son-in-law and daughter, Mr. and Mrs.
Walter McLeod.
In honor of Mrs. George L. Carlisle and Miss Elsie
Carlisle. Mrs. Henry C. Carlisle gave a tea at her
home in Pacific Avenue.
Mr. and Mrs. Herman Phleger entertained at din-
ner in honor of Miss Margaret Redington, the fiancee
of Mr. Donald Murchie of Boston.
Dr. and Mrs. Hubert Law entertained a group of
the sub-debutante set at a dance given for their
daughter. Miss Arden Law, at their home in Wash-
ington Street.
Mr. and Mrs. John Wholley have taken possession
of their new apartment at Chestnut and Larkin
Streets.
February will see many affairs given for the debu-
tante group. Mrs. Frederick Birgewill give a luncheon
at the Town and Country Club, and at the San Fran-
cesco Golf Club Mrs. Clinton E. Worden and Mrs.
Nelson T. Shaw are entertaining for Miss Christine
Miller. Mr. and Mrs. Frank B. King are giving a
dinner for the debutante group, the dinner to be fol-
lowed by dancing.
Mrs. George H. Mendell entertained a small group
of friends at luncheon at her home in Pacific Avenue.
Miss Marion Dassonville will give a luncheon on
February 3 at the Womans' Athletic Club.
Mrs. Whitelaw Reid has arrived from New York
and will spend the spring months at her home at
Millhrae. A group of friends accompanied Mrs. Reid
to California.
Mrs. Frederick W. Clampett has established herself
and her family in a new home on Union Street.
Mrs. Alexander Isenberg and her little daughter are
on a six weeks visit to Honolulu. Mrs. Isenberg sailed
on the Malolo.
SAN FRANCISCANS ABROAD
Mr. and Mrs. Carl Wolff and their children are
now established in London where they will make their
home in the future.
Mr. and Mrs. Frank Cressey, who were in Cairo at
last accounts, are planning to remain abroad until
late summer.
Miss Maria Antonia Field of Monterey is en route
to Europe and will visit Spain, Italy, Belgium and
the British Isles.
Mr. and Mrs. Thomas G. Crothers left San Fran-
cisco on January 25 en route to Europe where they
plan to spend six months.
Mr. and Mrs. Berrien J. Anderson of San Rafael
plan to tour through Italy and France during the
Spring months.
Mrs. Charles W. Merrill and her son Mr. Gregor
Merrill are again in Paris. They plan to return to
California at the end of this month.
Mrs. Alfred Hertz sailed for Europe on the S. S.
California and will meet Mr. Hertz on the Continent.
They will motor through Spain before returning to
California in Summer. Mr. Hertz will again conduct
the concerts at the Hollywood Bowl.
Mr. and Mrs. Harry Brawner of Hillsborough will
leave soon for a trip abroad.
Mr. and Mrs. Michel D. Weill are en route to
Europe and will remain abroad for six months.
Miss Betty Zane has been passing the winter
months in Nice.
Mr. and Mrs. Louis Cebrian, who make their home
in Madrid, recently entertained Mrs. Cebrian's par-
ents, Mr. and Mrs. Algernon Crofton.
SAN FRANCISCANS IN NEW YORK
Mrs. W. Blair Foster is visiting her mother, Mrs.
Lewis Cates, at the Ritz-Carlton in New York.
Mrs. John B. Casserly is in New York where she
plans to remain until late spring.
Miss Marion Fitzhugh was among those who at-
tended the Beaux Arts Ball given in New York in
January. Miss Fitzhugh's headdress represented the
Chrysler Building.
Continued on page 32
H.LIEBESGbCQ
GRANT AVE AT POST
As it by magic
COIGNS OF ^PRING
. . . are appearing in every department
of H. Liebes & Co. Frocks, so colour-
Iul and intriguing .... you 11 want to
choose several . . . new treatments,
giving promise of the smartest
spring in years.
in an amazing range ol prices!
18.50 to 69.50 and up
rnarrcfi
SAN FRANCISCO, CALIFORNIA
DESIGNERS AND MAKERS
OF COMPLETE FURNISH-
INGS FOR HOMES, CLUBS,
HOTELS, OFFICES, ETC. YOU
ARE CORDIALLY INVITED TO
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PHONE
O R D W A y
4 5 1!
FEBRUARY, 1931
31
s seen
by
her
i//.'fS^^i - fum
AN EVENING spent making the rounds of
hotels, cafes and night clubs, pretty
clearly defines your city, and accurately
takes its pulse. Here the pleasure seeker gets off
his steam and, by the calibre of the crowd do
you classify them night clubs or joints. Could
I get nasty right now and point my finger!
The bulk of patronage comes from the toilers
who, fed up with the daily grind, use these
places of fun and frolic as a natural outlet.
Much in the minority are tables where the so-
phisticated relax. And do they relax? Well!
rather!
On the whole all are very well managed and
the crowd so good-natured you find restraint
and care struck off the menu. Quick impres-
sions are that Marquard's is the dressiest of the
night clubs, for theatre goers, loath to leave
the bright lights, crowd in after the shows.
The Silver Slipper has the best dance orches-
tra— under the able direction of Bunny Burson.
That, coupled with the talented Bunny Hall
at the piano, is the reason for the big pink
bunny on the platform. All the members are
clean-cut looking young men whose clowning
is one of the high spots of the show. They
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seem to follow the moods of the dancers — so
much so. that the party who burst into song
last Saturday found his tra-la-las softly accom-
panied. That's going some. . . . The Lido has
the largest and best dance floor, while the crowd
of the Roof Garden is chummiest.
The Apex is full of color in more ways than
one. for there is atmosphere here that lends
novelty and color. The band and floor show
is composed entirely of negroes. And have they
got rhythm? Plenty. Reactions stuck out like
bumps all over me, for I'm one hundred and
seventeen pounds of syncopation myself. Those
boys can certainly go. Most of the time the
tempo is fever heat and if you've got rhythm
too, you are in shreds at the end of the evening.
When they slowed up once and dragged out
"Mon Homme" that underlying sobbing beat
made of it almost a spiritual. Something pow-
erfully primitive here, and what they have to
offer has "Body and Soul." Frisco Nick is
"jam-up" as is Struttin Mitchell with his high
tenor. Ted Lewis walking into one of these
night clubs would be abashed to ask his famous
"Is Everybody Happy?" They is. It's written
on all faces, and a grouch comes to a swift
sweet death here.
SOMETIMES in the pursuit of one's duties we
come on a paradox where work is play.
My round of night clubs was that^with
the added delight of a ride in a "quick pick-up,"
the next afternoon to the Carolands' — that
sumptuous acreage being put on the market by
Lang Realty Company. Situated immediately
in back of Hillsborough, its graceful slopes
lend themselves advantageously to display every
known variety of tree and shrub. Copses of
Acacias — some most rare — hardly leave a gasp
for the gorgeous grove of red gum that the next
bend in the drive discloses. Well, I'm no bot-
anist, but I defy anybody not to be enthralled
with this display of beauty — all planted to
preserve the natural contours and character of
the gorgeous hills.
A palatial chateau at a five hundred foot
elevation crowns this spot of loveliness and,
necessarily, has a commanding view almost
feudal. The house of approximately one hun-
dred rooms must have taken a battalion of ser-
vants and ah ! me with my one maid, that wants
one day a week, take it and like it! I've never
before entered an empty home of this size —
I've never really been in one so large — that still
seems so warm. In my fancy the gorgeous
staircase was immediately peopled with fragile
ladies and gallant men. I never want to know
they weren't. I could see volumes of Balzac,
Shakespeare. Goethe. De Maupassant on those
towering shelves in the perfect library, while
the ballroom with its adjoining conservatory
— just as in books — was another place for
dreams. A very French dining room overlooks
a plunge that glimmers below in the green,
like a drop of star dust.
And now I'm off the peep-end and am only
able to sputter to you girls about the ladies'
personal suite of rooms that Du Barry, the
Jade, would have given her pompadour for.
Bed room, dressing room, living room and
bath with the addition of two extra large rooms
entirely devoted to her gowns, hats, jewels, etc.
A little closer. The bathrooms are so large
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504 SUTTER STREET - • SAN FRANCISCO
32
THE SAN FRANCISCAN
flowers
sent as
Valentines/
become far more than the
usual conventional gesture
. . . for the exquisite
charm of color, perfume
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224-226 Grant Avenue
Phone SUtter 6200
SAN FRANCISCO
Orders Telegraphed Anywhere
SEATS NOW ON SALE
CHICAGO
CIVIC OPERA
Civic Auditorium
March 2-7
BOX OFFICE at Sherman, Clay & Co.,
Sutter and Kearny, and All Bay City Stores
Evenings. 8 P. M. Saturday Matinee. 2 P. M.
PRICES: $1. $1.50, $2, $2.50, $3, $4. $5, $6.
Box Seats, $8. (No Tax.)
Mon., March 2 — LA TRAVI ATA with Muzio,
Schipa, Thomas, others; ballet; conductor,
Moranzoni.
Tues., March 3— DIE WALKUERE with
Leider, Olszewska. Redell. Strack. Kipnis,
Baromeo, others; conductor. Cooper.
Wed., CAVALLERIA RUSTICANA with
Muzio, Cortis, Tourel, others; conductor, Mo-
ranzoni; followed by I PAGLIACCI with
Burke, Marshall, Thomas, others; conductor,
St. Leger.
Thurs., LUCIA DI LAMMERMOOR with
Salvi, Schipa, Bonelli, Baromeo, others: con-
ductor, St. Leger; followed by BALLET.
Friday, AID A with Muzio, Sharnova, Marshall,
Formichl, Kipnis, Baromeo, others; ballet;
conductor, Moranzoni.
FIRST TIME IN SAN FRANCISCO
Sat. Mat., DER ROSENKAVALIER with
Leider, Olszewska, Votipka, Kipnis, Ring-
ling, others; conductor. Cooper.
Sat. Night, RIGOLETTO with Salvi, Glade,
Cortis, Thomas. Baromeo; conductor, St. Leger.
Mail orders accompanied by check or money
order to Chicago Civic Opera, care Sherman,
Clay & Co., will receive prompt attention.
that if you — w — we — well — that is. if you
were without clothes and someone yelled
"Stella!" you'd drop dead. I hope you get me.
It's really hard to believe this place of luxury
is attainable just outside of San Francisco and
I'll always be curious to know the names of
the men that combined money with intelligence
and took root in this acreage. For here is peace,
beauty and simplicity.
BUT to return to quite practical details —
aren't there times when you feel that if
you have to plan and cook another meal
you'll just die? And the prospect of serving
regular delicatessen just seems too much? Well,
good news! The 2 Cooks Kitchen on Polk
Street is the answer. In a delightful, kitcheny
looking shop that smells like the old home on
gingerbread days, they will plan a complete
meal and tie it up for you to take home and
serve in your best china. Or. if you want to
augment your cellar (old style) there are cup-
boards of home made jams, pickles, et cetera.
I went in to purchase a salad and came away
with enough food under my arm to feed an
army.
the Mi
acing the music
Continued from page 11
the record for grave and solemn deportment.
Coaxing the most enchanting music from their
pear shaped instruments (music which made
me feel so young I began to look for the truant
officer, so afraid was I that I ought to be in
school), they yet remained the most dignified
quartet it has been my luck to hear. The pity
of it was that the audience wasn't five times as
large. And though Marian Kerby and John
Niles (Miss Seckels' next attraction) will have
been in San Francisco before you read these
lines. I would yet ask you to keep Monday
afternoon, February 16. free so that you may
attend a song recital by Luisa Espinal. For if
the beautiful Luisa is only one-tenth as accom-
plished as her lute playing compatriots, you
will have the time of your life and secretly
bless The San Franciscan for having urged you
to give up your afternoon session of bridge
to attend Miss Seckels' Matinee Musicale.
And so we come to the closing paragraph
of this month's effusion. You will find many
important events announced in the calendar of
coming attractions. Appearances of Geraldine
Farrar and, on the first of next month. Rach-
maninoff, are only two of a long list of inter-
esting concerts planned for the next few weeks.
Opera lovers will get another chance to in-
dulge in their passion when the Chicago Civic
Opera Company, led by an array of artists sel-
dom assembled in one troupe, will offer seven
performances in the Civic Auditorium. Among
those who will be heard at that time are Claudia
Muzio, Tito Schipa. John Charles Thomas.
Lodovico Oliviero. Frida Leider, Maria Ols-
zewska, Eugenio Sandrini. and many others.
The following operas will be presented: "La
Traviata." "Die Walkuere." "Cavalleria Rus-
ticana," "I Pagliacci," "Lucia di Lammermor."
"Aida," "Der Rosenkavalier" and "Rigoletto."
Reservations for seats should be made as early
as possible with the charming Peter D. Conley
at the Sherman. Clay and Co. store. Sutter and
Kearny Streets.
Reigning Dynasty
Continued from page 30
Mr. and Mrs. Joseph D. Grant and Miss Josephine
Grant are staying at the Hotel St. Regis in New York
at the present time.
Mr. and Mrs. Gerald Campbell, the former of
whom was recently appointed British Consul to New
York, are being extensively entertained in that city.
Mr. Campbell succeeds Sir Harry Armstrong.
Dr. and Mrs. Ray Lyman Wilbur were recently in
New York for a few days, staying at the Hotel Penn-
sylvania.
Mr. and Mrs. Bernard W. Ford are in New York
on a six weeks visit.
CHRISTENSEN
school of popular music
Modern I A 77Piano
for befjinners and advanced students
Listen to Edna Fisher
K F R C Evening Broadcast
Tuesday 9.45 Thursday 9.30 Sunday 5.1 5
Burlingame
1319 Howard Ave.
8uilhgame 3438
San Francisco
150 Powell St.
GAifield 4079
Wicker Furniture
Comfort
Distinction
Beauty
Make Your Home
Colorful and
RcstfuV.
Art^ttanWork
331 Sutter Street
SAN FRANCISCO
E. 12th Si 24th Ave
OAKLAND
S. F. SYMPHONY
Issay Dobrowen
CONDUCTOR
Vladimir Horowitz
Pianist Extraordinary — Guest Artist
Program Includes
Symphonie Pathetique Tschaikowsky
Concerto No. 3 Rachmaninoff
(First Time in San Francisco)
Civic Auditorium
Wednesday Evening, 8:30 P. M.
February 11
Best Reserved Seats $1.00
Box Office Sherman Clay & Co.
Direction: Auditorium Committee
J. Emmet Hayden. Chairman
Jesse C. Colman Victor J. Canepa
Benning Wentworth, Auditor in Charge of
Ticket Sale
Real Italian Food
Bohemian
Atmosphere
Lu ncheon
35c and 50c
Dinner 75c
LA CASA BIGIN
441 Stockton Street
San Francisco
FEBRUARY, 1931
33
SPRING and NEW
APPAREL
— synonymous since the caveman
waited at the den for the great sleep-
ing bear to come out and fill his
order for a new Spring Suit.
You are much more fortunate. All
that you have to do is call here and
decide whether it is to be of —
Cricket Cloth
Flannel
Worsted
Roberts Cheviot
Homespun
Tweed
We have all these fine imported fab-
rics tailored by Sheyer. Grays seem
to dominate.
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101 Post Street, Baker Building
6 Room Furnished Apartment
now open for inspection — Entire 25th floor,
WILLIAM TAYLOR HOTEL
Tower; panoramic view from all points of the com-
pass, sunshine all day; balcony; living room, dining
room, breakfatt room, kitchen, pantry, two lar«e
bedrooms, two baths; furnished with good taste for
personal comfort.
Complete hotel service
Cost, far below the price of maintaining a detached
residence: for leasing terms and appointment to in-
spect, phone Market 3400 and ask for Asst. Mgr.
Instruction in
CONTRACT BRIDGE
CULBERTSON SYSTEM
JOHN CHARLES SHIPP
901 Powell Street, San Francisco
Slitter 4897
August W. Virden
Insurance
660 Market Street
DOuglas 7700
Mr. and Mrs. George A. Pope Jr. (Harriett Brow-
nell) are sojourning in New York for a few days with
Mrs. Pope's sister, Mrs. Curtis Hutton. Mr. and Mrs.
Pope, whose marriage took place on September 6,
expect to arrive in San Francisco about February 11.
SAN FRANCISCANS IN THE SOUTH
Mrs. Alexander Hamilton and Miss Grace Hamil-
ton were recently at Agua Caliente, attending the
race meeting. Mrs. Hamilton stayed at Hotel Del
Coronado during her visit in the south. Others in
her party included Mrs. Mountford S. Wilson, Miss
Eda Sherman, Mr. and Mrs. George T. Cameron,
Mr. Edward Montgomery, and Mr. Leon Walker.
Mrs. Reginald Courtenay Jenkins spent ten days
in Los Angeles.
Mr. and Mrs. Deming Wheeler have taken a house
in M"iitecito.
Mrs. E. O. Bartlett has arrived in Santa Barbara
and is visiting her son-in-law and daughter, Mr. and
Mrs. William Slater.
Mr. and Mrs. Webster Jones are at the Hotel
Huntington in Pasadena.
Mrs. A. N. Buchanan and Miss Lynda Buchanan
are en route to Panama where they will visit with
Colonel and Mrs. Laurence Brown.
Mr. and Mrs. William Cannon spent several weeks
in Honolulu.
Mr. and Mrs. Howard Park recently enjoyed a
brief visit in Santa Barbara with Mr. Park's parents.
Dr. and Mrs. C. C. Park.
Mrs. Rolla V. Watt visited in Honolulu during
January. She was the guest of her niece, Mrs. A. G.
Horn.
Mr. and Mrs. Samuel R. Knight, who are occupy-
ing a house in Montecito, entertained a party of
friends there recently. In the group were Mrs. Eugene
Murphy, Mrs. Knox Maddux and Mr. William Page.
Miss Hettie Stephenson spent a week-end at Car-
mel recently and attended the polo matches held on
the Del Monte field.
Mr. and Mrs. G. B. Trayner were recently at El
Mirador, Palm Springs, for a ten-day visit.
Winters East andJWest
Continued from page 17
San Francisco, I passed the gates of Yosemite
Valley under stormy skies, and drew up in
front of The Ahwahnee. My engine coughed
and died, and in the ensuing silence I could hear
the refrain of the Skaters' Waltz from the ice
rink across the valley. As I struggled with
various gadgets in an endeavor to reinstate mo-
tive power to my conveyance, groups of laugh-
ing winter sporters passed me. They had an
excited, glowing look about them that belied
the prophesies of the gloom spreaders. No
lethargy or listlessness here! The whole atmos-
phere was charged with dynamic vitality.
Speculating on the contradiction of this vivid
winter scene in a land of sunshine and flowers.
I experienced a spiteful feeling of supetiority
over the poor humans condemned to live with
their frozen radiators and their blizzards, while
we in San Francisco, only a few hours from the
land of snow, can enjoy it when we want it.
and leave it when we tire of it.
GO ANY WINTER to Tahoe. to Yosemite. to
Lake Arrowhead, and watch the people
(if you can spare a moment from your
own enjoyment) . You will see smart looking
young women in the latest imported ski togs:
boys and girls, impatient of the least parental
restraint that might mean loss of precious time
on skates, or sleds, or toboggans: youngsters
tumbling head over heels in the snow: slim,
dark clad skiers, swinging along with practiced
stride. And they all have that same "something
terribly exciting is happening to me" look.
We Californians are new to winter sports,
but we learn quickly when our athletic prowess
is at stake. We are not content with fruitless
snowballing and tobogganing when sports that
call for skill are waiting to be mastered.
A year ago a young twelve year old from
Los Angeles spent a week in Yosemite. She dis-
covered the ice rink, and fell in love with it.
This winter she returned for the Fancy Cos-
tume Ice Carnival, the big event of the Christ-
mas-New Year holidays, and put on a figure
skating exhibition in front of a gallery of six
hundred people that brought down a storm of
applause.
I see young men and women at the ice rink
night after night, learning the intricacies of
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DOuglas 7210
figure skating, who. two years ago, couldn't
stand on skates.
Most of us think that Switzerland has the
skiing monopoly of the world. It may surprise
you to learn that there are three lodges above
the eight thousand foot level back of Yosemite
Valley that can be reached in winter only on
skis or snowshoes — and no one goes on snow-
shoes, they date one so.
Early in the fall these lodges are stocked
with bedding and provisions to last the winter.
Last year, at Snow Creek Ski Lodge alone,
there were more than fifty visitors, men and
women.
Aside from winter sports for the individual
participant, many major snow and ice com-
petitions are held annually at California re-
sorts. Last year saw the Sierra Dog Derby from
Truckee to Lake Tahoe. and the first annual
Speed Skating Championships and the Inter-
collegiate Hockey and Speed Skating Meet for
the President Hoover Cup at Yosemite. In addi-
tion, this year, the California Olympic skating
trials will be held at Yosemite and the ski trials
at Lake Tahoe. California boasts well organ-
ized amateur skating and ski associations, as
well.
Don't "no season" me! The days of rainy
weekends, spent in boredom or bridge games.
are over. Rain in the cities means snow in the
mountains. Winter sport in California, a
struggling weakling ten years ago. is healthy,
hearty and here to stay today.
Spotlisht
Continued from page 16
it was the silences more than the applause that
plumbed the depths of its feeling.
WHICH brings us to a specific appreciation
of "Up Pops the Devil." It is one of
the most plotless comedies of the present
day. depending on its lines and its characteriza-
tion to put its idea over. It even lacks a villain.
THE SAN FRANCISCAN
We kept hoping that the literary agent would
develop into a villian but his villiany refused
to jell. We should like the name and address
of the literary agent who inspired the author.
Our personal representative in New York is a
fine gentleman but we are sure he would never
go the lengths of the literary agent in "Up Pops
the Devil." Here is a man who gives advice (we
think it proved unsound) secures advances, or
when he can't, produces them from his own
pocket with only four chapters of a beginner's
novel completed, gives the deserted wife a job
in his office and is even prepared to take her off
the husband's hands at the price of marriage.
And never once does he advance his chances by
so much as one dirty dig at his rival. We
repeat he is too good to be true but he makes
nice dramatic material. Raymond Hackett and
Ann Teasman play very charmingly and ade-
quately what we presume are the leading parts.
But this does not prevent John Arledge and
Esther Howard from stealing a good part of
the show. Mr. Arledge's inebriation is enchant-
ing, assisted undoubtedly by a shock of re-
bellious blond hair. One could no more refuse
him the key to one's gin chest than one could
refuse a gamboling kitten a saucer of milk.
We all know such imbibers. They are too
diverting to incur our wrath. We rail against
them in private but when they show up we
open our door with a smile.
"Up Pops the Devil" may not be a weighty
show on the surface but it has a bit of pro-
fundity tucked under its smooth surface. It
might almost be Dorothy Dix dramatized:
Don't grub-stake your husband; don't let your
house be overrun by gin-drinking casuals, even
when they are charming: and don't tell every-
body except your husband that you are going
to have a baby. Above all. don't have even
casual traffic with a blue-eyed "yon-all" girl
from south of the Mason-Dixon line — a part
by the way. capitally played by Marguerite
Warner.
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Perhaps it is the subtle
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brings those who "know"
to Nob Hill for the week-
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or to make their home
above the heart of the city.
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MARCH 16,1931
ANTIQUE AND MODERN
FURNITURE FABRICS OBJECTS
COMPLETE ORGANIZATION
TO RENDER EVERY SERVICE
OF INTERIOR DECORATION
533 Slitter Street
THE SAN FRANCISCAN
WEDDINGS
STEELE-BOLTOX. On February 4th, in San
Francisco, Mr. Shorb Steele, son of Mr. and Mrs.
James King Steele of Manila, and Miss Betty
Bolton, daughter of Mrs. Robert C. Bolton and the
late Robert Bolton.
WORDEN-BEEDY. On February 7th, in San
Francisco, Mr. John B. Worden, son of Mr. Henry
Worden, and Miss Caroline Beedy, daughter of Mr.
and Mrs. \V. L. Beedy.
Ml'RCHIE-REDINGTON". On February 14th,
in San Mateo, Mr. Donald Murchie, son of Mr.
Guy Murchie of Boston, and Miss Mary Redington,
daughter of Mr. and Mrs. Arthur H. Redington.
FLEMING-COOPER. On February 19th, in
New York. Mr. Wallace Fleming, Jr.. son of Mr.
Wallace Fleming and the late Mrs. Fleming, and
Miss Jane Cooper, daughter of Mr. and Mrs. Oscar
Cooper.
VISITORS ENTERTAINED
In honor of her sister-in-law. Mme. Henri Dehost
of Paris, Mrs. Dean Witter entertained with a large
tea at her home in Washington Street. Mrs. Thomas
Ruhm of Seattle shared honors at the tea with Mme.
Debost.
Mrs. Jackson Fleming of New York, secretary of
the Town Hall of New York, was honor guest at a
luncheon given by Miss Louise Boyd.
M r. and Mrs. Cliff Weatherwax of Burlingame
were among those who entertained for Mrs. Osgood
Pell of Paris, who has been the house guest of Mr.
and Mrs. Walter G. Filer.
During the visit here of Mr. and Mrs. Edward
Bright Bruce, during an exhibit of Mr. Bruce's
paintings at the Gump Galleries, they were the
guests of Mr. and Mrs. Alfred Ehrman at their
home in Washington Street.
Mr. and Mrs. William Parrot were guests of Mr.
and Mrs. Henry Potter Russell at the Potter ranch
in Carmel Yalley recently. Mrs, Parrot is at present
having her portrait painted by the Hon. Joseph
Sigall.
San Francisco society is looking forward to the
visit of Mrs. Reginald Vanderbilt and Lady Milford
Haven, who will be in San Francisco until March
10th, when they will return to New York.
Mr. and Mrs. Sigmund Stern have been entertain-
ing as their house guest Miss Suzanna Bloch. daugh-
ter of the eminent composer, Ernest Bloch. Miss
Bloch is also a composer and teacher.
Mr. and Mrs. Edouard Thys ( Beatrice Horst)
are again in San Francisco, and are staying with
Mrs. Thys' parents. Mr. and Mrs. E. Clemens Horst,
in Presidio Terrace.
THE
REIGNING
DYNASTY
Mr. and Mrs. Willian H. Crocker entertained
their son-in-law and daughter. Count Andre de Limur
and Countess de Limur, of London, at the Crocker
home in Burlingame.
Mrs. Ernest E. Gunther was the complimented
guest at a luncheon given for her by Mrs. Lawrence
E. Bowes.
Mr. and Mrs. William H. Xigh, Jr.. gave a din-
ner in honor of Miss Jessie Leonard, their house
guest, who makes her home in Reno.
Mrs. Whitelaw Reid of London was entertained
at luncheon shortly alter her arrival in Hillsborough.
Mr. and Mrs. George A. Pope. Jr., were hosts to
Miss Dorothy Mein and Miss Frances Mein at Del
Monte recently.
Mr. and Mrs. Edmunds Lyman recently passed
the week end with Mr. and Mrs. Tohn Magee at
Pebble Beach.
Mrs. Brooks Frothingham of Cohasset and Santa
Barbara has been a guest at the Hotel Fairmont.
Mrs. William Kent, Jr., gave a large tea at her
home in Scott Street in honor of Mrs. Lewers Paris
of Honolulu. Mrs. E. Bancroft Towne also enter-
tained for Mrs. Paris, the occasion being a luncheon.
Mr. and Mrs. Irving Randall of Chicago, who are
sojourning in California for a time and have taken a
house at Los Altos, were honor guests at a buffet
supper given by Mr. Randall's brother and sister-in-
law. Mr. and Mrs. William Duvall Dickey.
Mr. and Mrs. Frederick McXear gave a dinner
at the Burlingame Country Club in honor of Mrs.
Osgood Pell of Paris.
HERE AND THERE
Count and Countess Degenard von Wurmbrand
entertained a group of the younger set at an evening
gathering at their new home in Burlingame.
Mrs. Clinton E. Worden and Mrs. Nelson T.
Shaw entertained at a luncheon at the San Francisco
Golf and Country Club in honor of Miss Christine
Miller, one of the debutantes of the winter.
Mr. and Mrs. Howard Park of Burlingame enter-
tained the members of the Murchie-Redington bridal
party following the rehearsal of the ceremony.
Mrs. William D. Thomas (Helen Marye) will
leave for the East on March 10th after concluding a
brief visit in San Francisco. With her mother, Mrs.
George T. Marye, Mrs. Thomas plans to go to
Europe early in the spring.
Miss Elizabeth Forderer will be married to Mr.
Ernest Charlston on Thursday evening, March 12th,
at the home of the bride-elect's mother, Mrs. George
S. Forderer, on Broadway.
Mr. and Mrs. George Leib and Mr. and Mrs.
Richard S. McCreery were among those who enter-
tained at dinner parties preceding the musicale given
by Mr. and Mrs. George T. Cameron at their home
in Burlingame. Miss Marion Kerby and Mr. John
Xiles were the recitalists.
Mr. and Mrs. George A. Pope, Jr., are occupying
the home of the Senior Popes in Burlingame.
Miss Ines Mejia entertained a group of the
younger set at a buffet supper at her home in Hyde
Street.
Mrs. A. B. Spreckels gave a luncheon for a party
of twelve friends at her home in Washington Street.
Mr. and Mrs. Willis J. Walker opened their
Pebble Beach home for a week end during late
February when their guests included among others
Miss Xatica Xast of New York.
Mrs. J. B. Casserly will return from New York
shortly and plans to take a house in Carmel for the
summer.
Celebrating the appearance of her latest novel,
"Sophisticates." Mrs. Gertrude Atherton gave a din-
ner party at the home of her daughter, Mrs. Ather-
ton Russell, in Green Street.
The first of a series of Spring Fashion Teas will
take place at the Hotel Mark Hopkins on March 9th.
Members of the Junior League will act as manni-
kins. The proceeds from these teas maintain the
Junior League Home for Dependent Children.
Mr. and Mrs. Alan C. Van Fleet celebrated their
wedding anniversary recently by giving an informal
dance at the Woodside Country Club.
Word has been received here by the friends of
Princess Alesandra- Victoria of Schleswig-Holstein
of her impending visit to California late in the
spring. The Princess is an artist of international note.
Mr. and Mrs. Daniel C. Jackling have returned
from another of their extended yachting cruises and
are again established at their apartments in the
Hotel Mark Hopkins.
Steeplechase events, at two- week intervals, are
being held this month on the Monterey Peninsula.
Continued on page 32
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THE SAN FRANCISCAN
JOSEPH DYER
Editor and Publisher
Aline Kistler
Assistant to the Publisher
The San Franciscan is published
monthly by The San Franciscan
Publishing Company, Sharon
Building, San Francisco, Cali-
fornia. Entered as second-class
matter October, 1928, at the
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VOLUME X MARCH, 1931 NUMBER 5
Articles and Features
Ghosts and Uplift, by Edward A. Morphy
Black Island, by Philip Nesbitt 10
Today's Opera House, by Harris C. Allen, A. I. A 14
Porto' Call, by Lucrezia Kemper 18
Moaning at the Bar, by Brookes 22
Now It Can Be Told, short comment and humor 8-9
Reignipg Dynasty, by Josephine Bartlett 4
As Seen By Her, by Molly Merkley 30
Short Stories
Lonely, by Leslie Connor Williams
At Home, by Flagstaff 10
Criticism
Spotlight, by Charles Caldwell Dobie 13
Views and Reviews of Books, by Fritoff Michelson 14
Facing the Music, by James Hamilton Fisher 17
Passing Shows, by Aline Kistler 21
Verse
Lost Lady, by Constance Ferris 22
When I Have Failed, by Vaughn Francis Meisling 15
Illustrations
Spring, photograph by Johan Hagemeyer 6
Cartoon, by Jack Cofer 8
Cartoon, by Hermione Palmer 9
Drawings of Haiti, by Philip Nesbitt 10-11
Mary Austin, photograph 12
The New Opera House, by Francis Todhunter 14
Our Novelists, etching by Will Dyson 15
Dominga Russell, photograph by Charles B. Barrett 16
Paul Robeson, sculpture by Annette Rosenshine
Waterfront Sketches, by Warren Chase Merritt 18-19
Tom Douglas, photograph by De Forrest 20
Senora Frieda de Rivera, photograph by Edward Weston 20
Self-Portrait, by Otis Oldfield 21
SPRING
Far from the sentimental version
of Spring is this sophisticated
photograph by Johan Hagemeyer
who divides his time between San
Francisco and his Hollywood studio.
THE SAN FRANCISCAN
Ghosts and Uplift
by Edward A. Morphy
COMPARATIVELY few of us can hope
to attain that profound knowl-
edge of human nature and abiding
faith therein which are the essential
qualities of the perfect optimist. Most
of us, however, can recognize the
symptoms whereby the observant stu-
dent of mankind learns whether the
trend of any community at a given
time is toward the demnition bow-
wows or along the path of uplift.
When the prosperity of the com-
munity, as indicated by the efforts of
its press or its panders, is toward
the consideration of purely material
things, then we have cause for alarm.
When on the other hand the com-
munal taste inclines toward things of
the spirit, spiritual, we know that we
are keeping one foot on the straight
and narrow way.
Hence the intense comfort and cause
for gladness that all of us right-think-
ing people have been able to find in
the interview with the ghost of the
late Mr. Rudolph Valentino which
has recently been contributed to the
Hearst papers by the chairman of the
New York Section of the American
Society for Psychical Research.
Among others present at this not-
able event was Miss Ruth Roland, the
screen actress. To her, Mr. Valentino's
ghost, speaking through the medium,
Mr. George Wehner, said:
"I am glad to be here and able to
talk to you. Strange, isn't it?"
To which Miss Roland replied:
"Very strange."
In the view thus briefly but cog-
ently expressed. Miss Roland, one
believes, may expect the concurrence
of all thoughtful people.
With the opinions of Mr. Valen-
tino's ghost in respect of such matters
as reincarnation, or the manner of Mr.
Valentino's latest demise a few years
ago. these comments have no concern.
A ghost naturally and inevitably
puts himself upon a plane superior to
human argument and human criticism.
What it is desired here to emphasize
is the fact that the sometimes mater-
ialistically inclined Hearst press should
now appreciate the soulfulness of the
great red-blooded masses that are all
too often accused of preferring foot-
ball news to the other forms of in-
tellectual pabulum, and should be
feeding these masses with such truly
spiritual fare as is this interview with
the ghost of Mr. Valentino.
AT THE same time, it is worthy of
. note that the public interest
* aroused in Mr. Valentino's ex-
cursions among the Shades was largely
divided with the interest contempor-
aneously aroused by the official an-
nouncements on the subject of pot
likker issued by the Hon. Huey Long
of Louisiana, who sees in the con-
sumption of that ambrosial fluid the
termination of all difficulties between
professional politicians of opposing
beliefs in this republic.
The great Brillat Savarin spent
some years contemplating the culinary
excellencies of America: but he failed
to make any record of pot likker in
his immortal Physiologic du Gout.
Savarin, however, died more than a
hundred years ago, and it is possible
that pot likker had not then been in-
vented.
It is to be deplored, however, that
Governor Long's eulogy of the stuff
should have aroused the exacerbated
discussions that have since been figur-
ing in the newspapers as to whether
dunking is or is not comme il faut in
the consumption of pot likker.
Of course this pot likker is a highly
specialized subject, one which nor-
mally should not come within the
purview of any casual publicist writ-
on general topics. But, like the equally
esoteric talking ghost of Mr. Valen-
tino, it has become an obsession of the
American mind, and merits some brief
explanation:
Pot likker appears to be a species of
dish-water prepared by boiling simple
herbs into a broth, as did the holy
Hieronymus and his emulators, the
sainted Jerome in the desert of Chalcis,
and other noted cenobites of old.
Unlike this soup of the more famous
extremists, however, pot likker, ac-
cording to some authorities, should be
reinforced with dumplings made from
corn meal. Others deny the need of
dumplings, but contend that corn-
pone — a bready substance made of
cornmeal — should be consumed with
the pot likker.
Some say that this pone should be
used to sop up or mop up the likker.
Still others contend that this habit of
sopping or mopping up the pot likker
with corn pone — a custom known
among its devotees as dunking — is a
gastronomical solecism and. like lick-
ing the platter after meals, is not sanc-
tioned in the higher pot likking estab-
lishments. In a dispute of this nature,
in which so many local customs and
traditions are involved and which
concerns a proclivity that is in no
sense Californian. it would be invid-
ious here to proffer advice or admoni-
tion. The word "dunking" has un-
questionably a musical sound about
it, and may be very nice. The prob-
lem as to whether a gentleman or lady
who desires to lick the plate after
dining should lick it from right to
left, as go the hands of a clock, or
should proceed in the opposite direc-
tion has never yet been satisfactorily
solved. It may be assumed that the
analogous problem of dunking will
also remain indefinitely open.
MEANWHILE it seems a profound
pity that this problem should
have cropped up at a time when
we had amongst us as a guest the one
great savant of modern times who
could have devoted to the subject the
attention to which undoubtedly it is
entitled, and who could ha ;e brought
to his consideration of the issues it
involves a mind perfectly free from
local or national prejudices or bias:
and yet the idea of seeking his counsel
in the premises does not appear to
have occurred to anybody.
Not only had we Professor Einstein
in our midst while the controversy
was raging but we also had Mrs.
Einstein.
It may not seem gracious to suggest
linking the name of a lady with a
controversy so bitter as that which
concerned the matter of pot likker and
dunking. But both pot likker and
dunking seem to be largely domestic
matters, and in such matters the in-
spired proponent of the Einstein
theories has always sought the counsel
of his gifted spouse.
Another grave oversight in this
connection was that of the chairman
of the Psychical Research Society who
secured the interview with Mr. Valen-
tino's ghost.
How was it that when the world
was reeling under the impact of the
dunking controversy not one word
concerning the subject of pot likker
was included in the twelve questions
submitted to Mr. Valentino's ghost?
THE SAN FRANCISCAN
THESE days of the reign of the archi-
tect and interior decorator, one
understands at a glance the situa-
tion that arose in the home of Peter B.
Kyne recently. Mr. Kyne had bought
a painting that he treasured highly for
reasons of his own enjoyment. He had
designated it for over the mantel in
the house that was being built for
him. But his wife came to him greatly
perturbed.
"You can't have that painting over
the fireplace, dear."
"And why not?"
"The architect . . ."
"What about the architect?"
"He says . . . that ... it doesn't fit
the room."
The author gulped. He. the creator
of virile, he-men characters, was he to
be intimidated by a mere architect '
He was not. With a few well chosen
words, not necessarily for publication,
he gave instructions. The design of the
fireplace was changed, even the style
of the room was revised — but the
painting hangs over the Kyne mantel.
A San Franciscan is one who knows
that every good little mayor becomes
a governor when he grows up.
IT IS considered perfectly legal and in
order for California motorists to go
hunting for whales by automobiles,
according to the "California Vehicle
Act" of 1929. In Chapter XVIII Par.
187, the extraordinary law is described
as follows:
"It is a disdemeanor to shoot at any
kind of game bird or mammal . . .
except a whale . . . from an automo-
bile ..."
Sutro Gardens bring a scent of
the Old Carriage Days . . . Crunchy
Gravel . . . What remarkable Pos-
sibilities has Miss Helen Buel of the
Guild Players . . . And some one said
the Republican Party was like Louis
the XV . . . After him the Deluge . . .
Truly Vision Avenue in Oakland is
a Blind Street . . . And there is the
Fife Building on Drumm Street . . .
And I am looking for Corps Alley
. . . Earl Lee and Donald McClure
have a striking resemblance . . . And
there is a sign on McAllister Street
that reads "Home Made Cooked Fish"
. . . And how should it read? . . .
With what majestic grace the Malolo
sweeps from the harbor . . . Why do
all the pictures of Eve show her with
a navel? . . . And that blasts the rib
theory . . . And now that Spring is
at hand one sees spats peeking from
beneath the trouser cuffs of the Powell
Street Gentry . . . And what a catas-
trophe it would be if caught beneath
the feet of the Thundering Herd as
they make for the five-thirty ferry . . .
NOW
IT CAN
BE TOLD
Daily, walking jauntily, a girl is seen
on Powell Street who wears a man's
hat, carries men's gloves and cane, and
wears a man's overcoat . . . And the
time of stroll never varies, further-
more she is most beautiful . . . What
is more annoying than the rattling of
paper in a theatre . . . Tapping of feet
on the seat you are sitting in . . . How
beautiful against the sky is the cobalt
green tile on the steeples of the church
next old Mission Dolores . . . And
there is a Soda Jerker on Geary Street
that has a Master's degree in English
and speaks out of the side of his mouth
. . . Why does the girl atop the column
in Union Square carry the Pitchfork
and the Wreath ... A haberdashery is
showing a lounging robe with a ciga-
ret case pocket, a flask pocket and a
gun pocket. . .Straight from Chicago.
IN ITS customary gesture of making
guests perfectly at home, the St.
Francis hotel provided Rachmaninoff
with a Steinway in his room during
his recent visit to San Francisco. But
courtesy to one brings its obligations
to others so there was nothing to do
but comply with the request of a rival
pianist in the room next to that occu-
pied by Mr. Rachmaninoff for a simi-
lar instrument. The management could
not forsee the long arm of spite into
whose hands they had played.
That night the celebrated pianist
had scarcely retired when he was
startled to hear the opening chords to
his C Sharp Minor Prelude . . . tum-
"An I sez to her, wha'dy'u know about
Einstein."
tum-taa . . . The composer waited,
every nerve on edge until the progres-
sion should be resolved. But no further
sound came. In desperation he jumped
up, opened his piano and finished the
phrase on his own piano. At ease
again, he returned to bed but had
barely relaxed his muscles when again
came that tum-tum-taa . . . and then
silence. Try as he would, he could not
resist springing out of bed to complete
the phrase. With baleful zest, the re-
vengeful pianist continued throughout
the night, varying the intervals but
letting the composer get no more than
a wink of sleep before he should be
again disturbed with the provocative
tum-tum-taa.
IT IS now a matter of court record
that a Middle Western butter and
egg man on the verge of retiring in
Los Angeles was recently approached
by persuasive realtors of the glib
southern city. Although he stated that
he was not yet ready to purchase a
home, he was persuaded that the place
of his dreams awaited him. ready for
his immediate occupancy and he should
at least look it over.
Reluctantly, he accompanied the
eager ones to the mansion they had
described. He was met by an array of
obsequious footmen and butlers, who
bowed him into the drawing room
where a concealed stringed orchestra
played seductive strains. The progres-
sion from one palatial room to the
next was a crescendo of delight, each
room being more wonderful than the
last in its appointments and the com-
pleteness of its accessories. The ball-
room was supplied with dancing girls,
the patio pool held a bevy of bathing
beauties and even the cellar lacked none
of the accessories to make it a dream
realization. The quality of the latter,
naturally had to be sampled — and
shared with the fair inhabitants of the
mansion. What a party! . . . leading
finally to the stroke of the pen that
spelled ownership for the. by that
time, somewhat vague butter and egg
man and independence for the catering
realtors.
The next morning, however, the
owner woke with a headache and
numerous regrets for, much to his as-
tonishment, the bed in which he lay
was the only piece of furniture re-
maining in the entire mansion. Gone
were the stringed orchestra and the
footmen, the bathing beauties and even
the contents of the cellar. With self-
made haste, the man made his way to
the courts which in due time, with a
total disregard for the furtherance of
Los Angeles' greatest home industry,
ordered the realtors to refund the pur-
chase price and so sooth the feelings of
the retiring Middle Westerner.
MARCH, 1931
Editor's" Note: Hermione Palmer first attracted attention with
cartoons in "Pelican" and other University of California
publications. She has recently returned to San Francisco afte'
two successfuryears in New York,
10
THE SAN FRANCISCAN
AtH
ome
by Flagstaff
"Believe it or not" Ripley
(with all apologies)
RIP — Eggs, bacon, and waffles again
this morning? Fine! A black
chicken on the island of Sardinia
laid a white and yellow egg with a
brown shell from which was hatched
two roosters, three huns. and a frog
which was entirely deaf. Will you pass
me the butter, dear? Butter is churned
from elephant milk in certain parts of
Africa, the soured milk being placed
in basketball bladders. But I'll have
cow butter please.
Mrs. Rip — Aren't you going to eat
your grapefruit?
Rip — Grapefruit is not a fruit, it
is a fire extinguisher. By the way, do
you know that natives of Borneo
amuse themselves by spitting against
the wind? Will you pour the coffee,
dear? A coffee bean is not a bean —
it's ground.
Mrs. Rip — Here is your waffle.
Rip — The waffle was invented by
a prisoner in an Ohio prison who at-
tempted to throw a pancake through
a jail window. For this service to
mankind he was pardoned by Gover-
nor Topoopot, whose name is spelled
the same backward and forward. This
was in 1881 which is also written the
same backward and forward, and
would you mind passing me sugar,
dear, backward and forward. Thanks.
But you haven't much to say this
morning, which is unusual enough for
a couple of cartoons. What's the
matter?
Mrs. Rip — I saw you get out of a
taxi last night with a lady, you de-
ceiver!
Rip — That was no lady, that was
my — why, my dear, it was you! Be-
lieve it or
Mrs. Rip — (Picking up waffle-iron
and administering chastisement) —
Believe it or what?
Rip — (Feeling his head)- — Or — or
knot!
G. W. Wickersham
(with all apolosies)
Mrs. Wickersham — Good
morning, George. Did you
sleep well last night?
G. W. — Well, yes, and no. I didn't
wake up during the night, and really
haven't given it sufficient considera-
tion. But on the whole, no and yes — ■
with reservations. I should have re-
mained awake to think about it, but
on the other hand
Mrs. Wickersham — You must sit
right down to breakfast, before the
coffee gets cold, dear. Goodness, I
think it's cold already. Try it, George.
Is it cold?
G. W.— H'm! It all depends. I
would hardly go so far as to say the
coffee in question is below the tem-
perature adapted to my palate, even
with reservations. Still, it's not too
hot. Is that what you wanted to know,
m' dear? I can give you a report "
Mrs. Wickersham — Do eat your
breakfast, George. It's such a splendid
morning. Don't you think it is, dear?
G. W. — Don't you think I really
ought to phone the weatherman, be-
fore advancing an opinion? Personally
— but who's that at the door, m' dear?
Mrs. Wickersham — It must be the
man who called about the lawn yes-
terday. George. He wants to know
whether or not we want new grass
put in this spring.
G. W. — I hope you didn't advance
an opinion!
Mrs. Wickersham — I thought I'd
let you decide about that, dear. You
know we've been talking
G. W. — Well, I'm in favor of the
new lawn. You're in favor of it, too,
and the entire family is in favor of it,
as far as I am able to judge.
Mrs. Wickersham — Splendid! We
are getting somewhere at last. Shall
I tell him to go ahead with it?
G. W. — Yes, and no. Individually,
the family is in favor of it. but taken
as a whole, the Wickershams are
against the proposition — and you can
tell him that in a couple of years.
Jim Tully
(with all apolosies)
MRS. TULLY — Are you just get-
ting in, dear?
Tully — Hell yes, honey, and I
had one helluva time gettin' to this
shanty! Rode the rods on a Yellow
cab to the corner of Western and Wil-
shire, and had to hit the pavement.
Luckily, though I made the tail end
of a Cad limo without the dicks seein'
me. and rode the spare the rest o' the
way.
Mrs. Tully — I'm sure you must be
tired. What time is it. Jim?
Tully — Twelve o'clock! And if
that d — n clock strikes two times and
quits, like it did last night, I'll go
downstairs and rip the guts out of it!
Well!— I'll be a son of a — ! What's
that noise?
Mrs. Tully — It's only the cat, dear.
Tully — To h — I with gay-cats!
Here's where I red-light that vermin-
ridden feline!
Mrs. Tully — But Jim. dear, it's an
Continued on page 26
BLACK
ONE never forgets Haiti. It is a
"tropical adventure" of a most
marked nature. It is a romantic
isle, this green and golden place of
peaks and valley jungles.
Tawny sailed fishing vessels, owned
by black men from the Congo, float
in clusters in the harbor. The water is
the color of Indian turquoise. Stupen-
dous mountains overwhelm the town
of Portc-Au-Prince which sprawls up
across the sloping shore meadows.
Copper steeples thrust out above
rounded clumps of emeraude foliage.
Dwellings, candescent white in the hot
sunlight, intensify the tropical glare.
Walls border the narrow streets . . .
bouganvillia vines spread across the
roofs and mango trees are yellow with
fruit. Donkeys trot beneath immense
burdens and natives gather under the
sheltering blue-green fronds of banana
trees.
Pleasant fat negresses. with lambent
eyes and dusky faces, flirt with leopard
limbed youths. Laughter wells up
from all sides. Little children dart in
and out of the palm trunks, catching
lizards with their quick hands. Peace,
of the true variety, holds this place
enchanted. Dilapidated motor cars —
taxis — skip recklessly along the great
paved boulevards of the Champs de
Mars, their horns wildly honking.
MARCH, 1931
11
ISLAND
by Philip Nesbitt
The Champs de Mars is a Haitian
"Place de la Concorde," with its play-
ing fountains and grassy spaces. Bugles
blow from the military cantonment.
Soldiers march without sound in
wheeling rank and file. It is like an old
colonial print. Carriages bearing white
haired negro gentlemen, come squeak-
ily clopping up the black avenues.
Women in scarlet headgear rest
upon the grass beneath the tall statue
of Dessalines. He holds his sword
erect. Native superstition says, "should
the sword fall," "out" go the for-
eigners, violently! Strange currents of
barbarism flow under this tranquil
island. Murmurs of potential revolt
are sensed. When it does occur, it is
very effective. The flame of fury burns
terribly for a moment, and afterwards,
smouldering, charred palaces lie in the
sunshine!
EIGHTY miles from the scanty out-
posts of civilization, native vil-
lages exist in terms of primitive-
ness. The inhabitants may be likened
to the early agricultural peoples of six
thousand years ago, living on the
islands now called Palestine. Sim-
plicity is the order. So remote are these
blacks in the uplands of Haiti, that
many of them remain ignorant of the
fact of the United States. If they pos-
sess any information from the outside
world, it is only a word or two of
somepresidential assassination. Among
them, he who claims ownership of
a "shirt" (though it be a rag with
buttons attached) is risen high in life's
dignity. Infinite pride accompanies the
propertied man. They know little of
the "Political furor" of the towns.
To the half cultivated Haitian, the
thing we term "graft" is second na-
ture. To intrigue is to live. The play-
ing of power against power. Of little
importance whether the small people
are uprooted in the duration of the
game.
Foliage-covered ruins of French
Colonial plantations are still to be
found in the second growth jungle of
the Cape Haitian Valley. Snakes are
seen coiled in rusted molasses con-
tainers. Archaic machinery for crush-
ing the cane thrusts out of the green
verdure.
Christophes' "Citadel" covers a
mountain top near the Cape. Twenty
miles away, it seems incredibly huge.
That it is built by man is incon-
ceivable. It looms for hours, almost
above one's head, during the upward
Women, thin as famine refugees
climb. Napoleon's cannon point out
over the valley gulf surrounding the
fortress. These cannon were dragged
up the forty-five degree steep at the
rate of twenty men a mile. Even now,
with what improvements have been
made upon the trail, progress is diffi-
cult. Cannon balls are spilled like pills
from a box, about the various ter-
races of the fortification. Cisterns
vanish into black dungeons. Moldy
galleries drip with moisture as one
stumbles through them. In the black
soil of the crypts, one may kick out
the rusted locks of muskets, the stocks
of which have long since rotted away.
IN PORTE-Au-PRINCE, there is a
great native market place. Odours
by the score assail the nostrils, of
fish, meat, vegetables and all the edible
and almost unmentionable morsels
sacred to the native diet. Women, as
thin and modestly fleshed as refugees
from a famine, sit by the massive gate-
ways of the stalls, calling out their
trade song in cracked, strident voices.
Parrots and pigs are tied in bunches.
Chickens hang head down from hooks,
feebly lamenting their plight with a
rare cackle. Hundreds of brilliantly
clad natives mill about between the
counters. There is a teeming uproad of
rivalrous shoutings. Very evil smell-
ing piles of half tanned hides decorate
a portion of the market. Counters, ap-
parently endless, support an undiffer-
entiated burden of cereals and shoes,
hardware and toothbrushes.
The market is the native town hall.
All the vital issues of a social and
business sort are concluded here. Land
is bought and sold, for so many hun-
dreds of "gourds," wives are selected
and children born, in this vast shelter-
ing shed.
Natives walk twenty and thirty
miles in order to sell their wares at
the market. They go without shoes
over the hard, rocky trails, assidu-
ously carrying their footgear in the
belt, preserved against the time they
might arrive in town. They never
know fatigue. At nightime, they
sleep by the roadside in the slight
glare of tiny coal-oil lamps.
The real Haitian is the simple
"Black," not the half-native-half-
French variety, and upon him the
eventual survival depends. Like Tahiti
and Bali, Haiti is a chosen place for
the adventurous minded mortal. It
offers a refuge from the furor of North
America.
THE SAN FRANCISCAN
MARY DUNCAN
MARCH, 1931
Spotlight
Drawing Attention to Both a Play and a Talkie
OUR dramatic adventures this
past month have fluctuated be-
tween the sophisticated unmor-
ality of Topaze to the knock-down-
and-drag-out criminality of Little
Caesar. The advance notices of To-
paze whetted our appetite for a good
show. With such names as Alan
Mowbray, Mary Duncan and Henry
Kolker spread before us it seemed as
if the play would have to be pretty
bad to be a flop. We were not dis-
appointed, for the play was as good
as the actors who interpreted it. We
had heard vaguely that it was a crook
play so when the curtain rose upon a
school-room in a boys' school in
France and we discovered what was
listed on the program as our old friend,
Alan Mowbray, in pale and slightly
ragged whiskers, teaching the young
idea all about the beauty and glory of
ethics we thought for a moment that
we had stepped into the wrong theater.
But. as the play progressed with com-
mendable leisure and the young in-
structor began to feel the slings and
arrows of outrageous insincerity sur-
rounding him we had a sense of the
direction in which the drama was
heading.
There was only one point on which
we remained sceptical. If Monsieur
Topaze had merely been a young
idealist we might have been more con-
vinced of his turn-about-face in the
last act. But he was not only a young
idealist but a complete fool in the
bargain. Idealism is curable but a
complete fool usually remains a com-
plete fool to the end of the chapter.
There are those, doubtless, who will
maintain that foolishness and idealism
are synonymous. To this we have no
Mary Duncan's chaiming work with
Alan Mowbray made "Topaze" one
of the smartest plays of the season.
Miss Duncan, remembered here for
her melodramatic characterization of
Poppy in "The Shanghai Gesture,"
has proved that she is capable of por-
traying not only beautifully but bril-
liantly drawing room roles. Rumor has
it that Miss Duncan will play Eugenie
Lentovich the Russian dancer in the
West Coast production of "Grand
Hotel."
by Charles Caldwell Dobie
answer. But Monsieur Topaze's lack
of wisdom included inefficience. A
man who could not keep order in his
class-room would seem to be poor
material for keeping order in a politi-
cal grafting ring. But, this is all cap-
tious. Maybe Monsieur Topaze was
only simulating idiocy. Which proves
him a cleverer man than any of the
crooks which surrounded him. At all
events, fools are always dangerous and
in this Monsieur Topaze proved to be
no exception to the rule.
Henry Kolker made the character
of Castel Benac so diverting that we
felt something of a pang at his final
exit covered with the ignominy of
being outwitted by his pupil. We
think that he would have been vastly
more entertaining as a companion in
the long run than the frankly humor-
less Topaze. Even if we were inclined
to concede that an inefficient fool
might achieve the technic of crime
overnight we feel certain a man lack-
ing humor remains always without
that saving grace, as we are sure Suzy
Courtois discovered as soon as the
novelty of a new lover wore off.
As for Suzy Courtois, she seemed
a figure needed to making certain me-
chanical wheels of the drama go
around. Likewise, her costumes added
a note of chic that lit up even the
monotony of a provincial class-room.
But here the matter ended. We heard
several people in the lobby expressing
disappointment at Miss Duncan's per-
formance. They had remembered her
as the flaming Poppy of "The Shang-
hai Gesture." But, when we pressed
them to be specific, they broke down
and confessed that Miss Duncan had
squeezed all there was out of the role
of Suzy Courtois. The character is a
mere mannequin, invented to delight
the audience's as well as Mr. Topaze's
eye. And it provides certain motives
for the males surrounding it. As a
matter of fact. Topaze is a play about
men. The females of the species who
walk on are purely mechanical con-
trivances.
Frank Dawson gave an admirable
portrait of a kind-hearted school-
master and later on in the play there
entered a suave old villian quite too
perfect to seem anything but the real
thing. But in the confusion of names
on the program we unhappily cannot
locate either the character or the fine
13
actor who assumed it. For the benefit
of distracted critics we wish they
would revive the old custom of fol-
lowing the name of the character with
a slight description of his place in the
drama. For instance: John Jones, the
village grocer. Estelle.his wife. Harold
Philanderer, in love with Estelle, etc..
etc.
We have only one slight criticism
of Mr. Mowbray's performance and
that relates to make-up. We think he
would have been much more con-
vincing in the last act if he had worn
a smartly trimmed vandyke or at least
a mustache. Through the first scenes
we had been surrendering to the spell
of Monsieur Topaze until he seemed
a live person. Imagine our surprise
when in the last act Mr. Alan Mow-
bray came bounding on the stage! It
is one thing to have Monsieur Topaze
change his morals but quite another
to have him turn into Alan Mowbray.
Not that we do not find Mr. Mowbray
a diverting figure, also. But we were
not prepared for him, and the surprise
amounted to a shock.
A DULL holiday afternoon took us
to the Paramount to see Little
'Caesar. We went expecting to
be bored as is usually our fate at cur-
rent movies. In such cases we have
only one hope and that is that the
main feature will be followed by a
Mickey Mouse film. But on this occa-
sion there was no Mickey Mouse film
and in justice to Little Caesar and
Edward Robinson who plays him.
we must confess that we didn't realize
the deficiency until we got home. All
of which means that we sat on the
edge of our seat thrilled to the core.
Little Caesar is our idea of a perfect
talkie. It has swift action, melodrama,
a mere dash of sentiment and practi-
cally no sob-stuff. We say a mere dash
of sentiment, forgetting that it was
sentiment that finally wrecked the
career of "Little Caesar." At the mo-
ment when he couldn't bring himself
to pull a gun on his former pal his
career was over. The strength of
tyranny lies in complete ruthlessness.
Any dictator that can't "dish it out"
to the person he loves best has his
tombstone already ordered. Mr. Rob-
inson is a great actor. He is no stage
beauty but there is a compelling some-
thing in his eyes that gives his per-
sonality a flame. After seeing him in
Little Caesar we check up another ex-
ception to the general rule of banal
screen achievement.
THE theatrical woods are thick with
gossip of projected Coast produc-
tions of Broadway successes. Al-
ready Once in a Lifetime has started
Continued on page 34
14
THE SAN FRANCISCAN
Yesterday s Opera .... Today s Opera House
by Harris C. Allen A. I. A.
WITH the resumption of excava-
tion work, in the latter days
of January, within the two
square blocks bounded by Van Ness
avenue, Fulton. Franklin and McAl-
lister streets, San Francisco's War Me-
morial and Opera House Buildings are
at last on the way to actual construc-
tion.
To the music lovers of San Fran-
cisco the Opera House is the fulfillment
of a long standing hope. It is, as well,
the perpetuation of a splendid tradi-
tion, for San Francisco is a city whose
love for and generous patronage of
opera dates back to its earliest rough
and ready mining camp days. From
old files of The Golden Era, the city's
first literary weekly, founded in 1852,
it is established that San Francisco's
first operatic performance was held in
the fall of 1852, in the American
Theatre, Sansome and Halleck streets.
It was not a complete operatic presen-
tation, as it consisted only of arias and
selections from the better known op-
eras, but for the time and place it was
a remarkable beginning.
The town was then hardly more
than a makeshift trading post for the
mining camps of the Sierras. The gold
rush, which had begun in 1848, was
still in progress. Between December,
1849, and June, 1852, the city had
Editor's Note: We are pleased to present this
non-technical account of the opera house, writ-
ten by one of San Francisco's most distinguished
architects.
been swept by six fires, which quickly
consumed its flimsy construction. But
after each fire the town was promptly
rebuilt, and it is a point to mark that
its theatrical buildings were replaced
as first thoughts, rather than incidental
last thoughts.
The guest artist in the previously
mentioned performance of 1852 was
Katherine Hayes, New York soprano,
who came by steamer, via the Isthmus
of Panama. She was met at the wharf
by a large crowd and the city's volun-
teer fire companies in full dress regalia,
and escorted to her hotel. To thwart
the plans of ticket speculators the man-
agement of the theatre auctioned off
the choice seats. Bidding started at
$50.00, ran to $100.00, then to
$200.00, $250.00 and $650.00. To
the Empire Engine Company a seat
was knocked down for $1 150.00, the
highest price paid. The house was
packed from pit to dome and Miss
Hayes was greeted thunderously. She
gave an indefinite number of encores,
and to reward her the stage was show-
ered with gold pieces and small nug-
gets.
THE OPERA HOUSE
A rendering
by Francis
Todhunter of
an architec-
tural drawing
of the San
Francisco
War
Memorial,
consisting of
OperaHouse,
Veteran's
Building and
Memorial
Court.
I
N 1859 a complete presentation of
// Trovatore was given — the first
performance of its kind in San Fran-
cisco. It was directed by one Signor
Bianchini, who had set up as the young
city's musical mentor and director. To
him goes the credit for giving San
Franciscans the musical and opera
habit. Signor Bianchini made them
such ideal and responsive audiences
and patrons that New York and Euro-
pean artists were willing to make the
arduous, tiresome thirty-day steamer
trip from New York via Panama to
appear in an isolated town on the edge
of the wilderness, three thousand miles
from the national cultural center, and
until 1869, having no rail connection
with that center.
San Francisco's operatic and musi-
cal life of the 1860s, '70s, '80s and
'90s was equally remarkable, but here
we have not the time or space to treat
it in detail. Since the fire of 1906,
there have been times when it seemed
the vigorous old tradition was doomed
to die. But with the formation of the
present Opera Association in 1923,
with a permanent Opera House so near
realization, this possibility definitely
passes.
The War Memorial site, having
been paid for, funds for actual con-
struction are approximately $5,100,-
000. The public is now naturally
interested in knowing what it is going
to get for this $5,100,000. The Me-
morial calls for two buildings, front-
ing upon a Memorial Court, dedicated
to the men of San Francisco who gave
their lives in the Great War. One
building will provide office and recrea-
tional facilities for all of the city's
organizations whose members partici-
pated in the Great War, Spanish Amer-
ican, Indian or any other war waged
by the United States. It will be known
as the Veterans' Building. This struc-
ture will also contain an art museum,
which will fill a long felt need for a
down-town, centrally located gallery
to replace the old Mark Hopkins Insti-
tute Gallery, destroyed in the fire of
1906. The second building, the San
Francisco Opera House, will contain
both an opera and symphony hall.
Approved plans for the War Memo-
rial Buildings are in a classical Renais-
sance style, the style of notable public
and memorial buildings throughout
the world by reason of its dignity,
logic, grace and strength. It is the style
in which the City Hall is designed, and
thus the entire scheme — the Opera
Continued on page 26
MARCH, 1931
15
Views and Reviews
of Current Books and
Publications in
General
by Fritoff Michelson
IN THESE days of stock market
crashes and ensuing depression,
when last summer's tweeds are the
vogue rather than the exception, it is
a God-send to find in the list of new
spring books a message to placate the
holders of deflated stocks. This and
more is The Fifth Son of the Shoe-
maker by Donald Corley (Robert M.
McBride 8" Company) .
It concerns an old Muscovite cob-
bler. Ivan Mestrovic. who is sure that
"gold was once not the price nor the
penalty nor the scourge of living, but
only the sun shining on a beautiful
wall." It is also about five sons — par-
ticularly Pyotr, the fifth.
Mr. Corley weaves philosophy,
myth, the dancing of little children,
seduction, song and samovars together
with an easy shuttle. He becomes too
drunken at times with the fabric of
words to be strictly coherent, but the
pattern is as colorful as it is complete.
When one reads in the same book
such things as fairy queens and settle-
ment houses: golden slippers and the
dance of life of New York (composed
by a young man and played on an old
violin) ; the insecure heart of Tora-
linda. a puppet doll: east side cellars,
grapevines in Capri, little hurdy gur-
dies. and a too large bite of the apple
of Hesperides . . . when one reads of
these seemingly divergent things in
the same book one says that the plot
is unique.
One hesitates to mention Cinderella
because she is likely to be associated
with Pollyanna and the dust of a less
incredulous decade, though there in-
controvertibly was a Cinderella who
danced for New York while Pyotr
played. That was after Lucinda opened
the magical door to music and Marya
threw wide the windows of her mother
love: after Dorsee awakened the mate
cry within him and Altierce answered
it — partly. It was also after Nischka,
the opera singer of the little feet and
the big heart, told him in a faint Italian
dawn, "Do not think of me in other
places — except as a simple Priestess of
Isis."
The author quotes from an old
Norcisle fire tale: "This is a story of
a poet-fool and an Eft-Princess who
could listen, passibly well, and the
WILL
DYSON
GUMP GALLERIES
shoe of a one-footed giant in which
they sailed, quite without a rudder,
until they came to a port of tarry and
lingered there a while."
In a modern phrase, Mr. Corley
takes a poke at the machine age. It is
well worth turning off your radio to
read.
The Light That Never Was
By Katherine Fullerton Gerould
(Charles Scribner's Sons, $2.00)
IT IS sometimes unpleasant to stand
off and throw stones at an old idol,
but Katherine Fullerton Gerould
has made it necessary to release a few
missiles. It might be argued that witch-
burning is out of date, but it can't be
said that Mrs. Gerould does not stand
convicted of money-changing in the
temple. She who holds a high position
in the literary temple did not win her
spurs by The Light That Never Was.
"Vain Oblations." among others, and
the stories that have appeared in
O'Brien's Anthology have heretofore
characterized her work. Now she "de-
velops, with brilliant dialogue, a love
duel that is both modern and roman-
tic."
The title of the tome. The Light
That Never Was. is entirely descrip-
tive of its contents. It concerns the
almost suggestive love pangs of a flap-
per who is fortunate enough to have
the attention of two males: an ailing
aunt and a vindictive cousin. In the
end we see Lydia. our orphan heroine,
"When I Have Failed"
by Vaushn Francis Meisling
When I have failed the thousandth time
To capture Beauty in my net,
I shall sit down and laugh awhile
(For smaller loss let others fret);
Then I shall sleep, and dream of her
And thousand ways to catch her yet.
Our Younger Novelists: Why don't you publish too?
doing the identical thing she set out to
do in the beginning — she marries her
first love.
It is not unlikely that economic
pressure has forced Mrs. Gerould to
attempt a best seller. If so. it might be
suggested that she take the time to read
Harold Bell Wright before she tries
again.
If the book is intended to be a satire,
that should be stated on the cover.
John Marsh. Pioneer
By George D. Lyman
(Charles Scribner's Sons, $3.50)
HERE on the Pacific Coast, the last
American frontier, we are likely
to hear so much about the early
days, before and after the gold rush,
that we wave the subject aside with a
jejuned gesture and a sigh. But Dr.
George D. Lyman, child specialist of
San Francisco, in his book "John
Marsh. Pioneer" has concocted an anti-
dote for such a sentiment. The direc-
tions for taking it are simple. Read
the first two or three chapters, feel the
vital force that is John Marsh and your
ennui miraculously turns to interest.
It is smooth sailing from then on, ex-
cept for a few barren spaces where the
author's information (based entirely
on source material ) was inadequate to
make the tale live.
It is a well-handled account of John
Marsh's adventures on six frontiers.
He begins in Danvers. Mass., graduates
from Harvard in 1823, goes on to Fort
St. Anthony and Prairie du Chien in
the upper Mississippi River wilder-
ness. There he lived and fought with
the Indians and later married a French-
Indian girl by whom he had a son. He
was the first school teacher in Minne-
sota, traded in furs, and for a time ran
a store that ended in bankruptcy. He
followed the Santa Fe trail to Cali-
fornia where he bought land, became
Continued on page 29
16
THE SAN FRANCISCAN
DOMINGA RUSSELL
Daughter of Mrs. Atherton Russell
and granddaughter of Mrs. Ger-
trude Atherton, Miss Russell was
one of the season's most charming
and popular debutantes. She has
now Forsaken San Francisco society
and has become Sister Dominga of
the Dominican convent at San
Rafael.
MARCH, 1931
Facing the Music
WITH opera once again uppermost
in our minds, the raging contro-
versy as to its present artistic
status is by no means an idle subject
to talk about. "Opera is no longer
wanted," and "Opera is the greatest
art form in existence," are battle cries
with which we are all familiar. For
that matter so were our parents and
probably our grandparents, yet the
Lyric Drama has managed to survive
most of the onslaughts of those who
see in it nothing but a monstrous
anomaly.
Opera is probably one of the oldest
art forms in existence. Its beginning is
shrouded in that dim past when
Greece was the mistress of all arts and
Athens the greatest jewel in her crown.
Its first librettists were Aeschylus and
Sophocles and its earliest orchestra a
band of lyres and flutes. For there
seems little doubt that most of the
choruses in the great Greek dramas
were sung to the grandest music pro-
duced at that time, and that much if
not all of their dialogue was musically
declaimed. And it is exactly because
of this that unmusical critics of all
times have censored opera in the firm
conviction that musical dialogue is
contrary to nature. Yet these same
critics will extol the virtues of Shake-
speare as the greatest dramatist of all
times and are more than likely to
drown in a sea of laudatory adjectives
after witnessing a play by Eugene
O'Neill. They refuse to understand
that opera in its best form is no more
inconsistent than the average drama
they praise so highly. W. S. Rockstro
in his article on opera says: "The
poet writes his tragedy in verse be-
cause he thereby gains the power of
expressing great thoughts with the
greatest amount of dignity that langu-
age can command. His verses are sung,
in order that they may be invested
with a deeper pathos than the most
careful form of ordinary declamation
can reach. No one objects to the iam-
bics of the 'Seven against Thebes,' or
the blank verse of 'King John' ; yet
surely our sense of the fitness of
things is not more rudely shocked by
the melodious 'Ah! soccorso! son
tradito!' uttered by the commanda-
tore after Don Giovanni has pierced
him through with his sword, than by
the touching couplet with which
Prince Arthur, at the moment of his
death, breaks forth into rhyme —
'O me! My uncles spirits is in
these stones:
by James Hamilton Fisher
PAUL ROBESON
reproduced from the small bronze
by Annette Rosenshire exhibited
by Courvoisier.
Heaven take my soul, and England
keep my bones!' '
Obviously, the conventionalities of
every day life are violated no less in
one case than in the other. Yet the
violations in the opera as well as the
play are, after all, only artistic con-
ceptions and therefore as defensible as
the coloring of a picture which may
not be a faithful imitation of nature
though based on natural ideals. And
so it is important that we establish
this contention very clearly before we
discuss the present artistic status of
opera, for in it lies the very "raison
d'etre" of the Lyric Drama.
ALEXANDER FRIED in his Sunday
column "The Sounding Board"
^ recently reprinted an opinion on
opera voiced by GiacomoLauri-Volpi,
Metropolitan tenor, to the New York
Telegram in which the singer deals
at least with one of the many operatic
foes. Says he: "If I may be forgiven
for being frank and perhaps a little
unkind, may I point out that those
singers who have been trumpeting
their abandonment of opera and de-
claring it ready for burial have them-
selves little left to give to opera? It is
they who are dying — artistically —
not opera. Their period of usefulness
17
is over, so far as grand opera is con-
cerned."
Which disposes in one fell swoop
of all who, after a life time or an
initial trial in opera see the end of
their trail of success and resent its
further existence without them. Harder
to deal with, however, than the selfish
opinions of worn out singers are other
factors which in recent years have
threatened, if not the life, at least the
happy existence of opera and all it
stands for.
It is impossible at this time to chase
each one to its lair. Many would dis-
appear automatically if those, who
through money prestige have become
the custodians of this art form, would
think more of opera than their own
social advancement. Others are deeper
rooted and more pernicious because
they strike at the very foundation of
opera — the poetic and musical con-
ception of a drama.
And it is in the ignorance of the lat-
ter that we find the real pitfalls which
threaten the successful continuance of
this art form. For instance: Artur
Bodanzky, high priest of the Metro-
politan Opera, and conductor of the
Society of the Friends of Music of
New York, in a recent speech de-
clared that he was no longer afraid of
the talkies as a menace to operatic art.
Says he: "Talkie and opera are two
distinctive arts. They can exist side
by side. We need not fear the screen.
It can never capture the direct appeal
of personality of artists, face to face
with an audience." Perhaps he is right.
At the other hand his words are only
a slight variation from those uttered
by a number of stage producers when
the silent screen was considered a
menace to the theater. Ask yourself
what happened to the theater since
that time. No, Signor Bodanzky, if
the talkies were a distinctive art, your
words would be true. But they are
not. They could be, but that fact
doesn't make them so. The motion
picture industry is a parasitic growth
on all other art forms simply because
with them to feed on, their financial
success is more or less assured. A dis-
tinctive art is a creative art, and the
movies never have, and in all prob-
ability never will, be that. They can't
afford it. If they were they would be
on a par with all other art forms,
financially, which obviously they are
not.
And so we are up against this
curious situation where the parasite
gives color to the body it feeds on.
Go for instance to the Fox Theater
and listen to one of Walt Roesner's
operatic parodies. Recently he pre-
sented what I believe were three hotch-
Continued on page 31
WARREN CHASE MERRITT
Port o'Ca
An Account of San Francisco's Shipping Activities
by Lucrezia Kemper
Other than a landing place for a
few fishermen and hide droghers, little
use was made of the great safe harbor
for the next 65 years. The wind-swept
dunes that surrounded the bay were
uninviting and seemed uninhabitable.
But that which caused men to search
for it for three centuries drew men to
it after discovery.
In 1835 Spain proclaimed the Em-
barcadero of Yerba Buena a port of
entry, and appointed Captain William
A. Richardson its first harbor master.
He is the solitary settler described in
Dana's "Two Years Before the Mast"
— "living in a canvas tent stretched on
pine posts and carrying on a small
trade between the hide ships and the
Indians."
THE first traffic on San Francisco
Bay was a raft built and operated
under the direction of Commander
Arguello. This raft brought lumber
from Corte De Madera via Carquinez
Straits to the Presidio of San Francisco.
On its first trip, due to the inefficiency
of its crew, the craft barely escaped
wreckage in Racoon Straits.
Not discouraged by this ineffectual
beginning, Captain Richardson began
sailing two schooners for the trans-
portation of hides, tallow and wheat
between the settlements on the bay
and the Port of San Francisco.
Commerce, whose halo San Fran-
cisco has always worn, slowly began
drawing the ships of all nations to the
harbor. It was here, in 1816, the Eng-
lish sloop Raccoon while awaiting
cargo, heard the news of Waterloo.
Eleven years later, the French frigate
Artimesia, seeking tonnage unfurled
the first tri-colors to be seen within
the Gate. In 1841 flying the Stars
and Stripes, the Warship San Luis was
the first of all America's great fleet to
drop anchor in the bay.
SINCE the day of the conquisita-
dores, romance, commerce and
finance have been closely inter-
woven with the history and develop-
ment of California, and more par-
ticularly with San Francisco and her
harbor. Commerce came first, brought
by the hardy Russians when they
sailed from their settlement in Sitka,
Alaska, to the coast of California,
there to indulge in a brisk trade with
the natives for hides, furs and tallow.
With them, these Russians brought
romance to run like a bright thread
through all the history of early Cali-
fornia and likewise they brought a
medium of exchange.
Even before these adventurous
traders began making their annual
pilgrimages in the interest of com-
merce, the Spaniards were busy with
their explorations and merchandising.
In the dim light of the 16th and
1 7th centuries the shadowy sails of
Spanish galleons, on their yearly mis-
sions of treasure-bearing from Manila
to Acapulco, Mexico, skirted the coast
of California. Though searching for
a safe harbor on that coast, they were
not rewarded until a century later.
At the same time almost in the very
entrance of the harbor, yet without
locating it, lingered the world's great
pirate-ships waiting for the treasure
galleons that they might strike swiftly
and vanish with the gifts of the
Orient.
The discovery of the Bay of San
Francisco was to be the reward of that
dashing Lieutenant Don Juan Manuel
Ayala. It was he, the first of all the
west-bound Argonauts, in his trim
frigate Toison De Ore — "Golden
Fleece" — sometimes called San Carlos,
who in 1775 pierced the gray fog of
the Farallones to enter the quiet waters
soon to be called "Chrysopylae," or
Golden Gate.
THE SAN FRANCISCAN
It was not until the late
40's shipping men became so
bold as to venture 'round the
horn with a passenger vessel.
But with demand came ser-
vice. In 1846 the first passen-
ger carrying vessel the Brook-
lyn with 238 aboard under
the protection of Samuel
Brennan sailed in through the
Golden Gate bound for Ore-
gon Territory from New
York. Where they had ex-
pected to find Spanish soil
they met their own flag. For
twenty days before their ar-
rival— July 9, 1846 — Cap-
tain Montgomery of the U.S.
Sloop Portsmouth had hoisted
America's Stars and Stripes
over what is now Portsmouth
Square.
In 1845 the principal industries of
California were wheat ranching and
cattle raising. Furs provided a lucra-
tive business in the Northwest. These
activities caused men to migrate west-
ward that they might participate in
them. With the slow moving emigrant
trains moved the demand for news
from home. It was this demand then
which in 1845 caused the people of
the West to petition the United States
Postal Department for the establish-
ment of a mail service between New
York and Oregon by way of Panama
and San Francisco.
Congress granted the petition and
authorized the opening of the new
mail route. The Pacific Mail Steam-
ship Company was founded with a
government subsidy of $200,000 a
year for carrying the California and
Oregon mail.
The first of the company's fleet of
three vessels, the 1050-ton wooden
side-wheeler California left New York
at noon October 5, 1848. She docked
at Clark's Point February 28, 1849
with 250 passengers, some cargo and
a handful of mail just as gold had
roused San Francisco from her age-
long lethargy. Passengers and crew
alike deserted the ship and rushed to
the gold fields.
THE bay of San Francisco had
awakened. During the next two
years in the first hot flush of the
gold fever, hundreds of ships sailed
through the Golden Gate to disgorge
thousands of gold-crazed immigrants
into the desolation that was then San
Francisco. From the holds of these
same ships came tons of every needed
commodity that life might be main-
tained, for at that period California
supplied only gold. Captains and
MARCH, 1931
crews deserted their ships for the siren
song of the ore-body, and the bay of
San Francisco became a great forest of
masts and rigging. Gradually old
hulks rotted and fell to pieces while
their owners in the East fretted and
fumed or came westward to reclaim
them, only to forget their mission
when they neared the magic of pan
and shovel.
THUS the harbor of San Francisco
came to be built on ships both
figuratively and literally. Ships
housed its commerce, ships formed its
foundations, and ships carried its gold
away and brought back passengers,
money and merchandise.
Down under the sands of what is
now the financial district of the city
lie buried the hulks of worn-out ships.
Ever and again the steel tooth of a great
dredger bites into the rotting timbers
of a long-forgotten vessel when ex-
cavating that tall buildings might arise.
It is then old, old-timers, gather and
reminisce over the remains of a sloop
or clipper torn from her sleeping.
It was an old discarded scow that
served as San Francisco's first bank.
A scow that had been pushed ashore
at what is now California and Battery
streets. Upon its deck a group of men
established a regular exchange, deposit
and forwarding business. The propel-
lor-boat Sarah Sands was one of San
Francisco's first lodging houses, and
the brig Euphemia the first prison.
The Apollo and the Niantic served
first as depots of merchandise and later
as saloons. Other of the deserted ves-
sels became homes and still others fire-
wood.
The iron hulk of the revenue
steamer James K. Polk was beached at
the foot of the bluff, where Vallejo
street intersects Battery, to become the
first real passenger landing stage in
San Francisco; a wharf de luxe of the
early days. It was here the California,
the first mail ship from the East, was
anchored.
Early California shipping was
varied and dependent upon many
things aside from the whims of man.
Shortly after the discovery of gold
when San Francisco sprang overnight
from a desolate village beside a quag-
mire to a virile young city by the sea,
"gas lighting" was introduced to the
populace. To make this gas it was
necessary to import coal, and a lively
three-cornered trade between England.
Australia and San Francisco grew out
of this need. Ships loading merchan-
dise in England would exchange their
cargo in Australia for coal which they
carried to San Francisco where it was
exchanged for wheat to be taken to
Continued on page 28
Lonely
by Leslie Connor Williams
EVERY morning the cable car gave
Fletcher leisure and detachment to
consider the curious inconsistency
of life. During the weeks after Adele
and Rosemary left for San Diego the
morning ride to the office became a sort
of respite — twenty minutes when no
one would speculate about his affairs
or offer well meant sympathy.
His wife had complained that there
was too much fog in San Francisco.
Rosemary needed sunshine. She and
the child would spend the summer
with her mother in San Diego. Next
winter — perhaps ....
Lewis, jogging along in the cable
car, staring somberly at his fellow pas-
sengers, tried to think it through.
Eight years of marriage — glamour,
disillusionment, adjustment, indiffer-
ence— he suspected that he and Adele
had quarrelled less, suffered less than
many of their friends. But they shared
little except the externals of life. Adele
resented any efforts he made to share
the child. Rosemary had always been
her baby. And now — if she chose
never to come back to San Francisco. . .
As the weeks went by, Lewis was
increasingly convinced that she would
not come back. He stifled his loneliness
and the sense of a disaster he could not
avert by watching the people who rode
with him on the cable car. The car
ceased to be merely a conveyance be-
tween apartment and office and became
a miniature stage where he as a specta-
tor could analyze other people's emo-
tions and forget his own.
Although they exchanged no signs
of recognition, he began to feel ac-
This view of the docks at China
Basin, where the M. S. San
Francisco lies ready for its voy-
age direct to Hamburg, and the
waterfront scene on the oppo-
site page are reproduced from
sketches by Warren Chase
Merritt, San Francisco mural
painter.
19
quainted with the men and women
who boarded the cable car every morn-
ing, so regularly that he knew at which
corner to look for many of them.
There was the belligerent young man
who jumped on at Fillmore, the pert
little girl — evidently a stenographer —
who giggled and pushed her way into
the crowded car at Franklin Street, the
cripple waving his crutch at the con-
ductor from the curbstone and hob-
bling through the traffic at Van Ness.
A curious reticence kept these people
from speaking to each other. Lewis
liked to watch for the quick glance of
recognition, veiled immediately by
caution. It amused him. The squeam-
ishness of city proprieties seemed ridic-
ulous enough, seen from the perspective
of his loneliness.
San Francisco was home for most of
them. The cable car was an incident in
the morning routine, almost as closely
a part of their lives as the lunch counter
or the telephone calls which would
involve them when they hurried from
the cable car to office desks.
Yet Lewis found himself hampered
by petty convention as rigidly as the
other men and women, physically
crowding each other so close in the
rush hour of traffic, socially keeping
each other at vast distances.
A GIRL he saw and came to watch
for every morning brought him
this recognition of his own limi-
tation. She was tall and slim. The
hat she wore shaded her eyes. This
bothered Lewis a good deal. Her eyes
were beautiful; but the hat made it
hard to see whether she was glad or
sad. At first, Lewis kept hoping she
was not so sad as her wistful mouth
seemed to indicate.
Continued on page 23
20
THE SAN FRANCISCAN
Exotic color has been lent the artistic social life
of San Francisco by the advent of the beautiful
young Senora Frieda de Rivera who accompanies
her distinguished husband, Diego Rivera, now
painting frescoes in the California School of Fine
Arts. The portrait is by Edward Weston of
Carmel.
SENORA FRIEDA DE RIVERA
TOM IHH 4.1 AS
Tom Douglas is one of England's most popular
juveniles. He was recently seen in San Francisco
with Elsie Ferguson in "Fata Morgana" and with
Mrs. Patrick Campbell in "Ghosts." Mr. Doug-
las has "gone Hollywood" and has accepted
a five year contract with Universal. Later during
his stay in California he will be seen again in San
Francisco with productions originating on the
Pacific Coast. With the success of Mr. Curran's
"Topaze" and "The Apple Cart" as precedent,
one is justified in looking forward to performances
of outstanding merit in presentations which dare
stand up under strict comparison with New
York's offerings.
MASCH, 1931
assing onows
Sh.
"MNCISCl 21
/ I ' ! I
and a few pertinent sidelights
by Aline Kistler
ART has "gone society" in San
Francisco. Rather, society has
* decided that the galleries once
more deserve the official lorgnon. After
a lapse of many years, when only the
more courageous of "the people that
count" joined the more or less frayed
ranks of gallery goers in San Francisco,
the tide of social approval has turned
and now it is quite the thing to drop
into an art gallery during the after-
noon.
It is difficult to trace the turn of the
tide in detail. It would be vain to at-
tempt analysis of origins. Enough that
an increasingly impressive number of
sleek motor cars with correct chauffeurs
have parked outside the Legion of
Honor during lectures and other special
events; the Beaux Arts teas have as-
sumed the air of intimate soirees with
guest lists watched by the society news
writers ; the opening day of exhibitions
in downtown galleries has become a
social event that one must have at-
tended to hold up conversation that
evening at dinner; and the opening of
a new gallery has been made definite
occasion for celebration.
For years it was one of my delights
to slip into a gallery unobserved, enjoy
the exhibition quite by myself and step
CURRENT EXHIBITIONS
Abdy — March 16 to 30, Courvoisiers — water
colors and pastels by Rowena Meeks Abdy.
Albro— To April 2D, Legion of Honor Palace —
paintings and drawings of Mexican life by
Maxine Albro.
Angelo — March 16 to 30, the Art Center — paint-
ings and drawings by San Francisco illustra-
tor, Valenti Angelo.
Arkatov — March 23 to April 4— camera studies
of world notables by Dr. Alexander Arkatov.
Bakos— To April 8, Legion of Honor Palace —
water colors by Josef Bakos.
Brissey — To March 16, the Art Center — water
colors by Forrest Lee Brissey.
Casey— To March 15, East-West Gallery — retro-
spective exhibition of work by John Joseph
Casey.
Chagall— -To April 20, Legion of Honor Palace —
paintings by French modernist, Marc Chagall.
American Etchers— To March 21, Paul Elder —
etchings by Josef Pennell, Bror Olssen Nor-
feldt and Earl Horter.
Baltekal-Goodman— To March 30, Gruen's Stu-
dio— wood engravings and pastels by Michael
Baltekal-Goodman.
Krasnow — To April 20, Legion of Honor Palace
— paintings, drawings, woodblocks, pastels and
sculpture by Peter Krasnow.
Nisbit — To April 10, California School of Fine
Arts— water colors by C. Bachelder Nisbit.
No-Jury — To March 30, Berkeley Art Museum
— Third Annual No-Jury by Berkeley artists.
Oldfield— To March 21. Gallerie Beaux Arts-
water color drawings by Otis Oldfield.
1931 Prints— To March 21, Gallerie Beaux Arts
American prints of 1931.
Sauter — To March 16, Vickery, Atkins and Tor-
rey — water colors, lithographs and drawings
by Rudolf H. Sauter.
Shore — To March 16, Legion of Honor Palace —
paintings and drawings by Henrietta Shore.
SELF PORTRAIT
by Otis Oldfield who
will leave the latter part
of March for Alaska on
a fishing boat to gather
material for painting.
His water colors are now
on view at the Galerie
Beaux Arts.
during the past month, the one that
out again refreshed by a few minutes
of comparative solitude. Such is no
longer possible. The galleries of San
Francisco have been spoiled for secret
rendevous. I am afraid before long I
shall even have to wear gloves.
THE opening of the new Courvoisier
Gallery in the quarters formerly
occupied by the Post Street Book
Store was an event of late February.
Unusual interest attended it because it
marked the transition of a very small,
young, balcony gallery into a ground
floor establishment with adequate space
to show paintings as well as the water
colors and prints that were presented
in the former Little Gallery. The social
interest in the opening may have been
heightened by the presence in the gal-
lery of paintings by James Swinner-
ton, president of the Bohemian Club,
but the art interest will be far better
sustained by the showing of water
colors by Rowena Meeks Abdy which
opens the 1 6th. These water colors are
fine. In them Mrs. Abdy has painted
strongly and with clear insight. She
has utilized the landscape of Italy and
of California with telling effect, re-
casting her impressions into coherent,
meaningful paintings. For the first
time, she shows a few pastels. These
are well handled but have not the
strength and surety of her water colors
where years of development have given
her a directness not easily gained in a
new medium.
Ten thousand people are reported
as having attended Edward Bruce's
show at the Gump Galleries — I can
well believe that half that many were
there the opening day for I had need
for slenderness to make my way even
half way round the room. Everybody
was there and by that I mean "Every-
body." that mythical group meant by
those whose intimates are the goal of
social aspirations. Edward Bruce came
to San Francisco backed both by an
international reputation and by wide-
spreading California family connec-
tions. His paintings are best described
by his own phrase of "classical real-
ism." He is interested primarily in the
actual hills, trees, houses and other
forms in the landscape he sees and these
he casts into compositions of classic
mold. Bruce is highly American. He
believes in home products, the might
of America to get what it wants, and
the ultimate attainment of general
good taste. In fact, I might have
doubted the complete metamorphosis
of practical business man to impractical
artist had he not advocated the solu-
tion of the unemployment situation
by means of a revival of the aesthetic
crafts. His paintings will remain on
view the rest of this week, having been
held over for four weeks that all who
wished might come to see. Monday,
these paintings will be replaced by a
group of work by contemporary Irish
painters.
Gallery attendance is an interesting
barometer of public attention but it
seems to have little correlation to the
actual acquisition of works of art by
San Franciscans. Often one finds that
the exhibition most generously at-
tended finds fewest people who wish
to add its contents to their own pos-
sessions. In fact it is no better indica-
tion of response to art than is publicity.
One of the most successful exhibitions
Continued on page 24
22
Moaning at the Bar
by Brookes
Being a somewhat senti-
mental lament at the pass-
ing of Tilden and Jones
from amateur ranks, and a
brief biographical sketch
contrasting these two
"World's Greatests."
IT IS one thing to be world's cham-
pion, and quite another to be con-
ceeded the rare title of "the greatest
player of all time": and when two
individuals acquire this rank in their
respective fields within the same decade,
and close that decade with their re-
tirement from amateur competition,
the event is nothing short of dramatic.
For technically faint as the line may
be that divides the professional from
the amateur, it nevertheless separates
two distinct worlds in sports, and
Tilden and Jones have said goodbye
forever to the glamorous glorified
world of the "Simon Pures."
From a practical viewpoint there
is really no occasion to "moan." With
Tilden's retirement one senses a feel-
ing of relief; with Jones one feels that
he could not have chosen a more op-
portune moment, having reached the
heights he eliminated all possibility of
the inevitable anti-climax by with-
drawing from competition. Yet we
cannot help but mourn the loss of
these two brilliant figures who have
brought inspirational pleasure to
countless thousands, and who by their
stellar achievements have set standards
that perhaps may never be equalled.
One could no more compare Bobby
Jones to Bill Tilden than one could
compare golf to tennis. In fact it is
seldom one finds two personalities
who have mutually shared universal
adoration, as have these two, so anti-
thetical in every respect. One. tall,
lanky, dashing, spectacular; the other
almost stocky, quiet, modest, un-
assuming. The stormy career of the
one in striking contrast to the smooth,
unruffled course of the other. Both
geniuses — one with all the character-
istics and temperament of a genius;
the other (perhaps fortunately) pos-
sessing none of these qualities.
BOTH starting at the tender age of
six or thereabouts in their respec-
tive fields, their careers diverge
from then on. Despite the fact that he
played tennis consistently, and had
the advantage of an older brother,
who for a number of years had been in
the top flight at Philadelphia, to help
andencourage him. Tilden in his teens
was a comparatively mediocre player,
failing even to make his college var-
sity team until his senior year. Though
at the age of twenty he won the
National mixed doubles with Mary
K. Browne, he was still termed by
many a "swatter." Jones, on the other
hand, at the age of fourteen had won
seven club championships, the Georgia
State amateur championship, and
reached the third round of the Na-
tional Amateur! He started playing
golf in a casual sort of way, at first
following his mother and father
around the course with one sawed-off
club. In his auto-biography Jones says
that the best luck he ever had in golf
was when Stewart Maiden came from
Carnoustie. Scotland, to be profes-
sional at the East Lake Club, on the
grounds of which the Jones family
resided. For it was by tagging at
Maiden's heels as a spindley-legged
little boy. and unconsciously imitating
every shot made by the "pro," that
Jones developed such an early game.
But in all due respect to Stewart
Maiden, I am inclined to think that if
it hadn't been he, it would have been
some other "pro" whom Jones would
have followed, imitated, and later
developed his own unparalleled game.
In 1915. at twenty-two. Tilden
achieved his first national ranking, in
class No. 6, there being 100 ranking
players divided into ten groups of ten
players. The following year he jumped
to the "Second Ten" by reason of his
entry into "big tournaments." Never-
theless his game was extremely erratic
and inconsistent — he was a "promis-
ing player who nearly always failed
to fulfill."
JDNES has referred to the years be-
tween 1916. when at fourteen he
first came into prominence, to 1 923
when he won his first major title, as
his "seven lean years." It is true that
in that time he played in eleven na-
tional championships and did not win
one: but he was still in his teens, and
even then his achievements were caus-
ing quite a stir in Eastern golfing
circles. If those were lean years for
Bobby. Tilden's seven years, between
1912, when he first showed promise
of rising above mediocracy, to 1920
when he won the National singles
title, were nothing short of emaciated !
But it was not within these years, as
with Jones, that Tilden developed the
game that was to rank him No. 1 on
the list of America's tennis stars, and
THE SAN FRANCISCAN
to enable him to hold that position for
ten consecutive years. It was the year
between 1919 after his decisive defeat
by Johnston, and 1920, when he re-
ciprocated in that memorable match
that tried and tested them to the ut-
most. Of the match American Lawn
Tennis says, "When victory finally
went to Tilden, after he had gone
through nerve-racking and courage-
testing vicissitudes, and had several
times been within a stroke of the
match only to be denied, the realiza-
tion came that here was a great genius
of the game, a player whose mastery
of nearly every stroke was greater than
that of any of his predecessors; whose
gameness was not to be denied, whose
ability to rise to greater and yet greater
heights when the need came was little
short of phenomenal. This match was
the acid test. From it the tall Phila-
delphian emerged triumphantly, mint-
stamped "sterling." Within one year
Tilden had developed from an "also-
ran" into a "World's Greatest."
Jones attributes the turning point
after his "seven lean years." not to an
improvement in his game, but to the
change in his tournament attitude, his
battle with Old Man Par as he terms
it. But it was the amazing improve-
ment in his game, the perfection of his
strokes by intensive practice in over-
coming his weaknesses that jumped
Tilden to his stellar position in that
one year. Then for a period of seven
years (strangely enough) both men
reigned supreme. Jones from 1923 to
1930, in which time he won thirteen
national championships (American
and British) including the immortal
"Grand Slam": and Tilden from
1920 to 1927. within these years
winning the National Singles title six
times, and being on the winning Davis
Cup team seven times. And now the
gruelling, nerve-racking championship
days are over, for "uneasy lies the head
that wears the crown" is as true of the
leaders of sport today as it was of
royalty in medieval times.
LOST LADY
by Constance Ferris
Why do I weep, alone in my apartment
Here amid familiar things,
A clock, a book, a chair?
Not for Lethe, though it bring
Surcease to one who has grown weary
And moves about uncertainly
In a daied bewilderment
At life's persistence.
Wherefore my tears?
Not for Mothers nor for heroes.
Thus do I find my misery summarized:
I weep for a girl in a white skirt and a red jacket
Who met life with a gay challenge
Carrying a briefcase under her arm.
MARCH, 1931
23
Lonely
Continued from page 19
Then he began to discuss with him-
self— because he was lonely and adrift
and had seen little of his friends since
Adele and the child left for San Diego
— how simple it would be to speak to
the girl some morning — find out if she
was really unhappy — take her to some
play — dance with her — amuse her so
that those dark eyes beneath the hat
brim would lose their haunting sad-
ness.
Curious, how difficult it seemed to
do such a simple, friendly thing as that.
Suppose he were down at the beach and
the girl got out of her depth . . . Sup-
pose he were camping and the girl lost
in the woods . . . Any decent man
would help a girl in trouble.
Yet here, on this cable car, clamber-
ing up hill, clattering down hill, jolt-
ing through Chinatown, jerking to a
stop with the traffic at Montgomery
Street where most of the passengers
scrambled off and darted through the
crowd to scurry into tall office build-
ings which held them until the cable
car received them again at night — here,
on this silly little cable car, some irra-
tional convention prevented Fletcher
from speaking to the girl.
People would laugh at him, no
doubt. Sentimental idiot. The girl's
wistfulness probably indicated noth-
ing but regret because she had overslept
and couldn't stop for breakfast for
fear she'd annoy her boss and lose her
job. Jobs were hard to get these days.
The men at the insurance office
where Fletcher worked would snicker
if they suspected his qualms. The girl
was pretty — no question of that. Why
not strike up an acquaintance? Easy to
"make" most girls of that sort. She
couldn't any more than turn you
down.
ONE morning, the girl looked
frightened — as if she might cry
if you stuck a finger at her, as
school children used to say.
The cripple pulled himself on the
car at Van Ness.
"Good morning!" he sang out to
Lewis. "Fine morning, isn't it?"
That settled it. If the cripple could
be sensible and friendly . . . "Tomor-
row morning," thought Lewis, "I
shall speak to her. I shall ask her to
have lunch with me!"
The next morning he chose his
necktie with special care. He hurried
so fast to catch the car that he left the
newspaper on his doorstep. Then —
too early — he had to wait on the street
corner for one car to go by, because he
knew just which car she always took.
At Laguna Street, where he had
Continued on page 26
1931's Greatest
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KILAUEA
VOLCANO
2 - weeks' Circle Cruise
to
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Los Angeles & San Francisco
^EVER before a travel ONLY
opportunity like this!
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fascinating Southern Cali-
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Honolulu, Waikiki, Kilauea
Volcano, Los Angeles, San Fran-
cisco— all in one Circle Cruise!
And all for $297, round trip from
San Francisco, San Jose or Stock-
ton, $300.15 from Sacramento!
Two of these Circle Cruises are
offered you, both on the
luxurious Malolo, the first
sailing April 4, the second
May 16.
$297/
On the Malolo!
You'll have four marvelous
days at sea on the Pacific's
crack liner, en route to
Hawaii! Three full days in
Honolulu — your hotel is at
Waikiki Beach ! Motor tour
around Island of Oahu!
Voyage to Island of Hawaii
and1 thrilling day at Kilauea Vol-
cano! Four more wonderful days
at sea on the Malolo! Two days in
Los Angeles! Home by rail in ex-
actly two weeks, your regular vaca-
tion !
A total of 4,302 miles of
sea travel, 150 miles of mo-
tor trips, a scenic railway
trip of nearly 500 miles,
with all living and sight-
seeing expenses in Hawaii,
for as little as $297 ! Special
folder gives full details —
ask your travel agent, rail-
road agent, or:
MATSON LINE •LASSCO LINE
215 Market Street
Address Dept. SF-313
SAN FRANCISCO
DAvenport 2300
24
tt
The Salad Bowl — a dining car feature
originated by Southern Pacific.
Overland
Limited
Every night at 10:20 p.m.,
the "Overland Limited"
pulls out of San Francisco
for its 57 hour dash to
Chicago.
Through the American
River Canyon, over the
Sierra barrier near mile-
high Lake Tahoe, across
the Great Salt Lake ... its
smooth speeding course
parallels the Overland
Trail of '49.
"Overland Limited" was
the first transcontinental
train. It is still the finest,
fastest train from San
Francisco to the East. All-
Pullman, extra fare, with
a dining car service styled
by Southern Pacific.
Southern
Pacific
E. W. CLAPP, Genl. Pass. Traffic Mgr.
San Francisco
'assing Shows
Continued from page 21
added most to local private collections, received
no more than three lines in any of the news-
papers (see advertising department edict regard-
ing galleries that do not advertise in leading
dailies). And certainly the present system of
art news published by the newspapers bears
slight relation to the importance or significance
of the exhibitions presented. The news that is
printed in the art columns is valuated according
to human interest, novelty of subject matter or
some such factor quite aside from the worth
of the exhibition as a contribution to art.
Perhaps it is best so. since the news columns
are obviously written for the unthinking ma-
jority who wish to be amused. At present, the
news columns serve two commendable pur-
poses— to inform the interested public of the
contents and dates of exhibitions and to bolster
up the ego of the artists represented. Perhaps
we should be content with two such accom-
plishments, both of which, because they occupy
space in public print, enable San Francisco to
feel that it is paying attention to art — even
though unintelligently.
A SHOW that received far less printed atten-
tion than it deserved was that of work by
Henrietta Shore at the Legion of Honor
Palace. Here is a contemporary Californian
working in a highly individualized way. She
sees beauty in clearly defined forms and high
key color and she presents this form and color
in meaningful compositions, now abstract,
now directly related to reality. Her develop-
ment each year seems to have a functional
significance, bringing her work closer to some
self-set goal.
Peter Krasnow is another Californian with
a message quite his own. The showing of his
paintings, wood carvings, pastels and prints at
the California Palace of the Legion of Honor
forms the first comprehensive presentation of
his work in San Francisco. It is baffling. There
is so much variety within the gamut of Kras-
now's experiments that it is difficult to under-
stand the essential contribution this man is
making to modern art. Working independently,
he has discovered for himself the ways and
means of contemporary European artists.
There is a closer relationship between Krasnow
and Chagall, whose things are shown in a
nearby gallery, than between Krasnow and any
other contemporary work shown at the Legion
Palace. Last month, had his work been here,
people undoubtedly would have discovered a
relationship between some of it and that of
Chirico. But Krasnow does not know the
work of Chirico. he is not familiar with the
theories and tenets of the very men whose work
is so similar to his own. This fact seems to
present proof of the indigenous quality of
certain phases of modernism, in that similar
results are reached by widely separated artists
of the same period.
THE most important factor of art in San
Francisco at this moment is Lloyd LaPage
Rollins, museum director, who has just
returned from New York where he made pre-
liminary arrangements for features of the
1931-32 season at both the California Palace
of the Legion of Honor and the M. H. dc
Young Memorial Museum. (Would that in
the combination of these two institutions under
the one direction something could be done to
shorten the imposing names to something that
would allow room for discussion of events in
their galleries on the same page with the an-
nouncement of time and place held.)
Director Rollins has accomplished in a few
months what many years of agitation failed to
do — he has established a definite museum pro-
gram for San Francisco and allotted to each
museum a clearly defined function. The dc
Young Museum will be devoted exclusively to
the decorative and graphic arts, while the
THE SAN FRANCISCAN
♦FASHION ART SCHOOL*
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Life Drawing
Interior Decoration
0*j and E*ming CUnri
ANNA '.: : S . :. GAlLACHU.Putttaf
JOHN QUINN
announces the opening
on March 13. 1Q31 of
his new establishment
Interior Decoration
Nautical Display
Antiques
Paintings by
WARREN CHASE MERRITT
482 Sutter Street
opposite Sir Francis Drake
June Bride, wouldn't you like
your silver designed espe-
cially for you? Come in and
let us San Franciscans talk it
over — now, while there is
plenty of time ... of course it
would be hand wrought by
Harry Dixon
TILLMAN ALLEY
241 Grant Ave.
€Tourvoi«»i«3r
480 POST STREET . SAN FRANCISCO
Telephone GA rfield 5657
NOW MOVED TO
LARGER GALLERIES
AT 480 POST STREET
You are cordially invited to
attend an exhibition of
WATER COLORS by
ROWENA MEEKS ABDY
MARCH, 1931
25
California Palace will confine its energies to painting and sculpture.
At the de Young during the coming season will be shown the collection
of Russian Icons now at the Metropolitan Museum; the great Guelph
treasure of the Dukes of Brunswick which is considered one of the most
important aggregations of Romanesque and Gothic ecclesiastical work
in metal, enamels and jewels in the entire world; a group of Laurentian
bronzes from ancient Persia: an exhibition of historical wall papers; a
group of historical textiles from the Elsberg collection; a collection of
contemporary Dutch crafts, and other bodies of material interesting to
the student and appreciator of decorative art. Here also will be instituted
a graphic arts department with a series of exhibitions of both historical
and contemporary moment. The California Palace will continue its
rotation of exhibitions presenting vital work of present and past periods.
Thomas Howe. Jr.. has been engaged by Director Rollins as assistant
director at the Legion of Honor Palace. Originally from Indianapolis.
Mr. Howe comes to San Francisco with an A.B. and Master's degree from
Harvard, practical experience in the Fogg Museum and technical study
abroad. Another new member of the Palace staff is Miss Franziska Schacbt
of Boston who comes here, following study at Vassar and Simmons and
experience in the Vose gallery and the Boston Museum, to give docent
and educational service similar to that already started by Mrs. Katherine
Ehrgott Caldwell.
Running concurrently with a preponderance of contemporary shows
at other galleries, the exhibition of work by the late John Joseph Casey
at the East West Gallery offers direct contrast. It is a pity that more dis-
crimination was not shown in the selection of the material for. in the
present show, the late artist is shown in a very uneven light. Trivial,
even rather bad things, are shown with work upon which a posthumous
reputation might be founded. There are several canvases that cling to one's
memory as having substance other than being merely part of the great
stream of impressionism in which Casey found himself — for these we
are thankful.
f*
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The tailleur or Sports costume complements
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246-268 POST STREET || SAN
FRANCISCO
P
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26
THE SAN FRANCISCAN
From Los Angeles to Plymouth, Cherbourg, London
Oil-Burning Cruise Steamer
"FRANCONIA", May 12th
Calling at — Panama Canal, Havana, New York
First Class Only, $410 Up — Free Rail Trip to Los Angeles — Apply to
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San Francisco, or Local Agent
/£-&;..
THE SAN FRANCISCO BANK
SAVINGS COMMERCIAL TRUST
INCORPORATED FEBRUARY 10TH, 1868
One of the Oldest Banks in California, the Assets of which have
never been increased by mergers or consolidations with other banks.
J Assets over $140,000,000.00 Deposits over $134,000,000.00
Capital, Reserve and Contingent Funds, $5,750,000.00
The following accounts stand on the Books at $1.00 each, viz.:
Bank Buildings and Lots - (Value over $2,060,000.00)
Other Real Estate - - - (Value over $310,000.00)
Pension Fund - - - - (Value over $720,000.00)
Interest paid on Deposits at 4^ Per cent Per annum
Computed Monthly and Compounded Quarterly
Lonely
Continued from page 23
grown so accustomed to watching her slim
body buffeting the wind, the car did not even
stop. Perhaps she had come early too and had
walked on to the next corner. But there was
only a forlorn old woman at the next corner.
She must have taken the earlier car which
he had let pass him. What a fool he was!
Now he would have to wait until tomorrow
morning.
THE pert stenographer jostled against him.
reached past him to grab hold of another
girl. She thrust beneath his face the morn-
ing newspaper, the flaunting headline: BEAU-
TY'S DEATH-LEAP MYSTIFIES POLICE
— a smeared picture — those lovely, haunting
eyes.
"Can yaa beat it, Edna?" the pert girl was
saying: "I knew that kid. Her an' me ate
lunch yestiday at the Cafeteria. An' she use-ta
take this car to work . . . The paper says she
must-a jumped out-a the window where she
worked in the Ross Building 'cause she was
lonely . . . Lonely in this town . . . Gee, cin
ya beat that?"
Jim Tully At Home
Continued from page 10
Irish cat! Why don't you come to bed?
Tully — It may be an Irish cat, but it isn't
red-headed! Oh, well! I guess I'll peel off my
filthy rags and get my unwashed body into these
lousy pajamas. What th — ! Hey! Where's the
bugs on these?
Mrs. Tully — I had them deloused, my dear.
Tully — H — 1 ! Now I won't sleep a wink!
Isn't it enough for me to sweat blood all day
at the movie studio, and then go over to Jack
Gilbert's sanitary shack
Mrs. Tully — What did you do over at the
Gilbert's, Jim?
Tully — Oh, he knocked one of my d — ned
teeth loose and I flattened his ear. Then we
got down to business. I'm helping him write
a book.
Today's Opera House
Continued from page 14
House, Veterans' Building and Memorial Court
— will be in harmony with this structure and
will impressively complete the Civic Center.
THE Opera House auditorium is planned to
meet, intelligently and adequately, the newer
concepts of theatrical art and architecture,
whose aim is to realize the ultimate emotional
and suggestive possibilities of the play, opera
or symphony. The house will have two bal-
conies in addition to the main floor. It will
seat 3.250 people, and seat them on terms of
full equality. Every seat in the house will
command a full, undistorted view of the entire
stage. Authorities on acoustics and illumina-
tion will be called to consultation to assure
perfection in these two most important con-
siderations.
The result will be that every member of
the audience, regardless of the position of seat,
or price paid, will be able to sit comfortably
throughout the performance. Those to the rear
will not be forced to spend the evening craning
their necks to follow the movements of mario-
nettes in a remote circle of glaring light, nor
strain their ears in a vain attempt to catch
elusive notes of music or the human voice.
Those to the front will not be confused by a
blare of sound and blaze of light. The entire
audience will hear, see and enjoy the perform-
ance as it is presented.
Backstage facilities, work rooms, dressing
rooms and the like will embody the most
advanced ideas for these units in order that the
house may function as a musical laboratory
and work room as well as a public meeting
place.
MARCH, 1931
27
NOB HILL TOPICS
The Travers Theatre
. This intimate little theatre in the Fairmont Hotel has
become a center for various activities, supplementing the pro-
ductions of the Reginald Travers Repertory Players. Following
an interesting season which included "The Amazons," The
Affairs of Anatol," "Lysistrata," "Uncle Vanya," "Enter
Madam," "Nob Hill Gaieties" and "Love Apples, the
Players are now in rehearsal for "The Cardinal" — a modernized
version of Sir Bulwer Lytton's "Richelieu." In this, Mr. Travers
will play the title role, supported by a cast of fifty.
In the meantime, the March program at the Travers Theatre
includes special music events each Sunday evening. On March
1st, Mme. Sofia Neustadt presented a melody drama of "Der
Rosenkavalier" appearing in joint program with Jeannette von
Sturm Stock, mezzo-soprano, The next program featured Grace
Burroughs in a cycle of East Indian dances and Audrey Farn-
croft, soprano. Miss Burroughs was assisted by Herbert Clark
who played on the sarenga, an old Indian instrument. On
March 15th, Emelie Melville will give reminiscences of light
operas in a program with Ellen Page Pressley, soprano, and
DOROTHY MOORE
Martin Cory, baritone, who will sing selections from various
light operas. March 22nd, the program will be given by Con-
suelo Gonzales and Arthur Johnson and the series will close,
March 29th, with a recital by Eva Atkinson, contralto, and
Noel Sullivan, bass.
Later in the spring the Travers Repertory Players willgive a
season of Gilbert and Sullivan revivals, beginning with "Pina-
fore." Well known singers will compose the cast, including
Ellen Page Pressley, Loraine Sands, Nona Campbell, Arthur
Johnson, Martin Cory and Noel Sullivan.
Already, Mr. Travers has announced that the Players have
in preparation for next season "Daughter of Jorio" and
"L'Artesienne" by Alphonse Daudet and other interesting
These future events, no doubt, will be accompanied, as have
the recent events at the Travers Theatre, with a succession of
dinner parties in the Venetian Room of The Fairmont and after-
theatre entertaining in Peacock Court — ever the most popular
places for distinguished entertaining.
28
THE SAN FRANCISCAN
TO THE ORIENT
Romance is just
"Around the Corner"
for San Franciscans
It's no further away than Pier 36,
whence sail the luxurious new
#7,000,000 N. Y. K. Liners— the
different way to the Orient. If
you've ever seen a friend off,
you've felt that "homesickness for
far-away places," even before the
"Ail-ashore" has sounded. Why
not find out more about how easy
it is to realize that romance in a
voyage to the Orient the N.Y. K.
way? A card or phone call will
bring you the whole story.
Next Sailings from San Francisco
nj Taiyo Maru March 24
0 Chichibu Maru Apr. 1
? Tatsuta Maru Apr. 16
■ ■I w Asama Maru Apr. 30
. I I . If . Shinvn Maru May 16
551 Market Street
San Francisco
Telephone SUtter 3900
Port o'Call
Continued from page 19
England. Seemingly this arrangement was per-
fect but in actual fact it had its drawbacks,
because the price of coal in Australia fixed the
price of wheat in California and vice versa. If
coal were too cheap to haul, the boats would
not stop at San Francisco on the return trip to
England to pick up the wheat. On the other
hand if wheat were too cheap to pay for the
haul the coal miners suffered because the boats
again would not stop for the wheat, hence
they would not carry the coal.
There have been times in the history of
San Francisco's shipping when the entire crop
of the ranchers has been at the mercy of the
profiteer. In the days when the great grain
barons ruled the state, before the era of rail-
roads, ranchers were dependent upon vessels to
transport their grain to eastern and foreign
markets. This was an opportunity not to be
overlooked. Gradually one powerful family
began cornering all of the cargo carrying space
that came in. At shipping time the grain
growers were at their mercy and rates were
prohibitive. This condition existed for several
years until another of the country's rich men,
incensed at the injustice, contracted with the
growers for all their wheat. When shipping
time arrived that fall he refused to ship except
at his terms. The profiteers in bottoms were on
the verge of financial ruin and were coming to
terms when the wheat corner baron died. But
his work had been done. The corner was
crushed and never again has this evil confronted
the growers.
FROM its haphazard beginning the port of
San Francisco has grown until today it
stands as one of the world's leading seaports.
Situated as it is, the city of San Francisco lies
r to
EUROPE
via NEW YORK or
PANAMA
CANAL
Weekly service from New York to
EN GLAND (Plymouth), FRANCE (Boulo3ne-sur-Mer)
and ROTTERDAM
Regular sailings with modern twin-screw Diesel motorvessels
from San Francisco to
LIVERPOOL ♦ LONDON ♦ ROTTERDAM
via Panama Canal
CRUISES TO THE WEST INDIES
For full particulars apply to
L HOLLAND-AMERICA LINE A
^ 120 MARKET STREET ♦ SAN FRANCISCO A
almost exactly in the middle of the route
which transverses the most populous sections
of the earth and over which passes the larger
portion of the world's commerce. In less than
a hundred years the port of San Francisco has
grown from nothing to a place where now it
imports and exports near twelve million tons
and during 1930 7,332 ships dropped anchor
and deposited passengers and cargo upon the
docks.
The small handful of mail which came in
on the first steamer would pass unnoticed
among the two or three million pieces handled
daily through the post office to make its way
toward train and ship bound for every city and
port in the world.
"Steamer Day," those memorable times of
the sixties, seventies, eighties and nineties, oc-
curring twice a month when the steamer arrived
and departed for the east — is still within the
memory of living men. Marked indeed is the
change from those days to the present when
every day is steamer day. The harbor is full of
cargo carriers, passenger ships and pleasure
craft. It would be an event now without
parallel to find a time when the forty-five great
docks were all empty or the bay free of ships.
San Francisco occupies a vital position in
relation to trade routes. It is the key to the
commerce of the Pacific, lying as it does only
163 miles from the Great Circle Route from
Panama to Yokohama, Nagasaki, Shanghai.
Hong Kong and the Straits. At some time
during their careers, practically all the great
ships of the world come to berth at this port.
Regularly the giant Belgenland makes it a port
of call. Yearly the majestic Resolute of the
Hamburg American line on her annual world
cruise visits San Francisco as does the Canadian
Pacific's Empress of Australia and the Cunard's
Franconia. From the Netherlands come sturdy
Lochmonar.Dmteldyke and Moerdyk — remin-
iscent of the land behind the sea wall. It is also
NOW! DIRECT TO THE
MEDITERRANEAN
ON THESE FINE SHIPS
S. S. CALIFORNIA
Largest in direct-to-Europe Service
S.S. Duchessa D'Aosta and
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And the Motorships FELT RE,
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MARCH, 1931
29
INI lace hold
beam: u salon
kearny 7389
Let your face have
Spring freshness and
loveliness to match
your Easter hat and
Dress —
Our special spring
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amazing results that
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from the Port of San Francisco that the fleet
and luxurious Maloto of the Matson Line
makes her fortnightly trip to Hawaii, and from
San Francisco the Dollar boats leave for 'round
the world.
These are only a few of the ships that make
this a Port o' Call. Cargo carriers from the
world's seaports discharge at San Francisco
docks and. loaded to the Plimsol mark with
products for world-wide consumption, depart
through the Golden Gate for cities beyond the
horizon.
iews a
nd R
eviews
Continued from page 15
wealthy, started a revolution and was finally
murdered.
The adventures of the book compose only
a frame-work on which the character of John
Marsh is hung. His life was beset with many
trials. Some of them he inflicted upon him-
self, others came uninvited. Always after a
harrowing experience. Dr. Lyman gives the
changed character of his protagonist. Some-
times one applauds, sometimes one condemns.
The author does not intrude his own opinion.
He offers the facts as he gathered them and the
result, if you like history and biography inter-
mingled, is gratifying.
Hard Lines
By Ogden Nash
(Simon and Schuster. $1.75)
Modern verse or poetry has a way of defying
description. This volume, on the other hand,
is neither poetry nor verse. Bearded sages who
lecture from college rostrums on dangling par-
ticiples, split infinitives. Keats. Byron and
Shelley, might call it balderdash, but Mr. Nash
himself calls it doggerel. His classification is
acceptable.
"Hard Lines", now in the third printing, is
not tobe blown aside with a contumelious sniff.
Aside from offering some passable satire and a
few laughs, it is intelligent.
Mr. Nash has crossed the mental attitude of
H. L. Mencken with the raucous style of E. E.
Cummings and he has very nearly succeeded
in spawning a new variety of verse. Listen to
this:
The turtle lives 'twixt plated decks
Which practically conceal its sex.
I think it clever of the turtle
In such a fix to be so fertile.
He also aims the spurt of his Waterman at
such dignitaries as Senator Smoot. Bernarr
Macfadden. Arthur Brisbane, Commander Byrd
and Amy McPherson.
After reading the book one inevitably comes
to the conclusion that Buffoon Nash, in spite
of the likeness of his work to that of E. E.
Cummings. should not be exterminated. He
should be left at large to spread cheer in the
too prevalent gloom of modern letters.
The illustrations by O. Soglow are better
than the "verse".
My Husband's Friends
By KATHERINE BELLAMANN
Mrs. Bellamann has written a modern novel
that is more than modern in tolerance and un-
biased understanding. "My Husband's Friends"
is a splendid rest from that prevalent modern
type of book that begins and ends like a fever-
ish Ferris wheel, with scarcely more relationship
to essential realism than the spinning glare of
red electric lights.
Instruction in
CONTRACT BRIDGE
CULBERTSON SYSTEM
JOHN CHARLES SHIPP
901 Powell Street, San Francisco
SUtter 4897
New Spring
Ensembles
"do things" for the woman
who wean sizes 38 to 46!
Spring 1931 holds no qualms
for the woman of matronly
proportions. The new mode is
a gracious one . . . and the
Gown Salon offers infinite
choice of distinctly wearable
ensembles in the larger sizes !
Ensembles sketched, $49.50
GOWN SALON . . . THIRD FLOOR
CITY of
PARIS
Gear), Srockton & O'Famll ■ DOuglai 4500
30
THE SAN FRANCISCAN
sseen
by
her
AND now what? There is so much to be seen
J\ in the shops and such an unlimited list of
things to recommend. Think I'll take a
clue from the fascinating window displays and
at random pick out the ones that score a bull's
eye. ,
Because it's spring. Podesta K Baldocchi's
have the right of way. It's worth the price of a
corsage of violets to walk under the fragrant
arch of blossoming quince albeit twenty feet.
The old spring sap begins to rise, and when
you meet Dan at the end of this short stroll and
he cajoles you into buying orchids, it is still
worth the price. You go out friendly with the
world in general. I believe this window display
is the very brightest spot in San Francisco, and
I'm happy to see it has more allure than any
place in town. Only an artist could arrange
color combinations such as they offer here and
no matter how busy the shopper, there is
always time for a trek to this gorgeous floral
display. It's part of the works. Surrounded on
both sides by the plate glass show windows of
the White House it becomes a jewel in a rare
setting.
Of these many magnificent show cases the
one I picked to gaze and gaze was just to the
left of the entrance. Skiing ! ! ! The first time I
ever saw these costumes was in little ole New
[by Molly Merkley
York. They were arresting because new but
I'm sure I thought them ugly and indexed
them with far away Lake Placid and the New
Hampshire Hills. Now there are so many in
Yosemite and Tahoe they are like skippers on
a fish pond and the designers vie with one
another to make them most fascinating. Look-
ing at these beautiful costumes causes this win-
dow to open up vistas of snow-capped moun-
tains and frosted firs. Lady, lady, we owe you
much.
Of course if there was any justice in the
world I should be owning that sapphire chif-
fon showing this week in Gaffney's. Not a
gadget in the damned thing, but if you knew
clothes you couldn't miss it. What possibili-
ties? Visions of the appraising eye of "good
Iookin' " would make you nod toward the
blue moon and as nonchalantly as you "light a
Murad." suggest a stroll. He's a cinch. That is
if you're bent that way.
That last paragraph suggests diamonds and
all I had to do was wait for the gong, because
Shreve S3 Company were just across the inter-
section with diamonds to spare. Only the
square and oblong cuts were on exhibition.
And what an exhibition! Cool aloof looking
stones that give that empress feeling to the
wearer. I know — page Mr. Ripley — for. be-
lieve it or not. I owned a six-carat oblong
diamond and — well we won't go into that,
only. "I wonder who's wearing it now."
Emeralds, rubies and sapphires, one more gor-
geous than the other, makes you marvel at the
stupendous stock of precious stones carried by
this splendid firm. The general courtesy ex-
tended to the smallest buyer makes it a pleasure
to be on the books of Shreve ft Company.
Just a step farther is Joseph's. I can't pass
this shop without a peek at the animal room.
Every day there is something new to see. Petite
whimsical figures in colored glass of every con-
ceivable wild beestee that ever growed — and
some that didn't makes you want to pull old
Noah's whiskers and say "Tie that!" It's truly
most fascinating and makes one realize that
the child is not far from the man ever.
Crossing the streets in front of automobiles.
Jeanne Qollyne «
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waiting like whippets all a tremor for the start,
make a hazard these day not unlike Trader
Horn beset with perils of the jungle. I held up
my hand to one young sprout and found my-
self saying the wrong thing, "Be your age."
Was I wrong? You would know I was if you
could see the black and blue spot.
Is funny that way. but the next window
that caused me to Parade! Rest! was full of
good looking lamps at the City of Paris. I
think a lamp is the most cantankerous thing
in the world to buy. You have a picture in
your mind of just what you want but you
find the lamp makers union think you're a
scab and don't make them that way. Here was
an assortment, all good looking, that you could
plan over. Nothing garrish. Cheery without
being too bright — wait a minute, I'm going
in and scrape an acquaintance with that lamp
buyer. He's a regular guy and certainly knows
his onions.
For the sake of an argument, "don't you
love shops for men"? I never pass one up. and
know if I were a man I'd revel in the Knox
Shop. The good taste displayed in their stock
is a positive inspiration. What a tough break it
would be to clip a few coupons and then be on
the loose in this shop. For to me it is the shop
WELL DRESSED
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MARCH, 1931
31
The sun is
shining today
at EL MIRADOR
Tonight it will be cool. Guests will
sleep 'neath blankets with a fresh
breeze blowing from lofty San Jacinto's
snow-crowned crests. Sleep will
come early, linger late ... for the
nights are dedicated to repose, at El
Mirador, in the Garden of the Sun.
A wonderful place for play ... a
marvelous place for rest. A land of
beginning again, where mind and
body are refreshed, made new . . .
Come, bring the children — they'll love
it . . . and this kindly winterland will
love them. Write today for the El Mira-
dor folder, or simply make reserva-
tions and come.
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14 Tillman Place - San Francisco
of shops. That plain henna sweater in the
window facing Geary would stymie any man's
style on the golf links, while the full-dress suit
with its gros-grain facings has a bulge on all
the others. A gentle hint, that powder marks
brush off this silk much better than satin,
might make petting a simpler art. How do I
know? Ask me something easy.
An amusing sidelight on people and their
whimsicalities is shown on sunny days at the
Courtyard Tearoom. People crowd up the
narrow stairs to the charming sun-flooded
courtyard and the gay, green-walled dining
room beyond for one of the truly famous
Courtyard Salads or some other particular
delicacy. But, though the brighter the sun
shines the gayer are the walls and bright-hucd
tables inside (making the dining room much
lighter than any other tearoom in town), one
finds that people resort to almost any strategy
to get a place in the direct sunshine.
Another charming place that I have found
more recently is Chez Peshon in the El Cortez
Hotel. Here one finds quiet, intimate surround-
ings in which to choose from delightful French
models anything from a newlinen lace evening
dress to a sport ensemble with matching hat
made especially for you. And should you find
daytime shopping inconvenient, you may make
an evening appointment Chez Peshnn.
Facing the Music
Continued from page 17
pots of his own based on "Martha," "Faust,''
and "The Jewels of the Madonna," respectively,
which made those who know the operas burst
into tears, and convinced the others that they
were right in staying away from any perform-
ances which even in part might resemble such
stupid presentations. In other words, legitimate
performances of operas suffered at the hands of
a "musician" (?) whose orchestra consists of a
brass section with all other instruments play-
ing their accompaniment, and whose greatest
joy in life is to watch a cymbal player go
through the most ridiculous contortions while
playing his instrument. And this, mind you,
is only one of the dangers which beset operas.
There are many others. The quasi-operatic
singer whose vocal interpretations of arias,
accompanied by wierd bodily squirmings, pass
as great art among the uninitiated — the radio
Continued on page 33
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THE SAN FRANCISCAN
Reigning Dynasty
Continued from page 4
Mr. and Mrs. Richard S. McCreery entertained a
party of friends at dinner on the evening of March
2nd, later taking the group to the opening perform-
ance of the Chicago Civic Opera Company.
Mrs. Alexander Garceau entertained members of
the debutante group at luncheon at her home in
Jackson Street, the occasion complimenting Miss
Kahterine Stent. Mrs. Frederick A. Birdge also
gave a luncheon for members of the younger group
at the Town and Country Club. Miss Mignon Wil-
lard was the complimented guest on this occasion.
Mr. and Mrs. Paul Fagan are occupying their
Pebble Beach home this spring. Among their first
house guests were Mr. and Mrs. Robert B. Hen-
derson.
The Gymkhana Club of San Mateo held an infor-
mal horse show on February 14th. The show w:as
put on by the club's juvenile members. Mrs. Wil-
liam C. Duncan and Mrs. Nion R. Tucker were in
charge of the program.
Miss Dorothy Spreckels gave a luncheon at her
b< inie in Washington Street in honor of Miss Eliza-
beth Forderer, the fiancee of Mr. Ernest Charlston.
Members of the San Francisco Branch of the
Junior League will present the play, "Sleeping
Beauty," written by Mrs. William Kent, Jr.. at the
Community Playhouse on the afternoons of April
nh, 10th and 11th. The one evening performance
will be given on April 10th.
Mrs. Edward H. Clark of New York is being
greatly complimented on her book, "Hidden Allu-
sions in Shakespeare's Plays.'' The gist of Mrs.
Clark's extensive research work is to the effect that
the plays of Shakespeare are in reality the work of
Edward De Vere, seventeenth Earl of Oxford. Mrs.
Clark is the mother of Mrs. Howard Park of Bur-
lingame and of Mr. Edward H. Clark, Jr.
The marriage of Miss Carol Rogers of Boston
and Mr. Allen" L. Chickering, Jr., of Piedmont, will
take place on May 23rd in Boston.
Mrs. James A. Black is again occupying her
apartments in the Hotel St. Francis after concluding
a five months' tour of the Orient.
Mrs. George L. Filmer entertained a group of
fourteen friends at luncheon at the Woman's Ath-
letic Club.
Since their return from their honeymoon in South-
ern California, Mr. and Mrs. Shorb Steele (Betty
Bolton) have been occupying an apartment on Rus-
sian Hill.
Welcoming Mr. and Mrs. George Legh-Jones,
who recently returned from an extended visit in
England, Mr. and Mrs. Monroe Eyre Pinckard
gave a buffet supper at their home in San Mateo.
Mrs. Tobin Clark gave a large dinner party at
her Pebble Beach home during a week-end stay on
the Monterey Peninsula.
Mi. and Mrs. Maurice Sullivan have returned to
San Francisco after a visit in Chicago.
Mrs. Howard Fleming. Miss Genevieve Hart, Miss
Alice Schussler, Miss Ruth Turner, Mrs. George
Bowles, Mrs. Alan Lowrey, Mrs. Palmanteer Gib-
son and Mrs. M. C. SIoss are among the women
doing important work in connection with this year's
Community Chest drive.
Mr. and Mrs. Frederick W. Brailey will give a
dinner dance for fifty at their home in Pacific Ave-
nue on the evening of March 7th.
Mrs. Morbio de Mailly has been named chairman
of the telephone campaign committee of the recently
organized San Francisco Salvage Shop, a project
headed by Mrs. A. B. Spreckels. The purpose of
the shop is to aid the needy and unemployed.
Mr. and Mrs. Thomas Paige Maillard are plan-
ning to open their country place at Atherton early
in April.
SAN FRANCISCANS ABROAD
Mrs. George H. Eldridge is passing the winter in
Florence.
Mrs. Roger Lapham. accompanied by her daugh-
ter. Miss Carol Lapham, is en route to Europe,
where she will spend the spring and summer.
Miss Cornelia Armshy has taken the apartments
of the Princess Jane Faustino in Rome. Miss
Armsby's brother, Mr. Raymond Armsby, is also
spending the winter in Rome. .
Mrs. Gustave Ziel is in Paris for an indefinite
period. She is staying with her son-in-law and
daughter, Mr. and Mrs. David Brown, at their
apartment.
SAN FRANCISCANS IN NEW YORK
Mr. and Mrs. Ernest R. Folger are in Xew York
at the present writing, staving at the Hotel Plaza.
Mr. and Mrs. Bernard W. Ford were in New
York recently, guests at the Ritz-Carlton.
Mr. and Mrs. Stanley Dollar and Miss Diana
Dollar visited Xew York following the launching of
the new Dollar liner, the President Cooldige.
Mr. and Mrs. Horace W. Morgan made the Hotel
St. Regis their home during their recent stay in
Xew York. ...
Mrs. David Armstrong Taylor is visiting Count
and Countess Ferrara at the Cuban Embassy m
Washington. D. C. Mrs. Taylor recently dined at
the White House.
SAN FRANCISCANS IN THE SOUTH
Mr. and Mrs. Alfred Whittel were in Los Angeles
recently on a five-day visit.
Dr. and Mrs. Otto Balkan were recently at Snow
Creek Ski Lodge in Yosemite. Jules Frisch, ski
expert, accompanied Dr. and Mrs. Barkan. Mrs.
Barkan has the distinction of being the first woman
to make the eight-mile trip from Snow Creek to
Tenaya Lake, on skis.
Mr. and Mrs. Mortimer Fleishhacker are spend-
ing a month in Santa Barbara.
Among the San Franciscans who motored into
Yosemite over the recent holiday week end were
Mr. and Mrs. Gerald Herrman and Mr. and Mrs.
Jerd Sullivan.
Dr. and Mrs. Edward Erie Brownell spent a
week in Death Valley recently.
Mr. and Mrs. Charles C. Moore were at the Santa
Barbara Biltmore recently on a visit of a week.
Miss Genevieve Hart spent the month of Febru-
ary in Los Angeles.
Colonel and Mrs. A. E. Stewart, their niece. Miss
Barbara Stewart, and Mrs. Edward Montgomery,
comprised one of the many parties of San Francisco
society folk who motored to Yosemite for the Wash-
ington's Birthday week end.
Mrs. William B. Pringle and Miss Isabel Pringle
are spending several weeks at the San Ysidro Ranch
in the Montecito Valley.
Miss Marion Huntington organized an active party
of friends to Yosemite recently, the group including
Mr. and Mrs. Franklin Harwood, among others.
Mr. and Mrs. Georges de Latour are spending
three weeks at Palm Springs.
Mr. and Mrs. Richard Heimann sojourned at the
Santa Barbara Biltmore for a week recently.
Mr. and Mrs. Prentis Cobb Hale enjoyed a three-
day stay at Agua Caliente during their recent motor
trip through Southern California.
Mr. and Mrs. Lewis P. Hobart are en route to
Central America.
Mr. and Mrs. James C. Jackman spent a fortnight
at Hotel Del Coronado at Coronado late in February.
Miss Xancy Merrill of Menlo Park and Miss
Kathleen Pringle are enjoying a visit to Honolulu.
Mr. and Mrs. George H. Lent, Mrs. Dean Dill-
man and her children and Mr. and Mrs. C.C.Moore
were among recent visitors to La Quinta, the desert
resort. Mrs. Ogden Armour of Chicago was also a
visitor to La Quinta recently.
Mis. Duncan McDuffie visited in Santa Barbara
for a short time, a guest of her brother-in-law and
sister, Mr. and Mrs. Sidney Howard.
Mr. and Mrs. Dixwell Hewitt were guests at El
Mirasol in Santa Barbara for several weeks.
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MARCH, 1931
Facing the Music
Continued from page 31
stations who will release so called operatic
pot-pourris which musically are impossible
horrors, (I am thinking of KPO's release of
"Rigoletto" Friday night, February 27) and
many, many others.
Obviously presentations of this kind do
opera more harm than good. They are not
designed to further popular understanding of
the art form they profess to imitate. After all.
any helpful interpretation must be built on
the understanding of the art interpreted, and
can anyone truthfully say that either movie
theaters or radio stations are interested in such
an altruistic aspect?
AS IMPORTANT as the engagement of Issay
Dobrowen as conductor of the San Fran-
cisco symphony orchestra for a three-year
period is to the musical life of this city, the
mere completion of the legal formalities be-
tween him and the Symphony society by no
means end the matter. After all no conductor
can be much better than the orchestra he con-
ducts. And even if it is conceivable for a
brilliant leader to whip his players into a
semblance of competence, such a procedure can
not possibly be kept up either by him or by
his men for more than one or two perform-
ances. Though it might be a novelty to hear
Kreisler play one of Mr. Wool worth's best
fifteen-cent violins, no one would care to stand
in line to hear him a second time. And so the
mere acquisition of a conductor, if that con-
ductor is tied by the usual maze of red tape,
does not necessarily mean a rejuvenation of an
orchestra. Dobrowen is a fine choice, but unless
he is given sole power to reorganize the orches-
tra, San Francisco might as well have offered
the job to Calvin Coolidge for all the good it
Him
33
will do. The new leader is a reasonable man
and no one need be afraid that drastic changes
will be made all at once. However, if this city
is to have an orchestra worth anything, an
honest attempt should be made to bring the
organization up to his standard rather than
force him to step down to the present level of
the orchestra. And who is better qualified to do
that than the conductor himself?
Concerts of the Month
Sunday afternoon, March 8 — Symphony at the
Curran Theater. Iturbi, Spanish pianist,
soloist.
Wednesday evening, March 11 — Iturbi, Spanish
pianist, in recital at the Scottish Rite Audi-
torium.
Thursday evening, March 12 — Harold Bauer,
pianist, in recital at the Dreamland Audi-
torium.
Sunday afternoon, March 15 — Popular Sym-
phony Concert at the Curran Theater.
Monday afternoon, March 16 — Muriel Draper, at
the Fairmont Hotel Terrace Room.
Monday evening, March 16— The Neah-Kah-Nie
String Quartet at the home of Mrs. Charles
N. Felton, 3311 Pacific Avenue.
Tuesday evening, March 17 — The Abas String
Quartet at the Scottish Rite Auditorium.
Wednesday evening, March 18— Last Municipal
Symphony Concert at the Civic Auditorium.
Municipal Chorus in Brahms' "Requiem"
with Werrenrath, guest artist.
Friday afternoon, March 20 — Symphony at the
Curran Theater.
Saturday evening, March 21 — Mishel Piastro
and Issay Dobrowen in a sonata recital at the
Scottish Rite Auditorium.
Sunday afternoon, March 22 — Symphony at the
Curran Theater.
Monday evening, March 23 — Albert Spalding,
violinist, at the Dreamland Auditorium.
Tuesday evening, March 24 — The Neah-Kah-Nie
String Quartet at the home of Miss L. Rem-
illard, 2042 Vallejo Street.
THE CITY OF
SAN FRANCISCO
Presents the
SAN FRANCISCO
SYMPHONY
ORCHESTRA
ISSAY DOBROWEN
CONDUCTOR
THE MUNICIPAL
CHORUS
DR. HANS LESCHKE
CONDUCTOR
BRAHMS REQUIEM
Reinald Werrenrath
SOLOIST
CIVIC AUDITORIUM
WEDNESDAY EVENING
March 18th
Direction : Auditorium Committee
FRED SUHR. Chairman
I. EMMETT HAYDF.X
JESSE C. COLMAN
VICTOR J. CANEPA
BENNING WENTWORTH, Auditor in
Charge of Ticket Sale
I Ihe MA DIXON
EW YORK
THE MADISON HOTEL AND
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THE MADISON
Madison Ave. at 58th St.
THEODORE TITZE » Mgr.
34
THE SAN FRANCISCAN
JOSEPH'S
Florists
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Be sure to see our
Gift and Crystal
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Unusual Cjifts
233 Grant Avenue
(Opposite the White House)
DOuglas 7210
Spotlight
Continued from page 13
its career in the South with Hollywood turn-
ing a critical eye on this comedy of its foibles.
And there is talk of Leslie Howard in Berkeley
Square, a production of Grand Hotel and
Elizabeth, the Queen. We saw Berkeley Square
in Chicago with Leslie Howard and we con-
cluded that it might be given successfully with
substitutes in every role save the role that Mr.
Howard assumed. He was so much a part of
the characterization that it was impossible to
visualize the play without him. That he is to
play in the coast production is, therefore, cheer-
ing news. Grand Hotel is just in the rumor
stage, but Elizabeth, the Queen takes on definite
proportions with an unofficial announcement
that the part of Elizabeth is to be assumed by
Pauline Frederick. With every deference to Miss
Frederick's talents we think such casting a tre-
mendous mistake.
Margaret Anglin would be great if she were
available as would be Nance O'Neill. Miss
O'Neill used to play a version of Queen Eliza-
beth by an Italian playright. She was superb
in the role. Her make-up and bearing were
remarkable. Lynne Fontane. in the Guild pro-
duction in New York, was little short of per-
fect. No. try as we will, we cannot see Pauline
Frederick getting away with it. However, we
may be wrong. Artists have a way of surprising
us.
Meanwhile, don't read either the novel Grand
Hotel, nor the play. Wait and go see the stage
production. A great part of its charm lies in
its elements of surprise. To get the most com-
plete surrender to it go to the theatre in ignor-
ance of its progression or denouement.
Whoever plays or does not play in these
rumored productions we can say one thing:
After such splendid coast productions as Porgy.
Up Pops the Devil and Topaze we may be
assured that they will be in good hands.
On
Nob Hil
it pays to look we
San F
rancisco s
Mark Hopkins
and Fairmont Hotels
BARBER SHOPS
under the management of Frank Sibilia.
Lunch and Dine
In the Heart of the
Hotel, Theatre and
Business District.
Luncheon and Dinner in
the Spanish Atmosphere
of Historic California
A place visitors surely
should see
LA CASA ALTA
207 Powell Street
Specializing in Delicious Hot
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TELEPHONE SUtter 6659
THREE
EL MIRASOL
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An exclusive retreat
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acy and
LA QUINTA
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HOTELS
THE CLIFT
SAN FRANCISCO
San Francisco's notably fine hotel — where a
thoughtful service is provided (as in El Mirasol and
La Quinta) by Frederick C. Clift, President and
Managing Director. Central — modern — moderate
— with garage accomodations — Geary at Taylor.
Biltunore
Open the entire year. American plan. Private bunga-
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Swimming pool, tennis courts, and beautiful grounds.
CHARLES D. WILLSON, Manager
/WEL80 UH l>t
#
saii t&Ancisco
THERE must be a reason
why people of wealth
and position who have
traveled widely and are ac-
customed to the best of
service are almost unani-
mous in their choice of the
aristocratic Nob Hill
hotels.
Perhaps it is the subtle
temptation of the modern
luxury with which each
guest is surrounded that
brings those who "know"
to Nob Hill for the week-
end, to spend the season
or to make their home
above the heart of the city.
the mi i -r mom
GEO. D. SMITH
Managing Director
T*H= ntQAK UOPKII1S
Lee Eleanor Graham
ANTIQUE AND MODERN
FURNITURE FABRICS OBJECTS
COMPLETE ORGANIZATION
TO RENDER EVERY SERVICE
OF INTERIOR DECORATION
N E W
ADDRESS
533 Sutter Street
WEDDINGS
CHARLESTON-FORDERER. OnMarch 12,Mr.
Ernest Charleston, son of Mrs. Mae Charleston and
the late Mr. Ernest Charleston, and Miss Elizabeth
Forderer, daughter of Mrs. George Stevens Forderer
and the late Mr. Forderer.
.MILLER-DOW. On March 21, Miss Dorothy
Dow. daughter of Mrs. Edwin T. Dow and the late
Mr. Dow, and Lieutenant George Carl Miller, U. S.
X., son of Mr. and Mrs. George Miller of Seattle.
GROMME-SHERMAN. On March 28. Mr. Carl
F. Gramme of Cincinnati and Miss Lucia Kittle
Sherman, daughter of Mrs. Harry M. Sherman and
the late Dr. Sherman.
KASPER-JONES. On March 28, Mr. Robert
Kasper, son of Dr. and Mrs. Robert Kasper, and
Miss Vail Jones, daughter of Mr. and Mrs. Webster
Junes.
ENGAGEMENTS
BROEMMEL-GREEN. Miss Eleanor Broemmel,
daughter of Mr. and Mrs. George Broemmel, to Mr.
Edward Lowe Green, son of Mrs. Charles Robert
Green and the late Mr. Green of Aberdeen, Wash.
THOMAS— KNOWLES. Miss Jane Dodge
rin ■mas. daughter of Mr. and Mrs. Percy C. Thomas
of Rome, New York, to Mr. Josiah X. Knowles, son
of Mr. and Mrs. Harry J. Knowles of Piedmont.
VISITORS ENTERTAINED
A tea was given for Mrs. John Galsworthy, wife
of the eminent English novelist, at the Woman's City
l lub. Miss Marion Leale, the club's president, and
the board of directors, greeted the three hundred
guests that attended.
The presence of the international polo team on the
peninsula precipitated a round of entertainment dur-
ing March. Among those who arranged teas dinners
ami dancing parties were Mr. and Mrs. William
Magee. Jr., Miss Josephine Grant. Mr. and Mrs.
Joseph Oliver Tobin and Prescott Scott, Mr. and
Mrs. George Pope, Jr., Mr. and Mrs. Cyril Tobin
and Mr. and Mrs. William Gregory Parrott.
Mr. and Mrs. George C. Leib entertained at
luncheon at the Burlingame Country Club in honor
of Mr. and Mrs. John Magee. Mrs. Harry Gray and
Miss Melissa Vuille of New York. On the 'same
evening Mr. and Mrs. William H. Crocker gave a
dinner for the New York visitors at their home in
Burlingame.
Mr and Mrs. Paul Davis visited San Francisco
recently from their home in Rio de Janeiro. Among
those who entertained in their honor were Mr. and
Mrs. Henry Cartan and Mrs. Wilfred S. Metson.
THE
REIGNING
DYNASTY
Mrs. Lionel Stahl (Louise Gerstle) who now
makes her home in Lima, Peru, where Mr. Stahl is
in the American diplomatic service, visited with her
parents, Mr. and Mrs. Mark K. Gerstle. During the
recent visit of the Prince of Wales and Prince George
in Peru, Mr. and Mrs. Stahl gave a dinner party m
their honor.
Honoring Dr. and Mrs. Henry F. Helmholz of
Rochester, New York, Dr. and Mrs. Frank Hinman
entertained at dinner.
Among the Honolulu visitors who are being greeted
in San Francisco during the Easter season are Mr.
and Mrs. J. Piatt Cooke, Mr. Walter F. Dillingham,
Mr. Harold Dillingham and Mr. and Mrs. Burton
Xewcomb. Mr. Walter Dillingham was honor guest
at a dinner given by Mr. and Mrs. Frederick McNear.
Mr. and Mrs. Howard Park gave a buffet supper
at their home in Burlingame in honor of Mr. and
Mrs. Edward H. Clark of New York.
Mr. and Mrs. Frank P. Deering entertained at
dinner recently and Mr. Ignace Jan Paderewski was
the guest of honor.
In honor of Mrs. Graham Aldis of Chicago, Mrs.
S. Hasket Derby gave a luncheon at her home in
Gough steret.
Mrs. G. Temple Bridgman (Anita Maillard) of
New Canaan, Connecticut, was honor guest at a
luncheon given by Mrs. Atherton Russell.
Mr. and Mrs. George Pope. Sr.„ entertained at
dinner at their home in Burlingame, honoring Mrs.
Graham Fair Vanderbilt.
Mrs. Oscar Cooper is a visitor in San Francisco
and is staying at the Hotel Mark Hopkins. Mrs.
Cooper (Anita Harvey) makes her home in New
York.
Mr. and Mrs. Ettore Avenali and Mr. and Mrs.
William P. Roth were among those who entertained
for Mr. and Mrs. Robert Dunham of Chicago during
their visit here. Mr. and Mrs. Dunham were guests
at the Hotel St. Francis.
Mrs. William R. Nichols of Montecito is the
house guest of Miss Catherine Wheeler at her home
in Broadway.
Mrs. William J. Younger of New York is a guest
at the Fairmont.
Mrs. Sanborn Young (Ruth Comfort Mitchell) of
Los Gatos, has been in San Francisco for a fortnight,
staying at the Hotel Fairmont.
In honor of Miss Betty Godfrey of Coronado, Miss
Genevieve Hart gave a luncheon at her home in
Stanford Court.
Mrs. Wendell P. Hammon was luncheon hostess
at the Francisco Club in honor of Mrs. O. C.
Hawkins of Gridley.
HERE AND THERE
Mr. Jerome Kuhn and Mr. William S. Kuhn, Tr..
gave a party at the Kuhn home in San Mateo' in
honor of their sister, Mrs. Robert G. Hooker. The
occasion was Mrs. Hooker's birthday.
Miss Helen Hammersmith gave a party at the St.
Francis Yacht Club in honor of Miss Vail Jones and
her fiance. Mr. Robert Kasper. Others who arranged
pre-nuptial entertainments for the couple included
Mr. and Mrs. Heber V. Tilden, Mr. and Mrs. Alfred
S. Hammersmith, Mrs. Calvin Tilden and Mrs.
George C. Thierbach.
Mrs. Lalor Crimmins gave a luncheon at her home
in Atherton in honor of Miss Florence McCormick,
one of the season's debutantes.
Miss Aileen Tobin has announced April 25 as the
date of her marriage to Mr. Ernest O. McCormick.
Miss Agnes Clark will be maid of honor, and Mr.
Henry McCormick will be best man.
Pro Musica Society is planning a concert to be
given by the London String Quartet at Scottish Rite
Hall on April 10. Mrs. Slgmund Stern will give a
supper at her home in Pacific Avenue following the
recital.
Mr. and Mrs. Lawrence W. Fox, Jr., have taken
the Kenneth Monteagle place in San Mateo for the
summer.
Mr. and Mrs. Walter G. Filer, who make their home
at the Burlingame Country Club, entertained there
at luncheon recently. Among the guests was Mr.
Campbell Stewart of Santa Barbara who was the
guest of Mr. and Mrs. Filer over the week-end.
Mrs. Atherton Macondray has been selected to
play the part of the Princess in the Junior League's
performance of the Sleeping Beauty, to be given at
the Community Playhouse on April 9, 10 and 11.
Mr. Whitney Warren, Jr., of New York, celebrated
his birthday by giving a dinner party at the Hotel
St. Francis. Mr. Warren is building a new home on
his ranch property at Davis.
Mr. and Mrs. George A. Newhall, Jr., of Burlin-
game, entertained a group of the polo enthusiasts at
luncheon preceding one of the matches.
Continued on page 30
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CONTRIBUTORS
EDWARD A. MORPHY
FREDERICK O'BRIEN
SYDNEY KING RUSSELL
CAREY MCWILLIAMS
CHARLES CALDWELL DOBIE
ELVA WILLIAMS
LINCOLN STEFFENS
IDWAL JONES
ROWENA MASON
KATHRYN HULME
OTTORINO RONCHI
ZOE BATTU
DANCE OF VICTORY By JEAN NEGULESCO
GALERIE BEAUX ARTS
THE SAN FRANCISCAN
JOSEPH DYER
Editor and Publisher
Aline Kistler
Assistant to the Publisher
The San Franciscan is published
monthly by The San Franciscan
Publishing Company, Sharon
Building, San Francisco, Cali-
fornia. Entered as second-class
matter October, 1928, at the
Post Office at San Francisco,
Calif., under the act of March
3, 1879, Joseph Dyer, Pub-
lisher. Subscription price: one
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Copyrighted 1929, The San
Franciscan Publishing Company.
Manuscripts will not be re-
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For advertising rates address
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VOLUME V APRIL, 1931 NUMBER 6
Articles and Features
Constructive Disintegration, by Edward A. Morphy 7
Impressions of San Francisco, by Jack Wyche-Feeny 11
Henry Adams and Stevenson in Samoa, by Frederick O'Brien 12
The Russians in California, by Zoe A. Battu 17
Spring in Paris or San Francisco, by Marjorie V. MacDonald 23
Now It Can Be. Told, short comment and humor 8-9
Reigning Dynasty, by Josephine Bartlett 4-30
As Seen By Her, by Molly Merkley 32
Short Story
Huntress, by Leroy Rumsey 16
Verse
At Sausalito, by Vaughn Francis Meisling 13
Departure, by W. D. Stockley, Jr ■ 25
Criticism
Facing the Music, by James Hamilton Fisher 10
Spotlight, by Charles Caldwell Dobie 15
Views and Reviews of Books, by Fritoff Michelson 20
Passing Shows, by Aline Kistler 18
Illustrations
Issay Dobrowen, photograph by Boye 6
Cartoon by Morry Morrison 8
Cartoons by James Cannon and Rascoe 9
San Francisco, drawing by Rudolf H. Sauter 11
Frederick O'Brien, photograph by Brett Weston 12
Oasis, wood carving by Karoly Fulop 13
Pauline Frederick, photograph by De Forrest 14
Modern setting for "Once in a Lifetime" 14
Gunnar Johansen, sculpture by Warren Cheney 16
Fremont Older, sculpture by Jo Davidson 17
Porcelain figures, by Cecilia Graham 18-19
Sinclair Lewis, caricature by Sotomayor 20
Lady Hastings, photograph by Edward Weston 21
ISSAY DOBROWEN
Symphony conductor and musician
extraordinary, who, in signing a three-
year contract with the San Francisco
Symphony Association, divides re-
sponsibility next year with Basil Cam-
eron but in the Fall of 1932 assumes
complete charge of the orchestra.
With a long list of successful European
engagements to his credit, Dobrowen
brings a wealth of experience to his
new post.
wmjFi
Constructive Disintegration by Edward a. MorPhy
PROFESSOR EINSTEIN has been writ-
ing a few kind words about his
opinions of America. His compli-
ments largely predominate over his
criticisms. Nevertheless he observes
that:
"The exaggerated value of money is
even more noticeable in America than
in Europe, but it seems to be waning."
In reference to this conciliatory
after-thought he expresses his belief
that:
"Americans are beginning to realize
that material possessions are not essen-
tial to a happy and blessed life."
If this conjecture be true, so much
the better for many of us Americans.
Because — though the fact is not one
which is emphasized by our news-
papers or by our leaders in the realms
of politics, industry, commerce and
finance — we are trending toward a
goal whereat many of us will have to
realize that such possessions are not
essential to any sort of a life that will
then come within the normal sphere
of attainment.
In other words, the larger masses of
the people may have to forget what joy
once lay in those material possessions
that are now being moved out of their
reach by the process known as "the
rationalization of industry." This
implies, euphemistically, the bent of
modern commercialism in the higher
efficiencies: — The substitution of ma-
chinery for man -power in every avail-
able walk of life, the extension of the
chain system in trade and finance, the
consolidation of great enterprises, and
all the other ingenious devices by
which we are eliminating the human
worker from human achievement, and
dissociating him from the employment
whereby his means for the purchase of
material possessions have hitherto been
acquired.
THIS is a serious matter as regarded
from the worker's point of view,
and the situation is not ameliorated
by the fact that, while eliminating him
from his place in the machine that is
society, we are educating his children
along academic lines that unfit them
for the adventures and hardships of
pioneering. In such circumstances, the
workers cannot be expected to spend
money on any material possessions
other than essentials.
Thus it happens that, with the larg-
est gold reserves ever hoarded by any
nation in history, with the largest sur-
plus of grain and cotton that it was
ever possible for any nation to accumu-
late, with the most lavish abundance
of oil and gasoline anywhere attain-
able, and about seven times more auto-
mobiles than all the rest of the world,
this country is now suffering from con-
ditions of distress, unemployment and
depression normally and hitherto in-
conceivable amid such surroundings.
The people who are in employment are
the people who buy things. When they
are put out of employment the pro-
ducer loses .his most important pur-
chasers.
As a remedy for these conditions, we
are still further "rationalizing" our
industries where possible or cutting
down staffs by amalgamating previ-
ously individual enterprises, or by the
simpler process of discharging all but
the most essential workers. Having
done all this, we induce our news-
papers to proclaim loudly and boldly,
"Employ all you can!"
Such exhortations, however, will
not change the present trend of our
civilization, nor will it alter the real
aspect of our affairs. Little likelihood
of altering this aspect seems to exist.
Mr. Ford, no doubt, has mooted an
ngenious plan for engaging workers
n his factories during one-half of the
year and cutting them loose on farms,
with Ford tractors, during the other
half. Will the factory hand succeed as
a farmer, and vice versa? Somehow the
idea seems to savor of the older com-
munal enterprise wherein a colony of
Chinese laundrymen lived by taking in
each other's wash.
But Mr. Ford proffers a suggestion
that has at least a flavor of construc-
tiveness about it. In the other depart-
ments of "rationalization" the only
suggestion to the unemployed worker
is that he remain unemployed, but that
he be generous in spending his savings.
if he have any. while so unemployed.
No situation which promises to ex-
pand unemployment is one that prom-
ises stability. Nevertheless, as it is the
apparent desire of the nation to be
constantly assured that everything is
lovely in the garden, and that unem-
ployment is the mere figment of a
dream, the newspapers can scarcely be
blamed for following the lead of our
public men and assuring everybody
that employment and prosperity of
every kind is waiting for us just around
the corner. Why not keep on boosting
our fool's paradise until we all believe
in it?
MEANWHILE it might be useful if
some of our leaders realized
that impermanence is one of
the few inevitable qualities of a fool's
paradise, and that we in capitalistic
America today are achieving by meth-
ods which we believe to be purely con-
structive and anti- communistic, the
same disintegrating results upon soci-
ety that the communist administration
at Moscow is seeking to produce
throughout all civilization.
Superficially considered, this con-
cept might seem preposterous. But it is
no more preposterous than is the re-
pugnance of our administrators and
our financiers to concede the existence
of conditions of depression that obvi-
ously do exist. It is while seeking the
causes for this repugnance that one is
confronted with the fact that nothing
other than an economic miracle can
bring a remedy for existing conditions
unless we change our method of devel-
opment on lines that will permit the
worker to work.
Most commentators on this situa-
tion seem to expect the appearance of
the desired miracle — some invention,
or discovery or other phenomenon —
that will change the whole aspect of
human existence and will enable all
men to live and prosper without need
for undue exertion or endeavor.
It is to be hoped that these optimists
are right. At any rate the social read-
justments that have followed some
great industrial and political innova-
tions of the past may justify the opti-
mists in their expectations. But mira-
cles that speedily and painlessly re-
adjust badly disturbed conditions of
Continued on page 29
NOW IT CAN BE TOLD
ANEW and simpler version of the
recent slapping of Sinclair
Lewis. Nobel Prize winner, by
Theodore Dreiser, was told by Fred-
erick O'Brien, to some hundreds of
authors, and members of the San Fran-
cisco Advertising Club, attending the
California Writers' day luncheon, in
the Colonial room of the St. Francis
hotel. In introducing O'Brien. Charles
Caldwell Dobie, chairman, rejoiced that
the other speaker, Annie Laurie, was of
the well behaved sex, so that there was
no fear of such an unseemly encounter
between them as that in New York
between Sinclair Lewis, Nobel Prize
winner, and Theodore Dreiser, famous
author of An American Tragedy.
Frederick O'Brien said that he knew
both Lewis and Dreiser, and could
very easily account for the encounter.
"Ray Long, chief Hearst magazines
editor, is an admirable host," said
O'Brien, "I have dined with him. At
his dinner to the notables in New
York, Red Lewis, who has saffron
hair and a carrot-hued face, is of an
ebullient, not to say turbulent nature.
Dreiser, a huge mass of introverted
genius, is without humor. As the eve-
ning grows, Lewis becomes louder and
funnier; Dreiser more lugubrious, sil-
ent and less sensitive to noises with-
out."
At the dinner table, Lewis had re-
plied tartly to his introduction by the
jolly toastmaster, that he hated to talk
because one of the guests present had
"copped 3,000 words from my wife's
book on Russia, and two others had
said that the award of. the Nobel prize
to me was boloney."
After this preliminary declaration
of muteness, Lewis said many other
personal mouthfuls.
After all the eating was over, and
the guests were knotting about the
salon, Lewis approached the now al-
most impenetrably lost-in-thought
Dreiser, with a bright and big beaker
of one-half of one per cent. The dia-
logue before action began:
Lewis: "Say, Sister Carrie, let's
drink this to peace."
Dreiser, twiddling his kerchief (he
does this by the hour when immersed
in inwardness) : "Nothing, thanks,
I'm dry, sir."
Lewis: "I know who you are.
You're an American tragedy. Who the
bells do you think I am? Do you think
I'm a mere Nobel experiment, too?"
He proffers beaker, insistently, tee-
teringly.
Dreiser, absent-mindedly dropping
his kerchief, and looking out from the
clouds: "Oh. you, you are He Who
Gets Slapped."
"And, with that," said O'Brien,
"he proved himself a very Titan at
flathanded palmistry."
A San Franciscan is one whose apart-
ment has "the best marine view in the
city."
A HUGE lavender limousine swung
to the curb. It was the Royceiest
of Rolls. A chauffeur highly
ginned jumped out in a wobbly way
and swung open the tonneau door.
Came forth flushed like the sun, a
woman clothed in sables, jewels
sparkling and she also was very, very
HAVE ONE
THE SAN FRANCISCAN
tipsy. Taking the arm of the chauffeur,
with all the dignified grace of a queen,
and with an apparent mutual under-
standing they made for the door-way
across the sidewalk, the pair of them
floundering around like driftwood in
an eddy. Suddenly when within a
direct line with the door they lunged
forward, making the entrance by a
close margin and a hiccough or two,
it slammed, the crowd grinning began
dispersing, a youngster of the streets
piped up: "Yeah, the old girl is plush
on her webs."
We quote a distinguished citizen of
Hollywood who recently visited San
Francisco:
"Hollywood." he said, "has the
perfect approach to art. It has neither
prejudices, previous impressions, nor
educated associations with which to
judge what it sees — it is the epitome
of an unbiased mind."
DURING a recent fog we were re-
minded of the old gentleman
who came to San Francisco last
summer and was lost in a fog one
night. It was thicker than the man
had ever seen in his life, but he did not
become seriously alarmed until he
found himself in a slimy alley. He
was on the verge of calling for help
when he heard footsteps approaching
through the obscurity.
"Where am I going?" he asked
anxiously.
A voice replied weirdly through the
darkness:
"Into the bay — I've just come out
of it."
A LARGE colored woman from
Oakland's dark town, charged
with assaulting another negress,
was being tried. "Mandy Mullins,"
said the magistrate, "what have you to
say for yourself?"
"Yo' wo'ship," replied Mandy,
"Ah ain't nevah struck dat woman.
Ah nevah touched her. Ah had called
her down foh throwin' rubbish out
back, an' she kept on doin' it, an' dis
mawnin'. Ah reprimanded her again.
Ah was holdin' up my right hand jes'
like de statute of Liberty, jes' like
Ah'm holdin' up mah right hand now,
reprimandin' dat woman, an' as Ah
come close to her, dat woman juse
jumped head first ovah de railing. Ah
ain't touched her."
"What did you have in the hand
which you were holding up like the
Statue of Liberty?" asked the magis-
trate.
"An ax," was the reply.
A San Franciscan is one who tells
the seasons by the decorations at the
Post Street Cafeteria.
APRIL, 1931
Let 90 that hand — they'll think they've missed the 5:1 5
WE HAVE an abject reverence for
those able to juggle statistics —
and even if you do not enjoy
a similar attitude, we are willing to
share these figures, reprinted from The
Recorder, so that you may quote them
as your own at the next dinner party:
In spite of the increased competition
of trucks, busses and airplanes, the
railroads in 1930 carried 45,887,413
carloads of revenue freight, which was
only 1 3 per cent less than in 1 929 and
was 16 per cent greater than in 1921.
Fisher Index covering 200 items, in
1930 reached the lowest level since
1916, but were still 1 9 per cent above
the average for 1914.
Of special interest to San Francis-
cans is the fact that shipping tonnage
entering and clearing the harbor dur-
ing 1930 showed a decrease of only 2
per cent when compared with 1929
and was 1 4 per cent greater than in
1927. Post office receipts of San Fran-
cisco in 1930 were 2 per cent less than
in 1929, but 1 per cent more than in
1928; and automobile sales were 10
per cent more in 1930 than in 1927.
We lay these statistical tributes on
the tomb of 1930 in the hope that
they will help that unhappy year to
requiescat in pacem and discourage its
ghost from stalking about to scare
the timid in 1931.
IN the old days
in the San
Joaquin val-
ley, two good-
natured thieves
formed a part-
nership for the
purpose of cat-
tle "rustling."
They operated
together until
they were finally
r% caught by the
Vigilantes' com-
mittee. The trial
was short but
adequate. A
lynching bee
was the next
step in the effec-
tive, if some-
what summary,
legal procedure
of the time.
Presently the
two thieves were
taken to a bridge
for hanging. As
the first one.
with the rope
around his neck,
was cast off, the
rope broke, and
he fell into the
river. But he
swimmer and swam
was a good
downstream to freedom.
When the lynchers adjusted the
rope around the other rustler's neck,
he called out anxiously:
"Boys, I wish you'd be a little
more careful with that rope. I can't
swim a stroke!"
THE lady was charming and kind
and the man was handsome and
strong. They met on the sunny
side of Powell Street and looked into
each other's eyes. She was richly,
though simply dressed: he was all but
in rags. Yet, there was a regal some-
thing about him that caused her to
listen with more than usual attentive-
ness when he spoke.
When she learned it was alms he
sought, she was moved to compassion.
"My poor man," she said, "you have
seen better days."
"Ya, madam, I bane wan tarn
Prance Charmang ta many wuman."
"Oh, you were a war hero?"
"Naw, I ban moova haro before
tha damn talkies cam."
"q omeo and Juliet" as played
PC by Ralph Chesse and his mar-
' ^ ionettes at the Travers Theatre
deserves special comment. Many of
the important scenes had to be omit-
ted to suit the purpose of the mar-
ionette but in spite of that the cut
version told the story and sustained
dramatic interest throughout. There
was none of the grotesque in this mar-
ionette version, the beauty and poetry
of Shakespeare was surprisingly well
expressed in the reading as well as in
the movement of the small wooden
figures. The settings, though modern
to the extent of suggesting the ab-
stract, created a perfect atmosphere
that was colorful and gave the feeling
of great space. Here at least the artist
has his freedom and Shakespeare has
been interpreted by a single individual.
It is a far cry from "Punch and
Judy" to "Romeo and Juliet," but
Chesse has lifted the art of the mar-
ionette beyond any possible fear of
confusion. What doubt exists, only
exists in the minds of those who have
seen Punch and can only imagine
Romeo in awkward comparison to
him. So much for an experiment, may
the marionettes live long.
Among those who would probably
appreciate a new Opera House is the
tall, slim, languid young woman who
enters the Auditorium followed by her
escort carrying a cushion.
SUICIDE is epidemic but does not
begin to be as alarming as it
would be if all who attempt it
succeeded. While many are willing to
jump off into the void with both feet,
many more manage to keep one foot
at least firmly planted.
A phlegmatic patrolman saw a gen-
tleman in the act of emulating a comet
by jumping from a third story win-
dow the other morning about three
o'clock. The latter landed on the
pavement with a dull, sickening thud.
The policeman thought he was dead,
but an instant later the late aviator
without benefit of parachute sat up
dazedly, rubbing his head.
"Why did you jump out of that
window?" demanded the arm of the
law, perceiving that the other was not
badly hurt.
"A woman lied to me."
"Well, and what if she did? Is that
any reason to jump out of a three-
story window? What did she lie
about?"
"She told me her husband was in
China."
10
Facing the Music
ONCE upon a time the head of a
great and important Civic
Bureau was asked to speak at a
dinner given for the purpose of form-
ing a summer symphony association
in his community. He knew nothing
about music, less how to form a sym-
phony association, but he did realize
that it might be to his political ad-
vantage to attend the dinner and "do
something for art." And so he wrote a
speech, which his wife called "good"
and his stenographer pronounced
"perfect." There is no need to repeat
the things he said. We all have heard
orations delivered by leaders of im-
portant Civic Bureaux in defense of
art, and so are familiar with their
texts. But, being a man famous for
his wit, the head of this particular
Civic Bureau was certain to utter some
unique drollery which would carry a
deep and far-reaching moral. And his
audience was not disappointed. Said
the great man as a climax to his rous-
ing oration: "The boy who blows a
horn will never blow a safe, therefore
let us have summer concerts." And
the diners, sad to say, cheered wildly
and pronounced themselves in full ac-
cord with the great man's view.
There is nothing in the records of
the Philharmonic Society of San Mateo
or the San Francisco Summer Sym-
phony Association to indicate that
their existence is based on this or any
other priceless epigram uttered at the
end of a satisfying meal. As a matter
of fact, from the first I suspected that
neither Lenora Wood Armsby, who
governs the one, nor Joseph Thomp-
son, who heads the other of these
organizations, would waste one mo-
ment of their precious time if they
thought summer symphony concerts
were nothing more than crime preven-
tion schools. But as knowledge of such
facts is always doubtful until probed
at first hand, it was decided both
should be solemnly interviewed and
severely questioned as to their inten-
tions, if any. And though the inter-
views differed from the usual question
and answer pattern, because of an in-
herent objection on my part to ask
questions, the result was highly illu-
minating.
TO SATISFY those who insist on
getting their facts straight and un-
adulterated, let me state briefly that
this year's eight concerts in the Wood-
lawn Theatre in Hillsborough are to
start on Sunday afternoon, June 21,
while the Civic Auditorium series of
ten will begin on Tuesday evening,
by James Hamilton Fisher
June 23; that although the list of
conductors is not quite complete, cer-
tain it is that Walter Damrosch, of
New York, Sir Hamilton Harty of
England, Pierre Monteux of Paris and
Arthur Rodzinski of Los Angeles will
be among them: that the programs
will contain mostly classic and semi-
classic composition with a few modern
works thrown in for good measure,
and that the birds in the Woodlawn
Theatre will accompany the orchestra
whenever they feel like it. Mr. Thomp-
son said the Tuesday night concerts
may again be broadcast, providing the
right sort of sponsor can be found,
while Mrs. Armsby was hopeful that
the general attendance during the com-
ing season would be even better than
last year.
So much about the mere physical
aspect of the concerts. True, facts of
this sort are important but are ob-
viously only part of the whole show.
Of greater consequence to the average
man and woman in the streets are the
underlying reasons for giving these
concerts at all. For, once they grasp
Concerts of the Month
Friday evening, April 10 — Under the auspices of
San Francisco Chapter of "Pro-Musica," The
London String Quartet at Scottish Rite Hall.
Sunday afternoon, April 12— Estelle Reed, dancer,
at the Geary.
Monday night, April 13 — Claire Dux, at Dream-
land Auditorium.
Sunday afternoon, April 19 — Yehudi Menuhin,
at Dreamland Auditorium.
Monday night, April 20— Pacific Grand Opera
Co. at the Tivoli Theatre, "Carmen" with
Eleanor Painter; Claire Cpsher; Olive Rich-
ardes ; Ludovico Tomarchio ; Joseph Hoyos,
etc.
Tuesday night, April 21 — Pacific Grand Opera
Co. at the Tivoli Theatre, "Rigoletto" with
Louis de Iharguen ; Joseph Hoyos ; Jose
Corral ; Evaristo Alihertini ; Bernice van Gel-
der; Edith Mackey. etc.
Thursday night, April 23— Pacific Grand Opera
Co. at the Tivoli Theatre, "The Masked Ball"
with Olive Richardes ; Myrtle Leonard; Ludo-
vico Tomarchio, etc.
Saturday afternoon, April 25 — Pacific Grand
Opera Co. at the Tivoli Theatre, "Cavalleria
Rusticana" with Adela Reyes ; Edith Mackey;
Louis de Iharguen; Joseph Hoyos, etc., and
*'La Boite a Jou Joux."
Saturday evening, April 25 — Pacific Grand Opera
Co. at the Tivoli Theatre, "Carmen" with
Eleanor Painter; Claire Upsher ; Olive Rich-
ardes ; Ludovico Tomarchio ; Joseph Hoyos,
etc.
Monday evening, April 27 — Pacific Grand Opera
Co. at the Tivoli Theatre, "La Gioconda"
with Meryl Floyd; Nona Campbell; Myrtle
Leonard; Ludovico Tomarchio; Mateo Dra-
goni, etc.
Wednesday evening, April 29 — Pacific Grand
Opera Co. at the Tivoli Theatre, "Madame
Butterfly" with Hana Shimozumi-Iki ; Edith
Mackey; Mardell May; Luis de Iharguen;
Marsden Argall, etc.
Friday evening. May 1 — Pacific Grand Opera Co.
at the Tivoli Theatre, "Lucia" with Audrey
Farncroft ; Elizabeth Byrnes ; Luis de Ihar-
guen; Marsden Argall, etc.
Saturday afternoon, May 2— Pacific Grand Opera
Co. at the Tivoli Theatre, "I Pagliacci" with
Gladys Young ; Ludovico Tomarchio ; Mateo
Dragoni ; Terry Lafranconi ; Marsden Argall,
etc., and "La Boite a Jou Joux."
Saturday evening. May 2 — Pacific Grand Opera
Co. at the Tivoli Theatre, "La Gioconda"
with Meryl Floyd; Nona Campbell; Myrtle
Leonard ; Ludovico Tomarchio ; Mateo Dra-
goni, etc.
THE SAN FRANCISCAN
their real significance, it is far easier to
prevail upon them to buy tickets.
Certain it is that summer symphony
concerts, diligently arranged, are a
popular form of entertainment. San
Francisco has ample proof of that. So
has Hollywood and New York. Yet
for every ten who like to spend their
Sunday afternoons in the Woodlawn
Theatre and their Tuesday nights in
the Civic Auditorium there are twenty
who consider Summer Symphonies a
waste of time, money and effort. Not
that they dislike music. Far from it.
They like it but they must have it in
what they are pleased to call the "right
atmosphere," and summer nights or
Sunday afternoons simply don't click
with them. Perhaps their attitude is
merely an alibi. Whatever it is, it is a
mental hazard which has to be over-
come by those who, realizing the value
of the concerts, are working for their
success.
Summer concerts are important to
the musical life of a city if for no other
reason than to give the members of a
symphony orchestra a chance to work
and practice. Have you ever thought of
that? If you haven't, just ask Mrs.
Armsby or Mr. Thompson. They
know. They realize how important it
is for an organization as finely bal-
anced as a symphony orchestra to stay
intact all the year around.
Then there is the possibility of
hearing guest conductors. Most noted
leaders have their permanent orches-
tras over which they preside during the
winter months. But during the sum-
mer they can take their talents else-
where. Have you ever realized how
valuable a change of discipline is to the
players ? And who profits by it but San
Francisco if the visiting leaders return
to their respective homes, either in this
country or in Europe, and sing the
praises of the orchestra they conducted
here?
WHEN Issay Dobrowen was on
his way to San Francisco
from Germany recently to fill
his engagement here, he met Bruno
Walter, brilliant Prussian conductor
in Berlin. If Dobrowen felt happy over
his trip to California before he met his
colleague, he must have been doubly
pleased after he had spoken with him.
For Walter, who conducted in this city
during the summer months a year or
two ago, could not tell him enough
about San Francisco's natural beauties
and artistics achievements.
Chambers of Commerce, both sen-
ior and junior ought to make a note
of this. Summer concerts ARE impor-
tant you see, in more ways than one.
After all San Francisco may be known
as "The Jewel of the Pacific." but even
Continued on page 25
APRIL, 1931
Courtesy or Vjckery, Atkins &
X
F R
N
O
THE sun goes down in a fog — dropping like a plummet in the carnelian
waters of the bay . . . shorelines . . . eastern skies faintly bright . . .
relentless Pacific — now a carpet of aquamarine merges into the ash-blue
valance of infinity . . . gray-green sullen-lipped breakers — foam-topped —
venting their fury upon the rocks of time . . .
Night . . . the air is heavy — oppressive — stifling . . . Chinatown ... its
mysterious caverns filled with pleasure seekers . . . Market Street — great
octopus, breathes heavily — its far-reaching tentacles embracing humanity
of every race and creed . . . Barbary Coast . . . dance halls filled to capacity
. . . Palace Hotel — rendezvous of the world-traveled, agleam with brilliant
gayety . . . San Francisco, sophisticate of cities . . .
A low hoarse sound as of distant thunder ... a wierd, unearthly light
succession of lightning-like vibrations . . . the earth swells like the sea . . .
buildings collapse on every side . . . the ground opens in great rents —
widening — engulfing houses, trees. Human beings roused from sleep and
pleasure . . . screams of terror dreadful to hear ... a sickening sense of
gradual sinking . . . short, sharp, intermittent tremblors . . . fire! . . . water
mains asunder! . . . great buildings . . . block on block of houses trembling
. . . licked by fiery tongues — devoured . . . great funnel-like holes yawn-
ing .. .
TWENTY-FIVE years . . . metropolis of the west . . . Chinatown — de-
lightful, inviting, its clean broad streets paneled with smart shops . . .
colorful cafes . . . Golden Gate Park — monument to man's genius . . .
towering hotels . . . apartments . . . skyline of giant buildings . . flower
stalls, flanking colorful roadways . . . restaurants rivaling Paris ... an at-
mosphere unparalleled.
The sun goes down in a fog tonight . . . myriad lights hasten to take its
place . . . brilliance . . . floodlights enhance the beauty of skycsrapers . .
luxurious motor cars slowly climb Nob Hill . . . laughter on a Roof
Garden . . . magnificent panorama — ceaseless Pacific . . . gayety and con-
tentment . . soft breath of fog enveloping . . . the lonesome sound of a
bellbuoy . . . Night, San Francisco, sophisticate of cities . . .
Drawing by ... .
Rudolf H. Sauter
visiting English
painter
Impressions of
twenty-five years
ago and today by
JackWyche Feeny
12
Ad
ams an
dSt
evenson in oamoa
Apia. Samoa, July 11. 1921
To Frederick O'Brien,
Safune. Savaii, Samoa.
My Dear O'Brien — / was glad to
get your note because it fell in with a
conclusion I had already come to in
my own mind just as I was leaving
your village of Safune. You happened
to say that a tabu had been put on
your cottage and the pool in the cav-
ern, so you would not be disturbed
and could work. Thinking this over I
decided not to come back for anyone
can see that a person from the outside,
no matter who. disturbs literary work
more than any other. I know my
father and his brother. Henry, used to
require seclusion at their work.
Sincerely yours,
Henry Adams.
IN READING The Letters of Henry
Adams, a recent volume, I recalled
meeting Henry Adams, his nephew,
on the scene of Samoa so illuminat-
ingly dealt with by the eminent author
of the Education and of Chartres. I
was living, ten years ago, at the store-
boarding-house of Henry J. Moore, on
the main street of Apia, and after
dinner the talk had fallen on Steven-
son.
"He often sat right here," said
Moors. "I built for him the house in
by Frederick O'Brien
which he lived the last few years of
his life and in which he died. He and
I were great friends. I wrote the book,
With Stevenson in Samoa, to tell about
my dealings with him."
Henry Adams, the nephew, whose
letter to me is above, said, "My uncle,
Henry Adams, was here in Samoa with
John La Farge, the painter, and knew
and liked Stevenson. He thought he
was queer, but got to understand him.
he said."
Knowing Henry Adams, the New
Englander, by his Education. I won-
dered then what he really had thought
of Stevenson. I did not believe that I
would ever know, for Adams was reti-
cent, and even his Education was not
published until after his death. But,
now, in the Letters, are astonishing
and intimate disclosures of Adams'
impressions of the beloved poet and
wanderer. They are made in letters to
close friends or kin, and are published
after forty years. Here is Adams' first
sight of Stevenson:
The afternoon was lowering, with
drops of rain, and misty in the dis-
tance. At last we came out on a clear-
ing dotted with burned stumps exactly
like a clearing in our backwoods. In
the middle stood a two-story Irish
shanty with steps outside to the upper
floor, and a galvanized iron roof. A
FREDERICK
O'BRIEN
Recent stinging comment
by this noted author, jour-
nalist and world adventurer
published in The Carmelite
has drawn renewed atten-
tion to Frederick Obrien,
one of the outstanding
writers in the West who
herewith becomes a con-
tributor to The San Francis-
can. The portrait is by Brett
Weston.
THE SAN FRANCISCAN
pervasive atmosphere of dirt seemed to
hang around it. and the squalor like a
railroad navvy's board hut. As we
reached the steps a figure came out that
I cannot do justice to. Imagine a man
so thin and emaciated that he looked
like a bundle of sticks in a bag. with a
head and eyes morbidly intelligent and
restless. He was costumed in a dirty .
striped cotton pyjamas, the baggy legs
tucked into coarse knit woolen stock-
ings, one of which was bright brown
in color, the other a purplish dark tone.
With him was a woman who retired
for a moment into the house to re-
appear a moment afterwards, probably
in some change of costume, but as far
as I could see, the change could only
have consisted in putting shoes on her
bare feet. She wore the usual mission-
ary nightgown which was no cleaner
than her husband's shirt and drawers.
but she omitted the stockings. Her
complexion and eyes were dark and
strong, like a half-breed Mexican.
Henry Adams did not know, maybe,
that this shanty in which lived the
Stevensons, was but the pioneer tent
for building the commodious and de-
lightful home in which, until he died,
the noted pair entertained lavishly the
most distinguished visitors to Samoa.
Stevenson returns the visit to Henry
Adams and La Farge, and Adams
wrote:
We have seen much of Stevenson
these last few days, and I must say no
more in ridicule, for he has been ex-
tremely obliging, and given me very
valuable letters of introduction to
Tahiti and the Marquesas. He has
amused and interested us, too. and
greatly by his conversation. Last even-
ing he came at five o'clock, and brought
his wife to dine with us. Their arrival
was characteristic. He appeared first,
looking like an insane stork, very
warm, and very restless. Presently Mrs.
Stevenson in a reddish cotton night-
gown, stagged up the steps, and sank
into a chair, gasping, and unable to
speak. Stevenson hurried to explain
that she was overcome by the heat and
the walk. Stevenson says that his wife
has some disease, I know what of
a paralytic nature, and suffers greatly
from its attacks. I know only that
when I arrived afterwards I found her
on the piazza chatting . . . and appar-
ently as well and stalwart as any
Apache squaw. Stevenson was aston-
ishingly agreeable, dancing about,
brandishing his long arms above his
head, and looking so attenuated in
the thin flannel shirt which is his con-
stant wear, that I expected to see him
break in sections like the polloto (a
reef worm) . To my great relief he is
not a Presbyterian, but is as little
missionary as I am.
APRIL, 1931
by Karoly Fulop
This wood carving with
ivory inlay is among the
Fulop pieces owned in
San Francisco. His wa-
tercolors, carvings and
chrysos paintings were
shown at the Legion Pal-
ace last autumn and are
now on view at Cour-
voisier's.
Courtesy of COURVOISIER
THE acquaintance progresses, and
Adams and La Farge go to break-
fast at the shanty:
Stevenson stayed to dine With us,
and was quite on his manners, but as
usual had to borrow Sewall's clothes.
La Farge and I promised to come up
to his place next morning, and to send
our breakfast before us. I cannot con-
ceive why they should ever be without
food in the house, but apparently their
normal condition is foodless, and they
not only consented, but advised my
making sure of my own breakfast.
Stevenson himself seems to eat little or
nothing, and lives on cheap French
vin ordinaire when he can get it ... I
do not know how this regime affects
his complaint, for I do not know what
his complaint is. I supposed it to be
phthisis, or tubercular consumption;
but I am assured here that his lungs
are not affected. The German physician
here says that it is asthma. Asthma or
whatever it is. he and his wife, ac-
cording to their account, rarely have
enough to eat in the house, so I sent
off a native at seven o'clock in the
morning with a basket of food.
We found Stevenson and his wife
just as they had appeared at our first
call, except that Mrs. Stevenson did
not think herself obliged to put on
slippers, and her nightgown costume
had apparently not been washed since
Continued on page 34
14
PAULINE
THE SAN FRANCISCAN
FREDERICK
One of San Francisco's favorite
actresses who has turned a deaf
ear to the talkies, remaining
constant to the legitimate
theatre, pictured as she will be
seen here in the Belasco Cur-
ran production of the New
York Theatre Guild's current
success, "Elizabeth, the
Queen."
(below)
Modernistic setting for the
second act of the satirical
comedy on Hollywood, "Once
in a Lifetime" now breaking
records in San Francisco. Ac-
cording to reports, Sid Grau-
man's local version surpasses
the New York production.
DE FORREST
J? =
APRIL, 1931
Spotlight
THE feature of this review was to
have been Joe Brown in "Elmer
the Great." But, unhappily,
crossed wires prevented and we arrived
at the box office for a Wednesday ma-
tinee to find no seats in our name and
a string of fifty people waiting vainly
in line for a chance to even so much as
stand up. Further inquiry disclosed the
fact that the house had been sold out
for the entire week. This was momen-
tarily disappointing until we realized
that the spoken stage about whose
death so much has been written was
really a very live corpse. And, we were
likewise happy to find that our friend
Duffy had struck pay dirt again.
This talk about the decline of the
stage has always been with us, even
before the movies came on the scene.
There was something said about de-
generate drama in Shakespeare's time
and it was re-iterated in the days of
Sophocles. The movies should no more
interfere with the spoken drama than
the radio and phonograph interfere
with symphonies and the opera. As a
matter of fact, the screen should feed
the stage and if we had any rational
inquiry into the subject we should
doubtless find that it does that very
thing. If people are so content to look
at shadows why do they crowd into
movie palaces whenever a "personal
appearance" is announced? And why
do the police reserves have to be called
out whenever Charlie Chaplin or Mary
Pickford park their cars and alight be-
fore the entrance to a hotel? People
may find it agreeable and even enter-
taining to see shadows but they are al-
ways hungry to look upon real flesh
and blood. They can see Lindbergh
and Einstein from the comfortable
upholstery of any movie palace when
such figures are flashed on the news-
reel but this does not prevent them
from standing for hours along any line
of march over which these gentlemen
are scheduled to travel.
Joe Brown and "Elmer the Great"
may be indifferent entertainment, for
all we know, but the fact remains that
the public has made up its mind to
see the show. And the more people are
turned away empty-handed from the
box office the more determined they
will be to finally achieve an entrance.
There is no better advertisement for a
play than difficulty to obtain seats.
We, having come fresh from several
such New York successes, were not so
fussed by our inability to obtain an
entrance to the theatre but most of the
San Franciscans in line were resentful
to the point of comedy. It has been so
long since the "standing-room-only"
sign has been hung out before any local
box-office that the good people of the
city by the Golden Gate have forgotten
that such a situation could exist.
IN spite of the dearth of dramatic en-
tertainment that has prevailed dur-
ing the past month, the immediate
future is bright for. what we hope,
will be a repetition of box-office sell
outs. First of all, there is to be a knock
out at the Curran in the shape of com-
edy entitled "Once in a Lifetime." The
management announces that it will
run for two weeks, only. It should
run for two months. We have no per-
sonal idea how the coast production
compares with the New York produc-
tion. But we have seen those who have
enjoyed both performances and who
report very favorably on the cast from
Los Angeles. It doesn't require a great
cast and if the proper types have been
secured the play will be a riot. If you
want to see and hear Hollywood get
the panning of its life, don't miss
"Once in a Lifetime." And, if the
management is serious about a two-
week run, you had better go early and
avoid the rush.
The other potential sell-out is
"Elizabeth the Queen." There could
be no greater contrast than this play
and "Once in a Lifetime." It was one
of the greatest New York Guild pro-
ductions of the season. And, this, with
the critics in a rather sniffish mood.
Historical drama is not in good odour
with the highbrows of the great metro-
polis— unless it be the historical drama
out of Soviet Russia. Lynn Fontane
gave an extraordinary alive portrait of
the Queen. Her makeup was as mar-
velous as the makeups that Richard
Mansfield used to assume. It is not so
easy for an actress to sink her identity
in grease-paint and wig. Usually, of
course, if she is very lovely, she resents
sacrificing her good looks to her art.
Which moves one to wonder how far
Pauline Frederick will go in this mat-
ter.
Bernhardt, great as she was, could
never hide her identity even when she
played Hamlet or "L'Aiqlon." Nor
is Mrs. Fiske any better. We saw Mrs.
Fiske play Mary of Magdala, once,
and she was so like herself that it
AT SAUSILITO
by Vaughn Francis Meisling
A lifting blue-and-silver haze
Recalls the happy-island days
Sung in the long ago,- the bay
Is grey.
Athwart its glintless stretches wide
Unnumbered craft at anchor ride:
Yawls, schooners, pleasure-boats, and one
Full-rigger, lifting in the sun.
15
by Charles Caldwell Dobie
verged on comedy. Nazimova, on the
other hand, was a marvel at makeup.
We saw her in "The Doll's House,"
"Hedda Gabler," and a French comedy
called"Mme. Coquette" all within the
week and every night she was a totally
different woman. Duse, of course,
made not the slightest attempt at
makeup. She would not even use rouge.
However, there are some performances
which demand it and "Elizabeth the
Queen" is one. Now, Pauline, come
through and let us see how completely
you can become the red-headed, sharp-
nosed virago sometimes known as the
Virgin Queen. Not that you need to
be unlovely, but you need to be very
different. Miss Fontane was strikingly
handsome in the part but she was no
more the Lynn Fontane of contempo-
rary drama than a Lynn Fontane of
classic Greece. Essex is likewise a great
role. But Essex would always suffer
in comparison with Elizabeth. But the
New York critics did not sense this and
they sneered again — this time, at Al-
fred Lunt in the role. We repeat what
we wrote from New York in Decem-
ber that "Elizabeth the Queen" is one
of the best historical dramas that we
have ever seen. By the time this show
arrives in San Francisco the public will
doubtless have become accustomed to
standing in line for tickets. Which is
as it should be. We grow indifferent
to delights that are too easily come
upon.
AND while we are on the subject
of the revival of the spoken
drama, we must report the ru-
mor that vaudeville is coming into its
own again. On every side there are signs
of awakening. It seems that even San
Francisco is perking up in a vaudeville
way with the return of eight acts to the
Golden Gate. Almost our first move
when we arrived in New York last fall
was to make tracks for Keith's Palace
at Broadway and Forty-seventh. This
was the last stand of simon-pure
vaudeville and, oh boy, how we did
stand with it! Every week saw us in
line for the change of bill. There were
the Marx Brothers, and Eddie Cantor
and Sophie Tucker and all the old
favorites. And in addition ventrilo-
quists, and slack-wire performers, and
sleight-of-hand folk, to say nothing
of the appropriate music to accompany
them ! Now, honest, wouldn't you like
to see a lovely lady in tarleton skirts
run back and forth on a slack wire
while the orchestra softly croons
"Roses from the South." or a gentle-
man toss oranges and plates into the
Continued on page 25
16
THE SAN FRANCISCAN
G U N N A R JOHANSEN
Thoush in his early twenties, Gun-
nar Johansen has been acclaimed a
genius and a great artist in the
Scandinavian capitols and in
America wherever he has appeared
in concert and as soloist with
symphony orchestra. A pianist of
unusual technique, his accomplish-
ment is considered greatest in the
realm of emotional sensibility. He
is a Dane by birth but now makes
his home in the San Francisco Bay
Region where he is often heard
informally. His most recent public
concert drew unusual attendance
and enthusiasm and current opinion
has it that Johansen is slated to
become one of the world's truly
great pianists.
WARREN CHENEY
Huntress
by Leroy Rumsey
THE long, low roadster, a shimmer-
ing streak of silver in the black
shadows of the night, rolled
slowly to a standstill in a secluded
portion of the park, a spot silent and
remote with only the occasional dis-
tant rumble of a street car to break
the stillness.
Joan Harper, mistress of every ges-
ture, every emotion, sat in the close
quarters of the car with all the grace
of a Garbo reclining on a silken-
pillowed dais. Joan, the girl with the
sleepy blue eyes, who had arrived in
San Francisco from nowhere, had met
Anton Knight at a tea, and now, a
month later, was seated beside him in
this intimate nook, calmly certain of
the outcome of her adventure.
"Cigarette?" Anton was offering
her his case.
"Thanks."
He held the lighter for her. "Has
everything been all right?" he asked.
Languidly she blew smoke at him.
"It — will be."
"I thought you'd like a bit of quiet
for a change," he continued with
thoughtful deliberation. "A small cafe
and a ride — something peaceful, for
just us."
"It's been perfect."
Joan was not lying. The evening
could not have been better arranged
for her purposes had she planned it
herself. The little upstairs cafe with
its colorful walls and swart waiters
had been just the frame necessary to
enhance the portrait of blonde loveli-
ness she had prepared for him. She
had put on her Chanel gown, the
clinging white satin that made every
curve of her body a seductive appeal:
had spent hours over the light-tex-
tured hair that aureoled her head like
a casque of spun gold; had put forth
all her feminine allurements to make
this night perfect. The moment she
had heard Anton's voice on the phone
asking her to dinner, she had sensed
that tonight would be the end of her
adventure, and that she must do her
best to make the ending happy — for
her.
She had not spent all of her father's
insurance and the money from the
little corner grocery in St. Helena on
clothes for nothing. She had kept
Anton interested for a month, and
now she must turn this interest into
something more — or start hunting a
job. She was not worrying, however,
for she knew that Anton, the eligible
Anton, the playboy of San Francisco,
was finally going to ask her to marry
him.
She caressed his cheek with her cool
fingertips. "You're a dear. Anton."
Her voice was like the husky slither of
velvet across polished mahogany. "It
isn't often that we've had much time
to ourselves, you know."
Anton caught the slender white
hand in his own. "We've been great
pals, haven't we. Joan?"
"Yes. Anton — great pals."
He looked thoughtfully at his
cigarette, tossed it to the floor, ex-
tinguished it with slow deliberation.
"Why do you say it that way, Joan ?"
Suddenly he was closer. "We're more
than that, Joan — more ." With
practiced assurance, he pressed his cheek
to hers, held her slim body close. "Joan,
I love you so."
IT WAS almost too theatrical, and
for one disturbing moment. Joan
doubted his sincerity; then feeling
the throbbing masculine warmth of
him through the rough topcoat, she
exulted once more. Her moment had
come; her campaign was successful, and
the game was almost finished. Slowly,
languorously, she kissed him. Her voice
was a ghost, a wavering wraith, like
the shiver of silk in a silent room. "And
I love you, Anton. I love you."
Continued on page 31
\
\
APRIL, 1931
FREMONT
17
OLDER
Dean of western journalists, Fre-
mont Older has played a greater
part in San Francisco journalism than
any other one man. Coming here
when a boy, he started work as a
cub reporter or the Alta California.
He was city editor of the old Call —
he edited The Bulletin for twenty-
four years — and is now editor of the
amalgamated Call-Bulletin. During
his stormy career he has exposed
corruption and lead the prosecution
of the San Francisco graft scandal
under the Rue administration. He
has been a passionate crusader for
the liberty of Mooney and Billings.
He has no hobby except his work
and looks upon his ranch at Los
Gatos as a refuge — not a hobby.
JO DAVIDSON
SAVE for one thread of romance, the
Russian attempt to found a colo-
nial empire in America is a weary
tale of hunger, cold, sickness, futility
and death. The romance, such as it
was. has been immortalized in Ger-
trude Athcrton's Rezanof.
Nicholai Pctrovich Rezanof was of
the Russian nobility, a person of im-
portance at the Russian court. He was
a director in the Russian -American
Company, founded in 1779 to create
a crown monopoly of the fur trade in
Alaska and Alaskan waters and to ad-
minister Russian affairs on the Amer-
ican Pacific coast where a general ex-
tension of Russian power and trade
was planned.
The Alaskan fur trade, begun as
early as 1 745. was highly profitable to
Russia, but the Alaskan colonies were
habitually in a precarious and uncer-
tain condition. Alaska is a bitterly
cold, inhospitable country and was
then a barren, isolated and lonely land.
Grain and other food supplies had to
be taken to the settlements across
Siberia by horse or dog pack and then
by ships across the Bering Sea. The
journey was long and hazardous. Fre-
quently the supplies failed to arrive on
schedule or were lost altogether.
In the fall of 1805 Rezanof landed
at New Archangel, on the island of
Sitka off the coast of Alaska, to visit
the Russian settlements, make a survey
of conditions and do what he could to
improve them and increase the profits
ThcR
ussians in ^aiirorma
Calif.
of the fur trade. He found the Sitkan
colony facing a winter of famine and
terror. One ship, bearing a cargo of
food, had been wrecked; a second ship
failed to arrive. Presently, the colonists
were reduced to dried fish, devil fish,
whale blubber and scurvy.
At this point, the Yankee schooner
Juno sailed into Archangel harbor,
and Rezanof promptly purchased the
vessel and whatever food it had aboard
for $8,000. But the Juno's food sup-
ply was small and the aid was only
temporary. Rezanof was forced to find
other means to keep his colony from
starving to death.
TD the south was California, where
the Spanish lived in an easy abun-
dance of grain, fruits, oil. wine and
sunshine. But by royal decree the ports
of all Spanish colonies were closed to
trade with any ships, save those of
Spain. Particularly were the ports of
California closed to Russian ships and
trade.
But to the desperate Russians hun-
ger was a sterner reality than Spanish
law. Rezanof loaded the Juno with a
cargo of furs and European-made mer-
chandise, and headed for California.
by Zoe A. Battu
After a rough and hazardous voyage,
the Juno made the port of Yerba Buena
(San Francisco) in April, 1806.
The Spanish were astonished at the
appearance of the Russians, but were
polite. The visitors were given the free-
dom of the town and harbor. They
were fed and wined sumptuously and
made acquainted with the most beau-
tiful women. The home of Arguella,
commandant of the Presidio, was
thrown open to Rezanof, and the eld-
est daughter of the house, the lovely
Concepcion Arguella. was set to enter-
tain him. and to decide, at their very
first meeting, to marry him. Affairs,
apparently, were turning out better
than Rezanof had expected.
But when he mentioned the matter
of trading his cargo for California
grain, his hosts were evasive. Such
trading was against the Spanish law.
The best they could allow Rezanof to
do was to buy whatever grain the Juno
could carry, which would not be much,
since her own cargo could not be sold
in California.
Whereupon Rezanof changed his
tactics. He visited the Mission Fathers,
gave them presents and won their sup-
Continued on page 33
Cecilia Graham modeled
the two dancer figures re-
produced on this page and
the one opposite. They are
shown by the Gump Gal-
leries which secured a small
group of work by this tal-
ented girl who recently
returned to her Berkeley
home after study in Paris.
18
THE memorial exhibition of work
by William Keith, traditionally
the greatest of California painters,
brings a certain reminiscence of the
time when art in San Francisco wore
the aspect of being enormously popu-
lar.
Those were the days when Dun-
can's Auction Rooms were succeeded
by art dealers whose reputation is now
secure, when San Francisco's Latin
Quarter was first artistically estab-
lished with the studios of Hill, Keith,
Tavernier, Yelland and others — the
days when art exhibits were made a
gay event of moment throughout the
city.
Just how much of mellow illusion
is mixed into our conception of those
days it is hard to say. Perhaps they
rightly appear richer in that we group
the happenings of the 60's. 70's and
80's and derive an impression from
thirty years' activities in comparison to
the current consciousness of but a
single season. No doubt but the
struggles of the artists for recognition
by fellow San Franciscans were even
more strenuous in those days than in
these. From the time of the "first art
exhibition," recorded as having been
held in 1869 with paintings by
Thomas Hill, William Keith, Norton
Bush. A. Bierstadt, Marjot and Moran
— through the 70's when it is said
that the "only art exhibitions were
those of the Woodward Gardens" and
when the Nob Hill mansions were
filled with mirrors, Japanese screens,
carved teak wood, marble top tables,
filagree, glass cabinets, brie a brae,
curios and other flamboyant expres-
sions of the period — no doubt but that
the way of local artists was hard. They
may have been wined and dined and
entertained as honored guests — but it
is improbable that patronage was any
more substantial than it is today.
Until the 90's, then local art pat-
ronage seems to have meant something
very definite. The art school and the
art association were matters of public
pride. The city boa ~' many ar-
tists— and actually .. .1 _ -1 small
group by buying th?ir work. It is true
that noted artists such as Emil Carlsen,
whom San Francisco likes today to in-
clude among its adopted sons, have less
happy memories in some instances than
we might wish — certainly the presence
and continued work of artists such as
Jules Tavernier, Julian Rixford, Be-
noni Irwin, Samuel Brooks, Jo Har-
rington, C. D. Robinson, Virgil Wil-
liams, Toby Rosenthal, William
Marple, S.W.Shaw, Thaddeus Welch,
John Stanton, Bruce Porter, Arthur
Atkins and the younger artists, many
of whom are still with us, testify to
THE SAN FRANCISCAN
PASSING
local response during that period and
the decades which followed. The most
widely known figure developed by
this period was William Keith, who
may in time be considered to epitom-
ize the entire group. That will be un-
just— as are all such epitomes — for
the artists were as diversified in their
work then as now. But Keith was for-
tunate in the fact that his work in a
sense echoed that of the accepted figure
in eastern art, namely Inness. It is said
that there exists today a
canvas which Inness
started and Keith finished
or vice versa. Perhaps it
is only a myth — but cer-
tainly the two men were
striving toward a com-
mon goal and while
Keith does not often
measure up to the poetic
quality of Inness, he did
contribute authentic ro-
mantic landscapes to the
art of the West.
Keith was the most
succesful artist of the per-
iod. His work was ap-
preciated generally and
people were eager to buy
it at high prices because
they were convinced of
its worth. Keith died
ftipril 13, 1916, conveni-
ently closing his work
within the period which
gave rise to it. So today
and tomorrow and
throughout coming per-
iods, he stands as the first
California "master," the
one figure who produced
enough of work of a defi-
nite character to attract
and hold the public at-
tention until he and his
work became generally
accepted symbols which
stood for his period. In
this way are old masters
made. The Gump showing is an amaz-
ingly fair one for the gallery has made
every effort to have William Keith
presented in the fullness of his accom-
plishment. About half of the paintings
are borrowed from private collections
for the exhibition. Thus we see repre-
sentative examples of various types of
Keith's work from the days of the 80's
when he first broke away from meticu-
lous literalism, to the latest period of
CURRENT I
Armer — April 16 to 30,
— landscape, portrait
Ruth Armer.
Albro— To April 20, h
paintings and draw
Maxine Albro.
Art Annual — April 25 to
Palace — fifty-third an
sculpture and graphic
Art Association.
Coventry — To April 13,
water colors bv Stanh
Chagall— To April 20, '.
paintings by Marc C
Chinese Paintings — -Apri
private showing of
Society, Peking.
Choultse— April 9 to 18.
Co. — paintings by I
court painter to tht
Nicholas II, Czar of
Daniel— To April 13. Th
ings by Earl Daniel.
Driscoll — April 13 to 2
colors by Harold Dri
Blue Four— April 8 to
Palace — group showii
Jawlensky, Feininger,
Fulop — To April 11, Co
water colors and ch
Fulop.
Howard — To April 18,
water colors and d
Howard.
Krasnow — To April 20.
paintings, drawings,
sculpture by Peter K
Lawson — -To April 11, G
Ernest Lawson.
Miles — April 13 to Ma;
water colors of Europ
original designs for ]
Miles.
Miller— April 19 to 30,
blocks of Korea by L
Oldfield— To April 30,
new to San Franciscc
Pascin — -April 8 to May
— retrospective showi
Pascin.
Presley-Stone — To April
etchings by Florence
Scheyer— April 12, 2:30
Palace — lecture on tr
Galka E. Scheyer.
Water Colors— April 19 t
work by a group of e
di
scussio n o
f art
an
APRIL, 1931
EHIBITIONS
\ eery, Atkins and Torrey
abstract water colors by
Lfcn of Honor Palace —
of Mexican life by
*y 31, Legion of Honor
im exhibition of painting,
s held by San Francisco
-decorative
SHOWS
poetic landscapes. Many of the can-
vases have never before been shown in
San Francisco, some having been pur-
chased direct from the artist and others
having been sold in New York.
EVEN as it is difficult today to be
certain of our evaluation of the
work of a man such as Keith, who
has been dead fifteen years, so it be-
comes much more hazardous to value
the work of a man whose painting is
still in the first flush of
maturity. John Langley
Howard, whose oils,
watercolors and draw-
ings are on view at the
Galerie Beaux Arts, is
comparatively little
known in San Francisco
but already there is an
expectation of greatness
in the air. His work
was first shown here in
the Modern Gallery on
Montgomery Street. I re-
member the discussion
aroused by a wood carv-
ing shown there. Those
who questioned it were
told to watch thisyoung-
est of the Howards — he
has something to say,
they insisted. Then the
Modern Gallery group
held a show up-town in
the East West Gallery
and a portrait by John
Langley Howard was the
event of the exhibition.
He shared a group show-
ing with his brothers.
Robert Boardman How-
ard and Charles Howard,
at Beaux Arts several
years ago but other than
these meagre intervals, he
has worked far from
public attention.
In spite of this, there
is a definite presentiment
abroad that John Langley Howard is
one of the really significant artists
among the younger group. His present
exhibition is a small one, consisting
of half a dozen oils, mostly portraits,
twelve or fifteen landscape watercolors,
a group of drawings and a number
of experimental dry-brush paintings.
The difference that the medium makes
in his work is surprising. The oils are
high-key, almost harsh in tone, the
imp Gallery
oventry.
on of Honor Palace —
II.
to 23, Courvoisier's —
itings of the Hu She
am Room, I. Magnin &
F. Choultse, formerly
ite Imperial Highness,
: ssia.
lb .rt Center — fresco paint -
1 The Art Center — water
H
y 7, Legion of Honor
of work by Kandinsky,
lul.Klee.
oi oisier's — wood carvings.
ir ts paintings by Karoly
lerie Beaux Arts — oils,
k tigs by John Langley
rion of Honor Palace —
3odblocks, pastels and
fa low.
Gjp Gallery — paintings by
Paul Elder Gallery—
"sp, nd Sierra landscape and
njion pictures by Harold
erie Beaux Arts — wood
Uln Miller.
ten Studio — late works
Otis Oldfield.
t! Legion of Honor Palace
of paintings by Jules
, East West Gallery —
esley and Mimi Stone.
m., Legion of Honor
thjBlue Four by Madame
0, Galerie Beaux Arts —
ta :rn artists.
I its various factors
by Aline Kistler
19
landscapes are subtly handled though
very direct, and the drawings and dry-
brush paintings are nebulous in tex-
ture though structurally definite.
Throughout his work it is apparent
that he regards easel painting and all
drawing and painting of small area as
an adventure in which the artist need
acknowledge no such restraints as
would be felt in the treatment of a
wall or large permanent space. This
work of his is highly personalized. It
is intimate at times. It deals with what
is closest his consideration — and he has
made few reservations in treatment,
daring sentiment, literalism or any
other of the usual cul de sacs feared by
most modern artists. He is not theoriz-
ing! He is painting. Painting what he
feels and sees.
RUTH ARMER is another young San
Francisco painter whose work is
seldom shown here. Her water-
colors will be presented by Vickery,
Atkins and Torrey — opening on
April 16th. Having seen her work in
portfolio. I am eager to see it hung in
the exhibition because here are water-
colors that change in technique with
the shift in the artist's mood — start-
ling at times in the strength of abstrac-
tion— delicate and tonal in the por-
traits— and frankly temperamental in
her responses to landscape. It is an in-
teresting gamut that is run by her work
in its variation — from the almost Hol-
bein quality of the head of a Mexican
to the tempestuous abstraction from a
Bartok composition. And through all
the various manifestations of her art,
one finds an essential honesty to Ruth
Armer that demands consideration.
Her abstractions will no doubt rouse
the most comment during the exhibi-
tion because they are striking in both
color and rhythm. The fact that they
were derived from musical composi-
tions will also feed the curiosity of the
public. Here is something to be argued
about, something on which to specu-
late. However, I feel that there need
be no strong disti .:tion drawn be-
tween the pure ab; ractions and her
other work. In all, rur attitude has re-
mained constant. In each instance, she
has stated her reaction to external cir-
cumstance in compositions of coherent
color and form — and what matter
whether the external circumstance be
visual or aural?
We are usually somewhat mystified
by the abstract and often miss much of
the beauty of its esesntial form and
rhythm in the process of trying to re-
late it definitely to our own experience.
Perhaps the only purely aesthetic en-
joyment derived from any work of art
is due to the abstract quality we find
in it. But pure abstraction often de-
feats its end. Paradoxically, we may
miss the aesthetic qualities of a thing
which is wholly abstract because our
habits of identification refuse to be laid
aside and, in straining for some definite
association, we miss the very quality
to which we would respond were it
present in a work of art more readily
related to our experience.
Continued^on page 26
20
THE SAN FRANCISCAN
SINCLAIR LEWIS
On* of the latest victims of
the news writers who, for
the enjoyment of the ubi-
quitous "common people"
insist on making either a
hero or a fool out of every
pub ic figure. The carica-
ture is by Sotomayor.
IT IS generally conceded that Amer-
ica, in addition to being the land of
the free and the home of the brave,
is also the home of the modern-day
short story. It is admitted, usually, in
a tone that implies. "Ah yes. America
also produces Waldorf tissues. Life-
buoy and Pepsodent." Mayhap short
story writers are word-smiths and
tricksters as they have so often been
called. Nothing can decide that except
the judgment of the individual.
Undeniably it is true that there is
far too much drool (with virtuous
heroines and happy endings) pub-
lished. Yet. in the chaff that goes
through the mill a few kernels are
sometimes found. George Milburn's
recent volume, 'Oklahoma Town."
(Harcourt. Brace and Company,
S2.00) , is proof.
Mr. Milburn writes of the shouting
Methodists and the jumping baptists
■ . . August Kunkel. the atheist at the
Wear-U-Well shoe repair shop . . .
Buelah Huber of whom he says "a
Cubist would have had an interesting
lime dreaming about her. That is the
way she is built.". . . Mrs. Crutchfield
who had her washtubs set out under
a twisted tree in the yard. She used to
hang her hymn book on a nail in the
tree and chant hymns in a high, reedy
voice, keeping time on the rub-board."
Views and Reviews of Book;
. . . Imogene Caraway, whose lingerie
was made from flour sacks of the Bar-
None brand. When Reverend Foster,
the Baptist minister, led his convert
into the river for immersion "the
water pasted Imogene's white voile
dress to her flanks. The wet cloth was
transparent against her flour-sack un-
derskirt. Across her broad buttocks in
large red letters had appeared the
brand. Bar-None."
Mr. Milburn's stories are not plot-
ted, they are conceived. In the denoue-
ment of each he attains something of
the subtle and poignant satire of De
Maupassant; in their telling, some-
thing of the ghoulish realism of Chek-
hov. Again, he writes with the un-
pretentious simplicity of Sherwood
Anderson, except that he develops a
tang of humor that sometimes becomes
a bit brutal.
In a thousand or fifteen hundred
words he presents a picture of a yokel,
a nit-wit, a small town banker or a
bootlegger, and they stand out as
clearly as if they were daguerreotypes.
These stories in "Oklohoma Town"
— some of which appeared previously
in American Mercury and Vanity
Fair — will linger in memory. That,
perhaps, is the best possible test of
their merit.
CALIFORNIANS will doubtless hail
the return of Mrs. Atherton to
the fiction world with clarion
elan. Those who are interested still in
post-war introversion brought up to
date will now be able to sit down to a
complicated feast.
The particular "Sophisticates" of
whom the book is written are products
of an enterprising middle western
town. Primarily it is the story of
Melton Abbey who becomes quite
suddenly recusant at the aspect of con-
tinuing to be the docile though beau-
tiful wife of a wealthy banker who is
old enough to be her father.
It is a novel of swift transition, a
charming salon and the accumulation
of a select coterie whose baffled admi-
ration for Melton well-nigh ascends
to worship when she is tried for the
murder of her husband. It is a novel
of suspense and well-informed con-
versation about such things as hor-
mones, endocrinology and pituitary-
diathermy.
All the riddles concerning the bril-
liant and inscrutable potential-mur-
deress are solved in the last few pages
by Fritoff Michelson
— a swift and satisfactory denoue-
ment to a dreadful dilemma.
It is said of "The Sophisticates"
that "not since 'Black Oxen' has this
San Francisco author given us so ab-
sorbing and so penetrating a novel."
IT SEEMS true enough to be platitudi-
nous that most of the world's great
men (men whose names endure after
they have gone) attained their prom-
inence by sheer perseverence. Nearly
all artists, at any rate, broke up
through the crust of poverty, squalor
and ill health to write their names on
the scroll of greatness.
"Savage Messiah" is the life story of
Henri Gaudier, an inpecunious French
artist, and Sophie Suzanne Brzeska, a
highly strung Polish novelist who was
Gaudier's inamorata. It is the story of
sordidness, of hope and disillusion-
ment, of ambition and frustration. It
is a story of the gutter and a story of
pristine beauty.
Through years drugged with brain-
fag, self denial and ultimate belief in
himself, Henri Gaudier pours out the
tragic episodes of his life in a series of
letters to Miss Brzeska. He met her in
1910 at the St. Genevieve Library in
Paris. She was nearly forty years old.
mentally warped and ill. Gaudier was
a thin youth of eighteen, undernour-
ished and lonely. He fell violently in
love.
Henri took the name of Gaudier-
Brzeska and for five years their strange
relationship continued. They alter-
nately lived together and apart, as
brother and sister. Likewise they alter-
nately adored and despised each other.
It was never more than a Platonic re-
lationship, a fact borne out by Gau-
dier's beseeching his "Beloved Zosik"
to join him as his wife.
The book is not alone concerned
with their exotic lives. Gaudier's opin-
ions are also given. He writes: "Now
for Baudelaire — I like him just be-
cause he has sacrificed the fugitive to
that which endures. He encloses his
idea in a severe form, the sonnet, and
puts nothing but the essential, that
which will remain forever. When the
principal features are expressed the
secondary ones are easily imagined: if
only the secondary are given, the prin-
cipal ones are lost. If they are both
given, they lose in intensity and one
can no longer distinguish. It is a law
of art which applies to all branches.
To the first group belong Michelan-
Continued on page 27
APRIL, 1931
21
LADY HASTINGS
Who is being widely enter-
tained during her sojourn in
San Francisco while her hus-
band, Lord Hastings, assists
Diego Rivera with fresco panels
in the Stock Exchange and
California School of Fine Arts.
i —
It develops that Mrs.
Frederick Moody
has gone polo along
with many former
devotees of other
sports. The former
Helen Wills of in-
ternational fame ad-
mits great enthusiasm
for horse back riding.
However, Mme.
Amelita Galli-Curci
remains a confirmed
golfer — particularly
when in California,
she says, for here the
courses as well as the
sport prove irresist-
able. Taken at Del
Monte.
Racing Days Arc Here Again
Del Monte Revives the Sport of Kings
// J^ Horse. A Horse, My King-
dom for a Horse."
Who was the Monarch
who gave voice to this desire? Well, it
really doesn't matter materially, be-
cause pretty nearly everyone has a
horse or wants one. And some of the
steeds bring the price of a kingdom.
At Del Monte, a casual visitor might
gain the idea that the Horse is the soli-
tary center of interest, judging from
the riding togs in evidence and the
"hossy talk" that is aired. One might
not understand that there are four
world-famous golf courses close at
hand, except that you cannot keep the
dyed-in-the-wool golfer from the first
by Sam Morse
tee; or the bathers from the Roman
plunge; or the tennis devotees from the
courts; or the marksmen from the
traps:
But this winter the crowds on the
Monterey peninsula have followed the
horse. On the new timber course, some
four thousand dotted the knolls to
watch the inaugral meet of the Pa-
cific Coast Steeplechase and Racing As-
sociations. And the polo tournament,
which ran from November until
March, the sideboards of the field were
always lined with enthusiastic specta-
tors. Of course, individual and club
jaunts on horseback were — and are —
daily occurrences for there are hundreds
of miles of scenic trails in the forest,
along the beach and rocky cliffs.
And with the most successful and
brilliant winter polo season Del Monte
has ever experienced coming to a close,
King Horse is being prepared for an-
other parade to interest the crowds. A
spring race meeting will be held at Del
Monte on two week-ends. May 1 to 3
and May 7 to 1 0. Seven races are going
to be held daily and one of the events
will be a steeplechase.
The clubhouse and grounds are be-
ing improved, and the famous mile cir-
cular track has been resurfaced to pro-
vide a cushion for the thoroughbreds
to pound. A new steeplechase course is
to be constructed around the polo
fields, inside the track, so that the spec-
tators can take in each of the seven
jumps.
WITH racing holding sway, Del
Monte is going to be gay and
exciting this spring. And for
next winter's season, Del Monte is al-
ready preparing to feature the Horse
on a banner scale. Two new polo fields
are to be constructed immediately and
this will give four tournament fields
and two practice fields. It will provide
extraordinary facilities for the fast,
Continued on page 26
Society watches
polo with a dis-
cerning glance.
Mrs. W. S. Hen-
derson (left) and
Miss Natica Nast
were photo-
graphed at a Del
Monte tourna-
ment.
Among those
who participate
in the equestri-
enne fun is Mrs.
Alfred Hammer-
smith shown
(right) with the
mount she uses on
bridle paths at
Monterey.
£>-
APRIL, 1931
23
Spring i
in Paris . . . .
.... or San Francisco
by Marjorie V. MacDonald
FAR be it from me to sentimentalize, that is, messy senti-
mentality ... it takes too much time! But please allow me
a sincere (and provincial) blurb on the subject nearest
and dearest . . . San Francisco . . . and the definite, unescap-
able (and who in his right mind would want to escape it?)
aura . . . atmosphere . . . call it anything you like . . . that
reaches its triumphant peak at Eastertide . . . the hushtime
. . . the promise time of the year in San Francisco.
Think of Paris in Spring ... go ahead . . . thousands of
other people do when they think in superlatives! And what
vague loveliness that almost bromidic phrase conjures. But
it is vague to most of us ! We picture drizzling rain, moaning,
musical auto horns, chic ... ah! chic, what would we do
without your famously mispronounced glamour . . . tres'
chic to be exact, women of Paris ! Females . . . they are, beau-
tiful perhaps . . . vivacious, individual decidedly . . . but even
to our receptive American minds a trifle outre' in their garb.
They parade gorgeously on Easter Morn ... to ancient
French cathedrals . . . and we gasp, yes we do, in our own
fertile imaginations . . . gasp at orchids . . . furs, mostly
monkey skins, leopards, Summer ermine maybe; at black
satin, good old black satin ... at pearls! Exotic, fascinating,
intriguing of course! But a shade too Parisienne for perfec-
tion! At least that's what we feel in our own wholesome
California minds which are, thank God, the most whole-
some in the world, of that we need no conviction !
Without a single pang, honestly, we put aside a secret
longing to be in that world renowned rendezvous of fashion
plates, of passionate adventure tinged with champagne . . .
and we're glad, we're ecstatically glad that we're here in San
Francisco at Easter!
WE wonder at a stranger's emotions were he set down
by some benign fate on the corner of Geary and
Grant Avenue . . . Suppose he were to see for the first
time our ladies (and that is just what they are with due
respect to Hergesheimer's 1930 portrait) . . . stepping from
a cab or from their own low-purring Packard . . . San Fran-
cisco's car! Suppose he were to gaze at their perfect, but not
too perfect ensembles — dark for the most part . . . with
splashy, unexpected and so delightful color touches! Their
furs, of course they have furs, are mostly dark ones that form
the most flattering frames for their clear, glowing complex-
ions . . . San Francisco's own particular beauty!
They're casual . . . they're poised . . . almost miraculously
nonchalant, our women ... in
their bearing a trace of old
Castilian proudness . . . and
they're not too femalish, too
exotic, but slim, alert, alive
with the stimulating life that
is part of our cosmopolitan
city . . . They are equal to
meeting the world!
One stops at a riotous flower
haven across the street . . . and
streets are streets here, not
ways; she stops, apparently
indifferent, but we know . . .
oh, how we know with what
inward exultation ! She buys a
bunch or maybe two, of our
Continued on page 29
On the fine
art of giving
visitors some-
thing really
to write home
about —
Your visitor from the
East — or from the
North or South, for
that matter— will wel-
come the suggestion:
Let's take a trip
through Gump's —For
this store's renown has
made it familiar even
to those who are
strangers to San Fran-
cisco. And thus it fol-
lows that your sugges-
tion meets with enthu-
siastic assent. . just as
genuine enjoyment in-
variably results from
acting upon it •* ♦ ♦
G
miiiiiiDS
246-268 POST STREET || SAN
FRANCISCO
P
I SAh
I FRA
24
THE SAN FRANCISCAN
,
EARL
BURNETT
NOB HILL TOPICS
ABOUT six years ago, Earl Burtnett, then one of
San Francisco's popular orchestra leaders ,was
picked out by the management of the then new
Biltmore Hotel in Los Angeles, to be the musical
director of that greatest of all Pacific Coast hostelries.
He not only made the Biltmore Supper Room the ren-
dezvous of all the smart people of Southern Califor-
nia and the movie colony, but he has directed the
musical policy of all the California Biltmore Hotels.
He has set the fashion in music — he was one of the
first orchestra leaders to realize the possibility of
Radio and has held the lead in popularity for broad-
casting orchestras for many years, broadcasting over
K. F. I. When the talkies came in and Hollywood
began to work on the Broadway Melody — the first
great whirlwind success, it was Earl Burtnett who
made the arrangements and his great orchestra of
Radio Stars who played the music. Other triumphs
followed: "Puttin' on the Ritz" — "Gold Diggers of
Broadway'' — "Reaching for the Moon,' and a score:
of other successes.
So great has been his popularity that San Francis-
cans have tired of hearing him on the air and have
demanded his return in person, if it be only for a few
weeks. Because of these repeated requests, an or-
chestra exchange with Anson Weeks of Hotel Mark
Hopkins has at last been arranged and Burtnett with
his fifteen veterans, who know every musical combin-
ation that has ever been worked out, opened in Pea-
cock Court Tuesday night, April the 7th, where they
will play during the remainder of the month.
ADV.
APRIL, 1931
25
Facing the Music
Continued from page 00
precious stones have to be polished and
advertised if you want to keep them on
the market.
Perhaps an interview should con-
sist of questions and answers. But
when two people are as full of enthu-
siasm for their work as the heads of the
two summer symphony organiza-
tions, questions are a waste of breath.
They'll tell you everything anyway.
"As long as we have music during
the summer I'm happy," says Mrs.
Armsby. "Give me symphonies, Grand
symphonies, Brahms symphonies,"
says Mr. Thompson.
And so with the orchestra aug-
mented to 85 pieces, San Francisco is
going to have music every Sunday
afternoon and Tuesday evening for
ten long weeks this summer. And
much of the credit for this perennial
bounty must go to those who give un-
selfishly so that San Francisco's musi-
cal name remains great.
Spotlight
Continued from page 00
air to the strains of "Artists' Life"?
To say nothing of a troupe of Japa-
nese acrobats balancing bowls of gold
fish on their noses while they leap
from shoulder to shoulder? Of course
you would, and it looks as if you may
see all these things in a very near future.
However, we have a theory that to be
really successful, vaudeville should be
fairly intimate. It is difficult for a
vaudeville star to get any contact with
a public that crowds its way into a
movie palace holding five thousand
people. We think the Orpheum died
completely the moment it moved up to
the huge Pantages Theatre.
The little theatres are ever with us
to keep alive the flame of the spoken
word. Only last month an organiza-
tion calling themselves "The Way-
farers" hired a loft on Commercial
street, near the Embarcadero and pro-
ceeded to build a stage and scenery,
and write plays, and direct and act
them, all by themselves. There wasn't
a professional hand in the entire proj-
ect. Under the circumstances the re-
sults were truly surprising.
Are we downhearted about the
spoken drama? Assuredly not!
Departure
by W. D. Stocldey, Jr.
The world on its wide shining stream
Brings him a sudden challenge: Go!
Calls him from me who love him so.
I must not show a broken dream,
Nor that bright beckoning bedim,
Nor whisper any word of woe,
Nor stretch a hand to stop him. No,
I'll just pack up and follow him.
4T
THIRD
AROUND
PACIFIC
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fourteen lands.
Off the beaten track
Just read the itinerary of this
third Malolo cruise! Here is a
trip to satisfy your deepest crav-
ing for adventure!
Singapore and Shanghai! Bang-
kok ! Wild New Guinea — included
this year for the first time! Macas-
sar in Celebes! Batavia in Java!
Sydney, modern million -city of
Australia!
You'll savor the thrill and ro-
mance of native life in shore ex-
cursions under expert guidance.
You'll visit the palace of the Sul-
tan of Johore and the Temple of
the Emerald Buddha. In Siam,
Fiji, Samoa, lithe dancers will per-
form exotic rituals for you.
Ideal cruising season
Sailing September 19 from San
Francisco (20th from Los An-
geles), you'll be in Japan at chry-
santhemum time and in the South
Seas when it's their spring. Back
home December 16. Fares are
as low as $1,500.
What an adven-
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in years to come!
Ask for illustrated
itinerary today, at
any travel agency,
or at this office.
MATSON LINE
215 Market Street DAvenport 2300
26
THE SAN FRANCISCAN
Racing Days
Continued from page 22
thrilling sport. Players from all parts
of the globe will come out and there
will be play almost every day. Steeple-
chasing and racing assures plenty of at-
tractions for the winter.
Even this summer. King Horse will
be much in evidence but swimming,
boating, golfing and all the varied out-
door pastimes will be on the Del Monte
calendar, as usual, the cool, summer
climate of the Monterey Peninsula
being an incentive for such activities.
Now It Can Be Told
A RAILWAY bridge, located at a re-
mote spot in the Sierras, was
recently destroyed by fire. It
was necessary to replace it without de-
lay and the bridge engineer and his
staff were ordered in haste to the place.
Two days later came the superinten-
dent of the division.
"Bill." said the superintendent and
his words quivered with energy, "I
want this job rushed. Every hour's
delay is costing the company money.
Have you the engineer's plan for the
new bridge?"
"I don't know," replied the bridge
builder, "whether the engineer has
drawn the picture yet or not, but the
bridge is up and the trains is passin'
over it."
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H. VALDESPINO
maker of fine frames
features color etchings
and reproductions in the
Gallery above his
Workshop
347 O'Farrell Street
San Francisco
FRanklin 3533
rassing onows
Continued from page 19
THE adventure that is art is a splendidly
varied one. Recently we have had access
to as diversified work as the paintings of
Jules Pascin at the Legion of Honor, the pas-
sionately painted landscapes by Ernest Law-
son at Gump's; the exquisitely conceived work
of Karoly Fulop at Courvoisier's; the decora-
tive paintings of Stanley Coventry, also at
Gump's; more sketches by Otis Oldfield at
the Gruen studio; fresco paintings by Earl
Daniell at the Art Center, and the etchings by
Florence Presley and Mimi Stone at the East
West Gallery. Each artist contributes to one's
enjoyment according to his vision and artistic
intent, subject to his personal limitations.
What fools we are when we attempt to im-
pose the standard of one on the work of an-
other— or even if we cling so tightly to our
own preconceived view of art that we receive
nothing from the artist except when he enters
our own limited realm of artistic standards.
Of course, our enjoyment is measured by our
own experience and limitations but why not
give each artist a chance to add to our individ-
ual experience. The realm of aesthetics too
closely approaches that of religion for it to be
subject to the harsh analysis our age tends to
seek. We would compress into formula that
which can only be felt — and we limit ourselves
needlessly by arbitrary, often secondhand view-
points.
Recently a gallery director expressed doubt
concerning the wisdom of showing certain
sketches — on the basis that they were possibly
too illustrative. A glance at the material showed
that these were technical drawings designed
for a specific purpose which would not have
been served had they not been definite illus-
tration. Certainly no one need apologize for
showing a frank solution of a particular prob-
lem— so long as the intent is made plain.
Art is not confined to any one category or
group of prescribed limitations — its value rests
on the way in which an imaginative problem
is solved rather than in the problem itself.
In this category are the motion picture de-
signs by Harold Miles shown at the Paul
Elder gallery, together with his water colors
of European and Sierra landscapes. These are
the artist's conception of certain climaxial
scenes in the cinema productions for which
Miles has designed settings. In them one finds a
certain emotional quality that has been approxi-
mated but not reached in the final picturing on
the screen.
THE time has come, and almost passed, for
speaking of the Diego Rivera fresco panel
in the Stock Exchange Lunch Club. How-
ever, it is still impossible to speak of it first
hand because, being a woman. I am eligible
for admission only on Saturday afternoons.
So far, each Saturday has produced some
counter allurement — the Mendocino coast.
<
: €Toiirvoisier ;
, 480 POST STREET . SAN FRANCISCO
. Telephone GA rfield 5657
i
' KAROLY FULOP <
, Wood Carvings ♦ Water Colors <
, Chrysos Paintings .
> Through April 11th <
ASTON KNIGHT
Landscapes ♦ Garden Paintings '
[ April 1 3 to 26 . . .
> <
fishing on the bay. even lecturing on art —
and each in turn has absorbed the time that
could have been spent viewing Mr. Rivera's
work. So I have waited, hoping for some
favorable comment to quote (it would be
impolite to quote anything unfavorable about
the honored guest in our city) and while wait-
ing for such quotable opinion, I must remain
silent.
The main art event of April will be the
opening. April 26th, of the Fifty-Third An-
nual Exhibition held by the San Francisco
Art Association in the California Palace of
the Legion of Honor. About fifty prominent
artists from various parts of the United States
have responded to the invitation to exhibit
and hundreds of other artists have sent in
work to be considered for hanging. The jury
of selection meets this week. It is composed
of Ray Boynton. Ralph Stackpole. John Em-
mett Gerrity, Rinaldo Cuneo and Lee F. Ran-
dolph, with Ruth Cravath and Lucien Le-
baudt as alternates.
The jury of awards will meet later to
select the prize winners of the Anne Bremer
Memorial prizes, the California Palace of the
Legion of Honor Purchase Prize, the Marea W.
Stone Memorial Prize and to award the As-
sociation medals in painting, sculpture, water
color and graphic arts. The Harold L. Mack
Popular Prize of one hundred and fifty dol-
lars will be given to the picture receiving the
greatest number of votes from visitors to the
exhibition. For the jury of awards, the Asso-
ciation has chosen Diego Rivera. Edward
Bruce, Charles Stafford Duncan, Ralph Stack-
pole and Marian Simpson, chairman.
In the meantime we note that the Palace of
the Legion of Honor has revived the Blue
Four. It is a good three years since their last
appearance in San Francisco so a revival is
probably due. although we have never been
without opportunity to see these works —
through the private agencies of Galka E.
Scheyer — in the Oakland Art Gallery or at
least in Los Angeles.
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APRIL, 1931
27
Golf-slacks ?
Sure! The Roos golf
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RUSS kUILt>iriO-$UTTEW2
Views and Reviews
Continued from page 20
gdo. Rodin. Shakespeare, and Baudelaire, to
the second all bad artists, and to the last, devils
like Dickens and Walter Scott."
Mr. Ede has ably chosen his material to
give a complete and lasting picture of his char-
acters. The title "Savage Messiah" could not
be improved upon, and the book as a whole is
a powerful cross-section of life — a medley of
love and hate, sorrow and ecstasy, beauty and
squalor, dreams and death.
Damned Little Foot, by COSMO HAMILTON
(Brewer and Warren. $2.00)
THE latest novel by Cosmo Hamilton is an
old story in a new spring suit. Rosita
Moreland, twenty-year-old wife of Ron-
ald, tells him. "I must be made happy or I
shall die." Ronald Moreland. ex-army officer,
engaged in writing a book about war. permits
her to divorce him. This is accomplished by
being "caught" (as arranged by the long arm
of the law) in a hotel bedroom with his
stenographer, Sheila Garnet. The old story
abides in the triangle: Sheila, who loves Ron-
ald unselfishly: Ronald, who loves Rosita
insanely, and Rosita, who loves everybody,
especially Rosita.
The modern clothes with which Mr. Ham-
ilton adorns his plot are of English cut. After
the bedroom scene, a French coast villa is the
setting. The story unwinds rapidly.
Ronald, crushed by his inability to make
Rosita happy, moves for the summer with his
sister and his secretary to the sunny seclusion
of his villa. Rosita, "damned little fool," un-
advised of his plans, has preceded him with
her potential second husband and four guests.
The untangling of this disquieting embroglio
leads to a happy and colorful ending. Rosita
finds that "happiness is a twin." Da capo!
"Damned Little Fool" is not the best of
Mr. Hamilton's thirteen novels, neither is it
his worst. It has. however, the sparkle of
sophistication and a generous sprinkling of
dry English satire to commend it.
Salute to Cyrano, by PAUL FEVAL
(Longmans. Green 8 Co., $2.00)
"Salute to Cyrano" is a nicely-written,
slap-stick satire, pleasant enough to read until
one remembers the Cyrano of Rostand's ster-
ling drama and the d'Artagnan of Dumas.
Then one cannot help but regret that Cyrano
and d'Artagnan have been forced into the
roles of movie comedians, custard pies bal-
anced on their uplifted palms, taking deadly
aim at the whites of the enemy's eyes.
Rondo, by BASIL MAINE
(Longmans. Green ft Co.. $2.00)
Four women and a music critic are the cen-
tral figures of this eccentric book. Mark Haver-
land, the critic and protagonist, tells the story
in the first person. He begins with Roma, a
sensual and not too sapient modern girl,
whose unrest and need for something beyond
luxury ultimately drive her into the streets of
London. The second is a Burmese dancing
girl, from Bakersfield. California, tall and
willowy and untaught. The third feminine
force in Mark's life is Fidelia, a worldly-wise
and happily married German opera singer. It
remained for her to bring Mark and Madonna,
the woman he loves, together again.
The book, as a whole, is not without merit.
It is obvious that Basil Maine is himself a
musician and a critic. The plot is well con-
ceived to fulfill its musical title — "Rondo."
There is much intelligent comment on music.
a great many astute observations on life and
many objectionable pronouncements.
Mr. Maine seems to imagine his typewriter
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THE SAN FRANCISCAN
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is a pipe organ. When he "plays" it he pulls
out all the stops that make the windows rat-
tle. He is extremely sensitive to sounds, except
the cacophonies of his own making. He leads
his characters around by their noses. The
reader sees nothing of them except through
the pinched vision of Mark. Consequently
they are puppets weltering hopelessly around
in a bog of verbiage.
Love Whispering in My Garden
By Martha Sims Kirkbride
(Parker Printing Co.. S. F.. $2.00)
From time immemorial mothers have
crooned love songs to their children. Some of
them were original, others were handed down
to them by their progenitors. Likewise, some
of them were good and others were bad. if we
measure them by the rigorous standards of
literature. Mrs. Kirkbride dedicates her book
to Audrey, her daughter, "who has been the
inspiration for many of these poems."
The poem she entitles "Life" gives the key
to the volume:
Life is always sweet, dear,
Sweet but sometimes sad,
And when it does seem sad. dear,
Try to make it glad.
Oh, try to make it glad.
Life is what we make it. dear.
Though sometimes skies are grey,
But when the skies are dark, dear,
Try to look away,
Oh, try to look away.
"Sun-
Love's
Other titles are "Audrey. Dear,
beam," "God Still Looks Through.'
Balm." "Pink-lipped Blossoms," etc.
If we were to classify "Love Whispering in
My Garden" it would inevitably fall in that
school of which Edgar A. Guest is the patron
saint.
To Who It May Concern
by Beth Wendel
THE Mountain Resort Hostess had organized
a fishing party. As they started on horse-
back toward the wooded river, the guide
asked. "How are all your lines?"
"Beautiful," said the Poet, "to those who
understand them."
"I haven't any," said the Woman of Forty,
"unless I'm tired."
"They don't give me a chance to do my
best." said the Actor, "but some day I'll write
my own play."
"Busy, always busy," said the Telephone
Operator, "and. God, how I hate the Super-
visor."
"No snap." said the Major. "The men have
no incentive in time of peace."
"It depends on the boy friend," said the
Flapper. "Has anybody a cigarette."
"Always chic." said the Dressmaker, "and
I'm making my own perfume now."
"Facile and strong." said the Artist. "I'll
have a one man show soon."
"Lousey," said the Travelling Salesman,
"especially in the south."
BWgJlat
ttWIL ELDERS
239 Posr Slreer. San Francisco
APRIL, 1931
29
Constructive Disintegration
Continued from page 7
society arc so rare that they are not to be re-
garded as dependable agencies of readjustment.
Our present tendency is largely to expand the
processes of rationalizing industry — still fur-
ther curtailing employment. It is incontestable
that protracted periods of employment encour-
age the disintegration of society at its base: and
the fact that it is in the face of unparalleled
accumulations of centralized wealth that we are
expanding the conditions of unemployment in
this country today does not help the situation.
It exacerbates it. Great enterprises, through
seeking to be too constructive, are really pro-
ducing upon certain groups those prospects of
despair that conduce to social disintegration.
They are eliminating the human worker from
their own fields of endeavor without finding
any other occupation for him to pursue.
Government stepping in — as illustrated in
the Farm Board debacle — does not help. The
Farm Board, through its Grain Corporation
and other subsidiary organizations, stands in
line with the chain store, the branch bank, and
other consolidations to create conditions of
control and the extinction of individual initia-
tive and ambition in every field of work. These
are the precise conditions that the communists
at Moscow are striving to attain, and we are
beating them in the race for their attainment.
Neither the government nor big business can
halt us in this race unless we see fit to change
nearly all existing innovations in industry and
commerce, and we are much too canny to scrap
all these.
Meanwhile the natural, necessary and irre-
sistible policy of big business in this period of
commercialist and competitive expansion is like
that of the big fish in the sea, to swallow his
small competitors. The big chain grocer swal-
lows the little grocer, the big farmer swallows
the little farmer, the big banker swallows the
little banker, and so along.
In principle, as in nature, this may be all
right; but in practice we seem to be doing the
thing too hurriedly. The small fish are not yet
quite ready to be swallowed, and the big fish
are not big enough to swallow them all effec-
tively. Moreover, if and when the little fish are
all swallowed, or have sought safety in shallow
waters, the big fish must pine or perish.
Where may the little fish find safe, shallow
waters?
They may not find them. They — the little
fish, the outcasts who have lost their former
sources of subsistence — may turn on the big
fish, revolt in the old-fashioned way and pro-
duce a social chaos analogous to that of Russia.
On the other hand they may abandon their
towns and cities and return to the primitive life
of other days, each group or family working to
supply its own needs and to produce enough to
have some surplus staple to barter in trade with
some neighbor.
This latter concept may seem nonsensical in
the light of current customs and traditions. No
such concept seems irrational in the light of
history. Babylon in its day was relatively as
important as any city now in America. So was
Thebes. What have the people of Thebes and
Babylon been doing for more than a thousand
years? Yet human nature is the same today as it
was when Thothmes ruled at Thebes, and as it
was when Sargon was king of Babylon, nearly
six thousand years ago.
sP
San Fr
ring in Dan rrancisco
Continued from page 23
own violets. Fragrant, deep, vibrant violets
they are . . . not hot-housey and Parisian . . .
Violets that she pins carelessly, but with what
charming results to her superb scarf ... or the
sleek collar on her tailored Spring redingote!
The sun shines ... as we've heard it may do
upon rare occasions in Paris . . . and it's a sun
tbat is alive ... a sun that plays upon the win-
dows of Nob Hill and runs down our own
outwardly indifferent but radiantly aware city
streets . . . down to the bay! In its sapphire
depths, the sun reflects a serenity ... a live
serenity, of breath-taking beauty ! A sun whose
sparkle is echoed across our mighty Golden
Gate to whisper significantly to the sleeping
maid, magnificent Tamalpais! There's a figure
. . . like our women . . . wonderfully aloof,
calm . . . but underneath so friendly, so real
and sympathetic in her protection of Marin's
secret wonders!
And then back, back to the scene before us
. . . (and don't forget the stranger) ... to the
windows in our own typical stores . . . Smart
they are. and gay . . . because, for all our poise,
we're gay; we're filled with a joy of living that
is actually magnetic to the rest of the world.
We wouldn't forsake it for a million Parrises
ciscanized ... we gloat! It gets even them, this
thing, doesn't it? We see an Italian, beaming,
happy, talking a little loudly of what the old
country people inquire about ... as if to con-
vince himself of its realism : but working, busy-
ing himself, raising tiny Italians . . . here in our
particular heaven ! Everywhere evidences of our
progress, our going places and getting things
done . . . it's part, a big part in the whole,
lovable something!
OUR streets . . . our flowers . . . our joie de
vivre . . . greater than that of Paris (and
it's Paris that's so commercialized, so
hackneyed — not our's) . . . our rapturous ema-
nation . . . the element which first took seed
here, when Sir Francis Drake got wise to him-
self . . . my god. how we love it!
We wouldn't forsake it for a million Paris's
in Spring and we ask you seriously, bravely —
with the same aplomb that we'd use on that
stranger — confident of both your answers . . .
"would you?"
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30
Reigning Dynasty
Continued from page 4
The last of the Junior Assemblies will take place
on April 24. It will be a sports dance.
Mrs. Frederick W. Bradley gave a dinner dance
at her home in Broadway in honor of Miss Katherine
Stent.
Mrs. L. E. \V. Pioda and Miss Mary Emma Pioda
are in Santa Cruz where they will remain until after
Easter. On April 6 Mrs. Pioda is entertaining sixty
luncheon guests at the San Francisco Golf Club.
Mrs. A. B. Spreckels invited a small group of
friends to preview an exhibit of dolls of all nations
at her home in Washington street. The occasion was
a tea. As soon as the exhibit is completed Mrs.
Spreckels will give a large affair in honor of the
foreign consuls and their wives, many of whom con-
tributed dolls to the collection.
Mr. and Mrs. Robert Hays Smith recently spent
a week-end at Pebble Beach where they were the
guests of Mr. and Mrs. Henry Potter Russell.
Mrs. Joseph D. Grant, acting president of the
San Francisco Garden Club, gave a tea for the mem-
bers at her home on Broadway. A fine array of
daffodils was exhibited.
Air. and Mrs. Adolph Uhl celebrated the thirteenth
anniversary of their wedding by giving a dinner at
the Hotel Mark Hopkins.
Mr. and Mrs. Frederick \V. McXear entertained
at the Hotel Mark Hopkins where they gave a din-
ner dance in honor of Miss Florence McCormick and
at the same time entertained a group of older friends
in their apartments in the hotel.
Miss Gloria Ames gave a dinner party in honor of
Miss Isobel McCreery at the Ames home in San
Mateo.
Mr. and Mrs. Charles G. Norris have returned
from New York and will be established in their Palo
Alto home in April.
Mrs. Garnett Cheeney and Mrs. Frederick E.
Supple and a group of hostesses arranged the benefit
tea at the Clift Hotel for the Stanford chapter of
Gamma Phi Beta.
SAN FRANCISCANS ABROAD
Miss Ethel Cooper left San Francisco on April 1,
en route to Europe where she will visit for three
months. In Italy she will join Captain and Mrs.
Randolph Huntington Minor and will travel through
Spain with them.
Mrs. Constance Peters is leaving San Francisco
on April 4 en route to Europe where she will remain
indefinitely.
Mr. and Mrs. J. Rupert Mason are planning a trip
around the world. They will be away for a year.
Mr. and Mrs. Richard S. McCreery and their
daughter. Miss Isobel McCreery, are leaving soon
for Europe for an indefinite stav.
Mrs. Charles P. Overton and Miss Daisy Belle
Overton sailed from San Francisco aboard the Em-
press of Australia. From New York Mrs. Overton
and her daughter will go on to Europe.
Miss Julie Helen Heynemann is en route to Lon-
don after a visit of several months in San Francisco.
Miss Heynemann is at work on a biography of the
late Arthur Putnam.
SAN FRANCISCANS IN NEW YORK
Mrs. Dunn Dutton is in the East where she will
visit for several weeks with her sister. Mrs. Walter
Macfarlane.
r Mrs. George W. Kleiser and her son. George W.
Kleiser, Jr., are in Xew York for several weeks.
Mrs. Charles S. Wheeler is in Xew York visiting
her son-in-law and daughter. Mr. and Mrs. Robert
Chambers. When Mrs. "Wheeler returns late in May
she will bring with her the two elder children of Mr.
and Mrs. Chambers and will take them to the
Wheeler country place on the McCIoud river for the
summer.
Mrs. Beverley McMonagle has closed her home in
Atherton and will visit in Cleveland and New York.
Later in summer Mrs. McMonagle plans a trip
abroad for six months, most of the time to be spent
in Paris.
Mr. and Mrs. Donald M. Gregory are spending a
month in New York.
Ernest Peixotto was among the group of artists
chosen to stage the pageant to be held next vear at
the new Waldorf Astoria where the Beaux Arts ball
will take place.
Mrs. Alfred De Ropp was among the guests at a
luncheon given by Mrs. Stephen Cumming at the
Hotel Pierre in New York.
SAN FRANCISCANS IN THE SOUTH
Mr. and Mrs. Clarence Sterling Postley (Eve
Taylor) are at Palm Springs, having returned from
their honeymoon trip to Honolulu a few weeks ago.
Miss Jennie Blair and her traveling companion.
Mrs. Haines Smith of Paris, were at Hotel del
Coronado recently. The two are making a leisurely
motor trip through Southern California.
Mrs. Francis Harris Stent and her daughter. Miss
Katherine Stent, recently visited in Santa Barbara
for a week.
Miss Christine and Miss Marv Donohoe. who
spent several weeks at El Mirasol in Santa Barbara,
were honor guests at a luncheon given by Mrs. John
Lloyd Butler in Montecito recentlv.
THE SAN FRANCISCAN
Mrs. Peter Beaver has been sojourning at Palm
Springs at El Mirador.
Mr. and Mrs. Randolph V. Whiting were at Hotel
del Coronado during the latter part of March and
will visit the desert resorts before returning north.
Mr. and Mrs. E. B. Holladay who now live in
Pasadena but whose former San Francisco home in
the center of La Fayette square was a landmark for
many years, recently have been sojourning at the
desert resort, La Quinta. Others there at the time
included Mr. and Mrs. Robert Henderson of Bur-
lingame, Mr. and Mrs. D. G. Volkmann, and Mr.
and Mrs. A. B. Swinterton.
Mrs. Richard turn Suden with her mother, Mrs.
Victor Etierne, Jr., and her daughter, Miss Frances
turn Suden. motored to Palm Springs a few days ago
and will remain at the southern resort for a month.
Mr. and Mrs. John Brockway Metcalf celebrated
their wedding anniversary at the Ahwahnee in the
\ osemite Valley. Other San Franciscans who were
at the hotel recentlv have included Mr. and Mrs.
W. F. Fuller, Mr. and Mrs. A. B. C. Dohrmann,
Mr. and Mrs. YV. H. Bowes, and from Marin, Mr.
and Mrs. B. H. Dibblee and Mr. and Mrs. E. S.
Schmieden.
Miss Gloria Van Bergen recently spent a few days
visiting in Santa Barbara.
Mr. and Mrs. J. K. Armsby are at present at
Arrowhead springs where they have taken the Ar-
rowhead Bungalow with their daughter, Mrs. Ralph
Palmer.
Mrs. William Fitzhugh spent a week in Santa
Barbara during the latter part of March.
Miss Margaret Garceau will spend her Easter
vacation in Santa Barbara with Mrs. Horace D.
Pillsbury and Miss Margaret Pillsbury.
Mrs. Bernard Ford, Mrs. Xion Tucker and Mrs.
Cliff Weatherwax have taken the Peck bungalow at
Arrowhead and will be there for a week or ten days.
Mr. and Mrs. C. O. G. Miller. Mr. and Mrs. Robert
Miller and Mrs. Henry Bothin are joining the party-
later.
-Mr. and Mrs. George Caswell are enjoying a stav
in Honolulu. Sailing on the same ship with the
Caswells was Miss Ernestine Adams, who will visit
in the Islands with her brother-in-law and sister,
Lieutenant and Mrs. Robert B. Hutchins.
Mrs. Frederick McNear is at Arrowhead Springs
where she has taken a bungalow for several weeks.
Mrs. Kate Pohli McLeod is at present in Coro-
nado, but plans to sail for Honolulu on April 18.
A motor party comprising Mrs. Philip Van Home
Lansdale. Mrs. George D. Bovd and Miss Jean
McGregor Boyd left recently for Santa Barbara for
an indefinite stay.
Mr. and Mrs. J. Harold Dollar, accompanied by
Mrs. Keith Ferguson, were recently in Los Angeles,
staying at the Ambassador.
MT
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THEODORE TITZE - M9r.
APRIL, 1931
31
Huntress
Continued from page 16
Moments, hours — an eternity passed before
the question for which she had been waiting
was spoken. "Will you marry me right away
— tonight?"
"Tonight?"
"Yes. W:
Nevada — "
Malicious — No. it couldn't be. Joan hesi-
tated, overcame her mental objections with one
bold stroke.
"Oh-
can slip over the border — to
" She paused for a moment longer.
to keep him eager, alive with anticipation.
"Yes — I'll do it."
HE LEFT her at the St. Francis with the
promise to be back in half an hour. The
car cut through the night like a razor
through a web of silk. She walked to the
elevator, feeling faintly scornful of the barrel-
figured dowagers, the ugly duckling debu-
tantes, everyone who would have snubbed her
had she given them the chance. She had man-
aged her whole game rather neatly for a girl
from the backwoods of Napa Valley, a girl
reared by a rheumatic father whose only con-
cern in life was keeping the drab little corner
grocery going, a girl whose one passionate
desire had been to get out of the silly little
two-by-four town with its narrow-minded,
shallow people.
She had worked quietly, getting her culture
from the movies, her style from the maga-
zines, and her manners from an old etiquette
book. She had worked long and patiently,
gesturing in front of a mirror to get the right
poise into her movements. During high school
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days, she had practiced diligently on her
public speaking lessons to make her voice
vibrant. And then, when her opportunity had
come, she had been able to rise to it. Soon she
would be Mrs. Anton Knight with a country
house and an apartment in town and dozens
of long, low roadsters.
Upstairs in her room, she threw some
things into a travelling bag and. before taking
off her gown, trailed her slender fingers over
its sinuous ripples, shivering with delight at
the luxurious feeling. Satin spelled adventure
— the adventure of which she had dreamed
when schooling herself from magazines and
movies. She stepped to the mirror to take one
last look at herself, to see the beautiful picture
at which Anton had been looking all evening.
The picture left nothing to be desired. The
dress fit her with the perfection of a master-
piece: there was not a single fold out of place;
every line of her glorious body shown in its
fullest loveliness, and her hair and eyes seemed
to top the whole thing off with the correct
finishing touch.
She glanced at her watch. It was time Anton
was back. She turned to the mirror for one last
look and stood very still.
There in the mirror the satin seemed to slip
away, and the hair come down, and the eyes
change, and Joan saw instead of the beautiful
portrait, a drab dull little girl in a faded little
dress, sweeping her stringy brown hair back
from her forehead and gesturing with stupid,
overdone, awkward flourishes. Counterfeit. . .
She went to the window, her features
motionless, blank, frozen in a wooden stare.
Anton would be coming soon, and she would
be leaving. She ought to change her dress. . . .
And then suddenly, she knew that Anton
would never come, for he had been playing
with her. He. too. had seen that stupid little
girl in the mirror, that dull little girl trying to
put on airs.
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32
THE SAN FRANCISCAN
ON THE loose today, and out for no good.
Shriven I must be before the Easter- tide,
so "What price temptation?''
Clothes! My nemesis — I sought gayly with
nothing to back me up. Well. I don't care. All
the columnists say buy. and then buy some
more, so I figure that a mere frail like me should
take that sound advice.
Luncheon at the St. Francis and only tomato
juice and brook trout to sustain me. How did
we ever consume the huge meals served us before
the world war? Soup to nuts, and I have no
memory of even turning in bed.
It makes me almost ill thinking of a five-
course meal unless the hostess is first cousin to
a dietician. In those days a size thirty-eight was
a fair average, while now sixteen to eighteen is
most proper and handsprings a daily occurrence.
Hats should come first. They are hardest to
buy. I'd always had a hankering to go into
Charlotte's and here was the chance for I was
right in the building and only an elevator to
make. Why is it that some women who have a
perfect flair for gowns buy a certain type of hat
that would make a dealer of antiques look
twice. Now that all of our headgear gives us
the air of just "taking off'' we quite often
bump into a woman who still insists upon out-
lining her eyebrows with the crown of her hat.
I met one in the lobby just now. Was she all
laid away? A black Bangkok straw perched
over the bridge of her nose, almost obscured
her vision. It took three slaps on the wrist to
keep from approaching her and asking if she
would bear with me while I explained the psy-
chology of wearing her hat far back on her
head. It's the age. Nothing to hide in this day
of frankness. In other words. "Gif a look."
Charlotte's hats were pert and very simply
catchy. More straws this year than San Fran-
cisco has seen in some time, and that is because
they are so soft and pliable, they fit the head
"tight like that." Those of you that have bad
Every
Woman
Can
Be
Beautiful
Announces . . .
Facials by herself
Marcelling, Shampoo-
ing, Hair Cutting and
Finger Waving by . . .
MissVerna Smith
FORMERLY WITH
DAGMAR BEAUTY SHOP
133 Geary Street
FOURTH FLOOR
SUtter .... 5383
by Molly Merkley
hair line take heart. Dips pulled out: part
showing: Billy Dove spit curls: all are helpful
blandishments that enable anyone to wear a
hat in the fashionable precarious fashion.
Talked out loud to myself that I was going
into Gaffney's only to say Hello! But with all
my discriminating expostulating — G-o-o-d —
the lady had my number and signalled to the
model to start pouring into dresses. You know
that is what we all do these days. I mus'n't give
this shop all the breaks, but I can twitter a bit
about an apple green silk net. combined with
filmy white lace. It had the name of "Sweet
and Low" tacked on to it. Perfection for a
bridesmaid. THE SANFRANCISCAN has always
been so graciously interested in bridal parties
that I'm following that policy in mentioning
this dress.
AS THE TEMPO of city living hastens, clothes
A\ keep pace accordingly. It is a matter of
minutes now to dress for dinner while a
few years back it was almost an institution.
Even our shoes we kick off and slip on. Fol-
lowing that trend Frank More has a pair of
evening slippers so cut away they are much like
a Japanese sandal. Fashioned of exquisite fab-
ric they are a delight to wear. Dr. Sholl. a word
in your ear — "Go out of business." Corn plas-
ters are superfluous with the new cut-away
pump.
That last paragraph supplies a basis for a
broad jump to Lee Eleanor Graham's new
studio on Sutter Street. I think we will have
to change the name of this street for it has
become an avenue of art. Most of the interior
decorators have taken their abode here, and
you can kill more time just looking in three
blocks, than in any other part of the city.
You have to salute the Graham shop. It
has everything to offer. If you think your
home beautifully and satisfyingly furnished
step into this studio. Horsefeathers! One could
fill a book with ravings about the exquisite
furniture, drapes and objects of art. not to
mention the garden room and the colorful gar-
Bride-to-be, there is yet time to
have your silver individually de-
signed— and hand wrought by
Harry Dixon . . . why not enjoy
the distinction of having your own
exclusive pattern in both flat and
service pieces.
Come in and talk it over with
HARRY DIXON
Tillman Alley— 241 Grant Ave.
den adjoining. I think there isn't anything
like it in California.
JOHN QUINN too has moved to a new estab-
lishment on 482 Sutter Street which had
its opening March 13th. Captain Quinn
has an excellent record behind him in San
Francisco and the valleys. It takes a firm and
slashing grasp of this art to turn a cluttered
home into a place of beauty and rest. I have
seen his capable hand do just this. I adore the
sagacity of his plain John Quinn sign . . .
Then too. he is going in for ships — yacht in-
teriors and that sort of thing ! Ducky, you
know.
Barged into Morris' to shake my finger at
someone and suggest that they take away the
artificial flowers from their really beautiful
stock. Mr. Morris came forward and was so
courteous I shook hands instead. Even when
I plunged a glass bottle to the floor he smiled.
You couldn't keep up a dyspeptic glower in
the face of that. Now I ask you? I felt so
guilty I bought a cocktail tray that is the new-
est and cleverest thing I've seen. Copied after
the stock mart, it has the makings of every
known cocktail. Horizontally you read the
name of the drink you want to make, and
perpendicularly you find the ingredients. Quo-
tations are the portions. That is about as clear
as mud. But do go in to see them.
My stomach just gave birth to an idea —
"Get something to eat." La Casa Alta was
right in the shopping district and I had a yen
for some of their hot bread. Topped that off
with a delicious cake-de-luxe at Foster and
Orear's. There mother and child are doing
well.
I think there is cause for general rejoicing
to have Foster and Orear re-open in such
artistic quarters. Everything is very moderne.
Lovely soft tones to the walls and fascinating
side lights. I didn't miss a trick. Even the
maids' costumes and the napkins blended in
shade.
Maybe I'm going "native" for a great desire
has come upon me to shed my clothes and
"lay the body down." Quick. Watson, the
aspirin.
ehez peshon
custom made suits
with matching hat
dresses for every occasion
choose yours from these french
models shown in the intimate sur-
roundings chez peshon
suite 300
550 gearv st.
el cortez hotel
PRospect 5000
APRIL, 1931
33
The R
ussians
Continued from pa<rc 17
port. He gave lovely and expensive nothings to
every woman in town. By the hour, he spun
tales of the splendors of the Russian court to
the seemingly indifferent Concepcion. Finally,
he proposed marriage to her. To get his grain
and a trade treaty with Spanish-California
Rezanof would go to any length — even to
matrimony.
His proposal threw Concepcion's parents
into a panic. The Mission Fathers were scan-
dalized, because the man was only a Russian, a
heretic and non-believer in the True Faith. But
Concepcion was beautiful, spoiled, sixteen, am-
bitious, bored with life in the wilderness and
enraptured with dreams of the Russian court.
In the end, she routed all opposition to the
marriage. So Rezanof, as a prospective member
of the Arguella family, obtained his grain and
disposed of his cargo.
He sailed away to bear the grain to his
starving Sitkans, to visit his own monarch, to
secure the blessings of the Pope to this alliance
of colonial Russia and colonial Spain, and to
return in two years to claim his betrothed as
his bride.
He did not return. While crossing Siberia to
Moscow, he was stricken with fever and died.
It was some years before Concepcion learned of
Rezanof's death, but always she was faithful to
his memory. When it became apparent that he
would not return, she entered the Church to
find consolation in good deeds. When the first
Dominican convent in California was founded
at Benicia, in the early 1 8 50's. Concepcion was
received into the order, and at Benicia she died
in 1 857, at the age of 67.
REZANOF'S untimely death was a great blow
to the Russian-American Company, but
it rallied its forces to proceed with the
long debated plan of founding a colony in
California. About 1810 a large area of land
around Bodega Bay was purchased from the
Indians for three blankets, three pairs of
breeches, two axes, three hoes and some beads.
In the summer of 1 8 1 2 the Russians began the
construction of a fortified settlement about 18
miles above Bodega Bay , and called it Fort Ross.
Architecturally, if one may judge by the few
standing remains, the fort was nothing to look
at. It consisted of a chapel, the fort building
proper, several store rooms and work shops,
the commander's house and officers' quarters.
These structures were built of heavy redwood
timbers, rising vertically from the ground, and
topped with crude roofs. The place was sur-
rounded by a high, strong wall and was well
fortified.
The Spanish viewed Fort Ross with alarm.
But they were in no position to do anything
about it. Neither could they do anything more
than officially and feebly protest when the Rus-
sians established a second and smaller fortified
station on the Farallones. and from time to
time entered Yerba Buena Bay and slaughtered
sea otters and seals under the very noses of the
Spanish. Relations between the two peoples
quickly resolved themselves into a peanut dip-
lomacy, as absurd as it was ineffectual.
The truth of the matter was that neither
the Russians nor Spanish were capable of de-
veloping and administering California. The
Spanish did not even perceive its possibilities.
The Russians sensed its possibilities, but had
no talents as empire builders. The two of them
merely marked time, while the despised Amer-
icans pressed steadily westward and possessed
California at the very hour when it revealed
wealth beyond the dreams of avarice.
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34
THE SAN FRANCISCAN
Spring Clothes
and haberdashery from the Fair-
mont Boys' Apparel Shop are rec-
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attire.
Of outstanding style and quality,
they will be truly appreciated by
the lad attending one of the coun-
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Fairmont Hotel
817 Powell Street Phone: SUtter 5504
The highest standard
of cooking is main-
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your guarantee lies
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under the personal
supervision of
Mrs. Belle de Graf
Downstairs
Monadnock Bldg.
San Francisco
Stevenson and Adams
Continued from page 12
our first visit. Stevenson himself wore still a
brown knit woolen sock on one foot, and a
greyish purple sock on the other, much want-
ing in heels, so that I speculated half my time
whether it was the same old socks, or the cor-
responding alternates, and concluded that he
must have worn them ever since we first saw
him . . . (two months).
Their travels have broken his wife; she is a
victim to rheumatism, which is becoming
paralysis, and, I suspect, to dyspepsia; she says
that their voyages have caused it: but Steven-
son gloats over discomforts and thinks that
every traveler should sail for months in small
cutters, rancid with cocoanut oil. and mouldy
with constant rains, and should live on coral
atolls, with nothing but cocoanuts and poison-
ous fish to eat.
Their mode of existence here is far less
human than that of the natives, and compared
with their shanty a native house is a palace,
but this squalor must be somehow due to his
education. All through him. the education
shows. His early associates Were all second-
rate; he never seems by any chance to have
come in contact with first-rate people, either
men. women or artists. He does not know the
difference between people, and mixes them up
in a fashion as grotesque, as if they were char-
acters in his New Arabian Nights. The two
characters in contact are rather amusing as
contrasts: the Oriental delicacy of La Farge
seems to be doubled by the eccentricities and
barbarisms of Stevenson who is as one-sided
as a crab.
Alas, poor Henry Adams had led all his life
with aristocrats, diplomats, politicians, pro-
fessors and snobs. He was a stiff shirt, and was
appalled by Stevenson's rejection of the stu-
pidities of society. The simple, sweet Bohemian
disposition of the Scot seemed to him part
pose and part ignorance.
About this breakfast, Stevenson, in a letter
to Henry James, says:
We have had enlightened society: La Farge
the painter, and your friend, Henry Adams; a
great privilege — would it might endure. I
would go oftener to see them but the place is
awkward to reach on horseback. I had to swim
my horse the last time I went to dinner; and
I have not yet returned the clothes I had to
borrow, I dare not return in the same plight;
it seems inevitable — as soon as the wash comes
in. I plump straight into the American's
(Sewall's) shirt or trousers! They. I believe,
would come oftener to see me but for the
horrid doubt that weighs on our commissariat
department ; we have often almost nothing to
eat; a guest would simply break the bank; my
wife and I have dined on one avocado pear; I
have several times dined on hard bread and
onions. What would you do with a guest at
such narrow seasons? . . . eat him? . . . or serve
up a labour boy fricaseed?
Henry Adams, the nephew, and I met next
on the island of Savaii, where I had taken up
residence. I suggested that he rent a nearby hut.
as he admired so greatly the environment. He
had agreed to do so but he changed his mind
because of the tabu.
Many nights I spent with Moors chatting
about Stevenson, but that is another story, as is
an unpublished letter from Stevenson to Moors
which I have, showing the generosity of the
sick poet to strangers and his racy wit.
The San Franciscan is set by Miller
Typographic Service and printed
by The Trade Pressroom
August W. Virden
Insurance
660 Market Street
DOuglas 7700
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Dinner 75c
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441 Stockton Street
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your dependents; you retain whatever measure of control you wish.
Later, the Trust continues as a valuable and economical supplement to
your will. Write or call for the booklet, "Income Without the Burden
of Management."
TRUST DEPARTMENT
Wells Fargo Bank
Union Trust Co.
Market at Montgomery Market at Grant Avenue
San Francisco
Telephone SUtter 1500,
local 223, for the book-
let referred to in the
advertisement and for
"CARRYING ON THE
FAMILY INCOME" de-
scribing the way to make
sure of your insurance.
"QUESTIONS AND
ANSWERS ABOUT
WILLS AND THE
CONSERVATION OF
ESTATES" which tells
how you may safeguard
your family's future.
Clear Lake
Topics . . .
Buckingham Park
Formerly the estate of Thomas H. Buckingham,
founder of Buckingham & Hecht, Buckingham Park
occupies a long, narrow peninsula, jutting squarely
out into Clear Lake. Its fascinating extent of natural
hillocks, wooded slopes and beaches has been
developed into an exclusive and distinctive commun-
ity of lakeside, residential sites, each about one acre
in size.
This private park, almost surrounded by its own
waterfront, has been laid out by a master landscape
architect, in a manner befitting its natural beauty,
with fine paved roadways and avenues, parked
grounds, piers and boat landings, bathing beaches
and space reservation for golf links. It has all the
romantic charm of an island location without the
drawback of inaccessibility. It is within a delightful
four hours drive from San Francisco, less than an hour
by airplane, yet here, at the base of glorious Mount
Konocti, in that country, rich in the lore of the Porno
Indian, one is assured the utmost privacy and ex-
clusiveness, in which to enjoy the quiet and restful-
ness of one's own veranda, or swimming, fishing,
boating, horse-back riding, and all of the other
sports — all the year.
The land rises gradually from the lake to an eleva-
tion of several hundred feet, giving every homesite
an inspiring view. Some are level, others have natural
slopes, hillocks and knolls. Many of the sites front
directly on Clear Lake — no site is farther than four or
five hundred feet from the water's edge. Baldwin and
Howell who have developed Buckingham Park have
arranged for community control by the actual owners
of the homesites whereby the rigid restrictions will be
maintained to preserve all the charm for this colony of
Society people in their lakesite villas.
Motor up this weekend to see the homesites now
available. Take State Highway to Lakeport via
Cloverdale and Hopland, or to Lower Lake via
Calistoga and Middletown, then direct to Bucking-
ham Park.— Adv.
WEDDINGS
GUNN-MOHUN. On May 9. Mr. William Earl
Gunn, son of Mr. and Mrs. Wiliam A. Gunn of
Coronado, and Miss Cecile Mohun, daughter of
Mrs. C. C. Mohun and the late Dr. Mohun.
PRATT-TAXXER. On March JO. in Paris. Mr.
Russell Wilson Pratt, son of Mr. and Mrs. Orville
('.Pratt. Jr.. and Miss Sally Tanner, daughter of
Princess Jean Capece Zurlo and the late Mr. Jack
I'anner.
McCORMICK-TOBIN. On April 15. in San
Mateo. Mr. Ernest O. McCormick, son of Mrs.
Ernest Oliver McCormick and the late Mr. McCor-
mick. and Miss Aileen Tohin. daughter of Mrs.
Clement Tobin and the late Mr. Tobin
McDOWELL-BISHOP. On Mav 26, Mr. Ar-
thur Jerrett McDowell, son of Mr. and Mrs. Samuel
McDowell, and Miss Frances Bishop, daughter of
Mrs. Edward Francis Bishop and the late Mr.
Bishop.
WHITAKER-OYSTER. On May 16. Mr. Guv
Whitaker and Miss Elizabeth Oyster, daughter of
Mrs. Joseph S. Oyster and the late Mr. Oyster.
ENGAGEMENTS
BARRETT-MILLER. Miss Irene Barrett,
daughter of Mr. and Mrs. John J. Barrett, to Mr.
Joseph Hennessy Miller, son of Mr. and Mrs Wil-
liam Henry Miller of New York.
BISHOP-KING. Miss Celia Bishop, daughter
of Mr. and Mrs. Roy N. Bishop, to Mr. Lionel
King, son of Mr. C. van H. King.
DOYLE-WEED. Miss Dorothy Bailev Doyle,
daughter of Mr. and Mrs. William A. Doyle, to
Mr. Oliver Marion Weed of Los Angeles
GILLESPIE-MULLER. Miss Claudine Cotton
Gillespie, daughter of Mr. and Mrs. Albert E. Gil-
lespie, to Mr. Harold George Muller. son of Mrs.
August H. Muller and the late Mr. Muller.
KAPP-SCOTT. Miss Gladys Rapp, daughter of
Mr. and Mrs. John Rapp. to Mr. Kenneth Carlisle
Scott, son of Mr. and Mrs. Bert C. Scott of Pied-
mont.
TITTLE-THOMAS. Miss Doreen Tittle, daugh-
ter of Mr. and Mrs. Horatio Seymour Tittle, to Mr.
Lloyd Leroy Thomas, son of Mr. and Mrs. Herbert
X. Thomas.
VISITORS ENTERTAINED
Mis. Stanhope Nixon of Santa Barbara visited
for a week with Mrs. Xion Tucker in Burlingame.
Mr. and Mrs. Richard Heimann gave a dinner at
the Burlingame Club for Mrs. Nixon during her
stay. s
THE
REIGNING
DYNASTY
Mr. and Mrs. Charles R. Blyth of New York
are spending the summer in San Mateo and were
honor guests at a dinner given by Mr. and Mrs.
Edmunds Lyman at their home in Burlingame.
Mrs. Lyman also gave a bridge party recently in
honor of Mrs. .Marie Wells Hanna of New York.
Among the many affairs given for Mrs. Theodore
\\ lcker of New York, the former Miss Schatze
Adams, were parties given by Mrs. Orra Hyde.
Miss Catherine Wheeler and Mrs. Ward Dawson.
Mr. and Mrs. Maurice Heckscher of New York
and Santa Barbara were guests of Mr. and Mrs.
Archibald Johnson in Burlingame for ten days.
A number of affairs were given for Miss Helen
Palmer, the elder daughter of Sir Frederick and
Lady Palmer of London, during her stay. Ladv
Palmer was the former Miss Mason of Alameda.
Judge George A. Crothers was among those who
entertained at dinner for the visitor.
Mr. and Mrs. Augustus S. Klavenoff of Denmark
were extensively entertained during their visit to
San Francisco. Mrs. Arthur B. Cahill, Mrs. Peter
B. Kyne and Mr. and Mrs. Lawrence W. Harris
were among those who planned entertainment for
the visitors.
Mrs. Charles Fraker (Merrill Jones) who came
from her home in Minneapolis to attend the wed-
ding of her sister. Miss Vail Jones, to Mr. Robert
Kasper, was guest of honor at several luncheon and
dinner parties. Mr. and Mrs. August Virden, Mrs.
Du Val Moore and Mrs. Starr Bruce were among
those who entertained for her.
Mr. and Mrs. William P. Roth were hosts at two
week end parties during the recent steeplechase meet
at Menlo Park. They entertained at a dinner dance
at the Burlingame Country Club on Saturday eve-
ning and at luncheon on Sunday at their home at
\\ oodside.
Mr. and Mrs. C. Taylor Pillsbury are established
in their apartment on California Street.
Mrs. Tobin Clark, Miss Patricia and Miss Agnes
l lark entertained thirty friends at dinner at the
Burlingame Country Club, the occasion being in
hnoor of Miss Aileen Tobin and Mr. Ernest O.
McCormick.
Miss Gloria Ames entertained a group of fourteen
young women at the Woman's Athletic Club in
compliment to Miss Gloria Van Bergen.
Mr. and Mrs. Chester Rowell were the honored
EJS!.te a' a dinner party given bv Dr. and Mrs.
\\ illiam Palmer Lucas.
Mrs. Mortimer Fleishhacker will entertain the
members of the San Francisco Garden Club at the
!• leishhacker home in Woodside on June 13.
Count and Countess Degenard von Wurmbrand
were dinner hosts to a group of friends at their
home in Burlingame.
Mrs. Prentiss Cobb Hale has reopened her Wood-
side home for the summer.
Miss Harrie Hill heads the junior auxiliary of
the Salvage Shop recently organized by Mrs.
Adolph B. Spreckels.
Mrs. Jerome Politzer entertained at tea at her
home m Scott Street in compliment to Miss Janet
( "Icnian on the latter's return from the East.
Mr. and Mrs. Perry Cumberson have reopened
their home in Menlo Park after spending the winter
at the Gaylord Hotel.
The Hillsborough Garden Club show took place
in May on the grounds of the Burlingame Country
C lub.
Miss Louise Boyd has planned an extensive cruise
of the Alaskan waters for the summer. Miss Janet
Coleman will accompany her.
Rear Admjral and Mrs. George Clark of Wash-
ington. D. C, were entertained during their fort-
night s stay at the Hotel Canterbury.
Mrs. Marie Wells Hanna is visiting her mother.
Mrs. George Wells, at the latter's apartments at the
Fairmont.
HERE AND THERE
Mr. and Mrs. Arthur Hill Vincent, who now
make their home in Biarritz, will visit Burlingame
during the late summer.
Mr. and Mrs. James M. Davies have taken a cot-
tage for the summer at Pasatiempo Country Club
at Santa Cruz.
Miss Dorothy Spreckels made a successful stage
debut in the production. "The Marriage Lease."
given at the Community Playhouse.
M i . and Mrs. Nion R. Tucker gave an informal
dinner at their Burlingame home in honor of Mr.
and Mrs. Harry H. Scott. Mr. and Mrs. Stewart
Lowery also entertained for Mr. and Mrs. Scott.
Mr. and Mrs. Leonard Woolams and their family
are again established at their country home in Ross.
Mrs. Richard H. Sprague has returned to San
Francisco after a two months' trip East, where she
visited some time with her son-in-law and daughter,
Mr. and Mrs. William Henry Poole.
Continued on page 28
FIFTH AVENUE ♦ NEW YORK
AT THE CORNER OF TENTH STREET
GRosvenoR
RADIO OR WIRE RESERVA-
TIONS AT OUR EXPENSE.
Cable GROSHOTEL
NEW YORK
oA
HOTEL of rare charm and refinement. Internationally known as the
choice of the traveler who demands the best.
(| Patronized extensively by exacting Californians who appreciate its
quiet restfulness and individuality.
Q* A modern hostelry of 350 rooms, situated on the world's most famous
avenue in the heart of Manhattan, apart from commercial noises . . .
convenient to everything.
With a tariff surprisingly moderate
HARRY A. MASON, Manager
THE SAN FRANCISCAN
Joseph Dyer, Editor and Publisher
Aline Kistler, Assistant to the Publisher
CONTRIBUTORS
rnw/APn A MORPHY FREDERICK O'BRIEN, CHARLES CALDWELL DOBIE, SYDNEY KING
RESELL CA^ MCWILUAMS ^LINCOLN STEFFENS, ELVA WILLIAMS 1DWAL JONES,
ROWENA MASON, KATHRYN HULME, OTTORINO RONCHI, ZOE BATTU
VOLUME V
JUNE, 1931
NUMBER 7
Articles and Features
The Art of Revolt by Don Gordon
Now It Can Be Told, short comment and humor
Roll of Obloquy, characterizations by Sotomayor
Wives Have All the Fun, by Leona Mayer Bayer
The Summer Trek, by John Parker
The Barbary Coast, by Zoe A. Battu
Credo, by Erna Fergusson .
Racket, by Elizabeth Myatt . .
As Seen By Her, by Molly Merkley
Reigning Dynasty, by Josephine Bartlett
Short Story
The Party, by Gale Wilhelm
Verse
My City, by Sidney King Russell
Criticism
Views and Reviews, by Fritjoff Michelson
Spotlight, by Charles Caldwell Dobie
Passing Shows, by Aline Kistler .
7
8
9
10
12
14
19
22
32
4
11
17
15
17
21
Illustrations
Einstein, photograph by Johan Hagemeyer
Roll of Obloquy, caricatures by Sotomayor. .
Self Portrait, painting by Alice (J Neill .
Cartoon, by Rodlow Willard .
KryPC°oTbPrhuSsh drawing by Warren Chase Merntt
Lincoln Steffens, caricature by Sotomayor .
Kay Johnson, photograph
Florence Reed, photograph . . • • ■ •
Mrs Oscar Cooper, photograph by Arnold Gentne
Chester, sculpture by Sargent Johnson .
Head of Girl, painting by Arnold Blanche
Bathers, painting by Nelson Poole .
The Critics, lithograph by Ivor Rose
12
schedule by The San Franciscan Publishing Com-
• the Post Office at
year $2.00, single
be returned unless
copy
accom
panied by self-addressed, stamped envelope.
For advertising rates address Katherine Tice Blackburn, Advertising Manager, GArfield 4755.
This photograph was taken during the recent
visit of Albert Einstein when Johan Hage-
meyer and his camera were spectators while
Einstein and his assistant worked over scien-
tific data. Later the great scientist sat for
Hagemeyer. The resulting group of photo-
graphs, considered by Einstein the finest
ever made of himself, is being shown by
Gelber, Lilienthal. Hagemeyer has returned
to San Francisco after a year spent in South-
ern California and will divide his time this
summer between here and Carmel.
EINSTEIX AT WORK
mtk
The Art of Revolt
■ ■
by Don Gordon
THEY say that our times lack vigor,
that there are no more giants in
the earth. But they fail to observe
one manifestation of our zeal: we
have had, lately, a renaissance of the
art of rebellion. Pitiful and obscure
indeed the institution that has not
been tried in the balance and found
wanting. The Nineteenth Century
sowed a healthy lot of dragon's teeth.
These have at length ripened in the
sun of the new century and have
sprung, breathless, into being: a spe-
cies of militant legion to be expected
from that quaint sowing. Reduced to
the least common denominator, what
they want, in their multitudinous
ways, is whatever they have not: and
what they do not want is precisely
what they have.
Almost everything we do now is
arranged by an efficiency expert. Not
a sparrow falls that does not contrib-
ute his slight kinetic energy to the
world's sum of power. All the indus-
tries and all the seven arts produce at
high tension, on a large scale and with
a minimum of waste. Only the eighth,
the art of revolt, has gone on by trial
and error. Too long have the dragon's
teeth, now grown to soldier-like stat-
ure, fired and ceased firing at will.
They need a regimen. Certain rules
and regulations have, after painstak-
ing research, emerged from the dust
of many rebellions. These have al-
most the dignity of a code. It is pos-
sible now to teach the young idea
how to revolt.
No reference need be made to the
common or garden revolt, the simple,
naive objection to government. That
is as old as history and no longer
smart. Our modern rebellions are all
smart, all in the mode. We have at
last realized that governments get old,
like everything else, that they run to
paunches, wrinkles and bald areas,
and that, somehow or other, they
eventually disappear. We might as
well direct our energies against other,
more tenacious institutions. As to
government we have only to let na-
ture take her course.
The remaining revolts fall natu-
rally and inevitably into four classes:
A — Economic, or objection to
other people's money.
B — Matrimonial, or yearning for
other people's objets d' amour.
C — Religious, or suspicion of
other people's gods.
D — Artistic, or contempt for other
people's taste.
IN order successfully to conduct Re-
volt A certain prerequisites are nec-
essary. You cannot just go in for
it. In the first place, you must have
either ( 1 ) Very Little Money or,
better still. (2) No Money at All.
It is obvious that if you have money
yourself and are overcome by the de-
sire to revolt, you will be cutting your
own throat. No, in case of wealth it
is better to try one of the other forms
of rebellion.
If you come under subhead 1 or 2
the next thing is to get into the right
uniform. In these days this consists
of a pair of trousers with frayed cuffs
and a patched stern elevation: a coat
that does not match and that has at
least one torn pocket: a khaki, a black
or a blue denim shirt: a crumpled hat
that can be put on going in any direc-
tion. The hair should be two months
and the beard approximately three
days long. This is all you will need
except for shoes that must be run over
at the heel and stained, preferably
with paint or white lime. If you are a
woman the above directions will ap-
ply with due allowance made for
variation in cut of clothes and hirsute
capacity. A tarn o' shanter is consid-
ered very effective for women revolt-
ing under A.
Spend as much time as possible on
public benches. Talk to everyone who
sits near you about your revolt and
as loudly as you can. Spit contemp-
tuously at intervals. When crossing
streets always move contrary to the
stop signals. When ordered back by
the officer on duty, mutter fiercely and
go back very slowly. When an auto
passes too close to your toes and it is
a medium priced car. simply scowl at
the inmates: if a high priced car.
glare: if both high priced and very
shiny, glare and curse.
When hungry, panhandle. This is
comme il taut among conscientious
revolters. You are thereby not knuck-
ling under to the rotten economic sys-
tem: you are merely levying a tax,
rather informally, upon those weak
enough to be taxed. If panhandling
is inadequate, the soup kitchens arc
available. If, however, you find their
menu lacking in vitamines, it may be
necessary to compromise.
If you have to succumb to the ex-
isting order so far as to go to work,
do not go meekly. Arrive as late as
possible, keep your eyes on the clock,
punch your time card just as the clos-
ing hour strikes. At noon spread the
gospel among the milk-fed workers.
Grumble when you can, loaf when
you can, take your pay check with the
silent imprecation that it is blood
money extorted from the widow and
orphan.
If the check is small you will still
be eligible to continue the revolt un-
der subhead 1 (Very Little Money ) .
But if the check is large, you will
come under neither subhead 1 or 2
and are disqualified. You will then be
one of those "other people" who are
being revolted against.
IF you wish to enroll under Revolt
B (Matrimonial), you must first
ascertain your classification. You
must be either (1) Married, or (2)
Not Married. The revolt in any case
is of the same nature: the variation is
only in degree of animosity.
If you come under subhead 1 you
may live anywhere and wear what
you please, for your revolt is only in-
cipient and requires no symbols. It
takes the form, usually, of discourse.
If male, you are to express the wish,
at intervals, for the life of a beach-
comber in Tahiti. You are to be heard
muttering about "bondage" and "a
dog's life." You are to look with
covetous eyes at your neighbor's wife
and. in the absence of her husband,
to express some of your views on the
necessity for broad-mindedness in the
modern world.
If female, you are to mention fre-
quently various suitors who once
sought your hand. You will un-
doubtedly point out how some of
Continued yn page 24
8
HAVING chosen much of the
substance of Curtain Calls by
Constance Ferris for publica-
tion in The San Franciscan prior to
its appearance in book form and hav-
ing heard more recently of people
who hid the book from their moth-
ers, we share the author's consterna-
tion over the fate of numerous copies
of this sophisticated volume of verse.
At the recent ball and banquet
closing the Book Dealers' Conven-
tion, Miss Ferris was introduced to a
Hollywood bookseller. During their
dance he complimented her on the
book, mentioned the portrait frontis-
piece and said the volume had been
a boon to him.
"And have you children of your
own?"
Miss Ferris was startled.
"I mean. I thought you might
have had your own children in
mind.''
"What do you mean?"
"Only that mothers seem so glad
to get Curtain Calls. You see. I keep
very few school books and whenever
a woman comes in asking for a primer
that I don't have, I say. But madam,
your children are modern children,
aren't they? Then why not buy them
this ?* and she walks off with a copy
of Curtain Calls."
"What do you offer it as — a sex
primer?" the author was frankly
curious.
"A sex primer!"
"Yes, haven't you read Curtain
Calls'"
"No — I admit I haven't — but.
coming from Herr Wagner's press. I
took it for granted it was a school
book."
Whereupon Miss Ferris quoted the
verse beginning "I might have died
a virtuous wife," and watched a
blush creep up the man's cheek as he
realized for the first time what he had
been prescribing for the children of
Hollywood.
A San Franciscan is one who was
born on a hill where a cable car runs.
This fact, he assumes, (usually with
great success) gives him honor, stand-
ing and distinction in London. Paris
and the other capitals of the world.
HARD times have humbled great
numbers of egotists who in
palmy days of '29 thought
they knew it all, but not the specimen
of this gentry who accosted us the
other morning.
"Gimme a dollar." he demanded,
approaching us boldly, almost threat-
eningly.
"Well." we demurred, sparring for
time, "we don't mind giving you a
NOW
IT CAN
BE TOLD
quarter or so, but really we can't con-
tribute a dollar to your support."
"Naw. it's a dollar or nothing."
he returned, savagely. "Don't you try
to tell me how to run my business!"
A San Franciscan is one who re-
spects the right of way of a cable car.
VARIOUS statements, denials
and counter explanations have
followed in the wake of the
stupid action of Mayor and Mrs.
John C. Porter of Los Angeles, who
walked out of the room during the
drinking of a toast to the President
of France, at Havre. Whether the
refusal of the toast was due to moral
rectitude, misguided patriotic im-
pulse, ignorance of the language and
customs of France or any other of
the grounds subsequently mentioned
by the press, the gesture certainly de-
noted no high grade of intelligence —
and obviously an extreme lack in the
social graces, some of which even a
mayor of Los Angeles cannot afford
to be without.
A San Franciscan is one who knows
the months when shell fish arc in
season.
The scene is the lobby of the Russ
Building: Three men meet, one bor-
rows twenty dollars from the man
on his left who. in turn, hands it to
the man by his side who evidently
asked for a loan. The recipient of the
money, after a torrid look from the
original lender, hands it back to him.
Then they all smile, shake hands and
depart in separate directions.
The thought we nurse is who owes
who?
IT IS a theory of Aldous Huxley,
contemporary philosopher and so-
phisticate, that no budding and
ambitious writer can afford to be
without a cat — preferably two. one
male and one female. The cat. Hux-
ley maintains, is indispensable in
gaining a knowledge of human na-
ture.
If you have a cat or cats you may
have discovered the logic of this high-
ly engaging theory. If you have no
cat. consider Felix. Felix, be it
THE SAN FRANCISCAN
known, is a tom-cat of more than
average proportions, of the variety
known as Maltese. Felix is to be
found daily and in the earlier hours
of the evening in his home and habi-
tat, an Italian restaurant, on Broad-
way, just around the corner from
Chinatown. The cat bears the name
of his master, and is not, as may be
supposed, borrowing any lustre from
his screen contemporary.
The reports that came to us of
Felix were remarkable. He can, we
were informed, stand on his hind
legs, jump through hoops, shake
hands, play dead, say his prayers and
so on. Further, we understood that
Felix needed no urging to perform
his tricks, being as agreeable as he
is amusing and clever.
We made our way to North Beach
to see him and his master. It was
about eleven in the morning — one of
the hot days of the recent hot spell.
Felix finally was spied, stretched to
his full length and sleeping peace-
fully, upon a door transom, some six
feet above the floor.
His master roused him. He glared
at us and growled ominously. We
dislodged him from his high post.
We forced Felix to stand on his hind
legs. He laid back his ears, spit at us.
and from his eyes flashed black
hatred. He loftily scorned to shake
hands.
We allowed Felix to resume his
transom perch, and mounted a chair,
thinking he might unbend a little if
we assumed his level, instead of forc-
ing him down to ours. We coaxed
and spoke soft words. But to no pur-
pose. Felix had spent the night out.
Plainly, he indicated that the morn-
ing hours arc sacred to the rest and
recuperation of the man about town,
and are not to be interrupted by peo-
ple who. having unimaginatively
and prosaically spent the best hours
of the night in sleep, are abroad at
ungodly hours of the forenoon.
If you foster the noble aspiration
to be remembered for your deeds to-
morrow, then be not forgetful today
of men who so usefully served man-
kind yesterday. — Adolf Werbik.
THEY needed newspapermen in
the filming of the American
Tragedy in Hollywood last week.
Eight members of the Fifth Estate,
which belongs to reporters unwed to
any employment, were recruited.
"Well boys," genially demanded
the director at the end of the day's
work, "what do you think of it?"
The eight shuffled around uneasily.
Continued on page 31
JUNE, 1931
ROLL
OF
OBLOQUY
by Sotomayor
X. Y. ZOUNDS (top
left) — the practical busi-
ness man very much ob-
sessed with the depression
at this time. A self-made
man whose lips &xz loud
with invitations for bigger
and better buying of his
products while his right
hand is busy signing final
checks for dismissed em-
ployees. Zounds has not
cured himself of the habit
of jingling coins in his
pocket. He even forgets
to quiet the sound of
clinking dollars when he
repeatshispalliative homily
that having one's pockets
empty is merely a psycho-
logical state.
C. GORFERD STEBBLE-
Vv'AITE (upper right) —
author of the latest ob-
struse novel published in
the Balearic Islands — read
by all but understood by
none. He is here shown in
a characteristic pose de-
noting modesty before a
news camera. He wouldn't
miss being in the picture
for worlds — but he feels
that it is appropriate for
one of his erudition to
shrink from the public
gaze. Though dealing with
the deepest psychological
problems in his writings,
he is not yet aware that he
himself has a fairly devel-
oped exhibition complex.
PETER GARBIDDLE
FOND (top right)— re-
garded throughout the
community as a pillar of
culture. He is always to be
found at the pre-view of
an important art exhibition
or any event catering to
artists. He is one of those
large silent men credited
with an aesthetic soul
under a heavy exterior —
few know that Fond is a
manufacturer of paint and
that he takes delight in
counting up the square
feet of painted canvas
hung in each exhibition.
Fewer still know that his
grief at the passing of the
impressionists comes from
his realization that they
were by far the most lavish
of all users of paint.
MRS. DOREL BROWNE-
HI BB-CAR VI NGTON—
(lower right) — whose suc-
cessive marriages and di-
vorces have brought her
such notoriety that her en-
dorsement is felt to carry a
great deal of weight with
the general public. She
has in turn endorsed cos-
metics, breakfast foods,
mattresses and bath mats —
and is now turning to the
lucrative field of Foreign
Language, Public Speaking
and other such correspon-
dence courses in which
advertisements she will be
pictured in her full glory
of thrice-widowhood
with a caption beginning,
". . . four weeks later,
they were at my feet — '
10
Wives Have All the Fun
An Analysis of the Status of Modern Women
Leona Mayer Bayer
by
THE American Twentieth Century
is a witch. She intoxicates her
children with the heady wine of
intellectual liberty, the while she
pushes them slyly into an ever hotter
oven of economic bondage. Only one
person eludes her. It is the modern
wife.
This fortunate lady is precisely in
that position where she can eat her
cake and have it too. She may be free
when she likes, and sheltered when it
suits her. She stands in the strategic
dawn of her complete liberation,
whence she can. on appropriate occa-
sion, step back into the warm night
of her former dependency. She may
have a "room of her own" in a house
maintained by her husband. For she
has kept the haven of an old institu-
tion through the adventure of a new
era.
Through several generations,
woman battled for liberty in a cap-
italistic order where it was clear
enough that the sine qua non of per-
sonal independence lay in financial
self-sufficiency. She was obliged to
back her claims to freedom with the
indisputable argument of her pay-
check. But now she has her world
well trained: she need only shout "I
am free." and everyone believes her.
It might have been otherwise. Having
demonstrated her self-sufficiency, she
might have been confronted with an
institution of wedlock which refused
to support her any longer. But mar-
riage, that good old convention, has
stood firm against the logic of
woman's independence. It remains a
happy anachronism, offering to a
changed woman the unchanged
promise of her husband's wage. So
naturally is it offered, that the same
girl who staunchly shares weekend
expenses with her lover, will, with
only a faint qualm, accept half of
his income as community property —
after the ceremony.
The "new woman" in America
has. by a sort of surprise maneuver,
wrested from society both education
and privilege. Society has not yet
countered with the demand that she
use them. It has left her irresponsible,
not expecting, as Soviet Russia is said
to expect, that now she will become
an integral working part of the com-
munity. She is still under no obliga-
tions except to herself.
NOT every woman, obviously,
reaps the full harvest of such
uncompromised power. Many
have independence neither in spirit
A.
This self-portrait was one of
the interesting canvases
shown at the San Francisco
Art Association Annual at
the Legion of Honor Pal-
ace. Together with a still
life painting, it presented
Alice O'Neill as a painter
— heretofore she has been
known as a sculptor of
small figures. She is the wife
of Peter Van Valkenburgh,
the painter, and resides in
Berkeley.
ALICE OXEILL
THE SAN FRANCISCAN
nor in fact. Many more carry its full
responsibility in the sharp necessity
of supporting themselves. But the
woman who succeeds in having a hus-
band in the house, free ideas in her
head, and money in her pocket, is a
creature who can skim the cream from
the community milk. The group to
whom this applies is less limited in
significance than in number — since
the illogic of woman's status is dem-
onstrated by the fact that such a
group exists at all.
Already in her approach to the
marriage which is her open sesame,
the 1931 lass basks in the sunshine
of her advantage. She may not pur-
sue her husband in the Shavian
sense, but she must admit that she
is quite active in finding the man who
shall pick her out. She shares his
work-fields and his playgrounds. She
meets him with the gay arrogance
of the independence which woman
has so valiantly earned, whether or
no she herself will ever again actually
earn it. She has the double fun of
being wooed as a woman and fenc-
ing like a man: his equal in self-
esteem, training, and experience: his
superior in seduction.
Furthermore, among that curious
portion of the population which nur-
tures our paragon in her most gala
form, the man who finally marries
her can usually support both her and
her independence. The same educa-
tion, intelligence, and training which
cause him to be attracted to a truly
liberated feminine spirit, likewise en-
able him to earn a good salary, if he
consents at all to turn his hand to a
money making occupation. At one
stroke, therefore, she acquires both
the man and the income. The requi-
site attitude she has already. And
now. what can she not do?
Home, office: work, leisure: chil-
dren, police dogs — she can call the
tune to her fancy. For if she can not
pay the piper, the gentleman will.
In the first place, she can continue
with a career if it please her. or drop
it. if it irk. Of course, if the husband
abandons his own work, or engages
in a non-remunerative pursuit, or
meets with pecuniary reverses, she
automatically steps in to fill the gap.
Her chivalry is not lacking, even
though it be rarely called into evi-
dence. Do we not all know the fair
young doctor who financed the fam-
ily when her husband's business col-
lapsed, the teacher who helped to
establish her husband as a critic, the
social worker who saved the situation
when her professorial spouse lost his
job in an excess of free speech? This
is not even counting the little fat girl
who put her man through college.
Continued on pace 30
H>jrw
JUNE, 1931
The Party
A Story to be Read Between the Letters
M
Y DARLING — It's all arranged!
Martin is perfectly agreeable
and will be at Tahoe until
Wednesday. I have the key in my
pocket and my heart is doing a bolero
— or something similar. You'll love
his place, Suzanne — it's cozier than
anything you've ever seen. And no
eyes to see two mortals gone nymph
and satyr — should such a transforma-
tion occur to them ! We can quarrel ( I
love to quarrel with you, darling)
over the seat by the window where a
quartet of pigeons waits each morn-
ing for the breakfast crumbs — over
the privilege to wash dishes or first
place in the shower or Martin's gor-
geous pajamas or which is to say grace
at table!
I'm hellish busy this morning —
better to say I should be hellish busy.
Suzanne, don't fail me this time.
I'll live on impatience and ecstasy un-
til Friday.
Your own
Paul.
Dear Mrs. Humphrey — -You'll
forgive me I know, but I sim-
ply can't find a way to get in
for Janet's party. Mother's a nervous
wreck already, fussing over the lug-
gage, and Daddy's such a nuisance
with that gout of his — and I feel I'll
simply have to stand by her.
I know it'll be a gorgeous party
and I wanted so much to meet Janet's
South American, but I'll have to post-
pone it for a few weeks.
I know you'll understand — and
know how sorry I am.
Mother sends love.
Affectionately,
Suzanne.
My Dear Margaret — Just a
few words to thank you for
the lovely week-end you gave
Suzanne. She talked of nothing else
for hours. And that charming Qua-
vello — I don't wonder Janet is quite
taken with him. These daughters!
Jeff is much improved and is so im-
patient to be off. We shall sail on
Monday or Tuesday and expect to be
in town by October.
Thank you again, and my love to
Janet and yourself.
Affectionately.
Mildred G.
by Gale Wilhelm
Darling, Darling — We've just
passed the Farallones and
Mother has gone out on deck
for her nap. Daddy has promised to
stop in at Monterey — so I'll post this
there.
Paul, I'll simply go mad without
you for three weeks. I loathe even
thinking of it. Every time I see a gull
I think of Martin's pigeons and that
dear little table not quite big enough
for two — and my toes on your bare
ankles underneath. And Paul darling,
the time we fell asleep on the rug and
the fire went out. Only I didn't go to
sleep for hours. You looked just like
a little boy and I wanted to eat you.
Oh if—
Daddy just came in and asked me
11
why the devil I didn't get out in the
sunshine. I told him I was writing to
Mr. Devers about my portrait — and
he simply grunted. Nobody can grunt
as expressively as Daddy! But Paul,
you simply must get that picture
started when I get back. He said the
other day you must be doing it in
gold leaf or something.
I'll have to stop now, darling.
Only I love you — I'll die a thou-
sand times before October. Or go mad
— which is worse? If only I could
hear from you.
More later, darling.
Suzanne.
P. S. : Mother never tumbled, Paul.
I simply talked reams about Janet's
South American (everybody knows
she's going to announce their engage-
ment soon) and what a glorious time
I had — Mother was too busy to read
the scandal sheet (as you call it) and
even too busy to notice that I started
to call Josephine Paul when she was
unfastening my brassiere last night. I
simply must stop now.
Window Washer: I've got it — create
another holding company?
12
THE SAN FRANCISCAN
An exceptional picture of Mt.
Fuji, the presiding genius of
Japan. During June, the month
of Iris, and July, the season of
Lotos, Mt. Fuji is the goal of
many tourists and travelers who
climb its sides over well-kept
trails. The ascent of Mt. Fuji
requires eight to ten hours'
actual tramping. Reproduction
courtesy of N.Y.K.
At right: A reproduction of an old Italian tavern
forms the bar of the "Duchess D'Aosta ," one of
the three luxury ships voyaging from San Fran-
cisco to the Mediterranean and also available
or the coast trip to Vancouver. Libera Line.
The Summer Trek
THE world has been made safe for travelers,
comfortable for tourists, and practically ir-
resistible to vacationers. San Francisco will
soon be in the throes of its annual exchange,
welcoming throngs of people from elsewhere
who come to see for themselves the right it has
to the reputation of the "most fascinating city in
America," and sending out thousands in each
direction to sample other places and modes of
living.
Vacations are taken seriously in San Fran-
cisco. From the typists and salesmen who inun-
date Russian River and Santa Cruz for week-end
and short vacation periods to the business execu-
tives and society figures who absent the city
from May to September, all devote an amazing
amount of concentration on the decision of
where their vacations shall be spent. It is the
irresistible call of romance — in one form or an-
other. For during vacation, be it two weeks or
three months, there is a break in routine, the
change in scene which restores the illusion of
individual freedom.
San Francisco is marvelously situated for the
summer trek. It is within two-week-vacation
reach of Hawaii. Canada. Mexico and numerous
western scenic marvels — but slightly farther
from Alaska, the South Seas. Australia, the East
Indies, China and Japan — and one of its main
business travel routes leads through the romantic
lands of Latin America.
The north is attracting people as never before.
Alaska, British Columbia. Washington, Oregon
and California's incomparable Redwood Em-
pire, all stimulate the imagination. The boat
trip to Vancouver on board European liners is
rapidly coming to take the place in San Francis-
can estimation that is occupied by the New York-
Havana jaunt on the east coast. Three days on
board a foreign ship with European accommo-
dations and bar and you are in Vancouver, a
foreign port. The change of environment is com-
plete for the thirsty traveler who leaves his home
in search of new sights and old flavors. But un-
like the Havana trip from New York, the Van-
couver voyage is but the prelude to further travel
and is most often taken as a one-way-water one-
JUNE, 1931
13
North . . South . . East . . West
way-land vacation. Auto transporta-
tion is an incidental matter on the
boats or one takes advantage of rail,
motor coach or further boat service
up the coast, inland or back home.
ALASKA is still frontier country,
^\ although it is yearly becoming
* * more accessible — hence more
civilized. Hotel and travel accommo-
dations there are claimed to be as
good as anywhere on the continent so
one is assured of access to the pictur-
esque scenes of the hardships of Klon-
dike days in customary luxury.
Within five years one will be able to
drive to Alaska by automobile. This
summer a splendid highway is com-
pleted to Hazelton, about a thousand
miles north of Vancouver through the
spectacular wilds of BritishColumbia.
Next year they expect to push the
highway on to White Horse and.
subsequently, up the Yukon to Daw-
son and on from there to join the
Richardson highway this side of Fair-
banks.
The fact that no passport is re-
quired to enter Canada argues well in
favor of the British Columbia and
other Canadian trips and resorts. The
triangle tour of the Canadian Rockies,
including a boat trip from Vancouver
to Prince Rupert and inland to Jasper
National Park, is rapidly gaining
fame and favor. Particularly for those
who, in former years, have familiar-
ized themselves with the High Sierras,
the Rockies and our national parks.
Cocoa palms at Waikiki Beach, Hono-
lulu, showing Diamond head in the
background.
At right: The municipal theater at Rio de
Janeiro, Brazil, a port of call for the
McCormick S. S. Line cruises.
by John Parker
The increased accessibility of
these farther north regions ap-
plies also to the Redwood Em-
pire which but a short time ago
was a scenic wonderland tra-
versed only by hardy adven-
turers who braved its then narrow,
crooked and unpaved roads with an
occasional automobile in lieu of the
freight wagons and old concord
coaches drawn by sweating six-horse
teams, their only frequenters. Today
the Redwood highway is recognized
as one of the finest highways in the
West — ideal for the motorist and
traversed daily by swift luxurious
motor coaches.
The Redwood Empire tour — a new
route by rail and motor coach be-
tween San Francisco and Grants Pass,
featured both as a separate trip and as
an enrichment of the usual way to or
from Portland and the East — carries
one through more than a hundred
miles of giant redwoods, the oldest
living things on earth, standing today
as they did when the first stones of
the pyramids were being laid in
Egypt. Thousands of the Sequoia
sempervirens. which flourish in their
native setting only in our northern
coast range, tower more than 3 50 feet
high and the diameter of the largest
trees is from ten to eighteen feet, but
the scenic beauty of the redwood
country is due fully as much to the
luxuriant undergrowth at their feet
as to the impressive size of the forest
monarchs.
And so the tendency is to go north
— even if it is only a little way north
The giant redwoods and moun-
tains of the north made accessible
by Greyhound Motor coaches
and the Northwestern Pacific.
Hs*
and only for a week-end trip or a few
days' fishing and hunting. The Men-
docino coast, Humboldt. Shasta and
Lake Counties — each have their ap-
peal, and distances are being short-
ened amazingly. One of the best short
cuts is the new airplane route to Buck-
ingham Park on Clear Lake. Fifty
minutes from San Francisco one is
landed at The Barge, a sportsman's
camp from which to fish, boat and
hunt, at the base of Mount Konocti, up
to within fifty minutes of the time
the city and duty demand return.
TO THE SOUTH lie more exotic
lures. Southern California resorts.
Agua Caliente. Ensenada. Mazat-
lan and the interior of Mexico with
its strange mixture of primitive peo-
ple, borrowed European culture, gov-
ernmental experiments and current
modernisms. Then come the succes-
sion of Latin-American countries,
each with its beauties of scenery and
customs and art — and Panama, the
gateway through which so many pass
to Havana and New York, or direct
to Europe on the Libera, Holland-
America or other international lines.
One of the most surprising, inex-
pensive and off-the-beaten-track ad-
ventures is the trip to South America
... or rather, around South America!
Continued on page 29
^^UtMi-^v.
THE SAN FRANCISCAN
The Barbary Coast
An Explanation and Introducti
on
by Zoe Battu
■ ONDON has its Limehouse District.
I New York has its (vanishing)
^™ Bowery.
San Francisco had its Barbary
Coast.
Of these three, the Barbary Coast
was the most notorious. It long stood
as a symbol of sin cut loose. It was
the root of San Francisco's fame as a
wicked, worldly-wise city. Of equal
fame was the beauty of San Francisco,
and so it possessed the three elements
always irresistible to travelers, adven-
turers, artists, philosophers and ro-
mancers.
But of its several quarters or dis-
tricts. San Francisco and its natives
paid the least attention to Barbary
Coast. Chinatown is etched, painted,
sketched, photographed, made into
poetry and novelized. Montgomery
Street, Telegraph Hill. Russian Hill.
Fisherman's Wharf, the water front,
the Latin and Bohemian quarters are
as an open and delightful book, not
only to San Francisco but to all the
world.
For a like chronicling of Barbary
Coast, its life, people and history you
search the lore of San Francisco in
vain. An attempt to gather such ma-
terial first hand is futile. The Hall of
Justice is full of "old timers, who had
a beat on The Coast, when it was
wide open." Their recollections of
the district are somehow vague and
general. If now and then, they recall
specific instances in their experiences,
these, under close investigation, gen-
erally turn out to be of no particular
interest or value.
The only people, in fact, who
spoke or wrote with authority on
The Coast were the reformers. Close
to 100'< of the literature on the sub-
ject, if literature it can be called, is-
sued from the pens of these zealous
people. They left unrecorded no de-
tail of the vices, amusements, habits.
abnormalities, subnormalities, dis-
eases and fate after death of The
Coast's habitues, henchmen, land-
lords and proprietors. The result of
all this industry is. alas, worthless
and almost unreadable.
Yet the editor insists that there be
written "some stuff" on the Barbary
Coast. To such a request no promises
can be made. All that can be done is
to take what few usable records ex-
ist, add to them what details can be
picked up, and make the best of the
collection. When this has been done,
the reader may decide that, after all.
the Barbary Coast was a lot like the
report of Mark Twain's death — ex-
aggerated and over-rated. He may de-
cide that the average native San Fran-
ciscan demonstrated his civilized in-
stinct of live and let live, his sense of
historical continuity, by persistently
refusing to get into a fever of hysteria
about the Barbary Coast. If such is
his decision, it is justified, for The
Visitors, entertainers, bar-
keep and all — the interior
of a typical Barbary Coast
resort is sketched as seen in
the old days by Warren
Chase Merritt.
Coast was another of those social
phenomena, which in "passing" as-
sume other forms and carry on as lus-
tily as ever.
BUT to begin in the beginning: the
district, known as the Barbary
Coast, was born of the gold rush.
Miners, gamblers, speculators, saloon,
hotel, restaurant and gambling house
keepers arrived on the scene simul-
taneously. Dance halls, gambling
houses, theatres and music halls
sprang up by the hundreds, and liter-
ally, overnight.
The life that centered about these
many resorts is an old story. Life in
the new land was precarious. A man's
days moved in strange and dangerous
rhythms. Living accommodations
were flimsy, cheerless, wretched and
exceedingly expensive. By contrast,
the gambling houses and saloons were
the best built places in the town.
Their interiors were flashy with over-
done elegance, but they were well
lighted, cheerful and warm. Their
proprietors, bartenders and patrons
were genial, hospitable and sociable.
Naturally enough, a man sought these
places to celebrate appropriately his
good fortune and solace himself in
bad fortune.
In good time, of course, the scene
changed for the better. San Francisco
exchanged its gold for things that
make life agreeable and somewhat ra-
tional. The town early became noted
for its patronage of drama, music and
opera. It founded libraries, schools,
art galleries and museums. It learned
to dine fashionably, and drink with
grace of good liquors. The pioneers
Continued on page 26
JUNE, 1931
15
Vi
lews an
dR
eviews
of Current Fiction and Verse
by Fritjoff Michelson
GULLIBILITY may be the cause,
and again it may simply be
an uncontrollable strain of ro-
mance that runs through the minds
of men. but there inevitably is a stub-
born tendency on the part of human-
ity to glorify, and be baffled by, all
things that are strange. People and
places separated from our own homes
by the breadth of an ocean, by some
strange twist of thinking, become
phantasmagorical in our imagina-
tions. And those phantasms are heir
to all manner of weird interpreta-
tions. It is, of course, a fault rather
than a virtue. Truth has no relation-
ship to the fanciful notions, warped
by dogma and perpetuated by repeti-
tion, that seem to survive.
When home-loving Americans, for
example, think of the inhabitants of
Turkey, they think of the "Unspeak-
able Turk," and when they think of
the Orient, they think of the "Hea-
then Chinee."
Such mental anachronisms are as
absurdly fallacious in origin as they
are in truth. A turban tied around
one's head does not signify a villain,
or a yellow complexion a heathen,
any more than the twitter of a single
snow bird signifies winter.
Human thoughts and beliefs, hu-
man emotions and fetishisms, are fun-
damentally the same among all na-
tionalities, whether their skins be
white, yellow, brown, red or mauve.
One needs no better proof of this than
to read The Good Earth, by Pearl S.
Buck (The John Day Company), a
current selection of the Book of the
Month Club.
Here is a book of China and the
Chinese temperament that is as com-
prehensive in scope as it is delicate in
details, as fascinating in content as it
is masterfully sustained. The style,
somewhat biblical, is admirably
suited to the tenor of the subject mat-
ter, and it knits the story together
into a fabric that is absorbing, color-
ful, simple, and. best of all, replete
with the essence of life.
One hesitates to say too much of
the story itself lest he give the im-
pression that it is intricately plotted
and tense with action. Plot and action
are there, to be sure, but the plot
grows out of the characters and the
characters out of the action, paradox-
ical though it may sound.
The curtain rises on Wang Lung,
a simple and poverty ridden farmer,
on the day he is to marry O-lan, a
slave girl from the Great House of
Hwang. In accordance with Chinese
custom. Wang Lung has not yet seen
his future bride, the marriage having
been arranged by The Old One, his
father. Because a woman has never
before looked upon his body, Wang
Lung allows himself the luxury of
enough water to become thoroughly
clean. Dressed in his long robe, his
pigtail neatly groomed, he goes with
many tremblings to bring back to the
earthen house of his father the mother
of his children. The Old Mistress of
the Great House of Hwang says:
"She is not beautiful, but that you
do not need. Only men of leisure have
the need for beautiful women to di-
vert them. Neither is she clever. But
she does well what she is told to do
and she has a good temper. So far as I
know she is a virgin. She has not
beauty enough to tempt my sons and
grandsons even if she had not been in
the kitchen. If there has been any-
thing it has been only a serving man.
But with the innumerable and pretty
slaves running freely about the courts,
I doubt if there has been anyone.
Take her and use her well. She is a
good slave, although somewhat slow
and stupid . . ."
Together, Wang Lung and O-lan
work the soil (the good earth) and
rear children, suffer floods and
drought, pestilence and revolution,
until Wang Lung becomes a wealthy
landowner.
Although the book deals with
nearly fifty characters, each one stands
out as a living, breathing organism —
not as animated manikins pumped
full of the author's own Chinese im-
aginings, but as human beings who
dream and plan, enjoy, suffer and lust
as most of us on this mortal coil are
likely to do.
Mrs. Buck, who has lived all her
life in China, except for the years
when she was being educated at Ran-
dolph-Macon College and Cornell
University, knows the land and the
people of which she writes. TheGood
Earth, her second novel, is proof. It
is the kind of book that one opens
with a thrill and finishes with regret
— the kind that one recommends to
his friends and buys for his library. It
is not preposterous to liken it to Knut
Hamsun's The Growth of the Soil.
Mrs. Buck's first book, East Wind:
West Wind, was published a year ago.
LINCOLN STEFFENS
whose autobiography came
off the press last month
bringing enthusiastic com-
ment from former foes and
friends alike. It is com-
mended as much for the
literary accomplishment of
the account of his child-
hood as for the conclusions
to which his years of activ-
ity in the midst of political
and partisan battles have
lead.
The Secret Image
By Laurence Oliver
(Simon and Schuster, $2.00)
TO SAY of a modern novel that it is
both human and heroic is to say
that it certainly is not "just an-
other book."
The story begins dramatically with
flames leaping into the sky from the
little island of Terain where "those
two," Jack Irskine and Charlotte
Blair, have been living for fourteen
years, unmarried. Nothing is left of
the house. Charlotte alone is rescued.
She returns to consciousness in a
strange room among strange people
with no memory of her past life.
Cross-sectional bits of her early life
awaken uncertainly. Her maiden
name . . . her maiden aunts with
whom she lived ... an early marriage
with the middle-aged Sir Edward
Blair, a dreary union "in which there
was neither love nor lust." She also
recalled her two children, her experi-
ence as a war nurse and the spell of
meeting the talented, charming, so-
phisticated Jack Irskine and her deci-
sion to abandon the chains of a self-
less existence for freedom with the
man she loved. From the complete-
ness of high happiness, Charlotte's
life crumbles bit by bit, leaving
Continued on page 27
16
THE SAN FRANCISCAN
KAY JOHN SOX
"Tomorrow and Tomorrow,"
one of the plays considered For
the Pulitzer Prize, brings Kay
Johnson to the legitimate stage
after recent talkie successes. It
is the latest play by Philip
Barry, product of 47 Workshop,
winner of Harvard drama prize,
and one of the most successful
of the younger playwrights. In
it Barry has tackled problems
of social ethics.
With Mrs. Leslie Carter ap-
pearing in "Shanghai Ges-
ture" and Mrs. Fiske com-
ing in "Mrs. Bumpstead-
Leigh," San Francisco has
unusually rich dramatic fare,
particularly since the three-
star cast of "The Typhoon"
will remain here to play in
the American premiere of
"Three Men and a Wo-
man." In this, the part of the
wife of the lighthouse
keeper will be played by
San Francisco's favorite —
FLORENCE REED
w.t&a
fSLTU
JUNE, 1931
Spotlight
San Francisco Respo
IF ANYONE ever has doubted that
the speaking stage would hold its
own in the affections of the public,
the record of the past few weeks in
San Francisco must go far to dispell
such doubts. The list of capacity -
house plays has steadily grown. Joey
Brown led off at the Alcazar with
"Elmer the Great," then followed
"Once in a Lifetime," "Elizabeth the
Queen." "Street Scene." At present
writing, the old Tivoli is brimming
over with audiences renewing their
acquaintance with De Wolfe Hopper
and Gilbert and Sullivan, while the
combined strength of Reed, White-
side and Post is luring threatrically
minded folk into the Columbia, for
weeks in the doldrums and turned
over to the motion picture. Even the
opera enthusiasts have had their in-
ning. For two weeks the Pacific Opera
Company have made Eddy street
look like old times. Mr. Casiglia,
with an experience born of two years
of pioneering with local talent, sud-
denly blossomed out with a company
that carried performances off with
quite a professional air and put a
quietus on the idea that there was no
local talent in San Francisco worth
developing. This season yielded a
splendid harvest of potential artists.
There was Marsden Argall, a San
Jose boy for one and Myrtle Leon-
ard, the girl from Alameda for an-
other. If Mr. Casiglia had done noth-
ing more than discover Myrtle Leon-
ard he must have earned the praise
of San Francisco. There are not many
real contraltos in the world, but Miss
Leonard is one of them. Indeed, she is
so definitely one of them that the pre-
diction has been made that she will
not stop until the door to either the
Chicago or Metropolitan Opera Com-
panies is opened to her.
But to return to what is going on
at the present moment. It was our
good fortune to see the New York
production of "Elizabeth the Queen,"
but we shall refrain from compari-
sons. The New York and the San
Francisco productions — or should I
say the Los Angeles production? —
each had excellences and defects. Miss
Frederick as Elizabeth is doing the
best work of her career. It is a careful
and adequate characterization. The
worst that can be said of it is that it
lacks variety and shading. Miss Fred-
erick has chosen to emphasize the
tempestuous and ill-humored side of
nds to Varied Drama
by Charles Caldwell Dobie
England's virgin queen, leaving the
warmly human impulses a matter of
light sketching. She captures one's ad-
miration for the character, but scarce-
ly one's emotions. Mr. Keith, on the
other hand, made Essex a lovesome
being despite his choler. We hope we
commit no breach of criticism if we
suggest that Essex stole the show.
That the reverse was true of the New
York performances carries its own in-
ferences. John Craig as Sir Francis
Bacon did handsomely with the part,
but here the roster of outstanding per-
formances ends. Milton Pope was in-
credibly bad as the Fool. He missed
all its wistful pathos. And, somehow,
Barrie O'Daniels was a most undash-
ing, if we may use such a phrase,
Raleigh.
We were struck anew with the per-
fection of Maxwell Anderson's play
technic in viewing "Elizabeth the
Queen" for a second time. He gets his
play under way in an incredibly short
time and he keeps it moving at a pace
that is not usually encountered in an
historical drama. Of course, the con-
tinuity of his theme has something to
do with it. Plays about public charac-
ters usually try to crowd in all the
side issues of a career. By limiting this
play to the story of Elizabeth's con-
tacts with Essex, Mr. Anderson, fol-
lowing in the footsteps of Mr. Stra-
chey, advances the claims of coher-
ence. Elizabeth had many other inter-
ests and many other vital experiences,
but they would have served the inter-
17
ests of the drama not at all had they
been intruded.
Again, San Francisco has to thank
Belasco and Curran for a sterling pro-
duction that would be hard to match
west of Broadway.
//^TREET SCENE" was also on
^^ our list of plays seen in New
^^York or, in this case, Brooklyn.
Which is not quibbling as definitely
as one might imagine. For the "Street
Scene" we saw in Brooklyn, just
thirty minutes from Broadway, was
not "an original New York produc-
tion" but what is known in the vicin-
ity of Times Square as a "subway
company." Meaning that it was not
a hundred per cent efficient cast. But
it was efficient enough to make us
decide that we didn't want to see it
a second time. A good enough play
but one of those "slices of life" which
one can get in the daily paper any
morning. It was so real that if you
know your New York of the lower
middle classes your flesh begins to
creep before the curtain has fallen
upon the first act. If we must have
plays of real life, let them be either
of the submerged tenements or the
crass artificiality of Park avenue. The
intermediate life of Manhattan is too
appalling, unless the author gives it a
twist of interpretation which raises it
above the dull monotony of its sur-
face. This Mr. Rice did not do. It
was dramatic, it was skillful, it was
diverting in its way, but it was also
pretty much of the empty shell that
real life usually is. And the women
members of the family around whom
the drama revolved were quite too re-
fined and grammatical for trie en-
vironment which had reared them.
Figs do not grow upon thistles.
All of which means that we did
Continued on page 33
MY CITY
by Sydney King Russell
What fortress as impregnable as this
Stern citadel whose wall remains unshaken?
Arrows were impotent; a bullet's kiss
A vain caress. The city is not taken
Though enemies conspire. Alone she stands,
Her haughty towers groping to the sky
And challenges the might of straining hands
And dares to breathe that beauty may not die.
Yet Jericho once fronted such a night
Wearing the jewels of heaven for a crown;
A trumpet's challenge leapt, as swift as light
And at the siege of song the walls fell down .
Take heed, my city, lest a madman's prayer
Uproot your strength and scatter you to air?
THE SAN FRANCISCAN
ARNOLD GENTHE
MRS. OSCAR COOPER
formerly Anita Harvey,
daushter of Mr. and Mrs.
Downey Harvey, who was a
recent visitor to San Francisco
from her New York home.
JUNE, 1931
19
c
R
E
D
O
I LIKE SAN FRANCISCO
■ It is breezy, and along with its
breezes comes a feeling of all the
world. Breezes from across the bay
bring hints of the hinterland: ranches
and mines, oil and timber, peaks
topped with snow. Breezes from the
sea, stiff and salty, blow straight from
the Orient, the Southseas, Alaska and
Siberia. Japanese steamers manned by
Japanese. Cargo ships that have come
around the Horn. Ships putting out for
Australia and coming back by way of
the Southseas. Ships loaded with furs
and fish from the north. "The United
States knows California," they say,
"the world knows San Francisco.
I LIKE THE MEN
■ A man in San Francisco looks as
though he had been everywhere and
were just about to go back again. The
city is just an episode in his life. He is
never dominated by it. He is not the
city type who looks as though his
pasty skin had never been aired, as
though a ruthless hand had crushed a
derby onto a soft head and smothered
its brains. The men in San Francisco
look as though they had lived in all
the far places of the globe. Everyone
walks about as though he had selected
his clothes for comfort, not as though
they had been assigned to him by con-
vention. They wear big hats and high
boots, uniforms of ships' officers, golf-
ing togs, loose raglan coats and soft
hats. Whatever he wears, the San
Francisco man looks like a real person.
His skin usually shows a touch of sun.
Often his conversation does too.
I LIKE THE WOMEN
■ They, like the men, look as though
they had chosen their clothes. In San
Francisco you do not see women, as
you do in eastern cities, in the stand-
ardized costume: society women, shop
girls, recent immigrants, and shoppers
from Podunk all in the same dress at
varying prices. Here women are in-
dividual. A woman wears furs at any
season if she is more aware of the edge
to the breeze than its caress. Women
in suits and low-heeled shoes, if they
are native San Franciscans and used to
chill, and hills. Women in sweaters,
open-necked shirts, and flat shoes, just
off the links, the tennis courts, or a
yacht. Women as smart as women any-
where, turned out in the last smooth
perfection for dinner or dance. Young
girls of rare beauty of skin and color-
ing, lovely and gay, filled with eager-
ness in a city which offers all the snap
and sparkle of city, all the sport of M
by Erna Fergusson
country living. Women, like men, in
San Francisco, have an air of being in
command of themselves. They dress as
they wish, and they always look well.
I LIKE THE TRAFFIC
■ There are never, or almost never,
pushing rude crowds. Even in the
crowded hours there is room in which
to move and breathe. Crowds are
cheerful. At the busy hour, when
office workers swarm out and onto the
cars and ferries, it is interesting to
compare them with a similar crowd
elsewhere. Here nobody bawls and
pushes. No step-lively signs. Some-
times a city dweller from somewhere
else pushes for place. Others make
way for him with a large amused toler-
ance which soon subdues him to walk
quietly. There is plenty of time. Plenty
of space.
On the ferry there are seats for
hundreds. Papers for sale. Meals,
shoe shines, candy and tricks. In the
very crowded hour people may stand,
but there is always the beauty of the
bay to watch. A Norwegian steamer
passes, rocking the ferry on long slant-
ing waves. A lumber ship bound from
Seattle to Mazatlan rides easily. Two
boys, hair blown straight up, skim
past in a speed boat. The great slow
hideous bulk of the city garbage boat
plows along. The towers of Oakland
rise in front, Berkeley climbs the hills
and looks down on its Campanile. The
islands reflect the glow from the
Golden Gate.
In the city, there is no point to run-
ning for cars or pushing to get aboard.
Not that there will be another one
along in a minute, but that they come
in shoals. On Market street they bear
down in solid phalanxes, advancing
four abreast. It looks as though they
would mow down pedestrians like
wheat. But no, they drz spaced just
not to crush you between. They stop
often, men on foot make change, con-
ductors tell you where they dre going
and what they think you had better
do to go where you are going. Cour-
teous. They have dealt with too many
Orientals to be disturbed by any
ordinary kind of stranger.
And the cable cars! The timid sit
inside. Intrepid souls or native San
Franciscans with well developed ad-
hesive properties, sit outside, face the
whole world and take every chance.
You climb aboard. The gripman, using
more strength than seems human, pulls
great levers. It moves. A conductor, M
pushing through in the good old-
fashioned way, collects your nickel.
Here it is a blessed nickel and not
some fancy sum like seven cents, in-
volving pennies, change, dropped
coins, curses, and all manner of distress
for the stranger. The car starts. Almost
immediately it begins to climb. Up and
up, incredible hills. If San Francisco
had grown more slowly, or later, they
would have flattened those hills on
top and made it like other places. As it
is, San Francisco is a perpetual roller
coaster. Going up is thrilling enough,
watching the strength of the motorman
and the additional pull of the con-
ductor on the brake. But coming down!
Careening over the hills, up and down,
around curves (Hold on lady, says the
conductor) with a swerve which would
throw off the unwary, and long head-
long plunges down narrow streets,
paved with brick because no car could
stay on asphalt on such an incline,- and
then the quiet sure stopping whenever
the motorman wishes. I like cars in San
Francisco.
| LIKE THE AIR
■ The air has always a jewel-like
irridescence. On cleardays, so-called,
it is shot with light like an opal. A sun-
set behind the Golden Gate gives it
the deep warm glow of a Mexican
opal. On misty days, cloudy days,
foggy days it takes on the soft milky
tones of moon-stones. Blue and gray.
At night, from the top of, say Tele-
graph Hill, one gets the deeper tones
of Australian black opals. Mysterious
flashing green and blue lights with fire
in the depths of the water where long
lines of lights reach out from the ferry
slips.
I LIKE THE HILLS
■ The high buildings are reaching
up, now, almost to the height of the
hills. San Francisco is a city, and it
must grow, as American cities grow,
into stupendous height of buildings.
But its towers stand against mountains,
and its growth is, by a very gracious
God, limited. Only this peninsula,
nothing more. From the ferries on the
east to the tip of the peninsula where
seals roll around to watch shipping
steam through the Golden Gate, and
back to the hills, and that is all. No
possible way to spread into the
sprawling ugliness which threatens
most towns. A self-contained beauti-
ful city.
I LIKE SAN FRANCISCO.
/
SAN FRANCISCO ART ASSOCIATION
"Chester," the sculptured head
reproduced above at the left,
was awarded the First prize in
sculpture at the San Francisco
Art Association Annual Exhi-
bition. It is by Sargent Johnson,
a negro, whose work has won
him recognition in New York
where it has received Harmon
awards the past three years.
"Girl's Head" by Arnold
Blanch, above at the right, re-
ceived the First Anne Bremer
Memorial Prize in the same
exhibition. It is a beautifully
sensitive painting and one oF
the truly outstanding canvases
in the show. It was posed For by
Phyllis De Lapp, who also was
the model for "Girl Seated,"
also by Blanch, which was
awarded the California Palace
of the Legion of Honor Pur-
chase Prize. Blanch returns this
summer to Woodstock in New
York from where he came to
teach at the California School
of Fine Arts.
"Bathers" by Nelson Poole,
below, was one of the distinc-
tive paintings in the Annual
exhibition. It was hung on the
same wall as the first prize
painting "Prison Riot" by Ross
Moffett.
T t
JUNE, 1931
91
Sh
assing onows
With a Brief Post Mortem of the Annual
by Aline Kistler
WITH a Beaux Arts membership
campaign launched by a "kick-
off" dinner, the current show-
ing of Old Masters by Gump's and the
inauguration of a "flower show" at the
California Palace of the Legion of
Honor. San Francisco closes its 1 930-
3 I art season and formulates plans for
next fall. The season just past has
been a colorful and eventful one. New
factors have changed the local situa-
tion, fresh impetus has been given the
galleries by newly awakened enthusi-
asms— and the city finds itself in a
period of transition from its former
complacency to a possible future ac-
tivity.
The Fifty-third Annual Exhibition
of the San Francisco Art Association
was disillusioning. Its intentions were
of the best. It aggregated four hundred
and eighty-two ostensible works of
art representative of the work of two
hundred and seventy-five artists — and
high hopes were held on to until four
consecutive weeks of exhibition finally
convinced even the reluctant ones that
the year in art, as represented by the
exhibition, could well be counted out.
The final curtain was rung on pos-
sible enthusiasm when the California
School of Fine Arts held its annual
student's exhibition and it was found
that the students' show was fully as
interesting if not more so than that of
the practicing artists. It was a bitter
dose, and swallowed with hesitance,
to be forced to acknowledge that with
the exception of a very few of the east-
ern paintings and even fewer of the
California works, the experiments of
the students held fully as much vitality
and meaning as the general run of
supposedly mature work.
The obvious conclusion must be
that the chief asset of the modernism
championed by those wielding selec-
tive power for the Association rests in
the form rather than the content of the
art being produced. This form can be.
and is being, assimilated by the art
students who. with their fresh agility,
can quickly rival the work of older
artists. And when one looks for the
accomplishment of maturity, the con-
tribution to art that one expects of the
artist of whom we have a right to ex-
pect some additional statement of
beauty, one is disappointed. For these
older artists have been chiefly con-
cerned with the mechanics of modern-
ism and have somehow forgotten that
an artist is supposed to have something
to say.
THE controversies aroused by the
Association show formed the most
encouraging aspect of the exhibi-
tion. They showed, at least, that the
public is beginning to be unwilling to
take what is prescribed for it lying
down. There was possibly a greater
participating interest in the recent
showing than in any other exhibition
of the year — if so, what does it matter
that the work shown was negligible?
Of the comments called forth by
the jumbled dynamics that composed
"Prison Riot" by Ross Moffett, first
choice of Diego Rivera, Edward Bruce
and other members of the jury of
awards, one of the most analytical was
that of the man who said:
"If Moffett presented this painting
to me as proof of his having learned
the mechanics of painting and com-
position. I should grant him a degree
on the face of it. He has successfully
handled a square to give it the feeling
of a cube. He has solved the problem
of placing a pyramid in the center
counterbalanced with interrelated sur-
faces. He has started a curve, halted it
with angular form — in short, he has
presented all the elements of painting.
But he has not produced a work of
art."
Truly the Legion of Honor is to
be complimented on its wisdom in
selecting the sensitively painted "Girl
Seated" by Arnold Blanch for its pur-
chase prize rather than this epitome of
French experimentation from Cezanne
to Chirico which was the favorite of
the jury.
The sculpture in the Annual was so
negligible that most people were not
even aware that there were thirty pieces
of sculpture shown. Being, for the
most part, stylized in a heavy modern
mold, with surfaces that spoke of
volume and little more, the sculptured
pieces took on the anonymity of fur-
niture.
These same local sculptors probably
are sniffing at the sculpture of Urbici
Soler now on view at the Palace. Let
them sniff. There is a vital something
to these aracuan types and portrait
heads that will outlive the styled sim-
plicities and forced ponderance of most
local work.
Soler is an artist of unusual purpose.
Having taught in Munich, following
THE CRITIC
GRUEN STUDI
by Ivor Rose
his student days there, he was sought
by Buenos Aires. There his work met
with such response that he found him-
self burdened with commissions.
Then, in the very height of his popular
success, he decided that he was becom-
ing a "bourgoise maker of statues"
rather than a free artist. So he deserted
the city that was tossing gold into his
lap, and went into the forests of Peru
and Chile where he buried himself to
do creative work. From this revolt
came the renewed artistic purpose
which has taken him from one frontier
to another to study the Indian races of
the Americas — serving his only mas-
ter. Art.
ECONOMIC tension is forcing people
to turn to the arts for release and
relaxation. On every hand is con-
crete evidence that the public at large
is actively seeking aesthetic experiences
— and while this is encouraging to the
future vitality of art, it may mean
little to most practicing artists because
when people go out in search of art
they are more exacting than when it is
"sold" to them, catering to their vanity
and pride in being considered "patrons
of art."
The spectacular methods recently
Continued on pucr 24
22
Racket
Written on Departure from Miami attheCloseof the Season
BEAUTIFUL Miami, the Paradise of
Racketeers! The races are over,
the last Jai-Alai (Hi-Li) game
has been paid. The money lenders
have packed up their wallets and
handbags and moved elsewhere, the
ladies of pleasure and gentlemen of
the same are out hunting auto rides to
a new season, and the racket racket is
somewhat easing up in the Florida re-
sorts. I say somewhat easing up be-
cause it won't ease up completely, but
only wane and gather momentum for
a new outbreak, for "we see by the
papers" that Miami intends to have a
"season" this summer also. God help
the natives! I don't know which is
worse for them, a season, or a lack of
one. One forgets too quickly the
dreadful hurricane of 1926 which
killed a couple of thousands of people
and did vast commercial damage. Be-
yond the actual destruction of tangi-
bles, the hurricane has wrecked sub-
sequent seasons. Much was expected
of the winter just past in the way of
building up the long battered re-
sources of Miami, but the depression
increased instead of lessening and
reached its peak about February,
which under "normal" conditions
would have been its height.
Unless you belong to the doers in
this town, you belong to the dones.
Every man who can think at all
thinks out a racket and promptly per-
petrates it. You might expect the
placid negro who "ain't nothin' " to
be a negative element, but not so. His
effortless existence is a marvel of
rackets!
There is the peanut racket, to be-
gin with; the song sheet racket, the
puppy-peddling racket, these are the
mildest of the "Main Street" rackets.
Of more nefarious rackets. I remain
discreetly silent, although there are
others who might care to shout about
them. "This has been a very bad
winter." say the natives. Well. well.
There weren't quite enough victims
for all the racketeers.
No price is fixed. You enter a store,
you bargain, you emerge with your
article at your price if you've been
astute enough, at theirs if you've been
merely the first two letters. The apart-
ment hunter will be charged just as
much as he gives signs of paying. The
idea, confided one apartment house
owner to me, is to get as much cash
by Elizabeth Myatt
as possible, hence the habit of collect-
ing the whole season's rental at one
time if humanly and physically pos-
sible without actual assault and bat-
tery. However, if you have a "sal-
ary." you belong to the elite and will
be unmolested. This same individual
told me that he would rent his hun-
dred dollar apartment for sixty, or
even fifty-five to a wage earner, be-
cause, he said, jobs are so scarce, and
besides, "these winter people, you
can't ever tell how much they have."
CASH is the only medium of ex-
change. Cheques are impossible
to cash, and if you finally are
lucky enough to get some action you
are penalized by a fee. Banks aren't
trusted. The surplus cash of Miami-
ans goes into the Post Office. I haven't
seen a silver dollar since I was in New
York. Your change is given in paper.
I doubt if any bank in town could
produce a silver dollar, even at the
point of a machine gun. But then I
doubt if any bank in town could pro-
duce much, anyhow, machine gun
notwithstanding.
The political situation arises at
times to a polite brawl, which cannot
be soft-pedaled until the summer but
must burst its bonds every so often.
Invectives are hurled in print and
otherwise and a continual side-show
carried on for the visitor. The enter-
tainment is not intentional. It merely
goes on because somebody can't keep
still at a given moment and brings the
accumulated wrath of the whole out-
fit into the open again. The ins are
at outs with the outs and the outs are
trying to get back in again, which, of
course, is really the crux of any so-
called political situation. A certain
public utility which is said to be pri-
vately owned by the ins is believed to
be getting too much gravy for the
good of the taxpayers, and the outs
are trying to rescue their fellow citi-
zens. What improvement their instal-
lation in the high-chairs of adminis-
tration would be. only time can tell.
At present Miami is still suffering
from the effects of the boom, boom
taxes on boom improvements. The
miles of beautiful unused streets have
bankrupted the owners of the rows of
beautiful and now unused houses.
Fine bridges have broken the river
front dwellers. The sound of the
THE SAN FRANCISCAN
hammer is not heard in Miami.
Should a building permit appear, it
only means that the next day, or the
day after that, a man will walk out.
put a board over a hole and walk in
again. After that, the permit can
come down.
The feud with California is worth
mentioning. The inevitable question.
"Where are you from?" (everyone is
from somewhere here ) and my reply,
"California." brings a response of
childish hostility. The Miamian
wants your nickel, however, no mat-
ter where you are from. When he has
procured that, you can be on your
way, unless, of course, you have some
more nickels.
WITH relief. I. too. pack my
bags and prepare to depart,
having lingered too long al-
ready in my curiosity to see what the
town would look like with all its big
hotels closed, all the souvenir shops
vacated, the used car lots empty, the
song sheet vendors gone. With the
advent of April and May. the season
is officially ended. Rents are cut in
half on that date, to be doubled again
in November. The whole trouble
with this year's season has been that
more than the usual crowd of resort
parasites and all the adjuncts and ap-
purtenances thereto arrived in full
force and hungrier than ever, due to
their dull business in other climes.
These wolves licked their jowls and
waited until the too. too few Little
Red Riding Hoods appeared. How-
ever, when they appeared, they were
racketeering too, and the resulting
flourish was a game of nickel nickel
who's got the nickel played to the
death.
I depart. If you want to see a city
which is like no other in the United
States at present, but which will be
like Los Angeles in a few years, with
luck (?), go to Miami, but I warn
you. leave most of your bankroll be-
hind (if you have any), and be sure
to let on that you're an old timer in
Miami (four years is equal to five
generations background in any other
community), allow it to be known
that you have a salary, and you'll get
out with at least the skin on your
back.
FAREWELL. Beautiful Miami. Your
weather is heavenly and your skies
unfailingly blue. Your air is like
warm milk, but your mosquitos. your
rainstorms, your high winds and
your racketeers sort of clutter up your
horizon. Here I go to catch my train
north, thank God (and be gypped by
the taxi-man as a final flourish).
JUNE, 1931
23
NOB
HILL
TOPICS
With delightful insistence, the rhythm of the tango
has caught the fancy of San Franciscans — espe-
cially those who frequent smart gatherings on Nob
Hill. Here the exotic, tantalizing dance of Spain
and the Argentine reigns supreme. In Peacock
Court at the Mark Hopkins, the return of Anson
Weeks from a triumphant request tour of Southern
California is celebrated with fresh enthusiasm for
the tango as played by his marvelous orchestra.
Below are shown Jack Holland and June Knight,
famous exponents of the tango who recently ap-
peared at Peacock Court.
24
THE SAN FRANCISCAN
flWHIIK-SMfW
Ttos .Yfe44ings ♦ ft-e<«j>tiorts
B«%i*|iiet$ ♦ Center j>k*«$
russ BuiLwn^-sunEwm
: Clyde
-
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Hendricks
431 Stockton Street
<
will take jj
; ON CONSIGNMENT •
► Nearly-New Coats and Dresses,
► Scarves, Sweater - Blouses i
• Novelty and Old Jewelry i
>
Finest Type of English Glass
a specialty at
THE JUNIOR LEAGUE SHOP
14 Tillman Place
San Francisco
Passing Shows
Continued from page 21
adopted by Beaux Arts may bring the very
response and increase in membership they hope
for. At least they will reach a public that has
long been neglected, that public which re-
sponds to "drives" and slogans and "kick-off"
dinners.
San Francisco is promised a deluge of
French modernism. It had a foretaste the past
season in the Chirico. Pascin. and other shows
at the Legion Palace and downtown galleries.
Augustus Pollack's recent showing at the Art
Center of paintings and drawings he brought
back from Paris keyed in with the growing
interest and the current showing of Dietz
Edzard and Emil Lahnor at Gump's finds a
definite public eager for that type of painting.
However it is doubtful whether, even yet. the
public for French Moderns is anywhere nearly
so large as that which eagerly goes to see the
Old Masters brought here by Richard Gump
And quite in line with the awakened interest
in old masters, comes the request for coopera-
tion from an authority in Holland who is
searching for information concerning paintings
and drawings by the Dutch master. Hendrick
Avercamp. the "mute of Kampen" (1595-
1663). a painter of winter scenes. This
authority knows of only four works in the
United States but believes that there must be
more in this country. It is to the interest of
all owners of work by this Dutch master that
the prospective publication be as complete and
accurate as possible so that full justice will be
given to both the painter and the owners of
his work. Information concerning any of the
work of Hendrick Avercamp may be addressed
to The San Franciscan from where it will
be forwarded to the authority in Holland.
The Art of Revolt
Continued from page 7
them have become famous or wealthy or both.
Then sigh reminiscently and half but not
wholly resignedly. Speak of Paris with a kind
of wistful regret and longing. When with
someone else's husband, disparage your own by
calling him "good" and "kind."
The advance guard of Revolt B is. of
course, subhead 2 (Not Married ) . They
usually come by twos. It is customary for the
male to be rather lean and with a burning eye.
He is not to wear a hat unless it be a black one.
He is never to wear a tie. A shirt open at the
throat is the preferred symbol. The female will
always wear sandals instinctively so that no
directions need be given her. The
They are not to live in a house because
houses smack of matrimony: neither are they
to dwell in an apartment because apartments
are filled with the sort of people who are
married. A shack on the side of a hill is almost
necessary to manage successfully Revolt B un-
der subhead 2. There should be in it a number
Your Taste!
Our originality and crafts-
manship!
A combination fraught with
beauty!
Jewelry — Plate — Enamels
Copper and Iron
HARRY DIXON
20 Tillman Place,
(241 Grant Avenue)
DURING JUNE
an exhibition of
OLD MASTERS
from our own
collection
+ +
GUMP GALLERIES
268 Post Street
San Francisco
CALIFORNIA
SCHOOL of FINE ARTS
Affiliated with the University of California
CHESTNUT AND JONES STREETS
San Francisco
Telephone GRaystone 2500
SUMMER SESSION
June 22 to August 1, 1931
Professional and teachers' courses in
Painting, Drawing, Sculpture, Design
and Interior Decoration.
Call orwritefor catalogue — Lee F. Randolph, Director
August W. Virden
Insurance
660 Market Street
DOuglas 7700
Real Italian Food
Bohemian
Atmosphere
Luncheon
35c and 50c
Dinner 75c
LA CASA BIGIN
441 Stockton Street
San Francisco
JUNE, 1931
of pillows so that guests may sit on the floor
and imbibe the breath of liberty which is cold
and settles near the ground. This is about all
that is required for the furnishings except that
there should always be a pile of dirty dishes in
the kitchen to denote emancipation.
In case of accident or other Act of God.
uoalh. do not run, to the nearest J. P. If your
friends are so rude as to laugh, swear fervently
that you still hold to your principles even
though appearances are against you.
THE enthusiast kills religion with a sermon,
the revolter with a smile. And that is the
essence of Revolt C. No costume, no special
domicile is needed. You are chiefly to be
equipped with a restrained irony. It is not
necessary to make speeches unless mortification
is setting in without them. The main thing is
to radiate destruction like ultra-violet rays.
Do not remain away from churches or other
edifices of established religion: for to ignore
them is to compliment them. No, the thing to
do is to go to them all. Let everyone see you
there. If they don't see you. tell them about it
later. Convey the impression that you go as
others go to the theater or to wrestling matches.
When people speak of their dogmas and beliefs,
do not weaken your case by altercation. Simply
smile that ineffable, that wise, iconoclastic,
deity-denying smile. You will find it very
effective, for people in these days are a bit
touchy about their gods.
FOR REVOLT D — Artistic, you have to have
a conviction of genius and a hammer. The
first is to guarantee your enthusiasm for
your own work; the second is to dispose of
the work of others. As to uniform, the main
thing is to look as little like an artist as pos-
sible. For the revolt against art nowadays is
also a revolt against the popular conception of
the artist. The masses have at last convinced
artists and rebels against art that they ought
to look like everybody else or more so. Long
hair, flowing ties, open shirts, smocks and
batiks are passe. If you have an irresistible
impulse towards them you should do your
revolting under B — Matrimonial and subhead
2 (Not Married) .
Having succeeded in your impersonation of
a human being and having settled down in a
comfortable house or apartment of the kind
formerly shunned by artists and revolters
against art, you are ready. If you are a painter
or a sculptor, go to all the exhibitions. In the
galleries where the art of the past is displayed
or where there is conventional art. the method
most in vogue is to walk rapidly down one side
and up the other, glancing briefly at each
canvas or figure. Then leave. Thus you will
have registered your estimate.
When the art or the literature of the past, or
conventional art or literature is mentioned,
always say. "Yes, very fine. . . in its day . . ."
with that inimitable tapering off at the end of
the phrase, that godlike dismissal that can be
expressed in writing only by dots. Or else re-
mark. "Smith? Oh, yes, one of the older men
isn't he?"
These, however, are the negative aspects.
Your real demonstration lies in your own
work. Here you have a chance to express every-
thing at one fell swoop . . . your contempt for
the past, your boredom at the conventions of
the moment, your conviction of genius, your
charter membership in the revolt. If you are a
painter, you will find it difficult to put all that
in the two dimensions usually permitted the
art. The thing to do, then, is to ignore this
limitation and to go at once into the fourth
dimension. You will be surprised at what this
will do to your canvases. Instead of portraying
mere externals, or doing mere camera-work.
you will now be able to present the essence, the
"innards." to use a vulgarism, of life.
Poets in revolt can't do much in the matter
of dimension but they have ample room for
romping in lower and upper case type. A few
Continued on page 27
25
66
H awa i i
sa i/s
LOPIKAM
L.OPIKANA — you'll call him Jimmy, for short —
thinks everybody goes to Hawaii just for golf.
Being a caddy at Waialae, he hears nothing but golf
talk. "Best turf I ever used a brassie on." "My game's
picking up in this climate." "I do love a scenic course."
Golf is fine — but don't forget surf-riding at Waikiki !
And volcanoes to explore! And fresh pineapple and
velvety papaia to eat! Sure enough, this is the Paradise
of the Pacific ! . . . Sail from San Francisco on the lux-
urious Malolo and less than five days later you're in
Honolulu. The Malolo leads a fleet of splendid liners
from California to the Islands.
Ask your traiel agency, or:
MATSON LINE . . . LASSCO LINE
215 Market St. San Francisco DOuglas523 3
26
THE SAN FRANCISCAN
JOMEDAY
smiling fortune will
escort you to the
ivorld famous
Cocoaiuit
Grove"
at the
Ambassador
Los Angeles
There, beneath an
azure sky, graceful
palms and twink-
ling lights you will
dance, as you never
danced before, to
the most alluring
of dance music.
You are sure to see
many of the world's
most famous
Barbary Coast
Continued from pane 14
established families and built homes, which
they located on the hills to the west and south
of the water front and Montgomery street.
San Francisco, in fine, gradually outgrew
the ways and recreations of the gold rush days.
It abandoned the haunts and habits of its hectic
first years. That is. certain resorts, grouped in
central and lower North Beach, were left to
those whose ideas of recreation and a good time
remained elemental. This section ultimately
became known as Barbary Coast, and so The
Coast was a replica and hang-over of San
Francisco during the famed gold rush.
For many years The Coast flourished as the
hunting ground and habitat of gamblers, card
sharks, hop heads, shyster politicians, under-
world worthies, shanghaiers. hoodlums, dope
peddlers and ladies of easy virtue or no virtue
at all. Its resorts catered to the sailor in port,
water front denizens, the riff-raff of a seaport
city. Such gentlemen preferred (and still pre-
fer) their liquor raw and straight: their food
in quantity. As to women, they are easily
satisfied, and of their feminine companions,
make no subtle demands.
In the motley throng of Barbary Coast,
there were, to be sure, unique personalities,
and some of its resorts were not without in-
terest. There were, for instance, The Midway.
The Thalia. The Whale. The Hippodrome.
The Moulin Rouge or Red Mill. There were
Oofty-Goofty. Big Bertha, Cowboy Mag. The
Lady of The Galloping Cow. The Congo
King. Red Kelly. Bottle Koenig and Bottle
Meyer. For one reason or another these people
and places were amusing and interesting, and
so The Coast served very well when the native
San Franciscan wanted to go slumming, or in
his more callow youth was seized with the
desire to sow a few wild oats.
THIS old Barbary Coast is no more. Reform
prophesied its doom: prohibition sealed it.
It is completely stripped of red lights and
glamor. Its resorts have been converted into
garages, warehouses, quick lunch counters and
speakeasies. Only two structures remain to
give the rising generation any idea of The
Coast in its heyday. These are the padlocked
wrecks of The Hippodrome and Red Mill on
Pacific street, just below Kearney.
The Red Mill is in the best state of preserva-
tion, and is easily identified by a series of bas
reliefs in plaster, adorning its recessed lobby,
and the figure of a crumbling sprite upon a
delapidated half moon, surmounting the en-
trance. The bas reliefs, depicting th: gay gam-
bols of satyrs and wood nymphs, are the work
of the recently deceased Arthur Putnam. Put-
nam, a Western and San Francisco artist, is
universally proclaimed the greatest of con-
temporary animal sculptors, and his animal
studies are chief among the treasures of the
Legion of Honor Palace. He did the panels
for the Red Mill about 1912. and was more
than thankful to have the job because he was
broke at the time.
Originally the figures in question were nude.
The Society for the Suppression of Something
or Other quickly learned of this and demanded
that they be decently clothed. They were, as
you may easily discern for yourself in wisps
and strips of chiffon.
For the F
my shop
rst Time in the Hi
in the St. Francis
A SALE
story of
Hotel.
CHARLOTTE HAT SHOP
Hats — Dresses — below cost
SUITE 317
TO THE ORIENT
C
uisine . . .
The culinary arts, the finest
dishes of 3 continents, served
with meticulous care, grace
the tables of N.Y.K. liners in
theCalifornia-Orient service.
Tatsuta Maru June 11
Asama Maru . June 25
Taiyo Maru . July 11
Chichibu Maru July 23
Tatsuta Maru . Aug. 6
5 5 1 M a R k r t Street
San Francisco, California
The highest standard
of cooking is main-
tained at all times . . .
your guarantee lies
in the fact that all
food is prepared
under the personal
supervision of
Mrs. Belle de Graf
Downstairs
Monadnock Bldg.
San Francisco
rut
JUNE, 1931
tAround South America
27
£ife and jQeisure on a Coffee Finca
'Cost Us Less
than Staying
at Home!"
A new viewpoint
... a different culture ... a
fresh experience ..." Thus
do enthusiastic travelers
marvel at the varied adven-
ture awaiting them in South
America, this neighbor be-
low the Equator.
Via McCormick you can
make this cruise "Around
South America" for only
$450 steamer fare. It would
cost more to live and be en-
tertained at home!
Sailings from the principal
Pacific Coast ports to the
East Coast of South Amer-
ica every 20 days.
V:
y
i;
v.
-
■
1
;
$250
ONE WAY
Call orwriteyournearest travel
bureau or McCormick office for
details . . . Illustrated brochure
on request.
Mccormick
steamship
COMPANY
215 Market Street
San Francisco
Phone DAvenport 3500
8*9
1 2 3 East Sixth Street
Los Angeles
Phone TRinity 5171
The Art of Revolt
Continued from page 25
capital letters sprinkled judiciously in the
middle and amputated at the beginning of
sentences will lend a pleasing whimsicality. A
further method is to put the first stanza last
and to omit the last. It is also possible to ar-
range the whole poem in an interesting pattern
on the paper.
In general, and whatever your art. when
revolting under D. be enigmatic. It will not
do in these parlous times to disclose what you
mean. Others have done that and they are
being revolted against. Put your trust in riddles
— they will give people so much to do that
they won't have time for counter-rebellion.
And you will be free to revolt to your art's
content.
THERE are some whose symptoms may not
be provided for under A. B. C. or D. They
will find themselves taken care of under a
further classification known as E — Cosmic, or
Chronic Revolt. This is a kind of thirty-
second degree in the revolting art and the
details cannot be made public just now.
lews a
nd R
eviews
Continued from page 1.5
nothing of the secret image, leaving no alter-
native except the tragic declamation which is
the climax.
The Sonnets of Frederick Goddard Tuikerman
Edited by Witter Bynncr
(Alfred A. Knopf)
OF Tuckerman, Witter Bynner says in
his introduction: "He is a poet perma-
nently important in any literature."
After reading the collection of over a hundred
sonnets one wonders for what conceivable
reason they have been for so long overlooked.
They seem to have escaped anthologists and
critics in spite of the favorable way they com-
pare with the work of Tuckerman's contem-
poraries. Many of them, indeed, sound quite as
modern as Symons. Masefield or Edna Millay.
They are sonnets of strong images, sincere
integrity to himself and nature, together with
a poignant passion to be kin to the final beauty
of living. There is nothing of fictitiousness to
be found in any of his lines, and little of
humor.
Diry of Sylvia McNeely
(Longmans. Green and Co., $1.00)
Here is the literary product of a nine-year-
old which "rates as a feminine Tom Sawyer."
Sylvia turns her youthful spotlight on reli-
gion, the industrial system, education and lit-
erature in a manner that is. to at least one
member of her public, delightful.
Sincerely and with much misspelling Sylvia
sets down the facts of her life. Her Sunday
School teacher "is vary thankful of God. but
she is vary homely." Sundays can. however,
"be born with because of ice cream with chock-
let soss."
Her reflections are original, her convictions
firm and her humor husky. If you wish to
brush up on your pre-adolescent self, the in-
formation is to be had first hand from Syl-
via's unexpurgated "Diry."
BWOtat
FftMLELDERS
239 Posr Srreer. San Francisco
°G
iving wonders of
the world 1 / /
REDWOOD
EMPIRE
TOUR
Forest giants towering more
than 350 feet into the sky . . .
Monarchs that have outlived 30
centuries . . .
You pass through their midst
for 100 miles on the REDWOOD
EMPIRE TOUR— Northwestern
Pacific Railroad to Eureka, and
thence luxurious glass-topped mo-
tor coach to Grants Pass.
When you journey betweenCal-
ifornia and the Northwest — Ore-
gon, Washington, British Colum-
bia— you can take the Redwood
Empire Tour en route. And on
trips between California and the
East, travel by way of Portland,
so that you can enjoy this unique
travel experience.
Holders of tickets over the
Southern Pacific "Shasta Route"
between San Francisco and Port-
land pay only $10.40 additional
fare for this Redwood Empire
Tour.
Ask for new illustrated book-
let, "Redwood Empire Tour."
Northwestern Pacific
Redwood Empire Route
Ticket Offices: Ferry Building and
65 Geary Street, San Francisco
Telephone : DAvenport 4070
28
THE SAN FRANCISCAN
Reigning Dynasty
Continued from page 4
Mr. and Mrs. Alfred Xewbold Lawrence (Mali-
anna Casserly) will come to California some time in
June For a visit. Mr. and Mrs. Lawrence live in
New York.
Mr. and Mrs. Brooks Walker and their two chil-
dren will arrive from the East in June and will visit
with Mr. and Mrs. Percy J. Walker. Since last
November Mr. and Mrs. Brooks Walker have been
living in Detroit.
Mrs. Horace Bradford Clifton has been chosen as
chairman of the Woman's Committee of the San
Francisco Opera Association.
Mr. and Mrs. George Lent and Miss Elizabeth
Lent will pass the summer at their country place in
Woodside.
Miss Sara Coffin is at her home in Ross but plans
to go to Santa Barbara soon for the summer.
Mr. and Mrs. Charles Dunphy and their daugh-
ters are established at Menlo Park for the season.
Mr. and Mrs. Wilson Meyer have returned to
their home in West Clay Park after a six weeks'
trip through the East.
Mrs. Harold K. Faber gave a luncheon at the
Woman's Athletic Club in honor of Mrs. Olney
Girard. who recently returned from Europe.
Mr. and Mrs. Joseph D. Grant have returned to
San Francisco after a six weeks' stay in New York.
Mr. and Mrs. Herman Phleger are spending the
summer in San Rafael.
Mrs. George Dearborn of New York and Mrs.
Henry Dearborn are in California for an indefinite
stay. They are at present house guests of Mrs.
Mountford' S. Eilson in Burlingame.
Mr. and Mrs. Henry W. Poett and their daugh-
ter, Mrs. Richard McLaren, have returned from a
trip to the Hawaiian Islands.
Mr. and Mrs. Hugh E. Porter are in Menlo Park
for the summer.
Mrs. Lee Eleanor Graham entertained at a dinner
at the St. Francis in honor of Mrs. Marie Wells
Hanna of New York.
A Venetian Carnival and buffet dinner dance in-
augurated the activities of the Meadow Country
Club of Tamalpais for the summer. Mr. and Mrs.
Philip Foster Brown entertained a party of forty
guests on the opening night.
Miss Dorothy Mein entertained at a luncheon
recently at the family summer home in Woodside.
Tune 11 has been announced by Miss Hettie Ste-
phenson as the date of her marriage to Mr. Francis
Farrington Owen. The ceremony will be performed
at Grace Cathedral.
Mr. and Mrs. L. E. A. Pioda were hosts at a
dinner given for Mr. and Mrs. Roy N. Bishop, who
recently returned from a year's cruise around the
world.
Mr. and Mrs. H. Raymond Welch, who spent the
winter in Spokane, have returned to the peninsula
for the summer. Mrs. Nion Tucker gave a luncheon
lor Mrs. Welch shortly after her return.
SAN FRANCISCANS ABROAD
Countess de Limur and her three children have
returned to London after passing- the spring months
at the \V. H. Crocker home in Hillsborough.
Mr. Richard Tobin is spending the summer in
Europe.
Miss Katherine Stent and Miss Christine Miller
will spend the summer on the Continent.
Mr. and Mrs. Allison H. Turner and Miss Ruth
Turner are touring Europe.
Miss Maria Antonia Field was in Rome at last
accounts and attended a luncheon given hy Mrs.
Joseph Scott of Pasadena in honor of the ordination
of her son, the Reverend Patrick Scott.
Miss Beatrice Williams is en route to Naples,
where she will join her aunt, Mrs. Charles H.
Shiels.
Mrs. Edward O. Bartlett has left for Europe
after spending the spring mouths with her son-in-
law and daughter. Mr. and Mrs. Jerd Sullivan.
Mr. and Mrs. Ettore Avenali are in Italy at the
present writing. They plan to tour the Continent
until late August.
Mr. and Mrs. George Leigh- Jones are spending
the summer in London.
Miss Katherine M. Ball is in Ceylon, where she
plans to remain for several months.
Miss Catherine Wheeler sailed from New York
en route for England on May 28. Miss Wheeler will
remain abroad until August.
SAN FRANCISCANS IN NEW YORK
Mrs. George B. Pillsbury is in the East for a few
weeks* visit.
Mrs. Julius Kruttschnitt and her granddaught er.
Miss Gwynneth Woodhouse. left New York on
May 19, planning to sail for London his month.
Mrs. William Wallace Mein was in New York
for a six weeks' stay. She is visiting with her sister,
Mrs. Frederick Faust.
Mr. and Mrs. W. Parmer Fuller and their son,
Mr. George Fuller, visited for three weeks in New
York and Washington.
Mrs. Benjamin P. Broadie and Mrs. Charles
Rollo Peters are en route to New York by way of
the Canal.
Mr. and Mrs. Frederick B. King visited at the
Savoy-Plaza in New York.
Mr. and Mrs. Samuel K. Knight were guests at
the Plaza during their visits in New York.
Mrs. Bradley L. Wallace, Mrs. Edward J. Prin-
gle, Jr.. and Mrs. Henry Cartan will attend the
National Convention of Junior Leagues to be held
this year in Cincinnati.
Mr. and Mrs. Albert L. Ehrman were recently
in New York, guests at the Hotel Pierre.
SAN FRANCISCANS IN THE SOUTH
Miss Virginia Murphy and Miss Barbara Pond
recently enjoyed a ten-day motor trip in the south.
Mrs. Georgie Spieker Drum is visiting in the
Hawaiian Islands, the guest of Mrs. Paul I. Fayan.
Mrs. Drum sailed on the S. S. Malolo. Mrs. W. W.
Crocker and her children also left for the islands on
the Malolo.
Mrs. Frederick W. Clampett and Mrs. William
D. Shuman were in Pasadena recently, staying at
the Hotel Huntington.
Miss Marion Zeile has been visiting her sister.
Mrs. Talbot Walker, in Santa Barbara.
Mr. and Mrs. A. E. Schwabacher and their
daughter and Miss Marjorie Gunst were recently
visitors at Coronado.
Mrs. William B. Pringle and Miss Isabelle Prin-
gle recently motored through the South and spent
some time at Hotel del Coronado.
Mis. William K. Bowes has taken a house in the
Ojai Valley for the month of May.
Mrs. Charles W. Doe has been a guest at the
Biltmore in Santa Barbara.
Mr. and Mrs. Wellington S. Henderson and the
Count and Countess Von Wurmbrand spent a week-
end at the Ahwahnee in Yosemite Valley recently.
Mrs. Ward F. Barron has been the guest of Mrs.
Pollock Graham at the Iatter's home in Palm
Springs.
Mrs. F. Clift Donahue and her son were recent
visitors at Palm Springs.
Mrs. Max Rothschild and Mrs. A. H. Small were
at Hotel del Coronado recently. The two went south
to attend the wedding of Miss Betty Godfrey and
Lieutenant John K. Wells.
Mr. and Mrs. Carrol G. Cambron enjoyed a few
days' vacation at the Hotel Ahwahnee in Yosemite
recently.
Dr. and Mrs. Horace Gray will spend the summer
in Santa Barbara.
Mr. and Mrs. Stanley Dollar were guests recently
at the Hotel Biltmore in Santa Barbara.
Mr. and Mrs. Ernest O. McCormick spent their
honeymoon in Southern California, where they vis-
ited Agua Caliente, Coronado, Los Angeles and
Santa Barbara. In the latter city they were guests
at Miramar.
VW<
-r
fcd*
b>tf,'^'fc **"*^^^H
\ ■ ^
1 .J
P " '
-jfstl.
«*->"
WHERE
THE
TREAS URES
OF
A
COLLECTOR MAV BE
PURCHASED
AS
GIFTS -
Solid silver
and
crystal reproduction
of a
17th c
entury
Italian flower bowl
NEW YORt-
You are judged
by what you read — if you
enjoy the stories, articles
and humor of The San Fran-
ciscan each month you will
appreciate the service of the
distinctive firms that adver-
tise in its pages . . . Adver-
tisers buy space in the San
Franciscan because they
have something important
to tell people who like what
is published in this particu-
lar magazine . . . Each ad-
vertisement in this issue is
written directly to you. Give
it the consideration you
would give any personal
message.
— The San Franciscan
JUNE, 1931
29
The Summer Trek
Continued from page 13
For the leisurely globe trotter, there are ways
of making such a trip, entirely around South
America, direct from San Francisco, for less
than it costs to stay home. Frequent sailings
of the McCormick steamships are scheduled
through the Panama Canal via Porto Rico,
which may serve as a transfer point if desired.
Other ships of the same line sail via the his-
toric Straits of Magellan, making all the im-
portant and colorful ports of the east coast of
South America and thence home via the Canal.
A wide variety of experiences await the
interested traveler, for these countries of the
sub-tropics each have their distinctive culture
and individual customs. The weeks are punc-
tuated with colorful festivals seen when the
passengers go ashore at practically all ports of
call, with ample time in which to get the
atmosphere of the locality. The graceful,
pleasant mode of life that distinguishes the
Latin is interwoven with the exchange of
cargoes, from the coffee, sugar and nut ship-
ments in the equatorial region to the beef,
hide and lumber traffic of the Argentine. A
trip revealing a new world with interests as
widely divergent as the antipodes!
IN spite of Kipling, the East is west to San
Franciscans. And each year finds more and
swifter lanes of travel binding the ports of
the Pacific into a neighborly mesh.
China and Japan are within easy reach and
the exoticisms of the southern islands and
peninsulas of the Orient are dreams easily ful-
filled. The great fleets of Matson, N.Y.K.. and
other trans-Pacific shipping companies bring
the most romantic outposts of the world
within pleasurable reach. The Japanese liners
connect with several around-the-Pacific cruises
during the summer months and in September
the luxurious Malolo leaves San Francisco for
its yearly cruise encircling the Pacific in record
time with the most complete itinerary of ro-
mantic ports possible. Australia and the South
Seas will be brought closer by the launching.
July 18th. of the new S. S. Mariposa, which
will herald a new era of fast, luxurious trans-
portation over the southern seas. Tahiti is
drawing an unusual number of visitors this
summer with special celebrations of the two
hundred and fiftieth anniversary of French
rule . . .
As to Hawaii — "Eight parts water and six
parts land. Add a generous portion of salt air,
plus all the blood-quickening diversions of a
five thousand mile ocean voyage; put in four
memorable days in the playground of Hawaii,
and finally, add a week-end frolic in Los An-
geles on the way back home." This is a Mat-
son Line formula for a thrill-packed vacation
within the prescribed limit of two weeks!
Time was when consideration of a five
thousand mile sea trip during a mere four-
teen-day surcease from toil would have been
called preposterous. Not so today — thanks to
the marvel of marine engineering which pro-
duced the speedy S. S. Malolo. True, this
special two weeks' cruise is not available
throughout the regular summer schedule, but
it is approximated so closely that Hawaii re-
mains "just around the corner" all the year
around.
DIRECT TO MEDITERRANEAN
•EUROPE
on these fine ships
S. S.
CALIFORNIA
Largest, Finest
in direct-to-Europe
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orchestra. ..large prom-
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decks. .swimming pool.,
cinema. ..famed Italian
cuisine with choice bev-
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with private bath.
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And the Motorships FELTRE,
FELLA, CELLINA and RIALTO
300
AND UP
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• The new, fascinating way to Europe.
Sail on a popular Libera Liner over
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seilles and Trieste.
LIBERA LINE
GENERAL STEAMSHIP CORP. LTD., AGTS.
2AO BATTERY ST. SAN FRANCISCO
<<
Cascade"
San Francisco
Portland'Seattle
New as the great North-
west it serves — swift as the
tumbling mountain streams
along the Shasta Route.
All-Pullman, with barber,
valet, maid, baths, observa-
tion car, club car, and all the
other luxuries of an extra
fare train.
You'll delight in the new,
modern dining car, featur-
ing Southern Pacific's spe-
cialties, the "Salad Bowl"
and "Casserole."
LOW SUMMER FARES
Greatly reduced summer
roundtrips to the East in
effect this year from May 22
to October 15. Return limit
October 31.
Examples of roundtrips
from San Francisco (one
way through Portland) :
New York .... $169.70
Chicago 108.30
Washington, D.C. 163.86
Southern
Pacific
OVERLAND LIMITED > SUNSET LIMITED
CASCADE ' GOLDEN STATE LIMITED
30
THE SAN FRANCISCAN
SIR HAMILTON HARTY
SIR HAMILTON HARTY. eminent English
conductor, will make his first American
appearance as guest conductor of the San
Francisco Symphony Orchestra during the
forthcoming series of summer concerts which
opens June 23rd, at the Civic Auditorium.
Other directors announced for this series of
ten weekly concerts are Walter Damrosch,
"Dean of American Conductors," former
leader of the New York Symphony and out-
standing Wagnerian authority; Alexander
Smallens. associate of Leopold Stokowski in
the direction of the Philadelphia Orchestra
and conductor of Philadelphia's annual Sum-
mer Symphony: Pierre Monteux, successor of
Karl Muck as director of the great Boston
Symphony, and colleague of Willem Mengel-
berg at the head of the Amsterdam Concert-
gebrouw; and Arthur Rodzinski. brilliant
young Polish leader of the Los Angeles Phil-
harmonic who was so well received in San
Francisco last year.
These distinguished visiting directors con-
tribute much to the city's summer, drawing as
they do thousands of visitors from elsewhere
and keeping home many San Franciscans who
might otherwise go to other musical centers.
Wives Have All the Fun
Continued from page 10
only to be deserted for a blond vampire in
the bitter end.
Such contingencies, however, arise only
with the more startling changes of develop-
ment and fortune. Pending these, a wife is
not forced to follow a career out of financial
considerations, nor need she. on their account,
make compromises in the mode of its pursuit.
When she continues to work, as she oftener
does than not. it is because she likes to. When
she brings in the financial bacon, she glows
with the splendid beneficence which comes
from supplying the luxury portion of the
family budget. When, contrariwise, her pro-
fessional activities warrant entries only on the
wrong side of the ledger, she still makes no
retreat from her independent stand. Also,
since she is on the whole no more expensive
than an older fashioned taste for clothes and
charity would have made her, her pose is
challenged neither by society nor by her hus-
band. Again, we all know: the young fellow
who puts his wife through law school, the
artist who made his consort a singer, the re-
porter whose mate started a printing press.
All these projects cost her husband money, for
the use of which one might expect a wife to
be humbly, nay, submissively grateful. Not so
— such projects, remunerative or devastating,
give to a woman a sense of poised aloofness
which no well dressed look can approach.
Meanwhile, the financier, if he thinks about
it. may hope that his expenditures will prove
to be a good investment. In the interim he is
delighted when his socks are darned.
If. on the other hand, it be not work but
the high life of cultured leisure which tempts
her, the sophisticate can indulge this taste
without loss of caste. She need not parade the
conventional activities of freedom, so long as
she keeps about her the subtle suggestion of
its flavor. The "good life" is hers, if her
endowment and her American education have
given her the capacity to find it. She may even
become one of the civilized rarities of the
community. To her chances of civility, how-
ever, her isolation is a rather severe check.
Women with similar economic security too
rarely have a congenial psyche, while the con-
genial males are all at the office. And one can
not be civilized all alone! The dullness of a
leisure in such meagre company may be a
more persuasive stimulus to work than to cul-
ture: in any case, leisure may have a lesser
lure than one might suppose.
WHATEVFR her occupation, the problem
of children is another which the mod-
ern wife can approach with something
of real equanimity. No longer need she bal-
ance home and offspring against career and
freedom. These can all be made to fit in, like
the pieces of a picture puzzle. Offices are ha-
bituated to the three months off; there are
summer vacations for faculty women: or
there is "just stopping for awhile." Since she
is merrily free to measure her success by full-
ness of experience rather than by dollars and
CLIFT
HOTELS
EL MIRASOL
SANTA BARBARA
An exclusive retreat among the palms —
where more notable guests enjoy this
delightful environment^^) — sjhan any other place
detached flow-
bungalows
acy and
of it's kind —
er-bowered
assure priv-
elaxat
ion.
LAQUINTA
INDIO-IN-THE-DESERT
where only a limit-
superb accomoda-
fered in this new
— private bun-
vice. A desert
ed few can enjoy the
tions that are of-
smart desert inn
galows andser-
beauty spot.
THE CLIFT
SAN FRANCISCO
San Francisco's notably fine hotel — where a
thoughtful service is provided (as in El Mirasol and
La Quinta) by Frederick C. Clift, President and
Managing Director. Central — modern — moderate
— with garage accomodations — Geary at Taylor.
Scientific Reducing Lotion
Applied Locally, Reduces Large-
ARMS
HIPS
ABDOMEN
ANKLES
DOUBLE CHIN
Without Diet
or
Exercise
tit
VISIT OUR SALON
Fermete Laboratories, Ltd.
1405 VAN NESS AVE.
Phone GRaystone
0870
SAN FRANCISCO
Tune in on KYA daily except Sunday between 10 and 11 a.m.
JUNE, 1931
cents, she can probably interrupt her career by
a few well-timed pregnancies without jeopar
dizing its ultimate value. There remain only
those tangled knots: can she dare to bring a
child into the indifference of a mechanistic
universe? Will her marriage be a better rela-
tionship with or without a child? Will her
own ego thrive best as a single bloom tended
with exclusive devotion, or will it be a more
flattering plant when surrounded by young
offshoots? These knots, the gods know, are
never completely unravelled. Her husband may
well be more reluctant than she. For if to
both a child means curtailment of personal
liberty, maternity is for the woman almost a
biologically necessary experience, compared to
which fatherhood among the intelligentsia
often appears to be a more equivocal boon.
Furthermore, bill collectors still look to
father, not to mother, at the first of the
month.
And finally, when it comes to enjoying a
variety of emotional experience, the well mar-
ried mate is in a psychological position which
is far sturdier than that of any lone adven-
turer. In fact, it is ideal !
INDEED, the twentieth century spouse has
achieved for herself a delightful if unstable
Utopia — a Utopia no less pleasant for
being so absurd and fragile. Admittedly, it is
a bizarre phenomenon, produced by a combi-
nation of essentially arbitrary circumstances.
It could not exist except in a capitalistic so-
ciety, so wealthy that one man's labor will
often maintain a family. Nor could it exist
except in a community which has learned that
woman can be free when she so desires, but
which harbors a majority who do not so de-
sire. It could not happen except in a society
which has never contemplated either its
women or itself with sufficient awareness.
31
When once man realizes that only under cap-
italism could such a paradox be perpetrated —
he may turn communist. When once he real-
izes that his wife has all the fun. while he
himself wins almost no financial release — he
may well force her to the self support which
is the ultimate conclusion of her premise of
freedom. No doubt the modern wife will be
forced to relinquish her private Utopia long
before the rest of humanity finds for itself a
social pattern even half so desirable. But for
this halcyon moment, when her man loves
her like an equal, and supports her like a
medieval cavalier — she thanks him.
Now It Can Be Told
Continued from page s
their eyes roaming about the lot. Suddenly
one. unable to endure the silence, looked the
director in the eye.
"The lines are lousy." he declaimed, "and
the American flag on top of that schoolhouse
is short four stars and flying upside down,
and some of the extras are a lot of crumbs,
and the script calls for a rowboat for the gal
to get thrown out of and not a yacht, and
there's a lot of other stuff. I betcha the pic-
ture doesn't click!"
In the pleasant Hollywood hills, the hiss-
ing sibilance of yesses is slowly eradicating
the horror of the experience from the shocked
director's mind. Three chorus men. a haber-
dashery clerk, a druggist, and three cousins
have been furnished pencils, old clothes and
instructions to act like reporters.
The Fifth Estate is again enriched by eight
members.
A San Franciscan is one who knows there
are still real cowboys in "Butchertown."
ANNOUNCING
the most wonderful pleasure travel event in history
VOYAGE TO THE ANTARCTIC
ON THE
ROUND-THE-WORLD-CRUISE
of the S. S. VOLENDAM, Dec. 1 5, 1 931 , from New York
Follow in the wake of Scott, Wilkins, Amundsen and Byrd to the
little-known reqions of the world. In modern luxury, view the^randeur
and beauty of the Antarctic, the Bay of Whales and Byrd's famous
"Little America."
Ports touched on the around-the-
Havana
Colon
Galapagos Is.
Marquesas Is.
Tahiti M
Raratonga
Auckland
Bounty Is.
Antipodes Is.
Scott Island
Ross Sea
Macquarie Island
Hobart (Tasmania)
Sydney
rld-cruise inc
Port Moresby
(New Guinea)
Bali (Boeleleng)
Sourabaya (Java)
Batavia
Padang (Sumatra)
Deli (Belawan)
lude:
Colombo
Bombay
Suez (via Aden)
Port Said
Catania
Messina
Gibraltar
The Cruise will be under the personal direction of Lieut. Commander J. R.
Stenhouse, D.S.O., O.B.E., D.S.C., the famous Antarctic explorer and navigator,
who commanded the "Aurora" of Sir Ernest Schakleton's Trans-Antarctic Expedi-
tion as well as the Royal Research Ship "Discovery" during her recent antarctic
expedition. $2,500, and up.
FOR FULL PARTICULARS
HOLLAND- AMERICA LINE
120 MARKET STREET, SAN FRANCISCO
Something
New Afoot!
For Spectating and other
smart occasions, this perfo-
rated, white buck oxford
with brown or ^ /% e/%
black kid trim.
And for Dancing there is
nothing more lovely than
this fasconay sandal with
silver strap and ^ _ i
"jewel" buckle. CJ*
50
SECOND
FLOOR
O'CONNOR,
MOFFATT & CO.
32
THE SAN FRANCISCAN
':; 'xv ':• ;':C;
fls seen
by
her
11 -
ing in your blood and every macadam road
a highway to adventure, to say nothing of
the banners on Van Ness flaunting the Open
Road, wouldn't your nerves go tsing over any
jar however slight? Mine did that little thing
a minute ago. and all because I ran head-on
into a woman, tastily dressed, whose upper
lip was adorned with a luxuriant mustache.
The everglades had nothing on this for
growth. Giggles and startled glances made no
impression and I had a sneaking suspicion she
enjoyed the sensation she was causing. My
nerves went b-u-r-r altogether. I wanted to
smack her down for not gilletting three times
a day if necessary. It seems almost ^unpardon-
able for the female of the species to allow a
blot like that on the landscape.
I dodged into the City of Paris to lose
sight of her and involuntarily sought per-
fumes, sachets and cosmetics. One whiff of Le
Tabac Blond and I was better. I've been using
this particular fragrance for the last five years
and to my mind it is still supreme. You can
always get it at the City of Paris even in
small portions. Delicately sweet and lingering
it is somehow very feminine.
I/3 OFF
On the third semi-annual clear-
ance sale of our entire stock of
distinctive apparel and furnish-
ings for Boys, Students and
Young Men.
This is an opportunity to eco-
nomically outfit the boy for his
summer vacation with clothes and
haberdashery which are recog-
nized as the standard of correct
attire.
8fc& @iwmcnt
§(fl'S^tfiar<£M)fi
Fairmont Hotel
817 Powell Street Phone: SUtter 5504
by Molly Merkley
I'm still kicking back at that mustache.
Deep down in my heart that woman caused a
feminine reflex that made me seek frilling
fussy things and I bought outright, with no
particular date in view, a soft handkerchief
linen blouse at O'Connor. Moffatt's. Fragile
as a cobweb its graceful folds are its charm.
Dainty things like this make me thankful
I'm not a "red hot mama " with an uphol-
stered front. Judging from the crowds at
Tanforan there are still plenty of these roam-
ing loose. They must inhale calories for. even
trussed in foundations, most of them look
like the prow of a galleon. Fermete. 1405
Van Ness, has a message for such as you —
can and will reduce you anytime, anywhere.
While people have been starving and punish-
ing themselves there must have been dirty
work at the cross-roads for these Fermete
people do the trick with the simple treatment
of rubbing on a lotion. Presto!! What a
break! To eat all you want of devil's food,
marshmallow. butterscotch cake.
Europe has taken seriously this season to
monogramming itself. We had a wave some
time back, but over there it has become a per-
fect sea wall. Monograms for pajamas, para-
sols, clips for shoes and suspenders made of
initials are quite the thing. In fact, some way
you must have your identification tag in the
form of a monogram on your person. Harry
Dixon in Tillman Alley is the dean of this
particular art in San Francisco and can custom
build any design with initials. It's interesting
to see what can be done with a few letters.
But initials are the least of what one finds
at Harry Dixon's unusual shop. I went in for
a minute and stayed an hour and a half — not
only looking at the exquisite craftsmanship in
copper, silver and jewelry but talking to
Dixon himself. I'm convinced that he is one
of the most fascinating people in all San
Francisco — an amazing mixture of philoso-
pher, modern craftsman and artist. His gener-
osity with time is delightful — possibly I im-
rWkaps Your Dauakter
Needs Tkis
Advantaqe
.Individual guidance
and encouragement for
individ jal talents. Resi-
dent and day school with culturalback-
ground for girls from kindergarten
age through college preparatory. Send
for detailed information.
FALL TERM OPENS AUGUST 25.
The Merriman School o<i3u^
597C Eldorado Ave. Oakland, California
posed on him. But he is definitely chalked
down as one of the "sights of San Francisco"
to whom I shall introduce all my friends vis-
iting the city — and maybe he'll find that gen-
erosity pays.
And now to touch on Bal Taberin — our
newest night club. Jammed tight with pa-
trons, one can at least look at the ceiling
which. I would say, is the feature of the
place. Cornice after cornice of silvered metal
with indirect lighting, all converged to a cen-
tral red light of beauty. Everything is ex-
tremely moderne. You sort of look for words
of description for this particular decoration.
The whole note seems to be "perspective"
from every angle.
The dinner served is very good: waiters
unusually excellent, while Tom Gerun with
his splendid orchestra is a marvelous host be-
tween acts. We've long needed this but. by
way of wishing it success, let me suggest more
diplomacy at the door and check room. It's
needed badly.
Two places that you might all like to hear
about are Perin. Ltd.. and Van Ysen. Both
on the same floor at 251 Post Street. The
former has made San Francisco home these
JOSEPH'S
Florists
Select your
WEDDING PRESENTS
SHOWER GIFTS
from our
Gift and Crystal Room
233 Grant Avenue
(Opposite the White House)
DOuglas 7210
On
Nob Hill
it pays to look we
San Francisco's finest
BARBER SHOPS
Mark Hopkins
and Fairmont Hotels
Management cf Frank Sibilia
Make an appointment to suit your
convenience.
JUNE, 1931
33
Two specials timed
to Summer vacation
and sportswear needs
/
Zephyr Cardigans
With the new ribbed bottom that
blouses so trigly over the hips!
Flannel Skirts
$595
White ... because the first rule of
fashion is white with a color!
AT ALL ROOS STORES
l mi laic hotel
bcairt u salon
kearny 7389
The off-the-face
mode, now in fash-
ion, stresses the im-
portance of brows
and eyelashes as ac-
cents to your beauty.
Let us dye your
lashes and eyebrows
with the new method
that assures perfect
coloring while keep-
ing them soft and
silky. Why bother
with day to day
oring when it
can be done
quickly
and ex
pertlv
bv
|».»l-fc« «fc
last three months and hails from Pasadena.
They carry a stock of high class furniture and
we all know Pasadena holds the loving cup
for artistic things. I think that city has more
real imports than any other of its size.
And. speaking of irresistibles. I'm thinking
of the bargains offered by Clyde Hendricks, at
431 Stockton Street. Beguiling new things —
and an intriguing assortment of top-notch
"second hands " on consignment. I often won-
dered why someone did not establish a clear-
ing house such as this for white elephant
gifts and things our friends have no imme-
diate need for though the value they represent
is needed for pocket-change. Presented in the
discriminating way that Miss Hendricks does
it. I don't think 1 should be insulted even to
find the bracelet I gave Aunt Elsbeth or the
bridge table I donated to the budding house-
hold of a former boarding-school friend in
this attractive shop, waiting for fresh appre-
ciation.
But. while these indoor places have all held
interest for me. the open road is still calling
and new luggage smells good. I'm off for new
sights and wide spaces!
Spotlight
Continued from page 17
not try to sit through "Street Scene" again
in spite of the gossip that we heard of its
excellent cast.
Our inability at the eleventh hour to be
assured seats for the opening of "Typhoon"
took us to the premiere of "Pinafore" at the
Tivoli. instead.
THE audience which arrived to see Messrs.
Travers' and Brown's immensely diverting
concoction came in all manner of convey-
ances— in street cars, in taxis, in carriages, in
wheel chairs, on crutches, on foot. Many of
them looked as if they had not been to a show
since Ferris Hartman and Gracie Plaisted ca-
vorted through "Ship Ahoy" at the "old
Tivoli" in the days when beer and Queen
Charlottes could be had between the acts for
the asking. They filled the house from pit to
dome and they hummed and whistled and
beat time all through the overture. And did
they enjoy it! Say, boy, if Mr. Brown had
let them have their way they would have kept
everyone there until five in the morning.
Well, it's a great old show and De Wolf
Hopper is a great old comedian. And, if we
want to go in for local pride, there was Carl
Kroenke fresh from triumph in Chicago as
Sir Joseph Porter and Arthur Johnson, who
has not yet deserted San Francisco, looking
like a plump cherub as Ralph Rackstraw and
even singing more like one, and Nona Camp-
bell waltzing through "Buttercup." and Lil-
lian Glaser. who comes from the east bay
"ALL GOOD"
A famous assort-
ment of Candy
made of the purest
materials and with
the utmost care by
FOSTER & OREAR
216 Stockton Street
ON UNION SQUARE
CANDY-TEA ROOM-FOUNTAIN
Stores Also in
)s? Russ and Ferry Buildings
Pigs is Pigs'
.. .but these little pigs
were smart enough to
become something else!
This little pig liked to run
around ... so he became a
Smart Pigskin Belt
in white and priced $1.73, others
in assorted widths, at $2.25
This little pig handled af-
fairs with gloves .. he's now
Pigskin Gloves
slipon or one clasps, uhite or
natural'. Priced at $3.95 -S3- $6
This little pig liked to
cuddle ... so he became a
Pigskin Handbag
that tucks smartly under your
arm'. Bags. $5 - S7.50 - $12.50
ACCESSORY SHOPS . . . FIRST FLOOR
CITYof
PARIS
Geary,Stochron,0'Farrell.DOugJas4500
34
THE SAN FRANCISCAN
Laugh & Weep
With
CONSTANCE FERRIS
in
CURTAIN CALLS
Portrayals from Life that will
fascinate and hold you. $1.50
at leading bookstores.
HARR WAGNER PUB. CO.
region and is the present Mrs. Hopper, lan-
guishing in the most approved style as Jose-
phine. Bless my soul, we almost forget Arthur
Cunningham! Whether he is a San Franciscan
or not, he was here long enough "in the old
days" to be one. He has lost neither his voice
nor his girth, in fact the latter is decidedly in
the ascendency. As to the home towns of
John Philip Ryder and Aimee Torriani. we
cannot answer, but it doesn't really matter
because they both were excellent. Yes, Messrs.
Travers and Brown, we repeat, turned out a
good opera. What, you didn't know that
Travers and Brown wrote "Pinafore"! Well,
they didn't. But neither did Sid Grauman
write "Once in a Lifetime" nor "Street
Scene." But in these days it is not the fashion
to feature authors on programs. At least,
whenever Sid goes producer the printers seem
to run out of heavy black type before the
names of the authors are reached.
1 THE SAN FRANCISCO BANK I
SAVINGS COMMERCIAL TRUST
INCORPORATED FEBRUARY 10TH, 1868
One of the Oldest Banks in California, the Assets of which have
never been increased by mergers or consolidations with other banks.
Assets over $140,000,000.00 Deposits over $134,000,000.00
Capital, Reserve and Contingent Funds, $5,750,000.00
Tilt following accounts stand on the Books a/ $1.00 each.vit.:
Bank Buildings and Lots - (Value over $2,060,000.00)
Other Real Estate - - - (Value over $310,000.00)
Pension Fund - - - . (Value over $720,000.00)
For the past Quarter Year a Dividend on Deposits
of FOUR (4) per cent per annum was declared,
Computed Monthly and Compounded Quarterly,
and which may be withdrawn quarterly.
STATEMENT OF THE OWNERSHIP, MAN-
AGEMENT, CIRCULATION, ETC, REQUIR-
ED BY THE ACT OF CONGRESS OF AUGUST
24, 1912.
of The San Franciscan, published monthly at San
Fiancisco, California for April, 1931.
State of California
County of San Francisco/
Before me, a Notary Public in and for the State and
county aforesaid, personally appeared Joseph H.
Dyer, Jr., who, having been duly sworn according to
law, deposes and says that he is the owner and pub-
lisher of The San Franciscan and that the following is,
to the best of his knowledge and belief a true state-
ment of the ownership, etc., of the aforesaid publica-
tion for the date shown in the above caption, required
by the Act of August 24, 1912, embodied in section
411, Postal Laws and Regulations, printed on the
reverse of this form, to-wit:
1. That the names and addresses of the publisher,
editor, managing editor and business managers are:
Publisher: Joseph H. Dyer, Jr., Sharon Bldg , San
Francisco.
Editor: Joseph H. Dyer, Jr., Sharon Bldg., San Fran-
cisco.
Managing Editor: (None).
Business Manager Alfred D. Hendnckson, RussBldg.,
San Francisco.
2. That the owner is: (If owned by a corporation,
its name and address must be stated and also imme-
diately thereunder the names and addresses of stock-
holders owning or holding one per cent or more of
total amount of stock. If not owned by a corporation,
the names and addresses of the individual owners must
be given. If owned by a firm, company, or other unin-
corporated concern, its name and address, as well as
those of each individual member, must be given. )
[oseph H. Dyer, Jr., Sharon Bldg., San Francisco.
3. That the known bondholders, mortgagees, and
other security holders owning or holding one per cent
or more of total amount of bonds, mortgages, or other
securities are: (If there are none, so state. ) None.
4 That the two paragraphs next above, giving the
names of the owners, stockholders, and security hold-
ers, if any, contain not only the list of stockholders and
security holders as they appear upon the books of the
Company but also, in cases where the stockholder or
security holder appears upon the books of the Com-
pany as trustee or in any other fiduciary relation, the
name of the person or corporation for whom such trus-
tee is acting, is given; also that the said two para-
graphs contain statements, embracing affiant's full
knowledge and belief as to the circumstances and con-
ditions under which stockholders and security holders
who do not appear upon the books of the Company as
trustees, hold stock and securities in a capacity other
than that of a bona fide owner; and this affiant has no
reason to believe that any other person, association, or
corporation has any interest direct or indirect in the
said stock, bond, or other securities than as so stated
by him.
5. That the average number of copies of each issue
of this publication sold or distributed, through the
mails or otherwise, to paid subscribers during the six
months preceding the date shown above is — . (This
information is required from daily publications only )
Joseph H. Dyer, Jr.
Sworn to and subscribed before me this first day of
April, 1931.
Marv F. Redding,
Notary Public in and for the City and County
of San Francisco, State of California. (My
commission expiresjuly 14, 1933.)
1
on fmnciscan
Live Luxuriously but Economically at
The FAIRMONT
San Francisco's world hotel in its most distinguished neighborhood.
Quiet—aloof, yet accessible.
Be at home without overhead, housekeeping burdens or
servant problems in a two or more room suite furnished
to your taste at reasonable rentals—with the assurance of
complete cordial service and perfect cuisine. Jos. Hauser,
maitre d' Hotel, serves you in apartment, public
room and when you entertain.
Your Garage in the Basement
Phone or write for illustrative floor plans suitable
to your requirements
HOTEL
FAIRMONT
GEORGE D. SMITH
Managing Director
HERE
TO
SAN FRANCISCO OPERA COMPANY
SEASON 1931
September 10th: "Marouf" with Yvonne Gall, Mario
Chamlee and Eva Atkinson.
September 12th: "Aida" with Elisabeth Rethberg,
Faina Petrova and Giovanni Martinelli.
September 13th: "Lohengrin" with Gotthelt Pistor,
Maria Mueller and Faina Petrova.
September 16th : "Andrea Chenier" with Giovanni
Martinelli, Elisabeth Rethberg and DuBlois Fer-
guson.
September 18th : "Madame Butterfly" with Maria
Mueller, Faina Petrova and Mario Chamlee.
September 19th: "The Masked Ball" with Giovanni
Martinelli, Guiseppe Danise and Elisabeth Reth-
berg.
September 21st: "Tosca" with Yvonne Gall, Mario
Chamlee and Guiseppe Danise.
September 23rd: "Tannhauser" with Elisabeth Reth-
berg, Gotthelt Pistor and Friedrich Schorr.
September 25th: "La Boheme" with Maria Mueller
and Mario Chamlee.
September 26: "II Trovatore" with Elisabeth Reth-
berg, Giovanni Martinelli and Guiseppe Danise.
September 28th: "Die Meistersinger" with Gotthelf
Pistor, Maria Mueller and George Meader.
September 29th: "Carmen" with Faina Petrova and
Giovanni Martinelli.
THE STAGE
Alcazar: "Ladies All" with Perry Askani.
Curran : Jane Cowl in "Camille."
Capitol: Burlesque.
Columbia: "The Silver Cord" with Laura Hope
Crews and Kay Johnson.
Geary: "The Greeks Had a Word for It" with
Dorothy Hall, Wanda Lyon and Elda Vokel.
DINING AND DANCING
Mark Hopkins: Its doors open wide to all outside.
To enter is but the fulfillment of the tourists' de-
sires as to cuisine and service.
Fairmont: Where gentility rubs noses (or is it el-
bows?) with gay cosmopolitanities. (Probably our
word.)
St. Francis: There's something about it ... it must
be the atmosphere . . .
The Palace: One of the San Francisco landmarks
and very correct places for something almost like
four score years.
Sir Francis Drake: Quiet, exceptional cuisine, serv-
ice, and all the other subtle necessities for a
charming evening.
Russian Tea Room: Unusual foods served in a man-
ner that makes the guest linger a little longer over
the demi tasse.
States Hof Brau : Dance music now rendered by
Boh Klier and his Syncopators.
Grace Trocadero's: Always overwhelmed with popu-
larity.
Coppa's: Chicken portola served in cocoanut shells
pleases tRe most discriminating.
The Courtyard: Truly San Franciscan and delight-
fully different.
Jacinto Mexican Grill: Where Mexican foods are
eatahle without the tang of spices that burn the
palate.
Solari's: A place that is known for its cordiality and
excellent food.
The Lido: Where dull care is thrown to the winds.
The Bal Taberin: The gayest Night Club in town.
SPORTS
San Jose Speedway: Sunday, September 13th, seven
automobile events. Sunday, September 20th, eight
motorcycle events.
Polo: Sunday, August 30th, Golden Gate Park Sta-
dium. Olympic Club vs. Army, play-off for sum-
mer championship.
California Amateur Golf Championship Tournament:
Del Monte and Pebble Beach, September 7th to
12th. Del Monte championship for women, Sep-
tember 9th to 13th.
Oakland Kennel Club: Summer show, Sunday, Sep-
tember 27th, Xeptune Beach.
San Benito Horse Show and Rodeo: August 28th,
29th, and 30th, Hollister and Tres Pinos.
LEE ELEANOR GRAHAM
ANTIQUE AND MODERN FURNITURE FABRICS
OBJECTS COMPLETE ORGANIZATION TO RENDER
EVERY SERVICE OF INTERIOR DECORATION
533 SUTTER STREET
ART AND ARTISTS
California School of Fine Arts, Jones and Chestnut
Streets: Opening in September, an exhibition of
contemporary Spanish paintings under the aus-
pices of the San Francisco Art Association.
Shell Building Gallery, Bush and Battery Streets :
Exhibition of the work of E. Melbourne Brindle.
Courvoisier Gallery, 4S0 Post Street : Oil paintings
by Adolph Berson. Until September 15th.
Beaux Arts Galleries: Representative paintings by
eight young painters of Northern and Southern
California.
Denny- Watrous Gallery, Carmel : Carmel Art Asso-
ciation exhibition of the works of four National
Academicians : William Ritschel, Paul Dougherty.
Armin Hansen, and Arthur Hill Gilbert.
California State Fair. Sacramento: Exhibits of oils
and water color paintings by California artists,
September 5th to 12th.
Oakland Art Gallery, Oakland Auditorium : Oil
paintings and water colors by the "Blue Four" —
Jawlenski, Feininger. Kandinski and Klee.
Stanford Art Gallery, Stanford University : Exhibi-
tions of art work from the public schools of New
York and Carmel, California. Modernistic designs,
portfolio covers, block prints, and weavings. Until
September 15th. Also a collection of fifty pencil
drawings by the late C. Percy Stone.
Fashion Art School of San Francisco: Exhibition of
industrial arts by the Reimann School of Berlin,
at De Young Museum, Golden Gate Park, August
21st to September 21st.
Duncan-Vail Gallery, 116 Kearny Street: New water
colors by Chiura Obata.
California Camera Club: Exhibition of photographic
prints by P. Douglas Anderson. Coming exhibi-
tions : Prints by Ira \Y. Martin and Kathleen
Dougan.
Casa de Manana, Berkeley : Oils and water colors
by Eveline Flanagan Davis.
California School of Fine Arts, Jones and Chestnut
Streets: Annual "Fifty Prints ot the Year" exhi-
bition, sponsored by the American Institute of
Graphic Arts, and including prints by Michael
Baltekal-Goodman. John Sloan, Fiske Boyd, Peggy
Bacon, Jose Clemente Orozco, Jean Chariot and
others.
Gump Galleries, 246 Post Street : General exhibition
of paintings and etchings. August 20th to Septem-
ber 4th: Exhibition of drawings by Hugo Rum-
bold.
Berkeley Art Museum, Berkeley : Drawings, litho-
graphs and etchings by Millard Sheets and etch-
ings by Arthur Millier.
FOOTBALL
1931 Schedule 4
SEPTEMBER 13, 1931
\Y. Coast Armv vs. Olvmpic C. ; Kezar
SEPTEMBER 19, 1931
Stanford vs. W. Coast Army ; Palo Alto
Oregon State vs. Willamette ; Corvallis
SEPTEMBER 20, 1931
U. S. Marines vs. Olvmpic C. ; Kezar
SEPTEMBER 25, 1931
U. of S. F. vs. Brigham Young ; Seals* Stadium
(night)
U. C. L. A. vs. Occidental; Los Angeles (night)
Oregon vs. Monmouth Normal ; Eugene
SEPTEMBER 26, 1931
California vs. Santa Clara; Berkeley
Stanford vs. Olympic Club ; Palo Alto
St. Mary's vs. So. Cal. ; Los Angeles
Washington vs. L'tah ; Seattle
Washington State vs. Idaho College; Pullman
Oregon vs. Willamette; Eugene
Oregon State vs. Colorado U. ; Portland
Montana vs. St. Charles; Missoula
Nevada vs. West Coast Army ; Reno
Idaho vs. Whitman; Moscow
OCTOBER 3, 1931
California vs. St. Mary's: Berkeley
Stanford vs. Santa Clara ; Palo Alto
So. Cal. vs. Oregon State ; Los Angeles
V. C. L. A. vs. Washington State; Pullman
Washington vs. Montana ; Seattle
Oregon vs. Idaho; Portland
Nevada vs. Brigham Young ; Reno
OCTOBER 4. 1931
U. of S. F. vs. W. Coast Armv ; Kezar
OCTOBER 9, 1931
Nevada vs. California Aggies ; Sacramento
OCTOBER 10, 1931
California vs. Olympic Club ; Berkeley
Stanford vs. Minnesota; Palo Alto
So. Cal. vs. Washington State; Los Angeles
Washington vs. Oregon ; Seattle
Idaho vs. Montana; Moscow
OCTOBER 11, 1931
St. Mary's vs. W. Coast Army ; Kezar
Santa Clara vs. U. S. Marines ; San Diego
OCTOBER 16. 1931
Nevada vs. College of Pacific ; Stockton
OCTOBER 17. 193^1
California vs. Washington State; Portland
Stanford vs. Oregon State; Palo Alto
So. Cal. vs. Oregon; Los Angeles
I". C. L. A. vs. Northwestern; Evanston, 111.
Washington vs. Idaho; Seattle
Santa Clara vs. Olympic Club ; Kezar
W. C. Armv vs. Cal. Aggies; Woodland
OCTOBER 18, 1931
St. Mary's vs. tl. of S. F. ; Kezar
OCTOBER 23. 1931
Oregon State vs. Oregon Normal ; Corvallis
U. of S. F. vs. Loyola ; Kezar
Santa Clara vs. W. Coast Army ; Seals* Stadium
(night)
OCTOBER 24, 1931
California vs. So. Cal.; Berkeley
Stanford vs. Washington ; Seattle
U. C. L. A. vs. Pomona ; Claremont
Washington State vs. Montana; Missoula
Oregon vs. N. Dak. ; Grand Forks. N. D.
Nevada vs. Fresno State College; Reno
OCTOBER 25. 1931
St. Mary's vs. Gonzaga ; Kezar
Olvmpic C. vs. Pac. Fleet ; San Diego
OCTOBER 30, 1931
LT. of S. F. vs. Olvmpic Club ; Seals* Stadium
(night )
OCTOBER 31. 1931
California vs. Nevada ; Berkelev
Stanford vs. U. C. L. A.; Palo Alto
Washington vs. Whitman ; Seattle
Washington State vs. Oregon State ; Portland
Oregon vs. N. Y. University; New York
Idaho vs. Gonzaga; Moscow
Montana vs. Montana State; Butte
NOVEMBER 1, 1931
St. Mary's vs. Santa Clara: Kezar
W. C. Armv vs. I*. S. Marines ; San Diego
NOVEMBER 6, 1931
Santa Clara vs. Lovola ; Wriglev Field. L. A.
NOVEMBER 7, 1931
California vs. Washington ; Berkeley
Stanford vs. So. Cal. ; Los Angeles
Washington State vs. Idaho; Pullman
Oregon State vs. Montana; Corvallis
U. of S. F. vs. Gonzaga; Spokane (night)
Nevada vs. San Jose State ; Reno
NOVEMBER 8, 1931
St. Marv's vs. Olvmpic Club ; Kezar
NOVEMBER 11. 1931
St. Mary's vs. U. C. L. A. ; Los Angeles
W. Coast Armv vs. Navy ; Berkeley
NOVEMBER 14. 1931
California vs. Idaho; Berkeley
Stanford vs. Nevada ; Palo Alto
So. Cal. vs. Montana: Los Angeles
Washington vs. Washington State; Seattle
Oregon vs. Oregon State ; Eugene
NOVEMBER 15. 1931
U. of S. F. vs. Santa Clara; Kezar
NOVEMBER 21. 1931
California vs. Stanford ; Palo Alto
So. Cal. vs. Notre Dame; Chicago
U. C. L. A. vs. Oregon ; Los Angeles
Washington State vs. Gonzaga ; Spokane
U. of S. F. vs. Nevada ; Reno
Santa Clara vs. Wyoming ; Laramie
Olympic Club vs. Loyola ; Los Angeles
RADIO OR WIRE RESERVA-
TIONS AT OUR EXPENSE.
Cable GROSHOTEL
NEW YORK
FIFTH AVENUE ♦ NEW YORK
AT THE CORNER OF TENTH STREET
GROsvenoR
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THE
SAN FRANCISCAN
Joseph Oyer, Editor and Publisher
Aline Kistler, Assistant to the Publisher
CONTRIBUTORS
EDWARD A. MORPHY, FREDERICK O'BRIEN, CHARLES
CALDWELL DOBIE, SYDNEY KING RUSSELL, CAREY
MCWILUAMS,UNCOLNSTEFFENS,ELVA WILLIAMS,
IDWALJONES, ROWENA MASON, KATHRYN
HULME, OTTORINO RONCHI, ZOE BATTU
NED HILTON
The San Franciscan is published monthly except during special summer
schedule by The San Franciscan Publishing Company, Sharon Building/
San Francisco, California. Entered as second-class matter October 1,
1928, at the Post Office at San Francisco, Calif., under act of March 3,
1897, Joseph Dyer, Publisher. Subscription price: one year $2.00,
single copy 25 cents. Copyrighted 1929, The San Franciscan Publish-
ing Company. Manuscripts will not be returned unless accompanied
by self-addressed, stamped envelope.
SEPTEMBER 1931
VOL. 5 No. 8
CONTENTS
Articles and Features
All Around The Town
Just Around The Corner
Now It Can Be Told, short comment and humor
Suggestions For The Opera, by John Rothchild, Jr.
The Last Word, by Frederick O'Brien
Oofty-Goofty and Big Bertha, by Zoe A. Battu
Merry-Go-Round
As Seen By Her, by Molly Merkley .
Short Stories
Portrait of a Lady, by Leroy Rumsey
Stock Salesmen Must Live, by Morton Thompson
3
7
8
13
16
19
20
30
11
11
Criticism
Spotlight, by Charles Caldwell Dobie 15
As To Books, by Ned Hilton 18
Hans Hofmann, by Hammond Dennett 22
Verse
Summers End, by Sidney King Russell 22
Alternative, by Constance Ferris 22
Illustrations
Merola, photograph by Dr. Alexander Arkatov ... 6
Cartoon, by Sotomayor 8
Cartoon, by Rodlow Willard 9
S. S. President Hoover, photograph by Gabriel Moulin . . 10
Two Lithographs, by Ernest Born 12-13
Jane Cowl, photograph by Johnson 14
Two Interiors, photographs 12
Cartoon, by Jack Cofer 17
Cartoon, by W. Bradley 19
Beatrice Greenough, photograph by Mason .... 20
Margaret Gaffey Mel, photograph by Ferguson ... 21
«p \i: TWO MEROLA
San Franciscans hold the name of Gaetano Merola in grateful regard, for it is mainly
due to his vision, organizing powers, and untiring labors that San Francisco has been
restored to her traditional place with the opera producing cities of the world. As
General Director of the San Francisco Opera Association, since its inception in
1 923, Mr. Merola has guided the artistic affairs of the company with the hand of a
genius, realizing successfully the city's long cherished dream of producing locally
maintained grand opera of metropolitan standards. Himself, a prominent Figure in
opera, he has brought to San Francisco the world's greatest singers in performances
which have delighted almost a half million people and have spread the fame of our
music loving city all over the world wherever music is heard.
run
"Just Around The Corner"
Some Embarrassing Problems Confronting the Administration for 1932
JUST around the corner. What in-
spiring promises of jobs to burn
and cornucopian prosperity these
heartening words conjure!
Unfortunately, however, those
promises are now of small concern.
Just around the corner at this particu-
lar moment we see only the vista of
a distinctly non-comforting winter as
the harbinger of an unusual presiden-
tial election year.
This condition, naturally enough,
is surprising as well as painful to
126,000,000 innately trustful and
confiding people. Have not the occa-
sionally faltering hopes and expecta-
tions of this multitude been buoyed
up and nourished for more than a year
with assurances from the very highest
authority in all the land that some-
thing very different from the winter it
has now in view was waiting for it
just around the corner? And were not
these assurances echoed and re-echoed
during the same period by every high
official, and quasi-official, and would-
be official, and log-rolling spokesman
for the administration?
Was not every dismal Diogenes
who sought to probe the rumors of
unemployment rebuked for his in-
quisitiveness? And were not the Cen-
sus returns of April. 19 30, so com-
puted that they revealed a paltry con-
geries of less than 2.500,000 unem-
ployed in this fortunate land? The
exact number cited was 2,429,062.
As nobody outside of administrative
circles could be induced to accept these
figures, it may be recalled, another
count was insisted upon which re-
vealed more than 6,000,000 unem-
ployed in the latter part of January.
Mr. William Green, president of
the American Federation of Labor,
and a member of the advisory com-
mittee recently appointed by Mr. Wal-
ter S. Gifford. who in turn was re-
cently appointed National Relief Di-
rector by Mr. Hoover, predicts that
more than 7.000.000 persons will be
unemployed this winter. He also dis-
agrees with President Hoover's ex-
pressed theory that local funds will be
adequate to meet all demands for un-
employment relief.
This point is mentioned to show
that, at the outset of this unusual
winter, on the eve of a presidential
election — the fourth such election to
be held in the Era of the Noble Ex-
periment, which is Prohibition En-
forcement— organized labor does not
see eye to eye with the President on a
very important issue. The merits of
this issue matter but little. It is nat-
ural if silly for wage-earners, when
thrown out of work, to be embittered
against anybody they may be told
should help them and who fails to
help them. More than 7.000.000 un-
employed, as estimated by the chief of
the Federation of Labor, is an appall-
ing multitude. It is one-third of the
multitude that voted for Mr. Hoover
in 1928, the largest vote ever polled
for a presidential candidate.
More in accord with the ideals of
organized labor are the professed in-
tentions of the President and his ad-
ministration to do everything possible
to persuade employers to maintain the
peak standard of wages throughout
the period of depression.
This policy has the advantage of
involving no expense to the adminis-
tration or to the taxpayer. At the same
time it is doubtful that any adminis-
tration, even under the leadership of
Mr. Hoover, would be powerful
enough to compel the maintenance of
peak-period wages in any national in-
dustry should that industry, during a
protracted period of depression, be
subjected to the commonly universal
operations of the laws of supply and
demand.
EVEN the United States Steel Cor-
poration— "the world's premier
corporation" — had to announce
a general wage and salary slash a few
weeks ago. In the reports on the an-
nouncement telegraphed from Wall
Street it was set forth, inter alia, that:
"Some economists are inclined to be-
lieve that a wage reduction should
have been made a year ago regardless
of political pressure."
It is to be apprehended that if the
administration cannot compel the
maintenance of peak-period wage
by Edward A. Morphy
standards in a concern so dependent
upon government favors as is the
United States Steel Corporation it will
find the attempt equally futile in other
quarters.
As a matter of fact what has tended
to hurt the strength and prestige of
the present administration more than
anything else in certain important
quarters, and what has also tended to
hurt the country at large and the tax-
payer in particular, is the apparent in-
ability of the administration or its
head to realize that the laws of Na-
ture, including those of supply and
demand, are superior to those of the
United States, and will continue to
operate along their traditional lines no
matter what political or judicial pres-
sure may be exerted against them, or
what devices for evading them may
be contrived by a presidentially ap-
pointed board or commission.
The Messiah enunciated what is
virtually a law of Nature when he
warned Judas Iscariot that. "The
poor always ye have with you." Mr.
Hoover overlooked this warning when
in a pre-election address he piously de-
clared that: "With the help of God,
we shall soon be in sight of the day
when poverty will be banished from
this land." And. absit omen! it was in
the same address he promised us that a
Farm Board would be created to pro-
tect the agricultural interests of the
country from demoralizations, gluts
and periodical surpluses.
This Farm Board has since been
created. Under its benign auspices the
price of wheat has fallen from $1.00
a bushel in August, 1930. to 50 cents
a bushel in August, 1931. and our
warehouses are carrying three hundred
million bushels of wheat that we can-
not even give away to the unem-
ployed. Under the same auspices we
have accumulated nearly five million
bales of cotton. No doubt some five
hundred million people in China and
thereabouts are starving for that
wheat and perishing for that cotton:
but it would cost too much to carry it
to them. Wherefore, under the same
beneficent administration we have re-
Continued on page 33
THEY were sitting on top of the
world — to be more specific — on
top of Russian Hill. He had heard
it rumored that 1931 sponsored "true
individuality"in furnishings. His new
abode proved that he had followed
this edict to the nth degree. No two
objects were alike — except in the mat-
ter of taste. They were all atrocities.
A Louis XV chair for which he had
paid a handsome price — but. prices
were minor details to him — a black
and white, three-legged, modernistic
table — brand new. and fresh from the
painter's, and a seductive looking dav-
enport, much bedecked with plush and
satin pillows, formed an incoherent
setting at one end of the room.
He was very much elated with this
new regalia, this glamorous display of
wealth and importance. He was par-
ticularly proud of his success from his
North Beach enterprises. For years he
had promised his wife that she would
have "nice things" some day. Now. he
could make good his promises.
"Mama." he announced one day,
"I'm gonna give you two wonderful
birthday presents — a Rembrandt and
a Hispano Suiza."
NOW
IT CAN
BE TOLD
The next day. the wife, greatly dis-
tressed, telephoned his office and inter-
rupted his piling up of millions.
"Papa, one of them things you were
talking about just came. I have it here
in the room with me. but I don't
know which it is."
WE recently dropped into a
movie and were very much
startled to see the caption
"The Governor of California has
never worn shoes" emblazoned across
the silvery screen. It turned out to be a
fake — he wears boots, which we knew
all along. But they showed us a good
picture of Sunny Jim sitting at his
desk while somebody told us a bit of
'Hold that line hold that line! — oh, if I were only a man."
THE SAN FRANCISCAN
his political history. Then he turned
our way and told us why he wore
boots — because his Dad wore them all
of his life, not a very progressive idea,
in our opinion. At his side was a bat-
tery of boots that he seems to keep
around as spares. As a climax he dem-
onstrated the ease with which his
boots are taken off and put on. He had
a little difficulty sliding his foot back
into the boot, and he mumbled under
his breath something about that it
would have to stick just at this time.
In the meantime, we had a very good
peek at the gubernatorial underwear.
//^ARDOX me." A member of the
I^Board of Directors, who was
' visiting Napa Asylum at the
time, looked up when the young man
interrupted.
"What can I do for you?" she in-
quired disinterestedly.
"I've been sent here for kicking peo-
ple." he replied candidly.
"What.:> Kicking people? Why. you
look perfectly normal. Let's talk the
matter over." The offender, appar-
ently at ease, sat down, smoked non-
chalantly with the finesse advertised
on billboards, and displayed none of
the characteristics associated with the
abnormal person.
After talking with the young man
for an hour, the director decided that
he was perfectly sane. She promised
him that she would take up the matter
on the following Tuesday at a meet-
ing of the Board of Directors.
The young man thanked her gra-
ciously, and. on the way out, deliv-
ered a terrific kick, saying blithely.
"Don't forget next Tuesday."
CROWDS, drawn by the music, gath-
ered at the curbs of Market Street
to view the impressive parade of
the Christian Endeavor Convention.
The police escort formed an unfore-
seen element of comedy. They were
twelve of the most Roman Catholic
Irish of the force. Their irregular gaits
and fidgeting of hands, holding pow-
erful clubs, disclosed nervousness, as
they were spurred on to greater embar-
rassment and self-consciousness.
We were at a loss to explain the
lack of poise of our city "braves." Sud-
denly, it dawned. They were leading
a parade to the strains of "Onward
Christian Soldiers." "the battle hymn
of Protestantism."
i
THE great decorator, a contempo-
rary of Elsie deWolf and Circie
Maughm. internationally known
for her exquisite taste and unique cre-
ations, had consented to visit a gift
"shoppe."
The aggressive saleslady, showing
the great decorator around the
SEPTEMBER, 1931
"shoppe," stopped at a table elabo-
rately covered with artificial flowers.
Picking up an atrocious spray of wax,
glass and cotton, she turned to the
great decorator and exclaimed exuber-
antly, "Dearie, can't you just see these
spread on a banquet table?"
"Yes," replied the great decorator,
"but I would rather see them spread
on a corpse."
TWO San Franciscans, the gentleman
clad in the most correct of evening
garb, the woman gowned in a cre-
ation from Chanel, sought entrance to
one of Reno's smartest night clubs.
The place, it is reputed, is notable for
the variety and costliness of its liquor,
and the variety and high stakes of its
gambling. The two visitors, since they
were unknown to the house, rightly
supposed that they could be admitted
only after they had made themselves
known to the manager.
They called for this functionary.
He eyed them coldly and asked many
questions. The gentleman produced
personal cards, business cards, club
cards, a bank book, and old envelopes.
He mentioned the names of several
powers in the business and financial
worlds.
The manager was not the least im-
pressed by any of these references.
Finally, the gentleman extracted from
his wallet a dozen cards. "These," he
announced impressively, "are the cards
and phone numbers of the best boot-
leggers in San Francisco."
"Sir," replied the manager just as
impressively, "we have nothing in
common with bootleggers."
HATLESS. breathless, but not
speechless, the cub reporter
dashed into the editorial office
and made a bee-line for the city desk.
A blonde and attractive defendant
had been tearing at the heart strings of
a jury made up of fair and upright cit-
izens. The "land of the free and the
home of the brave" was trying its best
to be brave enough to set this charm-
ing woman free. A prominent man,
whose relationship to her was ques-
tionable, had been shot, while accom-
panied by her, in a cab. The evidence
was against her, but the jury wasn't.
The cub reporter blurted out the
story to the city editor. "Yes, the bag
found in the cab was hers; yes, she did
scream — ," he recounted the disclo-
sures of the afternoon's grilling.
Finally, the city editor, keyed up to a
high pitch of excitement, demanded
her answer when the district attorney
asked, "Did you, or did you not, fire
the fatal shot?"
"Oh," the reporter replied, blink-
ing his candid blue eyes, "I could not
catch the answer, as just then a trolley
car went by in the street below."
" — But why didn't the man feed you too, Aunty?"
A NEGRO troupe of actors was
playing "Othello" before a
packed house in Oakland.
The climax had come; muffled
murmurings and subdued whispers
ran through the negro audience.
The clue to the tragedy was about to
be disclosed. Othello was demanding
the handkerchief from Desdemona.
"Fetch me that handkerchief!"
Othello, "tall, dark, and handsome,"
bellowed at Desdemona. There was
an excited tension as the audience
waited for her answer. Once again,
"Fetch me that handkerchief!" he re-
peated with intense ferociousness, and
the whites of his eyes gleamed lust-
fully from their black background, as
he glared at Desdemona.
Finally, an old darkie in the gal-
lery leaned down and shouted, "Foh
heav'n sakes, can't yoh use yoh sleeve
so de pefohmance can go on in peace?"
7
fOVR kidney — well, you're not
the only one! For the last few
months — ," the speaker leaned
forward eagerly and went on to ex-
plain his "untold" suffering. His two
companions, seated next to him in
"tired business men's chairs" at the
Pacific Union, wore sympathetic ex-
pressions and shook their heads sadly
as the tale of woe unfolded.
"Speaking of kidneys, has either of
you ever been troubled by liver — "
one of the speaker's companions inter-
rupted to discuss his own ailment,
which he considered more drastic and
annoying than that of the first speak-
er's, " — well, you see, my heart — "
more wrinkling of brows and shaking
of heads ensued as the conversation
grew morbid.
A fourth man joined the threesome
in time to hear the dramatic end of one
of the complaints. "Come on," he ven-
Continued on page 26
10
THE SAN FRANCISCAN
Mouline
The New Queen of The Paeifie Entering' Her Home Port
The new Dollar liner President Hoover, entering into San Francisco
Harbor after completing her maiden voyage from New York to San
Francisco.
The Hoover with her sister ship the President Coolidge are the largest,
most modern, and palatial merchant marine vessels ever turned out in
American yards and are the forerunners of a fleet of four queens of the
sea contemplated in the Dollar Steamship Lines' building program. They
will be the last word in American ship construction planned with the
idea of providing the maximum luxury, comfort, speed and safety.
SEPTEMBER, 1931
SAN FRANCISCO
-5 LIC LIBRARY
Two very very short Short Stories
Portrait of a Lady
ANTONIA lounged upon a day bed
^\ in a room made mellow and
" * golden with the sun of late
spring. The room was her own, her
kingdom, shut away and detached
from the rest of the house. It was
decorated and furnished after a man-
ner Antonia called "modernistic."
That is to say. its furniture and hang-
ings had been chosen and assembled
in a spirit of experimentation, and
variously interpreted the cult of col-
ors, of angles, of planes. Upon a slen-
der-legged standard, there was one
high spot of glory in the room, a
crystal bowl filled with iris, of a rare
variety, tawny in shade and streaked
with orange.
Antonia herself was a richly blessed
young goddess — a goddess with cop-
per-glinted hair, and with the vital
body of a healthy and well fed cat.
She was dressed simply — in a sleeve-
less frock of white silk. In the choice
of clothing, Antonia had learned the
dignity and perfection of Grecian sim-
plicity. But the dress fitted just a trifle
too tightly under the armholes and
around the hips. Only true genius
achieves simplicity, without the
shadow of flaw, and true genius is
exceedingly rare.
The girl was reading from a small
volume. It was the latest work of
Edna St. Vincent Millay. "Fatal In-
terview." One wondered why An-
tonia should be reading, why her
reading struck one as a little strange
and incongruous. Was it because the
materiality of so much paper and
print, produced by noisy, mechanical
processes, was a harsh note in the cool,
voluptuous loveliness of Antonia and
her surroundings? Or was it because
the words of Millay. charged with
exquisitely subtle emotion and sensu-
ousness, must be to Antonia an echo,
a second-hand version, of things she
had known? Was not this girl the
living reality of Millay's singing?
Could she not look in her own mirror
and see songs of romance and life
more exotic and satisfying than Mil-
lay's lovely word pictures?
She soon tired of reading, and low-
ered her eyes to regard one hand, rest-
ing white and slim upon her book.
The inspection completed, Antonia
by Leroy Rumsey
rose, stretched; she daintily fingered
the Iris. They caused her to smile —
expectantly. The smile gave you the
clue of Antonh's whole being. Per-
petually, she expected something;
waited aloofly and confidently for cer-
tain things she considered her own
and her right.
Suddenly the door bell buzzed im-
patiently. Living in a constant state
of expectation. Antonia did not have
to re-arrange her clothing, hair or
make-up, hurriedly, nervously, and
perhaps imperfectly, before moving to
answer the door. She was ready to
proceed, calmly and leisurely, to the
door, and radiantly receive what fate
might bring.
This time a boy had brought a
telegram for which Antonia signed.
It was addressed to her mother, a
small detail to Antonia, who opened
the envelope, took out the slip of yel-
low paper, and read the typewritten
lines.
She finished reading and slowly
folded the paper in its original creases.
"Maw," she finally yelled, "Uncle
Hank's kicked the bucket."
Stock Salesmen Must Live
WHEN the big, black bear died,
there was a sad gap in the at-
tractions of the Mammoth
Circus menagerie. A new bear would
cost a lot of money — more money
than the circus felt like spending just
then, for even big outfits like the
Mammoth feel hard times.
That's why Joe Scott was travel-
ing around as a circus bear, but you
never in the world would have known
that he wasn't a real bear. Mammoth
bought fakes, but they were always
good fakes. Joe's costume looked so
much like the real thing that none of
the other animals in the menagerie
doubted him.
Since the crash. Joe had tried a lot
of things, even selling stocks that had
slid below the zero point. Then there
were clothing sales. When they gave
out, there were an hundred and one
other sales rackets — all of them lousy.
Joe had been reduced to dish washing
when the circus hit town. He applied
for a job cleaning up and running er-
rands and made good.
The bear act was a promotion, an
increase in pay, and in some ways not
so bad. All Joe had to do was to pace
around in a cage, making basso noises,
and working himself to drooling,
snarling fury. At the end of the cage
was a loose bar. When the crowd in
the tent got large enough, but had its
attention focused on other attrac-
tions, Joe worked through the bars
and panicked the crowd. The keepers
would then rush up. maul him, fight
him and lead him back to his cage
subdued. That was the act, and it
often got to be pretty exciting.
Still, Joe had some pride left. This
was as low as he had ever sunk.
Nightly, when the show closed, he
hurried away from the grounds and
kept to himself. About the only per-
son with whom he exchanged words
was the paymaster. He talked to him
because it could not be avoided.
So the summer wore on. Nothing
much out of the way happened until
the show played Shreveport. Louisi-
ana. Here, one night, Joe, as he
by Morton Thompson
slipped into his cage before the show
opened, had a feeling that something
dreadful was about to happen. For
some unknown reason the rest of the
animals were nervous and excited.
Monkeys jittered and jabbered hys-
terically. A Bengal tiger bared his
fangs and roared ominously. A jackal
ran in circles, moaning and frothing.
The crowd sensed the unrest. The
long dormant fears and instincts of
the jungle rose in it. and made it
jumpy. Joe forgot his own premoni-
tion, and inside his hide, smiled to
himself. He lashed himself into his
usual frenzy. At the proper moment,
he wiggled out of his cage. Snarling,
snapping, and rumbling, he charged
toward the seats.
Terror swept the crowd. It let out
an agonized cry. A second cry died in
its throat. It turned to run. Fear para-
lyzed and rooted it in its tracks.
Keepers, armed with prongs,
swooped upon the bear. It side-
stepped, parried, lunged and struck at
Continued on page 28
12
THE SAN FRANCISCAN
TWO
LITHOGRAPHS
BY
ERNEST BORN
"One (eels that his hand went where his imagination directed," says Rayne Adams in describing the
work of Ernest Born, the young San Francisco artist who graduated in architecture at the University of
California.
A scholarship enabled him to study in Europe. Upon returning to California, he was engaged as a
draftsman by the late John Galen Howard. Once again he studied in Europe, this time at the American
School of Fontainebleu. It was in Europe that he developed a vital interest in lithography and produced
some of his finest work.
Forceful in design, simple in line, and startlingly expressive, his drawings have been proclaimed the
results of a vivid imagination. They are not representative of a certain type of art, but are unique and
individual, typifying the personality of their creator.
After his second return from Europe, Born entered the firm of Gehron and Ross in New York, where
his skill and craftsmanship has been employed to great advantage and benefit.
In October Vickery, Atkins, & Torrey will exhibit twenty of his best known drawings of Europe and
New York. Among the most commendable of his New York work are "6th Avenue L" at the left, and
"125th Street" on the opposite page.
SEPTEMBER, 1931
13
Suggestion For The Opera
Forcista Da Spiorezzl
//
by John Rothschild Jr.
FANNI SCRATCHI, a beautiful young
peasant girl, attracts the eye of the
dissolute Count di Manholi, while
the pocketbook of the Count di Man-
holi attracts the eye of Fanni Scratchi,
a beautiful young peasant girl. Her be-
trothed, Luigi Turkeltarb, is informed
of this liaison by the treacherous Vio-
letta, a dancing girl. During this
scene, Luigi sings the famous aria,
"L'Amore e Caro" (Let Me Kiss Your
Blues Away). He then breaks his
sword over his mother's knee, thus
renouncing his fate, and catches the
milk train for Paris.
Act II opens with the well-known
quintette, "L'Amore e Caro" (I'm
That Way About You, Baby) , sung
by Fanni, Violetta, the Count, Luigi,
and Otto Kahn. A courier, full of
dust and vermin, dashes into the
courtyard and thrusts a note into the
Count's hand. "All is lost," the lat-
ter cries, and bursts into the stirring
strains of the universally popular
marching song, "L'Amore e Caro"
(Reach for a Hatchett Instead) . With
a wild gesture of hopelessness he waves
his farewell. Violetta implores him to
stay, but he gallops out into the street,
accompanied by a good one-third of
the audience. Stricken with remorse,
Violetta tells Luigi that he is her son
and that the Count is his father. Sense-
less with horror, Luigi tells Fanni that
she is his daughter and that Violetta is
her mother. Terrified with anguish,
Fanni tells the courier that he is her
son and that the Count is his father.
Amid flashes of lightning they are
seen drawing diagrams and graphs.
No solution is reached, and they sing
their despair in the thrilling quartette,
"L'Amore e Caro" (Whose Baby Am
I. Mamma?) .
The third act takes place in Cha-
monix. Luigi is seen riding a bicycle
along a lovely sylvan trail singing
"L'Amore e Caro." Suddenly Fanni
appears from behind a tree and in-
forms him that she is in trouble. Luigi
swears a terrible oath of vengeance
against the Count. A storm breaks
over the forest, drenching the unhappy
lovers. A flash of lightning discloses
the Count caught in a bear trap a few
yards away. He sees Luigi and pleads
with him, but in vain. Luigi sneers,
and, turning away, steps into a weasel
trap. The stage becomes dark. A wild
scream, and the dawn's first rays dis-
close Fanni struggling in an ermine
wrap. The three unfortunates sing
their despair in the famous trio "Vo
Bist Du Heinrich" (L'Amore e Caro) .
One by one they die. Their troubles
past, their future filled with happi-
ness, Mateo and Sylvia, together again,
stroll along in the twilight, to the gen-
tle rustling of three thousand ladies
and gentlemen putting on their costly
hats and coats.
CURTAIN
14
JANE COWL
Jane Cowl, who makes her first appearance in the role of Alexandre Dumas' cele-
brated heroine "Camille," at the Curran Theatre. The American stage owes much to
Miss Cowl for her splendid presentation of the classic drama. Her "Romeo and
Juliet" at the Henry Miller Theatre in New York, was the finest production of
Shakespere's immortal tragedy the Metropolis had ever seen and she was classed
among the great Juliets of history. Shakespere's "Anthony and Cleopatra" and
"Twelfth Night", Maeterlinck's "Pelleas and Melisande" and the more modern
and lighter plays have all been productions of which she can be proud of sponsoring.
SEPTEMBER, 1931
Spotlight
The Tradtitional Stage Once Again Comes Into Its Own
by Charles Caldwell Dobie
SOMEBODY in New York said the
other day that the way to get the
public back in the legitimate the-
atre was to play up the stars again.
America, the gentleman insisted, went
to see personalities. Which makes us
wonder whether or not this is what
crowded the Curran to capacity for
"The Vinegar Tree." made Miss Bar-
rymore do on her final Wednesday
afternoon the biggest mid-week mati-
nee in the history of the Geary, and
filled the Columbia with a fair crowd,
at the start, for "As Husbands Go."
All three show houses had stars —
old stars, we might add, if the head-
liners were anything but the charming
ladies that they are. What we mean, of
course, is that Billie Burke, Ethel Bar-
rymore and Laura Hope Crews are
not of the untrained vintage of these
theatrical dog-days. They know their
stuff and the public know them. They
are all old friends. They date back to
a time when the spoken stage was in
its glory. But, right there we bring
ourselves up with a round turn. The
stage always was in its glory — in ret-
rospect. And well do we remember the
day when Billie and Ethel and Laura
were ingenues, hearing our parents tell
how much better Rose Coghlan and
Mrs. Gilbert and Ada Rehan were to
any of these callow aspirants to foot-
light honors.
We correct ourselves to say that if
the three shows running at one and
the same time in this city by the
Golden Gate are any criterion, the
stage is in full glory this very minute.
"School for Scandal" is. of course, a
classic and so may be dismissed in a
measuring of contemporary drama.
But, the quality that gives a play the
handicapping title of classic is a qual-
ity of perpetual youth. A classic in any
art is always modern, always ageless,
always piquant. A classic always ad-
justs itself to the times — particularly
if it be of the stage. For here the chang-
ing standards of acting infuse old
thoughts with new life and shed a
fresh glamour over what old methods
have dulled.
It is the fashion for old timers to
wail about the loss of tradition when-
ever they see the revival of an old play.
They say: "Mrs. Siddons played it
this way!" Or "McKee Ramkin did
thus and so!" Or "Sothern and Mar-
low read the scene in such fashion!"
They delve into old prompt books
and interview doddering first nighters
to re-inforce their contentions. They
even go so far as to try and discover
what the author's conception of a part
was and how he wished it played. As
if an author were God and knew
every twist and turn of the people he
creates! They forget, if they really
ever knew, that the author is merely a
colaborator along with every actor
and actress who plays his roles as well
as every audience who sees them. The
play is his only up to the moment that
it leaves his workshop, just as children
belong to their parents until the mo-
ment that they set out upon the road
of life to seek their fortunes. How dull
people would be if they never bore
anything but the marks of parental
intention. And how dull plays would
be if they suffered like evidences of ar-
rested development.
All of which brings us to the more
specific matter of Miss Barrymore's
conception of Sheridan's "School for
Scandal." We had seen "School for
Scandal" done, many a time and oft,
and so we went to the performance
with a composite picture of what was
considered the traditional manner in
which it should be played. Showing
that we are not so young as we once
were. But we were flexible enough to
reserve judgment until we questioned
several youngsters who were seeing it
for the first time. Their unqualified
approval showed us that Miss Barry-
more's way was right. She had taken
an old play and translated it in terms
that the present generation could un-
derstand— or. perhaps we should say,
placed it in a modern key and at a
modern tempo. So much for her stage
direction and her stage sets. Her "Lady
Teazle" was, likewise, her very own
creation. She assured us at a tea one
afternoon that she had never seen a
performance of "School for Scandal."
So she had no handicaps in building
15
up the part of Lady Teazle to suit her
own inclinations. She gave us a lady
of sly humor, quietly exasperating and
very much the thoroughbred in spite
of her transient yearnings to shine in a
shallow world. She had none of the
robust humors of the countryside she
had quitted and when she quarrelled
with Sir Peter she did it so charmingly
that even he was not constrained to
raise his voice unduly. The young
people who were initiated into Sheri-
dan on Miss Barrymore's opening
night doubtless will take her portrait
and build a tradition on it. Twenty
years hence they will say of a newer
star giving emphasis to other values:
"This woman is all wrong. Now,
when Ethel Barrymore played Lady
Teazle — " All of which proves that
classics are classics because they may be
played by a thousand different actors
a thousand different ways.
"The Vinegar Tree" was to many
in the audience a farce comedy. But, if
one knows anything at all about the
mainsprings of human conduct it was
an infinitely more subtle thing than
that. The confirmation for those who
insist that it is farce comes in the final
scene when the lady discovers that she
has been barking up the wrong tree.
We think that the author made this
gesture to compromise with those in
the audience who have literal minds.
No woman, not even one as flighty as
Laura Merrick, forgets the name or
habits of the one flaming passion of
her life. But there are plenty of Laura
Merrickswho are capable of inventing
a flaming passion and possessing it to
the point of believing that it is true.
Nobody with even a modicum of
brains, on thinking the matter over,
could be deluded into deciding that
Laura Merrick was doing anything
but make believe during the entire
three acts. Of course she never had a
past. If she had she would not have
been at such pains to revive it. But she
desperately wanted a past and quite
suddenly it popped into her rattle
brain that if she didn't do something
about it pretty quick she never could
have one. Or perhaps she wanted a
future, poor dear. Which is much the
same thing because pasts and futures
Continued on page 27
ALTERNATIVE
by Constance Ferris
Astonished eyes behold a world grown strange,-
Our love, you say, has run its tortuous course.
Thus readily does man his fancy change,
Nor yet perceive occasion (or remorse.
I'll go in silence; bow to meet your will.
We shall be friends, inalienably kind.
This passion was a bother, still —
You have my number, if you change your mind.
16
THE SAN FRANCISCAN
THE LAST WORD
• O. O. Mclntyre, the columyist
hick, a very amiable farm boy, who
made good in the big city, is one of
the most popular of New Yorkers. He
says Fanny Hurst looks like a Broad-
way modiste. Sinclair Lewis like a
third baseman in a bush league, Peter
Kyne like a contractor's foreman.
Irving Cobb like a British barman.
Charles Norris like a hotelkeeper. He
might have added: Dreiser like a sad
hotel porter bewildered by revolving
doors. Sherwood Anderson like an
Irish-Italian barber-poet, Konrad Ber-
covici like a Yiddish-Armenian cour-
ier. Paul Whiteman like a floury chef
de cuisine. Einstein like a merry boy.
made up as a man, needing a haircut:
and. Hoover like a sour mask cut from
an old. drying punkin.
• Ohio grade schools students an-
swered examination queries, as fol-
lows: A grass widow is the wife of a
vegetarian. In Christianity a man may
have only one wife: it is called mo-
notony. A man who marries twice
commits bigotry. SOS is a music sign
for Same Only Softer.
• Dancing masters of America, in
solemn convention, denounce gigolos.
They demand that, only, union dance
teachers be allowed; that sex appeal
by professional men prancers. except
the legitimate grace of masters, be
barred from hotels. And that pure
American women be spared the indig-
nity and temptation of the gigolo sort
of male. Despite all the professors can
do, the well-to-do wife of a golfer,
the widow of a man who perished
making money for her, will seek out
personable gigs who offer honorable
love on the floor, poetry of motion,
youth and soft voices in honeyed
words. The gigs make no bones of it
— the masters are decrepit, have hali-
tosis, flat feet, and baldness.
• Boosting, which is boasting, telling
lies to sell something, even climate,
brings sad reaction when forced to
face failure. In Pasadena, one of the
chief rookeries of the Pollyana birds,
a lofty bridge over a dry arroyo — as
dry as the heart of the church in
Southern California — serves as a
launching place for souls into eternity.
More than thirty-five humans have
made the swift descent to the hard
ground — hundreds of feet — to escape
Pasadena; risking heaven or hell. Any-
where, away from rotarianism, pul-
pitry, chambers of commonness.
Continued on page 32
by Frederick O'Brien
Editor's Note: With this issue Frederick
O'Brien begins a series of monthly articles
for The SAN FRANCISCAN. In signing the
contract with Mr. O'Brien the Editor has
agreed that the articles will not be subject to
editorial censorship, but assumes that Mr.
O'Brien will not completely violate the edi-
torial policy of the magazine.
• If we are saved, it will not be by
the men, now, in their early twenties.
They come to me by the dozen, whin-
ing, moping, ego-crushed; infected,
apparently, by a Dreiserian poison.
Not that Theodore is to blame for his
black mulligrubs: it's his bile secre-
tions. I don't know the younger gen-
eration, say, from ten to nineteen.
These two-decade-and-more young-
sters have cars, gin. petting-mates, in-
dulgent mothers, golfing fathers. But,
they complain: the girls are bum, they
pay. I think the girls are much su-
perior. Maybe, they'll save us, now,
they've shed their fears, morals and
manners.
• In England, birth control will be
compulsory within a few years: sanc-
tioned by a panicky church, enforced
by law. It will be a disgrace to have
more than the two or three children,
legally allowed. There will be govern-
ment institutions for birth prevention
after conception; as in Russia, now.
England must shrink to a population
a third less than today's, through
fewer births, pestilence, civil wars, or
voluntary restraint. In history, under
the danger of famine, the aristocracy
of a nation have killed all their own
offspring at birth to set example. Jew-
ish-Christian religious tenets will fade
before hunger, as manna before the
appetite of the Jews in the desert. Al-
ready, the English church endorses
birth control, "when necessary."
• Never before in the history of the
Catholic Church, in a thousand years,
have rites been celebrated with the
pomp, wealth, crowds, and prestige,
as now. in America. The Popes of
Rome, since Peter, the Middle Ages,
all are as dross compared to gold and
diamonds, in the grandeur, immensity,
and skilful control of the huge gather-
ings of the faithful all over the conti-
nent. The Church is the one continu-
ing, historical, monarchical (dictator-
ial ) group on the globe. It grows in
common sense, adaptability, Ameri-
canization.
• In New York lives and writes a
highly-paid wisecracker. named Wal-
ter Winchell, whose daily smutterings
are read, supposedly, by millions, in
many cities. Not to know and repeat
what he says, is to count oneself lost
as to speakizzies, Broadway, movie-
dumb, and the minked minxes of the
night whirl. A Carmelan, unflavored
by the sour-saccharine fumes of
N'Yawk, could not tell Winchell's
stuff from bad tripe. Magazines give
pages to effort to convey the marvel of
his charm, to solving the mystery of
his magic smell. Certainly, his pores
are wide open for the effluvia of com-
monness.
• In San Francisco, empty stores, for-
mer restaurants, abound. A dozen
notable places "have closed this year,
failed. Taits, on the Beach, a delight-
ful cafe and garden, is shut after a
dozen years, as is his downtown place,
a large building, after twenty years.
Prohibition has almost ended good
food and service. Fine cooking slowly
passes. America, in cuisine, returns
slowly to the pioneer era of hard
liquor and commonplace dishes. The
pale Nazarene, of the Methodist
brand, conquers, for the time.
• Hair on the face is coming back.
The commonplace, nude visage, is an
innovation of civilization: designed
for classic phizzes, only. A vulgar
fashion of barefacedness for a decade
or so is. slowly, being shrouded in
lambrequins, Galways, spatchcocks,
moustachios. Hitlers, whiskers. Na-
poleons, eyebrow upperlippers, and
other furry adornments. Sideburns
peep from many cheekbones. The
movies have done it, with their period
pieces. The average stupid, illshaped
face is bettered by capillament. A
naked jib may be carried jauntily,
only, by Apollos.
• Chester Rowell, the millionaire,
dry. conservative colyumist of the
Chronicle, thoroughly informed, and
constitutionally a puritan and pluto-
crat, says Uncle Sam will give no re-
lief to the unemployed this winter.
Rowell is an ardent Hooverite, honest
like Hoover, cold, and realistic. He
holds office under Hoover, serves with
rare intelligence. In a word, he is the
finest type of what the Russian reds
called boorjuice. Will Rogers, with a
tenth of Rowell's education, travel,
senses American life, needs, probable
demands, much more clearly.
MODERN
A striking contrast between the Modern Room, designedly Walter F.
Lamb of Lee Eleanor Graham, Interior Decorators, and the Victorian
Room, assembled by Lloyd L. Rollins, has been achieved at the de
Young Museum. Conservative treatment of modern interior decorating
has been brilliantly executed, showing the trend of present day styles
in which a period piece would not be out of place in a modern room.
The Victorian Room, one of a series of room ensembles, displays a
unique collection of the rare and distinctive Victorian modes that
are now being revived.
VICTORIAN
18
THE SAN FRANCISCAN
As To Books
Some Notes and Comment on the Autumn List
by Ned Hilton
Two Symphonies
By Andre Gide
Translated by Dorothy Bussy
(Alfred A. Knopf)
i
THESE short stories, Isabelle and
The Pastoral Symphony, pub-
lished in French in 1911 and
1919. and now for the first time
made available in translation, will be
of especial interest to those familiar
with Gide's later novels. The course
of Gide's work, the gradual develop-
ment of his powers, seem to be
strangely analogous with his style —
or, more properly, with his mechanics
of story construction. For just as he
first introduces a character superfi-
cially and only after a complex series
of involutions finally reveals that
character in a reality often paradox-
ical and but vaguely predictable, so is
this earlier Gide in outer semblance
a writer whose development would
have been difficult to forecast, but for
the slight forebodings, the very vague
hints which are nevertheless enough to
set these stories apart from all others.
For though he borrows the con-
ventional frameworks, the stories are
yet strange with his personal magic:
and above and beyond the strong
Puritanism which has made the story
of Isabelle as cruel and as bitter as an
epistle of Paul, there is in every line a
suggestion of a distraught man writ-
ing in mortal fear of a non-existent
horror nearby. That may seem a
meaningless phrase; but I can think
of no better way in which to express
the never-defined supernatural and
paradoxical quality of these Two
Symphonies.
You will not lightly forget them
— Isabelle the more dramatic. The
Pastoral Symphony the more tender,
each filled with what is somewhat
loosely called beauty and — as I have
perhaps hinted — a strong odor of ter-
rible things which are not there. For
these are but the first chapters of the
prose creation which is Andre Gide —
the chapters in which the character is
introduced — in the main — only su-
perficially.
The Man Who Died
By D. H. Lawrence
(Alfred A. Knopf)
■ AWRENCE, in attempting to escape
I the Puritan who harried him,
"■ chose a road other than Gide's.
Whither that road took him may be
read in The Man Who Died.
The Man, in this short novel —
originally published in Paris in 1929
under the title of The Escaped Cock
— is Jesus of Nazareth. Reviving in
the tomb and departing, he decides
that he has been wrong in his mes-
sianic attempts. "The teacher and the
saviour are dead in me; now I can go
about my business, into my own sin-
gle life." From asceticism his mind
swings to the other extreme of sex-
ual sublimation. Some humans, he
thinks, must show the virtues of the
clod: others wait to feel within them
that superior godhead sometimes
hymned in other of Lawrence's
works.
The Man, thus moved in another
way to cheat his body, sets forth into
the world as a physician, and finally
meets a priestess of Isis, to whom he
appears as the embodiment of Osiris.
The hyper-longing of each is con-
summated, and the Man departs,
promising to return — in his charac-
ter, as Christ-Osiris, of the resurrected
male.
Now I do not think that, in spite
of the parable of the escaped cock
with which the story starts, Lawrence
meant the book ironically. This man
who came weak from a tomb and
walked the earth libidinously can be
interpreted as the Christian religion,
so-called. If satire was meant, it is
very fine satire. Certainly his Isis has
much more in common with a mod-
ern frustrated clubwoman than with
the great old female principle of the
Egyptians. But I think the humor is
unconscious, and therefore disturbing
to those of us who know the Law-
rence of Sons and Lovers and Aaron's
Rod.
But though he would seem to have
lost his mental balance, he did not
lose his phenomenal powers as an art-
ist. There is no weakening, in this
book, of the deep and rich and never-
banal voice of that prose which trans-
cends such matters as theology and
the gilded lily of tumescence.
Sin and Sex
By Robert Briffault
(Macaulay)
The Mothers
By Robert Briffault — 1 volume
(Macmillan)
SIN AND SEX is an unfortunate
title. It suggests a combination
of What Every Wee Laddie
Should Know and Get Washed in the
Blood of the Lamb. And it is nothing
of the sort. Briffault is an anthropolo-
gist and biologist of a considerable
reputation in the less stuffy and senti-
mental academic circles. And he is
also that most rare bird, a scientific
writer with a genuine (not profes-
sorial) sense of humor.
In Sin and Sex he contrasts the
moral tradition of our civilization,
derived through Christianity from
Judaism, with the ethical principles
of the ancient Greeks. Arguing from
his anthropological knowledge, he
shows through what stages modern
coercive morality has developed from
"the primitive savage notion that
pleasurable experience is prone to ex-
cite the envy of jealous ghosts, gob-
lins, or gods."
The attention of all of us has been
called, before this, to the unreason-
ableness of the assumption of police
duty by the occupiers of pulpits. Con-
cerning the obvious evils of our inher-
ited system of morals we have been
shouted at. Jahu is assumed to know,
often enough. It is refreshing to find
someone so well-informed and reason-
able that he need not shout.
For Briffault is not ranting against
the existence of Puritan psychology
so much as explaining it — tracing the
Continued on page 24
SEPTEMBER, 1931
Oofty-Goofty and Big Bertha
Highlights on Two Stars of the Barbary Coast
by Zoe A. Battu
FOR years there made his way along
Barbary Coast an unfortunate,
battered little man. known by the
name of Oofty-Goofty. In Barbary
Coast, Oofty-Goofty had found a
world and refuge in which he could
sustain himself after a fashion. To
Oofty-Goofty the world outside the
Coast was a puzzling place. He could
find no niche in it. and for the prob-
lems of such as he. its Gods and rulers
had only charity.
Barbary Coast, on the other hand,
understood Oofty-Goofty and he un-
derstood it. The Coast took Oofty-
Goofty as it found him. It did not
see him as a "social problem," and it
did not try to change him. In its way,
indeed, the Coast loved Oofty-Goofty.
In proof thereof its saloons and re-
sorts were always open to him. and in
them Oofty-Goofty was free to prac-
tice his strange trade with no ques-
tions asked.
His trade consisted of being kicked.
For ten cents Oofty-Goofty would
allow anyone, who so desired, to for-
cibly plant his foot on the seat of his
pants. For a quarter he could be
smartly smacked with a cane. For fifty
cents or more a base ball bat could be
applied to the nether part of Oofty-
Goofty's anatomy. Customers were
quite plentiful, because the Coast
abounded in inebriates and the kick-
ing idea always struck these gentle-
men as tremendously funny and well
worth the price.
Besides his kicking business, Oofty-
Goofty had. in the course of his
career, two steady jobs with steady
pay. Both jobs, unfortunately, came
to sudden and sad ends. One of these
jobs was in a freak show on Market
Street, and Oofty-Goofty was the
Wild Man from Borneo.
In this capacity, he sat in a big
cage, hung between floor and ceiling
by heavy chains. His body was cov-
ered with sticky black stuff into which
hair and feathers were stuck. A spieler
explained how the Wild Man had
been captured in the jungles after ter-
rific struggles. He interpreted the jum-
bled sounds made by the Wild Man
as the words Oofty-Goofty. the sole
extent of his vocabulary and explana-
tion of his name.
At the end of a long stick the
spieler offered the Wild Man raw meat
and fruit, which he snatched and de-
voured greedily. Occasionally, the
Wild Man shook the bars of his cage,
made horrible faces, and growled
savagely. Little girls whimpered and
hid their faces, and little boys drew
closer to their elders. The crowds
gaped and dimes overflowed the freak
show's coffers.
But presently the Wild Man
drooped and languished, and at last
fell downright ill. He was taken to
the Emergency Hospital. The prob-
lem of how to get the accumulated
sticky stuff off Oofty-Goofty's body
without peeling off his skin was one
without precedence in medical annals.
Finally it was partially accomplished
by soaking the patient in oil. A series
of sun baths on the roof completed the
denuding process. Then Oofty-Goofty
was read a lecture that impressed, even
upon his poor wits, the dangers in a
diet of raw meat, no exercise and in-
ability of the body to perspire. He re-
turned to the business of being kicked
until he was hailed to the limelight by
the advent of Big Bertha.
Big Bertha, a lady of impressive
proportions, came upon the San Fran-
cisco scene early in the '80s. Her means
of support were invisible but seem-
ingly ample. Her large person was
decked with diamonds. Her wardrobe
was expensive and extensive, and she
added to it almost daily, to the joy
and profit of the keepers of exclusive
shops. She engaged quarters in an ex-
pensive hotel and entertained lavishly.
IN GOOD TIME. Big Bertha discreetly
let it be known that she was a
widow — a wealthy Jewish widow
19
— that she planned to make San Fran-
cisco her home, that she was lonesome
and had hopes of finding a new hus-
band. Naturally she was besieged by
gentlemen with matrimonial yearn-
ings. To every suitor, regardless of
age, race or religion, Big Bertha gave
the same audience and attention, for
she was a woman of the world and
entirely free of petty prejudices.
She had, in fact, only one hard and
fast standard to which a husband
must conform. As a woman of wealth,
she had interests in certain profitable
enterprises. A husband with sufficient
capital and energy could make these
holdings even more profitable, and the
additional profits would, of course, be
shared mutually. Thus to every suitor
was put the question as to whether he
was financially able and willing to
acquire an interest in her business en-
terprises and proposed undertakings.
A surprising number of gentlemen, it
seems, were not only able but also
entirely willing to contract matri-
mony on this basis. Some of them
even went so far as to back up their
good intentions with substantial sums
in cash. For their cash they failed to
receive so much as a fake stock cer-
tificate.
Inevitably, rumors of these machin-
ations reached the ears of the police.
Investigation in the East and Europe
revealed that Big Bertha had been hus-
band hunting for a good many years,
always in the haute monde. That
was enough for the police. They
found a technical charge upon which
to arrest the lady and hold her for
someone to make definite and major
charges against her. For days she re-
posed in the City Prison, while the
police ran around town interviewing
butter and egg men, bankers, brokers
and contractors, who had been her
erstwhile playmates. But no one could
be found to admit that his relations
Continued on page 26
mfiwf/
' — oops, sorry — wrong tree!"
20
THE SAN FRANCISCAN
BEATRICE «.ltl I \«M «.ll
The daughter of Mr. and Mrs. William Greenough
of Newport and grand daughter of Mr. and Mrs.
Whitney Warren was a recent visitor to California
this summer. While here Miss Greenough was the
guest of her uncle Mr. Whitney Warren, Jr. and
Mr. and Mrs. Charles Dabney of Santa Barbara.
MERRY-GO-ROUND
THE Reno elopement of Miss Mabel Morgan to
Louis Antoine Bovet. Jr.. is the culmination of a
boy and girl romance begun when both were at-
tending High School in San Mateo, in which city Mr.
and Mrs. Charles Morgan, parents of Miss Mabel,
made their home for many years before moving to
Clear Lake, their present home.
The announcement of their marriage brings back
vividly to early Californians memories of bygone days
when young Bovet's grandparents, the late Mr. and
Mrs. Antoine Borel. lived in the magnificent mansion
at the corner of Washington and Franklin Streets,
during their occupancy the scene of almost royal splen-
dor and lavish entertainment. The late Mr. Borel, a
banker, was a member of a prominent and aristocratic
family of France. He owned a beautiful chateau and
spent his summers there with his large and interesting
family.
Young Bovet's mother was Grace Borel and the
family includes the parents and Louis Antoine. Jr.,
Grace and Chonita Raymond, Antoine and Eric. Mrs.
Aylett R. Cotton (Alice Borel) is an aunt of Miss
Morgan's fiance. Mrs. John Mellgreen Lewis (widow
of J. M. Lewis), who was Sophie Borel. is another
aunt. Aylett Cotton, Jr., is a cousin. Miss Chonita
Borel and Antoine Borel, Jr., who married Miss
Maizie McMahon. are his aunt and uncle.
NATHANIEL MESSER. Jr.. who gave testimony in
the trial of the Flood case in Redwood City, is
the son of the late "Nat" Messer, who was one
of the handsomest men of his day, tall and command-
ing of figure, and with prematurely gray hair. He was
one of the favorite beaux of early days and married
Miss Lizzie Giffen, prominent in society in the sev-
enties and eighties.
Messer, Sr., was the typical man about town, knew
everybody and was liked by them all. And his wife
knew full well all there was to know about her Nat's
foibles and follies. They did not bother her at all.
It was during a celebration of the British Society
at old Woodward's Gardens. The Golden Jubilee of
Queen Victoria was being celebrated by all sorts and
conditions of men and women at the Gardens in the
Mission. There were seen High Society, Shy Society
and Near Society. Along came handsome Nat Messer
escorting a party of gay blondes (for even then gentle-
men seemed to prefer em ) .
An old friend of the family, a conservative and
starched dame, passing along the board walk with her
husband, spied gay Nat and his crowd of fascinating
blondes.
No recognition on either side . . . but the Old Lady
registered shock, horror!
Of course she thought it her duty to tell it all to
Mrs. Messer.
The beautiful wife of gay Nat was at the breakfast
table when the Conservative Dame came in, and in a
voice audible to most of the breakfasters remarked . . .
"Oh, Mrs. Messer, I consider it my duty to tell you
where I saw Mr. Messer last evening. He was treating
a bevy of Gay Women to beer!"
Whereupon Mrs. Messer, looking her prettiest,
gently replied: "My husband treating to beer.'' He
should be ashamed. He can well afford champagne."
SEPTEMBER, 1931
21
SURROUNDED by members of his
family, including his grandsons,
Evans Searles Pillsbury cele-
brated his 92nd birthday in Santa
Barbara last month, at his home in
Hot Springs Road. Mrs. Walter Bliss
(Edith Pillsbury) and her husband
went from San Francisco to be present
at the luncheon celebration. Mr. and
Mrs. Evans Pillsbury II of Carpin-
teria joined the family circle. The lat-
ter was formerly Catherine Wheeler
of New York. She married the wealthy
club and society man, Fall Gardner,
subsequently divorcing him and re-
ceiving one hundred thousand dollars
alimony. Clifford Wheeler, connected
with the moving picture industry in
Hollywood, is her brother.
THE visit of those charming young
matrons, Mrs. Hans Woolmann
(Edith Lowe) and Mrs. Horace
Martin (Evelyn Selfridge) , from Los
Angeles was the motif of the large
tea given by Mrs. Thomas Menzies
(Blanche Russell) at her home in
Sausalito when former schoolmates
and chums were bidden to meet the
visitors from the South. Mrs. Wool-
mann spent her girlhood in Sausalito
when her parents, the late Mr. and
Mrs. J. Lowe, were closely identified
with early day society there, one of
the most interesting groups of people
one remembers J. B. Lowe. Jr., and
family, Sausalito.
Mrs. Martin is the only child of
Mr. and Mrs. Edward A. Selfridge,
member of one of the most prominent
families here, is a niece of Mrs. Russell
Selfridge and granddaughter of the
late Mr. and Mrs. George Selfridge of
San Francisco.
The marriage of Moseley Taylor
recently, in Fitzwilliam, New York,
and his bride, Miss Lorna Doone
Barnes, brings to mind the beautiful
wedding at which he was the bride-
groom and Miss Emily Pope, daugh-
ter of the George Popes, Sr., was the
bride. Also recalls their subsequent
divorce when the young wife's father
testified in the Superior Court that he
had supported his daughter and his
six-year-old granddaughter Emily at
an expense of $ 18,000 a year.
WHEN the news came from Chi-
cago a few months ago that
Charles S. Stanton had mar-
ried Mrs. Helen Bassett in that city it
was no surprise to the bride's many
friends here. Better known to her old
friends as Helen Dickens, her girlhood
name, she is the second daughter of
the late Captain and Mrs. E. F. Dick-
ens of this city. She was a debutante
when she married Harvey F. Bassett,
Stanford graduate of '03, popular
member of the Family Club. It was
considered one of those ideal love af-
fairs but ended in the divorce court.
The one child of the union died in
infancy.
Charles S. Stanton, to whom and
his bride James Woods turned over a
whole floor of the William Taylor
Hotel for their San Francisco stay, has
been connected with the Hearst news-
papers for many years.
Mrs. Stanton has many relatives
about here who will delight to enter-
tain for her. Miss Lelia Dickens, her
aunt, among them.
FOLLOWING their usual custom of
spending the summer in Califor-
nia, Mr. and Mrs. William Henry
Pool arrived a short time ago and
opened their house in Menlo Park.
During the San Mateo National Horse
Show their beautiful home was the
scene of much hospitality.
Mrs. Pool is a native San Francis-
can and on both sides of the family
comes of people prominent in early
California history. Her father was the
late James Mervyn Donohue and her
grandfather, the late Peter A. Dono-
hue. Her mother, the former Isabel
Wallace, is a daughter of the late
Chief Justice of the Supreme Court,
William T. Wallace. The second hus-
band. Richard H. Sprague, is from
New Orleans. Mrs. Donohue's daugh-
ter took her stepfather's name and was
always known as Isabelle D. Sprague.
The Spragues had three sons of whom
but one is living, William Wallace
Sprague. He makes his home in New
Orleans where the Spragues are prom-
inently placed in the social and finan-
cial world.
THE arrival recently of Mr. and
Mrs. Paul Bancroft. Jr.. from
New York on a visit to the for-
mer's parents, Mr. and Mrs. Paul
Bancroft, Sr.. at their apartments in
the Mark Hopkins Hotel, has been
made the incentive of much entertain-
ing. Mrs. Bancroft, Jr.. is the former
Rita Manning, attractive New York
debutante.
The lately announced engagement
of Miss Martha Barker Alexander,
MARGARET GAFFEY MEL
With the translation of Paul Achard's "Un
Oeil Neuf sur I'Amerique", appearing as
"A New Slant on America", we have a
new slant on both Paul Achard and his
translator, Margaret Gaff ey Mel, daughter
of a distinguished California family. Miss
Mel's brilliant translation has received
praise not only from American critics but
from French. Her intimate knowledge of
the French language has made possible a
charming interpretation that does not
smack of stilted word substitution but of
the familiar genuineness of Achard's
own style.
only child of Mr. and Mrs. Wallace
McKinney Alexander of Piedmont, to
Frank L. Gerbode, son of Mr. and
Mrs. F. A. Gerbode, formerly of Sac-
ramento but now of Piedmont, was
no surprise to their many friends. The
engagement was known to their inti-
mate associates for some time. The
beautiful home of the Alexanders,
Brown Gables, Sea View Avenue,
Piedmont, is one of the showplaces
across the Bay.
Miss Alexander is a graduate of
Miss Ransome's School, of Mt. Ver-
non Academy in Washington. D. C:
she attended U. C. in Berkeley, but is
now at Stanford. She and her fiance
will both graduate from Stanford
next year.
Mr. and Mrs. William J. Leet
and their daughters, Misses
Adelia and Winifred, who
have been occupying their country
house at Carmel during August, have
returned to their lovely home on The
Alameda in San Jose. Mrs. Leet is one
of the daughters of the late Mr. and
Mrs. Edward McLaughlin of San
Jose. In early days Mr. McLaughlin
established a bank with the late C. T.
Ryland. this old landmark of the Gar-
den City being known as the Ryland
& McLaughlin Bank and situated at
the corner of Santa Clara and First
Streets.
Mrs. John F. Brooke. Sr., of San
Francisco, is Mrs. Leet's sister.
Mr. and Mrs. McLaughlin were
devout Roman Catholics, about the
first to establish a private chapel in
their home, where mass was often
celebrated.
Continued on page 29
22
Hans Hofman
Concerning a Great Painter » Teacher, Philosopher
//■ WOULD oaint as Schubert sings
I — as Beethoven creates his cos-
mos of sound: through artistic
discipline to beget within the self that
harmonious inner world which
breathes and becomes intelligible to
others through the medium of the
art . . ."
Hans Hofmann of Munich: expan-
sively German, naive as a Parisian, liv-
ing an enthusiasm almost American!
A beautiful youth's voice first pre-
cipitated him into the way and dream
of art. His song and the musical train-
ing which its charm demanded
brought his life to parallel with young
composers, musicians, who. now his
friends, ioom in the vanguard of mod-
ern German music nearly as signifi-
cantly as Hofmann stands at the apex
of contemporary German painting.
He remembers himself as a tradi-
tionally bad student in the scholastic
sense. However, his early love of phy-
sics confirmed the truth that the crea-
tive mind is, fundamentally, a bi-
polarity of artistic and scientific.
Nichaelow, the Bulgar, first brought
Hofmann to painting. Interest in the
Balkan artist's personality and knowl-
edge projected itself upon Hofmann's
first glimpse of art through music.
The new painting impulse drew
him to Paris — guided him from the
conventional morass of art schools,
academies.
He slept in daytime in Paris, rising
only to view exhibitions. For his first
half year, traditionally, he listened to
the succubi of the city, and, tradition-
ally, he understood on one early morn-
ing walk across the Pont Neuf from
Montmartre, watching the morning
sun evolve behind Notre Dame: that
here shimmered a Paris of another
flavor, more austere, but. certainly,
lovelier and more momentous than the
city which theretofore had described
itself to him in the whorls of smoke
shrouding his new friends of late eve-
ning and early morning at the Cafe du
Dome. And the candid morning sun
presented, as it had to others, less wise,
the tragic arc of Montmartre, Mont-
parnasse, the Seine.
A fruitful reaction in Belgium, be-
side the North Sea, was safe alterna-
tive. Then he began painting again —
conscientiously, consistently. The
fresh mood, surer and mature, re-
turned him to Paris, to ten years of
hard work, breasting the critics with
by Hammond Dennett
Picasso, Derais and the other great
modernists.
This was Hofmann's most produc-
tive period. This was the hour of his
becoming — the time of struggle with
the bases which were to support a
young art. an art contemporary and
valid in the exacting terms and for the
wishful hunger of the modern world.
Unhappily, many of his best com-
positions, painted during that strong
period, were destroyed during the
World War.
The Hans Hofmann Schule fur
Bildende Kunst. the artist conceived in
1915. Turbulent, anxious Germany
pressed against his desire to make the
school a means of his artistic expres-
sion. The strain of founding and
maintaining the school during the war
period exacted an heavy toll from his
painting. He insists that the sacrifice
was needed, worthwhile. How well he
founded, sacrificed, we know — Hof-
mann's school today is the chief nu-
cleus of European art study.
Until 1930-1931 Hofmann held
his summer schools at Ragoussa in
Dalmatia on the Adriatic; Capri; St.
Tropez in Southern France: through-
out Germany. These last two years
have brought him to California, to the
State University at Berkeley.
Basically, the teaching device which
attracts students to Hofmann in such
enthusiastic masses, is its thorough
humanity. He is not satisfied with a
conventional motive for his art school.
He demands a rigorous congruency
with essential philosophic rhythms.
The tempo of his teaching is that of
life. He could not be a pedant — I do
not think he could even disguise him-
self as one.
NEW YORK. Fifth Avenue, Fifty-
seventh Street. Hofmann, eyes
skyward, on the corner. "Wun-
derbar. wunderschon . . . !" We might
distrust this rapture in another, in
Hofmann we understand it is real,
founded.
This naivete is a protecting veil for
the true artist. Hofmann sees America
as America. He had no preconceived
notions of the actual artistic resource
of our cities' sky contours. He discov-
ers Chicago's silhouette from the lake-
shore, the graph outline of New York,
hill-perched San Francisco, Los An-
geles spreading like a robe — feels
THE SAN FRANCISCAN
them, understands, likes them. He
pleads for organization in their
beauty.
There is an economy in his speech,
a necessary one, perhaps, because of
his unfamiliarity with English: but,
happily, this only pleases with its
terse, curt, oracular quality.
Into a page foreword to his August
exhibition of pen and pencil drawings
at the Palace of the Legion of Honor.
San Francisco, is packed a full text.
Surely, he maintains:
"Formal elements of painting are:
line, plane, volume and the resulting
formal complexes. These are the ele-
ments of construction. The aim of art
is to vitalize form.
"The medium of expression is the
picture plane, the means for its vitali-
zation are color and light integrated
into planes. Form develops its power
through the creation of space unity.
"Color develops its power through
the creation of light unity. The crea-
tion of space and light unity is, in a
certain sense, synonomous. Light and
space unity are identical with the pur-
pose of the picture plane. The essence
of the picture plane is its two-dimen-
sionality. It is possible, through the
development of space and light unity,
to create three-dimensionality on this
plane without destroying its two-
dimensionality. The two-dimension-
ality of the picture plane is synon-
omous with the created space and
light unity.
"We perceive this in the movement
and tension relation of the form and
in the movement and tension relation
of the color, which is expressed in in-
tervals, complimentary relations and
contrasts.
"For this the life of the composition
becomes a spiritual unity."
There is a sharp and instructive pre-
cision in these phrases. Their determi-
nant is knowledge tinctured by deci-
siveness.
Someone suggested that this cata-
!ogue Preface be a biographical
squib." Hofmann was furious.
"Nonsense!"
SUMMER'S END
by Sydney Kins Russell
Do not look on me in pity
Nor with what might pass for tact
Grope for phrases wise and witty,-
words can never conquer fact.
If you've had enough of me
Speak the word and wander free.
Autumn's stealing on once more,-
Let's forget those April days
That will never, as before,
Lead us down forgotten ways . .
Darling, if you only knew,
I am quite fed up with you!
SEPTEMBER, 1931
23
Hob hill tcpicr
FIVE years of glorious success — and
what jubilant celebrating there will be
when the Mark Hopkins holds its
"wooden" anniversary this (all! Land
marks of the Pacific Coast, the Fairmont
and Mark Hopkins hotels have surpassed
San Francisco's boast of fine hotels.
European travelers are drawn to Nob Hill
by the magnetism of these establish-
ments. "Where to live" has never been a
problem to be decided haphazardly.
Today one caters to the epicurean taste
in food; with care and precision one
selects antiques. But none of these ques-
tions can compare with one's fastidious-
ness in choosing a permanent HOME.
The jagged "ups and downs" of San
Francisco's typography! These necessi-
tate living in the Bay Region or on the
Peninsula, but think of the Disadvan-
tages! Life is too short to waste in
commuting. There IS an alternative and
an inviting one at that. Why not hiber-
nate on Nob Hill? There you may have
the privacy of your own home OR the
comradeship that you seek when you
LEAVE your home.
Quiet and serene, a center of social
atmosphere, a moment's time from the
heart of the business district, Nob Hill
stands in glory on the heights of San
Francisco. The Fairmont and Mark Hop-
kins hotels have a twofold advantage —
grandeur and elegance, coupled with
ideal surroundings, a view over San
Francisco, over the bay, and even be-
yond the blue horizon". That is why
San Franciscans who really "know" live
in a setting such as this, an environment
fit for the gods who also chose high
places whereon they could dwell in
comfort and gaze upon the rest of the
world.
The multiple dwelling — this is the re-
sult of the increased demand for eco-
nomic luxury. It sprang from the hotel
which in turn hit upon the apartment-
hotel idea. Household facilities complete
the equation. No longer must "house-
keeping burdens" be whispered. Service,
cuisine, and entertainment are assured.
You may entertain at "home", OR in the
private and main dining rooms of the
Aristocrats of Nob Hill. The choice rests
with you. Life in a Fairmont or Mark
Hopkins hotel suite is a life of freedom
and luxury.
The opera season will formally usher
in the fall social events. September 3rd
will fire the opening salvo. At a Junior
League tea, opera costumes and pre-
vailing modes, shown by San Francisco's
leading stores, will be modeled. There
will be special entertainment at the Hotel
Mark Hopkins on the opening night of
the opera. All of San Francisco will
throng in Peacock Court to dance to the
strains of Anson Weeks' captivating
music, and receipts of the evening will go
to the Junior League which will "live
happily ever-after."
Everybody will get a "kick" out of
the football season. The ultimate goal
will be found in Peacock Court. What
with winners celebrating and losers danc-
ing away disappointment, there will be
THE HOTEL FAIRMONT
AND MARK HOPKINS
FROM THE ETCHING
BY JOHN STOLL
much hilarious whoopee encouraged by
Anson Weeks. Fall promises many gay
festivities,- with vacationers returning and
opera striking the first note in the social
life, social events and celebrations are
underway.
A. D. V,
24
THE SAN FRANCISCAN
As To Books
Continued from page 18
sea of slime back to its natural and
undefiled source, showing at what
places along the clear stream it was
deliberately muddied lest passing non-
existent anthropomorphic spirits
should drink it up. (I have referred
purposely to the paradox of Gide. It
has been only in recent times that the
Puritans have taken to eulogizing the
sea of slime as water purer than the
original source; that is the phenome-
non which at some times angered
Lawrence and at others fooled him. )
Much of the material in Sin and
Sex derives from Briffault's larger
work. The Mothers, published origi-
nally in three volumes and now re-
issued in a revised one-volume edi-
tion, similar to the one-volume
Golden Bough in that the extensive
documentation is omitted.
The Mothers is an extensive pre-
sentation of the matriarchal theory of
social origins, and is a book of great
importance. Puritanism is but one of
many results of the gradual develop-
ment of the arbitrary and biologically
absurd patriarchal system; Sin and
Sex stands therefore in relation to
The Mothers as a chapter to the
whole. I urge you to read them both.
Love Children, A Book of Illustrious
Illegitimates
By Miriam Allen deFord
(Lincoln Macveagh, the Dial Press)
TO CONTINUE, for a second or two,
with Briffault: Matriarchal so-
ciety was very nearly on the level
of guinea-pig society; the develop-
ment of communally interdependent
cultures of even the crudest sort seems
always to have been coincident with
the shift to the more primitive forms
of the property-holding patriarchal
system. It is difficult to imagine what
western civilization might have been
without the influence of the great god
What-a-Man. For without the Es-
senes, the Nazorim. Paul, Origen and
Augustine we should not have had
Shakespeare, Rembrandt or Beetho-
ven. And without the arbitrary rules
of "legal" paternity, it is barely pos-
sible we might not have had Leon-
ardo da Vinci.
One of the most ingenious inven-
tions of the patriarchs is the illegiti-
mate child. He comes into a society
which must inevitably make him its
prize scapegoat, and often, thus ban-
ished, he re-establishes his self-esteem
by performing feats superior to those
of the common run of mortals.
Miss deFords book deals with the
stories, psychological, physical and
social, of many such superlative bye-
blows, including William the Con-
queror, Erasmus, Leonardo, Alexan-
der Hamilton, Strindberg. Dumas Ms,
Cosima Wagner and Mary Godwin
Shelley. As well as showing in what
way their illegitimacy motivated these
chosen examples, the book is a scien-
tific and concise study of the status of
illegitimates in historical times and at
the present. It is an unusual book on
an unusual subject — without propa-
ganda, authoritative, colorful and
dramatic.
New Russia's Primer
By M. Ilin
(Houghton Mifflin)
Practical Puritanism, as we
now know it, arose with the
growth to power of the bourgeoi-
sie. The once-downtrodden mer-
chants overwhelmed the aristocracy
whose splendors and whose pleasures
they had envied and abominated. And
we are now witnessing an extension
of that impulse, in the rise of the
proletariat against the now-aristo-
cratic gents of commerce. So, though
the proletarians of Russia have with
elaborate gestures destroyed the ikons,
they are nevertheless in the direct line
THREE
CLIFT
HOTELS
EL MIRASOL
SANTA BARBARA
An exclusive retreat
where more notable
delightful environment
of it's kind —
er-bowered
assure priv-
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among the palms —
guests enjoy this
|han any other place
detached flow
bungalows
acy and
LA QUINTA
INDIO-
where only a limit-
superb accomoda-
fered in this new
— private bun-
vice. A desert
N-THE-DESERT
j ed few can enjoy the
tions that are of-
smart desert inn
galowsartdser-
beauty spot.
THE CLIFT
SAN FRANCISCO
San Francisco's notably fine hotel — where a
thoughtful service is provided (as in El Mirasol and
La Quinta) by Frederick C. Gift, President and
Managing Director. Central — modern — moderate
— with garage accomodations — Geary at Taylor.
SEPTEMBER, 1931
The McCormick
Route to South America
25
Takes you farther. — ■
Shows you more —
Gives you greater
satisfaction for
your money
A trip of fascinating variety
. . . you may either take the
route around the South Ameri-
can Continent or choose one
of the frequent sailings thru
the Panama Canal routed via
Porto Rico.
On this route connections
may be made with other ports
of the West Indies or the north
coast of South America, or
you can continue on the ship,
stopping at all the principal
ports of the east coast of South
America — including beautiful
Montevideo, Rio de Janeiro
and Buenos Aires.
To Buenos Aires $250
To Porto Rico $160
Call or write your nearest travel
bureau or McCormick office for
details . . . Illustrated brochure
on request.
Mccormick
steamship
COMPANY
215 Market Street, San Francisco
Phone DOuglas 2561
123 East Sixth Street, Los Angeles
Phone TRinily 5171
from the superstitious savage who
abjured ostentation lest the spooks
clamp down on him.
Well, we may say, what of it?
Politics never made bigger apples. But
bad politics in this country quite re-
cently made many more apple-sellers.
The great American virtue of unques-
tioning optimism has undoubtedly
led us into a hell of a fix. It may per-
haps be a splendid thing that that
optimism has enabled us to look with
equanimity upon the starvation of
not a few fellow citizens; but it might
not be unwise if the smile of bland
assurance were replaced with the fur-
rowed brow of thought. I regret to
state that for all the evils to which
humanity is heir I have not, at the
present moment, a universal panacea
to offer. But certainly it should hurt
no one (excepting the D. A. R. and
the Boy Scouts) to read New Russia's
Primer.
This is a text-book for use in Rus-
sia's elementary schools. It is an ex-
planation of the five year plan, and it
makes surprisingly dramatic reading.
The five year plan is perhaps the most
extensive and most minutely planned
communal undertaking in human his-
tory, and it cannot be reasonably
laughed off by bashing a few people
over the head. With hundreds of thou-
sands of square miles of virgin terri-
tory at its disposal, the soviet govern-
ment is able, as no other government
has ever been able, to erect a society
whose functions are carefully prede-
termined. That government's projects
are on the whole so reasonable and
sensible as to be disquieting to the
great American oligarchy of waste.
When we consider some of those
projects as they apply to the human
being as a free agent, we may be some-
what dubious. At the spectacle of
practical socialism being put to the
test after a century of theoretical de-
bate, we may remind ourselves that
democracy, also, seemed a good idea a
hundred years ago.
At any rate, no good can come of
the fearful disregard of history in the
making, and this book should be of
great value to those who care to know
what's going on.
i
The Good Earth
By Pearl S. Buck
(John Day)
THIS is a very good and entirely
satisfying novel, which should be
especially enjoyed by all who pre-
fer authors content to create simple
narratives. The neuroses, the private
philosophies, the animosities and the
personal preferences of Miss Buck are
unguessable. And it is a relief, a rest
from much travail, sometimes to read
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CRU ISES
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tenth cruise, carefully selected itinerary,
including all bordering countries — carry-
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Minimum $900.00.
S.S. "VOLENDAM", Dec. 15th
PIONEER ANTARCTIC ROUND-
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including South Sea Islands, Antarctic,
Australia, Dutch East Indies, British
India, Mediterranean, Europe — some-
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cruise ever made.
Over four months of ideal travel
adventure — Minimum $2,500.00.
S.S. "STATENDAM" & S.S.
"VEENDAM"-WEST INDIES &
CARIBBEAN
visiting islands famed for sunshine, ro-
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Several cruises in December, January,
February and March. From 9 to 26 days.
Minimum fares varying from $75.00 to
$300.00.
INDEPENDENT AROUND-THE-
WORLD ON PRACTICALLY ALL
DUTCH LINERS
guaranteeing famous Dutch service, excel-
lent cuisine. Honolulu, Japan, China,
Philippines, Dutch East Indies (exten-
sively) Singapore, British India, Medi-
terranean, Europe, Panama Canal.
Minimum first class fares, using largest
and newest liners, $1044.00.
TO TOP IT ALL— THE FAMED HOL-
LAND-AMERICA LINE STANDARD
OF CUISINE, SERVICE AND WORLD-
WIDE CRUISING EXPERIENCE.
Apply for descriptive literature
HOLLAND-AMERICA LINE
120 Market Street — or local agents
26
THE SAN FRANCISCAN
Ausust W. Virden
Insurance
660 Market Street
DOuglas 7700
A San Franciscan is one
«vho,
having a wide variety
from
which to select, choose;
the
best in jewelry, p
late,
enamels, copper and iron —
hand wrought by
•
HARRY DIXON
Tillman Alley —
241 Grant Ave.
; i
^i«a|teiei««sM»^
1 THE SAN FRANCISCO BANK I
SAVINGS COMMERCIAL TRUST
INCORPORATED FEBRUARY 10TH, 1868
One of the Oldest Banks i n California, the Assets of which have
never been increased by mergers or consolidations with other banks.
Assets over $149,000,000.00 Deposits over $143,000,000.00
Capital, Reserve and Contingent Funds, $5,900,000.00
The following accounts stand on the Books at $1.00 each, viz.:
Bank Buildings and Lots - (Value over $2,120,000.00)
Other Real Estate - - - (Value over $312,500.00)
Pension Fund - - - - (Value over $745,000.09)
Dividends on Deposits as declared quarterly
by the Board of Directors, are Computed Monthly
and Compounded Quarterly, and may be
withdrawn quarterly.
Ill
a book which is just a story.
This is the story of the founding,
in a Chinese town, of a great house,
by the son of a peasant. From his
youth in the small field of his father,
Wang Lung moves with simple dig-
nity through a life which he relin-
uishes only when he is an honored
and prosperous old man surrounded
by the families of his sons and by his
grandchildren. During his years he
deals with famines and floods and lo-
custs, and with personal griefs and
private lusts and the greed of kin.
And his unfailing strength is his love
for his land.
China is changing around him, but
he knows little of that and cares less.
There are always wars, somewhere off
in the distance: he hears that there has
been a revolution: the sons in whose
scholarship he, who is to the end illit-
erate, has taken pride, are filled with
foolish political talk. But he is serene
in the confidence that the great house
will endure on the good land.
It is a beautiful and tender book, a
perfect work of art: and, in spite of
its being a further commentary on the
tragic implications of the patriarchate
— in spite of the evil approaching the
great house and all it means as the
book ends, it is somehow a fine re-
storer of faith in humanity.
Oofty-Goofty and Big Bertha
Continued fmm page 19
with the lady had been anything more
than casual.
The police were wondering just
what to do with Big Bertha, when
Ned Foster of the Bella Union, oppo-
site Portsmouth Square, and Jack
Hallinan. proprietor of a Market
street cafe, offered to put up bail for
the prisoner. Foster and Hallinan
planned to exhibit Big Bertha on
Market street, admission ten cents,
and a share in the profits to Big
Bertha. The police had no objections
to this and neither did Big Bertha, so
her release was readily arranged.
Thereafter, for several months, Big
Bertha was ballyhooed to crowds as
the Queen of Confidence Women, who
took San Francisco's nabobs for a
buggy ride.
As the novelty and profit of this
were wearing thin. Foster was in-
spired with a brilliant idea. He secured
exclusive management of Big Bertha
and rounded up Oofty-Goofty. He
put the two of them on at the Bella
Union as Romeo and Juliet, having
first hired a wit to rewrite Shake-
speare's work to fit Oofty-Goofty as
Romeo and Big Bertha as Juliet.
The act. obviously, in terms of the
moving picture world, was a smash-
SEPTEMBER, 1931
27
ing success. San Francisco, as a whole,
customarily paid small attention to
Barbary Coast and its buffooneries.
But to see Oofty-Goofty and Big
Bertha, people visited the Coast from
all over the city, and nightly the
crowds roared and rocked with laugh-
ter.
The act would have gone on in-
definitelv but for Oofty-Goofty. Suc-
cess intoxicated him and went to his
head. His stage loving became too ar-
dent and realistic for Big Bertha, and
finally she refused to appear with him.
Without effect. Foster exhausted rea-
son upon her. and in the end was
forced to part with Oofty-Goofty.
Foster, however, was a resourceful
fellow, and shortly had the crowds
again storming the Bella Union; this
time to see Big Bertha as Mazeppa.
In this role, she was strapped to the
back of a small jackass, which stag-
gered an uncertain path across the
stage. Misfortune overtook this act.
for one night, the animal went too
near the foot lights, lost its balance
and rolled into the orchestra pit. Big
Bertha managed to gain her feet first,
and to free herself from the biting,
kicking and squealing jackass. This
done, she assembled the ragged re-
mains of her dignity and announced
she was through with drama forever,
a resolve which she kept.
Spotlisht
Continued from pase 15
are so tied up together.
It was a droll play capitally done
and it seemed to have shocked quite a
few people, which probably accounted
somewhat for the capacity audiences.
But. for the life of us. we couldn't see
what was so shocking about it. Folk
who had suffered "Tomorrow and
Tomorrow" without a murmur had
cold chills at the frankness of some of
the dialogue in "The Vinegar Tree."
It must have been because the word
"virgin" was used so freely. Every
time the young daughter referred to
herself as a virgin a shiver went
through the house. Why. we leave it
to Mr. Freud to determine.
EMMIE Sykes in "As Husbands
Go" is certainly first cousin if not
sister to Laura Merrick of "The
Vinegar Tree." But. being a widow,
she doesn't have to try and evolve a
future out of a past, fictitious or other-
wise. All she wants is another hus-
band and her skiddings upon the slip-
pery pavements of Paris are too delib-
erately achieved to make us fear that
she ever lets herself out of hand. Even
in her tipsy moments in the prologue
she knows just what she is about.
But. Emmy, however delightfully
played by Laura Hope Crews, is not
the problem in "As Husbands Go."
Lucile Lingard is the problem al-
though she persuades herself that
friend husband is cast for that role.
Usually, domestic tragedies on the
stage are thwarted by intuitive wives.
Husbands, especially of the American
variety, are never given credit for any
intuition whatever. They are usually
drawn like the husband in "Tomor-
row and Tomorrow" — self sufficient
dolts who have neither eyes, ears nor
noses. They do not see or hear and a
skunk could run through the house
without giving them the slightest sus-
picion of intrusion.
But Charles Lingard was a refresh-
ing novelty as stage husbands go. He
was a little too perfect but he got
drunk before the play ended and
squared matters on that score. We
knew just as soon as he invited his
wife's lover on a fishing trip that Lu-
ciic's romance was over. Dorothy Dix
will now have a new plan to offer dis-
traught husbands who write in to in-
quire what to do about the man in the
case: Take him fishing and fill him up
with good Scotch afterwards.
"As Husbands Go" is the best play
that Rachel Crothers has written. It
was played almost flawlessly by a cast
more than competent. It deserves bet-
Continued on page 33
THIS STATEROOM
Look at that stateroom-more than 15 feet long by 9 feet
wide. It is an average size minimum fare stateroom on the
President Liners that sail from San Francisco and Los
Angeles to New York EVERY OTHER WEEK. Every cabin
is an outside room.
President Liners stop at Cristobal and remain in Havana
for 10 full hours. For $100 additional you may return from
New York by any direct rail line. Both ways via President
Liners, $382.50.
See your local travel agent, or Dollar Steamship Lines.
SAILING EVERY OTHER.
WEEK ON THE FAMOUS
PRESIDENT
LINERS
DOLLAR
STEAMSHIP LINES
5 14 W. 6th St., Los Angeles, TR. 4891
338 E.Broadway, San Diego, FR. 7361
Dollar Bldg., San Francisco, DA v. 6000
THE SAN FRANCISCAN I
28
On
Nob Hi
it pays to look well
San Francisco's finest
BARBER SHOPS
Mark Hopkins
and Fairmont Hotels
Management of Frank Sibilia
Make an appointment to suit your
convenience.
Finest Type of English Glass
a specialty at
THE JUNIOR LEAGUE SHOP
14 Tillman Place
San Francisco
These Roos
coats cost
trifle moi
than ordinary coats
but every women knows
they're worth it!
To the Roos tradition
of man -tailoring we
added the finest fabrics
obtainable . . . and per-
fectly superb fur sets.
$
125
AT ALL ROOS STORES
Now It Can Be Told
Continued from page 9
tured cheerily, "let's have a drink now
that the organ recital is over."
A certain young lady of our ac-
quaintance recently took the wrong
elevator in the Russ Building and was
deposited at the twenty-first floor in-
stead of the nineteenth, her destina-
tion. She is one of those timid souls
that does not like to ride in elevators,
so she thought that it would be no
trouble to walk down the two floors.
When she arrived at the nineteenth
floor the door from the stairs was
locked. She hated to do it. but it
seemed necessary to walk back to the
twenty-first. Back at the twenty-first
floor she discovered that the doors
worked on a spring lock and that one
can enter from the lobby, but that
once on the stairs, well — one was just
on the stairs. She decided that the only
thing to do was to walk down to the
ground floor — surely the door there
would not be locked. The door on the
ground floor was locked. Then she
started to walk up again, trying every
door as she passed. She kept walking
up until the stairs ended and a ladder
went dizzily on up into darkness.
After sitting down to think for a mo-
ment she descended to the twenty-first
floor, took off her shoe and banged on
the door until some kind gentleman
released her.
Stock Salesmen Must Live
Continued from page 11
them. To avoid a too menacing
prong, the bear ducked and backed
quickly against the cage that held
Mammoth's largest and fiercest lion.
A loose bar gave way. The bear lost
its balance and tumbled backward
into the lion's cage.
The excitement of the last few mo-
ments had roused the lion to blazing,
roaring anger. With a savage leap, it
now landed upon the bear's belly. Its
cruel, powerful claws were about to
rake the victim's vitals. Its fangs
snapped to tear the throat to bloody
ribbons.
By a final supreme effort the giant
bear gave voice to a muffled scream,
"Help, for God's sake, help!"
Whereat, the lion's body sprawled
itself over the bear's body, and the
lion's voice hissed low but distinctly
into the bear's ear, "Shut up, you
damned fool. Do you think you are
the only Goddamned stock salesman
out of a job?"
^Picture This Training for
Your
Daugkter
ACCREDITED SCHOOL
offering day and resi-
dent privileges. Cul-
tural advantages and
individual guidance and encourage-
ment, from kindergarten through
college preparatory. Full information
sent on request.
FALL TERM OPENS AUGUST 25.
The Merriman School c*J£Lr ao«v
597C Eldorado Avenue Oakland, California
OUR
SILVER
ANNIVERSARY
•
In 1931 we are serving many
who dined with us in 1906.
Here is proof of food and price
satisfaction.
SOLARI'S GRILL
354 GEARY STREET DO uglas 2161-2162
Discriminating Women
Prefer
ELVA
. . .The new trend in
millinery demands a
perfect coiffure. . .
The answer is
or course
ELVA
DOuglas 1000
St. Francis Hotel
SEPTEMBER, 1931
29
l>«H«n e liolel
|»c*iuli|«;«iloii
kearny 7389
The off-the-face
mode, now in fash-
ion, stresses the im-
portance of brows
ami eyelashes as ac-
cents to your beauty.
Let us dye your
lashes and eyebrows
with the new method
that assures perfect
coloring while keep-
ing them soft and
silky. Why bother
with day to day col-
oring when it
can be done
quickly
and ex-
Merry-Go-Round
Continued from page 21
FRIENDS and relatives had occasion
in the past few weeks to extend
welcome home to a former resident
of San Francisco, in the person of
Mrs. Maurice F. Lowenstein of
Brookline, Massachusetts. Mrs. Low-
enstein is the former Anna Sutro, sis-
ter of Gustav, Oscar and Alfred Sutro,
and niece of the late Mayor Adolph
Sutro. who owned and improved
Sutro Heights, planted the magnifi-
cent trees of Sutro Forest, and did so
much in other ways for the munici-
pality and the State. The charming
Miss Adelaide Sutro, whose engage-
ment to Robert P. Bullard was an-
nounced on August 8th. is a niece of
Mrs. Lowenstein. She's the daughter
of Mr. and Mrs. Alfred Sutro. The
latter was Rose Newmark of the
prominent and wealthy Newmark
family of Los Angeles.
Miss Sutro's fiance is the son of
Mr. and Mrs. F. Lauriston Bullard of
Boston, is a graduate of Exeter and
Harvard (Class 19 24). At college
was a member of the Hasty Pudding
Club and the Owl. He has been living
in this city for about a year and is
established in business here.
Continued on page 33
RU$S BUILMlrS-SlimiW*
HlilT
I Ike M ADI/ON
EW YORK
THE MADISON HOTEL AND
RESTAURANT HAS WON THE
HIGHEST PRAISE FROM THOSE
WHO KNOW. IT IS MODERATE
IN SIZE, » » BEAUTIFULLY
FURNISHED » AND HAS A
UNIQUE REPUTATION FOR THE
EXCELLENCE OF ITS CUISINE.
THE MADISON
Madison Ave. at 58th St.
THEODORE TITZE * Mgr.
30
THE SAN FRANCISCAN
s seen.
THERE is a racket going on at the beaches
that I've been only subconscious of. until
this past month. Here it is.
The male slicker comes forth from the bath
house arrayed in his one piece, generously cut
out in the back, and recklessly slashed under
the arms. O.K. by me boys BUT when he
emerges from the breakers his garment has
dwindled to a fraction, and Lo! the poor In-
dian ! sports only a very scant pair of trunks.
Take it from me he knows a-plenty he is
beautifully browned, but if I never see an-
other sun-tanned body I've had my quota.
Sometimes, somewhere, in the water, he has
taken time out. to hem roll everything above
the waist line. Now right here is where the
heart action should be strong. Suppose those
same breakers get too rough? What have you?
Perhaps you don't feel the same, but when
I see an emotion coming down the street I
turn off into an alley. Sitting on a beach in
the wide open spaces there is no alley avail-
able, so you just sort of have to get busy with
your toe in the sand, and dig intently for an
octopus when the boy friend wades out after
a battle with the old Pacific. It's far better
than sitting with nostrils morbidly alert wait-
ing for the exquisite spasm you'd be slammed
FOSTER & OREAR
DOLLAR BOX
OF CHOCOLATES
Fifty delicious pieces — over twenty
varieties. Made of purest materials with
the utmost care. A generous box of su-
perior Chocolates for One Dollar.
Try a Box !
FOSTER & OREAR
216 Stockton Street
ON UNION SQUARE
CANDY-TEA ROOM-FOUNTAIN
Stores Also in
Russ and Ferry Buildings *s^G ^
ii
FOOTWEAR
Fall Styles
follow assymetrical
designs in harmony with
new costume
motifs
SOMMtR C KaUFMANN
119 ORANT AVE
I 32 M A R I £ T ST
into if the undertow had too much suction. I
know this is an age of sophistication and I
should use this opportunity to study anatomy
or architecture. All kinds of lines from the
stream line man to the one of misplaced ton-
nage. Pixies all. if you ask me. and created in
a moment of abandon. M-E-O-W!
Hereafter I'll have the greatest respect for a
good pint of clothes. What they conceal, and
how little they reveal of what I've seen at the
beaches is magic.
B
their swanky sport clothes for me. and
the young man modeling has God's gift to
women. One outfit in particular, that he
showed to excellent advantage, was a pair of
soft grey flannel trousers worn with a brown
sport coat of exquisite Shetland wool. Patch
pockets: rounded corners, and half belt made
this a swagger garment. Jees! It was good.
Wonder why there isn't more modeling done
in men's shops?
You sort of carelessly fling your coat over a
chair when the label reads Bullock and Jones,
for you know it stands for quality and cor-
rectness.
I picked the Knox Shop for sweaters. They
always have something just a little bit out of
the ordinary. Some slip-ons of alpaca wool I
had never seen before, and handling them. I
found they were feather weight and as pliable
as a glove. Almost fragile, they have just the
right amount of warmth under a coat, or for a
little added weight on the golf course. You
have to have money, jingling in your pockets,
to make a purchase of these for they are top-
notch. Every man should have a couple in his
wardrobe. They are de-lux.
Now that I had visited the two places for
sport togs. I went into Hastings bent on find-
ing out just what the man in San Francisco is
to wear for business this fall. Hastings, of
all places, should know, and they answer
promptly, without hesitation. Unfinished
worsted. Dark shades to hit a happy medium
at business or small functions. Confessing a
weakness for double-breasted coats. I asked if
they were to be worn. Yes ! very good style,
and the gratifying information as to why
they weren't worn more was because the man
sitting at a desk all day finds it most incon-
venient to unbutton a double-breasted coat
often enough to get at all the gadgets — -pen.
pencils, notes, etc. — that go to make a big
operator. If your particular job is one in
which you stand by all means buy a double-
breasted coat. For example, if you sell unem-
ployed apples. W-E-L-L!!!
*WSJtat
RWILELDERS
239 PoshSlreer. San Francisco
TO MY NOTION a man comes to full flower
in a dress suit. You all look as if you are
gentlemen and we girls have to have our
illusions.
Our men west of the Rockies still adhere so
closely to their he-man traditions they are un-
duly sensitive about getting into dressy togs.
If one of them finds himself in a long tailed
coat, and most of the rest at the function are
in dinner coat, he immediately gets pink under
the collar, and tries to hide down the drain
pipe. Sap! He is the one correctly dressed and
should be hit with a jimmy, he's unconscious
anyway. Take it from me. gentlemen, the
proper dress at functions after four o'clock is
the long-tailed coat. I quote Robert Roos of
Roos Brothers. Stockton and Market Streets.
Worn with accessories of stiff bosomed shirt,
tie and vest of waffle cloth, you are very
proper. Shiny silk toppers for weddings and
dull ones for opera. Beltless overcoats. These
are correct in a nut-shell. And don't forget
you can be dressed thusly "Nor lose the com-
mon touch.'' Roos Brothers have a marvelous
line of evening clothes, complete in every
detail.
►
•
\ Peter D. Conley
<
<
> Announces
<
<
. Rupert Hughes
Oct.
26 <
( Hon. Winston Churchill .
Nov.
20 <
* Michael Strange ....
Feb.
9 :
' Sherwood Anderson . .
Apr.
12 -
■
► In Lectures At
<
[ Scottish Rite Hall •
> BOX OFFICE: SHERMAN CLAY a CO.
Margery G- Phillips
THE BIRDS
Delicious Food
Plentijully Served
LUNCHEON
11 to 2
33c. 50c
Phone
GArfield 3275
DINNER
5 to 7:30
50c. 65c
256 Sutter Street
SAN FRANCISCO
Opposite White House
31
SEPTEMBER, 1931
Someday
smiling fortune will
escort you to the
world famous
Cocoanut
Grove'
at the
Ambassador
Los An&clcs
There, beneath an
azure sky, graceful
palms and twink-
ling lights you will
dance, as you never
danced before, to
the most alluring
of dance music.
You are sure to see
many of the world's
most famous
^Motion
Tifiure^ Stars
In fact, at the Am-
bassador you are
sure of enjoying
California at its best.
Open Air Plunge,
two Golf Courses,
MotionPicture
Theatre and
every outdoor
sport.
Writer for Chef's
Illustrated
Cook Book
BEFORE donning any or all of this fine rai-
ment, get a share on a facial at Franks in
the Mark Hopkins Hotel Barber Shop.
Frank has the gentle art of dreamily relax-
ing you. while in the process of making you
look like an Arrow Collar ad. Don't tell me
you don't like to look like Julian in the
poster. He's swell, and Frank knows how to
work the metamorphosis — some word.
Across the way this week at the Fairmont
Hotel Mrs. Pringle has a display of garden
and patio furniture in George Hyde Studio.
Made of wrought iron frames, originally de-
signed, she has very cleverly used raw hide
and woven reeds in unusually artistic combi-
nations. Everything is weather proof and her
reeds are the same that Italian fishermen use
for their baskets. They are very lovely and a
wheelbarrow of these same reeds became a
vision of beauty, filled with big yellow and
bronze mums. Gord! Heavens! Page John
Held. Jr.. I've an idea for a stunning poster
and this barrow is the central object.
Mrs Pringle is teeming with new ideas tor
garden furniture, and if you are interested
that way. you will get an enormous interest
out of a visit to her Burlingame shop.
The Unique Shop is a new store in our
midst located at Stockton and O'Farrell. A
visit yesterday through the building amazed
me at the amount of business activity in this
short time.
Semi-modernistic in its appointments, its
lighting effects took the eye.
They show real genius, for every piece of
merchandise is displayed to its best advantage
without detracting a bit from the artistic ef-
fect. I got a kick out of the hum and bustle of
real business. It looked good.
Coyly perched on the fifth floor of 256
Sutter Street is a find in a real tea room, The
Two Birds." Scrupulously clean, every effort
is put into good food at most reasonable
prices. It's a discovery of which I am unblusn-
ingly proud.
On the mezzanine floor in Gumps hanging
on a wall is a Turkish rug that would cause a
panic in Persia. It was my good fortune to
have Robert Gump enlighten me as to its his_
tory. One must get saturated with art and
necessarily history lining among the beautiful
things at Gumps. My first impression of the
rug was that it was very large, very, very old,
and that the colors of pink. blue, and white
<omehow looked soft beige. Mr. Gump in-
formed me that it originally was much larger;
that it was woven in the sixteenth century,
and that the blending of faded colors gave the
beige effect or tone. This rug is really a mu-
seum piece and little old San Francisco should
sit up and take notice, for having such a work
of art among us even for a short time. Woven
under Mahomet the Third of Turkey it would
necessarily be exquisite, for rug meaning
reached its crest during his reign. Mahomet
himself was some lad. He took eight older
brothers for a ride before he got his hands on
the throne and everything was naturally on
the up and up under his rule.
A peculiar motive of a knot shows the
Chinese influence, and makes one think how
interesting it must be to delve into the history
of rug meaning and how very old the art is.
Take a look at this piece of magic carpet
and go home and weep over your cottony
Kirminshaw.
Aloysius
Sez:
"the boss is
feeling keen
lately— Pro
Grovelin over
at O'Connor,
Moffatt's 9olf
school showed
him how to knock
5 points off his
game
Golf School on the
Ninth Flooi — Roof
O'CONNOR, MOFFATT
& COMPANY
Stockton at O'Farrell
SUtter 1800
32
THE SAN FRANCISCAN
The Last Word
Continued from page 16
• The late, great author, D. H. Law-
rence, who wrote Sons and Lovers,
The Plumed Serpent, and Lady Chat-
terley's Lover, was married many
years. His marriage was never consum-
mated. He was always sexually impo-
tent; his highly-sexed books were the
raging of unsatisfied desire. So says J.
Middleton Murry, widower of Kath-
erine Mansfield, a confidant of Law-
rence. Widow Lawrence expresses in-
tense grief, exasperation, at Murry's
disclosures. I believe Murry; I guessed
the facts from observing Lawrence
and his wife, and from reading Law-
rence's obsessed books. Withal, Law-
rence was an outstanding writer, with
a remarkable gift of language and
knowledge of human nature.
• Why do rental requirements differ
so in cities? In San Francisco, you take
an apartment by the month, are sel-
dom asked to lease. In New York, to
rent any good apartment you must
lease it for a year. In Paris, Nice, any
of the Riviera cities, you must pay
half a year in advance. In San Fran-
cisco, today, are fifteen thousand va-
cant apartments, hundreds of empty
store floors and buildings. Building
and business overplayed their hands.
One good result is that ugly, old, un-
comfortable apartments, flats, stores,
must be torn down, as unrentable. So,
in business, banking, brokerage, farm-
ing, the unfit for the struggle must go,
are dropping out fast. Even in boot-
legging, high finance, able bribers,
wholesale importers and makers, sup-
plant the small fry. With several bil-
lion dollars a year to take in. bootleg-
gery is reorganizing its house, assisted
by government officials, judges, police;
all wanting big boys, regular guys, to
deal with.
• Hundreds of hours I have wasted
all over the world with empty people,
pretenders, fakirs, vagabonds. Why?
I was always seeking something indi-
vidual, different, original; anything
but the common mold of business,
finance, diplomacy, society, sectarian-
ism. And what disgust, after listening
and looking so long, so many times,
to find, usually, only a copy, pose, a
sudden disclosure of ignorance; of
credulousness about some prophet,
book, hatred, class! Once, in Italy, I
was spending a happy day on a sunny
beach with a woman stranger. All
went well, till she said, after a fiasco
of Chianti vecchio, "Now, the Jews
must be destroyed. They are plotting
the end of the white race. They
brought on the war. Have you read
the Seven — ?" The heavens grew dark
for me. I excused myself, as a man can
in Italy, but never returned to the
sands. Yet, Ford, the father of Lizzie,
believed all that, once.
• Golf was invented by the Dutch:
discarded, after many paintings of the
game; the Scotch took it up, and.
then, the English. I have played it,
futilely, in Asia, Africa, and the
Americas. I detest it, its associations,
connotations: only, its potations I
like, and without the lies, boasts and
arguments, in the locker-room. For
women, golf is fatal to beauty, grace,
fascination.
• The Salvation Army, originating
in London slums, has kept its cockney
atmosphere. But. alas, it has become
respectable. The great war, in which
it fought with the devil (on his side) ,
resouled it, and heeled it. If hard times
continue, it may again be what Old
Booth started it as.
• In Los Angeles, a priest, for not
paying a taxi fare, was thrown into a
drunk cell with two Indians. They
beat him to death. They were, evi-
dently, making him a good Indian,
from the frontier standpoint.
You are judged
by what you read — if you
enjoy the stories, articles
and humor of The San Fran-
ciscan each month you will
appreciate the service of the
distinctive firms that adver-
tise in its pages . . . Adver-
tisers buy space in the San
Franciscan because they
have something important
to tell people who like what
is published in this particu-
lar magazine . . . Each ad-
vertisement in this issue is
written directly to you. Give
it the consideration you
would give any personal
message.
— The San Franciscan
moass
The Ambassador Hotel is repre- '
sentative of everything that the '
finest hostelry can be in location
...charm... excellence of menus
and service. . .A roster of its guests
is never without one or more
names of celebrities of the old
world and the new. It is in the so-
cial center on one of the world's
most famous thoroughfares ... .
PARK AVENUE AT 51st ST., NEW YORK
A T I A NT I C CI T Y • P A L M B E A C H • I OS AN G E t,E$
SEPTEMBER, 1931
33
Just Around the Corner
Continued from page 7
cently heard suggestions to destroy
this cotton — to get rid of these sur-
pluses that are demoralizing the mar-
kets of all the world.
"Two wrongs never make a right.''
To destroy necessaries that other peo-
ple greatly need is criminal; and,
China's miserable starvelings aside, we
have at home some seven millions un-
employed who may be needing wheat
and cotton before the winter is out, if
only these surpluses can be wrought
into food and raiment for them.
Aside from these economic trou-
bles that fret the coming winter of
our administration's discontent, we
have such movements afoot as that
of the newly organized Federation
of American Business Men, which
complains that the Federal Farm
Board, and the seventy-nine other
governmental agencies now at work,
are using the tax-payer's money, in
this era of universal depression, to
compete with the tax-payer's busi-
ness. We have also the great and
secret sorrow we nurse in our bosom,
and cherish as the harvest of our No-
ble Experiment — the reign of the
racketeer and the jails bursting with
malefactors who have sinned against
our precious Eighteenth Amendment.
Fortunately we are still able to find
The California Club
presents
a series of hour length Morning Musicales
to be held in the auditorium of the Club —
including house at 1750 Clay Street.
Mme. Maud Fay Symington — Dramatic
Soprano assisted by Frederick Schiller
— Lecture-Recital (The Operas of
Richard Strauss.) October 9, 1931,
11:00 a. m.
Mr. Allen Bier — Pianist. November 4,
1931, 11:00 a. m.
Mme. lone Pastori-Rix — Soprano assisted
by Edward Harris, December 2, 1931,
11:00 a. m.
Mr. Redfem Mason — Lecture (The Rela-
tion of Music to Literature). January
6, 1932.
Mr. Jascha Veissi — Violinist. February 3,
1932, 11:00 a. m.
Season Subscription
Single Seat . . .
$4.00
$1.00
Inquiries and reservations may be addressed to the
California Club Concert Series, c/o Mrs. White,
1750 Clay Street, San Francisco.
money for the building of new peni-
tentiaries to accommodate these in-
creasing hordes, and for extensions to
existing jail units.
There are people who ask whether
this subject will be extended into the
area of national politics at the presi-
dential elections next year, or whether
it will be stored away with our 300.-
000,000 bushels of wheat, and our
5,000,000 bales of cotton, and all the
other little odds and ends that we have
been laying by since 1928.
IN A great democracy like ours, the
politicians who handle the affairs
that were controlled by statesmen
in the past rarely care to risk them-
selves in supporting or opposing any
side of any controversial matter which
involves the entire nation.
Our Noble Experiment is such a mat-
ter. About two-thirds of the nation
writhe under its impositions, or used
to writhe under them until bootleg-
ging became our major industry and
bootleg liquor became our major poi-
son. Most of our practical politicians
and office-holders are competent drink-
ers; but, in deference to the well or-
ganized and bellicose evangelical
"drys" they profess adherence to the
principles of the Noble Experiment.
Therefore, even by the Democrats, it
has been largely suppressed as a major
political issue.
The traditional point of disagree-
ment between the Republican and
Democratic parties in recent times
has been the tariff issue. It is
widely conceded by adherents of both
parties just now that the present
tariff is unfortunate in its effects.
It certainly has not helped the farmer.
It seems to have strangled over in-
ternational commerce. Therefore if
matters progress along existing lines,
the Democrats at next year's elec-
tions will be content to subjugate
the Noble Experiment issue to a tariff
reform issue, and will probably re-
main as remote from the plums of of-
fice as they now are. If, however, the
administration reverses the existing
torts in the tariff at the forthcoming
session of Congress, and everybody is
made as pleased with the revision
process as everybody can ever expect
to be, then the Noble Experiment and
not the tariff, will be the issue of the
presidential election in 1932.
If this issue, as between the Wets
and Drys be made definite, and wet-
ness— for political purposes — be spec-
ified to imply only light wines and
beers, then whatever party supports
the Noble Experiment will be de-
feated, our jails will cease being con-
gested, a prosy and uniformed excise-
man will usurp the place now ten-
anted by the picturesque racketeer.
Spotlight
Continued from page 27
ter support than was accorded it the
night we attended. It has some arti-
ficialities but what play hasn't? How-
ever, we don't think the child added
anything to the development of the
drama. Child parts are always uncon-
vincing and whatever twists the little
nephew gave the situation could have
been either dispensed with or put into
another character's hands. A risque
word or two in the dialogue might
swing the public toward the Colum-
bia. If Emmy's daughter only en-
larged on the drawbacks of being a
virgin it might help. But it happens to
be a clean play about fundamentally
clean people. Helasl
Merry-Go-Round
Continued from page 29
■ ittle Alexander Politzer, son
l of Mr. and Mrs. Jerome M.
"™ Politzer. christened in the new
chapel of Grace Cathedral on Nob
Hill in August, will be well protected
through life if his two godmothers,
Miss Maye Colburn and Mrs. Duval
Moore, and his godfather, Judge
George Crothers, do their duty as it
is laid down in the Prayer Book.
I
Suits ME
for K
Preparatory School Lads
in the distinguished, aristocratic fashions
worn by the boys who attend the great
American Schools, among which are St.
Paul's, Pompert, Groton, Exeter, And-
over. . . .
Notable distinction in woolens and
absolute correctness in style are the
dominant characteristics of FAIRMONT
BOYS' APPAREL SHOP.
Overcoats are doublebreasted and in
raglan models camel's hair, cheviot,
fleeces.
Let us assure you that our prices are
notably moderate for apparel of this char-
acter.
Large stocks now available.
Sizes from six to twenty years.
Fairmont Hotel
817 Powell Street Phone: SUtter 5504
34
THE SAN FRANCISCAN
Merry-Go-Round
Continued from page 33
THE latest in New York's exclusive
set during a fashionable dinner is
to have a gypsy orchestra play
during the service and later. This for
those who can afford it. Mrs. Tiffany
Saportas gave an elaborate dinner
lately at her summer home. Fair-
haven, in Newport. R. I., for Mrs.
Muriel Vanderbilt Church and her
fiance. Henry Delafield Phelps, when
a Hungarian gypsy orchestra played
throughout the repast. One is prone
to agree with Emerson in regard to
conversation during these musical re-
pasts that "Conversation in society is
Why Not The Best ?
Learn TENNIS From
HOWARD O. KINSEY
World s Professional Doubles Champion
Kinsey Rackets
and
Other Models sold
Expert Stringing by Pete Kalis
WE St 2169 California Tennis Club
Dish and Scott Street;
found to be on a platform so low as
to exclude science, the saint and the
poet." Many highbrows lately have
asked the question if it were not better
to do away with orchestras and bands
during dinner in order that wit and
repartee might save conversation from
fast becoming a lost art.
THE lately organized Spinsters
Club, whose list was carefully re-
vised last year, is about to lose an-
other prominent member (as the name
indicates, only spinsters are eligible to
membership). Reference is made to
the announcement about a fortnight
since of the engagement of Miss
Francesca Deering to Thomas Carr
Howe. Jr.
Miss Deering is the only daughter
of Mr. and Mrs. Frank P. Deering.
She made her debut at a large ball
given at the Hotel St. Francis in 1923.
She had been graduated from Miss
Burke's private school and with her
mother started off shortly after on a
tour of the world. They spent the
winter in Egypt, and the following
winter in India, between whiles trav-
eling extensively over Europe.
The little boy was christened be-
fore a gathering of his parents' friends
in the chapel which was the gift of
Mrs. William H. Crocker, and dedi-
cated to her forebears, the Sperrys of
Stockton. The baptismal font was
also a gift of Mrs. Crocker and dedi-
cated to the memory of little Alexan-
der Politzer's maternal grandfather.
Rev. Robert Chester Foute. for years
rector of Grace Cathedral when it was
situated at the corner of California
and Stockton Streets before the fire of
April. 1906.
Old parishioners of Grace recall the
little Titian-haired girl who toddled
down the aisle after her mother when
her father was rector. They called her
"Gussie" then. She's the mother of
four sturdy children now, three sons
and a daughter. Her husband is one
of our brilliant attorneys.
Cou
rvoi sier
480 POST STREET . SAN FRANCISCO
Telephone GArfield 5657
EXHIBITION AND
DEMONSTRATIONS
Of
JAPANESE PAINTINGS
By
CHIURA OBATA
Tuesday 3 to 5 o'clock
Sept. 10 to Sept. 26
Biltmiore
Open the entire year. American plan. Private bunga-
lows or hotel rooms. Exclusive beach and club house.
Swimming pool, tennis courts, and beautiful grounds.
CHARLES D. WILLSON, Manager
fnarrcn
SAN FRANCISCO, CALIFORNIA
DESIGNERS AND MAKERS
OF COMPLETE FURNISH-
INGS FOR HOMES, CLUBS,
HOTELS, OFFICES, ETC. YOU
ARE CORDIALLY INVITED TO
VISIT OUR STUDIOS AT
1501 SUTTER STREET
P H O N
O R D W A y
4 5 12
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